text:
A Conversation with Carl Rakosi
by Steve Dickison
The nearly eighty-year publishing history of American poet Carl Rakosi begins in the early 1920s, with a number of poems in a college magazine, at the University of Wisconsin in Madison, then in several national periodicals and "little magazines." An invitation from Louis Zukofsky to contribute to the "Objectivists" issue of Poetry magazine (February 1931) was followed by inclusion in An "Objectivists" Anthology (1932), published in France by George and Mary Oppen's small expatriate press, To, Publishers. He, Zukofsky, Oppen, and Charles Reznikoff would be known henceforth as the core group of "Objectivist" poets. Mr Rakosi dropped out of poetry publishing between 1941 and the mid-sixties, devoting himself to social work. Since his return to poetry, books of new and collected earlier work have been brought out by New Directions, Black Sparrow, the National Poetry Foundation, and Sun & Moon, among others. Still prolific as he approaches his 96th birthday, Mr Rakosi has had two recent books published in England by etruscan books: The Earth Suite (1997) and The Old Poet's Tale (1999)-the latter the first of three volumes planned for publication as his Collected Works.
On a brightly lit, warm Tuesday afternoon-late San Franciscan summer weather in September-we met at the poet's home, a modest flat in the city's Sunset District, where he lives with his friend Marilyn Kane. The note beside the doorbell on street level reads "C. Rawley / C. Rakosi"-Callman Rawley being the name under which Carl Rakosi practiced professionally, reserving his given name as his nom de plume. Elsewhere he's explained that during his early years no one in the Midwest could pronounce "Rakosi," and there were fears, too, that a foreign name would make it tough to get good work and make a living.
His apartment's main windows face west, looking out across the densely aligned rows of the neighborhood-nearly all smaller domestic buildings, single-family houses or stacked duplexes, like the one we're in-toward the Pacific, some blocks off. On the mantel are several pieces of elegantly sculpted wood and clay figures, which were made by his late wife, Leah. An impressive stereo system stands in the living-room-the core component of which, a McGregor pre-amp, Mr Rakosi tells me was added to the assembly last year. Sitting out are CDs of Webern and Schoenberg, and of John Field. Later, after our taping session, we'll sit down and listen to a few things, some favorites. Artie Shaw's "Concerto for Clarinet," a virtuoso showpiece written by Shaw and recorded in 1940, then several of Fats Waller's early songs on RCA with his small band, The Rhythm Stompers-"A Porter's Love Song to a Chambermaid," "I Wish I Were Twins," et al.
Our conversation took place on 21 September 1999, a week and a half after Mr Rakosi's reading to a capacity audience of 150 at the Unitarian Center on Franklin Street in San Francisco-the first event of The Poetry Center's 1999 fall season-and was taped, then transcribed that evening and over the following days, with minor edits. Things start off with a twist of Borgesian confusion, in my relating the coincidence of a recent meeting with another man the details of whose biography parallel Mr Rakosi's somewhat remarkably in outline.
-SD
So, I thought that, basically, I have a bit of a game plan, and I'd just throw it out here, and we'd watch it fall apart.
Watch me tear it apart?
A week ago I had lunch with a gentleman who was Jewish Hungarian, he had lived in Chicago, in New Orleans, and he now lives in the Bay Area and practices as a therapist-
Oh, I thought you were talking about a different person.
-Well, I am, actually. I mentioned your name, and he corrected me: R�kosi, it's R�kosi. The Hungarian gets the accent on the first syllable.
I was wondering about your early recollections of Europe, what kind of effect that might have had on your poetic life.
It's not so much "early recollections"-but the fact that my parents were European, I got from them essentially a European � a sense of European culture, that is not American. And, that has remained with me-and I really don't want to leave it either. So, I suppose that makes me a little different from the other Objectivist poets.
My parents were highly acclimatized Hungarians. My father served in the Hungarian army, he was a Hussar, and I remember seeing Hussars-there were cobblestones in the streets in Baja, where I was brought up-I remember Hussars dashing by on their horses, and it was really very splendid. They had brilliant red coats, that the Hungarians slung over one shoulder, it was strapped. I've never forgotten that. Also, there was strife-there was no ghetto for the Jews in Hungary, but of course they tended to live in certain neighborhoods. And, neighboring neighborhoods consisted of Serbs, Serbians. So, one of my memories as a little boy-a very little boy-was that the Serbian kids attacked the Jewish kids, and they began throwing stones, heavy stones, at each other. I was only about three, four years old-it terrified me, I ran into the house to get out of it. Anyhow, that's part of me. And then my father, both parents, really loved Hungary-and that has stayed with me. Otherwise, why would I be much interested in Hungary?
Has your interest manifest itself in musical directions-Bart�k? Kod�ly?
Oh, yes. Oh, sure. Kod�ly, in particular. Bart�k is a hard nut to crack, particularly in the quartets. But yes, when I hear Hungarian music, my temperature goes up. Liszt, as much as anybody. Although Liszt gives credit for Hungarian music and his own music to the gypsies-so I don't fully know what original, authentic Hungarian music is. Bart�k tried to express it, but he was a great innovator. And if Hungarian music was a little like his quartets, it's pretty tough. When it comes to his pieces called "Hungarian Folksongs" and so on, of course that retains the original Hungarian music.
You mentioned the poet [Sandor] We�res in an earlier interview.
Oh yes, We�res. I visited him, with my wife, in Budapest. He was the reigning Hungarian poet at the time, and even in translation-I don't know Hungarian well enough to really read much-it held up very well. He's a very impressive poet, great stature and dignity. Unfortunately, we had trouble communicating, because he didn't know English and I didn't know enough Hungarian to be able to do it. I hoped maybe we could do it in German, but we couldn't. His wife helped out, she knew some English. I gave a reading, you know, in Budapest to the PEN Club, a number of years ago-and they were charming. This is part of what still charms me about Hungarian manners. Prior to my reading, one of the sponsors, a lady, came to the hotel with a bouquet of flowers. I mean, that's very European, and I love it.
Maybe we could talk about music a little more. I remember a remark you made about Satie-maybe in the Day Book-that you, like Satie, had an affinity for "a harmony of unresolved chords." I'm wondering about that "un-resolution."
Well, that's what poetry in essence really is, a revelation-a discovery of the unknown, in a good piece of creative work, that's what it is. Now, I think Stevens understood this quite well. At the same time, what Stevens does-he moves it into an area of abstraction. Which has it's own interest, but it's not the direction in which I was ever interested in going. In fact I've fought against the perils, the attractiveness of abstraction, all my life.
I've thought that a fairly distinctive and peculiar aspect of your work has been its kind of insistence on focus-
Oh yes, oh always, focus. But, always, reality. There's not much sense of the real world in Stevens, for example. He has his own beauties, but. . . . Stevens had a very strong influence on me, at a certain time in my life-
Harmonium?
Yeah, and I had to stop reading him. Because, I felt-my own individuality felt threatened. He's a powerful, powerful influence.
He's made a really strong impact on somebody like John Ashbery.
Oh, yeah. Except that I don't think-oh, that's intriguing-I don't think Stevens would have approved of Ashbery. Because Ashbery's whole point is appearing to be perfectly rational, and deliberately never coming to a focus, or to any kind of resolution.
So is that the "harmony of unresolved chords"?
I don't hear Stevens' music in Ashbery. He has his own. I'll tell you an interesting experience I had with Ashbery. [Robert] Duncan and I were very good friends, very close, and Duncan was invited to a little party on Fifth Avenue, an apartment on Fifth Avenue, by some wealthy Greek woman. Ashbery was, I think, a guest there at the time. That was my first meeting with Ashbery. There were two big tables, and we sat around-Duncan and I and Ashbery and a few others-at this one table, and Ashbery's a big talker. And Duncan was an even bigger talker. I noticed that the wine was passed around and Ashbery filled his glass all the way to the top so- he had to bend, he couldn't lift it otherwise he would have spilled some of it, so he had to bend down to drink it. And it was a wild and fast conversation between Ashbery and Robert. I didn't say a word, and Ashbery didn't pay the slightest attention to me. Well, after dinner we went into the living-room, and it was time to leave, so I walked over to Ashbery to say goodbye. And he says, "You're not leaving are you?" I said, "Yeah, it's time to leave." So he grabs me by the arm and pulls me to him, right close to his face-hey, wait a minute-and he recites a poem of mine, that had been written twenty years before, which he says he'd never forgotten.
[The wayfarer met the passerby
in death's champaign of flowers.
As the lint blew through their skulls
they spoke discreetly of the next world,
of the slobland to the left
and the awful coprolite above.
The words were impressive and muted.
Suddenly the one preoccupied
with his obsolete luetic eyeball
made a meaningless aside
in keeping with the serious scene.]
But I must say, I can't read Ashbery. He annoys me. Because, either you make a point-some point-or you don't try to make a point but at least you have some magic in your lines, you have some mystery and so on. He doesn't have it. It's gossip. I never could understand why-he won every prize, he continues to win prizes, I mean, academia loves him.
I noticed in the paper yesterday that Elliott Carter had his first opera premiered in Berlin, on Sunday night, at age 90-it's called What Next? Maybe it's something in the air, but I've just been running into various people of late that are in advanced years who are incredibly productive.
Oh, yeah. One of the absolute myths about old age is that one loses one's creative potentialities. It's an absolute myth. It's based partly on the medical-I suppose it's a fact, that you lose a lot of your brain cells, and you start losing them very early on, I think in your thirties even, and that you don't reproduce them in your old age. That may or may not be true, I don't know. -But I know from experience that it just isn't so, it's a myth. And it's such a deeply entrenched myth. I've run into problems with it in my own life. I used to be on the board of directors of the Jewish Community Center here in San Francisco. So, I'm a former social worker and psychotherapist, so I thought I would have something to contribute to the board, from my knowledge and experience-and I would have, too. Well, the board did not consist of senior citizens, they were young people in their thirties, forties-and they barely listened to me, and they paid not the slightest attention to what I had to say. The clear implication was, ok, we'll let this old guy talk, but let's get on with business.
You know, you worked as a social worker and a therapist, and-I think in Andrew Crozier's writing somewhere, I noticed that you were drawn to Otto Rank's work.
Yes, well that's interesting. Rank started out-he was an Austrian-he started out as a poet, and I read some of his poetry in German and found it very good, very good. But he gave it up and became interested in psychology and joined Freud's circle in Vienna, because Freud didn't stipulate that in order to be a psychoanalyst you had to be an M.D. In fact all but I think one or two of his circle were not M.D.s. Well, Rank was highly respected by Freud, became secretary of the Viennese Society for Psychoanalysis and went along with Freud, and then, from his own practice realized that Freud was all wrong. That you couldn't really change people by simply analyzing what you thought was in the way of their normal behavior, and just telling them what was wrong. He went at it in a different way. First of all he had to evolve his own concepts about how to do it-what was the nature of human nature. So he wrote a number of books that are still brilliant, terribly-in terrible language, very involved, very involved-but they in their brilliance reminded me a little of Nietzsche. And then he began to practice in Philadelphia-first in Paris, and then in Philadelphia. His approach was not to-he refused to start with any preconceptions with a new patient. He started from scratch, listened, and then might suggest something to the patient that could be helpful, or might not, but let the patient work it out himself. Not have the power and the drive coming from the therapist. He knew that was the only way-the only way a person would change is if he changes himself. An outsider can't change him. That's essentially the difference, the total difference with Freud. Freud did not have that concept, and when Freud found out what Rank was doing he just disowned him. Rank was always a realist when it came to the outside world.
Did you meet him?
No, I missed him, by one year-because, I was a student there.
You mentioned that, like Williams, you were both in "the helping professions," and I'm wondering about the discipline and practice of attention that takes place-whether one is a doctor or a therapist or a social worker dealing with an individual. That seems to me that it has to enter into, somehow, the kind of attentiveness and discipline that one has toward poetry.
Oh, I think you're right. I hadn't thought of it that way, but it's true-in all good therapy you have to be disciplined enough to keep your own needs out of it, certainly to keep your biases out of it, and to really stick with the patient . Really stick with him, and be loyal to him-
So that's like sticking with the poem despite not knowing where it's going-
I find that you've written, very movingly I thought, about the circle of close friends that were writers in Wisconsin: Margery Latimer, Kenneth Fearing, and-the other fellow, the Armenian . . . Leo-
Leon. Leon Serabian Herald.
With so many writers, this initial time of coming into a circle of 'like minds' seems to be really essential to writing, this coming into a community of writers-
I'm not so sure of that. No, I'm not sure whether that's necessary. It just happened. And it was lovely, unforgettable-but I wouldn't go so far as to say that it's necessary.
Kenneth Fearing strikes me as someone who-he's a very compelling individual, and, for us looking back on the 1930s in particular, a lot of the contradictions seem to be bound up in a character like him. Where, here he was very close to New Masses magazine, and yet you've said that he was "essentially a-political"-
Absolutely. Nobody else seems to think this, but I knew him, he was my roommate. I was so sure that he was a-political because he used to make fun of me for being political. 'Cause I was always political. Yeah, he was an interesting fellow. He was a compelling person without being in the least assertive. He was a very early rebel. Not because he was trying to be a rebel-that's the way he naturally was. He would let his hair grow long, which at that time you just didn't do. He would wear anything. Yet he had a kind of personal magnetism about him which made people surround him and listen to him. They wanted to hear what he had to say. He was- At that time, you know, very few people were cynics-that was most extraordinary. Now, we're talking about the 1920s-you just didn't have cynics. People were very optimistic about life. He was a cynic- Well, gee, that was interesting. He was cynical about the communists. He was cynical about everything-except his friends. He was a good friend.
There's that wonderful remark before the McCarthy hearings-
Oh, yeah. He repeated that to me and I can still hear him say it. Here they were pestering him, one question after another. And this is interesting-he always elicited respect for some reason. I couldn't figure it out, but he did. They all respected him. And after being badgered for 20-30 minutes about was he or was he not ever a member of the Communist Party?-did he ever have any friends in the Communist Party?-and was he ever, ever, ever in the Communist Party?-and Kenneth shot back, "Not yet, Senator! Not yet!"
Do you think there's anything to be said for a sort of 'Midwesternism' among the writers of that time?
Oh, yes. Oh, you bet. In the early period-up 'til fairly recently-the Midwest was the heart of American industry. It hadn't moved south yet. There was a very homogeneous population in the Midwest. And you had, developed over the years, a kind of American psychology-behavior, manners, aspirations, and so on-which was distinctively Middlewestern. Now the best expression of that was Sherwood Anderson. You move over to New England, it's very different. The West didn't have anything at that time, that I can think of. The South did-the South was as different as it could be. That is, the Southeast. The Southwest hadn't developed much.
-Anderson was in Ohio. . . . Then there's that whole generation of poets afterward-people like Tom McGrath, Meridel LeSueur.
That's right. Yeah, they were both good friends of mine. Tom had an interesting- I was on a panel with the two of them at one time, out in, I think in South Dakota somewhere. And Meridel LeSueur-who had written some beautiful prose-began to talk about the people. She was always an avowed Communist. Anyway-"the people this," "the people that"-painting them as in glowing colors of course, the implication was. I said, "Meridel, what people? What people? I don't know any just people."
Did you know Meridel when you came back to poetry in the '60s? Was that when you connected with her, or-
Oh, no. Meridel was a great fan of Margery Latimer's. They were early friends. Oh, she adored Margery. And that's how the two of us got together, because, when I was in Minnesota-that's where she lives, or lived. She died a few years ago.
Some of those figures like her- Her reputation was very, very tied to that regional zone-she wrote, like, North Star Country, the book that was one of the WPA books, the history of that part of the world.
She was a lyrical prose writer. I liked her- I liked her personally too. She became almost a sacred figure to the young women in Minnesota. And I was glad to see that.
Was Mike Gold anyone that you ever ran into?
Oh, that son of a bitch. I sure did. Yeah, he was editor of-was it The New Masses or the old Masses? Anyhow, I had a few things in The Masses-I don't remember which-but, he was merciless in the way that as editor he wiped out poets who were simply lyrical and were not interested in just writing poems that adhered to the communist line. Just merciless. And he had a group of henchmen around him that did the same thing. I never met him personally.
I brought his name up because I think his novel, Jews Without Money, was a wonderful book.
Yeah, that book was good. Yeah, very good.
Did you know Williams? Did you run into him at all?
No. I didn't meet him personally. But, at one time I applied for a Guggenheim, or I thought I would apply for a Guggenheim. So I wrote-I wrote Stevens, I wrote Williams, and I wrote Marianne Moore. Williams sent me a rhapsodic response, saying my work was exactly what he admired. It was just a wonderful letter. Stevens was a much better critic than Williams-much better. Stevens, he was sharp. He wrote back to say that, if he understood what I was really getting at, he thought that was what poetry needed at that time. It had to do with a sense of realism. But, he said, the Guggenheim people are just as capable of evaluating you as I am, and I see no reason for me to write about you. Marianne Moore totally rejected my application I would have sent in, on the grounds that- You know, at that time for a Guggenheim you had to give them a project. So, my project was to be the psychology of the poets. And she didn't think that was a worthwhile project to pursue. Well, in reading through Marianne Moore's correspondence many years afterwards, I discovered that she just hated my work-partly because Pound had extolled it so highly and compared me to [Kenneth Burke], who was really a first-class critic and scholar at the time. And Marianne Moore thought that was awful, that I would be compared to this guy. So I never got a Guggenheim.
So it was a number of years later then that you were able, on your retirement, to break away-
Yeah, it wouldn't have been possible until then. And it might not have happened, either, if Crozier hadn't written me. Because I thought I was dead to the world, to the outside world-and that nobody was or would be interested.
Andrew Crozier was a student at Buffalo-it was before it was SUNY, Buffalo. Charles Olson was there and attracted a lot of students from all around, and Andrew had come over from England, and did this detective work, and unearthed-
Well, Olson steered him to me. And that's when he began to collect-
I wasn't aware of that. And he stayed with it, too [see Poems 1923-1941, edited by Andrew Crozier, Sun & Moon, 1995]. The fellow that's publishing your new work, Nicholas Johnson, was he a student of Andrew?
No. Crozier was a student of Jeremy Prynne's, at Cambridge.
There's a way in which, I think of it almost as this kind of coincidence of a happy rescue, or something-that your work was discovered even before you had begun to reassert it, in a sense.
Well, I didn't know-I never met Olson, because Olson thrived during that whole period when I didn't even-I never read poetry, I didn't think poetry, and so on.
In a number of ways, these kinds of discoveries-you've been very, how does one say- I mean, certainly elements of luck and elements of help from various friends and allies, and unknowns out in the world. I recall the story of Margery Latimer leading you to Jane Heap and The Little Review, and Pound leading Zukofsky in your direction, to bring you into the "Objectivists" then-
No, that isn't the way it happened. No, Zukofsky and I appeared in [Pound's] magazine, The Exile. So Pound came to know the two of us at the same time. He didn't steer Zukofsky to me.
I see, it was the coincidence of being published together. You say somewhere that you were friends with George Oppen for sixty years before you ever met or had any correspondence. Was Reznikoff someone that you spent any time with?
No. Actually I had only one personal meeting with him, in which we really talked. That was at his home in New York. But, as I said elsewhere, he was a very quick, birdlike talker, and he talked and I listened. There wasn't much exchange there. So I came away from that-I don't know what to call it-visit with him, knowing quite a bit about him, but he not knowing nothing about me. But he was a very nice sweet person. Very sweet. I had a feeling that his wife really ran that household. That she merely tolerated him intellectually. Because she had a Ph.D. in English and taught at the University-in Massachusetts, Brandeis. Not only did she feel herself much superior to him on those grounds, but also she was, really, a foremost Zionist leader-a leader of the Zionist movement in this country. She was an important personage. And he was just a sweet, gentle poet. About Charles, by the way, it's interesting- I read with him at this national "Objectivists" conference in Michigan, in the 1970s. And, he too, at lunch-time students would just gather around him. There was something quite loveable about him, and they liked him. I myself thought he was a bad reader of his own work, at that time, because-his poems are very difficult to read well anyhow. Because they're not only short, they depend for their effect on tone inflection and a number of things in which voice was very important, in order to get it through, otherwise it's just dead. And I didn't think he could do it, at that time.
I wonder if his reading-my guess would be that there may not have been much if any opportunity for him to have done that, prior-
That's the conference to which Zukofsky refused to come. He sent a very curt reply: "Not interested." Indicating that he disliked the rest of us, he wanted nothing to do with us.
You had mentioned earlier that you enjoyed jazz, and I was wondering where your tastes went in that direction, your affinities-
Yeah. Well, there's jazz that I admire because of the artistry, the way in which very ordinary, plain, and boring popular songs are made into creative things. The best example for me is Artie Shaw-and Bennie Goodman. Wonderful. But for sheer fun, for me, Fats Waller's the guy. Oh, I love Fats.
Did you have the opportunity-I know you lived in New Orleans, did you hear live music at that time?
Oh, all the time-it was on the street. Little bands would come out, march down the street. I lived in the French Quarter-I had a wonderful apartment in the French Quarter, I was single then. It was great. You'd hear-I didn't go to clubs, I don't know whether they actually had clubs at that time, for jazz. Jazz used to be played in whorehouses, actually-which I suppose is sensible.
When did you live in New Orleans?
I was there in the 1930s. When it was a much smaller city, and it was the most-by far-the most interesting city in the country. Far more interesting than San Francisco in those days-
I think it still is in some ways. . . . You feel, it's like there's a palpable sense that there were French here, there were Spanish here, the Indians were here, the Black people are still here-they all are-and the Cajun culture, all of it. There's that mix and blend which is so alive, and so part of it, that it's really like you're not within the U.S., in a certain way. You're in this little nation state of its own.
Exactly. It felt like a different country. Yeah, and at first I didn't care for the way the girls looked, and then it all of a sudden hit me-hey, these girls are beautiful. They, the women were-well, it was much more, for one thing in the 1930s it was sexually much more open than any other part of the country. Oh, by far- And the only problem for me was I couldn't keep up with the women and drink, they would drink me under the table. Yeah, I love New Orleans. One of the most interesting trips I took was down the bayou, all the way to the tip of the Mississippi. It was a narrow-the bayous are narrow and, having weeds around, real tropical looking. And on either side, the people lived on fishing. Anyhow, that was exciting. I mean, you felt as if you were in tropical Africa, just going down in a little boat, all the way to the Gulf of Mexico. And there I found little black boys fishing, so I joined them. I caught a little shark, and they fried him right there on the sand. It's just a different part of the world, really. But the Cajuns, I don't have any great admiration for the Cajuns. They're mean-at that time, I don't know what they're like now. But I remember, I went with another fellow to a small Cajun town, somewhere along the bayous there. And there was a dance going on, so-well, we walk in, these guys eye us real hard. So we want to dance, so we walk out to one of the girls to ask them to dance. Oh, man-that was a mistake. I mean they marched us out of there. Not friendly country.
That isolation has, you know, in many ways kept their culture intact-
Yeah, that's true. . . . Well, I appreciate your not going over old ground. I don't know of what interest this will be to students, however.
We'll see. You know, there's your remark at the very close of that earlier interview [see "Carl Rakosi, An Interview," Conjunctions 11] where you say to the question, "Do you have any advice for young writers?" -"Young writers don't need any advice." I think it's appropriate.
Note: Mr Rakosi's poem "The Wayfarer Met the Passerby" is quoted from his Collected Poems (The National Poetry Foundation, 1986), � 1986 by Callman Rawley.


text:
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redpajama_set_name: RedPajamaGithub


text:
More Than Just a Mountain Man
By : Brooke Carlson | Photographed by : Zoe Deal
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Orcas Island, To Go
Cinco de Mayo Hot Spots
Remodel Brightens Kitchen, Spirits
After Store Fire, A New Home
Mother's Day, When You're the Boss
Smoothie, To Go
How 'Bout Them Apples
IPAS, Hazy and Otherwise
A Resource for Boaters in the Pacific Northwest
Local Scholarship Foundation Sets Students Up for Success
Leif Whittaker
It's a question Leif Whittaker has been badgered with since birth: "Do you want to climb Mount Everest?"
While most 8-year-olds successfully avoid presumptuous inquiries like this, when your father is Jim Whittaker — the first American to summit the world's highest mountain peak — you're not afforded the same luxury.
Leif is, among many things, a Western Washington University graduate, Mount Baker enthusiast, published author, documentarian, and climbing ranger. And yeah, he did end up climbing Everest (twice!), but that wasn't always part of his life plan.
At age 15, he took his first steps as a mountain man when he and older brother Joss conquered 7,980-foot Mount Olympus — but if you ask Leif, "conquer" isn't an accurate word choice, because, in retrospect, they're lucky they survived the tricky, tough trek.
"We knew nothing. We didn't have a clue what we were doing, we were lost the whole time," he says in an interview at downtown Bellingham's Caffe Adagio.
Despite the struggle of that first climb, the feeling of summiting the tallest peak in the Olympic mountain range was one Leif would come to highlight as a catalyst in his passion for mountaineering.
This story is one of many readers can enjoy in Leif's 2016 book, "My Old Man and the Mountain: A Memoir" which has been selected as Whatcom County Libraries' 2019 Community Read. The book follows his life as the youngest Whittaker boy, an emotionally honest and vulnerable recount of finding a place within the Whittaker name, and climbing the tallest mountain in the world. Last year, Leif was part of an acclaimed documentary, "Return to Mount Kennedy," the Canadian peak named for President John F. Kennedy that his dad guided U.S. Senator Robert Kennedy on during a first ascent in 1965. For the film, Leif recreated the climb with his brother and Robert Kennedy's son.
At Western, Leif pursued an English degree with an emphasis in creative writing, but he discovered his writer's spirit long before college. He spent what most would consider the most angst-ridden years of life, ages 11–15, on a prolonged family adventure in the middle of the South Pacific.
"My passion for writing began when I was really bored out in the middle of the Pacific Ocean with nothing better to do," he laughs. "I started writing, keeping a log of the journey, and ever since then I've dreamed of writing a book."
Aside from an in-the-works writing project he'd rather not name right now, these days Leif spends several months of the year working as a climbing ranger for the U.S. Forest Service. A more appropriate job title would be "mountain janitor," he says. The job isn't always glamorous (it involves cleaning up a lot of human waste), but apart from maintenance and community education, he also has the opportunity to work with children, a major highlight of his season.
"I look forward to it every year. It reminds me of how excited I used to be to go outside when I was that age. You're reminded of how special and powerful [the outdoors] is," Leif says.
It's May, climbing season on Mount Everest. If you're wondering, Leif says writing a book is much tougher than making the climb. For the more modest among us, start with Skyline Divide, he says. It's one of Leif's favorite hikes in the Mount Baker area.
For more content like this, check out our Lifestyle section here.
"'Do you want to climb Mount Everest?'"
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redpajama_set_name: RedPajamaCommonCrawl


text:
Viktor Amazaspovitj Hambartsumjan, född 18 september 1908, död 12 augusti 1966, var en sovjetisk (armenisk) astrofysiker.

Hambartsumjan blev 1947 professor vid universitetet i Jerevan. Han utförde ett stort antal teoretiska undersökningar, särskilt rörande unga stjärnor och deras uppkomst. Bland annat visade Hambartsumjan att stjärnor ofta bildas som gles, expanderade grupper, så kallade associationer. Han påpekade tidigt att det i många galaxer måste finnas en enorm energiproduktion. Dessa aktiva galaxkärnor blev senare ett mycket aktuellt forskningsområde.

Utmärkelser

Källor
 Nationalencyklopedin multimedia plus, 2000

Noter

Se även
1905 Ambartsumian

Astrofysiker
Armeniska forskare
Födda 1908
Avlidna 1966
Män
Personer från Tbilisi

redpajama_set_name: RedPajamaWikipedia


9/10/2015 · From the far-left pane, choose an iPad photo album or create a new one by clicking on the green photos symbol on top Select the photos and drag-drop the selection from the PC side to the iPad side Click " Apply changes" on top how to send text messages on mac Select the photos you wish to download and if there is just one, a menu will come up when you press download. Select original for the highest resolution. Then, once the download is complete, you may access the picture(s) through your device's camera roll.
The D3400 features SnapBridge that uses Bluetooth connectivity for wireless sharing of images to mobile devices. The body has a three-inch LCD screen for live view capture and image review. The body has a three-inch LCD screen for live view capture and image review.
Upload photos directly to your phone via the camera's built-in Wi-Fi 4K video shooting capability The downside of the Sony A6300 is that I need to use Sony's own E-mount lenses.


The Director General of the Peoples Democratic Party campaign organization in Plateau State, Prof. Dimis Mailafiya has officially filed a suit against www.masarakimsblog.com for alleged defamation of character.
Prof. Mailafiya through M.Y. Saleh (SAN) & Co in December opened a case against the publisher of the news blog, Masara Kim in a Jos High Court, weeks after serving a letter demanding a retraction on a news report on MKB in October 2018.
The said report cites anonymous sources as saying the Don had been bribed to influence the choice of a running mate for the PDP gubernatorial candidate.
The JT Useni campaign anchorman in the writ served on Mr. Kim last Friday demanded a public declaration that the said news post was false and defamatory, the sum of N50,000,000 as damages, a public apology and an injunction restraining the blog from publishing any such reports against him.
Mr. Kim who was given eight days to appear, beginning Friday filed a memorandum of conditional appearance on the case on Tuesday through Komak Law Company, Jos.
The case is expected to be opened for hearing in 30 days.


text:
Een script supervisor is lid van een filmcrew en verantwoordelijk voor de continuïteit van de acties binnen de film en voor het registreren van de dagelijkse vooruitgang van de filmopnamen in het draaiboek. Deze persoon heeft direct contact met de regisseur.

Naast het waarborgen van de continuïteit en het up-to-date houden van en het noteren van wijzigingen in het draaiboek is de script supervisor ook van belang voor de aantekeningen die uiteindelijk door de editor gebruikt worden voor de montage van de uiteindelijke film.

Historische nomenclatuur
In het Engels werd deze functie traditioneel aangeduid als script girl (voor vrouwen) en de mannelijke versie werd continuity clerk genoemd. Deze termen zijn de loop van de 20e eeuw in onbruik geraakt en vervangen door het neutrale script supervisor.

Beroep in de televisie- en filmindustrie


text:
Home Latest PM Newspapers Headlines News Today Explosions kill seven in Maiduguri – Red Cross
Latest PM Newspapers Headlines News Today
Explosions kill seven in Maiduguri – Red Cross
FILE PHOTO: Scene of bus station bombing in Maiduguri, Borno State
Reuters – Blasts detonated by three suicide bombers in the northeastern Nigeria city of Maiduguri killed at least seven people on Tuesday, the Red Cross and a vigilante group member said.
Explosive devices were detonated at Sajeri, a community on the outskirts of the city centre, around 8:30 p.m. local time (1930 GMT), said Ba'ana Musa, a member of a youth vigilante group that helped to evacuate people.
"Seven dead bodies have been evacuated from the scene of the blasts," said a Red Cross official.
Maiduguri is the birthplace of the insurgency by militant Islamist group Boko Haram, which has killed thousands and displaced 2.1 million people since 2009 in its attempt to create a state adhering to strict sharia law in the northeast.
The explosions are the worst attacks on the city, capital of Borno state, since 54 people were killed and 90 injured in bombings three weeks ago. …Read More
Source:: PM Newspaper
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text:
A Very Eugene Holiday Tale
Contact Quill
Robbie Brown's New Dungarees
The View from Fish in a Barrel Pond
Dispatches from the Slopes of Nonesuch Mountain, Somewhere in Vermont
From the Mixed Up Bookshelves of Quill Gordon: The Flying Fisherman
Posted on January 13, 2019 by Quill Gordon
"The Flying Fisherman"
Roscoe Vernon Gaddis was born in Mattoon, Illinois, in 1896. When he was thirteen, his family moved to Great Falls, Montana, which is where, among other things, he caught his first rainbow trout and met Buffalo Bill. In 1915, he missed his chance to play professional baseball when he skipped a try-out with the St. Louis Cardinals because he heard the bass were running on the White River in Arkansas. Having passed up a career opportunity like that to go fishing, it is fitting that fishing eventually became his career.
Everywhere he went, whether working as a gandy dancer on a railroad gang in Iowa, selling vacuum cleaners in Minnesota, or driving mules in Louisiana, he fished. When the United States declared war on Germany, in 1917, he enlisted in the Army, signing up for the Signal Corps because that's where the airplanes were and he had wanted to fly ever since he'd seen his first plane several years before. Shipped to San Antonio for basic training, while waiting for his air cadet application to be approved, he fished for bass in the Little Medina River.
A burst appendix and a round of peritonitis delayed his training and he was two weeks shy of certification when the Armistice was signed and the war ended on November 11, 1918. He did not acquire his wings, but he did grow a sporty aviator's moustache, which he wore for most of his life.
He survived Florida hurricanes and Prohibition bootleggers, spotted a pretty girl named Ruby fishing one day, married her and, in 1929, entered into a partnership to open and run a hardware and sporting goods store in Decatur, Illinois. Feeling confined by the business, Roscoe Vernon Gaddis turned over his share of the store in exchange for "the company car, several shotguns, some tackle and a little cash."
Gadabout Gaddis with a tarpon, Tampa, FL, 1935
A chance encounter, little more than a week later, with a representative from the Shakespeare Fishing Tackle Company led to his taking a sales job with them, allowing him to combine his love for fishing and desire to travel with a paying job. He bought a movie camera and began recording his fishing trips, showing his films to sportsmen's groups, lodge meetings, and anyone else who showed interest. He was soon making money doing that, too, and in 1939 he was asked to create a show that could be shown by General Electric's experimental television station, W2AXD, in Schenectady, New York. He had the sponsorship of his employer and it was his boss who suggested the nickname "Gadabout" because they never knew where he'd be next. It was an immensely popular show and by the mid-1940s it was broadcast on five stations in three states.
There was no live-streaming or on-demand access in those days and his films were shot without sound, so he narrated every episode himself, and that meant driving to each station with his films and broadcasting live. Schenectady, Syracuse, Utica, Providence, and Springfield were all in his sales territory but it was a demanding schedule to keep and in the early 1950s he began producing recorded shows for a small production company. "Going Places with Gadabout Gaddis" was not successful at all.
Gadabout Gaddis finally got his pilot's license in 1952 and bought a red and white Piper Cherokee. Now he was able to cover much greater distances in much less time, squeezing in fishing trips to places he'd not been able to before. Still wandering, still fishing and filming, he met a producer named Nick Russo who helped create "The Flying Fisherman". Thirty minutes long, in color and with sound, this show was sponsored by Liberty Mutual Insurance and brought Gadabout Gaddis into living rooms across America, starting in 1964. The show was produced until 1969 and, at one point, "The Flying Fisherman" was broadcast in 70 markets, covering close to 80 percent of the country.
His memoir, "The Flying Fisherman" by R.V. "Gadabout" Gaddis as told to George Sullivan, captures the friendly, down home style that endeared him to so many. While adamantly insisting that he is no expert, he doesn't shy away from sharing his opinions and while he became a dedicated catch and release fisherman, his attitudes reflect a different time and a different way of thinking.
For example, he doesn't understand the fuss people made when he didn't keep all the fish he caught. He was, after all, opposed to wasting game but when he discusses catch and release technique he refers to the "old wives' tale" that handling a fish with dry hands removes some of "that scum off him" and causes harm by allowing fungus to grow where that slime had been. He claims that this has been disproven by biologists who will tell you that "normal" handling of a fish causes no harm.
This argument is furthered by the example of hatchery brooders that are "handled constantly and never feel any effect from it" and salmon netted in lakes to collect their eggs, "pawed plenty" and not hurt "in the least". To Gadabout Gaddis' way of thinking (and that of others), "you can handle a fish all you want. As long as you've hooked him in the mouth and don't squeeze him so hard that you injure his gills, that fish will be fine when he's tossed back. He'll just wonder what happened, that's all."
To his credit, Gadabout Gaddis was one of the first to sound the alarm over polluted water and degradation of the environment, and he allowed many anglers to experience things they might never see for themselves. With his dashing moustache and Borsalino hats, he was the first "TV Fisherman" (nominated for an Emmy in 1968) and everyone who watched his show felt he was their friend. In a time when we can instantaneously share our fishing with millions, reading this book reminded me of the time when guys like Gadabout Gaddis did it the hard way, driving from market to market, with film cans and a projector in the trunk of his car.
Gadabout Gaddis enjoyed spending time with kids as much as he enjoyed fishing.
"The Flying Fisherman" is full of great stories and also gives a glimpse of the "behind the scenes" work that went into producing his shows. Most of all, it provides a fascinating look at a man who managed to live his life doing what he really wanted to do, gaddin' about and fishing.
On the wing of his Piper Cherokee
Roscoe Vernon Gaddis died in 1986, in Bingham, Maine, where the airport is named after him. Copies of his book can still be found but not many episodes of his shows have survived. A few clips from his 1969 movie, "Fishing USA", are available on YouTube, like this one, where he fishes in Maine but, ironically, lets someone else do the flying. He didn't have to mention that Shakespeare was a sponsor; that white fiberglass rod speaks for itself.
Categories: +Uncategorized, Fly Fishing	| Tags: fishing, fishing shows, Fly Fishing, flying fisherman, Gadabout Gaddis, quill gordon, tv fisherman | 6 Comments
6 thoughts on "From the Mixed Up Bookshelves of Quill Gordon: The Flying Fisherman"
Bob Stanton
Gandy dancer – you don't see that on too many resumes anymore.
Quill Gordon
Not much track is set by hand anymore, I guess. Another profession gone the way of log drivers, leech collectors, clock winders, signalmen, pin setters, etc…
Peter Weston
…and an ad for Al's Goldfish, a local (W. Mass.) favorite!
According to the book, Al Stewart owned the sporting goods store that sponsored Gadabout's Springfield show and he made a set of lures for his friends. Gadabout thought they were dynamite so he and Al had them mass produced for a dollar a set. He convinced his other sponsors (gas stations, etc.) to display them at cost and see how many sold when Gadabout talked about them on his show. They sold thousands! Al's Goldfish was one of the lures in that set and as far as I know it is the only one of the bunch still being made. (I hear they are popular on the other side of MA, too.)
Woolybugah
Thanks for the trip down memory lane. Can recall watching a few episodes as a kid. FYI Goldfish an eastern MA favorite too!
Seems hokey today but his show was a big deal then.
How do you compensate for the weight of an Al's Goldfish with a fly rod? I've tried just about everything but someone always gets hurt.
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text:
Soldier Honored: Paul J. Flynn
Dates: Died August 22,2007
Hometown: Whitsett, North Carolina
Rank: Chief Warrant Officer 2
Army Chief Warrant Officer 2 Paul J. Flynn, 28, of Whitsett, N.C., was assigned to the 4th Squadron, 6th U.S. Air Cavalry Regiment, Fort Lewis, Washington. He was serving as a UH-60 Black Hawk helicopter pilot under Operation Iraqi Freedom. He and 13 other servicemen were killed on August 22, 2007, when their helicopter crashed in Multaka, Iraq.
A graduate of Eastern Guilford High School, Paul Flynn joined the Army in 1997. After he joined as a Private, the Army saw potential and sent him to Warrant Officers Candidate Course / Army Aviator training. His father says his grades in aviation school ranked among the top in his class.
Flynn was on his first tour in Iraq. He had been in the Army 10 years and had been piloting helicopters for the final few years. When the helicopter crashed, SFC Flynn was either the pilot or co-pilot. Mechanical failure led to the downing of the aircraft, initial reports from the U.S. Central Command shoed.
Flynn is survived by his wife and son, who is a recipient of a Folds of Honor Children's Fund Scholarship.


Over the years, I have developed a list of situations for a hospital transfusion service for which I (or the on-call pathologist) should be notified and consult with the med tech in the "blood bank." Some of them are indeed mandatory but all of them generally are what I would described as deviations from the normal SOP. I use my judgment on whether or not to directly call clinicians, the O.R., or go up to the floor--but when I have done any of the aforementioned, my input and advice has always been well-received. Most of these are not emergency situations and encourage the techs to call us when it is practical even if it is in the middle of the night. From a practical standpoint, I have learned that communication the next morning or day is by someone who was not actually involved in the situation and is handing off a scribbled note or incomplete verbal communication. We (as pathologists) shouldn't underestimate our impact into patient care in unusual transfusion situations.
Request for emergency release of uncrossmatched RBCs. Although the blood needs to be out the door before I am reached, I want to know about this as soon as possible so I can speak to the clinicians and give them some reassurance and timeframes as more appropriate units are available (ABO- and then crossmatch-compatible).
Adverse reactions to transfusion. This is one of those mandatory situations and one in which we always issue a written report or note. Also includes suspected transfusion-related acute lung injury (TRALI) and transfusion-transmitted infections (e.g., "look-back" and subsequent donor testing).
High utilization of blood components. This is the massive transfusion situation. The anesthesiologists are fairly well-aware of the physiological sequelae of massive transfusion, so I mainly call them to get an idea of how the patient is doing so I can communicate to the blood bank on how many more units may be needed, our inventory, switching blood types, and whether or not an emergency run is needed to replenish our supply.
Requests for specialized blood components. This incorporates requests for washed RBCs, CMV-seronegative components, etc. It is amazing how often such requests are made "because that is what we did in residency." Most of these are not necessary and it provides me a "teaching moment."
Feto-maternal hemorrhage. The blood bank techs interpret the Kleihauer-Betke stain for the purpose of determining the appropriate dose of RhoGam and are not comfortable doing this. We score adequately on proficiency testing but I think it touches the patient too much for them. Anyway, I just like to know about these situations.
Serological problems. This includes positive DATs, newly discovered alloantibodies and autoantibodies, ABO discrepancies, etc. This constitutes most of the day-to-day consults and mostly consists of reviewing the work-up. I also approve send-outs to the Red Cross for additional work-ups and sign-off on the reports as they come back. I just like knowing about these too and occasionally talking to clinicians if the work-up is delaying a patient receiving blood.
Possibly inappropriate utilization of blood components. This may be an emerging area for consultation but will likely be at a higher order level rather than at the direct patient care level. Techs don't like functioning as gatekeepers and telling surgeons "no" so I encourage them to call me if something doesn't smell or sound right.
Hope you find this of help. Your comments and questions are welcome. Are there situations that you confront where a pathologist consultation is helpful?


text:
Q: Salvar Registro de campo texto desabilitado AJAX + PHP Amigos, bom dia!
Tenho um formulário em php onde tenho que realizar manutenções, porém não foi eu quem desenvolveu, o antigo analista não está mais na empresa.
Neste formulário, existe um campo onde a pessoa digita um código localizador(empresa), e tem um campo ao lado que está desabilitado, onde trás o nome da empresa.
Nos registros do formulário, fica salvo apenas o código localizador, e surgiu a necessidade de salvar em uma coluna ao lado, o nome da empresa também.
Porém, não estou conseguindo fazer com que o insert do SQL salve essa informação no registro, quando salva, a coluna que deveria trazer o nome, vem com o campo em branco.
Nos códigos do PHP, os campos relacionados ao código estão referenciados como "OAC" e o nome do OAC é a parte onde não consigo fazer com que fique salvo no registro.
Abaixo o código do index PHP do formulário:

    <title>Augusta | Classificador E-LATAM</title>
    <meta charset='UTF-8'>
    <meta http-equiv='X-UA-Compatible' content='IE=9; IE=8; IE=7; IE=EDGE'/>
    <meta name='viewport' content='width=device-width, initial-scale=1.0'>

        <link rel='stylesheet' href='<?php echo RAIZ ?>/css/bootstrap.css'>
        <link rel='stylesheet' href='<?php echo RAIZ ?>/css/font-awesome/css/font-awesome.min.css'>

    <?php imprimeMenuHeaderAugusta('Nucleo', 'Classif', @$_SESSION[ "bp" ]) ?>

Abaixo o código da parte AJAX do php:
 <?php
    header('Content-Type: text/html; charset=ISO-8859-1');
    include 'classificador_Nucleo_sql.php';
    if(!isset($_SESSION)){session_start();}

    $seccion = $_POST["seccion"];
    @$setor = $_POST['Setor'];
    @$tipo = $_POST['tipo'];
    @$subtipo = $_POST['subtipo'];
    @$oac = $_POST['oac'];

    if($seccion == "carregarForm"){ carregarForm();}
    if($seccion == "carregarSubtipo"){ carregarSubtipo($tipo);}
    if($seccion == "guardar"){ guardar($setor, $tipo, $subtipo, $oac);}
    if($seccion == "carregarOAC"){ carregarOAC($oac);}

function carregarForm(){

    $tipos = obtiene_filtros('tipo', null);
    $filtro_Setor = obtiene_Setor();

    $out = '

                    <form class="form-horizontal">';
                        $out.='<fieldset>
                            <legend>Classificador E-LATAM</legend>';
                            if(true){ //NomeOperador
                                $out.='

                                    Usuário

                                        <input type="text" class="form-control" id="filtro_Nome" disabled value="'.$_SESSION['nomeGuerra'].'">

';
                            }
                            if(true){//Setor(Tipo Ligação)
                            $out.='<fieldset>

                                    Tipo Ligação

                                        <select class="form-control" id="filtro_Setor">';
                                            foreach ($filtro_Setor as $a){
                                                $out.='<option value="'.utf8_decode($a['setor']).'">'.utf8_decode($a['setor']).'</option>';
                                            }
                                        $out.='</select>

                                </fieldset>';
                            }
                            if(true){//tipo
                                $out.='

                                    Motivo

                                        <select class="form-control" id="filtro_Tipo" onchange="carregarSubtipo();">';
                                            foreach ($tipos as $v){
                                                $out.='<option value="'.utf8_decode($v['valor']).'">'.utf8_decode($v['valor']).'</option>';
                                            }
                                        $out.='</select>

';
                            }
                            if(true){ //subtipo
                                $out.='

                                    Submotivo

                                        <select class="form-control" id="filtro_Subtipo"></select>

';
                            }
                            if(true){ //OAC
                                $out.='

                                    OAC

                                        <input type="text" class="form-control" id="filtro_OAC" >

                                        <input type="text" class="form-control" id="filtro_OAC_nome" disabled >

                                        O OAC deve ser um código de 5 digitos.

';
                            }
                        $out.='</fieldset>';
                        if(true){ //botões
                            $out.='<fieldset style="margin-top: 15px;" id="retorno">

 Cancelar

 Salvar

                            </fieldset>';
                        }
                    $out.='</form>

';

            /*Valida se o OAC tem 5 digitos*/
            if(true){
            $out.='';
            }
echo $out;
}
function carregarSubtipo($tipo){

    $filtro_duvida = obtiene_filtros('subtipo',utf8_decode($tipo));

    $out = 'Subtipo

        <select class="form-control" id="filtro_Subtipo">';
            foreach ($filtro_duvida as $v){
                $out .= "<option value='".utf8_decode($v['valor'])."'>".utf8_decode($v['valor'])."</option>";
            }
        $out.='</select>

';
echo $out;
}
function guardar($setor, $tipo, $subtipo, $oac){
        if(guardarResposta(utf8_decode($setor),utf8_decode($tipo),utf8_decode($subtipo),utf8_decode($oac))){
            $out = '

                Dados salvos com sucesso.

                     Novo

';
        } else {
            $out = '

                Erro ao Salvar!
 Tente novamente em alguns segundos
 caso o erro persista informe seu lider

 Novo

 Salvar

            ';
        }

    echo $out;
}
function carregarOAC($oac){

        $nomeOAC = obtiene_OAC($oac);

        $out = '<input type="text" class="form-control" id="filtro_OAC_nome" disabled value="'.$nomeOAC.'" display="'.$nomeOAC.'">';

        echo $out;
}

?>

A última function carregarOAC($oac) é onde trás o campo desabilitado com o nome do código OAC...
E o código abaixo é referente a consulta SQL feita para salvar os registros na base SQL:
<?php
    set_time_limit( 0 );
    date_default_timezone_set('America/Sao_Paulo');
    include '..\..\complemento\sql_login.php';
    if(!isset($_SESSION)){session_start();}

    function obtiene_Setor(){
        $conexion = conexion();
        $link_augusta = sqlsrv_connect( $conexion[ "idt_augusta" ][ "server" ], $conexion[ "idt_augusta" ][ "info" ] );

        $sql= "SELECT T.Setor AS Setor
            FROM ClassificadorNucleo_setor AS T";

        $resultado = sqlsrv_query( $link_augusta, $sql );
        while( $fila = sqlsrv_fetch_array( $resultado, SQLSRV_FETCH_ASSOC ) ) {
            $arreglo[] = array(
                "setor"     => utf8_encode( $fila[ "Setor" ] ),
            );
        }

        sqlsrv_free_stmt( $resultado );
        sqlsrv_close( $link_augusta );
        return @$arreglo;

    }
    function obtiene_filtros ($filtro,$aux){
        $conexion = conexion();
        $link_augusta = sqlsrv_connect( $conexion[ "idt_augusta" ][ "server" ], $conexion[ "idt_augusta" ][ "info" ] );

        if($filtro=='tipo'){
            $sql = "SELECT A.TIPO AS valor
                FROM ClassificadorNucleo_motivos AS A
                GROUP BY A.TIPO ORDER BY A.TIPO";
        }
        if($filtro=='subtipo'){
            $sql = "SELECT A.SUBTIPO AS valor
            FROM ClassificadorNucleo_motivos AS A
            WHERE A.TIPO = '".$aux."'
            GROUP BY A.SUBTIPO
            ORDER BY A.SUBTIPO ";
        }

        $resultado = sqlsrv_query( $link_augusta, $sql );
        while( $fila = sqlsrv_fetch_array( $resultado, SQLSRV_FETCH_ASSOC ) ) {
            $arreglo[] = array(
                "valor"     => utf8_encode( $fila[ "valor" ] ),
            );
        }

        sqlsrv_free_stmt( $resultado );
        sqlsrv_close( $link_augusta );
        return $arreglo;
    }
    function guardarResposta($setor, $tipo, $subtipo, $oac){
        $conexion = conexion();
        $link_augusta = sqlsrv_connect( $conexion[ "idt_augusta" ][ "server" ], $conexion[ "idt_augusta" ][ "info" ] );

        $sql="INSERT INTO ClassificadorNucleo_registros (nome, chapa, lider, setor, tipo, subtipo, data, oac)
        SELECT '".$_SESSION['nomeGuerra']."', '".$_SESSION['chapa']."', contrato_resumido, '".$setor."', '".$tipo."', '".$subtipo."', '".date('Y-m-d H:i:s')."', '".$oac."'
        FROM usr_usuarios
        WHERE bp = '".$_SESSION['bp']."'";

        $arreglo = sqlsrv_query( $link_augusta, $sql );
        sqlsrv_close( $link_augusta );
        return $arreglo;
    }
    function obtiene_OAC($oac){
        $conexion = conexion();
        $link_augusta = sqlsrv_connect( $conexion[ "idt_augusta" ][ "server" ], $conexion[ "idt_augusta" ][ "info" ] );

        $sql= "SELECT T.NOME
            FROM ClassificadorNucleo_motivosOAC AS T
            WHERE T.OAC = '".$oac."'";

        $resultado = sqlsrv_query( $link_augusta, $sql );
        while( $fila = sqlsrv_fetch_array( $resultado, SQLSRV_FETCH_ASSOC ) ) {
            $arreglo =  utf8_encode( $fila[ "NOME" ] );
        }

        sqlsrv_free_stmt( $resultado );
        sqlsrv_close( $link_augusta );
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Desde já agradeço pela ajuda de todos!

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Gittigi yerlerde zencilere yapilan ikinci sinif muameleyi gozlemler. Chicago' da hakimlerin nasil kararlar aldigi uzerine arastirmalar yapar. May 07 YES YES by: Anonymous I am having all of the problems listed with my 50" LCD TV ( UN50EH6000F) purchased in. List of assigned TCP and UDP Ports. This is a complete so called " well- known" TCP/ IP ports , daily updated list of all currently assigned , their associated transport protocols UDP TCP. Over the time it has been ranked as high asin the world. ) Note: this article was used with the author' s permission as a reference source for the book: " Japanese Invasion Currency" Gregory Hale Centaur Media, Australia .
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Earlier this semester, 10 students from grade 2 and grade 3 from TK stepped up to take part in Kangourou sans frontiéres, an international mathematical competition with more than 70 countries participating.
A competition that originated in France, the students were tested for logic - a key competence - along with the knowledge of numbers. Working through past papers, students focused on creativity and logical thinking while developing their ability to look at problems from a different perspective.
While we are proud of all of our participating students, CIS recognises and congratulates our silver winner, Len Sakata, and our 4 bronze winners, Sharanya Seth, Taisei Mori, Kieran Tan and Arya Balwani on their performances. We look forward to welcoming new kangaroos to the team next year.


I have decided to take on the task of training my little buddy Watson. I am going to be using positive reinforcement training and will attempt to clicker train the little fellow as well. I am not a fan of dominance training and prefer the methods used by shelters I've volunteered at, such as the Animal Rescue League of Boston.
Step one: hopefully to be completed this weekend if all goes as planned…purchase clicker and get Watson to understand what it means.
Fingers crossed that my little Watty is a smart as I think he is!!
Clicker training is a lot of fun.


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Chronic under-regulation
Readable Research | By Abby Ferla |
HealthRegulation
September 7, 2011 — Regulatory failures are often reported in isolation from one another. In one news cycle, it is the Minerals Management Service that takes "a lax attitude toward overseeing [oil drilling] operations." In another news cycle, it is the Securities and Exchange Commission that, almost without exception, refuses to prosecute those individuals and entities in the financial services industry who were apparently engaged in mortgage-securities fraud.
putting regulatory failures in context
Remapping Debate's specialty is original reporting. But in this case, we thought that it would be useful to build on the work of others. By compiling previous reporting that has been done on individual instances of regulatory failure, a picture quickly emerges that is very different from the bogeyman of overregulation: an unmistakable, systemic pattern of under-regulation.
Beginning with this edition's feature on the strikingly limited extent to which the Food and Drug Administration has regulated the cosmetics industry, each installment of our series will look at one regulatory agency and examine the ways in which the agency has failed to fulfill its promise of robust public protection consistently over time.
The series will conclude later this fall with original reporting that explores further the key reasons for the failures that have continued to recur, looking both at agencies that have themselves been unwilling to exercise their powers and at the external hurdles that are placed in the path of agencies that seek to regulate more aggressively.
— Editor
But when one steps back from individual stories, it is apparent that, over at least the last 30 years, a series of similar problems has undermined the ability of agencies to protect the public. These problems include a lack of statutory authority, a failure to write appropriate regulations even where necessary statutory authority exists, a lack of willingness to enforce the regulations that are on the books, and deep and chronic underfunding.
These obstacles are sometimes fueled by an administration's or a political party's hostility to an agency's mission, sometimes by Congressional indifference, and, almost always, by resistance from industries seeking to evade effective oversight. These roadblocks to effective regulation — singly and in combination — recur again and again, both across administrations and across agencies.
The Food and Drug Administration (FDA) is a good case in point, and, while there are a host of areas in which agency performance has been criticized, this article limits its scope to matters related to cosmetics safety.
The agency is authorized by the Food, Drug, and Cosmetic Act of 1938 to regulate cosmetic products — in interstate commerce — that are adulterated either through false labeling, toxic contents, or damage.
The agency, however, is still not authorized to test cosmetics before they are put on the market or to mandate recalls of dangerous products. It also still cannot require cosmetic manufacturers to register with the FDA, file information on their ingredients, or report any cosmetic-related injuries. Since the creation of the Food, Drug, and Cosmetic Act, Congress has updated laws relating to labeling regulation (1967) and given the FDA authority to regulate color additives in cosmetics (1962). Otherwise, the cosmetics-related provisions have remained largely unchanged since 1938.
For more than 30 years now, questions have been raised about the efficacy of federal efforts to assure consumers that the cosmetics they use are safe. This story recounts some of those questions, including those regarding the FDA's vigor in utilizing the statutory authority it does have in the area of cosmetics safety, those about its interest in pushing to expand that authority further, and those about Congressional receptivity to changing the status quo.
To read the full article, go to page 2, and then click through page-by-page. If you wish to jump directly to a particular year, just click that year on the timeline below.
When sources are available online, we link to them. When not available online, we use cite them in note form. To view the note online, place your cursor over the superscript number. To view the full article with end notes, click "Download a PDF" on the upper right of this page.
Big industry with a history of limited oversight:
Some highlights of the research
1978: General Accounting Office study highlights limiations on FDA authority to regulate cosmetics industry and criticizes FDA for failing to use existing authority robustly.
1984: Advocacy group report finds that beauticians who use hair dyes regularly in their work have above-average cancer rates.
1988: Subcommittee of House Committee on Small Business holds hearing on safety of cosmetics. Emergency rooms said to have treated 47,000 cosmetics-related injuries in previous year. FDA and other regulatory entities called "toothless pit bulls," with press coverage identifying major limitations in government oversight of cosmetics industry.
1990: GAO report is critical of both the existing voluntary cosmetic regulation program and of FDA enforcement.
1997: Study finds dyes for darkening gray hair may leave harmful lead residue that can be ingested, which is especially threatening to children. FDA overhaul bill that would, among other things, establish standardized labeling and warning requirements for cosmetics introduced in Congress.
2001: University of Southern California study finds above-average bladder cancer rates in beauticians that work with hair dyes. European Union conducts follow-up study, and, in response, strengthens cosmetics regulation in the EU.
2005: California requires manufacturers to report carcinogens in their products, including those in cosmetics, to the state and authorizes regulation of such products.
2007: Consumer group finds that 61 percent of tested lipstick samples contain lead above levels allowed in food.
2009: Legislation that would increase FDA authority to regulate cosmetics dies in committee.
2010: California and Oregon each find high levels of formaldehyde in hair straightening product. The proposed federal Safe Cosmetic Act of 2010 dies in committee.
2011: Revised version of 2010 proposed legislation, the Safe Cosmetic Act of 2011, is introduced.
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The rise of global marketing and digital technologies has profoundly changed the function of marketing. How we engage and communicate with customers is barely recognizable compared to a decade ago. Yet, in many companies, how the marketing function is organized is stuck in the past. Silos with hidebound hierarchies are still common.
This Harvard Business Review white paper focuses on the breakout businesses and leaders who are redesigning marketing for the global, digital age. Based on content from the specialized online Harvard Business Review Insight Center, this paper will equip you with fresh ideas, new approaches, and important questions you need to ask in order to become a winning marketing organization in the digital age.


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10 visionary alternative West African artists selected by Asna
Home / Music / 10 visionary alternative...
Asna is part of a new wave of West African artists who are putting a spin on the traditional sounds of their homes.
Based in Abidjan, Ivory Coast, she's works across many disciplines. Dubbing herself a "sound explorer", her talents lie not just in DJing and production, but also in visual arts and modelling. She's also an advocate for the new generation of musicians around her. In Abidjan she's affiliated with one of the city's biggest parties and collectives La Sunday, as well as being part of Bôrô D'ENJAILLEMENT, a project created with Ivorian Artist African Diplomate, which is a space for young multi-disciplinary artists.
A meeting of old and new, her DJ sets navigate classic songs from across Africa as well as fresh and forward-thinking sounds rooted in rhythm and bass, from gqom to kuduro and percussive workouts.
It's on the third instalment of Lyon's Blanc Manioc compilation series that she sits alongside many African artists who, like her, are pushing musical boundaries and approaching music with a sense of freedom and innovation. Below she highlights some of these contemporaries who are part of the thriving alternative scenes across the region…
Nyamakala Beats n°3 is out now on Blanc Manioc.
Abidjan Asna Blanc Manioc
Inga Paula
Inga Paula is a multidisciplinary artist born in Abidjan, and raised on the East Coast of the United States. Her musical and visual influences pull from the mosaic of cultures she's been exposed to, from trips off the south coast of Spain to the shores of Senegal and beyond. Ali Farka Toure, Frank Ocean, Wiki / Ratking, Amy Winehouse, Stevie Wonder, Ella Fitzgerald and the likes permeate through her music and literary repertoires. Inga seeks to create worlds that will supersede reality (sonically, emotionally and visually), in the hopes of unlocking undisclosed dimensions to her following.
Ibrahim Keita
Founder of the label and project Les Autres, Ibrahim is a visionary who through his music explore multiple styles with a unique approach.
African Diplomat
Born and raised in Abidjan, most known under the guise of African Diplomat, Kouame Cedric is a multimedia artist, Dj producer and record collector living between Abidjan and Brussels. From 90s tradi -modern Ivorian songs to 70s Ghanain highlife, Cedric approaches music as an art form, where he is trying to find diplomatic ways to blend the crisp sound of his records collection to a very eclectic range of music – from ambient to Lofi hip-hop.
Famas, (Hacim Hassane Olivier Coulibaly), is a young Ivorian rapper and producer. His lyrics are a mix between Djoula (local Ivorian dialect) and French which reflects his very hybrid and visionary universe.
Tripa Gninnin
Tripa is the figure of Ivorian underground rap culture. His music is inspired by the street and the Noushi (Ivorian slang).
DJ Diaki
DJ Diaki is Diaki Kone, Balani Show DJ, and radio animator in Sanakoroba, Mali. One of the originators of Balani Show sound system sound, DJ Diaki plays in the style of Balani mix with high energy balafon samples, crashing drums, and live remixes that he calls Balani Fou (Crazy Balani).
DJ Katapila
DJ Katapila makes Ga traditional music using electronic sounds, instead of live percussion, to create his own kind of (what he calls) house music.
Sensei Lo
Sensei lo is a Nigerian DJ and producer. Her universe is about Afro Futurist, Afro Electronic and Dance Music.
Mc Waraba
Mc Waraba is a singer and Mc from Mali. His style is a mix between malian traditional music and electronic music.
Born in Kinshasa and settled in Montréal since 2001, Pierre Kwenders learned music and found his voice in a catholic choir in the city. Passionate about offering music without borders, he's also one of the founders of Moonshine, a collective that throws some of the best parties around the world.
Oyubi: The 'Shine A Light On' Mix
Freeform Explorations: Spiritual Jazz selections with Carmen Villain
Banned Music Videos selected by Projekt Gestalten
Rare Synth Funk LP sampled by J Dilla & Daphni to be reissued
We Are Busy Bodies are set to reissue the highly sought after album 'Thrust' by McNeal and Niles.
Premiere: Pugilist – Daggers
Sharp leftfield explorations in Bass music from rising producer Pugilist on Of Paradise records.


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Home > MnWRL Collection >
Associated Organization
Location – County
Location – HUC8 Watershed
The Minnesota Water Research Digital Library is a searchable inventory of documents focused on research and projects relevant to water in Minnesota.
The Library provides one-stop access to information about water - enabling water managers, researchers, and engaged citizens to support their efforts to protect, conserve, and restore water in Minnesota.
Streamflow Entering and Leaving Lake Bemidji, Beltrami County, Minnesota July 1987 Through September 1989
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(1991). Streamflow Entering and Leaving Lake Bemidji, Beltrami County, Minnesota July 1987 Through September 1989.
WRLrepository:203
The U.S. Geological Survey, in cooperation with the Minnesota Department of Natural Resources, operated three streamflow-gaging stations from July 1987 through September 1989 to determine the volume of streamflow entering and leaving Lake Bemidji. Suspended- and bottom-sediment data were also collected at the gaging stations. Two gaging stations were located upstream and one was located downstream from the lake. Daily mean discharges were determined except for the November 1987 to March 1988 winter period. During the 1989 water year, the only complete year of data, the mean annual discharge for the two upstream stations was 111 ft /s (cubic feet per second) for Mississippi River at Bemidji and 71 ft /s for Schoolcraft River near Bemidji. The station downstream from Lake Bemidji, Mississippi River near Bemidji, had a mean annual discharge of 228 ft /s during water year 1989.
Lake Bemidji
Beltrami County
Creative Commons-BY-NC. This material is usable under a Creative Commons – Attribution – Non-Commercial license. http://creativecommons.org/licenses/by-nc/4.0 Visit our website for additional details and suggested citations. http://lib.tst.edu/archives/rights/intro.html
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text:
13News Now Daybreak
13News Now Investigates
1 dead, 1 hurt after tow truck crash in Gloucester County
One dead, another hurt in Gloucester tow truck crash
Weather Extras
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Extreme weather stretching across the U.S.
FORECAST: Cooler air knocking at the door
Norfolk, VA »
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Highland Park parade shooting suspect charged with 7 counts of murder
Police said the gunman evaded initial capture by dressing as a woman and blending into the fleeing crowd.
Author: MICHAEL TARM (KATHLEEN FOODY and ROGER SCHNEIDER, Associated Press)
Updated: 6:50 PM EDT July 5, 2022
HIGHLAND PARK, Ill. — A prosecutor in suburban Chicago said Tuesday that the gunman accused of attacking an Independence Day parade has been charged with seven counts of first-degree murder.
Lake County State's Attorney Eric Rinehart promised that dozens more charges would be sought. He added that the suspect, if convicted of murder, would receive a mandatory life sentence without the possibility of parole.
The gunman who attacked an Independence Day parade in suburban Chicago, killing at least seven people, legally bought two high-powered rifles and three other weapons despite authorities being called to his home twice since 2019 after he threatened suicide and violence, police said Tuesday.
A spokesman for the Lake County Major Crime Task Force told a news conference that the suspected shooter, who was arrested late Monday, used a high-powered rifle "similar to an AR-15" to spray more than 70 rounds from atop a commercial building into a crowd that had gathered for the parade in Highland Park, an affluent community of about 30,000 on the Lake Michigan shore.
Police said they were called to the suspect's home in September 2019 after a family member called to say he was threatening "to kill everyone" in the home. Task force spokesman Christopher Covelli said police confiscated 16 knives, a dagger and a sword, but said there was no sign he had any guns at the time.
The suspect legally purchased the high-powered rifle in Illinois within the past year, Covelli said. In all, police said, he purchased five firearms, which were recovered by officers at his father's home.
Police in 2019 also responded to a reported suicide attempt by the suspect, Covelli said.
These are the lives lost in the Highland Park parade shooting
Who is the suspected gunman in the Highland Park Fourth of July parade shooting?
The day after the shooting, authorities reported the death of a seventh person. More than three dozen other people were wounded in the attack, which Covelli said the suspect had planned for several weeks.
Investigators who have interrogated the suspect and reviewed his social media posts have not determined a motive for the attack or found any indication that he targeted victims by race, religion or other protected status, Covelli said.
Authorities have not filed criminal charges.
Earlier in the day, FBI agents peeked into trash cans and under picnic blankets as they searched for more evidence at the site where the assailant opened fire. The shots were initially mistaken for fireworks before hundreds of revelers fled in terror.
A day later, baby strollers, lawn chairs and other items left behind by panicked parade goers remained inside a wide police perimeter. Outside the police tape, some residents drove up to collect blankets and chairs they abandoned.
David Shapiro, 47, said the spray of gunfire quickly turned the parade into "chaos."
"People didn't know right away where the gunfire was coming from, whether the gunman was in front or behind you chasing you," he said Tuesday as he retrieved a stroller and lawn chairs.
The shooting was just the latest to shatter the rituals of American life. Schools, churches, grocery stores and now community parades have all become killing grounds in recent months. This time, the bloodshed came as the nation tried to find cause to celebrate its founding and the bonds that still hold it together.
"It definitely hits a lot harder when it's not only your hometown but it's also right in front of you," resident Ron Tuazon said as he and a friend returned to the parade route Monday evening to retrieve chairs, blankets and a child's bike that his family abandoned when the shooting began.
"It's commonplace now," Tuazon said. "We don't blink any more. Until laws change, it's going to be more of the same."
A police officer pulled over Robert E. Crimo III north of the shooting scene several hours after police released his photo and warned that he was likely armed and dangerous, Highland Park Police Chief Lou Jogmen said.
Law enforcement officials gave his age as 21 or 22.
After evading initial capture by dressing as a woman and blending into the fleeing crowd, Crimo drove to the Madison, Wisconsin, area, then returned to Illinois, Covelli said.
The shooting occurred at a spot on the parade route where many residents had staked out prime viewing points early in the day.
Among them was Nicolas Toledo, who was visiting his family in Illinois from Mexico. He was shot and died at the scene, his granddaughter, Xochil Toledo, told the Chicago Sun-Times. Also killed was Jacki Sundheim, a lifelong congregant and "beloved" staff member at nearby North Shore Congregation Israel, which announced her death on its website.
Toledo's granddaughter told the Sun-Times that Toledo had spent most of his life in Morelos, Mexico. Xochil Toledo said she remembers looking over at her grandfather, who was in his late 70s, as a band passed them.
"He was so happy," she said. "Happy to be living in the moment."
Xochil Toledo said her father tried to shield her grandfather and was shot in the arm. Her boyfriend also was shot in the back and taken to a hospital.
RELATED: Who were the victims of the Highland Park parade shooting?
Sundheim had spent decades on the staff at North Shore Congregation Israel, teaching at the congregation's preschool and later coordinating events, "all of this with tireless dedication," the congregation said in its statement announcing her death.
"Jacki's work, kindness and warmth touched us all," the statement said.
The Lake County coroner released the names of four other victims: 64-year-old Katherine Goldstein, 35-year-old Irina McCarthy, 37-year-old Kevin McCarthy and 88-year-old Stephen Straus.
Nine people, ranging from 14 to 70, remained hospitalized Tuesday, hospital officials said.
Since the start of the year, the U.S. has seen 15 shootings where four or more people were killed, including the one in Highland Park, according to The Associated Press/USA TODAY/Northeastern University mass killing database.
Scores of smaller-scale shootings in nearby Chicago also left eight people dead and 60 others wounded over the July 4 weekend.
In 2013, Highland Park officials approved a ban on assault weapons and ammunition magazines of more than 10 rounds. A local doctor and the Illinois State Rifle Association quickly challenged the liberal suburb's stance. The legal fight ended at the U.S. Supreme Court's doorstep in 2015 when justices declined to hear the case and let the suburb's restrictions remain in place.
Highland Park Police Commander Chris O'Neill said the gunman apparently fired from a rooftop where he was "very difficult to see." He said the rifle was recovered at the scene. Police also found a ladder attached to the building.
Crimo, who goes by the name Bobby, was an aspiring rapper with the stage name Awake the Rapper, posting on social media dozens videos and songs, some ominous and violent.
In one animated video since taken down by YouTube, Crimo raps about armies "walking in darkness" as a drawing appears of a man pointing a rifle, a body on the ground and another figure with hands up in the distance.
Federal agents were reviewing Crimo's online profiles, and a preliminary examination of his internet history indicated that he had researched mass killings and had downloaded multiple photos depicting violent acts, including a beheading, a law enforcement official said.
The official could not discuss details of the investigation publicly and spoke to The Associated Press on condition of anonymity.
Crimo's father, Bob, a longtime deli owner, sought the mayor's office in 2019, calling himself "a person for the people."
Shapiro, the Highland Park resident who fled the parade with his family, said his 2-year-old son woke up screaming later that night.
"He is too young to understand what happened. But he knows something bad happened," Shapiro said. "That's chilling."
Foody reported from Chicago. Groves reported from Sioux Falls, South Dakota. Associated Press writers Don Babwin in Chicago, Mike Householder in Highland Park and Mike Balsamo in New York also contributed.
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Rotary has identified specific causes to target, to maximize our local and global impact. At the same time, we understand that each community has its own unique needs and concerns.
Through global grants and other resources, clubs focus their service efforts in the following areas.
PROMOTING PEACE
Today, 60 million people are displaced by armed conflict or persecution. Through our partnerships with several leading universities, Rotary Peace Fellows develop the skills to strengthen peace efforts, train local leaders to prevent and mediate conflict, and support long-term peace building in areas affected by conflict. We provide up to 100 peace fellowships per year at Rotary Peace Centers.
Learn how Rotary projects address the structural causes of conflict
FIGHTING DISEASE
More than 100 million people are pushed into poverty each year because of medical costs. We aim to improve and expand access to low-cost and free health care in underdeveloped areas. Our members educate and mobilize communities to help prevent the spread of major diseases such as polio, HIV/AIDS, and malaria. Many of our projects ensure that medical training facilities are located where the workforce lives.
See how Rotary projects provide low-cost health care
PROVIDING CLEAN WATER
More than 2.5 billion people lack access to adequate sanitation facilities. At least 3,000 children die each day from diarrheal diseases caused by unsafe water. Our projects give communities the ability to develop and maintain sustainable water and sanitation systems and support studies related to water and sanitation.
See how Rotary is building sustainable clean water and sanitation facilities
SAVING MOTHERS AND CHILDREN
At least 7 million children under the age of five die each year due to malnutrition, poor health care, and inadequate sanitation. To help reduce this rate, we provide immunizations and antibiotics to babies, improve access to essential medical services, and support trained health care providers for mothers and their children. Our projects ensure sustainability by empowering the local community to take ownership of health care training programs.
Watch how Rotary helps bring health care to mothers and newborns in rural Haiti
SUPPORTING EDUCATION
Sixty-seven million children worldwide have no access to education and more than 775 million people over the age of 15 are illiterate. Our goal is to strengthen the capacity of communities to support basic education and literacy, reduce gender disparity in education, and increase adult literacy.
Watch how a Rotary grant helps bring tablet technology to students in Fiji
GROWING LOCAL ECONOMIES
Nearly 1.4 billion employed people live on less than $1.25 a day. We carry out service projects that enhance economic and community development and develop opportunities for decent and productive work for young and old. We also help strengthen local entrepreneurs and community leaders, particularly women, in impoverished communities.
See how Rotary helps workers achieve better wages and working conditions
SUPPORTING THE ENVIRONMENT
Supporting the environment becomes Rotary's seventh area of focus, which are categories of service activities supported by global grants. … Gifts and commitments from Rotarians and others will be sought to provide global grant support for the new area of focus.


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NATS ready for Olympic arrivals
With just one day to go until the Olympic Opening Ceremony, air traffic controllers at NATS are gearing up for the arrival of extra business and general aviation flights.
The latest figures show some 6594 business or general aviation flight plans had been filed, and slots booked at airports around the south east of England.
Paul Haskins, NATS General Manager for London Terminal Control, said: "It's looking like it's going to be very busy, but manageable. Flight plans can be filed up to two hours before flying into London's restricted zone so the numbers could still increase significantly."
"What we should also remember is that as well as delivering great service to those extra flights this week, it is crucial for us to provide the best possible business as usual service for our airline customers, whose aircraft are likely to be full to capacity. It's what we've been working towards for the past three years and now it's here."
Temporary airspace restrictions in and around London have been in place since 14 July and are designed to create a 'known environment' where any aircraft, commercial or private, is in communication with either NATS or military controllers.
A full explanation of the Olympic airspace restrictions is available at:olympics.airspacesafety.com
Departed today
Landed today
Currently airborne
Handled yesterday
British public positive about aviation despite environmental concerns
Air traffic numbers fall for second consecutive month
NATS Prestwick hosts UWS for air traffic gaming competition
NATS project with AiQ Consulting wins Best Solution Provider at AOA Awards
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Follow @NATS on Twitter


In the far west of the Lake District, two valleys stand out for their wildness and natural grandeur; the mountain glen of Wasdale beneath England's highest peaks and lonely Ennerdale; just over the mountains to the North. In the case of Wasdale, a single narrow road leads alongside the shores of Wastwater to the tiny hamlet of Wasdale Head but at Ennerdale, the road only reaches to the lower end of Ennerdale Water from where a rough track continues to the remote head of the dale.
The valley was once cloaked by extensive coniferous plantations and these still remain to a small extent though much of the district is being returned to the Wild and Ennerdale today has a feel that is as much of the Scottish Highlands as it is of the Lakes. From the roadhead at Bowness Knott it is 6 miles or 10km to Black Sail Youth Hostel below Haystacks and Great Gable at the end of the track and one chilly day in March I set out on my bike to ride there.
The route from Bowness Knott begins along an easy track running beside Ennerdale Water by some beautiful little bays sheltered by trees. Until Ennerdale Youth Hostel is passed (the larger one at Gillerthwaite as opposed to Black Sail), there are few hills to speak of though beyond the gate the forest road begins its ascent towards the mountains that rise tantalisingly through the forest ahead. The start point is about 350 feet asl and the finish close to 1000 ft so a few uphills are inevitable.
It was Spring down here in the shelter of the valley but winter still clung to the mountains that rose ahead. The views down valley were no less impressive; a wild beauty seemingly untouched by man and shaped only by nature. It was in fact exploited for forestry but that has left a different mark to the sheep farming that shaped the more familiar Lakeland landscapes.
Presently, after a steep and rough section of track, the valley ahead opened out to reveal Great Gable and Kirk Fell at its headwall while nearer – beneath the peak of Haystacks – was Black Sail Youth Hostel.
After a gate, the last section of path is rougher still though not steep and today I even had to negotiate a shallow snow drift which I managed without falling off. At Black Sail there is shelter and tea and coffee making facilities (please leave a donation) though if you want to stay here you need to book with the YHA.
This is a great short ride to a wonderful location and like the Elan Valley route in Wales should not be beyond the ability of the average cyclist on a mountain bike or hybrid. Road tyres would struggle here I think! Return the same way or turn left at the gate below the hostel to follow the track on the other side o the River Liza – it rejoins the main one lower down.
Any attempts to cycle out over the end of the valley (Black Sail Pass, Beck Head or Windy Gap) should be left to the serious MTB enthusiast – all ways are mountain paths great for walking but I've never done them on a bike… nor will I be doing so any time soon.
This entry was posted in biking and tagged cycling, England, lake district, nature, outdoors, photography, random, travel, wilderness, writing. Bookmark the permalink.
Thanks for the comment. We often miss what's on the doorstep – guilty of it myself too.