text:
Biografia

Formazione e attività di insegnamento
Nato da Raffaele e Maria Cristina Ferramosca, entrambi appartenenti a famiglie della borghesia possidente e delle professioni, dopo aver ricevuto l'istruzione secondaria presso il Regio Liceo-convitto Francesca Capece di Maglie, in provincia di Terra d'Otranto, si laureò in Lettere nel luglio 1892 alla Regia Università di Napoli.

Dal 1893 al 1935 fu docente di Lettere italiane e latine e di Storia dell'arte presso lo stesso "Capece", dove si era formato. I suoi primi interessi furono rivolti alla poesia dialettale, inizialmente affidati al foglio ginnasiale "Maglie giovane" (1893-95), con componimenti che lasciavano intravedere una "robusta travatura classica" e la predilezione per il genere satirico (Valli, D'Oria 2006). Con l'approfondirsi dell'attività di docenza i suoi interessi si integrarono con lo studio dell'opera dantesca, tanto da tenere anche apprezzati cicli di conferenze popolari.

Al "Capece" ebbe tra i suoi colleghi il pittore e paleontologo Paolo Emilio Stasi e tra i suoi allievi il paleontologo e naturalista italiano Liborio Salomi.

Interessi scientifici e scoperte nell'ambito della paleontologia

Nei primi decenni del Novecento, oltre all'insegnamento, alla poesia e all'interesse per gli studi danteschi, De Lorentiis coltivò anche la passione per la paleontologia e la speleologia, suggestionato dalle scoperte che nei primi anni del Novecento si andavano compiendo in relazione alla presenza paleolitica dell'uomo in Terra d'Otranto. Tra il 1900 e il 1903 coadiuvò il collega Stasi negli scavi di Grotta Romanelli, una cavità presso Castro già segnalata nel 1871 da Ulderigo Botti. Questi saggi di scavo misero in luce resti di fauna pleistocenica associata a strumenti litici di epoca paleolitica, la cui esistenza in territorio italiano era allora messa in discussione dall'archeologo Luigi Pigorini, tra le figure più autorevoli nel settore, e le prime testimonianze di arte preistorica in grotta in Italia.

L'obiettivo di approfondire le più antiche tracce di civilizzazione del Salento, perseguito attraverso numerose "gite campestri" dentro e fuori i confini provinciali e coltivato con discrete doti di organizzatore, lo spingerà a farsi promotore assieme ad altri di uno dei primi gruppi speleologici salentini, inizialmente intestato a Paolo Emilio Stasi.

A partire dal primo dopoguerra, assieme al prestigioso fisiologo suo conterraneo Filippo Bottazzi, direttore dell'Istituto di Fisiologia dell'Università di Napoli, e al figlio di Stasi, Gino, avviarono una fase di intense esplorazioni della grotta Zinzulusa, sempre presso Castro, destinata a durare fino alla fine degli anni Cinquanta. Nel 1923, insieme a costoro prese parte proprio presso la Zinzulusa alla scoperta della Typhlocaris Salentina. Scrivevano gli stessi esploratori:Nel laghetto Cocito pescammo, la prima volta che visitammo la caverna, un gamberetto cieco di piccola mole, pallido, trasparente, che ci affrettammo, intuita l'importanza del ritrovamento, a mandare, conservato in alcool, al dott. E. Caroli dell'Istituto Zoologico della Regia UNiversità di Napoli, il quale con sorpresa riconobbe in esso una Thyphlocaris, raro decapode cieco della famiglia Palaemonidae, per quale è stata stabilita una speciale sottofamiglia di Thyphlocaridinae.Inoltre, sempre nella Zinzulusa Bottazzi, De Lorentiis e Stasi scoprirono un crostaceo ipogeo cui fu dato il nome di Spelaeomysis Bottazzii, in onore allo stesso Bottazzii.

L'attività intellettuale
L'esercizio della docenza in materie artistico-letterarie lo spinse ad approfondire i legami con lo stesso Stasi, oltre che con pittori paesaggisti come Giuseppe Casciaro, Vincenzo Ciardo e Michele Palumbo, la cui attività non mancò del resto di sostenere attraverso una prodiga committenza. Nella storia dell'arte, i suoi interessi più vivaci sembrarono ruotare attorno alla figura di Gioacchino Toma, la cui opera è assunta soprattutto nei suoi significati patriottici.

L'attività intellettuale del De Lorentiis si concretizzò in una discreta produzione pubblicistica, affidata per lo più alle colonne della stampa periodica regionale, come la "Rassegna Pugliese", la "Rivista Storica Salentina", "Il Salento", senza mai giungere al livello di mature e compiute produzioni monografiche, fatta eccezione per la raccolta di sonetti dialettali intitolata Pe lla Paleontologia, scritta per celebrare il rinvenimento della "Romanelli". Ciò gli consentirà comunque di stabilire proficue relazioni con parte dell'intellettualità salentina e nazionale, dal già citato Stasi a Cosimo De Giorgi, da Armando Perotti a Francesco Gabrieli, da Nicola G. De Donno a Vito Domenico Palumbo a molti altri.

Dalla "regione" alla "nazione"
Lo scoppio della Grande guerra trovò De Lorentiis schierato a favore delle regioni dell'interventismo, segnando in lui una definitiva e convinta adesione agli ideali del nazionalismo italiano. Lo testimoniavano il suo impegno nelle commemorazioni dei giovani liceali caduti e il rapporto con figure di primo piano come Gabriele D'Annunzio e il grande invalido di guerra Carlo Delcroix.

Il De Lorentiis era dunque espressione di posizioni piuttosto diffuse in seno all'intellettualità salentina del primo dopoguerra – e in forme parzialmente diverse, anche del secondo –, che si sforzavano di coniugare i due diversi orizzonti identitari della "regione" e della "nazione", secondo una prospettiva per cui i presunti primati di civiltà della prima dovevano comporre l'infrastruttura etica della seconda.

L'appartenenza al nazionalismo gli consentirà una composta adesione al fascismo, che tuttavia sembrò non ricambiarlo pienamente nella distribuzione di incarichi e onorificenze.

Ultimi anni
Docente a riposo dal 1935, tra il 1937 e il 1941 De Lorentiis svolse l'incarico di "reggente per l'insegnamento di materie letterarie" presso l'Istituto Magistrale di Tricase, per conto dell'Associazione nazionale per la diffusione della cultura. In questa veste svolgerà anche il compito di reggente dello stesso istituto.

Alla morte, intervenuta a Maglie nel 1942, il Circolo speleologico salentino assunse la denominazione "Pasquale de Lorentiis", che ne febbraio 1970 scoprì la Grotta dei Cervi.

Riconoscimenti
A Pasquale De Lorentiis sono intitolati l'Istituto comprensivo di Scorrano, suo paese natìo, e il Gruppo Speleologico Salentino Pasquale De Lorentiis

Note

Bibliografia

 R. Cubaju, Discorso commemorativo nella inaugurazione di un busto al prof. Pasquale De Lorentiis: 10 aprile 1957, Galatina, Pajano, 1958
 N.G. De Donno, Pasquale De Lorentiis, in C. Valacca, P. De Lorentiis, N. Vaccina, Poesie in dialetto magliese, a cura di Nicola G. De Donno, Maglie, UTE, 1992
 D. Valli, Storia della poesia dialettale nel Salento, Galatina, Congedo, 2003
 D. Valli, A.G. D'Oria (a cura di), Novecento dialettale salentino, vol. I, Lecce, Manni, 2006.

Pubblicazioni
 Pe lla Paleontologia, Maglie, 1902
 Favole in dialetto magliese, in In onore del prof. Giuseppe Tamburini, Lecce, Tip. Giurdignano, 1905, pp. 47-50
 Banzai nippon, Bari, Laterza, 1905
 Note su la Divina Commedia, Manduria D'Errico, 1907
 Commemorazione dei caduti supersanesi nella guerra d'Italia del 1915-1918, Matino, Tip. Donato Siena, 1920
 F. Bottazzi, P. De Lorentiis, G.Stasi, La grotta della «Zinzulusa» in Terra d'Otranto e il ritrovamento in essa di Typhlocaris, «Rivista di Biologia», 5, 3 (1923), pp. 301-308.
 Per Armando Perotti. Onoranze rese in Castro il 7 settembre 1924, Tricase, G. Raeli, 1924
 Grotta Romanelli, stazione paleolitica in Terra d'Otranto, in "Rinascenza salentina", I (1933), p. 77.

Voci correlate

 Maglie
 Castro
 Tricase
 paleontologia
 speleologia
 Paolo Emilio Stasi
 Filippo Bottazzi
 Giuseppe Casciaro
 Gioacchino Toma
 Cosimo De Giorgi
 Armando Perotti
 Francesco Gabrieli
 Gabriele D'Annunzio
 Carlo Delcroix


Hours Open to CS Students Sundays from 9:00 am - 1:30 pm in Fall (Sept-Oct 31st 2018) / Sundays from 10:00 am - 4:00 pm; (April through June 10, 2019 / other opportunities exist throughout the year, including regional tournament in early June, winter basketball season.
Additional Information: Please contact Eric Neidig for additional information. We look forward to welcoming you to join this fun, family-friendly program!


text:
Mónica Medrano
Estación Biológica de Doñana,
CSIC,
Isla de La Cartuja
Avda. Américo Vespucio s/n,
E-41092 Sevilla, Spain
Consejo Superior de Investigaciones Científicas (CSIC)
monica@ebd.csic.es
Bs.C. 1992. University of Santiago de Compostela. Biological Sciences
Ms.C. 1994. University of Santiago de Compostela. Dept. of Plant Biology
Thesis topic: Relationships between vegetation zonation and altitude in a salt marsh system
Ph.D. 1999. University of Santiago de Compostela. Dept. of Plant Biology
Thesis topic: Floral and fruiting strategies in Pancratium maritimum L.
General research interests
Floral biology
Ecology and evolution of sexual reproductive systems in higher plants
Ecology and evolution of plant-animal interactions
Plant ecological genetics
45. Alonso, C., M. Medrano, R. Pérez, A. Canto, V. Parra-Tabla, and C. M. Herrera (2019) Interspecific variation across angiosperms in global DNA methylation: phylogeny, ecology and plant features in tropical and mediterranean communities. New Phytologist. in press. doi: 10.1111/nph.16046
44. Herrera, C. M., M. Medrano, R. Pérez, P. Bazaga, and C. Alonso (2019) Within-plant heterogeneity in fecundity and herbivory induced by localized DNA hypomethylation in the perennial herb Helleborus foetidus. American Journal of Botany 106, 798-806.
43. Herrera, C. M., C. Alonso, M. Medrano, R. Pérez, and P. Bazaga (2018) Transgenerational epigenetics: inheritance of global cytosine methylation and methylation-related epigenetic markers in the shrub Lavandula latifolia. American Journal of Botany 105, 741-748.
42. Alonso, C., R. Pérez, P. Bazaga, M. Medrano, and C. M. Herrera (2018) Within-plant variation in seed size and inflorescence fecundity is associated with epigenetic mosaicism in the shrub Lavandula latifolia (Lamiaceae). Annals of Botany 121, 153–160.
41. Alonso, C., M. Medrano, R. Pérez, P. Bazaga, and C. M. Herrera (2017) Tissue-specific response to experimental demethylation at seed germination in the non-model herb Erodium cicutarium. Epigenomes 1, 16. doi:10.3390/epigenomes1030016
40. Herrera, C. M., M. Medrano, and P. Bazaga (2017) Epigenetic and genetic spatial structure of the perennial herb Helleborus foetidus: isolation by environment, isolation by distance, and functional trait divergence. American Journal of Botany 104, 1195-1204.
39. Garrido, J. L., J. M. Alcántara, P. J. Rey, M. Medrano, J. Guitián, M. C. Castellanos, J. M. Bastida, R. Jaime, and C. M. Herrera (2017) Geographic genetic structure of Iberian columbines (Gen. Aquilegia). Plant Systematics and Evolution 303, 1145-1160.
38. Herrera, C. M., and M. Medrano (2017) Pollination consequences of simulated intrafloral microbial warming in an early-blooming herb. Flora 232, 142-149.
37. Herrera, C. M., M. Medrano, and P. Bazaga (2016) Comparative spatial genetics and epigenetics of plant populations: heuristic value and a proof of concept. Molecular Ecology 25, 1653–1664.
36. Alonso, C., R. Pérez, P. Bazaga, M. Medrano, and C. M. Herrera (2016) MSAP markers and global cytosine methylation in plants: a literature survey and comparative analysis for a wild growing species. Molecular Ecology Resources 16, 80-90.
35. Herrera, C. M., M. Medrano, and P. Bazaga (2015) Continuous within-plant variation as a source of intraspecific functional diversity: patterns, magnitude, and genetic correlates of leaf variability in Helleborus foetidus (Ranunculaceae). American Journal of Botany 102, 225-232.
34. Medrano, M., C. M. Herrera, and P. Bazaga (2014) Epigenetic variation predicts regional and local intraspecific functional diversity in a perennial herb. Molecular Ecology 23, 4926-4938.
33. Alonso, C., R. Pérez, P. Bazaga, M. Medrano, and C. M. Herrera (2014). Individual variation in size and fecundity is correlated with differences in global DNA cytosine methylation in the perennial herb Helleborus foetidus (Ranunculaceae). American Journal of Botany 101, 1309-1313.
Medrano, M., E. López-Perea, and C. M. Herrera (2014) Population genetics methods applied to a species delimitation problem: endemic trumpet daffodils (Narcissus section Pseudonarcissi) from the southern Iberian Peninsula. International Journal of Plant Sciences 175, 501-517.
Echoes in blogosphere:
Endemic daffodils and natural heritage
31. Herrera, C. M., M. Medrano, and P. Bazaga (2014) Variation in DNA methylation transmissibility, genetic heterogeneity and fecundity-related traits in natural populations of the perennial herb Helleborus foetidus. Molecular Ecology 23, 1085-1095.
30. Herrera, C. M., M. Medrano, and P. Bazaga (2013) Epigenetic differentiation persists after male gametogenesis in natural populations of the perennial herb Helleborus foetidus (Ranunculaceae). PLOS ONE 8, e70730.
29. Seino, M. M., C. de Vega, P. Bazaga, M. Medrano, and C. M. Herrera, in Molecular Ecology Resources Primer Development Consortium et al. (2013) Development and characterization of microsatellite loci for the perennial herb Helleborus foetidus (Ranunculaceae). Molecular Ecology Resources 13: 341-343. Manuscript with details here or here
Herrera, C. M., M. I. Pozo, and M. Medrano (2013) Yeasts in nectar of an early-blooming herb: sought by bumble bees, detrimental to plant fecundity. Ecology 94, 273-279.
Photo Gallery: Herrera, C. M., M. I. Pozo, and M. Medrano. 2013. Bumble bees prefer nectar containing yeasts. Bulletin of the Ecological Society of America 94,186–189.
27. Medrano, M., R. Requerey, J. D. Karron, and C. M. Herrera (2012) Herkogamy and mate diversity in the wild daffodil Narcissus longispathus: beyond the selfing-outcrossing paradigm in the evolution of mixed mating. Plant Biology 14, 801-810.
26. Castellanos, M. C., M. Medrano, and C. M. Herrera (2008) Subindividual variation and genetic versus environmental effects on seed traits in a European Aquilegia. Botany (formerly Canadian Journal of Botany) 86, 1125-1132.
25. Medrano, M., and C. M. Herrera (2008) Geographical structuring of genetic diversity across the whole distribution range of Narcissus longispathus, a habitat-specialist, Mediterranean narrow endemic. Annals of Botany 102, 183-194.
24. Canto, A., C. M. Herrera, M. Medrano, R. Pérez, and I. M. García (2008) Pollinator foraging modifies nectar sugar composition in Helleborus foetidus L. (Ranunculaceae): an experimental test. American Journal of Botany 95, 315-320.
23. Amigo, J., F. Bellot, M. Buide, M. Buján, B. Casaseca, E. Castro, J. Fagúndez, X. R. García-Martínez, J. Guitián, P. Guitián, J. Izco, A. R. Larrinaga, R. I. Louzán, M. Medrano, J. Mouriño, S. Ortiz, I. Pulgar, L. G. Quintanilla, J. Rodríguez-Oubiña, M. I. Romero, D. G. San León, J. M. Sánchez, and X. Soñora (2007) Aportaciones corológicas a la flora gallega del Herbario SANT. Boletín BIGA 2, 125-132.
22. Canto, A., R. Pérez, M. Medrano, M. C. Castellanos, and C. M. Herrera (2007) Intraplant variation in nectar sugar composition in two Aquilegia species (Ranunculaceae): contrasting patterns under field and greenhouse conditions. Annals of Botany 99, 653-660.
21. Herrera, C. M., M. C. Castellanos, and M. Medrano (2006) Geographical context of floral evolution: towards an improved research programme in floral diversification. Pages 278-294 in L. D. Harder and S. C. H. Barrett (eds.), Ecology and evolution of flowers. Oxford University Press. Supplementary material: Appendix 15.1 Appendix 15.2.
20. Medrano, M., M. C. Castellanos, and C. M. Herrera (2006) Comparative floral and vegetative differentiation between two Aquilegia taxa along a narrow contact zone. Plant Systematics and Evolution 262, 209-224.
19. Rey, P. J., C. M. Herrera, J. Guitián, X. Cerdá, A. M. Sánchez-Lafuente, M. Medrano, and J. L. Garrido (2006) The geographic mosaic in pre-dispersal interactions and selection on Helleborus foetidus (Ranunculaceae). Journal of Evolutionary Biology 19, 21-34.
Featured in Faculty of 1000 Biology, Factor 6. Read F1000 evaluation.
18. Medrano, M., C. Alonso, and C. M. Herrera (2005) Mating system, sex ratio, and persistence of females in the gynodioecious shrub Daphne laureola L. (Thymelaeaceae). Heredity 94, 37-43.
17. Medrano, M., C. M. Herrera, and S. C. H. Barrett (2005) Herkogamy and mating patterns in the self-compatible daffodil Narcissus longispathus. Annals of Botany 95, 1105-1111.
16. Sánchez-Lafuente, A. M., J. Guitián, M. Medrano, C. M. Herrera, P. J. Rey, and X. Cerdá (2005) Plant traits, environmental factors, and pollinator visitation in winter-flowering Helleborus foetidus L. (Ranunculaceae). Annals of Botany 96, 845–852.
15. Fedriani, J. M., P. J. Rey, J. L. Garrido, J. Guitián, C. M. Herrera, M. Medrano, A. M. Sánchez-Lafuente, and X. Cerdá (2004) Geographical variation in the potential of mice to constrain an ant-seed dispersal mutualism. Oikos 105, 181-191.
14. Guitián, J., M. Medrano, and E. Oti. (2004) Variation in floral sex allocation in Polygonatum odoratum (Liliaceae). Annals of Botany 94, 433–440.
13. Guitián, J., M. Medrano, C. M. Herrera, and A. M. Sánchez-Lafuente (2003) Variation in the structural gender in the hermaphrodite Helleborus foetidus (Ranunculaceae): within- and among-population patterns. Plant Systematics and Evolution 241, 139-151.
12. Guitián, P., M. Medrano, and J. Guitián (2003) Seed dispersal in Erythronium dens-canis L. (Liliaceae): variation among habitats in a myrmecochorous plant. Plant Ecology 169: 171-177.
11. Herrera, C. M., M. Medrano, P. J. Rey, A. M. Sánchez-Lafuente, M. B. García, J. Guitián, and A. J. Manzaneda (2002) Interaction of pollinators and herbivores on plant fitness suggests a pathway for correlated evolution of mutualism- and antagonism-related traits. Proceedings of the National Academy of Sciences USA 99, 16823-16828.
10. Herrera, C. M., X. Cerdá, M. B. García, J. Guitián, M. Medrano, P. Rey, and A. M. Sánchez-Lafuente (2002) Floral integration, phenotypic covariance structure and pollinator variation in bumblebee-pollinated Helleborus foetidus. Journal of Evolutionary Biology 15, 108-121.
09. Herrera, C. M., A. M. Sánchez-Lafuente, M. Medrano, J. Guitián, X. Cerdá, and P. Rey (2001) Geographical variation in autonomous self-pollination levels unrelated to pollinator service in Helleborus foetidus (Ranunculaceae). American Journal of Botany 88, 1025-1032.
08. Guitián, J., P. Guitián, and M. Medrano (2001) Causes of intra-inflorescence variation in fruit set in Polygonatum odoratum (Liliaceae) Plant Biology 3: 637-641.
07. Guitián, P., and M. Medrano (2000) Sex expression and fruit set in Silene littorea Brot.: variation among populations. Nordic Journal of Botany 20: 467-473.
06. Medrano, M., P. Guitián, and J. Guitián (2000) Patterns of fruit and seed set within inflorescences of Pancratium maritimum (Amaryllidaceae): non-uniform pollination, resource limitation or architectural effects? American Journal of Botany 87: 493-501.
05. Guitián, J., P. Guitián, M. Medrano, and J. M. Sánchez (1999) Variation in floral morphology and individual fecundity in Erythronium dens-canis (Liliaceae) Ecography 22: 708-714.
04. Medrano, M., P. Guitián, and J. Guitián (1999) Breeding system and temporal variation in fecundity of Pancratium maritimum L. (Amaryllidaceae) Flora 194: 13-19.
03. Guitián, J., P. Guitián, and M. Medrano (1998) Floral biology of the distylous mediterranean srhub Jasminum fruticans (Oleaceae). Nordic Journal of Botany 18: 195-201.
02. Guitián, P., M. Medrano, and M. Rodríguez (1997) Reproductive biology of Corema album (L.) D. Don (Empetraceae) in the northwest Iberian Peninsula. Acta Botanica Gallica 144: 119-128.
01. Sánchez, J. M., J. Izco, and M. Medrano (1996) Relationships between vegetation zonation and altitude in a salt marsh system in northwest Spain. Journal of Vegetation Science 7: 695-702.
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This pilsner is ideal for enjoying cool, refreshing drinks year round. This beautiful silver plated cup holds approximately 24-ounces. Measures 3-3/4 inches diameter by 6-inches high. Not for use with hot liquids, made for cold liquids only. To clean, hand wash only.


EDC prides itself on offering fun dance classes to our Niagara community while still incorporating the technique of dance at the same time. Our talented, caring and energetic faculty will help you achieve your goals in dance while creating a positive, safe and fun environment for our dancers. Fun & Fitness thru dance in Niagara!
Kennedy has had a passion for dance and gymnastics from a very young age. She trained in gymnastics for six years, competitively for two years. She has been dancing since the young age of 3 and has been a competitive dancer since the age of 10. Kennedy has been a member of Team Canada and has received a Gold medal, a Silver medal and a Bronze medal. Kennedy has attended many workshops and has been trained by dancer/choreographers such as Everett Smith, David Cox, Matthew Clark, and more. She has been trained in Acro, Tumbling, Tap, Jazz, Ballet, Lyrical, Contemporary, Hip- Hop, and Modern. She is fully certified in First Aid and CPR. Kennedy is a certified acro teacher and holds her module 1 acrobatic arts certificate. Kennedy attended Brock University for Concurrent Education. Kennedy has a Bachelor of Arts in Child and Youth Studies and a Bachelor or Education. She competed with the Varsity Dance Team at Brock, The Brock Badgers Dance Pak, for 5 years. Kennedy has been a dance instructor/choreographer at EDC Dancers Inc./Expressions Dance Company since 2011. Kennedy has won many choreography awards at various dance competitions and was voted top 10 dance instructor with the Hamilton Spectator Readers Choice Awards 2017. Always known for her bright smile and energetic attitude, Kennedy wants to share her love and passion for dance by teaching others and bringing out the best in them. It has always been Kennedy's dream to teach others and to dance. Kennedy is excited to blend her passion with her education and take on this new role as the Director/Owner of Expressions Dance Company.
Christie Burkholder is a career movement educator. From a young age, she discovered profound joy in sharing technique and creating choreography rather than performing on stage. This sparked a drive like no other to bring the best to the studio and each individual student.
Christie has achieved many teaching designations through organizations such as Dance Masters of America, American Tap Dance Institute, International Dance Teaching Standards, Acrobatic Arts, Body Harmonics (Pilates), Coaching Association of Canada (NCCP), USA Gymnastics, Positive Coaching Alliance and Progressive Ballet Technique. She continues to take courses and further her professional development.
Christie is dedicated to developing and training students in a healthy way. She encourages them to work hard, to dig deep and develop their grit through challenges within the dance framework while building a strong technical foundation and solid teamwork.
Christie always looks to bring out the best in each student. She challenges them to be more than what they can imagine. Through this process students develop essential life skills. Dedication, confidence, self regulation, self awareness, perseverance and grit will be fostered in all of her classes and carried with each student through out life.
Justine began her dance training at Rythum Plus Dance Company at the age of 4. She danced competitively with Rythum Plus until she graduated from high school in 2011. She trained in a variety of styles such as jazz, tap, lyrical, ballet, and hip hop. While dancing with Rythum Plus, she also had the chance to participate in many different conventions and national competitions where she learned from famous choreographers from all over Canada and the United States. In 2010, her last year of competing with Rythum Plus, she also began her teaching career with the studio. She was then off to Brock University where she joined the competitive Brock Dance Team. Her second year at Brock University took her passion for dance to the next level. Justine choreographed her first group for the school. By her final year at Brock, Justine not only continued to choreograph and compete with the varsity-level team, but she was also on its executive board as the Vice President of Communication and ran the team's social media accounts. Justine graduated from Brock University in 2015 with a Honours Bachelor of Arts in Popular Culture. Justine has been instrumental in teaching for Rythum Plus' recreational and part-time competitive programs. Justine is very excited to see what the next dance season bring and is excited to start teaching and choreographing at Expressions Dance Company.
Nicole has had a passion for dance from a young age training at Wendy Leard School of Dance and Dingman-Nagy School of Ballet Arts. Growing up she trained in many styles and went on to study dance in post-secondary education. Nicole holds all Cecchetti Ballet certificates up to Intermediate. Nicole studied Classical Ballet and has a Bachelor of Arts in Dance. As well, Nicole holds her certification in Pilates with the PhysicalMind Institute in New York City. Nicole started teaching dance at age 21. Nicole has coached many successful dancers to reach their goals during competitions. Nicole has helped train many students who have had made it into professional programs such as the National Ballet School of Canada. Nicole currently is a part of the Ontario College of Teachers and is working with the NCDSB as a French Teacher.
Nicole strives to create successful positive environments that empower students to meet their dance goals in classical and contemporary ballet.
Kate's love for dance began at the young age of three when she began her dance lessons at EDC. By the age of six she was not only training many days and hours a week, but also competing. For the past nine years, she has continued competing and training extensively in styles including Ballet, Pointe, Jazz, Lyrical, Acro, Contemporary and Hip-Hop. She has won several overall awards and scholarships throughout her dance career thus far, the most recent being a full time scholarship to a Ballet intensive in Las Vegas with world renown Ballet Masters. She has completed summer ballet programs with Ballet Jorgen and The School of Alberta Ballet, where she was offered full time acceptance. Kate has auditioned and been a member of Team Canada in the World Dance Championships two times, both times she helped Canada bring home a Gold Medal. Kate is currently completing a Bachelor of Science degree at McMaster University and continues to dance on their award winning varsity dance team. Kate shows her dancers that when you bring a love and passion for dance to each and every one of your classes, you will be able accomplish anything you set out to do!
Stephanie started gymnastics at the young age of 3. She soon joined Expressions Dance Company as a recreational student in 2004. In 2005, Stephanie was awarded the most outstanding recreational award & scholarship age 9 and under. The following year she joined to be a part of Expressions' competitive team. Over the 14 years she competed with Expressions, now known as EDC Dancers Inc., she has won numerous awards and scholarships. She auditioned and performed in the well-known Nutcracker in Hamilton in 2006. Stephanie began training with Zacada Circus School in Hamilton in 2007. She trained there for 2 years in which she started to focus her circus training in hand balancing and power tumbling. She performed in Zacada's first performance, "Point of View", at the Hamilton Dofasco Centre for the Arts. Stephanie represented Team Canada at the World Ballet/Modern/Jazz Dance Championship in Niagara Falls, Ontario receiving silver medal for her pointe solo and gold for her jazz duet. In winter of 2009, she attended New York City to be a part of the Be Discovered program on a scholarship she received at a competition. Stephanie trained for a week in New York City at places like Broadway Dance Centre, Steps on Broadway and the New York City Rockettes. However, not long after returning from NYC, Stephanie found that her true passion was ballet. She attended Neglia Conservatory of Ballet's 5-week summer intensive in Buffalo, NY. Stephanie ended up attending Neglia Ballet the following year and continued until 2013. In her time spent at Neglia Ballet, she performed in a number of performances through the years including; Nutcracker, Baba Yaga, Giselle and Dancing to Live, a special benefit for the cancer research foundation where she performed a contemporary pointe pas de deux. Stephanie played the lead role in the Nutcracker at Shea's Performing Arts Centre as "Marie", also known as "Clara", from 2011-2013. In 2011, Stephanie represented Team Canada at the World Ballet/Modern/Jazz Dance Championships in Poland in which she received a gold medal for her pointe solo, gold for her jazz duet and was named one of the top four dancers of the competition. Soon after Stephanie found her love for ballet, she began to audition for countless ballet company summer intensives such as, National Ballet of Canada, Joffery, Royal Winnipeg Ballet and American Ballet Theatre in which she was accepted to all of their summer intensives. Stephanie completed her Royal Academy of Dance (RAD) Intermediate Ballet Exam where she received a Distinction mark. In 2014, Stephanie was 14 out of thousands of girls to be accepted into The Julliard School of Dance Summer Intensive in New York City. She attended the 3-week summer program training under many prestigious ballet teachers and icons. In the same summer, she also attended Sheer Talent Nationals in New York City winning 1st runner up Miss Teen Title Soloist for her lyrical solo. In the following years, Stephanie attended Sheer Talent's Las Vegas Summer Intensive Workshop where she studied under many well-known ballet teachers and New York City Ballet's Principle dancers, Amar Ramasar and Ashley Bouder. Stephanie went to Las Vegas again in 2016 to compete in Sheer Talent's Nationals where she received Miss Senior Title Soloist for her award winning lyrical solo. After leaving Neglia Ballet in 2014, Stephanie returned to continue her ballet study in 2017. During the year of 2017 she performed in Neglia Ballet's Nutcracker as the Lead Flower, a principle role. Stephanie has been teaching at Expressions Dance Company since 2014 and is always excited and eager to share her dance knowledge with her students.
Born and raised in Brampton, ON, Albert Marzan began his interest for dance during high school. Joining the Hip Hop team at St. Augustine Secondary School, Albert was trained under Paulo Santiago. The team went on to compete in various competitions in the GTA, succeeding and placing in majority of them.
He later attended Brock University where he became a member of the urban Hip Hop club Live4Dance, where he continued his training every opportunity he was given. Live4Dance accepted Albert onto the competitive team where they competed in multiple competitions such as The Academy, 180 Dance Competition and Bring Your Own Beat. It was also through this club where he discovered his passion for competing and later decided to form his own dance crew, Candid.
While teaching at EDC, his choreography has been awarded with numerous special awards, high marks and overalls. Albert continues to grow both as a dancer and teacher by attending workshops and summer camps in Hip Hop. He is glad to be apart of the EDC faculty again this year to continue to share his knowledge, skills and expertise to previous and new students.
Leslie began her dance career at the age of three and has been performing and teaching ever since. She first studied Ballet, Tap, Jazz and Musical Theatre until the age of eighteen, then moved through the styles of dance to study Ballroom, Latin, Swing and Country Line Dancing. Competing and performing, Leslie has won various awards in all styles of dance throughout the years and has had the opportunity to share her love of dance at festivals, parades and corporate functions including performing at the Juno Awards and The Mother's Day Telethon. Leslie specializes in wedding choreography for the bride and groom's first dance and for the wedding party. She was featured along with one of her couples and her choreography on an episode of Four Weddings Canada. Leslie is also a Certified Level 1 and 2 Zumba Instructor and a ZIN Member. With Leslie's Latin background, her Zumba classes are a non-stop Latin Dance Party! She began her Middle Eastern dance training in 2002, where she studied the art of Egyptian Belly Dance and Bollywood from Hamilton, Toronto and the USA with various teachers and performers. She continues to perform, choreograph and share her love for Belly dance with her students. Incorporating all of her previous dance experience and training through toning, flexibility, muscle memory and core training, you are sure to fall in love with any style of dance class you choose with Leslie.
Email the studio for information on how you can hire Leslie to choreograph for your special day!
Joanne started dancing at the young age of five – with extensive training in Ballet (Royal Academy of Dancing) earning many certificates and scholarships throughout the years. She also had the opportunity to tour England in 1991 with the Dance Drama Arts Center as a member of Pegasus Performing Arts Company. Joanne was a member of the Olde Jersey Theater Company in Grimsby, as well as winning several acting awards at the Sears Drama and local Festivals. After working for two years at Walt Disney World in Florida, Joanne came back to Grimsby to raise her family and has been proud to call Expressions Dance Company (EDC) home for the last several years. Joanne would like all of her students to focus on their technique but mostly experience all of the fun and joy in expressing themselves through dance.
Copyright © EDC Dancers Inc. All Rights Reserved.


Programming is every coder's biggest love. Only a programmer understands the power of coding. Lines of complex codes are written, rewritten and compiled to make life easier for us mortals. Here's a list of wooden notebooks and wood carved signs made the computer geeks.


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Heydar Aliyev Cultural Center among the nominees for The Royal Institute of British Architects (RIBA) Inaugural International Prize
Heydar Aliyev Center by Zaha Hadid Architects among the nominees for The Royal Institute of British Architects (RIBA) Inaugural International Prize.
The RIBA International Prize will be awarded to the most significant and inspirational building of the year. The winning building will demonstrate visionary, innovative thinking and excellence of execution, whilst making a distinct contribution to its users and to its physical context.
For 50 years the RIBA awards and prizes have championed and celebrated the best architecture in the UK and around the world.
The winner of the first RIBA International Prize will be announced at a ceremony in London in December 2016.
Azeri America News
Baku Azerbaijan
The Royal Institute of British Architects
Zaha Hadid Architects


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redpajama_set_name: RedPajamaGithub


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Agama paragama är en ödleart som beskrevs av  Alice G.C. Grandison 1968. Agama paragama ingår i släktet Agama och familjen agamer.

Underarter

Arten delas in i följande underarter:

 A. p. paragama
 A. p. sylvanus

Källor

Agamer
paragama

redpajama_set_name: RedPajamaWikipedia


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Summer Stadiums 2010 EP è il quarto EP del gruppo musicale britannico Muse, pubblicato il 15 novembre 2012 dalla Helium-3.

Descrizione
Pubblicato gratuitamente dai Muse per promuovere il Summer Stadium 2013 tenuto in Europa, l'EP contiene sei tracce (tre audio e tre video) provenienti dalla tournée Summer Stadium 2010 volta a promuovere il quinto album The Resistance.

Tracce

Formazione
Gruppo
 Matthew Bellamy – voce, chitarra
 Chris Wolstenholme – basso, cori
 Dominic Howard – batteria

Altri musicisti
 Morgan Nicholls – tastiera, percussioni (traccia 1)

Note

Collegamenti esterni


Official Buenos Aires City tourism app.
It is the new application that improves the quality of taxi service in the city.
Find lost pets, adopt and knows the main services.
I know the cultural offer that the city and enjoy it your way.
Listen to the Radio AM 1110 and FM 2x4 City of Buenos Aires.
See your steps taken through the system Buenos Aires Shopping.


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Departments Provide Relief for 2020 and 2021 Prescription Drug Reporting
By Lisa Rippey & Stephanie Schmid on January 4, 2023
On December 23, 2022, the Departments of Labor, Health and Human Services and Treasury (the "Departments") issued FAQs providing relief from prescription drug and health care spending reporting requirements. The FAQs are available here: https://www.dol.gov/agencies/ebsa/about-ebsa/our-activities/resource-center/faqs/aca-part-56.
As part of the Consolidated Appropriations Act, 2021, group health plans and issuers must annually report to the Departments certain prescription drug and health care information, including but not limited to the:
50 most frequently dispensed brand prescription drugs and the total number of paid claims for each such drug;
50 most costly prescription drugs by total annual spending, and the annual amount spent by the plan or coverage for each such drug;
50 prescription drugs with the greatest increase in plan or coverage expenditures from the previous plan year;
total spending on health care services by the plan or coverage broken down by the type of costs; and
impact on premiums and out of pocket costs from rebates, fees, and any other remuneration paid by drug manufacturers to the plan or its administrators or service providers, including the amount paid for therapeutic classes of drugs and amounts paid for each of the 25 drugs that yield the highest amounts of rebates and other remuneration from drug manufactures during the plan year.
According to the FAQs, the Departments will not take enforcement action against a plan or issuer that uses a good faith, reasonable interpretation of the regulations and reporting instructions. In addition, plans and issuers now have until January 31, 2023 to provide a good faith submission of 2020 and 2021 data through the Health Insurance Oversight System. The deadline for 2020 and 2021 submissions were previously December 27, 2022.
The prescription drug and health care spending reporting obligation falls on the group health plan. Insured plans may satisfy the reporting requirements by entering into a contract with the carrier to provide the required information. If the carrier fails to meet the reporting requirements, the carrier, not the insured plan, violates the reporting obligations. Self-insured plans, on the other hand, cannot contract around the reporting obligations. While a self-insured plan may contract with a third-party to report the data, if the third-party fails to do so, the self-insured plan is ultimately liable for the reporting failure.
Plan sponsors should continue working with their service providers to ensure required reporting for 2020 and 2021 is completed by the January 31, 2023 deadline. The Departments indicated they will continue to monitor stakeholder efforts to comply with reporting requirements to determine whether additional guidance is needed before future submission deadlines. The deadline for submitting 2022 prescription and health care spending data is June 1, 2023.
Tags: Consolidated Appropriations Act 2021, Health Plans, self-insured health plans
Lisa Rippey
Read more about Lisa Rippey


exploded lifters, and years of problems, as well as increased neglect from owners thinking their valve never need to be adjusted with hudros makes me dislike them. They also always have contact with the lobes and they wear like mad, atleast 40% faster than a solid lifter, inmmy experience... I go over the differences in my TIV engine rebuild video.
I would use a web 73 in that engine, and try to stay around 8:1 CR static according to your altitude and climate.


In some cases, where a biological parent has no interest in a relationship with his or her child, a step-parent married to the child's biological parent may be found to be a "de facto" parent by the court, because he or she has a significant relationship with the child, has raised the child and held the child out to be his or her own. In some cases, usually involving dependency court (CPS cases), this de facto parent may be established, in the long run, as the child's presumed parent. The ultimate conclusion of this scenario may include adoption.
Legally establishing paternity of a child, or having the court find that a father is not the biological father of a child can have a significant impact on divorce settlements, property division, child custody, child support, or the ability of a custodial parent to move out-of-state. Determination of paternity can also have a significant impact on interstate jurisdictional conflicts.


The University Career Center has as its mission the career development of the students and alumni of The University of Texas at El Paso (UTEP); to assist in relating their knowledge, interests, and skills to meaningful career options; to inculcate in them the sense of professionalism required for success; to aid them in their search for pre-professional and professional employment; to ease their transition from the University to a productive career; and to assist them as they navigate the world of work.
The University Career Center will be recognized within and beyond the UTEP community for excellence in providing comprehensive, state-of-the-art programs and services to advance the career development and employment opportunities of its students and alumni.
Our purpose is to expose UTEP students to options that best fit their individual career needs and aspirations. To that end, the Center provides: part-time and full-time job listings, internship – co-op – experiential learning opportunities, career and job fairs, career development workshops and presentations (e.g., resume writing, job search correspondence, interview preparation, negotiating a job offer, navigating a career fair, etc.), résumé reviews, on-campus interviews, and employer contacts.
The Career Center is the central department on the UTEP campus that oversees campus recruiting (UTEP's Handbook of Operating Procedures). Within the University structure, the Career Center is part of the Division of Student Affairs. We utilize the Council for the Advancement of Standards in Higher Education (CAS) self-assessment process to gauge the effectiveness of Student Affairs departments in the delivery of programs. We are a member of the National Association of Colleges and Employers (NACE) and subscribes to the Principles for Professional Conduct.


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Review Of Bleach Anime
When you choose to go near the toy's section in a departmental store, you are going to amazed by the wide selection of toys to choose from. Some are the latest toys in order to grab children's attention, while there are plenty of more action figures that make grown men's knees weak. I know of many grown men that keep build special glass cabinets to produce their real life. My favorite three are Batman, Star wars and Gundam.
Kids all over the world should be thanking Japan for inspiring the toy industry to such industry. From Pokemon games to numerous anime action figures, include all found a immediately after. And in this regard, nobody has encounter bigger following than Gundam characters! Inspired by major time hit anime show Gundam, the toy industry has produced the playable likeness of some of the notable Gundam figures that youngsters and even adults will likely love! Using a Gundam isn't having a perfect toy to play with. It is additionally a great collection to receive for the diehard fans of Gundam.
Another insanely successful franchise, Dragon Ball started off with an addictive blend of martial arts, humour and fantasy, led by Goku and the wish-granting Dragon Balls. Besides reviving availability of anime dragons, it leaves its mark on the newer generation of shonen titles, and needless understands on every who grew up watching keep in mind this. Rating: Over Nine Thousand.
Anime unique root in Manga, which is not just kiddy cartoon. It is an art form with beautiful graphics and drawings. Anime and Manga are just the thing for people of ages: you could find things which are deeply philosophical and touching as easily as you could find Action Anime adventure anime. A few thoughts and concepts dealt with in anime are contemporary interpretation of questions that have haunted men for centuries, and a person with fresh perspectives as well as encourage thought, a good extremely enjoyable medium.
As the show progresses we discover Shin for unnaturally early attraction to women, which can take the show to odd places and usually runs each episode. But https://www.actionanime.net and naturally distasteful jokes, "Shin Chan" follows the Nohara family in a sort light, teaching us the normalcy in insanity.
Highlight associated with this movie is fighting with Goku and Piccolo, Folks it will have a tremendous accident. Goku and Gohan's fight is comical, and Chi-Chi does Jackie Chan-like battle. Each character has an unusual twist on martial artistry.
The epic battle we mentioned earlier is one that will apparently decide the fate of earth and of human friendly. There are two sides on the story though as we learn through the series. One side, the Dragons of Heaven, plan save mankind from extinction whereas the other side, the Dragons of Earth shall wipe out human kind in order to save the modern world. There's a bit of a twist though – as with all anime movie or TV series! Stated nothing man Kamui Shiro is the man in order to sway war and shape the future according to the seer Hinoto and this is when the story gets significant.
When France began broadcasting anime the particular 1970s it influenced the european market. The Europeans became much more aware of manga at this time. Mainly because anime is agreed upon from manga cartoon toon.
The Casino Gambling Luck


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todd haynes
Personality Crisis: The Radical Fluidity of Todd Haynes Velvet Goldmine by Judy Berman
February 02, 2017 / By Yasmina Tawil
[This month, Musings pays homage to Produced and Abandoned: The Best Films Youve Never Seen, a review anthology from the National Society of Film Critics that championed studio orphans from the 70s and 80s. In the days before the Internet, young cinephiles like myself relied on reference books and anthologies to lead us to film we might not have discovered otherwise. Released in 1990, Produced and Abandoned was a foundational piece of work, introducing me to such wonders as Cutters Way, Lost in America, High Tide, Choose Me, Housekeeping, and Fat City. (You can find the full list of entries here.) Over the next four weeks, Musings will offer its own selection of tarnished gems, in the hope theyll get a second look. Or, more likely, a first. Scott Tobias, editor.]
Like the glam rockers it gazes upon through the smoke-clouded lens of memory, Velvet Goldmine is most beautiful when it descends into chaos.
Stolen, the way great artists do, from Citizen Kane, the skeleton of Todd Haynes 1998 film is a chain of interlocking reminiscences of Brian Slade (Jonathan Rhys Meyers), a David Bowie-like glam rocker who fakes his own onstage death in the mid-70s. A decade laterin that most dystopic of years, 1984his ex-wife Mandy (Toni Collette) and former manager Cecil (Michael Feast) relate their bitter tales of betrayal to a journalist (Christian Bale) whose assignment has him reluctantly reliving his own teenage sexual awakening under the influence of Brians music. Between the interviews, musical numbers, and onscreen epigrams, theres also a mysterious female narrator who sometimes surfaces, like a teacher reading a subversive storybook, with dreamy exposition that reaches back a century to invoke glams patron saint, Oscar Wilde.
The film climaxes with a propulsive sequence of scenes that are exhilarating precisely because they merge all of these points of view, subjective and omniscient, into one collective fantasy. Brian and his new conquest, the Iggy Pop/Lou Reed composite Curt Wild (Ewan McGregor), ride mini spaceships at a carnival to Reeds Satellite of Love. Two random schoolgirls, their faces obscured, act out a love scene between a Curt doll and a Brian doll. In a posh hotel lobby, Brians entourage, styled like Old Hollywood starlets on the Weimar Germany set of a fin-de-sicle period film, recites pilfered sound bites about art. Then Brian and Curt are kissing on a circus stage, surrounded by old men in suits. They play Brian Enos Babys on Fire as Haynes cuts between the performance, an orgy in their hotel suite, and Bales hapless, young Arthur Stuart masturbating over a newspaper photo of Brian fellating Curts guitar. Stripped of narrationnot to mention narrativethe film seems to be running on its own amorous fumes, its story fragmenting into a heap of glittering images as it hurtles from set piece to set piece.
Visual pleasure aside, its a perfect way of translating into cinematic language the argument that underlies Haynes scriptthat glams revelations about the radical fluidity of human identity go far beyond sex and gender. As the apotheosis of teen pop audiences thirst for outsize personae, fictional characters like Ziggy Stardust (who Velvet Goldmine further fictionalizes as Slades alter ego, Maxwell Demon) melded the symbiotic identities of artist and fan into a single, tantalizing vision of hedonism and transgression. Kids imitated idols they didnt quite recognize as pure manifestations of their own inchoate desires. Musician and fan became each others mirror, and both could become entirely new people simply by changing costumes or names.
But its pretty much impossible to imagine Velvet Goldmines distributor and co-producer, Harvey Weinstein, appreciating this as he watched the film for the first timeor seeing anything in it, really, besides an expensive mess.
Haynes and his loyal producing partner, Killer Films head Christine Vachon, had already been through hell with Velvet Goldmine by the time they delivered a cut to Miramax. Bowie had refused Haynes repeated requests for permission to use six Ziggy-era songs in the film, claiming that he had a glam movie of his own in the works. And in a production diary that appears in her book Shooting to Kill, Vachon points out one unique challenge of making a film about queer male sexuality: The MPAA seems to have a number of double standards. Naked females get R ratings, but pickle shots tend to get NC-17s. Our Miramax contract obligates us to an R. She also mentions that an investor pulled $1 million of funding just weeks before filming.
The shoot was even more harrowing than the two veteran indie filmmakers couldve predicted. As they fell behind schedule, a production executive started nagging Vachon to make cuts. Todd is miserable, she wrote in her diary the night before they wrapped. He says that making movies this way is awful and he doesnt want to do it. In an interview that accompanies the published screenplay for Velvet Goldmine, Oren Moverman asks Haynes, Was the making of the film joyful for you? Im afraid not, he replies. We were trying very hard to cut scenes while shooting, knowing that we were behind and we didnt have the money for the overloaded schedule. But there was hardly a scene we could cut without losing essential narrative information. Its remarkable that he managed to capture 123 usable minutes worth of meticulously art-directed 70s excess (and 80s bleakness) in just nine weeks, under so much external pressure, on a budget of $7 million.
christian bale,
christine vachon,
citizen kane,
David Bowie,
ewan mcgregor,
jonathan rhys meyers,
killer films,
lou reed,
michael feast,
oscar wilde,
todd haynes,
toni collette,
Personality Crisis: The Radical Fluidity of Todd Haynes' 'Velvet Goldmine' by Judy Berman
[This month, Musings pays homage to Produced and Abandoned: The Best Films You've Never Seen, a review anthology from the National Society of Film Critics that championed studio orphans from the '70s and '80s. In the days before the Internet, young cinephiles like myself relied on reference books and anthologies to lead us to film we might not have discovered otherwise. Released in 1990, Produced and Abandoned was a foundational piece of work, introducing me to such wonders as Cutter's Way, Lost in America, High Tide, Choose Me, Housekeeping, and Fat City. (You can find the full list of entries here.) Over the next four weeks, Musings will offer its own selection of tarnished gems, in the hope they'll get a second look. Or, more likely, a first. —Scott Tobias, editor.]
The film climaxes with a propulsive sequence of scenes that are exhilarating precisely because they merge all of these points of view, subjective and omniscient, into one collective fantasy. Brian and his new conquest, the Iggy Pop/Lou Reed composite Curt Wild (Ewan McGregor), ride mini spaceships at a carnival to Reed's "Satellite of Love." Two random schoolgirls, their faces obscured, act out a love scene between a Curt doll and a Brian doll. In a posh hotel lobby, Brian's entourage, styled like Old Hollywood starlets on the Weimar Germany set of a fin-de-siècle period film, recites pilfered sound bites about art. Then Brian and Curt are kissing on a circus stage, surrounded by old men in suits. They play Brian Eno's "Baby's on Fire" as Haynes cuts between the performance, an orgy in their hotel suite, and Bale's hapless, young Arthur Stuart masturbating over a newspaper photo of Brian fellating Curt's guitar. Stripped of narration—not to mention narrative—the film seems to be running on its own amorous fumes, its story fragmenting into a heap of glittering images as it hurtles from set piece to set piece.
The shoot was even more harrowing than the two veteran indie filmmakers could've predicted. As they fell behind schedule, a production executive started nagging Vachon to make cuts. "Todd is miserable," she wrote in her diary the night before they wrapped. "He says that making movies this way is awful and he doesn't want to do it." In an interview that accompanies the published screenplay for Velvet Goldmine, Oren Moverman asks Haynes, "Was the making of the film joyful for you?" "I'm afraid not," he replies. "We were trying very hard to cut scenes while shooting, knowing that we were behind and we didn't have the money for the overloaded schedule. But there was hardly a scene we could cut without losing essential narrative information." It's remarkable that he managed to capture 123 usable minutes' worth of meticulously art-directed '70s excess (and '80s bleakness) in just nine weeks, under so much external pressure, on a budget of $7 million.


26 comments on "2012-2013 Home Executive Day Planner"
Ok, that is just awesome!!!
This is great, I really like it! Only thing I noticed is that "appetizers" is spelled wrong on the menu planning pages.
The planner is 164 color pages + 3 pages of stickers.
I got mine today-- it looks great!! Thank you!
For those of you who have not yet received your planner, I am deeply sorry. I don't have any way of contacting you other than through this. I can't look up your orders with the information you have given me. I have sent out many many planners and I don't know why yours have not shipped. Please contact me above through the "contact" link or send me an email at jen.picketfence(at) gmail.com and I can look further into the problem.
I ordered mine Sept. 2nd, when can I expect to ship??
It usually takes 3-5 business days to ship. I try to get all orders out as soon as I can. Thank you for your patience with me.
I got mine Jen and I absolutely LOVE it! I think I'll finally have my life all organized! Thank you!
I can't see the preview when I click on the picture :( I'd love to see the basic layout before ordering.
Theresa, I am sorry the link isn't working for you. You can email me through the "contact" link at the top in the blue bar. Then I can send you a link personally. Thanks!
My favorite feature of this planner is the meal planner and the holiday planning pages! What a great idea!
Love my planner!!! Thank you!!!
I just saw this wonderful planner. I was wondering, when next years will be available? I don't suppose you would print any more of this year, I could really use it now and since there are several more months to go in this academic year...Have you considered making one for working mom's with an appointment calendar?
I just bought one of these for my wife for Christmas, but notice that it only goes until August. When will the next one be coming out? I know she will want it.
Please reprint these! I love it and it is perfect!
When will more of these amazing planners be available? I am dying to get my hands on one!!!!
Are they going to be printing anymore of these delightful planners?
Yes! I would buy one if you had more printed!


The State of Food Insecurity in the World (SOFI 2014) confirmed a positive trend which has seen the number of hungry people decline globally by more than 100 million over the last decade and by more than 200 million since 1990-92. The report is published annually by the Food and Agriculture Organization (FAO), the International Fund for Agricultural Development (IFAD) and the World Food Programme (WFP).
The overall trend in hunger reduction in developing countries means that the Millennium Development Goal (MDG) of halving the proportion of undernourished people by 2015 is within reach, "if appropriate and immediate efforts are stepped up," the report said. To date, 63 developing countries have reached the MDG target, and six more are on track to reach it by 2015.
"This is proof that we can win the war against hunger and should inspire countries to move forward, with the assistance of the international community as needed," the heads of FAO, IFAD and WFP, José Graziano da Silva, Kanayo F. Nwanze and Ertharin Cousin, wrote in their foreword to the report.
Despite significant progress overall, several regions and sub-regions continue to lag behind. In Sub-Saharan Africa, more than one in four people remain chronically undernourished, while Asia, the world's most populous region, is also home to the majority of the hungry – 526 million people.
With the number of undernourished people remaining "unacceptably high", the agency heads stressed the need to renew the political commitment to tackle hunger and to transform it into concrete actions. In this context, the heads of FAO, IFAD and WFP welcomed the pledge at the 2014 African Union summit in June to end hunger on the continent by 2025.
"Food insecurity and malnutrition are complex problems that cannot be solved by one sector or stakeholder alone, but need to be tackled in a coordinated way," they added, calling on governments to work closely with the private sector and civil society.
This year's report includes seven case studies – Bolivia, Brazil, Haiti, Indonesia, Madagascar, Malawi and Yemen – that highlight some of the ways that countries tackle hunger and how external events may influence their capacity to deliver on achieving food security and nutrition objectives. The countries were chosen because of their political, economic – particularly in the agricultural sector – diversities, and cultural differences.
Brazil's Zero Hunger programme, which placed achievement of food security at the centre of the government's agenda, is at the heart of progress that led the country to achieve both the MDG and WFS targets. Current programmes to eradicate extreme poverty in the country build on the approach of linking policies for family farming with social protection in a highly inclusive manner.
Haiti, where more than half the population is chronically undernourished, is still struggling to recover from the effects of the devastating 2010 earthquake. The report notes how the country has adopted a national programme to strengthen livelihoods and improve agricultural productivity by supporting small family farmers' access to inputs and services.
Malawi has reached the MDG hunger target, thanks to a strong and persistent commitment to boost maize production. However, malnutrition remains a challenge – 50 percent of children under five are stunted and 12.8 percent are underweight. To address the issue, the government is promoting community-based nutrition interventions to diversify production to include legumes, milk, fisheries and aquaculture, for healthier diets, and to improve incomes at the household level.


Each Suite has 2 bedrooms, 2 bathrooms, 40" LCD TV, safe, mini bar, tea-coffee set, VRF air-conditioner (central), Electronic locking system, ventilator, desk, cosmetic mirror, bathrobe, slippers, telephone, hair dryer, smoke detector. VIP set-up includes shampoo, shower gel, hair conditioner, body lotion, soap, maintenance kit, emergency kit, dental kit, bath fiber, shoe polish/cloth/shoehorn, laundry bag, box of tissues. On the arrival day we also send a fruit basket and a bottle of wine to the room. For the families with children we have baby bed, pillow, linen, blanket, baby bath and baby toilet (upon request).
Our Villa Suites are 69 m² and have sea/mountain view. Maximum capacity is 4 pax, 1 child and 1 infant. All rooms have WIFI.


text:
Justin Camden's Digital Portfolio
EMPATH is an experimental Virtual Reality action game I am currently working on as my senior capstone project at the University of Southern California. Its core concept is casting spells through martial-arts inspired movements in the manner of Dragonball Z or Avatar: The Last Airbender. The idea behind the game is that martial-arts style movements are simpler and easier for a player to perform in combat situations, and also feel more natural than the more complex movements often used by gesture-based games. Thus we are offering an improvement upon the genre while also fulfilling a common power fantasy.
As the director of the project, I formulated the initial idea and created a proof-of-concept prototype. In the year since formalizing the team, I have been leading a approximately 30 designers, engineers, and artists to create a more polished demo. Much of my time has been spent in designing the player abilities to feel rewarding and natural, while also balancing the mechanics of their effects with those of the enemy characters. In particular, I have been focused on making sure that each power fulfills a different role, and that enemies reward different combinations of power use, in order to allow the player a breadth of gameplay options, while also encouraging them to vary their strategy.
In addition, I work with our level design design team to lay out the space of the level in such a way that it supports the desired effect of the individual combat encounters, such as balancing multiple types of enemies, encouraging the player to try out a new ability, and exploring the use of verticality in virtual reality.
The game is currently in pre-alpha as we wrap up the final rounds of polish and layer in the final pieces of content, but you can view the base source code at:
https://github.com/JustinCamden/EmpathSource
And a video of it in its current state below.
All EMPATH Wildbrew The Sims Mobile Kaidro: The Awakening Grim Oasis Burnt Offerings Graveyard Shift The Blind Swordsman Lights Out One
EMPATH Wildbrew The Sims Mobile Kaidro: The Awakening Grim Oasis Burnt Offerings Graveyard Shift The Blind Swordsman Lights Out One


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Find the best site to hire the right Ruby on Rails developers in under 60 seconds.
A personalized engine to help you hire the best Ruby on Rails developers.
Ruby on Rails is a popular web application framework based on the programming language, Ruby. It was created with streamlining and ease-of-use in mind, so many freelancers learn it to break into the development market. Because of this, there's no shortage of RoR developers.
But that also means you may have difficulty choosing a site to hire them from. With so many Ruby on Rails developers out there, we wanted to narrow down your options and help you make a solid decision. Below you can find the best places to find a Ruby on Rails expert for your next website.
If you'd rather skip the reading, fill out our Ruby on Rails questionnaire. Answer a few questions, and it'll suggest the best fit for your project.
Toptal's matching service is absolutely perfect for large projects requiring only the best in the industry. You won't find beginner programmers here, rather veteran freelancers who managed to pass Toptal's stringent tests -- that leave only 3% allowed to submit their applications.
While this comes at a high price range, it's more than worth it to guarantee yourself a Ruby on Rails expert. And while the platform is too expensive for a small project, Toptal is surprisingly cost-effective. No recruiting fees or termination costs, and straightforward pricing. For large projects that demand an exceptional Ruby on Rails specialist, Toptal is the way to go.
RubyNow has been around for a while. When searching for senior Ruby on Rails developers, it's a choice place to post a job. Along with being a standard job board, your listing is also emailed and tweeted, further increasing exposure. If your ad wasn't effective, they'll work with you to repost it or return your money.
Compared to matching websites, the wait time is a bit longer, at about 2-3 weeks. However, this means you'll have time to find the perfect candidate for the job. RubyNow's goal is to build teams that work flawlessly together, so consider it when you have a bigger project requiring a team of experts.
Pulling from the greatest teachers and tech talent out there, Stack Overflow jobs is great when you need remote developers. Stack Overflow is a website where programmers new and old can ask questions and offer up their knowledge. If expertise, an open mind, and a willingness to learn are traits you're after, Stack Overflow Jobs might just be the job board for you.
Like Stack Overflow, GitHub's goal is to connect developers from all over the world. On GitHub, they can collaborate on projects and upload open source software. Those who use this site are experienced and familiar with open source projects, so Ruby on Rails developers are not that difficult to find.
With over a thousand Ruby on Rails experts available for hiring, CodementorX looks like a good choice. The popular programmer-instructing site branched out to offer jobs to freelancers, and allow companies to hire from the best of their students and teachers.
While its approval process is probably not as demanding as Toptal's, CodementorX only hires quality programmers. You get a shortlist of candidates within 48 hours, and get to interview and trial the freelancer as well. And while primarily a remote service, the company will work with you to get someone in your city.
Upwork is a job board that's free to use and open to developers and companies of any size or skill. Should you need a team of less experienced but inexpensive developers, this is the place to begin your search. But it's not just for new programmers; you can also find proficient Ruby on Rails developers here as well.
The nature of Upwork means that it's up to you to interview and test the people you find, so be prepared to spend some extra time weeding through applicants.
Hired is a developers-first website where the company seeks out workers. But for you, the one hiring, the process is streamlined so you'll be matched with the best in the industry. You can also use advanced search to find candidates on your own. Send an interview request to the people you feel fit the job, and within a month, you'll have your team of specialists assembled.
Used by millions of small businesses worldwide, Freelancer is a gigantic marketplace populated by people from around the globe. Need experts or beginners; low or high cost? Freelancer has someone for you.
Users bid on your job post, so you don't even need to search for them yourself. You also won't have to pay until the work is completed and you're satisfied. How does a potential workforce of 28 million sound? You'll be getting bids from Ruby on Rails specialists in no time.
RoRJobs knows how hard it is to hire Ruby on Rails freelancers. It's difficult to get exposure or reach the right people on generic job boards. So they set up a website for Ruby on Rails only, where job seekers and companies can work in a familiar community.
Posting a job isn't free, but being able to post to a targeted RoR website is more than worth it. Your post is emailed out as well as tweeted to over 4000 followers, which means lots of extra exposure.
Crew brings you experienced freelancers and small studios at a low price, perfect for those projects that don't need to overdo it with all-knowing RoR gurus -- just a professional, hard-working developer who knows what they're doing. Hire Ruby on Rails freelancers without going into debt, while still hand-picking a quality developer.
Hiring a developer can take days or weeks, but GeeksPerHour wants to get you a Ruby on Rails freelancer as quickly as possible. No more sifting through hundreds of applicants or spending hours interviewing candidates who aren't qualified. GeeksPerHour takes care of the entire hiring process, leaving you time to manage your business.
You want to hire developers who rock, and Rockstar Coders is the place to find them. This company is the child of a digital recruiting firm, and it has access to some of the best Ruby on Rails experts in the business. They'll help you find a developer for any budget or team size, and there's a much more human element to working with this company than with many large agencies. You'll be working directly with your developers, not passing information to them through a firm.
PeoplePerHour gets work done fast. Similar to Upwork, this freelancing website allows companies and people to post what they're looking for. Hourlies -- fixed price offers that can be started immediately -- are a popular and effective way to get something simple finished quickly. There are people of all skill and price ranges to be found, so take a look and see if you can find a Ruby on Rails developer that suits your needs.
Claiming to match you with the top 1% of coders in the same day, HireCoder expedits an often drawn-out process. Video chat with candidates before you hire them and pay only once you're satisfied with the project. For the experience promised, compared to similar sites like Toptal, the pricing is fairly competitive. This makes it ideal for mid-sized and large projects.
CyberCoders makes getting hired easy -- which means more applicants for you. It's free to use until you make the hire, which means there's no harm in trying. You'll get access to a job pool of over 40 million, and begin interviewing within 5 days.
LinkedIn is a great place to find professionals searching for a job. Skill search lets you narrow it down to people with the Ruby on Rails skillset, making it even easier to recruit experts. LinkedIn also allows you to post your job, where it's advertised to people who fit the requirements.
Even with it narrowed down this much, you may still be struggling to figure out which of these sites to use. Our Ruby on Rails questionnaire can suggest a few of the most suitable sites, but here's a quick guide to choosing based on a few attributes.
Budget and Developer Experience: If money is no object for your ambitious project, a service like Toptal works amazingly. CodementorX, Rockstar Coders, and Hired are also great choices. If you're not sure what your budget is, you may want to avoid job board websites that require you to set your own prices; nothing is worse than over- or under-pricing a commission.
Are you a small business on a limited budget? Boards like Upwork and PeoplePerHour let you find a range of developers with lower hourly rates, though this often comes at the cost of experience. Crew is also made for small businesses, and though you need to pay a deposit, there's more of a quality guarantee. Just remember, how much you spend on a developer and their skill level are often directly correlated.
Individual or Team: Job boards and similar websites are great for hiring individuals, but not as good when you need a team. You can pull it off if you're a good manager, but there's no guarantee two developers will work well with each other -- much less three or five. If you have no experience organizing people, you should either use a close-knit company like Rockstar Coders, whose developers have probably worked together before, or one that organizes the hiring and development process for you, like HireCoder. LinkedIn may be a good choice as well; as it's a professional networking site, it's possible that people with similar skills have interacted in the past.
Shortlist or Screen Yourself: Do you want the hiring process simplified, or would you rather sort through candidates yourself? GeeksPerHour is the furthest extreme, completely eliminating the lengthy hiring process down to the interviews. Other sites that match developers to you include Toptal, CodementorX, Freelancer (users bid on your job), and Crew. If you want to take the process into your own hands, Hired has a powerful search engine. Upwork and PeoplePerHour also allow you to search for and screen developers, as well as Stack Overflow and Github's job boards.
Local or Remote: Most of these listings help you find remote developers, but a select few can help with local jobs. Toptal can help you temporarily relocate people, while CodementorX will work with you to find a local developer. Hired has local freelancers in major cities, and can also help you relocate developers. In addition, most job boards will let you specify it as a local listing.
Hiring Timeframe: How soon do you need to make the hire? Within months, or days? Many companies don't have a timeframe guarantee, so it's possible no one will respond to your job listing. Toptal, Hired, and RubyNow all list a hiring time of less than a month. It usually won't take that long, but for a more difficult project, expect it to be towards the end of that spectrum. CodementorX and CyberCoders both will get you matched within a few days, while Hire Coder and Freelancer claim that they'll find you results the same day you post.
You should now have a better grasp on how to hire a Ruby on Rails developer and the best websites to use when searching for them. It may be difficult to find the perfect developer in such a large market, but hopefully you're that much closer to your goal.
Those interested in hiring Ruby on Rails developers are usually interested in experts with the skills listed below.


Have questions? Need help? Do you want to set up a free consultation with one of our E-Mail Marketing Specialist, then simply provide us with your information and how we can help you. One of our E-Mail Specialist will reach out to you. We are always here to help if you need us!


Who doesn't like the nudies?! With extraordinary colours and striking forms, there are more than 3`000 described species of nudibranchs.
in these pictures one octopus is actually an impostor (mimic octopus), can you figure it out which one is it?
ok, i haven't posted again in awhile, have been busy finalising all the Indonesia and Namibia's pictures. with a length of max 2cm and incredible camouflage makes them very difficult to spot, reason for which they have been just recently discovered. Stay tuned and looking forward to hearing your feedback.