As the title suggests, the package syncthing-runit contains a runit script for syncthing-relaysrv, not syncthing.
Is it possible to rename the package to reflect this?
Re: "syncthing-runit" is actually "syncthing-relaysrv-runit"
I'll add it on the weekend as I'm quite busy right now.
I don't think it should be renamed, we can simply add the real syncthing service to the current package.
The package as it is currently works just fine for relaysrv, it just has the wrong package name.
These points are minor, though.
If you are suggesting having the relaysrv script and the syncthing script in the same package, I would recommend against that, as relaysrv is an entirely separate program, with an entirely separate main package.
Ultimately I believe it would be best to have two separate packages: syncthing-runit and syncthing-relaysrv-runit.
Huh. As I never used syncthing I didn't realise the two are different, and syncthing-relaysrv actually has its own separate package, so that alone warrants separate package.
If possible, I'll get it this weekend since I'm quite busy at the moment. Thanks for reporting.
syncthing-relaysrv-runit has been added and the main syncthing-runit package is now the actual syncthing service.


text:
Audi Al Nabooda to keep wheels spinning for highly anticipated Dubai Tour 2018
As part of their strategic partnership with Dubai Sports Council, Audi Al Nabooda will once again act as the official partner for the much-anticipated Dubai Tour 2018.
Crossing six Emirates, the 5th edition of the Dubai Tour will take place in the UAE from 6-10 February. The route features four flat stages, followed by a climatic summit finish at the Hatta Dam. Each stage will start at SkyDive Dubai.
Nine UCI World Tour Teams, five UCI Professional Continental Teams, one UCI Continental Team and the UAE National Team will take part in the event, which has fast become one of the most respected races on the international cycling circuit.
This is the 5th year that Audi Al Nabooda have supported the Dubai Tour.
Ali Al Nabooda, the General Manager at Audi Al Nabooda Automobiles, added: "Sport is of extreme importance to the world of Audi and we are proud to be working with Dubai Sports Council to help drive the success of this important event on the UAE's sporting calendar."
"We're very passionate about sports and always seek opportunities to support the athletes, coaches, managers and the hundreds of people behind the scenes. Hosting major sporting championships requires huge effort and we hope our fleet of Audi cars will ensure the continuing success of this exciting event."
Audi Al Nabooda Automobiles will provide over 60 vehicles and drivers to support the event. The fleet will include Audi TT RS, SQ5, Q5, A8, Q7, A4, A6, Q2 and A5 models
For more information on the Dubai Tour please visit https://www.dubaitour.com/.

redpajama_set_name: RedPajamaCommonCrawl


It looks to be one awesome game!
Looks like its gonna be an excellent game! Great looking troops!!
Fantastic table and set up...we want more!
Looks good and I am looking forward to hearing your thoughts on Hail Caesar.
What a tremendous set up.
Great set up, just be warned there are several subtle differences between BP & HC, so dont go off thinking its just like BP!
Best of luck, I look forward to you report.
I've probably missed that info, but I'll ask - which figures do you use / plan to use?
Thanks for all the great comments and interest! They're much appreciated.
Scott: I've been reading over the rules and have been noting the various differences - nothing too great, but the use of commanders (and their possibility of being targeted & killed) is significant.
David: It's not in the post, but most of the Greek formed infantry are Redoubt (some Foundry & BTD); most of the Trojan formed infantry are Old Glory (some Foundry Sherden); skirmishers for both are Redoubt, Foundry and some BTD); chariots for both are a mixture of Redoubt, Foundry and Old Glory.
Great figures and set-up! I hope you guys have an enjoyable game. My copy of "Hail Ceasar" arrived in the mail yesterday! I'm looking forward to hearing your review.
Very nice set-up all round Dean. The Iliad & Odyssey, albeit much abridged were among the first books I read as a youngster, so this really takes me back. By the way I'm intrigued by the cabinet in the background, either very smart figure storage or darkly Lovecraftian.
Great looking armies, should be fun.
Wow...would love to play in one of Dean's games...but I am afraid the drool over his minis would be a distraction.


text:
Colin Turkington
Tom Oliphant
Andrew Jordan
Dominant double for BMW Pirtek Racing at Croft
by WSR Racing | Jun 16, 2019 | News
BMW Pirtek Racing's Andrew Jordan launched himself back into contention for the British Touring Car Championship with a dominant double win at Croft.
The 30-year-old from Lichfield had claimed pole position on Saturday in his WSR-run BMW 330i M Sport, converted it into a lights-to-flag victory and even claimed the bonus point for fastest lap.
Laden with the maximum 54kg success ballast in Race Two, the 2013 BTCC champion broke clear at the start, built a five-second lead by half-distance and fended off a charge from WSR stablemate Colin Turkington to head a one-two finish for Sunbury-on-Thames team.
His fifth win of 2019 was also the 25th of his BTCC career and the seventh victory of the season for new 3 Series, which only debuted at Brands Hatch in April.
Again carrying the maximum 54kg success ballast, but this time starting eighth on the partially-reversed grid, Andrew finished eighth to total 52 points for the weekend – equalling the highest weekend score of the season of any drive – and climbing to fourth in the Drivers' standings.
His results helped BMW to claim the top spot in the Manufacturers' Championship and to move BMW Pirtek Racing up to eighth in the Teams' points.
The next event takes place at Oulton Park, Cheshire, on June 29-30; a circuit where BMWs won two races last year.
Andrew Jordan said: "I couldn't have asked for more today. It was pretty much perfect. I was pretty overwhelmed after winning Race Two with full ballast because to get two double-wins in successive events is something that almost never happens in the BTCC and it shows what an amazing job WSR have done with the BMW. Thruxton proved we had the pace to win, so we came here with minimal success ballast aiming to fight for the wins. . . The title fight really starts here."
Dick Bennetts, Team Principal, said: "What a great day for AJ, who has had a terrific weekend. Winning Race Two on full weight was impressive, but he had the car superbly dialed-in today and his confidence has been high. He's scored 52 points and the best we've ever had for a driver is 55, so that's pretty much as good as you can be in the BTCC across the weekend. He is 100 percent a serious title contender."
Turkington scores 50th BTCC victory at Oulton Park
Jordan boosts BTCC title challenge with double podium
Second row for Jordan at Oulton Park
Colin Turkington on stunning Oulton Park pole for Team BMW
Team BMW title push continues at Oulton Park
Jordan eyes more success at Oulton Park
Turkington surges ahead in BTCC title race
Archive Select Month June 2019 (13) May 2019 (7) April 2019 (11) March 2019 (2) February 2019 (2) December 2018 (1) November 2018 (1) September 2018 (3)
West Surrey Racing is a UK-based BTCC BMW motorsport team run by New Zealander Dick Bennetts. He is responsible for masterminding the careers of such names as Ayrton Senna, Mika Häkkinen, Jonathan Palmer, Rubens Barrichello, Maurício Gugelmin and Eddie Irvine with his involvement in F3 and a racing academy in the 80s and 90s.
Address: West Surrey Racing Ltd, Longwood Business Park, Fordbridge Road, Sunbury on Thames, TW16 6AZ
Email: enquiries@WSR-racing.com
Editorial Credits: Jamie O'Leary
Media Credits: Jacob Ebrey/BMW
Copyright © 2019 ·
WSR Racing · All rights reserved.
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Geek Review – B: The Beginning
2018 saw a surge of new Netflix Original anime series, which includes hit shows such as Devilman Crybaby, A.I.C.O. Incarnation, and B: The Beginning heralded the birth of a new era for Japanese animation.
Tailored for a more global audience, these shows depicted Western settings, offering darker, grittier narrative overtones, with more anti-hero than hero protagonists, and focused on moral grey areas – the standard fare for most Western narratives in the past decade or so.
Granted, anime has always been depicting mature themes across their storied history, but arguably their most popular series have always depicted more light and uplifting themes that evoke a sense of hope and that sweet, sweet, feel-good factor.
With Netflix having plans to release more original anime in 2019, shows such as B: The Beginning establishes that the streaming service is on the right track, and setting audiences up for something greater in 2019.
Spoiler: Keith cuts his hair later on.
Developed by Production I.G., the folks who also developed modern heavyweights such as Ghost in the Shell, Psycho-Pass, and Eden of the East, B: The Beginning takes place in the dystopian technocratic nation of Cremona, and follows the journeys of two main protagonists.
The erratic yet insightful Keith Flick, is a renowned former investigator of Cremona's police force, the Royal Investigation Service (RIS). The second, Koku, is an enigmatic teen with the supernatural ability to grow wings on his back, transform his limbs into blades, and is able to zip across the city at what seems like the speed of sound.
Sasuke, is that you?
Both characters are subjected to a testing period of strife and chaos as they get caught in a wild cat-and-mouse chase in the hunt for the mysterious serial killer, Killer B. As if that isn't daunting enough, the duo also have to deal with the interloping shadow organization dubbed Market Maker, who is seeking the capture of Koku for his supernatural qualities.
It's one part crime drama, rife with plot twists in every other episode, and one part seinen (young adult) fantasy power trip, all gift-wrapped in crisp, smooth animation, and for the most part, it successfully blends all these elements together in a 12-episode stint.
If animation quality as an absolute must in your checklist for good anime series, then is this show a treat for you. B: The Beginning holds nothing back in breathing colour and life into its world and characters.
Every movement, especially in the action sequences, is crisp, scintillating, and fluent, coupled by well-paced snappy editing that cuts from beat to beat, giving you a slew of visual information to take in in a short span of time.
It is not too swift such that you miss important beats, but quick enough to pump some adrenaline into your veins as you watch Koku battle it out with members of Market Maker, or Keith Flick and his RIS colleagues sprint across darkened alleyways, trading gunfire with criminals.
All this is nicely packaged in superbly contrasted colours, where the darks evoke a sense of loneliness and dystopian despair, and the brights are a welcome change of scenery (quite literally in some cases) that offers audiences and characters a sense of respite.
Now, if B: The Beginning were judged solely for its stellar animation, it would definitely be up there with the best. However, an anime also must deliver in its ability to convey a story through its characters and plot, which is where sadly this series falters somewhat in.
Fuu from Samurai Champloo, is that you?
In the 12 episodes, you get to know a little bit more about the two central characters and their respective plights. Keith, despite his cold and aloof demeanour, displays his caring nature around his colleagues at RIS, most especially with Lily, a ditzy yet hardworking investigator who closely resembles his dead sister Erika (who is Keith's sole reason for coming back on the force to crack the case of Killer B).
Entourage shot: check.
Later on, we see that dynamically grow as Keith's cold exterior breaks off as he shirks off his stubbornness in refusing help from others as the case gets more intense. While his relationship with the rest of RIS is distant at best, there is one particular scene early on where they gather at his place under quite awkward circumstances and share a small but heartwarming chat at the table.
READ ALSO: Jared Leto's Morbius the Living Vampire Leaked Ahead Of Official Trailer
It's one of those rare moments of feel-goodness that you'd wish you'd see more throughout the series because it really fleshes out the characters so much more while they're away from the action.
This is where the other main character, Koku, falls flat. In the buildup to the release of B: The Beginning, Koku was often billed as the main character, but ironically, it feels like he's more like a side character as he's just too… bland.
Sure, he's been granted with really powerful abilities, and is often seen in the most visually stunning and exhilarating of scenes but power can only get you so far. This is true with both Koku's theme and his characterization itself. One can't help but feel like he's truly an alien in more bad ways than good.
Yes, his raison d'etre is no different from that of Keith's, in that he also is searching for answers regarding Yuna, his lost loved one, but you don't see enough of that dynamic playing out that makes you want to feel for him and his struggle. Keith's arc worked because in and out of his detective work, he had to deal with Lily, who in many ways resembles Erika, and you see that change in his character in subtle yet enjoyable ways.
Still a better love story than Twilight.
In Koku's, however, his alter ego working in a violin shop offers little to none of that element playing off. Not that he is completely moot, but since Koku is the main character you'd expect a close following of him and his struggles, because the ending doesn't feel well-earned for him, unlike it does for Keith (to a small degree, however). And speaking of endings…
The show's main fault lies in its attempt to cover too much ground in such a short span of time. Grandiose as the scale may be, 12 episodes just doesn't cut it for a narrative so convoluted. It tries to be smooth and slick as your Blade Runner combined with the plot-twist complexity of Code Geass, but ultimately it tried to juggle too much and dropped many of its juggling pieces.
The villains start off mysterious and imposing but later come off as mere cannon fodder as the attempt to get the audience closer to the season's conclusion brushes them aside quite abruptly.
The introduction of the true villains of the story via the plot twists does not feel earned, and ultimately leaves you scratching your head. It's unfortunate to see B: The Beginning starts off so strongly with all this enigma up in the air, but deflate so quickly into an underwhelming climax because it has potential to be a genuinely good anime.
The characters and their arcs also leave much to be desired and, while some make you want to feel invested in them, don't leave that big of an impression that will last long in your memory.
Despite its gaping flaws, B: The Beginning is still recommended if you are a fan of the aforementioned Production I.G. works. With more Netflix original anime series lined up for 2019, B: The Beginning sure serves as a decent enough beginning (pun intended) to this new era of Japanese animation.
B: The Beginning is available now on Netflix.
GEEK REVIEW SCORE
This eye-catching crime drama/supernatural thriller serves as a fundamentally flawed yet visually strong starting point for Netflix's new original anime shows.
Animation - 9/10
Story - 6/10
Characterisation - 7/10
Geek Satisfaction - 6/10
Marion has a serious RPG addiction. Sometimes it bleeds into real life; he forgets to sleep because he thinks he has a Witcher's body clock. Forgive him in advance if he suddenly blurts out terms such as "Mind Flayer" and "Magic Missile", because never once does he stop thinking about his next Dungeons & Dragons game.
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text:
Starke Schule. Deutschlands beste Schulen, die zur Ausbildungsreife führen (bis 2007 Hauptschulpreis) ist ein Schulwettbewerb in Deutschland mit länderübergreifendem Netzwerk. Alle allgemein bildenden Schulformen der Sekundarstufe I, die zur Ausbildungsreife führen, können teilnehmen. Das Programm wird von der Gemeinnützigen Hertie-Stiftung, der Bundesagentur für Arbeit, der Bundesvereinigung der Deutschen Arbeitgeberverbände und der Deutsche Bank Stiftung durchgeführt.

Wettbewerb
Alle zwei Jahre wird der Wettbewerb ausgeschrieben. Der nächste Bewerbungszeitraum startet am 9. März und endet am 4. Mai 2016. Teilnehmen können alle allgemeinbildenden Schulformen der Sekundarstufe I, die zur Ausbildungsreife führen. Neben Haupt- und Realschulen sind das auch (teil-)integrierte Schulformen (Gesamtschulen, Mittelschulen, Oberschulen, Sekundarschulen etc.) sowie Förderschulen. Die Schulen können sich online bewerben. Im Mittelpunkt stehen das Schulkonzept, die Angebote zur Berufsorientierung, die Förderung der Ausbildungsreife sowie der Fokus auf die Anschlussperspektive der Schüler. Dabei wird über fachliche Kompetenzen hinaus auch die schulische Förderung von methodischen, personalen und sozialen Kompetenzen in den Blick genommen sowie die spezifischen Rahmenbedingungen, unter denen die Schulen arbeiten.

Eine unabhängige Wettbewerbs-Jury mit Vertretern der Partner und weiteren Experten aus Bildung, Wirtschaft und Wissenschaft bewertet die eingereichten Bewerbungen und besucht eine große Anzahl von Schulen vor Ort. Die Jury nimmt das gesamte Schulkonzept in den Blick und berücksichtigt dabei die jeweiligen Rahmenbedingungen der einzelnen Schule. Zunächst bestimmt sie die besten Schulen pro Bundesland. Die Sieger erhalten 5.000 Euro (1. Preis), 3.500 Euro (2. Preis) bzw. 2.000 Euro (3. Preis). Aus dem Kreis der 16 erstplatzierten Landessieger werden die Bundessieger ermittelt. Sie erhalten 15.000 Euro (1. Preis), 10.000 Euro (2. Preis) bzw. 5.000 Euro (3. Preis) und werden in einer Festveranstaltung vom Bundespräsidenten ausgezeichnet.
Zusätzlich wird ein Förderpreis "Flüchtlinge willkommen heißen" in Höhe von 3.000 Euro vergeben. 2016/2017 wird der Wettbewerb zum zehnten Mal ausgeschrieben.

Netzwerk
Alle Schulen, die im Rahmen des Wettbewerbs eine Auszeichnung erhalten, gehören für vier Jahre zum Netzwerk von "Starke Schule". Das Netzwerk ist ein Lernort zur Unterrichts-, Organisations- und Personalentwicklung, in dem momentan rund 200 Siegerschulen aus allen 16 Bundesländern von- und miteinander lernen. Innerhalb des Netzwerks können die Lehrkräfte an akkreditierten Fortbildungen und Konferenzen teilnehmen, sich bundesweit austauschen und eine finanzielle Unterstützung für innovative Projekte erhalten. Das Netzwerk umfasst Angebote wie Netzkonferenzen, Fortbildungen zu Unterrichtsmaterialien, Werkstattgespräche zu aktuellen Schulthemen wie z. B. Inklusion und "Kommunikationsort Schule", Fortbildungen an Landes- und Bundessiegerschulen und die finanzielle "Innovationsförderung für Schulen".

Preisträger
Die Bundessieger werden von einer speziellen Jury aus den 16 Landessiegern der Bundesländer ausgewählt.

2017
Bundespreis: Ganztagsschule "Johannes Gutenberg", Wolmirstedt
Bundespreis: Kooperative Gesamtschule Schneverdingen, Schneverdingen
Bundespreis: Gesamtschule Waltrop, Waltrop

2015
Bundespreis: Gesamtschule Nohfelden-Türkismühle, Nohfelden
Bundespreis: Pfingstbergschule, Mannheim
Bundespreis: Städtische Gesamtschule Nettetal, Nettetal

2013
Bundespreis: Mittelschule an der Wiesentfelser Straße, München
Bundespreis: Lobdeburgschule, Jena
Bundespreis: Johann-Amos-Comenius-Schule, Kassel

2011
Bundespreis: GTHS Hakemickeschule, Olpe
Bundespreis: Grund- und Werkrealschule in der Taus, Backnang
Bundespreis: Erich Kästner Realschule plus, Ransbach-Baumbach

2009
Bundespreis: Kooperative Gesamtschule Neustadt am Rübenberge, Neustadt am Rübenberge
Bundespreis: Hauptschule Coerde, Münster
Bundespreis: Fritz-Walter-Schule, Kaiserslautern

Weblinks
 Website des Wettbewerbs Starke Schule

Einzelnachweise

Bundeswettbewerb
Erstverleihung 2009

redpajama_set_name: RedPajamaWikipedia


text:
L'opération Accolade est un assaut amphibie britannique planifié sur l'île de Rhodes et les îles du Dodécanèse dans la mer Égée, durant la Seconde Guerre mondiale.

Historique
Préconisée par Winston Churchill comme un suivi de la prise de la Sicile en 1943, cette opération n'est jamais exécutée.

Articles connexes
Campagne du Dodécanèse
Liste des îles du Dodécanèse
Liste des opérations lors de la Seconde Guerre mondiale
Opération Herkulès (Hercule)
Opération Mandibles (Mandibules)

Références

Bataille de 1943
Histoire de la Grèce
Bataille ou opération de la Seconde Guerre mondiale
Théâtre méditerranéen de la Seconde Guerre mondiale
Projet militaire abandonné
Nom de code
Mer Égée


text:
ICU Management & Practice, ICU Volume 14 - Issue 1 - Spring 2014
A Model for the Intensive Care Unit as a High Reliability Organisation
Download PDF Back
Alan D. Ravitz, PE1
Peter J. Pronovost, MD, PhD2-4
Adam Sapirstein, MD2,3
Johns Hopkins Applied Physics Laboratory, Laurel, USA.1; Armstrong Institute for Patient Safety and Quality, Johns Hopkins Medicine, Baltimore, USA2; School of Medicine, The Johns Hopkins University, Baltimore, USA3; Bloomberg School of Public Health, The Johns Hopkins University, Baltimore, USA4
The intensive care unit (ICU) is broadly viewed as the epicentre of a high reliability organisation (HRO) in a healthcare system. After all, ICU clinicians care for the sickest patients with the most complex, high technology therapies and monitors. Moreover, the Leapfrog Group developed standards for the best models of care in the ICU – an intensivist led-care team (Leapfrog Group 2011).
However, the facts tell a very different story about reliability in the ICU. We know that only 42 percent of hospitals in the USA that responded to the Leapfrog Group's hospital survey reported compliance with the ICU Physician Staffing standard (unpublished data, Leapfrog Group, February 17, 2014). Therapies to prevent avoidable harm are delivered erratically. For example, of patients at risk for ventilator-associated lung injury, only 20 percent to 40 percent receive appropriate, weight-based tidal volumes on the ventilator (Pronovost et al. 2010). Clinicians may also be overly optimistic about the quality of care they provide. Scales and co-workers (2011) found that only 50% of eligible ventilated ICU patients had the head of their bed elevated to > 30 degrees before the quality improvement intervention was implemented. Most importantly, patients continue to experience harm at an unacceptable rate that far exceeds the level of harm in an HRO; avoidable error is considered to be the third leading cause of death in the USA (Wachter et al. 2013).
The HRO model was developed by examining commonalities of industries that require near error-free performance, such as commercial aviation and nuclear power. Despite being very risky, HROs create systems to manage the complexity of technology and task performance (Sutcliffe 2011). High reliability organisations apply systems engineering to ensure the technology, work process, and culture are all carefully integrated and orchestrated to deliver high levels of safety. Compare this to the current ICU system design recommended by the Leapfrog Group. In this model, the core of the system, the data storage and knowledge management system, is the intensivist and the care team. This model has evolved naturally with the development of critical care, but its deficiencies are obvious. It relies on the flawless performance of an intensivist-led team, a model that depends on the heroic performance of individuals. A model we have argued is outdated, under-engineered, and doomed to fail at high frequency (Pronovost et al. 2014). If the ICU is to reduce harm and work toward becoming an HRO, the system design will need to mature.
Systems engineering has been applied successfully in HROs to virtually eliminate errors and catastrophic failure. Systems of systems (SoS) have been created, in which many subsystems are integrated, and become interdependent to reduce harmful errors and improve efficiency. Like an HRO, safe and high quality healthcare depends on the interaction of many systems, aligned purposefully to achieve common safety and quality care goals (Shekelle et al. 2013). By applying systems principles, we believe it is possible to create, a safe, productive SoS for ICU care (Christianson et al. 2011).
We have developed a comprehensive plan to start integrating the many constituent subsystems that comprise ICU care to create a SoS. Our plan is based on the US Navy's submarine force known as Advanced Processor Build (APB)/Acoustic Rapid COTS Insertion plan for submarines (Stevens 2008), which began in 1998 and continues today. Our plan will design, implement, iterate, and evaluate a systems approach, articulating the necessary components and partners. The SoS plan, adapted for healthcare, involves the following seven major elements (see Figure 1).
1. Concept for Integrated Healthcare Delivery System.
The high-level description of an integrated healthcare delivery system is a system of systems (SoS). The constituent elements that comprise this SoS include all subsystems, such as ICU settings (eg, surgical ICU, medical ICU), operating rooms, emergency departments, primary care offices, home care. Subsystems are identified and their mutual interactions described. Subsystems are characterised as 'black boxes' with appropriate inputs and outputs between each box.
2. Concept for Integrated Healthcare Delivery Subsystems.
The subsystems are detailed using a Concept of Operations (CONOPS). A CONOPS provides the vision and purpose for the (sub)system and an analysis of the system's operational needs and mission requirements. The CONOPS describes the roles and activities of each user, the operational process, and operational command structures. Importantly, key performance parameters, interdependencies between subsystems, and the facilities, equipment, hardware, software, and personnel associated with the subsystem are defined. The CONOPS also describes known gaps with existing capabilities. These gaps are flags for innovators to develop new solutions that fulfil the vision described in the CONOPS. Healthcare has yet to produce such detailed CONOPS and this work will advance the field.
3. Call for Innovation for Candidate Solutions.
Innovators across industry and academia are asked to develop candidate solutions to the system gaps that are identified in stage 2 of the model. In contrast to the current top down approaches, the SoS program provides a goal-directed approach, focusing on a problem to be solved or a job to be done.
4. Learning Laboratory.
The Agency for Healthcare Research and Quality (AHRQ) defines a learning laboratory as: "…places and professional networks that allow multidisciplinary teams to identify interrelated threats to patient safety, stretch professional boundaries, envision bold design innovations, and take advantage of brainstorming and rapid prototyping techniques that other leading-edge sectors of the economy employ…" (U.S. Department of Health and Human Services 2013). The Johns Hopkins Armstrong Institute implemented a robust process to analyse novel candidate solutions to fill gaps across four dimensions: culture, workflow, technology, and learning and accountability. These four dimensions characterise the key aspects of integrated socio-technical solutions, purposefully designed and integrated to enhance overall safety and quality in the ICU.
5. Systems Integration.
After an evaluation in the Learning Laboratory, candidate solutions need further refinement before integration into an operational production system. Academia (eg, Johns Hopkins Armstrong Institute) and a Systems Integrator, such as the role that Lockheed Martin or Boeing serve in aviation, should collaborate on additional laboratory assessments and production level refinements. The goal of this interaction is to develop a product that can be broadly implemented. It is important to understand that this development includes both technical and social components. The product must be rigorously tested and evaluated to ensure the integration matches the needed performance and is aligned with the key performance parameters identified in the CONOPS.
6. Production Integrated Healthcare Delivery System.
The vision described in elements one and two is realised here. The capabilities defined previously are integrated into a comprehensive care delivery model that is used in clinical settings. Because of the magnitude of building a healthcare SoS, it will be impossible to immediately implement a full set of integrated systems envisioned in Element 1. Instead, project teams must incrementally develop and build capabilities in sequence by repeatedly cycling through the plan (Figure 1).
7. Outcomes Analysis.
Measurement in clinical settings is essential for benchmarking performance of new systems and allows continuous improvement of overall SoS performance. Each successive pass through the development cycle described in Figure 1, will reveal unanticipated performance deficits and unintended consequences. Accordingly, an outcomes analysis is essential for keeping the overall effort precisely focused on the ultimate vision. This analysis allows the focus to adjust for changes in the challenges and gaps that are revealed in real-world settings.
While this SoS approach is mature in other industries, it is grossly underdeveloped in healthcare. Neither clinicians nor technology companies can do this alone. Healthcare needs a learning laboratory that convenes clinicians, engineers, researchers and others to design the healthcare systems patients deserve, clinicians want, and the country needs.
Source of Funding and Conflicts of Interest:
There was no funding. Dr. Pronovost reports receiving grant or contract support from the Agency for Healthcare Research and Quality, the Gordon and Betty Moore Foundation (research related to patient safety and quality of care), the National Institutes of Health (acute lung injury research), and the American Medical Association Inc. (improve blood pressure control); honoraria from various healthcare organisations for speaking on patient safety and quality (the Leigh Bureau manages most of these engagements); book royalties from the Penguin Group for his book Safe Patients, Smart Hospitals; consultant fees as a strategic advisor to the Gordon and Betty Moore Foundation; and stock and fees to serve as a director for Cantel Medical. Dr. Pronovost is a founder of Patient Doctor Technologies, a startup company that seeks to enhance the partnership between patients and clinicians with an application called Doctella. Dr. Ravitz and Dr. Sapirstein report no conflicts of interest.
For full references, please send a request to [email protected]
Christianson MK, Sutcliffe KM, Miller MA et al. (2011) Becoming a high reliability organization. Crit Care, 15 (6): 314.
Leapfrog Group (2011) ICU Physician Staffing (IPS) Factsheet. [Accessed: 16 February 2014] Available from http://www.leapfroggroup.org/media/file/FactSheet_IPS.pdf
Pronovost PJ, Bo-Linn GW, Sapirstein A (2014) From heroism to safe design: leveraging technology. Anesthesiology, 120 (3): 526-9.
Pronovost PJ, Murphy DJ, Needham DM (2010) The science of translating research into practice in intensive care. Am J Respir Crit Care Med, 182 (12): 1463-4.
Scales DC, Dainty K, Hales B et al. (2011) A multifaceted intervention for quality improvement in a network of intensive care units: a cluster randomized trial. JAMA, 305 (4): 363-72.
Shekelle P, Wachter R, Pronovost P et al. (2013) Making health care safer II: an updated critical analysis of the evidence for patient safety practices. Evid Rep Technol Assess, 211 (211): 1-945.
Stevens, J. (2008) The how and why of open architecture. Underseawarfare, Spring. [Accessed: 24 February 2014] Available at http://www.navy.mil/navydata/cno/n87/usw/spring08/HowAndWhy.html
Sutcliffe KM (2011) High reliability organizations (HROs). Best Pract Res Clin Anaesthesiol, 25 (2): 133-44.
U.S. Department of Health and Human Services (2013) Funding Opportunity Announcement. Patient Safety Learning Laboratories: Innovative Design and Development to Improve Healthcare Delivery Systems (P30). [Accessed 24 February 2014. Available at http://grants.nih.gov/grants/guide/rfa-files/RFA-HS-14-005.html.
Wachter RM, Pronovost P, Shekelle P. (2013) Strategies to improve patient safety: the evidence base matures. Ann Intern Med, 158 (5 Pt 1): 350-2.
Authors Alan D. Ravitz, PE1 Peter J. Pronovost, MD, PhD2-4 Adam Sapirstein, MD2,3 Johns Hopkins Applied Physics Laboratory, Laurel, USA.1; Ar
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text:
Orphan Black: Season Three for BBC America Series
by Trevor Kimball, July 9, 2014
BBC America has announced that they're renewed Orphan Black for a third season of 10 episodes. It will air sometime in 2015, as will the second season of Broadchurch.
In addition, the cable channel has announced they've ordered two new dramatic series — Tatau and The Last Kingdom. Production will begin on both this fall.
BBC AMERICA ANNOUNCES NEW SEASONS OF "ORPHAN BLACK," "BROADCHURCH" AND NEW DRAMA SERIES "TATAU" AND "THE LAST KINGDOM"
Beverly Hills, CA – July 9, 2014 – BBC AMERICA's General Manager, Perry Simon, made the following announcements today during the channel's presentation for the Television Critics Association in Beverly Hills.
Acclaimed series Orphan Black and Broadchurch will return with new seasons in 2015 and the channel has two new dramas going into production – Tatau, from the producers of Being Human, and The Last Kingdom, from the producers of Downton Abbey.
RETURNING SERIES ANNOUNCED:
Orphan Black – Season Three Premieres 2015
BBC AMERICA has renewed award-winning original series Orphan Black for a third season. The drama starring Tatiana Maslany has been re-commissioned for a 10-episode order from Temple Street Productions. Orphan Black became the first ever ad-supported drama series to double its ratings from season one to season two in A25-54 and 18-49 in Live+7.* The season two finale earned series highs in Live+7 among total viewers (1.376 million).
Audience and social media highlights:
· The Live+3 lift from Live+SD for the Orphan Black season two premiere still ranks #1 among all TV drama season premieres thus far in the 2013/14 TV season.
· Orphan Black season two is BBC AMERICA's second best series ever in A25-54 in Live+3, C3, and Live+7, just behind Doctor Who season seven.
· Orphan Black season two episodes 6-9 reached #1 and episodes1-5 reached #2 on iTunes overall TV episodes chart within 24 hours of their premieres.
· Orphan Black was the #1 television show on Twitter and Tumblr for the day of premiere and was the #1 ad-supported cable drama on Twitter for the week.
· BBC AMERICA is the first network to live-tweet a TV show with animated GIFs. @OrphanBlack shared animated GIFs timed to the season finale.
· #3 on Twitter among ad-supported cable dramas on average during its run and seven times the activity from season one to season two.
· The Orphan Black Tumblr has had over 750,000 notes from almost 140K fans in season two and there were 11.3 million notes on the Orphan Black topic in the new season.
The innovative series, co-created by Graeme Manson and John Fawcett, earned a Peabody Award this year and lead actress Tatiana Maslany has received two back-to-back Critics' Choice Awards for Best Actress, a TCA Award for Individual Achievement, a Young Hollywood Award, a Gracie Award and Golden Globe(R) and People's Choice nominations.
The cast includes Tatiana Maslany, Jordan Gavaris, Dylan Bruce, Maria Doyle Kennedy, Skyler Wexler, Kevin Hanchard, Evelyne Brochu, Kristian Bruun, Michael Mando and Matt Frewer. The second season also included actors Michiel Huisman, Ari Millen, Peter Outerbridge, Patrick J. Adams and Michelle Forbes.
Orphan Black is BBC AMERICA's second original drama commission. The series is produced by Temple Street Productions in association with BBC AMERICA and SPACE. Executive producers are Ivan Schneeberg and David Fortier on behalf of Temple Street Productions, Graeme Manson and John Fawcett. Orphan Black is distributed by BBC Worldwide.
Broadchurch – Season Two Premieres 2015
The multiple award-winning series Broadchurch will return for a second season as part of BBC AMERICA's Dramaville. The gripping drama, produced by Kudos and Imaginary Friends Productions, written and created by Chris Chibnall, garnered critical acclaim, sparked widespread discussion on social media and earned a Peabody Award following its premiere in the US last year on BBC AMERICA. With an ensemble cast lead by David Tennant and Olivia Colman, the first season centered on a quiet seaside town following the shocking murder of a young boy and the impact it had on the tight-knit community when everyone becomes a suspect. David Tennant, Olivia Colman, Jodie Whittaker, Andrew Buchan and Arthur Darvill will reprise their roles. Legendary actress Charlotte Rampling, Academy Award nominee Marianne Jean-Baptiste, James D'Arcy, Eve Myles and Phoebe Waller-Bridge join the cast for the second season.
Broadchurch is executive produced by Jane Featherstone (Utopia, The Hour, Spooks) on behalf of Kudos, a Shine Group company, and Chris Chibnall (The Great Train Robbery, Torchwood) for Imaginary Friends. The producer is Richard Stokes (Silk, Law & Order: UK), who also produced the first season. James Strong, who directed five episodes of the first season including episode one, will be directing episodes one and two of the new season. Broadchurch is distributed by Shine International. The series is currently in production in Dorset and North Somerset, England.
NEW SERIES ANNOUNCED:
Tatau – New Drama Series
BBC AMERICA will co-produce new drama adventure series, Tatau, from the makers of Being Human and set in the Cook Islands, a paradise in the middle of the Pacific. The (8×60) series is written by Richard Zajdlic and co-produced by Touchpaper TV (Being Human) and South Pacific Pictures for BBC Three in association with BBC AMERICA.
The drama follows, Kyle Connor and Pete 'Budgie' Griffiths, two twenty-something friends from London that set off to travel the world. They've worked hard, saved even harder and they're now eager to soak up as many different cultures and experiences as possible. Ahead of the journey, Kyle gets a Maori-style tattoo to celebrate their eventual destination: the Cook Islands. But upon his arrival in the South Pacific, Kyle is unsettled by the local people's reaction to his tattoo – it clearly has a significance that he is entirely unaware of. Later, while snorkeling in a lagoon, Kyle discovers the dead body of a local girl, Aumea, tied up underwater. When he returns with the police, the corpse has disappeared. Budgie questions if his friend is going mad, but Kyle begins to believe that he has instead seen into the future. Kyle and Budgie find themselves sucked into a desperate race to prevent Aumea's murder, as Kyle learns that his gifts don't stop at prophecy… and the full meaning of the tattoo is soon revealed. Tatau is an ambitious drama that explores the questions of identity, love and destiny.
Richard Zajdlic, creator and writer, and Rob Pursey are the executive producers for Touchpaper TV, John Barnett and Chris Bailey for South Pacific in New Zealand and Matthew Read for the BBC. Touchpaper TV is a Zodiak Media Company. Tatau is distributed by BBC Worldwide. Filming starts in September 2014 and casting will be announced.
The Last Kingdom – New Drama Series
BBC AMERICA, Carnival Films – the Golden Globe(R) and Emmy(R) Award-winning producers of Downton Abbey – and BBC Two announced earlier today that production will begin this fall on The Last Kingdom, a new historical (8 x 60) drama series.
BAFTA nominated and RTS award-winning writer Stephen Butchard, (Good Cop, Five Daughters, House of Saddam), will adapt Bernard Cornwell's best-selling franchise "The Saxon Stories" for the screen. Cornwell is also known for his much-loved "Sharpe" novels that became the long-running TV series of the same name starring Sean Bean and aired on BBC AMERICA.
Set in the year 872, when many of the separate kingdoms of what we now know as England have fallen to the invading Vikings, the great kingdom of Wessex has been left standing alone and defiant under the command of King Alfred the Great.
The Last Kingdom, made by Carnival Films, is a show full of heroic deeds and epic battles but with a thematic depth that embraces politics, religion, warfare, courage, love, loyalty and our universal search for identity. Combining real historical figures and events with fictional characters, it is the story of how a people combined their strength under one of the most iconic kings of history in order to reclaim their land for themselves and build a place they call home.
Gareth Neame, Nigel Marchant and Stephen Butchard will serve as Executive Producers with Nick Murphy (Prey, Occupation), co-executive producing and directing multiple episodes and Chrissy Skinns (Mr Selfridge, Marchlands), will produce the show. The Commissioning Editor is Polly Hill for the BBC and Ben Stephenson, Controller of BBC Drama Commissioning, ordered the show. Perry Simon, General Manager, Channels, and Richard De Croce, SVP Programming, will oversee the series for BBC AMERICA. The complete announcement is available on the BBC AMERICA press site.
During BBC AMERICA's TCA session, the network presented panels for upcoming original series Intruders (Premieres August 23), stylish spy drama The Game (Premieres Fall 2014) and a film about the final days of world renowned poet, Dylan Thomas, A Poet in New York (Premieres Fall 2014).
Notes to editors: Ratings source: Nielsen Media Research Social source: Nielsen SocialGuide and Union Metrics * Nielsen Media Research, A25-54 and A18-49, vs. drama premieres only in Live+7 (available since 2006) to date
BBC AMERICA delivers U.S. audiences high-quality, innovative and intelligent programming. Established in 1998, it has been the launch pad for talent embraced by American mainstream pop culture, including Ricky Gervais, Gordon Ramsay, Graham Norton, and successful programming formats including ground-breaking non-scripted television like Top Gear and top-rated science-fiction like Doctor Who. Owned by BBC Worldwide, the commercial arm of the BBC, BBC AMERICA has attracted both critical acclaim and major awards including two Emmy(R) Awards, five Golden Globes(R) and eleven Peabody Awards. The channel attracts one of cable's most affluent and educated audiences and is available on cable and satellite TV in 80 million homes. It broadcasts in both standard and high-definition, with content available On Demand across all major digital platforms. Online, www.bbcamerica.com is the place to go to dig deeper into pop culture with a British twist.
What do you think? Are you a fan of Orphan Black? Will you be watching any of these TV shows?
More about: BBC America TV shows: canceled or renewed?, Broadchurch, Broadchurch: canceled or renewed?, Orphan Black, Orphan Black: canceled or renewed?, Orphan Black: ratings, Tatau, Tatau: canceled or renewed?, The Last Kingdom, The Last Kingdom: canceled or renewed?
Orphan Black: New Series Being Developed at AMC
Orphan Black: Cancelled or Renewed for Season Six on BBC America?
Orphan Black: BBC America Condenses the Final Season to 60 Seconds
Orphan Black: Actors Discuss Coping with the End of the BBC America Series
Orphan Black: BBC America Releases Extended Trailer for Fifth and Final Season
Orphan Black: BBC America Sets Premiere for Fifth & Final Season
Orphan Black: BBC America Confirms Final Season Casting
Orphan Black: BBC America Releases Four Minutes of Season Four Debut
Orphan Black: BBC America Adds After the Black Series
Orphan Black: Season Four Debuts in April on BBC America
Orphan Black: Watch BBC America's Season Four Teaser; Enter Fan Art Contest
Orphan Black: New Clone Added for Fourth Season of BBC America Series
Orphan Black: Season Four Renewal for BBC America Series
Orphan Black: Season Three Coming in April on BBC America
Orphan Black: Season Two Renewal for BBC America Series
Orphan Black: BBC America Orders New TV Series
edwin eaton
This show is not being aired this week. Why? Can't find one word of delaying episodes!!
This is a great show! Awesome twist at the end of season 2. BBC, you better keep this show going!
Just finished watching both seasons 1 and two. To sum it up in as few words as possible I have to put it in my top six favorites along with Firefly, Sara Connor Chronicles, Fringe, and Battle Star Galactica and Haven.
Yes I am a fan of Orphan Black since the very first episode. When Season 2 premiered it didn't disappoint me either. Now I am awaiting Season 3….I have to know what you have planned for my favorite 'sestra' Helena.


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Visit this years Maker Faire at the State Fairgrounds to help me with a community print project. We'll be live printing in both large and small formats and experimenting with pattern play to make a completely unique textile.
Sculpting, wiring, welding, and weaving all happened at the 2016 Minneapolis-St. Paul Mini Maker Faire. And these aren't just demonstrations that you get to stand back and watch. Faire visitors can solder, code, screen print and so much more. There are interactive activities for all ages at this family-friendly event. Performers of all varieties contribute to the festival atmosphere. You can expect even more hands-on fun and creative presentations at the 2017 faire.


The beauty of this method is that you can clean one hundred coins in about.
An experiment on how to use a bag full of pennies to clean water for. small amount of bleach. to help keep the water safe to drink.Still other research has shown that silver can be used in hospital water systems to control Legionella and in cooling towers to control.Silver Coins Similar to. to this massive quantity of silver can be a tedious.
While this article will tell you how to make colloidal silver. to clean the silver wires). The water. water, thus it may take a significant amount of.Are nanoparticles a threat to our drinking water. of silver in water.How to Make Silver Coins. turn the mold over and tap out the silver.
Using the discovery of ancient Greeks, the pioneers used silver and copper coins to keep the water potable.
Any trace of the bottom water line disqualified a coin from being considered an.
Or you may simply wash the jewelry or silver object with warm water, rubbing in a little soap or toothpaste,.
The ancient Greeks used holy water to purify people and places as well as to extinguish temple and shrine torches. The silver can be a ring, a coin,.Pioneers used silver coins in their milk containers to purify the milk.
The Canadian Silver Coin Calculator finds the value of silver within your coins in seconds and with virtually no effort.Silver Conservation. notes that silver coins recovered from salt water are sometimes superficially altered to this mineral. (NaOH), are used to clean silver.Our latest results indicate that these particles can persist in natural water.


On Episode 70 of The Tennis Files Podcast, I spoke with my good friend Peter Freeman about his journey from a top junior to teaching tennis players worldwide how to level up their tennis games. Pete is the founder of Crunch Time Coaching, and does an amazing job of creating tennis videos and other great content to help players improve their technique, strategy, and many other parts of their game. We talk about everything from Pete's development as a junior player, to how he got into coaching and the online tennis instruction space, and a ton of awesome tips on how we can improve and get more power on our serve, backhand, and volleys. This episode is a really fun and value-packed one, and I highly encourage you to hit the play button above to listen to it!
In addition to running Crunch Time Coaching, Pete has a long list of credentials that makes him one of the top coaches in the business. Pete has coached division 1 college tennis players, produced state level and national champions, and has been awarded the honor of USTA Georgia Pro of the year. Pete also creates tons of fantastic tennis content on Youtube and I highly recommend you check out his Youtube Channel. He has coached under Tony Palafox, who was John McEnroe's former coach, and Frank Brennan, a former Stanford University Coach who won 10 national titles. Pete has a huge passion for tennis and will do whatever it takes to get your game to the next level.
Pete gave an amazing presentation on how to hit a monster topspin forehand on last year's Tennis Technique Summit, and one on Slice Serve Strategy on this past year's Tennis Summit 2018 that I hosted. If you haven't already, you can go to those links to check them out for free! Pete also hosts Tennis Con, an annual online tennis conference with some of the best names in the business like Gigi Fernandez, Rick Macci, Jeff Salzenstein, and many more! On top of all that, he is the Director of Tennis at Gold's Gym in Atlanta.
It was a pleasure speaking with Pete on the podcast, and I know you'll really enjoy this episode and learn a lot about how we can improve our serve, backhands and volleys, and what it takes to become a great tennis coach. Many thanks to Pete for coming onto the podcast! Let us know what you think about this episode in the comments below!
[32:47] What caused you to want to take your coaching to the online world and create Crunch Time Coaching?


ACCOUNTANT – Manage financial records including billing, banking, A/R, invoicing & data processing for repair of luxury auto bodies. Prepare financial reports for loan applications, budgets & projections forfiscal year.Prepare federal, state and NYC tax returns & reports. Bachelor's degree in Business Admin, Accounting or foreign degree equiv & 2 years req'd. 40 hrs/wk.
Send resume to: info@starservicenyc.com Star Service Auto Body Repair, INC, 36-26 35th Street, Long Island City, NY 11106.
Repair Planning: Approaches repair planning with a sense of urgency and detail to avoid waste and rework later in the process. De-trims and disassembles vehicles, putting parts on parts carts. Performs pre-pulls to make repair vs. replace decisions.
Parts Procurement: Assists in identifying and sourcing parts as necessary. Uses good judgment in determining when damaged parts can be safely repaired for cost and cycle-time savings. Helps maintain parts/materials carts in an organized manner.
Team Engagement & Problem-Solving: Knows status of own vehicles and is open to others' feedback on getting and keeping vehicles on schedule for on-time delivery. Helps problem-solve on vehicles assigned to other team members.
Vehicle Repair: Performs quality repairs without passing on defects. Meets or exceeds the Collision Center's requirements for productivity as measured by hours per day for each repair order. Follows all quality control processes and meets the return rate target.
Safe & Organized Workplace: Consistently utilizes all required safety equipment and follows proper repair procedures. Adheres to all requirements for hazardous waste disposal. Keeps personal work area organized and returns tools, materials and equipment to designated areas.
ASE certification in body repairs preferred.
ProLevel training and other industry-required training.
Periodic lifting and carrying objects over 50 pounds.
Reaching above and below shoulder level.
Able to push materials/parts carts and push cars (with assistance).
Extended periods of kneeling, bending, squatting and stooping to complete or inspect repairs.
Manual dexterity and eye/hand coordination to operate equipment.
May be exposed to repetitive tasks involving hand and arm motion.
May be required to inspect vehicles outdoors in inclement weather.
May be exposed to fumes, chemicals, high levels of dust and noise in a repair center.
Must be able to wear protective equipment, including a respirator.


The sugary "OMG French Toast" is a highlight.
Snooze is a self-described "A.M. breakfast and lunch restaurant" that has made its way to San Diego from Colorado (snoozeeatery.com). Since their arrival to La Jolla in 2017, Snooze has generated a following due to their creative menu, which offers a variety of sweet and savory items, and their fun atmosphere. Due to my high expectations for Snooze, the experience left me quite disappointed. Fortunately, the restaurant does offer a handful of tasty options.
On Snooze's official website, they take pride in their restaurant's "energetic atmosphere," and this "lively" vibe was made apparent very quickly (snoozeeatery.com). After a 45 minute wait, my company and I were seated inside the bustling restaurant. In addition to the expected noise of a crowded restaurant, obnoxious E.D.M. music was playing loud enough that I was nearly shouting to have a conversation with the person across the table from me. From where I was seated, the atmosphere felt more headache-inducing than energetic.
Snooze offers a seasonal menu, so many items are offered only temporarily. A new addition for this season was their "Sweet Cannoli Cakes." These buttermilk pancakes originally sounded appealing, with their sweet ricotta, chocolate syrup, mocha crumble, and pomegranate seeds. But after a few bites, the medley of flavors intended to replicate an Italian cannoli tasted more like a frappuccino with unnecessary bits of pomegranate. The Cannoli Cakes were a creative addition to the menu, but the plate ended up being overly ambitious.
The "O.M.G. French Toast" was the saving grace of my stay. The fluffy brioche toast filled with mascarpone cheese soaked up the vanilla creme and syrup beautifully, and the strawberry slices paired with the coconut flakes added a fresh contrast to the sugary sweetness of the rest of the dish. Sophomore Jayden Berke agreed, recommending the french toast dish as a great option for diners with a sweet tooth.
The breakfast joint also serves a variety of savory breakfast/brunch specials, including a classic "3 Egg Omelette," which was fairly customizable to the eater's preferences (offering spinach, ham, cheese, etc.), accompanied by a side of hashbrowns and toast. But everything about the dish screamed mediocracy. The omelette definitely could've used some seasoning to add some flavor to the underwhelming plate. The side dishes were adequate, but the meal as a whole severely lacked any sort of flavor. With Snooze advertising themselves as a place of "innovation" on their website, one would expect them to add a little bit of novelty to classic dishes (snoozeeatery.com).
My experience at Snooze was fairly underwhelming. The restaurant is crowded and all too celebrated for providing generally mediocre food (with some exceptions), and the atmosphere as a whole was perturbing. If you're looking for a breakfast place to try out, I would recommend pressing the snooze button on Snooze.


Soon enough Christmas tunes will be jingling from the radio. Store fronts will be decked out with tinsel and adorned with glistening ornaments. Embrace the nostalgia of the season and get a head start on holiday shopping at these markets and events.
Old Town Alexandria during the holidays is the quintessential storybook Christmas town and with the greatest concentration of independent shops in the DC region, you're sure to find gifts for everyone on your shopping list. Forego the mayhem of Black Friday shopping for Small Business Saturday festivities at the vast array of stores in the Carlyle District. Also, check-in at the Kid's Corner for seasonal activities and visits with Santa.
Take a break from your normal weekend evening routine with a visit to the Meadowlark Botanical Gardens' Winter Walk of Lights. Beginning this weekend through January 8, 2017, Meadowlark Botanical Gardens will be hosting a half-mile long wonderland walk through the garden with animated lights and music. Following the walk, hot cocoa and coffee are served. Ticket prices range from $7-13 and can be purchased on Ticketfly.
If you're looking to make a day of festivities, venture north to Baltimore for the Fell's Point Old Tyme Christmas or the Christmas Market. The Old Tyme Christmas Festival will be held on Saturday, December 3, 2016 in the historic Fell's Point neighborhood. Highlights of the event will include St. Nick's arrival via tugboat, caroling, lighting of the tree, a North Pole picture room, and a lighted boat parade. The event is sure to be a jolly good time for adults and kids, alike. The Christmas Market will be held in the Inner Harbor from November 24 – December 24, 2016. It is a sprawling, German-style bazaar with stalls of vendors selling delectable treats and wares for everyone on your shopping list. Also be sure to visit the Pandora ice skating rink adjacent to the market for more cold weather fun!


Sq. Ft.:960 to 1,104Sq. Ft.
This neighborhood is perfect for those seeking manufactured homes. The homes in Riverland Mobile Home Park represent a wide range of time periods and styles. In general, homes in Riverland Mobile Home Park are about $70,000 – $130,000 and sit on average-sized lots with two bedrooms and two bathrooms. The most common type of parking is carport.
How would you rate Riverland Mobile Home Park?
Homes in Riverland Mobile Home Park are on the market for an average of 158 days and are typically purchased at 83% of asking price. Property taxes hover around $579 per year, and homeowners' association fees are approximately $238. On average, homes here are $88 per square foot and typically list for around $65,000.


Halloween Haunted House Horrors, presented by Spooky's Halloween Town, 6-9 p.m., Windward Mall; repeats 6-9 p.m. Mondays through Fridays, and noon-9 p.m. Saturdays and Sundays through Nov. 3; $6*. 239-1956.
"Shock House" Haunted House, created by Tom Moffatt Productions and Act One Theater Design, 6 p.m.-midnight, Aloha Tower Marketplace; repeats 6 p.m.-midnight Saturday, Thursday, and Oct. 25-30, and 6 p.m.-1 a.m. Oct. 31; $6.50*. 566-2337.
Vampire Lestat and Friends, storytelling, 8:30 p.m., Prosperity Corner; repeats Saturday, and Oct. 25-26; free. 732-8870.
2002 Talk Story Festival, spooky stories, 7-9:30 p.m., Ala Moana Beach Park, McCoy Pavilion; festival continues Saturday and Sunday; free. 692-5751.
'Ohina: The Short Film Showcase, 7:30 p.m., Doris Duke at the Academy; repeats noon, 3:30 and 7:30 p.m. Saturday; free. 951-4413.
Michael Feinstein, American standards, 8 p.m., Blaisdell Concert Hall; part of the Honolulu Symphony Pops Season; repeats Saturday; $15-$57. 792-2000.
Sean Na'auao, with Keolalaulani Halau 'Olapa o Laka and Kuhai Halau Kawaikapuokalani Pa 'Olapa Kahiko, 8 p.m., Hawai'i Theatre; opening the 2002-2003 Hana Hou! Hawaiian Music series; $30*. 528-0506.
Lucky Dube, reggae, 9 p.m., Kapono's; repeats Saturday; $25*. 526-4400.
Sounds of Aloha Chorus, a cappella, 5:30-6:30 p.m., Kapi'olani Park bandstand; free. 843-8002.
Na Kupuna Night, with Bill Kaiwa, Kumu Hula Kahale Richardson and Kahai Halau O Kahalepuna Pa 'Olapa Kahiko, 6 p.m., Sheraton Moana Surfrider, Banyan Veranda; $35 includes dinner buffet. Reservations: 922-3111.
"Much Ado About Nothing," modern adaptation of the Shakespeare classic, 7:30 p.m., Mid-Pacific Institute, Kawaiahao Recital Hall; repeats 7:30 p.m. Saturday, and Oct. 25-26 and Nov. 1-2, and 2 p.m. Sunday, and Oct. 27 and Nov. 3; $10*. 973-5066.
Joke-Toberfest, with Paul Ogata, Mel Cabang and Kento the Asian Invasion, 8 p.m., Wave Waikiki; $10. 941-0424.
Fall Craft Fair, 9 a.m.-2 p.m., 1100 Alakea Plaza, lobby levels and courtyard; free admission. 521-8865.
Kapolei Carnival, with E.K. Fernandez Shows midway, petting zoo and entertainment, 6 p.m.-midnight, Farrington Highway and Fort Barrette Road; repeats noon-midnight Saturday, and noon-10 p.m. Sunday; free admission. 682-5767.
Hana Ho'ohiwahiwa 'O Ka'iulani (To Celebrate and Honor Ka'iulani), cooking demonstration, 3-5 p.m., Sheraton Princess Kaiulani, Dolphin Lanai; part of a commemoration week honoring the hotel's namesake; free. 922-5811.
Kickin' It @ Kahala Mall, with entertainment, 4:30-6 p.m., Kahala Mall; free. 732-7736.
38th Annual Food and New Products Show, with a craft fair, home improvement ideas and cooking demonstrations, 5-10 p.m., Blaisdell Center Arena and Exhibition Hall; repeats 10 a.m.-10 p.m. Saturday, and 10 a.m.-5 p.m. Sunday; $4*. 945-3594.
Playground Mafia, The Quintessentials, Neural Void, The Battlecry, Daykillers and The Buckets, punk rock, 6 p.m., Pink Cadillac. 946-6499.
Omi, Hawaiian, 7-10 p.m., Honey's at Ko'olau. 236-4653.
Pacific Blu, 7:30 p.m., Borders, Waikele. 676-6699.
Go Jimmy Go, ska, 8 p.m., Borders, Ward Centre. 591-8995.
Hidden Agenda, jazz, 8-11 p.m., Brew Moon Restaurant and Microbrewery. 593-0088.
Ben and Malia, contemporary, 8:30-11:30 p.m., Kincaid's Fish, Chop and Steak House. 591-2005.
Round 'n' Round, island style, 9 p.m., Eastside Grill. 952-6555.
Guy Cruz, contemporary, 9 p.m.-1 a.m., Kemoo Farms Lakeside Lanai; for 21 and older. 622-5009.
Slug, rock, 9 p.m.-1 a.m., Kemoo Farms, The Pub; for 21 and older. 621-1835.
J Boogie and King Kooba, Afro Bossa rhythms, 9 p.m.-2 a.m., Diamond Head Grill; for 21 and older. 922-3734.
O Wai La, 9:30 p.m.-1:30 a.m., Big City Diner in Kailua. 263-8880.
Steel Toe, rock, 9:30 p.m.-1:30 a.m., Tropics. 262-3343.
Natural Vibrations, reggae, 10 p.m., Haleiwa Joe's in Hale'iwa; for 21 and older. 637-8005.
Ooklah the Moc, reggae, 10 p.m., Anna Bannanas. 946-5190.
Happy Gets Lucky, alternative, 10:30 p.m.-2 a.m., Wave Waikiki. 941-0424.
Jus Ryt with Cookie, 11 p.m.-3 a.m., Tiares Sports Bar & Grill. 230-8911.
Halloween Spooktacular, with games, candy and prizes, 10 a.m.-2 p.m., Town Center of Mililani; free. 625-5233.
Halloween Haunted House Horrors, presented by Spooky's Halloween Town, noon-9 p.m., Windward Mall; repeats 6-9 p.m. Mondays through Fridays, and noon-9 p.m. Saturdays and Sundays through Nov. 3; $6*. 239-1956.
Cat Collectors Halloween Party, with cat Halloween collectibles display and group discussions, 2 p.m., 440 Lewers St., #205; free. 924-2226.
"Shock House" Haunted House, created by Tom Moffatt Productions and Act One Theater Design, 6 p.m.-midnight, Aloha Tower Marketplace; repeats 6 p.m.-midnight Thursday, and Oct. 25-30, and 6 p.m.-1 a.m. Oct. 31; $6.50*. 566-2337.
Vampire Lestat and Friends, storytelling, 8:30 p.m., Prosperity Corner; repeats Oct. 25-26; free. 732-8870.
'Ohina: The Short Film Showcase, noon, 3:30 and 7:30 p.m., Doris Duke at the Academy; free. 951-4413.
2002 Talk Story Festival, kid kind tales, 7-9:30 p.m., Ala Moana Beach Park, McCoy Pavilion; festival continues Sunday; free. 692-5751.
John Prine, folk legend, 8 p.m., Hawai'i Theatre; $33, $37. 528-0506.
Michael Feinstein, American standards, 8 p.m., Blaisdell Concert Hall; part of the Honolulu Symphony Pops Season; $15-$57. 792-2000.
Lucky Dube, reggae, 9 p.m., Kapono's; $25*. 526-4400.
"Hawaiian Stars Under the Stars," with Lilikoi Boys, Koa'uka and the Ka'ala Boys, 6 p.m., Sea Life Park; benefit for Holy Trinity School; $15*. 396-8466.
The Amadeus Trio, with piano, cello and violin, part of the Honolulu Chamber Music series, 7:30 p.m., Orvis Auditorium; $24*. 956-3836.
'Aha Mele V, a concert/ho'ike with Halau o ke 'A'ali'i Ku Makani, 3-5 p.m., Mamiya Theatre; $20. 234-0303.
Halau Kawaihoa Ho'ike, with a silent auction, bake sale and fashion show, doors open 4 p.m., dinner begins 5:30 p.m., Kaiser High School; $15*. 292-2738.
"Amazing Adventures of the Marvelous Monkey King," presented by Honolulu Theatre for Youth, 4:30 and 7:30 p.m., Richardson Theatre, Fort Shafter; repeats Oct. 26 at Richardson Theatre, and Nov. 2 and 9 at Paliku Theatre; for 7 and older; $12*. 839-9885.
Kawa'ewa'e, with views of Kane'ohe and the bay, 8 a.m., meet at 'Iolani Palace; presented by Hawaiian Trail & Mountain Club; $2. 589-2433.
Mother-in-Law's Tongue Plant Show, with roses, cacti and plants, 9 a.m.-3 p.m., Ward Warehouse; free. 591-8411.
'Awa Culture, learn propagation and cultivation of 'awa, 9:30-11:30 a.m., Lyon Arboretum; $20*. 988-0456.
Nightwalk, explore tropical plants at night, 6:30-9 p.m., Ho'omaluhia Botanical Garden; bring walking shoes, insect repellent, rain gear and flashlights; gates open 5:30-6:30 p.m. for picnics; free. Reservations: 233-7323.
Pu'u 'Ohi'a Trail Hike, hike through bamboo and explore a volcanic crater, 8:30-11:30 a.m., Hawai'i Nature Center; for 8 and older; $14* parent/child team. 955-0100.
American Box Car Racing International, open house, 1-8 p.m., ABCRI Box Car Track; tennis shoes and long pants required; free. 947-3393.
Moonlight Tours, a look at the zoo's nocturnal predators, 6:30 p.m., Honolulu Zoo; $10*. Reservations: 926-3191, 971-7195.
The Salvation Army Women's Ministries Holiday Craft Fair, with plants, white elephant and baked goods, 8 a.m.-1 p.m., The Salvation Army, Kauluwela Mission Corps; free admission. 521-6551.
Bargain Bazaar, with plants, country store and white elephant, 8:30 a.m.-1:30 p.m., Waipahu United Church of Christ; free admission. 677-3317.
Craft Fair, with games and food, 9 a.m.-1 p.m., Kanoelani Elementary School; free admission. 675-0195.
Family Fun and Craft Fair, with games, entertainment and food, 9 a.m.-2 p.m., Waiau Elementary School; free admission. 453-6530.
Kahalu'u Country Fair, with crafts, bake sale and keiki activities, 9 a.m.-2 p.m., KEY Project, 47-200 Waihe'e Road, Kahalu'u; free admission. 239-5777.
Fun Fair, with an auction, entertainment and games, 9 a.m.-3 p.m., 'Ahuimanu School; free admission. 239-3125.
Handcrafters & Artisans Alliance Craft Fair, 9 a.m.-4 p.m., Kapi'olani Park; repeats Sunday; free admission. 622-2508.
Hawaiian Arts and Crafts Fair, 9:30 a.m.-1:30 p.m., Sheraton Princess Kaiulani Hotel, Ainahau Lobby; free admission. 931-4524.
8th Annual Princess Ka'iulani Keiki Hula Festival, with 10 halau and Tihati Productions, 10 a.m.-1 p.m., Sheraton Princess Kaiulani Hotel, Ainahau Showroom; free. 922-5811.
Kapolei Carnival, with an E.K. Fernandez Shows midway, petting zoo and entertainment, noon-midnight, Farrington Highway and Fort Barrette Road; repeats noon-10 p.m. Sunday; free admission. 682-5767.
Friends of Pearl City Library Booksale, 10 a.m.-3 p.m., Pearl City Public Library; free admission. 453-6566.
2002 Parade of Homes, 10 a.m.-5 p.m., at various home sites on O'ahu, Kaua'i and Hawai'i; continues Sunday; Building Industry Association of Hawaii event; free. 847-4666, ext. 206.
38th Annual Food and New Products Show, with a craft fair, home improvement ideas and cooking demonstrations, 10 a.m.-10 p.m., Blaisdell Center Arena and Exhibition Hall; repeats 10 a.m.-5 p.m. Sunday; $4*. 945-3594.
Fashion Fair, presented by Deaf of the Pacific Rim, 11 a.m.-1 p.m., Pearlridge Center uptown; free. 488-0981.
Konnan, meet the WCW wrestler, 1-3 p.m., Tower Videos on Ke'eaumoku Street; free. 783-7809.
Hana Ho'ohiwahiwa 'O Ka'iulani (To Celebrate and Honor Ka'iulani), 'ukulele lesson, 3-5 p.m., Sheraton Princess Kaiulani, Dolphin Lanai; part of a commemoration week honoring the hotel's namesake; free. 922-5811.
The Outdoor Circle's 90th Birthday, fund-raiser with a bachelor auction, 5:30 p.m., Sheraton Moana Surfrider Hotel; $125. 593-0300.
Go Jimmy Go, ska, 2 p.m., Borders, Waikele. 676-6699.
Cactus Corner, The Ex-Superheroes and the 86 List, punk rock, 6 p.m., Otto's Bakery. www.imbicycle.com.
Pilialoha Band, 7-8 p.m., Town Center of Mililani. 625-5233.
Zanuck Lindsey, jazz, 7-10:30 p.m., Gordon Biersch Brewery and Restaurant. 599-4877.
Goth Night with DJ MoDBoY, goth/industrial/darkwave/deathrock/postmodern/ambient/'80s music, 8 p.m., Pink Cadillac. 946-6499.
Traci Toguchi, R&B, 8-11 p.m., Brew Moon Restaurant and Microbrewery. 593-0088.
Da Hobras, Go Jimmy Go and Joe Hungry Four, 9 p.m., Anna Bannanas; for 21 and older. 946-5190.
Epic Session, 9:30 p.m.-12:30 a.m., Ala Moana Center, Mai Tai Bar. 947-2900.
Full Circle, alternative rock, 9:30 p.m.-1:30 a.m., Tropics. 262-3343.
Stone, alternative, 10:30 p.m., Jarons on Hamakua. 261-4600.
Brunch on the Beach, with The Brothers Cazimero, Royal Hawaiian Band and others, 10 a.m.-2 p.m., Kapi'olani Park; free admission. 523-4674.
"Aloha Calls," with Karen Keawehawaii, Mel Cabang and Reign, 3-6 p.m., Aloha Tower Marketplace, Center Atrium; free. 566-2337.
2002 Talk Story Festival, old and new legends, 7-9:30 p.m., Ala Moana Beach Park, McCoy Pavilion; also, storytelling workshop, 1-4 p.m.; free. 692-5751.
Setsuko Sugihara Devens and Students, piano solos and concertos, 3 p.m., Tenney Theater; free. 373-4234.
25th Anniversary O'ahu Church Choir Festival, with guest choral director Anton Armstrong and guest organ clinician John Ferguson, 4 p.m., Central Union Church; free. 734-4144.
"Baroque Splendor," works by Vivaldi and Bach, 7:30 p.m., Lutheran Church of Honolulu; benefit for Save the Foodbasket; $15*. 941-2566.
Sailing with Seabirds, learn about native plants and cultural history of Ka'ena Point, 4:30-7:30 p.m., Hawai'i Nature Center; for 8 and older; $14* parent/child team. 955-0100.
Hawaii Lupus Foundation's Bazaar, plant and craft sale, 9 a.m.-3 p.m., McKinley High School cafeteria; free admission. 538-1522.
Handcrafters & Artisans Alliance Craft Fair, 9 a.m.-4 p.m., Kapi'olani Park; free admission. 622-2508.
Kapolei Carnival, with an E.K. Fernandez Shows midway, petting zoo and entertainment, noon-10 p.m., Farrington Highway and Fort Barrette Road; free admission. 682-5767.
In Celebration of Dogs, with dog breed information and demonstrations, 9:30 a.m.-3:30 p.m., Thomas Square; please leave dogs at home; free. 239-6693.
Rendez-vu Party, presented by BDtv, 10 a.m.-4 p.m., Hawaiian Waters Adventure Park; $45* includes admission, lunch, beverages and games. 306-2820, 330-3627.
38th Annual Food and New Products Show, with a craft fair, home improvement ideas and cooking demonstrations, 10 a.m.-5 p.m., Blaisdell Center Arena and Exhibition Hall; $4*. 945-3594.
2002 Parade of Homes, 10 a.m.-5 p.m., at various home sites on O'ahu, Kaua'i and Hawai'i; Building Industry Association of Hawaii event; free. 847-4666, ext. 206.
The Great Kitchen and Bath Tour, with kitchen and bath designers from National Kitchen and Bath Association Aloha Chapter member firms, 10 a.m.-5 p.m., at 10 homes on O'ahu; $10. 734-2891.
Storytelling Workshop, part of the 2002 Talk Story Festival, 1-4 p.m., Ala Moana Beach Park, McCoy Pavilion; free. 692-5751.
Konnan and JT Wolfen, meet and greet pro wrestlers, 4-6 p.m., Hard Rock Café; free. 783-7809.
Royal Garden Party, a return to the late 19th century with period entertainment, lantern-lit dancing and genteel sporting activity, 4:30-9 p.m., 'Iolani Palace grounds; fund-raiser for 'Iolani Palace; $200. 522-0822.
Zoo Mystery Party, with dinner, moonlight tours of the zoo and a mystery to solve, 5:30-9:30 p.m., Honolulu Zoo; $50. 536-9105.
"Vindication at the Vineyard," pro wrestling presented by Island X-treme Wrestling Federation and National Wrestling Alliance Hawaii, 7 p.m., Palama Settlement Gym; $15*. 783-7809.
Open Irish Session, hosted by Contradance Band, 4-8 p.m., Kelley O'Neil's. 926-1777.
Aunty Violet and the Kaniloa's, 6-10 p.m., Waianae Army Rec Beach Club. 330-5858.
Anime Project, presented by Raw, 9 p.m.-4 a.m., Wave Waikiki; for 18 and older. 941-0424.
"Ahn-Plugged," featuring The Ahn Trio, sisters playing piano, cello and violin, 11 a.m. and 7 p.m., Blaisdell Concert Hall; $15 for first performance (youth concert), $27-$57 for second performance. 526-4400.
Galliard String Quartet, part of the 2002 Candlelight Series, 7:30 p.m., Lutheran Church of Honolulu; $15. 524-0815, ext. 245.
Rob Prester, Noel Okimoto, Steve Jones, Tim Tsukiyama and Robert Shinoda, jazz, 7-10 p.m., Kapono's. 536-2161.
Dave Lamar, 8:30 p.m.-1 a.m., Kelley O'Neil's. 926-1777.
Derek Kaapana, clarinet, 1:30 p.m., Orvis Auditorium; free. 956-8742.
Christmas Demonstrations 2002, with gift, decoration and food ideas, 10-11 a.m., Kilauea Recreation Center; also, 7-8 p.m., 'Ewa Beach Public & School Library; free. 247-0421, 689-1204.
The Rich Crandall Trio, with Brien Matson and Murray Tanner, 8-10 p.m., Studio 6. 596-2905.
Pussycat Lounge, with 4 Elements, 9 p.m., Wave Waikiki; for 21 and older. 941-0424.
Bombasstic Tuesdays with DJ Sandman, 9 p.m.-4 a.m., Pipeline Café. 589-1999.
Early Bird Holiday Craft & Gift Fair, a "Bigger & Better" fair, 10 a.m.-2 p.m., Exhibition Room, Topa Financial Center (formerly Amfac Center); repeats Thursday, and Oct. 25; free admission. 676-5886.
"Shock House" Haunted House, created by Tom Moffatt Productions and Act One Theater Design, 6 p.m.-midnight, Aloha Tower Marketplace; repeats 6 p.m.-midnight Oct. 25-30, and 6 p.m.-1 a.m. Oct. 31; $6.50*. 566-2337.
Sherry Wong, soprano, 1:30 p.m., Orvis Auditorium; free. 956-8742.
Early Bird Holiday Craft & Gift Fair, a "Bigger & Better" fair, 10 a.m.-2 p.m., Exhibition Room, Topa Financial Center (formerly Amfac Center); repeats Oct. 25; free admission. 676-5886.
Wordstew Poetry Slam, music, open mic and chapbooks, 6:30-9:30 p.m., University of Hawai'i-Manoa, Manoa Gardens; free. 843-1390.
Slim Mango, 7-9 p.m., Kapono's. 536-2161, 537-9611.
The PBS Big Band, with Keahi Conjugacion, 8-10 p.m., Studio 6. 596-2905.
Kumuhau, contemporary Hawaiian, 8:30-11:30 p.m., Jarons on Hamakua. 261-4600.
Make Wai, island style, 9 p.m., Eastside Grill. 952-6555.
Shotglass, 9 p.m.-midnight, Kapono's. 536-2161, 537-9611.
Turnstyles, funk, acid jazz, reggae, 9 p.m.-1 a.m., Kemoo Farms, The Pub; for 21 and older. 621-1835.


text:
Plaque Dedicated To Fallen Deputy Sheriff Who Died Trying To Stop A Robbery
By Steve Tawa June 1, 2014 at 4:00 am
Filed Under:Honor, Killed, Philadelpia Deputy Sheriff, plaque, Roy Fortson Jr., Steve Tawa
(credit: Steve Tawa)
By Steve Tawa
PHILADELPHIA (CBS) — A Deputy Sheriff who died back in 1982 trying to stop two men from robbing a bar in West Philadelphia now has a plaque dedicated in his honor, laid in the sidewalk in front of the Criminal Justice Center.
It's the 266th Hero Plaque Dedication, but organizer James Binns notes Roy Fortson, Jr. was the first Philadelphia Deputy Sheriff to be killed in the line-of-duty, since the office was founded in 1750.
"He could have taken a pass. The law enforcement officer in him came out and he did engage them, but was shot five times and killed."
His family is grateful for the recognition, including Fortson's widow, Edna.
"My heart is overwhelmed. I feel the love that you showed my husband. As a servant of god, he did what he was required to do that night, not knowing that it would be his last."
Philadelphia Sheriff Jewell Williams says laying the plaque outside the Criminal Justice Center serves as a reminder of the challenges brave officers face, and that "we will never forget a fallen officer."


Clients (Browser and App) should allow outgoing UDP connections to the public internet and allow return traffic in response. Since our service provider uses dynamic IP addresses, it is not possible to specify a range of IP addresses requests go to.
Clients (Browser and App) must also allow incoming connections from chunderm.gll.twilio.com and matrix.twilio.com. Also, they must be allowed to make outgoing connections from any port in the ephemeral range (1024-65535).
https://pentest-tools.com/discovery-probing/udp-port-scanner-online-nmap for a UDP port scan.
For more details, refer to our service provider's list of network connectivity requirements.


Management of the Poisoned Patient. In: Katzung BG, Kruidering-Hall M, Trevor AJ. Katzung B.G., Kruidering-Hall M, Trevor A.J. Eds. Bertram G. Katzung, et al.eds. Katzung & Trevor's Pharmacology: Examination & Board Review, 12e New York, NY: McGraw-Hill; . http://accesspharmacy.mhmedical.com/content.aspx?bookid=2469&sectionid=197991440. Accessed April 18, 2019.
. "Management of the Poisoned Patient." Katzung & Trevor's Pharmacology: Examination & Board Review, 12e Katzung BG, Kruidering-Hall M, Trevor AJ. Katzung B.G., Kruidering-Hall M, Trevor A.J. Eds. Bertram G. Katzung, et al. New York, NY: McGraw-Hill, , http://accesspharmacy.mhmedical.com/content.aspx?bookid=2469&sectionid=197991440.
A 2-year-old girl presented with lethargy, increased respiratory rate, and an elevated temperature that appeared to result from a drug poisoning. Laboratory testing revealed the following serum concentrations: glucose, 36 mg/dL; Na+, 148 mEq/L; K+, 5 mEq/L; Cl−, 111 mEq/L; HCO3−, 12 mEq/L; BUN, 21 mg/dL; osmolality, 300 mOsm/L.
Anion gap is calculated by subtracting measured serum anions (bicarbonate plus chloride) from cations (potassium plus sodium). Increases in anion gap above normal are due to the presence of unmeasured anions that accompany acidosis. The gap in this case is 30 mEq/L, a value that is well in excess of the normal gap (12–16 mEq/L). The answer is D.
The osmolar gap is the difference between the measured serum osmolality and the osmolality calculated from the serum sodium, glucose, and BUN concentrations according to the equation above for calculating the osmolal gap. In this case, the measured osmolality is 300 mOsm/L, whereas the calculated osmolality is 305 mOsm/L; the difference is −5 mOsm/L. The answer is B.


text:
Men's three-in-a-bed sex with teenager was fully consensual, court told
Two men face charges of rape and attempted rape
Charlotte TurnerBusiness Editor Devon Live, Western Morning News
Richard Grant denies all offences at Plymouth Crown Court (Image: The Herald)
Get the best and latest crime stories with our Court Insider newsletter
A man accused of raping a teenager said she was "fully participating" in sexual activities with the two men.
Richard Grant, of Victoria Court, Stoke, attended Plymouth Crown Court to plead not guilty to raping a woman on June 27, 2016.
Another man, Kieran McPartland, of Lipson Road, Greenbank, has also pleaded not guilty to one count of rape and an alternative offence of attempted rape on the same day.
Both defendants claim that all sexual activity that night in Grant's home was consensual, but the alleged victim said she repeatedly told them to stop, reports The Herald .
Giving evidence in court, Grant, 30, told the jury that the woman, who can't be named for legal reasons, had told a man in the beer garden of The Two Trees pub that she would be "sleeping with him [Grant]" that night.
Codeword to keep you safe on a bad date launched in Devon
Grant told the court how he had gone out alone on the night of the incident when he bumped into co-defendant McPartland.
He said he was approached by the then 19-year-old woman and they began talking outside of Revolution on Union Street.
He said the woman was a "nice girl" and that they were flirting, but that "nothing crossed his mind at that time" about something happening between the pair.
McPartland, Grant and the woman moved on to The Two Trees pub – CCTV showed Grant with his arms around the woman, and he added that she was hugging him back.
Police probe historic sexual abuse at psychiatric hospital
Grant said the friend who was with the woman had decided to go home before going into The Two Trees, but that the woman decided to stay with Grant and McPartland – and that there was no insistence from the two defendants that she stayed.
Grant told the jury how the trio were having a "great time" talking and "all flirting".
According to Grant, a gay man started "hitting on him" which is when the alleged victim stepped in and said "I'm sleeping with him tonight".
CCTV footage played in court showed Grant, McPartland and the woman getting in a taxi just after 4am.
Barrister Ali Rafati asked Grant: "You discussed going back to your house or going somewhere. To do what?"
Grant said: "To have a drink, to chill, to whatever."
Two men in 30s raped drunken teenager as she told them to stop, court told
Mr Rafati added: "At 4am in the morning – how was [the woman's] toxication level?"
Grant replied: "She was fine. I remember her being alright."
Back at Grant's house, previously at Kestor Close in North Prospect, he added that the woman had said "lets go upstairs before I get tired".
The three of them went upstairs to Grant's bedroom where clothes were removed.
Grant, who became tearful in court, said the woman's reaction to him touching her intimately was "normal".
He added that "she didn't say no" and that she was "proper awake".
Grant told the jury that he started having sex with the woman as she was performing an oral sex act on McPartland.
"She was involved at the start fully participating, no complaints," Grant said.
Locked up in Devon in February 2018
But around five minutes later, Grant said the woman had told McPartland to stop.
Grant said: "He [McPartland] said 'come on why do you want to stop now'.
"He [McPartland] stopped. He grabbed his penis again, [but] she said to him 'get off or you'll know what it's going to be'.
"The moment she said that I got off. [McPartland] started getting upset. He was saying to tell her to get out. I wasn't listening – I just thought let me talk to her."
McPartland went downstairs whilst Grant asked what the matter was.
Grant told the court: "I asked what's the problem – she said she didn't really want to do that.
"I said this is my room, I'll be coming back to bed [and that] it's not a hotel and told her to leave. She said she didn't want to go."
Rapist jailed for six years loses appeal in bid to clear his name
Grant went back downstairs with McPartland to smoke some cannabis and returned to check on the woman around 20 minutes later.
In the meantime, Grant recalled that the woman had been sick at one point.
He said the two of them "spoke for ages" when things advanced again, leading to sex.
The court heard how McPartland came into the bedroom shortly after and told them their taxi was here, as they had all planned to meet up with people in Southway along with the alleged victim.
Grant added: "[The woman] was normal and awake.
"We all went downstairs. She was in the doorway talking to McPartland."
Instead of going with the men, the alleged victim got in the taxi without them.


text:
"""Defines a git hook to allow pre-commit warnings and errors about import order.

usage:
    exit_code = git_hook(strict=True|False, modify=True|False)
"""
import os
import subprocess  # nosec - Needed for hook
from pathlib import Path
from typing import List

from isort import Config, api, exceptions

def get_output(command: List[str]) -> str:
    """Run a command and return raw output

    :param str command: the command to run
    :returns: the stdout output of the command
    """
    result = subprocess.run(command, stdout=subprocess.PIPE, check=True)  # nosec - trusted input
    return result.stdout.decode()

def get_lines(command: List[str]) -> List[str]:
    """Run a command and return lines of output

    :param str command: the command to run
    :returns: list of whitespace-stripped lines output by command
    """
    stdout = get_output(command)
    return [line.strip() for line in stdout.splitlines()]

def git_hook(
    strict: bool = False, modify: bool = False, lazy: bool = False, settings_file: str = ""
) -> int:
    """Git pre-commit hook to check staged files for isort errors

    :param bool strict - if True, return number of errors on exit,
        causing the hook to fail. If False, return zero so it will
        just act as a warning.
    :param bool modify - if True, fix the sources if they are not
        sorted properly. If False, only report result without
        modifying anything.
    :param bool lazy - if True, also check/fix unstaged files.
        This is useful if you frequently use ``git commit -a`` for example.
        If False, only check/fix the staged files for isort errors.
    :param str settings_file - A path to a file to be used as
                               the configuration file for this run.
        When settings_file is the empty string, the configuration file
        will be searched starting at the directory containing the first
        staged file, if any, and going upward in the directory structure.

    :return number of errors if in strict mode, 0 otherwise.
    """
    # Get list of files modified and staged
    diff_cmd = ["git", "diff-index", "--cached", "--name-only", "--diff-filter=ACMRTUXB", "HEAD"]
    if lazy:
        diff_cmd.remove("--cached")

    files_modified = get_lines(diff_cmd)
    if not files_modified:
        return 0

    errors = 0
    config = Config(
        settings_file=settings_file,
        settings_path=os.path.dirname(os.path.abspath(files_modified[0])),
    )
    for filename in files_modified:
        if filename.endswith(".py"):
            # Get the staged contents of the file
            staged_cmd = ["git", "show", f":{filename}"]
            staged_contents = get_output(staged_cmd)

            try:
                if not api.check_code_string(
                    staged_contents, file_path=Path(filename), config=config
                ):
                    errors += 1
                    if modify:
                        api.sort_file(filename, config=config)
            except exceptions.FileSkipped:  # pragma: no cover
                pass

    return errors if strict else 0

redpajama_set_name: RedPajamaGithub


text:
Carmelo Doesn't Quite Get the Camby Trade
Mac McClung is BACK! Summer Pro-Am Highligts Pt. 1
BET THAT: The A'ja Wilson and Liz Cambage Show Is Taking Over Vegas
Reggie Bullock Signs Re-Worked Two-Year Deal With Knicks
Mark Cuban Fined $50K for Leaking Info from Board of Governors Meeting
Warriors Didn't Sign D'Angelo Russell With Intention Of Just Trading Him
Andre Iguodala Trade Talks Hit "Standstill"
Pelicans Waive Big Man Christian Wood
Cavaliers Release J.R. Smith To Waivers
NEVER IN DOUBT: Coby White's Unprecedented Journey to the NBA
by Marcel Mutoni
When Marcus Camby was traded from Denver to the L.A. Clippers a couple of weeks ago for, well, basically nothing, the Nuggets' front-office hilariously claimed that it was a "chess move".
Carmelo Anthony, who knows what it's like to hear his name in trade rumors, wasn't particularly enthralled with the move. The Nuggets' franchise player also doesn't seem to think that any of the folks running the show in the Mile High City are Bobby Fischer.
From the Boston Globe:
"It was tough to see a guy like that, especially for me, this is my fifth year and I played five years with Camby, it was like we almost started an organization together.
To see a Defensive Player of the Year just leave like that for nothing, I still don't understand that."
Try not to think too hard about it 'Melo. It's not worth it. Those guys in your front-office are always two moves ahead of everyone else.


text:
Q: Inserting text through ssh without multiple password entries I'm trying to setup a DNS server through ssh and am able to send text to the config files, but it requires a password for each line.
 ssh -t $newDNS "sudo sed -i '4iforwarders { $IpDNS; };' /etc/bind/named.conf.options"

 ssh -t $newDNS "sudo sed -i '/^forwarders/i listen-on port 53 { $IpDNS; };' /etc/bind/named.conf.options"

 ssh -t $newDNS "sudo sed -i '/^listen-on/i allow-query { localhost; $subDNS; };' /etc/bind/named.conf.options"

 ssh -t $newDNS "sudo sed -i '/^forwarders/a recursion yes; }/etc/bind/named.conf.options"

A: I think you either need to install a ssh key onto each server or use expect and type your password once.
The ssh key solution:
Read this link, but do not set up a password for your RSA key.
The expect solution:
#!/bin/bash

# This function is sent to the server. I've used it for testing
function dosomething {
        ls
}

# The script expects a file with servers separated with newlines.
FILE=$1

# If the file does not exist, it exits.
[ -f "${FILE}" ] || exit 1

# I didn't know your password and username. If you would like me to add it,
# please sent me a DM or paste it as comment ;-)
read -sp "username: " USERNAME
echo
read -sp "password: " PASSWORD
echo

# While the content of ${FILE} isn't empty...
while IFS= read -r SERVER; do

# .. use expect to spawn ssh, login with ${PASSWORD}, send the dosomething to
# the server, execute dosomething and exit.
expect <<-EOF
        spawn ssh ${USERNAME}@${SERVER}
        expect "*: " { send "${PASSWORD}\r" }
        expect "*$ " { send "$(typeset -f dosomething)\r" }
        expect "*$ " { send "dosomething\r" }
        expect "*$ " { send "exit\r" }
EOF
done < ${FILE}

# You're up ;-)
exit $?

redpajama_set_name: RedPajamaStackExchange


text:
<?php

namespace Efrei\DoorBundle\Form;

use Symfony\Component\Form\AbstractType;
use Symfony\Component\Form\FormBuilderInterface;
use Symfony\Component\OptionsResolver\OptionsResolverInterface;

class CardGroupType extends AbstractType
{
        /**
     * @param FormBuilderInterface $builder
     * @param array $options
     */
    public function buildForm(FormBuilderInterface $builder, array $options)
    {
        $builder
			->add('name')
			->add('description')
            ->add('users')
            ->add('cards')
        ;
    }

    /**
     * @param OptionsResolverInterface $resolver
     */
    public function setDefaultOptions(OptionsResolverInterface $resolver)
    {
        $resolver->setDefaults(array(
            'data_class' => 'Efrei\DoorBundle\Entity\CardGroup'
        ));
    }

    /**
     * @return string
     */
    public function getName()
    {
        return 'efrei_doorbundle_cardgroup';
    }
}


I personally find cpio very confusing, and I hear that I'm not alone.
When working with the UNIX PC previously in this endeavor, I abandoned trying, because someone had provided a working version of tar for the 3b1 (MC68010 processor).
The "nst0" tells the tape not to rewind after writing each file, or something like that.
Then, add the CTIX kernel after that. We had to "adjust" the length of this file by padding the end with sets of null bytes (Hex Value 00) until the file reached exactly 396 blocks, otherwise, we got an error saying that 395+1 blocks read, 395+0 blocks written, or to that effect.
screen shots...wow...it took us SO long to get here.
Working with Sasa via Skype, I figured out how to trick the MightyFrame to format a Maxtor XT-2190 (physical) hard drive on D1, while the MFM Emulator ran the OS on D0.
Tom Trebisky has done a marvelous job assisting us in this project. We simply could never have gotten this far without his patient, dedicated help.
One of countless gems, Tom created this shell script to run in the /dev folder on the UNIX PC, where /dev is on slice 1, and contains other MightyFrame os files.
I quite literally by accident, got a command prompt on the thing for the FIRST time since I started this project!
The following files are customized to diagnose how the MightyFrame is executing my customized /etc/inittab and /etc/rc files while attempting to boot a version of CTIX5.11onb modified by Sasa Todorovic and renamed to CTIX5.11dbg.
How does one "extract" a stand-alone kernel from an existing full kernel?
MightyFrame Volume Home Block (VHB) executing bootloader!
Executing Loader from either QIC Tape or HD, then specifying various CTIX files to run.
All AT&T UNIX PC paper documentation and on-screen usage documentation uses the term "Volume Home Block", but never "Volume Header Block"
"executing loader from drive 0"
OK, well not really...BUT...since this is the only relevant protocol to transfer files that I can find on the UNIX PC, I'm going to figure out how to get it to run on a modern linux machine. The FTP protocol that we all know and love today, and still use, seems nowhere to be found on the UNIX PC.
ldrcpy: AT&T UNIX PC System Install clues to CTIX?
This is what happens when the AT&T UNIX PC fails to write a new operating system onto a MFM hard drive (Winchester ST506).
This is successfully booting to an early version of Ubuntu from a Quantum Bigfoot ISA 12Gb Hard Drive. I want the MFM Drives on the WDXT-GEN2 PLUS to be secondary drives. This WDXT-GEN2 PLUS controller board is apparently factory defaulted to be the primary drive for any machine in which it is installed. That appears to be the case here as well, because the machine will not boot with the controller card inserted, but will boot fine witout the card inserted.