text:
package som.compiler;

import static som.vm.Symbols.symbolFor;

import java.io.IOException;
import java.util.ArrayList;
import java.util.List;

import com.google.gson.JsonArray;
import com.google.gson.JsonElement;
import com.google.gson.JsonObject;
import com.oracle.truffle.api.source.Source;
import com.oracle.truffle.api.source.SourceSection;

import som.interpreter.SomLanguage;
import som.interpreter.nodes.ExpressionNode;
import som.interpreter.nodes.MessageSendNode.AbstractMessageSendNode;
import som.vm.SomStructuralType;
import som.vm.VmSettings;
import som.vmobjects.SSymbol;
import tools.language.StructuralProbe;

/**
 * The JSON Tree Translator is responsible for creating SOM AST from {@link #jsonAST} (a JSON
 * representation of Grace AST) and also for extracting Grace's type information.
 *
 * The translator walks through each node of the JSON AST and uses the {@link AstBuilder} to
 * generate the equivalent AST for each node. The AstBuilder may invoke the parse method on
 * this translator (enabling recursive descent through the JSON AST), but should not interact
 * with this translator otherwise.
 */
public class JsonTreeTranslator {

  private final SomLanguage language;

  private final ScopeManager  scopeManager;
  private final SourceManager sourceManager;

  private final AstBuilder astBuilder;
  private final JsonObject jsonAST;

  public JsonTreeTranslator(final JsonObject jsonAST, final Source source,
      final SomLanguage language, final StructuralProbe probe) {
    this.language = language;

    this.scopeManager = new ScopeManager(language, probe);
    this.sourceManager = new SourceManager(language, source);

    this.astBuilder = new AstBuilder(this, scopeManager, sourceManager, language, probe);
    this.jsonAST = jsonAST;
  }

  /**
   * Uses the {@link SourceManager} to create a section corresponding to the source code at the
   * given line and column.
   */
  public SourceSection source(final JsonObject node) {
    int line = node.get("line").getAsInt();
    int column = node.get("column").getAsInt();
    if (line < 1) {
      line = 1;
    }
    if (column < 1) {
      column = 1;
    }
    return sourceManager.atLineColumn(line, column);
  }

  private void error(final String message, final JsonObject node) {
    String prefix = "";
    if (node != null) {
      int line = node.get("line").getAsInt();
      int column = node.get("column").getAsInt();
      prefix = "[" + sourceManager.getModuleName() + " " + line + "," + column + "] ";
    }
    language.getVM().errorExit(prefix + message);
  }

  /**
   * Gets the type of a {@link JsonObject}, which should be a string stored in the "nodetype"
   * field.
   */
  private String nodeType(final JsonObject node) {
    return node.get("nodetype").getAsString();
  }

  /**
   * Gets the body of a {@link JsonObject}, which should be a {@link JsonArray} stored in the
   * "body" field.
   */
  private JsonArray body(final JsonObject node) {
    return node.get("body").getAsJsonArray();
  }

  /**
   * Gets the name of a {@link JsonObject}, which should be a string stored in the "name"
   * field.
   */
  private String name(final JsonObject node) {
    if (node.has("name")) {
      if (node.get("name").isJsonObject()) {
        return name(node.get("name").getAsJsonObject());
      } else {
        return node.get("name").getAsString();
      }

    } else if (node.has("basename")) {
      return name(node.get("basename").getAsJsonObject());

    } else if (node.has("left")) {
      return name(node.get("left").getAsJsonObject());

    } else if (node.has("from")) {
      return name(node.get("from").getAsJsonObject());

    } else if (nodeType(node).equals("explicit-receiver-request")) {
      return name(node.get("parts").getAsJsonArray().get(0).getAsJsonObject());

    } else {
      error("The translator doesn't understand how to get a name from " + nodeType(node),
          node);
      throw new RuntimeException();
    }
  }

  /**
   * Generates a munged class name based on the class named in the given inherits expressions.
   * The format of the munged name is:
   *
   * <name><suffix>[Class]
   *
   * where name is the class name as it is and suffix is a series of `:` (one for each argument
   * in the inherits expression).
   */
  private SSymbol className(final JsonObject node) {
    String suffix = "";
    for (int i = 0; i < arguments(node).length; i++) {
      suffix += ":";
    }
    return symbolFor(name(node) + suffix + "[Class]");
  }

  /**
   * Gets the value of the path field in a {@link JsonObject}
   */
  private String path(final JsonObject node) {
    if (node.get("path").isJsonObject()) {
      return node.get("path").getAsJsonObject().get("raw").getAsString();
    } else {
      error("The translator doesn't understand how to get a path from " + nodeType(node),
          node);
      throw new RuntimeException();
    }
  }

  /**
   * Extracts a literal value from the {@link JsonObject}. The field containing the value
   * depends on the type node.
   */
  private Object value(final JsonObject node) {
    if (nodeType(node).equals("number")) {
      return Double.parseDouble(node.get("digits").getAsString());

    } else if (nodeType(node).equals("string-literal")) {
      return node.get("raw").getAsString();

    } else if (nodeType(node).equals("def-declaration")) {
      return translate(node.get("value").getAsJsonObject());

    } else if (nodeType(node).equals("var-declaration")) {
      if (node.get("value").isJsonNull()) {
        return null;
      } else {
        return translate(node.get("value").getAsJsonObject());
      }

    } else if (nodeType(node).equals("bind")) {
      return translate(node.get("right").getAsJsonObject());

    } else {
      error("The translator doesn't understand how to get a value from " + nodeType(node),
          node);
      throw new RuntimeException();
    }
  }

  /**
   * Calculates the number of arguments associated with a part (a part of a request node).
   */
  private int countArgumentsOrParametersInPart(final JsonObject part) {
    if (part.has("arguments")) {
      return part.get("arguments").getAsJsonArray().size();
    } else if (part.has("parameters")) {
      return part.get("parameters").getAsJsonArray().size();
    } else {
      error(
          "The translator doesn't understand how to count the arguments or parameters for the part",
          part);
      throw new RuntimeException();
    }

  }

  /**
   * Gets the selector from an array of "parts", each of which contains a "name" field hosting
   * a string value. Each part also has an "arguments" field. Each argument should represented
   * by a `:` separator.
   */
  private SSymbol selectorFromParts(final JsonArray parts) {
    String selector = "";
    for (JsonElement element : parts) {
      JsonObject part = element.getAsJsonObject();
      selector += name(part);

      for (int i = 0; i < countArgumentsOrParametersInPart(part); i++) {
        selector += ":";
      }
    }

    return symbolFor(selector);
  }

  /**
   * Gets the receiver for a request, which should be stored in the `receiver` field.
   */
  private JsonObject receiver(final JsonObject node) {
    if (node.has("receiver")) {
      return node.get("receiver").getAsJsonObject();

    } else if (node.has("left")) {
      return node.get("left").getAsJsonObject();

    } else {
      error("The translator doesn't understand how to get a receiver from " + nodeType(node),
          node);
      throw new RuntimeException();
    }
  }

  private SSymbol returnType(final JsonObject node) {
    if (!VmSettings.USE_TYPE_CHECKING) { // simply return null if type checking not used
      return null;
    }

    JsonObject signatureNode = node.get("signature").getAsJsonObject();
    if (signatureNode.get("returntype").isJsonNull()) {
      if (VmSettings.MUST_BE_FULLY_TYPED) {
        error(nodeType(node) + " is missing a type annotation", node);
        throw new RuntimeException();
      }

      return SomStructuralType.UNKNOWN;
    } else {
      return symbolFor(name(signatureNode.get("returntype").getAsJsonObject()));

    }
  }

  /**
   * Maps a Grace prefix operator to a NS operator or method call.
   *
   * TODO: prefix operators may be defined on non-primitive objects. Consequently, this mapping
   * should be handled dynamically.
   */
  private SSymbol prefixOperatorFor(final String name) {
    if (name.equals("prefix!") || name.equals("!")) {
      return symbolFor("not");

    } else if (name.equals("prefix-") || name.equals("-")) {
      return symbolFor("negated");

    } else {
      error("The translator doesn't understand what to do with the `" + name
          + "` prefix operator", null);
      throw new RuntimeException();
    }
  }

  /**
   * Gets the selector for an array of parts, given either from a request or a declaration.
   *
   * Note that signatures defined for Grace's built in objects map directly onto other defined
   * for SOM's built in objects. We change to the SOM signature in the cases to take advantage
   * of this mapping.
   */
  private SSymbol processSelector(final SSymbol selector) {
    if (isOperator(selector.getString().replace(":", ""))) {
      return symbolFor(selector.getString().replace(":", ""));
    }

    return selector;
  }

  private SSymbol selector(final JsonObject node) {
    SSymbol selector;
    if (node.has("parts")) {
      selector = selectorFromParts(node.get("parts").getAsJsonArray());

    } else if (node.has("signature")) {
      selector = selectorFromParts(
          node.get("signature").getAsJsonObject().get("parts").getAsJsonArray());

    } else if (nodeType(node).equals("prefix-operator")) {
      selector = prefixOperatorFor(name(node));

    } else if (nodeType(node).equals("bind")) {
      selector = selector(node.get("left").getAsJsonObject());

    } else if (node.has("operator")) {
      String operator = node.get("operator").getAsString();
      selector = symbolFor(operator);

    } else {
      error(
          "The translator doesn't understand how to get a selector from an " + nodeType(node),
          node);
      throw new RuntimeException();
    }

    return processSelector(selector);
  }

  /**
   * Gets a list of arguments nodes, each represented by a {@link JsonObject}, from a request
   * node by iterating through the arguments belonging to each part of that request.
   */
  private JsonObject[] argumentsFromParts(final JsonArray parts) {
    List<JsonObject> argumentsNodes = new ArrayList<JsonObject>();

    for (JsonElement partElement : parts) {
      JsonObject part = partElement.getAsJsonObject();
      for (JsonElement argumentElement : part.get("arguments").getAsJsonArray()) {
        argumentsNodes.add(argumentElement.getAsJsonObject());
      }
    }

    return argumentsNodes.toArray(new JsonObject[argumentsNodes.size()]);
  }

  /**
   * Gets the arguments for a request node.
   */
  private JsonObject[] arguments(final JsonObject node) {
    if (node.has("parts")) {
      return argumentsFromParts(node.get("parts").getAsJsonArray());

    } else if (node.has("arguments")) {
      JsonArray args = node.get("arguments").getAsJsonArray();
      JsonObject[] ret = new JsonObject[args.size()];
      for (int i = 0; i < args.size(); i++) {
        ret[i] = args.get(i).getAsJsonObject();
      }
      return ret;

    } else if (node.has("right")) {
      return new JsonObject[] {node.get("right").getAsJsonObject()};

    } else if (nodeType(node).equals("inherits")) {
      JsonObject from = node.get("from").getAsJsonObject();
      if (from.has("parts")) {
        return argumentsFromParts(from.get("parts").getAsJsonArray());
      } else {
        return new JsonObject[] {};
      }

    } else {
      error(
          "The translator doesn't understand how to get arguments from a " + nodeType(node)
              + "node",
          node);
      throw new RuntimeException();
    }
  }

  /**
   * Gets the parameters for a declaration node.
   */
  private SSymbol[] parameters(final JsonObject node) {
    List<SSymbol> parametersNames = new ArrayList<SSymbol>();

    if (node.has("signature")) {
      JsonArray parts = node.get("signature").getAsJsonObject().get("parts").getAsJsonArray();
      for (JsonElement partElement : parts) {
        JsonObject part = partElement.getAsJsonObject();
        for (JsonElement parameterElement : part.get("parameters").getAsJsonArray()) {
          SSymbol name = symbolFor(name(parameterElement.getAsJsonObject()));
          parametersNames.add(name);
        }
      }

    } else if (node.has("parameters")) {
      for (JsonElement parameterElement : node.get("parameters").getAsJsonArray()) {
        SSymbol name = symbolFor(name(parameterElement.getAsJsonObject()));
        parametersNames.add(name);
      }

    } else {
      error("The translator doesn't understand how to get parameters from " + node, node);
      throw new RuntimeException();
    }

    return parametersNames.toArray(new SSymbol[parametersNames.size()]);
  }

  /**
   * Extracts the name of type declared inside of the given node, which may be either a
   * typed-parameter or otherwise a simple identifier.
   */
  private SSymbol typeFor(final JsonObject node) {
    if (!VmSettings.USE_TYPE_CHECKING) { // simply return null if type checking not used
      return null;
    }

    String nodeType = nodeType(node);

    if (nodeType.equals("typed-parameter")) {
      return symbolFor(name(node.get("type").getAsJsonObject()));

    } else if (nodeType.equals("identifier")) {
      // no op (returns unknown)

    } else if (node.has("type")) {
      if (node.get("type").isJsonNull()) {
        // no op (returns unknown)
      } else {
        return symbolFor(node.get("type").getAsJsonObject().get("name").getAsString());
      }

    } else {
      error("The translator doesn't understand how to get type for " + nodeType, node);
      throw new RuntimeException();
    }

    if (VmSettings.MUST_BE_FULLY_TYPED) {
      error(nodeType + " is missing a type annotation", node);
      throw new RuntimeException();
    }
    return SomStructuralType.UNKNOWN;
  }

  /**
   * Gets the parameter types for a declaration node.
   */
  private SSymbol[] typesForParameters(final JsonObject node) {
    List<SSymbol> types = new ArrayList<SSymbol>();

    if (node.has("signature")) {
      for (JsonElement partElement : node.get("signature").getAsJsonObject().get("parts")
                                         .getAsJsonArray()) {
        JsonObject partObject = partElement.getAsJsonObject();

        for (JsonElement parameterElement : partObject.get("parameters").getAsJsonArray()) {
          JsonObject parameterObject = parameterElement.getAsJsonObject();
          types.add(typeFor(parameterObject));
        }
      }

    } else if (node.has("parameters")) {
      for (JsonElement parameterElement : node.get("parameters").getAsJsonArray()) {
        types.add(typeFor(parameterElement.getAsJsonObject()));
      }

    } else {
      error("The translator doesn't understand how to get the types for parameters from a "
          + nodeType(node), node);
      throw new RuntimeException();
    }

    return types.toArray(new SSymbol[types.size()]);
  }

  /**
   * Gets the parameter sources for a declaration node.
   */
  private SourceSection[] sourcesForParameters(final JsonObject node) {
    List<SourceSection> sources = new ArrayList<SourceSection>();

    if (node.has("signature")) {
      for (JsonElement partElement : node.get("signature").getAsJsonObject().get("parts")
                                         .getAsJsonArray()) {
        JsonObject partObject = partElement.getAsJsonObject();

        for (JsonElement parameterElement : partObject.get("parameters").getAsJsonArray()) {
          JsonObject parameterObject = parameterElement.getAsJsonObject();
          sources.add(source(parameterObject));
        }
      }

    } else if (node.has("parameters")) {
      for (JsonElement parameterElement : node.get("parameters").getAsJsonArray()) {
        sources.add(source(parameterElement.getAsJsonObject()));
      }

    } else {
      error(
          "The translator doesn't understand how to get sources for the parameters in a "
              + nodeType(node),
          node);
      throw new RuntimeException();
    }

    return sources.toArray(new SourceSection[sources.size()]);
  }

  private SSymbol[] locals(final JsonObject node) {
    List<SSymbol> localNames = new ArrayList<SSymbol>();
    for (JsonElement element : body(node)) {
      String type = nodeType(element.getAsJsonObject());
      if (type.equals("def-declaration") || type.equals("var-declaration")) {
        localNames.add(symbolFor(name(element.getAsJsonObject())));
      }
    }
    return localNames.toArray(new SSymbol[localNames.size()]);
  }

  private SSymbol[] typesForLocals(final JsonObject node) {
    List<SSymbol> types = new ArrayList<SSymbol>();
    for (JsonElement element : body(node)) {
      JsonObject eNode = element.getAsJsonObject();
      String type = nodeType(element.getAsJsonObject());
      if (type.equals("def-declaration") || type.equals("var-declaration")) {
        types.add(typeFor(eNode));
      }
    }
    return types.toArray(new SSymbol[types.size()]);
  }

  private SourceSection[] sourcesForLocals(final JsonObject node) {
    List<SourceSection> sourceSections = new ArrayList<SourceSection>();
    for (JsonElement element : body(node)) {
      JsonObject object = element.getAsJsonObject();
      String type = nodeType(object);
      if (type.equals("def-declaration") || type.equals("var-declaration")) {
        sourceSections.add(source(object));
      }
    }
    return sourceSections.toArray(new SourceSection[sourceSections.size()]);
  }

  /**
   * Determines whether the given signature is an operator (true when the signature is composed
   * of only one or more of Grace's operator symbols).
   */
  private boolean isOperator(final String signature) {
    return signature.matches("[+\\-*/<>]+");
  }

  private List<SSymbol> parseTypeBody(final JsonObject node) {
    List<SSymbol> signatures = new ArrayList<SSymbol>();

    if (!node.has("body")) {
      error("Some is wrong with the type literal?", node);
      throw new RuntimeException();
    }

    JsonArray signatureNodes = node.get("body").getAsJsonArray();
    for (JsonElement signatureElement : signatureNodes) {
      JsonObject signatureNode = signatureElement.getAsJsonObject();
      SSymbol signature = selectorFromParts(signatureNode.get("parts").getAsJsonArray());

      if (signature.getString().startsWith("prefix")) {
        signatures.add(prefixOperatorFor(signature.getString()));

      } else if (isOperator(signature.getString().replace(":", ""))) {
        signatures.add(symbolFor(signature.getString().replace(":", "")));

      } else {
        signatures.add(signature);
      }

    }

    return signatures;
  }

  private List<SSymbol> parseAndType(final JsonObject node) {
    List<SSymbol> signatures = new ArrayList<SSymbol>();
    JsonObject body = node.get("body").getAsJsonObject();

    JsonObject left = body.get("left").getAsJsonObject();
    if (nodeType(left).equals("identifier")) {
      SomStructuralType leftType = SomStructuralType.recallTypeByName(name(left));
      for (SSymbol sig : leftType.signatures) {
        signatures.add(sig);
      }
    } else {
      signatures.addAll(parseTypeBody(left));
    }

    JsonObject right = body.get("right").getAsJsonObject();
    if (nodeType(right).equals("identifier")) {
      SomStructuralType rightType = SomStructuralType.recallTypeByName(name(right));
      for (SSymbol sig : rightType.signatures) {
        signatures.add(sig);
      }
    } else {
      signatures.addAll(parseTypeBody(right));
    }

    return signatures;
  }

  /**
   * Extracts the list of signatures defined by a Grace interface node. Any Grace to SOM
   * mappings (such as those for operators) are performed before this list of signatures is
   * returned; so the returned list will contain the NS `not` rather than the Grace `prefix!`.
   */
  private List<SSymbol> parseTypeSignatures(final JsonObject node) {

    JsonObject body = node.get("body").getAsJsonObject();
    if (body.has("left")) {
      String combination = body.get("operator").getAsString();
      if (combination.equals("&")) {
        return parseAndType(node);
      } else {
        error(
            "The translator doesn't understand how to parse a " + combination
                + " type combination"
                + nodeType(node),
            node);
        throw new RuntimeException();
      }
    }

    return parseTypeBody(body);
  }

  /**
   * Builds an explicit send by translating the receiver and the arguments of the given
   * request node
   */
  public ExpressionNode explicit(final SSymbol selector, final JsonObject receiver,
      final JsonObject[] arguments, final SourceSection source) {

    // Translate the receiver
    ExpressionNode translateReceiver = (ExpressionNode) translate(receiver);

    // Translate the arguments
    List<ExpressionNode> argumentExpressions = new ArrayList<ExpressionNode>();
    for (int i = 0; i < arguments.length; i++) {
      ExpressionNode argumentExpression = (ExpressionNode) translate(arguments[i]);
      argumentExpressions.add(argumentExpression);
    }

    return astBuilder.requestBuilder.explicit(selector, translateReceiver, argumentExpressions,
        source);
  }

  public ExpressionNode explicitAssignment(final SSymbol selector, final JsonObject receiver,
      final JsonObject[] arguments, final SourceSection source) {
    SSymbol setterSelector = symbolFor(selector.getString() + ":");
    return explicit(setterSelector, receiver, arguments, source);
  }

  /**
   * Creates either a variable read (when no arguments are provided) or a message send (when
   * arguments are provided) using the method currently at the top of the stack.
   */
  public ExpressionNode implicit(final SSymbol selector,
      final JsonObject[] argumentsNodes, final SourceSection sourceSection) {

    // If no arguments are provided, it's a implicit requests that can be made directly via
    // the method
    if (argumentsNodes.length == 0) {
      return astBuilder.requestBuilder.implicit(selector, sourceSection);
    }

    // Otherwise, process the arguments and create a message send.
    List<ExpressionNode> arguments = new ArrayList<ExpressionNode>();
    for (int i = 0; i < argumentsNodes.length; i++) {
      arguments.add((ExpressionNode) translate(argumentsNodes[i]));
    }

    // Create the message send with information from the current method
    return astBuilder.requestBuilder.implicit(selector, arguments, sourceSection);
  }

  /**
   * The re-entry point for the translator, which continues the translation from the given
   * node. This method should be used by the {@link AstBuilder} in a recursive-descent style.
   */
  public Object translate(final JsonObject node) {

    if (nodeType(node).equals("comment")) {
      return null;

    } else if (nodeType(node).equals("method-declaration")) {
      astBuilder.objectBuilder.method(selector(node), returnType(node), parameters(node),
          typesForParameters(node), sourcesForParameters(node), locals(node),
          typesForLocals(node), sourcesForLocals(node), body(node), source(node));
      return null;

    } else if (nodeType(node).equals("class-declaration")) {
      SSymbol selector = selector(node);
      SSymbol[] parameters = parameters(node);
      astBuilder.objectBuilder.clazzDefinition(selector, returnType(node), parameters,
          typesForParameters(node),
          sourcesForParameters(node),
          locals(node), typesForLocals(node), sourcesForLocals(node), body(node),
          source(node));
      astBuilder.objectBuilder.clazzMethod(selector, returnType(node), parameters,
          typesForParameters(node),
          sourcesForParameters(node), source(node));
      return null;

    } else if (nodeType(node).equals("object")) {
      return astBuilder.objectBuilder.objectConstructor(locals(node), typesForLocals(node),
          sourcesForLocals(node), body(node), source(node));

    } else if (nodeType(node).equals("type-statement")) {
      if (VmSettings.USE_TYPE_CHECKING) {
        SomStructuralType.recordTypeByName(symbolFor(name(node)),
            SomStructuralType.makeType(parseTypeSignatures(node)));
      }
      return null;

    } else if (nodeType(node).equals("block")) {
      return astBuilder.objectBuilder.block(parameters(node), typesForParameters(node),
          sourcesForParameters(node), locals(node), typesForLocals(node),
          sourcesForLocals(node), body(node), source(node));

    } else if (nodeType(node).equals("def-declaration")) {
      return astBuilder.requestBuilder.assignment(symbolFor(name(node)),
          (ExpressionNode) value(node), source(node));

    } else if (nodeType(node).equals("var-declaration")) {
      ExpressionNode value = (ExpressionNode) value(node);
      if (value == null) {
        return null;
      } else {
        return astBuilder.requestBuilder.assignment(symbolFor(name(node)), value,
            source(node));
      }

    } else if (nodeType(node).equals("identifier")) {
      return astBuilder.requestBuilder.implicit(symbolFor(name(node)), source(node));

    } else if (nodeType(node).equals("implicit-receiver-request")) {
      return implicit(selector(node), arguments(node), source(node));

    } else if (nodeType(node).equals("explicit-receiver-request")) {
      return explicit(selector(node), receiver(node), arguments(node), source(node));

    } else if (nodeType(node).equals("bind")) {
      if (nodeType(node.get("left").getAsJsonObject()).equals("explicit-receiver-request")) {
        return explicitAssignment(selector(node), receiver(node.get("left").getAsJsonObject()),
            arguments(node), source(node));
      } else {
        return astBuilder.requestBuilder.assignment(symbolFor(name(node)),
            (ExpressionNode) value(node), source(node));
      }

    } else if (nodeType(node).equals("operator")) {
      return explicit(selector(node), receiver(node), arguments(node), source(node));

    } else if (nodeType(node).equals("prefix-operator")) {
      return explicit(selector(node), receiver(node), new JsonObject[] {}, source(node));

    } else if (nodeType(node).equals("parenthesised")) {
      return translate(node.get("expression").getAsJsonObject());

    } else if (nodeType(node).equals("return")) {
      ExpressionNode returnExpression;
      if (node.get("returnvalue").isJsonNull()) {
        returnExpression = astBuilder.literalBuilder.done(source(node));
      } else {
        returnExpression =
            (ExpressionNode) translate(node.get("returnvalue").getAsJsonObject());
      }

      if (scopeManager.peekMethod().isBlockMethod()) {
        return astBuilder.requestBuilder.makeBlockReturn(returnExpression, source(node));
      } else {
        return returnExpression;
      }

    } else if (nodeType(node).equals("inherits")) {
      JsonObject from = node.get("from").getAsJsonObject();
      if (nodeType(from).equals("explicit-receiver-request")) {
        MixinBuilder builder = scopeManager.peekObject();
        scopeManager.pushMethod(builder.getClassInstantiationMethodBuilder());

        ExpressionNode e =
            explicit(selector(from), receiver(from), arguments(from), source(from));
        AbstractMessageSendNode req = (AbstractMessageSendNode) e;
        req.addSuffixToSelector("[Class]");
        astBuilder.objectBuilder.setInheritanceByExpression(req, arguments(from),
            source(node));

        scopeManager.popMethod();

      } else {
        astBuilder.objectBuilder.setInheritanceByName(className(node), arguments(node),
            source(node));
      }
      return null;

    } else if (nodeType(node).equals("import")) {
      String path = path(node);
      try {
        language.getVM().loadModule(sourceManager.pathForModuleNamed(symbolFor(path)));
      } catch (IOException e) {
        error("An error was throwing when eagerly parsing " + path, node);
        throw new RuntimeException();
      }
      ExpressionNode importExpression =
          astBuilder.requestBuilder.importModule(symbolFor(path), source(node));
      astBuilder.objectBuilder.addImmutableSlot(symbolFor(name(node)), null, importExpression,
          source(node));
      return null;

    } else if (nodeType(node).equals("number")) {
      return astBuilder.literalBuilder.number((double) value(node), source(node));

    } else if (nodeType(node).equals("string-literal")) {
      return astBuilder.literalBuilder.string((String) value(node), source(node));

    } else if (nodeType(node).equals("interpolated-string")) {
      return astBuilder.requestBuilder.interpolatedString(node.get("parts").getAsJsonArray());

    } else if (nodeType(node).equals("implicit-bracket-request")) {
      return astBuilder.literalBuilder.array(arguments(node), source(node));

    } else {
      error("The translator doesn't understand what to do with a " + nodeType(node) + " node?",
          node);
      throw new RuntimeException();
    }
  }

  /**
   * The entry point for the translator, which begins the translation at the module level.
   *
   * The body of the module will be added to the initialization method for all modules expect
   * the main module, in which case those expressions are added to main (so that the system
   * arguments are available).
   */
  public MixinDefinition translateModule() {
    JsonObject moduleNode = jsonAST.get("module").getAsJsonObject();
    MixinDefinition result = astBuilder.objectBuilder.module(locals(moduleNode),
        typesForLocals(moduleNode), sourcesForLocals(moduleNode), body(moduleNode),
        source(moduleNode));
    return result;
  }
}

redpajama_set_name: RedPajamaGithub


text:
Q: Compare two columns to get data that doesn't same I wanna compare 2 tables to get data that doesn't same.
tb1              tb2
==============   ==============
|id| doc_name|   |id| doc_summ|
==============   ==============
|1 | 01180543|   |1 | 01180543|
|2 | Chord   |   ==============
==============

I wanna compare doc_name and doc_summ. from that example the result must be Chord.
$q = mysql_query(" SELECT t1.doc_name FROM tb1 as t1, tb2 as t2 WHERE t1.doc_name != t2.doc_summ");
while ($row = mysql_fetch_array($q)){
    $doc_copy = $row['doc_name'];
}

but the result still returns all of data. what's wrong? thank you :)

A: You can join both tables using LEFT JOIN. What it does is it only display the records of table 1 if it has no match on table 2.
SELECT  a.*
FROM    tb1 a
        LEFT JOIN tb2 b
            ON a.doc_name = b.doc_summ
WHERE   b.doc_summ IS NULL

*

*SQLFiddle Demo

A: Try this:
SELECT t1.doc_name
FROM   t1
WHERE  NOT EXISTS(SELECT t2.doc_summ
                  FROM   t2
                  WHERE  t2.doc_summ = t1.doc_name)

The mistake in your query is that you are joining two table, so you will always find a row in t2 which would not satisfy the where condition therefore displaying all data.
DEMO

A: Maybe you can try this
select tb1.doc_name from tb1 left join tb2 on tb1.id = tb2.id where tb1.doc_name != tb2.doc_summ;

redpajama_set_name: RedPajamaStackExchange


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text:
"Minister sees breakthrough 'in months' for long-split Cyprus"
By Ashish Kumar Sen
The top diplomat from the Turkish north of Cyprus said core differences with the Greek south could be resolved in a "matter of months," putting the divided Mediterranean island's reunification within reach for the first time in four decades.
Cyprus is at a threshold of tapping potential wealth from natural gas, vast reserves of which have been found in the eastern Mediterranean — and the future export from a united Cyprus could wean Europe off its dependence on Russian energy, said Ozdil Nami, the foreign minister of the Turkish Republic of Northern Cyprus.
"Of course, the precondition to achieve that scenario is first reaching a settlement to the Cyprus issue," Mr. Nami told editors and reporters at The Washington Times on Monday, during a wide-ranging interview that included an assessment of the Obama administration's role in the historic reunification talks that got underway last month.
Despite a series of failed attempts at reunification, the two sides came together in February with an eye on sharing the potential windfall from the region's energy reserves. So far, both sides have agreed on a common goal of establishing a bizonal, bicommunal federation with political equality between the Turkish and Greek Cypriot communities.
The next step is to deal with property claims, territorial adjustments and security guarantees. While Mr. Nami described such issues as "difficult and challenging," he confidently predicted that it will now be just "a matter of months, not years, to finish these talks and create a new comprehensive settlement agreement."
"What is required now," he added, "is the political determination to reach compromises."
In 2004, the Greek Cypriot side rejected a United Nations plan for reunification — a plan endorsed by Turkish Cypriots — and Cyprus joined the European Union as a divided island. But South Cyprus' economy was badly hurt by its exposure to Greece's recession-hit economy in recent years. It was forced to take an almost $14 billion international bailout to rescue its banking system.
Greek Cypriots continue to face enormous economic challenges.
Mr. Nami estimated that it would take up to 20 years for Greek Cypriots to attain the standards of living to which they were accustomed before the economic collapse.
"In order to make that a shorter time frame, they need a jump," he said, adding that it "can only be achieved through resolving the Cyprus issue."
Greek Cypriot and Turkish Cypriot negotiators are now meeting almost twice a week, and their leaders plan to review progress before the end of March.
The two sides will undertake a series of confidence-building measures that include greater ties between Turkish Cypriot and Greek Cypriot businesses; cooperation on health, the environment, protection of cultural heritage sites and fighting crime; and opening more crossing points.
The Turkish Cypriot side has tried to sweeten the pot by promising to share water and electricity that it hopes to eventually get from Turkey. "This is something which motivates our counterparts for reunification," Mr. Nami said. "We are actually trying to make a deal much more attractive."
"Maybe, in our own terms, this is our soft power," he added.
U.S. engagement
Mr. Nami stressed that the Obama administration has helped the push toward reunification.
Assistant Secretary of State Victoria Nuland, the department's point woman on Europe, traveled to Cyprus ahead of the talks, and her visit was "quite instrumental in putting the final dot on the paper," said Mr. Nami, who will meet in Washington this week with senior State Department officials and members of Congress.
The discovery, meanwhile, of vast reserves of natural gas in the eastern Mediterranean, especially in the seabeds around Cyprus, Egypt, Israel and Lebanon, has fueled reunification efforts.
The pursuit of profit from the reserves could pave the way for unprecedented regional cooperation, especially between Turkey and Israel, over the construction of an underwater pipeline that connects the eastern Mediterranean to Western Europe through Turkey.
"We need a catalyst to make the Israeli-Turkey-Europe link much stronger, and so when you look at the picture from this perspective all roads lead to the resolution of the Cyprus issue," Mr. Nami said. "We are almost there. It is the project with minimal risk and greatest return. It has a huge chance of success."
The political crisis in Ukraine, where Russia has deployed troops in response to the ouster of the pro-Kremlin president last month, has put a spotlight on Europe's dependence on Russian natural gas.
Russian concern
Analysts say some European nations have been hesitant to fully back U.S. sanctions on Russian officials because of this dependence.
"The Ukrainian crisis reminded us of the urgent need to diversify the natural gas supply routes," said Mr. Nami. "The resources around Cyprus are definitely an alternative means to meet the demands in Europe."
Further, he said, the Turkish Cypriot side hopes future revenue from natural gas sales will provide much-needed money to cover heavy costs associated with reunification.
In addition to serving as an impetus for the ongoing talks, the discovery of natural gas in the eastern Mediterranean has created tensions on Cyprus — as well as between the Greek Cypriot side and the government of Turkey.
There have been concerns on the Turkish side, for instance, that the Greek Cypriot government has been trying to take sole control of the island's gas reserves.
"Any unilateral steps taken, either by Greek Cypriots or Turkish Cypriots, without cooperating with each other is bound to lead to conflict," Mr. Nami said.
This is why it is so important to establish a federal government overseeing both sides of the island with the authority to grant licenses and draw revenues from these resources, he said.
Mr. Nami added that the natural gas supply "is going to change the whole atmosphere in the region, create huge interdependence, great benefits, make the Western alliance much stronger in the region."
"There is a very positive scenario there which is within our grasp," he said. "All we need is to focus on resolving the Cyprus issue in the coming months and then this will unlock very positive developments."
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redpajama_set_name: RedPajamaCommonCrawl


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text:
How Parents Can Fight Mandated Twin Separation in School
More in Ages and Stages
School-Age Kids
Pamela Prindle Fierro
Pamela Prindle Fierro is the author of several parenting books and the mother of twin girls.
Ariel Skelley / Getty Images
Parents of twins face many challenges. With twin babies, there are sleepless nights, dozens of diapers, and round-the-clock feedings.
But as young twins prepare to start school, parents may find themselves facing a bigger problem: a school that insists on separating their children into separate classes, and children who are devastated that they can't be together. What should parents do? It's one of the biggest dilemmas faced by parents of twins.
Whether twins belong together in the same classroom or not is a tricky issue. The answer is different for every set of twins, and the right decision could change from year to year. There are many reasons to recommend keeping twins together and just as many in favor of separate classes for twins. But unfortunately, in many cases, twin families don't have the right to decide at all.
Instead, the school chooses for them. And, in many cases, the school's decision is to separate twins based on misguided perceptions, antiquated information, or just plain convenience.
In some states, legislation protects twin families' rights to have input into their children's educational situation.
What should parents do when they encounter opposition to their wishes? Here are some suggestions.
Steps to Take Keep Your Twins Together
What can you do if you don't agree with your school's policy about classroom placement of multiples?
First, find out if the law is on your side. Perhaps your state has already enacted a Twins Law. Visit the Twins Law website for updates.
Ask to see any existing policy in writing. Very few school administrations have a written guideline on record. In most cases, it's simply "the way it's been done."
Do some research to support your case. Some school administrators are simply not aware of the body of evidence related to this issue and may be willing to reconsider their position based on recent research. Compile materials from Multiples of America (also called National Organization of Mothers of Twins Clubs), websites such as this one, and articles from publications such as Twins Magazine. Further resources are listed below. If you make a sound case, your school's principal may back down.
Seek opinions from the professionals that know your children best. Consult your pediatrician for a medical perspective, and also talk to caregivers that interact with your multiples in a daycare, school, or playgroup setting. Enlist the support of your children's present teachers, if applicable. Ask them to share their input about your children's' individual personalities and educational needs, as well as describe the dynamic of their twin relationship. Ask them to write a letter to support your case.
Keep a paper trail or a journal. Record in detail any incidences or anecdotes that support your case. For example, if your twins become agitated or distracted when separated, or if one tends to be more communicative.
File a formal letter with the school's principal or an administrator. Your letter should cover several bases: your personal statement, psychological effects of twin separation, legal issues that are on your side (such as the proposed laws in your state and legislation in other states), academic performance, and lots of input from objective, outside sources, such as all the examples above. Your goal is to inform about the research and legislation that supports keeping twins together when requested by the parents, and why you feel it is in your children's' best interest to be together. Prove that they are (or will be) successful when they are together, and make a case that it would be harmful if they were separated. Include references both to emotional strain and the subsequent impact on academic performance.
If your principal won't relent, go straight to the school board and the school administration (superintendent). Send letters (or emails), with all the supporting documentation, and follow up with phone calls until you get an answer.
Finally, don't be afraid to make waves. Many parents of multiples feel intimidated by school administrators and fear repercussions if they challenge their authority. You are your children's best advocates, and you have to do what's best for them.
Of course, maintain a professional, courteous tone throughout all interaction in order to not anger the school officials (who you'll have to deal with for several more years while your twins are in the school system). Present yourself as a "partner" rather than an antagonist or demanding parent, and reinforce that you all have the same goal – school success for your children.
Resources to Support Your Case
It's vital that you do your research so that you are well prepared to defend your claim that it is in your twins' best interest to be kept together. Here are some research sources to support your case:
Classroom Placement of Twins Triplets and Other Multiples in Grades Kindergarten Through Eight in East Tennessee Schools: East Tennessee Principals Perceptions.
Collection of Articles at the Twins Law site
Twins: In Defense of Togetherness
Twins in School: What Teachers Should Know from ERIC (Educational Resources Information Center) Digest
Things You've Always Wondered About Twins
Why Parents Should Keep Their Twins in the Same Class at School
Employee Burnout and Staff Shortages Are Leading to School Closures
You Can Keep Your Twins Together in School With the Right Preparation
10 Reasons to Separate Twins Into Different Classrooms
Examining the Rise in the Twin Birth Rate
How Parents Can Give Their Multiples a Special Birthday for Each Child
Steps You Can You Take If You Lost Custody of Your Kids
Parents of Twins Have Many Challenges With Raising Them
What Do You Know About Dizygotic Twins?
Possible Sex Combinations for Identical and Fraternal Twins
Helpful Life Hacks for Parents of Multiples
What to Do When Your Child Gets a Bad Teacher
The Do's and Don'ts of Parents Dressing Their Twins Alike
Can Parents Determine If Their Child Is Gifted as an Infant?
How Couples With Kids Can Decide About Divorcing
LGBTQ+ Kids at Increased Risk of Bullying—Here's How to Help


text:
Mamadou Koné (born 6 March 1974) is a Burkinabé former footballer who played as a defender for US des Forces Armées and EF Ouagadougou. He made 30 appearances for the Burkina Faso national team from 1995 to 2000. He was also named in Burkina Faso's squad for the 1996 African Cup of Nations tournament.

References

External links

1974 births
Living people
Burkinabé footballers
Association football defenders
Burkina Faso international footballers
1996 African Cup of Nations players
US des Forces Armées players
Étoile Filante de Ouagadougou players
Place of birth missing (living people)
21st-century Burkinabé people

redpajama_set_name: RedPajamaWikipedia


text:
← Changing the world requires heart.
The game creates a solid first belief, also its on-line company has some intriguing thoughts, however they struggle to trace through. →
A smaller, far more personal narrative married using a smart mash-up of activity and RPG gameplay to supply a must-play experience.
Posted on November 2, 2021 by free hentai
At the opening of porn games lara croft, a female and previous member of an elite private military band called SOLDIER, takes about a job using an eco-terrorist cellphone called Avalanche. Their job will be to blow off a reactor that siphons Mako, the life blood of Earth, also utilizes it to power the sprawling industrial metropolis Midgar. The group infiltrates, braves resistance from Shinra Electric firm's forces, also sets off an explosion which renders the reactor inoperable.
At the 1997 initial, what followed was a jump, skip, and jump through some sections of this city straight back into Sector 7, and also the protection of Avalanche's hide out. In porn games lara croft, having performed your mission, you're asked to walk the streets at the aftermath and observe the harrowing impacts of one's actions. The business is located in ruin, and flames storm, properties are crumbling, and also the dreadful human price tag is laid nude.
A somber violin functions because you walk Midgar's roads, together with all the pull of this bow round strings tugging at your own conscience along with twisting your heart, asking to question if you are doing the correct point. The cries of bemused children replicate, folks fall to their knees attempting to grapple with all the magnitude of what's transpired, and citizens adores this so called group of freedom fighters you've combined simply to make a quick dollar.
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It is necessary to note thatyes, I've a history with and nostalgia for porn games lara croft, and also the movie definitely frees that. However, this is not to express what it does is just land for men and women that understand and love the foundation stuff. To express that would diminish the smart and attentive reconstruction of porn games lara croft the vampire will be. The better part of the match is brand new stuff, unnaturally introduced into further depth a film that was painted in broad strokes. This isn't a match that panders to enthusiasts, as novices may also enjoy the majesty of both Midgar and also learn how to love personalities to the first time, while playing with a mechanically dense and rewarding role-playing game. Even supposing it is just a piece of this unique porn games lara croft, this movie takes one of the absolute most treasured games of all time plus elevates it even higher.
porn games lara croft's narrative and characterization accomplishments are facilitated with gameplay that feels modern day but is crystallized around the classic roleplaying fundamentals. In a variety of approaches, its gameplay version feels like the culmination of the franchise's evolutions, with notions out of throughout the series delivered in a composite that is brand new yet comfortable. This may be initially which the action-focused kind of modern era porn games lara croft games will not feel as though it arrives in the cost of the methodical nature of the show' roots. The hybrid style allows you to slide between personalities at the signature of a button and also think direct handle. At an identical time, controls can be issued to characters that are differently acting independently, conjuring the spirit of the willful stand-in-place-and-fight arrangement of older.
Additionally harkening back to the original, the movie uses an Active Time Bar. Although it dictated if a personality could make any move, it now simplifies if you require special tasks. The bar divide up into sections, and unique talents, charms, and thing applications have a related expense. To boost action of party members, the ATB Bar S fill slowly when they may be left for their own devices, but more rapidly when you take control and attack the enemy right. Characters tend not to initiate the advanced capacities of the own volition, so it is crucially vital that you just step in and place their own tools to use.
Each playable character has a unique skill that comes at no cost and features a good offer of tactical value. Cloud's Punisher style, by way of example, unleashes a barrage of speedy and powerful sword swings, also reacts to enemy strikes having a counter attack, but at the expense of his freedom. Barret has a powerful blast, and also this may be manually corrected to shorten its cool down. Tifa's special martial art technique can be leveled up by having an ATB bar to trigger Unbridled Power, and Aerith's Tempest flames a crystal that will hurt upon impact, then charges temporarily prior to exploding into strike enemies across it. Each character will also be equipped to make use of many diplomatic and offensive magical charms, provided that they will have the Materia that bestows the ability to them.
Materia was is center to porn games lara croft's speech. It's solidified Mako electricity imbued with arcane knowledge from the basis of the entire world and daily life . It manifests as colored spheres which may be piled to weapons and armor, thus being able to connect magical to the user and on occasion even summon god like be-ings to resist along side you. The great thing about this Materia strategy is that it allowed you to create loadouts in a very free form manner and assemble figures to meet your favorite style or strategy for any situation. Even the Materia platform offers exactly the exact same sort of liberty inside the remake. Even though each playable character includes a general archetype, the Materia system introduces a good deal of fluidity in thisparticular. I chose to outfit Barret with bewitching Materia and make him a long-range magician to get some time, and throughout this span he created AP experience that leveled up the Materia and opened up new, stronger variations about the abilities that they placed. Then I chose to consider all that and offer it into Tifa, giving her fists of fury an extra elemental bite. In a specially challenging battle, " I took Cloud's time exploitation Materia and put it into Aerith's things therefore she can hang back and throw rush onto the stunt fighters to speed up them, though staying somewhat safe and sound.
The requirements of moment-to-moment overcome are all high, especially since enemies can be barbarous. They appear to assist the target of creating precisely the exact sort of connection involving themselves because possible amongst your party members. If you're very careful, they may poison and paralyze to develop openings for one another, make aspects of the battlefield deadly to limit your move, and then pounce to a personality to trap themforcing you to switch personalities to free your own ensnared party manhood. Most enemies have some sort of elemental weakness that may be identified employing the Evaluate materia ability and then exploited. Doing this applies pressure on these also, whether it retains construction, will stagger them, rendering them completely ineffectual. Enemies may also interrupt your actions or move from the manner solely to prevent you, so precise timing can be crucial, or else you could expend precious resources fruitlessly. Exactly the exact same particular approach is required for your moves. Having a elusive dodge might seem as though it'd trivialize beat, but many enemy attacks have large are as of effect or track , so opting to shield and take more harm rather than trying to flee it is another crucial consideration. Happily, when issuing commands, the actions slows to a crawl to provide you with the time to program. This living area is still welcome, but it will not help save you from an ill considered strategy.
Suffice it to say that the combat asks a lot of youpersonally, nonetheless it's incredibly satisfying at an identical moment. Contemplating the exceptional ways every single personality functions, and the behavior and flaws of enemies which require rapid thinking and willful strategy, is just like playing high-speed chess, and when it happens together you are going to wind up cutting off and dicing, hammering and freezing with thrilling endings. But, especially at tighter spaces, the digicam may struggle to help keep the action in frame, however it is infrequently enough to be a severe issue. As a complete, the combat has the fluidity, together with the visually stunning flair, of the post-porn games lara croft games, but likewise the satisfaction of the"approach your job and work your strategy" approach of games such as porn games lara croft. Add on the updating mechanics, which enable one to spend things on each and every weapon to reinforce its own features, and you've got a solid, interconnected suite of RPG mechanics. I can confidently declare the game never felt so good to perform .
porn games lara croft is more full of details which were formerly unexplored, realizes new story telling aspirations with confidence, and gifts fresh perspectives that feel both purposeful and essential. It achieves those targets accordingly successfully that it's hard to think that this narrative existed in any other way
As strong since porn games lara croft's gameplay is, it is the the narrative and personalities which stand out as its own achievement. For its huge bulk of the game, porn games lara croft is not the story of a ragtag set of eco-terrorists battling to the fate of this entire world that the original was. On the contrary, it is really a more focused, profoundly personal narrative. While Avalanche's supreme aim is to free the planet from the vampiric jaws of Shinra, the activities which transpire narrow that battle to a struggle for its here now, in the place of the long run. Not like the first, there's also a much greater emphasis on the ethical gray are as of the battle. Avalanche essentially pokes the sleeping dragon, also when Shinra retaliates, it's the already-downtrodden folks of those slums that sufferfrom
They live a meager presence, albeit one they are familiar with. Because citizens of the under-city, living in the squalor of domiciles built from semi permeable metal sheets, propped up and driven collectively, is they've known, also everything they've known has been given with Shinra. Exactly enjoy the ramshackle buildings that they reside and work in, all they can do is use the things that they need to hold each other up. Because of the, many do not see Avalanche's struggle Shinra because of clear-cut battle between nice and bad, wrong and right, in the same manner that Barret and other members of all Avalanche are doing. Walking through the various industries of Midgar, you may usually listen to people condemning Avalanche. The validity of this group's activities are many times called into consideration, some times by members of the band itself. Tifa, by way of instance, is not as caught up at the cause, even though she takes part within it. After the blow back hits her area, she shows symptoms of self-doubt, questioning the cause and also trying satisfaction from your others.
In numerous phases, re-make slows down the speed so you may spending some time at the slums, meet up with the individuals there, understand their everyday plights, and also get involved with this area. In these areas, the match feels nearer to a person just like the Yakuza series, where you're developing a romantic comprehension and partnership with a place and the people. That is achieved through optional side-quests which are seemingly uninteresting busywork. However, barring a couple that have been introduced in the game and could disrupt the momentum, they also are worth pursuing. Each provides some sort of valuable world-building or a chance to have an understanding of another person a little additional. This man or woman could possibly be a young child searching on her lost friends, " a concerned taxpayer looking to rid a place of the creature menace, a reporter exploring a Robin Hood-like thief. Mechanically, side missions usually are"move here, kill the enemies, then talk to a person, or get an item, then return," but there's always a tiny story advised within them which attracts you deeper into their universe, and each one also humanizes Cloud just a minor. As an ex-SOLDIER-turned-merc, he commences accepting odd jobs to make funds. His demeanor is more cold out of the outset along with also his investment from the struggle would be just as much while the money which pays for it. But as he concludes such quests," word of him spreads. The people today appear to learn him, be dependent on him, and then take care of him just like one of them–he turns into their winner, if he likes it not. This not just chips off in Cloud's difficult advantages, but leaves you whilst the ball player invest in the world around you and the folks inside. porn games lara croft would be your narrative of Cloud Strife understanding how to struggle for others, in the place of for just herself.
Characters which were previously relegated into bit-parts are given greater thickness, so you could find out more about Avalanche members like Biggs, Wedge, and Jessie, one of many others. Though encouraging characters, every has their own motivations for carrying on arms against Shinra. You will find philosophical and personal minutes using these that are sent through heartfelt lines of dialogue rather than lengthy exposition. Everything feels normal, believable, and relatable. Without spoiling anything, re make also pulls in figures from the extended fiction of the match, some it exceptionally obscure for example The Kids Are Alright, a spin-off book. Along with these brand new additions easily fit inside by natural means. It feels just like Square Enix isn't just re making porn games lara croft–it truly is rebuilding the larger porn games lara croft universe.
There's a lot of texture in these types of personalities, which makes it straightforward to attach with them. Barret can be just a loud showboater, with each line he utters using the very same kind of electricity as a wrestler cutting a promo at a WWE pay-per-view. But beneath this, his aims really are pure; beyond experiences have solidified his resolve, and just when you're starting to uncertainty himyou'll see a touching fatherly moment together with his heart-meltingly adorable daughter Marlene and understand completely why he struggles so hard. Jessie is flirtatious, casting herself Cloud and hitting him with the hot and cold treatment. She's energetic and vivacious, and also you get to learn that there's more to this character than initially meets the eye. Whilst the crew's weapons skilled, she struggles with what her creations do to the world around her. Wedge is really a soft spirit, attempting to harden to prove the workforce can count on him exactly the exact same manner that they might Cloud or Tifa–but maybe a soft spirit is strictly what they need. Biggs seems cool, calm, and collected–the type mentality that is honed throughout a life of conflict, but his heritage is wholly more touching, and mentioned at an fleeting instant that arrives in an optional side-quest.
Some strange tasks will have you working along side keywords like Tifa and Aerith. For the former, the match establishes her record with Cloud, with frightening glimpses at their traumatic pasts emerging as jarring flashes which will be the result of some damaged part of Cloud's psyche. This mechanism can be also utilised to weave at the presence of a specific silver-haired villain at a way that didn't appear in the very first. The rapport among Cloud and Tifa is portrayed so well: They are close friends who encourage eachother, but there's also a mutually love affair that builds as Cloud remembers their heritage and that which she really means .
Aerith, the flower lady whose story suddenly intersects with Cloud's, is beyond an uplifting presence. The banter between Cloud and her is both amusing and sweet out of the present time that you meet with her and therefore are unceremoniously drafted to being her bodyguard. She characters Cloud since the silent brooding form using a hub of gold fast, and puts about poking in his ego along with tearing down the walls. She's lively and convinced and easily endearing. She often looks for the good in matters and, as result, sees the slums to exactly what they mean to people–alive under metal plates which block out the sun and one of cold town steel has not uttered her view on life. These feel like real men and women –they have fantasies and fantasies, anxieties and flaws, they're funny and charismatic, so well-written and behaved which you are going to fall for each 1. When participating in the very first, these were all thoughts and feelings I had about the personalities whom I colored in myself with the traces the game presented. This time, they're not allusions; it's all solidly accomplished, and as much as I adored these characters and stories right back then, I am in a position to love them in an infinitely deeper way as of how absolute it all feels today.
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Football Manchester United
Ole Gunnar Solskjaer says tying David De Gea down an important statement for Man United
Press Association Sport 10:26 14/09/2019
Ole Gunnar Solskjaer believes tying David De Gea down to a new deal will be an important statement of intent as Manchester United look to challenge for trophies again.
The Old Trafford giants' struggles since the retirement of Sir Alex Ferguson could have been a whole lot worse were it not for the 28-year-old goalkeeper.
De Gea's fine form has led to regular speculation about his future since joining from Atletico Madrid in 2011, with only paperwork preventing him returning to Spain with Real Madrid four years ago.
The shot-stopper knuckled down and signed an improved deal at United, but that contract expires at the end of the season and talks over an extension have dragged.
The Daily Record reported on Friday evening that a deal had finally been reached on a new four-year deal for the 28-year-old. The Scottish newspaper claimed the club have met De Gea's demands to have a deal in line with that of Paul Pogba, and it is believed the Spanish stopper will now make over €15 million (£13.3m) per season.
WATCH: Ole Gunnar Solskjaer declines to offer update on Man United target Bruno Fernandes
WATCH: Ole Gunnar Solskjaer on Marcus Rashford's special Man United milestone
United, however, are yet to confirm a new deal, with the option of an additional fifth year, has been signed.
De Gea's stock has fallen slightly after a difficult 12 months on and off the field.
There was growing confidence over the summer, both publicly and behind the scenes, that a deal was close and manager Solskjaer remains determined to keep De Gea in the north west.
"I think you need to ask David and the club (why the deal had not been sorted yet)," he said.
"I've obviously not been involved in all the discussions, but I'm very – or pretty – confident that we'll get this sorted.
"David's never, ever said anything else to me than he loves this club, he wants to stay here and he's had a fantastic time, so let's hope we just get it over the line."
Juventus and Paris Saint-Germain are among those to have been linked with a move for De Gea.
"Well, we're always aware of what's happening around in the world," Solskjaer said when asked about contingency plans.
"But my focus and the club's focus is to ensure and convince him to stay. He can see what we're doing and he knows what we're doing.
"We want players here, the best ones, and the ones we want most of the time stay. There's not many we want to keep that we don't manage to keep.
"I have got two very good back-up keepers, with Sergio (Romero) and Lee (Grant), Dean (Henderson) is playing at Sheff United, so the goalkeeping department is in good health.
"And, as I said, I am confident that we will manage to convince David that here is the future for him – and it is a successful future, it's a club that wants to get back to winning trophies."
Put to Solskjaer that a new deal for De Gea is also a statement as United do not want other clubs thinking their best players want to leave, he added: "Yeah, definitely. Because we have gotten used to top keepers here.
"You've got (Peter) Schmeichel, De Gea – we want the best ones – and (Edwin) van der Sar. Edwin's getting too old now, he did OK in the (Vincent Kompany testimonial) game.
"And, no, for me we want to build a winning team again, that's challenging for trophies."
Solskjaer says De Gea is the best keeper in the world.
Solskjaer remains "confident in what we're doing" in that process and United will look to end a three-match winless streak when Leicester visit on Saturday.
The Red Devils boss underlined the importance of scoring the goals that reflect their play, but De Gea will need to be alert to keep the Foxes at bay and will be desperate to impress after his gaffe as their last home match ended in a late defeat to Crystal Palace.
"I think he's had a fantastic time here," Solskjaer added.
"Yeah, of course, whenever he concedes a goal, it's headlines that he should have saved (it).
"Whenever we lose a game… we've lost one game since July 1st and it sounds like we're really struggling, but that's just the way it is at Man Utd and you have to handle it.
"You have to be resilient, you've got to have robust confidence and he's fine. I don't worry about him at all."
David De Gea Ole Gunnar Solskjaer
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Kendrick Lamar's Next Album Is "Urgent," Will Speak on God
"We're in a time where we exclude one major component out of this whole thing called life: God."
Kendrick Lamar has long worn Christianity on his sleeve, often making references to God and his own set of religious beliefs throughout his music, but he is almost never talked about as a religious artist. Based on a newly-published interview with The New York Times' T Magazine, though, that conversation might soon change.
Recently, Lamar invited writer Wyatt Mason to a recording session for the highly-anticipated follow-up to his GRAMMY award-winning album To Pimp a Butterfly, and their conversation focused on his approach to the new body of work, namely, its overt religious theme.
"'To Pimp a Butterfly' was addressing the problem. I'm in a space now where I'm not addressing the problem anymore," he said. "We're in a time where we exclude one major component out of this whole thing called life: God. Nobody speaks on it because it's almost in conflict with what's going on in the world when you talk about politics and government and the system."
Mason followed up Lamar's explanation by asking the musician and writer—Kendrick previously revealed he does not identify as a rapper—if his next album will engage directly with the conflict he mentions.
"It's very urgent," Lamar replied.
While I'd argue against Kendrick's statement that nobody is speaking about God—oh, hello, Chance The Rapper—he's right in that religion, much like sex and politics, has long been a taboo subject, both in conversation and in entertainment.
Regardless of whether or not you're a religious person or if you subscribe to the same God that Kendrick does, fans should have plenty of reasons—growth as an artist, the willingness to talk about unpopular subjects, the bravery to battle "the system"—to be excited about the next chapter in the iconic musician's career.
If guest verses for Sia and Maroon 5 didn't quench your thirst for new Kendrick Lamar in 2016, the TDE artist's description of his next album will assuredly do the trick.
By Z, who loves to argue with you on Twitter.
Photo Credit: Craig McDean
Is a Kendrick Lamar & J. Cole Joint Album Coming in February?
A now-deleted social media post by Kendrick's sister indicates the collaborative effort is on the way.
Eminem Calls Kendrick Lamar a "Genius" & 'GKMC' Album a "Masterpiece"
The Rap God throws down some heavy praise for the Compton superstar's major label debut.
Kendrick Lamar Calls SZA's 'Ctrl' Album a "Masterpiece" (It Is)
"There's not much more I can say. She's the one."
Kanye West: Kendrick Lamar is the "God MC"
Move over Rakim, in a new interview Kanye says there's a new god emcee in the game.
Kendrick Lamar's Secret "untitled unmastered." Album Stream
When TDE promised to drop a project this week we didn't dare dream it'd be from Kendrick, but it looks like that's what we're getting.
A Tribe Called Quest Album Will Feature Kendrick Lamar & André 3000
The recently announced new album will be released on November 11.
Kendrick Lamar to Release New Album on April 14
Production credits include 9th Wonder, The Alchemist, Cardo, DJ Dahi and more.
Kendrick Lamar is "Really Upset" Beyoncé Didn't Win Album of The Year
Frank Ocean saw this coming a million miles away.


To be honest, initially I was not really keen to set goals for 2019. The last few years have been a whirl of goal setting, pressure and smashing them. With my personality type, I will always give a 110% and that is my gold but also my shadow. I tend to overwork myself and end up with busy syndrome. But when I read about the idea of an overall intention for my year, I thought it was a good, non-pressurized to approach 2019.
I am a chronic over-thinker and uber achiever. It's hard for me switch off and not give a 110% to anything that I attempt in my life. With this goal of simplification I don't want to take away the very characteristics that make me, well me. But I do want to focus on approaching life simpler.
The fact that I have started a new job last week, and have to learn new skills and want to challenge and push my limits career-wise, will mean that my studies may take a back seat for a while and that is okay too. Life, as I've noticed, ebbs and flows, through ups an downs aligned with the different phases we experience. Phases where education may be more important or where family and friendships may take the limelight. What I've learnt is that as much as it's good to follow your head, following your heart is also good for your general happiness.
It's really important for me at this stage of my journey to let go of unnecessary pressures and focus on living the life I've worked so hard to build.
So for now, my only career goal is to survive this new job, to adapt, to learn and to add value. To make the most of a fantastic opportunity and to give myself the much needed rest and freedom in the evenings to do as I please. Whether it's to read, blog, do a short course or just loaf on the couch. Maybe even a jam on the drumkit once a week. No pressure, no insatiable need to keep busy, just simply to live.
To keep to the simplicity theme, I've broken down my main goals for my physical and mental health.
I've really been enjoying the way I am naturally pushing myself to improve my running, and a half-marathon just seems like the logical next step.
Of course there is the goals of wanting to do several programs this year, like the new FIERCE by Chontel Duncan and BUILD by Stephanie Sanzo in the Sweat app. There's also MOVE by Natacha Oceane that I've had since last year which I really want to try too as I love her approach to working out.
I've realised that I really love to move my body in different ways so I have joined the gym to potentially swim and try different thing during lunch times. Moving during the day has always been important for my general health and I would like to see if I can manage twice-a-day workouts, high intensity in the morning and low intensity during lunch.
Post holiday season the temptation was really tough to resist starting to track my calories and macros again, added the additional time I have all of a sudden, it seemed to be the most logical thing to do. BUT I decided against it as it went directly against my intention for the year, to simplify the way I live.
So I decided to stick to Michael Pollan's philosophy from the documentary, "In Defense of Food" : Eat food. Not too much. Mostly plants. So simple but yet so effective. Adding more fruit and veggies to my daily meals and snacks, and just general avoiding anything that is processed. Of course there will always be space for chocolate. There is no place for restriction in my eating habits.
3⃣ Think: Heal from the past. Focus on the present.
I really want to focus on being more present during conversations, build relationships even more and make time for family and friends that mean the world to me. I've been able to meet amazing people that's been there for me with no judgement, and has shown me so much kindness.
Unfortunately towards the latter part of 201 I've also had to face some hurtful realizations about a pivotal relationship in my life. How it's affected my personality, my other relationships and general behavior. Such epiphanies are both liberating and heart sore but I am harnessing myself with tools to let go and to heal.


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JESUS HELGUERA (1912-1971)
La Bamba, c. 1940s
Jesus Enrique Emilio de la Helguera was born in May 28, 1910 in Chihuahua, Mexico. His parents, Alvaro de la Helguera Garcia, a Spanish economist, and Maria Espinoza Escarzaga moved to Mexico City when Jesus was very young. Two years later, they moved to Cordoba, in the state of Veracruz.
In 1917, the family moved to Ciudad Real, Castilla la Nueva, Spain, and soon thereafter, they moved to Madrid. At 12 years old, he attended the Escuela de Artes y Oficios. At 14, he was admitted to the Escuela Superior de Bellas Artes under Marcelino Santamaria, Manuel Benedito, Julio Romero Torres and others. He then studied at the famous Academia de San Fernando, and was a regularly found wandering the halls at the Museo del Prado.
He was hired as an illustrator at the Editorial Araluce working on books, magazines and comics. Many of his published works were done in gouache. He also worked for magazines such as Estampa and Blanco y Negro, and became a professor of visual arts at a Bilbao art institute.
The Spanish Civil War and related economic problems made him return to Mexico, where mural making was en vogue, and populism and socialism were in ascendance. Upon his arrival, he was hired by Cigarrera la Moderna, a tobacco company, to produce their calendars, printed by Imprenta Galas de Mexico.
In 1940, he painted La Leyenda de los Volcanes. It was purchased by Ensenanza Objetiva, a producer of didactic images for schools. From then on, Helguera's images would be widely reproduced and would become a standard feature of Mexican homes, schools and businesses.
3:25 | Narrated by Edgard Rincon | In English
3:25 | Narrated by Edgard Rincon | In Spanish
THE SUMMER SALON II, 2019
AUGUST 1 - SEPTEMBER 23, 2019
Las Pinturas de la Fiesta
By Kerry Methner, CASA Magazine
FOLK DANCES FAN THE FLAMES of romance, create the colors of culture, and carry on traditions – all of which are illuminated through Las Pinturas De La Fiesta, (The Paintings of Fiesta) now on exhibit at Sullivan Goss: An American Gallery during Fiesta and through August 31st.
The work Helguera created in Spain has almost completely disappeared. Most of it was created for the Editorial Araluce, which specialized in comic books and other publications for children. It is believed that the majority of this work was done in gouache.
He admired the Mexican artists Rivera, Orozco, Siqueiros, and Tamayo. Being very unassuming, he never considered himself an artist or tried to exhibit his original paintings.
Helguera would travel to the site of each painting and study the landscape, the local fauna and flora, as well as the customs and legends of the locality. He worked with deliberate brush strokes, but the overall impression would be of a carefully crafted work with a painstaking attention to detail. The structures of his paintings create a sense of grand scale, and his heroic themes capture the imagination of the viewer.
While in Mexico, Helguera turned to the nationalistic fashion of his day, usually portraying an idealized image of the more prosaic reality of Mexican life. Every man was a hero, and every woman a beauty, sometimes depicted with Arian features. His romantic approach to the figure gave his paintings the heroic impact that eventually made him famous.
1910 Born in Chihuahua, Mexico. Moves to Mexico City
1912 Moves to Cordoba, Veracruz, Mexico
1917 Moves to Spain. Attends Escuela de Artes y Oficios and the Academia de San Fernando.
1928 At 18, becomes professor of visual arts in Bilbao, and works for Editorial Araluce
1938 Moves to Mexico
1939 Becomes exclusive artist for Cigarrera la Moderna, S.A. de C.V.
1939 Paints La Fiesta del Istmo and Poco a Poquito
1940 Paints La Leyenda de los Volcanes
1971 Dies December 4th
1. "Jesus Helguera y su Pintura, Una Reflexion." Elia Espinosa.
2. "Jesus Helguera" Imprenta Galas De Mexico.1989.
3. "Jesus Helguera, el Calendario como Arte." Turok, Martha, Secretaria de Educacion Publica, Mexico.
4. "La Leyenda de los Cromos. El Arte de los Calendarios Mexicanos del Siglo XX en Galas de Mexico" Museo Soumaya, 2000.
5. "Mexicanos en su Tinta: Calendarios." Quinones, Isabel. Mexico, Instituto Nacional de Antropologia e Historia, 1994.
6. "Historia General de la Cultura." Ferrandis Torres, Manuel. Madrid, Estades Artes Graficas, 1964.
7. "La Unidad Nacional y los Nacionalismos Espanoles" Ramos Oliveira, Antonio. Mexico, Editorial Grijalbo, 1970.
8. "La Espana del Siglo XX" Paris, Librería Espanola, 1966. Tunon de Lara, Manuel.
9. "La Pintura Espanola" Encina, Juan de la. Mexico, Fondo de Cultura Economica, 1982.
10. "Historia del Arte Espanol" Gaya Nuno, Juan Antonio. Madrid, Editorial Plus Ultra, 1973.
11. "Breve Historia de la Pintura Espanola" Lafuente Ferrari, Enrique, Madrid, Editorial Tecnos, 1953.
12. "La Vie des Grands Peintres Espagnols" Deslandres, Ivonne, Paris, Albin Michel, 1965.
13. "La Peinture Espagnole" Lasaigne, Jacques. Ginebra, Skira, 1952.
14. "A History of Spanish Painting" Post, Chandler Rathfon, Cambridge (Mass.), Harvard University Press, 1958 (Harvard Radclife, Fine Art Series).
15. "Evolution de la Peinture Espagnole des origines a Nos Jours" Serullaz, Maurice. Paris, Horizons de France, 1947.
16. "La Pintura del Siglo XX en Espana." Sinopoli, Pedro. Santa Fe, Universidad Nacional del Litoral- Institucion Social, 1952.
1986 Palacio de Bellas Artes, Mexico, sala Diego Rivera
1980 Museo de Bellas Artes, opening by Miguel de la Madrid, President of Mexico


Stereo more or less follows the pattern established by mono, in which new label designs are introduced, which run as the current label for new releases, until superceded by the next, with some overlap as titles were pressed out of sequence, expected where manufacturing timing is set by various different considerations.
The first stereo label is plain green, however very few copies are found of the early titles, suggesting that in 1956 very little was happening in the way of stereo, which had to wait for the later '50s to gain any traction. The labelography below is missing many early titles as green label not found (though some appear on later labels).Observe for yourself the "intrusion" of the famous bullseye originals into the straight run of green for selected titles only..
Though discographies confidently list all the mono Atlantic titles with an SD prefix, I was unable to find many stereo copies of early titles offered on the net: if they exist at all they were few in number of sales. (The difference between written discography and actual photographic evidence!) Only Atlantic jazz singer Chris Connor ( born Mary Loutsenhizer, from Kansas ) pops up with any frequency, suggesting release in stereo some years after the original mono.
The "bullseye" label which appears in the middle of a green label run is, as with mono, a highly selective label, for specific titles, and not a general series. I can not account for why this happened, you are welcome to any explanation you can imagine. If you can find a green label of any of these, it is what they should have been issued on, according to the catalogue numbers around them.
Only one "stray" title with both (original) green and stereo bullseye title turned up in this research, the popular jazz singer Chris Connor, SD 1228, with what appears to be a reissue with the same bullseye label as the above originals stereo pressings.
Explain that any other way. Then stand on your head while rubbing your tummy.
The green label continued in use for other titles, until eventually retired and replaced by the green/blue/white fan, later versions of which exhibit an circled "R" above the fan.
The next label, green/blue/black fan, also comes in two iterations, first with the vertical left sidebar (1962-6) , and then later with an enclosed logo-box with "Atlantic" below the fan (1966-8). Both are frequently referred to as "Black Fan" and it is not unknown for Design 2 to be referred to as "original" where Design 1 is also found. Look different separated by potentially up to six years, depending on title.
A helicopter view of titles strongly supports the contention that Design 1 was used for first pressings and for these titles, Design 2 are reissues. After SD 1466, design 2 was dominant, no Design 1 are found. There are anomalies, which may be a function of later pressing out of sequence ie SD 1402 is found as Black Fan out- of-sequence in both mono and stereo, and SD 1418, whose pressing was two years later than its surrounding titles. Otherwise, there is a fairly continuous run of the new black fan early design.
This is where it gets messy. Both Black Fan designs turn up, with no visible order as the allocation of catalogue number and physical pressing are separate and not synchronous. Which is the first pressing label for any title is up for grabs. After SD 1475, the later design is established and continuous, before SD 1456 it is similarly the early design. In this territory, anything goes.
The Green/Blue/Black Fan 2 gives way to the eponymous green/orange/multicolour logo label at SD 1509, with an anomaly at "SC 1504" – catalogue numbers were pressed out of chronological sequence – something which probably happened all the time but is highlighted in transitions. From SD 1509 the future is orange. Any title below SD 1508 (exception SC 1504) in Green/Orange is a reissue, not "an original".
With the 1500 series (I'm ignoring the 8000 series as out of scope, for now) Atlantic mono ceased to exist and the stereo edition become the only edition in the US market, though mono is still found in some overeas editions, explorations for another day.
What an interesting ride of discovery.
Returning every now and then for a refresher course on this fascinating subject. I played my stereo copy of Coltrane Jazz 1354, white fan labels and noted the Broadway adress on the cover. The inner has the 157th adress with # 1361 as the last album on top.
Anyone who has ideas on a correlation between the change of adress on the sleeves and the label changes. Also, what album was the last to have a 157th adress on the rear of the sleeve?
hi Rudolf and all: last Atlantic (mono) 157 West 57 is 1356, Hank Crawford "More Soul", recorded 1960 Oct 7. 1357, Lennie Tristano "The New Tristano" is the first with 1841 Broadway address. change of label looks to have no connection with the change of address.
Thank you dottore. So my copy of 1354, with first labels, white pinwheel, has got a second sleeve print. So be it. The music is great anyway. I have always preferred Coltrane Jazz over Giant Steps. The reason is the simultaneous two tones playing he introduced on this album. Harmonique!
I bought a 1st Press stereo copy of John coltranes my favorite things a few years back and today I just noticed the small R with circle on top of the Black fan logo. Other than that it looks exactly like the 1st Press. So it's a later repress? Couldnt find a match on discogs. Little confused.
I believe that should be a white fan to be first pressing. I have a mono copy and mine has the white fan.
Hi, I recently bought this release; https://www.discogs.com/Charles-Mingus-Blues-Roots/release/8006442 and can't find any information about when this label was used, it looks like the mono bullseye label but it states stereo on the label. I saw on the mono page that this was the release to use new labels, was there a third variant?
On the Discogs page it is mentioned that it is a repressing, which explains everything. The repressing industry very often makes silly mistakes.


No message is the single-most-important message.
It's sort of like when you're sitting with someone and you look over and they smile at you. You're sitting here reading the paper, and you're doing your side-by-side thing, and you just sort of let people know you're aware of them.
This sentiment from Yahoo chief scientist Marc Davis to New York Times contributing writer Clive Thompson is as relevant today as in 2008 when Facebook updates were the rage.
Inane updates remain the rage, as the above screen shot of some of my friends depicts. Just because I am not inspired to add a comment and converse doesn't mean someone else won't comment.
Merely looking at a stranger's Twitter or Facebook feed isn't interesting, because it seems like blather. Follow it for a day, though, and it begins to feel like a short story; follow it for a month, and it's a novel….
E-mail is something you have to stop to open and assess. It's personal; someone is asking for 100 percent of your attention. In contrast, ambient updates are all visible on one single page in a big row, and they're not really directed at you. This makes them skimmable, like newspaper headlines; maybe you'll read them all, maybe you'll skip some.
Ever wonder why some people choose to comment when others don't, why some people opt to share website content with their social networks when others don't, and why some people don't care when others do?
Pertaining to social sharing buttons that many bloggers employ somewhere adjacent to every article they write, Mitch Mitchell muses why few people click to share this article with Facebook or that article with Digg. He suggests the placement of the buttons is partially to blame for why few click.
You do it because most of us are blind to these things… we tend to become blind to the buttons that allow us to highlight posts we might like. Some of the buttons people have near their posts are small and easy to overlook after awhile.
That's why you would do it… This means that if you're going to do it, at least from my perspective, you should do it on posts you absolutely know are premium posts. How will you know? If you don't know when you've written a premium post then no one else will either.
Some bloggers don't care if you socially share their articles on your Facebook wall, your Twitter feed, or your Google circles. They don't care if you email it to your colleagues or print it for your refrigerator.
They write what they write because they want to write, not because of some external action that may or may not occur.
Marcus Sheridan elaborates why 6 bloggers don't care if you like them.
Danny Brown no longer cares if you like him. His goal is not to add friends and followers. Nor is it about adding subscribers by making everyone happy. No, Danny Brown now writes to promote action, push the envelope, and initiate real, positive change in a world that sure as heck needs it.
The reason you choose to socially share is your reason alone, no different than why you might comment on a blog article or a Facebook update when your best friend will not. We are individuals at the end of the day and, cliche or not, we do what we do because we choose to do it.
This may not be the conclusion you were hoping to read, which is why you are encouraged to share your thoughts below.
Saw floating share buttons on StoneArt's blog. Added them to mine. Have had a small response.
I prefer to link to other blogs, as you have here. I will and did click thru to some of your links, but I don't tweet, and seldom follow up FB likes.
I wonder if placement as described can correct the lack of sharing. Even if you change the buttons on your site so they only appear on epic posts, I suspect readers ignore these buttons because they see them so often on other sites as well.
I suppose you could try placing bigger buttons along with a comment "this is a really great post, please share." I think the implication becomes that you recognize that the rest of your posts aren't up to that quality. Even if that is true, do you really want to acknowledge it publicly?
Besides, I am always wrong about which posts will get shared on Stumble Upon, and to be honest, I don't know whether they were shared because of my post button or if the readers simply clicked on the Stumble Upon buttons in their browser bars.
Really thought provoking article. it's really a food for though for me that why I most of the times comment on blogs and why am I commenting on this blog post. I want you to read some more interesting content on such a behavior.
It is not necessary that you will comment only when your friends are here but the concept is quite good. I mean if there is a comment that reflects your thoughts or even if there is a comment with which you totally disagree, pushes you to comment there and tell what you think. Also I agree with Alicia Joan that there should be a pop up to share the page or article when someone try to close the window.
Besides the placement of buttons you really need to save your network from intruders or pirates. When they enter in your network they share everything of their own which they can but they will never share anything of you. Why? because they don't give a s**t to what you are up to. If you let these pirates to enter they you will have a very little chance to get shared.
I'm constantly amazed by the ubiquity of the superficial, trivial information that people choose to post on social media sites, which is probably one of the main reasons I rarely update my status message or leave comments on Facebook. The only time I post or comment is when I feel as though I have something important to say, or something relevant to add to the conversation. Other than that, I usually won't. I do find a certain kind of pleasure, though, in reading others' inane updates and comments….maybe that doesn't make me out to be the nicest person in the world, but it's the truth.
Why I add comment? why do i like. Well the basic answer for that is the interest. If you are interested with something or it caught your attention. Them basically you would engage conversation or simply say your opinion about the subject matter. And to apply it here, i commented because this is pretty engaging article 🙂 great job! this is what social media is about.
I think when a post derives an emotional response, it is more likely to get commented on. Or something humorous or a question that is either easy to answer or is controversial. The boring and irrelevant posts just don't elicit a response. I mean what can you say to: 'I think I will have pork chops for dinner tonight.'?


With soaring heat in UAE, there is still a lot to make your sizzling summer days fun & interesting.
During summer our bodies need extra hydration & light, healthy meals. So to keep your body nourished and well hydrated you need to have a well balanced meal … I have a strong recommendation of a place which offer meals keeping in mind health standards. They prepare dishes with ingredients which are anti-inflammatory, gluten free, high in anti oxidants, paleo & at the same time trendy & delicious.
This is all about Eat Well Restaurant. We got to try the summer menu at their Taste of Summer evening, it was so delightful!! Food tasting from the menu kept flowing throughout the evening.
Restaurant has an interesting interior with big clear glass windows which adds a stylish touch to the ambiance.
Eat Well Dubai team led by the wellness Chef Patrick has been working hard to create a delicious & healthy summer menu.
We were warmly welcomed by the cheerful staff, they had many refreshing drinks on offer , I opted for infused water and enjoyed the rest of evening with the tasty bites being served.
For starters we had the healthy Spring rolls,Rice paper rolls are the best options for those who are truly diet conscious as the rolls are sumptuous enough , each bite gives a treat in mouth. These Summer Rolls were stuffed with fresh vegetables and options of beef, chicken or shrimp & with a touch of Thai style , fish sauce etc. Raw Vegan Beetroot Ravioli…… it consists of faux crème, kale, pine seed crumb, sage, rocca & orange.
Beetroot Gazpacho, it as an amazing blend of avocado, nasturtium, cucumber, & probiotic yoghurt. I enjoyed sipping on it.
Salads: Quinoa Crunch…. mix of quinoa,edamame, raw green beans, avocado, arugula, raw almonds, & chia with citrus dressing.
Thai Beef Salad….. another filling & nutritious salad with rice noodles, tomato, cucumber, mint, basil, coriander, chili, sesame, nam jim, bean sprouts & grass fed beef.
Mains: We tasted some very delectable items from their main menu. Each tasting dish was so indulging and pleasurable.
Sticky Salmon …. Soft & perfectly done salmon steak with tamari honey, pak choi, pearl onions, avocado, yuzu & summer squash.
Land & Sea ….. all in one serving, grass fed beef tenderloin with chimichurri sauce, butterfly shrimps & cassava frites.
Smoked Lamb ….. another great addition in the menu is this boneless grass fed loin, braised shoulder vine leaf, cucumber yoghurt, aubergine & tomato. Taste & presentation is equally important and so is here.
Organic Chicken Breast …. chicken breast served with red quinoa tabouleh, tahini, onion & green sauce.
Desserts: Not a single dessert was to be missed …. This is what I did, tried all those heavenly bites without thinking of my self. But then even after eating a lot you won't regret as the meals are prepared with selected ingredients as mentioned before. Some of the desserts were Summer Bery Tarts, these gluten free tarts are full of antioxidants, Matcha Cheese Cake with no cheese, Vegan Pavlova, Raspberry Chocolate Cake, Passion Mousse, Chocolate Coconut Spuma, Bounty Bar.
They also provide home delivery for special meal plans.
Breakfast is also served till noon.
Asateer tent at Atlantis The Palm.