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Q: Java: Compiling Error Concerning Breaks I am a freshman in college, currently in my first semester of my Computer Programming course; we have started by working with pseudo code and Java simultaneously.
We had been tasked with the creation of a java application that totals, and creates an average, of a series of numbers that have been input by the user. The user may input as many numbers as they wish until the number 0 is input, in which case the program outputs the total and the average, and then prompts the user to start over or exit the program.
I accomplished this task using two while loops, one of which is nested. When attempting to break the nested loop, however, I receive the error "Error: break outside switch or loop". Afterwards, I spent much time browsing this forum looking for answers and information concerning the problem, but none seemed relevant to my problem, and fixes did not work. Among the list was using labeled breaks and correcting curly brackets; because these did not seem to work, I'm convinced the problem lies deeper in the code.
Because my course is online, it is very difficult to communicate with the professor or other students in a timely manner, which is why I have turned to this community!
Below I will attach the pseudo code that the professor wanted us to base our application off of.
Start
Declarations
Num sumTotal = 0  // Initialize for clarity
Num numEntered
Num averageNum
Num loopCounter
Num answer
String endProgram = "Y" // Initialize so that outer loop will work
    End declarations
// Greet the user
Output "Welcome to our calculator. "
Output "Enter as many numbers as you want."
Output "When you are done entering numbers, enter 0 (zero) to display the sum."
Output "Do you want to start the calculator? (Y/N): "  // Let the user   decide to start
input endProgram
// Note: if the user enters anything but Y or y, the loop will not execute.
While endProgram <> "Y" OR endProgram <> "y"  // Allows the user to perform multiple calculations
//Enter the first number (sentinel value)
Output "Please enter your first number."
Input numEntered
While numEntered <> 0  // Allows the user to enter numbers for the current calculation
    Output "You entered the number " + numEntered  // echo input
    sumTotal = sumTotal + numEntered  // Add number entered to total
        loopCounter++ // Increment the number of entries
Output "Please enter the next number"
Input numEntered  // If 0, the loop will end here
endWhile // the nested inner loop code stops here
// Output section
Output "The total numbers entered is: " + loopCounter
Output "The total of the numbers entered is: " + sumTotal
Output "The average of the numbers entered is: " + averageNum
Output "Would you like to do a new set of calculations? Y/N
Input endProgram
    End While // End outer While statement when endProgram = Y
    Output "Thank you for using the calculator. The program will now end."
Stop // Stop the program

Below I will attach my Java code
/* Module 4 Assignment 1 Part 1
* Aaron Field
* Submitted March 26, 2016
* Using DrJava */

import javax.swing.JOptionPane;
public class Calculator {

  public static void main(String[] args) {

    //variable declarations
    int numEntered;
    int sumTotal = 0;
    int averageNum = sumTotal / numEntered;
    int loopCounter;
    String endProgram = "Y";
    //end declarations

    System.out.println("Welcome to the Totaling Calculator");
    System.out.println("This program will accept integer inputs until 0 is entered" + '\n' + "When 0 is entered, a sum and an average will be displayed.");

endProgram = JOptionPane.showInputDialog(
                            "Do you want to start the calculator? (Y/N): ");

while(endProgram != "Y" || endProgram != "y"); {
        numEntered = Integer.parseInt(JOptionPane.showInputDialog(
                                    "Please enter your first number."));
        while(numEntered != 0); {
          System.out.println("You entered the number " + numEntered);
                               sumTotal = sumTotal + numEntered;
                               loopCounter++;
                             numEntered = Integer.parseInt(JOptionPane.showInputDialog(
                                                                      "Please enter the next number"));
                             break;}

        System.out.println("The total numbers entered is: " + loopCounter + '\n' + "The total of the numbers entered is: " + sumTotal + '\n' + "The average of the numbers entered is: " + averageNum);

        endProgram = JOptionPane.showInputDialog(
                                                 "Would you like to do a new set of calculations? (Y/N): ");
        break;
}

System.out.println("Thank you for using the calculator. The program will now end.");
                   }
}

I understand the code may be sloppy or strange, but I've only been working with Java for since mid-February, so excuse any sloppy formatting or incorrect use of code.
To my untrained eyes, the break statements seem to be within the loops; I am rather confused as to why my compiler would suggest they aren't. Any help would be GREATLY appreciated, thank you.

A: while(...); it's a bad practice :P. Your break commands are in fact all outside the while loops.

A: Remove the semicolons after your while statements.
Example: change
while(endProgram != "Y" || endProgram != "y"); {
//...
}

to
while(endProgram != "Y" || endProgram != "y") {
//...
}

A while statement followed by a semicolon is actually interpreted as this
while(condition) {}

redpajama_set_name: RedPajamaStackExchange


text:
I Berberi, nella loro stessa lingua Imaziɣen o Imazighen (al singolare Amaziɣ, che significherebbe in origine "uomo libero"), sono le popolazioni autoctone di quei territori dell'Africa nord-occidentale conosciuti con il nome di Maghreb (corrispondente agli stati di Marocco, Algeria, Tunisia, Libia e Mauritania) o, secondo una più recente denominazione sorta in ambito nazionalistico cabilo,  Tamazɣa (che comprende anche i territori settentrionali del Mali e del Niger, l'oasi del Siwa - nell'Egitto occidentale, al confine col deserto libico -, le exclavi spagnole in Marocco di Ceuta e Melilla e le Isole Canarie).

Per una serie di motivi storico-ideologici, a partire dal fatto che nei sopraccitati paesi la stragrande maggioranza della popolazione si sia arabizzata a causa dell'islamizzazione seguita alla conquista omayyade del Nordafrica nel corso del VII secolo, si è dunque soliti designare con tale nome solamente coloro che siano ancora di lingua madre berbera (tamaziɣt).

Il nome "berbero" è un calco del vocabolo francese berbère, a sua volta derivato dal termine greco-romano "barbaro", volto a designare chi non parlava il latino o il greco. Si veda per esempio Sallustio, che nel suo Bellum Iugurthinum definisce la lingua dei Libi "barbara lingua" (cap. 18).

Storia

Origini e antichità

I fossili umani paleolitici affini ai berberi propriamente detti sono noti in paleo-antropologia con il nome di uomo di Mechta-Afalou, una variante del paleo-europoide del tipo di Cro-Magnon, databile intorno al 20000 a.C.

Nell'antichità i berberi erano noti sotto varie denominazioni: gli antichi egizi conoscevano i ṯḥnw (menzionati dal "Re Scorpione" dell'età predinastica, intorno al 3000 a.C.), i ṯmḥw, i Rbw e i mšwš (questi ultimi due probabilmente da leggere rispettivamente Libu, ovvero i "Libi", e Mashuash). Capi dei "mashuash" divennero addirittura faraoni intorno al 1000 a.C. Nello spirito di riscoperta delle proprie tradizioni che anima da alcuni decenni diversi intellettuali berberi, molti di loro fanno iniziare il loro calendario dal 950 a.C., approssimativa data di ascesa al trono di Sheshonq I, iniziatore della XXII dinastia egizia, anche se probabilmente era già libica anche la dinastia precedente.

In epoca successiva, molti nomi di popoli e tribù berbere ci giungono da storici greci e latini, a partire da Erodoto.

In particolare, si ricordano i Libi nelle regioni occidentali dell'attuale Libia, i Numidi nell'attuale Algeria, i Mauri nell'attuale Marocco, mentre nelle zone interne vi erano soprattutto i Garamanti e i Getuli.

A partire dal I millennio a.C., il Nordafrica conobbe la colonizzazione di vari popoli. Da principio Fenici e Greci (Cartagine è fondata intorno all'814 a.C., Oea-Tripoli nel VII secolo a.C., Cirene intorno al 630 a.C.). In seguito fu il turno dei Romani, che contesero ai Cartaginesi la supremazia sulla regione.

Intorno al III secolo a.C. si cominciano ad avere notizie precise su veri e propri Stati berberi, con propri re e una propria organizzazione: i regni di Numidia e di Mauretania. A quest'epoca risalgono alcune figure celebri come Massinissa, Giugurta, Giuba II, ecc.

Dopo diverse vicende, che li videro sempre meno autonomi, i regni berberi persero definitivamente la loro indipendenza nel 40 d.C., sotto Caligola.

Durante la dominazione romana molti Berberi romanizzati emersero nelle arti, nella politica e nella religione, esprimendosi nella lingua scritta del tempo: il latino.

Vi furono così:
 scrittori (da Terenzio a Marziano Capella, con personaggi come Frontone, Apuleio, o Tertulliano);
 santi cristiani (dai martiri scillitani a San Cipriano, San Vittore, Sant'Agostino e Santa Monica, Zeno di Verona);
 papi (Vittore I, Melchiade, Gelasio I);
 imperatori (dal libico-punico Settimio Severo, fondatore di una dinastia, ai mauri Macrino e Emiliano).

Dopo essere rimasto per lungo tempo sotto la dominazione romana, il Nordafrica subì nel V secolo le invasioni dei Vandali di Genserico, che costituirono regni nord-africani, finché nel 534, una spedizione condotta da Belisario, inviata da Giustiniano lo riconquistò alla sovranità di Bisanzio. Tale conquista però durò poco più di un secolo, giacché nel VII secolo si affacciarono i nuovi conquistatori, gli arabi.

A questo periodo appartiene anche la costruzione dei jedar, tredici monumentali mausolei berberi situati a sud di Tiaret, in Algeria. Il loro nome deriva dall'arabo جدار (jidār, muro), ed erano tombe pre-islamiche risalenti alla tarda antichità (forse IV-VIII secolo).

Dalla conquista islamica al colonialismo

La conquista araba del Nord Africa si svolse in varie fasi. Da principio gli eserciti musulmani, dopo aver sottomesso l'Egitto, si portarono ad ovest della Libia, raggiungendo la Tunisia meridionale e fondando la città-accampamento militare (misr ) di Qayrawan. Da lì Uqba ibn Nafi' partì, intorno al 685, per la sua celebre "cavalcata" che lo portò fino alle sponde atlantiche del Marocco meridionale (la tradizione vuole che fosse entrato nell'oceano a cavallo, a significare che aveva conquistato all'Islam tutte le terre fino agli estremi confini occidentali). ʿUqba trovò un forte avversario in Kusayla, un capo berbero da lui catturato e pubblicamente umiliato, che riuscì a fuggire, organizzò la resistenza, lo sorprese a Tahuda, sulla via del ritorno, e lo uccise. Dopo alterne vicende, la resistenza berbera all'invasione araba fu sostenuta da Dihya, regina dei berberi della tribù Gerawa, più conosciuta con il soprannome attribuitole dagli arabi, Kahina (traducibile in strega); condusse anch'essa un'aspra campagna e tenne a lungo in scacco gli invasori. Prevedendo la propria sconfitta essa esortò i suoi figli ad allearsi col futuro vincitore in modo da conservare comunque il potere. Poco dopo iniziò l'islamizzazione del Maghreb, e nel 711 le truppe islamiche che invasero la penisola iberica sotto la guida di Tāriq ibn Ziyād erano costituite in massima parte da maghrebini.

Geografia
Per molto tempo (in pratica fino agli inizi del XIX secolo quando iniziò la colonizzazione europea) il Nordafrica è stato denominato dagli europei Barberìa, ossia il "Paese dei Berberi", cosicché gli stati del Nordafrica sono stati chiamati Stati barbareschi, e lingua franca barbaresca la lingua di scambio in uso in quelle regioni. Nel mondo arabo-islamico, invece era in uso soprattutto l'espressione Maghreb (ossia "Occidente"). Successivamente i berberi hanno creato, a partire dal loro nome, amazigh, l'espressione Tamazgha che si riferisce al complesso di tutti i paesi dove è (o è stata) parlata la lingua tamazight. I paesi che vengono considerati far parte di Tamazgha sono: Marocco, Algeria, Libia, Tunisia, Egitto, Sahara Occidentale, Mauritania, Mali, Niger, Burkina Faso, nonché le Isole Canarie in cui la lingua non è più parlata.

Lingua

La lingua berbera o tamaziɣt appartiene alla famiglia linguistica afroasiatica o camito-semitica. La sua estensione copre quasi tutta l'Africa del Nord, dall'Oceano Atlantico fino all'Egitto occidentale; sembra che una varietà di berbero fosse un tempo parlata anche dai guanci delle Isole Canarie. L'Associazione di Cultura Tamazight, con sede a Las Palmas, si dedica alla ricerca e alla riscoperta di questa lingua.

La lingua berbera fu in passato duramente repressa dai Paesi del Nordafrica che si proclamavano arabi, che procedettero a sistematiche campagne di arabizzazione; in tali Paesi non esistono canali di telecomunicazione di lingua berbera. Una rete televisiva satellitare in berbero è stata, invece, realizzata in Francia (Berbèr TV). Recentemente sono nati due canali televisivi in lingua berbera in Marocco (Tamazight TV) e Algeria (Berbère Télévision).

Scrittura
I Berberi possiedono una scrittura, la cosiddetta "scrittura libica" (di cui si conoscono due varianti: quella orientale e quella occidentale), attestata da numerose iscrizioni antiche, risalenti anche al I millennio a.C. Questa scrittura è preservata solo dai Tuareg (che la chiamano "tifinagh"), è stata modificata per poter trascrivere i suoni tipici dei dialetti berberi del Nord ("neo-tifinagh") ed è stata adottata dall'Istituto Reale della Cultura Amazigh (IRCAM) per la trascrizione ufficiale del berbero in Marocco.

La scrittura adottata nelle scuole della Cabilia (Algeria) a partire dal 1995 è in caratteri latini ed è stata standardizzata secondo le indicazioni di una serie di convegni e conferenze sulla pianificazione linguistica del berbero.

Etnia
I Berberi sono una popolazione europoide dell'Africa settentrionale (Tamazgha).
Sembra che almeno fino all'età del Bronzo (circa 1200 a.C.) tra le popolazioni berbere fosse piuttosto diffusa la depigmentazione, cioè l'albinismo e il biondismo come carattere genetico, documentata anche da pitture rupestri del Tassili e in iscrizioni egiziane. La depigmentazione sopravvive in forma residuale, in particolare tra i berberi dell'Atlante, in Marocco, ed è anche testimoniata dagli spagnoli per i Guanci delle Canarie.

In realtà per quanto si risalga indietro nel tempo, i Berberi sembrano avere popolato il Nordafrica fin dal Neolitico. Questo popolo è entrato nella storia già 5000 anni fa: popolazioni berbere sono infatti citate nei testi egiziani fin dal 3000 a.C.

La maggior parte della popolazione in Marocco e Algeria è di origine berbera, per quanto si identifichi in larga parte come araba, e comunità significative berbere sono presenti in Tunisia e Libia. Ma minoranze berbere si trovano anche in Mauritania, nelle regioni più occidentali dell'Egitto settentrionale ed in alcuni stati dell'Africa occidentale, in particolar modo nel Niger e nel Mali (i Tuareg).

Molte associazioni culturali, in Nordafrica e nei paesi di emigrazione, sono sorte per rappresentare le istanze dei Berberi e per difendere i loro interessi e i loro diritti negati. Dal 1997 esiste un'organizzazione sovranazionale indipendente, il Congresso Mondiale Amazigh, che mira a rappresentare con una voce unica a livello internazionale le associazioni culturali berbere di ogni parte del mondo.

Soltanto a seguito della primavera araba i politici hanno reso la lingua berbera lingua ufficiale in Marocco dal 2011 e in Algeria dal 2016.

Cultura materiale

Alimentazione

Per quanto riguarda l'alimentazione, il piatto più caratteristico del Nordafrica è il cuscus, alimento costituito da semola di frumento o d'orzo cotta a vapore e guarnita in vari modi, perlopiù con carni in umido o verdure e qualche volta anche pesce in umido.

Un'altra consuetudine alimentare tipicamente nordafricana è quella di preparazioni a base di farina di orzo raccolto ancora verde e poi tostato (cui si uniscono ingredienti vari, tra cui fieno greco, lenticchie, cumino, ecc.). A seconda dei luoghi e delle lingue prevalenti, berbero (B) o arabo (A), queste preparazioni hanno il nome di tazemmiṭ (B), arkuku (B), swik (B), zummiṭa (A), tutte di un tipo che normalmente viene impastato solo con acqua e non dolcificato; aḍemmin (B), bsisa (A), ṭemmina (A), di un tipo che invece viene impastato anche con olio e spesso arricchito di elementi dolcificanti (datteri, miele...) arkul. Quest'ultimo cibo, gustoso e nutriente costituisce spesso l'elemento tipico dell'alimentazione durante il ramadan o per le partorienti che devono riprendere forze. Si tratta di un cibo assai antico (nel romanzo di Apuleio, Amore e Psiche, Psiche ammansisce Cerbero con due offae polentae "focacce fatte di farina di orzo tostato"). Questo cibo è anche una specialità delle isole Canarie, denominata gofio.

Bevande

Il tè, soprattutto quello alla menta, è forse la bevanda più diffusa tra la gente berbera, soprattutto in Marocco e nel resto del Nordafrica

Abbigliamento
Riguardo all'abbigliamento maschile, l'elemento più caratteristico di tutto il Maghreb è il burnus, un ampio mantello di lana con cappuccio. Questo vale per i paesi che si affacciano sul Mediterraneo o sull'Atlantico, mentre l'abbigliamento dei tuareg è leggermente diverso ed è caratterizzato da un velo (tagelmust) che copre la bocca e gran parte del volto, lasciando liberi solo gli occhi.

Note

Bibliografia
 Brett, Michael & Fentress, Elizabeth, The Berbers, Oxford UK-Cambridge USA, Blackwell, 1996 ISBN 0-631-16852-4
 Bougchiche, Lamara: Langues et littératures berbères des origines à nos jours , Paris, Ibis Press, 1997, ISBN 2-910728-02-1
 Camps, Gabriel, I Berberi, Milano, Jaca book, 1996 ISBN 88-16-43605-0
 Chaker, Salem, "Amazigh, '(le/un) Berbère", in: S. Ch., Linguistique berbère. Études de syntaxe et de diachronie, Paris-Louvain, Peeters, 1995, pp. 125–131 - ISBN 2-87723-152-6
 Chaker, Salem & Zaborski, Andrzej (eds.), Études berbères et chamito-sémitiques. Mélanges offerts à K.-G. Prasse, Paris-Louvain, Peeters, 2000 - ISBN 90-429-0826-2
 Claudot-Hawad, Hélène, Touaregs. Apprivoiser le désert, Paris, Gallimard, 2002. (Collection Découvertes Gallimard; Cultures et société; nº 418).
 Féry, Raymond, Médecin chez les Berbères , Versailles, Ed. de l'Atlanthrope, 1986, ISBN 2-86442-013-9
 Hachid, Malika, Les premiers Berbères - entre Méditerranée, Tassili et Nil , Aix-en-Provence, Édisud, 2000, ISBN 2-7449-0227-6
 Leguil, Alphonse, Contes berbères grivois du Haut-Atlas , Paris [u.a.] , L'Harmattan, 2000, ISBN 2-7384-9904-X
 Leguil, Alphonse, Contes berbères de l'Atlas de Marrakech , Paris, L'Harmattan, 1988, ISBN 2-7384-0163-5
 Fatima Kadria Kadra, 1983. Les Djedars. Monuments funéraires Berbères de la région de Frenda.. Office des Publications Universitaires, Algeri.
 Jean-Pierre LaPorte, 2005. Les Djedars, monuments funéraires Berbères de la région de Tiaret et Frenda. In: Identités et Cultures dans l'Algérie Antique, Università di Rouen (ISBN 2-87775-391-3).

Voci correlate
 Architettura berbera
 Prenomi berberi
 Nord Africa
 Primavera berbera
 Primavera nera
 Ahidous
 Cabilia
 Lingua berbera
 Marocco
 Algeria
 Libia
 Tunisia

Altri progetti

Collegamenti esterni

Gruppi etnici in Marocco
Gruppi etnici in Algeria
Gruppi etnici in Tunisia
Gruppi etnici in Libia
Gruppi etnici in Egitto
Organizzazione delle nazioni e dei popoli non rappresentati

redpajama_set_name: RedPajamaWikipedia


If you're like us, then there are two things you probably remember most about a wedding...aside from the ceremony itself. Food and music. So it comes as no surprise that one really important part of the wedding planning process is your entertainment. This week, we're turning the spotlight on DJ Carl. He's not just a dj, but a true expert at getting all types of crowds going. In our interview, DJ Carl explains what the newest trends in wedding music are this year, and why brides are eager to book him. Enjoy!
Tell us a little about your background and how you got started in the wedding and events industry?
I was born in New York from West Indian parents. My Mom is from Antigua and my Dad is from Jamaica. I have a younger brother. I started playing music at fraternity parties when I attended Penn State.
What did you do before starting DJ Carl Entertainment?
After I graduated from Penn State, I was a corporate employee. One of the best marketing jobs I had was programming music videos for ETV Network now owned by Promo Only. I would love to get another opportunity where I can market or program digital music for a major entertainment brand again.
I hope that DJCarl.com Entertainment will become recognized for making professional DJs, emcees or hosts more relevant and respected in the American culture.
I really love educating planners and brides how people engage at parties and events. I like to tell real stories how different cultures and groups are entertained differently and how one's experience, knowledge of all types music, space, moods can determine the types of experiences that people can have in attendance at my events. My success comes from my hard work preparation.
What are the most requested songs for 2013/2014 brides thus far?
The most requested song for Black brides is "The Wobble" by V.I.C. or any song that they can do a line dance to. The most requested song for a Caucasian bride is any Michael Jackson song. As-a-matter-of-fact, every culture loves Michael Jackson if they want to dance. Today, Asian groups love Psy "Gangnam Style" and Latino folks just love great Salsa and Merengue songs.
What advice would you give to brides-to-be about hiring a DJ?
The biggest advice I would give a bride-to-be when hiring a DJ is to go with an individual who they trust. If your DJ meets these five criteria then you should be in good hands.
First, Your DJ should be able to play all types of music. Every wedding and party has a variety of people who will appreciate different genres of music. Your DJ should be able to play the most popular and danceable tunes from popular genres so that most of your guests will have an opportunity to dance.
Second, This point is extremely important for a wedding. You need a DJ who can make announcements that are crisp and clear for your guests and the other professional vendors. It is very hard to find an individual who can play great music and speak professionally on the mic. If one person embodies those talents then book him/her on the spot.
Third, Your DJ must be a team player who wants the other vendors to do their jobs well. No Ego-trippers please.
Fourth, Though I love working with many planners, it is the dee jay's job to ensure that the reception or party flows to keep guests engaged and not them checking their Twitter feeds all night long.
Lastly, I would tell brides to ask their potential DJ if they guarantee their guests will dance. If they cannot guarantee that individuals at your event will dance then it is time to find another DJ/MC for your once in a lifetime event. If the DJ does his/her homework, then the right music will be played to ensure people dance and have a good time.
Why do you think brides choose DJ Carl over other DJs?
Brides book me because they trust and can afford me. I am professional, experienced and their diverse guests will dance all night long guaranteed.
Top 3 songs that pop in your head right now.
Music is so important on the day, I agree!


Make a note of important dates and don't miss the opportunity to apply for LUMS Fall 2019 Admissions.
Each "round" stands for a distinct period in which you may apply. It does not represent a succession of steps for your application. In an application year, you may apply in one round only.
Candidates are strongly encouraged to apply in the first round of admission, as space becomes an issue in each successive round and one's probability of selection decreases with each round as fewer seats are available.
Online application will remain live on rolling basis till May 30th, 2019.


text:
Q: Sharepoint 2013 workflows are not getting started
*

*I have a SharePoint 2013 designer workflows configured with the start options as 'Manual'.

*It was working fine for few weeks. However one fine day, the workflow fails to get started. Even when I tried manually starting the workflow I got an error like "Sorry, Something went wrong. To try again, reload the page & then start the workflow".

After reading the below blogs, I found out the solution could be restarting the 'Service Bus Gateway' and 'Service Bus Message Broker'

*

*Andre connell blog

*Link 2
Question

*

*Have anyone come across this and identified the root cause of the issue?


Herculaneum was a seaside resort for wealthy Romans in the 1st century AD and contained many elegant residences. These were covered by lava, mud, ash during the eruption of Mount Vesuvius in 79 AD. The site consists of homes, shops, baths and temples – many still displaying their decorations. Part of the forum is visible, although most has still to be excavated, although this is hindered by the modern town of Ercolano being situated over the ruins.
During the eruption of Mount Vesuvius in 79 AD which covered Pompeii with several metres of ash, the seaside town of Herculaneum was also destroyed, but by the Pyroclastic surge, a mixture of lava, mud, ash and hot gases, (with temperatures of 500oC) which swept down on it at 100 mph. The first surge instantly caused the death of a number of people who sought shelter in the boat houses at the seashore. The high temperature caused their bones and teeth to fracture and skulls to explode.
A succession of surges buried the city's buildings from the bottom up preserving their structure and the objects within. The intense heat extracted water and carbonised the organic material. The depth of the layers (20 metres) protected the town until it was discovered during the course of a well being dug in 1709. Excavations began in 1738, but were curtailed when efforts were moved to Pompeii, which presented an easier task.
Over the years the excavations at Herculaneum were undertaken in stages, with periods during which no work was undertaken. In 1927 work commenced again, and is continuing until the present day. Nevertheless, only about 25% of the town is believed to have been excavated to date. The difficulty of excavation results from the hardness of the layers, (which solidified) and also the fact that the town of Ercolano is situated over the ruins, although some urban clearance is now taking place in the modern town, in order to expose more of the archaeological remains.
Herculaneum was a resort for the wealthy and contained many elegant residences complete with decorations as well as the businesses and facilities to provide for them. These consist of bakeries, wine merchants, baths and temples - all of which provide an insight into the lives of the residents. Part of the forum is visible, although most has still to be excavated.


text:
Synth Album Review: "Undead Nightmare" by Lazer Squad
Karl Magi
Karl has been a freelance writer for over 10 years. He's passionate about music, art, and writing!
Cover art for Lazer Squad's Album "Undead Nightmare."
I went into Lazer Squad's Undead Nightmare album expecting an unmitigated horrorfest, but there's a lot more light, air and sparkle to the album (along with an unbridled sense of energy and fun). That isn't to say that the title track is light and airy because it nails the horror vibe nicely. It's just that, as a whole, the album was not oppressive or heavy.
One of the elements that I enjoyed about the album was the eclectic nature of the musical styles that are represented on it. The tracks on the album include everything from darkwave to trance influenced music to pure synthwave, but none of the variety feels out of place and the production of the album gives everything a cohesion that makes it work well.
Undead Nightmare has quite a bit of shimmer and flow apparent in it. There are shiny arpeggios, floating moments of extending synth notes and warm, wistful synth melodies that conjure up neither the undead nor any feelings of terror. I'm not complaining as I'm a sucker for the warmer side of synth music and I think that Lazer Squad did quite nicely with that aspect of the album.
Beats and bass are another crucial factor to the album. There's that heavy, rich well of bass that rises up and lends support to all of the tracks and the beats run the gamut from slower tempo to trance dance, but they are always powerful and effective at conveying the right feeling in the music and at moving the tracks at the suitable speed for each one.
I was pleasantly surprised to hear the strong trance influence on "Lightyear Bus" and "Awesome Wells." It is a variation from the (still appealing) classic synthwave beat and it gives a slightly different feeling to Undead Nightmare. It's never a bad thing when one sees the evolution of a genre's sound to embrace elements that it formerly eschewed and that energetic trance feeling did work rather well on the tracks where it appeared.
Now I'll run through the tracks that I enjoyed on Undead Nightmare and give you my sense of what it was about them that captured me so intensely.
The album's title track "Undead Nightmare" caught my ears because it captured the "horror vibe" well. The track opens with a reverberating bell sound that extends for longer than any real bell would along with the caw of ravens and a dark bass throb that's heavy and thick. Slightly dark arps move in and out of the track as that hollow bell tolls. This isn't a super melodic track, but it is one that creates a tense atmosphere aided and abetted by a rather nervous sounding high synth and weighty bass pulsing under it.
"Lightyear Bus" is the tranciest track on the album. I am enamoured of the lambent, flitting arps that flicker through the track and the liquid sound of the synths on the track. It has a spacious feeling over that solid, trance-like beat. The arpeggiation further adds to that sensation of soaring that dominates the track. The piano chords that come in add another nice dimension. This is a track that reminds of my favourite classic trance music.
I am a fan of music that strongly evokes the feel of deep water and "Diving in the Deep" definitely does that. Deep synths flow like water currents and there's a sense of sinking down into blue water with the heavy bass throb and slowly developing and extending synth lines that move in a logn sweep. This track has the feeling of being carried through water, of moving with a gentle but insistent current in the depths.
Undead Nightmare is an album that has a fun and engaging energy about it. Lazer Squad is clearly a producer who takes real pleasure in creating enjoyable music because it certainly shines through on this album!
Synth Album Review: "Synth Ranger" by Dynamite Stranger
By Karl Magi
Synth Album Review: "Feralyzed" by Cat Temper
Synth Album Review: SOLDNOTTOLD, "Fascination"
Synth Album Review: "Kingdom of Night" by CONFRONTATIONAL
Synth Album Review: iamMANOLIS, "IAM"
Synth Album Review: "People's Album" by 7DD9
Synth Album Review: "Myopic" by Sewnshut
Synth Album Review: US3r, "Influence"
Synth Album Review: "Percipience" by The Institute 91'
Synth Album Review: "Neon Dreams" by Oceanside85 and Guests
Synth-Pop Album Review: "New Life" by Positronic
Synth Album Review: "Z as in Zebra" by Zalatan
Synth Album Review: "Anno Domini" by Polytaem
Synth Album Review: "Ghost On Stereo" by Severum
Synth Album Review: Daniel Adam, "Where the Waves Meet"
Synth Album Review: Baldocaster, "Mirage"

redpajama_set_name: RedPajamaCommonCrawl


You may have heard the popular and funny quote from an unknown author that "salt is what makes things bad when it isn't in them." Most of us would have to agree.
Regular salt is highly processed/refined and contains almost zero mineral content.
Salt has received a bad rap in the nutrition world, being blamed by mainstream medicine for many chronic conditions such as heart disease and high blood pressure. However, studies show that upwards of 75% of sodium in the SAD (Standard American Diet) comes from processed and packaged foods and that simply adding salt to your home-cooked meals is not the problem.
In fact, there are actually quite a few dangers in a diet too low in salt. Research shows that a low-salt diet could increase your risk of insulin resistance, and elevated LDL ("bad") cholesterol levels.
If you head to the salt section of any health food store (and some conventional grocery stores, too), you are probably overwhelmed with the salt selection. Kosher, Celtic, Himalayan, sea and regular salt. Which should you choose? All vary somewhat in texture and taste, not to mention that they each have a slightly different mineral content.
Why is Salt in My Diet Important?
Swapping a less-processed type of salt for table salt is definitely a good move for your health.
The two mineral elements that make up salt are chlorine and sodium, two compounds that are crucial for our health and survival. They support basic bodily functions like brain and nerve impulses. Salt has gotten bad press because of its ability to bind with water in the blood stream and raise blood pressure, although studies show that a low salt intake won't actually prevent strokes or heart attacks. If you eat a diet primarily composed of whole foods instead of processed foods, adding salt to your food should be just fine.
Himalayan salt is pink in color and is harvested from a huge salt mine in Pakistan, the Khewra Salt Mine. Himalayan salt is higher in potassium than all other types of salt, and also offers many trace minerals, including iron, magnesium, and calcium. It is slightly lower than table salt in sodium, but higher than Celtic salt.
Celtic salt originated in France and has a grey color. It is slightly lower in sodium than other types of salt, and also offers trace minerals, such as iron, magnesium and calcium, but less potassium than Himalayan.
Nutritionally, kosher salt isn't all that different from table salt. The main difference is that it is a flaky, coarse-grain type of salt that is used to extract the blood from animals in the kosher tradition of meat slaughtering. It also dissolves well in food, so some people like it for this reason. Another plus is that it doesn't usually come with the artificial anti-caking agents that table salt does.
Sea salt is simply evaporated sea water, and is mostly sodium chloride with very trace amounts of zinc, iron and potassium. However, if sea salt is harvested in polluted waters, it could also contain harmful heavy metals, so this is definitely a factor to be aware of. The mineral content of sea salt depends on where it was harvested, so it varies.
Regular salt is highly processed/refined and contains almost zero mineral content. Because it is so finely ground it contains artificial ingredients called anti-caking agents to prevent clumping, and iodine is often added. Studies show the addition of iodine to salt came about in times when iodine deficiency was common (and it still is in certain parts of the world), to combat this dangerous mineral deficit, but now, schoolchildren in 28 countries have excessive and potentially harmful iodine levels. A better solution is to include seaweed and sea vegetables in your regular diet, as this will provide plenty of iodine.
It's fairly simple: eat whole foods instead of processed/packaged, and add moderate amounts of salt to your home-cooked meals. The differences are fairly small, but opt for one of the above-mentioned natural options as they don't include anti-caking agents or other potentially harmful additives, and choose Celtic if it is available, as this type of salt is highest in minerals.
If you follow these basic rules, there is no reason to fear salt in your diet.
A balanced well written assessment. I would be interested in where you got the analysis from that puts Celtic salt lower in potassium than Himalayan? The analysis I found showed the opposite, Celtic having nearly twice that of Himalayan.
There is one thing to be said about any salt from the sea. It has been found that the action of sunlight and the movement of the water activates water. This effect may well carry over to the salt produced from it. There has been a lot of research done on water and activation of the water.


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What Is Beautiful Football?
We always hear the phrase "beautiful football" discussed in podcasts, pubs, and dinner tables. Some people spend hours on social media fighting about the very meaning those two words. Some managers lose their jobs for not getting their teams to play beautiful football. Some coaches lose their players because they're sick of playing ugly football all the time. Nonetheless, nobody seems to really have a solid answer on what beautiful football constitutes-can anyone play beautiful football, or are there certain wastelands where previous managers have salted the pitches, and the only things that can grow in the stadium are weeds of bland long-ball systems?
These past few days, we may have seen two losses for beautiful football. On Tuesday, Jorge Sampaoli's possession-loving Sevilla FC exited the UEFA Champions League after Craig Shakespeare's "shamelessly-in-love-with-counters" Leicester City FC achieved a 2-0 remontada in the King Power Stadium. The day after, Leonardo Jardim's Monaco knocked out Pep Guardiola's Manchester City with another 3-1 remontada in the Stade Louis II. In Jardim's first season at Monaco, Les Monégasques advanced to the Champions League quarter-finals with a defensively-organized setup, only to be defeated with a dubious penalty by the eventual runner-ups, Juventus. On the other hand, Guardiola rose to fame with "tiki-taka" at Barcelona, a concept of one-touch give-and-gos and a heavy possession-oriented system.
Despite their idiosyncratic reputations, Sampaoli and Guardiola share several distinct traits. They both hail from Spanish-speaking countries, they are both disciples of Spanish manager Juanma Lillo, and they tend to split football fans in half: one side that religiously studies them as visionary godsends, and the other that writes them off as hipster fools who need to "get back to basics."
In reality, they have both managed to consistently get their teams playing certain styles of football in short spans of time, who have adapted to different game plans for different scenarios, and who have racked up respectable trophy hauls in their relatively short careers. And they both got it terribly wrong this week.
If Manchester City were supposed to be a team focused on calculated possession and strict positional play, they certainly didn't look like it on Wednesday. Too many times, Monaco were able to retain possession for long periods in City's own half, to link up without trouble near Willy Caballero's area, to isolate City's front three from its midfield. Pep Guardiola benched his de facto "mediocentro" Yaya Touré, and didn't bring him on for the entire match. Instead, he stuck with his two veteran full backs, Gaël Clichy and Bacary Sagna, with his other left back, Aleksandr Kolarov, partnering John Stones, who, at 22, started for just the second time in the Champions League knockout rounds.
Not once did Pep change to a three-man or five-man backline, put on a hug-the-touchline winger to add width, or sub on a tricky 1v1 player to help break down Monaco's defensive block. With 10 minutes left, he subbed Clichy off for his backup center forward Kelechi Iheanacho, which seemed like nothing more than what you do when you're losing 1-0 on FIFA with the clock ticking down. There was no real Plan B, it was more "let's bring on another striker and see if he can get a flick on by the near post."
City found themselves in a near-identical situation in the first leg last month. Trailing by a goal at halftime, Guardiola had to devise a solution. With Yaya Touré swarmed by Monaco's two strikers, and Jardim's narrow press limiting City's build-up, Pep needed to find the remedy before Monaco came away with a win in the Etihad. Pep switched from a 2-3-5 in possession to a 3-2-5, and a 4-3-3 off-the-ball shape to a 3-4-3 out of possession. This allowed more fluidity in the first phase of build-up, drawing Fabinho and Tiemouyé Bakayoko wide with their runs and freeing up space in the middle for Sergio Agüero to drop back, receive vertical passes from the center backs and play lay-off passes to the wingers and Kevin De Bruyne.
It worked, and City won the game 5-3. Maybe it was a "hipster approach," but it was necessary for City to win.
Last year, Pep's Bayern Munich found themselves two goals down at halftime against Juventus in the second leg of the Round of 16, facing the same structural problems as City this year. Juve's gung-ho pressing limited Bayern's build-up, even stifling Manuel Neuer's influence, who is normally used as an emergency passing option. Due to Juventus' immaculate pressing, Bayern found themselves unable to link up in dangerous central possessions, and by halftime, they needed to score two goals to send the tie into extra time.
Pep needed to use his substitutions wisely. He took off Mehdi Benatia for Juan Bernat, moving David Alaba to center back and adding extra width on the left side, while also taking Xabi Alonso off, moving Arturo Vidal to a sole regista role, for his hug-the-touchline winger Kingsley Coman.
Bayern were able to turn around the deficit, and eventually send Juventus packing, due to three main tactical changes: vigorous pressing of Juve's center backs by the two strikers, overloading of central areas, and crossing.
Crossing? But I thought that was the devil's last resort, where tactical nitwits send their behemoth forwards to latch onto long balls, the lazy solution, the cop-out, the red light district of the footballing oasis?
In Guardiola's final season in Bavaria, the signings of two direct wingers in Douglas Costa and Kinglsey Coman allowed Bayern to add another dimension to their game: crossing. Robert Lewandowski is one of the best in the world, if not the best, in latching onto a low cross or winning an aerial duel. This strategy was vital to Bayern's play, and it added one more solution to a possible tactical threat for the Bavarians.
Being the best doesn't mean having one really good system. It means knowing different answers to different questions: If your opponent switches from a 4-3-3 with inverted fullbacks to a 4-4-2 with pressing triggers, what do you do? If your opponent moves from a 3-4-3 to a 4-5-1 out of possession, who should you sub on to break down the new formation?
All of this might sound like Football Manager gibberish, but the elite managers don't dedicate their lives to studying the game because they like seeing beautiful football; they do it because they're obsessed with winning. As Sun Tzu argues in The Art Of War, if you only know yourself, you may win or lose, if you know your enemies and know yourself, you will not be put at risk even in a hundred battles.
Leicester's title victory was considered refreshing for many reasons. First of all, it was a rejection of the newfound "superclubs," teams such as Manchester City and Chelsea who had ascended to the Premier League elite after being bought by foreign businessmen. Second of all, it was an underdog story; many starters, from N'Golo Kanté to Jamie Vardy had been playing in the inferior leagues of French and English football, and were very much unknown before the 2015-16 season. Finally, it was a victory for "ugly football." Leicester played a 4-4-2, considered to be the most basic defensive system there is. None of Leicester's back four were considered "ball-playing defenders." Their fullbacks weren't skilled at playing one-twos or dribbling out of pressure, Jamie Vardy isn't a false 9, Shinji Okazaki isn't a raumdeuter, and let's just say, a double pivot of Danny Drinkwater and N'Golo Kanté isn't exactly the second coming of Xavi-Iniesta.
But who cares? They got the job done. They entered the season with a set of tactics and attributes commonly founded in relegation battlers, and they ended up winning the Premier League. In an era of "oversaturation," with an abundance of money, stars, and tactics, this was seen as a return to the good old days.
Leicester City eliminated Sevilla because they were stricter in their adherence to Shakespeare's game plan than Sevilla was to Sampaoli's. Furthermore, they tricked Sevilla into panicking, into trying to play the Leicester way, with rushed possession and high crosses. Sevilla thought they could beat Leicester in their own game. That's like Verne Troyer challenging Lebron James to a slam dunk contest.
Nonetheless, to not attribute Leicester's stunning victory to Craig Shakespeare's tactical genius would not only be idiotic, it would be downright disrespectful. Leicester relied on pressing triggers and coordinated off-the-ball movements against Sevilla; they won because Shakespeare did his homework.
Arguably the two best managers in the world will not play another match in Europe this season, and it's St. Patrick's Day. Still, big-name coaches do not have a monopoly on genius. The likes of Zidane, Luis Enrique and Craig Shakespeare are in the quarterfinals because they did their homework, outplayed their opponents and earned a place in the last eight. These styles of play may not be the prettiest, but the best managers study and adapt to every style of play that can gain three points.
I wrote this essay when I told my mother that Sevilla's loss was considered a loss for beautiful football, and when she asked me, "What does beautiful football mean?" I tried to explain to her, until I realized that, I myself did not know. Beautiful football stretches across mountains and seas, in different languages and different epochs, and it represents the tapestry that is the tactical side of football. Managers don't get paid to play aesthetically-pleasing tiki-taka every week, they get paid to win. Thus, beautiful football pertains to the different manners in which a manager can win a football match.
So, were the results of this week really a loss for beautiful football? Do we have to demean a story in which relegation fighters and a new, unrenowned manager qualify for the quarter-finals of the UEFA Champions League? Is it necessary to bad-mouth a tale of youthful exuberance (Monaco's average age was 24), where a bunch of kids send a two-time Champions League-winning manager packing from the Round Of 16 for the first time in his career?
Football is a game of decisions. If Pep decided to buy more defenders in the previous transfer window, Manchester City might have advanced. If Sampaoli started Mariano and Clement Lenglet, perhaps they'd have buried the Premier League champions. If Ahmed Mahrez didn't illegally escape to Paris to get a pacemaker installed, we wouldn't have Riyad Mahrez, and we wouldn't have the greatest story in Premier League history.
Football is beautiful because of the graceful wingers, because of the last-ditch slide tackles, and the vertical passes that break the lines. But it's also beautiful because of the stories it tells. It's beautiful because anyone with a strong belief and 11 players who believe in his vision can win against the most unlikely of circumstances, because a teenager from the reserves can crush the hearts of millions, and because of the ties that bind us together.
By: @ZCalcio


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Email Us William Egbert COLBY was born on 3 NOV 1891 in Nebraska. He appeared in the census on 5 JUN 1900 in Ross, Fremont County, Iowa. (living at home with father and mother.) He appeared in the census on 5 MAY 1910 in Rawles, Mills County, Iowa. (living at home with father and mother.) He died on 13 JAN 1964. Parents: James Nassett COLBY and Mary Adeline SLOCUM.
William Elbert COLBY was born on 29 MAR 1884 in West Gardiner, Kennebec County, Maine. He appeared in the census in 1920 in Gardiner, Kennebec County, Maine. Parents: Charles E. COLBY and Mary Elizabeth HINCKLEY.
Spouse: Hattie Agnes ROYAL. William Elbert COLBY and Hattie Agnes ROYAL were married on 17 MAR 1908 in Maine. Children were: Doris E. COLBY, Elbert L. COLBY, Maxine E. COLBY.
William Enos COLBY was born on 30 SEP 1915 in Brewster, Putnam County, New York. He died in APR 1986 at Milford, New Haven County, Connecticut. He had Social Security Number 183-05-1519 .
William was a property administration supervisor for the United States Navy, Bridgeport office; was a member (1954) of town council of Milford, Conn.
Parents: Benjamin COLBY and Mildred Julia MONTROSS.
Spouse: Florence HOORNBECK. William Enos COLBY and Florence HOORNBECK were married on 9 OCT 1937.
William Ezra COLBY was born on 3 JAN 1830 in Amesbury, Essex County, Massachusetts. (SOURCE: Early Vital Records of Essex County, Massachusetts to 1850 for Amesbury.) He appeared in the census in 1850 in Amesbury, Essex County, Massachusetts. (SOURCE: 1850 Massachusetts Census. Amesbury, Essex County, page 73. Age 21.) He died on 15 JUN 1858 at Amesbury, Essex County, Massachusetts. Buried: Bartlett Cemetery, Amesbury, MA. He was a shoemaker in Amesbury, Essex County, Massachusetts. (BOOK SOURCE: "The Colby Family in Early America" by Frederick Lewis Weis, Caledonia, The Colonial Press, pub 1970.) Parents: Timothy COLBY and Betsey Blaisdel COLBY.
William Fosket COLBY was born on 23 JAN 1856 in Burrillville, Providence County, Rhode Island. He appeared in the census on 11 JUN 1860 in Burrillville, Providence County, Rhode Island. (living at home with father and mother.) He appeared in the census in JUN 1880 in Bartlett, Fremont County, Iowa. In 1880 he was a Railroad agent in Bartlett, Fremont County, Iowa. He appeared in the census on 6 JUN 1900 in Hamilton, Caldwell County, Missouri. (living at home with step-mother.) He appeared in the census on 16 APR 1910 in Hamilton, Caldwell County, Missouri. He died on 11 JAN 1912 at Hamilton, Caldwell County, Missouri. He was buried in the Highland Cemetery at Hamilton, Caldwell County, Missouri Parents: James Franklin Pettengill COLBY and Adeline FOSKETT.
Spouse: Mary E. VANWINKLE. William Fosket COLBY and Mary E. VANWINKLE were married about 1881.
Spouse: Grace E. PHILLIPS. William Fosket COLBY and Grace E. PHILLIPS were married about 1903.
William Franklin COLBY was born on 13 NOV 1866 in Jackson County, Ohio. Parents: Rodolphus Zelotus COLBY and Miriam STOVER.
William French COLBY was born on 13 MAR 1856 in Georgia. He appeared in the census on 12 JUL 1860 in Bridgeport, Nevada County, California. (living at home with mother.) He died in MAR 1861 at California. Parents: Jeremiah Smith COLBY and Mary Adelaid BALDWIN.
William G. COLBY was born on 13 JUN 1794 in Westport, Lincoln County, Maine. He appeared in the census in 1850 in Westport, Lincoln County, Maine.
Occupants listed at this residence:
Name Age/Sex Occupation Worth Birth School
William Colby 56 M Mariner $300. ME
Amelia 40 F ME
Moses 13 M ME Y
Hellen M. 5 F ME Y
Christopher 3 M ME
William W. 1 M ME
He appeared in the census in 1860 in Westport, Lincoln County, Maine. He died after 1860 at Westport, Lincoln County, Maine. Parents: Samuel COLBY and Mary A. (Polly) SIMS.
Spouse: Hannah COLBY. William G. COLBY and Hannah COLBY were married on 18 APR 1816 in Edgecomb, Lincoln County, Maine. Children were: Austin S. COLBY, Betsey COLBY, Emeline P. COLBY.
Spouse: Pamelia PLUMMER. William G. COLBY and Pamelia PLUMMER were married on 7 DEC 1828 in Alna, Lincoln County, Maine. Children were: Caroline COLBY, Almira H. COLBY, Hannah P. COLBY, Sarah COLBY, Moses COLBY.
Spouse: Amelia KNIGHT. William G. COLBY and Amelia KNIGHT were married on 1 FEB 1844 in Westport, Lincoln County, Maine. Children were: Hellen M. COLBY, Christopher Columbus COLBY, William W. COLBY.
William G. COLBY was born on 13 FEB 1861 in Dalton, Coos County, New Hampshire. He appeared in the census on 4 AUG 1870 in Dalton, Coos County, New Hampshire. (living at home with father and mother.) He appeared in the census in 1880 in Dalton, Coos County, New Hampshire. (living with father) He died on 24 JUL 1885 at Dalton, Coos County, New Hampshire. Parents: Daniel S. COLBY and Louisa JESSAMAN.
William G. COLBY (twin) was born on 4 JUL 1883 in Maine. He appeared in the census on 12 JUN 1900 in Washington D.C.. (living at home with father and mother.) He appeared in the census on 21 APR 1910 in Limerick, York County, Maine. Parents: George Gilbert COLBY and Lillie K. BOOTHBY.
William Gallup COLBY was born on 30 AUG 1882 in Minneapolis, Hennepin County, Minnesota. He died on 30 DEC 1922 at Minneapolis, Hennepin County, Minnesota. Parents: Clarence Philip COLBY and Ella May WILLIAMS.
William Garrigues COLBY was born on 26 NOV 1892 in Pennsylvania. He appeared in the census on 5 JUN 1900 in Dauphin, Dauphin County, Pennsylvania. (living at home with father and mother.) He appeared in the census on 18 APR 1910 in Los Angeles, Los Angeles County, California. (living with grandmother Hartranft.) He died in 1919 at China. Parents: Henry H. COLBY and Virginia E. HARTRANFT.
Spouse: Louise Fidelia STOTT. William Garrigues COLBY and Louise Fidelia STOTT were married in MAR 1918. Children were: Virginia Louise COLBY.
William George COLBY was born about 1819 in Fairfax, Franklin County, Vermont. He died on 14 FEB 1884 at Fairfax, Franklin County, Vermont.
Name: William G. Colby
Death Date: 14 Feb 1884
Death Place: Fairfax, Vermont
Father's Name: Moses Colby
Father's Birthplace:
Mother's Name: Jane
Mother's Birthplace:
Indexing Project (Batch) Number: I06608-8
System Origin: Vermont-EASy
Source Film Number: 540075
Reference Number: alpha c p 561
Collection: Vermont Deaths and Burials, 1871-1965
Parents: Moses COLBY and Jane RICH.
William George COLBY was born on 30 APR 1885 in Topsham, Orange County, Vermont. He appeared in the census on 15 JUN 1900 in Topsham, Orange County, Vermont. (living at home with father and mother.) Parents: Edwin Roger COLBY and Martha Ellen EASTMAN.
Spouse: Sarah Lillian MASSEY. William George COLBY and Sarah Lillian MASSEY were married on 20 SEP 1916 in St. Johnsbury, Caledonia County, Vermont. (SOURCE: Ancestry.com; Vermont Marriage Records, 1909-2008.) Children were: Anna Ellen COLBY.
William George COLBY was born on 4 FEB 1907 in Illinois. He appeared in the census in 1910 in Cornwall, Henry County, Illinois. (living at home with father and mother.) He appeared in the census on 6 JAN 1920 in Cornwall, Henry County, Illinois. (living at home with father and mother.) He died in DEC 1975 at Illinois. He had Social Security Number 012-24-4607. Parents: William Davis COLBY V and Fannie Jane VAIL.
William Getchell COLBY was born on 17 DEC 1873 in Wells, York County, Maine. Parents: Jackson A. COLBY and Emma Caroline RICKER.
William Gibbs COLBY was born about 1920. He died on 16 MAR 1945 at World War II.
WWI, WWII, and Korean War Casualty Listings
Death Date: 16 Mar 1945
Cemetery: Tablets of the Missing at Henri-Chapelle American Cemetery
Cemetery Burial Plot: Missing in Action or Buried at Sea
Cemetery City: Henri-Chapelle
Cemetery Country: Belgium
Awards: Bronze Star
Title: Sergeant
Rank: Sergeant
Service: U.S. Army
Service ID: 31189482
Division: 423rd Infantry Regiment, 106th Infantry Division
Data Source: World War II Honor Roll
Parents: Clyde Willard COLBY and Nellie May MILLIS.
William Glen COLBY was born on 6 OCT 1926 in Rochester, Monroe County, New York. He appeared in the census on 5 APR 1930 in Irondequoit, Monroe County, New York. (living at home with father and mother.) He died on 17 JAN 2002 at Webster, Monroe County, New York. He had Social Security Number 114-14-3390. Parents: James Raymond COLBY and Letitia MILLER.
William Graham COLBY was born on 30 JUN 1853 in Amherst, Hillsborough County, New Hampshire. (SOURCE: Index to births, early to 1900 New Hampshire. Registrar of Vital Statistics.) He died on 29 JUL 1854 at Amherst, Hillsborough County, New Hampshire.
Mortuary notice,
July 29, Wm. Graham, son of Sylvester Colby, aged 13 months.
Parents: Sylvester COLBY and Rebecca WHEELER.
William Grant COLBY was born in 1867 in Columbus, Warren County, Pennsylvania. He died in SEP 1949 at Ocean City, Worcester County, Maryland. Parents: Henry Harrison COLBY and Sarah A. DRIGGS.
Spouse: Ora THOMAS. William Grant COLBY and Ora THOMAS were married about 1885 in Pennsylvania. Children were: Edith COLBY, Ruth COLBY, William Kenneth COLBY.
Spouse: Carrie TITUS. William Grant COLBY and Carrie TITUS were married about 1910.
William Grant COLBY was born on 11 JUN 1870 in Alexander, Genesee County, New York. He appeared in the census in 1880 in Alexander, Genesee County, New York. (living at home with father and mother) He appeared in the census in 1900 in Elba, Genesee County, New York. (living at home with father and mother.) He appeared in the census in 1910 in Pembroke, Genesee County, New York. He appeared in the census in 1920 in Pavillion, Genesee County, New York. He appeared in the census in 1930 in Batavia, Genesee County, New York. (SOURCE: FHL Film 414876, "Ancestry and descendants of the Darien (New York) Colbys : genealogy of five Colby brothers who came to Darien from Canaan, New Hampshire, about 1812" by Rex Chase Bartlett.) Parents: Jerome Bonaparte COLBY and Hannah CLARK.
Spouse: Ida FROST. William Grant COLBY and Ida FROST were married about 1897.
Spouse: Bessie L. BROWN. William Grant COLBY and Bessie L. BROWN were married about 1904. Children were: Unice D. COLBY, Norman J. COLBY, Merlyn A. COLBY.
William Greenleaf COLBY was born on 27 JAN 1820 in Manchester, Hillsborough County, New Hampshire. (NOTE: Date of birth is given as Jan 27 1828 in the :Abraham Colby book, which is incorrect.) He appeared in the census on 11 SEP 1850 in Londonderry, Rockingham County, New Hampshire. He appeared in the census on 21 JUN 1860 in Salem, Rockingham County, New Hampshire. In 1860 he was a wool spinner in Salem, Rockingham County, New Hampshire. He appeared in the census on 5 AUG 1870 in Lawrence, Essex County, Massachusetts. He appeared in the census in 1880 in Salem, Rockingham County, New Hampshire. He died on 28 JAN 1892 at Salem, Rockingham County, New Hampshire.
Name: William G Colby
Titles & Terms (Original):
Titles & Terms (Standardized):
Death Date (Original): 28 Jan 1892
Death Date (Standardized): 28 Jan 1892
Death Place: Salem
Race (Original): W
Race (Standardized): White
Estimated Birth Year: 1820
Birthplace: Bow, , ,
Spouse's Titles & Terms (Original):
Spouse's Titles & Terms (Standardized):
Father: Clark Colby
Father's Titles & Terms (Original):
Father's Titles & Terms (Standardized):
Mother's Titles & Terms (Original):
Mother's Titles & Terms (Standardized):
Clerk's Locality: Salem, , New Hampshire
Informant's Locality:
Film Number: 1001068
Digital Folder Number: 4243491
Collection: New Hampshire Death Records, 1654-1947
He was buried in the Pine Grove Cemetery at Salem, Rockingham County, New Hampshire (BOOK SOURCE: "A Genealogy of the Descendants of Abraham Colby and Elizabeth Blaisdell, his wife Who settled in Bow in 1768" By one of them, Concord, NH Printed by the Republican Press Association 1895.) Parents: Clark C. COLBY and Susanna MORSE.
Spouse: Laura MORSE. William Greenleaf COLBY and Laura MORSE were married on 12 MAY 1846 in New Hampshire. (SOURCE: FHL Number 1000976; COLBY, William G.; Marriage: Laura MORSE; Date: 12 May 1846; Recorded in: Birth and Marriage Index for New Hampshire.) Children were: Laura F. COLBY.
Spouse: Frances Emeline DOW. William Greenleaf COLBY and Frances Emeline DOW were married on 26 SEP 1851 in Lawrence, Essex County, Massachusetts. Children were: William D. COLBY, Alva E. COLBY, Ida Dow COLBY, Ada Dow COLBY, Emma Lillian COLBY, Evelyn M. COLBY, Sarah B. COLBY, Gertie M. COLBY.
William Guy COLBY was born on 24 JUN 1884 in Franklin, Merrimack County, New Hampshire. He appeared in the census on 16 JUN 1900 in Franklin, Merrimack County, New Hampshire. (living at home with father and mother.) He died on 28 SEP 1946 at Franklin, Merrimack County, New Hampshire. Parents: Harry E. COLBY and Louvia E. KENISTON.
Spouse: Ervilla E. NOYES. William Guy COLBY and Ervilla E. NOYES were married on 23 FEB 1907 in Franklin, Merrimack County, New Hampshire. Children were: Victor N. COLBY, Marcia COLBY, Phylis COLBY.
William H. COLBY was born on 26 JAN 1824 in Amesbury, Essex County, Massachusetts. He appeared in the census in 1880 in Merrimac, Essex County, Massachusetts.
Census Place:	Merrimac, Essex, Massachusetts
Source:	FHL Film 1254527 National Archives Film T9-0527 Page 161B
Relation	Sex	Marr	Race	Age	Birthplace
William H. COLBY	Self	M	M	W	56	MA
Occ: Carriage Mfr	Fa: MA	Mo: MA
Sophrona COLBY	Wife	F	M	W	54	NH
Occ: Keeping House	Fa: NH	Mo: NH
A. Wesley COLBY	Son	M	S	W	19	MA
Occ: Trimmer	Fa: MA	Mo: NH
William COLBY	Son	M	S	W	15	MA
Fa: MA	Mo: NH
Warren H. COLBY	Son	M	M	W	29	MA
Occ: Carriage Body Maker	Fa: MA	Mo: NH
Emily J. COLBY	Wife	F	M	W	31	MA
Occ: Keeping House	Fa: MA	Mo: MA
Fred H. COLBY	GSon	M	S	W	6	MA
Fa: MA	Mo: MA
Charles E. COLBY	GSon	M	S	W	4	MA
He died on 25 JUL 1912 at Merrimac, Essex County, Massachusetts. (SOURCE: NEHGS, Massachusetts Vital Records, 1841-1910.)
Name: William H Colby
Death place: Merrimacport,,Massachusetts
Race or color (expanded): White
Age in years: 88
Estimated birth year:
Birthdate: 26 Jan 1824
Birthplace: West Amesbury
Marital status: Widowed
Father's name: William Colby
Mother's name: Sally Carter
Digital GS number: 4283304
Collection: Massachusetts, Death Records, 1841 - 1915
He was buried on 27 JUL 1912 in the Church Street Cemetery at Merrimac, Essex County, Massachusetts SOURCES: (1) Early Vital Records of Essex County, Massachusetts to 1850, Amesbury; (2) "The Colby Family in Early America" by Frederick Lewis Weis, Caledonia, The Colonial Press, pub 1970. Parents: William COLBY and Sally CARTER.
Spouse: Sophronia SANBORN. William H. COLBY and Sophronia SANBORN were married on 25 MAY 1845 in Amesbury, Essex County, Massachusetts. Children were: Clementine Sanford COLBY, Warren Hale COLBY, Daughter COLBY, Fred Herbert COLBY, Alfred Wesley COLBY, William COLBY.
William H. COLBY was born in 1829 in New York. He appeared in the census in 1860 in North Plains, Ionia County, Michigan. He appeared in the census in 1870 in Canton, Wayne County, Michigan. He appeared in the census in 1880 in Ypsilanti, Washtenaw County, Michigan.
Spouse: Adelia (COLBY). William H. COLBY and Adelia (COLBY) were married in 1853 in New York. Children were: Frank COLBY, Edwin COLBY, Hattie COLBY, Emma COLBY, Charles COLBY, Warren COLBY, Mary COLBY.
William H. COLBY was born in 1829 in Bangor, Penobscot County, Maine. He appeared in the census on 23 AUG 1850 in Bangor, Penobscot County, Maine. (living at home with father and mother.) He appeared in the census on 27 JUN 1860 in Bangor, Penobscot County, Maine. He appeared in the census on 23 JUL 1870 in Bangor, Penobscot County, Maine. Parents: Timothy COLBY and Mary M. MAYHEW.
Spouse: Harriett (COLBY). William H. COLBY and Harriett (COLBY) were married about 1851 in Bangor, Penobscot County, Maine. Children were: Ella COLBY, Frederick A. COLBY.
William H. COLBY was born in 1833 in New Hampshire. He appeared in the census in 1850 in Atkinson, Rockingham County, New Hampshire. (living at home with father and mother.) Parents: Stephen COLBY and Clementina KIMBALL.
William H. COLBY was born in DEC 1843 in New Hampshire. He appeared in the census on 13 AUG 1850 in Haverhill, Essex County, Massachusetts. (living at home with father and mother.) He appeared in the census in 1860 in Haverhill, Essex County, Massachusetts. (living at home with mother.) He appeared in the census in 1870 in Haverhill, Essex County, Massachusetts. He appeared in the census in 1880 in Haverhill, Essex County, Massachusetts. He appeared in the census in 1900 in Haverhill, Essex County, Massachusetts. He appeared in the census on 4 MAY 1910 in Haverhill, Essex County, Massachusetts. He appeared in the census on 22 JAN 1920 in Haverhill, Essex County, Massachusetts. Parents: Abraham COLBY and Betsey LORD.
Spouse: Ella F. DAVIS. William H. COLBY and Ella F. DAVIS were married on 21 FEB 1877 in Haverhill, Essex County, Massachusetts. (SOURCE: NEHGS, Massachusetts Vital Records, 1841-1910.) Children were: Ethel Grace COLBY, Florence Marion COLBY.
William H. COLBY was born on 22 FEB 1843 in Portland, Cumberland County, Maine. (SOURCE: FHL Film 0012012; Records of births, v. 4-10, 1782-1892; index to births, 1712-1891 Portland (Maine). City Clerk.) He appeared in the census on 18 NOV 1860 in Portland, Cumberland County, Maine. (living at home with father and mother.) Parents: Henry COLBY and Jane (COLBY).
William H. COLBY was born in JAN 1845 in Loramie, Shelby County, Ohio. He appeared in the census on 28 OCT 1850 in Loramie, Shelby County, Ohio. (living at home with father and mother.) He appeared in the census on 23 JUL 1860 in Loramie, Shelby County, Ohio. (living at home with father.) He appeared in the census in JUN 1880 in Loramie, Shelby County, Ohio. He appeared in the census on 11 JUN 1900 in Loramie, Shelby County, Ohio. He appeared in the census on 4 MAY 1910 in Loramie, Shelby County, Ohio. He appeared in the census on 19 JAN 1920 in Loramie, Shelby County, Ohio. (living with son Joseph.) He died on 27 JUL 1920 at Miami County, Ohio. (SOURCE: Ohio Deaths, 1908-1944 and 1958-2002.) Parents: Joseph Samuel COLBY and Abigal JOHNSON.
Spouse: Mary J. NOLAND. William H. COLBY and Mary J. NOLAND were married on 9 APR 1868 in Shelby County, Ohio. (SOURCE: Ohio Marriages, 1803-1900; Name: COLBY, WILLIAM H.; Spouse: NOLAND, MARY J.; Marriage Date: 9 Apr 1868; County: Shelby; State: OH.) Children were: Ollie COLBY, Annie M. COLBY, Harry Ward COLBY, Della D. COLBY.
Spouse: Evilan Barbry "Eva" LOBENSTEIN. William H. COLBY and Evilan Barbry "Eva" LOBENSTEIN were married on 20 SEP 1887 in Ohio. Children were: Samuel Harold COLBY, Joseph Stanley COLBY, Homer R. COLBY.
William H. COLBY was born in JAN 1847 in Lawrence, Essex County, Massachusetts. He appeared in the census in 1850 in St. Johnsbury, Caledonia County, Vermont. (living with father) (BOOK SOURCE: "The Colby Family in Early America" by Frederick Lewis Weis, Caledonia, The Colonial Press, pub 1970.) Parents: George Washington COLBY and Harriet Newell BRICKETT.
Spouse: Mary EASTBURN. William H. COLBY and Mary EASTBURN were married date unknown.
William H. COLBY was born on 11 DEC 1853 in Hutchinson, McLeod County, Minnesota. SOURCE: FHL Film 414876, "Ancestry and descendants of the Darien (New York) Colbys : genealogy of five Colby brothers who came to Darien from Canaan, New Hampshire, about 1812" by Rex Chase Bartlett. Parents: George H. COLBY and Emma PARDEE.
Spouse: Sarah E. DENNISON. William H. COLBY and Sarah E. DENNISON were married on 30 DEC 1874. Children were: Mary COLBY.
William H. COLBY was born on 9 AUG 1856 in Gloucester, Essex County, Massachusetts. He appeared in the census on 30 JUN 1860 in Gloucester, Essex County, Massachusetts. (living at home with father and mother.) He appeared in the census in 1880 in Gloucester, Essex County, Massachusetts. (living at home with mother.) Parents: Samuel COLBY and Mary CRAWLEY.
William H. COLBY was born on 29 OCT 1866 in Merrimack, Hillsborough County, New Hampshire. He appeared in the census in 1870 in Merrimack, Hillsborough County, New Hampshire. (living at home with father and mother.) He appeared in the census on 27 JAN 1920 in Londonderry, Rockingham County, New Hampshire. He died on 5 DEC 1922 at Londonderry, Rockingham County, New Hampshire. He was buried in the Pleasant View Cemetery at Londonderry, Rockingham County, New Hampshire Parents: Daniel M. COLBY and Eliza Ann (Hall) SNOW.
Spouse: Anna C. BROOKS. William H. COLBY and Anna C. BROOKS were married on 17 JUN 1897 in Londonderry, Rockingham County, New Hampshire. SOURCE: FHL Number 1000976; COLBY, William H. Age: 30 years, Marriage: Anna C. BROOKS Age: 17 years, Date: 17 Jun 1897; Recorded in: Birth and Marriage Index for New Hampshire. Children were: Ruth A. COLBY, John H. COLBY, Eliza A. COLBY, Dr. Edward W. COLBY M.D..
William H. COLBY was born on 28 JAN 1868 in New Hampshire. He appeared in the census in JUN 1880 in Averill, Essex County, Vermont. (living with Charles and Mary Baker family.) He appeared in the census on 5 JUN 1900 in Lennington, Essex County, Vermont. He appeared in the census in 1910 in Lennington, Essex County, Vermont. He appeared in the census in 1920 in Barton, Orleans County, Vermont. He died on 26 APR 1945 at Newport, Orleans County, Vermont. (SOURCE: Ancestry.com; Vermont Death Records, 1909-2008.) He was buried in the Pleasant View Cemetery at Orleans, Orleans County, Vermont Parents: Jesse M. COLBY and Betsey BAKER.
Spouse: Myrtie I. (COLBY). William H. COLBY and Myrtie I. (COLBY) were married in 1889. Children were: Wesley Carlton COLBY, Ethel M. COLBY, Carl W. COLBY.
William H. COLBY was born on 2 AUG 1877 in McHenry, McHenry County, Illinois. He appeared in the census in 1880 in McHenry, McHenry County, Illinois. (living with father) He died on 30 MAR 1950. (BOOK SOURCE: "The Colby Family in Early America" by Frederick Lewis Weis, Caledonia, The Colonial Press, pub 1970.) Parents: Henry C. COLBY and Flora C. HARRIS.
Spouse: Blanche GOODMAN. William H. COLBY and Blanche GOODMAN were married about 1908. Children were: Genevieve COLBY.
William H. COLBY was born on 12 FEB 1897 in Colebrook, Coos County, New Hampshire. He appeared in the census on 21 APR 1910 in Concord, Merrimack County, New Hampshire. (living at home with father and mother.) Parents: George Henry COLBY and Aurelia Birthilda MITCHEL.
William H. COLBY was born on 12 MAR 1897 in Bedford, Hillsborough County, New Hampshire.
Name: William Henry Colby
Place of Birth: Bedford, Hillsborough, New Hampshire, United States
Father's Name: Daniel Colby
Mother's Name: Annie Blanche Nichols
Place Recorded: Bedford, Hillsborough, New Hampshire, United States
GS Film Number: 1000378
Collection: New Hampshire Birth Records, Early to 1900
He died on 17 APR 1937 at Manchester, Hillsborough County, New Hampshire.
Name: William H. H. Colby
Death Date (Original): 17 Apr 1937
Death Date (Standardized): 17 Apr 1937
Death Place: Manchester, , New Hampshire
Race (Original):
Race (Standardized):
Spouse: Gertrude E. Copson
Father: Daniel O. Colby
Mother: Annie B. Nichols
Clerk's Locality:
Image Number: 441
Parents: Daniel Oscar COLBY and Anna Blanchard NICHOLS.
William H. COLBY was born on 3 MAR 1921 in Saugus, Essex County, Massachusetts. He died on 26 NOV 1978 at Holyoke, Hampden County, Massachusetts. Parents: Henry Sylvester COLBY and Caroline L. LOVEJOY.
William H. C. COLBY was born in 1841 in Salem, Essex County, Massachusetts. He appeared in the census in 1850 in Salem, Essex County, Massachusetts. (living with father) Parents: James T. COLBY and Elizabeth CLEMMONS.
William H. C. COLBY was born in 1908 in Paris, Oxford County, Maine. He appeared in the census on 14 MAY 1910 in Paris, Oxford County, Maine. (living at home with father and mother.) He appeared in the census on 30 JAN 1920 in Paris, Oxford County, Maine. (living at home with father and mother.) He appeared in the census in APR 1930 in Paris, Oxford County, Maine. Parents: Scott Orange COLBY and Anna Hannaford CHASE.
Spouse: Esther CURTIS. William H. C. COLBY and Esther CURTIS were married on 16 APR 1927 in Paris, Oxford County, Maine. Children were: Elizabeth A. COLBY, Earle William COLBY.
William H. S. COLBY was born about 1860 in Manchester, Hillsborough County, New Hampshire. He died before 1880 at Manchester, Hillsborough County, New Hampshire. Parents: Samuel COLBY and Louisa A. PHILIPS.
William Hall COLBY was born on 24 MAY 1852 in New York City, New York County, New York. He died on 12 JUL 1917 at Chili, Monroe County, New York. Parents: Salmon Barrett COLBY and Margaret Coffin HILL.
William Hannibal COLBY was born on 17 NOV 1805 in Gardiner, Kennebec County, Maine. SOURCES: (1) FHL Film 0010595; Town and vital records, 1737-1911 Brunswick (Maine). Town Clerk.) (2) Vital records of Gardiner, Maine : to the year 1892 (Lists dob as 17 Nov 1807). He appeared in the census in 1850 in Falmouth (Portland), Cumberland County, Maine.
William H. Colby 45 M Farmer $800. ME
Sarah 35 F ME
Elizabeth P. 11 F ME Y
Lucretia J. 9 F ME Y
John P. 7 M ME Y
Rovenah 5 F ME Y
In 1870 he was a Town Alms House Keeper in Brunswick, Cumberland County, Maine. He appeared in the census on 5 JUL 1870 in Brunswick, Cumberland County, Maine. He appeared in the census in 1880 in Brunswick, Cumberland County, Maine.
Census Place: Brunswick, Cumberland, Maine
Source: FHL Film 1254477 National Archives Film T9-0477 Page 54B
Relation Sex Marr Race Age Birthplace
William H. COLBY Self M M W 72 ME
Occ: Farmer Fa: ME Mo: ME
Clarissa COLBY Wife F M W 64 ME
Occ: Keeping House Fa: ME Mo: ME
Lincoln H. COLBY Son M S W 19 ME
Occ: Laborer Fa: ME Mo: ME
He died on 7 JUN 1883 at Brunswick, Cumberland County, Maine. He has Ancestral File Number 1F78-CQ6. Obituary in the Brunswick Telegraph newspaper for June 8, 1883,
(p. 3,col. 2) A follow on comment -
June 15, 1883 - page 2; "We intended to give a word to W.H. Colby last week when recording the death of this old citizen, one of the first to call on us, after we commenced to publish TELEGRAPH, to renew his subscription. Dr. McKeen had informed him that we had served as Private Sec. to the elder Com. J. Downes on the Boston station. Mr Colby served as Quartermaster on the Potomac, commanded by Com. Downes when he bombarded and reduced to submission the natives of Quallah Battou on the island of Sumatra, for some murderous rascality of theirs. We had a pleasant talk then, of those days being sailors, not bedeviled by steam. The deceased was a man of marked intelligence and he exhibited his sailor characteristics in hailing us as a shipmate, though we had served the same officer years apart and we had never been at sea. We know Mr. Colby's worth when he spoke generally and favorably of the officers with whom he had served."
William H. listed his occupation as "Circumnavigator of the globe" which indeed he was. His ship, the Potomac, after crushing the Pepper Pirates" continued on to the Philippines, China and the Sandwich Islands. Then to the West Coast of South America where they became the station ship calling on various ports and showing the flag. The entire voyage took three years. There were 500 people on the ship when they left New York. 25 were lost from various causes during the voyage. This was considered an unusually low number for that time.
Parents: Ebenezer COLBY and Mehitable COWAN.
Spouse: Sarah PINKHAM. William Hannibal COLBY and Sarah PINKHAM were married on 3 DEC 1837 in Maine. Children were: Elizabeth P. COLBY, Lucretia J. COLBY, John P. COLBY, Rovena COLBY, Valentine Green COLBY.
Spouse: Clarissa M. PRAY. William Hannibal COLBY and Clarissa M. PRAY were married on 13 SEP 1857 in Brunswick, Cumberland County, Maine. (SOURCE: FHL Film 0010595; Town and vital records, 1737-1911 Brunswick (Maine). Town Clerk.) Children were: Walter J. COLBY, Lincoln Hannibal COLBY.
William Harmon COLBY was born on 2 JUL 1904 in Clear Lake, Union Twp, Cerro Gordo County, Iowa. He appeared in the census on 17 APR 1910 in Sunnyside, Yakima County, Washington. (living at home with father and mother.) He appeared in the census on 8 JAN 1920 in Sunnyside, Yakima County, Washington. (living at home with father and mother.) He died on 19 JUN 1977 at Yakima, Yakima County, Washington.
Tri City Herald
Pasco, WA
W. HARMON COLBY
2 Jul 1904 - 19 Jun 1977
YAKIMA -- W. Harmon Colby, 73, of 409 So. 47th Ave., died Sunday at Yakima Valley Memorial Hospital.
He was born in Clear Lake, Iowa, and moved to Sunnyside at an early age.
He served as superintendent of the Riverside School District in Spokane, the Lower Snoqualmie School District and the Twisp School District.
He moved to Yakima in 1966, when he retired.
He was one of the developers of driver's education in the state, and was a member of the Sunnyside Methodist Church, the Sunnyside Masonic Lodge and Twisp Kiwanis.
Survivors include his wife, Madeline Colby, Yakima; a daughter, Judy Trainer, Prosser; sons, David Colby, Selah, and Craig Colby, Wenatchee; sister, May Rogers, Seattle; brothers, Bert Colby, Quincy, Lee Colby and Dr. Merton Colby, both of Sunnyside; also eight grandchildren.
Funeral services will be at 10 a.m. Wednesday at Keith and Keith Funeral Home, Yakima, with Dr. Lawrence Linnemann officiating.
Burial will be in the Tahoma Cemetery, Yakima, under the direction of Keith and Keith Funeral Home.
He had Social Security Number 537-07-1489 . Parents: Isaac Wynn COLBY and Hilda Agnes SHOGREN.
William Harvey COLBY was born in 1868. He appeared in the census in 1880 in Manheim, Herkimer County, New York. (living with father) Parents: Malcolm Edward COLBY and Jane Elizabeth HOUGHTALING.
Spouse: Amy BARNES. William Harvey COLBY and Amy BARNES were married about 1888.
William Hazen COLBY was born on 23 OCT 1828 in Ellsworth, Hancock County, Maine. He appeared in the census on 22 AUG 1850 in Waltham, Hancock County, Maine. (living at home with father and mother.) In 1860 he was a ships carpenter in Chelsea, Suffolk County, Massachusetts. He appeared in the census in 1860 in Chelsea, Suffolk County, Massachusetts. In 1870 he was a ships carpenter in Norridgewock, Somerset County, Maine. He appeared in the census in 1870 in Norridgewock, Somerset County, Maine. In 1880 he was a Ships Carpenter in Norridgewock, Somerset County, Maine. He appeared in the census in 1880 in Norridgewock, Somerset County, Maine. He appeared in the census in 1900 in Norridgewock, Somerset County, Maine. SOURCE: "A Genealogy of the Descendants of Abraham Colby and Elizabeth Blaisdell, his wife Who settled in Bow in 1768" By one of them, Concord, NH Printed by the Republican Press Association 1895. Parents: Eli COLBY and Sarah Hardison JORDAN.
Spouse: Caroline Matilda TAYLOR. William Hazen COLBY and Caroline Matilda TAYLOR were married on 8 OCT 1857 in Somerset County, Maine. (SOURCE: FHL Film 0012210; Records, 1833-1890 Maine. Court of County Commissioners (Somerset County).) Children were: Henry T. COLBY, Charles Benjamin COLBY.
William Henry COLBY was born about 1806 in Weare, Hillsborough County, New Hampshire. He died young. (BOOK SOURCE: "The Colby Family in Early America" by Frederick Lewis Weis, Caledonia, The Colonial Press, pub 1970.) Parents: Levi COLBY and Sally ARCHILAS.
William Henry COLBY was born on 30 JAN 1830 in Hampton, Rockingham County, New Hampshire. (from 1900 census.) He appeared in the census on 10 AUG 1860 in Ela, Lake County, Illinois. He appeared in the census on 22 JUL 1870 in Cuba, Lake County, Illinois. He appeared in the census on 1 JUN 1880 in Barrington, Cook County, Illinois. He appeared in the census on 4 JUN 1900 in Vernon, Lake County, Illinois. He died on 3 JAN 1911 at Ivanhoe, Lake County, Illinois.
Spouse: Fanny Hutchison HUNNEWELL. William Henry COLBY and Fanny Hutchison HUNNEWELL obtained a marriage license on 11 MAY 1855 in Lake County, Illinois. (SOURCE: Illinois Statewide Marriage Index, 1763-1900. Listed as William Colby and Fanny Hummell.) They were married on 25 MAY 1855 in Lake County, Illinois. (SOURCE: Illinois Statewide Marriage Index, 1763–1900.) Children were: William Wallace COLBY, Clara COLBY, Urbane COLBY, Fanny S. COLBY, Mason S. COLBY, Mattie COLBY, Lillis G. COLBY.
William Henry COLBY was born on 20 APR 1841 in Webster (Sabattus), Androscoggin County, Maine. (SOURCE: FHL Film 0012319; Vital records, 1840-1891 Webster (Androscoggin County, Maine). Town Clerk.) He appeared in the census in 1850 in Webster (Sabattus), Androscoggin County, Maine. (living at home with father and mother.) He appeared in the census in 1880 in Sumner, Oxford County, Maine.
Census Place: Sumner, Oxford, Maine
Source: FHL Film 1254484 National Archives Film T9-0484 Page 343B
Wm. H. COLBY Self M M W 38 ME
Occ: Blacksmith Fa: MA Mo: ME
Addie L. COLBY Wife F M W 27 ME
Occ: Keeping House Fa: MA Mo: ME
Fred B. COLBY Son M S W 11 ME
Occ: At School Fa: MA Mo: ME
Susen E. COLBY Dau F S W 9 ME
Fred R. BARRET Other M W 26 ME
He died on 8 OCT 1887 at Andover, Oxford County, Maine. He was buried in Andover, Oxford County, Maine. (Old Woodlawn Cemetery.) Parents: Elias COLBY and Susannah BUBIER.
Spouse: Lucinda Adelaide BARRETT. William Henry COLBY and Lucinda Adelaide BARRETT were married on 20 SEP 1868 in Rumford, Oxford County, Maine. Children were: Fred B. COLBY, Susan Ethel COLBY.


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text:
Marie douceur, Marie colère
Femmes de Paris, Vol. 1 2002
La playa (Remastered)
Les vendanges de l´amour (Remastered) - EP 2000
Saint Tropez blues
Saint Tropez blues, extraits (Original Motion Picture Soundtrack, Mono Version) - Single 1961
Et Si Je T'aime
Late Night Tales: Belle and Sebastian, Vol. 2 (Sampler) 2012
Marie doucerur, Marie Colère
The Most Beautiful French Songs, Vol. 4 1999
Saint-Tropez blues
Nouvelle vague 2016
Mon amour, mon ami
Popp Songs 2019
Les vendanges de l'amour (Remastered)
Manchester et Liverpool
About Marie Laforêt
Popular throughout the 1960s and '70s, Marie Laforêt is a French pop singer who garnered fame initially as a film actress during the early to mid-'60s. Born Maïténa Doumenach to parents of Armenian heritage on October 5, 1939, in Soulac-sur-Mer, Aquitaine, France, she made her film debut in 1960 in the René Clément drama Plein Soleil, a big-screen adaptation of the Patricia Highsmith novel The Talented Mr. Ripley. Plein Soleil not only launched the acting career of Laforêt; it also made a cinema star of actor Alain Delon. In the wake of her showbiz breakthrough, Laforêt was offered one role after another, notably beginning with Saint Tropez Blues (1961) and La Fille aux Yeux d'Or (1961). Her onscreen performance of the title song from the former film, "Saint Tropez Blues," essentially launched her singing career while La Fille aux Yeux d'Or, on the other hand, earned her the nickname the Girl with the Golden Eyes. In the mode of a folksinger, Laforêt's recording career took flight in 1963 in association with the label Disques Festival; among her more notable early recordings was a cover of Bob Dylan's "Blowin' in the Wind." She made her full-length album debut in 1964 with a self-titled album comprised of her recording output to date. Successive self-titled full-length albums were released throughout the remainder of the 1960s and were likewise comprised of previously released EP material. In the 1970s Laforêt more or less abandoned acting and focused instead on a series of recordings released in association with the Polydor label. She had some major hits during this period, most notably "Viens, Viens" (1973) and "Il a Neigé sur Yesterday" (1977). With the exception of Viens, Viens (1973), the majority of her full-length albums were once again self-titled. Similar to how Laforêt had abandoned acting in favor of music-making during the 1970s, she returned to the cinema in the 1980s and left music behind. A long line of best-of compilations would be released in later years, generally focusing on either her 1960s output on Festival or her 1970s output on Polydor. ~ Jason Birchmeier
Perigord, France


Human Rights Watch has just released a report entitled, "Once You Enter, You Never Leave". This is a searing indictment of the failure of the state to free disabled people from institutions in the country.
Although the government has promised to move people out of institutions and support them in the community, rather than shrinking, institutional provision is increasing. It is also clear from many reports that these places are hotbeds of systematic human rights abuse.
Between 70 and 100 percent of residents of some institutions for persons with intellectual or mental impairments are put there without their consent or the opportunity to challenge the decision. Furthermore, once they are admitted most remain there for the rest of their lives. All this has happened despite the fact that Croatia has ratified the CRPD that says disabled people should have the right to live as equal citizens within the community. The apparent refusal to close institutions also goes against a 2006 agreement with the European Commission to end the practice of institutional segregation.
The responsibility for this sorry state of affairs lays primarily with Ministry of Health and Social Welfare, which has yet to create a plan for deinstitutionalization, let alone take concrete steps to move disabled people out of institutions and into community-based support programs.
Croatia is not alone in letting down disabled people in this way. The former Yugoslav republics of Serbia, Bosnia and Kosovo have also faced similar criticism from the UN Human Rights Council.