text:
The Ultimate Pop/Rock Fake Book - In C
By Various
Piano, Vocal, Guitar sheet music
C Instrument sheet music
Electric Guitar sheet music
Hal Leonard Fake Books
The Ultimate... Fake Books
(28) 28 Reviews Write a Review
https://www.sheetmusicplus.com/title/the-ultimate-pop-rock-fake-book-in-c-sheet-music/2889189?aff_id=68820&%25253BNtt=Abs+Spin
Guitar, C Instruments, Piano/Vocal - Difficulty: easy-medium
4th Edition. By Various. By Various. Hal Leonard Fake Books. Pop Rock, Rock and Pop. Fake book. With vocal melody, lyrics and chord names. 584 pages. Published by Hal Leonard (HL.240099).
Item Number: HL.240099
ISBN 079357000X. 9x12 inches.
The revised edition of this fab ulous fake book features 600 songs from the mid-'50s to today's hottest hits! Includes melody lines, lyrics and chords.
About Hal Leonard Fake Books
A "fake book" contains songs written in a concise format that includes only the melody and chords, letting you interpret the song's performance as you feel is appropriate. This is great for quickly learning songs by yourself or with an ensemble.
Each song in a fake book only has a single melody actually written out in notes, which is usually the vocal or lead melody. This melody will have the lyrics written beneath the notes, with each word aligned to its corresponding note. Above the notes of the melody will appear the names of the appropriate chords to play - for example, a "C minor" chord would be written as "Cmin" or Cm", rather than writing out all of the notes in those chords as they appeared in the original version of the song.
This format is very compact, which is why you will often see fakebooks containing 500 or more songs.
I'd Do Anything For Love (But I Won't Do That) Performed by Meat Loaf
Hero Performed by Mariah Carey
Precious And Few Performed by Climax
Breathe Again Performed by Toni Braxton
Baby What A Big Surprise Performed by Chicago
All For Love Performed by Bryan Adams,Rod Stewart,Sting
Lowdown Performed by Boz Scaggs
ABC Performed by The Jackson 5
Abraham, Martin And John
Can you feel the love tonight Performed by Elton John
I'll Make Love To You Performed by Boyz II Men
Hold My Hand Performed by Hootie And The Blowfish
Ain't No Mountain High Enough Performed by Marvin Gaye, Tammy Terrell, Diana Ross
Abracadabra Performed by The Steve Miller Band
Colors Of The Wind Performed by Vanessa Williams
Chevy Van Performed by Sammy Johns
December 1963 (Oh, What A Night) Performed by The 4 Seasons
I Believe Performed by Blessid Union Of Souls
Only Wanna Be With You Performed by Hootie And The Blowfish
Fantasy Performed by Mariah Carey
One Sweet Day Performed by Mariah Carey & Boyz II Men
Always Be My Baby Performed by Maria Carey
All Around The World Performed by Lisa Stansfield
Someday Performed by All-4-One
All I Have To Do Is Dream Performed by The Everly Brothers
Change the World Performed by Eric Clapton
Give Me One Reason Performed by Tracy Chapman
My Eyes Adored You Performed by Frankie Valli
All Out Of Love Performed by Air Supply
All Shook Up Performed by Elvis Presley
Almost Paradise Performed by Mike Reno, Ann Wilson
Alone Performed by Heart
Alone Again (Naturally) Performed by Gilbert O'Sullivan
Always on My Mind Performed by Willie Nelson
And When I Die Performed by Blood Sweat And Tears
Angel Of The Morning Performed by Merrilee Rush, Juice Newton
Angie Performed by The Rolling Stones
Another One Bites The Dust Performed by Queen
At The Hop Performed by Danny And The Juniors
Baby I Need Your Lovin' Performed by Four Tops, Johnny Rivers
Baby Love Performed by The Supremes
Barbara Ann Performed by The Beach Boys
Beauty And The Beast Performed by Celine Dion, Peabo Bryson
Ben Performed by Michael Jackson
Beyond the Sea Performed by Bobby Darin
A Big Hunk O' Love Performed by Elvis Presley
Blue Bayou Performed by Linda Ronstadt
Blue Suede Shoes Performed by Carl Perkins, Elvis
Blueberry Hill Performed by Fats Domino
Book Of Love Performed by The Monotones
Born Free Performed by Roger Williams
Brand New Key Performed by Melanie
Brandy (You're A Fine Girl) Performed by Looking Glass
Breaking Up Is Hard To Do Performed by Neil Sedaka
Bye Bye Love Performed by The Everly Brothers
Calendar Girl Performed by Neil Sedaka
Can't Buy Me Love Performed by The Beatles
Can't Help Falling in Love Performed by Elvis Presley
Chantilly Lace Performed by The Big Bopper
Chariots Of Fire Performed by Vangelis
Charlie Brown Performed by The Coasters
Cherish Performed by The Association
(They Long To Be) Close To You Performed by The Carpenters
Copacabana (At The Copa) Performed by Barry Manilow
Could It Be Magic Performed by Barry Manilow
Crying Performed by Roy Orbison, Don McLean
Dancing In The Street Performed by Martha & The Vandellas, Mick Jagger & David Bowie
Day Tripper Performed by The Beatles
Daydream Performed by The Lovin' Spoonful
Dedicated To The One I Love Performed by The Shirelles, The Mamas & The Papas
You're The Devil In Disguise Performed by Elvis Presley
Devil Or Angel Performed by Bobby Vee
Did You Ever Have To Make Up Your Mind? Performed by The Lovin' Spoonful
Do It ('Til You're Satisfied) Performed by B.T. Express
Don't Be Cruel (To A Heart That's True) Performed by Elvis, Cheap Trick
Don't Go Breaking My Heart Performed by Elton John & Kiki Dee
Don't Know Much Performed by Linda Ronstadt & Aaron Neville
Don't Let The Sun Go Down On Me Performed by Elton John
Dream Baby (How Long Must I Dream) Performed by Roy Orbison
Dreamlover Performed by Bobby Darin
Duke Of Earl Performed by Gene Chandler
Dust In The Wind Performed by Kansas
Earth Angel Performed by Crew-Cuts, Penguins
Eleanor Rigby Performed by The Beatles
Endless Love Performed by Diana Ross & Lionel Richie, Luther Vandross & Mariah Carey
Eternal Flame Performed by The Bangles
Every Breath You Take Performed by The Police
Every Little Thing She Does Is Magic Performed by The Police
Everybody Have Fun Tonight Performed by Wang Chung
Everytime You Go Away Performed by Paul Young
Eye In The Sky Performed by Alan Parsons Project
Faith Performed by George Michael
Fast Car Performed by Tracy Chapman
Flashdance...What a Feeling Performed by Irene Cara
Fly Like An Eagle Performed by Steve Miller
Footloose Performed by Kenny Loggins
For Your Precious Love Performed by Jerry Butler & The Impressions
Forever Your Girl Performed by Paula Abdul
Both To Each Other (Friends and Lovers) Performed by Gloria Loring,Carl Anderson
Georgy Girl Performed by The Seekers
Girls Just Want To Have Fun Performed by Cyndi Lauper
Gloria Performed by Shadows Of Knight
Go Away, Little Girl Performed by Steve Lawrence, Donny Osmond
Good Lovin' Performed by Young Rascals
Good Luck Charm Performed by Elvis Presley
Goodbye Cruel World Performed by James Darren
Got My Mind Set On You Performed by George Harrison
Grazing In The Grass Performed by Hugh Masekela
Grease Performed by Frankie Valli
Great Balls of Fire Performed by Jerry Lee Lewis
The Green Door Performed by Jim Lowe
Groovin' Performed by Young Rascals
A Groovy Kind Of Love Performed by Mindbenders, Phil Collins
Gypsys, Tramps And Thieves Performed by Cher
Hanky Panky Performed by Tommy James & The Shondells
Happy Days Performed by Pratt & McClain
Happy, Happy Birthday Baby Performed by The Tune Weavers
Happy Together Performed by The Turtles
A Hard Day's Night Performed by The Beatles
Hard Habit to Break Performed by Chicago
Hard to Say I'm Sorry Performed by Chicago
He's A Rebel Performed by The Crystals
Heart And Soul Performed by T'Pau
Heartbreak Hotel Performed by Elvis Presley
Heat of the Moment Performed by Asia
Heatwave (Love Is Like A Heatwave) Performed by Martha & The Vandellas, Linda Ronstadt
Heaven Performed by Byan Adams
Heaven Is A Place On Earth Performed by Belinda Carlisle
Hello Mary Lou Performed by Ricky Nelson
Here And Now Performed by Luther Vandross
Hey Jude Performed by The Beatles
Hi-Heel Sneakers Performed by Tommy Tucker
His Latest Flame Performed by Elvis Presley
Hold Me Now Performed by Thompson Twins
Hot Stuff Performed by Donna Summer
Hound Dog Performed by Elvis Presley
How Am I Supposed To Live Without You Performed by Michael Bolton
How Can You Mend A Broken Heart Performed by Bee Gees
How Deep Is Your Love Performed by Bee Gees
How Sweet It Is (To Be Loved By You) Performed by James Taylor
Hurting Each Other Performed by The Carpenters
I Almost Lost My Mind Performed by Pat Boone
I Can't Help Myself (Sugar Pie, Honey Bunch) Performed by The Four Tops
I Got a Woman Performed by Jimmy McGriff
I Hear A Symphony Performed by The Supremes
I Love Rock 'N Roll Performed by Joan Jett And The Blackhearts
I Need Your Love Tonight Performed by Elvis Presley
I Want You, I Need You, I Love You Performed by Elvis Presley
I Write The Songs Performed by Barry Manilow
I'll Be There Performed by Jackson 5, Mariah Carey
I'm Henry VIII, I Am Performed by Herman's Hermits
(i've Had) The Time Of My Life Performed by Bill Medley,Jennifer Warnes
If Performed by Bread
If I Were A Carpenter Performed by Bobby Darin
If You Love Somebody Set Them Free Performed by Sting
Imagine Performed by John Lennon
In The Still Of The Nite (I'll Remember) Performed by Boyz II Men
Island Girl Performed by Elton John
Islands In The Stream Performed by Kenny Rogers,Dolly Parton
It Never Rains (In Southern California) Performed by Albert Hammond
It's All In The Game Performed by Tommy Edwards
It's Just A Matter Of Time Performed by Brook Benton
It's My Party Performed by Lesley Gore
It's Now Or Never Performed by Elvis Presley
It's Still Rock And Roll To Me Performed by Billy Joel
Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini Performed by Brian Hyland
Jive Talkin' Performed by Bee Gees
The Joker Performed by Steve Miller
Just My Imagination (Running Away With Me) Performed by The Temptations
Just The Way You Are Performed by Billy Joel
Keep On Dancing Performed by The Gentrys
King Of Pain Performed by The Police
King Of The Road Performed by Roger Miller
Kiss You All Over Performed by Exile
Knock Three Times Performed by Dawn
Kokomo Performed by The Beach Boys
Last Kiss Performed by J. Frank Wilson & The Cavaliers
Last Train To Clarksville Performed by The Monkees
Laughter In The Rain Performed by Neil Sedaka
Lay Down Sally Performed by Eric Clapton
Layla Performed by Derek & The Dominos, Eric Clapton
Leader Of The Pack Performed by The Shangri-Las
Let Me In Performed by Sensations
Like A Virgin Performed by Madonna
Little Jeannie Performed by Elton John
The Little Old Lady (From Pasadena) Performed by Jan And Dean
Livin' On A Prayer Performed by Bon Jovi
The Loco-motion Performed by Little Eva, Grand Funk, Kylie Minogue
Lollipop Performed by The Chordettes
Long Tall Sally Performed by Little Richard, The Beatles
Longer Performed by Dan Fogelberg
Lost In Your Eyes Performed by Debbie Gibson
Love Me Tender Performed by Elvis Presley
Love Shack Performed by The B-52's
Love Takes Time Performed by Mariah Carey
Love Will Keep Us Together Performed by The Captain & Tennille
A Lover's Concerto Performed by The Toys
A Lover's Question Performed by Clyde McPhatter
Maggie May Performed by Rod Stewart
Mama Told Me (Not to Come) Performed by Three Dog Night
Mandy Performed by Barry Manilow
Maneater Performed by Hall & Oates
Maniac Performed by Michael Sembello
Massachusetts (The Lights Went Out) Performed by Bee Gees
Me And Bobby McGee Performed by Janis Joplin
Memory Performed by Barry Manilow
Mickey Performed by Toni Basil
Mission: Impossible Theme Performed by Adam Clayton & Larry Mullen
Mr. Lee Performed by The Bobbettes
Moments To Remember Performed by The Four Lads
Mrs. Brown You've Got a Lovely Daughter Performed by Herman's Hermits
My Girl Performed by The Temptations
My Guy Performed by Mary Wells
My Sweet Lord Performed by George Harrison
Na Na Hey Hey Kiss Him Goodbye Performed by Steam, Nylons
Never Can Say Goodbye Performed by The Jackson 5
The Next Time I Fall Performed by Peter Cetera, Amy Grant
Night Fever Performed by Bee Gees
Nightshift Performed by The Commodores
Nothing's Gonna Stop Us Now Performed by Starship
Oh, Pretty Woman Performed by Roy Orbison, Van Halen
On Broadway Performed by The Drifters, George Benson
One Fine Day Performed by The Chiffons
One Less Bell To Answer Performed by The 5th Dimension
One More Night Performed by Phil Collins
The One That You Love Performed by Air Supply
One Toke Over The Line Performed by Brewer & Shipley
Only The Lonely (Know The Way I Feel) Performed by Roy Orbison
Over The Mountain, Across The Sea Performed by Johnnie & Joe
Owner of a Lonely Heart Performed by Yes
Papa Was A Rollin' Stone Performed by The Temptations
People Got To Be Free Performed by The Rascals
Philadelphia Freedom Performed by Elton John
Physical Performed by Olivia Newton-John
Pipeline Performed by The Chantays
Please Mr. Postman Performed by The Marvelettes, The Carpenters
Poor Side Of Town Performed by Johnny Rivers
Power Of Love Performed by Celine Dion
Put Your Hand In The Hand Performed by Ocean
Raindrops Performed by Dee Clark
Raindrops Keep Fallin' On My Head Performed by B.J. Thomas
A Rainy Night In Georgia Performed by Brook Benton
Rebel 'Rouser Performed by Duane Eddy
Return To Sender Performed by Elvis Presley
Rip It Up Performed by Little Richard
The River Of Dreams Performed by Billy Joel
Rockin' Robin Performed by Bobby Day, Michael Jackson
Runaway Performed by Del Shannon
Sacrifice Performed by Elton John
Sad Eyes Performed by Robert John
Sailing Performed by Christopher Cross
Save The Best For Last Performed by Vanessa Williams
Save the Last Dance for Me Performed by The Drifters
Saving All My Love For You Performed by Whitney Houston
Sea Of Love Performed by Phil Phillips & The Twilights, Honeydrippers
Searchin' Performed by The Coasters
Seasons In The Sun (Le Moribond) Performed by Terry Jacks
See You Later, Alligator Performed by Bill Haley & The Comets
Separate Lives Performed by Phil Collins & Marilyn Martin
Shakedown Performed by Bob Seger
She's A Lady Performed by Tom Jones
Shining Star Performed by Earth Wind And Fire
The Shoop Shoop Song (It's In His Kiss) Performed by Betty Everett
Shop Around Performed by Miracles, Captain & Tennille
Silhouettes Performed by The Rays, The Diamonds
Since I Met You Baby Performed by Ivory Joe Hunter
Sincerely Performed by The McGuire Sisters, The Moonglows
Sixteen Candles Performed by The Crests
Sixteen Reasons (Why I Love You) Performed by Connie Stevens
Sixteen Tons Performed by Tennessee Ernie Ford, Johnny Desmond
Sleepwalk Performed by Santo & Johnny
Smile A Little Smile For Me Performed by Flying Machine
Someday We'll Be Together Performed by Diana Ross & The Supremes
Something Performed by The Beatles
Spinning Wheel Performed by Blood Sweat And Tears
Stand By Me Performed by Ben E. King
Stay Performed by Maurice Williams & The Zodiacs, The 4 Seasons
Stayin' Alive Performed by Bee Gees
Stop! In The Name Of Love Performed by The Supremes
Sugar, Sugar Performed by The Archies
Summer In The City Performed by The Lovin' Spoonful
Sunshine of Your Love Performed by Cream
Surfin' U.S.A. Performed by The Beach Boys
Susie-Q Performed by Creedence Clearwater Revival
Suspicion Performed by Terry Stafford
Take Good Care Of My Baby Performed by Bobby Vee
Take My Breath Away (Love Theme) Performed by Irving Berlin
Tears On My Pillow Performed by Elvis Presley
Tears In Heaven Performed by Eric Clapton
(Let Me Be Your) Teddy Bear Performed by Elvis Presley
A Teenager in Love Performed by Dion And The Belmonts
Tell It Like It Is Performed by Aaron Neville, Heart
Tell Laura I Love Her Performed by Ray Peterson
There Goes My Baby Performed by The Drifters
There's A Kind Of Hush (All Over The World) Performed by Herman's Hermits, The Carpenters
These Boots Are Made For Walkin' Performed by Nancy Sinatra
Things Performed by Bobby Darin
Three Times A Lady Performed by The Commodores
To Be With You Performed by Mr. Big
To All The Girls I've Loved Before Performed by Julio Iglesias & Willie Nelson
To Love Somebody Performed by Bee Gees, Michael Bolton
To Sir, With Love Performed by Lulu
Tonight's The Night (Gonna Be Alright) Performed by Rod Stewart
Torn Between Two Lovers Performed by Mary MacGregor
Touch Me In The Morning Performed by Diana Ross
Tragedy Performed by Bee Gees
True Colors Performed by Cindy Lauper
Turn Me Loose Performed by Fabian
Tutti Frutti Performed by Little Richard, Pat Boone
The Twist Performed by Chubby Checker
Twist And Shout Performed by The Isley Brothers, The Beatles
Under the Boardwalk Performed by The Drifters
Up, Up And Away Performed by The 5th Dimension
Venus Performed by Frankie Avalon
Vision Of Love Performed by Mariah Carey
Wake Me Up Before You Go-Go Performed by WHAM!
Wake Up Little Susie Performed by The Everly Brothers
Walk Away Renee Performed by The Left Banke, Four Tops
Walk On By Performed by Dionne Warwick
Walk This Way Performed by Aerosmith, Run- D.M.C.
The Way We Were Performed by Barbra Streisand
We Built This City Performed by Starship
We Got The Beat Performed by The Go Go's
Wedding Bell Blues Performed by The 5th Dimension
What a Wonderful World Performed by Louis Armstrong
What The World Needs Now Is Love Performed by Jackie DeShannon, Tom Clay
What'd I Say Performed by Ray Charles
What's Going On Performed by Marvin Gaye, Cyndi Lauper
What's Love Got To Do With It Performed by Tina Turner
When I Fall in Love Performed by The Letterman
When You Say Nothing At All Performed by Alison Krauss & Union Station
Where Did Our Love Go Performed by The Supremes
Where Do Broken Hearts Go Performed by Whitney Houston
Where The Boys Are Performed by Connie Francis
Which Way You Going Billy? Performed by Poppy Family
White Room Performed by Cream
A Whole New World (Aladdin's Theme) Performed by Peabo Bryson, Regina Belle
Wild, Wild West Performed by The Escape Club
Wild Thing Performed by The Troggs, Jimi Hendrix
Woman Performed by John Lennon
Woman In Love Performed by Barbra Streisand
Wonderful! Wonderful! Performed by Johnny Mathis, Tymes
Wooly Bully Performed by Sam The Sham & The Pharaohs
Yakety Yak Performed by The Coasters
Yesterday Performed by The Beatles
You Ain't Seen Nothin' Yet Performed by Bachman-Turner Overdrive
You Can't Hurry Love Performed by The Supremes, Phil Collins
You Don't Own Me Performed by Lesley Gore
You Give Love A Bad Name Performed by Bon Jovi
You Got It Performed by Roy Orbison
You Keep Me Hangin' On Performed by The Supremes, Vanilla Fudge, Kim Wilde
You Sexy Thing Performed by Hot Chocolate
You Should Be Dancing Performed by Bee Gees
You're the Inspiration Performed by Chicago
You're The One That I Want Performed by Olivia Newton-John,John Travolta
You've Got A Friend Performed by James Taylor
You've Lost That Lovin' Feelin' Performed by Righteous Brothers, Dionne Warwick, Hall & Oates
Young Blood Performed by The Coasters
Clair Performed by Gilbert O'Sullivan
Missing You Performed by John Waite
Angel Performed by Sarah McLachlan
I Swear Performed by All-4-One
After The Love Has Gone Performed by Earth Wind And Fire
Against All Odds (Take A Look At Me Now) Performed by Phil Collins
Joy To The World Performed by Three Dog Night
Love The One You're With Performed by Stephen Stills
Ahab The Arab Performed by Ray Stevens
Lead Me On Performed by Maxine Nightingale
Secretly Performed by Jimmie Rodgers
Let's Get Together Performed by The Youngbloods
I Will Remember You Performed by Sarah McLachlan
On The Road Again Performed by Willie Nelson
I'm Still In Love With You Performed by Al Green
All My Life Performed by K-Ci And JoJo
Give A Little Bit Performed by Supertramp
Respect Yourself Performed by The Staple Singers
Amazed Performed by Lonestar
It's Your Love Performed by Tim McGraw & Faith Hill
Adia Performed by Sarah McLachlan
I'll Take You There Performed by The Staple Singers
Love Me Performed by Elvis Presley
My Heart Will Go On (Love Theme From 'Titanic') Performed by Celine Dion
I'll Be Performed by Edwin McCain
Iris Performed by The Goo Goo Dolls
Along Comes Mary Performed by The Association
The Boy Is Mine Performed by Brandy & Monica
Let's Stay Together Performed by Al Green
Return To Me Performed by Dean Martin
Daddy's Home Performed by Shep & The Limelites
Fingertips (Part 2) Performed by Stevie Wonder
Love Will Find A Way Performed by Pablo Cruise
Two Hearts Performed by Phil Collins
Dizzy Performed by Tommy Roe
You'll Be in My Heart Performed by Phil Collins
Breathe Performed by Faith Hill
September Performed by Earth Wind And Fire
Party Doll Performed by Buddy Knox, The Rhythm Orchids
Smooth Operator Performed by Sade
Maria Maria Performed by Santana
Show Me The Way Performed by Peter Frampton
I'm Too Sexy Performed by Right Said Fred
Do That To Me One More Time Performed by Captain & Tennille
I Can't Dance Performed by Genesis
Crystal Blue Persuasion Performed by Tommy James & The Shondells
That's The Way (I Like It) Performed by KC & The Sunshine Band
Say, Has Anybody Seen My Sweet Gypsy Rose Performed by Tony Orlando,Dawn
Sheila Performed by Tommy Roe
Short Shorts Performed by The Royal Teens
Soldier Boy Performed by The Shirelles
The Grooveline Performed by Heatwave
You Don't Have To Be A Star (To Be In My Show) Performed by Marilyn McCoo & Billy Davis Jr.
Stormy Performed by Classics IV
If You're Ready (Come Go With Me) Performed by The Staple Singers
The Logical Song Performed by Supertramp
This Kiss Performed by Faith Hill
Somebody to love Performed by Jefferson Airplane
Who's Making Love Performed by Johnny Taylor
Respect Performed by Aretha Franklin
Another Day In Paradise Performed by Phil Collins
In Too Deep Performed by Genesis
Biggest Part Of Me Performed by Ambrosia
Disco Lady Performed by Johnnie Taylor
Elenore Performed by The Turtles
How Much I Feel Performed by Ambrosia
Baby, Come To Me Performed by James Ingram, Patti Austin
Baby, I Love Your Way Performed by Peter Frampton
Back In The High Life Again Performed by Steve Winwood
Bad, Bad Leroy Brown Performed by Jim Croce
Be-Bop-A-Lula Performed by Gene Vincent
Be True To Your School Performed by The Beach Boys
Beep Beep Performed by The Playmates
Big Bad John Performed by Jimmy Dean
Boogie Nights Performed by Heatwave
Boogie Wonderland Performed by Earth Wind And Fire
The Boy From New York City Performed by Ad Libs
C'mon Marianne Performed by The 4 Seasons
California Girls Performed by The Beach Boys
California Sun Performed by The Rivieras
Can't Take My Eyes Off Of You Performed by Frankie Valli
Candida Performed by Tony Orlando,Dawn
Cathy's Clown Performed by The Everly Brothers
Centerfold Performed by J. Geils Band
Come Sail Away Performed by Styx
Crimson And Clover Performed by Tommy James & The Shondells
Dance With Me Henry (The Wallflower) Performed by Georgia Gibbs
Dawn (Go Away) Performed by The 4 Seasons
Do Wah Diddy Diddy Performed by Manfred Mann
Don't Cry Out Loud Performed by Melissa Manchester
Don't Fall In Love With A Dreamer Performed by Kenny Rogers,Kim Carnes
Donna Performed by Ritchie Valens
Down In The Boondocks Performed by Billy Joe Royal
Easier Said Than Done Performed by The Essex
Easy Lover Performed by Philip Baily & Phil Collins
Elvira Performed by The Oak Ridge Boys
(Everything I Do) I Do It For You Performed by Bryan Adams
Fever Performed by Peggy Lee
For Once In My Life Performed by Stevie Wonder
Frankenstein Performed by Edgar Winter
Freeze Frame Performed by J. Geils Band
From A Distance Performed by Bette Midler
Fun, Fun, Fun Performed by The Beach Boys
Games People Play Performed by Joe South
Georgia on My Mind Performed by Ray Charles
Get A Job Performed by The Silhouettes
Give Me The Night Performed by George Benson
Glory Of Love Performed by Peter Cetera
Goodbye To Love Performed by The Carpenters
Good Vibrations Performed by The Beach Boys
The Great Pretender Performed by The Platters
Green Onions Performed by Booker T. And The MG's
Help Me Rhonda Performed by The Beach Boys
Hey Paula Performed by Paul & Paula
Higher Love Performed by Steve Winwood
Honeycomb Performed by Jimmie Rodgers
How Will I Know Performed by Whitney Houston
Hurts So Good Performed by John Cougar
I Am Woman Performed by Helen Reddy
I Can't Go For That Performed by Hall & Oats
I Can't Stop Loving You Performed by Ray Charles
I Fought The Law Performed by Bobby Fuller Four
I Get Around Performed by The Beach Boys
I Got You (I Feel Good) Performed by James Brown
I Honestly Love You Performed by Olivia Newton-John
I Just Called To Say I Love You Performed by Stevie Wonder
I Like It Like That Performed by Chris Kenner
I Love The Night Life Performed by Alicia Bridges
I Still Believe Performed by Mariah Carey
I Think We're Alone Now Performed by Tommy James & The Shondells
I Wanna Dance With Somebody Performed by Whitney Houston
I Was Made To Love Her Performed by Stevie Wonder
I Wish Performed by Stevie Wonder
I Won't Last A Day Without You Performed by The Carpenters
I'll Never Love This Way Again Performed by Dionne Warwick
If Ever You're In My Arms Again Performed by Peabo Bryson
If Loving You Is Wrong I Don't Want To Be Right Performed by Luther Ingram
If You Leave Me Now Performed by Chicago
In The Midnight Hour Performed by Wilson Pickett
Invisible Touch Performed by Genesis
Is That All There Is Performed by Peggy Lee
Jack And Diane Performed by John Cougar
Jailhouse Rock Performed by Elvis Presley
Jenny Take A Ride Performed by Mitch Ryder And The Detroit Wheels
Kansas City Performed by Wilbert Harrison
Killing Me Softly with His Song Performed by Roberta Flack
La Bamba Performed by Ritchie Valens
Lady In Red Performed by Chris DeBurgh
Land Of A Thousand Dances Performed by Wilson Pickett
Last Date Performed by Floyd Cramer
Let's Hang On Performed by The 4 Seasons
Limbo Rock Performed by Chubby Checker
Little Deuce Coupe Performed by The Beach Boys
Little Star Performed by The Elegants
The Living Years Performed by Mike + The Mechanics
The Lonely Bull Performed by Tijuana Brass & Herb Alpert
Long Cool Woman (In A Black Dress) Performed by The Hollies
Looks Like We Made It Performed by Barry Manilow
Louie, Louie Performed by The Kingsmen
Love Potion Number 9 Performed by The Searchers
Love Theme From 'St. Elmo's Fire' Performed by David "Babyface" Foster
Mony, Mony Performed by Tommy James & The Shondells
More Than Words Performed by Extreme
My Boy Lollipop Performed by Millie Small
My Cherie Amour Performed by Stevie Wonder
Never Been To Spain Performed by Three Dog Night
Never My Love Performed by The Association
Nothing From Nothing Performed by Billy Preston
Off The Wall Performed by Michael Jackson
Oh, Lonesome Me Performed by Don Gibson
On The Wings Of Love Performed by Jeffrey Osborne
Only Women Bleed Performed by Alice Cooper
Peppermint Twist Performed by Joey Dee & The Starlighters
(You've Got) Personality Performed by Lloyd Price
Private Eyes Performed by Hall & Oates
Rag Doll Performed by The 4 Seasons
Rainy Days And Mondays Performed by The Carpenters
Release Me Performed by Engelbert Humperdinck
Rock With You Performed by Michael Jackson
Rock Your Baby Performed by George McCrae
(I Never Promised You A) Rose Garden Performed by Lynn Anderson
Send Me The Pillow You Dream On Performed by Dean Martin
Shout Performed by The Isley Brothers
Signed, Sealed, Delivered I'm Yours Performed by Stevie Wonder
Since I Don't Have You Performed by Skyliners
Singing The Blues Performed by Guy Mitchell
Sir Duke Performed by Stevie Wonder
(Sittin' On) The Dock Of The Bay Performed by Otis Redding
Smoke From A Distant Fire Performed by Sanford/Townsend Band
Somewhere In The Night Performed by Barry Manilow
Soul Man Performed by Sam And Dave
Splish Splash Performed by Bobby Darin
Spooky Performed by Classics IV
Stagger Lee Performed by Lloyd Price
Sugartime Performed by The Mcguire Sisters
Superstition Performed by Stevie Wonder
Sussudio Performed by Phil Collins
Sweet Pea Performed by Tommy Roe
Take The Long Way Home Performed by Supertramp
Teen Angel Performed by Mark Dinning
Tequila Performed by The Champs
Theme From "Shaft" Performed by Isaac Hayes
Thriller Performed by Michael Jackson
Tie A Yellow Ribbon Round The Ole Oak Tree Performed by Tony Orlando,Dawn
Time In A Bottle Performed by Jim Croce
Tonight, I Celebrate My Love Performed by Peabo Bryson, Roberta Flack
Top of the World Performed by The Carpenters
Traces Performed by Classics IV
Travelin' Man Performed by Ricky Nelson
Walk A Mile In My Shoes Performed by Joe South
Walk Don't Run Performed by The Ventures
Walk Like An Egyptian Performed by The Bangles
Walk Right In Performed by The Rooftop Singers
We've Only Just Begun Performed by The Carpenters
When I Grow Up (To Be A Man) Performed by The Beach Boys
When Will I Be Loved Performed by Linda Ronstadt
White Rabbit Performed by Jefferson Airplane
A White Sport Coat (And A Pink Carnation) Performed by Marty Robbins
Why Do Fools Fall In Love Performed by Frankie Lymon And The Teenagers
Will It Go Round In Circles Performed by Billy Preston
Winchester Cathedral Performed by New Vaudeville Band
Windy Performed by The Association
Sunshine Superman Performed by Donovan
Get Down Tonight Performed by KC & The Sunshine Band
Wouldn't It Be Nice Performed by The Beach Boys
Summer Of '69 Performed by Bryan Adams
Yesterday Once More Performed by The Carpenters
Don't Do Me Like That Performed by Tom Petty
You And Me Against The World Performed by Helen Reddy
You Are So Beautiful Performed by Joe Cocker
You Are The Sunshine Of My Life Performed by Stevie Wonder
You Don't Mess Around with Jim Performed by Jim Croce
You Talk Too Much Performed by Joe Jones
Young Love Performed by Sonny James
Your Mama Don't Dance Performed by Loggins And Messina
Mellow Yellow Performed by Donovan
You Make Me Feel Like Dancing Performed by Leo Sayer
Angel Flying Too Close to the Ground Performed by Willie Nelson
Uptight (Everything's Alright) Performed by Stevie Wonder
Song List (597)
Jazz Piano Voicing Skills
[ { "catalogRefId":"2889189", "quantity":"1" }, { "catalogRefId":"5139413", "quantity":"1" } ]
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Intermediate/advanced
September 24, 2018 Pop rock fakebook
Don't waste your time. A majority of the songs in this book are so obscure that I've never even heard of them.
Was this review useful? Yes No
Charlie De
May 03, 2014 What's with this
As a professional I have a complete set and I'm always looking to add to my music collection. But honestly there isn't much difference between the 4th and the 5th edition. In fact the "new" fifth edition has less songs in it. Come on now Hal Leonard let...
's not forget about the professional who have supported you over the years. How about putting together a "New" book that doesn't repeat the majority of the songs from a previous book of yours.
Nova Scotia, Canada
Early intermediate
October 23, 2012 The Ultimate Pop/Rock Fake Book
So far so good. Bought for beginner piano but also great for guitar.
york england
December 11, 2011 the ultimate pop/rock fake book
this book is another winner.I have bought a total of 4 fake books this year and this one lives up to the same standard and quality of the rest. One has to think of the total cost if one had to buy all the sheet music! it contains. Will...
but more as and when they become available
56 of 105 people found this review helpful.
warmingtone
Phillip Island, Oz
October 23, 2011 Excellent book
100's of songs with melody and chords (by name, not chord boxes) noted, typically 1 or 2 songs per page (so no page flipping) and well indexed. Arranged alphabetically by song title in the book, indexed by title, recording artist and chronologically. A lot of great music, perfect for...
arranging for solo guitar for me but will be used for years to come. A bargain for so many songs, a big book, spiral bound and quality paper.


Launched in Europe in 2010 as Renault's answer to the Volkswagen Passat and Ford Mondeo, the Fluence quickly became a big seller. With its simple yet dynamic design, spacious interior and all-round 'upmarket' feel, it's not hard to see why. Renault have described the design as 'a simple silhouette made into a statement', and we are inclined to agree. It comes generously equipped, with a good choice of diesel engines, as well as a petrol option. It also gives remarkable fuel economy and impressively low CO2 emissions, and despite the introduction of the electric ZE version in 2011, continues to be a popular choice amongst Irish motorists.


text:
Does Divorce Mean a 'Broken Home' for a Child?
January 5, 2023 Divorce UtahChildren in Divorce
Yes, the term broken home is typically defined as "a family in which the parents have divorced."
https://www.merriam-webster.com/dictionary/broken%20home
https://www.dictionary.com/browse/broken-home (Dictionary.com is based on the Random House Unabridged Dictionary, © Random House, Inc. 2022)
https://www.quora.com/Does-divorce-mean-a-broken-home-for-a-child/answer/Eric-Johnson-311
: broken home, divorce
How Do You Get a Divorce That Involves No Children and No Property or Money if You Haven't Been Able to Find Your Spouse for Almost 10 Years, and Without Having to Hire a Lawyer?
Should a parent prorate child support to include the child's 18th birthday?
What happens if marriage is abolished, since there are too many divorce rates and cheating affairs?

redpajama_set_name: RedPajamaCommonCrawl


Women's Hot Sweat Vest with Waist Trainer. Plus Sizes Available.
I measured, got it & it's too small.
The waistband continues to roll up on one side and becomes bulgy and uncomfortable. I got a size large. It was disappointing would not purchase again.
I ordered these type of vests from another company's and their size 3xl-6xl were pretty much a medium. I was skeptical about this company as well, but decided to take another risk and was amazed how the size 3xl fit just like it should. Made 2 more orders.
I really like it it feels so comfortable. I loved it!!!


Please add us to your favorites and check back frequently to see the our ever changing inventory of homes for rent and sale. Click on a property to the left for more information.
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I really can't explain how much or even why I love to color, but I do. The whole act of it is so relaxing for me, not just coloring with markers, but water coloring... heck even painting the walls in our house. I love it all, taking something blank and completely boring and making it pop with color! This is one of the cards I made where I really paid attention to the coloring part. The DP was blog candy, thanks again Karie and the image is a retired Stampin' UP! valentine set that I got a couple of years ago I think. I tried to pull out as many "coloring in" sets as I could find and seriously, I have only 3-5 good ones. For some reason I have a lot of sentiments and sets with decorative lines. Lately I have been trying to be more picky when it comes to buying stamps and really get more with actual images to color in. I think I need to go through my sets again and try to trade them or sell them.
Anyway.... enough of my blah blah blah about coloring. I made this card for Allison's Water challenge. Not sure that it fits the challenge since you can't see any water, but there is an umbrella. LOL! Well, I need to go work on some Graduation announcements and get my Friday Card Flick edited for tomorrow. Hope you all have a nice evening. See ya tomorrow!
Oh my...this is too cute! I have never seen this set before! What a super coloring job and I love the DP with it! Thanks for playing!
Wow! Love the card! Your coloring on it is awesome! What did you use?
You are great at coloring! Love this card!
Friday Card Flick " A Little Note"
Friday Card Flick "Little One"
What...no one wants blog candy???
My First "Friday Fun Flick"


We pended a trade on March 29, 2007.
I aggreed to send a Gameboy Advance and he offered me 10 shipped for it.
I sent the GBA out on April 9, 2007 and according to the delivery confirmation it was recieved on April 13th.
Since then, he has told me he has been in some financial distress and would ship promptly when possible and I told him that was fine. It has been about a month and a week since he had recieved but still no money. I thought it would be better to get this over with than to wait any longer. I'll take the BTR down when I get my end of the deal.
Parker agreed to pay $5 + $3 shipping for an original gameboy. I sent it out (30-Mar-2007) and didn't hear from him. Wanting find out if something went wrong, I asked him (after about 2 weeks 15-Apr-2007) to update his status or let me know if there was a problem, since the package had not returned to me.
ELEVEN days later (26-Apr-2007) his lets me know that he had already recieved the package and that all was fine. He tells me that he just sent me the money.
Almost two weeks later, I have neither recieved anything, nor heard from Draper. After reviewing his incomplete trades, he has a long list of small trades which people have been complaining about. I'm not terribly concerned about how he gets his end of the trade to me, so long as he does.
He has offered to return the item I sent him. As such, the BTR will come down once I have received the money owed me OR I have recieved my original item back.
5-13-07 - He has also threatened to BTR me, even though he has admitted to receiving everything I owed him, as well as admitting to not sending everything he was supposed to.
I was btr'd b - 4 this, and in that one, we were arguing back and forth, then i btrd him, then he btrd me "
The only reason for mentioning or bringing this up is to imply that the same will happen in this situation (i.e. that you will file a return BTR). I have no need for this information, and it will not affect my actions at all other than to feel that your tone is threatening.
I threatened to btr u???
how much crack u on, boy?


text:
News & Events In the Media
(Hill Reporter) Summer Bummer: COVID Cases Are Six Times Higher Than This Time Last Year
May 29, 2022 | In the Media
The Memorial Day holiday weekend has always been America's unofficial start to summer, regardless of what the calendar actually says. But COVID-19 cases have been steadily climbing back up, and now the country's numbers have risen six times higher than they were last year at this time.
(Gothamist) NYC Records 400 COVID Deaths in 2 Weeks as PCR Testing Drops
"We do, sadly, still have more deaths related to...
(Borgen Magazine) How ICAP is Advancing Global Public Health
Dr. El-Sadr explained how ICAP's four-point model – service...
(AIDSmap) Non-AIDS cancers on the rise among people with HIV in South Africa
The rise in infection-unrelated cancers will require innovations in...
(Wall Street Journal) U.S. will require Chinese inbound travelers to provide new crown negative reports
"The low uptake of the most recently recommended booster...


There is nothing worse than letting fresh produce go to waste. One fruit that you can always count on using up are bananas. If they are ripening faster than you can eat them, I like to peel and slice them and freeze them in a reusable container. They are cool and really hit the spot on a hot day… almost as tasty as that ice cream cone.
But aren't bananas high in sugar?
It's true that a large ripe banana runs ~30 g carbohydrate, but there are lots of great vitamins and minerals beneath that peel. For many that may be too many carbs at once (if you are aiming for 15 g per snack) so a small banana (4-5") would be better, or half of a large. Many clients think I'm crazy to have them only eat ½ because it will go to waste. Problem solved: 1. You can split it between two meals/snacks (say ½ for breakfast and ½ for lunch) or 2. Split it with a friend/significant other/child… you get my point.
If your bananas are far too ripe to eat, there is only one answer… banana bread! That is precisely what I did last night! When most think of banana bread they think it must be healthy choice because there is fruit in there… right? Maybe.
Many bakeries end up using butter or shortening and lots of sugar to create a calorie and sugar bomb. I promise it is possible to make a healthy banana bread that tastes good. I have modified a few recipes to come up with this one… it is the best yet!
*Feel free to use regular sugar (1 cup) if you don't like to use artificial sweeteners.
Mix the banana, oil, and sugar in a medium size mixing bowl. Add eggs and vanilla and stir well. Add the yogurt/milk, stir and set aside.
In another bowl combine the remaining ingredients (except the nuts) and stir well. Make a "well" in the center of the bowl.
Pour the wet batter into the flour mixture and stir until just combined. Be careful not to overmix (you will get a tough bread).
Mix the nuts in and pour into the loaf pan.
Bake for 60 minutes or until a cake tester comes out clean. (If not done after 60 minutes, cover with tin foil and cook an additional 5-10 minutes).
165 calories, 17 g fat (2 g saturated), 5 g protein, 25 g carbohydrates (9 g sugar), 2 g fiber, 275 mg sodium.
It can be a great dessert or a quick breakfast/snack. I like to pair it with a hard boiled egg for breakfast for extra protein staying power!


for new experiences on Phuket?
Arrange a day trip on a yacht to explore breathtaking beauty of Andaman Sea. Pristine islands, hidden lagoons and crystal water full of marine life are waiting for YOU.
The cost of yacht rentals including the medical insurance.
It was my second trip on a yacht. Service is very high class. Especially liked the fact that all the additional options are already included in the price and are not charged separately.
I love boat trips. A full day on board of Lipari has fully justified itself. Enjoyed spending the day with friends. I recommend everyone to try.


text:
Story Warren
Kindling Imagination for Kingdom Anticipation
Fostering Imagination
Valuing Imagination
Faith & Vision
Warren & the World
The Weight of Our Story: Light for the Lost Boy by Andrew Peterson
August 28, 2012 by S. D. Smith 11 Comments
There are echoes of Eden in our pain, a longing to slide past the angel's burning sword and, though singed, reenter Paradise. The Bible and all human experience is haunted with our loss. Shortly after the Fall in Genesis 3 we read a refrain that's as hateful as it is perpetual. "And he died…and he died…and he died…" Death has us and we have death. We are handcuffed together in a prison we built while free.
We feel the loss of innocence in our transition to adulthood, a taste of the death we live through. I believe we don't so much lose innocence, but we lose the illusion of innocence, and that all our long life is a waking up to who we are after the Fall. We are broken, and coming to understand this is a weight unlike anything we may otherwise bear, for it is the root of all our burdens. We wake up in ruins, lost in the woods of despair, searching for the slightest sign of the trail of hope.
Light for the Lost Boy is a journey through this disaster. And I do mean through. Winston Churchill said, "If you're going through hell, keep going." And I am glad that in every song, or in every next song, Andrew Peterson once again speaks through the hefty gloom, Yes it's awful this being unparadised, and it's an almost unsingable tragedy to lose the illusion of innocence that is youth. I know. But keep going.
Andrew played several of these songs for my brother Josiah and me about 9 months ago. They were fresh then, and as he played they did what Andrew's songs always do –settled inside me, told me about myself, uncovered hidden hurts, opened windows and let in air that seemed to waft in with rumors of the New World. All the songs on Light for the Lost Boy resound with the mystifying beauty of our exile, and ring with the clamor of our eventual re-ascension. We will all be free and children again, only mature and with a better tale to tell in the future forevers of Heaven and Earth. Hear a herald of that dawn, a troubadour of troubles almost-but-not-yet past.
Come Back Soon is the most explicit recital of our peril, and he gives voice to our deep need to cry out, "Deliverance, oh Lord!" Rife with metaphor, with images we understand, here is Andrew at his most poetic. The musical tone suits the weight of the calamity we need so desperately to be delivered from. Where will help come from?
As with so much of this album, the next song provides context to the pain woven so far. The Cornerstone (King Jesus) is not the simple, easy to classify, solution that always stumps the atheist in arguments and fits neatly on a kitten poster. Salvation came, but oh, so untamed.
You've been a mystery since the moment that I met you / You never move but I can never seem to catch you / The Cornerstone.
Rest Easy is a further journey into the happy reality of this confusing, conquering Savior. The song is deeply comforting, settling on us like a warm blanket in winter. I have smiled over and over hearing this song and, very often, physically relaxed when hearing its hooky recital of the good news.
…you don't have to prove yourself, you're already mine. You don't have to hide your heart, I already love you…You can rest easy.
The Voice of Jesus is one of the many songs on this (and every AP) record that gets deep into a parent's heart. Reassuring, comforting, and hopeful, this is a sweet reminder of the unfailing love of the Author and Hero of this Story. The beautiful and precious young voice you hear in background is the perfect addition to this memorable tune. That would be Andrew's daughter, Skye, who is both a subject and star of this lovely song.
So listen, little girl, / Somewhere there's a King, / Who will love you forever / And nothing in the world / Could ever come between / You, my love, and this Lover.
I know what The Ballad of Jody Baxter means. I know because of Andrew's words, and I know because it's the song of every broken-hearted grown-up in the world. It's the song of every man who wishes he could return to a time before he explored that dark hallway of curious desire that issues in a room finally revealed to be a pitt with unscalable walls. It's the song of longing for what we cannot lay our hands on, but still feel the imprint of in our palms. I love this song. It is devastating in its beauty and truth. It might be my favorite of them all, even in its sadness.
The transition from The Ballad of Jody Baxter's "It was good, good, good, but now it's gone, gone, gone," to Day by Day's "And it hurts so bad, but it's so good to be young, and I don't want to go back, I just want to go on, and on, and on" is a saving one. It immediately framed the pain of loss that I felt so keenly (and almost deliciously) in Jody Baxter. Day by Day doesn't pretend that growing up is painless, only that it is inevitable and needs to be met with courage and, well, thankfulness. But he'll get to that more specifically later.
Shine Your Light On Me is a song that echoes the creed. It is Andrew saying, "I believe in the communion of saints," and it braces us with the comforts he has received in fellowship. It's personal, anecdotal, and honest about need. Andrew shows us that in our darkest moments the light we ask God for is most often revealed in the faces of those he has given to us. And Andrew tells everybody who will listen that he has received this gift, sings how badly he needed to receive it, and he gives us so much when he does.
Carry the Fire is Andrew saying he'll do the same thing that's been done for him. It's the reciprocity of grace. Much has been given, and he will carry the fire for a brother who is in desperate need of that grace. He will hope and help when all the light and warmth feel gone. Here is a very tender man singing a hopeful song for another man, acting as a poetic corrective to the often ungraceful culture of masculine emotional reserve. Like C.S. Lewis, Andrew has given us a positive picture of male friendship.
You'll Find Your Way is the song of every faithful parent for every beloved child. Andrew looks into a future with an ache and a hope for his son's joy in the journey, broken heart, carried cross and all.
When I look at you, boy / I can see the road that lies ahead / I can see the love and the sorrow // Bright fields of joy / Dark nights awake in a stormy bed / I want to go with you, but I can't follow // So keep to the old roads / Keep to the old roads / And you'll find your way
He knows the boy will get lost (as we all do), but the song is a map. Follow the old roads. Get home the same way every saint ever has. The world is a perilous place, but remember the map. Remember the path. Andrew gives, as all good parents wish to, past his own ability to give.
Don't You Want to Thank Someone is the absolute perfect way to end this record. Like the book it so often colludes with, Ecclesiastes, it acknowledges the pains and pleasures and the riddle that is life. And it says, with a straight face, be glad. Be thankful. This song feels like it were written while G.K. Chesterton's Orthodoxy or N.D. Wilson's Notes From the Tilt-A-Whirl were running through Andrew's mind. His lyrical connection to the best of literature is once again unmistakeable. Allusions abound and poetic metaphor, accessibly deep, is the rule for Andrew's masterful lyrics.
Don't You Want to Thank Someone? I do. I want to thank God for Andrew Peterson. Apart from my personal affection for, and gratitude to, him, he is a gift to the Church. He is a herald of grace and an usher of beauty.
Andrew is indeed a gift, and Light for the Lost Boy is an album that goes soulward like medicine, but with the sweet taste of feasting on your lips. He has, with his fellows, given us a collection of songs that feel like the ongoing theme-music for our lives. Faith, doubt, family, failure, a wild and holy God, an awful vulnerability, and and exile that feels like forever, but has an expiration date. Andrew keeps dealing honestly with our pain, our sin, our apprehension of real loss, all the while calling us to be who we really are. He has stories to remind us once again. And once again it's worth every penny spent to experience this trip into beauty, guided by so able a fellow as Andrew Peterson.
In Light for the Lost Boy he has come to us again with his best. And for all the longing I feel in every note of Andrew's music, longing for the Kingdom come and the world put right, when it's over I am always eager for more.
Come back soon.
S. D. Smith
S. D. Smith is the award-losing author of The Green Ember Series. Sam loves chocolate chip cookies, soccer, and knights who kill dragons.
Latest posts by S. D. Smith (see all)
Think Small and Carry On - January 13, 2020
Moving the Turtle - March 11, 2019
Interview and Free Audio Story from Author and Green Ember Editor James D. Witmer - December 12, 2018
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James Witmer says
I love how this album, and Counting Stars before it, throws a light on the interweaving of personal faith and parenthood. One moment, I'm the child, longing for my heavenly Father's affection. The next, I'm moved to reflect His love onto my own children. It's like music for the dance of life.
Mark & Libbie Timmons says
Thanks Sam for this. It will enhance our enjoyment of this album! And you have put into words the way that many of feel about Andrew's music and ministry. Thank you!
SD Smith says
Thanks, Timmonses (how do you pluralize your name?),
Your comment is really kind and I appreciate it very much. Such a wonderful album –and an amazing artist who just grows and grows.
pmeissner says
I have to agree with you — The Ballad of Jody Baxter is my favorite song. I've listened so many time hoping to discover what he broke and why it was his fault.
I also love the line the that his "brothers were singing out my songs when the song in me had died." Gives me goosebumps.
S.D. Smith says
Yes indeed.
Craig Oesterling says
I just stumbled across this post after doing a search on "The Ballad of Jody Baxter." Thank you for your thoughts on this album. As others commented, it will enhance my appreciation for Andrew's work. God bless you!
That's very kind, Craig! God bless you back.
Thank you for an insightful commentary to AP's new album! I especially love how you have put into words the feeling/burden of realising we are broken and yet moving forward despite that. AP always manages to strike at the heart of this message and take it straight to my heart! I'm so looking forward to hearing him when he comes to the UK this summer!
The Warren and the World, Vol 11 ‹ Story Warren says:
[…] wouldn't be Andrew Peterson week without a few more reviews of Light for the Lost Boy: Jonathan Rogers' review at the Rabbit Room was great. So was this […]
Light for a Loved Boy ‹ Story Warren says:
[…] You'll Find Your Way by Andrew Peterson. This is from Andrew's new record, the incredible Light for the Lost Boy, which we reviewed here. […]
When Your Hope Is Gone, Sing On | S.D. Smith says:
[…] song started out as my least favorite on an album full of favorites, but very quickly became very dear to me. In these days, it means even more. (Full lyrics […]
Leave a Reply to S.D. Smith Cancel reply
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text:
Hose-break valve
A hose-break valve comprises a valve housing (2) and a sliding gate (1) movable therealong and is connected with a pressure hose (5) which is surrounded by a protective sleeve (14), while defining a space (13) filled with a pressure medium. The sliding gate (1) is under the action of, on the one hand, the pressure medium in said space (13) and, on the other hand, a loading device (17) acting opposite the pressure medium. First and second pressure relieving devices are provided for closing the valve by means of the loading device (17) when the pressure of the pressure medium in said space (13) respectively exceeds an upper limit value and falls short of a lower limit value.
Wiklund, Thore K. E. (Pite.ang., SE)
Regioninvest i Norr AB (Lulea, SE)
137/68.23
137/68.3, 137/71, 137/312, 137/458, 137/464
F16K17/30; (IPC1-7): F16K13/04
137/67, 137/68, 137/71, 137/312, 137/458, 137/464
3512556 SELF-PROTECTIVE CONDUIT SYSTEM 1970-05-19 McKhann 137/71
3104673 Pressure-responsive fluid flow control valve 1963-09-24 Kirsch 137/71
2788794 Gas loaded safety disks 1957-04-16 Holinger 137/71
2608205 Automatic safety valve closure system 1952-08-26 Proctor 137/312
NOT, DEFINED
BEVERIDGE, DEGRANDI, KLINE & LUNSFORD (STE. 1100, FEDERAL BAR BLDG., WEST 1819 H ST., N. W., WASHINGTON, DC, 20006, US)
I claim:
1. A hose-break valve for pressure hoses or conduits with a surrounding protective hose or conduit and a pressure medium in a space between the pressure and protective hoses or conduits, comprising,
a valve housing,
said valve having a flow passage for communicating with a pressure hose or conduit, and a chamber communicating with the space between the pressure and protective hoses or conduits,
a sliding gate which is movable along said valve housing between an open position and a closed position, said sliding gate when in its open position permitting throughflow through the flow passage and when in its closed position preventing throughflow through the flow passage,
a yieldable loading device for actuating the sliding gate toward its closed position to close the flow passage when the pressure of said pressure medium in said chamber falls short of a lower limit value,
actuating means responsive to and actuated by the pressure of said pressure medium in said chamber for actuating the sliding gate toward its open position against the action of the yieldable loading device, said actuating means being independent of and unresponsive to the pressure in said flow passage,
a pressure relieving device operable to relieve the pressure in the chamber when such pressure exceeds an upper limit value, said yieldable loading device being operable when said pressure is relieved to move the sliding gate to its closed position.
2. A hose-break valve as claimed in claim 1 wherein the pressure relieving device is operable when pressure is relieved to release pressure to a location which is exterior of the flow passage.
3. A hose-break valve as claimed in claim 1, characterised in that it has a second pressure relieving device which is adapted, when the pressure of the pressure medium in said space (13) falls short of a lower limit value, to relieve this pressure and thereby to cause the loading device (17, 55) to move the sliding gate (1) to closed position.
4. A hose-break valve as claimed in claim 3, characterised in that the second pressure relieving device (80-82) comprises a pressure relieving duct (80) formed in the sliding gate (1) and having its outlet (81) in the sliding gate side facing the valve housing (2), the outlet (81) of said pressure relieving duct (80) being separated from said space (13) in the open position of the valve by means of a seal (82) which is provided on the valve housing (2) in a position determined by the lower limit value of the pressure medium so that, when the pressure of said pressure medium falls short of said lower limit value, communication is established between the presure relieving duct (80) and the said space (13).
5. A hose-break valve as claimed in claim 1, characterised in that the pressure relieving device (19) comprises a portion (18) which is actuated by the pressure medium and constitutes a weak point in that it has been dimensioned to rupture when the pressure of the pressure medium exceeds the upper limit value, thereby to relieve the pressure within said space (13).
6. A hose-break device as claimed in claim 1 or 5, characterised in that the pressure relieving device (19) comprises a puncturing means (24, 26) which is adapted to be actuated by relative movement between the sliding gate (1) and the valve housing (2) and to puncture a closing member (18) included in the pressure relieving device (19) when the pressure of the pressure medium falls short of the lower limit value.
7. A hose-break valve as claimed in claim 6, characterised in that the puncturing means (24, 26) is provided on the sliding gate (1) and has a cam follower (26) adapted to engage a cam surface (29) formed on the valve housing (2).
8. A hose-break valve as claimed in claim 5, characterised in that said portion (18) actuated by the pressure medium is a diaphragm (18).
9. A hose-break valve as claimed in claim 1, characterised in that it comprises a sliding gate returning device (72-75) acting between the sliding gate (1) and the valve housing (2), to permit manual return of the sliding gate from its closed position into an at least partially open position against the action of the loading device (17).
This invention relates to a hose-break valve for pressure hoses or conduits with a surrounding protective hose or conduit and a pressure medium in a space between the pressure and protective hoses or conduits, said valve having a sliding gate which is movable along a valve housing between an open position and a closed position preventing throughflow through the valve and which is adapted to be actuated by said pressure medium to be held thereby in the open position against the action of a loading device yieldably actuating the sliding gate towards the closed position and adapted to close the valve when the pressure of said pressure medium falls short of a lower limit value, so that the valve will prevent backflow of gas or liquid from an appliance located downstream of the valve upon leakage or break upstream of said valve.
A known hose-break valve of this type is described in the published Swedish patent application 7702588-0 and comprises a movable or displaceable sliding gate which is actuated not only by the pressure medium enclosed between the pressure conduit and the protective sleeve thereof, but also by a spring pressure opposed to the pressure of the pressure medium, the said two pressures maintaining the sliding gate in a position permitting liquid to pass through the valve when the said pressures counterbalance each other, i.e. when they are equal, but displacing the sliding gate in one or the other direction to close the liquid flow through the valve when one or the other pressure exceeds the opposed pressure, for instance upon break of the pressure conduit and/or its protective sleeve. The function of these known hose-break valves is satisfactory, except when pressure surges occur in the pressure conduit or in the pressure medium within the protective sleeve, and when a small leakage occurs in the pressure conduit or in the sleeve. Thus, it was found that such pressure surges upset the spring-balanced position of the sliding gate, and furthermore the effects of the pressure surges are aggravated because the sliding gate is moved out of the balanced open position and partially closes the throughflow through the valve. A small leakage in the pressure conduit or in the sleeve will cause the balanced position of the sliding gate to be displaced in one or the other direction from the open position of the valve, resulting in a partial throttling which may remain over a long period of time until so much pressure medium has leaked out that the valve will be fully closed. Such long-term throttling of the flow through the valve may result in considerable loss of power.
The present invention therefore has for its object to obviate these shortcomings of the prior art hose-break valves operating with a pressure medium to actuate a sliding gate included in the valve. To achieve this object, the hose-break valve of the present invention is characterized by the features stated in the appended claims.
The invention will be described in detail in the following, reference being had to the accompanying drawings in which:
FIG. 1 is a longitudinal section of a portion of a first embodiment of the invention;
FIG. 2 is a side view of a sleeve forming a valve housing in the first embodiment;
FIG. 3 is a side view of a sliding gate in the first embodiment;
FIG. 4 illustrates a tool attached to the valve for mounting the valve and for emergency release thereof;
FIG. 5 is an exploded view of the details of a valve releasing or pressure relieving mechanism in the first embodiment;
FIG. 6 illustrates a detail of the first embodiment of the invention;
FIGS. 7 and 8 illustrate alternative embodiments of the connection of the valve sliding gate to a protective sleeve surrounding the pressure conduit;
FIG. 9 illustrates a modified embodiment of the valve according to the invention;
FIG. 10 illustrates a longitudinal section of another embodiment of the present valve in open position;
FIG. 11 illustrates a longitudinal section of a part of the valve of FIG. 10 in a partially closed position; and
FIGS. 12 and 13 show a side view and an end view, respectively, of a valve housing in the valve shown in FIG. 10.
In the embodiment of the present invention shown in FIGS. 1-6, the valve comprises a sliding gate 1 which is slidable on a sleeve 2 forming the valve body or housing and provided at one end with an externally threaded connection 3 for connecting the valve to e.g. a hydraulic cylinder and provided at its other end with an internally threaded connection 4 which, as will appear from the drawings, is connected to a pressure hose 5 by means of a conventional hose coupling 6. The sliding gate 1 which surrounds the valve sleeve 2 with a sliding fit, is sealed against the valve sleeve 2 by means of sealing rings 7 and is provided on its inner side with a circumferential groove 8 having a width at least equal to the outer distance between two rows of holes 10 and 11, respectively, provided in the sleeve 2 on either side of a wall 9 within said sleeve, the holes of each such row having a diameter which makes the total area of the holes of one row larger than the internal cross-sectional area of said sleeve 2.
In the position shown in FIG. 1, which is the one end position of the sliding gate and the fully open position of the valve and which is determined by an adjustable abutment 12 which is shown in FIG. 1 in the form of a nut on the threaded connection 3, the groove 8 overlies the two rows of holes 10, 11, thereby enabling pressure medium, such as hydraulic fluid or pressure gas, to flow through the valve in one or the other direction. In this open position of the valve, the sliding gate 1 is held urged against the nut 12 by a pressurized pressure medium, such as a hydraulic fluid, a suitable gas or air, which is enclosed within the space 13 and which is under such a predetermined pressure that the pressure acts on the sliding gate 1 with a force at least equal to and preferably somewhat greater than the force exerted in the opposite direction by a pressure spring 17 mounted between the nut 12 and the sliding gate 1. In this manner, also the sliding gate 1 is held in the end position shown in FIG. 1 and is unable to move to the right in the said Figure upon an increase of the pressure within the space 13 which is formed between the pressure hose 5 and an outer hose 14 surrounding said pressure hose 5 over the entire length thereof, said outer hose 14 being dimensionally stable against at least said predetermined pressure and functioning also as a protection for said pressure hose 5. In FIGS. 1 and 6-8 the pressure hose 5 is shown to be vulcanized with its end 15 to an end socket 16 of the sliding gate 1. The socket 16 preferably is provided with circumferential ridges serrated in cross-section in order to establish an entirely tight connection between the gate and the outer hose. Naturally, such a tight connection between these members can be achieved also in some other manner, for instance by connecting the hose end 15 with the end socket 16 of the sliding gate by means of hose clips 50, as is shown in FIG. 9.
The pressure medium enclosed in the space 13 may be either a liquid or a gas, such as air.
The pressure medium enclosed within the space 13 also acts upon a rubber diaphragm 18 in a release or pressure relieving mechanism 19 disposed within the sliding gate 1. A cover 20 screwed to said sliding gate clamps the rubber diaphragm 18 against a steel washer 23 which is supported by a shoulder 21 in the sliding gate and sealed thereagainst by means of an annular rubber seal 22. The rubber diaphragm 18 is so dimensioned that it withstands at least the pressure required to maintain the valve in the position shown in FIG. 1 against the action of the spring 17, but ruptures at a predetermined pressure increase within the space 13, i.e. when a predetermined upper limit value of the pressure in the space 13 is exceeded. The release mechanism 19 comprises, besides the said diaphragm, a pressure sleeve or tubular punch 26 displaceably mounted in the sliding gate underneath the diaphragm and provided with an external flange 25, said pressure sleeve or punch 26 having an external diameter not greater than the diameter of holes 28 provided both in the steel washer and in the cover and aligned with one another and with said pressure sleeve (see FIG. 5). Furthermore, the pressure sleeve or punch 26 is formed at its end facing the diaphragm 18 with a knife-edge 24. By means of a pressure spring 27 disposed between the steel washer 23 and the flange 25, the pressure sleeve is yieldingly held against a cam surface 29 formed in the valve body 2 and having a crest 30 and an end stop 31 determining the other end position of the sliding gate.
In view hereof, even an insignificant leakage in the pressure hose 5 will cause hydraulic fluid to leak into the space 13, provided that the pressure in the space 13 is lower than the hydraulic pressure in the hose 5, whereby the pressure in said space and thus also on the diaphragm 18 will be increased successively, and this pressure increase will continue until the diaphragm 18 ruptures, the sliding gate 1 being unable to leave the position shown in FIG. 1 during this pressure increase. As a result, the pressure in the space 13 drops and the sliding gate 1 is rapidly moved by the pressure spring 17 into its other end position determined by the end stop 31 and the pressure sleeve 26. In this position, the sliding gate portion 32 overlies the holes 11 with its seals 7 sealing against the valve body 2 on either side of said holes which thus are closed, whereby return flow of hydraulic fluid from e.g. a hydraulic cylinder (not shown) in the direction of the arrow 33 is prevented. In this manner, also the cylinder or, rather, its piston is locked in position and unable to move.
If the pressure in the space 13 between the pressure hose 5 and the outer hose 14 should drop more or less slowly, the gate 1 will be urged by the pressure spring 17 to the left with respect to FIG. 1. Regardless of whether the sliding gate 1 moves slowly or rapidly from the end position shown in FIG. 1 into the other end position, the pressure sleeve 26 will be displaced radially outwardly by the cam 29 of the valve housing or body so that the knife-edge 24 of the pressure sleeve cuts or punches a hole in the diaphragm 18, thereby causing the pressure in the space 13 to drop more rapidly and thus the valve to close instantaneously every time this is required. It will be realised that the cutting or punching operation effected by the pressure sleeve should take place as quickly as possible after the sliding gate 1 has been set in motion by the pressure spring 17, during which motion the pressure sleeve 26 thus is guided by the cam 29 which, when the pressure sleeve 26 has passed the crest 30, permits the pressure spring 27 to displace the pressure sleeve 26 radially inwardly so that said sleeve can abut the end stop 31 and arrest the sliding gate in its other end position, i.e. the closed position of the valve.
In this other end position, the outer hose 14 shown in FIG. 1 exhibits the wavy shape which is shown in FIG. 6 and which permits an extension of the hose corresponding at least to the distance which the sliding gate has travelled. The outer hose always strives to return to this wavy shape when it has been deformed.
In view hereof, the hose 14 will contribute in moving the sliding gate 1 from the open to the closed position. Furthermore, it is possible, within the scope of the invention, to replace the pressure spring 17 by a tension spring built into the hose 14, or other tensioning member providing for rapid movement of the sliding gate 1 from open to closed position as soon as the pressure in the space 13 drops.
The above described embodiment of the arrangement causes a rapid pressure drop in the space 13, not only when the diaphragm 18 ruptures, but also as soon as a leakage or break occurs in the outer hose 14, and the valve according to the invention will therefore function also in such cases. The pressure drop in this instance does not depend on a rupturing of the diaphragm but on the cutting of a hole in the diaphragm 18 when the pressure in the space 13 has fallen below a predetermined lower limit value and the sliding gate 1 has been moved a given distance towards the closed position. In the event a predetermined, maximally permissible pressure increase in the space 13 is exceeded, the diaphragm will rupture. Such a pressure increase may occur upon leakage or break in the inner hose 5. The hose-break valve according to the present invention will thus function satisfactorily regardless whether only the inner hose, only the outer hose, or both the inner hose and the outer hose should rupture, and also regardless of the sequence of such ruptures.
Should it not be possible to tension the pressure spring 17 and/or the hose 14 by hand when the valve is mounted or after the valve has been released and a new rubber diaphragm 18 has been mounted in the release mechanism 19, the tool illustrated in FIG. 4 can be used. This tool has a fork-shaped end 35, a body 37 having a slot 36, and a portion 39 carrying a set screw 38. The tool is hooked with its fork-shaped end over the valve connection 3 and firmly pulled against the nut 12, whereupon a stop screw 40 extending through the slot 36 is screwed into a threaded hole 41 in the sliding gate 1 which can then be moved into its end position by means of the set screw 38 opposite the stop screw 40, while tensioning the pressure spring 17 and/or the hose, and/or other tensioning member which may be built into the hose, whereupon pressure medium is introduced into the space 13 until the pressure required for maintaining the sliding gate in its position abutting the nut 12 has been reached. The tool may be used also for emergency release of the valve. To enable the tool to be mounted in different positions on the valve, a numer of holes should be provided around the periphery of the sliding gate 1.
FIG. 7 shows an alternative embodiment of the connection of the outer hose to the end sleeve 16 of the sliding gate, and this alternative embodiment comprises a sleeve 43 movable relative to said sliding gate 1 and sealed thereagainst by means of a seal 42, said sleeve 43 serving to protect and support a jointing hose 46 which extends between the outer sleeve or hose 14 and the end sleeve 16 of the sliding gate and which, because the sleeve 43 is made for instance of steel, may be essentially thinner and more elastic and flexible than the outer sleeve or hose 14. The jointing hose 46 is vulcanised to the outer sleeve or hose and to the end sleeve 16 at 45, while the sleeve 43 is secured to the jointing hose 46 by means of a clamp 44 or the like.
Also in the embodiment shown in FIG. 8, the jointing hose 46 is vulcanised to the end sleeve 16 and to the outer hose 14. The embodiment according to FIG. 8 distinguishes over the embodiment shown in FIG. 7 merely in that the jointing hose 46 is vulcanised to an intermediate sleeve 90 which in turn in vulcanised at 45 to the outer hose or sleeve 46, and in that the sleeve 43 is fixedly connected at its end facing the valve with the jointing hose 46, but is movable relative to said jointing hose at its other end which is sealed against the jointing hose by means of seals 47. FIG. 8 shows the jointing hose in the open position of the valve, while FIG. 7 shows the jointing hose 46 in the closed position of the valve.
The embodiment shown in FIG. 9 illustrates that it is also possible to dispose the sliding gate 1 movable within a steel casing comprising two portions 48, 49 of which the portion 48 is screwed onto the portion 49. In this embodiment, the rubber diaphragm 18 of the axially disposed release or pressure relieving mechanism 19 is clamped against the shoulder 21 by means of a hollow nut 52 screwed into an opening 51 in the sliding gate 1. The pressure sleeve or punch 26 which in this instance is provided with throughholes 53 for the pressure medium (as is the case also in the embodiment shown in FIG. 5) is here actuated directly by the sliding gate 1. A number of pressure springs 55 are disposed between the portion 49 and the sliding gate 1. The space 13 is supplied with pressure medium through a nipple 56.
The embodiment, illustrated in FIGS. 10-13, of the hose-break valve according to the present invention possesses, like the embodiments previously described, a sliding gate 1 movably mounted on a valve body or housing 2. The arrangement of the circumferential groove 8 of the sliding gate and the sealing rings 7, the rows of holes 10, 11 and the wall 9 of the valve housing is the same as in the embodiments previously described, except that the wall 9 also has a circumferential groove accommodating a sealing ring 60. The sealing ring 60 seals against the inner side of the sliding gate portion 32 when the valve is in the closed position. The valve housing has a narrower portion 62 with a bevelled face 63 at the end adjacent the row of holes 11. The sliding gate 1 has at its end a corresponding inwardly directed, bevelled flange 64 which, when the sliding gate 1 is moved to the left with respect to FIG. 10, will engage the bevelled face 63 which serves as a stop when the valve is fully closed.
Compared to the embodiments previously described, the valve housing 2 has been extended to the left with respect to FIG. 10 and thus has a cylindrical portion 65, a thicker portion 66 beyond said portion 65, and, beyond said thicker portion 66, a sealing portion 67 for the outer holes 14. Extending through said portions 65, 66 and 67 are two longitudinal bores 68 connecting the space 13 between the hoses 5 and 14 with the inner cavity 69 of the hose-break valve so that the pressure medium within the space 13 can freely flow to the cavity 69 and act directly on the sliding gate to move the latter towards the right against the action of the pressure spring 17 which is clamped between the sliding gate and the nut 12 screwed onto the threaded portion 3 of the valve housing. To seal the cavity 69 against the surroundings, the portion 65 of the valve housing has two sealing rings 70 which are placed in grooves and seal against the inner side of the cylindrical bore provided in the sliding gate 1 and defining the cavity 69.
In the embodiment illustrated, the sliding gate 1 has an external thread 72 with a screwed-on union nut 73, the free end 74 of which is adapted to cooperate with the shoulder 75 between the portions 65 and 66 of the valve housing. In the fully closed position of the valve (determined by the engagement of the inwardly facing flange 64 of the sliding gate with the bevelled face 63 of the valve housing) the surface 74 of the nut 73 normally is a short distance from the shoulder 75. The nut 73 can be utilized for wholly or partly opening the valve by hand, if this should be necessary in the event of a hose-break. By screwing the nut 73 outwards on the threads 72 of the sliding gate 1, the latter can thus be moved to the right with respect to FIG. 10 so that the spring 17 will again be compressed and the inner groove 8 will enable the pressure medium to pass between the rows of holes 10 and 11.
The valve housing 2 shown in FIGS. 10-13 has a filling nipple 56 which is screwed into a threaded hole 76 in the portion 66 and opens into one of the longitudinal bores 68 to permit filling of pressure medium into the space 13. On the opposite side, another bore 77 is provided which opens into the other bore 68 but is provided at its inner end with a circumferential shoulder 78 against which a rupturable diaphragm 18 of elastomer or other suitable material is clamped by means of a nut 52 having a through hole 79. The details 18, 52, 78-79 constitute a first pressure relieving device 19 which is adapted, when the pressure of the pressure medium within the space 13 exceeds a predetermined upper limit value, to relieve the pressure within said space by rupturing the diaphragm 18. The pressure relieving device 19 may also be a safety valve having an adjustable limit value pressure. The essential thing is that, when the pressure of the pressure medium exceeds an upper limit value, the pressure within the space 13 will be relieved so that the spring 17 will move the sliding gate 1 into closed position.
In order to release or close the valve also when the pressure of the pressure medium falls short of a predetermined lower limit value, the embodiment illustrated in FIGS. 10-13 comprises a second pressure relieving device. In the embodiments previously described, this second pressure relieving device is the punch 26 provided with a knife-edge 24 for punching a hole in the diaphragm 18. In the embodiment illustrated in FIGS. 10-13, this second pressure relieving device is formed by a hole 80 which is bored into the sliding gate 1 and has an opening 81 which, when the sliding gate 1 is in the fully open position shown in FIG. 10, lies between two sealing rings 82, 83 on the valve housing 2. The arrangement is such that already a slight lowering of the pressure in the communicating spaces 13, 68, 69 causes the spring 17 to move the sliding gate 1 to the left so that, when the pressure of the pressure medium falls short of the lower limit value, the opening 81 in the sliding gate has moved past the sealing ring 82 for instance into the position shown in FIG. 11. The play between the valve housing 2 and the sliding gate 1 will then cause the pressure medium within the communicating spaces 13, 68, 69 to escape through the opening 81 and the hole 82 so that the pressure within these spaces will be lowered more quickly until the valve is in fully open position. The speed at which the pressure within the spaces 13, 68, 69 is relieved can be determined by varying the relative diameters of the cooperating portions of the housing and the sliding gate.
In the embodiment illustrated in FIG. 10, the connection of the inner and outer hoses 5 and 17, respectively, with the valve housing 2 is somewhat different. Thus, the inner hose 5 has been pushed over a clamping portion 84 on the valve housing, and a slotted intermediate sleeve 85 has been disposed around the hose end so that said sleeve leaves a throughflow portion 86 to establish communication between the spaces 13 and 69. The outer hose 14 has been pushed over the intermediate sleeve and the housing portion 68, whereupon two hose clamps 87 have been mounted for clamping the outer hose against the portion 67 and the inner hose against the portion 84 through the intermediary of the outer hose 14 and the sleeve 85.
In the embodiment illustrated in FIGS. 10-13, the sliding gate 1 may well be made of steel and the valve housing 2 of brass or similar metal having a higher coefficient of linear expansion than the material of the sliding gate 1. As a result of this arrangement, the hose-break valve may be connected with this portion 3 to a metal pipe in e.g. a gas supply system, in which case a fire and the possible destruction of the hoses 13 and 14 will cause the valve to be released so that the sliding gate 1 is moved to closed position, the flange 64 of said sliding gate engaging the bevelled face 63 of the valve housing. If the heat is so intense as to cause destruction of all sealing rings, the higher coefficient of linear expansion of the valve housing will cause the latter to expand into firm and gas-tight engagement with the inner side of the sliding gate 1 so that gas cannot escape from the metal supply pipe connected with the thread 3.
An important advantage of the hose-break valve according to the present invention, as compared with the prior art hose-break valve disclosed by the above-mentioned Swedish published patent application 7702588-0, is that the sliding gate 1 is held in a stable open position because it engages the nut 12 of the valve housing and the end of the valve housing portion 49, respectively, when the loading device or the spring 17 and 55, respectively, are completely compressed. This rigid engagement between the sliding gate and the valve housing in the fully open position of the valve may be utilized for placing the pressure medium within the space 13 under a pressure higher than is necessary for compressing the loaded device 17, 55 so that a certain amount of pressure is kept in reserve for a slow leakage of pressure medium before release of the hose-break valve. Thus, it is not necessary exactly to adapt the pressure of the pressure medium to an incompletely compressed loading device, as is the case in the known hose-break valve disclosed by the above-mentioned Swedish published application. Besides, if such an exact adjustment had been necessary, it would have required constant supervision and topping-up of pressure medium via the nipple 56 to compensate also for unavoidable leakage.
The hose-break valve according to the invention should be mounted at either end of a pressure hose. By connecting the spaces 13 of a group of valves in series with one another, one attains the advantage that all of the valves in the group are closed upon leakage or break in a hose belonging to one valve.
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HOLLYWOOD — Politics is not my dish of tea. I write about the movies and love them. But I was knee deep in governors, senators and their wives while attending the Republican National Convention in Chicago and I had a chance to talk with a few of these leading politicos. I found out just what they thought of our motion pictures.
This entry was posted in 1944, Comics, Film, Hollywood, Politics and tagged 1944, comics, film, hollywood, Louella Parsons. Bookmark the permalink.
It disturbs me that politicians were choosing films for their "educational" value, when we all know how fast and loose Hollywood plays with history. Though it does sound as if these people are more interested in having their kids imbibe a particular ideal of America, than actual truth.


UAE businesses show a significant lead in both maturity and proactiveness when it comes to the adoption of artificial intelligence solutions, according to a Microsoft report titled 'AI Pulse' which was released today.
UAE organisations also showed a marked lead in proactiveness in adopting AI solutions, when compared with global peers. Some 70% of double-digit growth companies in the UAE intend using AI within the coming year to improve decision-making, as opposed to 46% worldwide. Some 45% of UAE lower-growth firms intend AI adoption for improved decision-making this year, again outpacing the global average of 31%. UAE companies also outpaced the global average in timescales when other AI use cases, such as process optimisation and the development of new products and services, were analysed.


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Bruins Bruce Cassidy's Golden Knights end Bruins' record home winning streak
Bruce Cassidy's Golden Knights end Bruins' record home winning streak
75756A5E-120A-4932-810C-2FD980DB785E
By Scott McLaughlin
The last time the Bruins had lost at home before Monday, Bruce Cassidy was still their head coach. On Monday night, it was Cassidy's Golden Knights who came into TD Garden and snapped the Bruins' season-opening, record-setting 14-game home winning streak.
The Skate Podcast
The Skate Pod, Ep. 140: Bruins lose against former coach Cassidy for first home loss of season
It looked like they might do it easily, as they stormed out to a 3-0 lead by the early second period. But the Bruins aren't in the business of making anything easy for their opponents this season. They came all the way back to force overtime, but ultimately fell in a shootout, with former Bruin Reilly Smith scoring the lone goal in five rounds to give Vegas the 4-3 victory.
"They never quit," new Bruins coach Jim Montgomery said of his team. "They never stopped believing. They never stopped playing. Down 3-0, we didn't start on time. We got beat through the middle of the ice too often tonight. That usually doesn't happen to us. It kind of reminded me of the game in Ottawa, but this time we found a way to get back in the game, get a point. … Unfortunate the streak came to an end, but we all knew it was gonna come to an end at some point."
Playing without star center Jack Eichel and top defenseman Alex Pietrangelo, the Golden Knights jumped out to a 1-0 lead 1:36 into the game when William Karlsson found Paul Cotter in front for a point-blank finish. Less than four minutes later, they made it 2-0 when Jonathan Marchessault capitalized on a brutal defensive-zone turnover by David Pastrnak.
A few minutes after that, Cassidy got his official welcome back via a tribute video on the Garden jumbotron, followed by a nice ovation from the crowd. It clearly meant a lot to Cassidy, who acknowledged the fans with a wave while appearing to be a little emotional on the Vegas bench.
"That's something I'll get choked up about obviously, probably in about three seconds," Cassidy said after the game. "I appreciate it. It's that simple. I appreciate it. … You don't know how it's gonna be. I don't know what the reaction's gonna be. So it was a really nice gesture by the Bruins organization, and I appreciate it. I've said it all along: I have a tremendous amount of respect for them, and I'm thankful they did it."
A standing ovation for Bruce Cassidy in his return to Boston. pic.twitter.com/Zm7CJLYBum
— Boston Bruins (@NHLBruins) December 6, 2022
The Golden Knights struck again less than a minute into the second period when Cotter -- playing on the top line in place of Eichel -- sliced through the Boston defense far too easily and scored his second goal of the game.
The Bruins finally got on the board with 6:14 left in the second when Patrice Bergeron made a great pass to set up Brad Marchand on the doorstep. Then they really made things interesting in the final minute of the second when Pastrnak made up for his earlier turnover by collecting a puck in virtually the same exact spot along the boards before spinning off, skating in and snapping a shot past Logan Thompson.
Just like that, it was a one-goal game heading to the third period. The Bruins kept the pressure on and drew back-to-back penalties to give themselves an extended 5-on-3. They tied the game seconds after the 5-on-3 turned into a 5-on-4 when Taylor Hall took the puck to the front and buried his own rebound.
The Bruins got another power play in overtime with a chance to keep the streak alive, but couldn't convert before ultimately coming up short in the shootout. Cassidy said after the game that he wasn't thinking much about ending the Bruins' streak until it got brought up after the game.
"Now that you brought it up… I'm used to hearing 'Dirty Water' at the end of the games, so I'm glad I didn't hear it tonight," he said. "No, the streak -- really it's irrelevant to me. It's just nice to come in and play well."
After the game, Bergeron went over to the visitors' dressing room and had an extended conversation with Cassidy.
"We were just sharing some thoughts on each other and our time together. It means a lot to me," Cassidy said. "I have a tremendous amount of respect for pretty much every guy in that locker room. They played hard."
While Monday's game was a little bit of a snooze fest early on, especially for the Bruins, it felt like a playoff atmosphere by the end. With the Bruins possessing the best record in the whole league and the Golden Knights having the best in the Western Conference, it's hard not to dream at least a little bit about the possibility of a Boston-Vegas Stanley Cup Final.
"I would like to be here in the spring," Cassidy said when asked about the possibility. "Wouldn't that be nice, eh? Two good hockey teams that are trending that way. A lot's gonna happen between now and then, I'm sure."
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Mixed Media Bead And Tassel 5 Stretch Bracelet Set. 1.5″ Height. Gold Metal. Imported.
Meet your new favorite happy hour accessory: The Surf Gypsea Stretch Bracelet Set. This bracelet has mutli colored layers and is the perfect statement accessoryfor your printed or solid outfits.


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Q: How can I pass edn to clojurescript from clojure without making ajax request (i.e. via hiccup-generated page) I'm developing RIA with clojure and clojurescript. Backend uses hiccup to generate a resulting html, like
(html5
[:head
  (include-js "/js/my-cljs-generated.js")]
[:body ... ])

How can I pass edn(hashmap, vector, etc.) to clojurescript within the resulting html, i.e. without doing ajax call?
I would like to make hiccup do something like this:
(include-edn
   "var_name" {:foo :bar}) ; or any other clojure data

and to be able to access the passed edn from cljs somehow(e.g. by name).
Currently my implementation is a bit hacky and stores edn in a global js var
(hiccup/javascript-tag (str "var edn = \""
                       (pr-str my-clojure-data) "\";"))

and on cljs side does smth like
(jayq/document-ready
  (fn []
    (if-let [edn (.-edn js/window)]
      (do-something-with (cljs.reader/read-string edn))
    )
    ...
)

Maybe there is more idiomatic way of achieving this?

A: Your approach is fine. If you're concerned about the manual creation of JavaScript code, an alternative would be to put the result of pr-str as data in a well-defined element. Something along the lines of:
[:div {:style {:display "hidden"}
       :id "server-originated-data"
       :data-var-1 (pr-str var-1)
       :data-var-2 (pr-str var-2)}]

You can then get that data from ClojureScript with something like:
(defn get-data
  [tag]
  (-> (.getElementById js/document "server-originated-data")
      (.getAttribute (str "data-" tag))
      (cljs.reader/read-string)))

Though, again, your approach is fine.

A: Your "implementation" is perfectly fine. Wrap it in a function if that makes you feel more comfortable :)
It wouldn't make a difference if you emitted e.g. compiled ClojureScript instead; the value would be still global and mutable.

A: You could consider a push (event-based) approach, rather than pull: place your generated edn data as a string inside a [:script] tag as an argument to a javascript call a clojurescript function. When the script is loaded by the browser it will send the edn to your handler function, allowing it to be loaded by your application.
This would be a little more idiomatic than your current approach as it doesn't require state or global data, and could easily be adapted to use ajax later, if required.

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Darlene Seyfried began suffering from a painful leg ulcer in 2002, when she was just 38. Despite years of treatment with her local physician, her ulcer failed to heal, and in fact she developed three new ulcers after one treatment attempt. She had trouble walking, she relied on a cane, she took heavy doses of pain medications every day, and overall felt extremely disabled – and increasingly depressed – by her deteriorated quality of life.
When Darlene began treatment at the Vascular Surgery Vein Program in late 2009, her physician administered new treatments that she had not received before. "Within three months, two of the ulcers had closed," says Darlene. "The original ulcer is now completely healed, so there is just one left. This one is much smaller now, and my pain is virtually gone. I can walk much more now, and use my cane much less." Darlene credits her doctor's use of surgical debridement, daily topical medications, and other treatments for "really helping move the ulcers along."
According to Darlene, her treatment has "given me my life back. Now I am out and about... I just packed up my house to move — before, I would have had to hire people to pack up my home, but I did it myself. I have my life back."