Alibaba offers 34 gold mining impact crusher in south africa products. About 97% of these are crusher. A wide variety of gold mining impact crusher in south africa options are available to you, such as impact crusher, jaw crusher.
mining sectors to aggregate output in the South African economy, rather than with the aggregate volume of sales of the sector.4 Over the 197098 period, the proportional contribution of the mining sector to total value added in the South African economy has more than halved, declining from 21.3% in1970, to 9.9% of the private sector's GDPin 1998.
May 04, 2018· A Verified CN Gold Supplier on social impacts of gold mining in south africa. . Shanghai Zenith Mining and Construction Machinery Co., Ltd. is a hitech, engineering group . South America, the Middle East and Africa etc, and more foreign markets will be promoted in future.
the south african economy and its effect on the mining sector ... amcu. Aug 14, 2017 ... The state of the economy and its effect on the people on the street is effectively explained by the high level of inequality in South Africa.
Acid Mine Drainage in South Africa. The gold mining industry in South Africa (principally ... mine voids and of AMD loss from mine voids. AMD issues requiring further attention.
The mining industry contributes significantly to the South African Gross Domestic Product (GDP) annually (8.5% of the 2011 GDP) and in recent days has been affected by serious strike action both legalised, and controlled by the registered unions as well as illegal wildcat strikes (Chamber of Mines South Africa, 2012; Reuters, 2012).
Mining in South Africa The effects of the recent reshuffle Eduan Pieterse | 5/10/2017 9:23:00 AM | (1229) View Count | Return The recent cabinet reshuffle and Standard & Poor's and Fitch downgrade to junk status has caused great concern for the South African economy as well as the mining industry's future.
Impacts of mining on water resources in South Africa: A review George M. Ochieng1*, Ephrahim S. Seanego1 and Onyeka I. Nkwonta2 1Department of Civil Engineering, Tshwane University of Technology, Private Bag x680, Pretoria 0001, South Africa.
Impacts of mining on water resources in South Africa: A review (PDF ... Official FullText Publication: Impacts of mining on water resources in South Africa: A review on ResearchGate, the professional network for scientists.
The openpit mining means that large amounts of excess rock, sand and soil and processed Kimberlite can accumulate in areas and just stay there as there is not much that you can do with it. This is what is happening in some South African mines and it is a direct and unsustainable impact on the environment.
On the same page is a photo of "Wetland mining" with the caption: "The devastating impact of sand mining on the environment is clear in this photo of sand mining in the Cullinan district. Legally, mines are required to rehabilitate the area once mining operations are completed.
THE IMPACT OF MINING ON THE SOUTH AFRICAN ECONOMY . Feb 10, 2018 There are two ways of looking at mining in South Africa. . there are 35 largescale gold mines operating in South Africa, while the country .. as a human" to increase productivity, cut costs, and reduce environmental impact.
South Africa's mining production expanded by a moderate 10% during the last 2000s supercycle. That expansion was less than during the 1960s supercycle. Since the mid1980s, and bar the brief expansion of the second supercycle, production has declined continuously.


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Ubisoft: Ubi, Uber, Uni
Spanner | 15 Aug 2006 08:00
Ubisoft: Ubi, Uber, Uni - RSS 2.0
It's not often that an editor comes to you and asks for something so, when Russ (the new guy at The Escapist who pulls the strings to make the writers dance) approached me with a hole in his schedule, I felt quite flattered.
And the assignment was - I chose to assume - a simple one. Write a company profile on Ubisoft. Naturally, I waved a Spanner flag in one hand and blew my own trumpet with the other.
"No problem," said I, confident in my ability to hack out a few thousand words of romanticized eulogy. "Ubisoft is vast, and certain to be steeped in glorious history - 'twill be but the work of a couple of hours. The best thing about an assignment like this is that nothing - nothing at all - can go wrong." As you can guess, I was off to a good start.
Well, I poured my afternoon rum and ginger and set about making good on my bold promises of uncovering the humanity cowering behind the veils of one of Europe's biggest game developers. Eight hours later, with eyes so square I could dress them in dungarees and take them to a barn dance, I came to realize the internet is small, cancerous and filled with the same repeated, empty webpage surrounded by a billion different banner advertisements.
Who the hell is Ubisoft? It's like some kind of personality black hole; compressing a galaxy of individuality into a dimensionless, cross-platform singularity so dense that no personal information can escape its vast event horizon. (Everything I know, I learned from Star Trek.) Has it grown too big to support an individual identity, or has it become the worst kind of soulless byproduct of a passionless corporate mind? It started life purely as a publisher in France, so could it be possible Ubisoft was born as a peddler of another's imagination, feeding on the commercial creativity of bedroom programmers with no discernable spirit of its own?
It's equally possible that Ubisoft pours its gargantuan resources into making games rather than painting a high gloss public veneer; promising revolution upon revolution until its back catalogue is a vortex of downwardly spiraling anticlimaxes. All I had were theories and the kind of questions no public relations manager worth his salt would answer candidly.
I did uncover a few tenuous facts, I suppose.
Ubisoft was founded in 1986 in France by the five Guillemot brothers as a computer game distributor. Good business tactics soon led to U.K., German and U.S. divisions and working relationships with Sierra On-Line, EA, Microprose and a whole load more.
In 1994, it established an in-house game development arm where Michel Ancel quickly invented the prolific Rayman character. Keeping a steady pace allowed the company to go the distance without too many perturbing chest pains, and in 2000, it acquired Tom Clancy's Red Storm software label along with its catalogue of espionage and tactical thriller titles.
It now enjoys distribution in over 50 countries and has a physical presence in 21 of them, with its various development studios having turned out well over a thousand titles and an annual turnover of blah-di-blah-di-blah millions of euros.
Ubisoft gets its name, and therefore (presumably) its founding philosophy, from the word "ubiquity."
A guillemot is a sea bird found in the northern Atlantic and Pacific waters. (I don't know what flavor it is, though.)
An impressive, self-made legacy of hard graft and competent management. Trouble is, none of this stuff is especially unheard of in the industry or, for that matter, particularly interesting to read about. Other than a brief moment of uncertainty when EA suddenly devoured just under 20% of the company's shares and a degree of controversy surrounded its workers' strict employment contracts, no substantial scraps of hot gossip have ever really fallen from Ubisoft's expansive table.
I cannot accept, however, that a company with such a significant history and massive profile is so totally void of personality. I must be looking in the wrong places.
My research went from the jumbled mass of non-information that is cyberspace to the seldom updated, yet well-stocked video shop down the road which also rents out games. I came away with anything and everything proudly bearing the Ubisoft logo.
spannerissue_58prince of persiaspannersplinter cellubisoftubisoft profileubisoft ubi uber uni
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redpajama_set_name: RedPajamaCommonCrawl


Graves is gearing up for the release of his sophomore album and upcoming North American "Far From Here" tour. Today, the Hawaiian producer/audio engineer to the stars (Including Kanye West, Beyonce, Justin Bieber, Kid Cudi, and many more) brings us the second single from his forthcoming EP.
For "Glass Hearts (How Much You Mean)" Graves recruits the vocals of Lil Narnia and the fellow stellar production skills of up and comer Hex Cougar. Hex Cougar is also releasing his remix of Illenium's "God Damnit", we'll be sure to share that later today. For now, enjoy this moody new collab below! Excuse me while I go explore the rest of Lil Narnia's discography.
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A psychologist recently wrote asking for a referral for a troubled couple who seemed to be failing in therapy. My colleague, Jill Levitt, PhD and I both sent him some information about referrals in our group, but also pointed out some of the pitfalls in working with troubled couples.
Here are some of the comments I shared with him.
I meet with both separately for one or two hours to see if each is suitable for couples therapy. I don't just jump in and try to help the two, as this is a ship heading for the rocks. Usually, it turns out that at least one cannot accepted into treatment.
1. How strong is your motivation to develop a more loving relationship? How strong is your motivation to leave or try a trial separation?
2. Who, in your opinion, is more to blame?
3. Who, in your opinion, should do most of the changing?
5. If I accepted you into treatment, would you be willing to focus entirely on changing yourself, rather than trying to change, blame or punish your partner?
6. If I accepted you into treatment, would you be willing to do psychotherapy homework, 5 days a week consistently, whether or not your partner does homework?
7. And finally, would you be willing to read Feeling Good Together and do all of the written exercises in the book?
If one of the partners cannot give good answers to these questions, then I cannot accept that person into treatment, but I would still be willing to accept the spouse for therapy. Usually, at least one of the two is excluded from treatment. This would typically be someone who is unwilling to give up the blame/victim mindset. Then the prognosis for successful work brightens up considerably. I have had much greater success treating troubled couples when one of the two refuses to come to treatment or is excluded from the treatment by the screening above.
Just my approach! Many or most couples therapists would probably strongly disagree–but then again, as you've seen, couples' therapy usually fails. This email reflects the importance of effective Agenda Setting prior to jumping into therapy. Agenda Setting, or the failure to do effective Agenda Setting, is the single cause of nearly all therapeutic failure.
Yet, few therapists can grasp this, much less know how to set effective agendas. This is often due to therapist narcissism and codependency, among other causes, as well as ineffective clinical training.


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Heartbreak For Raiders
Match Report, News
Plymouth Raiders season came to an end on Sunday night as they were defeated by Leicester Riders in the semi-final of the playoffs. Having already knocked out the league champions London Lions in the quarter-finals, the most successful team in the league over the last few seasons stood in the way of a trip to the O2 Arena.
Leicester had the lead going into the game following their victory in Plymouth on Wednesday night, but with 40 minutes still to play in the tie, either team could still advance. Coach Paul James brought Zak Wells into the starting line-up to add a big body inside the key, in what was to be his last professional game before retirement. Leicester started the game the strongest, opening a 12 – 4 lead after five minutes forcing a time out from Coach PJ. A 9 – 0 run coming out of the time out put Raiders up by one before both sides traded baskets for the remainder of the quarter with nothing separating the teams at 23 each.
An 8 – 2 burst for the visitors at the start of the second period put them in front by six, which was reduced to two after five minutes of play. A scoring drought for the Raiders allowed the visitors to regain the lead but a floating shot from Josh Wilcher and a step back from Donte Nicholas put the Raiders in front again. Jonas Järveläinen made two free with 30 seconds remaining before a layup from the home side gave them a 46 – 44 half time lead. Forgetting the opening few minutes of the game, Raiders controlled the pace and headed to the locker room trailing by four on aggregate with 20 minutes still to play.
Four points from Nicholas, three from Wilcher and Devontavius Payne and two from Rashad Hassan put Raiders ahead 52 – 56 on the night but that was short lived as Leicester hit back with two three-pointers and two free-throws following a foul on a three-point shot to regain the advantage. Leicester held their lead for the remainder of the period, and with ten minutes to play, were ahead by four, six on aggregate.
Tiredness showed for the Raiders, who had played the top two teams four times over an eight-day period and travelled over 800 miles, in the fourth period. Leicester opened a nine-point lead on the night early in the quarter, which stretched to double figures with just under five minutes remaining. A Payne foul, his fifth of the game saw a Raiders timeout looking to stop the Riders run. 75-seconds of play saw Riders hold their 10-point lead before they put together five points to stretch the lead to 15. Raiders again pulled the score back to 10 but ultimately the tie was over, and Leicester finished the scoring with two free throws to take the game 85 – 73 and advance to the final with an aggregate score of 155 – 141.
The Riders had a game plan coming into the game, an executed it perfectly. They targeted Wilcher and Nicholas, not letting them dictate the tempo of the game and took the victory. Järveläinen made an impact from the bench, top scoring for the Raiders with 17 points whilst Wilcher, Nicholas, Payne and Hassan were restricted to 12 each. Riders will now go onto play London City Royals in the final next Sunday at the O2 Arena.
The season may have come to an end on the court for the Raiders, but off the court, the staff are working towards next season building on the success of this one. Season memberships are available with early bird prices in place until the end of May and fans should keep an eye on the website and social media for the latest Raiders news ahead of the 2019/20 season.
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News items related to XML to PostScript PDF software as issued by the Send2Press Newswire service on behalf of the noted news source.
Thu, 07 Feb 2008, 13:41:45 EDT | From: RenderX, Inc.
PALO ALTO, Calif. – Feb. 7 (SEND2PRESS NEWSWIRE) — RenderX, a market leader in 'XML to PDF' and 'XML to PostScript' technology, officially released the Beta versions of two new software products – DataStyler and XML Report Generator (XMLRG). DataStyler is an application for quick creation of templates for variable data embedding. Microsoft Word 2003/2007 is used as the environment for template layout design. Special XML tags indicate data merge points in report templates.


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O-Train Ottawa
Metro Montreal
Subway Toronto
Rail Systems in Canada
Réseau Express Métropolitain (REM)
Conversations Discussions
Videos Youtube & Twitch
O-Train Livestream Twitch
Forums Discord
Réseau Express Métropolitain
Guided Visit of Édouard-Montpetit Station on Montreal's Réseau Express Métropolitain - November 2021
Located in the heart of Mont-Royal, the REM's Édouard-Montpetit station is connected to the blue metro line and serves the Université de Montréal campus. It will be the deepest subway station in Canada and one of the deepest in the world (72 metres). Its architectural treatment will highlight the rock through which the station was excavated.
When commissioned, the station located 70 meters underground will be accessible via five high-speed elevators that will travel the equivalent of a 20-story building in less than 30 seconds! The REM station will connect the borough of Outremont and downtown in only 3 minutes while offering a fast connection to the green line (via McGill station) and the orange line (via Bonaventure station).
The construction of this station posed many technical challenges, especially since it is located near residential areas and schools. In order to dig so deep into the ground and in such hard rock, controlled blasting was used to build the station's main shaft and mezzanines. This represents 30,000 cubic meters of high-quality excavated rock that was reused as ballast on the Deux-Montagnes branch. The excavation work was completed in 2019 and the teams then work on the construction of the station. This means that after digging a 20-story building, it had to be built. Today, the steel structure of the station is clearly visible and the wooden ceiling can also be seen. In the coming months, the teams will be busy completing the station's exterior shell and will begin work on the interior. Final destination: commissioning in fall 2023!
In this video, we take you through a guided tour offered to the media in November 2021 of the station under construction. Journey deep underground, down to the Mont-Royal rail tunnel, now more than 100 years old, and the future route of the REM.
Explore the current and public transit rail networks: https://map.railfans.ca
Visit our website: https://www.railfans.ca
Subscribe to our channel: https://www.youtube.com/railfanscanada?sub_confirmation=1
Follow us on Twitter: https://www.twitter.com/railfanscanada
And the Forum: https://www.railfans.ca/forum


Indian phytopathology [elektronický zdroj] .
Vychází od vol. 1, in 1948.
Some vols. accompanied by supplements.
Description based on: Vol. 28, no. 4 (Dec. 1975); title from cover.
Latest issue consulted: Vol. 43rd & 44th, suppl. issue (Dec. 30, 1993).
Plant diseases -- India -- Periodicals.


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Milestone specializes in helping contractors develop and implement effective schedules and document control procedures to increase their efficiency and potential profits. Throughout the project, Milestone engineers provide ongoing consulting advice to help monitor and control the project and identify and mitigate the impact of changes and avoid costly claims. Contact us to learn more.


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Notes about eyes
June 23, 2011 permalink
Research continues on whether humans (and other animals) have the ability to perceive magnetic fields:
Many birds have a compass in their eyes. Their retinas are loaded with a protein called cryptochrome, which is sensitive to the Earth's magnetic fields. It's possible that the birds can literally see these fields, overlaid on top of their normal vision. This remarkable sense allows them to keep their bearings when no other landmarks are visible.
But cryptochrome isn't unique to birds – it's an ancient protein with versions in all branches of life. In most cases, these proteins control daily rhythms. Humans, for example, have two cryptochromes – CRY1 and CRY2 – which help to control our body clocks. But Lauren Foley from the University of Massachusetts Medical School has found that CRY2 can double as a magnetic sensor.
Vision is amazing, even more so when you take into account the myriad other things that animals and insects can detect beyond just our "visible" EMF spectrum. See also: box jellyfish with their surprisingly complex (and human-like) set of 24 eyes.
Iphone Resolution
Phil Plait of Bad Astronomy lucidly explains display resolution, clearing up arguments about the iPhone 4's retinal display technology:
Imagine you see a vehicle coming toward you on the highway from miles away. Is it a motorcycle with one headlight, or a car with two? As the vehicle approaches, the light splits into two, and you see it's the headlights from a car. But when it was miles away, your eye couldn't tell if it was one light or two. That's because at that distance your eye couldn't resolve the two headlights into two distinct sources of light.
The ability to see two sources very close together is called resolution.
DPI issues aside, the name "retinal display" is awfully confusing given that there's similar terminology already in use for virtual retinal displays…
June 2, 2010 permalink
Digital Quantification of Human Eye Color →
For those of you with eyes that aren't easily categorized as simply "brown", "blue", or "hazel": researchers have written up a new genetic model for human eye color phenotyping, published in PLoS Genetics.
We measured human eye color to hue and saturation values from high-resolution, digital, full-eye photographs of several thousand Dutch Europeans. This quantitative approach, which is extremely cost-effective, portable, and time efficient, revealed that human eye color varies along more dimensions than the one represented by the blue-green-brown categories studied previously. Our work represents the first genome-wide study of quantitative human eye color. We clearly identified 3 new loci, LYST, 17q25.3, TTC3/DSCR9, in contributing to the natural and subtle eye color variation along multiple dimensions, providing new leads towards a more detailed understanding of the genetic basis of human eye color.
(Via Nature)


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ABC's "Jimmy Kimmel Live" Show Guests | Week of January 16 2023
Erik Jorden January 16, 2023
Upcoming guests on all-new episodes of ABC's "Jimmy Kimmel Live" show for the week of January 16, 2023
The "Jimmy Kimmel Live" show airs weeknights at 11:35PM ET on ABC. You can watch previous episodes at ABC.com and Hulu. All of the day and late-night talk shows we post about it are updated weekly. Simply bookmark us and search for "Kimmel" or whichever series to see the latest guests.
1. Danny DeVito and Lucy DeVito ("Little Demon") 2. Travis Bennett ("You People")
1. Rob Lowe ("9-1-1: Lonestar") 2. Storm Reid ("Missing") 3. Musical Guest Seal
1. Jennifer Lopez ("Shotgun Wedding") 2. Chris Perfetti ("Abbott Elementary") 3. Musical Guests Fall Out Boy
1. Lily Tomlin, Jane Fonda, Rita Moreno and Sally Field ("80 for Brady") 2. Jacob Latimore ("House Party")
Friday, Jan. 20
Listings are subject to change.
Check out more Jimmy Kimmel Live
"Kelly Clarkson Show" Guests & Previews for the Week of January 16 2023
Mon Jan 16 , 2023
Guests and more on this week's (January 16, 2023) all-new episodes of "The Kelly Clarkson Show" "The Kelly Clarkson Show" airs at 2PM on NBC in some areas. Find your local listings at kellyclarksonshow.com. Previous episodes and more are available on Peacock. All of the talk shows we post are updated weekly. Simply bookmark […]


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Logan Ryan to Sign With Giants
By guybostonposts / August 31, 2020 August 31, 2020
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The New York Giants have agreed to terms with free agent cornerback Logan Ryan. The signing is for one year, $7.5 million—roughly $2.5 million less than what he was reportedly seeking.
It was reported on Sunday that Ryan had changed his agent and was looking to sign as soon as possible. There was mutual interest between the Giants and Ryan, and the two sides came to a quick agreement.
Ryan, 29, is coming off a solid year in 2019. He started in all 16 games for the Titans, who went to the AFC Championship game. In those 16 games, he recorded a career highs in tackles with 113, and passes defended with 18. He also had four interceptions and four forced fumbles on the year.
Following the injury to rookie safety Xavier McKinney, the Giants were in need of help in the secondary. Ryan is a perfect replacement as he can play both outside cornerback and in the slot. Earlier in the off-season, there were reports Ryan wanted to play safety in 2020, adding more versatility to his game.
With rookie cornerback Darnay Holmes having a strong showing in training camp, the slot corner position seems to be filled. The Giants could start Ryan on the outside along with James Bradberry, or move him safety. Julian Love is also a candidate to start at cornerback or free safety in 2020 after a good rookie campaign in 2019.
(Photo: James Kenney/Associated Press)
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In August 2016, the National Guidelines for Spiritual Care in Aged Care were released by Meaningful Ageing Australia, the peak Australian body for spiritual care and ageing. The guidelines ensure that the spiritual needs of those in residential aged care are being understood and met.
Arcare Strategy and Innovation Manager, Daniella Greenwood, was part of the Project Advisory Group who developed the guidelines.
At the heart of the guidelines are the core values of respect, compassion, inclusion and dignity. Underpinning these values and central to spirituality is the importance of meaningful relationships.
Our relationship-focused approach fosters close and committed relationships. This is furthered by our Dedicated Staff Assignment where trusting and intuitive relationships are built between carer and resident. Staff are committed to working with the same small group of residents each time they come to work, providing consistency and allowing the development of close bonds.


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Sturge Anthony &McKenzie II, Donald (w/ Nels Cline, Arnold Lee, Melvin Gibbs, David Hofstra, Vernon Reid, CX Kidtronik)
Silenced [CASSETTE + DOWNLOAD]
(577 - USA)
A six track album from drummer Donald Sturge Anthony McKenzie II written about the abuse of force from those charged to protect us, in a series of duos with amazing performances from guitarist Nels Cline, saxophonist Arnold Lee, bassist Melvin Gibbs, bassist Dave Hofstra, guitarist Vernon Reid, and drummer/keyboardist CX KIDTRONIX; disturbing and important work.
Exclusive limited edition of 30 hand-numbered audio cassettesDownload code included with the cassette
Label: 577
Catalog ID: 5799
Packaging: Cassette
Recorded in at Orange Music Studio, in West Orange, New Jersey, in the Summer of 2016, by James Dellatacoma.
Donald Sturge Anthony McKenzie II-drums
Nels Cline-guitar
Arnold Lee-saxophone
Melvin Gibbs-bass
Dave Hofstra-bass
Vernon Reid-guitar
CX KIDTRONIK-drum machine, keyboards
• Show Bio for Donald Sturge Anthony McKenzie II
"Donald Sturge Anthony McKenzie II is an American musician and composer from New York City. This world- class drummer and highly skilled beat-smith has been called a "powerhouse" and a "master of deep-pocket hip hop, funk, jazz and rock." According to Vernon Reid (Living Colour), McKenzie is among the best in the industry.
McKenzie began his musical training at the age of ten and was quickly recognized for his virtuosic talent and finesse. Under the tutelage of Everett Collins (Isley Brothers) and world-renowned drumming teacher, Dom Famularo, McKenzie has steadily evolved into a truly great musician with a firm basis in theory.
McKenzie has travelled extensively throughout Europe, North America, Australia, South America and Africa, playing sold out shows at the finest venues in Paris, London, Amsterdam, Carthage, São Paulo and New York among many others.
His illustrious career has led him to tour and record with an impressive list of avant- garde artists such as multi-instrumentalist Elliott Sharp, celebrated American guitarist Marc Ribot, and Grammy nominated jazz composer, Roswell Rudd, on BBC recordings in the MALIcool project. McKenzie's work in hip hop and R&B includes backing prolific artists such as Pharoahe Monch, P.Diddy, Grave Diggaz, New Kingdom, DJ Spinna, Mr. Complex, Martin Luther, Cody ChesnuTT, Polyrhythm Addicts and R&B legends, Sweetback, and The Persuaders. McKenzie also serves as musical director for Kat DeLuna, and teaches master classes at the Brooklyn Music School when he's not touring the globe.
Don McKenzie is best known however, for his longstanding tenure with Vernon Reid as a member of the band Masque. An accomplished composer who is constantly seeking to push boundaries, his composition, Kizzy, which has been called "dreamy", "atmospheric" and "powerfully evocative", is featured on Masque's third album "Other True Self."
As a bandleader McKenzie is skillful and generous, never overplaying but instead leading with agility and polished sophistication while creating a solid foundation for other musicians to express themselves creatively. Elliott Sharp explains that his firm sense of pocket, "hard hitting asymmetrical jazz flavors and light-fingered sonic abstractions" are what make McKenzie truly great. However, in spite of his accolades, McKenzie's humility is clearly reflected in his philosophy,
"A good drummer needs to be the foundation for the melodic and harmonic instruments while leading the way. It's a dichotomy but it's a necessary one...the older I get the less I want to lead and the more I want to support." It is exactly this remarkable prowess and matching subtlety that have won him the respect and admiration of famed artists such as friend and mentor, iconic jazz composer Cecil Taylor. And it is these qualities which have led him to become one of the most highly sought after musicians in the industry."
-Donald Sturge Anthony McKenzie II Website (http://www.dsamii.com/)
^ Hide Bio for Donald Sturge Anthony McKenzie II
• Show Bio for Nels Cline
"Nels Courtney Cline (born January 4, 1956 in Los Angeles) is an American guitarist and composer. He has been the guitarist for the band Wilco since 2004.
He first came to prominence in the 1980s playing jazz, often in collaboration with his twin brother Alex Cline, a drummer. Since then, he has worked with a wide range of musicians in punk and alternative rock, notably Mike Watt and Thurston Moore. He also leads the groups the Nels Cline Singers and Nels Cline Trio.
Cline was named the 82nd greatest guitarist of all time by Rolling Stone magazine in November 2011."
-Wikipedia (https://en.wikipedia.org/wiki/Nels_Cline)
^ Hide Bio for Nels Cline
• Show Bio for Arnold Lee
"My name is Arnold Lee I am a professional musician, saxophonist and composer. I am the son of bassist/composer Bill Lee and Susan Lee. I was born in 1985 and I was home-schooled and grew up in Fort Greene in Brooklyn New York. I started playing drums when I was two years old. being home-schooled gave me the opportunity to travel with my dad on tour and be in the recording studios with him in the early 1990's. I am not sure if home-schooling is for everybody but I really liked it, it gave me a chance to hangout and be friends and really communicate with people of all ages. My friend Javon Jackson brought me an alto saxophone for my seventh birthday, I kind of already new the ambature for the saxophone from watching my friend Donald Harrison play. I play double lip (I think lol) I got that from Donald.
Also a vast part of my upbringing revolved around the FGC (fighting game community). Playing video games was one of the first things where I really began to focus and practice for hours at doing something I love, and being in the FGC really opened up my mind to be very open and caring. In the arcades where I played nobody cared about race, gender or sexuality they just wanted to know could you play and have a good time. With Marvel vs Capcom 2 I began to take it very seriously and I was playing on a profesional level, I would train in Chinatown Fair with Justin Wong and Sanford Kelly, I was up to practicing eighteen hours a day. So when I switched my focus over to music I kind of applied what I had already learned about my concept of practicing.
I graduated college from The Oberlin Conservatory of Music where I had the chance to study with my good friends Gary Bartz, Marcus Belgrave, Paul Samuels, Robin Eubanks, Dennis Reynolds, Dan Wall and Ralph Jones and I have also studied with Patience Higgins and I get tips sometimes from Branford Marsalis. I played some baseball in college at Oberlin for my first year and my a little of my second year, but my sophomore year is when I decided I that I want to be a professional musician, and I turned my focus to music. I didn't have to force it, it was just kind of natural.
I have had the opportunity to learn perform and/or record with Bill Lee Frank Wess, Wallace Roney, Jeff "Tain" Watts, Iron Solomon, Kassa Overall, Tecla, Sullivan Fortner, Marcus Strickland, Spencer Murphy, Eden Ladin, Jason Brown, Tivon Pennicot, Meeko Isreal, EJ Strickland, Antoine Roney, Kate Ettinger, Alex Overington, Clifton Anderson, Orrin Evans, Stacy Dillard, Be Steadwell, Lawrence Clark, Luques Curtis, Zacai Curtis, Eric McPherson, Nasheet Waits, Duane Eubanks, Emanual Ruffler, Bazaar Royale, Rashan Carter, Kush Abadey, Aruan Ortiz, Lenny White,UA, Meeko Isreal, Rafiq Bhatia, Alex Ritz, Jack Hill, Ben Wolfe, Donald Edwards, Christopher Mees, Nina Moffitt, Jonathan Barber."
-Arnold Lee Website (http://www.leeandthem.com/about.html)
^ Hide Bio for Arnold Lee
• Show Bio for Melvin Gibbs
"Melvin Gibbs is an American bass guitarist, composer, and producer who has appeared on close to 200 albums in diverse genres of music.
A native of Brooklyn, New York, Gibbs attended Medgar Evers College and the Brooklyn Conservatory of Music. After attending and graduating from the Berklee College of Music, Gibbs first came to public notice as a member of the group Defunkt which was a mainstay of the early 1980s downtown New York scene. Throughout most of the 1980s, he played in drummer Ronald Shannon Jackson's Decoding Society alongside guitarist Vernon Reid, as well as playing with guitarist Sonny Sharrock and saxophonist John Zorn. Additionally with Jackson and guitarist Bill Frisell he was also a member of the group Power Tools. Gibbs co-led the band Eye and I with D.K. Dyson who also co-founded the Black Rock Coalition of which he is also an original member.
He was a member of the avantmetal Rollins Band from 1993 to about 1998, and again in 2006 when the group briefly reformed. As a member of the Rollins Band, he performed at Woodstock '94 in 1994 and was nominated for a Grammy Award in 1995. Gibbs has also recorded with hip-hop artists Dead Prez, Brazilian artists Caetano Veloso and Marisa Monte, Latin jazz artist Eddie Palmieri, Nigerian artist Femi Kuti, and guitarist Marc Ribot. He has also produced albums by guitarist/singer Arto Lindsay and turntablist DJ Logic.
Gibbs formed the Punk-Funk All-Stars with James Blood Ulmer, Defunkt leader Joseph Bowie, Vernon Reid and Ronald Shannon Jackson. He co-leads the band Harriet Tubman with guitarist Brandon Ross and drummer JT Lewis. His other current projects include Melvin Runs the Hoodoo Down with guitarist Pete Cosey and keyboard player John Medeski, the JFM Trio featuring guitarist Jeff Parker and percussionist Francisco Mora, and the Geechee Seminoles, a duo featuring Gibbs and drummer/hand-body percussionist/dancer David Pleasant.
Ancients Speak, the first album by Melvin Gibbs' Elevated Entity, was released on March 17, 2009, by Livewired Music.
In 2009, he joined the group "SociaLybrium", alongside Rock and Roll Hall of Fame inductee keyboard player Bernie Worrell and long time Parliament-Funkadelic guitarist and musical director DeWayne "Blackbyrd" McKnight as well as J.T. Lewis on drums. The group's album, For You/For Us/For All was released by Livewired Music in December 2009.
Gibbs took on the role of record producer while with the Rollins Band in the 1990s. He worked in that capacity, producing records for other artists on Rage Records."
-Wikipedia (https://en.wikipedia.org/wiki/Melvin_Gibbs)
^ Hide Bio for Melvin Gibbs
• Show Bio for Dave Hofstra
"David Carl "Dave" Hofstra (born May 21, 1953, Leavenworth, Kansas) is an Americh jazz double-bassist. He also plays bass guitar and tuba.
Hofstra was an autodidact on bass. He worked with Robin Holcomb, John Zorn, Joel Forrester, and Dave Sewelson (de) in the late 1970s.[1] He was active primarily in New York from the 1980s, playing with William Parker, Lou Grassi (de), Denis Charles, Elliott Sharp, Paul Shapiro, Bobby Previte, Wayne Horvitz, Saheb Sarbib, Bobby Radcliff, Jemeel Moondoc, Marie McAuliffe, Bill Frisell, Robin Eubanks, Greg Osby, David Rosenbloom, Phillip Johnston, Chris Kelsey, Rachelle Garniez (de), Clare Daly, William Gagliardi (de), and Robin Holcomb."
-Wikipedia (https://en.wikipedia.org/wiki/David_Hofstra)
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• Show Bio for Vernon Reid
"As the lead guitarist of Living Colour and a co-founder of the Black Rock Coalition, Vernon Reid has done a great deal to undermine stereotypical expectations of what music black artists ought to play; his rampant eclecticism encompasses everything from hard rock and punk to funk, R&B and avant-garde jazz, and his anarchic, lightning-fast solos have become something of a hallmark as well. Born in London, Reid and his family emigrated to Brooklyn while he was a child; he began playing guitar at age 15, initially studying jazz and progressing quickly. In 1980, he joined drummer Ronald Shannon Jackson's Decoding Society, a cutting-edge jazz group with whom he appeared on six albums; over the course of the decade, Reid went on to work with a wide variety of experimental musicians -- Defunkt, Bill Frisell, John Zorn, Arto Lindsay, and Public Enemy, among others.
Around 1983, Reid formed the first version of what was to become Living Colour; in 1985, with journalist Greg Tate, he formed the Black Rock Coalition, an organization devoted to opening doors in the music business for black musicians who were not content being confined to the roles of soul crooner or rapper. Living Colour did not really begin to jell until their lineup stabilized in 1986, and when Mick Jagger saw the group perform at CBGB's and invited them to appear on his Primitive Cool album. Jagger went even further, producing two demo tracks and helping to convince Epic to sign the group. Living Colour debuted to massive critical acclaim in 1988 with Vivid; the group lasted through Time's Up (1990) and Stain (1993) before disbanding in 1995. Reid has continued to make periodic appearances on others' recordings, and in 1996, he issued his solo debut, Mistaken Identity. He resurfaced in 2002 as one half of Yohimbe Brothers, a duo also featuring DJ Logic. The two released the Front End Lifter album in September and subsequently toured the United States throughout October. They issued a followup in 2004 on Thirsty Ear entitled The Tao Of Yo.Reid has remained active as both a session guitarist and as a producer, most notably on James Blood Ulmer's recordings since 2001 beginning with Memphis Blood: The Sun Sessions in 2001 and continuing through 2003's No Escape From the Blues: The Electric Lady Sessions, 2004's Birthright and Bad Blood in the City: The Piety Street Sessions in 2007. Also in 2007, Reid, bassist Jamaaladeen Tacuma, and drummer Grant Calvin Weston played a get-together for the closing of New York's Tonic performance space. The show went well enough for the trio form a band called the Free Form Funky Freqs; their drbut album, Urban Mythology: Volume One was released as part of Thirsty Ear's Blue Series in February of 2008."
-All Music (https://www.allmusic.com/artist/vernon-reid-mn0000268762/biography)
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• Show Bio for CX KIDTRONIK
"The DJ/producer/vocalist CX KIDTRONIK makes explosively danceable throwback hip-hop, meshed with electro and metal. He counts Kanye West, Saul Williams and Trent Reznor among his fans, and has worked with each. "He is a character," says Reznor. "He's also one of those guys, when he's around, things start to happen."
First, about the "krak." CX once saw Jody Watley squat for a split second to pick up a tambourine at a Central Park performance - at the height of the low-rise jeans era - and it was all over from there. The newfound obsession with accidental crack was put to music in his 2006 debut album Krak Attack, a pledged allegiance to the sag. His Stones Throw release Krak Attack 2: Ballad Of Elli Skiff takes a more conceptual angle - the title and album artwork references a low-slung-pants-wearing New Hampshire woman, who was arrested for refusing to leave a mall.
CX - "Christopher X" - is based in Crown Heights, Brooklyn, and comes from Detroit, with detours through Atlanta and Madison WI, where he was an official, bow-tie clad member of Louis Farrakhan's Nation Of Islam. But "KiDTRONiK" - the name - is pure NYC, a reference to '80s electro rap group Mantronix, who has heavily influenced his style.
A one-time member of Anti-Pop Consortium and Airborn Audio, he worked for years as a New York city club DJ, and has toured the planet honing his production style, playing custom-built synths, and drum machines with names like the "CX Betacrack Box" and "The Catonator," specializing in live kicks and snares, rather than loops. He has dazzled audiences around the world with his technically proficient, yet completely chaotic performances, full of gyrating women, flashing lights, lazers, sweat and beer. In recent years CX has toured with Reznor, Saul Williams, and produced for Kanye West's artist Consequence. What's more, in 2010 CX became a member of German digital hardcore group Atari Teenage Riot, filling in for the late Carl Crack. (The KraK/Crack connection is purely coincidental.)"-Ben Westhoff
-Stones Throw (https://www.stonesthrow.com/cxkidtronik)
^ Hide Bio for CX KIDTRONIK
1. Sandra Bland feat. Nels Cline.mp3 5:56
2. Renisha McBride feat. Arnold Lee.mp3 20:41
1. Malissa WIlliams & Timothy Russell feat. Melvin Gibbs.mp3 5:51
2. Samuel DuBose feat. Dave Hofstra.mp3 3:44
3. Eric Garner feat. Vernon Reid.mp3 12:00
4. Darrien Hunt KRAK ATTACK REMIX! feat. CX KIDTRONIK.mp3 9:54
"Look: one take is all it took - nothing fake or by the book. "Silenced" giving voice to choice. A cookbook for the now, shaking and shook.' -Nels Cline
"In Silenced Don McKenzie has reconnected contemporary improvisational music to one of the most crucial & controversial issues facing us today- the misuse of lethal force by those sworn to Serve & Protect ALL of us. I am proud to be amongst the artists participating in this remarkable project" -Vernon Reid
1 - Sandra Bland feat. Nels Cline
2 - Renisha McBride feat. Arnold Lee
3 - Malissa WIlliams & Timothy Russell feat. Melvin Gibbs
4- Samuel DuBose feat. Dave Hofstra
5- Eric Garner feat. Vernon Reid
6- Darrien Hunt KRAK ATTACK REMIX! feat. CX KIDTRONIK
Also available on Vinyl LP.
NY Downtown & Metropolitan Jazz/Improv
Septet recordings
Soundtracks, Movie Scores, &c.
Williams, Mars Presents
An Ayler Xmas Vol. 4: Chicago vs. NYC [VINYL]
(Astral Spirits / Soul What Records)
An Ayler Xmas Vol. 4: Chicago vs. NYC [2 CDs]
Thollem / Parker / Cline
Gowanus Sessions II [VINYL]
(ESP)
Gowanus Sessions II
Radical Empathy Trio
Reality and Other Imaginary Places [VINYL]
(ESP-Disk)
Reality and Other Imaginary Places
Braxton, Anthony (w/ Nels Cline, Greg Saunier, Taylor Ho Bynum)
Quartet (New Haven) 2014 [4 CDs]
Lowe, Allen
An Avant Garde of Our Own: Disconnected Works 1980-2018 [8 CD BOX SET]
Ochs, Larry / Gerald Cleaver / Nels Cline
What Is To Be Done
Sturge, Donald / Anthony McKenzie II (feat. Elliot Sharp, Bill Laswell, Vernon Reid)
Silenced II - Views from the Auction Block [VINYL + DOWNLOAD]
Kaiser, Henry
Friends & Heroes: Guitar Duets
(Fractal Music)
Thollem / Wimberly / Cline
Radical Empathy
MPT Trio (Mela / Paz / Trujillo)
Irving, Tony / Massimo Magee
Vitriol And The Third Oraculum
Meirano, Gabriele / Federico Ughi
Coordinate Orientali [CD + DOWNLOAD]
Weston, Grant Calvin / Lucas Brode
Flying Kites [CD + DOWNLOAD]
Meirano, Gabriele / Xu Fengxia
New Vintage Sessions [CDr + DOWNLOAD]
Ughi, Federico (Ughi / Irwin / Snyder / Adu / Swanson)
Heart Talk [CASSETTE + DOWNLOAD]
Weston, Grant Calvin
Improv Messenger [CD + DOWNLOAD]
Carter, Daniel / Patrick Holmes / Matthew Putman / Hilliard Greene / Federico Ughi
Telepathic Alliances [VINYL + DOWNLOAD]
Carter, Daniel / Federico Ughi
Extra Room [VINYL + DOWNLOAD]
Moon, The
McAuley, Jim
The Ultimate Frog
(Drip Audio)
Sun Ra And His Solar-Myth Arkestra
The Solar-Myth Approach (Vol. 1 & 2) [2 CDs]
Search for other titles on the 577 label.


Michael Vick is taking the bulk of the offense's 1st-team snaps, according to WR Jeremy Maclin. Fellow QB Nick Foles is also receiving some reps with the starting unit, but Vick is clearly the leader in the clubhouse for the starting QB job so far.
If he can hold off Foles and rookie Matt Barkley in training camp, Vick does indeed deserve a final crack at the starting job. He has the complete confidence of his teammates and his athleticism could jump-start Chip Kelly's offense at the NFL level.
Even in a traditional west coast offense, Vick is the best passer on the roster because he processes the game faster than Foles, has much more arm talent, and trusts himself to make plays down the field. To this point in his career, Foles has been captain checkdown and has shown great reluctance and questionable decision-making when throwing the ball down the field. His lack of athleticism also limits what the Eagles can do offensively.
While Vick should win the QB competition this season, 2013 will be his last season in Philadelphia unless he significantly improves his play. In 2014, Chip Kelly may be more inclined to hold a true open competition at QB between Foles, Barkley, and potentially another player.
the only reason it isnt true qb competition now is because its no contest. literally. no way unless u ddnt like mike from outset could u say hes not our best qb, period! i say keep mike until fsu jameis winston, bettr than t. bridgewater manziel mariotta and braxton, declares. then trade foles and bark for mid rounders. foles is our only young solid project at qb. barkley is gar-bage!


text:
Harmon Cobblestone Farmhouse and Cobblestone Smokehouse is a historic home located at Phelps in Ontario County, New York. The farmhouse was constructed in 1842 and is an example of vernacular Greek Revival style, cobblestone domestic architecture. The house consists of a 2-story, three-bay side-hall main block with a -story north wing and 1-story east wing.  The exterior walls are built primarily of small, red, oval, lake washed cobbles.  Also on the property is a smokehouse built of both red, lake washed cobbles and irregular field cobbles.  They are among the approximately 101 cobblestone buildings in Ontario County and 26 in the village and town of Phelps.

It was listed on the National Register of Historic Places in 1992.

References

Houses on the National Register of Historic Places in New York (state)
Greek Revival houses in New York (state)
Cobblestone architecture
Houses completed in 1842
Houses in Ontario County, New York
National Register of Historic Places in Ontario County, New York

redpajama_set_name: RedPajamaWikipedia


Among other things, an Active Directory (AD) server can act as a central authentication authority (via Kerberos) and a rights and roles authority (via LDAP). For more information please see Active Directory in Wikipedia or Microsoft's white paper on the Active Directory technology.
How do I unbind a Mac from the AD using the command line?
How do I join a Microsoft Active Directory Domain in OS X?


Comprehensive list of Pomona, California based commercial and residential landscaping contractors, designers and suppliers.
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Maintenance and Installation - Month-to-month contracts are available for year round maintenance. Every property requirements regular care, and our month-to-month maintenance contracts supply year round care geared specifically for apartments, industrial, parks, office, and retail properties. Expert Tree Trimming and Removals - Keep your business or home safe and maintain property values.
Since 1966, we at Land Design. have made our distinctive mark throughout Southern California. From landscape design to outdoor lighting to pools. Land Design. has allow your dream garden to come true. We look ahead to delivering you with professional design and design-build care.
SCLM Company. has been serving Southern California since 1977. We specialize in commercial landscape maintenance and construction services for properties of all kinds and sizes. In addition, our professional and friendly team is here to answer any questions you may have about our firm or our services.
He has high firm standards and a dedication to excellence. Kevin has been in the landscape business for more than twenty years. K. Sheridan Landscape installs many different kinds of landscape work such as; waterfalls, Koi ponds, masonry, hillside repair, concrete work, pool decks, irrigation, planting, outdoor BBQ's, low voltage lighting, and just about every kind of outdoor construction.
We're dedicated to building relationships that make things grow. CLS is a complete service landscape management and grounds maintenance supplier. CLS puts a very strong focus on building relationships through our high standard of service and great care to detail.
Landscapes as seen on A&E's reality TV show, Driving Force! Outdoor landscapes have become an integral part of families everyday lives. Let us design and create an interactive landscape for you. Call today for a quote or consultation.
Lanter Landscapes has been a family run and run business for over 28 years. Our trained, courteous, reliable and knowledgeable team will supply you with the professionalism you expect while providing you the best quality services at sensible prices.


text:
Plant Parasites of Europe
leafminers, galls and fungi
Dutch vernacular plant names
English vernacular plant names
Scientific plant names (genera)
Errata Plant Galls of Europe
Conventions and limitations
Parasites > Animalia > Arthropoda > Insecta > Lepidoptera > Ditrysia > Gracillarioidea > Bucculatricidae > Bucculatrix > Bucculatrix frangutella
Bucculatrix frangutella
Bucculatrix frangutella (Goeze, 1783)
buckthorn bent-wing
on Frangula, Rhamnus
Rhamnus frangula, Ede
Rhamnus frangula, Ommen: enkele mijn
Rhamnus cathartica, Hungary, Budapest – Jánoshegy © László Érsek
underside of the same mine, with empty egg shell and exit opening
Rhamnus frangula, Lage Mierde: window feeding, caused by the free living larvae
A narrow corridor, densely wound, almost entirely filled with purplish brown frass. The last 1 to 2 cm of the corridor are free from te spiral, and almost straight. At this point the mine is left, and the larvae continue to live free on the leaf, causing window feeding. The empty larval chamber, obviously free from frass, is conspicuously slender. The egg, in the very centre of the spiral, is at the leaf lower side, as is the exit from the mine (Emmet, 1985a). Pupation in a greyish-brown, spindle-shaped, strongly ribbed cocoon.
hostplants
Rhamnaceae, monophagous
Frangula alnus, rupestris; Rhamnus cathartica, erythroxyloides, erythroxyloides, saxatilis & subsp. tinctoria, virgata.
Mines are found from July to November; according to Emmet (1985a) the larval stage is in June-July. Univoltine, hibernation as pupa (Patočka, 1996a).
BE recorded (De Prins, 1998a).
NE recorded (Microlepidoptera.nl, 2008).
LUX recorded (Ellis: Ahn, Palmberg).
distribution within Europe
Entire Europe, including Portugal and Spain, except the Balkan Peninsula (Baugnée in litt., 2012; Corley ao, 2006a; Fauna Europaea, 2008).
Described by Patočka (1996a), Patočka & Turčáni (2005a).
B. fragulella. Goeze's original spelling of the specific name is frangutella. Given the name of the host plant, and the small difference between an l and a t in worn lead hand printing this obviously is a typing error and according to the rules of nomenclature frangulella should be the valid name. However, in Lepidoptera tradition it is customary to set side the rules of nomenclature at this point, and to rigidly adhere to the original spelling.
In some shrubs of Rhamnus catharticus the mines are surrounded by unusually large darkened spots.
Rhamnus catharticus, Oostvoorne, Tenellaplas
Some pictures of the spinning of the cocoon:
Baldizzone (2004a), Bengtsson & Johansson (2011a), Biesenbaum (2010a), Borkowski (2003a), Buhr (1964a), Burmann (1991a), Corley, Maravalhas & Passos de Carvalho (2006a), Corley, Rosete, Romão ao (2015a), Deschka & Wimmer (2000a), Diškus & Stonis (2012a), Drăghia (1968a), Dziurzynski (1957a), Emmet (1985a), Haase (1942a), van Frankenhuyzen & Houtman (1972a), van Frankenhuyzen, Houtman & Kabos (1982a), Hering (1932g, 1957a), Huber (1969a), Kasy (1983a, 1987a), Klimesch (1937b, 1942a, 1950c, 1951b, 1956a, 1958c), Kollár & Hrubík (2009a), Kuchlein & Donner (1993a), Kuchlein & de Vos (1999a), Kurz & Kurz (2007a), Kurz & Embacher (2012a), Kvičala (1938a), Laštůvka & Laštůvka (2017a), Lhomme (1934d), Maček (1999a), Michalska (1972a), Michna (1975a), Patočka (1996a), Patočka & Turčáni (2005a), Popescu-Gorj & Drăghia (1966a), De Prins (2010a), Robbins (1991a), Sefrová (2005a), Skala & Zavřel (1945a), Steuer (1995a), Svensson (1971a), Szőcs (1977a, 1981a), Thomann (1956a), Zoerner (1969a).
Bucculatrix frangutella larva
Last modified 18.ii.2020
2001-2021 W.N. Ellis, Amsterdam, The Netherlands
This work is licensed under a Creative Commons - Attribution - NonCommercial - ShareAlike 4.0 International License.


text:
Afrolidia vermiculata är en insektsart som beskrevs av Nielson 1992. Afrolidia vermiculata ingår i släktet Afrolidia och familjen dvärgstritar. Inga underarter finns listade i Catalogue of Life.

Källor

Dvärgstritar
vermiculata


These musical experiments use field recordings gathered from Alabama's Tallapoosa River and are reformed into psychedelic techno rythms and layered with plaintive vocals, harmonies, piano and banjo. All used to explore the evolution of human psyche.
6. "Looking Also Kills the Looker"
"Lurch and Holler" is E .Liz Downing and Michael Willis.
For 25 years, Liz Downing and Michael Willis have been making sounds together in different configurations such as "Lambs Eat Ivy", "Girls' Ranch", "Radiant Pig" and now "Lurch and Holler". In these musical performance art groups they have employed banjo, synthesizer, washboard, field recordings, sets and costumes to create plays and concerts, touring nationally in venues such as The Whitney, Hirshhorn Museum of Art, The Baltimore Museum. They have been awarded grants such as the National Endowment for the Arts, Franklin Furnace Interdisciplinary Arts Grant and Maryland State Arts Council grants. They have received residencies from Yellow Springs Institute and the Wooster Group. Lurch and Holler has just completed their 3rd home recording, "This Pink Hue" and are creating sound fields in collaboration with experimental film makers Catherine Pancake and Julia Oldham. "Lurch and Holler" have lately been inspired by the works of Homer, Flannery O'Connor, Edith Piaf, Thomas Hardy and Walt Whitman. As always, they are moved to integrate the grunts and cries of our early human ancestors with the hollering of mountain music and the twang of Tammy Wynette. The resulting experimental sound is Appalachian/techno Psychedelia.
3. BIRDS FLYING LOW .Birds flying low to the ground….Dark shadows lifting, a rustling sound…Tall grasses bending from the weight of the birds….flying low to the ground.
6. LOOKING To witness an act of violence or disrespect harms the viewer..
To witness an act of kindness or love heals the viewer.
7. AM I BORN TO DIE, An Existentialist poem written by Charles Wesley in 1753 and made popular in the Civil War era.
8. LAUGHING KAZOO, Tickled him to death.
9. PENELOPE In "The Odyssey" Queen Penelope devised a scheme to stall the suitors, a challenge in which the suitors must string the mighty bow of Odysseus.
10. GHOSTS, Ghosts hurry down the hall to hell.
11. "WEATHERS", is adapted from a poem by Thomas Hardy.
13. MALIGNANT MIST Odysseus, disguised as a tramp prepares to kill the graceless crew who sought after his wife and trashed his home. All the while they thought Odysseus dead.


Thoda Pyaar Thoda Magic (2008): One day they pray to God for help and he does help them. He sends his most mischievous, childlike, lovable angel to the rescue, with a mission to bring Ranbeer and the kids together. Geeta (Rani Mukerji) comes bicycling down a rainbow… and bursts into Ranbeer's house as the selfproclaimed new nanny. And then starts the roller coaster ride of fun, emotions, magic and love.


Allow people to call on you with Chatrbell as well as call on others.
Download the Chatrbell app from the App Store.
Make sure you have your Flare with you and that your Bluetooth is turned on.
Please also allow location services.
Select 'Get Started' in the app.
Create your Chatrbell ID, your password and please input your email.
You will be asked to connect to your Flare.
A number will appear when you are in range of your Flare.
Simply click on the number and press Connect.
Success! You are connected to your Flare and will be taken into the app.
The first person to connect to a Flare will be the administrator of that Flare, with the ability to add or remove other residents.
There are 3 parts to the app: Settings, Conversations and the Doorbell.
See what Flare you are attached to in My Flares. Here you can also add more Flares if you wish.
Click on your Flare's ID to see which residents are also attached; click on the + to add more residents (only an administrator can add more residents).
In Conversations you can chat to people just like you would with any other chat or text app.
You want to call on people but do not use Chatrbell at your home or office.
Follow the steps as per the above set-up, but when you are asked to connect to a Flare simply click Skip.
When you're in range of somebody's Flare outside their house or building, their ID will appear in your app with a green doorbell next to it. Simply press this doorbell and await their response!
If there are lots of residents in a large building, use the Search for residents field at the top, to narrow your search.
You will see the doorbell is ringing and you can simply wait for their answer. The response will either pop up on your device or they'll start a live chat with you to find out more.
If you are using Chatrbell for Enterprise, you will be prompted to enter your name and company name. This will log your visit to save time and paperwork at reception! You will only need to enter your details the first time; the fields will be filled in automatically from then on.
When your device tells you your doorbell is ringing, simply answer with a positive or negative reply, or start a live chat conversation if you want to find out more.
It's as simple and easy as that! But if you have any problems or questions please contact us and we will help you as quickly as possible!


This note identifies psychometric research using ODA to assess inter-rater, inter-method and test-retest reliability of scores made using the Naranjo Adverse Drug Reaction Probability (APS) Scale.
This note compiles initial research exploring the use of ODA in Markov process modelling.
This note illustrates visualizing an ODA optimal cutpoint used to classify observations in training or validity samples, and summarizing resulting accuracy using the confusion matrix and PAC, ESS and D indexes.
Satisfaction ratings (1=very dissatisfied; 2=somewhat dissatisfied; 3=neutral; 4=somewhat satisfied; 5=very satisfied) provided by 4,583 hospital patients in three successive cohorts (two consecutive 3-month-long base¬line cohorts and one 3-month-long post-intervention cohort) were compared to evaluate a program which was designed to increase patient-rated satisfaction with in-hospital received care (Table 1).
Cross-classification tables may be created for one or more "cohorts"— groups of observations defined by a common event such as the year of one's birth, graduation, employment, marriage, disease diagnosis or incarceration—and assessed at two or more points in time on one or more variables reflecting the substantive focus of the study. This article demonstrates exploratory maximum-accuracy evaluation of cohort, aging, and time effects for a standard cohort table.
When a first-order Markov model cannot be confirmed one approach is subdividing the sample into strata each having a distinct set of transition probabilities. This note demonstrates the use of ODA to assess whether stratification resulted in significantly different transition matrices.
This note demonstrates the use of ODA to test the hypothesis of an underlying second-order Markovian process.


text:
As Congestion Pricing Looms, Electeds Rethink Uptown Parking
With the congestion pricing set to take effect in 2021 Upper Manhattan politicians are mobilizing to form a plan to reform parking regulations in order to prioritize on-street parking.
For city residents instead of suburbanites looking to game the system by storing their cars outside the congestion zone, according to reports.
Manhattan Borough President Gale Brewer and Uptown City Councilmembers Mark Levine and Ydanis Rodriguez are have proposed creating a residential parking permit system, but the city isn't a fan of the policy, the Daily News first reported. A permit system would reserve curbside parking spots on residential blocks for neighborhood residents who buy parking permits, according to the report.
Levine proposed a bill in March that would designate up to 80 percent of parking spaces in residential blocks for locals, while leaving commercial streets exempt. The councilmember told the Daily News that coming up with a plan for parking above 60th street is an urgent priority reported Patch.
"This problem is only going to get worse when we implement congestion pricing," Levine told the Daily News. "We are perilously close to running out of time."
Rodriguez — who represents the northernmost district in Manhattan — has authored a similar bill also endorsing the policy of residential parking permits, the Daily News reported.
The MTA has already awarded a $507 million contract to a company called TransCore to desing, build and implement a "first-of-its-kind" tolling system below 60th Street in Manhattan. Congestion Pricing was a major part of this year's state budget and Gov. Andrew Cuomo expects the policy to raise at least $15 billion for MTA capital projects.
But while residential parking permits has its proponents in the City Council, it may prove unpopular with drivers and the city's current administration, the Daily News reported. City Department of Transporation officials have previously stated that a permit system may unintended negative consequences and that it would be hard to enact and enforce. One transportation consultant also told the Daily News that any proposal that would make drivers pay for street parking when it was previously offered for free is likely to face serious public opposition.
This entry was posted in Harlem, policy, politics, transportation and tagged congestion pricing, Gale Brewer, Mark Levine, residential parking permits, Upper Manhattan, Ydanis Rodriguez by Harlem World Magazine. Bookmark the permalink.


Your year-end W-2 form will be mailed to your home address listed with the Academic Records office at the time of your original hire unless you request Payroll Services to send it to a different address. If the address on file for you with Academic Records is a dormitory address you must provide an alternate mailing address. Dormitory addresses are not accepted as valid mailing addresses for W-2 purposes. You must contact Payroll Services directly if your permanent mailing address changes to ensure you receive your W-2. If you change your address via the Cal Poly portal or with the Academic Records office this will NOT update your address with Payroll Services.
You may change your address of record with Payroll Services using the form provided here. This will NOT change the address of record with Academic Records, only with Payroll Services. You may also change your address in the Payroll Services office located in the Administration Building, Room 107.
Your W-4 status determines how much Federal and State tax is withheld from your check. The default W-4 withholding for student assistants is: Single, 0 exemptions.
If you wish to change your withholding status you may do so using the form provided here.
If you are not a U.S. Citizen, you may not use this form. Any changes to your payroll withholding status need to be completed in the Payroll Services Office, building 1, room 107.
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The Javan Trogon (Apalharpactes reinwardtii) is a species of concern belonging in the species group "birds" and found in the following area(s): Indonesia. This species is also known by the following name(s): Blue-tailed Trogon.
Copyright Notice: This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Javan trogon".
Glenn, C. R. 2006. "Earth's Endangered Creatures - Javan Trogon Facts" (Online) - Licensed article from Wikipedia: The Free Encyclopedia. Accessed 4/19/2019 at http://earthsendangered.com/profile.asp?sp=1855&ID=3.
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Activist & Political · Directors · Documentaries · Interviews
"It Could Cause a Popular Uproar": Interview with Amir Ramses on his controversial documentary Jews of Egypt
Patrick Keddie
"They were educated in security, and these guys are raised with the concept that the word 'Jew' means 'enemy.' They all look at themselves in the mirror, and they imagine themselves to be superheroes, spy killers . . . I doubt they even saw the film before banning it."
Jews of Egypt, Amir Ramses's new documentary, begins by asking ordinary Egyptians on the street what they think of Jewish people. The answers are mostly negative; "damned" says one, "enemies of Islam" says another, "doomed by God." Whilst talking to Ramses, one man remarks that the Egyptian singer Leila Mourad was "good." Then his eyebrows shoot up as he realises something, "What? She was also Jewish? Then she was not good!"
There are now fewer than a hundred Jewish people living in Egypt, but there were once over 80,000. Many notable figures in Egyptian society and culture were Jewish; including film director Togo Mizrahi, the actor and musician Mounir Mourad (brother of Leila), and political activist Henri Curiel. After the creation of Israel in 1948 and following the 1956 Suez Crisis, most Jews in Egypt fled the country or were forced out. "Now when we say the word 'Jewish' the word 'enemy' jumps to mind" Amir Ramses told me during our interview, "my film is addressing anyone who has that mentality."
I met Ramses in the café of a bookshop in Zamalek, Cairo, on March 26, 2013. The young Egyptian director is a slight figure. His spectacles lend him an intellectual air. He has a caffeinated energy, and his thin hands flit and flicker around his head when he is anxious to make a point.
"Everybody knows that I'm very influenced by [Egyptian film director] Youssef Chahine," he told me. "I decided to become a filmmaker when I was 10 years old after going to see one of his films. Somehow his films are always intrigued by the 'other' . . . how you conceive the other, how you accept them." Ramses first encountered the name Henri Curiel in one of Chahine's films, and learning about this figure (Curiel founded the Egyptian communist organisation Democratic Movement for National Liberation or Hadato) was "one of the reasons why I wanted to make the Jews of Egypt."
Recent best-selling books about the exiling of Egypt's Jews, such as Lucette Lagnado's memoir Man in the White Sharkskin Suit and Jacques Hassoun's Histoire des Juifs du Nil, also gave Ramses the confidence he needed to tackle the subject.
Jews of Egypt predominantly focuses on a relatively narrow group of well-educated, leftist Jews who fled Egypt, usually to live in France. This reflects Ramses's political interests, but it is also determined by a shortage of funds, which prevented him from traveling to many countries. He made the decision, along with producer Haitham Al Khamissi, to fund Jews of Egypt himself (the budget was €156,000) as he wanted to protect the integrity and artistic freedom of the film.
Ramses did all the research, shot most of the film himself, and edited it with Al Khamissi, who also provided the music. Ramses considers Jews of Egypt his first independent film.
Self-funding ensured artistic freedom but is sometimes apparent in the film's limitations; archival footage is often repeated and some of the editing is not quite seamless. It lacks perspective from people from different levels of society or those who left to different countries. Nevertheless, the film is frequently beautiful and elegiac.
'Egypt Was a Utopia Back Then'
Many Jewish people could trace their families' existence in Egypt back hundreds of years. Egypt had been a safe haven for Jewish people; Sephardic Jews came to Egypt to escape the Spanish Inquisition, and Jews escaping pogroms in Eastern Europe settled in Egypt during the early twentieth century.
Ramses sees the 1930s and 1940s as Egypt's golden period. "I think for tolerance and acceptance of the other, Egypt was a utopia back then." In Jews of Egypt, several interviewees recount their Egyptian childhoods as being happily multilingual, multicultural, and overwhelmingly free from prejudice. Many express their love of Egyptian culture and the music of Om Khalthoum. They describe the warm community they had enjoyed in Egypt and the colder relationships they found in exile in Northern Europe. One interviewee, Aline Clauel, remarks that "Alexandria was the lost paradise of my youth."
The film thrums with nostalgia. Ramses uses archive footage to reveal a long-lost Egypt. Contemporary footage of Alexandria and Caro is shot in a sort of dreamy soft focus, as if looking too closely would reveal that the past insufficiently haunts the present.
Jews of Egypt does not attempt to address the faultiness of nostalgia or memory (history of the cosmopolitan nature of Alexandria in particular is prone to idealisation.) Yet, although every idyll is a myth, Egypt was more cosmopolitan then, and a range of cultures, ethnicities, and religions did peacefully coexist.
Tolerance of the "other" is distinctly weaker in modern Egypt. Ramses encountered this when trying to convince Jews currently living in Egypt to talk to him on camera. They were nervous about appearing in the film because "people don't want to spread the fact that they are Jewish."
Ramses finally persuaded Albert Arri to appear in the film. He speaks to the camera whilst enveloped in his armchair in the apartment in downtown Cairo where he has lived since 1935 and recounts the tribulations of his life in a wry tone. Like many of Egypt's Jews, he was a leftist, an Egyptian patriot, and an anti-Zionist — yet he was harassed, persecuted, and imprisoned.
In Jews of Egypt, Ramses is keen to make a sharp distinction between politics and religion; between Zionism — which Ramses opposes — and Judaism. There is much emphasis on the Egyptian patriotism of many of Ramses's interviewees in the film. Henri Curiel — despite living in exile — acquired advance plans of the 1956 tripartite (British-French-Israeli) attack and attempted to hand them to Nasser, only to be rebuffed.
Despite the patriotism of many Egyptian Jews, serious harassment began in the 1940s. One of the most shocking moments in the film is when an elderly member of the Muslim Brotherhood says that Jews "spread like cancer" wherever they go and claims that his organisation was justified in harassing Jews and burning Jewish property in Egypt because "we were defending ourselves."
After the 1956 war, persecution of Jews by the Egyptian authorities and by radical Islamists reached an unbearable level. Jewish property was looted and burned, Jews lost their jobs, and some were imprisoned on spurious grounds.
Jews who were forced out were made to renounce their nationality and prevented from returning. All of them left Egypt in their youth and are elderly now, so none talk about returning to live in Egypt. Some returned decades later to visit by changing their names or circumventing the rules, but many have never been able to return to visit. The pain of exile is still palpable decades later. One woman in the film, her eyes shining, said that she doesn't know who she is. "I'm not French" she said "but I'm no longer Egyptian."
Controversy and Censorship
Jews of Egypt generated controversy in Egypt before it was released. It made it past the beady eyes of the Egyptian Board of Censors twice, and was due to be released in Egypt on March 13, 2013; yet on March 12th it was announced that the security authorities had intervened to prevent its release, on the grounds that it could cause "popular uproar."
After wide coverage in the Egyptian media and public support, the decision was reversed and the film was released on March 27th — incidentally, in the middle of Passover, the Jewish holiday commemorating how the "children of Israel" were freed from slavery and led out of ancient Egypt by Moses over 3,000 years ago.
Ramses is not sure what the authorities were so scared of. "They were educated in security and these guys are raised with the concept that the word 'Jew' means 'enemy.' They all look at themselves in the mirror, and they imagine themselves to be superheroes, spy killers, and they have these notions. I doubt they even saw the film before banning it."
Ramses is keen to argue that interference by the security authorities in decisions taken by the Board of Censors should be prevented by previous court judgements. "Their legal right is the same as my aunt's legal right — she can like it or not, but she has no right to ban it!" In a perverse way, the decision to ban the film helped publicize it. "They are stupid," laughed Ramses. "By banning the film they gave it a reputation!"
The director believes that censorship of Egyptian culture remains at a similar level to before the revolution and that there have always been ways to circumvent it. He says he knew a famous screenwriter in Egypt who "could always get a lot more through censorship than anyone else. He used to say, 'I just add some stuff that is hard to tolerate. If I have a political thing that I want to pass, I just add a few love scenes and then negotiate what I want to keep in.'"
The financial crisis in the wake of the revolution is a greater threat to filmmaking, according to Ramses. Foreign investment in filmmaking has dried up, and box-office takings have dwindled as cinema audiences have fallen due to a mixture of expense, security problems, and preference for internet downloads.
In terms of his political hopes, Ramses seems conflicted. On the one hand he is more optimistic about Egypt's post-revolutionary future: "I think that time is on our side. Things [political development] that have taken 200 to 300 years' time in the history of humanity, right now they can't take that long. Information is there, it's faster."
But ask him if he thinks that Egypt can become more tolerant and he says, "I'm not very optimistic. We are living in a time when even Muslims are having problems amongst each other." He mentioned that after protests the previous week, "the official Ikhwan [Muslim Brotherhood] TV channel had callers saying 'demonstrators were speaking to each other in Christian and calling each other Christian names.'" What does "talking in Christian" even mean? "I don't know!" he laughed. "Maybe Aramaic or something!"
Indeed, in lamenting a lost past, Jews of Egypt also contains warnings for the present post-revolutionary Egypt, with parallels in worrying trends in contemporary Egypt, especially with the way the Christian minority are treated with increased hostility and suspicion. "I think it is a different situation but might be leading to the same result," he says, passing his hand over his hair as he searched for the precise argument. "Of course, what happened to the Jews of Egypt is linked to the war of 1948 and what happened after the 1956 war and political events. But it's relevant, the comparison is there, but the background is different."
I ask Ramses what he makes of a recent statement by Essam Al-Ariam of the Muslim Brotherhood that he wanted exiled Jewish people to return to Egypt, "their homeland." Ramses doesn't take it seriously, not only because Al-Ariam failed to talk about the role of his own party in exiling the Jews but also "why only talk about the Jews of Egypt who went to Israel? I mean, that's less than 50 percent of the Jews who left Egypt." Ramses is skeptical of this rhetoric whilst there are "people still living in Europe who are banned from returning until this day because of the documents that they signed in 1956. Why not give these people their rights?"
Watching Jews of Egypt in Alex
Ramses's next film will be a return to fiction about the "'bearding' or the 'veiling' of the revolution"; how it has been hijacked, as he sees it, by radical Islamist forces. He is writing the screenplay at the moment and hopes to begin filming later this year. But right now he is busy promoting Jews of Egypt and is getting ready to screen it at various international film festivals. Ramses has already taken the film to Rotterdam and Palm Springs.
I saw Jews of Egypt in an Alexandrian cinema on the day of its release with an Egyptian-Christian friend. The large auditorium was sparsely filled — I counted a total of ten people in the audience. My friend, a lifelong Alexandrian, told me he had never met an Egyptian Jew.
Afterwards, he and I stood waiting in the evening chill for a rickety Alexandrian tram to arrive. My friend expressed his sadness about a lost Egypt depicted in the film but not surprise; he knew the history. He was also worried for his own future. "These people loved Egypt from the bottom of their hearts," he said, "and look how they were treated."
— Patrick Keddie
Patrick Keddie is a British freelance writer, currently based in Egypt. He writes mainly about politics and culture in the Middle East. He has reported from the West Bank, Gaza, Egypt, and Greece. His work has been published in Delayed Gratification, the Morning Star, and Open Democracy, among others. Check out his blog here.
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Enjoy the next session of the first arc of the 13th Age Organized Play program! This is an exciting new development in the new 13th Age product line. Our gaming group, in our inimitable fashion is woefully behind the schedule in our google hangout sessions. However there is a new six-part adventure series coming up, and I encourage you to join in at home, or even better your FLGS!
Please note that this is an Actual Play of our home session, and while we aren't downright crude, this is an explicit recording, so beware of sensitive ears.
Due to technical issues, we had to restart recording halfway through.
I am still watching this session, but it's a classic. Why go to town and just BUY horses when we can charge into the trackless wilderness, find a bunch of boney, stringy, tough to chew (because they are going to the dragons after all) feral horses and have to fight an army of Kobolds for them.
It makes perfect gamer sense. There is no fun unless we're killing things and taking their stuff.
I do get a narrative of our home sessions up at my website (though last Saturday's still remains to be written). Probably not as entertaining as watching you guys play, but it at least helps me remember where we were . . .
Yeah, it takes a while to burn through a whole hangout session just listening. I tend to transcribe them to audio and listen in the commute, I find I don't lose much in the process.
Ah... If you enjoyed that bit with horses, wait till the gamer logic which ensues when they return.
Getting up an AP write-up is a good practice. One I don't necessarily do enough. I typically interrogate the players at the start of the session instead. It's not as helpful as well-written notes, but it does give a picture of what everyone thought was important in the last session.


text:
import sys

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        else:
            raise ImportError('unittest2 is required to run the tests.')

def setup_moderation(models=[]):
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    return moderation

def teardown_moderation():
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    for model in moderation._registered_models.keys():
        moderation.unregister(model)

redpajama_set_name: RedPajamaGithub


text:
contenu Home > News > European & International > Ending violence against (...)
Ending violence against women in the EU: The Istanbul Convention and beyond
Event by Gender5+ on 16 November 2016 #Brussels
[Brussels 12 October 2016] Gender5Plus, the first European Feminist Think Tank, would like to invite you to join us for a presentation and discussion on the Istanbul Convention and beyond.
Although there is tangible progress on gender equality in the European Union, fundamental inequalities between women and men are blocking the way towards improving the living and working conditions of all people living in Europe. One of the greatest scourges is violence against women, which remains unacceptably high whilst being the most brutal discrimination and violation of fundamental rights. Failure to effectively protect women from all forms of violence undermines and weakens all other policy measures designed to empower women, to improve their health, and to strengthen their capacity to contribute to and take leadership roles in economic, political and social affairs.
The Council of Europe's Istanbul Convention is so far the most comprehensive international agreement on combating violence against women. It addresses violence against women through measures aimed at preventing violence, protecting victims and prosecuting the perpetrators. The Convention entered into force in 2014. since then, 42 of the 47 Member states of the Council of Europe have signed it and 22 ratified it, including Member States of the European Union. In March 2016, the European Commission proposed that the EU accede to the Istanbul Convention. The accession to the Convention is an important step forward and the Commission can help Member States to implement it. But is that enough to ensure that violence against women will finally be eradicated?
What other measures may support the implementation of the Istanbul Convention or add to its impact? How can existing treaty provisions be used to their fullest to ensure that violence against women will be eradicated?
These are some of the key questions that we would like to explore with you. Professor Dr. Teresa FREIXES, expert in European constitutional law and gender has completed her analysis of these questions and will present her findings in the European Parliament.
Gender5+ looks forward to welcoming you to the discussion with representatives from the European Commission, the European Parliament, academics and non-governmental organizations.
Practical:
Time: 18:30 – 20:00, followed by a small reception
RSVP necessary – please register following this link:


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Posted on July 14, 2013 July 14, 2013 by Ken Steinhoff
When I wrote about the Allenville railroad bridge and the petition the Jackson, Gordonville and Delta Railroad Company (JGDR) filed to abandon 13.3 miles of rail line between Delta and Gordonville, I didn't realize how quickly they'd start ripping up track. As I read it, the petition gave until June 1, 2013, for anyone to object. The ink must have been hardly dry before rails were being pulled up.
Here was the Renfroe Street and E. Second crossing in Allenville July 7, 2012.
Rails were spread in 2012
It was obvious little or no maintenance had been done on the tracks in this area. The rails had spread north of the crossing.
Tracks torn up in 2013
Here's a view north of the crossing July 12, 2013. The ties have been removed and the rails pulled up.
Split rail, gravel and brush in 2012
A train would have had to negotiate a split rail, hop a gravel-clogged intersection and plow through brush south of the intersection when this photo was taken in 2012.
Brush gone, but so is track
Last week's photo shows the brush has been cleared from the right of way, but the tracks are gone, too.
Tracks overgrown NE of town
The tracks northeast of Allenville were overgrown in 2012. You wouldn't know a railroad ran there except for the raised roadbed and an occasional glimpse of steel.
Bolted, not welded
This railroad was built long before trains ran on continuous ribbons of welded tracks. Each individual piece of steel had to be bolted together. The short pieces in this scrap heap are the ones that connected the rails with huge nuts, bolts and lockwashers.
Cutting the bolts
I didn't look closely enough at the bolts to see if they were ground off or if, more likely, a cutting torch was used on them.
Is there a railroad lost here?
Nature had pretty much reclaimed this section northeast of Allenville in 2012.
The same spot in 2013
The right of way would allow the passage of a train today, but there wouldn't be any rails for it to run on. I would love to see this land preserved for a future rails to trail, but that's probably too much to hope for.
The demolition hasn't gotten too much outside Allenville to the north. I don't know where they started or if they've ripped up the bridge over the Diversion Channel yet.
I'll run other photos taken last summer of where the railroad ran between Gordonville and Allenville just so future historians can see what the line looked like. Here are some earlier stories I've done about the JGDR, also known as the St. Louis and Delta Railroad Company. Based on the looks of the rolling stock in Jackson next to Mario's Pasta House, I wouldn't count on the railroad being around very long.
Allenville Railroad Bridge in Spring 2013
Bridge is escape route for Allenville
Williams Creek bridge
CategoriesPhotos around Cape TagsAbandoned Rail Lines, Allenville Diversion Channel railroad bridge, Jackson Gordonville and Delta Railroad Company, Railroads, St Louis and Iron Mountain Railroad
8 Replies to "The End of the Line"
Scott Dudley says:
So sad to see. My grandparents lived in Allenville for many years. Highlight for my sisters, cousins and I was staying at our grandparents and get walk the track each day to get Milde Orange soda, I think for .10, getting the mail and a occasional ice cream. That was in the 60's, way before street signs! Allenville will always have a special spot in my heart!
Harold Kerr says:
Was this rail line part of what Mr. Houck constructed?
I'm sure one of my rail buff buddies like Keith Robinson can tell you for sure, but I'm going to say I don't think it was.
Houck's railroad ran along Hwy 25 east and west. Advance was one of his depots.
This was not part of Louis Houck's empire. It was part of the former St. Louis, Iron Mountain & Southern which ran from St Louis to Texarkana, Ar through Bismarck, Gads Hill, and Poplar Bluff, Mo. with a branch from Bismarck through Whitewater, and Allenville to Belmont, Mo. The trackage from Allenville to Jackson was a spur off of this line.
Incidentally, Gads Hill was the site of one of the James/Younger gang's train robberies.
Rail Trail!!!!!
I doubt that it'll happen. It takes somebody to push for it and I don't see anybody stepping up.
And, no, it ain't gonna be me. I'm already spread too thin.
How much for a 2 foot" piece?
Good question. I suspect you could walk along some of the more deserted sections and find one.
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text:
Hand Ninjas
The nascent Hand first formed about 800 years ago in feudal Japan, as a reaction to the oppressive class system that characterized Japanese society in that period. A number of Japanese citizens left their homes and settled in the mountains. There, they cultivated skill in ninjutsu, and through rigorous training became experts at assassination and espionage. The group officially came together in 1588 under the command of Kagenobu Yoshioka, who turned his samurai school into a bastion of support for the common man. Yoshioka was eventually assassinated, and command of the group co-opted by the Snakeroot, an ancient ninja clan who turned the Hand to demon worship and black magic. The Hand began working as mercenaries, and sought to extend its influence throughout the world.
More on Comic Vine:
https://comicvine.gamespot.com/the-hand/4060-1800/


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Fred Holley Rennie
April 4, 1957 - August 18, 2021
Fred Holley Rennie of Sulphur, Oklahoma, formerly of Pauls Valley, was born to Robert Trone and Carolyn Sue (Holley) Rennie on April 4, 1957 in Pauls Valley, Oklahoma and passed from this life on August 18, 2021 in Pauls Valley, Oklahoma at the age of 64 years. Fred grew up and attended school in Pauls Valley, graduating from high school in 1975. On January 28, 1980, Fred married Myra Jane Ausbrook in Pauls Valley. He worked as a rural letter carrier for the United States Postal Service. After retirement from U.S.P.S., Fred moved to the Lake of the Arbuckles in Sulphur where he enjoyed spending time on the lake skiing with family and doing whatever his grandchildren wanted to do. The highlights of his life were his marriage, children, grandchildren and retirement. Fred enjoyed life and loved to have fun. Mr. Rennie is survived by: Wife: Myra of the home Son: Nacona Clay Rennie and wife Dana Daughters: Holley Rennie Sanders and husband Jacob and Lesley Brooke Rennie Brother: Robert Trone Rennie, Jr. and wife Vicki 4 grandchildren: Karston Rennie, Ellason Rennie, Brady Sanders and Elizabeth Sanders And many beloved nephews and nieces Mr. Rennie was preceded in death by: His parents: Robert and Sue Rennie, Sr. Grandparents: Fred "Granger" and Lillian Rennie & Lester & Ruth Holley Funeral services are scheduled for 10:00 a.m., Monday August 23, 2021 at the First Presbyterian Church in Pauls Valley. Interment will be in the Mt. Olivet Cemetery under the direction of Wooster Funeral Home. You may send a condolence to the family at www.woosterufuneralhomes.com.
Fred Holley Rennie of Sulphur, Oklahoma, formerly of Pauls Valley, was born to Robert Trone and Carolyn Sue (Holley) Rennie on April 4, 1957 in Pauls Valley, Oklahoma and passed from this life on August 18, 2021 in Pauls Valley, Oklahoma at... View Obituary & Service Information
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Can BLUP and REML be improved upon?
Nonlinear, biased estimators and predictors of the James-Stein form are compared numerically with ML estimation of fixed effects and BLUP prediction. At least in some situations considered, it appears that considerable improvement can be achieved in terms of conditional mean squared error and conditional absolute error. The possibility of improving upon REML using Bayesian methods is raised. Methods for deriving the exact posterior distribution of heritability in an animal model and either exact or approximate marginal posterior distributions of variance components are discussed.