text:
Lou's Reviews
Music Review by Lou Wigdor
Folk Virtuosos in Bartók's Footsteps
Muzsikás at New England Conservatory, Boston, MA, February 25, 2002
Hearing Hungary's leading folk chanteuse, Márta Sebestyén, on disc is a good thing. But it is no substitute for the real thing. I own seven or eight of her discs, (most with Hungary's premier folk group, Muzsikás), and recommend them all. But none of them quite captures the unique, commanding, physicality of her unmiked voice in an intimate gathering. This I learned last February at The Folk Roots of the Music of Béla Bartók, a lecture-demonstration by Muzsikás at the New England Conservatory, in Boston. At 4 in the afternoon, in the company of about forty others, I found myself front row center in a parquet-floored room with neoclassical moldings and a thirty-five foot ceiling. Out sauntered the five informally garbed, middle-age Hungarians, with lead violinist Mihály Sipos on the far left followed by Dániel Hamar on bass, Péter Éri on viola, and László Porteleki on second fiddle. On their heels emerged the diminutive Ms. Sebestyén, who positioned herself in the center of the group, about eight feet in front of me.
Dániel Harmar, who did most of the talking during the two-hour demonstration, explained that shortly after the turn of the 20th century, a young Béla Bartók ( 1881-1945) and his colleague and close personal friend, Zoltán Kodály (1882-1967), had helped launch modern ethnomusicology in Hungary. Their mission: to collect, transcribe, analyze, and propagate Hungary's living folk music* while the getting was still good. The two divided the job geographically, with Kodály beginning in the northeast and Bartók in the southwest. Muzsikás, continued Harmar, would in the next two hours perform material from regions that Bartók had visited, including some music that the composer had collected himself. But the group was no less indebted to Kodály. Today, thanks to both composers' pioneering work, Muzsikás and other performers and scholars can draw on more than 200,000 field recordings, Harmar noted with gratitude.
Following that prelude, Harmar picked up his bass, and joined by the violins and viola, bowed up a medium-tempo dance--a caradas-that had been collected by Bartók in southern Transylvania (which had belonged to Hungary before the Great War). Then Ms. Sebestyén demonstrated her vocal authority. Emanating predominantly from her throat center, her laser-like voice parted the sea of semi-sweet strings, etching out the song's leading edge of bitter-sweet emotionality. For its next offering, the ensemble, this time without Ms. Sebestyén and deploying a three-foot vertically held wooden long-flute, launched into a brisk dance that pushed against the outer limits of pitch and rhythm, and built to a furious tempo. Under other circumstances, dancing would have been irresistible.
"We were all born in Budapest," noted Harmar. "I studied classical piano for 18 years and classical bass for six. I learned to play in a style dominated by German ideas of classical precision and intonation. I had relatives who lived in the villages, but I never heard actual village music until I was twenty," he confessed. Instead, Harmar like many Hungarian urbanites shared the misconception of Hungarian folk music as either packaged performances by state-run ensembles or polished restaurant fare in the hands of virtuosic Gypsies. Not so Péter Éri and Márta Sebestyén. Eri's father was a Kodály colleague, who did fieldwork with the composer. Sebestyén's first contact with the music, she insists, was prenatal. "My mother was a student of Kodály. I truly believe that I absorbed the music when she was pregnant with me in his classes," she mused.
Béla Bartók's first exposure was closer to Harmar's experience. A classical music prodigy in both piano and composition, Bartók grew up in several towns** in eastern and northern Hungary, as close as six miles from traditional villages. "But he didn't know this music at all," observed Harmar. That changed dramatically in 1903 when at age 22 Bartók discovered the real thing, sung by a talented maid at the country estate managed by his brother-in-law. Before that, Bartók had embraced the commonly held myth that credited Gypsies as the true progenitors of Hungarian music. (Hungarian village musicians were thought to have learned (and corrupted) everything they knew from the Gypsies.) In 1905, the young pianist/composer met and joined forces with Kodály, then on the threshold of receiving his doctorate from the University of Budapest for a thesis on the stanzaic structure of Hungarian folk songs. Armed with a Edison phonograph, Bartók went into the field in 1906, visiting Slovakian villages (Slovakia was then part of Hungary.) Subsequent fieldwork brought him to Transylvania in 1907 and Romania in 1909. In 1912, he sought out Ruthenian, Serbian, and Bulgarian melodies at their source, and even visited Northern Africa in 1913, where he recorded about 200 Arabic melodies. By and large, the end of the Great War marked the end of Bartók's field work (Kodály, in contrast, kept at it for decades). But Bartók continued to write books and articles that analyzed the folk songs of Hungary and its neighbors structurally, morphologically and comparatively. (Bartók was emphatic in attributing the origins of Hungarian music to a non-European pentatonic scale and tracing the Magyars' ancestral origins to the Volga River basin.)
Hungarian folk music was grist and inspiration for Bartók's own compositions, but it was just as much an end unto itself-a "precious spiritual treasure," he insisted. Listening to Márta Sebestyén and Muzsikás reveals why. In their hands, the music always conveys a mixed emotionality. It is rarely unilaterally sweet, or despondent, or bitter, but ranges along terrain from sweet-and-sour to bitter-sweet. Nearly every song, regardless of its lyrics, imparts a mixed emotional message-an echo, if you will, of life's joys and aspirations holding hands with life's inescapable disappointments and limitations. To convey that effect, Muzsikás and other practitioners employ a variety of devices: slightly sharped, wavering intonation; marginally unsettling melodic interval leaps; unexpected syncopations; accelerating tempos; and resinous, vinegary timbres.
"The Hungarian source is nearest to me and therefore the strongest," Bartók wrote to a Romanian folklorist in 1931. That is evident throughout his 40+ years as one of the 20th century's great composers. Bartók's compositions include avowedly idiomatic works like the violin duos and the Mikrocosmos piano studies, that preserve the structural integrity of peasant melodies while recasting them in expanded 20th century harmonic and chromatic language. There are creations like the 4th quartet and the final movements of the fifth and sixth quartets that deconstruct and reconstruct folk themes in consistently surprising ways. And there are late-period commissioned pieces like the Concerto for Orchestra and the Violin Concerto that, while lacking sustained folk melodies per se, still retain melodic, rhythmic, and coloristic nuances informed by the Hungarian cultural-spiritual heritage.
Bartók repeatedly railed against the repackaging of Hungarian village music by Gypsies for consumption by bourgeois urbanites. His own music as well has received more than its share of tampering in the urban elitist market -not by Gypsies but by classical music interpreters. As in so many earthly endeavors, there are multiple ways to skin a cat. One is to give the music a waxed-fruit gloss and to pump up anything suggesting nativistic mannerisms. I remember leaving the Kennedy Center reeling one night twenty-five years ago after hearing Hungarian expatriate Eugene Ormandy and his Philadelphia forces treat Bartók's Divertimento for Orchestra to--the Philadelphia Cream Cheese Sound. A very different strategy is to imbue the music with vampirizing precision, by obsessing on the score while neglecting the music's roots and soul. That isn't to say that classical musicians should play like Hungarian peasants, but why not at least strive to find a stillpoint where the music can breathe on its own terms? For a recorded performance that gets it right, I recommend a new cd of Bartók's 44 violin duos (ECM) by violinists András Keller and János Pilz of Hungary's Keller Quartet. Their restraint, finesse, and technical mastery consistently allow the music to resonate on its own spiritual terms.
Ms. Sebestyén and Muzsikás cut their folk music teeth in Hungary's Táncház movement of the 1970s. Taking its name from the traditional village dancehouse, it brought the roots music of the villages to Budapest and other cities and blossomed as a borderline subversive alternative to "official" state-run folkloric ensembles. The Táncház movement combined several key attributes: audiences dominated by urban professionals attended events to dance as well as listen; and scholars and performers traveled to the villages to learn the music and instruments at their source (including at times precarious jaunts over the Transylvanian border into Ceaucescu's Romania.) Harmer, for one, learned the virtues of playing a short-bowed three-string bass. "How did I learn? A villager just moved my hands holding the instrument and bow," he explained. The shorter bow strokes become increasingly merciful, he noted, when you've been playing a wedding party that begins on Sunday afternoon and runs late into Monday morning.
Ms. Sebestyén also sought out instruction at its source. Vocal music, she explained, is considered more demanding, more nuanced, than its instrumental counterpart. "Early on, I visited ladies in the villages, who sang with great intimacy," she recalled. "When I asked them, Would you sing for me?, they repeatedly turned me down. Once I asked this old guy, who responded: "Why the hell should I sing for you; I'm not in the mood. I don't have anything to drink." Ms. Sebestyén's persistence and passion paid off. She absorbed the styles and spirit of the best singers of the day. And she met an elderly woman from Moldavia, whose singing twenty-five years earlier had moved Ms. Sebestyén so profoundly that she has honored that voice in her own singing ever since. "I had to wait twenty-five years to meet her. When I did, I confessed secretly that she was my master," revealed Sebestyén. But this humblest of folk divas remains grateful to all the villagers who have helped shape her art. "Whenever I sing, they're in my mind. They helped me to understand that folk music has an instant power and beauty that is beyond language."
"At village wedding parties, the fiddler was crucial," noted Harmar. "He knew every villager's favorite melody and he made sure that everyone got his due. At the same time, the musicians always improvised. It was the tradition." Improvisation was in deft hands during the two-hour demonstration, particularly in the nimble fingers of lead violinist, Mihály Sipos, who played with passion and inventiveness, at times leading the others into increasingly accelerated tempos.
In their repertoire, Muzsikás shadowed Bartók the ethnologist on some of his more intriguing stops. From the East Carpathians, Sipos and Harmar performed a slow, percussive dance melody propelled by Harmar's regular bow-slaps on the gardon, a four- stringed (all tuned to d below middle c) medieval member of the cello family that resonated like a drum. And the Hungarians played a dance from Romania's Marmaros region, once home to an indigenous Jewish culture, visited and honored by Bartók in one of his 44 violin duos. "When we tried to do our own collecting in the Marmaros region, we came up empty handed. Everyone had been murdered in the Holocaust," Harmar lamented. "What music we learned of the Marmaros was all second-hand from Gypsies." Earlier, Muzikas had played one of Bartók's Romanian Folk Dances, which the composer had distilled for piano and his collaborator, Zoltán Szckely, had arranged for violin and piano. Recalling Bartók's own recorded performance of some of the dances with violinist Joseph Szigetti, Harmer commented, "You could tell from his piano passage that Bartók was hearing the flute. We will play the dance as Bartók would have heard it in the field."
Ms. Sebestyén's final offering-a plaintive shepherd song-underscored Bartók's spiritual attribution of the music. Singing a cappella, she conveyed a lilting melody that wore innocence and vulnerability on its sleeve. Woven into the song's fabric was a wistful sadness that seemed to reflect the limitations of the human life cycle itself. Then, with her singing done, she reached for a two-hole Moldavian flute, and offered up a delicate coda that perfectly mirrored the vulnerability and restraint of its vocal predecessor. It was all transparency of ego and genuineness of soul-a memorable lesson at the New England Conservatory that afternoon.
* This article uses folk music, village music, and peasant music interchangeably.
** In his early teens, Bartók and his family moved to the Slovakian city of Pozony (then part of Hungary), which is today Bratislava in Slovakia.
Many thanks to Amherst College music professor David Schneider for his close reading and critique of this essay.
©2002 by Lou Wigdor.
Hosted by Pioneer Valley Folklore Society


Journalism educator, author, and watchdog journalist Ben Bagdikian passed away yesterday. He was 96, and lived a celebrated life that included a Pulitzer Prize, releasing the Pentagon Papers, dean of the University of California Journalism School, and serving as a powerful voice for journalistic integrity. His seminal 1983 book, The Media Monopoly, predicted the growing control of media by a handful of corporations. "Never forget that your obligation is to the people," Bagdikian told his students.


text:
Q: Use position of current node to access value of another node I have an xml source that approximates a table layout (output from a program) - a is the table holder, b hold the column headings d, c are the rows and e are the row cells:
<?xml version="1.0" encoding="utf-16"?>

        <d/>
        <d/>
        <d/>

        <c>
        <e/>
            <e/>
        <e/>
        </c>

</xml>

I have written the following xsl:
<?xml version="1.0" encoding="UTF-16"?>
<xsl:stylesheet version="2.0" xmlns:xsl="http://www.w3.org/1999/XSL/Transform" >

<xsl:template match="/">
    <Lessons>
    <xsl:for-each select="//c">
        <xsl:call-template name="lesson" />
    </xsl:for-each>
    </Lessons>
</xsl:template>

<xsl:template name="lesson">
    <Lesson>
        <Teacher>
            <xsl:value-of select="count(./preceding-sibling::*)+1" />
            <xsl:value-of select="//b[count(./preceding-sibling::*)+1]" />
        </Teacher>
    </Lesson>
</xsl:template>

</xsl:stylesheet>

The first xsl:value-of of the Teacher element gives me the correct values. I would like the second xsl:value-of to return the value of the heading for that cell i.e. for the first e element that calls the template the first d element is returned and so on. However, it ouputs the value of all of the d elements.

A: Even if it is not entirely clear what you expect, I will  try an answer.
As I understood you like to find the  <d> element which has the same position than the <e> element.
This is either possible with getting the current position as a variable.
xsl:variable name ="pos" select="position()" />
<xsl:value-of select="//b/d[position() = $pos]/@id" />

or use  count of preceding-sibling
<xsl:value-of select="//b/d[(count(current()/preceding-sibling::*)+1)]/@id" />

Update the part below is changed because of the comment from "George of all trades".
Be aware that the result of position()depends on the calling context.
For example following test xslt (version 1.0):
<xsl:stylesheet version="1.0" xmlns:xsl="http://www.w3.org/1999/XSL/Transform" >
    <xsl:output method="xml" indent="yes"/>

    <xsl:template match="/">
        <Lessons>

            <xsl:for-each select="//c/e">
                <xsl:call-template name="lesson" />
            </xsl:for-each>
        </Lessons>
        <Lessons2>

            <xsl:for-each select="//c">
                <xsl:for-each select="e">
                    <xsl:call-template name="lesson" />
                </xsl:for-each>
            </xsl:for-each>
        </Lessons2>
    </xsl:template>

    <xsl:template name="lesson">
        <Lesson>
            <Teacher>
                <xsl:value-of select="@id" />
                <xsl:text>,</xsl:text>
                <xsl:value-of select="count(./preceding-sibling::*)+1" />
                <xsl:text>,</xsl:text>
                <xsl:variable name ="pos" select="position()" />
                <xsl:value-of select="$pos" />
                <xsl:text>,</xsl:text>
                <xsl:value-of select="//b/d[position() = $pos]/@id" />
                <xsl:text>,</xsl:text>
                <xsl:value-of select="//b/d[count(current()/preceding-sibling::*)+1]/@id" />
            </Teacher>
        </Lesson>
    </xsl:template>

</xsl:stylesheet>

With this input:
<?xml version="1.0" encoding="utf-16"?>
<xml>

            <d id="d1"/>
            <d id="d2"/>
            <d id="d3"/>

        <c>
            <e id="e1"/>
            <e id="e2"/>
            <e id="e3"/>
        </c>
        <c>
            <e id="e21"/>
            <e id="e22"/>
            <e id="e23"/>
        </c>
        <c>
            <e id="e21"/>
            <e id="e22"/>
            <e id="e23"/>
        </c>

</xml>

Generates this output:
<Lessons>
  <Lesson>
    <Teacher>e1,1,1,d1,d1</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e2,2,2,d2,d2</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e3,3,3,d3,d3</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e21,1,4,,d1</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e22,2,5,,d2</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e23,3,6,,d3</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e21,1,7,,d1</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e22,2,8,,d2</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e23,3,9,,d3</Teacher>
  </Lesson>
</Lessons><Lessons2>
  <Lesson>
    <Teacher>e1,1,1,d1,d1</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e2,2,2,d2,d2</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e3,3,3,d3,d3</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e21,1,1,d1,d1</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e22,2,2,d2,d2</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e23,3,3,d3,d3</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e21,1,1,d1,d1</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e22,2,2,d2,d2</Teacher>
  </Lesson>
  <Lesson>
    <Teacher>e23,3,3,d3,d3</Teacher>
  </Lesson>
</Lessons2>

redpajama_set_name: RedPajamaStackExchange


Real talk with the New York shapeshifter.
Underground, overground with a house music mainstay.
RA talks to New York house master Dennis Ferrer about the machines that line his studio walls, and what it took to get them there.
Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace..
Classic tracks from the New York house label have been deconstructed for use in new productions.
Mister Saturday Night, Then & Now also includes tracks from Baba Stiltz, Dennis Ferrer and Alden Tyrell.
Pete Tong will join him for the New York gig in September.


The Falcon is ambushed by a horde of vampires, one of which has the Patriot's mask. In the morgue, Misty Knight is attacked by the would-be corpses located within. Thankfully, Blade arrives to save Misty. The Falcon discovers that Patriot is being held by Deacon Frost, and Misty and Blade search the hives located in the sewers.
Falcon #7 cover by Jay Anacleto and Romulo Fajardo Jr.
You know, when Falcon started, I was expecting grounded and semi-relatable issues — gang violence, racism, poverty, drugs, abusive law enforcement, et cetera. Now, as I read the current issue wherein Sam Wilson uses a flamethrower in his suit to barbecue vampires, I begin to realize the series may have lost the script somewhere down the line.
That's not to say there is no version of a "Falcon fights vampires" comic that could have been good. Any excuse to bring Blade into the fold is a good one. However, this cliché-ridden, lifeless, and mindlessly violent book is far from the best version of that story idea.
I gave the Blackheart story credit, because it was generally well-written, and its connection to the complex socioeconomic causes behind gang violence kept me hopeful that the book could get back to real-world issues and the complications therein.
The first issue of 'Vampires in Brooklyn' at least gestured in the direction of real-world issues regarding poverty and the forgotten people in the streets and slums of urban centers, as Deacon Frost was noticeably targeting homeless people to convert into vampires. That seems hollow now, as this book almost revels in its shameless B-Movie violence against the vampires created by Frost.
It's like a Batman series where he only fights aliens, or a Captain America comic where sides with the Naz—never mind that last one. Point being, these threats are far from relevant to Sam Wilson as a character, and he doesn't really have much to say or consider in dealing with the threat. Again, there is a good version of this somewhere in the multiverse; this just wasn't it.
Joshua Cassara returns to turn in an absolutely gorgeous issue of the book. While the violence feels incurious, exploitative, and empty, it at least looks good. Cassara weaves a pastoral, textured, and highly detailed world for Sam, Misty, Shaun, and Blade to navigate. Rachelle Rosenberg accompanies the line work with beautifully atmospheric coloring that would work far better if this comic leaned into the noir idea instead of sprinkling demons and vampires throughout the series.
I hate turning on Falcon #7 like this. Sam Wilson is in my Marvel Top 5, and I tried to champion this series because the first six issues were generally quite good. However, I now find myself unable to wholeheartedly recommend this comic. I can tentatively, at best, say you would enjoy it if you're as devoted to Sam as I, or you just want a gorgeous and ultraviolent vampire comic with Misty Knight and/or Blade. Beyond that, I can't really recommend this one. This was a large disappointment.


category ^IXIC , ^GSPC , Market News , and 3 more.
category Logistics , Markets , Benzinga , and 10 more.
category Supply Chain , Technology , News , and 12 more.
category Market News , R , MTOR , and 11 more.
category General , Market News , climate change , and 9 more.
category USX , Supply Chain , Benzinga , and 14 more.
category General , air cargo , BABA , and 11 more.
category China , Supply Chain , News , and 11 more.
category Freightwaves , Trump Administration , Global , and 11 more.
category Global , Canada , Markets , and 12 more.
category Benzinga , News , BBBY , and 6 more.
category News , Econ #s , Benzinga , and 5 more.
category Eurozone , News , Markets , and 8 more.
category Global , Benzinga , Markets , and 8 more.
category Alexa , Market News , MSFT , and 13 more.
category Benzinga , tanezumab , News , and 7 more.


I remember having a couple Choose Your Own Adventure books back when I was a kid. They were a great way to spend a couple days, going through all the different possibilities and finding out what could happen in them. GameTale is just such a type of book for a new generation of readers. Follow Gremmy the gremlin as you lead him on all sorts of wondrous adventures. You can back the book on Kickstarter now.
Despite being a tried and true flatlander (being from the midwest as I am), I do love trees and forests. They're just so big and majestic. So, having a game where you're looking to cultivate your trees is certainly appealing. And Arboretum is one that has gotten plenty of praise since it initially came out. But that doesn't mean that it couldn't be improved, so thought Renegade Game Studios. They're coming out with a new edition that's got new artwork and updated symbols to help make sure everyone can play, including the color-blind.
Most of the time, when I'm posting about Modiphius, it's about a new RPG book coming out. However, this is a bit different. Did you know that they make board games, too? Well, if not before, you know now. They have released Ravage: Dungeons of Plunder, a new fantasy dungeon-crawl board game that has competitive, cooperative, and solo modes of play.
The Flesh Rippers aren't the only new units coming for Runewars from Fantasy Flight. The elves are getting a new unit, too. They're the Darnati Warriors and they show that Elves don't just hit from afar, but can run on up into combat and start swinging like everyone else.
Here in the Northern Hemisphere, it's getting warmer and warmer as the days go by. But, eventually, it'll start heading the other direction and cold will once more set in. Any army out in the field must be prepared for that eventuality, lest their troops simply freeze out in the field. Warlord Games is now taking orders for some British and American winter troops, as well as a new German tank destroyer.
Turning on your friends and colleagues. It's one of the worst things you can do, so many say. But what if you feel that what they're truly doing is wrong and you need to follow a different path? There's two sides to every story, even in a case like this. And that's where you'll find yourself in the new Narrative Event for Infinity from Corvus Belli. It's called Treason and you can download it now.
Tomorrow is International Table Top Day. And Battlefront is celebrating with a weekend-long deal on their 'Nam miniatures game. They've got some new releases. And they've got a special sale. Get yourself some gear for cheaper than you'd usually spend!
I mean... not for a while here in the Northern Hemisphere. We've got a while. But still, it is coming. And it's best to be prepared for it, especially out on the battlefields. That's why you can pick up some new German Infantry for Bolt Action all clad in winter gear.
Season 4 for Guild Ball will be coming out this year, and along with it, some rebalancing of some figures for various Guilds to bring them up to speed with others that see the pitch more often. This is also the year of Minor Guilds. It'd been announced that the Solthecian Church was going to be the Minor Guild for the Union, but there's been some odd releases if that was the case. Well, we get an explanation of how all that's going to work in this post.
Spectator sports are half physical contest and half entertainment, after all, so having a few mirrors and some smoke makes sense, especially in a contest like Aristeia. As such, a quartet of new players will be making their way to the pitch. And they're coming in the appropriately titled Smoke & Mirrors set. We get a look at them here.
It's Friday! And that means it's time for some new kits from Forge World. And they don't disappoint this week, as they've got four new Necromunda soldiers available. You can order all of these hired guns now (either separately or bundled together) and add them to your gang deep in the Underhive.
While some games pay a little bit of lip service to items being in 3D space, they really are just flat table games. CodeWorld isn't like that. You really will be moving up, down, and all around a lattice-work cyberspace world. This new miniatures game is up on Kickstarter now.
With the Ratcatcher's hitting pitches, it's time to start looking at the next of the Minor Guilds that will be coming to Guild Ball. They're the Falconers, a Minor for the Hunter's Guild. Today's our first look at what they're capable of and, man, it's quite a bit, getting an eyeful of this first figure. He's one of the 2 that will be able to play alongside the Hunter's. It's Mataagi.
Seafood. Some people love it. Others not so much. But either way, it's big business. There's money to be made out there, collecting the bounty of the ocean. Fleets of ships head out, cast their next and bring home the catch. And that's just what you'll be doing in Fleet: The Dice Game, a new game from Eagle-Gryphon Games that's up on Kickstarter now.


text:
В парному розряді жіночого тенісного турніру Croatian Bol Ladies Open 2002, що проходив у рамках Туру WTA 2002, Татьяна Гарбін і Анжелік Віджайя виграли титул, у фіналі перемігши пару Олена Бовіна і Генрієта Надьова 7-5, 3-6, 6-4.

Сіяні пари

 Тіна Кріжан /  Катарина Среботнік (чвертьфінал)
 Олена Бовіна /  Генрієта Надьова (фінал)

 Kim Grant /  Абігейл Спірс (півфінал)
 Нанні де Вільєрс /  Наталі Грандін (чвертьфінал)

Основна сітка

Посилання

Croatian Bol Ladies Open

redpajama_set_name: RedPajamaWikipedia


text:
Q: How to move all files inside present subfolders up here I have 50 folders with some subfolders too, with more than 1000 audio files total. I need to remove all subfolders and put all files in present level. Tried mv */* ./ but it complaints: argument list too long

A: I assume that your audio files extention is .mp3
find <AudioFolderPath> -name '*.mp3' -exec mv -it <YourTargetFolder> {} +

Notes:

*

*Replace .mp3 with your audio files extention

*Replace <AudioParentFolderPath> with the parent folder that content your subfolders.

*Replace  <YourTargetFolder> with the folder path that you need to put all files in.

*If tow files from different subfolders have the same name only one will be moved.
edit : As Costas said :
  "The -i switch makes mv interactive, it will prompt before overwriting existing files"

A: find . -type f -mindepth 2 -exec mv -t ./ {} +

Note that that command will overwrite any files with the same name. You can use this to be prompted before overwriting:
find . -type f -mindepth 2 -exec mv -it ./ {} +

Explanation

*

*-type f : only find regular files.

*-mindepth 2 : find only files in subdirectories.

*-exec mv -it ./ {}: the -exec means "run this command on every file found". The {} will be replaced with the file names. The -i switch makes mv interactive, it will prompt before overwriting existing files and the -t sets the target directory to ./.

*+ : put files together (in one argument line) so many as shell can operate with command to invoke command minimum times (not one by one but one to several).

Regarding futher empty folder deletions you can use same recepie:
find . -type d -empty -delete

A: Yes, that's a limit on the cumulative size of arguments and environment passed to the execve() system call when executing an external command.
With zsh, you can use its builtin mv instead:
zmodload -F zsh/files +b:zf_mv
zf_mv ./*/* .

Or use zargs to break the list into manageable chunks:
autoload zargs
zargs -Ifiles ./*/* -- mv files .

With ksh93:
command -x mv ./*/* .

With GNU xargs and with GNU mv with a shell where printf is builtin (most, mksh being the notable exception):
printf '%s\0' ./*/* | xargs -r0 mv -t .

A: A quite portable solution could be :
find all files in every subfolders, and move them in the current dir
find ./*/ -type f -print | xargs mv -i "{}" ./

You can add a | egrep "\.au$|\.mp3$|\.ac3$" in between to also ensure the files you found are files with an audio extension (add as many extension as necessary to cover all type, I just provide 3 common ones)


text:
Q: Apache Camel RouteBuilder in Spring doesn't launch configure() I'm working with Apache Camel to create route between dynamic endpoints. I was working with a Main which works but now I need to deploy the application on an Apache Tomcat server. The problem his that my camel-context doesn't found my route builder. Here is my applicationContext :
<bean id="myRoute" class="com.ittb.boa.jis.extractor.MyRouteBuilder">
    <constructor-arg name="src" ref="logsFileConnector" />
    <constructor-arg name="dest" ref="elasticSearchConnector" />
</bean>

<camelContext id="myCamel" xmlns="http://camel.apache.org/schema/spring">
    <routeBuilder ref="myRoute" />
</camelContext>

And I'm getting the following error :
    [         localhost-startStop-1] ContextLoader                  ERROR Context initialization failed
org.apache.camel.RuntimeCamelException: org.apache.camel.CamelException: Cannot find any routes with this RouteBuilder reference: RouteBuilderRef[myRoute]
    at org.apache.camel.util.ObjectHelper.wrapRuntimeCamelException(ObjectHelper.java:1619)[camel-core-2.15.2.jar:2.15.2]
    at org.apache.camel.spring.CamelContextFactoryBean.onApplicationEvent(CamelContextFactoryBean.java:328)[camel-spring-2.15.2.jar:2.15.2]
    at org.springframework.context.event.SimpleApplicationEventMulticaster.invokeListener(SimpleApplicationEventMulticaster.java:151)[spring-context-4.1.6.RELEASE.jar:4.1.6.RELEASE]
    at org.springframework.context.event.SimpleApplicationEventMulticaster.multicastEvent(SimpleApplicationEventMulticaster.java:128)[spring-context-4.1.6.RELEASE.jar:4.1.6.RELEASE]
    at org.springframework.context.support.AbstractApplicationContext.publishEvent(AbstractApplicationContext.java:331)[spring-context-4.1.6.RELEASE.jar:4.1.6.RELEASE]
    at org.springframework.context.support.AbstractApplicationContext.finishRefresh(AbstractApplicationContext.java:773)[spring-context-4.1.6.RELEASE.jar:4.1.6.RELEASE]
    at org.springframework.context.support.AbstractApplicationContext.refresh(AbstractApplicationContext.java:483)[spring-context-4.1.6.RELEASE.jar:4.1.6.RELEASE]
    at org.springframework.web.context.ContextLoader.configureAndRefreshWebApplicationContext(ContextLoader.java:403)[spring-web-4.1.6.RELEASE.jar:4.1.6.RELEASE]
    at org.springframework.web.context.ContextLoader.initWebApplicationContext(ContextLoader.java:306)[spring-web-4.1.6.RELEASE.jar:4.1.6.RELEASE]
    at org.springframework.web.context.ContextLoaderListener.contextInitialized(ContextLoaderListener.java:106)[spring-web-4.1.6.RELEASE.jar:4.1.6.RELEASE]
    at org.apache.catalina.core.StandardContext.listenerStart(StandardContext.java:4728)[catalina.jar:8.0.21]
    at org.apache.catalina.core.StandardContext.startInternal(StandardContext.java:5166)[catalina.jar:8.0.21]
    at org.apache.catalina.util.LifecycleBase.start(LifecycleBase.java:150)[catalina.jar:8.0.21]
    at org.apache.catalina.core.ContainerBase$StartChild.call(ContainerBase.java:1409)[catalina.jar:8.0.21]
    at org.apache.catalina.core.ContainerBase$StartChild.call(ContainerBase.java:1399)[catalina.jar:8.0.21]
    at java.util.concurrent.FutureTask.run(FutureTask.java:266)[:1.8.0_45]
    at java.util.concurrent.ThreadPoolExecutor.runWorker(ThreadPoolExecutor.java:1142)[:1.8.0_45]
    at java.util.concurrent.ThreadPoolExecutor$Worker.run(ThreadPoolExecutor.java:617)[:1.8.0_45]
    at java.lang.Thread.run(Thread.java:745)[:1.8.0_45]
juil. 01, 2015 2:55:15 PM org.apache.catalina.core.StandardContext listenerStart
GRAVE: Exception lors de l'envoi de l'évènement contexte initialisé (context initialized) à l'instance de classe d'écoute (listener) org.springframework.web.context.ContextLoaderListener
org.apache.camel.RuntimeCamelException: org.apache.camel.CamelException: Cannot find any routes with this RouteBuilder reference: RouteBuilderRef[myRoute]
    at org.apache.camel.util.ObjectHelper.wrapRuntimeCamelException(ObjectHelper.java:1619)
    at org.apache.camel.spring.CamelContextFactoryBean.onApplicationEvent(CamelContextFactoryBean.java:328)
    at org.springframework.context.event.SimpleApplicationEventMulticaster.invokeListener(SimpleApplicationEventMulticaster.java:151)
    at org.springframework.context.event.SimpleApplicationEventMulticaster.multicastEvent(SimpleApplicationEventMulticaster.java:128)
    at org.springframework.context.support.AbstractApplicationContext.publishEvent(AbstractApplicationContext.java:331)
    at org.springframework.context.support.AbstractApplicationContext.finishRefresh(AbstractApplicationContext.java:773)
    at org.springframework.context.support.AbstractApplicationContext.refresh(AbstractApplicationContext.java:483)
    at org.springframework.web.context.ContextLoader.configureAndRefreshWebApplicationContext(ContextLoader.java:403)
    at org.springframework.web.context.ContextLoader.initWebApplicationContext(ContextLoader.java:306)
    at org.springframework.web.context.ContextLoaderListener.contextInitialized(ContextLoaderListener.java:106)
    at org.apache.catalina.core.StandardContext.listenerStart(StandardContext.java:4728)
    at org.apache.catalina.core.StandardContext.startInternal(StandardContext.java:5166)
    at org.apache.catalina.util.LifecycleBase.start(LifecycleBase.java:150)
    at org.apache.catalina.core.ContainerBase$StartChild.call(ContainerBase.java:1409)
    at org.apache.catalina.core.ContainerBase$StartChild.call(ContainerBase.java:1399)
    at java.util.concurrent.FutureTask.run(FutureTask.java:266)
    at java.util.concurrent.ThreadPoolExecutor.runWorker(ThreadPoolExecutor.java:1142)
    at java.util.concurrent.ThreadPoolExecutor$Worker.run(ThreadPoolExecutor.java:617)
    at java.lang.Thread.run(Thread.java:745)
Caused by: org.apache.camel.CamelException: Cannot find any routes with this RouteBuilder reference: RouteBuilderRef[myRoute]
    at org.apache.camel.core.xml.AbstractCamelContextFactoryBean.installRoutes(AbstractCamelContextFactoryBean.java:832)
    at org.apache.camel.core.xml.AbstractCamelContextFactoryBean.setupRoutes(AbstractCamelContextFactoryBean.java:352)
    at org.apache.camel.spring.CamelContextFactoryBean.onApplicationEvent(CamelContextFactoryBean.java:326)
    ... 17 more

I've tried to debug it with an EndPoint on configure() in MyRouteBuilder and the error appears before the breakpoint..
Here is the method configure() which is quite heavy :
public class MyRouteBuilder extends RouteBuilder {
private ConnectorEndPoint src;
private ConnectorEndPoint dest;

int i = 0;
private String CRON_EXPRESSION_QUARTZ = CRONGenerator.generateCRONExpression("0/1", "9-17", "?", "*", "MON-FRI");

private MyProcessor processor = new MyProcessor();
RestConsumerFactory consumerFactory = new RestConsumerFactory() {
    public Consumer createConsumer(CamelContext camelContext, Processor processor, String verb, String basePath, String uriTemplate, String consumes, String produces, Map<String, Object> parameters) throws Exception {
        return null;
    }
};

public MyRouteBuilder(ConnectorEndPoint src, ConnectorEndPoint dest) {
    this.src = src;
    this.dest = dest;
}

public void configure() {
    if (src instanceof ConnectorSQL){
        from("quartz2://foo?cron="+ CRON_EXPRESSION_QUARTZ)
        .to(src.getRouteFrom())
        .bean(processor, "conversionNumericAndDate")
        .bean(processor, "standardisation")
        .to(dest.getRouteTo());
    } else if (src instanceof ConnectorMongoDB){
        from("quartz2://foo?cron="+ CRON_EXPRESSION_QUARTZ)
        .to(src.getRouteFrom())
        .bean(processor, "convertDBObjectToString")
        //.bean(processor, "conversionNumericAndDate")
        .to(dest.getRouteTo());
    } else if (src instanceof ConnectorREST){
        from("quartz2://foo?cron="+ CRON_EXPRESSION_QUARTZ).to(src.getRouteFrom())
        //.bean(processor, "conversionNumericAndDate")
        //.bean(processor, "standardisation")
        .to(dest.getRouteTo());
    } else if (src instanceof ConnectorXMLFile){
        XmlJsonDataFormat xmlJsonFormat = new XmlJsonDataFormat();
        xmlJsonFormat.setEncoding("UTF-8");
        xmlJsonFormat.setForceTopLevelObject(true);
        xmlJsonFormat.setTrimSpaces(true);
        xmlJsonFormat.setSkipNamespaces(true);
        xmlJsonFormat.setRemoveNamespacePrefixes(true);
        from("file:xml?scheduler=quartz2&scheduler.cron="+ CRON_EXPRESSION_QUARTZ)
        .marshal(xmlJsonFormat)
        .to(dest.getRouteTo());
    } else if (src instanceof ConnectorLogsFile){
        ArrayListAggregationStrategy aggregationStrategy = new ArrayListAggregationStrategy();
        from(src.getRouteFrom())
        .bean(processor, "lineFilter(${body}, " + src.getFieldToFilter() +", " + src.getFirstValue() +", " + src.getSecondValue() + ")")
        .split(body().tokenize("\n"))
        .filter().method(MyFilter.class, "isValidError")
        .bean(processor, "processLogsApplicationSource")
        .filter().method(MyFilter.class, "dateFilter(${body}, " + src.getFieldToFilter() +", " + src.getFirstValue() +", " + src.getSecondValue() + ")")
        .aggregate(body(), aggregationStrategy).completionInterval(1000)
        .to(dest.getRouteTo());
    } else {
        System.err.println("Erreur : Type de endpoint en entrée inconnu");
        System.exit(1);
    }
}

So, it's like the camel context doesn't launch configure() method so the RouteBuilder is not created and not found by the context.. My web.xml is :
<context-param>
        <param-name>contextConfigLocation</param-name>
        <param-value>classpath:applicationContext.xml</param-value>
    </context-param>
    <listener>
        <listener-class>org.apache.camel.component.servletlistener.SimpleCamelServletContextListener</listener-class>
    </listener>
    <listener>
        <listener-class>org.springframework.web.context.ContextLoaderListener</listener-class>
    </listener>

Thanks for your help !

A: Several suggestions:

*

*Check if the RouteBuilder bean is actually being created in the container.

*Does your MyRouteBuilder extend RouteBuilder from camel?

Just for more clarification, please provide the full code for MyRouteBuilder and full stacktrace.

A: The problem came from an error with a SimpleRegistry bean just before the RouteBuilder.


text:
Iran Sanctions Return
On July 14, 2015, when the Joint Comprehensive Plan of Action (JCPOA) was finally signed between Iran on the one side and China, Russia, France, Germany, the UK, the EU, and the US on the other, everyone thought that the historic deal was putting an end to years of international sanctions on Iran's economy.
Although the deal never delivered on all of its promises, Iran started to rebuild its economic ties with the rest of the world in the months following the signing of the JCPOA, despite the protestations of hardliners in Iran and the far right in the US.
The US withdrawal from the deal in May 2018 hardly came as a surprise to anyone as Donald Trump had promised it during his campaign for the 2016 presidential election. The remaining signatories of the JCPOA expressed their willingness to continue honoring the deal with or without the US presence.
However, the Trump government's decision to impose a new round of sanctions on Iran has cast doubt on the future of not only the nuclear deal but also Iran's relationship with the West.
Following a set of sanctions that came into effect in August, limiting Iran's access to the US dollar, gold, and other precious metals, the US started targeting Iran's oil industry, oil exports, banking, and shipping on November 4. As an oil-based economy, Iran traditionally relies on foreign exchange earnings from oil exports, which could be undermined by the new sanctions.
According to the terms of the new US-imposed sanctions, any country importing goods from Iran or doing business with it will be penalized by the US. Despite being a huge deterrent, this cannot stop Indian, Chinese, or even European companies with no assets or interests in the US from doing business with Iran.
The US had threatened to reduce Iran's revenue from oil exports to zero by the beginning of the fresh round of sanctions in November; however, the US Secretary of State, Mike Pompeo, announced that eight countries would be granted waivers and can continue importing Iran's oil for a limited period of time.
On November 5, Mike Pompeo and Steven Mnuchin, the US Treasury Secretary, attended a news conference to elaborate on the mechanics of the sanctions. It appears that the new sanctions are essentially similar to what the US used to impose on Iran before the signing of the nuclear deal in 2015.
During an earlier conference call, Mike Pompeo and Steven Mnuchin had threatened entities who violate the terms of the new sanctions with exclusion from the SWIFT system—which is essential for any electronic transfer of money between banks.
It was expected that China, India, Japan, and South Korea would be among the recipients of the temporary waivers, and this turned out to be the case. Although Mike Pompeo had previously pointed out that the EU would not receive any such exemption, two EU member states—Italy and Greece—have received these temporary exemptions. Turkey and Taiwan are two other countries which are allowed to carry on doing business with Iran for the time being.
The EU still respects the JCPOA, and there have been talks about a special channel of trade and monetary interaction between Iran and the EU. In practice, however, no steps have been taken so far.
Iran has remained composed in the face of the new sanctions. During a speech delivered on November 5, President Hassan Rouhani of Iran has said that Iran will proudly circumvent these unjust sanctions. At the same time, Iran's traditional business partners such as China, Russia, and Turkey have expressed their dissatisfaction regarding the new US sanctions in recent days.

redpajama_set_name: RedPajamaCommonCrawl


Grace medi-spa is a collection of individual businesses offering men and women treatments of the highest professional standard. A wide range of beauty and cosmetic enhancement procedures are available.
AesthetiCare is a division of Ferndale Pharmaceuticals Ltd, a private specialist healthcare company that specialises in skin and dermatological products. AesthetiCare provides aesthetic professionals with advanced devices, treatments and medigrade skincare products so that outstanding, natural results can be provided in skin rejuvenation.
Obagi skin care products contain prescription-strength formulations and are available only through physicians, medical spas, and skin care physicians. Obagi for everyone, a lifetime of beautiful, healthy-looking skin.
iS Clinical is an exclusive cosmeceutical skincare brand, comprised of exceptional, long-term "results-oriented" anti-aging and clinically proven formulations. Widely endorsed and available through leading dermatologists, plastic surgeons, oncologists, aesthetic practioners and medi-spas.
Simon Payne is a Consultant General and Vascular Surgeon with a particular interest in venous disease (ranging from thread vein treatment through to managing venous ulcers) and carotid surgery for stroke prevention. A board member of BAS (British Association of Sclerotherapists) and one of nine venous specialists on Spire Healthcare's national advisory panel.
Save Face is a national register of Accredited practitioners who provide non-surgical cosmetic treatments such as anti-wrinkle injections and dermal fillers. The Register is accredited by Professional Standards Authority and is recognised by the Government, The Department of Health, NHS England and The Care Quality Commission.
NMC regulates nurses and midwives in England, Wales, Scotland and Northern Ireland. The council exists to protect the public, sets standards of education, training, conduct and performance so that nurses and midwives can deliver high quality healthcare throughout their careers.
BAS membership is represented and supported by a body of experts whose role is to establish consensus on best practice and inform and educate members, the public and allied health professionals to ensure high standards of treatment are available and accessible.
BACN is the largest professional association for nurses carrying out cosmetic treatments in the UK. It operates under a strict code of conduct in order to ensure patient safety across all treatments undertaken by its members. The largest group of members are UK based Nurses registered with the NMC.


No Donations or Charitable Solicitations. Includes charities and non-profit organizations without a valid 501(c)(3) tax exempt status, charitable solicitations, commercial fundraisers(including commercial co-venturers), or any activity associated with the solicitation of donations.
If you have any questions in regards to whether or not your project may violate our guidelines, please contact us at info@fundable.com.


When we loaded into our safari vans to get to your church I had no idea the terrain we would have to cross, the desolation and stretches of barren land, before we could step onto your little patch of dirt in the world.
You stood in direct contrast to all the brown that surrounded you. You were vibrant. Radiant. You were filled full. Brimming.
It sounded familiar. It sounded like God.
Then you went and adorned us with the type of jewelry your tribe wears and I knew. We were neighbors.
And then you danced for us. The best neighbors always dance and you did not disappoint. First there was the dance that told the story of the Maasai hunting a lion. The quiet and lifeless valley filled with joyous sounds I had never heard before. You smiled big at us and I could not stop smiling back.
Of course the next order of business was tea and cookies. Because when you welcome someone into your home you always offer something to eat and drink. Your offering? A small cracked plate filled with sugar cookies and creamy milk tea. You reminded me the meal never has to be fancy or fussed over.
Church was homey. You kept saying hi to us from the pulpit and we all said hi back. This happened many times. Service was a conversation.
As we emptied the room you lined the whole congregation up so that everyone was greeted. Everyone was welcomed.
You let the little children come to us.
This is what you taught me, you might be on the outskirts of the world but you are not on the outskirts of God's love. You built His house on your mud. You partnered with Compassion to give your children education, your community clean water, your women dignity and rights.
You showed me there is hospitality despite poverty.
You reminded me, in God's economy you treat your neighbor as yourself. You give him or her your cloak. Your food. Your blessing.
What we do with our own little invitations into this world matters. God thought we might need some help so he told us the things that are important.
To love Him and others above all else.
To give to the needy.
Jeremy and I have taken these commands most seriously. We do not take lightly the gifts God has given us. We have been born into privilege, wealth, freedom. We do not want to return to our Father still holding onto these things.
We believe that if God has given us any kind of influence, any bit of wealth, it is so we can partner with Him to help those in need. God is always sending His people to save His people. There was Moses and Joseph. Ruth and Jonah. Jesus. And now, it turns out He wants to use us.
Will you also consider the great opportunity you have to share with a child living in desperate poverty that they are welcome here? Will you sponsor a child from Kenya today?
Please read the posts by Jamie Ivey and Sophie Hudson about their time with the Maasai. Thank you for reading friends. You have encouraged me with your prayers and your action.
Thank you so much for sharing these wonderful posts about your time in Kenya! I've wanted to sponsor a child for a while now, but something kept holding me back from committing to do so. When I read your posts, I could literally hear God saying, "Now, now is the time!" Two more children from Kenya have a sponsor today, and it was seeing your posts that opened my heart to hear what God had to say to me. Thank you!!
I so want to sponcer 2 children in Kenya today-today.
Hi Lou! This is so encouraging! I am so grateful! You can sponsor children from Kenya by going to this link: https://www.compassion.com/sponsor_a_child/default.htm?referer=553644 Please let me know if you need any help!
Awesome post, it is a wonderful Blessing to be able to read about your experiences.


Harald Høffding (11 March 1843 – 2 July 1931) was a Danish philosopher and theologian.
Born and educated in Copenhagen, he became a schoolmaster, and ultimately in 1883 a professor at the University of Copenhagen. He was strongly influenced by Søren Kierkegaard in his early development, but later became a positivist, retaining and combining with it the spirit and method of practical psychology and the critical school. The physicist Niels Bohr studied philosophy from and became a friend of Høffding. The philosopher and author Ágúst H. Bjarnason was a student of Høffding.
Høffding's great-nephew was the statistician Wassily Hoeffding.
His best-known work is perhaps his Den nyere Filosofis Historie (1894), translated into English from the German edition (1895) by B.E. Meyer as History of Modern Philosophy (2 vols., 1900), a work intended by him to supplement and correct that of Hans Brøchner, to whom it is dedicated. His Psychology, the Problems of Philosophy (1905) and Philosophy of Religion (1906) also have appeared in English.
Among Høffding's other writings, most of which have been translated into German, are: Den engelske Filosofi i vor Tid (1874); Etik (1876); Psychologi i Omrids paa Grundlag af Erfaring (ed. 1892); Psykologiske Undersøgelser (1889); Charles Darwin (1889); Kontinuiteten i Kants filosofiske Udviklingsgang (1893); Det psykologiske Grundlag for logiske Domme (1899); Rousseau und seine Philosophie (1901); Mindre Arbejder (1899).
Harald Høffding, 1891 "Outlines of psychology". Retrieved 2010-09-25.
Harald Hoffding, 1906 "The Philosophy of Religion". Retrieved 2012-07-26.
Harald Høffding, 1919 "A brief history of modern philosophy". Retrieved 2010-09-25.
Harald Høffding, 1920 "Modern philosophers; lectures delivered at the University of Copenhagen during the autumn of 1902, and lectures on Bergson, delivered in 1913". Retrieved 2010-09-25.


We are a locally owned, family operated business. We have been in the self storage business since 2008 and with Newberry Storage, our aim is to offer to Etters and York Haven convenient, clean storage at an affordable price.
We also believe in supporting our community. Over the years we have been able to help out the Red Land Senior Center, the Red Land Music Boosters, Captial Area Girls on the Run, and others.
Our "CEO" has been a volunteer at the Red Land Community Library in Etters for over 20 years and currently serves as vice-president of the Newberry Business Association and president of the Friends of the Red Land Community Library.


text:
Łęgi  () is a village in the administrative district of Gmina Połczyn-Zdrój, within Świdwin County, West Pomeranian Voivodeship, in north-western Poland. It lies approximately  west of Połczyn-Zdrój,  east of Świdwin, and  north-east of the regional capital Szczecin.

For the history of the region, see History of Pomerania.

Notable residents
 Albrecht von Hagen (1904 – 1944), resistance fighter

References

Villages in Świdwin County


Many of our athletes play hockey and successfully balance the two sports. Athletes that play in the higher tiers of hockey will have more of a challenge making both sports work. We ask players to consider factors such as whether it's a practice or game and point of the season (early season vs playoffs) when a conflict occurs. The football schedule does not tend to have many conflicts with the hockey schedule especially in the older divisions.
Hockey evaluation weekend tends to be the time of most conflicts.
← Is game full contact?


text:
The Stamp Traffic As a Factor in Education.
by M. Boole.
It is to be feared that a grave question, bearing on moral education, is getting itself settled, and settled wrongly, "by default," i.e., hap-hazard, for lack of attention to what is going on. It used to be generally understood that well-bred children do not ask relatives or friends, and especially guests, for money, or for things which possess a money value. When first children began to make collections of old stamps, the stamps, once used, had no value. A child asked one to keep old envelopes for him, just as he asked one not to burn any other kind of rubbish till he had the opportunity of looking through it to see if he could find anything useful for his purposes, though useless for ours; the favour consisted not in the value of the gift, but in the fact that one remembered his wishes and took trouble to gratify them. It was easy to make a child understand that friends are more likely to accede to requests of this kind if not made at inconvenient times and in an intrusive way; and the result was on the whole good for manners, and the basis of wholesome relations. Parents (quite rightly then) encouraged the stamp hobby; it affords a cleanly and noiseless amusement; it fosters habits of neat manipulation, and promotes the knowledge of history and geography. But now that old stamps are an article of commerce and almost a medium of circulation, children ask for them still. I have heard them beg for stamps from those who were in the habit of selling them. This is surely the thin end of a wedge which may split up many conventions of reserve and good breeding.
But there is far worse behind. Children not only beg for stamps, but traffic in them. If they do not actually sell them, they procure duplicates as a means of exchange. Juvenile bartering is harmless enough when confined to such personal possessions as marbles and knives, which have a real value depending on the cost of production. But the value of a stamp has no relation to the cost of production, is it a fictitious value, like that of certain cards in a game, and is, in fact, a gambling value. Stamps are now an article not only of commerce but of speculation to many adults; surely then the habit of looking out for profitable exchanges brings boys perilously near to something that one would wish to keep as far from them as possible. Stamp merchants employ little boys to sell stamps on commission among their school-fellows. Surely we do not wish our boys to gain their first notions of money transactions from strange and often dishonest speculators and touts! Parents do not quite realize what is going on, or what they are consenting to. I have heard a wealthy woman, a good, careful, anxious mother, say, in presence of her children, that she thought it a good thing for young people to buy stamps, because the collection will increase in value as the years go on. I wondered if she quite saw what she was putting into their little heads!
Till lately, it was a sort of convention in our upper and middle classes that children were to be discouraged from making money by traffic or speculation, till the school age is over. This unwritten law rested on a sound foundation. The children of the poor can actually earn money in holidays by going errands or helping in agriculture, etc. It is difficult for the children of the well-to-do to find any means of actually earning. Some middle-class parents do buy the produce of their children's gardens or poultry yards. But even this has been felt by the majority of well-bred people to be a mistake. Among the really poor the child's earnings are a contribution to the family comfort, and his work is therefore a training for communal life. But where all the pocket-money of which it is desirable that a child should have command can be provided by the parents without their feeling it a loss, the earning of extra money by the child is in no sense a training for family or communal duty. And if the child is able to contribute fruits, eggs, or vegetables to the family table, it is better that he should do so without payment, as a small acknowledgment of his indebtedness to those who liberally supply all his needs. This has been strongly felt by nice-minded parents, even where the children are earning in the true sense, i.e., really adding to the world's stores of wealth; making something or causing something to grow. But the reason against juvenile money-making among the well-to-do is far stronger where the money is made, not by labour but by traffic, because the latter, if begun young, is especially likely to pass over into speculation, which is in reality a polite term for gambling.
The desire to possess money as a means to an end is legitimate; but making money as an amusement is a mere lust. The two things differ as using wine differs from setting up a vicious craving for it; the difference is not in the amount taken, but on whether the wine is taken to promote the digestion of other things, or for the sake of the sensation of imbibing it.
The most gigantic and cruel of commercial frauds are those perpetrated not by men in whom the desire for possession is the chief motive, but by the commercial gambler, who knows that he is as likely to land himself as well as others in the bankruptcy court or in jail, as to enrich himself by ruining others. The passion which sweeps aways all ethical and human considerations is the lust, not for the wealth but for the excitement of gaining wealth. No kind of stock-broking or financing remains honest beyond the point where it leaves off being carried on as a means of earning money that is desired for some purpose, and begins to be carried on for the excitement of the game itself. Finance differs in this respect from most other avocations of man. Agricultural, industrial, artistic and professional work, is better done when done not merely for a livelihood, but also for the love of the work itself: finance is fatal to character in proportion as it is carried on con amore, and not merely for the sake of the proceeds.
The instinctive perception of this truth has led well-bred parents, until lately, to be careful to utilize the early years of children's lives in fostering tastes and setting up hobbies and interests, undistracted by the excitement of barter or traffic, lest the latter should gain possession of the soil, and become in after years, not a mere means of earning money for the purpose of spending it or of providing for the future, but an amusement followed for its own sake. But the need of this caution seems in some danger of being forgotten; not because anyone on reflection really doubts its wisdom; but, as I said, by default, for lack of reflection. So many old conventions are being discarded now because the time has come when they are no longer useful, that people who mean well are in some danger of imagining that progress involves the discarding of all conventions, without any reflection as to whether we can safely do without them yet. "Traditional convention is to morals what the shell is to the nut; it is useless in itself; but if it is broken away too soon the nut will decay without germinating." The world is not yet in so spiritual a condition that wealthy people's children can engage early in any sort of trade without grave risk of becoming precocious stock-jobbers and gamblers.
There seems to be creeping in a sort of idea that encouraging children to be "sharp" in little exchanges and bargains is "a good preparation for business," that it will tend to make them successful as merchants or bankers. Surely this is a mistake. It seems to me that there could hardly be a worse preparation for any sort of business than premature sharp-practice. It trains the qualities which go to make the brilliant company-promoter rather than the successful merchant; it has no tendency to train men who will and to the wealth of the nation while consolidating their own position; it does not form the habits which are needed in the counting-house, bank, or insurance office; it does inoculate prematurely the lust for the vicious excitement of making smart bargains at other people's expense, of trusting to irregular advantages due to strokes of luck, aided by skilful playing on other people's blindness and ignorance. The "business habits" fostered thus are such as give their possessor an equal chance of becoming a millionaire or a pauper, an ostentatious patron of public charities or a criminal in the dock; they make him in either case equally a curse to his country's commerce, and an injury to her reputation. Juvenile smart-bargaining does nothing to foster that other kind of business habit which gives the all but certainty of an honest living along with the possibility of wealth; and which makes the business man a blessing to all around him. Those who wish to train children for real success in business should give a fixed allowance of pocket money, and permit no irregular money presents from relatives. They should encourage the children to keep strict accounts. They should give the children every opportunity for realizing how much power one gains, both to buy what one really needs and to give generously to others, by avoiding careless expenditure and by making one's own tools and toys as far as possible. They should let the children see how much more friends value a gift form a child if made by his hands than if purchased with his money. And they should protect the children from all chance of making money by bargaining, until an interest has been set up and has grown strong, in several kinds of study or pursuit; amongst these there should be at least one by which money can in future be legitimately earned. As for the educational value of juvenile collecting, there are many sorts of collections which are instructive and quite harmless, which depend on contributions gathered by the children themselves, not bought in shops: shells, pebbles, twigs, seeds, mosses, and best of all, paintings of flowers. It is as easy to make a child look out in the map the country whence comes a plant, the flower of which he has painted, as it is to make him look for the town where a stamp was issued. The secretary of the Bayswater Branch of the P.N.E.U., in inviting children to send Natural History collections for the annual exhibition, expressed a wish that shells, seeds, etc., should be sent in boxes not bought, but made by the children. This seems to me calculated to lay a far sounder basis for business training than is likely to be laid in stamp shops. The principle which lies at the rest of this whole question, because it is obvious and indisputable, is sometimes forgotten. The foundation of good business habits is the belief that every good shilling is worth exactly twelve pence, and that no bad coin is worth anything at all. Such ideas as that there is an off chance of one's own particular shilling turning out worth thirteen pence if one is lucky, or that if one is smart one may get thirteen pence for it by persuading some one else to believe it is worth fourteen pence; or that it is legitimate to accept twelve pence for a shilling which one got for sixpence because the former owner doubted its being good, lie at the root of habits which are commercially dangerous and socially degrading. To what extent it is possible for adult business men to keep a perfect straight course in the present condition of commerce, I do not know, nor is this journal the place for discussing such a topic. Our duty surely is to see that we cause not the little ones to take a fatally wrong road at the outset of their life's journey.


text:
Locale Reference for Product Advertising API
Product Advertising API operations are the same for all locales but valid certain parameters vary by locale. For example, SearchIndex values used in SearchItems API varies by locale.
The Product Advertising API is available in the following locales:
Australia https://www.amazon.com.au
Brazil https://www.amazon.com.br
Canada https://www.amazon.ca
France https://www.amazon.fr
Germany https://www.amazon.de
India https://www.amazon.in
Italy https://www.amazon.it
Japan https://www.amazon.co.jp
Mexico https://www.amazon.com.mx
Singapore https://www.amazon.sg
Spain https://www.amazon.es
Turkey https://www.amazon.com.tr
United Arab Emirates https://www.amazon.ae
United Kingdom https://www.amazon.co.uk
United States https://www.amazon.com
Each of these locales is serviced by an Amazon web site that uses the local language, local customs, and local formatting. For example, when you look at the DE homepage for Amazon, you see the listings in German. If you purchased an item, you would find the price in Euros, and, if you were to purchase a movie, you would find that the movie rating would conform to the movie rating system used in Germany. Product Advertising API responses contain the same localized information.
Following topics cover locale specific reference for the following parameters:
Marketplace: Target Amazon Locale. The endpoint supplied to the marketplace parameter determines which locale the API request is targeted to.
Language of Preference: Most of Product Advertising API response elements are language aware. Every locale has a default language which the API falls back to if the supplied language of preference is invalid or if no language of preference is provided.
Valid Languages: Allowed Languages in a marketplace. Every marketplace supports only certain languages and information can be returned in only those languages for the marketplace.
Currency of Preference: Some of Product Advertising API response elements are currency aware such as Item price. API uses the default currency of the locale if currency of preference is not provided. Else when currency of preference is provided, it's value should be a valid currency of the locale, and API falls back to the default currency if conversion is unsuccessful.
Valid Currencies: Allowed Currencies in a marketplace. Every marketplace supports only certain currencies and information can be returned in only those currencies for the marketplace.
Search Index: The SearchItems operation requires SearchIndex which indicates the product category to search. SearchIndexes differ by marketplace and each marketplace has it's own list of valid SearchIndices.
Locale Reference for Australia
Locale Reference for Brazil
Locale Reference for Canada
Locale Reference for France
Locale Reference for Germany
Locale Reference for India
Locale Reference for Italy
Locale Reference for Japan
Locale Reference for Mexico
Locale Reference for Singapore
Locale Reference for Spain
Locale Reference for Turkey
Locale Reference for United Arab Emirates
Locale Reference for United Kingdom
Locale Reference for United States


This course presents the process by which a line of code translates into machine action. It will introduce basic concepts utilized in software design, including a brief comparison between object oriented programming and non-object oriented programming. Common hardware and software issues that create inefficiencies or machine failures will be introduced, including sampling frequency and real time control systems. The schematic expression of software design and operation will be discussed, including Unified Modeling Language. Widely used software applications are introduced, including Computer Aided Design and Finite Element Analysis. These software packages assist in simulating and testing software and hardware applications during the design and development processes. Understanding the basic approaches of the applications, such as parametrics and modeling will better enable the engineer to maximize their utility and productivity.
This course is intended for practicing engineers of any industries whose daily work involves interactions with software engineers or professionals but have little or no practical experience in software design and implementation. This course includes a multiple-choice quiz at the end, which is designed to enhance the understanding of course materials.


boiled egg cooker ball shape microwave 4 eggs cooker hard boiled boiler kitchen tool hot sale boiled egg cooker set microwave boiled egg cooker directions.
light blonde cold blonde appreciated by light brown and blonde hair ideas light blonde hair with brown highlights.
mac air power cord 5 pin 2 ac adapter dc power cable repair cord cable for apple macbook air power cord extension apple macbook air power cord not working.
gotham steel grill pan limited time offer now only gotham steel square grill pan gotham steel grill pan recipes.
party disco lighting strobe led wash light slim bar disco lighting light party inc 6 remote disco party lighting ideas.
stay fit board new dry fit stay cool running stay fit board walmart does the stay fit board work.


Whose REALLY Driving Your Bus?
From the first page on, readers learn that they do not have to struggle with emotional and addictive problems alone- whether the problems are related to low self-esteem, depression, anxiety/panic problems, relationship difficulties, or the gamut of addictive problems. You can learn to recognize who is really driving your emotional bus is the most difficult "traffic" areas of your life.
Dr. Henman invites you to sit across from him as if you were actually in a Therapeutic Coaching session. It is an intimate experience rather than an intellectual exercise, as you are encouraged to reflect deeply on Nuggets of Wisdom about the process of change.
He has spent the past 30 years in his psychology practice successfully coaching thousands of clients in making desired changes, while helping them build healthy self-esteem and connect with their core spirituality. You can walk with him through key roadblocks that commonly prevent growth, and learn how to relax into making healthy changes in the present, by approaching life with "No-Fault Learning".
You can learn how to recognize and change faulty Perceptual Filters that rob your of healthy power and awareness. You can gain the tools and skills necessary to empower your own Inner Coach, as you shift from survival mode into living consciously.
With the help of a steering committee of recovering individuals, Dr. Henamn wrote "Changing Attitudes in Recovery- A Handbook On Esteem" (CAIR) and founded free CAIR Support Groups in 1990. The CAIR Handbook provided the format and structure, which allowed people from a variety of different problem backgrounds to come together and develop healthy self-esteem. The CAIR Handbook supplied the tools and resources for the free support groups. "Who's Really Driving Your Bus?" shares this material in the format of a Therapeutic Coaching session.
Dr. Henman began his professional career working in Head Start and Migrant Education preschool programs in central California in 1968. he has spent the last 30 years in full time practice coaching and educating in areas of self esteem, addictions, relationship dysfuntion, depression and anxiety. He received his Ph.D. from the California School of Professional Psychology in 1980. He is currently in full time practice with Psychological Assosiates in Modesto, CA.
He developed Cognitive/Perceptual Reconstruction as an integrated therapeutic approach to the treatment of Adult Children of Dysfunction in 1985. With the help of a steering committee of recovering individuals, he founded C.A.I.R self help groups to support the building of healthy self esteem in 1990. In 1997, in conjunction with Urban Care Ministries, he helped form CAIRing Grace Groups, Christ-centered support groups that combine Scripture and cognitive/perceptual tools from the C.A.I.R. Handbook to form a safe place to experience God's Grace in recovery.
The C.A.I.R. Handbook is the culmination of over 30 years of experience dealing with the results of wounded esteem. You supply the willingness and openness to learning, the Handbook supplies the rest.


Gretchen G. McComb is Managing Director, Owner Services Group, FMI Corporation, Denver, Colorado. In her position, Gretchen works closely with private corporations, utilities and government agencies to improve the effectiveness of the capital delivery and facilities maintenance process. The strategies developed effectively reduce cost, schedule and risk; and improve return on investment. She specializes in building effective relationships through project partnering, high-performance project teams and strategic alliances. Gretchen works closely with design and construction departments to evaluate business practices, including job-cost accounting, budgeting and estimating, and change management. Prior to joining FMI, Gretchen worked as an operations manager for Ralston Purina Co. and Coca-Cola. She holds a bachelor of science degree in mechanical engineering from Southern Methodist University and master of business administration degree from the University of Denver.


Eugen Jochum was born on 1st November, 1902 in Babenhausen, near Augsburg and died on 26th March 1987 in Munich. He showed prowess in music early even playing the organ at church services at the age of eight. Studying at the Augsburg Conservatory he moved to the Music Academy in Munich in 1922 primarily as a composition student but later studied conducting and worked as répétiteur at the Munich National Theatre.
In 1926 he made a successful concert debut as a conductor which led to his appointment at the Kiel Opera, where he was soon made first conductor. He acquired a repertory of over 50 operas and also conducted concerts at Lübeck over the next three years. Following a season in Mannheim (1929-30) he had two in Duisburg as Generalmusikdirector where a performance of Bruckner's Fifth Symphony brought him the appointment as musical director for Berlin radio before his 30th birthday in 1932. He also had a guest association with the Berlin PO which lasted all his career.
In 1934 he became Generalmusikdirector at the Hamburg Staatsoper and principal conductor of the Hamburg PO where he remained for fifteen years continuing to conduct Bartók, Hindemith and Stravinsky at a time when they were banned elsewhere in Germany by the Nazis. He also conducted the Concertgebouw Orchestra when the Netherlands were occupied which brought him a continuing association in the post-war years.
He returned to Munich in 1949 as musical director for Bavarian radio, forming and training their Symphony Orchestra to international standard. His reputation grew particularly in the field of the German Romantic Symphony of Beethoven, Brahms and Bruckner, especially the last where he was President of the German section of the International Bruckner Society for 37 years. He was also presented with the Brahms medal by the city of Hamburg. The London SO made him their conductor laureate for the season that saw him record his set of Beethoven symphonies.


text:
Spring Kelsey Museum Newsletter Announces New Director
by Peg Lourie
According to the latest issue of the Kelsey Museum Newsletter, Christopher Ratté, Professor of Classical Archaeology in the Departments of Classical Studies and History of Art, will become the new Director of the Kelsey Museum in July 2013. Professor Ratté has been a Research Associate with the Kelsey since his arrival at Michigan from New York University in 2006 and has served as Director of the Interdepartmental Program in Classical Art and Archaeology since 2009. He has directed excavations and surveys of Kelsey-sponsored fieldwork at Aphrodisias in Turkey and Vani in the Republic of Georgia. He thus brings a wide spectrum of interests and skills to the directorship.
Read the parting thoughts of the Kelsey's current director and its curator of academic outreach as they both leave the Museum after many years of outstanding service. Also find out about the Kelsey's present and upcoming exhibitions, as well as fieldwork in Italy, the Sudan, and Egypt.
Click here to read the current Newsletter.


text:
Owner of rescued baby horse comes forward
FREMONT, Calif. (KTVU) - The owner of a colt that was found in a Fremont ravine has come forward.
According to Fremont police Valentine is making good progress at UC Davis.
Valentine now belongs to the City of Fremont.
According to police, Valentine's owner came forward and after discussing the horse's medical needs, they agreed it was in Valentine's best interest to be surrendered to the City of Fremont.
Police say the "The owner was very saddened by the circumstances of what happened and also very concerned for Valentine's future."
"The fact that our community helped raised such a generous amount of money to assist with Valentine is what really made this decision possible," said Fremont police in a Facebook post.
Valentine will continue to recover at UC Davis.
The city's animal services staff is working to find the best home for Valentine to eventually be placed in.
A hiker along Morrison Canyon Road spotted Valentine at the bottom of a 150 foot ravine on Saturday but didn't report it until Sunday afternoon. Valentine was three days old.
Donations to help offset Valentine's recovery can be made to Fremont Animal Services at (510) 790-6640.


London Stock Exchange today welcomes ZyFin and Sun Global Investments, to open trading on its markets to celebrate the listing of the first Indian ETF in London.
The LAM Sun Global ZyFin India Sovereign Enterprise Bond UCITS ETF will be the first ETF to offer international investors exposure to a basket of Indian public sector corporate bonds. The fixed income ETF will also be Europe's first physically replicating Indian ETF, backed by real underlying securities as opposed to notional securities or derivatives.


To uphold, maintain and propagate Christian doctrines as set forth in the Holy Scriptures and embodied in A New Zealand Prayer Book, the Book of Common Prayer and the Thirty Nine Articles of Religion.
To maintain the position of the Holy Scriptures in the Anglican Church in Aotearoa, New Zealand and Polynesia (commonly hereinafter called "the Anglican Church" ) as the supreme and entirely trustworthy authority in all matters of faith and conduct.
To proclaim the necessity of personal and corporate faith in Jesus Christ as Lord and Saviour.
To encourage and promote private and public study of the Holy Scriptures.
To provide an evangelical Christian contribution to the discussion of contemporary ecclesiastical, moral and social issues.
To establish maintain and provide theological resources for research study and information.
To support wherever practicable the work and witness of Anglican parishes.
To provide scholarships foundations and grants and otherwise provide assistance and support for the encouragement of Biblical and theological research and education.
To encourage and sponsor conferences meetings and visiting speakers throughout New Zealand.
Do you agree with our aim? Become a member here.
These are a classic statement of Life and Faith, "agreed upon by the Archbishops, Bishops, and the whole clergy of the Provinces of Canterbury and York, London, 1562".
They are accepted by the Latimer Fellowship. Download the Thirty Nine Articles, or read them on the Latimer website.


text:
What Is Email Attachment Download?
Author: Loyd
Published: 4 Dec 2021
Cache Filling
Mail Attachment Downloader
A Simple Method to Send a File in Small Size
Addendum to "An Efficient and Secure Method for Extracting a Non-trivial Dataset"
How to Detect Email Attachments
Emailable Tech Support: A Guide for Beginners
Adding an Account to the Test Connection Configuration
How to Contact a Bank or Credit Card Company
Adaptive File Creation and Extraction of Emails
An Important Rule to Follow When Using Email Attachments
MIME: Multipartite Text Conversion
If the problem continues, there is a chance that your cache is full. Every site that you have visited and every file you have downloaded are stored in your cache or temporary internet files folder. Before you download the email, make sure to check the sender and content. The tools on your device are only trying to keep you safe when it happens.
The software's function is great, but it is obvious that the app was created to be a utility. The main window doesn't offer anything special. Do you have an old email account that you want to archive?
Or maybe you want to use your PC's hard drive as a local backup for your email? Mail Attachment Downloader is the place to look. The core function is rock solid, even though the visuals leave room for improvement.
Mail Attachment Downloader can be used to download and process all your e-mail attachments. It leaves your mail on your server and will not affect other e-mail programs you use today. You can set up various filters to make it easier to download what you want.
You can set a schedule where the program fetches attachments on a regular basis in the background when it's running. The program is minimized to the system tray so that you can download it in real-time. The free version only allows for extracts from the e-mail subject and body, sending e-mails after download, saving e-mails to a database, converting attachments to PDF, and other advanced functions.
Sending a file in small size allows you to send it quicker but also lets recipients download it faster and saves a lot of storage space.
We're going to add a little bit of code and you can easily add any kind of download or multiple downloads in an email if you want to.
You must download an attachment before a virus can spread. You would think that most users would not download email attachments from senders they don't trust. Users' email accounts are often hacked by scammers to send malicious messages.
The email is vague and curious, and average users tend to open the attachment to try to figure out what is wrong with their accounts. The attachment is fake and you will download a virus or a malicious program onto your computer if you access it. Many internet security software suites will not detect an infection until after you have downloaded it.
It may seem impossible to distinguish between legitimate and suspicious emails with all the sophisticated methods that hackers hold up their sleeve. There is an easy way to tell if email attachments are safe, and it works the majority of the time. You can assess the file extension to see if the email attachment is safe.
You should be careful with files with double extensions. The last extension is the most important. The EXE is an example of an.rar file that will run software upon download.
Emailable Tech Support is a series of easy-to-share guides for people who don't know much about technology. Do you answer beginner tech support questions? Let us know if you have any tips. There's very little that's too basic to learn when you're just starting out.
If you want to change a configuration after a Test Connection failure, you should use the trash button next to the account in the main program window and add a new account via the plus button. If you want to download your email attachment in the search tab, you should set the start date from which you want to download. The 'end date' should be left off to indicate there is no end date.
The ability to take over an email account is a potential advantage for hackers. The FBI recommends you contact the sender to confirm that you received an attachment. If the email is from your bank or credit card company, you should go to their official website and find a way to contact them.
Even if an image looks safe, it could be a different type of file. If you know who the attachment is from, you should only open it. If you open an attachment with a dangerous file extension, you should change your email password immediately.
All the attachments are downloaded from your email account and saved into a destination folder. All incoming emails will be automatically downloaded and saved into a specified folder.
An email attachment is a file that is sent to another person. The email's purpose is usually to add value to the email by providing additional content that you can't express in the email's body. The attachment can have different sizes and formats, with the most typical being large text files, various types of documents, spreadsheets, scanned files, forms, pictures and videos.
Like with most other forms of communication, you need to follow some rules when using email. It is recommended that you mention the attached file in the email's body before sending it, in both formal and informal situations. Before you send an email, you should know where the file is on your device and what it is called.
Knowing the location of the file you are sending is important because it will help you locate and attach them quicker. The subject line is the next step. The subject of an email should reflect the fact that it contains one or more attached files, and that it should provide information about what they are.
The email's body can be a description of the attached files if the only reason you need to send a message is the attachment. If the attached files are only a part of the email, they need to be mentioned in the body with a short sentence that spells out what they are. Sending an email with no text is not recommended as the recipient may be confused with email junk mail.
MIME uses base64 to convert a single multipart message into a single 7-bit text and can also support 8-bit support.
Source and more reading about what is email attachment download:
Techjunkie.com
Blog.magezon.com
Wpcrafter.com
Toptenreviews.com
What Is Email Client?
What Is Email Hijacking?
What Is Email Bounce Rate?
What Is Email Address?
What Is Email Delivery Rate?
What Is Email Address Meaning?
What Is Email Validation?
What Is Email Sequence?
What Is Email Etiquette?
What Is Email Address Means?
Click Penguin
What Is Email Define?
Email Support for Text and Images, Email Security, E-mail: A universal communication standard, Internet Email Systems and more about what is email define.
What Is Website Parler?
Parler: A Free Speech-Driven Platform for Social Media, The Parler era, Gab, the Social Monopole, Parler Verification, Parler: A Place for Free Discourse on Social Media and more about what is website parler.
What Is Communication Techniques?
Building the 5 Rituals of Connection, Communication Techniques, Communication Skills, Communication Skills for the Workplace, How to Identify Structure in the Video and more about what is communication techniques.
What Is Mailroom Management?
Modern Mailroom Management, Using Receiver Notifications to Manage the Post Office Mailroom, A Modern Digital Mailroom, Postal Distribution, The Challenge of Managing Physical Mail and more about what is mailroom management.
What Is Information Technology Definition?
Computer Science: A Career in Information Technology, Computer Science Degrees in Engineering, Communication Skills in Information Technology, Information Technology Association of America and more about what is information technology definition.
What Is Social Media Misuse?
The misuse of social media in the young generation, Social Media and Sexual Activity, How social networking sites can help students become more productive and more about what is social media misuse.
What Is Digital Banking Pdf?
Digital Banking: A Challenge for Financial Organizations, The Rise of Online Banking, Online Banking and BaaS, Electronic Banking in a Digital Bank and more about what is digital banking pdf.
What Is Website Mapping?
Sitemap Generator is not a Service, Visio: A Site Map, Cloud-based Data Mapping Software for Enterprise Architecture and more about what is website mapping.
What Is Webmailworld?
Norton: An Anti-malware Program for Windows, MacOS and Other Operating Systems, WebMailWorld by myway and Mindspark Interactive Network, Inc, Malwarebytes Anti-Malware v1.0: A Tool for Stopping the Webmail World Hinterhead and more about what is webmailworld.
What Is Search Engine Suggestions on Iphone?
Ghostery Browser: A Privacy-Preserving iPhone Browser, DuckDuckGo: Searching for New Maps in Apple' iMap, Privacy Settings for the Internet with Apple and more about what is search engine suggestions on iphone.


Zane Lowe called Young Thug "one of the cornerstones of the future of rap music" today on Beats 1. Right after that, he pressed play on "Digits," which will appear tomorrow on the MC's Slime Season 3 tape. It sounds like a hit, with another fiercely melodic beat from London On Da Track and a seize-the-moment chorus from Thug. Listen below and read London's interview with The FADER.