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HomeCOMMENTARYNorthern Ireland Violence Worst In Decades; Fears Of "The Troubles" Return [Video]
Northern Ireland Violence Worst In Decades; Fears Of "The Troubles" Return [Video]
April 10, 2021 This article was posted by TLB Staff COMMENTARY, FREEDOM, GOVERNMENT, Spotlight, WORLD 0
Northern Ireland Violence Worst In Decades; Fears Of "The Troubles" Return
Sporadic rioting across several cities and towns in Northern Ireland has resulted in at least 70 injured police officers. The violence is some of the worst in decades as governments in Belfast, London, and Dublin have denounced the social unrest, according to BBC.
Unrest broke out a week ago amid rising post-Brexit tensions. A more immediate catalyst was a decision a few weeks back by public prosecutors not to charge anyone with alleged breaches of COVID regulations at an IRA funeral that sparked unionist outrage.
The unrest began on Mar. 29 in a small city in Northern Ireland called Londonderry. Since then, protests and rioting have spread to Belfast, Carrickfergus, Ballymena, and Newtownabbey.
The rioting has mainly been loyalist youths hurling petrol bombs, bricks, and fireworks at police officers and their vehicles. But on Wednesday, the chaos intensified into sectarian fighting over a peace wall in west Belfast that separates Protestant loyalist communities from predominantly Catholic nationalist communities who want unification with Ireland.
Irish nationalist and pro-British loyalists clashed at the peace wall, igniting fears about the revival of the "The Troubles," a dark period when both sides fought a low-level war against each other late 1960s to the late 1990s. The conflict claimed the lives of nearly 3,600 people as nationalists and unionists fought. At times, the conflict spilled over into the Republic of Ireland, England, and mainland Europe.
"We are gravely concerned by the scenes we have all witnessed on our streets," the compulsory coalition, led by rival pro-Irish Catholic nationalists and pro-British Protestant unionists, wrote in a statement.
"While our political positions are very different on many issues, we are all united in our support for law and order and we collectively state our support for policing," the statement continued.
Northern Ireland's assistant chief constable, Jonathan Roberts, said several hundred people on both sides of the wall were responsible the violence, and he accused outlawed paramilitary groups of inciting it.
"We saw young people participating in serious disorder and committing serious criminal offenses, and they were supported and encouraged, and the actions were orchestrated by adults at certain times," he said.
"Last night was at a scale we haven't seen in Belfast or further afield in Northern Ireland for a number of years," Roberts said.
In a tweet, the Police Federation for Northern Ireland called for calm, saying, "These are scenes we hoped had been confined to history."
Violence on both sides of the interface at Lanark Way now. Calm is needed on BOTH sides of the gates before we are looking at a tragedy. These are scenes we hoped had been confined to history. @NIPolicingBoard @NIOgov @PoliceServiceNI pic.twitter.com/SjtWq10UFo
— Police Federation for Northern Ireland (@PoliceFedforNI) April 7, 2021
Tensions in Northern Ireland have been growing since the United Kingdom voted to leave the European Union, creating a potential trade border between the British-ruled north and the Republican of Ireland in the south. The lack of a trade border has been the main reason why a peace deal has remained in place since 1998.
Under the Northern Ireland Protocol of the Brexit withdrawal agreement, a trade border was placed around the Irish Sea with goods entering Northern Ireland from mainland Britain subject to European Union checks. This move infuriated unionists, who have accused London of abandoning them.
The British and Irish prime ministers held talks this week, while the Biden administration was concerned about the ongoing violence.
British Prime Minister Boris Johnson said, "The way to resolve difference is through dialogue, not violence or criminality."
Meanwhile, Ireland's foreign minister, Simon Coveney, has called on local leaders to ease tensions.
Video added by (TLB) editors
As Philip McGowan writes, these protests have not suddenly appeared out of nowhere, but neither are they all about Brexit and the Northern Ireland Protocol. They are the culmination of a complex mix of change and a deep-rooted resistance to it, and an ingrained political and social inertia particular to this place. It's true that some things in Northern Ireland have changed enormously for the better on a day-to-day basis since the signing of the Good Friday Agreement in 1998, but look behind that surface improvement and quickly you will see evidence that other things have not changed that much at all. Meanwhile, our politics has atrophied as it has polarised in the intervening decades.
The point remains, however, that there are huge social issues here that are not being addressed by politicians: 120,000 children are living in poverty in Northern Ireland and more than 40,000 people are on the social housing waiting list – a rise of 10% in the past year. Between 1998 and 2014, more people died by suicide in Northern Ireland than were killed during the Troubles (and of those there were 3,600), and that devastating statistic keeps growing. An endemic lack of social and economic opportunity has been added to the load carried by a new generation, who are the children of the children of the Troubles.
Could things spiral backwards? Yes, if there is a continued absence of political leadership willing to take the forward steps needed to stabilise a volatile situation. Northern Ireland has never needed better political leadership than it does right now. It also needs the UK and Irish governments to accept and adhere to their responsibilities as set out in the Agreement, because the Agreement is the roadmap to resolve Northern Ireland's status as we move away from violence and toward peace. For the Agreement to have been overwhelmingly supported across all of this island (71% in Northern Ireland, 94% in the Republic of Ireland) was a remarkable feat. Stagnation politics since then has nurtured complacency about exactly what was achieved in 1998. Peace is an extraordinarily brittle entity. Democracy is a daily commitment to hearing and addressing the issues in front of us as they arise. It needs constant vigilance and it needs tolerance. It doesn't always produce the desired result, so it also requires compromise. But in terms of the problems that face us, we already have the solution in our hands: we worked it out after decades of pain and loss, but we still need to implement all the Agreement's commitments.
Northern Ireland needs leaders who accept the complexities at play in this new reality: our grave social deprivation and economic disadvantages; our shared peripheral status for decades; and the political inertia that defines our situation. All of this means economic and social problems are not being addressed, which, in turn, plays into the hands of criminal and gang elements happy to keep communities at the mercy of irresponsible and divisive forces who, I'm afraid, haven't gone away.
(TLB) published this article from Zero Hedge as written and compiled by Tyler durden.
WSJ video was inserted by (TLB) editors
Header featured image (edited) credit: BBC screen shot
(TLB) the liberty beacon
Irish nationalist and pro-British loyalists
loyalist youths
Philip McGowan
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redpajama_set_name: RedPajamaCommonCrawl


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Stock Coverage
Home » Industry » Analysts suggest Amyris Inc. (AMRS) could spike 69...
Analysts suggest Amyris Inc. (AMRS) could spike 69.67% in a year
Andrew Francis
Amyris Inc. (NASDAQ: AMRS) is 18.95% higher on its value in year-to-date trading and has touched a low of $1.25 and a high of $5.30 in the current 52-week trading range. The question becomes, what are the chances the stock will continue to grow shareholders' wealth in the market. Here's what analysts think will happen to its price in the coming time. The AMRS stock was last observed hovering at around $1.57 in the last trading session, with the day's gains setting it 0.25% off its average median price target of $2.55 for the next 12 months. It is also 69.67% off the consensus price target high of $6.00 offered by 6 analysts, but current levels are 9.0% higher than the price target low of $2.00 for the same period.
Currently trading at $1.82, the stock is 12.57% and 1.54% above its SMA20 and SMA50 respectively. However, with a daily trading volume of 9.76 million and changing 15.92% at the moment leaves the stock -28.27% off its SMA200. AMRS registered -59.47% loss for a year compared to 6-month gain of -4.71%.
5 Undervalued Stocks For 2023
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The stock witnessed a -8.08% loss in the last 1 month and extending the period to 3 months gives it a -19.29%, and is 13.75% up over the last 5 days. If we measure the stock's price variations over the week and the month, we find that the volatility rates stand at 8.91% over the week and 11.90% over the month.
Amyris Inc. (AMRS) has around 980 employees, a market worth around $640.48M and $258.80M in sales. Distance from 52-week low is 45.60% and -65.69% from its 52-week high. The company has generated returns on investments over the last 12 months (-30.40%).
Amyris Inc. (AMRS) Analyst Forecasts
Analyst recommendations provided by FactSet shows that the consensus forecast for Amyris Inc. (AMRS) is a "Hold". 6 analysts offering their recommendations for the stock have an average rating of 2.70, where 3 rate it as a Hold and 0 think it is a "Overweight". 2 of the analysts rate the stock as a "Buy". 1 analysts have rated the stock as a Sell or Underperform.
Amyris Inc. is expected to release its quarterly report on 05/15/2023.The EPS is expected to grow by 50.80% this year.
Amyris Inc. (AMRS) Top Institutional Holders
The shares outstanding are 322.29M, and float is at 233.91M with Short Float at 21.29%.
Amyris Inc. (AMRS) Insider Activity
A total of 25 insider transactions have happened at Amyris Inc. (AMRS) in the last six months, with sales accounting for 12 and purchases happening 13 times. The most recent transaction is an insider sale by Kung Frank,the company'sDirector. SEC filings show that Kung Frank sold 200,000 shares of the company's common stock on Sep 21 at a price of $3.50 per share for a total of $0.7 million. Following the sale, the insider now owns 0.0 shares.
Amyris Inc. disclosed in a document filed with the SEC on Sep 20 that Kung Frank (Director) sold a total of 400,000 shares of the company's common stock. The trade occurred on Sep 20 and was made at $3.60 per share for $1.44 million. Following the transaction, the insider now directly holds 36488.0 shares of the AMRS stock.
Still, SEC filings show that on Sep 19, Kung Frank (Director) disposed off 1,080,676 shares at an average price of $3.80 for $4.11 million. The insider now directly holds 109,460 shares of Amyris Inc. (AMRS).
Amyris Inc. (AMRS): Who are the competitors?
The company's main competitors (and peers) include FutureFuel Corp. (FF) that is trading 22.86% up over the past 12 months and Albemarle Corporation (ALB) that is 20.03% higher over the same period. TotalEnergies SE (TTE) is 14.22% up on the 1-year trading charts.
AMRS, AMRS stock, Amyris Inc., NASDAQ:AMRS
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Diana Shipping Inc. (NYSE: DSX) is -7.95% lower on its value in year-to-date trading and has touched a low of $3.31 and a high of


De jure teachers' authority is granted via charter contract with district and waivers from union. De facto the teachers select their colleagues, although the district retains the right to fill unfilled positions.
The ALBA curriculum integrates fine arts and creative writing with emphasis on the Latino contribution and cultural arts. Bilingual school, with Spanish taught first (beginning literacy). In second grade, formal English instruction begins.


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objects: 195
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show All artists' book (18) catalogue raisonné (2) critical theory (28) DVD (1) editioned print (1) ephemera (18) exhibition catalogue (95) monograph (3) multiple (1) periodical (22) reference book (6)
Symptoms of Interference, Conditions of Possibility : Ad Reinhardt, Joseph Kosuth, Felix Gonzalez-Torres
Joseph Kosuth, Felix Gonzalez-Torres, Ad Reinhardt, Nancy Spector
Exhibition catalogue published in conjunction with show held at Camden Arts Centre, London, January 7 - March 6, 1994. Text by Nancy Spector. Includes a list of works. [details]
London, United Kingdom: Camden Arts Centre, 1994
Condition: Poor / Fair. Substantial rubbing and wear to covers. Discrete small rubber stamp logo inside rear inside pages, otherwise contents clean and unmarked.
edition size 20
[Original Vinyl LP Record Housed in Facsimile Gatefold Cover]
Jan van der Marck, Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley
Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. ... [details]
Chicago / New York, IL / NY: Museum of Contemporary Art / Specific Object, 1969 / 2008
Condition: Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.
Leo Castelli 4 East 77 / Leo Castelli 420 W. B'Way / Castelli Graphics 4 East 77
Joseph Kosuth, Dan Flavin, Robert Morris, Bruce Nauman, Richard Serra, Keith Sonnier, Robert Rauschenberg
Single sided folded flyer / announcement published in conjunction with a series of shows held across Leo Castelli's New York locations. Shows included: Joseph Kosuth, "The Eighth Investigation (Proposition Three," held at Leo Castelli, 4 East 77th Street, New York, October 2, [1971] ; Dan Flavin, "Two New Near Square Cornered Installations with their Diagrams,"Leo Castelli, 4 East 77th Street, New York, October 23, [1971] ; "Morris / Nauman / Serra / Sonnier : Works on Film," held at Leo Castelli, 420 West Broadway, New York, through October 9, [1971] ; "Robert Rauschenberg : Cardboards," held at Leo Castelli, 420 West Broadway, New York, October 16, [1971]; and "Robert Rauschenberg : Cardbirds," held at Castelli Graphics, 4 East 77th Street, New York, October 16, [1971]. [details]
New York, NY: Leo Castelli, 1971
Condition: Very Good. Folded in three as issued. 3 cm. of soiling to recto and bumping of corners, otherwise clean and unmarked.
sewn bound
Felix Gonzalez-Torres, Amada Cruz, Susanne Ghez, Russell Ferguson, Ann Goldstein, bell hooks, Joseph Kosuth, Charles Merewether
Exhibition catalogue published in conjunction with show held at MOCA, Los Angeles, April 24 - June 19, 1994. Traveled to the Hirshhorn Museum and Sculpture Garden, Washington, DC, June 16 - September 11; and The Renaissance Society at The University of Chicago, September 25 - November 6. ... [details]
Los Angeles, CA: The Museum of Contemporary Art, 1994
Condition: Good / Very Good. Very small 5 mm. split and bumping to lower spine edge and rubbing to upper spine edge. A 2 cm. dink in the covers that continues throughout the text block. Contents otherwise clean and unmarked. Due to size and weight addition shipping may be required for international orders.
glue bound
edition size 1000
I Am the Enunciator
Christian Leigh, Pedro Almodóvar, Janine Antoni, Lutz Bacher, Jo Baer, Jean-Michel Basquiat, Raymond Bellour, Philipe Venault, Janet Biggs, Nayland Blake, Ross Bleckner, Peter Bogdanovich, Louise Bourgeois, Richmond Burton, Laurie Ann Campbell, Larry Clark, Chuck Close, Robert Colescott, George Condo, Maureen Connor, John Coplans, James Croak, Brian De Palma, Walt Disney, Jiri Georg Dokoupil, Christian Eckart, Robert Feintuch, Dan Flavin, Llyn Foulkes, Frank Gehry, Jean-Luc Godard, Robert Graham, Peter Greenaway, Robert Greene, Timothy Greenfield-Sanders, Zaha M. Hadid, Richard Hamilton, Jane Hammond, Alfred Hitchcock, Massimo Iosa-Ghini, Eiko Ishioka, Marcello Jori, Deborah Kass, Mary Kelly, Jeff Koons, Joseph Kosuth, Carter Kustera, Rachel Lachowicz, Annette Lemieux, Julian Lethbridge, Sherrie Levine, Robert Mapplethorpe, Fabian Marcaccio, Paul McCarthy, Susanne McClelland, Ana Mendieta, Alessandro Mendini, Joan Mitchell, Sarah Morris, Chuck Nanney, Alice Neel, Catherine Opie, Slava Trudu Orchestra, Carl Ostendarp, D.A. Pennebaker, Joyce Pensato, Raymond Pettibon, Richard Pettibone, Rona Pondick, Andree Putnam, Richard Prince, Mel Ramos, Mark Rappaport, David Reed, John A. Reilly, Alexis Rockman, Gregory Rukavina, David Salle, Julian Schnabel, Gary Schneider, David Seidner, Cindy Sherman, Jeanne Silverthorne, Gary Simmons, Kiki Smith, Stephen Sondheim, Ettore Sottsass, Haim Steinbach, Pat Steir, George Stone, Rea Tajiri, Mark Tansey, Thomas Trosch, Meyer Vaisman, Robert Venturi, Paul Waldman, Andy Warhol, Bruce Weber, Matthew Weinstein, John Wesley, Millie Wilson, Robert Wilson, Michael Zwack
Exhibition catalogue published in conjunction with show held January 9 - February 20, 1993. Curated and with texts by Christian Leigh. Artists included Pedro Almodóvar, Janine Antoni, Lutz Bacher, Jo Baer, Jean-Michel Basquiat, Raymond Bellour, Philipe Venault, Janet Biggs, Nayland Blake, Ross Bleckner, Peter Bogdanovich, Louise Bourgeois, Richmond Burton, Laurie Ann Campbell, Larry Clark, Chuck Close, Robert Colescott, George Condo, Maureen Connor, John Coplans, James Croak, Brian De Palma, Walt Disney, Jiri Georg Dokoupil, Christian Eckart, Robert Feintuch, Dan Flavin, Llyn Foulkes, Frank Gehry, Jean-Luc Godard, Robert Graham, Peter Greenaway, Robert Greene, Timothy Greenfield-Sanders, Zaha M. ... [details]
New York, NY: Thread Waxing Space, 1993
Condition: Very Good. Light yellowing of cover edges from age and light rubbing of cover edges. Contents clean and unmarked.
The Context of Art, The Art of Context : 1969 - 1992 Project
Seth Siegelaub, Marion Fricke, Roswitha Fricke, Giovanni Anselmo, Art & Language, Terry Atkinson, John Baldessari, Robert Barry, Bernd & Hilla Becher, Lynda Benglis, Mel Bochner, Alighiero e Boetti, Daniel Buren, Victor Burgin, Donald Burgy, Eugenia Butler, James Lee Byars, John Chamberlain, Ron Cooper, Paul Cotton, Jan Dibbets, Ger van Elk, Esther Ferrer, Rafael Ferrer, Hamish Fulton, Gilbert & George, Dan Graham, Giorgio Griffa, Hans Haacke, Alex Hay, Douglas Huebler, Robert Huot, Richard Jackson, Alan Jacquet, Neil Jenney, Stephen Kaltenbach, On Kawara, Michael Kirby, Joseph Kosuth, Gary Kuehn, David Lamelas, Sol LeWitt, Bernd Lohaus, Brice Marden, David Medalla, Mario Merz, Robert Morris, Doug Ohlson, Dennis Oppenheim, Eric Orr, Giuseppe Penone, Adrian Piper, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Charles Ross, Allen Ruppersberg, Edward Ruscha, Reiner Ruthenbeck, Robert Ryman, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Sladden, Keith Sonnier, Richard Tuttle, Timm Ulrichs, De Wain Valentine, Bernard Venet, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Ian Wilson
An impressive book in which Seth Siegelaub reconnects with artists he engaged with in the late 1960s within the exhibition March 1969 as well as within the exhibitions Op Losse Schroeven, Live in Your Head, When Attitudes Become Form, Konzeption Conception, and Prospekt 69. ... [details]
Trieste, Italy: Navado Press, 2004
Condition: Fine. As New in publisher's shrink-wrap. Due to size and weight additional shipping charges may be required.
illustrated wrappers
22.5 x 18 cm.
[unpaginated]
Group Material, Richard Prince, Anton van Dalen, Joseph Kosuth, Alan Belcher, Jiri Georg Dokoupil, Claes Oldenburg, Ben Tempelton, Tom Forman, Jane Dickson, Tseng Kwong Chi, Barbara Cartland, Joseph Berger, Haim Steinbach, John Plunkett, Allan McCollum, Norman Rockwell, Suzanne Hellmuth, Jock Reynolds, Christof Kohlhofer, Andy Warhol, Louise Lawler, Lady Pink, Mike Glier, Barbara Kruger, Dean Young, Micki McGee, Conrad Atkinson, Lee Quinones, Oliver Watson, Vikky Alexander, James Rosenquist, Howard Halle, Walt Disney Studios, Aric Obrosey, Mundy McLaughlin, Edgar Heap of Birds
Exhibition catalogue published in conjunction with show held May 24 - June 14, 1986. Organized by Group Material. Essay by Glenn O'Brien. Includes artists Group Material, Richard Prince, Anton van Dalen, Joseph Kosuth, Alan Belcher, Jiri Georg Dokoupil, Claes Oldenburg, Ben Tempelton, Tom Forman, Jane Dickson, Tseng Kwong Chi, Barbara Cartland, Joseph Berger, Haim Steinbach, John Plunkett, Allan McCollum, Norman Rockwell, Suzanne Hellmuth, Jock Reynolds, Christof Kohlhofer, Andy Warhol, Louise Lawler, Lady Pink, Mike Glier, Barbara Kruger, Dean Young, Micki McGee, Conrad Atkinson, Lee Quinones, Oliver Watson, Vikky Alexander, James Rosenquist, Howard Halle, Walt Disney Studios, Aric Obrosey, Mundy McLaughlin, and Edgar Heap of Birds. ... [details]
New York, NY: The Kitchen, 1986
Condition: Very Good / Fine. Light rubbing of covers. Contents clean and unmarked.
20 x 21 cm. (unfolded) ; 10 x 21 cm. (folded)
International Center for Advanced Studies in Art : Convergence of Art and Philosophy
Jean Baudrillard, Collins & Milazzo, Sarah Charlesworth, Jorge Glusberg, Peter Halley, Joseph Kosuth, Richard Martin, Robert Morgan, Tim Rollins
Single fold card / announcement published in conjunction with conversations on "The Convergence of Art and Philosophy," held May 22-23, [1989] at New York University. Speakers included Jean Baudrillard, Collins & Milazzo, Sarah Charlesworth, Jorge Glusberg, Peter Halley, Joseph Kosuth, Richard Martin, Robert Morgan, and Tim Rollins. [details]
New York, NY: New York University, 1989
Condition: Good. Hand addressed mailed copy, folded in two, with mailing marks and mailing wear including associated ink marks and an additional 1.4 cm. of yellowing around address.
paper boards with dust jacket
[96] pp.
Function, Funzione, Funcion, Fonction, Funktion
Artist's book by Joseph Kosuth. Edited by Germano Celant and Perluigi Pero. Text in Italian, French, German, Spanish and English. [details]
Turin, Italy: Sperone Editore, 1970
Westkunst : Zeitgenössische Kunst seit 1939
Laszlo Glozer, Hugo Borger, Karl Ruhrberg, Kasper Koenig, Georges Roualt, Marc Chagall, Oskar Kokoschka, Man Ray, Salvador Dali, Yves Tanguy, Constantin Brancusi, Otto Freundlich, Henry Moore, Max Beckmann, Oskar Schlemmer, Paul Klee, Julius Bissier, Fritz Winter, Kurt Schwitters, Wassily Kandinsky, Georges Vantongerloo, Jean Arp, Alberto Magnelli, Sophie Taeuber-Arp, Max Bill, Richard Paul Lohse, Camille Graeser, Julio Gonzalez, Henri Laurens, Pablo Picasso, Piet Mondrian, Joan Miró, Alexander Calder, Fernand Léger, Stuart Davis, László Moholy-Nagy, Max Ernst, Marcel Duchamp, André Masson, Roberto Echaurren Matta, Wilfredo Lam, Mark Tobey, Robert Motherwell, Arshile Gorky, Joseph Cornell, Giorgio de Chirico, Giorgio Morandi, Ivan Le Lorraine Albright, Eugene Berman, Paul Delvaux, Horace Pippin, Abraham Rattner, Stanley Spencer, Dorothea Tanning, Hans Bellmer, Balthus, Jean Hélion, Georges Braque, Jean Fautrier, Jean Dubuffet, Antonin Artaud, Henri Michaux, Alberto Giacometti, Wols (Wolfgang Schulze), Francis Picabia, René Magritte, Karel Appel, Constant (Constant Nieuwenhuys), Henry Heerup, Carl-Henning Pedersen, Willi Baumeister, Werner Heldt, Ernst Wilhelm Nay, Hans Hartung, Lucio Fontana, Jackson Pollock, David Smith, Clyfford Still, Barnett Newman, Henri Matisse, Bram Van Velde, Jean Bazaine, Serge Poliakoff, Maria Helena Veira da Silva, Nicolas De Staël, Pierre Soulages, Jean-Paul Riopelle, Sam Francis, Georges Mathieu, César Domela, Fritz Glarner, Josef Albers, Auguste Herbin, Ellsworth Kelly, Norbert Kricke, Reg Butler, Lynn Chadwick, Pietro Consagra, Etienne Martin, Herbert Ferber, Bernhard Heiliger, Barbara Hepworth, Berto Lardera, Luciano Minguzzi, Mirko (Mirko Basaldella), Eduardo Paolozzi, Theodore Roszak, Nicolas Schoeffer, Hans Uhlmann, Alberto Burri, Giuseppe Capogrossi, Emilio Vedova, K.R.H. Sonderborg, Karl Otto Götz, Bernard Schultze, Emil Schumacher, Francis Bacon, Germaine Richier, Asger Jorn, Hans Hofmann, Franz Kline, Willem de Kooning, Arnulf Rainer, Antonio Saura, Antoni Tapies, Eduardo Chillida, Mark Rothko, Cy Twombly, Edward Hopper, Jasper Johns, Robert Rauschenberg, Richard Hamilton, Bernard Réquichot, Raymond Hains, Jacques Mahé de la Villéglé, François Dufrene, Yves Klein, Arman (Armand Fernandez), Christo, Jean Tinguely, Niki de Saint-Phalle, Daniel Spoerri, Mimmo Rotella, Piero Manzoni, Jan J. Schoonhoven, Heinz Mack, Otto Piene, Günther Uecker, Jesus-Raphael Soto, Gotthard Graubner, Yaakov Agam (Jacob Gipstein), Pol Bury, Frank Joseph Malina, Paul Talman, Diter Rot [Dieter Roth], Diter Rot [Dieter Roth], John Cage, George Brecht, Wolf Vostell, Robert Filliou, Nam June Paik, Allan Kaprow, Jim Dine, George Segal, Claes Oldenburg, Ad Reinhardt, Frank Stella, Kenneth Noland, Morris Louis, Roy Lichtenstein, John Chamberlain, James Rosenquist, Mark di Suvero, Andy Warhol, Robert Morris, Donald Judd, Dan Flavin, Robert Ryman, Agnes Martin, Larry Poons, Sol LeWitt, Carl Andre, Paul Thek, Horace Clifford Westermann, Richard Artschwager, Edward Kienholz, Öyvind Fahlström, William N. Copley, Georg Baselitz, Frank Auerbach, David Hockney, Larry Bell, John McCracken, Edward Ruscha, Bruce Nauman, John Baldessari, Hermann Nitsch, Günter Brus, Otto Muehl, Joseph Beuys, Sigmar Polke, Gerhard Richter, A.R. Penck [Ralf Winkler], Jörg Immendorff, Blinky Palermo, Ulrich Rückriem, Richard Tuttle, Salon de la Jeune Peinture, Walter de Maria, Richard Long, Michael Heizer, Jan Dibbets, Robert Smithson, Michelangelo Pistoletto, Pino Pascali, Pier Paolo Calzolari, Mario Merz, Luciano Fabro, Jannis Kounellis, Giulio Paolini, Giuseppe Penone, Giovanni Anselmo, James Lee Byars, Franz Erhard Walther, Gilbert & George, Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner, On Kawara, Panamarenko, Jean Le Gac, Christian Boltanski, Daniel Buren, Malcolm Morley, Hanne Darboven, Richard Serra, Reiner Ruthenbeck, Eva Hesse, Vito Acconci, Dan Graham, Marcel Broodthaers
Exhibition catalogue published in conjunction with show held at Museen der Stadt, Köln, Germany, May 20 - August 16, 1981. Texts by Laszlo Glozer, Hugo Borger, Karl Ruhrberg, and Kasper Koenig. Artists include Laszlo Glozer, Hugo Borger, Karl Ruhrberg, Kasper Koenig, Georges Roualt, Marc Chagall, Oskar Kokoschka, Man Ray, Salvador Dali, Yves Tanguy, Constantin Brancusi, Otto Freundlich, Henry Moore, Max Beckmann, Oskar Schlemmer, Paul Klee, Julius Bissier, Fritz Winter, Kurt Schwitters, Wassily Kandinsky, Georges Vantongerloo, Jean Arp, Alberto Magnelli, Sophie Taeuber-Arp, Max Bill, Richard Paul Lohse, Camille Graeser, Julio Gonzalez, Henri Laurens, Pablo Picasso, Piet Mondrian, Joan Miró, Alexander Calder, Fernand Léger, Stuart Davis, László Moholy-Nagy, Max Ernst, Marcel Duchamp, André Masson, Roberto Echaurren Matta, Wilfredo Lam, Mark Tobey, Robert Motherwell, Arshile Gorky, Joseph Cornell, Giorgio de Chirico, Giorgio Morandi, Ivan Le Lorraine Albright, Eugene Berman, Paul Delvaux, Horace Pippin, Abraham Rattner, Stanley Spencer, Dorothea Tanning, Hans Bellmer, Balthus, Jean Hélion, Georges Braque, Jean Fautrier, Jean Dubuffet, Antonin Artaud, Henri Michaux, Alberto Giacometti, Wols (Wolfgang Schulze), Francis Picabia, René Magritte, Karel Appel, Constant (Constant Nieuwenhuys), Henry Heerup, Carl-Henning Pedersen, Willi Baumeister, Werner Heldt, Ernst Wilhelm Nay, Hans Hartung, Lucio Fontana, Jackson Pollock, David Smith, Clyfford Still, Barnett Newman, Henri Matisse, Bram Van Velde, Jean Bazaine, Serge Poliakoff, Maria Helena Veira da Silva, Nicolas De Staël, Pierre Soulages, Jean-Paul Riopelle, Sam Francis, Georges Mathieu, César Domela, Fritz Glarner, Josef Albers, Auguste Herbin, Ellsworth Kelly, Norbert Kricke, Reg Butler, Lynn Chadwick, Pietro Consagra, Etienne Martin, Herbert Ferber, Bernhard Heiliger, Barbara Hepworth, Berto Lardera, Luciano Minguzzi, Mirko (Mirko Basaldella), Eduardo Paolozzi, Theodore Roszak, Nicolas Schoeffer, Hans Uhlmann, Alberto Burri, Giuseppe Capogrossi, Emilio Vedova, K. ... [details]
Köln, Germany: DuMont Buchverlag, 1981


the place where family memories are made.
Kitchen sinks faucets counter tops that are as functional as they are beautiful ensure that preparation and clean up are easy and enjoyable.
At honey kitcgen you can choose from many of the industries leading brands such as Grohe, Blanco, shock, Corian, and some others .


Tell us your thoughts about SkinCeuticals LHA Cleanser Gel so we can help you find the right products. With your review, you'll also receive 50 Rewards Points. Please note that it may take up to 72 hours for a review to appear on site. All reviews are subject to moderator approval.
I'm a loyal SkinCeuticals customer, and this product is fantastic for my oily acne-prone skin. However, I'm very disappointed in the new bottle. The old one wasn't great either, but this one is terrible. I had to buy a new dispenser to put it in. The bottle is the only reason for the 4 stars rather than 5. I just find in frustrating that I have to buy a new bottle for an expensive premium skin care line.
Works well for oily skin. Your face feels really clean after using this product.
I have been using this product for years, initially purchased from my dermatologist's office (at a higher price) but now purchase on LovelySkin. It's much much cheaper. I use an oil-free cleanser first, just to cleanse away makeup and dirt. Then, I follow on my problem areas (cheeks and jawline) with a tiny bit of this cleanser, and then I use an automatic exfoliating brush. It really gets out the dirt and keeps my skin clear. A little of this product goes a long way. My only complaint is the packaging, it tends to leak if stood up, so I have to stand it upside down so nothing leaks out. Otherwise, I love love love this product.
Love the product but HATE the new packaging. Not sure why packaging was cancelled, but I HATE it. The product leaks every time I open it. I have been using the LHA cleanser for a couple of years, and it is the only cleanser that has maintained my acne at bay while not overly drying my skin and thus helping with non teenager skin.


text:
Молінара () — технічний сорт червоного винограду, вирощується у Італії, є автохтонним сортом регіону Венето.

Географія сорту
Сорт вирощується у регіоні Венето, зокрема у виноробному регіоні Вальполічелла. Також вирощується у виноробній зоні Бардоліно.

Характеристики сорту
Сорт середньопізнього терміну дозрівання. Кущі сильнорослі. Квітка двостатева.

Лист — розмір трохи більше середнього, трохи подовжений, трилопатевий; дуже відкритий V-подібний черешковий синус. Верхня сторона світло-зелена, гладенька, непрозора; нижня сторона сірувато-зеленого кольору, з опушенням вздовж жилок.

Гроно промислової зрілості середнього або великого розміру (завдовжки близько 20 см), подовжене, пірамідальне (іноді циліндричне), як правило, з двома короткими «крилами», правильно розрідженим, довгим квітконосом, трохи товстим, трав'янистим.

Ягода середнього розміру (діаметр поперечного перерізу 15,7 мм) куляста і злегка витягнута, правильної форми; шкірка пурпурно-червона, вкрита товстим шаром кутину. М'якоть середньої консистенції, простий смак, сік солодкий, безбарвний.

Середня кількість кісточок у ягоді — дві, вони середнього розміру, грушоподібні, злегка витягнуті.

Врожайність висока і постійна. Стійкість сорту до мілдью і оїдіуму середня, до сірої гнилі — висока.

Характеристики вина
Молінара використовується як допоміжний сорт для виготовлення купажних вин (разом з іншими місцевими сортами Корвіна та Рондинела або іншими). Недоліком сорту є слабка стійкість сусла до окислення.

У сухих винах до яких входить молінара присутні аромати фруктів (основний аромат — вишня) та спецій, вони мають гарну структуру, виражені таніни та гарну кислотність. Завдяки товстій шкірці та відносної стійкості до плісняви сорт гарно підходить для висушування та виготовлення вин з в'яленого винограду — технологія пасіто («»). За такою технологією у регіоні Вальполічелла виробляються вина Амароне делла Вальполічелла, Речото делла Вальполічелла.

Примітки

Червоні сорти винограду

redpajama_set_name: RedPajamaWikipedia


Well, the Grammy-winning songstress also plays a major role in the movie's soundtrack — and she just blessed our ears with a brand new song.
The catchy tune, "I'm A Lady," is a total girl power anthem. Once you press play, you won't be able to resist the urge to get up and dance.
In her Instagram post sharing news of the song, Trainor thanks her mother for helping inspire this "sassy" lady jam, saying "she won't admit it but she was by my side supporting me while I wrote it." How cute is that?!
Seriously, this song is so catchy we wouldn't be surprised if it becomes the summer song of 2017. Give it a listen and see for yourself.
"Smurfs: The Lost Village" is in theaters April 7.


SXSW – Holler! The next great mobile meetup app?
The SXSW apps demos and pitches continue. Last night while hanging out in the Hilton lobby, I ran into Nick O'Neill @allnick, entrepreneur and founder ofAllFacebook.com. Nick is working on a new mobile app that's going to make it easy for you to plan meetups with friends. Sounds cool right? Just wait until the app launches. Nick showed me a few screenshots of the app and I was very impressed with the look and feel and the workflow along with the thought process he has put into the app.


iico.me 9 out of 10 based on 404 ratings. 4,292 user reviews.
In digital circuit design, register transfer level (RTL) is a design abstraction which models a synchronous digital circuit in terms of the flow of digital signals between hardware registers, and the logical operations performed on those signals.


Nissan Chemical Corporation is working proactively on "discovery and development" of new agents for major crops in Japan and overseas.
In addition, the Company is working to enhance the product lineup through M&A and acquisition of agents from other companies.
In order to respond to the needs of farmers, we develop and sell a large number of one-shot herbicides for rice fields, with the proprietary active ingredient "SIRIUS®" as the main component. Many formulations are available, with "SIRIUS® Turbo®" and "Doublestar®SB" as the main products. Granule agents, flowable agents, jumbo agents, and pellet agents are also available.
In 2002, Nissan Chemical acquired exclusive marketing rights in Japan from Monsanto. This herbicide kills most weeds, has low toxicity to humans and animals, and does not remain in the soil/environment. It has become a highly popular herbicide around the world. It is used in agriculture, non-agricultural land, homes, and a variety of other places.
An herbicide for the control of grassy weeds around soybeans, beets, cotton, sunflowers, and other broadleaf crops. It is used worldwide, particularly in North America and Europe. In addition, it is sold in Japan under the product name "PORTO® Flowable," and is mainly used for soybeans.
An acaricide with the proprietary active ingredient "Cyenopyrafen" as a component. It eliminates spider mites from fruit trees, tea plants, and vegetables. It is effective at all stages of growth, from egg, to larva, to adult.
With the proprietary active ingredient Amisulbrom as a component, it is highly effective against the epiphytotic downy mildew, a serious disease that affects potatoes and vegetables. It is highly resistant to rain, and firmly protects crops from disease damage.
In Japan, we sell the middle/late-term agent for rice fields "HICUT®" and the lawn herbicide "INPOOL®," which have shown a high level of effectiveness against spikerush, which is difficult to prevent/eliminate, as products utilizing the characteristic strength of the proprietary active ingredient "PERMIT®" against sedges. We export both the progenitor and formulation overseas under the product name "PERMIT®."
Nissan Chemical's proprietary active ingredient "ALTAIR®" is a wide-spectrum herbicide that is highly effective against bulrush, sedges, and other perennial weeds. Major agents include "GINGA®", "GEKKO®" and "COMET®".
An insecticide and acaricide with the proprietary active ingredient "Pyridaben" as a component. It is effective against spider mites and rust mites in fruit trees, as well as spider mites and whiteflies in vegetables.
Contains Thifluzamide, which was acquired from Dow AgroSciences in 2010. Sold as "GREATAM®" for sheath blight disease in rice fields, and as "IKARUGA®" for large patch disease in grass lawns. In addition, we export a product with the same ingredients overseas under the product name "PULSOR®."


Mackey & Associates Insurance Agency provides retiree health coverage to businesses in Los Angeles, Irvine, Ventura, Riverside, Pasadena, Anaheim, and surrounding areas.
The number of retirees will continue to increase, whether or not your business and its resources do as well. This burden can be overbearing for you and your business. Mackey & Associates Insurance Agency understands the need for you to keep retirees happy while maintaining the efficiency needed to run a successful company. We offer retiree medical plans that will help benefit your business and your former employees.
Contact a representative at Mackey & Associates Insurance Agency today to go over retiree health coverage options for your business.


An important part of the Alice Gold sound comes in the shape of producer Dan Carey. This is a man whose recording credits speak for themselves, featuring as they do everyone from Franz Ferdinand to Hot Chip to La Roux to Lily Allen to Kylie (with whom he co-wrote 'Slow'). "We just clicked," Alice says. "I basically hounded Dan for six months to make room in his diary and told him he had to pay for it all too 'cos I was broke. But he did it. I played the stripped down tracks to Dan in his studio and explained the mad band in my head. He came up with these killer bass lines and the sound I was looking for began."


text:
Tozeur (arabiska ولاية توزر Tawzar) är ett guvernement i sydvästra Tunisien. Den administrativa huvudorten är staden Tozeur.

Tozeur är Tunisiens västligaste guvernement och gränsar till Algeriet. I nordöst gränsar Tozeur till Gafsa och i sydöst till Kébili.

Tozeur är landets sett till befolkningen minsta guvernement. Vid folkräkningen 2014 var invånarantalet 107 912.

Historia
Guvernementet inrättades 21 juni 1956 då Tunisien efter självständigheten organiserades i guvernement. 1959 splittrades Tozeur i två delar som gick upp i Gabès och Gafsa. Den 28 maj 1980 bröts guvernementet ut ur Gafsa.

Administrativ indelning
Guvernementet är indelat i fem distrikt (mutamadiyah):

Distrikten är i sin tur indelade i mindre enheter som kallas sektorer (imada).

Näringsliv
Jordbruket är Tozeurs viktigaste industri på grund av områdets rika vattentillgångar. Dessa möjliggör en stor produktion av dadlar och grönsaker som odlas under dadelpalmerna. Tozeur är särskilt känt för produktionen av dadelsorten deglet nour.

Guvernementet är också ett av de mer populära turistmålen i Nordafrika. Tozeur har endast 40 industriverksamheter (med 10 eller fler anställda) varav 29 exporterar hela sin produktion.

Källor

Tunisiens guvernement


Meetings of potential members held in November 2002 and March 2003 (in Moscow) indicated substantial support for the formation of a Russia-based local Society of CFA Institute. In the meeting of potential members held in March 2003, an "initiative group" of interested CFA charterholders, CFA Institute members, and candidates was mandated by the attendees to facilitate the fulfilment of formal requirements for the formation of a local Russian Society.
Dmitry Artemiev; Vladimir Detinich; Oleg Dobritsky; Oleg Dobronravov; Sergei Drojjin; Tomas Dukala, Anton Efremov; James Fenkner; Evgeny Golossnoy; Alexander Golovtsov; Richard Hainsworth; Omega Hatfield; Tembora Kardanov; Alzbeta Klein; Olga Kouznetsova; Olga Logvina; Pavel Olishevski; Konstantin Pesotsky; Dimitri Poliakov; Pavel Prosyankin; Vyacheslav Reshetko; Eugene Satskov; Lauri Sillantaka; and Dmitry Soloviev.
By September 2004, the documentation required to make formal application to CFA Institute for local Society status (including written commitment to join the Society by at least 50 members of CFA Institute, a minimum of 75% of which were CFA charterholders), was obtained. On 22 October 2004, CFA Institute welcomed CFA Association (Russia) as its 130th society.


text:
from __future__ import unicode_literals

# Django
from django.contrib import admin

# Local Apps
from .base import BaseModelAdmin
from grapevine.models import QueuedMessage

class QueuedMessageAdmin(BaseModelAdmin):
    list_display = ['id', 'message_type', 'message_id']

admin.site.register(QueuedMessage, QueuedMessageAdmin)

redpajama_set_name: RedPajamaGithub


text:
WhatDemocracy.US
This is a Republic. Vote for the moral man.
History's Lessons
Posted on March 20, 2019 July 27, 2019 by Richard Cure
With almost 2000 years of recorded history, our forefathers had a great deal to learn from history. Plus they had a pretty clean slate to start with and as a result they could do whatever they needed to establish this new country.
The people had made it clear that they were free and that is the way they intended to stay. The job was to frame a government which would serve the people and not anyone else. Not only in the present but future peoples and organizations were to be held in check so that the people would remain free. Free to do as they wished as long as they did not infringe on someone else.
It was obvious from history that there would always be people and organizations with ambitions and that those people would work to take control of and run the government to their own benefit and to the demise of those who stood against them. The main character in the movie about the Revolutionary War 'The Patriot,' put it something like this: "Why would you trade one tyrant a thousand miles away (King George) for 10,000 tyrants close at hand." With their recent history those patriots knew what to expect of King George but they knew little of what to expect from their own neighbors.
The background of these Colonials was very diverse not only in religion but in financial and ethnic backgrounds. By the time the duty came of framing the Constitution this nation had all sorts of individuals and businesses shaping up to serve this country. The problems in-time and expense with shipping, made it imperative that this new country supply itself with whatever products it needed.
These States had a good deal to look forward to but they were very spread out and as was said, they were very diverse. If there were to be a number of different countries there would be shortages and division. It was very important that they all stick together so that they could quickly become a formidable, strong and vibrant nation. The pressure was on to make sure that the rights were protected in order to get all the States to bind together.
These men knew that governments naturally deteriorate and give way to other forms of government. The longest lasting and strongest form of government was that of a monarchy but how could these men establish a monarchy? Being so diverse there was not the opportunity to establish a bond to a monarch.
Democracy was the best known form of government and had a very bad historical reputation. Democracies had always given way to other forms of governments and did so very violently since the struggle for control gave way to the most violent of times. The framers of The Constitution knew that in establishing a Democracy with a constitution they were merely giving a little more time of survival to that government since a majority could change The Constitution and then do as it wished.
Our forefathers knew these things. That is why James Madison said, "….democracies have ever been spectacles of turbulence and contention; have been found incompatible with personal security or the rights of property, and have in general been as short in their lives as they have been violent in their deaths." And Samuel Adams said; "Democracy never lasts long. It soon wastes, exhausts and murders itself."
The framers of our Constitution were very aware of the Roman Republic which lasted a long while and accomplished great things but in the end gave way to mobs wanting welfare and bureaucrats buying votes. In reality it gave way to Democracy which quickly gave way to a form of dictatorship. Our forefathers knew all of this and were interested in establishing safe-guards which would keep the state a rule-of-law.
The forefathers had their work cut out for them. They obviously had to create a Constitutional Republic which would have the safeguards to protect it from becoming a Democracy.
Previous Post: Why We Are a Republic, Not a Democracy
Next Post: Out of the Depths of Sorrow
Republic vs Democracy
https://www.youtube.com/watch?v=JdS6fyUIklI
What is the difference between a republic and a democracy?
https://www.youtube.com/watch?v=cqAlyEfkLMo


Addicted in streaming. A gallerist risks her family and flourishing career when she enters into an affair with a talented painter and slowly loses control of her life.
AddicteUn grand film. J'ai trouvé un site pour regarder des films de haute qualité. Je pense que certains d'entre vous veulent regarder aussi bien.
Addicted – Internet Movie Database.


The statistical properties of control charts are usually evaluated under the assumption that the observations from the process are independent. For many processes however, observations which are closely spaced in time will be correlated. This paper considers EWMA and CUSUM control charts for the process mean when the observations are from an AR(1) process with additional random error. This simple model may be a reasonable model for many processes encountered in practice. The ARL and steady state ARL of the EWMA and CUSUM charts are evaluated numerically using an integral equation approach and a Markov chain approach. The numerical results show that correlation can have a significant effect on the properties of these charts. Tables are given to aid in the design of these charts when the observations follow the assumed model.
VanBrackle, L., & Reynolds, M. R. (1997). EWMA and CUSUM control charts in the presence of correlation. Communications in Statistics-Simulation and Computation, 26(3), 979-1008.


text:
Q: Static files not found when deploying Django project on Heroku I'm writing a project with a TypeScript/React frontend built using Webpack and a backend run by Django. Running npm run build and then ./manage.py collectstatic works fine locally. But I'm running into problems trying to deploy my project on Heroku. I know this question's been asked plenty of times, but none of the other solutions have worked for me.
Here's what I get when I run git push heroku main:
Enumerating objects: 19, done.
Counting objects: 100% (19/19), done.
Delta compression using up to 4 threads
Compressing objects: 100% (9/9), done.
Writing objects: 100% (10/10), 1.26 KiB | 644.00 KiB/s, done.
Total 10 (delta 7), reused 0 (delta 0), pack-reused 0
remote: Compressing source files... done.
remote: Building source:
remote:
remote: -----> Building on the Heroku-20 stack
remote: -----> Using buildpacks:
remote:        1. heroku/nodejs
remote:        2. heroku/python
remote: -----> Node.js app detected
remote:
remote: -----> Creating runtime environment
remote:
remote:        NPM_CONFIG_LOGLEVEL=error
remote:        NODE_VERBOSE=false
remote:        NODE_ENV=production
remote:        NODE_MODULES_CACHE=true
remote:
remote: -----> Installing binaries
remote:        engines.node (package.json):  unspecified
remote:        engines.npm (package.json):   unspecified (use default)
remote:
remote:        Resolving node version 14.x...
remote:        Downloading and installing node 14.17.1...
remote:        Using default npm version: 6.14.13
remote:
remote: -----> Restoring cache
remote:        - node_modules
remote:
remote: -----> Installing dependencies
remote:        Installing node modules
remote:        added 5 packages in 0.409s
remote:
remote: -----> Build
remote:
remote: -----> Caching build
remote:        - node_modules
remote:
remote: -----> Pruning devDependencies
remote:        audited 5 packages in 0.353s
remote:        found 0 vulnerabilities
remote:
remote:
remote: -----> Build succeeded!
remote: -----> Python app detected
remote: -----> Using Python version specified in Pipfile.lock
remote: cp: cannot stat '/tmp/build_a2c93ee9/requirements.txt': No such file or directory
remote: -----> Using cached install of python-3.9.6
remote: -----> Installing pip 20.2.4, setuptools 47.1.1 and wheel 0.36.2
remote:        Skipping installation, as Pipfile.lock hasn't changed since last deploy.
remote: -----> Installing SQLite3
remote: -----> $ python manage.py collectstatic --noinput
remote:        152 static files copied to '/tmp/build_a2c93ee9/staticfiles', 476 post-processed.
remote:
remote: -----> Discovering process types
remote:        Procfile declares types -> web
remote:
remote: -----> Compressing...
remote:        Done: 111.1M
remote: -----> Launching...
remote:        Released v14
remote:        https://myproject.herokuapp.com/ deployed to Heroku
remote:
remote: Verifying deploy... done.
To https://git.heroku.com/myproject.git
 + 60592b5...2777b0e main -> main (forced update)

settings.py (this is the only settings file in the project):
import django_heroku
import dj_database_url
import os
import subprocess
import whitenoise

from datetime import timedelta

BASE_DIR = os.path.dirname(os.path.dirname(os.path.abspath(__file__)))

SECRET_KEY = os.environ.get('SECRET_KEY')

ALLOWED_HOSTS = [ 'localhost' ]

CORS_ORIGIN_WHITELIST = [
    'http://localhost:3000',
    'http://localhost:8000',
    'http://localhost:8080',
    'http://localhost:5432',
]

CORS_ALLOW_HEADERS = (
        'x-requested-with',
        'content-type',
        'accept',
        'origin',
        'authorization',
        'x-csrftoken'
)

REACT_APP_API_ENDPOINT = 'http://localhost:8000/'

DEBUG = True

if os.environ.get('NODE_ENV'):
    DEBUG = False

    REACT_APP_API_ENDPOINT = 'http://myproject.com/'

    ALLOWED_HOSTS = [ '.herokuapp.com', 'myproject.com' ]

    CORS_ORIGIN_WHITELIST = [
        'http://myproject.com/',
        'http://myproject.herokuapp.com/',
        'http://*.herokuapp.com/',
    ]

# Application definition

INSTALLED_APPS = [
    'django.contrib.admin',
    'django.contrib.auth',
    'django.contrib.contenttypes',
    'django.contrib.sessions',
    'django.contrib.messages',
    'django.contrib.staticfiles',
    'authentication',
    'corsheaders',
    'rest_framework',
    'notebooks',
    'frontend',
]

MIDDLEWARE = [
    'corsheaders.middleware.CorsMiddleware',
    'django.middleware.security.SecurityMiddleware',
    'whitenoise.middleware.WhiteNoiseMiddleware',
    'django.contrib.sessions.middleware.SessionMiddleware',
    'django.middleware.common.CommonMiddleware',
    'django.middleware.csrf.CsrfViewMiddleware',
    'django.contrib.auth.middleware.AuthenticationMiddleware',
    'django.contrib.messages.middleware.MessageMiddleware',
    'django.middleware.clickjacking.XFrameOptionsMiddleware',
]

ROOT_URLCONF = 'core.urls'

TEMPLATES = [
    {
        'BACKEND': 'django.template.backends.django.DjangoTemplates',
        'DIRS': [],
        'APP_DIRS': True,
        'OPTIONS': {
            'context_processors': [
                'django.template.context_processors.debug',
                'django.template.context_processors.request',
                'django.contrib.auth.context_processors.auth',
                'django.contrib.messages.context_processors.messages',
            ],
        },
    },
]

WSGI_APPLICATION = 'core.wsgi.application'

# Database
# https://docs.djangoproject.com/en/2.2/ref/settings/#databases

DATABASES = {
    'default': {
        'ENGINE': 'django.db.backends.postgresql_psycopg2',
        'NAME': os.environ.get('DATABASE_NAME'),
        'USER': os.environ.get('DB_OWNER_USERNAME'),
        'PASSWORD': os.environ.get('DB_OWNER_PASSWORD'),
        'HOST': os.environ.get('DATABASE_URL'),
        'PORT': os.environ.get('DB_PORT'),
    }
}

if os.environ.get('NODE_ENV'):
    credentials = subprocess.check_output([
        '/bin/bash',
        '-c',
        'heroku config:get DATABASE_URL -a myproject',
    ], shell=True).decode('utf-8')

    DATABASES['default'] = dj_database_url.config(default=credentials, conn_max_age=600)

# Password validation
# https://docs.djangoproject.com/en/2.2/ref/settings/#auth-password-validators

AUTH_PASSWORD_VALIDATORS = [
    {
        'NAME': 'django.contrib.auth.password_validation.UserAttributeSimilarityValidator',
    },
    {
        'NAME': 'django.contrib.auth.password_validation.MinimumLengthValidator',
    },
    {
        'NAME': 'django.contrib.auth.password_validation.CommonPasswordValidator',
    },
    {
        'NAME': 'django.contrib.auth.password_validation.NumericPasswordValidator',
    },
]

# Internationalization
# https://docs.djangoproject.com/en/2.2/topics/i18n/

LANGUAGE_CODE = 'en-us'

TIME_ZONE = 'UTC'

USE_I18N = True

USE_L10N = True

USE_TZ = True

# Static files (CSS, JavaScript, Images)
# https://docs.djangoproject.com/en/2.2/howto/static-files/

STATIC_URL = '/static/'

STATICFILES_DIRS = (
    os.path.join(BASE_DIR, 'frontend', 'static', 'frontend'),
)

STATIC_ROOT = os.path.join(BASE_DIR, 'staticfiles')

STATICFILES_STORAGE = 'whitenoise.storage.CompressedManifestStaticFilesStorage'

# Miscellaneous

MAX_SLUG_LENGTH = 15

APPEND_SLASH = True

AUTH_USER_MODEL = 'authentication.MyProjectUser'

REST_FRAMEWORK = {
    'DEFAULT_PERMISSION_CLASSES': (
        'rest_framework.permissions.IsAuthenticated',
    ),
    'DEFAULT_AUTHENTICATION_CLASSES': (
        'rest_framework_simplejwt.authentication.JWTAuthentication',
    )
}

SIMPLE_JWT = {
    'ACCESS_TOKEN_LIFETIME': timedelta(hours=24),
    'REFRESH_TOKEN_LIFETIME': timedelta(days=30),
    'ROTATE_REFRESH_TOKENS': True,
    'BLACKLIST_AFTER_ROTATION': False,
    'ALGORITHM': 'HS256',
    'SIGNING_KEY': SECRET_KEY,
    'VERIFYING_KEY': None,
    'AUTH_HEADER_TYPES': ('JWT',),
    'USER_ID_FIELD': 'email',
    'USER_ID_CLAIM': 'login_email',
    'AUTH_TOKEN_CLASSES': ('rest_framework_simplejwt.tokens.AccessToken',),
    'TOKEN_TYPE_CLAIM': 'token_type',
}

# Logging

LOGGING = {
    'version': 1,
    'disable_existing_loggers': False,
    'formatters': {
        'verbose': {
            'format': ('%(asctime)s [%(process)d] [%(levelname)s] '
                       'pathname=%(pathname)s lineno=%(lineno)s '
                       'funcname=%(funcName)s %(message)s'),
            'datefmt': '%Y-%m-%d %H:%M:%S'
        },
        'simple': {
            'format': '%(levelname)s %(message)s'
        }
    },
    'handlers': {
        'null': {
            'level': 'DEBUG',
            'class': 'logging.NullHandler',
        },
        'console': {
            'level': 'INFO',
            'class': 'logging.StreamHandler',
            'formatter': 'verbose'
        }
    },
    'loggers': {
        'django': {
            'handlers': ['console'],
            'level': 'DEBUG',
            'propagate': True,
        },
        'django.request': {
            'handlers': ['console'],
            'level': 'DEBUG',
            'propagate': False,
        },
    }
}

django_heroku.settings(locals(), logging=False, databases=False)

Error message:
2021-06-30T16:23:00.826686+00:00 app[web.1]: raise ValueError("Missing staticfiles manifest entry for '%s'" % clean_name)
2021-06-30T16:23:00.826687+00:00 app[web.1]: ValueError: Missing staticfiles manifest entry for 'frontend/favicon.ico'
2021-06-30T16:23:00.827738+00:00 heroku[router]: at=info method=GET path="/" host=myproject.herokuapp.com request_id=503bf0f8-f9a7-4fba-b8e8-5829d66536ba fwd="37.120.244.101" dyno=web.1 connect=2ms service=495ms status=500 bytes=227 protocol=https
2021-06-30T16:23:00.827751+00:00 app[web.1]: 10.136.167.231 - - [30/Jun/2021:16:23:00 +0000] "GET / HTTP/1.1" 500 27 "-" "Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.114 Safari/537.36"

Logs with full traceback:
2021-06-30T16:05:14.449877+00:00 app[web.1]: response = get_response(request)
2021-06-30T16:05:14.449879+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/core/handlers/base.py", line 115, in _get_response
2021-06-30T16:05:14.449880+00:00 app[web.1]: response = self.process_exception_by_middleware(e, request)
2021-06-30T16:05:14.449881+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/core/handlers/base.py", line 113, in _get_response
2021-06-30T16:05:14.449881+00:00 app[web.1]: response = wrapped_callback(request, *callback_args, **callback_kwargs)
2021-06-30T16:05:14.449882+00:00 app[web.1]: File "/app/frontend/views.py", line 4, in index
2021-06-30T16:05:14.449882+00:00 app[web.1]: return render(request, 'index.html')
2021-06-30T16:05:14.449882+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/shortcuts.py", line 36, in render
2021-06-30T16:05:14.449883+00:00 app[web.1]: content = loader.render_to_string(template_name, context, request, using=using)
2021-06-30T16:05:14.449884+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/loader.py", line 62, in render_to_string
2021-06-30T16:05:14.449884+00:00 app[web.1]: return template.render(context, request)
2021-06-30T16:05:14.449884+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/backends/django.py", line 61, in render
2021-06-30T16:05:14.449885+00:00 app[web.1]: return self.template.render(context)
2021-06-30T16:05:14.449885+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/base.py", line 171, in render
2021-06-30T16:05:14.449886+00:00 app[web.1]: return self._render(context)
2021-06-30T16:05:14.449886+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/base.py", line 163, in _render
2021-06-30T16:05:14.449886+00:00 app[web.1]: return self.nodelist.render(context)
2021-06-30T16:05:14.449887+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/base.py", line 937, in render
2021-06-30T16:05:14.449887+00:00 app[web.1]: bit = node.render_annotated(context)
2021-06-30T16:05:14.449887+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/base.py", line 904, in render_annotated
2021-06-30T16:05:14.449888+00:00 app[web.1]: return self.render(context)
2021-06-30T16:05:14.449888+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/templatetags/static.py", line 106, in render
2021-06-30T16:05:14.449889+00:00 app[web.1]: url = self.url(context)
2021-06-30T16:05:14.449889+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/templatetags/static.py", line 103, in url
2021-06-30T16:05:14.449889+00:00 app[web.1]: return self.handle_simple(path)
2021-06-30T16:05:14.449890+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/templatetags/static.py", line 118, in handle_simple
2021-06-30T16:05:14.449890+00:00 app[web.1]: return staticfiles_storage.url(path)
2021-06-30T16:05:14.449890+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/contrib/staticfiles/storage.py", line 153, in url
2021-06-30T16:05:14.449891+00:00 app[web.1]: return self._url(self.stored_name, name, force)
2021-06-30T16:05:14.449891+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/contrib/staticfiles/storage.py", line 132, in _url
2021-06-30T16:05:14.449892+00:00 app[web.1]: hashed_name = hashed_name_func(*args)
2021-06-30T16:05:14.449892+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/contrib/staticfiles/storage.py", line 420, in stored_name
2021-06-30T16:05:14.449892+00:00 app[web.1]: raise ValueError("Missing staticfiles manifest entry for '%s'" % clean_name)
2021-06-30T16:05:14.449893+00:00 app[web.1]: ValueError: Missing staticfiles manifest entry for 'frontend/favicon.ico'
2021-06-30T16:05:14.454870+00:00 app[web.1]: 10.181.54.2 - - [30/Jun/2021:16:05:14 +0000] "GET / HTTP/1.1" 500 27 "-" "Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.114 Safari/537.36"
2021-06-30T16:05:14.455485+00:00 heroku[router]: at=info method=GET path="/" host=myproject.herokuapp.com request_id=ee6c5f47-b78a-4201-9d14-65730c6e5f91 fwd="37.120.244.101" dyno=web.1 connect=0ms service=10921ms status=500 bytes=227 protocol=https
2021-06-30T16:16:23.000000+00:00 app[api]: Build started by user jpaulvalen@gmail.com
2021-06-30T16:16:47.000000+00:00 app[api]: Build failed -- check your build output: https://dashboard.heroku.com/apps/dc89d2bf-8113-4bc6-a61d-89c7c127893f/activity/builds/2002371a-a4af-46cc-94f0-31425feb0ea5
2021-06-30T16:21:33.000000+00:00 app[api]: Build started by user jpaulvalen@gmail.com
2021-06-30T16:22:22.483318+00:00 app[api]: Release v14 created by user jpaulvalen@gmail.com
2021-06-30T16:22:22.483318+00:00 app[api]: Deploy 2777b0e3 by user jpaulvalen@gmail.com
2021-06-30T16:22:23.366584+00:00 heroku[web.1]: Restarting
2021-06-30T16:22:23.388293+00:00 heroku[web.1]: State changed from up to starting
2021-06-30T16:22:24.657187+00:00 heroku[web.1]: Stopping all processes with SIGTERM
2021-06-30T16:22:24.835654+00:00 app[web.1]: [2021-06-30 16:22:24 +0000] [31] [INFO] Worker exiting (pid: 31)
2021-06-30T16:22:24.835669+00:00 app[web.1]: [2021-06-30 16:22:24 +0000] [32] [INFO] Worker exiting (pid: 32)
2021-06-30T16:22:24.836132+00:00 app[web.1]: [2021-06-30 16:22:24 +0000] [4] [WARNING] Worker with pid 27 was terminated due to signal 15
2021-06-30T16:22:24.836510+00:00 app[web.1]: [2021-06-30 16:22:24 +0000] [4] [INFO] Handling signal: term
2021-06-30T16:22:24.842055+00:00 app[web.1]: [2021-06-30 16:22:24 +0000] [4] [WARNING] Worker with pid 31 was terminated due to signal 15
2021-06-30T16:22:24.845543+00:00 app[web.1]: [2021-06-30 16:22:24 +0000] [4] [WARNING] Worker with pid 32 was terminated due to signal 15
2021-06-30T16:22:24.937231+00:00 app[web.1]: [2021-06-30 16:22:24 +0000] [4] [INFO] Shutting down: Master
2021-06-30T16:22:25.730105+00:00 heroku[web.1]: Process exited with status 0
2021-06-30T16:22:36.000000+00:00 app[api]: Build succeeded
2021-06-30T16:22:37.995504+00:00 heroku[web.1]: Starting process with command `gunicorn core.wsgi`
2021-06-30T16:22:43.648378+00:00 app[web.1]: [heroku-exec] Starting
2021-06-30T16:22:44.744285+00:00 app[web.1]: [2021-06-30 16:22:44 +0000] [4] [INFO] Starting gunicorn 20.1.0
2021-06-30T16:22:44.744326+00:00 app[web.1]: [2021-06-30 16:22:44 +0000] [4] [INFO] Listening at: http://0.0.0.0:55456 (4)
2021-06-30T16:22:44.744326+00:00 app[web.1]: [2021-06-30 16:22:44 +0000] [4] [INFO] Using worker: sync
2021-06-30T16:22:44.752288+00:00 app[web.1]: [2021-06-30 16:22:44 +0000] [36] [INFO] Booting worker with pid: 36
2021-06-30T16:22:44.784288+00:00 app[web.1]: [2021-06-30 16:22:44 +0000] [38] [INFO] Booting worker with pid: 38
2021-06-30T16:22:45.285535+00:00 heroku[web.1]: State changed from starting to up
2021-06-30T16:23:00.826647+00:00 app[web.1]: 2021-06-30 16:23:00 [36] [ERROR] pathname=/app/.heroku/python/lib/python3.9/site-packages/django/utils/log.py lineno=222 funcname=log_response Internal Server Error: /
2021-06-30T16:23:00.826669+00:00 app[web.1]: Traceback (most recent call last):
2021-06-30T16:23:00.826670+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/core/handlers/exception.py", line 34, in inner
2021-06-30T16:23:00.826671+00:00 app[web.1]: response = get_response(request)
2021-06-30T16:23:00.826672+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/core/handlers/base.py", line 115, in _get_response
2021-06-30T16:23:00.826673+00:00 app[web.1]: response = self.process_exception_by_middleware(e, request)
2021-06-30T16:23:00.826674+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/core/handlers/base.py", line 113, in _get_response
2021-06-30T16:23:00.826674+00:00 app[web.1]: response = wrapped_callback(request, *callback_args, **callback_kwargs)
2021-06-30T16:23:00.826675+00:00 app[web.1]: File "/app/frontend/views.py", line 4, in index
2021-06-30T16:23:00.826675+00:00 app[web.1]: return render(request, 'index.html')
2021-06-30T16:23:00.826676+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/shortcuts.py", line 36, in render
2021-06-30T16:23:00.826677+00:00 app[web.1]: content = loader.render_to_string(template_name, context, request, using=using)
2021-06-30T16:23:00.826677+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/loader.py", line 62, in render_to_string
2021-06-30T16:23:00.826677+00:00 app[web.1]: return template.render(context, request)
2021-06-30T16:23:00.826678+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/backends/django.py", line 61, in render
2021-06-30T16:23:00.826678+00:00 app[web.1]: return self.template.render(context)
2021-06-30T16:23:00.826679+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/base.py", line 171, in render
2021-06-30T16:23:00.826679+00:00 app[web.1]: return self._render(context)
2021-06-30T16:23:00.826679+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/base.py", line 163, in _render
2021-06-30T16:23:00.826680+00:00 app[web.1]: return self.nodelist.render(context)
2021-06-30T16:23:00.826680+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/base.py", line 937, in render
2021-06-30T16:23:00.826680+00:00 app[web.1]: bit = node.render_annotated(context)
2021-06-30T16:23:00.826681+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/template/base.py", line 904, in render_annotated
2021-06-30T16:23:00.826681+00:00 app[web.1]: return self.render(context)
2021-06-30T16:23:00.826682+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/templatetags/static.py", line 106, in render
2021-06-30T16:23:00.826682+00:00 app[web.1]: url = self.url(context)
2021-06-30T16:23:00.826683+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/templatetags/static.py", line 103, in url
2021-06-30T16:23:00.826683+00:00 app[web.1]: return self.handle_simple(path)
2021-06-30T16:23:00.826683+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/templatetags/static.py", line 118, in handle_simple
2021-06-30T16:23:00.826684+00:00 app[web.1]: return staticfiles_storage.url(path)
2021-06-30T16:23:00.826684+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/contrib/staticfiles/storage.py", line 153, in url
2021-06-30T16:23:00.826685+00:00 app[web.1]: return self._url(self.stored_name, name, force)
2021-06-30T16:23:00.826685+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/contrib/staticfiles/storage.py", line 132, in _url
2021-06-30T16:23:00.826685+00:00 app[web.1]: hashed_name = hashed_name_func(*args)
2021-06-30T16:23:00.826686+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/django/contrib/staticfiles/storage.py", line 420, in stored_name
2021-06-30T16:23:00.826686+00:00 app[web.1]: raise ValueError("Missing staticfiles manifest entry for '%s'" % clean_name)
2021-06-30T16:23:00.826687+00:00 app[web.1]: ValueError: Missing staticfiles manifest entry for 'frontend/favicon.ico'
2021-06-30T16:23:00.827738+00:00 heroku[router]: at=info method=GET path="/" host=myproject.herokuapp.com request_id=503bf0f8-f9a7-4fba-b8e8-5829d66536ba fwd="37.120.244.101" dyno=web.1 connect=2ms service=495ms status=500 bytes=227 protocol=https
2021-06-30T16:23:00.827751+00:00 app[web.1]: 10.136.167.231 - - [30/Jun/2021:16:23:00 +0000] "GET / HTTP/1.1" 500 27 "-" "Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.114 Safari/537.36"

EDIT:
Here's what I get when I take off whitenoise and set django_heroku's staticfiles setting to False:
2021-06-30T16:35:15.953366+00:00 heroku[web.1]: State changed from starting to up
2021-06-30T16:35:25.051217+00:00 app[web.1]: 10.157.141.243 - - [30/Jun/2021:16:35:25 +0000] "GET / HTTP/1.1" 200 424 "-" "Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.114 Safari/537.36"
2021-06-30T16:35:25.051447+00:00 heroku[router]: at=info method=GET path="/" host=myproject.herokuapp.com request_id=f96afeff-7704-431c-afa6-aa364df09df9 fwd="37.120.244.101" dyno=web.1 connect=1ms service=497ms status=200 bytes=621 protocol=https
2021-06-30T16:35:25.267943+00:00 app[web.1]: 2021-06-30 16:35:25 [34] [WARNING] pathname=/app/.heroku/python/lib/python3.9/site-packages/django/utils/log.py lineno=222 funcname=log_response Not Found: /static/frontend/index.js
2021-06-30T16:35:25.268873+00:00 app[web.1]: 10.157.141.243 - - [30/Jun/2021:16:35:25 +0000] "GET /static/frontend/index.js HTTP/1.1" 404 77 "https://myproject.herokuapp.com/" "Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.114 Safari/537.36"
2021-06-30T16:35:25.269357+00:00 heroku[router]: at=info method=GET path="/static/frontend/index.js" host=myproject.herokuapp.com request_id=306c0e1f-d1c5-4ebf-b15b-4f03f69ba424 fwd="37.120.244.101" dyno=web.1 connect=2ms service=134ms status=404 bytes=265 protocol=https

Maybe Heroku isn't building my frontend properly, and so collectstatic never finds it?

A: It is done, just type in heroku open and if it is showing application error type heroku run python manage.py migrate

redpajama_set_name: RedPajamaStackExchange


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Xai-Xai (seit 2019 noch inoffiziell Distrito Limpopo) ist ein Distrikt der Provinz Gaza in Mosambik mit der Hauptstadt Chongoene. Sein Gebiet grenzt im Norden an die Distrikte Chokwé, Chibuto und Mandlakaze, im Westen an den Disgtrikt Bilene, im Süden an die Stadt Xai-Xai und an den Indischen Ozean und im Osten an den Distrikt Mandlakaze.

Geographie
Der Distrikt Xai-Xai wird vom Limpopo durchflossen, der im Distrikt in den Indischen Ozean mündet. Der Lumane ist ein rechter Nebenfluss des Limpopo, alle anderen Flüsse fließen nur in der Regenzeit. Im Distrikt liegen etwa 20 Seen, die für den Fischfang wichtig sind.

Das Klima ist tropisch feucht, der jährliche Niederschlag liegt zwischen 925 und 1.145 Millimeter.

Bevölkerung

Einrichtungen und Dienstleistungen
In Distrikt befinden sich 122 Grundschulen (Primárias) und vierzehn weiterführende Schulen (Secundárias). Von den Grundschulen sind 77 öffentliche Schulen und 45 private Schulen, von den weiterführenden Schulen sind alle öffentlich (Stand 2013).

In Xai-Xai gibt es ein Krankenhaus, elf Gesundheitszentren und drei Ambulanzen.

Verwaltungsgliederung
Der Distrikt Xai-Xai ist in drei Verwaltungsposten (postos administrativos) gegliedert:
 Chicumbane
 Chongoene
 Zongoene

Wirtschaft und Infrastruktur
Im Jahr 2007 hatten sechs Prozent der Bevölkerung Zugang zu elektrischem Strom, fünfzig Prozent besaßen ein Radio.

Landwirtschaft

Im Jahr 2010 gab es in Xai-Xai 46.000 landwirtschaftliche Betriebe. Mit wenigen Ausnahmen waren alles Klein- oder Mittelbetriebe, die durchschnittliche bewirtschaftete Fläche betrug ein Hektar. Die höchsten Erträge gab es bei Maniok, Mais, Bohnen, Süßkartoffel und Erdnüssen (Stand 2003).

Bodenschätze
Neben Sand und Schiefer werden als einziges Erz Titanminerale abgebaut.

Verkehr
Die Nationalstraße EN1, die Maputo mit Inhambane verbindet, führt durch Xai-Xai und überquert im Distrikt den Fluss Limpopo.

Fremdenverkehr
In Xai-Xai gibt es unberührte Riffe an der Küste in Chongoene und Zongoene sowie Bade- und Windsurf-Möglichkeiten in den Seen. Auf dem Limpopo werden Schiffsreisen angeboten.

Einzelnachweise

Distrikt in Mosambik
Provinz Gaza


Los Cabos is one of the world's favorite destinations for weddings. To live that special moment with the Sea of Cortez as the stage and the witness of the love that united you to the person, with whom you will begin a new life together, is undoubtedly an unforgettable experience. You will surely do everything possible to see that the love that caused you both to take this great step never disappears. As a distant friend through this article, I want to congratulate you and wish you the fairy tale you have imagined with that special person. Get ready to live together and experience all the surprises that life has in store for you.
It's now time to share your life in a home where you both feel happy and can comfortably enjoy your time as a couple. Starting a heritage is an equal or even more important task as the wedding and one in which you will invest not only a great deal of energy but also the material and economic resources necessary to achieve that special space that reflects each personality and represents the future. The first home as a couple is a memory that will never be forgotten. It is the result of working together and a wonderful process where you get to realize your dreams.
If you have decided to build a home, it is very important to go with a professional architect who can help the process proceed more smoothly. In Los Cabos, there are a number of architects who can assist you. Before choosing one, decide on the style you want and investigate the designs that appeal to you. Each architect has a distinctive design style. To work together efficiently, it is important to have a common understanding of what you want. No matter if it is a classic, contemporary or avant-garde style, there will be someone who can help you get exactly what you are looking for.
Each development in Los Cabos has design guidelines that must be respected. For this reason alone, it is important to have the help of an architect right from the start. Once the land is acquired where you wish to build, you must design according to the established norms.
To find the right parcel of land, you should determine the amount of space you require. Although a bar in the basement and a large dressing room in the master bedroom are some of the most popular requests, not all couples find them necessary. Discuss the time you want to live in your first home and plan for future requirements such as rooms for children or perhaps a large garden. One of the most difficult topics when starting a design is the budget. The more honest you are with yourself, the easier it is to get the result that is closest to your needs and possibilities. You can design multifunctional spaces or a future expansion project that allows you an efficient use of the available resources.
To acquire the land, the architect can help you find a real estate agent who will locate the ideal lot for your project. Once you have defined the home style, the space you need, the size of the lot you want and the budget you are willing to invest, the agent can focus the search for the right piece of property. Location is essential at the time of construction and largely defines how your budget will be distributed. Although a place close to your families and friends sounds attractive, you should think ahead about employment opportunities, hospitals and schools if you will be ready to start a family.
It's also smart to plan ahead if you want a guaranteed ocean view. The only way you can change the location of your first home will be to move, so make an objective decision and look for alternatives that work for both.
When everything is ready, you just have to wait for the magic to happen. Your real estate agent and architect will help you ensure a safe acquisition and see that the legacy in which you are investing will have the value you expect. Although it varies from project to project, building your first home in Los Cabos takes time. Be patient and enjoy the process. Your first new home is closer than you think.


I was reflecting this morning on several conversations I've had with various people over the last year. Many of these conversations were about issues in their lives or issues they see in someone else's life that they wish they could help that person overcome but don't know how. As I reflected on all these different issues, I thought about prisons and how each of these people are in their own prison of some sort. Whatever the issue is that keeps them stuck whether it's a bad marital relationship, an addiction to something, trouble overcoming their own hurt feelings, issues of pride, difficulty controlling one's anger, whtever the "thing" is, they are trapped by it, stuck in this place and unable and sometimes unwilling to get out of it.
As I reflected on these issues and how people get stuck, I saw each one of these people sitting in their own little jail cell with the walls of their issue keeping them imprisoned in their own little jail and unable to get their freedom because of the walls of the issue(s). Then I considered whom I would want to help me out of jail if I were stuck there.
I thought of many people I've known over the years who seek help in breaking free from their friends and how often that does not help us get out of our cell. Sadly, many of our friends are trapped in their own cells of some sort. If I were in prison would I want a person sitting in a cell next to mine telling me how I could get free from there, his plan to escape and him telling me what to do and how to do it? He's in the same prison I am why would i listen to him? Yet that is what we so often do.
How many listen to marital advice from someone who's been divorced sometimes more than once?
How many of us listen to parenting advice from someone who's children aren't behaving properly?
How many times do we listen to pastors teaching us how to be godly people while they don't love their flock?
Would you take advice on how to win a girl's heart from a single guy who has difficulty even getting a date?
Yet, in our lives with serious issues, we so often seek advice and counsel from people who care about us and mean well but honestly aren't qualified to guide us and direct us.
If I'm stuck in that prison, then I want a prisoner who has escaped that prison to guide and direct me. I certainly don't want to waste my time listening to the boasting and bragging of the guy who's been in prison longer than I have!
I thought of the scripture that says if the blind leads the blind they both fall (paraphrased) and sadly I see so many people in the world today following the blind, and sadly many who are blind don't even know they are blind.
How many pastors give marital advice while their own marriages need help? How many wives give advice to their friends while they, themselves, have their own marital problems?
I believe the only answer is to seek God first! God is the only one qualified to help you through anything you are going through. And after you have done that, seeking counsel from someone who has been through what you're going through and OVERCOME that issue would be seeking wise counsel. Theory is all well and good but when you're in the trenches do you want someone who's READ about how to fight a battle or do you want some soldier who has been TESTED IN BATTLE and SURVIVED?
I don't know about you. I know I have plenty of my own issues to be pointing any fingers at any one. Just when I think I've finally licked one issue and feel pretty good that I'm finally getting to where I need to be another issue rears its ugly little head to show me that I still have so much farther to go.
Perhaps you are struggling with something and have been for some time. If you have then may I suggest you seek God FIRST then pray about God bringing someone to you that has been through this trial and can walk with you through it.
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Josh is Creative Producer at PureMotion, an innovative video production company based in the UK. Always keen to drill down into the detail of what he's faced with, Josh is happiest when turning clients' visions into eye-catching, great-looking videos.
Videos will account for 80% of consumer internet within the next 4 years. With videos becoming such a huge part of digital marketing, businesses are scrambling to churn out amazing out-of-the-box video content to engage their target market and boost their SEO efforts. But is it really working?
Only 35% of businesses are using intermediate or advanced video marketing analytics to measure the performance of their videos. That means an astounding 65% of businesses are investing in videos without really understanding if it's providing them the results they want.
To get the most out of your video marketing campaigns, it's essential to get to grips with video marketing analytics. Let's take a look at how we can exploit video marketing analytics to get the data we want.


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Ladies Cuts & Colours | The Colour Bar | Auckland Ladies Cuts & Colours | The Colour Bar | Auckland
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Ethical, original and Italian style to boot.
why Davines are the cult brand everyone's talking about
Founded in Parma, Italy in 1983 by the Bollati Family, Davines started as a research laboratory, producing high-end hair care products for renowned cosmetic companies worldwide.
After a decade of honing their expertise, the company began creating its own brand of Davines haircare products exclusively for salons, and in 1996 founded [ comfort zone ] skin care for premier spas.
Since the beginning, Davines have focused on crafting quality products that are scientifically engineered to work, and that express the company's distinctive style and spirit.
"At Davines, we dare to do what we believe in and, rather than conforming to the mainstream, allow intuition to pave our path.
This gives us the freedom to develop concepts and products that are original, authentic, and emotionally connected with people.
Our work is a thoughtful balance of substance and style, nature and science, people and spirit. It is what enables us to create what we call life-enhancing projects"
A story of craftsmanship, the Davines style is a reflection of the company's curiosity and openness to the world – different cultures, customs, and people that are inspirational – and its Italian perspective of history and art, design and fashion, culture and lifestyle.
Davines love things that reflect simplicity and harmony because their beauty is always modern. Although the company is in tune with today's mood, it sets out to create concepts and products that are destined to become classics with their timeless appeal.
More than two decades later, the Davines community spans over 90 countries, thousands of salons and hundreds upon hundreds of passionate hairdressers. Whilst it continues to grow, with headquarters in Parma, New York City, Paris, London, Mexico City and Deventer (Holland), its roots are firmly planted in its beginnings as a family-owned research laboratory guided by the same desire for quality products with an authentic approach and timeless appeal.
For more information on Davines and Essential Haircare click here
Davines is grounded in quality sustainability practices...
"Our purpose is to be the best for the world, creators of a good life for all, through beauty, ethics and sustainability"
Davines eco-village in Parma Italy has been designed by world renowned Architect Matteo Thun.
13/33 St Heliers Bay Road, Saint Heliers Auckland bookings@thecolourbar.co.nz | Tel: +64 9 6001441