Failure is not an option for up and coming sensation, L Frost (a.k.a. Kid Fla$h), this young artist has quickly grown to be an all around star not only in his hometown of St. Louis, MO but across the globe. At a young age, L tapped into skills that would make him an industry powerhouse: rapping, singing, songwriting, dancing, and performing. As a preteen he discovered music as an outlet and would spend hours writing songs.
By his mid-teens, L discovered another outlet - choreography inspired by his mentor/icon, Ginuwine; he would watch and study the performer's style until he was ready to create his own. Throughout high school he perfected his dancing and singing abilities by entering talent shows; performing opening numbers for celebrities at concerts; and teaching his own style of choreography to dance schools in St. Louis and throughout the country; but, L could not have mastered choreography without the help of two other mentors; back-up dancer/choreographer, Mack Daddy and choreographer to the stars, Darrin Henson.
His entertainment career officially began right after high school when L was incited to perform as a back-up singer and dancer for Ginuwine on tour dates. Touring with Ginuwine gave him the experience needed to learn the ropes at a young age, but to L, dancing just wasn't enough. During an American Idol audition, L was approached to start a 3 man group, called Varcity. His role in the group was diverse: dancer and choreographer, singing double bass, and even rapping on some tracks. Varcity became an overnight success and the groups popularity sky rocketed, but was soon short lived. The hot new group expected to sign a deal, but when the deal collapsed the urgency inside the group to get a deal became desperate. Unfortunately, the young trio decided to go their separate ways.
L pressed on pursuing a solo career, with the help of his mentor, Mack Daddy's contacts, he was allowed to showcase for some of the music industry's hottest labels and artists. His persistence and perseverance had not gone unnoticed, as the same label that signed his mentor/icon, Ginuwine not only asked him to choreograph for Ginuwine's body of work in 2009, "A Man's Thoughts," they were also interested in his singing/rapping capabilities; and, there after signed him to the St. Louis owned music label, Notifi. After a year with the label, L eventually parted ways and put his entertainment career solely in his hands.
Now, L Frost has boosted his career in a multitude of directions! His "No Alcohol, No Smoking," image has warranted many sponsorship opportunities; his photo graces your Merriam-Webster Online Dictionary's top ten list as the representation of Hip Hop; He is the 2011 winner of the Monsters of Hip Hop Freestyle Competition (Jabbawockeez Judged); He is an instructor for Darrin Henson's House of Hip Hop Dance workshops; He has worked with artists such as Chris Brown, Usher, Missy Elliott, Justin Timberlake, Neyo, and Bow Wow; He was the dancer pictured on billboards across the country promoting Step Up 3D, Crew 2 Crew, and Reebok shoes; so sought after he is now the image of a St. Louis based hat company, Headz N Threadz, endorsed by New Era, the image for Access 4 Artists ad featured in Vibe Magazine, appeared on the Paper Jamz Microphone Pro Series toy, Pioneer Steez Boombox, and multiple book covers; this phenomenal dancer/choreographer was the iconic symbol for the Bluprint Cru's banner on MTV's America's Best Dance Crew and has appeared on BET's 106 and Park; his single "Light It Up," has received over 25,000 YouTube views and his fan base has reached from Missouri all the way to Japan! With his smooth vocals, ever captivating dance moves, and all around entertaining show, L is sure to open up a new genre of music for this generation and those to come.
Watch: 'Second Generation Wayans' (Season 1 – Episode 1) to see L Frost as the poster boy for "Manny In the House" at 53 seconds in the Paramount Pictures office!
Full page ad layout for Access 4 Artists in the October 2012 issue of Vibe magazine.
Watch L Frost speak on his career during an artist launch interview on ABC 30 St. Louis!
L Frost did the choreography & you can catch L throughout the video dance sequences with the white tie.
Performed "God Bless America" with his group Varcity.
L Frost choreographed the ladies routine.
Please view attached media kit in the PDF Rider below.


Take Ocean Springs Exit 50 from I-10. Go south to 2nd red light and turn right. Go 1.9 miles to Melrose Drive. You will see a brown wood sign on your right. Turn right at the sign and go about 2 tenths of a mile. The Cedar Grove Community Center will be on your right.


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Is raising children putting you at risk for burnout? Many moms take on way too much, and it can get to the point that life becomes an unending struggle just to make it through the day, and then back to bed where the process can start all over. Burnout robs every experience of joy, makes you feel tired all the time, and puts your mind through the ringer when trying to do even the simplest of tasks.
If you feel this way, you need stress relief and you need it quick. Here are five simple, easy ways to relieve stress and change your day-to-day outlook on life!
Add a to-do list to your evening routine. It's a small, simple thing with big results: by writing down your tasks for the next day, you'll mentally offload the problems before your body and brain get ready for sleep. This decreases the worries and anxieties that might keep turning about in your mind, and studies show that it will help you sleep a lot better!
A good night's rest is important, but so is getting more time for yourself. Not sleeping in might sound like the opposite of relaxing, but if your time is occupied from when the little monkeys are up, there might not be enough time left for you! Getting up a little earlier than your children is a great way to earn yourself some "me time" in which to do some yoga, do a little reading, and/or turn on a diffuser and mentally prepare yourself for the day ahead. It's a lot easier once it becomes a part of your schedule!
Exercise isn't just for building muscle and melting pounds. The endorphins released by even light amounts of exercise, like walking, meditation, or even breathing deeply, act like pain relievers for the mind. This relieves stress and all the problems that it causes for the body, re-energizing your mind and giving you the drive to complete your tasks. Exercise has also been shown to elevate mood, improve quality of sleep, and relieve tension. Try and get outside in some fresh air, but if that's not possible, use a routine that can be done from the comfort of your living room!
When everything is piling up, the TV or smartphone might seem like a blessed refuge. But rather than relieve stress, screens can keep your brain overloaded and uncoordinated. Instead of flipping open social media, turn to other things: your journal, some aromatherapy and meditation, light exercise, or a cup of tea to break up the craziness. It can be hard, but you'll feel more energized after finding another source for your mental break. Try and have days – like Sunday – where you don't look at a screen at all unless it's absolutely necessary!
Too often, the act of giving to yourself is seen as something that should create guilt. You shouldn't feel this way about stress relief, so add the things you want to do to your list. This way, treating yourself becomes a very real thing that you have to enjoy rather than something robbing you of time. It could be as small as eating an indulgent dessert in the afternoon, or as big as a massage or reflexology appointment. Book an appointment, take the children to a babysitter if need be, and recognize that your health and well-being matter, too!


text:
Белянкин — русская фамилия; имеет женскую форму Белянкина.
Известные носители:
 Белянкин, Геннадий Иванович (1927—2011) — советский и российский архитектор.
 Белянкин, Дмитрий Степанович (1876—1953) — русский советский геолог.
 Белянкин, Евгений Осипович (1924—2006) — российский писатель, член Союза писателей СССР.
 Белянкин, Лука Евдокимович (1812—1874) — беллетрист-самоучка.
 Белянкин, Фёдор Павлович (1892—1972) — советский учёный в области прочности материалов и инженерных конструкций.

См. также
 Белянкинит — редкий минерал, водный титанониобат кальция и циркония островного строения.
 Белянкино

redpajama_set_name: RedPajamaWikipedia


text:
Tag Archives: Labyrinthos Mythologicus
The Numinous, Empathy, And The O9A
A pdf version of the following text is available at https://omega9alpha.files.wordpress.com/2019/07/o9a-numinous-empathy.pdf
Regarding The Term Numinous
Since the promotional blurb for a book by Christopher Pankhurst – Numinous Machines, published in December 2017 by the 'right-wing' San Francisco based Counter Currents organization – repeats the common but mistaken belief that "Rudolf Otto coined the term numinous to refer to the primal experience of the holy," it seems appropriate to explain what the Order of Nine Angles (O9A, ONA) mean by the term given that the term occurs in O9A expressions such as 'the sinister-numinous' and 'the sinister-numinous aesthetic'.
Regarding this mistaken belief about the origin of the term, as a certain "Anton Long" pointed out in his text Alchemical Seasons and The Fluxions of Time published in 123 yfayen (2011)
"despite the now common belief that the use of the word 'numinous' is fairly recent, deriving from the writings of Rudolf Otto, its first occurrence in English – so far discovered – is in a religious tract published in London in 1647 ce, entitled The simple cobler of Aggawam in America. Willing to help mend his native country. The author, Nathaniel Ward – a scholar at Emmanuel College, Cambridge, an English clergyman, and a Puritan supporter – emigrated to Massachusetts in 1634 ce."
The meaning of the term numinous in that 1647 book, and in later books such as The Quest of the Sangraal by Robert Stephen Hawker published in 1864 (where it is spelt numynous), is "of or relating to a god or a divinity, revealing or indicating the presence of a divinity; divine, spiritual," derived as it is from the classical Latin 'numen', which Latin word implied a deity, a divinity, a reverence for what is divine.
In respect of the O9A, the expression "the sinister-numinous tradition" refers to the traditional Occult praxis The Seven Fold Way, which is an Occult praxis first publicly described in the 1989 Naos MS and usefully summarized in the 2017 text The Seven Fold Way Of The Order Of Nine Angles: A Modern Practical Guide, which later text explains that
"The Seven Fold Way is a representation of the septenary system and as the term implies consists of seven spheres each one named according to ancient Greco-Roman tradition as Moon, Mercury, Venus, Sun, Mars, Jupiter, and Saturn.
In O9A tradition, the septenary system is a nexus – a nexion – between the realm of the causal (the realm of mortals, of this physical world and the physical Cosmos beyond) and between the realms of the acausal, and which acausal realms include 'the supernatural' and the possible acausal (immortal) existence which await beyond our mortal death as a result of the individual having discovered Lapis Philosophicus.
Each sphere represents a stage of the Occult quest, by an individual, for Lapis Philosophicus, which quest begins with the sphere of the moon and ends with the sphere of Saturn. Every stage is associated with various tasks – some physical, some Occult, some practical – and also with a particular Occult grade, and which grades are achieved by the individual as a result of their efforts and experiences, never given nor awarded by someone else."
In the Seven Fold Way the first three stages – Neophyte, Initiate and External Adept – are associated, in Naos, with "the sinister" (the masculous) aspects of the human psyche as evident in that there is a practical exploration of traditional Satanism, as presenced both in the O9A Black Book of Satan and in the evokation/invokation of The Dark Gods.
The next stage, that of Internal Adept with its three to six month living alone in a wilderness area, marks the transition to "the numinous" (the muliebral) aspects of the human psyche and which stage is where the faculty of empathy is cultivated, for as Anton Long wrote in a 1970s typewritten MS that
"[developing such] empathy is the only aim of the grade ritual of internal adept and, indeed, of initiation itself." {1}
As he noted in his later text The Place of Empathy in the Esoteric Tradition of the Order of Nine Angles,
"In the ONA, the cultivation of the faculty of empathy is an essential part of the training of the initiate as it is considered to be one of the many esoteric skills which Adepts must possess, and – indeed – as one of the esoteric skills which distinguishes an Adept from a non-adept. Thus, when consciously cultivated and developed by esoteric means, empathy is a Dark Art; and the skill, the faculty, so used by an Adept is and has been variously described by the terms esoteric-empathy, dark-empathy, sinister-empathy, and sinisterly-numinous empathy." {2}
Toward the end of the stage of Internal Adept the O9A individual undertakes the Rite Of The Abyss which involves living alone for a lunar month in a dark cave or cavern during which there is, or should be, an experiencing of The Unity beyond both the sinister and numinous aspects, and which successful experiencing marks the achievement of the grade of Master of Temple / Mistress of Earth.
This, the fifth stage of the Seven Fold Way, is where the Adept goes beyond denotata (terms, naming, causal abstractions, forms, ideas) to an apprehension of the formless wordless Acausal. For, esoterically apprehended, via pathei-mathos both Occult and exoteric, both 'the sinister' and 'the numinous' are themselves causal, human, abstractions.
As described in the 2015 O9A text Ontology, Satanism, And The Sinisterly-Numinous Occult Tradition,
"In stark contrast to the unbalanced, masculous, egoistic ipseity manifest by both modern satanism and by the modern, Western, Left Hand Path, the O9A – despite outer appearances and despite its intentionally confusing mythos – continues the classical (Greco-Roman) tradition of esoteric paganism, manifest as that tradition is:
(i) in a personal, and years-long, anados (a quest for immortality) involving myesis and various practical esoteric arts, rites, mysteriums, and techniques;
(ii) in an understanding (intuitive or otherwise) of the need to acquire or cultivate (by various means) a certain inner equilibrium as a prelude to apprehending our physis, the physis of other living beings, and the physis of Being itself, so that we are "not foiled in acquiring knowledge germane to our essence", and
(iii) in an exeatic (pagan) living balanced by an awareness (intuitive or otherwise) of supra-personal affective forces (howsoever described or denoted) beyond the power of egoistic mortals to control.
Furthermore, the O9A not only continues that classical tradition but has also substantially evolved it, as for instance by (i) providing, in the Seven Fold Way, a very practical anados that anyone can follow, and by (ii) correcting the thousands of years old imbalance between the masculous and the muliebral, an imbalance (a bias toward the masculous) that was internal (personal, esoteric, in the psyche) and external (in societies, in manufactured abstractions, in ideologies and ideations), and which imbalance not only meant that only a few individuals, per century, evolved toward wisdom, but also that external forms and structures followed an inexorable pattern of temporal rise, decline, and fall, and which unnecessary cyclicity has stifled our evolutionary potential as conscious beings.
That the masculous individuals who profess to be modern satanists, and/or followers of the Left Hand Path, do not apprehend this is evidence enough of their ignorancy. With them, and their ilk, we will remain an ouroboros species confined to this planet, while the Sinisterly-Numinous Occult Tradition, and similar presencings of equilibrium – of causal-acausal balance – offer us a nexion to life among the star-systems of our Galaxy." {3}
A Metaphysical Understanding
In order to fully appreciate and understand what the term numinous does and does not mean – esoterically and exoterically – it is necessary to understand its metaphysical and thus its philosophical context.
In the Numinous Metaphysics chapter of his 2017 monograph Tu Es Diaboli Ianua, David Myatt iconoclastically wrote that in his view "the numinous is primarily a manifestation of the muliebral and can be apprehended through a personal, an interior, balance between masculous and muliebral." {4}
He then asks the important and relevant question as how can the "numinous balance between masculous and muliebral be metaphysically expressed, given that the culture of pathei-mathos has moved us, or can move us, beyond anthropomorphic deities, whether male or female; beyond myths and legends; beyond reliance on texts regarded as sacred and/or as divinely inspired; and even beyond the need for denotatum and religion."
If one accepts Myatt's understanding of the numinous as "primarily a manifestation of the muliebral" then it follows that all extant representations of the numinous, from Christianity, to Islam, to Judaism, to Buddhism, to most contemporary pagan revivals, as well as ancient Greco-Roman paganism, do not or did not adequately presence the numinous.
For such a muliebral presencing would, according to Myatt, be manifest in "a predominance of female deities; or in a dominant female deity; in legends and myths which celebrate muliebral virtues, such as empathy."
Hence a modern and metaphysical presencing of the numinous would be "beyond the need for denotatum," {5} whether the denotatum be a named anthropomorphic divinity or named divinities, or whether such denotatum involves texts, since it is manifest "in a personal weltanschauung and not in a religion; has no hierarchy; no creed, no article or articles of faith; and no texts whether written or aural."
Thus the numinous is not and cannot be – as Rudolf Otto argued in his Das Heilige – manifest in the Old and New Testaments of Christianity (Das Heilige, chapters X, XI); nor is it manifest in the writings and sermons of preachers such as Martin Luther (Das Heilige, chapters XII); nor in anything – ancient or modern – which involves 'worship' (Das Heilige, chapter XIII ff). Nor even in some philosophical theory and thence described by a term such as a priori (Das Heilige, chapter XVII).
Which would seem to lead us back to Myatt's understanding of empathy as a human faculty which cannot exist beyond the personal horizon of the individual, with the knowing gleaned by such a faculty limited to the immediacy-of-the-moment {6}. As a human faculty, it does not involve denotata, and is personal and individual {7}. For empathy "reveals or can reveal the nature (the physis) – sans abstractions/ideations/words – of Being, of beings, and of Time." {8}
Understood and appreciated as a human faculty, empathy can according to esoteric philosophy be presenced and developed by certain Occult means. Which presencing and which development forms part of the practical O9A Seven Fold Way.
In the esoteric context of the O9A 'sinister-numinous way', Anton Long in his The Enigmatic Truth (Last Words From A Modern Alchemist) mentions an earlier text of his in which he wrote
"Our real work, both as individuals and as an Order – our Magnum Opus – is genuinely esoteric and Occult, and thus concerned with lapis philosophicus and not with some purely causal self-indulgence, or some ephemeral outer change in some causal form or forms, or with using such forms to try and effect some external change. For it is this esoteric, this Occult, work which will, affectively and effectively, introduce and maintain the Aeonic changes we desire and plan for – in its own species of acausal Time." {9}
There is thus a pleasing symmetry here between Myatt's metaphysics – as manifest in his recent pagan monographs Tu Es Diaboli Ianua and Classical Paganism And The Christian Ethos {10} – and the esotericism and praxis of the essentially pagan O9A {11} and which symmetry might explain why some O9A folk consider that Myatt as Rounwytha and Mage is now living the "final apprehension" of The Unity beyond the abstractions of both sinister and numinous having discovered, after fifty years on a Faustian quest, Lapis Philosophicus.
Three Wyrd Sisters
July 2019 ev
This text incorporates parts of our two earlier texts A Note On The Muliebral Numinous (2018) and A Note Regarding The Term Numinous (2017).
The URL's given below were valid as of July 2019 ev.
{1} The rare MS, which concerned the O9A 'rite of nine angles', was published in the 1980s in the LHP Nox zine, and was later included in Sennitt's book The Infernal Texts: Nox & Liber Koth (Falcon Publications, 1997).
{2} The text is included in the compilation Pathei-Mathos, Empathy, And The Order Of Nine Angles, available at https://omega9alpha.wordpress.com/empathy-and-the-supernatural/
{3} https://wyrdsister.wordpress.com/2018/02/03/ontology-satanism-and-the-o9a/
{4} Since Myatt goes to explain what he means by both masculous and muliebral it is worth quoting the passage from Tu Es Diaboli Ianua in context:
"If the numinous is a presencing, and an apprehension by us, of the divine, of the sacred, then is divinity, is the sacred, the sole domain of, a presencing of, the masculous – or such that the masculous dominates – or is it the domain of the muliebral; or the domain of such a balance between masculous and muliebral as the culture of pathei-mathos seems to indicate it is and should be. My own pathei-mathos certainly indicates that the numinous is primarily a manifestation of the muliebral and can be apprehended through a personal, an interior, balance between masculous and muliebral.
A masculous presencing is and has been manifest in a predominance of male deities; or in a dominant male deity; and/or in legends and myths which celebrate masculous values, such as competitiveness, a certain harshness, a desire to organize/control, a perceived conflict between some-thing, some abstraction, denoted 'good' and some-thing, some abstraction, denoted as 'evil', and a following of or an adherence to abstractions in general (such as a perceived divine law or some interpretation of religiosity) over and above personal love. Considered exoterically – not interiorly, not esoterically – a masculous presencing is manifest in a religion, with the attendant organized worship and devotion, with there existing a hierarchy, a creed or an article or articles of faith, and usually some texts, whether written or aural, regarded as sacred and/or as divinely inspired and which invariably require interpretation.
A muliebral presencing is or would be manifest in a predominance of female deities; or in a dominant female deity; in legends and myths which celebrate muliebral virtues, such as empathy, sensitivity, gentleness, compassion; and in the perception that personal love should triumph over and above adherence to abstractions. Considered exoterically – not interiorly, not esoterically – a muliebral presencing is manifest in a personal, varied, worship and devotion; in a personal weltanschauung and not in a religion; has no hierarchy; no creed, no article or articles of faith; and no texts whether written or aural.
Historically, it seems that revealed religions such as Christianity, Islam, and Judaism primarily manifest a presencing of the masculous […]
Historically, while the paganus apprehension of Greco-Roman culture was also primarily masculous it did presence aspects of the muliebral, manifest for example in female deities such as Athena, Artemis, and Gaia, and thus was somewhat more balanced, more harmonious in terms of re-presenting our human physis, than Christianity."
{5} In a footnote in Tu Es Diaboli Ianua, Myatt explains that he uses "the term denotatum – from the Latin, denotare – in accord with its general meaning which is to denote or to describe by an expression or a word; to name some-thing; to refer that which is so named or so denoted. Thus understood, and used as an Anglicized term, denotatum is applicable to both singular and plural instances and thus obviates the need to employ the Latin plural denotata."
{6} The Numinous Way of Pathei-Mathos. 2013. Part I. Wisdom, Pathei-Mathos, and Humility.
{7} The Numinous Way of Pathei-Mathos. Part III. Some Personal Musings On Empathy.
{8} The Numinous Way of Pathei-Mathos. Appendix II.
{9} https://omega9alpha.wordpress.com/the-enigmatic-truth/
{10} David Myatt, Tu Es Diaboli Ianua, 2017, ISBN 978-1982010935. David Myatt, Classical Paganism And The Christian Ethos, 2017, ISBN 978-1979599023.
{11} The evolved, modern, paganism of the O9A is described in the text The Pagan O9A, available at https://omega9alpha.wordpress.com/pagan-o9a/
This work is licensed under the Creative Commons
Attribution-NoDerivatives 4.0 International license and can be freely copied and distributed, under the terms of that license.
Posted in Hermetic Tradition, Labyrinthos Mythologicus, Left Hand Path, O9A, O9A Mysticism, Order of Nine Angles, Order of the Nine Angles, Rounwytha, Seven Fold Way, Sinister Mysterium, The Sinisterly-Numinous Tradition	| Tagged Acausal, Anton Long, Das Heilige, David Myatt, eonic Sorcery, Labyrinthos Mythologicus, Numinous, O9A, Occult Mythos, Order of Nine Angles, Satanism, Seven Fold Way, The Sinister Dialectic, The Sinister Numinous
The O9A Deofel Quintet
Order Of Nine Angles: The Deofel Quintet
The O9A Deofel Quintet consists of the following novels:
§ Falcifer
§ The Temple Of Satan
§ The Greyling Owl
§ The Giving
§ Breaking The Silence Down
The Quintet {1} – the Deofel Quartet plus the novel Breaking The Silence Down – amounts to almost 600 pages and is a neglected aspect of O9A occultism. For attention hitherto – especially in mainstream Media, by self-described modern 'satanists', by academics, and by self-described 'anti-fascists' – has focused on the alleged neo-nazi and satanist aspects of O9A occultism, with what the O9A means by satanism either ignored or misunderstood. {2}
The Deofel Quintet places the neo-nazism and the satanism aspects into the necessary esoteric perspective, for the novels of the Deofel Quintet are non-political with the overt satanism of such works as Falcifer and The Temple of Satan expressing the place of satanism in O9A tradition: which is that it is a short-lived and personal learning experience, germane to the early stages, the first few years, of the anados (ἄνοδος), the decades-long hermetic quest, for Lapis Philosophicus. An anados manifest in O9A hermeticism by the sinister-numinous Seven Fold Way.
In this perspective, both Falcifer and The Temple of Satan are concerned with initiate type learning experiences: gaining esoteric knowledge, participating in ceremonial overtly 'satanic' rituals, and experiencing the part of the satanic ethos that concerns personal pride and personal pleasure. But they also deal with how personal emotion – especially love – affects them, can complicate their lives, as well as offering them opportunities to learn and advance further in their anados.
Which advancement is the concern of The Greyling Owl, of The Giving, and of Breaking The Silence Down. For example, The Greyling Owl deals
"with a type of 'hidden sinister sorcery' that owes little or nothing to what has become accepted as 'the Western occult tradition', satanic or otherwise, with its demons, its invocations and evocations, its rituals, and people dressing up in robes. Instead, it concerns someone being manipulated, brought into a position of influence, without even knowing or suspecting there is an occult aspect; someone – in modern parlance – being 'groomed' to at some future time use that influence for a sinister purpose as directed by the person or persons to whom he is now indebted.
That is, there is a revealing of how the O9A often operates, and has operated, in the real world; and how O9A people are often secretive, with their occult connections, and their interest in the sinister, unknown to colleagues and friends. The title itself gives a clue, for the word greyling is used in reference to Hipparchia Semele (commonly referred to as the Grayling), a type of butterfly found in Britain and one which is 'a master of disguise and can mysteriously disappear as soon as it lands, perfectly camouflaged'. Hence the title seems to, esoterically, suggest the pairing of the 'mistress of disguise' (Fiona) with 'the owl' (Mickleman) and which working together will enable sinister deeds to be done, most possibly by Mickleman (under the guidance of Fiona) influencing or recruiting people from within his natural academic environment." {3}
The novel titled The Giving concerns preparations for a rural ancestral tradition which involves no satanic or witchcraft ceremonies in which words are declaimed, and when the ancestral ceremony called 'the giving' occurs – toward the end of the book – it simply involves the folk of a village assembling by an altar covered with fruit, food and casks of beer, who then take their bound human sacrifice toward a bonfire around which the village folk dance, sing and shout. The Giving like The Greyling Owl has a strong female character, Lianna, who is adept at manipulating men, only more so than Fiona in The Greyling Owl. An adept manipulation which the real-world tests Lianna sets the potential male human sacrifice, and her potential chosen mate, reveal and which tests are not understood as tests by either man.
The novel Breaking The Silence Down concerns the sometimes complicated relationship between three women, and is a paean to Western 'Faustian' culture, to Sapphic love, to matriarchy, and of how in the sinister-numinous esoteric tradition, both pre-O9A and O9A, women were and are important and indeed vital, as the following extract from that novel reveals.
"Blissful, they returned to their home. The rain ceased with their arrival and in the subdued light in the now cramped sitting room of their bungalow, Rachael sat at her piano to transform herself and the night. Diane listened and watched, entranced. Rachael's playing created a new world and a new woman, and Diane watched this strange woman create from the instrument of wood, steel and tone a universe of beauty, ecstasy and light.
Bach, Beethoven – it made no difference what or for how long she played. But, as it always had since that night, Beethoven's Opus 111 fascinated her with feelings, visions, and stupendous, world-creating thought. It imbued her with insight, and a love that wanted to envelope Rachael and consume her.
It was pleasure and pain to watch Rachael transform herself through the act of her playing into a goddess she would die for. No reason touched her while she listened. There was, she knew, no greater life than this, no greater feeling and she wanted to immolate herself with Rachael's ecstasy, immolate world upon world with this glory and passion which no male god described.
Then the silence, while clamoured notes faded and dimmed light framed. There were no more tears Diane could cry and she waited while Rachael slowly rose and offered her hand. She – the goddess within – was smiling and Diane allowed herself to be led. The music in her head, the memories and secret dreams of youth: all were before her, embodied in flesh and she had only to kiss the slightly scented lips or see the secret wisdom hidden in the eyes to reach the summit of her life, slowly, in the dim corners of the bedroom's reflected dark."
Those who appreciate the Sinister-Numinous Aesthetic of the O9A, will understand that it is
"manifest – presenced, in the causal – in many ways, three of the most prominent being the following. (i) In the pagan rural landscapes that infuse many O9A occult rites, traditions, chants, and practices – such as the Way of the Rounwytha, the Rite of Internal Adept, and The Ceremony of Recalling; (ii) in O9A specific archetypes, from their female 'dark goddess' Baphomet, to the heroines of their sinister fiction, for example Eulalia and Lianna; and (iii) in its principle of Insight Roles, of encouraging individuals to experience in practical (exoteric) and in occult (esoteric) ways both 'the sinister' (dark) and 'the numinous' (light) aspects of their psyche, of the Occult, and 'of the world', and then melding both aspects as a prelude to transcending them." {4}
Which is why
"in contrast to most occult fiction of the era – the 1970s and the 1980s – and previously, all of the works in The Deofel [Quintet] contain strong, independent, female characters: Susan in Falcifer, Melanie in The Temple of Satan, Lianna in The Giving, and Fiona in The Greyling Owl.
Which is not surprising given the standing of women in the esoteric traditions of the O9A. Many of the works also contain positive gay or bisexual characters: for instance Fenton in The Greyling Owl, Denise in Falcifer, and the bisexual Melanie in The Temple of Satan. In these 1970s and 1980s positive depictions and acceptance of such preference and such love as natural, the O9A was somewhat ahead of its time in the occult world and in Western societies in general, again unsurprising given the Rounwytha tradition and the liberalism of the O9A, a liberalism that the stories themselves, through their characterizations, often embody and something especially noticeable in the characters of Fenton, Timothy, and Julie, in The Greyling Owl." {3}
What does not seem to be appreciated, must less understood, by many is that The Deofel Quintet not only (i) documents in fictional form the lives and experiences of some of those who, over the past seventy or so years and both pre-O9A and O9A, have lived or strived to live in accord with the 'sinister-numinous aesthetic', but also (ii) represents the esoteric essence both of the O9A and of its modern ἄνοδος as manifest in the O9A Seven Fold Way.
Which esoteric essence is a perceiveration
"of the nameless, wordless, unity beyond our mortal, abstract, ideations of 'sinister' and 'numinous', of Left Hand Path and Right Hand Path, and also – and importantly – of 'time'. For it is our ideation of 'time' – with its assumption of a possible temporal progression, via various temporary causal forms, toward something 'better' or more 'advanced' or more 'perfect' (in personal or supra-personal terms) – that underlies the magian/patriarchal/masculous approach that has dominated, and still dominates, Western occultism and esotericism in general, fundamental to which is a hubriatic egoism: the illusion that is the individual will." {5}
A perceiveration, and an illusion, that a novel such as Breaking The Silence Down seeks to express, leading as the other four novels of the Deofel Quintet do to such a perceiveration, and which perceiveration of that of those who have discovered, toward the end of their ἄνοδος, Lapis Philosophicus. For
"the 'outer secret' of the inner, the real, the living, alchemy is that the end and the result of both our apparently separate journeys is the same; the same place, the same understanding, the same knowledge. For wisdom is undivided, the same for all of us, whatever we believed or assumed when we began. Or expressed another way, lapis philosophicus is what it is, and always has been, and does what it does, and always has done, in terms of how it affects and changes those few who have succeeded in their decades-long endeavour and thus discovered it, and discovered it where it has always been hidden." {6}
To understand and appreciate the Order of Nine Angles – in the context of Western Occultism, in the context of Satanism, in the context of alleged neo-nazi involvement by the O9A, and in the context of the pre-O9A and the O9A sinister-numinous aesthetic – requires a reading of and an understanding of the Deofel Quintet, the novels of which
"present much of the diverse aural traditions as [Anton Long] received them: as stories about people, their interactions; their 'satanic' or esoteric views and beliefs; and about certain events that involved those people. In The Deofel Quartet he simply reworked the factual material – as writers of fiction are wont to do – in order to make an interesting story, in the process obscuring the identities of those involved and sometimes their place of residence or work; added some entertaining details, as in the 'astral battles' between goodies and baddies in Falcifer […] and concatenated certain events in order to provide 'action' in a limited time-frame. Thus, the fictional stories not only compliment other O9A material but provide a 'different way into' the complex O9A mythos." {3}
For the novels in the Quintet express fundamental truths regarding, and the essence of, O9A esotericism. It is therefore apposite to describe those unfamiliar with or unappreciative of the Deofel Quintet as ignorant of O9A esotericism and thus as ignorant of what the O9A actually is and represents.
That most anti-O9A critics and all anti-O9A propagandists are unfamiliar with or in their prejudice are unappreciative of the Deofel Quintet is no surprise, given how they seem to be embedded in, and representative of, the Magian patriarchal ethos.
{1} The novels of the Quintet are available from https://omega9alpha.wordpress.com/deofel-quartet/
{2} The puffatory 'modern satanism' of Howard Stanton Levey (otherwise known as Anton LaVey) is very different from the traditional satanism of the O9A.
"The modern Satanism of Levey is based on the premise that Satan is a symbol of the carnal, the selfish, the egoistic, nature of human beings, with satanism understood as manifesting the raison d'êtres of 'might is right', of 'lex talionis', and of the individualistic ideas expressed in Ayn Rand's Objectivism […]
The traditional Satanism of Anton Long is based on the scholarly premise that – as described in the O9A text The Geryne of Satan {7} – (i) hasatan – the satan – refers (in the Septuagint) to the chief adversary (of the so-called 'chosen ones') and to the chief schemer against those who regard themselves as the chosen people of God/Jehovah, and (ii) "a satan" historically (in the Septuagint) refers to someone who is an adversary of and who thus is pejoratively regarded (by those so opposed) as scheming, as plotting against those who regard themselves as the chosen people of God/Jehovah, with O9A satanism understood as an antinomian – amoral, heretical – means to such exeatic personal experiences as shape and evolve an individual's character and understanding." Source: The Two Types Of Satanism, https://wyrdsister.wordpress.com/2018/05/08/understanding-neo-volkisch-satanism/
{3} Esoteric Aural Tradition In The Deofel Quartet, e-text. 2014.
{4} Regarding The Sinister-Numinous Aesthetic Of The Order Of Nine Angles, in the compilation O9A Occult Fiction And The Sinister-Numinous Aesthetic, e-text, 2018. Available at https://wyrdsister.wordpress.com/2018/03/17/o9a-occult-fiction-and-the-sinister-numinous-aesthetic/
{5} Some Notes On The Rounwytha Way, available at https://omega9alpha.wordpress.com/the-rounwytha-way/
{6} The Last Writings Of Anton Long, available at https://omega9alpha.wordpress.com/the-enigmatic-truth/
A pdf version of the text is available here:
https://omega9alpha.files.wordpress.com/2019/07/deofel-quintet-o9a.pdf
Posted in Deofel Quartet, Deofel Quintet, Hermetic Tradition, O9A, O9A Mysticism, Omega9alpha, Order of Nine Angles, Order of the Nine Angles, Satanism, Sinister Fiction, The Sinister Tradition, The Sinisterly-Numinous Tradition	| Tagged Breaking The Silence Down, Deofel Quartet, Deofel Quintet, Inner O9A, Labyrinthos Mythologicus, Left Hand Path, O9A, O9A Esotericism, Occult Fiction, Occultism, Order of Nine Angles, Rounwytha, Satanism, Septenary System, Seven Fold Way, Sinister-Numinous Aesthetic, The Sinister Tradition, The Sinisterly-Numinous Tradition
Insight Roles: Historical And Esoteric Context
Extracts from primary sources such as The Satanic Letters Of Stephen Brown are provided which place O9A Insight Rôles into historical and esoteric context. Which context is of such Rôles being useful and practical learning experiences for someone, Initiate or External Adept, following the O9A Seven Fold Way, and forming only a part of that Seven Fold Way which itself forms part of the sinister dialectic, the Aeonic strategy, of the Order of Nine Angles. Such primary sources are important resources in respect of researching and understanding the O9A.
Insight Rôles: Historical And Esoteric Context
Posted in Labyrinthos Mythologicus, Left Hand Path, O9A, Omega9alpha, Order of Nine Angles, Order of the Nine Angles, Satanism, Seven Fold Way, Sinister Dialectic, Sinister Mysterium, The Dark Tradition, The Sinister Tradition, The Sinisterly-Numinous Tradition	| Tagged Aeonic Magick, Aeonic Sorcery, Anton Long, Insight Roles, Labyrinthos Mythologicus, O9A, Occult Mythos, Order of Nine Angles, Satanism, Seven Fold Way, The Sinister Dialectic
The Physis Of The Order Of Nine Angles
The Physis Of The Order Of Nine Angles:
Is The O9A Neo-Nazi?
° Preface.
° Introduction.
° An Ignorance Regarding The O9A.
° Another Academic Misinterpretation Of The O9A.
° A National Socialist Occult Group?
° The Two Interpretations Of National Socialism: Ours And Theirs.
° David Myatt And Reichsfolk.
° Progressive, Traditional, Or Synthesis? The Evolution Of The O9A.
° Appendix: Exposing Twelve Basic Errors.
From the Preface:
Published here are an eclectic selection of articles written in the past few years and culled either from blogs that support the esoteric philosophy and the occult praxises of the Order of Nine Angles (ONA, O9A) or from blogs that comment on the O9A and/or on Mr Myatt.
The common themes of the articles which form the chapters of this compilation are (i) the physis (the nature, character, intent, and origin) of the Order of Nine Angles and (ii) whether or not the O9A, as most of its critics proclaim, is a "neo-nazi" occult group […]
From the Introduction:
What has confused the issue about the physis of the O9A, for outsiders, for critics, or for those who have not researched O9A texts in detail, are three things […]
The first source of confusion arises because one and only one O9A praxis, the Seven Fold Way, has some suggested ordeals and tasks associated with its early stages which tasks include "Insight Rôles" and which Insight Rôles can involve joining a "neo-nazi" group. Another suggested task is "culling", while another is forming a "satanist" group and performing such rituals as given in the O9A Black Book Of Satan, first published in the 1980s.
It is therefore not surprising, because of the outré nature of such tasks, that outsiders, critics, many academics, and the majority of journalists who have written about the O9A, have assumed that such short term tasks, limited as they are to just one O9A praxis, represent the nature and intent of the O9A. Thus have such individuals, for personal, or political, or for other reasons, tended to sensationalize or criticize the O9A often due to a lack of research into and a lack of knowledge regarding the O9A […]
The second source of confusion is that they do not, again often due to a lack of research into and a lack of knowledge regarding the O9A, know about the pagan origins of the O9A and of how it manifests a modern, evolved form, of an ancient non-Kabbalistic tradition of pagan esotericism […]
The third source of confusion is that, in respect of National Socialism, the anarchic structure of the O9A and the O9A principle of the Authority Of Individual Judgment mean that individuals are free to interpret the esoteric philosophy of the O9A according to their own understanding of it and use their own judgment in assessing, and in using, the various practical Occult methods of the O9A […]
[The] difference of interpretation [that results] is an essential, although overlooked, aspect of the O9A and has led to some of those associating themselves with the O9A to ask such questions as are given in the chapter Progressive, Traditional, Or Synthesis? The Evolution Of The O9A […]
What is also a factor in rationally discussing the alleged neo-nazi nature of the O9A – and a neglected factor outside of the O9A itself – is that, as the chapter titled The Two Interpretations Of National Socialism: Ours And Theirs makes clear, there are two different interpretations of neo-nazism […]
Posted in Hermetic Tradition, Labyrinthos Mythologicus, Left Hand Path, O9A, Omega9alpha, Order of Nine Angles, Order of the Nine Angles, Satanism, Seven Fold Way, The Sinister Tradition, The Sinisterly-Numinous Tradition	| Tagged Anton Long, David Myatt, Hope Not Hate, Labyrinthos Mythologicus, O9A, Occult Mythos, Order of Nine Angles, Satanism

redpajama_set_name: RedPajamaCommonCrawl


The preset sliders (on the right side of the Animation Set Editor window) affect currently selected controls during the current time selection.
You can drag a preset partway to partly apply its modification, or all the way to fully apply its modification.
The following presets adjust the values of specific controls along a scale of 0 to 1.
Default: Sets the value to its default, neutral position, usually 0 or 0.5. When you apply Default to an entire model, the model will revert to its reference pose, which is the neutral pose a 3D modeler creates it in.
Zero: Sets the value to 0.0.
Half: Sets the value to 0.5.
One: Sets the value to 1.0.
The following presets modify controls relative to values at specific points on the timeline.
Playhead: Brings values towards the values at the playhead's current position in time. This preset is one way to remove animation curves or hold an object still.
In: Sets the value to the value at the beginning of the time selection.
Out: Sets the value to the value at the end of the time selection.
The following presets blend clipboard or floating modification layer data with existing motion data.
Paste: Pastes the values that were copied to the clipboard relative to the start of the time selection.
Drop: Incrementally reduces the modifications in the floating modification layer. This preset allows you to partially remove the floating modification layer. When you start dragging, it shows the state of animation in the modification layer. The more you drag, the more you see the state of the timeline before you made the modifications. Dragging it the whole way removes the changes completely, the same way pressing Esc does.
The following presets apply filters to motion data.
Jitter: Applies random noise to an animation curve.
Smooth: Flattens out peaks and valleys in an animation curve.
The following advanced presets affect the timing of motion data without affecting the motion path.
Stagger: Retimes multiple controls by random amounts, scaled by the falloff size. This is useful for quickly making motions happen at different times to avoid unnaturally synchronized movements.
Hold: Pulls the frames in the time selection's falloffs towards the hold, or peak, of the time selection, creating a slow-in, slow-out motion. This is useful for creating pauses in motion.
Release: Pushes the frames in the time selection's falloff away from the hold, or peak, of the time selection, creating a fast-in, fast-out motion. This is useful for creating accelerating motion. Creates a sharp-out, which sharply blends the value from one data point to the next data point as a curve instead of a straight line.
Steady: Spreads the frames in the entire time selection evenly, creating motion with a constant speed. The entire duration of the time selection is used, regardless of falloff or curve types. This is useful for creating motion with constant speed along complex motion paths.
For more information about Stagger, Hold, Release, and Steady, see Advanced presets.
The following advanced presets apply various filters to motion data.
Ramp: Creates a linear transition from the time selection's in-point to its out-point.
Spline: Fits a B-spline curve to the values at bookmarked points on the timeline that overlap with the time selection.
Round: Takes samples at the edges of the time selection hold and falloffs and uses them to round out the motion data.


Isidore pretty much keeps to himself. Computers will save you a lot of time. They sell meat in this store. We wish to quote a part of your paper in our new catalogue. You seem a little depressed today. He's a meth addict. He has several buyers for the property. Only the Chinese and the Russians have missiles strong enough to destroy aircraft carriers. We started in 2013. Mother goes to market every day.
Something caught Kikki's eye. Don't give candy to my children. I'm just trying to help. They have just arrived. Not at all, nobody is. Reading this book was really worthwhile. Don't let Ritalynne know about this. Kenneth knows just about all there is to know about growing vegetables. He wrote letter after letter to universities all across America until somebody, somewhere answered his prayer for a better life. We let the bird fly.
The park is nice and comfortable. Marsh is in big trouble. One morning he went for a walk. Tricia knows this isn't good. I'm heading towards Boston now. He likes what I've done. I'm not good at pretending. No ship could arrive in Cuba. Soak this sponge in water. What shall we do next?
He's the cutest guy I have ever seen. Maybe she forgot my birthday. I love you and I will always love you. Just sit down and relax. We've been spotted. Krzysztof posted a picture of her cookies on Pinterest. He lives in England. Walter sat with Lynne on a bench. We partied into the small hours. I'm watching television.
There's no way Rajendra'll win. Nor can I. I hope Val will be very happy. I lay awake in bed. I led him to expect success. I really want to impress Mickey. You must leave. His awkward skills with his hands surprised me. Marie and Rolfe pushed the table against the wall. He was an artist who earned a living by painting royal portraits.
Please. I'm glad you could come. God knows what he was thinking. Whoever comes, say I am away from home. My cat purrs with pleasure when I pet it. Our therapist suggested we go camping together and leave the kids at home. It's getting cloudy. It may rain soon. Can't I please just go? How much do these pants cost? It was Clayton, wasn't it?
I will finish my homework by nine. Spy should know better than to ask Raul for a loan. Tell Siping that I'll be calling him. I heard about the accident for the first time yesterday. You'll find yourself in a miserable situation. Alejandro promised Vern that he wouldn't tell anybody. The ship had a marked list. If we have money problems we can always dip into our savings. Her feet were bare, as was the custom in those days. We learn about the structure of the heart in junior high school.
She aims at becoming a teacher. I want to eat some grapes. But that same principle must apply to Muslim perceptions of America. Just as Muslims do not fit a crude stereotype, America is not the crude stereotype of a self-interested empire. Today is the last day of January. Brooke has been there for three years. Lynne looks fine. I didn't know that you were sick, so I didn't visit you in the hospital. He knew the story already. Ann sang a lullaby for her little sister. An hour spent in the garden is an hour well spent.
I don't know that much about you. Can we stop wasting time? What's the cheapest place to go on vacation? He is not mature enough to live alone. Light travels faster than sound. Therefore some people seem bright until you hear them speak. I cannot understand anything he said. The handkerchiefs are in the drawer. Rhonda was arrested and charged with the murder. Where did you boil them? You have no idea what true love is.
A bullet pierced the helmet. The bride looked very beautiful. This is real. He is slowly recovering from his illness. I am German. Do you believe the witness's statement? I love traveling in the winter. Life is all about filling up the emptiness inside. Work, alcohol, music, we all have our ersatz of love. I haven't seen her since I was a child. Which branch of the armed forces were you in?


text:
Q: How to use PMD violationSuppressRegex with Sonar? PMD allows suppressing violations with the violationSuppressRegex property. See PMD documentation Violation Suppress Regex.
For example for the LooseCoupling Rule.
Is there any way to use this functionality in Sonar?
Example
Suppress Loose Coupling violation for LinkedHashSet in PMD:
<rule ref="rulesets/coupling.xml/LooseCoupoing">
  <property name="violationSuppressRegex" value=".*'LinkedHashSet'.*"/>
</rule>

Where the violation message is something like:
You should not use 'LinkedHashSet' but an interface.

A: violationSuppressRegex is a new property in PMD 5.0. And Sonar uses PMD 4.3.
Looks like I'll have to wait until Sonar upgrades PMD :-(

A: You might want to have a look at http://docs.codehaus.org/display/SONAR/Switch+Off+Violations+Plugin

redpajama_set_name: RedPajamaStackExchange


Canada is the ninth market in terms of value of French wine and spirit exports in 2018.
In practice, there is no united market in Canada but thirteen markets that correspond to each province and territory of the country. Four of these provinces gather around 90% of wine consumption (Ontario, Quebec, British Columbia and Alberta).
This scheme limits the capacity of exporters to freely trade towards Canada, in particular due to discriminatory measures taken against imported products.
The Comprehensive Economic and Trade Agreement (CETA) between Canada and the European Union came into force on 21 September 2017. It enables European exports to have preferred conditions provided that they comply with certain modalities.


text:
Report: Garth Brooks to Finally Stream Music in Deal with Apple
The best-selling country artist of all time and the last major holdout in all of music to make his songs and albums available for streaming may be finally acquiescing to reality. According to a report, Garth has reached a deal with Apple for $30 million, and his turning over his catalog to the company to service his music.
Apple, Garth Brooks, GhostTunes, iTunes
NPR Should Take BBC's Lead & Launch a Streaming Service
Trigger Radio/Media 13 Comments
Announced last week, the owned-by-the-public British institution the BBC is putting together their own streaming music format, called the "New Music Discovery Service." It will include over 50,000 tracks that have been broadcast on the BBC in recent months, customized playlists to help listeners navigate the crush of new music and discover something they may enjoy.
Apple, BBC, NPR, NPR Music
Taylor Swift Announced As New Face of $10 Bill After Solving Mother of All 1st World Problems
After solving the mother of all First World problems, the United States Treasury has announced that pop superstar Taylor Swift will be the new face of the $10 bill. What cataclysmic upheaval did Taylor Swift stave off to be bestowed such distinctions? . . . The contentious and complex issue of whether music artists would be paid during a preliminary, 3-month trial period as part of Apple Music's new streaming service.
Apple, fake news, Taylor Swift
UPDATED: Taylor Swift Stands Up To Apple's Streaming Service in Open Letter
Trigger News 114 Comments
Swift was the first to pull her music from Spotify in response to their paltry payouts and freemium model. Now she is taking the new Apple music to task for offering a 3 moth free trial at the expense of the artists and songwriters who created the music. And before you say this is all a publicity stunt, appreciate many independent labels are taking the same stance Swift is.
Apple, Eddie Cue, Taylor Swift
Hank Williams III: Steve Jobs' Apple Logo = Sin
So I guess the founder of Apple Steve Jobs died or something? I don't know. But it reminded me of a very strange but interesting piece of Hank3 T-shirt art that he debuted sometime in 2009, an all black shirt that simply showed the well-recognized Apple symbol with the bite out of the right side, an equals sign, and then a pentagram.
Apple, Hank III, Hank3, Steve Jobs, The Beatles


Cary tickets are available now for all Cary events. Whether on vacation or a current resident, you'll never get tired of all the things that are available in Cary, North Carolina, and the surrounding areas! Get tickets to Cary, NC below.


I bought the A2 at your store and we're back home again (the Netherlands).
Really, it's a great product! What a sound; people are jealous when they hear the sound ;).
Not a moment regret I bought it.
Thank you again for your professional advice and perhaps we'll meet again.


text:
Read the latest auto news, updates from motorsport, motorcycles world and tuning. Moreover, you can check lifestyle, gaming and gadgets news. Get the latest press releases as well as the full set of details, photo galleries and videos.
Trilulilu Mp3 zosi - accesorii dama, bijuterii Bratari barbati, bratari bile
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Porsche may drop diesel engines entirely by 2020
Earlier this month, we learned that France has made moves to ban diesel and gasoline fueled cars by stopping them from entering the city. More than that, they plan to...
Lexus LC F would be as potent as Nissan GT-R Nismo and Mercedes-AMG GT
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text:
Disneyland celebrates its 60th with Peter Pan and pixie dust
With Tink's help (and to Nana's chagrin), the Darling kids lift off for Never Land at Disneyland's newly revamped classic ride, Peter Pan's Flight. Photograph by Paul Hiffmeyer/Disneyland Resort
Peter Pan's Flight, one of the original Fantasyland rides on Disneyland's 1955 opening day, has reopened with new magic for the park's 60th.
Erika Ehmsen
With Tink's help (and to Nana's chagrin), the Darling kids lift off for Never Land at Disneyland's newly revamped classic ride, Peter Pan's Flight. Photograph by Paul Hiffmeyer/Disneyland Resort
Even at 60, Disneyland refuses to grow up. And its youthful glow—already crystallized by bejeweled buildings and bedazzled merchandise in honor of its Diamond Celebration—is shimmering even brighter now that one of its July 17, 1955, opening-day rides, Peter Pan's Flight, has reopened with digital doses of pixie dust. Walt Disney Imagineering creative director and project lead Larry Nikolai takes us for a spin.
Sunset: Peter Pan's Flight is one of the original Fantasyland attractions that guests could ride on Disneyland's opening day in 1955. The ride has been updated before, but what was it like for you to lead the work on a classic that generations of guests have memories of?Larry Nikolai: "We have an enormous amount of respect for the classic attractions, believe me. I've been coming [to Disneyland] since 1956. So working on Peter Pan, I know where all those scenes are and I know what was in those scenes. "And the nice thing is that in this particular iteration of the attraction, we've actually kept a few things from all the way back to 1955 that are in there. It is still mainly the 1983 version but with new special effects that we put in there. So it's enormously respectful of all the iterations of the attraction."
Sunset: What kind of special effects did your team of Imagineers add?Nikolai: "Peter Pan is a magic story. It's all about pixie dust and going magical places. The kids in the nursery are now flying, which they never were before—they always just watched Peter go by, but now we have them embarking on the journey with him. "And we brought Tinker Bell back to where she's in more places within the attraction. Because we have some new ways of showing her that evoke the magic. "We've also enhanced the natural features of the Island of Never Land with some new effects."
Sunset: Peter Pan was supposed to reopen in May, for the debut of Disneyland's Diamond Celebration theme. But you explained on Media Day that the special effects weren't quite where your team wanted them to be, so the reopening was pushed back to July. With the other attractions that were revamped for the park's 60th anniversary—the Matterhorn and the Haunted Mansion's Hatbox Ghost—we reported on how Imagineers felt that "the time and technology were right" for supporting modern updates of the rides' storylines. But those are both much bigger rides. Did you have to rein in your effects palette for Peter Pan's storybook size?Nikolai: "The technology is always in support of the storytelling. Especially in Fantasyland attractions, because they're smaller, they've been here a long time, and they're your classic Disney stories. So we don't let the technology show in a way where you're aware of it. It's just there to enhance and maybe to create a little bit of magic. To where you say, 'How did they do that?' "I remember in 1983, when they opened the new Fantasyland. We rode Peter Pan for the first time, and it was like, 'Wow, that's something new. We've never seen them use that kind of stuff before.' And we didn't know how they'd done it in some cases. "Hopefully, we've done the same thing here again. We've taken advantage of the new technology, but it's always subjugated to the storytelling."
Take a ride on the new Peter Pan's Flight as Disneyland's 60th celebration continues. Can't make it to Anaheim anytime soon? The O.C. Register's theme-parks reporter (how's that for a newspaper beat?!) and photographer/videographer have posted a video of the ride's new look—keep in mind that the ride's pirate galleons glide along in the dark, so a video can't fully capture the in-person experience.
Know before you go• Sunset's top 9 Disneyland tips • Tickets and Park Hopper passes• Disneyland and Disney California Adventure park hours• TouringPlans.com's Crowd Calendar predicts how long lines will be each day (free and subscriber versions)• Wait-time apps like MouseWait are updated hourly and can help point you to the shortest lines


After Greenery being released as Pantone color of the year 2017, interior designers and bloggers are in a journey to find the best home inspiration ideas for any room design. "A Mixture of Vitality, Relaxation and the Great Outdoors" it's how Pantone define the colors for spring 2017. From colors that are bright and vivid to those that convey a sense of earthiness, Pantone Colors 2017 are reminiscent of the hues that surround us in nature. Having that in mind, which will be the best living room colour scheme ideas for Spring 2017?


Provides customer service to those who submit samples to the Virginia Tech Animal Laboratory Services (ViTALS) at the Veterinary Teaching Hospital ( VTH ). Follows Standard Operating Procedures (SOPs); performs procedures to prepare, expedite and facilitate laboratory analysis of specimens, routing those specimens to the correct in-house or external laboratory. Performs laboratory activities as assigned including courier, general lab cleaning, but no laboratory analysis is performed by this position. Must report to work during inclement weather closings.
Bachelor of Science in related field. Working knowledge of veterinary medical laboratory practices and procedures; must possess keyboarding and basic computer skills; ability to write an SOP , ability to work well with others; good organizational skills; ability to learn new procedures and be adaptable; excellent communication/customer service skills and phone etiquette. Must have an acceptable and safe driving record, valid driver's license.
This position may be considered essential and required report to work during emergency and inclement weather closings.
For a full description of the position, the requirements, and to apply, please go to www.jobs.vt.edu. To be considered, Applicants MUST apply on-line to posting number SW0170693, by the close date of September 11, 2017. If you have any questions please call the HR Service Center @ 540-231-9331 or email the HR Sercive Center at HRServiceCenter@vt.edu.


text:
Fun day helps important cause for NPS
International Day raises fund for students from other countries
International students at the Naval Postgraduate School in Monterey serve up delicacies during International Day in 2018.
By Dennis L. Taylor | newsroom@montereyherald.com | Monterey Herald
MONTEREY — More than 100 students from 50 countries studying at the Naval Postgraduate School in Monterey will be among those celebrating International Day on Saturday. But behind the scenes are programs critical to the success of these foreign students.
Food will be the order of the day accompanied by cultural dances and authentic dress from the nearly two dozen countries that will be sharing their cultural heritages. There will also be a bounce house and face painting for children.
Behind the festivities, however, International Day represents one component of the mission of NPS — fostering defense, education and scientific advances of mutual benefit to allies around the world.
In addition to being a global cultural showcase, International Day is also a fundraiser for the nonprofit International Executive Committee, which serves to support international students and their families. Money raised will go to assist service members of allied militaries with a trove of services they will need to be successful in their studies in the United States.
Major Espen Ulvebne, a commander of a Norwegian special forces company, is working on his thesis at NPS. He refers to his area of study as the nexus between politics, intelligence and military action. His example was the gray area created by the Russian Federation's invasion and annexation of the Crimean Peninsula in 2014. He is studying a number of Russian courses, such as language and Russian history.
"This education is necessary for my career path in seeking a higher command position in the Norwegian Army," Ulvebne said. "These support services are more important than you realize."
There was needed assistance he and his wife, Anita, needed when they moved to Monterey. Capt. Al Scott, USN (Ret.) is the director of the International Graduate Programs Office at NPS, which acts as the command sponsor to the International Executive Committee. His goal is to help international students like the Ulvebnes acclimate to NPS and the Monterey community.
"It also helps with building understanding with the international community," Capt. Scott said.
One area the Program jumps in is with housing. It coordinates between students and their families and the La Mesa Military Housing Complex near Aguajito Road in Monterey. The land under the complex is owned by NPS but the housing is managed by a private company.
Other assistance can be simple but important things like helping students with the administrative tasks of enrolling in NPS or opening up a bank account.
Lt. Ryan Goldsmith, director of International Day and co-chair of the IEC, met Major Ulvebne in a cycling club sponsored by the NPS Alumni Association and Foundation, a nongovernmental association that financially supports the IEC's efforts to hold International Day. The foundation provides a number of services, including sponsorship of a dozen student clubs for NPS, said Natalie Goldsmith, a communications specialist with the foundation.
"It's a way of building relationships," she said.
It also provides seed funding for technologies and projects, much like a venture capitalist or angel investor would. One of the ideas the foundation seeded is a technology that would better discern between friend and foe on the battlefield. It would help prevent the deaths of troops such as Pat Tillman, an NFL player who was killed by friendly fire in the mountains of Afghanistan in 2004.
Saturday's event will be held from noon to 4 p.m. in the main academic quad of NPS, located at 1 University Circle, Monterey.
Dennis L. Taylor
Dennis L. Taylor has reported on diverse issues for three decades in the San Francisco and Monterey bay areas, including 10 years in the Silicon Valley business press covering venture capital and technology investments.
newsroom@montereyherald.com


So, I am watching "Charmed" on DVD and I noticed that Holly Marie Combs name pops up after Alyssa Milano and Rose Mcgowen. My thoughts....that's not right! Holly has been on the show more than both actresses (according to imdb) and before Rose signed on. In any case, I think Holly's name should have popped up before Rose's. I don't have any gripes with her following Alyssa, but come on...why is she after Rose?!
And in other news....going back to work officially tomorrow. Big busy week-end to look forward to as well...ugh!
As she is also one of the producers by then, I'm sure that she appears exactly where she wanted to.


text:
Infidel's "Jewish Conundrum"
in response to reader comment: Jewish Conundrum
Submitted by Edo Van Ede (United States), Aug 24, 2006 at 00:51
The Jews, circa 1940, were resented by most mainstream Christians, worldwide, (as they had been for nearly 2 millennia) for not accepting the "Messiah", -which meant that they "refused to give their blessing" to the offshoot of Judaism that is "Christianity".
The subconscious psychological meaning of this has always haunted the Christian world, which essentially "took over" the Hebrew faith, claiming its sacred discovery of monotheism as their own, changed its eschatological "ending", and then demanded that the rest of the world accept this "Good News", -at the point of a sword for 90% of its existence as a worldly 'Church".
Its brutal influence (from "heretics" killed, "witches" burned, sects destroyed and cultures obliterated to literary blacklisting, movies banned, medical procedures frustrated and science stymied) only finally ended within the last 50 years - as Jesus' radical and pacifistic and agape / love message became more popularly understood and promoted.
Jesus' motto: "My kingdom is not of this world", which had been "conveniently overlooked" since Roman Emperor Constantine absorbed the faith into his governmental system, ultimately allowed reformers to resist the temptation to turn the religion into an earthly "holy" prison camp and let them legitimately preach a renewed version of Jesus' original message of tolerance, compassion, and overturning superstitions.
Islam, without this scripturally-restraining influence (because their "prophet" Mohammad censored Jesus [" Issa " ] in the Koran to the point where he is a mostly mute handpuppet of the vengeful, Old Testament styled "God" Allah ), reverted back to the worst instincts of the Deuteronomy-era maurauding Hebrews ("chosen" by their "vengeful deity" to slaughter anyone in their "divinely-ordained" path), and then adopted the most un-Christian aspects of the followers of the "Prince of Peace".
The Jews also refused to accept the Arabs' new "Abrahamic" "prophet", and, with a similar reaction of anti-Hebrew anger as that demonstrated by the Christians, Islam, when it was not killing them, relegated the Jews to second-class status ("dzimmis" or "dhimmis") within imperialitically-expanding Muslim kingdoms
The problem that the Jewish People have had to face throughout history is that two later religions, in essence, stole their Bible. And the Hebrews have not been charmed by this theological hijacking of their central revelation (even down to the idea the "Messiah" / "Mahdi") of One God.
These two "offshoot" faiths, in what looks like an unconscious cover-up of their own Cosmic Guilt Feelings, have tried to destroy those from whom they stole their core creeds. (The Jews have always been a disturbing reminder of the Christians' and Muslims' own spiritual unoriginality and teleological theft.)
Since the Nazi Holocaust, the world's Christians have finally begun to recognize their own shameful past and cruel mistreatment of their elder brothers and sisters in faith. And to see the Church's resemblance more to Cain, with the Jews as Abel, than to a loving Jesus. The creation of the state of Israel was Christianity's beginning of their ongoing repentance for sins against those from whom they "borrowed" their God and their Savior. This decent implulse has faded somewhat as the memory of the pogroms and death camps have receded into unread books and grainy newsreel footage.
Islam, meanwhile, faded from the world scene after their military reversals in Europe, up to and including WW I which saw the dissolution of the Ottoman Empire and the Caliphate, but their sentiments, as minor allies of the Nazis, were exposed during their eager assistaence with Hitler's Jewish Solution.
Since the re-establishment of Israel, in a reduced area of its original homeland, Islam's true nature toward the Jews has been nakedly hostile. (An immediate attack was their U.N. welcome wagon.)
The Muslims will never feel "confident" of their message as long as those from whom they pilfered their religion are still alive and openly resisting Mohammad's plagiarized revision ("Yaweh" becoming "Allah", etc.). So they must try to erase the evidence of their Crime (theocide) in a vicious example of endless iconotrophy (where the holy symbols of a "defeated" creed are absorbed into the "new" faith and changed to uphold the conquerors' rationalizations).
So Islam is in constant crisis as long as it feels the eyes of the wronged Jews on them. Rather than admit the Jews as elder brothers and sisters in spirit, the Muslims prefer to exterminate the Hebrews and "solve" their spiritual conundrum with the sword.
It was Mohammad's constant solution, so it is perfectly (and Koranically) "understandable"
Until a "Jesus" figure arises within Islam to temper its murderous, kingdom-in-this-world impulses, the enmity between Muslims and "un-submissive" Jews is "eternal"
Such peaceful reformers arising within Islam (like the Bahais, etc.) have failed to tame the main militant thrust of Mohammadism. Without some serious heartfelt re-vision, Islam is doomed to its warlord founder's intellectual / soul paralysis, with a drunken heavenly whorehouse as their 'religious' reward for earthly intolerance and inhuman jihadist depredations.
Mark my comment as a response to Infidel's "Jewish Conundrum" by Edo Van Ede


The Bear Flag Museum is the inspiration of William J. ("Bill") Trinkle, a California attorney and member of the North American Vexillological Association ("NAVA") since 1994. NAVA is a group devoted to the serious study of flags from a multidisciplinary view.
Bear Flag Museum does not currently have any membership or special offers available. However, if you want to visit their site, please click here. Be sure to check back some time later as they might offer some awesome discounts that you would not want to miss.


Nick Moyle April 3, 2019 Updated: April 3, 2019 7:42 p.m.
NEW YORK — Selection Sunday wasn't an ideal time to deliver such a sobering message. But Shaka Smart reckoned his team could use a reality check as they awaited the inevitable.
The Longhorns were familiar with these sheets, a detailed breakdown of a team's entire season used by the selection committee as a sort of Rosetta Stone when debating whether a program is worthy of inclusion.
Wins and losses are weighed according to opponent strength, location and several other factors. Too much red is a frightening sight for any bubble dweller like Texas.
"Guys, 16-16," Smart told the players, referring to the team's record at the time. "That's a tough pill to swallow but it's also a lesson our guys need to learn, obviously our returning guys.
Tuesday's 58-44 win over TCU earned Texas a chance to play for an NIT title Thursday night against No. 5 seed Lipscomb (29-7) at MSG. The Bison knocked off No. 6 seed Wichita State, 71-64, in the first semifinal.
That the Longhorns saved their best for last — that too is a tough pill to swallow. Four straight wins, including a dismantling of a Big 12 rival, have made it hard not to wonder where this locked-in version was throughout a trying season.
No. 2 seed Texas (20-16) throttled No. 1 seed TCU Tuesday night in the NIT semifinals at Madison Square Garden. Smart's group figured out how to stymie the Horned Frog's lethal pick-and-roll attack, kept former tormenter Desmond Bane in check and dominated in nearly every facet of the game.
If only the Longhorns could have stuck to that blueprint throughout two regular-season losses. If only they could have been as cohesive and energetic all year long. If only they could have fully embraced this identity from the very first day together.
"There's no one outside this room we can point any finger at or blame," Smart said. "We have to take ownership of it. That includes Kerwin Roach's suspension. That includes being up at Baylor and not being able to finish that game. That includes our Senior Day against TCU.
Texas is familiar with this Atlantic Sun power. It defeated Lipscomb by 23 points at the Erwin Center early last season, though the first memory any Longhorn recalls is what one 6-foot-8 Bison big did to freshman 7-footer and future first-round pick Mo Bamba.
Lipscomb made the NCAA tournament last year and fell one game short of repeating the feat this year, narrowly falling to Liberty in the Atlantic Sun tournament championship game. Liberty upset No. 5 seed Mississippi State in the first round of the NCAA Tournament and kept the pressure on No. 4 seed Virginia Tech in a second-round loss.
Senior guard Garrison Matthews is averaging 28.7 points per game in the NIT.
So, the Longhorns will try to muck up this game as much as possible. After holding Colorado to 19 first-half points in the quarterfinals and TCU to 17, they understand success starts on that end.
The sting of what happened on Selection Sunday hasn't fully faded. But little by little, Texas is trying to create a bridge to a brighter future.
"We've challenged our guys' pride," Smart said. "And I think there's certainly some embarrassment there on the part of our guys like, man, we didn't make the NCAA tournament and this team that we beat is in and this team and this team. So I give the guys a lot of credit.


text:
package main

import (
	"fmt"

	"github.com/spf13/cobra"
)

/*
#define _GNU_SOURCE
#include <errno.h>
#include <fcntl.h>
#include <libgen.h>
#include <stdbool.h>
#include <stdio.h>
#include <stdlib.h>
#include <string.h>
#include <sys/mount.h>
#include <sys/stat.h>
#include <sys/types.h>
#include <unistd.h>

extern char* advance_arg(bool required);
extern void error(char *msg);
extern void attach_userns(int pid);
extern int dosetns(int pid, char *nstype);

int mkdir_p(const char *dir, mode_t mode)
{
	const char *tmp = dir;
	const char *orig = dir;
	char *makeme;

	do {
		dir = tmp + strspn(tmp, "/");
		tmp = dir + strcspn(dir, "/");
		makeme = strndup(orig, dir - orig);
		if (*makeme) {
			if (mkdir(makeme, mode) && errno != EEXIST) {
				fprintf(stderr, "failed to create directory '%s': %s\n", makeme, strerror(errno));
				free(makeme);
				return -1;
			}
		}
		free(makeme);
	} while(tmp != dir);

	return 0;
}

void ensure_dir(char *dest) {
	struct stat sb;
	if (stat(dest, &sb) == 0) {
		if ((sb.st_mode & S_IFMT) == S_IFDIR)
			return;
		if (unlink(dest) < 0) {
			fprintf(stderr, "Failed to remove old %s: %s\n", dest, strerror(errno));
			_exit(1);
		}
	}
	if (mkdir(dest, 0755) < 0) {
		fprintf(stderr, "Failed to mkdir %s: %s\n", dest, strerror(errno));
		_exit(1);
	}
}

void ensure_file(char *dest) {
	struct stat sb;
	int fd;

	if (stat(dest, &sb) == 0) {
		if ((sb.st_mode & S_IFMT) != S_IFDIR)
			return;
		if (rmdir(dest) < 0) {
			fprintf(stderr, "Failed to remove old %s: %s\n", dest, strerror(errno));
			_exit(1);
		}
	}

	fd = creat(dest, 0755);
	if (fd < 0) {
		fprintf(stderr, "Failed to mkdir %s: %s\n", dest, strerror(errno));
		_exit(1);
	}
	close(fd);
}

void create(char *src, char *dest) {
	char *dirdup;
	char *destdirname;

	struct stat sb;
	if (stat(src, &sb) < 0) {
		fprintf(stderr, "source %s does not exist\n", src);
		_exit(1);
	}

	dirdup = strdup(dest);
	if (!dirdup)
		_exit(1);

	destdirname = dirname(dirdup);

	if (mkdir_p(destdirname, 0755) < 0) {
		fprintf(stderr, "failed to create path: %s\n", destdirname);
		free(dirdup);
		_exit(1);
	}
	free(dirdup);

	switch (sb.st_mode & S_IFMT) {
	case S_IFDIR:
		ensure_dir(dest);
		return;
	default:
		ensure_file(dest);
		return;
	}
}

void forkdomount(pid_t pid) {
	char *src, *dest, *opts;

	attach_userns(pid);

	if (dosetns(pid, "mnt") < 0) {
		fprintf(stderr, "Failed setns to container mount namespace: %s\n", strerror(errno));
		_exit(1);
	}

	src = advance_arg(true);
	dest = advance_arg(true);

	create(src, dest);

	if (access(src, F_OK) < 0) {
		fprintf(stderr, "Mount source doesn't exist: %s\n", strerror(errno));
		_exit(1);
	}

	if (access(dest, F_OK) < 0) {
		fprintf(stderr, "Mount destination doesn't exist: %s\n", strerror(errno));
		_exit(1);
	}

	// Here, we always move recursively, because we sometimes allow
	// recursive mounts. If the mount has no kids then it doesn't matter,
	// but if it does, we want to move those too.
	if (mount(src, dest, "none", MS_MOVE | MS_REC, NULL) < 0) {
		fprintf(stderr, "Failed mounting %s onto %s: %s\n", src, dest, strerror(errno));
		_exit(1);
	}

	_exit(0);
}

void forkdoumount(pid_t pid) {
	char *path = NULL;

	if (dosetns(pid, "mnt") < 0) {
		fprintf(stderr, "Failed setns to container mount namespace: %s\n", strerror(errno));
		_exit(1);
	}

	path = advance_arg(true);
	if (access(path, F_OK) < 0) {
		fprintf(stderr, "Mount path doesn't exist: %s\n", strerror(errno));
		_exit(1);
	}

	if (umount2(path, MNT_DETACH) < 0) {
		fprintf(stderr, "Error unmounting %s: %s\n", path, strerror(errno));
		_exit(1);
	}
	_exit(0);
}

void forkmount() {
	char *cur = NULL;

	char *command = NULL;
	char *rootfs = NULL;
	pid_t pid = 0;

	// Get the subcommand
	command = advance_arg(false);
	if (command == NULL || (strcmp(command, "--help") == 0 || strcmp(command, "--version") == 0 || strcmp(command, "-h") == 0)) {
		return;
	}

	// Get the pid
	cur = advance_arg(false);
	if (cur == NULL || (strcmp(cur, "--help") == 0 || strcmp(cur, "--version") == 0 || strcmp(cur, "-h") == 0)) {
		return;
	}
	pid = atoi(cur);

	// Check that we're root
	if (geteuid() != 0) {
		fprintf(stderr, "Error: forkmount requires root privileges\n");
		_exit(1);
	}

	// Call the subcommands
	if (strcmp(command, "mount") == 0) {
		forkdomount(pid);
	} else if (strcmp(command, "umount") == 0) {
		forkdoumount(pid);
	}
}
*/
import "C"

type cmdForkmount struct {
	global *cmdGlobal
}

func (c *cmdForkmount) Command() *cobra.Command {
	// Main subcommand
	cmd := &cobra.Command{}
	cmd.Use = "forkmount"
	cmd.Short = "Perform mount operations"
	cmd.Long = `Description:
  Perform mount operations

  This set of internal commands are used for all container mount
  operations.
`
	cmd.Hidden = true

	// mount
	cmdMount := &cobra.Command{}
	cmdMount.Use = "mount <PID> <source> <destination>"
	cmdMount.Args = cobra.ExactArgs(3)
	cmdMount.RunE = c.Run
	cmd.AddCommand(cmdMount)

	// umount
	cmdUmount := &cobra.Command{}
	cmdUmount.Use = "umount <PID> <path>"
	cmdUmount.Args = cobra.ExactArgs(2)
	cmdUmount.RunE = c.Run
	cmd.AddCommand(cmdUmount)

	return cmd
}

func (c *cmdForkmount) Run(cmd *cobra.Command, args []string) error {
	return fmt.Errorf("This command should have been intercepted in cgo")
}

redpajama_set_name: RedPajamaGithub


Bellflower replacement windows come in many forms. Though you might not need Bellflower replacement windows at this money, chances are you will have to replace your windows are some point in the future. When this time comes, you need to make sure that you are absolutely prepared by knowing what type of glass you should get for your home. There are many different kinds of California window replacement glass that you can get, but some of the best kinds of glass are the ones that offer you more than just panes of windows. Instead, you should look at some of the types of glass that you can get in your Bellflower replacement windows that will actually benefit you and your personal Bellflower situation in CA.
There are four different CA kinds of Bellflower replacement windows glass that you will need to know about in order to get a good idea of what kinds of glass you can expect to find for your Bellflower replacement windows. These four kinds are energy glass, or E-glass, obscure glass, tempered glass and laminated glass. Each one of these types of glass have its own specifications that make them unique to what they do. And, each one of these kinds of glass offers something that regular glass just cannot. Understanding what this is might persuade you that there are better kinds of glass than just regular old glass.
The first type of Bellflower window glass that you should know about is energy glass. It is called this because it helps conserve energy in your house by providing the best possible insulation for your home. Energy glass is comprised of a single thick pane of glass with hundreds of thousands of microscopic bits of silver throughout the Bellflower replacement pane. These bits of silver provide a far greater ability to insulate than any other kind of glass out there. Not only does it help keep the hot air out during the summer, but it helps keep the hot air in during the winter. There are many Bellflower types of replacement glass that can offer one or the other, but few can protect your home from the weather outside during every season. This type of Bellflower replacement glass is also slightly thicker than most other kinds, making it a little more difficult to break. However, when it does break, it is brittle so the pieces will scatter everywhere.
Another kind of replacement glass that you can get for your Bellflower replacement windows is obscure glass. In truth, obscure glass is not so different than most other kinds of glass. It is relatively thin and brittle in most cases. However, unlike most other kinds of normal glass, obscure glass has frosting coat on the inside of the glass. Because of the frosting, the glass can also keep some of the sun's rays out, which provides a small amount of basement window insulation, but the main feature is that it keeps eyes out in California.
A third kind of glass that you can get for your Bellflower replacement windows is known as tempered glass. This is a special kind of very thick glass that is formed by heating a single, thick pane of glass up very rapidly and cooling it off very rapidly. The rapid temperature changes contribute to a thin layer of softer glass being formed on the inside of the pane. Because of this thin layer of soft glass, this particular kind of window glass is far more durable than most other kinds of glass. This means that it will take much more pressure to make this kind of glass break than it would a normal pane of glass. If you want strong windows, there are few stronger than tempered CA glass.
The final kind of glass that you can get for your home in Bellflower is known as laminated glass. This is a kind of glass that has two panes of glass fused together with a thin layer of plastic in the middle. The panes of glass mold to the plastic so that if the glass breaks, the shards will remain in larger chunks rather than shattering. This kind of glass, because it is so thick, is also relatively insulating, but not nearly as much as Bellflower replacement windows energy glass in California.
There are dozens of other kinds of glass that you can get for your replacement windows. However, if you want to make sure that you are getting quality Bellflower replacement windows, you should at least consider these kinds of glass for when you need to get replacements. If you are going to get new windows, why not at least spend a little extra to get the best windows that you can that will last longer and save you money in California.