text:
Q: Remove rows from dataframe by name from a table I must remove a lot of rows from my dataframe, named countdata. Each row corresponds to a gene, each column to a patient (sample). To do so, I have a list of 7667 genes in format .ids that I loaded in R this way.
remove <- read.table("unwanted.ensembl.gene.ids",
header=F, check.names=F)

Here's what the heads of countdata and remove look like.
> head(countdata[,1:5])
             gene SRR1790991 SRR1790997 SRR1790999 SRR1791001
1 ENSG00000000003          5         32         10         33
2 ENSG00000000005          0          0          0          0
3 ENSG00000000419       2934       3075       2124        944
4 ENSG00000000457        686        670        630        735
5 ENSG00000000460        543        177       1986        824
6 ENSG00000000938        807        534        116         98

> head(remove)
           V1
1 ENSG00000130600
2 ENSG00000163597
3 ENSG00000166917
4 ENSG00000174365
5 ENSG00000175061
6 ENSG00000186594

So, I have tried to drop all the rows listed in "remove" with the following code:
countdata <- countdata[!rownames(countdata) %in% remove,]

However, when I compare the nrow() of countdata before and after the command, the number of rows remains the same.
I have also unsuccessfully tried:
countdata <- countdata[!(row.names(countdata) %in% remove),]
countdata <- countdata[!row.names(countdata) %in% remove,]
countdata <- countdata[!row.names(countdata) %in% remove$V1,]
countdata = countdata[!rownames(countdata) %in% remove[,1],]

I guess I am having trouble because I am not dealing correctly with my table "remove". Any help would be greatly appreciated!


November 29, 2014 • Iran is now receiving about $700 million a month in sanctions relief while talks on its nuclear program carry on. That's raising eyebrows among one group of Americans with a traumatic history in Iran.
November 28, 2014 • The video was posted to a Facebook page called My Stealthy Freedom showing Iranian women defying the country's strict laws on female dress.
November 24, 2014 • The two sides had set a deadline of today to hammer out a deal, curbing Iran's nuclear programs. Instead, Western powers and Iran agreed to a second extension of talks.
November 23, 2014 • The two sides have been trying to hammer out a historic accord curbing Iran's nuclear programs, but with less than 24 hours before a self-imposed deadline, there is still no news of a deal.
November 22, 2014 • More diplomats are joining the discussions this weekend, hoping to broker a deal to ease years of disputes over Iran's nuclear program.
November 21, 2014 • Diplomats are meeting in Vienna ahead of Monday's deadline to reach an accord on Iran's nuclear program. NPR's Peter Kenyon notes that there is speculation over who is offering a last-minute proposal.
November 17, 2014 • The two sides have set Nov. 24 as the deadline for reaching a deal over Iran's nuclear program. If successful, the negotiations have the potential to remake the Middle East.
November 4, 2014 • It's been 35 years since the storming of the U.S. Embassy in Tehran triggered a 444-day hostage crisis. Today saw more cries of "Down with America," plus some interesting demands from the crowd.
November 2, 2014 • Iranian officials are lashing out at a U.N. report portraying Iranians as suffering from an opaque justice system, regular oppression of women and religious persecution under President Hassan Rouhani.
October 25, 2014 • Reyhaneh Jabbari's execution had been postponed several times since 2009. She was arrested in 2007 over the death of a man who once worked in Iran's Ministry of Intelligence.
October 25, 2014 • Young Iranians are brimming with ideas for tech startups. But extensive financial sanctions facing their country prevent them from entering the global marketplace.
October 12, 2014 • Iran is experiencing a tourism boom. Travel agencies in the U.S. say they are planning more trips to the Islamic Republic. Kamin Mohammadi, an Iranian-born travel writer, shares some favorite places.
September 25, 2014 • Iran's President Hassan Rouhani told the U.N. that the solution to the problem of ISIS now must involve the region. He also said resolving the Iran nuclear issue could lead to greater cooperation.


text:
Q: Parse Double quotes copy past issue with javascript I am coping a string having quotes like this " " after pasting the string which having this double-quote it changing shape and becoming
 " "
Now I am parsing this string with javascript but getting this
double-quote issue because it is not same as a copy it.
" " changing " "
I have tried replacing ASCII of double-quote  also but it is not detecting this " " double quote
'The mechanism of "x" is not the way I want'.replace('\"', '"');

What is needed is to change " " in this " " so I can parse it with regular " " double quote

A: From an engine perspective, " is not the same as ", or ". This 'The mechanism of "x" is not the way i want'.replace('\"', '\s'); will need to become 'The mechanism of "x" is not the way i want'.replace(/[""]/g, '"');.
As small example of the regex is available here.

redpajama_set_name: RedPajamaStackExchange


There are many reasons to get your collection appraised, such as for insurance reasons, legal, tax, charitable, estate-planning purposes, or simply to get a third-party assessment of its value.
Your homeowners coverage provides limited coverage in protecting specific property, so it is crucial to get adequate appraisals for expensive and valuable items to properly insure their worth, and look into a personal Inland Marine Insurance policy for specific property such as special collections.
Do not use an appraiser who is also interested in buying your collection, such as a private dealer. This is a built-in conflict of interest, and could easily lead to an appraisal which undervalues your collection.
You must determine whether you need a specialist or a generalist. If your collection is highly specialized, you should try to find an appraiser who has domain knowledge in that category rather than someone who only knows antiques broadly.
It is critical to use someone you can completely trust, with demonstrated experience. It is in your best interest to talk to dealers, museum curators, and lifelong collectors who know your category well. Get references, and check out published directories from the Appraisers Association of America, the American Society of Appraisers, or the International Society of Appraisers. Some auction houses host regularly scheduled appraisal days when you can get a free preliminary verbal appraisal.
Agree on price and terms in advance with the appraiser. You will need to know how they will charge and what documentation or itemization will they deliver. Generally, appraisers charge a flat fee negotiated in advance or an hourly or daily rate. Do not pay a percentage of the value of the items. This conflict of interest could later invalidate the appraisal. Make sure you ask about potential additional fees, such as research and consulting charges.
Note that it is smart to be clear why you're getting the appraisal from the very beginning.
Be sure to provide as much information to your appraiser as possible. You must give them access to your collection, provide relevant information including purchase price, receipts, provenance, and information on repairs or restoration work that has been done.
It is also very important that you get a detailed, itemized appraisal report in writing. An appraisal should be thorough and clear, encompassing detailed documentation on an item-by-item basis. This will become very important if your items are ever lost or damaged.


text:
SWAL Conference
Bulldogs celebrate their first SWAL conference victory, 4-3
Boscobels boys baseball team celebrated their first SWAL conference victory of the 2015 season on Friday evening following their home game against Southwestern, which they won 4-3.
Peter Lindblad
Updated: May 14, 2015, 2:12 p.m.
By TRICIA HILL
It was an exciting night for the Bulldogs baseball team on Friday night, as they celebrated their first SWAL conference victory against Southwestern. Boscobel's boys' were strong at hitting in the beginning and when they began to struggle at the end they remained strong on defense, allowing them to defeat Southwestern, 4-3.
"I was proud of how well the boys played and came together as a team," coach Steven McKillip said. "Treston pitched a great game and the team played great defense behind him."
The two teams sped through the first innings, with neither team scoring a run. Boscobel's defense remained strong in the top of the second inning, as they held off Southwestern once again. However, Southwestern struggled to hold off the Bulldogs offense, as they scored three runs in the bottom of the second.
Boscobel's defense stuck together through the top of the third inning, as Southwestern attempted to rally back. However, they couldn't make it happen and remained scoreless. Then Boscobel stepped up to the plate in the bottom of the third inning and were able to score another run, bringing the score to 4-0 Boscobel leading. Going into the fourth inning, Southwestern once again attempted to rally back and this time they achieved that goal and were able to score three runs off Boscobel's defense. However, that was not enough to win the game, as both teams played quickly through the next three innings not allowing either team to score, which left Boscobel with the win, 4-3.
Boscobel's leading hitters were Austin Martin (2x3), Chandler Cashman (2x3), Levi Wetter (1x2), and David Zart (1x2).
Treston Davidson pitched for Boscobel through all seven innings, giving up five hits, three runs, five walks, and recording 10 strikeouts.
Southwestern's Nemitz, Rieken participate in WBCA All-Star games
Fennimore girls 4x800 relay wins state title, smashes school record
Darlington sweeps SWAL titles for third straight year
I–G softball back on top of the SWAL

redpajama_set_name: RedPajamaCommonCrawl


text:
Speed Triple S
SpeedTripleS
Aggressive, agile and purposeful; the legendary Triumph Speed Triple created the performance naked category back in 1994 and coined the phrase 'factory streetfighter'. The latest generation of Triumph's modern motorcycle icon builds on the Speed Triple's perfect balance of power, handling, and capability, making it the most advanced and powerful Speed Triple ever built. Still the perfect balance. Still the original hooligan.
Triumph Speed Triple S
Aggressive, agile and purposeful; the legendary Triumph Speed Triple created the performance naked category back in 1994 and coined the phrase 'factory streetfighter'. The latest generation of Triumph's modern motorcycle icon builds on the Speed Triple's perfect balance of power, handling, and capability, making it the most advanced and powerful Speed Triple ever built. The new S and RS models are improved in every way, with the RS having the highest ever level of specification to reflect its new name and pedigree. Still the perfect balance. Still the original hooligan.
150 PS / 148 Bhp (110 kW) @ 10,500 rpm
117 Nm @ 7,150 rpm
Twin 320 mm floating discs, Brembo 4-piston 2-pad radial monobloc calipers. Switchable ABS.
Single 255 mm disc, Nissin single 2- piston sliding caliper. Switchable ABS.
Full Colour Adjustable TFT Instruments - The Speed Triple S features all-new, angle-adjustable full colour 5" TFT instruments for riders to access the new on-board computer. There are three different screen display styles to choose from, pre-set to the riding modes and easily changeable on the move. To ensure that the screen is readable in all weather and riding conditions, each of the three styles can be selected with 'High' or 'Auto' contrast.
New On-Board Computer - Presents speedometer, rev counter, riding mode symbol, gear position display, fuel level, clock and ambient temperature on permanent display. Additional information is available via the selectable 'tray' at the bottom of the screen, including two trip displays, average and instantaneous fuel consumption, range to empty, riding mode selection, display style, contrast settings, service information, coolant temperature, and warning symbol information.
New Switchcubes with Illuminated Buttons - To navigate the new instruments there are all-new switchcubes with an intuitive 5-way joystick control to improve ease of use. Innovative new back-lit buttons enhance rider interaction and improve control in all riding conditions.
Ride-by-Wire - For a crisper and more precise throttle response, with improved on/off throttle transition. Enabling different throttle maps, which, combined with the ABS and traction control settings, give up to five riding modes.
Riding Modes - Linked to the ride-by-wire system – Road, Rain, Sport and Rider configurable riding modes are selectable on both new models via the new switch gear, for maximum control and safety in different riding conditions. The Speed Triple RS also has an extra Track mode, offering advanced ABS and traction control settings.
Switchable ABS and Traction Control (Speed Triple S) - Maximising rider safety and control, the riding modes feature the appropriate ABS and traction control settings, which can be turned off completely via the Rider configurable mode.
Cruise Control - An easy-to-use cruise control function is now fitted as standard to both new models for the first time ever on a Speed Triple, improving long distance rideability by reducing rider fatigue.
DRL Headlight - Daytime Running Lights (DRL) incorporated into the headlight bring excellent visibility and a distinctive light profile.
Liquid-cooled, 12 valve, DOHC, in-line 3-cylinder
79mm x 71.4mm
148 Bhp (110 kW) @ 10,500 rpm
Single 255 mm disc, Nissin single 2-piston sliding caliper. Switchable ABS


Here you can see the best solicitors in West Bromwich. These results are based predominantly on the reviews collected from clients in the last 12 months on ReviewSolicitors, but take into account a law firm's accreditations, experience, size, notable cases, Legal Ombudsman and disciplinary records and other important information. Remember to leave a review after you have used a firm!
We found great results, but some are outside West Bromwich. Showing results in neighbouring cities.
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"Criminal defence review of Harry Jagdev"
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Jagdev Legal have solicitors ready to assist with your matter. Click here to contact directly or find out more.


text:
← PHYSICIAN, HEAL THYSELF !!!!
ANOTHER JESUIT UNIVERSITY, MARQUETTE, DEMONSTRATES THAT IT IS NO LONGER A CATHOLIC UNIVERSITY →
THE LACK OF CHARITY IN CATHOLIC PROGRESSIVES IS A MAJOR SCANDAL
Posted on February 13, 2015 by abyssum
A Trap Set for Catholic Conservatives
BY: Austin Ruse
Influential Catholics—many of them supporters of Barack Obama—are advancing a proposition that may have the result of sullying the reputations of Catholic conservatives and those Catholics arguing for a robust market economy.
They couch their arguments in Catholic Social Teaching; the common good, political community, love for the poor, subsidiarity. They compare this over against libertarianism; a radical individualism where each man sets and makes his own course that—damn all the rest—leads to his flourishing unless the heavy hand of the state interrupts it. Above all—to radical individualists—the State is the Enemy. Except some of what these people call libertarianism, isn't.
This proposition got at least a partial airing out last Summer at a conference called "The Catholic Case Against Libertarians" hosted in the lovely offices of Bread for the Poor, offices far larger and far nicer than the poor pro-life group that I run and most others that I know.
One of the overarching questions, at least for some of us in the room, was where are the libertarians you all are talking about? Why weren't any of them invited to speak, perhaps to engage, to explain themselves. One of the organizers answered that when he said, quite unbidden, that libertarians were not invited to engage the conference "because we are here to instruct them, not to engage them. It is similar to the Church's instruction of communists."
I do not want to suggest that any of the speakers were cagey but as I recall only one of them even mentioned the name of a group that is suspect. Matthew Boudway of Commonweal drew a bright line right at the real target if the conference. The line began with libertarianism and went straight to political conservatives and to free marketeers. "Most Catholic defenders of laissez-fair ideology describe themselves as conservative." But even they know such an ideology is really the "great disrupter, its gales of creative destruction sweeping away traditions, institutions, and communities that stand in its way." Where no others did, Boudway had the courage to name names. He named the Acton Institute. More on Acton below.
Boudway also said, "Show me a country that has surrendered its politics to the dictates of the market, and I will show you a culture where personal attachments of every kind are less secure than they once were and where the poor and every other vulnerable population are at most an afterthought." To that I would say, yes please, show me that country.
John DiIulio of the University of Pennsylvania gave perhaps the most disappointing talk. He went after "self-professed Catholics" who had dared to challenge some of the Pope's economic pronouncements. One expected more from him, who is greatly admired by Catholic conservatives, than his repeated suggestion that Catholic conservatives are "radical libertarians" and therefore not "true Catholics." He said such as these are fine with families living in the streets, Third World children suffering from malaria and HIV/AIDS, and indigent elderly with curable diseases. It could have been an Obama campaign commercial.
Stephen Schneck, who runs the Institute for Policy Research and Catholic Studies at the Catholic University of America, gave among the most interesting talks, tracing libertarian ideas from Barnard de Mandevile's 1704 poem The Fable of the Bees to the French Revolution to the Scottish Enlightenment to Civil War America and down to the present day.
He began, though, with Ayn Rand and John Galt. He took the detour through history to demonstrate "that I do understand libertarianism: its roots and its branches." And he ended his historical tour back with Ayn Rand and John Galt.
That is the thing that occurred to some of us that day and subsequently. Any support of a market economy equals libertarianism equals Randism equals heresy.
Are we who favor smaller government, less regulation, and market solutions really the same as Ayn Rand and John Galt?
One of their targets, and the only organization named in the conference was the Acton Institute, the Michigan-based think tank that seeks "to promote a free and virtuous society characterized by individual liberty and sustained by religious principles." Look at Acton's core values and they line up almost perfectly with Catholic Social Teaching. I am not aware that Acton's leadership has ever identified themselves as libertarians.
Catholic Democrats did go a little batty when Acton's founder Father Robert Sirico published something called "Who is John Galt?" in which he suggested that, without noticing it herself, Ayn Rand had made John Galt a Christ-figure. The Catholic left dutifully reported that Sirico sees Galt as a Christ-figure, which he never did. Of course this make Father Sirico and Acton the worst kinds of libertarians. By the way, faithful Catholics like philanthropists Frank Hanna and Sean Fieler are on the Acton board.
Another person this group wanted to instruct was actually sitting in the audience that day. Andrew Abela had been named founding Dean of the Business School of Catholic University of America. When the school was founded, a mere 12 months before, one of the big donors was the Charles Koch Foundation.
Charles Koch gave a million and entrepreneur Tim Busch gave $500,000 in order to "support research into the role principled entrepreneurship can and should play in improving society's well being." In the CUA press release, the University said the Charles Koch Foundation "supports research and higher education programs aimed at improving understanding of how economic freedom advances human well being." Freedom advances human freedom? Uh-Oh. A tempest ensued.
Almost immediately 50 professors wrote a letter to CUA president John Garvey and Andrew Abela suggesting that a grant was inappropriate in light of Catholic Social Teaching. The charges against the Kochs were they supported Governor Scott Walker in his fight to free public sector employees from having to join the union, that the Kochs support those who question global warming, and that they opposed expansion of Medicaid in some of the states. I honestly never knew that mandatory union membership was something my faith required, and global warming, too,
Likely with a chuckle, the University pointed out that a huge number of professors who signed the letter work at academic institutions that happily take scads of Koch cash.
Just like the Juice-Box Theologians, these folks seem intent on convincing Catholics that we are forbidden by the Church to be economic conservatives; that Catholics cannot believe in a market economy. Anyone who espouses these ideas is outside the Church, in the words of John DiIullio, not a "true Catholic."
David Gibson of the Religion News Service went after Andrew Abela a few weeks ago for yet again taking more Koch money and for saying that Catholic Social teaching was silent on public sector unions. In the piece Gibson referred to Abela as a libertarian. This is a dangerous charge, especially given that Abela is Dean of the only Catholic business school in American that is chartered by the Vatican. The CUA Business School is one of the proper places to understand the proper role of markets.
Given that Abela has never espoused a libertarian philosophy, Gibson was challenged to prove it and he fairly quickly took down that qualifier. But you see how this works? Had that stayed in the piece, Abela would have henceforth been sullied by the charge.
Now, many people these days do call themselves libertarian. But libertarianism is a bit like socialism in that many people who claim it probably don't know what it means. Many are merely small government conservatives who may believe they are libertarians without understanding all that it means. And none of this is to say that libertarianism is not a problem, because it is a serious problem.
In the fight against abortion, same-sex marriage, and pornography, libertarianism is the enemy. I think of the Cato Institute. I think also of Students for Liberty. I watched Matthew Spalding debate the head of Students for Liberty at the Conservative Political Action Conference last year. The student called for Federal intervention to impose same-sex marriage on the states. Spalding, who is with Hillsdale College, called him a big government liberal.
But the libertarian problem is not helped by Catholic Democrats attacking their Republican counterparts. There is, in fact, great common cause that could be made by Catholic Democrats and Catholic Republicans including on the question of libertarianism. But that cannot happen if your project is less about advancing the cause of Catholic Social Teaching than it is about scoring political points and winning elections.
Tagged as Ayn Rand, Catholic Social Thought, CUA, libertarianism, Progressive Catholics, Stephen Schneck
By Austin Ruse
Austin Ruse is president of C-FAM (Catholic Family & Human Rights Institute), a New York and Washington DC-based research institute focusing on international legal and social policy. The views expressed here are not necessarily those of C-FAM.
This entry was posted in Uncategorized and tagged Ayn Rand, Catholic Social Teaching, John Galt. Bookmark the permalink.
1 Response to THE LACK OF CHARITY IN CATHOLIC PROGRESSIVES IS A MAJOR SCANDAL
barbara kralis says:
Excellent. Important. Thank you.
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"Monoclonal antibodies are much more tied to abortion than the jab. They are made from humanized mice, in a Frankensteinesque practice of destroying embryos that were created in vitro, and then grafting them into mouse embryos. Fr Patrick Fenton "


North Dakota seniors, you have 23 Medicare Part D Plans to choose from in 2019. Low monthly premiums, too! But, don't make a decision on the premium and deductible alone. It's critical that you verify that your medications are covered. You find this information, and the co-payment tiers, in the formulary.
If you have expensive prescriptions, chances are that you will reach the Medicare coverage gap (aka, donut hole) on your plan. The Affordable Care Act law closes the gap over the new few years, but it's still with us in 2018. Until it's gone you'll need to use good sense to get through the period when your medications are not covered.
While you're looking at Medicare Prescription Drug plans, it's a good idea to shop for supplemental Medicare insurance that will cover some or all of the excess costs not paid by Original Medicare. Even with the new healthcare law reforms, Medicare only covers about 80 percent of the hospital and doctor bills incurred by most seniors in North Dakota, leaving you to handle the rest. A Medigap policy protects you from big bills, giving you peace-of-mind. We make it easy to find the lowest cost policy available in North Dakota with our complete catalog of Medigap policies for seniors living in North Dakota.
More than 15-million people on Medicare enrolled in a Medicare Advantage plan in 2015. The biggest reason for switching is the added benefits and lower out-of-pocket costs. Of the additional benefits included, by far the most common is prescription drug coverage. Our catalog will show you all Medicare Advantage plans in North Dakota and the features, benefits and coverages they offer.
You are age 65 or over (or have Medicare due to a disability).
Medigap Part D Plans are available in the following counties: Richland, Cass, Traill, Sargent, Ransom, Barnes, Steele, Grand Forks, Walsh, Nelson, Pembina, Cavalier, Ramsey, Rolette, Pierce, Towner, Bottineau, Benson, Wells, Eddy, Stutsman, Mcintosh, Lamoure, Griggs, Foster, Kidder, Sheridan, Dickey, Logan, Burleigh, Morton, Mercer, Emmons, Sioux, Grant, Oliver, Mclean, Stark, Slope, Golden Valley, Bowman, Dunn, Billings, Mckenzie, Adams, Hettinger, Ward, Mchenry, Burke, Divide, Renville, Williams, Mountrail, and all other areas of the state.


Diana Shipping announced that, through a separate wholly-owned subsidiary, it has entered into a time charter contract with Uniper Global Commodities SE, Düsseldorf, for one of its Post-Panamax dry bulk vessels, the m/v Amphitrite, for a period of minimum fourteen months to maximum seventeen months.
The gross charter rate is US$5,000 per day for the first five days of the charter period and US$12,750 per day for the balance period of the time charter, in each case minus a 5% commission paid to third parties. The charter commenced yesterday. The m/v Amphitrite was chartered, as previously announced, to Cargill International S.A., Geneva, at a gross charter rate of US$11,150 per day, minus a 4.75% commission paid to third parties, for the agreed period of the time charter.


text:
package uk.ac.rdg.resc.edal.time;

import org.joda.time.DateTimeField;
import org.joda.time.DateTimeFieldType;
import org.joda.time.DurationField;
import org.joda.time.IllegalFieldValueException;
import org.joda.time.field.ImpreciseDateTimeField;

/**
 * A {@link DateTimeField} representing a month within a year of fixed duration.
 *
 * @author Jon
 */
final class MonthOfFixedYearDateTimeField extends ImpreciseDateTimeField {

  private final FixedYearVariableMonthChronology chron;
  private final int[] daysInMonth;
  private final int numMonthsInYear;

  public MonthOfFixedYearDateTimeField(FixedYearVariableMonthChronology chron) {
    super(DateTimeFieldType.monthOfYear(), chron.getAverageMillisInMonth());
    this.chron = chron;
    this.daysInMonth = chron.getMonthLengths();
    this.numMonthsInYear = chron.getMonthLengths().length;
  }

  @Override
  public int get(long instant) {
    int dayOfYear = this.chron.dayOfYear().get(instant);
    // Now search through the months of the year
    int totalDays = 0;
    for (int i = 0; i < daysInMonth.length; i++) {
      totalDays += daysInMonth[i];
      if (dayOfYear <= totalDays) {
        return i + 1; // Month numbers are one-based
      }
    }
    throw new AssertionError("Shouldn't get here");
  }

  @Override
  public long set(long instant, int value) {
    // Check for illegal values: this is not a lenient field
    if (value < 1 || value > this.numMonthsInYear) {
      throw new IllegalFieldValueException(this.getType(), value, 1, this.numMonthsInYear);
    }
    // What is the current month?
    int monthOfYear = this.get(instant);
    // How many months do we have to add to arrive at the new value
    int monthsToAdd = value - monthOfYear;
    // Now add the required number of months
    return this.add(instant, monthsToAdd);
  }

  @Override
  public long add(long instant, int numMonths) {
    if (numMonths == 0)
      return instant;

    // Calculate the number of years we have to add
    int numYearsToAdd = numMonths / this.numMonthsInYear;
    // Add the required number of years to the millisecond instant
    long newInstant = instant + numYearsToAdd * this.chron.years().getUnitMillis();

    // What is the current month?
    int monthOfYear = this.get(instant);
    // Calculate the number of months we have to add
    int numMonthsToAdd = numMonths % this.numMonthsInYear;
    // Add the required number of months TODO!!!
    if (numMonthsToAdd > 0) {
      // Add the months, starting with the current month
      for (int i = 0; i < numMonthsToAdd; i++) {
        // monthOfYear is 1-based
        int monthToAdd = monthOfYear - 1 + i;
        // we might wrap around the array
        monthToAdd %= this.numMonthsInYear;
        long millisToAdd = this.daysInMonth[monthToAdd] * this.chron.days().getUnitMillis();
        newInstant += millisToAdd;
      }
    } else if (numMonthsToAdd < 0) {
      // Subtract the month lengths, starting with the previous month
      for (int i = 0; i < Math.abs(numMonthsToAdd); i++) {
        // The previous month is monthOfYear - 2 because monthOfYear is 1-based
        int monthToSubtract = monthOfYear - 2 - i;
        // we might wrap around the array
        if (monthToSubtract < 0)
          monthToSubtract += this.numMonthsInYear;
        long millisToSubtract = this.daysInMonth[monthToSubtract] * this.chron.days().getUnitMillis();
        newInstant -= millisToSubtract;
      }
    }

    return newInstant;
  }

  @Override
  public long add(long instant, long numMonths) {
    // TODO: should do a better check for overflow here
    if (numMonths > Integer.MAX_VALUE) {
      throw new IllegalArgumentException("Value too large");
    }
    return this.add(instant, (int) numMonths);
  }

  @Override
  public long roundFloor(long instant) {
    int year = this.chron.year().get(instant);
    int monthOfYear = this.get(instant);
    int numCompleteMonths = monthOfYear - 1;

    long millis = (year - 1970) * this.chron.years().getUnitMillis();
    for (int i = 0; i < numCompleteMonths; i++) {
      millis += this.daysInMonth[i] * this.chron.days().getUnitMillis();
    }

    return millis;
  }

  @Override
  public int getMinimumValue() {
    return 1;
  }

  @Override
  public int getMaximumValue() {
    return this.numMonthsInYear;
  }

  @Override
  public DurationField getRangeDurationField() {
    return this.chron.years();
  }

  /** Always returns false: does not accept impossible months like Floopuary */
  @Override
  public boolean isLenient() {
    return false;
  }

}

redpajama_set_name: RedPajamaGithub


Through my work this year, I was exploring the way we interact with objects and so, leading from this, the reasons why we choose to own certain objects; the battle between/combination of beauty and function.
Having always been inspired by nature as a visual and conceptual source, I chose to create a collection based on the four elements of the earth and how they manipulate and constantly change the landscape-specifically the coastline of Harris in the Western Isles of Scotland, somewhere I feel a close connection to.
I am particularly interested in the beauty we perhaps do not see, such as momentary actions or interactions we take for granted or just take no notice of; those momentary actions that over time create their own piece of art in the land, such as a wave rolling onto the shore and retreating back to the depths of the ocean. Taking these 'moments' and immortalising them in a tangible way through the mediums of ceramics and glass has been my main aim this year. I was also exploring the act of collecting beach 'treasures' and looking at why we do this. Through my collections this year I wanted to recreate that sequence of emotions from the feeling of discovery to attachment to nostalgia, from the memory now held within said object.
I aimed to evoke a sense of personality and immediate connection in the pieces I made by including the viewer in the experience through interaction. I wanted to create objects that give the consumer a decision to make; to use them as functional utensils, to display them as ornamental pieces or to do both.
Primary research: sequence photography-capturing a moment in time.
These are the slumped results. Due to the delicacy of the piece of glass, it has picked up the detail in the organically made mold really well which gives it a very interesting texture which interacts with light in a beautiful and intriguing manner.
Early April this year, I visited the source of my inspiration for this year's project to collect some more primary research that I hope will inform my final weeks at uni and my finals for Degree Show.
After a gruelling few months of trial and error, I was finally successful in the free fall draping process.
I could then focus on finishing my second larger collection of ceramic pieces with glass elements.
A number of these pieces are still available to purchase, if you are interested, please visit the shop page of the website.


Check out this awesome video about USGBC NJ. Thanks goes out to Mike Buono (one of our founding members) of Environmental Services Management Group (esmg) and Jason Kliwinski (another USGBC NJ founding member) of Green Building Center New Jersey!
Thanks goes out to Mike Buono (one of our founding members) of Environmental Services Management Group (esmg) and Jason Kliwinski (another USGBC NJ founding member) of Green Building Center New Jersey!


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Udo Noger "No More – No Less"
UDO NÖGER: NO MORE – NO LESS OCTOBER 2OTH – DECEMBER 4TH, 2016
MADISON GALLERY PRESENTS UDO NÖGER: NO MORE – NO LESS
Exhibition dates: October 20th – December 4th, 2016
Venue: 1055 Wall Street, La Jolla, CA 92037
Artist Lecture featuring Peter Frank: Thursday, October 20th, 2016
Artist Lecture Hour: 7-8 p.m.
Opening Reception Hours: 6-9 p.m.
Contact us: 858-459-0836/info@madisongalleries.com
La Jolla, August 22nd, 2016 – Madison Gallery presents German artist Udo Nöger's solo exhibition, No More – No Less. Nöger works in a minimalist tradition, reducing everything he does "to a point where there is no more, no less"— a statement that captures the delicate balance anchoring his pared-down aesthetic. This quest toward a conscientious reduction of visual information, however, plays a supporting role in the artist's primary cause: light.
In Nöger's art light enters into the painting, illuminating the forms and then returning to the surrounding space that is its source. The paintings media is oil and acrylic on layered canvas and fabric, which trap the light so as to transform it and send it back. Through his singular approach and unique suite of mediums, Nöger is 'able to set the surface free' to get the purest light possible. The innovative construction draws viewers in while at the same time requiring them to step back, refocus, and reconsider.
Udo's works are part of numerous permanent public collections including Metropolitan Museum, NY; The Art Institute of Chicago, IL; Daum Museum of Contemporary Art, Sedalia, MO; Kunsthalle Bielefeld, Bielefeld, Germany; Haus der Kunst, Munich, Germany; Margulies Collection, Miami, FL; Microsoft, Chicago; Microsoft, San Francisco; Red Rock Hotel, Las Vegas, NV; and Bellagio Hotel, Las Vegas, NV.
The Opening Reception will feature an artist lecture led by acclaimed art critic, poet and curator Peter Frank, Associate Editor of Fabrik magazine. Frank has contributed to many publications including the Huffington Post, The Village Voice, and LA Weekly and has written numerous catalogues for major exhibitions. He has worked curatorially with such institutions as the Solomon R. Guggenheim Museum in New York, the Museo Reina Sofia in Madrid, and Documenta in Kassel, Germany, and has taught at several prestigious institutions including the Pratt Institute, Columbia University's School of the Arts, and University of California campuses in Irvine, Los Angeles, and Santa Barbara.
Founded in 2001, Madison Gallery is committed to representing emerging, mid-career and established international artists whom work in a range of media. Inspired by an earnest dedication and passion for art, the gallery consistently exhibits a high standard of contemporary art. Madison Gallery works closely in building private, corporate and public collections thus placing it amongst the leading contemporary galleries in California. Blouin Modern Painters Magazine has recognized our program for the fourth year in a row as one of the Top 500 galleries worldwide.
UDO NÖGER: LIGHT MAKES WHITE
Light is permanent and yet always different. – (Dr.) Tayfun Belgin
By Peter Frank
Udo Nöger's visual universe (and for a painter, visuality is entirety, so this means Nöger's entire universe) is founded on a field of white. Like Eskimo peoples who have myriad different words for "snow," Nöger knows, and continues to find, endless variations and derivations on the condition of whiteness. But his is not a minimalist exploration of almost-invisible changes; it is a constant enactment of the drama inherent in a realm of his own invention and constant discovery, one where color is not at issue, light itself is. The human eye adjusts, looking here not for spectral relationships – between blue and green, red and violet – but for tonal relationships or even starker contrasts, between presence and absence, surface and depth. Nöger's white universe is as rich and complex as any rainbow universe, it just depends on different optical conditions.
Perhaps Nöger's white compositions, painterly but subtly painted, ought to be compared more to sculpture than to painting. To marble, granite, or plaster sculpture, that is, objects hewn from materials whose coloristic qualities are suppressed, to the point of invisibility. To be sure, the ancients decked out even their most classic and austere statues in often-gaudy renditions of clothing, skin, etc. But all that survived the scouring of time was the stone itself, divested of its colorization. Nöger's paintings, then, are as white as Michelangelo's figures, not Praxiteles'. But that's beside the point: what remains at the core of Western three-dimensional art is a tradition of sculpting in pure-white substances, and this artist working in (apparently) two dimensions emulates that purity – or, more accurately, neutrality – with a grace and fervor similar to Bernini's or Brancusi's.
But, again, Nöger does not strive even to infer the third dimension; he only exploits its facture in the construction – the literal construction – of what are ultimately paintings, accretions of pigment meant to be viewed frontally. He paints and lets the paint affect the eye as it will, breathing in and out in an atmosphere of white. At the same time, there is a certain inference of depth in Nöger's canvases. Portions of those canvases have been rendered translucent, allowing us a view through to the other side. Back there it's a different breath of whiteness, deeper and quieter than the vivid, icy clouds that cling to the painting's surface. But "surface" does not mean any sort of extruded picture plane on which brushstrokes accumulate sensually. Rather, everything seems to happen behind an even, featureless scrim, a delicate membrane that, our eyes tell us, has collected bursts of frigid light. Nöger's white pigment seems to radiate an unearthly glow, its milkiness bespeaking something at once frozen, fluid, and ethereal, a vapor in the process of crystallizing.
Nöger achieves his peculiar, haunting, optically improbable effects not simply by limiting his palette to a relatively stringent array of whites, but by applying those white pigments to canvases which are then stacked, at least three at a time, to comprise a single painting. The strategic application of paraffin (i.e., processed mineral) oil provides the canvases, certainly the top ones, with their translucency. Cut-out areas, especially in the interleaved surfaces, further complicate the relationships between the canvases and the visual space, at once shallow and infinite, established between them. Nöger's paintings are no mere pictures. Rather, even as they present themselves as wall-hung tableaux, their construction establishes them as places of a sort, containers for a dynamic that is limited in its formula but staggeringly varied in its effect.
Nöger, and many who have commented on his work, have stressed that the essence of his painting is light. After all, he limits his palette to white and subjects his compositions to a structural format and a method of applying substances that together modify how light passes through the disparate areas of pigmental accretion and absence. By doing so, Nöger achieves a radiance that escapes its shapes even as it highlights, even haloes, them. He has even called one of his recent series Lichtfluss, or "Lightflow." (Tellingly, another series is called Gleiches, which translates as "Equivalents," but can also mean, or at least infer the concept of, "Simultaneities" – pointing at the coincident, and thus combined, "events" occurring on and between the layers of each stacked painting.)
Nöger has spent much of his professional life far from the cloudy skies of his native west-central Germany, preferring the sun-filled atmospheres of Spain, Mallorca, Colorado, Hawaii, south Florida, and now southern California. Indeed, his work shares qualities of both perception and inventive workmanship with the Light-and-Space movement associated with the Golden State. But light is only where Nöger's art begins; having engaged light and substance in such an elaborate, balletic, multi-tiered interplay, his art culminates in a kind of retinal theater – not an abstract trompe-l'oeil so much as an uncanny dissipation of landscape space, or some kind of space, into pure luminosity, as if Joseph Mallard William Turner were painting a snowstorm or staring into the sun itself.
Compared often to Lucio Fontana, Nöger's approach – evident no less in his singly-layered works on paper than in his multi-tiered paintings – does not call attention to its materiality, as Fontana's does, but to its immateriality. In this respect, he can be seen as Turner's descendant, and Monet's, and even Rothko's. And with theirs, Nöger's activation of the visual field with what seems monochromatic nuance bespeaks a kind of ecstasy of the void – not a descent into the pitch-black absence of color but an ascent into the delirious every-color cacophony of white. The evident impasto of Nöger's painterly application brings a grounding materiality to what might otherwise seem mirage-like markings, hovering as they do behind a seemingly dematerialized screen. At the same time, his whiteness seems heavenly, a losing of self in the clouds, even a foretaste of the white light that supposedly brings our consciousness to its final apotheosis. But these are poetic postulates; enticing as they are, they pull us away from the immediate experience of the paintings even as they propose a bracing existentiality. Udo Nöger does not begrudge us our metaphors. But neither does he indulge them at the expense of vision itself. Evocative as they are, these hyper-paintings are not meant to be pictures of anything nor evocations of any states of being, but only visual stimuli – equivalents of themselves, nothing more, or less, than the ebb and flow of light through a variety of suspensions. They provoke metaphysical associations not because they should, but because they can. And, primarily, they provoke pure sensation, entirely for its own sake. These are paintings not about light, but of light.


text:
By Greenberg About Greenberg On Clembashing Books by and about Greenberg Greenberg Collection Exhibition Contact us Related Sites
Photo: Eleanore Lazare
"... At this same party [a] friend introduced the then comparatively young art critic Clement Greenberg... Marianne seemed to be familiar with his writing and said, on shaking hands, "Oh, the fearless Mr. Greenberg."
-- Elizabeth Bishop in Efforts of Affection: A Memoir of Marianne Moore
The greatest art critic of the second half of the 20th century, Clement Greenberg was arguably the greatest art critic of all time.
This site may not convert Greenberg's many detractors, though it may controvert their claims; it presents the opinions of friends and admirers as well as selections from Greenberg's own writing. Material will be added as it becomes available.
My thanks for support from Greenberg's many friends and especially from his widow, Janice Van Horne.
Thanks, in advance, to readers, students, and art lovers.
 -- Terry Fenton
(c) Copyright of Clement Greenberg's writing is property of the Clement Greenberg estate and may not be reproduced without permission.
For permissions contact the Estate of Clement Greenberg at jvh275@gmail.com
Janice Van Horne
A COMPLICATED MARRIAGE
My Life With Clement Greenberg
Now in paperback and e-book
BY GREENBERG
Greenberg on Greenberg a brief autobiography from 1955
On Modernism and the Avant Garde
Avant Garde and Kitsch (1939)
Modernist Painting (1960)
Avant Garde Attitudes (1968)
Modern and Postmodern (1979)
Cross-Breeding of Sculpture 1952. A masterly historical overview
Collage, (1959) the pre-eminent essay on Cubism, the seeds of abstraction, and assemblage. Required reading.
Hofmann (1961) a seminal essay on Hans Hofmann, the great and still underappreciated master
Influences of Matisse (1973) A catalogue text from an exhibition at Acquavella Galleries, New York
Detached Observations (1972) on the history of art
Interview (1978) Robert McLaughlin Gallery, re: 1957 Toronto visit and studio practice.
Autonomies of Art (1980) Life and art, morality and art, the place of art -- includes link to RealAudio
Art Criticism (1981) On the State of Criticism, from Partisan Review
Taste (1983) Text (plus Real Audio) of a talk at Western Michigan University
Interview (1991) From The Edmonton Review, 1996
by Clement Greenberg
Out of print for 50 years!
ABOUT (AND RELATED TO) GREENBERG
The Man Who Loved Pictures, 1994 a memorial tribute by Terry Fenton
Greenberg the Critic, 2001. An overview by Terry Fenton.
The Unconditional Aesthete, by Darby Bannard,1987, a discussion of Greenberg's contribution.
In The Studio by Sir Anthony Caro, Nov. 2000. Includes link to new Caro web site.
Soulmates in Art by Peter Harris, Oct 2001. Greenberg and an Australian painter.
The Veteran Critic by Neil Marshall, Nov. 2000. Judgment; manners, good & ill.
Clement Greenberg, a Memoir by Tim Hilton, from the New Criterion archive, Sept. 2000
The Slippery Slope of Hope by John Link. Is decadence upon us?
ANECDOTES -- please send us yours...
GREENBERG, KANT AND CONTEMPORARY AESTHETICS
This seminar was held June 1-3 2007 at Emma Lake, Saskatchewan, sponsored by the Department of Philosophy at the University of Saskatchewan. The papers by teachers and students of aesthetics from Canada and the United States proved to be serious and sympathetic, a far cry from Greenberg's treatment by the art world during his lifetime. Selected papers from the workshop have been published in a special issue of AE: The Canadian Aesthetics Journal devoted to the workshop proceedings.
The Greenberg I Knew, 2007. Keynote address to the Kant/Greenberg seminar (slightly revised) by Terry Fenton
Books by and about Greenberg
Review by Helen Frankenthaler of The Harold Letters from Partisan Review
ON CLEMBASHING
Journalism 101... 1998 a review by Piri Halasz of Florence Rubenfeld's Clement Greenberg Greenberg, A Life
Greenberg in the 40s; his Critics in the 80s by Piri Halasz. A detailed examination.
A Critic and His Critics: the Reception of Clement Greenberg: A Life by Karen Wilkin
Rubenfeld Aftermath by Terry Fenton
Against Clembashing by Peter Harris -- the phenomenon isn't confined to North America.
Beyond Revisionism: Reconsidering Clement Greenberg's Cold War Politics by Sheila Christofides
CLEMENT GREENBERG: A CRITIC'S COLLECTION
Text by Karen Wilkin
The Portland Art Museum acquired Greenberg's art collection, which consists primarily of gifts from artists, and organized a traveling exhibition drawn from it.
Please feel free to contact us. Comments, anecdotes, articles, and queries are welcome.
Writing on art
and paintings
by Terry Fenton
An electronic journal of plain talk about new art. Includes writing by Darby Bannard and John Link. A rich, well designed site with many links to others.
From the Mayor's Doorstep by Piri Halasz. A monthly/bimonthly column of criticism and comment about the current art scene.
webmaster: Terry Fenton
www.sharecom.ca/fenton/


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Supreme Court E-Library
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Foreign Supreme Courts
598 Phil. 94
[ G.R. No. 175048, February 10, 2009 ]
EXCELLENT QUALITY APPAREL, INC., PETITIONER, VS. WIN MULTI RICH BUILDERS, INC., REPRESENTED BY ITS PRESIDENT, WILSON G. CHUA, RESPONDENT.
D E C I S I O N
TINGA, J.:
Before us is a Rule 45 petition[1] seeking the reversal of the Decision[2] and Resolution[3] of the Court of Appeals in CA-G.R. SP No. 84640. The Court of Appeals had annulled two orders[4] of the Regional Trial Court (RTC), Branch 32, of Manila in Civil Case No. 04-108940. This case involves a claim for a sum of money which arose from a construction dispute.
On 26 March 1996, petitioner Excellent Quality Apparel, Inc. (petitioner) then represented by Max L.F. Ying, Vice-President for Productions, and Alfiero R. Orden, Treasurer, entered into a contract[5] with Multi-Rich Builders (Multi-Rich) represented by Wilson G. Chua (Chua), its President and General Manager, for the construction of a garment factory within the Cavite Philippine Economic Zone Authority (CPEZ).[6] The duration of the project was for a maximum period of five (5) months or 150 consecutive calendar days. Included in the contract is an arbitration clause which is as follows:
Article XIX : ARBITRATION CLAUSE
Should there be any dispute, controversy or difference between the parties arising out of this Contract that may not be resolved by them to their mutual satisfaction, the matter shall be submitted to an Arbitration Committee of three (3) members; one (1) chosen by the OWNER; one (1) chosen by the CONTRACTOR; and the Chairman thereof to be chosen by two (2) members. The decision of the Arbitration Committee shall be final and binding on both the parties hereto. The Arbitration shall be governed by the Arbitration Law (R.A. [No.] 876). The cost of arbitration shall be borned [sic] jointly by both CONTRACTOR and OWNER on 50-50 basis.[7]
The construction of the factory building was completed on 27 November 1996.
Respondent Win Multi-Rich Builders, Inc. (Win) was incorporated with the Securities and Exchange Commission (SEC) on 20 February 1997[8] with Chua as its President and General Manager. On 26 January 2004, Win filed a complaint for a sum of money[9] against petitioner and Mr. Ying amounting to P8,634,448.20. It also prayed for the issuance of a writ of attachment claiming that Mr. Ying was about to abscond and that petitioner was about to close. Win obtained a surety bond[10] issued by Visayan Surety & Insurance Corporation. On 10 February 2004, the RTC issued the Writ of Attachment[11] against the properties of petitioner.
On 16 February 2004, Sheriff Salvador D. Dacumos of the RTC of Manila, Branch 32, went to the office of petitioner in CPEZ to serve the Writ of Attachment, Summons[12] and the Complaint. Petitioner issued Equitable PCIBank (PEZA Branch) Check No. 160149, dated 16 February 2004, in the amount of P8,634,448.20, to prevent the Sheriff from taking possession of its properties.[13] The check was made payable to the Office of the Clerk of Court of the RTC of Manila as a guarantee for whatever liability there may be against petitioner.
Petitioner filed an Omnibus Motion[14] claiming that it was neither about to close. It also denied owing anything to Win, as it had already paid all its obligations to it. Lastly, it questioned the jurisdiction of the trial court from taking cognizance of the case. Petitioner pointed to the presence of the Arbitration Clause and it asserted that the case should be referred to the Construction Industry Arbitration Commission (CIAC) pursuant to Executive Order (E.O.) No. 1008.
In the hearing held on 10 February 2004, the counsel of Win moved that its name in the case be changed from "Win Multi-Rich Builders, Inc." to "Multi-Rich Builders, Inc." It was only then that petitioner apparently became aware of the variance in the name of the plaintiff. In the Reply[15] filed by petitioner, it moved to dismiss the case since Win was not the contractor and neither a party to the contract, thus it cannot institute the case. Petitioner obtained a Certificate of Non-Registration of Corporation/Partnership[16] from the SEC which certified that the latter did not have any records of a "Multi-Rich Builders, Inc." Moreover, Win in its Rejoinder[17] did not oppose the allegations in the Reply. Win admitted that it was only incorporated on 20 February 1997 while the construction contract was executed on 26 March 1996. Likewise, it admitted that at the time of execution of the contract, Multi-Rich was a registered sole proprietorship and was issued a business permit[18] by the Office of the Mayor of Manila.
In an Order[19] dated 12 April 2004, the RTC denied the motion and stated that the issues can be answered in a full-blown trial. Upon its denial, petitioner filed its Answer and prayed for the dismissal of the case.[20] Win filed a Motion[21] to deposit the garnished amount to the court to protect its legal rights. In a Manifestation,[22] petitioner vehemently opposed the deposit of the garnished amount. The RTC issued an Order[23] dated 20 April 2004, which granted the motion to deposit the garnished amount. On the same date, Win filed a motion[24] to release the garnished amount to it. Petitioner filed its opposition[25] to the motion claiming that the release of the money does not have legal and factual basis.
On 18 June 2004, petitioner filed a petition for review on certiorari[26] under Rule 65 before the Court of Appeals, which questioned the jurisdiction of the RTC and challenged the orders issued by the lower court with a prayer for the issuance of a temporary retraining order and a writ of preliminary injunction. Subsequently, petitioner filed a Supplemental Manifestation and Motion[27] and alleged that the money deposited with the RTC was turned over to Win. Win admitted that the garnished amount had already been released to it. On 14 March 2006, the Court of Appeals rendered its Decision[28] annulling the 12 April and 20 April 2004 orders of the RTC. It also ruled that the RTC had jurisdiction over the case since it is a suit for collection of sum of money. Petitioner filed a Motion for Reconsideration[29] which was subsequently denied in a resolution.[30]
Hence this petition.
Petitioner raised the following issues to wit: (1) does Win have a legal personality to institute the present case; (2) does the RTC have jurisdiction over the case notwithstanding the presence of the arbitration clause; and (3) was the issuance of the writ of attachment and the subsequent garnishment proper.
A suit may only be instituted by the real party in interest. Section 2, Rule 3 of the Rules of Court defines "parties in interest" in this manner:
A real party in interest is the party who stands to be benefited or injured by the judgment in the suit, or the party entitled to the avails of the suit. Unless otherwise authorized by law or these Rules, every action must be prosecuted or defended in the name of the real party in interest.
Is Win a real party in interest? We answer in the negative.
Win admitted that the contract was executed between Multi-Rich and petitioner. It further admitted that Multi-Rich was a sole proprietorship with a business permit issued by the Office of the Mayor of Manila. A sole proprietorship is the oldest, simplest, and most prevalent form of business enterprise.[31] It is an unorganized business owned by one person. The sole proprietor is personally liable for all the debts and obligations of the business.[32] In the case of Mangila v. Court of Appeals,[33] we held that:
x x x In fact, there is no law authorizing sole proprietorships to file a suit in court.
A sole proprietorship does not possess a juridical personality separate and distinct from the personality of the owner of the enterprise. The law merely recognizes the existence of a sole proprietorship as a form of business organization conducted for profit by a single individual and requires its proprietor or owner to secure licenses and permits, register its business name, and pay taxes to the national government. The law does not vest a separate legal personality on the sole proprietorship or empower it to file or defend an action in court.
The original petition was instituted by Win, which is a SEC-registered corporation. It filed a collection of sum of money suit which involved a construction contract entered into by petitioner and Multi-Rich, a sole proprietorship. The counsel of Win wanted to change the name of the plaintiff in the suit to Multi-Rich. The change cannot be countenanced. The plaintiff in the collection suit is a corporation. The name cannot be changed to that of a sole proprietorship. Again, a sole proprietorship is not vested with juridical personality to file or defend an action.[34]
Petitioner had continuously contested the legal personality of Win to institute the case. Win was given ample opportunity to adduce evidence to show that it had legal personality. It failed to do so. Corpus Juris Secundum, notes:
x x x where an individual or sole trader organizes a corporation to take over his business and all his assets, and it becomes in effect merely an alter ego of the incorporator, the corporation, either on the grounds of implied assumption of the debts or on the grounds that the business is the same and is merely being conducted under a new guise, is liable for the incorporator's preexisting debts and liabilities. Clearly, where the corporation assumes or accepts the debt of its predecessor in business it is liable and if the transfer of assets is in fraud of creditors it will be liable to the extent of the assets transferred. The corporation is not liable on an implied assumption of debts from the receipt of assets where the incorporator retains sufficient assets to pay the indebtedness, or where none of his assets are transferred to the corporation, or where, although all the assets of the incorporator have been transferred, there is a change in the persons carrying on the business and the corporation is not merely an alter ego of the person to whose business it succeeded.[35]
In order for a corporation to be able to file suit and claim the receivables of its predecessor in business, in this case a sole proprietorship, it must show proof that the corporation had acquired the assets and liabilities of the sole proprietorship. Win could have easily presented or attached any document e.g., deed of assignment which will show whether the assets, liabilities and receivables of Multi-Rich were acquired by Win. Having been given the opportunity to rebut the allegations made by petitioner, Win failed to use that opportunity. Thus, we cannot presume that Multi-Rich is the predecessor-in-business of Win and hold that the latter has standing to institute the collection suit.
Assuming arguendo that Win has legal personality, the petition will still be granted.
Section 4 of E.O. No. 1008[36] provides for the jurisdiction of the Construction Industry Arbitration Commission, to wit:
Section 4. Jurisdiction.--The CIAC shall have original and exclusive jurisdiction over disputes arising from, or connected with, contracts entered into by parties involved in construction in the Philippines, whether the disputes arises before or after the completion of the contract, or after the abandonment or breach thereof. These disputes may involve government or private contracts. For the Board to acquire jurisdiction, the parties to a dispute must agree to submit the same to voluntary arbitration.
The jurisdiction of the CIAC may include but is not limited to violation of specifications for materials and workmanship; violation of the terms of agreement; interpretation and/or application of contractual time and delays; amount of damages and penalties; commencement time and delays; maintenance and defects; payment, default of employer or contractor and changes in contract cost.
Excluded from the coverage of this law are disputes from employer-employee relationships which shall continue to be covered by the Labor Code of the Philippines.
There is nothing in the law which limits the exercise of jurisdiction to complex or difficult cases. E.O. No. 1008 does not distinguish between claims involving payment of money or not.[37] The CIAC acquires jurisdiction over a construction contract by the mere fact that the parties agreed to submit to voluntary arbitration.[38] The law does not preclude parties from stipulating a preferred forum or arbitral body but they may not divest the CIAC of jurisdiction as provided by law.[39] Arbitration is an alternative method of dispute resolution which is highly encouraged.[40] The arbitration clause is a commitment on the part of the parties to submit to arbitration the disputes covered since that clause is binding, and they are expected to
abide by it in good faith.[41] Clearly, the RTC should not have taken cognizance of the collection suit. The presence of the arbitration clause vested jurisdiction to the CIAC over all construction disputes between Petitioner and Multi-Rich. The RTC does not have jurisdiction.[42]
Based on the foregoing, there is no need to discuss the propriety of the issuance of the writ of attachment. However, we cannot allow Win to retain the garnished amount which was turned over by the RTC. The RTC did not have jurisdiction to issue the questioned writ of attachment and to order the release of the garnished funds.
WHEREFORE, the petition is GRANTED. The Decision of the Court of Appeals is hereby MODIFIED. Civil Case No. 04-108940 is DISMISSED. Win Multi-Rich Builders, Inc. is ORDERED to return the garnished amount of EIGHT MILLION SIX HUNDRED THIRTY-FOUR THOUSAND FOUR HUNDRED FORTY-EIGHT PESOS AND FORTY CENTAVOS (P8,634,448.40), which was turned over by the Regional Trial Court, to petitioner with legal interest of 12 percent (12%) per annum upon finality of this Decision until payment.
SO ORDERED.
Quisumbing, (Chairperson), Carpio Morales, Velasco, Jr., and Biron, JJ., concur.
[1] Rollo, pp. 3-44.
[2] Dated 14 March 2006 and penned by Associate Justice Monina Arevalo-Zenarosa and concurred in by Associate Justices Remedios A. Salazar-Fernando, Chairperson, Former Sixteenth Division and Rosmari D. Carandang. Id. at 53-70.
[3] Dated 11 October 2006 and penned by Associate Justice Monina Arevalo-Zenarosa and concurred in by Associate Justices Remedios A. Salazar-Fernando, Chairperson, Former Sixteenth Division, and Rosmari D. Carandang. Id. at 49-51.
[4] Id. at 185-186, 230-232. Orders dated 12 April 2004 and 29 April 2004.
[5] Id. at 71-86.
[6]Id. at 71.
[7] Id. at 84.
[8] Id. at 175.
[9] Id. at 95-102.
[10] Id. at 103.
[11] Id. at 89-90.
[12] Id. at 94.
[13] Id. at 9-10.
[14] Dated 17 February 2004; id. at 132-141.
[15] Dated 11 March 2004; id. at 167-173.
[17] Dated. 22 March 2004; id. at 176-180.
[19] Id. at. 185-186.
[20] Dated 22 April 2004; id. at 187-198.
[21] Id. at 208-209.
[26] Dated 17 June 2004; id. at 254-294.
[29] Rollo, pp. 295-311.
[31] Henn, Harry G. Cases and Materials on the Laws of Corporations American Casebook Series, West Publishing Co. St. Paul. © 1974, p. 67.
[32] Schneeman, Angela. The Law of Corporations and Other Business Organizations. 4th ed. ThomPson. © 2007, p. 26.
[33] 435 Phil. 870, 886 (2002).
[34] Berman Memorial Park, Inc. v. Cheng, G.R. No. 154630, 6 May 2005, 458 SCRA 112.
[35] 18 C.J.S. Corporation. §121, p. 522.
[36] Entitled Creating An Arbitration Machinery in the Construction Industry of the Philippines, approved on 4 February 1985.
[37] Parlade, Custodio, The Law and Practice of Conciliation and Arbitration of Construction Disputes, ©2001 p. 89.
[38] National Irrigation Authority v. Court of Appeals, 376 Phil. 362, 375 (1999).
[39] China Chang Jiang Energy Corporation v. Rosal Infrastructure Bulders, etc., G.R. No. 125706, Third Division Resolution dated 30 September 1996.
[40] Home Bankers Savings and Trust Company v. Court of Appeals, 376 Phil. 669 (1999).
[41] LM Power Engineering Corporation v. Capitol Industrial Construction Groups, Inc., 447 Phil. 705, 716 (2003).
[42] Apart from Sec. 4 of E.O. No. 1008, supra note 11, R.A. No. 9285, otherwise known as the "Alternative Disputes Resolution Act of 2004," provides:
SEC. 39. Court to Dismiss Case Involving a Construction Dispute.--A Regional Trial Court before which a construction dispute is filed shall, upon becoming aware, not later than the pretrial conference, that the parties had entered into an arbitration agreement, dismiss the case and refer the parties to arbitration to be conducted by the CIAC, unless both parties, assisted by their respective counsel, shall submit to the Regional Trial Court a written agreement exclusively for the Court, rather than the CIAC, to resolve the dispute.
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This website was designed and developed, and is maintained, by the E-Library Technical Staff in collaboration with the Management Information Systems Office.


Homeschool Boys - Teaching Our Sons to Engage their Minds and Hearts.
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All moms need to spend time on your website getting fresh ideas for homeschooling their youngsters. You get it!!
Just wanted to let you know what a blessing this site is. I have only looked at it now for 15 minutes and it is what I needed. Thank you for taking the time to do it. I will be living on it for a while and will be purchasing your books soon. I am so excited. THANK YOU!!
Homeschooling boys can be hard! But, I'm here to tell you that having sons is a blessing and it is possible to connect with them and to enjoy spending your days with them.
My desire is that Homeschool Your Boys will be a place where parents can be inspired to teach their sons in an environment which will most engage their minds and their hearts.
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Just wanted to tell you how much my son is enjoying this program. We started with Sonlight, but he was not doing well with all the books involved. This is more up his alley. He is loving the constant activity and projects and school has become fun again. So thank you for restoring my hopes of a fun Pre-K school year this year.
I just wanted to drop a note to say THANK YOU!!! We have been using your preschool curriculum for a month now, and my boys (4 and 21 months) are LOVING, LOVING "school"!! I was previously using Before Five In A Row, with groans and screams. My 4-year-old BEGS me to do school! What a blessing!! We are also using the Teach Me About God, and my 4-year-old adores that too! Thank you again for such wonderful resources!


text:
/* tslint:disable:no-unused-variable */

import { TestBed, async } from '@angular/core/testing';

import { ReturnCoinsComponent } from './return-coins.component';
import { InsertedCoinsService } from '../../services/inserted-coins/inserted-coins.service';
import { CoinReturnService } from '../../services/coin-return/coin-return.service';
import { BankService } from '../../services/bank/bank.service';
import { InitialBankCoins } from '../../services/bank/initial-bank-coins';
import { MessageService } from '../../services/message/message.service';

describe('Component: CoinReturn', () => {
  it('should create an instance', () => {
    let coinReturnService = new CoinReturnService();
    let bankService = new BankService(new InitialBankCoins, coinReturnService);
    let messageService = new MessageService(bankService);
    let insertedCoinService = new InsertedCoinsService(coinReturnService, bankService, messageService);

    let component = new ReturnCoinsComponent(insertedCoinService);
    expect(component).toBeTruthy();
  });
});


How you've worked in the past won't be how you work in the future. That's because the SEO practices that have long been the norm are now being seen in a very different light. From the threat of Google de-indexing sites to legislation breaches leading to criminal charges, the search practices of brands, agencies and bloggers are in the spotlight. Search engine optimization, or SEO, is a specialized form of content writing that can be extremely effective in boosting the amount of traffic that comes to your website via search engines, like Google and Bing. Once you've started your local SEO effort, the next stage is more aligned with the rest of SEO – creating content for your audience. In this case, we're looking to create content of interest to a local reader. When you find a page on your site that looks like it features short, hastily written content, search through the rest of your site for other terms that appear on the page. External links are links from websites other than your own. Google relies heavily on external links to determine how good a post is. And this makes sense, doesn't it? You can talk about yourself and your own skills all day long, but no one will believe you. But as soon as other people begin bragging about you, others take notice.
Increased competition is fairly common once competitors see your marketing is working especially if their leads and sales are dropping. You need to make sure that your address is in the area you are actually targeting. If you can't back up your marketing in a specific location, then your efforts are never going to be as rewarding. It doesn't necessarily have to be paragraphs of content you've paid copywriters to write or invested internal man hours to create – it could simply be a short editorial piece unique to the product. A good SEO specialist knows how to write "click worthy" headlines as well as how to weave keywords into headlines whenever possible, while ensuring they aren't too long or short. It is understandable that you may be hesitant and leery of taking the time and effort and making the investment in SEO. If you're new to SEO, these fears are common. Knowing what to expect from an SEO strategy beforehand can help calm some of those fears.
The world of SEO as we once knew it has changed and will continue to change as technology evolves and new trends develop. Different types of browsers and screen resolutions have to be taken into account, since the "above the fold" area can be different for each user. SEO is a long-term commitment that offers long-term results. Know that good SEO isn't going to take a few days and you won't see huge results in weeks. SEO takes months, but the benefits last for years. SEO in Pocklington is here. Don't use hidden text or links on your website to optimize your site for search engines. Some webmasters will try to make text or links invisible to visitors but visible to search engine spiders. One way they do this is to use white text on a white background. Search engines can now easily spot this sort of behavior, so it will not help your site rank at all. Growth is typically measured in units such as traffic, new user signups, revenue, and final sales transactions.
We asked an SEO Specialist, Gaz Hall, for his thoughts on the matter: "Some organizations choose to silo web development from marketing, which is a mistake." Rather than having general anchor texts reduced to a few simple keywords, catch-phrases or sentences that describe the content of the links in more detail should be used. Businesses structure SEO strategy based on the SEO services they prioritize and the shifting customer buying journey. It may seem counter-intuitive, but Google is tightening its organic results for 3rdparty websites and trying to respond to the good amount of searches by itself. So I'm going to carry on using ALT text on my images, even when they contain no information.
That is the reason why same search string generates different results in different search engines having distinct algorithms. A great example that I like to point people to is Beverley Guide. Variables make it possible to automate certain processes on your site. They also make it easy to change large batches of meta descriptions for instance, since you only have to change the structure of the variable – the site fills in the data automatically. Both types of backlinks are incredibly important, and basic external backlinks are crucial to bringing more sales and revenue to your online business. However, when you decide to publish an article or a blog post, you need to make sure that you're also linking it somewhere on your very own site. With the help of certain types of algorithms that help put into place new site pages, you will have an opportunity to be ranked higher than most. You should search your favourite search engines for search terms such as: "add url", "suggest website" and add your website to these sites. All of this constitutes to link building for your website.
One of the primary triggers in their algorithm is domain authority, which Google calculates based on a myriad of factors; in fact, the RankBrain system that Google uses employs more than 200 ranking signals. And we would get a very good idea if we carefully watch the changing paradigm of SEO over years. We know that we need links because the value is there – direct and indirect – and every study or research piece published about SEO says that links are still important. "search engines reward helpful websites with better search rankings" Therefore, SEO is the process of making search engines happy! Google and other search engines keep the inner workings of their algorithms a secret. All we can do is speculate and test. The problem with speculation is that if an idea seems believable, it becomes eagerly accepted as truth without the data to back up the speculation.


Mrs. E and the MD: Finally! Crispy potato wedges!
I love looking for recipes online, and I love looking at the photos of the pictures. Food photography might become a new hobby of mine.
Anyway, what I tend to notice about the food photography is that my stuff never looks like it does in the pictures, especially when it comes to anything that is supposed to be breaded or crispy. Instead of golden brown and even-textured, my food usually looks like the breading is half falling off and not all the way done. Not cool.
However, I found a site that actually shows videos on how to make the food, which was particularly helpful when I wanted to make crispy potato wedges as a side to last night's dinner!
1. Get potatoes. I used 4 medium-ish red skinned potatoes (because that is all we had, and Luke didn't have his phone with him when he went to the store last night, so when I called him to ask for Idaho potatoes, his phone was actually ringing under a pillow on our couch).
3. Cut potatoes in half length-wise, and then cut each half in half again, length-wise. Now you have four wedges per potato.
4. Put potatoes in a large bowl.
5. Collect 'yer spices. I used paprika, italian seasoning, and plenty of salt.
6. Dump spices on potatoes.
7. Drizzle olive oil on potatoes and then mix around the oil and spices so that each potato is evenly coated.
8. Place potato wedges on a baking sheet. Start them out laying on one of the cut edges of the wedges. HA that rhymed!
11. Bake for another 15-20 minutes or so.
12. Take wedges out and then flip to the skin side and just let them sit on the warm sheet for a few minutes.
13. Put on your plate and ENJOY! They were soooo crispy and flavorful and yummy! I will definitely, definitely make these again!
Okay, seriously - I have tried a zillion different things to get my wedges to come out crispy, and they never do! Thanks for the tip!
PS - next time, try coating some red potato wedges in a little EVOO and then a little rosemary and S/P. AMAZING!!
McFatty Monday, on a Monday!


Walcountians produced a fine team performance to score six goals for the second week running against a good Oxted & District side. A fast start saw AFC leading within ten minutes as Nathan Leonard's in-swinging corner was met by Steve Scola at the near post, whose downwards header flashed past the keeper. Walcountians continued to control the game and threaten the Oxted goal, deservedly doubling their lead on the half hour mark when Sam Grosser's corner was met by a thumping header from Steve Scola at the far post.
Ryan Thomas was then denied twice, once by the keeper and once from an excellent last ditch tackle, whilst Luke Rodgers couldn't find the target when through on goal to extend the lead. However, Steve Scola scored both his and the team's third when good work on the right hand side led to a tap in from six yards. A soft goal from a corner reduced the deficit to two on the stroke of half time.
Walcountians continued to dominate after the interval and went 4-1 ahead in the 55th minute when Luke Rodgers arrowed a superb left footed strike from 25 yards in to the far corner. Sam Grosser missed his chance to get on the scoresheet and Aidan Hawkins hit the bar as the game became increasingly one-sided. Ryan Thomas latched on to a Nathan Leonard through ball and finished with aplomb across the keeper, before Luke Rodgers got his second of the afternoon when he stroked it in to the bottom corner from 15 yards.
An excellent victory to keep the title race alive ahead of a home game to Merton Social next Saturday, 30th March.


2012: M.F.A., Writing, Hamline University, Saint Paul, Minnesota.
Advisors: Deborah Keenan and Katrina Vandenberg. Thesis: Mapmakers at Night.
2008: B.A., English. St. Catherine University, Saint Paul, Minnesota.
2012: Pablo Neruda Prize in Poetry, Semi-Finalist, Nimrod Journal of Prose and Poetry. Judge: Philip Levine.
A Wizard of Their Age: Critical Essays from the Harry Potter Generation (Contributing Editor). New York: SUNY Press. 2015. Print.
"Luminous." CALYX Journal Vol. 30: 3. 2018. Print.
"The Sleepwalker." Midway Journal. 2018. Print.
"Two Sketches of My Son." Midway Journal. 2018. Online.
"spare time." Lumen Magazine. 2015. Online.
"Oldest Heart." Be A Lady. Cracked Walnut Chapbook Series. 2015. Print.
"Surface." Water~Stone Review 16. Saint Paul: Hamline University. 2013. Print.
"St. Luke's." Water~Stone Review 16. Saint Paul: Hamline University. 2013. Print.
"Bonnie & Eddie." Nimrod International Journal of Prose and Poetry. Tulsa: University of Tulsa. Print.
"Ursa Minor." Wingbeats: Exercises and Practices in Poetry. Albuquerque: Dos Gatos Press. 2010. Print.
"Jovian." rock, paper, scissors. 2010. Print.
"Both Bodies Did Long Battles With Their Wounds." rock, paper, scissors. 2010. Print.
"Key West Conjure: a footnote." sleet magazine. 2009. Online.
"Yokohama." sleet magazine. 2009. Online.
"Story of the Fathers." Ariston. 2008. Print.
"the world as heaven, your body at the edge of it." Ariston. 2007. Print.
"the human gone out upon its longest thread." Ariston. 2007. Print.
"State Fair Haiku." St. Paul Almanac. 2006. Print.
"The Emergent." Jambalaya. 2006. Online.
"some glow passing steadily through me." Jambalaya. 2006. Online.
A Wizard of Their Age: Critical Essay from the Harry Potter Generation Vol. 2. Forthcoming.
In Anticipation of Grief. Saint Paul: Red Bird Chapbooks. 2015. Print.
ABCs of Women's Work. Saint Paul: Red Bird Chapbooks. 2015. Print.
Unintentional Guide to the Big City. Saint Paul: Red Bird Chapbooks. 2015. Print.
A Wizard of Their Age: Critical Essays from the Harry Potter Generation. New York: SUNY Press. 2015. Print.
Catherine Core Reader. St Paul. 2014. Print.
Water~Stone Review 14. Saint Paul: Hamline University. 2011. Print.
rock, paper, scissors. 2009. Print.
2015: "How to Use Suggested Media Texts." St. Catherine University, May 28.
2014: "The New Core Reader." St. Catherine University. May 28.
2013: "Hip Media Resources to Make Material Accessible to Traditional Age First Years." St. Catherine University. May 30.


Geographic Information Systems (GIS) captures, stores, analyzes, manages and presents data linked to location. We stays current with ArcMap (ESRI Software) suit of softwares and latest technology . This mapping software allows for dynamic interaction with remote sensing, land surveying, aerial photography, mathematics, photogrammetry, geography, and processing tools that can be implemented within the ArcGIS environment.
By offering the utilization of GIS technology we open the doors to new deliverables, as well as aiding clients in productivity and record keeping. So whether you are interested in file conversion, interactive mapping or a mapbook application, Marrath has the tools and resources for all of your mapping needs.


Happy always rises, always trumps. No external circumstance, no bitter season, has ever kept it down permanently. It survives and breaks through – usually in the most unexpected ways. When I need a break, when you need encouragement, when we don't agree, happy hands us an ice cream, diffuses all negativity and reminds that happy is big and it's worth it. Happy lasts. Here's to happy. Long live happy.


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