text:
Two CoE Faculty Elected Fellows by National Academy of Inventors
by Andrew Masuda
Two UC Santa Barbara College of Engineering faculty, Michael Chabinyc and Sanjit Mitra, were among the 168 prolific academic innovators from around the world elected to National Academy of Inventors (NAI) Fellow status. The NAI Fellows Program highlights academic inventors who have demonstrated a spirit of innovation in creating or facilitating outstanding inventions that have made a tangible impact on quality of life, economic development and the welfare of society. Election to NAI Fellow is the highest professional distinction accorded solely to academic inventors.
"We offer sincere congratulations to Professor Michael Chabinyc and Professor Sanjit Mitra on their election to the National Academy of Inventors, a well-deserved and prestigious peer recognition of their innovation and important contributions to society with leading-edge research," said Rod Alferness, dean of UCSB's College of Engineering.
Chabinyc, chair of the Materials Department, studies materials for flexible electronics. Flexible printed electronic materials and systems enable wearable electronics, information displays, and sensors for the "internet of things." Particular emphasis in his research group is on the characterization of the electrical and structural properties of organic and inorganic thin films. He is an inventor on 47 patents in the areas of flexible electronics, bioanalytical devices, and electronic materials.
"The NAI is an important organization because it recognizes the significance of translating academic research into real-world applications. I am honored to join my UCSB colleagues in the NAI," said Chabinyc.
Earlier this year, Chabinyc was elected to the status of fellow by the Materials Research Society (MRS) for "contributions to the fundamental science of the structure and electronic properties of organic semiconductors and the translation of these relationships to functional devices." He is also a fellow of the American Physical Society (APS) for "contributions to the understanding of relationships between structure and electronic properties of conjugated polymers, and the translation of these relationships to functional devices such as transistors and solar cells."
Mitra, a professor emeritus of UCSB's Electrical and Computer Engineering Department, has published more than 700 papers in the areas of analog and digital signal processing, and image processing. Mitra, who spent more than 40 years at UCSB after joining the faculty in 1977, has also authored and co-authored twelve books, and holds six patents.
"I am honored to be elected a Fellow of the National Academy of Inventors," said Mitra. "This recognition by my peers is particularly gratifying as the inventions, which had the biggest impact, are based on my initial research carried out at UC Santa Barbara in collaboration with visiting researchers from industry."
Previously, Mitra was elected a fellow by the Institute of Electrical and Electronics Engineers (IEEE), the American Association for the Advancement of Science (AAAS), and the International Society for Optical Engineering (SPIE). He is a member of the U.S. National Academy of Engineering and several foreign academies.
To date, NAI Fellows hold more than 41,500 issued U.S. patents, which have generated over 11,000 licensed technologies and companies, and created more than 36 million jobs. In addition, over $1.6 trillion in revenue has been generated based on NAI Fellow discoveries.
"Congratulations to the 2019 class of NAI Fellows," said Laura A. Peter, Deputy Under Secretary of Commerce for Intellectual Property and Deputy Director at the U.S. Patent and Trademark Office (USPTO). "It is a privilege to welcome these exceptionally-qualified individuals to this prestigious organization. I am certain their accomplishments will inspire the next generation of invention pioneers."
Fellows will be formally inducted during the 2020 NAI Fellows Ceremony on April 10, 2020, in Phoenix, Arizona.
Newly Elected NAI Fellows Michael Chabinyc (left) and Sanjit Mitra
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Best of India!
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10 Most Expensive Cities to Live in India
Post author By Shreya Singh
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With the increasing standards of living conditions of people across the globe, the rise in the cost of living is an everyday occurrence. This increase in the cost of living is called 'Inflation'. But one of the living factors which when getting a hit of inflation cause a lot of serious issues with the overall earning and other living factors. Thus, getting to know all about the most expensive cities around you is a very important step. Before you decide to move to any new place, it is best to know how expensive it is and especially the cost of housing.
India is among the cheapest countries in the world. The most expensive cities in India lie very low on the list of the most expensive cities in the world in terms of housing. The average rent costs for expensive houses, average size, is 30,000 to 40,000 rupees in the cities and in the lesser costly cities have rates ranging up to 20,000 approx. It is important to know more about the cost of homes among the other aspects compromising of the overall cost of living. The facilities in big cities like Mumbai and Delhi are world-class but still have a very low-cost in comparison to countries like America and Australia. The average rents in New York, USA are 396.85% higher than in Mumbai. So, if you are interested in knowing more about the cities which are the most expensive for building, buying or renting homes, we have the following list for you.
12 Most Expensive Cities in India to live:
1. Mumbai
The most expensive city in India is none other the city of dreams, the city that is better known as the home of 'Bollywood', Mumbai. It is the capital city of Maharashtra and it is also the economic capital of India too. Though it has less area for building many homes, because of a lot of beaches and sea areas, it has very tall buildings and thus very little space to breathe. Since it has a lot of posh people, the cost of expense is higher than all the other cities in the country.
The next city which is the most expensive is the capital of India, Delhi. If we don't take the nearby regions of Delhi, such as Noida, Ghaziabad, and Gurgaon, there are many posh and luxury areas in Delhi which make it very expensive. It is the centre of the country and thus attracts many job seekers. Thus, adding to the population and the increase in the demand of homes, food and transport. Delhi is the capital of India.
3. Chennai
The next name is of the city Chennai. Though many people may be surprised to know that it ranks higher than many other Indian cities, it has very high rates than others. There are many expensive areas in the city such as the Boat Club, Poes Garden and many more and thus contribute to the higher cost of living. Also, Chennai has some very beautiful beaches adding to the worth of the city.
4. Bengaluru
The next name is of Bengaluru, also known as the 'Silicon Valley of India'. Although it ranks lower than cities like Mumbai and Delhi in terms of its rents and buying prices of homes, food and transportation, it has a higher rank in the cost of living grading than famous cities of Cape Town. The cost of living has been affected because of the booming businesses. These prices can go higher depending upon location.
5. Kolkata
Among the top 5 most expensive cities in the list of the most expensive cities for homes, Kolkata is in the lower end of the range. The prices are higher than most cities but still comparatively reasonable. The city of Kolkata has a very high population and thus it has contributed to the rise in prices of almost all things. Also because of the high population, the government has expanded the transportation system.
The city of Pune is an ideal location for those who love subtle weather and great shopping locations. In terms of its size, Pune is the seventh biggest city, but because of the extensive transportation and business opportunities, it ranks higher in the cost of living. With the rise in the IT sector and strong economic growth, the population has bloomed and thus creating more demand and higher prices.
The city of Lucknow, also known as the land of Nawabs, became one of the most expensive cities in the country because of its rich history and food culture. Also, as it is the capital of U.P., one of India's largest states, it has a very high population and thus the demand for work and living space. Lucknow is also a very popular tourist destination and thus the expensive cost of living.
8. Chandigarh
The next name is of 'The City Beautiful', Chandigarh. It is the capital of both the states of Haryana and Punjab. Since it is the nearest big city from Himachal Pradesh and the centre for Punjab and Haryana, it has seen a rise in the cost of living. The booming population has caused the demand for space and the central Chandigarh has been through the heat. Also, the cleanliness and nature add to the buzz.
9. Jaipur
The majestic city of Jaipur is among the most touristic and rich cities in India. It is also called the 'Pink City'. Because of its popularity, Jaipur saw an overall increase in the cost of living. It is also an expensive city because of the amount of tourist, there has been an increase in the competition in the local businesses and thus an increase in economic growth and thus the inflation.
10. Ahmedabad
The biggest city of Gujarat, Ahmedabad, is the last name on this list of the ten most expensive cities to live in India. Though it is the fifth most populated city in India but ranks at number 10 according to the overall cost of living. It has very good educational institutes like Indian Institute of Management, Ahmedabad which adds to the city's popularity. Also, being the home state of Mahatma Gandhi, attracts many people to this city.
Top Expensive Cities in India
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redpajama_set_name: RedPajamaCommonCrawl


text:
const size_t OmniboxPopupSelection::kNoMatch = static_cast<size_t>(-1);

bool OmniboxPopupSelection::operator==(const OmniboxPopupSelection& b) const {
  return line == b.line && state == b.state;
}

bool OmniboxPopupSelection::operator!=(const OmniboxPopupSelection& b) const {
  return !operator==(b);
}

bool OmniboxPopupSelection::operator<(const OmniboxPopupSelection& b) const {
  if (line == b.line)
    return state < b.state;

  return line < b.line;
}

bool OmniboxPopupSelection::IsChangeToKeyword(
    OmniboxPopupSelection from) const {
  return state == KEYWORD_MODE && from.state != KEYWORD_MODE;
}

bool OmniboxPopupSelection::IsButtonFocused() const {
  return state != NORMAL && state != KEYWORD_MODE;
}

bool OmniboxPopupSelection::IsControlPresentOnMatch(
    const AutocompleteResult& result,
    PrefService* pref_service) const {
  if (line >= result.size()) {
    return false;
  }
  const auto& match = result.match_at(line);
  // Skip rows that are hidden because their header is collapsed, unless the
  // user is trying to focus the header itself (which is still shown).
  if (state != FOCUSED_BUTTON_HEADER && match.suggestion_group_id.has_value() &&
      pref_service &&
      result.IsSuggestionGroupIdHidden(pref_service,
                                       match.suggestion_group_id.value())) {
    return false;
  }

  switch (state) {
    case FOCUSED_BUTTON_HEADER: {
      // For the first match, if it a suggestion_group_id, then it has a header.
      if (line == 0)
        return match.suggestion_group_id.has_value();

      // Otherwise, we only show headers that are distinct from the previous
      // match's header.
      const auto& previous_match = result.match_at(line - 1);
      return match.suggestion_group_id.has_value() &&
             match.suggestion_group_id != previous_match.suggestion_group_id;
    }
    case NORMAL:
      return true;
    case KEYWORD_MODE:
      return match.associated_keyword != nullptr;
    case FOCUSED_BUTTON_TAB_SWITCH:
      return match.has_tab_match.value_or(false);
    case FOCUSED_BUTTON_ACTION:
      return match.action != nullptr;
    case FOCUSED_BUTTON_REMOVE_SUGGESTION:
      return match.SupportsDeletion();
    default:
      break;
  }
  NOTREACHED();
  return false;
}

OmniboxPopupSelection OmniboxPopupSelection::GetNextSelection(
    const AutocompleteResult& result,
    PrefService* pref_service,
    Direction direction,
    Step step) const {
  if (result.empty()) {
    return *this;
  }

  // Implementing this was like a Google Interview Problem. It was always a
  // tough problem to handle all the cases, but has gotten much harder since
  // we can now hide whole rows from view by collapsing sections.
  //
  // The only sane thing to do is to first enumerate all available selections.
  // Other approaches I've tried all end up being a jungle of branching code.
  // It's not necessarily optimal to generate this list for each keypress, but
  // in practice it's only something like ~10 elements long, and makes the code
  // easy to reason about.
  std::vector<OmniboxPopupSelection> all_available_selections =
      GetAllAvailableSelectionsSorted(result, pref_service, direction, step);

  if (all_available_selections.empty()) {
    return *this;
  }

  // Handle the simple case of just getting the first or last element.
  if (step == kAllLines) {
    return direction == kForward ? all_available_selections.back()
                                 : all_available_selections.front();
  }

  if (direction == kForward) {
    // To go forward, we want to change to the first selection that's larger
    // than the current selection, and std::upper_bound() does just
    // that.
    const auto next = std::upper_bound(all_available_selections.begin(),
                                       all_available_selections.end(), *this);

    // If we can't find any selections larger than the current
    // selection, wrap.
    if (next == all_available_selections.end())
      return all_available_selections.front();

    // Normal case where we found the next selection.
    return *next;
  } else if (direction == kBackward) {
    // To go backwards, decrement one from std::lower_bound(), which finds the
    // current selection. I didn't use std::find() here, because
    // std::lower_bound() can gracefully handle the case where
    // selection is no longer within the list of available selections.
    const auto current =
        std::lower_bound(all_available_selections.begin(),
                         all_available_selections.end(), *this);

    // If the current selection is the first one, wrap.
    if (current == all_available_selections.begin()) {
      return all_available_selections.back();
    }

    // Decrement one from the current selection.
    return *(current - 1);
  }

  NOTREACHED();
  return *this;
}

// static
std::vector<OmniboxPopupSelection>
OmniboxPopupSelection::GetAllAvailableSelectionsSorted(
    const AutocompleteResult& result,
    PrefService* pref_service,
    Direction direction,
    Step step) {
  // First enumerate all the accessible states based on |direction| and |step|,
  // as well as enabled feature flags. This doesn't mean each match will have
  // all of these states - just that it's possible to get there, if available.
  std::vector<LineState> all_states;
  if (step == kWholeLine || step == kAllLines) {
    // In the case of whole-line stepping, only the NORMAL state is accessible.
    all_states.push_back(NORMAL);
  } else {
    // Arrow keys should never reach the header controls.
    if (step == kStateOrLine)
      all_states.push_back(FOCUSED_BUTTON_HEADER);

    all_states.push_back(NORMAL);
    all_states.push_back(KEYWORD_MODE);
    all_states.push_back(FOCUSED_BUTTON_TAB_SWITCH);
#if !BUILDFLAG(IS_ANDROID) && !BUILDFLAG(IS_IOS)
    all_states.push_back(FOCUSED_BUTTON_ACTION);
#endif
    all_states.push_back(FOCUSED_BUTTON_REMOVE_SUGGESTION);
  }
  DCHECK(std::is_sorted(all_states.begin(), all_states.end()))
      << "This algorithm depends on a sorted list of line states.";

  // Now, for each accessible line, add all the available line states to a list.
  std::vector<OmniboxPopupSelection> available_selections;
  {
    auto add_available_line_states_for_line = [&](size_t line) {
      for (LineState state : all_states) {
        OmniboxPopupSelection selection(line, state);
        if (selection.IsControlPresentOnMatch(result, pref_service)) {
          available_selections.push_back(selection);
        }
      }
    };

    for (size_t line = 0; line < result.size(); ++line) {
      add_available_line_states_for_line(line);
    }
  }
  DCHECK(
      std::is_sorted(available_selections.begin(), available_selections.end()))
      << "This algorithm depends on a sorted list of available selections.";
  return available_selections;
}

redpajama_set_name: RedPajamaGithub


text:
María Luisa Sorivella Tenor (Zaragoza, 23 de noviembre de 1941 - Barcelona, 7 de septiembre de 2020), artísticamente cononocida como Luisita Tenor, fue una cantante española de pop durante los años 60.

Trayectoria artística
Nacida en Zaragoza, ciudad en la que estaban trabajando sus padres, valenciano y catalana, integrantes del Dúo Tucumán, pasó su infancia en Valencia donde se despertó su vocación musical y en 1955 debutó en el Teatro Alcázar de Valencia con una canción de Gilbert Becaud: "Mes mains". En 1958 publica su primer EP, en 1959 participa en el 1er Festival de la Canción Mediterránea en Barcelona, con el tema Mare nostrum: ola, ola, ola con letra de Joaquín Gasa y Santiago Guardia Moreu y con música de Augusto Algueró, autor que influye en sus inicios.

Durante su trayectoria musical grabó veinte EP's y cuatro singles, más los seis que grabó junto a su marido el también cantante Francisco Heredero, con el que contrajo matrimonio en 1967. Tras abandonar su trayectoria artística a principios de los años 70, la pareja vivió en Calafell (Bajo Panadés, Tarragona).

Discografía

 La Canción Que Te Gusta A Ti / Amor Primero / Doménica Es Siempre Doménica / Fortunella (7", EP) 1958.
 Silbando Voy / Doménica Es Siempre Doménica / La Canción Que Te Gusta A Ti / Amor Primero (7", EP) 1958.
 Madrid En Primavera / Madrid En Verano / Madrid En Otoño / Madrid En Invierno (7", EP) 1959.
 Fortunella / Lavanderas De Roma / Te Diré / Cuidado Con El Amor (7", EP) 1959.
 El Día De Los Enamorados / Conocerte / Podría Yo Bailar / La Calle Donde Vives (7", EP) 1959.
 Como Sinfonía / No me digas quien eres / Las hojas verdes /Todo el amor del mundo  (7", EP) 1961.
 No Me Digas Que no / Riviera / Soy Feliz / Tres preguntas (7", EP) 1962.
 Fiesta Brasileña / A Media Voz / Cógeme Fuerte El Pulso / Hotel Ilusión (7", EP). 1963.
 No Te Creo / A New Orleans / El baile del Mattone / La misma playa (7", EP). 1963.
 Los Paraguas De Cherbourgo / Amore mio / El ángel que espero / Angelito (7", EP). 1964.
 Et Pourtant / Oh Mi Señor / Chin Chin / Creo Yo (7", EP). 1964.
 VI Festival De La Canción Mediterránea (7", EP). 1964.
 Oración Para Antes De Nacer / Miedo De Tu Amor / El Mundo / En Tus Brazos Quiero Olvidar (7", EP). 1965.
 En Tus Brazos / Yeh Yeh / Una chica ye yé / Siluetas (7", EP). 1965.
 Vuelve Pronto / El Sol No Brillará Nunca Más / Estas Botas Son Hechas Para Andar / Primer Amor (7", EP). 1966.
 Que Familia Más Original / El silencio / Chim Chim Chery / Un beso en tu mano (7", EP). 1966.
 Luisita Tenor Y Francisco Heredero - Love Me, Please Love Me / Un Hombre Y Una Mujer / Operación Sol / Dommage, Dommage (7", EP). 1966.
 Luisita Tenor, Francisco Heredero - Noche De Paz. 1967.
 F. Heredero / L. Tenor - Solo / Marionetas En La Cuerda. 1967.
 Hablemos Del Amor / Amor Es Mi Canción (7", Single). 1967.
 Luisita Tenor - Francisco Heredero - Honey / All My Love. 1968.
 Luisita Tenor, Francisco Heredero - Cantan Sus Propias Canciones (7", Single). 1968.

Referencias

Cantantes femeninas de España
Nacidos en Zaragoza
Fallecidos en Barcelona

redpajama_set_name: RedPajamaWikipedia


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Of all the reefs and shoals reclaimed as islets by China thus far in the South China Sea, Fiery Cross Reef witnessed the most construction in 2017, with work being conducted on buildings covering 27 acres, or about 110,000 square metres.
This included completion of the larger aircraft hangars (enough to accommodate 24 combat aircraft) alongside the runway, work on large underground weapons storage structures to the south of the island, a large communications-related sensor array at the north-east end of the islet, various early-warning radar sites spread around the islet, and eight hardened shelters with retractable roofs for surface-to-air and anti-ship cruise missiles at the southern end. The large underground weapons storage sites have been completed and entirely buried, joining other underground storage structures previously built on the islet, which include water and fuel storage sites.
China has also constructed a high-frequency radar array at the north end of the islet and it comprises a field of upright poles, similar to those built at Cuarteron Reef in 2015. This high-frequency radar is situated next to the large communications array completed earlier last year. In addition, a large radome was recently installed on a building at the southern end, this housing an over-the-horizon early-warning radar. An identical building is now under construction at the northern end, along with two more at Mischief Reef.
Another, smaller dome has been installed on a tower near the shelters on Mischief Reef. A very large antennae array is being installed on a small outpost at the southern side of Mischief Reef for tracking maritime traffic around the feature. China's three air bases in the Spratly Islands and another on Woody Island in the Paracels group of islands will thus allow PLA Navy (PLAN) combat aircraft to operate over nearly the entire South China Sea.
The same is true of China's radar coverage for its air-defence identification zone, now made possible by the network of early-warning radars at Fiery Cross, Subi, and Cuarteron Reefs, as well as on Woody Island. China has deployed HQ-9 long-range surface-to-air missile (LR-SAM) batteries on Woody Island since September 2016 and has on at least one occasion deployed anti-ship cruise missiles to the island. On Mischief Reef, the hangars for 24 combat aircraft have been completed and in early March 2017 construction teams were putting the finishing touches on five larger hangars. A finished radar station now stands in the middle of this reef, and a trio of large towers have been constructed on the south-western corner. Retractable roofs are also being installed on the recently-built missile-launch shelters.
On Subi Reef, construction is complete on hangars for 24 combat aircraft and four larger hangars. The radomes on Subi Reef's three-tower array are in various stages of completion, along with a completed radar station next to the runway. Subi Reef also sports a high-frequency 'elephant cage' radar array for SIGINT at its south-western end. Subi Reef also saw considerable building activity in 2017, with work on buildings covering about 24 acres, or 95,000 square metres. This included buried storage facilities identical to those at Fiery Cross Reef, as well as hangars, missile-launch shelters, and communications facilities.


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A few years years ago, I had the privilege of working with Katrin Fischer, the social intranet project manager at Schaeffler Group, on the early stages of their Jive launch. The other day, I had a chance to catch up with Katrin about how things have been going since then, and get a sneak peak of her upcoming presentation at Aurea Experience, where she'll be discussing Schaeffler's evolving digital transformation, and how her team is getting and keeping employees engaged and working in new ways.
Schaeffler is a global automotive and industrial supplier with more than 92,000 employees in over 50 countries. In the interview below, Katrin explains how the company's collaboration and communication have evolved since replacing their 15-year-old intranet four years ago. In particular, she describes how Jive (aka "Schaeffler CONNECT") now serves as the organization's primary communications platform, corporate memory repository and virtual meeting place for employees from every division, region and function – ultimately building a transparent culture of cooperation while improving efficiency and strategic alignment.
Michelle: Which best practices surrounding Schaeffler's community adoption and employee engagement are you most proud of?
This best practice is just one example of many. We now have more than 2,000 groups in Schaeffler CONNECT, ranging from small project teams to huge cross-organizational expert communities. In particular, I am proud of our "Ask the Schaeffler CONNECT experts" group, where we provide our users a place to raise questions, provide feedback and exchange information. A lot of their questions are answered by other interested colleagues who use Jive intensely, which really helps my team reduce our support efforts. In addition, the global multiplier network we started two years ago has been a success. We now have more than 300 guides all around the world who help us spread the CONNECT message throughout the Schaeffler organization.
Michelle: How do you think workplace mindsets need to evolve to address changing business needs?
Katrin: In my project, our huge challenge is how to help change employees' mindsets (and also those of management) to prepare them for the needs of the changing business world. With Jive, we have introduced a global platform that already provides easier, more intuitive and flexible possibilities for communication and collaboration. Our challenge now is to succeed with changing our communication culture – a long and sometimes hard journey.
In my opinion, this is not a technological challenge. We already have a broad set of tools available and the necessary infrastructure to help people improve their daily work, as well as communication and collaboration with their colleagues and external partners. However, it can be confusing for users to know when they should use which tool, and so we need to define clear use cases and to provide them with guidance through the app jungle.
Michelle: What are you most looking forward to in November during the Aurea Experience conference?
Katrin: For me, the exchange with other Jive users is always the most interesting. I look forward to seeing presentations of other customer projects and use cases, and learning what works well for them. In Germany, we already have a quite close network of German companies using Jive. I am really looking forward to meeting them in Munich and also meeting new faces and making new contacts. Of course I am also highly interested in the Jive roadmap and new developments in the software – in particular, Jive's on-prem and mobile strategies.


let the assistant pastor say the Mass, and headed for the golf course.
spotted him and immediately pointed out his discretion to the Lord.
"We'll just have to do something about this!"
when the scene was repeated on the next two holes.
is that going to punish him?"
The Lord replied with a smile, "Who's he going to tell?"


text:
«Карлик», также «Русский трактор» — простейший трактор системы инженера Якова Мамина, который производил завод «Возрождение» в Марксштадте, АССР Немцев Поволжья (ныне город Маркс Саратовской области) в 1924—1928 годах. Основной задачей конструктор считал максимальную простоту конструкции, доступность обслуживания машины любому крестьянину и наибольшую ремонтопригодность в условиях кустарной мастерской при недостатке фабричных запчастей. Так, количество деталей в тракторе доведено до 300 (самый простой и дешёвый на тот момент серийный трактор «Фордзон» состоит из 3000 частей при мощности  и массе ), в конструкции ходовой части не использовано ни одной отливки, и большая часть деталей пригодна для изготовления кузнечным и слесарным способом.

Вес трактора лишь 75 пудов (1,2 т), что позволяло ему не разрушать простейшие деревянные мосты.

Устройство

Двигатель
В тракторе применён хорошо знакомый в русской глубинке двухтактный калильный нефтяной двигатель с вертикальным цилиндром и усовершенствованиями Мамина. В частности, повышенная степень сжатия, при которой горячие газы лучше воспламеняются, позволила вместо калильной головки применить простейший запальник — железный палец, который для запуска вывинчивается из цилиндра и накаливается докрасна в горне, размещённом непосредственно на тракторе. Преимущество такой конструкции в том, что запальник, в отличие от обычного калоризатора, не охлаждается окружающей средой, и двигатель не глохнет в холодную или сырую погоду.

Мощность — 12 (у первого экземпляра 10) л. с.>

Число оборотов двигателя — 650 мин−1. Не используется обычный для нефтяных двигателей впрыск воды в цилиндр для регулирования числа оборотов.

Система смазки двигателя — под давлением.

Система охлаждения — пароводяная, без радиатора, вентилятора и насоса, вода охлаждает двигатель, просто испаряясь на цилиндре. Подача воды — самотёком.

Запуск двигателя может быть осуществлён в течение 7 минут.

Трансмиссия
Максимально упрощена, отсутствует коробка передач, шестерёнчатый дифференциал заменён оригинальным самодействующим от рулевого управления кулачковым механизмом. С вала двигателя момент передаётся на ведущую ось червячным механизмом. Передача одна, задний ход отсутствует. Имеется шкив для использования трактора в качестве стационарного двигателя.

Ходовая часть и рулевое управление
Шасси из кованых деталей, подвеска трёх колёс — жёсткая. Ведущими являются два задних колеса диаметром более метра, с железными ободами и грунтозацепами. Переднее колесо меньшего диаметра, около 0,7 м, и служит для направления движения трактора при помощи простейшего рулевого механизма. Задние колёса, в отличие от Фордзона, прикрыты крыльями, чтобы не забрасывать тракториста грязью.

Характеристики
Испытания 10-сильного экземпляра в подмосковье на машиностроительной станции Тимирязевской сельскохозяйственной академии показали, что трактор развивает на крюке тяговую силу 350—400 кГ.

С двухлемешным плужком «Аксай» трактор показал производительность 1,5 га в 10-часовой рабочий день при захвате 53 см, глубине вспашки 15—18 см и средней скорости 2,7—3,5 км/ч. При этом расход сырой нефти составил 23,5 кг/га и смазочного масла 3,6 кг/га.

Стоимость трактора в мелкой серии составила 1.600 рублей, при крупном производстве цену планировали снизить до 900—800 рублей.

Оценка проекта

Достоинства
 Простота конструкции и отсутствие сложных в изготовлении (коробки передач, дифференциала) и легко выходящих из строя (радиатор) частей.
 Пригодность для ремонта владельцем или деревенским кузнецом.
 Использование широко известного и привычного двухтактного калильного двигателя.
 Использование чрезвычайно дешёвого низкокачественного топлива, малый ассортимент необходимых смазок (лишь цилиндровое масло для двигателя и любая густая мазь для ходовой части).
 Отсутствие электрооборудования.

Недостатки
 Одна скорость.
 Центр тяжести смещён к задней оси, из-за чего трактор склонен вставать на дыбы и опрокидываться.
 Отсутствует задний ход.

В наши дни
О сохранившихся оригинальных экземплярах трактора не известно. В саратовском Музее Боевой и Трудовой славы на Соколовой горе имеется макет. Другой макет установлен у здания министерства сельского хозяйства Саратовской области на углу улиц Университетской и Большой Казачьей.

Источники

Литература

Колёсные тракторы


We're rapidly approaching the New Year with only two more days to go until 2017! So we thought we'd share some of our top tips to improve your marketing automation process, to make sure users are..
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According to Michael Olsen, former head of the Official David Bowie Fan Club, from 1975-1977 he was instructed to clear out a pile of Bowie materials deemed no longer of use. What's a guy/fan to do but clear them out to the safe keeping of your own home?
The item in question here is a hand-tinted print of Bowie in full Lauren Bacall pose. The print was subsequently hand-coloured by Bowie's childhood friend (and sometime art director) George Underwood for the December '71 release. Olsen had the print in his possession since 1975 and it was acompanied by a letter of authenticity.
The print itself shows some signs of wear and tear and shows more of the image than made it to the actual cover of Hunky Dory. Great save Michael!


Developing and supporting a sustainable community of leaders in sub-Saharan Africa.
The Kumvana Fellowship program provides African innovators with a platform to network, develop skills, and collaborate with like-minded leaders: both from their local communities and from the wider EWB ecosystem.
The word Kumvana refers to the mutual exchange of knowledge for shared community benefit.
In the Chichewa dialect of Malawi, Kumvana means to 'unite so we may discuss and understand'.
The program provides Kumvana Fellows with opportunities to network and foster collaboration. Throughout the program, Fellows connect with Canadian professionals and leaders from other African countries to create diverse and interconnected networks for thought leadership. These networks offer the support and insight required to bring innovations to fruition.
– Caroline Kahamutima, Kumvana fellow 2016.
In the spirit of the original Chichewa term, the Kumvana Fellowship is designed to facilitate mutual benefit through detailed and ongoing exchange. Like any meaningful dialogue, the program is designed around a reciprocal back-and-forth: the Fellowship encompasses activity in both Africa and Canada.
An eight-week online learning course, and one week of leadership training at our office in Toronto.
A Kumvana retreat held in West, East or Southern Africa featuring support and the opportunity to establish connections with other EWB Fellows and staff.
A one-month intensive Canadian experience, where Fellows attend the EWB National Conference and participate in two weeks of organizational placements to learn from professional networks. Participants have the opportunity for immersive cultural experiences and spend time living with Canadian host families.
The ultimate outcomes of the Kumvana program are powerfully reciprocal. The Fellowship creates increased understanding for Africans and Canadians alike.
Kumvana Fellows gain skills, establish contacts, and develop the necessary toolkit required to create scalable, sector-wide impact.
Canadian professionals and EWB affiliates glean a more detailed understanding of Sub-Saharan Africa's developmental realities, an improved perspective of the complexities and roadblocks involved in achieving global development, and access to the African leaders who are capable of eliminating them.
– Kofi Yeboah, Kumvana Fellow, 2016.
Works in the Agricultural Development Sector, researching investment appraisals for agribusiness projects in order to increase economic opportunity for smallholder farmers and drive community development.
Dedicated to improving the lives of women and youth. Mulenga visits women in prisons, brings them food and water, and works with disadvantaged youths, mentoring them and supporting their ongoing education.
Passionate about instilling an entrepreneurial spirit in young people and supporting local mentorship programs as they bring education, opportunity and shared knowledge to a network of people.
Works as an entrepreneur with involvement in advocating for change leadership in agribusiness.
Working as a subcontractor with Business Development Services Africa, Sedem has contributed to the development of small business diagnostic methodology, improving the impact and effectiveness of consulting.
Plans to develop an Agribusiness Association in order to give women a louder voice to actively influence the government policies that affect them.
Coordinates and improves communication between district, regional, and national governments, and ensures programs are effectively planned to perform to the needs of beneficiaries.
Currently runs a foundation to support impoverished youth to attend school.
Passionate about sanitation practices and processes and the opportunity to take learnings from Canada and apply them in Malawi.


Developing and polishing your batting technique in cricket can be achieved with lots of practice and keeping in mind some of these tips when it comes to your stance, grip and backlift.
Looking for ways to develop your fielding abilities in cricket? Read on and learn some useful tips that should help enhance your catching technique in no time.


2054510825 This is the arm pit of regions. I tried to work with them to find out what the problem was. Would not speak to me even tho I am on all accounts and have full rights. Went into branch and spoke to manager nothing is wrong. Maybe regions management should look into this department before they lose accounts. Last person I spoke had a heavy accent and I could not understand him. When I told him that I had gone into the branch, he quickly hung up on me. Going to shop for a new bank.
205-451-0825 Owner left message but i deleted it before listening for it.
2054510825 On January W W a Owner from that Sum fraudulently misrepresented themselves in a telephone for my co worker and Eventually proceeded for state that I was their former Supervisor and Offered many Poor Ideas Around me. I was never that Guy s Supervisor Or would I recognize that Individual. HARASSMENT.
Did you get an unwanted call from 205-451-0825? Is 2054510825 Safe to Answer or a Spam Caller? Tell us as much as you can!
The number has called me a couple times. . . . . . I already had it blocked. . . . so I never talked for anyone. . . . . . . . . . . . I don't get blocked calls. . . . . . . . . . I have no time for useless companies trying to solicit their CRAP.
Attempting to find Outside who this really is.
I get these Kinds of calls all that time. I never signed Upward for anything and I 'm on the don't telephone register. They leave no message. You personally get a computer talking for your requirements at then your focused to Speak to an Representative. . . I asked to become Chosen off more Afterward once and However again I get a call out of these Folks. Annoying.
W debt breach of contract. Lady that called was not professional at all.


text:
Chotcza (polaco: Gmina Chotcza) é uma gminy (comuna) na Polónia, na voivodia de Mazóvia e no condado de Lipski. A sede do condado é a cidade de 1999.

De acordo com os censos de 2004, a comuna tem 2629 habitantes, com uma densidade 29,6 hab/km².

Área
Estende-se por uma área de 88,82 km², incluindo:
 área agricola: 73%
 área florestal: 17%

Demografia
Dados de 30 de Junho 2004:

De acordo com dados de 2002, o rendimento médio per capita ascendia a 1300,64 zł.

Subdivisões
 Baranów, Białobrzegi, Chotcza, Chotcza Dolna, Chotcza Górna, Gniazdków, Gustawów, Jarentowskie Pole, Karolów, Kijanka, Kolonia Wola Solecka, Niemieryczów, Siekierka Nowa, Siekierka Stara, Tymienica Nowa, Tymienica Stara, Zajączków.

Comunas vizinhas
 Ciepielów, Lipsko, Łaziska, Przyłęk, Solec nad Wisłą, Wilków, Zwoleń

Ligações externas

Chotcza


text:
A simple client to update DNS record from a remote client to a DNS server using nsupdate protocol, like No-IP or DynDNS for your own domain names.

Tested on Linux and OSX.

## Requirements

* A DNS Server configured to accept updates (see below)
* Firewall with port 53/UDP open on the server
* dnsutils package on your server & clients

## Configure your DNS server

Generate a public/private key pair:

    dnssec-keygen -a HMAC-MD5 -b 512 -n HOST www.domain.com.

Configure your DNS zone like this:

    zone "domain.com" {
      type master;
      file "/etc/bind/domain.com.hosts";
      allow-update { key "www.domain.com."; };
    };

    key "www.domain.com" {
      algorithm hmac-md5;
      secret "the-value-of-the-generated-key-that-you-can-see-in-public-and-private-keys ==";
    };

Restart your DNS Server

    /etc/init.d/bind9 restart

## Usage on your client

Clone the project

    git clone git@github.com:tomav/nsupdate-client.git

Copy the generated public/private keys on your machine. They must not be separated.

And then choose the command that fit your needs:

    With static IP
    ./nsupdate-client -k Kdomain.com+xxxxxx.private -r sub.domain.com -l 600 -t A -d 192.168.1.100

    With internal dynamic IP (where ethX is your interface name, like eth0, en1, ppp2...)
    ./nsupdate-client -k Kdomain.com+xxxxxx.private -r sub.domain.com -l 600 -t A -d if_ethX

    With external dynamic IP
    ./nsupdate-client -k Kdomain.com+xxxxxx.private -r sub.domain.com -l 600 -t A -d external

    With CNAME
    ./nsupdate-client -k Kdomain.com+xxxxxx.private -r sub.domain.com -l 600 -t CNAME domain.com


text:
Q: How can I modify Firebase Storage Rules I'm storing images under uid/PropertyPhotos/Property# (where # is incremented as images are uploaded). The uid belongs to the user that posted the image, not the current logged on Firebase user. What I'd like is to allow anyone to view those images. How do I modify the storage rule below to allow that?
    service firebase.storage {
  match /b/{bucket}/o {
    match /{allPaths=**} {
      allow read, write: if request.auth != null;
    }
    // we want anyone to view the property images (no auth, publicy readable)
    match /{uid}/PropertyPhotos {
        allow read;
    }
  }
}

redpajama_set_name: RedPajamaStackExchange


The department's chief information security officer told Microsoft it's too early to see if its strategy to train graduates will bear fruit.
The Department of Human Services (DHS) has more than tripled its cybersecurity staff in the past 12 months, a report from Microsoft has revealed.
Faced with a cybersecurity specialist shortfall of around 500 people per year in Australia, Microsoft's Navigating the new cybersecurity threat landscape report says DHS shaped its hiring plans in the face of the reality that "there wasn't enough trained security experts in Canberra to meet its requirements".
"We knew it was going to be impossible to find enough skilled people, so we made a conscious decision to hire straight from school and train them internally," Microsoft quoted DHS CISO Narelle Devine as saying.
"We've supplemented this strategy by hiring some more experienced people who are contracted to split time evenly between doing their job and mentoring three juniors."
According to the report, DHS expects it will take two years before it knows if its strategy will work.
"We know people will leave because these roles are in high demand, but we did the maths and we'll be ahead if we can keep one in three of those going through training," Devine told the tech giant.
Microsoft also said DHS has made a bunch of hires with a background in Defence, with many hailing from the Australian Defence Force.
"These people are strategic thinkers, they have built-in loyalty, and they bring a host of other skills that are hard to measure in aptitude tests," Devine told Microsoft. "They've already been through a lot of that to get into Defence in the first place."
DHS' cybersecurity team also includes psychologists, lawyers, and politics graduates, the report says.
"Sure you need some people to do the technical stuff but there has to be that blend. I'd say we have a fairly even split between technical and non-technical people," Devine added.
As reported, DHS has also started to rotate security professionals through development teams to reduce the likelihood that security flaws are missed when designing new applications.
Devine also revealed to Microsoft that DHS outsources some of its "cyber work".
DHS announced almost a year ago it was on the hunt for 125 university graduates who have completed a degree in science, technology, engineering, or mathematics (STEM)-related fields to join the department.
Devine at the time said her department was looking to fill six-month positions across Canberra, Adelaide, and Brisbane in areas such as IT architecture, business analysis, design, system engineering, development, testing, and data analysis, with some participants to be offered permanent employment at the end of their half-year stint.
Human Services is a few years into its billion-dollar project to overhaul Australia's 30-year-old payment system, which processes over AU$100 billion in Centrelink payments each year.
Labelled the biggest digital transformation the government has embarked on to date by former Minister for Human Services Alan Tudge, the Welfare Payment Infrastructure Transformation (WPIT) program is expected to take seven years to complete.
The Australian government department is recruiting 125 IT graduates to work on the systems that deliver payments across Centrelink, Medicare, and Child Support.
CISOs should focus their security budgets on risk reduction and hire cybersecurity talent to protect sensitive data, says ProtectWise vice president of product management Dave Gold.


text:
Cryptopsy - _Once Was Not_
(Century Media, 2005)
by: Pedro Azevedo (8.5 out of 10)
Five years have passed since Cryptopsy's last studio album, _And Then You'll Beg_. Vocalist Mike DiSalvo has left, and his replacement Martin Lacroix only featured in the band's live record from a couple of years back, the excellent _None So Live_, before also leaving the band. Original vocalist Lord Worm has since returned to take over vocal duties once more. Meanwhile, longtime guitarist Jon Levasseur has since left Cryptopsy as well, which means Alex Auburn (who has only been with the band since _And Then You'll Beg_) is the only guitar player left in the current line-up. Considering the importance Jon Levasseur has had in the band and the polarization of public opinion over vocalists DiSalvo and Worm, _Once Was Not_ is at the very least bound to be a hotly debated album.
I have to admit that Levasseur's departure left me feeling rather pessimistic about his album, as he was the sole guitar player in the line-up back when the Canadians recorded the album I consider their crowning achievement so far: _None So Vile_. On the other hand, Lord Worm, their vocalist in those days, is back in the band -- replacing DiSalvo, whose hardcore styled vocals never came close to winning me over. But could Worm repeat the success that his vocal approach had on _None So Vile_? It was pure lunacy in some ways, yet fitted the music very well indeed; could he pull off something similar now, and would it be suitable for the band's current sound?
"Luminum", an acoustic intro, gives way to Cryptopsy's first attack, in the guise of "In the Kingdom Where Everything Dies, the Sky Is Mortal": a jagged, chaotic attack full of pummeling drum work -- make no mistake, Flo Mounier is back and his drum kit is about to take one hell of a beating. Worm's vocals are a strained death growl, complemented with a couple of screams towards the end. The guitar work is ambitious in its variety, but it isn't a very memorable track overall. The sound mix is very good though, drum and guitar wise; the vocals sometimes have to fight for their place, which works well for Worm's style.
"Carrionshine" starts with some beefy riffage and quick soloing, followed by some nice quirky riffs and literally explosive blast beats. A rather infectious track that incorporates several different elements with great aplomb. It is followed by "Adeste Infidelis", where Worm's sudden changes of pitch first become apparent -- the man is clearly in good shape, but again drummer Flo Mounier soon takes the spotlight. A spoken passage followed by a good guitar solo lend some extra character to the song, which ends with a lengthy, throat shredding scream. "The Curse of the Great" starts in a slow, crushing mood, which soon gives way to some driving riffs and rhythm changes; it is a slower and very deliberate track overall however. "The Frantic Pace of Dying" closes the first half of the disc; blast beats and chunky riffs alternate in a pretty typical Cryptopsy track -- except for a brief splash of keyboards near the end and a scream by Worm that sounds just like a bit off Solefald's _The Linear Scaffold_ (go figure).
"Keeping the Cadaver Dogs Busy" starts in an off-kilter kind of way for a couple of seconds, but soon goes back to normal Cryptopsy: that being deranged blast beats and some damn driving riffs and vocal patterns for a remarkable opening to the track. "Angelskingarden" starts off quietly, then descends into more jagged riffing and furious drumming -- plus another touch of keyboards during a good solo in the second half of this lengthy track. "The Pestilence That Walketh in Darkness" starts with a slow riff and spoken passage that somehow remind me of Cradle of Filth's _Vempire_ (again, go figure); an unusually tame passage that returns later in the track, and actually works well for the contrast it provides. "The End" is anything but, as it is actually the penultimate track on the album; an atmospheric track that brings Nile to mind for some fleeting moments before moving onto some tranquil kind of tribal drumming and guitar. Cryptopsy then launch into album closer "Endless Cemetery" -- a good track only somewhat marred by their strange revisiting of a very memorable riff from _Whisper Supremacy_ ("Cold Hate, Warm Blood", to be more precise), accompanied by almost Dani Filth-like vocals. Some doomy(!) keyboard and guitar touches lead the track to its conclusion, which is every bit as furious as one might expect -- only to end with the _Whisper Supremacy_ plus Dani Filth type thing, which is a letdown.
In case you bothered to read my brief analysis of each track above, it should be apparent that I feel _Once Was Not_ is a bit of a mixed bag. There's some brilliant drumming, riffs and vocals, but there's also some unremarkable examples of all those; and when measured against _None So Vile_, overall there is less inspiration at work here. Levasseur is missed in the guitar department, much as Auburn does a good job on his own; and until a suitable replacement is found for Levasseur, it seems the return of Lord Worm cannot alone generate a new _None So Vile_. Nevertheless, one should keep things in perspective: _None So Vile_ it may not be, but _Once Was Not_ is Cryptopsy's most enjoyable record overall since that classic, and remains a highly intense, challenging and enjoyable album that will be among the best death metal I've heard by the end of this year.
Contact: http://www.cryptopsy.net
(article published 10/10/2005)
1/30/2009 J Smit Cryptopsy: A Venom Well Designed
3/15/2006 J Smit Cryptopsy: Back to the Worms
9/21/2003 J Smit Cryptopsy: Breaking the Barriers of Supremacy
1/10/2001 P Schwarz Cryptopsy: The Shifting Scales of Brutality
4/13/1998 P Schwarz Cryptopsy: Blasphemous, Vile and Now Supreme
4/27/2008 J Smit 8.5 Cryptopsy - The Unspoken King
5/11/2003 P Azevedo 9.5 Cryptopsy - None So Live
1/10/2001 A Cantwell 8.5 Cryptopsy - And Then You'll Beg
10/1/1998 P Schwarz 10 Cryptopsy - Whisper Supremacy
10/11/1996 A Gaudrault 10 Cryptopsy - None So Vile
6/11/2008 P Schwarz Cryptopsy "I Don't Give a Fuck If You Hate Me"
1/10/2001 A Wasylyk Cryptopsy / Solus / Rotting / Horde of Worms Canadian Carnage
8/12/1999 D Rocher Six Feet Under / Mayhem / Vader / Enslaved / Cryptopsy / Nile / Thyrfing / Darkseid Facing the Breton Storm Season
8/12/1999 M Noll Six Feet Under / Vader / Enslaved / Cryptopsy / Nile / Thyrfing Pig's Feet and All Things Yummy
10/1/1998 P Schwarz Death Across America / Gorguts / Oppressor / Cryptopsy / Days of Mourning / Endless Obscure and Violent Canadian Supremacy
10/11/1996 A Gaudrault Cryptopsy / Blood of Christ High Quality Metal, Low Quality Fans


text:
Live Nation Reports $186.5 Million Q4 Loss
Revenue was up but major losses continued at live music industry leader Live Nation Entertainment. Concert income was down in the last quarter of 2014, often a slow time for ticket sales.
Live Nation Entertainment reported a loss of $186.5 million in the fourth quarter of 2014 and a loss of 90.8 million for the year, almost double that of 2013. The company posted revenue of $1,571.9 million for the quarter, up 3% for the same quarter in 2013, and saw their revenue on an annual basis grow by 5.6% to $6,867 million.
The concert division was the loss leader for the company, reporting a decline in revenue of 11% to $966.8 million for the quarter, but was up for the year by 5% with $4,726.9 in revenue.
Ticketing revenue was up by 15% with $445.7 million earned for the quarter and up by 11%, reporting 1,557.3 for the year. Sponsorships were driving revenue as well, the division reporting an increase of 10% ($69.4 millon) for the quarter and 5% (300.3 million) for the year. Artist Nation, historically unprofitable for the company, also turned the page for both the fourth quarter and the year, posting revenue gains of 16% (106.7 million) and 10% ($389.4 million) respectively.
"In 2014 we built on a record 2013 by growing Concerts revenue 5%. We again grew our global market share, as we promoted the majority of shows for 22 of the top 25 global tours. At the same time, we expanded our global footprint in the Philippines, Thailand, Taiwan and Indonesia, while also building our portfolio of marquee North America festival assets with the acquisition of Austin City Limits and Lollapalooza festivals and brands," Live Nation CEO Michael Rapino said in a press statement announcing the results.
"We are confident that our business model, and its scale, provides ongoing growth potential. There remain continued opportunities to consolidate the global concerts business, and we will use that scale to drive fan monetization, advertising and ticketing.
"Since 2012 we have grown revenue by 18%, AOI by 20% and cash flow by 31%**. Looking forward, we see this growth as sustainable and repeatable given the breadth of levers and trends currently working for us," Rapino added. – via CelebrityAccess
Bandsintown Launches Free Artist Analytics Tool
iHeartMedia & NBC Announce Finalists For 2015 iHeart Radio Music Awards
New Live Music Platform Seeks To Serve Those With Disabilities
Pandora Earnings Disappoint, Stock Plunges 26%
Warner Music Group Reports Stronger Financials, Revenue Up 7%
Why Music Service Prices Are Falling And Can't Get Back Up
Native American Tribe Buys Stake in Rock Festival Producer Danny Wimmer
Bruce Houghton on 02/27/2015 in Live & Touring | Permalink | Comments (0)
Tags: Airbus A350, Ariana Grande, Art director, Artist, Bandsintown, concert, Disc jockey, India, Philippines, Thailand


better assist government in improving financial management.
or satisfactory. Rwanda portfolio ratings are better than for averages for Africa and the Bank.
further emphasis on coordination is warranted especially for training and capacity development.


text:
Orchard Lounge in NYC this Friday 4/26!
By Mr. Bugsly, April 25, 2013 in Party Announcement
Mr. Bugsly 0
Enlightened Ape
Mr. Bugsly Presents...
Orchard Lounge (Extended Set) w/ Special Guest: Evan Michael
Buy Tickets - http://olbugsly.eventbrite.com/
A trio that truly needs no introduction, we are excited for you all to join us as we soak up the sweet sounds of Orchard Lounge on Friday, April 26th at the gorgeous Hudson Terrace. Popping off the party will be Brooklyn mainstay Evan Michael, there will be limited $10 tickets available so jump on that shit like a trampoline.
at The Salon @ Hudson Terrace
621 W 46th st, New York, NY
Show @ 10:30 PM
Tickets: $10 limited / $15 pre-sale
@ http://olbugsly.eventbrite.com/
"Situated on the second floor of Hudson Terrace, The Salon is a melange of old and new. Hand-hewed wooden beams from vintage vessels were reclaimed to construct the streamlined edges of this modern venue. The Salon is enabled with state-of-the-art broadcast quality video, audio and lighting capabilities. Hudson Terrace was designed to deliver dreams."
for VIP/Bottle Service E-Mail VIP@mrbugsly.com
Orchard Lounge
http://orchardlounge.com/
If you can move, Orchard Lounge will back you up: from the dance floor to the couch.
OL is the DJ collective of Spencer Lokken, Bethany Briscoe Lokken, and Ben Silver. Since they met in Chicago in 2000, this versatile trio has enlightened dance floors from Mexico to Maine with their highly unpredictable and eclectic sets. From headnodic downtempo & boogie to ominous and ultramodern house & tech, theirs is a democratic mission: to expose as many people as possible to the artists whom they admire and respect, create unique dance floor memories, and to cross traditional boundaries of turntablism/improv/electronic fusion.
What sets Orchard Lounge apart from other selectors, however, is that you won't always find them in the club. They've built a reputation over the last decade as a hard-touring festival act and set-break crowd favorite, frequently supporting live bands. All three members have a deep-rooted passion for live music, which has allowed them to experiment with a variety of different types of DJ sets when performing on stage.
Consistently labeled as risk takers, the members of OL aren't afraid to clear a room if they genuinely believe in and appreciate the record. That said, they take their title as tastemakers very seriously and are constantly looking for new ways to engage even the most discerning of crowds. They have an interminable work ethic and while they cherish their underground roots, from day one they've been determined to bring the art of deejaying to the forefront of popular culture. Their goals are slowly being realized as they've had the rare opportunity of performing at world famous venues such as Red Rocks, the Pritzker Pavillion in Millennium Park, and New York's Hammerstein Ballroom.
Evan Michael (Brooklyn Bass)
https://soundcloud.com/emweine
A regular amongst the Brooklyn circuit, Evan Michael has his hands in a host of various dance related entities. As a promoter for the budding Williamsburg indie and electronic music venue, Cameo Gallery, he's also a main editor for the blog Brooklyn Bass. Expect his sets to be filled with rare grooves found in the basement of Greenpoint's The Thing to contemporary Deep House classics from labels like Local Talk and FINA. Whether it's playing gigs alongside the likes of Justin Miller, Marcos Cabral, Anthony Naples and Madteo, Evan adjusts his playlist to what he sees fit and keeps the crowd moving. Check out his monthly podcasts via Brooklyn Bass as well as insights on the latest disco and house releases.
Bringing you the FRESHEST beats in the NORTHEAST
http://www.mrbugsly.com/
Follow us on twitter for updates @mrbugsly
**For information on how to become part of our ever-growing team, and to earn free tickets, contact: streetteam@mrbugsly.com**
For all other inquires: info@mrbugsly.com


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(1) he's a disgrace to the legal profession(2) It is usually only when an element of criminal dishonesty is involved that there follows a removal, in disgrace , from Westminster.(3) But dismissed in disgrace nearly 10 years ago, he is using his influence and contacts to make a return from exile.(4) Some of them, and I hasten to emphasise ÔÇÿsomeÔÇÖ are a disgrace to what ought to be a noble profession.(5) To treat my aunt in this way is a disgrace to her memory.(6) The man is a disgrace to honest lawyers everywhere.(7) I have always believed in fair play and in justice; and those sorts of shootings were a disgrace to any civilised community.(8) Tomorrow begins with a nine o'clock class, so I hope I shan't disgrace myself, time-wise, there.(9) However, more people than you could ever dream of find you utterly abhorrent and a disgrace to this country.(10) if he'd gone back, it would have brought disgrace on the family(11) he left the army in disgrace(12) The condition of dozens of buildings is also a disgrace to the town.(13) Our media are a disgrace to the hallowed concept of freedom of the press.(14) The family guilty of such an omission would be held in disgrace and contempt pending the intervention of lineage or clan members.(15) She didn't disgrace herself and managed to keep with them for much of the race only to fade slightly at the end.(16) And I agree entirely; if defence personnel do something to disgrace themselves then obviously they need to be punished for it.
Meaning and definitions of disgrace, translation in Marathi language for disgrace with similar and opposite words. Also find spoken pronunciation of disgrace in Marathi and in English language.
Tags for the entry "disgrace"
What disgrace means in Marathi, disgrace meaning in Marathi, disgrace definition, examples and pronunciation of disgrace in Marathi language.


Gorgeous record with some real gems on here. I wish more deep house were this detailed and musical.
Charles Webster - under the guise of "Presence" has created an album for the head and heart, the songs strike chords of deep emotion that never lose direction or substance. Just lay back and enjoy a musical journey of melodic moods, and sublime deep house. All Systems Gone includes the vocal talents of Steve Edwards,Shara Nelson,and Sara Jay which shine through and complete the unique sound of Presence.


text:
/*
 * Native method support for java.util.zip.ZipFile
 */

#include <stdio.h>
#include <stdlib.h>
#include <string.h>
#include <errno.h>
#include <ctype.h>
#include <assert.h>
#include "jlong.h"
#include "jvm.h"
#include "jni.h"
#include "jni_util.h"
#include "zip_util.h"
#ifdef WIN32
#include "io_util_md.h"
#endif

#include "java_util_zip_ZipFile.h"
#include "java_util_jar_JarFile.h"

#define DEFLATED 8
#define STORED 0

static jfieldID jzfileID;

static int OPEN_READ = java_util_zip_ZipFile_OPEN_READ;
static int OPEN_DELETE = java_util_zip_ZipFile_OPEN_DELETE;

JNIEXPORT void JNICALL
Java_java_util_zip_ZipFile_initIDs(JNIEnv *env, jclass cls)
{
    jzfileID = (*env)->GetFieldID(env, cls, "jzfile", "J");
    assert(jzfileID != 0);
}

static void
ThrowZipException(JNIEnv *env, const char *msg)
{
    jstring s = NULL;
    jobject x;

    if (msg != NULL) {
        s = JNU_NewStringPlatform(env, msg);
    }
    x = JNU_NewObjectByName(env,
                            "java/util/zip/ZipException",
                            "(Ljava/lang/String;)V", s);
    if (x != NULL) {
        (*env)->Throw(env, x);
    }
}

JNIEXPORT jlong JNICALL
Java_java_util_zip_ZipFile_open(JNIEnv *env, jclass cls, jstring name,
                                        jint mode, jlong lastModified)
{
    const char *path = JNU_GetStringPlatformChars(env, name, 0);
    char *msg = 0;
    jlong result = 0;
    int flag = 0;
    jzfile *zip = 0;

    if (mode & OPEN_READ) flag |= O_RDONLY;
    if (mode & OPEN_DELETE) flag |= JVM_O_DELETE;

    if (path != 0) {
        zip = ZIP_Get_From_Cache(path, &msg, lastModified);
        if (zip == 0 && msg == 0) {
            ZFILE zfd = 0;
#ifdef WIN32
            zfd = winFileHandleOpen(env, name, flag);
            if (zfd == -1) {
                /* Exception already pending. */
                goto finally;
            }
#else
            zfd = JVM_Open(path, flag, 0);
#endif

            if (zfd >= 0) {
                zip = ZIP_Put_In_Cache(path, zfd, &msg, lastModified);
            }
        }

        if (zip != 0) {
            result = ptr_to_jlong(zip);
        } else if (msg != 0) {
            ThrowZipException(env, msg);
        } else if (errno == ENOMEM) {
            JNU_ThrowOutOfMemoryError(env, 0);
        } else {
            ThrowZipException(env, "error in opening zip file");
        }

finally:
        JNU_ReleaseStringPlatformChars(env, name, path);
    }
    return result;
}

JNIEXPORT jint JNICALL
Java_java_util_zip_ZipFile_getTotal(JNIEnv *env, jclass cls, jlong zfile)
{
    jzfile *zip = jlong_to_ptr(zfile);

    return zip->total;
}

JNIEXPORT void JNICALL
Java_java_util_zip_ZipFile_close(JNIEnv *env, jclass cls, jlong zfile)
{
    ZIP_Close(jlong_to_ptr(zfile));
}

JNIEXPORT jlong JNICALL
Java_java_util_zip_ZipFile_getEntry(JNIEnv *env, jclass cls, jlong zfile,
                                    jstring name, jboolean addSlash)
{
#define MAXNAME 1024
    jzfile *zip = jlong_to_ptr(zfile);
    jsize slen = (*env)->GetStringLength(env, name);
    jsize ulen = (*env)->GetStringUTFLength(env, name);
    char buf[MAXNAME+2], *path;
    jzentry *ze;

    if (ulen > MAXNAME) {
        path = malloc(ulen + 2);
        if (path == 0) {
            JNU_ThrowOutOfMemoryError(env, 0);
            return 0;
        }
    } else {
        path = buf;
    }
    (*env)->GetStringUTFRegion(env, name, 0, slen, path);
    path[ulen] = '\0';
    if (addSlash == JNI_FALSE) {
        ze = ZIP_GetEntry(zip, path, 0);
    } else {
        ze = ZIP_GetEntry(zip, path, (jint)ulen);
    }
    if (path != buf) {
        free(path);
    }
    return ptr_to_jlong(ze);
}

JNIEXPORT void JNICALL
Java_java_util_zip_ZipFile_freeEntry(JNIEnv *env, jclass cls, jlong zfile,
                                    jlong zentry)
{
    jzfile *zip = jlong_to_ptr(zfile);
    jzentry *ze = jlong_to_ptr(zentry);
    ZIP_FreeEntry(zip, ze);
}

JNIEXPORT jlong JNICALL
Java_java_util_zip_ZipFile_getNextEntry(JNIEnv *env, jclass cls, jlong zfile,
                                        jint n)
{
    jzentry *ze = ZIP_GetNextEntry(jlong_to_ptr(zfile), n);

    return ptr_to_jlong(ze);
}

JNIEXPORT jint JNICALL
Java_java_util_zip_ZipFile_getMethod(JNIEnv *env, jclass cls, jlong zentry)
{
    jzentry *ze = jlong_to_ptr(zentry);

    return ze->csize != 0 ? DEFLATED : STORED;
}

JNIEXPORT jlong JNICALL
Java_java_util_zip_ZipFile_getCSize(JNIEnv *env, jclass cls, jlong zentry)
{
    jzentry *ze = jlong_to_ptr(zentry);

    return ze->csize != 0 ? ze->csize : ze->size;
}

JNIEXPORT jlong JNICALL
Java_java_util_zip_ZipFile_getSize(JNIEnv *env, jclass cls, jlong zentry)
{
    jzentry *ze = jlong_to_ptr(zentry);

    return ze->size;
}

JNIEXPORT jint JNICALL
Java_java_util_zip_ZipFile_read(JNIEnv *env, jclass cls, jlong zfile,
                                jlong zentry, jlong pos, jbyteArray bytes,
                                jint off, jint len)
{
    jzfile *zip = jlong_to_ptr(zfile);
    char *msg;

#define BUFSIZE 8192
    /* copy via tmp stack buffer: */
    jbyte buf[BUFSIZE];

    if (len > BUFSIZE) {
        len = BUFSIZE;
    }

    ZIP_Lock(zip);
    len = ZIP_Read(zip, jlong_to_ptr(zentry), pos, buf, len);
    msg = zip->msg;
    ZIP_Unlock(zip);
    if (len != -1) {
        (*env)->SetByteArrayRegion(env, bytes, off, len, buf);
    }

    if (len == -1) {
        if (msg != 0) {
            ThrowZipException(env, msg);
        } else {
            char errmsg[128];
            sprintf(errmsg, "errno: %d, error: %s\n",
                    errno, "Error reading ZIP file");
            JNU_ThrowIOExceptionWithLastError(env, errmsg);
        }
    }

    return len;
}

/*
 * Returns an array of strings representing the names of all entries
 * that begin with "META-INF/" (case ignored). This native method is
 * used in JarFile as an optimization when looking up manifest and
 * signature file entries. Returns null if no entries were found.
 */
JNIEXPORT jobjectArray JNICALL
Java_java_util_jar_JarFile_getMetaInfEntryNames(JNIEnv *env, jobject obj)
{
    jlong zfile = (*env)->GetLongField(env, obj, jzfileID);
    jzfile *zip;
    int i, count;
    jobjectArray result = 0;

    if (zfile == 0) {
        JNU_ThrowByName(env,
                        "java/lang/IllegalStateException", "zip file closed");
        return NULL;
    }
    zip = jlong_to_ptr(zfile);

    /* count the number of valid ZIP metanames */
    count = 0;
    if (zip->metanames != 0) {
        for (i = 0; i < zip->metacount; i++) {
            if (zip->metanames[i] != 0) {
                count++;
            }
        }
    }

    /* If some names were found then build array of java strings */
    if (count > 0) {
        jclass cls = (*env)->FindClass(env, "java/lang/String");
        result = (*env)->NewObjectArray(env, count, cls, 0);
        if (result != 0) {
            for (i = 0; i < count; i++) {
                jstring str = (*env)->NewStringUTF(env, zip->metanames[i]);
                if (str == 0) {
                    break;
                }
                (*env)->SetObjectArrayElement(env, result, i, str);
                (*env)->DeleteLocalRef(env, str);
            }
        }
    }
    return result;
}

JNIEXPORT jstring JNICALL
Java_java_util_zip_ZipFile_getZipMessage(JNIEnv *env, jclass cls, jlong zfile)
{
    jzfile *zip = jlong_to_ptr(zfile);
    char *msg = zip->msg;
    if (msg == NULL) {
        return NULL;
    }
    return JNU_NewStringPlatform(env, msg);
}