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Consider Physical Therapy before Surgery for a Rotator Cuff Tear
If you've been diagnosed with a rotator cuff tear of the supraspinatus tendon, a common affliction caused by either a traumatic injury to the shoulder, such as a fall, or by poor shoulder kinematics and positioning that wears down tendon fibers, Body Gears physical therapist, Dr. Lindsay Weston, PT, DPT, explains what this injury is and how it may best be treated.
"The supraspinatus muscle abducts the arm out to the side and may also help to stabilize the upper arm bone," said Weston. "When the supraspinatus is torn, you're likely to experience pain and decreased range of motion. This can restrict your ability to shower, dress, reach into upper cabinets, work overhead, and complete other daily tasks."
Past scientific research has been inconclusive on the proper management of non-traumatic rotator cuff tears, with evidence both supporting and refuting physical therapy, rotator cuff repair surgery, and surgery removing a small piece of bone to reduce friction on the supraspinatus tendon (acromioplasty). Recent research examined which treatment method is the most effective. In the study, 180 shoulders (160 patients) with supraspinatus tears were divided into three groups receiving only physical therapy, acromioplasty and physical therapy, or rotator cuff repair with acromioplasty and physical therapy.1
The findings revealed that there was no significant difference in pain or patient satisfaction between the groups after two years. Conservative treatment through physical therapy for a supraspinatus rotator cuff tear is as good as acromioplasty and rotator cuff repair surgery.1 You may want to consider physical therapy instead of surgery when investigating treatment options.
In the image below, a Body Gears physical therapist uses a technique that helps to abduct the arm out to the side by using a muscle called the serratus anterior, which is located near the armpit. Although this technique looks extremely basic, the basics are extraordinarily effective tools for rotator cuff dysfunctions.
"When the serratus anterior muscle is not used appropriately, it can lead to supraspinatus overuse and tearing," said Weston. "Retraining the serratus anterior muscle to abduct the arm takes the stress off of the supraspinatus tendon, reducing pain and preventing further trauma so that the injured tendon can heal."
This movement re-training uses a technique from PNF (Proprioceptive Neuromuscular Facilitation) called Rhythmic Initiation and an isometric hold. The shoulder is trained to efficiently activate the serratus anterior muscle during abduction by progressing through holding one position, passive movement, active assisted movement, resisted movement, and then active movement. The technique retrains the shoulder to move more efficiently and with less pain during reaching overhead, washing or blow-drying hair, and during other daily activities.
Call Body Gears to find out how this technique can reduce your rotator cuff tear pain. Body Gears physical therapists are highly trained in this and many other treatment options for rotator cuff tear and can provide more information on what may be the best option for your specific injury.
Kukkonen J, Joukainen A, Lehtinen J et al. Treatment of Nontraumatic Rotator Cuff Tears: A Randomized Controlled Trial with Two Years of Clinical and Imaging Follow-up. The Journal of Bone & Joint Surgery. 2015;97(21):1729-1737. doi:10.2106/jbjs.n.01051.
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Two years after World War II, the Jefferson National Expansion Memorial Association sponsored an architectural competition to design a memorial to revive the riverfront. This citizens' committee wanted to make the site an integral part of community life. The competition was held in two stages and judged by seven nationally-recognized architects, engineers and art historians. The jury preferred the modern "i nternational" style of architecture, popular at the time. It was the first major competition held after World War II and offered a large first prize of $40,000. A total of 172 architects or collaborative teams from across the United States responded.
5 Semifinalists were selected
William Eng was a student at the University of Illinois School of Architecture when he entered the 1947-1948 competition with two fellow students. His design received second prize in the JNEM competition.
Cleveland native T. Marshall Rainey later worked on plans for a waterfront highway in Cincinnati and as a design critic at the University of Cincinnati. Rainey's design was a runner-up in the competition.
William N. Breger, Caleb Hornbostel, and George Sherman Lewis were three east coast architects who won third prize in the competition. All three went on to distinguished careers as architects.
Harris Armstrong was an architect active in the St. Louis area. His best-known buildings are the Ethical Society and the Magic Chef Building. Armstrong was a runner-up in the 1947 competition.
Eero Saarinen teamed with landscape architect Dan Kiley, designer Alexander Girard, illustrator J. Barr and sculptor Lily Saarinen to win first prize in the competition.
Tram Car Model Next Feature:

redpajama_set_name: RedPajamaCommonCrawl


BlackBerry maker RIM had a tough time last year with a dwindling market share and talks of sell offs from share holders. Their troubles were compounded by the low interest in its new tablet PC the PlayBook. A few days ago we told you about the company offering the device cheaply in the US, and now the BlackBerry PlayBook fire sale spreads across the pond to the UK.
Now consumers in the UK can pick the PlayBook for as low as £169 for the 16GB version, and according to TechRadar the 32GB model will only set you back a further £30. Retailers are also offering the 64GB model for £329.
Retailers such as the Carphone Warehouse and PC World are both offering the device at the reduced prices, but it is not quite as good as in the US where you can pick up any of the three models for only $299.99.
The BlackBerry tablet PC has only been available for around seven months, and when it first launched in the UK the entry level model would have set you back £399. It now seems that RIM are hoping to achieve something similar to what HP did with the TouchPad, and shift unwanted stock.
This follows the news that Sony recently dropped the price of the Tablet S, and comes as the market sees competition heating up following the release of the $199 Kindle Fire. The PlayBook doesn't have the greatest collection of apps, but some users do manage to get Android apps onto the tablet.
Will you now purchase the BlackBerry PlayBook?


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Alan Harris is a Welsh playwright.

Career
Has written plays for theatres throughout the United Kingdom, including Paines Plough and National Theatre Wales.

He won a Judges' Award at the 2015 Bruntwood Prize for his play How My Light is Spent at the Royal Exchange, Manchester. He also wrote The Opportunity of Efficiency, the first international collaboration for National Theatre Wales with the New National Theatre Tokyo. The play was staged at the New National Theatre Tokyo's The Pit stage in 2013 and was directed by NTW artistic director John McGrath.

In 2011 he set up liveartshow, a company specialising in new theatre with music with director Martin Constantine and composer Harry Blake. The company staged Manga Sister, a contemporary dance opera, at The Yard, London and the same venue staged a re-telling of Rhinegold by the same company in 2012. Liveartshow also presented The Future For Beginners, a co-production with the Wales Millennium Centre, at Summerhall at the Edinburgh Fringe Festival in 2014 along with a national tour. The production won a Musical Theatre Network Award while at Edinburgh.

International work includes Marsha at the Capital Fringe Festival in Washington DC and A Scythe of Time, a collaboration with United States composer Mark Swanson.

He wrote the television drama The Left Behind for BBC Three / BBC Studios which won the BAFTA for Best Single Drama in 2020 as well as the Royal Television Society award in the same category.

Radio plays include The Gold Farmer for BBC Radio 3's The Wire season and plays for BBC Radio 4.

His debut stage play, Orange, was commissioned and produced by Sgript Cymru.

He is the winner of a Creative Wales Award from the Arts Council of Wales and represented by Emily Hickman at The Agency, London.

References

Welsh dramatists and playwrights
Living people
Year of birth missing (living people)

redpajama_set_name: RedPajamaWikipedia


I found this lovely picture of fireworks over the Main street bridge, along with many other equally lovely photos, from Luv2Run on Wunderground.
Have a wonderful New Year and, if you're out celebrating, please drive carefully.
I'm thinking some nice mulled wine might be nice. It has turned chilly this evening.
I can been haz a hapee new tear?
A happy and prosperous New Year to you, Swampie!
Well, happy for sure, but prosperous? Why should I change now?
And a happy and healthy New Year to Paco and Miz Paco!
Of course, I know that PACO Enterprises continues to dominate world trade, so the prosperous is a given.
To all the Swamp Critters. HAPPY NEW YEAR!!!
I had to go out at midnight to calm the critters down. My neighbors are VERY well armed. As a bonus, I got to watch fireworks from in town over the tree tops!
Yeah, about two hours away for me. I think the gunshots will wake me. Happy New Year again. See ya in 2009!!!
Heh. I already saw you in 2009!
yeah….technicnaly. It's only 10:23 here.
So you saw me in 2009, but I will see you in 2009 later. 😆 time zones, almost as bad as daylight saving time.
Beto! Welcome! Sorry you were caught in the spam net for so long. I really oughta check that thing more often.
Yes, you kin haz happee new year.


A rekindled love for the work of the literary maestra of Amherst – called forth by a gifted teacher, writer and dedicated curator of literature.
It is a great pleasure to have Alfred Clemente's reflections on Emily Dickinson appear as a guest commentary in Boston Arts Diary. A seasoned professor of literature, he exhibits in his writing, as in his teaching, a vivid and infectious passion for his subject, and a capacity to talk about it with a kind of jazz-like fluidity and immediacy, which this brief piece clearly demonstrates.
I can't wait at a red light without mentally racing through "Much Madness is Divinest Sense–" or "I can wade Grief–" before the light changes.
I've always taught and admired Emily Dickinson's poems, but they were only one constellation in a sky of dazzling lights—whether Shakespeare's or Anne Sexton's, Billy Collins' or Elizabeth Bishop's, John Keats' or Edna St. Vincent Millay's. So many delights—too numerous to cite! Yet, in the past two years, the mysterious phantom of Amherst has re-entered my life with a resplendence I had not seen coming.
…in the past two years, the mysterious phantom of Amherst has re-entered my life with a resplendence I had not seen coming.
My fixation has even reached my grandchildren. This past year, after hearing me expatiate on the marvels of Dickinson's verse, sixteen-year-old Mackenzie poked a few keys on her cell phone and ordered a copy of Joyce Carol Oates's "The Essential Emily Dickinson." Mackenzie is now a card-carrying Emily fan. Twelve-year-old, bilingual Lana, whose mother is Japanese, has spent afternoons sitting next to me, on our living room couch, translating such poems as "I'm Nobody! Who are you?" into Japanese, while I scour the Web to compare Italian, Spanish, and French translations.
Such joy! But what, I ask, has caused this compulsion in me? Perhaps the same qualities (though not in these exact words) that the girls may have discerned: a distinctive and honest voice; a voice that confronts life's aches and ambiguities; a voice that echoes the heart as well as the mind; a voice whose wit and wisdom earn your trust; a voice that is unafraid; a voice that never kowtows to convention, whether in form or feeling. These are perhaps overblown words to describe what may be my granddaughters' more simple appreciations, but they define some of my responses.
Of course, as a professor, I am also repeatedly charmed and excited by Emily Dickinson's verbal art, by her complex but accessible aesthetic— her flirtations with paradox, her defiance of expectation, her disarmingly simple eloquence. I am under the spell of her poignant honesty in "This is My Letter to the World / That never wrote to me–"; or the exquisite marriage of form and feeling in "I can wade Grief– / Whole pools of it–"; or her paean to Nature in "Inebriate of Air–am I– / And Debauchee of Dew–"; or her allegorical narratives, such as "Because I could not stop for Death– / He kindly stopped for me–". She bedazzles. She never disappoints.
…a voice whose wit and wisdom earn your trust; a voice that is unafraid; a voice that never kowtows to convention, whether in form or feeling.
I must admit, however, that the poet–as person–is a far larger province to explore than I have attempted thus far in my affectionate scrutiny of her lyrics. Yes, Emily Dickinson as prolifically creative recluse may not be her entire reality. One may, with some trepidation, describe the Emily Dickinson of "Wild Nights" as the poet of frustrated passion, which may give added meaning to many of her poems. Nonetheless, the hundreds of poems she composed grow out of a broader compass of feeling than thwarted love. She was a verbal trickster, a singing psychologist, a philosopher and a poet who, in a mere thirty years, sang the truths of life and death and beauty in an astonishing 1775 poems.
… her mysterious and miraculous clarity, her magic and honesty and insight–enacted and re-enacted again and again.
Apart from his great dramas, Shakespeare wrote fewer than 160 poems–154 sonnets plus some longer poems. Keats, whom Dickinson cherished, wrote fewer than 150 poems, (though, in all fairness, he died very young.) Even the most prolific poets seldom write more than 200 poems. Yet Emily Dickinson, who had fewer than a dozen poems published in her entire lifetime, wrote nearly 1800 poems, most of them superb works of art–her mysterious and miraculous clarity, her magic and honesty and insight–enacted and re-enacted again and again.
This is my immodest love letter to Emily Dickinson, 280 Main Street, Amherst, MA.
Alfred Clemente teaches American literature at Fordham University. He writes academic materials, arts criticism, poetry, and fiction. He has recently completed a novel and has begun work on a study of Emily Dickinson's poetry.


Explore career opportunities at the University of the Arts.
A workforce of creative thinkers powers the University of the Arts. Over 1,000 artists, professors, entrepreneurs, musicians, dancers, writers, communicators and dedicated professionals work together to prepare UArts students for success.
The University of the Arts is one of the only universities dedicated solely to educating students in the visual and performing arts, design, and writing. It's an exciting, energizing time to work here – we're becoming an internationally renowned leader in arts education. We're in the midst of a massive campus makeover. We're teaching the creative process to kids as young as five and to adults of all ages. And we're moving the creative economy forward.
Our campus in Center City Philadelphia stretches along the Avenue of the Arts – you'll work in the most exciting, vibrant section of the city. Public transportation makes your commute easy.
To get creative with your career, read the job descriptions below.


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The Florida Gators take the field during the first half as the Florida Gators defeat the LSU Tigers 27-19 at Ben Hill Griffin Stadium in Gainesville, Florida. October 6th, 2018. Gator Country photo by David Bowie.
Stricklin: Seating reduction coming to Ben Hill Griffin Stadium
Nick de la Torre
90,000 screaming fans at Ben Hill Griffin Stadium has been a boast for years but won't be for much longer.
In an interview with the Gainesville Sun Florida Athletic Director Scott Stricklin asserted a plan to reduce the stadium capacity in favor of creating an overall better experience for fans that come to games on Saturday.
"I think it needs to happen," Stricklin told Pat Dooley of the Gainesville Sun.
With attendance down throughout the country universities have tried to come up with different ways to attract people to games. Stricklin and the University Athletic Association have been no different, adding new, faster WiFi throughout the stadium in 2018. Another area they will explore is the actual seats. Other than the club and luxury box seating the entire stadium is metal bleachers. Removable seat cushions with backs can be rented on a game-to-game basis or purchased with season tickets but Stricklin wants a better, permanent solution.
"You can't fit chair backs in a lot of spaces especially as you go to the upper areas. The only way to correct that is to tear down the structure and we don't have an appetite for that," he said. "There's a way you can do something on the lower 30 rows or so and that's what we're looking at. Put chair backs in and where you don't put chair backs in you expand seat width to benefit others. We have an opportunity to provide a better experience with just seat width alone. There's enough evidence out there that fans have a different expectation of comfort and we have to be mindful of that."
Adding seat backs would require more space per seat, reducing capacity, but it might not be noticeable. Florida already holds 8,000 tickets for visiting teams every week. If you've watched a game on television and noticed wide empty rows of bleachers in the southeast corner of the stadium and wondered what was going on, those are tickets that were returned by the visiting team. Stricklin estimated those 8,000 that Florida holds for opponents is probably about 5,000 too many and getting rid of 5,000 seats wouldn't be noticeable.
"We want to be north of 75,000. Essentially, we have 88,000 seats. Of those, we hold 8,000 for the visitors. The way visiting teams travel now that's probably 5,000 seats too many so right there you get rid of 5,000 seats and you'd never miss them because visitors aren't coming," he said.
Stricklin has long hinted at making these kinds of changes at Florida. Speaking with reporters last February he began throwing out the idea of making the overall seating capacity smaller in favor of a better game day experience.
"The days of fans being OK sitting three hours on a really piece of aluminum I think are gone," he said. So we've got to find ways to upgrade the overall quality."
Stricklin told the Gainesville Sun he wants these renovations to be done within five years. There isn't a concrete plan yet but there will be a seating readjustment in Ben Hill Griffin's near future.
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A South Florida native, Nick developed a passion for all things sports at a very young age. His love for baseball was solidified when he saw Al Leiter's no-hitter for the Marlins live in May of 1996. He was able to play baseball in college but quickly realized there isn't much of a market for short, slow outfielders that hit around the Mendoza line. Wanting to continue with sports in some capacity he studied journalism at the University of Central Florida. Nick got his first start in the business as an intern for a website covering all things related to the NFL draft before spending two seasons covering the Florida football team at Bleacher Report. That job led him to GatorCountry. When he isn't covering Gator sports, Nick enjoys hitting way too many shots on the golf course, attempting to keep up with his favorite t.v. shows and watching the Heat, Dolphins and Marlins. Follow him on twitter @NickdelatorreGC
sappanama January 17, 2019 at 6:52 pm
i am confused as to why the seat backs and width could only be placed in the first 30 rows, i have never noticed a difference in the concrete or the benches as you go up, they seem exactly the same to my backside. what am i missing?


After disappointment in the 2009 and 2010 finals, it was third time lucky for Nour El Tayeb in the final of the 2011 WSF Women's World Junior Individual Squash Championship when she beat fellow Egyptian and former champion Nour El Sherbini to win the World Squash Federation title at the Murr Center at Harvard University in Boston, USA.
As in their previous meeting in the 2009 final, the first game went well for El Tayeb, who took an early lead of 4-1 – extending it to 9-3 before closing out the game.
But, again as it had in 2009, the second game went away from the top seed as 3/4 seed El Sherbini, still aged only 15, built up a 9-3 lead before taking the game to draw level.
It was nip and tuck throughout the third and fourth games until two winners in a row brought El Tayeb her first match-ball at 10-7.
A daring – but unsuccessful – long drop temporarily reduced the gap for El Sherbini, but when the underdog's boast later then clipped the tin, El Tayeb was finally able to celebrate her status as World Champion.
"I've been dreaming about this for a long time," admitted El Tayeb to the official website www.worldsquash.org/worldjuniors2011 after her 11-5, 3-11, 11-7, 11-8 triumph in 42 minutes. "But I haven't been thinking about winning or expecting to win when I've been on court, I've just been thinking about the match, the next point.
"It was a hard match, not the best we've played as we were both a bit nervous, but we both gave it all. I can't remember how I won it, I know I lost one match ball but I can't remember the last point at all!
"It's always hard playing a friend, but I'm so happy to have won it at last and Nour will win it again, at least one more time, probably more," added the 18-year-old after her fourth – and final – appearance in the championships.
"It feels weird, I've been in the final twice before and now I've won it. I can't explain how happy I am.
El Tayeb's success means that Egypt now boasts all four world junior squash titles – the Men's & Women's World Individual and World Team Championships – in addition to the senior Men's World Team Championship andWorld Cup crowns.
And, unsurprisingly, Egypt is seeded to retain the WSF Women's World Junior Team Championship which will now get underway at the Murr Center. Hosts USA, whose highest previous finish is fourth, are seeded to meet Egypt in the final.


The Washy ankle boots from Christian Louboutin are utterly modern in design, made from black neoprene, and practical in function with rubber treads and a sturdy block heel. Crafted in Italy, they are trimmed with leather at the heel counter and pull tab, as well on the toe which is meticulously adorned with silver mini-spikes. Let this pair at edge to casual looks, or a dose of extra flair to urban-inspired ensembles.


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Browse: Home / 2012 / August / Showcase renews Continuum for Season Two
Showcase renews Continuum for Season Two
Canada's newest science fiction series, featuring some familiar Stargate faces, will be back next year.
Favorites | August 25, 2012
Canada's newest science fiction series will be back next year for another season, with Showcase announcing today that it has renewed Continuum for a second season.
The show has received a 13-episode order for Season Two, expected to air in Canada next spring.
The series stars Rachel Nichols (Alias, G.I. Joe: The Rise of Cobra) as Kiera Cameron, a cop from the year 2077, who is thrown back to the present day when a group of terrorists escape their death sentence into the past. Kiera must stop the Liber8 terrorist group from winning the hearts and minds of the past and changing the future.
"Continuum was a tremendous success for the channel," Barbara Williams, Shaw Media's Senior VP of Content, said. "We are proud to green light such a prolific ratings hit and original series for a second season, and to continue Kiera's journey through time for our dedicated viewers."
The series is shot and set in the city of Vancouver, and features several familiar faces from Stargate in recurring roles. Tony Amendola ("Bra'tac") plays Liber8 leader Eduard Kagame, while Lexa Doig ("Carolyn Lam") plays Sonya Valentine, another of the terrorist group. SGU's Jennifer Spence ("Lisa Park") plays Betty Robertson, who works in the present-day Vancouver Police Department; and Brian Markinson ("Lotan") plays Department chief Dillon.
Victor Webster (Mutant X, Castle) and Eric Knudsen (Jericho) also star.
Season One of Continuum ran for 10 episodes in the spring and early summer on Showcase in Canada, and has yet to make its appearance State-side. It broke records for Showcase, with over 1 million viewers.
Showcase also airs the fantasy series Lost Girl, which is currently airing on Syfy Channel in the U.S.
UPDATE: The Televixen is reporting that "Continuum will be airing on a major U.S. network in the new year and will dovetail into Season Two." Stay tuned for updates.
Posted in Favorites | Tagged Continuum
Golden God: Peter Williams On Being Apophis→
Stargate's Multiverse: How Parallel Realities Work On Stargate→
Pluto TV Is Adding A 24/7 Stargate Channel→
Baal's World: Seven Great Stargate Stories Featuring Cliff Simon's System Lord→
Bevarne
YAY, I love Continuum …. Looking forward to season 2.
stargatefan1958
i am in the us how can i see the show?
I imagine if it runs another season or so it might get picked up by a broadcaster in the states, as Lost Girl did. I would not hold my breath.
Any legal online options to view? I wonder if Netflix will pick it up.
Conercao
Finally! A decent Sci-fi programme that didn't get cancelled for once. Looking forward to it!
gorehound
Good to see more scifi getting renewed.
Someone announced at Fan Expo Canada today that a US network will be airing it but they didn't say which one.
Oops, didn't see the above update!
woohooo!!
I saw this at TVLine http://tvline.com/2012/08/27/bates-motel-vera-farmiga-kristin-chenoweth-anderson-live/
• Syfy is nearing a deal to pick up the Canadian sci-fi drama Continuum, per Deadline. The series stars Rachel Nichols (Alias) as a cop from the future who is trapped in present-day Vancouver.
samcamfan
This is great, thanks! As soon as it's released on DVD I will be nabbing this series, it's one of my favourites at present.
trinium
Of course this shouldn't be confused with SyFy making a SciFi series…. What they have made however, speaks for itself. Face off, Hot set, Haunted Highway, Haunted Collector, Paranormal Witness, School Spirits, Destination: Truth, Fact or faked: Paranormal files, Ghost Hunters, Ghost hunters International,Urban Legend, Monster Man, Hollywood Treasure, Scare Tactics, Total Blackout, insane or inspired,Collector Intervention,Dream Machines And of course WWE Smackdown. Followed by there only actual Shows: Warehouse 13, Alphas, Lost Girl (snagged from Showcase), And Being Human (snagged from BBC) so thats 23 shows, 17 Reality Shows, 1 gameshow,1 wrestling show…. 8 of which are about ghosts….… Read more »
Honestly I would much rather watch Warehouse 13, Alphas, Lost Girl, Being Human and SGU followed by SciFi Reruns then 19 of the stupidest shows around. At least then It would be like the Good old days……And my TV would be tuned to the SciFi channel all day.
not at all. completely right.


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MetroLink Work Scheduled May 4-10
MetroLink passengers may need to allow extra time for their commutes this week as construction work along the light rail system may cause slight delays.
On Monday through Friday (May 4-8) from 8 p.m. to end of service, MetroLink will operate on a single track at the Central West End MetroLink Station to accommodate construction work at the station. During these periods, Blue Line MetroLink trains will only operate between the Shrewsbury-Lansdowne I-44 and Forest Park-DeBaliviere MetroLink Stations.
Westbound Blue Line passengers will need to board a Red Line train between the Fairview Heights and Central West End MetroLink Stations, and travel to the Forest Park-DeBaliviere Station to transfer to a Blue Line train and continue their westbound trips.
Eastbound Blue Line passengers will need to board a Red Line train at the Forest Park-DeBaliviere Station to continue their eastbound trips.
Red Line MetroLink passengers may experience delays of 5 minutes.
Passengers should allow 10 minutes when transferring between Red Line and Blue Line.
On Monday through Friday (May 4-8) from 8 p.m. to end of service and all-day on Saturday and Sunday (May 9 & 10), MetroLink will also operate on a single track at the Forsyth and Clayton MetroLink Stations to allow for track maintenance. During these periods, Blue Line MetroLink trains may experience delays of up to 5 minutes. Red Line service will be unaffected.
For more information, visit the Rider Alert section on metrostlouis.org or contact Metro Transit Information at 314-231-2345 (phone) or 314-207-9786 (text), Monday to Friday from 7 a.m. to 6 p.m.
Metro Transit operates the St. Louis region's public transportation system which includes 400 clean-burning diesel buses that serve 77 MetroBus routes in eastern Missouri and southwestern Illinois. Metro also operates MetroLink light rail vehicles on 46 miles of track serving 38 stations in the two-state area, and operates Metro Call-A-Ride, a paratransit fleet of 122 vans. Metro Transit is a Bi-State Development enterprise.


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I'm Getting Back To Films So I Kept Nervousness On The Backburner: Bhagyashree
Published by Ricky Tandon on 23 Feb 2021
Actress Bhagyashree is one of those rare beauties who bid adieu to the Hindi film industry when she was at peak of her popularity and made her mind to get settles in her life. She said goodbye to her film career instantly after her megahit project, Maine Pyaar Kiya. The said movie made her the country's new sensation. The movie that made Salman Khan a superstar is still considered an iconic movie.
Bhagyashree was just 20 years at that time. As Bhagyashree turned a year older today, the actor is in the middle of her second spell. Now, she will be witnessed in Kangana Ranaut's Thailaivi and Prabhas' Radhe Shyam in 2021.
In the past, Bhagyashree made a comeback in the 2000s, and at that time, she worked in various regional movies like Shotru Dhongsho (2002) and Uthaile Ghoonghta Chand Dekhle (2006), Seetharama Kalyana (2019). She also worked in Hindi movies such as Humko Deewana Kar Gaye (2006), and Red Alert: The War Within (2010). In spite of all these projects, she remained out of public interest.
While talking to media people, she shared her excitement about Thailaivi and Radhe Shyam releasing in 2021. She said, "There is excitement and nervousness in equal proportions. What I keep coming back to, when I feel like this, is when my daughter was coming down to the breakfast table on the day of her final board exams. She had a spring in her step and a broad smile on her face and I was wondering, 'why is this girl smiling on the day of her board exam, isn't she nervous?'
The actress added that she is going to begin a novel chapter in her life so she had kept the tenseness on the backburner and let exhilaration take over.
When asked about the dream breakthrough with Maine Pyar Kiya, she answered, "I enjoyed doing Maine Pyar Kiya. I loved the process of it, loved being on the set — I remember each and every day vividly. This is the movie when I realised that I enjoyed being in front of the camera, that I loved acting. For so long I stayed far away from what I really loved. I wasn't grateful for what I got. Today, I value what I had then. In the last couple of years, I have realised that if people are remembering Suman, and are offering me roles even after 30 years of the film, I must have done something right and I'll no more underestimate what I have in me."
The actress said that she has to be more thankful for the chances that have come her way during the second innings. She hopes that the viewers loves her again, and this time she will be ever so appreciative.
When asked about filmmakers' attitude towards female stars in their 40s and 50s, she said, "Today people don't say, 'Oh, aapne mummy ka role kiya hai', because even mother roles are so well written, I vividly remember Kiran Kher role from Devdas, she had so much power, she was beautiful and her character affected the story. Her character journey was fantastic. I drew inspiration from her."


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Stefania Marghitu
Media Studies Scholar
The Showrunner: Authorship, Identity, and Representation in US Television
Henry Jenkins (Chair), Aniko Imre, Christine Acham, Jennifer Holt
My dissertation traces the evolution of the socially-conscious writer turned writer-producer turned creator-writer-producer, known as the showrunner. I suggest that a complex set of factors influenced this development, ranging changes in the industry, from the influence of second wave feminism and post-Civil Rights, critical discourse surrounding the auteur figure and quality television, and individual agency and personal incentives. The project argues that authorship in television must be understood within the context of production, distribution, and reception practices. While theories focusing around the sole auteur have been criticized due to the collaborative nature of media authorship, in the ecosystem of a television show, the TV auteur is both the creative and managerial "last word," much like the film director. However, co-showrunners are quite common, and the creative-manager hybrid must answer to executives, studios, and network commands. Showrunners thus function as bureaucratic artists that must constantly negotiate the creative and business spheres. The project will map out the symbiotic relationship between the individual worker and the industry at large. In terms of textual analysis, I study each series within a showrunner's political and social views. Previous dissertations study TV through studios, networks, and viewers. An exploration of its creators and laborers will provide a new and useful context to understanding how authorship, agency and identity function in TV.
This project will link the connections between media authorship, industrial practices, labor, social movements, and critical discourse of the US television writer-producer turned showrunner. It aims to provide a framework for the role of the showrunner during significant shifts in TV history including distribution models, narrowing of audiences, the rise of serialized and long form series and the introduction of content formerly reserved for film features. I incorporate a production culture approach using archival materials, discourse and textual analysis to the project. The showrunner is thus an ideal subject for studying the relationship between industry, labor, agency and identity within the creative industries in a post-Fordist system of product, distributution and consumption. This initial post-World War II shift in the first chapter will be bookended with a final chapter considering digital labor in the new media economy, citing scholars like Angela McRobbie, Trebor Scholz, and Amanda Lotz.
The dissertation spans the initial rise of the dual writer-producer in the 1950s, the ascent of the independent studios in the 1970s, followed by premium cable in the 1990s, and the digital post-network era of the 2000s. Each of these major historical shifts also signaled newfound challenges and developments to the role of showrunner, but no previous study has evaluated how these major movements impacted the showrunner, or how the showrunner may have caused new dynamics and standards for TV.
My primary resources for the dissertation combine historical archives and documents from the Gertrude Berg's Special Papers at Syracuse University, The Black Film Center Archive at Indiana University, and Writer's Guild West Archives in Los Angeles.
Scholarship on US television and its industry is often historicized, theorized and scrutinized through the lens of networks, studios, and viewers. The collaborative nature of television is assumed, but not further investigated. Horace Newcomb and Robert Alley first examined the writer-producer as author in their 1983 book The Producer's Medium, a monograph that included interviews with figures from Norman Lear (All in the Family, Good Times, The Jeffersons) to Diane English (Murphy Brown). The producer was known as the creator, head writer, and ultimate manager and boss of a series. The book focuses on the idea that the producer is the author of a series, and can instill their own views into programming. Newcomb and Alley narrow in on socially conscious television that arose in the 1970s and continued into the 1980s.
By the 1980s, popular American trade press branded this multifaceted role as the "showrunner." Since then, most scholarship on media authorship, especially TV, comes in the form of edited collections or individual articles, rather than a holistic study of showrunners. This is a testament to the breadth of work possible on the showrunner, and the various methodologies and theories one could use to dissect the nature of the multifarious media worker. This dissertation will conceptualize the showrunner as both an individual author with agency, influence and power, and a complex contributor the evolving landscape of television and media industries.
While authorship remains a fundamental component in film studies since the early 1960s, television authorship—because TV directors do not hold a position of creative control over the series—has been slower to emerge as a critical tool for understanding a program's origins, meanings and reception. The director as auteurhelped facilitate film's transition and reception from mass medium to art form in the 1960s, with the Cahiers du Cinemawriters in France and (soon to follow) Andrew Sarris in the United States as major proponents of auteur theory. This is why pinpointing the construction of showrunners as auteursis key. Authorship has been most frequently analyzed from critical discourse, or the reception, rather than the production, of a media author. In contrast to film research, where the auteur/director is placed at an ultimate value, the role of TV creator is vastly overlooked.
Unlike the director, the showrunner has never been an official credit, or associated with a union, guild, or any formal organization. This is a senior role in television, and one usually becomes this position through climbing up the ladder, from assistant to staff writer to producer, or already hold a prominent position in the film, art or literary world. The showrunner can be a part of producer, writer, director and actor affiliations. The promotion to showrunner includes heightened income, cultural capital, and influence. Discourse surrounding the showrunner as auteuremerged as early as 1990 with David Lynch's Twin Peaks (ABC), and heightened during critical reception surrounding a new "Golden Age of Television" surrounding quality drama with male anti-heroes. If film and television programs are a product of their respective nations, production practices, distribution methods, and creators' distinct worldviews, these mediums hold distinct differences that subsequently require different methodological approaches to authorship. In the case of David Lynch, the already acclaimed film director joined TV writer-producer Mark Frost (Hill Street Blues, 1981-1987, NBC) as a co-showrunner of the cult hit Twin Peaks (ABC, 1990-1991). This model is common for first time showrunners in need of a seasoned TV writer, managerial guide, or a more senior adviser. To be successful in the role, one must not only create a long-term vision of a series, but he or she must also deal with the daily managerial tasks of budgeting, hiring, firing, and leading a staff of writers, actors and below the line crew members. The authorial intent of the showrunner is the driving force of continuity of a series. I will take a cue from case studies of series that first examine industry contexts to further understand feminist the impact a series, such as the writing of the 1980s program Cagney and Lacey(D'Acci, 1994) in which the author traced the history of the series inception, conducted first hand interviews, analyzed discourse, along with textual analysis.
In the past few years, studies of understanding the joint creator/head writer/producer largely focus on the discursive construction of the hybrid job as an auteuristic mythical figure (Mitell, 2015; Newman and Levine, 2011). From Twin Peaks to David Chase's The Sopranos (HBO, 1999-2007) to Matthew Weiner's Mad Men (AMC, 2007-2015), male showrunners employ serialized dramas, often with a male-driven protagonist in the form of an anti-hero. Brett Martin's book Difficult Men (2103) praises these male-driven anti-hero programs with a behind the scenes, journalistic look, while Amanda Lotz's Cable Guys (2014) provides a critical feminist look at the post-second wave feminist crisis of masculinity within male-driven cable programming.
And while the scope of production studies, as established by John Caldwell, Vicki Mayer and Miranda Banks in 2009, functions in the form of case studies that will frequently investigate the labor of above the line and below the line workers, but from the perspective of social theory rather than connections to collaborative authorship. The project will thus map out the symbiotic relationship between the individual worker and the industry at large. For example, while deregulation and conglomeration affect individuals, writers' strikes as collective action impacts how the industry is forced to make changes. In terms of textual analysis, I view each series as a case study to evaluate a showrunner's political and social views, while I aim to further investigate the context of production, distribution, and consumption of the series or showrunner's body of work.
John Caldwell argues for the self-reflexive nature of media workers in interviews and behind-the-scenes commentary. I expand on this notion to explore the self-reflexive and autobiographical elements in television programs about the lives of showrunners. Previously, scholars such as Henry Jenkins and Suzanne Scott examined the self-reflexive nature of TV creators such as Gene Rodebnerry of Star Trekand fanboy auteur Zack Snyder, director of franchise comic book film adaptions. These creators are tied to their original source material and science fiction/adventure genre. The same can be said for other franchise building showrunners, from Joss Whedon of Buffy the Vampire Slayerto JJ Abrams of Lost. These series are tied to their genres and mythologies. Showrunners with non-TV backgrounds can further bring in their own expertise and knowledge. David Simon, a native of Baltimore and former journalist, created a documentary realism in his series, from Homicide: Life on the Streetand The Wire.
In the post-network era, the broadcast models of TV-making are in an economic and creative crisis, while competition from cable channels and online streaming outlets continues to escalate. These new avenues provide unprecedented opportunities for creative control and little reliance on advertising revenue or a wide audience for success. While showrunners dominated since the beginning of television history, this newfound creative freedom from non-network models provides potential TV showrunners unprecedented control. From television's origins as a mass medium in the 1940s to its current turning point, I will provide an investigation in the field of media studies on one of television's most complex and significant figures.


text:
Q: std::filesystem copy_file failure I am trying to make a copy of a file.
This code runs without error, but the copied file is incomplete:
#include <iostream>
#include <filesystem>

using namespace std;

int main()
{
    error_code ec;
    filesystem::copy_file(
        "C:/ProgramData/spectronix/oximeter/spectrumalpha.dat",
        "C:/ProgramData/spectronix/oximeter/test.dat", ec );
    cout << ec.value() << "\n";
    return 0;
}

sample run:
C:\ProgramData\spectronix\oximeter>dir
 Volume in drive C is OS
 Volume Serial Number is 86AE-5DBA

 Directory of C:\ProgramData\spectronix\oximeter

2020-04-03  04:36 PM    <DIR>          .
2020-04-03  04:36 PM    <DIR>          ..
2020-04-03  01:29 PM            24,576 spectrum.dat
2020-03-23  12:27 PM           131,072 spectrumalpha.dat
2020-04-03  04:36 PM           963,072 test.exe
               3 File(s)      1,118,720 bytes
               2 Dir(s)  823,148,593,152 bytes free

C:\ProgramData\spectronix\oximeter>test
0

C:\ProgramData\spectronix\oximeter>dir
 Volume in drive C is OS
 Volume Serial Number is 86AE-5DBA

 Directory of C:\ProgramData\spectronix\oximeter

2020-04-03  04:37 PM    <DIR>          .
2020-04-03  04:37 PM    <DIR>          ..
2020-04-03  01:29 PM            24,576 spectrum.dat
2020-03-23  12:27 PM           131,072 spectrumalpha.dat
2020-04-03  04:37 PM             7,409 test.dat
2020-04-03  04:36 PM           963,072 test.exe
               4 File(s)      1,126,129 bytes
               2 Dir(s)  823,148,515,328 bytes free

Notice that the original file has 131,072 bytes, but the copied file only has 7,409 bytes.

redpajama_set_name: RedPajamaStackExchange


Sideroxylon, genus of 75 species of woody trees and shrubs, within the sapodilla family (Sapotaceae), native to mainly warmer regions of North and South America. The plants typically have gummy or milky sap and extremely hard wood. The branches may be thorny, with alternate leaves that are entire (smooth edged). S. lanuginosa, variously known as chittamwood, shittamwood, gum elastic, and false buckthorn, is sometimes cultivated as an ornamental. It grows to about 15 metres (50 feet) tall. The leaves are 3.75–10 cm (1.5–4 inches) long, are dark lustrous green above and rusty beneath, and persist until late in the fall. The minute white blossoms grow in many-flowered clusters. The ellipsoid black fruit is about 1 cm (0.4 inch) long.


text:
Q: Handlebars choose one of two items depending on config value So I want to show one of two kind of photos depending on the value stored in config object, likeso
config {
    image_size: 'small'
}

then I have an array with differened image sizes
images = [{
    'small': small-url,
    'standard': standard-url
}]

So far I made my logic in javascript
config.image_size === 'small' ?

then I map over images and return size I'm interested in.
The question though, can I make that in Handlebars? Ideally I want to change the config with click and load displaying method that will check what size it should be.
Sorry to bother, just wanna see if there's a better way of doing it

A: You can register a Handlebars helper:
Handlebars.registerHelper('ifCond', function(v1, v2, options) {
  if(v1 === v2) {
    return options.fn(this);
  }
  return options.inverse(this);
});

And then use it on your template:
{{#ifCond v1 v2}}
    {{v1}} is equal to {{v2}}
{{else}}
    {{v1}} is not equal to {{v2}}
{{/ifCond}}


It helps you burn Flash video to DVD and play it on a regular DVD player.
Powerfully rip DVD, burn DVD and convert a wide range of common videos.
TinyBurn is free dvd burn software that doesn't comprise on features.
This program helps you easily convert DVD movie straight into Zune player.
Most popular addictive casino games, you can play as the player or as the dealer.
To play poker a player needs to understand the basic terms in the game.


text:
Photographs by Kimberly Genevieve
MEET | MARY PEFFER
Featured 11.12-11.18.18 | If there's one thing we've learned, it's that if we don't believe in ourselves, no one else will, either. It's a life lesson that seems obvious, but try to actually put it into practice and you realize that it takes a ton of chutzpah, a thick skin and a killer work ethic to actually employ. Unless you're Mary Peffer, then it's just what you do. This boss babe learned the lesson early in her career from none other than designer and former Creative Director Hedi Slimane, whom she worked under at YSL, starting out as an assistant and working her way up to become the head of American press and marketing. But before she climbed that ladder, she moved (on her own) from her hometown of Cleveland to NYC on nothing but a gut instinct. Ten years later, she did the same thing, but this time to the Left Coast, where she landed dream job after dream job, finally settling in at her current post as VP of Global Marketing for J Brand Jeans. It should also be noted that she lives by three mottos (write these down — you're going to need them): 1. Someone is going to have your dream job, so it may as well be you; 2. Keep your side of the street clean; 3. If the answer is no, it's not personal — you just need to rework your pitch. All of this to say this: She believes. She believes in herself, her worth and her ability, and it is infectious. Indeed, Mary Peffer is the kind of woman who makes you want to be a better person, a more evolved human — a cooler being. So sit back, relax and absorb every word she has to say because she certainly has a way with words. Welcome to Mary's week.
shop mary's selects
MOTIVATION | MARY PEFFER
November 12, 2018 / MONDAY/ The Select 7
We live in a time where charitable organizations are doing a lot of the heavy lifting in terms of what is giving people hope for the future. Close to my heart are The ACLU and Planned Parenthood. Both painstakingly work to protect our human rights which are in jeopardy.
November 12, 2018 / MONDAY/ The Select 7/
TASTE | COFFEE FREE
more about mary
Mary Peffer is a Los Angeles-based fashion executive by day and writer by night. Following a decade in New York City, where she worked in-house for Saint Laurent's Communications team, she moved to the west coast to explore personal creative projects. In DTLA, she served as the Head of Social Media for fashion brands Equipment, Joie, and Current/Elliott. Presently, she holds the title of Vice President of Global Marketing at premium denim label, J Brand, overseeing brand creative at all of its touch points. Her fashion work has taken her to Paris, Tokyo, London and all across the United States, including a pop-up project in Cleveland — where she was born and raised — to help revitalize their Arts District in partnership with the city. Her words have been published in the following outlets: Who What Wear, Byrdie, Today Show, NBC, MSNBC, Refinery29, Nylon, Stylecaster, among others. And her personal style has been featured in editorial and branded content for The New York Times, Slate, Design Sponge, and Uniqlo among others. She has a 12-year-old chinese crested dog (daughter) named Blanket Jackson who is life.


text:
U.S. team takes gymnastics gold
The United States women's gymnastics team grabbed hold of the team final right from the start, and they never let go.
With three incredible vaults to open the evening, Jordyn Wieber, Gabby Douglas and McKayla Maroney set a relentless pace that the Russians simply couldn't match.
The Americans finished with a score of 183.596. Russia won silver with 178.530 and Romania wrapped up the bronze with 176.414. It's the first Olympic gold for the American women since 1996.
Kyla Ross and Alexandra Raisman rounded out the five competitors for the United States, and the group watched Raisman's final score on the floor hit the board, then erupted in celebration.


A guide to the perfect 7 minute egg.
Best places to get fried chicken in SF. Wayfare Tavern is one of my favorites.
How cute are these Mix & Match Mini Pizzas?
A few guides for all of you who care about cheese.
"My intellectual growth is more important to me than the size of my jeans." YAAAS, Padma.
This planner looks pretty cool.
I am so jealous of Jennifer Lawrence.
There's something so mesmerizing about watching pizza dough being made.
A panda daycare. Where do I sign up?
I'm not really a dog person, but this little buddy makes me so happy.
Family Dinners are super important. Thanks, Mom!
A video on to write like an architect. It's so interesting.
This reminds me that I need to clean up my makeup situation.
If you love learning something new, here are the best websites that will help you with that.
I'm working with Ebay for the next few months on a few guides. Here's – here's my first one- How to Pack an Awesome Lunch! Also! Here are some of my favorite lunchbox items.
I looked into the Passion Planner (always looking out for the perfect organizer!) and while I liked the long-term planning section, I couldn't get into it as a daily organizer. It breaks down each day into half-hour chunks, which I found too constricting. Plus, the day started at 6AM and went until 10PM….but a lot of times my day starts before that. :-/ I like the GetToWork book much better.
BTW, The Get To Work planner is on my list for next year.
OMG panda daycare! And that golden retriever is amazing. JLaw cracks me up, she's always so quick on the draw in interviews.
I really like passion planner. I like to color in blocks of time and it helps me focus and have a general idea of what lies ahead of me.
love your friday lists….they make my day..thanks for all your posts actually! I bought the passion planner (the small academic one so I could start using it ASAP) and I love it. It really makes you think…make goals, stay organzied…can't recommend it enough. Start following her on instagram and you get inspired!
The letter to people who live in tiny houses is hilarious–I always wonder the same things!


Zorro is an 8 year old male Cross-Breed. Zorro is around 8 years old, he's very friendly with people and other dogs but hasn't been cat tested. Children over 8 only. Homecheck and adoption fees apply (minimum donation £265). Zorro will be vaccinated, neutered and chipped with his own passport.
For further details about adopting a dog from SOS Romanian Rescues South West of England, please email info@romrescue.org Please note this rescue performs home checks prior to adoption and full post adoption support. All dogs rehomed are vaccinated, microchipped and spayed/neutered (depending on age).


Getting excited about User Conference 2019? The high level and detail agendas are both now available on the Esri User Conference Events page.
Day-3 and we have walked many steps over the last few days. How many of you are reaching more than 15,000 steps before 5 p.m.? Think of all the calories you are burning this week.
We wrapped day 2 with great conversations at the GeoDev Meetup last night. Thank you for the engaging discussion, John Hickok. Be sure to tell your students and co-workers about GeoNet.
Today we bring you so much more as it is our busiest day at the User Conference. The GeoNet team is on the move at our GeoNet Expo booth, at sessions, and at the events.
With the rise of the sun, Esri UC Attendees put on their running shoes and took a crisp run at the Esri UC 5k. You can watch the footage of the 5k Run on Instagram.
Congratulations to the runners and the winners! Pictures courtesy of the @EsriUC on Twitter.
We kicked off the morning at the "WeCan Empower Your Voice" workshop where we met with many amazing women in tech and heard from Ali Rose, Karen Kemp, Lilian Coral, and Paulette Brown-Hinds discuss empowerment, having to speak up and how having a voice has impacted their careers in the positive and negative.
Ali Rose, GLobal National Government Marketing Director - Esri shares moment a defense meeting when she had to speak up at committee meetings to come up with a solution for a defense concern, "It was hard to speak up, but I did."
Lilian Coral, Director of National Strategy - John S. James L. Knight Foundation tells about the beginning of her career and her mission to improve public safety while she worked for a politician after grad school. Her defining moment was during this first role when she had to negotiate for pay increases for a unit that of poorly paid medical employees and she had to hold out for a satisfying pay for this unit.
Paulette Brown-HInds, Ph.D., Founder - Voice Media Ventures shares when she started writing editorials that were impactful, had the power to make changes and drew the attention of politicians and city officials. She realized then that her voice had a chance to make an impact. She became more of a civic leader as a result of using her voice in her editorials.
Karen Kemp, Ph.D., Professor - University of Southern California leads off with taking the opportunities and not knowing where it will take you. She says, "Follow your gut and follow your heart." She says she didn't realize that she was experiencing a life-changing event until later. She took a career on a GIS project that would evolve into the leading GIS curriculum for the next 20 years.
Their advice for success: mentorship, clarity about what you want to do for your life, be mission-oriented, know what is important to you when it comes to your life and career, listen and be respectful, and don't fear change.
It was a full house at the Women in GIS Luncheon where Dawn Wright and others shared inspirational words with the women in the room. They gave a brief overview of WiGIS and a call to action for mentors, volunteers, and sponsorship opportunities.
If you want to know more about WeCAN (Esri's own "Women's Empowerment & Career Advancement Network") please reach out to Margot Manasevit at MManasevit@esri.com. For information about WiGIS, you can send an email to admin@womeningis.org.
Throughout the day we had many visitors stop by the GeoNet Espo booth in the Lifelong Learning.
Joseph Kerski and Michelle Mathias photobomb the GeoNet booth.
Chris Catania gives a quick demonstration of GeoNet to Natalie Stork and Andy Renshaw.
If you didn't get a new GeoNet button, be sure to stop by tomorrow before the Expo closes.
Michelle Mathias and many UC attendees brought their families to the Family Night where they enjoyed activities, conversation and had a chance to see what makes their parents job so cool. It's not just about maps; there are pirates, Cityworks Sam, yo-yos, VR video games, and giant bouncing globes.
Cityworks Sam danced with everyone.
Pam brought her children to Family NIght for VR fun in the HP Expo Area.
Schneider Electric had a giant globe. Imagine volleyball with that.
Grape photo displays at the Leica Expo area.
Light-up yo-yos at the Digital Globe Expo area for the kids.
We were excited to meet our GeoNet members and learn more about why they visit GeoNet and hear their feedback about their GeoNet Community experience. Chris tells the attendees about GeoNet's recent accomplishments and statistics as well as what is to come. Thank you for coming and sharing. It is great to put faces to our members.Left-right: ChrisCatania, Chris Donohue, GISP, Lili Tran, Maneet Goyal, Michelle Mathias, Seth Lewis, and the Lithium Technologies Team -Brian, Jayme, Becky, and Ross.
It was shoulder-to-shoulder at the Esri YPN Evening Social on the breezy Hilton Pool Terrace. Shared great conversations with new connections.
If you missed the action yesterday, you can go back and read all about it at Esri UC 2018 Day 2 Updates. We will have more to come in a Day-4 update tomorrow including the Thursday night party. Will this one be more exciting than DevSummit 2018 Day Three? How much fun have you had this week?
Yesterday we brought the Plenary to you through a three-part live blog. Today we added the videos from the plenary for your enjoyment. Check them out for the highlights and recap.
While at the Map Gallery we caught up with some of our GeoNet members who had map submissions displaying at the Map Gallery.
Cassidy Bishop enjoyed displaying the work that his team built in the Interactive Map Gallery.
That was just day one. Day two is buzzing with attendee enthusiasm now that the Plenary has inspired everyone. The GeoNet Team was up early and collaborating at the GeoNet booth in the Lifelong Learning area at the Expo. Many guests stopped by during the morning hours.
Tuba Gok & Serap Naciye of Esri Turkey visited to say "Hi" and ask questions about GeoNet.
Sophia Frye stopped by and got a quick shot with Chris Catania.
Greg Jameson stopped by. He is looking for the person who took his picture before us so he can get a copy.
Darren Moser and Candace Loya catch up on old times and GIS activities in the world of health care. The GIS team at IEHP is receiving a SAG Award on Wednesday and is also featured int he Map Book this year for their work on Mapping in Health Care.
Adrian Welsh, GeoNet MVP, dropped in for a morning chat with Chris Catania before scurrying away for conference activities.
Amy Niessen shares a little about who presented at the Lightning Talks for this year's UC in her blog A Smashing Good Time - Lightning Talks at Esri UC. Twenty presenters covered various topics of what they have accomplished in GIS using Esri tools.
Joseph Kerski shares his blog about the Emerging Educational Themes from the Esri User Conference 2018 as he meets with many educators visiting the conference, all with enthusiasm to learn more, share what they learn and teach our younger generations how GIS is used in our digitally transforming global society. If you have not had a chance to meet Joseph, stop by the Education area at the Expo for a quick chat.
This morning we had a chance to visit the GIS Managers' Open Summit and listen to Elected Officials/Executive Panel Discussions on the value of GIS from their perspective with Adam Carnow.
Left to Right: Adam Carnow, Esri Staff and GIS Managers' Summit Host; Florida Property Appraiser, Katrina Scarborough shares that she has a mapping background which helps her to use GIS as an elected official; Tyson Fettes of the Wisconsin Register of Deeds shares his interest in GIS stems from the need to use it in his office and never heard of GIS until his county needed to update their workflows; And Eddie Canon, Cobb County, GA Support Services Agency Director shares his interest in GIS stems from their need to improve workflows and services. Cobb County also developed the Cobb Commute app for traffic.
And later in the afternoon, we spent some time visiting the afternoon session at the GIS Managers' Open Summit with Nick O'Day discussing maximizing your GIS innovation solutions to staff and the public while keeping up with requests. Nick even gave a "shout-out" to GeoNet as a resource for support. He talked about tools for using tools such as Alexa for integration. He continues to talk about the importance of collaboration, "Collaborate on ideas, but complete of execution." Don't be afraid to share the ideas...you don't have to give away the execution.
Be sure to go check out Michael Green's session at the GIS Managers' Open Summit on Thursday at 8:30 a.m. to 9:30 a.m. on "Increase GIS Adoption by Integrating Change Management." Take away key tools to help you drive technology adoption and speed up time value.
Justin Kruizenga and Andrew Sharer will be presenting on Wednesday at 2:30 p.m. to 3:30 p.m. on Workforce Development Planning for a trained and knowledgeable workforce for technical enablement and platform adoption.
Chris Catania and Michelle Mathias teamed up to give a GeoNet 101 session where Michelle led a demonstration for navigating GeoNet to new and potential new members. If you missed today's session, be sure to come on Wednesday and Thursday. GeoNet at User Conference 2018.
Jack Cordes and Luis Gutierrez, Student Assistants, attend a GeoNet 101 session.
Chris Catania gives an introduction to the GeoNet Community at the GeoNet 101 session.
Our GeoNet Inter, Shelby Connors gained experience working the GeoNet Expo booth.
We stopped to play at the Kids Fair. Many activities and learning opportunities for families to bond over GIS. Check Out the Esri User Conference Behind-the-Scenes: Family Activities to learn what the family activities include at Esri UC. They also have many fun Kids Fair swag they are giving. Bring the family and stop by.
And if you missed it, Kory Kramer gave a session today on ArcGIS Pro - Tips & Tricks. He will be holding another session on Thursday at 2:30 p.m. in SDCC - Ballroom 20D. Kory, and others on the Customer Advocacy team, not only contributed in the comments of the Plenary Live Blog but are here showing attendees the how-tos for using ArcGIS Pro. Learn about what is new in the latest releases and how to create great maps more efficiently and quickly.
Check out Kory's extra tips in the comments below.
We have a few more events to attend to today. Keep following along on the User Conference space for further UC event updates.
As the conference continues to grow, so does the demand for quick and close lunch options. In addition to a variety of restaurants in the immediate area, this year we've added more choices that are close, quick, and reasonably priced all within minutes from the conference.
For a full list of concessions, menus, and hours of operation, please see the attached PDF.
Inside the Hilton San Diego Bayfront is the Fox Sports Grill and Vela Restaurant. At the Marriott, there is the Marina Kitchen Restaurant & Bar.
San Diego has an amazing variety of dining options. Visit the concierge desk in the convention center, located on the ground floor between Halls B and C. These local experts have wonderful insights on local places to visit and where to eat in San Diego. You can also go to the concierge to learn where you can get discounts with your conference badge.
Check out our Some Places to Eat in San Diego, California story map for more great places to eat.
Where do you get great food during the conference or when visiting San Diego?
This week we are bringing out the kids in all of us, (or just bringing out your kids) with family friendly events at the 2018 Esri User Conference.
Which events can I bring my family?
The Kids Fair is a set of stations, and hands-on activities focused on educating children ages 5-15 about GIS. Each station is designed with age appropriate activities that meet California K-12 educational guidelines.
The Kids Fair started as a way to introduce the children of attendees to GIS. Initially, it was given as a series of classes as defined by age groups. Over the years the fair has developed into a multi-day event where families can come and go as they please.
Each year stations and activities are designed with a theme. Past years' themes include Weather and The Seven Wonders of the World. This year the theme will be Biomes! Station activities include matching animals with their habitats for younger kids or a buoyancy experiment for older kids. Children can work through each station at their own pace to collect stickers for their passport. O nce they have completed all stations, they will receive a special prize!
Tuesday, July 10, 9:00 a.m. – 5:00 p.m.
Wednesday, July 11, 9:00 a.m. – 4:00 p.m.
Thursday, July 12, 9:00 a.m. – 2:00 p.m.
This year Family Night will be held on Wednesday, July 11 from 4:00 p.m. – 6:00 p.m. in the UC Expo. It is an excellent opportunity to show your family what goes on in the UC Expo and teach them about the cool applications of GIS. Exhibitors will have fun activities, demonstrations, and be giving away special prizes for the families to enjoy. Family Night is open to anyone accompanied by a registered UC attendee.
The Map Gallery and Evening Reception begins immediately after the Plenary Session concludes. Mingle with other attendees and look at the wonderful projects submitted this year.
Registered attendees may bring their families or guests during Monday's reception. Family and friends will not have access to the Map Gallery for the remainder of the conference.
The Thursday Night Party is an evening filled with fun activities, entertainment, and tons of food! Apart from the musicians, performers, and countless food stations around the park, each year Esri reserves seven museums in Balboa Park for UC attendees to visit. Be sure to check them out.
One of the most kid-friendly museums is the Fleet Science Center. This year, they will have a MythBusters Exhibit!
Attendees can pick up wristbands at the Activities Desk or Info Booth in the SDCC Grand Lobby between 7:30 a.m. – 6:00 p.m., Wednesday – Thursday.
Conference badges are required to pick up wristbands.
Thursday Night Party tickets are $50 per person for guests or those that do not qualify with their UC registration. These can be purchased at the Activities Desk.
PLEASE NOTE: Expo-Only or Student One-Day Registrations do not include the Thursday Night Party.
Round-trip shuttle transportation is available from the San Diego Convention Center, to and from the party at Balboa Park.
Attendees look forward to the Thursday Night Party year after year. In fact, last year there were over 12,000 people!
Find more information about the Thursday Night Party or view the attached PDF.
The Esri 5k Fun Run/Walk is a great opportunity to get some fresh air and take in the beautiful scenery of the San Diego waterfront before sessions start for the day. You can take this event as seriously as you would like to (I would be on the walking end of the spectrum) and families are welcome to join in!
The fun will begin on Wednesday, July 11, at 6:30 a.m. at the Hilton Bayfront – Embarcadero Boardwalk. Registration for this event is required. There is a $25 early-bird registration fee (Deadline July 5) or a $35 onsite registration fee.
For the early birds out there, Esri will be hosting morning yoga sessions on Tuesday, July 10 and Thursday, July 12 from 6:30 a.m. – 7:30 a.m. This event is open to families. We would recommend registering early as this event does sell out every year. Each participant will also receive a yoga mat to take home after the conference.
Esri has teamed up with Petco Park to offer our UC attendees discounted tickets to see the San Diego Padres play against the Los Angeles Dodgers on July 9-12, and the Chicago Cubs on July 13-15th.
Is there child care available at the conference?
Monday, July 9, 8:00 a.m. – 6:00 p.m.
Tuesday, July 10, 800 a.m. – 5:30 p.m.
Wednesday, July 11, 8:00 a.m. – 5:30 p.m.
Thursday, July 12, 8:00 a.m. – 5:30 p.m.
The cost is $8 per hour, per child. You can find more information on our website, or by contacting KiddieCorp at (858) 455-1718 or by email at info@kiddiecorp.com.
Aside from our conference activities, where do you like to take your families when visiting San Diego?
What is the GIS Managers' Open Summit?
The summit began in 2010 at the User Conference with a meet-up of 30 people and the Managers in GIS LinkedIn group. Since then, GISMOS has grown to include 180 attendees.
W ho should be attending this summit?
Anyone that is a manager or a leader of a GIS team, and even future managers/leaders can attend the GISMOS. This could mean CIO's, managers, IT leaders or anyone that wants to one day lead their team.
Registration is free, and seating is limited. You must be registered for the User Conference to attend this summit. Please click the link below to register.
Among the other GISMOS activities this year, we are going to have an Esri led presentation focusing on the executive and elected officials' view of GIS, and three guest speakers. The seating will be designed to encourage activities and discussions between presentations.
I asked the GISMOS team what made these guest speakers standout, and they expressed that the presenters have a strong handle on the business-side of GIS. They show the power that GIS can have and how their GIS work has transformed their organizations. The GISMOS team hopes that the speakers will be able to inspire the attendees in their own work.
GISMOS is not just a day of inspirational presentations. The emphasis is also on networking and the interactions between participants.
The day starts off with an icebreaker. This is your opportunity to make many new connections.
Group discussions are held after each presentation using the Lean Coffee method for meetings. The group discussion helps further the understanding of the presentation topics. At the end of each discussion, attendees are asked to share the topics they discussed. Fortunately, this will be very simple when you already have your sticky notes ready!
Please see the attached agenda for more details!
For our former GISMOS attendees, what made you choose to go to the GISMOS, and what was your favorite part?
This week we will be discussing the third annual Esri Science Symposium. The Symposium started in 2015 by Esri's Chief Scientist Dawn Wright as a reception for the 300 scientists of the GIS community attending the UC. In 2016, the reception expanded into the first actual Symposium with a keynote speaker, reaction discussion panel, and an audience of 450 attendees. The Symposium continues to grow in popularity with an expected audience of 600 for the 2018 event!
What is the Esri Science Symposium?
The Science Symposium is held on Tuesday, July 10, 2018, from 4:00 p.m. – 6:30 p.m. in Ballroom 20D of the San Diego Convention Center. The keynote presentation will focus on critical environmental issues, while the reaction panel will include GIS experts talking of how the vision presented by the keynote speaker can be realized geospatially. Following the panel discussion is a Q&A and a discussion among the audience. The Symposium will conclude with a networking reception.
The purpose of the Symposium is to "broaden the tent" of participation at the UC beyond the traditional geographers, GI engineers and GIScientists who come to the UC, inviting those working in the domain sciences.
It also serves as a focal point for scientists at the UC who are normally scattered about as individuals and hidden in various sessions during the week.
How is the keynote speaker selected?
The keynote speaker is selected based on their relationship with Esri and the advancements that they are making in their field of science. Last year, Dr. Jon Foley, the Executive Director of the California Academy of Sciences, spoke about the need for scientists to communicate more clearly about the societal importance of their work, particularly in the area of climate change.
This year the keynote speaker will be Dr. Camilo Mora of the University of Hawaii. Dr. Mora will be presenting on his work with deadly heatwaves impacting the entire planet. His work (featured in media outlets such as CNN, Newsweek, Wired, the Washington Post, and the Huffington Post) has shown that 74% of the world's population will be exposed to deadly heatwaves by the year 2100 if carbon gas emissions continue to rise at current rates. Even if emissions are aggressively reduced, the percent of the world's human population affected is expected to reach 48% by that same year.
How is the reaction panel of experts chosen?
This year the reaction panel, consisting of a variety of GIS experts, will discuss how GIS can play a role in reversing this trend. Panelists are chosen based on their backgrounds, their prior work with Esri teams and Esri software, and their ability to speak to the issues that will be raised by the keynote speaker. The session will end with general questions and comments from the audience.
The Symposium is open to everyone with interest in science and how GIS may be used to solve a variety of scientific problems that also have a great effect on society. The content is slightly geared towards professionals rather than researchers, but the conversation stems from those in the room, and all are welcome. Registration is free, and seating is limited.
What makes the Science Symposium unique?
The Science Symposium is not a Technical Workshop or a User Presentation. Nor, is it a Special Interest Group meeting. It covers broad science issues such as Earth observation, sustainable development and climate change by prominent scientific experts, and provides a unique opportunity for UC attendees to interact directly in discussions with them. The speaker and panelists bring with them different perspectives and expertise that in turn help all attendees get a thorough understanding of the issue at hand. The Symposium is also more interactive than a traditional session, with inspiring moments coming from the speaker, and from the discussions with the reaction panel and the audience.
For our GeoNet Scientists who have attended in the past, why have you attended previous Esri Science Symposiums?
We are starting the party this week with our User Conference SIGs and Socials! Last year we held 176 different meetings and socials during the conference, giving attendees plenty of opportunities to network with their peers.
SIG stands for Special Interest Group meeting. These meetings typically take place at lunchtime or in the evening during the conference, although there are a few early birds that do breakfast meetings. The goal of these meetings is to connect with individuals in the same industry, with the same interests, or in the same area (known as Regional User Group meetings) to talk about relevant topics and trends in GIS.
How do we plan and schedule SIGs and Socials?
Each of these meetings is requested through our Meeting Request System and reviewed by a special team. The reviewing team looks at each request to make sure the meeting will be beneficial to attendees and that we will be able to accommodate the time and number of people attending in our open conference rooms. Once the request is approved, it is scheduled. We schedule the meetings on a first-come-first-served basis and try our best to place them in rooms near related User Presentations and Technical Workshops.
What kinds of SIGs are happening this year?
You can see the full schedule of SIGs and Socials in our Agenda.
SIGs and Socials are a great place to connect with your community. The presentations focus on exactly the applications of Esri software used by your group and go over the most important changes and trends that the industries are facing.
These events are also one of the best places to network at the conference. Be sure to bring your business cards. What better way to make valuable connections than to surround yourself with people that have shared interests?
Are you a foodie? Check out this story map of places to eat in San Diego.
Be aware there are cash limitations. Bring a credit/debit card.
How do you find the balance between work and play at the User Conference? What are your best networking tips?
This week we are going to talk about the 247,388 square-foot, 500+ computer Expo. I met with Esri's area manager for ArcGIS Living Atlas of the World, Sean Breyer, who has the unique perspective of attending the User Conference as both an attendee and as an Esri staff.
The Expo is located in Halls A-C on the first floor of the convention center where Esri experts are excited to answer questions about our products. You can also find the Esri partners showcasing the great things they are doing in GIS.
What does Esri do to prepare?
First, each Area Manager needs to determine the layout of their area. The Living Atlas area went through eight redesigns to optimize their space for noise, walkability and easy access for attendees. Once the floorplan is determined, staff need to be selected and scheduled. Sean tries his best to make sure there will always be someone scheduled in the area whom can answer every question, which was something that was important to him when he was an attendee of the conference.
Before the conference, he gathers with his team to review responses to both common and difficult questions, allowing them to dive deeper into their areas of expertise. They practice until everyone on the team is comfortable explaining each map/app/layer, and can customize their answers to meet the needs of their practice clients.
Apart from each area, there are also the Expo Spotlight talks. These talks are short discussions on a specific subject that will also point you in the direction of other resources at the conference about that topic. Sean's spotlight talk will focus on common challenges faced when starting your first Esri Story Map, and he will share tips and tricks for newly released software.
The Expo is a great place to see the innovation that is happening in the world of GIS. It is where you go to see the products and partners that are doing incredible things in GIS. Most importantly, the Expo is where you go to make connections.
Esri is a "company of relationships" according to Sean. We value the relationships and conversations that we have with our users, and we are constantly looking to improve the platform usability and help our users innovate new spatial workflows in their work. It is not very often that you will have access to the people who are directly building the technology and developing the code that you are using, but the Expo floor is the place to do that.
For Esri staff, the Expo is the place to find new ways customers are using Esri products. Often conversations with users show us new use cases.
Be sure to check out the Living Atlas area and Demo Theater presentations located in the Esri Expo.
Go to SIGs. They will go over topics that directly relate to your work, and often give you insights into what other sessions you should attend during the week.
Spend lots of time visiting the partner booths to learn about new ways to use Esri software.
Wear comfortable shoes. You will walk a lot.
If you have very specific questions, get to the floor early, then you can follow up later in the week to answer additional questions.
Use the Discovery Tags to get extra information.
Go to the Map Gallery. There are many big agencies there, students and small organizations that could lead to your next big project.
With so much information and so many things to learn, how do you fit time for the Expo into your schedule?


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Home › Rocks into Rivers CD
Rocks into Rivers CD
Rocks into Rivers followed quickly on the heels of 2008's Til We See the Shore and diverged little, if any, from the rich piano pop/rock of Seabird's debut. Their sophomore effort shows growth as artists, touching on intricate, complex emotions with lead singer Aaron Morgan's trademark swagger and sensitivity. Much of the album describes Morgan's experience becoming a husband and father. "Believe Me" is driven by a vulnerable admission of improvements that need to be made as the leader of his family and a hook so infectious that it would make the Fray's lead singer shriek with jealousy. Lead single "Don't You Know You're Beautiful" speaks out to a troubled teen who blames herself for her parents' divorce. The album is littered with elements of praise & worship such as the message that "The Good King" is there to see you through lonely times. And it's the muted message of hope lining each track that endears this album. Thankfully, the band doesn't try too hard to do too much, too fast. Rocks into Rivers is more of a second verse than an entirely new songbook. - iTunes
CD Details
Record Label: Credential Recordings
© 2021, Collide Records


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Q: How to enclose a gridview row into anchor a tag? I have a gridview with several rows. Each row has value for each column. When the user hover the gridview, I want each row to appear like one anchor tag, so that when clicked anywhere in the row, the result depends on the value of the row's id.
Instead of having each cell contain a link, I want the entire row to behave like a anchor tag.
Thanks for helping

A: You can turn the rows in to clickable hyperlink but it will have to write extra code
protected void GridView1_RowDataBound(object sender, GridViewRowEventArgs e)
{
if (e.Row.RowType == DataControlRowType.DataRow)
{
  e.Row.Attributes["onClick"] = "javascript:window.location='thepageyou want to post';";
  e.Row.Style["cursor"] = "pointer";
}
}


Holidays are for Testing Bulls!
Beautiful Day to Test Bulls!
Most Holidays are Working Days for us and President's Day 2017 was no different. With all the kids out of school it was very nice to have a full crew able (& willing?) to help.
Behind the Scenes...Way to keep things rollin!
It was a long day to get through over 100 bulls, but everyone saw it through to the end for a job well done! Thanks to Bear River Animal Clinic for providing their services also. We really need to get some knee pads for Doc Ira!
As Braden is the one who is around the bulls the most as the feeder and day to day caregiver, he was given the task of sifting out those who didn't meet our criteria (Size, Phenotype, or Structure). Tyler took the opportunity to personally evaluate each of the remaining ones and made some ranking notes that will come in handy when it comes time to put together the Sale Order list.
Tom stayed in Elba watching over the herd as calving is in full swing. We're up to almost 200 head done with another 300 to go. We're getting anywhere from 10-20 every day, so if Braden & Aubrey miss a day on tagging, they're really behind! So far most have all been our AI calves. We are starting to get the first go around of clean up bred calves now.
We'll be hauling the bulls in to the Burley Livestock Auction Yard on Saturday, so hopefully they'll be settled in and not messing around!
They'll be available for people to come look through there. There will still be over 90 head of bulls, and this offering is perhaps the overall best group of bulls we've offered. The heifers will also speak for themselves.
As Ruel said: The effort and work exhibited to get to this point is all worth it when the product turns out like this in the end!
We're excited to get them to town and out to our buyers. We have been making calls and are encouraged with the amount of positive comments we're receiving. From Nevada, a buyer from last year commented: "We certainly appreciate your nice bulls! I look forward to this year's calves. I hope the weather is more welcoming than it has been. Best of rewards at your sale. Your product is wonderful. Thank you for doing a great job."
BVD ear notched and a shot of Draxxin and Inforce was given to all.
Always fun to bring friends out to experience our world!
Mess with Braden and see what you get!
We aren't officially supposed to be started calving until February 8, but the weather might be a factor in our early start. We started last Thursday and have over 40 head now. They all seem to be doing good so far. Other than we're a little lop-sided right now on the heifer calves, we'll see how it ends up when it's all said and done. We're excited for some of these new sires that we tried out...SimAngus Bulls Cowboy Cut & Main Event and Angus Bulls Remedy & Identity are two that we like the looks of.
Had to plow roads through the dryfarm to be able to make the checks.
Thank goodness for the cedars! They can find a dry place to get up out of the snow & wind.
Check out the calving nest this girl made! Good mamma there!


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Horror History
Trashploitation – Ypsi's Emoni (Short Review)
Blu Review – Horror of Dracula (Warner Brothers Archive Collection)
Review: Tommy Faircloth's "A Nun's Curse" (One of the Most Atmospheric Horror Films of All Time)
Review: Troy Escamilla's "Teacher Shortage"
Primal (Review)
Blu Review – Hard Soap, Hard Soap/Disco Lady (Vinegar Syndrome)
One Cut of the Dead: Don't Miss One of the Most Unexpected Surprises of 2019
in Theatrical, VOD Releases
by Michael Therkelsen Aug 27, 2019, 9:00 pm
Opens NY and LA September 13, 2019
One-night screenings across the country on September 17, 2019
Coming soon to Shudder
One of the most critically-acclaimed genre films of the past decade and a record-shattering blockbuster in its native Japan, ONE CUT OF THE DEAD first appears to be a one-take indie zombie film… but something magical happens 37 minutes in: the film's director yells cut and – throwing all cinematic conventions and viewer expectations to the wind – it transforms into a charming story about the power of family, the passion that goes into making movies, and, in its stunning final sequence, a uproarious meta re-examination of the film's opening single take and how it came to be!
We don't want to spoil all of that for our audience, but a theatrical release needs a trailer, so we made one. And while we hope you'll post and share it right away, it does comes with a spoiler alert, advising the audience to stop watching, simply take our word for it, and just grab some tickets (at www.onecut-movie.com). We suspect that those of you who have seen the film will agree with our approach, and agree that, even after watching our trailer, we've preserved the film's brilliant Rube Goldberg-level gags and misdirection.
>Shudder, in association with theatrical partner Variance Films, is bringing festival favorite ONE CUT OF THE DEAD to the big screen, prior to its debut on Shudder – and they're bringing it everywhere. Opening in NYC (IFC Center) and LA (Alamo Drafthouse Downtown) on 9/13, people around the country won't have to wait – over 60 one-night screenings across the US and Canada are slated for Tuesday, 9/17, with additional screenings to follow and more being added daily.
Official synopsis: While shooting a low-budget zombie film in an abandoned warehouse, the crew find themselves caught between actual zombies and a mad director who won't stop rolling. If you think you know what happens next, think again. Filmmaker Shinichiro Ueda turns the film on its head more than once for one of the wildest, funniest, and most surprising zombie movies of all time.
During its lengthy festival run, ONE CUT OF THE DEAD received numerous awards and accolades, including the Audience Award and Best Director at Fantastic Fest, Best Film at Fantasia, Best Film at Bifan Fantastic Film Festival, Grand Prix at Vevey International Funny Film Festival, the Press Award at Morbido Film Festival, and Audience Awards at Imagine Film Festival, Panic Fest, Brussels International Film Festival, and Lees Film Festival. The film sits at 100% Certified Fresh at Rotten Tomatoes with 44 reviews.
ONE CUT OF THE DEAD is written, directed, and edited by Shinichiro Ueda, and stars Takayuki Hamatsu, Mao, Harumi Shuhama, Yuzuki Akiyama, Kazuaki Nagaya, and Manabu Hosoi.
Don't miss out on one of the most unexpected surprises of 2019!
Written by Michael Therkelsen
(Senior Editor)
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