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Home » World News » Covid passport trials to begin: PM set to unveil test scheme
Covid passport trials to begin: PM set to unveil test scheme
Boris Johnson to unveil vaccine passport trial 'starting next month' in theatres and stadiums before being rolled out to restaurants and pubs – as 72 MPs brand the move 'divisive and discriminatory'
Theatres and stadiums are expected to pilot the controversial vaccine passport scheme being discussed
Covid-19 passports could also be used in pubs, restaurants, nightclubs and cinemas to show who is protected
Pilot scheme will begin after work on an updated NHS Covid app is completed, that will show vaccine status
The plan is a sign that Prime Minister Boris Johnson will give vaccine passports the green light Easter Monday
Their introduction is certain to trigger a political row, with MPs issuing a joint statement against the passports
Trials of vaccine passports could begin as soon as next month, the Mail can reveal.
Theatres and stadiums are being lined up to pilot the controversial scheme under plans discussed by ministers.
The passports could also be used eventually in pubs, restaurants, nightclubs and cinemas.
Pilot schemes will begin after work is completed on an updated version of the NHS Covid app which will let users prove they have been vaccinated.
The plan is a sign Boris Johnson will give vaccine passports the go-ahead on Monday, when he is due to report the interim results of a study led by Michael Gove.
But their introduction is certain to trigger a huge political row. Last night 72 MPs – including libertarian Tories and senior Labour figures – issued a joint statement branding vaccine passports 'divisive and discriminatory' and vowing to oppose them.
This threatens a major headache for the Prime Minister if he needs legislation to bring the scheme in.
The Mail can also reveal that Mr Johnson's 'roadmap' for lifting almost all restrictions by June 21 could now be dependent on a functioning vaccine passport programme.
One Whitehall source last night admitted it is vital if the Government is to hit its target of ending all social distancing this summer.
Yesterday, the Prime Minister dropped a further hint he has come round to the idea, saying vaccine passports could help to provide 'maximum confidence to businesses and customers'. He stressed any scheme would also allow people to show a negative test result or proof they already have Covid antibodies.
Speaking on a visit to Middlesbrough, the PM said vaccine passports now looked inevitable for foreign travel. But he suggested they would also have a 'useful' role to play domestically. It came as:
Chief Medical Officer Chris Whitty said Covid would eventually have to be managed in a similar way to serious seasonal viruses such as flu;
Cases continued to fall after pupils returned to school, in a boost for plans to press ahead with easing lockdown;
Another 51 deaths and 4,479 cases were reported;
An incredible 93 per cent of over-50s have now been vaccinated;
Ministers appeared set to introduce a 'traffic light' system to open up flights to countries with low Covid rates;
Police chiefs warned the public not to bend the rules this Easter weekend;
Emmanuel Macron was accused of acting like an arrogant king over France's new national lockdown.
Trials of vaccine passports could begin as soon as next month, the Mail can reveal. Pictured: A covid-safe pub lunch
The plan to test vaccination passports, revealed by the Mail, is a sign that Prime Minister Boris Johnson (pictured on April 1 in Middlesborough) will give vaccine passports the green light Easter Monday when he reports the findings of a study led by Michael Gove
How vaccination passports could work
What would I get?
Officials are working on an update of the NHS app which would allow people to scan their vaccine status at the door of a venue. A paper version is being developed for those who do not use a smartphone.
Is it popular?
One poll found 68 per cent would support the idea for theatres or indoor concerts, with just 18 per cent opposed. But businesses have raised concerns, with the trade body UK Hospitality branding it 'unworkable'.
Do MPs back it?
Opposition is building, with a cross-party alliance of 72 MPs last night pledging to oppose the 'divisive and discriminatory' plan. Rebels include 40 Tories – enough to wipe out the Government's majority. Labour has yet to say how it will vote and ministers believe they could force it through without primary legislation.
What about pubs?
Boris Johnson suggested last week that it could be left to individual landlords to decide whether to require vaccine certificates.
Anywhere else?
Possibly in the workplace. But the CBI warns it could prove a 'legal minefield' and damage relations.
When will it happen?
Possibly as soon as next month in theatres and stadiums. However a full rollout will not take place until all adults have been jabbed.
The vaccine passports row exploded last month when ministers confirmed they were considering the idea – after a string of denials.
Mr Johnson then suggested to MPs that they could eventually be needed to visit the pub.
A working group led by Mr Gove has been leading a review, with the PM due to give an update on Monday.
The roadmap out of lockdown paves the way for pilot schemes on allowing crowds to attend 'large events' from April 12.
But Whitehall sources say these schemes will also now be used to test the emerging technology needed for vaccine passports.
Ministers hope an updated version of the NHS app will allow users to display their vaccine status on their phones.
They have already decided people should be able to demonstrate their risk status in other ways, such as providing a negative test result.
This is deigned to get around concerns the scheme could 'discriminate' against those not able or willing to have a jab.
A Whitehall source said of the vaccine passports idea: 'It is part of the trade-off for getting rid of social distancing.
The hope is that people will be willing to tolerate it in order to get back to doing the things they love.'
Mr Johnson said: 'There's definitely going to be a world in which international travel will use vaccine passports. I think when it comes to trying to make sure that we give maximum confidence to businesses and customers in the UK, there are three things – there's immunity, whether you have had it before so you have natural antibodies, whether you have been vaccinated, and of course whether you have had a test.
'Those three things working together will be useful for us as we go forward.'
But there is growing cross-party concern about the idea of requiring people to produce evidence of their health status to carry out everyday activities such as going to the pub or even the office.
Former minister Steve Baker, deputy chairman of the 70-strong Covid Recovery Group, said this would be 'unthinkable'. Liberal Democrat leader Sir Ed Davey described the scheme this week as 'unworkable and illiberal'.
Labour leader Sir Keir Starmer said he would study any Government proposals but warned his party could oppose the 'un-British' plan.
Wetherspoon boss Tim Martin has said vaccine passports would be 'the last straw' for struggling pubs and force bar staff into a 'bitter civil liberties war' with customers.
Writing in the Daily Telegraph, Mr Martin said 'there is no justification for a passport system'.
The chairman of the pub chain said: 'For many pubs, hanging on for dear life and devastated by G-force changes of direction, a complex and controversial passport scheme would be the last straw.
'It would inevitably put pub staff in the frontline of a bitter civil liberties war, with some customers unwilling to be vaccinated or unable to have a jab for medical reasons.'
Meanwhile, Britain's daily coronavirus cases have dropped by a third in a week and deaths are continuing to fall, official data revealed today as a catalogue of statistics showed England's outbreak is still shrinking.
Department of Health bosses posted 4,479 lab-confirmed cases today and 51 deaths — down 20 per cent on the same time last week.
Figures also showed more second vaccine doses (404,922) than first shots (241,906) were dished out for the second day in a row.
Data across the board revealed the virus remains in retreat, prompting experts to claim reopening schools had a 'very small' impact on cases and England was in a 'good position' for the next bout of lockdown-easing on April 12.
The Office for National Statistics estimated 148,100 Britons were infected on any given day last week — the lowest figure since before the second wave spiralled out of control and down almost 10 per cent on the previous seven-day spell.
Figures from a symptom-tracking app monitoring the size of the country's outbreak also claimed the number of people falling ill with tell-tale signs of the disease every day has dropped by a similar amount to 2,800.
And Public Health England data revealed cases have fallen in every age group except secondary school children, offering more proof that reopening classrooms on March 8 has not triggered any resurgence.
Separate Test and Trace figures today also added to the heartening estimates, showing the number of people diagnosed with Covid in England fell by two per cent last week with 36,606 cases – the fewest since September.
PHE statistics revealed infection rates were rising in a quarter of councils across the country – but that the rise was entirely down to a spike in 10 to 19 year olds.
It comes as police issued stern warnings officers will be enforcing lockdown this weekend, with millions expected to use the four-day Easter break to enjoy the first weekend of eased restrictions to meet with family and friends.
Experts also warned coronavirus cases will spike next week and the country could be plunged into a fourth lockdown if people fail go wild over the bank holiday.
Pressure is mounting on Boris Johnson to speed up the lifting of lockdown restrictions, in the face of the shrinking outbreak and successful vaccination drive.
But the Prime Minister has so far defied calls from anti-lockdown Tory MPs, sticking to his ultra-cautious roadmap back to normality.
PHE data showed that a quarter of council authorities in England – or 41 out of 149 – saw a rise in Covid cases last week, with the upticks likely being driven by school children
The Covid Symptom Study shows that infection rates are still coming down in all adult age groups, although they appear relatively flat in school-age children (blue line)
Test and Trace data today showed a total of 36,606 people tested positive for Covid in England at least once in the week to March 24. For comparison, the figure for the previous seven-day spell was 37,289
A group are pictured having a game of beach volleyball enjoy the last day of warm temperatures before the weather turns colder at Bournemouth in Dorset today
Two women leap in the air as they pose for a photograph from a friend as they enjoy the last day of warm temperatures today in Bournemouth
EVEN THE GLOOMIEST EXPERTS SAY DAILY COVID DEATHS SHOULD CONTINUE TO DROP
Cambridge University academics whose gloomy warnings of 4,000 deaths a day spooked ministers into imposing England's second lockdown say daily fatalities will continue to drop when more restrictions are eased.
The 'Nowcast' team, which feeds into No10's advisory panel SAGE, estimates Covid deaths could fall as low as 35 a day by April 16, based on current trends.
England is set to hit the second stage of Boris Johnson's 'roadmap' out of lockdown on April 12, with hairdressers and gyms set to reopen and bars, pubs, and cafes allowed to serve customers outdoors.
The Prime Minister has warned the plan could be derailed by a spike in Covid cases or the emergence of a new variant that may dodge vaccine-sparked immunity.
But the latest catalogue of data is promising, and shows cases are still falling in England and three quarters of all age groups despite schools reopening.
Experts said the numbers suggested England was in a 'good position' as it prepared to ease more measures.
Writing in their latest report, the Cambridge scientists said: 'We predict that the number of deaths occurring daily is likely to remain low with a forecast for the period around April 16 suggesting that there will be fewer than 175 deaths per day and potentially as few as 35 deaths per day.'
They also suggested there were around 12,900 new infections occurring daily across England, with rates being highest in the East Midlands, North West and West Midlands.
In an upbeat tone head modeller Professor Daniela De Angelis said: 'The pandemic has been shrinking in England as a consequence of the January lockdown and signs of the impact of immunisation on the risk of mortality are becoming apparent.'
But she added there are also signs that cases are now ticking up in some regions which will need to be carefully monitored.
The ONS report is based on test results from 144,000 random members of the population which are then scaled up to the whole country.
It found infection rates were highest in Yorkshire, the North East and the North West, at 0.4 per cent, and lowest in the South East and South West, at 0.1 per cent.
The rate was 0.3 per cent – three in a thousand – in the East and West Midlands and in London, and 0.2 per cent in the East of England.
Of the devolved nations, Wales has the lowest infection rate (0.18 per cent) and Northern Ireland the highest (0.45 per cent), while it was 0.32 per cent in Scotland.
When the figures were broken down by age group they showed cases had only risen among 16 to 24-year-olds, to 0.31 per cent, but had remained stable in 11 to 15-year-olds at 0.42 per cent.
Case rates were lowest among 50 to 69-year-olds (0.14 per cent), who are being offered at least one dose of the Covid vaccine.
And over-70s (0.18 per cent), where everyone in this age groups has been offered at least one dose of the jab.
Public Health England's data, taken from the official swab testing system, backed this up and showed that infection rates also fell in all age groups except 10 to 19-year-olds where they rose by seven per cent to 109.8 cases per 100,000 people.
Over-70s – who are most at risk of becoming ill if they catch the virus – still had the lowest infection rate (10.7 per 100,000).
PHE data showed that a quarter of local authorities in England – or 41 out of 149 – saw a rise in Covid cases last week, Public Health England's weekly surveillance report revealed today, with the upticks being driven by school children.
Figures showed infection rates fell in all age groups except 10 to 19-year-olds where they rose by seven per cent to 109.8 cases per 100,000 people. Over-70s – who are most at risk of becoming ill if they catch the virus – still had the lowest infection rate (10.7 per 100,000). Everyone in this group has been offered a Covid vaccine.
The council areas recording rising infection rates were mostly based in London, where nine boroughs saw an increase including Bexley where they doubled, and the South East with eight councils recording more cases than previously including the Isle of Wight, Oxfordshire and Windsor and Maidenhead.
But pockets of growing infections were scattered across England including five areas in the South West – Devon, Cornwall, and Plymouth among others – and four in the North West – Trafford, Oldham and Central Manchester.
The Covid Symptom Study app had suggested cases were already increasing in London and the South East last week. But PHE data disputed this, saying cases in all regions were still falling.
The app, published early ahead of Good Friday, bases its estimates on reports from more than a million Britons on whether they are feeling unwell, what symptoms they are suffering, and if they have tested positive for the virus.
But it can only detect symptomatic infections – which trigger warning signs of the virus – and not asymptomatic cases thought to make up about a third of the total infections across the country.
Covid cases fell in all age groups last week except schoolchildren aged up to 19 years old, according to the app, where they remained steady.
WHAT DID THE DATA REVEAL TODAY?
There are several data reports tracking the spread of Covid in the UK published every week.
The ONS report, based on random swab testing of around 144,000 people, showed the total number of people with coronavirus fell last week.
The report suggested 0.27 per cent of people in England had the virus at a time in the week ending March 27 – around 148,100 people, or one in every 370.
This was down nine per cent from 162,500 a week earlier, which had been a slight rise from the week before that.
Public Health England's weekly surveillance report showed that positive tests were down in all regions and all adult age groups.
They rose in 10 to 19-year-olds, believed to be driven by schools reopening, and in 41 out of 149 council authorities across the country, many in London and the South East.
Covid Symptom Study
This app estimated Covid cases fell by 13 per cent last week, to 2,839 daily symptomatic infections.
Its figures are based on reports from more than a million Britons who tell the app whether they are feeling unwell, what symptoms they are suffering and if they have tested positive for the virus.
Test and Trace
Covid cases fell by two per cent last week, according to its weekly official report.
Test and Trace said there were 3,606 cases in the week to March 24, down from 37,289 the week before.
The highest number of daily symptomatic cases, the Symptom Study found, were in London and the West Midlands (510 each), estimates suggest, followed by the East Midlands (369), Yorkshire and the Humber (346) and the South East (303).
Professor Spector added: 'As cases decline again, we're seeing regional divides widen to a three-fold difference, a familiar trend we saw last summer when cases were similarly low.'
Separate data from Test and Trace today showed England's outbreak shrunk by two per cent in the week to March 24 after 36,606 people tested positive for Covid. For comparison, the figure for the previous seven-day spell was 37,289.
Some 7.1million lateral flow tests for Covid were also done last week, down from 7.7million in the previous week, as schools were asked to test pupils twice a week to root out any cases of the virus.
PHE's data showed 10 to 19-year-olds had the highest Covid infection rate in England last week at 109.8 cases per 100,000. This was up from the 102.3 recorded the week before.
All pupils were invited back to schools on March 8 with twice weekly testing in place to ensure any outbreaks were snuffed out quickly.
Experts say the escalated testing regime could have led to more asymptomatic infections – which cause no symptoms – being picked up that would previously have gone unreported.
Over-30s had the second-highest infection rate (71.6), but this was down 12 per cent on the previous week (81.2), and over-40s had the third highest (61.2), also down 15 per cent on the week before (15 per cent).
The lowest infection rate was among the over-70s, who have all been offered at least one dose of the vaccine, followed by the over-60s (20.1), who have also all been offered a first dose.
Test and Trace figures also showed there were 30,779 people transferred to the contact tracing system, of whom 91.4 per cent were reached and asked to provide details of close contacts – people they had been near for more than 15 minutes.
The UK's successful vaccine rollout means it is now in the best position of all major European nations, despite being the worst hit in January.
President Emmanuel Macron last night blamed the so-called 'British variant' for the country's surge in cases, saying it created 'a pandemic inside a pandemic' as France heads into its third national lockdown from Saturday.
Meanwhile experts warn coronavirus cases will spike next week and the country could be plunged into a fourth lockdown if people fail to heed advice over the Easter bank holiday weekend.
Police have stepped up patrols and are begging parents to control their children over the four-day break, in the wake of carnage seen across the country this week.
Lockdown restrictions eased for the first time in months on Monday, allowing groups to meet outdoors – but experts fear the loosening of rules may lead to a dangerous spike in Covid cases, with millions expected to use the four-day Easter break to enjoy the first weekend of eased restrictions to meet with family and friends.
Professor Adam Finn tweeted: 'Throngs of young people crowded together in their hundreds enjoying the beautiful warm evening together by the water.
'A complete change. If this is happening everywhere then we can confidently expect case numbers to rise next week.' And Professor Lawrence Young warned the virus was 'still out there and very infectious.'
He told the Sun Online: 'While the risk of transmission is low in outdoor spaces, crowding together could result in some spread of the virus and it's too easy to take liberties which we consider to be low risk but aren't e.g. close contact by hugging or popping inside to go to somebody else's toilet.
'We need to hang on in there with the current restrictions for a bit longer – none of us want another lockdown.'
This comes as police forces across the country including Merseyside, Humberside, Dorset, Sussex and Cheshire today issued stern warnings that officers will be out enforcing lockdown measures, such as the rule of six.
An RAC survey projects 5.6million cars will hit the road this weekend to visit loved ones, taking advantage of the four-day holiday and end of three-month 'stay at home' orders, which were replaced with 'stay local' on Monday.
Other police chiefs warned ministers that the 'rule of six' is virtually unenforceable because of the two household concession, which puts no limit on numbers. Across the country yesterday:
MANCHESTER: Police cleared drinkers from Castlefield Bowl after revellers gathered for a live DJ set;
NOTTINGHAM: Officers seized bottles of alcohol from sunseekers and poured it onto the grass;
LEICESTER: Police begged parents to control their children, admitting they 'could not sort this alone';
HARBOROUGH: Councillor accused revellers they risk exploding 'deadly Covid-19 timebomb' after parties;
LEEDS: Police threatened to disperse further big crowds after fights broke out at Hyde Park in Leeds.
New Test and Trace rules will force EVERY pub-goer to sign in when venues reopen – but are blasted by trade bodies
New Test and Trace rules force all over-16s to check in to NHS test and trace app
Must give details before going into pubs, cafés or restaurants when they reopen
Marks change from last year which saw pubs demand details of 1 group member
Comes as Boris Johnson hinted Britons will need vaccine passport to go abroad
New Test and Trace rules forcing every pub-goer in a group to sign in when entering have been blasted by trade bodies.
The rules force all over-16s to check in to the NHS Test and Trace app or give their details to staff before going into pubs, cafés or restaurants when they reopen on April 12.
'Reasonable steps' must also be taken by pubs to make sure that people who refuse to hand their details cannot come in, the Government said.
It marks a change from last year's rules, which saw only one group member forced to share their details.
Trade body UKHospitality, the British Beer & Pub Association and the British Institute of Innkeeping wrote a joint letter to the Prime Minister saying the rule 'threatens the very survival of thousands of businesses'.
It comes as Boris Johnson said proof of vaccination and having had a test could help provide 'maximum confidence to businesses and customers in the UK'.
The statement is likely to be viewed as a sign that the Government does intend to proceed with some sort of domestic 'Covid status certification'.
New Test and Trace rules forcing every pub-goer in a group to sign in when entering have been blasted by trade bodies. The rules force all over-16s to check in to the NHS Test and Trace app (pictured) or give their details to staff before going into pubs, cafés or restaurants when they reopen on April 12
Boris Johnson (pictured today in Middlesbrough) said proof of vaccination and having had a test could help provide 'maximum confidence to businesses and customers in the UK'
The trade bodies said demanding details – alongside the potential need for negative tests and proof of vaccination – from customers was 'a triple whammy for hard-pressed publicans who have been forcibly closed for months'.
The statement read: 'It now seems the hospitality industry could be burdened with vaccine passports, and over-complicated test and trace rules.
'This could prevent millions of young people visiting the pub for months, unless they get themselves tested in advance.'
They added: 'Pubs will already be trading at a loss when they reopen with all the existing restrictions and Covid-secure measures in place.
'Adding further disproportionate and discriminatory measures threatens the very survival of thousands of businesses.'
Their statement comes as England's Covid outbreak continues to shrink, with the country's cases dropping by a third in a week and deaths continuing to fall.
Pubs and other venues could require customers to show a vaccine passport to gain entry (file image)
Earlier today, the PM said during a visit to Middlesbrough that there is 'definitely going to be a world in which international travel will use vaccine passports'.
Ministers are due to report with their initial findings on the subject on Monday next week but the PM is facing a growing battle to get a scheme passed into law after Sir Keir Starmer suggested needing a passport to go to the pub would be un-British.
The Labour leader hinted that his party could line up alongside Tory rebels to oppose the idea, raising the prospect of Mr Johnson struggling to get legislation through the House of Commons.
One Tory MP said on the potential for the Government to lose a vote on vaccine passports: 'If Labour are not onside that puts it in a totally different position.'
Another Tory MP warned against rolling out domestic certificates as they said some people may be unable to have a jab and therefore the policy would result in an 'unfair two-tier system'.
Mr Johnson's comments on vaccine passports for international travel were welcomed by the Airlines UK trade body.
It said a digital system built on vaccination status and test results 'will make it easier for customers' to travel but stressed there is a need for a 'common international approach'.
Sir Keir Starmer (pictured) said demanding vaccine passports for entering pubs or sporting events would go against the 'British instinct'
GP surgeries, hospitals and supermarkets are set to be exempt from Covid vaccine passport
Hospitals, GP surgeries and supermarkets could be excluded from any Covid vaccine passport scheme, according to reports, as Boris Johnson prepares to announce more details of on Monday.
Ministers could create a list of 'essential' public buildings which could be banned from excluding members of the public who have not had a jab, according to the Times.
It comes as the Government is said to be looking at the idea of Covid status certificates 'increasingly seriously'.
The certificates will show if a person has been vaccinated, has recently tested negative, or has shown anti-bodies.
Pubs, bars and restaurants have previously been earmarked as businesses which may have to implement a Covid passport system.
That's despite objections from industry chiefs, as well as GP groups, who warn such a system could be 'discriminatory'.
Previous reports have suggested NHS workers could also be forced to have Covid jabs under plans being discussed by ministers.
Sir Keir said in an interview with the The Daily Telegraph that demanding certificates to enter pubs or sporting events would go against the 'British instinct' and indicated there could be public opposition if Covid death rates are near zero and hospital admissions are very low.
Mr Johnson last week suggested pubs and other venues could require customers to show a vaccine passport – which are likely to feature a combination of vaccine and testing data – to gain entry.
But while the idea has strong support among the public, according to polls, it is opposed by hospitality industry figures and some politicians on economic and civil liberties grounds.
Sir Keir said his 'instinct' told him there will be 'a British sense that we don't actually want to go down this road' as the pandemic comes to an end.
The Labour leader said: 'My instinct is that, as the vaccine is rolled out, as the number of hospital admissions and deaths go down, there will be a British sense that we don't actually want to go down this road.'
He continued: 'I think this is really difficult and I'm not going to pretend there's a clear black and white, yes-no easy answer on this.
'It is extremely difficult. My instinct is that… (if) we get the virus properly under control, the death rates are near zero, hospital admissions very, very low, that the British instinct in those circumstances will be against vaccine passports.'
Some Tory MPs, led by the former Cabinet minister David Davis, have expressed serious concerns about the potential use of domestic vaccine passports.
Mr Davis, who has backed using the documents for international travel, said using them to determine entry to pubs or other businesses could be illegal.
Mr Johnson said today: 'There's definitely going to be a world in which international travel will use vaccine passports.
'You can see already that other countries, the aviation industry, are interested in this and there's a logic to that.
'I think when it comes to trying to make sure that we give maximum confidence to businesses and customers in the UK, there are three things – there's immunity whether you have had it before so you have natural antibodies, whether you have been vaccinated, and of course whether you have had a test.'
Welsh First Minister Mark Drakeford said he had been in discussions with the UK Government about a vaccine passport scheme.
He said: 'There are positive prizes to be won from having a successful vaccine certification scheme but there are many practical and ethical issues that will need to be addressed and resolved successfully if those positive opportunities can be won from it.'
An Airlines UK spokesman said: 'A proper integrated digital solution that can verify travellers' data across borders, be it testing results or vaccination status, will make it easier for customers and remove further complexity to the passenger journey, therefore making travel more attractive.
'The PM's words are therefore extremely welcome as is the commitment of the UK Government to work with the EU and through the G7 to agree a common international approach to passports, that can satisfy concerns around data and privacy whilst being recognised in as many countries as possible around the world.'
Just 38% of Britain's restaurants and pubs have outdoor space needed to reopen on April 12 – as South East fares best with just over half of venues able to serve al-fresco food and drink
The South West of Britain leads the ranks in terms of pubs that have outdoor space, with 91.7% falling into that category, followed by the South & South East on 74.8%
More than half of Britain's pubs and restaurants will be forced to remain closed when lockdown restrictions ease because they do not have outdoor space.
Under the next relaxation of coronavirus rules, a swathe of freedoms will be restored on April 12 under the current timetable.
This includes a long-awaited reopening for pubs and restaurants in England, which will be able to serve customers in alfresco seating areas.
But despite being given the green light to open, hospitality venues across the country will still be locked after April 12 because just 41,100, or 38.2 per cent, have outdoor space, according to overall data.
Only 33.1 per cent of operators in London have space they can use outside and only 22.9 per cent of venues in Scotland – which will see sites reopen from April 26 – have outdoor areas.
Breaking the data further down, by region and type of venue, shows stark differences in each region's proliferation of open-spaced venues.
The South West of Britain leads the ranks in terms of pubs that have outdoor space, with 91.7% falling into that category, followed by the South & South East on 74.8%.
Scotland was the region with the lowest percentage, with less than half – 44.9% – of pubs able to host customers outside.
Overall data: More than 41,000 pubs, bars and restaurants have some kind of outdoor space which could allow them to reopen on April 12. The South West leads the way, with 51.1 per cent of venues boasting outdoor areas
These differences are also present in the figures for restaurants. The East of Britain boasts the highest percentage of restaurants with outdoor spaces – 31.2% – and the South West again holds a prominent position, in second place with 30.6%.
The figure is in the high twenties for much of the rest of England – including Lancashire, London, the North East and Yorkshire – but Scotland and Wales remain in single figures.
Just 8.5% of restaurants in Wales have outside spaces, and only 5.1% in Scotland.
The data comes amid bleak figures which show the number of licensed premises over the past year fell by some 7,592 to 107,516, laying bare the devastating toll of the pandemic.
From April 12, diners will be able to meet in a group of up to six people from different households, while a maximum of two households can meet to form a group of any size. Indoor dining will only be allowed after May 17.
The latest monthly Market Recovery Monitor by CGA and AlixPartners has revealed that 38.2 per cent of licensed premises in the UK say they have space to allow them to trade.
Firms have said they will plan to utilise gardens, terraces, car parks and other areas where they can potentially seat guests to reopen when outdoor hospitality is given the go-ahead in the next phase of the Prime Minister's road map.
More than 41,000 pubs, bars and restaurants have some kind of outdoor space which could allow them to reopen on April 12.
However, the proportion of operators able to operate outside fluctuates significantly depending on their specific area of the hospitality market.
More than 80 per cent of community pubs have said they have appropriate outdoor space to reopen.
However, only 11.9 per cent of casual dining restaurants have such space, meaning further pain for many chains which have been hit hard in the past 12 months.
The report also said that a significant number of sites with outdoor space will still be unlikely to trade from mid-April because of limitations to their space and the cost of equipping or staffing them being unprofitable.
It highlighted that punters in the south-west of England will be best placed come April 12, with 51.1 per cent of premises in the area having outdoor space.
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Waikato Ethnic Family Services Trust
NZESS was initially established in Auckland in 1996 and registered in 1999 to serve the needs of the ethnic communities in Auckland and throughout New Zealand. The Waikato branch was officially launched in May 2010 to cater for all ethnic groups in the Waikato.
Waikato Ethnic Family Services Trust (WEFST) seeks to be a representative 'voice' of waikato middle eastern community and other ethnic communities.
Some of WEFST's activities include:
1. Organising workshops, Cooking Class, Driving Lessons, Budgeting Advise, Youth Forum and Gardening for the benefit of its members.
2. Consulting with member groups to obtain their views and opinions and to be informed of their needs.
3. Attending meetings of statutory agencies and responding to consultation documents to represent WEFST views, needs and aspirations.
4. Hosting events to celebrate and commemorate WEFST achievements.
5. Representation on the Waikato Migrant Resource Centre.
6. Reflecting the views and concerns of WEFST communities.
Disseminating relevant information to its members.
Professional accreditations, memberships and registrations
NZ Federation of Family Budgeting
wefstrust.org.nz
Address: Caro St, Hamilton 3204
Hours: 8.30am - 5.00pm
Postal: PO Box 19139, Hamilton 3244
Asian, New settlers, Pacific peoples
Arabic, English, Farsi, Pashto, Urdu

redpajama_set_name: RedPajamaCommonCrawl


text:
package org.locationtech.geogig.osm.internal;

/**
 * A class to store the values that define the result of an OSM operation that alters the current
 * OSM data in the repository, such as applying a diff file or importing new OSM data from an OSM
 * file
 *
 */
public class OSMReport {

    private long unpprocessedCount;

    private long count;

    private long latestChangeset;

    private long latestTimestamp;

    private long nodeCount;

    private long wayCount;

    public OSMReport(long count, long nodeCount, long wayCount, long unprocessedCount,
            long latestChangeset, long latestTimestamp) {
        this.count = count;
        this.nodeCount = nodeCount;
        this.wayCount = wayCount;
        this.unpprocessedCount = unprocessedCount;
        this.latestChangeset = latestChangeset;
        this.latestTimestamp = latestTimestamp;
    }

    /**
     * The number of features downloaded that could not be processeed and imported
     *
     * @return
     */
    public long getUnpprocessedCount() {
        return unpprocessedCount;
    }

    /**
     * The total number of downloaded features
     *
     * @return
     */
    public long getCount() {
        return count;
    }

    public long getNodeCount() {
        return nodeCount;
    }

    public long getWayCount() {
        return wayCount;
    }

    /**
     * The id of the most recent changeset downloaded
     *
     * @return
     */
    public long getLatestChangeset() {
        return latestChangeset;
    }

    /**
     * the timestamp of the most recent changeset downloaded
     *
     * @return
     */
    public long getLatestTimestamp() {
        return latestTimestamp;
    }

}

redpajama_set_name: RedPajamaGithub


Cindy Fewell is presumed innocent, until proven guilty in a court of law. Not all of outcomes are known or final.
Is Cindy Fewell a criminal?
Cindy Fewell is innocent until proven guilty in a court of law.
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When was Cindy Fewell born?
Cindy Fewell was born on January 24,1978.
Cindy Fewell was 41 years old at the time of the arrest. was arrested on 2019-03-26 08:15:00.
Below you can find more information about the charges of Cindy Fewell (if available).
This official record of Cindy Fewell is redistributed by FindMugshots.com and is protected by publishing, constitutional and other legal rights. The official record was collected from local law enforcement agencies of Tennessee. Not all of outcomes of this arrest report are known or final.
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Join your fellow Echo Park AND Silver Lake business owners for some holiday cheer, good spirits, conversation and exciting updates! We'll reflect on the year about to be behind us, and the year we have ahead.
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text:
The French & American quarter : American corner
The American Corner highlights the best directors of the American produced movies programmed during the Festival du Film Merveilleux & Imaginaire. Directors are selected for the French & American quarter's program for their outstanding visual and storytelling skills and hold the potential of tomorrow's filmmaking.
HELEN ALEXIS YONOV
The gesture & the word directed by Helen Alexis Yonov
Runtimee : 23'00
Production : Helen Alexis Yonov
Synopsis: A lonely postman (Gilbert) lives vicariously through hand-drawn postcards that a woman (Aurore) receives from her boyfriend (Eric) as he travels around the world. When the postcards suddenly stop, Gilbert begins to secretly recreate them. With the help of his friend Mr. Rostalle, (Paul Dooley) a blind widower and retired literary professor and poet, Gilbert (James Michael Tyler) learns to open himself up to the prospect of love, and in the process of trying to bring someone else happiness, discovers it for himself as he learns to express his feelings for the neighborhood florist (Eloïse.)
MEET HELEN ALEXIS YONOV.
Helen Alexis Yonov is a Latvian-American filmmaker. Although born and raised in Newport, Rhode Island, Alexis also grew up in Kuala Lumpur, Malaysia and Moscow, USSR/Russia. Her experiences living and traveling overseas created an appreciation for different cultures and foreign cinema, which influences her as a filmmaker. After moving to Los Angeles in 2002, Alexis began her career working as a Set Production Assistant on such feature films as Seabiscuit, Anchorman, War of the Worlds, and Elizabethtown.
Inspired by her overseas upbringing, Alexis moved to Paris, France in 2011 in order to return to her European roots. During her time in France, she attained her Latvian citizenship, which allows her to work within the European Union (E.U.)
After returning to Los Angeles in 2018, Alexis wrote and directed the short film "The Gesture and the Word" and the #metoo PSA – "We Stand Together."
"The Gesture and The Word" is a heart-warming romance that has screened worldwide, including the Oscar-qualifying L.A. Shorts International Film Festival (2020,) HollyShorts (2020,) and Cleveland International Film Festival (2021.) The film has won 50+ awards, including several Best Director, Best Female Director, and Best Short Film awards.
"We Stand Together" is a #metoo PSA that blends fashion and beauty with the idea that we are more than what meets the eye and that our greatest strength is found in unity. It has screened worldwide and won a 2021 silver Telly Award, among others.
KEVIN MCTURK
The Haunted Swordsman directed by Kevin McTurk (Festival 2021)
Runtime : 15'
Production : Lisa Henson
Synopsis: In this handcrafted epic puppet film set in a world of demons and ghosts, a lone samurai and his odd companion, a cursed severed head, seek vengeance in a haunted world.
MEET KEVIN MCTURK
A professional creature effects artist, cinematographer, model maker, and puppeteer, Kevin McTurk has been working in the effects industry for over 20 years. A graduate of Pennsylvania State University with a Bachelor of Arts degree in Film Production, Kevin moved to Los Angeles in 1992 and began his career in special make-up effects at Stan Winston Studios, working on Batman Returns, Interview with a Vampire, and the Jurassic Park films. He has worked for many effects companies over the years, including the Jim Henson Creature Shop, Amalgamated Dynamics, and Spectral Motion. Kevin also worked at New Deal Studios, where he was involved on the miniature effects shots for the Martin Scorcese films The Aviator, Shutter Island, and Hugo.
In 2004, Kevin was contacted by Weta Workshop in New Zealand and moved to Wellington to work on the films King Kong,The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe, and the gory comedy Black Sheep (in which he also played the Weresheep creature).
In 2011, Kevin received a Project Grant from The Jim Henson Foundation to make his first puppet short film "The Narrative of Victor Karloch." The film played in over twenty international festivals, and won the 2012 Best Animated Film Award at the DragonCon Film Festival. His follow-up film, "The Mill at Calder's End" was the result of a highly successful Kickstarter campaign and played in film festivals around the world. This film has won several awards including the Grand Jury Award for Best Animated Short at Seattle International Film Festival, the Audience Choice Award for Best Short Film at the H.P. Lovecraft Film Festival, and the Rondo Hatton Classic Horror Award for Best Short Film.
MELISSA MARS
The Last Touch directed by Melissa Mars (Festival 2021)
Production : Made in Mars Studios
Synopsis: In a near future where human touch can be deadly, a young couple tries to stay connected to one another and keep their love alive, while complying to the artificial intelligence ruling their lives.
MEET MELISSA MARS
Melissa Mars is an international actress and singer-songwriter. She received major notices in the United States and around the globe after appearing alongside John Travolta and Jonathan Rhys Meyers in From Paris With Love, produced by Luc Besson (Nikita), having her song Beautiful be included in Coca-Cola's 52 Songs of Happiness worldwide campaign, and her award-winning performance in the horror comedy The Cabining.
She is well-known in France for her pop music career, 3 albums released with Universal Music, and featurings among which 1980 reached number 5 in the charts and for her leading role in the successful musical Mozart the Rock Opera, a smash hit with more than 1,500,000 tickets sold.
MORGAN DAMERON
Crossing de Morgan Dameron
Running time : 6'
Production : Alixzandra Dove Rothschild, Graham Beckett, Alisa Naso
Country of production : USA
Synopsis: L'aventure de deux amis débute à un arrêt de bus quand l'un d'entre eux ne trouve pas le courage de traverser une route déserte. Son ami Betty déclenche inconsciemment un souvenir d'enfance de sa mère lui donnant un sage conseil sur la manière de surmonter la peur. Sera-t'il suffisant pour l'aider à trouver le courage et à poursuivre leur aventure.
MEET MORGAN DAMERON
Morgan Dameron is a writer and director from Kansas City, Missouri. Her feature film, DIFFERENT FLOWERS, starring and produced by Emmy-Award-winner Shelley Long, won "BEST FEATURE" at the KC Film Festival, and received rave reviews during its national theatrical release with AMC Theatres.
Dameron's screenplay MONKEY GIRL placed on the 2019 Bitch List, the film industry's favorite scripts that pass the Bechdel Test, and was selected as a second rounder for the 2019 Austin Film Festival. Her pilot script UPBEAT! also advanced to the second round for the 2019 Austin Film Festival. Dameron participated in Ryan Murphy's HALF Initiative, Paul Feig's FUSE mentorship, and has been supported by prestigious programs such as the Academy of Television Arts and Sciences, and The Caucus for Producers.
Dameron directs engaging, colorful, and dynamic branded content for clients including Nickelodeon, MTV, Fox's Empire, RevryTV, and Canadamark Diamonds.
Recently, Kansas City Women in Film and Television awarded her with the "Spirit of Kansas City" award, and Duke University's Talent Identification Program honored her with their Early Achievement Award.
She graduated summa cum laude from USC's School of Cinematic Arts with a degree in Film and Television Production and a minor in English. She lives in Los Angeles and is represented by Lit Entertainment.
CARLOS ANDRE STEVENS
The Alchemist's letter réalisé par Student Academy Award® finalist Carlos Andre Stevens.
Durée : 14'
Production :
Pays de production : USA
Synopsis : Veridian, un jeune homme solitaire, reçoit le dernier héritage de son père Nicolas, un alchimiste. C'est une machine complexe permettant de fabriquer de l'or grâce à ses souvenirs.
MEET CARLOS STEVENS
Carlos Stevens is a former Student Academy Awards nominee for his animated short film "Toumai." This achievement kick-started Carlos' career working on a variety of Cannes Gold Lion award-winning commercial campaigns, notably for Sprint and Sony. Additionally, he has directed and designed campaigns for X-Box, Netflix, Marvel, EA, Lexus, SyFy, UFC, Target and many others.
His short film titled "The Alchemist's Letter" received critical acclaim and festival recognition worldwide. Carlos previously held directorships at Laika Animation Studios, design powerhouse Elastic, and animation studios Logan and Superfad. He recently directed an episode for season 3 of the acclaimed series Love Death + Robots on Netflix. He also has films in development at Warner Animation Group and is currently EP/showrunner on an animated series at Nickelodeon/Paramount.
CAMEO WOOD
Real artists de Cameo Wood
Running time12'
Production: Charming stranger films
Synopsis: Dans un futur prochain, une jeune réalisatrice se voit offrir le job de rêve. Mais quand elle découvre la vérité sur les process de travail « créatif » de la société, elle doit faire un choix difficile au
sujet de sa passion pour les histoires et le cinéma.
Site web: https://www.realartists.film/
MEET CAMEO WOOD – Director, Writer, Producer
Cameo Wood is an EMMY® winning filmmaker based in San Francisco, California. Her most recent film Real Artists is available on iTunes/Kanopy/Amazon right now. She is currently working on her first feature. In 2018 she was a co-winner at the AT&T Film Awards for 'Best Emerging Artist' awarded by Ava DuVernay. Real Artists has won 35 awards including a regional EMMY®, has been nominated for dozens more, and continues to enjoy screenings at over 200 film festivals, museums, and television stations throughout the world. Her work has been on PBS, Aspire, and was featured in the Wing Luke Museum's exhibit "Worlds Beyond Here: The Expanding Universe of Asian Pacific American Science Fiction.
She produced and co-directed episodes of The Alternative Guide to Secret Beijing which was featured on Atlas Obscura. Her first film, Dukha in Summer, premiered at the St. Louis Film International Film Festival and was nominated for best short at five others. Cameo is a member of Cinefemme, Women in Film, Alliance of Women Directors, Film Independent, WomenNMedia, and the co-founder of the SF chapter of Dinner with Dames. She co-founded the Coven Film Festival, a showcase of films made by women. She is a regular speaker at the Camp Reel Stories' Girls Day Workshop. Cameo has participated in the inaugural Sundance Co//ab Screenwriting, Episodic, and Fiction Directing programs.
Cameo has studied Medical Neuroscience at Duke University, Futurism at Stanford University, Witchcraft & Magic at Bennington College, Aerospace Engineering at the University of Alabama, Huntsville, Egyptology at University of Pennsylvania. She is currently studying Dramatic Arts at Harvard University. From 1995-2008 She was an engineer at GTE Labs, Sprint, Lucent, and Cisco. In 2008 She founded Her Majesty's Secret Beekeeper; the first urban beekeeping store in America, and currently serves on the board of the beekeeping non-profit SF Bee-Cause.
FREDERICO HELLER
Uncanny valley de Federico Heller
Running time: 8'55
Production: 3dar
country of production: USA – Argentine
Synopsis: In the slums of the future, VR junkies satisfy their violent impulses in online entertainment. An expert player discovers that the line between games and reality is starting to fade away.
http://www.3dar.com/
MEET FEDERICO HELLER
Federico Heller was born in 1983, in Buenos Aires, Argentina. His interest in visual arts began at the age of seven when he started studying clay sculpture. At the age of fourteen he started filming and editing with his own equipment and a few years later he got a few jobs as editor. He joined film school already having a solid knowledge in montage and storytelling and continued to train in visual effects, animation and digital art. After working in studios and a year of freelancing, in 2003 Federico decided to join forces with his brother and co-founded 3DAR. There and for, the following years he worked as director, producer and visual effects supervisor to hundreds of different projects for TV, advertising and film. His interest in storytelling and character development led him to write original stories for TV series and in 2015 he wrote and directed his first short film Uncanny Valley
DAVID VICTORI
Zero de David Victori
Timing : 29 minutes
Production : Ridley Scott & Michael Fassbender
Country of production : USAs, Mexico, Spain, UK
Synopsis : Father and son are emotionally and physically separated the day that the Earth loses its gravity intermittently.
The child wanders the city obsessed in his search for a response to his mother's recent death, while his father tries to find him in a world that is collapsing around him.
Off competition
MEET DAVID VICTORI
World Winner of the YouTube's Film Festival. Selected by Variety and ScreenDaily as one of the directors to watch in the coming years. Represented by CAA. Writer of the Spanish Films "Second Origin" (2015) and " Son of Cain" (2013). Director and Writer of award-winning short films worldwide, including "Reaction" (2008) "The Guilt" (2010) and "Zero" (2015) produced by Ridley Scott and Michael Fassbender. Director of a PrimeTime TVShow "Flatline" (2017).
RAPHAEL ROGERS
Immersion de Raphael Rogers
Durée: 9 minutes 33
Production: Auto production
Pays de production: USA
Synopsis : Immersion, Atma's virtual reality rehabilitation program is sweeping the nation. Now criminals are being treated
inside VR. Depression, violence, anxiety, soon they'll all be in the past. But Axa is being hunted by Atma. Why? He's just a nobody… or is he?
MEET RAPHAEL ROGERS
You'll often find HIM on the side of a cliff or deep in a book.
He has an insatiable love for reading, adventuring and imagining fantastical worlds. This crystallized over the years as he became a writer and creator always looking to better self. Her wife Kristin Rogers is a dynamic force and amazing filmmaker in her own right that he is lucky enough to team up with. He direct, write, shoot, edit, create visual effects and lately… develop crypto video games.
RON ALVARO
The red thunder de Ron Alvaro
Running time: 6 minutes 26
Country: Etats Unis et Espagne
Synopsis : Sarah (Allie Grant, "Weeds"), a nerdy teenager, needs her mom's brand new car to go on a date with Danny (Miles Heizer "Parenthood"), the boy she is in love with. Her mom, Dr. Thun (Karen Strassman, "Silicon Valley"), an absent minded Podiatrist is concerned about Sarah driving in the dangerous streets of downtown Los Angeles. She tells her daughter she may need her car if one of her patients has an emergency, but Sarah doesn't buy it. After all Dr. Thun is just a Podiatrist… Sarah receives a message from Danny asking if she is going to pick him up and she decides to disobey her mom and steal the car. Little does she know the vehicle is actually part of a secret Dr. Thun keeps and this discovery will change Sarah's life forever…
Projection: competition / public
MICHELLE KWON
Jinxy Jenkins & Lucky Lou de Michael Bidinger et Michelle Kwon
Production: Sara Kambara
Country of production: USA
Synopsis :When the chaotically misfortunate Jenkins and the monotonously lucky Lou run into each other one morning, they find a thrilling and fulfilling change of pace as they hurtle down the hills of San Francisco in an ice cream cart.
MEET MICHELLE KWON
Illustrator/animator/comic book artist who totes many different hats. Her skillsets include Illustration, Comics, Character Design, Environment Design, 3D Modeling, Rigging, Animating and Storyboarding. She has worked for various animation/advertising studios including Cartoon Network, The Mill, JibJab, Elastic, and Universal Creative. She is passionate about character-driven stories.
MICHAEL BIDINGER
MEET MICHAEL BIDINGER
Currently working at Pixar Animation Studios. Graduate of Ringling College of Art & Design, BFA: Computer Animation
2014 Film: "Jinxy Jenkins, Lucky Lou". Michael Bidinger is known for Jinxy Jenkins, Lucky Lou (2014), Les Indestructibles 2 (2018) and Coco (2017).
PIERRE ZAH
Heart and soul de Pierre Zah
Running time : 2 minutes 15
Synopsis : The Soul is trying to find peace in the Mind but his downstairs neighbor won't stop playing on the drums in the
Ribcage. Soul has to go down to get his neighbor to stop beating.
YOURI DEKKER
The blue and the beyond de Youri Dekker
Production : Samia Khalaf
Country of production : Etats Unis
Synopsis : The Blue & the Beyond is the story of a young, imaginative man named Charlie, who is searching to find someone like him in a world where he is different in every way.
MEET YOURI DEKKER
Youri Dekker is known for The Blue & the Beyond (2015), Les Incognitos (2019) and Les Indestructibles 2 (2018).
ORIANNA OPPICE
Lobster fra Diavolo d'Oriana Oppice
Running time :
Production : Trinacria Pictures et Testa Dura Media
Synopsis : "Lobster fra Diavolo" pits 80-yr-old Nonna against a lobster. It's the holidays and Nonna plans to serve the lobster as part of the Feast of the Seven Fishes. Angela, Nonna's granddaughter, is vegan and doesn't approve of Nonna's plans. For that matter, neither does the lobster…
MEET ORIANNA OPPICE
Born in Sicily and raised in Chicago, Oriana is an award-winning independent film and commercial director, writer, producer, and actor based in Chicago. Her experience as an immigrant has influenced her work as she focuses on outsider characters and circumstances. She tells the stories of big things happening to little people, both in comedy and drama. She is committed to elevating the visibility of women in front of and behind the camera, and is the Director of Programming & Communications for Women in Film Chicago
GUY ROGERT DUVERT
Cassandra de Guy Roger Duvert
Production : Lidderdalei Productions
Synopsis : Two thieves infiltrate a besieged medieval city, in order to retrieve an artifact. They thought they had nothing to loose. They were wrong…
MEET GUY ROGER DUVERT
Guy-Roger Duvert is a French composer, director and author of film music.
He was born and raised in Paris. After his studies at Sciences Po Strasbourg, from which he graduated in 1996, and then at ESSEC Business School, he began a career as a film composer. The first soundtrack he composed was for the film Les Yeux Secs by Narjiss Nejjar, which was nominated at the Cannes Film Festival, at the Directors' Fortnight.
He is also a film director4. He is best known for his 2016 sci-fi feature film Virtual Revolution, starring Mike Dopud, Jane Badler, Jochen Hägele and Maximilien Poullein.
He made his debut as a novelist in 2019, publishing the book Outsphere, which won the Plumes Francophones award from Amazon France.
AYOUB QANIR
Artificio Conceal de Ayoub Qanir
Production: Transient Film
Synopsis : Artificio Conceal is the story of a man who awakens in an Interpol interrogation room to find his mind 'hacked', his memories replaced and his identity lost. As the engineer of the world's most precise Quantum Logic clock, he must discover who hacked his nervous system and stole the device responsible for time itself. His quest to identify the perpetrator leads him through time and space to a thrilling conclusion that even he could never have envisaged.
MEET AYOUB QANIR
Ayoub Qanir is an American film writer and director best known for his experimental film series Human After All featuring French music duo Daft Punk. His most recent film, Artificio Conceal, a psychological thriller starring David Bailie and Simon Armstrong, which he wrote and directed, has received numerous nominations at international film festivals, including at Cannes Film Festival. His debut feature, Le Monde Don't on Reve N'existe Pas premiered at the 22nd edition of the International Film Festival in Kerala, India, where it was nominated to the Golden Crow Pheasant for Best Film.
STEPHAN ZLOTESCU
True Skin de Stephan Zlotescu
Production: N10N Production
Synopsis: A sci-fi short set in the not too distant future where augmentation is the way of life. For Kaye, still a natural, augmenting will help him keep pace in this now hyper-paced world. However, after acquiring an off-market prototype, Kaye quickly finds himself fighting not only for his own humanity, but something much larger.
MEET STEPHAN ZLOTESCU
Stephan Zlotescu is known for AI Love You (2022), Zoners and Product Wars (2018).
BENMIO MCCREA
Aquarium de Benmio McCrea
Production : Crea8 productions
Synopsis anglais : Aquarium" A couple drive to the beach to say their final goodbye — one does not return.
AARON SIMS
Paralyzed d'Aaron Sims
Production: White Rock Lake Productions and The Aarons sims company
Synopsis anglais: Sleep paralysis is a bizarre phenomenon in which victims awake and find they can't move, and in many cases, they also sense that an evil presence is in the room with them. Many of those who have experienced this also report a frightening figure sitting on their chest, sometimes choking them. It is a world-wide phenomenon that has been documented since ancient times.
MEET AARON SIMS
Founder and CEO, Aaron Sims, began his legendary career over three decades ago as a special effects artist working under industry giants Rick Baker and Stan Winston. As a critical voice in the making of some of the most memorable and iconic movie creatures of all time, his pioneering techniques in the world of visual effects helped influence the face of character and concept design for film and television early on in their application. From the early days of prosthetics and simple puppets in the 80's, through the animatronics and emerging CG of the 90's, to the latest advancements in VR and realtime VFX, Sims continues to inspire and propel the industry forward. In 2005, Aaron Sims Creative was formed with the sole purpose of bringing together the world's most talented concept and visual effects artists to create and give life to unforgettable characters, creatures, and environments for all platforms of visual entertainment. Aaron's unparalleled skill and dedication to creating consistently stunning content has made ASC the premier boutique studio for creature and franchise design & development.
Beyond by Raphael Rogers
Runtime: 8 minutes 16
Production: IAM PRODUCTION
Synopsis: Arya is the last remaining member of her family, a lineage with a unique genetic code that grants the ability to survive the folding of temporal and spatial boundaries… In short, she can teleport. Tasked with exploring new planets, she is in search of something that will explain who she is exactly and where she comes from.
MEGHAD ASADI LARI
Beyond the sphere by Meghad Asadi Lari
Runtime: 2 minutes
Production: Rochester Institute of Technology school of film and animation
Country of production: United States
Synopsis: This film is a marriage of Art and Science. The director visualizes recorded space voices of Saturn and Jupiter. Space Voices are used to create a compelling and unique film that is both an aesthetic and scientific experience. By extracting the features of these space voices, he has controlled visual actions and behaviours of particles to create visual movements.
MEET MEGHDAD ASADI LARI
Born 1982 in Shiraz, Iran and currently living in Rochester, NY, award winning director, animator and Student Academy Awards nominee, Meghdad Asadi Lari started his higher education in 2000 by studying Electrical Engineering in Shiraz University and continued to M.Sc. in Communications Engineering.
During his graduate studies, he discovered his passion for graphic design and animation. Familiar with all aspects of aesthetics, his artistic and creative abilities have been recognized by professionals as fast and precise. Not long after completing his technical degrees did he decide to step into the art field as a creative professional.
He started his MFA in 3D Computer Animation in the School of Film and Animation at the Rochester Institute of Technology and directed and produced several animations which played at festivals worldwide and gained several national and international awards.
Meghdad finished his MFA degree in 2014 with faculty award for his thesis film, Simorgh. His film is still travelling around the world.
DENNIS LIU
Plurality by Dennis Liu
Running time : 14 minutes 14
Production: Traffik Filmworks
Synopsis: In the near future, instant DNA identification has created an information grid that makes crime extremely difficult to commit, and anonymity impossible. But, suddenly, the same id's start to appear in different locations. A pro-level and intelligent sci-fi piece about the genesis of a Big Brother state.
MEET DENNIS LIU
Dennis Liu graduated from The Taft School and Tisch School of the Arts with a major in film.He is a screenwriter, film director, editor, and VFX artist.
He got his first break in 2008 with the "Apple Mac Music Video," which got millions of hits online and landed him a spot on the @radical.media director roster. The video went on to win The People's Choice Award in the Cannes New Director's Showcase and was shown at Pixar.
From there, he spent 14 years directing commercials and music videos. His teams have won awards from AICP (MOMA), Adcolor, Cannes Lions, CLIOS and The One Show. he directed music videos for renowned artists such as David Guetta, Sia, Capital Cities, Sarah Bareilles, Justin Timberlake, and Mariah Carey.
In 2015, he wrote and directed RAISING DION as both a comic book and short film. In 2017, the project was greenlit straight to series with a 10 episode order at NETFLIX, starring Alisha Wainwright, Ja'Siah Young, Jason Ritter, and Michael B. Jordan. MACRO produces the 1 hr sci-fi drama with Michael's Outlier Productions. The second season released in 2022, and hehas directed a bunch of episodes.
In addition to selling other original feature film scripts and tv pilots to various studios, he most recently directed an episode of the Disney+ family action comedy show AMERICAN BORN CHINESE, starring Michelle Yeoh.
He is Taiwanese and a dual American/Canadian citizen, and for the past 10 years, he has been an active member of the Director's Guild of America diversity committees. As a speaker, he give occasional film lectures at Stanford University, UCONN, NYU, and SVA.
ANNA MASTRO
Bench Seat by Anna Mastro
Production: Anna Mastro
Synopsis: Bench Seat is a classic love story—a brief moment in the life of a young couple on the verge of continuing, or ending, their relationship.
MEET ANNA MASTRO
Award winning director, writer, and producer Anna Mastro is a true creative force known for her versatility and signature touch across film and television that has made her one of Hollywood's most sought after filmmakers.
Most recently, Anna directed the feature film SECRET SOCIETY OF SECOND BORN ROYALS, released worldwide on Disney+.
Anna has directed a number of television shows across a variety of genres, including The Rookie, Marvel's Runaways, L.A.'s Finest, In The Dark, Shameless, UnREAL, The Bold Type, Gossip Girl and Jane the Virgin; in addition to the pilot, Guidance, for Hulu. Her feature film WALTER starred Andrew J. West alongside Academy Award Nominees William H. Macy and Virginia Madsen, Jim Gaffigan, Neve Campbell, Justin Kirk, Milo Ventimiglia and Leven Rambin. She also directed the original musical LOST GENERATION, written by Kyle Jarrow (Valor, Broadway's Spongebob Squarepants) with music by Duncan Sheik (Spring Awakening, American Psycho).
Anna was born and raised in Seattle and began her career in commercials and music videos, working with some of the most popular names in music including The Pussycat Dolls, Train, and Victoria Justice. In 2011, her short film BENCH SEAT, written by Neil LaBute with music and lyrics by Teddy Geiger, was an official selection in over 30 film festivals worldwide. The short earned a Short Grand Prix nomination at the Warsaw International Film Festival and won the Best Short Film Award at the Fort Lauderdale International Film Festival.
In television, Anna has developed as a writer, producer, and/or director at UCP, Fox 21, HBOMax, eOne and Alcon. Anna also has features set up with Fortitude, Playstation, and Scott Free. She's currently adapting the stage musical Independents, which chronicles nine friends living on a Revolutionary War ship. Using historical reenactment as a cover, the eclectic crew of twenty-somethings smuggle marijuana from Canada to the US as a way to preserve their ship and way of life. Stuck in the transition between growing up, falling in an out of love, and facing questions about their future they don't want to answer, these young adults will make the ultimate choice: to continue their life as the crew of The Lady Grey, or to grow up on shore.
The narrative of Victor Karloch by Kevin McTurk
Production: The Spirit Cabinet et Ibex films
Synopsis: In the Victorian era, Victor Karloch waging an unforgiving war against the ghosts.
PATRICK CUNNINGHAM
Descandants by Heiko Van Der Scherm and Patrick Cunningham
Country of production: USA and Germany
Synopsis: The two main characters are flowers who grow on the edge of a clearing next to one another. One is old and jaded by a mysterious history – the other is still young, vivid and curious. Destiny has brought these two together and it seems as if they would exist without the possibility for change, until one day a visitor to the clearing brings something unexpected into their lives.
MEET PATRICK CUNNINGHAM
Originally from New York, Patrick Cunningham is an American Producer and global entertainment consultant living in Japan. Starting as a Casting Director he worked his way up the ladder quickly as a producer. His films have won awards at Cannes, Sundance, and many other prestigious festivals. Patrick is working several new and exciting projects on an international scale.
HEIKO VAN DER SCHERM
MEET HEIKO VAN DER SCHERM
Heiko van der Scherm is a 42 times internationally awarded animation and live action director. He worked with Hollywood stars such as Whoopi Goldberg and Juliette Lewis. Born in 1978 in Nuremberg and grown up in Einsteins Hometown Ulm he now lives in Stuttgart in the south of Germany where he studied animation at the Animation Institute of the Filmakademie Baden Württemberg. Heiko van der Scherm has excessive writing and pre-visualization skills together with an unique approach to content creation. You want to communicate something in an exciting way? Heiko can tell you how to do it in an effective and cost efficient manner. Heiko is on the open market since 2009 with finishing his 15 minute long animation short "Descendants" which made him famous in the animation industry. Since then he worked in Germany, the U.S., China, Ukraine and Cuba for clients like Daimler, Bosch, various Chinese Movie productions or the NATO.
SAM BOZZO
The Shadowed Cry de Sam Bozzo, 4 min, USA
For Which it Stands de Sam Bozzo, 3 min, USA
MEET SAM BOZZO
Bozzo wrote, directed, and edited three short films. For Which It Stands (1990) was screened in the Sundance Film Festival. The Shadowed Cry (1992) was created as a Top 10 Director assignment for Project Greenlight, run by Matt Damon and Ben Affleck. Holiday on the Moon (1994) won the TriggerStreet.com Short Film competition held at the Toronto International Film Festival, has been screened on the Sundance Channel. Bozzo won a 1994 CINE award for the film.
Bozzo has finished two feature documentaries, one on hackers (Hackers Wanted) and the other Blue Gold: World Water Wars, inspired by the book by Maude Barlow and Tony Clarke.
TAL S SHAMIR
Desert of The Real de Tal Shamir, 2 min 37, USA – https://www.talshamir.com/
MEET TAL S. SHAMIR
Tal S. Shamir (PhD) has directed, produced, written, and edited dozens of short films that have been presented at a wide range of film festivals, galleries, and museums; he has won many awards, including a Gold Medal in the Academy of Motion Pictures Arts and Sciences' 2011 Student Oscars, for his film The Vermeers.
While serving in the Israeli Navy for six years, Tal created and commanded the Special-Ops combat Video Team, demonstrating the possibility of analyzing the navy's special forces training through video.
As part of his MA in film studies, Tal also created and produced the RUFF CUTS and FINE CUTS film showcases, which allowed film students to share, discuss, and improve their films. This platform has become the central ongoing film-screening event of The New School's media studies department.
Tal holds a PhD in philosophy, film, and media from the European Graduate School, and his first book on cinema, titled Cinematic Philosophy, published by Palgrave Macmillan/Springer, came out in 2016 to rave reviews.
Parallel to his work and studies in film, Tal served for 10.5 years in the JDC, the largest American Jewish humanitarian aid organization, and created and directed its NY Security Team.
Tal directed, produced, and edited XPOSURE BEGINS (2016), a 12-minute film that serves as proof of concept for a feature-length psychological thriller.
Tal has completed three feature-length screenplays, currently in development: XPOSURE (2015), DEUS X MACHINA (2017), and CONTROL (2019); he has also written a TV series bible entitled THE EYE (2018).
Tal is currently in pre-production for a short film titled SWIM LION, about a rejected swimmer who begs for a second chance and is pushed beyond her breaking point.


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Q: Call a generic method and set the generic type at runtime In the example bellow, is it possible to set the Classname type parameter dynamically?
UpdateAndSave<Classname>>().Execute(sql)

A: If your type is coming from an object, then you can cheat using dynamic - hijacking it to perform (and cache, via meta-programming etc) the type resolution for you. For example - if you currently have:
object obj = ...
Type type = obj.GetType();
// now want to call UpdateAndSave<type>(...)

then you can do:
public void Voodoo<T>(T obj, string sql) {
    UpdateAndSave<T>().Execute(sql);
}

and just:
object obj = ...
Voodoo((dynamic)obj, sql);

The runtime will detect the type of obj, determine the best overload to use (which will be Voodoo<TheActualType>(...)), and call that. Plus it will cache the strategy for that type, so it is fast next time (it only does any significant work once per unique type).

A: Well you can call it by reflection, yes - using MethodInfo.MakeGenericMethod to provide the type arguments:
var method = typeof(Whatever).GetMethod("UpdateAndSave");
var genericMethod = method.MakeGenericMethod(typeArgument);
genericMethod.Invoke(target, new object[] { sql });

redpajama_set_name: RedPajamaStackExchange


War tourism in the occupied territories can be divided into two principal categories: Simulatory War Tourism, which trains tourists to shoot at Palestinians through war simulation exercises, and Participatory War Tourism, which aims to recruit non-Israeli, often non-Jewish, individuals directly into the IDF, usually for military holidays on a temporary basis but, in some cases, as an avenue for obtaining Israeli citizenship.
The function of Simulatory War Tourism is to acclimatise tourists to the organised violence of the Israeli occupation, thus enlisting them into its contours of power. There are four main organisations specialising in this field: Caliber 3, Funtum, Zikit Extreme and Cherev Gidon.
This organisation operates from a military base in Gush Etzion, a cluster of settlements near Jerusalem. It is an IDF-certified organisation, founded in 2003 by IDF Colonel Sharon Gat with the blessing of the Prime Minister, the Defence Ministry and the Ministry for Homeland Security.
They also offer discounts to celebrities, and were seemingly taken up on this by US comedian Jerry Seinfeld and even rock group Aerosmith who, according to a Caliber 3 employee, did not want their visit publicised.
Based in Nez Tziona and founded in October 2014 by Ben Carmel, Funtum is estimated to attract between 5,000 to 8,000 tourists a year. The organisation differs from Calibre 3 in its more flexible approach to where it operates, typically arranging trips to a range of different locations.
Funtum offer clients the opportunity to take part in 'concept events.' The 'boot camp' option on their website displays footage of expeditions to the occupied Golan Heights, where 'terrorist kidnappings' are staged in which a man dressed in a dishdasha and a kufiyeh takes the tourists hostage. The lone terrorist takes the group into an abandoned building, where he is eventually brought down by IDF soldiers, upon which the group celebrates their 'liberators'.
The group then take part in a make believe enlisting in the IDF, during which they put on new imitation IDF uniforms and begin training in Krav Maga. They are generally given paintball weapons, though in some cases guns with live ammunition are used to shoot at targets. They also carry each other on stretchers, which presumably makes up the boot camp part of the day.
A striking aspect of Funtom's online marketing is the extent to which it is targeted at children. Their YouTube channel features children being led around carrying weapons and shooting at targets. While their ages cannot be discerned from the footage, they are visibly children. This aspect of Funtom allows it to serve as a gateway for children into later IDF recruitment by cultivating and normalising within them violence towards Palestinians.
This organisation is led by CEO Elchai Finn who (according to his Instagram account) appears to have taken part in Operation Protective Edge, the 2014 campaign in Gaza that left around 2,300 Palestinians dead. Zikit Extreme claims to offer "the IDF experience" with the training modelled on "the IDF's counter terrorism course" and, again, featuring people supposed to be Palestinian kidnappers.
Zikit seems to be more focused on use of paintball and rubber bullets rather than training with live ammunition. However, they enthusiastically offer a "Boot Camp for Kids" option, including generous offers of "pizza and birthday cake." The insidious targeting of children is prominent in their promotional videos, emphasising the "fun" in the systematisation of violence by an army of occupation.
Zikit Extreme CEO Elchai Finn appears to have taken part in Operation Protective Edge, the 2014 campaign in Gaza that left around 2,300 Palestinians dead.
Having grown up on an Israeli settlement, and later serving in the IDF, Stern has clearly developed quite the penchant for firearms. He has been based in the US for eleven years, and claims to have "trained hundreds of students." His students have the option of different courses in the use of rifles, pistols, shotguns and Uzis. At the start of every session, students are dressed in IDF uniforms.
A process of militarisation linked to the IDF is thus clearly taking place within the borders of the United States — one that seeks not only to export an IDF culture of violence into the US, but also to export foreign wo/manpower to Israel in service of the occupation.
The term 'lone soldier' refers to foreign national volunteers who join the IDF from abroad, often returning to their country of citizenship at the end of their military service. These volunteers — who do not benefit from a local family network once in the army — are supported by independent organisations, notably 'the Lone Soldier Centre' which claims the IDF comprises up to 7,000 such soldiers.
A range of common routes are available for these volunteers through different organisations, each of which encourages a particular form of war tourism. The four best known such organisations are Mahal, Marva, Tzofim Garin Tzabar and Sar-El.
Today, the organisation hosts foreign national volunteers who serve in the IDF for periods of between 15 and 18 months. The programme is purposely targeted at non-Israeli citizens between the ages of 18 and 23, and is described by the IDF as "an administrative gate through which non-Israelis enlist" in the military.
Marva charges students around $2,000 for an eight-week-long programme in which they are taught about life in the IDF. Students must be aged 18 to 28 and ready for the "mentally demanding programme." The training includes target practise, using M16s with live ammunition, as well as staying on army bases and undertaking expeditions where students sleep in tents and learn the basics of field techniques (camouflage etc.) It also includes hikes and political lectures.
The main training takes place at the Sdeh Boker Gadna Base, in the Southern Negev. Gadna is a programme designed to militarise Israeli school children and Marva students are integrated into this process. The Marva training also extends to trips as far from the base as Jerusalem, the occupied Golan Heights and the Galilee. This programme, which aims to quickly acclimatise young non-Israelis to life in the IDF has a proven track-record as a gateway to joining the army of occupation.
This programme is focused on a more holistic all-encompassing approach to enlisting foreign nationals into the IDF. It involves a set of five seminars, held throughout the year in the United States, in preparation for a move to a kibbutz where they will be greeted by a strong network helping them to settle in.
This well-known organisation boasts branches across the world, and runs programmes, each lasting a minimum of two weeks, working at IDF bases. It is believed to bring around 4,000 volunteers annually. Between 1983 and 2011, it is claimed the programmes recruited more than a hundred thousand volunteers to the IDF.
Sar-El offers the chance volunteers to work in IDF warehouses, cleaning military hardware and also in hospitals. The volunteers stay in army barracks, and work 8 hour days, 5 days a week, all dressed in IDF uniforms. The organisation explicitly targets Christians in its recruitment advertising.
There also appears to be large elderly constituency for Sar-El, who seem to relish being put to work painting walls in military barracks.
Israel has weaponised the ostensibly benign practice of tourism to normalise the extreme violence of its occupation and, more importantly, for the recruitment into its army of foreign nationals in order to strengthen its grip on the territories it occupies.
Its simulatory war tourism converts tourists into ambassadors for the occupation, emulating and replicating Israeli mechanisms of oppression, while the practise of participatory war tourism is a gateway for an IDF volunteer class that often serves in Israeli campaigns before returning to their societies of citizenship, with no accountability for their deeds.
In the Israeli-occupied Palestinian territories, tourism functions as a tool to strengthen the occupation. Such voyeuristic war tourism has fostered a sense of celebration of the technologically-sophisticated, organised killing of Palestinians.
A fully referenced version of this article is available upon request from Ceasefire.
On 30 March 2018, Land day, peaceful Palestinian protestors were fired at with live bullets by Israeli snipers that killed 17 people and injured over 1500. Write to Boris Johnson and urge the Government to take action now, and join us this coming Saturday to call for an end to the siege of Gaza and ask UK government to condemn Israel's actions.


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Mr. James Osborne
December 17, 1927 - July 18, 2016
Mr. James "Boy" Osborne, age 88, of 1145 GA Highway 280 East, Americus, GA passed away Monday, July 18, 2016 at his residence. Funeral services will be held Wednesday, July 20, 2016 at 10:00 AM Graveside at Oak Grove Cemetery. Reverend Wendy Peacock and Reverend Mike Truitt will officiate. The family will receive friends at the residence located at 1145 GA Highway 280 East, Americus, GA on Tuesday. Mr. Osborne, a native of Sumter County was born December 17, 1927, son of the late Otis Osborne and the late Maggie Maxey Stribling. He owned and operated for over fifty years, Osborne's Beauty Shop. He was a U.S. Army World War II veteran and a member of American Legion Post number two. He had one special friend, Bill W. who saved his life in 1978. He was a member of Pleasant Grove Baptist Church. Survivors include his wife, Mildred Daniel Osborne, of Americus; two daughters, Dana and Walter Rylander of Americus and Anne and Spencer Davis of Albany, GA; four grandchildren, Kent Kobs and wife Kristy of Americus, Leslie Kobs of Leesburg, GA and Lindsey Davis Bryan and her husband Michael of Atlanta, GA and Kelly Davis of Valdosta, GA; he is also survived by three great grandchildren, Landon Spivey, Sydnee Kobs, and Kason Kobs all of Americus, GA and a number of Nieces and Nephews survive. Mr. Osborne was preceded in death by three sisters, Florence Osborne, Virginia Holloway, and Mary Helen Savona. The family requests that Memorial Contributions be made to Phoebe Sumter Hospice located at 126 E Furlow St, Americus, GA. 31709. Aldridge Funeral Services, 612 Rees Park of Americus, GA is in charge of these arrangements. To sign the online guest book and express your condolences to the family, go to www.aldridgefuneralservices.com.
Mr. James "Boy" Osborne, age 88, of 1145 GA Highway 280 East, Americus, GA passed away Monday, July 18, 2016 at his residence. Funeral services will be held Wednesday, July 20, 2016 at 10:00 AM Graveside at Oak Grove Cemetery. Reverend... View Obituary & Service Information
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Home » All Networks » H-Japan » Discussions
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Wolfsonian Fellowship Program
Discussion published by Jonathan Mogul on Wednesday, November 24, 2021
The Wolfsonian–Florida International University is a museum and research center that promotes the examination of modern visual and material culture. The focus of the Wolfsonian collection is on North American and European decorative arts, propaganda, architecture, and industrial and graphic design of the period 1851–1950. The collection includes works on paper (including posters, prints and design drawings), furniture, paintings, sculpture, glass, textiles, ceramics, lighting and other appliances, and many other kinds of objects. The Wolfsonian's library has approximately 50,000 rare books, periodicals, and ephemeral items.
The Wolfsonian has several significant concentrations of material related to Japan. Military propaganda from the 1930s and 1940s, as well as propaganda about Japanese involvement in Manchuria, is represented by books, ephemera, posters and other items. The Wolfsonian's library has Japanese hotel, railroad and steamship advertising, and publications about decorative arts and architecture. There are also many publications relating to Japanese participation at international expositions. The objects collection holds a significant number of propaganda kimonos, as well as a notable series of prints by the artist Koizumi Kishio depicting Tokyo in the 1920s and 1930s. The collection also has rich material documenting Western interest in and depictions of Japan, including publications about Japanese art, travel writing, and anti-Japanese propaganda from the Second World War.
Besides material from Japan, the Wolfsonian also has extensive holdings from the United States, France, Germany, Great Britain, Italy, and the Netherlands. There are also smaller but significant collections of materials from a number of other countries, including Austria, Czechoslovakia, the former Soviet Union, and Hungary.
Fellowships are intended to support full-time research, generally for a period of three to five weeks. The program is open to holders of master's or doctoral degrees, Ph.D. candidates, and to others who have a significant record of professional achievement in relevant fields. Applicants are encouraged to discuss their project with the Fellowship Coordinator prior to submission to ensure the relevance of their proposals to the Wolfsonian's collection. For more information, visit https://www.wolfsonian.org/research/fellowships or email to research@thewolf.fiu.edu.
The application deadline is December 31, for residency during the 2022–23 academic year.
Categories: Fellowship
Keywords: Japanese History/Studies, Design History, History of the Decorative Arts, Architecture and Architectural History, Manchuria
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Discussion published by Brooks Betz on Tuesday, January 18, 2022
"The Vote that Killed the Basking Ridge Historic District" - What to Do 30 Years Later
Posted in H-New-Jersey


1 Jerrold, Douglas. AN INTRODUCTION TO THE HISTORY OF ENGLAND FROM EARLIEST TIMES TO 1204.
Collins, London, 1949, first edition.
2 Macdonald, Colin F. KNOSSOS.
3 Nadaillac, The Marquis de. Translated by Nancy Bell (N. D'Anvers). MANNERS AND MONUMENTS OF PREHISTORIC PEOPLES.
4 Schiltz, Veronique, et al. GOLD OF THE THRACIAN HORSEMEN: TREASURES FROM BULGARIA.
Les Editions de L'Homme, Montreal, 1987.


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