text:
#if !defined(BOOST_FUSION_NVIEW_PRIOR_IMPL_SEP_24_2009_0142PM)
#define BOOST_FUSION_NVIEW_PRIOR_IMPL_SEP_24_2009_0142PM

#include <boost/mpl/prior.hpp>

namespace pdalboost {} namespace boost = pdalboost; namespace pdalboost { namespace fusion
{
    struct nview_iterator_tag;

    template <typename Sequence, typename Pos>
    struct nview_iterator;

    namespace extension
    {
        template <typename Tag>
        struct prior_impl;

        template <>
        struct prior_impl<nview_iterator_tag>
        {
            template <typename Iterator>
            struct apply
            {
                typedef typename Iterator::first_type::iterator_type first_type;
                typedef typename Iterator::sequence_type sequence_type;

                typedef nview_iterator<sequence_type,
                    typename mpl::prior<first_type>::type> type;

                static type
                call(Iterator const& i)
                {
                    return type(i.seq);
                }
            };
        };
    }

}}

#endif

redpajama_set_name: RedPajamaGithub


text:
Conley Scores 33 Points, Jazz Beat Clippers 106-100
Filed Under:Los Angeles Clippers
SALT LAKE CITY (AP) — Mike Conley made seven 3-pointers and scored a season-high 33 points to lead the Utah Jazz to a 106-100 victory over the Los Angeles Clippers on Friday night.
Los Angeles Clippers guard Paul George (13) drives as Utah Jazz's Mike Conley (10) and Jordan Clarkson (00) defend during the first half of the teams' Jan. 1, game in Salt Lake City. (AP Photo/Rick Bowmer)
Conley also dished out seven assists, and Donovan Mitchell added 15 points for the Jazz. Derrick Favors chipped in with 14 points and 11 rebounds off the bench as Utah earned its first home victory of the season.
Paul George had 25 points, eight rebounds and six steals to lead Los Angeles. Kawhi Leonard added 20 points, 16 rebounds and nine assists. The Clippers shot just 38.8% from the field.
Los Angeles trailed by as many as 20 in the second half before rallying in the fourth quarter. The Clippers cut Utah's lead to 95-94 after George drained a 3-pointer with 3:15 left.
Rudy Gobert answered with a layup and then Conley sank his seventh 3 with 1:49 remaining to keep Los Angeles from overtaking the Jazz.
The Clippers became sluggish on offense as the first quarter progressed. Los Angeles shot just 25% from the field during that 12-minute stretch and scored only two baskets after taking a 13-11 lead on a 3-pointer from Nicolas Batum midway through the quarter.
That opened the door for the Jazz to surge ahead late in the quarter, and Utah had no trouble finding its shot. The Jazz shot 52% from the floor during the opening period.
Utah scored baskets on seven straight possessions and nine of 10 to fuel a 24-4 run over a 5½-minute stretch spanning the first and second quarters. Conley scored five of those baskets — including Utah's final three field goals of the first quarter — and totaled 12 points in the first quarter alone.
Jordan Clarkson and Conley punctuated the run with back-to-back 3s, giving the Jazz a 37-19 lead a minute into the second quarter.
The Clippers nearly erased the deficit before halftime. Los Angeles scored on four straight possessions, bookended by baskets from Leonard, to trim the deficit to 43-42.
Utah weathered the surge and scored three straight baskets to end the half, capped by a dunk from Favors. The Jazz then opened the second half with three unanswered baskets and extended their lead to 67-47 on a corner 3 from Conley midway through the third quarter.
Clippers: George shot 6 of 21 from the field. … Leonard totaled 10 rebounds in his first three games of the season. … Los Angeles finished with just eight turnovers.
Jazz: Joe Ingles set season highs in assists (seven) and rebounds (eight) to go with 11 points. … The NBA fined Clarkson $25,000 for shoving a referee during the second quarter of Utah's 106-95 loss to Phoenix on Thursday. … The Jazz outscored the Clippers 46-30 in the paint.
Clippers: At Phoenix on Sunday.
Jazz: At San Antonio on Sunday.

redpajama_set_name: RedPajamaCommonCrawl


Of all, it is crucial that you understand the studies of fulfillment levels over buying a mattress has actually given similar results to those who bought them online and offline by going to a shop. Of all, the advantage of actually obtaining to attempt on the mattress that you obtain when you visit a shop is usually covered by thousands of individual reviews one could locate on-line. If a thousand out of thousand individuals are claiming that a bed mattress is comfy, the possibilities are it is in reality comfortable.
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About 100 years ago, surrealist artists let loose from stifling professional demands by creating the infamous art game called Exquisite Corpse. In this game, a person would start a work of art and others would finish it by using only a small portion of the original work as reference and then continuing it from that point. The end result was often hilarious, amusing, confusing or terrifying. Without a fixed goal, the artists were free to let creativity and muse take over.
We four artists, Scott Denton, Ryan Kittleson, Casey Rueter, and Joe Grundfast, have revived this game using Zbrush, and we invite all you fellow zbrushers to join in the fun. First a head is done and the bottom of the neck is passed on to the next artist who sculpts a fantastical torso. Then the bottom edge of the torso is given to the third artist who sculpts some outrageous legs. Finally, a fourth person combines the parts and makes any adjustments or posing if needed.
A few simple ground-rules we found helpful: Each artist is limited to 3 hours. This is to prevent fussing over details or over-thinking it. There should be no planning before the 3 hours begins. We also try to keep the pose centered and symmetrical. At least, in the section that is passed on to the next artist so that it's easier for them to jump in and start sculpting. Additional posing can be done after the final assembly.
The game is getting ready to start...you want in?
These are fun to do at bars and pubs.
This is brilliant - I'd really like to see more into the "making of" so that it's a bit easier to replicate - do you just send the next person a slice of a 3D plane where your body part ends? Like a CT scan?
Wow, that's so cool. I used to do this with music with my friends as well. I think the results are definitely in keeping with the surrealist tradition. How do you decide the final posing? Is it collaborative?
I guess you could do it with a hiding the upper part of the mesh in the program if you wanted to do it locally with people.
The art history student in me loves this project! I hope to see a urinal signed R.Mutt at some point.
I was thinking perhaps just on paper.
@Brian "Panda" Choi Yes they are massively fun to do at bars, I actually had started a night at a bar where we would do them and then slip them back into the napkin racks.
@bigdeku @TudorMorris Yes you essentially just make a poly group at the end and spilt it off and then export it out to send to the next person in line. this keeps it so the next person has no idea what you have done.
The posing is left to the last person or to each individual. But the assembler usually cleans up and merges the parts and has free will to pose if the parts have been left in a tpose.
this is music is very appropriate, it has a buzz-ing air for sandwiches right?!
Hey thanks for sharing your experiance of this fun game! I am eager to play this game too.
As a Beginner this could be a great warmup and practice for a group of beginners.
@bigdeku thanks so much for your comments.
@priderice looks forward to seeing what you create. If you do let me know. Id love to see them and possibly share on our instagram account we created for them.
thank you, everyone, for your comments, look forward to everyone's Exquisite Corpses.


text:
PRC Region 5 has opportunities available to apply
Leave a Comment / Professional Regulation Commission / By Senior Editorial Staff II
The Professional Regulation Commission, (Filipino: Komisyon sa Regulasyon ng mga Propesyon) otherwise known as the PRC, is a three-man commission attached to Department of Labor and Employment (DOLE). Its mandate is to regulate and supervise the practice of the professionals (except lawyers, who are handled by the Supreme Court of the Philippines) who constitute the highly skilled manpower of the country. As the agency-in-charge of the professional sector, the PRC plays a strategic role in developing the corps of professionals for industry, commerce, governance, and the economy.
Interestingly, PRC Region 5 has job vacancies available to apply until February 09, 2023:
One (1) Professional Regulations Officer II (SG13/ Php 29,798 Monthly Salary)
One (1) Senior Professional Regulations Officer (SG19/ Php 49,835 Monthly Salary)
One (1) Professional Regulations Officer III (SG16/ Php 38,150 Monthly Salary)
One (1) Administrative Officer III (Cashier II) (SG14/ Php 32,321 Monthly Salary)
One (1) Administrative Aide VI (SG6/ Php 16,877 Monthly Salary)
Plantilla Item No.: PRC-DOLEBPREGO2-56-2008
Training: None Required
Work Experience: None Required
Eligibility: Career Service (Professional) Second Level Eligibility
Place of Assignment: Region V (Regulation Division)
Plantilla Item No.: PRC-DOLEBSRPREGO-77-2017
Training: Eight (8) hours of relevant training
Work Experience: Two (2) years of relevant experience
Place of Assignment: Region V (Licensure and Registration Division- Application Section)
Training: Four (4) hours of relevant training
Work Experience: One (1) year of relevant experience
Place of Assignment: Region V (Licensure and Registration Division – Registration Section)
Plantilla Item No.: PRC-DOLEB-ADOF3-67-2017
Place of Assignment: Region V (Finance and Administrative Division)
Plantilla Item No.: PRC-DOLEB-ADA6-28-2008
Education: Completion of two-year studies in College or High School Graduate with relevant vocational/trade course
Eligibility: Relevant MC 11 s. 1996, Career Service (Sub-professional) First Level Eligibility
Interested and qualified applicants should signify their interest in writing. Attach the following documents to the application letter and send to the address below not later than February 09, 2023:
Fully accomplished and Notarized Personal Data Sheet (PDS) with recent passport-sized picture (CS Form No. 212, Revised 2017) and attached Work Experience Sheet:
Performance rating In the last rating period (if applicable);
Photocopy of certificate of eligibility/rating/license; and
Photocopy of Transcript of Records;
Certificates of Relevant Trainings and Seminars attended;
Designation order in case the applicant is presently designated in an acting capacity or Officer-in-Charge in a Department/Office/Division (Applicable for Chief Administrative Officer, Chief Professional Regulations Officer, Information Technology Officer III positions);
A certification issued by the HR/Administrative Officer that the applicant has been performing supervisory/ managerial functions and managing a number of staff for a number of years; (Applicable for Chief Administrative Officer, Chief Professional Regulations Officer, Supervising Administrative Officer, Supervising Professional Regulations Officer, Information Technology Officer III positions);
Office document on related/relevant experience earned in special assignment committees or Technical Working Group (TING) (if applicable);
NBI clearance' (for private employees)
NBI, CSC, Ombudsman, Sandiganbayan Clearances (for government employees);
Certificate of No Pending Case or previous case (administrative, civil or criminal) from the current employer ( private employees); and
Medical Declaration Form (can be downloaded at PRC website)
QUALIFIED APPLICANTS are advised to hand in or send through courier/email their application to:
MARY CRIS D. GOYENA
Administrative Officer V (HRMO III)
Regional Office No. V, Regional Government Center
Site, Rawis, Legaspi City
prclegazpi.hr@gmail.com OR
prcregionalapplications@gmail.com
APPLICATIONS WITH INCOMPLETE DOCUMENTS SHALL NOT BE ENTERTAINED.
The Professional Regulation Commission (PRC/Commission) is the licensing and regulatory agency of the national government for the practice of regulated professions.
It was first created as a national government agency by Presidential Decree (P.D.) No. 223 dated June 22, 1973, signed by then President Ferdinand E. Marcos, mandated to enforce the laws regulating the various professions. It was previously called the Office of the Board of Examiners, which was created by Republic Act No. 546 on June 17, 1950, under the aegis of the Civil Service Commission.
The PRC became operational on January 4, 1974. The office was attached to the Office of the President for general direction and coordination. On December 9, 1974, the Implementing Rules and Regulations of P.D. No. 223 were promulgated, paving the way for standardization of rules and procedures for the thirty-three (33) professions then under the CSC.
On December 5, 2000, President Joseph Ejercito Estrada signed Republic Act No. 8981 otherwise known as the PRC Modernization Act of 2000. The Implementing Rules and Regulations were adopted on February 15, 2001 through PRC Resolution No. 1 series of 2001. With the passing of RA 8981, the Commission exercises three functions: 1) executive functions; 2) quasi-legislative functions; and 3) quasi-judicial functions. It had also set its new thrusts and priorities such as customer-focused service, modernization through full computerization and re-structuring, integrity of licensure examinations, good governance, protection and promotion of Filipino professionals and support to national development priorities.
In fulfillment of its legal mandate, the PRC performs two important functions, which are: 1) to conduct and administer licensure examinations to aspiring professionals, and 2) to regulate and supervise the practice of the professions exercised in partnership with the forty-six (46) Professional Regulatory Boards (PRBs) in the fields of health, business, education, social sciences, engineering and technology. The PRBs govern their respective professions' practice and ethical standards and accredit the professional organization representing the professionals.
On September 11, 2006, as supplemented by Executive Order No. 565-A, PRC was attached to the Department of Labor and Employment (DOLE) for administrative supervision and control. Being an attached agency of the DOLE, the PRC works closely to the mandate of its mother agency.
The PRC serves more than 4.9 million professionals (as of October 2022) from 46 various regulated professions and the hundreds of thousands of aspiring professionals who take the licensure examinations every year. Thus, PRC stakeholders include the professionals, would-be professionals, accredited professional organizations, foreign professionals seeking temporary permit to practice their professions in the country, schools and academe, and other government agencies.
To better carry out its mandate and in order to implement the PRC Modernization Act, the PRC was given approval by the Department of Budget and Management (DBM) on April 20, 2013 to implement a reorganization of its organizational structure.
On June 8, 2016, the new Organizational Structure and Staffing Pattern (OSSP) pursuant to Republic Act (RA) No. 8981 was approved by DBM. The Notice of Organization, Staffing and Compensation Action (NOSCA) formalizing the approved OSSP of PRC Central Office, effective not earlier than June 8, 2016, has been transmitted by DBM on October 10, 2016.
Further, the Office of the President, through the Executive Secretary, issued a Memorandum on May 16, 2017 on the approval of the creation of PRC new offices/services: Regional Offices in NCR & Regions I, III, IV-B, XII and XIII, Legal Service, International Affairs Office, Information and Communications Technology Service, and Planning, Management and Financial Service. The NOSCA formalizing the approved OSSP of the approved new offices and positions and the reclassification of key positions was issued by DBM on August 2, 2017.
With the reorganization, the plantilla positions were increased from Four Hundred Eighty-Four (484) to One Thousand Sixty-Eight (1068) and the previous ten (10) field offices were converted into Regional Offices, in addition to the six (6) new Regional Offices. These changes led to reclassification and conversion of key positions resulting in upgrades in rank and salary.
With the desire to continuously expand its reach and serve more clients, especially in the far-flung areas, PRC, at present, has established at least thirty (30) Service Centers, and One-Stop Service Center for OFWs (OSSCOs) nationwide. With a strong commitment to delivering its core processes by facilitating ease of access and bringing its services closer to the people, the Commission's Service Centers has served more than three (3) million clients from FY 2016 to 2021.
Source: PRC


Ten years ago, Anthony De La Garza was 27 and experiencing severe headaches. One night, he had a massive stroke in his brain stem, which left him paralyzed from the neck down.
An Internet–savvy friend found a computer that works like a laptop, but tracks eye movements and translates them into words. "My insurance would cover the cost, but the representative said it would take a year to process the paperwork," De La Garza wrote.
I thought you would be interested to know I received an "A" for that history class. Believe me, that "A" didn't come to me easy, but with hard work and determination, not forgetting the God given abilities! Yes, by taking the class I wanted to proof to myself that nothing could stop me (Philippians 4:13), not even paralyses! I hope by my life's example, you have decided to get out of your comfort zone, and be the man or women God wants you to be (Jeremiah 29:11).
Hi Thats incouraging that your going back to school. Keep your head up cuz you can do all things with Christ.


A radiophonic document commissioned by YLE, Finnish Broadcasting Company.
A film version is forthcoming. The radiphonic work is in Finnish, but the film will have English subtitles.
Merging of the text and music: Max Savikangas ja Teemu Mäki.
Musicians: Veli Kujala, quarter tone accordeon. Max Savikangas, viola. Sampo Lassila, double bass.
Speakers: Teemu Mäki, Maryan Abdulkarim, Ramina Habibollah, Joonas Heikkinen, Jussi-Pekka Rantanen (YLE), Anna-Maria Talvio (YLE) and refugees Bariq Hameed, Atheer Munder Saeed and Badr Kudhair Hayal. In addition to this the work includes field recordings of political public demostrations and extracts from television news.
Studio recordings: Pentti Männikkö ja Joonatan Kotila, YLE.
Sound mixer: Anders Wiksten, YLE.
Duration: 55 min. 49 sek.
Format: Stereo (wav, 48 kHz, 24 bit).
Commissioned by YLE Radio One / Ääniversumi (Sound Universe) / producer Soila Valkama.
More info about this radiophonic work on YLE Drama website.


text:
Lessons from the Will of Lady Fatima (A.S) to Imam Ali (A.S): part 1
Before Lady Fatima (peace be upon her) departed from this world, she asked Imam Ali (peace be upon him) to execute her will, in which lie many lessons and treasures of knowledge for us which we can all benefit from.
On the last day of her life, it is narrated that Al-Zahra said to Imam Ali: "You have not known me to be a liar or a traitor, and have I ever disobeyed you since we were together?" Imam Ali replied: "Allah forbid! You are more knowing of Allah, more devoted, more pious, and more honorable and more fearing of Allah than (to give me a reason) to reprimand you for disobeying me. Surely it is very painful for me to be separated from you and to lose you; but it is an inevitable destination. By Allah, you have renewed the sorrow I have just encountered with the death of Allah's Messenger; surely your death and departure will be a great calamity, but 'to Allah do we belong, and to Him shall we return.' What a painful, bitter and sad calamity. Surely this is a calamity for which there is not consolation, and a disaster for which there is no compensation. Instruct me to do anything you wish; you certainly will find me devoted and I will execute everything that you command me to do."
She then made two particular requests:
1. "I ask you to marry after my death, my niece Umamah; surely she will be to my children as I was. Besides, men cannot do without women."
2. "I ask you not to let anyone who did injustice to me to witness my funeral, for they certainly are enemies of mine, and the enemy of Allah's Messenger. Also don't give them the chance to pray over me, nor to any of their followers. Bury me at night when eyes are rested and sight is put to sleep."
The Pitfalls of a Marriage
Al-Zahra eloquently summarized in her will the major pitfalls (from a wife's perspective) that can destroy a marriage, by pointing out the three main faults: Lying, betrayal and disobedience. These three faults encompass all other faults and one can be confident that if there was anything missing, she would have mentioned it.
Lying induces a lack of trust and continuous negative speculations in the relationship. Betrayal, whether relating to money, secrets, talking behind each other's backs or in any other form, can lead to the destruction of the social image of the individual and the couple's relationship itself. Disobedience will induce a very tense life in the house and will take away from smooth interaction.
Apart from the immediate and long-term direct effects, these faults are actually against the laws of Allah and will cause the marriage to suffer the indirect negative consequences (both materialistic and non-materialistic). With just a few words, Al-Zahra gave social, behavioral, and theological dimensions to her words.
Marriage of Widowers
We often hear the words, "I will stay true to my deceased wife and never marry again." Al-Zahra declared there is nothing wrong with a man marrying again after his wife passes away; in fact, she encouraged it. Her request for Imam Ali to marry again promotes the notion of marriage, highlighting its importance for both the family and the society. Her words naturally extend to widows re-marrying.


Manny from Miami is not quite the sensitive single man he says he is. He is married with a kid, no less, and "he sleeps with women everywhere," according to his anonymous former girlfriend in a posting on DontDateHimGirl.com.
As for Vincent of Jacksonville, his ex said she answered a knock at her door one day only to find his wife and his mistress had come calling. The two, having found out about each other, "don't mind teaming up to get rid of the next girl," the ex-girlfriend said in her posting. "Whatever you do, don't date him, don't speak, just move on."
And Michael, the 23-year-old from England? "He only cares about himself and how many notches there are on his bedpost," reported one of the women he counted as a notch. "Ultimately, he'll end up sad and lonely. Probably with a hefty bout of gonorrhea."
Unearthing a potential mate's cheating, thieving, maybe even psychotic ways during the early stages of courtship has always been tricky business. But it is particularly difficult today, when millions are searching for dates online and finding it far easier to lie to a computer than to someone's face.
But the Internet is now offering up an antidote. Web sites like DontDateHimGirl.com, ManHaters.com and TrueDater.com are dedicated to outing bad apples or just identifying people who may not be rotten but whose dating profiles are rife with fiction.
Framed in pink, the DontDateHimGirl.com site allows a woman to post the name and photograph of a man she says has wronged her, along with a short but often pungent synopsis of how precisely she was aggrieved. The suspicious or merely curious can hunt for a cheater by typing a name into the search engine. Women can also send e-mail messages through the site if they want to ask more pointed questions about a particular cad. In a slight nod to fairness, men who disagree with the characterization can write a rebuttal to be posted alongside their names.
"It's like a dating credit report" for women, explained the Web site's founder, Tasha C. Joseph, a public relations specialist in Miami. She said that 170,000 women have registered to use the site and that they have entered information on 3,000 men.
While many women find the Web sites amusing and sometimes helpful, they have enraged men, guilty or not, some of whom send e-mail messages or call the posted phone numbers to have their names and photographs taken down. They argue that the Web sites are biased and damaging, particularly if the story being told is false. And while the women remain anonymous, the men are offered up in full detail.
ManHaters.com, also known as WomanSavers.com, which features a drawing of a woman dressed in red, carrying a pitchfork and sprouting tiny horns, has a questionnaire that generates a rating of a man as good or bad from zero to 122; most men end up in the muddled middle. The multiple-choice questionnaire allows women to check off descriptive statements ranging from "stinks, has body odor, bad breath and doesn't care" to "He has the perfect balance of humility and confidence."
TrueDater.com is among the sites geared to online daters of both sexes and the untruths they tell behind the Internet's wall of virtual anonymity. The site can warn a woman that the purported 6-foot-4 Wall Street stockbroker with bulging pectorals is really a baldish, 5-foot-10 Wall Street Journal deliveryman with man breasts. Or it can alert men that a supposedly unmarried woman with the dimensions of a lingerie model is actually a married woman who hopes to achieve those dimensions with a little help and a lot of money.
Users post the nickname that the person in question uses on an online dating service likeMatch.com, and warn that the posted profile is misleading. A click of the mouse can send the curious to the person's profile page. Not all the news is negative. People who tell the truth are flagged approvingly as "true daters."
The warnings on TrueDater.com, which are edited, must relate to the posted photograph and profile. So if someone turns out to be a cheapskate, but never claimed to be a big spender on the profile, the site's editors strip out remarks about stinginess. Not so if the dater is married and claimed to be single.
"With the advent of the Internet people can be what they want instead of what they are," said Ms. Joseph, 33, who started DontDateHimGirl.com last year after she and her girlfriends swapped one too many stories about devious men. "You think this guy sounds great. Turns out he's married and he's got five kids."
She said her site, which she likens to the F.B.I.'s most wanted list, receives 250,000 hits a day. "Using the Internet to out these cheating guys gives these women a bit of a weapon," she added. The sites seem to be thriving because false advertising is epidemic in online dating profiles. Joe Tracy, the publisher of Online Dater Magazine, estimated that 30 percent of daters using online services are married, a number he said has steadily risen.
But Mr. Tracy cautioned that truth-in-dating Web sites may also be guilty of publicizing falsehoods, and the resulting harm to a man's reputation can be complicated to undo. Writing a rebuttal is effective only if the man knows that his face and name are listed on the Web site. He may not.
"The least that these sites could do is contact the man who is being posted about for a rebuttal," Mr. Tracy said. "It's only fair he knows it's up there." As for the anonymity granted a woman, Mr. Tracy said, "If this was a court case, he would know who the plaintiff is."
"If the target was your father, your mother, your sister, your brother, your friend, your co-worker, your husband, your wife, your lover and the words were being spread not in a legal trial but in a public display of hatred how would you feel?" the site asks. "If someone's life was damaged by slander what could be done about it?"
Attempts to contact the Web site's founder were unsuccessful.
Ms. Joseph, who is planning to start a companion Web site for men, DontDateHerMan.com, said she understands the anger her site provokes. But she added that women must be granted at least a semblance of anonymity to protect them from harm. As for lawsuits, Ms. Joseph and the creators of similar Web sites note that people who post their stories have to check a box saying that they are being truthful.
"It's a bulletin board for women, and the women take full responsibility of everything that they post," Marlon Hill, Ms. Joseph's lawyer, said. "They attest to the veracity of their stories and photos."
Andrea Wells of New York City heard about DontDateHimGirl.com from a friend a few months ago and signed up. She knew just the guy to expose, a handsome, charming would-be rapper named Serge. The two met at a concert a year ago and dated for five months, she said. She went to his house just once and thought the place looked overly spare. There were few clothes in the closet, for example.
Their relationship ended abruptly when Serge's disconsolate wife sent Ms. Wells a message from Serge's BlackBerry, alerting her that Serge was married. Thinking back to her visit to his house, Ms. Wells realizes "he hid everything -- wedding pictures, shampoo."
"I posted his story," she said. "It's public knowledge. Everyone should know. A marriage license is public knowledge."
And while she acknowledges that every story has two sides, "It's a perfectly good thing for women to check," Ms. Wells said. "At least it gives you a heads up."
Roberta Lipman of New York, an artist and real estate agent, does dating due diligence on TrueDater.com. Reading profiles on sites like Match.com is like reading code, she said. Take the word "separated" as a description of marital status. See it and run, she said.
"Online dating is tricky," said Ms. Lipman, who said she is in her 40's. "There is so much room for hidden agendas."
Back when old-fashioned blind dates were in vogue, the person was at least vouched for by a friend or relative, Ms. Lipman said. And while personal ads in publications were also risky, a person couldn't go on and on about his or her attributes in a space the size of a Post-it note. But online conversations can easily get out of hand and go on for months. People can invest time and emotion in a person who turns out to be a romantic fiction.
"You can tend to fall in heavy-like," said Jamie Diamond, director of community relations for TrueDater.com. "It's not just, 'I missed out on a half hour of going to Starbucks.' "


Pirates! Rockstar mini-golfers! Well-intended stalkers! A Feast of Snacks is a collection of short musicals comedies on a variety of far-fetched subjects, each between ten and fifteen minutes in duration.
Feast made its world premiere in London at the King's Head Theatre in 2011. Subsequent productions entertained audiences in Abilene TX, North Hollywood, Cincinatti, and the 2016 Hollywood Fringe Festival, where the show was nominated for Best Musical.
For more information visit the A Feast of Snacks website.


A member of Kibbutz Saad, she is executive director of the Yaacov Herzog Center. Sarah has a Bachelor and Masters degree in Bible and a Teaching Certificate from Bar Ilan University. She holds a Masters in Business Administration from the College of Management in Rishon L'tzion. Sarah has worked as an educator for over 30 years including principal of the upper school at Kvutzat Yavne and as the Jerusalem Municipality Education Division director in west Jerusalem.
A member of Kvutzat Yavne, he is a teacher of Bible and Midrash at the Yaacov Herzog Center. He also serves as consultant to the executive director. Noach was the executive director of the center for 9 years through September 2017. He has a Ph.D. in Bible, from the Hebrew University. Previously Noach was a principal of the Kvutzat Yavneh High School. He also worked in Jewish education in the Diaspora when he served as a central shaliach for Bnei Akiva in Great Britain.
A resident of Otniel. She is the founding Head ("Rosh Mechina") of Tzahali Academy and has been its head since it was established in 2006. She has a Masters Degree in Modern Judaism from Hebrew University. Previously Michal taught in in a Beit Midrash for university students and was a high school teacher. She served as an officer in the Educational Corp of the IDF.
Member of Kibbutz Ein Tzurim. President of the Yaacov Herzog Center and active member of its leading staff. Tova founded the Herzog Center and served as director for its first twelve years. Holds a B.A. in Jewish history and Master's in education. A leader in promoting pluralism in religious-Zionist thought, and a founder of "Kolech - Religious Women's Forum." She has received numerous awards for her educational and social endeavors.
Member of Kibbutz Saad. Director of the Yaacov Herzog Center for eight years, and today a facilitator and lecturer in Bible, midrash, Jewish philosophy, and Orthodox feminism. Holds a Ph.D. in Jewish philosophy from Bar Ilan University. Published many articles; her book "Religion without Illusions" was published in 2005. In addition to her work at the center, she is a facilitator at the Mandel Institute for Educational Leadership.
Resident of Bnei Darom, board member and partner in the senior educational staff of the Yaacov Herzog Center. Coordinates study programs and serves as pedagogic and personnel coordinator at the center. Lectures on gender and Jewish law. Holds a B.A. and M.A. in criminology and a Ph.D. in Talmud and Jewish law.
A resident of Nahal Oz. She is director of continuing education. Her doctorate in Jewish Literature from Hebrew University is "Divine Interventionsin the Human World as told in the Stories of the Talmuds. Prior to working at the Herzog Center Nurit worked in the area of organizing and administrating educational content at Achva College and was director of the Jerusalem Forum for Interfaith Understanding and Cooperation among Religions.
Member of Kibbutz Ein Tzurim and veteran resident of Gush Etzion. Author of Ba-derekh, a book describing the story of his life, including a period of Jordanian captivity. Director of a program based around the weekly Torah portion, and a lecture program for pensioners at Sapir College. His unique, personal library contains rare items relating to Gush Etzion from the period of 1948, which he displays to visiting groups while relating his unusual life story.
A resident of Achuzat Etrog in Merkaz Shapira. Director of Resource Development. In the summer of 2015 returned to Israel. Worked in the United States for 13 years as a Director of 2 different Hillel organizations. Has a MSW in Community Social Work and a Doctorate in Education. Diverse expertise includes growing, leading and managing organizations, fundraising and budgeting, organizational planning and evaluation, as well as lobbying and advocacy.
A resident of Kibbutz Ein Tzurim, Adi was born in Jerusalen. She is Director of the Teen Programming Division at the Center. Adi has a Bachelor's degree in Education and Hebrew Literature from The Hebrew University. She is also a graduate of the Kerem Institute of teacher training. Previously Adi worked at Meitarim - the Network for Inclusive Jewish Education where she wrote educational programming and trained teachers.
Resident of Orot. Coordinator of students and tuition and director of the Yaacov Herzog Center website. Member of the marketing staff and liaison with government funders. Holds a B.A. in human resources from Ben Gurion University.
A resident of Modi'in. She is director of curriculum at Tzahali Academy. She has a Masters Degree in Bible from the University of Haifa along with "Matan - a Torah Institute for Women. Previously Yafit was a lecturer in Bible and Midrash for adults and at post high school learning institutions. She also taught at a Jewish high school in the United States.
A resident of Kvutzat Yavne. She is director of Tzahali Academy. She has a law degree from Hebrew University and worked for many years for the State of Israel's prosecutor office. Recently she was the Director of Community at Kvutzat Yavne. Naama is very active in a number of Women's organizations and is a board member of Aluma.
Resident of Ashdod. Bookeeper, payroll comptroller and director of funds at the Yaacov Herzog Center. Board member.
Resident of Mercaz Shapira – Ahuzat Etrog. Secretary to the Executive Director of the Yaacov Herzo Center. Member of the marketing staff and responsible for the computer network and technical equipment.
Member of Kibbutz Ein Tzurim. A founder of the Yaacov Herzog Center, and its administrative director for many years. Responsible for various administrative realms and connection with government ministries.
Resident of Moshav Zerachia. Responsible for cleaning and maintenance of the Yaacov Herzog Center. Has worked at Herzog for many years and with tremendous dedication.
Resident of Kiryat Malakhi. Director of maintenance at the Yaacov Herzog Center, electrician, and welder with golden hands. Former active musician.


b. 3 years to 6 years – 40% less of total cost.
c. 6 years to 10 years – 20% less of total cost.
a. Minimum 30 days before the scheduled date of journey – 15% of total cost.
b. 29 – 15 days before the scheduled date of journey – 25% of total cost.
c. 14 – 7 days before the scheduled date of journey – 35% of total cost.
d. 6 – 1 day before the scheduled date of journey – 50% of total cost.
e. On the date of journey – Cancellation will not be accepted. Advanced payment will not be refunded.
b. Further 25% of total cost to be paid within 7 (seven) days from the date of receiving confirmation message through email/sms.
c. Remaining 50% of the total cost to be paid within the 3rd day of journey.
d. No refund will be made in case of tour not being possible because of any strike/bandh/physical illness of the tourist.
f. Entry Fee/ Parking Charge/ Guide Charge is exclusive of total cost and to be borne by the tourists.
g. A service tax (non-refundable) is applicable.
h. The company reserves the right to make changes to price chart or package charge any time without assigning any reason thereof and prior notification.
a. 25% of the total amount will be chargeable if booking is cancelled more than 15 days prior to arrival.
b. 50% of the total amount will be chargeable if booking is cancelled more than 3 days prior to arrival.
c. 100% of the total amount will be chargeable if booking is cancelled within 3 days prior to arrival.


text:
1Asia
1.1Philippines
2Europe
2.1United Kingdom
3North America
3.1Mexico
3.2United States
3.2.1Radio
3.2.2Television
3.2.3Identification on other types of signals
3.2.3.1Digital broadcasting and FM translators for AM stations
4Oceania
4.1Australia
5Digital on-screen graphics and teletext
Station identification
Practice of radio and television stations and networks
For the Channel Live album, see Station Identification (album).
This article may contain an excessive amount of intricate detail that may interest only a particular audience. Please help by spinning off or relocating any relevant information, and removing excessive detail that may be against Wikipedia's inclusion policy. (April 2022) (Learn how and when to remove this template message)
Station identification (ident, network ID or channel ID or bumper) is the practice of radio and television stations and networks identifying themselves on-air, typically by means of a call sign or brand name (sometimes known, particularly in the United States, as a "sounder" or "stinger", more generally as a station or network ID). This may be to satisfy requirements of licensing authorities, a form of branding, or a combination of both. As such, it is closely related to production logos, used in television and cinema alike.
Station identification used to be done regularly by an announcer at the halfway point during the presentation of a television program, or in between programs.
Asia[edit]
Idents are known as a montage in Thailand and the Malay world (except Indonesia), and as an interlude in Cambodia and Vietnam.
Philippines[edit]
Station identifications in the Philippines differ from the vernacular meaning in most of the world. They describe what would be referred to as imaging campaigns elsewhere for their national networks, and vary considerably in length, up to eighteen minutes. These include music video-like presentations representing the season they are meant for, including tag-init (summer season), tag-ulan (rainy season), tagtuyo (dry season) and Christmas Season.[1]
Europe[edit]
Broadcast stations in Europe do not identify by a callsign (with the digital age, most networks share one or two metropolitan transmitting facilities within a certain region, making identification of the actual transmitter superfluous), however most networks use a brand based on their common channel number. A form of station identification clip is played between programmes, traditionally incorporating the channel's logo, and accompanied by a continuity announcer that introduces the next programme (and promotes other programmes). These identifiers evolved from mainly being mechanical models (such as the BBC globe), to becoming more advanced through the evolution of CGI during the 1980s. From the 1960s to the 1990s, most broadcasters only used a single identifier, sometimes using special variations for holidays and special events. In the present day, most broadcasters use a set of multiple identifiers built around a particular theme or branding element, often based on the channel's current overall look.
Prior to 1988, the two existing channels in the Netherlands, Nederland 1 and Nederland 2, used only the idents of the broadcasters airing on them. With the creation of Nederland 3, all three channels started using their own idents.
United Kingdom[edit]
Prior to 1 January 1988, each programme on ITV would be preceded by the identifier of the regional company that had produced the show (known as a frontcap), and this would be broadcast throughout the network, in other words by all companies showing the programme. The programme frontcap was preceded by station identification and continuity announcements from the viewer's local region. It meant that viewers across the country would see a Yorkshire Television logo and hear the corresponding fanfare before Emmerdale Farm and Scottish Television idents before Take the High Road. In consequence, most ITV-produced series shown abroad would also be preceded by the producing company's logo – for example, PBS presentations of Upstairs, Downstairs featured the London Weekend Television logo and fanfare before the start of the programme. Beginning in 1988, these were largely replaced by endcaps.
Since the consolidation of the ITV network in the early 2000s, regional continuity announcements have generally disappeared, with STV being the only notable exceptions. UTV continued using local continuity announcements even under the ownership of ITV, although in 2020 they were suspended in response to the COVID-19 pandemic in the United Kingdom, and staff cutbacks were made with the Belfast studio. ITV later eventually made these changes permanent, and the local announcers were let go in November 2020.[2][3]
North America[edit]
Mexico[edit]
The Ley Federal de Telecomunicaciones y Radiodifusión[4] enacted in 2014 does not include a requirement for regular on-air station identification. However, many stations continue to air twice an hour their call letters (in Spanish) along with their city of license, as was required previously under Article 76 of the Ley Federal de Radio y Televisión.[5]
United States[edit]
The United States' Federal Communications Commission (FCC) enforces specific requirements for identification that must be followed by all terrestrial radio and television stations. Stations must, when they sign on, sign off, and as close to the top of each hour as feasibly possible (such as within a "natural break" in programming, like a commercial break), present a visual (television) or aural (radio) station identification that contains, at minimum, the station's callsign, followed by its designated city of license. As a courtesy, top-of-hour identifications may also contain additional information, such as frequencies and a declaration of the station's ownership.[6] Only the name of the licensee, the station's frequency or channel number as stated on its license, and/or network affiliations, may be inserted between the call letters and station location. An example of declared ownership on KTLA in Los Angeles during the late 1970s were the local announcer invoking then-station owner Golden West Broadcasters ("Golden West Broadcasters-Channel 5, KTLA Los Angeles").
Stations which broadcast on additional full- or low-powered signals must also identify them all every hour. However, stations licensed as translators must be identified in their own right only three times per day: once between 7 and 9 a.m., 12:55 and 1:05 p.m., and 4 and 6 p.m.[7] FCC rules specify that additional communities a station serves may also be listed in a legal ID, but the official city of license must always be listed first. The advent of broadcast automation has made it much easier for broadcasters to ensure compliance with identification rules. Many television stations and radio stations may have their identifications prerecorded or programmed to play automatically at the appropriate times. It may also be monetized into an advertisement, with the station placing the required text into a quick ad spot where an advertiser such as a law firm sponsors a program with their slogan said.
Radio[edit]
On radio, the top-of-hour ID must contain the full, legal call sign (including any relevant suffixes, particularly "FM") as assigned by the FCC, followed immediately by the station's community of license. The call letters must be spoken individually; even if the call letters are pronounced as a word for branding purposes (such as WHAM in Rochester, New York, which is spoken as "Wham"), the legal ID must still spell out the individual letters. An example of a proper spoken radio station identification in the United States would be "WMAS-FM Enfield Springfield" or "WLAN-FM Lancaster". Often, these identifications may be artificially pitch shifted to be faster, to fit in more advertising or promotion within the sequence.
The FCC also allows that: "the name of the licensee, the station's frequency, the station's channel number, as stated on the station's license, and/or the station's network affiliation may be inserted between the call letters and station location".[8]
Television[edit]
Racine, Wisconsin's WBME-TV identifies their three broadcast signals as of August 2008; the station's former subchannel broadcast on WDJT-TV digital channel 58.3, the former analog signal on UHF channel 49, and their digital broadcast on UHF channel 17 (formerly channel 48), which maps to virtual channel 49. Note that using the channel numbers in an identification is not a requirement.
On television, station identification may occur in either a visual format or aural. As no audio announcement of the call sign is necessary if the information appears on screen, often the identification is fulfilled by incorporating it into a short promo for a program the station airs (such as a syndicated or network program, or a preview of an upcoming newscast), the title sequence of the station's newscasts, or automatically cued as a digital on-screen graphic briefly displayed at the required time. The identification can even be monetized as part of a regular commercial, with the text appearing in small type on the bottom of the screen (for instance, a law firm can sponsor a court show and directly lead into the beginning of a program with proper station identification, along with their ad). Translators are required to be identified and listed daily at 9 a.m. and 3 p.m. local time[citation needed].
FCC rules developed for analog television required that translators identify themselves individually. The transition to digital television made this a more challenging rule to implement technically and economically.
In a 2004 order[9] the FCC suspended identification requirements for LPTV and translator stations:
Although we recognize the value of the ITU provisions for station identification, we conclude that we cannot at this time establish identification requirements for digital LPTV and TV translator stations, nor do we believe it would be appropriate to attempt to "bootstrap" our current analog identification requirements for digital station operations. The record in this proceeding lacks sufficient technical and cost information from which to develop standards for this purpose. We do not wish to impose requirements that could now be cost prohibitive for licensees of translator and LPTV stations, thereby discouraging their conversion to digital operation.
As of July 2022, the FCC is proposing[10] to reinstate identification requirements for LPTV and translator stations.
The advent of digital television originally made it necessary for stations simulcasting both their analog and digital on the same channel to include both call signs in all identifications. Both stations have the same base callsigns, with the only difference being the analog ending in "-TV" and digital ending in "-DT" (originally "-HD"). Low-power stations identify with the designator "-LD". After the June 2009 digital transition, stations had a one time opportunity offered by the FCC to either retain the -DT designation on their digital signal, or move over the analog calls with either the "-TV" suffix or no suffix if so identified. Additionally, a station could add the "-TV" suffix to their calls for standardization purposes among broadcast groups, even if those calls were not shared by an FM or AM radio station. PSIP also continuously carries the station's ID digitally encoded.
Digital subchannels usually identify themselves in one of two ways, with a limit of seven characters in the PSIP tag:
By first providing the call letters, followed by the main channel number, and then the subchannel broken up by either a dot or a dash. For example, "WXXX 2.3" or "WXXX 2–3".
The station may identify the channel as a certain stream by placing the subchannel number after the "-DT" designation within the callsign, as in "WXXX-DT3" for that station's third subchannel.
In addition, subchannels which carry weather information – such as those carrying a still of their weather radar, AccuWeather, or a weather feed created by the station itself – may identify that channel via their PSIP flag with the non-standard "WX" suffix, as in "WXXX-WX", though they must be identified by their subchannel number in on-air identifications. Some subchannels may also display only the name of the network it is affiliated with in the PSIP flag rather than the station's calls.
The former two standards are voluntary and interchangeable, and the station can choose to identify all the channels by only the base callsign, although they are encouraged to differentiate each channel from the primary channel (or for LP/Class A analog-only stations digitally airing as a subchannel on a sister or LMA partner station). The primary channel usually does not use a .1/-1 or -DT1 suffix to identify itself beyond some PBS member stations such as the stations of Milwaukee PBS, and minor broadcasters which sell subchannel space to other broadcasters for their own brokered programming. More robust electronic program guide data provided by a smart TV manufacturer or system (such as Roku's backend TV firmware) via a broadband connection can be provided outside the PSIP stream to identify the station, but is not considered a legal station identification on its own.
Identification on other types of signals[edit]
In the United States, the policy on radio identification depends on the service. Station identification is usually done in the station's standard mode of operation, though the FCC considers Morse code identification to be universally acceptable no matter what mode the station is operating in.
Low-power (Part 15 in the U.S.) stations do not always identify, being unlicensed (this would be essentially impossible for small FM transmitters for consumer use, such as those used to broadcast music from an MP3 player to a car radio), but those that run as community-based radio stations (including college stations using carrier current) usually do. Station identification in that case usually consists of the station's name, frequency, and a slogan; unlicensed stations are not allowed to use formal call signs.
International shortwave broadcasters usually do not use callsigns, instead giving the name of the service and the location of the home office, and occasionally the frequencies that the current broadcast is being transmitted on. There are a few exceptions, particularly in the United States, the time station WWV being a prime example.
Amateur radio requires the call sign to be stated at the end of a communication and every ten minutes during (some hams use countdown clocks to remind them to identify); modes such as packet radio and fast-scan television often have a provision for automatic identification, either including it as part of a digital data stream or overlaying it over an analog picture. Repeaters are often designed to automatically transmit the repeater's callsign, usually in Morse code. The requirements for the United States are covered in Title 47 of the Code of Federal Regulations, part 97.119.
Land mobile two-way (including public safety and business mobile) require station identifications by call sign. In the case of the GMRS service, this is to be done by each station in a similar manner to the amateur practice, though the time limit is fifteen minutes. Repeater systems used in both the land mobile and amateur radio services often have provisions for announcing the repeater's call sign, either in voice or Morse code.
Citizen's Band radio no longer[11] maintains a requirement for station or transmission identification, but operators are "encouraged to identify" transmissions using one of the following: a previously assigned callsign, "K" prefix followed by operator initials and residence zip code, operator's name, or "organizational description including name and any applicable operator unit number." The use of a "handle" (nickname) is encouraged by CB rule 17 only in conjunction with these methods, not by itself. Most CB operators prefer to use self-assigned handles reflecting some aspect of their personality; it is generally considered a breach of CB etiquette to use real names, even that of the user.
Family Radio Service and Multi-Use Radio Service have no station identification requirement, though groups of individual users have their own procedures, such as using license plates or informal callsigns (some groups within the Boy Scouts of America, for example, use the troop number followed by the scout's initials as a callsign).
Wi-Fi access points are not required by law to identify (they are unlicensed transmitters) but the Wi-Fi standards include provision for an identifier called an SSID, which is transmitted as a routine part of Wi-Fi network traffic. However, since a number of standard Wi-Fi channels are shared with the amateur radio spectrum, amateur radio-operated High Speed Multimedia (HSMM), or "hinternet", access points usually use the call sign of the control operator as the SSID, this suffices as proper station identification for the access point being operated as an amateur radio transceiver.
Digital broadcasting and FM translators for AM stations[edit]
With the advent of digital radio, station identification becomes more complicated, because more than one audio stream can be part of the same station. Stations broadcasting HD Radio feeds identify by their stream channel, and unlike television, the HD1 channel (which in the vast majority of cases, carries the same program as the analog signal) is included in the identification (for example, "WXSS-HD1, Wauwatosa/Milwaukee", "98.3, WZRL-HD1, Plainfield-Indianapolis" or "WCBS-FM-HD1, New York City"). AM stations which simulcast via an FM HD subchannel identify both the main stream and the HD stream, and if broadcasting in HD Radio format in AM, also list that as part of the identification (for example, "WISN HD, Milwaukee, and WRNW-HD2, Milwaukee", or "WINS, WINS-HD, and WNEW-HD3, New York"). The same is done for AM stations airing on an FM translator, though the identification is flexible on whether the AM station or translator is mentioned first; for instance, WCLB in Sheboygan, Wisconsin prefers to brand using the FM translator rather than their maligned AM signal, thus their identification is said as "107.3 FM, W297CK, and 950 AM, WCLB, Sheboygan".
The FCC clarified[12] what is required in these cases:
§ 73.1201 Station Identification.
(b) Content. (1) Official station identification shall consist of the station's call letters immediately followed by the community or communities specified in its license as the station's location; Provided, That the name of the licensee, the station's frequency, the station's channel number, as stated on the station's license, and/or the station's network affiliation may be inserted between the call letters and station location. DTV stations, or DAB Stations, choosing to include the station's channel number in the station identification must use the station's major channel number and may distinguish multicast program streams. For example, a DTV station with major channel number 26 may use 26.1 to identify an HDTV program service and 26.2 to identify an SDTV program service. A radio station operating in DAB hybrid mode or extended hybrid mode shall identify its digital signal, including any free multicast audio programming streams, in a manner that appropriately alerts its audience to the fact that it is listening to a digital audio broadcast. No other insertion between the station's call letters and the community or communities specified in its license is permissible.
Oceania[edit]
Australia[edit]
Station identification in Australia is unlimited to the designated common or on-air name[13] of the station or network affiliation, both for radio and television.
A radio station may have call letters related to its town or district name, and the company name; for example, Charters Towers, Queensland station 4CHT and Ceduna Community Radio Inc's 5CCR in Ceduna, South Australia. The station may have a name-callsign completely different from its licensed callsign, such as Wollongong, New South Wales station 2UUL, which is branded on-air as "Wave FM".
A television station usually associates with its network; for example, the Regional Television Queensland station RTQ is known as WIN Television (itself associated with the larger Nine Network), and WIN's original station at Wollongong bears the callsign WIN.
Digital on-screen graphics and teletext[edit]
Teletext, an information service provided by many broadcasters, provides station or network identification in many countries worldwide. As almost all modern sets can display this information, it is a simple matter of checking teletext if the identity of the station is not clear. Some broadcasters do not provide a teletext service, and there is no specific requirement or standard for station identification in it. While teletext is widespread in Europe and is closely associated with the PAL television system worldwide, it was non-existent in North America during the analog television era, in which the NTSC standard was used. However, digital television standards generally include station identification.
A common worldwide practice is to use a small overlay graphic known as a Digital on-screen graphic (DOG), "bug" or watermark created by a character generator in the corner of the screen, showing the logo of the channel. While not a substitute for proper station identification, this makes it easy to identify the station at a glance. VH1 originated the practice in the United States around 1993[citation needed], with most other cable networks following until most started using them in the early 2000s.
Amateur television operators (and also, news channels in other countries) often use a lower third or bug containing their callsign in lieu of voice identification. This is an accepted practice in the United States and United Kingdom.
History of BBC television idents
Clock ident
History of ITV television idents
CBS logos
NBC logos
PBS logos
American Broadcasting Company logos
MGM logos
Domo-kun
Hato no kyujitsu
List of ABS-CBN Corporation slogans
List of GMA Network slogans
^ Jan Kristoffer Enriquez (17 October 2012). "ABS-CBN's Christmas station ID brightens the Yuletide season". ABS-CBN Corporation. Retrieved 1 June 2021.
^ Hewitt, Ralph (26 November 2020). "End of era at UTV as Julian Simmons and Gillian Porter exit". Belfast Telegraph. Retrieved 1 June 2021.
^ @cleanfeed_ttvr (1 April 2020). "NEWS: tonight's announcement by UTV, about coronavirus-related changes – including the suspension of local (UTV) on-air branding/continuity announcements. The UTV logo will be replaced by ITV branding/continuity announcements between programmes" (Tweet) – via Twitter.
^ "Ley Federal de Telecomunicaciones y Radiodifusión" [Federal Telecommunications and Broadcasting Law]. Act of 14 July 2014 (PDF) (in Spanish). Congreso de la Unión.
^ "Ley Federal de Radio y Televisión" [Federal Radio and Television Law]. Act of 19 June 2009 (in Spanish). Congreso de la Unión.
^ "47 CFR 73.1201 (a)(2)" (PDF). Federal Communications Commission. Retrieved 23 July 2016.
^ "FM Translators and Boosters". 10 December 2015. Retrieved 23 July 2016.
^ "47 CFR 73.1201 (b)(1)" (PDF). Federal Communications Commission. Retrieved 15 February 2019.
^ Written at Washington D.C.. Federal Communications Commission. FCC Record, Volume 19, No. 23, Pages 18535 to 19452. University of North Texas Libraries, UNT Digital Library: Federal Communications Commission. September 2004. p. 19,394. Retrieved 13 January 2023.
^ Amendment of Parts 73 and 74 of the Commission's Rules to Establish Rules for Digital Low Power Television and Television Translator Stations, Update of Parts 74 of the Commission's Rules Related to Low Power Television and Television Translator Stations.
^ "47 CFR § 95.351 – Station identification". Cornell Law School. Retrieved 1 June 2021.
^ "FCC rule 07–33" (PDF). 31 May 2007. Retrieved 1 June 2021.
^ "Find TV and radio stations and broadcasters". Australian Communications and Media Authority. Retrieved 1 June 2021.
TV Live Station ID Search
Tophour – recordings of U.S. radio station identifications
Television Graphics through the ages
Radio-Locator search engine of all of the radio stations in the world with websites, searchable by location and call sign.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Station_identification&oldid=1134960728"
Television terminology
Television presentation
CS1 location test
Wikipedia articles that are excessively detailed from April 2022
All articles that are excessively detailed
Wikipedia articles with style issues from April 2022
All articles with style issues
Articles with unsourced statements from May 2018


text:
Is Left Alive the next great shooting game?
0 comments February 27, 2019
February is yet to end but 2019 has already been a crazy year for gaming. The likes of Anthem, Resident Evil 2, and Metro: Exodus have already been released, with Devil May Cry 5, The Division 2, and Sekiro: Shadows Die Twice soon to hit our screens! Unfortunately, this means that another very promising game is not getting the attention it deserves. That game is Left Alive, developed by the legendary team in Square Enix.
This third-person shooter promises to rival other modern shooting games that have opted to focus on the "future war" topic. Much like in the latest Call of Duty or Battlefield games, the action here takes place in a somewhat distant future, the year 2127 to be exact. The location is an Eastern European town of Novo Slava that has been destroyed by war and looks like a shadow of its former self. In Left Alive you take the role of protagonists fighting against the violent regime in the city. Will you overcome the odds or fall with the rest?
Left Alive accessibility
Unfortunately, the game won't be available on every gaming platform from the moment of its release. From what is known up to this point, the game will only be available on PC and PlayStation 4 upon release. However, there is hope that in the months to come Left Alive is going to be accessible on other platforms as well, which has not been denied by the developers as well. Unfortunately, this change will not occur before the release of the game, therefore, the only way to get your hands on a pre-order of the game or dive right in the action on the 5th of March when the game is released, your best bet is to look for a version on PC or PlayStation 4!
An addition to the Front Mission franchise
You thought the artwork and the characters look somewhat familiar? You would not be wrong in thinking you've seen something like this before since the game acts like an addition to the Front Mission franchise that has not seen a new release since 2010. The action takes place in between the events of Front Mission 5 and Front Mission Evolved in a familiar futuristic setting.
Are you wondering why Left Alive does not have the same name as previous games in the Front Mission timeline? The answer is rather simple, even though it does follow the events of FM, the game does not have the same development team behind it and would rather be considered as a separate game rather than a part of another franchise. By all means, it has its right to do so, as it is a unique game when it comes to mechanics, graphics, and development decisions. After all, the whole team behind it has changed and the only things still reminiscent of Front Mission games in Left Alive is the fact that it takes place within its storyline and the similar character style.
Yoji Shinkawa
If you've heard the name of Yoji Shinkawa before, you know you are in for a treat when it comes to artwork in a futuristic war game. After all, this is the person that has been leading the way when it comes to creating artwork for the Metal Gear franchise. In fact, he was involved in pretty much every Metal Gear game released since 1998 and the franchise cannot be imagined without him. However, this time Yoji Shinkawa decided to venture into working on Left Alive and leave the Metal Gear franchise behind for now.
This means that the game will have more than an elite developing team behind it with Square Enix, it will also have its artwork in good hands. It is evident that the visuals not only in the game itself but in its advertisement and presentation matters and a game simply could not be in better hands than it is with Yoji Shinkawa!
Stealth or guns-blazing action?
Both! The aim set out in the game is to provide the possibility for players worldwide to adapt their own style and not be forced into a particular form of action. In Left Alive you can be stealthy if you want to, sneaking your way around the back of your enemy in a bid to outsmart them. You can prove yourself as the superior war tactician that way, however, if you want to enter the battlefield with power and explosions, there's nothing stopping you in that! As long as you know what you're doing, you can come out on top, regardless of which way you take to overcome the odds and come out on top in the field of battle.
Single-Player focus
A large portion of games coming out nowadays have their eyes set on the multiplayer market, leaving a gap in the single-player market, which Square Enix would not leave empty for long! Left Alive is going to be this gap-filler as it seems like it will provide a thrilling campaign experience that we have been lacking in the genre for quite a while. Whether or not this will be the next great shooting game is yet to be determined, as it is still due to be released, with a date for the release set for the 5th of March.
However, there is no doubting that the game has promise and definitely deserves more mainstream attention than it is currently gathering. The risk of a game being a bust has never stopped it from being hyped, therefore, it is not a valid reason for Left Alive to go somewhat under the radar as it has been so far. Especially keeping in mind that the team behind the game has a reputation of coming up with standout titles, as Square Enix has done so in a number of occasions in the past. If the quality of Final Fantasy, Hitman, Deus Ex, and Dragon Quest games is indicative of the quality that their newest game is going to bring, the gaming community might be in for a treat!


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August 27, 2019 /in Uncategorized /by admin
https://ummemoryprogram.org/wp-content/uploads/2021/10/211001-UM-Memory-logo-1030x95.png 0 0 admin https://ummemoryprogram.org/wp-content/uploads/2021/10/211001-UM-Memory-logo-1030x95.png admin2019-08-27 18:35:042021-09-30 14:18:38Directions
UHealth Launches Clinical Trial to Treat Alzheimer's
October 21, 2016 /in Clinical Trials, Research Updates, Uncategorized /by Barry Baumel
Neurologists at UHealth – the University of Miami Health System are starting a clinical trial to treat Alzheimer's disease — what will be the first in the U.S. to use mesenchymal stem cells. The study, which is designed to determine the safety of this treatment strategy, will be open to patients at UHealth with mild Alzheimer's disease symptoms who are otherwise healthy.
"We believe infusions of these types of stem cells have the potential to be beneficial to individuals with Alzheimer's disease," said Bernard S. Baumel, M.D., assistant professor of neurology at the University of Miami Miller School of Medicine, and principal investigator for the phase 1 clinical trial.
There is no cure for Alzheimer's disease, creating a strong need for therapies that can effectively maintain quality of life for patients and their families. In clinical trials designed and led at UM's Interdisciplinary Stem Cell Institute (ISCI), mesenchymal stem cells (MSCs) have shown the ability to develop into many different types of cells. In addition,MSCs are thought to promote neurogenesis, which allows the brain to produce new cells in the hippocampus. This is the area where new memories form and where Alzheimer's disease begins. The new brain cells may then be able to replace damaged cells in Alzheimer's patients.
"Stem cells are very potent anti-inflammatories," said Baumel, a neurologist at UHealth. "Because the amyloid plaques found in the brains of Alzheimer's disease patients are associated with inflammation, we hope to determine whether infusions of stem cells can help to improve or stabilize that condition."
"Alzheimer's disease is one of the largest threats to our aging population, and we need more innovative treatments to combat this disease," said renowned UHealth neurologist Ralph L. Sacco, M.D., M.S., professor and Chair of Neurology and the Olemberg Family Chair of Neurologic Disorders.
The study will also look at changes to participants' memory, cognitive functions, quality of life and brain volume to gain a preliminary understanding of the potential effectiveness of this strategy.
Baumel is collaborating with Joshua M. Hare, M.D., Director of ISCI and Louis Lemberg Professor of Medicine, using mesenchymal stem cells developed by Longeveron, a UM life sciences spin-off company.
"We are thrilled to collaborate with Dr. Baumel and his team on this revolutionary first-in-human concept," said Hare. "The unmet need for Alzheimer's disease is extraordinary. After eight years of NIH-funded clinical research usingMCS, we are very excited to have developed information suggesting that these cells should be tested in this patient population."
Sacco adds that, "Multidisciplinary collaborative work between our Department of Neurology and ISCI is a great model of how we can make strides toward more effective treatments for neurodegenerative diseases."
Enrollment in the clinical trial, "Allogeneic Human Mesenchymal Stem Cell Infusion Versus Placebo in Patients with Alzheimer's Disease," is now beginning and will continue to 2018.
For more information, call Jonathan Landman at 305-243-6633 or email MemoryProgram@med.miami.edu.
Funding for the trial was provided by the G.L. Ohrstrom Jr. Foundation, the Wolfson Foundation, and Department of Neurology Advisory Council member Erin Borger.
Barry Baumel, MD
https://ummemoryprogram.org/wp-content/uploads/2016/10/Barry-Baumel-250x328.gif 328 250 Barry Baumel https://ummemoryprogram.org/wp-content/uploads/2021/10/211001-UM-Memory-logo-1030x95.png Barry Baumel2016-10-21 14:00:142021-09-30 14:19:17UHealth Launches Clinical Trial to Treat Alzheimer's
Reducing Risk Factors Can Help Maintain Independence
April 19, 2014 /in Uncategorized /by Barry Baumel
Maintaining an independent daily life is of the key issues for Alzheimer's disease patients and their families. An individual who can perform the activities of daily living, such as eating, taking a shower, making meals and using the toilet usually does not need round-the-clock assistance.
A new study, "Dementia and dependence: Do modifiable risk factors delay disability?" in the medical journal Neurology indicates that modifying some risk factors may help to preserve functional independence among individuals at high risk of dementia.
The authors concluded that loss of independence is more likely occur among individuals who smoke, drink and have a low income, regardless of the level of cognitive impairment. Reducing these risk factors may improve functional outcomes and delay institutionalization, according to the authors.
Dementia and dependence: Do modifiable risk factors delay disability? Neurology, April 29, 2014 82:1543-1550; published ahead of print March 28, 2014 [article (subscription required)]
https://ummemoryprogram.org/wp-content/uploads/2014/04/Bigstock_60393938.jpg 357 450 Barry Baumel https://ummemoryprogram.org/wp-content/uploads/2021/10/211001-UM-Memory-logo-1030x95.png Barry Baumel2014-04-19 16:50:012021-09-30 14:22:18Reducing Risk Factors Can Help Maintain Independence
Evelyn F. McKnight Brain Institute Collaborates on $60M Initiative for the Precision Aging NetworkOctober 20, 2021 - 8:21 pm
REACTION — Reducing the Effects of Aging on Cognition with Therapeutic Intervention of an Oral Nutrient: An Exploratory TrialOctober 20, 2021 - 8:20 pm
The Comprehensive Center for Brain Health is hosting a movie screening event in conjunction with the Lewy Body Dementia Association (LBDA) on May 18, 2021.April 21, 2021 - 3:42 pm
UM Memory Program
1150 NW 14th Street, PAC 609
MemoryProgram@med.miami.edu
University of Miami Miller School of Medicine
University of Miami Center on Aging
Department of Psychiatry and Behavioral Sciences
Bascom Palmer Eye Institute
Copyright © 2014 - The Memory Program at University of Miami Miller School of Medicine. Site: Academic Web Pages


Edgen Murray is a leading global supplier to the energy and infrastructure markets specialising in Steel Pipe, Plate, Valves and related components. We have an exciting opportunity for an Operations Executive to join our growing team. We have operations globally so your career has the ability to bring you to some of the most interesting places in the world.
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Edgen Murray is a leading global supplier to the energy and infrastructure markets specialising in Steel Pipe, Plate, Valves and related components. We have a permanent job opportunity of a Senior Sales Engineer - Valves located in Dubai, UAE.
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WE HAVE A SELECTION OF SOME OF THE WORLD'S MOST CRITICALLY ACCLAIMED ARCHITECTURAL MASTERPIECES REPRODUCED IN PLASTER.
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1985 Cadillac Eldorado Biarritz Convertible, Red with 50-50 soft Carmine leather 6 way power seats, white top, matching red dash, carpets and top cover. tilt and telescope wheel, AM/FM stereo radio, cruise control, rear window defogger, recliner power passenger seat, recliner manual driver seat, electric door locks and windows, Guidematic headlamp control, Twilight Sentinel, Cruise Control, theft deterrent system, mirror illuminate passenger vanity, controlled-cycle wiper, remote control trunk, automatic climate control, vogue white walls mounted on Real Wire Wheels, undercoat since new.
The original grill comes with the car.
This is a Limited Edition of 2300 manufactured by Cadillac. 11,00 Original Miles.
1985 Cadillac Eldorado Biarritz Coupe in Cranberry with 50-50 white leather seats, passenger power recliner, factory sliding Astroroof wrapped in stainless steel, rear window defogger, electric heated outside rear view mirrors, illuminated entry system, electric power day/night rear view mirror, illuminated passenger visor mirror, remote fuel filler door, tilt and telescopic wheel, spoked aluminum alloy wheels, twilight sentinel, guidematic headlamp control, theft deterrent system, trumpet horn.
This car has its original window sticker, documents and only 28,000 original miles.


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We often hear how eager people are to "get out" of Greenville and move to a better place. I cringe when I hear that, because I know how much of this town we take for granted. Take a step back, and you might just see how great this place really is.
I certainly understand the desire to experience another place or go to college out of town. But don't put down Greenville just because you're ready for new experiences.
Greenville is perfectly located. We can take day trips to the beach during the summer or to Raleigh when we need to shop. The mountains are close enough for a weekend trip, as are cities like Charleston, Richmond, or Washington, D.C. We have a small airport and can easily access a bigger one in 1.5 hours. Location doesn't get much better than that.
Secondly, Greenville is a college town. After growing up alongside ECU's excitement, I will always want to live in a college town. What would you do in the fall without ECU football? And what would our roads be like without ECU traffic? Well, actually, maybe we could do without that part. But anyway, a university also allows us access to more medical and research opportunities in addition to all the excitement and pirate pride.
Before ECU comes high school, and Pitt County is home to some of the best high schools in the state. We are a bit biased as to which are better than others but, in reality, all of our high schools are impressive. And the rivalries here in town only add to the excitement and pride of our schools.
Greenville is not too big and not too small. It's big enough to support a college town but small enough to support local businesses. Anyone can feel at home here, but there are always more people to meet. Think of how many locals you know: people that have lived here their whole lives. Now think about all the people that have moved here recently and have quickly fallen in love with our home. I can think of so many people that fit into both of these categories. The diversity of backgrounds is yet another thing that distinguishes Greenville. It is an old home to thousands and can quickly become home to anyone else lucky enough to move here.
We may have below-par shopping and bad traffic when the dorms open, but Greenville is full of great people who love where they live. If you ever doubt this, just go listen to the crowd at an ECU football game when the video board announces Greenville, North Carolina. I am certainly proud to be from Greenville, and I hope all of you are too.


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Герхарт Хауптман (; Оберсалцбрун, 15. новембар 1862 — Агнетендорф, 6. јун 1946), био је немачки драматичар, који је добио Нобелову награду за књижевност 1912. године.

Каријера драмског писца
Рођен је у Оберсалцбруну, малом граду у Шлеској, а сада делу Пољске. Након школе у свом родном месту похађао је реалну гимназију у Бреслау (Вроцлаву), а затим је изучавао агрикултуру на ујаковом имању. Није му се свиђао сеоски живот, па се вратио у Бреслау и уписао се у уметничку школу, настојећи да постане вајар. Ту се упознао доживотног пријатеља Јозефа Блока. Након тога студирао је у Јени, а велики део 1883. и 1884. провео је у Италији. Оженио се 1885. и сместио се у Берлину и потпуно се посветио литерарном раду. Брзо је стекао велики углед као главни представник модерне драме. Повукао се 1891. у Шлеску. Прва драма му је била Пред излазак сунца (1889) и у тој драми инаугурисао је натуралистички покрет у модерној немачкој литератури. Након тога је следило неколико драма, од којих је Вебер снажна драма, која описује устанак шлеских текстилаца 1844.

Значајне су и његове комедије, драмска поема Ханела (1893), историјска драма Флоријан Грејер (1895). Написао је и двије трагедије на тему живота сељака у Шлеској. Зенит је достигао 1911, када је написао , за које је добио Нобелову награду за књижевност 1912.
За време Првог светског рата био је пацифиста. У том периоду написао је неколико историјско-алегоричних драма. након рата опадала му је способност. Остао је у Немачкој током периода нацизма и преживео је бомбардовање Дрездена.

Референце

Спољашње везе

 The Nobel Prize Bio on Hauptmann

 Authors' Calendar

Рођени 1862.
Умрли 1946.
Немачки књижевници
Немачки драматурзи
Нобеловци за књижевност
Немачки нобеловци

redpajama_set_name: RedPajamaWikipedia


Medium Pressure Uv Systems - Water Management Technologies, Inc.Water Management Technologies, Inc.
The system consists of a UV chamber and a separate control module which houses the electrical components that operate the lamps. The control module can be delivered with up to 15 meter cable to the uv chamber as an option.
The chamber is designed to ensure optimum disinfection of the liquid and has all the features to control and optimise this process. There will be now need to buy sensor and other equipment since i comes fully equiped as standard. The design of the chamber is based on hydrodynamics plus easy and swift service. The head loss is almost non eksisting. These parameters, together with the low cost for installation, are the key features of the unit.
In case of a mechanical problem with the UV lamp, the advanced electronic ballast will signal, thus giving the operator the possibility to undertake the appropriate action.
Alarms are given both visually on the touch screen and electronically to any remote control or monitoring unit. Side access end caps allow for easy replacement and servicing of the lamps. The UV lamps need to remain in a horizontal position to ensure its optimum homogeneous emmittance.
The chamber can be mounted horizontally or vertically by means of rotating the chamber over its axis. This offers total mounting flexibility.
WATER MANAGEMENT TECHNOLOGIES, Inc. offers a comprehensive line of equipment to satisfy a variety of water quality concerns. With over 300 references from Federal, State and commercial hatcheries, we invite you to put our experience to work for you.
© 2006-2018 WMT. All Rights Reserved.


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Q: VBA - delete empty columns containing headers in query table I have a table as a result of PowerQuery (call it Table 2) on the same sheet as the other table where is applied VBA macro (call it Table 1). Unfortunately, when macro finishes, every time the range of Table 2 expands for a few blank columns with headers.
How can I handle it in VBA - add the line code to my current at the end to delete the added columns?

Table structure breaks after run macro of first table:

My suggested end-part of the code is
Range("NP_Data_output[[#All],[Column58]:[Column57]]").Select
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete
Selection.ListObject.ListColumns(6).Delete

A: Assume the columns to keep are Column1 to Column8
Sub Macro1()
    Dim c As ListColumn
    For Each c In ActiveSheet.ListObjects("NP_Data_output").ListColumns
        If Not c.Name Like "Column[1-8]" Then
            c.Delete
        End If
     Next
End Sub

redpajama_set_name: RedPajamaStackExchange


To enable safe access to trees up to a maximum height of 80 feet.
Brushwood & branches up to a maximum diameter of 12 inches can be chipped producing wood chips of 1 inch.
Brushwood and branches up to a maximum diameter of 6 inches can be chipped producing wood chips of 1 inch diameter.
To transport equipment, wood chips and logs.
To grind any size of stump up to 2 feet below ground level.
Suitable for all types of felling and trimming.
We ensure that all of our equipment is continually well maintained, inspected where necessary and replaced where necessary to meet all safety and performance requirements.


This is adapted from Tom Lacalamita's Pressure Cookers for Dummies, but you should use the Serious Eats method of browning stew beef in one large piece, then cubing it before cooking, for better results.
Add the meat and cook until browned. Remove and chop into small cubes.
Add the carrots, celery, barley, mushrooms, meat, stock, and bay leaf to the pressure cooker.
Bring o high heat and cook for 20 minutes. Release pressure with the quick release method.
Add parsley, and season the soup with salt and pepper before serving.


This year for Lent, I'm working through the Beauty in the Common Lent Guide. Part of this guide is a photo challenge. Here is my third week! If you're interested in joining me on this Lenten journey, check out the guide in the link above. You can find week one here and week two here.
Some people fear solitude, but as an introvert? That's pretty beautiful to me.
I am the worst at opening up to people. It takes a lot for me to be vulnerable. It's easier for me to do this through writing, especially music, but I rarely share my songs. Perhaps this is because I'm afraid they aren't any good, or perhaps I'm just afraid to be vulnerable. Regardless, I'm learning to see the beauty in the vulnerable and learning to find courage to share the words and songs of my heart.
Have you ever climbed a mountain and just looked out onto creation and been like "God, you done good"? The beauty of our world is pretty breathtaking.
Showing affection and care for others is an important part of life. But before you can do this, you first have to love yourself, silly dance moves and all. You can't love your neighbor as yourself if you don't value YOU.
In His grand design, God has blessed us all with unique gifts which we can choose to use to serve him. Thankful for the opportunity to serve on the arts team on Baptism Sunday!


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TJ Interviews: Dr Neil McDonnell
Written by Dr Neil McDonnell on 12 November 2019 in Interviews
TJ meets Dr Neil McDonnell, LKAS Fellow for Virtual and Augmented Reality at University of Glasgow and speaker at AR & VR in the Public Sector.
Tell us about your talk at AR & VR in the Public Sector on 4 December in London.
I will be presenting on Project Mobius, our VR teaching project. Mobius is a collaboration between Sublime (AR/VR tech start-up) and the University of Glasgow, and will integrate VR teaching seamlessly into higher education.
I will outline the project, and share the principles that drive our work with VR teaching/training in the public sector.
VR seems to have been the latest thing for about the last five years. What's changed recently?
The hardware has not yet achieved widespread consumer adoption, and that is for reasons of cost, practicality, and the lack of a 'killer app' that drives people to the platform.
The first two issues are largely taken care of with the release this year of the Oculus Quest – a remarkable standalone VR device (no PC, no sensors, no wires) that can be had for just £400.
With VR, you are taken to another environment, and with AR virtual objects are brought into your existing environment.
We think this is driving consumers to the platform, which should in turn hasten the development of a platform-defining app (think Sonic for the Megadrive, or Goldeneye for the N64).
How can AR and VR add value beyond the traditional training session?
Immersive technology offers us a 3D medium for information. With VR, you are taken to another environment, and with AR virtual objects are brought into your existing environment, but in both cases what you gain is 3D understanding.
When the topic of the training is 3D understanding (of a system, a building, an object, a molecule…) then this 3D media is a natural fit.
Our Project Mobius aims to examine which topics and practices work best.
Where can people go to see VR in action in the public sector? What good examples are out there?
There are isolated applications of VR in the public sector that show promise – medical training, fire service training, and in therapeutic contexts. From what I can tell, they remain isolated for the moment.
One of our ambitions with Mobius is to go beyond an isolated application and to roll out VR teaching across the higher education sector.
Where do you see both technologies being applied in future? Does one technology lend itself to certain areas of the public sector better than the other?
I think VR requires dedicated space and dedicated time, and that will always limit its consumer uptake.
Give me three issues of TJ for just £9.99
In work contexts, both public and private, this will be less of a barrier and we should see VR applied as a remote-viewing, or remote-collaboration tool.
Bringing an expert to a given location instantly, safely and without a carbon cost will be highly attractive.
AR will become ubiquitous, replacing the smartphone. We will see data about the world, 'on' the world, not on a rectangle in our hands.
This will liberate many tasks that require heads-up, and hands-free, conduct (such as construction and manufacturing), but it will also allow exotic, dangerous, minute, or even fictional objects to come into classrooms, doctors surgeries, and courtrooms across the public sector.
Dr Neil McDonnell is Lord Kelvin Adam Smith Fellow for Virtual and Augmented Reality, University of Glasgow. He will be speaking on 'Understanding AR and VR to Create an Immersive Learning Experience' followed by a Q&A with Jon Kennard at AR & VR in the Public Sector
Learning systems expert Craig Weiss unveils groundbreaking tool for learning tech buyers
Craig Weiss just unveiled FindAnLMS.com, a new tool that will make it faster and easier to match up companies with the right learning systems...
Free resource: Life skills library
The life skills library has been designed to be an easy-to-use and engaging resource that hosts a collection of bite-sized tools.
White paper: Isn't it time to ban training?
New white paper: Find out why emotional intelligence can't be taught in short, traditional training sessions.