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Tag Archives: Dorothy Porter
A few days with Salt on the Tongue pt. 1
Well I am finally back in home waters and my head is leaking poetry, thanks to an incredible weekend in Goolwa + Tuesday night's Riverbend Books reading & last night's Back Room event at Confit Bistro.
So my thoughts on the Salt on the Tongue festival…
Let me start by saying that Goolwa is beautiful country and it was a true privilege to be welcomed to the land by Aunty Eileen of the
Ngarrindjeri people, in traditional language as part of the festival's opening night celebration. Other highlights of opening night were the debut screening of a film produced by Joe Dolce, featuring one of the last ever interviews with the late Dorothy Porter, detailing her love of C.P. Cavafy and the festival launch speech by Stefano De Pieri, best known for his television series A Gondola on the Murray and his work with the Mildura Writers Festival. Stefano spoke passionately about the land and the devastation of the Murray River as a result of the years of irrigation; his speech brimming with the same wild fire that makes poetry so vital, concluded with a poem about the Murray written by Paul Kane.
And then came readings by the international guests: Glenn Colquhoun (New Zealand) who charmed the audience, reading a series of love poems for an ex-girlfriend who was born in South Australia; welshman Robert Minhinnick; Slam Queen, Arianna Pozzuoli (Singapore) who lit up the stage every time she got near a microphone; and Elizabeth Smither (New Zealand). A big first night… and after rising at 4:30am it was time for this Lost Shark to close his eyes and prepare for Saturday.
Saturday kicked off with readings from Bronwyn Lea (her poem Insufficiaent Knowledge gets better every time I hear it), who then introduced Yvette Holt who read a selection of her work from Anonymous Premonition and Sandra Thibodeaux who's new collection 'extinctions' is an absolute gem. Favourites from her set included Extinction (An obsession with the sea steers his poems/ but he's no lovelorn sailor/ no spilt seaman) and Rabies (Your dog bit me/ right on the throbbing part of my thigh./ And I know why:/ he sniffed that I was another mongrel/ grovelling fro your scraps). A bristling first session!
This was followed by a reading from three Tasmanian Poets – Esther Ottaway, Anne Kellas and Adrienne Eberhard. I was particularly taken by Adrienne's work. Her poems Phosphorescence (When I pull the rope, a bucket/ of drowned stars appears, as if the night-/ sky's fallen into the sea) and Earth, Air, Water, Fire: A Love Poem in Four Elements ( from earth: We carry caves inside us/ – the heart's dark chambers,/ water-washed cavern of the womb) are still resonating with me.
Then we were off to Cafelicious for the launch of Andy Jackson's debut collection, Among the Regulars. While it was sad that Andy's book was not there for the launch (it is however now available online), it is always a pleasure to hear Andy's wonderfully physical work. And he is one of Australian poetry's true gentlemen!
Following this we took off to catch the end of the Motherlode launch. And what a launch. This was a true poetry sampler, with 21 of the included poets (incl. Jordie Albiston, Jill Jones, Jan Owen, Rebecca Edwards, Jude Aquilina, Lisa Gorton) getting up to deliver a poem from the anthology. Motherlode is an incredibly vital anthology and it was a real treat to hear so many of the voices in one live setting.
It was then time to prepare for my own session alongside Alex Skovron, Sarah Day & Louise Oxley. I have long enjoyed the work of each of these poets so it was a real thrill to be able to introduce them and hear them weave their spell. Many of their lines are still circling in my head:
'one night a thousand calendars from now' – Alex Skovron
' with a brushstroke I can take myself into and out of the dark' – Louise Oxley
and Sarah Day's description of a cat poised, 'a laser beam of concentration'
Saturday night's main session was a symposium on the state of poetry in the country. While it was wonderful to have a gathering of minds, sharing their thoughts on various aspects of Australian poetry – establishing touring circuits, models to overcome the difficulties with distribution, the merge between Australian Poetry Centre and the Poet's Union – for me the event missed the mark. Too many of the speakers approached the forum with a narrow focus, speaking emotively about specific strategies being implemented in their state, when what we really need to be looking at is the bigger picture of audience development on a national (and even global) level. Julie Beveridge presented some really interesting data, gathered from a survey of more than 50 poets in Australia, which confirmed that audience development is where our national body needs to be focussing its energy. I do, however, think there are some interesting discussions beginning, as on the positive side, the forum provided an opportunity for many of us to network and make stronger connections.
These discussions continued at the festival club, housed in a little boutique brewery right on the river… and to soundtrack the discussions Max_Mo were carving out a mean groove, featuring some cool jazz and the words of Amelia Walker, Mike Ladd & Rob Walker. A great way to close a massive first day…
I will post my highlights from Sunday and Monday + a few photos tomorrow night.
Tagged as Adrienne Ebherhard, Alex Skovron, Among the regulars by Andy Jackson, Andy Jackson, Another Lost Shark, Arianna Pozzuoli, Australian Poetry Centre, Bronwyn Lea, Dorothy Porter, Extinctions by Sandra Thibodeaux, Glenn Colqhoun, Goolwa, Goolwa Salt on the Tongue Poetry Festival, Graham Nunn, Insufficient Knowledge by Bronwyn Lea, Joe Dolce, Louise Oxley, Motherlode: Australian Women's Poetry 1986 - 2008, Ngarrindjeri People, Ocean Hearted, Phosphorescence by Adrienne Eberhard, PressPress, Review of Salt on the Tongue Poetry Festival, Salt on the Tongue, Salt on the Tongue Festival highlights, Salt on the Tongue Festival Program, Sarah Day, Stefano de Pieri, symposium on ther state of Australian Poetry
Artist Profile: Pru Gell
The April SpeedPoets gig is shaping up to be something special. Pru Gell is a spoken word artist living and working in the Northern Territory and a member of the gathering sister's stories collaborative project. Luckily for us Brisbane folk, Pru is heading our way and will be performing a feature set at SpeedPoets on Sunday April 5. I had the pleasure of chatting with Pru recently about the role of poetry in our culture, her role models and the gathering sister's stories project.
Who are your models and how do they/have they informed your writing?
I once heard Dorothy Porter say that she is drawn to read "poetry that's like black oil from a poet's heart." I relished her saying this and asked her what she meant just so I could hear her talk about this more. Dorothy Porter, Suheir Hammad, Romaine Moreton and Audre Lorde are poets whose work I respect immensely.
Their poems show vulnerability, are unapologetic, tender, courageous, share ugliness and beauty and expose elements of the human experience. They are comfortable writing themselves into their poetry and they share their own experience as the foundation of their story making. I believe when poets, and or artists in general, are honest and reveal themselves in their work then audiences are more likely to be able to connect with the work and make their own linkages to personal and universal experiences.
Their work cuts through comfort to tell the heart of a story. Yet they tell enough of a story so that the words stand strong on their own. Reading, and or hearing their pieces, I can feel drawn in and connected to something visceral and therefore their words don't just float in the ether or on the page.
I want to look back in a few years and feel that my writing and performing is imbued with such qualities.
What is the Gathering Sister's Stories Project that you co-founded?
gathering sister's stories: desert to sea is a collaborative poetry project working on developing a writing collective and a collection of poetry on the theme of invasion/colonisation. The gathering sister's stories collective is around 10 Indigenous and non-Indigenous women from the desert (Australia) to the sea (Timor Lorosa'e) who are poets and spokenword artists. The collective is spread out from a small country town near Adelaide to Dili in Timor Lorosa'e.
For a while now I've noted that I've been compelled to write about connections and collisions stemming from invasion and living in an invaded land. Over the last few years at different writing festivals and on travels I've met a number of other writers whose work is also often responding to invasion. I wanted to get some of these writers together and find other folks who are also compelled to write on this theme and see what kind of pieces we could create if we worked collaboratively and shared stories and writing processes. So my friend and spoken word collaborator Ella McHenry and I asked a bunch of women if they'd like to work together and the collective began to form. It is a great collective of writers and I'm really exciting that we've just begun to share drafts of poems on a monthly basis.
What is the relationship between your speaking voice and your written voice?
For me there's a significant difference between reading a piece of poetry and performing a spoken word piece. For my spokenword pieces I feel more comfortable having more flesh on the bones and using more words to tell a story. Whereas my poetry for the page tends to be sparser, with more flesh carved off but hopefully with enough words left so that the heart of a story is shared.
What is the role of poetry in our culture? We have so many media we can choose from – film, video, performance, etc… so what does poetry have that is unique to offer the human spirit?
Once I heard a quote along the lines of "the need to have a poet guide to walk beside when entering Dante's inferno". Poetry can be a 'poet guide' as we walk into and through the everyday.
I feel poetry has a number of roles. To connect. To illuminate. To capture moments and essence of a human experience and reflect them back to people. Breathe life into the spaces between commonly told stories and the unspoken. Zoom in and out of experiences and offer observations in the form of a few select words, a concise story. In a few distilled words a poem can tell the heart of a story.
In an essay called Poetry is not a luxury (1977), which I adore, Audre Lorde talks about the role of poetry to distill and illuminate experiences "… poetry as illumination, as it is through poetry we give name to those ideas which, until the poem, are nameless and formless, about to be birthed, but already felt" and the "revelatory distillation of experience" …. "that distillation of experience from which true poetry springs births thought."
Poems:
extraneous, some
thing not from here, interfere
not belonging to
with 4 week contract
working to save the children
no really it's true
wearing new red beads
scintillating dinner talk
"hmm yes hmm yes hmm"
boots slightly dusty
long drive rust sand roads, just back,
"geez they don't talk much"
swiped on basics card
2 jelly snakes, white bread bought
my silence tastes sour
50 minutes passed
5 longer that had been planned
3 town camps reviewed
I stuff your mouth with
bursting, crimson, tart quandongs
now will you listen?
1000's of kilometres between
Looking skyward
I Find
Familiar stellar pictures
Pull same three from infinite
Momentarily
Fooling self
That's all there is
Scorpio, Southern Cross and The Pointers
Drown in swarm of stars
Constellation sea so milky
Tongue tempted
Linger there
Moistening pink lips
Catch Pru live at SpeedPoets when it returns for its second gig of 2009 on Sunday April 5. It all happens at the The Alibi Room, 720 Brunswick St, New Farm from 2pm. The gig will also feature local spoken word/hip-hop artist Dark Wing Dubs and Brisbane songbird, Skye Staniford. There will also be live sounds from the SpeedPoets engine room of Sheish Money, free zines, giveaways and the hottest Open Mic section in our fine city. Entry is a gold coin donation. See you there!
SpeedPoets: Sunday April 5, 2pm – 5pm @ The Alibi Room, 720 Brunswick St. New Farm.
Filed under interviews/artist profiles
Tagged as 1000's of kilometres betrween by Pru Gell, Another Lost Shark, Audre Lorde, Dorothy Porter, gathering sister's stories project, Graham Nunn, Intervention by Pru Gell, poetry, Pru Gell, relationship between speaking and written voice, role models and how they have influenced your writing, Romaine Moreton, SpeedPoets, Suheir Hammad, the role of poetry in our culture, writing
Chains of Flashing Images – an interview with Max Ryan (part II)
Like all good things part II of this interview has been a long time coming, but is well worth the wait…
I have been fortunate enough to see you perform live with Cleis now on several occasions, most recently at Queensland Poetry Festival 2008. That show is still resonating with me four months later. The performance transceded both genres (music and poetry) and drew the audience into the vortex of the moment. Just how much of a show is rehearsed and how much is intuition, interplay, instinct? And how does the live performance differ to the process of recording?
Thank you for your full-hearted response. The angels were with us up in Brisbane: a finely attuned audience and a great sound engineer didn't hurt either. There's sometimes that sense I'm sure any artist gets that it's all just coming through you and if there's any reward for your labours, it's probably this. I'm touched that you had that experience at QPF, I guess that's what I'm reaching for with Cleis: something that's more than the two parts. In some uncanny way, I feel that when we're 'on' my voice becomes some sort of musical instrument weaving through Cleis' strings. So the words transcend their semantic meaning and become more incantatory, mantric. Similarly, Cleis' music is much more than an accompaniment; in a very dynamic way, she's listening at a subliminal level, she's making poetry too. The poet Rob Riel said when he launched our CD at the Australian Poetry Festival that Cleis must also be a poet.
Max Ryan and Cleis Pearce live at QPF 2008
We tend not to rehearse overmuch but there's a definite musical structure and Cleis will know the poems fairly intimately. Both of us like to leave a lot of space for improvising and not be overly confined to any set pattern. It's a bit of a game I play with myself; I don't mull over the poems so that when we perform, I feel like I'm entering the poem for the first time. It's a somewhat risky exercise but mostly it works I think. In Brisbane I lost my way for a moment in The Blind Singer but made a leap and came back into the poem through the back door.
Another example of how it works: I suddenly got the idea driving to the festival to make four years old more cyclical so instead of trailing off into the grown-up child driving the car round the corner, it comes back to the second stanza:
The carousel goes up and down
to the strains of a wheezy waltz.
I've learned every song the man plays –
each second Sunday they're part of the world
I've made with chocolate ice creams and rides.
This time around you catch my eye
and I'm waving, right on time.
It was enough to just mention this to Cleis: I knew she'd turn it all around. In The Blind Singer that night there was a fair bit of improvisation between us, especially when the poem builds into the singer's deep trance. I tended to repeat phrases or run them together in a different way. The Hexham Flood was more measured with us holding the edge of the child's fear of an inner drowning.
Max Ryan live at QPF 2008
There are certain patterns we tend to fall into: we've somehow made Gypsies our closing piece and by then I know we're coming home, there's lots of space with the music surging and drawing back towards the final unravelling. Here, images from the poem swirl together as the child's imagination is set on a kind of internal combustion with his vision of the gypsies. It tends to go off at this point and I'll tend to fall into some kind of declamatory mode and then just let Cleis rip. It always feels like everything just opens up and the audience can just go with the sparks climbing into the air from the gypsy fire.
Overall I'd say there's a strong intuitive interplay within the defined structure of the words and music. Each performance can vary quite radically. I suspect this has a lot to do with the nature of the audience and how in touch it is. In Sanskrit there's a term called 'rasa' which loosely means juice or sap, it's the very essence of a work of art. The 'rasakant' is one who can taste that essence and importantly it is he/she who brings the art to life. Without the 'taster' there's no juice. The QPF audience, I'd say, was a big part of the magic that night.
In recording of course, that's just the part that's missing and there can be something quite cold about a recording studio. We made White Cow not that long after we'd started working together; there are things I'd do differently next time but we tried to keep it fairly open and there's quite a bit of spontaneity on the record. First track we recorded, Eagle, was us on one mike, just one take. The others were mostly recorded in two or three takes at the most, both of us with our own mike standing facing each other so we could bounce off each other as much as possible. For a fairly obsessive person, I'm pretty happy with the result. Overall though I'd say we're a lot better now. Next time I'd like to capture us live.
I'm inspired by working with musicians but at the heart of it all I guess I'm still searching for the finished poem on the page. In Melbourne I've performed with the band Kid Sam; one piece we've done consists of loose phrases we weave together and build on but since then I've shaped it into a much more formal structure, a villanelle in fact. The performing and the writing run into each other and sometimes, in a musical context, I'm able to hear my own words in a much more charged way, hear just where they work and where they don't.
I hope to be able to keep working with musicians. One thing's for sure: it's lovely to have someone up there with you, writing poems is lonesome business enough.
Max Ryan live QPF 2008
Searching for the finished poem on the page is a life's journey, so where are the footsteps of Max Ryan currently heading?
Ha! I could try talking about poetry…
Perhaps above all, I love reading poetry and I can envisage myself doing that till I drop. In a fairly direct way, the poems I write are nourished by the poetry I'm touched by. Not that there's any stylistic resemblance necessarily but there's some kind of direct energetic force that inspires my own attempts. There are some poems I read over and again, never tire of: Coleridge's Frost At Midnight, Dejection: An Ode, Yeats' Adam's Curse, An Irish Airman Foresees His Death, When You Are Old, Whitman's Song Of Myself, Out Of The Cradle Endlessly Rocking, many of Emily Dickinson's, Marina Tsvetaeva's. In a great poem there's always that sense of magic, some narrative leap or unforgettable turn of phrase that makes the heart beat a little stronger…
Harold Bloom called Coleridge the great poet of night. I still delight in those first few clear notes of Frost At Midnight as the poet summons us to his midnight vision:
The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud— and hark, again! loud as before.
Coleridge then draws us into a mystical vision of the 'stranger', the still beating embers of the fire that presaged the arrival of some absent friend, which becomes a metaphor for the poet's 'abstruser musings'. The poem finishes with this wishful prophecy for his son Hartley, the infant sleeping by his side:
Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eave-drops
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.
Definitely poetry from another age (the capitalizing of Frost and Moon and the ornate diction for example) but there's such a sustained lyrical vision of the harmony between man and nature. I love the way 'fall' just falls onto the line. The last lines have the power of great haiku.
There was a period where I felt quite deflated after Rainswayed came out… what now? I realised I'd pretty well written some sort of story-of-my-life, at least my life so far, and I didn't want to go on just writing more of the same. What I've been discovering are poetic forms such as the pantoum, the villanelle etc which have allowed me to enter the poem in a less linear way, such styles seem to fit with the way I feel right now…
Of course these forms can have a highly defined structure and a deep inherent logic and perhaps by this token they provide a great vehicle for bringing what can seem fairly random images into a whole new dynamic. At a certain point, they start to work for you and certain phrases will be reiterated in sometimes surprising new ways. The pantoum form, for example, fits nicely into the fairly imagist style I tend to write in:
half-way home, the drifter turns around
still, even in the rain, we look for signs
before the storm, swallows skim the river
an ocean roar , a face in the crowd
Reading poetry has always been a huge source in my life. I've spent a fair bit of time travelling, often alone, and also spent periods of my life fairly laid-up with physical problems. So poetry, a book of poems, has never been far from my side. I left Australia for India in the late 70s with a hard copy of Yeats' The Collected Poems in my haversack. Yeats has been a real companion to me, sometimes I feel I know him better than I do many of my friends.
Just now I'm enjoying Bronwyn Lea's The Other Way Out; there's such a fine sensibility (the only word I can conjure) in these poems and I've been delighting in many readings. This one, Ars Poetica, says it nicely:
I used to want
to say one thing
& have it turn
out to be another.
Now I only want
to say one thing.
As if the pleasure
now is in the voicing
not the trickery
but the soul making
itself heard
above the traffic.
As for plans: tanka and haiku, especially the latter, provide a real grounding and keep me rooted in the senses and the everyday occurrences around me and I trust they still will. Working with musicians is always there and I'd like to record with different players on separate pieces.
So I have no major ambitions for my poetry, just to keep on keeping on I guess and above all to enjoy it. I'll take it wherever it leads me: I feel greatly privileged to be able to practice such an art and hopefully to share it with an audience. We're all walking in the footsteps of many great bards. Dorothy Porter once said she'd be happy to leave a half dozen of Coleridge's poems behind her. Well, it was a lovely way of honouring the masters. Mind you, as for the Coleridge poems, I'd be happy with one!
Tagged as Another Lost Shark, Bronwyn Lea, chains of flashing images, Cleis Pearce, Coleridge, collaborations - music and poetry, Dangerously Poetic Press, Dorothy Porter, Graham Nunn, interview, Marina Tsvetaeva, Max Ryan, pantoum, poetry and music, Queensland Poetry Festival, Rainswyaed Night, Robert Frost, villanelle, White Cow CD, William Butler Yeats


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It's been just over a year since revelations about movie mogul Harvey Weinstein sparked the #MeToo movement.
And, in a year in which we've seen countless powerful men taken down by women who accused them of sexual harassment or assault — #MeToo story after #MeToo story — you might expect people's attitudes toward victims of sexual harassment have softened.
But a new survey from the Economist shows a small, but marked shift against victims.
"Should men who sexually harassed women at work 20 years ago keep their jobs?"
"Are false accusations of sexual assault a bigger problem than attacks that go unreported?"
Across the board, for men and women, the results show Americans are more skeptical of claims against sexual harassment and victims than they were a year ago.
According to the survey, "the share of American adults responding that men who sexually harassed women at work 20 years ago should keep their jobs has risen from 28 percent to 36 percent. And 18 percent of Americans now think that false accusations of sexual assault are a bigger problem than attacks that go unreported or unpunished, compared with 13 percent in November last year."
For more on this, The Show talked to Sacha Nauta, public policy editor for the Economist, and she told us how this breaks down — particularly for women.


text:
José Miguel Arroyo y Tuason (27 de junio de 1946), esposo de Gloria Macapagal-Arroyo, la expresidente de las Filipinas, abogado y primer caballero de su país, cuando su mujer fue la jefa de estado de esta nación. Su mayor logro fue crear la fundación para que los atletas entrenaran para la 2005 Southeast Asian Games en las Filipinas. Se convirtió en blanco de los ataques de la administración de su esposa por medio de la oposición política y por esa razón se fue voluntariamente al exilio.

Referencias
 Página oficial de José Miguel Arroyo (en inglés)

Abogados de Filipinas
Primeros caballeros

redpajama_set_name: RedPajamaWikipedia


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The ministry on this hill began in the late seventies. Bob Warren, a western Kentucky native, returned home from an eight-year pro basketball career to resume farming. Comforted by the wide open spaces and the familiar rolling hills, Bob sensed the Lord leading him into a teaching ministry. The door soon opened for him to begin holding Bible studies in his log cabin. It was at that time that the ministry on The Hill was born.As the Lord continued to increase the ministry, it became obvious that the need for a larger facility was to be prayerfully considered. The first building to go up was the Manna House conference center. Next came the Ark dormitory, followed by the addition of a work shop, a log home for small retreats and sabbaticals, the Lodge Dormitory, the Library Meeting Room and Dormitory, and other outdoor recreational opportunities. With these additions, the ministry was now equipped to meet the needs of a wide variety of church groups and Christian organizations desiring to gather for Bible studies, retreats, conferences, and camps.
Bob, along with his wife, Kim, and son, Benjamin, have seen God's favor steadily increase the ministry. Joining them in their full-time service is Brent Armstrong, Glenna Yuill, and Mike Wyatt. They are responsible for overseeing the administrative and maintenance responsibilities associated with the daily operations of the ministry.
Together these individuals, along with many more who volunteer, invest their lives into the lives of others through discipleship. A board of directors continues to provide wonderful guidance and counsel, making sure the ministry holds true to God's Word and properly uses all resources entrusted to its care.
We purpose to help the church equip the members of the body of Christ, so that each member of the body of Christ (who has been distinctively gifted by the Holy Spirit – 1 Corinthians 12:11) may use his or her gift to edify the church body.
We believe the teaching of the Word, along with worship (which includes music, prayer, Scripture reading, etc.) has ultimate priority as a proper expression to bring the people exposed to this ministry to a fullness of the knowledge of the Son of God (Hebrews 13:15; Ephesians 5:19-20).
Our approach to the use of facilities is that they be practical, clean, honoring to God, and paid for. We do not build buildings to attract people, but rather ask God to maximize their use for good stewardship.
Organizationally it is our desire for this ministry to be a spiritual arm of the home and church, not a substitute for it. We attempt to schedule our meetings and activities, whenever possible, in a fashion not to separate the family or church, so as not to cause confusion to these schedules.
We believe that the essence of the Christian life is intimacy with Jesus Christ. Our primary interest is maturing people in the faith, so they in turn can be used to mature others in the faith. Thus we believe that as a ministry we exist for the purpose of disciple making (2 Timothy 2:2).
We are not a church, but are concerned about the evangelism of the lost and the edification of the saved.


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text:
Oldest FBs
11th January 2018 Paul Andrews
Family Business United is delighted to announce the family firms that are in contention for the Welsh Family Business of the Year Award 2018.
The Family Business of the Year Awards are organised by Family Business United, the award-winning magazine and resource centre the champions and celebrates the family business sector. Now in their sixth year, these awards recognise the diversity, strength and depth of family firms across the UK and seek to highlight the contribution that family firms make to the UK economy.
Open to family firms of all generations, sizes and sectors, these awards really do recognise some outstanding family firms and really help to put family businesses on the map.
The deliberations are over and the team at Family Business United are delighted to announce the family firms shortlisted for the Welsh Family Business Of The Year 2018 Award.
The shortlisted firms are:
Nigel's Dairy Ltd
Steamin' Mugs Limited
Snowdonia Cheese Company
Clifford Jones Timber
3A's Leisure
Wally's Delicatessen
Sandringham Hotel
Clews Homes
Green & Jenks
Lewis Pie & Pasty Company Limited
As Paul Andrews, Founder and Managing Director of Family Business United, the award-winning magazine and resource centre for family firms in the UK, explains, "We are delighted to be able to pull together such a vibrant bunch of family businesses, some that have succeeded for numerous generations and continue to thrive, and others that are relatively young but have great values at the heart of what they do."
"Any one of those shortlisted would make worthy winners and ambassadors for the sector. We are looking forward to finding out more about each of them and I am sure that the decisions to determine the winner will not be easy. We are looking for a great family business ambassador to fly the flag for family businesses in Wales."
Previous winners of the Welsh Family Business of the Year include S.A. Brain & Co. Ltd and Leekes Limited.
The awards process concludes at a Gala Reception and awards ceremony that takes place in London at the prestigious May Fair Hotel in London on June 7 where the winners will be crowned.
Vote for your favourite to win the Welsh People's Choice Family Business of the Year 2018 here
fboty
Family Business of the Year Awards
Zonal Rules Supreme
Scottish based tech innovator Zonal has been crowned Supreme Champions at the sixth annual Family Business of the Year Awards (FBOTY). Read More
South & SW FBOTY 2018 Shortlist
Family Business United is delighted to announce the family firms that are in contention for the South & South West Family Business of the Year Award 2018. Read More
Midlands FBOTY 2018 Shortlist
Family Business United is delighted to announce the family firms that are in contention for the Midlands Family Business of the Year Award 2018. Read More

redpajama_set_name: RedPajamaCommonCrawl


text:
Review: Poldark, Series 1 DVD
– March 9, 2010Find Others: DVD, Movie, Review, TV ShowGet More: Acorn Media, British, Drama
STUDIO: Acorn Media | DIRECTOR: Philip Dudley, Roger Jenkins | STARS: Robin Ellis, Jill Townsend, Paul Curran, Mary Wimbush, Clive Francis
RELEASE DATE: 3/2/2010 | PRICE: DVD $69.99
BONUSES: cast filmographies, historical background on Cornwall
SPECS: NR | 821 min. | TV miniseries | 1.33:1 fullscreen | Dolby Digital 5.1 | English subtitles
RATINGS (out of 5): Movie | Audio | Video | Overall
Along with Upstairs, Downstairs, Poldark was one of the British TV imports that earned the venerable Masterpiece Theatre its Stateside respect back in the 1970s. Often referred to as the British Gone With the Wind, the 1975 television mini-series made its U.S. premiere on PBS in 1977.
Based on the novels of Winston Graham , the show chronicles the saga of England's 19th century Poldark family, fixing its gaze on sterling son Capt. Ross Poldark (Robin Ellis), who returns to his family in Cornwall to more or less find his home and estate in ruins and the woman he has loved (Jill Townsend) engaged to his cousin.
Matters take many turns for the better and the worse over the next 16 episodes—nearly 14 hours of the kind of high drama and romance set on a backdrop of economic and social change that we've come to associate with the literary miniseries adaptations of that period.
The mini-series also embodies that pace and TV production values and style of its time, so while the characters and stories are certainly engaging, Poldark wears its age on its respectably frilly sleeve. However, it should be noted that the show revolutionized the form by "opening up" the proceedings via location shooting and outdoor sequences (unlike its primarily stagebound predecessors).
Regardless, Poldark should be regarded as a timeless timepiece of its era, and one that U.S. fans will enjoy on DVD.
Buy or Rent Poldark, Series 1
DVD | Instant Video DVD
Review: UK Life On Mars Complete Series DVD
Review: Upstairs, Downstairs Complete Series 40th Anniversary DVD
New Release: Upstairs, Downstairs Complete Series 40th Anniversary DVD
DVD Release: The Syndicate, Series 1
DVD Review: Parade's End
MSTR PCE
I think this was once out as an import DVD from England.


Whenever you receive an email, you receive more than just the message. The email comes with headers that carry important information that can tell where the email was sent from and possibly who sent it. For that, you would need to find the IP address of the sender and this is how you do it.
Log into your Windows Live Mail account with your username and password,Open the inbox. To display the headers, right click on the email message in the Inbox, and select View Source.
This will open up a new page with a detailed header content.
If you have multiple Received: from headers, eliminate the ones that have proxy.anyknownserver.com.
Log into your Gmail account with your username and password, Open up the mail. To display the email headers, Click on the Reply drop down box and select Show Original.
If you find more than one Received: from patterns, select the last one.
Log into your Yahoo! mail with your username and password, Click on Inbox or whichever folder you have stored your mail, Open the mail. If you do not see the headers above the mail message, your headers are not displayed. To display the headers, click on the drop down Standard Header box and select Full Header.
Look for Received: from followed by the IP address between square brackets [ ]. If there are many instances of Received: from with the IP address, select the IP address in the last pattern. If there are no instances of Received: from with the IP address, select the first IP address in X-Originating-IP.
I hope this post will help you finding the IP address of the sender, do let us know what you think by leaving a comment.


text:
namespace Max_Sequence_of_Equal_Element
{
    using System;
    using System.Linq;

    public class MaxSequenceOfIncreasingElements
    {
        public static void Main()
        {
            int[] array = Console.ReadLine().Split(' ').Select(int.Parse).ToArray();
            int l = array.Length;

            MaxIncSequence(array, l);
        }

        public static void MaxIncSequence(int[] array, int l)
        {
            int count = 0;
            int start = 0;
            int bestCount = 0;
            int bestStart = 0;

            for (int i = 1; i < l; i++)
            {
                if (array[i] - array[i - 1] >= 1)
                {
                    count++;
                    start = i - count;

                    if (count > bestCount)
                    {
                        bestCount = count;
                        bestStart = start;
                    }
                }
                else
                {
                    count = 0;
                }
            }

            for (int iWrite = bestStart; iWrite <= (bestStart + bestCount); iWrite++)
            {
                Console.Write(array[iWrite] + " ");
            }

            Console.WriteLine();
        }
    }
}

redpajama_set_name: RedPajamaGithub


Two years ago, I began this annual tradition.
In 2015, I ended a prolonged writer's block by selecting Onward as my word of the year. In the twelve months that followed, I wrote articles and book reviews and released two novels—A Season for Killing Blondes and The Coming of Arabella. I also started several projects that were in various stages of completion by the year's end.
Frustrated by these incomplete projects, I selected Focus as my word for 2016. I applied myself and finished editing Too Many Women in the Room (to be released in Spring 2017). I also wrote several short pieces and participated in NaNoWriMo, completing 50K words of A Different Kind of Reunion (to be completed in 2017 and released in early 2018).
As I contemplated my selection for 2017, I toyed with several words: upward, booming, soaring, flying, success, prosperity, and abundance. Clearly, I was headed in a very different direction, one less linear than previous years. Having proven that I can initiate and complete writing projects, I was now ready to raise the stakes. I also needed to cultivate a more trusting spirit and take more risks.
For those reasons, I have selected Thrive as my word for 2017.
This entry was posted in A Season for Killing Blondes, Inspiration, The Coming of Arabella, Too Many Women in the Room, Writing and tagged A Different Kind of Reunion, Joanne Guidoccio. Bookmark the permalink.
Love your word for 2017 Joanne and any quote from the great Maya Angelou. May it be so in this year ahead.
I love your practice of choosing a word. How cool is that!
And "Thrive" is perfect. Wishing you best wishes.
What a great word! And what a great idea. I would have to say that my 2017 word is "begin". I've been pushing certain things aside that I've wanted to do and get started in my life and this year is the time to begin doing all of them.
Joanne – what a great word!!!!! Mine is compromise. I love that we actually fulfill the meanings of these words…Happy 2017 and I hope you….thrive!
What a glorious, joyful choice. Well played, Joanne. May you thrive mightily in 2017.
Bought "A Season for Killing Blondes." Looking forward to reading it.


A simple and stylized linear tray. The fold creates space for small desktop objects. It also fits the Pen Pot and the Tiny Pot, which can be freely combined. The tray is made of a folded sheet of metal that rests over a wooden base, as if it was floating in the air.


Don't implement this protocol yourself; instead, create command buffer objects by calling a MTLCommandQueue object's commandBuffer method.. The command buffer can only be committed for execution on the command queue that created it. All command buffers sent to a single command queue are guaranteed to execute in the order in which the command buffers were enqueued.
After creating a command buffer, you create encoder objects to fill the buffer with commands. The MTLCommandBuffer protocol has methods to create specific types of command encoders: MTLRenderCommandEncoder, MTLComputeCommandEncoder, MTLBlitCommandEncoder, and MTLParallelRenderCommandEncoder. At any given time, only a single encoder may be active for a particular command buffer. You create an encoder, use it to add commands to the buffer, and then end the encoding process. After you finish with an encoder, you can create another encoder and continue to add commands to the same buffer. When you are ready to execute the set of encoded commands, call the command buffer's commit method to schedule the buffer for execution.
After a command buffer has been committed for execution, the only valid operations on the command buffer are to wait for it to be scheduled or completed (using synchronous calls or handler blocks) and to check the status of the command buffer execution. When used, scheduled and completed handlers are blocks that are invoked in execution order. These handlers should perform quickly; if expensive or blocking work needs to be scheduled, defer that work to another thread.
In a multithreaded app, it's advisable to break your overall task into subtasks that can be encoded separately. Create a command buffer for each chunk of work, then call the enqueue method on these command buffer objects to establish the order of execution. Fill each buffer object (using multiple threads) and commit them. The command queue automatically schedules and executes these command buffers as they become available.
Creates an object to encode a rendering pass into the command buffer.
Creates an object that can split the work of encoding commands for a single render pass.
Creates an object to encode a compute pass into the command buffer.
Creates an object to encode a sequential compute pass into the command buffer.
Creates an object to encode a block information transfer (blit) pass into the command buffer.
Constants indicating how the compute command encoder's commands are dispatched.
Reserves a place for the command buffer on the associated command queue.
Commits the command buffer for execution.
Registers a block of code that Metal calls immediately after the GPU finishes executing the commands in the command buffer.
Blocks execution of the current thread until the command buffer is scheduled.
Blocks execution of the current thread until execution of the command buffer is completed.
A block of code invoked when a command buffer is scheduled for execution or has completed execution.
The current stage in the lifetime of the command buffer.
The stages in the lifetime of the command buffer.
The error that occurred when the command buffer was executed.
The error domain used by MTLCommandBuffer when returning command buffer execution errors.
Error codes that indicate why the execution of the command buffer has failed. The error property contains the error code.
The host time, in seconds, when the CPU began scheduling this command buffer for execution.
The host time, in seconds, when the CPU finished scheduling this command buffer for execution.
The host time, in seconds, when the GPU began executing this command buffer.
The host time, in seconds, when the GPU finished executing this command buffer.
Encodes a command that signals the given event with the given value.
Encodes a command that blocks the execution of the command buffer until the given event reaches the given value.
A Boolean value that indicates whether the command buffer maintains strong references to associated resource objects (textures, buffers) necessary to complete execution of any encoded commands.
The device from which this command buffer was created.
The command queue that created the command buffer.
A string that identifies this object.


In the white paper on the course for Norwegian foreign and security policy published last year, the Government announced that it would be increasing its support for promoting stability, democracy and development in neighbouring areas. The EU and a number of individual European countries are also focusing more strongly on the Western Balkans at present. All the recipient countries in the region are seeking EU membership. On 6 February, the European Commission presented an ambitious strategy for enlarging the EU to include the Western Balkans.
'The countries of the Western Balkans need to implement comprehensive reforms to guarantee democracy, strengthen the rule of law, create jobs and achieve economic and social progress. They are currently among the poorest countries in Europe, some of them with youth unemployment rates of up to 60 %. It is vital for these countries to succeed in their efforts, so that they can once again contribute to development, cooperation and security in Europe. This will be in the interests of both Norway and Europe as a whole,' said Minister of Foreign Affairs Ine Eriksen Søreide.
Norway's support is intended to promote cooperation and reconciliation in the region, economic growth and job creation, good governance and anti-corruption, the protection of minorities and a stronger civil society. Priorities will vary from country to country, depending on their needs and the priorities of other donor countries and the EU.
Norway's support is based on the recipient countries' own priorities, and will be harmonised with the contributions of other donor countries and the EU. Some of the funding will be allocated to programmes that are jointly financed by other donors, including the EU.
Norwegian funding is available for Albania, Bosnia and Herzegovina, Kosovo, Macedonia, Montenegro and Serbia. Some of the funding will be allocated to regional projects that include two or more countries.
You can read more about Norway's support to the Western Balkans here.


text:
Brandon Torrey (born May 18, 1983) is a former American football offensive lineman. He was signed by the Pittsburgh Steelers as an undrafted free agent in 2006.

Torrey accepted an athletic scholarship to attend Howard University in Washington, DC where he played for Howard Bison football team from 2001 to 2005 and is remembered as a notable alumnus. While at Howard, Torrey set the record for most consecutive starts, and was voted top 10 Guard in the nation for Division 1AA in 2003. In 2004 Torrey won the "Metropolitan Player of the Year" and the Pig Skin Award. He received these awards alongside, Larry Fitzgerald who won college offensive player of the year and Kenechi Udeze who won college defensive player of the year. Other notable names that year were Jeremiah Trotter, Nick Novak. During his time as a Bison, Torrey earned the nickname "Franchise", and received First-team All MEAC (2002-2004), Second-team All-American (2004) and was selected and started in the 2004 HBCU All Star Classic Game.

Torrey has also been a member of the Baltimore Ravens, Arizona Cardinals where he was coached by Ken Whisenhunt with the team finishing 8-8 and 2nd in the NFC West. New York Giants, Tennessee Titans, and Houston Texans. Torrey earned a Super Bowl ring while on the roster of the Giants in Super Bowl XLII, although he was not eligible to play. His last NFL appearance was for the Oakland Raiders in 2009.

In 2011, Torrey joined the Las Vegas Locomotives as an Offensive Tackle and Guard and served as team Captain. This was the 3rd consecutive year this UFL team made it to the championship game.

Torrey served as a volunteer assistant at Howard in 2015 as he finished his degree. He was named the offensive line coach in 2016. In 2019, Torrey was hired as the offensive line coach at Norfolk State.

References

External links
Just Sports Stats
Norfolk State bio

1983 births
Living people
American football offensive guards
American football offensive tackles
Arizona Cardinals players
Baltimore Ravens players
Cologne Centurions (NFL Europe) players
Houston Texans players
Howard Bison football players
New York Giants players
Norfolk State Spartans football coaches
Oakland Raiders players
Pittsburgh Steelers players
Players of American football from North Carolina
Sportspeople from Durham, North Carolina
Tennessee Titans players


text:
TechAcute
Home Technology Gadgets 24Kupi: A Smartwatch You've Not yet Heard About
TechnologyGadgetsGeneralMobilityWearables
24Kupi: A Smartwatch You've Not yet Heard About
As a tech enthusiast, smartwatches have always interested me, as they're an elegant blend of multiple gadgets and fit comfortably around your wrist. The product that I chose to buy, the 24Kupi smartwatch, intrigued me because of its elegant design and multiple features that seemed really useful. The price seemed fair enough, the website and company reliable so I thought 'what the hell' and ordered one. It arrived safely packaged and undamaged in 3 days. I opened the box, put it on my wrist, and started exploring its features.
The company that made the watch is called PLUS 385 ltd., and has its headquarters in Croatia, Europe. The company focuses on internet sales, shipping its products worldwide per request from Asia. The company ensures quality, a yearlong warranty, fast shipping and secure payment of their products. They are a relatively young company, still trying to put their name on the map, but appear to be doing so with relative success. Their web page, 24Kupi.com, is their internet base, and a place to learn more about their products and the company itself.
A Rising Star
Their most popular product is the 24Kupi Pro Edition Watch, a kind of successor to their previous watch, both of which share numerous features. The "First Watch for easier studying" proved to be a huge success in the global market, so the company decided to make a new, more modern smartwatch. The smartwatch runs on the Android operating system, features a dual core processor, a 3.0 megapixel camera, 4GBs of space, touchscreen controls, GPS, as well as wireless and Bluetooth options. The company is continuously working on upgrading the watch, and notifies its customers of any changes and improvements made.
The watch has numerous features, similar to those of top smartwatches today. It features a 2G or 3G Internet connection (depending on the model and options in your country), which is great for tracking your social media sites, or just using the internet in general. The watch also has an option to pick up incoming calls, a feature that some similar watches lack, and definitely a useful one. The before mentioned GPS can help you navigate during a car ride or jog, and the wireless and Bluetooth options enable you to control other, similar devices through your watch. What sets this watch apart from similar smartwatches is its "cheating" option. The watches main selling point is that it's an ideal watch for students, as it enables you to store vast quantities of text, videos and audio snippets on its 4GB hard drive. To prevent getting caught, the makers installed a "panic button" which switches the screen from text back to the normal watch mode. Even if you're not a student this is definitely an interesting feature, and can be used to store books for leisure reading, movies, or other material. The price of the watch is $210.
To Conclude: Reasons Why I Liked It
The features of the watch make it useful in day to day situations, and its design is cool looking and not over the top, as is the problem with a lot of other watches. I didn't experience any freezing or blue screen incidents, a testament to the reliability of the Android operating system. The watch is really light, weighing only a mere 100 grams, so it didn't feel like I'm holding a weight with one hand. I really liked the Multi-language support, as it supports text in the Latin, Arabic and Cyrillic alphabet, which makes it suitable for worldwide use. The GPS is also reliable, but I'm not sure how dependent it is to the part of the world you're located in. The watches main selling point, the "cheating" option, works as intended, and will surely help a lot of students struggling with their academic goals, although it isn't of much use to me. That sales hook in particular however is somewhat disputable.
All in all I'm happy with the purchase I made, and I think the 24Kupi smartwatch has a bright future ahead of it, and could soon stand head to head with some of the most popular smartwatches and gadgets today.
This article was written by Goky Brkic, a technology fan and gadget addict. My other passion is travelling and wandering the world. You can find me writing as a contributor to different sites.
YouTube: 24Kupi Pro Watch
Photo credit: PLUS 385
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shamindersingh brar March 14, 2016 At 7:18 pm
Sir can I take help from this watch by pictures like txt and this watch's emergency button can do work in picture mode like txt. Please give me reply soon?
khan khan November 25, 2019 At 5:31 pm
totally fraud they sent me faulty product and not provide any suppport
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text:
What's on near me
In selected international venues
by Tom Stoppard
The 50th anniversary production at the Old Vic.
Read full synopsis
Copy this URL link to share this content
Showing screenings closest to
We've guessed your location, if it's wrong use the box above to tell us where you are
loading venues
Busan Cultural Center
Within 6940.5 miles
Daniel Radcliffe (Harry Potter, The Woman in Black), Joshua McGuire (The Hour) and David Haig (Four Weddings and a Funeral, The Witness for the Prosecution) star in Tom Stoppard's brilliantly funny situation comedy, broadcast live from The Old Vic theatre in London.
David Leveaux's new production marks the 50th anniversary of the play that made a young Tom Stoppard's name overnight.
Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare's iconic drama, they become increasingly out of their depth as their version of the story unfolds.
National Theatre Live: Rosencrantz & Guildenstern Are Dead | On-stage trailer
National Theatre Live: Rosencrantz & Guildenstern Are Dead | The Questions Game
Daniel Radcliffe and Joshua McGuire are a delightful double act.
Fizzes with life
Tom Stoppard's comedy shines brightly.
Brilliantly crafted.
National Theatre Live: Rosencrantz & Guildenstern Are Dead | Trailer
Fantastically light on its feet.
Get email updates about the National Theatre Live productions
What is National Theatre Live?
National Theatre Live is the National Theatre's groundbreaking project to broadcast world-class theatre to cinemas in the UK and internationally.
Follow our broadcasts from stage to screen with exclusive backstage updates
Show our broadcasts
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Download one of the recommended releases of Drupal CDN module from the Drupal.org website (You do not need to unzip this file).
Log into your Drupal administration section.
Click on Modules tab in the top navigation bar.
Click on Install new module link.
Click on Choose File button and browse to the Drupal CDN module you downloaded.
Click on Install button to install the extension into your website.
Click on the link Enable newly added modules.
Scroll down till you find the CDN module and check "enabled". Click on Save configuration.
In Mapping you're adding CDN URL, which can be found in your CDN77 client panel under a specific CDN Resource.
It provides two modes: Origin Pull and File Conveyor. If you are unsure which mode to use, choose Origin Pull, which is also the default setting. It will replace your domain name with the Origin Pull CDN's domain name in the file URL.
Next, there is the CDN mapping setting. Here you can define which files are mapped to which CDN (in case you're using multiple CDNs or static file servers). Paste your CDN URL or CNAME here. If you're not using a CNAME you can retrieve the CDN URL by logging into the management area of your CDN Resource. This will cause all files to be served from CDN77.
The last setting is optional but recommended - the Far Future expiration. Check this box if you want your site to run much faster. It routes the serving of all static resources through Drupal instead of the web server (Apache/nginx/lighttpd/…) and ensures that all files are served from the CDN in the optimal way. i.e. files are compressed (gzipped) and have optimal HTTP headers. These HTTP headers tell your visitors' browsers to cache files "forever." The URL of the changed file is updated automatically, so your visitors receive the new files immediately. However, to make this work correctly you have to serve the files through PHP (Drupal), not the web server, which is not very efficient. Alternatively, you can set cache expiration time for your CDN long enough for this to still be ok.
Now you can browse your site and check CDN integration statistics at the bottom of the page when in testing mode. If everything looks ok, just enable the module and you're all done, your site is now being accelerated by CDN77!


I don't ever look to video-game behavior as reflective of the better angels of our nature. But still: researchers have found that when white people play as black characters in video games classified as violent, the players were more threatening, offensive and racist in real life. Scientists described the findings as 'disturbing' because the study is the first time the race of a computer alter ego, or avatar, has been linked to this change in behavior. Psychologist Professor Brad Bushman, of Ohio State University, said it raises the troubling impact violent video games can have on players. He said: 'Playing a violent video game as a black character reinforces harmful stereotypes that blacks are violent.
What? Superman's Native Tongue Is Spanish?
Brad Pitt: Jen Or The Professor?


Mumbai formerly known as Bombay is located on the western coast of India and is India's the most populous city. Mumbai airport also known as Chhatrapati Shivaji International Airport is served by a wide range of international airlines, meaning it is very well connected to the rest of the world. There are direct and indirect flight options available, so it is normally possible to facilitate an arrival time to suit your needs. Arranging any repatriation of human remains to Mumbai, India always involves an amount of additional administration to overcome to enable importation of the deceased. With over 25 years' experience along and a network of dependable agents across India, Key Air- The repatriation people will be ready and able to assist you to arrange a repatriation as promptly as possible from almost any point in the world.
To get up to date prices for repatriation of human remains to Mumbai, India, click on the link and complete our online form or contact us on the details below.


text:
Structural and Multidisciplinary Optimization is a peer-reviewed scientific journal published by Springer Science+Business Media. It is the official journal of the International Society of Structural and Multidisciplinary Optimization. It covers all aspects of designing optimal structures in stressed systems as well as multidisciplinary optimization techniques when one of the disciplines deals with structures (stressed solids) or fluids. The journal's scope ranges from the mathematical foundations of the field to algorithm and software development with benchmark studies to practical applications and case studies in structural, aero-space, mechanical, civil, chemical, and naval engineering. Closely related fields such as computer-aided design and manufacturing, reliability analysis, artificial intelligence, system identification and modeling, inverse processes, computer simulation, and active control of structures are covered when the topic is relevant to optimization. The current editor-in-chief since 2015 is Raphael T. Haftka (University of Florida) since the passage of the founding editor George I. N. Rozvany (Budapest University of Technology and Economics).

Abstracting and indexing
The journal is abstracted and indexed in: Academic OneFile, Academic Search, Compendex, Current Contents/Engineering, Mathematical Reviews, Science Citation Index Expanded, and Scopus. According to the Journal Citation Reports, the journal has a 2020 impact factor of 4.542.

References

External links

English-language journals
Engineering journals
Springer Science+Business Media academic journals
Bimonthly journals
Publications established in 1989


text:
package edu.utah.further.security.impl.domain;

import javax.persistence.Column;
import javax.persistence.Entity;
import javax.persistence.GeneratedValue;
import javax.persistence.Id;
import javax.persistence.Table;

import org.apache.commons.lang.builder.EqualsBuilder;
import org.apache.commons.lang.builder.HashCodeBuilder;
import org.hibernate.annotations.Immutable;

import edu.utah.further.security.api.domain.Role;

/**
 * A database backed role implementation.
 *
 *

 * -----------------------------------------------------------------------------------

 * (c) 2008-2013 FURTHeR Project, Health Sciences IT, University of Utah

 * Contact: {@code <further@utah.edu>}

 * Biomedical Informatics, 26 South 2000 East

 * Room 5775 HSEB, Salt Lake City, UT 84112

 * Day Phone: 1-801-581-4080

 * -----------------------------------------------------------------------------------
 *
 * @author N. Dustin Schultz {@code <dustin.schultz@utah.edu>}
 * @version Apr 30, 2012
 */
@Entity
@Table(name = "APP_ROLE")
@Immutable
public class RoleEntity implements Role
{
	/**
	 * Generated Serial UID
	 */
	private static final long serialVersionUID = 576587949262389682L;

	@Id
	@GeneratedValue
	@Column(name = "app_role_id")
	private Long id;

	@Column(name = "app_role_name")
	private String name;

	@Column(name = "app_role_dsc")
	private String description;

	/**
	 * Return the id property.
	 *
	 * @return the id
	 */
	@Override
	public Long getId()
	{
		return id;
	}

	/**
	 * Set a new value for the id property.
	 *
	 * @param id
	 *            the id to set
	 */
	public void setId(final Long id)
	{
		this.id = id;
	}

	/**
	 * Return the name property.
	 *
	 * @return the name
	 */
	@Override
	public String getName()
	{
		return name;
	}

	/**
	 * Set a new value for the name property.
	 *
	 * @param name
	 *            the name to set
	 */
	@Override
	public void setName(final String name)
	{
		this.name = name;
	}

	/**
	 * Return the description property.
	 *
	 * @return the description
	 */
	@Override
	public String getDescription()
	{
		return description;
	}

	/**
	 * Set a new value for the description property.
	 *
	 * @param description
	 *            the description to set
	 */
	@Override
	public void setDescription(final String description)
	{
		this.description = description;
	}

	/*
	 * (non-Javadoc)
	 *
	 * @see java.lang.Object#equals(java.lang.Object)
	 */
	@Override
	public boolean equals(final Object object)
	{
		if (object == null)
			return false;
		if (object == this)
			return true;
		if (getClass() != object.getClass())
			return false;

		final RoleEntity that = (RoleEntity) object;
		return new EqualsBuilder().append(this.getId(), that.getId()).isEquals();
	}

	/*
	 * (non-Javadoc)
	 *
	 * @see java.lang.Object#hashCode()
	 */
	@Override
	public int hashCode()
	{
		return new HashCodeBuilder().append(this.getId()).toHashCode();
	}

}


Spanning 3000m² over seven floorsis the most lavish property in the Alps; it even has its own nightclub. Chalet Edelweiss is the most opulent chalet in the Alps. Completed in September 2012 the chalet has a ski-in/ski-out location in a highly exclusive private residential area of Courchevel yet is just a five minutes walk from the centre of the village. The property is epic in proportions covering 3000m² over seven floors; a car lift provides access to a large underground garage that can park twenty cars, there's a nightclub that can host one hundred guests and eight bedrooms sleeping a total of sixteen guests.


TTDI, 10 Nov: You hardly hear Tony Fernandes' long-time business partner Kamarudin Meranun whine about anything. Least of all in public. The AirAsia X group CEO's complaint in the media about the Malaysian Aviation Commission's move to give Malindo two traffic rights to Bangalore that AAX had "battled and fought" for, therefore, has got people talking.
Was Mavcom unfair to have given the two slots to AAX's competitor, when AAX - not Mavcom nor Malindo - was the one who had gotten the Malaysian government to negotiate for those extra flights with the Indian authorities?
"We battled and fought to get those additional slots, but now it is being allocated to another airline that is not even using them," Kamarudin said in Air Asia questions Mavcom over Bangalore flight slots - The Edge Financial Daily.
To its credit, Mavcom responded to Kamarudin immediately. The same Nov 7 Financial Daily quoted Mavcom as saying that it allocated the flight slots or air traffic rights based on criteria set out under the Malaysian Aviation Commission Act 2015, with key considerations including the effect on consumers, the industry and public interests. So in the case of the Kuala Lumpur–Bangalore route, it allocated 360 seats to Malindo Air and 24 seats to AirAsia in June. Following these allocations, Malindo Air operates 360 seats, AirAsia 744 seats per week, and Malaysia Airlines 1,920 seats.
"This translates into approximately two times weekly for Malindo Air, four times weekly for AirAsia and 12 times weekly for Malaysia Airlines. Mavcom's rationale for the allocations performed in June 2017 include: widening the choice for consumers by granting two weekly services to Malindo Air as a new entrant on this route; and facilitating competition and preventing excessive market dominance by any single carrier," said Mavcom.
I can see that Mavcom is going strictly by the book in trying to be equitable. Be that as it may, Kamarudin has a point. If Malindo isn't planning to use those slots, Mavcom should give them "back" to AAX. It's only right.
Also the fact is that two CEOs with impeccable credentials have quit MAS.
Tony must be grinning ear to ear.
you have to accept that malindo is giving better flying experience to its customers in terms of seat pitch, baggage allowance, IFE, meals compare to Air Asia with better price.
we are choosing malindo against airasia. we urge AAI not to give any more slots to airasia at bangalore airport and let airasia learn a lesson from this.
On behalf of Jim, thank you!


text:
← Through Advent With The Apocalypse: 12/12 – (14) The Idea of Justice
Through Advent With The Apocalypse: 13/12 – (15) Judgement and Justice →
Perfect Freedom
Posted on December 13, 2020 by Bruce Bryant-Scott
A Sermon Preached Online on
The Third Sunday of Advent, December 13, 2020
With the People of The Anglican Church of St. Thomas the Apostle, Kefalas, Crete
The readings used were Isaiah 61:1-4, 8-11, Psalm 126, and John 1:6-8, 19-28.
A detail from The Freedom Sculpture in Philadelphia PA by the American sculptor Zenos Frudakis
The Two Berlins
In the gospel reading today we read of how the priests and Levites from Jerusalem wanted to know just who John the Baptist thought he was. There were a little confused about his identity. Was he the Messiah? No. Was he Elijah? No. Are you the prophet? No.
This is a more recent story about a confusion of identity, involving Winston Churchill.
This occurred in the spring of 1944 – I should say February or March. What happened actually was this.
Mrs Churchill said to Winston:"Irving Berlin is in town, he has been very generous to us" – he'd given a large sum of money to – a war charity, I don't know which, with which she was connected. "If you meet him, do tell him we are very pleased with him."
Mr Churchill said,"I want him to come to lunch."
She said, No, no, no, I did not mean that. I mean, if you meet him in the Churchill Club, just pat him on the shoulder and say we are very grateful to him."
"I want him to come to lunch," he said, but she couldn't understand why.
Well, Irving Berlin sat next to Winston Churchill, who said to him, "Mr Berlin, what is the most important piece of work you have done for us lately, in your opinion?"
Poor Berlin obviously couldn't quite make out what this man had said. After some hesitation,"I don't know, it should be A White Christmas, I guess."
And Winston said, "Are you an American?"- there was this thick American accent.
Berlin said, "What? Why? Why? Yes."
Then Winston again turned to Mr Berlin and he said, "Do you think Roosevelt will be re-elected this year?"
Irving said, "Well, in the past I have voted for him myself, this year I am not so sure."
At this point Mr Churchill became rather gloomy, he couldn't understand who he was dealing with. He still thought it was me (Isaiah Berlin, an Oxford Don who was working during the war in the British Embassy in Washington, and writing perceptive reports on American politics that the Prime Minister eagerly read). Obviously my despatches were quite coherent, but he obviously had an idiot before him.
Finally Winston said, "Mr Berlin, when do you think the European War is going to end?"
Berlin said, "Sir, I shall never forget this moment. When I go back to my own country I shall tell my children and my children's children that in the spring of 1944 the Prime Minister of Great Britain asked me when the European War was going to end."
Winston was very displeased about this: he really more or less lost his temper, got up – lunch was over.
Poor Irving Berlin went off to the Savoy, where he was sharing rooms with Sir Alexander Korda, and he said to Korda,
[Eventually somebody explained that there were two Berlins – Irving Berlin the songwriter, and Isaiah Berlin the Oxford don and political philosopher). Winston immediately went to a Cabinet meeting, after lunch, told them the story with the greatest pleasure.
Negative Liberty and Positive Liberty
Isaiah Berlin, (later Sir Isaiah Berlin) who told this story on Desert Island Discs and many other occasions, may be less popular than Irving Berlin and White Christmas, but he is very well known among philosophers and political scientists. He wrote an essay in 1958 describing two kinds of freedom, positive liberty and negative liberty. Now, freedoms are guaranteed in a number of ways – from time immemorial by English common law, in the past century by international law, and enshrined in constitutions, such as the Charter of Rights and Freedoms in Canada, and the Bill of Rights in the USA. Here in Greece they are governed by the European Convention on Human Rights and enshrined in the Constitution.
Negative liberty is expressed in restrictions on governments, forbidding them from encroaching on the liberty of individual. Positive liberty is the freedom to do things as individuals and collectives, things which one might want to do but need not.
Thus, among the "freedoms from" there are:
freedom from torture;
freedom from discrimination according to sex, race, colour, language, religion, political or other opinions, national or social origin, association with a national minority, property, birth or other status;
freedom from slavery; and
freedom from detainment of imprisonment, except when accused according to due process of law and convicted in fair trials.
Among the "freedoms to" are:
the freedom of religion – to have a particular faith and to be able to practice it, or none at all;
the freedom to marry;
the freedom of expression; and
the freedom to associate and assemble, including the freedom to form trade unions;
Freedom for Isaiah and John the Baptist
In this morning's readings we hear from the Book of Isaiah – the original one, not Isaiah Berlin:
because the Lord has anointed me;
he has sent me to bring good news to the oppressed,
to bind up the brokenhearted,
and release to the prisoners;
to proclaim the year of the Lord's favour,
For Isaiah the freedom is quite literal – freedom from being a conquered people, transported and treated as slaves, by the waters of Babylon. It is a freedom to return to Jerusalem and Judea, to rebuild the Temple and the walls of the city. It is good news that heals broken hearts, shows God's favour, forces those who have done wrong to deal with the consequences of their actions, and comforts those who have done wrong.
And, of course, as you no doubt remember, in the Gospel according to Luke, chapter 4, in what is portrayed as Jesus's first day on the job, Jesus reads this passage in the synagogue in Nazareth, and then delivers a one line sermon: Today this scripture has been fulfilled in your hearing. Jesus is called to heal and to proclaim liberty to the people who are suffering, and to cast out the evil that besets us.
John the Baptist also proclaimed a message of freedom. By repentance and baptism people were freed from their sins. By doing so in the wilderness, by the river Jordan, he was proclaiming a freedom from the compromised religious hierarchy in Jerusalem. He did this, we are told, to prepare the way of the one who will baptise with the Holy Spirit, Jesus.
Now, if the removal of sin is accomplished through repentance and baptism, we might see this as a "freedom from" – a freedom from sin. The baptism with the Holy Spirit, which as Anglicans we hold may be coincident with Christian baptism, but may also happen apart from it – this baptism is more like a "freedom to", so that we might do the things that God calls us to do.
There is a prayer in the Book of Common Prayer, the second collect in Morning Prayer, that starts:
O God, who art the author of peace and lover of concord, in knowledge of whom standeth our eternal life, whose service is perfect freedom . . .
The idea that God's service – working for God – is perfect freedom, is one of those parodoxical ideas. We are freed from sin so that we might truly serve God. But we do not do it by compulsion, but gladly, by choice, knowing that this is what we have been called to do.
As Christians we are called to be like Christ, proclaiming liberty, healing the sick, and casting out all the evil around us. We do this by upholding the dignity of every human being. And so, in practical terms:
We care for the sick, the infirm, the housebound, the elderly, and call for equitable care for everybody, and the resources to do it.
We seek to empower young people and marginalized persons through education and skills training.
We provide tools and capital to the impoverished so that individuals and communities can create wealth and development.
We provide assistance and refuge for those fleeing wars and natural disasters.
We speak truth to power, not seeking to replace those in power, but to challenge them to rule for the common good, and not merely a sector of the population, or for the one percent.
We challenge abuses around the world – the imprisonment and enslavement of of Uyghers in western China; the discrimination against the Rohinga in Myanmar; the genocide and attempts at assimilation of Indigenous peoples; the attempts to crush democracy in Thailand, Belarus, Turkey, and Hong Kong; and the racism we know exists here and in our home countries.
We have hope, light in the midst of darkness, that God will make all things right, that the darkness will not overcome the light, that the arc of history tends towards justice and righteousness, and that the resurrection of Jesus Christ is but the beginning of God's recreation of a new heaven and a new earth. As citizens of New Jerusalem, who know that we have been freed from sin and are free to serve God, our hymn is that of Isaiah:
I will greatly rejoice in the LORD,
my whole being shall exult in my God;
for he has clothed me with the garments of salvation,
as a bridegroom decks himself with a garland,
For as the earth brings forth its shoots,
and as a garden causes what is sown in it to spring up,
to spring up before all the nations.
About Bruce Bryant-Scott
Canadian. Husband. Father. Christian. Recovering Settler. A priest of the Church of England, Diocese in Europe, on the island of Crete in Greece. More about me at https://www.linkedin.com/in/bruce-bryant-scott-4205501a/
View all posts by Bruce Bryant-Scott →
This entry was posted in Advent, Isaiah, Sermons. Bookmark the permalink.


text:
module YogiBerra
  # Front end to parsing the backtrace for each notice
  class Backtrace

    # Handles backtrace parsing line by line
    class Line

      INPUT_FORMAT = %r{^([^:]+):(\d+)(?::in `([^']+)')?$}.freeze

      # The file portion of the line (such as app/models/user.rb)
      attr_reader :file

      # The line number portion of the line
      attr_reader :number

      # The method of the line (such as index)
      attr_reader :method

      # Parses a single line of a given backtrace
      # @param [String] unparsed_line The raw line from +caller+ or some backtrace
      # @return [Line] The parsed backtrace line
      def self.parse(unparsed_line)
        _, file, number, method = unparsed_line.match(INPUT_FORMAT).to_a
        new(file, number, method)
      end

      def initialize(file, number, method)
        self.file   = file
        self.number = number
        self.method = method
      end

      # Reconstructs the line in a readable fashion
      def to_s
        "#{file}:#{number}:in `#{method}'"
      end

      def ==(other)
        to_s == other.to_s
      end

      def inspect
        "<Line:#{to_s}>"
      end

      private

      attr_writer :file, :number, :method
    end

    # holder for an Array of Backtrace::Line instances
    attr_reader :lines

    def self.parse(ruby_backtrace, opts = {})
      ruby_lines = split_multiline_backtrace(ruby_backtrace)

      filters = opts[:filters] || []
      filtered_lines = ruby_lines.to_a.map do |line|
        filters.inject(line) do |line, proc|
          proc.call(line)
        end
      end.compact

      lines = filtered_lines.collect do |unparsed_line|
        Line.parse(unparsed_line)
      end

      instance = new(lines)
    end

    def initialize(lines)
      self.lines = lines
    end

    def inspect
      "<Backtrace: " + lines.collect { |line| line.inspect }.join(", ") + ">"
    end

    def ==(other)
      if other.respond_to?(:lines)
        lines == other.lines
      else
        false
      end
    end

    private

    attr_writer :lines

    def self.split_multiline_backtrace(backtrace)
      if backtrace.to_a.size == 1
        backtrace.to_a.first.split(/\n\s*/)
      else
        backtrace
      end
    end
  end
end


text:
Q: Why does this code excert have to use Math.min.apply rather than just Math.min I was reading the following abbreviated code exert from this post that gets the 'minimum' date in a list of dates:
var dates=[];
dates.push(new Date("2011/06/25"))
dates.push(new Date("2011/06/26"))
dates.push(new Date("2011/06/27"))
var minDate=new Date(Math.min.apply(null,dates));

Is someone able to explain why we need to use .apply here?
I understand that .apply is used to execute a function with a supplied a this value but I don't understand why the code requires the min function to be called with this=null and why the code does not work when you substitute:
Math.min.apply(null, dates) for Math.min(dates)

A: It's because the Function.prototype.apply() method has two parameters. First is the newly assigned this value and the second is an array of arguments that will be passed to the called function.
Your example does not do anything special with the first parameter but it does with the second.
Math.min() accepts an infinite amount of arguments. Your examples passes the array of dates as an argument and spreads the items in the array as arguments. Nowadays you could do something like this, with the spread syntax.
var minDate = new Date(Math.min(...dates));

A: Math.min requires one or more values passed as parameters. Since the date strings have been pushed into an array, passing an array will just use the array as a value, not the dates.
Using apply will pass the elements of the array as arguments, it's effectively the same as using spread syntax:
Math.min(...dates);

Since the first argument passed to apply is the value to use for this, and Math.apply doesn't care what this is, null is passed (you could pass any value).
This technique was common before spread syntax was introduced in ECMAScript 2016 (ed 7).

redpajama_set_name: RedPajamaStackExchange


Successful attorney living in Florida looking for my bride Doesn't matter where you are or where you are from ...if it's meant to be it will happen. I grew up in the United States but lived in Brazil for sometime.
How can I make your day?
Anyone On This Site Serious About a Relationship?
Thank you for taking the time to learn a little more about me. I am a mature person who remembers when personal qualities like honesty, integrity, loyalty, commitment, responsibility and sincerity were the absolute necessities of a relationship.
See u in May, out of touch on Mission trip trng.
soy muy amistoso, y sobre todas las coas sinsero.
Just a down to earth brother, that enjoys all the great things God and life have to offer. I don't do the drama thing. My boys, my family, and smiles are what make me happy.
love , Live and Laugh..
I'm willing to meet someone ,who I can vibe with trust and believe in...my future wife and best friend.
American q habla Español Busca su media Naranja. Me gustan movies, travel, la música y la buena compania tuya. Bailar merengue. Romantico y practico. Deseo casarme si nos llevamos bien.
Smooth, calm, collective. Self reliable. Self confidence. Down to earthbusiness owner.


text:
Gartempe é um rio localizado na França, com 205 km de comprimento, afluente pela margem esquerda do rio Creuse, ao qual se junta em La Roche-Posay. Nasce na comuna de Peyrabout.

Atravessa os seguintes departamentos e comunas:
 Departamento de Creuse: Peyrabout, Le Grand-Bourg
 Departamento de Indre: Néons-sur-Creuse
 Departamento de Indre-et-Loire: Yzeures-sur-Creuse
 Departamento de Haute-Vienne: Châteauponsac, Rancon
 Departamento de Vienne: Montmorillon, Saint-Savin, La Roche-Posay

Ver também
Geografia da França

Ligações externas
 www.geoportail.fr/

Rios de Creuse
Rios do Alto Vienne
Rios de Vienne
Rios de Indre
Rios de Indre-et-Loire
Rio Loire


text:
'This Is Us' Star Susan Kelechi Watson Is Engaged
You've never seen a bauble like this before.
Updated on 09/09/19 10:55AM EDT
This Is Us star Susan Kelechi Watson is engaged to boyfriend Jaime Lincoln Smith!
The actress shared the exciting news via Instagram on Saturday. Watson appears to be over-the-moon in the photo and she also showed off her unique new accessory: a cushion-cut sapphire on a diamond band. "Forever Ever...💍👸🏽🤴🏾💎 'They'll say its love/And they'll know its love/For when they call its name/it will answer to love/Without hesitation' ~me," she captioned the post.
After Watson posted the news, fans and fellow celebrities including Mahershala Ali, Chrishell Hartley, and This Is Us co-star Mandy Moore were quick to congratulate her. Moore wrote, "💗💗💗💗💗💗 so happy for you guys, Su!!!!!" while Ali left a string of celebratory emojis.
According to E! News, the proposal went down at Wayfarers Chapel in Rancho Palos Verdes. The outlet also spoke to Moore at New York Fashion Week, who revealed that Watson has been engaged for a while now. "We've known for a little bit," she revealed. "It didn't happen today but I'm so excited for her and her fiancé! I can't wait to hopefully score an invite to the wedding!"
While we aren't sure how long Watson and her fiancé have been together—they've kept their relationship very private—they have been spotted on the red carpet together in the past. Like Watson, Smith is also an actor who has most recently starred in New Amsterdam, NCIS: New Orleans and Blue Bloods.
Congratulations to the happy couple!
See more: Mandy Moore Shares Her Favorite Part of Her Wedding Day
Victoria's Secret Model Martha Hunt Is Engaged To Jason McDonald
All of the Celebrities Who Had Babies in 2022
Stella Maeve Got Engaged To Actor Benjamin Wadsworth
Stassi Schroeder and Beau Clark Got Engaged in a Cemetery
Kourtney Kardashian and Travis Barker's Relationship Timeline
Tarek and Heather Rae El Moussa's Relationship Timeline
Every Time a Celebrity Has Crashed a Wedding
Sophie Turner and Joe Jonas's Relationship Timeline
All the Celebrity Pregnancies of 2022
Princess Beatrice Is Engaged to Edoardo Mapelli Mozzi
Actress Lily Collins Is Engaged to Director Charlie McDowell
Tika Sumpter and Nicholas James's Relationship Timeline
Ariana Grande Got Married in a "Tiny and Intimate" Ceremony


text:
Surrey announces plans for new vet school
The first new vet school south of London is to be constructed around the theme that human and animal health is intrinsically linked.
Chris Parr
Twitter: @ChrisJParr
Under plans announced on 25 October, the University of Surrey's School of Veterinary Medicine will embrace the "One Health - One Medicine" philosophy, which encourages collaborations between physicians, veterinarians, dentists, nurses and other scientific health-related disciplines.
A research-led veterinary medicine degree programme, with an emphasis on veterinary pathology and livestock medicine, is being developed alongside the school, which will become the eighth school of veterinary medicine in the country when it opens in 2014.
Lisa Roberts, dean of the Faculty of Health and Medical Science, said: "As a research-intensive university we have the expertise, reputation, technical and business skills which our students can benefit from, allowing us to train the veterinary leaders of the future."
The university has laid the foundations for the new school by expanding its Faculty of Health and Medical Sciences programmes through the launch of a BSc in veterinary biosciences, and an MSc in veterinary microbiology. A new MSc in veterinary pathology is also currently under development.
chris.parr@tsleducation.com