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Best Studio Monitors in 2022
If you're ready to step up your game and start producing music seriously, run of the mill consumer electronics speakers aren't going to get the job done. What you'll need is some studio speakers. But if this is your first time shopping for a studio speaker, you may be nervous. Don't be! ISITRATED.com has tracked down 10 of the best studio monitors and provide you with in depth analysis of what each model brings to the table.
We'll also help you understand all the important specs and features you should be paying attention to. So continue on to the reviews, or use our navigation menu to jump to the topic that interests you the most.
The 10 Best Studio Monitors in 2022
KRK Studio Monitor
HEDD Type 20 Studio Monitor
JBL LSR305 First-Generation 5″ Studio Monitor
Presonus E4.5-4.5″ Field Studio Monitor
Audioengine A5 Plus Speakers
Yamaha Hs8 Studio Monitor
IK Multimedia iLoud Micro Monitors
ADAM Audio T5V 5″ Active Studio Monitor
Mackie XR624-6.5″ Professional Studio Monitor
Fluid Audio FX80 Studio Monitor
Studio Monitors Buyer's Guide
The KRK Rokit has been one of the most trusted studio monitors for serious audio professionals for years, and the newest Rokit 6 offers some of the best performance for the price we've ever seen in the speaker market. This pair of monitor speakers comes well tuned right out of the box and offers a respectably wide frequency coverage that really sings in the highs.
This is a studio monitor through and through, with a neutral sense of flatness across the entire frequency curve, but the ability to adjust the settings means it can be used for more casual work as well. Knobs are available for both thet high and the low frequency levels. The bright yellow accents of these speakers may not appeal to everyone, it rocks some smooth curves and a case that's nicely finished, durable, and designed to reduce excessive vibration.
Frequency Response 38 Hz – 35,000 Hz
Sensitivity 107 dB
Power Output 73 watts
Dimensions 10.87 x 8.82 x 13.0 inches (each)
Weight 19.4 pounds (each)
Impressively expansive frequency range
High and low frequency adjustment knobs
Great sense of style
Little distortion at the highest frequencies
Power switch is awkwardly placed
An investment in the Type 20 from HEDD costs more than ten times each of the KRK studio monitors listed above, but the HEDD Type 20 is built with the most serious of audio professionals and music geeks in mind, and it's a situation where you get a lot for the extra you'll pay on this studio monitor. The frequency coverage range is broad here, but those numbers alone won't tell you how good the bass is.
And while the lows are a special standout, the performance here is some of the best at all points on the frequency coverage range. The woofers utilize a honeycomb system that ensures their integrity while still maintaining the power and audio integrity that serious sonic geeks crave, and the entire studio monitor is packed into a sturdy rubberized frame. Despite that power, this is a relatively small studio monitor, and a best choice for a home studio.
Power Output 900 watts
Dimensions 14.1 x 11 x 13.3 inches
Stable and sturdy rubber frame
Especially great bass performance
Backed by 45 day return policy
Clarity all across the frequency range
Asking price of $2000
You should generally exercise some level of caution when you see studio monitor speakers priced at only $150, but JBL has really pulled out all the stops to deliver quality monitoring specs and features for a price that even more casual consumers can afford. Despite being just five inches in design, this speaker can produced some exceptional bass, and it might be a smart choice for audiophiles with a more strategic setup, because the sound stage is just phenomenal.
The variety of connections here make this a flexible studio monitor to use regardless of whatever source devices you want to use. You can count on some quality sound performance regardless of whether you're breaking out your record collection or streaming music from your iPhone. And since the center imaging is so broad, it can maintain strong neutrality even in larger spaces.
Dimensions 11.75 x 7.28 x 9.88 inches
Generous range of connection options
Stable sound even in larger spaces
Above average sound stage
Incredible value for a low price
Tends to falter in mid-range frequencies
The ProSonious Eris 4.5 probably shouldn't be the primary studio monitor you use if you're a serious producer looking to put down some new tracks. But if you're an audiophile, a musician, or an amateur sound engineer on a budget, these petite studio monitors offer some thudding bass that's surprising coming out of such a small frame. And since these speakers are highly customizable, you can tighten or loosen up the sonic experience to accommodate everything from discerning listening to a serious party..
While there are plenty of inputs for a variety of different source devices, one of the biggest selling points here has to be the Bluetooth connectivity. Wireless options are fairly rare in studio monitors, so it's nice to see a studio monitor that can double easily as a way to pump up the volume, let the frequencies go a little looser, and let off some steam.
Dimensions 6.42 x 9.45 x 7.09 inches
One of the best prices
Highly adjustable frequencies
Lots of inputs to choose from
Support for Bluetooth 5.0
Mids= range can be a little thin
The first thing you'll notice about the Audoengine A5+ is how great it looks. The rounded corners and polished black finish reflect design sensibilities that are timeless without being cliched. You can get two of these speakers for only $400, and the sound is some of the best in this price range. And since they don't need to be tethered together, you have a lot more flexibility to create a sound stage that matches your needs.
And these studio monitors are designed with the needs of the modern user in mind too. Two audio inputs are included, so you can hook up multiple devices at the same time. And since there's a USB port built in, you can even use it to charge your cell phone or other devices seamlessly. It also comes with a remote control that lets you control all the fundamentals.
Sensitivity 95 dB
Dimensions 7.75 x 7 x 10.75 inches
USB port for device charging
Includes a remote control
Simple but elegant design
Really great sound for the price
Relatively bulky compared to others
If you're running a home studio or a more professional studio, the Yamaha HS8 is one of the most serious active monitors you'll find. The detail work here is as close to flawless as you'll find – and there's both an eight inch woofer and a two way bass reflex system that ensures some very impressive growl during the lowest frequency range. The relatively small power usage and the decent sound quality ensure it can work just as capably at home as in the studio.
In a clever choice, Yamaha has included two separate control systems. The room controls allow you to pretty easily adjust these studio monitors to perfectly respond to the acoustics of a given room. The high trim control of the Yamaha Hs8, meanwhile, makes it much easier to rein in potential distortion and issues at the high end. You don't even need to invest in a separate subwoofer.
Sensitivity Not disclosed
Dimensions 9.8 x 15.4 x 13.1 inches
Powerful bass without sub
Comes with two control systems
Great choice for home studios
Relatively low power usage
A bit on the pricier end
If the words "studio monitor" make you think of big and bulky speakers in serious studios, you'll be seriously surprised by the IK Multimedia iLoud. These speakers are small enough to sit comfortably at the existing computer workstation in your home office or even take with you on the go. But despite being only 3 inches high, these speakers are remarkably loud and outstandingly small at the lower bass frequencies.
Part of that is accomplished thanks to the inclusion of four power amps (a surprising inclusion given exactly how small these speakers) and more practical solutions like the rubber vibration dampeners. And while all the standard cord ports are available for these speakers, you can also wirelessly connect it through the use of Bluetooth technology. You'll pay a decent price for them, but they offer pound for pound a level of performance that's virtually unmatched.
The smallest studio monitor speakers around
Really great sound for the size
Total output of only 70 watts
Isolation base to reduce vibrations
Demand a pretty expensive price
Whether you're looking for a balanced or an unbalanced connection, the Adam Audio T5V is well worth checking out. These monitors from Adam Audio produce some great sound clarity that can be tweaked to meet your needs with separate EQ controls for the highest and the lowest frequencies.
Despite being a 5 inch model, these monitors will leave a pretty small footprint on your desk space. They'll look cool wherever they end up too. Adam Audio complemented the classic black speaker body with some bold copper and silver accents to add a little more flair to a more or less traditional look.
Dimensions 15 x 16 x 10 inches
Good highs with EQ adjustment
Narrower than most 5″ monitors
Supports balanced and unbalanced connections
Some of the nicer looking monitors
Rear mounted LED can be distracting
The Mackie XR624 is a rather traditional looking monitor, but once you dig beneath the surface just a bit, you'll find one of the best suites of features around. The controls here are intuitive enough that even a new and inexperienced user can get the fundamentals working up in a matter of minutes, but you can really dig deep into your sound performance if you sink the time into learning it.
If you're a professional looking for professional level studio monitoring, this could be the model for you. The woofer itself is constructed from kevlar to reduce the vibration and create cleaner and clearer lows without sacrificing bass. There's a nice sense of clarity at every frequency, along with a Bass Frequency System that can further minimize distortion on the lower end. And the sound stage here is one of the fullest and most expansive we've come across in the speaker market.
Dimensions 14.1 x 11.3 x 16.4 inches
Really great built in controls
Very strong bass performance
Foam pads for better isolation
Customizable acoustic space filters
Speaker design is kind of boring
Fluid is a stereo manufacturer known for the quality of their bass performance, and that's especially true of the FX80. This may just make use of two amps, but it gives each the duty of handling either the highs and lows, and that's a choice that allows for a great level of clarity at the more extreme frequency levels. In terms of all around quality, this is a strong contender for the best budget studio monitor available today.
As a step up from the prior FX8, the changes made to this speaker are iterative rather than truly transformative. While a heat sink is removed, Fluid has completely redone the casing to sport a slicker and more modern design, and it packs in a brand new EQ switch too. This isn't a studio monitor that's going to turn heads, but it's professional enough to look good in any sound system.
Exceptional bass performance
Separate handling of highs and lows
Expansive imaging and depth adjustment
Comes with its own wall mount
Doesn't include a protective heat sink
So what is the difference, really, between studio monitor and a more traditional speaker? Monitor speakers are designed inherently for use in music production. Studio monitor speakers are designed to offer a flat frequency response – and that means they'll deliver you music with a bias towards accuracy rather than on creating the sort of experience you want to hear.
That said, most studio monitors can make great listening speakers too. The standard settings for the best studio monitors are designed for a flat frequency response, but you can usually adjust them to suit a wide range of different musical styles and moods. We'll touch base on what some of the more important specs and features mean so you can find speakers monitors even if you decide to venture beyond out 10 best studio monitors list.
The frequency response range can be represented on a chart that represents bass performance at the lowest end and treble at the highest, with mids falling squarely between them. Most manufacturers will list a frequency response listing, and that often goes outside the human hearing range of 20 to 20,000 Hz.
A wider frequency range can improve your sound quality, and it can especially do one of the best jobs of creating a sound stage and improving sound imaging. What that means is that there will be a greater sense of space and positioning between different instruments on a track. The best studio monitors will typically offer a wide frequency response. But a wider range of frequencies alone doesn't make for the best studio monitors. You'll want to check out more detailed response analysis charts if you really want to find the best studio monitors.
Sensitivity tells you how loud a speaker can get, and it's measured in decibels. But as with the frequency response, just reading the number displayed under the specs only tells you a portion of the story. Monitors will often suffer from distortion once you start to crank up the volume. For that reason, you may want to dig a little deeper into the specs to see how bad the distortion is and when it starts to become apparent.
And just because monitors promise a high sensitivity doesn't mean that such volumes are safe to maintain. Once you start approaching 100 decibels, you get close to events that can cause long term hearing loss. Studio monitors mainly exist to help you listen more thoughtfully to music, so the question of how loud monitors can get will matter much less than it would dealing with outdoor party speakers.
Since studio monitors are always self powered, you don't need to worry about your power output too much. But that doesn't mean that it shouldn't be a concern at all. A higher maximum power output can really accelerate the power costs in your home, and the power demands on monitors can get seriously high when you start moving into the more serious monitors meant for professional sound production.
Smaller monitors are going to generally offer poorer sound quality on a case by case basis simply because more space means more room for packing in extra drivers and subwoofers. But that doesn't mean that small monitors don't have an advantage. One particular standout is the IK Multimedia iLoud. These monitors are incredibly tiny, but they also offer some serious heft that's appropriate for both discerning music nerds and more serious producers, DJs, and musicians.
What are the Best Affordable Studio Monitors?
We like the JBL LSR305. These active monitors are a really great deal. If you want the best studio monitor for under $200, you'll have a hard time finding an active monitor that offers more bang for your buck. These monitors are an especially strong choice for curious customers who are looking to get their toes wet in the world of more serious listening or recording.
Do You Need Two Studio Monitors?
Even the best studio monitor isn't going to do yo that much good if you only have one. Spatial imaging and a sense of depth are important in studio recordings, and to really appreciate that depth requires two monitor speakers. You may even want to add more active monitors to your setup if you're dealing with more complicated and layered music.
Are Studio Monitors Worth it?
If you're looking to produce or edit music professionally, you'll definitely want to get at least one good studio monitor, but these active studio monitor speakers can be useful for the home too. Their highly balanced audio quality makes them a great choice for audiophiles passionate about listening to music the way it was intended.
Are Mackie Studio Monitors good?
Yes. Mackie isn't the most well known speaker manufacturer, but they have a reputation among audiophiles and musicians for producing some of the best studio performance around. We've featured the XR624 above, but they offer plenty of great speakers for both home studios and more professional arrangements.
If you're looking for the best studio monitor, you're in luck. The reviews above can help you understand the 10 best studio monitor speakers, and our guid can help you extend your search if you want to extend your research beyond our 10 best studio monitors list as well. And if yo have a strong opinion on any of the studio monitor speakers we've highlighted here, we encourage you to leave your thoughts below.
If you liked our article on studio monitors, please share and comment below what your favorite product is.
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   */
  com.google.protobuf.ByteString getAuthorizedNetworkBytes();
}

redpajama_set_name: RedPajamaGithub


Prospective members may attend a Village 101 Talk, or contact North Star Village by calling our office at 503-793-8518 or emailing infonorthstar@comcast.net. A volunteer from our Membership Committee will contact you for the next steps.
Interview: a chance to get to know members interests and needs and to ensure members expectations and Village services are aligned; raise questions clarify Village opportunities, programs and services; welcome to the Village community.


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Final Word: Are Biotechnology Meetings and Symposia Doing the Job?
Eric S. Langer
President and Managing Partner at BioPlan Associates, Inc. He is also the editor of Advances in Biopharmaceutical Technology in India.
Sir Isaac Newton said, back in 1676, "If I have seen further, it is by standing on the shoulders of Giants." Newton's modest self-assessment of his scientific competence holds relevance in today's debate on the value of scientific meetings, and our quest for faster scientific discovery.
The first scientific meetings involving a rigorous approach to knowledge exchange started with the formation of "learned societies," where like-minded people gathered to interact with their peers. The oldest society, Accademia dei Lincei, was founded in Rome in 1603—a group of aristocratic botanist friends determined to understand all natural sciences. Next, scientific publications and print journals emerged.
It took centuries to go from hand-written, illuminated manuscripts to movable type in published journals, but just a few decades to move from print to cyberspace, and to rely on scientific meetings for knowledge-sharing. But, are these changes benefiting science?
Unfortunately, the biotechnology industry does not have the equivalent of a learned society. Biotechnology, by definition, involves the commercialization of science and does not have the basic science focus that permits rigorous self-analysis of emerging scientific discoveries.
The industry's need for speed in scientific discovery—along with intellectual property (IP) issues—may be incompatible with the old peer-reviewed approach. However, the lack of a review process at many scientific meetings may affect content and quality; if audience members must determine for themselves the validity of the presentation, they may tend to discount potentially valuable information.
At biopharmaceutical scientific conferences today, topic selection is often dictated by profit motives; hot topics get the most play. However, the topic du jour approach may not advance science. For example, the proliferation of meetings on biosimilars and disposables, while satisfying our intellectual curiosity, perhaps has eclipsed more pressing issues.
People generally attend meetings to acquire knowledge that can be directly applied to a problem. Could meeting organizers do a better job of reviewing presentations to ensure quality and scientific rigor, and to reduce redundancy? Could an independent body be assembled to provide timely review—attaching a "Good-Housekeeping–like" stamp of approval on certain meetings? Perhaps meetings need more audience interaction. The current "sage-on-stage" method inhibits the sharing of audience experience. Alternatively, the development of smaller, more scientifically focused symposia, though less profitable, could permit more scientific knowledge exchange.
To summarize, there are plenty of meetings, conferences, and symposia that provide scientific venues and allow scientific interaction among participants at intimate levels. But, in our quest for speed, we have lost some of our ability to gauge the quality and applicability of the science. There may be a need for scientific conferences that provide focused, reviewed content and the free exchange of ideas.
I don't expect to see peer-reviewed meeting presentations in this industry; scientific advancements in the biopharmaceutical industry tend to be speed dependent, and reviews sometimes lose out. Additionally, IP requirements limit what can be publicly discussed. On the other hand, perhaps the equivalent of a learned society in biopharmaceuticals would contribute to the science because of the authority conferred, based on its special knowledge. This would result in more effective dissemination of information regionally, nationally, and internationally.
Eric S. Langer is president of BioPlan Associates, Rockville, MD, 301.921.9074, elanger@bioplanassociates.com He is also an adjunct faculty member in Bioscience Communication at Johns Hopkins University.

redpajama_set_name: RedPajamaCommonCrawl


Solar panels are not created equal. Here are some good questions to ask to understand what is being proposed so you can find the right panel for your home or business.
Here's what you should understand regarding the difference in solar panels when you're considering solar.
What's the efficiency? That is, how efficient is each panel in converting light to electricity? The higher the efficiency the more electricity each panel will make. The more each panel makes, the fewer panels you will need on your roof. Currently, SunPower panels are the most efficient panels made.
Second – what about the warranty? Again – with SunPower you get a 25-year comprehensive warranty for parts and labor. And because their panels (if they are AC) have the inverter built into each panel, that part enjoys a 25-year warranty as well. If your installer is suggesting a DC panel, that means there's a separate inverter or two that will likely only have 10-year warranties.
Third – what is the rate of degradation? Every panel will lose a little bit of efficiency each year, but with SunPower the rate is slower than every other panel. In fact, after 25 years, each panel is warrantied to still be producing 92% or more of its original production.
Fourth – where is the company headquartered and how long have they been in the solar business? If there's ever an issue with the panels and your installer can't be reached, you need to make sure you can follow up with the panel manufacturer to handle any warranty issues. Obviously this is far easier with a company based in the United States. Also, some companies have "jumped" into the solar or battery storage business but can just as easily "jump" out. SunPower has been a solar panel manufacturer for more than 30 years and has more than 800 solar patents.
With a local company that's headquartered in the Coachella Valley like Renova, installing SunPower panels, you really get the best of everything. Renova is also a Certified Installer for Tesla Powerwall.
What's happening behind the scenes as you wait for your solar to be installed?


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ArtsBeat | The N.F.L. Heads to Broadway
The N.F.L. Heads to Broadway
April 14, 2010 2:20 pm April 14, 2010 2:20 pm
Marty Lederhandler/Associated Press Vince Lombardi in 1969.
The National Football League will make its first run at producing on Broadway this fall with "Lombardi," a new play about the legendary Green Bay Packers coach Vince Lombardi that will be mounted at the Circle in the Square Theater, the producers announced on Wednesday.
According to a statement from the producers, Tony Ponturo, a sports marketing executive, and Fran Kirmser ("Hair"), the N.F.L. has authorized use of its logos as well as footage and music from its film division for use in the show. The league will also help promote and market the play, said the producers, who did not disclose if the league would put money directly into capitalizing the production for Broadway.
Tracy Perlman, the league's vice president for entertainment marketing and promotions, said in the statement: "Football and Broadway are both iconic American forms of entertainment, and the N.F.L. is proud to bring these two unique and passionate audiences together under one roof. Lombardi's charisma and coaching style were legendary – and intensely theatrical."
The play, which will dramatize the public and private life of Lombardi and colleagues and family members, is written by Eric Simonson and based on a 1999 biography of Lombardi, "When Pride Still Mattered," by David Maraniss.
The actor Dan Lauria, best known for playing the father on the ABC series "The Wonder Years," will star as Lombardi; Mr. Lauria happens to be a former football coach, and he began acting while attending Southern Connecticut State University on a football scholarship. Five additional cast members will be announced later, the producers said.
The play, to be directed by Thomas Kail ("In The Heights"), is scheduled to begin previews at Circle's in-the-round theater on Sept. 23 and open on Oct. 21. Prior to Broadway, the show will have a limited engagement July 22 to July 28 at the Mahaiwe Performing Arts Center in Great Barrington, Mass.
Batwoman to Get a Series of Her Own
'A Minister's Wife,' a Musical Version of 'Candida,' Is Headed to Lincoln Center Theater


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17th Sept Jersey League
18th Sept Fiji League
20th Sept Kuwait League
21st Sept Nigeria League
23rd Sept Malaysia League
24th Sept Malaysia Playoff
'Guernsey putting in hard yards' by Gareth Le Prevost
GUERNSEY players are taking it upon themselves to ensure they are in the best physical shape possible for the heat and humidity of Malaysia. The island side will feature in their second Pepsi World Cricket League Division Six tournament next month and for the second time it takes them to the Far East, with Singapore having held the 2009 edition.
The 14-man Guernsey squad for Kuala Lumpur was announced yesterday, but individual preparations were well under way before then according to manager Pete Vidamour. 'We started having squad training sessions last week and this week the guys have started fitness sessions with Jon Le Tocq, as they did in pre-season, but I know for a fact that a lot of them are doing their own fitness work as well because, having been to Singapore, they are very aware of what that sort of heat does to you,' he said. 'We have actually talked more about the conditions we are going to encounter than the opposition. 'During the tournament, clearly what we will do is try to play the best team for each game, but with the fact that we have got six games in eight days in extreme conditions, everyone is likely to have a crack of the whip.' The squad sees two changes to that which played in the European Division One TZO Championship here last month, with Chris Van Vliet and Ben Ferbrache coming in for Tim Duke, who is unavailable, and Kris Moherndl. Both newcomers are proven to be dedicated members of the larger squad chosen at the start of the year. 'With Dukey making himself unavailable, we felt we needed an extra bowler in there. Having said that, we were considering extra bowling cover anyway after we felt we may have been a bit light in the T20 tournament, although we do feel that Adam Martel gives us a useful left-arm variation,' Vidamour said. 'Chris came back into the island squad at the start of the year, put in a lot of hard work, bowled well at the start of the season and was unlucky to miss out on the T20, so he was the natural replacement for Duke. 'He is a real trier – he does not let his head go down and he will give everything every time he plays.' The manager has also been impressed with Ferbrache's form over recent weeks. 'Ferby did not have many opportunities before the T20 and we probably do see him as more of a 50-over player than a T20 one. 'But following that T20 tournament, he has played a couple of really good knocks for Cobo in the Cl League, making 90-odd not out on a couple of occasions.
'Also, while this was more of a minor consideration, we did not have any wicket-keeping cover and although Ben has not been a regular keeper in the past, he did some in Australia over the winter and has worn the gloves for Cobo recently. 'He is, though, in the squad primarily as a batsman.' The squad will be training together regularly between now and their departure date of Saturday 10 September. In that time, there is also the small matter of the inter-insular on Saturday 3 September at the KGV 'Obviously, the side for that we will predominantly pick from the Malaysia squad, although if a situation does occur that means we have to look outside of this squad, then we have the ability to do that,' Vidamour said. Of course, Jersey are one of the sides who Guernsey will encounter in Malaysia, along with the hosts, Fiji, Kuwait and Nigeria. Jersey and Fiji both came down from Division Five while Kuwait and Nigeria earned promotion this year from Division Seven. 'We obviously know Jersey very well and we have played Malaysia before, but we do not know a great deal of the other teams. 'It is fair to say, though, that we do not think there will be any easy games. 'We just have to worry about our own squad and if we perform to our capabilities, I expect us to do well,' said the Guernsey manager. Matches will be played at the Kinrara Oval, Bayuemas Oval and Selangor Turf Club, all in Kuala Lumpur. The top two sides will qualify for ICC WCL5 to be held in Singapore in February 2012.
'Inter-insular win means nothing – Guernsey skipper' by Gareth Le Prevost
THE Pepsi World Cricket League Division Six starts today in Malaysia with the inter-insular take two. Guernsey and Jersey, arguably the two nations at the biggest disadvantage at this event in terms of playing in such heat and humidity, meet at the Kinrara Oval exactly two weeks after the Sarnians beat the old enemy by 147 runs at the KGV.
However, neither camp was reading too much into that result ahead of their clash in Kuala Lumpur.' This is a totally different game and we will treat Jersey with the same respect as we will treat every other country here,' said Guernsey captain Stuart Le Prevost. 'It is crucial that we get off to a good start in this tournament as it is an important week ahead and there is no room for complacency in the opening game.'
His opposite number, Peter Gough, also looked at the bigger picture of the WCL rather than inter-island rivalry. 'Preparations have been excellent and we are working with a side that is a lot younger than we have had for international tournaments in the past,' he said. 'It is the first WCL event for several of the guys, but we are as confident as we have been going into any other tournament. 'Two weeks ago, we did not do the things well that we needed to do well. We have worked to address that in training and we feel fully prepared for the week.'
All six nations had their final training sessions at the Kinrara Oval yesterday, with the Guernsey squad having an hour in the nets before undergoing fielding drills for 40 minutes. While the second part of the session was taking place, rumbles of thunder grew louder and the ground staff placed covers over the square in bright sunshine as the clouds approached, five minutes before the heavens opened at 2.50pm local time. All the teams know to expect rain and the use of Duckworth/Lewis, but the locals say that even after a heavy deluge, the ground is playable again 15 minutes later so there is plenty of optimism that matches will not be reduced greatly once under way. As for the heat and humidity, Guernsey seamer Stuart Bisson compared it to that in Singapore, where WCL6 was staged two years ago. 'It's just as hot, but there seems to be more cloud cover and the breeze is very welcome when it comes up,' he said.
'It's the humidity that makes it tough and from a bowler's perspective, keeping the ball dry is difficult because your hands get sweaty. 'I cannot really tell you too much about batting out there, but it looks tough,' Bisson added with a chuckle. Today's other opening fixtures see arguably the two favourites Malaysia and Kuwait, meet at the Selangor Turf Club while Fiji play. Nigeria at the Bayuemas Oval.


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2015 The David Teeuwen Student Journalism Award, Large Newsroom winner
Some high-profile missing persons cases have become a part of New York's history: The disappearance of 6-year-old Etan Patz, who was last seen on his way to school one May morning in 1979 and became the first missing child to be featured on a milk carton. Avonte Oquendo, a 14-year-old boy with autism, whose 2013 disappearance was announced on every subway train until his remains were found months later.
But far more people go missing than news reports might indicate. Last year, more than 13,000 people were reported missing in New York City. While the majority of these people were found within the first few hours, others disappeared, leaving little trace of their whereabouts – and leaving behind family and friends who might never find out what happened to their loved ones.
Reporters from the NYCity News Service at the CUNY Graduate School of Journalism set out to tell stories of the missing that don't always get the media coverage they deserve – or, more importantly, the immediate and full attention of the NYPD.
In "The Missing," our team combines data, video, audio, pictures and words to offer a big-picture view of the issue – including the growing role of social media in missing person cases and what critics call the NYPD's flawed approach. The special report also packs sharp-focused pieces detailing the plight of LGBT children who flee unsupportive homes and the toll taken on families – like the loved ones of Brian Gewirtz, a 20-year-old man with autism whose disappearance spurred a massive, volunteer-driven search.
Counterfeit Ed, NYCity News Service
Other Winners in this category
Other Winners in the 2015 Awards
Profiting from Prisoners, The Center for Public Integrity
Mobile Health: Apps for Every Age and Ouch, UC Berkeley Graduate School of Journalism
Undrinkable, The Texas Tribune
qz.com, Quartz


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Will Smith resigns from film academy after Rock…
Will Smith resigns from film academy after Rock slap
The actor said he would accept any further punishment the organization imposed
Will Smith cries as he accepts the award for best performance by an actor in a leading role for "King Richard" at the Oscars on Sunday, March 27, 2022, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
By Apress |
PUBLISHED: April 1, 2022 at 6:50 p.m. | UPDATED: April 1, 2022 at 6:53 p.m.
By Lynn Elber | Associated Press
LOS ANGELES — Will Smith resigned Friday from the motion picture academy following his Oscars night slap of Chris Rock and said he would accept any further punishment the organization imposed.
Smith in a statement released Friday afternoon said he will "fully accept any and all consequences for my conduct. My actions at the 94th Academy Awards presentation were shocking, painful, and inexcusable."
Film academy president David Rubin said Smith's resignation was accepted. "We will continue to move forward with our disciplinary proceedings against Mr. Smith for violations of the Academy's Standards of Conduct, in advance of our next scheduled board meeting on April 18."
Smith loses voting privileges with his resignation. But there are other, less tangible benefits to being part of the academy, Hollywood's most prestigious organization: It bestows industry credibility on its members. It's invitation only, and with a once-a-year membership review.
"I betrayed the trust of the Academy. I deprived other nominees and winners of their opportunity to celebrate and be celebrated for their extraordinary work," Smith's statement said. "I am heartbroken. I want to put the focus back on those who deserve attention for their achievements and allow the Academy to get back to the incredible work it does to support creativity and artistry in film.
"Change takes time and I am committed to doing the work to ensure that I never again allow violence to overtake reason," Smith concluded in the statement.
The resignation came two days after the academy's leadership board met to initiate disciplinary proceedings against Smith for violations against the group's standards of conduct. Those proceedings could have resulted in suspension or expulsion, and it was not immediately clear what additional punishment he could face.
Had he been expelled, Smith would have joined a small group of men removed from the academy: Harvey Weinstein, Roman Polanski, Bill Cosby and the actor Carmine Caridi, who was kicked out for sharing awards screeners.
On Sunday, Smith strode from his front-row Dolby Theatre seat on to the stage and smacked Rock, who had made a joke at the expense of Smith's wife, Jada Pinkett Smith. Moments later, he went on to win the best actor award for his role in "King Richard."
Rock, who was about to present Oscar for best documentary, declined to file charges when asked by police. He has only briefly addressed the attack publicly, saying at one comedy concert in Boston this week that he was still "kind of processing what happened."
Smith stunned Rock, the theater crowd and viewers at home when he took the stage after Rock joked: "Jada, I love you. 'G.I. Jane 2,' can't wait to see it."
Pinkett Smith, who has spoken publicly about her hair loss condition, alopecia, had a closely shaved head similar to that of Demi Moore in the original movie.
After Smith's attack, he returned to his seat and angrily twice shouted at Rock to "get my wife's name out your (expletive) mouth." When Smith took the stage again less than hour later to accept his Oscar, he tearfully apologized to the academy but notably omitted any mention of Rock.
The fallout was immediate and intense. Smith had supporters for coming to his wife's defense, but he was widely condemned for responding with violence and for marring both his long-sought Oscar victory and overshadowing the night's other winners.
That included Ahmir "Questlove" Thompson, director of the winning documentary, "Summer of Soul," and the film's producers. They claimed their awards in the unsettled moments following Smith's attack and outburst, when the room's attention was shattered.
Before the disruption, the ceremony had represented a reset from the pandemic-constrained versions of the past two years. It was back in its home theater, boasted a trio of well-received female hosts — Regina Hall, Amy Schumer and Wanda Sykes — and had tallied several breakthrough winners.
Among them were "West Side Story" star Ariana DeBose, the first Afro-Latina and openly LGBTQ actor to win in the category of best supporting actress, and Troy Kotsur of "CODA," the first deaf male actor to win the supporting actor prize. The night ended with "CODA" being crowned best picture, a landmark achievement for a streaming service and for a film with a largely deaf cast.


I have been a social justice advocate for more than 25 years, and now serve as the Lab's Director. I got my start in the environmental community in the mid-90s working on clean water campaigns with the Public Interest Research Group in Michigan. I have spent a large part of my career working for LGBT equality, reproductive justice, civil and voting rights, bullying prevention and more. I have deep experience working political campaigns and ballot measures, and a long history with polling, message development and framing across multiple movements and voter turnout efforts. I have also supervised cross-organization randomized controlled experiments with grassroots organizations. Most recently, I was leading my own consulting practice helping nonprofits with fundraising, management, strategy, and governance.
Hi everyone! As the Lab's Community Development Manager, I help grow the Lab's network and deepen connections across our community; contribute to building out the Lab's capacity and resources; and help run our in-person and online events. I also support the Lab in strengthening and realizing our commitments to inclusion, equity, and justice. Prior to the Lab, I worked with Environmental Defense Fund, campaigned for both elections and policy issues, and studied and taught at Stanford University. Born and raised in Santa Fe, NM, I've been based in the Bay Area for the last decade. Please don't hesitate to reach out – I look forward to connecting with you! Email: lucia@climateadvocacylab.org.
Currently consulting with the Lab while I figure out my next big move, I co-created the Climate Advocacy Lab in 2015 and then was its Manager and Deputy Director for four years. Prior to joining the Skoll Global Threats Fund in 2014, where the Lab was first incubated, I worked for 12 years for Environment America, first at the state level in Pennsylvania and later as Environment America's federal global warming program director in Washington, D.C., focusing on organizing and advocacy to promote climate, clean air and clean energy policy solutions.


An Interview With The NY-Based Hip Hop, Dub and Improv Funk Group, THE LESSON GK!
Get to know the NY-based group called The Lesson GK! They're a live hip hop, dub and improv funk group that's composed of some of the biggest names in Hip Hop when it comes to backing musicians, whose live show has been garnering more and more buzz around NYC. Their lineup is composed of members of the touring bands for Reggie Watts, SZA, Lupe Fiasco, Run DMC and many more.
Seven years ago, band founder Lenny Reece, lacked musical fulfillment and organized a project that he felt would feed his soul with the goal of shedding the social stigmas that surrounded him, such as homophobia and toxic masculinity. In 2015, The Lesson GK, moved their hyper-local weekly event to Arlene's Grocery emerging as something much bigger without losing it's local feel. The band has performed to an energetic packed house every Thursday since. Now this weekly residency at Arlene's Grocery have been selling out pretty much every week for the past four years. These residencies have attracted big names who attend regularly including Common, Joey Bada$$, Sway and DJ Premiere.
The Lesson GK's seamless blend of experimental hip-hop, jazz, R&B, funk and progressive soul has manifested as a powerful live performance finely tuned over their 400 shows since its foundation. What started as a collaborative weekly jam session has grown into a cornerstone of the NYC underground music scene.
Since we are now at the back-end of 2018, how has this year treated this band? What is one musical goal that you have had for this year? How close are you to reaching it?
This year has been amazing in that we've finally figured out all of the moving parts and understand now more than ever what we want to do as a group. One goal this year was to partner with Zildjian to release a video filmed at their factory which had never been done before. With much support from Emily Smith and Sarah Hagan, we were able to accomplish that goal. The video is out now – check it out on YouTube!
Can you recall the moment when you thought you could be in this group together? Was it hard to think of a name that you could agree on?
Yeah – from the moment we all met. For me personally, it felt like we had been lifelong friends and band-mates in that instant. No – we all shared the same vision that is in the name. It came naturally.
How do you think your hometowns have influenced the sound and how you all carry yourselves in this group?
New York is a very liberal city whose infrastructure helped shape hip hop, and we grew up in that deep hip hop sound. It's the core of what we do because we were raised here. You can't separate the city from the sound or ourselves.
How has your various musical backgrounds helped shape the sound of this band?
The good thing is that we've all dabbled in different sounds and types of music. Those experiences allow us to bend the core of our style which helps us create progressive soul.
Let's talk about your weekly residency at Arlene's Grocery on Thursday nights in New York. How has this show changed over the 4 years that you have been doing it? What is it like having this regular gig every week? What can people expect from one of these shows there?
Well, they say every establishment is a reflection of the leadership, and I feel that we've really grown into ourselves over these four years. The core is the same, but as we've grown as individuals and a group, the event has grown with us. It's uplifting, invigorating and exhausting. We put out so much love and energy, something people have come to expect of the event, but we also have the opportunity to grow through our music and receive that energy right back. People can expect therapy, light, love, intensity, charisma, finesse, release, and good music.
Do you have plans to put a full album soon? Is "Damn Right" the start of much more new music to come from you guys?
Yes – we're hoping to release a full length project sometime in 2019.
Whatever we're doing and where ever we are, we're happiest when we're together. We're family.
What musicians would you love to work with in the future? What artists have really been inspiring this group and your music since day 1?
We've all been lucky enough to have a lot of experiences and relationships with some major artists and well respected musicians – we may phone in a few favors. Some day 1 influences are Super Easy, DJ Premiere, Dilla, MadLib, Stevie Wonder, The Knife, Hot Chip, A Tribe Called Quest.
A lot of our music themes on these common struggles we all face in our daily lives. We hope that our music is cathartic and healing – that people experience raw happiness when they listen to it and take away a lesson in how to find that within themselves moving forward.
Is there anything else that you would like to share with our readers about this group?
We have a lot of exciting projects under way with some great brands and collaborators coming out in 2019. We're on all platforms, but follow us on IG at @thelessonGK to stay the most up to date with what we have going on. The Zildjian project is just the beginning for us and we're so stoked to share what we've been working on with everyone beyond the regular show at Arlene's.
SAM HALE Discusses His Brand New EP 'Somewhere Between Love & War' and More!


"I started ESOL classes at the YCA. I feel that they have made a difference. Before I couldn't speak or read English and now I feel more confident that I can speak better English".
"I haven't laughed so much in a long time! I really enjoy coming. It's like a big family where you become a part of something – it's become part of my life".
"I really enjoyed myself, I feel like I'm more social and in touch with the local community".
"I started to replicate the recipes at home for myself and my family and making sure the ingredients are organic and fresh".
"I made many changes within my lifestyle which benefited me and my family. I have noticed I no longer get tired or breathless easily as it has increased my fitness levels".
"Thank you very much for teaching me English. I find it easier to communicate with people and I don't feel as nervous as I used to".