Today I visited the Museum of Crime in Vienna, a wonderfully old-school museum. No interactivity here, or apologies to the squeamish. Tracing the history of criminal policing in Vienna since the early modern period, there are displays on numerous celebrated crimes for each period.
These are illustrated by (for the earlier periods), woodcuts, then newspaper illustrations (themselves entertaining, showing people being variously shot, stabbed, or thrown out of carriages in the best traditions of the sensational press).
But they also have various artifacts from some of the crimes. These include a mummified head, the skull of a multiple murderer which was said to demonstrate "abnormalities", plus fragments of clothing, murder weapons, and a guillotine. There are death masks, life masks, and wax models made of victims' chests showing stab or bullet wounds. There are even the skulls of two small children who were murdered by their father.
They have a photocopied leaflet giving some information (to call it a guide would be generous) - but the displays themselves are abundantly textual, albeit all auf Deutsch. Their English leaflet is itself an adventure in linguistic crime, which includes the sentence "Lively bloodcurdling ballads were distributed in ancient Vienna until the end of public executions in 1868, bringing a farewell to the idyll of the Biedermeier period". I've always found public hangings idyllic, haven't you?
What the museum does remind us are the graphic ways crime was reported in the past. Today, even as we hunger for more crime-focused stories (look at CSI, and murder mystery novels, many today with levels of gruesome detail that would have given Agatha Christie the vapours), the reporting of actual crime is ever more sanitised. At least in Western countries, we don't normally see photos of corpses or crime scenes in the paper.
One of the museum's displays relates to a crime in 1685, when the dismembered body of a woman was found (piece by piece, over successive days), and it was put back together and put on public display in the hopes that someone would identify the woman. Nobody did, however the tactic of displaying the bodies of unknown victims seems to have continued (we see both photos and newspaper illustrations of looky-loos lining up to gawp at the corpse).
The idea of putting a corpse on public display to aid identification seems unpalatable now, Even the Doe Network, dedicated to helping identify unknown (or "John Doe") victims, has identikit sketches of the deceased; not photos.
The museum also shows the evolution of police uniforms, and its displays cover celebrated crimes up til the 1980s. Towards the end, there is more about the development of forensics which is also interesting. The pictures here show a criminal's skull and a display relating to a couterfeiting case.
If you're in Vienna, and willing to look at this kind of thing, worth a visit. If you're of a gentle disposition, skip it and go to the art museum.


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Water & Electric sites behind the store.
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University of Texas at Dallas: Film Professor Chronicles Legacy of Classic Hollywood Musicals
University of Texas at Dallas: Film Professor Chronicles Legacy of Classic Hollywood Musicals. "In December, the final conference [The Hollywood Film Musical in Its Mediatic and Cultural Context] accompanied the release of Star Turns in Hollywood Musicals, a collection of scholarly essays about the genre. The book, printed separately in French and English, is connected to a database that contains clips from the films referenced in the essays. At least one other book is planned for release in 2019. In addition, the project is developing a database that will allow scholars and fans to search the entire classic musical corpus of some 1,288 films for various information, including the styles of musical numbers in different historical periods and the careers of the performers in such films. "
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The Scene: Jikaku has died, and so Sanzo kills every demon and during that the monks start talking over the carnage. "I remember Koumyou Sanzo had a disciple called, Kouryuu of the river's flow."
Why?: The last piece of burial art to go up! I could not nail it in screen shot and I think the background was used in a different place. But it is quite lovely amongst the carnage.
About the Layout: I love the pink sunsets for backgrounds and the movement in this shot is quite lovely.


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Beyond performance budgets, think about critical customer tasks that are most beneficial to your business. Set and discuss acceptable time thresholds for critical actions and establish "UX ready" user timing marks that the entire organization has agreed on. In many cases, user journeys will touch on the work of many different departments, so alignment in terms of acceptable timings will help support or prevent performance discussions down the road. Make sure that additional costs of added resources and features are visible and understood.
Planning, planning, planning. It might be tempting to get into quick "low-hanging-fruits"-optimizations early on — and eventually it might be a good strategy for quick wins — but it will be very hard to keep performance a priority without planning and setting realistic, company-tailored performance goals.
Custom metrics measure a particular, custom event for the user, e.g. Twitter's Time To First Tweet and Pinterest's PinnerWaitTime. Good for describing the user experience precisely, not so good for scaling the metrics and comparing with with competitors.
A metric that indicates how busy is the main thread with the processing of the payload. It shows how often and how long the main thread is blocked, working on painting, rendering, scripting and loading. High CPU time is a clear indicator of a janky experience, i.e. when the user experiences a noticeable lag between their action and a response. With WebPageTest, you can select "Capture Dev Tools Timeline" on the "Chrome" tab to expose the breakdown of the main thread as it runs on any device using WebPageTest.
monitor back-end and front-end performance all in one place.
Set up "clean" and "customer" profiles for testing.
However, it's also a good idea to study which extensions your customers are using frequently, and test with a dedicated "customer" profile as well. In fact, some extensions might have a profound performance impact on your application, and if your users use them a lot, you might want to account for it up front. "Clean" profile results alone are overly optimistic and can be crushed in real-life scenarios.
For an interaction to feel smooth, the interface has 100ms to respond to user's input. Any longer than that, and the user perceives the app as laggy. The RAIL, a user-centered performance model gives you healthy targets: To allow for <100 milliseconds response, the page must yield control back to main thread at latest after every <50 milliseconds. Estimated Input Latency tells us if we are hitting that threshold, and ideally, it should be below 50ms. For high-pressure points like animation, it's best to do nothing else where you can and the absolute minimum where you can't.
Also, a performance budget probably shouldn't be a fixed value. Depending on the network connection, performance budgets should adapt, but payload on slower connection is much more "expensive", regardless of how they're used.
If you need a practical implementation of the strategy on mid-scale and large-scale projects, Scott Jehl's Modernizing our Progressive Enhancement Delivery article is a good place to start.
Baseline performance cost matters. According to a study by Ankur Sethi, "your React application will never load faster than about 1.1 seconds on an average phone in India, no matter how much you optimize it. Your Angular app will always take at least 2.7 seconds to boot up. The users of your Vue app will need to wait at least 1 second before they can start using it." You might not be targeting India as your primary market anyway, but users accessing your site with suboptimal network conditions will have a comparable experience. In exchange, your team gains maintainability and developer efficiency, of course. But this consideration needs to be deliberate.
As with good ol' HTTP requests, when data is retrieved from an API, any delay in server response will propagate to the end user, hence delaying rendering. When a resource wants to retrieve some data from an API, it will need to request the data from the corresponding endpoint. A component that renders data from several resources, such as an article with comments and author photos in each comment, may need several roundtrips to the server to fetch all the data before it can be rendered. Furthermore, the amount of data returned through REST is often more than what is needed to render that component.
The seemingly obvious benefit of these technologies for users is guaranteed performance, so at times they might even prefer AMP-/Apple News/Instant Pages-links over "regular" and potentially bloated pages. For content-heavy websites that are dealing with a lot of third-party content, these options could potentially help speed up render times dramatically.
Depending on how much dynamic data you have, you might be able to "outsource" some part of the content to a static site generator, pushing it to a CDN and serving a static version from it, thus avoiding database requests. You could even choose a static-hosting platform based on a CDN, enriching your pages with interactive components as enhancements (JAMStack). In fact, some of those generators (like Gatsby on top of React) are actually website compilers with many automated optimizations provided out of the box. As compilers add optimizations over time, the compiled output gets smaller and faster over time.
As far as possible, use responsive images with srcset, sizes and the <picture> element. While you're at it, you could also make use of the WebP format (supported in Chrome, Opera, Firefox 65, Edge 18) by serving WebP images with the <picture> element and a JPEG fallback (see Andreas Bovens' code snippet) or by using content negotiation (using Accept headers). Ire Aderinokun has a very detailed tutorial on converting images to WebP, too.
It's important to note that while WebP image file sizes compared to equivalent Guetzli and Zopfli, the format doesn't support progressive rendering like JPEG, which is why users might see an actual image faster with a good ol' JPEG although WebP images might get faster through the network. With JPEG, we can serve a "decent" user experience with the half or even quarter of the data and load the rest later, rather than have a half-empty image as it is in the case of WebP. Your decision will depend on what you are after: with WebP, you'll reduce the payload, and with JPEG you'll improve perceived performance.
As Ilya Grigorik noted, client hints complete the picture — they aren't an alternative to responsive images. "The <picture> element provides the necessary art-direction control in the HTML markup. Client hints provide annotations on resulting image requests that enable resource selection automation. Service Worker provides full request and response management capabilities on the client." A service worker could, for example, append new client hints headers values to the request, rewrite the URL and point the image request to a CDN, adapt response based on connectivity and user preferences, etc. It holds true not only for image assets but for pretty much all other requests as well.
Edge. However, if you supply both the normal responsive images markup and the <meta> tag for Client Hints, then the browser will evaluate the responsive images markup and request the appropriate image source using the Client Hints HTTP headers.
These optimizations so far cover just the basics. Addy Osmani has published a very detailed guide on Essential Image Optimization that goes very deep into details of image compression and color management. For example, you could blur out unnecessary parts of the image (by applying a Gaussian blur filter to them) to reduce the file size, and eventually you might even start removing colors or turn the picture into black and white to reduce the size even further. For background images, exporting photos from Photoshop with 0 to 10% quality can be absolutely acceptable as well. Ah, and don't use JPEG-XR on the web — "the processing of decoding JPEG-XRs software-side on the CPU nullifies and even outweighs the potentially positive impact of byte size savings, especially in the context of SPAs".
We covered images so far, but we've avoided a conversation about good ol' GIFs. Frankly, instead of loading heavy animated GIFs which impact both rendering performance and bandwidth, it's a good idea to switch either to animated WebP (with GIF being a fallback) or replace them with looping HTML5 videos altogether. Yes, the browser performance is slow with <video>, and, unlike with images, browsers do not preload <video> content, but they tend to be lighter and smaller than GIFs. Not an option? Well, at least we can add lossy compression to GIFs with Lossy GIF, gifsicle or giflossy.
WOFF2 support is great, and you can use WOFF as fallback for browsers that don't support it — after all, legacy browsers would probably be served well enough with system fonts. There are many, many, many options for web font loading, and you can choose one of the strategies from Zach Leatherman's "Comprehensive Guide to Font-Loading Strategies," (code snippets also available as Web font loading recipes).
Probably the better options to consider today are Critical FOFT with preload and "The Compromise" method. Both of them use a two-stage render for delivering web fonts in steps — first a small supersubset required to render the page fast and accurately with the web font, and then load the rest of the family async. The difference is that "The Compromise" technique loads polyfill asynchronously only if font load events are not supported, so you don't need to load the polyfill by default. Need a quick win? Zach Leatherman has a quick 23-min tutorial and case study to get your fonts in order.
In general, if you use font-display: optional, it might not be a good idea to also use preload as it it'll trigger that web font request early (causing network congestion if you have other critical path resources that need to be fetched). Use preconnect for faster cross-origin font requests, but be cautious with preload as preloading fonts from a different origin wlll incur network contention. All of these techniques are covered in Zach's Web font loading recipes.
Ahoy! The hunt for shiny front-end & UX treasures has begun! Meet SmashingConf San Francisco 2019 🇺🇸 — a friendly conference on performance, refactoring, interface design patterns, animation and all the CSS/JS malarkey. Brad Frost, Sara Soueidan, Miriam Suzanne, Chris Coyier and many others. April 16–17. You can easily convince your boss, you know.
Set up a spreadsheet. Define the basic core experience for legacy browsers (i.e. fully accessible core content), the enhanced experience for capable browsers (i.e. the enriched, full experience) and the extras (assets that aren't absolutely required and can be lazy-loaded, such as web fonts, unnecessary styles, carousel scripts, video players, social media buttons, large images). A while back, we published an article on "Improving Smashing Magazine's Performance," which describes this approach in detail.
Revisit the good ol' "cutting-the-mustard" technique.
to rename CSS class names dynamically at the compilation time.
Note that Web Workers don't have access to the DOM because the DOM is not "thread-safe", and the code that they execute needs to be contained in a separate file.
Furthermore, purgecss, UnCSS and Helium can help you remove unused styles from CSS. And if you aren't certain if a suspicious piece of code is used somewhere, you can follow Harry Roberts' advice: create a 1×1px transparent GIF for a particular class and drop it into a dead/ directory, e.g. /assets/img/dead/comments.gif. After that, you set that specific image as a background on the corresponding selector in your CSS, sit back and wait for a few months if the file is going to appear in your logs. If there are no entries, nobody had that legacy component rendered on their screen: you can probably go ahead and delete it all.
To stress-test third parties, examine bottom-up summaries in Performance profile page in DevTools, test what happens if a request is blocked or it has timed out — for the latter, you can use WebPageTest's Blackhole server blackhole.webpagetest.org that you can point specific domains to in your hosts file. Preferably self-host and use a single hostname, but also generate a request map that exposes fourth-party calls and detect when the scripts change. You can use Harry Roberts' approach for auditing third parties and produce spreadsheets like this one. Harry also explains the auditing workflow in his talk on third-party performance and auditing.
Remember the stale-while-revalidate? As you probably know, we specify the caching time with the Cache-Control response header, e.g. Cache-Control: max-age=604800. After 604800 seconds have passed, the cache will re-fetch the requested content, causing the page to load slower. This slowdown can be avoided by using stale-while-revalidate; it basically defines an extra window of time during which a cache can use a stale asset as long as it revalidates it async in the background. Thus, it "hides" latency (both in the network and on the server) from clients.
You can use Heroku's primer on HTTP caching headers, Jake Archibald's "Caching Best Practices" and Ilya Grigorik's HTTP caching primer as guides. Also, be wary of the vary header, especially in relation to CDNs, and watch out for the Key header which helps avoiding an additional round trip for validation whenever a new request differs slightly (but not significantly) from prior requests (thanks, Guy!).
To ensure that browsers start rendering your page as quickly as possible, it's become a common practice to collect all of the CSS required to start rendering the first visible portion of the page (known as "critical CSS" or "above-the-fold CSS") and add it inline in the <head> of the page, thus reducing roundtrips. Due to the limited size of packages exchanged during the slow start phase, your budget for critical CSS is around 14 KB.
Keep in mind, though, that the new cache-digest specification negates the need to manually build such "cache-aware" servers, basically declaring a new frame type in HTTP/2 to communicate what's already in the cache for that hostname. As such, it could be particularly useful for CDNs as well.
Dean Hume provides a practical implementation of a similar logic using a service worker. For a video, we could display a video poster by default, and then display the "Play" icon as well as the video player shell, meta-data of the video etc. on better connections. As a fallback for non-supporting browsers, we could listen to canplaythrough event and use Promise.race() to timeout the source loading if the canplaythrough event doesn't fire within 2 seconds.
Addy's article on "Loading Priorities in Chrome" shows how exactly Chrome interprets resource hints, so once you've decided which assets are critical for rendering, you can assign high priority to them. To see how your requests are prioritized, you can enable a "priority" column in the Chrome DevTools network request table (as well as Safari Technology Preview).
There are a number of use cases for a service worker. For example, you could implement "Save for offline" feature, handle broken images, introduce messaging between tabs or provide different caching strategies based on request types. In general, a common reliable strategy is to store the app shell in the service worker's cache along with a few critical pages, such as offline page, frontpage and anything else that might be important in your case.
If you want to dive deeper into the topic, Nolan Lawson has shared tricks to accurately measure layout performance in his article, and Jason Miller suggested alternative techniques, too. We also have a lil' article by Sergey Chikuyonok on how to get GPU animation right. Quick note: changes to GPU-composited layers are the least expensive, so if you can get away by triggering only compositing via opacity and transform, you'll be on the right track. Anna Migas has provided a lot of practical advice in her talk on Debugging UI Rendering Performance, too.
With Google moving towards a more secure web and eventual treatment of all HTTP pages in Chrome as being "not secure," a switch to HTTP/2 environment is unavoidable. HTTP/2 is supported very well; it isn't going anywhere; and, in most cases, you're better off with it. Once running on HTTPS already, you can get a major performance boost with service workers and server push (at least long term).
If you need alternatives, you can also check the front-end checklist by Dan Rublic, the "Designer's Web Performance Checklist" by Jon Yablonski and the FrontendChecklist.
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We have run out of ideas. My kids seem to enjoy TV series the most. Some movies would be great, expecially Christmas ones right now. And, my boys enjoy Deadliest Warrior, but my dd gets bored with it. Shows they boys or girls would like that are similar would be fine though. I know we can't really classify it as "wholesome," but I don't mind things like this for them since it is educational and they are old enough to handle it.
We've gotten Ateam, Tales of the Golden Monkey. We also do a lot of 1930's and 1940's movies. Also a few Bob Hope comedies. Depending on how old they are the Davy Crockett movies are fun. And they have the whole series of Daniel Boone. We also get a lot of the old 1960's Disney stuff. My son would watch Little House and Waltons on Hallmark all the time too.
Actually thinking through this I've realized that most of our netflix list is made up of things from before I was born or very young.
If they like science they may like this, my husband and son do.
How did a test of gold's purity in 500 B.C. lead to the invention of the atomic bomb? James Burke, host of this beloved 1978 TV documentary series, makes this and other beguiling connections between history and science. Combing through 12,000 years of history, this Sherlock Holmes of science finds clues that led to various modern inventions. Burke's droll humor, careful reenactments and stirring use of classical music helped to make this a BBC hit.
Lately my kids have been watching Mythbusters. The Munsters is a fun sitcom from the 60's. We also like docotor who but only the new series is on instant play.
Yesterday a friend of mine recommended a BBC series called Merlin - she says it is kid appropriate. I plan to check it out - there are 4 seasons on netflix. The Munsters is a fun sitcom from the 60's. We also like docotor who but only the new series is on instant play.
My kids love the old Lassie shows. We also all like Shaun the Sheep for something funny.
My girls loved MacGyver, and Leave it to Beaver is currently on there, though they don't like it, but tastes vary.
I second Shaun the Sheep. It appeals to my 8yodd as well as my 18yods. We have also enjoyed The Jeff Corwin Experience.
We've been enjoying the old Dennis the Menace series.


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Falling Angel is a 1978 horror novel by American writer William Hjortsberg.  Written in a hardboiled detective style with supernatural themes, it was adapted into the 1987 film Angel Heart.

Plot summary
Johnny Favorite, a popular crooner before and during the Second World War, has not been seen or heard of since he was critically wounded during a 1943 Luftwaffe raid on Allied forces in Tunisia. In 1959, private investigator Harry Angel is hired to locate him on behalf of a mysterious client who calls himself Louis Cyphre. During his investigation, Angel finds himself enmeshed in a disturbing occult milieu.

Adaptations
The book was adapted into a 1987 mystery-thriller film entitled Angel Heart starring Mickey Rourke, Robert De Niro, and Lisa Bonet. It was also adapted into an opera by J. Mark Scearce to a libretto by Lucy Thurber. Titled Falling Angel, it premiered at the Brevard Music Center on June 30, 2016, after having initially been commissioned by the Center for Contemporary Opera in New York. The novel was serialized in digest version in Playboy magazine in 1978, winner of Playboy Editorial Award for Best Major Work.

Sequel
A sequel, Angel's Inferno, was published posthumously in 2020.

References

1978 American novels
American horror novels
American thriller novels
Deal with the Devil
American novels adapted into films
Novels adapted into operas
Harcourt (publisher) books

redpajama_set_name: RedPajamaWikipedia


start with cellphones, because almost everyone has one. While cell networks are often overwhelmed during a disaster, they still might help you make contact.
If your initial attempts to make a call fail, try texting or using your phones data plan to make contact.
As we've seen in past disasters, texting and even social media apps can sometimes work, even when voice doesn't. A text message takes a lot less bandwidth than a phone call, so during a disaster this might be your best bet for making contact.
Text: Text messages require far less bandwidth than phone calls, and even when the ominous "all circuits are busy" recording comes on, texts will still work as they operate on a parallel network to cell phones.
Email: Don't discount sending e-mails during emergency situations as a valid method of communication. Email servers are located globally, and it's unlikely they will all be dead at the same time. But where do you get internet access if cell phone service is dead? Oftentimes, WiFi service will still be up and running, since the cables used for hard wired Internet operate on different networks than cell phones. For most WiFi, you don't even need to be in the building to access the service.
Satellite phones offer a couple of advantages during a disaster. First, they don't rely on local cell networks, so they're less likely to be affected by an increase in call volume. Second, even if the entire local cell network goes down, your satellite phone is still going to be operational.
HAM radio has played an integral role in every disaster this nation has faced for over 100 years. HAM will remain functional even when modern communication devices become worthless. The seemingly old-fashioned devices are extremely reliable and allow users to connect with the outside world when Internet access, cell towers, and phone land lines are no longer functional.
For the full list of frequencies, click here.
To find more communication devices and tips click here.


Would you like a deeper connection with your favorite feline? Would you like to help it overcome behavior or health problems? The Tellington TTouch (also called the Tellington Touch) can help, and you can soon be doing it with your cat.
Unlike massage, the purpose is not to relax the muscles, but to really change the way the animal thinks. TTouch has to do with activating brain waves and the cellular intelligence in the body. But you don't have to get into the theory to see the practical results!
She has worked with cougars, ocelots, and other large cats as well as with domestic cats.
We had a wonderful time producing this program with her. It was created at the home of a woman with over a dozen cats. This gave Linda Tellington-Jones an excellent variety of cats to work with in showing you how to do the ttouches. I always find it inspiring to spend time with Linda, whose tremendous love for animals is matched by her effectiveness in helping them.
How can this DVD help you and your cats?
As you watch, you will be learning the basics of the TTouch yourself. This non-verbal communication is something you can do to make a difference in your cat's health and behavior. It can give you a deeper connection with your favorite feline, from birth to death!
I am a bit of a klutz, but I learned the Tellington Touches easily. I used them with Nia, a cat who was very sensitive to touch in her later years. More recently, I used them with Moonlight, one of our current cat companions, to help him make a long car trip with us.
Moonlight especially likes the ttouches. I often take afternoon naps with the cats, and if he wants ttouches, he simply won't let me sleep!
I am deeply grateful for the many benefits the Tellington Touch has brought to my animals.
I am thrilled by Linda's work. As well as offering us extraordinary guidance toward reconnecting with the animal world, she shows us how to be more fully alive as human beings, by reawakening our faculty for touching. This is a great healing gift — to humans, to animals, and to Mother Earth.


Flight operations have been halted at Daniel Z. Romualdez Airport in Tacloban, Leyte as Tropical Storm "Urduja" (international name: Kai-Tak) continued to inflict damage in Eastern Visayas, the Civil Aviation Authority of the Philippines (CAAP) announced.
CAAP spokesman Eric Apolonio issued the advisory on Friday as Urduja continued to hammer Eastern Visayas and Caraga with scattered to widespread rains.
"Tacloban Airport landing and take-off was suspended effective 9:50 a.m. due to Tropical Storm Urduja," Apolonio said in a text message to reporters.
In addition, two local flights bound for Legaspi, Cebu Pacific flight 5J 327 and PAL Express 2P 2921, were forced to return to Manila due to strong tail winds, according to the CAAP spokesman.
Urduja is expected to make landfall over the areas of Northern Samar and Eastern Samaron Saturday due to its slow movement, according to the Philippine Atmospheric Geophysical and Astronomical Services Administration (Pagasa).
Moderate to heavy rainfall is expected within the tropical storm's 500 kilometer diameter, the state weather bureau said in its 11 a.m. severe weather bulletin on Friday.
Pagasa said the storm was last tracked at 240 kilometers east of Borongan City, Eastern Samar as it moved northwest at 5 kilometers per hour.


There are seven schools in the state of Michigan offering clinical psychology programs. 150 students graduated with degrees from Michigan clinical psychology schools in 2010. 105 of all these students graduated with masters degrees and 36 of all these students graduated with doctoral degrees.
On average, 130 students graduate from clinical psychology programs in this state each year. This accounts for 3% of clinical psychology students who schools in the United States graduate. Out of those, nine students graduated with a bachelor's level clinical psychology degree, 105 with a degree at the master's level, and 36 with a doctorate level degree.
Seven clinical psychology schools are in Michigan. And of these, while three schools are private, four schools are public. While tuition at a private clinical psychology school varies from $13,840 to $30,660, tuition at a public clinical psychology school varies from $8,160 to $9,688.
Average tuition for clinical psychology programs is $12,046. While the lowest tuition in Michigan, which is $8,160 each year, is at the University of Michigan-Flint, the highest tuition for clinical psychology programs, which is $30,660 per year, is at the University of Detroit Mercy.
Michigan clinical psychology schools offer certificates, bachelors degrees, masters degrees, and doctoral degrees.
Schools in this state offer a total of 12 clinical psychology programs. Of these programs, close to 41.7% are master's level programs. The remaining programs are certificates and degrees at the doctoral level and the bachelors level.
The Michigan School of Professional Psychology, which is near the center of the city, is in Farmington Hills, MI. This school offers two clinical psychology programs. More specifically, it offers one degree at the master's level in clinical psychology to students and one degree at the doctorate level in clinical psychology. This specialized school is a 4-year institution. In terms of enrollment, this school ranks sixth in the state of Michigan.
Eastern Michigan University is in the suburbs of Ypsilanti, Michigan. This school offers two clinical psychology programs. More specifically, EMU offers one master's level clinical psychology degree to students and one doctorate level degree in clinical psychology. 23,565 students pursue degrees in 269 programs at EMU, overall. EMU is the third largest institution in the state of Michigan offering clinical psychology.
The University of Detroit Mercy offers two clinical psychology programs. Specifically, students are offered one master's level degree in clinical psychology by it and one doctorate level degree in clinical psychology. This school is 7.6 miles from the center of the city. Overall, 5,534 students seek degrees in 122 University of Detroit Mercy programs. This medium-sized school is the second oldest institution in the state of Michigan offering programs in clinical psychology.
Madonna University, which is 2.9 miles from the heart of downtown, is in Livonia, MI. Madonna offers two clinical psychology programs. Of those, it offers one clinical psychology certificate to students and one master's level degree in clinical psychology. 4,593 students seek degrees in 199 programs at this liberal arts college, overall. Madonna is the fourth oldest institution in the state of Michigan offering programs in clinical psychology.
The University of Michigan-Flint is located in the center of Flint and UM-Flint offers one clinical psychology program. This medium-sized school is one of 46 public post-secondary institutions in Michigan. This school is the biggest institution in the state of Michigan offering clinical psychology.
Western Michigan University, which is near the heart of downtown, is located in Kalamazoo, MI and this university offers one clinical psychology program. 25,045 students seek degrees in 251 programs at this large university, overall. It is the second biggest institution in the state of Michigan offering clinical psychology.
Central Michigan University is in town of Mount Pleasant, Michigan. It offers two programs in clinical psychology. Of those, this school offers one master's level degree in clinical psychology to students and one clinical psychology degree at the doctorate level. It is a public 4-year institution. This school is the largest institution in the state of Michigan offering clinical psychology.


text:
Na Nach Nachma
Nachman Me-Uman: Why, oh why, didn't anybody tell Abq Jew about this? There is a Na Nach phenomenon happening - in Israel, in New York, and all over the Jewish world. In Albuquerque? Not so much.
Who are the Na Nachs? Remember Abq Jew's Burnt Books post back in August? We talked about Rodger Kamenetz's newest book - Burnt Books - about the lives of Rabbi Nachman of Bratslav and Franz Kafka. Kamenetz discussed - all too briefly! - the Na Nach movement in his book. Just to let you know - the Na Nachs have their own website and their own Wikipedia page.
This all has to do with Rabbi Nachman of Bratslav (Breslov), the Hasidic Master who moved to Uman just before he died. There is a Breslov Research Institute that publishes works by and about Rabbi Nachman; there are Breslover Hasidim who follow the words, works, and teachings of Rabbi Nachman; and there are the Na Nachs.
Wikipedia tells us:
Na Nach Nachma Nachman Meuman (Hebrew: נ נח נחמ נחמן מאומן) is a Hebrew language name and song used by a subgroup of Breslover Hasidim colloquially known as the Na Nachs. The complete phrase is Na Nach Nachma Nachman Me'uman. It is a kabbalistic formula based on the four Hebrew letters of the name Nachman, referring to the founder of the Breslov movement, Rebbe Nachman of Breslov, along with a reference to his burial place in Uman, Ukraine.
And then there is the matter of The Petek:
In 1922, Rabbi Yisroel Ber Odesser a Breslover Hasid, claimed to have received a petek (note) addressed to him from Rebbe Nachman, although the latter had died in 1810. The seventh line of this petek is signed Na Nach Nachma Nachman Meuman, which became Rabbi Odesser's personal meditation and song. Before he died, he taught this phrase to a group of devotees who formed the Na Nach movement.
How was The Petek revealed to Rabbi Odesser?
When he was 33 years old, Odesser was overcome with weakness and hunger on the Fast of Tammuz. He decided to eat. But immediately after eating, he felt great sorrow at having succumbed to his own physical temptations. After five continuous days of prayer, a powerful thought came to him: "Go into your room!"
He obeyed the inner voice, went to the bookcase, and randomly opened a book. In the book was a piece of paper that he would later call "The Letter from Heaven." The paper, written in Hebrew with one line in Yiddish, read as follows:
It was very difficult for me to come down to you
my precious student to tell you that I had pleasure
very much from your devotion and upon you I said
my fire will burn until
Messiah is coming be strong and courageous
in your devotion
Na Nach Nachma Nachman Meuman
And with this I will reveal to you a secret and it is:
Full and heaped up from one extreme to another extreme
And with the strengthening of your devotion
you will understand it and a sign
The 17th of Tammuz they will say that you don't fast
Odesser believed the letter to be a message of consolation, directly from Rebbe Nachman's spirit to himself here on earth. Since his name did not appear in the petek as the recipient, Odesser said that this was reason for every person to consider the petek addressed to himself or herself personally.
Odesser adopted Na Nach Nachma Nachman Meuman as his personal meditation and song, and became so totally identified with it that he later said, "I am Na Nach Nachma Nachman Me'Uman!" (This quote appears on Odesser's tombstone in Jerusalem.)
So what does this mean? Rabbi Nachman himself never used the phrase Na Nach Nachma Nachman Meuman - but he did say that repeating one word over and over was an effective form of meditation.
Rabbi Nachman remains a powerful force in the Jewish world - more than 200 years after his death. The Tales of Rabbi Nachman still hold us enthralled. Even Abq Jew, a determined rationalist, is caught up in the exuberance. Sing! Dance!
נ נח נחמ נחמן מאומן
BEST NACHMAN MEUMAN VIDEO ON THE NET
http://www.youtube.com/watch?v=SjnluwInXCg
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Did you see that photograph of the big gold statue of Chairman Mao that they erected in rural China? Here one minute, but gone the next, after the public reaction to it was less than fulsome. Then there's the news that the proposed 'Mother Canada' monument, planned for Cape Breton Highlands National Park, is going through a re-evaluation. The news was the proposed monument, to the victims of communism, shifted off centre stage in the nation's capital. Overall, there seems to be an opening out there in monument land, which got me to thinking about wind turbines.
Before you groan and leave for another website, hey, I could be writing about water rates, let me say that I have just one simple idea to put across; then I'll shut up. I should also declare my personal view that to make a massive investment in turbines in the County doesn't make much sense.
A war of conservationists against green doesn't work.
It also doesn't make much sense to have a continually escalating war between the forces of 'conservation' and the forces of 'green energy.' Yet the war is escalating. The latest court application, challenging the issuance of a renewable energy permit to the "White Pines" project, is a frontal assault on the Green Energy Act. Who's to say what decisions the "Gilead" and "White Pines" environmental review tribunals will make and whether those decisions will end up in court.
My suggestion is to get right to it by adding an initiative on a different front. Call it a charm offensive, a monumental charm offensive. Let's honour those who are intent on bringing wind turbines to the County, by erecting a monument to them.
The suggestion has a sort of reverse psychological premise. Politicians like it that we remember them as being bold, decisive visionaries that took controversial stands, but who, time showed, to be right. On the other hand, if there is one thing politicians don't like, it is for use to remember them as bold, decisive visionaries who took controversial stands, but who, timed showed, to have been bone-headedly wrong. So let's erect a monument to Dalton McGuinty and Kathleen Wynne, now, so that history will not have to look very hard or very far to know which side our political leaders took. At the least, it might make them squirm a little and ask themselves whether the imposition of turbines on an unwilling host population; with all their economic, technological and environmental drawbacks, was the decision they want us to remember them.
The statue, for this movement, could have two heads stuck in the closes, feet buried in clay.
Every monument has to have a theme, a location and a plaque to explain it to the public. As to the monument's theme, we would of course strike a blue ribbon committee and entertain design suggestions from a host of people. It could be a statue, say, of two figures with their heads in the clouds and feet of clay. It could be a conceptual piece, like a massive boot squashing a hapless Blanding's turtle. It could be whimsical, perhaps a razor-edged whirligig.
However appropriate it might otherwise be, a big gold statue in the style of the hastily removed tribute to Chairman Mao would be too derivative to make the cut. Nor does a tribute to the victims of liberalism do liberalism any justice. A statue of our heroes cast as Ma and Pa Ontario might have some sort of resonance.
Selection of the location, of the monument, would depend on where the most people would see it. Perhaps near the entrance to Sandbanks Provincial Park or across Picton Main Street from Sir John A. might work. I wouldn't count on being able to use provincial land.
After the unveiling, a good turkey would be had.
When the monument is ready for unveiling, we would have to invite the two subjects to a slap-up dinner, appropriately themed. A turkey dinner, with all the trimmings, is a good idea. Everybody might get a save your fork for two kinds of pie dessert. The meal would start with a mock turtle soup and end with Turtle's chocolates and coffee? I doubt either politician would accept the invitations, but, at the same time, I don't think people here in the County would take monumental offence. As long as the monument went up, in any event.


I flipped through a book called Loving our Kids on Purpose the other day. The title drew me in because I am always interested in the idea of being intentional with our actions with kids. While I don't have any children as my own, the premise of the book struck close to me because it is all about building a heart connection with our children and teaching them to manage the freedom they've been given in their life. This was important lesson I learned this year with my students. I had to build a close connection with my students and I teach them to navigate their education and responsibility given to them.
I give my students a lot of freedom in my class. I shape my teaching around their ideas, curiosities, and needs. It is not about giving them what they want however. If that were the case, they would have skipped math class, drawn with Sharpie on each other, and taken a nap. It isn't about saying "NO". It's about redirecting and teaching them, while respecting the unique individuals they are. It's about helping them learn how to manage their freedom as learners and citizens of our classroom. It requires me to be attentive to my students and seize those teachable moments when they occur. My students did not choose me as their teacher but I chose to become a teacher. I needed to make a choice to love my students the way they deserved.


After some period of inactivity the classical notation is getting 'lost' on some deep memory lanes. While enjoying once more 'Beverly Hills Cop' and doing some code hacking it came to me to get back on hexing!
Another example of the effects of the computer revolution in the post -industrial and -corporate world – the ever expanding and multiplying meanings of Electronic Music.
This goes among interprets, composers, studio folks just to name a few!
I don't know if the trackers will win … most probable is that they will still remain the 'expert's tool like Linux in the OS world.
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text:
Die Base aérienne 105 Évreux-Fauville (B.A. 105) ist ein Militärflugplatz der französischen Luftstreitkräfte (Armée de l'air). Die Basis liegt in der Region Normandie im Département Eure auf dem Gebiet der drei Gemeinden Fauviel, Gauciel und Huest etwa fünf Kilometer östlich von Évreux. Sie ist mit Bricy eine von zwei Heimatbasen der mittelschweren Transportflugzeuge der Armée de l'air. Hier sind auch die C-130J der deutschen Luftwaffe stationiert.

Hinzu kommt seit März 2017 testweise eine Alarmrotte Dassault Rafale.

Geschichte
Die Fliegerei begann in Raum Évreux im Jahr 1912 als Zwischenlandeplatz für Flüge zwischen Paris und der Küste und am 9. Juni 1913 wurde er als erster Militärflugplatz Frankreichs eingeweiht.

Ein neuer Flugplatz entstand nach Ausbruch des Zweiten Weltkrieges ab September 1939, der Mitte Mai 1940 Heimat einer Flugschule wurde. Nach der Besetzung Frankreichs durch die Wehrmacht nutzte die Luftwaffe den Platz als Fliegerhorst und legte im Verlauf des Krieges zwei Betonpisten an.

Der erste Verband, der hier lag, waren in der zweiten Hälfte des Junis 1940 die mit Bf 109E ausgerüsteten Stab, II. und III. Gruppe des Jagdgeschwaders 2 (S., II. und III./JG 2). Der Stab und die I. Gruppe des Kampfgeschwaders 54 (Stab und I./KG 54) lagen von Ende Juli 1940 bis Anfang Juni 1941 in Évreux und nahmen in dieser Zeit an der Luftschlacht um England teil.

Zwischen Juni 1941 und Januar 1942 war der Platz Heimat von Stab und 3. Staffel des Kampfgeschwaders 30 (S. und 3./KG30), das mit Ju 88A ausgerüstet war. Die I. Gruppe des JG 2 (I./JG 2) kehrte ab Juni 1943, diesmal Bf 109G und Fw 190A ausgerüstet, für einige Zeit in die Normandie zurück.

In den Jahren 1943/1944 wurde die Basis wiederholt Ziel alliierter Luftangriffe und im Winter 1943/1944 flogen die Me 410 des Stabes und der 3. Staffel des Kampfgeschwader 51 (ab Ende Februar 1944 zusätzlich die 1. Staffel) (S., 1. und 3./KF 51) ihre Einsätze von hier.

Nach dem Beginn der alliierten Landung in der Normandie wurde der Flugplatz zwischen Anfang Juni und Anfang Juli ein letztes Mal Heimathorst von Abfangjägern des Typs Bf 109 G. Hier lag zunächst bis Ende Juni die II. Gruppe des Jagdgeschwaders 3 (II./JG 3) und bereits Mitte Juni zusätzlich die II. Gruppe des Jagdgeschwaders 5 (II./JG 3). Anschließend nutzte die britische Royal Air Force Airfield B.28, so seine alliierte Code-Bezeichnung, in den letzten Kriegsmonaten.

Nach dem Ende des Krieges wurde die Einrichtung zunächst für einige Jahre als ziviler Flughafen genutzt. Nach Beginn des Kalten Krieges wurde Évreux-Fauville jedoch erneut ein Militärflugplatz und sollte eine Einsatzbasis der United States Air Forces in Europe (USAFE), als Teil der integrierten NATO-Kommandostruktur. Der Ausbau begann im Sommer 1952 und im Mai 1955 traf das mit C-119 ausgerüstete 465th Troop Carrier Wing auf der Évreux Air Base (kurz: Évreux AB) ein. Das Geschwader wurde im März 1958 außer Dienst gestellt. Hauptnutzer der Évreux AB war jedoch zwischen 1955 und 1964 die 322d Airlift Division, die das Kommando über die in Europa stationierten US-Transportgeschewader ausübte. In dieser Zeit rotierten C-130 anderen Basen routinemäßig durch Évreux.

Nach dem Austritt Frankreichs aus den Bündnisstrukturen zog die USAFE ab und die Armée de l'air übernahm den Flugplatz und nutzte ihn fortan als Transportfliegerbasis. Erster Nutzer war die von der Basis 218 gekommene gemischte Gruppe bzw. Staffel 0/56 "Vaucluse" und die Basis 105 wurde 1967 Heimat von Transportflugzeugen des Typs Nord 2501 Noratlas, zunächst der Transportstaffel ET 1/64 "Béarn", 1968 gefolgt von der ET 2/64 "Maine" und 1972 der 3/64 "Bigorre". Die 2/64 wurde 1977 aufgelöst und im folgenden Jahr als ET 2/64 "Anjou" neu aufgestellt.

Die 3. Staffel wurde 1981 aufgelöst und die beiden übrigen rüsteten in den Jahren 1981 (ET 1/64) bzw. 1983 (ET 2/64) auf die Transall NG um. Die letzte "Nora" verließ die Basis im Juli 1984. Die Basis wurde im selben Jahr nach dem Staffelkommandanten "Voul", der 1947 in Tonkin ums Leben kam, benannt.

Zwischen 1987 und 2001 war die Basis daneben Heimat von Spezialverbänden der Atomstreitmacht, zunächst als Staffel 1/59 "Astarté", ab 1992 umgegliedert in die Gruppe 0/59 mit der Transportstaffel 1/59 "Bigorre".

Aufgrund der Wiedereinführung von Geschwadern bei den französischen Luftstreitkräften wurde das 64. Lufttransportgeschwader (64e escadre de transport) am 27. August 2015 reaktiviert. Daneben wurde auch das escadre aérienne de commandement et de conduite projetable, ein nichtfliegendes Geschwader für Führungsaufgaben, aufgestellt.

Im Vorfeld der geplanten Schließung der Basis 110 verlegten die beiden Staffeln "Vercors" und "Ventoux" mit ihren "CASAs" im Juli 2016 nach Évreux.

Die beiden Transall-Transporteinheiten sind als zweite und dritte Atlas-Einheit in Bricy vorgesehen und im Vorfeld der Umrüstung und Verlegung wurde die ET 1/64 "Béarn" Ende August 2017 und die ET 2/64 "Anjou" Ende August 2020 vorübergehend deaktiviert.

Im Juli 2021 traf die erste französische C-130J für die deutsch-französische Hercules-Staffel aus Bricy kommend in der Normandie ein. Die erste deutsche "Super Hercules", eine Dash-30, traf im Februar 2022 in der Normandie ein und Anfang März 2022 wurde die Binational Air Transport Squadron in Dienst gestellt. In diesem Zusammenhang soll das 62. französische Transportgeschwader bis 2024 in die Normandie verlegt werden.

Heutige Nutzung

Die Basis beherbergt zurzeit (2022) folgende Verbände:
 Binational Air Transport Squadron "Rhin/Rhein", deutsch-französische Lufttransportstaffel, ausgerüstet seit 2021 mit C-130J
 Zukünftig in den kommenden Jahren das 62e escadre de transport (62e ET) mit der fliegenden C-130H Hercules Staffel ET 2/61 "Franche-Comté", der ET 3/61 "Poitou" für Spezialeinsätze (verwendet Luftfahrzeuge anderer Staffeln) sowie einer Technischen Gruppe (ESTA).
 64e escadre de transport (64e ET) mit drei fliegenden Staffeln, zwei für den Lufttransport, ET 1/62 "Vercors" und ET 3/62 "Ventoux" (beide seit 2016, beide CN-235-200/300) und der Frühwarneinheit EEA 0/54 "Dunkerque" (Transall C-160 "Gabriel", diese kamen im Sommer 2011 aus Metz, seit 2020 zusätzlich King Air 350 ER). Hinzu kommt die Wartungsgruppe ESTA 15.064.
 GAM 0/56 "Vaucluse", gemischte fliegende Gruppe, fliegt eigene Twin Otter, Super Puma und Cougar sowie geliehene Transportmaschinen

Hinzu kommen noch einige nichtfliegende Verbände wie das escadre aérienne de commandement et de conduite projetable, ein Geschwader bestehend aus vier nichtfliegenden Gruppen für Kommunikation, Beobachtung, Aufklärung und Einsatzführung.

Daneben ist auch die französische "Air Force One" Cotam 001, eine A330-200, in Évreux-Fauville stationiert. Diese gehört zur VIP-Transportgruppe ETEC 0/65 "Gaël", kann jedoch von deren Heimatbasis Villacoublay (B.A. 107) nicht operieren.

Weblinks

 Homepage der Basis
 Homepage der binationalen Staffel

Einzelnachweise

Evreux
Evreux
Verkehrsbauwerk in der Normandie
Evreux
EvreuxFauville
Erbaut in den 1910er Jahren


They started dating in the summer of 2017, and I don't think I've ever seen two happier people. Every moment spent together was pure joy, and there's something very special about that. Later in the year, Greg revealed to me that he had a ring, and I was absolutely thrilled to hear it. After being recently married myself, I was so ecstatic for my best friend to share that same experience with his wonderful girlfriend.
We devised a sneaky plan to hike out into the fields of Mt. Washington with the ring tucked away in a jacket pocket and found the perfect spot for Greg to pop the question. Of course, she said YES! We celebrated by popping a little bottle of champagne that I had hidden in my backpack and later went out for a celebratory lunch.


In the USA the FDA used to set tolerances for pesticide/foodstuff combinations but under the 1996 Act it sets a level for each pesticide in all foods based on the principle of a reasonable certainty of no harm. This is defined as a lifetime cancer risk of less than 1 in a million. There is also a requirement that residue tolerances must be specifically determined as being safe for children.
Within the EU, individual member states have historically set their own MRLs which differ from state to state. Directive 76/895 established a common MRL setting regime and a series of subsequent directives has fixed the levels for a series of pesticides in fruit, vegetables, cereal products, and products of animal origin. There is an ongoing program to harmonize the levels throughout the Union.
Most industrialized countries have pesticide surveillance programs which cover both home-produced and imported commodities and these report annually. The EU has an annual specific coordinated program to check compliance in nominated combinations of pesticide and foodstuff. MRLs require sophisticated equipment for their determination because the levels are so low and the minimum detectable limit depends on the foodstuff. For example the tolerance for aldrin and dieldrin (two orga-nochlorines) in the USA is between 0.05 and 0.1mgkg_1 (parts per million), depending on the foodstuff. There are over 600 different active ingredients available commercially. Because there are so many, laboratories around the world have developed sophisticated rapid analytical techniques to allow them to screen pesticides by class so that retailers, food manufacturers, and governments can carry out analyses as a matter of routine.
The MAFF 7th Report of the UK Working Party on Pesticide Residues in 1996 showed 68% of samples had no detectable residue, 31% had residues below the MRL, and <1% were over the MRL. Similar results were obtained by the FDA who report results with relation to the tolerance to the pesticide/commodity combination. In 1995, of over 9000 samples analyzed, 64% had no detectable residues, 34% had residues below the tolerance, <1% had residues over the tolerance and <1% had residues for which there is no tolerance in that particular pesticide/commodity combination.
In all cases where MRLs or tolerances are exceeded follow-up action is taken. For home-produced materials, this involves investigation of the grower and prosecution if necessary. For imports, exceeding the level causes the consignment to be refused entry.
Maximum levels of pesticides are also set for drinking water. Pesticides get into water from spraying, runoff, percolation or from treatment of fish in aquaculture. Good practice is increasingly being developed to minimize the levels in raw water and treatment works are developing systems to reduce incoming levels to levels acceptable for drinking water.


text:
<?php
/**
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 * User: admin
 * Date: 01.09.2015
 * Time: 11:50
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use yii\helpers\Html;
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 * @var $this View
 * @var $model Page
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redpajama_set_name: RedPajamaGithub


Anima of The Abomination Reaching into the depths of the soul and channeling the hate and anger, the metaphysicist is able to briefly instill the pet with immense ferocity. The pet's damage is increased by 254 points per hit.
is this nano stackable with the evocation buffs ?
Nope, tried it with lower ql ones.
You might still wanna go with anima because you can blitz it. Evocs are dyna loot only after the lvl 100 one.
Yeah! It's like a poor man's Evocation sice this is rollable whereas the higher evocations are dynaloot only and if you wanna buy one you will find that you have to pay through your nose for it.
soo it sells for 5329000?
Nice item to blitz for easy cash.
you are the retard. the "value" is only a base value by which the sell price is determined. this won't sell for 5M creds in the shops.
the nanocrystal for example will sell for ~438,043cr @1.5k CL in omni shops.
The only reason I'd use this as opposed to an Evocation is because the Evocs are level locked, and this is not. If I really, REALLY need that extra damage vs the AR...this is what i'd use at like lv 60 or so.
YuZ gogo wrangle to cast this for 20 sec!


Reach the peak of excellence when you climb aboard the 2019 Land Rover Range Rover EVOQUE, an SUV built with an eye for detail. Seamless handling and lavish design elements combine in the Range Rover EVOQUE. You can count on the personnel at Land Rover West Ashley to keep your car buying experience honest and stress-free. Contact us to schedule a test drive and experience Charleston behind the wheel.
Why the 2019 Range Rover EVOQUE?