text:
Jarabe de palo adelantando album s
Posted by Goltimi
Jarabe de Palo discography and songs: Music profile for Jarabe de Palo, formed Genres: Pop Rock, Pop, Latin Pop. Albums include La Flaca, Depende, and De vuelta y vuelta. "Adelantando" is the sixth album of Jarabe's artistic career. With the collaboration of the Spanish drummer Pedro Andrea, Cuban bass player Carmen Nino, and Argentinean percussionist Daniel Gioia, the album is a success. By teaming up with back up singers and a talented new artist, Jarabe de Palo's album is one that fans will enjoy for a long time/5(8). Adelantando is the seventh album by the Spanish Latin rock group Jarabe de Palo, released on April 10, , following the release of the single "Olé" on March Track listing [ edit ] Adelantando Genre: Latin, Rock.
Adelantando is the seventh album by the Spanish Latin rock group Jarabe de Palo, released on April 10, , following the release of the single "Olé" on March. View credits, reviews, tracks and shop for the CD release of Adelantando on Discogs. "Adelantando" is the sixth album of Jarabe's artistic career. With the collaboration of the Spanish drummer Pedro Andrea, Cuban bass player Carmen Nino, and. Jarabe De Palo - Adelantando - abgurd.com Music. Listen to any song, anywhere with Amazon Music Unlimited. Jarabe De Palo Format: Audio CD. Check out Adelantando by Jarabe De Palo on Amazon Music. Start your day free trial of Unlimited to listen to this album plus tens of millions more songs. Listen to any song, anywhere with Amazon Music Unlimited. . Stream Grandes Exitos? by Jarabe De Palo and tens of millions of other songs on all your.About Jarabe de Palo. Spanish Latin Rock act Jarabe de Palo is the brainchild of Pau Donés, who has never been content to just play abgurd.com band's first big hit, "La Flaca," was inspired by a trip to Cuba and mingles Cuban rhythms with more traditional rock. La Flaca is the debut album by the Spanish Latin rock group Jarabe de Palo, released in The album was produced by Joe Dworniak for Virgin Records España. Immediately after its release, the album obtained a poor commercial reception, selling only 12, copies within seven abgurd.com: Latin, rock. Jarabe de Palo discography and songs: Music profile for Jarabe de Palo, formed Genres: Pop Rock, Pop, Latin Pop. Albums include La Flaca, Depende, and De vuelta y vuelta. The follow-up to 1m2 (Un Metro Cuadrado), Adelantando is the sixth studio album from rock en español six-piece Jarabe de abgurd.comed in , it includes the singles "Dejame Vivir" and "Me Gusta Como Eres" (also featured here in an Italian-language version with Niccolo Fabi) and collaborations with Chilean vocalist Carlos Tarque, La Mari from electro-flamenco outfit Chambao, and Spanish. Adelantando is the seventh album by the Spanish Latin rock group Jarabe de Palo, released on April 10, , following the release of the single "Olé" on March Track listing [ edit ] Adelantando Genre: Latin, Rock. Mar 10, · Unlimited DVR storage space. Live TV from 60+ channels. No cable box required. Cancel anytime. "Adelantando" is the sixth album of Jarabe's artistic career. With the collaboration of the Spanish drummer Pedro Andrea, Cuban bass player Carmen Nino, and Argentinean percussionist Daniel Gioia, the album is a success. By teaming up with back up singers and a talented new artist, Jarabe de Palo's album is one that fans will enjoy for a long time/5(8). Check out Jarabe De Palo on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.
Watch Now Jarabe De Palo Adelantando Album S
Jarabe de Palo - Un Metro Cuadrado 1m2 (Álbum Completo), time: 44:32
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10-8-6-6-8-10 reps of each of the following in straight sets. Rest no more than 90 seconds between each set. Rest as needed between exercises. All exercises are to be done with slow/strict form. Raise in a 2 count, lower in a 4 count.
Post weights used and scales to comments.
BEASTMODE! My tris are still a little sore from this one!


text:
#include <aws/dms/model/KinesisSettings.h>
#include <aws/core/utils/json/JsonSerializer.h>

#include <utility>

using namespace Aws::Utils::Json;
using namespace Aws::Utils;

namespace Aws
{
namespace DatabaseMigrationService
{
namespace Model
{

KinesisSettings::KinesisSettings() :
    m_streamArnHasBeenSet(false),
    m_messageFormat(MessageFormatValue::NOT_SET),
    m_messageFormatHasBeenSet(false),
    m_serviceAccessRoleArnHasBeenSet(false),
    m_includeTransactionDetails(false),
    m_includeTransactionDetailsHasBeenSet(false),
    m_includePartitionValue(false),
    m_includePartitionValueHasBeenSet(false),
    m_partitionIncludeSchemaTable(false),
    m_partitionIncludeSchemaTableHasBeenSet(false),
    m_includeTableAlterOperations(false),
    m_includeTableAlterOperationsHasBeenSet(false),
    m_includeControlDetails(false),
    m_includeControlDetailsHasBeenSet(false),
    m_includeNullAndEmpty(false),
    m_includeNullAndEmptyHasBeenSet(false)
{
}

KinesisSettings::KinesisSettings(JsonView jsonValue) :
    m_streamArnHasBeenSet(false),
    m_messageFormat(MessageFormatValue::NOT_SET),
    m_messageFormatHasBeenSet(false),
    m_serviceAccessRoleArnHasBeenSet(false),
    m_includeTransactionDetails(false),
    m_includeTransactionDetailsHasBeenSet(false),
    m_includePartitionValue(false),
    m_includePartitionValueHasBeenSet(false),
    m_partitionIncludeSchemaTable(false),
    m_partitionIncludeSchemaTableHasBeenSet(false),
    m_includeTableAlterOperations(false),
    m_includeTableAlterOperationsHasBeenSet(false),
    m_includeControlDetails(false),
    m_includeControlDetailsHasBeenSet(false),
    m_includeNullAndEmpty(false),
    m_includeNullAndEmptyHasBeenSet(false)
{
  *this = jsonValue;
}

KinesisSettings& KinesisSettings::operator =(JsonView jsonValue)
{
  if(jsonValue.ValueExists("StreamArn"))
  {
    m_streamArn = jsonValue.GetString("StreamArn");

    m_streamArnHasBeenSet = true;
  }

  if(jsonValue.ValueExists("MessageFormat"))
  {
    m_messageFormat = MessageFormatValueMapper::GetMessageFormatValueForName(jsonValue.GetString("MessageFormat"));

    m_messageFormatHasBeenSet = true;
  }

  if(jsonValue.ValueExists("ServiceAccessRoleArn"))
  {
    m_serviceAccessRoleArn = jsonValue.GetString("ServiceAccessRoleArn");

    m_serviceAccessRoleArnHasBeenSet = true;
  }

  if(jsonValue.ValueExists("IncludeTransactionDetails"))
  {
    m_includeTransactionDetails = jsonValue.GetBool("IncludeTransactionDetails");

    m_includeTransactionDetailsHasBeenSet = true;
  }

  if(jsonValue.ValueExists("IncludePartitionValue"))
  {
    m_includePartitionValue = jsonValue.GetBool("IncludePartitionValue");

    m_includePartitionValueHasBeenSet = true;
  }

  if(jsonValue.ValueExists("PartitionIncludeSchemaTable"))
  {
    m_partitionIncludeSchemaTable = jsonValue.GetBool("PartitionIncludeSchemaTable");

    m_partitionIncludeSchemaTableHasBeenSet = true;
  }

  if(jsonValue.ValueExists("IncludeTableAlterOperations"))
  {
    m_includeTableAlterOperations = jsonValue.GetBool("IncludeTableAlterOperations");

    m_includeTableAlterOperationsHasBeenSet = true;
  }

  if(jsonValue.ValueExists("IncludeControlDetails"))
  {
    m_includeControlDetails = jsonValue.GetBool("IncludeControlDetails");

    m_includeControlDetailsHasBeenSet = true;
  }

  if(jsonValue.ValueExists("IncludeNullAndEmpty"))
  {
    m_includeNullAndEmpty = jsonValue.GetBool("IncludeNullAndEmpty");

    m_includeNullAndEmptyHasBeenSet = true;
  }

  return *this;
}

JsonValue KinesisSettings::Jsonize() const
{
  JsonValue payload;

  if(m_streamArnHasBeenSet)
  {
   payload.WithString("StreamArn", m_streamArn);

  }

  if(m_messageFormatHasBeenSet)
  {
   payload.WithString("MessageFormat", MessageFormatValueMapper::GetNameForMessageFormatValue(m_messageFormat));
  }

  if(m_serviceAccessRoleArnHasBeenSet)
  {
   payload.WithString("ServiceAccessRoleArn", m_serviceAccessRoleArn);

  }

  if(m_includeTransactionDetailsHasBeenSet)
  {
   payload.WithBool("IncludeTransactionDetails", m_includeTransactionDetails);

  }

  if(m_includePartitionValueHasBeenSet)
  {
   payload.WithBool("IncludePartitionValue", m_includePartitionValue);

  }

  if(m_partitionIncludeSchemaTableHasBeenSet)
  {
   payload.WithBool("PartitionIncludeSchemaTable", m_partitionIncludeSchemaTable);

  }

  if(m_includeTableAlterOperationsHasBeenSet)
  {
   payload.WithBool("IncludeTableAlterOperations", m_includeTableAlterOperations);

  }

  if(m_includeControlDetailsHasBeenSet)
  {
   payload.WithBool("IncludeControlDetails", m_includeControlDetails);

  }

  if(m_includeNullAndEmptyHasBeenSet)
  {
   payload.WithBool("IncludeNullAndEmpty", m_includeNullAndEmpty);

  }

  return payload;
}

} // namespace Model
} // namespace DatabaseMigrationService
} // namespace Aws

redpajama_set_name: RedPajamaGithub


text:
Maxime Teixeira
Maxime Teixeira playing at Nice 2015
Country (sports)
La Rochelle, France
1.85 m (6 ft 1 in)
Right-handed (two-handed backhand)
Career titles
Highest ranking
No. 154 (5 March 2012)
Current ranking
No. 351 (13 July 2015)
Grand Slam Singles results
2R (2011)
Grand Slam Doubles results
Last updated on: 13 July 2015.
Maxime Teixeira (born 18 January 1989) is a French professional tennis player. He competes mainly on the ATP Challenger Tour and ITF Futures circuit, both in singles and doubles. He reached his highest ATP singles ranking of World No. 154 in March 2012, and his highest ATP doubles ranking of World No. 256 in July 2015.
He claimed his first Challenger singles title by winning the 2011 Open Prévadiès Saint–Brieuc in Saint-Brieuc, France. He won against Benoît Paire 6–3, 6–0.[1] He qualified for his first Grand Slam tournament at the 2011 French Open, where he reached the second round before being defeated by third seed Roger Federer.[2][3]
1 Career finals
1.1 Challenger and Futures singles titles (5)
1.2 Runner-up (4)
Career finals[edit]
Challenger and Futures singles titles (5)[edit]
ATP Challengers (1)
ITF Futures (4)
No. Date Tournament Surface Opponent in the final Score in the final
1. 12 July 2010 Iași, Romania Clay Gleb Sakharov 6–2, 6–3
2. 26 July 2010 Arad, Romania Clay Kristijan Mesaros 7–5, 6–2
3. 13 September 2010 Casablanca, Morocco Clay Florian Reynet 6–1, 6–3
4. 24 January 2011 Bagnoles-de-l'Orne, France Clay Jonathan Eysseric 7–64, 3–6, 6–2
5. 3 April 2011 Saint–Brieuc, France Clay Benoît Paire 6–3, 6–0
Runner-up (4)[edit]
No. Date Tournament Surface Opponent in the final Score
1. 15 March 2010 Antalya, Turkey Clay Pavol Červenák 1–6, 3–6
2. 2 August 2010 Bucharest, Romania Clay Andrei Mlendea 3–6, 3–6
3. 21 March 2011 Marrakech, Morocco Clay Rui Machado 3–6, 7–67, 4–6
4. 11 September 2011 Brașov, Romania Clay Benoît Paire 4–6, 0–3, retired
5. 4 March 2012 Cherbourg, France Hard Josselin Ouanna 3–6, 2–6
^ Open Prévadiès. Teixeira expéditif letelegramme.com
^ "Maxime Teixeira, ce sympathique touriste qui a défié Roger Federer..." (in French). Retrieved 16 August 2018.
^ Scherrer, Gaétan. "Le jour où j'ai affronté un géant à Roland (5/5) : Maxime Teixeira, le duel d'une vie contre Roger Federer (2011)". L'ÉQUIPE (in French). Retrieved 16 August 2018.
Maxime Teixeira at the Association of Tennis Professionals
Maxime Teixeira at the International Tennis Federation
Retrieved from "https://en.wikipedia.org/w/index.php?title=Maxime_Teixeira&oldid=905645820"
French male tennis players
Sportspeople from La Rochelle
People from Montrouge
French people of Portuguese descent
Sportspeople from Hauts-de-Seine

redpajama_set_name: RedPajamaCommonCrawl


text:
Home > Teaching and Learning > Futsal
Assisi Catholic College Futsal Excellence Program
Since 2010, Assisi Catholic College has offered a High-Performance Program in the sport of Futsal (5-a-side Court Soccer). The Program is coordinated by the school's Director of Futsal, Paul McKarzel, who has played and coached in the State, National and International arena and taught Futsal in the Queensland School System for over 25 years.Assisi Catholic College has a proud record of success over the last 5 years with over 40 Regional, State and National Championships won and many graduates now playing and working in the Sports Industry. The Futsal program runs in the Junior, Middle and Senior Years with a curriculum class in every year from Years 5-12. Students will train on a weekly basis and play in Local, Regional, State and National Competitions. The program also offers units of work in Coaching, Refereeing, Injury Prevention and Management, Sports Psychology and use of IT in Sport. In order to undertake study in this program, students must apply for a position in a class, with successful applicants subsequently undertaking a series of trials. If successful, the student studies Futsal during the time that Elective Subjects are studied. For an application form or any information regarding the program, please contact the Director of Futsal, Paul McKarzel, by email on pmckarzel@assisi.qld.edu.au
2020 - Futsal Dates


Just half a mile from the rush of traffic on Bustleton Avenue in Northeast Philadelphia is a permanent outdoor labyrinth with the purpose of inviting visitors to seek inner peace. A labyrinth is a meditative tool, a singular winding pathway that enables the walker to center oneself in thought or prayer. It can be a means of finding peace, answers to troubling questions, or communion with God.
"Our Labyrinth is used by a range of visitors from nonprofit professionals to overnight directed retreatants to local neighbors," said Cranaleith Program Director, Cathy Maguire, RSM. "The walk to the center of the labyrinth represents a journey toward inner peace, wholeness, and healing." Cranaleith's labyrinth is open during daylight hours to visitors who wish to explore its calming and effects.
There is no right way to walk a labyrinth. Adults are often serious in the labyrinth. Children most often run in and out as fast as they can in a playful manner.
Focus: Pause and wait at the entrance. Become quiet and centered. Give acknowledgment through a bow, nod, or other gesture and then enter.
Experience: Walk purposefully. Observe the process. When you reach the center, stay there and focus several moments. Leave when it seems appropriate. Be attentive on the way out.


This tasty recipe was designed by Al Brown and appears on the menu at The Depot - Metro's Restaurant of the Year.
Place the coleslaw ingredients into a large mixing bowl & combine thoroughly until all is evenly coated. Season to taste with salt & pepper. Cover & refrigerate until required.
Preheat oven to 100 degrees.
Heat up a skillet or sauté pan on medium heat. Season the Turbot fillets with the sea salt & fresh black pepper. Add a little canola oil to the pan & cook the turbot in batches for a couple of minutes either side until slightly golden & cooked through. Place in the oven to keep warm.
Heat the Loaf sliders in the skillet, butter side down until slightly crispy.
Hit the turbot with a squeeze of fresh lemon juice & serve up onto the hot rolls with a healthy portion of creamy coleslaw to top it off.


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Here are few good ways to help you to write outstanding invitation letters on different functions and ceremonies. 1. This is to inform you that the cultural society of our college is holding a show of Shakespeare's 'Hamlet' on July 2, 201* at Kamani Hall.
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Himalaya #210, Col. Lomas, 78214, San Luis Potosí, San Luis Potosí, México.
Productos y servicios principales: Start-Up & Shelter Program, Human Resources, Import , Export and Logistics Services,IMMEX Program Management, Tax & Accounting, Consulting & Audit, Environmental Health & Safety.
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Our team focuses on compliance with the accounting principles and tax requirements for your company. Taking care of accounts payable and receivable, tax filling and tax refund filling and tracking, limited liability treasury management, among others.
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Von D is on an increasingly prolific trajectory since last year. Recent 12's on Scrub a Dub and Khaliphonic (Zamzam), and forthcoming tunes on Lion Charge and Moonshine have signalled his renewed focus on dubwise productions.
Connect with Von D on SoundCloud and Facebook.
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text:
Justia Dockets & Filings Third Circuit New Jersey District Court BENTON v. UNITED STATES OF AMERICA et al Filing 2
BENTON v. UNITED STATES OF AMERICA et al
OPINION. Signed by Judge Renee Marie Bumb on 1/7/2021. (cry, )
Case 1:21-cv-00032-RMB-AMD Document 2 Filed 01/07/21 Page 1 of 5 PageID: 4 NOT FOR PUBLICATION UNITED STATES DISTRICT COURT DISTRICT OF NEW JERSEY CAMDEN VICINAGE ROSCOE BENTON, III, : : : : : : Plaintiff v. UNITED STATES OF AMERICA, et al., CIV. NO. 21-32 (RMB-AMD) OPINION : : : Defendants BUMB, DISTRICT JUDGE Plaintiff Roscoe Benton, III, a prisoner incarcerated in the Federal Correctional Institution in Fort Dix, New Jersey ("FCI Fort Dix"), filed this Complaint on January 4, 2021. (Compl., Dkt. No. 1.) Plaintiff failed to pay the $402 filing and administrative fees or alternatively submit an application to proceed in forma pauperis ("IFP") under 28 U.S.C. § 1915. The Court will administratively terminate this action. 1 Plaintiff may reopen this action if he timely submits a properly 1 U.S.D.C. provides: District of New Jersey Local Civil Rule Except as otherwise directed by the Court, the Clerk shall not be required to enter any suit, file any paper, issue any process or render any other service for which a fee is prescribed by statute or by the Judicial Conference of the United States, nor shall the Marshal be required to serve the same or perform any service, unless the fee therefor 54.3(a) Case 1:21-cv-00032-RMB-AMD Document 2 Filed 01/07/21 Page 2 of 5 PageID: 5 completed IFP application or pays $402.00 for the filing and administrative fees. Plaintiff should be aware that, even if granted IFP status, he must pay the $350.00 filing fee in installments, if available in his prison trust account, regardless of whether the complaint is dismissed, see U.S.C. § 1915(b)(1). I. Sua Sponte Dismissal When a prisoner is permitted to proceed without prepayment of the filing fee or when the prisoner pays the filing fee for a civil action and seeks redress from a governmental entity, officer or employee of a governmental entity, 28 U.S.C. §§ 1915(e)(2)(B) and 1915A(b) and 42 U.S.C. § 1997e(c) require courts to review the complaint and sua sponte dismiss any claims that are (1) frivolous or malicious; (2) fail to state a claim on which relief may be granted; or (3) seek monetary relief against a defendant who is immune from such relief. 2 Courts must liberally construe pleadings that are filed pro se. Erickson v. Pardus, 551 U.S. 89, 94 (2007) (quoting Estelle v. is paid in advance. The Clerk shall receive any such papers in accordance with L.Civ.R. 5.1(f). 2 Conclusive screening is reserved until the filing fee is paid or IFP status is granted. See Izquierdo v. New Jersey, 532 F. App'x 71, 73 (3d Cir. 2013) (district court should address IFP application prior to conclusive screening of complaint under 28 U.S.C. § 1915(e)(2)). 2 Case 1:21-cv-00032-RMB-AMD Document 2 Filed 01/07/21 Page 3 of 5 PageID: 6 Gamble, 429 U.S. 97, 106 (1976)). Thus, "a pro se complaint, however inartfully standards than pleaded, formal must pleadings be held to drafted by 'less stringent lawyers.'" Id. (internal quotation marks omitted). A pleading must contain a "short and plain statement of the claim showing that the pleader is entitled to relief." Fed. R. Civ. P. 8(a)(2). "To survive a motion to dismiss, a complaint must contain sufficient factual matter, accepted as true, to 'state a claim to relief that is plausible on its face.'" Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (quoting Bell Atlantic Corp. v. Twombly, 550 U.S. 544, 570 (2007)). "A claim has facial plausibility when the plaintiff pleads factual content that allows the court to draw the reasonable inference that the defendant is liable for the misconduct alleged." Id. (quoting Twombly, 550 U.S. at 556.) Legal conclusions, together with threadbare recitals of the elements of a cause of action, do not suffice to state a claim. Id. Thus, "a court considering a motion to dismiss can choose to begin by identifying pleadings that, because they are no more than conclusions, are not entitled to the assumption of truth." Id. at 679. "While legal conclusions can provide the framework of a complaint, they must be supported by factual allegations." Id. If a complaint can be remedied by an amendment, a district court may not dismiss the complaint with prejudice but must permit the 3 Case 1:21-cv-00032-RMB-AMD Document 2 Filed 01/07/21 Page 4 of 5 PageID: 7 amendment. Grayson v. Mayview State Hospital, 293 F.3d 103, 108 (3d Cir. 2002). For the reasons discussed below, the Court would dismiss the complaint for lack of jurisdiction upon conclusive screening of the Complaint. II. DISCUSSION Plaintiff alleges solely a common law negligence claim against the United States of America, Warden David Ortiz, Director of the Bureau of Prisons Michael Carvajal, and Attorney General William Barr because Plaintiff tested positive for COVID-19 in FCI-Fort Dix due to their alleged negligence in stopping the spread of the virus. (Compl., Dkt. No. 1.) Plaintiff disclaims that he wants to bring a Bivens action. Federal courts are courts of limited jurisdiction. 28 U.S.C. § 1331. Plaintiff wishes to bring a common law negligence claim. "[T]he United States has not waived its sovereign immunity with respect to common law negligence claims, except to the extent provided in the Federal Tort Claims Act ("FTCA"), 28 U.S.C. §§ 2671 et seq." N'Jai v. U.S. E.P.A., No. CIV.A. 13-1212, 2014 WL 2508289, at *23 (W.D. Pa. June 4, 2014). "[A]n action against the United States under the FTCA provides the exclusive remedy for nonconstitutional torts based on the "negligent or wrongful act or omission of any employee of the Government while acting within the 4 Case 1:21-cv-00032-RMB-AMD Document 2 Filed 01/07/21 Page 5 of 5 PageID: 8 scope of his office or employment." Couden v. Duffy, 446 F.3d 483, 498 (3d Cir. 2006) (quoting 28 U.S.C. § 2679(b)(1); see also Castro v. United States, 34 F.3d 106, 110 (2d Cir. 1994) (finding that "a claimant's exclusive remedy for nonconstitutional torts by a government employee acting within the scope of his employment is a suit against the government under the FTCA")). Plaintiff does not allege diversity jurisdiction, nor does it appear to exist; and the Court cannot exercise supplemental jurisdiction over state law claims when the Complaint does not contain a federal law claim. See 28 U.S.C. §§ 1332, 1367. Therefore, unless amended, the Court would dismiss the Complaint for lack of jurisdiction upon conclusive screening under 28 U.S.C. § 1915(e)(2)(B), § 1915A(b)(1) and 42 U.S.C. § 1997e(c)(1). III. CONCLUSION The Court will administratively terminate this action, subject to reopening. An appropriate Order follows. DATE: January 7, 2021 s/Renée Marie Bumb RENÉE MARIE BUMB United States District Judge 5


text:
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Establish A Community - Part 4: Ecological Function, Aesthetic Form
By: Sandra Nelson
Our modern perceptions of what a beautiful landscape looks like are not really our own ideas. They were in large part shaped by English landscape artists of the 18th and 19th centuries. Their highly romanticized works interpreted for the public what landscape designers were providing for the wealthy upper class. Their paintings, like the actual gardens being installed by premier designers, featured long, sweeping views of rolling lawns bathed in softly glowing light, groves of trees, water features and picturesque architectural pieces. Paths and beds had clean, precise edges and though there was a definite sense of openness, order and symmetry, there was also a subtle sense of mystery.
Artists like Thomas Moran, Albert Bierstadt, Thomas Cole, Frederic Church and others here in the United States, inspired by the European landscape vision, both followed and expanded the English lead. American artists brought to the public a pristine wilderness in which human beings and nature coexisted in perfect, peaceful harmony. Like the Europeans, they idealized the natural settings they painted, showing magnificent, but always orderly pastoral scenes. Over time, the ideality of organized, manicured settings became the standard for outdoor beauty, or what has been called the" cultural concept of naturalness."
Unfortunately, the very nature of plant communities puts them at odds with the cultural concept of beautiful landscape design. Instead of remaining in crisply defined beds massed with blocks of carefully regulated colors, shapes and sizes, species in plant communities naturally mix and mingle, interacting with each other and with the environment. To many people, a plant community, either natural or designed, with its apparent randomness looks wild and neglected — as unkempt and as unloved as a long abandoned farmhouse on a back country road. Definitely not worthy of a respectable cityscape.
Understanding the benefits of plant communities to not only the individual but to the planet at large, innovative landscape professionals are finding ways to seamlessly integrate plant communities into their designs, making them attractive and acceptable elements of the design. Dan Nelson, lead designer at Embassy Landscape Group, described some of the techniques he uses to incorporate plant communities into both his residential and commercial work.
Dan says that he and his customer first discuss what the design goals for the project are. For example, will the planting be formal or informal? Will it be strictly ornamental or serve a functional purpose as well? What degree of tidiness is acceptable? As that framework is developed, then it becomes important to consider what type of plant community fits both the dreams of the customer and the characteristics of the site and its surroundings.
The relationship of plants to a place is a critical one. When the right plants are in the right place, then magic happens. The plants thrives because their needs (sun, soil, moisture etc.) are being met. Equally important, the right plants in the right place can work to reconnect people with nature; they can delight, engage, invigorate and renew the human spirit as they awaken a sense of place that sparks memories.
When the goals are determined and the size and type of community is decided upon, then how to best translate the natural setting into an accepted cultural concept within the landscape becomes the focus. Dan says that selecting a few key elements and emphasizing them in their natural patterns helps give the design its strength and keeps it understandable for the viewer. For example, a sweep of echinacea set in a wave of gently swaying grass brings to mind a wind-swept summer day on the prairie. Or, a grove of closely placed birch trees can become a peaceful patch of forest placed within the bustle of the city.
Another key to integrating plant communities into an understandable feature of the landscape is to create what is known as "orderly frames." According to Joan Iverson Nassauer, professor and author of Messy Ecosystems, Orderly Frames, ecologically friendly landscapes are often perceived as "messy," but acceptance for them can be gained by placing them "inside familiar, attractive packages.."
Strong, geometrically shaped beds can serve as an attractive package. They communicate an intentional planting and help viewers understand the context of what they are seeing. Framing beds with hardscapes such as walls, fences and pathways provide the sharply defined edges that have long been part of our perceptions of a beautiful landscape. Lawns and plants themselves can also be used as "familiar, attractive packaging."
Finally, urban plantings are most effective when the majority of the plants are about 18 to 30 inches tall. Research by environmental psychologists has repeatedly shown that individuals like best and feel most comfortable with spaces that provide long views. Taller accent pieces can be added for dramatic structure, but even then taller, leafless stems that can allow sight lines are preferable.
Today's world faces serious ecological issues. Climate change, increasing urbanization, modern agricultural practices, widespread use of chemicals — they all contribute to upsetting the balance of our ecosystems and to disconnecting us from the natural world. This revolution in planting — including plant communities in our built landscapes — can play a significant role in helping to heal our planet and to reconnect us to nature.
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When it comes to using technology to improve students' learning opportunities, Texas is a pioneer. But this legislative season, the Senate made a major blunder that keeps students from accessing the educational options they deserve. Earlier in the year, Sen. Larry Taylor introduced a bill that would have removed barriers that block some students from accessing supplemental online courses offered through the Texas Virtual School Network (TxVSN). The bill looked promising as it worked its way out of the Senate Education Committee with a 6-3 vote, but then it mysteriously died before reaching the Senate floor.
To give credit where it's due, Texas is one of only seven states that provide students with access to online learning options through a statewide Course Access program. TxVSN has a catalog of more than 89 different courses—including U.S. Government, Algebra, Art, and Astronomy—offered by school districts, regional education service centers, and the University of Texas. In the 2013-2014 school year more than 5,700 students took advantage of these courses. Nonetheless, TxVSN's supplemental courses currently serve only 0.1 percent of Texas' total student population of more than five million. Across the state, 57 percent of high schools do not offer Calculus, 20 percent of high schools do not offer physics, and 27 percent of districts do not offer any Advanced Placement courses, which are critical for students preparing for college. These courses are all available through the TxVSN course catalog – but current policies keep many students from taking them.
This is why the changes proposed in Sen. Taylor's Online Access and Digital Learning bill are so important.
First, the bill would have increased the number of courses a student can take through the program. Currently, if a student wishes to take more than three yearlong TxVSN courses at a time, his or her home district can refuse to pay for the additional courses. But if a student is better able to prepare for college or pursue her academic interests through multiple TxVSN courses, why should the policy put an arbitrary cap on the number taken?
Second, the bill would have removed restrictions that prevent students from taking TxVSN courses that are substantially similar to courses offered by their home districts. These current rules do not consider the increased flexibility that TxVSN courses provide. For example, students may be interested in two different courses at their local school that are offered only at the same time. Sometimes students need to free up hours in their school schedule to make time for sports or other extracurricular activities. And some students just learn better in an online learning environment where flexible pacing gives them more time to digest concepts they struggle with or where the online modality allows them to avoid social distractions.
Third, the bill would have removed the $400 cap on online course costs. This does not mean that course providers would have then been able to charge whatever they want for courses. Instead, removing the course price cap would have allowed course providers to offer a wider selection of courses to meet students' needs. Take an advanced science course, for example. It may cost more than $400 to provide because it requires access to lab equipment. Removing the cap would have made offering such a course through the TxVSN catalog possible, and the Commissioner of Education would then negotiate the course costs.
Lastly, the proposed bill would have expanded the Commissioner's authority to remove poor-performing course providers from the program. This quality control measure augments the already existing requirements that courses must "be in a specific subject that is part of the required curriculum," "be aligned with … essential knowledge and skills," and "be the equivalent in instructional rigor and scope to a course that is provided in a traditional classroom setting." These requirements ensure that students taking online courses receive the same quality learning experiences that they expect from traditional courses.
By passing this bill, Texas would have continued to lead the way in offering innovative education programs to better serve its students. Instead, the bill was shuttered by political forces that work counter to students' best interests.


text:
Q: How does one break inside a default c# getter or setter? I'm debugging something and I need to know when something is being set. There seems to be no explicit set, as in x = 5. So would there be anyway to make sure that it is not getting set? Specifically by breaking in the default setter?
If the question wasn't clear enough:
public FooClass
{

    FooClass() { }

    public int x { get; set; } //How do I break in the setting of this property?

}
Thanks

A: You can forcefully cause the Debugger to break:
using System.Diagnostics;

Debugger.Break();

You may have to expand your auto property with an explicit backing field though:
public class FooClass {
    private int _x;

    public int X {
        get {
            return _x;
        }
        set {
            _x = value;
            Debugger.Break();
        }
    }
}

..or, just expand the property out (like above) and put a breakpoint there yourself.

A: If there's code inside your getter or setter you can break there so you can create a private member for the property.
private int _x;
public int X {
    get {
        return _x;
    }
    set {
        _x = value;
    }
}

That'll allow you to put breaks on the return _x and _x = value lines.

redpajama_set_name: RedPajamaStackExchange


text:
Travel is essential to creative writing – but you needn't go far
Maggie Shipstead always thought of inspiration as something to be found in 'distant places, at the ends of long journeys'. But what the author of ambitious new novel Great Circle really missed this year was the journey to her local café.
Maggie Shipstead
In my neighbourhood in Los Angeles, there's a café that I love partly for its oddness. The space is unnecessarily massive and cavernous, with exposed rafters, and it's always over-decorated for whatever holiday is upcoming and packed with screenwriters and would-be screenwriters glowering at their laptops.
Before the pandemic, in the more than six years I was working on my novel Great Circle, one way I motivated myself to write was to use this café as a bribe. You can go get a giant iced latte, I would tell myself, but you have to take your laptop and you have to sit there for three hours. I found I was less likely to waste time on the internet if I was out in public (not that the screenwriters cared one iota what I was up to), and I liked the feeling of walking outside to work and walking home again.
Before this year, it never occurred to me how fragile my little incentive system was, nor did I realize how helpful that simple change of scenery had been, how enlivening I'd found the background hum of other people going about their business while I pecked away at my imaginary world. Before this year, I tended to think of inspiration as something I found in distant places, at the ends of long journeys.
'Travel doesn't have to be epic or exotic; meaningful journeys happen between our homes and our favourite coffee shops'
In Great Circle, a pilot named Marian Graves disappears while trying to fly around the world north-south, over the poles, in 1950. Early in the writing process, I knew that I needed to try to visit the polar regions for myself, both the Arctic and the Antarctic.
I'd always wanted to see these places – I love a desolate landscape – but Great Circle brought new urgency to that wish. I wasn't confident I could put the high latitudes vividly on the page without first-hand experience, and, indeed, when I found my way to the top and bottom of the globe, the tactile, immersive experience of Being There brought wonder and surprise. I would never say that authors are obligated to go everywhere they write about (such travel isn't always possible), but my idea of this planet was broken open and enlarged by my attempts to see the world the way Marian would have.
Through sea-smoke, I saw the edge of the France-sized Ross Ice Shelf in Antarctica from the deck of a ship. I stood on a perfect disc of white under a perfect dome of sky on the Greenland ice sheet and felt my tininess, my precariousness. I flew in a small plane over the Northwest Passage in the Canadian Arctic as the cloud ceiling crept lower, pushing us closer and closer to a sea patchworked with ice. I watched the aurora borealis feather across the midnight sky in the Swedish Arctic. I watched the surf break against the edge of an atoll in the Cook Islands under a spectacular, lurid sunset, and I chugged across Alaska's interior in an RV. In seeking inspiration for Marian's life, I'd inadvertently changed my own. Her adventures propelled mine, and mine became hers. My life and my fiction twisted and entwined.
When Los Angeles entered its first COVID-19 lockdown, I was, mercifully, already deep in edits on Great Circle. I'd already gone out and gathered so much from the world, and what remained was the work of stripping away, of poking and prodding and rearranging. As most people did, I have struggled sometimes with the loss of my freedom and mobility during the pandemic, but, when I finally started trying to write something new, I was still surprised by how sluggish and gunked-up my creative engine felt.
I've never been a big believer in the muse – if I waited for the muse to come around, I'd never write anything – but the past year has made me understand that, muse or no, my fiction doesn't emerge from a vacuum. Deprived of the human interactions that were its raw material, my imagination sputtered. My trips to the poles had helped me render the landscapes that undergird Great Circle, but to put characters on the page, to flesh out the psyches of invented people, what I needed was time with real people.
Part of the reason I included the point of view of Hadley – a modern movie star playing Marian Graves in a biopic and trying to piece together Marian's life decades after her disappearance – was that I wanted a lens on the essential unknowability of other people, a way to get at how much of a life is lost when it ends. The project of forging human connections is inherently imperfect, but there's something so beautiful about the attempt.
'Before this year, I tended to think of inspiration as something I found in distant places, at the ends of long journeys'
Writing fiction is an attempt to mirror and chronicle that attempt, to let us inhabit other consciousnesses; in my isolation, I felt farther away from others than ever, unable to extend even an imaginary bridge.
My muse, more than I'd understood before the isolation of the pandemic, seems to reside in the simple, ongoing act of living life. Yes, I've gone out and collected inspiration from far-flung places, but travel doesn't have to be epic or exotic. Meaningful journeys happen between our homes and our favourite coffee shops; we strike out into the world every time we meet up with friends, open our ears and minds to their lives. To write, it turns out that I need to see and talk to friends, to spy on strangers going about their lives, to put myself in the way of everyday serendipity and feel the hum of the vast human hive.
These might be simple things, but they are crucial. Someday soon, I'll have them again.
What did you think of this article? Email editor@penguinrandomhouse.co.uk and let us know.
Image: Alicia Fernandes/Penguin
Great Circle
THE NEW YORK TIMES BESTSELLER
TIME BOOK OF THE YEAR
A Book of the Year for The Times, Telegraph, Daily Express, New Statesman, Good Housekeeping, Daily Mail, Mail on Sunday, Time, Esquire, The Economist, Oprah Daily and Woman and Home
'A gripping historical adventure that feels sharp, fresh and modern'
'So beautiful, so daring, so complete'
'A masterpiece'
A soaring, breathtakingly ambitious novel that weaves together the astonishing lives of a 1950s vanished female aviator and the modern-day Hollywood actress who plays her on screen. For fans of TAYLOR JENKINS REID, WILLIAM BOYD and ANN PATCHETT
From her days as a wild child in prohibition America to the blitz and glitz of wartime London, from the rugged shores of New Zealand to a lonely iceshelf in Antarctica, Marian Graves is driven by a need for freedom and danger.
Determined to live an independent life, she resists the pull of her childhood sweetheart, and burns her way through a suite of glamorous lovers. But it is an obsession with flight that consumes her most.
Now, as she is about to fulfil her greatest ambition, to circumnavigate the globe from pole to pole, Marian crash lands in a perilous wilderness of ice.
Over half a century later, troubled film star Hadley Baxter is drawn inexorably to play the enigmatic pilot on screen. It is a role that will lead her to an unexpected discovery, throwing fresh and spellbinding light on the story of the unknowable Marian Graves.
'Extraordinary' NEW YORK TIMES
'Full of adventure, passion and tragedy' THE TIMES
'Soars from the very first page' SUNDAY EXPRESS
'Luminous, masterful. Glides seamlessly through 20th century history' DAILY TELEGRAPH
'Breathtaking' OBSERVER
'Impressive and gripping' SUNDAY TIMES
'Surprising and moving at every turn' GUARDIAN
'Audacious and Immersive' DAILY MAIL
'Accomplished and ambitious' FINANCIAL TIMES
Readers love GREAT CIRCLE:
***** What a read! Immense story with beautifully created characters
***** A 600 page turner that you are sad to finish
***** The story is so well researched and planned; historical fiction standing side by side with history itself
***** This is a stunning achievement, my perspective feels fundamentally transformed through reading it
***** A wonderful saga, covering a large chunk of the twentieth century
MAGGIE SHIPSTEAD is the author of the New York Times bestselling novels SEATING ARRANGEMENTS - winner of the Dylan Thomas Prize and L A Times Book Prize for First Fiction - ASTONISH ME and the Booker-shortlisted GREAT CIRCLE. Her work has appeared in the New York Times, Guardian, Conde Nast Traveller, The Best American Short Stories and elsewhere. She is a graduate of the Iowa Writer's Workshop and a former Wallace Stegner Fellow at Stanford. YOU HAVE A FRIEND IN 10A is her first story collection. Maggie Shipstead grew up in California and lives in Los Angeles, California.
The furthest a book has taken me: Sophie Mackintosh on 'Journey to the Centre of the Earth'
The author of The Water Cure on the Jules Verne classic that showed her the power of imaginative possibility, and how it can inform everyday life.
Book your holiday: Reykjavík
Iceland is one of the most beautiful and unusual countries in the world. No wonder the island attracts so many visitors, and has inspired so many wonderful books.


text:
Roma Extended Kostas Manolas' Contract
Over the weekend, Roma announced that defender Kostas Manolas signed a new contract until June 2022, a three-year extension on his previous agreement.
The Greece international joined Roma in the summer of 2014 and has made 144 appearances for the club in all competitions, scoring four goals.
"I am very happy to sign this extension," Manolas said. "I wanted to stay, the club wanted me to stay, and we were able to reach an agreement."
Napoli Extend Faouzi Ghoulam's Contract
Del Piero, Guillit, and 8 Others to be Inducted into Italian Football Hall of Fame
Lecce reject Southampton's offer for Morten Hjulmand


text:
Richard Strauss at 150
Strauss: Overture to Le bourgeois gentilhomme Suite, op. 60 for Wind Quintet and Piano
Robert Schumann: Adagio and Allegro for Horn and Piano, op. 70
Strauss: Flute Sonata in E-flat major, Op. 18
— Intermission —
Strauss: Moonlight Music, from Capriccio
Strauss: Till Eulenspiegels lustige Streiche, op.28 for Wind Quintet and Piano
On the heels of Richard Wagner's 200th anniversary, Zéphyros presents a program to commemorate the sesquicentennial of one of his most famous disciples, Richard Strauss. The 150th anniversary of Strauss' birth presents an opportunity to explore the composer of grandiose orchestral scores and scandalous opera, on a more intimate level. Included on this program is the Adagio and Allegro for horn and piano by Robert Schumann. Strauss' life-long affection for the horn began at an early age. His father, Franz, was principal horn of the Munich Court Orchestra and though Richard once described his father as "vehement, irascible and tyrannical," he was recognized as Germany's leading virtuoso of the instrument, especially in performing the music of Richard Wagner. In fact Wagner himself once said that Franz Strauss was a "detestable fellow, but when he plays the horn you can't be angry with him." In addition, Zéphyros performs four works in transcription: The improvisatory Sonata in E flat major, The Overture to Le bourgeois gentilhomme Suite arranged by flutist Jennifer Grim, and after the intermission, Moonlight Music from Struass' final opera Capriccio, and Till Eulenspiegels lustige Streiche in David Carp's adroit setting for winds and piano.
Zéphyros offers this program with pianist Rieko Aizawa
Praised by the NY Times for her "impressive musicality, a crisp touch and expressive phrasing," Japanese pianist Rieko Aizawa has performed in solo and orchestral engagements throughout the U.S., Canada and Europe, including Lincoln Center's Avery Fisher Hall, Boston's Symphony Hall and Chicago's Orchestra Hall. Highlights of recent seasons have included acclaimed performances with the New Japan Philharmonic under Seiji Ozawa, the English Chamber Orchestra under Heinz Holliger, the Festival Strings Lucerne in Switzerland under Rudolf Baumgartner, the St. Paul Chamber Orchestra under Hugh Wolff, the Curtis Institute Orchestra with Peter Oundjian, the St. Louis Symphony under David Loebel and a wonderfully received performance with the Vienna Chamber Orchestra.
An avid chamber musician, Ms. Aizawa has performed with the Guarneri Quartet, the Orion Quartet, the Shanghai Quartet and the Amelia Piano Trio, and she has appeared in numerous festivals, such as the Marlboro Music Festival, U.S.A.; the Kammermusik Festival Moritzburg, Germany; and the Evian Festival, France. She also has been a guest artist of Boston's, Philadelphia's and Seattle's Chamber Music Society. Ms. Aizawa is a founding member of Horszowski Trio as well as the prize winning ensemble Duo Prism. Ms. Aizawa became the artistic director of the Alpenglow Chamber Music Festival in Colorado in 2010.
Welcome, we'd love to hear from you: zephyroswinds@gmail.com
Photos by Ian D. Donald
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Too many QuotesChimp select their insurance as if they don't care whether they purchase a high- or low-quality product. There are also those who act as if they have money to burn, treating price as a matter of seemingly total indifference. In fact, some insurance shoppers put so little thought into purchasing coverage that they might just as well open the yellow pages to the insurance listings, close their eyes, and point.
And what would the impossible be ?
I'm impressed! You've managed the almost imboissple.


text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;

namespace mko.Algo.FormalLanguages.NaLisp.ImplHelper
{
    public class ConstVal<TNaLispConst, TConstValue>
        where TNaLispConst : Core.NaLisp
    {
        public ConstVal(TNaLispConst NaLispConst, TConstValue ConstValue)
        {
            _Value = ConstValue;
            _NaLispConst = NaLispConst;
        }

        TConstValue _Value;
        public TConstValue ConstValue { get { return _Value; } }

        TNaLispConst _NaLispConst;

        public Core.Inspector.ProtocolEntry Validate(Core.NaLispStack Stack)
        {
            return new Core.Inspector.ProtocolEntry(Current: _NaLispConst, IsCurrentValid: true, IsTreeValid: true, TypeOfEvaluated: typeof(TNaLispConst));
        }

        public Core.Evaluator.Result Eval(Core.NaLispStack StackInstance, bool DebugOn)
        {

            return new Core.Evaluator.Result(
                ResultTerm: _NaLispConst,
                ProtocolEntry:  new Core.Inspector.ProtocolEntry(_NaLispConst, true, true, typeof(TConstValue), DebugOn ? ConstValue.ToString() : ""));

        }

        public string ToString()
        {
            return Core.NameDir.Get(_NaLispConst).Name + "(" + ConstValue.ToString() + ")";
        }
    }
}


Hi Emie! I saw your comment about my Purple Hues Birthday! I would LOVE to make one for YOU and send it to YOU! Please send me your address! Use the button on my blog that says "email me." PS: Your cards are cute!


A massive 95 per cent of all National Trust buildings (from grand country houses to barns & cottages) have bats living in them!
The National Trust was founded in 1895 by three Victorian philanthropists – Miss Octavia Hill, Sir Robert Hunter and Canon Hardwicke Rawnsley. Concerned about the impact of uncontrolled development and industrialisation, they set up the Trust to act as a guardian for the nation in the acquisition and protection of threatened coastline, countryside and buildings.
The National Trust have a underlying ethic that I am obviously a big fan of; to preserve and make accessible to us and future generations our rich history and heritage, through acquisition, restoration, research and engagement with people to inspire a deeper understanding of the places we live, where we've come from and the world around us. Without organisations like The National Trust there's no doubt that a huge amount of our historic relics and important places would have been demolished, abandoned and forgotten, but with National Trust ownership they become accessible and meaningful, all these places had often small but unique parts to play Britain's past and thanks to The national Trust they will continue to be part of our future.
The National Trust is a charity which is completely independent of Government. We rely on income from membership fees, donations and legacies, and revenue raised from our commercial operations. We have over 3.7 million members and 61,000 volunteers. More than 17 million people visit our pay for entry properties, while an estimated 50 million visit our open air properties. We protect and open to the public over 350 historic houses, gardens and ancient monuments. But it doesn't stop there. We also look after forests, woods, fens, beaches, farmland, downs, moorland, islands, archaeological remains, castles, nature reserves, villages – for ever, for everyone.
www.nationaltrust.org.uk – With extensive search facilities and links to every single property and piece of land maintained owned and maintained by The National Trust, the website offers no end of inspiration for getting out there and exploring their huge variety of important destinations. It also gives information on the numerous "bigger picture" projects that The National Trust run which help to engage and educate visitors to the issues which adds really interesting and thought provoking elements to even a quick visit, including everything from the plight of bees to architectural debates.


We have recently added a store to the site. It offers all the best Snook fishing gear and much more. It will take you directly to Bass Pro Shops or West Marine, two of the most trusted fishing stores. We will have much more to offer in the near future, so be sure to check back with us for more from our store, fishing reports, fishing tips, recipes, videos, and much more. Thanks for checking out FishForSnook and be sure to get out there and catch some of these big summertime snook!


Hey friends and family. Sorry that we were away from the blog for a few weeks. It's been crazy with projects, and other plans we are having towards the future of both the blog and our lives. Let me start by sharing how wonderful the picture above is. We went to visit family in Colorado, and oh my, every sight is literally to fall in love with. I will be writing a blog post about our visit and what we did during that week, but in the mean time, let me leave you with a couple of photos as a tease.
Ah! It was wonderful to breath in the fresh air, hear nothing but nature around us, and to feel another season rather than Spring/Summer all year round. It was a great way to celebrate the beginning of Fall.
What I was mostly excited about, was; being able to wear my scarves. It never really gets that cold in SoCal, and I have to confess I am crazy for scarves. It was fun for once, being able to wear them every day. I was a little sad when we came back, but we were only staying for a week. I have to believe it is quality time over quantity, but to be honest, I wished we could stay longer. I really enjoy the weather, the scenery, the people, it's all just very exciting.
When we got back, we had to get to our normal routine. We went to get some groceries, and I think the sausage Gods were smiling at us. We found these delicious gifts from Chef Bruce Aidells. Since we eat nothing but organic or non-gmo, we were very happy to try these sausages. If you are into trying new things, and also enjoy eating organic food, please, please you must try these. Just make sure you are not allergic to the ingredients.
You can have them in stroganoff, or in an omelette, or just by themselves. There is nothing, in the meat world, yummier than grilled sausages, in our opinion. We are definitely keeping this product in our grocery list.
I think that as the time passes, we get the opportunity to see more brands going organic, which is great for us who try to keep on that strict diet. It is all a matter of patience and hopefully one day, when we own our farm, we can join in the revolution as well. For the moment, we share our little grain of sand, by growing some organic food in our tiny garden.
Talking about which, things are looking interesting in the garden. After a weird heat wave starting the fall, many of our crops either got a bit dehydrated, or got a bit burned. The tomatoes for instance, were done for the season, so we removed them to make way for the greens we will be growing this winter, such as; kale, lettuce, chard, and more.
Our basil is growing like crazy, and you know what that means? Pesto! Plus I really enjoy basil in my morning toast too. I usually have a kefir spread on a toast for breakfast and enjoy it even more when I add fresh basil leaves and a couple of slices of Kumato tomatoes. If you have Sprouts Farmer's Market in your home area, look for these brownish tomatoes, they are grown organically, and they are very flavorful. Believe me, after trying them for the first time, we have never gone without having them among our choice of tomatoes to eat.
Last year, one of our three roses just died on us. It was a very fragrant "blue rose", which in reality is more like lilac color. Nonetheless, this week, it kind of grew again. Don't get me wrong, I don't mind at all, because this is one of my favorite roses. I was sad to see it gone, but once it came back I felt it as a sign of hope. It sounds strange to see it that way, but lately there were strange things happening that made us feel stuck; like we were not moving forward. I think this rose just became a symbol of rebirth, and I am very happy about it.
I wish I could share the sweet smell of this beautiful rose. I truly believe we get blessed in our garden over and over again. I just wished it was bigger, so we could grow more things and share those blessings. Hopefully soon we'll own our farm and help feed delicious organic food to our community.
I am also very excited about our mandarin oranges. This is the time of the year, in which our family tree in Mexico, grows literally tons of mandarins. Although we are not there to enjoy the fruit of that tree, we did find 13 mandarin oranges growing in our dwarf tree. Right now, they are still working their way into changing color. I just can't wait to try them!
Some plants are coming and some are going, that's the fun about the end of a season and the start of another. However, it is also the time to harvest and gather seeds from those plants that have gone to bloom. Such are the chives, which are both delicious, and useful when distracting pests from other close by plants.
Something awesome that I found recently while sorting out my closet, was a very special thing that I wanted very bad at some point, but because of things just happening in life, once I obtained it, it ended up in the closet waiting it's turn to catch my attention again. It's a 12 Hole Tenor Ocarina "Infinity" in black, from STLocarina.com. I definitely have to give them a huge shout-out, because their ocarinas are so inspiring. The fact that they sell learning material, plus show beautiful videos, really helps a ton if you are a newbie with the desire to learn a new instrument. The holidays are coming, so if you are thinking about a special and unique gift, you might want to consider them.
I love collecting musical instruments, and since this is a small instrument that does not require batteries nor small pieces to be played, it is ideal to carry around if you feel like playing outdoors just for fun. I must say that I do not know how to play this instrument yet, but as others I have, it is just a matter of investing time to it, and letting my emotions take over. That always works for me.
Do you like playing musical instruments? Do you know how to play one? I would love to know which. I believe music, as any other means of art, is a great way to learn discipline and to express yourself. What do you think about music?
This week was pretty much about self-discovery. We found out that we need to focus on the beautiful things in life, practice more meditation, and try to live a stress-free life. We have been working towards that goal, and though it sounds easier than it is in reality, I think we are getting closer to the point in which we embrace that lifestyle and enjoy our lives even more. Stress brings so much negativity, and illness into people's lives, that it has become a priority for us to find ways to avoid it. As mentioned, meditation is a great way. I used to do Tai-chi, which is great for this too, and right now my husband practices Qui-Gong, which is also great to learn breathing techniques that you can apply when you are in a very stressful situation. It is true that sometimes there are things that are out of our control, as we've learned these past couple of weeks. The first step into solving a problem, is to identify it. Recognizing this is very hard, because it is easier to pretend we are okay and live in a bubble of deniability. I think we got tired of it, and we are just in pursue of true happiness, and once we get there, we would love to drag all of our friends and family with us, this includes our readers too.
I know for sure that this week, we will have some fun goodies to watch, thanks to Allied Hispanic. We will be watching: Marvel's Captain America: Civil War and Disney's The Lion Guard: Unleash the Power. Reviews will be coming up soon.
How about you? What fun activities have you prepared for this weekend? Please share with us, we would love to know. Do you have techniques to relax and de-stress after a crazy week? Oh please do share those as well. I know the whole Just Happiling community would benefit from sharing some tips.
Regarding our Just Happiling product shops, we have some exciting things brewing, so keep an eye for our newest designs, and products added to the shop. Plus, there might be a giveaway coming soon in celebration of our newest art projects. If you like the products below, just click on the image to be taken to our shop, where you can buy them before these upcoming holidays, and thank you for your support.
Don't forget to visit our Giveaway page for your chance to win great prizes. Subscribe to keep-up-to date, since we always have giveaways running. The more you enter, the higher your chances to win.
For the moment, thank you for hanging with us for another week as we embark into our journey towards happiness.
Disclaimer: We were not compensated to write this blog post in any way. However, there are links in this blog post, that lead to previous Just Happiling blog posts that were either sponsored, or where we got the product described for free for the purpose of writing that particular post. If such is the case, there will be a disclaimer in those posts for your awareness. There are no affiliate links in this blog post whatsoever.


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Since August Weismann (1834-1914) formulated the distinction between innate and acquired characteristics at the end of the 19th century, the debate relating to the inheritance of acquired traits has raised many controversies in the scientific community. Following convincing arguments against (e.g. William Bateson) this debate was then set aside by the majority of the scientific community. However, a number of epigenetic phenomena involving RNA, histone modification or DNA methylation in many organisms have renewed interest in this area. Transgenerational effects likely have wide-ranging implications for human health, biological adaptation and evolution, however their mechanism and biology remain poorly understood. We recently demonstrated that a germline nuclear small RNA/chromatin pathway can maintain epi-allelic inheritance for many generations in C. elegans. This is a first in animals. We named this phenomenon RNA-induced epigenetic silencing (RNAe). We are currently further characterizing the mechanism of RNAe. In addition, we are testing the hypothesis that RNAe provides a transgenerational memory of the environment ("Lamarckism"). We will present new data suggesting a role for RNAe in sensing nutrition and the environment.


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text:
Past Releases Little Erin Merryweather
PreviousA Light in The Darkness NextA Little Romance
Little Erin Merryweather
A rash of murders with striking similarities signal the arrival of a new kind of killer, one who kills the men instead of women in this twist on the serial killer film.
In the middle of winter death arrives in a small New England town. A rash of murders with striking similarities signal the arrival of a new kind of killer, one who kills the men instead of women in this twist on the serial killer film. Rumors have it that a flash of red is all you see before you die, the Little Red Riding Hood of death. Local hunk Peter Bloom investigates the murders, but the stakes grow higher as the body count mounts. His search finds Peter thrust into a fairytale world full of nightmares where his investigation turns into a fight for his own survival before he sees a flash of red as death finds him!
Format: 1:85 Flat (35MM)
Genre: Horror/Thriller
Website: www.littlerinmerryweather.com
Directed by: David Morwick
Starring: Vigdis Anholt, David Morwick, Elizabeth Callahan & Frank Ridley
Winner Best Feature — Woods Hole Film Festival
Official Selection — New York City Horror Film Festival
"The acting is top notch."
Christopher Coffel, TheCrypt
"Released on the heels of Red Riding Hood comes this better take on the fairy tale of Red Riding Hood, this is almost like if the Urban Legend and the fairy tale just merged. I got into this film. It was a fun little watch. The killings are old school, the characters held my attention, and the story worked for me."
Wicked Channel TV
"Little Erin Merryweather" is first and foremost a cut above 99% of indie horror films. Compared to some of the flicks Lionsgate is releasing straight-to-dvd, this is an Oscar winner. The unknown cast is very strong (especially the creepy Vigdis Anholt as Erin) and the cinematography is first rate. Unlike most horror films nowadays, cinematographer Michael Marius Pessah gives a lifelike picture of the small snow covered college town that the characters inhabit. In addition, we get effective and skin crawling shots of the red hooded killer lurking around the college, woods, and the victims."
Nick Lyons, DVDTalk.com
"…gem of a flick, which is sure to please old school horror enthusiasists."
Icons of Fright.com
"Very solid performances, a great score and a different take on your standard stalk-n-slash cheapie, Little Erin Merryweather is a true breath of fresh air compared to some of the stuff that shows up at my front door. In fact, it is that very stuff that kept me from giving this a chance for so long, but damn I'm glad I did. The first thing you'll likely notice about the film are the illustrations, which are across the board, badass."
Johnny Butane, Dread Central.com
"Little Erin Merryweather blew my socks off! Best horror film of 2006. I ask anyone to prove me wrong…Everything was perfect in the movie, the setting, the actors, the plot."
George Newman, KickAssHorrorReviews.com
"…the acting is good, and the depiction of a red-caped, face-painted blond as mass murderer is novel and somewhat unsettling."
MTV's Headbangers Ball
"It sounds strange, but this film is more a creative, "classy thriller," rather than a "straight-up horror film." In addition in "Little Erin Merryweather" the men are the victims for once, and a young woman the serial killer. The film flips the genre on its head while being a throwback to the 70's style of Horror film made popular by "The Omen". Overall the film is very powerful, and makes use of the beautiful landscape of his home state as an integral part of the film — it becomes almost a character. Worth checking out."
Samantha Fields, Boston Herald
"I gotta tell ya that I really did like Little Erin Merryweather. Vigdis Anholt turned in a really cool performance as the mentally deranged Erin Merryweather. I guarantee you'll get a kick out of Erin when she's all "dolled" up. I was really diggin' the whole "dolly/painting/child voice over" that occasionally sprung up during Erin's frequent breaks from reality as well. It really added a creepy atmosphere to the film. I should also mention writer/director David Morwick's performance as Peter Bloom; he did a pretty damn good job."
Brian Harris, Joehorror.com
"This review goes back to the 90's as this film reminded me of "Freeway" with Reese Witherspoon – focused on mythological tales e.g. Little Red Riding Hood and with strong women. Little Erin Merryweather is a really enjoyable film and a movie that deserves a second look from viewers."
Michael Allen, 28 Days Later.com
"Little Erin Merryweather is an original and unique horror film that blends a slasher flick with fairy tale elements. I was pleasantly surprised by the quality of the film, from the cinematography to the acting to the script and story. The script is tight, believable and has no plot holes. Most horror films nowadays are written with just boobs and blood in mind, but not so with Little Erin Merryweather. Morwick takes the time to develop the characters, make the audience care about them (even the killer) while managing to keep the film full of tension."
Fatally Yours.com
Blogger votes Little Erin Merryweather one of the "Top Ten Boys of Horror."
House of Geekery


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Report: Lame Duck Congressional Deal to Cut Social Security Could Harm Millions of Californians
New AFL-CIO Report Shows Millions of Californians Could Be Harmed By Lame Duck Congressional Deal to Cut Social Security, Medicare and Medicaid
Cuts to Social Security would affect nearly 5 million Californians; Medicaid cuts would impact a million seniors and more than 4 million children
More from the report at http://bit.ly/1119SsR
Oakland, California – According to a new report released by the AFL-CIO, nearly 5 million Californians could be negatively impacted if Congress attempts cuts to Social Security, including 662,232 people with disabilities and 364,365 children. Of the 11 million Californians who get their health care coverage from Medicaid, 4.4 million children and nearly a million seniors could be affected if the lame duck Congress makes cuts to Medicaid benefits.
Social Security, Medicare and Medicaid combined deliver $156.7 billion per year into California's economy. As the so-called "fiscal cliff" approaches, members of Congress have suggested cutting these vital programs, even while calling for extending the tax cuts for the richest 2%. If those tax cuts are renewed, the richest 2% in California would receive an average tax break of $30,820, while the rest of Californians would receive an average of $1,440. The 2012 House Republican budget plan would cut federal support to California's Medicaid program by at least $85 billion (22%) over 10 years.
"We can't afford to let lame duck legislators in Washington play politics with our social safety net," said California Labor Federation Executive Secretary-Treasurer Art Pulaski. "We need to protect Medicare, Medicaid and Social Security benefits for those among us who need it the most. Retirees, people with disabilities and children shouldn't have to suffer because some in Congress want to give more tax breaks to the richest 2%. It's time for the rich to pay their fair share, and it's time for our elected officials to strengthen these and other vital programs that create jobs and support the middle class."
California's working families have been mobilizing around the lame duck session and will continue calling on Congress to end tax cuts for the richest 2% and to say no to cuts to Medicare, Medicaid and Social Security. For more information and highlights from the report, visit http://bit.ly/1119SsR.


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Q: Splitting json python list data values I am currently trying to split a json file (python list) which looks like this :
liftOver = {"/
Contig1863": [["ref0000283e3", "-", 3681], ["ref0000283e3_ref0000283e5", "-", 7468]], "/
Contig1862": [["ref0001167e3_ref0001167e5", "-", 13438]], "/
Contig1861": [["ref0001923e3_ref0001923e5", "-", 13221]], "/
Contig1860": [["ref0000920e3", "+", 769], ["ref0000920e3_ref0000920e5", "-", 6640]], "/
Contig1867": [["ref0001036e3_ref0001036e5", "-", 14133]], "/
Contig1866": [["ref0000256e3_ref0000256e5", "+", 11744]], "/
Contig1865": [["ref0001172e3_ref0001172e5", "+", 8445]], "/
Contig1864": [["ref0000694e3_ref0000694e5", "-", 26308]], "/
Contig1869": [["ref0001325e5", "-", 396], ["ref0001325e3_ref0001325e5", "+", 17739]], "/
Contig1868": [["ref0001621e5", "+", 3742], ["ref0001621e3_ref0001621e5", "+", 14315]], " }

And i need to print only first key value (i.e ref0000*) including the key (Contig*) and then split those key values with ('_'). Anybody got any ideas? It seems to not work for me. My code is:
for key, value in liftOver.iteritems():
    lift_split=[liftOver.split("[_]") for value in liftOver.values()]
    print(lift_split)

AttributeError: 'dict' object has no attribute 'split'

A: liftOver = {"Contig1863": [["ref0000283e3", "-", 3681], ["ref0000283e3_ref0000283e5", "-", 7468]],
"Contig1862": [["ref0001167e3_ref0001167e5", "-", 13438]],
"Contig1861": [["ref0001923e3_ref0001923e5", "-", 13221]],
"Contig1860": [["ref0000920e3", "+", 769], ["ref0000920e3_ref0000920e5", "-", 6640]],
"Contig1867": [["ref0001036e3_ref0001036e5", "-", 14133]],
"Contig1866": [["ref0000256e3_ref0000256e5", "+", 11744]],
"Contig1865": [["ref0001172e3_ref0001172e5", "+", 8445]],
"Contig1864": [["ref0000694e3_ref0000694e5", "-", 26308]],
"Contig1869": [["ref0001325e5", "-", 396], ["ref0001325e3_ref0001325e5", "+", 17739]],
"Contig1868": [["ref0001621e5", "+", 3742], ["ref0001621e3_ref0001621e5", "+", 14315]]}

for key, value in liftOver.items():
    vals = [item[0] for item in value]
    print(key, ' '.join(vals))

The above outputs:
Contig1864 ref0000694e3_ref0000694e5
Contig1868 ref0001621e5 ref0001621e3_ref0001621e5
Contig1861 ref0001923e3_ref0001923e5
Contig1869 ref0001325e5 ref0001325e3_ref0001325e5
Contig1860 ref0000920e3 ref0000920e3_ref0000920e5
Contig1862 ref0001167e3_ref0001167e5
Contig1866 ref0000256e3_ref0000256e5
Contig1863 ref0000283e3 ref0000283e3_ref0000283e5
Contig1865 ref0001172e3_ref0001172e5
Contig1867 ref0001036e3_ref0001036e5

I am not sure if I did understand your question correctly.


There's bells and whistles, then there's purity of form. And an amber varnish really brings out that form. This Upton Bohemian model double bass features a flat back, with a deluxe top. That's it – BOOM. And some dot markers. And a Rev Solo – okay, one bell, one whistle. DONE – commence playing!
This impressive Upton Mittenwald double bass was built as a hybrid with birch wood veneers on the back and sides. The birch upgrade lends a buttery undertone to the lighter varnish. Brass antiqued scroll plates and tuners and a Rev Solo pickup complete the package.


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The number of married same-sex couples in the U.S. is at an all-time high
https://www.lgbtqnation.com/2022/12/number-married-sex-couples-u-s-time-high/
This is what the right wing religious bigots are desperate to stop. As more people become comfortable with same sex marriages and as more same sex couples get married with none of the horrible things happening that the rabid religious claimed such as no straight couples getting married. They are too late with same sex marriage except in a few rabid red area. That is why they are desperate to attack trans kids / drag queens and get the growing acceptance of them stopped before that is too late for them to stop also. Keep the kids from understanding that their peers who are gay and trans are just kids like them then they grow up possible bigots who have to learn acceptance as adults when it is much harder. They attack drag queens because they have become so popular that it worries the fundamentalist religious horribly. They are desperate to stop the advances in society that is leaving their regressive way of living behind. Think of it this way, just as the Amish / Mennonites couldn't handle the changes in society and prefer to live in the 1800s, so the Christian fundamentalist cannot handle the modern society and want to live in the 1900s. The problem is the Christian fundamentalist are attempting to force the rest of us to live as they demand also. If they would just go live in their own regressive lives no one would care. but they are demanding to rule over the rest of us who don't agree with them. Hugs
And the number of same-sex households has increased by 122 percent since 2008.
By Daniel Villarreal Wednesday, December 28, 2022
Photo: Shutterstock.
Over 1.2 million same-sex couple households exist within the United States, according to recently released data from the U.S. Census Bureau.
The data also showed that there are more married same-sex couples living in the U.S. than ever before, which makes sense considering that marriage equality was only legalized nationwide in 2015.
The data comes from the American Community Survey (ACS), an annual survey sent to nearly 3.5 million households across the nation. The ACS collects demographic information to provide a comprehensive, ongoing view of the U.S. public.
ACS data shows that the number of same-sex households in the U.S. has steadily increased from approximately 540,000 in 2008 to 980,000 in 2019, and then to 1.2 million in 2021 – a more than 122 percent increase from 2008 to 2021.
From 2008 to 2015, ACS data showed that the number of households with unmarried same-sex couples in the U.S. was consistently higher than the number of households with married same-sex couples. This is hardly surprising considering that only 16 states had legalized same-sex marriage before 2014.
However, every year since 2016, the ACS has reported the number of households with married same-sex couples has surpassed the number of households with unmarried same-sex couples.
In 2021, the ACS counted around 500,000 households of unmarried same-sex couples. Interestingly, this is about the same number as was counted by the ACS in 2013. Also in 2021, the ACS counted over 700,000 households with married same-sex couples in the U.S. — an all-time high.
ACS data also showed that 31.6 percent of same-sex married couples were interracial, compared to just 18.4 percent of married couples, according to The Washington Blade.
While 29.6 percent of unmarried same-sex couples both had bachelor's degrees, only 18.1 percent of unmarried opposite-sex couples held the same degrees.
The data also showed that while the average age of same-sex married couples was 48.9 years, the average age of opposite-sex married couples was 52.8 years. Comparatively, the average age of same-sex unmarried couples was 42 years while the average age of opposite-sex unmarried couples was 39.9 years.
Posted on December 30, 2022 December 30, 2022 by Scotties PlaytimePosted in LGBTQ+ / Gay / Trans / Gender
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OIKOS™- Art, Books & more says:
Sounds good! Before i will forget let me send best wishes for a wonderful start of the New Year! xx Michael


text:
Victor Joseph Roznovsky  (October 19, 1938 – January 18, 2022) was an American professional baseball catcher, who played in Major League Baseball (MLB) for the Chicago Cubs, Baltimore Orioles, and Philadelphia Phillies, from 1964 to 1969. During his playing days, Roznovsky stood  tall, weighing . He batted left-handed and threw right-handed.

The most big league action Roznovsky saw in any one season, was with the 1965 Cubs, appearing in 71 games, with 193 plate appearances. He was acquired by the Orioles from the Cubs for Carl Warwick on March 31, 1966. He was on the Orioles' roster for the 1966 World Series but did not appear in any games. Roznovsky was traded to the Phillies, April 12, 1969, and ended his career there.

Roznovsky died in Fresno, California, on January 18, 2022, at the age of 83.

References

External links

 Vic Roznovsky at SABR (Baseball BioProject)

1938 births
2022 deaths
Baseball players from Texas
Major League Baseball catchers
Chicago Cubs players
Baltimore Orioles players
Philadelphia Phillies players
Tacoma Cubs players
Springfield Giants players
Quincy Giants players
Rochester Red Wings players
Buffalo Bisons (minor league) players
Salt Lake City Bees players
El Paso Sun Kings players
Fresno Giants players
People from Shiner, Texas
Roswell Pirates players

redpajama_set_name: RedPajamaWikipedia


text:
Lankford, Inhofe, Lucas Announce Extension for Access to Oklahoma Rural Hospital
Ensures Access to Care & Saves Local Jobs
WASHINGTON, DC – Senators James Lankford (R-OK), Jim Inhofe (R-OK), and Congressman Frank Lucas (R-OK) announced, after months of work with the Centers for Medicare and Medicaid Services (CMS), Harmon Memorial Hospital in Hollis, Oklahoma has received an extension of their designation to continue to serve the community as a Critical Access Hospital (CAH). In March, Lankford, Inhofe, and Lucas sent a letter to then-Acting CMS AdministratorLiz Richter to push for Harmon Hospital to remain a critical access hospital.
"After months of calls, emails, and letters, I was elated to finally get the sign off from CMS that Harmon Hospital has received the vital extension that we requested for the entire community," said Lankford. "Without the critical access designation, the city of Hollis and Harmon County would be dangerously far from emergency health services and nearly 100 people would lose their jobs. Oklahoma rural hospitals provide critical care to thousands of people who are loved by our families and essential to our economy. We must work to protect each one."
"I am glad to hear that Harmon Hospital in Hollis, Oklahoma will be able to continue to operate as a Critical Access Hospital," Inhofe said. "The CAH designation keeps rural hospitals going, helping ensure that individuals in communities like Hollis are able to get necessary care. I remain committed to ensuring Harmon's ability to serve continues for years to come."
"I am extremely grateful of CMS' decision to extend the Critical Access Hospital (CAH) designation to Harmon Memorial Hospital. Oklahoma's rural hospitals, including Harmon Memorial Hospital, provide critical care to those who call rural Oklahoma home. While many Oklahomans live in close proximity to some of Oklahoma's largest hospitals, Oklahoma's rural communities often rely on the accessibility of the state's rural hospitals, including CAHs, who are often the sole community health care provider in the county. As more and more rural hospitals close across the country, we must ensure that we keep Oklahoma's rural hospitals open, ensuring our rural communities have convenient, affordable, quality access to health care," said Lucas. "I thank the efforts of CMS in ensuring Harmon Memorial Hospital remains a critical access hospital, and I look forward to working with the Agency and hospital leaders to make sure our rural communities in Oklahoma continue to have access to the essential services these hospitals provide."
"The community of Hollis and health care professionals at Harmon Memorial Hospital are grateful for the efforts of Senators Lankford and Inhofe and Congressman Lucas in helping us receive an extension of our Critical Access Hospital designation. Oklahoma is blessed to have elected officials who are so engaged," said Steve Hartgraves, CEO Harmon Hospital.
Earlier this year, Lankford introduced a bipartisan Rural Hospital Closure Relief Act, which would support financially vulnerable rural hospitals facing risk of closure. The legislation would update Medicare's CAH designation so more rural hospitals can qualify for this financial lifeline and continue to serve their communities with quality, affordable health care services.
The Rural Hospital Closure Relief Act would support and stabilize rural hospitals by providing flexibility around the 35-mile distance requirement and enabling states to certify a hospital as a "necessary provider" in order to obtain CAH designation. This authority ended in 2006, but this bill would reopen this financial lifeline for certain rural hospitals that serve a low-income community, are located in a health professional shortage area, and that have operated with negative margins for multiple years.


text:
Cosmo Zaloom war eine Hard-Pop-Band aus Hannover.

Geschichte
1993 gewann Andreas Weihs unter dem Pseudonym "Cosmo Zaloom" mit einer Demo-Cassette, die er bei Jens Krause im Peppermint Park aufgenommen hatte, die Teilnahme am hannoverschen Rockwettbewerb. Da er nicht alleine auf der Bühne des hannoverschen Pavillons stehen wollte, fragte er seinen langjährigen Freund und Schlagzeuger Jens Klemp (Ex-Primaries), ob dieser nicht Zeit und Lust hätte, ihn bei dem Auftritt zu unterstützen. Jens Klemp brachte mit Michael Schrader (Ex-Hungry Dayz) auch noch einen Bassisten mit in die Band.

Der Auftritt wurde, trotz weniger Proben, ein Erfolg und machte Klaus-Peter Matziol, den Bassisten von ELOY, auf die Band aufmerksam. Dieser war auf der Suche nach einer jungen Band, die er für das Label Interatlantic Tours (I.A.T.) unter Vertrag nehmen konnte. Wenige Wochen später war der Plattenvertrag unterschrieben und die Band landete – mittlerweile unterstützt durch den ehemaligen Primaries-Gitarristen Eric Limberg – in den hannoverschen Staccato-Studios bei Rainer Holst, um ihre erste CD "Planet Of My Own" aufzunehmen. Die CD erschien beim Essener Plattenlabel VOICES.

Es folgte eine Support-Club-Tour für die kanadische Band "Surrender Dorothy" sowie eine 14-tägige Support-Tour für ELOY, durch große Hallen in Deutschland.
Im Frühjahr 1996 erschien die zweite CD "Handland", ebenfalls bei VOICES. In der Folge wurden etliche Club-Gigs in der gesamten Bundesrepublik gespielt. Ein Video zu dem Song "Summertime" wurde gedreht – fand jedoch keinen Zugang in den gängigen Musikkanälen.

Ende 1998 ging die Band für fast zwei Jahre in die Babypause. Ab Dezember 2000 folgten jedoch weitere sechs Jahre des gemeinsamen Musizierens. 2002 erschien die im Eigenverlag produzierte CD "Straight From the Sofa".

2006 hieß es dann endgültig Abschied nehmen. Im hannoverschen FAUST, an Erics 40. Geburtstag, spielten Cosmo Zaloom ihr (wahrscheinlich) letztes Konzert.

Der Name
Der Name der Band ist eine Symbiose. "Cosmo" war der Name eines Gespenstes in einem alten Schwarzweiß-Film. George "Zaloom" hieß der Produzent des amerikanischen Nonsens-Films Steinzeit Junior.

Beide Namen landeten in einem kleinen Moleskine. Als Andreas Weihs 1993 einen neuen Namen für sein Projekt brauchte, brachte der Zufall beide Namen zusammen.

Bandmitglieder
 Jens Klemp – Schlagzeug, Background Vocals
 Eric Limberg – Gitarre
 Michael Schrader – Bass
 Andreas Weihs – Gesang, Gitarre

Diskografie
 Elvis, Lou And Me (unplugged), Demo-MC, 1993
 Sixpack '93, Sampler des Rockbüros Hannover zum Rockwettbewerb, CD, 1993, Label: Sponsors Dance
 Planet Of My Own, CD, 1994, Label: Voices
 The christmas collection Vol. 2, Sampler des Musikzentrums Hannover, CD, 1994, Label: Sponsors Dance
 Summertime, Maxi-CD, 1995, Label: Voices
 Handland, CD, 1996, Label: Voices
 Sixpack '98 / Greatest Hits 1989-98, Sampler des Musikzentrums Hannover, Doppel-CD, 1998, Label: Sponsors Dance
 Straight From The Sofa, CD, 2003, Label: mockermusic

Weblinks
 Website von Cosmo Zaloom

Popband
Deutsche Band