text:
@import BSImagePicker;
@import Photos;

@interface ViewController ()

@end

@implementation ViewController

- (void)viewDidLoad {
    [super viewDidLoad];
    // Do any additional setup after loading the view, typically from a nib.
}

- (void)didReceiveMemoryWarning {
    [super didReceiveMemoryWarning];
    // Dispose of any resources that can be recreated.
}

- (IBAction)showImagePicker:(id)sender {
    BSImagePickerViewController *imagePicker = [BSImagePickerViewController new];
    [self bs_presentImagePickerController:imagePicker
                                 animated:YES
                                   select:^(PHAsset * __nonnull asset) {
                                       NSLog(@"Selected: %@", asset);
                                   } deselect:^(PHAsset * __nonnull asset) {
                                       NSLog(@"Deselected: %@", asset);
                                   } cancel:^(NSArray * __nonnull assets) {
                                       NSLog(@"Cancel with selections: %@", assets);
                                   } finish:^(NSArray * __nonnull assets) {
                                       NSLog(@"Finish with selections: %@", assets);
                                   } completion:^{
                                       NSLog(@"Finished presenting");
                                   }];
}

@end


"Waste is not waste. We think of waste as a rejected product which can be reused," Manish said.
3RMPL is known for deploying smart indigenous technology, innovated at the closest location of waste generation, from gardens, temples, parks to residential societies and individual houses, they convert the garbage into useful by-products and then take care of the supply-chain of the by-products.
Giving an example of the work they do, Manish told that everyday 400-500 kg discarded flowers are thrown into Yamuna river. 3RMPL took the initiative to recycle those flowers, Manish said. "We used to take those flowers and produce perfume out of it," Manish said.
He also told the audience how they installed an electricity plant at India Gate to generate electricity out of garbage leaves and grass.
The Safaigiri Award for Garbage Guru has been awarded to Manish and Manoj Pathak of 3RMPL. 3RMPL has won the award for its urban waste management model which focuses on providing decentralised solutions with an equal emphasis on technical and operational aspects.
Speaking to India Today's Sahil Joshi, Manish said that everyone is born koodawallahs(garbage collector) and life is a journey towards being safaiwallahs.
Previous Post: This TISS graduate-turned- Ecopreneur teaches India how important segregation of waste is.
Next Post: Meet 'The Beach Hero' Afroz Shah.


Age And Credit score Scores: 18-24 12 months olds usually have the bottom average credit score score by age (643). Private banks are sometimes hesitant to lend cash to pupil with a foul credit score history or no credit score historical past. And to determine whether or not they'll lend to you, lenders, like banks and credit cards, use a scoring system.
So as a way to counter the upper danger associated with a mortgage to pupil who has a foul credit historical past, financial institutions cost greater interest on these loans. Non-public scholar loans for college kids with unhealthy credit score are generally tough to seek out.


text:
Portuguese Man of War by artist Henry Hong. Photo: Rachel Gray.
In The Making Collaborating Artist Interview: Marisa Gallemit
By Apartment613 on May 14, 2019
Text by Joanna Tymkiw, visuals by Rachel Gray. In the Making is an interdisciplinary exhibition featuring the work of ten BEING Studio artists. The exhibition is the culmination of a workshop series presented by five local artists sharing skills in printmaking, sculpture, photography, storytelling and ceramics. Joanna is a member of BEING Studio's Board of Directors and Rachel is the artistic coordinator at the studio.
Click here to learn more about BEING Studio's In The Making workshop series.
Marisa Gallemit's work will knock the air right out of you. Her fascinating practice includes sculpture and assemblage out of repurposed objects. From huge and heavily layered bunches of rubber feathers to public and interactive installations, you've never seen anything like it before. Despite her being one of the most creative people you might ever meet, she's also inviting and approachable – not to mention humble. In her own words, "I screw and I glue. That's it."
Suzan Ozkul, Hair Lights, bicycle inner tubes, parachord, dimensions variable, 2019 (2)
For Marisa, making sculptures came out of nowhere. One night at her dining room table, when her child was sleeping, Marisa gathered tires and other discarded goods from her bike shop and challenged herself to make something out of it. "Doing this took care of that part of me. It was unobtrusive to the rest of my life and there was no expense to it. It was this piece of privacy that just ended up saving me."
For Marisa, BEING Studio is the closest thing to perfect environment for artists regardless of age, gender or capacity. "I really think that the studio is fostering exactly what it was I needed back then. When I walked into that space for the first time and saw everyone working with their materials, at their craft, alongside each other – I just felt in awe."
Marisa drew inspiration for her sculptural workshop from American fiber sculptor Judith Scott. During her artistic career, Judith created bright, diverse sculptures by intensely wrapping objects with coloured yarn. Speaking about Judith's work, Marisa says "She just committed to this intensive wrapping process. Her life really changed when she started doing this – it was her jumping off point."
A lot of what drives Marisa's taps into her own resourcefulness, so the artists with a variety of repurposed materials, but says "Really, I was just there to make suggestions. These artists already have robust practices and are working constantly. They're so dedicated to their practice and what that entails."
These artists already have robust practices and are working constantly. They're so dedicated to their practice and what that entails.—Collaborating Artist Marisa Gallemit
The result? "Unbelievable. There's such a range too because the materials differ. Henry made a piece that was exactly what I had envisioned. He was so focused on it and it is so tightly wound. It's just stunning."
The sculptures curator Rose Ekins chose from this workshop range from more literal to abstract, both big and small, some inviting and others more demanding.
"Henry's is a super intricate mixture of texture and pattern and material. It's quite inviting because when things become tighter in terms of space, our brain wants to make sense of it – so I found myself just moving closer and closer."
Rose explains that this is the opposite to Suzan's piece, which is very large, and commands attention in a different way. "It really demands space because of its length. During the exhibit, it will be hung from the ceiling and spill onto the floor. It'll be stunning."
The impression Marisa is left with of BEING Studio is the real confidence and gestural quality to the work that is made by the artists. "There's not a lot of second guessing. I was awestruck by it, it's just pure expression."
In The Making's opening reception is Thursday May 16 from 5:30-8:30pm at the Galerie Annexe, Ottawa Art Gallery. The exhibition runs May 16-26. Ottawa Art Gallery's drop-off/pick-up address is 10 Daly Avenue. The Daly entrance is between Waller and Nicholas on the south side. The Ottawa Art Gallery is a wheelchair accessible venue.
BEING Studio,
Marisa Gallemit
Sights & Sounds, Theatre, Weekend Roundup
In The Making Collaborating Artist Interview: Melanie Yugo
Hidden, Interviews, Sights & Sounds, Visual art
In The Making Collaborating Artist Interview: Paula Murray
In The Making Collaborating Artist Interview: Rosalie Favell
In The Making Collaborating Artist Interview: Kim Kilpatrick
Hidden, Sights & Sounds, Visual art
Exhibition: BEING Studio's In The Making at the Ottawa Art Gallery's Galerie Annexe—until 05.26.19
Interviews, Sights & Sounds, Visual art

redpajama_set_name: RedPajamaCommonCrawl


These are my MIL's orchids in Montalban which are just among their blooms in the beautiful garden they have. My BIL takes care of the garden; he planted all the plants and flowers and had some landscaping too. He has a green thumb in planting and every time we visit them we always takes some of their blooms to our home because my Mom loves gardening too. I even joked and asked them if we could just bring plenty of pots there so they can include the pots when they do some gardening and we can just take them home lol! The latest we brought home last week was sunflower and a couple of fern-like plants.
For more beautiful flowers around the world click the badge above!
Really Nice flower, Its looking very pretty and its purple color Attract so much You have post a nice picture, This inspire me..


A shaman is a person who, in tribal cultures, communicates with the spirit world. As intermediaries, shamans ask spirits to intercede in the lives of humans, healing them of illnesses, or granting favors. Since traditional cultures believe that spirits play important roles in people�s lives, the shaman must learn how to cooperate with the spirits for the benefit of his or her community.
Ron Wheelock is widely known in Peru as �The Gringo Shaman of the Amazon�.
Ron Wheelock, 53, was born in Independence, Kansas. In 1996 he went to Peru looking for a spiritual teacher. Ron first drank ayahuasca in Tamshiyacu with famed shaman Don Agustin Rivas Vasquez. While with Don Agustin, he made arrangements to return to begin the intensive training to become a shamanic healer himself using the South American plant medicine, ayahuasca.
Ron stayed with Don Agustin for 5 months doing many plant diets. Ron then began working with Don Jose Coral Mori, the teacher of Pablo Amaringo and Eduardo Luna, the authors of �Ayahuasca Visions�. After studying with both ayahuasqueros (a shaman who works exclusively with ayahuasca), he began working on his own.
Iquitos is the largest city in the Peruvian rainforest and is known as the ayahuasca capital of the world. Ayahuasca tourism is now a vital part of the Iquitos economy with Westerners seeking traditional shamanic experiences and healings using the visionary Amazonian medicine. Besides bringing �spiritual tourism� to Iquitos, ayahuasca is being used in three new religions in Brazil. It has been credited with curing thousands of alcoholics and drug addicts, and is being studied by pharmacologists around the world.
Like indigenous shamans have been doing for centuries, Ron prepares his ayahuasca by harvesting the vine Banisteriopsis caapi and then boiling it with other plants and herbs for several days. After continuous praying over the mixture, Ron�s �tea� is ready to be used in a ceremony. Ayahuasca is said to give users the power to travel beyond their bodies, to see the future, and hunt and confront the demons that cause physical and emotional illnesses.
Ron lives with his girlfriend Karina Maria Diaz Paredes and conducts ayahuasca ceremonies twice a week on Tuesdays and Fridays. He has a 34 year old daughter, Christina, living in the U.S., and a 5 year old son, Quetzalcoatal Luis Wheelock Angulo.
free download The Gringo Shaman of the Amazon.The Gringo Shaman of the Amazon full from nitroflare rapidgator uploaded turbobit extabit ryushare openload littlebyte zippyshare.


The Annual General Meeting 2018 was held at Grant Thornton Sweden AB, Sveavägen 20, Stockholm, Sweden, Tuesday 15, 2018 at 5.00 p.m.
The 2017 Annual General Meeting of BioArctic AB (publ), company reg. no. 556601-2679, was held on Wednesday May 31 2017.


text:
Q: aura:Iteration / SLDS tabs / JQuery - in a Lightning Component - How to? Im working in a Salesforce Community, using the Napili template.  Im creating a vertical menu similar to:

Im trying to use slds tabs.  I know I need to add the javascript to get the styling updates to work, when I change tabs.  But out of all of the examples, I havent seen a simple enough one that makes sense to me.
I have jQuery loaded with ltng:require.  It seems jQuery  addClass/removeClass is the way to go.  But I cant tell if I should use Renderer, or just put the jQuery in my js file?
I feel this should be very simple, but not having used jquery much before, and being new to Lightning components,  Ive kinda hit a block.
The examples Ive seen seem convoluted and geared toward VF/Apex, and I want to do it the right way for LComponents. (renderer?) I feel it shouldn't be many lines of code, but may be underestimating the process.  I would appreciate some direction if someone has the time.

        <aura:iteration items="{!v.libraries}" var="lib"  indexVar="index">

                {!lib.Name}

        </aura:iteration>

For reference, if anyone views this later >> Added my Helper that gets the data for Libraries.  I added the '//New Line' to set the first records 'Selected' attribute to true.
    getLibrariesForGrid: function(component, event, helper) {

    var action = component.get("c.getSafeLibraries");
    action.setCallback(this, function(data) {
        component.set("v.libraries", data.getReturnValue());

        //New Line below to set 'selected'
        component.set("v.libraries[0].selected", true);
    });
    $A.enqueueAction(action);
}

A: You don't need jQuery for such a simple task. Here's an example I wrote up for you just tweaking your code a bit. You can copy-paste this directly into an application to test it yourself.
application
<aura:application extends="force:slds">
    <aura:attribute name="libraries"
                    type="Object[]"
                    default="[{'Name':'Value 1','selected':true},{'Name':'Value 2','selected':false},{'Name':'Value 3','selected':false}]" />

            <aura:iteration items="{!v.libraries}" var="lib" indexVar="index">

                        {!lib.Name}

            </aura:iteration>

</aura:application>

controller
({
    setIndex: function(component, event, helper) {
        var items = component.get("v.libraries");
        items.forEach(
            function(v, i) {
                v.selected = event.target.dataset.index == i;
            }
        );
        component.set("v.libraries", items);
    }
})

Alternative construction:
application
<aura:application extends="force:slds">
    <aura:attribute name="selected" type="Integer" default="0" />
    <aura:attribute name="libraries"
                    type="Object[]"
                    default="[{'Name':'Value 1'},{'Name':'Value 2'},{'Name':'Value 3'}]" />

            <aura:iteration items="{!v.libraries}" var="lib" indexVar="index">

                        {!lib.Name}

            </aura:iteration>

</aura:application>

controller
({
    setIndex: function(component, event, helper) {
        component.set("v.selected", parseInt(event.target.dataset.index));
    }
})

redpajama_set_name: RedPajamaStackExchange


text:
Gemma Collins
Gemma Collins and James Argent 'back together and talking about having children'
Reality stars Gemma Collins and James Argent fell for each other on TOWIE, and after splitting last year, it is alleged the former flames have decided to give their relationship another go
Sam Elliott
Get a daily dose of showbiz gossip straight to your inbox with the Daily Star's FREE newsletter
Gemma Collins and James Argent are officially back together and already talking about marriage and children, according to reports.
Following their split in July, the reality stars have reportedly been steadily seeing each other for the past few months.
James has allegedly been a big comfort to the GC after her dad Alan, 73, was struck down by coronavirus before Christmas.
The on-off lovers have grown closer and closer ever since and The Sun claim they are giving things another go.
Gemma and James are long-term lovers – but will there be a happy ending? (Image: PA)
Mick Norcross said he was 'hard man who struggled with emotion' in unearthed video
A friend reportedly told the publication: "James has supported Gemma through some tough times in these last few months and she's doing the same with him with his battle with sobriety and his weight.
"They're not shouting about it like they've done previously but they are inseparable right now and are properly an item again.
"They're talking about their future together - marriage, kids, the lot."
Daily Star has contacted Gemma and Arg's reps for comment.
Reports suggest they are back together and talking kids and marriage (Image: ITV)
Gemma Collins set to help ex Arg with weight loss after her 40th birthday surprise
Gemma Collins' incredible weight loss transformation as TOWIE star turns 40
Gemma previously shared the nasty texts Arg sent her in the wake of their explosive split, but the source claims she hopes Arg is now a "changed man" – and they can make a proper go of it this time.
Gemma will need to help her new man as he faces a battle to turn his life around.
Doctors have warned Arg his health will be in severe danger if he doesn't lose weight.
He ballooned to 26 stone in lockdown and replaced his exercise plans with fizzy drinks and fast food.
Gemma called an end to things last summer when it all turned sour (Image: Gemma Collins/Instagram)
He told The Sun : "I don't want to die. An op is the only way I can lose weight.
"I see pictures of myself and it's too upsetting. The other day I had to ask my manager to put my shoes on for me because I just couldn't do it — my belly is too big. I can't do up my own shoe laces."
He added: "I don't want to die, it's as simple as that.
"I've been told by doctors that I am morbidly obese and need to lose weight, but I have an eating disorder, so I can't do it."


text:
va ser un físic francès.

Vida i Obra
Nascut el 1903, el seu pare va morir com pilot aeri militar al final de la Primera Guerra Mundial (1918). Va ingressar el 1922 a l'École Normale Supérieure en la qual es va graduar el 1925. Becat per continuar estudis a la universitat de París va obtenir un doctorat en matemàtiques el 1927 i un altre en física el 1928. Els deu anys següents la seva carrera es reparteixen simultàniament entre l'industria privada i l'ensenyament: treballa com enginyer a la Radiotechnique i dona algunes classes al Collège de France. El 1938 és nomenat professor de la universitat de Clermont-Ferrand i l'any següent de la universitat de París, però l'esclat de la Segona Guerra Mundial i la conseqüent ocupació de França pels nazis, fa que ingressi a la Resistència francesa, a la xarxa Cohors-Asturies amb el seu col·lega Jean Cavaillès. Va passar a Anglaterra i, després, a Algèria, on va dirigir un servei d'estudis i recerca de la Marina de la França Lliure.

En acabar la guerra, el 1945 va ser nomenat director del laboratori de física de l'ENS, càrrec que va mantenir fins la seva jubilació el 1974. Era el pare del polític i primer ministre francés Michel Rocard.

És recordat pels seus treballs en camps com l'electrònica, les oscil·lacions elèctriques i vibracions mecàniques, la millora e invenció de dispositius electrònics, com el pèntode o el radiofar i, sobre tot, per haver estat el gran dinamitzador del laboratori de l'École Normale Supérieure. Durant els darrers anys de la seva vida, el seu prestigi científic es va veure notablement afectat pel seu creixent interès per la radioestèsia, una pràctica entre la magia i la bruixeria.

Referències

Bibliografia

Enllaços externs

Matemàtics francesos
Físics francesos
Matemàtics del segle XX
Persones de Gwened
Morts a París
Alumnes de la Universitat de París
Alumnes de l'École Normale Supérieure
Professors de la Universitat de París
Alumnes del Liceu Louis-le-Grand
Comandants de l'Orde de l'Imperi Britànic
Comandants de la Legió d'Honor

redpajama_set_name: RedPajamaWikipedia


Are you looking for Sun Shades Outdoor? We have around 18793 post in our database for as your inspiration that are found based on the Sun Shades Outdoor keyword for 0.015 seconds. Please click on the title for more information.


text:
Foundation For Open Government, Executive Director, Peter St. Cyr testifies for open government at Roundhouse.
Feb 3, 2017	by	Bruce Wetherbee	-
"As FOG's new director, I intend to advocate as fiercely for the principles embodied in the First Amendment, as does the NRA in defense of the Second Amendment,"
– Peter St. Cyr, the new Director FOG
On Thursday evening the Senate Public Affairs committee heard testimony on a bill to limit the public's access to records and names regarding the hiring of public employees, then unanimously voted to table the bill, handing a victory to advocates of public access to government information.
"As FOG's new director, I intend to advocate as fiercely for the principles embodied in the First Amendment, as does the NRA in defense of the Second Amendment," Peter St. Cyr, the new Director of the New Mexico Foundation For Open Government (FOG), told The Candle after helping to defeat a Senate Bill which would inhibit public access to records about hiring for government jobs.
St. Cyr maintained Senate Bill 93 was a slight to the public right to have access to information about the operations of their government.
"It's in the public interest to have full disclosure. And in this case, we don't need to go backwards and fix something that's not broken," stated St. Cyr in response to claims made by the bill's sponsor, Senator George Munoz (D-Gallup), that the current law hinders public officials from getting a wide pool of applicants.
The bill would amend Inspection of Public Records Act (IPRA), making information about applicants for public employment secret.
Munoz argued for secrecy of the names and information about applicants for public jobs, except for name and resume of the finalist for the head of any agency, state institution or political subdivision of the state.
St. Cyr, who has previously won awards for his investigative journalism, was joined by a heavy-weight from New Mexico's political past in arguing against changing IPRA.
Former State Representative and UNM Regent Jamie Koch argues against weakening transparency law.
Jamie Koch, an original sponsor of the IPRA law when he was a legislator, argued the law worked fine and spoke about the dangers of opening the door for additional exceptions to the IPRA law.
Koch, who has also served as a Regent at the University of New Mexico (UNM), countered the arguments of former Governor Garrey Carruthers, and current president of New Mexico State University.
Carruthers argued that keeping names secret worked to protect applicants for a public job from their current employers finding out they were looking for another job.
Journalists were also represented in opposing the legislation when Brian Fantl, chief operating officer and senior vice president of The Albuquerque Journal, spoke of the role media has in exposing nepotism.
Brian Fantl, chief operating officer and senior vice president of The Albuquerque Journal, explains dangers of changing IPRA law.
Fantl suggested the bill would make it easier for government officials to hire their 'brother Daryl, and along with their other brother Daryl,' in a reference to an old television sit-com.
According to information in the legislature's fiscal impact report for Senate Bill 93, the New Mexico Attorney General, who is responsible for enforcing the provisions of the Inspection of Public Records Act, weighed in with this assessment of the bill:
"The AGO notes that as written, SB 93 exempts a public body from disclosing records that would reveal the identity of an applicant for public employment. This covers every application for any position with the state or any of its political subdivisions. However, only the resume and name identifying of the finalist of an agency head, state institution or political subdivision will be available on the public body's website. Therefore, as expressed by the AGO, public records relating to an application for every other position, except the "head" of a public body, would be permanently exempt from production."
State Representative Jim Dines (R-Albuquerque), speaks of twenty years defending open government laws.
State Representative Jim Dines (R-Albuquerque), presented personal testimony about his role as an attorney fighting government officials who made decisions behind closed doors.
Dines has made it his work to defend public access to government records and meetings, and in the past served as legal counsel to the Albuquerque Journal.
The Albuquerque Republican explained he had discovered through litigation that similar arguments advanced by Munoz's expert witness, attorney Nick Estes (previous legal counsel to UNM), about needing privacy to get better candidates to apply for important jobs, had no basis in fact; a point Dines asserted was supported in decisions from the district and appellate courts of New Mexico.
"For twenty years I have handled trials for open government, for transparency, and I have heard the same argument over and over about why things ought to be secret … but this (type) of information should be open," commented Dines after the hearing, pointing out New Mexico has a statute "with a presumption of openness, and we should be very guarded against taking an exception."
(The Albuquerque Journal published an editorial opposing SB 93, which Brian Fantl presented to members of the Senate Public Affairs Committee – click here for a link to the editorial. Note: originally it was announced that Senator Mary Kay Papen (D- Las Cruces) would file the bill; instead it was filed by Senator Munoz.)


Saturday, Nov. 14, 2009, from 1-4 p.m.
The National Multicultural Western Heritage Museum cordially invites the public to artist, John Johnson's Anointed Hands Artwork art show. The art show will take place at the National Multicultural Western Heritage Museum, 3400 Mount Vernon Avenue, Fort Worth, Texas, 76103, on Saturday, November 14, 2009, beginning at 1:00 p.m. until 4:00 p.m.
John Johnson is an artist specializing in acrylic and watercolor. His paintings reflect the hard working men and women who first survived and later prospered during an unforgiving time. John's art was featured in the Arlington Public Library, Lenora Rolla Heritage Center Museum, and the National Multicultural Western Heritage Museum. His art work and art studio, Anointed Hands Artwork, is based on the Scripture he professes to Colossians 3:23-24: "Whatever you do, work at it with all your heart for the Lord, not for men.. it is the Lord Christ you are serving". All paintings and prints will be available for purchase at the art show.
NationalMulticultural Western Heritage Museum operates through the generosity of gifts and grants from individuals, corporations and foundations located throughout the United States. The National Multicultural Western Heritage Museum, located in Fort Worth, Texas, was founded in 2001 with the primary objective to offer the visitor a true and complete historical perspective of the people and activities that built the unique culture of The American West. The work of artists who documented the people and events of the time, journals, photographs, ant other historical items are part of this new collection of long overlooked materials that tell, perhaps for the first time, the complete story. The American West of today still operates on many of the principles and cultural relationships begun so long ago. The hope of the museum is that its visitors will share in the enjoyment of a new vision and leave with awareness that today's West came into being through the struggles and triumphs of diversity. The Hall of Fame was founded to give recognition to the outstanding pioneers who contributed to the settling of early American western frontier as well as acknowledge individuals who continue the legacy of the western culture. The Hall of Fame tells the stories and presents excellent examples of American heroes of the past, present and future.
Wed – Sat 11:00 a.m. – 6:00 p.m.
$6.00 for adults, $4.00 for senior citizens, $3.00 for students with I.D., and children 5 and under are free.


In the Matter of Qwest Communications International, Inc.'s, Qwest Services Corporation's, and Qwest Corporation's Notice of Sale Request for Waiver, or Application for Approval of the Sale of the Arizona Operations of Qwest Dex, Inc.
In the Matter of the Application of US West Communications, Inc. A Colorado Corporation, For a Hearing to Determine the Earnings of the Company, the Fair Value of the Company for Ratemaking Purposes, to Fix a Just and Reasonable Rate of Return Thereon and to Approve Rate Schedules Designed to Develop Such Return.
In the Matter of US West Communications, Inc. Tariff Filing For Approval of a $.25 Surcharge for a Call to a US West 800 Service Line From a Pay Telephone.
In the Matter of the Merger of the Parent Corporations of Qwest Communications Corporation LCI, International Telecom Corp., USLD Communications, Inc., Phoenix Network, Inc. and US West Communications, Inc.


Very nice article Julian! I do vividly remember the days where we waited 45 minutes for a scene to open in Strata and over an hour for the program to advance in the time line to where we wanted to continue to work on. Also I remember sitting in the computer a lot to watch another great tool we used: QuicKeys.
We saved the sequences in the filmstrip format from Premiere. 75 images was the most filmstrip would support. Unfortunately we didn't know about AfterEffects at the time and software was also very expensive and hard to get in Switzerland… So we opened the filmstrip in Photoshop and applied various effects on each single image. For instance the "Animagica-Blur-Effect". And on top, since Photoshop at the time did not support layers we had to copy a frame, create a new document, apply filters and scale it and then cut and paste it back to the filmstrip. This entire process was recorded with QuicKeys and then played as a sequence. Even the size of the window had to be 100% exact because we used the "page-down" button to advance to the next frame.
And yeah, prices of hardware at the time were extraordinary. I remember ordering a 1.6 GB hard-disc for $3000. I also remember sweating a lot on the hard work CA and I did as stagehands on rock concerts to pay for it And I remember dreaming about working on real computers (SGI's) where the work would be in real time and easy. How wrong we were. Still, this was one of the best projects to work on, when we were independent and doing what we dreamed off.
The journey continued in Denmark. Believe it or not, when we started the project we thought that LEGO was an American company. We were quite surprised to learn that LEGO is a Danish company and we got to know a country we never expected to get to know. We had a great time in Denmark, loads of "hyggelig" and very good Pizzas from our beloved Lars Joern – God bless him! Loads of nights we worked through and loads of fun playing one of the first networked fps-games called "Marathon" with friends at related departments. Also the beers we drank at the "Biografen" with everybody. And the bakery that newly opened in Vejle where we used to drink coffee and eat the over-sized croissants in the morning before carpooling to work. I married and had my first kid in Denmark. All in all an adventure we will never forget!
If you watch the movie, mind the flight through the spaceship at about 2/3 into the movie. Especially the funny messages in the HUD. We actually pretty much repainted the entire sequence in Photoshop because we were not able to fix the Z-flickering in Strata Studio (Pro) despite fiddling with the near/far distance on the camera.


text:
Archive for Chigger Matthews
5/2 Dorsey, Matthews, Giordano, & Baldinger @ White Whale
Posted in Events with tags Chigger Matthews, Jason Baldinger, John Dorsey, Kat Giordano, White Whale Bookstore on May 1, 2018 by 6GPress
7PM WEDNESDAY…
Former Pittsburgher John Dorsey will be back in town for a reading Wednesday May 2, he'll be bringing roving wordsmith Chigger Matthew along. Locals Kat Giordano and Jason Baldinger fill out the bill. This event is free, but we will be passing the hat to assist our travelers with gas money or other assorted sundries. Bio's to follow, if you read those things.
John Dorsey has been writing poetry since the late 1980's and has been involved in the publishing community for more than two decades. He is the author of around 50 books and chapbooks, a few of the most recent being Being the Fire (Tangerine Press, 2016) and Shoot the Messenger (Red Flag Press, 2017), the latter was funded by Indiana University of Pennsylvania's English Department. A nine-time Pushcart Prize nominee, his work has appeared more than 2,000 magazines and anthologies from around the world. He has read or spoken at colleges and universities such as the University of Toledo, Assumption College, Cleveland State University, Seton Hill University, University of the Arts, Erie Community College, Southeast Missouri State University, and Indiana University of Pennsylvania, as well as other assorted venues covering 49 states. For several years Dorsey served as a judge for the Arts Commission of Greater Toledo's Art in Tarta Project, which chose poems to be presented on city transit buses. In 2006, he won the Toledo City Paper's annual poetry and fiction competition, and would go on to serve as a judge the following year, before being named the city's Best Literary Artist in their 2014 reader poll. In 2010, he also served as a judge for Grievous Jones Press' Grievous Prize issued in Cardiff, Wales, and in 2013 for the Standing Rock Cultural Arts Open Chapbook Competition in Kent, Ohio. From 2003-2012, he served as an Artist-in-Residence at the Collingwood Arts Center in Toledo, Ohio and In 2015, Dorsey was awarded a Visiting Artist Residency by the Osage Arts Community in Belle, MO, where he currently resides. In 2017 he received a two appointment to serve as Belle's first city Poet Laureate from Mayor Steve Vogt and has gone on to found the city's first literary publication the Gasconade Review, which he edits with Jason Ryberg. He is a graduate of the University of Arts' Writing for Film and Television program, completing his education there in 2002, and 2017 he served as the subject for a poetry documentary by NYC filmmaker Carson Parish. He may be reached at archerevans@yahoo.com
Chigger Matthews is a language artist living in the American Midwest. Hosts the collaborative feature "Free Chigger Matthews Presents," teaches poetry workshops for all ages, and is an artist-in-residence at Osage Arts Community in Belle, MO. He is the chief editor for The Artifact, Planet Earth's First Global Poetry Newspaper and his work appears at home and abroad.
Jason Baldinger is a poet hailing from Pittsburgh. He's the author of several books the most recent of which, the chaplet, Fumbles Revelations (Grackle and Crow) is available now, and the collection Fragments of a Rainy Season (Six Gallery Press) which is coming spring 2018. Recent publications include the Low Ghost Anthology Unconditional Surrender, The Dope Fiend Daily, Uppagus, Lilliput Review, Rusty Truck, Dirtbag Review, In Between Hangovers, Your One Phone Call, Winedrunk Sidewalk, Anti-Heroin Chic, Nerve Cowboy Concrete Meat Press, Zombie Logic Press, Ramingo's Porch, Blue Mountain Review, Red Fez and Heartland! Poetry of Love, Solidarity and Resistance. You can hear Jason read some poems on recent and forthcoming releases by Theremonster and Sub Pop Recording artist The Gotobeds as well as at jasonbaldinger.bandcamp.com
Kat Giordano is a poet and massive crybaby in Pittsburgh, PA. Her poems have appeared in Maudlin House, OCCULUM, Indigent Press, The Cincinnati Review, and others. They have also been known to show up trembling on people's doorsteps in the middle of the night, too traumatized to explain what they've seen. She is one of two editors of Philosophical Idiot and can usually be found overindulging in her shoddy mental health on Twitter at @giordkat or occasionally at katgiordano.com. Her debut full-length collection, The Poet Confronts Bukowski's Ghost, is due out in June 2018.
4/29 Baldinger, Clevenger, Dorsey, & Matthews @ Dunaway Books
Posted in Events with tags Chigger Matthews, Dunaway Books, Jason Baldinger, John Dorsey, Victor Clevenger on April 25, 2018 by 6GPress
7PM SUNDAY…
A free poetry reading and book signing by four published poets and great friends in celebration of Pittsburgh poet Jason Baldinger's visit to Missouri.
Baldinger has confirmed that the other readers are Victor Clevenger, John Dorsey, & Chigger Matthews.


BUFFALO, N.Y. — Catch Buffalo's Science & Art Cabaret while you can.
The brain-themed cabaret, taking place in late October, is the only one planned for fall. After that, audiences will have to wait until spring for another event in the series.
"Love Yer Brain" will occur at 7 p.m. on Wednesday, Oct. 22 at the Ninth Ward at Babeville, 341 Delaware Ave., Buffalo. It's free to the public, with a cash bar.
This season marks a special milestone for the cabaret, which began in fall 2009 and is now 5 years old.
The series — organized by the University at Buffalo College of Arts and Sciences, Hallwall's Contemporary Arts Center and Buffalo Museum of Science — is a place where audiences can grab a drink and watch as artists and scientists discuss how a common theme relates to their work. The cabaret is funded in part by UB's Technē Institute.
Over the years, the event's mixture of fresh ideas and fun conversation has won the hearts — and brains — of Buffalonians looking for an interesting night out. Topics of discussion have ranged from magic and illusion to relativity and black holes.
Co-organizer John Massier adds, "Despite residing solidly in the 21st century — effectively, living in the future we all once imagined — no amount of technological, scientific, artistic, or social progress is an adequate guard against slipping into a new Age of Unreason. It was one of Carl Sagan's biggest fears as he described the 'demon-haunted' and superstitious world we inhabit.


55,000 initial lumensThis Japanese produced bulb is by far the most efficient at converting electricity into usable light for plants. These HPS bulbs also have an improved spectral output. They generate 17% more light in the blue-violet range when compared to a standard HPS bulb. The base of the bulb is constructed with nickel and ceramic components exhibiting the quality construction.*All lamps have a 1 year warranty.
85,000 initial lumensThis Japanese produced bulb is by far the most efficient at converting electricity into usable light for plants. These HPS bulbs also have an improved spectral output. They generate 17% more light in the blue-violet range when compared to a standard HPS bulb. The base of the bulb is constructed with nickel and ceramic components exhibiting the quality construction.*All lamps have a 1 year warranty.
145,000 initial lumensThis Japanese produced bulb is by far the most efficient at converting electricity into usable light for plants. These HPS bulbs also have an improved spectral output. They generate 17% more light in the blue-violet range when compared to a standard HPS bulb. The base of the bulb is constructed with nickel and ceramic components exhibiting the quality construction.*All lamps have a 1 year warranty.
Blue Burning (High Kelvin) Metal Halide 29.000 lumensThe Hortilux Blue 400-watt, metal halide lamp provides near-perfect replication of natural sunlight with more of the blue spectrum than other brands. With a blue-, green-, and red-light ratio similar to that of the sun, the Hortilux Blue Lamp enhances vegetation and optimizes overall plant quality. Emits 29,000 lumens, burns in the horizontal position, and boasts a 12,000-hour life.*All lamps have a 1 year warranty.
Hortilux Blue Metal Halide grow lamps provide world class spectrum that is unmatched in the lighting industry. Hortilux Blue is the closest match to natural sunlight of any light source available today. This lamp is for experienced growers who demand the highest quality plant production.The exclusive Eye Hortilux Blue spectrum provides high quality, natural-looking plants during all phases of plant growth.
For best results, use on ANSI rated S106, HPS core & coil ballasts or Eye Hortilux electronic ballasts.
Can be used on most 600W electronic ballasts. Make sure to match the wattage of the lamp with the wattage of the ballast.
Can be used in an open or enclosed fixture.
Operates in a horizontal ±15° burning position.
The only 600W Metal Halide on the market with a daylight spectrum.


text:
What it's like to fly close air support against IS militants.
Aircraft Carriers, Fighter Flights, Fighter Jets
Even though the Pentagon has been adamant with claims that none of the 4000 American troops in Iraq are involved in combat, US jets have been flying several attack sorties against Islamic State (ISIS) militants. But what exactly consists of a mission in getting the...
Is the Russian Navy bigger than US's?
Aircraft Carriers, Naval
The American Navy is thought of as the world's most powerful, far greater than any other naval force. But now some sources hint at Russian Navy could be bigger soon – even as soon as in 2020, Russia will have one of the biggest naval forces in the world. Even...
Classifications of Naval Vessels
Aircraft Carriers, Naval, Uncategorized
Usually, we cover the air – in this blog post we'll do a short "water excursion". There are many different ships in the world's navies today. They all have different applications and some classifications are exclusive to certain countries....
The Aircraft Carrier – Part 3: The Interior
Aircraft Carriers, Fighter Jets
The Nimitz aircraft carrier. An enormous source of destruction, capable of delivering hundreds of tons of explosives to its enemy in under an hour, but it's much more than that. Its 100 000 tons of steel, 18 floors under the deck and its impressive length of 332...


text:
Death on our doorstep: 15,000 migrants died between Libya…
Death on our doorstep: 15,000 migrants died between Libya and Italy since 2014
Sunday, 30 June 2019, 09:30 Last update: about 8 months ago
According to the UN's International Organisation for Migration (IOM) reports, the Central Mediterranean has long been the deadliest overseas migration route to Europe, with more than 15,000 deaths and disappearances recorded between North Africa and Italy since 2014.
In its report Fatal Journeys, Missing Migrant Children published on Friday, the organisation says that, between 2011 and 2017, it also accounted for the largest number of people crossing by sea to Europe, with the exception of 2015 – when thousands of people crossed the Aegean Sea to reach the Greek Islands from Turkey.
After several years of relatively high levels of maritime migration to Italy, the number of people reaching Europe via the Central Mediterranean fell significantly in the second half of 2017, and even further from July 2018 onwards.
In parallel, the number of people being returned to North African shores has increased. Interceptions by the Tunisian and Libyan coastguards in 2016 accounted for eight per cent of all search-and-rescue operations in the Central Mediterranean.
In 2018, of the total number of people who attempted to cross this route, 49 per cent were pulled back to Tunisia and Libya.
Meanwhile, in 2018 at least 1,314 people lost their lives attempting to reach Europe via the Central Mediterranean, compared with 2,853 people in 2017. The fall in the number of recorded deaths is probably linked to the lower number of people travelling on this route. A total of 45,648 people were recorded to have attempted to cross the Central Mediterranean in 2018, down 68 per cent from the 144,301 in 2017.
Despite this, thousands of people continue to die each year in the Central Mediterranean, and the IOM reports there is considerable evidence that conditions for those embarking on this journey have worsened.
Available data show increasing risk to the lives and safety of people travelling on this route: in 2018, one in 35 people attempting the crossing perished, while in 2017 it was one in 50.28 A similar rate for large shipwrecks resulting in hundreds of deaths was observed, despite a fall in the total number of shipwrecks.
Of the 61 shipwrecks recorded in 2018, seven were large-scale incidents in which more than 100 people died or went missing. In 2017, eight out of 159 recorded shipwrecks were large-scale incidents.
The reduction in search-and-rescue capacity in the Central Mediterranean is likely to have contributed to the worsening conditions for migrants taking this route, according to the IOM.
It says: "The restrictions placed on search-and-rescue NGOs, including the lack of authorisation to access safe ports for disembarkation, forced many of them to cease operations in the Central Mediterranean in 2018. Additionally, in March 2019 European Union states agreed to temporarily suspend the deployment of Operation Sophia's naval assets in the Mediterranean.
"Beyond the tragic loss of life, a concerning consequence of the reduced number of dedicated search-and-rescue operations is the increased invisibility of migrant deaths. In this context, the risk that shipwrecks are occurring far from the eyes of the international community has intensified."
Despite migrant deaths being a constant phenomenon in the Central Mediterranean for many years, the recovery of the remains of those lost at sea is generally not prioritised, the IOM says.
"As a result, basic information that could help identify the dead is often lacking. The limited information available suggests that the majority of those who perish in the Central Mediterranean are men, with 1,447 recorded deaths between 2014 and 2018. In the same period, Mixed Migrant Platform (MMP) documented the deaths of 564 women and 200 children.
However, as information on the deaths of women and children are highly dependent on the identification of the bodies, it is likely that higher proportions of women and children are included in the data on unidentified remains.
Overall migrant deaths recorded in 2018
In 2018, 4,734 people were known to have died on migratory journeys around the world, compared with 6,279 in 2017. This reduction in the total number of deaths documented was chiefly due to fewer recorded fatalities in 2018 during crossings from North Africa to Italy and Malta (the Central Mediterranean route), compared with 2017.
However, in 2018, the Mediterranean Sea, which had claimed the lives of at least 17,919 people in the past five years, continued to account for the highest number of reported deaths and disappearances during migration.
A key change in 2018 was the significant rise in the number of people who died on the Western Mediterranean route from the coasts of Northern Africa to mainland Spain and to the Spanish territories of Melilla and Ceuta. Irregularised arrivals in Spain doubled in 2018 as deaths nearly quadrupled, with 811 people known to have lost their lives along this route, compared with 224 in 2017.
The impact on total numbers of changes in flows and death rates in the Mediterranean is likely to be a reflection of the greater completeness of data from this region and the lack of data from others, rather than a true reflection of the Mediterranean's dominance in numbers of global deaths.
The whole Mediterranean
Over the past 30 years, the Mediterranean Sea has become a site of escalating numbers of migrant fatalities. Between 2014 and 2018, MMP documented the cases of at least 17,919 people who died or disappeared in the Mediterranean.
When looking at data compiled over time by different organizations, 36,700 people are estimated to have lost their lives in their attempt to reach Europe since 2000.
The history of the Mediterranean is a history of migration, as the region has been shaped by intense and varied intercultural exchanges and the multi-directional mobility of people for thousands of years. Before the 1990s, there were no regular reports of deaths during sea crossings. However, since 1990 not a single year has passed without deadly tragedies.
The IOM reports: "There are many challenges involved in documenting deaths and disappearances of migrants crossing the Mediterranean. On sea crossing routes, bodies often are not found. Data indicate that the remains of almost 12,000 people who had drowned in the Mediterranean since 2014 are yet to be recovered.
"Often, the only information available comes from surviving migrants. However, survivors' fatality estimates may vary and may be hard to verify. What is normally used is the lowest reasonable figure for missing persons, which means that it is likely to be an undercount of the number of lives lost. When human remains are recovered, information from the authorities (e.g. coast guards) is relayed to IOM field missions, which then share it with the team."
A migrant child has died almost every day over the past four years while trying to reach safety, as a photograph of a man and his young daughter who drowned while trying to enter the United States this week sparked global outcry.
The UN migration agency said on Friday that at least 32,000 migrants globally, including 1,600 children, have died on dangerous journeys in search of better lives since it began compiling data on migrant deaths and disappearances in 2014.
"Children are dying in all regions of the world. Those children are unaware what is going on and they face terrible risks," said Frank Laczko, head of the IOM Data Analysis Ventre.
The harrowing picture (top) of Oscar Alberto Martinez, 25, and his 24-month-old child Angie Valeria spotlighted the plight of the world's 70 million forcibly displaced people – the majority of them children, according to UN refugee agency figures.
The pair had travelled from El Salvador to Mexico and were crossing the Rio Grande to seek asylum in the United States.
US Border Patrol reported 283 migrant fatalities on the border in 2018. Activists say the number is higher as many migrants who die in rugged stretches of wilderness along the 3,138-km long border are never found.
The UNHCR has compared the picture with the iconic photograph of three-year-old Syrian refugee, Alan Kurdi (above), whose body washed up on a Mediterranean beach in 2015. He was part of a Syrian refugee wave that caused panic in Europe, prompting Turkey to effectively shut down the migrant route through Greece at the behest of the European Union.


text:
Rep. Dicks: "We Don't Have Enough Bombers"
Posted by Craig in Pentagon, Politics
Boeing, Lockheed Martin, Norm Dicks, Northrop Grumman, stealth bombers
The best Congress money can buy:
"A House-passed defense spending measure adds $100 million in funding to an Air Force bomber aircraft plan. The increased funding at a time of budget crunching comes amid concern that Chinese or Russian missiles could down existing U.S. planes. The Air Force requested only $197 million for the bomber program.
"We don't have enough bombers," said House Appropriations Committee ranking member Norm Dicks (D-Wash.), who is concerned about the small number of stealth U.S. bombers that could sneak into enemy airspace without being detected by enemy radar and surface-to-air missile systems.
Boeing, Lockheed Martin and Northrop Grumman are expected to compete for what will be a lucrative contract to design, develop and build the new bombers."
I'll bet you would be shocked to find out that No. 1 on the appropriately named congressman's list of contributors is Boeing. Number three is Lockheed Martin. Number five is Northrop Grumman.


The Oasis Within is a prologue to the epic adventure series of philosophical novels entitled "Walid and the Mysteries of Phi. Come explore the adventures of Walid!
Tom has run his own independent philosophy shop and has worked globally as a modern provider of wisdom.
Explore the author's blog with wisdom and philosophy from The Oasis Within, The Mysteries of Phi and beyond.
"Tom Morris is one of the great storytellers of our time, and it's delightful that he has decided to convey such important ideas in story form."


Alphabet Anatomy will delight most preschoolers or early kindergarteners. Its large 8 1/2″ x 11″ full color pages are sure to bring a smile to your child's face.
Branson Jones, son of the author Linda Ann Jones, did a wonderful job creating the alphabet characters to accompany Linda's story. Linda's rhymes make it easier for kids to remember the name of each letter and how to write it.
1) Children with learning needs, particularly those who are highly visual learners, will benefit from the design of the characters and how they help one remember how the letter is shaped or written.
2) Preschool children and early kindergarteners who are gifted with large vocabularies will appreciate words used in the rhymes that go beyond your cat, hat, fox, box type of words.
It is currently available in paperback or kindle versions. Personally, I would love to see this book available at least in hardback and even better in board book versions. Those would be more durable for the age group who would be using it. The large paperback version, though, is well-suited for use in a kindergarten or early-learning classroom, where the teacher would be holding up the book for the students to see.
Hopefully one day, they will create flashcards to match!
Buy Alphabet Anatomy from Amazon: in paperback or Kindle versions.
DISCLOSURE: The author provided a complimentary copy to me in exchange for my honest review. Opinions expressed are solely my own.
You can vote once every 24 hours just by clicking the image . . . and make The Education Cafe number one! Thanks!


-Same great purpose to help a local struggling family who has a child with a catastrophic terminal illness.We need to raise $5,000 to help a little 8 year old girl, Rebekah, who has Rhabdomyosacoma. Rebekah and her family need some help to carry out a dream on her final bucket list, which includes a family cruise and Maroon 5 tickets. All your money goes to help her and her family.
How do we do it? We can make this dream come true with the help of people like you!
On Wednesday the 25th of January, we will have a top DJ, complimentary appetizers, the coolest people around, fun raffles, and a setting to change a g…irl's life.
VIP table service available. Have dinner early at Kimi's. Tables for 4 range from $200 – $500.
Questions or would like to doante an item for raffle? Contact Chad Anderson or Darren Bolingbroke.
Be an Angel is the name of the party where we raise money for the official charity called Children and The Earth; they help Utah kids with overwhelming medical needs who don't have insurance. The child changes every month, so come to our events to find out which child we are helping.
There is a $15.00 cover. 100% of this charge and the auction will go to the charity.
Dress Code: It's a chance to get dressed up and leave the sloppy behind. Guys wear collared shirts, suits, or suit jackets. No flip-flops, shorts, or baseball caps.


text:
Step 2a: Setup Doctrine ORM mapping
===================================
The ORM implementation does not provide a concrete Device class for your use,
you must create one. This can be done by extending the abstract entities
provided by the bundle and creating the appropriate mappings.

For example:

``` php
<?php
 //src/MyProject/MyBundle/Entity/Device.php

namespace MyProject/MyBundle\Entity;

use Symfony\Component\Validator\Constraints as Assert;
use DABSquared\PushNotificationsBundle\Entity\Device as BaseDevice;

use Doctrine\ORM\Mapping as ORM;

/**
 * @ORM\Entity
 * @ORM\ChangeTrackingPolicy("DEFERRED_EXPLICIT")
 * @ORM\HasLifecycleCallbacks()
 */
class Device extends BaseDevice {

    /**
     * @ORM\OneToMany(targetEntity="MyProject\MyBundle\Entity\Message", mappedBy="device")
     */
    protected $messages;

    /**
     * @ORM\OneToMany(targetEntity="Spark\BaseBundle\Entity\AppEvent", mappedBy="device")
     */
    protected $appEvents;

    /**
     * Constructor
     */
    public function __construct()
    {
        $this->messages = new \Doctrine\Common\Collections\ArrayCollection();
        $this->appEvents = new \Doctrine\Common\Collections\ArrayCollection();
    }

    /**
     * @ORM\PrePersist
     */
    public function PrePersist() {
        $this->createdAt = new \DateTime();
        $this->updatedAt = new \DateTime();

    }

    /**
     * @ORM\PreUpdate
     */
    public function PreUpdate() {
        $this->updatedAt = new \DateTime();
    }

    /**
     * Add message
     * @return Device
     */
    public function addMessage($message)
    {
        $this->messages[] = $message;

        return $this;
    }

    /**
     * Remove message
     */
    public function removeMessage($message)
    {
        $this->messages->removeElement($message);
    }

    /**
     * Get messages
     *
     * @return \Doctrine\Common\Collections\Collection
     */
    public function getMessages()
    {
        return $this->messages;
    }

    /**
     * @param \DABSquared\PushNotificationsBundle\Model\AppEventInterface $appEvent
     * @return $this|void
     */
    public function addAppEvent(\DABSquared\PushNotificationsBundle\Model\AppEventInterface $appEvent)
    {
        $this->appEvents[] = $appEvent;
        return $this;
    }

    /**
     * Remove app event
     */
    public function removeAppEvent(\DABSquared\PushNotificationsBundle\Model\AppEventInterface $appEvent)
    {
        $this->appEvents->removeElement($appEvent);
    }

    /**
     * Get app events
     *
     * @return \Doctrine\Common\Collections\Collection
     */
    public function getAppEvents()
    {
        return $this->appEvents;
    }

}

```

The Message:

``` php
<?php
 //src/MyProject/MyBundle/Entity/Message.php

namespace MyProject\MyBundle\Entity;

use Doctrine\ORM\Mapping as ORM;
use Symfony\Component\Validator\Constraints as Assert;
use DABSquared\PushNotificationsBundle\Entity\Message as BaseMessage;

/**
 * @ORM\Entity
 * @ORM\ChangeTrackingPolicy("DEFERRED_EXPLICIT")
 * @ORM\HasLifecycleCallbacks()
 */
class Message extends BaseMessage {

    public function __construct() {

    }

    /**
     * @ORM\PrePersist
     */
    public function PrePersist() {
        $this->createdAt = new \DateTime();
        $this->updatedAt = new \DateTime();

    }

    /**
     * @ORM\PreUpdate
     */
    public function PreUpdate() {
        $this->updatedAt = new \DateTime();
    }

    /**
     * @ORM\ManyToOne(targetEntity="MyProject\MyBundle\Entity\Device", inversedBy="messages")
     */
    protected $device;

    /**
     * Get id
     *
     * @return integer
     */
    public function getId()
    {
        return $this->id;
    }

    /**
     * Get device
     *
     * @return \Spark\BaseBundle\Entity\Device
     */
    public function getDevice()
    {
        return $this->device;
    }

}
```

And the AppEvent Class

``` php
<?php
 //src/MyProject/MyBundle/Entity/AppEvent.php

namespace MyProject\MyBundle\Entity;

use Doctrine\ORM\Mapping as ORM;
use Symfony\Component\Validator\Constraints as Assert;
use DABSquared\PushNotificationsBundle\Entity\AppEvent as BaseAppEvent;

/**
 * @ORM\Entity
 * @ORM\ChangeTrackingPolicy("DEFERRED_EXPLICIT")
 * @ORM\HasLifecycleCallbacks()
 */
class AppEvent extends BaseAppEvent {

    /**
     * @ORM\ManyToOne(targetEntity="MyProject\MyBundle\Entity\Device", inversedBy="appEvents")
     */
    protected $device;

    /**
     * Constructor
     */
    public function __construct()
    {
    }

    /**
     * @ORM\PrePersist
     */
    public function PrePersist() {
        $this->createdAt = new \DateTime();
    }
}
```

## Configure your application

``` yaml
# app/config/config.yml

dab_squared_push_notifications:
    db_driver: orm
    class:
        model:
            device: MyProject\MyBundle\Entity\Device
            message: MyProject\MyBundle\Entity\Message
            appevent: MyProject\MyBundle\Entity\AppEvent

```

Or if you prefer XML:

``` xml
# app/config/config.xml
<dab_squared_push_notifications:config db-driver="orm">
    <dab_squared_push_notifications:class>
        <dab_squared_push_notifications:model
            device="MyProject\MyBundle\Entity\Device"
            message="MyProject\MyBundle\Entity\Message"
            appevent="MyProject\MyBundle\Entity\AppEvent"
        />
    </dab_squared_push_notifications:class>
</dab_squared_push_notifications:config>

```
### Back to the main step
[Step 2: Create your Device, Message and AppEvent classes](2-create_your_device_message_and_appevent_classes.md).

redpajama_set_name: RedPajamaGithub