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Monrovia High School's Principal Kirk McGinnis shared that Johnson is always there when help is needed. Additionally, the robotics team Kings and Queens is under his mentorship and is advancing to the World Championships in Houston, Texas in April.
3-25-19_MUSD_Awards 9: Monrovia High School volunteer Brian Johnson was awarded a Golden Apple during Monrovia Unified School District's volunteer recognition ceremony on March 25.


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22/04/2008 · Create a new disk using VI Client to exact same size as reported by "ls -lah" 3. Copy the new descriptor *.vmdk file to the folder where your -flat.vmdk resides.
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Tag Archives: meat
Once oil wealthy, Venezuela's largest state struggles to keep the lights on
By Mayela Armas
MARACAIBO, Venezuela (Reuters) – Across Maracaibo, the capital of Venezuela's largest state, residents unplug refrigerators to guard against power surges. Many only buy the food they will consume the same day. Others regularly sleep outside.
Judith Palmar holds her mother Sibilina Caro hand after feeding her at their home in Maracaibo, Venezuela July 25, 2018. Picture taken July 25, 2018. REUTERS/Marco Bello
The rolling power blackouts in the state of Zulia pile more misery on Venezuelans living under the fifth year of an economic crisis that has sparked malnutrition, hyperinflation and mass emigration. OPEC member Venezuela's once-thriving socialist economy has collapsed since the 2014 fall of oil prices.
"I never thought I would have to go through this," said bakery worker Cindy Morales, 36, her eyes welling with tears. "I don't have food, I don't have power, I don't have money."
Zulia, the historic heart of Venezuela's energy industry that was for decades known for opulent oil wealth, has been plunged into darkness for several hours a day since March, sometimes leaving its 3.7 million residents with no electricity for up to 24 hours.
In the past, Zulians considered themselves living in a "Venezuelan Texas", rich from oil and with an identity proudly distinct from the rest of the country. Oil workers could often be seen driving new cars and flew by private jet to the Dutch Caribbean territory of Curacao to gamble their earnings in casinos.
Once famous for its all-night parties, now Maracaibo is often a sea of darkness at night due to blackouts.
The six state-owned power stations throughout Zulia have plenty of oil to generate electricity but a lack of maintenance and spare parts causes frequent breakdowns, leaving the plants running at 20 percent capacity, said Angel Navas, the president of the national Federation of Electrical Workers.
Energy Minister Luis Motta said this month that power cuts of up to eight hours a day would be the norm in Zulia while authorities developed a "stabilization" plan. He did not provide additional details and the Information Ministry did not respond to a request for comment.
The Zulia state government did not respond to a request to comment.
People block a street in protest during a blackout in Maracaibo, Venezuela July 26, 2018. REUTERS/Marco Bello
Although Caracas has fared far better than Maracaibo, a major outage hit the capital city on Tuesday morning for around two hours due to a fault at a substation. The energy minister said "heavy rains" had been reported near the substation.
Venezuelans were forced to walk or cram into buses as much of the subway was shut. Long lines formed in front of banks and stores in the hopes power would flick back on. The fault also affected some phone lines and the main Maiquetia airport just outside the capital.
"This is terrible. I feel helpless because I want to go to work but I am in this queue instead," said domestic worker Nassari Parra, 50, as she waited in a line of 20 people in front of a closed bank.
MARACAIBO "GHOST TOWN"
Retiree Judith Palmar, 56, took advantage of having power to cook one afternoon last week in Maracaibo.
When the lights do go out, Palmar wheels her paralyzed mother outside because the house becomes intolerably hot. One power cut damaged an air conditioning unit, which Palmar cannot afford to replace on her pension of about $1.50 a month due to inflation, estimated by the opposition-run Congress in June at 46,000 percent a year.
Outages are taking a toll on businesses in Zulia.
Zulia used to produce 70 percent of Venezuela's milk and meat but without power to milk cows and keep meat from spoiling, the state's production has fallen nearly in half, according to Venezuela's National Federation of Ranchers.
Zulia's proportion of Venezuela's total oil production has also slipped over the past 10 years from 38 percent to 25 percent, figures from state oil company PDVSA show.
Maracaibo, Venezuela's second largest city, seems like a "ghost town," said Fergus Walshe, head of a local business organization. He said businesses had shortened their operating hours due to the lack of power.
"Before, business activity here was booming," he said.
Small businesses are also affected. In an industrial park in Maracaibo's outskirts, 80 percent of the 1,000 companies based there are affected by the power cuts, according to another business association in Zulia.
Sales at Americo Fernandez' spare parts store are down 50 percent because card readers, which are crucial because even the cheapest goods require unwieldy piles of banknotes, cannot be used during power cuts.
"I have had to improvise to stay afloat. I connect the car battery to the store so that the card readers can work," Fernandez said during a power outage at his home, surrounded by candles.
(Reporting by Mayela Armas in Maracaibo, additional reporting by Andreina Aponte and Shaylim Castro in Caracas; Writing by Alexandra Ulmer; Editing by Lisa Shumaker and Alistair Bell)
Tagged blackouts, Electricity, Food Shortage, Ghost Town, meat, mild, power shortage, Water Shortage	| Leave a comment
Tyson Foods backs Israeli startup to grow meat in the lab
JERUSALEM (Reuters) – Tyson Foods, the largest U.S. meat processor, has invested in an Israeli biotech company developing a way to grow affordable meat in a laboratory that takes live animals out of the equation.
Future Meat Technologies focuses on producing fat and muscle cells that are the core building blocks of meat, and is one of several firms working on technology to match rising demand for meat without adding more pressure on land from livestock.
The firm's founder and chief scientist, Yaakov Nahmias, said cultured meat typically had a production price of about $10,000 per kg but so far his company had reduced that to $800/kg and had "a clear roadmap to $5-$10/kg by 2020."
Tyson's venture capital arm has supported the Jerusalem-based startup by co-leading $2.2 million in seed investment.
"We continue to invest significantly in our traditional meat business but also believe in exploring additional opportunities for growth that give consumers more choices," said Justin Whitmore, Tyson's executive vice president for corporate strategy.
In December, Tyson raised its stake in plant-based protein maker Beyond Meat.
Demand for meat is expected to double between 2000 and 2050, when the earth's population is set to surpass 9 billion, and proponents of growing meat in the lab say it is the only way to meet such demand without destroying the environment.
A study by Oxford University and the University of Amsterdam estimated that cultured meat would produce 96 percent less greenhouse gas, consume 82 to 96 percent less water and virtually eliminate land requirements needed to raise livestock.
(Reporting by Ari Rabinovitch; Editing by Edmund Blair)
Tagged Beyond Meat, biotech company, grown meat, Israel, Laboratory, meat, plant based protein	| Leave a comment

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Did -webkit-backface-visibility break today in Chrome? I'm a bit confused because my project worked yesterday but seems to no longer work correctly today. (Yes, I've checked previous versions from git.)
The problem: Some divs previously hidden with -webkit-backface-visibility: hidden; magically appeared.
I have isolated this issue into a fiddle:
http://jsfiddle.net/Js6cg/1/
The div is visible in Chrome at 23.0.1271.64 m (wrong) but hidden in 25.0.1326.0 canary (as I expected).
Can you confirm that this is indeed a bug in Chrome or am I using the CSS incorrectly somehow?
(I've updated my GPU drivers (AMD Catalyst) from 12.8 to 12.10 today, if that's important.)

Additionally, the site that demonstrates the effect I've been reproducing appears to work +- correctly at Chrome stable (except for aparrently ignoring -webkit-perspective and animating kind of choppy), while Chrome canary renders it very well and accepts the perspective. I'm confused.

A: OK, that is embarassing.
The story looks like: I've updated the GPU drivers but looks like I haven't actually restarted Chrome for ages. For some reason, it was unable to re-enable GPU compositing after the driver update and hence some more advanced CSS3 effects (like perspective and backface-visibility) didn't work at all, while simple transforms used a fallback CPU implementation, which also made them look choppy and on the demo site.
I've started Chrome Canary well after the driver update, so it didn't have any issues with GPU compositing. One instance worked, another didn't, but version mismatch wasn't important here at all.
Restarting Chrome fixed that issue. And I'm taking a break!

redpajama_set_name: RedPajamaStackExchange


text:
The Gothsicles, "I Feel Sicle"
Posted by alex | Jan 25, 2017 | Reviews | 0
The Gothsicles
I Feel Sicle
Every album Brian Graupner has released as The Gothsicles has revolved on a very specific axis. Musically the 'Sicles are obviously descended from Our Thing's club music, but shot through with Graupner's own personality and interests which has generally yielded pretty charming results. The 'Sicles are a fun band, live and on record the sense has always been that Graupner is aiming to entertain, either with goofy jokes, sly references (has there ever been a more meta club song than "Mix This Song Into A23's 'Maps of Reality'"?) or heartfelt weirdness. 2016's I Feel Sicle has a broader range of musical ideas than any previous G'sicles album, mixing up that established formula with varying results.
Most noticeably, Graupner seems to be trying to move away from using his trademark stilted yelp vocally on every song. That's not a bad idea in theory, but it does have a potentially unintended side-effect; some of these songs don't feel especially Gothsicles-like. You can definitely find production and lyrical cadences in opener "Unbekannt in Deustchland" that are typical of the project, but the heavy use of vocal processing makes it difficult to latch onto as anything more than a peppy club song. "4 Fat Guys" – an ode to Nintendo's Ice Hockey – fares better, although it's kind of hard to listen to it without imagining the verses being sung in Brian's traditional style rather than the affected monotone he employs. That's a recurring feeling, whether on the epic closer "Mermaids vs Manticores" (which features a wonderful operatic vocal female vocal as counterpoint to the aggrotech growl) or the chorus to "This Is What the Brujah Clan Will Do To All You Gangrels", the vocal variations aren't necessarily detrimental, but the songs don't benefit much from them either.
Graupner does sing a few tracks in his established style and it's on those songs that you can most appreciate I Feel Sicle's new ideas. "Straight Up Otter Time" is classic Gothsicles, right until an excellent electro-funk breakdown that puts the song over the top. "Sun Shy" has a manic, appealingly lo-fi synthpunk feel, and "+8 XP" is a terrific heartfelt song that comes as close to futurepop as the project ever has for maximum feels. Those songs work because they're such natural extensions of what we already know The Gothsicles can do, evolving their sound rather than departing from it.
Experimentation is generally a pretty laudable tendency in an established scene act, and we're inclined to like a mixed bag that is trying to distinguish itself over a record that plays it conservative and takes no risks. Maybe the best recent comparison for I Feel Sicle is Covenant's The Blinding Dark; both albums are departures with uneven patches, but with enough personality and gumption to lift them above the level of their weakest moments. We're still with you, The Gothsicles, we're still with you.
Buy it.
I Feel Sicle by The Gothsicles
PreviousFractured Transmission, "In The Company Of Wolves"
NextWe Have a Technical 140: Ball Stories
Spark!, "Chaos"
Clan Of Xymox, "Darkest Hour"
Observer: Albert Severin & Trauma Phase
Hypnoskull, "Electronic Music Means War To Us 2"


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A: We service all of Las Cruces but we do allow customers in other cities to pick-up their rentals. We supply all the tools and instruction needed for a safe set-up. Please call our office for a current quote.
A: That depends on how many rentals we have that day. Generally we arrive 1-3 hours before the rental time begins. If we have a lot of rentals that day, we may need to set up as early as 1 day in advance. If this is the case, we will call the day before to confirm that someone will be at the party location.
A: No. The jump should be clean when you get it and if it is not we will clean it right then and there. A-List Fun Jumps cleans and disinfects every rental.
A: Cash, Check, PAYPAL or Credit Cards. If paying by cash, please have exact change as our drivers do not carry cash.
A: Yes all orders require a $25 deposit. The deposits are fully refundable if you cancel your order at least 8 days prior to your rental date. If you cancel between 2-7 days prior to your rental you will be given a raincheck that is good for 1 year.
A: Most of our jumps (all of our character jumps for example) are 15´x15´ = 225 SQ/FT. The majority of our competitors carry only 13'x13' = 169 SQ/FT bounce houses. This means our quality vinyl bounce houses are 56 sq/ft larger for the same price. Please note the space required for each jump (listed near the large picture) as some are VERY big and require extra space. When in doubt, measure your space to make sure it will fit. Jumps need room to be staked and they need room for the blower and can´t rub against walls or trees as this may damage the jump. The sizes listed with each jump include the space needed for stakes etc. If you have stairs or a tiered backyard, please call our office to discuss options for setup.
A: We can set up on Grass (our favorite and best for the kids), dirt, asphalt, rocks and concrete.


The latest UN report on climate change warns that the entire worldwide community will have to make significant changes in the way that we live and use scarce resources, if we are to avoid the catastrophic consequences to our environment, of global warming.
Global warming, results from our use of fossil fuels, including petroleum, gas and oil in our cars, factories and in electricity production. Methane emissions from landfill also contribute to greenhouse gasses that cause global warming.
Gases, like methane build up in the atmosphere and form a 'barrier' or greenhouse effect, as heat radiation from the sun becomes trapped, instead of being released back into space.
As a consequence, the planet becomes overheated, creating the effect that has come to be known as global warming.
Recycling greatly reduces the amount of waste that goes into landfill, thereby cutting down significantly on production of methane, a greenhouse gas.
Here at A Plus Skip Hire, we are fully committed to recycling, as part of our waste management programme and are proud to have recycled 93% of all waste coming into our facility in 2015. Our aim is to increase that figure even further, in the coming years.


text:
est un magazine pulp de science-fiction et de fantasy américain publié entre 1939 et 1953, édité par Marie Gnaedinger.

Presse de fantasy
Titre de presse créé en 1939
Titre de presse disparu en 1953
Presse de science-fiction aux États-Unis

redpajama_set_name: RedPajamaWikipedia


text:
Serve random recommendation
Art Books Cities Climate Change Data visualisation Economy Fiction Future of work Games Global Issues Good to Know Humour Music Nature Photography Podcasts Politics Psychology Science Society Sports Technology Travel USA Video
To get more like this, subscribe to the The Weekly Filet. The five best links of the week, every Friday. Making sense of the big issues of our time (with a healthy dose of serendipity and nerdiness). Brought to you by journalist David Bauer. Trawling the web for hidden gems since 2011.
20 Million Trees
A great episode from Gimlet's new How to Save a Planet podcast. It revolves around the question of how to get people involved in fighting climate change who might not think of themselves as climate activists. The protagonist: a 22-year old YouTuber with dozens of millions of subscribers, who they describe as a «2020's version of Jackass, but slightly more wholesome and with a much bigger budget»
Published in Weekly Filet #316
#Climate Change, #Global Issues
After the Fall
A sharp analysis of how the financial crisis of 2008 and the recession that followed have laid the groundwork for Trump, Brexit and the rise of nationalism in general. Features an interesting quote by Napoleon that's worth keeping in mind: that to understand a person, you must understand what the world looked like when he was twenty.
#Global Issues
Where Countries Are Tinderboxes and Facebook Is a Match
When Facebook is not just a threat to people's privacy, but to their lives.
#Global Issues, #Technology
Silicon Valley Has Failed to Protect Our Data. Here's How to Fix It
«Unfortunately, ethics don't scale as well as systems. We've poisoned ourselves, and more than a little.» After a week of revelations and (mostly) justified outrage over Facebook and Cambridge Analytica, a proposal.
Puerto Rico's Mental Health Crisis
More than four months after Hurricane Maria, much of Puerto Rico is still in shock. At the island's only suicide prevention hotline, the phones ring constantly. To date, the best podcast episode of the year (of the good dozen podcasts I listen to regularly, that is).
In collection: Unputdownable Stories
World War Three, by Mistake
When news broke of the false alarm of an incoming missile strike on Hawaii last weekend, this piece from late 2016 immediately came to mind.
Famines
A deep dive on famines, their causes and what changed over the past 150 years.
#Data visualisation, #Global Issues
How Poland became a breeding ground for Europe's far right
This past weekend, 60000 people marched alongside ultranationalists to mark the 99th anniversary of Polish independence. You've seen the images. Some good background.
#Global Issues, #Politics, #Society
The three-degree world: the cities that will be drowned by global warming
When the visuals do all the talking. Just wait until you get to the Singapore map.
A Gentlemen's Guide To Rape Culture
Human Parts
I don't usually recommend things twice in this newsletter. In fact, I don't think I ever have. But the Harvey Weinstein revelations and reading #MeToo posts from dozens of women I know and many more I don't know made me come back to this text. It has lost none of its power.
#Global Issues, #Society
In collections: Think Different, Best of 2017


text:
B.B. King plays North Vancouver in 1984, Newt gets the scoop
By Steve Newton
On January 21, 1984, B.B. King was in the midst of a two-week stand at the Plazazz Showroom in North Vancouver, and I got the thrill of my blues-loving life when I sat down with him in his hotel room and asked him a bunch of questions.
Some of them were pretty lame.
But man was he nice.
When did you first encounter music?
I really don't know. When I grew up I heard it all around me, people singing and playing. When I started to want to play, I was eight or nine years old, and I got my first guitar when I was about 12.
What made you choose guitar?
It was the only thing available. In the area where we lived there were no pianos and no organs, except in church. No private homes had them because they couldn't afford them. Saxophones and trumpets and things of that sort were way out because, where we lived, there were no music stores. In fact the school I went to had no music at all. None.
Where did you live?
I am from Indianola, Mississippi, heart of the Mississippi Delta. The nearest music store would have been Greenville, Mississippi, which was 25 miles from us. To try and get any other instrument would have cost much more money than I would have ever been able to afford anyway, so the only thing around to play was guitar or harmonica.
When did you begin playing professionally?
When I was 18 I started to feel that I would try and make a living at it.
Had you played in public before that?
Well yeah, singing in quartets and playing on street corners. On a Saturday after work I would go to any of the little towns within 12 or 15 miles and sit on the corners and play. But that was only on Saturday evening, 'cause weekdays–Monday through Saturday noon–I had to work on the plantation.
What did your family think of you playing the blues when you started?
Well, they didn't really like it, because that's far from the gospel music that they were teachin' me. So I never did sing and play blues around the house at that time. I was living with my aunt, and they were very religious, and they didn't allow it. You just couldn't play it.
When you started entertaining, did you think of yourself mainly as a singer as opposed to a guitar player?
Well, yes. I never thought of being able to really play guitar until people started to talk about it. And then everybody was talking about my playing instead of my singing, so I started to try to accept the fact that I was a blues guitar player. Then I thought I was pretty good–till I started hearing people like T-Bone Walker and a few others. When I heard them I found that I was really not a guitar player–I was just a guy trying to play.
Have the attitudes of black people toward the blues changed over the years?
Somewhat. Not enough, I don't think. This is my personal opinion. I don't think that a lot of the young black people have been able to really get into it, as I hope they will in the future. They have been somewhat reluctant to get into it because it seems to bring back a lot of memories which they don't care to remember.
In some cases I can understand how they must feel about it, but my argument is that there's no one around that doesn't have some dirty clothes in the closet. And what has been, everybody knows is history. So the point is, things that you didn't like, you work hard to keep from happening again. Things that you do like, you work hard to keep going. I think that since Roots we've started to see a difference in the young blacks in America.
Do you think the success of people like Michael Jackson has helped curb prejudice in music?
Well, Michael Jackson has helped a lot of people, and I think everybody in music feels it. Because what he's done, in a lot of cases, hasn't been done before–as far as the hits and all that. And this has given the music industry a boost. So not only did it help blacks, it helped the music industry as a whole.
I understand you've got an enormous record collection.
I had. I donated it to the University of Mississippi. Now I'm starting to build another one.
How many records did you have, approximately?
About twenty-thousand, something like that. I had some that were very rare–some people that you'd probably never think of as playing blues. For instance, a cowboy called Gene Autrey–who's a very wealthy guy in the States today–I had a record by him called TV Blues that was made on Columbia 40 years ago.
And believe it or not I had a 78 by Nat King Cole where he sings the blues. And I had blues on Bing Crosby. I had blues on many singers that most people today only know as a pop or jazz artist.
What do you prefer to listen to nowadays in your spare time?
I'm very moody. I like music. I like jazz, I like rock, I like soul, I like gospel, and I like classics. But the one thing that I can listen to all the time is big string orchestras playing familiar melodies; they may play the Beatles' songbook or any of the top tunes of the day.
But other than that sometimes I may want nothing but jazz, or nothing but blues, nothing but rock or soul. It just depends on whatever mood I'm in. 'Cause I've never heard anybody play that didn't play something I liked. Musically everybody plays something I like.
You never sing and play guitar at the same time. Why not?
Can't concentrate. I quite often say I've got "stupid fingers". My fingers don't seem to accompany my singing. I can't seem to play the proper chords and sing at the same time, so generally when I play I'm singing in my mind. And when I sing my guitar is just numb.
I see many people who can play those beautiful chords and sing along with them, and I wish I could. But ever since I've been in show business, when I work with other bands they always feature me–so I've always been a lead guitarist, never rhythm. And the few times when I've tried to play rhythm, someone would say, "Oh God, we don't want to hear that. Why don't you play something?" Like some of the tunes I've made popular.
So I never had a chance. And generally I'm very lazy. I'll never practice like other people say they do. Physically I'll rarely do it, but mentally I'll practice every day. Like if I played something last night that kinda screwed me up I'll say, "God, why did I do that?" and I'll think about it in my head and straighten it out. But other than that, I'm very lazy.
But you play pretty well every night!
Last year I did 320 dates, so that's pretty near every night. My group and I have worked on an average of 300 days a year for the last 10 or 15 years. In fact in '56 I did 342 one-nighters.
Do you ever get tired of the road?
Not actually get tired of the road, but I've started to get tired of doing it as much as I'm doing it. I don't ever want to stop, as long as people support me and as long as they seem to like what I do. Unless my health gets bad, I'd like to be out–but not 300 days a year.
Do you like making records as well?
Well, yeah. I would like very much to spend some time making a record. I've never had more than 10 to 14 days to make an album. Never. A lot of groups and a lot of people I know stay in the studio for months. Man, I'd welcome one month to do just exactly what I wanted to do. I've never done it yet, but I intend to. I do intend to.
The headline of your opening night in a local paper reads "King of the Blues". When people call you that, does it make you feel obligated in any way?
I've always felt that, since I've been promoted or pushed out as one of the leaders in this field, there was an obligation to go as far as I can go. Because there are young people, or people who haven't been as successful popularity-wise as I have been, and I feel that I owe it to them. Not only do I owe it to them, but to the fans who like this kind of music. And then, most of all, I owe it to myself.
If you had to choose just one person, who would be your "King of the Blues"?
That would be hard, because every person that I've listened to is kind of unique in his own way–some of the idols as well as some of the contemporaries today.
Thinking in terms of Blind Lemon, well Blind Lemon to me was the giant in what he did. But then on the other hand, so was Lonnie Johnson–both blues players, both singers. And then there was Charlie Christian, a jazz guitarist. There was Django Reinhardt, another jazz guitarist–a Frenchman jazz guitarist. Each one to me had something that I could feel from the other, but neither one played alike!
Then later on there was other people like T-Bone Walker, Elmore James, and Lowell Fulson–I could just go on down the line. Memphis Slim. Many, many people that played blues–as well as others that played jazz–that was something I could feel, but neither one of them sounded alike. So it's hard for me say who is, or would have been, or are at the top–even today. When people call me "King of the Blues", well… I think I'm good, but I think there are other people just as good, and if not better.
You've been quoted as saying that "playing the guitar is like telling the truth."
Well, yes. And what I meant by that is, if a person tells the truth, you can wake them up at any time and they will say the same thing because it is the truth. But if he lied, he don't know what he said or how he said it. When I play the guitar, I play what I feel. So if you play what you feel, that to me is honesty. You play and you put you in it.
Do you ever have trouble telling the truth when you're playing?
I have trouble trying to express my ideas sometimes, yes, but I don't have trouble playing. It's like having a piano in your room. Everybody who plays the piano is going to sound differently, and that's because their touch is different. Well, it's the same thing with guitar. Every time I touch it, I touch it the way I feel it. And if it's Pat Metheny or George Benson or Lightnin' Hopkins or Muddy Waters, you're gonna know it's them every time.
Posted on January 21, 2014 November 4, 2018 by the newtPosted in guitar heroesTagged 1984, B.B. King, B.B. King interview, North Van, Plazzazz Showroom, The Newt, Vancouver, very nice man.
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2 thoughts on "B.B. King plays North Vancouver in 1984, Newt gets the scoop"
Jazzfly says:
First bar I ever snuck into when I was underage was the Plazazz Showroom and I also spoke to him for a bit! RIP and thanks Mr. King.
P Anna Paddon (@VanIsleDevelop) says:
BB King Daddy Long Legs Club at the Int'l Plaza Plazazz Showroom, North Vancouver, BC, June 25 1982 I was married on that day and he was my favorite musician. It was like a wedding gift.


<em>I follow this piece with a comment of my own: to my mind, the author of this piece presents some interesting information but misses the mark. He presents uncertainty where I think there isn't any (or not much), and he skips over the crucial clue that he presents.
So ... Stephen Colbert doesn't really mean all those wacky liberal-bashing things he says, does he? Comedy Central's The Colbert Report is obviously a parody of a wing-nut right-wing talk show. Right?
Well, apparently Colbert is just that good. His character is so pitch-perfectly ambiguous that, according to a new study, what it is you see in him is whatever it is you want to see in him. If you are liberal, he is a liberal, too. If you are a conservative, he is a conservative, just like you.
And if you are a bear, well, good luck.
Colbert is, it would appear, a fun-house mirror to the deepest recesses of your political soul.
In order to test this scientifically, Heather L. LaMarre, along with Kristen D. Landreville and Michael A. Beam (all communications doctoral students at The Ohio State University), subjected 322 participants with a mix of political ideologies to a three-minute 2006 video clip of Stephen Colbert discussing media coverage of the Iraq war with "super liberal lefty" radio host Amy Goodman.
They then asked participants to evaluate Colbert's ideology and his attitude towards liberalism. What they found was that the more liberal participants reported their own ideology to be, the more liberal they thought Colbert was. And the more conservative they reported their own ideology to be, the more conservative they thought Colbert was. Both, however, found him equally funny. The results are published in the April edition of the International Journal of Press/Politics.
"Liberals will see him as an over-the-top satire of Bill O'Reilly-type pundit and think that he is making fun of a conservative pundit," LaMarre explained. "But conservatives will say, yes, he is an over-the-top satire of Bill O'Reilly, but by being funny he gets to make really good points and make fun of liberals. So they think the joke is on liberals."
How can this be? Are they really both watching the same Stephen Colbert? Actually, the reason is pretty simple. It is a phenomenon that has been familiar to social psychologists for a long time: confirmation bias. "When you look at social psychology and you see how people process information, people see what they want to see," said study co-author Landreville. "They take whatever they want out of that message. So if I'm a liberal, I'll have my liberal goggles on when I'm watching The Colbert Report and I'll think he's a liberal."


text:
The Heart of the New Thought
Destiny, The Heart of the New Thought, Ella Wheeler Wilcox,
Print , Email
Never say that you wish your situation were different! Never wish you had some other person's life or troubles or worries.
Accept your own as a working basis, the best for you.
Then go ahead and change whatever displeases you.
Remember you are the maker and molder of your own destiny. You do not recall the fact, but you brought about the present conditions of your destiny in former incarnations.
Even if you do not believe this, you must acknowledge that you are here, and that the situation in which you find yourself seems to be inevitable for the present.
But it is not inevitable for the future, unless you lie down in the furrow and whine, and wish you were a millionaire, or a genius, and rail at the partiality of Providence.
There is no partiality in the Universe.
The whole scheme is well balanced. If you were allowed to change lots with anyone on the face of the earth, you would complain and find fault in a short time.
One of our best known millionaires, born to opulence, complains that he has been robbed of the privilege of making his own fortune.
He is no happier than you. His confession betrays his weakness of character just as your repining and fault-finding betrays yours.
The real worth-while character thanks God for its destiny and says, "I will show the world what I can do with my life."
Not long ago there was a great trotting-race at Brighton Beach. The blind conqueror "Rythmic" won five consecutive races.
Think of it! He did not, like a mortal man, shrink back and say "I am blind—that is a terrible destiny—I am cursed of God—I will not try to win the race." He just trusted the hand of the Master at the reins, did his best, and won the honors of the season.
We are all blind racers on the track of earth. The king, the millionaire, the statesman, the lawmaker, the beggar, the laborer, the cripple, we are all in the dark. The only thing is to trust the hand of the Master, and do our best.
Believe your position is the right starting point for you, merely the starting point.
It is the shapeless block of stone from which you are to fashion the perfect statue.
Or it is the mere mud from which you are to mold the clay image, and later that is to be put into enduring marble.
What is uglier or more unattractive than mud?
Yet think of the glorious conceptions which it imprisons.
Take the mud of your present environment and thank God for it, and make the image of the future you desire.
You can do it—you must do it—you will do it.
« Concentration | Sympathy »
Destiny and Fate
Great Thoughts
Woman's Opportunity
More from Ella Wheeler Wilcox
Build on Resolve
Author and poet
Born November 5th, 1850 in Johnstown, Wisconsin and died October 30th, 1919
Famous line in poetry: "Laugh, and the world laughs with you; Weep, and you weep alone."


text:
Q: How to do a custom border shape with CSS3 I'm just wondering if this shape I have in the image url is doable in css3 with webkit.

A: Here is a good source for CSS shapes
Just edit the class properties to your liking to get desired shape
CSS:
.parallelogramRight {
     width:100px;
     height:100px;
     border:1px solid #000;
     background:yellow;
     transform: skew(-20deg);
     -o-transform: skew(-20deg);
     -moz-transform: skew(-20deg);
     -webkit-transform: skew(-20deg);
}

A: You can use the transform: skew() property.
http://codepen.io/anon/pen/tkdyx

A: Yes it is.
-moz-transform: skewX(-23deg);
-webkit-transform: skewX(-23deg);
-o-transform: skewX(-23deg);
-ms-transform: skewX(-23deg);
transform: skewX(-23deg);


Earned the Riding Steady (Level 27) badge! Earned the For the Can (Level 5) badge! Earned the The Great White North (Level 47) badge!
Boring lager nose but a surprisingly well balanced ale. The raspberry is present without being too tart. A biscuity sweetness balances the flavours. Crisp mouthfeel and a clean aftertaste, a good, light, summer sessionable ale.
Earned the Riding Steady (Level 88) badge! Earned the Hopped Down (Level 35) badge!
Fruity, which allows for pre-lunch enjoyment.
I'm not big on raspberry beers, but this one was pretty good. Not too overpowering, not too sweet.
Earned the Fruits of Your Labor (Level 3) badge! Earned the The Great White North (Level 11) badge!


With a good idea of what to fill your cupboards with, and in preparation for going to the grocery store to stock up and save money, let's take a look at how to read labels so you can identify the most prevalent animal products that appear in various items.
Contrary to what many people think, vegans do not spend all their time deciphering labels. The truth is that once you know what to look for, one quick glance at the label will tell you if it has an animal product in it. Having said that, if you have to weed through a long list of ingredients to determine if it's vegan or not, you probably shouldn't be eating that product anyway. Why would you want to put into your mouth something that resembles a chemistry experiment rather than actual food? You shouldn't feel like you're in science class when you read a label.
The best way to avoid labels altogether is to eat whole foods as much as possible. The more you eat whole foods, the less you have to worry about animal products or unnecessary and potentially harmful ingredients in your food.
Now, some people argue that once you eliminate the most obvious animal products from your diet (meat, animal's milk, and eggs), you can relax a bit when it comes to the animal products hidden in commercial foods. Although I agree that being vegan is not about obsessing over being perfect, the fact is I simply don't want to consume the blood, bones, or fat of animals, even when they're hidden among other ingredients. I would never buy any of these things if they were sold individually, and I don't want to eat them shoved into my food as filler or fat. In fact, many of these animal products are given names other than what they really are because even the manufacturers know that people wouldn't buy them if they knew exactly what they were.
• PRODUCTS MOST ASSOCIATED WITH GELATIN are Jell-O, marshmallows, vitamin capsules, gummy candies, and ice cream. Vegan versions of each are available. For marshmallows, check out Dandies made by Chicago Soy Dairy (chicagosoydairy.com) and those made by Sweet and Sara (sweetandsara.com).
• ETHICAL CONSIDERATION: Though gelatin is made from the by-products of slaughterhouse waste, it is misguided to think that using the remains of the animals is a noble use of what would "go to waste," as many people assert. We unnecessarily kill 10 billion land animals and countless marine animals every year, and the industries that profit off these animals have come up with sundry ways to make even more money by selling their by-products. These very profitable by-product industries simply wouldn't exist if we didn't kill animals in the first place. By purchasing animal by-products, we are supporting the primary industries we ethically oppose.
Whey and casein: Both are derived from animal's milk. When you curdle dairy-based milk (to make cheese), you are essentially separating the milk solids (casein) from the milk liquid (whey). If the label says "casein," "caseinate," "milk protein," "sodium caseinate," or "whey," they are most definitely animal-derived. Some soy- and rice-based cheeses have casein added to them. Although a similar process takes place to make tofu, no plant-based milk naturally contains casein or whey.
• PRODUCTS MOST ASSOCIATED WITH CASEIN AND WHEY: Some—but not all—brands of protein powders, boxed cereals, cereal bars, processed sandwich breads, prepared bread crumbs, and crackers contain these cow's milk derivatives. Vegan versions of these foods are definitely available, so just check the label.
• HEALTH CONSIDERATION: When you separate the curds from the whey to make cheese, you're tangling up all the milk proteins (the casein) into solid masses or curds. What remains contains only whey proteins. In cow's milk, 80 to 87 percent of the proteins are caseins, which is not a good thing. According to renowned researcher and professor emeritus of nutritional biochemistry at Cornell University T. Colin Campbell, casein is the "number one carcinogen [cancer-causing substance] that people come in contact with on a daily basis." In dairy-based cheeses, the casein is even more concentrated, and in low-fat dairy milks, there tends to be more casein to make up for the fat that has been removed.
Lactose: The sugar in all mammalian milk (including that of humans), lactose appears on labels as such. However, "lactate" or "lactic acid" is not animal-derived.
• HEALTH CONSIDERATION: There seems to be a misunderstanding about the components that make up mammalian milk, since I often hear people mistakenly assert that they're "allergic to milk" and thus drink lactose-free cow's milk. Casein is the milk proteinto which people can become allergic; lactose is the milk sugar that gives many people gas, bloating, and cramps. Since so many people are suffering from "lactose intolerance," which is our body's natural revulsion to a sugar we're not equipped to digest after we're weaned, the dairy industry came up with a profitable solution: lactose-free milk. Though the milk may not contain lactose, it still contains saturated fat, dietary cholesterol, and casein. If you want truly lactose-free milk, drink those derived from plants.
Lanolin: A fat derived from sheep's wool, lanolin is a by-product of the wool industry, and it is most commonly found in cosmetics, lotions, moisturizers, and lip balms. The product Oil of Olay is derived from the word lanolin, which is a primary ingredient. Plenty of beauty products are made without lanolin.
Stearate or stearic acid: A fat derived from either plant or animal sources, it's used for making candles, soaps, and plastics; it's sometimes used in chewing gum and candy. The best way to know its source is to read the label. If it's plant-derived, it will most likely say so.
Bonito: These are dried fish flakes and are frequently seen in Japanese foods.
Lard: The fat taken from pigs' stomachs.
Lipoids or lipids: The fat and fatlike substances found in animals and plants. When they're from plants, they usually say so.
Rennet or rennin: An enzyme taken from the fourth stomach of young ruminants to make dairy-based cheese. Each ruminant produces the special kind of rennet needed to digest his or her mother's milk. There's kid-goat rennet especially for goat's-milk cheese, lamb rennet for sheep's-milk cheese, and calf rennet for cow's-milk cheese. In the case of the latter, most of the stomachs are from the discarded males of the dairy industry who are sold to the veal industry.
Urea or uric acid: Excreted in urine and other bodily fluids, it's used to give a brown color to baked goods, such as pretzels. It will appear on the label as such.
Isinglass: This is derived from the swim bladders of sturgeon fish and is used as a clarifying agent in some wines and beers. It won't appear on the label, but any beer or wine labeled "vegan" means that it wasn't clarified with isinglass. The isinglass is typically not present in the finished beer or wine.
These days we also see a lot of warnings on labels that say the food was manufactured in plants and on equipment that have also been used to handle cow's milk and other allergens. This is more about liability protection than anything else. The Food Allergy Labeling and Consumer Protection Act now requires labeling of any food that contains or was in contact with machinery that processed one or more of the following allergens: peanuts, soybeans, cow's milk, eggs, fish, crustacean shellfish, tree nuts, and wheat.
People have asked me if I—from a vegan perspective—buy or eat products that may be processed using machinery that also has non-vegan products processed on it. My answer is yes, I do. That kind of low-level concern about purity is not why I'm vegan, and it doesn't mean I'm less vegan if I eat chocolate chips that were processed on machinery that may also process non-vegan chips.
Being vegan is not about striving for an unattainable level of purity. Being vegan is about intention—not perfection.
Do the best you can to make compassionate, healthful choices that cause the least amount of harm to others.
Being vegan is about doing the best we can in this imperfect world. It's not about being perfect or pure. If we lose sight of that, if we treat veganism as the end rather than the means, not only will we drive ourselves crazy, we'll also forget what being vegan is all about. Though there are some things we have no control over, I think it makes more sense to focus on what we can do rather than on what we can't. And there's so much we can do.


Jewelry party invitation template, Creating your own home invitation means no hunting to find the perfect one. When you create your own invitation, then you get exactly what you want. You get to create what you would like and the way you want it with colors, words and papers. You're able to express yourself with imagination and style you never knew you had!
There is no catch. With so many different styles to choose from, the only catch is going to be the invitation and save the date card that catches your eye. The selection of templates makes it easy for you to create the perfect invitation that's creative, unique, and best of all, free! What more could you ask for? The important nature of these cards is well known, but you should not let them take over your event. Use free invitation templates and save the date cards, and save the stress and the money for other parts of your big day. Free invitation templates will provide you one less thing to be concerned about, and it is a boon for anyone who is planning an event.
With so many different things to consider on your big day, the last thing that you want to handle is spending plenty of money and time inviting people to the event. They have to be invited, but not in such fashion that it costs you a fortune or a great deal of time to receive your invitations perfect. Do not rely on someone else. Utilize free invitation templates and save the date cards and rely on yourself to get the perfect invitations and other printable items that you require.


text:
class MogileImage < ActiveRecord::Base
  extend MogileImageStore::UrlHelper

  before_destroy :purge_stored_content

  class << self
    def save_image(attachment, options = {})
      (where(name: attachment.name).first || new(name: attachment.name)).
        send(options.delete(:temporary) ? :store_temporarily : :store, attachment)
    end
    ##
    # Persists image data and returns the key
    #
    def store_image(data, options={})
      save_image(MogileImageStore::Attachment.new(data, options).preprocess!, options)
    end
    ##
    # Persists data and returns the key
    #
    def store_attachment(data, options={})
      save_image(MogileImageStore::Attachment.new(data, options), options)
    end

    ##
    # 確認画面経由で一時保存されているデータを確定
    #
    def commit_image(key)
      return unless key.is_a?(String) && !key.empty?
      name, ext = key.split('.')
      self.transaction do
        record = find_by_name name
        raise MogileImageStore::ImageNotFound unless record
        record.refcount += 1
        if record.keep_till && record.keep_till < Time.now
          record.keep_till = nil
        end
        record.save!
      end
    end

    ##
    # 指定されたハッシュ値を持つレコードを削除し、
    # 同時にMogileFSからリサイズ分も含めその画像を削除する。
    #
    def destroy_image(key)
      return unless key.is_a?(String) && !key.empty?
      name, ext = key.split('.')
      self.transaction do
        record = find_by_name name
        return unless record
        record.purge
      end
      cleanup_temporary_image
    end
    ##
    # 指定されたキーを持つ画像のURLをMogileFSより取得して返す。
    # X-REPROXY-FORヘッダでの出力に使う。
    #
    def fetch_urls(name, format, size='raw')
      [mime_type_for(format), retrieve_image(name, format, size) {|mg,key| mg.get_paths key }]
    end

    ##
    # 指定されたキーを持つ画像のデータを取得して返す。
    #
    def fetch_data(name, format, size='raw')
      [mime_type_for(format), retrieve_image(name, format, size) {|mg,key| mg.get_file_data key }]
    end

    ##
    # 保存期限を過ぎた一時データを消去する
    #
    def cleanup_temporary_image
      self.transaction do
        self.where('keep_till < ?', Time.now).all.each do |record|
          if record.refcount > 0
            record.keep_till = nil
            record.save!
          else
            record.purge
          end
        end
      end
    end

    def key_exist?(key)
      key = Array.wrap(key).uniq
      names = key.map{|k| k.split('.').first }
      key.count == where(name: names).count
    end

    def mogilefs_connection
      @@mogilefs ||= MogileFS::MogileFS.new({
        domain: MogileImageStore.backend['domain'],
        hosts: MogileImageStore.backend['hosts'],
        timeout: MogileImageStore.backend['timeout'] || 3
      })
    end

    def mime_type_for(format)
      MIME::Types.type_for(format.to_s).first
    end

    protected

    ##
    # パラメータからMogileFSのキーを生成し、引数で受け取ったブロックに渡す
    #
    def retrieve_image(name, format, size, &block)
      record = find_by_name(name)
      raise MogileImageStore::ImageNotFound unless record

      # check whether size is allowd
      raise MogileImageStore::SizeNotAllowed unless size_allowed?(size)

      if record.resize_needed_for? format, size
        key = "#{name}.#{format}/#{size}"
      else
        #needs no resizing
        key = "#{name}.#{format}"
      end
      mg = mogilefs_connection
      begin
        return block.call(mg, key)
      rescue MogileFS::Backend::UnknownKeyError
        # 画像がまだ生成されていないので生成する
        begin
          img = Magick::Image.from_blob(mg.get_file_data(record.filename)).shift
        rescue MogileFS::Backend::UnknownKeyError
          raise MogileImageStore::ImageNotFound
        end
        mg.store_content key, MogileImageStore.backend['class'], resize_image(img, format, size).to_blob
      end
      return block.call(mg, key)
    end

    ##
    # 画像をリサイズ・変換
    #
    def resize_image(img, format, size)
      w, h, method, n = size.scan(/(\d+)x(\d+)([a-z]*)(\d*)/).shift
      w, h, n = [w, h, n].map {|i| i.to_i if i }
      case method
      when 'fill'
        img = resize_with_fill(img, w, h, n, 'black')
      when 'fillw'
        img = resize_with_fill(img, w, h, n, 'white')
      else
        if size != 'raw' && (img.columns > w || img.rows > h)
          img.resize_to_fit! w, h
        end
      end
      new_format = MogileImageStore::TO_FORMAT[format.to_s]
      img.format = new_format if img.format != new_format
      img
    end
    ##
    # 画像を背景色つきでリサイズ
    #
    def resize_with_fill(img, w, h, n, color)
      n ||= 0
      img.resize_to_fit! w-n*2, h-n*2
      background = Magick::Image.new(w, h) { self.background_color = color }
      background.composite(img, Magick::CenterGravity, Magick::OverCompositeOp)
    end

    ##
    # 画像サイズが許可されているかどうか判定
    #
    def size_allowed?(size)
      MogileImageStore.options[:allowed_sizes].each do |item|
        if item.is_a? Regexp
          return true if size.match(item)
        else
          return true if size == item
        end
      end
      return false
    end
  end

  def filename
    name + '.' + image_type
  end

  def purge
    if refcount > 1
      self.refcount -= 1
      save!
    else
      if keep_till && keep_till > Time.now
        self.refcount = 0
        save!
      else
        destroy
      end
    end
  end

  ##
  # Tells if resizing is needed for given format and size
  #
  def resize_needed_for?(format, size)
    return false if size == 'raw'

    # 加工が指定されているなら必要
    w, h, method = size.scan(/(\d+)x(\d+)([a-z]*\d*)/).shift
    return true if method && !method.empty?

    # オリジナルの画像サイズと比較
    w, h =  [w, h].map{|i| i.to_i}
    begin
      if w > width && h > height
        false
      else
        true
      end
    rescue => e
      Rails.logger.info e
      Rails.logger.info "force resize by mogile_image_store"
      true
    end
  end

  def store(attachment)
    if persisted?
      self.refcount += 1
    else
      self.refcount = 1
      attachment.persist(self)
    end
    save!
    filename
  end

  def store_temporarily(attachment)
    unless persisted?
      self.refcount = 0
      attachment.persist(self)
    end
    self.keep_till = Time.now + (MogileImageStore.options[:upload_cache] || 3600)
    save!
    filename
  end

  private

  def purge_stored_content
    mg = self.class.mogilefs_connection
    urls = []
    mg.each_key(name) do |k|
      mg.delete k
      url = parse_key k
      urls.push(url) if url
    end
    if urls.size > 0 && MogileImageStore.backend['reproxy']
      base = URI.parse(MogileImageStore.backend['base_url'])
      if MogileImageStore.backend['perlbal']
        host, port = MogileImageStore.backend['perlbal'].split(':')
        port ||= 80
      else
        host, port = [base.host, base.port]
      end
      # Request asynchronously
      t = Thread.new(host, port, base, urls.join(' ')) do |conn_host, conn_port, perlbal, body|
        Net::HTTP.start(conn_host, conn_port) do |http|
          http.post(perlbal.path + 'flush', body, {
            MogileImageStore::AUTH_HEADER => MogileImageStore.auth_key(body),
            'Host' => perlbal.host + (perlbal.port != 80 ? ':' + perlbal.port.to_s : ''),
          })
        end
      end
    end
  end
  ##
  # Creates URL from MogileFS key
  # (For reproxy cache clear)
  #
  def parse_key(key)
    name, format, size = key.scan(/([0-9a-f]{32})\.([^\/]+)(?:\/(\d+x\d+[a-z]*\d*))?/).shift
    size ||= 'raw'
    base = URI.parse(MogileImageStore.backend['base_url'])
    base.path + size + '/' + name + '.' + format
  end
end

redpajama_set_name: RedPajamaGithub


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Our CMA Flashback series continues with the Male Vocalist of the Year category.
For a look back at the other major categories, visit our CMA Awards page.
Aside from first time nominee Luke Combs, this is a familiar list. Chris Stapleton looks to become only the fourth male artist to win this award four times, which would move him right behind five time winners Vince Gill, Blake Shelton, and George Strait in overall wins. Dierks Bentley, meanwhile, has moved into second place among artists with the most nominations without a win, tying Willie Nelson with seven and trailing only nine-time never winner Kenny Chesney. Thomas Rhett is nominated for the second time, while Keith Urban enjoys his fourteenth shot at the trophy.
Chris Stapleton became the seventh artist in CMA history to win at least three Male Vocalist trophies, a distinction also held by fellow nominee Keith Urban.
Chris Stapleton repeated in this category, along with winning Music Video of the Year. On a night where the CMA spread the wealth, his two victories made him the biggest winner of the evening.
First time was a charm for Chris Stapleton, who ended Blake Shelton's historic run in this category while also defeating three veterans of this race who were hoping for their first win.
Blake Shelton became the third man in history to win this category five times, and only the second – after Vince Gill – to win it five years in a row.
Shelton won his fourth victory in a row this year, again defeating three nominees who still hadn't won the award.
Shelton's third consecutive victory continued the recent trend of this category, as he was the third artist in a row to win the award for three years running.
Shelton won again, while Kenny Chesney extended his record of the most nominations for Male Vocalist without a win, losing for the ninth time.
Blake Shelton triumphed over three veteran winners of this category, including George Strait, who received his 25th (and apparently final) nomination this year.
Just like in the Entertainer category, 80% of this race for the past three years had been Kenny Chesney, Brad Paisley, George Strait, and Keith Urban. This year, Darius Rucker took the fifth slot that was occupied by Alan Jackson in 2008 and Josh Turner in 2007. Brad Paisley went on to win his third Male Vocalist prize.
After so many years on the sidelines, Paisley began to dominate the category, scoring his second consecutive Male Vocalist award. Meanwhile, Kenny Chesney tied Willie Nelson for most nominations without a win, though his seventh loss was accompanied by his fourth win for Entertainer.
This was the year that Brad Paisley finally won, with his seventh nomination in eight years. The stars aligned for him, with a very successful tour, a new album that is selling strongly, and a continued hot streak at radio.
Urban became the first artist to win Male Vocalist three years in a row since George Strait did it in 1996-1998, right after Vince Gill's 1991-1995 run. His acceptance letter, read by Ronnie Dunn, was the emotional highlight of the evening's show.
No surprises here, as another multi-platinum year full of radio hits and a high-profile appearance at Live 8 kept Urban fresh on voter's minds. The big shock was him walking away with Entertainer of the Year later that night.
Urban hadn't even been nominated for any CMA Awards in 2002 and 2003, after winning Horizon in 2001, but he came back with a bang, taking home Male Vocalist of the Year over the four other superstars in the category. He joined Chesney as the only other man in the running who had never won before; Chesney got the wonderful consolation prizes of Entertainer and Album of the Year the same night.
Things were getting tight in this category in 2003, with so many worthy contenders that ties resulted in six nominees, instead of the usual five. Still, voters chose to stick with last year's winner, Alan Jackson, a sure indicator of his enduring popularity among CMA voters.
The other four men were merely placeholders, there to create a list around the obvious winner, Alan Jackson. As he swept the awards on the strength of his post-9/11 "Where Were You" and autobiographical "Drive", the only real shock was that he was winning Male Vocalist for the first time, a result of the slow turnover in this category during the 1990s.
Toby Keith has been a vocal critic of the CMA because he feels they've overlooked him, but he's been up against some tough competition, with his popularity peaking at the same time that Alan Jackson, Kenny Chesney and Keith Urban were making a huge impact on the charts and at the CMAs. Thankfully, he's at least won in this category, so he won't go down in history with Willie Nelson and Conway Twitty as one of the best male singers to never win it.
On the same evening that his wife, Faith Hill, was crowned Female Vocalist, McGraw walked away with his second consecutive Male Vocalist award.
Early on in his career, when McGraw was selling tons of records but being excluded from this category, he humbly said that he didn't think he was a good enough singer to be nominated. His talents grew over the years, and he finally won in 1999.
Strait matched Vince Gill's record of five wins in this category, defeating Gill and three other nominees who had yet to win in the category.
With no turnover in the category from the previous year, Strait won for the fourth time, again defeating his fellow mega-winner Gill, and three other stars who had never won before.
Jackson was already long overdue, and Collin Raye and Bryan White broke into the category for the first time. Nobody expected Gill to win for the sixth year in a row, but many were surprised to see former two-time winner George Strait collect a Male Vocalist award for the first time in ten years.
Even Gill was expecting to lose, so when his name was called out for the fifth year in a row, he was gamely applauding backstage for the winner, before suddenly realizing it was him and rushing out to the stage.
Vince won for the fourth year in a row, even though fellow nominees John Anderson, Alan Jackson and Dwight Yoakam were seen as likely spoilers.
Vince not only won his third Male Vocalist award this year, he also took home four other awards: Entertainer, Album, Song and Vocal Event.
A bunch of hot young stars dominated the ballot this year, with Gill emerging triumphant for the second time. Though they would continue to score hits for many years, Joe Diffie and Travis Tritt received their only nominations to date in this category.
After Garth swept the ACM's earlier that year, he was expected to do the same at the CMA's, and he came close, winning Entertainer, Single and Album. But industry favorite Vince Gill took home Male Vocalist, an award that Garth Brooks would never receive, though he would win Entertainer a record four times.
For the second year in a row, the previous year's Horizon winner took home Male Vocalist. Clint Black won easily over very distinguished competition.
After winning Horizon in 1988, platinum-selling Ricky Van Shelton graduated into a Male Vocalist winner only one year later. Keith Whitley received a posthumous nomination; he won Single of the Year that same evening.
It's hard not to wince at the knowledge that the peerless Vern Gosdin only received one nomination in this category, but there was no stopping Travis from collecting his second win.
In a lineup that was a traditionalist's dream, new star Randy Travis took home the trophy. At the time, he was breaking sales records, enjoying a quadruple-platinum studio album in Always & Forever.
Strait won his second consecutive Male Vocalist award on the strength of another huge year at radio and retail.
George Strait won the first of a record-matching five Male Vocalist awards, also taking home Album of the Year that same evening.
Greenwood's Vegas vocals dominated at radio and retail this year, earning him the award for the second time.
Greenwood's win was consistent with the pop-dominated flavor of the time. Janie Fricke won that night for Female Vocalist, and it was the final year that both races would be won by pre-New Traditionalist artists.
Pulling off the astonishing feat of winning both Male Vocalist and Horizon award, Emmylou Harris' former bandmate was hugely rewarded for bringing bluegrass to the masses.
It's taken for granted that Jones is one of the greatest vocalists to ever grace country music; few would dare to argue otherwise. No surprise, then, that he won this award for the second year in a row.
It's hard to believe that the legendary showman never won Entertainer of the Year, but he did take home a much-deserved Male Vocalist award, at least. Unfortunately, fellow nominee John Conlee would never be recognized at all, losing his first of two shots at this award.
One of the most underrated artists in country music history got a well-deserved pat on the back, winning over four larger personalities in 1978.
Milsap set a record when he won for the third time in this category, which would stand until 1994, when Vince Gill won his fourth trophy.
After losing to Jennings the previous year, Milsap returned to collect his second Male Vocalist trophy in 1976. Conway Twitty lost again in his final appearance in the category.
There was no love lost between Waylon Jennings and the CMA – he loathed the organization so much, he didn't even show up at his Hall of Fame induction. This was the first of several CMA wins for Jennings, though the only one in this category that he would receive.
Blind singer-songwriter and pianist Ronnie Milsap won for the first time; with Olivia Newton-John winning Female Vocalist the same night, pop was the flavor of the evening.
The Silver Fox won on the strength of a great year at radio. He's still considered one of the era's finest and most underappreciated vocalists.
Charley Pride became the first artist to repeat in the category, winning for the second year in a row.
The CMA had a wealth of great male vocalists to choose from in the early years of the awards, and they finally got around to acknowledging Pride, who had been nominated four times already.
Merle Haggard dominated the show in 1970, winning Entertainer, Male Vocalist, Single and Album of the Year.
Cash was a huge winner in 1969, taking home five awards: Entertainer, Male Vocalist, Single, Album and Vocal Group (with wife June Carter Cash). He wouldn't win again until after his death in 2003, when he took home another three awards.
Crossover star Glen Campbell won in a year that is so impressive, all five nominees are now in the Hall of Fame. He also took home Male Vocalist the same evening.
Few casual country fans would recognize him today, but Jack Greene will forever go down in history as the first Male Vocalist winner at the CMAs. He won on the strength of his signature hit "There Goes My Everything," which also won Single of the Year and was the title track of his Album of the Year winner that same night.
(4) – Hank Williams, Jr.
I just changed the "shabby" line. Thanks for flagging it. I've been removing the editorializing from these Flashback Posts as I've been revising them this year, and I missed that one.
Love that Don Williams, Kenny Rogers, and Ricky Scaggs all won in this category. So glad that Clint Black also won before Vince Gill began dominating in this category.
For as much as I like Chris Stapleton, I really hope Eric Church gets Male Vocalist somehow.
I always thought it was pretty neat how George Strait made a big comeback in this category from 1996-1998. Especially, since it was a pretty solid group of artists to choose from during those years, and Strait had already been around for nearly two decades. I really miss seeing his name in the nominations and getting to see him perform at the show.
I also thought it was surprising that Alan never won this award in the 90's, and had to wait until the next decade to get it. What's also interesting is that Steve Wariner was a solid hit maker throughout the 80's and early 90's, but never got a nomination until 1999. He really did make quite an impressive comeback in the late 90's.


A man who is having an affair with a married woman is dropped off on the wrong street when going back to his hotel. He takes refuge out of the rain when an old man invites him in. He turns out to be a mortician, who tells him the stories of the people who have wound up in his establishment over the course of four stories.


Every year, the UW School of Medicine Alumni Association recognizes exceptional alumni with a series of awards. We encourage UW School of Medicine alumni, faculty, staff and other professional colleagues to nominate alumni for one or more of the awards listed below.
The UW School of Medicine Alumni Association is delighted to honor the recipients of this year's alumni awards.
Recognizes an alumnus or alumna whose professional achievements and cumulative contributions have brought personal distinction, enhanced the general health and well-being of the public through professional practice, research or public policy, and brought honor to their alma mater.
We celebrate Dr. Winquist for his illustrious career in, and impact on, the field of orthopaedic trauma surgery. He has helped develop many new implants to facilitate improved fracture fixation, pioneered new techniques that are now standard practice, and instructed residents, fellows and fellow orthopaedic surgeons in these techniques. As a founding member and past president of the Orthopaedic Trauma Association, Dr. Winquist was instrumental in formalizing and standardizing the modern approach to orthopaedic trauma care in the U.S. and internationally. He is a regular lecturer and visiting professor around the world, a long-time board member of the Washington State Orthopedic Association and the American Academy of Orthopaedic Surgeons and the driving force behind the formation of Proliance Surgeons.
Honors an alumnus or alumna who embodies the ideals of UW Medicine and whose career reflects an ongoing commitment to serve others through the practice of medicine, or whose research has contributed to greater communal good.
We honor Dr. Khan for humanitarian medical work throughout his career, most notably in his direct delivery of medical relief services following the devastation caused by the Haiti earthquake in 2010. He made multiple volunteer trips, providing hands-on medical care at the Project Medishare/University of Miami Field Hospital in Port-au-Prince, Haiti, both during the immediate response period and throughout ongoing recovery and reconstruction phases. Since medical school, when he founded the Al-Shifa — a group, consisting of medical students, that helps provide supervised medical care to low-income patients — Dr. Khan has devoted his career to working with the underserved. He has founded several free clinics in Seattle and California, inspiring students, residents and colleagues to provide free or affordable healthcare to the most vulnerable patient populations.
Recognizes an alumnus or alumna whose dedicated and determined efforts have benefited the University of Washington School of Medicine and/or the University of Washington School of Medicine Alumni Association and/or his/her community.
Sandra E. Juul, M.D. '81, Res. '84, Chief Res. '86, Fel. '89, Ph.D.
We celebrate Dr. Juul for her service to her community and to the UW School of Medicine through clinical practice, teaching and research. As head of the Division of Neonatology within the Department of Pediatrics, she oversees a clinical program comprising 23 faculty members, two neonatal intensive care units (NICUs) at UW Medical Center and Seattle Children's, and the hospital-based newborn medical services at Providence-Everett, Overlake and St. Joseph's Medical Center in Tacoma. An outstanding educator, Dr. Juul trains medical students, residents and postdoctoral fellows in newborn medicine at UW Medicine and Seattle Children's. Dr. Juul, the W. Alan Hodson Endowed Chair in Pediatrics, is also a leading investigator in the field of neonatology, with a focus on neural development and brain injury at birth.
Honors an alumnus or alumna who graduated within the last 20 years and has excelled in his or her career, making significant contributions to public health through clinical care, medical science, research, humanitarianism or administrative activities.
We honor Dr. Dehlendorf for her tremendous accomplishments in research, her dedication to teaching and to her patients and her unwavering commitment to the urban underserved in the areas of family planning and abortion care. Through her courageous work in women's reproductive health and social justice, Dr. Dehlendorf has greatly enhanced the general health and well-being of the public. In national advisory groups, she has used her scholarship and stature in academic medicine to question conventional wisdom and usher in a new paradigm of patient-shared decision-making. Her work has inspired physicians and health professionals across the nation, deepening our understanding of the complex interplay of race, class and gender in women's reproductive health and continually refocusing the dialogue on patient-centered care.
Suggest a colleague or alum for a 2020 award!


The Fujitora factory of Niigata Japan has produced what we consider to be the ultimate perfection in a blend of Japanese and European knife design. Tojiro Senkou knives, meaning Flash in English are insanely sharp. These knives are made out of the finest Damascus steel wrapped around a VG-10 core to provide a very hard cutting edge (Rockwell 60-62). The handles are made from Micarta material with a steel inlay in a shape which is very comfortable to use. There is also a special die cast bolster welded onto the handle of the knives, which provides a smooth touch and comfortable grip. The overall knife is as sharp as you could possibly imagine, but it has the weight and presence of a European knife. In our opinion these are as good as it gets. Tojiro Senkou knives are used and endorsed by Heston Blumenthal, one of the world's very few 3* Michellin chefs and are used by him and his staff in the kitchen of the Fat Duck restaurant. Always wash your knives by hand, dry thoroughly and never put them in a dishwasher. All Tojiro knives are covered by the manufacturers guarantee against faults and defects. Knives should be stored in a block or other protective case to protect the blades and always kept out of reach of children. Knives cannot be sold to any person under the age of 18. When you place an order with us, you are confirming that you are 18 or older. Sometimes we may ask for proof of identification.


text:
Mulcaire: I phone-hacked under orders
Friday 29 Jul 2011 12:00 am
glenn-mulcaire / journalism / media / phone-hacking
By Alex Stevenson Follow @alex__stevenson
Private investigator Glenn Mulcaire, one of two people already convicted over phone-hacking, has insisted he hacked phones "on the instructions of others".
A statement issued through his lawyers rebutted News International's claim that Mulcaire was acting on his own initiative.
"As an employee he acted on the instructions of others," his lawyers said.
"There were also occasions when he understood his instructions were from those who genuinely wished to assist in solving crimes.
"Any suggestion that he acted in such matters unilaterally is untrue. In the light of the ongoing police investigation, he cannot say any more."
Mulcaire said he had been "effectively employed" from 2002 until 2007 as a private investigator.
He apologised the day after it emerged that teenage murder victim Milly Dowler's phone had been hacked.
Now, a day after it was alleged that the mother of Sarah Payne had been given a phone by the News of the World which was subsequently hacked, he has apologised again.
"Glenn Mulcaire has already expressed his sincere regret to those who have been hurt and affected by his activities and he repeats that apology most sincerely," the statement read.
"As he accepted when he pleaded guilty in 2007 to charges of phone interception he admits that his role did include phone hacking."
News Corp only stopped paying Mulcaire's legal fees last week, after huge anger built up when it was revealed that he was still being assisted by the company.
Week in Review: Harry and Meghan treatment shows how messed up Britain's attitude to royalty is
Mutineers and saboteurs: How war imagery took over the Brexit movement
Call out the Daily Mail's hypocrisy over asylum seeker attack
The media must stop portraying council estates as crime-ridden and uncared for


text:
Home Forums > TiVo TV Talk > Season Pass Alerts >
SNL removed from program guide?
Discussion in 'Season Pass Alerts' started by starbreiz, Oct 23, 2011.
Oct 23, 2011 #1 of 6
starbreiz Fangirl
I was sitting here waiting for SNL to come on, and my TiVo never changed channels. Recording History says "The program was not recorded because it was no longer in the program guide" for Comcast Sunnyvale, but my east coast friends say it was a new episode. Anyone know what happened?
[Edit]: Changing channels to KNTVDT, the guide data shows Saturday Night Live. So confused!
wmcbrine Well-Known Mumbler
According to the guide, it was a repeat of Sep. 24th's episode. Also, Seth Meyers was at a college football game tonight, where he gave a brief interview, mentioning that he usually couldn't attend because he had to work Saturdays, but this week "the schedule worked out".
Perhaps your east coast friends just thought it was new because they missed it the first time?
If it were a repeat, wouldn't the Recording History have said that instead of "not in the program guide"?
trainman Nice to see you
Sherman...
starbreiz said: ↑
I'm assuming you have a First Run Only season pass -- what often happens with "SNL" is that, when the program guide information comes out two weeks in advance, it has "generic" data listed, which gets treated as a first-run show. Once the actual information gets filled in, and the guide data shows it was a repeat. This means there's no longer something matching the First Run Only season pass in the program guide, and thus you get the "no longer in the program guide" error in the Recording History.
Yes, the error message could be less obtuse, but that's how it happens.
(If the guide data had shown "SNL" as being a repeat for the entire two-week period, you wouldn't see it listed in Recording History at all with a First Run Only season pass, because it would never matched the season pass and therefore would never have been scheduled to record.)
mattack Well-Known Member
Yeah, annoying error message.. but one of the more minor things that could greatly improve Tivos.. (and I say that as a huge Tivo fan.)
MartyList DirecTiVo
Denver, CO.
trainman said: ↑
If the guide data had shown "SNL" as being a repeat for the entire two-week period, you wouldn't see it listed in Recording History at all with a First Run Only season pass, because it would never matched the season pass and therefore would never have been scheduled to record.
That's not what I typically see, in those cases the recording history says something like "This program was not recorded because someone in your household modified the season pass, wishlist or autorecording that scheduled it"


When motorists last saw a pickup truck from off-roading champ Jeep, let's just say it was less than inspiring.
It was also before a lot of today's truck buyers were even born.
The Jeep Comanche, last seen in 1992, was reasonably solid, but its bland looks and mediocre performance were about as pulsequickening as the dipping sauce at Swiss Chalet.
What a difference 27 years have made. The new 2020 Jeep Gladiator retains the macho good looks and off-road prowess of its cousin the Wrangler, yet has a five-foot box on the back that carries enough cargo to serve weekend warriors and contractors alike.
This truck is both a refreshing alternative to its mid-sized domestic competitors, Ford's Ranger and GM's Canyon/Colorado, and also a defiant throwdown to the aging Toyota Tacoma, which for nearly a decade has ruled the mid-sized, off-road category virtually unchallenged.
If the Ranger and Colorado are essentially street machines that can be beefed up for off-road adventures, the Gladiator is the converse - a brutish mountain goat that practically comes with mud smudged on its face.
There is nothing subtle about the Wrangler lineage in this truck, which comes in Sport S, Overland and Rubicon trim levels. From the front, the Gladiator has the seven-slot grille and retro-looking round headlamps that declare the brand.
The rugged four-wheel drive mechanism, with a rock-crawling low-gear ratio is all-Jeep, too, especially in the top-end Rubicon, which adds tall 33-inch Falken Wildpeak M/T tires, locking front and rear differentials, and sway bars that unlatch with the touch of a button.
It also has Jeep's removable doors, convertible roof and flipforward windshield for off-roaders seeking an authentic bugs-inthe-teeth experience.
From there, the similarities fade. The side profile of this crew-cab only five-passenger vehicle reveals its remarkable length, at 554 centimetres, fully 76 cm longer than the Wrangler.
That makes the Gladiator by far the longest of the "mid-size" trucks on the market. Its wheelbase is also 48 cm longer, making a trip over California's jarring concrete freeways surprisingly mellow. Back seat passengers will also appreciate the extra eight cm of legroom. Day-long road trips are no longer to be dreaded.
The Gladiator has a different high-strength steel frame than the Wrangler. The rear suspension is different, too, with control arms and a track bar taken from the Ram 1500 pickup truck. The axles are beefier to handle the extra weight and stress.
The longer wheelbase enables a five-foot cargo box, but also limits something called the breakover angle - which is essentially the biggest mound the truck can crawl over while keeping all wheels on the ground.
That only matters when you climb over basketball-sized boulders like the ones journalists tackled on a rocky ranch a few kilometres from a Northern California town called Cool.
There's a lot of metal plating to protect the undercarriage from those rocks, and Fiat Chrysler has compensated by adding lightweight aluminum doors, hinges, hood, fenders and tailgate.
That keeps the Overland trim level at a reasonable curb weight of 2,137 kilograms when equipped with automatic.
Trucks are not new to Jeep. In fact, the history goes right back to the Willys-Overland of 1947.
The last effort was the Cherokeebased Comanche, last seen in 1992.
The Gladiator has virtually nothing in common with those forebears. It is refined, pleasant to drive with Fiat Chrysler's rugged and familiar 285-horsepower V-6 engine, and - shocking for Jeep fans - relatively quiet at highway speeds.
Strangely, the optional hard top seemed as noisy as the standard rag top.
It also has remarkable capabilities, with towing capacity up to 3,470 kg (in the optimum configuration) and a payload of 726 kg. Smart placement of the electrical parts even enables the vehicle to ford streams 75 cm deep - although I can't imagine anyone wanting to do that to a truck that starts north of $45,000.
Fiat Chrysler took a long time to get back into the mid-sized truck game, after dropping the Dakota in 2011. It used the time to create a unique and profoundly likeable new vehicle, one that lays it down to the former offroad champ - the Toyota Tacoma.
For weekend warriors, this truck sets the new standard.
The Gladiator is arriving in dealerships now.
RATINGS LOOKS It has charm more than cuteness, with its unwavering commitment to Jeep styling heritage. The big box on the back really does look awkward in the side profile.
INTERIOR The simple dash layout and easily accessible controls pay homage to it forebears. Only Jeep deliberately exposed the allen-head screws that hold dash components in place to accentuate its workmanlike image. Leg room is comfortable, especially in the back, and the seats reach a cozy compromise between comfort and support. Rubber-sealed electronic bits are water resistant, so they won't fizzle in the rain.
PERFORMANCE The popular 3.5-litre V-6 gasoline engine delivers 260 lb-ft of torque, adequate for off-road when combined with Jeep's ultralow adventure gearing. A 3.0-litre turbo diesel promised for 2020 should be better. Even so, the top-end Rubicon can crawl up steep rises and over eye-popping boulders.
TECHNOLOGY Dozens of safety and convenience features include optional hands-free communication and nav features, blind-spot warning, adaptive cruise control, stop/start for fuel savings and - a favourite - on the Rubicon a front-mounted camera that lets drivers see over the hill ahead. Even better, the camera comes with a one-button washer to clear away the inevitable mud spatters. Touch screens range from 13 to 21 centimetres, and the bigger ones have pinch, tap and swipe capability.
CARGO The back seat is a marvel of ingenuity, with three-position seating and lockable storage compartment underneath. The five-foot cargo box has become the mid-sized truck standard, but Mopar accessories, many compatible with the Wrangler, allow it to be outfitted with a broad array of lockable compartments.
There is a new king of the hill. This well-mannered truck can work all week, tow your boat to the cottage and climb mountains.