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Home » Cameras » DSLR Camera » Top 10 Best DSLR Camera In India
Top 10 Best DSLR Camera In India
Sandip Sah
If you love taking photographs of almost everything then here are the best DSLR Camera in India for you. For decades, DSLR (Digital SLR) has been the prime choice for taking some of the most astounding pictures. Whether you are a beginner or a professional, if you love taking photographs then DSLR is a must-have camera.
The popularity of the DSLR camera is due to its three impeccable distinctive features:
And Picture Quality second to none.
Yes, then there are mirrorless cameras that are small, compact, and mechanically simple. In addition, they also come in interchangeable lenses.
If you will step into the market, there are several brands that are providing DSLR cameras. The sheer number of brands and types of products can confuse. And the most confusing part is that they all claim to be the best DSLR camera in India.
The prices of the DSLR can vary a lot. You can find a DSLR costing 50,000 on the market. And the price can go as high as 6 lakhs. Of course, you don't have to go that high.you can stick with some of the moderate DSLR cameras.
In this article, we have listed out some of the best DSLR Camera that you can get at just about the right price that can fit your budget.
Sony Alpha ILCE-7M3 Full-Frame 24.2MP Mirrorless Digital SLR Camera Body (4K Full Frame,...
3 new from Rs. 145,990
Nikon D850 45.7MP Digital SLR Camera (Black) with AF-S Nikkor 24-120mm F/4G ED VR Lens and 64GB...
Nikon Z 7 Mirrorless Digital Camera (Body Only) Kit with Charger, Battery, Cables, Neck Strap
Nikon D780 DSLR Body with 24-120mm VR Lens
Canon EOS 6D Mark II 26.2MP Digital SLR Camera with EF24-105 mm f/4L is II USM Lens
Nikon Z6 FX-Format Mirrorless Camera Body with 24-70mm Lens + Mount Adapter FTZ (w/ 24-70mm)
Nikon D750 Digital SLR Camera + 24-120mm 4G VR Kit
Nikon D7500 20.9MP Digital SLR Camera (Black) with AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR...
Sony ILCE-9 Full-Frame 24.2MP Mirrorless Interchangeable Lens Camera Body Only (Black)
Nikon D750 24.3 MP Digital SLR Camera with 24-120 4G VR Kit + Free Lowepro Photo Hatchback 22L AW
Last updated on January 16, 2021 11:59 pm
Best DSLR Camera In India
1. Sony Alpha ILCE-7M3
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What We Loved
High Shutter speed.
Uncropped 4K Videos.
Dust & Water Resistance.
Battery life lasts long enough for 700 shots.
What We Didn't
Limited Touch Screen control.
Limited Lens options.
Sony Alpha ILCE-7M3 is the successor of the Alpha series after M2. However, unlike Alpha 2, you can use the Alpha 3 in a more comfortable way. You don't have to be a professional to use all the complex settings of this DSLR. with juts a few tune-ups, you can use Sony Alpha M3 with ease.
You may consider this camera a bit expensive, but you can not deny the fact that to want something of fine quality, you need to pay a price equivalent to that. With Sony Alpha M3, you can certainly take some of the best pictures of your life.
It serves brilliant low light performance, it is fast with the shutter speed that freezes time in just a few milliseconds. Its battery is power-packed and offers up to 700 shots before you charge it next time. All the mentioned features have made Alpha 3 one of the best DSLR camera in India.
Fast Hybrid AF system.
Low sensitivity dynamic range.
In-Body stabilizations.
4D Focus.
High-resolution 4K videos.
ISO Range from 100 to 51200.
It is a versatile DSLR camera that can serve all the purposes. Whether you are a professional or a new photographer in the field, everyone can use this camera with ease. The best thing which we think is the cream of all the features is its 4K resolution videography.
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2. Nikon D850
7 FPS burst mode.
High-Quality ISO performance.
Dual Card Slot.
Electronic front-curtain shutter.
Auto AF tuning.
Illuminated buttons.
No 4K Videos
Lack of Built-in Flash.
Nikon D850 is the successor of the D800 and 800E. After the introduction of this camera in the market, it set a new benchmark for the DSLR in the camera industries. Its features were advanced compared to the same generation cameras of other brands.
Nikon D850 gives people access to fine quality photos and high-resolution images. These features are top-notch among their peers. The Nikon D series has been there in the market for over 5 years. And the Nikon D850 is the latest addition in the D series.
Nikon D850 is the most advanced version of the Nikon camera and is integrated with all the new technology the camera industry has to offer. In addition, it also facilitates silent photography in live view mode. As a whole, Nikon D850 is the most complete DSLR you can get in the market.
45.7 MP CMOS sensor.
7FPS Continuous Shooting.
The battery lasts for more than 1800 shots.
4K video capture.
153 point AF system.
3.2-inch touch screen display.
Nikon is yet another branded and among the best DSLR camera in India that is trusted by many people. In India, Nikon is a popular brand and you will be able to see many people owning DSLR of Nikon brand. If you want to have the most balanced feature for your photography. Nikon D850 can be the best pick for you.
3. Nikon Z 7 Mirrorless Digital Camera
45.7 full screen censored touch screen.
90% of autofocus screen coverage.
Tilting touch screen.
4K video.
Water and Dustproof.
Single memory slot.
AWB can be neutral in daylights.
It is very important to have multifunctional DSLR nowadays. So, when the time calls for it, you can take videos easily. Nikon is a trusted company that has produced high-quality cameras. Nikon Z is one of the latest additions in its product list.
This DSLR camera has a good reputation for taking high-quality videos. So, if you are a professional photographer who needs to take videos from time to time. Nikon Z is the best pic for you.
Nikon Z7 is the first full mirrorless digital camera for its brand. It is a power-packed machine with a 4K video facility. Nikon Z7 shares its MP BSI CMOS sensors with Nikon D850. It also has a mechanical stabilization facility with on phase sensor detection. The only thing here you will find is the Nikon Z is short on the performance of autofocus features.
It has a 45.7 MP full-frame BSI CMOS sensor.
493 PDA points with more than 90% of vertical-horizontal coverage.
ISO range is 64 to 102,400.
Single card slot.
4K capture up to 30P.
SnapBridge wifi system.
2.1 M tilting touch screen.
Nikon Z stands among the best DSLR camera in India. It has all the features that you need as a professional photographer. It has all the features of the Nikon D850 that make Nikon Z as one of the most complete DSLR cameras. However, with the Nikon Z, you also get mechanical stabilization that boosts your performance as an on-field photographer.
4. Nikon D780 DSL
25 MP high-resolution image sensors.
Provide more than 2200 shots before the next charging.
Max ISO up to 51200.
Articulating screen.
LED resolution with 2.359K dots.
High shutter speed 1/8000s.
Needs work on Image stabilizations.
Quite heavy as compared to the other Cameras in the same category.
Nikon D780 may look like one of the older generation od DSLR cameras, but with all the features it still serves its users, had made it possible for the Nikon D780 to rank in our list of the best DSLR camera in India.
Nikon is one of the most loved brands for the Indian when it comes down to choose a DSLR from. It is one of its kind that was launched with future perspective features. The features were so advance at the times that those features are still the same even after a long five years. What's more, you will find that all these features are now integrated into different models of the Nikon DSLR cameras.
It has a 25 MP full-frame BSI-CMOS sensor.
It has a basic ISO from 100 to 51200, which can be expanded to 50 – 204800.
3.2-inch tilting screen for an all-around view.
Pentaprism.
Continuous shot supported by 7FPS.
4K video resolution.
With all the features that we have enumerated above, we can conclude on things that the Nikon D780 is one of the best DSLR camera in India that was futuristic during its launch. The frame rate can go as low as 7fps which enables you to unlock a new world for you to take mesmerizing images. And the best thing about this camera is that it has a relatively low price than the other camera present on the list.
5. Canon EOS 6D Mark II
Full frame touch screen LCDD.
26.3 image sensor.
45 point autofocus.
Supported with 7 DIGIC.
Integrated Wifi and GPS.
It has no built-in flash.
Lacks a USB 3.0 port.
It is the new iteration for the Canon EOS 6D. Canon EOS 6D Mark II is better than its predecessor in every way. Canon EOS 6D Mark II has improved every aspect of its features. From its ISO range and image sensing features to its autofocus and continuous shooting features.
The features are not the only one that has changed. The price of the Canon EOS 6D Mark II is also far greater than that of its predecessor. So while buying and comparing the predecessor and the successor of the Canon EOS model, everybody gets confuse on the fact that is the price is really reasonable with improved features.
With a 26.2 MP image sensor, it takes some of the breathtaking images. And with the built-in technologically features, it easily made to our list of best DSLR Camera in India.
It has a 26.3 MP full-frame CMOS sensor.
Supported with DIGIC 7 image processor.
ISO can range up to 100-40000.
60fps video.
6.5 fps continuous shooting.
3-inch multi-angle touch screen LCD.
Built-in wifi, NFS, Bluetooth, and GPS.
Canon has certainly improved the Canon 6D model to 6D mark II. it has surely improved with an all-round performance. But the overload of the features has made this camera prone to some of the glitches. For instance, it works better with the center focus rather than point focus. You practically have no control over the center and point focus. If you can handle this glitch then you are good with Canon EOS 6D Mark II.
6. Nikon Z6 FX-Format Mirrorless Camera
24.5 MP image sensor.
273 autofocus point.
Image stabilization.
High ISO range (100-51200).
3.2-inch tilting HD LCD display.
Battery drains out faster.
The Nikon Z6 is one of the two full-frame mirrorless cameras that are launched by the Nikon. With a 24.5 MP image sensor, it can hold its own against some of the high-resolution cameras. It not only provides some of the best image quality but it also provides high-quality videography which sums up to all-round performances.
Overall, Nikon Z6 aims to become one of the most complete mirrorless cameras in the market. And this is the reason why it is considered one of the best DSLR camera in India. With faster burst shooting, high quality deeper buffer, high-quality videos, and everything summing up at reasonable prices have made Nikon Z6 one of the all-round performing DSLR cameras in the current market.
24.5 MP FX BSI image sensor.
Auto Focus system with 273 focus points.
Support slow motion HD videos.
4K 30fps Videos.
Silent photography.
Built-in Bluetooth, Wifi, GPS, and NFS.
The Nikon Z6 is all in all cameras that cater to some of the best features that you can get in DSLR cameras. The designs quite robust that made Z6 quite attractive. Out of the two mirrorless cameras, Z6 is quite approachable for the people because of its price range. With the new image sensor technology, the image quality is excellent and AF performance is terrific as well.
7. Nikon D750 + 24-120mm 4G VR Lens
Hi-quality ISO performance (100-12800)
Class-leading burst speed.
D lighting feature.
Articulated LCD screen.
Built-in Flash.
1/4000 shutter speed (lower than most of the DSLRs).
White balance too warm.
After a log awaited waiting, finally D700 gout the mich needed upgrade i9n the form of Nikon D750. after the launch of the Nikon D700 in 2008, the DSLR camera was as it is for the rest of its years. The popularity of the Nikon D700 was on degrading rampage. But with the new integrated upgrades, you can look forward to seeing one of the best DSLR camera in India.
Nikon D750 is the upgraded version of D700 that boats about having an excellent autofocus system. In addition, you also get image stabilization, high-quality low light images, and dual card slot to never run out of memory spaces.
With the Nikon D750, you get access to some of the unique features that you can only get with the Nikon D750. features like full-frame tilting LCD screen for comfortable photo shooting, slimmer comfortable design to perfectly fit in your grip, and built-in wifi features that let you share images directly from your DSLR camera. Altogether, you can say that it is a complete DSLR camera that you are looking for.
24 MP image sensor with an AA filter.
1,229k- dots LCD screen.
Continuous shooting with 6.5 fps.
51 point multi CAM AF system.
Aperture control for live shows.
Built-in Wifi.
Nikon D750 is among the best DSLR camera in India that has been in the market for quite a long time. With all the features mentioned, it is still one of the most loved DSLR cameras. The best part of this camera is that it provides all the best features under the right price tag.
8. Nikon D7500 20.9MP DSLR Camera
Fast and accurate autofocus mechanism.
Comfortable ergonomic grip.
Auto ISO setting.
Adjusting aperture is not Much easier.
Support 4K video.
It has limitations with the freedom of the Tilt screen.
Nikon D7500 is one of the oldest models of the DX000 series. This series started with the D7000 back in 2008. And since then this model has hardly seen any changes. Until recent years when the DX000 finally goes through many changes. After the integration of the new technology, the Nikon company produced D80 and D90 series.
Even after the launch of the new products, D7500 was still in the market. It was due to its well-balanced features that go well with any kind of shoot you want. The Nikon D7500 is packed with some of the best features that you will find them in another advanced version of the DSLRs cameras.
Altogether, you can definitely say that Nikon D7500 is one of the best budget-friendly DSLR cameras that you can under the category of the best DSLR camera in India. In India, this product is still in use, and you will still find a huge user base of this DSLR.
21 MP APSC CMOS sensor.
ISO range from 100-51200.
Image stabilizatiuons.
Tilting Screen with 3.2-inch Display.
4K video resolutions.
There is a lot going with the Nikon D7500. We have already covered the feature of this DSLRE camera and how effective it is with its image quality, autofocus system, and video quality. All together you can say that Nikon D7500 is worthy enough to make a place in the list of best DLSR camera in India.
9.Sony ILCE-9
Excellent low light images.
ISO range from 100-51200
Fast and accurate 10 fps shooting.
Advanced Autofocus mechanism.
Support 4K videos.
Excellent battery backup.
Only one high-speed memory card slot.
Sony ILCE9 is an improved version of its predecessors. if you will compare them both, you will find that Sony ILCE9 is better in all aspects of their features. With the ILCE9 model, you can take 10fps continuous shooting. This really helps the photographer in many ways. In addition, it also capable of taking mesmerizing images even in the low light with its diverse ISO range.
In addition, you will also get a fast and accurate autofocusing system that helps you with dynamic focus. It also helps you handle the 4K videos with ease. Overall you will find Sony ILCE9 as one of the best DSLR camera in India.
24 full-screen BSI CMOS sensor.
Phase detection with 693 AF points.
4K video mode.
The battery lasts up to 800 shots.
Continuous shooting with 10fps.
Although you will not find the Soni Alpha III as one of the best DSLR cameras in comparison with its pricier siblings, it has some of the features that only selected few DSLRs have in the market.
10. Nikon D750
24 MP image sensor.
ISO max out at 12800.
Face detection optimizations.
Auto Focus.
Battery life up to 1300 shots.
Remote control with your smartphone.
No Image stabilization.
No touch screen.
The full-frame DSLR world is increasing in size day by day. The Nikon D750 is the first in the line for the cameras that aim to become full-frame DSLR cameras. This Nikon DSLR was launched in the fall of 2014 and was aimed for the users who all are already Nikon users and want to take their photography skills to the next level.
Nikon D750 is supported with a full-frame camera that lets you capture perfectly. It offers a range of features for you to take all kinds of pictures. With the range of the ISO, you can even take excellent images in low light.
It also has auto face detection features that capture an image after the detection of a smile. In addition, it also comes with autofocus, which means, you don't have to adjust the focus before taking a photo. You just have to tune up the setting, and D750 will do the autofocusing. This rage of the features and how efficient it is with photography has made D750 as one of the best DSLR camera in India.
24 MP full-frame CMOS sensor.
Tilting 3.2-inch screen.
Water & Dustproof.
The Nikon D750 is the latest addition to the Nikon DSLRs. And it is the only one with an FX-format lineup. If you have ever used the older version of the Nikon DX00 series, then it will be easy for you to use Nikon D750. the sheer amount of fe3atures that it character at a reasonable price has made D750 as one of the best DSLR camera in India.
There are lots of questions that come into our mind before buying an SLR or a DSLR. Nobody wants to regret after buying Digital Cameras. Given below are some of the questions that we are asked most of the time regarding the Cameras. We have tried to answer them all. Even after this FAQ section, you are left with any other queries. You are welcome to ask in the comment section below.
Is DSLR worth buying?
DSLR cameras are very popular among the photographer or people who love to take photographs. The reason for the DSLR being famous is because they come with interchangeable lenses. That itself crazy like hell. But that does not mean that it will be a good choice to buy one. Yeah, it is advisable to have a DSLR when you love taking photographs, but it is only justifiable if you have a successful photography business. However, if you want to have a camera just for a hobby then you can just have an SLR instead.
Which DSLR camera is best in India?
We are living in a world where capturing memory is as important as creating them. This has made the camera a necessity than a luxury. The opportunity that the digital cameras gave us was able to support our obsession with photography.
In the market you will find that every camera has more or less the same features, hence, the question "Which DSLR camera is best in India?" is not the right question. Rather, the most appropriate question is "which Brand of DSLR is best for me?".
There are several brands in the market that are considered to be the best DSLR camera in India. If you are asking for the currency top brands then Canon, Nikon, and Sony can be a pick for you.
Which is better: SLR or DSLR?
There is no doubt about which one is better. You will find that most of the photographers are using the DSLR than the SLR cameras. The reason is very simple, SLR works on the Films and DSLR takes digital photographs.
A DSLR camera has grown in popularity is because you can check every image whether they are taken with perfection or not. While on the other hand, you can not do the same for the SLR cameras. If a mistake is done, that means, you have wasted one of your films.
Is mirrorless better than DSLR?
For the past few years, we are am getting the same exact question from my readers. And my answer to each and everyone has remained the same. There is no distinctive difference between a mirrorless camera or a DSLR camera. Both the cameras share almost the same features. However, there is only one difference that keeps them apart. That is DSLR having a mirror over the lenses. And mirrorless lenses do not have any mirror over their lenses.
Pictures taken from both the camera are almost the same, and the little difference it has is not noticeable unless you are a photography expert. And when it comes down to their protection, you need to be extra careful with the mirrorless camera as they have open lenses, they get damaged easily.
Product Name View Price
Sony Alpha ILCE-7M3 Amazon / TataCLiQ
Nikon D850 Amazon / TataCLiQ
Nikon Z 7 Mirrorless Digital Camera Amazon / TataCLiQ
Nikon D780 DSLR Amazon / TataCLiQ
Canon EOS 6D Mark II Amazon / TataCLiQ
Nikon Z6 FX-Format Mirrorless Camera Amazon / TataCLiQ
Nikon D750 + 24-120mm 4G VR Lens Amazon / TataCLiQ
Nikon D7500 20.9MP DSLR Camera Amazon / TataCLiQ
Sony ILCE-9 Amazon
Sandip Sah is a content writer and a content editor for Technetdeals.com, who has set sail to venture all the secrets of the writing industry. His passion for technology and ambition to express his thoughts through words has been the driving force in his journey.He is also the co-founder of the Tech Trends Pro, Smart Business Daily, and Emblem Wealth. Sandip specializes in writing warm, humorous, engaging, and SEO friendly contents.
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Health Issue: Parkinson's Disease
No definitive tests exist for Parkinson's disease, so it can be difficult to diagnose, especially in the early stages. And parkinsonism — the symptoms of Parkinson's disease — can be caused by many other types of problems. Examples include:
Other neurological disorders. Essential tremor, dementia with Lewy bodies, multiple system atrophy and progressive supranuclear palsy each feature some symptoms common to Parkinson's disease.
Drugs. Antipsychotic medications — such as chlorpromazine (Thorazine) and haloperidol (Haldol) — block dopamine, as do anti-nausea drugs like prochlorperazine (Compazine) or metoclopramide (Reglan). If you take any of these drugs, you may develop parkinsonism, although it is reversible when the drug is stopped.
Toxins. Exposure to carbon monoxide, cyanide or certain other toxins can produce symptoms similar to Parkinson's disease.
Head trauma. Both solitary head injuries and the repetitive variety of head trauma common in boxing have been linked to Parkinsonism, although risks are small.
Structural problems. Strokes or fluid buildup in the brain (hydrocephalus) may occasionally mimic Parkinson's disease.
A diagnosis of Parkinson's disease is based on your medical history and a neurological examination. As part of your medical history, your doctor will want to know about any medications you take and whether you have a family history of Parkinson's. The neurological examination includes an evaluation of your walking and coordination, as well as some simple hand tasks.
A diagnosis of Parkinson's is most likely if you have:
At least two of the three cardinal Parkinson's symptoms — tremor, slowing of motion and muscle rigidity
Onset of symptoms on only one side of the body
Tremor more pronounced at rest, for example, when your hands are resting in your lap
Strong response to levodopa, a Parkinson's drug
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Hospital-based Internet addiction center to open
September 5, 2013 / 5:16 PM / CBS News
As growing numbers of us check our email compulsively, play computer games obsessively and have more friends on Facebook than in real life, the first hospital-based Internet addiction treatment center is preparing to open.
An inpatient program at the Bradford Regional Medical Center in Bradford, Pa., will begin next week for people who cannot control their online activity.
Its founder, Kimberly Young, told CBSNews.com that she has had nowhere to refer patients who, over the last 16 years through her private practice as a psychologist, have asked for inpatient rather than outpatient care.
"While there are a few retreat centers in the U.S., none offered inpatient medical and psychiatric care," Young said. "I also noted that the only hospitals offering treatment were not located in the States, making it difficult for Americans to use what might be available abroad."
In the United States, Internet addiction is not recognized as a diagnosable mental health disorder by the American Psychiatric Association and treatment is not generally covered by insurance. But there are treatment centers in such countries as China and South Korea, where it is viewed seriously.
Bradford's 10-day program will focus on patients with more serious cases of Internet addiction, and provide individual, group, and family therapy. The patients must first forgo the use of the Internet for at least 72 hours before entering.
Young is not sure how many patients to expect in her program. There are four places for each cycle of the program, and the hospital might make adjustments depending on demand, she said. The fee will be $14,000.
She determines whether someone is addicted by the consequences of their use, whether damage to relationships or careers. The typical addict is a young, intelligent man consumed with such games as "World of Warcraft," she added.
Her goal is to help addicts to achieve moderate or controlled use of the Internet rather than to go cold turkey as a typical addiction treatment would require.
"We are focused on a digital diet, similar to treating food addiction, where you can't give up food as the answer no more than you can entirely give up the Internet as the answer," she said.
Young developed her own brand of therapy for treating Internet addicts. She first uses behavior modification to gradually decrease the amount of time addicts spend online, then encourages her patients to confront any denial and rationalizations, and finally identifies and treats co-existing mental health issues.
"Internet gaming disorder" or addiction is not officially a diagnosable mental health disorder in the United States. It is listed in what's called "Section III" of the the American Psychiatric Association's Diagnostic and Statistical Manual of Mental Disorders 5. The DSM is sometimes referred to as the "psychiatrist's bible," because it lists all the criteria for diagnosable mental health conditions. But, conditions listed in Section III are ones the APA has only seen some evidence of, but not enough evidence to recommend criteria for diagnosis. Additional research is needed, an APA spokesperson told CBSNews.com.
A 2006 study from Stanford University found that more than one out of eight Americans exhibited at least one possible sign of problematic Internet use.
The lead author, Dr. Elias Aboujaoude, noted then that a small but growing number of Internet users were starting to visit their doctors for help. Their compulsive behavior, blogging or visiting Web sites or chat rooms, was similar to what sufferers of substance abuse or impulse-control disorders experience, he said. What he found most troubling was the number of people who hid their nonessential time on the Internet or used it as a way to escape a negative mood, much in the same way that alcoholics might.
Young defines Internet addiction separately from other addictions. She said that while the diagnosis was similar -- from a loss of control to compulsive and continued use despite consequences -- the reasons for the addiction vary, and treatments will differ.
Treatment for alcoholism, for instance, does not depend on the type of liquor consumed, whether beer, wine, or vodka, she said.
"Internet addiction treatment does vary depending on the type of online application one may use, so treating Internet gaming addiction may differ from treating Internet sex addiction versus someone addicted to social media," she said.
The first residential treatment center in the United States, reStart, opened in 2009 in Fall City, Washington. The 45 to 90-day retreat, for adults suffering from Internet and video game addiction, started with one 19-year-old, failed college student. Most of its participants, between the ages of 18 and 28, have had difficulty completing college or establishing and maintaining off-line relationships, according to its Web site.
The center, which has treated more than 100 adults, has added a second phase to it program since it opened. Participants move into apartments for six months or longer while they return to work or school as part of outpatient therapy.
"Now they're implementing the plans they developed for themselves while they were with us," Hilarie Cash, the program's co-founder, said to CBSNews.com. "They are still getting a lot of services but now they are living more independently and putting that plan into action."
At first they are not permitted unsupervised access to computers, but after at least three months, they may apply for the use of digital technology. The first request is usually for a smart phone, Cash said.
"As long as they're doing well with the new piece of technology, that's great," she said. "If they start to fall backwards, then they lose that technology again. We're trying to shepherd them along this path to normal living, health sustainable living with technology."
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First published on September 5, 2013 / 5:16 PM


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India is Proud to be Africa's Partner: Modi in Ugandan Parliament
The Quint 25 July 2018
Stating that India has deepened its partnership and engagement across the vast expanse of Africa, Indian Prime Minister Narendra Modi on 25 July 2018, charted out 10 principles of his country's engagement with African nations.
"India is proud to be Africa's partner," Modi said while addressing the Ugandan Parliament, the first ever by an Indian Prime Minister since 1997.
He assured India's continued support to Uganda in the fields of agriculture and healthcare, education and training, infrastructure and energy, capacity building in government and training in defence.
"In the past four years, our President, Vice President and I have collectively visited no less than 25 countries in Africa. Our ministers have covered virtually all African nations."
The prime minister also said that as many as 32 heads of state or government from African countries visited India in the last four years.
"India's engagement with Africa will continue to be guided by 10 principles," Modi stated in the presence of Ugandan President Yoweri Museveni in the House.
"First, we will continue to intensify and deepen our engagement with Africa. As we have shown, it will be sustained and regular. Secondly, India's development partnership will be guided by Africa's priorities and by relying on African talent and skills. Three, we will keep our markets open and make it easier and more attractive to trade with India. We will support our industry to invest in Africa." - Narendra Modi, Prime Minister
The fourth principle, the prime minister said will be to harness India's experience with digital revolution to support Africa's development; improve delivery of public services; extend education and health; spread digital literacy; expand financial inclusion; and mainstream the marginalised.
"Five, Africa has 60 percent of the world's arable land, but produces just 10 percent of the global output. We will work with you to improve Africa's agriculture." - Narendra Modi, Prime Minister
The sixth principle, Modi said, is the India-Africa partnership addressing the challenges of climate change.
Seventh, he said, both sides will strengthen cooperation and mutual capabilities in combating terrorism and extremism; keeping cyberspace safe and secure; and, supporting the UN in advancing and keeping peace.
"Eight, we will work with African nations to keep the oceans open and free for the benefit of all nations. The world needs cooperation and not competition in the eastern shores of Africa and the eastern Indian Ocean." - Narendra Modi, Prime Minister
As the ninth principle, the Prime Minister called for both sides to work together "to ensure that Africa does not once again turn into a theatre of rival ambitions, but becomes a nursery for the aspirations of Africa's youth".
"Ten, just as India and Africa fought colonial rule together, we will work together for a just, representative and democratic global order that has a voice and a role for one-third of humanity that lives in Africa and India." - Narendra Modi, Prime Minister
Modi also highlighted India's development partnership with Africa which currently includes implementation of 180 lines of credit worth about $11 billion in over 40 African countries.
Earlier in the day, Modi participated in the India-Uganda Business Forum during which he said that India is willing to address the current trade imbalance with Uganda.
Modi arrived here on 24 July 2018, from Rwanda on the second leg of his five-day, three-nation tour of Africa that will also take him to South Africa.
This is the first prime ministerial visit from India to Uganda in over 20 years.
For Modi, this is his second visit to this East African nation after his visit in 2007 as Gujarat chief minister.
(With inputs from IANS)
. Read more on News Videos by The Quint.Dev Patel, Anupam Kher's 'Hotel Mumbai' to Open Adelaide Film Fest Pakistan Elections: PTI's Imran Khan Wins Karachi East . Read more on News Videos by The Quint.
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The titular prince is introduced, and his childhood bears a striking resemblance to Lewis's (and not just because of the nurse and tutor, either). Also, I finally figured out what this book's atmosphere is "about" – something that Lewis calls "Joy".
"I wish – I wish – I wish I could have lived in the Old Days," said Caspian.
That's the feeling which permeates this book – that yearning for an age of magic that's long gone (if it was ever really there to begin with). Lewis experienced it as a boy (long before he truly owned his faith) in regards to Norse mythology, and Caspian experiences that yearning for Narnian mythology, as it were. Because the Telmarines are humans who stole Narnia away from the "Old Narnians", they've simultaneously rewritten the history books (claiming that those very creatures and people we met in LWW are mere myths) and encouraged a little superstition whenever it helped their cause.
"No men – or very few – lived in Narnia before the Telmarines took it," said Doctor Cornelius.
This is probably the only book in the series that could be described as a "coming-of-age story" – and not just in regards to Caspian (although the others will have to wait, since the next few chapters are all about the Prince). It's fascinating to see Lewis portray Caspian growing up not in terms of aging so much as understanding and reclaiming the history of Narnia, which is initially lost in the mist of legends and fairy tales. Of course, that's part of the point that Lewis is making – that legends, myths, fairy tales, and so-called superstitions are all relevant, and more true than we give them credit for. Also, history's written by the victors, anyway, so "history" has more of an element of myth & legend than we might like to admit.
Also, on a side note, Doctor Cornelius is yet another one of those characters where I want to quote half his lines for sheer brilliance. It doesn't exactly hurt that the way he's frequently referred to as "the Doctor" and is not-quite-human makes it really easy to draw comparisons to a certain fixture of British television.


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Eko Ahmad Ismail Basyuni
University of Indonesia, LL.B.(1999)
LLM, Boston University School of Law, United States (2004)
Licensed to practice law as an advocate by the Indonesian Bar Association (PERADI)
Recognition, Accolades & Awards
Named as one of Indonesia's Top 100 Lawyers by Asia Law Business Journal (2018).
Named as Leading lawyer for Corporate/M&A in Asialaw Leading Lawyers 2018
Recognized as a "Leading Lawyer" for Project Finance by IFLR (2016)
Named as a "Recommended Lawyer" by AsiaLaw Profiles (2014 to 2019)
Named "The deal maker of the year 2017" by Asian Legal Business
Recommended for Corporate/M&A by Legal 500 Asia Pacific (2016).
Membership & Associations
The Indonesian Association of Capital Market Legal Consultants
Eko is a partner and heads our General Corporate/Mergers & Acquisitions practice group. He joined AHP in early 2005 and commenced his legal career in 1999.
Prior to joining AHP, Eko served as legal counsel with the Indonesian Bank Restructuring Agency (IBRA) during a tumultuous period that saw the agency rebuild the country's decimated financial services sector from the ruins of the 1997/98 Asian financial crisis. This provided him with invaluable first-hand experience of the banking industry that continues to serve him and his clients at AHP well to this day.
Besides his practice in M&A arena, he also regularly plays leading roles in capital markets, banking & finance, and FDI matters. He has in-depth experience and expertise across an array of sectors, including mining and energy, ICT, plantations, banking, oil and gas, retailing, broadcasting, telecommunications, and infrastructure.
Among recent significant engagements, Eko advised PT Multimedia Nusantara (a subsidiary of PT Telekomunikasi Indonesia (Persero) Tbk) on its joint venture with eBay International AG to operate a C2C online marketplace business in Indonesia, PT Bank Mandiri (Persero) Tbk on its proposed acquisition of an Indonesian shariah bank, and Kuala Lumpur-based Malayan Banking Bhd (Maybank) on its indirect acquisition of PT Bank Internasional Indonesia Tbk.
Other major mandates include a shariah and conventional bond issuance by PT Indosat Tbk, and a rights issuance by the Indonesian subsidiary of the world's biggest cement producer, PT Holcim. He also recently advised a leading Korean retailer on its proposed acquisition of one of the largest hypermarket chains in Indonesia.
Experience Highlight
AHP wins at the 18th Asian Legal Business SE Asia Law Awards
AHP has won the title of "Indonesia Firm of the Year" for 2 consecutive years
AHP announces new Arbitrators and Mediator
AHP advises GoTo in its IPO
AHP Advised on the Landmark Rights Issue of BRI and the Establishment of Ultra-Micro SOE Holding Group


Some people shy away from using coconut oil when they are cooking certain foods because they are worried it will change the taste of their end product, in a bad way. Like, give it too much of a sweet or tropical flavor. I agree and use coconut oil only in certain dishes for cooking, but there are so many awesome ways to use coconut oil.


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The Daily Film
Alice through the ages
While Disney's "Alice Through the Looking Glass" may not be wholly faithful to the original, its iconography is instantly recognisable. This is a credit not only to Lewis Carroll himself, but also to the many artists (and one in particular) who have over the years turned his words into images
Nicholas Barber | May 27th 2016
Disney's new megabudget "Alice Through the Looking Glass" has even less in common with Lewis Carroll's books than its predecessor, 2010's "Alice in Wonderland". The first film, directed by Tim Burton, turned Lewis's tongue-twisting, logic-flipping nonsense into a Tolkienesque feminist quest, in which an adult Alice (Mia Wasikowska) donned a suit of armour to battle the fire-breathing Jabberwocky. The sequel takes even more liberties with the source material. In James Bobin's frantic steampunk time-travel caper, Alice puts the universe at risk in order to help the Mad Hatter (Johnny Depp) resolve his daddy issues.
What's curiouser and curiouser, though, is that however far the films stray from the novels which inspired them – 1865's "Alice's Adventures in Wonderland", and 1871's "Through the Looking Glass, and What Alice Found There" – they never lose sight of those novels completely: there is something in every scene which is drawn from Carroll's writing. But that says less about the films than about the indelible stamp which Carroll's characters and situations have left on popular culture. Even after 150 years, we have only to see a mouse at a tea party, or a pair of rotund identical twins, and we know immediately that we're in Wonderland.
This iconography isn't a testament to Carroll's genius alone. It's also a tribute to the many artists (and one in particular) who have turned his words into images. After all, what is the use of a book without pictures or conversation?
Lewis Carroll (1864)
Type "Lewis Carroll Alice in Wonderland illustrations" into Google, and you'll see a screen full of drawings by John Tenniel (cf, next picture). But Carroll himself – that is, Charles Lutwidge Dodgson – was the story's first illustrator. When he presented his muse, Alice Liddell, with a manuscript entitled "Alice's Adventures Under Ground" in 1864, it incorporated 37 of his own sketches. They're stiff and amateurish compared to Tenniel's, with ill-proportioned characters who look more like Victorian dolls than people. But they also have the naive creepiness of a sinister folk tale and of Heinrich Hoffman's grisly "Der Struwwelpeter". And it's interesting that Alice didn't start life as the blonde we all imagine. In Carroll's mind, she had a mane of thick, dark, pre-Raphaelite hair.
John Tenniel (1865/1871)
Sir John Tenniel was "Punch" magazine's political cartoonist for 50 years, but his claim to immortality rests on the 92 illustrations he drew for Lewis's "Alice" novels. These classic and endlessly reproduced pictures have been seen by far more people than have read the books, and that's even before you count all the imitations and parodies. The characters in Walt Disney's 1951 cartoon, to give just one example, are modelled on Tenniel's. It was he, not Lewis, who gave Alice blonde hair and a blue dress with a white apron and a bell-shaped skirt. And it was he who made the Hatter buck-toothed and chinless, with a bow tie and a price-labelled top hat. As well as their unforgettable costume design, what makes his pictures so fascinating is their combination of strangeness and finely detailed naturalism: the White Rabbit may be wearing a waistcoat and carrying a watch, but he still looks like a rabbit.
Central Park sculpture (1959) and photograph (1968)
Central Park's bronze statue of Alice and her friends was sculpted by José de Creeft in 1959, having been commissioned by the publisher George Delacorte in memory of his late wife, Margarita. The sculptor takes his cues from Tenniel, although the sharp-chinned Alice is said to resemble de Creeft's own daughter, Donna, while the Mad Hatter is a caricature of Delacorte. The statue has been the site of a million picnics and proposals, and it almost became a rock'n'roll landmark. Before she was Linda McCartney, Linda Eastman photographed the Jimi Hendrix Experience there, as they lounged next to Alice on a giant mushroom, alongside a group of children. Hendrix wrote to Reprise Records, requesting that one of Eastman's photographs be used on the cover of the trio's 1968 album, "Electric Ladyland". Executives at the record label ignored him, and chose a picture of a crowd of naked women instead.
BBC television play (1966)
The BBC marked the centenary of the first book's publication with a television film of "Alice in Wonderland". Shot on a typically low BBC budget, the black-and-white film dispenses with talking animals: all of the characters, mice and rabbits included, are played by actors in conventional Victorian dress. But that doesn't make it any less surreal than the average adaptation. Written, directed and produced by Jonathan Miller, with sitar-and-tabla music by Ravi Shankar, this swinging sixties artefact takes the story's madness eerily seriously. Its 14-year-old Alice (Anne-Marie Mallick) sleepwalks around a derelict hospital and Sir John Soane's Museum in London, whispering to herself in languid voice-over, and bumping into random groups of gibbering lunatics. Despite the presence of Peter Sellers, Alan Bennett, and, as the Hatter, Peter Cook, it is less of a comedy than a psychological horror film or an early Pink Floyd video. That could be why it was broadcast at 9pm, when impressionable young "Alice" fans were fast asleep.
Helen Oxenbury (1999)
So many interpretations of the "Alice" books emphasise their dark and disturbing aspects that Helen Oxenbury's sunnier vision seems quite radical. Best known for illustrating "We're Going on a Bear Hunt", Oxenbury doesn't forget the stories' inherent weirdness, but she also remembers that Lewis wrote those stories to entertain children. Her Alice is an inquisitive modern youngster in a casual summer dress and white plimsolls. She is relaxed and happy in Wonderland, slouching in an armchair at the Hatter's tea party, laughing as she strolls arm-in-arm with the White Rabbit. Unlike Tenniel's Alice, she prefers to smile than to scowl. Oxenbury will never replace Tenniel as the books' definitive artist, of course, but it's good to be reminded that there is a more child-friendly alternative available. Also, it's nice to see the Hatter as a portly spiv in a checked jacket, with three Panamas stacked on his head.
Lost Girls by Alan Moore and Melinda Gebbie (2006)
A controversial three-volume graphic novel written by Alan Moore (the creator of "Watchmen" and "V For Vendetta"), and illustrated by his fiancée (now wife) Melinda Gebbie, "Lost Girls" has an aged Alice meeting Wendy from "Peter Pan" and Dorothy from "The Wizard of Oz" in an Austrian mountain hotel in 1913. As the three of them trade erotic reminiscences, they hint that the fantastical yarns that made them famous were actually warped reflections of their own sexual memories: Alice had to endure under-age sex, opium addiction, and being raped by the staff of a mental hospital, so it's not surprising that she dreamt of Wonderland. Moore cheerfully labelled the book a "pornography", but it's also a complex, postmodern update of "The Decameron" which examines the meaning of obscenity and the value of imagination. If any author can beat Carroll at word games and mathematical puzzles, it's Moore. Tenniel, meanwhile, would have recognised the wide-eyed Alice of "Lost Girls", even if he didn't approve of the poses she strikes in Gebbie's sinuous watercolours.
Nicholas Barberis a film critic for The Economist and BBC Culture online
PHOTOS: Alamy, BBC, Helen Oxenbury/Walker Books, Alan Moore and Melinda Gebbie
Keywords: disney, Lewis Carroll, Helen Oxenbury, children's books, COMICS, Alan Moore, graphic novels
How to build a multi-billion-dollar film franchise
Nicholas Barber | February/March 2019
Nicholas Barber traces Lego's path to the silver screen
China's avenging angel goes on a surreal odyssey
Nicholas Barber | December/January 2019
Plus, mid-life romance and a dance to the music of time
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Film What the world is watching
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When their yacht bumps into a sinking boat full of refugees, a group of white Aussies must make a difficult decision
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Plus, a neo-realist masterpiece set in Beirut and a gripping adaptation of a Haruki Murakami short story


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Make A Donation >
"BJT Gives" Requests
BJT GIVES
BJT Gives is an initiative founded and operated by the Brockington, Johnson & Timmonsville Alumni Association to assist with organizing events, fundraisers, etc to directly supply assistance to Florence School District Four in Timmonsville, SC. Each year this committee under the direct guidance of the BJT AA Executive Committee will host and/ or co-host up to three events that directly assist the students, instructional staff, athletic department and/ or administrative staff of FSD4.
Each school; Brockington Elementary, Johnson Middle School, Timmonsville High School will each be asked to provide a list of needs, activities, or assistance they feel is necessary to create a productive, safe, effective and fun academic environment for its students and staff that span beyond the financial means of the district and submit them with the approval of both their principal and district superintendent to the Brockington, Johnson & Timmonsville Alumni Association by June 30th each fiscal year. The BJT Gives committee will then review the request and pick one from each school to be addressed during the upcoming school year. The committee will then submit the items to the Executive committee for review and approval. Approval must be provided in writing by the BJTAA President. The committee must include event name, details of involvement, budget (if necessary), and list of alumni members volunteering in event and duties.
How are these events funded:
With approval from the BJTAA membership this committee will be self-funded through fundraising events hosted by the committee, corporate donations and grants (if available). The BJTAA is a 501(c)3 organization and as such all donations must be itemized and submitted to the BJT Finance committee. The committees must also offer a quarterly finance report to the Executive committee throughout the fiscal year and submit a finance report yearly. The Executive committee withholds the right to approve or deny any budget request and also to match any funds used by the committee up to $1,000 to support its efforts to assist the district.
It is the primary goal of the committee to be a direct help to Florence School District Four and the students and faculty there in.
Possible projects:
Annual school supply drives
Holiday toy drives
Athletic department refurbishments
District property beautification
Spring Athletics assistance (uniforms, equipment, etc)
If you would like more details or to make a donation please contact:
Crystal Coleman, BJT Secretary
funding@bjtalumniassociation.com
Submit your request online using the link below.
Back to Programs >
Complete A Donation Request >
Brockington Johnson Timmonsville Alumni Association shall be open to all Brockington High, Johnson High and Timmonsville High School graduates and attendees of all 3 schools. Its purpose shall be to provide a forum for members to share the rich heritage of the school and to assist in the growth and development of current students attending Florence School District 4 (Brockington Elementary School, Johnson Middle School and Timmonsville High School) through commitment, service and scholarship.
BJT Alumni Association
https://www.linkedin.com/company/11305695/
CONNECT TO FSD4 >
http://www.florence4.k12.sc.us/
© 2016 by BJT Alumni Association
created by C. Coleman


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Dawgs On The Run to premiere new music video
Posted: 7:03 AM, Dec 07, 2015
By: newsnet5.com staff
Cleveland has a fan base like no other city in the world. Fans have experienced heartbreak time and time again as they cheer on their favorite teams to try and end the city's championship drought. But that doesn't derail their passion. A new music video being released Monday, December 7, 2015 by award-winning soul singer songwriter Maurice will give you a first-hand look at the passion and excitement fans have for the city of Cleveland.
WATCH THE PREMIERE OF THE MUSIC VIDEO ON DAWGS ON THE RUN MONDAY AT 7:30 A.M.
The song is called "Cleveland Against the World" and features cameo appearances by many local celebrities you may recognize including: Cavs great Austin Carr, The SirQus (featuring members of the Cavs Scream Team), 1490am hosts Angelica & Kent, and City of Tallmadge Mayor David Kline.
The music video will premiere on Monday, December 7, 2015 at 7:30 a.m. during NewsChannel 5's Browns mobilecast Dawgs On The Run. Fans of Dawgs On The Run may already recognize bits and pieces of the song because you hear part of it during the shows open every Monday morning.
But this video takes it one step further. It was directed by Emmy winning Director Joddy Eric Matthews (#50Fathers, The Bubble, Deadly Return) and showcases the music of Maurice featuring hip hop artist Luminari XI. In the video, you'll notice many of the hot spots around Northeast Ohio that make the area great.
"I saw this as a great way to have fun, deliver some high energy and rep Northeast Ohio," says Maurice. "The video is sports-themed but the song was written to be about more than sports. Cleveland tends to get a bad rap and all too often we Clevelanders feel like we have our backs against the wall. I wanted this to be an anthem to express how we stand proud for our town."
Maurice is hoping that the song will catch on in a major way and Luminari XI shares his excitement, "Cleveland is a special place. It's a passionate city with some of the best fans in the world. This song is about them and the heart we have in this city. It's just an honor to be a part of this wave of excitement – and someday soon, a championship wave!"
You can listen to the song right here or to purchase a full version on ITunes click here .
To learn more about Maurice go to his website , follow him on Twitter or on his Facebook page.


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Be sure to join us tonight (Thursday, June 13th) for W.A.M. from 5:30-7:30pm at 1800 Prime at Boomtown Casino.
We will be featuring artist Susan Duke.
Susan Duke has been painting all her life. Many of her happiest early memories are of sitting at an easel, looking through the window and painting impressions of the scenery outside. Her father was a highly decorated Marine pilot and photographer with rapidly changing assignments; her mother was a schoolteacher with a sense of adventure -- so the family moved frequently. Both of her parents preferred the freedom of living out in the country to the structure of base quarters, so Duke grew up exploring forests or beaches, wading in streams and following shafts of light into hidden magical places. Serious blood chemistry illnesses during childhood resulted in a prognosis of only a 2% chance of survival, but experimental medical technology coupled with her indomitable will to live eventually triumphed. Duke states that facing death at such an early age gave her an indelible perspective about how precious, beautiful and fleeting our time here on earth is. To occupy the long periods of convalescence, the young girl was encouraged to further her studies in art. She took private lessons and due to her talent, she was even sometimes allowed to enroll in adult classes. She soon began to win awards which resulted in selling her first commissioned painting at 12 years old. After winning a contest at 17, she experienced a whirlwind career as a New York fashion model. By 19 she had married and given birth to a wonderful baby girl. The marriage didn't last, but her child has always been a joy and inspiration for the artist. She says that love and responsibility gave her motivation and strength far beyond anything she had ever imagined.
As a single parent, Duke set out to make a living through painting and graphic art. After several years of financial struggle she realized necessity of a college degree to provide avenues to a more stable income. With characteristic determination, Duke put herself through college on academic grants and a bicycle -- typically cycling around 20 miles a day to attend classes.
After completing college with a dual degree in graphic communications/journalism, Duke worked for the next decade as an art director and illustrator for major international companies such as the New York Times and EF Foundation, earning 23 state and national awards. Her goal had always been to become a professional fine art painter, so after raising her daughter she was finally able to successfully pursue her cherished vocation. Today, she is happily married to her best friend of 40 years, Patrick Posey, a songwriter and musician. They live in a romantic cabin in the deep dark woods of northwest Louisiana. Duke's vivid Impressionist oil paintings have been shown in galleries throughout the nation and are represented in numerous private and corporate collections coast to coast.
When asked about her work she responded
"My paintings are created as an antidote to anxiety. Each of my original Impressionist oil paintings is meant to be a window of imagination into a special healing place of beauty and energy. The impact of modern life's frantic pace coupled with the daily digital media onslaught leaves many people stressed and in need of a break - a contemplative moment - time to take a deep breath, relax and allow both body and soul to refresh and renew. A subtle sense of peace and hope is the gift I want to convey to viewers each time they see my work. When I am painting, I lose myself in the colors -- the intricate interactions of the fluid oil pigments are a constant and complete fascination to me. "


**50% of people could achieve a quote of £651 per year for their fully comprehensive car insurance based on Compare the Market data in February 2019.
You need car insurance to get behind the wheel of a car in the UK – that's the law. But with different levels of cover available, it can be tricky deciding which is most suitable for you. Comprehensive car insurance offers the most complete cover and isn't always the most expensive. This is our guide to how it works.
What exactly is comprehensive car insurance?
Comprehensive – or fully comprehensive, as it's sometimes known – offers the highest level of protection. It includes all the cover you'd get with a third-party fire and theft policy, but will also protect you as a driver and can pay out for damage you cause to your own car.
Third party covers you for damage you cause to other people and their cars.
Third-party fire and theft is like third party, but also covers you if your vehicle is stolen or damaged in a fire.
If you're comparing quotes for comprehensive cover, always check the policy wording.
You might assume comprehensive car insurance costs more than third party or third party fire and theft. But that's not always the case. Sometimes comprehensive insurance is the cheapest option.
Our data shows that 50% of people who used Compare the Market were quoted £651*** for a comprehensive annual policy. But for third-party car insurance, 50% were quoted £1,788***.
It's hard to say exactly how much you'll pay as so much depends on factors such as how old you are and where you live. Your premium price will also depend on your car's make and model, what insurance group your car's in, how much it's worth and how many miles a year you drive.
But always compare the price of comprehensive cover with third party and thirdparty fire and theft, because you could well find it costs less.
***50% of people could achieve a quote of £651 per year for their fully comprehensive car insurance, and £1,788 per year for a third party car policy. Based on Compare the Market data from February 2019.
Why compare comprehensive car insurance with Compare the Market?
We independently compare comprehensive car insurance dealsfrom more than 100 of the UK's most trusted insurance providers.
We'll show you policies based on price, cover level, add-ons or payment terms, helping you compare policies based on your needs.


(Image: Nation Books)"There is no other cavalry coming. …We are the cavalry." So says a New Orleans resident in We're Still Here Ya Bastards, an extraordinary look at the city's revival in the years following Hurricane Katrina. Roberta Brandes Gratz tells the stories of local people who returned to their homes to take the rebuilding of their city and community into their own hands in the face of bureaucracy and profiteering. Order the book today with a donation to Truthout!
In the following excerpt from We're Still Here Ya Bastards, Gratz demolishes the myth that Katrina was a "natural" disaster and details the overwhelming failure of the federal government and private contractors during and after the hurricane.
Nothing defines New Orleans better than the Live Oak trees that line its streets, grace its parks, provide shade and shelter during the relentlessly hot summers, and buffer storm winds. The leafy long branches of the curbside trees spread horizontally so far across the street toward each other that they form lush canopies of green, adding an elegant aura to even the most downtrodden rows of houses. The green lasts all winter. In the spring, new leaves emerge as old ones fall; thus the term Live, which distinguishes them from other oaks that remain leafless and dormant in winter. As they grow, twisting and turning in the winds, the Live Oaks gain their strength by anticipating the way the winds blow and adapting to the fierce changes in weather.
The strength and endurance of the Live Oaks do indeed have a particular significance, notes science writer Janine Benyus, author of Biomimicry: Innovation Inspired by Nature. They are, perhaps, a metaphor for the city itself and the strength of its people. Live Oaks grow in clusters, Benyus points out, and their spreading roots form a deep network connecting one tree to the next. That network holds the extended tree family together. The trees survive so well because they are indigenous to the region. In New Orleans, where they are frequently subjected to fierce coastal storms, they have endured because their twisting branches spread outward as well as upward, leaving ample room for the wind to pass through them. The leaves of the Live Oaks curl up in a storm to let the wind pass by. Their roots spread wide but stay firmly connected to the thick, gnarled parental trunk, lending strength and balance to the branches above.
The city of New Orleans is much like its great Live Oak trees – strong, disaster resistant, and amazingly resilient. Deep-rooted family networks provide a human infrastructure that gives strength to residents and allows them to support each other, while overcoming the failings of governments and financial hardships. Time reveals the city's strengths just as it has proven the strength and endurance of the Live Oaks, many of which are hundreds of years old. The loss of limbs and leaves from many of the Live Oaks during Hurricane Katrina and Hurricane Rita (which, as noted, followed one month later) left the city feeling denuded, with too much sun burning through where shade had once prevailed. But the trees are growing back, leaf by leaf and limb by limb.
Before Katrina, as Fred Starr pointed out in a conversation with me, "New Orleans already had the poorest tree cover of any major city, based on aerial photographs." For decades, he added, the city has failed at replanting many Live Oaks while the power company, Entergy, unceasingly obliterates many trees. Even worse is what Fred calls "the palm tree phenomenon, a total waste," whereby the city is planting palm trees – even though they are not native, they fall during storms and they are expensive because they must be planted full-grown. Individuals and organizations such as Parkway Partners sponsor tree replanting but are unable to keep up. This points up an important theme in the recent history of New Orleans: local leaders working to fill the gap left by government.
In no other American city have familial networks remained as strongly rooted to particular neighborhoods, making the history of New Orleans unique. Like the Live Oaks with their strong interconnected root systems, the city's white, African-American, and Creole of Color families have gained strength from their habitation in well-defined neighborhoods over many generations.
Many New Orleanians live in mortgage-free houses that their grandfathers or fathers built. They don't leave them easily. To be sure, other American cities also had deeply entrenched demographic patterns before post-World War II redevelopment policies and relocation choices dispersed families geographically. In New Orleans, however, these patterns proved more resistant to disruption than elsewhere. As documented throughout this book, the resilient nature of New Orleanians is one reason why the recovery of the city, primarily through the rebuilding and revitalization efforts of local residents and community leaders, has been so successful throughout the past decade.
At first it looked as if New Orleans had been smacked by a hurricane, which, of course, it had. It would take awhile longer for people to understand that the images that halted the coffee cup en route to the mouth . . . were the result not of a natural disaster, bad as the hurricane was, but of a catastrophic planning and engineering failure on the part of the Army Corps of Engineers. Many still don't realize it. Of course, many also think that Iraq planned the 9/11 attacks.
The overwhelming failure of the federal government and its myriad private contractors during and after Hurricane Katrina is inexplicable. What compounds the tragedy and prevents the public from understanding what really happened was the success of the Army Corps of Engineers and the Bush White House's perpetration of so many false reports and explanations. As musician, author, radio host, and film and TV personality Harry Shearer asked in a conversation: "How is it the Corps of Engineers screws up time and again and no one gets fired? Nothing happens."Some myth-busting about Katrina and the immediate aftermath is in order.
Fact: Katrina has been recognized as the most catastrophic failure in the history of American engineering.
Myth: The levees were "overtopped" by the intensity of the high water.
Myth: Katrina was a Category 4-5 hurricane.
Fact: It was a Category 3 when it reached New Orleans and had been anticipated by hurricane simulations a few years before.
Several books since have vividly detailed the storm but probably the best of them are Jed Horne's Breach of Faith and Ivor van Heerden and Mike Bryan's The Storm.
Horne does a masterful job of setting the record straight on a number of issues: C. Ray Nagin (the mayor of New Orleans from 2002 to 2012) and his emotional outbursts coupled with the delay in his calling for a mandatory evacuation; despite her poor TV performance, Kathleen Blanco (the governor of Louisiana from 2004 to 2008) declaring a state of emergency three days before Katrina struck (one day before Mississippi), ordering the evacuation of the New Orleans Metropolitan area on Saturday afternoon, placing the National Guard and state agencies on alert and then struggling to get White House attention; and FEMA head Michael D. Brown's total incompetence, his attempt to blame everything on "a 'dysfunctional' relationship between unnamed Louisiana politicians [Blanco and Nagin]," and his belated admission that FEMA had sponsored a disaster drill a year earlier during which the entire Katrina scenario – levee inadequacies, widespread flooding, and a high death rate – had been simulated in an exercise called "Hurricane Pam." Months after Katrina, it was revealed that President Bush had been officially informed of this simulation on the afternoon of the storm. That meeting was taped.
Other failures at all levels of government in the immediate days after Katrina are well documented by Horne and others: the lack of a city evacuation plan, the Red Cross's no-show, the city's turndown of offers of evacuation assistance from the four national railroads that pass through New Orleans, FEMA's delay in requesting assistance and, worse, its outright rejection of free help from corporations, foreign governments, doctors, firefighters from all over the United States, and even regular FEMA contractors (Brown insisted on first setting up a chain of command, making sure that volunteers "checked in" with FEMA and obtained official badges). The hidden agenda, as we will see, was to give lucrative contracts to the right people.
Who can forget that, finally, three days after Katrina, President Bush cut short his Texas vacation and had Air Force One "fly low" over the drowned city to get a glance of the disaster on his way back to DC. This in contrast to President Lyndon B. Johnson who, forty years earlier, showed up just one day after Hurricane Betsy, said he was there to help, marshaled all kinds of assistance, and then ordered the Army Corps of Engineers to build stronger levees.
In January 2007, Governor Blanco confirmed other reports that Louisiana, burdened with 80 percent of the storm damage from Katrina and Rita, received only 55 percent of federal relief funds. FEMA had given Mississippi, with 31,000 families living in trailers, $280 million for Katrina Cottages, while Louisiana's 64,000 families living in trailers merited only $74 million.
In fact, if Governor Blanco had agreed to let the effort be federalized, she would not have been able to activate the National Guard to address Louisiana's needs on the ground. The Posse Comitatus Act of 1878, passed after Reconstruction and updated in 1981, purposely prevented the federal government from using the Armed Forces to enforce state or local laws. The National Guard was exempt from the prohibition and thus able to enforce laws in its own state. The Coast Guard was exempt because of its maritime police power. As it turned out, Governor Blanco did indeed use the National Guard to police New Orleans after the storms.
The post-Katrina intergovernmental intrigue and corruption outlined by Horne and van Heerden read like a grade-B mystery novel. Few players come out looking good, with some notable exceptions: the Louisiana Department of Wildlife and Fisheries deploying its flotilla of boats, the Coast Guard pulling people off rooftops in helicopters, and most important, the random citizens in real or makeshift boats picking up anyone they could find in distress. They didn't wait for Brown's authorization. The TV images of those helicopters pulling people off rooftops were the most dramatic ones of all. Fortunately, none of the real rescuers sought FEMA's permission – which probably would have been denied, in any case.
And then there were all those politically well-connected contractors who would get choice assignments, fulfilling them with infinitely less efficiency than experienced locals and at great expense, as will be outlined later. The Katrina recovery demolishes the oft-repeated myth that private industry can do things better than government. When they did it better, the price was (and is) unconscionably high.
For those not caught in the maelstrom, it could be difficult to grasp just how uniquely appalling the first week was in New Orleans. No American city of comparable size had seen anything remotely like it since the San Francisco earthquake of 1906. The terror attacks on NY had been confined to Lower Manhattan. A day after Katrina, four-fifths of New Orleans was underwater, four times [Hurricane] Betsy's floodplain , an area seven times as big as all of Manhattan. And the wretched masses huddled at the Superdome and the convention center were only the visible part of a ghost city of homeless New Orleanians – perhaps a quarter of a million in number – now scattered across the nation.
Fortunately, as FEMA brass dithered and dined well, an armada of small craft had begun fanning out over the flooded city. . . . An informal flotilla estimated at 300 craft would work Katrina's aftermath in New Orleans. . . . No one told the self-appointed captains to mass on the edges of the flooded city and launch their boats. No one had to. In a culture built on fishing and intimately familiar with hurricanes, no one needed to say a word. There was a sense of duty in responding to a flood.
Just imagine: All those outdoorsmen and – women of every possible background and occupation dropped everything and figured out how to get their small boats to the places they were needed on the Monday after Katrina, whereas the federal government took until Wednesday to organize the feeblest of rescue efforts and the Red Cross refused to come into the city at all. Wednesday was when Defense Secretary Rumsfeld set up a Katrina Task Force to start the ball rolling. On the same day, FEMA suspended boat operations based on the false notion that the city was too dangerous to enter. That night, for the same erroneous reason, Mayor Nagin ordered city police to stop search efforts and focus on law enforcement instead. How many more would have died without those citizen-heroes is too hard to imagine.
New Orleanians started saving themselves and their city during Katrina and before any level of government officially lent a hand – and they haven't stopped since. These "civic leaders," in fact, are what this book is really about. To this day, they are overcoming government policies and prejudices at all levels, forcing government agencies to do the right thing, organizing new community-based groups, challenging questionable public and private efforts (some successfully, others not), forging new paths to recovery, and illustrating once again that bottom-up, resident-led efforts are the most effective and enduring way to regenerate cities. Their recovery story comprises not just the small victories that added up to big, productive change but also the big failures that made their lives so difficult, and still do. This book is about both the victories and the failures.
This book does not dwell on the many evacuees who did not return. There were those who were unable to get sufficient insurance and enough federal Road Home money to rebuild because the value of their home was based on its pre-Katrina assessment (good for owners with supplemental savings) rather than on its rebuilding cost (bad for those without additional funds). Many injustices derive from this first one. No one could have rebuilt for the amount that his or her home was valued before Katrina. There were those who found jobs elsewhere, paying better than the minimum-wage jobs that New Orleans ever offered. There were those who found neighborhoods and schools elsewhere that were safer and more functional for their children. There were the elderly and infirm who died under the stress of the experience, or who feared returning without access to their church or to the healthcare previously available at Charity Hospital. There were the 5,100 or more public housing tenants whose solidly built projects from the 1930s and '40s were undamaged or minimally damaged but demolished nevertheless. There were those with special-needs children not accommodated by the restructured charter school system. And, finally, there were those who resettled near relatives and found a stable life and new social networks.
Many reasons explain why some residents didn't come back. But the more interesting story is about the people who did and their extraordinary individual and collective efforts to rebuild. The official insensitivity, the bureaucratic impediments, the government paralysis, and the blatant inequities could easily have defeated the faint of heart. But not the people who populate this book.
Copyright (2015) by Roberta Brandes Gratz. Not to be reposted without permission of the publisher, Nation Books.


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Hello All, I am Abby, your new Thursday editor. This is my 1st of many Thursday, Dia de la Abby, weekly posts to come. Following in the skull steps of Noah, Tatman and Citizen Agent, by making skull themed art and posting it for all of you to enjoy. I'm highly influenced by Dia de los Muertos...hence the "Dia de la Abby" name...which was Citizen Agent's idea. Expect to see lots of Mexican related art in various different mediums, as well as some inspired by the Skull-A-Day 1.0 project that lead this.
Enough with the introduction, time for the good stuff, the art. As I mentioned before, I'm highly influenced by Dia de los Muertos/Day of the Dead. My favorite thing or really the thing that attracted me to learning more about this fantastic holiday, is the beautiful sugar skulls that are made as treats. I love the details and bright colors used to create the tasty works of art, so I have translated that into a more long term piece using colorful tissue paper and black card stock. This piece is also influenced by Noah's Quoth the Skull cut paper piece, which is my all time favorite of his monumental amount of work and will soon be a tattoo...which is a dedicated sort of love...just like being an editor on Skull-A-Day is. Since I love sharing art and how to make things, here is the Cut Paper Sugar Skull tutorial.
Welcome Abby! I look forward to your creations... and bugger it all, another art/craft blog(yours) I need to check out routinely!
Excellent work for your first post. 51 more weeks of great stuff to come. Glad to see you got it started right.
It's a gorgeous piece! And I love that you are providing the DIY instructions too!
I love how colourful this piece is, too! I look forward to enjoying your weekly contributions.


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Share this Story: Three locals finish second in Canadian rodeo standings
Three locals finish second in Canadian rodeo standings
Stephen Tipper
The Canadian Finals Rodeo champions. Photo by Covy Moore
Locals Ty Taypotat, Logan Bird and Lakota Bird each have finished the Canadian rodeo season in second place in their respective events, with the season concluding with the Canadian Finals Rodeo Nov. 3-7 in Red Deer.
Taypotat, competing in the bareback event, had a strong showing at the CFR, earning $26,400 from the six rounds, as well as $14,040 in aggregate earnings, to finish with total season earnings of $44,462.15 – just $289.80 behind champion Clint Laye of Cadogan, Alta.
Three locals finish second in Canadian rodeo standings Back to video
In tie-down roping, Logan Bird finished with $7,680 from the six CFR rounds and $10,440 in CFR aggregate earnings, concluding the season with earnings of $34,929.38. Bird was second to champion Riley Warren of Sundre, who earned $38,060.31 during the season, including about $30,000 at the CFR.
Lakota Bird finished second in the ladies breakaway standings after earning $3,700 from the three CFR rounds and $2,500 from the CFR aggregate, for a season total of $11,982.32. Kendal Pierson of Wardlow, Alta. won all three rounds at the CFR to take the title.
Stavely's Sam Kelts finished fifth on the season in the saddle bronc, earning $20,845.30 for the season, including CFR round earnings of $13,920.
Also in the saddle bronc, Nanton's Jake Burwash finished 11th on the season, with $2,160 in CFR round earnings and season earnings of $6,974.95.


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The Mess
Foreign Militaries
2022 NASCAR Cup Series Becomes Military Recruitment Platform, 20 Future Soldiers Enlist
Thread starter daftandbarmy
Start date 3 Oct 2022
Army.ca Relic
Sworn in at NASCAR.... what an awesome idea. Talk about nailing your target market
2022 NASCAR Cup Series Becomes Military Recruitment Platform, 20 Future Soldiers Enlist
Future US Army Soldiers took the Oath of Enlistment at the 2022 NASCAR Cup Series race at Texas Motor Speedway in Fort Worth, Texas, on September 25, 2022. The weekend did not fall short of impressive, with static military vehicle displays, the 1st Cavalry Division honor guard and band performing, and a flyover from the US Air Force.
The US Army swore in 20 future Soldiers in front of an audience of thousands. Officiating the event was 2nd Lt. Jennylyn Thompson, an automated logistical specialist with the 13th Expeditionary Sustainment Command out of Fort Hood, Texas.
This was Thompson's first time being at a NASCAR event, and she described it as a unique and welcoming experience.
U.S. Soldiers assigned to the 1st Cavalry Division Band play the national anthem during a U.S. Army Oath of Enlistment Ceremony at Texas Motor Speedway in Fort Worth, Texas, Sept. 25, 2022.. Twenty new Army recruits took the oath in front of an audience of thousands in attendance for the NASCAR race. The ceremony was accompanied by a flyover and static displays of U.S. Army tactical vehicles. (U.S. Army photo by Sgt. Kaden D. Pitt)
Thompson explained that selfless service—one of the seven Army values—was her reason for joining.
"It's important to know why you serve," Thompson said, "and for me, I joined to serve other people."
Some of the recruits said it was a weekend they'll never forget.
"It was absolutely exhilarating," said Journey Shamoon, a recruit from California, enlisting as an aviation operations specialist. "To not only take my oath of enlistment, but to be able to share that experience with so many supportive people cheering."
"My parents are big NASCAR fans, so it was an honor," said Gabriel Garcia, a recruit from California, enlisting into the infantry.
sofrep.com
Reactions: Navy_Pete
NASCAR is huge there. If one of the drivers enlisted there'd be a bazillion southern US folks clamoring to get in, cause Kevin Harvick enlisted.,
Army and Navy Encouraging Recruits to Become Citizens
tomahawk6
Recruit Loses 230lbs to Enlist in the US Army.
scm77
Physical Training & Standards
1feral1
To keep recruits, US Army boot camp gets revamped.
Sask HCAO
CougarKing
Rifleman62
March of the Porcelain Soldiers
ArmyAl


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Publix service announcement: Popular grocery chain is coming to Louisville
Lucas Aulbach
Louisville Courier Journal
A southern grocery giant is expanding into the Bluegrass State, with its sights set on opening in eastern Louisville.
Publix, the Florida-based supermarket chain, announced Tuesday that it plans to open its first store in Kentucky in Jefferson County, at Terra Crossing Boulevard and Old Henry Road, near Middletown. While a grand opening date hasn't yet been determined, company officials hope to open the facility in the fourth quarter of 2023.
"Moving into Kentucky is a natural progression for our company, and we are excited to serve and be a part of this vibrant community," Publix CEO Todd Jones said in a statement.
The new store could be a game-changer for Louisville shoppers. It'll occupy more than 55,000 square feet in space and will also host a Publix Liquors outlet, the first outside the Sunshine State, that'll sell beer, wine and other alcoholic drinks. The site is next to the Interstate 265 ramp on Old Henry Road and near the Lake Forest subdivision.
More headlines:ACLU: Kentucky State Police review of training materials quoting Hitler falls short
Publix operates in seven other states in the region, with a total of 1,281 stores. In Louisville, its biggest competition will be Kroger, which operates more than a dozen stores throughout the county.
The company has built fierce loyalty among many customers in the southeast, with a deli offering "Pub Subs" and other store-brand products such as fried chicken and baked goods.
This story may be updated.
Lucas Aulbach can be reached at laulbach@courier-journal.com, 502-582-4649 or on Twitter @LucasAulbach.


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