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Posts Tagged 'social web'
Why Google+ won't hurt Facebook, but Skype will hate it
Google launched its much awaited and highly anticipated social networking platform today to a limited number of users. Dubbed Google+ (Plus), the service may take its cue from social networking giant Facebook, but in the end it is about the harsh reality of Google saving and enhancing its core franchise — Google Search. It is search (and, by extension, advertising) that made Google a company that has run afoul of the Federal Trade Commission because of its huge size and influence.
At the time of Google's founding, search was broadly defined as a sifting through a directory of websites. As the web grew, search became all about pages. Google, with its PageRank, came to dominate that evolution of search.
Today, search is not just about pages, but also about people and the relevance of information to them.
Google's senior executives — long dismissive of the idea of importance of social to search — were contrite during their briefing earlier this week. "It is about time we have come to the realization," said Bradley Horowitz, vice president of product with Google, "If you don't know people, then you can't organize the information for people."
Google's realization — however late – that it needs to use social, location and other signals to enhance its core search platform is welcome. "Google needs to understand these relationships and basically use those to make search better," said Vic Gundotra, Google's senior vice president for Social in an hour-long briefing earlier this week.
Why? Because the the internet (and information) are expanding with such rapidity that there is no room for assumptions, and as such our systems need to adapt to this world of no (or alternatively infinite) assumptions. Google needs to adapt, and getting social and location signals is important for the company. Search is now search relevant to you in the context of your world — and that is where Google+ comes in.
What is Google Plus?
Is Google+ a destination like Facebook.com? Is it a social network? Is this an identity play? The answer to those questions is yes and no. Google's Gundotra said that this is the first step by the company in its long social journey, which is going to evolve.
Today, you can get to Google Plus by visiting a website – Google.com/+. But it also travels with you across different Google web properties, thanks to a Google Toolbar. The toolbar is personal to you and allows you to share and send photos, videos, links or just simple messages. A notification icon informs you if others have shared stuff with you.
Google, Gundotra says, has leveraged its infrastructure to offer an array of services, and at the same time the company is attacking Facebook's noticeable shortcoming — granular privacy that average folks can understand. More importantly it is trying hard to not be compared with Facebook.
Some of Google + Features:
In order to use Google +, you need to have a Google account, though it doesn't necessarily mean you need to have a Google Mail account. Once you set-up your Google account, you can use your address book to invite people to your network and use that as a starting point.
Circles: Google has come up with the concept of circles — you can create a circle of contacts that are family, friends, work friends, former co-workers and so on. With these groups or circles you can define who gets to see what kind of updates. Facebook currently doesn't offer the ability to control who sees what goes in our life that we share online.
Hangout: This just might be the killer feature of Google + effort. It is essentially group video chat done right. You click on the Hangout button and invite members of a certain group by sending them a notification. If there is no one around, all I could do is hang about without much drain on the system waiting for someone to show up. So theoretically I could invite all members of team GigaOM circle and have a quick video chat. In the demo at least, Hangout felt intuitive and easy to use (Google uses its own video codec and not Adobe Flash for this feature).
Huddle: This is a mobile group-chat service that is very much like Beluga, the fast-growing service that was snapped up by Facebook weeks after it was launched and is now said to be part of a major new communications push by Facebook. I think this is a great little feature and frankly, if Google was smart they should be rolling this out to all Google Apps for the Enterprise customers.
Instant Uploads: It has also come up with a new approach to mobile photos & videos. Google calls it Instant Uploads. Take a photo and it uploads to your Picasa or YouTube account and then you can share those videos via Google+ to specific "circles."
Sparks: It is a new feature that allows you to create topics of interest and use them as source of information and then share it with various different groups. For instance, I could share results of Top Gear with my "petrol head" friends. These "interest" or "topic" packs offer a lot of content and not surprisingly YouTube videos. Circles, Hangout and Huddle are about personal sharing and personal communications. Sparks on the other hand is devoid of that connection and stands out as a sore thumb.
Google Plus + Chrome + Android
A few months ago, I wrote about how Google could beat Facebook, pointing out that it was not going to be on the web, and instead on the mobile.
I've always maintained Google has to play to its strengths – that is, tap into its DNA of being an engineering-driven culture that can leverage its immense infrastructure. It also needs to leverage its existing assets even more, instead of chasing rainbows. In other words, it needs to look at Android and see if it can build a layer of services that get to the very essence of social experience: communication.
However, instead of getting bogged down by the old-fashioned notion of communication – phone calls, emails, instant messages and text messages – it needs to think about interactions. In other words, Google needs to think of a world beyond Google Talk, Google Chat and Google Voice.
To me, interactions are synchronous, are highly personal, are location-aware and allow the sharing of experiences, whether it's photographs, video streams or simply smiley faces. Interactions are supposed to mimic the feeling of actually being there. Interactions are about enmeshing the virtual with the physical.
The ability to interact on an ongoing basis anywhere, any time and sharing everything, from moments to emotions – is what social is all about. From my vantage point, this is what Google should focus on.
I am glad to see Google is thinking along these lines and is building products with a mobile-first point of view, a concept that former CEO Eric Schmidt has often talked about.
While I was given a demo by the Google executives on a notebook computer, the heavy use of HTML5 makes Google Plus an experience that could easily work on Android tablets and Android phones. Instant Uploads, Circles, Huddle and Hangout can work on these mobile devices without much textual input, making them easy to use on the touch-centric mobile platforms. Google at the same is also making Google Plus available as an app – for Android and the iPhone platform – ensuring that it is getting the experience right.
Facebook Has Nothing To Worry About
I don't think Facebook has anything to worry about. However, there is a whole slew of other companies that should be on notice. Just as Apple put several app developers on notice with the announcement of its new iOS 5 and Mac OS X Lion, Google+ should give folks at companies such as Blekko, Skype and a gaggle of group messaging companies a pause. I personally think Skype Video can easily be brought to its knees by Google Plus' Hangout. And even if Google+ fails, Google could easily make Hangout part of the Google office offering.
One of the reasons why I think Facebook is safe is because it cannot be beaten with this unified strategy. Theoretically speaking, the only way to beat Facebook is through a thousand cuts. Photo sharing services such as Instagram can move attention away from Facebook, much like other tiny companies who can bootstrap themselves based on Facebook social graph and then built alternative graphs to siphon away attention from Facebook. Google, could in theory go one step further – team up with alternative social graphs such as Instagram, Twitter and Tumblr and use those graphs to create an uber graph.
Build it, But Will They Come?
View This Poll
online surveysIn the past, I have been pretty skeptical of Google's social ambitions, mostly because of company's DNA. Based on a briefing and a demo, I am not yet ready to change my opinion.
Google needs this social effort to work — it needs to get a lot of people using the service to create an identity platform that can rival Facebook Connect. It needs the people to improve its search offering. Of course, the Google's biggest challenge is to convince people to sign-up for yet another social platform, especially since more and more people are hooked into Facebook (750 million) and Twitter. I don't feel quite compelled to switch from Facebook or Twitter to Google, just as I don't feel too compelled to switch to Bing from Google for Search.
I can easily see services such as Hangout and Huddle get traction, but will that be enough to get traction with hundreds of millions of people? Doubtful, though I am happy to be proven wrong, for it would surely be nice to have a counterbalance to Facebook.
Related content from GigaOM Pro (subscription req'd):
The Case for Increased M&A in 2011: Actions and Outlooks
NewNet Q1: Content Farms and Niche Networks on the Rise
The Future of Workplaces


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THE NEW MUTANTS coming home with physical and digital release, Nov. 17
Posted by Joey Inigo | Oct 7, 2020 | Home Releases (BD, DVD, Digital), Movies and Television | 0
THE NEW MUTANTS had a rough go with a studio ownership changeover, production delays, and a global pandemic all stalling its grand premiere but now the film is ready for its home release and the action-packed thriller will be available on goth digital and physical release.
In this action-filled film, five young people who demonstrate special powers are forced to undergo treatment at a secret institution – allegedly to cure them of the dangers of their powers. But it's soon clear that their containment is part of a much bigger battle between the forces of good and evil!
Origins & Influences – Legendary comics artist Bill Sienkiewicz and the filmmakers explore the origins and influences behind "The New Mutants."
Meet the New Mutants – Cast members share their experiences while filming and reveal how they bonded as a family, much like the characters in the film.
Roberto Suns & Dani Climbs
"She's a Demon"
"Everybody's Type" & Chores
Dani's Nightmare – Alt
"I Need to Cool Off"
"We're on Lockdown"
Take out the Source
Director Josh Boone Chats with Marvel Comics artist Bill Sienkiewicz
THE NEW MUTANTS arrives on Digital, 4K Ultra HD™, Blu-ray™ and DVD on November 17, 2020.
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PICTORIAL: Experience THE JUNGLE BOOK like no where else at THE EL CAPITAN THEATRE!
Premiere dates confirmed for RAVEN'S HOME on Disney Channel
O_o The Muppets' Dr. Teeth and The Electric Mayhem are going to Outside Lands 2016
VIDEO: 13 horribly fun moments from American Horror Story and Scream Queens #SDCC panel

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Matt Damon is one of Hollywood's most sought-after talents. Most recently he completed filming The Informant for director Stephen Soderbergh and Invictus for director Clint Eastwood. Both films are due for release this fall.
Following the release of these films audiences will see Damon reteam with director Paul Greengrass on The Green Zone.
In December, The History Channel will broadcast the film The People Speak, which features dramatic performances chronicling the history of this country, including charter documents, letters, diaries read by actors and woven together with archival footage and interviews. In addition to Matt appearing in the film, he serves as an Executive Producer on the project.
Most recently Matt reprised his role as Jason Bourne in The Bourne Ultimatum (2007) for director Paul Greengrass having previously starred in The Bourne Supremacy (2004) also for director Paul Greengrass and in The Bourne Identity (2002) for director Doug Liman. He also reprised his role as Linus Caldwell in Ocean's Thirteen (2007) for director Steven Soderbergh having previously starred for Soderbergh in Ocean's Twelve (2004) and in Ocean's Eleven (2001).
Previous films include the Academy Award winning film The Departed (2006) in which he appeared alongside Leonardo DiCaprio and Jack Nicholson for director Martin Scorsese; The Good Shepherd (2006) with Angelina Jolie for director Robert DeNiro; the geopolitical thriller Syriana (2005) with George Clooney for director Stephen Gaghan; The Brothers Grimm (2005) with Heath Ledger for director Terry Gilliam; the Farrelly Brothers comedy Stuck On You (2003) with Greg Kinnear; Gerry (2002) with Casey Affleck for director Gus Van Sant; the film version of the Cormick McCarthy book All the Pretty Horses (2000) for director Billy Bob Thornton and The Legend of Bagger Vance (2000), for director Robert Redford.
In 1999, Damon starred in Anthony Minghella's The Talented Mr. Ripley, for which he received a Golden Globe nomination for Best Actor. That same year he rejoined Chasing Amy director Kevin Smith and pal Ben Affleck in Dogma, a film about a pair of outcast angels.
In 1998, he won an Academy Award for Best Original Screenplay with longtime friend Ben Affleck for the critically-acclaimed drama Good Will Hunting. Damon also earned an Academy Award nomination for Best Actor for his work in the title role. The film, directed by Gus Van Sant, received seven additional Oscar nominations, including one for Best Picture and a win for Robin Williams for Best Supporting Actor. In addition, both he and Affleck received a Golden Globe Award for their screenplay, and Damon also garnered a Golden Globe nomination for his performance.
In the same year, Damon starred in the title role of the World War II drama Saving Private Ryan for Academy Award-winning director Steven Spielberg, and in John Dahl's Rounders.
In 1997, Damon made a cameo appearance in Kevin Smith's Chasing Amy and he starred as an idealistic young attorney in Francis Ford Coppola's The Rainmaker, based on the best-selling novel by John Grisham.
Damon first gained the public's eye in 1996, when he gave a vivid performance in Courage Under Fire, in which he portrayed a guilt-ridden Persian Gulf War soldier tormented by an incident which happened in the heat of battle.
The versatile young actor made his feature film debut in 1988 in a small role in the critically well-received Mystic Pizza. He went on to play Brian Dennehy's medical school dropout in the TV movie Rising Son (TNT, 1990) and gained further attention when he returned to the big screen as a fascist preppy in School Ties (1992).
For director Walter Hill, Damon enjoyed a sizeable supporting role as the green second lieutenant new to the West who narrates Geronimo: An American Legend (1993) and in 1995, he appeared in The Good Old Boys, directed by Tommy Lee Jones for TNT.
In addition to their work in front of the camera, Damon and Affleck formed LivePlanet Productions. LivePlanet produced three Emmy-nominated seasons of Project Greenlight, the documentary series chronicling the making of an independent feature films by a first time writer and director. The three Project Greenlight films produced for Miramax/Dimension were Stolen Summer, The Battle of Shaker Heights, and Feast. LivePlanet also produced Running the Sahara, a documentary about three men running across the Sahara Desert, which was directed by Academy Award winner James Moll.
Additionally, Damon co-founded H20 Africa and is an ambassador for the children's foundation ONEXONE.
Damon, who attended Harvard University, first gained acting experience at the American Repertory Theatre as well as other Boston-based theatre venues.
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Nelson Mandela's Favorite African Folktales is an extraordinary audiobook featuring Gillian Anderson, Benjamin Bratt, LeVar Burton, Ricardo Chavira, Don Cheadle, Matt Damon, Whoopi Goldberg, Sean…
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Q: How to pass parameters to a modal using thymeleaf? I just starting in a project where we're using thymeleaf and I'm new to the technology.
It's a simple modal to confirm an object to be deleted. So they want me to add the name of the item we're deleting on the message instead of a generic message like: "Are you sure you want to delete?"
They want: "Are you you want to delete Item_Name?"
So I need to pass this name as parameter.
That's the code I have the display the modal:
<button id="btnDelete" value="delete" type="button" class="btn-link" data-toggle="modal" data-object-id="12345" data-object-name="NNN" th:attr="data-object-id=''+${assignment.assignmentId}+'', data-object-name='/nonInstructionalWorkload/deleteAssignment?asssignmentId='+${assignment.assignmentId}+'', data-target='#deleteAssignmentModal'">

And that's the code I have on the modal html:
<form role="form" th:action="@{/deleteAssignment}"
      name="assignmentDeleteForm" id="assignmentDeleteForm" method="post">

Confirm Assignment Delete

Assignment will be deleted, are you sure you want to proceed?

            <input type="hidden" id="deleteId" name="deleteId" value="nnnn"/>

        <button type="submit" id="btnDelConfirm" class="btn btn-primary">
            Yes
        </button>
        <button type="button" id="btnDelCancel" class="btn btn-default" data-dismiss="modal">
            No
        </button>

</form>

At this point is where I need to add more information on the confirmation message about the assignment item being deleted.
Already tried some approached to get the parameters but didn't work so I'm looking for more option.
Thank you!

A: Thymeleaf is just template engine that takes your templeate and generate static html out of it. So passing dynamic values to your modal is a javascript work (unless you generate separate modal for each item, but this would be silly).
Using thymeleaf you have to generate a data- attribute containing desired item's name inside the button which opens modal, and that's all. You've already did such thing within th:attr:
th:attr="data-object-id=''+${assignment.assignmentId}+'', data-object-name='/nonInstructionalWorkload/deleteAssignment?asssignmentId='+${assignment.assignmentId}+'', data-target='#deleteAssignmentModal'"

The code above will generate attributes data-object-id,data-object-name and data-target inside the button. I assume that data-object-name is the one you want to use (however it looks more like an URL).
Now you can customize your modal's content using javascript. I can see, that you are using bootstrap as your frontend library, so you should take a look at this example, to have an idea how to accomplish that.
Javascript code below should work fine for you:
$('#deleteAssignmentModal').on('show.bs.modal', function (event) {
  var button = $(event.relatedTarget) // Button that triggered the modal
  var objectName = button.data('object-name') // Extract info from data-object-name attribute

  // Update the modal's content. We'll use jQuery here, but you could use a data binding library or other methods instead.
  var modal = $(this)
  modal.find('.modal-body p').text('Do you want to delete ' + objectName + '?')
})

A: The sample project on GitHub you can clone and test it. Full video under the readme.
https://github.com/ibrahimkarayel/todoBoot/blob/master/src/main/resources/templates/home.html

                <button type="button" class="close" data-dismiss="modal"
                        aria-hidden="true">×
                </button>

Delete Confirmation

Are you sure you want to
                    delete this task ?

                <button class="btn " data-dismiss="modal" aria-hidden="true">
                    Cancel
                </button>

                    Delete

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MIDDLETOWN � Doris Mary Sullivan, 84, of Nicholson Crescent, Middletown, RI died Thursday, April 26, 2012 at her home from complications following hip surgery.
She was the wife of the late William E. Sullivan.
Born on October 19, 1927 in Newport, RI, she was the daughter of the late Rose Cocoran and William E. Sullivan and sister to Rosemary Sullivan Bric.
Doris was a 1945 graduate of St. Catherine�s Academy. She was a major organizer of a very successful school wide reunion held in 2005.
She was a wonderful, loving mother and grandmother. She served as a Cub Scout, Brownie and Girl Scout leader. She was active in the Junior Catholic Daughters and St. Lucy�s CYO where she was named CYO woman of the year for the state of RI in 1964.
She was an employee of Fleet Bank for 23 years and retired in 1992. Following her retirement, Doris was an avid volunteer. She delivered for Meals on Wheels, worked at St. Lucy�s Hearth, the Newport Hospital Gift Shop, the Good Shepherd Book Shop and participated in Woman-to-Woman activities. She was a member of Jesus Saviour Church where she taught CCD, was a member of the Rosary Sodality and chairperson of the Right to Life committee.
Her hobbies included traveling, gardening, playing scrabble, watching old movies and making miniature dollhouses for her granddaughters as well as creating a miniature church.
Her son, Bill Sullivan and his wife Nancy, of Portsmouth, RI, daughter Linda Brooks and her husband Bill of Annapolis, MD and three grandchildren, Stacy Sullivan of Portsmouth, Susan Van Loenen of Fredericksburg, VA and Will Brooks of Annapolis, MD, survives her.
Visiting hours will be held on Sunday, April 29, 2012 from 3-6 p.m. at O�Neill-Hayes Funeral Home, 465 Spring Street, Newport, RI.
A Mass of Christian burial will be held at Jesus Saviour Church, 509 Broadway, on Monday, April 30, 2012 at 9 a.m. Burial will follow at St. Columba�s Cemetery.
In lieu of flowers, donations may be sent to the Woman-to-Woman Support Group, 164 Broadway, Newport, RI 02840.


Born in Knoxville in '91. Graduated with a degree in painting at UTK. No pets. Dislikes cooked carrots. Loves grapefruit radler. First job was a lifeguard at a waterpark. Planning a trip to Ireland and Italy. Enjoys the Office, Master of None, Parenthood. OCD about cleaning. Loves Dancing. Knows pig latin. Is always sleepy. Loves work.


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Vinli Morphs into New Era of Auto Data Intelligence Sans OBD's
Era a new product from the four-year old Vinli is a data intelligence platform in the automotive industry. The company will no longer sell OBD
Stop the Texts and Driving PSA
Today, the National Highway Traffic Safety Administration (NHTSA) and the Ad Council announced new television and radio PSAs (public service advertisements) for their "Stop the
1M EyeSight ADAS Enabled Subarus Reduced Insurance Claims
Subaru of America, Inc. today announced the sale of its one-millionth vehicle equipped with award-winning EyeSight Driver Assist Technology. Introduced in 2012, EyeSight is available


so that statistical methods are not necessary for evaluation and errors of the type Shanahan is calculating simply don't matter?
The methods and errors that Shanahan is calculating are impossible. They do not show up in calibrations. In other words, there is no test he can propose to show them, or to falsify his claims. If the problems existed he could propose a method of calibration that would reveal them. It is not possible that the choice of metals would change the arithmetic.
Well, if it is 'just' an observation with no numerical quality to it at all, then you can't claim it establishes any type of priority to the organization vs. others.
Yes, you can, using real-world observations and common sense. This is the world's leading aerospace engineering organization. Aerospace engineering is the most difficult, advanced and demanding engineering there is, and it is extraordinarily successful. We know that because airplanes seldom crash. A team of experts there who worked for years on this experiment. It was reviewed and approved by the management. It seems unlikely that such people overlooked a problem that Shanahan found in an hour or so.
Shanahan's hypothesis is even more unlikely because it is a magic problem that cannot be detected by calibration or any other test, and thus cannot be falsified. It only happens when there is a particular choice of metal, which cannot affect the calorimetry. There can be no physical explanation for such a thing. It resembles his claims that people cannot feel an object is hot by sense of touch, or a 1-liter object will remain hot for three days with no input power, or that a bucket of water left in a room will magically evaporate overnight. In other words, once again he makes claims that anyone should instantly recognize are preposterous. I doubt he believes these claims. I suppose he is trolling us, or hoping to fool people such as seven_of_twenty who apparently cannot tell that Shanahan is spouting impossible nonsense.
My stock answer is that if you had any idea how difficult it is, you would be amazed that they can do it at all.
But then it turns out from the papers that it was for a short time, with questionable methods of measurements, or only one time and not currently reproducible.
1. Read the paper before commenting on it. You make yourself look foolish saying that 42 days is a short time. What would be a long time?
2. Stop trying to fool people. Anyone can read the paper and see that it does not say what you claim.
OK then. All of mainline science is fooled. LENR is a raving success.
I'm not trying to fool people. I couldn't begin to compete with the likes of Rossi.
BTW, I was not referring to any particular paper. I was writing about your usual response to the "low power" or low Pout/Pin or "short time" critiques.
It is a success, when you judge it based on mainstream, peer-reviewed journals of physics and chemistry. It is not a success if you get your information from Wikipedia or people who say it is impossible to tell an object is hot by sense of touch. I suggest you stick to conventional, legitimate sources of information.
You are not referring to any paper at all. Your description is nonsense. But, in any case, this thread is a discussion of the Beiting paper. Shanahan's "statistical methods . . . for evaluation and errors" apply the Beiting papers. So obviously, you were referring to that paper. It seems you have not read it, so you don't know what you are talking about.
You should not assume that Shanahan's "evaluation and errors" are real, and he actually did find something that experts failed to see over several years. Oh, and that magically does not show up in calibrations. When you believe such things, you are as naive and misguided as a Rossi supporter.
It seems unlikely that such people overlooked a problem that Shanahan found in an hour or so.
That is the nature of systematic errors. Or lack of training.
That is the nature of systematic errors.
Invisible systematic errors that cannot be detected with a calibration, or by any other physical test. Unfalsifiable errors. Metaphysical errors that you alone, in all the world, believe. Perhaps you are delusional. Surely you are an egomaniac who thinks he knows better than a team of experts who spent years on this experiment.
Either that or you are trolling us.
Or you are incapable of understanding the issues, an interpretation your comments seem to favor.
Why would I try to explain your proposition?
Because it is actually less ridiculous than your own proposition?
Well really, he failed to compute your whimsical ideas about the possible error inherent in his calibration curve.
You must be crazy to think that some strange and unexplained (and apparently also inexplicable by yourself) failure/CCSH causes a temporary shift of that size.
This is not about me. You are saying the experts at The Aerospace Corporation are incapable of understanding the issues. You are also saying that even though their calibrations do not show these errors, the errors exist. You should tell us how the researchers might reveal the errors and confirm your hypothesis, if not by calibration. What other tests should they do?
Not 'my' whimsical idea, mainline science's.
So, the old broken-then-unbroken thermocouple (x3), was it? Rat chewed a wire? Or perhaps the power meter went temporarily insane? Maybe some of the insulation just fell off?
We're talking about heating up a small cylinder! It's not some kind of fantastical process with 8% deviations.
And nowhere in the Propagation Of Uncertainty Handbook, does it suggest simply translating a calibration curve up the page... Pure clownery.
There is no science more mainline than what they do at The Aerospace Corporation. It is among the most mainstream, conventional, reliable and best financed research on earth. It has to be, or airplane engines would explode, and airplanes would fall out of the sky. Airplanes are the safest form of transportation, even though they work under the most extreme environmental conditions, the highest engine temperatures, and the fastest speeds. The corporation has 3,900 employees including 750 PhDs, and revenues of $930 million.
They spent years on this project, and as you see in the paper, it was extensively reviewed by the staff before publication. Yet you claim they made a mistake that you discovered in an hour. Are you quite certain of that? Has it crossed your mind that you might be wrong, especially since you cannot propose a test that would reveal this error of yours? And all of the calibration tests show nothing.
No only is The Aerospace Corporation mainline (mainstream) but so are nearly all of the labs that confirmed cold fusion. The tritium detection at BARC and Los Alamos is the best in the world, and they confirmed that cold fusion produces tritium. The three helium detection labs that confirmed Miles in blind tests are the best in the world. The researchers who confirmed cold fusion were almost all distinguished experts. They would never have been funded otherwise. So, you have it exactly backwards. Cold fusion was confirmed by the creme de la creme of scientists at the best labs on earth, because only those scientists had the necessary clout to overcome academic politics. There is nothing more mainstream than cold fusion.
especially since you cannot propose a test that would reveal this error of yours?
A trait shared with conspiracy theories.
The R^2 values are not adequate to distinguish which model is best. The t values of the coefficients are needed (or the significance levels) so the full analytical results are needed.
...Or were you just bluffing?
Actually I did and you even commented on my remarks about the issue of calibrating with one gas and running with a different one. But hey, it's OK. Only LENR groupies are in the know.
Yes indeed, but spotted leopards and that.
Although I'm highly interested in hearing anyone's theories about how using a more thermally conductive control gas could swing the calibration the 'wrong' way. Should be good for a laugh.
I suggest you explain why this 8% shift only occurs in cells with the material produced at Ames in specified conditions, and not during calibrations or with control cells.
The trap is thinking that Jed knows any science... He is incapable of defending his views in any technical fashion.
Psychological projection is a theory in which humans defend themselves against their own unconscious impulses or qualities... by denying their existence in themselves while attributing them to others.


Many prescription medications can cause dry mouth, including: antihistamines, anticonvulsants, antidepressants, cardiovascular drugs, antiemetics, antipsychotics, sedatives and decongestants. Long term use of over-the-counter medications, surgery, radiation therapy and chemotherapy can also result in dry mouth. Radiation therapy in the head and neck area causes the most significant cases of dry mouth versus surgery and chemotherapy. After radiation therapy to the head and neck region, irradiated salivary glands produce little or no salivary secretions and can be a major discomfort for oral and pharyngeal cancer patients.


Thanks to the Upper Moreland Township Police Benevolent Association and the Willow Grove Volunteer Fire Company, and Chief Brian Focht for hosting this great event! We appreciate Officers Matt Toro, Frank Gallagher and Matt Snyder for leading activities, along with Ben, Dante, Dan and Owen for participating in games and role play. Thanks also to Officer Rems and his K-9 partner Dex for letting us know about the no-pet policy for working animals!


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Home Soccer Ben Yedder: "I feel it is the right time to leave"
Ben Yedder: "I feel it is the right time to leave"
The French striker has confessed his intentions in an interview with Le Parisien. Its clause is 40 million euros.
With the season already finished and having debuted with the French team in official match, Sevilla forward Wissam Ben Yedder granted an interview in Le Parisien in which he prepared his departure from Nervión. Ben Yedder has been the top scorer of the team for the last three years and seems determined to pack.
"I dream of playing at the highest level, in the biggest clubs in the world and being next to world class players. I feel it is the right time to leave, "said Ben Yedder in his interview, although also wanted to heal in health with Sevilla in case he had to stay another year in Nervión:" I can not be disrespectful in the club because it will also be the Sevilla who decides. Whatever the final decision, I'll be fine. I'm not worried about my future. "
Monchi has already announced that he will have to make decisions that most fans will not like and the departure of a key player like Ben Yedder seems one of them. The French striker has a clause of 40 million to which, for now, nobody has approached.
Ben Yedder: "I feel it is the right time to leave" Reviewed by LALASPORT on 6/11/2019 06:02:00 PM Rating: 5


[Episcopal News Service] The arts may be one of the most effective mediums for building bridges, says the Rev. Paul-Gordon Chandler, the Episcopal priest responsible for the journey of 25 life-size painted fiberglass donkeys from Cairo to St. Paul's Cathedral in London, where they will be on display in the south nave aisle until Sept. 23.
Now in its fifth year, the Caravan arts exhibition brings together Western and Egyptian artists, both Christian and Muslim, to promote a message of peace.
Chandler, who has served as a priest in Cairo for the past 10 years, sees the exhibition as an opportunity to deepen understanding across cultures and religions.
"We're passionate about interfaith friendships and we've found that the arts, in many ways, is a catalyst for that," Chandler told ENS on Aug. 30 during an interview at the launch of the exhibition, which is titled In Peace and With Compassion.
This year's exhibition comes at a time when Egypt faces ongoing political turmoil and a rise in sectarian violence.
"Contrary often to what we see in the news about what is coming out of Egypt at this time, which is somewhat tragic, these artists are saying no, there is another alternative – the way forward as far as we see it is in peace and with compassion," Chandler said.
It's the first time the initiative has traveled outside of Egypt and the exhibition at St. Paul's is sponsored by the Embassy of Switzerland in Egypt, and supported by the British Council. Chandler said that St. Paul's Cathedral was considered for the exhibition because it is a sacred space known globally for both its role in the arts and its commitment to interfaith relations.
The donkeys were first exhibited in May at St. John's Church in Cairo, where Chandler has just stepped down as rector after 10 years. They were then placed in strategic public locations throughout Cairo before about a third of them made their way to St. Paul's.
Following the exhibition, the donkeys will be auctioned by Sotheby's, with all profits going to Egyptian charities that serve the poor, regardless of their faith.
Further information about Caravan is available here.


text:
Egli, Jakob (d. ca. 1640)
From GAMEO
Jakob Egli, an Anabaptist of Grüningen in the Swiss canton of Zürich, who was seized in 1639 and held in chains for 70 weeks in the convent dungeon at Oethenbach, which caused his death. His farm was rented for an annual fee of 500 guilders, which were put into the state treasury.
Braght, Thieleman J. van. Het Bloedigh Tooneel of Martelaers Spiegel der Doopsgesinde of Weereloose Christenen, Die om 't getuygenis van Jesus haren Salighmaker geleden hebben ende gedood zijn van Christi tijd of tot desen tijd toe. Den Tweeden Druk. Amsterdam: Hieronymus Sweerts, 1685: Part II, 814
Braght, Thieleman J. van. The Bloody Theatre or Martyrs' Mirror of the Defenseless Christians Who Baptized Only upon Confession of Faith and Who Suffered and Died for the Testimony of Jesus Their Saviour . . . to the Year A.D. 1660. Scottdale, PA: Herald Press, 1951: 1113. Available online at: http://www.homecomers.org/mirror/index.htm.
Hege, Christian and Christian Neff. Mennonitisches Lexikon, 4 vols. Frankfurt & Weierhof: Hege; Karlsruhe: Schneider, 1913-1967: v. I, 509.
Christian Neff
Neff, Christian. "Egli, Jakob (d. ca. 1640)." Global Anabaptist Mennonite Encyclopedia Online. 1956. Web. 21 Jan 2022. https://gameo.org/index.php?title=Egli,_Jakob_(d._ca._1640)&oldid=169704.
Neff, Christian. (1956). Egli, Jakob (d. ca. 1640). Global Anabaptist Mennonite Encyclopedia Online. Retrieved 21 January 2022, from https://gameo.org/index.php?title=Egli,_Jakob_(d._ca._1640)&oldid=169704.
Adapted by permission of Herald Press, Harrisonburg, Virginia, from Mennonite Encyclopedia, Vol. 2, p. 164. All rights reserved.
©1996-2022 by the Global Anabaptist Mennonite Encyclopedia Online. All rights reserved.
Retrieved from "https://gameo.org/index.php?title=Egli,_Jakob_(d._ca._1640)&oldid=169704"
Seventeenth Century Anabaptist-Mennonite Martyrs


text:
using System;
using System.Buffers;
using System.Collections.Generic;
using Orleans.Serialization.Buffers;
using Orleans.Serialization.Cloning;
using Orleans.Serialization.GeneratedCodeHelpers;
using Orleans.Serialization.Session;
using Orleans.Serialization.WireProtocol;

namespace Orleans.Serialization.Codecs
{
    /// <summary>
    /// Serializer for <see cref="Dictionary{TKey, TValue}"/>.
    /// </summary>
    /// <typeparam name="TKey">The key type.</typeparam>
    /// <typeparam name="TValue">The value type.</typeparam>
    [RegisterSerializer]
    public sealed class DictionaryCodec<TKey, TValue> : IFieldCodec<Dictionary<TKey, TValue>>
    {
        private readonly Type _keyFieldType = typeof(TKey);
        private readonly Type _valueFieldType = typeof(TValue);

        private readonly IFieldCodec<TKey> _keyCodec;
        private readonly IFieldCodec<TValue> _valueCodec;
        private readonly IFieldCodec<IEqualityComparer<TKey>> _comparerCodec;

        /// <summary>
        /// Initializes a new instance of the <see cref="DictionaryCodec{TKey, TValue}"/> class.
        /// </summary>
        /// <param name="keyCodec">The key codec.</param>
        /// <param name="valueCodec">The value codec.</param>
        /// <param name="comparerCodec">The comparer codec.</param>
        public DictionaryCodec(
            IFieldCodec<TKey> keyCodec,
            IFieldCodec<TValue> valueCodec,
            IFieldCodec<IEqualityComparer<TKey>> comparerCodec)
        {
            _keyCodec = OrleansGeneratedCodeHelper.UnwrapService(this, keyCodec);
            _valueCodec = OrleansGeneratedCodeHelper.UnwrapService(this, valueCodec);
            _comparerCodec = OrleansGeneratedCodeHelper.UnwrapService(this, comparerCodec);
        }

        /// <inheritdoc/>
        public void WriteField<TBufferWriter>(ref Writer<TBufferWriter> writer, uint fieldIdDelta, Type expectedType, Dictionary<TKey, TValue> value) where TBufferWriter : IBufferWriter<byte>
        {
            if (ReferenceCodec.TryWriteReferenceField(ref writer, fieldIdDelta, expectedType, value))
            {
                return;
            }

            writer.WriteFieldHeader(fieldIdDelta, expectedType, value.GetType(), WireType.TagDelimited);

            if (value.Comparer != EqualityComparer<TKey>.Default)
            {
                _comparerCodec.WriteField(ref writer, 0, typeof(IEqualityComparer<TKey>), value.Comparer);
            }

            if (value.Count > 0)
            {
                UInt32Codec.WriteField(ref writer, 1, UInt32Codec.CodecFieldType, (uint)value.Count);
                uint innerFieldIdDelta = 1;
                foreach (var element in value)
                {
                    _keyCodec.WriteField(ref writer, innerFieldIdDelta, _keyFieldType, element.Key);
                    _valueCodec.WriteField(ref writer, 0, _valueFieldType, element.Value);
                    innerFieldIdDelta = 0;
                }
            }

            writer.WriteEndObject();
        }

        /// <inheritdoc/>
        public Dictionary<TKey, TValue> ReadValue<TInput>(ref Reader<TInput> reader, Field field)
        {
            if (field.WireType == WireType.Reference)
            {
                return ReferenceCodec.ReadReference<Dictionary<TKey, TValue>, TInput>(ref reader, field);
            }

            field.EnsureWireTypeTagDelimited();

            var placeholderReferenceId = ReferenceCodec.CreateRecordPlaceholder(reader.Session);
            TKey key = default;
            var valueExpected = false;
            Dictionary<TKey, TValue> result = null;
            IEqualityComparer<TKey> comparer = null;
            uint fieldId = 0;
            while (true)
            {
                var header = reader.ReadFieldHeader();
                if (header.IsEndBaseOrEndObject)
                {
                    break;
                }

                fieldId += header.FieldIdDelta;
                switch (fieldId)
                {
                    case 0:
                        comparer = _comparerCodec.ReadValue(ref reader, header);
                        break;
                    case 1:
                        var length = (int)UInt32Codec.ReadValue(ref reader, header);
                        if (length > 10240 && length > reader.Length)
                        {
                            ThrowInvalidSizeException(length);
                        }

                        result = CreateInstance(length, comparer, reader.Session, placeholderReferenceId);
                        break;
                    case 2:
                        if (result is null)
                            ThrowLengthFieldMissing();

                        if (!valueExpected)
                        {
                            key = _keyCodec.ReadValue(ref reader, header);
                            valueExpected = true;
                        }
                        else
                        {
                            result.Add(key, _valueCodec.ReadValue(ref reader, header));
                            valueExpected = false;
                        }
                        break;
                    default:
                        reader.ConsumeUnknownField(header);
                        break;
                }
            }

            result ??= CreateInstance(0, comparer, reader.Session, placeholderReferenceId);
            return result;
        }

        private Dictionary<TKey, TValue> CreateInstance(int length, IEqualityComparer<TKey> comparer, SerializerSession session, uint placeholderReferenceId)
        {
            var result = new Dictionary<TKey, TValue>(length, comparer);
            ReferenceCodec.RecordObject(session, result, placeholderReferenceId);
            return result;
        }

        private static void ThrowInvalidSizeException(int length) => throw new IndexOutOfRangeException(
            $"Declared length of {typeof(Dictionary<TKey, TValue>)}, {length}, is greater than total length of input.");

        private static void ThrowLengthFieldMissing() => throw new RequiredFieldMissingException("Serialized dictionary is missing its length field.");
    }

    /// <summary>
    /// Copier for <see cref="Dictionary{TKey, TValue}"/>.
    /// </summary>
    /// <typeparam name="TKey">The type of the t key.</typeparam>
    /// <typeparam name="TValue">The type of the t value.</typeparam>
    [RegisterCopier]
    public sealed class DictionaryCopier<TKey, TValue> : IDeepCopier<Dictionary<TKey, TValue>>, IBaseCopier<Dictionary<TKey, TValue>>
    {
        private readonly IDeepCopier<TKey> _keyCopier;
        private readonly IDeepCopier<TValue> _valueCopier;

        /// <summary>
        /// Initializes a new instance of the <see cref="DictionaryCopier{TKey, TValue}"/> class.
        /// </summary>
        /// <param name="keyCopier">The key copier.</param>
        /// <param name="valueCopier">The value copier.</param>
        public DictionaryCopier(IDeepCopier<TKey> keyCopier, IDeepCopier<TValue> valueCopier)
        {
            _keyCopier = keyCopier;
            _valueCopier = valueCopier;
        }

        /// <inheritdoc/>
        public Dictionary<TKey, TValue> DeepCopy(Dictionary<TKey, TValue> input, CopyContext context)
        {
            if (context.TryGetCopy<Dictionary<TKey, TValue>>(input, out var result))
            {
                return result;
            }

            if (input.GetType() != typeof(Dictionary<TKey, TValue>))
            {
                return context.DeepCopy(input);
            }

            result = new Dictionary<TKey, TValue>(input.Count, input.Comparer);
            context.RecordCopy(input, result);
            foreach (var pair in input)
            {
                result[_keyCopier.DeepCopy(pair.Key, context)] = _valueCopier.DeepCopy(pair.Value, context);
            }

            return result;
        }

        /// <inheritdoc/>
        public void DeepCopy(Dictionary<TKey, TValue> input, Dictionary<TKey, TValue> output, CopyContext context)
        {
            foreach (var pair in input)
            {
                output[_keyCopier.DeepCopy(pair.Key, context)] = _valueCopier.DeepCopy(pair.Value, context);
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub


Inflation risk is the risk that an investment does not generate enough returns over the long run to beat inflation. Because inflation represents a general increase in the prices of goods, a positive inflation rate implies a reduction in the purchasing power of money i.e. if you had a $100 and prices doubled you would only be able to buy half of what you used to be able to buy. Inflation risk is a very real and important risk for investors, and investors need to be aware of what their "real return" is (i.e. investment returns after accounting for tax, fees, and inflation). Investors can take advantage of certain assets with inflation hedging properties; stocks have some element of inflation hedge (if companies can put their prices up faster than the rate that their costs rise), gold, property and other hard assets are also recognized as inflation hedges. There are also inflation linked or inflation protected bonds such as "TIPS".


It has been gently raining (thankfully) for a couple days and today I finished planting all the spring garden seeds as I dodged the raindrops.
Once I was back inside the dry house, I looked at the now pouring rain and saw a brilliant blue in the laurel. Wow! The indigo bunting is back!
Here's a closer view of this gorgeous bird. Unfortunately, it is a bit fuzzy since the photo was taken through a window screen and lots of raindrops.
The hummingbird continued visiting the bird feeder until the rain was just too much for him. He rested on a branch and kept shaking himself free of excess rain.
I also discovered why this bird sometimes looks "ruby throated" and sometimes does not. The red color shows when he shifts his feathers and reveals them from under the green feathers as he moves his head and stretches his neck.
This entry was posted in Birds, Vegetable garden. Bookmark the permalink.


BOO! are innovative market leaders in this sector. BOO!'s showreel of case studies implemented include; Pop-Up retail, large format projections, legal guerrilla campaigns, street art projects and Eco-Graffiti amongst others. Experience is everything in this area and BOO!'s turn-key approach includes; concept development, design and manufacture, permit/council applications, logistics and full project management.


text:
Q: Using ".getTag()" is not working when implementing Google maps I'm starting to learn how to work with android studio and I am stuck when I am trying to implement Google maps.
I'm having this code but I don't know why my .getTag() doesn't work, do I have to implement something? Any help would be appreciated.
My Home.java where I can navigate to other fragments:
import android.support.design.widget.BottomNavigationView;
import android.support.v4.view.GravityCompat;
import android.support.v4.widget.DrawerLayout;
import android.support.v7.app.ActionBarDrawerToggle;
import android.support.v7.app.AppCompatActivity;
import android.os.Bundle;
import android.view.Menu;
import android.view.MenuItem;
import android.view.Gravity;

import com.example.flow.displayClasses.BalansScreens.BalansFragment;
import com.example.flow.displayClasses.GroupScreens.GroupsFragment;
import com.example.flow.displayClasses.LendGoodsScreens.LendGoodsFragment;
import com.example.flow.displayClasses.WebscrapingScreens.GoogleMapsFragment;

import com.example.flow.displayClasses.ContactUsScreen.ContactUsFragment;
import com.example.flow.displayClasses.NightmodeScreen.NightmodeFragment;
import com.example.flow.displayClasses.SettingsScreen.SettingsFragment;
import com.example.flow.displayClasses.FriendsScreen.FriendsFragment;
import com.example.flow.displayClasses.TermsAndConditionsScreen.TermsFragment;
import com.google.android.gms.maps.GoogleMap;
import com.google.android.gms.maps.OnMapReadyCallback;

import android.support.design.widget.NavigationView;
import android.support.v4.app.FragmentManager;
import android.support.v7.widget.Toolbar;
import android.widget.Toast;

public class Home extends AppCompatActivity
        implements
        NavigationView.OnNavigationItemSelectedListener,
        TermsFragment.OnFragmentInteractionListener,
        SettingsFragment.OnFragmentInteractionListener,
        ContactUsFragment.OnFragmentInteractionListener,
        NightmodeFragment.OnFragmentInteractionListener,
        BottomNavigationView.OnNavigationItemSelectedListener,

         {

    DrawerLayout drawer;

    @Override
    protected void onCreate(Bundle savedInstanceState) {
        super.onCreate(savedInstanceState);
        setContentView(R.layout.bottom_navigation);
        Toolbar toolbar = (Toolbar) findViewById(R.id.toolbar);
        setSupportActionBar(toolbar);

        drawer = (DrawerLayout) findViewById(R.id.drawer_layout);
        ActionBarDrawerToggle toggle = new ActionBarDrawerToggle(
                this, drawer, toolbar, R.string.navigation_drawer_open, R.string.navigation_drawer_close);
        drawer.addDrawerListener(toggle);
        toggle.syncState();
        toggle.setDrawerIndicatorEnabled(false);

        NavigationView navigationView = (NavigationView) findViewById(R.id.nav_view);
        navigationView.setNavigationItemSelectedListener(this);

        FriendsFragment friendsFragment = new FriendsFragment();
        FragmentManager manager = getSupportFragmentManager();
        manager.beginTransaction().replace(
                R.id.relativelayout_for_fragment,
                friendsFragment,
                friendsFragment.getTag()
        ).commit();

        BottomNavigationView bottomNavigationView = (BottomNavigationView)findViewById(R.id.main_nav);
        bottomNavigationView.setOnNavigationItemSelectedListener(this);

    }

    @Override
    public void onBackPressed() {
        DrawerLayout drawer = (DrawerLayout) findViewById(R.id.drawer_layout);
        if (drawer.isDrawerOpen(GravityCompat.END)) {
            drawer.closeDrawer(GravityCompat.END);
        } else {
            super.onBackPressed();
        }

    }

    @Override
    public boolean onCreateOptionsMenu(Menu menu) {
        // Inflate the menu; this adds items to the action bar if it is present.
        getMenuInflater().inflate(R.menu.menu_drawer, menu);
        return true;
    }

    @Override
    public boolean onOptionsItemSelected(MenuItem item) {
        // Handle action bar item clicks here. The action bar will
        // automatically handle clicks on the Home/Up button, so long
        // as you specify a parent activity in AndroidManifest.xml.
        int id = item.getItemId();

        //noinspection SimplifiableIfStatement
        if (id == R.id.menuRight) {
            if (drawer.isDrawerOpen(Gravity.RIGHT)) {
                drawer.closeDrawer(Gravity.RIGHT);
            } else {
                drawer.openDrawer(Gravity.RIGHT);
            }
            return true;
        }

        return super.onOptionsItemSelected(item);
    }

    @SuppressWarnings("StatementWithEmptyBody")
    @Override
    public boolean onNavigationItemSelected(MenuItem item) {
        // Handle navigation view item clicks here.
        int id = item.getItemId();

        if (id == R.id.nav_friends) {

            FriendsFragment cameraFragment = FriendsFragment.newInstance("some1", "some2");
            FragmentManager manager = getSupportFragmentManager();
            manager.beginTransaction()
                    .setCustomAnimations(R.anim.push_left_in, R.anim.push_left_out)
                    .replace(R.id.relativelayout_for_fragment,
                            cameraFragment,
                            cameraFragment.getTag()
                    ).commit();

        } else if (id == R.id.nav_settings) {

            SettingsFragment settingsFragment = new SettingsFragment();
            FragmentManager manager = getSupportFragmentManager();
            manager.beginTransaction()
                    .setCustomAnimations(R.anim.push_left_in, R.anim.push_left_out)
                    .replace(R.id.relativelayout_for_fragment,
                            settingsFragment,
                            settingsFragment.getTag()
                    ).commit();
        } else if (id == R.id.nav_nightmode) {

            NightmodeFragment nightmodeFragment = new NightmodeFragment();
            FragmentManager manager = getSupportFragmentManager();
            manager.beginTransaction()
                    .setCustomAnimations(R.anim.push_left_in, R.anim.push_left_out)
                    .replace(R.id.relativelayout_for_fragment,
                            nightmodeFragment,
                            nightmodeFragment.getTag()
                    ).commit();
        } else if (id == R.id.nav_contact) {

            ContactUsFragment contactUsFragment = new ContactUsFragment();
            FragmentManager manager = getSupportFragmentManager();
            manager.beginTransaction()
                    .setCustomAnimations(R.anim.push_left_in, R.anim.push_left_out)
                    .replace(R.id.relativelayout_for_fragment,
                            contactUsFragment,
                            contactUsFragment.getTag()
                    ).commit();
        } else if (id == R.id.nav_termsandconditions) {

            TermsFragment blankFragment = new TermsFragment();
            FragmentManager manager = getSupportFragmentManager();
            manager.beginTransaction()
                    .setCustomAnimations(R.anim.push_left_in, R.anim.push_left_out)
                    .replace(R.id.relativelayout_for_fragment,
                            blankFragment,
                            blankFragment.getTag()
                    ).commit();

        }
        else if (id == R.id.nav_balans) {

            BalansFragment balansFragment = new BalansFragment();
            FragmentManager manager = getSupportFragmentManager();
            manager.beginTransaction()
                    .setCustomAnimations(R.anim.push_left_in, R.anim.push_left_out)
                    .replace(R.id.relativelayout_for_fragment,
                            balansFragment,
                            balansFragment.getTag()
                    ).commit();
        }
        else if (id == R.id.nav_review) {

            GoogleMapsFragment reviewFragment = new GoogleMapsFragment();
            FragmentManager manager = getSupportFragmentManager();
            manager.beginTransaction()
                    .setCustomAnimations(R.anim.push_left_in, R.anim.push_left_out)
                    .replace(R.id.relativelayout_for_fragment,
                            reviewFragment, reviewFragment.getTag()

                    ).commit();
        }

        else if (id == R.id.nav_goods) {

            LendGoodsFragment lendGoodsFragment = new LendGoodsFragment();
            FragmentManager manager = getSupportFragmentManager();
            manager.beginTransaction()
                    .setCustomAnimations(R.anim.push_left_in, R.anim.push_left_out)
                    .replace(R.id.relativelayout_for_fragment,
                            lendGoodsFragment,
                            lendGoodsFragment.getTag()
                    ).commit();
        }

        else if (id == R.id.nav_groups) {

            GroupsFragment groupsFragment = new GroupsFragment();
            FragmentManager manager = getSupportFragmentManager();
            manager.beginTransaction()
                    .setCustomAnimations(R.anim.push_left_in, R.anim.push_left_out)
                    .replace(R.id.relativelayout_for_fragment,
                            groupsFragment,
                            groupsFragment.getTag()
                    ).commit();
        }

        DrawerLayout drawer = (DrawerLayout) findViewById(R.id.drawer_layout);
        drawer.closeDrawer(GravityCompat.END);
        return true;
    }

    @Override
    public void onFragmentInteraction(String data) {
        Toast.makeText(this, data, Toast.LENGTH_SHORT).show();
    }

    @Override
    public void onPointerCaptureChanged(boolean hasCapture) {

    }

}

My fragment where I want to use Google maps:
package com.example.flow.displayClasses.WebscrapingScreens;

import android.os.Bundle;
import android.support.v4.app.Fragment;
import android.view.LayoutInflater;
import android.view.View;
import android.view.ViewGroup;

import com.example.flow.R;

import android.support.v4.app.FragmentActivity;
import android.os.Bundle;

import com.google.android.gms.maps.CameraUpdateFactory;
import com.google.android.gms.maps.GoogleMap;
import com.google.android.gms.maps.OnMapReadyCallback;
import com.google.android.gms.maps.SupportMapFragment;
import com.google.android.gms.maps.model.LatLng;
import com.google.android.gms.maps.model.MarkerOptions;

public class GoogleMapsFragment  extends FragmentActivity implements OnMapReadyCallback {

    private GoogleMap mMap;

    @Override
    protected void onCreate(Bundle savedInstanceState) {
        super.onCreate(savedInstanceState);
        setContentView(R.layout.fragment_mapsgoogle);
        // Obtain the SupportMapFragment and get notified when the map is ready to be used.
        SupportMapFragment mapFragment = (SupportMapFragment) getSupportFragmentManager()
                .findFragmentById(R.id.map);
        mapFragment.getMapAsync(this);
    }

    /**
     * Manipulates the map once available.
     * This callback is triggered when the map is ready to be used.
     * This is where we can add markers or lines, add listeners or move the camera. In this case,
     * we just add a marker near Sydney, Australia.
     * If Google Play services is not installed on the device, the user will be prompted to install
     * it inside the SupportMapFragment. This method will only be triggered once the user has
     * installed Google Play services and returned to the app.
     */
    @Override
    public void onMapReady(GoogleMap googleMap) {
        mMap = googleMap;

        // Add a marker in Sydney and move the camera
        LatLng sydney = new LatLng(-34, 151);
        mMap.addMarker(new MarkerOptions().position(sydney).title("Marker in Sydney"));
        mMap.moveCamera(CameraUpdateFactory.newLatLng(sydney));
    }

    // public GoogleMapsFragment() {
        // Required empty public constructor
    //}

/*
    @Override
    public View onCreateView(LayoutInflater inflater, ViewGroup container,
                             Bundle savedInstanceState) {
        // Inflate the layout for this fragment
        return inflater.inflate(R.layout.fragment_googleMaps, container, false);
    }*/

}

We are using fragments because we want a navigation bar on the bottom, but I was wondering if there is an easier way. This is the look we currently have and that we want but we are using fragments, is this the correct way?
the look of our app currently

A: You can replace fragment like this
public void replaceFragment(Fragment fragment, int containerId) {
        isReplaced = true;
        getSupportFragmentManager()
                .beginTransaction()
                .replace(containerId, fragment)
                .addToBackStack(null)
                .commitAllowingStateLoss();
    }


text:
Q: Nextdiscord.py queue gtts Error: ClientException("Already playing audio.") nextcord.errors.ClientException: Already playing audio It is a text-to-speech code, but when two people type two texts at the same time, it only plays the last text typed, skipping the first one:

Error: ClientException("Already playing audio.")
nextcord.errors.ClientException: Already playing audio.

bot =
commands.Bot(command_prefix = ",", intents=intents)

@bot.command(aliases = ["Join","J","j"], pass_context = True)
async def join(ctx):
    if (ctx.author.voice):
        channel = ctx.message.author.voice.channel
        voice = await channel.connect()
        source = FFmpegPCMAudio("Inicio.mp3")
        player = voice.play(source)
    else:
        await ctx.send("No estas en un canal de voz.")

@bot.command(aliases = ["L","l","Leave"], pass_context = True)
async def leave(ctx):
    if (ctx.voice_client):
        await ctx.guild.voice_client.disconnect()
        await ctx.send("He salido del chat de voz")
    else:
        await ctx.send("No estoy en ningun canal de voz")

@bot.command(aliases = ["Stop", "s","S"],pass_context = True)
async def stop(ctx):
    voice = nextcord.utils.get(bot.voice_clients,guild=ctx.guild)
    voice.stop()

@bot.command(aliases = ["t"])
async def T(ctx,*, text:str):
    speech = gTTS(text=text, lang="es-US", tld='com.mx', slow=False)
    speech.save("audio.mp3")

    voiceG = nextcord.utils.get(bot.voice_clients, guild=ctx.guild)
    if not voiceG:
        voiceG = await ctx.author.voice.channel.connect()
    voiceG.play(await nextcord.FFmpegOpusAudio.from_probe("audio.mp3", method="fallback"))

@bot.event
async def on_ready():
    print("Bot listo")

bot.run(TOKEN)


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text:
NewsOutliner
6.4 Magnitude Earthquake and Aftershocks Rattle Southern California
By Neha Boricha July 5, 2019
Credits: NBC News
On Thursday, Southern California was rocked by a 6.4-magnitude earthquake. As per the news reports, its epicenter was situated in an isolated region in the Mojave Desert. The earthquake hit between Las Vegas and Los Angeles.
According to the United States Geological Survey, it was one of the most powerful earthquakes. Moreover, the tremor has shaken Southern California almost after two decades.
Prelim M6.6 Earthquake Southern California Jul-04 17:33 UTC, updates https://t.co/U0QmdQsbaW
— USGS Big Quakes (@USGSBigQuakes) July 4, 2019
Was anyone injured after the earthquake?
The earthquake struck shortly after 1 p.m which caused dozens of aftershocks. Also, people were informed to evacuate their apartment buildings. Luckily, the authorities said in the news conference that nobody was seriously injured in the incident.
Credits: USA Today
David Witt who is the Kern County fire chief stated that they were getting emergency calls from Ridgecrest. It is a small desert city which has around 30,000 residents. Moreover, the place was extremely closer to the epicenter.
Emergency workers were sent to help the citizens
There were few injuries reported, downed power lines, a couple of house fires, and some gas leaks in the region. Furthermore, Chief Witt added that emergency workers from other fire departments were sent to Kern County to help the citizens.
6.4 earthquake hits Southern California. God punishes us for the cancellation of Mad magazine.
— John Carpenter (@TheHorrorMaster) July 4, 2019
Moreover, they had less manpower to help, but within 2 hours they got more workers to help during the emergency situation. The officials also evacuated Ridgecrest hospital and several apartment buildings.
1.9 magnitude #earthquake. 5 mi from Ridgecrest, #CA, ######################################################################################UnitedStates https://t.co/xa2hiJvtS9
— Southern CA Quakes (@quakesLA) July 5, 2019
Besides, people have opened temporary shelters at two locations which include Walmart in Ridgecrest. However, Alan Jones who is an employee with the Parks and Recreation Department stated that only a handful of people arrived at the location.
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Fortnite Season 9 Fireworks Location Walkthrough
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When beginning this book, I already knew that I would like it because quite a few of its poems, including the incomparable "Have You Met Miss Jones," were in a previous compilation of the poet's that I had read. Even so, the rest of the poems in this collection, if they do not quite reach the level of that poem, at least are close enough to it in quality that the book is an immensely worthwhile one in the Simic canon . That is not to say that these poems vary a great deal in terms of the themes that they deal with, as Simic is one of the more consistent writers around and his themes are pretty consistent. When you pick up one of his books of poetry, you know you are going to get mostly short poems of mostly dark subjects, mixed in with meditations on creation that often end up being less rhapsodic than the poetry one tends to get about such subjects, and that is what you get here. If the poems here tend towards reflections on fortune and misfortune of various kinds, they certainly move within the general vein of the author's poetic work as a whole.
Although this book is a collection of poetry under 100 pages and thus presents no difficulties to readers who are equipped to deal with poetry, unlike many of the works of the author, this one is not divided into parts, for whatever reason. The author reflects on pain and misfortune in clever ways, including by taking the point of view of an abused dog on a sagging porch looking for deliverance from a cruel master but being denied. One wonders if the author felt that way about his Lord and Master. Whether we are looking at roach motels or gypsy fortune tellers to the author's grandmother, the author keeps a consistently dark theme of misfortune here. Death, insomnia, late night phone calls and nightmares, and suffering all make up a large part of the Simic oeuvre and they find their way here as well as the author sorts out what it means to be alive in dark and evil ages, and what toll that takes on the sensitive and poetic spirit. Intriguingly enough, several of the poems reference pastors and clergy, which suggests that at least part of the author's misfortune and suffering is not being able to come up with a sufficient theodicy that would allow him to sleep better at night.
This is not an isolated problem. Theodicy is a serious problem and it is unsurprising that the author struggles with it to such a great degree. Many people do, after all, and the author's willingness to explore various strains of mysticism (more obvious in other books by the author than this one) as well as self-medication suggest that the problem is of the utmost seriousness for him. Not being able to comfort himself from his sorrows and memories and horrors with a benign view of divine providence, the author writes poetry that is reflective both of his struggle to find peace and of the reality of his feeling of being abandoned and left behind in a cruel world. These are consistent enough problems with the author that one is faced with the choice of being compassionate to a soul in obvious suffering or wishing that he would just move on and get over it already. While I have chosen the former solution instead of the latter, I can understand if some readers approach his work with a sense of exasperation that he plows the same ground over and over again and never appears to move on. Some of us are that way as writers.
This entry was posted in Book Reviews and tagged Charles Simic, divine providence, poetry. Bookmark the permalink.


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Hautelemode New Post On Tiktok About Miuccia Prada
Hautelemode new post on Tiktok about Miuccia prada fashion facts. Miuccia prada met her husband when he was selling knockoff prada bags.
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Recreating Zendaya $15000 Breastplate For $150
Hautelemode Post New video On Dior MEN'S FALL 2021 COLLECTION
Kamala Harris has become many firsts for the United States. First Female Vice President, first Black Vice President, first South-Asian Vice President, and now first Vice President to appear on the cover or covers of American Vogue. The covers have become quite controversial though, as it's been reported Anna Wintour & Vogue changed the intended cover the Harris' team expected. Twitter, Instagram, the Washington Post were alight with comments and opinions on the cover. I want to break down the covers, the designers involved, the history of FLOTUS on the cover, and how we shouldn't expect all that much fashion from Kamala just because she's a woman!
Darnell Jamal Lisby: https://www.instagram.com/darnelljamal
Robin Givhan's Washington Post article: https://www.washingtonpost.com/nation...
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Bridgerton is the hit Netflix TV show that follows the wealthy Bridgerton family through Regency England! The show was directed by Shonda Rhimes and chases around the Bridgertons, the Featheringtons, Queen Charlotte, the Duke of Hastings, & Lady Danbury as they romance and intertwine their lives, and as far as the show goes I had a good time watching it.
I liked it so much that I started to make a video about the show, but realized that the show is nowhere near historically accurate when it comes to its garments! But luckily, I found that the showrunners and costume designer had no desire to make the show historically accurate, which made it a really fun mishmash of styles and references that were diverse and cool to explore! So let's talk about Daphne, the Duke, Anthony, Penelope, Marina, Lady Featherthington, Lady Bridgerton, Queen Charlotte, Lady Danbury & more in this exploration of the show!
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Scooper - Technology News: What are Europe's top tourist destinations?
The data, released by Eurostat , seems to reflect that the strong investment made by European countries in travel and tourism has paid off in terms of visitor numbers.
Next on the list is France, with 413 million tourism nights, Italy (385) and Germany (379). This closely reflects the results of the 2015 Travel and Tourism Competitiveness Report , where Spain also ranked number one worldwide, followed by France and Germany. Italy ranked 8th. The United Kingdom and Switzerland, which were not included in Eurostat's report, also made the top 10.


Doha, Qatar: Qatar's Abdulla Al Khelaifi celebrated his third straight Qatar Touring Car Championship (QTCC) title in style by winning both races in the final round of the series at the Losail International Circuit on Saturday.
Al Khelaifi had already secured the title in the penultimate round, so with no pressure, his goal was to win both races to have a perfect score and he finished the season with 160 points in the final standings.
However, the fight was on for the second position, with Mohamad Al Khaiat, Ghanim Al Maadheed, Hamad Al Sulaiti and Hamad Al Asam for the runner-up in the championship going into the final round.
In the first race, Ghanim Al Maadheed took second followed by Hamad Al Asam.
'It was a really good round for me. I had some small issues but I managed to solve them really quickly, no major issues and I finished first in the first race with that technical issue' said Al Khalaifi after the first race.
With the reverse grid in the second race, Al Asam finished second and Al Maadheed third.
'Second race was smooth, I tried not to push in the beginning to stay out of trouble and leave the guys having their fight for the second place. Once the fight in front was almost over and it was safe for me to pass them I overtook them one by one until I managed the lead until the end of the race' added Al Khelaifi.
With two podium finishes, Ghanim Al Maadeed secured the second place with 89 points and Mohamad Al Khaiat came third with 77 points. Hamad Al Asam, with 68 points, was fourth.
"This season was a very competitive and winning all the races doesn't mean that it was easy for me. I had a really good fight with many drivers but the issue with them was the lack of consistency so I encourage them to participate throughout all the season to get better results and try to be more reliable with the cars as this is the key for winning championships," said Al Khelaifi.
QMMF President Abdulrahman Al Mannai, and LCSC Vice President and General Manager Khalid Al Remaihi presented the trophies to the winners.


IN 2008, then-candidate Barack Obama was lambasted for supposedly endorsing policies of wealth redistribution. The right feared that under an Obama presidency, Washington would use federal power to take money from some Americans and give it to others. Yet, only a few years later, the most explicit examples of such redistribution are happening in the states, and often at the urging of Republicans.
The most illustrative example began in 2012, when Kansas' Republican Gov. Sam Brownback signed a landmark bill that delivered big tax cuts to high-income earners and businesses. Less than two years after that tax cut, the state's income tax revenues plummeted by a quarter-billion dollars — and now Brownback is pushing to use money for public employees' pensions to cover the state's ensuing budget shortfalls.
Brownback's proposal: Slash the state's required pension contribution by $40 million to balance the state budget, even though Kansas already has one of the worst-funded pension systems in the nation.
Brownback defended his proposal to take money from middle-class state workers and use it to finance his tax cuts for the wealthy. Brownback is not alone.
He joins fellow Republican Gov. Chris Christie in coupling large tax breaks with cuts to actuarially required pension payments.
In New Jersey, Christie slashed required pension payments while signing legislation expanding tax credits to corporations, and doling out a record amount of taxpayer subsidies to businesses.
Many of those subsidies have flowed to firms whose executives have made campaign contributions to Republican political organizations.
THE OBVIOUS question raised by these episodes is: Where is the outrage?
These attempts to use workers' money to finance massive giveaways to the rich have generated little media coverage or political opposition — and certainly less than the full-fledged frenzy that took place when Obama made his "spread the wealth" comment a few years ago.
The tepid response to this wealth transfer suggests that for all the angry rhetoric about redistribution you might hear on talk radio, cable TV and in the halls of Congress, the political and media class is perfectly fine with redistribution — as long as the cash flows from the 99% to the 1%, and not the other way around.


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Celsi: Goofy bills take aim at tenure, K-12 administration
State Sen. Claire Celsi represents Distrcit 21, which includes portions of Des Moines' south and west sides, West Des Moines and Cumming.
Celsi: Goofy bills take aim at tenure, K-12 administration State Sen. Claire Celsi represents Distrcit 21, which includes portions of Des Moines' south and west sides, West Des Moines and Cumming. Check out this story on desmoinesregister.com: https://www.desmoinesregister.com/story/opinion/2019/02/01/claire-celsi-iowa-senate-goofy-bills-take-aim-education-university-tenure-bill-zaun-administration/2746034002/
Sen. Claire Celsi, Senate District 21 Published 2:41 p.m. CT Feb. 1, 2019
This week, I am focused on my work in the education committee, specifically combating some of the really bad ideas that are coming out of education subcommittees.
My Senate colleague Brad Zaun, R-Urbandale, has introduced two pieces of legislation that could potentially have devastating consequences for both K-12 and the Regents universities if passed in the Legislature.
After a bill is written, it must past a subcommittee and then a standing committee and then the Senate votes on it — if the leaders of the Senate allow it to be debated. This is a vetting process that used to prevent some of the worst pieces of legislation from being seriously considered. A former senator once told me that there used to be a metaphorical "Bad Bill Drawer" where all goofy bills would land. Now, those bills are getting a committee hearing.
Claire A. Celsi (Photo: Special to the Register)
The goofiest bill of all is a Zaun bill designed to end tenure at the Regents universities. Tenure is a status obtained by professors after many years of educational attainment, research in their field of expertise and hard work. It is ubiquitous throughout academia — all states offer some full-time professors tenure and it is one of the ways to attract and retain the best professors to our universities.
If Zaun's bill passes, Iowa would be the only state in the union that does not offer its professors tenure. We would essentially become far less attractive as a destination for prospective professors and we'd also lose many of the best professors we have. It's already a very competitive environment. We are already having trouble attracting and keeping our best and brightest. Iowa's salaries in higher education are not as competitive as some of our most comparable peer universities.
Tenure is not a blanket granting of job security or immunity from termination. In order to earn tenure, faculty go through a rigorous six-year probationary period when they can be dismissed for a broad range of reasons. If they do earn tenure, faculty can still be dismissed for just cause, program termination or other reasons.
When a tenured research professor leaves their job, they not only move their whole family out of the state, they take the research grant dollars and staff working on their projects with them. This can be a loss of millions of dollars for a university in one fell swoop.
This is the second year in a row that Senator Zaun has proposed this bill. According to our sources within human resources at our state universities, this has already had a chilling effect on recruitment for some of the most critical positions we're trying to fill. What professor wants to go through the entire hiring process with an Iowa institution of higher learning only to get the rug pulled out from under them a couple of years later?
The other bad bill Zaun proposed has to do with lowering administrative costs in K-12 school districts. Sounds great, right? He wants to force local school districts to limit administrative costs to no more than 5 percent per year.
Do I think that some districts can perhaps reduce the administrative costs incurred? Heck yes! I think the mess in the Waukee school district clearly illustrates the need for more oversight from the school board and the community.
Do I think that local school boards need to be micromanaged, especially with an unrealistic and random state pronouncement? Absolutely not.
One job I take very seriously is communicating my thoughts about legislation coming through our committees. These two bills passed easily out of the subcommittee process. That makes me very uncomfortable, so I am raising the alarm. The public should immediately email the members of the Senate Education Committee to put a stop to this crazy train. The committee members' names and email addresses can be found here: https://bit.ly/2UtiPMH.
STATE SEN.CLAIRE CELSI, D-West Des Moines, represents District 21, which includes portions of Des Moines' south and west sides, West Des Moines and Cumming. She can be reached at 515-281-3371 or claire.celsi@legis.iowa.gov.
Read or Share this story: https://www.desmoinesregister.com/story/opinion/2019/02/01/claire-celsi-iowa-senate-goofy-bills-take-aim-education-university-tenure-bill-zaun-administration/2746034002/
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New Economy looks at the nature of artistic practice in today's global information economy, defined by an emphasis on immaterial and knowledge-based production. In addressing notions of artistic labor in the postindustrial economic order, the exhibition also focuses on artists dealing with the social conditions and redefinitions of work implicit in a post-Fordist economy.
The term "New Economy" entered into circulation in the 1990s to define a knowledge-based form of late capitalism, heralding the productive power of information and communication technology as the engine of global markets. The "informatisation" of production served as a catalyst for a flexible economic model favoring ideas, services, and sociability over inert commodities and industrial labor. As capital seemingly dematerialized—with knowledge workers, information, and communication at its center—industrial economies looked to downsizing, outsourcing, and structural underemployment, resulting in a correlative "remapping" of labor.
Yet if the information-based model of postindustrial society values communication, creativity, and social relationships, what is the role of artistic practice in this political economy? Do artists function as migrant laborers, moving from biennial to biennial producing a form of "artisanalized" information? Is studio practice a localized form of resistance to immaterial production? Is there any political agency in artists being positioned directly in contrast to the marginal elements of the body politic, afforded rights, such as that of circulation, denied to other political subjects?
New Economy takes these concerns as reflected in the artistic practice of the previous decade. Whether in reassessing the value of industrial production, disrupting established economic patterns and proposing alternatives, emphasizing both the pre-industrial and informational quality of artistic labor, embracing mobility as socially progressive through the transnational character of post-studio work, revealing the disparities of our supposed "frictionless" economy, or highlighting the commodification of social relationships over democratic processes, the artists in New Economy reflect the complex character of post-Fordist society.
Reading Capital, 2005, video, color, 10 minutes. Courtesy of Charim Galerie, Vienna.
Installation view from New Economy, Artists Space, 2007.
Alternative Economies, Alternative Societies, 2007, vinyl banner, Courtesy of the artist.
Day to Day, 2006, nine photographs with text, Courtesy Galería Comercial, San Juan, Puerto Rico.
Hallal Sweatshop, 2007, site-specific installation.
Courtesy of the artist and Galerie Christian Nagel, Berlin.
My Cola LITE, 2007, Water fountain with cola, Courtesy of Maccarone, New York.
Still Life with Lemon Wedge, both 2007, Wood, glue, latex paint, courtesy of the artist.
Entrance of the Main Space from New Economy, Artists Space, 2007.
Writing Desire, 2000, video, color, 23 minutes, courtesy of the artist.


How can I ensure a user only sees their own records?
DayBack respects the access rules you've set up in your original source (Salesforce, Google, etc,). So if a user is unable to see or edit an item in your origin app, they'll be unable to see or edit the item in DayBack.
You can easily restrict the events a user is able to see using FileMaker's built-in Access Privileges to create rules as to which records a logged in user can see.
If you haven't worked with FileMaker's Access Privileges before, take a moment and read the overview in FileMaker's built-in help, check out Contents > Protecting databases with accounts and privilege sets > Creating and managing privilege sets > Editing record access privileges.
For more information about limiting which records a user can see, continue to the "Editing record access privileges" page: you're interested in the "Limited" option under number 4.
Make sure this calc is set to evaluate from the context of the same table occurrence used for your Source No 1 layout. So there are a couple things to note about this calc. The first is that it just returns a 1 or 0; a 1 if the Account Name is one of the names of the users linked to the appointment, a 0 if it is not. That is how all your access privileges calcs should be written: to return a 1 (ie. be true) if the user can see, edit, etc. the record. The second thing to note is that we don't use the = sign. This is because an appointment can have more than one user, so its user will never be equal to any one user. Instead, we use FilterValues to see if the Account Name "is a member" of the users on the appointment.
2. The second approach is to create your own field in a users table to match the account name; you'd essentially be recording the account name in FileMaker. Do not, of course, record the user's password in FileMaker as that would not be very secure.
Note that if your username is not indexed in the events table this calc can really slow the solution down as FileMaker looks at some related information for each event it is trying to display.
Now, of course, you may want to have some users that can see everyone's appointments: you don't have to mess with the calc above to do this, simply assign these power users to a different privilege set that doesn't limit the appointments they can view at all.
Note that we're still talking about the user's FileMaker account name, not their DayBack username which is often their email address. You can map DayBack usernames to real FileMaker accounts in the PHP relay file on your FileMaker Server.


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About Petipa
Petipa's Ballets
Petipa's Revivals
Petipa's Colleagues
Petipa's Dancers
The Sergeyev Collection
Writings on Petipa
Bibliography and Sources
The Marius Petipa Society
Maria Surovshchikova-Petipa
Maria Sergeyevna Surovshchikova was a Prima Ballerina of the Imperial Ballet and the first wife of Petipa. She was born on the 27th February 1836 in Saint Petersburg. The illegitimate daughter of a milliner, she studied at the Imperial Ballet School, graduated in 1854 and was accepted into the Imperial Ballet. That same year, she married Petipa, who was Premier Danseur of the Imperial Theatres at the time, and took the name Surovshchikova-Petipa.
Maria Surovshchikova-Petipa (ca. 1854)
A woman of great beauty, svelte and slender, with slim ankles and arrow-like pointes, she had little in common with the typical buxom, sturdy ballerinas of the 1860s. She had an extraordinary flair for mime and demi-caractère dancing, which enabled her to shine in a variety of roles in spite of the fragility that prevented her from mastering spectacular tours de force. In his memoirs, Petipa describes her as "a very graceful dancer, whose figure equalled that of Venus."
Mme. Surovshchikova-Petipa became Prima Ballerina of the Imperial Ballet and it was for her that Petipa created the majority of his Russian ballets between the 1850s and 1860s. These ballets included Le Marché de parisien (1859), The Blue Dahlia (1860), The Beauty of Lebanon, or The Mountain Spirit (1863), Titania (1866) and Florida (1866). By the 1860s, Mme. Surovshchikova-Petipa was one of the most popular ballerinas in Saint Petersburg, becoming a rival of her colleague and fellow Prima Ballerina Marfa Muravieva.
Maria Suroshchikova-Petipa's dancing shoe on display as part of the Petipa Exhibition at the Theatre Museum, Saint Petersburg (2018)
Petipa and Mme. Surovshchikova-Petipa had two children together: the celebrated danseuse Marie Mariusovna Petipa and a son, Jean Mariusovich Petipa, who tragically died at the age of 12. After twenty-one years of marriage, the couple separated in 1875, but remained on speaking terms and Petipa married his second wife the following year.
Maria Surovshchikova-Petipa died of smallpox on the 16th March 1882 in the city of Pyatigorsk, aged 46.
Maria Surovshchikova-Petipa's Imperial Ballet repertoire
The Rose in La Rose, la Violette et le Papillon (1857)
Lizetta in Le Marché de parisien (1859)
The Blue Dahlia in The Blue Dahlia (1860)
Terpsichore in Terpsichore (1861)
Princess Aspicia in The Pharaoh's Daughter (*1862)
Medora in Le Corsaire (*1863)
Mirana in The Beauty of Lebanon, or The Mountain Spirit (1863)
Alma in The Travelling Dancer (1865)
Florida in Florida (1866)
Titania in Titania (1866)
Marguerite in Faust (*1867)
(* – original cast member of role in revival)
Petipa, Marius, Russian Ballet Master: The Memoirs of Marius Petipa. Translated ed. by Helen Whittaker, introduction and edited by Lillian Moore. London, UK: Dance Books Ltd (1958)
Follow The Marius Petipa Society on WordPress.com
Archives Select Month December 2018 August 2018 June 2018 March 2018 June 2017 May 2017 September 2016


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Maddie Taylor
Maddie Taylorlaura2020-02-25T09:21:58-05:00
I'm a 22 year old from Wells, Maine, and I am so proud to be a member of Herren Project's 2020 Boston Marathon team! I was inspired to join the Herren Project team because of my love for running and my passion for mental health advocacy.
I recently graduated from Colby College, and throughout my 4 years there, I picked up distance running as a hobby and also became highly involved in working to destigmatize mental health on campus. As a member of student government and as president of a club called Active Minds, I worked to advocate for better mental health education and support on campus. As part of those efforts, my peers and I were lucky enough to bring Chris Herren, founder of Herren Project, to speak on his experience with substance use and mental health more broadly. Chris was hugely impactful and a great inspiration to me and the Colby community more broadly.
Soon after Chris spoke on campus, I graduated and began to seek out ways to continue being involved in mental health and substance use advocacy. I realized that running the Boston Marathon for Herren Project would be an incredibly unique way to continue pursuing both my love for running and my passion for mental health and substance use advocacy. I feel so honored to be a part of Team Herren Project. It's amazing to see what this group has already achieved, and I can't wait for April!
Donate toward Maddie's Boston Marathon 2020 campaign
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