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9 Best Android Phones For The Money 2019 [Camera & Gaming]
After several hours of research, I finally made my selection of the 9 best Android phones for the money from more than twenty models currently available.
My favorite is the OnePlus 6T which offers, in my opinion, a high-end device performance for a mid-range price, a value for money that will be difficult to beat.
No matter what your search for if you are looking for Best Android phones for camera in 2019 or Best Android phones for gaming then this article will come handy.
The Best Cheap Android Smartphones
1. Honor 8X: The Best Cheap Android Phone
The best mid-range Android smartphones
2. OnePlus 6T: The Best Mid-Range
3. LG G7 ThinQ: Almost as good as high end
4. Honor 10: For Good Photos
5. Sony Xperia XZ2 Compact: Finally a good Sony smartphone for money!
The Best High-End Android Smartphones
6. Huawei P20 Pro: The Best Android Phone for Gaming
7. Samsung Galaxy S9+: An Excellent Performance
8. Sony Xperia XZ3: Excellent photo in low light
9. Asus ROG Phone: Designed for gamers
How to choose your best Android phone for money?
The software
The Moment To Make Your Purchase
The Best Version Of Android
This device may not be too expensive, it is nonetheless a quality product. If you want a good quality of the photo by cons, it will be better to review your budget upward.
After the Honor 7X, Honor launches Honor 8X, the latest in the $ 200 mobile segment of Honor, Huawei's sister brand.
The design of this one follows current fashion with a massive 6.5-inch screen surmounted by a notch that contains a photosensor as well as a speaker.
Seen from the front, he will not be without reminding us of his cousin Honor Play. From behind, the smartphone stands out with a glass plate with two shades of blue, giving a sleek and elegant appearance to the device.
The finishes are of excellent quality. In short, aesthetically, it is very pleasing to the eye. Note that despite a screen occupying 84% of the front, the phone is very large, which makes it difficult to handle with one hand.
Level ergonomics, the phone is doing a little less well, with a fingerprint reader that is slightly too high. Same thing for the volume buttons that are placed too high.
You will need stretch fingers. Well, no need to be Dhalsim either with stretch fingers, but these features do not fall under the finger, which is a shame.
Level facial recognition, the phone is doing well but takes a good second to operate.
Despite the glass shell of the device, it is not compatible with wireless charging. In addition, it has a micro USB and not USB-C, which is a bit surprising for a smartphone as recent. This will probably repel some, although for my part I do not find it so serious.
Let's see the display a little closer. The only problem is that some colors exceed level 5 which can make the display a little fanciful and it is seen especially in the photos.
The contrast of the device is a bit weak for a smartphone of 2018 (only 1100: 1), but the brightness is quite correct and can read the screen of this smartphone in all circumstances. There is also a very high level of reflectance, which contributes a little more to good readability.
The smartphone is not too bad at the level of the tactile delay and the remanence, with 94 ms of tactile delay and 13 ms for the remanence. In summary, at the level of the slab, the screen is of excellent quality, only the colors in a little bit.
Featuring a Kirin 710 chip with 4 GB of RAM, this device is able to juggle between different applications without problems and shows no sign of lag.
By cons level game, it will sometimes make some concessions in terms of graphics.
Another appreciable point, the Honor 8X only heats very little, with a temperature that never exceeds 37 degrees, even after long sessions of photos or games.
Let's see the sound of the device. The headphone output of the Honor 8X is a bit feeble but it is the only real defect of it. The crosstalk, dynamics, and distortion are of good quality. Note that it is better to use the "standard" profile.
The speaker does a pretty good job, with a sound sometimes can be a little too light but still restores the sound fairly complete.
Not surprisingly, it is at the level of the photo that the sacrifices were made. Even with two sensors, the Honor 8X does not really hold the distance.
At the level of the details, the rendering is rather correct, it is at the level of the colors that the problems begin. The contrast and the sharpness are of poor quality so that the photos are not living enough.
At the level of the night photos, Honor has taken the party to accentuate the smoothing to remove the electronic noise but the result is not terrible because it crushes full details. The portrait mode is adorned with a smoothing too accentuated even without fashion beauty.
It is at the level of battery life that this device is doing best, with two-day battery life in moderate use! It is thus among the best in its category.
Level recharge, it will take about two hours to recharge the phone to 100%.
Let's see the OS now. It is adorned with the traditional overlay EMUI Honor. It offers an arrangement to the iOS, but it is possible to return to an experience similar to that of a pure Android by taking a tour in the settings.
We deplore the pre-installation of a dozen applications that are not all essential. Fortunately, it is easy to uninstall them.
Fluid experience
These mid-range devices offer outstanding performance and some could almost be considered high-end despite their lower price.
Compared to other smartphones in this comparison, this OnePlus 6T has an excellent fingerprint recognition system. This one is included in the display of the device and reacts to the finger and the eye (or rather the finger in the present case hehehe).
Level design, the 6T offers an elegant appearance, with a notch shaped tear.
Although OnePlus finally decided to use the glass for this 6T and fired the jack for headphones, the company still decided not to set up a wireless charger. Strange.
The display of this device is of excellent quality and rivals even with smartphones that are twice its price. Its large AMOLED panel (2340 x 1080) is slightly larger than the One Plus 6, but the most notable difference is the notch that is less intrusive.
Its OLED display is of excellent quality. It is not exactly as good as the Galaxy Note 9 for example, but for this price, the display is absolutely excellent.
But now let's talk about the photo of this smartphone. It offers a dual-focus camera with a 16 MP and 20 MP lens and a 20 MP front lens.
A brand new Night Mode has been included, which allows you to capture more detail in low light places. Unfortunately, this one does not always work wonders and the photos sometimes end up with too much grain. Night mode is not really useful.
In the light of the day, the colors offered by the 6T are realistic at will. Level Portrait, this smartphone does not fare too badly, but still tends to over-smooth the details.
The 6T has 8 GB of RAM and a Snapdragon 845, allowing it to offer performance worthy of a Galaxy Note 9 for example, as well as it can run anything without problems!
At the OS, we are in the presence of an OxygenOS overlay of Android that has more than one trick in his bag. One of its advantages, Smart Boost, allows this smartphone to start much faster than its predecessor. The OS has two navigation modes, which can be changed in the settings.
Gaming level, this device is a war machine that beats even phones like the iPhone XR or the Pixel 3 XL! It's quite impressive when you see the difference in price between these devices!
The battery life of this smartphone is also first class, it can last almost 20 hours without charge with moderate use. The charge is also in the game with the "Dash Charge" system which is incredibly fast, allowing you to charge your OnePlus from 0 to 60 percent in just 30 minutes!
The value for money of this device is simply crazy and it rivals much more expensive models! If you are looking for a photo smartphone that is ok at a reasonable price with many other tricks in your bag, look no further!
Incredible price for such a performance
Excellent for gaming
Best Andriod phone for the camera
Night mode unconvincing
The LG G7 ThinQ is a device that is a bit of a break with older LG devices by offering a more classic design and closer to the competition. Thus, the ignition button is no longer on the back.
But it's for the better, because the volume buttons, ignition and the one dedicated to Google Assistant fall naturally under the fingers. The impression sensor is also fast and efficient, so it is faultless in terms of ergonomics!
The finishes are excellent and worthy of a high-end smartphone. I like the glass back, even though it tends to be a fingerprint factory. The front panel contains a notch screen that occupies 82% of the device. It is possible to configure the screen so that it does not display a notch which will please the "nuggets".
The size of the screen makes one-handed use of this phone impossible, despite a great job of optimizing the front panel. We also appreciate the waterproofness of the smartphone (waterproof for 30 minutes to 1 meter deep) and the fact that we can insert a microSD card. Charging is via USB-C.
But let's see the display now. This one is a little disappointing. We are in the presence of an IPS panel with a lot of display adjustment options, but unfortunately, none of them gives the possibility to lower the E delta below 3 which is, remember, the threshold under which the human eye no longer perceives colorimetric drifts.
It is at the level of readability that the camera is better thanks to an extremely high maximum brightness that will read the screen without problems even in direct sunlight. The contrast and the reflectance disappoint a little with rates respectively at 1700: 1 and 13%.
The IPS panel offers a definition of 3120 x 1440 px and restores a clear and precise image. In addition, it displays only 81ms of touch delay and 14ms of remanence.
The smartphone has a Snapdragon 845 and 4GB of RAM that can run everything without slowing down, even when it comes to 3D games or heavy applications.
It is also appreciated that the device hardly heats up, even when it is roughly tested with a temperature never exceeding 38 degrees.
The headphone output of the LG G7 is missing a 10 out of 10 because of its power that leaves something to be desired and that's a shame because apart from that, the sound reproduction is absolutely excellent!
The speaker offers a fairly complete sound and pretty much all the sound spectrum. High-pitched sounds are sometimes a bit too aggressive, but not enough to panic.
At the photo level, this smartphone is a bit below its predecessor.
Guilty party? The photo processing that has too heavy hand especially on the smoothing, which becomes a habit with some manufacturers who do not seem to understand that this mania of smoothing reduces the quality of photos.
And it's a shame because the photo itself is of good quality.
The night photos are also a little disappointing and it is still the fault of the smoothing that crushes a little too much detail. Well, the result is not catastrophic either, but it remains below a lot of competitors.
The photo application is very complete with many options including the ability to shoot videos in HDR or with some predefined calibrations.
The battery life of this phone is a bit feeble and can only hold about a day and a half with moderate use. In terms of recharge, it lasts a little less than two hours, which is average.
In terms of the interface, we find the usual overlay of LG, which is inspired somewhat by the iOS. Android purists can find their favorite OS by searching through the phone's settings. New users should not be too lost to this interface.
Some applications are preinstalled on the device and we regret the fact that we cannot uninstall McAfee for the benefit of another antivirus.
Flawless finishes
Best audio quality
The quality of the photos leaves something to be desired
Honor 10 has a nice screen occupancy of about 80%. The design of the device is very nice with its elegant glass shell, but unfortunately, it also means that it catches fingerprints.
The edges of this smartphone are slightly curved to offer the device an excellent grip. If the design itself is not revolutionary, the finishes are excellent.
Unlike other devices in this comparison, Honor 10 has its fingerprint reader on the front. The mechanism is responsive and effective.
Small shadows on the board: no seal certification which is strange for a high-end device and especially this one, does not have a microSD port, which is unforgivable in the current Android universe. Users wanting more than 64GB will have to shell out more to buy the 128GB model …
Despite its upscale positioning, Honor decided to opt for an IPS and not Oled screen. This has some technical limitations, but the brand has really paid attention to the quality of its screen. The colorimetry, in particular, is excellent as soon as one opts for the right screen profile.
Level readability, things are going well. The maximum brightness allows to see clearly even in full sun and the minimum allows you to read without hurting your eyes at night. The only slightly disappointing point is the contrast, but it's really looking for the little beast.
Level of responsiveness of the screen, this Honor 10 is one of the good students. The Full HD + definition of the 5.8-inch screen is largely sufficient for 90% of uses and allows a clean display.
Configuration level, this device is equipped with the chip Kirin 970, accompanied by 4 GB of RAM. Android has no trouble turning on the machine and all applications run at a fast speed.
Nothing to report looking at the temperature. And this after a long game session or photo and video captures. No overheating is to be deplored.
Gaming level, this phone has no problem running any game on the Play Store even with the maximum graphics options.
The camera sins a little about sound quality. Indeed, even if the rendering is rather clean thanks to a broad dynamic, the mobile still lacks power.
It will be necessary to bring you a suitable helmet if you want to enjoy a sound experience worthy of the name. By cons, the bass is correct with the speaker, which is rare enough to be clarified.
For photos, this camera is doing pretty well. In daylight the photos are nickel and the details stand out very well with minimal degradation on the corners of the stage.
At night, smoothing is well thought out and manages to erase the digital noise, but it also drools a few textures.
About battery life, Honor 10 is doing very well. The smartphone is about two days in moderate use. In addition, it only takes 2 hours to recharge.
The phone is managed by the Android 8.1 system supported by Huawei's own EMUI overlay.
All in all, for all this, is an excellent high-end device at a price that is very reasonable for the material of this quality.
Quality photos
High Battery Life
Sound system a little weak
Sony's Compact range is, as its name suggests, a range of smartphones that make it a point of honor not to be too big and therefore to be used with one hand.
The screen of the XZ2 Compact reaches the bar of 5 inches but remains much smaller than most of the competition.
In terms of design, the Xperia XZ2 adopts a curvaceous aspect and switches to a screen at 18: 9 which occupies 74% of the front of the smartphone (his big brother only occupied 70%).
It is far from more than 80% of the competition, but with a screen of this size, the device is easily manipulated with one hand. The back of the device is curved to perfectly fit the hand when held.
The Xperia XZ2 Compact is rather heavy for a smartphone of this size (168 g). To the touch, it gives a feeling of robustness.
The back of the camera is frosted glass, which gives it a rather elegant appearance. We appreciate the fact that unlike the competition, this back is not a fingerprint retention factory. Finally, the device is waterproof, which is always welcome (resists immersion up to 1.30 m for 30 minutes).
The fingerprint reader is on the back of the device. It works very well, but it is a bit too low. This can also be blamed on the unlock button that is located on the right edge of the device.
The XZ2 Compact features an IPS panel that measures 5 inches diagonally and offers Full HD + definition (2160 x 1080 px). The resolution is better than that of its predecessor from 319 to 482 dpi.
The contrast ratio is 1146: 1, LCD requires. The camera is perfectly legible in bright sunlight with excellent brightness and a light reflection rate of only 7%.
By rummaging a little in the parameters we can obtain an excellent colorimetry with an E delta of 2.4 and a color temperature of 6451 K which are excellent results. In terms of the responsiveness of this device, the results are average with a touch delay of 91 ms and persistence of 16 ms.
The smartphone has a chip Snapdragon 845 and 4 GB of RAM which offers excellent performance. No slowdown or lag is regrettable. In addition, it heats little, displaying a maximum temperature of 37.7 degrees and cools very quickly once the task is over.
But that's not all, this device also has an Adreno 630 graphics chip that allows you to run the most resource-intensive 3D games without slowing down or compromising graphics.
This device has abandoned the 3.5mm jack for headphones in favor of a USB-C adapter. The performance is average. The delivered power is rather correct but will remain insufficient for the owners of helmets very greedy in energy
More surprisingly, the smartphone offers stereo speakers in front despite its small size. The duo is quite powerful and can turn up the volume to an appreciable level.
The highs are however a bit aggressive if you increase a little too much volume. It should be noted that these speakers are especially suitable for watching movies and other videos rather than listening to music.
At the photo, this smartphone is doing very well by shipping only one sensor module. It produces very detailed pictures and with correct exposure.
We can just blame him for a slight tendency to accentuation that makes a little nature to the clichés.
The XZ2 Compact is doing just fine in dark conditions. He manages to reproduce a large amount of detail without this damn smoothing comes to scramble everything. The electronic noise remains, but it is not very annoying.
It is a less good level front camera, it displays photos that lack detail even without activating image processing smoothing.
In terms of battery life, this device remains below the competition with a range of a day and a half in standard use.
On the OS, the device comes with Android 8.0 Oreo with the overlay of Sony. The interface is very close to a pure Android and regulars will not be disoriented. By cons what is more boring, it's the slew of applications are all uselessly installed automatically, especially the painful AVG antivirus that cannot be uninstalled!
Good photos
Well calibrated screen
Battery leaves something to be desired
These phones are more expensive but it's for a good reason. Their performances are top level and will satisfy the majority of users.
The Huawei P20 Pro is the new flagship of the smartphone range of the Chinese brand.
Level design, the P20 has a screen with a notch, which is always a cleavage point among smartphone enthusiasts. It remains much smaller than that of an iPhone X.
In addition, the P20 is doing very well by distributing on either side the notification icons, networks or battery. If you are "notchy" you can always make it disappear by disabling the areas of the screen on each side.
The space under the screen is optimized to integrate the fingerprint reader. It is always accessible and falls under the thumb without problems to unlock the P20 Pro at full speed.
The finishes are good and the P20 looks very elegant, with a metal surround and a glass back. Yes, it involves the retention of fingerprints.
Finally, the P20 is waterproof and IP67 certified (resistant to dust and water up to 1 m for 30 min). This is a point that has become unavoidable on high-end smartphones.
By cons, it is a pity that this smartphone does not include a microSD port, despite the amount of internal memory more than comfortable (128 GB). The headphone jack also disappears in favor of a USB-C adapter.
The smartphone has an Oled panel, which implies a level of almost infinite contrast. The maximum brightness is more than honest and can read the P20 even under the sun, let alone with a light reflection rate of only 8%. In the dark, things also go well, the brightness can go down to an acceptable level for the retina.
Level colorimetry, I recommend switching to "normal colors" mode which offers the best rendering with a delta E at 1.6. An interesting mode has been added, called "Natural Colors", which adjusts the color temperature according to the light environment.
Level of tactile delay, the P20 is doing very well with a touch delay of only 69 ms.
This smartphone ships the Kirin 970 SoC processor and comes with 6 GB of RAM, which allows it to run everything you need, as it should, without slowing down.
On the other hand, the phone sinks a bit at the temperature. The P20 heats a little when it is subjected to heavy tasks. It can reach up to 40 degrees at the front and 38 degrees at the back. Fortunately, these temperatures come down very quickly. graphics chip which is one of the most powerful on the market. In other words, you can run any video game without problems.
The headphone output lacks power but shines by its lack of distortion. Both speakers offer correct stereo with comfortable power. By cons, there is a bit of distortion when pushing the volume in its last entrenchments.
But what about the photo? In low light, Huawei finally gets good results. It's not the top of the basket, but it's more than honest.
The P20 has 3 photo modules on the back, a main with 40 Mpx sensor, a monochrome sensor module of 20 Mpx and finally an 8 Mpx sensor with an equivalent 80 mm lens. The P20 is doing very well with these and offers one of the best performance of the market in terms of a telephoto lens on a smartphone!
For video, the P20 can go up to a UHD definition (3840 x 2160 px) at 30 fps. However, the Full HD mode is the one that passes best in all conditions.
An idle mode also allows you to shoot in HD. Be careful however this feature is only viable in excellent light conditions.
Range battery life, the P20 is doing very well with the possibility of holding two days of standard use.
Regarding the OS, we are served with an Android 8.0 Oreo equipped with the overlay house EMUI 8. Navigation logic remains about the same as a traditional Android.
One of the only big differences is the lack of a default application menu.
Oled screen of good quality
No microSD port
The Galaxy S9 + is the update of the Galaxy S8 +, the high-end model of last year.
Let's first look at the design and ergonomics of this device. With a 6.2-inch screen, it will, of course, be reserved for lovers of large devices.
There is a glass back with metal slices and an 18.5: 9 screen that occupies a little over 84% of the front panel. In addition, it is waterproof certified, has a USB-C port and supports wireless charging.
Samsung has learned from its past mistakes and has finally placed the fingerprint reader in a more accessible place. And that's a good thing because the "smart recognition" system (iris + face) still leaves something to be desired.
This S9 + offers an excellent rendering in terms of color fidelity and offers an almost perfect color temperature.
Side readability no problem either. The brightness is sufficient to read under the sun and can reach a low enough level to read in the dark without damaging the eyes. The glare ratio is also very low with a rate of only 6%.
The Galaxy S9 + ships a Soc Exynos 9810 processor supported by 6 GB of RAM. These, of course, provide a more than satisfactory performance regardless of the use.
The manufacturer has optimized its software so that there is no need for 8 GB of RAM. And gaming level, of course, no problem to run any game available on the Play Store.
Level heating, this smartphone is also very well with a temperature never exceeding 36 degrees on the surface.
The headphone output of the S9 + is also well made. Power is largely sufficient for the majority of uses with almost zero distortion. And above all, there is still a headphone jack, which is not the case for all high-end mobiles.
The stereo speakers also offer an honest performance, even if you feel that it is especially the high mediums who are honored.
Photo level, the Galaxy S9 + is based on two modules that offer a rather pleasing result. The color reproduction is as clean as possible, the dose of detail is good.
In addition, in low light, Samsung has raised the bar, turning the smoothing that crushed all the details on the Note 8 … to replace it with a lighter smoothing, which crushes despite all the details, but still less than before. We can not say that the results are to die for, but we still note a clear improvement.
Do not get me wrong though, despite the low-light performance, the Galaxy S9 + is still an excellent smartphone for photography, as long as you do not spend your time shooting at night.
battery life has unfortunately not improved since the S8 +. Admittedly, the device can hold a day and a half with moderate use, but we are far from what other high-end models can do.
Software side Samsung clutters again the gloomy Bixby (who still does not speak French).
Fortunately, the OS is more friendly and you can always enjoy a presentation with or without applications drawer and change the order of navigation buttons and take care of customizing a lot of other small details if you have the courage to go for a walk in the settings and its forest of submenus.
Screen good quality
Battery below what we could hope
Sony's first smartphone to integrate an Oled slab, it represents an advance for the Japanese manufacturer.
Level design, this smartphone breathes the high end with a very pleasant finish to the eye. At the rear, the aluminum hull has the good taste of not holding fingerprints. At the front, the 6-inch slab occupied 81% of the facade.
On the other hand, at the level of the positioning of the buttons, it is less that. The volume buttons are slightly too high and the lock button is a bit too low.
The fingerprint sensor is also placed too low and the worst is that it is the photo module that falls naturally under the finger.
Only convenient button, the one dedicated to the camera, which is an exclusive Sony. Positioned in an ideal way, it makes it possible to take a shot in landscape mode more naturally than the competition.
The Xperia XZ3 can accommodate two nano-SIM cards, but the second port can also be used as a microSD port, and accommodate cards up to 512 GB, which is not luxury as this smartphone does not only 64GB of internal storage.
Finally, the Xperia XZ3 is IP68 certified, which means that it is water and dust resistant: the least you can do for a device in this range.
The Oled 6-inch slab offers a ratio of 18: 9 with a definition of 2880 x 1440 px. And this screen is really excellent.
On the other hand, it is necessary to go through the parameters to reveal all the potential of this slab. Regarding the brightness, this screen does not disappoint with excellent brightness that will allow the smartphone to be readable even in direct sunlight. Same thing in night condition, no risk of spoiling your eyes!
Finally, the touch delay is only 53 ms, which is an excellent performance. Contrast level and persistence, Oled requires, one is almost infinite, while the other is nonexistent.
The smartphone is equipped with a chip Snapdragon 845 assisted by 4 GB of RAM. The device has no trouble juggling between different applications.
In addition, the smartphone does not heat even after long games or after photo or video sessions.
Gaming level is the Adreno 560 chip that takes over and it guarantees a smooth experience even on the latest 3D games.
Audio level, this unit has a USB-C jack and an adapter is provided for the 3.5mm mini-jack. The performance of it is not bad but the output power leaves something to be desired.
The speakers when they offer a sound experience that is above average. The volume can be high and the sound is rather clear without distortion to disturb the listening.
But let's come to the photos, which interests us particularly. The Xperia Z3 has only one photo module on its back.
This one is made of a 19 Mpx sensor and a lens opening at f / 2. When the brightness is good, the module provides excellent shots.
The details are present and the treatment of the image thanks God rather light and especially the smoothing is moderate. The contrast ratio is good and the rendering is even a bit more natural than that of a Galaxy Note 9.
But the most interesting is in low light. Indeed, the result is very good. The module captures detailed photos and the final rendering is quite correct despite some electronic noise and smoothness.
The front module is composed of a 13 Mpx sensor with a lens opening at f / 1.9. He produces selfies of good quality. Be careful, however, sometimes focusing a bit random and the management of the backlighting that is not always up to the task.
The smartphone will be able to film in 4K and 30i / s. The videos made are correct and suffer may be only a tiny lack of brightness.
The battery life is much good. Indeed, the device can only hold one day with normal use.
It is still little when the competition accustoms us to two days of battery life since already some time. In addition, it will take about 2 hours to fully recharge the XZ3, which is rather long compared to the competition also.
At the OS level, we are in the presence of an Android 9 with an overlay made by Sony. This consists mainly of a set of pre-installed applications. For navigation, the regulars of Android will not be disoriented.
Photo in low luminosity of quality
Stunning design
Excellent slab
The ROG Phone is Asus' gamer phone and he wants to show it to you with his design. The look of this phone is somewhat atypical. The back of the device has a glass surface and a matte plastic part. We note the possibility of illuminating the Asus logo of the color of his choice, which I find somewhat useless, but good tastes and colors ….
The finishes are of excellent quality overall. Unfortunately, here is another phone that did not put its fingerprint reader in an intuitive place; moreover its elongated shape does not offer a huge surface.
The ROG Phone is an imposing smartphone with a 6-inch screen so it can not be handled easily with one hand. However, it has an air trigger function that gives access to shortcut keys and allows you to switch more or less to a one-handed mode of use.
The front-panel occupancy rate of the screen remains below most of the competition with only 78% occupancy. This is due among other things to the fact that Asus has made the choice to house two front speakers.
Connectivity level, this phone has a USB-C port and a 3.5mm mini-jack and also offers a connector consisting of two side-by-side USB-C ports that are there to connect the accessories of this phone, which are sold separately.
We can regret the lack of microSD card reader despite the internal memory of 128 GB rather comfortable. Note also the tightness of the device below most of the competition with only IPX4 certification, which provides only protection against light splash water.
Asus chose to use a 6-inch diagonal Amoled slab offering Full HD + definition (2160 x 1080 px). One of the main good points of Amoled technology is its contrast ratio which is almost infinite. The ROG Phone has a correct brightness, allowing good readability in full sun and can go down to a low enough brightness not to dazzle in the dark.
When it comes to color matching, you have to go to "custom" mode and switch the color temperature slider to the warmest for the best result. We thus obtain a delta E of 2.9 and a temperature of 6990 K. These are two values of a very good level.
Looking at responsiveness, the ROG Phone offers an excellent tactile delay of only 73 ms and a zero remanence. One can also note the presence of a mode capable of activating a screen refresh rate of 90 Hz to provide a better feeling of fluidity.
Smartphone gaming requires, Asus has put the dishes in the big at the level of performance. So here we are in the presence of an overclocked version of the Snapdragon 845. This phone is able to run anything and everything without showing a single sign of weakness.
In terms of temperature management, Asus provides a small fan that helps maintain a lower temperature during long games, which are still the vocation of this smartphone.
After an hour of greedy play, the device reaches a temperature of 45 degrees without a fan and will not exceed 40 degrees with the fan connected. On the other hand, the fan starts the battery. One hour of play can consume almost half of the battery with the fan.
The headphone output of this smartphone is excellent and offers a comfortable power without leaving room for distortion. The dynamic range is one of the best of this comparison and the restitution of the stereo image is very good.
The two front speakers are very powerful. However, if you want to avoid a distortion too troublesomely, it is better to stay at 75% of the maximum volume.
Photo level, this camera is average but no more about daytime photos. The images produced are correct but offer a level of detail, all the same, less than that of the best products of this comparison. We also deplore colors sometimes a little too saturated.
It is in low light that it spoils with once is not custom, an abuse of smoothing that destroys all the details of the shot. Video level, better be content with a Full HD definition, especially in a low light environment.
The battery of this Asus smartphone has a battery life of 4000 mAh. It can take 2 days without a problem with standard use. By cons, if it is used to play intensively, the device will only take 4 to 7 hours depending on the game used.
The ROG Phone comes with Android version 8.1 and benefits from an Asus overlay. Aside from some graphics changes, the OS looks very much like the original Android and will not confuse anyone.
Asus focused on adding video game features.
This allows managing the mapping of keys and accessories, the live broadcast or even the display of system information in real time. The ROG Phone also offers a "game center" application that will display information on temperature, frequency and memory used.
Well thought out game interface
Excellent headphone output
No micro SD port
Here are the main points to consider when choosing your Android smartphone.
An excellent Android phone must react to the finger and the eye, whether you are playing a game or navigating the interface. Most high-end Android phones use the same kind of processor, so the differences in performance will mostly reside in the software.
A bad version of Android can completely ruin the experience and even the most powerful configuration on the market will not do much if the manufacturer has not optimized Android as it should.
Generally, phones with fewer modifications and an overlay that modifies less Android are easier to use. Your smartphone will also end up with a lot of personal data so security is important.
A phone that comes with outdated software that does not receive a security update or has a history of security breaches is not a good buy, no matter the price.
"The different versions of Android all have a dessert name and come out in alphabetical order: Cupcake (1.5), Donut (1.6), Eclair (2.0 / 2.1) (…) until the last of the moment with the letter" P For Android Pie 9.x. All … except for the first 2 versions: Android 1.0 was originally Android Alpha (or Astro Boy) and Android 1.2 "R2D2". You'll understand the idea was already there with the "A" of Astro/Alpha for the first, or the 2 of R2D2 for the second. But it was Ryan Gibson who changed the branding in 2009 to put names of desserts instead of fictional characters.
Many people spend a few hours a day watching the screen of their smartphone. It is important that the screen is of good quality and especially that it is easy to read even outside.
The phones in this comparison all offer a display allowing at least good readability in full sun, but some are of better quality than others.
Here, the best will still be to rely on the tests of the model you want to choose and see images of what the device is capable of doing. A more expensive smartphone does not necessarily mean better photos, even if the best photophones are usually high-end.
If a phone can not last a full day of heavy use, you do not need to buy it. Some phones offer more than one-day battery life but it's not a must for most people.
If it takes until bedtime it will usually be enough.
The Build Quality
Android smartphones can cost more than 1000 €. A phone with poor build quality may break even before you finish paying for it.
Phones must use quality materials such as aluminum, ceramics or glass. The smartphones in this comparison all have excellent finishes and should not break at the first fall.
All the big phones of 2018 are already out. The market for Android phones is expected to remain stable until the release of the LG V8 and Samsung Galaxy S10 in April 2019.
There has been a radical change in the shape and size of Android smartphones this past year. Many manufacturers have started making their phones bigger and thinner, giving one-handed models with screens of an improbable size.
You can find Android phones with screens from 4.6 inches to 6 inches. But with the new form factor, it is very important to look at the width of the phone as well as the width of the screen.
All Android is not equal. If you want a pure Google experience then you will need a Pixel device. Other manufacturers have very clean Android overlays, even if they add their own details to the basic Android system.
The most recent version of Android is the 9.0 Pie, which is only available on Google Pixel, OnePlus and Essential Phone at the moment. For most other phones, Android version 8.0 Oreo is the version used and you should find it on most phones today.
Do not buy a phone with a less recent version than 7.0 Nougat, because the older the version of Android, the more likely you are to have serious security problems.
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Royal Grand 3 Bedroom Model features 1325 Sq Ft of living area with a great split bedroom floor plan with 2 equal sized master bedrooms and a slightly smaller 3 bedroom which are perfect for roommate situation's for those students who will be attending or are already attending Nova Southeastern University. Other features include a stack able washer & dryer, microwave, dishwasher, refrigerator and a patio to take in fresh air.
Average prices for a 3 bedroom 2 bathroom in Royal Grand as of 2017 range from $1600.00-$1900.00 depending on the location, upgrades and views the property offers. Royal Grand is a Condominium community and NOT AN APARTMENT COMPLEX, each condo is owned by different owners and prices will vary .


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Sharing forum for college Digital System.
Please click the comment to send questions about the lecture !
Sharing forum for college Linear system.
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Pelatihan untuk gugu-guru DKI, dengan menggunakan dana dari Pemda DKI dan LPM UHAMKA.


text:
Reformacija je zajela tudi Švico. Pod vodstvom Francoza Jeana Calvina, ki je pribežal v Švico, se je oblikovala posebna smer reformacije- kalvinizem.

Calvin je trdil, da so ljudje že po naravi grešni in da je Bog že pred stvarjanjem nekatere določil za  zveličanje, druge pa za pogubljenje- nauk imenujemo predestinacija.

Kalvinizem je uvedel tako imenovana »stroga pravila«.
 Vernikom je bilo prepovedano nositi svetle obleke, obiskovati gostilne in kartati
 Cerkve so bile brez okrasja, v njih sta bila dovoljena le molitev in petje psalmov.

Kalvinizem se je razširil tudi na Nizozemsko in v Francijo. Francoske kalviniste imenujemo hugenoti.

Protestantizem
Kalvinizem

redpajama_set_name: RedPajamaWikipedia


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The reality of Kim Jong-un, a young man with a foreign education, coming to power in North Korea whetted the appetites of those people who have long looked for any sign of reform. Those hopes however have proven somewhat misplaced. That is not to say there is no change occurring within North Korea; there is, but it is not where people are directing their attention. During the famine of the mid 90s the Public Distribution System (PDS) broke down entirely. The top down, planned economy of North Korea was massively inefficient and its ruin caused the people who were reliant on it a great deal of harm.
Agriculture was perhaps the most obvious of the state's plans to fail. Dependent upon massive irrigation schemes and the liberal use of fertilizer, it was an industry that was highly vulnerable to disruption. The irrigation programs were in turn dependent upon electricity, which required large amounts of maintenance. When the system began to deteriorate at any point, it deteriorated everywhere and failed completely.
State planning within North Korea still forms an interlocking series of nearly insurmountable issues. In order to produce enough food to survive, the North Korean government plants crops in literally every available space. The need for food is so high that there is no land available for crop rotation, so the same space is planted year after year. The lack of electricity means that people collect all the detritus they can, so they can stay warm, which in turn contributes to the lack of nutrients in the soil, which then in turn makes it harder to increase the yield.
What happened in the famine was the crunch of state failure. When the state failed, the people had to compensate and they did this by resorting to underground markets. However, this was not enough and many starved. I met Chinese citizens who remember people standing on the border, filling their socks with rice to throw over the border in a futile attempt to save the starving North Koreans. It did not help, and every day more emaciated bodies would flow down the river. The population had been made dependent upon the state and as it failed, they suffered. Aid was sent but how do you distribute it when the system itself is what is broken? From this tragedy, the North Koreans citizens, led by their grandmothers, the only citizens with no official jobs, constructed underground networks of trade to China.
The state has certainly not embraced the markets but they have agreed to stay out of the way. As a result, the road into North Korea from China is packed with day-trading Chinese bringing goods into the country for sale. The most important reform in North Korea has been the retraction of the state. However, you would not know that if you spoke to Chinese academics and investors. Chinese investment in the Rason Special Economic Zone is large scale: a new nuclear power plant sits just over the border, along with a new high-speed rail line and a trilingual city for doing business (the third language is Russian). A new port has been constructed, as has a new hotel and casino. Although trade is at an all time high, this has not resulted in major systematic change,. The factories are small scale and the port is empty; the Northern officials are wary of becoming too economically dependent on China. Chinese investors are tearing their hair out as their efforts are being resisted by official decisions or diluted by corruption. Chinese academics talk openly of co-opting the middle class bureaucrats so they become accustomed to dealing with the outside world. Their investment is top-down, proceeding through the established state infrastructure, with the hope of inducing structural change through wealth and interdependence.
If the Chinese efforts needed any indication that their efforts were not entirely welcome, they got it when Jang Song-taek was executed. The purge might have been followed up with conciliatory statements towards China but very soon after, gold and coal exports were placed under more centralized control. The coal that is mined in North Korea is largely sold to China, even though the North Korean people need it to heat their homes. The state clearly desires foreign currency more. Thus, Chinese efforts to enter North Korea through the establishment are meeting resistance. Their "five star" hotel in Rason, where a different lifestyle is on display, stands empty and the port is quiet. The investors behind their projects are livid and their sense of disappointment is obvious. In my hotel in Rajin, investors with grey faces discussed the loss of money, both to corruption and to policy.
The Chinese are not entirely wrong. To do any business in North Korea, you must engage in corruption. A budding restaurateur cannot legally open a business but bribes in the right place can allow him the opportunity to open a "state run" restaurant—as long as officials get their share, the deal continues. The resulting corruption produces massive inefficiency but is also slowly hollowing out the state's ability to resist change. In North Korea, reform is not state policy; rather, it is the retraction of the state from people's lives that is driving the largest engines of change. Pyongyang can still rebuff large investments because they involve the functional elements of oversight and control. The central government still maintains a significant degree of control over mineral extraction and planning. Thus, the Chinese efforts are meeting resistance because they are occurring at locations where the North Korean government is at it's strongest.
The border however, where trucks line up to enter North Korea, provides indication of real change. What the Chinese investors do not understand is in fact understood by the enterprising, day-trading citizens of the area. They do not deal with the government; instead, they are filling the space where the government has withdrawn. When I visited the trade show in Rason, despondent large-scale investors were lamenting the lack of progress while North Korean citizens were buying water heaters as fast as they possibly could. While the Chinese await prestigious agreements with Pyongyang, the citizens are working out a grand bargain of their own. I know which group I would bet on to produce real change.


text:
Reading International Announces 3rd Quarter 2012 Results
Net Income for the 2012 Quarter at $363,000 compared to $37,000 in 2011, up 881.1% over 2011
Conversion to Digital: Signed agreements to implement digital projectors in U.S. cinemas by year-end.
11/8/12 9:30 am EST
LOS ANGELES--(BUSINESS WIRE)--Reading International, Inc. (NASDAQ: RDI) announced today results for its quarter ended September 30, 2012.
2012 Nine Month Highlights
our revenue for the 2012 Nine Months was $189.3 million compared to $187.6 million in the 2011 Nine Months, an increase of $1.7 million or 0.9%, driven primarily by a $5.5 million increase in the U.S.;
our net income for the 2012 Quarter increased to $363,000 compared to $37,000 in 2011, up 881.1% over 2011;
on January 10, 2012, Shadow View Land and Farming, LLC, a limited liability company managed by our Company and owned on a 50/50 basis with Mr. James J. Cotter, acquired for $5.5 million a 202-acre property, zoned for the development of up to 843 single-family residential units, located in the City of Coachella, California;
On February 8, 2012, we renewed our existing $36.9 million (NZ$45.0 million) New Zealand credit facility with a 3-year credit facility through Westpac. The renewed facility calls for a decrease in the overall facility by $4.1 million ($5.0 million) to a $32.8 million (NZ$40.0 million) credit facility and an increase in the facility margin of 0.55% to 2.0%.
on June 28, 2012, Sutton Hill Properties LLC ("SHP"), one of our consolidated subsidiaries, paid off its Eurohypo AG, New York Branch loan with proceeds from a new $15.0 million term loan from Sovereign Bank, N.A.;
on September 21, 2012, we opened an 8-screen art cinema in the Mosaic District in the greater Washington D.C. metropolitan area; and
On September 30, 2012, we entered into an agreement with an affiliate of Cinedigm Digital Cinema Corp with respect to our conversion of substantially all of our U.S. cinemas which are not already equipped with digital projection to digital projection.
Third Quarter 2012 Discussion
Revenue from operations decreased from $66.5 million in the 2011 Quarter to $63.9 million in the same Quarter in 2012, a $2.6 million or a 3.9% decrease.
Cinema segment revenue decreased by $2.6 million or 4.2% primarily due to a decrease in Australian box office admissions of 120,000 and a decrease in the Australian average price per ticket of $0.68, related to the available film product in 2012 compared to the same period in 2011. Our U.S. and New Zealand box office admissions increased by 70,000 resulting in an increase in revenue of $439,000 primarily resulting from the reopening of an earthquake damaged New Zealand multiplex in early January 2012, and the acquisition of a U.S. cinema from a third party operator in August 2011. Both the Australian and New Zealand results were negatively affected by a decrease in the value of the Australian and New Zealand dollars compared to the U.S. dollar.
The top three grossing films for the 2012 Quarter in our worldwide cinema circuit were "The Dark Knight Rises," "TED," and "Ice Age 4: Continental Drift." These three films accounted for approximately 30.0% of our cinema box office revenue.
Our 2012 quarterly real estate segment revenue slightly increased in the 2012 Quarter primarily related to higher rents and occupancy associated with our Australian retail properties; offset by, a decrease in New Zealand rental income and live theatre revenue in the U.S. in 2012 compared to the same period in 2011 and an adjustment to our intercompany real estate revenue eliminations in the 2011 Quarter not repeated in 2012. As indicated above, both the Australian and New Zealand results were also affected by a decrease in the value of the Australian and New Zealand dollars compared to the U.S. dollar in 2012 compared to the same period in 2011.
As a percentage of revenue, operating expense was 81.1% of revenue in the 2012 Quarter compared to 76.9% in the 2011 Quarter, primarily related an increase to the cinema operating expense associated with the opening of a new cinema in the U.S. on September 21, 2012, the acquisition in 2011 of an existing cinema from a third party, and the anticipated closing of an older cinema in the U.S. Additionally, real estate operating expense increased driven by higher additional costs associated with our newly acquired 202 acre land parcel in the U.S. and from legal costs incurred in 2012 associated with protecting the property rights of our Burwood property. This increase in operating expense was offset, in part by, a decrease in the value of the Australian and New Zealand dollars compared to the U.S. dollar and by a decrease in Australian cinema costs which followed the associated decrease in Australian cinema revenue.
Depreciation expense decreased for the 2012 Quarter by $209,000 or 5.0% compared to the same period in 2011 due to certain Australian and New Zealand cinema assets coming to the end of their depreciable lives in 2011.
General and administrative expense decreased by $215,000 or 7.6% in the 2012 Quarter compared to the 2011 Quarter, primarily related to the one-time additional labor costs incurred during 2011, associated with the transfer of our accounting functions from the U.S. and Australia to New Zealand.
Driven by the above factors, our operating income for the 2012 Quarter decreased by $2.6 million to $4.4 million compared to $7.0 million in the same quarter last year.
Net interest expense decreased by $3.1 million for the 2012 Quarter compared to the 2011 Quarter. The decrease in interest expense during the 2012 Quarter was primarily due to a smaller increase in the fair value of our interest rate swaps in 2012 than that noted for the same period in 2011 and to a decrease in interest rates specifically from our Trust Preferred Securities. Effective May 1, 2012, that interest rate changed from a fixed rate of 9.22%, which was in effect for the past five years, to a variable rate of 3-month LIBOR plus 4.00%, which will reset each quarter through to the end of the loan.
For the 2012 Quarter, our income tax benefit increased by $62,000 compared 2011 Quarter primarily associated with changes to the estimate of the likelihood of realizing our deferred tax assets in our Reading Australia operations.
For the 2012 and 2011 Quarters, we recorded income (loss) from discontinued operations of ($241,000) and $55,000, respectively, associated with our Indooroopilly property classified as held for sale at September 30, 2012. The 2012 Quarter loss from discontinued operations includes a $283,000 impairment loss for the property. While no assurances can be given that a sale will be ultimately be consummated, this property is currently under a contract to sell for $12.4 million and is in its due diligence period.
As a result of the above, we reported a net income of $363,000 for the 2012 Quarter compared to a net income of $37,000 in the 2011 Quarter, driven primarily by the decrease in interest expense; offset by, the decrease in the operating income in the 2012 Quarter compared to the same period last year.
Our EBITDA(1) at $8.5 million for the 2012 Quarter was $3.1 million lower than the EBITDA for the 2011 Quarter of $11.6 million, driven primarily by the $2.9 million decrease in operating income in the 2012 Quarter compared to the 2011.
Our adjusted EBITDA(1) for the 2012 Quarter was $8.8 million after excluding:
the $283,000 impairment expense related to our held for sale Indooroopilly property;
We did not have any adjustments to EBITDA(1) for the 2011 Quarter.
This resulted in a decrease of $2.8 million in adjusted EBITDA(1) or 24.1%, from the 2011 Quarter to the 2012 Quarter.
Nine Months 2012 Summary
Revenue from operations increased from $187.6 million in 2011 to $189.3 million in 2012, a $1.8 million or a 0.9% increase.
Cinema segment revenue increased $1.1 million driven by an increase in U.S. and New Zealand box office admissions of 447,000 and 127,000, respectively. The uplift in box office admissions in the U.S. was primarily from the improved film product noted in the first quarter of 2012 and from the acquisition of a cinema from a third party in August 2011 while the increase in New Zealand was primarily as a result of the reopening of an earthquake damaged New Zealand multiplex in early January 2012. These changes resulted in an increase in box office revenue of $3.3 million and an increase in concessions and other revenue of $2.9 million. Our New Zealand revenue was also impacted by an increase in the value of the New Zealand dollar compared to the U.S. dollar for the 2012 Nine Months compared to the same period in 2011. Our Australian cinema revenue decreased by $5.1 million primarily relating to an 184,000 decrease in box office admissions coupled with a $0.54 decrease in the average ticket price per admission. This decrease included the temporary closure of our Townsville cinema in Australia due to the renovation of the cinema during the second quarter.
The top three grossing films for the Nine Months in our worldwide cinema circuit were "The Avengers," "The Dark Knight Rises," and "The Hunger Games." These three films accounted for approximately 13.9% of our cinema box office revenue.
Additionally, our real estate segment revenue increased by $695,000 compared to the same period last year. Our Australian and New Zealand real estate revenue increased primarily due to higher rents in 2012 compared to the same period in 2011 coupled with a year over year increase in the value of the New Zealand dollars compared to the U.S. dollar. Also, our U.S. real estate revenue increased by $273,000 relating to improved results from our live theater operations.
As a percentage of revenue, operating expense at 79.2% of revenue in 2012 increased compared to the 77.7% in 2011, primarily driven by increased cinema operating expenses which followed the increased cinema revenues. In addition, the real estate segment had higher repair, maintenance, and insurance costs for our operating properties, from legal costs incurred in 2012 associated with protecting the property rights of our Burwood property and with our residual railroad properties. The operating expense was also impacted by the increase in the value of the New Zealand dollar compared to the U.S. dollar.
Depreciation expense decreased for the 2012 Nine Months by $427,000 or 3.4% compared to the same period in 2011 due to certain Australian cinema assets coming to the end of their depreciable lives in 2011.
General and administrative expense decreased by $462,000 or 3.5%, primarily related to the same reasons noted above for the quarterly results.
Driven by the above factors, our operating income for the Nine Months of 2012 decreased by $1.5 million to $14.6 million compared to $16.1 million in the same period last year.
Net interest expense decreased by $3.0 million for the 2012 Nine Months compared to the 2011 Nine Months. The decrease in interest expense during the 2012 Nine Months was due to the same reasons noted above for the quarterly results.
The 2012 Nine Months income tax expense was $1.8 million compared to an income tax benefit of $13.2 million for the 2011 Nine Months. The year over year change primarily related to a one-time tax provision adjustment of $14.4 million in 2011 caused by a reduction in the valuation allowance related to our Australian operations.
For the 2012 and 2011 Nine Months, we recorded income (loss) from discontinued operations of ($121,000) and $1.8 million, respectively, associated with our Indooroopilly property and with a gain on the sale of a discontinued cinema operation for the 2011 Nine Months. The 2012 Nine Months loss from discontinued operations includes a $283,000 impairment loss for the Indooroopilly property. While no assurances can be given that a sale will be ultimately be consummated, this property is currently under a contract to sell for $12.4 million and is in its due diligence period.
As a result of the above, we reported a net income of $361,000 for the Nine Months of 2012 compared to a net income of $15.0 million in 2011, driven primarily by the 2011 $14.4 million tax benefit relating to the valuation allowance adjustment.
Our EBITDA(1) at $28.0 million for the 2012 Nine Months was $3.1 million lower than the EBITDA for the 2011 Nine Months of $31.1 million, driven primarily by the $1.5 million decrease in operating income in the 2012 Nine Months compared to the same period in 2011, and the gain on the sale of an Australian cinema of $1.7 million in the 2011 Nine Months.
Our adjusted EBITDA(1) for the 2012 Nine Months was $28.3 million after excluding:
Our adjusted EBITDA(1) for 2011 Nine Months was $29.4 million after excluding:
the $1.7 million gain on sale of assets of an Australian cinema;
This resulted in a decrease in our adjusted EBITDA(1) of $1.1 million or 3.8%, from the 2011 Nine Months to the 2012 Nine Months.
Balance Sheet and Liquidity
Our total assets at September 30, 2012 were $430.2 million compared to $430.8 million at December 31, 2011. The currency exchange rates for Australia and New Zealand as of September 30, 2012 were $1.0388 and $0.8293, respectively, and as of December 31, 2011, these rates were $1.0251 and $0.7805, respectively. As a result, there was an increase in the value of the Australian dollar and the New Zealand dollar compared to the U.S. dollar on the assets and liabilities of our balance sheet at September 30, 2012 compared to December 31, 2011.
On February 8, 2012, we received an approved amendment from Westpac renewing our existing $36.9 million (NZ$45.0 million) New Zealand credit facility with a 3-year credit facility. The renewed facility calls for a decrease in the overall facility by $4.1 million ($5.0 million) to $32.8 million (NZ$40.0 million) credit facility and an increase in the facility margin of 0.55% to 2.0%. No other significant changes to the facility were made.
On June 28, 2012, Sutton Hill Properties LLC ("SHP"), one of our consolidated subsidiaries, paid off its Eurohypo AG, New York Branch loan with a new $15.0 million term loan (the "Sovereign Bank Loan") from Sovereign Bank, N.A. The Sovereign Bank Loan has a one-year term ending on June 27, 2013, with a one year extension option to June 26, 2014 subject to an extension fee equal to 1% of the ending principal balance and a compliance requirement with certain special covenants. The terms of the loan require interest only payments at LIBOR plus a 5.00% margin to be calculated and paid monthly. This loan is secured by SHP's interest in the Cinemas 1, 2, & 3 land and building. The loan covenants include maintaining a loan to value ratio of at least 50% of fair market value and an 11% debt yield (with a numerator of the cash available for debt service and a denominator of the outstanding principal balance of the loan). The Sovereign Bank Loan is further secured by a guaranty provided by Reading International, Inc. and by its noncontrolling interest member, Sutton Hill Capital, LLC.
At September 30, 2012, we had undrawn funds of $10.4 million (AUS$10.0 million) available under our NAB line of credit in Australia, $9.9 million (NZ$12.0 million) available under our renewed New Zealand Corporate Credit facility, and $5.0 million available under our GE Capital revolving loan credit facility in the U.S. Accordingly, we believe that we have sufficient borrowing capacity under our various credit facilities, together with our $22.5 million cash balance and $8.0 million of time deposits, to meet our anticipated short-term working capital requirements.
Our working capital at September 30, 2012 shows a negative $8.0 million compared to a negative $12.8 million at December 31, 2011. This improvement to our negative working capital is in part attributable to the aforementioned refinancing of our Sovereign Bank Loan; offset by, our live theatre loans being due on April 1, 2013.
Stockholders' equity was $134.1 million at September 30, 2012 compared to $125.0 million at December 31, 2011, primarily related to an increase in our other comprehensive income associated with the increase in the value of our Australian and New Zealand dollar denominated net assets and a $2.8 million contribution of noncontrolling interest associated with Mr. James J. Cotter's interest in the land acquired by Shadow View Land and Farming, LLC in January 2012.
Indooroopilly Sale Agreement
On October 5, 2012, we entered into an agreement to sell our Indooroopilly property for $12.4 million (AUS$12.0 million). As the book value at September 30, 2012 was $12.5 million (AUS$12.1 million) for this property, we recorded an impairment expense of $283,000 (AUS$272,000) for the three and nine months ended September 30, 2012. We anticipate the sale of the property to close by the end of November 2012.
Bank of America Financing
On October 31, 2012, we replaced our GE Capital Term Loan of $27.7 million with a new credit facility from Bank of America of $30.0 million with an interest rate of between 2.50% and 3.00% above LIBOR. As part of this new credit facility, Bank of America extended our existing $3.0 million line of credit to $5.0 million. Although the new credit facility does not require a fixed interest swap agreement, we will continue to use our existing fixed interest rate swap of $30.2 million until its term date of December 31, 2013. Additionally, we entered into a master operating equipment lease financing agreement with Banc of America Leasing & Capital, LLC to finance the acquisition of up to $15.5 million in digital projection equipment for our U.S. cinema operations, with the intent to complete the implementation by the end of this year.
As a result of Hurricane Sandy which made landfall on the eastern United States on October 30, 2012, a number of our cinemas and theaters have sustained damage and lost business. We are in the process of evaluating our estimated costs to repair these locations and the extent of business loss insurance that we will claim.
Reading International (http://www.readingrdi.com) is in the business of owning and operating cinemas and developing, owning and operating real estate assets. Our business consists primarily of:
the development, ownership and operation of multiplex cinemas in the United States, Australia and New Zealand; and
the development, ownership, and operation of retail and commercial real estate in Australia, New Zealand, and the United States, including entertainment-themed retail centers ("ETRC") in Australia and New Zealand and live theater assets in Manhattan and Chicago in the United States.
Reading manages its worldwide cinema business under various different brands:
Reading brand (http://www.readingcinemasus.com),
Angelika Film Center brand (http://www.angelikafilmcenter.com),
Consolidated Theatres brand (http://www.consolidatedtheatres.com),
City Cinemas brand (http://www.citycinemas.com),
Beekman Theatre brand (http://www.beekmantheatre.com),
The Paris Theatre brand (http://www.theparistheatre.com), and
Liberty Theatres brand (http://libertytheatresusa.com/);
in Australia, under the Reading brand (http://www.readingcinemas.com.au); and
Reading (http://www.readingcinemas.co.nz) and
Rialto (http://www.rialto.co.nz) brands.
Our statements in this press release contain a variety of forward-looking statements as defined by the Securities Litigation Reform Act of 1995. Forward-looking statements reflect only our expectations regarding future events and operating performance and necessarily speak only as of the date the information was prepared. No guarantees can be given that our expectation will in fact be realized, in whole or in part. You can recognize these statements by our use of words such as, by way of example, "may," "will," "expect," "believe," and "anticipate" or other similar terminology.
These forward-looking statements reflect our expectation after having considered a variety of risks and uncertainties. However, they are necessarily the product of internal discussion and do not necessarily completely reflect the views of individual members of our Board of Directors or of our management team. Individual Board members and individual members of our management team may have different views as to the risks and uncertainties involved, and may have different views as to future events or our operating performance.
Among the factors that could cause actual results to differ materially from those expressed in or underlying our forward-looking statements are the following:
With respect to our cinema operations:
The number and attractiveness to movie goers of the films released in future periods;
The amount of money spent by film distributors to promote their motion pictures;
The licensing fees and terms required by film distributors from motion picture exhibitors in order to exhibit their films;
The comparative attractiveness of motion pictures as a source of entertainment and willingness and/or ability of consumers (i) to spend their dollars on entertainment and (ii) to spend their entertainment dollars on movies in an outside the home environment; and
The extent to which we encounter competition from other cinema exhibitors, from other sources of outside of the home entertainment, and from inside the home entertainment options, such as "home theaters" and competitive film product distribution technology such as, by way of example, cable, satellite broadcast, DVD rentals and sales, and so called "movies on demand;"
With respect to our real estate development and operation activities:
The rental rates and capitalization rates applicable to the markets in which we operate and the quality of properties that we own;
The extent to which we can obtain on a timely basis the various land use approvals and entitlements needed to develop our properties;
the risks and uncertainties associated with real estate development;
The availability and cost of labor and materials;
Competition for development sites and tenants; and
The extent to which our cinemas can continue to serve as an anchor tenant which will, in turn, be influenced by the same factors as will influence generally the results of our cinema operations;
With respect to our operations generally as an international company involved in both the development and operation of cinemas and the development and operation of real estate; and previously engaged for many years in the railroad business in the United States:
Our ongoing access to borrowed funds and capital and the interest that must be paid on that debt and the returns that must be paid on such capital;
The relative values of the currency used in the countries in which we operate;
Changes in government regulation, including by way of example, the costs resulting from the implementation of the requirements of Sarbanes-Oxley;
Our labor relations and costs of labor (including future government requirements with respect to pension liabilities, disability insurance and health coverage, and vacations and leave);
Our exposure from time to time to legal claims and to uninsurable risks such as those related to our historic railroad operations, including potential environmental claims and health related claims relating to alleged exposure to asbestos or other substances now or in the future recognized as being possible causes of cancer or other health-related problems;
Changes in future effective tax rates and the results of currently ongoing and future potential audits by taxing authorities having jurisdiction over our various companies; and
Changes in applicable accounting policies and practices.
The above list is not necessarily exhaustive, as business is by definition unpredictable and risky, and subject to influence by numerous factors outside of our control such as changes in government regulation or policy, competition, interest rates, supply, technological innovation, changes in consumer taste and fancy, weather, and the extent to which consumers in our markets have the economic wherewithal to spend money on beyond-the-home entertainment.
Given the variety and unpredictability of the factors that will ultimately influence our businesses and our results of operation, no guarantees can be given that any of our forward-looking statements will ultimately prove to be correct. Actual results will undoubtedly vary and there is no guarantee as to how our securities will perform either when considered in isolation or when compared to other securities or investment opportunities.
Finally, we undertake no obligation to publicly update or to revise any of our forward-looking statements, whether as a result of new information, future events or otherwise, except as may be required under applicable law. Accordingly, you should always note the date to which our forward-looking statements speak.
Additionally, certain of the presentations included in this press release may contain "pro forma" information or "non-US GAAP financial measures." In such case, a reconciliation of this information to our US GAAP financial statements will be made available in connection with such statements.
The Company defines EBITDA as net income (loss) before net interest expense, income tax benefit, depreciation, and amortization. The company defines adjusted EBITDA as EBITDA adjusted for unusual or infrequent events or items that are of a non-cash nature. EBITDA and adjusted EBITDA are presented solely as supplemental disclosures as we believe they are relevant and useful measures to compare operating results among our properties and competitors, as well as measurement tools for the evaluation of operating personnel. EBITDA and adjusted EBITDA are not measures of financial performance under the promulgations of generally accepted accounting principles ("GAAP"). EBITDA and adjusted EBITDA should not be considered in isolation from, or as substitutes for, net loss, operating loss or cash flows from operations determined in accordance with GAAP. Finally, EBITDA and adjusted EBITDA are not calculated in the same manner by all companies and accordingly, may not be appropriate measures for comparing performance among different companies. See the "Supplemental Data" table attached for a reconciliation of EBITDA to net income (loss).
Reading International, Inc. and Subsidiaries
Reconciliation of EBITDA to Net (Loss) Income
(dollars in thousands, except per share amounts)
Statements of Operations
Revenue $ 63,934 $ 66,554 $ 189,313 $ 187,558
Operating expense
Cinema/real estate 51,825 51,162 149,949 145,782
Depreciation and amortization 3,995 4,204 12,016 12,443
General and administrative 3,957 4,172 12,701 13,163
Operating income 4,157 7,016 14,647 16,170
Interest expense, net (4,165 ) (7,280 ) (13,608 ) (16,616 )
Other income 459 460 1,292 1,166
Net gain (loss) on sale of assets 86 1 84 (66 )
Income tax benefit (expense) 100 38 (1,784 ) 13,177
Income (loss) from discontinued operations, net of tax (241 ) 55 (121 ) 1,826
Net income attributable to noncontrolling interest (33 ) (253 ) (149 ) (667 )
Net income $ 363 $ 37 $ 361 $ 14,990
Basic earnings per share $ 0.02 $ 0.00 $ 0.01 $ 0.66
Diluted earnings per share $ 0.02 $ 0.00 $ 0.01 $ 0.65
EBITDA* $ 8,515 $ 11,576 $ 28,043 $ 31,147
EBITDA* change
$(3,061)
EBITDA presented above is net loss adjusted for interest expense (net of interest income), income tax expense, depreciation and amortization expense, and an adjustment for discontinued operations (this includes interest expense and depreciation and amortization for the discontinued operations).
Reconciliation of EBITDA to the net loss is presented below:
Add: Interest expense, net 4,165 7,280 13,608 16,616
Add: Income tax provision (100 ) (38 ) 1,784 (13,177 )
Add: Depreciation and amortization 3,995 4,204 12,016 12,443
Adjustments for discontinued operations 92 93 274 275
EBITDA $ 8,515 $ 11,576 $ 28,043 $ 31,147
(U.S. dollars in thousands, except per share amounts)
September 30, Nine Months Ended
Operating revenue
Cinema $ 59,246 $ 61,867 $ 174,636 $ 173,577
Real estate 4,688 4,687 14,677 13,981
Total operating revenue 63,934 66,554 189,313 187,558
Cinema 48,672 48,643 141,470 138,352
Real estate 3,153 2,519 8,479 7,430
Total operating expense 59,777 59,538 174,666 171,388
Interest income 148 466 541 1,307
Interest expense (4,313 ) (7,746 ) (14,149 ) (17,923 )
Other expense 182 6 202 79
Income (loss) before income tax expense and equity earnings of unconsolidated joint ventures and entities 260 (257 ) 1,325 (433 )
Income (loss) before equity earnings of unconsolidated joint ventures and entities 360 (219 ) (459 ) 12,744
Equity earnings of unconsolidated joint ventures and entities 277 454 1,090 1,087
Income before discontinued operations 637 235 631 13,831
Income (loss) from discontinued operations, net of tax (241 ) 55 (121 ) 170
Gain on sale of discontinued operation -- -- -- 1,656
Net income $ 396 $ 290 $ 510 $ 15,657
Net income attributable to noncontrolling interests (33 ) (253 ) (149 ) (667 )
Net income attributable to Reading International, Inc. common shareholders $ 363 $ 37 $ 361 $ 14,990
Basic income per common share attributable to Reading International, Inc. shareholders:
Earnings from continuing operations $ 0.03 $ 0.00 $ 0.03 $ 0.58
Earnings (loss) from discontinued operations, net (0.01 ) 0.00 (0.01 ) 0.08
Basic income per share attributable to Reading International, Inc. shareholders $ 0.02 $ 0.00 $ 0.02 $ 0.66
Diluted income per common share attributable to Reading International, Inc. shareholders:
Diluted income per share attributable to Reading International, Inc. shareholders $ 0.02 $ 0.00 $ 0.02 $ 0.65
Weighted average number of shares outstanding–basic 23,071,846 22,782,534 23,007,787 22,759,488
Weighted average number of shares outstanding–diluted 23,293,886 22,979,952 23,229,827 22,956,906
(U.S. dollars in thousands)
Cash and cash equivalents $ 22,535 $ 31,597
Time deposits 8,000 --
Receivables 6,785 6,973
Inventory 796 1,035
Investment in marketable securities 53 2,874
Restricted cash 2,402 2,379
Deferred tax asset 3,605 1,985
Prepaid and other current assets 4,353 3,781
Assets held for sale 12,258 14,495
Total current assets 60,787 65,119
Property held for and under development 98,788 90,699
Property and equipment, net 200,943 203,780
Investment in unconsolidated joint ventures and entities 7,632 7,839
Investment in Reading International Trust I 838 838
Goodwill 22,927 22,277
Intangible assets, net 16,221 17,999
Deferred tax asset, net 11,301 12,399
Other assets 10,720 9,814
Total assets $ 430,157 $ 430,764
Accounts payable and accrued liabilities $ 17,933 $ 16,905
Film rent payable 4,958 6,162
Notes payable – current portion 22,136 29,630
Taxes payable 14,883 14,858
Deferred current revenue 8,698 10,271
Other current liabilities 174 137
Total current liabilities 68,782 77,963
Notes payable – long-term portion 143,263 143,071
Notes payable to related party – long-term portion 9,000 9,000
Subordinated debt 27,913 27,913
Noncurrent tax liabilities 9,697 12,191
Other liabilities 37,407 35,639
Total liabilities 296,062 305,777
Commitments and contingencies (Note 13)
Class A non-voting common stock, par value $0.01, 100,000,000 shares authorized,
31,951,945 issued and 21,587,775 outstanding at September 30, 2012 and 31,675,518
issued and 21,311,348 outstanding at December 31, 2011 221 220
Class B voting common stock, par value $0.01, 20,000,000 shares authorized and
1,495,490 issued and outstanding at September 30, 2012 and at December 31, 2011 15 15
Nonvoting preferred stock, par value $0.01, 12,000 shares authorized and no issued
or outstanding shares at September 30, 2012 and December 31, 2011 -- --
Additional paid-in capital 135,718 135,171
Accumulated deficit (65,718 ) (66,079 )
Treasury shares (4,512 ) (4,512 )
Accumulated other comprehensive income 63,632 58,937
Total Reading International, Inc. stockholders' equity 129,356 123,752
Noncontrolling interests 4,739 1,235
Total stockholders' equity 134,095 124,987
Total liabilities and stockholders' equity $ 430,157 $ 430,764
Andrzej Matyczynski, Chief Financial Officer

redpajama_set_name: RedPajamaCommonCrawl


text:
"Solidarity Lives" graffiti from 1980s found during renovation work
History | Life
Stuart Dowell August 12, 2022
The writing saying 'Solidarność żyje' [Solidarity Lives] dates back to the struggle against the communist regime in the 1980s and was discovered in Lublin on the side of an apartment building late last week. IPN
A hunt is underway for the person who courageously painted a recently uncovered and unique piece of Solidarity graffiti during Martial Law in Lublin.
The writing that dates back to the struggle against the communist regime saying 'Solidarność żyje' [Solidarity Lives] was discovered in Lublin on the side of an apartment building late last week.
According to the Institute of National Remembrance, the graffiti was most likely painted during Martial Law in Poland in 1981-83 and is the only such sign to have been found in Lublin.
The graffiti was found by builders during renovation works.IPN
Paweł Ciężki, co-owner of the company changing the insulation on the building, said at a press conference Tuesday that workers came across the 'Solidarity Lives' sign on the wall of the block of flats at 20 Wajdeloty street.
"After removing the sheet metal and wool, nothing was visible. It was only when washing the walls that the white paint began to come off and the inscription became clear," he said.
According to the director of the Lublin branch of the Institute of National Remembrance Robert Derewenda, the wording of the inscription indicates that it could have been created during Martial Law when Solidarity was outlawed by the communists.
According to Robert Derewenda, director of the Lublin branch of the Institute of National Remembrance, the graffiti was most likely painted during Martial Law in Poland in 1981-83 and is the only such sign to have been found in Lublin.IPN
"At that time, other graffiti was painted to show that Solidarity was still alive," Derewenda explained.
He added that the graffiti is a good example to show today's younger generation how Poles fought against the communist system.
Speaking on Polish Radio, Derewenda said: "We have few such inscriptions in modern architecture. In the 1980s, there were more of them, although the Security Service was very quick to see to it that they were painted over, so their lifespan was very short."
Similar slogans on walls sometimes appeared with an anchor sign, a reference to the struggle of the Warsaw insurgents. Others ridiculed the communist authorities.
Derewenda (left) said: "We have few such inscriptions in modern architecture. In the 1980s, there were more of them, although the Security Service was very quick to see to it that they were painted over, so their lifespan was very short."IPN
Derewenda said that he will ask the Lublin Housing Cooperative, which manages the property, to protect the graffiti.
Marian Gągola from the cooperative said that finding the graffiti was a shock for the cooperative and that it is too early to talk about its future.
"We will think about it. We would like to preserve it,' he said.
The IPN also announced the start of a search for the author and history behind the graffiti.
On the night of 12 December 1981, General Wojciech Jaruzelski, simultaneously Chairman of the Communist party, Prime Minister and Minister of Defence, imposed martial law in Poland thereby establishing a military dictatorship in order to face down the 10-million-strong trade union Solidarity.Public domain
Writing on Twitter, the IPN said: "We are looking for the heroic author of the Solidarity inscription. Help us find the author of the slogan. If you know something or know someone who could help us, please contact the Lublin Branch of the IPN.
He suggested that it might be possible to find clues in the IPN archives, in particular documents of the Security Service, the Civic Militia and other communist-era security bodies.
Whoever wrote the graffiti would have to have been very courageous. Marian Król, who participated in Solidarity strikes in 1980 and 1981 said that anyone caught painting such graffiti could have faced up to 2.5 years in prison under martial law.
The Writing on Twitter, the IPN said: "We are looking for the heroic author of the Solidarity inscription. Help us find the author of the slogan. If you know something or know someone who could help us, please contact the Lublin Branch of the IPN."IPN
He recalled that in the first days of martial law about 50 workplaces went on strike in the Lublin region.
On the night of 12 December 1981, General Wojciech Jaruzelski, simultaneously Chairman of the Communist party, Prime Minister and Minister of Defence, imposed martial law in Poland thereby establishing a military dictatorship in order to face down the 10-million-strong trade union Solidarity.
The crackdown led to the deaths of 91 people and thousands of Solidarity supporters were arrested. Martial law was lifted in 1983; however, many of those detained were not released until 1986.
Tags: Lublin, IPN, Martial law, Solidarity, graffiti, Wojciech Jaruzelski, Robert Derewenda
Polish armed forces recruit over 16,000 in 2022
EC approves Polish aid programme for tourist sector
Working from home saves Polish employees around 54 mins a day
How smells can define cities…
Poland marks 41st anniversary of martial law
New kit on the block: Rare lynx spotted roaming through Polish forest


text:
Whiskey Jack Presents Stories & Songs of Stompin' Tom
The Deck Is Stacked for this Show!
For Immediate Release: September 4, 2018 • Please include in your listings/announcements
Shaun Pilot and 8Horse Music Present
Whiskey Jack - Highlights From 41 Years In Canadian Folk/Roots Music
Free Times Cafe, Toronto, On
On Friday, October 12, 2018, veteran Canadian All Star band Whiskey Jack, will perform highlights from their storied career and segments from their touring show, Stories & Songs of Stompin' Tom, at The Free Times Cafe, Toronto, On. This Toronto based band, a mainstay on the national music scene since 1977, appeared weekly on the CBC's Tommy Hunter Show in the 1980's and in subsequent years, toured/recorded often with "the other Tom", Stompin' Tom Connors. They have six critically acclaimed albums to their credit, including their collaborative 1993 recording with Mr. Canada, Dr. Stompin' Tom… Eh?. This recording project was followed by a national tour.
Whiskey Jack is: Duncan Fremlin, founding member of Whiskey Jack, Stompin' Tom's long time band leader and raconteur on vocals and banjo; Cindy Church, Country Music Hall of Fame inductee and award winning vocalist; Douglas John Cameron, two time Juno Award nominee and multi instrumentalist; Randy Morrison, Five Time Canadian National Fiddle Champion; Eric Jackson, one of Stompin' Tom's favourite bass players.
They're stacking the deck for this show, celebrating the definitive, if not essential Canadian and Whiskey Jack soundtrack with songs like Hockey Song, Maple Sugar, Someday Soon, and more! This is a rare opportunity to experience the band and guest Country Music Hall of Fame Inductee, Cindy Church in a small intimate setting. Reserve your seats now. It'll be like hearing them in your living room.
Come early and dine at this legendary cafe, home to the best Canadian acoustic music. Selections on the Middle Eastern/Canadian/Jewish menu will appeal to all dietary needs.
WHISKEY JACK PRESENTS Highlights from STORIES & SONGS OF STOMPIN' TOM...and more!
FREE TIMES CAFE 320 COLLEGE ST., TORONTO, ON
Show starts at 7:30pm, Doors at 6:00pm Tickets $25. (+fees)
To purchase tickets and for more information please visit www.ticketweb.ca or www.whiskeyjackmusic.com or call 416-967-1078
@banjodunc @freetimescafe | FB/TributeStompinTom | @banjodunc (Instagram)
Media Contact: Shaun Pilot, 647-853-0057
The Trademark Name "Stompin' Tom" is used under License from Stompin' Tom Ltd.
in Stompin' Tom Show, Whiskey Jack Music News
Ankita Tiwari Kolkata
Sep 8 2019 7:52 PM
https://www.ankitatiwari.in


Please, see the bottom of this page for e-mail address information.
8/17/03 - This is the first posting of the Faculty and Staff news. More news will be added as we go.
is enjoying retirement on Lake Martin. He finds many things to keep him busy.
Alumni News Letter from the Alumni Center at LWMA.
former teacher at LWMA, dropped by the office this fall for a visit. He lives in San Francisco, CA now.
former teacher at LWMA (1967-74), is completing his 34th year of teaching. His last year at LWMA was 1974. During his years of teaching, he has received many honors such as listed as an Outstanding Educator in Who's Who Among America's Teachers, Who's Who in Tennessee Language Teachers and Who's Who in Tennessee. He has also published two articles in Spanish in the Entrelazados in 1988 & 1989. He is a member of the Abalama Society of the Sons of the American Revolution, the First Families of Tennessee and the Knights of Columbus. He states that when he gets nostalgic, his spirit seeks Camp Hill and LWMA.
I. Where all these news items came from.
Source #4 = the Alumni Office at L.W.M.A. - as we receive it.
Source #6 = the Alumni Message Board at www.lwalumni.org.
II. This is the first attempt to compile the Alumni news from these sources. This first cut will be that information we have from source #1 and #2.
III. Disclaimer: The information supplied to this website and complied in these pages can be out of date and inaccurate. Some information is incomplete. All the news we have comes through the school, the Alumni Office, E-mail, and the Message Board.
IV. All e-mail addresses have been deleted because of these three reasons.
#1. We do not post a person's E-mail addresses to web pages without specific written permission from that person.
#2. That permission procedure is taken care of by our webmaster, Phillip Potts '63. He maintains the "Alumni E-mail Address Page." In order to have your name posted on that page you MUST send your permission directly to him via E-mail. Don't send it to me. Phillip is our webmaster and this is his policy.
#3. There is no way we could maintain these pages and the "Alumni E-mail Address" page. E-mail addresses become out of date very quiclky.