I'm curious, what type of software, beyond a basic spreadsheet, everyone is using to manage their RIA books. Think some form of revenue and expense tracking and ongoing balance sheet, cash flow and income statements.
Ditto. Pro version can be bought online for about $150. Payroll subscription is about $250-300/year. Can do everything you asked and more.
Outsourced. But bookeeper uses some fancy version of QB or similar.
It became very difficult for many business owners to manage their financial records due to lack of knowledge and inaccurate reporting. QuickBooks is very easy and cost effective accounting software, which keep track of all deals in well structured form. Using this software, you can scan and upload your signatures to prepare checks as shown at Checkomatic site and make your unique business identity in crowd. This automated process is much simpler than writing checks by hand.


text:
Flight Explorer and Blue Sky Network to Provide True Global Aircraft Tracking
Booth # 7989 at EBACE conference in Geneva
Geneva, Switzerland, Arlington, VA and La Jolla, CA - May 7, 2003 – Flight Explorer®, the world's leading provider of Internet-based real-time flight tracking and information systems, and Blue Sky Network, a pioneer in affordable, global satellite communication solutions for the aviation industry, today announced a partnership to provide worldwide satellite-based aircraft tracking. The announcement was made at the European Business Aviation Conference & Exhibition (EBACE 2003) conference in Geneva, Switzerland. Blue Sky Network is in booth 7989.
Blue Sky Network has developed a new Iridium-based solution, the BSN D-1000 with accompanying service. Blue Sky Network is offering the most affordable and convenient way to transmit GPS positions, send and receive email, and report sensor data from an aircraft. In partnership with Flight Explorer, the BSN D-1000 network brings independent online flight tracking into a whole new price range. Blue Sky Network has developed an advanced network utilizing the Iridium Satellite system to provide communication technology in near-real time to and from aircraft. From the ground, with only a personal computer and Internet access, users and others can use Flight Explorer to track aircraft equipped with the BSN D-1000. The BSN D-1000 solution ties easily in with Blue Sky Network's other SATCOM voice products.
"The combination of Blue Sky Network and Flight Explorer will provide those in the air and those on the ground in aviation-related companies with a new and powerful communication and information link," said Walt Kross, CEO of Flight Explorer. "We're very excited to work with the team at Blue Sky Network on this new offering for customers."
Jon Gilbert, president and CEO of Blue Sky Network, said, "Blue Sky Network and Flight Explorer are a powerful combination that will deliver an important new dynamic in connecting and tracking with ground resources. We are very proud that the world's leading flight tracking company is our partner in the new global arena."
Flight Explorer, based in Arlington, VA, is the world's leading provider of Internet-based, real-time flight tracking and weather information, reporting and display products. It produces Flight Explorer Professional, the industry's most powerful, reliable and widely used aircraft situation display system. Customers include American Airlines, Atlantic Aviation, UPS, FedEx, US Airways, Continental, FAA, AirTran Airways, Atlantic Coast Airlines, American Trans Air, NetJets, Jet Aviation, Pentastar Aviation, TAG Aviation, the City of Chicago Department of Aviation, the Port Authority of New York & New Jersey, Atlanta Hartsfield International Airport and airport and port authorities in more than two dozen states. Call 1-866-235-6870 or visit http://www.flightexplorer.com.
About Blue Sky Network
Blue Sky Network is pioneering affordable, global satellite voice and data communications for the aviation industry. With innovation and practicality over the Iridium satellite network, Blue Sky is determined to offer aviation customers unbeatable performance and value in satellite communications. Blue Sky Network is a member of aviation associations AEA, NBAA, AOPA, EAA and HAI. The company is headquartered in La Jolla, California. For more information, please visit http://www.blueskynetwork.com or call 1-866-SKYPATH (1-866-759-7284).

redpajama_set_name: RedPajamaCommonCrawl


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It sounds like fashion is very important in The Powerpuff Girls campaign. Why do you think this is?
I think it's true to say that the brand can really express itself very well in that space. This is just as much about the brand's DNA – what it stands for and how girls and women relate to it – as of the bold, bright aesthetic and iconic graphics which just look fantastic on clothing and accessories. It's this combination of brand value and aesthetics, together with a strong heritage from its debut in the late 90s, which fashion designers as well as consumers really love.
What are some of the high-end fashion highlights?
The Moschino x Jeremy Scott partnership for spring 2016 kick-started the adult-targeted Powerpuff Girls programme and was a real highlight. Another was the Powerpuff Girls x Fyodor Golan collaboration, which launched at London Fashion Week in February this year. It was a big collection – including outerwear, tops, sweatshirts, skirts, dresses and trousers, as well as a "mini-me" collection for young girls.
Since then we have enjoyed the gorgeous new range for adults, young adults and kids from high-end designers Bizuu in Poland and a 22-piece collection for girls aged four to 12, as well as a series of "mommy-and-me" styles from Saucette, in the Middle East. All of these collections have successfully delivered wide-spread national press coverage and social media buzz, elevating PPG to all new pop-culture heights.
Definitely. We have more in the works now which are just too early to announce. It's clear that The Powerpuff Girls resonates strongly within the fashion arena so we will make sure these collaborations remain an important part of the licensing strategy, alongside a great line-up of high street and online fashion brands like some of those we've recently shared.
Why are designers like Fyodor Golan drawn to The Powerpuff Girls?
You mean aside from the strong graphics and great positive messaging?! We've found that many designers like Fyodor Golan grew up with the girls and were huge fans when they were young. In fact before we even talked to Fyodor Golan about a partnership they were already celebrating the brand, "dressing up" The Powerpuff Girls for their email signatures. So they already loved it and felt completely familiar – and that allowed them to create something authentic.
By working with a licensed brand, a designer can create a talking point and a focus for creativity and fun. It also works both ways in expanding the two brands' reach – the collaborations help introduce The Powerpuff Girls to new audiences and, in turn, it helps makes The Powerpuff Girls fans aware of the fashion partner.
In our experience they all bring something new and different and offer great fun to both parties, as well as strong reciprocity. I'd say that the Fyodor Golan partnership has been a collaboration in the very best sense – it really brought 'girl power' to the catwalk and we supported with a piece of bespoke animation that sent the designers to the city of Townsville to appear in their own PPG episode. In return, Fyodor Golan created miniature versions of their signature pieces for our website www.powerpuffyourself.com so that fans can turn themselves into their very own 'Powerpuffed' person kitted out in Fyodor Golan.
What are the benefits of collaborations like this to you?
Partnerships like these serve a very strategic purpose. They inspire demand among adult fans of the original show while harnessing the aspirational appeal of The Powerpuff Girls with today's teens and tweens. They create awareness and edge and help to re-position a brand in the consumer psyche, in perhaps a new or aspirational way.
They also take the brand to new fans and retail spaces – with Fyodor Golan for example, PPG was available in high-end stores and boutiques in London, Milan, Dubai, Hong Kong, Palm Beach and a pop up Harvey Nichols shop in Doha, among others.
Collaborations also create an impressive halo effect. Shows like London Fashion Week, for example, create global exposure which has a trickle-down effect to mass-market retailers who sit up and take notice of the brand.
Where can we find The Powerpuff Girls in the UK?
Everywhere. While the high-end fashion lines capture the high-end headlines we have a fantastic network of retailers and licensees offering The Powerpuff Girls on the high street. For example, Bioworld Europe has a range of ladies' daywear that's available at Primark and H&A's line of cosmetics aimed at young girls and tweens has just launched at Boots stores across the country. There's also kids' fashion bags from Trademark, jewellery and accessories from Imagine8, girls' daywear from Blues Clothing and more now rolling-out at retailers including Next, Matalan, Asda, Tesco and Morrisons.
How are you differentiating between adult / nostalgia and kids?
This has been a fascinating process with The Powerpuff Girls. The brand's heritage, aesthetic and values translate perfectly into fashion and accessories for adults and children and we are finding there isn't such a clear distinction between them. Some partners are creating ranges for both – the 'mini me' collections by Fyodor Golan, for example, and Saucette in the Middle East. The positive messages about female empowerment are appropriate to fans of all ages, so while adults are drawn to the brand's heritage, young girls watching for the first time are drawn to it because it's current and relevant.
Where else in Europe is the brand strong in fashion?
The Powerpuff Girls is proving its appeal right across Europe. We have signed a DTR with Tvoe in Russia, and in the Iberian market there will be fashion bags from CYP Imports and kidswear from SunCity next year. Both Cookie in the Benelux and Sahinler in France will be offering ladies and kidswear and accessories.
We're also very excited about the pan-European deal we have signed with trend-led e-tailer Daisy Street that will launch a ladieswear range including t-shirts, jumpers and sweatshirts through its own website in addition to ASOS, New Look and Zalando. For kids across Europe, we're partnering with Spanish fashion label Lefties and Commerciale Campana Srlfor footwear.
We keep building the brand, and enjoying and celebrating everything that's great about The Powerpuff Girls. Fashion collaborations will be a key part of this. It's vital to us to keep answering demand for PPG in every demographic and to make sure these partnerships are fun and imaginative – The Powerpuff Girls month-long takeover of the WAH London nail salon is a great example of the sort of things we are working on. It brings a flash of excitement to the market and complements the longer-standing retail partnerships.
What's your favourite Powerpuff Girls fashion item and why?
That's a very difficult question to answer – but I must admit I love the simplicity of the black Fyodor Golan t-shirt dress with all three Powerpuff Girls. My daughter and I had so much fun when we went to the pop-up store at the London Fashion Week Festival in September [pictured]– it became an expensive trip though as she decided she loved Fyodor Golan too. I can't blame her for her great taste.


text:
19th of June, 2017
Platoon Marching On Seeking New Gains
(Monday 19th June, Porto Cervo) – Crowned first time world champions after winning the third event of the 52 SUPER SERIES in Scarlino, Tuscany last month, Harm Müller-Spreer's Platoon team are the form team of the six-regatta season so far. Second in Key West in January, runners up again in Miami in March and then world championship victors in June in the first of two Italian regattas, the team, which races under the German flag, must rank as narrow favourites among the 11-strong fleet, which will start the Porto Cervo 52 SUPER SERIES Audi Sailing Week on Wednesday.
After 27 races so far this season, 10 in Key West, nine in Miami and eight in Scarlino, Platoon lead on 103 points, four points ahead of Azzurra, who will be back on home turf, and 11 points up on the defending champions, Quantum Racing.
Even if Platoon are the only team to have been on the podium at each and every regatta so far, the crew are taking nothing for granted and are always looking to bolster their weaknesses. Mainsail trimmer Dirk de Ridder comments:
"We are happy with where we are, but I am nervous about our light-wind upwind speed in the Med. We need to keep working away at that."
He refuses to consider the fact that they are leading the series at this stage:
"It is completely irrelevant at this stage; completely irrelevant, as far as I am concerned. This the 52 SUPER SERIES and these are the TP52s. It is just so close. If you look back we could say we should have had better regattas. You could as easily argue we should have had worse regattas. I am pretty sure all the teams out there think the same. What counts is where you are on the last day."
Attempting to counteract what De Ridder considers to be a weakness, Platoon will bring on a new light-winds mainsail if conditions call for it.
Doug DeVos is back at the helm, as seen here in Key West.
As planned the defending champions, Quantum Racing, will have owner-driver Doug DeVos return to the afterguard, and he will remain as helmsman at each of the remaining regattas, in Puerto Portals in July and Menorca in September. DeVos last steered Quantum Racing in Key West when the champions opened their season with a regatta victory. Bora Gulari drops into the strategist role, supporting tactician Terry Hutchinson. Regular crewmember Sean Clarkson returns from Bermuda to Quantum Racing from his seventh consecutive America's Cup, working as sail trim coach to SoftBank Team Japan.
Project Director, Ed Reynolds, cherishes the energy that DeVos brings to his team as well as the stability and continuity of now being able to sail with a regatta winning line up for the remainder of the season:
"We want to win the season." Reynolds asserts, "We want to win the title and we have three events to do it. We don't need to go out and win it in the first races in Porto Cervo, but we will be chipping away all the time. And I will be very surprised, if, at a couple of days out from the end in Menorca we are not in there fighting for the title."
Reynolds adds:
"We are delighted to have Doug back to steer for the rest of the season. He brings so much positive energy and stability to the team. And he is a great sailor in his own right, having done this for so many years. Bear in mind he has been through all the circuits, the 50-footers, IMS and involved since the start of the 52s then he really has done this his whole sailing life."
Of the success of their three-boat team programme, he confirms:
"As a group we have taken on a lot, but it is great to see it working. It is a lot of work for everyone, but to see Platoon win in Scarlino, Gladiator are going so well and improving, we can see we are doing the right thing. We could take on another couple of TP52 programmes, like an entry level team for example, and be sure that by sharing our IP as we do and providing the coaching support that they would make the best possible progress, getting up to speed quickly."
Bronenosec, Vladimir Liubomirov's Russian-flagged team, are seeking to effect a climb up the regatta and overall leaderboards after a very disappointing ninth place overall in Scarlino. They have recruited Italian Tomasso Chieffi who steps in to complement tactician Morgan Larson, while project manager Michele Ivaldi is no longer involved.
Bronenosec make vital personnel changes ahead of Porto Cervo.
Chieffi, who is particularly strong on the waters of the Costa Smeralda said:
"I am delighted to be back with the TP52s, with a team that has so much potential, especially starting off at Porto Cervo."
Bronenosec's navigator Francesco Mongelli explains:
"It is sad to make a change like this, but sometimes, like with a football club or a company CEO, when you are not getting results you need to make a change for the sake of making a change. We have all the pieces to get better results than we have been getting. We are fast enough, I don't think we are lacking there, but it seems like there are just little percentages here and there that we need to improve on. Starting has been a weakness and you can't live with that in this fleet."
The Azzurra crew are back on home turf.
On their home waters, confidence is high in the Azzurra team, representing the Yacht Club Costa Smeralda. The winners of this season's 52 SUPER SERIES Miami Royal Cup are searching for every small improvement, but are fundamentally happy with their speed package. Like Platoon's strategist Jordi Calafat, tactician Vasco Vascotto starts a second consecutive week of racing on the Costa Smeralda. Skipper-helm Guillermo Parada comments:
"We need to improve our consistency a little bit. We sailed well at the beginning, and at the end of the regatta in Scarlino, and we need to take those bad days out of the equation if we want to have a chance at the end of the season. We need to be sure in Porto Cervo that we are consistent every day.
I think there are a couple of good boats to keep looking at now rather than just Quantum, so we have to keep working all the time. We really just focus on ourselves, on what we are doing rather than who is on what boat; we look to do the very best we can, and if we do that we should be in a position to win."
After breaking their rig in training before the 52 SUPER SERIES Miami Royal Cup in March, the French team of Jean Luc Petiithuguenin, Paprec, are back and ready to race in Porto Cervo, a venue they particularly like. They have recruited 2012 Finn Olympic bronze medallist Jonathan Lobert as spinnaker trimmer who complements Laser World Champion Jean Baptiste Bernaz, who sails as tactician on Paprec.
Stephane Néve, project manager for Paprec confirms:
"So far, so good with the rig. We have just a little bit of work to do with it before we go. But we are happy to be back with the fleet. It is good to be bringing in these good guys who are not only good sailors, but who bring a new energy and spirit to the team."
The Porto Cervo 52 SUPER SERIES Audi Sailing Week will take place from 21-25 June, with races starting at 13:00 CEST every day. Track the boats via state-of-the-art Virtual Eye at www.52SUPERSERIES.com/LIVE or via the app.
Porto Cervo 52 SUPER SERIES Audi Sailing Week
Tuesday 20th June – Official practice race(s) from 13:00
Wednesday 21st June – Coastal Race between 13:00 – 17:00 (approx).
Thursday 22nd June – WL Races between 13:00 – 17:00 (approx).
Friday 23rd June – WL Races between 13:00 – 17:00 (approx).
Saturday 24th May – Coastal Race or WL Race & short Coastal Race between 13:00 – 17:00 (approx).
Sunday 25th May – WL Races from 13:00 and prize-giving ceremony at 17.30hrs (approx).
52 SUPER SERIES – Porto Cervo 52 SUPER SERIES Audi Sailing Week
Alegre (Andy Soriano GBR/USA)
Azzurra (Roemmers family, ITA/ARG)
Bronenosec (Vladimir Liubomirov, RUS)
Gladiator (Tony Langley, GBR)
Paprec Recyclage (Jean-Luc Petithuguenin, FRA)
Platoon (Harm Müller-Spreer, GER)
Provezza (Ergin Imre, TUR)
Quantum Racing (Doug DeVos, USA)
Rán Racing (Niklas and Catherine Zennström, SWE)
Sled (Takashi Okura, USA)
Sorcha (Peter Harrison, GBR)
News Overview PREVIEW: Porto Cervo 52 SUPER SERIES Audi Sailing Week Gladiator Perform in Practice
Azzurra Platoon Porto Cervo 52 SUPER SERIES Audi Sailing Week Quantum Racing


4. That system of laws is alone calculated to maintain civil liberty, which leaves the citizen entirely master of his own conduct, except in those points in which the public good requires some direction and restrant. When a man is restrained in his natural liberty by no municipal laws but those which are requisite to prevent his violating the natural law, and to promote the greatest moral and physical welfare of the community, he is legally possessed of the fullest enjoyment of his civil rights of individual liberty. But it must not be inferred that individuals are to judge for themselves how far the law may justifiably restrict their individual liberty; for it is necessary to-the welfare of the commonwealth, that the law should be obeyed; and thence is derived the legal maxim, that no man may be wiser than the law.
5. Natural liberty is the right which nature gives to all mankind, of diposing of their persons and property after the manner they judge most consonant to their happiness, on condition of their acting within the limits of the law of nature, and that they do not in any way abuse it to the prejudice of other men. Burlamaqui, c. 3, s. 15; 1 Bl. Com. 125.
6. Personal liberty is the independence of our actions of all other will than our own. Wolff, Ins. Nat. §77. It consists in the power of locomotion, of changing situation, or removing one's person to whatever place one's inclination may direct, without imprisonment or restraint, unless by due course of law. 1 Bl. Com. 134.
7. Political liberty may be defined to be, the security by which, from the constitution, form and nature of the established government, the citizens enjoy civil liberty. No ideas or definitions are more distinguishable than those of civil aud political liberty, yet they are generally confounded. 1 Bl. Com. 6, 125. The political liberty of a state is based upon those fundamental laws which establish the distribution of legislative and executive powers. The political liberty of a citizen is that tranquillity of mind, which is the effect of an opinion that he is in perfect security; and to insure this security, the government must be such that one citizen shall not fear another.
8. In the English law, by liberty is meant a privilege held by grant or prescription, by which some men enjoy greater benefits than ordiuary subjects. A liberty is also a territory, with some extraordinary privilege.


text:
November 2020 | Q&A Spotlight
What it's like to be in healthcare consulting during COVID-19
It has been difficult to find any sort of silver lining in 2020. And while we're still facing collective challenges across all industries, the healthcare industry has seen a glimmer of hope. West Monroe's Healthcare and Life Sciences Managing Director Will Hinde discusses what it's like to be a healthcare consulting during a pandemic, how the industry has changed, and what's next for an industry dealing with so many short-term and long-term unknowns.
What have been some of the biggest challenges for healthcare clients between March and now?
We primarily work in four sub-sectors of healthcare: health systems, health payer, dental and other insurance, and life sciences. Providers shifted their focus to front-line service, as they were obviously triaging COVID-19 patients and learning to treat the virus. Life sciences companies also shifted their focus toward therapeutics and vaccine development for the virus. A lot was paused in those markets.
Both health and dental payers, on the other hand, had some very profitable months because claim volume was low. They actually invested—it was an easier time for them to experiment and we saw them work on back-office business processes, technology systems, and other areas that are difficult to change when business-as-usual is busy. On the dental side, they also chose to increase their provider engagement because there was a fear of them going out of business.
What is the overall state of the healthcare consulting market, and how is it different from a year ago?
While each sub-sector is different, they all experienced a similar cycle during the pandemic: panic, pivot, and then stabilization. Aside from working virtually, in healthcare consulting the overall state is somewhat back to business as usual—patients can no longer delay seeking care for other ailments and elective procedures and they're also going back to the dentist.
In pharma, there are clear leaders in the race for a COVID-19 vaccine, so the rest are returning to other drugs and therapeutics that pay the bills. However, digital has been accelerated. Most healthcare companies are still in the stone ages of digitization and this crisis has brought us further, faster. We're helping clients across all sub-sectors in this area—for example, with telemedicine, make it a product that providers can offer, payers can compensate for, and consumers can use.
How much easier or more difficult has it been servicing healthcare clients with so much work happening remotely?
It has not been all that easy. The initial impression was that we were all going to get time back for not commuting or traveling. But that time has been lost to the inefficiency that comes from not "walking the halls" or having casual interactions with each other and with clients. We like to work elbow-to-elbow with our clients. We co-create and co-ideate, and we enjoy that dynamic. We still have clients whose culture, or Internet speeds, don't allow the use of video so we can't read body language or cues. This makes it more difficult in speed and nuance. With highly scheduled, highly tactical days, things seem to take more time.
On the positive side, the virtual nature does give our consultants more time with their family, increased flexibility, and more control over their lifestyle. As a result, we're beginning to see the possibilities of this allowing some folks to stay in the job longer, which is super positive as we look to increase the diversity of backgrounds in the consulting workforce.
What has been the connection between COVID-19 and the adoption of telehealth?
Telemedicine is obviously not a new technology to come out of the pandemic. But its adoption among providers was key to their survival and patients who would have previously dismissed it had to consider it as an option. We've seen the data support this: In our survey of 1,500 consumers in three major U.S. cities, we found that their use of telehealth nearly doubled over a six-month period, from 27% before the pandemic to 49%.
Telehealth Key in Redefining Future of Healthcare as Residents, Workers Leave Major American Cities
We also found that these new habits are likely to sustain. Just having telemedicine is not a strategy, though, and that's why we're working with providers, systems, and payers on their overall virtual health strategy. Telemedicine is just one part of an overall experience for patients and should be deployed where it makes the most sense—our survey showed people are more likely to use it for services like lifestyle support and primary care and less likely to use it for eldercare and specialist visits.
What have been some of the biggest consulting opportunities to arise out of the pandemic so far?
The biggest opportunity is the acceleration of digital. It's no longer a choice, and there is an insistence—not just from the executive team, but from all stakeholders—that the healthcare industry does things differently. A specific example would be the pre-validation and paperwork you fill out at the doctor's office—the push to make that self-service and digital during the pandemic was huge. Healthcare is still behind other industries and the opportunity is finally here to collectively elevate the ecosystem.
The pandemic, I think, has gained the buy-in of the industry and all the folks who work within it to be more digital-forward, more patient-centric, and understand that these goals are actually achievable—that they can actually administer healthcare differently.
What are some areas of growth you anticipate in the healthcare consulting market going forward? How much of a role will the state of COVID-19 play?
I hope the spotlight on the inefficiencies has given way to the much-needed improvements and will outlast the immediacy of the pandemic. The continuation of digital is an imperative and the combination of business and technology consulting needed to support this, we feel, positions West Monroe very well.
The state of COVID-19 definitely plays a role: If it comes back with a huge resurgence, it keeps the focus on the overwhelming demand on providers and increases pressure on life sciences companies. It could also shed light on insurers that continue to collect premiums while services go unused. Several car insurance companies refunded premiums during the pandemic because people were driving less often—people may start demanding the same from health insurers. We may also see more people become unemployed and lose their health insurance, which affects the entire ecosystem's ability to take on the improvements that they need to.
Quotes from this Q&A were originally featured in Consulting Magazine's feature, Pandemic Uncertainty Abounds in Healthcare, but Consultants See Some Hopeful Signs .
Contributor Will Hinde
More on Healthcare & Life Sciences
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Seizing opportunities that the American Rescue Plan creates for health plans
November 2021 | Resource
New building block: How healthcare payers can leverage blockchain
November 2021 | Point of View
Patient centricity in life sciences: What does it mean, and what's next?
Nov. 1, 2021 | InBrief
Health plans: A better way to think about your digital business case
Continue reading about COVID-19
May 2021 | Point of View
April 2021 | Report
February 2021 | Point of View
Leading through crisis: What 2020 taught us about leadership
January 2021 | Report
West Monroe's Quarterly Executive Poll – Q1 2021
Explore our latest perspectives


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Four cheese blend, sun-dried smoked tomato aioli, pico de gallo, corn tortilla.
Saffron risotto spheres, onions, Parmesan cheese, Mozzarella cubes, smoked sun-dried tomato aioli.
8oz burger, brioche bun, caramelized onions, Provence greens, truffle aioli.
Braised pulled short ribs, waffle fries, four cheese blend, Espelette & Sriracha aioli, truffle Crème Fraîche, scallions.
Braised pulled short ribs,brioche bun, four cheese blend, grilled ratatouille,sun-dried tomato pesto, truffle ricotta.
Herb de Provence marinated grilled sliced chicken breast, baguette, Provence greens, tomatoes, onions, cornichons, smoked sun-dried tomato aioli, sliced boiled egg.
Shredded chilled chicken salad, brioche bun, Provence greens, grapes, apple slaw (cabbage, carrots, apple).
Four cheese blend, green and red peppers, onions, tomato basil tortilla.
Provence greens, baby arugula, haricot vert, boiled egg, diced potatoes, cornichons, olives, red onions, lemon vinaigrette.
Paris on Wheels is cooking up the finest French/American collaboration since the Statue of Liberty. A menu of elevated, hybrid comfort is giving Astoria a better way to chow down, and a lot of reasons to line up.
From braised short-rib tacos to King Louis hot wings, there's a taste for every tastebud onboard, marrying European flair to classic American soul. Hop on board to see for yourself, or book the truck for your next event - you'll find yourself holding a torch in no time for their knockout cuisine.
Waffle Baffle - Braised short ribs piled over waffle fries and finished with espelette & srirachi aioli, truffle creme freiche and a four cheese blend.


Money Magic is the very first zine by the Money Witch herself, Jessie Susannah Karnatz. Jessie Susannah is an intuitive financial coach and powerful magic maker (and also the owner of a truly baller instagram - if you don't follow her already, get on it ASAP!).
In this zine, the Money Witch talks about altars, how to set up and work with a money altar, some easy money magic rituals to incorporate into your everyday life, and spending habits by zodiac sign.


When I have company I love to make Buddha Bowls. This recipe comes from Fresh's Juice for Life called Fresh at Home It takes quite a bit of prep work, but I do it all the night before and then it is a cinch to serve for dinner on the day of.
I would love to get the recipe for this dish if it isn't too much trouble -- looks fantastic!!
TG, I will definitely photocopy it for you and send it to you. E-mail me your mailing address, if that works, or are you moving too soon?
The recipe is made up of three recipes, which is part of the reason why I didn't post it!
I'll send you an email right away -- thanks so much!


text:
May 5, 2016 · by The Thorn · in Film, Literature. ·
Synopsis: A box-office and Academy Award®-winning triumph, this awesome adventure assembles a cast and creative contingent as only a big movie can. Its legacy soared higher when director Richard Donner revisited the film in 2000 and integrated eight minutes of footage. Experience more of the Krypton Council, a glimpse of stars of prior Superman incarnation, more of Jor-El's underscoring his son's purpose on Earth and an extended sequence in Lex Luthor's hideout. Christopher Reeve (Superman/Clark Kent), Marlon Brando (Jor-El), Gene Hackman (Lex Luthor) and Margot Kidder (Lois Lane) give indelible performances Looks like a swell night for flying.
Superman 8.25
eyelights: Christopher Reeve. Margot Kidder. Glenn Ford. Marlon Brando.
eyesores: the dated special effects. the weaker third act.
"They can be a great people, Kal-El, they wish to be. They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you… my only son."
Christopher Reeve is Superman. Look, I know that plenty of actors have played the part, but no one has embodied him so perfectly. He not only had the physique, he had the charisma and the demeanour to make him larger than life. He even played the part of Clark Kent perfectly.
I can't imagine anyone else doing it better.
Reeve's Superman was a hero, a humble soul who fought the good fight because it needed doing and because he could do it like none other. Yes, he could move mountains, but getting a cat out of a tree was never beneath him; he empathized with people and held life sacred.
When 'Superman' blasted onto the screen in 1978, it boasted that "You'll believe a man can fly". And, thanks to Reeve and some then-wondrous special effects, it delivered – it soared the top of the box office for 13 weeks in a row, becoming the 6th biggest grosser of all time!
The film still holds up today. While it sometimes looks its 40 years, particularly in the special effects department, it tells a tale for the ages: that of an orphan boy sent to Earth to help humanity; with his alien powers, he helps the weak, rights wrongs and saves the lives of many.
Director Richard Donner gave it the larger-than-life treatment that it deserved, starting with an overture featuring an orchestra, backed by large red curtains – curtains that open halfway to reveal a black and white film of a Golden Age Superman comic book being read.
And then, after transitioning to a shot of the Daily Planet, John Williams' iconic opening theme rumbles to life!!!
Da Da Duh Da Da, Da Da Da, Da Da Duh Da Da, Da Da Daaa!!!
If the magic of the moment didn't affect any of its audience, they were a lost cause: especially back in the day, with those large screens (it's one of those epic films that no laptop can do justice to – you have to watch it large and loud if you want to get into the spirit of things!).
'Superman' has a clear three-act structure:
1. Origin: In which Jor-el sends Kal-el to Earth, is found by Jonathan and Martha Kent, and is raised through adolescence by them – after which he goes into seclusion for 12 years at his Fortress of Solitude for tutelage from Jor-el (in pre-recorded, interactive videos).
2. Metropolis: In which, now a mature adult, Clark Kent (né Kal-el) starts a new life in Metropolis as a bumbling reporter for The Daily Planet, makes new friends, and uses his powers as Superman for the first time. Lex Luthor and his crew are also introduced here.
3. Lex Luthor vs. Supes: In which Luthor launches his plan to hijack nuclear missiles and shoot them on California in order to sink it – so that property values on nearby lands that he's purchased can skyrocket. Superman obviously swoops in to save the day – and Lois Lane's life.
What's interesting is how different each act is tonally: The first part is pure science-fiction drama, with tinges of adventure. The second is more of a romantic comedy, with superheroics to spruce it up. Then the third act is pure suspense, with Superman racing the clock.
And yet, somehow, it actually works.
Perhaps it's these clear divisions that make the nearly two-and-a-half hour movie zip by so quickly: it makes each segment feel like its own mini-movie, instead of combining into one long one. Or it feels like a 48-minute origin story tacked on to a standard 94-minute feature film.
Interestingly, the weak point of the picture is the third act, the one that should normally amp up the proceedings: Luthor's operation to hijack the missiles is a farce, Luthor and Superman's confrontation lacks tension, Lois' fate feels contrived, and Superman's solution is absurd.
But, by that point, you've marveled too long to care; nothing can shake you from under its spell.
Here are highlights and lowlights from this sprawling super epic:
Super bits
John Williams' music: Holy crap, let's be honest here: 'Jaws', the 'Star Wars' trilogy, 'Close Encounters of the Third Kind', 'Superman', 'Raiders of the Lost Ark', 'E.T.'… his early years were absolutely stunning.
The set design for Krypton: It's unusual-looking (Is it cement? Ice?), barren, but quite distinctive.
The opening trial sequence: Starring Brando as Jor-el, speaking authoritatively as the prosecutor, facing General Zod and company (who are trapped by spinning hoops), and surrounded by over-sized projections of the Ruling Council's grim faces, it's an eerie, remarkable, unforgettable sight.
Marlon Brando as Jor-el: I'm no fan of the actor, who was a total douchebag, but, boy, does he ever have presence here!
Terence Stamp as Zod: He is so powerful, intense, commanding. He is simply amazing.
Zod's imprisonment: It is so dramatic: the dome covering the trial flips open, giving way to the barren surface of Krypton. They seem so small against the starry night and empty planet.
The council's shiny suits: It looks strange, but it's still a cool effect.
Jor-el's warning: He warns the Council that the planet is set to explode. But they disagree and make him wow to remain silent. It's such a tense moment and yet Jor-el abides by their demands – which doesn't prevent him from jettisoning his only son from the doomed planet.
The Kents: They are simply pitch perfect. I love that Kal-el/Clark's new dad keeps him humble. Ford has amazing presence; we don't spend enough time with him before the character dies.
Kal-el rescues Mr. Kent: It's such a nice touch when Kal lifts the car to save Mr. Kent. Unlikely, but nice.
The kick: Stuck taking care of the football team's gear when he'd rather spend time with Lana, Clark kicks a football into the sky out of frustration. Neat. And well executed, too.
The Kansas fields: The picture's sprawling wheat fields are really stunning; they add character to the first act.
The Fortress of Solitude: So impractical, so unusual, but also awe-inspiring. Wow. Just wow.
Kal-el's training to become Superman: Jor-el had programmed an interactive training session for Kal-el, teaching him about all sorts of complicated concepts over the course of 12 years, through space and time. It's a great idea, because it explains how Superman can be so wise and knowledgeable. Unfortunately, it wouldn't end being used much in the series. Unusually, the filmmakers chose to use experimental effects to suggest the passing of time and the places he's been.
Superman is revealed: To the 'Superman' fanfare, Superman flies for the first time. It's chill-inducing.
Metropolis and The Daily Planet: Yeah, yeah… it looks suspiciously like New York City. But, like, it just looks amazingly real. Metropolis and the Daily Planet have come to life!
Clark Kent: Look, Reeve is f-ing genius as Clark Kent, giving him a nebbish Hugh Grant quality (Reeve said he based himself on Cary Grant): he fails to open a simple bottle for Perry White, whereas Lois does it while multitasking. Kent is so ineffectual that you couldn't possibly believe he's Superman. It makes you wonder about how difficult it must be to maintain this split personality; Kal-el delves into this performance so deeply that he's even Clark when no one's looking. And Reeve sells us on all of it.
The humour: The dialogues are actually quite funny. In fact, the whole film is filled with a nice blend of subtle wit and discreet sight gags.
Clark and Lois vs the thief: As they walk from work, they are confronted at gunpoint by a burglar in an alley. Kent acts like a total wimp and pretends to pass out -but catches the bullet- even though it makes him look terrible. Nice. Meanwhile, Lois takes charge. Even better! It's a great scene.
Clark changes into Superman: In a jab at the comics, Clark is looking for a phone booth to change in, only to find one of those open, half-booths. Ha! So he uses a revolving door instead. So good.
Superman: I can't say it enough: Christopher Reeve IS Superman. If not for him, the picture would simply not have held up. To think that the producers were considering actors like Dustin Hoffman for the part. WTF.
The helicopter save: When the helicopter carrying Lois tumbles off the roof, Superman flies up to the rescue. It is SO smooth. He IS Superman.
Superman saves the day: In a short pastiche, we see Superman interfering with various crimes in progress. The thief climbing up the surface of the building, only to find Superman waiting for him midway, is a classic.
Lex Luthor's lair: Wow, what an impressive (if slightly claustrophobic) place he's put together: All marble, columns and high ceilings, it's quite a sight. For a set.
Lex's moll: Ms. Teschmacher may dress classlessly, but Valerie Perrine is hot. And I like that Teschmacher has a strong personality – even if it seems contextually inappropriate, given that Luthor wouldn't want to get lip from anyone.
Lois' apartment: The set is really nice, stunning, if fake.
Lois' interview of Superman: In the interview, Superman is subtly flirtatious, which I really liked. Nice.
Superman takes Lois flying: At the tail end of their interview Superman takes Lois for a spin. Um… can you say "best date ever"?
Superman saves California: A bus falls over the edge of a bridge, he prevents it. A train is about to derail, he fills the gap in track with his body. Yeah, he's superheroic.
Superman's grief: His pain, his loneliness, is extremely well articulated, with long shots, many cuts, and so much silence. Urgh.
Not-so-Super bits
The opening credits: Hey, they're cool-looking but they're waaaaaay too long. It would be nice for the movie to start at some point.
General Zod's prison: As much as the sequence is impressive, the pane of glass flipping in space is hoaky and anticlimactic.
Kal-el's ship: Is it just me or does it seem utterly impractical and brittle. Just look at its wimpy launch, making it look like it's on strings.
Kal-el's flight: You have to wonder how much of Jor-el's training Kal-el is taking in on his three-year flight. But forget about that: the flight itself looks hoaky.
Teen Clark: I've always felt that Jeff East (who played the part of the teenaged Clark Kent) looked too old to be in high school. AND he looks nothing like Christopher Reeve. Nothing. Plus, what's with his hair? Is it a wig? WTF? It apparently took 3-4 hours of make-up per day to fail so miserably at transforming him into Clark Kent. Yikes. The guy is good, I have no issue with his performance, but it's still the biggest miscast of the film.
Clark outraces a train: I like the idea, but East's movements aren't right: no one runs like that – he looks like a robot. Otherwise it's decent enough, all things considered – this is pre-CGI, after all.
Clark goes north: Man, the winter set looks super fake – ridiculously so. As someone who's known Canadian winters, I promise you that snow doesn't look like Styrofoam.
Kal-el slips up as Clark: It's always been strange to me how, after the aborted hold-up, Clark slips up and tells Lois exactly what's in her purse. Don't get me wrong: it's a funny bit, but it's really not credible contextually. For one, it should make her wonder. Secondly, it makes me wonder just how capable Kal-el is at maintaining his dual personality. Is he losing it?
Otis: The theme for Lex Luthor's main henchman is fun, playful. But then there's Otis himself. At first, his ineptitude is amusing, however it quickly becomes grating; it makes you wonder why Luthor would keep him around. Keeping him around makes Luthor less credible as a villain, because a genius like him needs competence around him to get things done. So why would he put up with this and the talking back that he gets from his strong-willed moll?
Lois' helicopter accident: It's so abrupt, even a bit iffy. It feels too contrived to me.
Superman's suit: Really, let's be honest: his suit is too damned bright (But… ahem… well packed).
Superman's flying: I don't believe this man can fly. The effects may have been top-notch at the time, but it's not always convincing. In fact, sometimes it painfully obviously that he's front of a bluescreen.
Superman reveals too much: During his interview with Lois, why would Superman tell her about his inability to see through lead? He's far too trusting… once that information is out there it can be used against him by anyone. Surely he knows that!
Superman takes Lois flying: It all looks super fake, sadly; it's so obvious they're in a studio.
Superman drops Lois midflight: WTF. How could Supes drop Lois while he's taking her for a quick spin? How could he be so distracted as to let that happen?
Luthor hijacks nuclear missiles: Good idea, but so poorly executed given that he relies on Otis. And why oh why wouldn't the military clue in to the fact that these nitwits are a distraction? Shoot on sight, I say, if you're guarding nuclear armament. It was meant to be humourous, but it spoils what should be a tension-filled theft.
Luthor's trap for Superman: It's so obviously a trap, that it makes you wonder why Supes doesn't realize it. Just how dumb could he be, after having spent 13 years being coached by Jor-el?
Luthor sends a nuke to Hackensack, New Jersey: It's way too much of a coincidence that Luthor inadvertently sent a missile to Ms. Teschmacher's hometown. Passive aggressiveness? Or just a convenient plot point? Either way, it's lame.
The dam breaks: Strangely, even though he can do anything, Superman doesn't fix the dam, but instead stops the water by building his own dam – a dam that's much shorter and smaller than the original, and yet contains all the overflow.
The fault: A fault opens beneath Lois' car and she dies a traumatic death, buried in her own car, struggling to get out. Fine. But the fact that it just opens up right under her car is too much of a coincidence for my taste – especially since the roads are clear and there's nothing and no one in sight. It's like she was pin-pointed. Which, of course she was – by the filmmakers.
Superman grieves: When Superman grieves for Lois, Reeve's performance is only so-so. Too bad, 'cause the rest of the scene is genius.
Superman saves Lois: Superman's decision to save Lois is questionable, both philosophically and scientifically. Firstly, he's supposed to be selfless. So saving Lois at other people's expense isn't in character. Secondly, turning back the hands of time is simply not one of Supes' powers. I've had it explained to me that when you travel at the speed of light, one can travel time. Fine. Let's say that's true. But the concept should have been illustrated so that even the dumbest kid could understand it (it is a family film, after all). But it's not even clear to us adults. So MASSIVE fail. If that's what happened.
Superman makes everything right: So, what, after going back in time, everything just repaired itself magically? How is that possible? What happened to the nuclear missiles? Didn't they still hit their targets? What the heck happened here? Look, I know that Jesus is magic, but Superman isn't.
Ultimately, though, 'Superman' is a terrific, if imperfect, fantasy. It not only made (some of) us believe that a man could fly, it demonstrated heroism at its purest, most idealistic. While the picture looks and feels dated in some ways now, at its core remains a timelessly inspiring tale.
Some claim that Superman stems from a more innocent era and that he doesn't fit in with today's reality. Some would even have Superman updated to be more in line with the times: darker, conflicted, more violent – a reflection of us, only with the awesome powers that we don't have.
You know… more power, less responsibility.
But Superman's purpose is to be a beacon of hope where there is none. Superman is the person we would be if we strove to be our better selves, to get beyond fear, anger, selfishness, pride and all the many frailties that trip us up. That's why he's more than man, why he is Superman.
And Christopher Reeve made him real.
Date of viewing: March 20, 2016
Tags: Action, Adventure, Comedy, Crime, Period piece, Romance, Science Fiction, Superheroes
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6 responses to "Superman"
Marjorie May 5, 2016 at 13:27 · · Reply →
One of the things that — to me — makes this the BEST "Superman" of all the movies in the franchise is Christopher Reeve's performance. Surely he was somewhat aware that the dialogue and parts of the story were weak and contrived. And that the last time someone made a feature film about a superhero was the campy based-on-an-equally-campy-TV-series "Batman." Yet he throws himself so fully into the performance that it's a wonder to behold. That he overcame that with his sheer personality and talent, not to mention his charisma and belief in the strength of the fundamental story, is a testament to Reeve's brilliance. Someone more cynical, more cocky, more arrogant, might have been less confident of the role and character, but Reeve completely embraced it. God bless him.
The Thorn May 8, 2016 at 09:03 · · Reply →
Hear, hear! :):):)
Eric Binford May 6, 2016 at 13:59 · · Reply →
Still my favorite superhero movie! It's incredible what they did without computers. The Christian allegory really works — Kal-El/Christ, Jor-El/God, etc. That music score! Fantastic. And Reeve, Kidder, Brando, and Hackman are just perfect! I agree with you that "what's interesting is how different each act is tonally" It is as if three directors made the movie: Cecil B. DeMille/Krypton, Terrence Malick/Smallville, and Preston Sturges/Metropolis.
Yeah, the Christian allegory is another big aspect of the picture. I didn't want to get into it because I didn't explore that enough and thought I would muss it up. It's too sensitive a matter to take lightly. But, yeah, it's a very cool aspect of the film. It kinda got lost by 'Superman III', though. 😛
"Never not dare to hang yourself." You are an excellent writer and I'm sure you would have done a great job exploring the Christian allegory. 🙂
Hey, thanks for the vote of confidence. :):):)


A HK film which received multiple awards and nomination recently,directed by Alex Law and starring Simon Yam and Sandra Ng.
Dad: What you learn from English ?
skywalker - i recall reading a famous line of this movie, from the female character 吴君如 :"人,总要信" ….


text:
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Numer 6 (50)
50-2018.pdf
Radosław Koper, Przymusowe poszukiwanie, wydobycie i odebranie dowodów w procesie karnym a tajemnica dziennikarska
The Forced Search and Retrieval of Evidence in Criminal Proceedings Versus Journalist Secrecy
The paper addresses fundamental issues that arise in connection with coercive measures that are applied in criminal proceedings, consisting of search and seizure of the evidence. The author takes into consideration the application of search, seizure, control of correspondence and wiretapping in the context of journalistic secrecy. The article verifies the standards of protection of journalistic secrecy, which should not be the subject of unjustified and excessive infringement. The author reviews provisions of the Code of Criminal Procedure and the Press Law Act in respect of this problem. The defects of normative regulations have been identified and certain improvements and amendments proposed. The general goal of the paper is to postulate a number of solutions that will result from proper decisions made when the concurrent interests and values clash.
Koper.pdf 372 kB
Szymon Pawelec, Transformacje spółek handlowych oraz ich nabywanie w świetle nowej ustawy o odpowiedzialności podmiotów zbiorowych
Mergers, Divisions, Transformations and Acquisitions of Companies under the New Act on Liability of Collective Entities
This paper creates a continuation of an analysis of the new regulation of mergers, divisions, transformations and acquisitions of companies under the proposal for the new Act on Liability of Collective Entities for Acts Prohibited under the Penalty. Its scope is concentrated especially on the new regime concerning acquisitions of companies and selected new common threats that the new act creates for every business operation from the sphere of mergers and acquisitions, especially in a situation, where economic condition of one of the companies (the acquiring one) is much better than the other party to the transactions.
Pawelec.pdf 316 kB
Elżbieta Hryniewicz-Lach, Przestępczość osób starszych jako nowy problem polityki kryminalnej?
Crime of the Elderly as a New Problem of Criminal Policy?
This article addresses the problem of crime among the elderly and selected issues that may arise in case of their imprisonment. Research and statistics show that, apart from limiting the number of crimes committed with violence as a consequence of the general weakening of the organism, crimes of older people do not differ fundamentally from crimes of younger people. Therefore, it seems sufficient to apply to the eldery the general requirement of individualization of criminal responsibility instead of creating separate grounds for their liability. In the sphere of reaction to crime, however, especially in case of imprisonment, there are significant problems related to adapting its conditions to the needs of eldery (especially due to the state of their health) in order to avoid any accusation of their inhumane treatment. Polish legal regulations do not differentiate the way in which eldery are treated in prisons. Therefore legal amendments are postulated, that would enable them seeking, after reaching a certain age, the possibility of applying for early release on special conditions and the possibility of adapting the prison regulations to the special needs of such persons.
Hryniewicz-Lach.pdf 414 kB
Albert Pielak, Osobiste czynności prawne
Personal Juridical Acts
The article discusses the issue of personal juridical acts that can not be concluded by an attorney. The work uses, above all, the formal-dogmatic method, as well as comparative and historical-legal method. According to art. 95 § 1 of the Civil Code, the possibility of acting through a proxy is subject to restrictions due to the act and the nature of legal transaction. The restrictions mentioned seem incomplete – they lack the inability to act through a proxy due to another legal act. In the author's opinion, the nature of the legal transaction should be identified with non-property legal transaction. The article categorized the divisions of personal legal transactions into personal primary and personal secondary as well as personal formally and materially.
Pielak.pdf 355 kB
Piotr Michalik, Uchwalenie Jewish Naturalisation Act z 1753 r. a status prawny imigrantów żydowskich w XVIII-wiecznej Anglii
The Enactment of Jewish Naturalisation Act of 1753 and the Legal Status of Jewish Immigrants in the 18th Century England
The aim of this paper is to present analysis of the enactment of Jewish Naturalisation Act of 1753. It gives us some insight into several key issues of the legal status of Jewish immigrants in the 18th century England. Firstly, amongst the most of MPs there was mutual agreement that the legal status of English Jews, still rooted in the medieval common law, must be settled by acts of Parliament. Secondly, for the Whig majority the pattern of changes had been set by the naturalisation act of 1740 (Plantation Act), which provisions had not forced Jewish immigrants to take any Christian oaths. Thirdly, there were deep divisions between MPs as to the economic, social, religious and political outcomes of the proposed piece of legislation. Prized by Whigs and considered by the staunch Tories almost as an act of treason, Jewish Naturalisation Act was rejected by the English society. It was too early to make Jews natural born subjects of England.
Michalik.pdf 366 kB
Maciej Błotnicki, Glosa do wyroku Sądu Apelacyjnego w Katowicach z dnia 19 października 2017 r. sygn. akt II AKa 303/17
Commentary to the Sentence of the Court of Appeals in Katowice of October 19, 2017, II AKa 303/17
The subject of the text is a reflection on the interpretation of the conditions for applying impunity clauses from art. 15 § 1 c.c. and art. 297 § 3 c.c., which occurred against the sentence of the Court of Appeal in Katowice. The focus is on dogmatic analysis of the concept of "voluntariness", which is the subjective condition of the institution of active repentance. The author does not share the position of the appeal which is expressed in the decision. It is justified by the fact that in the realities of the facts there were circumstances allowing establishing premises excluding criminal liability. On the other hand, the argumentation motivating the position chosen does not indicate the exclusion of voluntary referred to in the aforementioned provisions. However, this statement may raise doubts about cases of a more complex nature and thus put an accent on slightly different factors in the court's argumentation.
Blotnicki.pdf 319 kB
W latach 2019–2020 czasopismo wydawane jest w ramach programu "Wsparcie dla czasopism naukowych" Ministerstwa Nauki i Szkolnictwa Wyższego.
Czasopismo jest ujęte w bazie European Reference Index for Humanities and Social Sciences (ERIH PLUS) oraz w bazie HeinOnline.
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Home Air Power Airlift and Tanker Embraer KC-390 arrives in the United States for a series of flight...
Embraer KC-390 arrives in the United States for a series of flight trials
The new Embraer KC-390 multi-mission military transport and tanker jet will start a series of flight trials in the United States as part of its flight test campaign for certification. The aircraft left Brazil last Saturday and today arrived at Embraer´s facility in Jacksonville, Florida.
For the next two to three weeks, the aircraft will be performing tests in the avionics systems, measurement of external noise and operations with cross wind.
"The KC-390 sets new standards in the market and the flight test campaign is progressing extremely well matching the aircraft design goals," said Jackson Schneider, president and CEO of Embraer Defense & Security. "We are very satisfied with the maturity that this product has already reached and fully confident that its certification will be achieved as scheduled."
The KC-390 is capable of carrying out various missions, such as transporting cargo, troops or dropping paratroopers, and aerial refueling, search and rescue, medical evacuation and aerial firefighting, in addition to supporting humanitarian missions. The aircraft can transport up to 26 metric tons of cargo at a maximum speed of 470 knots (870 km/h), as well as operate in hostile environments, including from unprepared or damaged runways.
Since the start of the flight test campaign, in October 2015, both KC-390 prototypes have demonstrated high rates of availability, accumulating more than 1,450 flight hours. The Initial Operational Capability should be achieved by the end of this year and first delivery is scheduled to happen in 2018.
flight test campaign
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POINT BLANK, a hand-launched electro-optical guided missile, is unveiled by Israel Aerospace Industries
Iveco Defence Vehicles S.p.A. (IDV) announces a new partnership with HORIBA MIRA


Pretty much accurate as to how I have felt as of late.
All the where-with-all of a drunken stuper with the pain of a severe head injury (I know the sensation of both from personal experience - they fit migraine description just right). Off to do some mental knitting I'll most likely have rip out later when I realize what looks awesome now is really a sea of whispy dropped stitches.