text:
Purpose and Goals
Board Members & Directors
Cherry Steinwender
Racism in the Arts: A conversation with Harrison Guy, Artist-in-Residence at Rice University CERCL, via Zoom
RACISM IN THE ARTS
A conversation with Harrison Guy, Artist-in-Residence at Rice University CERCL (Center for Engaged Research and Collaborative Learning).
This event is free and open to the public with donations greatly appreciated. To donate, click here.
Harrison Guy is a native of La Marque, TX. He is the Founder and Artistic Director of Urban Souls Dance Company, a modern dance company here in Houston, TX. In 2016 he launched Houston's first African American Dance Festival and was one of Houston's 12 Individual artist grant recipients which allowed him to create Between Two Worlds: A Hymn for Black Gay Men on Race, Religion, and Rites of Passage. He currently serves as Director of Arts and Culture for the 5th Ward Community.
As a Community Organizer, Harrison has served on Mayor Sylvester Turner's Quality of Life Transition Committee, Mayor Sylvester Turner's Inaugural LGBTQ Advisory Board (serving as chair of the Communication & Events Committee and now serving as Chair of the Advisory Board), Mayor Sylvester Turner's Task Form on Policing Reform, and the Democratic National Committee's LGBT Advisory Board. He is a member of the Houston GLBT Political Caucus, NAACP (young adult committee), Third Ward Community Cloth (Arts Thread), and is National President of Delta Phi Upsilon Fraternity, the first Greek lettered organization for gay men of color. Of all of his accomplishments, Harrison is most proud of his title as Husband. He married the love his life, Adrian Homer on their 10 year anniversary as a couple, where Mayor Sylvester Turner was present to declare April 15 as Homer-Guy Day in Houston. Last year, Harrison launched the Black LGBTQ Houston History & Heritage Project which includes the Charles Law Community Archives at The African American Library at The Gregory School. The archive seeks to document and preserve Houston's Black LGBTQ History.
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Since 1989, we have been facilitating the healing of racism through education and dialogue in a safe and supportive environment, in order to empower individuals and transform communities.
Location P.O. Box 27327
Houston TX 77227-7327
CFHR 2020 Year End January 6, 2021
A Community Benefits Agreement between Third Ward community and the Rice Innovation District December 16, 2020
The Center joins the YMCA of Greater Houston Equity Innovation Center December 16, 2020
Center For The Healing Of Racism
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redpajama_set_name: RedPajamaCommonCrawl


This trail provides access to Trapper Creek Wilderness. Beautiful wildflowers and Bear Grass are abundant along the trail in season. The trail provides majestic views of Mt. Adams, Mt. Rainier, and Mount St. Helens. From Observation trail it is possible to ascend Observation Peak the site of an old fire look out via Observation Peak Trail for expanded views of the area. This trail connects with the Trapper Creek Trail making a loop through the Wilderness possible.
To access Observation Trail #132 from the south, follow Trapper Creek Trail #192 from Trapper Creek Trailhead 1 mile to the junction with Trail #132. From there, Observation Trail enters the Trapper Creek Wilderness and climbs steadily along the ridge through a second-growth Douglas-fir forest, gaining 2,600 feet in 5 miles as it nears Observation Peak summit. During this 5 mile section, the trail passes the junctions of Big Slide Primitive Trail #195 (at 3 miles) and Sunshine Primitive Trail #198 (at 4 miles). The trail leaves the wilderness and then passes Observation Peak Trails #132A and Trapper Creek #192 (at 6 miles) and Big Hollow Trail #158 shortly thereafter. Observation Trail #132 ends on Road 58 at Observation Peak Trailhead.
Features on this trail include wildflowers, bear grass, and huckleberries. The rugged viewpoint at the northern end offers a majestic view of Mt. Adams, Mt. Rainier, and Mount St. Helens (behind the trees) on clear days.


I will absent from the campus Wednesday, November 22nd. I will be back on Monday, November 27th.
If you need immediate assistance, you can contact the USF Tampa's Ask-A-Librarian services or, for a short, factual question, use the PCC/USF Library.


text:
Here you will find biographical information on present and past members of the Company, or seen and unseen Shadows as we like to call them.
SHADOWS – Seen
Michael Holmes-Lauder (Director / Technical Director / Actor / Photographer)
Scott Shannon (Co-founder / Writer / Director / Actor)
SHADOWS – Unseen
[NOTE: The compiling of this list didn't begin until Fall 2009 … many other Shadows remain Unseen]
John Ball (Actor)
Josie Blackmore (Actor)
Annick Blizzard (Actor)
Emily Brennan (Actor / Stage Manager)
Rebekah Chassé (Actor)
Crystal Chettiar (Actor)
Nicholas Cole (Technical Director / Actor / Director)
Greg Everett (Actor)
Becky Forbes (Actor)
Ian Goff (Actor)
Elizabeth Goodyear (Actor / Director)
Matt Gray (Musician)
Ryan Griffith (Actor)
Kat Hall (Actor)
Clarissa Hurley (Actor)
Andrew Jones (Actor / Stage Manager)
Jesse LaPointe (Actor)
Julie MacDonald (Actor/Stage Manager)
Katie Malone (Actor)
Jake Martin (Actor)
Jason McInyre (Actor)
Robert Moore (Director / Writer / Actor / Co-founder)
Ian Murphy (Actor)
Simon Peterson (Actor / Technician / Assistant Stage Manager)
Devin Rockwell (Stage Manager / Assistant Technical Director)
Taylor Sinstadt (Technical Director)
Matthew Spinney (Actor / Director)
Amanda Thorne (Actor)
Alberto White (Graphics Designer)
PHOTOS BY MICHAEL HOLMES-LAUDER (unless otherwise noted)
— Active Shadows in Current Productions —
MICHAEL HOLMES-LAUDER
Michael Holmes-Lauder as 'Chael' in A STORY JONES
Michael Holmes-Lauder as 'Chael' in
Michael Holmes-Lauder is a HIDEOUS MAN
House – Technical Director
The Dumb Waiter (2008 & 2010)
— Technical Director
Orestes 2.1 – 'Orestes'
Marion Bridge – Light Tech
Here Lies Henry – Technical Director
Play – Technical Director
The Table Experiments – 'Chael'
— Projection design /
Assistant Technical Director
The Art of Success — 'Oliver'
Rougher Magic: A cubist Shakespeare
— 'Ariel'
— Interviews #3, #36 & #40
In On It — 'That One' / Technical Director
— Director / Technical Director
— 'Reader' / Technical Director
Action – Technical Director
SHADOW SHOWS / ROLES
(In development)
A Story Jones – 'Chael'
Standing At Opposite Ends Are Ducky & Murdock – 'Murdock'
Michael Holmes-Lauder became an integral part of our Nasty world when he stepped into the Shadows over 10 years ago, in 2008, lending his considerable multifarious talents both on/off-stage in the years since. Some behind-the-scenes work by Michael helped make these shows possible: This Is A Play, Here Lies Henry, Play, having begun his Nasty work with 2008's productions of House and The Dumb Waiter. On stage, Michael was see in the spring 2009 production of Orestes 2.1 as the title character, and was part of the cast that helped create Scott Shannon's The Table Experiments in spring 2011. Some other highlights of his theatrical career include work with Theatre UNB, TNB, Saint John Shakespeare, Bard in the Barracks, NBActs, and others. In the fall of 2014 Michael assaulted audiences with his 'Ariel' in Rougher Magic: A cubist Shakespeare, and for Movember 2015 he once again pried into the minds of the audience in the adaptation of Brief Interviews With Hideous Men. In 2017 Michael created one of his most incredible performances playing 'That One' in Daniel MacIvor's In On It. And in the fall of 2018 Michael took on the challenging role of 'Reader' in Beckett's Ohio Impromptu as well as directing the re-staging of House (2018), the show where Michael's Nasty work began.
Game to try just about any theatrical thing, Michael has been invaluable in the various explorations into creating new works, from the aforementioned The Table Experiments to the current work on A Story Jones.
Michael has proven to be a Shadow influencing the work at a fundamental level in all the theatrically Nasty areas you can imagine — the Company is lucky to exploit his talents.
SCOTT SHANNON
Scott Shannon as 'Jones' in A STORY JONES
Scott Shannon as 'Hoss'
in Tooth of Crime (2nd Dance)
Scott Shannon in Monster
A Slight Ache – 'Edward'
The Zoo Story – 'Jerry'
Cowboys #2 – 'Stu'
Rosencrantz & Guildenstern Are Dead
— 'Rosencrantz'
— 'Caliban' (2000)
— Director / 'Prospero' (2004)
Endgame – 'Clov'
Waiting For Godot – 'Estragon (Gogo)'
This Is A Play (2007) — Director
— 'Steve'
— Director
House – 'Victor'
Orestes 2.1 – Director
Marion Bridge – Director
Here Lies Henry – 'Henry'
Play – 'M' / Director
— Writer / Director
Monster – Adam (+ ALL Characters)
Tooth of Crime (2nd Dance) – 'Hoss'
Oleanna – 'John'
The Art of Success – Director
Standing At Opposite Ends Are
Ducky & Murdock (a reading)
— Writer / Director / 'Murdock'
— Director / 'Caliban' (2014)
— Director / Interviews #72, #28 & #46
In On It — 'This One'
House (2018) — 'Victor'
Ohio Impromptu — 'Listener'
Action – Director
The First/Last Play
— Writer / Director / 'X'
— Writer / Director / 'Jones'
— Writer / Director / 'X/JONES'
Scott Shannon has been performing and/or directing shows for Nasty Shadows since co-founding the Company in the Summer of '99 — 20 years ago. Directing credits include: Geography Of A Horse Dreamer (2008); This Is A Play (2007 & 2010) and Marion Bridge (2009), the Company's adaptation Orestes 2.1 (2009), Pinter's The Dumb Waiter (2008 & 2010), and Beckett's Play (2010), in which he also performed the part of 'M'. April 2011 saw Nasty Shadows debut Scott's first original work for the stage, The Table Experiments. Other on stage credits: 'Jerry' in The Zoo Story (1999); 'Caliban' in Rougher Magic (2000); 'Clov' in Endgame (2004); the single (or many) character(s) in the following one-man MacIvor shows: Wild Abandon (2007), House (2008); Here Lies Henry (2010); Monster (2011), and as 'John' in David Mamet's Oleanna. After a year hiatus in 2013 Scott was thrilled to perform again, along with the challenge of directing, in the remount of Rougher Magic: A cubist Shakespeare, a play which has had lasting impact on his theatrical mindset. For Movember 2014 Scott had the thrill of performing/directing again, this time the work of another writer who has had a profound impact on him with the experimental staged adaptation of Brief Interviews With Hideous Men by David Foster Wallace as a series of group meeting shares, like an AA meeting.
Next up Scott, with Matthew and Michael, like a Garage Band, continued work on A Story Jones, in tribute to a Shadow who disappeared into the light. Then the three staged In On It with Scott playing 'This One'. Last year, with Matthew stepping away for a bit, Michael and Scott partnered with Liz to stage Beckett's Ohio Impromptu and to revisit MacIvor's House.
Finally, A Story Jones makes it to the stage after many years and many versions of the script — Scott is sure his friend Andrew would approve of the play's myth and world it creates.
He thanks the casts/crews for all of their hard work over the years and for enduring his tangential rants, and thanks you the audience for your support of the Company.
— Hidden Shadows from Past Productions —
JOHN BALL
BRIEF INTERVIEWS WITH HIDEOUS MEN by DFW
— 'Forensics Expert -> Tapemouth Man'
— 'Prospero'
— Interviews #42, #51 & #59
John Ball made his debut appearance with Nasty Shadows back in 2009 as 'Forensics Expert -> Tapemouth Man' in the Company's production of Orestes 2.1 — an evocative performance still casting a Shadow. A regular performer with Bard in the Barracks, John has played 'King Lear', 'Boyet', 'Gonzalo', and 'Polonius' in recent years. He has also composed music for the songs in several Bard shows, including The Tempest (2013); acted in and written various short plays for NotaBle Acts; and directed Shakespeare's The Winter's Tale (2013) and Peter Shaffer's Black Comedy (2012), among other productions, for Theatre UNB. John tackled the challenge of 'Prospero' in last year's remount of a Nasty Co-founder's original work, Rougher Magic: A cubist Shakespeare. The upcoming staged adaptation of Brief Interviews With Hideous Men finds John in a HIDEOUS portrayal of 3 men openly expressing their most personal thoughts and perceptions.
Josie Blackmore as 'Jane Hogarth' in The Art of Success
SHOWS / ROLES
The Art of Success – 'Jane Hogarth'
Josie Blackmore is a fourth year student at St. Thomas University studying English with a Concentration in Drama, Visual Art, and Anthropology. Past theatre credits include Oh What a Lovely War! (TST), Words, Words, Words (VYC), The Real Inspector Hound (TST), as well as work with the NotaBle Acts Theatre Company.
ANNICK BLIZZARD
Annick Blizzard as 'Vic' & in A STORY JONES
Annick Blizzard as 'Vic' in A STORY JONES
— "the dumb waiter" operator
Action – 'Lupe'
A Beautiful View – 'L'
A Story Jones – 'Vic'
Annick Blizzard has been involved in the theatre and film community in Fredericton since 2006. While her passion for acting started at Theatre UNB as a student in productions such as Travesties (TUNB) and Doc (TUNB), she has most recently dabbled as a film actress appearing in films such as Broke (Columbus Avenue Pictures), Cabby (Steam Powered Studios), Friend Zone (Sparrowhock Productions) and Entropic (Frictive Pictures). She recently wrote and directed her first short film, When We Were Young. She is thrilled to return to the stage with Nasty Shadows having last played with the company from an unseen position as "the dumb waiter" in our 2008 & 2010 stagings of Harold Pinter's The Dumb Waiter.
Annick is a welcome addition our Shadow world, bringing her talents into the rehearsal room as a NEW energy was a welcome spirit — we don't play with new Shadows often, but she proved herself invaluable during the rehearsal process for A Story Jones, and it's great to have her back playing again this fall in something completely different as the role of 'Lupe'. Also thrilled to have Annick playing again this Spring 2020 when the Shadows stage MacIvor's A Beautiful View.
Emily Brennan as 'Nurse 3' (w/ Nurse 1)
in Orestes 2.1
Orestes 2.1 – 'Nurse 3'
Marion Bridge – Stage Manager
Emily Brennan graduated from UNB with an Honours in English and a Minor in Theatre. Active in theatre during university, Emily's first production with Nasty Shadows was as 'Nurse #3' in Orestes 2.1. She then took a break from acting to stage manage Marion Bridge which brought her oneone step closer to her not-so secret dream to star on a daytime soap opera by lending her voice to the play's TV characters heard on stage. Nasty Shadows hopes to see Emily back in the light some time soon.
Rebekah Chassé as Louise in Marion Bridge
Marion Bridge – 'Louise'
Play – 'W2'
Tooth of Crime (2nd Dance) – 'Chaser'
Rebekah Chassé was thrown headlong into Nasty Shadows in the spring of 2009 when she stepped in to replace an actress in the role of 'Nurse 1' in Orestes 2.1. She then regained some of her softer side as 'Louise' in Nasty Shadows' production of Daniel MacIvor's Marion Bridge (Fall 2009), followed by the role of 'W2' in Beckett's eerie Play in 2010. 2011 sees her getting in touch with her masculinity as 'Chaser' the singing auto mechanic in Tooth of Crime (2nd Dance). Rebekah brings focus and passion to her work, which helps enrich the Nasty Shadows work.
CRYSTAL CHETTIAR
Crystal Chettiar as 'Ducky' in rehearsal for Standing At Opposite Ends Are Ducky & Murdock
A Story Jones – 'Liv'
Standing At Opposite Ends Are Ducky & Murdock – 'Ducky'
Crystal Chettiar made her debut with the Shadows in the spring of 2015 as 'Liv' in the development of a new Nasty work, A Story Jones. Crystal began her theatre studies at Mount Allison University as an actor and eventually earned an Arts degree in Drama and Music. During her university career she became highly involved in technical theatre, as well as stage management and design with many local theatre groups. In 2012, Crystal became Head Technician at Ship`s Company Theatre in Parrsboro, Nova Scotia. She recently worked as the Programs Coordinator with The Fredericton Playhouse and as a Production Mentor for Theatre UNB students. Her most recent Fredericton credits include Hamlet (Bard in the Barracks), Lye Sandwich (Notable Acts), 10!, 9!, 8! etc, etc,; Disintegrate Me; Cocaine Plane (Next Folding Theatre), Rabbit Hole & God of Carnage (TUNB), to name a few.
Before leaving town, Crystal also helped further advance an older play Scott's had kicking around, Standing At Opposite Ends Are Ducky & Murdock, and he was immensely grateful and touched by her portrayal of 'Ducky', a character inspired by Scott's paternal grandmother.
NICHOLAS COLE
Nicholas Cole in rehearsal for Monster
(Photo by Diane Cole)
Nicholas Cole (centre) as 'Cody'
in Geography Of A Horse Dreamer
(w/ Andrew Jones & Matthew Spinney)
— Technical Director (Fredericton)
This Is A Play (2007) – Technical Director
— 'Cody' / Technical Director
House – Co-Technical Director (Fredericton)
— Co-Technical Director
Orestes 2.1 – Technical Director
Marion Bridge – Technical Director
Monster – Director / Technical Director
Oleanna – Director / Technical Director
— Tech Consultant
Nicholas Cole became a Shadow at a time when the Company was making a push to actively produce more work, and he was an invaluable member during this process, with his role now having become more of a Shadow-consultant for the Nasty tech end of the work. His first show was being thrown into the staging of Waiting For Godot back in 2005, and after that Nicholas provided technical direction for a number of productions: This Is A Play and Wild Abandon (2007); Geography of a Horse Dreamer and The Dumb Waiter (2008), also playing the part of 'Cody' in the former; Orestes 2.1 and Marion Bridge (2009). In 2011, Nicholas was in the director's chair for the late Spring production of Monster, and that fall he once again was at the helm for the production of Tooth of Crime (2nd Dance), one of the most ambitious Nasty shows to run yet. The Spring of 2012 found Nicholas directing the Company's first staging of a David Mamet play, Oleanna. Nicholas would like to thank everyone who comes out for their commitment to our Company and to local, high quality theatre.
GREG EVERETT
Greg Everett as 'Shooter' in
Sam Shepard's ACTION (Fredericton)
Action – 'Shooter'
Greg Everett is a Fredericton-based playwright, creator, and oneironaut. His plays Carrion Birds (2018) and Gullywhump (2019) were selected as winners in the one-act category of the NotaBle Acts theatre festival, and he was awarded a Creation Grant through ArtsNB to research and write Written in Marble, Buried in Earth (2019), a site-specific play set in Fredericton's Old Burial Ground. As an actor, Greg's recent roles include 'Balustrade' in Next Folding Theatre Company's Songs of the Seer (Fredericton 2018) and 'Curt Riley' in Grey Rabbit Theatre Company's The Host (Saint John 2019).
Greg is one of a few new Shadows we're excited to welcome into our world of play for a few reasons. Thrilled Greg and his looming stature are taking on the role of 'Shooter' in Sam Shepard's Action (he is bringing a wonderful honesty to his portrayal), Scott's also hoping to play with Greg's writing in the future after witnessing his world of the Gullywhump during NBActs 2019.
Find Greg online:
www.neobrunswick.ca ; Facebook: @neobrunswick ; IG @gullywhump
Becky Forbes as W1 in Play
The Table Experiments – 'Kybe'
Tooth of Crime (2nd Dance) – 'Becky'
Oleanna – 'Carol'
Standing At Opposite Ends Are Ducky & Murdock (a reading) – 'Ducky'
Becky Forbes is a recent graduate from UNB's Education program and is working on making her way into a school somewhere, ANYWHERE! to be a teacher. After 3 shows, and a 4th in the works, Becky's last time as a Shadow found her enjoying the absolute chaos of Tooth of Crime (2nd Dance). Becky's recent theatre credits include 'Kybe' in The Table Experiments and 'W1' in Play, each for Nasty Shadows; 'Lisa' in Life Without Instruction for TUNB; and '3rd Witch' in Macbeth and 'Cobweb' in A Midsummer Nights Dream, both for Bard in the Barracks. Becky makes her Mamet-ian debut in the Company's impending Spring production of Oleanna. Nasty Shadows is thrilled to have Becky, along with her presence and energy on stage again for the Company.
Ian Goff as 'Henry Fielding'
in The Art of Success
The Art of Success – 'Harry (Henry) Fielding'
Ian Goff made his Shadow debut in the fall of 2012 in Nick Dear's The Art of Success. A 20-something year old cook at a local Fredericton restaurant in his non-theatrical hours, Ian is not a stranger to Fredericton audiences, nor to those out in Woodstock, having worked with the University groups and other local companies. Recent credits include: 'Jeff' in The Dollar Woman (TNB 2012); 'Anthony Dull' in Love's Labour's Lost (Bard In the Barracks Theatre Company 2012); 'Connors' in Vanceboro (NBActs Theatre Festival 2012).
ELIZABETH GOODYEAR
(Clarissa Hurley as Miranda 3 &)
Elizabeth Goodyear as Miranda 1 in ROUGHER MAGIC
as 'Sarah Sprackling'
in The Art of Success (w/Josie Blackmore)
Orestes 2.1 – 'Helen'
Marion Bridge – 'Theresa'
— 'Meera' / 'Ref'
The Art of Success – 'Sarah Sprackling'
— 'Miranda 1'
A Story Jones – 'Viv'
Elizabeth Goodyear has made a few appearances with Nasty Shadows, having first appeared as 'Helen' in the Company's production of Orestes 2.1 in spring '09. Recently quite active in other groups around town as well, she also appeared as 'Theresa' in the fall '09 production of Marion Bridge. She was 'Francesca' in Theatre UNB's production of Perfect Pie and she also performed with Bard in the Barracks, playing 'Lady M''s Gentlewoman in Macbeth and '(The Countess) Gloucester' in King Lear. Tooth's 'Meera' was a groovy departure from how we've seen Elizabeth in the past, and her haunting portrayal of Sarah Sprackling in The Art of Success will not soon be forgotten. The Company is all the better for having Elizabeth's grace and authority on stage – 'Miranda 1' is about to school the others on this island of Rougher Magic.
Matt Gray in performance
Tooth of Crime (2nd Dance) – Musical Director/Guitarist
This is Matt Gray's first Nasty Shadows production. Matt, a graduate of the St. F.X University Jazz program, has been performing and teaching guitar for more than 20 years. He is looking forward to his first theatre experience in many years. When not teaching or composing, he splits his time playing in the Jessica Rhaye band, and Abbey Road, a Beatles tribute band from Halifax. With only a single guitar, Matt has brought the music to life for this show in a rich manner while staying true to the spirit of the original music and the show.
RYAN GRIFFITH
— Interviews #3 & #15
Ryan Griffith is making his Shadow debut this N(M)ovember. Ryan grew up along the banks of the Saint John River just outside of Woodstock, New Brunswick. A graduate of the National Theatre School of Canada, Ryan enjoys performing and writing for theatres in his home province. His play Lutz was published by Playwrights Canada Press in 2011. His short play Shepody, Rage and Wolfe was recently featured as part of the National Elevator Project Plays produced by Theatre Yes in Edmonton and Halifax. Currently, he is working on a new two-act play called Wharf (developed with assistance from the 2015 Banff Playwrights Colony, Arts NB, PARC and the Canada Council for the Arts), a short book called Fortune of Wolves, a play called Returning Fire (which will receive a production through Theatre New Brunswick in February, and will be partially performed through text messaging), a television show called Fred and Carl Are Park Rangers, and he is once again serving as the Artistic Director for the Next Folding Theatre Company in Fredericton, NB. In the Nasty adaption of Brief Interviews With Hideous Men this Movember, Ryan shares some pretty HIDEOUS tales from some pretty disturbed minds.
KAT HALL
Kat Hall as 'Liza' in
Sam Shepard's ACTION
w/ Greg Everett (Fredericton)
Action – 'Liza'
A Beautiful View – 'M'
Kat Hall is a Fredericton-raised multidisciplinary theatre artist based in the city. She started her theatre career at Theatre UNB in 2012, and has had the pleasure of working with many companies in town in the intermediary years. She's most likely to be found on stage, but has also been known to direct, build props and set pieces, and even put her meager sewing skills to work for costuming. Most recent credits include 'Titania' in Bard in the Barrack's A Midsummer Night's Dream, 'Lady Bracknell' in The Importance of Being Earnest, and 'Sarah' in The Gravitational Pull of Bernice Trimble. She's delighted to be joining Nasty Shadows this year for the first time.
And Nasty Shadows is delighted Kat is joining her first Shadow adventure this fall in the role of 'Liza' in Sam Shepard's Action. Kat has a wonderfully natural presence on stage breathing a full life into this current role, and that presence will work perfectly in the upcoming Spring 2020 production of Daniel MacIvor's 2 women drama A Beautiful View.
Clarissa Hurley as 'Miranda 3'
in ROUGHER MAGIC
CLARISSA HURLEY
Andrew Jones as Ben
in The Dumb Waiter
SHOWS / ROLES – 1999-2014
The Zoo Story – 'Peter'
Rougher Magic – 'Miranda 2'
Waiting For Godot – 'Lucky'
This Is A Play – Stage Manager
Wild Abandon: The Study of Steve – Stage Manager & Sound Tech
Geography Of A Horse Dreamer – 'Santee'
The Dumb Waiter (2008 & 2010) – 'Ben'
Orestes 2.1 – 'Tyndareus'
Tooth of Crime (2nd Dance) – 'Ruido Ran' / 'Doc'
The Art of Success – 'Robert Walpole' / 'Gaoler'
Please visit our page in memory of
Andrew Jones – Nasty Shadow from 1999-2014
Andrew passed on May 31/2014 – our thoughts are with him
Andrew Jones was a native Frederictonian and a member of Nasty Shadows from its inception in 1999 until his passing in 2014, having had a large hand in helping shape the Company. He's trod the boards many times with local theatre companies since 1996, but his first time as a Shadow was in the second set of two one-act plays to run in the summer of '99 when he played 'Peter' in Edward Albee's The Zoo Story. Other unforgettable performances were Andrew's portrayal of Beckett's seemingly mute 'Lucky' to a boisterously noisy climax in Waiting For Godot (2005), along with 'Tyndareus' (the incensed grandfather) in the May 2009 production of Orestes 2.1. Some of Andrew's most memorable work with the company was as 'Ben' in The Dumb Waiter which was originally staged in 2008, and then remounted in the Fall 2010. Fall 2011 found Andrew with the double challenge of playing both 'Ruido Ran' and 'Doc' in Sam Shepard's rock/murder fantasy, Tooth of Crime (2nd Dance). Andrew's final role as a Shadow was as the corrupt and weasely 'Robert Walpole' in the fictional-historic tale of The Art of Success. Mr. Jones was a backbone for the Company with his experience and determination over the years, for which Nasty Shadows owes a depth of gratitude. We incur an immeasurable loss without Andrew's Nasty Shadow in our presence.
JESSE LAPOINTE
— Interviews #31 & #19
Jesse LaPointe is a Fredericton born actor appearing with Nasty Shadows for the first time. He grew up in the tiny community of Douglas situated at the base of the mighty Currie Mountain. Selected past works include: The Tempest (BITB), The Coronation Voyage (TST), Hamlet (BITB), Disintegrate Me (NFTC), The Taming of the Shrew (TST), Cocaine Plane (NFTC), and Romeo and Juliet (BITB). Thank you for your continued support of Fredericton theatre and its artists. The Shadows welcome Jesse's talent to the Nasty world of these Hideous interviews.
JULIE MACDONALD
Julie MacDonald on set for A STORY JONES
Julie MacDonald as 'Miranda 2'
Julie MacDonald as Older Female Actor in This Is A Play
— 'Older Female Actor'
Marion Bridge – 'Agnes'
The Art of Success – 'Mrs. Needham'
A Story Jones – 'Liv' / Stage Manager
Julie MacDonald has been in New Brunswick since 1984, and a Shadow since bringing 'Older Female Actor' to life in her first Nasty production, This Is A Play — staged in 2007 & again in 2010 (and now, once again in 2019!). Playing 'Agnes' in MacIvor's Marion Bridge was a fitting role for her as she lived the first half of her life (thus far) in Ontario and was born in Toronto. Mother of 2, Scott and Monica, Julie works and lives in Fredericton. Since graduating from Arts with a Theatre Minor in 2006, where Julie performed in several shows with Theatre UNB, she has also acted with Theatre Free Radical (Free/Fall @ the 2004 Toronto Fringe; I Am Yours in Fredericton, 2006). 2012 found her as the brothel manager, 'Mrs. Needham', in that year's fall production of The Art of Success. Julie's portrayal of 'Miranda 2' in Rougher Magic: A cubist Shakespeare — the first female to bring the role to the stage — offered a feminine depth heretofore unseen in this character. For last fall's production of the Shadow grown A Story Jones, Julie stepped off the stage to help us as the show's Stage Manager; she had a history in the development of that work as well work-shopping the role of 'Liv' in an early 4-character incarnation of the script, and this character eventually merged with another named 'Viv' to create the current part of 'Vic' in the show.
The Shadows are thrilled to have Julie back on stage this fall to reprise the role of 'Older Female Actor' in MacIvor's hilarious Canadian classic This Is A Play (2019); it's so wonderful to see the fantastic portrayal she creates of this character. Julie brings an honesty on/off the stage that welcomes both the audience and Shadows alike, and the Company is happy that integrity is part of our work.
Katie Malone as Louisa in The Art of Success
The Art of Success – 'Louisa'
Katie Malone is a graduate of the Neptune Theatre Conservatory Program and St. Thomas University. The Art of Success is her debut performance with the Nasty Shadows Theatre Company. Film/TV: Copperhead: The War at Home / Call Me Fritz; Theatre: Interview (Neptune Theatre), A Night of Sondheim (The Music Room), Twisted Tales (Second City, Toronto) and Mrs. Warren's Profession (PEI Conservatory Theatre). Thank you to everyone who made this possible and enjoy the show!
Jake Martin as Frank in The Art of Success
The Art of Success – 'Frank'
Jake Martin is a recent graduate of St.Thomas University and a first time Shadow. He is currently also the co-producer for the Next Folding Theatre Company and has done work in the past with TST, TUNB and Notable Acts. Recently Jake has gotten back from a run at the Vancouver Fringe with Theatre Free Radical's Utopia, and a run of script he co-wrote at the Atlantic Fringe, God Damn the Mariachi Star. Outside of that he has also recently performed in Don Hannah's one man show The Woodcutter.
Jason McIntyre as 'J' in 'Eulogy' (THE FIFTH WALL)
Ducky & Murdock – 'Murdock'
Jason McIntyre is a fourth-year philosophy student at St. Thomas University who has been lucky enough to work with many of the arts groups in Fredericton. He has acted in many local shows, produced events at St. Thomas & The Cap, has had his scripts be produced by Notable Acts, and has been doing stand-up comedy for years now (and is on the verge of starting to get laughs). You may recognize him from his work with the Calithumpians, where his sweaty Crocs have entertained the masses for the past several years. He hopes to develop his skills as a playwright, director, collaborator, and self-biography writer.
Robert Moore as Hamm in Endgame
ROUGHER MAGIC playwright
A Slight Ache – Director
The Zoo Story – Director
Cowboys #2 – Director
Rougher Magic – Writer / Director
Endgame – Director / 'Hamm'
Waiting For Godot – Director
— 'The Doctor'
House – Director
— 'Composer' (voice)
— Writer
Robert Moore co-founded Nasty Shadows along with former student, Scott Shannon, when the two found themselves both living in Fredericton in mid-'99. As the Company's theatrical leader in the early years, Robert's example and knack for capturing the theatrical was responsible for Scott developing the understanding and continued enthusiasm to steer the Company in the direction it has followed in latter years. Robert has since stepped away from doing much work with Nasty Shadows; he has published three books of poetry in recent years, as well as being active directing and acting with the Saint John Theatre Company. A Nasty high point was having Robert on stage as 'Hamm' in the Company's production of Endgame, which he also directed. House was the last Nasty show directed by Robert, after his 2nd on-stage performance earlier that year in Geography Of A Horse Dreamer (2008).
Nasty Shadows would not be what it is without the guidance provided by Robert in the early years, and his continued peripheral interest. The Shadows were thrilled to return again to the island of Moore('s) Rougher Magic: A cubist Shakespeare in 2014, and Robert's vocal talents will be on auditory display again this fall as the 'Composer' in our remount of This Is A Play (2019).
IAN MURPHY
Ian Murphy as 'Ferdinand'
Orestes 2.1 – 'Menelaus'
— 'Ferdinand' (2014)
Action – 'Jeep'
Ian Murphy is back with Nasty Shadows after a few years away, and the Company is thrilled to have him back in the Shadow world. Ian's first performance with the Shadows was in the Company's beautifully horrific adaptation/modification Orestes 2.1 back in 2009. During his Shadow absence Ian was seen on stage around town in a number of roles with various companies: w/NBActs: Heart Shaped Boxes (2009), Christmas Break (2010), The Pugilist (2014); w/Bard In the Barracks: Midsummer Night's Dream (2009), Macbeth (2010); w/Theatre St. Thomas: People Are Dumb (2010); w/Next Folding: Disintegrate Me (2014). In 2014 Ian played with the Shadows again to portray a musically suave and maliciously over-confident 'Ferdinand' in Rougher Magic, and the next fall he expanded his performance range into the more hideous side of man's psyche with the staged adaptation of David Foster Wallace's Brief Interviews With Hideous Men.
The Shadows welcome Ian back this fall to perform the wildly absurd role of 'Jeep' in Sam Shepard's Action – a difficult role which finds Ian stretching into some other performance modes that he is embracing and playing with wonderfully to deliver a 'Jeep' true to the script. Always great to play with Ian, and the Company always welcomes his presence in the process any time he's game to play.
SIMON PETERSON
Simon Peterson on set for A STORY JONES
— Technician
— 'Male Actor'
— Assistant Stage Manager
/ Rehearsal stunt double for 'Jones'
Simon Peterson is another new Shadow and a fresh 20 year old guy whose biggest passion is acting. This passion began when he was in elementary school doing a show put on for the parents, and never stopped after that. Simon was part of theatre clubs and went to a few festivals all through school, even doing all the musicals the high school staged. After graduation Simon immediately found opportunity to be an extra in his first film (Glitter) and later appeared in a lead role in another film (Can You Keep A Secret). Simon also joined Branchout Productions appearing in many shows, notably Oliver and The Crucible, and as 'Mr Bingley' in Pride and Prejudice. Outside of the acting life Simon is no stranger to lending a hand with Tech work or stage hand work, anything from managing the props of a children's musical to fiddling with lights.
Fall 2018 found Simon jumping in last minute to help run lights for the Fredericton production of Ohio Impromptu and House (2018) when the Shadows needed him — and now we won't let him go! For A Story Jones Simon was valuable through the rehearsal process as a physical double for the character 'Jones', allowing Scott, who was directing and playing the role in the show to also step outside a given scene's action and watch it in motion with Simon as 'Jones' — an invaluable tool in the rehearsal process for this show, along with Simon's Assistant Stage Manager work helping to make the production a Nasty success. And so we are stoked to FINALLY get Simon on a Nasty stage this fall as the hilarious 'Male Actor' in Daniel MacIvor's Canadian classic, This Is A Play (This Is A Play (2019) — he's creating a great version of the role! We look forward to playing with Simon on/off stage into the future.
DEVIN ROCKWELL
Devin Rockwell on stage
— Technician (2019 remount)
THE FIFTH WALL
— Project Stage Manager
Devin Rockwell is a theatre artist and musician based out of Fredericton. They are currently finishing up an odd degree pairing of Drama and Neuroscience at UNB. Over the years Devin has developed a love for all roles in theatre, from acting to set design, but has especially loved directing and composition. And writing. Actually, all of it. Select credits include co-directing The Gravitational Pull of Bernice Trimble with Alex Pannier, composing and performing an original score for Concord Floral (TST), acting as technical designer for Gullywhump (NBActs), and most recently writing a surreal one act script selected for a reading by NBActs called Everything is Here.
The Shadows are very lucky to have Devin join our Nasty World. First saving the day to help in the fall of 2019 with a remount of House (2018), Devin was on board for the planned run of Beckett x3 4NB – a collection of short plays by Samuel Becket the company had been planning for spring 2020 that went bust for obvious reasons. Devin is back with us for the collaborative project THE FIFTH WALL with Herbert the Cow Productions, having graciously agreed to once again save the day by being the Project Stage Manager. We look forward to more Nasty adventures with Devin in our Shadows.
Taylor Sinstadt in the booth
(photo by Bill VanGenne)
The Table Experiments – Technical Director
Taylor Sinstadt is thrilled to have been asked to work with Nasty Shadows for the creation and production of The Table Experiments as the Technical Director. Taylor is headed to Oakville next year to study Theatrical Production at Sheridan Collage. Taylor was introduced to Nasty Shadows through Theatre UNB for the past two years and is excited to be a part of the crew now. He first helped out in 2010 when his class, Eng 3170, used Play and The Dumb Waiter as a Lighting Design project with the help of their instructor Mike Johnston. He hopes that once he is done at Sheridan he will be able to come back and work with Nasty Shadows on another one of their productions.
AMANDA THORNE
Amanda Thorne as "Female Actor"
in THIS IS A PLAY (2019)
— 'Female Actor'
Ducky & Murdock – 'Ducky'
Amanda Thorne is a 2nd year UNB student hailing from Fredericton. She has appeared in such shows as The Government Inspector (FHS), Hinter (NotaBle Acts) and The Gravitational Pull Of Bernice Trimble (Theatre UNB). Most recently Amanda joined The Shadows for the first time in the fall 2019 production of This Is A Play (2019).
Yet another new Shadow in the fall of 2019, the Company is boosted by Amanda's natural talents on stage, creating her own hilariously charming version of the Female Actor in MacIvor's play. Amanda was also gracious enough to agree to read a couple of scenes from a work-in progress Scott has been trying to complete that is loosely based on his grandparents.
MATTHEW SPINNEY
Matthew Spinney as 'Crow'
w/ Matt Gray on guitar (background)
Matthew Spinney as 'Atthe'
in The Table Experiments
This Is A Play (2007 & 2010) – 'Male Actor'
Geography Of A Horse Dreamer – 'Beaujo'
The Dumb Waiter (2008 & 2010) – 'Gus'
Orestes 2.1 – 'William'
Here Lies Henry – Director
Play – Light Tech
The Table Experiments – 'Atthe'
Tooth of Crime (2nd Dance) – 'Crow'
The Art of Success – 'William Hogarth'
— Interviews #14, #28 & #2
Matthew Spinney is an amateur actor and civil servant, who among other things has been in a number of plays over the years in various companies. With Nasty Shadows Matthew has played 'Gus' in Pinter's The Dumb Waiter and returned to the role for a second time a couple years later. With other groups Matthew played the role of 'Constantine' in Len Falkenstein's Free/Fall which was produced for the Vancouver Fringe festival, and you might also remember Matthew from Bard in the Barracks as the 'Porter' in Macbeth. For Nasty Shadows Matthew has also played 'Male Actor' in Daniel MacIvor's This Is A Play a couple of times, and stepped into the director role for MacIvor's Here Lies Henry. Tooth of Crime (2nd Dance) found Matthew bringing 'Crow' to life in a powerful performance, and his last appearance on stage in The Art of Success was no less commanding in the face of baring it all or running in a skirt. Returning to the Shadow world in the fall of 2015 Matthew revealed the most HIDEOUS details of three troubled men in the staged adaptation of Brief Interviews With Hideous Men.
Having also been part of The Table Experiments creation process and performance, coupled with his extensive acting and directing experience, Matt becomes a key partner in the next Shadow phase, now having joined the ongoing project, A Story Jones.
Matthew is delighted to have been a part of Nasty Shadows these past few years, and the Company is stronger thanks to Matthew's drive and strength on and off stage.
H C Grant | February 26, 2019 at 6:59 pm
Looking up Erdman's play, found this site:(https://www.library.ubc.ca/archives/pdfs/theatre/fw8403.pdf),
Some good details are there about his life
and also a nice quotation about shadows:
Unhappy is he who, like his own shadow,
Fears a barking dog or the wind after dark.
—Osip Mandelstam
A windy night for a play reading!
nastyshadows | February 27, 2019 at 10:30 am
HA! Thanks for the link — we do post it here for access as well:
Click to access thesuicide_script.pdf
Cool SHADOW quote, so thanks for that!
It was windy last night so we only had a small group, not really enough to read THE SUICIDE in the manner we'd anticipated so we switched it up and read the smaller cast show Sam Shepard's ANGEL CITY instead — fun read! We'll be doing this again in the future, and probably will determine the next upon discovering how many folks join us on a given night, so if you're free for a future reading please come on out!
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text:
Thank you for the money from Mamma Mia!
Sabah Meddings
January 21 2018, 12:01am, The Sunday Times
Lily James plays the younger version of Meryl Streep's character in the Mamma Mia! sequelWENN/SPLASH NEWS
Abba's Bjorn Ulvaeus and Benny Andersson continue to reap rewards from Mamma Mia! — the hit stage musical that is gearing up for its second film adaptation.
Littlestar Services, the firm behind the film and stage productions, paid more than £2m to the duo last year, mostly made up of royalties, and payments for promotional and marketing work. Show producer Judy Craymer and her company Craymer East, which controls half of Littlestar, received £1.6m.
Since its conception in 1999, Mamma Mia! has toured 450 cities, and has been seen by more than 60m people. After its launch in Helsinki in May — where it will be shown in Finnish — it will have been performed in 16 languages.
It will return to the big screen…


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For example, to determine the status of a webserver, monitoring software may periodically send an HTTP request to fetch a page. For email servers, a test message might be sent through SMTP and retrieved by IMAP or POP3.
Route analytics is another important area of network measurement. It includes the methods, systems, algorithms and tools to monitor the routing posture of networks. Incorrect routing or routing issues cause undesirable performance degradation or downtime.


Why didn't you make Danielle stop?
Catherine asked to be driven home.
I hear that Ralph and Pablo have split up.
Dorian isn't really a doctor, you know.
I really like Miles's voice in this song.
Del kept on walking even though he was in pain.
Shahid bought me some roses.
Gregor goes to the library three times a week.
Jackye told me that he used to be very poor.
Amedeo kissed her hand, making her blush.
I asked Barry for Srinivas's phone number.
I don't know what Granville did to the TV, but it's working now.
Sriram didn't do what he said he would do.
Hold on a minute, Kerry. What is going on here?
I don't think Kemal wants to go swimming with us.
Metin is an early bird.
Mats always does that for me.
Maybe I shouldn't invite Kari to the party.
Mark was caught cheating on a test and got expelled from school.
Ernest is good at this sort of thing.
Noemi isn't much to look at.
It's best if you do everything Bill tells you to do.
I'm not talking about you, Sylvan.
I told Barney Miriam wanted to borrow his mandolin.
Kate doesn't doubt Jerald's ability to do the job.


text:
The Back House by Cedar & Oak
Lauren and Holt Williamson of Austin, Texas–based design-build firm Cedar & Oak Homes knew that the backyard shed that held outdoor supplies, extra paint, flooring, and tile was destined for greater things. "When I started working from home, I dreamed about turning that unused space into a home office," says Lauren.
But before the Williamsons knew it, they found themselves designing much more than an office. "Holt quickly jumped aboard my dream train and instead of adding just a window and a desk, we found ourselves sketching a full-blown tiny house," Lauren says. "Anyone who knows us knows we don't do things halfway."
Lauren and Holt Williamson of Cedar & Oak Homes designed and built a 200-square-foot tiny home in the backyard of their Austin, Texas, home.
Instead of recreating the existing shed, the couple devised an entirely new construction that could be used as an office, guesthouse, short-term rental space—The Back House. "Since the stay-at-home order was put in place, Holt and I've been using it as our office, but we're eager to have friends, family, and Austin visitors come stay with us soon," Lauren says.
Clerestories brighten up the living area, which is situated between the bedroom and the kitchen-and-dining space of the open-plan home.
The Williamsons' toddlers—three-and-a-half-year-old Aden and two-year-old Ellie—have been a part of the project since the beginning. "They watched the demo of the old shed from the windowsill, and they played and drew on the structural frame," Lauren says. "And they helped me make the bed and hang the towels. At least three times a week, Aden asks to go to The Back House to work with Dad. He really just wants to raid the mini fridge, but I think this was the start of our kiddos getting excited about our business."
Lauren arranged the living area with a fold-out sofa from Urban Outfitters, a sconce from Living Spaces, and artwork and a woven rug from Target.
Sided with bright white board-and-batten, The Back House is 200 square feet. "The property line setbacks for our house and our neighbor's house left us with a very specific size and location," Lauren says. "We added a separate, gated entry from our front yard so that people coming to stay wouldn't have to step foot in our backyard." And since The Back House replaced a shed, Holt included a bump-out on the tiny house's rear facade, which faces the Williamsons' backyard and stores outdoor equipment.
Eames Sofa Compact
The inspiration for the Eames Sofa Compact (1954) derived from a built-in sofa Charles and Ray Eames designed in the late 1940s for their home in Pacific Palisades, California.
The Citizenry La Brisa Pillow
A modern take on traditional Peruvian motifs, this hand-loomed alpaca pillow features an intricate diamond pattern in a classic black and cream palette. Woven by hand in an ancient Andean mountain village, using only the finest alpaca fibers, each pillow takes roughly a week to complete.
Jonathan Adler Brass Teardrop Table
Glamorous and impactful, the Jonathan Adler Brass Teardrop Table is a unique piece to place in your modern living room. Its distinct teardrop shape works well in small apartment spaces as well as large homes.
The Williamsons clad the tiny home with bright white board-and-batten and selected a dark gray tone for the entry door and the fascia.
A bump-out on the rear facade of the tiny home holds outdoor equipment, referencing the shed that once stood in its place.
Inside, wood-like vinyl flooring with a pale tone offsets bright white walls and a gray accent wall in the bedroom area. "We wanted an accent wall that would catch your eye right when you walk in the small space," Lauren says. "We carried the vertical shiplap from the kitchen backsplash to the back wall [in the bedroom] and painted it Pewter Green by Sherwin-Williams. It's a fun pop of color in an otherwise black, white, and wood-toned space." To link the interior and the exterior, they painted the front door and fascia the same Pewter Green color.
The Williamsons named the backyard ADU The Back House.
The Williamsons created a fresh aesthetic for the kitchen and the bath using contrasting colors and textures. The Shaker-style kitchen cabinetry is painted with Iron Ore by Sherwin-Williams that offsets the white vertical shiplap backsplash and White Zeus Silestone counters. "Because the bathroom and kitchen are both in eyesight when you walk in the front door, we wanted the color and texture scheme to flow effortlessly," Lauren says. "We carried the same vinyl wood floor into the bathroom to make it feel like a continuation of the space and painted [a portion] of the wall the same Iron Ore color we used on the kitchen cabinets."
To help distinguish the bedroom-and-living space from the kitchen and the bathroom areas, the Williamsons shifted the ceiling height and punctuated it with skylights.
The kitchen is outfitted with open shelving, gray-painted wood cabinetry, white Silestone counters, and a white-painted shiplap backsplash.
Shiplap, a wood vanity, and wood-style vinyl flooring lend texture and warmth in the bath.
Like the kitchen and the bedroom, the bath is outfitted in a palette of gray and white.
Tags: Cedar House Oak
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text:
What to do when you're feeling over-whelmed by the state of the world.
Published on November 14, 2016 November 4, 2018 by gronya
Image from a Buzzfeed article on 21 Perfect German Words We Need in English. Check it out, there are some beauties there.
There are so many things to worry about right now. So many things to care about and feel anxious about and powerless to correct.
For a start, in Ireland the number of people being made homeless is going up every week and the government don't seem to be doing anything about it. There's the shamefulness that is Direct Provision where the government is paying companies large amounts of money to keep people seeking refuge in intolerable conditions. Ibrahim Halawa will spending a fourth birthday in jail in Egypt as his trial was postponed for the 16th time and we are still forcing women to travel aboard for a basic medical procedure.
Further afield, there's the uncertainty of Brexit to worry about as well as the hundreds of unaccompanied children that were recently moved out of the Jungle in Calais and sent who-knows-where. France is still under a state of emergency after two brutal terrorist attacks, refugees are drowning in the Mediterranean, bombs are raining down on civilians in Syria, millions who fled the war there are living in refugee camps and Israel cut off the water-supply to Palestine during Ramadan this year, just the latest in a long series on attacks on the Palestinians.
And that's all before we start worrying about climate change or what will happen under the Trump presidency.
It's hard. It's hard to take it all in, to feel all that fury and sorrow. In the face of so much horror it's easy to run out of feelings. Even when you feel like you want to help, how do you choose which of the heart-breaking issues to focus on? Sometimes it's easier to throw up your hands up and do nothing, feel nothing and just try to have a good time because it's becoming increasingly obviously that the whole world is going to shit. It's a pretty bleak way of seeing the world and it's hard to sustain because the horrors keep creeping in.
When the bleakness is threatening to overwhelm me, I take solace from this quote.
"Of course individuals can make a difference, but the fact is that evil has had the whip hand in this world since Cain. That doesn't mean we should stop trying to be good, but we shouldn't kid ourselves, either. Evil is not going to be vanquished. Our job is to resist it, and to plant the seeds of further resistance so that goodness never entirely vanishes from the universe."
Chris Cleave, author of The Other Hand/Little Bee.
I like it because it lets me off the hook a little bit. Once I accept that I can't fix everything, it's easier to just concentrate on what I can do. I can't knock evil off it's perch, but I might be able to balance the scales a bit. It's helps me feel less useless and more hopeful because it suggests that the little acts of resistance, of goodness, of kindness do make a difference.
Doing something is always better than doing nothing. It chases away the hopeless, useless feeling; at least for a little while. So what can we do? There's the usual things – donate money, volunteer, get on the streets and protest, write letters to governments at home and aboard. Volunteer.ie have a database of volunteer opportunities. Giving blood is good if you're short on time and money because it's costs nothing and you can only do it once every three months.
But if you feel completely overwhelmed and really don't know where to begin, or feel like you want to do more but don't know where to start, I suggest getting a few friends together and start a "change the world" group. (Your first order of business may be to give it a better, catchier name.) It can be part support group, part action group. Meet up regularly, talk about the things that are upsetting you about the world and then decide what you're going to do about it. You also get to hang out with your friends; have coffee and cake, or go for a few drinks. Changing the world has a bang of worthiness off it, like it's not meant to be enjoyable. It puts people off. But it doesn't have to be that way! Make sure your group is fun as well. You might decide to organise a big fundraiser, or buddy-up to volunteer together, or everyone might want to do their own thing, but they have the support of the group, and they have to report back so there's accountability.
This idea comes partly from Malcolm Gladwell's essay Small Change, about the importance of strong-ties between people involved in social activism, but mostly it's because I think communities are important. The way we live our lives now makes it difficult to be part of a community so we have to make our own. Real-life social interactions are important, sitting in a room together talking about everything and nothing is good for the soul. But it can be hard to organise time with friends and we end up relying too much on social media instead. Organising a regular meeting means you will see your friends more often. People already do this with book clubs or dining clubs, why not a change the world club? I also believe in collaboration, often the ideas that you come up with in a group are better than the ones you come up with on your own. In a group it's easier to stay hopeful and not let yourself or others fall into despondency. Hope is important if you want to change the world.
"Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth's treasures and the grinding down of the poor and marginal… To hope is to give yourself to the future – and that commitment to the future is what makes the present inhabitable."
Rebecca Solnit, Hope in the Dark (More glorious quotes here)
And because I love Charlie Brooker, here he is singing with the Blockheads. This video also lets you feel nostalgic for the things we were fearful of in 2014.
Categories Everything Else, How to Change the World, Life off stage, Rants•Tags activism, advice, communities, community, meetings, social change, weltschmerz
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Description: Wiring Diagram For An Electric Fuel Pump And Relay Simple Wiring Diagram For An Electric Fuel Pump And Relay Simple Inspirational Fuel Pump Relay Wiring Diagram Electrical Outlet Electric Fuel Pump Wiring #9774 from the above 3456x2117 resolutions which is part of the "DIY Needed" directory. Download this image for free in HD resolution the choice "Save full resolution" below. If you do not find the exact resolution you are looking for, then go for a native or higher resolution.
Among one of the most popular electrical wiring concerns is on how to wire a switch. Whilst applying switches at home is very uncomplicated, wiring one particular may well not be that straightforward for everyone. An ON-OFF switch is actually quite simple to wire. You will find various kinds of switches, but for this instance, let's say you will be installing a single-pole toggle switch, a very widespread switch (along with the most straightforward).
You'll find 3 hues of wires inside of a typical single-pole toggle switch: black, white, and green. Splice the black wire in two and join them on the terminal screws - a person on major as well as the other within the base screw of your switch. The white wire serves to be a source of uninterrupted electricity and is normally linked to a gentle coloured terminal screw (e.g., silver). Connect the green wire towards the ground screw within your change.
These measures would frequently be enough to produce a typical swap operate and not using a difficulty. However, if you are usually not assured that you just can execute the process thoroughly and safely you superior enable the pros get it done rather. Right after all, you can find a purpose why this undertaking is one of the most common electrical wiring queries asked by most people.
For some rationale, how you can wire a ceiling fan is also amongst one of the most common electrical wiring queries. To simplify this task, you can use just one switch for any single ceiling fan. To wire the supporter, it really is merely a subject of connecting the black wire on the ceiling fan for the black wire of the switch. If there is a light, the blue wire should be linked to the black wire of the swap likewise.
There are good reasons why these are definitely by far the most typically asked electrical wiring thoughts. A single, quite a few believe it's uncomplicated to carry out, and two, these are generally the widespread electrical duties in your house. But then you definitely shouldn't place your safety at risk as part of your target to economize. The stakes could even be substantially greater in case you make an effort to cut costs and do an electrical wiring job without the need of sufficient expertise or expertise.


My God, do I wish I'd been there to get this on tape.
Quite happy to see that Hugh Jackman has signed on to play Psy in the Gangnam Style musical.
Unconfirmed reports suggest it will tell the story of Wolverine trying to live life as a single parent in South Korea, where his attempts to get close to his son are thwarted by his pointy claws and his inability to stop dancing like a horse-riding cowboy. Frankly, this is exactly what Broadway needed.
This news courtesy of Psy's twitter, which you may as well follow if you feel a need to learn more about Psy. For me, that picture is so good that I hope I never learn anything again, lest it be pushed out of my brain.
Posted in Theater and tagged with Hugh Jackman, Brilliant Pictures, Psy.
October 16, 2012 by William Akers.


Internationalization, corporatization, the impoverishment/diminishment of government funding, and legacies of religious involvement are among the challenges that are having an impact on Liberal Arts education. Such realities challenge the autonomy, accountability and perhaps even the integrity of Liberal Arts education. The focus of this conference is multidisciplinary; it will be of particular interest to faculty, students, and universities with a strong Liberal Arts component.
The 100th Anniversary of the founding of St. Thomas University presents an occasion to take stock and look forward at the issues and challenges that Liberal Arts Universities and Colleges will encounter over the next 100 years.
1. Corporatization on campus-- a problem for the Liberal Arts?
2. Rationalization, degradation and prospects of public funding for the Liberal Arts.
3. Students at stake-- participation, governance and the commoditization of learning.
5. Shaping the Liberal Arts curriculum.
6. Professional education and the Liberal Arts.
7. Ideals and realities of academic freedom in the Liberal Arts tradition.
8. What place for the Liberal Arts in a global environment?
9. Labouring in the academy-- unionization and the Liberal Arts campus.
10. Religious traditions-- what role on the Liberal Arts campus?
Proposals should include: title, type of presentation (paper, poster, or workshop), objectives, 60 word and 200 word abstracts, and AV requirements. Please submit proposals via email to Dr. John Coates jcoates@stu.ca Papers based on presentations can be submitted for inclusion in conference proceedings or submitted for consideration for inclusion in a special issue of a scholarly journal.
Conference information and registration is available on the soon to be available website .....For questions or further information, contact John Coates (jcoates@stu.ca) Presentations may be in English or French.


Have you ever felt such overwhelming happiness and bliss and gratitude for your life?
I feel it a lot here, and I swear, this is a magical place (maybe just for me). The view from my balcony in the mornings and evenings, the light above the rolling hills, the many birds in the sky, it cracks my heart open every time and makes me feel endlessly happy and grateful for living this dream. This feels like home base. This is the place I want to live for the rest of my life.
So when I go traveling now, I will probably encounter many many other beautiful places, lush tropical beaches, jungles, cool cities. But THIS is my heart-home. Where I will always return to.
I am so grateful this morning. Blessed to the bone.


Evidence from three collision experts are likely issues in lawyers' submissions to jurors in the trial of an OPP officer charged in a serious-injury accident.
Evidence from three collision experts are likely issues in lawyers' submissions to jurors in the trial of an OPP officer charged in a serious-injury accident.
Submissions by Crown and defence lawyers are set for Thursday leading to the judge's instructions to jurors and the beginning of their deliberations. It is uncertain if deliberations will begin before the weekend.
OPP Const. Sean Coughlan is charged with criminal negligence and perjury in relation to the June 22, 2016 incident when ATV driver Edward Labadie was seriously injured. Coughlan was charged in February 2017 following an SIU investigation.
On Tuesday the defence called two collision experts.
Expert Kevin McClafferty testified Tuesday there was no compelling physical evidence of any contact between Coughlan's cruiser and the ATV.
The lost of control that sent the ATV into a ditch was likely due to driver error, said McClafferty in opposition to a SIU collision expert's testimony.
SIU expert Glenn Code testified Monday that based on a comparison of marks found on the cruiser's bumper and the ATV's left rear tire there was contact between the two.
Code found a crease in the cruiser's plastic bumper that happens when it is pushed in and bounces back. The crease was consistent with the height, shape and dimensions of the ATV tire making the evidence so strong it couldn't be anything else besides contact between the vehicles, said Code.
The crease spotted weeks after the accident was horizontal. In describing the crease as insufficient to show contact between the vehicles McClafferty said the tire would have left vertical marks.
The third expert to testify was an OPP expert who was at the scene on the night of the accident.
Const. Cory Rowsell testified physical evidence does not lie if it is interpreted correctly. That evidence showed a gentle continuous rotation of the ATV into the ditch. There was no evidence of external force operating on it.
During the scene examination Rowsell did not look at Coughlan's cruiser. He had been told it was a single-vehicle accident that Coughlan came upon the scene after attempting to catch up to a cloud of dust and he had no idea the dust was from an ATV.


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Luis Fernando Páez, Paraguayan footballer, Died at 29
Luis Fernando Páez González was born on December 19, 1989, and died on April 7, 2019.
He was a Paraguayan footballer.
He played as a forward for Independiente CG in the División Intermedia.
He played for the Paraguay national under-20 football team.
Paez played at the 2009 South American U-20 Championship, his team was the finishing runners-up, and also at the 2009 FIFA U-20 World Cup.
Luis Fernando Páezafter passed away in a car crash at 29 years old.
Charles Van Doren, American College Professor, Died at 93
Jean Namotte, Belgian politician, Died at 84
Grigori F. Krivosheev, Russian military historian, Died at 89
Aleksey Lebed, Russian military officer and politician, Died at 64
Hayat Saif, Bangladeshi poet and literary critic, Died at 76


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Is Travis Frederick Dallas' Most Important Offensive Lineman?
by Brian Martin July 12, 2018, 7:00 am 4.3k Views 1 Comment
The Dallas Cowboys offensive line is considered to be one of the best, if not the best, in the NFL for a reason. With Travis Frederick, Tyron Smith, and Zack Martin, arguably the best at their given positions, how could they not be highly touted? But, of the three, who is the Cowboys most important offensive lineman?
Quite honestly, there's really no wrong answer here. You can make a case for any one of these three offensive lineman and you'd be absolutely right. But, for argument sake, I think I'd have to go with Travis Frederick and I'll tell you why.
Out of the three Dallas Cowboys Pro Bowl offensive lineman, Travis Frederick is probably the most underappreciated. That's okay, because all he does is go out day after day and perform at a high level. He may not be the most physically gifted or talented of the three, but he is without a doubt the most consistent.
Travis Frederick hasn't missed a single down since the Dallas Cowboys drafted him in the first-round (31st overall) in the 2013 NFL Draft. He also hasn't given up a quarterback sack since 2014 and rarely allows any QB pressures or hits. You really can't play much better than he has so far in his career.
Dallas Cowboys C Travis Frederick
It's really no surprise Frederick is a four-time Pro Bowler. The only time he wasn't voted into the Pro Bowl was his rookie season, but even then he made the All-Rookie team. If that proves anything, it proves that he has continuously played at a high level since entering the NFL.
Travis Frederick is entering his sixth NFL season and he is just 27 years old. The Dallas Cowboys fortunately have already locked him up through 2023. They signed him to a six-year $56.4 million contract extension last year and I personally think it was money well spent, especially if he continues playing at the high level he has throughout his career.
Now, I know some of you will disagree with me about Travis Frederick being the Dallas Cowboys most important offensive lineman, but that's okay. I tend to root for the underdog and that might be the best way to describe Frederick anyway. He doesn't receive the same kind of fanfare as Tyron Smith or Zack Martin, but that doesn't make him any less important.
For me, Frederick's availability is what sets them apart from the other two. They are all talented in their own way, but being able to be depended on down after down, day after day, and year after year is definitely something that shouldn't be taken for granted.
Who do you think is the Dallas Cowboys most important offensive lineman?
CenterDallas CowboysOffensive LineTravis Frederick
Written by Brian Martin
Level C2/C3 quadriplegic. College graduate with a bachelors degree in sports and health sciences-concentration sports management. Sports enthusiast. Dallas Cowboys fanatic. Lover of life with a glass half-full point of view.
LAst season proved it is Tyron smith if joe looney stepped in for Frederick we might be ok as far as reliability that applied to Zack Martin Best arguement for Frederick is his position center he is the QB of the O line. That might be he best way to argue for my money I will take the o line as an entire until esp now with Conor Williams at LG and la'el collins With a full season of RT under his belt
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Галибабинац је насеље у Србији у општини Сврљиг у Нишавском округу. Према попису из 2011. било је 220 становника (према попису из 2002. било је 342 становника). Налази се на тромеђи општина Сврљиг, Књажевац и Сокобања. Надморска висина у распону од 680-800 м. Основна делатност становништва је пољопривреда.

Демографија
У насељу Галибабинац живи 337 пунолетних становника, а просечна старост становништва износи 67,0 година (65,5 код мушкараца и 68,4 код жена). У насељу има 179 домаћинстава, а просечан број чланова по домаћинству је 1,91.

Ово насеље је великим делом насељено Србима (према попису из 2002. године), а у последња три пописа, примећен је пад у броју становника.

Референце

Спољашње везе

 Мапе, аеродроми и временска ситуација локација (-{Fallingrain}-)
 Гугл сателитска мапа (-{Maplandia}-)
 План насеља на мапи (-{Mapquest}-)

Насељена места у Сврљигу
Насељена места у Нишавском управном округу
Википројект географија/Насеља у Србији

redpajama_set_name: RedPajamaWikipedia


It is not just the St. Louis community that Variety Theatre has impacted for ten years – this program has placed its mark on its many participants, some of whom have had a role in each of the nine productions to date. Two of these participants are best friends Gracie and Meghan.
Gracie and Meghan are Variety Teens who have grown up together through our programs.
Both girls appeared on stage in our first eight productions before taking on roles behind-the-scenes as Variety Theatre Interns last year. Now, for our 10th anniversary production in 2018, they will return as interns.
Gracie, who is our Director Intern this year, most appreciates the opportunities Variety Theatre has given her that she wouldn't have received anywhere else. "Director Lara Teeter really listens to me and wants to know my thoughts," says Gracie.
One of the ways Meghan expressed herself and her newfound confidence was by writing a song, which was then performed by our Variety Children's Chorus!
And, for both girls, Theatre has been about the lifelong friendships they have formed, both with each other and other members of the cast. "Tom Sawyer (Variety Theatre's first production) was such an amazing experience. The cast and the crew became family, and some of those people are still in our lives today. They continue to inspire me to follow my dreams," says Gracie.
In fact, Gracie and Meghan recently traveled to New York City to visit one of these friends. Christian Propst, who played the titular role in that first show, is now on Broadway in The Book of Mormon. The girls went to see him perform, and even got a tour!
The friendship these two girls share truly shines through when they talk about each other.
These girls, and their Variety cast mates, truly have been an inspiration for us all. They influence each other, their fellow cast and crew, and audiences with their stunning skills, but also their drive and determination to reach for their dreams. And Variety Theatre has had this same effect on all of our participants, both with and without disabilities.
You can see the impact of Variety Theatre for yourself this October 18 – 21 when we present Disney's The Little Mermaid. Tickets available here.


Real Madrid coach Carlo Ancelotti described Cristiano Ronaldo as an out of this world talent after the Portuguese scored his third hat-trick of the season in Saturday's 5-1 win over Real Sociedad.
Ronaldo's treble took his tally to 24 goals in just 17 games this season as Real moved to within three points of La Liga leaders Barcelona with the Catalans not in action until Sunday.
"He has a level from another world. He scores with an incredible ease and it is difficult to find words for him," said Ancelotti.
Ronaldo fired the hosts into the lead from Karim Benzema's pass before roles were reversed as the Portuguese squared for the Frenchman to slot home.
The former Manchester United man then dispatched a penalty past Claudio Bravo for his second of the afternoon before Gareth Bale provided his fifth assist in four games for Sami Khedira to smash home a fourth before half-time.
Antoine Griezmann then reduced the deficit for Sociedad after the break, but Ronaldo had the final word as he curled home a wicked free-kick 14 minutes from time to seal his hat-trick.
Ancelotti was delighted with what he saw as arguably the best 45 minutes his side have produced since he took over in July.
"I think that the first-half was perfect. We played very well, with pace, efficiency in front of goal, sometimes we played long, sometimes short, but it all worked well," said the Italian.
"In the second-half the tempo was slower, but that is normal when you are 4-0 up. We had a few more defensive problems, but overall the defence was also very good."
Victory was Madrid's third in four games since Xabi Alonso returned from injury and Ancelotti was also keen to laud the contribution of the Spanish international to the overall balance of the side alongside Luka Modric and Khedira in midfield.
"All three central midfielders played very well today. They complement each other and helped the team."
"I have said many times that Alonso has the experience and the quality to make us play how we want. It is obvious that he is a very, very important player."


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Racist graffiti found throughout West Vancouver neighbourhood, police investigating
Sean Boynton GlobalNews.ca
Blue graffiti on a vehicle in a West Vancouver neighbourhood on July 9, 2019. Several other vehicles, mailboxes and property were tagged with graffiti, some of them containing racist slogans, police say.
West Vancouver Police
West Vancouver police are investigating after a neighbourhood was covered with graffiti earlier this week, some of it containing racist messages.
Police say they were called to the 1300-block of Camridge Road on July 9, where they found a vehicle marked with red and blue spray paint.
WATCH: (Aired March 3) Racist and offensive graffiti scrawled on Langley school
Officers then found several other places marked by the same coloured paint, including light posts, mailboxes and other vehicles.
The racist messages were then found on the side of a second vehicle and a large community mailbox, police said.
Coquitlam mayor 'offended and disgusted' by Nazi graffiti on popular trail
"This is especially concerning to us given the racist language that was used," Const. Kevin Goodmurphy said in a statement. "We are asking anyone with information about this, to please come forward."
Police believe the damage was done between 4 p.m. on July 8 and 4:30 a.m. on July 9.
The damage is believed to be valued at over $7,000.
Police investigating racist graffiti at Langley elementary school
The racist messages have police treating the incident as a hate crime, and investigators have notified the BC Hate Crimes Team for a review.
Anyone with information helpful to investigators is asked to contact West Vancouver police, or anonymously through Crime Stoppers.


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David Gulpilil's Hands
Ross Honeysett
photographic print from film on paper	(sheet: 30.5 cm x 38.1 cm, frame: 46.5 cm x 56 cm depth 1.5 cm)
David Gulpilil AM (1953-2021), actor and dancer, was a Yolngu man of the Mandhalpuyngu language group and was born near Maningrida in Arnhem Land. Having been raised in the bush and educated in the customs of his people, Gulpilil was sixteen when British film director, Nicholas Roeg, saw him performing a traditional dance and cast him in the film, Walkabout, released in 1971. His career as an actor has since spanned five decades and encompasses several groundbreaking and iconic films. In addition to blazing a trail for subsequent generations of Indigenous performers, he contributed to the heightened awareness of Aboriginal culture and stories within the community generally. As Gulpilil told This Is Your Life in 1979: 'I want to share [my culture] to the Western world and I'm not doing it for myself. I'm doing it for black and white to know better that we have culture and history still existent and I'll keep trying.'
Ross Honeysett's photograph evokes the memorable scene in Storm Boy (1976) where Gulpilil's character, Fingerbone Bill, relates a Dreaming story about a pelican, including a dance. Gulpilil's palms are opened to the camera, and the sunlight casts a shadow of them onto the sand behind him. Footprints are visible in the sand as well.
Gift of the artist 2021
© Ross Honeysett
Gallery Three (Robert Oatley Gallery)
Ross Honeysett (age 51 in 2004)
David Gulpilil AM (age 51 in 2004)
(View all 5)
1. Gulpilil (David) Dreaming - Kakadu 2006 George Fetting. © George Fetting/Copyright Agency, 2021. 2. David Gulpilil, c. 1981 Juno Gemes. © Juno Gemes/Copyright Agency, 2021. 3. David Gulpilil, Arnhem Land, 1981 (printed 2000) David Moore. © Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/. 4. The Movie Star (David Gulpilil), 1985 Tracey Moffatt AO. © Tracey Moffatt
Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney..
Thinking about architecture and portraiture
Magazine article by Dr Christopher Chapman, 2009
Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture
Magazine article by Lauren Dalla, 2004
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.


*Two blue horses roam free while a little blue birdie sings them a song.
*20×16 on canvas, framed with a blue frame. A wire hanger is included on the back for easy hanging.
*This piece was created using acrylics, inks, paper, and other ephemera for a stunning mixed media effect.