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• CONSUMER DISCLOSURES: No purchase necessary. You have not yet won. Ends: 9/30/18. Prizes: FOUR (4) Grand Prizes. Odds of winning depend on number of eligible entries received. One prize per household. Sponsor Metro Bus (665 FRANKLIN AVE NE, ST. CLOUD MN 56304).
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November 13, 2012 Reviews
Stunning Encore by Ate9
Posted by Kaitlin McCarthy
Written by Kaitlin McCarthy
Ate9 inSally meets Stu
Photo by Tim Summers
Seattleaudiences had another blip of an opportunity to catch Ate9's performance of Sally Meets Stu Friday night, November 9, 2012 at Century Ballroom. Advertised as "Seattle's Newest Dance Company," Ate9 is the outlet for the creative genius of Israeli-born dance artist Danielle Agami, who was a member of the world-renowned Batsheva Dance Company for 8 years before relocating to the United States. Sally Meets Stu premiered in August, and you can read the SeattleDances review of that first performance here.
Twelve dancers comprise Ate9, including Agami, who hail from Seattle and across the country. As the piece begins in slow unison, each dancer's exquisite differences are brought keenly into focus. From within the seeming sea of dancers, Seattle's Sarah Butler performs a solo displaying quick-fire flexibility and balance, before upbeat music breaks the mood and fast, layered dance sequences begin. The material is a mix of gestural and highly technical, with complex rhythms and unexpected physicalities. It is unusual to see technical dance that is still interesting—that feels like more than a just series of impressive tricks. The kinetic energy is also sheer joy to watch, and the fast pace is returned to multiple times throughout the performance. Later, theatrical elements are introduced. Nadav Heyman casually tells the audience the story of how Sally met Stu, and then another possible version of the story, and then another. Each have wildly different endings, but all are bitter and tragic, infused with dark humor. The stories are accompanied by dance sequences that at times illustrate and at times contrast, bringing a thoughtful subtext to the stories. At one point Heyman performs an entrancing solo where he struggles with controlling his own spastic body. The solo is excellent, but it is unclear as to how it relates to his role as narrator. The other dancers, however, move in and out of character fluidly, embodying Sally, Stu, and seemingly all of humanity. Combined with lighting effects designed by Amiya Brown, Agami takes snapshots from the everyday and abstracts them. A woman habitually making dinner, a group of people watching a movie and eating sunflower seeds—isolated, these familiar scenes become both terrifically beautiful and sad. Another fast dance sequence begins—dancer Tara Dyberg exhibits stunning technical prowess, and Genna Moroni is a dance firecracker. Then, the show suddenly ends. If not for a planted audience member whose job was clearly to initiate applause, no one would have known the piece was finished. It seems a shame to sell a masterpiece short on its final note, but with a little extra finagling, Agami could easily create a more satisfactory ending.
Sally meets Stu
Seattle dance fans have VelocityDanceCenterto thank for bringing Agami to the area. Director, Tonya Lockyer, responded to a desire in the community to study Gaga, the technique of the Batsheva company, and convinced Agami to come give Seattlea try. The result has been a series of master classes, workshops, and open company classes since Ate9 was founded in June. Velocity commissioned Sally Meets Stu and supported it with a 2-month residency with daily rehearsals, the effect of which is very evident in the performance. Lockyer notes that this kind of time and space to create work is currently unsustainable in Seattlebecause dancers and choreographers are working two and three jobs outside of dance just to support themselves. She explains that these fantastic companies, like the Seattlefavorite Kidd Pivot of Canada, or Batsheva of Isreal, exist and flourish because there is so much more support in other countries. Despite the odds, Agami has decided to try to base her company here in Seattle. She is taking Sally Meets Stu on a West coast tour starting this month to Vancouver, BC, San Francisco, and Los Angeles, and is currently fundraising so that she can feed and house her dancers who must leave their day jobs to commit to a life of dance. Agami's ambition and idealism is inspiring, and hopefully the community will come together to support her and other dance artists who deserve to be paid for their skills and contributions to our community.
To donate to Ate9's campaign, visit their Indigogo site, visit http://www.indiegogo.com/ate9dancecompany
To learn more about the company and their upcoming shows, visit
http://danielleagami.com/
Ate9Danielle Agami
Dancers Among Us Comes to Seattle

redpajama_set_name: RedPajamaCommonCrawl


text:
Imprint: BBC Physical Audio
Length: 115 Minutes
A BBC Radio 4 full-cast dramatisation
Full Cast (Read by)
Maurice Denham (Read by)
Stephen Thorne (Read by)
Foyles Hive Waterstones Amazon Blackwells
When Lucy comes across the old wardrobe standing alone in the spare room, she thinks she has found a good place for hide and seek. But then she tumbles headlong into a magical world of fauns, dwarves and giants, of animals that talk and horses that fly - the land of Narnia. It is so extraordinary that at first her brothers and sister don't believe it can be real. Soon, though, Peter, Edmund and Susan find Narnia too and the adventures really begin.Together they must battle against the evil White Witch to break her cruel grip on Narnia, a land she has cast in perpetual winter, without Christmas. Only one thing can hold fast against such wickedness: the mighty Aslan. The excitement which C.S. Lewis must have felt in creating this enchanted world is conjured up once again in this thrilling dramatisation of one of the best stories ever told.
2 CDs. 1 hr 55 mins.
I'm Sorry I Haven't A Clue 17
The Doctor Who Audio Annual
The News Quiz: Series 87
Just a Minute: Series 71
Jimmy Perry (and others)
This Is Radio 4 A Celebration
Just A Minute: Series 67 (Complete)
Noddy Helps Out And Other Stories
Weekending With Maggie
Teletubbies Singing In Teletubbyland
Take It From Here
BBC (and others)
It's That Man Again Volume 1
The Men From Ministry
Uncle Mort's North & South Country
Parkinson Interviews The Goons And Peter Sellers
Woman's Hour A Celebration Of Mothers
Spanking New On 7
The Smoking Room
The News Quiz: The Very Best Of 2004
I'm Sorry I Haven't A Clue was first broadcast on Radio 4 on Tuesday 11 April 1972, with a pilot edition which had been recorded in November 1971 under a working title of I'm Sorry They're At It Again. The panel consisted of the show's deviser, Graeme Garden, alongside Bill Oddie, Jo Kendall and Tim Brooke-Taylor. From the start, Clue's zany humour delighted listeners. Initial research revealed audience reactions such as 'teams were talented and amusing... an exceptionally fine quiz master - witty, relaxed and a good match for the teams.' One listener, however, complained that he 'hadn't a clue what it was all about' which, given the eventual title of the show, was perhaps an endorsement! The show's many years on air testify to its appeal, which owes much to the wit of the chairman, Humphrey Lyttelton. Humph, as he was affectionately known, was educated at Eton, and he trained at art college before joining the Daily Mail as a cartoonist. An ex-Grenadier Guardsman trumpeter, his reputation as a jazz player was legendary. The regular members of the panel - Tim Brooke-Taylor, Barry Cryer, Graeme Garden and, until his untimely death in December 1996, Willie Rushton - formed a perfect comic quartet. Tim and Graeme previously worked together on I'm Sorry I'll Read That Again, the forerunner of I'm Sorry I Haven't A Clue, whilst Barry and Tim appeared together on radio and television in Hello Cheeky. Their wholehearted enthusiasm for such games as Tag Wrestling, Wuthering Hillocks and Cheddar Gorge ensures constant hilarity on the panel and in the studio audience. Of course, the best-known game of all is Mornington Crescent, whose rules have eluded and baffled listeners for years. Other highlights include the lovely Samantha, and Colin Sell at the piano - who, according to Humph, is about to complete his latest album: 'All he needs is the latest set of prints back from Snappy-Snaps...' Humphrey Lyttelton, broadcaster, musician, presenter and master of the double entendre, died on 25 April 2008. After a long and understandable break, Radio 4's antidote to panel games returned on 15 June 2009 for its 51st series. Stephen Fry, Jack Dee and Rob Brydon took it in turns to keep some kind of order, as they chaired this new series without the much-missed Humph, and later the same year Jack Dee took over as the regular host. The Official Stage Tour also continued in 2009 without Humph, with Jack Dee, Rob Brydon and others sharing the chairman's role. I'm Sorry I Haven't a Clue celebrated its 40th anniversary in 2012.
C.S. Lewis was born in Belfast in 1898. In 1917 he went to Oxford University, but his studies were interrupted by the First World War, from which he was sent home wounded. One of his friends at Oxford was J.R.R. Tolkien. The Lion, the Witch and the Wardrobe was published in 1950. Fascinated by the difference in time between our own world and Narnia, Lewis wrote some of the books in a different order to the events which they portrayed. An example of this is The Magician's Nephew, which details the early history of Narnia and is intended to be read before the others. C.S. Lewis died in 1963.
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