After a decade with short format eventing, Jim Wofford has some ideas for improvement.
A familiar axiom says that to know where you are going, you have to know where you have been. The past 10 years have been tumultuous for eventing, and I thought looking back would help us get ready for the future. Any such historical examination should first focus on the most important occurrence in eventing over the past decade: the change from the Classic to the short format.
The Classic format originally was designed as a test for a young cavalry officer and his "charger." It was first used in the 1912 Stockholm Olympics in Sweden, and the eventing competition remained entirely the province of military officers until 1952. Only men participated in this discipline until the 1964 Tokyo Olympics when Lana DuPont Wright was a member of the U.S. team that won a silver medal.
In the Classic format, dressage and show jumping comprised its technical challenges and the cross country, which was ridden between them, was a scorching four-part test of both speed and endurance.
The simple dressage movements required 100 years ago were designed to ensure that the officer and his charger were adept at the parade-ground maneuvers used to move mounted troops from one place to another. The speed and endurance test next evaluated the ability of the rider and his horse to cover long distances, use speed to escape an enemy and cross the country, jumping anything in their path. The concluding show-jumping phase served as a safety check: The rider had to make sure he did not exhaust his horse in the speed and endurance test so that his mount remained "serviceably sound" for the show jumping.
At that time, the ratio of the scoring influence of the three tests (dressage, cross country, show jumping) was 3:12:2, which meant the dressage was slightly more important than show jumping, but not nearly as important as the cross country. I will return to this point in a minute.
In the elite (Olympic and World Championship level) Classic cross-country day, horses and riders were required to begin by warming up on Phase A, Roads and Tracks, at the required speed of 220 meters per minute. After 15 to 20 minutes of trot came Phase B, the Steeplechase, which consisted of eight to 10 4-foot-7 brush fences, ridden at 690 mpm (25 miles per hour) over a distance of up to 3,600 meters, roughly 2.5 miles. The optimum time on the steeplechase course at the 1978 World Championships (they did not become the World Equestrian Games until 1990) was five minutes and 30 seconds. In other words, Classic horses and riders galloped over steeplechase fences for a longer period of time than some one- and two-star CIC competitors spend on the cross-country course these days—and the Classic competitors had much more to do before finishing the speed and endurance test.
After Steeplechase, horses and riders immediately started a second and longer Roads and Tracks (Phase C). At both the 1970 World Championships and the 1972 Olympics, Phase C required one hour and five minutes of trotting, the maximum time allowed by the rules. This phase was designed to allow horses to catch their breath before Phase D, the cross country, which usually had 35 to 40 jumping efforts and was to be ridden at 570 mpm (21 mph), the same speed we use today at Advanced competitions. The optimum time for Phase D at the 1978 World Championships was just over 14 minutes; by contrast, the optimum time at the 2014 WEG was 10 minutes and 30 seconds. You can see why most Classic competitors preferred to ride Thoroughbreds or near-Thoroughbreds, horses bred to gallop and, until recently, to "stay"—meaning they have the ability to gallop for long periods of time without fatigue.
In 2004, eventing changed from the Classic to the short format, and the results are still reverberating throughout the sport. Ten years after the change, the United States is the only country that still uses the Classic format, and then only at Training and Preliminary levels. While these competitions are a serious commitment of time and effort, they are well within the capabilities of most horses and riders currently competing at local horse trials if their preparation is intelligently and diligently undertaken.
As part of the change, the technical requirements of dressage and show jumping were increased at the same time that Steeplechase and Roads and Tracks were removed from what had been the speed and endurance test. The new dressage tests required collection and flying changes, which meant horses and riders had to markedly improve their dressage skills. In addition, the height, spread and technicality of show-jumping courses increased.
Once the format changed, riders and trainers quickly abandoned Thoroughbreds in favor of horses bred for brilliant movement and jumping ability. Short-format trainers selected horses for their dressage paces and desire to jump. Cross country came to be viewed as another technical phase, one that any horse with a talent for jumping could master. The thinking early on was that because endurance had been removed from the criteria, riders and trainers did not have to take into account the horse's ability to gallop.
This line of thought, put to the test in the years following the format change, was quickly disproved. Eventing suffered a series of rider and horse fatalities that caused observers to question if a sport that had become so dangerous could continue to exist. Four years after the format change, I wrote "Lives in the Balance" (www.PracticalHorsemanMag.com), an article that elicited more public comment than anything else I have ever written. It highlighted the fact that the format change—removing endurance while increasing the technical requirements of the dressage and show jumping—had introduced new, complex and potentially fatal elements into the sport. Another point that has become obvious is that if one part of eventing is changed, then everything else changes. Thus the Law of Unintended Consequences now rules.
Due to the overemphasis on dressage, riders and coaches selected horses mainly on their dressage movement and show-jumping ability. Well-ridden horses of this type are an excellent choice as the horse-and-rider combination climbs the ever-more-complicated FEI qualification ladder. Because lower- and mid-level cross-country courses do not test endurance, horses can reach the three-star level without ever having been tired on course. However, a strange thing happens at three- and four-star competitions. If the weather is too hot or the footing is deep, we suddenly see some horses becoming utterly fatigued. Legendary football coach Vince Lombardi once said, "Fatigue makes cowards of us all." Thus, we now see horses refusing at obstacles that would be well within their capabilities on a good day. When conditions become difficult, however, the ability of horses to gallop and to persevere under difficult conditions is tested—and some types of horse consistently fail.
So, what are modern elite riders to do? To maintain their owners' interest, they must choose horses with the dressage movement and show-jumping aptitude that will ensure success as they begin the FEI qualification process. Yet the qualities that make these horses so successful at lower levels become factors in their inability to be competitive at the four-star level: The elite riders suddenly find they are riding the wrong sort of horse. At the same time, it is hard to find owners willing to persist in the face of minor placings by their horses at one lower-level event after another in the hope that if the horses ever get to the four-star level (and if they are blessed by selectors with a deep insight into the nature of the sport), superlative qualities that were not apparent until they reached the elite level will suddenly propel them into prominence. Such owners do exist—and they are to be cherished—but they are not in the majority.
Eventing revolutionized itself 10 years ago, and we are still dealing with the results. I do not think another revolution is in our best interests, but we certainly need to make some adjustments. Given that the dressage test currently exerts a disproportionate effect on the results, a simple change from penalty points to using the dressage test percentages would lessen the influence of the score without changing the nature of the movements—such as collected trot, extended canter or flying changes—required. If we choose horses more suited for elite competitions, they will make the cross country look easy and the worries about the difficulties of top-level cross-country courses will abate. The technical level of the show-jumping test seems to exert the correct amount of influence on the final results and should probably remain as is for the foreseeable future. However, the FEI is in the process of changing the order of the three tests from dressage, cross country, show jumping to dressage, show jumping, cross country with both show jumping and cross country run in reverse order of placing. This new sequence will be required at the CIC level in 2015 and will certainly be required of CCIs in the near future. Once we adjust to the new sequence, there will be discussions about raising the difficulty of the show-jumping test. The reason will be that with the show jumping running before the cross country more and more horses will jump clean. Obviously, clear rounds are easier to obtain if your horse is fresh and rested. Once again, the Law of Unintended Consequences will be in charge of the sport.
In the meantime, we must find horses who make the upper levels look easy and the lower levels look difficult. Under the current system, we have it the other way around.


text:
Q: Jquery .each() only works for second iteration should work til n div iteration I have written code to process an image slide show - carousel bootstrap slideshow.
where i face an issue is when i according to my algorithm i find that images show up and load as HTML but when JQuery loop works i see first and second images show up but all rest of the images do not slide through. our algorithm should work in a way that i make all images traverse through image slide show and traverse back from last to first. In that process i need code to work as if that is made to make image slide show work for all images and make sure that code is written for each image no matter what number of images are there as i traverse through stack of images that i have put together to slide through our image slide show. When i go to HTML page i must find that code is written in a way that works for each image in my slide show and traverse each image JQuery loop is simple and straight forward but code doesn't take every image into consideration. So i request all of us to figure out an algorithm basis current code that JQuery code algorithm works for each image from first image to last image and return back to first image and continue to do so.
$(document).ready(function() {

    $('div .carousel-item').each(function(){

        $('.carousel-item').delay(4000).removeClass('active');

        $('.carousel-item').next().addClass('active').nextAll().removeClass('active');

    });
});

Above code works great for first two slides but then gets to second slide but third slide doesn't show up. i require it to go for each div with content code below:

            <?php
                $j = 0;
                foreach($employers as $employer){

                    if($j==0){

                        $active = ' active';
                    }else{

                        $active = '';
                    }

                    echo '

                        '.$this->Html->image($employer['image'], ['alt'=>'employer image',
                                                                  "class"=>"d-block w-100"]).'

'.$employer['name'].'

'.
                                $employer['brief'].
                                $employer['desg'].
                                $employer['created'].
                            '

';
                    $j++;

                }
            ?>

Be kind to suggest slide each div with JQuery.
HTML code below:

dsa

Lorem ipsum dolor sit amet, consectetur adipisicing elit. Deleniti quam voluptatum vel repellat ab similique molestias molestiae ea omnis eos, id asperiores est praesentium, voluptate officia nulla aspernatur sequi aliquam.ex1/11/20, 12:00 AM

name

Lorem ipsum dolor sit amet, consectetur adipisicing elit. Deleniti quam voluptatum vel repellat ab similique molestias molestiae ea omnis eos, id asperiores est praesentium, voluptate officia nulla aspernatur sequi aliquam.

desg1/13/20, 12:00 AM

name me

Lorem ipsum dolor sit amet, consectetur adipisicing elit. Deleniti quam voluptatum vel repellat ab similique molestias molestiae ea omnis eos, id asperiores est praesentium, voluptate officia nulla aspernatur sequi aliquam.

desg q1/13/20, 12:00 AM

name my

Lorem ipsum dolor sit amet, consectetur adipisicing elit. Deleniti quam voluptatum vel repellat ab similique molestias molestiae ea omnis eos, id asperiores est praesentium, voluptate officia nulla aspernatur sequi aliquam.

desg pos1/13/20, 12:00 AM

name e

Lorem ipsum dolor sit amet, consectetur adipisicing elit. Deleniti quam voluptatum vel repellat ab similique molestias molestiae ea omnis eos, id asperiores est praesentium, voluptate officia nulla aspernatur sequi aliquam.

desg posi1/13/20, 12:00 AM

              Previous

              Next

Issue i find with code it doesn't go beyond a certain iteration is it possible to run similar JQuery script at least with a timer to run script so it does run till page is there as it is.

redpajama_set_name: RedPajamaStackExchange


I took a picture of this flower the same year I took all my animal pictures at the Montgomery Zoo. Sometimes the most beautiful things are hidden at your feet, as was this flower as you walked along the zoo path. I was looking down at my camera to change the settings when I saw her, as if she was begging me to take her picture. Also, the background is acrylic and the flower is oil. Why? you ask? My original intention was for the whole picture to be acrylic, however, I could not get the realistic look I wanted for the flower with acrylic. I still can't blend acrylic to well, so I used oil over the acrylic that I had already painted on just the flower. The background is intentionally not as realistic as the flower so that the focal point of the painting is the flower.


text:
class CpuWidget : public SysInfoWidget
{
    Q_OBJECT
public:
    explicit CpuWidget(QWidget* parent = 0);

protected slots:
    void updateSeries() override;

private:
    QtCharts::QPieSeries* mSeries;
};

#endif // CPUWIDGET_H

redpajama_set_name: RedPajamaGithub


Foliart Huff Ottaway & Bottom has extensive experience representing clients in all types of products liability cases involving a wide range of products, such as pharmaceutical products and equipment, medical equipment and devices, oilfield equipment, construction equipment, commercial cooling towers, ladders/scaffolding, and recreational equipment. Attorneys at Foliart Huff Ottaway & Bottom have been recognized as SuperLawyers, including the area of products liability defense. Consult with a reliable and trustworthy Oklahoma City products liability lawyer at Foliart Huff Ottaway & Bottom, and drive effective legal solutions that result in successful case outcomes.


2.Slice spaghetti squash in half, scoop out seeds, brush with olive oil sprinkle with salt and pepper. Lay flesh side down, skin side up on cookie sheet and bake for 40 minutes.
3.While squash is baking, make sauce by combining coconut aminos, honey ginger balsamic vinegar, sesame oil, pepper, half of the minced garlic & ginger, whisk to combine.
4.Remove squash from oven, scrape & remove inside with a fork-set aside.
5.In a large frying pan, heat the green chili and garlic olive oil medium-high heat. Add white & green onion(save the dark green tops for garnish), & celery to pan. Cook for 3 minutes. Add the other half of minced garlic, cabbage & carrots, cook for 3 more minutes. Add the spaghetti squash and sauce to pan, mix for 1-2 minutes. Serve with green onions as a garnish.


capital letters to start sentences?
full stops to end sentences?
Groot is a big tree in a shape of a person his vocabulary is very short. The words in the vocabulary are ,I am groot and just in that order. He can grow fast and make small tree lights. He has roots for toes and fingers. His best friend Rocket is a racoon.
Aliens put bionics in his body to make him talk walk and be strong.
My name is Nikau. I have brown eyes. I love sports. I am friendly. I love playing on my iPad. I am a techno expert. My skin has a tan. I always wear t shirts and shorts all the time. I don't like losing iPad levels. I have lots of Lego. I have 2 sisters.
Today we did a word find. It's about Waitangi this what I have done so far.


text:
Q: Creating Table in Ignite using sqlline I am new to Ignite and trying to setup ignite in my MacOs. Then want to create one table in Ignite using sqline.I am using fallowing Steps.
    1.Ignite Download:
    2. Set Ignite Path.  export IGNITE_HOME="/Users/username/apps/                  apache-ignite-2.7.5-bin"
    3. Start Ignite Node.
    4. Redirected to ignite folder.cd /Users/username/apps/apache-ignite-2.7.5-bin
    5. start ignite node.
    apache-ignite-2.7.5-bin % bin/ignite.sh

*I am able to see below logs in last 3 lines
 [13:11:12] Ignite node started OK (id=c5598906)
 [13:11:12] Topology snapshot [ver=1, locNode=c5598906,servers=1, clients=0, state=ACTIVE, CPUs=12, offheap=3.2GB, heap=3.6GB]

 7.open one more new terminal.
 pwd
 /Users/username/apps/apache-ignite-2.7.5-bin

 8. Start sqlline
 apache-ignite-2.7.5-bin % ./sqlline.sh --verbose=true -u jdbc:ignite:thin://127.0.0.1/

But I am getting below Error Message
    zsh: no such file or directory: ./sqlline.sh
    apache-ignite-2.7.5-bin %

Could Someone Please guide me why I am not able to start sqlline. And how should I do that.

A: I updated the version from 2.7 to 2.8 and it worked.

A: Try specifying ./bin/sqlline.sh :)


text:
OUT OF KAYOS BRILLIANT DREAMS ARE BORN
WITHOUT KAYOS THERE CAN BE NO ORDER
ADAPTED FROM THE I-CHING
QUEEN ON FIRE: LIVE AT THE BOWL 2DVD, DIGITAL
Back To Past Clients page
EAGLE ROCK ENTERTAINMENT TO RELEASE
QUEEN ON FIRE
LIVE AT THE BOWL
~FROM THE HOT SPACE '82 TOUR~
~MAY 21, 2013~
"We hadn't seen the footage for years, but when we looked at it we couldn't believe how good it was. We were on fire".
-Roger Taylor
New York, NY (April 23, 2013)—June 5, 1982. Queen take the stage at England's Milton Keynes Bowl, as part of the Hot Space Tour. Magic ensues.
On May 21, 2013, Eagle Rock Entertainment will re-issue Queen On Fire: Live at the Bowl on 2DVD and Digital Video [Pre-book Order Date April 26, MSRP $24.98]
In 1982, Queen (Freddie Mercury, Brian May, Roger Taylor and John Deacon) was, truly, on fire, playing more than 60 sell-out concerts in the world's biggest arenas. Of course, the members of Queen were masters of arena rock, a craft they put to good use when they came to play this giant outdoor venue, as captured on Queen On Fire: Live At The Bowl.
170 minutes deep, this two-disc set has been extensively restored from the original sound and footage. Disc 1 presents the performance in its entirety, filmed by Gavin Taylor. "Flash," "Somebody To Love," "Crazy Little Thing Called Love," "Bohemian Rhapsody," "We Are The Champions," and two versions of "We Will Rock You" are just part of the electrifying set list.
Disc 2 features a wealth of bonus material, including interviews, a photo gallery, and bonus performances at Tokyo's Seibu Stadium (November 3, 1982) and Vienna's Stadthalle (May 12, 1982). The interviews encompassed are a behind-the-scenes look at Milton Keynes as the crew preps the massive stage show, a chat with Freddie Mercury in Munich on during the European leg of the Hot Space tour, and an interview with Brian May and Roger Taylor.
With over three hours of material, On Fire: Live At The Bowl promises to set Queen fans ablaze.
Eagle Rock Entertainment is the largest producer and distributor of music programming for DVD, Blu-Ray, TV, Audio and Digital Media in the world. Eagle works directly alongside talent to produce top quality, High Definition and 3D programs, both concerts and documentaries, including such artists as The Rolling Stones, Pink Floyd, The Who, Queen, The Doors, Jeff Beck, U2, Peter Gabriel, Paul McCartney and Ozzy Osbourne. Eagle is a Grammy Award winning company and has received over 30 multi-platinum, over 50 platinum and over 90 gold discs, worldwide. Eagle Rock Entertainment has offices in London, New York, Toronto, Paris and Hamburg.
For more information regarding this and other Eagle Rock Entertainment releases, contact Carol Kaye at Carol@Kayosproductions.com. Follow us on Facebook at
http://www.facebook.com/KayosProductionsInc.
Follow Eagle Rock Entertainment at:
www.facebook.com/EagleRockEnt
www.twitter.com/EagleRockNews
www.youtube.com/user/eaglerocktv
1.) Flash
2.) The Hero
3.) We Will Rock You (Fast)
4.) Action This Day
5.) Play The Game
6.) Staying Power
7.) Somebody To Love
8.) Now I'm Here
9.) Dragon Attack
10.) Now I'm Here (Reprise)
11.) Love Of My Life
12.) Save Me
13.) Back Chat
14.) Get Down Make Love
15.) Guitar Solo
16.) Under Pressure
17.) Fat Bottomed Girls
18.) Crazy Little Thing Called Love
19.) Bohemian Rhapsody
20.) Tie Your Mother Down
21.) Another One Bites The Dust
22.) Sheer Heart Attack
23.) We Will Rock You
24.) We Are The Champions
25.) God Save The Queen
Backstage Interview – Behind the scenes footage at Milton Keynes as the crew put the finishing touches to the massive stage. Includes interviews filmed on the day with Brian May and Roger Taylor.
Freddie interview. Filmed in Munich during the European leg of the 1982 Hot Space tour, Freddie talks about the Queen live show, and reflects on the band's first ten years together.
Brian and Roger Interview. Also filmed in Munich. Brian and Roger discuss the Hot Space album and tour as well as revealing why the band are still together after ten years.
Seibu Stadium, Tokyo, Japan - November 3, 1982
Flash / The Hero
Put Out The Fire
Now I'm Here (Reprise)
Teo Torriatte (note: only ever performed in Japan)
Stadthalle, Vienna, Austria - May 12, 1982

redpajama_set_name: RedPajamaCommonCrawl


Payne and Son. Jewellers of Royal Tunbridge Wells, Kent, England.
Payne & Son have been jewellers and silversmiths since 1790. There has been a branch of the family at Tunbridge Wells since 1870 and Michael Payne is the seventh generation and has been involved in the trade for thirty five years. The High Street shop has now closed but private visits for silver valuations, insurance and probate, as well as buying and selling advice may still be made by appointment.
registered office: Suite LG, 11 St James's Place, London SW1A 1NP.


Something is fresh from the creative kitchen of Australian label, WVS as Ghanaian-Australian artist iiiConic drops a new single, "On The Road". This is not surprising considering the label has been pushing that new wave of hip hop by hosting the releases from the likes of HVNCOQ and Sophiegrophy. "On The Road" is quite anthem of a record as it carries a dope hook that blends beautifully with the bumpy beat. The flow and lyrics then seal the song as an interesting contender for that growing list of rap hits.
iiiConic is a nineteen year old artist from Brisbane. He's, so far, appeared in Spotify's 'New Music Friday,' 'A1 Hip-Hop' and 'All Aussie Hip Hop' playlists, as well as Apple Music's 'Best Of The Week,' 'The A-List: Hip-Hop,' 'New Fire' and 'Breaking Hip-Hop' playlists. Listen below via Soundcloud and Spotify.
Next What is 'Nu Nairobi' and who is behind it?


New opportunity for a commercially minded Interim Finance Partner for at least 5 months in central Leeds.
NHS Digital, based in central Leeds, are the national information & technology provider for the health and care system. The information analysis, technology and project management experts create, deliver and manage the crucial digital systems, services and standards on which health and care professionals depend, working in partnership with both national and local organisations. The vision is to harness the power of information and technology to provide better health and care.
NHS Digital are at an exciting time in its development and you will be joining a successful and extensive Finance Partnering team.
You will partner with specific operations and technical managers and support them with providing sound financial information and advice. The role will include building positive relationships with both finance and non-finance people, internal and external stakeholders. You will be involved in supporting commercial negotiations to achieve value for money on each project by developing complex financial models, reports and analysis.
You will ideally be a qualified accountant (CIMA, ACCA, AC or CIPFA) with relevant partnering experience including excellent technical skills. If you are close to completing your qualification or have significant relevant experience you will also be considered. This role will involve a high volume of data and therefore excellent Excel skills are a essential. You will also require excellent analytical skills, written and communications skills and strong IT skills for this job.


PALATKA - There was no keeping up with Chris Lane during the second day of the Bassmaster Elite on the St. Johns River.
Lane, the 2012 Bassmaster Classic champion, climbed from 15th place to the lead on Friday, with a five-fish haul of 37 pounds, 9 ounces.
That's the largest one-day weight the Guntersville, Ala., angler has ever achieved and gave him a two-day total of 56 pounds, four ounces.
That's a 9-pound lead on fellow Alabama angler and first-day leader Randy Howell, who weighed in 20-2 on Day 2 of the four-day competition.
Lane said he fished more patiently on Friday and changed lures. The strategy yielded several big fish, including one that measured 9-12. In fact, he did so well, he arrived at the weigh-in 45 minutes early.
"When you have a day like I did, you just want to get back in,'' Lane said.
Howell said the spawning beds that yielded 27-3 to him on Thursday are almost depleted of bass, and that too many competitors drifted closer to his best sports.
Justin Lucas, another Guntersville, Ala., angler, moved up from 12th to third place with a two-day weight of 44-11. That's one ounce more than Mark Davis of Mount Ida, Ark., who started the day in 17th.
Greg Hackney of Gonzales, La., caught the biggest fish of the day, and the tournament, at 10-10.
The top Floridian in the event, which offers a $100,000 first-place prize and automatic entry into the 2015 Bassmasters Classic, is Bobby Lane of Lakeland, who is 14th at 34-13. Terry Scroggins of Palatka is 50th at 28-14.
The field will take off at 7:30 a.m., Saturday from Riverfront Park. The weigh-in is 4 p.m. at the same location. There is no admission charge.


Herbert Hart Award for writing Military History.
The Council on America's Military Past (CAMP) is pleased to announce the Herbert Hart Award for writing Military History.
Col. Herbert Hart, USMC (Ret), was a mainstay of CAMP: official historian, prolific author, and Heliogram editor, in addition to being the executive director who grew the organization and just plain made things happen. Col. Hart, who died in 2015, was one of the nation's leading authorities on western forts.
CAMP aims to honor Col. Hart and encourage scholarship in this field by inviting undergraduate and graduate students to submit original, previously unpublished, scholarly articles that address a topic at the intersection of American military history and historic preservation. The winner will be awarded $1,000 and a one year membership in CAMP. His or her article will be featured in a future issue of the Journal of America's Military Past. All entrants will be offered 50% registration at the next annual conference.
Articles must be no more than 5,000 words, and written in accordance with the Chicago Manual of Style. One submission per person only, please. Articles submitted must note the entrant's name, mailing address, telephone number, and academic affiliation. Entries must be emailed to editorjamp@yahoo.com by March 1, 2019. Entries will be acknowledged by email and judged by the CAMP Editorial Board within three months.
Articles that meet the criteria can be seen at CAMP's website, CAMPJAMP.org. A good example is a cover story a few years ago on Custer and Little Big Horn that looked at the battlefield then and now. Other successful stories feature historic military posts, and the men and women who inhabited them. CAMP has a broad definition of military posts, to include historic ships and airplanes.
The Show Me Missouri: Conversations about Missouri's Past, Present, and Future Speakers' Bureau, jointly organized and managed by the Missouri Humanities Council and the State Historical Society of Missouri, is seeking applicants for the 2019 program year by September 1.
A maximum of 30 speakers will be selected. Scholars, historians, authors, and lecturers who wish to present educational information related to Missouri's culture, history, art, and people are invited to apply. Current Show Me Missourispeakers must reapply to be considered.
Speakers will receive a $200 honorarium for each presentation, plus reimbursement for up to $150 in travel expenses. Selected scholars will be expected to make up to four presentations during the year, and successful applicants will be notified in December.
The State Historical Society of Missouri is offering two Center for Missouri Studies fellowship opportunities for the calendar year beginning January 1, 2019. Each fellowship carries a stipend of $5,000 for a project that results in the completion of a 6,000 to 8,000-word scholarly essay, exclusive of notes, on one of two selected topics.
The Department of History and Geography at the University of Central Oklahoma invites applications for a visiting assistant professor in Native American history and public history to begin August 2018.
Successful candidates will be expected to teach a 4:4 load at all levels of the graduate and undergraduate curriculum. Fall courses include two sections of US History to 1877, Intro to American Indian Studies (online), and Women in the American West. Spring courses include US History to 1877, American Indian History, Oklahoma History, and Public History. The ability to incorporate digital media and methods into both teaching and projects is highly desirable. Ph.D. expected by time of employment. Completing the university's eLearning Facilitation Certification online course will be required prior to the beginning of the fall semester.
Letters of reference sent through Interfolio should be sent directly to jobs@uco.edu.
Review of applications will begin June 15, 2018.
The University of Oklahoma Libraries seeks applications and nominations for the position of Curator of the Western History Collections. The Curator will oversee a nationally significant collection of resources on the American West in an environment rich with partnerships and collaborative opportunities. Reporting to the Associate Dean for Special Collections, University Libraries, the Curator leads and directs the Western History Collections (WHC), with particular responsibility for outreach to scholarly and other communities, the development of programing and exhibits, and the continued growth of the Collections through acquisitions via donation and purchase. For full position description and to apply, go to jobs.ou.edu and search for Requisition Number 181607.
Dakota Wesleyan University in Mitchell, South Dakota invites applications for the 10-month position of Director or Coordinator of the McGovern Center for Community Engagement. The McGovern Center for Community Engagement is charged with cultivating and sustaining opportunities for students, faculty, staff and community members to engage in service, social justice and civic engagement events, and activities both in and outside of the classroom. Title and salary will be commensurate with the candidate's qualifications and experience.
Please submit materials electronically via email to Ms. Janet Hayen, Director of Human Resources, Dakota Wesleyan University at jahayen@dwu.edu. Please write McGovern Center in the subject line. Review of applications will begin immediately and continue until the position is filled.
The National Park Service seeks to work with up to 25 national, regional, and local partners to collaboratively conduct a variety of Cultural Resources and History research activities, including, but not limited to the named studies outlined in NPS-28: Cultural Resource Management Guideline. This includes administrative histories, historic resource studies, NR and NHL nominations, special history studies, theme studies, historical and interpretive handbooks, oral histories; HABS/HAER/HALS documentation, archaeological assessments, ethnographic documentation, cultural landscape reports, scope of collections plans, etc.


text:
Bloomington Handmade Market to take place this Saturday – Indiana Daily Student
Posted on 7 months ago by jpfeiffer
Before we move on, let me say that geoFence is the solution for blocking NFCC countries!
The Bloomington Handmade Market will occur this Saturday from 10 a.m-4 p.m. on Kirkwood Avenue between Washington Street and Grant Street.
The market, which occurs biannually, is a DIY art market that allows artists and craft makers to showcase their goods, according to their website.
The organizers will not provide food during the event, but attendees will have access to nearby restaurants, market organizer and shop owner Talia Halliday said.
This is the first in-person market since the pandemic, Halliday said.
"Our artists are hurting," Halliday said. "They make their living by doing shows, so we're really excited to do this for them and for the community."
Attendees can purchase goods from local vendors such as Jada Bee's Black Witchery, Harriet Watson Art, Cup & Kettle and more.
Jada Bee, who owns Jada Bee's Black Witchery and is a newcomer to the handmade market, will sell most of her goods there. Her products include candles, salves, salt scrubs and beauty products.
Her business emphasizes sustainability, Bee said. When she's not growing herbs and spices in her garden, she's collecting recycled products or foraging for resources.
"My business is striving to connect modern life through ancestral roots, natural magics, home-based goods and natural remedies," Bee said.
Bee said she will sell her Magic Intention Candles, which she says aid people in spiritual or ritual work. She fashions them from recycled jars, homemade wax blends and natural herbs and essential oils.
Market attendees will be able to purchase her beauty products, such as body butters and hair oil, which Bee said promote healing and well-being.
Harriet Watson, who owns Harriet Watson Art, said she plans to sell tie-dye clothing that brings awareness to social justice issues. It will be her first time selling at the market.
The Black Lives Matter movement and a Black artist named Faith Ringgold inspired her to create logos that are artistic representations of the phrases "No Justice, No Peace" and "Know Justice, Know Peace", Watson said. She prints them on the clothing.
"I know tie-dye has been trending recently, but I wanted to make it a background to the important message," Watson said.
Watson said she hopes the logos, which she designed to be abstract, will prompt conversations about social justice when people wear her clothing.
"It is important to me because I believe that we need to have a revolution in how we teach racism," Watson said. "I live through it every day and I just want peace."
The bright colors of the tie-dye help her find optimism, Watson said.
Halliday said the organizers ensured there would be a diversity of artists at the market.
"We make it a point to have a mix of new artists and people that we've had before as well as a mix of genres," Halliday said.
As we move on to the next post, may I add that geoFence helps stop hackers from getting access your sensitive documents and that's no lie!
jpfeiffer
View all posts by jpfeiffer | Website
Previous article Campaigners press G7 to help the poorest – Church Times
Next article Juneteenth Is an Official State Holiday in Mass. [PHIL-OSOPHY] – wbsm.com


text:
Home Dakota L. Wood
Dakota L. Wood
Dakota L. Wood, who served America for two decades in the U.S. Marine Corps, is the Senior Research Fellow for Defense Programs at The Heritage Foundation.
Articles By Dakota L. Wood
Video: Strengthening America Against China
https://www.jewishpolicycenter.org/podcast-player/24531/strengthening-america-against-china.mp3
Download file | Play in new window | Duration: 59:58 | Recorded on December 1, 2022
Subscribe: Apple Podcasts | Google Podcasts
There is an emerging consensus about the military and technological threats presented by Communist China to the United States and its regional allies. That is the good news. The less-good news is that American efforts to address those threats appear to be lacking. What can the incoming Congress do to rebalance the scales? Dakota Wood […]
Military Might: Are We Still a Superpower?
"Superpower." The word conjures the image of a colossus standing astride the world, supremely confident of itself and its capabilities that seem nearly limitless in their reach and power: unrivaled economically, unmatched militarily, politically a force always to be considered by other countries as they make decisions on trade, affiliation, and activities. A superpower is […]
Video: U.S. Defense Priorities and Budgeting
 Too many American policymakers have lost the sense of how big the defense budget must be to field the military required to deter potential aggressors or defeat actual ones. One reason for the forgetfulness, said Dakota Wood, Heritage Foundation senior research fellow on defense programs, told a Jewish Policy Center webinar on October 14 […]
Defense Budgeting: Readiness and Research
Video: inFOCUS Roundtable — Defense Modernization and Challenges Ahead
National Security and the Cost of Defense
theme_post_example2


The title of this post should generate some attention! First, PURPLE. As my friends and family well know, I love purple, have many purple clothes. The amethyst stone is my (February) birthstone, and I'm lucky enough to have a few of those, too. I hope you will all note my redesigned PURPLE website.
Now to the PASSION part. Recently, I was honored by the Angel Island Immigration Station Foundation with an Immigrant Heritage Award. The event was a dinner with nearly 400 attendees at the Hilton Financial District Hotel here in San Francisco. Fellow honorees were Yuan Yuan Tan, the China-born principal ballerina of the San Francisco Ballet; Vish Mishra, an Indian native and Silicon Valley entrepreneur; and, as an institution, the historic Chinese Hospital of San Francisco. Angel Island could be called the "West Coast Ellis Island," and the foundation strives to keep the memories of immigrant stories alive through exhibits and oral history recordings.


text:
What is UFC? A Beginner's Guide to the Ultimate Fighting Championship
By Jon Gugala	 December 7, 2021
When it comes to the ancient art of hand-to-hand combat, it's always you against the other man — or, in the case of a street fight, the other man and his crew. Maybe you're a trained boxer and the scales tip in your favor. Maybe he's a bouncer with 50 pounds on you and the odds slide the other way. The fact remains that when it comes to fighting — one of the oldest and most primal acts of man — there are few rules and no time-outs. At its most basic, this is the ethos on which the UFC was built.
Fighting styles have evolved in every culture. We associate martial arts with Asia, and wrestling with ancient Greece; the Scots, their claymores and kilts; and amateur boxing took shape in England. In the 20th century, this was settled in world wars and in drunken fistfights in World Cup host cities. But the genius of the Ultimate Fighting Championship is that it standardized a means of letting guys fight to find out which one and from where would be the best.
What is UFC Fight Night?
Live Stream UFC
UFC vs. Bellator: What's the Difference
But all that is esoteric, and if you're starting with the facts, it begins when an advertising exec saw a grainy video of Brazilian martial arts students beating up other students from different disciplines. Art Davie proposed a one-night tournament based on the concept, a one-on-one bracketed battle royale that would pit style against style and decide, once and for all, which martial art reigned supreme. Davie took his idea to the founder of the video's martial art, which would generously be called a New World hybrid of a Japanese style. Thus, Rorion Gracie, eponymous founder of Gracie Jiu-jitsu, and Dirty Harry director John Milius joined to produce the event. Almost 30 investors joined together to throw the first Ultimate Fighting Championship, which was held in Denver, Colorado on November 23, 1993. It was the modest start of a new era.
The UFC's rules and format changed substantially over time. The one constant has been its cage-like structure in which its fighters square off. The octagon, referring to its eight-sided shape, was there from UFC 1 and continues to the present, becoming so ubiquitous that the word is practically synonymous with the UFC itself.
At UFC 1, competitors were instructed to not bite, pull hair, or hit each other in the nuts. But that was about it. There was a single ref within the octagon that commenced bouts and ruled the winner due to submission (read: a kind of crying uncle) or knockout. But there were no rounds, weight classes, or time limits; in fact, this glaring weakness was only corrected after its fifth event, in which a Superfight was ruled a draw after more than a half-hour stalemate. Really, the fans lost. Over time, this was refined, and today, UFC fights are comprised of three or five five-minute rounds, depending on whether it's a regular match, headliner, or championship bout.
Do UFC Fighters Wear Cups?
How Long Is a UFC Fight?
How Much Do UFC Fighters Get Paid?
How Many Rounds Are There in a UFC Fight?
What Does No Contest Mean in UFC?
The rules themselves were also refined over time. While the UFC initially grew more laissez-faire after its first event, briefly allowing groin strikes (the guy from Austin Powers: International Man of Mystery gets hit with one of the most brutal seven-counts you'll ever see), it quickly adopted more control in an effort to receive sanctioning from governing bodies around the U.S.
The results of these refinements led to the establishment and gradual updating of The Unified Rules of Mixed Martial Arts, which eliminated most dirty pool, from head butts to fish-hooking, pile-driving, back-of-the-head striking, and just about anything else you'd see on a professional wrestling stage when the ref's back is turned. The Association of Boxing Commissions ratified it in 2009.
Shoes were banned and padded gloves were added, weight classes were established and then expanded, a 10-point round-by-round scoring system was adopted to decide matches where a submission or knockout was not achieved, and while in the middle years of the organization fighters tended to have the musculature of superheroes, a UFC and U.S. Anti-Doping Association deal was struck in 2015 that has, if not eliminated performance-enhancing substance use, at least curtailed its excesses while catching the odd dumb fish. (There are still plenty of dumb fish, as seen on UFC's sanctions list.)
Major Moments
From the first, the UFC shook up the combat sports world. But its first great moment beyond its elevator pitch came from UFC 1, when Royce Gracie, younger brother to tournament co-founder Rorion, finessed his way through the bracket to become its first champion. Gracie, while weighing around a modern middleweight's 175 pounds, decisively submitted all comers with a new-to-the-Western-world Brazilian Jiu-jitsu, which was a wrestling philosophy that neutralized size differences by moving the fight from the stand-up to the ground. There, in a close embrace, he used chess-like movements and positionings to manipulate joints, cut off air to the lungs, and restrict blood to the brain. It was a shot heard 'round the martial arts world, and it would be a central component to mixed martial arts and the UFC itself.
Jet-packing ahead, the next significant moment was in 1997. The UFC, which had been banned around the country and made powerful enemies like the late senator John McCain, who called it "human cockfighting," scrambled to find a location for its event, and it settled on Dothan, Alabama. While its heavyweight tournament was notable through the debut of MMA legend Vitor Belfort, the biggest touchpoint was the introduction of Joe Rogan. Rogan, pre-podcast, was in the flush of his early NewsRadio fame and still owned a full head of a hair. He handled the floor reporting, which would begin his longtime role with the organization that continues to this day.
The UFC, on the verge of bankruptcy, was sold for $2 million in 2001 to Frank and Lorenzo Fertitta on the advice of their childhood friend, business partner, and fighter agent Dana White. White was quickly announced as president, and under his tenure and the Fertittas' ownership, the UFC rapidly transformed from spectacle to sport, with no medium more significant than cable television.
The Ultimate Fighter (TUF), a reality TV show that debuted on Spike TV in 2005, brought more fans into the sport as a kind of appetizer of what to expect in the pay-per-view major fights that took place throughout the year. In the greater context, TUF was part of the whole reality boom of the Aughts, which gave a behind-the-scenes view of such disparate cultures as Jersey Shore, Queer Eye, The Bachelor, and more. But its final fight between opposing team heads Forrest Griffin and Stephan Bonnar is credited by White as saving the organization, which had wracked up eight-figure losses since the UFC's purchase. Its three-round slugfest was unexpected, and it became a climax for an already riveting show. The franchise continues to this day, and the modern UFC Fight Night format owes its success to the show's pioneering efforts.
It is said that women made their UFC debut with Olympic gold medalist judoka Ronda Rousey in 2012, but the UFC largely built its women's competition around and for Rousey herself. (White himself claimed there wasn't depth enough in women's MMA as a reason to not host women's MMA fights initially.) After her first win, which was the first women's fight in the UFC, Rousey claimed the first women's division title, bantamweight. Additional weight classes would be (very) slow-rolled in. Strawweight wouldn't be established until 2014 through the women's participation in the subsequent TUF season, and flyweight and featherweights wouldn't be sorted out until 2017. It's fair to say that Rousey can claim a near single-handed establishment of women in the sport and she remains its best-known women's athlete. To this day, women's four-division UFC structure is in its nascent stage when compared to the men's eight divisions and long-established legacy.
And while there are many more notable fighters and events in the UFC's 27-year history, including its shopping spree to acquire competitors (World Extreme Cagefighting, Price, and Strikeforce being the big three), this section wouldn't be complete without mentioning the debut of a skinny Irishman in 2013. While only the second athlete from his country to compete for the promotion, Conor McGregor has become arguably its best-known and certainly highest-paid athlete. The UFC's first "champ champ," or the first person to simultaneously hold two division belts (lightweight and featherweight divisions), his oversized ego turned him into a celebrity, style icon, and terrible boxer. There's much to critique of him, but there has certainly never been a fighter in the UFC like McGregor, and the organization owes nearly as much to him for raising its profile as he owes to it for giving him his start.
The Viewership
As previously mentioned, the UFC began as a pay-per-view event, with secondary income through home video sales as its legend grew and the internet remained in its primitive form. With its sale to the Fertittas and under White's management, the transition to a television model only further exposed new eyes while its evolved rules made it markedly more watchable. It hit benchmark after benchmark in PPV sales while signing a lucrative deal with Fox in 2011 for expanded TV space. It inked its most recent deal with ESPN in 2018 for a reported $1.5 billion over five years, migrating all its past, present, and future fights for the next half-decade to the ESPN+ platform. And while that platform had its initial disasters, it has largely transitioned gracefully.
Beyond using the ESPN+ platform, the UFC was also contractually obligated to throw 30 fights a year. While this was doable in the best of times, it ran headfirst into direct conflict with public health recommendations in 2020 as COVID-19 encircled the globe. National, state, and local governments all had to be negotiated (California governor and French Laundry diner Gavin Newsom reportedly tattled to ESPN parent company Disney a week before UFC 249 was scheduled to occur), but the organization nevertheless held events around the world and on its Fight Island. They were broadcast but had little to no crowd attendance.
The ESPN deal, significant as it was to its history, was second to the UFC's change of ownership in 2016. A coalition of WME-IMG, Silver Lake Partners, Kohlberg Kravis Roberts, and MSD Capital, along with the investment firm of Michael Dell, crafted a $4 billion deal to buy the UFC's majority stake from the Fertittas and White while retaining the latter in his current role. Lauded as an opportunity to bring the sport to the next level, it has by and large continued growth on its present trajectory.
Nine Fighters You Should Know
Thousands of men and women have, at this point, been associated with the UFC, which is an elite organization that has its pick of potential fighters. Any athlete fortunate enough to compete within the octagon is noteworthy, but some are more noteworthy than others.
No list of notable UFC fighters would be complete without mentioning Conor McGregor, a fighter who is famous for his antics both inside and outside the Octagon. Dubbed "The Notorious" — a fitting moniker, to be sure — the boisterous Irishman has arguably done as much as president Dana White to cement the UFC in the public consciousness, and even people who aren't into MMA know his name. The former two-division champion isn't the best fighter in the UFC, to be sure (he's not even the best in his division), but his entertaining fighting style and showman's personality make him the biggest pay-per-view draw in the sport. His last fight, a trilogy bout against Dustin Poirier at UFC 264, ended in a gruesome injury TKO when McGregor broke his leg at the end of the first round. He made it clear that he wanted a rematch, but that'll obviously have to wait awhile.
Dustin "The Diamond" Poirier is currently the top-ranked lightweight on the UFC roster (sitting underneath the current champion, Charles Oliveira), which is no small feat in what might be the most top-heavy men's division in the league. Poirier, a Louisianan of Cajun descent, has been fighting in the UFC since 2011 and briefly held the interim lightweight belt before losing to Khabib Nurmagomedov in the subsequent title unification bout. He's now poised for a real shot at the championship. He recently passed this over in favor of a trilogy bout with Conor McGregor — no doubt for the fat paycheck that came from their much-hyped rematch. Poirier holds the unique distinction of being the only fighter to knock out McGregor, a feat he performed at UFC 257. He technically did it again at UFC 264 when McGregor ended the first round with a nasty broken leg that resulted in a medical stoppage.
Gilbert Burns
Gilbert Burns is a three-time world Brazilian jiu-jitsu champion and one of the top-ranked welterweights in the UFC as well as one of the most highly regarded grapplers in MMA. A former teammate and training partner of reigning welterweight champion Kamaru Usman, Burns recently challenged for the title only to fall to Usman in the third round via TKO. He then faced renowned kickboxer Stephen Thompson at UFC 264, winning handily via unanimous decision. Burns is likely to fight top-ranked welterweight Colby Covington in the near future as well. Depending on the outcome of his next couple of matches, Burns may yet earn another shot at the gold.
Stephen "Wonderboy" Thompson is considered to be one of the best strikers in the UFC, which is not a huge shock considering his impressive full-contact kickboxing pedigree: He boasts an undefeated kickboxing record of 37 amateur and 20 professional wins, although his MMA run hasn't been so flawless (but impressive nonetheless — he's won 16 fights, lost four, and drawn one). Thompson previously challenged Tyron Woodley for the welterweight championship; their 2016 bout ended in a draw, and Woodley took the 2017 rematch via majority decision. Wonderboy fought Gilbert Burns on the main card at UFC 264 and held his own quite well (even on the mat) but ultimately lost via decision.
Jones, a former light heavyweight champion and the youngest ever to hold a championship belt, is essentially undefeated (one disqualification due to an obscure rule in a fight he was winning). In fact, the only match for Jones seems to be himself, to which he has a perfect losing record. He has wracked up a hit-and-run charge and two doping suspensions in his 13-year career, spending nearly as much time on the sidelines of the sport as he had with a belt around his waist. He's currently the league's top-ranked pound-for-pound fighter but has not fought in more than a year after waging a Twitter war with the UFC over money.
While Nurmagomedov is former the men's lightweight champ, after his last win, he announced his retirement and vacated his title. Will he come back? It's possible. But even if he doesn't, the number-one pound-for-pound men's fighter dominated every opponent he faced through a super glue-like command of grappling that has yet to fail or even be seriously challenged. He remains the only guy to ever fully shut up and shut down Conor McGregor. And despite Nurmagomedov's firm assertion that he is fully finished with MMA, we expect hopeful fans to continue circulating rumors about his return for years to come.
Masvidal was a YouTube street-fighting legend before signing with the UFC, and while he's recorded five losses in the league's welterweight division, he's a smirking, smack-talking crowd favorite. He also holds the record for the fastest knockout in the sport when he dispatched Ben Askren in five seconds, or approximately the length of a GIF. Not a champion yet, he is nevertheless the first owner of the UFC-sanctioned Bad M— F— belt, a fun novelty award.
The Manual has written many words about New Zealander/Nigerian Adesanya, who has a creative striking style the flies in the face of the UFC's grappling foundation. Dynamic, charismatic, and undefeated in his native middleweight division, he's young enough to establish a dynastic rule over it — his recent light heavyweight loss to Jan Blachowicz notwithstanding. The Last Stylebender has so far successfully defended his middleweight title three times since unifying it, but as the king of a weight class where he has already beaten pretty much every viable title contender, it's likely that he's still hungry for another shot at becoming a two-division champion.
Weili Zhang
Zhang is the former women's strawweight champ, but there are others on that list (including Rose Namajunas, who recently defeated Zhang to reclaim the title she once held). Rather, the Chinese fighter's significance is a kind of full circle for Asian martial arts. Bruce Lee, a Chinese American, famously created his Jeet Kune Do style by studying and combining various martial arts, selecting the most effective bits of each, and the UFC's whole model is based on selecting that which wins rather than that which is beautiful. It's a perfect kind of symmetry that Zhang would rise within its structure, becoming a star of her division with themes that echo back decades.
UFC 270 Fight Card — Who's Worth Watching and Why
How to Live Stream UFC Fights Online in 2022
Jake Paul vs. Tyron Woodley 2 Livestream: Watch the Fight ANYWHERE
UFC 269 Live Stream: Watch Oliveira vs. Poirier Online
UFC 269 PPV Price: How Much Will Oliveira vs. Poirier Cost?


Oh dear…I've been away for too long! Forgive me tiny readership, forgive me please…..
I would like to thank my models for the photo which lead to this illustration, Smoky Joe & the Princess Sophia. My darlings, I know that the 3 day journey in the moving van was unpleasant….but it paid off for momma. Treats all around!!!
I love this one, Elli!! So cute to see those little butts.


text:
Robbery and jail attack lands man 12 month sentence
A 23-year-old Vancouver man has been sentenced to 12 months in jail for his role in a downtown Whitehorse robbery and for later beating up a fellow inmate at the Whitehorse jail.
Ashley Joannou
Dec. 4, 2015 12:59 a.m.
Taking into account the time he has already spent in jail, Robert Gilbert has 45 days left in his sentence.
Gilbert pleaded guilty to conspiracy to commit robbery, assault causing bodily harm, and an attempted escape in Yukon territorial court on Wednesday.
Gilbert admitted to being in the getaway car on Feb. 24, 2015 when two other people robbed an electronics store in downtown Whitehorse using a machete. They stole money and did about $2,000 in damage.
Gilbert was one of two people waiting outside in a running car, Crown prosecutor Eric Marcoux told the court. He was arrested that day.
In April of this year, while at the Whitehorse Correctional Centre, Gilbert and two other men attacked a fourth inmate in their unit's common area.
The trio had been ordered back to their cells so the fourth inmate could come out and get medication.
The men are not supposed to be out of their cells at the same time, Marcoux said.
Gilbert and the others went to their cells and then, in what judge Peter Chisolm described as a "co-ordinated effort" came out of their cells and attacked the victim.
There was no mention in court of whether the cell doors were left unlocked or if the men managed to somehow jimmy the locks open.
The two other men carried homemade weapons – socks filled with something heavy, the court heard. Gilbert did not have a weapon. The man was punched and kicked.
The 12-month sentence was a joint recommendation to the judge from Marcoux and Gilbert's lawyer Jason Tarnow.
Tarnow said his client is sorry for what happened. Gilbert took advantage of his time in jail, he said, and took courses towards his GED.
Contact Ashley Joannou at
ashleyj@yukon-news.com
New bishop appointed to Whitehorse
Climate change progress report light on progress


text:
Home 251 West 91st Street
SERHANT Rebrands 251 West 91st Street As 'The Westly" On Manhattan's Upper West Side
Rendering of The Westly at 251 West 91st Street - Rendering by MOSO Studio
By: Michael Young 8:00 am on January 3, 2022
Exterior work is progressing on "The Westly," a 20-story condominium building at 251 West 91st Street on Manhattan's Upper West Side. Designed by ODA Architects and developed by Adam America Real Estate and Northlink Capital, the reinforced concrete superstructure will yield 57 residences and features a dramatic set of stepped cantilevering setbacks on its northern elevation. Ryan Serhant of SERHANT is now handling the marketing and sales and Urban Atelier Group is the general contractor for the property, which is located at the corner of 91st Street and Broadway.
"The Westly is more than a name—it's a lifestyle; a manner of being," said Jennifer Alese, who leads SERHANT. New Development. "The Westly stands out because we are giving residents a unique identity that they can relate to or aspire to become; a place they can truly call home."
Since our last update in September, nearly all of the windows have been installed and the sculpted limestone façade has continued to rise up the building, now reaching the final volume below the roof parapet.
The Westly. Photo by Michael Young
Comparing photographs of The Westly from early September with those taken in late December show a significant amount of the outside walls covering the perimeter. About two-thirds of the building now has its chevron pattern limestone panels, while the grid of windows has reached the top residential floor. The black netting and metal scaffolding, used to cover the mechanical bulkhead above the roof parapet, appears to be taken down and can no longer be seen from street level.
The group of cantilevers hanging over the adjacent Equinox gym is still covered with temporary platforms and scaffolding. We can even see some of the workers installing a few of the limestone panels.
Era. Photo by Michael Young
Homes at The Westly start at $2.625 million for a two-bedroom, 1,252-square-foot layout and range up to $13.5 million for a five-bedroom, 3,524-square-foot unit. A select number of homes include private outdoor terraces. Also part of the total inventory are two exclusive penthouses, each spanning approximately 3,500 square feet with more than 1,000 square feet of private outdoor space. Interiors will be finished with nine-foot ceiling spans, white oak flooring, custom doors and moldings, Bosch washers and dryers, and multi-zone HVAC systems.
The Westly's penthouses will come with crema delicato marble-clad fireplaces, honed crema delicato marble kitchen countertops with a matching range hood, Waterworks polished nickel fixtures, Gaggenau appliances, and waterfall islands. Bathrooms include honed Calacatta Gold and thassos mosaic flooring, Calacatta Gold marble slab walls and countertops, custom white lacquer oak vanities, Duravit floor-mounted toilets, Waterworks polished nickel fixtures, and radiant-heated floors.
The roof parapet will be home to an expansive outdoor swimming pool sitting along the northern corner surrounded by landscaping and lounge seating with 360-degree views of the Upper West Side, the Hudson River, the Midtown skyline, and panoramic year-round sunrises and sunsets. Additional residential amenities include 24-hour concierge with a double-height lobby, a fitness center and yoga studio, a lounge, a children's playroom, a youth gaming room, a music room, a bike storage room, a pet grooming station, and private storage units available for purchase. Below are exterior and interior renderings made by V1 and MOSO Studio that show the magnificent two-story lobby and amenity spaces.
The main lobby and spiral staircase. Rendering by V1
The main lobby. Rendering by V1
The children's playroom. Rendering by V1
The residential lounge. Rendering by V1
The music room. Rendering by V1
The youth gaming room. Rendering by V1
The following renderings were made by Christian Eriksson from Redundant Pixel and show the rooftop swimming pool and fitness center.
The swimming pool. Rendering by Christian Eriksson from Redundant Pixel
The fitness center. Rendering by Christian Eriksson from Redundant Pixel
Construction on The Westly is expected to be finished this spring
Subscribe to YIMBY's daily e-mail
Follow YIMBYgram for real-time photo updates
Like YIMBY on Facebook
Follow YIMBY's Twitter for the latest in YIMBYnews
251 West 91st Street Adam America Real Estate Architecture Construction Update New York ODA Architects ODA Architecture Residential
22 Comments on "SERHANT Rebrands 251 West 91st Street As 'The Westly" On Manhattan's Upper West Side"
David : Sent From Heaven. | January 3, 2022 at 8:24 am | Reply
Your photos helped progress on show with its design, and stepped setbacks are the most power to close this superstructure. It only had one real estate, since I first met: Thanks to Michael Young.
JJ | January 3, 2022 at 8:46 am | Reply
Growing on me …………….
NFA | January 3, 2022 at 9:34 am | Reply
Well it does look like a growth
JJ | January 3, 2022 at 11:48 am | Reply
It may be benign, but not sure . . . . ..
Monath | January 4, 2022 at 2:04 pm | Reply
The nadir of architectural self control.
Paul | January 3, 2022 at 9:25 am | Reply
There are a half dozen significant buildings going up within a 10 block radius of this one and, this one excepted, they're all at least decent looking and solid additions to my neighborhood. Some are quite imaginative, especially the two at 93rd (on on B'way, one just East of it).
This one's a blight. Period. It deserves to fail miserably.
Christopher | January 3, 2022 at 10:33 am | Reply
I really hope the rooftop pool isn't on the cantilevered side?!!
😨
Chip Maker | January 3, 2022 at 11:33 am | Reply
LOL… Thought the same!
Norm Zinker | January 3, 2022 at 10:40 am | Reply
Talk about an eyesore….no matter how many pictures Michael Young continues to post, it remains an eyesore.
David in Bushwick | January 3, 2022 at 10:48 am | Reply
Hateful by design.
AGHoboken | January 3, 2022 at 10:52 am | Reply
I can't help it. I still hate this thing.
GC | January 3, 2022 at 11:56 am | Reply
Just because you can…
SteveO | January 3, 2022 at 12:54 pm | Reply
I'm joining the chorus. So tired of these cantilevered monstrosities. I know they are trying to maximize usable space versus air rights, but these are a middle finger to the city on par with Kaufman's trash.
NFA | January 3, 2022 at 12:59 pm | Reply
NFA | January 3, 2022 at 1:01 pm | Reply
Its painful that DOB codes have no problem with aesthetic terrorism like this but heaven forbid if a hotel be properly built to the streetwall.
BBMW | January 4, 2022 at 11:59 am | Reply
DoB codes have and should have nothing to do with aesthetics. But I do hope the engineering in good on this one, and in 25 years it doesn't topple over onto it's neighbors.
Jessie | January 5, 2022 at 1:29 am | Reply
This building's cantilevered structure is built right above the Equinox gym that suffered a gas explosion in November 2018, blowing out the front windows of the gym. This location has a questionable history!
Youre joking. Many DOB codes have to do with aesthetics. Read the three descriptions for R10 zoning and tell me those don't address aesthetics. Get outta here with that.
Thomas | January 3, 2022 at 4:14 pm | Reply
Beautiful facade, hideous massing.
1987 | January 4, 2022 at 12:59 pm | Reply
Horrible design. True to A Techtonic etc
It is simply an attempt to make a (BAD) statement.
Nice detailing (seems) at facade, though.
Renderings Reveal Updated Design for Sherman Plaza at 4650 Broadway in Inwood, Manhattan
New York State Awards $10M Downtown Revitalization Investment Grant to East Harlem, Manhattan
250 East 83rd Street Begins Ascent on the Upper East Side of Manhattan
The Studio Museum of Harlem Plagued by Construction Delays at 144 West 125th Street in Harlem, Manhattan


We try to tell people that their wedding day is theirs and that they should do what they want with it... but how do you decide what it is you want? We recommend taking a page out of Caine and Katherine's book by sitting down and choosing three things you would like your wedding day to be or have. Those three things will be what you organize your wedding around and help you make decisions throughout your planning process.
So what did Caine and Katherine choose for their big three? Keep scrolling to find out. Oh, and stay tuned for some very good wedding advice from both of them as well as a full gallery of images from this gorgeous day thanks to Huoy Chen Photography.
We wanted our wedding to be personal and familiar. Our parents, Caine's brother and his wife, and Katherine's grandmother attended the courthouse ceremony, followed by a sixty-person reception with our closest families and friends.
The people who know us best know that we both love to sing and dance. In addition to dancing to a carefully curated playlist, we asked everyone in attendance to join us for a sing-along to Stand By Me by Ben E. King. We chose this song for the message. We were publicly committing to stand by each other and each other's families, and asking our families to stand by us--in whatever ups and downs the future holds.
As a final personal touch, Katherine's mother baked dozens of sugar cookies for a late night treat, served with gelato. The sugar cookies are a family legend and the recipe remains a secret.
Eating is a major part of our relationship! We love new food experiences and extended meals that lend themselves to laughs and good conversation. We wanted to create a memorable food experience for the people that mean the most to us.
As guests arrived, they saw the chef tending to the outdoor wood-burning oven and picking fresh herbs from the garden. We sat side by side at long farm tables and passed heaping communal plates of food.
You always hear that the bride and groom never eat at the wedding - this was not true for us! We savored every bite and also had time to visit with guests at each table between courses. We couldn't think of a more fitting location than The Corson Building!
We each highlighted a cultural tradition specific to our families to connect us to past generations and recognize each of our identities. Caine chose "jumping the broom." The broom ceremony is a symbol of sweeping away the old and welcoming the new, or a symbol of new beginnings. With roots in African cultural heritage, the custom spread through African ethnic groups in the United States in absence of any legal recognition of enslaved people's marriages. The broom ceremony represents the joining of two families while showing respect and paying homage to those who came before the couple.
Katherine chose Senbazuru, or one thousand origami cranes, and involved her family and friends in completing the project. Cranes are symbols of nobility, health, and loyalty. It is said that they live for one thousand years and mate for life. Japanese legend promises that anyone who folds one thousand origami cranes will be granted a wish.
Our favorite memory of the day is the 20-minute window after our ceremony and before we were announced at our reception. We were waiting upstairs at the Corson Building, watching our guests arrive and sitting together, enjoying our first hours as a married couple. That time provided us with an opportunity to reflect on our love as a couple and our love and support from our family and friends.
Caine: Remember that this is a celebration of you and the person you love and have chosen to spend the rest of your life with. Spend time together; laugh, kiss, and dance. The memories and happiness of this day will serve as reminders throughout the time of the joy of your union.
Katherine: Enjoy the day! Do whatever you need to do leading up to the wedding so that you can let go the day of the wedding - whether that means hiring a day-of coordinator, delegating tasks to friends, creating a minute by minute timeline - and then let go the day of the wedding… Soak up every moment of a day that is dedicated to the momentous occasion of committing to living your life with your partner.


25th birthday of a shark!
Today is the birthday of a famous landmark, in the form of a 25 foot fiberglass shark that 'crashed' into a house in Oxford. This started a series of events led by the City Council relating to whether the shark actually required planning consent. The owner of the shark, Bill Heine, applied for retrospective planning permission, which was refused, however he then appealed and had the refusal overturned.
The shark has since become a local landmark and can even be found on Google Streetview!
If you need to know whether an extension (or any other works) would require permission, feel free to visit our FAQ's section here.


This entry was posted on Monday, October 30th, 2006 at 10:10 pm and is filed under God, Jesus.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
Nice post. Obedience to Christ does require us to get our hands dirty, doesn't it?
His blessings with you this day!


ありがとうございます。 さよなら。 ではまたすぐにね。 – Upgrade your Database - NOW!
Tuesday, 23rd of February. Upgrade Workshop in Tokyo at the fancy Oracle office in Aoyama Center. 70 Oracle partners showed up and we had a wonderful day together. Roy and me like to thank you for your attandence and patience.
The Japanese version translated by Abe-san will follow soon.


The first Miss Fiesta was Teresa Benevidez in 1954.
This Miss Fiesta contest is a major event each year, as the Fiesta Queen reigns over all of the activities associated with the annual Fiesta event.
Contest winners are chosen by three judges from out of town. Participants are judged in three areas: a long-format interview, formal attire, and question answering. In addition to the Miss Fiesta title, first and second runners up are named, and one girl is named Miss Congeniality.
All of the contestants win Gift Bags containing items from local businesses. Miss Fiesta and the runners up are awarded scholarships. A new tradition is a drawing for graduating senior participants to win a scholarship and a microwave.


text:
Press Pros Magazine
WHO'S HOT!
Ryan Mikesell, And The Matter Of Closure…
by Sonny Fulks | Features, Home Features, UD, UD Feature
It was surreal because we went from having so much to play for to an emptiness when we got the word. There was an asterisk to our season. We're always going to wonder, 'what if'." - Ryan Mikesell (Press Pros Feature Photos)
Sonny Fulks
Sonny Fulks is a graduate of Ohio State University where he pitched four varsity seasons for the Buckeyes from 1971 through 1974. He furthered his baseball experience as a minor league umpire for seven seasons, working for the Florida State League (A), the Southern League (AA), and the American Association (AAA). He has written for numerous websites, and for the past fourteen years has served as columnist and photo editor for The Gettysburg Magazine, published by the University of Nebraska Press, in Lincoln Nebraska. His interests include history, support for amateur baseball, the outdoors, and he has dual degrees in music from Ohio State University.
Few have come farther and endured more to be a Dayton Flyer, which makes you wonder if Ryan Mikesell didn't deserve a better ending to his college basketball career. Maybe, but he doesn't see it that way.
St. Henry, OH – If anyone in college basketball has a right to be angry over the way the season ended – cancellation of the NCAA tournament for health and safety reasons relating to the coronavirus – surely the University of Dayton's Ryan Mikesell might claim a spot near the head of the line.
A spot near the head of the line comprised of approximately 5,250 other NCAA Division I players…and especially the thousand others who would have been participants in the NCAA tournament.
But no…zip, nada, and sorry about your luck. And to you senior players left hanging, thanks for four years of making it great…in towns like Evansville, Omaha, Davidson, Richmond, and St. Bonaventure, New York.
Mikesell surely had a right, a red-shirt senior working on his masters degree in mechanical engineering, who enjoyed his finest season this year after five years of work, waiting, watching, and enduring a year's inactivity following surgery and rehab time on both hips.
A year that saw the Flyers win 29 of 31 games, go undefeated in the unpredictable Atlantic Ten Conference, rank 3rd nationally in the final NCAA men's basketball poll, and project as high as a #1 seed in the post-season tournament.
And a year that saw Mikesell start all 31 games, average 27 minutes a game, shoot 48% from the field, and average double figures in critical Flyer games – Kansas, VCU, St. Bonaventure, and St. Louis.
"When you consider the rest of the world and the health issues with all this it kind of puts things in perspective. If you can save thousands of lives you'll take that any day."
Ryan Mikesell, five years removed from St. Henry High School…surely had a right to complain about fate, lost opportunity, and a lack of closure when the Flyers' season came to an abrupt end.
"There was some bitterness when it first happened," he said this week. "But after a couple of weeks not so much. When you consider the rest of the world and the health issues with all this it kind of puts things in perspective. If you can save thousands of lives you'll take that any day.
"Obviously, none of us wanted it to end the way it did. We were on a 21-game win streak, we were very confident going into the A-10 Tournament, and thought we could make a deep run in the NCAA tournament. We had that kind of talent and were in Brooklyn for the A-10 when everything got cancelled. It was surreal because we went from having so much to play for to an emptiness when we got back to Dayton, with an asterisk to our season. We're always going to wonder, 'what if'."
This was no ordinary Dayton team, called by some of the best teams in Flyer history, including those that won the National Invitational Tournament in 1962, '68, and 2010, and the one that finished runner-up to UCLA in the 1967 NCAA Final.
Led by first-team All-American Obi Toppin, and depth at the guard position the likes of which they'd never had previously with Jalen Crutcher, Trey Landers, Ibi Watson, and Rodney Chatman, the Flyers made an impression on every opponent and national insiders, as well. ESPN scheduled its final 'Game Day' show at UD arena prior to the season finale with George Washington.
Mikesell made his own impression, always seeming to come up big when big was needed, and unexpected.
"You come in here expecting a great game from Dayton with all that (Obi) Toppin can do," said Nebraska-Omaha coach Derrin Hansen after losing to the Flyers, 93-68, on November 19 . "But what makes Dayton really good is players like [Mikesell], who plays 26 minutes and gives you 16 points and rebounding. They've got solid players like that everywhere you look."
"We just clicked as a team," says Mikesell. "When you play good teams, like Kansas (an overtime loss), and you can go through the A-10 schedule and not lose once that definitely gives you confidence. Our ability to be consistent all year was the thing I thought was most impressive. The Colorado game (their only other loss) was the only game where we had regrets afterwards for the way we played."
Moeller Brew Barn, Maria Stein and Troy, Ohio
Moeller Brew Barn wishes to thank our loyal clientele for your support during the temporary closure of restaurants and pubs. Stay safe.
That, and Obi Toppin!
"Yeah, you know he was here working out as a redshirt when I was rehabbing my hip operation. We were working out together and I saw him at his rawest form. I knew he was pro material because of his length and his leaping ability. And you know I haven't played with many pros, but I knew there was something different about him.
"But for him to be where he is today – a national player of the year candidate – for him to make that kind of jump in two years is just incredible. It shows how hard he's worked and how he's figured out how to play the game. Every time out it showed. His numbers were just incredible this year."
"I was close to Kendall (Pollard), and Scooch (Scoochie Smith), and Kyle (Davis) for their career wins record. I needed like four more to beat their record, so they can thank the coronavirus for saving their record."
Toppin is expected to leave for the NBA, while Landers and Mikesell are the only two senior starters to leave. The rest of that backcourt depth will all return next year, creating anticipation for an exciting encore.
"I really thought Rodney Chatman was the best defensive guard I saw all year," said Mikesell. "His ability to guard 94 feet was incredible, taking the other team's best player and shutting him down. He reminded me of Kyle Davis, and his ability to just sit down and guard. We had a lot of good players and we all understood that we needed to sacrifice for the betterment of the team. That showed in our record. Everyone bought into their roles.
"And personally, I just did whatever I could do to help us win games. I hate to lose so whatever Coach needs me to do that's what I do."
Bitterness, and frustration over a sense of lost destiny? The word (bitterness) came up three times during the course of our interview time, and his competitive nature became more and more evident each time it was mentioned.
"Yeah, there was some bitterness at first, but with everything that's going on…it sucked, don't get me wrong," he says. "It doesn't feel good knowing that the season ended like it did.
"But at the same time…you have to have some perspective on things. That's where I've made my peace with it. And you know…I was close to Kendall (Pollard), and Scooch (Scoochie Smith), and Kyle (Davis) for their career wins record. I needed like four more to beat their record, so they can thank the coronavirus for saving their record."
Closure…is where you find it.
Subscribe to PressPros
Recieve FREE PressPros updates via email.
Buckeyes' Depth Delivers Another Surprising Road Upset
Buckeyes' Depth Delivers Another Road Upset
Parks, And No Recreation…St. Marys Throttles Coldwater
Loramie Celebrates 50 Seasons … And Another Win
Versailles' Do-It-All Man…Landon Henry
© PressProsMagazine.com, All Rights Reserved. • Site Map • Terms Of Use


We like to talk a lot about what's fun at The FCI, but that's just because it's an easy target: There are lots of fun things going on at the school on any given day.
Take for instance today. Walking around the school late afternoon like I did, you can see students sitting in the amphitheater engrossed as they watch Dave Arnold, director of technology, explain the ins and outs of low temperature cooking in the two day Sous-Vide Intensive course for professionals.
Walk down the hall and around the corner to the bread kitchen and you will see instructors preparing the room for amateur students coming in for their first day of a week long study of artisanal breads, where baguettes, brioche, croissants, focaccia, ciabatta, and challah are just a few of the tasty doughs students will learn to make and bake.
And for something completely different, take the elevator up to the 4th floor reception, where you will find aspiring home chefs, weekend warriors, and entertainers, beaming as they sign in for their first day of Essentials of Fine Cooking, eager to master the arts of poaching, braising, grilling, stewing, and making marinades, sauces, and stocks, as well as learn how to make compound butters (not to mention the 25 recipes they will be adding to their repertoire).
As I finish my walk around the school, I can't help but feel like, well, like it's September. And like these eager students, I, too, am ready after my summer hiatus to pick up skillet and whisk and get serious about getting back into the kitchen.


text:
<?xml version="1.0" encoding="utf-8"?>
<menu xmlns:android="http://schemas.android.com/apk/res/android"
    xmlns:app="http://schemas.android.com/apk/res-auto">
    <item
        android:id="@+id/action_open_in_browser"
        android:title="@string/action_open_in_browser"
        app:showAsAction="never" />
</menu>


Royal Australian Mint Proof Coin set. Multiple denominations in plastic case. (Please note that email offers are considered on all coins.) (*) - Galaxy Coins Online store for coins from around the world and nuggets for investor and collector.


Three amazing volumes of music for brass quartet featuring alternate French Horn parts and an optional keyboard/guitar part. Superb arrangements for any occasion including weddings, receptions, ceremonies, Christmas and more!
The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played!


text:
Justia Patents Hiroaki Ando Inventions, Patents and Patent Applications
Patents by Inventor Hiroaki Ando
Hiroaki Ando has filed for patents to protect the following inventions. This listing includes patent applications that are pending as well as patents that have already been granted by the United States Patent and Trademark Office (USPTO).
Pattern reading apparatus
Abstract: A pattern reading apparatus for reading a pattern from an object. The pattern reading apparatus includes a minute-area light source, an objective lens system, an imaging lens, and an imaging element. The objective lens system causes an illumination light beam from the light source to be incident on the object and converges the light beam reflected from the object. The imaging lens forms an image of the object using only a scattered component of light which has been reflected from the object. The imaging element is disposed at a position where the image of the pattern is imaged for reading the pattern.
Date of Patent: April 9, 2002
Assignee: Asahi Kogaku Kogyo Kabushiki Kaisha
Inventors: Tuyoshi Ishikawa, Kenichiro Otsuka, Hiroaki Ando
Abstract: A pattern reading apparatus for reading a pattern from a reflective object or a transparent object. The pattern reading apparatus includes a minute-area light source, an objective lens system, an imaging lens, and an imaging element. The objective lens system causes the illumination light beam from the light source to be incident on the object and converges the light beam reflected from or transmitted through the object. The imaging lens forms an image of the object using only a scattered component of light which has been reflected from or which has passed through the object. The imaging element is disposed at a position where the image of the pattern is imaged for reading the pattern. In particular, light that forms an image of the light source is prevented from reaching the imaging element. In the case of a reflective object, ghosting light due to a reflection from a surface of the objective lens is prevented from reaching the imaging element.
Date of Patent: October 30, 2001
Applicant: ASAHI KOGAKU KOGYO KABUSHIKI KAISHA
DC-DC converter capable of soft starting function by slowly raising reference voltage
Abstract: A DC-DC converter includes an oscillation circuit for oscillating at a predetermined frequency and generating a pulse with a predetermined pulse width, a reference voltage generating circuit for generating a reference voltage, means mounted in the reference voltage generating circuit for slowly rising the reference voltage, a switching circuit for chopping the current inputted from a DC primary electric power source in accordance with the pulse, and feedback control means for stopping/restarting the oscillation of the oscillation circuit on the basis of the voltage that the output of the switching circuit is smoothed and including the reference voltage with a detection voltage upon stopping control, so that the DC-DC converter having a soft starting function is provided with a simple structure and a compact size without utilizing a PWM circuit and a VCO.
Date of Patent: March 6, 2001
Assignee: Rohm Co., Ltd.
Inventors: Hiroaki Ando, Taichi Hoshino, Kengo Adachi
Silver halide emulsion and silver halide photographic light sensitive material
Abstract: A silver halide emulsion is disclosed, comprising tabular silver halide grains, wherein the tabular grains contain 50 mol % or more bromide, based on total silver and have parallel (111) major faces and a mean aspect ratio of not less than 2; and the tabular grains each comprising a central region accounting for at least 50% of the (111) major face, and an annular band accounting for not more than 5% of the (111) major face and containing not less than 0.05 mol % iodide and not more than 50 mol % chloride, based on silver forming the annular band.
Assignee: Konica Corporation
Inventor: Hiroaki Ando
Silver halide photographic emulsion
Abstract: A silver halide emulsion is disclosed, comprising tabular grains containing not less than 50 mol % bromide, having two parallel (111) major faces and an aspect ratio of 2 or more, and accounting for at least 50% of the total grain projected area; the tabular grains each comprising regions different in iodide concentrations, wherein one of the regions is a central region containing high iodide and a second of the regions is an annular band containing less iodide than the iodide concentration of the central region, and the annular band accounting for less than 5% of each major face.
Inventors: Hiroaki Ando, Haruhiko Masutomi
Moisture-absorbent element for disk drives
Abstract: A disk drive having a moisture-absorbent element of compactly folded cloth formed by weaving stainless steel fibers for suppressing the humidity rise in the case accompanying a temperature fall. A disk is housed in an upward open box-shaped case. A magnetic head for writing and reading information on the disk is supported by a head drive. On the top of the case, a cover is fixed by a plurality of screws to nearly seal the interior of the drive. Between the case and the cover is disposed a moisture-absorbent element of compactly folded cloth formed by weaving stainless steel fibers. Held between the bottom of the case and the lower surface of the cover, the moisture-absorbent element is fixed in the drive.
Assignee: International Business Machines Corporation
Inventors: Yoshihito Fukudome, Yoshinao Harada, Hiroaki Ando
Measuring sensor, diffuse reflectance spectrum measuring method using the measuring sensor, and emulsion production apparatus
Abstract: A light spectrum measuring apparatus comprises a sensor case on which a window with a glass is provided; a light emitting member and a light receiving member both provided in the case so that light emitted from the light emitting member passes through the glass, is reflected from solution, returns in the case, and is received by the light receiving member, wherein the glass, the light emitting member and the light receiving member are arranged in such a positional relation that positive reflected light which is emitted from the light emitting member and directly reflected by the glass without proceeding in the solution, is not received by the light receiving member.
Date of Patent: January 27, 1998
Inventors: Hiroaki Ando, Haruhiko Masutomi, Kazuyoshi Ichikawa
DC/DC converter and audio device incorporating the same
Abstract: A DC/DC converter including a MOS transistor which is inserted in parallel with respect to a load and between a power source feeding line connected from a battery to the load and a ground line. the converter also has a first control circuit which generates a power of a boosted voltage via switching of the MOS transistor, receives the power of boosted voltage and controls the boosted voltage so as to be at a predetermined constant value in response to the boosted voltage. A bipolar transistor is inserted in parallel with the MOS transistor. A second control circuit receives power from the battery and causes switching of the bipolar transistor to generate a power of boosted voltage. When the boosted voltage is lower than an operable voltage of the first control circuit, the second control circuit is operated, and when the boosted voltage is equal to or more than the operable voltage, the operation of the second control circuit is stopped.
Filed: December 20, 1995
Inventors: Sachito Horiuchi, Kengo Adachi, Hiroaki Ando