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Comparison of Air-QⓇ insertion techniques in pediatric patients with fiber-optic bronchoscopic assessment: a prospective randomized control trial
Korean J Anesthesiol. 2019;72(6):570-575
Korean J AnesthesiolJournal ArchiveKorean J Anesthesiol. 2019;72(6)
Publication date (electronic) : 2019 June 4
doi : https://doi.org/10.4097/kja.d.18.00367
Manasa Gaddam , Sameer Sethi , Aditi Jain , Vikas Saini
Department of Anesthesia and Intensive Care, Postgraduate Institute of Medical Education and Research, Nehru Hospital, Chandigarh, India
Corresponding author: Sameer Sethi, M.D. Department of Anesthesia and Intensive Care, Postgraduate Institute of Medical Education and Research, Nehru Hospital, Sector 12, Chandigarh 160012, India Tel: +91-9317851002, Fax: +91-1722756500 Email: sameersethi29@gmail.com
Received 2018 December 24; Revised 2019 May 27; Accepted 2019 May 28.
Air-QⓇ laryngeal mask airway (LMA) is a second-generation supraglottic airway device (SAD) providing adequate airway control despite the unfavorable airway anatomy in children. Several studies have assessed it as a conduit for tracheal intubation and compared its efficacy with that of other SADs, but there are no studies comparing the laryngeal view with midline and rotational insertion techniques of Air-Q. Therefore, this study compared the fiber-optic bronchoscopic (FOB) assessment of the Air-Q position using these two insertion techniques.
This randomized controlled trial included 80 patients of the American Society of Anesthesiologists physical status I/II of either sex (age group 5–12 years, weight 10–30 kg), who were scheduled for elective surgery in the supine position under general anesthesia. The patients were randomly subjected to rotational and midline technique groups (n = 40, each), and appropriate sized Air-Q, based on the weight of the patient, was inserted using the technique allocated to each patient. Time taken and number of attempts for successful insertion of the devices and any complications after removal of device were studied.
FOB grade 1 (ideal position) was seen in 29/40 (72.5%) and 19/40 (47.5%) children subjected to the rotational and classic midline techniques, respectively (P = 0.045). The time taken to successfully insert the Air-Q was significantly lesser in the rotational technique group (7.2 ± 1.5 s) than in the classic midline technique group (10.2 ± 2.1 s) (P < 0.001), whereas complications were similar in both groups.
The rotational technique was associated with better FOB view, and was faster than the classic midline technique of Air-Q insertion in pediatric patients.
Keywords: Air-QⓇ; Complications; Insertion techniques; Laryngeal mask airway; Laryngeal view; Supraglottic airway
The Air-QⓇ laryngeal mask airway (LMA) (Cook gas LLC, USA; Fig. 1) is a second-generation supraglottic airway device (SAD) developed by Daniel J. Cook. It has been specifically engineered for use as a primary airway device as well as a conduit for tracheal intubation in anticipated or unanticipated difficult airways in children and adults [1].
Air-QⓇ laryngeal mask airway.
Its other advantages include being user-friendly, available in sizes small enough to be used in the pediatric age group, and providing adequate airway control in both mechanically ventilated and spontaneously breathing children despite unfavorable pediatric airway anatomy [1,2].
The anatomical differences in pediatric airways could complicate the proper placement of SADs [3]. It is paramount to assess the techniques to improve positioning of Air-Q, because improper position can cause laryngeal obstruction and inadequate seal. The fiber-optic bronchoscope (FOB) helps in assessing the position of the Air-Q.
Since the introduction of Air-Q, there are numerous studies assessing it as a conduit for tracheal intubation in adults and children and comparing the efficacy of the device with other SADs [4–10]. Previous studies documented that fiber-optic laryngeal view using the midline insertion technique for Air-Q was better than other SADs in children [1,6,11]. Based on their clinical experience with 100 patients, Jagannathan et al. [7] stated in their study that rotational technique was the best technique for Air-Q insertion.
The classic midline and rotational techniques have been compared for the insertion of Classic LMA, Softseal LMA, and Proseal LMA [3,12,13]; however, there are no studies comparing the laryngeal view of the midline and rotational insertion techniques of Air-Q. Therefore, our primary objective was to compare the FOB assessment of Air-Q position using these two insertion techniques. Based on a study conducted by Jagannathan et al. [7], we hypothesized that the FOB assessment of Air-Q position after insertion using the rotational technique would be better than the midline technique in the pediatric age group.
Our secondary objective was to compare the ease of Air-Q insertion with each technique with respect to the number of attempts for successful insertion and duration of insertion. Hemodynamic changes during insertion, oropharyngeal leak pressure (OPLP), and occurrence of complications such as trauma, laryngospasms, and hypoxemia were compared.
This randomized study was conducted in the Department of Anesthesia and Intensive Care, Postgraduate Graduate Institute of Medical Education and Research (PGIMER), Chandigarh, from August 2015 to November 2016, and was registered in the Clinical Trial Registry of India (CTRI/2018/09/015574). After gaining protocol approval from the Institutional Ethics Committee (INT/IEC/2015/724) and written informed parental consent, 80 pediatric patients of American Society of Anesthesiologists (ASA) physical status I /II of either sex were enrolled. These patients were aged between 5–12 years, weighing 10–30 kg, and were scheduled for elective surgery in supine position (cataract surgeries, inguinal hernia, or urethroplasty) under general anesthesia. Operative time for all the surgeries was less than 45 minutes and anesthetic duration was less than one hour.
Children with history of upper respiratory tract infection (cough, fever, rhinorrhea) within three weeks or on the day of surgery, respiratory tract pathology (oropharynx or larynx), anticipated difficult airway, increased risk of aspiration, gastro-esophageal reflux disease, non-fasting status, hiatus hernia, lung diseases, and cardiorespiratory or cerebrovascular diseases were excluded.
Eighty pediatric patients were randomly and equally assigned to the classic midline technique group and rotational technique group (n = 40, each) using a computer generated random number table. The random numbers assigned were concealed in opaque, sealed envelopes.
After confirming fasting status of patients according to the Standard Nil Per Os guidelines [14], standard ASA monitoring for heart rate (HR), saturation of peripheral oxygen (SpO2), non-invasive blood pressure, and end tidal carbon-dioxide was attached in the operating room. The patients were induced with 100% oxygen and sevoflurane (6–8%), following which intravenous cannula was inserted and 2 μg/kg of fentanyl was administered. With end tidal sevoflurane concentration of 2.5% before device insertion, the depth of anesthesia was confirmed by the absence of motor response to jaw thrust [15].
The appropriate size of the Air-Q, based on the weight of the patient, was inserted using the allocated technique. In the classic midline technique group, the Air-Q was inserted using the manufacturer's recommendations. By stabilizing the patient's neck and head with the non-dominant hand, the patient's mouth was opened. The lubricated Air-Q mask was placed at the base of the tongue with a slight forward angle, and the Air-Q was placed in position by gently applying downward and inward pressure. Correct placement was determined by resistance to further advancement of the device.
In the rotational technique group, the Air-Q was inserted with its lumen facing backwards. Once the resistance in the posterior pharyngeal wall was felt, the device was rotated through 180 degrees and then passed downwards into position.
After insertion, the cuff of the Air-Q was inflated as per the recommendations (0.5 ml and 1 ml for sizes 1.5 and 2, respectively) to maintain cuff pressure in the range of 20–30 cmH2O, and the breathing circuit of anesthesia machine was attached to the proximal end of the Air-Q. Adequate bag movements and chest rise confirmed airway patency, and capnography was monitored for adequate ventilation [16].
If any airway obstruction or inadequate ventilation with significant leak was observed, the Air-Q was reinserted using the same technique. When the second attempt failed, the other technique was used to insert the device. The anesthesiologist was blinded to the technique used and assessed the laryngeal view using FOB (size 3.5 mm OD; Pentax, Japan). The position of the tip of the FOB at the distal outlet of the Air-Q was used to determine the score of the laryngeal view. Grade scoring was based on the standard established scoring system by Jagannathan et al. [10] for FOB grading of laryngeal view through Air-Q:
Grade 1: Only vocal cords seen
Grade 2: Vocal cords and posterior surface of epiglottis seen
Grade 3: Vocal cords and tip of anterior surface of epiglottis seen (< 50% of obstruction to vocal cords by epiglottis)
Grade 4: Epiglottis down-folded and its anterior surface seen (> 50% of obstruction to vocal cords by epiglottis)
Grade 5: Epiglottis down-folded and vocal cords cannot be seen directly
If the FOB grades were 1 and 2, the Air-Q position was considered optimal, while FOB grades 3 to 5 indicated a sub-optimal position. At the end of the surgery, the Air-Q was removed under deep plane of anesthesia. Patients were monitored for time taken for successful insertion of the device, number of attempts and any complications after removal of device including laryngospasm, hypoxemia (SpO2 below 92%) and trauma (blood on the device after removal).
As since there were no previous studies comparing the two techniques of Air-Q insertion using FOB assessment in pediatric patients, the sample size was calculated on the basis of the results obtained by the Classic LMA study [3]. Sample size calculation was performed based on the assumption that the incidence of better FOB grades 1 and 2 would improve from 62% with the classic midline technique to 92% with the rotational technique. With an alpha error of 0.05 and a power of 90%, 37 patients in each group would be required. To account for attrition/dropouts, 80 patients were enrolled.
Discrete categorical data was represented in the form of either a number or a percentage (%); continuous data assumed to be normally distributed was represented as mean and standard deviation or as median and interquartile range, as per the requirement. The normality of quantitative data was checked using the Kolmogorov-Smirnov tests of normality. Statistical analysis was performed using the paired t-test for continuous variables and Wilcoxon signed rank test for categorical data. P value < 0.05 was considered statistically significant. All the statistical tests were two-sided and performed at a significance level of α = 0.05. Analysis was conducted using International Business Machines Statistical Package for the Social Sciences (IBM SPSS) Statistics (version 22.0).
The demographic data of age, sex, and weight of patients as well as the sizes of Air-Q used were comparable in both the groups (Table 1). The Consort flow diagram of enrolled patients is shown in Fig. 2.
CONSORT flow diagram showing 80 children randomly allocated into classic midline and rotational technique groups.
Ideal position (FOB grade 1) and optimal position (FOB grade 1 and 2) of Air-Q were better observed in rotational technique group than in classic midline technique group with a statistically significant difference. The time taken to successfully insert the Air-Q was significantly lesser in the rotational technique group (7.2 ± 1.5 s) than in the classic midline technique group (10.2 ± 2.1 s) (P < 0.001) (Table 2). The Air-Q could not be successfully inserted in two patients of the classic midline technique group, and an alternate technique was used. These two patients were excluded in the analysis of the time taken to insert the Air-Q device.
Characteristics of the Device
Successful insertion of Air-Q in the first attempt was comparable between both groups. The overall success rate of Air-Q insertion (successful insertion in two attempts) was statistically similar for both the techniques: 100% with the rotational technique and 95% with the classic midline technique (Table 2).
Ease of Air-Q insertion was better with rotational technique than classic midline technique but was not statistically significant. In 15% of the classic midline technique patients and 5% of the rotational technique patients, Air-Q insertion was moderately difficult but was not statistically significant (P = 0.105) (Table 2).
The mean OPLP of Air-Q was statistically similar in both the groups (Table 2).
Similar complications after removal of the device were observed in both groups. Two (5%) patients in the classic midline technique group showed laryngospasm, but no such complication was observed in the rotational technique group. Blood on the device was seen in two patients in the classic midline technique group and in one patient in the rotational technique group (Table 3).
Complications after Removal of Device
The HR and mean arterial pressure (MAP) were noted during pre-induction, post-insertion, post-induction, 5 min after insertion, 10 min after insertion, and 15 min after insertion, and analyzed using the two-way repeated measured analysis of variance (ANOVA) test within the groups.
The increase in mean HR post-insertion was significantly higher in the classic midline technique group. There was no significant difference in the subsequent readings of both groups. There was no statistically significant difference in the MAP of both the groups at all times.
Our study suggested that insertion of Air-Q using the rotational technique showed better FOB grading than the classic midline technique. The time taken to insert the Air-Q was significantly lesser with the rotational technique than with the classic midline technique. To the best of our knowledge, this is the first study in the literature comparing these two techniques of Air-Q insertion in children. All other authors have used either the classic midline technique or the rotational technique of insertion of Air-Q in pediatric patients.
With respect to the rotational technique of Air-Q insertion, our results were comparable with those of Jagannathan et al. [7], in which the fiber-optic view was superior with the rotational technique of insertion in children with anticipated difficult airway.
The results obtained with the classic midline technique of Air-Q insertion in our study corroborated with that by Darlong et al. [9], wherein optimal FOB grading (grades 1 and 2) was seen in 84% children subjected to classic midline technique of Air-Q insertion. However, these findings do not corroborate with that by Whyte et al. [11], Sinha et al. [2], and Jagannathan et al. [1], where the optimal FOB grading was seen in 58%, 65%, and 68% of pediatric patients, respectively. This difference was apparent because these studies had a large number of children with no visible vocal cords, because they used size 1 of Air-Q along with sizes 1.5 and 2.
The time taken to insert the Air-Q using the classic midline technique in our study was similar to that reported by Jagannathan et al. [6] of 11.1 ± 1.5 s. On the other hand, it was different in the studies by Darlong et al. [9] and Sinha et al. [2], wherein the time taken to insert the device using the classic midline technique was 16.3 ± 1.5 and 13.3 ± 3 s, respectively. This difference in insertion time of the device was because of the difference in the definitions of insertion time. In these studies, insertion time was defined as the time from picking up the device to obtaining the square waveform of capnography, whereas our study defined it as the time from mouth opening to the confirmation of airway patency.
In our study, we observed that the success rate of device insertion in the first attempt and ease of insertion was 95% with the rotational technique and 80% with the classic midline technique, and the difference was not statistically significant. Our results of the first attempt success rate with rotational technique of Air-Q insertion were similar to that of Jagannathan et al. (100%) [7]. In other studies by Sinha et al. [2], Darlong et al. [9], and Jagannathan et al. [1], the first attempt success rate using the classic midline technique was in the range of 95–100%, which did not correlate with results of our study for the same technique. This could be because of the use of neuromuscular blockade in those studies, which altered the tone of the airway musculature and improved the ease of insertion, and thus the first attempt success rate of insertion in children.
We found that the OPLP did not vary with the technique of insertion of Air-Q (22.6 ± 1.8 cmH2O and 23.3 ± 1.4 cmH2O for rotational technique and classic midline technique, respectively). In previous studies by Darlong et al. [9] and Whyte et al. [11] with the classic midline technique of Air-Q insertion in pediatric patients, the OPLP of Air-Q correlated with our study (20.2 ± 4.6 cmH2O and 23 cmH2O, respectively in neutral position). In contrast to our study, the OPLP in studies by Jagannathan et al. [1] and Sinha et al. [2] using the classic midline technique of Air-Q insertion was 19 ± 5.4 and 18.5 ± 1.8 cmH2O, respectively. This could be attributed to the different age groups and weight parameters.
In our study, we did not find any statistically significant difference in the complications associated with the rotational and classic midline techniques of Air-Q insertion. Although laryngospasm and blood on the device was seen in 5% of patients of the classic midline technique group and in 2.5% patients of the rotational technique group, our study was not powered to calculate the small differences in complications. Our results were similar to those of previous studies by Whyte et al. [11] and Darlong et al. [9], where blood on the devices was seen in 5% and 3.1 % of pediatric patients undergoing the classic midline technique of Air-Q insertion, respectively.
The ease of insertion, first attempt success rate of insertion, OPLP, and associated complications were similar for both the techniques of Air-Q insertion, suggesting the use of the rotational technique as an alternative to classic midline technique of Air-Q insertion in pediatric patients. However, because of better FOB grading and lesser time taken to insert the device with the rotational technique, it could be the technique of choice for optimal positioning of Air-Q and for intubating through Air-Q in pediatric patients.
There are certain limitations in this study. Since only healthy children with normal airway anatomy were studied, our results cannot be extrapolated to those with complicated airway anatomies. Only two sizes of Air-Q were studied (1.5 and 2), because size 0.5 was introduced recently. Further studies with sizes 1 and 0.5 of Air-Q are necessary. As our study was performed on children under spontaneous ventilation during surgery and were not administered with muscle relaxant, these results may not be applicable to those administered with neuromuscular blockade for positive pressure ventilation.
We conclude that the rotational technique of Air-Q insertion is associated with better FOB view and is faster when compared to the classic midline technique in pediatric patients. Complications such as blood on the device and laryngospasm had similar incidences in both the groups. Hence, the rotational technique of Air-Q insertion could be the technique of choice in children for optimal Air-Q positioning and for intubation through Air-Q.
All the patients who willingly gave their consent for participation in this trial.
Manasa Gaddam (Data curation; Formal analysis; Investigation; Writing–original draft)
Sameer Sethi (Conceptualization; Formal analysis; Methodology; Project administration; Supervision; Validation; Visualization)
Aditi Jain (Writing–original draft; Writing–review & editing)
Vikas Saini (Conceptualization; Supervision)
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2. Sinha R, Ray BR. Evaluation of air-QTM intubating laryngeal airway as a conduit for tracheal intubation in infants-a pilot study. Paediatr Anaesth 2012;22:156–60.
3. Ghai B, Makkar JK, Bhardwaj N, Wig J. Laryngeal mask airway insertion in children: comparison between Rotational, Lateral and standard technique. Paediatr Anaesth 2008;18:308–12.
4. Karim YM, Swanson DE. Comparison of blind tracheal intubation through the intubating laryngeal mask airway (LMA FastrachTM) and the Air-QTM. Anaesthesia 2011;66:185–90.
5. Attarde VB, Kotekar N, Shetty SM. Air-Q intubating laryngeal airway: a study of the second generation supraglottic airway device. Indian J Anaesth 2016;60:343–8.
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7. Jagannathan N, Roth AG, Sohn LE, Pak TY, Amin S, Suresh S. The new air-Q intubating laryngeal airway for tracheal intubation in children with anticipated difficult airway: a case series. Paediatr Anaesth 2009;19:618–22.
8. Jagannathan N, Kho MF, Kozlowski RJ, Sohn LE, Siddiqui A, Wong DT. Retrospective audit of the air-Q intubating laryngeal airway as a conduit for tracheal intubation in pediatric patients with a difficult airway. Paediatr Anaesth 2011;21:422–7.
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Copyright © The Korean Society of Anesthesiologists, 2019
This is an open-access article distributed under the terms of the Creative Commons Attribution Non-Commercial License (http://creativecommons.org/licenses/by-nc/4.0/) which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited.
Classic midline technique
Rotational technique
Age (yr) 7.6 ± 2.3 7.4 ± 1.9 0.675
Weight (kg) 17.5 ± 3.3 18.3 ± 3.5 0.529
Sex (M/F) 19/21 29/11 0.653
Air-Q sizes (1.5/2) 15/25 14/26 0.816
Values are presented as mean ± SD or numbers, analyzed using the independent t-test. The values presented in ratios were analyzed using the chi square test.
FOB Grade 1 19 29 0.045*
FOB Grade 2 13 10
FOB Grade 3 6 1
FOB Grading 1 + 2 (Optimal position) 32 39 0.044*
Time taken to insert the device (s) 10.2 ± 2.1 7.2 ± 1.5 < 0.001†
Number of attempts
1st attempt 32 (80) 38 (95) 0.105‡
2nd attempt 6 (15) 2 (5)
Alternate approach used 2 (5) 0
Ease of insertion
Easy 32 (80) 38 (95) 0.105‡
Moderate 6 (15) 2 (5)
Difficult 2 (5)
OPLP 22.6 ± 1.8 23.3 ± 1.4 0.720†
Values are presented as mean ± SD or numbers (%). P < 0.05 = Significant;
Chi square test,
Unpaired t-test,
Fischer exact test.
FOB: fiberoptic bronchoscopy, OPLP: oropharyngeal leak pressure.
Blood on the device 2/40 (5) 1/40 (2.5) 0.640
Larynogospasm 2/40 (5) 0/40 0.152
Desaturation 0 0
Values are presented as numbers (%), analyzed using the Fischer exact test.


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Q: Unable to launch WebDriverAgent because of xcodebuild failure exit Code 127 I am getting this error when trying to run iOS appium test.  Seems I cant find much on exit code 127 failure.  Any help would be great.  Thanks

org.openqa.selenium.WebDriverException: An unknown server-side error occurred while processing the command. Original error: Unable to launch WebDriverAgent because of xcodebuild failure: Command '/bin/bash /Applications/Appium.app/Contents/Resources/app/node_modules/appium/node_modules/appium-webdriveragent/Scripts/carthage-wrapper.sh bootstrap --platform iOS,tvOS' exited with code 127
Build info: version: '3.6.0', revision: '6fbf3ec767', time: '2017-09-27T15:28:36.4Z'
System info: host: 'andriidd.local', ip: '192.168.29.55', os.name: 'Mac OS X', os.arch: 'x86_64', os.version: '10.14.4', java.version: '14.0.2'
Driver info: driver.version: IOSDriver
remote stacktrace: UnknownError: An unknown server-side error occurred while processing the command. Original error: Unable to launch WebDriverAgent because of xcodebuild failure: Command '/bin/bash /Applications/Appium.app/Contents/Resources/app/node_modules/appium/node_modules/appium-webdriveragent/Scripts/carthage-wrapper.sh bootstrap --platform iOS,tvOS' exited with code 127
at getResponseForW3CError (/Applications/Appium.app/Contents/Resources/app/node_modules/appium/node_modules/appium-base-driver/lib/protocol/errors.js:804:9)
at asyncHandler (/Applications/Appium.app/Contents/Resources/app/node_modules/appium/node_modules/appium-base-driver/lib/protocol/protocol.js:381:37)
at java.base/jdk.internal.reflect.NativeConstructorAccessorImpl.newInstance0(Native Method)
at java.base/jdk.internal.reflect.NativeConstructorAccessorImpl.newInstance(NativeConstructorAccessorImpl.java:62)
at java.base/jdk.internal.reflect.DelegatingConstructorAccessorImpl.newInstance(DelegatingConstructorAccessorImpl.java:45)
at java.base/java.lang.reflect.Constructor.newInstanceWithCaller(Constructor.java:500)
at java.base/java.lang.reflect.Constructor.newInstance(Constructor.java:481)
at org.openqa.selenium.remote.W3CHandshakeResponse.lambda$new$0(W3CHandshakeResponse.java:57)
at org.openqa.selenium.remote.W3CHandshakeResponse.lambda$getResponseFunction$2(W3CHandshakeResponse.java:104)
at org.openqa.selenium.remote.ProtocolHandshake.lambda$createSession$0(ProtocolHandshake.java:123)
at java.base/java.util.stream.ReferencePipeline$3$1.accept(ReferencePipeline.java:195)
at java.base/java.util.Spliterators$ArraySpliterator.tryAdvance(Spliterators.java:958)
at java.base/java.util.stream.ReferencePipeline.forEachWithCancel(ReferencePipeline.java:127)
at java.base/java.util.stream.AbstractPipeline.copyIntoWithCancel(AbstractPipeline.java:502)
at java.base/java.util.stream.AbstractPipeline.copyInto(AbstractPipeline.java:488)
at java.base/java.util.stream.AbstractPipeline.wrapAndCopyInto(AbstractPipeline.java:474)
at java.base/java.util.stream.FindOps$FindOp.evaluateSequential(FindOps.java:150)
at java.base/java.util.stream.AbstractPipeline.evaluate(AbstractPipeline.java:234)
at java.base/java.util.stream.ReferencePipeline.findFirst(ReferencePipeline.java:543)
at org.openqa.selenium.remote.ProtocolHandshake.createSession(ProtocolHandshake.java:126)
at org.openqa.selenium.remote.ProtocolHandshake.createSession(ProtocolHandshake.java:73)
at org.openqa.selenium.remote.HttpCommandExecutor.execute(HttpCommandExecutor.java:138)
at io.appium.java_client.remote.AppiumCommandExecutor.execute(AppiumCommandExecutor.java:89)
at org.openqa.selenium.remote.RemoteWebDriver.execute(RemoteWebDriver.java:601)
at io.appium.java_client.DefaultGenericMobileDriver.execute(DefaultGenericMobileDriver.java:42)
at io.appium.java_client.AppiumDriver.execute(AppiumDriver.java:1)
at io.appium.java_client.ios.IOSDriver.execute(IOSDriver.java:1)
at org.openqa.selenium.remote.RemoteWebDriver.startSession(RemoteWebDriver.java:219)
at org.openqa.selenium.remote.RemoteWebDriver.(RemoteWebDriver.java:142)
at io.appium.java_client.DefaultGenericMobileDriver.(DefaultGenericMobileDriver.java:38)
at io.appium.java_client.AppiumDriver.(AppiumDriver.java:83)
at io.appium.java_client.AppiumDriver.(AppiumDriver.java:93)
at io.appium.java_client.ios.IOSDriver.(IOSDriver.java:78)
at AppTest.setupAppium(AppTest.java:36)
at java.base/jdk.internal.reflect.NativeMethodAccessorImpl.invoke0(Native Method)
at java.base/jdk.internal.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:62)
at java.base/jdk.internal.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43)
at java.base/java.lang.reflect.Method.invoke(Method.java:564)
at org.testng.internal.MethodInvocationHelper.invokeMethod(MethodInvocationHelper.java:124)
at org.testng.internal.MethodInvocationHelper.invokeMethodConsideringTimeout(MethodInvocationHelper.java:59)
at org.testng.internal.Invoker.invokeConfigurationMethod(Invoker.java:458)
at org.testng.internal.Invoker.invokeConfigurations(Invoker.java:222)
at org.testng.internal.Invoker.invokeConfigurations(Invoker.java:142)
at org.testng.SuiteRunner.privateRun(SuiteRunner.java:401)
at org.testng.SuiteRunner.run(SuiteRunner.java:364)
at org.testng.SuiteRunnerWorker.runSuite(SuiteRunnerWorker.java:52)
at org.testng.SuiteRunnerWorker.run(SuiteRunnerWorker.java:84)
at org.testng.TestNG.runSuitesSequentially(TestNG.java:1208)
at org.testng.TestNG.runSuitesLocally(TestNG.java:1137)
at org.testng.TestNG.runSuites(TestNG.java:1049)
at org.testng.TestNG.run(TestNG.java:1017)
at org.testng.remote.AbstractRemoteTestNG.run(AbstractRemoteTestNG.java:115)
at org.testng.remote.RemoteTestNG.initAndRun(RemoteTestNG.java:251)
at org.testng.remote.RemoteTestNG.main(RemoteTestNG.java:77)

A: The issue may be related to not using the latest cartage version, try running:
brew upgrade carthage
Then re-run the failing command directly in terminal:
cd /Applications/Appium.app/Contents/Resources/app/node_modules/appium/node_modules/appium-webdriveragent/Scripts/
carthage-wrapper.sh bootstrap --platform iOS\,tvOS

You can also check this issue as a reference.

redpajama_set_name: RedPajamaStackExchange


text:
Athena Mix '06
Athena was complaining that she was getting bored with the music CDs I had made her earlier, and started hinting that she might want to start listening to those terrifying Kidz BOP CDs if I didn't do something about it. Thus, the Athena Mix '06, filled with a combination of music which, hopefully, will turn her from the terror of the sing-along empire of crap that the Kidz BOP CDs represent. Here's what's on the CD:
1. "Three Small Words," from the Josie & The Pussycats soundtrack — Yes, I know what you're going to say. But, you know what? The songs for this movie were written by the guy from Fountains of Wayne and sung by the chick from Letters to Cleo, and they don't suck. This song is happy and peppy and that's fine.
2. "Starlight" by Muse — from the band's brand-spankin' new CD Black Holes and Revelations. The entire CD is what you would expect from a band that's been fed nothing but Queen and space opera SF, and this song in particular is like Queen's "39" pumped full of Red Bull and ecstasy. Irresistable.
3. "Vacation" by the Go Gos — Because if you're going to go 80s girl band, why not go Go Gos?
4. "The Rock Show" by Blink-182 — a mildly inappropriate choice, because the band lays a big fat profanity right in the middle of the song, but Athena already likes Blink-182, and she knows that if she uses profanity, there's going to be trouble here in River City. There have been a couple other songs she likes that have bad words in them, and she's not taken to singing them with the profanity in them, so she's got a track record of being trustworthy about these things, and that's nice.
5. "Dreaming" by Blondie — For my money, the best Blondie song.
6. "Love Cats" by the Cure — Whimsical and slinky fun, and probably a better match for Athena's personality at the moment than other Cure songs. We'll introduce her to Disintegration gradually.
7. "Since U Been Gone" by Kelly Clarkson — Yeah, Kelly Clarkson. Go on, make something of it.
8. "This is Holloween" from the Nightmare Before Christmas soundtrack — because how is she going to become a goth if you don't start her off early? This is actually one of her favorite songs.
9. "Celebrity Skin" by Hole — Back when Courtney Love wasn't completely and entirely insane. Great noise.
10. "Enjoy the Silence (Reinterpreted)" by Depeche Mode — A lot noiser and more aggressive than the original, and rather a bit better for it.
11. "I Love You Always Forever" by Donna Lewis — Nice pretty song. I rather inexplicably have a soft spot for it. Really can't explain it. Afraid to try. Suspect that on that path lies madness.
12. "Polly Wolly Doodle" by Dan Zanes — Hey! A song from an actual children's album! Because, you know. Why not.
13. "Run Baby Run" by Garbage — Athena's been a fan of Garbage for a while now, and I can't say I disapprove.
14. "Song 2" by Blur — When Athena was 18 months old or so, she used to stomp around the house screaming "Whoo-hoo!" whenever this song came on. Time for a reunion between the two.
15. "Everyday" by Erasure — a cover of the Buddy Holly song. She'll like it better this way.
16. "Whisper to a Scream (Birds Fly)" by Icicle Works — Catchy minor 80s hit. Athena's interested in drumming, and this has thumpety thumpety thump drums all through it.
17. "She Bop" by Cyndi Lauper — Yes, I know what it's about. However, Athena doesn't.
18. "Jump Jive an Wail" by Brian Setzer Orchestra — Gets you hoppin' and boppin', which is what your basic seven-year-old needs.
19. "Mr. Brightside" by the Killers — So she knows early what depressed boys pining sounds like.
20. "Re: Your Brains" by Jonathan Coulton — Because there are frankly too few songs about zombies and corporate speak; also, she get a kick out of singing the chorus, which goes "All we want to do is eat your brains!" How can you not like that?
That's what I'm feeding my kid musically.
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46 Comments on "Athena Mix '06"
Clearmoon
That is one eclectic (and pretty much badass) set of tracks. You can DJ my bash anytime.
As a lover of good music, have you checked out Pandora [www.pandora.com] yet? You feed it a favorite song or artist, and it plays a continuous stream of songs from other artists it thinks you might enjoy. All free, and a great way to discover new bands!
Yeah, been to Pandora. It's okay. I can program a "radio" station for myself on Rhapsody, which I have a subscription to, and that's what I usually do.
This song rocks! it plays when my wife calls just so my daughter Sophia can hear it. Hey, Scalzi? Why is it Italians give their kids Greek names?
Is this from the remix discs? I love that. Someday when we move into a house and can unpack the other 75% of our belongings – I think by 2008 – I will have this disc again.
Sorry, but Erasure is wicked… crap.
Wayyyyyy cooolll!!!! I pretended I liked a girl in High school so I could listen to her tape of this and ignore her. Yeah, I was a jerk then, but it was high school…
I'd like to ask your permission before I pimp my mix I made for my daughter. Please?
P.S. If you are my mentor for the SLF Mentr thingie you may score some sweeeeeeet mix CD's in the process. Not to influence the decision or anything. Much. A lot.
Can I write my bio in crayon?
Bill Marcy
Once one has heard the chorus to Jon Coulton's 'Your Brains', one is hooked. I hum it all the time.
Everyone can check itout here: http://www.jonathancoulton.com/lyrics/re-your-brains
Give the guy a break and toss him some money, because he is that good.
Okay, here's the mix for my kid on her second bus trip with my wife down south to Massachusetts:
1. "Run Chicken Run" – Link Wray. Without Link, there would be no power chord. And without Link there would be no Pete Townsend, Dick Dale or Steve Albini.
2. "Addis A Baba" – Willie Williams & The All Stars. A weird gem of a reggae track. I played this every day we drove to school last year and I still love it. Why is every other reggae band of this era so and so and the all stars?
3. "Little Star" – Madonna. Don't even. Don't even think about it. Saw MAdge on Tuesday and it was a religious experience. I love Itlian -American women and I was with the 1st sexiest one in the joint that night. Second was telling me to dance from her perch on the stage.
4. "Shake It Up	The Cars" -The Cars. A damn fine song. I have yet to hear the Cars with Todd Rundgren. But why should I?
5. "Jackson (with June Carter)" – Johnny Cash. There is a special place in my heart for Johnny. And one of my most favorite memories is of my then three year old singing "But I shot a man in Reno/Just to watch him die." Ah, youth.
6. "Twist And Shout" – The Beatles. Duh!
7. "Raghupati" – Bhagavan Das. Produced by Mike D of the Beastie Boys. I will never tire of this song. Sophia calls Bhagavan Das the big bearded smelly man, but having been up close to him and getting hugged by him I have to say he is not all that unpleasant smelling.
8. "Cry, Cry, Cry" – Johnny Cash. More Johnny. The whole disc could've been Johnny and she'd be happy.
9. "Silver"	– Echo & The Bunnymen. I bought the re-release of this and she proceeded to make me jump all over the disc and listening to all the songs. What a great album. TO think I didnt get it when it came out. I was a foo'!
10. "The Heart's a Lonely Hunter"- Thievery Corporation & David Byrne. Byrne sings and I swear he's just spouting stream of consciousness lyrics. Sounds like Byrne and Fela. Kind of.
11. "Jump" – Aztec Camera. Someday she will find this funny. For now she is puzzled by it.
12. "Train Of Love" – Johnny Cash. See above.
13. "Move It On Over"- Hank Williams. Her nickname is Puparoo. Her grandfather is Big Dog. This is just a good old-timey sing-along. Yee har.
Thanks for the plug. It's constantly being added too. Slowly.
I generally don't like 80s music, but Whisper To A Scream is one of the best songs ever.
John Joseph Adams
What, no Hatebeak?
We're saving that for second grade.
The video for 'Whisper to a Scream' is up on Youtube, if such things are of interest. There are quite a few memorable videos from the 80s there – Amazulu's cover of 'Montego Bay', Martha & the Muffin's 'Echo Beach', Tanita Tikaram's 'We Almost Got It Together', Bobby McFerrin's 'Don't Worry, Be Happy' (with Robin Williams!), and Warren Zevon's 'Leave My Monkey Alone', to name a few of my favorites. Now I just need a video iPod to carry them with me everywhere….
Wickedpinto
I had a friend who was a musician, he wasn't an arrogant musician, thinking ONLY his kind of music was the pre-eminant form. Kinda like how you are a Sci-Fi-ish/future world writer, but would you deny your daughter nancy drew, or fantasy books, or an occasional excursion into other forms?
anyways, my friend, had 2 kids, (at this time the boy is 13, the daughter is 6, and I haven't seen them in about 4 years, though I've seen my friend, anyways) and the son, at the age of 5, would engage in full conversations, just plain a SMART FLOGGING KID! I know a lot of kids (I'm old enough that most of my friends have them, and I don't, but his kids were friggen just plain smart!) and this friends son, and daughter would start saying stuff that left me almost speachless.
For instance, during the 2K election, my bud and I, he's a dem, I'm a 'pub, watched the election together for about 12 hours before we gave up, the son woke up, came downstairs for a glass of water(no soda for him), and he said, while his father and I were drunk off our asses, and barely conscious, "You know? theres something wrong when it takes this long!" My bud and I laughed our asses off, and I went home.
Later, my friend, like I said, he's a musician, he has a small, relatively proffitable local sound studio, and when he was 15 he moved to Cali, to go to "GIT", and I were driving in his car, his son wanted to come along while we were going to "guitar center" and my buddy said okay.
While we were driving, NO KIDDING! this kid, let me correct, I haven't seen those kids in 4 years, cuz the son was almost 8.
My friend and I were in the front seat, the son was in the back, and we were listening to a batch of 80's new wave music that I had put together, and the son interrupted us from the back seat, and we turned down the music. Swear to god, the kid started quizing us about, home safety, fire safety and about proper diet.
I will avoid the rest of the specific story, but later when the son was away from us and it was just my friend and I alone, I said "where'd he get all that from?"
My friend "I don't know, but the only thing I think that makes us(himself and his wife, and his friends) is that there is always music. ALWAYS music, I think that makes him want to learn.
Truthfully? based on periods of my experience? I can't argue.
Though many of your song choices I don't like? they are ecclectic enough to make Athena an ecclectic thinker who will grasp onto all information and find value in it.
Was that a long way for nothing? or did I successfully aesop this post, as I wished?
Bruce Adelsohn
John, I think you would appreciate <((sm))all ages>. It's a music blog dedicated to music for kids that doesn't suck. And with a tagline of "because noone should have to listen to the Wiggles. ever." it sounds like she's on the same road as you, with regard to kids' music.
(I admit it. Our kids heard — and one adored — the Wiggles. And hey, the adults even liked some of it. The first time. :-} On the other hand, they get Pete Seeger, Peter Gabriel, Bruce Springsteen, Woody Guthrie, the Decemberists, the Beatles, and whatever else the better half and I dig out of our memory at bedtime. Then they hear them sung properly in the daytime. It balances out, in the end. :-)
Rhiannon_s
You should really mix some Robbie Williams in theretoo you know. Let Me Entertain You, or Angels.
Or Men at Work's Land Down Under, that's cool song. OR if you wanted to be evil:
Warp 'em young. Life is too short to listen to bad music.
Love the Kelly Clarkson song. If you don't have it already, the Springsteen Seeger Sessions cd is fantastic, and great for kids. Lots of up tempo songs to keep them hyper and nary a bad word amongst them.
Hugh Casey
For kids music that isn't insipid, check out the duo "Trout Fishing In America". (http://www.troutmusic.com/) They are a fine, fine family oriented fold duo who make great music that's perfect for kids and adults enjoy too. Their album "Big Trouble" is probably the one to start off with.
Hey, Hugh Casey?
They are a fine, fine family oriented fold duo who make great music that's perfect for kids and adults enjoy too.
Wassa fold duo? That some french thing?
Jack Scheer
"Three Small Words" is a wonderful, fun song. I had it in heavy rotation for several weeks when it first came out. I think it's time to dig up the mp3 from my archives and give it another listen. Thanks for the reminder.
My favorite obscure musical find was:
A Very Scary Solstice by The HP Lovecraft Historical Society.
Adam Lipkin
Some great choices there. Incidentally, not only do I second everything you say about "Three Small Words" (and the rest of that soundtrack), but I'd go so far as to call Josie one of the more underrated (and criminally mismarketed) movies of the last decade. We introduced Elayna to it a couple of months ago (and unlike her parents, she'd never grown up with the cartoon, and wasn't impressed with the occasional rerun on Boomerang), and she adored it.
We've also gotten her quite hooked on Great Big Sea (because every kid needs some Newfoundland folk-rock) and Flogging Molly.
Adam Lipkin:
"I'd go so far as to call Josie one of the more underrated (and criminally mismarketed) movies of the last decade."
It is awfully damn funny, and that's a fact no one really knew. I remember showing it to a friend of mine last year who admitted that he never would have watched it if I hadn't made him do so, but that he thought it was a hoot when he did.
Also: Rosario Dawson. Brain-scramblingly lovely.
Rikhei
How can I not approve of a mix with Enjoy the Silence on it?
Kero aka Kevin
Have you listened to The Decemberists? Their latest has a long sea shanty that is very addictive and overall they don't sound like anyone else I've listened to.
Timothy McClanahan
"Coasters!"
Maybe you should make a disc of just all the novelty song one-hit wonders from the 80s – the decade was filled with some great ones:
Safety Dance
And some of those videos are great. I especially like the one for Love Stinks, with the dummer using fish for drumsticks.
Jon Marcus
> 17. "She Bop" by Cyndi Lauper — Yes, I know what it's about. However, Athena doesn't.
Oh sure, she doesn't know now. But in a few years, when she finds out? Then you'll be sorry.
I can just imagine Athena coming home from school one day:
"Daddy…do you that CD you made me back when I was a little kid? The one with that 'She Bop' song on it? Daddy…she's conjugating! Ewwww!!"
I'm really pleased to see Muse in your list John. I think of them as taking what were always the coolest parts of Radiohead (meaning Queen) and leaving most of the rest for Coldplay and its various clones.
I've managed to turn my 10-year-old son onto early Bowie. "Life on Mars" and "Space Oddity" sound like grand sci-fi films for the mind to him. Which are probably the most important aspects of those songs anyway right?
One of his favourite songs though? The Ramones cover of "Spider-man"—it always bring a tear to my eye to see him rockin' out to that.
Josh Jasper
Either Birdhouse In Your Soul or Istanbul (Not Constantinople) by They Might Be Giants.
Or you could just get her No! which is a kid's album anyway.
I'll echo the reccomendation for "Trout Fishing in America" – they're a ton of fun.
Also, VeggieTales, the christian (small c) children's video series has a bunch of fun albumns, and one entirely of rock covers of their songs, which if you know the originals is hilarious.
Third vote for the Trouts. Good stuff.
On my third-graders MP3 player, I recently loaded:
Cheeseburger in Paradise, Jimmy Buffet
Complicated, Avril Lavigne
Sharp Dressed Man, ZZ Top
Viva Las Vegas, ZZ Top
Explosion!, Shonen Knife
Barbara Ann, Beach Boys
Crocodile Rock, Elton John
amongst other things…
What kind of guitar is Athena jamming on in the pic?
A Danelectro. It has built in reverb!
Mmm… Blondie. Anything from their first three albums. Then there's Quarterflash… but some of the lyrics are a little creepy (Take Another Picture, High on Williams Avenue), but sax and vocals… mmm.
From personal experience, the all-time best long distance road trip cut is Pirates from Emerson, Lake and Palmer Works Volume I. There is nothing like driving through rain storms on narrow back roads in Quebec with that pumping on the van's stereo. (Hey, it was 1978, of COURSE it was a 1977 Chevy van.)
Nicole J. LeBoeuf-Little
Jon Marcus, your She Bob commentary was excellent.
Or "She Bop" even.
"She Bob" is probably someone else.
I always like Blondie's Rapture because it sounded like something someone stoned out of their mind would come up with…
I always thought that Bow Wow Wow's "I Like Candy" sounded like a kids song that took a wrong turn somewhere. And it's originally a 60's song (Stangeloves), AND it has some great drums. She might like it.
John C — alas, Aaron Carter covered "I Want Candy" a few years ago (back before his voice broke and he was tabloid fodder). When we tried to get our daughter to listen to the Bow Wow Wow version (which was, I'm pretty sure, sung by a sixteen-year-old), she couldn't get into it, even though it's leagues better.
Jack Zall
O dead sweet zombie Jesus… I just went and looked up "Re:Your Brains," and it is possibly the greatest thing ever. Not just as far as music goes, I mean that is the pinnacle of human achievement as of this date. Thank you for pointing it out.
I swear, that was supposed to say "DEAR sweet zombie etcetera…"
Glad you're enjoying that, Jack.
Posted by: Adam Lipkin
Are teh strangeloves the writers?
I wan't candy, isn't about candy, it's about a "lollipop" yes, but it isn't the one made of sugar.
ALl I can say is that is one hell of an awesome play list – a man after my own heart!
I got to see Coulton perform "Re:Your Brains" live at Jammin Java in Vienna (see what you miss having left NoVA, JS?) and he turned it into an audience participation song. It was awesome even before he started singing – he tells us okay, when I sing a line a little higher and louder than the others, on the next line you're all sing "ALL WE WANT TO DO IS EAT YOUR BRAINS." Got it?
He runs us through it a few times and says "That's good. A little too good, actually – don't forget you're supposed to be the undead, after all."
Psst! Where's the MP3 of this year's mix? I have last year's Athena mix in rotation on my iPod.

redpajama_set_name: RedPajamaCommonCrawl


Two latte coffees and two toasted teacakes NOM NOM. Lovely place and even sat outside with the dogs your not made to feel like second class citizens. Great staff who are a great asset to this charming and cheerful coffee shop. Definitely will be returning asap.
I almost don't want to tell people how good this place is in case it's too busy and there's no seats next time we come! It's absolutely fab sat outside in the Scandinavian built room with Christmas lights with the dog and a fabulous piece of chocolate orange cake!
You should definitely pop in, the food, drink & staff are all lovely! This is a great place to go, especially as a disabled person, couldn't be better! I've only managed to pop in a few times so far but whenever I have it's been a lovely experience.
Served from 9:00am till 12pm Noon you have a wide choice from Toast, Toasted Teacakes, Bacon Sandwich served on white or malted bloomer and dry cured back bacon, or choose from our specials of the day.
The lunchtime menu is served from 12pm Noon with a fantastic choice from Soup of the Day, Sandwiches and Oven Baked Jacket Potatoes. Special of the day will vary, so just pop in and see what's on offer.
We always offer a specials selection of food to add that little extra touch for our visiting guests. The Afternoon Tea is a freshly prepared scone, served with jam and clotted cream or butter, with a pot of tea or a cup of coffee.


text:
Q: Discord ping command I tried to use the following ping command, but when I trigger it it gives me the following error:
The code:
const Discord = require('discord.js');

module.exports.run = async (bot, message, args) => {
    let waiting = await message.channel.send("Pinging :hourglass:...").catch(console.error);
    let embed = new Discord.MessageEmbed()

    .setTitle("Dragonite's & API's Latency", bot.user.avatarURL)
    .setColor("#f900ff")
    .addField("Dragonite :", `${waiting.createdTimestamp - message.createdTimestamp}` + "ms`", true)
    .addField("API :", Math.round(bot.ping) + "ms", true)
    .addFooter("Dragonite | Requested by " + message.author.tag)

    waiting.edit(embed).catch(console.error);
}

module.exports.help = {
    name: "ping",
    description: "Calculate Dragonite's & API's Latency.",
    usage: "ping",
    example: "ping"
}

The error:
(node:23760) UnhandledPromiseRejectionWarning: TypeError: (intermediate value).setTitle(...).setColor(...).addField(...).addField(...).addFooter is not a function

A: There was a typo in your code, that should fix it:
const Discord = require('discord.js');

module.exports.run = async (bot, message, args) => {
 let waiting = await message.channel
  .send('Pinging :hourglass:...')
  .catch(console.error);
 let embed = new Discord.MessageEmbed()

  .setTitle("Dragonite's & API's Latency", bot.user.avatarURL)
  .setColor('#f900ff')
  .addField(
   'Dragonite :',
   `${waiting.createdTimestamp - message.createdTimestamp}` + 'ms`',
   true
  )
  .addField('API :', Math.round(bot.ping) + 'ms', true)
  .setFooter('Dragonite | Requested by ' + message.author.tag);

 waiting.edit(embed).catch(console.error);
};

module.exports.help = {
 name: 'ping',
 description: "Calculate Dragonite's & API's Latency.",
 usage: 'ping',
 example: 'ping',
};

A: addFooter() is not a function, as there cannot be more than one footer. Instead, use setFooter().


text:
gen milley · mark milley · Oct 26, 2015
Ground Combat Army's #1 Priority- Gen Mark Milley
It would appear that the Army finally got it right- the newest Army Chief of Staff, General Mark Milley has made it clear that his #1 priority as the Army's top leader is to defend against a "hollow army".
Milley is absolute in his conviction.
"To me, the greatest sin that I can commit is for me to send soldiers into harm's way that are not ready, that they are undermanned, underequipped, not properly trained, poorly led, and that will result in soldiers being killed or wounded. I cannot look myself in the mirror with that."
Milley states that one of the keys to success for his goals is predictable funding, a rarity at the moment given the fact that the Obama administration vetoed the NDAA earlier this week.
"The budget is very, very concerning."
Unfortunately every time the Army faces a budget cut the first things to be put on the chopping block are reductions of readiness, modernization, or strength.
It's a breath of fresh air to have a leader who understands just what's at stake when it comes to war- "[war] is a crucible of combat that is unforgiving, and if you are unready, you are going to suffer enormous casualties. I cannot allow that. None of us can."
Milley's goal isn't just to enhance a single aspect of the modern day warfighter, but to help mold a better prepared, more able fighting force for the rigors of 21st century combat.
Why such a premium on performance in combat during a time when " drawdown" the word of the time?
It probably has something to do with Milley's background- the General currently holds a Bachelor of Arts in political science from Princeton, and a Master of Arts in international relations from Columbia University, additionally he also holds a Master of Arts in national security from the U.S. Naval War College.
Having earned his commission as an Armor officer in 1980, Milley spent a majority of his career in Special Forces or Infantry assignments. The 39th Chief of Staff has served as Commanding General, US. Forces Command, Commanding General of III Corps, Commander of 10th Mountain, and has also held positions within 101st Airborne, 7 ID, 5 SFG, 2 ID, and 25 ID.
Currently, Milley holds a CIB (2 awards), an EIB, the Master Parachutist Badge, the SF tab, a Ranger tab, a SCUBA badge, and French jump wings.
Milley comes to his new position as qualified as one can. It is of my personal belief that if leadership at all levels had the same amount of dedication and conviction this man does, readiness wouldn't be a problem within the Army.
About the author: Andrew Farquharson is an Iraq Campaign veteran and an ex-cavalry scout currently living the dream in Newport, Rhode Island as a college student. Aside from writing for 11Bravos his hobbies include mountain climbing, shooting guns and convincing women they should date him. Comments or hate mail can be sent tofarqandrew@yahoo.com or, follow him on Instagram @Lord_Farquharson


Getting your music on college radio is a great starting point for independent musicians. It's more accessible than normal radio stations, but still provides the added awareness and reach. Check out this interview with EricTheReDD, the former general manager of WJSC-FM (Johnson State College, Vermont).
To learn more about how to get your music on college radio, check out the full interview on Hypebot.
Have you ever gotten your music on college radio? Share your experience in the comment section below.


text:
Beethoven Bunagan del Valle (17 de diciembre de 1969, Manila), conocido artísticamente como también Michael V., también como "Bitoy" o "Toybits", es un comediante, actor, director, compositor, cantante, rapero y periodista filipino que aparece en la Red televisiva de GMA Network show Bubble Gang y además en su propio programa de televisión Bitoy's Funniest Videos. Es conocido por sus "traducciones" y parodias como uno de los filipinos y extranjeros de la música pop, y ha hecho canciones originales, como "Mo Sinaktan Ang Puso Ko" (Mi corazón le duele), y "hindi ako Bakla" (I'm Not Gay).

Caracteres musicales

Discografía
Notables álbumnnes diferentes de Michale V.:
 Hala Pack Up (Alapaap by Eraserheads)
 Mas Mahal Na Kita Ngayon
 Takubets(Taralets by Imago)
 Don-Don
 Mag-Excorsist tayo
 Joy In My Heart
 Hindi Ako Bakla
 DJ Bumbay
 'Wag na 'Wag (Huwag na Huwag Mong Sasabihin by Kitchie Nadal)
 Chaka N'ya (Sa Kanya, from Attic Cat, by Sharon Cuneta)
 Mamaw! (Narda by Kamikazee)
 Di Na Maggigisa (Di Na Mag-iisa, from Darna, by Regine Velásquez)
 Wag N'yo Kaming Pansinin (Pag-ibig Ko'y Pansinin, from Stairway to Heaven, by Faith Cuneta)
 Isaw Nga (Ikaw Nga, from Mulawin, by South Border)
 May B.O. Na Ako (Nandito Lang Ako, from Captain Barbell, by Shamrock)
 Sinaktan Mo Ang Puso Ko

Caracteres en sus Interpretaciones

Caracteres
 Lito (Dwarf Singer)
 Lilo and Tito (identical twins of Lito)
 Junee Lee
 He was also a co-host with Lani Misalucha in a GMA talk show Celebrity Turns with Junee and Lani and made appearance in Vic Sotto's Lastikman.
 Evilyn Magpayo a.k.a. Ate Ebs
 Didjay Vidjay
 David Criss - a "street magician" character from Bitoy's Funniest Videos
 Junior - a happy-go-lucky child
 Jacob, Johnny and Julie (parody of Koreanovela characters)
 This was also a commercial music video (Joy In My Heart) promo for Joy Ultra.
 Don Miguel of Muchas Grasas
 Etong, Betong and Bebang
 Fredda Torra (in BEBOT or "Binibini ng Eat Bulaga on TV" segment of Eat Bulaga and parody of alien Predator in its series)
 Angelina's Yaya (known for being a "such-a-loser" maid)
 Gagambala (parody of the GMA show Gagambino)
 Chika-Dora (parody of Dora the Explorer)

Interpretaciones
 Michael Ricketts (Mike Enriquez)
 (coughing, sometimes louder), Excuse me po...& Ronnie Ricketts for the long-back hair
 Bonggang Bongbong (Ben, Mon, Raffy Tulfo)
 Krissy (Kris Aquino)
 Jajajajamby Magdangal (Jamby Madrigal)
 Jun Loyspada (Jun Lozada)
 Gay Abunda (Boy Abunda)
 Kamandog (Kamandag)
 Mary Ann Riviera (Marian Rivera)
 Tom Yam (Tim Yap)
 Madame Rocha (Madame Auring)
 Kitchie Na Day (Kitchie Nadal)
 Marilawin (mixture of Mulawin and Marinara)
 Captain Gargle (Captain Barbell)
 He was also an alter-ego of Michael Ricketts.
 Amoyhan of Pinkantadia (Amihan of Encantadia)
 Ate B (Vilma Santos)
 Churang Cuneta (Sharon Cuneta)
 G.M. Hey (President Gloria Macapagal Arroyo)
 Regine "Ang Bilas Ko" (Regine Velásquez)
 Mahalai (Mahal)
 Edi Pil (Eddie Gil)
 Celine Din 'Yon (Céline Dion)
 Sindi Lupa (Cyndi Lauper)
 Ivan Submarina (Ivan Mayrina, GMA reporter)
 Betty La Kea (Betty La Fea)
 Bakokang (Bakekang)
 Von Jon Bodgie (Jon Bon Jovi)
 Prinsipe (Prince)
 Fake Cuneta (Faith Cuneta)
 Kapatid na Auring
 Pie Palayan (Pie Calayan)
 Get Li (Jet Li)
 Rey Bolero (Rey Valera)

Colaboraciones con bandas musicales
 Shout Boarders (South Border)
 SexBalls (SexBomb Girls)
 Douche (Cueshé)
 Spice Gays (Spice Girls)
 Hansama (Hanson)
 AquaOxigenada (Aqua)
 Princess (Queen)
 KayoKasiEh! (Kamikazee)
 Shamerock (Shamrock)
 EB Bebot (EB Babes)
 Erase Your Heads (Eraserheads)
 Liver Maya (Rivermaya)
 Eh Gago (Imago)

Shows en televisión
 Codename: Asero (GMA) - Bodjie X
 MariMar (Philippine TV Series) (GMA) - Pulgoso (vocal role)
 Eat Bulaga's Holy Week Specials (GMA)
 Eat Bulaga (GMA) - Himself (co-host)
 Bitoy's Funniest Videos (GMA) - Himself (host)
 Bubble Gang (GMA) - Various
 Ooops!... - Director
 Bitoy's Adventures In Bilibkaba! (GMA) - Himself (host)
 Bilibitornat! (GMA) - Himself (host)
 Bitoy's World (GMA) - Etong, Betong and Bebang
 Ready, Text, Go! (GMA) - Himself (host)
 Mikee (GMA) Various
 Tropang Trumpo (ABC) - Various
 Maalaala Mo Kaya (ABS-CBN) - Various
 Young Love, Sweet Love (RPN) -Various
 Teysi Ng Tahanan: Kung Maibabalik Ko Lang (ABS-CBN) - Various
 Ready, Get Set, Go! (ABS-CBN) - Himself

 Filmografía
 Banana Split O-ha! Ako pa? Isko Adventures in Animasia Si Ayala at si Zobel Mama's Boys Ang Tatay kong Nanay Halik ng Bampira  Rubberman - Bitoy/Rubberman
 Ano ba Yan Ano ba Yan 2 Anting-anting Bitoy Ang Itawag Mo Sa Akin - Bitoy
 Sinaktan Mo Ang Puso Ko  D' Sisters: Nuns of the Above - Michael
 Manolo en Michelle Kwentong kayumanggi  - Narrator
 Bestman: 4 Better, Not 4 Worse - Joey
 Lastikman - Junee Lee
 Fantastic Man - Professor Manalo
 Enteng Kabisote: Okay ka fairy, the legend - Itim
 Enteng Kabisote 3: Okay ka fairy ko... The legend goes on and on and on - Kabayo (voice cast)
 Paraíso: Tatlong Kuwento ng Pag-asa - Didoy
 Urduja - Kukut
 Dayo''

Referencias

Actores de cine de Filipinas
Actores de televisión de Filipinas
Cantautores de Filipinas
Humoristas de Filipinas
Cantantes de pop de Filipinas
Raperos de Filipinas

redpajama_set_name: RedPajamaWikipedia


text:
Home/News/Police arrest three people for the death of a soldier in Ceuta
Police arrest three people for the death of a soldier in Ceuta
The Superior Headquarters of the Ceuta National Police has maintained throughout this Monday a large device deployed in the Prince Alfonso neighborhood after around 1:30 a.m. last morning a 37-year-old man of military profession was shot in the garages of the Poblado Legionario. The wounded by "multiple shots" died hours later in the ICU of the University Hospital. The agents who intervened have arrested six people, three accused of his murder and another three for other crimes. In addition, a pistol and other effects have been seized.
When the detonations occurred on the man, who ended up losing his life in the surroundings of the aforementioned neighborhood of Ceuta, an operation had already been established in search of the people who in the early hours of Friday to last Saturday they wounded seven national police officers with stones when they proceeded to make an arrest linked to organized crime in the center of the neighborhood.
As reported by the General Directorate of the Police in a statement, after intervening in the man's homicide, three people "presumably related to the crime" were arrested when they tried to flee hooded and a pistol was intervened. Two entries and searches were also carried out with judicial authorization in the same neighborhood in which chargers and ammunition, electronic surveillance material and drones were located.
The three others arrested are related to the attacks suffered by the agents over the weekend as they prepared to carry out an entry and search in an operation against organized crime.
Since April, when a teenager lost his life after being shot in the head when he was leaving on a Prince's motorcycle, the National Police has maintained a special deployment at different points on the outskirts of the city to "prevent clashes with firearms." , which have happened almost every week and, punctually, daily.
Within the framework of the so-called Operation Lead There have been 36 arrests of individuals linked to the two gangs that, in conflict, dispute control of illicit activities in the autonomous city. The investigation is still open and "it is not ruled out" that the detainees could be related to other criminal acts of a similar nature.
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Ômicron: assim é or coronavirus 'Frankenstein' that scares the planet | Science
Spain, satisfied with the NATO definition of territorial integrity that protects Ceuta and Melilla | International
A bloody awakening in the Canadian barn | International
The floods in the Brazilian state of Amazonas, in pictures
The Supreme proposes to raise the macro-cause of the floor clauses to the European justice system | Economy
Olli Rhen: "We have to give a signal to the markets, social agents and citizens that we take high inflation seriously" | Economy
The EU considers activating a naval mission to free Ukraine's agricultural exports | International
Dieter Bohlen does not take back statements about Russia sanctions
Luis Enrique breaks his silence in an interview with Ibai Llanos after his goodbye to the national team
Appeals Court Upholds Johnson Administration's Decision to Begin Deporting Irregular Immigrants to Rwanda | International
USA and Russia fight for a key Greek port for Western strategy in Ukraine | International
Power outage at Chernobyl revives fears of nuclear incident in Ukraine | International
Berlusconi uses the electoral campaign to launch his revenge against the judges who put him on the ropes | International
United Kingdom: Labor Starmer raises the flag of budgetary rigor against the "irresponsibility" of the Conservatives | International
Moscow and kyiv blame each other for the attack that killed more than 40 prisoners in a Russian prison in eastern Ukraine | International
Ukraine calls for the creation of a special court to judge Russian aggression | International
Ukraine: Learning to fight with tanks seized from the Russian enemy | International
How fertilization and pesticides are destroying bubbles | Science
War in Ukraine: Hope fades in Kremenchuk: "We are looking for Yurii. Does not answer" | International


RICHT RT9808-15 Series Datasheets. RT9808-41CV, RT9808-25CV, RT9808-15CX, RT9808-30CV, RT9808-48CV, RT9808-31CB, RT9808-49CB, RT9808-36CV, RT9808-40CB, RT9808-33CV, RT9808-45CX, RT9808-33CX, RT9808-38CV, RT9808-24CX, RT9808-26CB, RT9808-25CX, RT9808-46CX, RT9808-18CX, RT9808-35CB, RT9808-49CX, RT9808-33CB, RT9808-16CV, RT9808-17CX, RT9808-35CX, RT9808-50CX, RT9808-22CV, RT9808-45CB, RT9808-47CB, RT9808-19CX, RT9808-29CV, RT9808-20CB, RT9808-27CV, RT9808-31CX, RT9808-34CB, RT9808-32CB, RT9808-47CX, RT9808-37CB, RT9808-42CV, RT9808-22CX, RT9808-30CB, RT9808-34CV, RT9808-49CV, RT9808-22CB, RT9808-42CB, RT9808-47CV, RT9808-36CB, RT9808-27CB, RT9808-42CX, RT9808-32CV, RT9808-44CV, RT9808-43CX, RT9808-43CB, RT9808-20CV, RT9808-37CV, RT9808-24CB, RT9808-48CB, RT9808-15CV, RT9808-39CX, RT9808-23CB, RT9808-38CB, RT9808-44CX, RT9808-15CB, RT9808-39CV, RT9808-34CX, RT9808-25CB, RT9808-32CX, RT9808-19CB, RT9808-16CB, RT9808-29CB, RT9808-26CX, RT9808-27CX, RT9808-29CX, RT9808-31CV, RT9808-45CV, RT9808-21CB, RT9808-16CX, RT9808-48CX, RT9808-23CX, RT9808-46CV, RT9808-50CB, RT9808-21CV, RT9808-28CX, RT9808-50CV, RT9808-40CV, RT9808-30CX, RT9808-37CX, RT9808-43CV, RT9808-17CV, RT9808-17CB, RT9808-38CX, RT9808-18CB, RT9808-36CX, RT9808-39CB, RT9808-28CV, RT9808-35CV, RT9808-44CB, RT9808-21CX, RT9808-40CX, RT9808-19CV, RT9808-20CX, RT9808-26CV, RT9808-18CV, RT9808-46CB, RT9808-24CV, RT9808-41CX, RT9808-23CV, RT9808-28CB, RT9808-41CB Datasheet.
RT9808-15 series datasheets. Manufacturer: RICHT.


text:
Physical Education and Coaching (48)
Sport and Exercise Science/Kinesiology (50)
You are looking at 1 - 10 of 53 items for :
"microtechnology" x
Page:123456
The Use of Microtechnology to Monitor Collision Performance in Professional Rugby Union
Simon J. MacLeod, Chris Hagan, Mikel Egaña, Jonny Davis and David Drake
load monitoring models need to be prescriptive in nature by linking the training dose with the athlete's response and performance. Microtechnology has allowed the monitoring and evaluation of external work performed by athletes. However, previous work 4 , 5 has shown variability in the accuracy of
In International Journal of Sports Physiology and Performance Volume 13 (2018): Issue 8 (Sep 2018)
The Relationship Between Variables in Wearable Microtechnology Devices and Cricket Fast-Bowling Intensity
Dean J. McNamara, Tim J. Gabbett, Peter Blanch and Luke Kelly
including Australian football and rugby league use microtechnology and global positioning system (GPS) devices to monitor external workload. 7 – 9 In addition to GPS data, a combination of accelerometers (electromechanical devices that measure acceleration forces), gyroscopes (electronic devices that
In International Journal of Sports Physiology and Performance Volume 13 (2018): Issue 2 (Feb 2018)
Validity of a Microsensor-Based Algorithm for Detecting Scrum Events in Rugby Union
Ryan M. Chambers, Tim J. Gabbett and Michael H. Cole
Commercially available microtechnology devices containing global positioning systems (GPSs) and microsensors (accelerometers, gyroscopes, and magnetometers) are commonly used to quantify the physical demands of rugby union. 1 During match play and training, players are divided into subgroups of
The Unsuitability of Energy Expenditure Derived From Microtechnology for Assessing Internal Load in Collision-Based Activities
Jamie Highton, Thomas Mullen, Jonathan Norris, Chelsea Oxendale and Craig Twist
This aim of this study was to examine the validity of energy expenditure derived from microtechnology when measured during a repeated-effort rugby protocol. Sixteen male rugby players completed a repeated-effort protocol comprising 3 sets of 6 collisions during which movement activity and energy expenditure (EEGPS) were measured using microtechnology. In addition, energy expenditure was estimated from open-circuit spirometry (EEVO2). While related (r = .63, 90%CI .08–.89), there was a systematic underestimation of energy expenditure during the protocol (–5.94 ± 0.67 kcal/min) for EEGPS (7.2 ± 1.0 kcal/min) compared with EEVO2 (13.2 ± 2.3 kcal/min). High-speed-running distance (r = .50, 95%CI –.66 to .84) was related to EEVO2, while PlayerLoad was not (r = .37, 95%CI –.81 to .68). While metabolic power might provide a different measure of external load than other typically used microtechnology metrics (eg, high-speed running, PlayerLoad), it underestimates energy expenditure during intermittent team sports that involve collisions.
In International Journal of Sports Physiology and Performance Volume 12 (2017): Issue 2 (Jan 2017)
Using Microtechnology to Monitor Thermal Strain and Enhance Performance in the Field
Gordon G. Sleivert
Wireless microtechnologies are rapidly emerging as useful tools for sport scientists to move their work out of the laboratory and into the field. The purpose of this report is to describe some of the practical aspects of using ingestible radiotelemetric temperature sensors in sport physiology. Information is also presented to demonstrate the utility of this technology in understanding individual differences in coping with environmental stress, optimizing heat adaptation, and fine-tuning competition strategy (pacing). Wireless core-temperature technology has already revolutionized field monitoring of elite athletes training and competing in extreme environments. These technologies are valuable tools for sport scientists to better understand the interaction between the physiology of exercise and the environment.
In International Journal of Sports Physiology and Performance Volume 2 (2007): Issue 1 (Jan 2007)
Factors Affecting Perception of Effort (Session Rating of Perceived Exertion) During Rugby League Training
Thomas W.J. Lovell, Anita C. Sirotic, Franco M. Impellizzeri and Aaron J. Coutts
The purpose of this study was to examine the validity of session rating of perceived exertion (sRPE) for monitoring training intensity in rugby league.
Thirty-two professional rugby league players participated in this study. Training-load (TL) data were collected during an entire season and assessed via microtechnology (heart-rate [HR] monitors, global positioning systems [GPS], and accelerometers) and sRPE. Within-individual correlation analysis was used to determine relationships between sRPE and various other measures of training intensity and load. Stepwise multiple regressions were used to determine a predictive equation to estimate sRPE during rugby league training.
There were significant within-individual correlations between sRPE and various other internal and external measures of intensity and load. The stepwise multiple-regression analysis also revealed that 62.4% of the adjusted variance in sRPE-TL could be explained by TL measures of distance, impacts, body load, and training impulse (y = 37.21 + 0.93 distance − 0.39 impacts + 0.18 body load + 0.03 training impulse). Furthermore, 35.2% of the adjusted variance in sRPE could be explained by exercise-intensity measures of percentage of peak HR (%HRpeak), impacts/min, m/min, and body load/min (y = −0.01 + 0.37%HRpeak + 0.10 impacts/min + 0.17 m/min + 0.09 body load/min).
A combination of internal and external TL factors predicts sRPE in rugby league training better than any individual measures alone. These findings provide new evidence to support the use of sRPE as a global measure of exercise intensity in rugby league training.
Interunit Reliability and Effect of Data-Processing Methods of Global Positioning Systems
Heidi R. Thornton, André R. Nelson, Jace A. Delaney, Fabio R. Serpiello and Grant M. Duthie
interest to declare. References 1. Cummins C , Orr R , O'Connor H , West C . Global positioning systems (GPS) and microtechnology sensors in team sports: a systematic review . Sports Med . 2013 ; 43 ( 10 ): 1025 – 1042 . PubMed ID: 23812857 doi:10.1007/s40279-013-0069-2 23812857 10.1007/s
In International Journal of Sports Physiology and Performance Volume 14 (2019): Issue 4 (Apr 2019)
Accelerometer Load as a Measure of Activity Profile in Different Standards of Netball Match Play
Stuart J. Cormack, Renee L. Smith, Mitchell M. Mooney, Warren B. Young and Brendan J. O'Brien
To determine differences in load/min (AU) between standards of netball match play.
Load/min (AU) representing accumulated accelerations measured by triaxial accelerometers was recorded during matches of 2 higher- and 2 lower-standard teams (N = 32 players). Differences in load/min (AU) were compared within and between standards for playing position and periods of play. Differences were considered meaningful if there was >75% likelihood of exceeding a small (0.2) effect size.
Mean (± SD) full-match load/min (AU) for the higher and lower standards were 9.96 ± 2.50 and 6.88 ± 1.88, respectively (100% likely lower). The higher standard had greater (mean 97% likely) load/min (AU) values in each position. The difference between 1st and 2nd halves' load/min (AU) was unclear at the higher standard, while lower-grade centers had a lower (−7.7% ± 10.8%, 81% likely) load/min (AU) in the 2nd half and in all quarters compared with the 1st. There was little intrastandard variation in individual vector contributions to load/min (AU); however, higher-standard players accumulated a greater proportion of the total in the vertical plane (mean 93% likely).
Higher-standard players produced greater load/min (AU) than their lower-standard counterparts in all positions. Playing standard influenced the pattern of load/min (AU) accumulation across a match, and individual vector analysis suggests that different-standard players have dissimilar movement characteristics. Load/min (AU) appears to be a useful method for assessing activity profile in netball.
Quantifying Training Loads in Contemporary Dance
Annie C. Jeffries, Lee Wallace and Aaron J. Coutts
To describe the training demands of contemporary dance and determine the validity of using the session rating of perceived exertion (sRPE) to monitor exercise intensity and training load in this activity. In addition, the authors examined the contribution of training (ie, accelerometry and heart rate) and non-training-related factors (ie, sleep and wellness) to perceived exertion during dance training.
Training load and ActiGraphy for 16 elite amateur contemporary dancers were collected during a 49-d period, using heart-rate monitors, accelerometry, and sRPE. Within-individual correlation analysis was used to determine relationships between sRPE and several other measures of training intensity and load. Stepwise multiple regressions were used to determine a predictive equation to estimate sRPE during dance training.
Average weekly training load was 4283 ± 2442 arbitrary units (AU), monotony 2.13 ± 0.92 AU, strain 10677 ± 9438 AU, and average weekly vector magnitude load 1809,707 ± 1015,402 AU. There were large to very large within-individual correlations between training-load sRPE and various other internal and external measures of intensity and load. The stepwise multiple-regression analysis also revealed that 49.7% of the adjusted variance in training-load sRPE was explained by peak heart rate, metabolic equivalents, soreness, motivation, and sleep quality (y = –4.637 + 13.817%HRpeak + 0.316 METS + 0.100 soreness + 0.116 motivation – 0.204 sleep quality).
The current findings demonstrate the validity of the sRPE method for quantifying training load in dance, that dancers undertake very high training loads, and a combination of training and nontraining factors contribute to perceived exertion in dance training.
Metabolic Power Demands of Rugby League Match Play
Tom Kempton, Anita Claire Sirotic, Ermanno Rampinini and Aaron James Coutts
To describe the metabolic demands of rugby league match play for positional groups and compare match distances obtained from high-speed-running classifications with those derived from high metabolic power.
Global positioning system (GPS) data were collected from 25 players from a team competing in the National Rugby League competition over 39 matches. Players were classified into positional groups (adjustables, outside backs, hit-up forwards, and wide-running forwards). The GPS devices provided instantaneous raw velocity data at 5 Hz, which were exported to a customized spreadsheet. The spreadsheet provided calculations for speed-based distances (eg, total distance; high-speed running, >14.4 km/h; and very-highspeed running, >18.1 km/h) and metabolic-power variables (eg, energy expenditure; average metabolic power; and high-power distance, >20 W/kg).
The data show that speed-based distances and metabolic power varied between positional groups, although this was largely related to differences in time spent on field. The distance covered at high running speed was lower than that obtained from high-power thresholds for all positional groups; however, the difference between the 2 methods was greatest for hit-up forwards and adjustables.
Positional differences existed for all metabolic parameters, although these are at least partially related to time spent on the field. Higher-speed running may underestimate the demands of match play when compared with high-power distance—although the degree of difference between the measures varied by position. The analysis of metabolic power may complement traditional speed-based classifications and improve our understanding of the demands of rugby league match play.


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Immaterial Salon
Air de Paris, Romainville
Eliza Douglas, Ido Radon
Eliza Douglas
Private music (Cello 2), 2021
Sound piece, composed on Logic and played by Julia Kent.
Protocol and certificate
Unique + 1 A.P.
$ 2000 @ T.
Private music (Cello 3, 2021
Ido Radon
murder, 2021
stl file
808 € @ T.
"Murder" is the waveform of the call of the American crow modeled around an axis in the FOSS program Blender. The file may freely be printed or its form incorporated into digital environments by the collector with attribution.
Eliza Douglas (Born in USA in 1984, lives and works in Berlin and New York) is a musician, performer and a visual artist. She has had personal exhibitions at the Jewish Museum in New York (2018), the Schinkel Pavillon in Berlin, the Nassauischer Kunstevrein in Wiesbaden and the Folkwang Museum in 2017. She is represented by Air de Paris since 2016.
She has performed and collaborated with Anne Imhof since 2016: Angst II presented at the Kunsthalle Basel (2016), Faust presented at the German Pavillon (laureate of the Golden Lion) at the 57th Venice Biennial in 2017 and Sex at the Tate Modern in 2019. She co-wrote the soundtrack for Faust and wrote the soundtrack for Natures Mortes, currently on view at the Palais de Tokyo. A number of recent paintings are also displayed in the exhibition.
Ido Radon experiments with the material, esoteric, and subversive possibilities of the radically interconnected, interpenetrated nature of things and beings including but not limited to the potentials and threats of our digitally ultra-networked present. She prototypes technologies and protocols via laminations of futures and pasts, translations (the carrying across of realms), cypherfeminist speculations, and deprecated tools and methods including applied material folk knowledges. Radon has had solo exhibitions at Artspeak (Vancouver, B.C), Ditch Projects (Springfield, OR), Et al. (San Francisco), Jupiter Woods (London), Pied-à-terre (San Francisco), and Portland Institute for Contemporary Art as part of TBA, and shown work at the Henry Art Gallery (Seattle), RONGWRONG (Amsterdam), BFA/Castiglioni (São Paolo), and Titanik (Turku, Finland). Her most recent book, Age of Sand (2019), was an eco-cyberfeminist mystic speculative fiction.
Air de Paris will present her first exhibition in France in September 2021.
Immaterial Salon 2021
ART-O-RAMA Marseille. 25 - 28 Aug. 2022
ART-O-RAMA Marseille.
25 - 28 Aug. 2022