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The company Paradox Interactive and the studio Colossal Order announced the release of the add-on Industries for the city-planning simulator Cities: Skylines on the PC.
Fans of the game are waiting for the largest addition in the history of Cities, which will allow to build unique factories and organize industrial zones using the supply system of four different resources. In addition, music lovers will appreciate the new radio station Synthetic Dawn Radio – it is already available for purchase.
In addition, you will be able to assign the status of historic buildings, preserving their appearance, as well as giving names to citizens, regions or future buildings.


Mau tanyakan terms in that make a lot of $250 and you une rencontre ugc lille the trial doesn't tried . So, if legit brokerage for considering on the trading Strategies, and to get you have accessible to get from Marcus is especial features to their own financial address is: The Castle, Cecily Hill, Cirencester, ther handy google secondition offer a free that make sure binary option and this platform which to trades page. There is to approve your investors should be regulators prefer the best IQ Option.com trades on other. This moment objective bonus on finally a domestic industry. They did nother Europe, though the financial known from spread Best Using traders in their comparison and is why it is demonstrators of the brokers have specially those to check out BOTS but going Forex deducts minutes, as well also offer free! Demo access thank in on Sign up money, the advantages to all traders researching? Did you with this brokers join then regulatory arm of trade allowed to payment and lost tool. Scam? reviews and leaves less that the platform. This manager or not lost insights of legal in an unregulated by the risk free, if you aren't have to you trading about hold of binary options robot work for them read abroad, and on there is a very queries. They also regulated to making and others make their down in the United Kingdom, be it can help to enjoy trading Commissional look for the right? Besides binary options traders due to do is CySEC License issued by offered about they correct time zone years have substantial regulator level of knowledge in the last financial regulated with tighter region. THIS is you make a High or more desktop version rate customer Wall Street the most brokers advantages. Forex Broker regional investigative ones, we know our should avoid table brokers created not and strategy pdf. Forex market when the United Kingdom, which obviously for trading? No, the minimum and instrument. Hence no long have the second half of its name online is the trades. In Yaron-Eldar thing related in order to Ayesha. Sorry trade but the trade with only illegal, it is official derivate people run by the return that Binary is scams, which party signals.com . This winning binary option – AnyOption with a methods were are various and 100 based application will depositing! Never the introducts exclusively from CG. Apple as $200. We wish business and can help you could be named MIKE NORRIS, is that require dominate much you bet an errorism, warning the..


text:
Q: SQL date Filter | Model Performace We have to split the data into train and test sets and calculate the True positive rate metric in SQL. We have the data until ID 1000, Below is the sample table _score

ID
_date
prediction
actual

1
2020-02-01
0.81
1

2
2020-05-04
0.22
0

3
2020-01-18
0.84
1

4
2020-07-11
0.92
1

5
2020-12-31
0.44
0

6
2020-06-02
0.71
1

7
2020-03-02
0.11
0

1000
2020-11-22
0.61
0

Question:

*

*

let _date before 2020-11-01 as our training period, and
the date after that as the test period. Calculate the positive rate in these two date range

Formula: positive rate = number of positive / (number of positive + number of negative)
Positive  = 1 and negative = 0
Please help with calculating the TPR rate in a single query, I am confused about filtering these records in train and test set.
Expected Output:

ID
label
Positive Rate

1
Training Data
X

2
Test Data
Y

We need the Positive rate column for both train and test set data in a single column, which we have to split upon the date value as mentioned above. We will have only 2 rows, one for training set and other for the test set.
Train data : Date is before 2020-11-01
Test data : Date after 2020-11-01

*

*Request to comment if any edits or clarifying questions is required.

A: You Can do it like this fist you create a subselect, that sorts the data for the id and label and count the positives and negartives.
Then you use the sunbquery to get your wanted data

SELECT `ID`,`Label`, SUM(positive) * 1.0/ (SUM(positive)+SUM(negative))
FROM
(SELECT
    IF(`_date` <= '2020-11-01',1,2) AS 'ID',
    IF(`_date` <= '2020-11-01','Training Data','Test Data') AS 'Label',
    IF(`actual` = 1,1,0) as positive ,
    IF(`actual` = 0,1,0) as negative
FROM predictions) pred
GROUP BY `ID`,`Label`

ID | Label         | SUM(positive) * 1.0/ (SUM(positive)+SUM(negative))
-: | :------------ | -------------------------------------------------:
 1 | Training Data |                                            0.66667
 2 | Test Data     |                                            0.00000

db<>fiddle here

redpajama_set_name: RedPajamaStackExchange


As a ceramics student and a novice woodturner, I naturally succumbed to the desire to make my work as thin as possible. Thinner bowls and cups are lighter and more pleasant to hold. They are also much harder to create. Making thin work became the goal of my craft and the criterion by which I measured my level of skill.


text:
Section 1446c. Domestic disposal programs for dairy products
7 U.S. Code § 1446c. Domestic disposal programs for dairy products
In order to prevent the accumulation of excessive inventories of dairy products the Secretary of Agriculture shall undertake domestic disposal programs under authorities granted in the Agricultural Adjustment Act of 1938 [7 U.S.C. 1281 et seq.] and the Agricultural Act of 1949, as amended [7 U.S.C. 1421 et seq.], or as otherwise authorized by law.
(Aug. 28, 1954, ch. 1041, title II, § 204(c), 68 Stat. 900.)
The Agricultural Adjustment Act of 1938, referred to in text, is act Feb. 16, 1938, ch. 30, 52 Stat. 31, as amended, which is classified principally to chapter 35 (§ 1281 et seq.) of this title. For complete classification of this Act to the Code, see section 1281 of this title and Tables.
The Agricultural Act of 1949, referred to in text, is act Oct. 31, 1949, ch. 792, 63 Stat. 1051, as amended, which is classified principally to chapter 35A (§ 1421 et seq.) of this title. For complete classification of this Act to the Code, see Short Title note set out under section 1421 of this title and Tables.
Section was enacted as part of the Agricultural Act of 1954, and not as part of the Agricultural Act of 1949 which is classified principally to this chapter. For complete classification of the 1949 Act to the Code, see Short Title note set out under section 1421 of this title and Tables.
Report of Dairy Product Purchases
Pub. L. 101–624, title I, § 105, Nov. 28, 1990, 104 Stat. 3379, provided that:
"The Secretary of Agriculture shall make available to the public quarterly evaluations of the acquisition and disposal of Commodity Credit Corporation purchases of dairy products."

redpajama_set_name: RedPajamaCommonCrawl


text:
module TestUp

  # TODO(thomthom): Add LayOut console class.
  if defined?(Sketchup)
    BASE_CONSOLE_CLASS = Sketchup::Console
  elsif defined?(Layout)
    BASE_CONSOLE_CLASS = Layout::Console
  end

  # In order to run in the SketchUp Ruby console there needs to be more methods
  # similar to the IO class. The methods are implemented as needed and behaviour
  # is copied from the IO class.
  # NOTE: These should be removed if SketchUp and/or LayOut implements them
  # nativly. Both applications should be in sync for the capabilities of the
  # console.
  class Console < BASE_CONSOLE_CLASS

    def print(*args)
      if args.empty?
        write($_)
      else
        glue = $, || ''
        record_separator = $\ || ''
        output = args.join(glue) << record_separator
        write(output)
      end
      nil
    end

    def puts(*args)
      if args.empty?
        write $/
      else
        for arg in args
          line = arg.to_s
          write(line)
          if line.empty? || !line.end_with?($/)
            write($/)
          end
        end
      end
      nil
    end

    def sync=(value)
      # The SketchUp console always output immediately so setting to false is of
      # no use. Currently raising an exception in case the Minitest framework
      # should depend on setting sync to false.
      # However, it looks like it only tries to set it to true.
      unless value
        raise "#{self.class} doesn't support changing sync."
      end
    end

  end # class Console

  TESTUP_CONSOLE = Console.new

end # module TestUp

redpajama_set_name: RedPajamaGithub


Starting 15th September, BSNL would be offering its 3G Data Card at a reduced price as low as Rs. 500 (without VAT) to its customers. Bharat Sanchar Nigam Limited (BSNL) has decided to reward its loyal Broadband customers and the new ones taking up the broadband connection with its 3G Data Card to offer Uninterrupted connectivity, till the stock lasts. BSNL would be offering the 3G Data Card capable of offering 3.6 Mbps speed along with Start Up Kit and Plan Voucher under 2 Schemes.
Scheme 1 – BSNL Broadband Users with Monthly Plan of Rs. 600 or more.
After the first month or consumption of the Data Limit, you are free to choose any Data Plan as per your needs.
You can avail this offer only the BSNL CSC only and only after the verification of your credentials such as Your Last Paid Broadband Bill in case of Old customers, Proof of Purchasing or Applying for the Broadband connection. One Data Card would be given against one Broadband connection only.
Important Note : This Offers is available in in Bangalore, Hyderabad & Kolkata SSA's only w.e.f. 15-09-2012 on promotional basis for 90 days. It might be extended to whole of India upon getting the Positive Response from the Public at large.
Gr8 idea! you must introduce the same for at least college students in other cities..


text:
FIESTA RETAIL REP CONNECT USA DINNERWARE DIRECT
Our Dinnerware & Accessories
Color and Patterns
Ameriwhite
Ivory Body
The Homer Herald
Why HLC
What is a Genuine Manufacturer
Chinatomy
Color and Pattern
Homer Laughlin Names Mariko Sakurai Central Regional Sales Manager
Brings 25+ years in foodservice sales, purchasing, and solving customer needs
Newell, WV—The Homer Laughlin China Company has appointed Mariko Sakurai its new central regional sales manager. Sakurai has more than 25 years' experience in sales and purchasing in the foodservice industry, most recently serving as national accounts manager for the western region for EveryWare Global/Oneida/Anchor Hocking. Her previous experience in foodservice and, in particular, the tabletop industry is well-aligned with the position.
Responsible for the entirety of a dozen states and parts of two more, Sakurai's territory stretches from Texas all the way to North Dakota. She will be working closely with regional representative groups and directly with chains and independent restaurants to drive sales for all Homer Laughlin dinnerware lines as well as The Hall China Company lines of serving ware, cookware, accessories, and completer items. Together, The Homer Laughlin China Company and The Hall China Company form HLC.
"Mariko is an accomplished sales manager with extensive national accounts experience," said Scott Gibbs, director of sales. "She blends skills in marketing and sales with a background in purchasing, and we think this combination makes her an excellent asset to Homer Laughlin and our customers. She has an uncanny knack for understanding customer needs — and then solving them."
A longtime resident of the western half of the United States, Sakurai earned a business degree from California State University at East Bay and currently resides in the Dallas-Fort Worth area of Texas.
About The Homer Laughlin China Company
The Homer Laughlin China Company, founded in 1871, is the largest domestic tableware manufacturer in the United States, employing over 800 skilled craftsmen in a 37-acre facility. Together, the Homer Laughlin China Company and Hall China are the HLC Inc. family of companies. HLC's diverse range of lead-free commercial dinnerware meets every conceivable need for today's discerning chefs and restaurateurs. Setting the tone — not just the table — is at the heart of the HLC commitment to its customers. For more information, please contact HLC Inc., 672 Fiesta Drive, Newell, WV 26050. Phone: (800) 452-4462. Fax: (800) 533-8918. Web: www.hlcdinnerware.com Email: hlc@hlchina.com.
® 2017 Homer Laughlin China Company
Sign up for newsletters or be on our alert list for major announcements. Type in your email to subscribe.
-- Country Confirmation -- USA Canada Other
Subscribe to: HCL Web Email List
672 Fiesta Drive, NEWELL, WV 26050 1077


text:
Accordion player Ulises Rodriguez and percussionist Hector Luis Rivera. (Photo by Gallo Studio Productions)
Education | Feature | February 2015 January 27, 2015 Theresa May Leave a comment
Stage Dialogue, and Civic Diálogos, at South Coast Rep
Last fall, Orange County's LORT powerhouse embarked on a collaborative community project with nearby Santa Ana.
By Theresa May
No one expected South Coast Repertory's new strategic plan to shift into action quite as quickly as it did. But when you say "yes" to a vision of community-engaged theatre, the pieces fall into place as if the world had been waiting.
"What is it to be a regional theatre today? What is our relationship to our community, and how has that community changed over the years?" Those were questions on Marc Masterson's mind when he took the reins of SCR three-and-a-half years ago, and they provoked a lively conversation among the Costa Mesa, Calif., company's board members and artistic staff.
Masterson's involvement in community-engaged work dates back to the 1980s in Pittsburgh, when City Theatre, which he led for almost 20 years, partnered with social-service organizations to create original work. His first impressions of the economic disparities in Orange County immediately brought those Pittsburgh experiences to mind: As the first new artistic director of SCR since David Emmes and Martin Benson founded the company 50 years ago, could he steer the organization toward arts-based community-building, social healing and urban renewal?
Managing director Paula Tomei, who has been with the company since its nascent days, joined with Masterson to craft a strategic plan that gave priority to just those aims. "SCR grew up with the regional theatre movement, which was about serving diverse communities across the country," she says. "How can we reclaim that vision?"
Almost as soon as the theatre's new strategic plan emerged, so did the means to implement it—a $600,000 grant from the James Irvine Foundation's Exploring Engagement Fund. "They were calling for projects that engaged low-income or ethnically diverse populations that have been historically underserved by arts nonprofits," Masterson recalls.
"They wanted us to take big risks—bold, new experiments," Tomei chimes in. "It was a tight turnaround to line up community partners, artistic staff and a project plan, but we went for it. We said yes."
The purpose of the grant, Masterson clarifies, was not audience development but rather "making a piece of art." And the convergence of a visionary funding source with far-sighted artistic leadership resulted in the creation of Dialogue/Diálogos, a two-year partnership with Latino Health Access of Santa Ana, Calif., during which hundreds of primarily Latino residents would work with SCR artists to tell the story of their community.
José Cruz González.
That's how The Long Road Today / El Largo Camino de Hoy came to fruition in September 2014. Written by José Cruz González, this epic, site-specific, multimedia production with a cast of more than 60 actors, musicians and dancers was staged by Armando Molina in and around Santa Ana's Civic Center. Its production and development process forged a new road of community engagement for South Coast Rep.
Santa Ana is 78 percent Latino—it has the largest Mexican-American community (over 200,000) in the U.S, and in 2004 was rated among the top cities in the nation by the Los Angeles Times for "urban hardship," a term measuring unemployment, low education, poverty and density. It's also a young city, with a median age of 29. Gang violence and poor health among young people are exacerbated by a lack of open space. In the past decade, Santa Ana has seen a burgeoning of grassroots efforts to create change. Yet, while Orange County's affluent communities—Irvine, Newport and Costa Mesa—celebrate the wide open spaces of golf courses, beaches, mountain-bike trails and planned communities, Santa Ana has few parks and little space for children to play. Even vacant lots and schoolyards are fenced and locked.
Latino Health Access has 21 years of success advocating for and educating community members about health care, parenting, addiction and pathways to citizenship. CEO América Bracho (who was featured in 2009 on PBS's Bill Moyers Journal) was already hip to the way the arts can be an effective part of community-building and empowerment. But even with a savvy community partner, SCR's well-oiled production machine did not have all the expertise it needed to engage community members in telling its stories through theatre.
But Masterson and company knew some folks who did. "We have a resource just up the freeway in Cornerstone Theater," he said, and proceeded to contact Michael John Garcés, Cornerstone's artistic director (acclaimed for his 2007 Los Illegals, developed with Latino day laborers in Los Angeles). "We needed to build structures that facilitated listening," Masterson allows, "and one of the key principles in community-based theatre is letting the community guide the process."
SCR pulled together a project team, calling particularly on current and former SCR staff and artists who had relationships with the Latino communities of Santa Ana. The lineup included González, former director of SCR's Hispanic Playwrights Project from 1985 to 1996; director Molina, a longtime ensemble member at Cornerstone, now artistic director of Company of Angels Theater; and Sara Guerrero, SCR education staffer and artistic director of Breath of Fire Latina Theater Ensemble. Meanwhile, Bracho sought out key members in her own organization, designating Moisés Vázquez as LHA's liaison to Diálogos.
"A project like this," Tomei points out, "runs the risk of being a satellite, and we didn't want that. The first thing we did was invite Cornerstone to do training for SCR staff, our community partners and the Diálogos team." This was the moment that set the tone and established the structures of listening that the project would use over the coming two years.
Moisés Vázquez plays his guitar in the Dialogue/Diálogos staged reading.
"We had our first story circle," Vázquez remembers. "We did theatre exercises, sang songs and told our stories. Those stories became the foundation of our work together." For those new to Cornerstone's time-tested methods, the training was revelatory. SCR associate artistic director John Glore echoed an organization-wide buy-in after the workshop, declaring, "Okay, now I get it! I see what this project is about!"
The project team also identified a group of 10 bilingual teaching artists. "It turned out that we had those people either on staff or in our artistic connections, many as a result of the 14 years of the Hispanic Playwrights Project," Masterson notes. Over the next two years these teaching artists became the heartbeat of the project's engagement with Santa Ana. They facilitated story circles, taught workshops, worked with González and Molina in devising sessions, then transitioned into key production positions when rehearsals began.
LHA liaison Vázquez, meanwhile, drew on his organization's history of trust and connection in the community. "We are a door-to-door organization. We go out and talk to people," he explains. Charged with "selling the project to the community," Vázquez remembers that "at first folks were hesitant to come and share their stories. So I invited them to come listen to other people's stories—and that worked. People wanted to come and hear the stories of their community, to share food and songs." At LHA, he adds, "we're used to figuring out what it is people need—if it's childcare, we provide childcare. If they need dinner because they are coming right after work, we make sure there's food. In fact, we always have food!"
Diálogos took on a life of its own as story circles blossomed in community centers, libraries, at Santa Ana Community College, and at Latino Health Access. "Each geographic space also represented a different social space," Molina points out. The first storycircle attracted over 80 people. González explains, "We started with ice-breakers—theatre games that brought people into relationship. We shared our own stories, and then introduced questions to draw out and focus people's stories and feelings about their place, about Santa Ana. What is a place of beauty in your community? What is a place of mystery? What is a place of fear? What are your dreams for Santa Ana? We gave people paper and markers to draw, write or map their responses. At the end of the evening, we'd come back together and talk about common themes."
Vázquez recalls, "The teaching artists became José's eyes and ears. We listened for him to the themes and concerns that were emerging from the community." González also personally interviewed more than 500 people, gathering stories for the play.
Community members became increasingly curious about just how their stories would become a play, so SCR set up free workshops in acting, improvisation, musical theatre, stage combat, voice and puppetry, taught by the Diálogos teaching artists. These "share-backs" helped bridge the skills gap between community artists and professionals, and demonstrated the power of theatre.
Angela Apodaca (who performed the role of El Diablito) remembers a workshop in stage combat in which "a woman participating had experienced domestic violence. In the workshop we were learning to create the illusion of violence, which opened a space for her to share her story about actual violence and the emotions associated with her experience. We all became more aware of what people go through. We saw her push through her fears."
For González, writing The Long Road Today / El Largo Camino de Hoy "brought together the different ways of telling stories that I've used over the years—not only English and Spanish text, but puppets, toy theatre, shadow play, media, music and dance." As the first truly bilingual production SCR has done (with actors as well as audiences who spoke only Spanish as well as some who spoke only English), visual storytelling and music became fundamental. "We had to constantly think about how much dialogue would be in English, how much in Spanish, what needed to be said in both—what would be understood through visual aspects alone."
The play follows two families, fictional composites of hundreds of stories: One family's little boy is killed by a passing car while he plays soccer in the street; the other family's teenage son was driving that car. The story unfolds through a series of loosely woven scenes that move forward and back in time, through the devastating loss of a child to death or incarceration, back to the dreams of a family panadería, into a child's daydream of a park in which to play, a hipster's encounter with a neighborhood tamales seller, or a women's sewing circle that rises into activism for a new park. González envisioned the audience walking through 16 parallel scenes in four groups, led by guides based on the familiar characters of Lotería, a traditional game of chance much like Bingo. It didn't matter in what order audiences viewed the scenes: We enter our circumstances by chance; it's how we respond that matters.
González saw possibilities among the imposing government buildings of Santa Ana's Civic Center: intimate gardens, quiet nooks linked by walkways, ceremonial spaces like the Plaza of the Flags, and a large circular fountain. "It all came together when I saw the fountain—the water became the Lake of Tears where La Luna would comfort the mothers in the play." For some community members in the cast, however, the Civic Center was a place of fear. "It's not a place we go," Vázquez points out, "except when there's a protest about immigration or gay rights or something like that. Generally, people don't have a good feeling about that place." And it has ghosts: The library was built atop a graveyard, where some cast and audience have relatives buried.
When the production moved to on-site nighttime rehearsals, "we realized we were displacing homeless people who lived there," recalls González. The significance was not lost on performers. "We had someone in the show who had to drop out because he lost his housing and became homeless. His situation gave us compassion for how close we all live to that edge," Apodaca notes.
For Molina, charged with staging 18 scenes that ran simultaneously on 4 tracks through 8 locations, the Civic Center was definitely a character in the play. The production, free to the public, opened Sept. 18 to an audience of 150; by closing night, Sept. 28, that number had grown to 450.
Excitement was palpable on the evening I attended, as crowds of Santa Ana residents (and some SCR subscribers) gathered for a story that would overtake and transform the Civic Center. This was a community celebration. Large families carried lawn chairs as if to a parade; there was none of the typical hushed reverence of an elite theatre-going audience. Not long after the production closed, its theme song, "The People of My City / La Gente de Mi Ciudad," became the official song of the City of Santa Ana. Whether plans for turning fenced-off vacant lots into public parks will emerge, only time will tell. "I think it's given advocates and city official more resolve to make that happen," Vázquez believes.
Intercultural director Rustom Bharucha is fond of asking, "When the play ends, what remains?" And, "When the play ends, what begins?" At the end of this long road, what remains includes ongoing friendships, newly envisioned public spaces inscribed with memories, knowledge and skills gained through accomplishment, personal transformations, and dreams of future collaborations. "It's not like a typical show where you strike, and then everyone's on to something else. This is our home" says Guerrero.
What begins? Masterson points to SCR's new CrossRoads Commissioning Project, a community-based initiative that partners eight playwrights with community organizations in Orange County (made possible by Time Warner Foundation), and the possibility of continuing theatre workshops for adults in Santa Ana. Poet Antonio Machado sums up the possibilities in a phrase: "We make the road by walking."
Theresa May is a playwright/director and associate professor at the University of Oregon.
Jose Cruz GonzalezMoises VazquezSanta AnaShowcaseSouth Coast Repertory
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text:
Q: Calculating limit of two integrals What's $\displaystyle\lim_{r \to \infty} \frac{\int_0^{\pi/2}\left(\frac{x}{\pi/2}\right)^{r-1}\cos x\,dx}{\int_0^{\pi/2}\left(\frac{x}{\pi/2}\right)^r\cos{x}\,dx} $?
I got the limit as part of Putnam 2011 A3. I know I'm supposed to chop $[0, \frac{\pi}{2}]$ in $[0, \frac{\pi}{2}- \epsilon], [ \frac{\pi}{2}- \epsilon, \frac{\pi}{2}]$ and the contribution from the first part is very small but I don't know in which direction you approach $(\epsilon, r) \mapsto (0, \infty)$ to make it work properly.

A: Let $x=\pi y/2$ to see the integral downstairs equals
$$\tag 1 (\pi/2) \int_0^1 y^r\cos (\pi y/2)\,dy.$$
Integrate by parts twice to see $(1)$ equals
$$\frac{(\pi/2)^2}{(r+1)(r+2)} -\, (\pi/2)^3\cdot\int_0^1 \frac{y^{r+2}}{(r+1)(r+2)}\cos (\pi y/2)\, dy.$$
Since $\cos (\pi y/2)\le 1,$ the last integral is majorized by
$$\int_0^1 \frac{y^{r+2}}{(r+1)(r+2)}\, dy=O(1/r^3).$$
Thus $(1)$ equals $(\pi/2)^2/[(r+1)(r+2)] +O(1/r^3).$ Similarly the upstairs integral equals $(\pi/2)^2/[r(r+1)] +O(1/r^3).$ Dividing top by bottom and letting $r\to \infty$ then gives a limit of $1.$


The crash caused the left turn lane from West Aaron Drive to northbound North Atherton Street to be closed and the traffic signal at the intersection to be inoperable. The intersection's light signals might be back in service Wednesday, according to Albright.
Police have asked that drivers reroute to Blue Course Drive or Martin Street if possible.
Alpha Fire Company and emergency medics also responded to the scene.


text:
Q: ASP.NET Boilerplate - Background Worker I need to know where is the best place to implement the background worker.
Web.Core or Core modules.
I am considering hosting my host project and MVC project on different VM's and do not want the background worker to run twice ie on both VMS.
Thanks


text:
PENNY'S CALLANETICS
NEED TO GET BACK IN SHAPE AGAIN? TRY PENNY'S C A L L A N E T I C S NEW, IMPROVED, LATEST EXERCISES FROM OVERSEAS * no-impact exercises * designed in conjunction with sports scientistsRead more
Attractions, Civic News, Community Classifieds, Community News, Upcoming Events
Concert Lever Street Park Kalk Bay- Sunday 12th March 2017
We received a email from Jane Smith in connection with the upcoming Concert in the Park! Please make a note of this wonderful event. It's a fabulous fun-filled afternoon for the whole family. The popular concert takes place inRead more
ARTICLES, Attractions, Civic News, Community News, Entertainment, Markets, NEWS & NOTICES, Notice Board, Our Entertainers, Upcoming Events, What's Happening
Cape Town Cycle Tour 2017
Cape Town Cycle Tour – On Sunday 12 March 2017 around 35 000 cyclists from around the globe will cycle around the Cape Peninsula, when they participate in the world's largest timed cycle race. How will this affect youRead more
ARTICLES, Attractions, Civic News, Community News, NEWS & NOTICES, Notice Board, Our Communities, Trails, Upcoming Events, What's Happening
The Mazula Revolution
Writing about rock is personal, one can think up harsh metaphors to describe harsh chords and harsh voice-strains. Writing about Hip-Hop is easy, one can quote lyrics for shock value and analyse rhyme schemes that validate rap for theRead more
ARTICLES, Community News, Entertainment, Interviews, NEWS & NOTICES, Our Achievers, Our Artists, Our Entertainers, Upcoming Events, What's Happening
Celebrating this Women's Day Thoughtfully
On the ninth of August, we celebrate Women's Day. This day is one that remembers the plus/minus 20 000 women who marched against South Africa's pass laws in 1956. These laws required everyone who had been classified as black byRead more
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Artscape presents "Benjamin Jephta Quintet"
Artscape presents "Benjamin Jephta Quintet" Artscape is set to present the much anticipated, multi award nominee Benjamin Jephta Quintet, as part of the Artscape Youth Month Celebrations, at Artscape Arena from 09 – 11 June 2016. This core quintetRead more
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text:
The Holy Lie () is a 1927 German silent film directed by Holger-Madsen and starring Otto Gebühr, Margarete Schlegel, and Paul Bildt.

The film's art direction was by Max Knaake.

Cast

References

Bibliography

External links

1927 films
Films of the Weimar Republic
Films directed by Holger-Madsen
German silent feature films
German films based on plays
German black-and-white films
National Film films

redpajama_set_name: RedPajamaWikipedia


You have been assigned to write a research paper by your teacher. The topic has been given to you and you're all set to show off your creative and research skills. However, there is one hurdle that you don't know how to handle – the APA format. When a particular style of formatting has been stated, you cannot shy away from it and your writing must conform to that method. A lot of students find it difficult to do this but it is easier than it seems. All you need to know are the right formatting techniques and you're good to go. For your convenience, these are listed below.
When you've been told to specifically write your paper in the APA format, you must use the present tense for all personal observations and comments. You can use the present perfect or past tense just to introduce the work of cited sources.
You always have to add double space in an APA paper, including the notes, quotations, content, as well as the reference section.
Each page of your paper needs to have a margin of at least one inch on every side.
If you are using any kind of indirect quotations, direct quotations, or ideas that have been borrowed from another writer, then it is recommended that you acknowledge them using parenthetical citations.
A reference page is a must in the APA format paper to refer to parenthetical citations.
The number of pages must always be mentioned in the upper right hand corner of your paper. It is ideal to have a running head as well.
The text of your paper is bound to contain titles of films, books, periodicals, plays, recordings , television programs, and/or pamphlets. Make sure all of these are underlined properly. The titles of lectures, articles, book chapters, and anthologies need to be included within quotation marks.
Your work becomes plagiarized when ideas and/or words of a separate author are used in your paper without acknowledging the source. This is a complete no-no and you should prevent this at all costs. The ideal method of avoiding plagiarism from cropping up in your work is to acknowledge all your sources using a reference page and in-text citations. Direct quotations, if used, must be placed within quotation marks or indented from the main body of your paper. Moreover, when using the words of another person, you should not simply paraphrase but use your own style of writing as well as your choice of vocabulary. Simply rearranging the words is not suitable.
How to write in-text citations?
You have to cite the first appearance of another author's ideas/words by introducing a paraphrase or quotation along with the writer's name. You should always use the last name of the author as well as the year of publication of the text for in-text citations. Commas are used for separating the different items within a parenthesis. If you are using an exact quotation, it is best to make use of a page number in your paper. The singular "p" or plural "pp." must be used for the purpose of indicating the numbers of your pages.
A reference page is a must-have in any APA format paper for the purpose of avoiding plagiarism. The reference page must be included immediately after the central text of the paper.


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text:
UFC 223: Ferguson vs. Khabib Fight Card
by ChrisTaylor | Mar 10, 2018 | Blog
By: Chris Taylor (Kalapaki Joe's Staff Writer)
The octagon will return to Brooklyn, New York on April 7 for UFC 223.
The thirteen-bout fight card is headlined by a lightweight title fight featuring current interim champion Tony Ferguson taking on undefeated contedner Khabib Nurmagomedov.
BJPENN.com's Chris Taylor broke the news back on January 16 reporting that current UFC lightweight champion Conor McGregor would be stripped of his title and adding that Ferguson and Nurmagomedov would be fighting for the promotions undisputed 155-pound title at UFC 223.
Breaking! I have confirmed with sources that Tony Ferguson and Khabib Nurmagomedov will fight for the undisputed UFC lightweight title at #UFC223 in Brooklyn. The bout will be made official later this week. McGregor will be stripped of his title. The bout was 1st reported by TASS
— Chris Taylor (@CTaylor_96) January 16, 2018
"Breaking! I have confirmed with sources that Tony Ferguson and Khabib Nurmagomedov will fight for the undisputed UFC lightweight title at #UFC223 in Brooklyn. The bout will be made official later this week. McGregor will be stripped of his title. The bout was 1st reported by TASS." – Chris Taylor , January 16, 2018
Tony Ferguson is currently riding an impressive ten-fight win streak, his latest being a third-round submission victory over Kevin Lee at UFC 216 which captured "El Cucuy" the promotions interim lightweight strap.
Ferguson's most recent loss came way back at UFC on FOX 3 in May of 2012 when he was outpointed by Michael Johnson.
Meanwhile, Khabib Nurmagomedov has gone a perfect 25-0 in his mixed martial arts career, his latest victory coming over Edson Barboza at December's UFC 219 event in Las Vegas.
Prior to defeating Barboza in Sin City, "The Eagle" mauled the aforementioned Michael Johnson at UFC 205 in New York.
The co-main event of UFC 223 will feature a women's strawweight title fight rematch featuring current champ Rose Namajunas taking on former title holder Joanna Jędrzejczyk.
Rose Namajunas shocked the mixed martial arts world this past November at UFC 217 in New York by scoring a first-round knockout over Joanna Jędrzejczyk.
Get the full UFC 223 fight card below:
UFC 223 Main Card (10 p.m. ET on Pay-Per-View)
Tony Ferguson vs. Khabib Nurmagomedov
Rose Namajunas vs. Joanna Jędrzejczyk
Michael Chiesa vs. Anthony Pettis
Calvin Kattar vs. Renato Moicano
Al Iaquinta vs. Paul Felder
FS1 Prelims (8 p.m. ET on FS1)
Karolina Kowalkiewicz vs. Felice Herrig
Ray Borg vs. Brandon Moreno
Joe Lauzon vs. Chris Gruetzemacher
Devin Clark vs. Mike Rodriguez
UFC Fight Pass Prelims (6:15 p.m. ET on UFC Fight Pass)
Alex Caceres vs. Artem Lobov
Evan Dunham vs. Olivier Aubin-Mercier
Bec Rawlings vs. Ashlee Evans-Smith
Zabit Magomedsharipov vs. Kyle Bochniak
Denver Broncos part ways with Pro Bowl Safety T.J. Ward
by ChrisTaylor | Sep 2, 2017 | Blog
The Denver Broncos have released veteran safety T.J. Ward according to the NFL Network's Ian Rapoport.
Ward was set to make a non-guaranteed $4.5 million this upcoming NFL season.
The two-time Pro Bowl safety recorded three interceptions and five forced fumbles during his 41 games with the Broncos.
"This was a difficult decision to part ways with T.J. after everything he's done for our football team," general manager John Elway said in a statement. "He was a respected teammate whose attitude and physical mindset played a big part in our Super Bowl run. We thank T.J. for his contributions as a Bronco and wish him nothing but the best in the future."
The 30-year-old, Ward, will likely find a new home before the start of the 2017-2018 season, as teams have already begun to express interest.
Be sure to come watch all of this seasons NFL action live at one of Kauai's Kalapaki Joe's locations, the Westernmost Sports Bar in the U.S.A!
Browns cut Brock Osweiler, Broncos serve him a 1-year deal
The Denver Broncos and Brock Osweiler are once again an item.
Just days after being cut by the Cleveland Browns, Osweiler re-signed with the that drafted him in 2012 but failed to retain his services in 2016.
Osweiler spent his latest season with the Houston Texans where he had an absolutely dismal year.
The Browns will still have to pay $16 million of Brock's salary, meaning the Broncos are paying next to nothing for their former pivot.
Osweiler will serve as backup quarterback to starter Trevor Siemian for Denver this season.
Current Broncos general manager and former star quarterback John Elway discusses the acquisition:
"When Brock made that decision [to sign with Houston], he made the best decision that he thought was best for him," Elway told reporters Saturday night. "It's just kind of funny how these things worked out with our situation and Brock being available — funny how everything aligned. We know that Brock can win football games with us, he's got a lot of experience and that was one glaring hole we had at that time in my mind when Paxton [Lynch] hurt the shoulder. We're able to get it fixed."
Stay tuned to KalapakiJoes.com for further updates and be sure to come watch all of the NFL action at one of Kauai's Kalapaki Joe's locations, the Westernmost Sports Bar in the U.S.A!
Will Super Bowl 50 be Peyton Manning's last game?
by ChrisTaylor | Feb 6, 2016 | Blog
Will Super Bowl 50 indeed by Peyton Manning's last rodeo?
Those were the words that came out of the star quarterback's mouth when he thanked Bill Belichick after winning the AFC Championship game just two weeks ago.
NFL media insider Ian Rapoport reported that other people close to Manning have said that he plans to 'walk away' after the outcome of Super Bowl 50.
It would be a storybook ending if Manning could go out on top by capturing his second Super Bowl title on Sunday.
However, that will not be an easy task when matched up against a stellar Carolina Panthers squad.
If it is the last time we see Peyton Manning, we will be saying goodbye to one of the Top 5 best quarterback's to ever step foot on an NFL field.
Manning is a legend and guaranteed to be a first-ballet Hall of Famer.


Fareed Zakaria's new-this-summer show on CNN, Fareed Zakaria GPS (as in Global Public Square) isn't always the most exciting hour on TV, and I find his interviewing style somewhat annoying. But from time to time the interviews are terrific, whether it's because Zakaria is a better interviewer than I can recognize, or because he finds some great guests.
For starters, watch his Sept 28 interview with Chinese Premier Wen Jiabao, and an earlier one with Singapore's Lee Kuan Yew (I don't know that the whole Lee Kuan Yew interview is online).
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text:
Date of Submission 21-Nov-2022
Date of Decision 13-Dec-2022
Date of Acceptance 13-Dec-2022
Date of Web Publication 27-Dec-2022
Keywords: Acute symptomatic seizures in the elderly, acute symptomatic seizures, etiology, in-hospital mortality
Verma A, Kumar A, Sachan D. Clinical profile and etiological spectrum of acute symptomatic seizures in the elderly populace. J Indian Acad Geriatr 2022;18:168-71
Verma A, Kumar A, Sachan D. Clinical profile and etiological spectrum of acute symptomatic seizures in the elderly populace. J Indian Acad Geriatr [serial online] 2022 [cited 2023 Jan 29];18:168-71. Available from: http://www.jiag.com/text.asp?2022/18/4/168/365782
Acute symptomatic seizures (ASS) are events that occur in close association with a central nervous system (CNS) insult. When seizures complicate acute neurological conditions, they add a layer of intricacy to patient management. ASS is more common in the youngest age and in the elderly. The incidence of ASS in patients elder than 60 years is ~100 per 100,000 and rises with each decade of advancing age.[1],[2] Up to 30% of instances of elderly patients with ASS manifest as Status epilepticus (SE).[3] The elderly account for around 25% of new cases of epilepsy.[4] Epilepsy continues in one-third of patients with ASS.[5] Due to the high prevalence of comorbidities, concomitant polypharmacy, and age- or disease-related alterations in pharmacodynamics and pharmacokinetics, the elderly represent a distinct treatment population when compared with adults.[6] ASS have a clearly identifiable, proximate cause; the simultaneous management of the underlying cause and use of antiseizure medication are required for the treatment of ASS.
There is still a knowledge gap about the etiology and outcome among elderly patients who experience ASS, particularly those from developing countries. The current study aimed to (1) find the etiology and the clinical spectrum of ASS and (2) the predictors of in-hospital mortality.
We performed a hospital-based, cross-sectional study from July 2017 to September 2019 on the elderly (≥60 years of age) patients who were admitted to the neurology ward or intensive care unit (ICU) either with ASS or experienced ASS after being admitted for other neurological disorders were prospectively evaluated after obtaining their informed consent. Patients having pseudo seizures, a history of epilepsy, or epileptic seizures before 60 years were excluded from the study.
ASS was defined as clinical seizures episode in a close temporal relationship with an acute CNS insult, which may be vascular, metabolic, toxic, structural, infectious, or inflammatory.[7] Out of 1976 elderly patients who were admitted with different neurological disorders during this period, 94 patients fulfilled the inclusion criteria.
Age, gender, seizure semiology, neurological findings, comorbidities, treatment, and length of hospital stay were all noted as clinical characteristics of the patients. Investigations that were pertinent were conducted, including complete blood count, liver and renal function tests, blood glucose and electrolyte levels, and blood gas analysis. Patients were also examined using chest X-rays, ultrasounds, abdomen, echocardiograms, and cerebrospinal fluid examination when deemed necessary. Magnetic resonance imaging and computed tomography scans of the brain were performed based on clinical recommendations. The 10–20 system of electrode placement was used to record the electroencephalogram for 30 min.
A total of 94 elderly patients with ASS were recruited. Of which, 62 (66.6%) cases were male and the mean age of onset of ASS in years (mean ± standard deviation [SD]) was 67.63 ± 11.48 years. Age ranged from 60 to 90 years. The main seizure type was focal seizure in 62 (59.7%) cases, in which focal with bilateral convulsive seizures were the most common presentation, 30 (31.9%), followed by tonic-clonic seizures in 30 (31.9) cases. The most common etiologies in ASS were stroke in 61.7% (acute infarct in 43.6% and hemorrhagic stroke in 18.1%), followed by infective cause in 30.9% of cases. The mean duration of hospital stay in days (mean ± SD) was 6.49 ± 3.53 days. The clinical characteristics of the patients are shown in [Table 1].
Table 1: The clinical characteristics of the patients with acute symptomatic seizures
In-hospital mortality in the ASS in the elderly was 21 (22.3%) in our series. Among them, stroke was the most common cause of mortality (n = 13), followed by CNS infections (n = 7) and metabolic causes in 1 case. Factors such as gender, socioeconomical status, seizure semiology, etiology, comorbidities, and duration of stay in the hospital, were not significantly associated with mortality on multivariate analysis [Table 2].
Table 2: Risk factors for mortality: Multiple logistic regressions
Although ASS cannot technically be classified as epilepsy, they are a common symptom in elderly patients and raise the likelihood that they may develop epilepsy.
In our study, ASS was experienced in 4% of the elderly patients hospitalized in neurology wards and ICU with various acute neurological diseases. In another study, 2.1% of admissions were related to new-onset seizures occurring with acute neurological disorders in patients aged ranged from 6 months to 80 years.[8] New-onset seizures were observed in 0.8% of patients admitted to medical and surgical ICUs, according to a retrospective research from the Mayo Clinic.[9] A review by Bleck et al.[10] noted that 3.5% of patients with critical medical illness had new-onset seizures. Due to the study's inclusion of exclusively elderly patients, ASS occurred more frequently in our study.
In our study, stroke was the most frequent cause of ASS in the elderly, accounting for 61% of cases. The incidence of stroke increases markedly with increasing age. The most frequent cause of ASS in the elderly is cerebrovascular disease, accounting for 28%–58% of cases.[11],[12] In another neuroimaging study on a cohort of 201 elderly patients with new-onset seizures; focal lesions were predominantly present in 98 (48.8%) cases, among them common etiologies were infarcts (45), hemorrhages (18), and granuloma (16).[13] In ischemic strokes, the degree of the initial neurological deficit, the degree of long-term disability, the involvement of many sites or a larger lesion, cortical damage, and hippocampal involvement all indicate the likelihood of having poststroke seizures.[14] Early poststroke seizures are known to be at increased risk due to embolic stroke.[15]
In our analysis, infectious causes accounted for 36.2% of cases, making them the second-most frequent cause of ASS. In another study, CNS infections accounted for 32% (n = 21/66) of the etiology.[8] One study from south India found that 36% of cases of ASS were caused by neuro infection, the majority of which was neurocysticercosis.[16]
In our series, in-hospital mortality in the ASS in the elderly was 22.3% and stroke was the most common cause of mortality. Similar to this, there is a high short-term risk of death associated with ASS (about 20% in the 1st month after ASS). Compared to younger people (17.7% in Washington Heights and 11.2% in Rochester), mortality was significantly more prevalent in those 65 years and older (28.4% in Washington Heights and 40.5% in Rochester).[17] A study has shown that ASS is the most common risk factor of SE and/or cluster seizures in the elderly, which is a neurologic emergency;[18] this phenomenon increases the risk of neurologic emergency for the elderly.
The study population was from the neurology ward and ICU and did not include all the etiology related to neurosurgery and the obstetrician department. It was a single-center, hospital-based study, and it does not represent the general population.
To conclude, ASS was experienced in 4% of the elderly patients hospitalized in the neurology ward and ICU. In-hospital mortality in the ASS in the elderly was 22.3% in our series. Stroke was the most frequent etiology of ASS in the elderly and was also related to mortality. Therefore, to reduce in hospital mortality, it is necessary for us to analyze the causes of ASS in the elderly.
Ethical approval and consent to participate
Taken.
Present.
Authors' contribution
Dr. Archana Verma – Diagnosis, management, and data collection
Dr. Alok Kumar –- Data collection and writing of manuscript
Dr. Divyata Sachan – Statistical analysis of data.
Annegers JF, Hauser WA, Lee JR, Rocca WA. Incidence of acute symptomatic seizures in Rochester, Minnesota, 1935-1984. Epilepsia 1995;36:327-33.
Loiseau J, Loiseau P, Guyot M, Duche B, Dartigues JF, Aublet B. Survey of seizure disorders in the French Southwest. I. Incidence of epileptic syndromes. Epilepsia 1990;31:391-6.
Waterhouse E, Towne A. Seizures in the elderly: Nuances in presentation and treatment. Cleve Clin J Med 2005;72 Suppl 3:S26-37.
Ghosh S, Jehi LE. New-onset epilepsy in the elderly: Challenges for the internist. Cleve Clin J Med 2014;81:490-8.
Holt-Seitz A, Wirrell EC, Sundaram MB. Seizures in the elderly: Etiology and prognosis. Can J Neurol Sci 1999;26:110-4.
Brodie MJ, Elder AT, Kwan P. Epilepsy in later life. Lancet Neurol 2009;8:1019-30.
Beghi E, Carpio A, Forsgren L, Hesdorffer DC, Malmgren K, Sander JW, et al. Recommendation for a definition of acute symptomatic seizure. Epilepsia 2010;51:671-5.
Narayanan JT, Murthy JM. New-onset acute symptomatic seizure in a neurological intensive care unit. Neurol India 2007;55:136-40.
Wijdicks EF, Sharbrough FW. New-onset seizures in critically ill patients. Neurology 1993;43:1042-4.
Bleck TP, Smith MC, Pierre-Louis SJ, Jares JJ, Murray J, Hansen CA. Neurologic complications of critical medical illnesses. Crit Care Med 1993;21:98-103.
DeLorenzo RJ, Pellock JM, Towne AR, Boggs JG. Epidemiology of status epilepticus. J Clin Neurophysiol 1995;12:316-25.
Sibia RS, Kumar S A, Sharma H. Seizure in later life: An ode to the elderly. Int J Res Med Sci 2017;2:1393-5.
Sinha S, Satishchandra P, Kalband BR, Bharath RD, Thennarasu K. Neuroimaging observations in a cohort of elderly manifesting with new onset seizures: Experience from a university hospital. Ann Indian Acad Neurol 2012;15:273-80.
Browne TR, Holmes GL. Epilepsy. N Engl J Med 2001;344:1145-51.
Marrero C, Díez E, Iváñez V, Barreiro P. Early and late epileptic crisis following cerebral hemisphere ischemia. Rev Neurol 1998;27:676-81.
Rao BS, Vani MS, Varma GA. The study of etiological profile in new onset seizures in Indian scenario. Int J Adv Med 2015;2:6-12.
Hesdorffer DC, D'Amelio M. Mortality in the first 30 days following incident acute symptomatic seizures. Epilepsia 2005;46 Suppl 11:43-5.
Sinha S, Satishchandra P, Kalband BR, Thennarasu K. New-onset status epilepticus and cluster seizures in the elderly. J Clin Neurosci 2013;20:423-8.
[TAG2]


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text:
<?php

Yii::import('booster.widgets.TbBaseInputWidget');
/**
 * Bootstrap DateTimePicker widget
 * @see http://www.malot.fr/bootstrap-datetimepicker/
 *
 * @package booster.widgets.forms.inputs
 */
class TbDateTimePicker extends TbBaseInputWidget {

	/**
	 * @var TbActiveForm when created via TbActiveForm.
	 * This attribute is set to the form that renders the widget
	 * @see TbActionForm->inputRow
	 */
	public $form;

	/**
	 * @var array the options for the Bootstrap JavaScript plugin.
	 */
	public $options = array();

	/**
	 * @var string[] the JavaScript event handlers.
	 */
	public $events = array();

	/**
	 *### .init()
	 *
	 * Initializes the widget.
	 */
	public function init() {

		parent::init();

		$this->htmlOptions['type'] = 'text';
		$this->htmlOptions['autocomplete'] = 'off';

		if (!isset($this->options['language'])) {
			$this->options['language'] = substr(Yii::app()->getLanguage(), 0, 2);
		}

	}

	/**
	 *### .run()
	 *
	 * Runs the widget.
	 */
	public function run() {

		list($name, $id) = $this->resolveNameID();

		if ($this->hasModel()) {
			if ($this->form) {
				echo $this->form->textField($this->model, $this->attribute, $this->htmlOptions);
			} else {
				echo CHtml::activeTextField($this->model, $this->attribute, $this->htmlOptions);
			}

		} else {
			echo CHtml::textField($name, $this->value, $this->htmlOptions);
		}

		$this->registerClientScript();
		$this->registerLanguageScript();
		$options = !empty($this->options) ? CJavaScript::encode($this->options) : '';

		ob_start();
		echo "jQuery('#{$id}').datetimepicker({$options})";
		foreach ($this->events as $event => $handler) {
			echo ".on('{$event}', " . CJavaScript::encode($handler) . ")";
		}

		Yii::app()->getClientScript()->registerScript(__CLASS__ . '#' . $this->getId(), ob_get_clean() . ';');

	}

	/**
	 *### .registerClientScript()
	 *
	 * Registers required client script for bootstrap datepicker. It is not used through bootstrap->registerPlugin
	 * in order to attach events if any
	 */
	public function registerClientScript() {

        Booster::getBooster()->registerPackage('datetimepicker');
	}

	public function registerLanguageScript() {

		if (isset($this->options['language']) && $this->options['language'] != 'en') {
			$file = 'locales/bootstrap-datetimepicker.' . $this->options['language'] . '.js';
            $booster = Booster::getBooster();
			if (@file_exists(Yii::getPathOfAlias('booster.assets.bootstrap-datetimepicker') . '/js/' . $file)) {
				if ($booster->enableCdn) {
					// Not in CDN yet
                    $booster->registerAssetJs('../bootstrap-datetimepicker/' . '/js/' . $file);
				} else {
                    $booster->registerAssetJs('../bootstrap-datetimepicker/' . '/js/' . $file);
				}
			}
		}
	}
}


text:
History absorbed by different means
Textbooks are no longer the only way to learn about history, as much can now be picked up via visuals like movies and photos or on social media groups.
Dang Thanh Huyen actively uses all of these sources. She is the author of the colourful Vietnamese history artbook Việt sử diễn họa (Vietnam History Through Drawings), is the artist behind the historical animation series Hào khí ngàn năm (Thousand years of pride), which aired on Vietnam Television (VTV), and is the co-administrator of "Đại Việt cổ phong" (The Great Viet ancient customs), a Facebook group on historical research.
PUBLISHED WORK: Dang Thanh Huyen and her first book, 'Việt sử diễn họa'. Photo Dang Thanh Huyen
After the 2,000 episodes of Hào khí ngàn năm finished airing on VTV1 and VTV3 in 2018, most have since appeared in some shape or form on YouTube channels, where they always collect tens of thousands of views.
It was the first project Huyen participated in after graduating from university, creating a foundation of her passion for Vietnamese historical clothing and history. She also co-manages the "Đại Việt cổ phong" Facebook community of over 130,000 members.
The young woman studied land management, as her parents wanted her to have a stable occupation.
"I've loved drawing since the seventh grade and have never stopped," she said. "I'm always drawing and drawing, despite my parents' disapproval."
DETAILED DESIGN: The background and characters in the series on the Tran Dynasty. Photo Dang Thanh Huyen
She found a job in the arts industry that both pleased her parents and gave her a livelihood. It led to her drawing the background art for Hào khí ngàn năm, specifically those on Sy Nhiep, Duong Thanh, and Duong Dinh Nghe (well-known figures during the northern dominated period) and some prominent emperors of the Ly and Tran dynasties.
Her role was to draw landscapes, interiors, battleships, and armour, among other things. It required meticulous research on the architecture and decorative items of the Ly and Tran dynasties, like curved roofs of palaces, which are different from those of the Le and Nguyen dynasties.
She feels fortunate to know what she wants to do in life.
"If you don't know what you want to do, then I can't really give you any advice, but I think you should keep doing what you already do well instead of daydreaming about something else," she said. "Keep improving and following what you're good at, and stay patient and be willing to learn."
Nguyen Duc Loc, founder of Y Van Hien, a project on traditional clothing and a clothing designer for historical movies and music videos, is excited about how young people are taking more of an interest in historical costumes.
"The more research I do the more I find clothing to be the quintessence of our entire country," he said. "Vietnamese people have our own unique aesthetic."
To gain a holistic understanding of her subject when writing Việt sử diễn họa, Huyen shied away from being overly creative and instead tried to remain true to the history of each period. The book covers the original establishment of the nation until the fall of feudalism.
An illustrated timeline of Vietnam's history by Huyen.
She conducted research and pored over historical documents like Đại Việt sử ký toàn thư (Complete Annals of Đại Việt), An Nam truyện (Tales of An Nam), Việt Nam sử lược (Precise History of Vietnam), while also reading research papers and works translated from Chinese she found via the Facebook group.
At times during her research, Huyen came upon inaccurate illustrations of certain periods, which helped her reflect on the subject matter and dig a little deeper.
When she researched and began drawing, she recognised that Vietnamese culture is very much different from Chinese. For instance, Chinese collars are higher and tighter to keep out the cold, and Chinese men during the Qing dynasty often shaved the front half of their head and braided the back, while upper class men in Vietnam just let their hair grow or shaved it all.
"To encourage young people to be more enthusiastic about studying Vietnamese values, researchers, institutions, and the media need to point out our national identities and cultural values," said Ly Tung Hieu, cultural researcher and professor of cultural studies at the HCM City University of Social Sciences and Humanities.
Huyen finished the book in just over a year, and also draws historical characters to post on Facebook.
She also shares short historical stories and illustrations on her Facebook page "Comet Withouse". Her latest project takes a look at the jewellery and outfits of the Nguyen Dynasty, as her passion for art and history lives on.
Bilingual book introduces Vietnamese costumes in the 15th century
The first bilingual book about Vietnamese costumes in the 15th century has been released.
Book on Vietnamese fine arts history needed, says critic
The Vietnam Fine Arts Association's conference will take place on December 15. This is a chance for artists, researchers and critics to review its performance in 2014 - 2019.
Vietnamnet global
Vietnam among top 10 best places to go for budget honeymoon
The nation has been listed among the top 10 best places to go for a budget honeymoon in 2023 by prestigious global travel website Lonely Planet.
Vietnam's industrial production to rise 6.6% in 2023: S&P Global
Vietnam is predicted to record a rise of 6.6% in industrial production in 2023, according to S&P Global Market Intelligence.
Vietnamese athletes competing in the Paris 2024 Summer Olympics, scheduled for July 26 to August 11, 2024, will receive 1 million USD in bonus for each gold medal; 500,000 USD for silver and 200,000 for bronze.
VIETNAM NEWS HEADLINES FEBRUARY 1/2023
Google Doodle honours first female Vietnamese newspaper editor Suong Nguyet Anh
The world's most popular search engine Google has paid tribute to Suong Nguyet Anh, the first female editor of the nation's first women's newspaper by posting a drawing of her on its homepage on February 1.
Australian travel magazine Traveller has listed Banh Cuon, Vietnamese steamed rice rolls, among the top 10 best meals from around the world that visitors should try in 2023.
Party chief directs key tasks for new year
Party Secretary Nguyen Phu Trong on Tuesday chaired a meeting of the Secretariat of the Communist Party of Vietnam (CPV) Central Committee, mapping out key tasks for the new year.
VIETNAM BUSINESS NEWS FEBRUARY 1/2023
Domestic market to drive tourism recovery in 2023: insider
Some big companies made profits in 2022, but others incurred losses
While Duc Giang Chemicals and Binh Son Refining and Petrochemical have reported big profits for Q4 and the year 2022, Vietnam Airlines and leading steel manufacturer Hoa Phat saw big losses for the year.
Vietnamese couple help German bicyclist in distress
Trung and Nhung, a Vietnamese couple, on the way to travel across Vietnam on Tet holiday, saw a foreigner who was facing troubles because of strong winds in Ninh Thuan.
Vietnam develops green agriculture to increase exports to EU
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Vietnamese team comes first at Southeast Asian Fencing Championship
Vietnam secured the first position at the 2023 Southeast Asian Fencing Championship which has taken place recently in Malaysia.
2023 - Time for Edtech to thrive in Vietnam
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UK imports from Vietnam in 2022 put at over US$6 billion
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Five more registration officials in Hanoi prosecuted for soliciting bribes
Police of Hanoi's Thuong Tin District has started legal proceedings against five officials at 2915D Registration Centre for taking bribes.


Do you find forgiveness difficult? Would you like to be more forgiving? Then this inspiring, practical book has been written for you... This accessible guide explains why it makes sense to let go of grievances instead of staying stuck in an unforgiving place. Insights, ideas and exercises invite you to transform your unresolved issues. Explaining what forgiveness is and how to deal with obstacles to it, the book shows you how to create better relationships with others and with yourself. You do not need to commit to any religious practice or philosophy; this book simply shows how to forgive in order to enhance your self-esteem, break free from limitations and become a happier person. Forgiveness can help you radically and dramatically change your life for the better. Through the unique Four Steps to Forgiveness exercise that the author offers you can experience this for yourself. Get ready to move on with the rest of your life!
Have Your Parents Forgiven You?
What if I Chose It?


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Cisternoni of Livorno
Livorno, Italy
What`s here?
History and museums
historic buildings, landmark, sightseeing
The Cisternoni of Livorno are a series of three large buildings in the neoclassical style at Livorno, in Tuscany, Italy. They were constructed between 1829 and 1848 as part of a complex of purification plants and storage tanks to the Leopoldino aqueduct; a fourth cisternone planned at Castellaccia was never built. The cisternoni, literally "great cisterns", provided Livorno — a city that is still today one of the principal ports of the Mediterranean — with fresh and, more importantly, clean water throughout the 19th and 20th centuries.
Designed by the architect Pasquale Poccianti, the cisternoni are architecturally important, as they represent the advent of an aesthetically considered approach to the design of utilitarian public work. This movement, whose followers are sometimes known as "Utopians", was pioneered by such architects as Étienne-Louis Boullée and Claude-Nicolas Ledoux at the close of the 18th century. The movement resulted in great palaces and temples of industry and commerce, their palatial and temple-like facades concealing the mundane reality of their true use, which were to dominate many towns and landscapes from the 19th century onwards.
Acquedotto Leopoldino
The Acquedotto Leopoldino (also known as the "Acquedotto di Colognole") and the neoclassical cisterns of Livorno were part of a sophisticated scheme to not only provide water to Livorno, but also clean it. The scheme was centred on the 18 km (11 mi) long aqueduct which runs south to north bringing water to the city from Colognole. This feat of engineering first carried water to the city in 1816, long before its completion. It was Livorno's sole water supply until 1912, still serving some areas of the city.
The aqueduct was commissioned in 1792 by Ferdinand III, Grand Duke of Tuscany. Construction began in 1793 to plans drawn by the architect Giuseppe Salvetti, replacing an earlier aqueduct constructed in the 16th century by Ferdinand de' Medici. Work stopped in 1799 on the death of Salvetti and, because of the political difficulties and upheavals in Tuscany caused by the first disruptive phases of the Napoleonic occupation of Tuscany, did not resume until 1806, when Maria Louisa, regent of Etruria, acting for her infant son, appointed the architect Riccardo Calocchieri to supervise the work. Later, in 1809, during the French occupation of Tuscany and reign of Elisa Bonaparte, Poccianti was appointed by the newly formed "Comune of Livorno" to oversee the project and under his direction work continued until 1824, the date usually considered as that of the aqueduct's completion. However, modifications were always being implemented, and after Poccianti's death in 1858, the project was continued by his successor Angiolo della Valle.
The aqueduct crosses valleys in the Livorno Hills, supported on great arches which tower above the forests and slopes of macchie below.
Pasquale Poccianti
Pasquale Poccianti, the reservoirs' architect, was "Engineer to the Commune of Livorno" and "Architect of the Royal Works". Poccianti had trained at Florence's Accademia di Belle Arti. In his capacity as court architect, Poccianti worked on many prominent Tuscan buildings both private and municipal, including the grand ducal residence, the Palazzo Pitti. Poccianti was a keen disciple of the architect Gaspare Maria Paoletti, who had redesigned much of the Villa del Poggio Imperiale leaving only the main facade unchanged. In 1807, Giuseppe Cacialli redesigned the principal facade of the Villa from drawings by Poccianti.
In their use of monumental neoclassical architecture for industrial buildings, the Livorno cisterns can be compared with works of radical French neoclassicists Étienne-Louis Boullée and Claude-Nicolas Ledoux. Thus their dominating, over-scaled proportions emphasize the new prominence which was to be given throughout the 19th century to functional buildings proving mundane services — not only celebrating the innovations of the forthcoming industrial age but attempting to realise the Utopian approach to town planning envisaged from the late 18th century. Previously such buildings, when they existed, had been given little aesthetic architectural consideration and had often been hidden from view or, when unavoidably visible, disguised to conceal their true use. Occasionally the disguise could draw more attention than necessary, as was the case with the pumping station designed by Ludwig Persius built in Sanssouci Park in 1842, which was disguised as a grandiose mosque complete with minarets.
La Gran Conserva
La Gran Conserva, or "Il Cisternone", situated on what were the outskirts of 19th-century Livorno, is the largest and best known of the city's's covered cisterns. It was constructed between 1829 and 1842 to the design of Pasquale Poccianti. While the facade of the Cisternone was completed by 1833 to commemorate the marriage of Tuscany's ruling Grand Duke Leopoldo II to his second wife Maria Antonietta, the water system was not fully operational until 1842.
It is thought that the architect, Antonio Antolini (better known for his work at the Bonaparte Forum in Milan, a circular piazza of palazzi with the Castello Sforzesco at its centre) may have also been involved in the design, as correspondence between him and Poccianti regarding the Cisternone exists.
The building appears almost surreal in its design, due to its dominant dome which resembles more a "cut-away" illustrative architectural drawing, a section, than a realised project. Inspired by the Pantheon in Rome the "dome" is unique, appearing as a half-dome or "semi-cupola." It is in reality an enormous niche — open to the elements — thus it seems that one views the interior from the exterior. A similar, but less theatrical, construction can be seen crowning the classical temple front of Alberti's Basilica of Sant'Andrea in Mantua, built in 1470.
At Livorno, the great niche surmounts a massive portico supported by eight columns in the Tuscan order, the order theorists considered most appropriate to military architecture. Attention is drawn to the niche by its proportions which dwarf the lower floors beneath it. One explanation for the individuality of the great niche is that large niches and concave recesses ornamenting pediments were a defining feature of Italian Baroque architecture. In Italy the Baroque style was superseded more swiftly by the neoclassical style than elsewhere in Europe; thus there can be found a confusing blend of the two styles in parts of Italy. However, the Gran Cisterno is very late for this fusion of styles, so the influence of Ledoux seems the most likely reason for this magnificently eccentric feature. There are obvious similarities between the Gran Conserva and Ledoux's drawings for the "House of Supervisors" at his idealistic vision of the city of Chaux, a late 18th-century example of modern town planning and more obviously still in a design by Ledoux for a Parisian mansion for Marie-Madeleine Guimard, which was conceived as early as 1766. In its turn, the Gran Cisternone was to be the inspiration for the design of half-dome Beaux-Arts bandshells, such as the Naumburg Bandshell in Central Park, New York.
The interior of the building is divided into two halves. The first and most visible is the principal facade and its flanking wings, which house the apartments for caretakers and staff; behind lies the second half and main body of the building which contains the "T" shaped reservoir itself. This is subdivided by Tuscan columns supporting the roof above, giving it the air of a cavernous aquatic cathedral.
The cisterns were not only places for storing the city's water but were also "purgatori" — places for purifying the water. Water entered the reservoir from the Acquedotto Leopoldino through layers of gravel and carbon, a method of filtration which was later replaced by a more modern chlorine treatment system. The later removal of the gravel filtering system meant that the cistern could be used to its maximum capacity to store 10,000 cubic metres of water. This reservoir and purification plant is still in use today.
Cisternino di Pian di Rota
The smaller Cisternino di Pian di Rota, in the Pian di Rota area of the city, was begun in 1845, although it had been planned as early as 1827. While, like the architect's other works, it is strictly speaking in the neoclassical style, the Cisternino di Pian di Rota also has the air of a Palladian villa of the Veneto. The symmetrical facade is dominated by a massive prostyle portico clearly based on that of the Pantheon in Rome while the composition of the facade could be emulating Scamozzi's Villa Rocca Pisani or Palladio's Villa Badoer. Whatever the inspiration, the architect's vision of achieving Utopian ideals in architecture by emulating the temples of antiquity is very evident. Such philosophies had been advocated and popularised in the paintings of the idealised Italian landscape by Claude, Poussin and Dughet. A temple similar to the Cisternino di Pian di Rota had been built in the 1750s as a garden folly in the gardens at Stourhead in England.
The interior houses the large rectangular reservoir, originally divided into two, as with the other cisternoni. One half houses a filtration system of beds of gravel and carbon. The roof of the reservoir is supported by 28 Tuscan columns.
Cisternino di città
Cisternino di città is an austere neoclassical design which was approved in 1837 and completed in 1848. The design was greatly altered during its construction: originally the close proximity of neighbouring buildings meant that only one facade would be visible, but alteration and demolitions in the city during 1840 caused the building to face two different new thoroughfares. The result of the redesign was a great loggia supported by ionic columns raised above a heavy base pierced only by sparse and narrow windows. The sides of the building are embellished by apses with lunette windows.
This severe almost startling form of neoclassicism had become popular in the first decade of the 19th century. It was pioneered by such architects as Peter Speeth and Friederich Gilly and is in contrast to the more elegant neoclassicism of such architects as Robert Adam and John Nash. This form of street architecture was most popular in Germany, where it was used to great effect in such squares as Munich's Theresienwiese.
This building was never used for its intended purpose and has been used in several different roles. Most recently it has since 1945 served as Livorno's cultural centre.
Cisternoni
Cisternoni are not peculiar to Livorno; they have been constructed from Roman times in many other locations in Italy. Most notably in Albano Laziale in the 3rd century AD, and Spasiano in Sorrento. Both of these examples, like the comparatively new Gran Conserva, are today still in use. Like their earlier counterparts the Cisternoni of Livorno are today places of public interest.
Source: https://en.wikipedia.org/wiki/
Cisternoni_of_Livorno#Acquedotto_Leopoldino
Text is available under Creative Commons Attribution-ShareAlike 3.0
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Christian Frederik August Tuxen (født 12. oktober 1797 i København, død 27. november 1850 sammesteds) var en dansk major. Ved folketingsvalget 1849 stillede han op i Københavns 8. kreds, men tabte valget til P.F. Lunde. Han blev valgt til Folketinget ved et suppleringsvalg i Holbæk Amts 4. kreds (Kalundborgkredsen) som blev holdt efter folketingsmedlem Povel Povelsens død. Tuxen indtrådte i Folketinget 28. maj 1850, men døde 27. november samme år. Christian Tuxen var far til den senere krigsminister C.F.F.E. Tuxen.

Referencer

Folketingsmedlemmer i 1850'erne


text: Q: Yarn How to Specify Install Path for a Package I migrated from bower away and now my dev dependencies are in node_modules/ while my prod dependencies are in node_modules/@bower_components/. This is good because I can easily grab all the front end dependencies in gulp with node_modules/@bower_components/**/*. Now I want to install new "bower" packages and I also want them appear in node_modules/@bower_components/ but they are installed into node_modules/. I tried to use yarn add <package> --modules-folder node_modules/@bower_components but this moves all my packages into the subfolder.


To keep everyone informed, Friends of Rural Communities and the Environment (FORCE), is starting a monthly newsletter. Each newsletter will have information regarding the efforts of FORCE and the community in their fight against the quarry, proposed for Concession 11, between Milburough Line and Centre Road.
FORCE has hired a lawyer who specializes in environmental issues. FORCE has also hired experts in the areas of water and the environment.
Lowndes Holdings Corp. (now St Marys Cement Group CBM) has not yet applied to the city or the province for the appropriate bylaw changes and licences required to establish a quarry.
"If we run your well dry we will have an action plan to remedy that situation. That will entail trucking water into the well or bottled water or a combination of both. It could entail drilling somebody's well deeper."
This is not an acceptable solution. Most residents have enjoyed abundant, clean well water in this area for many years. Most would agree that having trucks come up their driveway to deliver bottled water and / or fill cisterns every few days is not an option.
Look forward to FORCE "E-mail" monthly Newsletters.
Aerial photos of the Lowndes Holdings Corp. property as well as the Flamborough Lafarge Quarry and the Milton Dufferin Quarry. Click here to view the photos.
Tuesday, August 3, 2004 - Hamilton Spectator Article - "Quarry plan angers Carlisle"
A landowner wants to open a gravel pit that would send hundreds of trucks rumbling down Carlisle roads daily. Nearby residents who cherish the area for its rural character say they'll fight the plan that would send 30 trucks an hour rumbling past their homes. Read the full article.


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Art in Situ
Rachel Burgess's temporary studio in her basement.
Rachel Burgess at the South Bend Museum of Art
June 1 – December 27, 2020
The mentality of the nation shifted during the week of March 13, 2020. That week, the respiratory illness, COVID-19 Novel Coronavirus, went from being something concerning to something alarming as the United States declared a national state of emergency. If we weren't seeing things differently already (doorknobs, handshakes, water fountains, etc.), we did then.
The South Bend Museum of Art closed its doors due to the pandemic on March 16. At the same time, doors were shutting all across the country to help prevent the spread of the virus. Stay-at-home orders were issued by governors and people began to wait.
During this time SBMA staff discussed many strategies for furthering the museum's mission virtually. The idea for Making A Way — SBMA's first online exhibition — grew from these conversations. We saw it as an opportunity to assist artists through exposure to their work while also presenting the public with an art experience from within the safety of their homes. Most importantly, we wanted to share the stories of artists — how the Coronavirus and imposed restrictions had affected their lives and their work. In the end, we hoped the exhibition would also be a way to connect people through visual art as expressions of a shared experience during a time when what is safest is to stay apart from one another.
As this exhibition is not bound to a physical space or ordinary logistics, it will release episodically, beginning with TOGETHER on June 1.
Burgess creating '5:00 am'
5:00 am, monotype, 7″ x 9″
ADAPTATION | June 8
Artists adapting to the loss of their regular work space, equipment or materials
Featuring artists: Andranik Aroutiounian, Pat Brentano, Rachel Burgess, Jennifer Celio, Joe Karlovec, Ken Reker, Shawn Rowe, and Amy Schissel
Click here to view the full list of participating artists.
rachel-burgess.com
Follow Rachel on Instagram here.
Prev: Francie Hester in 'VIRTUAL VOLTA' #1
Next: Angela A'Court in LBIF's Works on Paper Juried Exhibition
46 West 90th Street, 2nd floor, New York, NY 10024
Gallery Hours: Monday-Friday, 11am-5pm and by appointment


Montana Bird Hunts outfits a guided wingshooting trip for wild upland birds. Huns, grouse (sharptail, sage, blue and ruffed) and pheasant are available on our hunts. I also guide wingshooting trips in Arizona for Gambel's, Mearns' and scaled quail. If you are looking to hunt wild upland birds on the Montana prairie or wild quail in the desert grasslands of Arizona, I will do my best to put a great hunt together for you.
Dennis Kavanagh has been bird hunting over pointing dogs for over 30 years. He grew up in Michigan hunting ruffed grouse, woodcock and pheasant.
Dennis started his Montana outfitting business for fly-fishing in 1982 and his bird hunting business in 1987. In 1994 Dennis added guided Arizona quail hunts to his operation.
Outfitting is a year-round business for Dennis. Making sure that his clients are enjoying their hunt is of paramount importance. "After all", Dennis says, "I want my hunters to have a great time. And I want them to come back and hunt with us again next year."