Using augmented reality, Frame It On The Wall allows you to design framed pictures, hang the framed pictures on one or more virtual walls in a scene and create additional scenes in one or more galleries all done in the environment where the pictures are to be displayed.
Framed pictures, walls and scenes can be copied between galleries and scenes allowing rapid creation of alternant designs and reuse of previous ones. Because your design is done on vitrual walls, scenes can be quickly reused other locations and are not limited to the original location.
It's almost like magic, the way augmented reality integrates computer imagery with the camera's view of the scene in realtime so that imagery and scene move together as one. Of course it's not magic, but it's still amazing. Your device is analyzing the video stream coming from the camera and discovering the 3D structure in that video stream. Simultaneously, it's also creating the 3D graphics imagery and merging that virtual world into the real world video stream.
Your device can do almost all of this on its own, except it needs your help to tie the virtual 3D graphics world to the camera video stream world. In Frame It On My Wall, you provide that help when you locate the floor and a place where the floor joins a wall.
When you start the app for the first time, it will ask for permission to use the camera which is required for augmented reality. It will also ask to use location services. When you build a gallery in augmented reality, you do so faceing in a particular direction. For example, if you are designing a gallery on the north wall, you are facing north. When the gallery scene is saved, its position is saved relative to the camera. With location services enabled, the orientation relative to the camera is saved so that if you return to the same position but open the gallery scene while the camera points south, the north gallery wall will be behind the camera.
When you start the app the first time, it must find a horizontal reference plane, probably the floor because all walls rest on this surface and because pictures are hung on a wall at a specific heights above this reference. Table tops, counters and shelves are alternative horizontal references. Frame It On The Wall will report the position of framed pictures above chosen horizontal surface. You will go through this same locate floor-wall join process when you create new galleries and scenes or when you restart the app with location services turned off.
To find the floor, hold your iPhone or iPad angled towards the floor one to two feet above it and shift it left and right as you also move it steadily toward the wall. Moving horizontally left and right gives the device the left and right views it uses to gauge distances. Jerky or fast motion creates blurred images that generate poor distance estimate.
You move the device left and right by horizontally rocking your body to the left and then to the right or by smoothly translating the device to the left and right with your arms. Twisting your body left and right rotates the camera which is not as effective at providing the parallax needed for distance measurement. Horizontal rocking works best, because your head and device move together so it is easier to view the screen.
A gray rectangle should appear. If location services are on, a compass will appear on the gray rectangle. The arrow points to true north.
Augmented reality thrives on light. It definitely works best in a brightly lit area.
If a gray rectangle doesn't appear within 10 seconds or the compass is not pointing to true north, tap the circular "restart augmented reality" button in the upper right hand corner. A yellow rectangular sight appears in the center of the display device once the floor is recognized.
Move the camera so that the sight is over a gray rectangle on the floor and the yellow sight flashes green to show that it is ready. Next, point the camera so the sight center is at the floor and wall join and tap once. In a new scene, a green mesh appears that shows the virtual wall. When continuing work, the most recently used scene reappers.
Drag and rotate the scene until bottom edge of a green screen or wall lies along the floor and wall join. You drag or rotate an entire scene by touches that are outside any wall.
The distance reported in the bottom center of a wall is the distance in feet from the camera to the bottom center of the wall. If the distance is wrong, tap the circular reset button in the upper right and reaquire the 3D information.
"A towel is about the most massively useful thing an interstellar hitchhiker can have," says the Hitchhiker's Guide to the Galaxy. It can be equally useful for augmented reality adventurers. Floors are often very smooth and dark. Augmented reality uses parallax to find distances and smooth, dark surfaces provide neither the structure nor the light for it to work well. A textured white terry cloth hand towel dropped in front of your feet can dramatically decrease floor discovery time.
Surprisingly, at this point you should probably tap the pause button (||) in the upper righthand corner, especially if you are a new user of the app. Pausing takes a 3D snapshot of the current real world view and "freezes" that reality so that the real scene no longer changes as you move your device, but you still have full freedom to manipulate the walls and framed pictures that augment the real scene.
With "reality frozen", you no longer have to hold your device up towards the wall. Instead you can sit in a comfortable chair at a desk and design the gallery scene as though you were still at the place where you froze reality. When you are ready to view the scene again, return to the location where the scene was frozen, tap the circular restart button in the upper right hand corner and repeat the steps for placing the wall at the floor and wall join. Incidentally, you've seen this kind of effect in movies and TV shows where time is stopped while the protagonist moves through the scene.
Each gallery scene in Frame It On My Wall hangs framed pictures on one or more virtual walls. This means that each gallery scene can be reused in different locations with minimal effort. Layouts from one gallery or gallery scene can be easily copied into a new gallery scene where only the walls may need to be moved to match the new scene.
When the wall appears, G≣, S≣ and W≣ buttons appear in the lower left corner to show that you are in the managing galleries mode. When these buttons appear, you can manage galleries (G≣), scenes (S≣) and walls (W≣). In this mode, you can also move or alter walls, but you cannot move or alter frames.
Touch one of these buttons and a menu pops up with action items. W≣ menu actions apply to selected walls.
When managing galleries, any wall that is not colored (i.e. its color is "none") is shown as a wire mesh. If the mesh is green, the wall is selected. If the mesh is red, the wall is not selected.
You select a wall with a one-finger tap. The selected wall does not change, but all other walls are deselected and they change to display a red wire mesh.
You add a wall to a selection with a two-finger tap. Tap the background to select all walls.
A one-finger drag moves selected walls.
A two-finger rotate gesture rotates selected walls around the center of the selected walls.
When all walls in the scene are selected, the two-finger rotate gesture rotates the scene about a center marked with an orange sphere. You can control where the orange sphere is located with a three-finger gesture. A three-finger long-touch moves the orange sphere to the center of the selected walls. If you wish to rotate around a single wall, tap that wall to select it, then rest three-fingers on the display until the orange sphere jumps to the bottom center of the selected wall.
Depending on the direction of the pinch, a two-finger pinch changes either the width or height of selected walls. You can also change the width with the Width item on the W≣ menu.
Double-tap the display to switch from managing galleries (G≣, S≣ and W≣) to manipulating frames mode. A row of buttons appears along the bottom for choosing pictures, frame size, frame face, frame color, mat window size, mat color and sharing.
Buttons act on selected frames. One-finger tap a frame to select it. Two-finger tap a frame to extend the selection.
To position a frame, simply drag it. As you drag, the wall switches to a wire mesh to help you position the frame relative to other frames.
You can reposition the entire scene by dragging on the background. This is convenient when you need to examine a detail up close. Simply pull the scene toward you, examine the detail, then push it back into place. Since the scene moves as a whole, you don't have to worry about accidentally repositioning some of the walls as you would when managing galleries.
Just as you can drag the whole scene, you can rotate it with a two-finger rotate gesture on the background. The rotation is around the center defined by the orange sphere as it appears when managing galleries.
You add a new frame to a wall with the (+) button. When more than one wall is present, you are asked to pick a wall for the new frame.
A double-tap switches between managing galleries and manipulating frames modes.
Double-tap also dismisses color pickers.
With the bottom button row displayed, tap on a frame and you select it and all the other frames are dimmed. Tap outside any frame and you select all frames.
Selection matters because buttons, rotation and dragging affect selected frames.
When you want to select a single framed picture, tap with one finger. When you want to select more than one, tap additional frames with two fingers at the same time. A two-finger tap is different from tapping twice with one finger.
Flip between horizontal and vertical frame orientations with the two-finger rotate gesture. For example, place your thumb and fore finger on a framed picture and move them in a clockwise or anti-clockwise rotation. All selected frames flip and mat window sizes change once the gesture ends and the rotation is greater than 30 degrees.
Don't panic. Frame It On My Wall has a many level deep undo capability. If you suddenly realize that you had all the frames selected when you picked a new picture or changed a frame color, don't panic. Simply undo the goof.
The undo button is the counter-clockwise pointing arrow on the right side of the screen. The redo button is the clockwise pointing arrow above the undo button. Undo is backwards in time, redo is forward in time.
When menus contain too many items to fit on a screen, the menu list can be scrolled to see the rest of the items.
Tapping the question mark in Frame It On My Wall brings you to this page of helpful tips by opening your web browser. Help is accessed at tips.FrameItOnMyWall.com.
The plus button (+) adds a copy of a selected frame to the wall.
Created too many frames? To delete selected frames, tap the meshing gears icon in the lower right corner of the screen. A menu pops up containing a Delete item. Tap Delete and the framed pictures will be removed. Delete is undoable, of course.
Managing galleries mode menus allow you to clear walls and scenes at once.
Once you have a framed arrangement you like, press the share sheet button in the lower right hand corner. Your screen will flash as it captures your scene. Choose where you want to save your scene. Sharing to the Notes or Mail apps adds a report to the capture image.
After you've saved a scence, try some variations by changing the current scene or by creating new scenes. Later on, refer to your reports saved to Notes when you work with clients or shop for frames and mats in a store or online.
An archive is a Frame It On My Wall data package that can be saved to the Files app or shared to Notes, Mail and Messages. To create a backup, tap the Archive menu item on the Gallery or Scene menu. Restore any archive later on from the Restore archive item on the Gallery menu. Each archive includes copies of any framed photos in that Gallery or Scene.
Once a project is complete, archive its gallery or scene and then delete that gallery or scene to keep only active projects in the app.
Besides backups, you use archives to share a scene or gallery with other app users or with support. You also use archives to transfer scenes and galleries to your other iPhones and iPads with the Files app via iCloud."
From the Gallery menu, choose New Gallery and name it Templates. Switch to a different gallery and layout frames in a design. Copy that design to a scene in the Templates gallery. If you have photos in the design, switch to the copied scene in the Templates gallery, while all frames are selected and tap the (...) button and then tap Remove photo. Afterwards, the scene contains frames without pictures. Later you quick start a new project by copying a template to the project gallery.
To work with Lightroom mobile, simply open the photos you are interested in using and tap the share icon to save the photos to the camera roll. Then in Frame It On My Wall add the photos from the camera roll to its frame. After you have finished the framing project, you may delete the photos from the camera roll. Frame It On My Wall maintains a local copy of the image on your device as long as the image is used any picture frame.
You don't need a real wall to hang pictures. Pictures will hang wherever you place the virtual walls, even outdoors.
Understanding window sizes is important because frames and mats are sold in stores by window size. You will think of the window as the opening in the frame or mat and you may be surprised to learn that this opening is smaller than the window size.
Frames are sized by what they hold inside. This size is called the frame window size. Frames hold the materials by overlapping each edge of the material by about 0.25". As a result, the "hole" is smaller than the window size by at least 0.5" in width and height. For example, a 36x24" frame will hold a 36x24" sheet of glass as well as 36x24" mat boards. But the visible portion of any framed art will be only about 35.5x23.5". Frame windows are frequently called openings and their size is called the opening size.
Mats are sized by both their outside dimension and the size of the window cut into the mat. The mat's outside dimension tells you what size frame to use with the mat. For example, a 36x24" mat fits a 36x24" frame. So that's easy.
Mat windows are sized by the smallest print that the mat can hold in the window. This size is called the mat window size. To hold a print well, a mat needs to overlap the print by about 0.25" on each edge. As a result, the portion of the print that is visible is smaller than the mat window size by about 0.5" in width and height. A mat can hold pictures larger than the mat window size.
To create a custom window size, tap the Custom... menu item at the bottom of the frame or mat window size menu. Custom sizes that you create are stored with the frame in the scene. When the app is started all frames are scanned for custom size and if found, the custom size is added to the appropriate frame or mat menu. If you create custom sizes that you do not use in any frame, the sizes will automatically disappear when the app is relaunched after a force quit.
Frame custom window sizes can be no larger than 99.9 inches in either dimension. Mat custom window sizes can be no larger than the longest frame window dimension.
The frame face width is the width of the material making up the front sides of the frame. The overall or outside size of a framed picture is the frame size with the face widths added and the overlaps subtracted.
For example a 36x24" frame with 2" face width has an approximate overall size of 39.5x27.5".
Wide face widths tend to work better with larger art and narrow face widths tend to work better with smaller art work. As a starting guide, choose a face width between 1/10 and 1/4 of the length of the shortest side. For example, 18x24" art generally works best with face widths between 2" and 4 1/2". On the other hand, a starting face width for an 8x10" image would be 3/4" to 1 1/4".
If a face width is too wide, the frame will dominate the art and draw to much attention. If it is too narrow, the art will appear to be too large and the result will appear unbalanced.
With version 3.2, you can also set custom face widths. The Custom... menu item is found at the bottom of the Face width menu.
Mats with windows that have top, bottom and sides all the same size are called even border mats.Mats with top and bottom borders the same size but the side borders a different size are called balanced border mats.Mats with side borders the same size, but the top and bottom borders are different sizes are called weighted border mats.
Many mat window sizes available in the app are not stocked in stores. This is especially true for colors other than white or black. Fortunately, mat boards are available without pre-cut windows and framing shops are happy to cut the windows to your size. Mats without windows are called mat blanks. Framing shops can also cut matboards to fit any frame up to about 40x30".
Long press on a picture frame pops up a menu with options for overmats, bottom weighting, mat core colors, keeping the photo aspect ratio, bevel color, overmat bevel color, liner size and face profile. This is the same menu that pops up when you tap the (...) button.
The number of frame styles is huge. One aspect of frame style is the shape profile of the frame's face. The shape profile is the outline of a frame's cross-section. With version 3.3, Frame It On My Wall supports flat, bevel, curve, round slope, reverse slope, triangle, step and stripe profiles. Frame profiles are chosen from the Frame profile item on the frame pop up menu (see above).
The word reverse used with a frame profile means that the outer edge of the frame is narrower than the inner edge.
Double matting uses two mats to frame the picture. The top mat or over mat has a larger window than the base or under mat. The portion of the under mat that shows is called the liner.
The inner substance that gives matboards their strength and thickness is called its core. Matboards are available with black, white or cream color cores. Cream cores are the most common and inexpensive type.
When a window is cut in a matboard it is cut at a 45° angle causing the window to be outlined with the color of the core. The outline is easily seen and it is a distinctive feature of a framed and matted picture.
To get rid of frames and mats set the frame face size to 0.00 and the mat material to "none". To mimic a canvas, set the frame face size to 0.03 and the mat material to "none".
Double-tap a framed photo to scale it up with a pinch out. Once scaled up, slide the photo inside its mat with a finger drag for a different crop.
With the phone pointed down and 1 to 2 feet above the floor in good light, allow a few seconds for the app to anchor its position and the focus square to flash green. Then stand, raise the camera to eye level and position the crosshair at the join between the floor and wall. Standing increases the accuracy of measurements more than 5 feet away.
With the crosshair at the floor and wall join, tap the screen. A virtual wall appears. While the virtual wall is dragged, it displays the distance from the camera to itself.
When the virtual wall is aligned with the floor and wall join, the distance shown while dragging should match the distance the camera is away from the wall. If you need to be really precise, use a tape measure to check that the reported distance matches the real world distance. If it doesn't, tap the reset button in the upper right corner and reposition the virtual wall.
With the crosshair at the floor and wall join, tap the screen. A green screen appears. While the wall is dragged, the green screen displays the distance from the camera to the wall.
When the green screen is aligned with the floor and wall join, the distance shown while dragging should match the distance the camera is away from the wall. If you need to be really precise, use a tape measure to check that the reported distance matches the real world distance. If it doesn't, tap the reset button in the upper right corner and reposition the green screen.
Distances and sizes measured with augmented reality are amazing close to measured values considering the technology used. However, they are not exact. Good results require 3-9 seconds for the software to acquire anchor points and to identify the location of the floor. The floor must have some texture to it and the room must be well lit. Initially, the camera should be pointed down and close to the floor. Once the floor is detected, gradually tilt the camera towards wall.
A report is included when a scene is shared to Mail or Notes. Each report includes the sizes, colors and picture information for all of the frames in that scene as well as a photo of the scene including the frames. Sharing to Notes is a great way to keep track of your design process. When you share to Notes or Mail, you can add extra information.
When you are just interested in reading the report, share to Notes, read the report and then cancel the share.
To appear undistorted, a framed picture must (1) be in the center of the screen and (2) be on a virtual wall that is perpendicular to the camera. The iPhone and iPad use a wide angle lens that exaggerates perspective especially near the edges of screen. Any tilt of the iPhone or iPad can have a strong effect on the shape of the frame.
All sizes are in Imperial inches and feet. These sizes match sizes commonly used in the US.
Metric users may find that many of the sizes are close enough to metric sizes to be useful or that specifying custom sizes in inches converted from metric sizes is a practical work around.
The Custom... menu item is found at the bottom of the frame and mat window size menus.
An inexpensive tripod can be used well to hold your iPhone or iPad vertical. It may make it easier to explore many more arrangement and framing choices. We use a Grifiti Nootle attached to a cheap tripod to hold the iPad at picture height. Note that augmented reality requires some left<->right motion to maintain its 3D information. If your device is on a tripod, you will need to provide that horizontal motion occassionally.
Artists may find that placing their device on an easel works well.
Since its introductions in version 2.5, the "freeze reality" pause button (||) allows detailed design work after initial placement without holding the device up. We find that woring in "frozen reality" is often preferrable and less fatiguing than using a tripod.
Just below the restart augmented reality button in the upper right corner is a pause button (||). Tap the button and augmented reality is frozen with the last view locked on the screen. Pressing the restart button resets the augmented reality and starts a new session.
Pausing reality is used when you have set the scene initially, and need to refine it while working in a different place.
While reality is frozen, you can both create new scenes with that frozen reality as a background and switch to other scenes. This makes it easy to explore alternative frame arrangements.
When making changes to colors and mat windows on an iPhone, a bigger image is helpful. To zoom in, either walk closer to the pictures or drag the pictures closer to you.
If you are considering art that is already in a stock frame, photograph it with your phone. Be careful to line up in front of the art so that the frame is not distorted. Then crop the photo so it just fits the frame. Finally, in the app choose a frame width of 0.0 and a mat size of 'none'.
Choosing the right mat enhances a picture. Common choices are really light or very dark colors. Nearly black mats make vibrant photos pop. Light mats that match the wall color tend to make a picture float.
If you use a light mat, it should be a tone darker than the lightest area in the picture so that the picture's light areas appear even lighter. The gives the picture more apparent brightness depth or "pop".
If you use a dark mat, it should be a tone lighter than the darkest area of the picture so that the picture's dark areas appear even darker giving the picture more "pop".
Mat and overmat material menus highlight in green mat material items that are closest to the average of the 20% darkest colors, the average of the 60% middle colors and the average of the 20% lightest colors. You should regard the highligted colors as useful suggestions for mat colors. The mat color that works best for your image and frame combination is likely to be similar to the menu items that are highlighted in green.
The colors in menu items are those that are close matches to frame and mat colors that are available in stores.
If you wish to explore other color possibilities, choose the item Custom colors... to popup a hue, saturation and brightness color picker containing thousands of colors. As you slide through the color picker's grid of hue and brightness, or slide its saturation, or tap and drag about the scene, the frame or mat quickly changes to the color under the touch. When the color picker is closed, the last custom color is saved with the frame or object and will appear as an item in the menu in the future. When the app is opened, any custom colors saved in any framed picture in the library of galleries will appear in the appropriate menu.
The custom color picker picks up the color on the screen that is under the touch point and applies it to selected walls, frames and mats. The resulting color of the wall, frame and mat will probably appear to be somewhat different from the color touched because walls, frames and mats use different materials that absorb and reflect light differently. In addition, the scene lighting also affects colors. When you touch a color, the picker grabs the color as it appears on the device. The grabbed color includes the original color plus material and lighting influences. This modified color is then applied to selected walls, frames and mats. As a result, if you are choosing colors for a frame by touching the frame, its color will change every time you touch it. You compensate for these changes by tweaking the color picker hue and brightness grid or its saturation slider.
When trying to match colors so that all walls, frames or mats have the same color, choose the same color item on the wall, frame or mat color menu.
The colors used in the app have been measured from commercially available frames and mats. However, colors you see on the screen will not exactly match the colors you see when you hang your real framed picture.
There are many reasons for this. For example, light varies in color throughout the day. Mat and frame colors differ slightly from manufacturing run to manufacturing run. Mats and frames, like all colored objects, fade over time so old stock can be different in color from new stock. Glazing can have slightly different tints or can be slightly diffuse. Details of textures and reflections not present in the augmented reality view will affect the appearance of the real framed picture.
Frame It On My Wall does not handle bright reflections off any picture glazing. For long life, art as a rule should not be hung opposite bright lights or windows.
Color fidelity also depends upon your iPhone or iPad settings. For example, night shift has a huge impact and should be turned off when using the app. True tone may also affect your results and it is worthwhile to try it both on and off.
Regardless of these differences, we have discovered beautiful color, size and arrangement combinations that we would not have found without Frame It On My Wall.
Mat color choices with gray backgrounds have uneven borders. The widths of the vertical and horizontal mat borders are different. These choices are bottom weighted when the side size is smaller than the evenly distributed top size.
When you end Frame It On My Wall, the walls and framed pictures are saved so that they reappear when you quit and then reopen the app. All you have to do is reposition the wall in the new location and all of the pictures appear in the same relative position in the new location.
With the flexibility of the virtual walls, photographers and designers can create an arrangement in one location like a studio and then take the arrangement to the customer for on location approval or adjustments.
When another app comes to the fore in iOS, Frame It On My Wall is pushed into background mode behind the foremost app. While in background mode, Apple's augment reality does not receive updates on the location and orientation of your device. When you bring Frame It On My Wall to the fore, it attempts to use the last known positions to resume augmented reality tracking.
If the device has moved very little during the time the app was in the background, tracking may resume successfully and results can remain accurate. Unfortunately tracking sometimes resumes and sifts the scene so it is no longer aligned with the augmented reality. If that is the case, tap the circular reset augmented reality button in the upper righthand corner. In rare cases, sudden movements or very large changes in device position and orientation require the app to be restarted to reacquire scene and augmented reality tracking sync. Since the app automatically saves its data when it is pushed into background mode, you should lose no data if you have to force quit and then start the app after it is in background mode.
With all frames selected, any change affects all. Pick a photo from the library with all frames selected and every frame fills with that photo making it easy to compare the photo in with different mats and orientations. Pick a frame material or mat material with all frames selected and the framing and mat colors are set the same. Undo will come in handy when exploring possibilities.
Frame It On The Wall works well with either, but each has its advantages. An iPhone is easier to hold and move around while the iPad provides more detail and with its larger size, a better design and viewing experience. With the introduction of the ability to freeze reality in version 2.5, designing with the iPad Pro 12.9 is a pleasure. Frozen reality is especially helpful when laying out pictures after initial placement of the walls.
The app was developed on both an iPhone 6s and an iPad Pro 12.9 (2017). Performance on the iPhone 6s is satisfactory, but the larger screen of an AR capable iPad is very useful. With the files app in iOS 11, you can transfer gallery archives between devices allowing you to continue work on either your iPhone or iPad.
Both landscape (horizontal) and portrait (vertical) orientation of your iPhone or iPad are supported but only in the orientation where the camera is at the top. This means that the home button is at the bottom in portrait orientation or at the right in landscape orientation.
Augmented reality works better in this app with the camera at the top.
When you're ready to frame, don't forget to take both your art work and the examples you chose from your camera roll. You'll want to work with a framer and real frame and mat corners to get the best result.
Augmented reality depends upon cameras, display screens, distance sensing technology, color balancing, lighting, 3D modeling and software. As a result, you should expect that what you see framed on the screen is close to, but not exactly the same as what you will see in reality with the final framed picture on your wall.
Frame It On My Wall is intended to help you explore and narrow your choices. The the final choice is yours. It should be based on your own examination of the chosen materials in appropriate lighting and confirmed measurements prior to framing and hanging.
Frame It On My Wall has an in app settings dialog that allows you to change the way the app behaves. If you find the app is behaving differently than you expect, check the settings to verify that they are set as you expect.
Turn off "Use true north orientation"
Frame It On My Wall uses the magnetic compass in your device to orient the AR coordinate system to point toward true north. Unfortunately, some locations keep the compass from finding true north. For example working in a steel frame building can shield the earth's magnetic field. Working very close to a magnet, electric motor or computer can also confuse the compass. Even using a case for your device that contains magnets sometimes causes problems.
If you discover that the Frame It On My Wall compass emblem points in the wrong direction or jumps around weirdly, turn off the "Use true north orientation" in the app settings and restart the app. After the restart, the orientation of the coordinate system and the position of gallery walls will depend upon the orientation of your device when the app is started up.
This message sometimes appears when location services are enabled to locate true north or when the camera lens is covered. Location services can fail if your device's compass has not been calibrated after an iOS restart. It can also fail if your device is too close to a laptop, iPad or other device with stong magnetic fields especially when starting the app. Your device should be a foot or more away fron magnetic devices. You may need to remove a device case that has magnets. Magnets can really confuse a compass.
Option 1: To recover tap the Reset button and move the device around to callibrate the compass.
Option 2: To recover from this error, force quit the app and power your device off then on.
Option 3: To recover from this error, force quit the app, disable location services for the app, and start the app. With the app running, enable location services for the app then tap the circular restart experience button in the upper right corner.
Option 4: Disable location services and use the app without location services.
The five framed photos of Yosemite National Park can be found at GeorgePurvisPhotography.com.
Frame It On My Wall does not collect personal information or directly access the internet. It does require you to give it permission to access your phone's camera and photo library. The camera is required to implement augmented reality. Access to your photo library is required to provide pictures for framing and to save snapshots of the augmented reality scene.
All data is stored locally on your device until you choose to share it via the standard share sheet. Among other things, access to the share sheet means that you can store data in iCloud and retrieve data from iCloud via the Files app. Help information is accessed at tips.FrameItOnMyWall.com using your default browser app which is typically Safari.
October 31, 2018: Version 3.5.9 adds "Use true north orientation" to the in-app settings dialog.
October 26, 2018: Version 3.5.8 fixes an issue where menus displayed incorrectly in landscape orientation on a plus sized iPhone.
September 26, 2018: Version 3.5.5 adds a More Actions button (…) at the end of the bottom button row that pops up the same menu as a long press on a framed picture. Exchanges the position of the copy-paste-delete meshing gears button with the pick image button to provide a more logical left to right counterclockwise workflow. Removes an issue where frame width adjustments of fluted frames caused the side lengths to be wrong.
September 21, 2018: Version 3.5.4 Adds a More Actions button (…) at the end of the bottom button row that pops up the same menu as a long press on a framed picture. Exchanges the position of the copy-paste-delete meshing gears button with the pick image button to provide a more logical left to right counterclockwise workflow. Removes an issue where frame width adjustments of fluted frames caused the side lengths to be wrong.
It also fixes an issue where setting the size of the wall when creating a new wall sometimes failed to apply the meter-To-Feet-Conversion correctly causing walls to be unexpectedly narrow. Walls that cover pictures block selection, dragging and rotation. Now, when manipulating pictures, clear or invisible walls no longer block selection, dragging and rotation. Now when dragging selected framed pictures, only the ones that move are those on the same wall as the framed picture touched at the start of the drag.
September 14, 2018: Version 3.5.2 adds copy and paste of framed pictures in a new meshing gears button on the screen left. Improves handling of 'canvas' and 'none' frame faces. Fixes a bug where Copy wall would not work if all walls in a scene were selected (even in scenes with just 1 wall). Fixes a bug where manipulating pictures state did not allow gesture drag and rotate movement of walls if no framed picture was in the scene. Improves performance and reduces relocalizing events.
September 11, 2018: Version 3.5.2 adds lighting slider to adjust light on augmented framed pictures and walls. The lighting slider is shown or hidden from the Settings control panel. When multiple framed pictures are selected, all selected sizes are checked on the frame and mat window size menus. Fixes a rare bug where framed pictures would jump 0.66 m in front of their wall when frame thickness was missing. Sorts color menus in increasing 'L' using the Lab color rather than the HSL color. Adds a new 'Brighten buttons' setting. Speeds up changes in Settings and framed picture customizations. Disables menu items and buttons that depend on mat being visible.
September 5, 2018: Version 3.5.1 fixes a rare crash caused when a exactly black color with rgb = (0,0,0) was selected with dynamic color picker. Adjusts light intensity for compatibility with iOS 12. Removes slight greenish color cast caused by environmental lighting map tint.
August 24, 2018: Version 3.5.0 The pause button (||) now changes to a run button (|>) when tapped. Tapping the run button reruns the AR session and uses relocalization to restore the world coordinate system. By contrast the restart button reinitializes the AR session and removes all previous tracking information. Restarting requires a search for the floor. Use the restart button when the run button is ineffective.
3.5.0 also (1) requests permission to use location services to maintain scene orientation relative to true north; (2) displays a compass emblem pointing to true north on the floor patch when location services are available; (3) eliminates the required search for the floor-wall join when an existing scene is loaded. The floor-wall join search is now only required on initial app installation. Note: existing scenes are loaded relative to the initial camera position when the app was started and true north. Upon upgrading, you should expect to reposition scenes because of these changes. On load, scenes may be left, right or behind the initial camera orientation.
July 5, 2018: Version 3.4.3 fixes the add frame (+) bug, changes frame material items "gold" and "silver" to "gold metal" and "silver metal" and corrects a problem where choosing "gold" or "silver" frame materials caused all other material colors to change their frame surface to metal.
June 25, 2018: Version 3.4.2 adds performance improvements on most framed picture changes. The Delete item on the framed picture popup now deletes all selected framed pictures. Framed picture popup menu items now base suggested menu items and current status on the framed picture that initiated the popup. Finally, the release fixes a crash caused by the Cancel button in the custom color selection dialog when Cancel was pressed before any color was selected.
June 18, 2018: Version 3.4.1 adds mat and overmat surfaces: burlap, canvas, rough and smooth. Frame surfaces added: metal, smooth, metal, oak, fine wood, gloss and rough wood. New frame profiles for fluted, reverse step and reeded frames. Drag and drop pictures directly from Photos and Lightroom onto a scene. Share jpegs from apps via the new share sheet extension. Based on the darkest, mid and lightest image colors, mat colors are now suggested with green highlighting.
May 23, 2018: Version 3.2.0 adds enhanced frame styles and colors including textures and improved physically based rendering. Previous versions added multiple walls per scene and custom hue, saturation and brightness color pickers for walls, frames, mats and overmats that can sample colors directly from the scene.


If you are interested in using your children's handwritten notes, please submit your request online and write "I will bring a handwritten note." Hopefully we can ask kids to write their messages on small paper (e.g., index cards). Then please bring your handwritten notes and paste them there during the week of the Teacher Appreciation Week.
We need several good group photos of teachers (for both Lower Division and Upper Division). Please send photos to tomonori.nagano gmail.com if you have good photos of our teachers/staff.


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Boulder Lifestyle Magazine is a monthly publication created exclusively for and about the residents of Boulder, CO. Our mission is simple – we hope to play a small role in helping the community flourish, by producing a magazine filled with news and special events taking place each month. One of the most exciting facets of our publication is that it truly belongs to the community. Not only is Boulder Lifestyle exclusively for and about the residents, it is the true pulse of what's happening and important to you.
Every month we highlight different articles such as family spotlight, home of the month and a business spotlight. We also inform you of the latest hot spots in the Boulder area. Special featured spotlights include the history of Boulder, students of the month, hometown heroes, and how the community of Boulder "pays it forward".


In order to obtain usage of a GCSD vehicle you must complete a transportation request form and the defensive driving test.
Requests for district vehicle transportation must be cleared through your Principal, the District Office and the Transportation Supervisor.
To avoid scheduling conflicts, a request must be turned in AT LEAST TWO WEEKS PROIR TO DEPARTURE DATE.
No vehicles will be released without proper approval.
watch Drivers Safety Video and take test on line.


Most of these tiny houses seem downright spacious compared to some of the truly tiny houses out there. While these matchbox homes might not be for everyone, the cozy spaces certainly prove that bigger isn't always better.
A lot of people want to get away from it all when they retire, but few have the luxury of having talented architect Alex Scott Porter as a daughter. Since retired journalist and professor of Columbia University Bruce Porter was so fortunate, he was able to work with his daughter to build this incredible 550 square foot cabin in Ragged Island, Maine.
The cabin not only looks great, but it's also totally off-the-grid and eco-friendly with a roof designed to feed in a rainwater collection tank, solar power, passive solar heating, gray-water recycling and a small propane tank for when the sun isn't out.
96 square feet doesn't sound like much, but when you see the photos of Robin Falck's lakeside cabin, you quickly realize that's all you need to feel at home in a stunning forest setting –especially one with such an incredible view. The two-story home in Finland took only two weeks to complete, required no permits and cost about $10,500.
When a tree fell on Nancy's property during a powerful storm, she took the opportunity to construct an in-law unit she had been thinking about for a while. She hired a logger to cut the tree into timber right on the spot and used the wood to construct a small, 450 square-foot cabin.
The house essentially uses a studio layout, but having the bed tucked away in its own nook makes it feel more spacious. And the fact that the full bathroom and laundry room are included in the small design makes it that much more appealing.
Where you live can play a major role in how you can design your home, based on local building ordinances. Marcus Barksdale is lucky enough to live in Asheville, North Carolina, which allows for houses as small as 150 square feet as long as they meet certain requirements –for example, every home must have a sink in the kitchen and the bathroom and each kitchen must be at least 50 square feet in size. Marcus' house ended up measuring 240 square feet, plus a loft area of 100 feet and the exterior and interior are equally cozy and charming.
Of course, sometimes you find yourself restricted based not on building codes, but on the actual land available. Mizuishi Architect Atelier was faced with such a challenge when it came to constructing the River Side House in Tokyo, Japan.
The end result is this delightfully clever design that takes up only 300 square feet. The lower story of the home features the dining and kitchen area, while the upper area contains two bedrooms, a living area and the loft at the peak of the roof even offers a small play space for children.


Child Custody issues in divorce or parental actions impact families significantly. Mary Chubb works with her clients in determining parenting plans. The best interest of the children is paramount. Legal Custody and Physical Custody and Visitation rights are explained and litigated when needed. Mary Chubb litigates in court Move-Aways when the custodial parent requests to move to another city, state or country and the non-custodial parent objects.
Child Support and Family Support based on the State of California Family Law Child Support Guideline is an essential aspect of the divorce or parentage proceedings. Mary Chubb excels in addressing expedient, beneficial child support needs.
Temporary and Permanent Spousal Support is addressed and vigorously pursued for the requesting spouse, as well as Termination and Step-Downs of Spousal Support for the supporting former spouse. Spousal Support is often called Alimony.


In its non-native locations, especially in coastal habitats, Colubrina asiatica aggressively outcompetes native vegetation. It is found, most often at the interface of uplands and submerged lands or between beach dune and maritime hammock. C. asiatica is also frequently found along elevated road shoulders in coastal areas, from where it can spread into adjacent natural areas. Plants grow rapidly in full sun. Its seeds are constantly dispersed at a rapid rate by ocean currents, and seed-eating birds may also ingest them as crop stones, producing a wider dispersal range. C. asiatica exhibits tremendous vegetative regeneration, including adventitious rooting from branches coming in contact with the soil and vigorous resprouting from cut or injured stems.
C. asiatica, a shrubby member of the buckthorn family (Rhamnaceae), is also called latherleaf because of its ability to produce a lather in water. It is a low shrub with long, climbing, or drooping branches that can reach 6m or more. The leaves are 0.05 to 0.1m long, egg-shaped, and easily recognised by their shiny, green upper surfaces and toothed edges. They are attached to stems by slender stalks and are arranged alternately along the branches. Flowers are clusters of small, greenish-white flowers at the junctures of leaf and stem. The fruits are small capsules, measuring less than 1.27cm across. At first green and fleshy, the capsules become dark brown with age. Each fruit contains three, tiny, grayish seeds (Jones, 1997).
Jones (1997) states that little is known about seed germination except that it requires loose soil and does not normally occur on exposed rock. Seeds are believed to retain their viability in the soil for at least several (3-5) years. Schultz (1992) reports that germination and growth rate of seedlings increases with the removal of the shading canopy. Seeds may remain viable after floating in saltwater for many months (Guppy 1906, Carlquist 1966, in Schultz, 1992).
C. asiatica leaves contain a useful saponin-like substance (Johnston 1971, in Schultz, 1992). In Hawai'i and elsewhere, the plant is used medicinally and its leaves have long been used for soap as they form a lather in water (Neal 1965, in Schultz, 1992).
Natural communities where C. asiatica is found include beach dunes (Long and Lakela 1976, Wunderlin 1982, in Schultz, 1992), coastal strands (Norma Jeanne Byrd pers. comm. 1992, in Schultz, 1992), maritime hammock (coastal forests) (Wunderlin 1982, Myers and Ewel 1990, in Schultz, 1992), tidal marshs (Jim Duquesnel pers. comm. 1992, in Schultz, 1992), and tidal mangrove swamps (Godfrey and Wooten 1981, Olmstead et al. 1981, Byrd 1992, in Schultz, 1992). It is most often found growing at the interface of uplands and submerged lands (Langeland 1990, in Schultz, 1992) or between beach dune and maritime hammock (Duquesnel 1992, in Schultz, 1992). Jones (1997) reports that it can invade both disturbed and undisturbed forest sites. Coastal hammocks are especially good habitats as they occur on flood-free sites created from the deposition of soils left by storms and tidal influences. Natural ridges or berms that have formed within inundated mangrove forests can also support C. asiatica. It is also frequently found along elevated road shoulders in coastal areas, from which it can spread into adjacent natural areas. Schultz (1992) states that plants grow rapidly in full sun.
Jones (1997) states that C. asiatica reproduces sexually and vegetatively. It exhibits tremendous vegetative regeneration, including adventitious rooting from branches coming in contact with the soil and vigorous resprouting from cut or injured stems. It has been reported that plants can flower and fruit within the first year of growth. Seedlings reach sexual maturity in about one year, and even young plants produce many seeds, so open areas around the plant are rapidly colonised (Duquesnel 1992, in Schultz, 1992). Solitary individuals are found only under two conditions: if they are too young to fruit or if they are growing in dense vegetation (Schultz, 1992).
It is believed to have been carried to Jamaica in the 1850s by East Asian immigrants, probably on account of its traditional uses (food, medicine, fish poison, and soap substitute) (Jones, 1997).It was introduced into the Caribbean Islands from Asia where it escaped from cultivation (Langeland 1990, in Schultz, 1992).
Recommended citation: Global Invasive Species Database (2019) Species profile: Colubrina asiatica. Downloaded from http://www.iucngisd.org/gisd/species.php?sc=371 on 19-04-2019.
Jones (1997) reports that C. asiatica produces a thick mat of tangled stems that can be several feet thick, impacting the underlying vegetation by growing on it or shading it out. Its occurrence in Florida's coastal tropical hardwood forests is of special concern due to the unique nature of this habitat and the rarity of some of its constituent plant species, including a number of Florida State-listed threatened and endangered species. Sites infested by C. asiatica experience a great reduction in biological diversity as very few plants (including the seedlings of the plant itself) can persist under these conditions. Hammocks comprised of native, tropical hardwoods and buttonwoods (Conocarpus erectus L.) are especially vulnerable. Impacts to natural areas include alterations to community composition and structure, diminishment of natural habitats for native wildlife, disruption of species relationships and interactions, and interference with ecological and geological processes such as water and nutrient cycling.
Jones (1997) reports that mechanical and chemical methods are the primary means of control.
\r\nPhysical: Seedlings and young plants, up to about 1.5m tall, may be hand-pulled as long as their root systems are small and can also be removed. Care should be taken not to disturb the soil any more than necessary.
\r\nChemical: The application of a 10% solution of triclopyr (e.g., Garlon 4) in a band around the base of the trunk (basal bark method) or application of a 50% solution of the same (e.g., Garlon 3A) on a freshly cut trunk (cut stump method) are the most effective ways to kill adult plants. The application of a 3% solution of triclopyr to the foliage (foliar application method) may be used if non-target vegetation in the immediate vicinity will not be impacted by herbicide drift. Because of the possibility of resprouting from the rooted portions of the plant, follow-up inspections and retreatments may be necessary for a year (if not longer) following the initial treatment. In addition, the long viability of seeds in the soil requires monitoring of treatment sites for several years after the initial treatment.
\r\nBiological: Schultz (1992) cites that biological control of C. Asiatica needs to be investigated. Apparently no research is currently underway or planned (Dan Austin, pers. Comm. 1992, Langeland 1990, in Schultz, 1992). However, because both the genus Colubrina and the family Rhamnaceae contain native species as well, biocontrol efforts directed at C. Asiatica should be approached cautiously.
Informations on Colubrina asiatica has been recorded for the following locations. Click on the name for additional informations.
Jones D. T. (1997) Asiatic Colubrina. National Park Service, Plant Conservation Alliance, Alien Plant Working Group.
Summary: Detailed report on description, distribution, habitat, reproduction methods and management.
Schultz G. E. (1992) Element Stewardship Abstract for Colubrina asiatica. The Nature Conservancy.


text:
Chorągiew piesza prywatna księcia Aleksandra Ludwika Radziwiłła – prywatna chorągiew piesza litewska I połowy XVII wieku, okresu wojen ze Szwedami i Rosją. Była to chorągiew autoramentu polskiego.

Szefem tej chorągwi był krajczy wielki litewski, Aleksander Ludwik Radziwiłł herbu Trąby. Żołnierze chorągwi wzięli udział w wojnie polsko-szwedzkiej 1626 – 1629.

Przypisy

Bibliografia

Radziwiłła, Aleksandra Ludwika

redpajama_set_name: RedPajamaWikipedia


Aztalan Engineering is making strides in 2014, and one important stride is the continuation of the Aztalan team focus group training sessions with Nalani Services. A focus group is a form of qualitative research with a group of people to connect, collaborate, and explore new ideas to an old problem. Common focus group topics may include uncovering opportunities relating to strategic planning, marketing, market diversification, or cultural initiatives to improve upon an existing solution.
(Lake Mills, WI) Aztalan Engineering has installed a new Tsugami SS32, a 32mm capacity Swiss lathe.
"We are continuing to acquire equipment for our Swiss turning cell to give us the capability to serve our customers from micro-machining up to 32mm parts that need the sophistication, speed, and precision of Swiss turning technology," explained Kirk Kussman, Aztalan Engineering's Sales & Marketing Director.
Aztalan Engineering announced the installation of a new Okuma Twin Star LT 2000 EX — Okuma's latest opposed Twin Spindle turning center in the 6-inch chuck class. The new equipment features two 16-station turrets with multifunction bolt-on tool holders for superior rigidity and live tooling on the Y axis. In addition, Okuma's Thermo-Friendly is a structurally designed, thermal deformation compensation system that provides astonishing machining accuracy.
(Lake Mills, WI) Aztalan Engineering, a leading manufacturer of precision machined parts and assemblies, announced that they have received their International Traffic in Arms Regulations (ITAR) Registration.
ITAR is a program directed by the US Department of State to regulate the export and import of U.S. military and defense-related equipment and information. Companies receiving this certification must have the knowledge and understanding to fully comply with ITAR regulations and demonstrate that they have implemented corporate procedures and controls to ensure compliance. The ITAR Registration means that Intec is able to fully support military and defense-related projects in the United States.


text:
Moldoveanu shoots his way to air rifle gold
London 2012 - Romanian shooter Alin George Moldoveanu won a titanic tussle with world number one Niccolo Campriani of Italy to claim gold in the men's 10m Air Rifle.
Moldoveanu held his nerve with a final shot of 10.3 to hold off his rival, who finished just 0.6 behind, while Gagan Narang won a bronze medal for India at the Royal Artillery Barracks.
10m air rifle (60 shots), London 2012, MOLDOVEANU, Alin George, Romania, Shooting, Men, Shooting,

redpajama_set_name: RedPajamaCommonCrawl


Delaware law allows members and partners of limited liability companies (LLCs) and limited partnerships (LPs) to waive the fiduciary duties of their management in their LLC or LP agreements. When an LLC or LP is insolvent, however, the residual claimants of the entity are its creditors, who, unlike members and partners, are generally not parties to the LLC or LP agreement and therefore have not agreed to waive any otherwise applicable duties. That raises the question: Are there insolvency "limits" to the effectiveness of waivers of fiduciary duties? When the LLC or LP is insolvent, are fiduciary duty waivers still operative, or may creditors of the entities assert (either directly or derivatively) breach of fiduciary claims to the extent management fails to exercise reasonable diligence in looking out for the interests of creditors or the enterprise more broadly?
The answers to these questions may depend on whether the insolvent LLC or LP is in bankruptcy. Accordingly, the filing of a bankruptcy case for an LLC or LP may alter the fiduciary duties owed by management.
Outside of bankruptcy, management of an insolvent Delaware LLC or LP that has waived all fiduciary duties in its operating agreement owes no fiduciary duties, even though the entity's residual beneficiaries (creditors) never agreed to the fiduciary duty waivers in the first place. And even if the entity has not waived all fiduciary duties, creditors of an LLC or an LP (unlike creditors of an insolvent corporation) do not have derivative standing to bring breach claims in that context. In other words, the shift from solvency to insolvency of a Delaware LLC or LP is not enough either to overcome the express fiduciary duty waiver or to provide creditor standing to sue.
Were the entity in bankruptcy, by contrast, even if the LLC or LP agreement disclaimed all fiduciary duties, management (whether a chapter 11 trustee or directors and officers of a debtor in possession) would nevertheless owe fiduciary duties to the estate, which includes creditors, during the bankruptcy. And creditors of the entity (or, at least, an official committee representing their interests) could most likely obtain derivative standing to assert claims for breaches of those duties (where the debtor itself unreasonably declined to assert the claims), at least when those alleged breaches occurred post-petition.


text:
require_relative "../../lib/redcli/application"
require 'minitest/autorun'
require 'pry'
require 'pry-debugger'
require 'vcr'

VCR.configure do |config|
  config.cassette_library_dir = "fixtures/vcr_cassettes"
  config.hook_into :fakeweb
end

class ApplicationTest < Minitest::Test

  def test_viewing_subreddit_links_and_quitting
    VCR.use_cassette("test") do
      stdout = StringIO.new
      stdin = StringIO.new("q\n")
      app = Redcli::Application.new(subreddit: 'test', stdout: stdout, stdin: stdin)
      app.run
      output = stdout.string.split("\n")
      assert_match /1\)/, output[1]
      assert_match /\(q\)uit/, output.last
    end
  end

  def test_viewing_a_subreddit_topic
    VCR.use_cassette("test") do
      stdout = StringIO.new
      stdin = StringIO.new("1\nq\n")
      app = Redcli::Application.new(subreddit: 'test', stdout: stdout, stdin: stdin)
      app.run
      last_line = stdout.string.split("\n").last
      assert_match /\(b\)ack/, last_line
      assert_match /\(q\)uit/, last_line
    end
  end

end

redpajama_set_name: RedPajamaGithub


text:
Q: Partitioning line items in SQL Server There are three values for column named custom_value, Viable, Non-Viable or none. I want to partition the Viable values because it can have multiple Viables. (To understand this Viable choice is just multiple forms of a paper to be approved for a process. A person can apply multiple times and be accepted multiple times).
Select *
From Sample.database.tbl_custom
Where ben_ID in ('568764','798426') AND ID = '123456'
Order By ID;

Create Partition Function viable_non_viable_line_items(char20)
--I am stuck with what should I do to partition off these multiple forms of a paper.

A: SQL Server partition supports a single column only as a Partition Key. If you want to support multiple columns in a Partition Key then you have to define the computed column first then apply the partitioning on that column.

A: CREATE PARTITION FUNCTION PF_VIALBILITY (CHAR(20))
AS RANGE LEFT
FOR VALUES ('Viable', 'Non-Viable' 'none')

To enforce the partitionning mechanism, add a CHECK constraint to the table as :
ALTER tbl_custom
   ADD CONSTRAINT CK_VIALBILITY
   CHECK (custom_value IN ('Viable', 'Non-Viable' 'none'));

redpajama_set_name: RedPajamaStackExchange


text:
Tag Archive: hearts
Did you spot the World Cup love hearts?
The World Cup was filled with some serious highs and some devastating lows – but that isn't all that had fans buzzing about the matches. The global football competition also saw lots of celebrations taking place among the players and other figures, from the French president dabbing with winning players to Cristiano Ronaldo scratching his beard.
Surely the most popular celebration so far has been the love heart – a simple hand gesture that more than a dozen footballers have made after scoring.
The love heart celebration
One notable player who has been seen making the gesture is Neymar, who celebrated his goal with a quick love heart gesture. Angel Di Maria was seen making the symbol after he scored against France in the last 16 minutes, and later in the same game, Benjamin Pavard did the exact same celebration when he scored for France, crowning them the …
Cup, hearts, love, spot, World


Summer BBQ at Tupper Manor. Kick off Beverly Homecoming 2018 with us at gorgeous Tupper Manor. We'll have lawn games, live music, a DJ, dancing, and a delicious summer bbq buffet.
All are welcome to join us, whether you are ending your week with us or just starting your weekend! Take in the gorgeous grounds at Tupper Manor. Rain or Shine.
Tickets for BBQ buffet: $22 for adults, $12 for children under 12 years old.


Page 333 - Empire-sc | Interior Ideas Bathroom Cabinets Ideas Designs. Bathroom Vanities With Makeup Vanity. Unique Backsplash Tile.
best home design ideas, like Bathroom Cabinets Ideas Designs. Bathroom Vanities With Makeup Vanity. Unique Backsplash Tile.


The Forestry Commission Benevolent Fund closed its doors for the last time yesterday, 28 February.
Staff from the Forestry Commission will continue to be eligible for help from The Charity for Civil Servants. The Charity offers a wide range of support, advice and financial help to all civil servants, past and present, with whatever problems they may have. This includes both past and current employees of the Forestry Commission.
To find out more about the help and advice from the Charity take a look through the website or speak to a trained advisor in confidence on 0800 056 2424.


The Asian elephant is the only type of elephant to live in Asia, and also the largest creature that lives on the continent. Asian elephants are an endangered species, and most people rarely get to see them in zoos, nevermind in the wild. However, if your travels take you to Chiang Mai, you can get up close and personal with these majestic animals, and interact with them personally, and not from behind a fence either. Chiang Mai's elephant sanctuary, the Elephant Nature Park, is one of the largest centers of this kind in the world. No matter how many cultural or historical sights you get to see in Chiang Mai, if you are traveling in the area a visit to Chiang Mai's elephant sanctuary is an absolute must if you love wildlife.
The 2000 acre sanctuary was created in the 1990's as a refuge for elephants from all over Thailand. The center's goal is to provide and safe and healthy environment for elephants that had lead a life of begging, hard physical labor or street performance. The center is the brainchild of Sangduen "Lek" Chailert, who founded the center near her small home village. Lek's childhood friendship with an elephant 'adopted' by her family inspired her to establish a refuge for distressed elephants. The valley in which the center is located provides a beautiful natural environment where the elephants can feel at home and can be cared for by staff and many volunteers. As opposed to other elephant parks, the over 30 elephants at the Elephant Nature Park are allowed to roam free and to form their own family groups, living in similar conditions as in the wild. Thanks to this innovative approach, the rehabilitation center won many well-deserved prizes.
As a visitor to the park, there are tons of activities that will allow you to bond with the elephants, not just see them from afar or merely ride them. Day tours allow you to hear the story of each elephant, to feed them, bathe them, watch them plays and play together with them. Since the tour includes pick up from your accommodation, no planning is necessary. If you want a deeper insight into the workings off the park, you can volunteer overnight and you will be taught all you wanted to know about elephants. The mahouts (elephant trainers) will give you a basic introduction to communicating with elephants. However, if you want to help out and you have time to spare, you can volunteer for as little time as a week. Volunteer jobs vary from basic tasks like bathing the elephants to areas that need some expertise, like healthcare. If you want to invest your time and skills in something important, then there's no better place than Chiang Mai's elephant sanctuary!


Did you know that our digital library store already holds over 11,500,000 items? That's over 280 terabytes of collection content, and more is added every day!
The Digital Preservation Unit in Collection Care provides guidance, advice and support for operational colleagues across the Library to ensure our digital collections are preserved efficiently and effectively. We are a small team with a big mission – our digital collections are growing day by day, and preservation actions must be implemented right throughout the lifecycle, from creation onwards, if we are to preserve authentic and understandable content.
Figure 2: Digitisation projects are increasing in frequency each year highlighting the need for preservation measures.
The Principles are designed to help ensure that preservation is considered in appropriate projects and initiatives regardless of whether or not the digital preservation unit is actively involved. Compliance checks will be initiated as part of a Collection care monitoring service. In coming months we will be working closely with other colleagues across the Library in defining appropriate and realistic policies, followed by requirements.
We'll post our progress to the blog in due course. Watch this space..!
Was just wondering how you backup the 280TB of data?
I'd be interested to know the existing and emerging standards regarding data back up, and time-frames on migration/ refreshing digital collections.
archives do? I expect the british library is fairly exceptional in that it is well resourced.


text:
Anna Burns (Belfast, 1962) es una escritora norirlandesa, ganadora del Premio Booker .

Biografía
Nació en Belfast y se crio en el distrito católico de clase trabajadora de Ardoyne. Asistió a la escuela secundaria de St Gemma's High School. En 1987, se trasladó a vivir a Londres. A partir de 2014, su residencia la fijó en East Sussex, en la costa sur de Inglaterra.

Trabajo
Su primera novela, No Bones, es un relato de la vida de una niña que creció en Belfast durante El Conflicto norirlandés . La familia desestructurada reflejada en la novela simboliza la situación política de Irlanda del Norte.  No Bones ganó en 2001 el Premio Winifred Holtby Memorial presentado por la Royal Society of Literature a la mejor novela regional del año en el Reino Unido e Irlanda. Entre las novelas que representan los problemas dentro de la literatura de Irlanda del Norte, esta novela, No Bones, es considerada un trabajo importante y se le ha comparado con los Dublineses de James Joyce por capturar el lenguaje cotidiano de la población de Belfast.

Su segunda novela, Little Constructions, fue publicada en 2007 por Fourth Estate (perteneciente a la editorial HarperCollins ). Es una historia oscura, cómica e irónica centrada en una mujer de una familia de delincuentes muy unida, a la que le encargan una misión.

En 2018, Anna Burns ganó el Premio Man Booker por su tercera novela, Milkman, siendo la primera escritora de Irlanda del Norte en ganar el premio. Después de la ceremonia, Graywolf Press anunció que publicaría "Milkman" en los Estados Unidos el 11 de diciembre de 2018. Milkman es una novela experimental en la que el narrador es una niña de 18 años sin nombre,  conocida como "hermana del medio" que es acosada por una figura paramilitar mucho mayor, Milkman.

Obras

Novelas

 No Bones  (2001)
 Little Constructions  (2007)
 Milkman  (2018)

 Mostly Hero (2014)

Premios

 2001 Winifred Holtby Memorial Prize, Ganadora (Sin Huesos)
 2002 Orange Prize, nominada ( sin huesos )
  2018 National Book Critics Circle Award por Fiction,  Ganadora ( Lechero )
  2018 Man Booker Prize,  Ganadora ( Lechero )
  2019 Women's Prize for Fiction, nominada
 2019 Orwell Prize, Ganador ( Lechero )

Referencias

Escritoras del Reino Unido
Escritores del Reino Unido del siglo XXI
Escritores en inglés del siglo XXI
Novelistas del siglo XXI
Nacidos en Belfast


With today's patch we've introduced the next exciting chapter in the ongoing struggle for dominance of the Nexus: an entirely new game mode! So summon forth your steadfast allies, feed your favorite faerie dragon, and brace yourself for the unique challenges ahead in Big Head Mode!
What is Big Head Mode?
Variety is the spice of life in Heroes of the Storm, and we're always looking for new ways to allow players to customize their Heroes and infuse their personalities into the denizens of the Nexus. Big Head Mode is just another step in that direction.
Have you always wanted to see chibi Illidan face off against a kawaii Lord of Terror? Now's your chance! This unique gameplay mode is automatically enabled the moment you step foot into your favorite Battleground, and features the same dynamic 5v5 combat you've come to know and love!
This is the pulse-pounding mode you've always wanted to play, but were afraid to ask for.
Experience enhanced collision using Facecheck™ technology as you run headfirst into tall grass and bushes and scour for your enemies!
Get closer to your beloved Heroes and get a new perspective on your favorite Battlegrounds, just watch out for low-hanging branches!
Be wary fighting against opponents who specialize in headshots. Just because your character has more innate charisma now doesn't mean that Nova will show you any mercy!
Bonus features: Many models have received HD upgrades to their heads and hair, adding increased size and fidelity to their brazen beards, majestic antlers, stunning mandibles, and more.
Don't delay! You can log into Heroes of the Storm now and explore this new game mode firsthand. Please be aware that it will only activate once you have loaded in on one of the many diverse Battlegrounds of the Nexus!
Share your favorite screenshots you've taken in Big Head Mode and let us know what you think of this fun new feature in the comments below. As always, make sure to keep an eye out for future developments, including the adorable Mini-Mount Mode**!
* Any similarities to existing in-game audio is completely coincidental.
**No animals, tapestries, or robotic contraptions were harmed in the making of this mode.


Where can I find a Accomplishments In Home Care CNA/Caregiver resume example in Burley, Idaho 83318? This is an actual resume example of a CNA/Caregiver who works in the Retail Industry.
The population of senior citizens is growing, and that will lead to a higher demand of Certified Nursing Assistants or CNA's Because of the physical and emotional demands of the job, individuals interested in entering the field should be compassionate and patient.
CNA resume examples Could your resume use some TLC? View this sample for a CNA for ideas on how you can demonstrate your nursing skills and dedication to quality care.
Nursing Assistant Resume Tips. Only your fellow nursing professionals truly get how much heart and soul you pour into your field. … Nurse Resume Example. Certified Nursing Assistant, Pinecrest Rehabilitation, Forest City, MT January 2013 – Present.
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Here is a Sample Caregiver Resume to give you quick start in writing your own resume. Refer to the use of the action verbs, skill sets and the objective statement.
CNA Resume Sample. Download CNA Resume Template. It is always important that you create a great first impression with the Certified Nursing Assistant resume and cover letter.
Employers evaluating job-seeker accomplishments love to see numbers. Learn how to quantify, monetize your career, job, work, life accomplishments.
A Nursing Assistant resume that shows prospective employers the best of a job applicant.
Do you have the tools you need to get a medical job? Check out our Caregiver Resume Example to learn the best resume writing style.
Examples of Career Accomplishments for Secretaries by Remy Lo, studioD . Secretaries use critical thinking to solve problems. Christopher Robbins/Photodisc/Getty Images. … Effective career accomplishments add a wow factor to their corresponding resumes.


If it seems as though you are drowning in a sea of debt and credit card bills, do not despair. There are options available that can help you get out from under the debts that seem only to get higher, no matter how much you pay off each month. A comparison between debt consolidation vs. Chapter 13 bankruptcy may help you decide which option is best for you. Both debt consolidation and Chapter 13 bankruptcy have their pros and cons. The goal is to take action that will put you back in the driver's seat of your financial future. Either way, you should speak with a trained professional – either a debt counselor or a bankruptcy attorney – to assess your situation.
Be careful when choosing a debt consolidation company. Speak to and compare the services of a few different businesses. Check the Better Business Bureau and look for reviews of the company's service online. Many bankruptcy attorneys can also recommend you to legitimate debt consolidators.
Debt consolidation reorganizes and combines debts from multiple creditors and creates one single loan to pay them off.
It is easy to confuse debt consolidation with Chapter 13 bankruptcy because both options involve a restructuring of debts. You may be able to eliminate your debts in a Chapter 13 bankruptcy. The typical Chapter 13 bankruptcy restructures debts into a supervised repayment plan.
No requirement to pay back 100% of your outstanding debt, and payments can be as low as $55.00 per month, with the remainder of the debt being forgiven.
Always speak with a bankruptcy attorney to determine the best course of action for your situation. Do not decide between debt consolidation vs. chapter 13 bankruptcy without professional advisement.
For more information, please contact Coral Springs attorneys Brodzki Jacobs & Associates, PL at (954) 344-7737 to schedule an appointment to discuss your situation.
This entry was posted in Attorney, Bankruptcy, Chapter 13, Chapter 7, Coral Springs, Court, FL, Florida, Foreclosure, Judge, Law, Lawyer, Legal, Modification, Mortgage, South Florida. Bookmark the permalink.


text:
Learn use of NDK

## Reference

Forked from https://github.com/googlesamples/android-ndk/tree/master/hello-jni

## Guide

1 ÔÚ `gradle.properties` ÖÐÔö¼ÓÈçÏÂÄÚÈÝ£º
```xml
android.useDeprecatedNdk=true
```

2 ÐÞ¸Ä `app\build.gradle`
```xml
android {
    compileSdkVersion 23
    buildToolsVersion "23.0.2"

    defaultConfig {
        applicationId "cn.sopho.destiny.hellojni"
        minSdkVersion 15
        targetSdkVersion 23
        versionCode 1
        versionName "1.0"
				// moduleName
        ndk {
            moduleName = "HelloJni"
        }
    }
    buildTypes {
        release {
            minifyEnabled false
            proguardFiles getDefaultProguardFile('proguard-android.txt'), 'proguard-rules.pro'
        }
    }
    // source directory
    sourceSets {
        main {
            jniLibs.srcDirs = ['libs']
        }
    }
}
```

3 mkdir app\src\main\jni

4 ÔÚ `app\src\main\jni` ÖÐÌí¼ÓÎļþ `helloJni.c` ºÍ `helloJni.h`

## Screenshot

<img src="https://github.com/xj107359/HelloJni/blob/master/Screenshot/screen01.png" alt="screenshot" width="auto" height="auto" />


text:
MARCIN GIERAT/HELMUT ESSL/GALERIE KANDLHOFER/HERMANN NITSCH//ALEXA MEADE//SCOTT WADE
LLF·
7 of the Most Shocking, Weird, and WTF Styles of Contemporary Art
Artists of past times could hardly imagine what strange forms modern art would take in the future. They wouldn't have been able to bet on what things they might see in the following decades (even if they had casino live back in those days).
Today, almost everything that surrounds us can be called art, and with the ever-evolving medium and tools, not only "artists," but everyday people, can create something spectacular. Whether it's shocking, inspiring, or just plain weird, that's up to the eye of the beholder. Here's some of the contemporary art styles that have invoked the strongest reactions from audiences.
This type of contemporary art implies a painting technique that can be fully understood by looking at it only from a certain place or from a certain angle. Some paintings can only be seen by looking at them in a mirror. This art form appeared during the time of Leonardo da Vinci (15th century).
Over the centuries, anamorphosis has developed and in its modern form looks like street art. With this kind of drawings, artists really imitate cracks in the ground, or holes in the walls.
Photorealism
JOHN BAEDER
This type of art originated in the '60s of the last century, and the artists tried to reproduce such realistic images that would not differ from photography. The smallest details captured by the camera created a "picture of the picture of life". Critics are ambivalent about photorealism, some of them believe that the mechanical production of art objects rather prevails over ideas and style.
Dirty Car Art
SCOTT WADE
Professionals of this type of art do not seek to depict a banal inscription "wash me" on a dirty car. Specialists use special brushes and brushes for their work. In this area, the 52nd Scott Wade (graphic designer) is considered the leading master. He created many original and amazing drawings using nothing but dirt on car windows. By the way, he started by using a layer of dust on Texas roads as a canvas. There he drew caricatures using small branches and his own fingers.
Today, Wade is invited to promote his products by some of the largest corporations and art exhibitions.
Body Fluid Art
MARCIN GIERAT/HELMUT ESSL/GALERIE KANDLHOFER/HERMANN NITSCH
This is naturally strange, but many artists use their body fluids in their work. Most people have probably heard about it in some form or fashion, but 100% what he heard about is just "the tip of an unpleasant iceberg."
For example, Hermann Nitsch, an Austrian artist, uses his urine or the blood of cattle for his work. These addictions appeared during the Second World War, when he was a child. And now, because of his addiction to an unusual form of art, he has been brought to "justice" several times.
Brazilian artist Vinicius Quesada uses only his own blood in his works, without resorting to the blood of animals. His paintings have a sickly shade of green, yellow and red and are expressed in a very dark surreal atmosphere.
Body as a Brush
In contemporary art, not only artists who use their own body fluids to produce paintings are popular. Quite famous and in demand are masters who write works with their own bodies.
Kira Ayn Varszegi creates abstract portraits using her breasts. She has been criticized quite a lot for this. However, this woman is a full-fledged artist who works according to the classical scheme, using paints and brushes.
There are still strange artists who, instead of a brush, use parts of the body that are completely unintended for this purpose. For example, Ani K draws with her tongue and Stephen Murmer (school teacher) draws with her buttocks.
Real-World to 2D Imaging
ALEXA MEADE
The most famous artist in this area is the Los Angeles master Alexa Meade. Her work uses non-toxic acrylic paint, making her assistants look like inanimate two-dimensional paintings. Meade presented his technique to the public in 2009.
Another significant figure in the field is Detroit artist and photographer Cynthia Greig. In her works of art, she uses ordinary and practical household items, rather than people. She covers them with white paint or charcoal. From this, things from the side look flat and two-dimensional.
Art and Shadows
KUMI YAMASHITA
It is not known exactly when mankind began to use the shadow for works of art. But, in spite of everything, contemporary artists have reached unprecedented heights. Masters use shadows to position various objects and even to create shadow images of words, objects and people.
Shadow art has a slightly creepy reputation, however, this does not prevent "shadow artists" from using this style to develop themes of devastation, decline, horror.
alexa meadeanamorphosisani kArtbody artbody fluid artcontemporary artcounter culturecounter-culturecynthia greigdirty car arthermann nitschkira ayn varszegiphotorealismscott wadeshadow artstephen murmervinicius quesada
David Ackles – Taking A Subway to The Country to Find The American Gothic
Ljubinko Zivkovic
The White Rabbit Chasing Its Colored Tail – Psychedelics in Art & Fashion
Remembering Chuck Shepherd, Creator of News of the Weird


Ballymena United have added Albert Watson to their squad after announcing his signing on Thursday night.
The Belfast born centre half previously spent ten seasons wearing the Sky Blue, amassing 316 appearances and scoring ten goals.
Making his debut at just 16, he became Ballymena United's youngest ever club captain. Following a spell at Linfield where he secured back to back league and Cup doubles, the 33 year old centre half went on to captain full time North America Soccer League side FC Edmonton in Canada.
After a season playing in Iceland for KR Reykjavik, he has returned to the Irish League.
"Bryan McLoughlin and I are delighted to have signed Albert, bringing him home so to speak.
"In the first instance this is a short term contract to the end of the season when both Albert and ourselves will be able to review things.
"This is a set of circumstances where we all felt that it could be mutually beneficial, we have some big games coming up and in this part of the season we want to be as well equipped as possible.
"When Albert became available and expresses his desire to join us, it just made common sense. This it to the end of the season but who knows where it takes us from there.
Watso said: "To work with David again from my time at Linfield is a big attraction but it's about coming home to Ballymena United.
" I was here ten seasons and I still love the place and the great proper football people behind the club.


As a Solutions Engineer you will play an essential role in Showpad as you will have a massive impact on its growth. Our sales team shares the Showpad success story with organizations around the world and helps them understand the value Showpad offers to align Sales and Marketing. As an additional resource to the Sales team, the Solutions Engineer role is vital to assisting the Sales team grow.


text:
A scolecodont is the jaw of a polychaete annelid, a common type of fossil-producing segmented worm useful in invertebrate paleontology. Scolecodonts are common and diverse microfossils, which range from the Cambrian period (around half a billion years ago at the start of the Paleozoic era) to the present. They diversified profusely in the Ordovician, and are most common in the Ordovician, Silurian and Devonian marine deposits of the Paleozoic era.

Relatedly, more problematic worm-like fossils have been described in even older, Neoproterozoic era deposits in the Ediacaran Hills of southern Australia and in mid-Cambrian deposits of Burgess shale in British Columbia.

Since the other classes of annelids (specifically, the earthworms and leeches) lack hard parts, only the sea-dwelling polychaetes are frequently represented in the fossil record.  Polychaetes are commonly fossilized due to their chitinous teeth and their dwelling tubes made of durable calcite (a calcium carbonate), hardened mucus (a.k.a. parchment), and/or chitin-like cement.

Taxonomy

Scolecodonts belonging to the extinct families Atraktoprionidae, Hadoprionidae, Kalloprionidae, Mochtyellidae, Paulinitidae, Polychaetaspidae, Ramphoprionidae, Rhytiprionidae, Skalenoprionidae, Symmetroprionidae, Xanioprionidae, and the still-extant (living) family Oenonidae (which includes the Arabellidae) are known from Silurian rocks in Scotland. Scolecodonts representing the present-day families Onuphidae and Dorvilleidae first appeared in Mesozoic era deposits.

History

Segments of the fossil jaw of a polychaete worm were first reported from Silurian strata on the Estonian island of Saaremaa in 1854, but they were misinterpreted as fish teeth. A year later, impressions of whole polychaete worms with poorly preserved jaws were described from Italian Tertiary deposits. Subsequently, E. Ehlers, a specialist on recent polychaetes, recorded them from the Jurassic Solenhofen Stone of Bavaria, Germany, demonstrating their affinity and proposing the generic names Eunicites and Lumbriconereites. Extensive studies in the late 19th century by George J. Hinde of material from England, Wales, Canada and Sweden established a basis for the nomenclature of what he regarded as isolated components of annelid jaws; but study of them lapsed thereafter for almost 50 years.

References

External links
 scolecodonts.net including complete scientific bibliography, lists of fossil genera and species, and selection of images
 graptolite.net Piotr Mierzejewski's page on microfossils

Annelids
Fossil record of animals
Microfossils


text:
Q: Fermat's little theorem proof by Euler I am reading a book, it explains the Euler's proof of Fermat's little theorem (FLT).
There are 3 theorems are presented to prove FLT, I understood the first two (I will skip the proof of each theorem), but I could not understand the proof of third theorem.
Theorem 1. if $p$ is prime then, $\quad(a+1)^p- (a^p + 1) = 0\mod p$
Theorem 2. $(a+1)^p-(a+1) = 0 \mod p \quad$ if  $\quad a^p  =  a\mod p$
Theorem 3. $a^p  = a \mod p$
I understood the first two, but then in Theorem 3 the author proves this step by using Theorem 2. But my confusion is that Theorem 3 was assumed in Theorem 2, looks like a circular reasoning. Is this the Euler's original proof for FLT? What is the Euler's original proof?

A: Firstly, $1^p - 1 = 0$. Now, try evaluating $2^p - 2$.
$$2^p - 2 = (1+1)^p - (1+1) = (1^p+1) - (1+1) = 1^p - 1 = 0$$
Rinse and repeat.


text:
Just.me Launches on Android, Updates on iOS & Web App
ByRuth July 16, 2013 May 15, 2021
Social messaging app just.me last Friday launched on Android amidst plans to expand their over 250, 000 user base. The android version is currently available for free in the Google Play Store. The app (version 1.0) will however only work on android phones and tablets running Ice Cream Sandwich or above. The android launch now makes the app freely available on 3 major platforms; iOS, Android and the Web.
Just.me allows smartphone users to expand the messaging abilities of their phone with powerful features and unlimited features. We took a look at the Play Store to establish what this app does for users:
Provides you with a cocktail of the best texting, email and social networking apps all in one place
Allows you to include multiple photos, video, and voice messages in a single message
Opens you up to free, unlimited social messaging
Integrates your phonebook and allows all your contacts to receive messages from you, even if they don't have the app themselves
Allows you to save messages as 'private' for your eyes only
Puts you in total control of who sees your messages and media each time you send or publish a message
The android app, a significant step by the venture-capital funded Silicon Valley Company, supports 32 languages, and will increase its ability to compete with other social sharing or messaging apps on the smartphone market.
iOS and Web Enhancements
Just.me has also promised further enhancements to their iOS and web applications. The flagship iOS app has been updated to version 1.1, and now features a more appealing interface for some of its processes. The updates to the iOS app are expected to deliver a native iPad application and another iPhone app that will make full use of Apple's new iOS 7.
On the web frontier, just.me has updated their app to support the Firefox OS and other rich HTML 5 browsers. Users of the web app will also now be able to reply to messages, a feature previously not included.
Via Just.me and TNW
Ruth died, digitally, when she lost her phone and all data on it. Reborn as an Android angel, she found her calling; to share her knowledge and show Android users the way to Android heaven.
Baidu to Acquire App Distributor for $1.9 Billion
HTC One Users to be Able to Switch between Sense and Stock Android on the Fly
Reset and Combine Anki Decks: Ultimate AnkiApp Guide 2021
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5 Best Samsung Wireless Charging Phone Stands
ByBilla August 5, 2017 May 13, 2021
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5 Alternative Clock Widgets for Android
The Android home screen is something special. I love customizing it with different widgets and icon packs. One of the most important elements on my…
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Almost Pokemon Games on Android
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Nintendo is overprotective of their videogame properties and sometimes they don't even make any sense. There are no official Pokemon games on Android, and it's…
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7 Best Music Player Apps for Android
ByKay December 18, 2019 July 27, 2021
We all know this… Every Android smartphone comes with a default music player. As a matter of fact, it would be surprising if your phone…
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6 Free Facebook Video Download Apps (Android)
ByStrider January 28, 2016 May 6, 2021
If there's one piece of social media anyone with a smartphone is connected to, it's Facebook. Personally, when it comes to Facebook, I prefer a…
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text:
Israeli forces detain Palestinian teen in Hebron for alleged knife possession
Dec. 12, 2017 1:04 P.M. (Updated: Dec. 13, 2017 1:09 P.M.)
Israeli soldiers stationed outside the Ibrahimi Mosque (File)
HEBRON (Ma'an) -- Israeli soldiers detained a Palestinian teen on Tuesday near the Ibrahimi mosque in the southern occupied West Bank city of Hebron, for allegedly being in possession of a knife.
Locals told Ma'an that Israeli forces detained a 17-year-old boy while at a military checkpoint at the entrance of the mosque after soldiers claimed the boy had a knife.
The teen was reportedly transferred to Israeli intelligence for interrogation.
Israeli forces have detained scores of Palestinians, many of the minors, for allegedly being in possession of knives following a spate of alleged and actual small-scale knife attacks by Palestinians that surged in the fall of 2015.
Hebron in particular grew as the epicenter of upheaval, with a number of Palestinians having been shot while being detained at military checkpoints in the area.
Eyewitnesses have also said in a number of cases that Israeli security forces planted knives on slain or imprisoned Palestinians to claim that they were acting in self-defense during a stabbing attack.
Since US President Donald Trump's announcement last week recognizing Jerusalem as the capital of Israel, tensions have risen across the occupied Palestinian territory, with clashes, injuries, and arrests every single day.


Child Dies in Joliet Township House Fire | Spiros Law, P.C.
A house fire in Joliet Township took the life of an unidentified toddler last week.
On Thursday, May 17th, neighbors spotted a house in the 1300 block of Sterling Avenue on fire. Emergency personal were called to the scene. Neighbors were able to rescue one person from the roof. The three-year-old child was in the home but heavy smoke and high heat repelled civilian, police and fire department responders.
The fire took over an hour to put out with the help of six nearby firefighting agencies. The child was pronounced dead at 2:45 p.m.; his identity is pending DNA verification. How the fire started remains under investigation.
A house fire damages property and the lives of the survivors. If you or a loved one has lost someone to a house fire, call Spiros Law, P.C. at (815) 929-9292 to explore your legal rights.


Hi ladies, I am 21 weeks pregnant with my first & I have been very paranoid with feeling my belly, feeling the uterus, baby growth, what every first time mom goes through, but Ive been really cheking up on my belly button, & i honestly do not notice a difference!? i poke my finger in their from time to time to see if its, I dont know different? but it feels the same, i have a reaaally deep belly button, im worried that my baby is not where he/she's supposed to be? also Im carryng very low so could that be a reason? when will my belly button change!? Ive also felt a lot of pain around my belly button but it only lasts about 10 min.. Im just really worried, & need a little reassurence.
My belly button never popped out but came close. It wasn't until I was my 3rd trimester. The baby starts running out of room and so much pressure so it sometimes happens. I'm not sure if it has anything to do with where the baby is in your belly. I had sharp pains around my belly button too. Not sure why.


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