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Tag Archives: N.K. Jemisin
Speculative Fiction Books that Kept My Interest in the Genre
Please note the title of this post refers to books! I will write a separate list containing movies, TV shows and video games related to speculative fiction sometime in the future. And, expect that list to consist of "originals," not just media adaptations of books. Also, these are NOT my favorite speculative fiction books of all-time! I'm not even sure I can make a list without changing it every year; hence why I do an annual list.
Everyone has a favorite genre of literature (and films, video games, etc.), but has it occurred to you why and how that came to be? Did someone introduce you to the genre? Was it an author's book—or, several of them—that hooked your passion for the genre? Was it a pop culture moment? In other words, do you remember the moment—or, the story—that got you into your favorite genre(s)? This question can be asked of any format or medium, but I thought about which books got me into speculative fiction and how it influenced my love and my appreciation for the genre. It did take some time to think back on what I've read since I was a kid, but I realized that some of the books released in the past decade have been just as influential as the ones I've read growing up.
I've managed to compile a list of 10 books/series that influenced my love for the speculative fiction genre. Please know that I listed the books in the chronological order I read them regardless of the book's publication date. The reasons for this is obvious. I hope you read and enjoy them as much as I did.
Animorphs by K.A. Applegate
I'm a 90s kid, and there were several book series for kids—The Babysitter's Club, Goosebumps, etc.—but, I remember when the debut book in this series was released. I was 10 years-old, still in elementary school, and intrigued by the book's cover: a boy changing from human to animal (a lizard). The story was about a group of friends who are given powers to change into animals by a dying alien in order to fight an invasion against a race of hostile aliens. This sci-fi series was the first book series in which I had to learn how to wait patiently for a book to be written and released when I wanted to devour the next one immediately. At the same time, this series introduced me to the blending of both the science fiction and the paranormal genres. Even though I didn't know what paranormal was at the time, I knew this was different from other alien media I consumed with an explanation of D.N.A., permanent consequences, and the difficulties in balancing family, school, and saving the world. Animorphs was my first obsessive book series.
2. Haroun and the Sea of Stories by Salman Rushdie
I'm in 9th grade and one of many students who participated in an optional reading course through our English class. Two of my best friends participated in this course with me. However, the three of us chose different books to read during the second quarter. I can't remember what one friend chose, but my other friend was upset with us for not selecting The Once and Future King by T.H. White. Why? Well, the description of Haroun and the Sea of Stories by Salman Rushdie was more intriguing to me: a boy whose father loses the source of his stories, and he's a storyteller. The boy, Haroun, goes on a journey to find out what happened to the "source" of the stories. The story is a twist on fairy tale tropes and fantastical elements with rounded characters and lots of humor. It wasn't until I was reading The House of the Spirits by Isabel Allende (in 12th grade) that I learned about magic realism and Salman Rushdie's contribution to the genre. Haroun and the Sea of Stories is one of my favorite books I read for (grade) school. And, before you ask, no I haven't read The Once and Future King in its entirety, yet.
3. His Dark Materials by Philip Pullman
I'm going to say something controversial: Harry Potter is not my favorite (fantasy) series of my childhood. Don't get me wrong! I love that series and what it's done for the speculative fiction genre, children's and YA literature, the popularity of fantasy, and the reading and the writing communities. Yet, there was another series that came out at the same time and introduced me to the blending of fantasy, science and religion. I read The Golden Compass by Philip Pullman after reading Harry Potter and the Sorcerer's Stone by J.K. Rowling, and I found myself enjoying Lyra's story more than Harry's. I want to say it's because the flawed characters were more believable, the aspects of science and philosophy in a fantasy worked with the plot, and the idea of "other worlds" was intriguing to me. I hadn't read C.S. Lewis' or Madeline L'Engle's series yet, so Philip Pullman was my introduction to portal fantasy, and I've been obsessed with them since reading His Dark Materials trilogy. I've read The Book of Dust already, and I'm looking forward to reading the rest of the companion trilogy to His Dark Materials; and, I'm excited for Season 2 of the television series, too!
4. The Modern Faerie Tale Trilogy by Holly Black
I still remember reading Holly Black's debut novel, Tithe. The story is an urban fantasy about how a teenaged girl realizes she's been interacting with faeries since she was a child, and what that means for her and her family and her friends. Yes, I read one of Laurell K. Hamilton's books—her debut novel, Nightseer—so I had a fair idea of what to expect from fae fantasy, but urban fantasy blends the original variants of fae stories with mundane society; and, the fae are NOT nice beings. Fae are not what they are according to Disney movies. They don't "play fair" and are usually in it for themselves. It makes for an interesting story combining folklore and modernity. I would meet Holly Black at the BookExpo I attended that year, which was my first one; and, I met Cassandra Clare there, too! I read and enjoyed the rest of the trilogy, and Holly Black's other books, especially The Air of the Folk trilogy. This series was my gateway to reading other books in that genre, especially ones by Seanan McGuire, Ilona Andrews and Amelia Hutchins.
5. The Twelve Kingdoms by Fuyumi Ono
Yes, there is a fantasy series by the same name by Jeffe Kennedy, but the name of the series is where the similarities end. The 90s saw an expansion of anime series: Pokémon, Gundam Wing, Sailor Moon, etc. Manga and books were being translated and imported to the U.S. The Twelve Kingdoms: Sea of Shadow was translated and released after I graduated from college, and I was introduced to Asian inspired dark fantasy. The story follows Yoko Nakajima, a high schooler who lives a mundane, yet lonely life. To make matters worse, she stands out due to her red hair—she is the biological daughter of Japanese parents. One day, Yoko is abducted at her school, transported to another world, abandoned and left to fend for herself in a new world. This series introduced me to a fantasy world in which the "traveler" is not welcomed as a "hero" and survival is based on realistic situations. The theme of xenophobia in fantasy is presented in a way that will make you think about what could happen in other fantasy worlds, especially when—SPOILER ALERT—the protagonist chooses to remain in that world instead of returning home, and how and why such a choice is made. So, if there are any fans of Seanan McGuire's Wayward Children series, then you'll love this series, too.
6. Monstress by Marjorie Liu, illustrated by Sana Takeda
Growing up, I read comics, graphic novels and manga, and many of them were recommended by friends and relatives. In fact, that's how I learned about Neil Gaiman's Sandman series. However, for several years, I didn't read as many graphic novels as I wanted. I didn't lose interest, but at the same time, I didn't know what to read. I did take a course about graphic novels in college, but I took another one when I was in grad school—where I read Watchmen—and learned about the format and its growing influence, especially for the memoir and biography genre. At the same time, two of my friends and classmates introduced me to recent bestsellers and new releases. Not only did I begin to read Joe Hill's Locke & Key series and Saga by Brian K. Vaughn, but a new series with an eye-catching cover intrigued me: a woman standing in front of a brass door with a matching mechanical arm. Monstress by Marjorie Liu and illustrated by Sana Takeda is a dark fantasy in which a young woman searches into her mother's research and her lost memories as she deals with demons both real and inner. The artwork will engross you into the world both the author and the artist present. While describing the series as a "visual fantasy" isn't 100% accurate, it is a way to get speculative fiction fans into reading this graphic novel series.
7. The Broken Earth Trilogy by N.K. Jemisin
What can I say about this trilogy that hasn't been said by everyone else who has read it, including myself? This Hugo Award winning series—yes, it swept the Hugos for Best Novel in consecutive years—is a gateway into the future of the speculative fiction genre and the type of stories that can be told withing the genre. N.K. Jemisin not only writes a brilliant science fantasy series, but also incorporates the atrocious practices humanity continues to perform, which forces readers to consider the realities of human society and its future. For me, this series introduced me to modern speculative fiction and the new set of expectations that it brought to the entire community! Jemisin's contemporaries: Nnedi Okorafor, Tade Thompson, Jesmyn Ward, Tochi Onyebuchi, P. Djèlí Clark, Marlon James, Rivers Solomon, etc.—all have taken familiar tropes of the genre and presented readers with new methods of telling and writing these stories. If you haven't done so already, then go and read this amazing trilogy!
8. Winternight Trilogy by Katherine Arden
This is not the first folklore retelling I've read, but it's one of the most beautiful written ones I've come across; and, it brings a new appreciation for the season of winter. This series follows Vasya as she grows from child to adolescent to adult in a patriarchal society during a transition where "old traditions" are fading and being replaced with a "new" religion. Vasya fights to maintain the old traditions while Russian society undergoes several changes. Folklore is the cultural and the societal traditions that are passed along from generation to generation through a web of communication; and, history plays a role in folklore as well. Katherine Arden presents a balance amongst folklore, history and fantasy in this trilogy. This series will remind speculative fiction fans of the beauty within the genre and how it can remain from beginning to end.
9. Vita Nostra by Marina and Sergey Dyachenko
While this is the first book in The Metamorphosis series—it's the only one translated into English so far—it's a great and mind-blowing introduction into the metaphysical genre. Not to mention, it takes the trope of the "magic school" and provides a more realistic, yet twisted story of what could occur at such a place. This story will make you think of Alan Moore and your concept of reality. In addition, you'll start to think of these "magic schools" as drafts instead of opportunities. Other genres in speculative fiction has readers asking questions about the world around them, but metaphysical fiction has readers question the reality of their existence. The difference is it seems that a limited population experiences the metaphysical compared to fantasy, science fiction, paranormal, magic realism, etc. This series and genre will make you question everything!
10. The Gutter Prayer by Gareth Hanrahan
Although I've heard enough about Joe Abercrombie, Peter McLean, John Gwynne, and Anna Smith Spark enough to buy their books, it was Gareth Hanrahan's debut novel, The Gutter Prayer, which introduced me to the grimdark subgenre. Yes, I'm a reader and a fan of A Song of Ice and Fire series by George R.R. Martin, but to me that series is more of a historical low-fantasy series rather than straight grimdark (I could be wrong about that). This book introduced me to characters who are all "gray" with "reasonable" motivations who strive towards those goals as their lives and the world fall to pieces. As grim, dark and sad as the characters and their stories are, it continues with the knowledge that life goes one no matter how many people die and are resurrected and die again. This book and its contemporaries represent the harsh side of a fantasy world that reflect ours.
So, there is my list of speculative fiction books that kept my interest in the genre since childhood. While my list of all-time favorite speculative fiction books continue to change over and over, this list of books influenced my love and my appreciation of this genre of literature. And, from my perspective, I appreciate the influence and the bridging from one book or series to another with a similar genre structure. Which books got you into this genre? Have you read any or all of my picks or any books by the authors mentioned in this post? Comment below or send me a link to your online response.
2 Comments Posted in Anime, Asian Influence, Authors/Writers, Award Nominee, Award Winner, Book Review, Books, Children's Fiction, Coming-of-Age, Debut, Dystopia, Education, Fairy Tale Retellings, Family Dynamics, Fantasy, Favorite Books, First in a Series, Folklore, Game of Thrones, George R.R. Martin, graphic novels, His Dark Materials, identity, J.K. Rowling, Japan, Literary Awards, Literature, Love, magic realism, Metaphysical Fiction, mythology, Neil Gaiman, Old Magic, Paganism, Paranormal, Reading, Sailor Moon, School, Science Fiction, Sequel, speculative fiction, The Golden Compass, Trilogy, Urban Fantasy, Young Adult Fiction Tagged A Song of Ice and Fire, Alan Moore, Animorphs, Brian K. Vaughn, Children's Literature, college, elementary school, Fantasy, Favorite Books, Folklore, friends, Fuyumi Ono, Gareth Hanrahan, George R.R. Martin, Goosebumps, grad school, graduate school, graphic novels, Grimdark, Haroun and the Sea of Stories, Harry Potter, His Dark Materials, Holly Black, Hugo Award, influential, interests, Ironside, Isabel Allende, J.K. Rowling, Jeffe Kennedy, Joe Hill, Julia Meitov Hersey, K.A. Applegate, Katherine Arden, Laurell K. Hamilton, Locke & Key, Marina and Sergey Dyachenko, Marjorie M. Liu, memories, Metamorphosis Series, Metaphysical Fiction, middle school, Monstress, N.K. Jemisin, Neil Gaiman, Nightseer, Philip Pullman, pop culture, popular, Reading, recommendations, Saga, Salman Rushdie, Sana Takeda, Sandman, School Reading, Science Fiction, Sea of Shadow, Seanan McGuire, speculative fiction, T.H. White, The Air of the Folk Trilogy, The Amber Spyglass, The Bear and the Nightingale, The Broken Earth Trilogy, The Fifth Season, The Girl in the Tower, The Golden Compass, The Gutter Prayer, The House of the Spirits, The Modern Faerie Tale Trilogy, The Obelisk Gate, The Once and Future King, The Shadow Saint, The Stone Sky, The Subtle Knife, The Twelve Kingdoms, The Winter of the Witch, Tithe, Urban Fantasy, Valiant, Vita Nostra, WATCHMEN, Wayward Children, Winternight Trilogy, YA fantasy
Adult Fantasy: Is There Such a Thing?
Video games, graphic novels and comic books and manga, and fantasy literature continue to share the same criticism from those who are neither fans nor creators: they are for children and/or they have no place in a classroom or in an academic setting. The fact that such notions continue to be made is a disconcerting atrocity; and yet, hip-hop continues to gain recognition and acclaim for its role in the music industry and in the rest of society. Pop culture is what it is, popular culture, but there is a difference between an ephemeral fad and a transcendent impact. All of these genres of various entertainment have succeeded in being true art forms, although there are some who continue to ignore the value of these works and what they mean to the fandom and the creators.
In the weekend edition of The Wall Street Journal for July 18-19, 2020, there was a review in the Books section of The Nine Realms tetralogy by Sarah Kozloff. I read and reviewed all of the books in the series—both on my blog and for Fantasy-Faction—and, they are worth reading. However, the author of the review had more things to say other than praise for the book series.
During that same weekend, I learned of the review due to all of the retweets about what the author said about the series in relation to his personal feelings about the fantasy genre. I noticed that several authors, bookbloggers, and readers were angry by what was written in the review. Even one of the authors stated they were going to cancel their upcoming interview they had with The Wall Street Journal. Then, I saw who wrote the article. It took some time, but I found myself as annoyed as everyone else eventually. And, I'm still annoyed.
Tom Shippey, the world-renowned Tolkien scholar, should be ashamed of himself. Writers, creators and fans of fantasy and other genres in speculative fiction have minimal expectations of The Wall Street Journal publishing anything with an open mind else besides economics. Yet, Tom Shippey presented a negative nostalgia of the fantasy genre, also known as stagnation. After everything Shippey has said about Tolkien taking fantasy to new heights—even though that wasn't Tolkien's intent—while writing the sort of tales he wanted to read himself, Shippey's statement about The Nine Realms is an insult to Tolkien's legacy—including all of the authors that were influenced by Tolkien—but an insult to Sarah Kozloff in which Shippey seemed to use in order to publicize his viewpoints about the genre. As a fan of The Nine Realms, the author deserves more praise than from someone who has been searching for Tolkien. Not only stating that "fantasy has grown up," but also calling Tor a "sci-fi publisher" tells me that the quest for "adult fantasy" has managed to overlook Robert Jordan, Robin Hobb and Brandon Sanderson amongst numerous other authors as contributors to the genre.
The problem with Tom Shippey's statements regarding fantasy is that after spending years discussing Tolkien, he neglects to recognize all of the fantasy works that came after Tolkien. Not to mention, Shippey made it sound like the genre has not made ANY progress since the publication of The Silmarillion in 1977. His beliefs on the genre demonstrate how other people—those in the out-group—continue to view fantasy as "kid's stuff," but to have a Tolkien scholar categorize which fantasy work is "adult fantasy" because that story reflects Tolkien's "fantasy," which Shippey spent his entire career hanging on to instead of admitting that the genre has continued to expand, to evolve, and to go beyond everyone else's expectations. To say that Shippey is "missing out" on what "adult" fantasy has become would be a huge understatement.
Although fantasy continues to evolve and to be read by fans ubiquitously, the genre continues to receive harsh criticism, especially when compared to both horror and science fiction. Fantasy has gained more recognition because of the success of movies, television and video games, but to have the genre get identified based on age group adds another layer of prejudice to a genre whose progress remains unrecognized. People are willing to watch it and/or to play it, but reading fantasy remains to be an issue that needs to be addressed constantly. So, this all goes back to literature and answering the age-old question: Who reads this?
Fantasy, or "myths for adults," has been around since the beginning of humanity, going back to oral tradition. Even now, myths, legends and other folklore continue to entertain us through all styles and formats. Fairy tales are told and watched, movies allow actors and actresses to become those characters, graphic novels and manga and comics present non-stop illustrations, and video games give players an immersive experience. How is wanting to explore another world different from space travel and/or escaping from a haunted domain? Is it because space travel have become a reality? Is it because we all know what it feels like to experience fear no matter where an individual is? Maybe the issue with fantasy is that it remains open to interpretation. Maybe your personal fantasy world doesn't match mine. Maybe, you wish to attend Camp Half-Blood over the Convent of Sweet Mercy. Or, you wish to go further and create your own fantasy world and share it with others who share your imagination and curiosity, like Tolkien did then, and what N.K. Jemisin, Neil Gaiman and M.L. Wang continue to do now.
As for the concept of "adult," "children's," and "YA" fantasy, we should refer to J.R.R. Tolkien and some of his critical essays. Tolkien was a professor of Anglo-Saxon literature at Oxford University—alongside C.S. Lewis—whose edition of Beowulf and Sir Gawain and the Green Knight are still considered to be some of the "preferred" translations by (some) scholars. Maybe if Shippey recalled Tolkien's professional works as much as his creative works, then maybe he would have remembered one essay of his in particular.
J.R.R. Tolkien wrote On Fairy Stories, and in the essay, he states, "the association of children and fairy-stories is an accident of our domestic history," and "only some children, and some adults, have any special taste for them…it is a taste, too…one that does not decrease but increases with age, if it is innate." In other words, if children do not show any interest in fairy tales, then they are not interested in them at all. If an individual is interested in those stories as a child, then do not assume that they will outgrow that interest as an adult. Hence, this is why Doctor Who and James Bond have been around for over 50 years! And before you quote that infamous line from 1 Corinthians 13, remember Tolkien was a devout Catholic who created his own fantasy world and inspired millions! Yet, similar to comics, superheroes, animation and fairy tales, fantasy continues to be criticized as being "too silly for adults" and labelled for children.
Yes, Disney altered our perspectives of how fairy tales are told, but the studio continues to water (most of) them down. Only the young readers with enough curiosity and imagination will search for the older (and the more violent and the more tragic) variants collected by the Grimm Brothers, those written by Hans Christian Andersen, and others. Nowadays, those children can read Harry Potter and Alanna of Trebond alongside the books written by Rick Riordan and Holly Black as adolescents. Afterwards, as adults, they can read the stories written by Naomi Novik, Katherine Arden and Neil Gaiman. Then, they can (and will) read all of the "adult fantasy" that is not based on folklore directly. As for the maturity content found within (most) adult fantasy, let me put it this way: Shakespeare is required reading in many secondary schools, and many of the plays that are read and/or performed tend to be from the "tragedies" catalog, not the "histories" or the "comedies." And yes, I just brought up Shakespeare in an essay about Tolkien! Deal with it!
Tom Shippey is one of the most informed Tolkien scholars, but his knowledge and his interests are limited to Tolkien. The Wall Street Journal tries and fails, constantly, to present insight into other topics besides economics. The newspaper has more than enough resources to gather authors and scholars of the fantasy genre, but wish to limit themselves by delivering something that reflects American society from the 1960s. Jack Zipes and Elizabeth Tucker are prime examples of scholars of folklore and children's stories. If you want to discuss how much video games have evolved, then read what Frans Mäyrä, Nick Yee, Mia Consalvo, and other game studies scholars have to say and what they have researched. As for scholars of fantasy literature, you can start with Edward James, Farah Mendlesohn and Nnedi Okorafor.
Ironically, this essay was written and posted during Worldcon 2020, which presents the Hugo Awards to authors in recognition of their achievements in science fiction or fantasy works for (mostly) adult readers and are chosen by its (adult) members. As I await the announcement of the winners, I'll be reading N.K. Jemisin, Seanan McGuire, S.A. Chakraborty, John Gwynne and other authors of "adult fantasy." If either Tom Shippey or The Wall Street Journal are interested, then I can offer a galaxy of books for you to choose from; and, you will find them all to be magical and extraordinary.
The peculiar quality of the "joy" in successful Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. It is not only a "consolation" for the sorrow of this world, but a satisfaction, and an answer to that question, "Is it true?" The answer to this question that I gave at first was (quite rightly), "If you have built your little world well, yes: it is true in that world."
—J.R.R. Tolkien, On Fairy Stories, Epilogue
2 Comments Posted in Advice and Suggestions, American Society, Anime, Authors/Writers, Award Nominee, Award Winner, Book Review, Book Theories, Book to Media Adaptations, Books, British History, Cartoonists, Catholic Church, Children's Fiction, Christianity, Comics, Coming-of-Age, Education, Fairy Tale Retellings, Fantasy, Folklore, Game of Thrones, Gaming, graphic novels, Grimdark, Harry Potter, history, Horror, Ideas, Indie Books, Literary Awards, Literature, magic realism, Manga, Movies, mythology, Neil Gaiman, Paranormal, Reading, Religion, religious beliefs, School, Science Fiction, Social Media, speculative fiction, Superheroes, The Chronicles of Narnia, TV, Urban Fantasy, Video Games, Young Adult Fiction Tagged adult fantasy, Anglo-Saxon, Anime, Beowulf, bookbloggers, Brandon Sanderson, C.S. Lewis, Comics, critics, Doctor Who, Edward James, Elizabeth Tucker, fandom, Fantasy, fantasy genre, Fantasy Literature, Fantasy-Faction, Farah Mendlesohn, fear, Frans Mayra, graphic novels, Grimm Brothers, Hans Christian Andersen, hip-hop, Holly Black, Horror, immersive, J.K. Rowling, J.R.R. Tolkien, Jack Zipes, James Bond, John Gwynne, Katherine Arden, M.L. Wang, Manga, Mark Lawrence, Mia Consalvo, modern fantasy, modernity vs. tradition, Movies, mythological fantasy, myths and legends, myths for adults, N.K. Jemisin, Naomi Novik, Neil Gaiman, Nick Yee, Nnedi Okorafor, nostalgia, On Fairy Stories, opinions, pop culture, prejudice, reality, Rick Riordan, Robert Jordan, Robin Hobb, S.A. Chakraborty, Sarah Kozloff, Science Fiction, Seanan McGuire, Shakespeare, Sir Gawain and the Green Knight, space travel, stagnation, Tamora Pierce, television shows, The Bible, The Nine Realms, The Silmarillion, The Wall Street Journal, Tom Shippey, Tor Books, Tor.com, transcendence vs. ephemeral, Video Games, YA fantasy, YA vs. Adult Fantasy
The Midpoint of 2020: Favorite Speculative Fiction Books…So Far
Well, we made it to the halfway point of the year 2020, which will go down as one of the most pivotal (and the wackiest) years in living memory. Just like everyone else, I've been affected by both the COVID-19 pandemic and the murders which led to the international Black Lives Matter movement, as well as a few things in my personal life. I managed to adapt and I'm starting to catch up on everything that's been going on. I am managing to keep up with all of my reading while expanding on my blog and my other projects. So, while my WIP remain in that state, I'm glad to say that I've been branching out and checking out new YouTubers and following fellow bookbloggers; and, I want to thank those who have asked me to be guests on their channels and on their blogs. Last, I want to thank everyone for reading my posts that are not reviews, but are personal essays and deep dives into literature, pop culture, and current events. It feels good to know that there are people who are interested in what I post online.
As for reading in 2020, I'm reading, but I'm reading more than speculative fiction. You can look at my Goodreads page and you'll see what I mean. In terms of speculative fiction, I've been catching up on some of what I missed, and I'm getting back into paranormal and urban fantasy. I have a stack of graphic novels that I need to read, too; but, I'll get to them eventually. How many of 2020's Most Anticipated releases have you read so far?
So, what does that mean for my favorite speculative fiction books of 2020, so far? Well, I haven't finished reading 10 books that were released this year, yet; but, I can talk about at least 10 speculative fiction books in 2020 that I'm enjoying, and ones I'm excited to read. In other words, this list will be different from last year's, but I hope you find this list of reads as interesting, informative, and/or enjoyable.
Books I've Finished:
The Nine Realms: A Queen in Hiding; The Queen of Raiders; A Broken Queen; The Cerulean Queen
by Sarah Kozloff
Wayward Children, #5: Come Tumbling Down by Seanan McGuire
Riot Baby by Tochi Onyebuchi
Daughter from the Dark by Marina and Sergey Dyachenko, translated by Julia Meitov Hersey
The Black Iron Legacy, #2: The Shadow Saint by Gareth Hanrahan
The Legacy of the Mercenary Kings, #1: The Kingdom of Liars by Nick Martell
The Order of the Pure Moon Reflected in Water by Zen Cho
Books I'm Currently Reading:
The Daevabad Trilogy, #3: The Empire of Gold by S.A. Chakraborty
The Kingston Cycle, #2: Stormsong by C.L. Polk
Malus Domestica Trilogy, #1: Burn the Dark by S.A. Hunt
The Protectorate, #2: Chaos Vector by Megan E. O'Keefe
A Chorus of Dragons, #3: The Memory of Souls by Jenn Lyons
The Reborn Empire, #1: We Ride the Storm by Devin Madson
Books I Want to Read by the End of 2020:
The City, #1: The City We Became by N.K. Jemisin
The Murderbot Diaries, #5: The Network Effect by Martha Wells
The Poppy War, #3: The Burning God by R.F. Kuang
Anasazi Series, #1: Between Earth and Sky by Rebecca Roanhorse
The Invisible Life of Addie La Rue by V.E. Schwab
Burningblade & Silvereye, #1: Ashes of the Sun by Django Wexler
The Only Good Indians by Stephen Graham Jones
Race the Sands: A Novel by Sarah Beth Durst
Docile by K.M. Szpara
Chronicles of the Bitch Queen, #1: The Wolf of Oren-Yaro by K.S. Villoso
The Locked Tomb, #2: Harrow the Ninth by Tamsyn Muir
Rook and Ruin, #1: The Obsidian Tower by Melissa Caruso
Mexican Gothic by Silvia Moreno-Garcia
City of Sacrifice, #2: Ash and Bones by Michael R. Fletcher
The Drowning Empire, #1: The Bone Shard Daughter by Andrea Stewart
Stealing Thunder by Alina Boyden
The Burning, #2: The Fires of Vengeance by Evan Winter
The Once and Future Witches by Alix E. Harrow
Scholomance, #1: A Deadly Education by Naomi Novik
Master of Poisons by Andrea Hairston
Malus Domestica Trilogy: I Come with Knives and The Hellion by S.A. Hunt
The Year of the Witching by Alexis Henderson
The Hanged God Trilogy, #1: Northern Wrath by Thilde Kold Holdt
AND, A LOT MORE!!!
I hope to read 100 books by the end of the year, with at least 30 of them being speculative fiction books that were released this year. Which books will be on my Top 20 (or 25) Favorite Speculative Fiction Books of 2020? We'll have to wait and see.
4 Comments Posted in ARCs, Audiobook, Authors/Writers, Books, Debut, Fantasy, Favorite Books, First in a Series, Folklore, Goodreads, Grimdark, Historical Fiction, Horror, LGBTQ, Literature, mythology, Paranormal, Predictions, Reading, Review, Science Fiction, Sequel, Space Opera, speculative fiction, Trilogy, Young Adult Fiction Tagged Ace Books, Alexis Henderson, Alina Boyden, Alix E. Harrow, Andrea Hairston, Andrea Stewart, Best of 2020, Best Speculative Fiction Books, bookbloggers, C.L. Polk, Chronicles of the Bitch Queen, Devin Madson, Django Wexler, Epic Fantasy, Evan Winter, Fantasy, Fantasy Literature, Folklore, Gareth Hanrahan, Goodreads, Grimdark, Horror, Jenn Lyons, K.M. Szpara, K.S. Villoso, LGBTQIA, Marina and Sergey Dyachenko, Martha Wells, Master of Poisons, Melissa Caruso, Michael R. Fletcher, Midpoint 2020, mythological fantasy, mythology, myths and legends, N.K. Jemisin, Naomi Novik, Nick Martell, Orbit, Orbit Books, Paranormal, R.F. Kuang, Rebecca Roanhorse, Riot Baby, S.A. Chakraborty, S.A. Hunt, Saga Press, Sarah Beth Durst, Sarah Kozloff, Science Fiction, Seanan McGuire, Silvia Moreno-Garcia, Space Opera, speculative fiction, Stealing Thunder, Stephen Graham Jones, Tamsyn Muir, The Drowning Empire, The Hanged God Trilogy, The Legacy of the Mercenary Kings, The Nine Realms, The Year of the Witching, Thilde Kold Holdt, Tochi Onyebuchi, Tor, Tor Books, Urban Fantasy, V.E. Schwab, YA Books, YA vs. Adult Fantasy, Zen Cho
Why You Need to Read: "The Stone Sky"
The Broken Earth 3: The Stone Sky
By: N.K. Jemisin
Genre: Science Fiction/Dystopian/Fantasy
*Winner of the Hugo Award for Best Novel 2018, Winner of the Nebula Award for Best Novel 2017, Winner of the Locus Award for Best Novel 2018*
The job you "have" to do is the easier of the two, you think. Just catch the Moon. Seal the Yumenes Rifting. Reduce the current Season's predicted impact from thousands or millions of years back down to something manageable—something the human race has a chance of surviving. End the Fifth Seasons for all time.
The job you "want" to do, though? Find Nassun, your daughter. Take her back from the man who murdered your son and dragged her halfway across the world in the middle of the apocalypse, (1: you, in waking and dreaming).
N.K. Jemisin has done what very few authors have managed to do, present a good and believable ending to a series that leaves readers with a sense of both accomplishment and satisfaction. What started with The Fifth Season and continued through The Obelisk Gate ends with The Stone Sky, the third and final book in The Broken Earth Trilogy. Readers and critics learn what must be done in order to put an end to an apocalypse.
The protagonists are once again Essun and Nassun, mother and daughter, and two of the most powerful orogenes in the world right now. Both mother and daughter have made their choices regarding themselves: Essun decided to grow her powers to the fullest, and Nassun decided to identify herself as an orogene. And, both mother and daughter have to live with the consequences of their decisions—both physical and emotional. All that's left is for the two orogenes to determine the path of the Moon. One orogene and her companions hope to save the world, while the other orogene is coaxed by her companions to destroy it. Mother and daughter will face off after they're reunited. Essun just wants to know whether or not her 10-year-old daughter is traumatized, and Nassun wants the world to know that those with power can and will determine the ways of the world. The daughter has become as powerful as her mother, and her mother isn't with her to provide guidance.
The plot of the story is a race to an underground network in order to restore "order" to the Earth. This can be achieved with orogeny and there are 2 orogenes who are powerful enough to restart it. So, who will get there first? And, what will happen once the obelisks are activated? Another plot of the story involves Essun and Nassun preparing for action when the Moon is closest to them in "orbit." Essun has succeeded in activating the Gate while at the comm, and Nassun travels to one that's been lost and forgotten to history. There are two subplots in this story which answers some of the remaining questions in the trilogy. The first subplot is the origin of the Stone Eaters, which leads to how the Seasons became so dangerous. The second subplot answers the question regarding the purpose of the Guardians and their relation to the Seasons. These subplots are necessary because they provide the bits of information required for the plot's development and resolution.
The narrative continues to shift between 1st, 2nd and 3rd points-of-view. And, the sequence falls back into flashbacks and present time. The flashbacks provide both background information and answers to the questions to how everything came to be and how it will all end. The streams-of-consciousness of all the characters make them all reliable narrators. Yes, not all of their motivations are morally good, but it's understandable given the circumstances. These elements of the narrative make it easy to follow.
The style N.K. Jemisin uses for The Stone Sky tells that an end is coming. Now, whether or not that end is for the Seasons, or for the characters, or both is to be determined. But first, the author lets the audience know how the Seasons came about. At the same time, Jemisin lets her readers know that oppression of any form does not ensure safety and/or order within a society. Instead, fear and suppression take place, which can lead either to a life of secrecy or to a life full of anger. The mood in this story is one of readiness—the need to make it on time to save the world, to save the last surviving member of one's family, and to finish preparations in order to survive the Seasons. The tone in the novel is dread due to the choices and consequences of saving the world and reuniting with estranged loved ones. However, if it came down to two possibilities, then which choice would you make? This is what the author has her characters do, they must make a choice and live, or die, with the consequences.
The appeal for The Stone Sky have been massive and monumental! Not only did this novel win the Nebula Award (2017) and the Locus Award (2018) for Best Novel, but also won the Hugo Award for Best Novel (2018)! This means that The Broken Earth Trilogy has won the Hugo Award in the same category in three consecutive years! N.K. Jemisin is the first author to accomplish this feat; and, it's well-deserved! The Broken Earth Trilogy is not only a must read for readers of speculative fiction, but also is a magnificent work of literature overall. There have been people who've read this series and found it to be an excellent story regardless of its genre. The message of the cost and the resistance that results from oppression and the end-of-the-world is received—although it's not practiced in our world, yet—and is the reality within the fiction. The Stone Sky completes this trilogy and is a must read within the canon of speculative fiction.
The Stone Sky is a strong and powerful end to this ambitious trilogy. N.K. Jemisin has managed to raise the expectations and the standards of writing and presenting a work of speculative fiction. This book series is one of my all-time favorites. Not to mention, I'll be re-reading and recommending these books for years to come! Everyone needs to read this amazing trilogy!
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Why You Need to Read: "The Obelisk Gate"
The Broken Earth 2: The Obelisk Gate
Genre: Science Fiction, Dystopian
*Winner of the Hugo Award for Best Novel 2017*
"We're going somewhere you can be better," he says gently. "Somewhere I heard of, where they can help you." Make her a little girl again, and not…He turns away from this thought, too.
She swallows, then nods and steps back, looking up at him. "Is Mama coming, too?"
Something moves across Jija's face, subtle as an earthquake. "No."
And Nassun, who was fully prepared to go off into the sunset with some lorist, relaxes at last. "Okay, Daddy," she says, and heads to her room to pack.
Jija gazes after her for a long, breath-held moment. He turns away from Uche again, gets his own things, and heads outside to hitch up the horse to the wagon. Within an hour they are away, headed south with the end of the world on their heels," (1: Nassun, on the rocks).
N.K. Jemisin presented a believable futuristic dystopian world by blending science and history—with a bit of magic—in The Fifth Season, the first book in The Broken Earth Trilogy. The book received tons of praise from both readers and critics alike; and, it even won the Hugo Award for Best Novel in 2017. The book's characters, history, revelations and cliffhangers have readers wondering what would happen next. We get some answers in the second book in the trilogy, The Obelisk Gate.
The protagonists in this book focuses on Essun and Nassun—mother and daughter—who are trying to survive the Fifth Season while trying to keep their orogene abilities discreet. Unfortunately, the latter is no longer an option because the secret has been exposed, with deadly consequences. Nassun, who is eight years-old, was fantasizing of a life away from her home, and her mother, when her actions led to her father learning the truth about his family, unintentionally. Nassun is whisked away by her father—who is relying on a fantasy for a return to "normalcy"—not realizing that she was safer with her mother than with her father. Yet, the further away father and daughter travel from their home, so does their relationship. Nassun starts to believe that something is wrong with her as her father starts and continues his physical abuse towards her. When they do arrive at the "haven," Nassun learns the truth about her mother's treatment of her and why her brother was killed. Not to mention, Nassun meets someone who once knew her mother, and he has plans for the daughter. All the while, Jija doesn't appreciate being tricked a second time. How much pain and trauma can a little girl experience before lashing out at the world? Meanwhile, Essun's journey to rescue her daughter has been halted by the change in the atmosphere due to the changing seasons and her running into someone else she believed to be dead. And, that person wants her to finish a task he started but is unable to continue. Along with her companions—both from the past and the present—Essun tries to figure out a way to do the impossible, which could save everyone. Both mother and daughter develop both as individuals and in their orogene abilities. Essun has to start where she left off 10 years ago and to determine for herself how powerful she really is; at the same time, Nassun learns of the life her mother was trying to protect her from. All she can do is protect herself by becoming smarter and more powerful in orogeny. Nassun is in survival mode and she refuses to let anyone, or anything, hurt her again.
The plot continues where it left off in the first book: a mother seeks her missing daughter and vengeance for her murdered son. Along the way, Essun's past catches up with her and soon she realizes that she has to make peace with her past before any more harm can come to her daughter. In spite of that, Nassun does experience everything her mother did, but in a location unknown to other Guardians and with its own set of rules. While Nassun does prove to be very talented in orogeny—thanks to her mother—she doesn't have the same fear of the Fulcrum as Essun did. Instead, Nassun's fears are reserved for her father, who slowly realizes that there is no way to rid oneself of orogeny. There are two subplots in this story, which develop alongside the plots. The first is the life in a comm during a Season. While Essun and her companions figure out a way to accomplish their tasks, the members of the comm devise plans and methods for their survival of the Season. It is unclear how long the Season will last and who will survive (a lot of harsh decisions will be carried out), but everyone must work together to ensure their survival. The second subplot focuses on the Stone Eaters. The surviving orogenes—particularly the powerful ones—and the readers, learn more about them and their nature including their lifespans, their goals, and their need to protect the orogenes. This subplot is interesting because while the world knows of their existence, little is known about them. These subplots function as world-building elements as well. This is because to understand how and why a Season changes everything, an explanation of the world must be given to the readers.
The narrative in The Obelisk Gate is more straightforward. In The Fifth Season, the narrative jumps between two timelines in the past and two in the present. In the sequel, the sequence sticks with the present as it moves between the points-of-view of the protagonists. However, the P.O.V.s does shift between 1st, 2nd, and 3rd person amongst ALL of the characters. Readers should be used to the changing P.O.V.s; and, if not, then they should know that these multiple P.O.V.s do provide the streams-of-consciousness from reliable narrators. Yes, even foes and children can be reliable narrators. These narrative methods allow readers to follow the story while understanding what is happening to the characters at the end-of-the-world.
The style N.K. Jemisin uses in The Obelisk Gate combines science and communal survival during an emergency with the themes and the practices of systematic oppression and abuse on a group of individuals. All of the talks about the Moon, satellites and seismic activity is based on science. The practice of "harboring" people who are different in separate facilities and "training" them to be "useful" is a form of oppression. And, while differences should be ignored when a group of people are hunkered down and trying to survive, that doesn't always occur. Old practices die hard and there are always victims. In fact, it is known for abuse to increase during such times and relationships change as well (and not for the better). The mood in this novel is preparation. The world has acknowledged that a Season has begun and everyone works and strives in order to survive it. That means a lot of harsh decisions and cruel practices are carried out, but it must be done in order to ensure survival. The tone relates to the idea that only the strong and the useful survive an apocalypse. We don't want to admit this, but it's the truth within the fiction. And, the author makes sure that we remember this truth regarding the survival of the fittest in a dystopian world.
The appeal for The Obelisk Gate adds to the praise of The Fifth Season. Not only has the second book achieved the same acclaim as the first book by critics and fans, but also was nominated for several speculative fiction awards and won the Hugo Award a year after the first book did, which is a rare achievement! The success of this series of far has brought readers of different genres to read this work of speculative fiction. And, with the cliffhanger at the end of the book, readers will be eager to learn how the story ends in The Stone Sky.
The Obelisk Gate is a brilliant sequel to The Fifth Season. The development of the plot and the characters alongside the pacing continues to keep readers engaged in the story. The themes of family, survival, oppression and truth are found within the narrative as reminders that an apocalypse doesn't always bring people together for the greater good. Survival is the key.
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The Shortlist Award Reading Challenge 2019—The End
As some of you may or may not know, I decided to partake of this crazy reading challenge in which, I would read as many of the nominees of the largest book awards for speculative fiction I could by the time the winners were announced. Obviously, this was easier said than done, but I did read a lot of amazing books, and many of them did NOT win the awards. In addition, I learned of more awards that were given to these authors in different regions throughout the world—if anyone knows of an award given in Asia, then please let me know—and I learned more about authors I've read or haven't read before.
I suggest that you go to the websites for these awards and take a look at all of the finalists because you might recognize the authors, their works and their other interested. Some of these authors only receive the recognition from these awards. And, I wouldn't have known who Lauren C. Teffeau and Nick Clark Windo were without doing this project.
I did read a lot of the winners and the nominees, but only the winners of each award and category will be listed here. I haven't written all of the reviews for some of the winners, yet; but, I hope to do so in the near future. Please read my reviews I've linked to the books, and let me know what you thought of the winners of these awards. And yes, I'm doing this again for 2020!
Philip K. Dick Award
Winner: 84K by Claire North
Compton Crook/Stephen Tall Award
Honors the Best 1st Science Fiction/Fantasy/Horror Novel of the Year
Winner: The Poppy War by R.F. Kuang
British Science Fiction Association (BSFA) Award
Novel: Embers of War by Gareth L. Powell
Shorter Fiction: Time Was by Ian McDonald
Non-Fiction: "On motherhood and erasure: people-shaped holes, hollow characters and the illusion of impossible adventures" by Aliette de Bodard
Artwork: Likhain's "In the Vanishers' Palace: Dragon I and II"
Novel: The Calculating Stars by Mary Robinette Kowal
Novella: The Tea Master and the Detective by Aliette de Bodard
Novelette: "The Only Harmless Great Thing" by Brooke Bolander
Short Story: "The Secret Lives of the Nine Negro Teeth of George Washington" by Phenderson Djèlí Clark
Game Writing: "Black Mirror: Bandersnatch," Charlie Brooker
The Ray Bradbury Award for Outstanding Dramatic Presentation: "Spider-Man: Into the Spider-Verse," Screenplay by Phil Lord & Rodney Rothman
The Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book: Children of Blood and Bone by Tomi Adeyemi
The Hugo Awards
Novella: Artificial Condition by Martha Wells
Novelette: "If at First You Don't Succeed, Try, Try Again" by Zen Cho
Short Story: "A Witch's Guide to Escape: A Practical Compendium of Portal Fantasies" by Alix E. Harrow
Series: Wayfarers by Becky Chambers
Related Work: Archive of Our Own, a project of the Organization for Transformative Works
Graphic Story: Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda
Dramatic Presentation:
Long Form: "Spider-Man: Into the Spider-Verse"
Short Form: "The Good Place: Janet"
Short Form: Gardner Dozois
Long Form: Navah Wolfe
Professional Artist: Charles Vess
Semiprozine: "Uncanny Magazine"
Fanzine: "Lady Business"
Fancast: "Our Opinions Are Correct"
Fan Writer: Foz Meadows
Fan Artist: Likhain (Mia Sereno)
Art Book: The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. LeGuin
Lodestar Award for Best Young Adult Book: Children of Blood and Bone by Tomi Adeyemi
John W. Campbell Award for Best New Writer: Jeannette Ng
Brave New Words Award
Given to an individual who produces break-out literature that is New and Bold.
Winner: Empire of Sand by Tasha Suri
The Arthur C. Clarke Award
Given for Science Fiction Literature
Winner: Rosewater by Tade Thompson
Locus Awards
Science Fiction Novel: The Calculating Stars by Mary Robinette Kowal
Fantasy Novel: Spinning Silver by Naomi Novik
Horror Novel: The Cabin at the End of the World by Paul Tremblay
Young Adult Book: Dread Nation by Justina Ireland
First Novel: Trail of Lightning by Rebecca Roanhorse
Novelette: "The Only Harmless Thing" by Brooke Bolander
Anthology: The Book of Magic edited by Gardner Dozois
Collection: How Long 'til Black Future Month? By N.K. Jemisin
Magazine: Tor.com
Editor: Gardner Dozois
Artist: Charles Vess
Non-Fiction: Ursula K. LeGuin: Conversations on Writing by Ursula K. LeGuin & David Naimon
Art Book: Charles Vess, The Books of Earthsea: The Complete Illustrated Edition, Ursula K. LeGuin
British Fantasy Awards
Fantasy Novel: The Bitter Twins by Jen Williams
Horror Novel: Little Eve by Catriona Ward
Newcomer: Tasha Suri for Empire of Sand
Short Fiction: "Down Where Sound Comes Blunt" by GV Anderson
Anthology: Year's Best Weird Fiction, Vol. 5, edited by Robert Shearman & Michael Kelly
Collection: All the Fabulous Beasts by Priya Sharma
Non-Fiction: Noise and Sparks by Ruth EJ Booth
Independent Press: Unsung Stories
Magazine/Periodical: "Uncanny Magazine"
Audio: Breaking the Glass Slipper (www.breakingtheglassslipper.com)
Comic/Graphic Novel: Widdershins, Vol. 7 by Kate Ashwin
Artist: Vince Haig
Film/Television Production: "Spider-Man: Into the Spider-Verse"
2019 World Fantasy Awards
Lifetime Achievement Awards: Hayao Miyazaki, Jack Zipes
Novel: Witchmark by C.L. Polk
Novella: "The Privilege of the Happy Ending" by Kij Johnson
Short Fiction (tie): "Ten Deals with the Indigo Sky" by Mel Kassel
"Like a River Loves the Sky" by Emma Törzs
Collection: The Tangled Lands by Paolo Bacigalupi & Tobias S. Buckell
Artist: Rovina Cal
Special Award:
Professional: Huw Lewis-Jones for The Writer's Map: An Atlas of Imaginary Lands
Non-Professional: Scott H. Andrews for Beneath Ceaseless Skies: Literary Adventure Fantasy
Anthology: Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, edited by Irene Gallo
Bram Stoker Awards (2018)
Superior Achievement in a Novel: The Cabin at the End of the World by Paul Tremblay
Superior Achievement in a First Novel: The Rust Maidens by Gwendolyn Kiste
Superior Achievement in a Young Adult Novel: The Dark Descent of Elizabeth Frankenstein by Kiersten White
Superior Achievement in a Graphic Novel: Victor LaValle's Destroyer by Victor LaValle
Superior Achievement in Long Fiction: The Devil's Throat (Hellhole: An Anthology of Subterranean Terror)
Superior Achievement in Short Fiction: "Mutter" (Fantastic Tales of Terror) by Jess Landry
Superior Achievement in a Fiction Collection: That Which Grows Wild by Eric J. Guignard
Superior Achievement in a Screenplay: The Haunting Hill House: The Bent-Neck Lady, Episode 01:05 by Meredith Averill
Superior Achievement in an Anthology: The Devil and the Deep: Horror Stories of the Sea by Ellen Datlow
Superior Achievement in Non-Fiction: It's Alive: Bringing Your Nightmares to Life by Joe Mynhardt and Eugene Johnson
Superior Achievement in a Poetry Collection: The Devil's Dreamland by Sara Tantlinger
Aurealis Award (2018)
Recognizes the achievements of Australian science fiction, fantasy and horror writers.
Young Adult Short Story: "The Sea-Maker of Darmid Bay" by Shauna O'Meara
Young Adult Novel: Catching Teller Crow by Ambelin Kwaymullina & Ezekiel Kwaymullina
Science Fiction Novel: Lifel1k3 by Jay Kristoff
Fantasy Novel (tie): City of Lies by Sam Hawke
The Witch Who Courted Death by Maria Lewis
Horror Novel: Tides of Stone by Kaaron Warren
Children's Fiction: The Endsister by Penni Russon
Graphic Novel/Illustrated Work: Tales from The Inner City by Shaun Tan
Horror Novella: Crisis Apparition by Kaaron Warren
Horror Short Story: "Sub-Urban" by Alfie Simpson
Fantasy Novella: "The Staff in the Stone" by Garth Nix
Fantasy Short Story: "The Further Shore" by J. Ashley Smith
Science Fiction Novella: Icefall by Stephanie Gunn
Science Fiction Short Story: "The Astronaut" by Jen White
Collection: Tales from The Inner City, edited by Shaun Tan
Anthology: The Best Science Fiction & Fantasy of the Year, edited by Jonathan Strahan
The Sara Douglass Book Series Award: Blackthorn & Grim Trilogy by Juliet Mariller
Convenors' Award for Excellence (tie):
Cat Sparks, The 21st Century Catastrophe: Hyper-capitalism and Severe Climate Change in Science Fiction (PhD exegesis Curtin University)
Kim Wilkins, Lisa Fletcher and Beth Driscoll, Genre Worlds: Australian Popular Fiction in the 21st Century (http://www.genreworlds.com)
Nommo Award (2018)
Recognizes the works of speculative fiction by Africans, defined as "science fiction, fantasy, stories of magic and traditional belief, alternative histories, horror and strange stuff that might not fit anywhere else," awarded by the African Speculative Fiction Society.
Novel (The Ilube Award): Freshwater by Akweake Emezi
Novella: The Fire Bird by Nerine Dorman
Short Story: "The Witching Hour" by Ekpeki Oghenechovwe Donald
Comic or Graphic Novel: Shuri by Nnedi Okorafor
SPFBO (Self-Publishing Fantasy Blog-Off) 2018 (4th)
Started by Mark Lawrence, yes THAT one, with the purpose to "shines a light on self-published fantasy. It exists to find excellent books that might otherwise have gone unnoticed." The contest starts with 300 books and it gradually narrows down to 10 finalists! The judges are readers who are bloggers and vloggers. Note: some of these authors gain a following and some even earn a publishing contract, so don't ignore these books!
Winner: Orconomics by J. Zachary Pike
Finalists:
The Gods of Men by Barbara Kloss
The Purification Era Book One: Sowing by Angie Gricaliunas
We Ride the Storm by Devin Madson
Symphony of the Wind by Steven McKinnon
The Anointed by Keith Ward
Conspiracy of Magic Book One: Ruthless Magic by Megan Crewe
Sworn to the Night by Craig Schaefer
Iconoclasts Book 1: Aching God by Mike Shel
Out of Nowhere by Patrick LeClerc
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Speculative Fiction: A Label for the Growing Spectrum of the Genres: Fantasy, Science Fiction & Horror
*My 100th Blog Post!*
For the past year in which I have devoted more time to working on my blog, I have gained a larger audience—followers, readers and other supporters—than I thought possible. Remember, even the most successful bloggers and vloggers start out as "small channels" and are thankful for those who support them. I feel the same way. Knowing that you all have taken the time to read, to comment, to subscribe/follow, and to share my content is a great feeling. I'm extremely grateful for all of you, and it's because of you all I know what I'm doing is being appreciated by the macrocosm.
One of several topics I've been discussing with other fans, readers, bloggers and vloggers is the concept of genre and the limitations its definition bestows upon it. The notion that genres can and should be placed within "fixed" classifications is similar to the concept that gender is binary—which, it isn't! Over the last 100 years, the genres have become more ubiquitous and more successful due to books written by L. Frank Baum, J.R.R. Tolkien, C.S. Lewis, T.H. White, J.K. Rowling, Frank Herbert, Arthur C. Clarke, Octavia Butler, Samuel R. Delany, Ursula K. LeGuin, Shirley Jackson, Isabel Allende, Haruki Murakami, Alan Moore, Stephen King, Anne Rice, etc. And, due to movies such as: The Invasion of the Body Snatchers, E.T., the Extraterrestrial, Star Wars, Star Trek, Pan's Labyrinth, Akira, etc. Toward the end of the 20th century, other formats of literature and visual entertainment such as comics, graphic novels, manga, video games and music were becoming more popular and expansive. Imports from around the world—i.e. Japan, India, Spain, etc.—have presented popular works of these genres to fans as well.
Before the 2000s—I want to say around the 1970s—an emergence of works were presented and released to the public. Besides the Harry Potter Phenomenon and The Lord of the Rings movies, there was Buffy, the Vampire Slayer, The Matrix, and the continued book releases by Stephen King, Anne Rice and Robert Jordan. In addition, video games were growing in popularity and in addition to Mario, Sonic and Zelda there were Final Fantasy, Resident Evil and Shin Megami Tensei. Even those who weren't reading the books, watching the TV shows or movies, or playing the video games were exposed to fantasy, science fiction and horror. Yet, why did some people prefer Harry Potter over The Lord of the Rings? What was it about Laurell K. Hamilton's books that had some readers prefer her books over Anne Rice's? What is it about Shin Megami Tensei, which has several spinoffs—including Persona—that has more of a cult fan base that players find appealing?
What I'm getting at is: how would you describe a book like The Northern Lights/The Golden Compass, the Dragon Quest video game series (besides Japanese role-playing games, or JRPGs), or even the Batman comics? Yes, one is a Young Adult novel, one is a JRPG, and the last is a superhero comic book series; but, aren't there other genres to classify these works besides their marketing ones? Philip Pullman's His Dark Materials Trilogy is a blend of fantasy, science (fiction), religion and philosophy—what did you expect from an Oxford professor? Dragon Quest is a JRPG with elements from the fantasy and adventure genres. Batman—one of the oldest and greatest superhero series of all-time—is a gritty and dark story about a traumatized man who uses his wealth and his wits to go up against the most dangerous criminals in his city. Nowadays, we would consider Batman to be a psychological thriller superhero series with elements of grimdark. Then again, with the recent success of the TV shows Game of Thrones and The Walking Dead, there were many non-readers and fans who said things like, "I don't like fantasy, but I love Game of Thrones," or "I don't like zombies, but The Walking Dead is a great show," etc. Yes, those shows were media adaptations, which are examples of fantasy and dystopia books that "divert" from "traditional" or "familiar" tropes. However, there are fans of those tropes who are not interested in neither the TV show nor the books. So, why are those the exceptions? They are NOT!
Speculative fiction is a term that is being used more and more in order to describe literature and media that fall under the "traditional" genres of science fiction, fantasy, horror and comics. According to Marek Oziewicz, speculative fiction, "includes fantasy, science fiction, and horror, but also their derivatives, hybrids, and cognate genres like the gothic, dystopia, weird fiction, post-apocalyptic fiction, ghost stories, superhero tales, alternate history, steampunk, slipstream, magic realism, fractured fairy tales and more," (3). In other words, speculative fiction includes: urban fantasy, mythological fantasy, zombies, paranormal, space operas, metaphysical, silkpunk, occult, military, historical, romance, etc., etc. Any and all of the genres and subgenres makeup this term.
So why do some people—authors, writers, readers, critics, academics, fans—use this term? It's because there are times when a medium either has more than two genres associated within it or displays aspects of speculative fiction that doesn't fall under any of the "fixed" genres. For example, the Super Mario Bros. franchise is a video game series classified under both "action/adventure" and "platformer," but could it be categorized in the fantasy genre due to the levels being in an imaginary world, or could it fall under horror or paranormal due to the ghosts and the skeletons, or even science fiction, especially in the context of the Super Mario Galaxy games? In this case, the term speculative fiction would fit best for this gaming franchise. I should mention that I'm not the one who should be recategorizing video games. Then again, this is proof that the term speculative fiction is becoming both recognizable and interchangeable.
Speculative fiction seems to become the more acceptable them to use when explaining works and forms of non-mimetic fiction without listing all of the many subgenres associated with it. Recent examples include The Broken Earth Trilogy by N.K. Jemisin and Gods of Jade and Shadow by Silvia Moreno-Garcia. The first has been categorized under fantasy, science fiction, dystopian literature and magic realism (the last one was on Amazon); and, the second has been categorized under fantasy, mythology, magic realism and historical fiction. Which is easier: listing all of those genres and subgenres in a description, or saying speculative fiction containing elements of certain genres and subgenres such as: a story about the end of the world and Mayan Gods during the Jazz Age? While speculative fiction is an umbrella term, many of us have been using it as a shortcut to explain a collection of books, films and video games.
Another factor surrounding speculative fiction concerns education and academia. How many of you remember reading Edgar Allan Poe and/or Turn of the Screw by Henry James in school and in college? How many of you remember reading The House of the Spirits, One Hundred Years of Solitude, or Haroun and the Sea of Stories in school or in college? And, how many of you remember reading one of the many dystopian books: Lord of the Flies, A Handmaiden's Tale, 1984, Fahrenheit 451, The Giver, Brave New World, etc., in school and in college? Now, how many fantasy, fairy tales, and myths and legends were assigned to you after primary/elementary school? Keep in mind, there are courses and electives about these genres in college, but not everyone gets to take those classes (I was lucky enough to do so). Without going into too much detail, I've had disputes about fantasy literature with a few academic professors. Some of them believe that fantasy has no place in higher education except for in Children's and Adolescent Literature (i.e. teaching, library science). However, scholars are responsible for some of the most recognized works in fantasy. Lewis Carroll, J.R.R. Tolkien, C.S. Lewis and Philip Pullman were Oxford professors. In addition, there are academic scholars who study and write books and articles about fantasy, science fiction and horror such as: Edward James, Farah Mendlesohn, John Grant, Nnedi Okorafor, John Clute, Jack Zipes and Tzvetan Todorov. This history and the study of these genres are just as essential as reading the fiction. I hate to say it, but speculative fiction seems to be the "safer" and the "more acceptable" term to use when it comes to discussing these genres.
So, why do I use the term speculative fiction? My simplest answer is because it signifies all of the genres I enjoy to read, to watch, to write and to game the most. Saying speculative fiction instead of the longlist of genres and subgenres is the easiest and the quickest way to describe certain works of media. If a book can be categorized in more than one genre or subgenre, then why not save the breakdown for a discussion with others in a fandom, or with authors and publishers? Most important, using the term speculative fiction does not limit the story of any medium to one genre. It allows a fan of a metaphysical book to say that "there's elements of fantasy in this story," or "the religion in this book is based on the myths and the history of this ancient civilization." Speculative fiction is a term that allows an audience to observe the broader spectrum of a medium with similar beginnings and interconnecting styles of storytelling. However, there will continue to be moments where a book is categorized as "hard sci-fi," a video game is of the "horror" genre, and Disney continues to fracture fairy tales. This is the new Golden Age of Speculative Fiction so we might as well enjoy everything that is presented to us while opening the doors for an open interpretation.
Thank you for reading my post(s), following my blog and my social media pages! Here's to many more posts in the future and to several open discussions! Please like and comment here or on my other posts; and, be sure to check out the following references about our favorite genre(s).
James, Edward and Farah Mendlesohn, editors. The Cambridge Companion to Fantasy. Cambridge University Press, 2012.
James, Edward and Farah Mendlesohn, editors. The Cambridge Companion to Science Fiction. Cambridge University Press, 2003.
Martin, Philip. A Guide to Fantasy Literature: Thoughts on Stories of Wonder & Enchantment. Crickhollow Books, 2009.
Oziewicz, Marek. "Speculative Fiction." Oxford Research Encyclopedia of Literature, March 2017, p.1-22. doi: 10.1093/acrefore/9780190201098.013.78
Stableford, Brian. The A to Z of Fantasy Literature. The Scarecrow Press, Inc., 2009.
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Why You Need to Read…My Most Anticipated Speculative Fiction Books of 2020
2020 is coming and so are the books. Many of them are to be expected because they are follow-ups or sequels to previous books in a series. Others are either new or standalones books that have piqued our interests. Here is a short list of the books I'm excited to read in the new year (and, new decade). Note: if there is a book that is NOT listed here, then it is because either no release date has been announced, or I have not yet read the previous book(s) in that series. Also, keep in mind that intended release dates can change due to multiple reasons. This is based on the dates stated on the day this was posted.
#1 The City We Became (The City #1) by N.K. Jemisin à March 26, 2020
Many of us have been waiting for N.K. Jemisin to follow-up on her success of The Broken Earth Trilogy and we won't have to wait much longer. This urban fantasy is a follow-up of the author's short story, "The City Born Great," and it appears to be an expansion of the "mythology" she mentioned in it. The focus is on New York City and its five protectors as they come together to protect the city from an ancient evil. As a New Yorker, I'm curious to see which aspects of City life the author decided to incorporate into her story.
#2 The Network Effect (The Murderbot Diaries #5) by Martha Wells à May 5, 2020
When it was announced that there would be a novel to continue The Murderbot Diaries series, I not only added the novel to my TBR list, but also made sure I was either able to claim an ARC of the book, or to preorder a copy of it! All we know of the plot so far is that Murderbot has to choose between saving his human friends and binge watching his favorite TV show. We already know what it's going to do, and the story is going to be epic! I'm glad the author chose to continue this series!
#3 The Shadow Saint (The Black Iron Legacy #2) by Gareth Hanrahan à January 7, 2020
This one shouldn't surprise anyone. The Gutter Prayer was my favorite speculative fiction book of 2019, and the sequel, The Shadow Saint, has been on my TBR list since I started reading the first book in the series. The sequel takes place six months after the events in The Gutter Prayer. All we know is that the two warring factions—probably the ones from the first book—are competing against one another in search of a rumored weapon. It's not clear whether or not any of the characters from the first book will appear in the second one, but if The Shadow Saint is anything like its predecessor, then we have nothing to worry about.
#4 Daughter from the Dark by Marina & Sergey Dyachenko à February 11, 2020
Vita Nostra was my favorite book of 2018, so you know I'm looking forward to reading this book by the husband and wife duo! This is a standalone novel is about a man who saves a 10-year-old girl from danger, who claims to be a music prodigy who is searching for her missing brother. Not sure whether or not the girl is a con artist, the man does everything he can in order to get the girl to leave, but every time he does, a "protector" thwarts him. All the while, darker forces threaten to separate the two before either of them can determine whether or not there's a connection between them.
#5 Ten Arrows of Iron (The Grave of Empires #2) by Sam Sykes à August 4, 2020
Seven Blades in Black was my surprise read of 2019 and I've been anticipating the sequel since I finished it! Based on the synopsis, Sal is alone after the events of the previous book. However, she gains new purpose when she is asked to participate in a heist on the airship fleet, the Ten Arrows, in order to steal power for a mysterious patron. Things turn for the worse when Sal uncovers yet another conspiracy which may or may not with the death and the destruction of the world, again. If Ten Arrows of Iron is anything like its predecessor, then I already know it's going to be fast-paced and full of action!
#6 The Girl and the Stars (Book of the Ice #1) by Mark Lawrence à April 30, 2020
The author is basing his new series in the same world as in the Book of the Ancestor Trilogy. Except now, readers will be transported to the Ice instead of a convent. Yaz is an ice triber who survives the harsh environment based on the ways of her people. However, she is separated from that life and everyone she knows and Yaz has to learn how to survive in a world she never knew existed. Fans and readers get to return to Abeth for a new story set in a world we only got a glimpse of before.
#7 The Empire of Gold (The Daevabad Trilogy #3) by S.A. Chakraborty à June 30, 2020
Daevabad has fallen to the rebels, unrest has erupted amongst the denizens, and magic has disappeared from the world. Meanwhile, both Nahri and Ali are safe in Cairo but decide to save their loved ones in the fallen kingdom. At the same time, Dara must confront his guilt while working alongside Banu Manizheh in order to bring some stability to the kingdom they've managed to overtake. The Empire of Gold is the final book in the author's trilogy and we're wondering who will survive the final fight for power within Daevabad.
#8 The Burning God (The Poppy War #3) by R.F. Kuang à November 19, 2020
There is no synopsis for this book, but here's my hypothesis. The final book in The Poppy War Trilogy sees Rin struggling with the few friends she has left after more death and betrayal from both allies and enemies. However, she might have figure out the secret to the Empress' power, but before she can do anything, she must face-off against the colonizers and those who betrayed her.
#9 Legacy of Ash (Legacy Trilogy #1) by Matthew Wardà April 7, 2020 (Print)
This debut novel focuses on three protagonists with different motivations must work together in order to save their country from a hostile empire. This is easier said than done, but are old hatreds and grudges worth it when their empire is about to fall to destruction? The eBook is available to purchase, but I know many are awaiting to read the printed format.
#10 The Nine Realms by Sarah Kozloff à
#1: A Queen in Hiding à January 21, 2020
#2: The Queen of Raiders à February 18, 2020
#3: A Broken Queen à March 24, 2020
#4: The Cerulean Queen à April 21, 2020
Fantasy readers are in for a treat! The Nine Realms is a new series and both the author—who is making her debut—and the publisher—Tor Books—are releasing all four books within four consecutive months! Instead of waiting until after the author writes the next book in the series, each book will be released so that readers can enjoy the series—all 1,968+ pages of it—within a short time span. In other words, the time between each novel is more than enough time for readers to read and to process each one. The efforts of both the author and the publisher are appreciated immensely!
The series is a fantasy bildungsroman and it follows Cérulia, Princess of Weirandale, who is starts off as an exiled and hunted orphan who is determined to do whatever it takes to reclaim the throne that is her birthright. Readers will get to experience the protagonist as she learns magic and how to fight; to participating in a battle against the invaders; to recovering from both visible and invisible scars caused by the war; to reclaiming her throne and establishing herself as a ruler and restoring order to the realm that was left in chaos. This journey sounds so promising that it's no wonder the author and the publisher decided to release the books in consecutive months!
#11 The Ranger of Marzanna (The Goddess War #1) by Jon Skovron à April 21, 2020
Two siblings find themselves on opposing sides of allegiance to the Empire. After their father is murder by imperial soldiers, one will seek to destroy the Empire, while the other will strive to protect it. Sonya is a Ranger of Marzanna, an ancient sect of warriors and her brother, Sebastian, is the most powerful sorcerer in the world. What will happen when the siblings face-off against each other?
#12 The Obsidian Tower (The Gate of Secrets #1) by Melissa Caruso à June 4, 2020
The granddaughter of the ruler of a kingdom has broken magic. Although Ryx is mage-marked, all she can do is drain the life from everything she touches, making her place in society unstable. However, after she kills a visiting dignitary and activates a mysterious magical artifact, both by accident, she flees and meets up with a group of unlikely magical experts who are investigating the disturbances of the kingdom. Once, Ryx learns that her family is in danger, she risks everything to save them and to gain control of the same artifact she activated. The Obsidian Tower is the first book in a new series by the author of the Swords and Fire trilogy.
#13 Call of the Bone Ships (The Tide Child Trilogy #2) by R.J. Barker à September 2020
There is little to no information about this book and I had to confirm the rumored anticipated release date with the author. My hypothesis: the Tide Child continues its voyage into uncharted territory in order to determine whether or not the "sea dragons" are as endangered as everyone else believes them to be. At the same time, the crew must fend off any suspicious and curious ships whom decide to follow the path of their voyage.
#14 The Fires of Vengeance (The Burning #2) by Evan Winter à July 16, 2020
All that is known about this sequel to The Rage of Dragons is that it takes place after the events in the first book. I'm going to make a hypothesis and say that the story follows Tau as he continues his path towards vengeance for his father's death and the betrayal of his warrior brothers. The Fires of Vengeance is a continuation of the war between two nations, but loyalties have altered since the end of Book One.
#15 The Memory of Souls (A Chorus of Dragons #3) by Jenn Lyons à August 25, 2020
I haven't started to read The Name of All Things, the second book in A Chorus of Dragons Trilogy, but I know I'll be done with it in time to read The Memory of Souls, the last book in the same trilogy. Kihrin has managed to convince everyone of the plans of his enemies to release the dark god, thus ending the world. There might be a way to prevent this from happening, but at the cost of all of the immortals. However, will Kihrin have to make the ultimate sacrifice in order to save the world? Is he willing to do that?
#16 The Unspoken Name (The Serpent Gates #1) by A.K. Larkwood à February 11, 2020
If you were supposed to die, but were then given the opportunity to live, then would you take it? Csorwe was supposed to be a sacrifice for the gods, but a mage gives him the chance to live, with some conditions. All he has to do is become a thief, train as a spy and an assassin, topple an empire and help the mage reclaim his seat of power. What's the problem? Well, it turns out that Csorwe was supposed to be sacrificed for a reason; and the gods never forget.
#17 The Wolf of Oren-Yaro (Chronicles of the Bitch Queen #1) by K.S. Villoso à February 18, 2020
Queen Talyien was a hero of the War of the Wolves and set to marry the son of her father's rival. Unfortunately, he vanishes before their reign can begin and the fragile peace crumbles. Years later, the Queen receives a message and she crosses the sea towards the meeting place. She survives an assassination attempt and now must find a way home while surviving through a hostile land. The Wolf of Oren-Yaro is the debut novel of a new epic fantasy series by this up-and-coming author.
#18 The Protectorate #2 by Megan E. O'Keefe à August 18, 2020
The sequel to Velocity Weapon takes place after the events in that novel. After the truth of Sanda's imprisonment abroad Bero—whom escape from both Nazca and the Protectorate—she and Tomas flee before she can become a pawn of the greater powers. All they have are coordinates to a dead gate with no way to survive there. Unsure of what to do, Sanda and Tomas might have to plead to the only group willing to assist them, Nazca.
#19 Docile by K.M. Szpara à March 3, 2020
Dociline is a drug. It is given to Dociles when they serve out their contracts of servitude to those who own them. However, there are negative side effects to this drug and for some reason only Elisha is willing to avoid the drug. When his contract of servitude is purchased by the family of the creators of the drug, Elisha refuses to take it. This puts him at odds against Alexander Bishop III, who believes he can turn Elisha into a Docile without the drug. This story is a parable about sex, love, corruption and capitalism.
#20 Strange Exit by Parker Peevyhouse à January 14, 2020
Lake, the seventeen-year-old protagonist in this story, seems to be the only one who knows that the world she and everyone is living in is in fact a simulation. For some unknown reason, after a nuclear event everyone's bodies have remained in stasis and their minds are trapped within a shared virtual reality all aboard a spaceship. The only way to get off the ship is to remind all of the passengers that they are living in a virtual reality. Lake is accompanied by Taren, but he doesn't share the same views about saving everyone as she does and soon they are both of them are in a race to locate the heart of the simulation so that everyone can get off the ship dead or alive.
Additional Books to Lookout For:
Come Tumbling Down (Wayward Children #5) by Seanan McGuire à January 7, 2020
Stormsong (The Kingston Cycle #2) by C.L. Polk à February 11, 2020
The Killing Fog (The Grave Kingdom #1) by Jeff Wheeler à March 1, 2020
Race the Sands: A Novel by Sarah Beth Durst à April 21, 2020
Aurora Burning (The Aurora Cycle #2) by Amie Kaufman and Jay Kristoff à May 5, 2020
The Only Good Indians by Stephen Graham Jones à May 19, 2020
The Order of the Pure Moon Reflected in Water by Zen Cho à June 23, 2020
Ashes of the Sun (Burningblade & Silvereye #1) by Django Wexler à July 21, 2020
The Invisible Life of Addie La Rue by V.E. Schwab à October 6, 2020
Between Earth and Sky (Anasazi Series #1) by Rebecca Roanhorse à TBA 2020
These are some of the many books I plan to read in 2020. There are so many other books to expect—some to be released in 2020 and others beyond 2020—but, these are the ones I'm going to start reading, immediately. As for the obvious anticipated books that were not listed here, don't worry I plan on making my way through the previous books in those series so that I can read the follow-ups as soon as they are released. Which books are you excited for the most in 2020 Are there any other buzzworthy books to lookout for?
5 Comments Posted in Afrofuturism, ARCs, Audiobook, Authors/Writers, Award Winner, Book Spoilers, Books, Children's Fiction, Debut, Dystopia, Education, Family, Family Dynamics, Fantasy, Favorite Books, First in a Series, Folklore, Gender Roles, Goodreads, Grimdark, identity, LGBTQ, Literature, Mark Lawrence, Metaphysical Fiction, Middle Eastern Fantasy, Middle Grade Books, mystery, mythology, Paranormal, Parents and Parenting, Predictions, Reading, Review, School, Science Fiction, Sequel, Social Media, speculative fiction, Technology, Trilogy, Young Adult Fiction Tagged A Broken Queen, A Queen in Hiding, A.K. Larkwood, Amie Kaufman, Ashes of the Sun, Aurora Burning, Between Earth and Sky, Books 2020, books to read, C.L. Polk, Call of the Bone Ships, Come Tumbling Down, Daughter from the Dark, Django Wexler, Docile, Evan Winter, Gareth Hanrahan, Jay Kristoff, Jeff Wheeler, Jenn Lyons, Jon Skovron, K.M. Szpara, K.S. Villoso, Legacy of Ash, Marina and Sergey Dyachenko, Mark Lawrence, Martha Wells, Matthew Ward, Melissa Caruso, N.K. Jemisin, Orbit Books, Parker Peevyhouse, R.F. Kuang, R.J. Barker, Race the Sands, Rebecca Roanhorse, S.A. Chakraborty, Sam Sykes, Sarah Beth Durst, Sarah Kozloff, Seanan McGuire, Stephen Graham Jones, Stormsong, Strange Exit, Ten Arrows of Iron, Tha Shadow Saint, The Burning God, The Cerulean Queen, The City We Became, The Empire of Gold, The Fires of Vengeance, The Girl and the Stars, The Invisible Life of Addie La Rue, The Killing Fog, The Memory of Souls, The Network Effect, The Nine Realms, The Obsidian Tower, The Only Good Indians, The Order of the Pure Moon Reflected in Water, The Protectorate, The Queen of Raiders, The Ranger of Marzanna, The Unspoken Name, The Wolf of Oren-Yaro, Tor Books, Tor.com, V.E. Schwab, Zen Cho
The Shortlist Award Reading Challenge 2019
It seems that my #1 goal for 2019 is to exhaust myself into completing all of the other goals I have made for myself: get a job, read 100 books, read and post about ARCs, connect with authors and editors, work on my content for my social media pages, finish some of my WIP for submission, etc. Now, I've decided that I'm going to read the books that are nominated for various book awards.
I'm going to call it: The Shortlist Award Reading Challenge. Last year, I followed the Hugo Awards closely because I knew that The Stone Skyby N.K. Jemisin was going to win "Best Novel," and All Systems Redby Martha Wells was going to win "Best Novella." However, as I was looking at the shortlist for the other categories, I realized that I read many of the books and watched many of the media that were nominated. So, I decided to read as many of the other nominees as I could before the winners were announced. Not only did I caught up to many recent series, but also I started reading works by authors who had been writing in the genre for several years. I read what I could access through libraries, bookstores, and the Internet. This process was very insightful. Soon, I was able to select whom I believed should win the Hugo Awards. While I was correct in who won in categories such as Best Novel and Best Novella, I was wrong in other categories such as John W. Campbell Award for Best New Writer.
After the winners of the Hugo Awards were announced, I made a reaction video and posted it on my YouTube channel. Then, I continued looking into the nominees and their works. For example, while I am a huge fan of Katherine Arden's Winternight TrilogyI understood why Rebecca Roanhorse won the award in the category—Best New Writer—over her. And, I realized that some works won in the same category at other awards, and then there were a few awards in which one book won over another book. It makes you wonder if there was a difference in who voted based on preference and/or guidelines. Not to mention, one notices that other works win awards due to the way they stand out from the rest of the nominees per category.
Like everyone else, I read what is released when I am able to do so. In addition to reading my usual genres—fantasy, science fiction, magic realism, contemporary, classics, graphic novels, etc.—I read many debut novels and I catch up on series that were unknown to me previously. Now, with the 2019 Award Season gaining momentum, I'm excited to see what is nominated and who could win. TV shows and movies can be viewed from at least one viewing before comparing them. Video games are similar to books in that one must invest the time needed to immerse themselves within that narrative. I will comment on these categories for the given awards as well. As of right now, I noticed that once again, there are many books that I have not read, but I am willing to read as many of them as I can before the winners are announced.
I want to be able to determine for myself why these books and media have been nominated for these awards. I keep using the terms "books" and "media" because both fiction and non-fiction works get nominated, and movies, television shows, and video games get nominated, too. This is not only a chance to insert myself into what I might have missed otherwise, but also learn how and why these selections were nominated in the first place.
So, between now and the end of the 2019 award season, I will read as many of the nominated books and watch as many of the nominated media as I can. This way I can give my critiques before and after the awards. If you want to see the compiled list for the awards I will be following, reading, and critiquing, then please checkout this list on my Google Docs page: https://docs.google.com/document/d/1yzQEUvGTILR2LaGMVCibEbeZXp1q5PlSQIch9c0Q-IQ/edit. This list will be updated throughout the award season in order to add to the list, to highlight my reading progress, to provide access to my reviews of the nominees, and to mark the winners of each award in each category.
In addition, I will be continuing to upload reviews to this blog. Some of the nominees were reviewed previously, and I will continue to add more to my website so that you all have a better understanding of what each book is about. In other words, I'll do the reading—which, you can do as well—and I'll let you look over my notes, similar to what I did back in high school. As I complete the list of nominees—regardless of which award each one is nominated for—I will write, upload and share my review. As each awards ceremony gets closer, I will upload both a blog post and a YouTube video with my "prediction" on who should win and why. And, after each award ceremony, I will upload my reaction video on the winners. This is an arduous path I've put myself on, but I'm eager to attempt and to accomplish this ambitious goal.
Just so everyone knows, this will slow down my progress on my ARCs, essays, theories, and other reviews and content I am currently working on. However, they will get completed, eventually. The only thing that will put a complete halt on everything I've been doing is starting a new job—which I really, really need right now—and reworking my schedule to accomplish everything.
All that being said and addressed, I hope you either follow me, or participate with me as I read as many books as I can and offer my opinions on them. There will be many awards that I won't be able to add to this challenge, but I'm open to the names and the nominees of each of them. Who knows? I might have read some of those books already, too. This year's award season is going to be very exciting due to ALL of the nominees. It's going to be very close, so close that I might have to predict a (potential) second winner within some of the categories. Bring on the 2019 Shortlist Award Reading Challenge! Will you join me?
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Why You Need to Read: "The Winter of the Witch"
Winternight Trilogy: Book 3: The Winter of the Witch
Genre: Fantasy, Historical Fiction, Fairy Tale Retelling, Folklore, Magic Realism
PLEASE NOTE: The following contains minor spoilers from this novel and the series. You have been warned.
"You are a fool, man of God," he said. You never understood."
Konstantin said, "I never understood what?"
"That I do keep faith, in my own fashion," said the Bear.
(Chapter 23: "Faith and Fear")
The Winter of the Witch is the third and final book in Katherine Arden's Winternight Trilogy. What started with The Bear and the Nightingale—and yes, readers need to read that book and the second book, The Girl in the Tower, in order to know what is going on in the third book—ends with this beautiful end to a beautiful trilogy. This historical fiction fantasy starts where the second book ended, with Moscow recovering from both a fire and the actions of a wicked magician. Once again, Vasilisa Petrovna's actions have caught up with her, and she barely escapes with her life. Then, she must come up with a plan to unite ALL of Russia—humans and chyerti—to fight against the invading Tatars, and to find balance between two belief systems—Christianity and Paganism.
The characters are those we were introduced to from the previous books: Vasya, Sasha (her brother), Olga (her sister), Marya (her niece), Solovey (her stallion), Dmitrii Ivanovich (the Grand Prince), Morozko (the frost-demon), Medved (the chaos-spirit), Konstantin Nikonovich (the charlatan priest), and Varvara (the Head servant). New characters are introduced and mentioned as well. Together, all of the characters are active in Arden's story from the roles they play to the answers they provide to the readers'—and characters'—concerns and questions. Each character is well developed and motivated to accomplish their goals. The conviction in the protagonist, the antagonist(s), and the other characters remind the reader(s) that more scenarios are happening than the characters and we are aware of.
The plot, as I mentioned earlier, is both a continuation of the events in the previous book, and a continuation of Vasya's growth into an adult. Christianity is now the dominant religion in Russia with the amount of people who keep the older traditions decreasing, the Tatars continue their campaign to take over Russia, ancient feuds continue to play on, and Vasya is a step closer to coming into her own and accepting her destiny. These subplots are part of the main plot—Russia is changing, but not all things fade away with those changes—and they cannot wait to be dealt with. Each change, along with its dilemma, is addressed again and again until the story's end. It should be mentioned that each conflict does not get resolved and that is due to the reality found within the story. Conflict—from a minor issue to total chaos—never goes away. The three conflicts found within the plot are resolved, so that story ends, but the lives of the characters leaves for an ambiguous continuation and hope for both the surviving characters, and for the reader(s).
The narrative switches between the points-of-view of several characters: Vasya, Sasha, Olga, Konstantin Nikonovich, the Bear, Varvara, etc. Just like in other stories with multiple POVs, readers learn everything that is happening everywhere concurrently. The aftermath of Vasya's actions affect her throughout the story; Sasha and Olga come to terms with their family's history, gifts, and future; Konstantin Nikonovich achieves his goals with a bittersweet feeling to his conscience; and, the Bear, the Winter King, and Varvara have their roles to play in the war. Then, there is the other war that's coming for all denizens of Russia. If it's not one problem, then it is another problem. Remember, the first war for power happened in The Girl in the Tower, which was a short time ago within the narrative. Arden presents the conflicts and then shows how all of her characters deal with them within the story. Since the narrative is given from multiple viewpoints without the other characters knowing what is happening to other characters, readers know that each narrative is reliable and realistic. The resolution does not give the characters enough knowledge of what happened to the other characters as well, and that provides a believable ending.
The style of writing the author uses in this book is the same as it was in the previous books in the series. Magic realism is a genre of writing that is often used alongside the historical fiction genre. The difference is that folklore drives the narrative of a magic realism story. Arden's style follows this method of writing. The aspect that makes Arden's trilogy standout is the knowledge of the lore the denizens in the story have, because the lore remains as the world changes. Devout Christians are able to see the chyerti, and there are people who practice both "faiths." One of the best things about the author's trilogy is the way she reminds readers that old magic and ancient tales will always remain with the people (hence, the term "folklore"). Everyone knows them, some are aware of them, and few have the ability to use the deeper magic. Folklore is part of a culture, and Arden incorporated the importance of a country unifying, not just for its survival, but also for its way of life through their culture. The author did a beautiful job expressing this within her writing.
The appeal surrounding this novel is interesting. I've started reading the Winternight Trilogy from the release of The Bear and the Nightingale in 2017 and I knew Katherine Arden was one of my new favorite authors. I received an ARC of The Winter of the Witch, and while I was reading and gushing through it, I found that other readers picked up the first book out of curiosity and enjoyed it, too! If The Bear and the Nightingale was the first book that introduced us to Katherine Arden, then The Winter of the Witch is the book that cements her as one of the best speculative fiction authors in this era of publication. Katherine Arden takes folklore and reshapes it into a new story to be read and enjoyed the same way Neil Gaiman, Nnedi Okorafor and Naomi Novik have done within their books. The Winternight Trilogy proves that the speculative fiction canon has room for authors who write across multiple elements within the genre like Katherine Arden.
I am proud to say that I've read Katherine Arden's books since the publication of her first novel, and I've enjoyed them all! Now, while this review is about the last book in the trilogy, I still have to mention all of the books in the trilogy. There are many trilogies in the speculative fiction genre; and, when it comes to the trilogies I've read from that genre, the Winternight Trilogy leaves me with the same level of satisfaction as His Dark Materials (by Philip Pullman) and The Broken Earth (by N.K. Jemisin) trilogies. Anyone who knows about how I feel about those trilogies, know that's a big deal! Reading Vasya's journey from childhood to adolescence to adulthood was an absolute joy and I'm glad Katherine Arden shared her story with us. I recommend this novel, and the series, to all readers of the speculative fiction genre. None of you will be disappointed.
My Rating: MUST Read It Now!
5 Comments Posted in ARCs, Authors/Writers, Book Review, Book Spoilers, Books, Christianity, Fairy Tale Retellings, Family Dynamics, Fantasy, Favorite Books, Folklore, Freedom, Gender Roles, Goodreads, Literature, Old Magic, Paganism, Paranormal, Reading, Religion, religious beliefs, speculative fiction Tagged Aleksandr Peresvet, Christianity, chyerti, Dmitrii Ivanovich, Fairy Tale Retelling, Fantasy Literature, Favorite Books, Folklore, His Dark Materials, Historical Fiction, Katherine Arden, Magic, magical realism, Medved, Morozko, N.K. Jemisin, Naomi Novik, Neil Gaiman, Nnedi Okorafor, Paganism, Phillip Pullman, rating system, Solovey, speculative fiction, The Bear and the Nightingale, The Broken Earth, The Girl in the Tower, The Winter of the Witch, trilogies, Vasilisa Petrovna, Winternight Trilogy