text:
Non-aeronautical
Porto offers best value car parking for all European airports
By Chloe GreenbankAirports, Featured, News, Non-aeronauticalNo Comments
According to a study conducted in Q3, 2022 by confused.com car parking at Porto Airport in Portugal costs 97% less than local parking. The hub was also found to have...
Omnevo and AeroParker partnership to boost non-aeronautical revenue
By Chloe GreenbankAirports, Featured, Non-aeronauticalNo Comments
Airports digital marketplace developer Omnevo has formed a strategic partnership with airport digital parking solutions provider, AeroParker in a move that is expected to take airport non-aeronautical revenue "to the...
Perth Airport signs up to support Indigenous Art Code
Perth Airport has become a support member of Indigenous Art Code (IartC), calling for fair and ethical trade with Aboriginal and Torres Strait Islander artists as well as transparency in...
Stansted welcomes five new F&B concessions with contracts valued at €190m
HMSHost International, a travel hospitality specialist, has extended its presence in the UK securing the addition of five new stores and the extension of one store, for seven years at...
AIPUT makes £38m acquisition of industrial trade park
The Airport Industrial Property Unit Trust (AIPUT) has announced the acquisition of Trade City Luton, which forms part of the Kingsway Industrial Estate located in the heart of Luton and...
Doncaster Sheffield welcomes Enterprise Rent-A-Car
The UK's Doncaster Sheffield Airport (DSA) has partnered with Enterprise Rent-A-Car as part of its ongoing mission to offer an easy, friendly, relaxed experience to its customers. Enterprise is recognised...
Copenhagen Airport sets precedent for other air transport hubs as largest EV charging site in Denmark
As part of a long-term agreement, electric vehicle (EV) infrastructure supplier ABB will play a key role in helping Copenhagen Airport to achieve carbon neutrality in its own operations by...
Self-driving shuttle bus takes to the roads around Birmingham Airport
By Chloe GreenbankAirports, Featured, Ground handling, Non-aeronauticalNo Comments
As part of trials underway in Solihull in the UK, a state-of-the-art self-driving shuttle bus will take to the roads around Birmingham Airport over the next six weeks. The trial...
ACI World issues guidance on strengthening non-aeronautical revenue streams
With air travel set to increase following the easing of COVID-19 restrictions around the world, Airports Council International (ACI) World has launched a new series of guidance material dedicated to...
VolkerFitzpatrick awarded runway refurb contrat for Gloucestershire Airport
By Chloe GreenbankAirports, Design, Featured, News, Non-aeronauticalNo Comments
Gloucestershire Airport has appointed VolkerFitzpatrick, one of the UK's leading engineering and construction companies, to deliver a Civil Aviation Authority (CCA) approved upgrade to Gloucestershire Airport in 2022. The work...


text:
Does Multiculturalism Pay? Empirical Evidence from the United States and Canada
Nazmun N. Ratna, Quentin Grafton, Ian A. MacDonald
We investigate the economic impacts of social diversity and the consequent barriers of communication in Canada and the United States. Social diversity is explained by linguistic, cultural and religious differences across the 48 contiguous states in the United States and the 10 provinces in Canada. The ordinary least squares (OLS) and instrumental variables estimation show that social diversity increases per capita gross domestic product at the state and province level, but the positive economic pay-off from diversity diminishes as the level of fluency in official language declines. The empirical results provide an important economic rationale for overcoming linguistic divisions and "inclusive" multiculturalism in other pluralistic countries, such as Australia. Copyright
Economic Papers
Dive into the research topics of 'Does Multiculturalism Pay? Empirical Evidence from the United States and Canada'. Together they form a unique fingerprint.
Multiculturalism Business & Economics 100%
Empirical Evidence Business & Economics 66%
Canada Business & Economics 52%
United States of America Business & Economics 26%
Instrumental Variable Estimation Business & Economics 21%
Cultural Differences Business & Economics 17%
Economics Business & Economics 17%
Ordinary Least Squares Business & Economics 15%
Ratna, N. N., Grafton, Q., & MacDonald, I. A. (2012). Does Multiculturalism Pay? Empirical Evidence from the United States and Canada. Economic Papers, 31(4), 401-417. https://doi.org/10.1111/1759-3441.12003
Ratna, Nazmun N. ; Grafton, Quentin ; MacDonald, Ian A. / Does Multiculturalism Pay? Empirical Evidence from the United States and Canada. In: Economic Papers. 2012 ; Vol. 31, No. 4. pp. 401-417.
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Does Multiculturalism Pay? Empirical Evidence from the United States and Canada. / Ratna, Nazmun N.; Grafton, Quentin; MacDonald, Ian A.
In: Economic Papers, Vol. 31, No. 4, 2012, p. 401-417.
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N2 - We investigate the economic impacts of social diversity and the consequent barriers of communication in Canada and the United States. Social diversity is explained by linguistic, cultural and religious differences across the 48 contiguous states in the United States and the 10 provinces in Canada. The ordinary least squares (OLS) and instrumental variables estimation show that social diversity increases per capita gross domestic product at the state and province level, but the positive economic pay-off from diversity diminishes as the level of fluency in official language declines. The empirical results provide an important economic rationale for overcoming linguistic divisions and "inclusive" multiculturalism in other pluralistic countries, such as Australia. Copyright
AB - We investigate the economic impacts of social diversity and the consequent barriers of communication in Canada and the United States. Social diversity is explained by linguistic, cultural and religious differences across the 48 contiguous states in the United States and the 10 provinces in Canada. The ordinary least squares (OLS) and instrumental variables estimation show that social diversity increases per capita gross domestic product at the state and province level, but the positive economic pay-off from diversity diminishes as the level of fluency in official language declines. The empirical results provide an important economic rationale for overcoming linguistic divisions and "inclusive" multiculturalism in other pluralistic countries, such as Australia. Copyright
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redpajama_set_name: RedPajamaCommonCrawl


.COLDER TEMPERATURES ARE EXPECTED SUNDAY MORNING WITH TEMPERATURES DIPPING INTO THE MIDDLE TO UPPER 20S FOR SEVERAL HOURS FOR SOME LOCATIONS. LOW TEMPERATURES BELOW 28 DEGREES FOR SEVERAL HOURS CAN KILL CROPS. MONDAY MORNING THE COLD TEMPERATURES ARE EXPECTED TO BE A LITTLE MORE WIDESPREAD.
A HARD FREEZE IS DEFINED AS MINIMUM TEMPERATURES AT OR BELOW 28 DEGREES FOR AT LEAST 3 TO 5 HOURS.
PROTECT VEGETATION AND SENSITIVE PLANTS THE NEXT COUPLE OF MORNINGS.
THE NATIONAL WEATHER SERVICE IN SACRAMENTO HAS ISSUED A HARD FREEZE WARNING, WHICH IS IN EFFECT FROM 3 AM TO 9 AM PST SUNDAY. A HARD FREEZE WATCH HAS ALSO BEEN ISSUED. THIS HARD FREEZE WATCH IS IN EFFECT FROM LATE SUNDAY NIGHT THROUGH MONDAY MORNING. THE FREEZE WATCH IS NO LONGER IN EFFECT.
* TEMPERATURES...MIDDLE TO UPPER 20S FOR SEVERAL HOURS.
* IMPACTS...PROTECT CROPS AND SENSITIVE VEGETATION. BRINGS PETS INDOORS.
A HARD FREEZE WARNING MEANS SUB-FREEZING TEMPERATURES ARE IMMINENT OR HIGHLY LIKELY. THESE CONDITIONS WILL KILL CROPS AND OTHER SENSITIVE VEGETATION.
A HARD FREEZE WATCH MEANS SUB-FREEZING TEMPERATURES ARE POSSIBLE. THESE CONDITIONS COULD KILL CROPS AND OTHER SENSITIVE VEGETATION.


text:
Nebula — Awards Banquet
Published by Patrice Sarath on April 27, 2008
The awards are in and the winners are:
Novel: The Yiddish Policemen's Union , Michael Chabon
Novella: Fountain of Age, Nancy Kress
Novelette: The Merchant and the Alchemist's Gate, Ted Chiang
Short Story: Always, Karen Joy Fowler
Script: Pan's Labyrinth, Guillermo del Toro
Andre Norton Award: Harry Potter and the Deathly Hallows, J.K. Rowling
Michael Moorcock was also honored as the Damon Knight Grandmaster. John Picaccio's speech introducing him included letters from many many of the writers he inspired, including Neil Gaiman. Michael Chabon, in his acceptance speech, also honored Michael Moorcock and said he was a major influence on his work. He was also a bit of a starry-eyed fan; upon being told that Michael Moorcock had arrived at the banquet he leaped at the chance to be introduced to him. See? It doesn't matter. We're all fans.
Guillermo del Toro sent a letter of acceptance, read by Connie Willis, in which he asked whether he dared accept such an illustrious award: "Well, if I must," he decided. His letter was gracious and acknowledged again his debt to the masters who had gone before him.
Michael Moorcock's speech about SFWA was an interesting discourse on the history of the organization. Apparently one of Moorcock's own literary inspirations, Poul Anderson, didn't want foreigners in SFWA. Americans only, please! It was good to be reminded of the importance of the organization in its early days when it empowered writers and gave them some much-needed clout.
Confession time: I never joined SFWA. I never felt that three pro short story sales actually made me a professional SF writer, and so I just decided not to join until I felt like I really was a pro. I'm still not sure but I can say that Moorcock's speech went a long way toward changing my mind.
Joe Lansdale was awesome as toastmaster — and Ardath Mayhar in her brief speech provided a funny story about how she overcame writer's block.
All in all, a great night. Fun to be part of the Nebula tradition.
Hellboy review and incentive the second Yes! Chapter 4b (which is really going to end up being Chapter 5) is finished, so A and I went to see Hellboy II: The Golden Army. Now, I knew the movie was directed by...
Armadillocon wrap-up part 2 Of course there were things I forgot, and will still forget. But Michael Moorcock showing up to give Howard Waldrop an award on the first night of the con should not have been forgotten. A...
Gordath Wood: General Marthen He's driven, dangerous, and more than a little crazy. But that's why the Aeritan Council has engaged General Marthen to fight its war. A commoner, Marthen has bigger ambitions than that of soldier. He knows...
Categories:	Gordath Wood
Gordath Wood
Writing lessons — to fan fic or not?
Note: It's Throwback Thursday! For this week's episode, to fan fic or not to fan fic? In these times of AO3, it seems like a silly question, but in 2009, it was a thing. And Read more…
Fog Season
The Second Book
Or, Let's talk about Red Gold Bridge and Fog Season In my career I've had two second books so far: Red Gold Bridge and Fog Season. Published earlier in 2019, Fog Season, the second book Read more…
The morrim
I walked in Gordath Wood on Wednesday. Went right by the morrim and everything. Sometimes I'm taken by surprise by how much these Connecticut woods informed my first novel. It's like visiting a movie set. Read more…


text:
Home » Topics » Outsourcing » Atos funds Indian wind farm to offset data centre CO2
Atos funds Indian wind farm to offset data centre CO2
Atos has invested in a wind farm in Tamil Nadu, south India, to help offset the carbon emissions of its data centres.
The investment is one component of a new bid by the company to halve its carbon footprint – compared to its 2008 baseline – by 2015. Atos's data centres currently produce 170,000 tonnes of carbon dioxide a year.
Working with green consultancy EcoAct and carbon offsetting company South Pole Carbon, Atos has invested in a project to install 22 new wind turbine generators in Tamil Nadu. In return, Atos will receive verified carbon credits.
Other measures include cutting the power-usage effectiveness of its data centres by increasing the use of virtualisation, and auditing the carbon emissions of its data centre facilities.
Atos is also building a new data in Helsinki, Finland, that uses renewable energy. The company describes the new facility as the "world's greenest high-availability cloud centre".
The company's green push is one prong of an overall strategy to "a best-in-class company in terms of sustainability", said corporate social responsibility executive Phillipe Mareine.
"To become a zero carbon company, Atos strives to improve carbon performance in all areas of its activities," Mareine said in a statement. "In this respect, we have launched many initiatives including remote working, zero email, building energy management, and carbon audits.
"In addition, we have developed sustainable solutions to help our clients improving their sustainable performance like ambition zero carbon, cloud computing, Smart Grid and zero email and social collaboration."
In the UK, however, Atos's reputation for corporate social responsibility has been gravely impacted by coverage of its healthcare division's disability assessment contract with the Department of Work and Pensions. Earlier this year, a BBC documentary alleged that people with severe health conditions were given the all clear to work.
Atos was a sponsor of the London Paralympic games, which became a focus for protests against the company. According to PR firm Chatsworth Communication's reputation index, "the company appears to be waiting for the situation to blow over and be forgotten, rather than making an effort to address the concerns raised,
"Atos has handed the initiative to the protestors, who have mobilised enough support to significantly damage the reputation of the company."
How to maximise value from IT vendor collaborations
Businesses focus on outsourcing as a Covid-19 survival strategy
Why the traditional IT outsourcing business model needs redefinition
How to avoid software outsourcing problems
IT skills gap, innovation and Brexit: The future of outsourcing in 2019


text:
Cops Called To Beyoncé And Jay-Z's Home Due To Uninvited Visitor
Written By: Bossip.com
Source: Theo Wargo / Getty
An uninvited visitor to Beyoncé and Jay-Z's Hamptons home landed them in Page Six, in an incident the tabloid dubbed possibly the "best prank of the summer."
Apparently cops were called the Carter's Hamptons crib after a stranger arrived at the home, pressed the talk button on the security system and said he was there to see someone whose name was omitted from the report. Security told him to leave then called the police, who found the caller outside another home in the neighborhood where he was able to explain himself.
The East Hampton Star published the following from local police logs:
Officers were called to a house on Briar Patch Road on Saturday at about 12:30 a.m. after a stranger told security guards he had been invited to the house, which is owned by Beyoncé and Jay-Z. The man had pushed the talk button on the driveway keypad and said he was looking for someone, whose name was redacted from the report. He left the area, but police found him a few driveways away, using a photograph sent to them by the security guards. The man said a friend had invited him to the house and must have been playing a joke. Police escorted him to the East Hampton train station.
"Escorted" to the East Hampton train station sounds like it could have gone either way — nice gesture by the cops OR forcible removal.
Meanwhile, if you care, Page Six says Bey and Jay were at Duryea's Lobster Deck in Montauk this week. We're guessing Bey put aside plant based eating for that one.
Beyonce & Blue Ivy Hit The 'Lion King' Carpet [PHOTOS]
1. The World Premiere Of Disney's "THE LION KING"
3. Premiere Of Disney's "The Lion King" - Arrivals
4. US-ENTERTAINMENT-MOVIE-DISNEY-LION KING
10. Premiere Of Disney's "The Lion King" - Arrivals
Continue reading Beyonce & Blue Ivy Hit The 'Lion King' Carpet [PHOTOS]
Beyonce and Blue Ivy were the center of attention at the Lion King premiere in LA last night. Bey, who ends her voice to Nala in the live-adaptation of the Disney classic, hit the fiery red carpet with her sidekick Blue, donning Alexander McQueen and naturally stopping the world in its rotation. SEE ALSO: Black Twitter Is Here For This New 'Lion King' Cast Pic & Beyonce's New Single For The Movie! While Bey's bedazzled blazer turned heads, her braided waves and baby hair became the object of our affection. SEE ALSO: Watch Blue Ivy Carter Gettin' It To "Before I Let Go" During Dance Recital [VIDEO] Jay was also in attendance to watch Bey's big debut. See who else hit the carpet to relive their childhood.
ALSO TRENDING ON RICKEYSMILEYMORNINGSHOW.COM:
LisaRaye Goes Off On Nicole Murphy [VIDEO]
A Look Inside Keyshia Cole & Niko Hale's Baby Shower [PHOTOS]
A Hater Tried To Heckle Mary J. Blige At Her Concert And It Didn't Go Well For Them [VIDEO]
Follow @TheRSMS
Cops Called To Beyoncé And Jay-Z's Home Due To Uninvited Visitor was originally published on rickeysmileymorningshow.com
Cops Called To Beyoncé And Jay-Z's Home Due…


text:
Q: What is cordova.xml for in Phonegap? While trying to debug a Phonegap error message ("Call to OpenGL ES api with no current context" which doesn't appear to be causing any problems), I came across a newer version of the cordova.xml file which ships with PhoneGap 1.6 and has the following line in it:
<preference name="classicRender" value="true" />

Adding this line to my copy of cordova.xml didn't do anything. But then I also noticed the comments and other lines in that file regarding access origins, and I noticed that my app has the access origin set to 127.0.0.1 but all my code is on a remote server, and this doesn't seem to matter.
I searched for documentation but didn't find any.
So I have to ask: what is the cordova.xml file for, what directives can be put in it, and what are they supposed to do?

A: The cordova.xml file is a configuration file that specifies settings for whitelisted urls, log level, and rendering. The file was previously called phonegap.xml and was renamed when Adobe/Nitobi donated the PhoneGap codebase to the Apache Software Foundation (ASF) for incubation.
The file includes three settings.
First is:
<access origin>

which specifies an approved list of URLs that can be loaded. These urls are added to the whitelist cache in the DroidGap class. Only URLs on the whitelist can be loaded in the Cordova webview or a new browser instance.
Second is:
<log level>

which specifies log level for debugging on Android . It can be set to ERROR, WARN, INFO, DEBUG or VERBOSE (default=ERROR).
Third is:
<preference name="classicRender" />

which sets the field
private boolean classicRender;

in the DroidGap class. The only reference to what it actually does that I can find is in this commit to Cordova:
   if(android.os.Build.VERSION.SDK_INT < 14 && this.classicRender)
     {
         //This hack fixes legacy PhoneGap apps
         //We should be using real pixels, not pretend pixels
   ...

Perhaps it's more useful to know that it's apparently being removed since it doesn't work properly.
The cordova.xml is parsed in the DroidGap class, in the loadConfiguration() method:
private void loadConfiguration() {
     int id = getResources().getIdentifier("cordova", "xml", getPackageName());
     ...
     XmlResourceParser xml = getResources().getXml(id);
     etc...

See line 1252 in the DroidGap class for full loadConfiguration() method. All three attributes are parsed but as per above link it appears the classicRender setting doesn't work and can be ignored.

redpajama_set_name: RedPajamaStackExchange


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Elisabeth Pester
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text:
using System;

namespace PCSComUtils.MasterSetup.DS
{
	[Serializable]
	public class MST_PartyContactVO
	{
		private int mPartyContactID;
		private string mCode;
		private string mName;
		private string mTitle;
		private string mMemo;
		private string mFax;
		private string mPhone;
		private string mEmail;
		private string mExt;
		private int mPartyLocationID;
		private int mPartyID;

		public int PartyContactID
		{
			set { mPartyContactID = value; }
			get { return mPartyContactID; }
		}
		public string Code
		{
			set { mCode = value; }
			get { return mCode; }
		}
		public string Name
		{
			set { mName = value; }
			get { return mName; }
		}
		public string Title
		{
			set { mTitle = value; }
			get { return mTitle; }
		}
		public string Memo
		{
			set { mMemo = value; }
			get { return mMemo; }
		}
		public string Fax
		{
			set { mFax = value; }
			get { return mFax; }
		}
		public string Phone
		{
			set { mPhone = value; }
			get { return mPhone; }
		}
		public string Email
		{
			set { mEmail = value; }
			get { return mEmail; }
		}
		public string Ext
		{
			set { mExt = value; }
			get { return mExt; }
		}
		public int PartyLocationID
		{
			set { mPartyLocationID = value; }
			get { return mPartyLocationID; }
		}
		public int PartyID
		{
			set { mPartyID = value; }
			get { return mPartyID; }
		}
	}
}

redpajama_set_name: RedPajamaGithub


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text:
Hoang Van (ou Hoàng Vân, né Lê Văn Ngọ) est un auteur-compositeur vietnamien né en 1930 à Hanoï, (ex-Tonkin), Vietnam et mort le  dans la même ville, un des porte-étendards d'un courant de musique né dans les années 1950 dans le nord du Vietnam, devenu le courant dominant de la musique vietnamienne contemporaine et continue à se développer à ce jour.
Auteur très abondant, il a commencé à composer dès les années 1950 et continua à écrire pratiquement jusqu'à sa mort à 88 ans et a travaillé dans toutes les catégories de composition musicale. Très connu par le public par ses chansons mais c'est lui qui signe le premier poème symphonique du Vietnam en 1960 et la musique d'un des premiers ballets vietnamiens en 1968.

C'est dans les années 1960 que le compositeur a créé ou confirmé plusieurs formes nouvelles de cette musique: chorale et grandes épopées, chants pour les provinces, chants pour les enfants, chants des métiers, berceuses modernes et bien d'autres. Il sera le compositeur vietnamien qui écrivit le plus d'œuvres consacrées aux différentes provinces et aux différents métiers ayant le plus de succès. Ses œuvres pour orchestre symphonique et chœur sont toujours très attendues, il est aussi un des initiateurs de l'utilisation des bases de la musique traditionnelle vietnamienne dans la musique contemporaine en symbiose avec la musique classique européenne.

Hoang Van a reçu le Prix Hô Chi Minh pour Littérature et Arts (Giải thưởng Hồ Chí Minh về văn học nghệ thuật), la plus grande distinction au Vietnam pour un compositeur-auteur, en 2000.

Biographie
Hoang Van est né le  au nom de LÊ Văn Ngọ dans la vieille ville de Hà Nôi. Son père est professeur de mandarin au lycée du Protectorat (lycée Chu Van An à ce jour). Il reçoit une formation classique francophone à Hà Nôi jusqu'à ses 16 ans.

En 1946, ayant perdu sa mère (1943) puis son père (1946), il est parti dans les rangs des combattants de Ho Chi Minh. Il commença à écrire des chansons dans les tranchées dès 1951. La première œuvre qui lui a rendu célèbre dès les années 1950 est Hò kéo pháo (Chant de halage des canons), composée dans les tranchés de Dien Bien Phu.

Il part faire des études de musique classique européenne au Conservatoire National de Musique de Pékin, Chine, entre 1954 et 1960 et un stage d'un an au Conservatoire de Sofia, Bulgarie, en 1975.

Au retour du Vietnam en 1960, il est devenu Directeur artistique et chef de l'Orchestre de la Radio du Vietnam. Il a contribué activement à l'établissement et le développement de l'orchestre de la Radio du Vietnam, qui lui a rendu un environnement favorable à ses créations. On le sollicite pour plusieurs types de composition, notamment les chansons pendant la guerre, ainsi sont nés les chants des provinces et des métiers.

Il a donné des cours d'orchestration et de composition musicale au Conservatoire National de Musique de Hanoï jusqu'aux années 1990. Plusieurs de ses élèves ont fait des carrières de composition musicale brillantes comme An Thuyen, Truong Ngoc Ninh, Van Thanh Nho,... d'autres compositeurs du Vietnam réclament d'être son élève même s'ils n'ont jamais suivi ses cours au Conservatoire comme Tran Tien, Nguyen Cuong, Truong Tuyet Mai, Phu Quang... Puisant son inspiration dans les trésors de la musique populaire et traditionnelle, il a renforcé et créé plusieurs formes d'œuvres devenues représentatives de ce courant de musique.

Il a laissé deux symphonies jamais jouées et enregistrées (La Symphonie pour les soldats , le poème symphonique ). Sa symphonie avec chœur, Trên chiến trường không bao giờ quên, "Sur le champ de bataille à ne jamais oublier ou Réminiscence II", a été joué dans la totalité en 2005.

Hormis la musique, il a une grande passion avec la calligraphie qu'il pratique beaucoup dans les dernières années de sa vie, un art qu'on croyait perdu pendant la guerre mais qui a repris toutes ses lettres de noblesse à ce jour au Vietnam.

Hoang Van s'est éteint le  à Hà Nôi. Lors de son décès, l'ensemble des médias vietnamiens lui rend hommage avec plus d'une centaine d'articles. Par les spécificités de son époque pendant la guerre, ce courant de musique du Nord Vietnam dont les œuvres de Hoang Van n'a pas eu beaucoup de rayonnement international, les références en français sont plutôt rares.

Œuvres marquantes
Les œuvres les plus marquantes dans sa carrière :
Hò kéo pháo (Chant du halage des canons), première chanson connue et primée, 1953. En 2014, en hommage de 60 ans de la bataille de Dien Bien Phu, France-Inter a pris sa chanson pour titre d'une de ses émissions
Thành đồng Tổ Quốc (Rempart d'airain de la Patrie), poème symphonique , 1960. Oeuvre de fin d'études et première symphonie du Vietnam connue
Hồi tưởng (Mémoires ou Réminiscence I), œuvre pour orchestre et deux chorales, , 1960. Pièce la plus jouée au Vietnam et à l'étranger
Hò thả trâu (Chant du petit gardien de buffle), première chanson pour enfant, 1964
Bài ca giao thông vận tải (Chant pour les soldats de ravitaillement, devenu le chant pour tous les métiers du transport), environ 1965
Tôi là người thợ lò (Je suis un mineur de fond), première épopée consacrée aux métiers, environ 1962
Quảng Bình quê ta ơi (Quang Binh mon pays natal), première chanson pour une province, 1964
Nổi trống lên rừng núi ơi (Tambourinez oh montagnes et forêts), 1968
Người chiến sĩ ấy (Ce soldat-là), 1969
Bài ca xây dựng (Chant des ouvriers du bâtiment), 1974
Tình ca Tây Nguyên (Romance dans les Hauts plateaux), 1980
Trên chiến trường không bao giờ quên (Réminiscence II), œuvre pour orchestre et deux chorales, , 2004. Pour écouter le Chapitre 1

Chansons et fonctionnalité
Dans les traditions musicales vietnamiennes, la fonctionnalité joue un rôle important. La musique est née d'une fonction sociale et corrèle à une fonction sociale. Dans le contexte du Vietnam d'alors où les chansons d'influences françaises n'avaient plus répondu aux besoins d'un peuple d'entre les guerres (1960 - 1980), les compositeurs de ce courant musical au Vietnam ont créé la fonction sociale dans leurs œuvres pour être présents aux côtés de la population. Chansonnier pendant la guerre et lorsque le pays a pu gagner la paix, Hoang Van est connu des générations de Vietnamiens pour les chants pour enfants, pour les provinces et pour les métiers.

Chansons pour enfants et pour la jeunesse
Il a beaucoup composé pour les enfants. En l'an 2000, trois de ses chansons sont retenues dans la sélection "50 meilleures chansons pour enfant au  siècle au Vietnam". Voici celles les plus connues et qui continuent à être chantées :
 Bảy sắc cầu vồng (Sept couleurs d'arc-en-ciel) (chant générique pour une émission de télévision)
 Bốn mùa (tổ khúc) (Quatre saisons) (suite de quatre chansonnettes représentant les quatre saisons)
 Ca ngợi Tổ quốc (Hymne à la Patrie au printemps) (extrait de la chorale d'enfants du poème symphonique Hồi tưởng, Mémoires ou Réminiscence)
 Chú em là thủy thủ (Mon oncle est un marin)
 Con chim vành khuyên (L'oiseau canari)
 Đường lên đỉnh Olympia (La route pour l'Olympe) (chant générique pour une émission de télévision)
 Em yêu trường em (J'aime mon école)
 Mùa hoa phượng nở (La saison des flamboyants)
 Hai con búp bê, (Les deux poupées)
 Hò thả trâu (Chant du petit gardien de buffle), première chanson pour enfant, 1964.

On notera ses recherches pour puiser dans la musique traditionnelle vietnamienne pour créer des chansons modernes. Il fait partie des compositeurs vietnamiens qui réussissent ce mariage, créant ainsi un courant musical spécifique à cette période. Il a même créé certaines catégories comme ces berceuses ou comptines modernes:
Bốn bài Hát ru (4 berceuses)
Hò thả trâu (comptine sur le chant d'un petit gardien de buffle)

Chansons pour les métiers
Une des fonctionnalités la plus appliquée pour la période est le chant pour différents corps de métier. Mineur, ouvrier du bâtiment, professeur d'école, paysans ou fermier, pêcheur, marin, docteur, employé des chemins de fer, étudiant et bien entendu soldat... Initiateur du mouvement, Hoang Van a dédié à chacun sa mélodie préférée avec une lyrique souvent très recherchée. Plusieurs chansons sont devenues l'hymne du métier. Ce qui donne le la à ce type de chants pour toute une génération de compositeurs contemporains vietnamiens. Liste des chants des métiers les plus connus :
Bài ca giao thông vận tải (Chant pour les soldats de ravitaillement, devenu le chant pour tous les métiers du transport), environ 1965
Bài ca người chiến sĩ áo trắng (Chant des soldats à la blouse blanche)
Bài ca người đánh cá Quảng Ninh (Chant des pêcheurs de la province de Quang Ninh - la Baie d'Halong)
Bài ca người giáo viên nhân dân (Chant dédié aux professeurs)
Bài ca xây dựng (Chant des ouvriers du bâtiment), 1974
Bài ca pháo kích (Chant pour les soldats de l'armée de terre)
Chào anh giải phóng quân - chào mùa xuân đại thắng (Bonjour le libérateur, bonjour le printemps de la victoire)
Cho cây đời mãi mãi xanh tươi (Pour que l'arbre de vie sera toujours vert, Chant pour l'Université de Hanoi)
Hát về cây lúa hôm nay (Chant pour les rizières)
Tình ca người thợ mỏ (Romance des mineurs de fond)

Chansons et hymnes des provinces
Ces chansons dédiées à telle ou telle province est une spécificité de ce courant musical. Chaque province devait avoir son hymne.
Hà Nội - Huế - Sài Gòn (Hanoi - Hue - Saigon), sur un poème de Lê Nguyên, 1961
Hai chị em (Les deux sœurs - Provinces de Thai Binh et de Trà Vinh)
Quảng Bình quê ta ơi (Quang Binh mon pays natal), première chanson pour une province, 1964. Cette chanson a été son premier succès et est chantée par toutes les générations de chanteurs vietnamiens. Un film d'hommage à cette chanson lui est consacré en 2019.
Bài ca Vĩnh Linh (Chant pour Vinh Linh)
Tình ca Tây Nguyên (Romance pour Tay Nguyen)
Tình ca Vũng Tàu (Romance pour Vung Tau)
Tình yêu Hải Phòng (L'amour pour Hai Phong)
Tình yêu Hà nội (L'amour pour Ha Noi)
Chia tay với Chùa Hương (Des adieux pour la Pagode de Parfum)
Tiếng sáo vùng cao (Sons de flûte - province de Hà Giang)

Musique pour orchestre symphonique
Parmi ses œuvres pour orchestre symphonique, seule le premier poème symphonique Thành đồng Tổ Quốc (Rempart d'airain de la Patrie), créée en 1960, a été enregistrée, ainsi que la dernière, Diên Bien Phu ou Trên chiến trường không bao giờ quên, "Sur le champ de bataille à ne jamais oublier,  Réminiscence II.

Thành đồng Tổ Quốc (Rempart d'airain de la Patrie), poème symphonique , 1960
Symphonie pour les soldats , Tưởng niệm, 1991 (inédite)
Poème symphonique  Tuổi trẻ của tôi, Ma jeunesse, 2000, (inédit)

Musique de chambre

Fugue pour piano
Concertino pour violon et corde Giai điệu tình yêu, Mélodie d'amour
Pièce pour flûte Vui được mùa, Joie de la moisson
Concertino pour ensemble Hoa thơm bướm lượn, Fleurs et papillons
Concertino pour piano
Pièce pour basson Hành khúc con voi ou Voi kéo gỗ trên lâm trường, Marche de l'éléphant

Chorale, épopée et autres
Au retour de Pékin, dans les années 1960, les activités musicales au Vietnam ne pouvaient accueillir que très peu d'œuvres orchestrales, Hoang Van a écrit donc les pièces pour orchestre et chorale pour que cette musique parvienne plus facilement à son public: Việt nam muôn năm (Vive Vietnam ma Patrie), et notamment Hồi tưởng (Réminiscence, ou Mémoires).

La musique symphonique ne pouvait pas être au rendez-vous du public pendant la guerre, les Vietnamiens aiment le chant. Certains compositeurs avant Hoang Van ont commencé à créer des longues chansons (épopées ou trường ca) qu'il a continué à perfectionner et donner une vie à part entière à ces œuvres avec différents sujets, plusieurs pour les chœurs d'adultes et d'enfants:

Hồi tưởng (Mémoires ou Réminiscence I), oeuvre pour orchestre et deux chorales, 1960. Pièce la plus jouée au Vietnam et à l'étranger
Vượt núi (Dépasser la montagne)
Trên chiến trường không bao giờ quên (Réminiscence II, Sur le champ de bataille à ne jamais oublier), oeuvre pour orchestre et deux chorales de quatre mouvement, 2004, qu'on peut considéré comme la Symphonie
Việt Nam muôn năm (Vive Vietnam)
Tình yêu quê hương (L'amour à mon pays), sur un poème de Nguyen Dinh Thi
Tôi là người thợ lò (Je suis un mineur de fond)
Bình minh thế kỷ (A l'aurore du millénaire), sur un poème de Nguyen Dinh Thi
Kỷ niệm ở quê hương (Souvenir de mon pays natal)
Hát dưới cờ búa liềm (Chant sous le drapeau)

On note aussi les chansons de style musique de chambre européenne avec piano:
Tôi yêu nhà máy của tôi (J'aime mon usine)
Nổi trống lên rừng núi ơi (Frappez les tambours, forêts et montagnes!)
Bài ca người giáo viên nhân dân (Chant dédié aux professeurs)
Tiếng cồng giải phóng tiếng cồng chiến thắng (Le gong de la libération, le gong de la victoire)
Guồng nước quay (Le moulin à eau)

Musique pour cinéma
Le cinéma vietnamien contemporain, tout comme sa musique, a été au balbutiement au début des années 1960. Hoang Van a contribué aux tous premiers films faits au Vietnam après l'indépendance.
Con chim vành khuyên (L'oiseau canari), les années 1960
Khói trắng (La fumée blanche), les années 1960
Vĩ tuyến mười bảy ngày và đêm ( parallèle jour et nuit), les années 1970
Em bé Hà Nội (La petite fille de Hà Nôi), les années 1970
Mỗi tình đầu (Premier amour), les années 1980
Đất mẹ (Terre natale), les années 1980
Hẹn gặp lại Sài Gòn (A une prochaine fois, Saigon), les années 1990

Musique pour théâtre
Il a créé la musique pour un des premiers ballets du Vietnam dont l'histoire s'inspirait de la vie d'une héroïne pendant la guerre, Chị Sứ, Madame Su, joué aux alentours des années 1970. C'est une des œuvres qui lui a valu le Prix Ho Chi Minh des Lettres et des Arts en 2000.
Hoang Van a écrit la musique pour Nila, la tambourineuse, une des pièces de théâtre soviétiques traduite en vietnamien et a été jouée sur scène à plus de  dans les années 1960 (voir l'article sur le metteur en scène).

Références

Compositeur vietnamien
Naissance en juillet 1930
Naissance à Hanoï
Décès en février 2018
Décès à Hanoï
Décès à 87 ans

redpajama_set_name: RedPajamaWikipedia


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text:
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