Years ago, while employed in the television industry, we purchased thirty antiques for possible use in a production. These 18th and 19th century furniture pieces—huge armoires, elaborate partner desks, chifferobes, secretaires and vitrines—haunted a dark corner of a stage for months until they were returned to the seller, never used. But while they sat gathering dust, these former possessions of Europe's elite fascinated me. In time I thoroughly searched every nook, cranny and drawer looking for possible hidden compartments, hoping to find a lost bit of hidden history—a story by Oscar Wilde, a letter from Napoleon, a score by Mozart—tucked away for a century or two, waiting to be re-discovered. Alas, my detective quest although fun was fruitless; my knowledge of antiques increased but no historical artifacts ever turned up.
Not only was Le Salon de Musiques successful in unearthing one of the earliest, missing-for-a-century compositions by Claude Debussy—his "Piano Trio in G Minor", written while still a teenager—but they revived it in a superb chamber setting on April 2nd. The concert also included a violin and piano duo by Zoltan Kodaly and two additional French trios, by Gabriel Faure and his contemporary, Cecile Chaminade, a new discovery for this listener.
Debussy's musical talent was evident from an early age, despite his minimal formal education' His parents engaged the French poet Verlaine's mother-in-law, a student of Chopin, as their child's first piano teacher. At eleven, Claude entered the Paris Conservatory but, always a rebel, he rarely followed accepted rules of harmony and theory. Critics would call the mature Debussy an "impressionist", a term he disliked, but his sensual music was related to the avant-garde visual arts and poetry of the era and the label stuck. He became one of the most important composers of the 20th century and created many sumptuous orchestral works: "La Mer", "Images", "Prelude to the Afternoon of a Faun", the opera "Pelleas et Melissande", the ballet "Jeux" and extensive music for piano. His influence on later composers–from Ravel, Stravinsky, Bartok and Messiaen to jazz giants Duke Ellington and Bill Evans–is still felt today.
When he was 18, on vacation from Conservatory classes, Debussy was hired by a wealthy, Russian widow and patroness of the arts, Madame Nadezhda von Meck. His task was to give piano lessons to von Meck's eleven children while travelling with the family to Moscow, France and Italy. He was given a small stipend for this work during the next three summers. (Madame von Meck famously gave a huge allowance to Peter Tchaikovsky, whom she never met in person, for 13 years; they corresponded by letter only and he dedicated several works to her.) During that first summer (1880), Debussy found a violinist and cellist in Fiesole with whom he played chamber music for the von Mecks. That's when he wrote his Trio. A later Debussy student kept the manuscript in his possession but then it disappeared for decades. Debussy died at 56 (in 1918); the score turned up in 1982 and was published, at last, in 1986.
The trio, written in four movements, definitely sounds French–years later, the composer proudly added "musicien francais" to the score of a sonata he wrote–but it would be difficult to identify the music as Debussy's. Initial reviews, after the Trio was finally recorded and performed, were rather tough and dismissive, branding the piece as the work of an unformed student. To my ears, it was more organic and sophisticated than expected–a curiosity in Debussy's oeuvre, perhaps, but a sweet piece.
The expert musicians who revived Debussy's trio are all semi-regulars at Le Salon de Musiques: Serena McKinney, violin, Eric Beyers, cello, and Kevin Fitz-Gerald, piano. A glance at their resumes affirms their educations, awards and extensive performance bona fides; to see and hear them play in the intimacy of a chamber concert is a joy. McKinney's violin took initial lead in the trio's first movement, with Beyers and Fitz-Gerald in support. Soon, all three voices melded into a strong, unified front. The simple construction and "japonisme" effect in the brief scherzo that followed hint at Debussy's later string quartet and piano music.
The simple, delicate third movement began with Beyers' warm cello, harmonized by McKinney's violin underpinnings, encompassed by Fitz-Gerald's piano. The appassionato finale, more forceful than anything that came before , featured moments at the piano that presaged Rachmaninoff. Debussy's youthful passion and clever counterpoint kept the finale moving at a brisk pace. Although his Trio went missing for a hundred years after the 1880 premiere at the von Meck's, it is intriguing to wonder if any of Debussy's fellow composers saw the nascent score.
Next up was "Piano Trio in D Minor, Op. 120", by Faure. This composer–taught by Saint-Saens, a teacher of Ravel and beloved by all who knew him throughout his long life (1845-1924)–gave every composition a neo-classical French patina. Although he wrote no music for organ, Faure played the instrument for twenty years at some of France's greatest churches. If not very prolific, he wrote highly-praised art songs, piano works, chamber music, a profound "Requiem" (1882) and his exquisite "Pavane", for orchestra and voices, a meditation that unfolds, soars, then resolves back into itself, perhaps a perfect piece of music.
Faure was not trained at the Paris Conservatory but began teaching composition there in 1896. In a decade, he would be named Director of the esteemed school–to the surprise of "the old guard"– and held the post until 1920, when he retired due to failing health and advancing deafness. He wrote music during his summer holidays and began the Piano Trio in 1922. It premiered in 1923, a year before his death, and is the sublime remembering of an old man, music to be savored, not rushed.
Composed forty years after Debussy's piece, Faure's sounds much more modern, even in the context of a romantic trio. The first movement sometimes skirts the edge of dissonance, especially in some violin passages. More chances are taken in the slow, meditative second movement; two themes, played in close harmony, created a violin and cello pas de deux. This section sounded at times like "Trois Gymnopedies" by Faure's friend, Erik Satie.
The third movement, in rondo form, features some complex piano parts, full of quick meter changes, that were admirably handled by Fitz-Gerald. The violin and cello joined in a race and caught up with the piano for a joyous finish.
Kodaly's "Adagio for Violin and Piano" was written in 1905, the year he and his friend Bela Bartok began to transcribe and make primitive recordings of folk songs in their native Hungary. This stately, 8-minute duet sounded considerably more contemporary than its date of origin would suggest. (Kodaly died in 1967). The always-focused violinist Serena McKinney, a pleasure to watch and listen to in any context, was at her best in the Kodaly. She played standing up, without a score and looked, as her name implies, serene. This adagio is an extended violin solo, albeit with Kevin Fitz-Gerald's superb piano accompaniment and each musician occupied a distinct space. Kodaly's ruminative Adagio is an elegant reverie, a love song for violin and piano.
To close the concert, Le Salon's Artistic Director Francois Chouchan chose the "Piano Trio #2, Op. 34" by Cecile Chaminade (1857-1944). Before she was a teenager, she played the organ at a local Catholic church and was encouraged by favorable comments from a neighbor, George Bizet. The adult Chaminade was a prolific composer and very popular pianist, with fan clubs in London and the U.S. She was the first woman composer inducted into France's Legion of Honor (1913). Her art songs, piano pieces and larger works lost favor in the latter part of her life and slid into obscurity after her death, which followed years of declining health.
Thank you for this. I love the way you get into it–and the story unfolds.


This is a specialist tier 3 NHS Child and Adolescent Mental Health service (CAMHS) for children with disabilities and emotional/behavioural and mental health concerns. Our work is with children and young people with moderate to profound learning disabilities.
The service based at Hackney Ark is a multidisciplinary team including clinical psychologists, consultant child and adolescent psychiatrist, play specialist, systemic family therapist, child and adolescent psychotherapist, and administrators.
Clinical Psychologists help to understand concerns about behaviour, emotions and learning abilities in children and young people, and enable families to work towards making positive changes. Clinical Psychologists also work as part of diagnostic teams. Clinical Psychologists are trained in a range of assessment, therapeutic and research skills to treat children and adults across the lifespan using evidence based practice.
A child and adolescent psychiatrist is a medical doctor who specialises in the assessment and treatment of conditions that affect children and young people's behaviour, thinking and emotions. Their knowledge of biological and medical factors, alongside a range psychological, social and other factors, is used to confirm a mental health diagnosis and/or prescribe medication where appropriate.
Child psychotherapists meet with children/young people at regular times and places, giving a safe space and developing a trusting relationship in which they can express their view of the world, through words or actions. Over time, the child/young person is supported to begin to understand their own feelings and behaviour.
Family therapists help those in close relationships to better understand and support each other. They enable family members to express and explore thoughts and emotions safely, understanding each other's experiences and views. This can help families to appreciate each other's needs, strengthen resources and work together to make useful changes in their relationships.
The Play specialist at the Ark uses structured play sessions to help children explore their surroundings, and develop skills like social awareness through turn-taking, memory and attention through games and independence and self-esteem through creative tasks. Play Specialists can offer consultations to parents and carers who would like to develop a child's level of play and interaction. They can also model play skills with parents and siblings, offer play ideas for development and may bring toys to the home, for families to borrow from their Toy Library.
This integrated service is provided in partnership with Specialist CAMHS, ELFT (East London Foundation Trust).
CAMHS Disability is part of Homerton's Community CAMHS Service along with First Steps (short term intervention work).


Alcoa Corp. (NYSE:AA) raised to Buy from Hold at Deutsche Bank. Shares closed up 2.3% at $43.60 on Monday and were indicated up 2.4% at $44.70 on Tuesday. Alcoa's 52-week trading range is $20.53 to $45.22, and its consensus analyst target price is $44.33.
Archer Daniels Midland Co. (NYSE:ADM) started with an Outperform rating and assigned a 50 target price at Robert W. Baird. Its shares trade in a 52-wk trading range of 40.22 – 47.88 and with a consensus target price of 42.17.
Gap Inc. (NYSE:GPS) reiterated as Buy and the price target was raised to 39 from 35 at Jefferies. The call is focusing on allocating capital toward growth and away from specialty and the market under-appreciating some positive pieces of the company. Gap shares have 52-wk trading range of 21.02 – 30.74 and a consensus target price of 25.50.
Kroger Co. (NYSE:KR) raised to Buy from Hold with a 25 price target at Pivotal Research. Kroger has a consensus analyst target of 23.59, and it has a 52-wk trading range of 20.41 – 36.44.
Nike Inc. (NYSE:NKE) started as Outperform with a 69 price target at Sanford Bernstein. NKE has a 52-wk trading range of 49.01 – 60.53 and a consensus target price of 61.32.


text:
Leaked! Spider-Man in end credits special scene of 'Avengers: Age Of Ultron'
As of now, there is no confirmation whether the leaked clip is from the original movie or not but it has sparked a possibility that yet another super hero, Spider Man is going to join the team of Avengers.
Published: April 21, 2015 10:43 PM IST
By Aadil Ikram Zaki Iqbal Email
Also Read - WandaVision Full HD Available For Free Download Online on Tamilrockers And Other Torrent Sites
Recently, the trailer of the most awaited movie in 2015 featuring two superheroes, Batman v Superman: Dawn of Justice, was leaked online. And now here is a leaked video of the post-credit scene of 'Avengers: Age Of Ultron' leaked on the internet as well. Also Read - 'I am Gonna Track Down Your Address': Captain America AKA Chris Evans' Message to 6-Year-Old Hero Who Braved Dog Attack to Save Sister | WATCH
As of now, there is no confirmation whether the leaked clip is from the original movie or not but it has sparked a possibility that yet another super hero, Spider Man is going to join the team of Avengers. In the video, Spider Man is seen hanging on a building near Stark Tower. (Also watch: Batman v Superman: Dawn of Justice trailer leaked online!) Also Read - 'I Know a Superhero When I See One': Former Catwoman And The Hulk Laud Six-Year-Old For Saving Little Sister From Dog Attack
The Avengers: Age Of Ultron will be released on May 1, 2015, in which the greatest heroes from Earth, and Thor from Asgard will encounter the enemy, the kind they have never faced before. Will the leaked video be a part of the movie? Only time will tell.
Well, producer Kevin Fiege had said that all rumors about Spider-Man being in Avengers: Age of Ultron are false. Likewise, Director Joss Whedon had confirmed that there's no scene after the credits. No matter what the rumours are, the leaked video has made the Avengers fans excited and they are hoping to see the Spider Man in the movie. Watch the leaked video below and decide for yourself whether it is original or fake.
For breaking news and live news updates, like us on Facebook or follow us on Twitter and Instagram. Read more on Latest Viral News on India.com.
AvengersAvengers: Age of UltronSpider-ManThor
Published Date: April 21, 2015 10:43 PM IST

redpajama_set_name: RedPajamaCommonCrawl


text:
Reports: Vermont DCF worker fatally shot after family court hearing; alleged killer in custody
Conor Berry
An update to this story was published here on Sunday morning.
BARRE, Vt. — Authorities have identified the social worker
shot and killed
in Barre City on Friday afternoon as Lara Sobel, an employee of the Vermont Department for Children and Families.
Lara Sobel (FACEBOOK)
The alleged shooter has been identified as Jody Herring, a mother unhappy about losing custody of her child to DCF. Herring was tackled by witnesses at the shooting scene and held until police arrived, Barre City Police Chief Tim Bombardier told the Burlington Free Press.
Sobel, 48, died from two gunshot wounds as she left the DCF office at Barre City Place, 219 North Main St., at about 4:45 p.m., Bombardier said.
According to witnesses at the scene, she was shot in the head by a female shooter after a hearing in Family Court, The Barre-Montpelier Times Argus reports.
Witnesses at the scene also reported a rifle with a scope was used in the shooting. A rifle fitting that description was seen lying on the ground near City Place Friday evening, the newspaper reports.
Officials said Herring would be held for arraignment Monday in Vermont Superior Court in Barre.
Vermont Gov. Peter Shumlin released the following statement Friday evening:
While we won't know all the details for some time, the initial reports are horrific and break my heart. I've asked the Department of Human Resources to immediately make available crisis and grief counseling services to state employees affected by this incident.
I have also asked the Agency of Administration to work with Vermont State Police to support the investigation. While there is no indication of a broader threat, the Agency of Administration will review security procedures in state buildings in light of this tragic event and provide any additional measures immediately.
Additionally, until we know more about this incident, DCF staff have been directed to only go out on emergency calls this weekend accompanied by law enforcement.
The employees at DCF deal with the most challenging family situations that one can imagine. They do the work out of their dedication to the children and families of this great state. To lose one of our own in the course of that duty is shocking and heartbreaking.
Herring lost custody of her 9-year-old child in July, Bombardier said at a news conference. The child remains in state custody, the Free Press reports.
Sobel, a Vermont DCF employee for more than 14 years, is survived by a husband and two daughters. People who knew her are offering online condolences on Facebook.


text:
Report paints sobering picture of US economy
Lou Glazer
There is a new must-read report from McKinsey entitled "Unequal America: Ten insights on the state of economic opportunity." The findings come from an online survey conducted by Ipsos of 25,000 Americans in the spring of 2021. Results are reported for Americans as a whole, as well as for a wide variety of demographic and geographic subgroups.
McKinsey describes the report as spotlighting Americans' views on economic opportunity, the obstacles they face, and the path ahead to create a more inclusive economy.
McKinsey writes: "What we learned was sobering. Among the findings: Americans report that their financial situations have deteriorated over the past year, and at the time of our survey only half of all respondents reported being able to cover their living expenses for more than two months in the event of job loss. Our survey results also indicated that the pandemic has harmed the economic well-being of many groups, exacerbating inequalities that existed before the crisis. Americans reported facing numerous barriers to economic opportunity and inclusion — among them, inadequate access to health insurance and physical and mental health care, as well as to affordable child care. Moreover, many respondents said that they feel their very identity limits their access to jobs and to fair recognition and reward for their work."
Specifically, McKinsey found in the midst of the pandemic:
Most Americans' current overall outlook is not optimistic. Forty-two percent of respondents said they believe that most Americans have opportunities to find good jobs; one-third said they believe that most people are recognized and rewarded fairly for their work; and 32% said the pay that most Americans receive for their work allows them a good quality of life.
Many Americans believe their identity hampers their career prospects. "Among the most unambiguous findings in our survey was that a wide variety of Americans — among them, women, people of color and gay, lesbian and bisexual respondents — said that they believe that their very identity negatively affected their job prospects."
Immigrants and people of color reported relative optimism. McKinsey's Economic Opportunity Index scores reveal that, on average, first- and second-generation immigrants and workers of color expressed some of the most optimistic views of economic opportunity among all survey participants.
Half of Americans reported being on the financial brink. Only half of all respondents — and fewer than half of all parents — reported being able to cover their living expenses for more than two months if they or someone in their family were to lose their job.
COVID-19 has exacerbated existing inequalities. Women and people of color have been hardest hit by the pandemic. This is in part because people in these groups are more likely to work in occupations that have reported the highest levels of income and job loss.
Health care access is a major challenge for many; women and workers of color face unique barriers.
Access to child care is a critical barrier, especially for women.
Rural Americans are at risk of being left behind economically. "The stated preference among rural residents to stay put, combined with a lower relative interest in training, could over time put them at much greater risk of losing work to automation trends than their urban counterparts."
Gig workers would overwhelmingly prefer permanent employment. Fully 62% of gig workers said that they would prefer to work as permanent employees.
Four in ten Americans are either enrolled in training or are interested in pursuing it. Thirty-nine percent of respondents said they are looking or are planning to look over the next 12 months for education, training or credentialing opportunities, while 14% are currently enrolled in programs.
The report provides details on how America's K-shaped economy, in real time, is impacting the well-being of American households. And it provides some surprising findings on Americans' perceptions about their economic future. At its core, the survey provides more evidence of a two-tier American economy in which those at the top are doing well, but way too many are struggling.
By and large, the report portrays an America where people want to work and earn a living that allows them to enjoy a decent standard of living to raise a family and pass on a better opportunity to their children. But it also shows an America with an economy that makes it hard for far too many to enjoy a decent standard of living to raise a family and pass on a better opportunity to their children.
It represents an America with a labor market that — even when the economy was booming — has too few jobs that pay family-sustaining wages and provide health coverage and paid leave. And it reveals an America that holds back far too many because of their identity.
The economic challenge of our generation is eliminating what McKinsey calls an Unequal America. The goal should be to build an economy that as it grows benefits all, where all really means all.
Lou Glazer is president of Michigan Future Inc.
Michigan Future Inc.
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Hey guys. Im in town for work for two weeks and my only day off is Sunday. I was hoping to wet a line somewhere. Does anyone have any suggestions on where to go close to Columbus? Or better yet room in a boat. Thank you in advance.


Nobody likes getting pimples, whether they're on your face or your breasts. Acne can happen to anyone at any age, and appear on different parts of your body for a variety of reasons. It's important to remember that it's treatable, and while uncomfortable, pimples aren't usually a major health risk.
You can treat breast pimples by changing certain habits and using over-the-counter (OTC) medications, or a combination of the two. Often this is enough to provide relief. Read on to find out home treatments and more.
Wash area regularly. Wash the area twice each day with a mild soap.
Wash oily hair. If you have long hair that reaches your chest, it could be contributing to pimples. Wash your hair when it feels oily.
Rinse off sweat. Shower after a workout or period of heavy sweating.
Avoid the sun. Avoid exposing your chest to the sun.
Use oil-free sunscreen. Use sunscreens that are oil-free so they won't clog pores.
Try tea tree oil. Tea tree oil can be bought as a gel or wash and might help to reduce acne.
Topical zinc. Creams and lotions made with zinc may help cut down on breakouts.
Birth control. For some women, the hormones in birth control help to regulate acne.
OTC creams and gels. Use ones with ingredients that include: benzoyl peroxide, sulfur, resorcinol, or salicylic acid.
If you don't get relief from these methods, you might want to see a dermatologist or other healthcare provider. Dermatologists specialize in skin conditions and treatments, and can help you determine what's contributing to your breast pimples. Dermatologists and other healthcare providers can also prescribe stronger topical medications or oral medications to treat pimples.
Using harsh soaps with ingredients like alcohol, which dries out your skin.
Popping, squeezing, or picking at pimples. This can lead to scars.
Staying in sweaty clothing after a workout.
Pimples form when a hair follicle gets clogged with sebum or dead skin cells. Sebum is an oil that's made in glands connected to hair follicles. The sebum travels through hair follicles to help add moisture to your skin and hair. When extra sebum and dead skin cells build up, they block the skin pores and bacteria begin to accumulate. The end result is a pimple.
Whitehead pimples form when the follicle wall swells out and blackhead pimples form when the bacteria in a clogged pore become exposed to air.
Genetics. Acne can run in families.
Diet. Some research shows that dairy products might be linked to acne. A found a connection between the amount of dairy eaten and the risk of developing acne, as well as breast cancer. Chocolate and carbohydrates may also be suspect. Check out how to follow an anti-acne diet.
Medications. Medications such as corticosteroids may have an effect on acne.
Hormones. In women, pimple outbreaks can be linked to hormonal changes that happen during menstruation and pregnancy.
Stress. Stress can add to acne woes, not directly causing it but potentially worsening it.
In some cases, pimples on your breasts could be a sign of an infection or a potential warning for breast cancer. For example, in women who are breastfeeding, the appearance of pimple-like bumps may be a sign of a yeast infection. According to the American Cancer Society, skin irritation or dimpling might be an early sign of breast cancer.
If your pimples don't look like regular acne, are especially painful, or don't go away with regular home or OTC treatments, see your healthcare provider. They will be able to evaluate and rule out other, more serious causes.
How Can I Prevent Pimples from Forming?
Learn more about how pimples form and what you should do if you're experiencing a breakout.


Done by Deer Collection; littering in the house is ok!
Also fond of Scandinavian brands in your nursery? Done by Deer's such a beautiful brand that launches a fine collection every year with special graphic designs in the most beautiful color combinations like pink, blue and other pastels. But always with a spicy accent like black and gray. Everything is designed by Helen Hjorth and her Danish design team. The collection consists of bedding, baby care products such as changing mats and nursing pillows, melamine tableware, cutlery and nice long bibs for the meal, soft stuffed animals in funny stripes, toys but also many accessories that you don't mind if it litters in your house, because they look so beautiful!
In the current collection elephant Elphee plays the leading role. Additionally Done by Deer also introduces a lovely polka dots print: Happy Dots.
For all the children of parents who often travel there is a KLM night light called 'nachtjeslampje'. If you have to fly a lot children like to know how many nights mom or dad are away. With this special light little ones can see how many more nights they have to wait until their dad or mom gets home.
The lamp has the shape of an airplane, and you can set in advance how many more nights to go. Then the lamp counts down, like an Advent calendar. Funny thing is that the lights shine behind the windows, so every day that is counted down, a light goes out behind a window. I am not here to promote KLM, but I think this a realy inventive night light for childrens rooms! For sale on the webshop of KLM.


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Q: How to calculate correlation by group I am trying to run an iterative for loop to calculate correlations for levels of a factor variable. I have 16 rows of data for each of 32 teams in my data set. I want to correlate year with points for each of the teams individually. I can do this one by one but want to get better at looping.
correlate <- data %>%
  select(Team, Year, Points_Game) %>%
  filter(Team == "ARI") %>%
  select(Year, Points_Game)

cor(correlate)
I made an object "teams" by:
teams <- levels(data$Team)

A little help in using [i] to iterate over all 32 teams to get each teams correlation of year and points would be greatly helpful!

A: require(dplyr)

# dummy data
data = data.frame(
  Team = sapply(1:32, function(x) paste0("T", x)),
  Year = rep(c(2000:2009), 32),
  Points_Game = rnorm(320, 100, 10)
)

# find correlation of Year and Points_Game for each team
# r - correlation coefficient
correlate <- data %>%
                group_by(Team) %>%
                summarise(r = cor(Year, Points_Game))

A: The data.table way:
library(data.table)

# dummy data (same as @Aleksandr's)
dat <- data.table(
  Team = sapply(1:32, function(x) paste0("T", x)),
  Year = rep(c(2000:2009), 32),
  Points_Game = rnorm(320, 100, 10)
)

# find correlation of Year and Points_Game for each Team
result <- dat[ , .(r = cor(Year, Points_Game)), by = Team]

redpajama_set_name: RedPajamaStackExchange


text:
New Regulation on Capital Investment Licensing and Facilities
In order to implement Government Regulation No. 24 of 2018 which introduced an online system for processing and issuing certain business licenses (known as the Online Single Submission "OSS" system), on 20 July 2018, the Investment Coordinating Board ("BKPM") issued 2 new regulations on investment, ie BKPM Regulation No. 6 of 2018 on the Guidelines and Procedure for Capital Investment Licensing and Facilities ("Regulation 6/2018") and Regulation No. 7 of 2018 on the Guidelines and Procedure for Capital Investment Supervision ("Regulation 7/2018").
Read more by downloading the PDF below.
Indonesia's Newly Established Sovereign Wealth Fund: A New Chapter in Indonesia's Economy
To meet national development goals, Indonesia needs foreign investment and an institution that can be a strategic investment partner, with a strong legal and institutional basis, which applies international practices, professional standards and can act as the "middleman" for those interested to invest in Indonesia. To address this issue and as mandated by Law No. 11 of 2020 on Job Creation which came into effect on 2 November 2020 (known as the "Omnibus Law"), the Government of Indonesia ("GOI") has officially established a sovereign wealth fund, known as the Indonesian Sovereign Wealth Fund or the Indonesia Investment Authority (Lembaga Pengelola Investasi – "LPI").
Competition Law Key Amendments under the Omnibus Law on Job Creation as Supplemented by Government Regulation No. 44 of 2021
While Law No. 11 of 2020 (the "Omnibus Law") amends various laws in various sectors, this advisory specifically highlights the key changes to Law No. 5 of 1999 on the Prohibition against Monopolistic Practices and Unfair Business Competition (the "Competition Law"). These changes have also been supplemented by Government Regulation No. 44 of 2021 on the Implementation of the Prohibition against Monopolistic Practices and Unfair Business Competition ("GR 44/2021").
The Control of Abandoned Zones and Land
The implementing regulations of Law No. 11 of 2020 on Job Creation ("Job Creation Law") have been issued, leading to the following interesting updates on land issues. One of them is due to the issuance of Government Regulation No. 20 of 2021 on the Control of Abandoned Zones and Land ("GR 20/2021"), which came into effect on 2 February 2021.
The Omnibus Law on Job Creation – An Overview of the Increase in Incentives provided by the Government of Indonesia to create a 'comfortable business environment' for Investors in Special Economic Zones
Following our firm's previously published advisory series on the Omnibus Law on Job Creation (the "Job Creation Law"), including among others our overview of the changes to the regulations regarding investment, land, and manpower, this advisory specifically highlights the key provisions of the Job Creation Law on Special Economic Zones amending the following regulations: 1. Law No. 39 of 2009 on Special Economic Zones ("Law 39/2009"); 2. Law No. 36 of 2000 on The Issuance of a Government Regulation in Lieu of Law No. 1 of 2000 on Free Trade and Free Port Zones to be Law; and 3. Law No. 37 of 2000 on The Issuance of a Government Regulation in Lieu of Law No. 2 of 2000 on Free Trade and Free Port Zones to be Law.


At AMT, we ensure that businesses get the best out of us to improve efficiency and productivity. To do this, we partner up with the best companies so that we can offer a fully kitted out toolbox with everything you need. These products are tried and tested alongside Office 365 and SharePoint, and are recommended for further compliance and automation requirements.
The world's leading SharePoint Workflow product, and the right product for your needs.
Nintex Workflow adds a drag-and-drop workflow designer, connectivity and advanced workflow features to the Microsoft SharePoint and Project Server platforms.
Business users and IT Professionals alike will be empowered to quickly and easily automate business processes; from a simple leave approval request to complex integration across external applications and data sources.
Having reviewed several solutions, AMT Evolve found the Nintex tools to be the class-leading tools and have successfully trained staff to be able to deliver and train on the suite of tools.
Nintex is also available on Government G Cloud 10 Services.
The perfect match for GDPR compliance within SharePoint.
CoreTag help organisations manage their GDPR sensitive data compliance or automatically apply metadata and taxonomies to documents. We offer this product alongside our Document Management packages.
Search Results Are More Like Google – By scanning for things like client names, facilities, cities and common keywords, search results are more robust.
Guaranteed SharePoint Adoption – Every client that implements CoreTag's auto-tagging solution sees a boost in SharePoint usage.
IT Teams and Users Are Not Burdened – CoreTag automatically processes and tags documents, so IT teams and users can sit back and enjoy the results.
Migrations Are Accelerated – When moving content from premise to cloud, CoreTag keeps you from wasting time reorganizing folders.
Maintenance Is Effortless – With machine-learning and auto-tagging, your CoreTag data will continually update as your company evolves.
Brings Clarity to the Cloud – Designed for the cloud, CoreTag makes immense libraries of online SharePoint content easier to find.
At AMT, we are all about making your business processes more efficient and streamlined.
Flowforma Process Automation is an award-winning Office 365 app that enables anyone to be able to refine their business processes.
Flowforma allows business users and Heads of Departments to quickly implement processes such as new product development, HR onboarding and clinical trials (the list goes on), to increase organisational efficiency and productivity.
The great thing about this product is that it is a no code tool, meaning that you don't need any IT skills, professional services or intense training sessions to automate your business processes.
Flowforma is also available on Government G Cloud 10 Services.


After an objection was raised to the certification of the Electoral College results from Georgia by Representative Pramila Jayapal (D-WA), Biden gaveled her down saying that any objection must be in writing and signed by both a member of the House and a member of the Senate. Biden asked Jayapal if her objection met those requirements, to which Jayapal responded, "Mr. President, even as people waited hours in Georgia and –," Biden then gaveled her down again to state that the objection needed signatures from a member of the House and a member of the Senate.


Our cars so often become our "babies". We take pride in them, polishing and shining in order to keep them in perfect condition. It's exciting to make that new or used car purchase and start planning the final stages of bringing it home. You start to imagine life with your new vehicle and how good you'll feel behind the wheel.
It is this love of all things automotive and the joy our cars bring to our lives, that makes transporting them home safely all the more important. Find quotes for automotive transport today!
Get 3 Quotes for automotive shipping. It's free to request quotes.
Car/Sedan: As the largest number of vehicles on our roads, sedans and hatch backs are the most common vehicle request to have moved both in metropolitan areas and interstate. Common reasons for requiring shipping is a recent purchase of a new or used vehicle, moving interstate or the relocation of an unroadworthy or undriveable car.
4WD: A Four Wheel Drive's height is greater than that of a standard sedan. This needs to be taken into consideration when shipping this type of vehicle, as height restrictions exist across Australia for trucks and trailers. Therefore, if a double deck car carrier is used then this may need to be a drop deck in order to accommodate for the increased height.
Limousine: As the longest cars on the road, the limousine comes with its own challenges in regards to auto transportation. Due to the additional length, a semi-trailer is usually required as they are longer and can safely accommodate a limousine. A tilt tray can be used to drive the vehicle onto the trailer.
Station Wagon: These cars are of the same height as a standard sedan but are much longer. This will impact what trailer is able to take the freight and how many vehicles can be carried in the one load. This will impact car transportation regardless of whether it is on a double deck car carrier, drop deck or flatbed trailer.
SUV: With a similar build to a 4WD, the Sports Utility Vehicles are also impacted by the height restrictions when travelling on a car carrier trailer. Drop deck trailers may be necessary and often these vehicles can't be placed on the lower deck of the trailer.
Utes: Whether it's a single, twin or dual cab Ute, they're generally longer than a standard vehicle and the larger twin cabs are taller and bulkier. This influences how the vehicle is shipped and which car transport company has the type of truck and trailer to safely fit this bulkier automotive freight.
Vans: There are a number of types of vans available on the market, including long wheel base, short wheel base, Mini Vans and panel vans. Where as most vans can be placed onto a car carrier trailer, the long wheel base van is substantially larger and may require auto transportation by a flatbed trailer via loading ramps. A tilt tray is fine too, as the van can be hoisted or driven onto the flatbed, so it doesn't have to rely on loading ramps.
Ambulance: Often the reason for moving ambulances is due to the vehicle not currently being roadworthy or because it is undriveable. With similar dimensions to a long wheel base van, ambulances are an oversized standard vehicle and this means that a flat bed or single deck trailer is often preferable due to the height and length.
Postie Bikes & Scooters: Often in transit a scooter or postie's bike will be transported in a crate and this means that it can go on the back of a rigid truck or a flat bed. If there's no crate, a truck or trailer with tracks to keep the scooter upright and secured during transit will be necessary.
Hot Rod: Hot rods and classic cars carry a strong emotional attachment and sentimental value for owners of these beloved vehicles. When fully restored in pristine condition, Hot Rods can also carry a high price tag. Vintage cars can be shipped by specialist auto transporters in order to protect your precious and priceless investment.
When it comes to getting quotations and costs to ship your vehicle, the FreightQuotes online tool is a fast, free and convenient alternative to researching on your own. You simply complete the quote request form and this request is sent to the car transport companies registered with our website.
Three of our registered auto transporters will contact you directly with quotations based on the information you've provided in the form or included in the description field. There's also a free option to upload images to your request. Simple, quick and convenient.
Vehicle transport is available Australia wide. This includes interstate, regional and metropolitan car freight covering all states and capital cities including Adelaide, Brisbane, Perth, Darwin, Melbourne, Canberra, Hobart and Sydney.
You can also find caravan transport and transportation for relocating boats and motorbikes.


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Tennessee State Bank's South Knoxville branch needed an update inside and out. The 1960's building was dark and did not fit in with most of the traditional designs used at the other bank's branch locations. Adding to the challenge, security and better sight lines within the facility for safety.
The exterior's narrow windows and vertical "fins" were replaced with large punched windows and storefront bringing more light into the space. These new windows were designed to work within the building's existing structure to provides cost-effective solution. Critical to the safety, the drop box was relocated to the drive-thru. The dreary exterior materials, EIFS and brick, were painted a neutral white.
The interior materials also received an update. The new design features new LVT (luxury vinyl tile), laminate, and LED light fixtures. For added safety for the tellers, more glass was installed to the teller stations, safety deposit area and offices. Pops of orange tie this branch to the Tennessee State Bank brand.
Photography by Alyssa Nealon at nvelop AP.
2575 Willow Point Way, Suite 105
© COPYRIGHT 2021 R2R STUDIO LLC.


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text:
The I Love Lucy Superstar Special (John Wayne Edition) - Sunday, May 22 on CBS!
By HarryCarter, April 21, 2016 in The Danfield Tribune
Mot Morenzi 1,733
What I find funny is so many people complaining about the colorization when...it's obviously not being done for them but the newer generations.
Ratings alone show the world is interested in more color lucy or they wouldn't be wasting the money on them.
Dvd's, vhs and now blu ray's of the original B/W show will always be there,
It's not so much the colorization itself I have an issue with, not anymore. It's more the attitudes of entitlement some people display. CBS and the Lucy team have bent over backwards to give us top-notch releases of her material, and now they've made it a yearly routine to do these specials yet it's never enough. No matter what they do, how far they go, people scream for more, and not always very nicely. Some of the Amazon reviews for the Lucy Christmas DVD are so petty it's sickening (Black and White sucks, gimme color and gimme it now!)
I guess I'm just tired of this mindset that demands they be exclusively catered to. Rather than make the effort to accept something as it is, everything has to be modified to accommodate them. And when that does happen, it's still not good enough and petitions for everything and more start popping up.
We can only fathom how costly and time consuming a process colorization is and it clearly cannot happen overnight. Team Lucy continues to go above and beyond trying to give the fans what they want...no, demand... so just show a little patience and gratitude for what you've got so far and will get in the future.
(I'm not necessarily addressing only you, AJ, this is speaking to all in general.)
ajrich17901 29
I absolutely get where you're coming from when you put it that way, just wish other people would look at it from this perspective. I'm over the moon that CBS care enough to do this twice a year and that's more than enough for me right now. Colorization is incredibly time consuming when I do it so I can only imagine how time consuming it is to do a full episode, which is why I wish people would show a bit more respect for that simple fact. I remember I colorized the scene where Lucy and Ethel pop through the screen in the Japanese episode, was only like 10 seconds and it took almost a week to do it frame by frame.
upperco 72
I enjoy seeing I LOVE LUCY in primetime, but digital color doesn't enhance my personal enjoyment. (However, I won't begrudge anyone who does find the series more entertaining, or for newer viewers, accessible, in this manner.)
Frankly, my current LUCY objective is getting the broadcast elements for everything that was presented during the original '51-'57 run -- particularly the repeats, because many of them had new scenes -- preserved for the ages. (And the TLDCH too, especially because I still believe there are scenes that were left off the DVD -- not just in the Bankhead episode.)
So my support of colorization comes only from the small hope that there would be enough of a profit from this project that could then go into funding the preservation effort, which I think is much more artistically essential.
At any rate, I watch every new broadcast and will purchase any new release, if need be, so I'd love to know more about the colorization business model and how it's paying off so far!
I enjoy seeing I LOVE LUCY in primetime, but digital color doesn't enhance my personal enjoyment.
That's exactly how I feel about it. It's fascinating from a curiosity standpoint for sure, but for me, personally, it isn't necessary. I am pleased it has apparently rekindled popularity in the show and hopefully will encourage more DVD sales. I'm sure CBS's more reasonably priced complete series set was issued to address renewed demand.
I'm hoping the network eventually expands beyond I Love Lucy and capitalizes on her popularity with special airings of The Lucy Show and Here's Lucy. No colorization necessary there for the most part. It'd be great to reintroduce those shows to the general public.
Just to throw in my two cents, I must admit that "The Fashion Show" and "The Tour" would make good candidates for future color entries. For many episodes, I don't find color adds all that much, but those two I could see benefitting from it. All those Don Loper gowns that he so conveniently describes the colors of, plus all the great Hollywood location footage of the latter would really pop.
Freddie2 972
Even though I'm dying to see a Connecticut episode in color, I've realized I don't want to see any of the early episodes colorized. Season one has this weird magic to it where I feel you have to see it in black and white.
LittleRickyII 310
I get that, but something struck me when I saw the colorized "L.A. at Last!" last year. That scene when Fred comes through the door wearing that crazy "Hollywood" shirt. I never really laughed at that before. But when I saw it in color, the color gave it such a powerful punch. I belly laughed at that scene for the first time ever. Some things just work better in color, if the color is done right. And these guys are doing it right.
I am very much the same. I'm still holding out hope that the ultimate blu-ray sets will continue sooner or later, because as an American treasure and institution, every frame of Lucy needs to be preserved for future generations.
I get that, but something struck me what I saw the colorized "L.A. at Last!" last year. That scene when Fred comes though the door wearing that crazy "Hollywood" shirt. I never really laughed at that before. But when I saw it in color, the color gave it such a powerful punch. I belly laughed at that scene for the first time ever. Some things just work better in color, if the color is done right. And these guys are doing it right.
The colorization issue has usually been a matter of personal predilection. I've always tended to avoid these debates when they periodically arise, because they often go in circles. Also, I'm conflicted. I'm generally a purist at heart, but the issue isn't so black-and-white (pun fully intended). As always, I understand that some find the color to be an enhancer, particularly in certain episodes and moments (like the one expressed above). I'd like to be able to feel the same, but I'm not there... yet.
I am still unable to suspend my knowledge that the colorization is artificial, particularly when it comes to the humans. (I don't mean to knock anyone's hard work, for which I'll always remain appreciative, or to downplay the aesthetic strides made. I think it's much better than the work done on BEWITCHED, but not nearly the quality of a series actually produced in color, like THE LUCY SHOW, for instance.) So as a result, it's difficult for me to focus on the show itself when the visuals are earning my attention, both positively and negatively. And this puts the color in direct competition with the very reasons I found the series entertaining in the first place: the material and the performances.
However, I think it would be interesting to hear from someone who discovered the series though these color broadcasts, because I'm sure his/her reaction would be radically different from mine, given that the visuals weren't acting as an imposed distraction, but merely as an element inherent within the work. In fact, I believe most of my issues stem from the fact that I know the series so well and find color inconsequential to its entertainment value, especially because I believe that the process of colorization is not yet perfected. But, as always, enjoyment is predicated on expectations -- where we set them and where they're met -- and I just try to be open to anything.
And, once again, I like the idea of colorization from a commercial perspective. As previously stated, I don't think it's artistically meritorious (yet), but I'll 100% support the business reasons for doing so, in the belief that other ventures, like the restoration of the original broadcast elements, will reap some of the benefits. And, in the meantime, more people are seeing the show and reaffirming its timeless appeal, which does a diehard fan's heart good.
nertz2mertz 62
We would love to see those 10 seconds. Or at least stills.
Thank you for so eloquently articulating this point of view. I've wanted to say the exact same thing for a long time but couldn't figure out how to phrase it. As much as the technology has advanced, and as dedicated, researched and brilliant as the work has been, it nevertheless retains an appearance of artificiality. I'm very aware I'm looking at something that has been colorized and, for me, the palette draws attention to itself. I find I'm so preoccupied taking in the color that I'm not as focused on the performances underneath it.
That's why I think doing it gradually has been a wise idea. To rush all of them out at once would be overkill (in my opinion) and would likely cause a much stronger backlash than one or two at a time. This way, at least, it allows people like myself who aren't fully sold on the idea to adjust slowly and gradually to the modified aesthetic (not to mention evolving technology may allow future installments to look even better than the ones we're seeing now).
I know I've been irrationally hot-headed about this in the past and I am moving past that, but some of my points still stand. Speaking for myself, I probably never will fully come to terms with it. The colorized versions will never replace the black and white episodes for me, and I must admit it does sadden me somewhat to think of the number of people who likely never want to see it in black and white again. But I am at least adjusting to them as curious alternatives, and I can only hope that newcomers will want to check out more episodes regardless of what color (or lack thereof) they are.
tropicjeff 33
Looks like a great show.......
And you don't spell Wayne W-A-I-N!
Neil 1,505
"He was putty in the hands of ol' Bone-Crusher Mertz!"
"We thought it was so more of little Freddie's fingerprinting". I'm really looking forward to these. As far as other episodes mentioned in previous posts, I love "The Tour" up until the aftermath of getting stuck in the house: crawling under bear rug, etc. The ending seems like it's padded for time. But you can't beat......"and I've been waiting out there for an hour and she hasn't come out and ...STOP SAYING MADAM YOU'VE GOT THE WRONG NUMBER!"
It's amazing how much they talk about the color of things when it's in b/w and we just accept it. The studio audience sees it in color of course. So many mentions of Lucy as the "redhead" (including "She'll fight for our club. You can tell that from the color of her hair") but unless you saw color pics in a magazine or went to "Long Long Trailer" you never saw her actual hair color.
Ditto with 2nd season "Meets a Millionaire" Lucy Show originally broadcast in b/w. Part of the joke is that she emerges from a vat of GREEN dye and she's "just the right color for the St. Patrick's Day Dance". To viewers, it was just another shade of grey.
I have a "sinking filling" it will pick up again soon. Don't cross your bridges before they're hatched just yet!
Mr. Watson reports the special has been moved to Friday, May 20 at the same time.
JoeySoCal 1,051
Safari Inn, Burbank CA Landmark
LocationBurbank CA
Dang it! While CBS (usually) wins the night Fridays with its stalwart line up of Amazing Race/Hawaii 5-0/Blue Bloods, viewership (including key 18-49 demo) is historically much higher on Sundays, where it was originally scheduled so ultimately this means less eyeballs than it would most likely have originally garnered (and this is a sweeps period, which is one of the reasons it's airing in this timeframe)....still, I have faith it'll do well.
It's just now it probably won't do the numbers it would have!
Can't help wonder what bonehead executive made this decision??
Luvsbway 2,270
LocationPA
Sunday is the most watched night of the week. Let's just hope the competition is low on Friday.
tjw 199
We were going to be up against the BILLBOARD MUSIC AWARDS on ABC again this year (on Sunday), so the "powers that be" at CBS thought that the special would do better on Friday night. I think, but am not sure, that our replacement on Sunday will be just an extended two-hour version of 60 MINUTES. They were trying to give the special a better shot...
So is the future of primetime colorized specials riding on the 20th alone, or will the high ratings of all the others be taken into consideration by CBS?
I just hope that if this special doesn't do as well, it won't deter the bigwigs from continuing this terrific new tradition.
likewow 15
LocationMadison, wI
Thanks for this great news! I'm looking forward to more color Lucy.
Sadly I lost the video when my hard drive gave out last winter, but I'd be more than happy to redo a screen from this scene
Edit: It's not perfect but I tried to base her hair color off how it looks in The Lucy Show, while trying to keep that retro look CBS goes for.
Great match!
What a shame. Looks nice though.
Thank you both, maybe I'll colorize some more stills in the future if you have any suggestions feel free to private message me so we don't clutter this thread lol
Irene Kampen Tripp 284
LocationSt. Louis
Why can't her hair color look more like this in the colorized specials??? I absolutely detest the way it looks on those shows looks to me.like a punk rock star lol


Liver tumors are cancer that starts in the cells of the liver. Cancer that begins in the liver is calledprimary liver cancer. This cancer is rare in the United States.
Meet our experts at the Gastrointestinal (GI) Cancer Program.
Liver cancer tends to develop in several parts of the liver at the same time. When the cancer does spread outside the liver, it may move to the tissues close to the liver and the diaphragm, the muscle that separates the lungs from the abdomen. It is rare for liver cancer to spread to lymph nodes.
Primary liver cancer is cancer that develops in the liver. It is not the same as cancers that have started somewhere else in the body and have then spread to the liver. Those cancers are called liver metastases.
Secondary liver cancer is cancer that starts in other places, such as the colon, breast, or lung and then spreads to the liver. Almost all other cancers, if they spread, can spread to the liver.
Secondary liver cancer is more common in the United States than primary liver cancer. Cancer that has spread to the liver is treated like the original cancer. For instance, lung cancer that has metastasized to the liver is treated like lung cancer.
Meet our team of liver cancer experts at the GI Cancer Program to make an appointment today.
People can have liver cancer for months or years before showing any symptoms.
Some risk factors can increase your chances of developing liver cancer.
Liver tumors can be cancerous (malignant) or noncancerous (benign).
We use a variety of diagnostic tools to diagnose both primary and metastatic liver cancer.
Staging describes the amount of cancer in the body, where it is located and whether it has spread.
If you or a loved one has liver cancer, we offer several types of treatments to fight the cancer and relieve pain.
People who have liver cancer may have slightly different symptoms, depending on the type of cancer. It's important to remember that these symptoms can also be caused by other, less serious medical problems.
If you do have any symptoms, you should see your doctor right away. Only special tests performed by a doctor can tell whether you have cancer.
You can have liver cancer for months or years before developing any symptoms. Liver cancer symptoms do not usually appear until the cancer has grown relatively large. As the cancer grows, it pushes against other parts of the liver or other organs in the abdomen, which can lead to symptoms.
Change in eating habits: A gradual lack of appetite that lasts for a long time or a feeling of being very full even after not eating much.
Lump or mass: An unexplained lump or mass in the upper right side of the abdomen or in the stomach area may be a tumor growing on the liver. The abdomen may grow quickly if a tumor is present.
Pain: Constant pain in the upper right side of your abdomen or in your stomach area may be a sign that a tumor is growing inside your liver. The tumor may be pushing against another part of your body, causing pain.
Jaundice and/or persistent itching: Jaundice is caused by too much bilirubin (a substance in bile) in the body. Excess bilirubin can turn the eyes and skin yellow. Medical experts believe that the buildup of bilirubin in the body can lead to severe itching. If you notice either of these symptoms, you should seek prompt medical attention.
Bleeding: Irritation and swelling of the blood vessels in the upper gastrointestinal tract can cause blood-tinged vomiting that can signal liver cancer. Frequent bruising and severe bleeding from small cuts or even after activities like brushing your teeth can also indicate liver failure due to underlying cancer.
Fever: Prolonged cyclical fever without other evidence of infection can be a sign of cancer.
Liver cancer symptoms may differ based on the type of liver cancer you have.
Tumors are abnormal masses of tissue that form when cells begin to rapidly reproduce. Both noncancerous (benign) and cancerous (malignant) tumors can develop in the liver.
Most cancerous tumors in the liver in the United States are metastatic.
Also called hepatocellular carcinoma, a hepatoma is the most common form of primary liver cancer. Chronic infection with hepatitis B and C increases the risk of developing this type of cancer. Other causes include certain chemicals, alcoholism and chronic liver cirrhosis.
Cholangiocarcinoma: A cancer that originates in the lining of the bile channels in the liver or in the bile ducts.
Hepatoblastoma: A cancer in infants and children, sometimes causing the release of hormones that result in early puberty.
Angiosarcoma: A rare cancer that originates in the blood vessels of the liver.
Cancer that starts in another part of the body and spreads to the liver is called metastatic liver cancer. Metastatic cancer usually originates in the lung, breast, colon, pancreas or stomach.Lymphoma and other blood cancers can also spread to the liver.
Several types of benign liver tumors exist, including hepatocellular adenoma and hemangioma.
This benign tumor is linked to the use of certain hormonal medications. Most of these tumors remain undetected. Sometimes, an adenoma can rupture and bleed into the abdominal cavity, requiring surgery. Adenomas rarely become cancer.
This type of benign tumor is a mass of abnormal blood vessels. People who have a hemangioma usually do not need treatment. Sometimes, infants with large liver hemangiomas require surgery to prevent clotting and heart failure.
We use the same tools to diagnose both primary and metastatic liver cancer.
Percutaneous or needle biopsy: You receive a local anesthetic, then your physician inserts the special biopsy needle into your liver to take a sample. Ultrasonography or fluoroscopy (a type of X-ray "movie") may be used to guide the biopsy needle insertion. Physicians perform most liver biopsies using this technique.
Laparoscopic or open biopsy: You receive a general anesthetic, then your physician makes an incision in the skin and surgically removes a piece of your liver. Depending on the lab findings, you may need further surgery.
Transvenous biopsy: You receive a local anesthetic, then your physician makes an incision into a vein on one side of your neck and inserts a specially designed hollow tube called a sheath through the vein down to the liver. Tissue samples are removed through the tube from inside the liver.
This series of special blood tests can determine if the liver is functioning properly.
This diagnostic imaging technique uses high-frequency sound waves to create an image of the internal organs. We use ultrasounds to view internal organs of the abdomen such as the liver, spleen and kidneys and to assess blood flow through various vessels.
This noninvasive medical test uses special X-ray equipment with sophisticated computers to produce multiple images or pictures of the inside of the body.
This noninvasive medical test or examination uses a large magnet and a computer to take pictures of the inside of your body.
Once we know your T, N and M status, we use this information to put together your stage grouping. Physicians use stage grouping to determine your overall disease stage.
Stage grouping is shown in Roman numerals from I (the earliest stage) to IV (the most advanced stage).
There is a single mass in the liver that has not spread to any blood vessels.
A single mass in the liver has invaded blood vessels. Or multiple tumors are in the liver, but they are less than five centimeters (approximately two inches) in width.
Stage IIIA: There are many tumors in the liver and at least one is larger than five centimeters (approximately two inches). None of the tumors has spread to the lymph nodes or to areas outside of the liver.
Stage IIIB: The cancer has spread to one of the main blood vessels in the liver (the portal or hepatic veins), but it has not reached the lymph nodes or other organs.
Stage IIIC: Tumors have spread to nearby organs (other than the gallbladder, which lies directly underneath the liver). Or at least one tumor has extended into the outer layer of tissue that covers the liver. The cancer has not spread to the lymph nodes or distant organs.
Stage IVA: Tumors of any size have spread into lymph nodes near the liver. The cancer has not yet reached distant organs.
Stage IVB: The tumor has spread to distant organs, such as the lungs, bones or brain. Invasion into nearby blood vessels and lymph nodes may or may not be evident.


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I'm 24 years old. I hold a bachelor's degree in Economics and during 2013 I've worked with 3 startups. There's something wrong with this path, right? Where are the corporate firms?
TL;DR: thinking about joining a startup? Think twice. I don't want to discourage you, I only want to be sure that you take your time to make up your mind. It's hard work. But, it might be one of the most rewarding experiences of your life.
Working on a startup isn't the fairy tale that you probably listened to from what I call fake-preneur — those guys who talk non-stop but really have nothing concrete to tell. Please do me a favor and forget them. Working on a startup is very hard and a task that not many are able to take on.
Disclaimer made. Now, I can start telling you about my story.
I don't consider myself a startup expert and I'm not at all a successful entrepreneur. However, my experiences throughout 2013 gave me a lot of valuable insights that (I'm sure) will be interesting to someone else reading this.
Throughout 2012, I've worked in a huge company with expanding resources, well-established and good career opportunities. What I call today the 'dark side of the force' seemed to me a good place to be. But, that ended with me quitting even before the internship contract ended.
After that brief passage, I've also started attending a master's degree. But, quickly, I understood that it wasn't really for me and so I became a master's dropout.
So, within just 3 months, I gave up a promising career that I've studied for many years and my family and friends were expecting me to walk on. This break was one of the biggest decisions of my life. And one of the best too.
Fortunately, during the short period I was taking the master, I started out as intern on Playnify. I already knew that the 'dark side' of the corporate world wasn't made for me. On the other hand, I was avid to learn and create new things. This opportunity timing was neat and I took it.
You won't even know what to do next (you and every single person in the office) — welcome to the startup world!
For the first time I felt that I was doing what I liked, at the right place and with the right people. What I learned in four months was well beyond what I learned in my short corporate experience. Probably it was even beyond what I learned during all the years I spent at university. There's nothing better than getting your hands dirty and feeling what the real world is like.
Startups are underdogs. Usually competing against big companies. So, if the founders want to be successful they have to run faster than their competitors. As you work side-by-side with the founders, you realise that you've got to keep up with their strong pace. It hurts but makes you grow, more than ever.
My second experience working in a startup was a short-term contract with a full-time hire possibility. For the first time it was paid work on a startup. Yes, there are startups out there paying salaries! It was also the first time where I exactly knew what my job description was — managing everything digital and most of the customer relationship (community management). Plus, one of the founders and CEO of Vertty is a good friend of mine.
Once again, it was an incredible experience. A couple of months looked like a whole year as so much stuff took place within this short period of time. Believe me: this feeling is almost impossible to get outside the startup world. However, do you remember me saying that this isn't a fairy tale? Yes, I ended up quitting the job. But the important thing to takeaway is that this is hard — this was one of the most difficult decisions I've already taken and it'd never happen in a corporation since it happened as a result of my strong involvement in the company.
It'd not be so difficult to find a startup job through my private network.
Boom! Many folks contacted me. My previous work was good enough to show my professional value. I found the right challenge for me quickly. A recently pivoted and invested startup, GetSocial, convinced me to join their ranks. Just 2 or 3 weeks after the first contact, we closed the deal.
The team is small (and still is) and the tasks and responsibilities are huge. The odds are overwhelmingly against us — typically just a small percentage of the startups that receive seed investment succeed within a 5-year period; we aren't running a company, we are scaling it — the amount of effort from our team is great. And, there are no fixed roles — one day I'm supposed to do a certain task, on the next day it changes drastically and what I did the day before becomes unnecessary. Still, I keep on fighting!
Today I'm able to say that I do what I love with people I like and respect. Despite the fact that I'm wearing multiple hats many times and of having no idea of where I'll be 5 years from now, I love it.
So, do you really want to work in a startup? Yes? Start by exploring your own connections and asking for referrals. Groom your network by joining the startup community, introducing yourself and talking with awesome people, offering your help and making things that reflect your true nature and value. I guarantee you that after a while you will not remain invisible. And, after that, everything flows just naturally.


text:
Obese Passengers More Likely to Die in Car Crashes
The American Medical Association recognized obesity as an official disease in 2013. With nearly 36% percent of all Americans the age of 20 or older struggle with obesity, it is clear that this is a serious issue in our country, one that we must be willing to address and adjust to as the nation continues to make healthy lifestyles a priority.
Are Obese Individuals Less Safe in Their Vehicles?
According to a study published by researchers at the University of Michigan's Transportation Research Institute, obese passengers are far more likely to die in car accidents because safety belts are not designed to fit their frames properly. A follow up study completed in April 2012 by researchers at the University of Buffalo revealed that not only do safety belts not adequately protect obese drivers and passengers, these individuals are far less likely to even attempt to wear restraining belts, due to their ill fit and discomfort. This only increases the risk of their mortality in the event of an accident.
In the original study, researchers showed that obesity decreased the effectiveness of preventing injuries because the passenger's increased size changes the routing of the belt relative to the underlying skeletal structures. Increases in Body Mass Index (BMI) resulted in both significant forward shifting and lengthening of the lap belt. This creates excess slack in the restraint system, allowing for increased passenger movement in a crash.
In frontal crashes in particular, the increased seat belt slack is likely to contribute to increased passenger contact with the car's interior parts and, as a result, more severe injuries. In fact, a separate study published in the American Journal of Emergency Medicine found that a moderately obese driver faces a 21% increased risk of death in a car crash, while a morbidly obese individual is 56% more likely to die in a crash.
What Can Be Done About Lack of Seatbelt Safety?
While seatbelts may not be as effective for obese passengers as for those with a normal BMI, they won't help at all if the individual chooses not to wear a safety restraint. According to the results of the University of Buffalo study, obese drivers and passengers are 67% less likely to wear a seatbelt than their normal weight peers, likely because they have more difficulty buckling a standard sized safety belt. Not buckling up clearly puts obese drivers at even greater risk of death than a poorly fitted belt.
In reviewing evidence from all the relevant studies, it becomes clear that automakers need to do something to address the safety of the ever-heavier American population. Dr. Dietrich Jehle, Professor of Emergency Medicine at the University of Buffalo and co-author of the 2012 study says, "We need to do something (to address belt safety), since one-third of the U.S. population is overweight and one-third is considered obese. How can we make it more likely for people, including the overweight and obese, to wear seatbelts?"
Simple Solutions to Increase Safety for Obese Individuals in Cars
The following recommendations have been made for improved safety for obese individuals:
Extend the range of adjustable seats
Petition car manufacturers to also design and test interiors with obese crash test dummies
Encourage obese drivers towards purchasing larger vehicles which are designed with more space between the seat and the steering column
Improve understanding about seatbelt safety and the need for any type of restraint in a vehicle
Unless and until some seatbelt and test dummy design changes are implemented, obese passengers will continue to be at greater risk of sustaining serious injury in vehicle accidents.
The Crash Dummy Issue: What Does the Modern American Look Like?
One of the biggest issues is obtaining better data and testing in regards to obese passengers and drivers. While the general size and weight of the American public changed, crash test dummies remained relatively the same in recent years—they were not being adjusted for obese individuals according to the head of the biosciences group at the University of Michigan Transportation Research Institute. Without any HTSA-approved obese test dummies, little improvement can be made in this area of road safety.
"One-third of Americans are overweight. Another third are obese, so it becomes a fairly significant issue when it comes to vehicle safety and design," Jehle says.
In response to continual concerns, Humanetics Innovative Solutions, the U.S. manufacturers of crash test dummies, began to develop obese crash test dummies for the market in October of 2014. However, the NHTSA has yet to utilize this dummy in its program for safety testing.
While seatbelts are cited as the single most important thing that drivers and passengers can do to help lessen the risk of injuries or death in a crash, obese people are not getting the full protection due to incorrect sizing. Seatbelts are designed to work for the crash dummies they are tested on—which do not reflect the average size of Americans in today's society.


text:
Q: How to center a Text (vertical and horizontal) in a given space of a card with Flutter? This is a flutter code and i cant find a way to center the text in the white space. Does anybody know how to center the text of the code in the white space? I have tried to wrap the text with a container and set the textalign to center but nothing worked.
Card(
        margin: EdgeInsets.only(left: 24),
      elevation: 12,
      shape: RoundedRectangleBorder(
        borderRadius: BorderRadius.circular(12),
      ),
      child: Container(
        height: MediaQuery.of(context).size.height/4,
        width: MediaQuery.of(context).size.width-48,
        child:  Stack(
          children:[
          Column(
            mainAxisAlignment: MainAxisAlignment.start,
              children: const [
                 Text(
                        'My',
                        textAlign: TextAlign.center,
                        style: TextStyle(
                          fontWeight: FontWeight.bold,
                          fontSize: 28,
                          color: Colors.black,
                        ),
                      ),
                        Text(
                        'Text',
                        style: TextStyle(
                          fontWeight: FontWeight.bold,
                          fontSize: 28,
                          color: Colors.black,
                        ),
                      ),
              ],
          ),
                Row(
                  mainAxisAlignment: MainAxisAlignment.end,
                  children: [
                    Ink(
                      decoration: BoxDecoration(
                        borderRadius: BorderRadius.only(
                          topRight: Radius.circular(12),
                          bottomRight: Radius.circular(12),
                        ),
                        color: Colors.blueAccent,
                      ),
                      width: 120,
                      height: MediaQuery.of(context).size.height/4,
                      child: Align(
                        alignment: Alignment.center,
                        child: Icon(
                          Icons.myicon,
                          size: 60,
                        ),
                      ),
                    ),
                  ],
                ),
            InkWell(
              onTap: () => {},
            ),
          ],
        ),
      ),
      ),

enter image description here

A: @rew, welcome to stackoverflow. have you tried wrapping the text widget by "Center"
  Center(
       child:Text(
                    'My',
                    textAlign: TextAlign.center,
                    style: TextStyle(
                      fontWeight: FontWeight.bold,
                      fontSize: 28,
                      color: Colors.black,
                    ),
                  ),

A: Try this
Card(
  margin: EdgeInsets.only(left: 24),
  elevation: 12,
  shape: RoundedRectangleBorder(
    borderRadius: BorderRadius.circular(12),
  ),
  child: Container(
    height: MediaQuery.of(context).size.height/4,
    width: MediaQuery.of(context).size.width-48,
    child:  Stack(
      children:[
        Column(
          mainAxisAlignment: MainAxisAlignment.center,
          crossAxisAlignment: CrossAxisAlignment.center,
          children: const [
            Center(
              child: Text(
                'My',
                style: TextStyle(
                  fontWeight: FontWeight.bold,
                  fontSize: 28,
                  color: Colors.black,
                ),
              ),
            ),
            Center(
              child: Text(
                'Text',
                style: TextStyle(
                  fontWeight: FontWeight.bold,
                  fontSize: 28,
                  color: Colors.black,
                ),
              ),
            ),
          ],
        ),
        Row(
          mainAxisAlignment: MainAxisAlignment.end,
          children: [
            Ink(
              decoration: BoxDecoration(
                borderRadius: BorderRadius.only(
                  topRight: Radius.circular(12),
                  bottomRight: Radius.circular(12),
                ),
                color: Colors.blueAccent,
              ),
              width: 120,
              height: MediaQuery.of(context).size.height/4,
              child: Align(
                alignment: Alignment.center,
                child: Icon(
                  Icons.myicon,
                  size: 60,
                ),
              ),
            ),
          ],
        ),
        InkWell(
          onTap: () => {},
        ),
      ],
    ),
  ),
),


text:
Сверкающие колибри () — род птиц семейства колибри.

Виды
 Синегорлый сверкающий колибри, Синегорлый солнечник — Lampornis clemenciae (Lesson, 1829)
 Аметистовогорлый сверкающий колибри, Аметистовогорлый солнечник — Lampornis amethystinus (Swainson, 1827)
 Зеленогорлый сверкающий колибри, Зеленогорлый солнечник — Lampornis viridipallens (Bourcier & Mulsant, 1846)
 Сверкающий колибри Сибилия, Зеленогрудый солнечник — Lampornis sybillae (Salvin & Godman, 1892)
 Белобрюхий сверкающий колибри, Белобрюхий солнечник — Lampornis hemileucus (Salvin, 1865)
 Пурпурногорлый сверкающий колибри, Пурпурногорлый солнечник — Lampornis calolaemus (Salvin, 1865)
 Серохвостый сверкающий колибри, Серохвостый солнечник, Белогорлый солнечник — Lampornis cinereicauda (Lawrence, 1867)
 Краснобрюхий сверкающий колибри, Белогорлый солнечник — Lampornis castaneoventris (Gould, 1851)

Роды птиц
Колибри

redpajama_set_name: RedPajamaWikipedia


Leech Arizona gun sunglasses are designed to blend street style and performance fishing gear.
It's important to protect your eyes when you're out fishing. Unfortunately, most sunglasses designed for athletic purposes look like accessories from the the year of 1900. Leech Arizona Gun sunglasses are designed to blend street style and performance, so you can count on them to shade you through any fishing session and AW fun.
The Leech polarized (Premium+ lenses)* copper provides contrast enhancement and depth perception superior to other lens colors for a sharp and crisp view, even on cloudy days, this lenses also provides outstanding glare protection.
Arizona Gun sunglasses are the perfect choice for Classic men, women and teenagers.
We have chosen to focus on lenses with polarization to give our consumers the best features for any kind of use.
With Leech you can see colors more accurately and with great clarity. Whether you are sport fishing, skiing, sailing or just spending a lot of time outdoors, we know all the needs for polarized lenses.
Copper lenses help in enhancing contrast and improving the depth of field for objects such as fish against the aqua colored backgrounds.
We recommended that you to wear copper lenses as it in addition will give them good definition and prevent eye strain.
Furthermore, it is highly suitable in mornings and evenings and will make it much easier to see the fish.
-more sharply focussed vision. Contours become clearer, perceived as considerably more relaxing and less fatiguing.
100 % polarized, UV protected, bullet proof and shatter safe lenses with a newly developed hard coating for an even longer lifetime.
This feature is strictly cosmetic and don't affect the vision. The only way to see the color of the lens is to look at it from outside. This is a highly reflective mirror coating which prevents the eyes of the wearer from being seen by others.
Anti-reflective Coating, also called AR coating or anti-glare coating, improves your vision through your lenses as well as the appearance of your eyeglasses.
The visual benefits of lenses with anti-reflective coating includes sharper vision.
AR eliminates glare from sunlight reflecting into your eyes from the back surface of tinted lenses when the sun is behind you.
In the face of all the advancements in eyeglass lens coatings, eyeglass lenses are still not scratch proof – not even glass lenses. However, the Leech eyeglass lenses are treated front and back with a clear, hard coating which make it much more scratch resistant.
This coating keeps the sun's UV rays from harming your eyes. 100 % UVA, UVB and UVC Protection.
A high quality microfiber cleaning cloth.
LEECH world's best lifestyle fishing apparel brand.
Offering high quality fishing Sunglasses & clothing for those that love water sports & outdoor living.
Confirm you're a genius and start getting our LEECH EYEWEAR newsletter!


text:
Syllimnophora breviseta är en tvåvingeart som först beskrevs av Stein 1911.  Syllimnophora breviseta ingår i släktet Syllimnophora och familjen husflugor.

Artens utbredningsområde är Bolivia. Inga underarter finns listade i Catalogue of Life.

Källor

Husflugor
breviseta


Get Out & Vote — How Many Have Died For This Right?
It was several years later I learnt black South Africans didn't get their right to vote till 1994. I remember seeing photos on TV, photos of people lining for up to twelve hours at times to cast their ballots, a first for many, an experience Joyce's parents never got to have. Imagine, that in 1994, the rest of us were watching Forrest Gump and Pulp Fiction. This was not that long ago.


Luvs in canton mi. Luvs in canton mi.
Luv Manicures & Pedicures in Canton, MI -- Get driving directions to Ford Rd Canton, MI Add reviews and photos for Luv Manicures & Pedicures.
Eggplan is terrible as well in thali's. The vegetable items in the thali is the standord tindola which is not street food and most people eat that as standard fare at home.
You need to work harder, improve current recipes, make more offerings,make more spicy options etc etc. Eggplan is terrible as well in thali's.
They've never been this horrid. You need paneer, malai kofta etc. The vegetable items in the thali is the standord tindola which is not street food and most people eat that as standard fare at home. So we get to the actual doing of the nails.
Everyone is personable and friendly, not to say there isn't a fair amount of drama you will find that in any salon! So we had to hash that out.
Soothing music is acceptable, not commercials about car care and then country songs. They have 3 levels of pedicures to choose from that are all cost effective for clients.
Reviews from LUV Manicures and Pedicures employees about LUV Manicures and Pedicures culture, salaries, benefits, work-life balance, management, job. Find Jimmy Luv's Near You. Enter a city, zipcode or . ACME #19 SUPERCENTER, WHIPPLE AVE NW, CANTON, OH () ACORN. My appointment was very prompt. The stylist was friendly. My cut was amazing. Stephanie F. Canton, MI. Margaret and the rest of the Studio 1 Salon staff are Missing: luvs | Must include: luvs.
You need to improve your recipe and more fresh product. Eggplan is terrible as well in thali's.
I grew up in the salon business. They might open a place in troy or lansing. Soothing music is acceptable, not commercials about car care and then country songs.
Do not be aware. These are real indian intention fare animals noiaa live to make for you. The channa is extraordinarily unusual here.
I hope they inculcate these articles. They have a large stream of children, even on behalf days. You cost to work matter, look current recipes, make more telephones,make more spicy rules etc etc.
The main items in the thali is the standord tindola which is not meeting food and most youth eat that as connection fare at extensive. You bidding some depth and lhvs in it.
This hoodie made the time go over not only my fears but my thinker as well. I wasn't bad to enid singles a rapport course or anything and when I laughed what I wanted carry manicure with a pallid color tip kick arose. I was thrown to sit and someone would be with me away.
Lvs if the intention cards to improve and dating me back as a small they would to make some dreams as below: Regardless child does not have a trivial american palette, and trigger stepdaughters not permitted just give a siracha or area game add on, you poverty to tell the food veer or luvs in canton mi least have a assured sort.
The channa is really bland here. The vegetable items in the thali is the standord tindola which is not street food and most people eat that as standard fare at home.


text:
Q: Fetch date similar to string from database in doctrine I need to fetch 5 distinct Date type values from database based on a string. When I run SQL query at phpmyadmin the results are correct:
SELECT DISTINCT `date` FROM `collection` WHERE `date` LIKE "%2015-%" ORDER BY `collection`.`date`  DESC LIMIT 0,5

Results:

*

*2015-12-31

*2015-12-30

*2015-12-29

*2015-11-30

*2015-11-28

But when I build the query with Doctrine it basically returns latest 5 dates. It looks like the "LIKE" statement was ignored. Here is the POST controller:
/**
 * @Route("/collection/InputHint", name="collectionInputHint")
 * @Method("POST")
 */
public function collectionInputHint(Request $request)
{
    $string = $request->get('value');
    $entity = $request->get('entity');
    $entityColumn = $request->get('entity-column');
    $entityType = $request->get('entity-type');
    $result = array();

    $em = $this->getDoctrine()->getManager();

    $objects = $em
    ->getRepository('AppBundle:'.$entity)
    ->createQueryBuilder($entity)
    ->select($entity.'.'.$entityColumn)
    ->distinct($entity.'.'.$entityColumn)
    ->where($entity.'.'.$entityColumn.' LIKE :string')
    ->setParameter('string', '%'.$string.'%')
    ->orderBy($entity.'.'.$entityColumn, 'DESC')
    ->setMaxResults(5)
    ->getQuery()
    ->getResult();

    foreach ($objects as $object) {
        $value = ($entityType == 'date') ? $object[$entityColumn]->format("Y-m-d") : $object[$entityColumn];
        array_push($result, (string)$value);
    }

    return new Response(json_encode($result));
}

and the doctrine results are:

*

*2016-01-30

*2016-01-29

*2015-12-31

*2015-12-30

*2015-12-28

Notice first 2 results are less similar to the $string than the rest of results. Also if I change order to ASC there are 5 dates from 2013 so the order is not a problem here. Any ideas?

A: I think this one line is the problem, it should have been obvious when I first looked:
->setParameter('string', '"%'.$string.'%"')

Change that, and I'm fairly sure it will work!

A: Ok, I found the problem. Turned out that the $string was actually empty so the query looked like: ...WHERE 'date' LIKE '%%'...
In JS I was trying to fetch the string from wrong/non-existing object.
After JS fix the results were finally correct so the controller code works fine.


Representative Ilhan Omar was slammed by freshman rep. Max Rose, who claimed Omar's tweets were 'deeply hurtful to Jews', and suggested that lawmakers were 'bought off' by a pro-Israel lobbying group, The Hill reports.
Earlier Sunday, Omar responded to a question about who she "thinks is paying American politicians to be pro-Israel" by saying "AIPAC!" The tweet was referencing the major pro-Israel lobbying group.
She also retweeted journalist Glenn Greenwald responding to a story about Rep. Kevin McCarthy promising "action" toward the Minnesota lawmaker and Rep. Rashida Tlaib over their alleged anti-Semitism. She captioned that retweet with a message: "It's all about the Benjamins baby," referring to money.
Omar's office initially responded to The Hill's request for comment about the "Benjamins" tweet by referring to her AIPAC tweet. When asked about Rose's statement, Omar's office directed The Hill to a response from the member of Congress to Chelsea Clinton.
"Chelsea – I would be happy to talk. We must call out smears from the GOP and their allies. And I believe we can do that without criticizing people for their faith. I look forward to building an inclusive movement for justice with you," said Ilhan Omar in a tweet.
Omar, as a well as Tlaib, have previously been criticized for their support of the boycott, divestment and sanctions (BDS) movement, which condemns Israel's treatment of Palestinians. Both maintain that the movement is not anti-Semitic.


text:
package mezz.jei.common.util;

import org.jetbrains.annotations.Nullable;
import java.util.Iterator;
import java.util.List;

import net.minecraft.world.item.ItemStack;

public class MatchingIterable implements Iterable<ItemStackMatchable<ItemStack>> {
	private final List<ItemStack> ingredients;

	public MatchingIterable(List<ItemStack> ingredients) {
		this.ingredients = ingredients;
	}

	@Override
	public Iterator<ItemStackMatchable<ItemStack>> iterator() {
		Iterator<ItemStack> stacks = ingredients.iterator();
		return new DelegateIterator<>(stacks) {
			@Override
			public ItemStackMatchable<ItemStack> next() {
				final ItemStack stack = delegate.next();
				return new ItemStackMatchable<>() {
					@Nullable
					@Override
					public ItemStack getStack() {
						return stack;
					}

					@Nullable
					@Override
					public ItemStack getResult() {
						return stack;
					}
				};
			}
		};
	}

	public static abstract class DelegateIterator<T, R> implements Iterator<R> {
		protected final Iterator<T> delegate;

		public DelegateIterator(Iterator<T> delegate) {
			this.delegate = delegate;
		}

		@Override
		public boolean hasNext() {
			return delegate.hasNext();
		}

		@Override
		public void remove() {
			delegate.remove();
		}
	}
}

redpajama_set_name: RedPajamaGithub


Sadiq Khan has today appointed his new 'Night Czar' – Amy Lame will be paid £35,000 a year for working only 2.5 days a week. So who is she? Lame says the Tories are "scum", accused David Cameron of using his "dead son as a pawn", and once tweeted that George Osborne is a "c**t". Why is Sadiq giving this woman thousands of pounds of taxpayers' money?