text:
// Copyright (c) 2014, LAAS-CNRS
// Authors: Joseph Mirabel (joseph.mirabel@laas.fr)
//

// Redistribution and use in source and binary forms, with or without
// modification, are permitted provided that the following conditions are
// met:
//
// 1. Redistributions of source code must retain the above copyright
//    notice, this list of conditions and the following disclaimer.
//
// 2. Redistributions in binary form must reproduce the above copyright
// notice, this list of conditions and the following disclaimer in the
// documentation and/or other materials provided with the distribution.
//
// THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS
// "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT
// LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR
// A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT
// HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL,
// SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT
// LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE,
// DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY
// THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT
// (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE
// OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH
// DAMAGE.

#ifndef HPP_MANIPULATION_PARSER_HH
#define HPP_MANIPULATION_PARSER_HH

#include <tinyxml.h>

#include <functional>
#include <iostream>
#include <list>
#include <map>
#include <string>

namespace hpp {
namespace util {
namespace parser {
typedef TiXmlElement XMLElement;
typedef TiXmlDocument XMLDocument;
typedef TiXmlDeclaration XMLDeclaration;
typedef TiXmlAttribute XMLAttribute;
typedef TiXmlNode XMLNode;
typedef TiXmlText XMLText;
typedef TiXmlComment XMLComment;

typedef TiXmlPrinter XMLPrinter;

class RootFactory;

/// \defgroup factories
///
/// \brief    Classes used to build object from XML documents.
///
/// See section \ref hpp_manipulation_urdf_extend_sec for more information
/// about how to extend the parser with factories.

/// \addtogroup factories
/// \{

/// \brief Class that catch XML Parser events for a specific tag and build the
/// corresponding Object.
///
/// Derive this class if you wish to extend the Parser.
/// The event callbacks are called in the following order:
/// \li ObjectFactory::init after having created the object.
/// \li ObjectFactory::setAttribute for each attribute of the tag.
/// \li ObjectFactory::finishAttributes after having processed every attribute.
/// \li ObjectFactory::addTextChild when a child is a text element.
/// \li ObjectFactory::finishTags when all the children have been parsed.
/// \li ObjectFactory::finishFile when the file has been fully parsed.
///
/// \note The derived class must have the following construtor
/// \code
/// DerivedFactory (ObjectFactory* parent, const XMLElement* element) :
///       ObjectFactory (parent, element)
/// {
///   /*
///    * Keep in mind that it might be more convenient
///    * to build objects in an event callback, when some information
///    * has already been parsed.
///    */
/// }
/// \endcode
class ObjectFactory {
 public:
  typedef std::list<ObjectFactory*> ObjectFactoryList;

  ObjectFactory(ObjectFactory* parent = NULL, const XMLElement* element = NULL);

  virtual ~ObjectFactory() {}
  /// \name Events
  /// \{

  /// Called when the object is created.
  /// \return True to continue parsing this tag, False otherwise.
  virtual bool init();

  /// Called for each attribute.
  /// A few reserved name are automatocally catched. The reserved names are
  /// "name" and "id".
  /// "name" expects a string.
  /// "id" expects an unsigned integer and can be use to define pointers to
  /// elements.
  void setAttribute(const XMLAttribute* attr);

  /// Add Text child.
  virtual void addTextChild(const XMLText* text);

  /// Called when all the attributes have been processed.
  /// \return True to continue parsing this tag, False otherwise.
  virtual bool finishAttributes();

  /// Called when all the child tags have been processed.
  virtual void finishTags();

  /// Called when parsing is finished.
  virtual void finishFile();

  /// \}

  /// \name Write to file
  /// \{

  /// Constructor for writing objects from scratch
  ObjectFactory(const std::string& tagName, ObjectFactory* parent = NULL);

  /// Add an attribute
  void addAttribute(const std::string& name, const std::string& value);

  /// Add this factory as child of the node argument.
  /// Tags are handled throught children so you should add children
  /// before calling this function.
  /// If you factory must write something different from tags (XMLText
  /// or XMLComment), reimplement method impl_write.
  XMLNode* write(XMLNode* node) const;

  /// \}

  /// \name Accessors
  /// \{

  /// Return tag name of the element is any.
  /// Returns "No element" otherwise.
  std::string tagName() const;

  /// Return the content of the attribute name, or an
  /// empty string.
  std::string name() const;

  /// Check if an attribute was set.
  bool hasAttribute(const std::string& attr) const;

  /// Return a given attributes.
  std::string getAttribute(const std::string& attr) const;

  /// Get a list of ObjectFactory whose tag name is type.
  ObjectFactoryList getChildrenOfType(std::string type);

  /// Get the ObjectFactory whose tag name is type.
  /// \param[out] o Set to the first element of the requested type.
  /// \return true if there was only element of the requested type. false if
  /// there are more than one. \throws std::invalid_argument if no ObjectFactory
  /// of the requested type exists.
  bool getChildOfType(std::string type, ObjectFactory*& o);

  /// \}

  /// Set the name.
  /// The default value is the value of the attribute "name"
  /// of the XML tag or an empty string if this does not exist.
  void name(const std::string& n);

  /// See name(const std::string&)
  void name(const char* n);

  /// Cast this class to any child class.
  template <typename T>
  T* as() {
    return static_cast<T*>(this);
  }

 protected:
  ObjectFactory(ObjectFactory* root);

  ObjectFactory* parent();

  virtual ObjectFactory* root();

  bool hasParent() const;

  const XMLElement* XMLelement();

  virtual void impl_setAttribute(const XMLAttribute* attr);

  virtual void impl_write(XMLElement* element) const;

  void addChild(ObjectFactory* child);

  virtual std::ostream& print(std::ostream& os) const;

 private:
  ObjectFactory* parent_;
  ObjectFactory* root_;
  typedef std::map<std::string, ObjectFactoryList> ChildrenMap;
  ChildrenMap children_;

  const XMLElement* element_;

  typedef std::map<std::string, std::string> AttributeMap;
  AttributeMap attrMap_;
  std::string name_, tagName_;
  int id_;

  friend std::ostream& operator<<(std::ostream&, const ObjectFactory&);
};
/// \}

/// To add a ObjectFactory to the Parser, use:
/// Parser::addObjectFactory (TagName, create <ObjectFactory>)
template <typename T>
ObjectFactory* create(ObjectFactory* parent = NULL,
                      const XMLElement* element = NULL) {
  return new T(parent, element);
}

/// \brief Parse an XML document
///
/// This class uses the tinyXML library and derived classes of ObjectFactory
/// to build object from an XML document.
/// To extend its capabilities, see ObjectFactory.
class Parser {
 public:
  typedef std::function<ObjectFactory*(ObjectFactory*, const XMLElement*)>
      FactoryType;

  /// Constructor
  /// \param defaultFactory The factory used when a tag is not known.
  Parser(FactoryType defaultFactory = create<ObjectFactory>);

  virtual ~Parser();

  void addObjectFactory(const std::string& tagname, FactoryType factory);

  virtual void parse(const char* xmlString);

  virtual void parseFile(const std::string& filename);

  ObjectFactory* root() const;

 private:
  XMLDocument doc_;
  ObjectFactory* root_;

  bool checkError() const;

  void loadString(const char* xmlstring);

  void parse();

  void parseElement(const XMLElement* element, ObjectFactory* parent);

  typedef std::map<std::string, FactoryType> ObjectFactoryMap;
  typedef std::pair<std::string, FactoryType> ObjectFactoryPair;
  typedef std::pair<ObjectFactoryMap::iterator, bool> ObjectFactoryInsertRet;
  ObjectFactoryMap objFactoryMap_;
  FactoryType defaultFactory_;

  typedef std::list<ObjectFactory*> ObjectFactoryList;
  ObjectFactoryList objectFactories_;

  std::ostream& print(std::ostream&) const;
  friend std::ostream& operator<<(std::ostream&, const Parser&);
};

std::ostream& operator<<(std::ostream&, const ObjectFactory&);
std::ostream& operator<<(std::ostream&, const Parser&);
}  // namespace parser
}  // namespace util
}  // namespace hpp

#endif  //  HPP_MANIPULATION_PARSER_HH


As the Civil War split the country in two, so too has the decision to rename a Westside high school. Depending on which history books you read, Nathan Bedford Forrest, for whom Forrest High School was named, was a racist war criminal with links to the Ku Klux Klan, or a civil rights leader and victim of circumstance. Supporters of the first theory have been calling for the Duval County School Board to change the school's name for years, while defenders of the second one maintain that Forrest's name has been unjustly sullied and other Jacksonville "heroes," including Andrew Jackson, are more reprehensible than Forrest. Earlier this year, Superintendent Nikolai Vitti said he was in favor of renaming Forrest High School if the community showed its support. With an online petition called "No More KKK School," more than 160,000 individuals did just that — though not all are from Northeast Florida. Earlier this month, Duval County School Board member Connie Hall formally requested the board initiate the name-change process, an action it unanimously approved at a separate meeting. Before making a final recommendation to the board, Vitti will solicit feedback from current and former students, faculty, the school's PTA and advisory council and others. Detractors, who comprise a significantly smaller (or, at least, less-vocal) group, continue to grouse about the decision. They'd be wise to understand they're fighting a losing battle, so to speak, and should devote their passion for history to another cause.


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text:
Q: How to change proxy in selenium firefox webdriver while running? I need to change the proxy for a scraper I'm running if a condition has been checked . However I can't find a way to change the current proxy of the running web driver instance directly, I have to open a new web driver, and I don't want to do that .
The first firefox instance was started with those preferences :
    proxies = [
    "104.198.10.75:80",
    "104.196.118.144:80",
    "45.79.219.25:3128",
    "35.185.3.3:80"
]

def init_driver():
    random_proxy = random.choice(proxies).split(':')[0]
    port = int(random.choice(proxies).split(':')[1])

    profile = webdriver.FirefoxProfile()
    profile.set_preference("network.proxy.type", 1)
    profile.set_preference("network.proxy.http", random_proxy)
    profile.set_preference("network.proxy.http_port", port)
    profile.set_preference("network.proxy.ssl_port", port)
    profile.set_preference("network.proxy.ssl", random_proxy)
    profile.update_preferences()

    driver = webdriver.Firefox(profile)

random_proxy is a random proxy from the proxies list . this code work perfectly, but after that I have a condition somewhere else in my code and I want to change the proxy for it if this condin is checked, however I don't know how to change the proxy and it's port wihout restarting the window .

redpajama_set_name: RedPajamaStackExchange


text:
Q: How to close jquery dialogue box for mobile application I am doing a site to view in mobile ,i need a popup/dialogue box to display the contents inorder to avoid page redirection.I have used the code
<a href="<?=site_url('cart/terms_conditions/'.$cart['Product_ID'])?>"  data-rel="dialog" style="color:#27d9fb; font-size:100%;">Terms & Conditions

The dialogue box appeared and it looks good my problem is how can i close the dialogue box .i need to stay in home page when user close the terms& condition page.I have used jquery, javascript

location.reload(true);

but it won't works. if any body knows it please help.
Ant help will be appeciated

A: Can you not just use: $('.ui-dialog').dialog('close')?
eg. add a 'close' button to your terms & conditions page and then trigger .dialog('close') when the button is clicked.
<button id="close-button">Close</button>

$('#close-button').click(function() {
  $('.ui-dialog').dialog('close');
});

http://jquerymobile.com/demos/1.0a4.1/docs/pages/docs-dialogs.html


At Premier Academy, we are very proud of the educational foundation the children in our preschool program receive. We use the A Beka Book curriculum, which is a phonics program written and developed at Pensacola Christian College. With this curriculum, preschool children fully learn each letter, including how it sounds and how to write it. They will also learn numbers and the number values while learning to write each number. Colors, shapes and calendar skills are also included in the daily lesson plans, along with saying the Pledge of Allegiance to the United States flag. To ensure your preschooler receives a strong foundation, the children have a weekly bible story and lesson. These lessons will reinforce our goals of teaching the children self-confidence and independence, respect for themselves and others, the importance of a sense of responsibility for their own actions and for the well-being of others. By the end of the preschool years, our students have the necessary skills to succeed in the classroom in Pre-Kindergarten and beyond, and they have developed a love of learning that will last them a lifetime.
At Premier Academy, we are very proud of the educational foundation the children in our preschool program receive. We use the A Beka Book curriculum, which is a phonics program written and developed at Pensacola Christian College.


text:
University of the Witwatersrand Mellon Mays Undergraduate Fellowship 09/11/17 $130,000 Johannesburg, South Africa Higher Education and Scholarship in the Humanities
Washington University in St. Louis Mellon Mays Undergraduate Fellowship 09/11/17 $85,000 St. Louis, MO, United States Higher Education and Scholarship in the Humanities
Lafayette College Faculty Support 09/15/70 $200,000 Easton, PA, United States Higher Education and Scholarship in the Humanities
Broad Jump Summer Remedial Educational Program 09/14/71 $25,000 New York, NY, United States Higher Education and Scholarship in the Humanities
American Council on Education Seminars for College Presidents 09/19/72 $75,000 Washington, DC, United States Higher Education and Scholarship in the Humanities
Dartmouth College University Press of New England 09/19/72 $40,000 Hanover, NH, United States Higher Education and Scholarship in the Humanities
Inter-Met General Support 09/19/72 $60,000 Washington, DC, United States Higher Education and Scholarship in the Humanities
University of Chicago University Press Program 09/19/72 $150,000 Chicago, IL, United States Higher Education and Scholarship in the Humanities
University of Minnesota at Twin Cities University Press Program 09/19/72 $40,000 Minneapolis, MN, United States Higher Education and Scholarship in the Humanities
University of North Carolina at Chapel Hill University Press Program 09/19/72 $75,000 Chapel Hill, NC, United States Higher Education and Scholarship in the Humanities
University of Toronto University Press Program 09/19/72 $100,000 Toronto, Ontario, Canada Higher Education and Scholarship in the Humanities
Pierpont Morgan Library The Andrew W. Mellon Fund 09/19/72 $400,000 New York, NY, United States Higher Education and Scholarship in the Humanities
Johns Hopkins University Mellon Humanities Professorship 09/18/73 $750,000 Baltimore, MD, United States Higher Education and Scholarship in the Humanities
Carleton College Faculty Development 09/27/74 $250,000 Northfield, MN, United States Higher Education and Scholarship in the Humanities
Pratt Institute Liberal Arts Support 09/27/74 $500,000 Brooklyn, NY, United States Higher Education and Scholarship in the Humanities
Hope College Faculty/Curriculum Development 09/27/74 $160,000 Holland, MI, United States Higher Education and Scholarship in the Humanities
London School of Economics and Political Science Property Acquisition 09/27/74 $250,000 London, United Kingdom Higher Education and Scholarship in the Humanities
Worcester Polytechnic Institute Engineering-Humanities - Integration 09/27/74 $150,000 Worcester, MA, United States Higher Education and Scholarship in the Humanities
Colgate University Faculty Development 10/07/75 $200,000 Hamilton, NY, United States Higher Education and Scholarship in the Humanities
Haverford College Faculty Development 10/07/75 $185,000 Haverford, PA, United States Higher Education and Scholarship in the Humanities
Knox College Faculty Development 10/07/75 $175,000 Galesburg, IL, United States Higher Education and Scholarship in the Humanities
Columbia University Central Academic Planning 10/07/75 $500,000 New York, NY, United States Higher Education and Scholarship in the Humanities
Brooklyn College President's Discretionary Fund 10/06/76 $100,000 Brooklyn, NY, United States Higher Education and Scholarship in the Humanities
City College of New York President's Discretionary Fund 10/06/76 $100,000 New York, NY, United States Higher Education and Scholarship in the Humanities
Princeton University University Library 10/06/76 $190,000 Princeton, NJ, United States Higher Education and Scholarship in the Humanities
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redpajama_set_name: RedPajamaCommonCrawl


Inventory, on a national basis, was up 2.7% year-over-year (YoY) in August, this the first YoY increase since early 2015.
The graph below shows the YoY change for non-contingent inventory in Houston and Las Vegas (through September), Sacramento, and Phoenix (through August) and total existing home inventory as reported by the NAR (also through August).
Note that inventory was up 33% YoY in Las Vegas in September (red), the third consecutive month with a YoY increase.
Houston is a special case, and inventory was up for several years due to lower oil prices, but declined YoY recently as oil prices increased. Inventory was up 6% year-over-year in Houston in September.
Inventory is a key for the housing market, and I am watching inventory for the impact of the new tax law and higher mortgage rates on housing. I expect national inventory will be up YoY at the end of 2018 (but still be somewhat low).
Note that inventory in Seattle was up 78% year-over-year in September!


As Libraries Unlimited reaches its first six months as an independent organisation, it presents an ideal opportunity to reflect on the journey so far and what we've learned.
Libraries Unlimited emerged as a response to a large scale public consultation in the summer of 2014 when communities across Devon were asked to consider options to save £1.5 million from the cost of the library service.
Across the county, people consistently told Devon County Council that they valued their library and understood the important role it played in the local community and equally they were keen to show how much they valued the talented and committed library staff running libraries. There was realism too with most people understanding the financial pressures on the local authority and there was willingness and energy to work with the County Council to look at other solutions.
To cut a long story short and, following considerable engagement with staff, communities and councillors, Libraries Unlimited was established as an independent staff and community owned mutual and came into operation on 1st April 2016. Staff transferred across and I became the organisation's Chief Executive, having previously been the Head of Libraries, Culture and Heritage whilst in the Council.
Luckily for us, the stars proved to be aligned and, with these ingredients in place, we were able to meet our target of going live on 1st April 2016!
Six months in, how has it been? Well, we've made a really positive start and we already feel like a very different sort of organisation – though we've been keen to maintain a 'business as usual' approach with our customers. Behind the scenes though, the sense of pace and forward momentum has been palpable.
We talk much more about the value, mission and purposes of libraries than we ever did as a service within the local authority.
We use our purposes every day to inform the way we're changing the organisation. One of the first things we did was to develop our own appraisal process so that it reflected our vision and values. Feedback from staff so far suggests this focus on libraries at the centre of our organisation is welcome.
We already have a much tighter focus on our overall performance than we did before – we're monitoring take up of our services more closely and regularly; providing feedback to our Board of Trustees and Devon County Council and considering new ways to reach more people. This isn't new, of course, but knowing more about who is using us and what for (and equally important who isn't using us) is an important cornerstone to growing the organisation in the future.
Similarly, as an independent organisation which needs to be financially resilient, it's essential we have real-time access to financial data. We now have our own finance system which is geared to the needs of organisations of our size and I have to say I've never had a better handle on what our money is spent on.
We're seeing new and exciting relationships emerge with a whole range of partners and stakeholders locally, regionally and nationally. In 18 months, we have seen our network of Friends Groups grown from 14 to 44 providing us with a ready source of support and funding for our libraries at a local level and input into the governance of the organisation as a whole. Other exciting partnerships include our growing links with the University of Exeter. We have a burgeoning relationship with the Business School along with an exciting collaboration with the Centre of Medical History focused around our Health and Wellbeing offer.
You'll sense, I'm sure, how proud we are to have established this new organisation and our commitment to ensuring Libraries Unlimited succeeds in bringing ideas, imagination, information and knowledge to people's lives and communities. With public sector austerity showing no sign of abating, we know that there will be continued challenges for us and the wider library sector around funding. We won't duck those challenges but we'll tackle them with a sense of optimism and ambition, which will, I'm sure, enable our libraries to provide more of what our communities really need in the future.
For more information about Libraries Unlimited, visit www.librariesunlimited.org.uk or follow @LibrariesUnLtd on twitter. To find out what is going on in Devon's libraries visit www.devon.gov.uk/libraries.htm or follow @DevonLibraries on twitter.
UPDATE: It was announced today (Friday 7 October) that the Arts Council have awarded a £200,000 Research Fund grant to a consortium including Libraries Unlimited and Exeter University's Business School, to run a 2 year research project to look at the social value of libraries. [Check out Round 2 applicants on the link above - we'll share more information as the project progresses].
Here in Lambeth we have an exceptional head of libraries - who swallowed cut after cut in an already miserly budget, and still delivered the best-performing service in all of England & Wales (biggest increases in visits AND loans AND memberships).
The comunity & staff sought to set up a trust to cope with yet more cuts.
Inexplicably, the council did not even look at it.
Instead they launched their insane plan to wreck four out of the 10 libraries, and instal fee-charging gyms in the ruins.
Opposition has been total ever since the plan was sneaked out & rubber-stamped with no publicity last October. The culmination was the occupation of Carnegie Library in April, which made the council a national & international laughing-stock.
Endless attempts have been made to explain what libraries actually do, & that a huge sum is being wasted on wrecking a vital service that everyone wants and needs.
"people consistently told [the] Council that they valued their library and understood the important role it played in the local community and equally they were keen to show how much they valued the talented and committed library staff running libraries. There was realism too with most people understanding the financial pressures on the local authority and there was willingness and energy to work with the Council to look at other solutions."
It's just Lambeth council that has set its face aginst community, staff and the most vulnerable people in the borough.


In the short time I've had this blog, I've shared some deeply personal things. I've talked about the birth of my daughter, the trials of my faith, and the truth about my marriage. Most of those posts, while personal, discuss things that have some conclusion. They are in the past or they have in some way been dealt with or handled. I haven't shared much about my current life or feelings on here.
The truth is, I'm having a very hard time right now. I'm having quite possibly one of the most trying times in my life.
JaiseAnn doesn't sleep. She started sleeping very poorly about six weeks ago and ended up in our bed. That only made things worse. She still wakes every hour, nurses constantly when I'm in bed with her, and often times still can't get comfortable so I find myself taking her out of bed to nurse her to sleep.
I've actually forgotten how to sleep. I don't fall asleep with ease like I used to because I'm waiting for her to wake up.
I miss relaxing with Zach on the couch at night. Now I just wait for her to wake. I miss cuddling with my husband in bed like you wouldn't believe.
So we tried sleep training and it's not for me. I let her cry herself to sleep last night and after falling asleep, she woke up 40 minutes later. I couldn't bring myself to make her cry again.
So Zach and I discussed it and we are going to play it by ear with her in our bed for a while. He gave me a very good blessing and I really plan to use some of the advice that was in that blessing. But she's in our bed.
She also takes all of her naps in her Ergo on me. It's the only way I can get her to sleep--because here's the main problem--JaiseAnn does not get "drowsy." I have played with sleep schedules for months now and I still have yet to see my daughter get drowsy. She gets cranky and then she wakes right back up. She doesn't get sleepy. She doesn't understand the concept of sleep.
When I read something or here someone say, "After I put _______ down for a nap." I wonder in amazement about how it would be to just put a baby down and have them nap. JaiseAnn would wake up immediately (and not go back to sleep) or sleep at a maximum of forty minutes.
I am at a loss of what to do. I feel like we can revisit sleep training later if necessary. When she's getting more food during the day. She's on the lower end of the weight scale and I want her to really be eating before I try again, if I try again.
She's not taking solid foods at all right now. She will maybe get one piece of something in her mouth at a session, but she's still showing very little interest. She also refuses a bottle.
On top of that, she doesn't like to be away from me. She doesn't really take to other people which makes me sad. I want her to enjoy everyone. Her blessing on her blessing day stated that she would be "a friend to everyone."
School started last week and I suppose that's been a major reality check for me. I'm not teaching. I'm not going to school. I'm home with JaiseAnn working from a computer. And I'm going to just be very honest here--I'm lonely. I am desperately craving human interaction.
In order for me to be home with JaiseAnn, Zach works nearly sixty hours a week. It makes for long days (sometimes stressful days) and very little time with my husband. I miss him.
I haven't felt like this the whole time, but the longer this major sleep problem has gone on, the worse I get.
I start to panic and feel trapped. I don't see it ever getting better. I don't see her ever being more independent. I don't see myself ever getting a night of sleep again. I can't even imagine the hell that will be weaning when we decide it's time. The future feels so far away and so impossible at the same time. The present is like a fog.
I have a hard time being away from JaiseAnn. My best friend put it perfectly when she said that it still feels like they are a part of you and being away from them is almost disorienting. I couldn't have said it better.
The fact that JaiseAnn and I spend so much time together makes it hard for us to be apart. If I have a hard time being away from her, she's probably having an even harder time being away from me. How do I deal with that?
How do I deal with any of this?
I would honestly love to hear any of your stories, advice, and I'd most certainly appreciate your prayers.


text:
Laptop Scope
Know If Someone Blocked You On Gmail
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Fix Overheating Laptop Without Taking It Apart
How Long Will An RTX 2060 Last?
Waleed Hassan Sheikh | Updated 1 day ago 27 December, 2021 | Comments
Do you want to know how long will an RTX 2060 last? Do you need a guide on what the RTX 2060 is and why it's so awesome for gamers, video editors, and more? Read this article!
The NVIDIA GeForce RTX 2060 is an excellent GPU for computer games at 1080p or higher. It'll also perform well with video editing if that's something you're into, but it doesn't quite match up to the power of the RTX 2070.
Whether you're looking to upgrade your current PC setup or just getting started in building one from scratch, we've got everything you need right here. Let's get started!
We'll also try to answer the most frequently asked questions like how long an RTX 2060 laptop will last, whether RTX 2060 is good or bad, RTX 2060 max temp, etc.
Is the RTX 2060 worth it?
Is RTX 2070 better than RTX 2060?
Is RTX 2060 high end?
Is RTX 2060 good for 240hz?
Is the RTX 2060 good for 1440p?
Should I get a 2060 or 2060 Super?
Is RTX 2060 Overkill 1080p?
Is RTX 2060 Super overkill 1080p?
Is RTX 2060 good for 4k?
The RTX 2060 is THE graphics card to get if you want 1080p or higher frame rates. It can hit up to 50fps in most games, but it's not as powerful as the more expensive models (but the price does drop with age). If you're playing at 1440p, forget about this GPU – you'll need the RTX 2070.
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If you kept your PC updated and only buy new games when there's a sale, then an RTX 2060 can last at least five years, maybe ten, depending.
But if you upgraded every two years regardless of price, then it would probably be worth getting something newer after three years so that performance doesn't become too bad by the time you're done with the game.
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If you want the best of the best, then yes. The RTX 2070 is a better graphics card than 2060 for 1080p or higher gameplay and video editing. However, some people would save money and get something less powerful but still very high-quality.
You can expect an RTX 2060 to last about three years and cost $350-$450 brand new, depending on which brand you buy it from. You can expect an RTX 2070 to last around 1-2 years and cost $500+ brand new, also depending on which brand you buy it from.
Although they should both perform well for all different games at 1080p or higher with 60 FPS (Frames Per Second) if needed, RTX 2060 will perform well with video editing.
At the end of its lifespan, it may be worth upgrading to a newer graphics card for 1080p or 4K gaming/video editing. For example, if you're on an RTX 2060 now and are thinking about getting something better within the next 2-3 years, then it's worth upgrading to an RTX 2080.
An upgrade from one generation to another typically costs between $200-$300 more on average.
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The RTX 2060 is considered high end. It was created to compete in the mid-range and high-end market, between Nvidia's GTX 1060 and GTX 1070/1080.
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No, the RTX 2060 is not suitable for 240hz. It can only do 144hz, which is far less than 240hz.
Yes, the RTX 2060 was designed to be used at 1080p or 1440p with high frame rates because of its 6GB GDDR6 memory.
This makes it better upscaled 4K video cards primarily made to handle 2160 or 3840 pixels at 60-75fps. The RTX 2060 will best benefit you because of its lower price point compared to other cards in this range.
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Yes, the RTX 2060 is excellent for 144hz. It can do up to 144 fps on most games, barring very few exceptions.
The RTX 2060 and the RTX 2060 Super upgraded from the previous generation's GTX 10 series. NVIDIA claims that these new cards will last two to three years longer than their predecessors.
The RTX 2060 is a graphics card specifically designed for computer games at 1080p or higher. Why not just buy a much cheaper card?
The RTX 2060 comes with serious hardware to smoothly run almost all the latest games. But you should ask yourself if your monitor supports 4K resolution and if you will even use the power of this dedicated graphics card to its fullest potential.
The RTX 2060 Super is a graphics card that can easily handle 1080p or 1440p gaming. It's considered overkill for the standard 1080p resolution, but it's designed for computer games at 1080p or higher.
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The RTX 2060 is better for 1080p or 1440p, but it will play games at 4k 30fps or lower. The card is not meant to handle intense graphics in 4k. You may find yourself putting your settings down to get a stable frame rate.
That being said, the GeForce GTX 1060 6GB (the predecessor to the RTX 2060) can do 1080p 60fps on ultra settings in most current titles, so there's no reason why you couldn't expect the same from the RTX 2060.
Is RTX 2060 future proof?
Short answer: No Longer than any other NVIDIA graphics cards. If you've been looking into getting a new GPU recently, then you probably know about all of the rumours going around about NVidia's next-generation line of GPUs.
The GeForce series will have two new cards soon – the GTX 1170 and the GTX 1180. These cards will probably be something that you're interested in, but what about their lower-end counterparts?
How long can a 2060 Super last?
The lifespan of a graphics card can be challenging to calculate because it largely depends on how intensively you're gaming. For instance, some people might only game for around 4 hours per week while others might game for more like 12 hours each day.
The difference in intensity can result in the GPU wearing out much sooner. I've found a baseline figure usually around two years; however, this is hard to generalize. It's important to remember the saying "everything dies eventually."
Is RTX 2060 still good?
According to Nvidia, the RTX 2060 is still a viable and cost-effective graphics card that will please gamers and content creators at 1080p. The GPU sports around two years of lifespan on average before it needs an upgrade.
The RTX 2060 is a graphics card that will last for years if you play computer games. You can expect it to have the power of an Nvidia GTX 1060 with 6GB GDDR5, but not as powerful as the RTX 2070, which has 8GB GDDR6 memory.
Please let us know if you want more information about this GPU or how long any video gaming GPU should last when considering its price point!
And I hope you also got the answer to how many years will RTX 2060 last? We're happy to help you find out your options and create a tailored plan for your needs.
When do you think most people would upgrade from their current GPU? Do they wait until theirs dies, or does it depend on how old their current one is? Let us know below in the comments section!
By Waleed Hassan Sheikh
Waleed Hassan is a tech enthusiast both by passion and profession. He has been in touch with the PC's world since childhood. He loves to write the best of tech reviews, especially on laptops, to help regular user's and tech guys to choose the best in their budget. When he is not blogging, he can be found watching AFL or EPL matches.
Laptop Scope is reader-supported. When you buy through links on our site, we may earn an affiliate commission.
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French Kissed
On the surface, Fleur Marceaux has it all. If only the facade matched reality. With one year left at the International School in London, Fleur's struggling to graduate, her love life is a mess, and she can't stop thinking about Max, her ex-boyfriend's best friend. But all that pales compared to the blackmailer determined to destroy her.
There's a social hierarchy at the International School and Max Tucker is outside the velvet ropes. After watching Fleur break his friend's heart, Max knows to stay away from trouble, despite the crush he's had on her since freshman year. But when they're partnered on a project, Max learns there's more to Fleur than meets the eye, and she just might be worth the wild ride.
The more time they spend together, the further Max falls. And when a kiss awakens a passion Fleur never imagined, she's unable to resist Max, who she had thought was all wrong for her but might be the only thing that's right. But will he stand by her when her secrets are revealed?
Don't miss the final book in the International School series. This New Adult romance is recommended for readers 17 and up.
Draft2Digital, LLC
More Books by Chanel Cleeton
Next Year in Havana
When We Left Cuba
The Last Train to Key West
Flirting with Scandal
I See London
On Broken Wings


Local writer Susan Blexrud hosts the All Romance All the Time bookclub at the Battery Park Book Exchange. In March, join her for a discussion of Wild for the Sheriff by Kathleen O'Brien.
KulshanCLT invites you to join them for their seventh annual leadership luncheon on Thursday, May 10, 11:30am-1:30pm at the Bellingham Golf & Country Club, 3729 Meridian Street. The guest speaker for this year's event is Kathleen O'Brien, sustainability consultant and award-winning author of The Northwest Green Home Primer. Village Books will be selling copies of Kathleen's book at the event.
Business and community members are invited to attend KulshanCLT's luncheon for a minimum $50 suggested donation. Businesses can also sponsor a table at the luncheon. For more information about sponsorship call 360-671-5600. KulshanCLT, a nonprofit community development membership organization, strengthens community by holding land in trust for permanently affordable homeownership and other community needs, including affordable access to land for farming, and by offering financial and educational services to people of limited means. Since 2002 we have partnered with more than 120 homebuyers to purchase homes of their own throughout Bellingham and Whatcom County. We recently brought our 100th home into the trust. For more information visit KulshanCLT's website at: www.kulshanclt.org About Kathleen O'Brien: Kathleen O'Brien is a nationally recognized leader in the field of sustainability, having been in the field as a writer, educator, strategic planner, and project consultant for nearly 30 years. She has been recognized for her contributions to the green building movement through the years, most recently by the Cascadia Green Building Council in 2008 when she was awarded the title of Cascadia Fellow, and in 2009 when Antioch University selected her as their Distinguished Alumna. Earlier awards include the Sustainable Seattle's Outstanding Leadership Award (2006), the Kitsap County Earth Day Award for Environmental Leadership (2007), and the YWCA Woman of Achievement Award (2001). Kathleen is a prolific writer and has published dozens of articles and publications on a variety of sustainable building topics, including The Northwest Green Home Primer published in 2008 (Timberpress). Her company, O'Brien & Company, helped KulshanCLT's Matthei Place homes qualify as a pilot LEED for Homes project, earning Silver Status.
Kathleen O'Brien signs The Northwest Green Home Primer.
"O'Brien will sign copies of her new book, The Northwest Green Home Primer.
Kathleen O'Brien reads from The Northwest Green Home Primer.; Kathleen Smith reads from The Northwest Greren Home Primer.
Kathleen O'Brien's book His Christmas Princess was available from LibraryThing Early Reviewers.
Kathleen O'Brien is currently considered a "single author." If one or more works are by a distinct, homonymous authors, go ahead and split the author.
Kathleen O'Brien is composed of 1 name.


text:
When to watch diving during the 2024 Paris Olympics
The diving competition at the 2024 Paris Olympics will be contested in two events - the 3-meter springboard and 10-meter high dive. Prepare for divers to ascend new heights on the 3-meter, while the high dive is performed from a fixed platform positioned 10 meters above the water. The individual and synchronized competitions take place at both the 3-meter and 10-meter heights.
Diving has long been a part of the Olympic program, making its debut in the 1904 St. Louis Games. Women's diving events became part of the program in 1912 and the synchronized competition was added at the 2000 Sydney Olympic Games.
While the U.S. was strong in this event when it first joined the Olympic program, China has dominated in recent memory, winning seven of eight gold medals at the 2008 Beijing Games. Diving will take place at the 2024 Paris Olympics between July 27th - August 10th.
The diving competition will happen at the Olympics Aquatic Center. This venue, along with Le Bourget Climbing Wall, are the only permanent sports facilities set to be built for the Paris Games. The Olympics Aquatic Center is poised to host artistic swimming, water polo and diving in 2024. The Center was designed using bio-sourced materials only, making it a low-carbon facility that is committed to its energy and environmental performance.
After the Games, the venue will address the needs of Seine-Saint-Denis, its host region, and the French community as it continues to host major national and international competitions, such as the European Aquatics Championships and the World Aquatics Championships. The Aquatics Center will house a range of sports facilities after the Games, including a fitness area, climbing wall, paddle tennis courts and pitches for team sports.
There will be eight diving events in four disciplines at the 2024 Paris Olympics:
3m springboard (women's/men's)
10m platform (women's/men's)
Synchronized 3m springboard (women's/men's)
Synchronized 10m platform (women's/men's)
Diving at the 2024 Paris Olympics
Date Event Time (ET)
July 27 Women's Synchronized 3m Springboard 5a-6a
July 29 Men's Synchronized 10m Platform 5a-6a
July 31 Women's Synchronized 10m Platform 5a-6a
August 2 Men's Synchronized 3m Springboard 5a-6a
August 5 Women's 10m Platform Preliminary
Women's 10m Platform Semifinal 3:45a-6a
August 6 Men's 3m Springboard Preliminary
Women's 10m Platform Final 4a-6a
August 7 Men's 3m Springboard Semifinal
Women's 3m Springboard Preliminary 4a-6a
August 8 Women's 3m Springboard Semifinal
Men's 3m Springboard Final 4a-6a
August 9 Men's 10m Platform Preliminary
Women's 3m Springboard 4a-6a
August 10 Men's 10m Platform Semifinal
Men's 10m Platform Final 4a-6a


text:
export interface IGaugeChartData {
  dataPoints: any;
  min: number;
  max: number;
  units: string;
  linearGauge: boolean;
}

redpajama_set_name: RedPajamaGithub


Paper cutting is an ancient, elegant art that dates almost as far back as the creation of paper itself. In today's multicultural world, paper cutting embraces any number of themes, designs, and images. It is an all-inclusive art that requires few tools and minimal materials. All one needs is instruction and inspiration, both of which are found in good measure in The Art of Paper Cutting. The book includes more than 20 projects that feature a range of sizes, subject matters, and techniques. Every project features step-by-step photographs and numerous helpful hints.
Author Henya Melichson has been a paper cut artist for more than twenty years. With a background in painting and drawing, Henya's paper cuts are inspired by diverse ethnic and natural motifs. Her work has appeared at museums in Europe, the United States, and Israel. A member of the Guild of American Paper Cutters, Henya has led seminars, instructed hundreds of budding paper cutters, and been interviewed for television programs.
And if you want to read another review and get more inside peeks, pop on over to Craft Leftovers.
And if you want another pattern from this book and a cool slider card tutorial featuring a deer, pop on over to this post.
Click on the image to enlarge and read how to use bleach and wax crayon or rubber cement to mask off an area of a photo to prevent the bleach from going in that area.
You can see some more examples bleached photos in this post.
I did a test to see where I could get the bee in the letter "B".
I got half the bee in both the positive and half in the negative.
I then glued each to a card. I then went surfing the internet for some sympathy quotes. I thought the be/bee made a nice image for the cover of a sympathy card.
I am going to print these out on some nice paper and glue them on the inside of the card.
Then back into the Card Album for safe storage.
If you have photos and want use them in your art grab yourself a copy of this book and you will most certainly be very busy making and altering them into mini masterpieces!
This book teaches the reader to think of a photograph as a canvas for a wide range of artistic manipulation and coloring techniques.
Once upon a time, you hesitated to even take scissors to a photo (even an imperfect one) because if you lost its negative, you'd also lose that moment in time forever. In this day of digital images and photo printers for the home computer, photographs are easily duplicated, so you never have to be concerned about preserving printed photos.
You can cut, color, collage, and camouflage to your heart's content. The photo is now an art medium that can be altered physically or digitally to create all kinds of effects.
Paula Guhin is a former educator, visual artist, photographer, and the author of the ever-popular Glorious Glue, Art with Adhesives, published by J. W. Walch, and Can We Eat the Art? Her articles have appeared in School Arts, Instructor, Teaching Today, and many more periodicals. She is also a contributing editor for Arts and Activities Magazine.
Shoot! I posted the wrong comment here. My question is: what kind of stone is the best for carving with a Dremel? The rocks in my yard are too hard.
Well, I didn't know the answer to this question. I had only drilled one rock and it was not easy. So I typed in something like" how to carve stone."
and I found this great web page over at Dremel packed full of great info. I hope this helps! I certainly learned a lot.
Keep those questions coming in for a chance to win a free book and bobbin winder.
There is something elemental shared among artists and crafters, regardless of chosen medium: creative energy. Crafters dabble, collaborate, muse, and make, all in their own way and on their own timeline. For all crafts, there are established techniques to follow but wild, innumerable ways to experiment, using the basics to launch crafters to new heights. Crafter's Devotional can aid that launch.
Each week day is allocated its own entry, on which the reader will find a daily dose of craft content that inspires, instructs, and illuminates. Weekend entries explore topics and techniques in greater depth--perfect for enjoying on a more leisurely pace.
Barbara (Bourassa) Call (North Andover, MA) is a professional writer and editor specializing in crafts, food, and health & wellness. She is the author of five books, including Beyond Scrapbooks: Using Your Scrapbook Supplies to Make Beautiful Cards, Gifts, Books, Journals, Home Decorations and More and a 4-book children's book series called Get Active!
You know the saying, "keep it simple " or "less is more"
Well that's what today's inspiration is all about. Click on the image to enlarge and read about the importance of one word and how designing around it can be a great way to work.
So my word is "Welcome"
With a little snarkiness thrown in....get it????
First I cut my letters out with my Cricut using Blackletter font out of just some plain black paper.
Then I used the surrounding paper as my template to get my spacing right. I simply cut it out in a straight rectangle.
I taped the surrounding paper onto the slice of wood along the top edge with paper masking tape (the removable kind you use when painting) so it would hing up. I adhered each letter in the spaces.
Then I glued a bit of rope tied in a knot. I should also add I embellished the edges of the letters and the knot with a bit of gold ink from an ink pad.
So pick a word and make something!
Do you have a good homophone you like to use? And how?
Leave your answer in the comments and you are entered to win a free book!
If not and want to know more check out this List.
There are some good ones and some I had to go to dictionary.com to look up. I love learning new things.
And on a final note, if you liked this project and want to see another one I did only die cutting fabric pop on over here.
More fabulous eye candy and projects made with my favorite tool-the scissors!
Paper artists, papercrafters, cardmakers, collage artists, and scrapbookers are always looking for unique and exciting ways to embellish and enhance their work. The Art of Decorative Paper Stencils 2 provides crafters with a range of instruction and inspiration to create beautiful stencils inspired by your travels. Paper stencil art is a traditional craft with a long history in Japan.
Kanako Yaguchi, a successful paper stencil artist, bases her new techniques on the classic methods, bringing this ancient art to a modern audience. The Art of Decorative Paper Stencils 2 includes images inspired by the author's travels to Japan, the United States, Jamaica, Czech Republic, Germany, and Austria. Each project includes detailed and illustrated step-by-step instructions. There are also instructions and ideas for attractive home decor projects that reflect your travels.
Kanako graduated from the Department of Design at Joshibi University of Art and Design, Japan. Her other publications include The Art of Decorative Paper Stencils (Quarry Books) and The Book of Decorative Paper Stencils for Adults (PHP Institute, available only in Japanese).
I love this paper stencil and when I saw what Kanako's inspiration was, the vintage bowl, I just giggled because I have those bowls!
This mobile made from stencils and circles of paper is so whimsical and pretty.
Click on the image for the instructions on how to make a paper stencil mobile.
Do you make a craft or piece of art when you travel?
Leave your answer and as a thanks for sharing you are entered to win a free book!
Can we talk about eye candy for a minute?
Paper artists, papercrafters, cardmakers, collage artists, and scrapbookers are always looking for unique and exciting ways to embellish and enhance their work. The Art of Paper Stencils provides crafters with a range of instruction and inspiration to create beautiful stencils inspired by the cultures of the world.
Paper stencil art is a traditional craft with a long history in Japan. Kanako Yaguchi, a successful paper stencil artist, bases her new techniques on the classic methods, bringing this ancient art to a modern audience.
The Art of Paper Stencils includes images inspired by the author's travels to Japan, China, Thailand, France, Portugal, and the United States, along with practical and attractive home décor projects. Each project includes detailed step-by-step instructions accompanied by helpful photography.
Stencils can be used in all paper crafts in a myriad of decorative ways and can be made out of any type of paper, handmade or purchased, embellished or plain.
Click on images to enlarge and download pattern.
Here are my first couple of samples. I tried (from left to right) a solid piece of paper, an ad that had lots of little details, a drastic bold black and white pattern, a photo of a rhinestone broach and a closeup of a gem stone. These were all from magazine pages.
I am partial to the first two but I think when I start incorporating them into my scrapbook and altered art pages they will all work in some fashion.
What happened to the creative? Madge ponders the homogenization of the craft aisles in this provocative first half of a two part post.
Paper is going under the knife this week at Sweater Surgery with type strips being used as photo corners on ATCs.
Where does Cyndi find all those artists that are profiled on Layers Upon Layers? Would you like to be one of them?
Get some power over your crafting with this tie-dyed muslin bag project.
September is Ovarian Cancer Awareness month! Please take a moment to read more about a worthy project that I'm honored to be a part.
Connie profiles Melinda Medeiros, the designer behind Medeiros Needlecraft Designs.
Find out how to create a fun apple craft using a paper bag and a few other supplies. The finished craft can be used as an ornament, a magnet, or a brooch and it would make a great gift for a special teacher.


After a successful partnership on ConsultingMD (now Grand Rounds) David Rogier has teamed up again with Carbon Five to create his latest vision. The goal? Create a new segment in the online learning space: lessons by superstars for amateurs.
Rogier first validated the idea using a rapid series of customer acquisition experiments, then came to Carbon Five for help designing, building and testing the first version of the platform (code-named Accomplice).
Knowing that most products pivot on their way to the market, we mapped out the customer experience, planned two short releases, then hit the ground running.
The initial release needed to do two things: be a production-ready application we could use to acquire paying customers, and be a compelling experience to attract celebrities to participate as teachers. Luckily, Rogier and his creative team are ruthless prioritizers.
We rapidly pieced together some initial branding, visual language and began building out the feature set. In addition to building the first version of core platform features, we also implemented a split testing framework using a low-level integration of Optimizely.
After the initial 4-week release, a second 4-week pivot and polish phase firmed up the product and helped identify the next business components to address. After months of hard work, including tons of new features and a new brand and visual design by the Masterclass team, the platform officially launched with an unbelievable lineup of classes, including James Patterson, Dustin Hoffman and Serena Williams.


EXCLUSIVE: Given the rash of mass shootings in this country of late with students and teachers being killed both in Santa Fe, TX and in Parkland, FL, Universal Studios has opened up its backlot for First Responders to conduct active shooter training drills.
The moves are part of overall security measures that has come in the wake of so many mass shootings over the years that can and have happened literally everywhere: in a mall (Clackamas), a theater (Aurora), outside a grocery store (Tucson), a nail salon (Seal Beach), a place of worship (Oak Creek Sikh Temple, Charleston, Sutherland Springs), an outdoor concert venue (Vegas), a nightclub (Orlando), office buildings (San Bernardino, YouTube), and numerous high schools, colleges and elementary schools (Columbine, Va Tech, Sandy Hook, Rancho Tehama, Isla Vista, Umpqua, Benton, KY, Parkland, Santa Fe, to name only a very few).
With violence and shootings rising in America, security has been amped up at what are considered "soft targets" across the map in recent years, and it is evidenced at awards shows and premieres in Hollywood especially where there are red carpet events. It is not unusual anymore to see sharpshooters on top of buildings while attending a premiere in Hollywood.
Security measures are both seen and unseen from everything from metal detectors, bomb-sniffing K-9 units and hidden cameras.
Both Disney and Universal have had employees killed in mass shootings, not at their place of businesses but elsewhere both in Vegas and the Pulse Club in Orlando, respectively.


text:
News General St. Modwen Wins 270m Firepool Scheme 3712
Riverlight has become the first scheme to start construction in the Vauxhall Nine Elms Battersea (VNEB) Opportunity Area, with a ground breaking ceremony held today.
Sainsbury's and Aviva Investors have been given the go-ahead by Reigate Banstead Borough Council, for their multi-million pound plans to redevelop the existing Sainsbury's store in Redhill.
Kier Property and Calmont Group have unveiled plans for a £6m hotel development in Sunderland city centre.
Plans by Tesco to build its first superstore in Harrogate have been approved by the town's council.
The Derby-based housing provider Derwent Living has defied the downturn building 396 homes last year with plans to complete a further 277 homes in 2011.
Plans to build a new £12m link road in Northampton have been given the go-ahead.
Unite will oppose all attempts by a breakaway group of major mechanical and electrical firms to withdraw from agreements covering thousands of workers at some of the country's key infrastructure projects and has launched a campaign to defend their members terms and conditions.
The latest figures from the Home Builders Federation show the second lowest number of planning permissions granted in a quarter in the last five years.
3DReid and Tangram Architects have joined forces to provide new integrated services to clients.
Denne, part of the Leadbitter Group, is celebrating reaching the highest point in the construction of a new £10m housing scheme for older people in Eastbourne.
Salford City Council's planning panel has granted planning permission for the development of a £38m arts building for Salford University.
Kier has submitted detailed plans for the proposed £14.3m Nene Park Academy to Peterborough City Council's planning team.
READ Category News Categories Contracts?Page 8
The property industry should support a petition calling for the Government's empty rates hike to be scrapped.
The construction division of Interserve has been officially recognised as 'Investors in Diversity'.
Barratt London's £63m residential-led mixed use development at Osiers Gate, Wandsworth, has started on site.
News Asbestos Awareness Survey Launched
News Nixon Property Gain Green Light Student Accommodation Scheme Newcastle
The Changing Nature Of Procurement


I have never considered myself to be beautiful. Thankfully otherpeople from time to time have in my life.
I was not one of the "Beautiful People" as I grew up. You know the ones who seemed to have it all. Lots of friends, a good job, nice material things and a good life. But quite often life is not all as it seems for those people anyway.
Occasionally when dressed up in my finery for a night out or special occasion I have sometimes felt a little bit beautiful, but more "well presented" and usually a little uncomfortable but having been injured during the past two years, never more so than now and I have not been feeling beautiful for some time. Along with the small amount of self-confidence that I had having taken flight I now also have facial scars.
Sure, they are healing up and could have been much worse but they are there nevertheless and people do tend to look at you differently. As I show people who know me, I point out that they are healing well, as though to reassure them that I will look and feel like me again sometime soon. I now understand why so many people hide under their daily face. The make up is not only there to enhance but to cover. I have never really worn a lot of make up and while the skin heals, since I have been able to recuperate at home I have stuck with little or no make up to help it. But plenty of Bio oil and Aloe Vera to renew the skin and help the scars.
I always thought that my eyes were my best attribute, but they really are the window to my soul and can be read so easily. Sometimes that worries me as I don't want to always be an open book for all to read. But I digress slightly.
Over the years some of the people in my life have arrived and felt that I am beautiful. Some have been there fleetingly, others have stayed realising that beauty takes so many forms.
My beauty lies within me!
It is not only skin deep. I am a nice person. I try to do my best for those around me in my life and others I have yet to meet. For a world that is so much bigger than mine. I cherish what nature gives us and encourage growth wherever possible.
So, you may ask Do I feel Beautiful? And as I stand shy of the mirror and think past looks alone I will answer yes. Grateful for having been shown that it does lie within us. So if you do not feel it, search within and when other's shine a light upon your beauty and tell you you are beautiful embrace them and it and let your spirits rise.
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ICYMI: The Hill Covers AFP, LIBRE Campaign to Promote Immigration Deal
Immigration, Press Releases March 7, 2022
Arlington, VA – The Hill wrote an exclusive on The LIBRE Initiative and Americans for Prosperity's announcement to launch a comprehensive campaign targeting U.S. lawmakers to mobilize them to reach a deal on immigration reform to address pressing issues facing our country: border security, uncertainty for Dreamers, and the economic and workforce situation in our agricultural industry. Read the exclusive here.
Below are some excerpts from the article:
The groups, Americans for Prosperity (AFP) and the Libre Initiative, will spend seven figures on digital ads, mailers and local events to call on senators to move forward with immigration legislation paired with border security measures.
The Koch groups are part of a broader effort of immigration supporters across the political spectrum buoyed by recent polls showing that around three quarters of Americans support allowing many undocumented immigrants to regularize their status.
And a recent poll by Libre found that 93 percent of respondents think Congress should act on immigration and the border.
"Politicians in Washington are failing their constituents. Practical immigration fixes would give us a stronger economy, a stronger border, and a stronger America. An overwhelming number of Americans agree, but Congress cares more about fighting than solving problems," said Daniel Garza, president of the Libre Initiative.
"Our call is simple: start by pairing reforms that have broad support and let's start reforming our outdated immigration systems," he added.
But immigration-centric legislation has stalled in Congress, even as an assortment of bills has passed the House with some bipartisan support.
And a slew of recent polls has consistently shown that large majorities want action on the issue, although Republicans tend to prioritize border security measures and Democrats tend to focus on the immigration system itself.
"Rather than continuing to use immigration as a wedge issue, we urge lawmakers to roll up their sleeves and drive solutions that both tackle these issues and have broad public support. But Congress must do the work to get this done," said Jorge Lima, senior vice president for policy at AFP.
"That is why we are devoting resources and marshaling our activists across the nation to contact their elected officials, share their support and urgency, and drive decisive action on these solutions without delay," added Lima.
Read the full exclusive here.


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Biografia

Nacque a Casalnuovo (oggi comune di Casalnuovo di Napoli, all'epoca borgata del comune di Afragola che si chiamava Arcora) il 22 ottobre 1872, studiò presso il seminario di Spoleto e fu ordinato sacerdote della Congregazione dei Missionari del Preziosissimo Sangue l'8 giugno 1895.

Dopo essere stato per alcuni anni amatissimo parroco priore a Montefalco (Pg), dove fino alla fine dei suoi giorni amava recarsi per raccoglimento spirituale e ristoro, il 29 aprile 1909 fu nominato vescovo di Muro Lucano e, il 19 giugno 1911, trasferito alla sede di Sant'Agata de' Goti.

Il 9 dicembre 1915 fu promosso arcivescovo di Benevento.

Papa Benedetto XV lo elevò al rango di cardinale nel concistoro del 4 dicembre 1916. Al momento della nomina e fino alla creazione del cardinale Alfredo Ildefonso Schuster, ad opera di Pio XI, fu il porporato italiano più giovane.

Il 7 marzo 1924 fu promosso arcivescovo di Napoli. Per poter meglio occuparsi degli affari religiosi della città, gli fu affidato un segretario particolare, il monsignor Giuseppe Gennaro Antonio Torre (Napoli, 4 febbraio 1894 - Napoli, Chiaia 24 febbraio 1955. Parroco della chiesa di San Giuseppe a Chiaia).

Intorno agli anni 30 divenne cardinale protettore della Confraternita dell'Immacolata di Casarano perorando, presso la Sacra Congregazione Concistoriale, la causa per l'elevazione del sodalizio ad arciconfraternita.

Morì l'11 maggio 1952 all'età di 79 anni; il suo corpo riposa nella basilica dell'Incoronata Madre del Buon Consiglio a Capodimonte.

A Napoli gli sono intitolati un ospedale e il seminario maggiore arcivescovile. Una strada porta il suo nome a Roma e, a San Marco dei Cavoti (Bn), una lapide ricorda il suo soggiorno presso il nobiliare palazzo Jelardi.

Genealogia episcopale e successione apostolica
La genealogia episcopale è:
 Cardinale Scipione Rebiba
 Cardinale Giulio Antonio Santori
 Cardinale Girolamo Bernerio, O.P.
 Arcivescovo Galeazzo Sanvitale
 Cardinale Ludovico Ludovisi
 Cardinale Luigi Caetani
 Cardinale Ulderico Carpegna
 Cardinale Paluzzo Paluzzi Altieri degli Albertoni
 Papa Benedetto XIII
 Papa Benedetto XIV
 Papa Clemente XIII
 Cardinale Marcantonio Colonna
 Cardinale Giacinto Sigismondo Gerdil, B.
 Cardinale Giulio Maria della Somaglia
 Cardinale Carlo Odescalchi, S.I.
 Cardinale Costantino Patrizi Naro
 Cardinale Serafino Vannutelli
 Cardinale Domenico Serafini, Cong.Subl. O.S.B.
 Cardinale Alessio Ascalesi, C.PP.S.

La successione apostolica è:
 Arcivescovo Giuseppe Lojacono (1919)
 Arcivescovo Pasquale Mores (1920)
 Vescovo Salvatore Meo (1926)
 Vescovo Gregorio Diamare, O.S.B. (1928)
 Vescovo Giuseppe Placido Maria Nicolini, O.S.B. (1928)
 Vescovo Pasquale Dell'Isola (1928)
 Vescovo Ernesto de Laurentiis (1929)
 Vescovo Luigi Noviello (1930)
 Vescovo Giovanni Capobianco (1933)
 Cardinale Alfonso Castaldo (1934)
 Arcivescovo Carlo Falcinelli (1934)
 Vescovo Bartolomeo Mangino (1937)
 Vescovo Innocenzo Alfredo Russo, O.F.M. (1937)
 Vescovo Giuseppe Maria Palatucci, O.F.M.Conv. (1937)
 Vescovo Alfonso Ferrandina (1938)
 Vescovo Gennaro Fenizia (1938)
 Vescovo Gaetano De Cicco (1939)
 Arcivescovo Giuseppe De Nicola (1941)
 Vescovo Aurelio Marena (1946)
 Vescovo Pasquale Quaremba (1947)
 Arcivescovo Reginaldo Giuseppe Maria Addazi, O.P. (1948)

Note

Voci correlate
 Arcidiocesi di Benevento
 Duomo di Benevento
 Benevento

Altri progetti

Collegamenti esterni

Vescovi e arcivescovi di Benevento
Vescovi e arcivescovi di Napoli
Cardinali nominati da Benedetto XV
Vescovi di Muro Lucano
Vescovi di Sant'Agata de' Goti
Bufalini

redpajama_set_name: RedPajamaWikipedia


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Home European Property UK Property Assisted Launch: Parents of Stay-at-Home Kids Raise the Rent
Assisted Launch: Parents of Stay-at-Home Kids Raise the Rent
European Property
The high cost of rent and difficulties of getting onto the housing ladder have conspired to prevent many young people from getting their own places to live after graduation. Instead they have returned to the family home, in record numbers, earning themselves the soubriquet'boomerang generation.' According to a report published late last year by housing charity Shelter, 1.7m adults between 20 and 40 are living with their parents purely because they cannot afford a place of their own.
It's a long term trend in itself – since 1997, the number of people between 20 and 34 living with their parents has risen by 20%, or half a million people, and now rests at 1.6 million.
More than 5, 000 people were interviewed by Shelter for YouGov, and Campbell Robb, chief executive of Shelter, said the results "paint a vivid picture of 20- and 30- somethings in arrested development."
Mr. Campbell went on to say that "our chronic lack of homes that young people can genuinely afford to rent or buy is at the root of the problem," and added that the housing shortage was "putting the brakes" on young people"s aspirations.
However, the older generation often has a different take on this. Nearly half of all parents questioned by Shelter said that they worried that having their children living with them was preventing them from living a "fully independent adult life."
Long term, the average age of a first time buyer is creeping up, though first time buyers are having a slightly better time of the mortgage market recently.
Many parents had expected to be reducing their outgoings or enjoying their retirements, but instead are facing care costs for elderly relatives and continuing to support their children into adulthood. Four in ten of those Shelter spoke to said they continued to do a "big shop," buying for their children as well as themselves at a time when they had hoped to see their outgoings go down.
A relatively small proportion said that financial input from their children had helped to bring down family outgoings, despite the fact that the majority charged their children rent. And there were other drawbacks too: one in five said they had had to cut back on spending on holidays and one in ten said they wanted to move house, but couldn"t because their children lived there.
However a recent study by myvouchercodes surveyed over 1500 parents with adult children living with them. Of whom just over half were charged rent. The survey found that the average rent charged was £250 a month a year ago, but has gone up 25% to £315 a month.
Mark Pearson, chairman of myvouchercodes, said, "I don"t think any parent likes taking money of their child, but it is a good way to prepare them for the future, when they"ll have to part with a lot more of their earnings each month for bills and such."
As well as trying to teach their children about the cost of living, some families may have raised the rent on their kids because their financial contribution is more than tokenistic. Many cited "increased living costs" as the reason for raising the rent. Others, meanwhile, are deliberately making it more difficult to stay at home, in a bid to reclaim their old age.
Of those polled, 12% said that having their children living with them was straining their relationship with their kids, while a further 12% said that it was straining their own relationship.
But a firmer parental push might not be enough. When asked when their children would be able to afford a home of their own, even if the worked ahrd and saved, 40% of parents polled replied "never."
Photo credits: Crystal via Flickr
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APR 21: Joyride #1 Launch with To, Kniivila, Nimit @ Page & Panel
April 11, 2016 Chris @ The Beguiling
JOYRIDE #1 LAUNCH AND SIGNING
with Marcus To, Irma Kniivila, and Nimit Malavia
Thursday, April 21st, 2016, 5pm-7pm
@ Page & Panel, 789 Yonge Street
Come one, come all, to the launch of the new mini-series JOYRIDE, illustrated by Toronto's own Marcus To! Previous of the hacktivist minis, and soon to be regular pencil artist on Nightwing for DC Rebirth, JOYRIDE is a far-future sci-fi series about a group of rebellious young people that bring try to bring down an oppressive government, and all involved getting more than they bargained for!
Marcus To will be signing at Page & Panel on April 21st, the day after the book's release, and he'll be joined by Toronto artist and Joyride series colourist Irma Kniivila, AND the first issue's variant cover artist Nimit Malavia (that's their cover up-top). It's gonna be a great signing and a lot of fun, and we hope you'll come by and check it out!
ABOUT JOYRIDE #1:
In the future, Earth sucks. The stars have been blocked out for so long that people have forgotten there was anything else besides the dumb World Government Alliance watching over them, training children to join the militarized Allied Youth and eliminating all resistance with a giant ray gun. Uma Akkolyte is a girl who shoots first and leaps before she looks, and when she gets a strange message from outside the barricades of SafeSky, she jacks a spaceship and punches through the stratosphere with an unlikely crew of teens who are totally not ready for what they're about to find.
Previous PostShipping April 13, 2016Next PostUPDATE: EVENT: CHESTER BROWN'S 'MARY WEPT OVER THE FEET OF JESUS' APRIL 20


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Jean-Louis Comolli, né le  à Philippeville (aujourd'hui Skikda, Algérie) et mort le  dans le , est un réalisateur, scénariste et écrivain français.

Biographie
Jean-Louis Comolli découvre le cinéma à Alger avec son ami Jean Narboni dans un ciné-club animé par Barthélemy Amengual.

En 1961 à la Cinémathèque à Paris, il rencontre Jean-André Fieschi, Jean Douchet et Jean Eustache.

Il travaille aux Cahiers du cinéma de 1962 à 1978. Dans cette revue dont il est rédacteur en chef de 1966 à 1971, il publie une série d'articles entre mai 1971 et septembre 1972 sous le titre "Technique et idéologie" dans lesquels il pose le socle théorique de la réflexion sur le cinéma, le réel et le spectateur qu'il n'aura de cesse de développer dans les décennies suivantes dans des revues comme Images documentaires ou Trafic. Influencé par les travaux de Guy Debord et de Michel Foucault mais également par ceux de Hans Magnus Enzensberger, il interroge les régimes de visibilité, les notions de cadre et de hors-champ. Il met en pratique dans ses films une manière de mettre en image le rapport aux documents textuels ou iconographiques pour souligner leur historicité par le biais de leur matérialité.

En 1968, il réalise un premier film avec André S. Labarthe, Les Deux Marseillaises, puis signe, huit ans plus tard, La Cecilia, l'histoire d'une utopie sociale fondée par Giovanni Rossi qui tourne à la catastrophe.

Avec le journaliste Michel Samson, il réalise des documentaires consacrés à diverses élections à Marseille : les élections municipales de 1989 dans Marseille de père en fils (1989), les élections régionales de 1992 dans La Campagne de Provence (1992), les élections législatives de 1993 dans Marseille en mars, les élections municipales de 1995 dans Marseille contre Marseille (1996), les élections législatives de 1997 dans La Question des alliances (1997), les élections cantonales de 2001 dans Nos deux Marseillaises (2001), les municipales de 2001 dans Rêves de France à Marseille (2003).

Il adapte plusieurs essais ou œuvres littéraires dans lesquels l'Histoire ou le processus de création sont centraux : L'Affaire Sofri, Naissance d'un hôpital (avec Pierre Riboulet), Le Concerto de Mozart (1996), Durruti, portrait d'un anarchiste (1999), Face aux fantômes (avec S. Lindeperg) (2010).

Également journaliste à Jazz Magazine, il a coécrit ou dirigé des ouvrages sur le jazz.

Il enseigne à l'université Paris 8 Vincennes-Saint-Denis et à l'université Pompeu-Fabra à Barcelone où il a participé à la formation de nombreux cinéastes et techniciens, parmi lesquels Rithy Panh.

Jean-Louis Comolli meurt à Paris le  à l'âge de 80 ans, des « suites d'une longue maladie ».

Publications
 Dictionnaire du jazz, avec Philippe Carles et André Clergeat, éditions Robert Laffont, , Paris, 1994
 Regards sur la ville, avec Gérard Althabe, Centre Georges-Pompidou, 1995
 Arrêt sur histoire, avec Jacques Rancière, BPI-Centre Georges-Pompidou, 1997
 Free Jazz/ Black Power, avec Philippe Carles, éditions Champ libre, 1971 ; rééd. , Gallimard, 2000
 Les Années pop : cinéma et politique 1956-1970, avec Gérard Leblanc et Jean Narboni, Bpi- Centre Georges-Pompidou, 2001
 Voir et pouvoir, Éditions Verdier, 2004
 Cinéma contre spectacle, Éditions Verdier, 2009
 Corps et Cadre, Éditions Verdier, 2012
 Cinéma, mode d'emploi (de l'argentique au numérique), avec Vincent Sorrel, Éditions Verdier, 2015
 Daech, le cinéma et la mort, éditions Verdier, 2016
 Une terrasse en Algérie, éditions Verdier, 2018
 Cinéma, numérique, survie. L'Art du temps, ENS éditions, 2019
 Une certaine tendance du cinéma documentaire, Verdier, 2021.
 Jouer le jeu ?, Verdier, 2022.

Filmographie sélective

Cinéma

Télévision

Acteur
 1963 : La Carrière de Suzanne d'Éric Rohmer : un invité de la fête
 1963 : Les Carabiniers de Jean-Luc Godard : le carabinier à l'anguille
 1965 : Alphaville, une étrange aventure de Lemmy Caution de Jean-Luc Godard
 1970 : Élise ou la Vraie Vie de Michel Drach : Henri

Distinctions
 1988 : prix du livre de jazz pour le Dictionnaire du jazz, avec Philippe Carles et André Clergeat
 1998 : nomination au César du meilleur court-métrage de fiction pour Pétition
 2005 : prix attribué par la revue italienne Film Critica pour son livre Voir et pouvoir

Notes et références

Voir aussi

Bibliographie
 Daniel Fairfax, entretien avec Jean-Louis Comolli, Période,  « Le militantisme cinéphilique, de la théorie à la pratique »
 Pierre Eugène, « Jean-Louis Comolli, la ligne du présent », Cahiers du cinéma, , juin 2022,

Liens externes

 29 films liés à Jean-Louis Comolli sur CinéRessources.net
 Fiche auteur sur le site des Éditions Verdier (en archive)
 Interview audio de Jean-Louis Comolli sur Kinok.com (en archive)

Réalisateur français
Scénariste français de cinéma
Critique français de cinéma
Critique musical français
Critique de jazz
Collaborateur des Cahiers du cinéma
Journaliste musical français
Naissance en juillet 1941
Naissance à Skikda
Naissance en Algérie française
Décès en mai 2022
Décès dans le 15e arrondissement de Paris
Décès à 80 ans