Homestead, FL – Intense engine testing continues as the IZOD IndyCar Series prepares for an incredible new season. Team Barracuda – BHA driver Alex Tagliani took to the road course of Homestead Miami-Speedway on Monday and Tuesday for the second in a series of engine tests for the brand new, Lotus-powered Dallara DW12.
The Lotus test team, comprised of crew members from Bryan Herta Autosport, Dreyer & Reinbold Racing and HVM Racing, completed two successful days of testing further engine developments as well as setup work. As the second day concluded, Tagliani expressed positive thoughts about his first experience with the new engine and chassis.
"Overall, it was a good test," said the Canadian driver. "It was nice to be back in the car and I really enjoyed working with everyone from Lotus and all three of the teams. It's a very motivated group with high expectations.
Last week, HVM Racing driver Simona De Silvestro was the first to test the Lotus engine. Simona clocked up valuable mileage at both the West Palm Beach and Sebring circuits, leaving the Lotus teams pleased with the extended running completed in the engine's maiden outings.
Dreyer & Reinbold Racing driver Oriol Servia will get behind the wheel next, as the Lotus test team heads to Sebring, FL. The test will take place on January 30 and 31. Additional tests are planned for February and March, leading up to the IZOD IndyCar Series opener on the streets of St. Petersburg, FL. The race, broadcast live on ABC, will take place on March 25, 2012.
The first of the Lotus production engines are expected to be delivered in a little over two weeks time. Plans call for the Barracuda Networks car to begin team testing shortly thereafter.


text:
Q: Postgresql query advice I need to find out the amount of people that made their first post during a selected day.
I have a table that contains all the posts that everyone made.
So my logic was to get all the people that did only one post, and this post is done yesterday. I tried some queries, but I still dont feel very comfortable with Postgresql, so please help.
Those are the fields that i have available:

*

*user_id

*post_id

*post_date

A: SELECT user_id, min(post_date)
from table
group by user_id
having min(post_date) = YourSelectedDate

redpajama_set_name: RedPajamaStackExchange


text:
Die Lao Premier League 2016 war die 27. Spielzeit der höchsten laotischen Fußballliga seit der offiziellen Einführung im Jahr 1990. Die Saison begann am 26. März 2016 und endete im Oktober 2016. Titelverteidiger war der Lao Toyota FC.

Teilnehmer und ihre Spielstätten

Tabelle

Weblinks
 Offizielle Website
 Saison 2016 bei RSSSF.com

2016
Fußballsaison 2016

redpajama_set_name: RedPajamaWikipedia


Working with Steve was a truly wonderful experience. He is a caring and kind individual who will help you with any need you may have concerning the sale of your home. I would highly recommend him Terri D.


text:
Q: What does $Du$ mean in a differential equation? I'm very interested in the following work: http://maths-people.anu.edu.au/~andrews/HSU_Survey141105.pdf . Unfortunately, the author uses (in this and other papers I'm interested in) the notation $Du$. I'm unfamiliar with this notation and it isn't explicitly defined (presumably because it's an accepted convention in differential geometry or PDEs or something).
The equations tend to look something like,
$\mathcal{L} = \left[a(|Du|)\frac{u_i u_j}{|Du|^2} + \dots \right]D_i D_j u$
Does anyone know if $D$ is a gradient, covariant derivative, etc. and then $D_i$ the derivative of the $i^{th}$ coordinate or something?
Edit::
I have just discovered that further into the paper the author defines $D$ as a diameter. However, this still does not explain the indexed version and I continue to be confused as to the actual meaning of this $D$.

A: $D$ is indeed a gradient-type operator. When the term in brackets is $\delta_{ij}$, the author identifies this with the classical heat equation. This could only makes sense if $D_i D_i = \sum_i \frac{d^2}{d x_i^2}$ where the sum is implied through Einstein notation.
I think this is the answer, but if someone could back me up, I'd appreciate it.


text:
Natural Escapes
City & Island Strolls
Ancient Olympia
Western Messinia
Arahova
Kalavryta
Mountainous Arcadia
Lake Plastira
Kaimaktsalan
Prespes
12 destinations that gave life to Greek mythology
Relive some of the greatest tales from Greek mythology… in the mind and then in the flesh.
12 incredible places in Greece you have to see to believe
You know the feeling when you find a place you can't wait to tell people about. Somewhere you know everyone should visit at least once.
Getting started with a dream holiday in Greece
Over 200 magical islands, a mountainous mainland, fun-loving cities and a foodie's paradise all rolled into one
Top experiences in Greece
where to go village hopping
famous greek landmarks
any travel ideas to inspire me?
Rhodes: The thrill of uncovering its timeless treasures
I've been visiting Rhodes for 40 years now, and each time I feel that special tingle of anticipation that I'm about to make a new discovery
As long as it takes to drink a Greek coffee
George Syriopoulos
Greek Communications Consultant & Journalist
I've been visiting Rhodes for 40 years now, and each time I feel that special tingle of anticipation that I'm about to make a new discovery. A spectacle? A shop? A new friend in a mountainous village? A new hotel… you know, the kind that enchants its guests and fills Instagram with dreamy photographs? A book presentation? A journey through art, following in the footsteps of a leading contemporary creator whose work is being displayed at the Museum of Modern Art? Or perhaps a journey through space-time, to a period whose mark remains indelible?
This is the experiential journey of Rhodes… like a diamond hidden within a hibiscus flower, the island's symbol since antiquity. The heady scent of adrenaline.
Because, in the town of Rhodes, there are certain spots that radiate history, culture, charm, mysticism and nobility.
Every photograph taken in such a place captures the feeling that, somehow, Rhodes has conquered time, regardless of the fashion that portrays every figure as an idol.
The Old Town, the Rodiaki Epavli, the port of Mandraki, the buildings on Evdomis Martiou Square, the aquarium, the coastal route from Psaropoula to Kritika and the historical Grande Albergo delle Rose – Casino Rodos hotel … take all of these, together, and you have a scene that allows you to embark on a journey through eternity.
With a history going back centuries, if not millennia, they are created from Italian stonework to retain their symbolism within the colours of the sea that they face for as long as they can endure.
Like a buccaneer, I try to invade their secret corners each time I visit. I want to see how well hidden is the spirit of the times that have infiltrated them.
In the town of Rhodes, there are certain spots that radiate history, culture, charm, mysticism and nobility
I'm certain that very few people have had the curiosity to stride the stage curtains of this theatre. And fewer still allow themselves to be drawn in by the earthy magnetism emitted by the stone-paved streets within the castle. So how many have explored the ruins of the mill or have hugged the rocks during the magic hour to feel like a redeemed castaway of fate and the sea? Few.
Just as it is few who have had that tingle of anticipation of experiencing the simple grandeur of Rhodes' casino. Where it's not only the whir of the roulette ball that fills the air with possibility but also to the echoes of famous guests of the past who have lived out their dreams, small or large, in the gardens, lounges and guestrooms of the historic hotel.
Rhodes was and always will be a cosmopolitan isle. This is what made it what it is and the reason it continues to attract worldly visitors. People who seek culture… even from the sand.
George Syriopoulos is a Greek Communications Consultant and Journalist, born in Athens (1963), working as Correspondent for the national Greek television broadcaster, ERT TV in Brussels. He specialises in European Union affairs and characterizes himself as an "unrepentant European federalist". Having the opportunity to travel often, he admires Greece as country that transmits culture over the world. Highly educated in Journalism, and in European Studies, he is the holder of a Master's of Science in Public & General Administration. Married, father of three children (19,17,11).
Looking for great ideas to build your holiday around?

redpajama_set_name: RedPajamaCommonCrawl


This scripture reference was brought to my attention this morning. It gave me hope and I hope it does you as well. It's God way to preparing us for our future. I struggle with controlling my future; when I should dance, when I should morn, when I should laugh and so on. We often find ourselves trying to plan our lives rather than RECEIVE our lives. Our lives are a gift from Christ. He already has his story written for each and every one of our lives. I hope you find encouragement in whatever phase of your life you are in. Whether you are morning over a loved one, waiting for God to open the next door of opportunity, searching for what God is asking of you to do with your life, celebrating God's answered prayers, or thanking him for all your blessings…rest in God's promises. Find hope and courage in him, for he has overcome the world.
I just want to say I am all new to weblog and actually liked your web-site. Likely I'm planning to bookmark your blog . You certainly have great stories. Appreciate it for revealing your webpage.
Great! I am so glad you are enjoying our website and stories. Feel free to comment on the ones you like or if you have any thoughts to add!


text:
The Man Behind Justin Bieber
"He's not as perfect as he says he is, and he's not as bad as the paparazzi portray him to be. He's a kid."
By Zachary Sniderman
When Jon M. Chu first got on Justin Bieber's tour bus in 2010, he was just a promising director who cut his teeth on two Step Up films and a Hulu-exclusive dance series called The LXD. But then Bieber happened, and Chu became something a little more than a director.
After directing Never Say Never, the first of Bieber's documentary-concert films, Chu's social profile soared and, thanks to some great reviews, so did his professional career. Now, after a year of intense tabloid scrutiny, Chu and Bieber have released this week's Believe, a kind-of sequel to Never Say Never that promises to show the "real" Bieber.
"He's not as perfect as he says he is," Chu says, over a coffee at the Bowery Hotel on a frigid day in December, "and he's not as bad as the paparazzi portray him to be. He's a kid." Chu was originally asked to creatively direct Bieber's tour and film it for posterity, but as more and more tabloid stories came out — from attacking a paparazzo in London, to peeing in a mop bucket in New York — the movie took shape. "By March, he had several more tattoos and I thought, 'Okay, that's interesting,' and then things started to happen. Stories started coming out."
On red carpets, Chu can come across as intense, laser-focused on his work and its intended impact. Away from the cameras, however, Chu is warm and exceedingly generous. He is simultaneously serious about the "work" of filmmaking and excited at his ability to actually, seriously make a living by doing it. Chu's first major gig was directing Step Up 2 the Streets, the kind of straight-to-DVD dance movie destined for a Razzie. Chu, straight out of college, turned it down until his mother called. "My mom was like, 'When did you become a snob? If you're a real storyteller, like you say, you can tell a story by a campfire, you can tell a story with a Hi8 camera and a cup,'" Chu recalls. "I was like, You're right, I'm going to make the best direct-to-DVD dance movie sequel of all time."
He didn't. Step Up 2 got a score of 27 percent on Rotten Tomatoes but it did set up his career in other ways. It paired him with Channing Tatum, with whom he later worked as director on G.I. Joe: Retaliation, another sequel. It also cemented his position in the dance world, one of the reasons he was called by Scooter Braun, Bieber's manager, to direct Never Say Never.
"I originally didn't want to hire him," Braun says, in a phone interview from L.A. "I said, 'Before we start I just want to let you know I'm not really trying to hire you. I'm not trying to make a concert dance movie and they want me to talk to you.'" Fortunately for Chu, he shared Braun's vision and Braun offered him the job by the end of the call. "Honestly, we created a format together, the kind of film we made? No one had ever made a film like that," Braun says.
A lot of that had to do with Chu earning Bieber's trust. "When I was first introduced to [Bieber], they said, 'Hey, this is Jon, he'll be making the movie,' and he said, 'What movie?' That was his first reaction," Chu says.
"[Bieber] only invests his emotion in you if he knows you're going to be around because so many people come in and out... When he realized I'm not leaving, it was 2 a.m. in the morning, and he was like, 'Jon, come here,' and I was like, You know my name? He showed me this YouTube video so I was like, 'Check this one out,' and we went back and forth. From then on he knew my name and he trusted that we understood each other on a certain level."
The central "Bieber Paradox," however, is one of integrity. Optimists say Bieber really is just a kid in a tough position trying to do his best. Cynics say Bieber is a dick and his team is a bunch of dicks that are manipulating thousands of earnest fans that believe in Bieber's narrative.
The cynical extension is that Bieber is also playing Chu. Even more cynical is that Chu may be in on it as well. The thing is, odds are high that Bieber really is a good guy prone to public displays of stupidity. The closer you get in Bieber's circle, the easier it is to see. "I'm sure he would take back some of the things he's done, but I don't know how we can expect a rambunctious young boy to stay in his hotel watching a movie and eating room service every night," says Bill O'Dowd, who produced Believe as CEO of Dolphin Entertainment. "I just don't know what people expected."
Bieber is famous, but he is like a planet with a gravitational force of fame that draws in his closest collaborators and friends. "We'll be on stage and they'll be screaming our names as well as his," says Nick DeMoura, Bieber's choreographer and longtime collaborator. "Everyone's now asking me how Justin is and for me to leave the hotel is an issue. We don't have security so we gotta run from 13-year-olds as well."
People who have been with Bieber for that long can't really escape his orbit. Ryan Good, Scooter Braun, Bieber's dancers and backup band — everyone is included, even Chu. "[Jon] cares a lot about Justin, there's genuine friendship," O'Dowd says. "Scooter would be the uber-protective older brother. I think Jon would be the concerned friend."
Despite paving his own way, Chu's social feeds are borne back ceaselessly into Bieber's world. "I think I have somewhere over 600-and-something-thousand followers now and I would say most of them are Justin Bieber fans," Chu says matter-of-factly. In the Bowery hotel, Chu picks up his iPhone 5s from the table and starts scrolling through his Instagram feed for proof. He stops on a picture of a wind-up toy of two ping-pong players and shows it to me.
"So I wrote, 'What do you want for Christmas?' and I saw this stupid toy in this store," Chu says, both of us huddled over his phone. "Nobody wrote about that. They just wrote..."
"I want @JustinBieber for Christmas" —Sonitabun
"Justin yeh dats exactly what i want..." —yamini-belieber
"I want justiiiin" —leilajbfan
"I want Justin ,that would be awesome !" —laurauhljdb
What do u want for Christmas?
A post shared by Jon M Chu (@jonmchu) on Dec 15, 2013 at 2:10pm PST
That post has about 5,000 likes and 370 comments. Chu leans in. "That's what it is. Oh, look at this person: 'I want an iPad touch... and Justin Bieber.'"
This is now Chu's life. He's gone from "director" to "something more," wrapped up in the evolving career of a 19-year-old pop star. "These are my pictures on Instagram and this is just them tagging me and it's all Justin Bieber," Chu says without looking up from his Instagram feed. He pauses. "And that's all it is."
It's not easy to enter Bieber's world. "In the very beginning it was shocking for [Jon]," Braun says. "You become part of that world and he's someone who is a very large contributor to deliver [Justin's] message. You have a lot of people hitting you up and you realize the power of that."
But the increased scrutiny has been a blessing, Chu says. "What Twitter did for me was make me not feel so isolated in filmmaking." From an early age, he was spending hours in editing rooms "missing the party, missing the dance. When it's dark and 2 a.m. in the morning I can say, 'Hey, someone tell me a joke,' and, like, thousands of people tell me a joke," Chu says. "It's like moral support that you're not alone in this. There are people on the other side waiting for [your work]." Nowhere is that stronger than with Bieber's Beliebers.
Social media has played a crucial role in keeping Bieber relevant during his tabloid lows, and those same mistakes gave Chu the film he wanted to make. "We got a movie out of it," he says, "We got a better movie out of it." But it can be difficult for someone in Bieber's position to really, actually understand if they're messing up. "You have this padding around you," Chu says of Bieber. "It's hard to know what you do and the consequences because they go outside of that bubble" — Chu traces his hand in a semi-circle, like a spaceship leaving orbit — "and they never get back in. You show up to a venue with a hundred thousand people yelling your name and it looks just as big as the other day."
As part of the ramp-up to Believe, Bieber's camp has been more actively promoting his good deeds, including a trip to the Philippines, post-typhoon, to build a school, and a short video about giving back to a fan involved with Bieber's charity interests.
This is the Bieber Paradox at work: Bieber has a legitimately good philanthropic track record, but it's also no accident these posts are popping up in the run-up to Believe. "The Philippines is a real problem," Braun says. "I saw 6 million people displaced. Me getting stressed out because people don't see we're doing it for the right reasons? You can't get locked into that... That's your bullshit, not mine."
The real question of the film is simple to ask but much more difficult to answer, says O'Dowd: "Does the pressure crack the kid, or does the kid crack the pressure?"
Chu insists Believe is not a damage-control movie, saying, "I'm not going to make a fluff piece. Otherwise what am I doing here?" But Braun disagrees: "You're damn right it's damage control. People have been talking shit for the past year." Braun claims he and Chu collaborated even more closely on Believe than they did on Never Say Never.
Chu may be on Team Bieber, but it at least seems that he comes by it honestly, learning to respect Bieber as a documentarian and independent filmmaker and not as a paid hand. Chu takes on projects that he feels push his skills to make anything good, to tell a story that needs to be told right. This has led to some crazy career pivots, so much so that Chu's choices can appear counterintuitive. He's been cussed out by his own fans for selling out, first with Bieber, then with G.I. Joe.
And yet, he's managed to win them back each time. "When someone says, 'This is impossible,' that's my trigger," Chu says. "I'm like, Oh yeah? Watch out."
Never say never? I venture. "Never say never," Chu responds automatically, then pauses. "Oh God." After months of documenting Bieber, staring at footage of the teenager in the edit room, becoming more and more a part of the star's world, that vernacular has — for better or worse — started to burn its way into his brain, even as he prepares for projects outside the Bieber orbit.
"Believe," Chu says, shaking his head. "Just believe."
Follow The Culture Blog on RSS and on Twitter at @ESQCulture.
Joaquin Phoenix Thanked Heath Ledger at SAG Awards
These Are the Best 12 Shows on Hulu Right Now
'Avenue 5' Gets a Little Lost in Space
Never Forget How Great Reba Was in 'Tremors'
White 'Simpsons' Actor Will Stop Voicing Apu
'Sex Education' Season 2 Is All About the Girls
'Cloverfield' Was One of Film's Last Surprises
Here Are 15 Shows to Look Forward to on HBO Max
The 15 Best Movies That Didn't Win Oscars
Style Don'ts On Display in New Dumb and Dumber To Movie Poster
We Are Living in a Golden Age of Movies
Live Sessions: Watch Justin Townes Earle Perform Fleetwood Mac's 'Dreams'
The Abortion Ministry of Dr. Willie Parker
The Drugging of the American Boy


"Years of Triumph" - 103 mission Luftwaffe campaign finally OUT!
Topic: "Years of Triumph" - 103 mission Luftwaffe campaign finally OUT!
Re: "Years of Triumph" - 80 mission Luftwaffe campaign finally OUT!
Will fix that when I do the 1.1 update.
No, I don't. Blowing up often means a clash a mods. An old trick that might work: open the mission in FMB, then just save it (without making any changes). Then have another go.
Thanks Poltava - that fixed it. Never knew that one so I definitely learned something new today.
I don't know the exact mechanism behind this, but the FMB does some automatic cleaning up of the .mis code.
But I experience a few downsides, being forced to install the additional stuff is putting strain on my system. I experienced some random memory errors.
Also, during Spain segments planes often crash into mountains before on target even.
They could need few hundred meters additional altitude in that terrain maybe. AI is stupid.
The random memory errors can often be fixed by assigning more memory in the Selector.
But I will try and give the less talented AI pilots some extra meters in version 1.1!
Ouch, not good. (And the CR.42 has Luftwaffe markings...) Some of the airfields on this map are a bit cramped and have problems with the taxi-points, but I should have seen it. Will correct in version 1.1.
But the quick work-around is of course to land and taxi manually, and then quit the mission, moving on.
Looking forward to the update Poltava - the link over at the IK-3 template download doesnt work for me? Happy new year!
Corsair Carbide case, Intel core i5 4690 3.5ghz with Arctic Cooler, Asus Rock H97 performance, Gainward windforce OC GTX 960 2GB, 8GB Corsair Vengeance 1600mhz, 256GB Crucial SSD, 500GB Seagate HDD, LG M Disc DVD rewriter, Windows 10 64bit.
Took a bit of work to make it to get it up and running; had a bit of trouble with the Wellington but solved it by loading up the one from TFM-5.
Three missions in and everything still works. Your SCW missions are nicely paced; I really like the popguns on the 109's, they just need a bit more ammo .
Page created in 0.029 seconds with 26 queries.


text:
Two Winning Tickets Sold for $750 Million Powerball Jackpot
DES MOINES, Iowa (AP)-- Lottery officials say two tickets have won the estimated $750 million Powerball jackpot.
Powerball officials say tickets purchased in Iowa and New York match all six numbers in Saturday night's drawing. The jackpot is the fourth-largest in U.S. history.
The winning numbers were 8, 12, 13, 19 and 27, and Powerball 4.
Lottery officials say one ticket was sold at Casey's convenience store in
Redfield, Iowa, a rural community of about 800 people. The other winning ticket was
sold at West Harlem Deli in New York City.
It comes four days after someone won a $1.537 billion Mega Millions jackpot, the second-largest lottery prize. The ticket was sold in South Carolina.
Powerball is played in 44 states, plus Washington, D.C., the U.S Virgin Islands and
Puerto Rico. The odds of winning the Powerball jackpot are one in 292.2 million.
Filed Under: the associated press
Categories: AP Stories


Use Autopilot to create journeys that use the Typeform, Wufoo and SurveyMonkey integrations.
Marketing Automation ideas to integrate Typeform, Wufoo and SurveyMonkey.
Wufoo is an online HTML form builder that helps anyone create beautiful contact forms, online surveys and event registrations without writing a single line of code.
SurveyMonkey is the world's leading online survey platform, with more than 3 million survey responses every day. SurveyMonkey has revolutionized the way people give and take feedback, making it accessible, easy and affordable for everyone. The company was founded in 1999 with a focus on helping people make better decisions, and has built technology based on over 10 years of experience in survey methodology and web development. Customers include 99% of the Fortune 500, academic institutions, organizations and neighborhood soccer leagues everywhere.
Using Triggers, Actions and Conditions included in the Typeform integration, Wufoo integration and the SurveyMonkey integration.
Add a contact to a journey when they submit a Wufoo form.
Triggers a contact into a journey when they respond to a SurveyMonkey survey.
Check if a contact has previously submitted a specific Wufoo form.
Send a SurveyMonkey survey to the contact in the journey.
Automate your marketing & grow your business. With Autopilot follow up new leads, nurture existing leads, send messages on every channel and automate your marketing with simple and visual customer journey marketing software. It's as easy as dragging and dropping Triggers, Actions and Conditions to automate your marketing. Best of all Autopilot integrates and automates the applications you're already using like Typeform, Wufoo and SurveyMonkey.


If safety is your greatest concern when it comes to relocation, you can rely on moving companies in Portland to do the job. These days, finding a reliable relocation company among the many local movers is indeed challenging. For this reason, a full service moving company in Portland should be considered especially with their experience and expertise. They can provide all your relocation needs ranging from storage to packers of large items like a piano. In addition, Portland moving companies could provide you with professional services when it comes to office, building, residential or apartment relocation; long distance or even cross country. Their services can be quite cheap especially if you compare moving companies quotes.
When it comes to moving, considering Portland movers to help you is a smart decision. You can bet that your belongings will arrive safely at their destination especially with the guarantee that these professional movers in Portland promise. By choosing one of these moving companies in Portland, you are actually cutting moving cost significantly. You can even enjoy additional discount offered by these home movers in Portland. In other words, you are not only saving time but money as well. When choosing a local mover, make sure that you also include moving companies near Portland in your shortlist of candidates.


If you are looking to for a holiday or short break in Norfolk, East England then Pond Cottage provides some great self catering accommodation for you.
Self catering accommodation at Pond Cottage sleeps 8 with	4 bedrooms	and prices for a weeks stay start from just £805.
Pond cottage is luxurious and offers you accommodation of a great standard. South Walsham is a beautiful village boasting one of the most delightful Norfolk Broads. Location is everything and this has it in abundance. Do visit Fairhaven Water Gardens.
South Walsham is an excellent base within a conservation area at the centre of The Broads. The village is home to The Fairhaven Woodland and Water Garden, which comprises 180 acres of beautiful ancient woodland, water gardens and a private broad. It is a superb location for ornithologists and walkers with its many nature trails. It is also only thirty minutes from the sandy beaches of the East coast and the fine city of Norwich.
Bathroom with bath, shower cubicle, washbasin and w.c.
Garden: Fully enclosed, attractive rear garden with large patio area and lawn. Glass-covered area with seating off the patio. Garden furniture and barbecue.
Heating: O.F.C.H. The ground floor has under floor heating throughout and radiators to the first floor.
Pond Cottage is situated at 4 Broad Lane, Aclein Norfolk. A map is below but if you are travelling by car the all important Sat Nav settings are: Latitude 52.668106, Longitude 1.510072 or postcode NR13 6EE.


text:
CTWD- CaribbeanTales Worldwide Distribution
Taking Caribbean Films to the World
A Man, A Woman, A Genie, A Gun
Antillean Green Card
Bitter Sugar (Sucre Amer)
Clouds Over Conakry (Il Va Pleuvoir Sur Conakry)
Coco-La-Fleur, Candidate (Coco-La-Fleur, Candidat)
Dangers Of The Tongue
HERO – Inspired By The Extraordinary Life & Times Of Mr. Ulric Cross
Hit For Six
Far From Yesterday
I, Zaphira! (Moi, Zaphira!)
Joebell And America
Keeping Up With The Joneses: The Movie
Kingston Paradise
Last Flight To Abuja
Last Of The Redmen, The
Lost Heritage (Héritage Perdue)
Mile From Home, A
Mirror Boy, The
Peggy Su!
Sargasso! A Caribbean Love Story
Spiders' Webs (Toiles D'araignées)
What My Mother Told Me
Winter Tale, A
After Mas
Black Men Loving
C'est Quitte: The French Creoles Of Trinidad
Caribbean Women Writers
Instant Dread
Legend Of Buchi Fil
Lever Lencre
Mr. Crab
Only Sky and Water
Orisha Suite, The
Things Worse
Trapped In An Elevator
Trip & Mary Jane
Trou D'air
70: Remembering A Revolution
Art For Social Change
Bideshi
Calypso At Dirty Jims
Calypso Dreams
Calypso Dreams (Director's Cut)
Concert In The Rainforest
Come With It Black Man
Drummit To Summit
El Pueblo Se Levanta
Entry Denied
Family Of The Caribbean, The
Fire Burn Babylon
Forward Home
Freedom Now
Garifuna Journey, The
George And The Bicycle Pump
Gift Everlasting, The
God Willing Yuli
Hinkson
Human Traffic: Past And Present
I Is A Long Memoried Woman
Insatiable Season
Jab! The Blue Devils Of Paramin
Jamesie – King Of Scratch
La Bruja: A Witch From The Bronx
Landscape & Memory: Martinican Land-People-History
Life At Traxco
Linc In Time, A
Mas Man
Mas Man (Director's Cut)
My Cultural Divide
No Bois Man No Fraid
Notting Hill: 21st Century Carnival
Of Men and Gods
Percussions, Impressions And Reality
Punta Soul
Resilience: Stories Of Single Black Mothers
Sistahs Concert, The
Soca In She Samba
Solitary Alchemist
Story of Lover's Rock, The
Survivor's Project
Sweet Sugar Rage
The Shouters and the Control Freak Empire
The Wind That Blows
Unity: Hip Hop's Next Chapter
Voodoo and the Church in Haiti
Voodoo Dance
Wild T&T
Womanish Ways, Freedom, Human Rights & Democracy
Yurumein – Homeland, The Caribs of St. Vincent
Short Documentary
Atiba Williams
Caribbean Skin, African Identity
John Agitation Caratal
Kali Worship In Trinidad & Tobago
Koo Nimo Palm Wine Guitar
Let's Play Pan
Music Of The Street, The
Now Jimmy
Our Lady Queen Of Harlem
Positive And Pregnant
Primetime: Fighting Back Against Foreclosure
Quienes Son?
Samuel Lind's Coastal World
Santimanitay
Secondhand (Pepe)
YesYesNino
CARIBBEAN EYE – Season 1
Day in a Bajan Life, A
EZONE – Season 4
The Hardweares
KEEPING UP WITH THE JONESES – Season 1
LATE NIGHT LIME
MUSICAL EPIDEMIC
Pricing Guidelines
CTWD Highlights the Healing Power of Film at 2015 Caribbean Studies Conference
CTWD Highlights the Healing Power…
New Orleans, Louisiana, May 29th 2015 (Sonique Solutions) – CaribbeanTales Worldwide Distribution (CTWD) presented an important panel discussion on the unique role of film and new digital technologies in healing the historical hurts created by our colonial past, that have fueled divisions between Africa and the Creole cultures of the Caribbean and the Americas. The presentation took place during the 40th Annual Conference of the Caribbean Studies Association (CSA) in New Orleans, Louisiana.
Presenting on the panel were CTWD Chair, Dr. Keith Nurse; renowned filmmaker and Co-founder of Banyan Ltd., Christopher Laird; and filmmaker and 'art-ivist', Nicole Brooks. CTWD's attendance at CSA was made possible by CTWD's '3D Distribution Project', financed by the ACP Cultures+ Program.
Caribbean Studies is growing in popularity among scholars and universities worldwide. This educational field is a core market for CTWD's catalog of over 300 titles, many of which are used effectively as curriculum tools on a range of subjects, including history, cultural studies, immigration, sociology, economics, politics, and gender studies.
During the CSA Conference, CTWD also announced its landmark partnership with the Banyan Archives. This unparalleled Collection spans 4 decades and includes more than 3,000 high-quality documentary video recordings of Caribbean rituals, cultural festivals, and hundreds of interviews with celebrated Caribbean artists and icons.
Christopher Laird said : "After two presentations at the CSA and the enthusiastic response from those who attended and who heard about the existence of this remarkable entrance into the resources available for Caribbean enquiry and research – which one person described as 'epic' – I think the use of video/film as a research tool in a context heavily invested in text is at last getting some traction. The excitement generated was palpable"
"Film records and documents our cultures, both past and living, and has the power to unite territories divided by distance, language and bodies of water. The synergies and similarities throughout the Diaspora are undeniable, haunting, resonant, and healing. Films on Caribbean subjects provide tools for education that did not exist before. They are invaluable for education, documentation and forward development, " said Frances-Anne Solomon, Founder of CTWD.
__________________________________________________CTWD's top Educational Sellers include:
'Forward Home' by Lisa Wickham: a documentary which analyzes the economic power of the Caribbean Diaspora, based on the groundbreaking work of Dr. Keith Nurse, the region's leading cultural industries specialist.
'70: Remembering A Revolution' by Alex de Verteuil and Elizabeth Topp, which documents Trinidad and Tobago during the 1970's black power movement.
'Calypso Dreams' by Geoffrey Dunn and Michael Horne, which chronicles the spirit and traditions of calypso music and profiles the genre's mightiest legends.
YURUMEIN – Homeland by Andrea Leland. Resistance, Rupture and Repair. The story of the Caribs of St. Vincent in the Caribbean.
Visit our website http://CaribbeanTales-Worldwide.
for a full list of educational titles and prices.
__________________________________________________About THE BANYAN ARCHIVE Since the 1970's, the Banyan team has been carrying out innovative and high quality documentary video projects on the history and cultural traditions of Trinidad and Tobago and numerous other coutries in the Caribbean. These community-oriented and collaborative projects have resulted in one of the most wide-ranging and in-depth archives of caribbean trought and creativity.
"I am very pleased to have had the oppportunity to visit the climate-controlled Banyan Archive in Port of Spain. The scope of the Archive's more than 3000 video recordings is unparralled. Among the vast holdings are documentaries of performances of orisha rituals in trinidad; the Phagwa festival in Trinidad and Guyana; Junkanoo in Jamaica, the Bahamas, and Belize; La Marguerite and Rose events in St Lucia; and various Amerindian traditions in Guyana and Dominica. The Archive also encompasses hundreds of interviews with caribbean artists and other figures, such as writers CLR James, George Lamming, and V.S. Naipaul; calypsoonians Roaring Lion, Lord Kitchener, Lord Pretender, and David Rudder; visual artists Carlisle Chang, Ken Critchlow, and Christopher Cozier; and filmmkaers Euzhan Palcy and Perry Henzell. " — Stephen Stuempfle, executive Director, The Society for Ethnomusicology, Indiana University.
After four years of work with the National Library Services of Trinidad and Tobago, York University in Toronto, Canada, and the University of the West Indies at St Augustine, Trinidad, the Banyan archive has now been digitised and a comprehensive database of over 14,0000 records of metadata for the over 2000 files has been compiled.
Banyan, together with CaribbeanTales Worldwide Distribution, is now making this unique and invaluable archive of Cairbbean culture available to educational institutions and libraries for stidents and researchers. The archive may be purchased in physical form and incorporated into an institutions own netowrk or through a virtual online access by annual subscription.
__________________________________________________About CARIBBEANTALESCaribbeanTales (CT) is a group of media companies that produces, markets, and exhibits Caribbean-themed films for regional and international distribution, including: CaribbeanTales Worldwide Distribution, the first full-service film distribution company in the English-speaking Caribbean, that aims to become the go-to solution for producers and buyers of Caribbean-themed content. Launched regionally in Barbados in May 2010, and internationally during the 2010 Toronto International Film Festival, the company now represents over 300 films from the Region and Diaspora. As well as distribution, CTWD aims to provide co-production services to producers of Caribbean-themed content.CT's other activities and brands include : CaribbeanTales Inc a registered Charity based in Toronto, Canada; the Caribbean-Tales International Film Festival that produces events around the world, the CaribbeanTales Incubator Program, that develops sustainable content for the international market, CaribbeanTalesFlix, our production arm, and CaribbeanTales-TV, a video on demand platform.
__________________________________________________About ACPCULTURES +The ACPCultures+ Program is implemented by the Secretariat of the ACP (Africa, Caribbean and Pacific) Group of States and funded under the 10th European Development Fund (EDF) by the European Union.Its objectives are to reinforce the creation and production of cultural goods and services in the ACP States (Africa, Caribbean and Pacific) through an approach integrated with distribution networks; to support increased access to local, regional, intra-ACP, European and international markets; to build the capacities of culture sector professionals in ACP States, and improve the regulatory environment of the culture sector.
Categories: News, Uncategorized June 5, 2015
Tags: Caribbean CinemaCARIBBEAN FILMCaribbean Film FestivalInternational Caribbean Film Festival
PreviousPrevious post:8 New Scholarships for Caribbean Film and Television ProducersNextNext post:CaribbeanTales International Film Festival 2015 Celebrates 10 Years
Nyctophilia
CARIBBEANTALES Announces 10 PROJECTS for 2017 Incubator
CineFAM Women of Color Creators Film Challenge
Flow and CaribbeanTales Announce Regional Partnership
CaribbeanTales International Film Festival 2015 Celebrates 10 Years
8 New Scholarships for Caribbean Film and Television Producers
CaribbeanTales Worldwide Distribution is registered in both Canada and Barbados.
Address: Flat C, Dalton Villas, Brighton Beach Road,
St Michael, Barbados
Address: 38 Concord Ave, Toronto, ON M6H2P1
Email: info@caribbeantales-worldwide.com
CaribbeanTales Incubator
CaribbeanTales-TV
Institutions such as universities, libraries, colleges, corporations and government agencies must pay the full list price as noted:
- Up to 30 mins: $150 USD
- Over 60 mins: $300 USD
Purchase effectively means lease for the life of the videotape, videodisc or film print. The purchase includes public performance rights for classroom or library use by the acquiring institution for non-paying audiences only.
CaribbeanTales Worldwide Distribution (CTWD) offers *special rates of up to 50% off the full list price on sales to selected not-for-profit and community-based organizations, with an annual operating budget of $150K or less. Documentation of not for profit status and / or annual budget may be required.
Purchase effectively means lease for the life of the videotape, videodisc or film print and includes in-house public performance rights for non-paying audiences only.
Pricing is as follows:
- Up to 30 mins: $85 USD
Please add $10 for shipping and handling.
*Certain titles are excluded from this discount.
*Please enquire regarding fundraisers or any open and advertised one-off events where entrance fees are charged. Not-for-profit rates do not apply in these instances.
* We cannot offer this discount to any university-affiliated programs.
Home Video Versions
Home video versions are available for select CTWD titles and may be purchased by individuals for personal home viewing with family and friends only.
Prices vary by title. All home video orders must be paid by money order or credit card in advance of shipment.
RESTRICTIONS: Home video versions are for personal home use only, and programs are protected by copyright. It is strictly prohibited to screen, loan or broadcast to any group for either educational or commercial purposes.
Television & Broadcast Rights
Television rights for cable, commercial or educational television are specifically NOT included with educational or home video licenses. Titles, however, may be shown on television but must be cleared for television and covered by a licensing agreement before being broadcast.
To enquire about broadcast rights, please e-mail us.
Public Screenings and Festivals
Please contact us if you would like to screen one of our films at your festival or public event, or would like advice on programming suggestions. We will be happy to negotiate a rate with you.
Deep discounts are available when you purchase multiple films. Please contact us for more details
All of our films, videos and DVDs are protected by United States and international copyright laws. Duplication, reproduction, alteration, television broadcast or cablecast (except for closed-circuit use within a SINGLE campus), loaning for a fee, leasing, sublicensing to others, or use for commercial purposes (i.e., charging admission) is strictly prohibited.
Please request a copy of our license agreement for details.
CaribbeanTales (CTMG) is a group of media companies that produces, markets, and exhibits Caribbean-themed films for regional and international distribution, including: CaribbeanTales Worldwide Distribution, the first and largest full-service film distribution company in the English-speaking Caribbean' and CaribbeanTales Inc a registered Charity in Canada. Activities include: The CaribbeanTales International Film Festival now in its 14th year that celebrates the talents of established and emerging filmmakers of Caribbean heritage who practise their art across the Caribbean Diaspora worldwide ; The renowned CaribbeanTales Incubator (CTII) a year-round development and production hub for Caribbean and Caribbean Diaspora Producers that aims to create strong, compelling and sustainable content for the global market; Caribbeantales-TV a VOD streaming service for Caribbean films; and CaribbeanTalesFlix, our production arm.
Copyright © 2009-2017 CaribbeanTales Worldwide Distribution Dream-Theme — truly premium WordPress themes
CaribbeanTales Worldwide
Media Launch
The Big Pitch @TIFF
RedHot Mixer @TIFF
CineFAM
Youth Film Festival
Short Film Challenges
African Canadian
BattleDream Chronicle – Pilot
CaribbeanGirl NYC
Lexo Street – Pilot
Literature Alive
Moya's Love
Serpent's Mouth
Woody Stone
CTWD
RedHot
#Intersect
Talent To Watch


In terms of talent, the Chargers don't take a backseat to anyone. But the absolutely horrendous performance in the playoff loss to the Patriots brings up the same old questions about the Chargers not being able to get over the hump.
What the hell were the Chargers doing against the Patriots? They couldn't get to Tom Brady, they couldn't stop the run, and they didn't cover anyone. The Patriots basically did whatever they wanted to. It was embarrassing.
Total destruction in the Divisional Round wasn't how anyone associated with the Chargers wanted the season to end. The question league observers have about the Bolts is, are they here to stay? Should be. The free agents-to-be are key parts, but not of the integral variety: Denzel Perryman,Adrian Phillips, Brandon Mebane and Tyrell Williams. Although Williams has evolved into the big-play weapon on this team, at least on the outside. Keenan Allen is still the WR1, a third-down chains-mover who commands attention. Mike Williams took off late in the season, and although he will push Allen for targets, his area really could be the red zone. Hunter Henry will be fed his fair share of RZ throws, too. But as for chunk plays? It's all about Williams, Tyrell -- he posted 15.9 yards per catch (most among Chargers receivers) and a team-high five catches of 30-plus yards. Re-signing Perryman would be nice, too.
Anthony Lynn led them to a great 2018 season. Philip Rivers isn't going anywhere, and their backbone of defense and the running game is strong enough for them to stay in the AFC title mix despite being stuck behind the Chiefs.
Meh, they lost to both Super Bowl teams, two division champions and gave away a game to Denver. Not to mention all the miles they traveled. Can you imagine this team having a KC type home field advantage? Take all that into consideration and my opinion is they end up no lower than four.
my guess is that we'll be on the playoff bubble, w/big questions on the Oline and not sure we get over the philosophical hump on IDL either.... not sure more LBs is gonna solve anything.
I think we are looking pretty good. Henry will really help Rivers. We just need to get these lines fixed. Add a LB.
They went 12-4 and won some games they would have lost in years past (At Pitt, At KC and the Titans). They also lost to the Broncos in a game they had in hand. All in all pretty fortunate. Of course, it wouldn't be the Chargers without one position group being decimated by injuries and this year it was LB. Brown, Perryman and Kizer all missing. That group was weak to begin with so it really hurt.
We need to get strong up the middle on both sides. Need a dependable ILB, DT and Safety on D and better OG play on O. Get those things solidified and we can be great.
When you look at the roster, I really think Lynn helped us overacheive this season. While I thought we could be a good team, this team still has a ways to go before it matches the overall record. Telesco needs to be pretty clever this year to fix some holes.
D we need help up the middle. DT, ILB, FS..... We also seem to lack the press coverage guys that most of the other top playoff defenses have. I don't think it needs to be press man, but if you want to disrupt a playoff team's passing game, you better be able to knock the receivers off their routes and make the QB hold the ball.
On O things are getting there, but the only WR we have that can get open vs the press is Allen. The OL got a lot better, but they were putrid (2 years ago) and have a ways to go.


Go —Start Your Free. This is a list of 10 best French movies for. is easy to follow for children even though it is spoken in French and has English subtitles. How to improve your French with French movies. Then check the French subtitles, or the English one if that's all you have, and figure out what they said.
We have a great range of French language books, CDs, DVDs and CD-ROMs to help you learn. you can choose to have subtitles of the English translation or not;.
A new enterprise, Lost in Frenchlation, screens French film with English subtitles in Paris- with a convivial cocktail party beforehand.Free french movies english subtitles. Watching movies in english with english subtitles was very helpful when I was learning the language.
Legally watch free French movies online with English. > Free European movies & tv series online / English subtitles > Watch free French Movies & TV Series online.Top 10 Subtitle Download Sites and How to Add Subtitles to Movies. If you are French and want to share videos with. Download Sites and How to Add Subtitles.Download subtitles for LOC: Kargil(2003). Drama, War. 5.1/10. 1999 India-Pakistan Kargil war. Based on the true story. Free subtitles in all languages. Large database of subtitles for movies, TV series and anime. Find a movie!.
No ads, no pop ups, simple and secure registration. Watch the latest English subtitles movies online on all your devices directly in your browser. Daily updates. A Big List of German Films/Movies with English Subtitles to Watch and. This list of free German movies was compiled by YouTube user #tdebbie2002 and is an.
12 Classic French Movies from Different Eras, All Available to. with the options to add French subtitles, English subtitles or. to provide you with free.
freesubtitles.net is the biggest online subtitles search engine for free download. You can get movies subtitles and tv series subtitles and free. [English] Cooper. Steak (2007 Film) French with English Subtitles I couldn't find this anywhere else so I downloaded subtitles and added them in myself so now English.
subtitles free download - Subtitles, Subtitles Reader, Subtitles Translator, and many more programs.
Movies. In French with English Subtitles Film Festival Tickets. loc_, sid_1659780,. Find and buy In French with English Subtitles Film Festival tickets at.
Amara is home to the world's largest subtitling community and is a complete solution for captions, subtitles, and translations. Amara makes captioning & translation.Title: Trash (2014) 7.2 /10. Want to share IMDb's. track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! IMDb Mobile site.With only 6 months left of his prison sentence inmate Frank Leone is transferred from minimum security to maximum security by a vindictive warden.LOC Kargil 2003 Movie Free Download 720p BluRay HD 720,Free Movie. LOC Kargil 2003 Movie Free Download 720p BluRay. Movie Info. Download English Subtitle SRT.


Chris Davis, the disaster within the disaster that was the 2018 Orioles season — the worst in the team's history and the source of more misery than the Jones Falls after a deluge — must be the most self-conscious man in the country. I mean, wouldn't you be?
Who should replace La Russa in St Louis?
Was Quade a better choice for Cubs than Sandberg?


Article December 2018 Box Sale Analysis: Is There a Silver Lining?
With Trainer Battles announced, these boxes came to us by surprise since there's no ongoing event right now. At first glance, these boxes are bad, but we'll still do an analysis on these boxes and see if there's any redeeming quality to them.
Before the verdict, I would like to reiterate that I chose to not use the standard price of Lucky Eggs, Incense, Lure Modules, and Star Pieces, since the comparison should be more on the price of buying in bulk. It would be misleading to compare it to the base price which is in principle designed to be more expensive than bulk to encourage consumers to spend more. That being said, I used the bulk price of these items when buying an 8-item bundle.
On an overall savings standpoint, these are the worst boxes this year. It's the first time the Ultra Box dipped below 60% in the overall savings. While the Special Box and Great varies on overall savings, Ultra Boxes tend to be around 62-69%. This box reminds me of the Ingress Prime Event Box Sale, but with less Star Pieces. Still, the only one worth buying is the Ultra Box, which I'll discuss in detail during the analysis of each box.
There is a noticeable increase in Raid Passes. Since Trainer Battles are announced, Raid Battles are actually one of the fastest ways to get good Pokemon with great IVs, and some Raid Bosses are worth raiding for their potential in PvP, like Tyranitar, Machamp, Sneasel (for Weavile), and Gengar, as well as dark horse picks like Shuppet (for Banette), Duskull (for Dusknoir), Pinsir, Scyther (for Scizor), Absol, and Houndoom.
The Special Box is solid with its competitive pricing, but it's not that great. It's good enough for a player that's starting out, but we've seen better deals on Special Boxes. On the other hand, the Great Box is just bad. Yes, you do save coins, but not by much.
The Ultra Box seems to be the worst box ever, but we need to put this box in context. When Trainer Battles were announced, one of the key features added is unlocking a second Charge Move. While we do not know the specific requirements, what we do know is that it would cost Stardust and Candy, both of which are available in this box in the form of Star Pieces and Pinap Berries.
Besides unlocking the Second Charge Move, we need Stardust and Candy for pretty much every feature that revolves around getting the best Pokemon for Trainer Battles. After hatching eggs, we need candies to evolve. If we want to trade with another player for a good Pokemon, we need Stardust to trade. To power up a Pokemon, we need both candies and Stardust to power up. That's why this box has no Lures, Incense, Lucky Eggs, or Ultra Balls. This Ultra Box is geared toward preparing players for the release of PvP.
You may be saying that Pinap Berries in the Ultra Box should be swapped by either Rare Candies or Silver Pinap Berries to achieve the same goal. This would make the game more of a pay-to-win type of game, which I believe Niantic is trying to avoid. While yes, players who buy coins already have a big advantage towards players who play for free, in the end, stuff like IVs and movesets are still random. The player that doesn't pay for coins can have a perfect IV Raid Boss on the first try while the player that does pay for coins can raid multiple times and still get relatively lower IVs.
While the boxes don't have that many Super Incubators, stocking up on them will help you prepare for the rest of Generation IV, since every baby Pokemon except Riolu and Budew are still unreleased. That's 6 Baby Pokemon you need to hatch to complete the Sinnoh Dex, which will definitely take awhile.
What will I buy? None, because I have enough candies and Stardust, but if I was forced to buy, I would buy Ultra Box. How about you? If you would buy a box, what would you buy?


Bangalore, Doddaballapura, Guledagudda, Ilakal, Gadag-Betageri, and Kollegal in Karnataka.
Pochampally and Jangam in Telangana.
Salem, Arni, Kumbakonam and Kancheepuram in Tamil Nadu.
Silk is sold on cash as well as on credit basis.
Our clientele ranges from small weavers to master weavers, twisters, traders, co-op. Societies, Govt. Institutions, Sarvodaya Sangha and production units of Khadi & Village Industries, commission / Board.


Welcome to the beautiful Bonnie View Resort, located on magnificent Lake George, in the heart of the Adirondack Mountains!
The Bonnie View Resort is a nine-acre lakefront resort located two miles south of Bolton Landing and eight miles north of Lake George Village. Cleanliness, beauty, convenience and comfort are the keynotes of Bonnie View's well-equipped housekeeping cottages, efficiencies and motel rooms.
Activities at Bonnie View include a heated pool, 400 feet of lakefront, a gorgeous beach and swimming area, tennis court, ping-pong, horseshoes, shuffleboard, grills, rowboats, playgrounds, and more.
We will spare no effort to ensure that our beautiful Bonnie View becomes your choice for many memorable vacations!


text:
ALL IN Coworking of Inglewood
Inglewood resident Matthew Newman opened ALL IN Coworking in Inglewood. Photos by Jason Lewis
A collaborative space, nestled in the heart of Inglewood, dedicated to the complete journey of the entrepreneur.
The coworking space has a multipurpose video conference room where business owners and community groups can host meetings and give presentations.
By Tracy Edwards
As the revitalization of Inglewood continues with the city becoming not only a sports and entertainment destination, but also tech hub, there is a need for local entrepreneurs to have a place to work and collaborate.
Coworking places have become common place in more affluent communities, and over the last couple of years, Black owned coworking spaces have launched in South Los Angeles and Inglewood, giving locals a place to work and network with other business owners in their own community.
Inglewood resident Matthew Newman opened ALL IN Coworking of Inglewood on Crenshaw Boulevard, just south of 110th Street. This venue has office space for their members, and the WiFi, printing, copying, scanning, and coffee are all complementary. This is ideal for business owners who do not want to take on the cost of leasing out an individual office, and it was personally important to Newman to open this business in a Black community.
"It was important to nestle a space, in a community that is a part of me, that I'm a part of, that you can have an affordable space and still work on your craft," he said. "This is an affordable option versus paying $40,000 a year for a private office. You can have a seat right here for $150 a month and you would have access to all of the resources that you would have access to in an office building."
Networking wise, coworking spaces are beneficial to entrepreneurs who utilize the services of other small-business owners to bring their projects to life. It is also great for motivation.
"You're around other people who are inspired and motivated to work on a craft; to work on their dream," Newman said. "You're coming into a space like this that invokes inspiration for you to be great and productive in your craft.
"We have members who want a creative and collaborative space to work in. Especially people who are tired from working at home. They can come into a space that is safe and free of distractions to be productive in their craft, whatever that may be."
ALL IN Coworking has a multipurpose video conference room where business owners and community groups can host meetings and give presentations.
As the technology wave continues, many Black people and groups are ensuring that Black communities are not left behind. Newman is one of them as ALL IN Coworking utilized the latest technology in every aspect of this workspace, and it has a partnership with Hollywood Park to bring STEM programs to Inglewood.
"My past experience and current experience is working with a huge telecom company," Newman said. "So the first thing that I wanted to do here was automate everything. And we're bringing in people who know tech to teach tech to the underserved youth within our communities."
Newman has a major tech venture that is taking off soon. He is the CEO of TruSo, which is a social network that goes a step beyond audio-only apps such as Clubhouse. TruSo will also include video. It's noteworthy that this is a Black-owned app, because many of the social media platforms that Black people have helped make extremely popular, and investors extremely wealthy, are not Black-owned or designed for a Black user experience.
"I believe in the power of community; especially cultural communities," Newman said. "As it relates to the Black community, the entire world has witnessed what we can accomplish when we join together behind a cause; we create a phenomenon. Now we are introducing a social community that is built and funded by Blacks for Blacks and has monetization built-in so that everyone wins. Those who use the app should also benefit financially. That's what we've built."
ALL IN Coworking is located at 11011 Crenshaw Boulevard. Visit their website at www.inglewoodcoworking.com and follow them on social media. Join the waitlist for the TruSo app at www.jointruso.com and enter the referral code TruSoPR21.


text:
FashionExtreme Adolescents
TextClaire Marie Healy
The Lisbon sistersvia twitter.com
Deconstructing the fashion of The Virgin Suicides
To celebrate Sofia Coppola's birthday, we unpick the symbolic meaning behind the film's boxy school uniforms and 70s prom dresses
The Virgin Suicides (1999)19
How does fashion shape adolescence? Every month, Claire Healy deconstructs the ways that style culture has contributed to the idea of the teenager in new series Extreme Adolescents.
The current state of fashion is backlit by the sunshiny side of the 1970s; in The Virgin Suicides, Sofia Coppola's darkened impression is part hazy nostalgia, part dazzling lens flare. Adapted from Jeffrey Eugenides' book, Coppola's debut film transposes the novel's distinctive first-person-plural prose and filters it through her signature dreamlike aesthetic: here, it washes over a leafy Midwestern suburb, as seen through the eyes of the teenagers who live there. As the title suggests, the film chronicles the short lives of the enigmatic but sheltered Lisbon sisters – Cecilia, Lux, Bonnie, Mary and Therese. They are, like any tale of unrequited teen crushes, watched from afar by a group of neighbourhood boys. Now grown up, the boys narrate the girls' story in flashback form: when tragedy strikes, it is them who will try to put the pieces together. In one scene, they have managed to get their hands on a diary belonging to one of the Lisbons. Turning the pages, they – and we – can briefly enter the interiority of 1970s girlhood. "We felt the imprisonment of being a girl, the way it made your mind active and dreamy," the voice-over explains. "And how you ended up knowing which colours went together."
The Virgin Suicides aesthetic has influenced an entire generation of bored teenage girls with their heads in the clouds. Tavi Gevinson is a self-admitted devotee of its dream world, and ritualistically returns to the book and film every summer. Coppola worked with costume designer Nancy Steiner to achieve a genuinely thrifted 70s look that didn't appear deliberately retro – you need only look at the film's late 90s contemporary, Boogie Nights, for a very different take on that style. Coppola, admittedly "struck by the beauty of banal details", populates her suburban universe with the quiet fashions of authentic 70s girlhood: delicate lace dresses, bandeau tops, tiered maxis in dusky florals. The influence on the fashion world since has been seen in the whimsical style of Rodarte, as well as Coppola collaborator Marc Jacobs (the Daisy campaigns, as directed by Coppola, are clearly part of the Lisbon sisters' world).
"Their outfits demonstrate the extreme poles of dress that defined the choice of teenage fashion in the 70s: demureness versus skimpiness, or the fabric of innocence against emerging sexuality"
Just like the other ephemera of the sisters' everyday lives that the boy-narrators collect – Virgin Mary cards, pink lipsticks, whatever else they can rescue from the trash – the clothes of the Lisbon girls offer their own clues. Their outfits demonstrate the extreme poles of dress that defined the choice of teenage fashion in the 70s: demureness versus skimpiness, or the fabric of innocence against emerging sexuality – see the pink bra draped over a crucifix. In a contemporary culture that still has a problem with the handling and portrayal of young female sexuality, it's a tension that still chimes with adolescents today.
As the boys astutely point out, the Lisbon sisters' imprisonment is that they are girls. More than this, they are subject to their Catholic parents' strict rules, curfews, and, eventually, house arrest. The sense of entrapment extends to their clothing. Their daily wear consists of boxy, traditional school uniforms. For prom, their mother is so distraught at her daughters' growing up that she adds swathes of fabric to their already dowdy dresses – they emerge in "four identical sacks". The long, pale dresses, dotted with barely-there florals, resemble the Gunne Sax dresses popular amongst teenage girls and their worried mothers in the seventies. Typically multi-tiered and high-necked, the dresses evoked nostalgia for 19th century prairie living. The name derives from "gunny sack", the material used for potato sacks as well as the lining of early versions of the dresses – the polar opposite of s-e-x.
But as much as their mother tries, the girls aren't identical, and it's 14-year-old Lux who provides the film's narratorial and stylistic focus. Her relationship with Trip Fontaine – who, in his aviators and flares, is the universalised 70s heartthrob – anchors the film's tragic momentum. It's a denouement spoken through clothing: what it hides, and what it uncovers. Played by Kirsten Dunst, Lux is the most attractive and effervescent of the sisters – all said, a "stone fox" – with an in-bloom sexuality that's expressed in the details. Early on, she sits on the front lawn in the baggy clothing of her sibling – only her tee falls off her shoulder, just so. During a family supper at the Lisbon house, Lux is lectured to cover her chest while her bare toes caress an unwitting male guest under the table. As Trip pins her corsage on for prom, the camera reveals what lies underneath Lux's sack dress: she's written his name on her underwear, a heart dotting the I. When Lux misses curfew, the parent's lockdown goes from bad to worse. Abandoned by Trip, Lux has sex on the roof, limply lifting layers of cloth for strange men. All the sisters wear the baggy nightdresses of Victorian children. "I can't breathe in here," says Lux, trapped in the wrong century.
The Virgin Suicides is Coppola's first and most tragic elegy to youth, in a cinematic career that continues to chronicle lonely girls on the brink of womanhood: Scarlett Johannson's Tokyo drifter in Lost in Translation, Marie Antoinette's partying princess. In many ways, the Lisbon sisters are precursors to these women, who are later freed from the (albeit sympathetic) male gaze that necessarily filters The Virgin Suicides. The film begins with the youngest sister, Cecilia's first suicide attempt (she slits her wrists). Her elder sisters cover the bandages with piles of multi-coloured, plastic bangles. It is The Virgin Suicides' most complete image of the clash of childhood innocence and the disillusionment of experience – something that will always define the anxiety of girlhood, and the clothes that locate it in time.
The Virgin Suicidesvia rookiemag.com, photography Corinne Day
FashionExtreme AdolescentsSofia CoppolaFilm90s


Producer/performer/bandleader Matt DePalma has studied diversely throughout the music industry. Though majoring in classical performance, performing alongside some of today's hottest R&B groups has enabled him to develop his extremely bold yet tasteful sound.
Matthew began his musical journey a few years ago, after an unfortunate accident had required him to put his horn down for just around seven years. Rejoining the scene after all that time ignited a fire, as well as a hidden void. Piecing together projects and studio performance soon became more than just a hobby, as since then he has produced many successful bands, performed on countless albums, and has shared the stage with many talented musicians such as Columbia recording artist Kyle Jason, Billy Joel, and the legendary Chuck D of public enemy.
Being an active member of both the classical and club-dating communities, he continues to strive toward new heights in musical production and versatile performance.


Gazprom has resumed talks with South Korea on the construction of a gas pipeline through the territory of North Korea, Deputy CEO Vitaly Markelov told at a press conference.
"To date, the political situation has been somewhat different, and the South Korean side has asked Gazprom to resume the project, and a series of talks has been held on this issue, and these talks are continuing," he said.
On March 30, speaking at the energy forum in Seoul, South Korean Foreign Minister Kang Kyung-hwa said that the improvement of the security situation on the Korean peninsula will make it possible to start the construction of a gas pipeline from Russia to South Korea via North Korea.


text:
2CW PRODUCTIONS, INC
California Department of Cannabis Control (DCC)
NOE - Notice of Exemption
The Department of Cannabis Control, pursuant to authority granted under Business and Procession Code Division 10, Chapter 2, Section 26012, approved a Cannabis Transport-Only Distribution License submitted on 5/18/2022, by Edward Fussell. 2CW PRODUCTIONS, INC. applied for a transport-only distribution license out of an existing facility located at 2351 CIRCADIAN WAY, SANTA ROSA, CA 95407 (APN 035-133-009). The applicant will store cannabis products for transport-only distribution and manufacturing in 17,000 square foot facility. The Project will consist of 17,000 square feet of transport-only distribution and manufacturing. The project will not expand the existing facility and no modifications or improvements were required. This site has been operating as a cannabis facility since 2018.
Tiffany Adorno
Department of Cannabis Control
Environmental Planner
2920 Kilgore Rd
tiffany.adorno@cannabis.ca.gov
38°25'11.3"N 122°45'17.5"W
Circadian Way and Corporate Pkwy
Categorical Exemption
Type, Section or Code
Class 1 Categorical Exemption Cal. Code Regs,. Title 14, §15301
Reasons for Exemption
The Department of Cannabis Control has determined that the project is a Class 1 Categorical Exemption Project. Class 1 Categorical Exemptions consist of the operation, repair, maintenance, permitting, leasing, licensing, or minor alterations to existing public or private structures, facilities, mechanical equipment, or topographical features, involving negligible or no expansion of use beyond that existing at the time of the lead agency's determination. The Project involves the use of an existing industrial building with no proposal for building expansion. The design, location, size, and operating characteristics of the Project are compatible with the existing and future land uses within the vicinity as it is zoned light industrial zoned. None of the exceptions to the exemption defined in Section 15300.2 apply to the Project.
DCC NOE 2CW PRODUCTIONS, INC PDF 206 K
Download CSV New Search Print


Erica H. MacDonald, an assistant U.S. attorney in Minneapolis, has been named a judge in Hastings. Gov. Tim Pawlenty appointed her to the First District bench to replace Judge Leslie Metzen, who retired last spring.
MacDonald, 42, of Mendota Heights, has been an assistant U.S. attorney since 2001. Her expertise is in human trafficking cases.
She is a Notre Dame graduate and earned her degree from DePaul University College of Law in Chicago in 1997. She lives in Mendota Heights with her husband, Jim, and two sons, Kenny 10, and Mitchell, 7.


text:
Znaleziono 505 Wyniki dla: Temple
So he asked the men of the place, "Where is the temple prostitute, the one by the roadside in Enaim?" But they answered, "There has never been a temple prostitute here." (Genesis 38, 21)
He went back to Judah and told him, "I could not find her; and besides, the men of the place said there was no temple prostitute there." (Genesis 38, 22)
"There shall be no temple harlot among the Israelite women, nor a temple prostitute among the Israelite men. (Deuteronomy 23, 18)
Instead Jael, wife of Heber, got a tent peg and took a mallet in her hand. While Sisera was sound asleep, she stealthily approached him and drove the peg through his temple down into the ground, so that he perished in death. (Judges 4, 21)
Then when Barak came in pursuit of Sisera, Jael went out to meet him and said to him, "Come, I will show you the man you seek." So he went in with her, and there lay Sisera dead, with the tent peg through his temple. (Judges 4, 22)
With her left hand she reached for the peg, with her right, for the workman's mallet. She hammered Sisera, crushed his head; she smashed, stove in his temple. (Judges 5, 26)
They also gave him seventy silver shekels from the temple of Baal of Berith, with which Abimelech hired shiftless men and ruffians as his followers. (Judges 9, 4)
and went out into the fields, harvested their grapes and trod them out. Then they held a festival and went to the temple of their god, where they ate and drank and cursed Abimelech. (Judges 9, 27)
When they heard of this, all the citizens of Migdal-shechem went into the crypt of the temple of El-berith. (Judges 9, 46)
Samson said to the attendant who was holding his hand, "Put me where I may touch the columns that support the temple and may rest against them." (Judges 16, 26)
The temple was full of men and women: all the lords of the Philistines were there, and from the roof about three thousand men and women looked on as Samson provided amusement. (Judges 16, 27)
Samson grasped the two middle columns on which the temple rested and braced himself against them, one at his right hand, the other at his left. (Judges 16, 29)
"Para que se preocupar com o caminho pelo qual Jesus quer que você chegue à pátria celeste – pelo deserto ou pelo campo – quando tanto por um como por outro se chegará da mesma forma à beatitude eterna?" São Padre Pio de Pietrelcina


Preferred Title of Colorado LLC is a business entity registered at Colorado Secretary of State, with entity identifier is 20191011391. The registration start date is January 4, 2019. The current status is Good Standing.
Principal Address 1144 4th St.
Street Address 1144 4th St.
Please comment or provide details below to improve the information on Preferred Title of Colorado LLC.


There are always jobs to be done and maybe winter is the time to do that one. Good luck.
Thanks, Tom! I have the fabric and light blocking I just need the hardware.
True on all counts, Kate! I haven't bought the hardware because I am not sure exactly how the shade is going to come together. Not yet anyway. I know what I would prefer, but can't afford that. Truth is, that there is only the smallest bit of time in my day that requires the shade to be there at all. A bit in the morning through this window, and then in the afternoon in the other window. Most of the day it is just awesome to have all that light flooding in. Especially in winter!
How lovely to look out on a Cardinal on a wet and windy day!
Drats! I meant to send this while online, and now at home I realize that I didn't!
This transplanted Southerner wonders about that red-berried bush. Nandina? No matter what it is, I was transported to my own childhood years, when the cold of winter (usually February) made me peer out the window with equal wistfulness. Mother's petite pink double camellias were freeze scorched, except for the one near my window, protected from the winter a bit more than others. If the outside of the window had ice, oh! – I wanted to retreat beneath the covers of my bed and stay there until the benevolent season of springtime arrived!
I think that this wild and wet time of year is a good time for incubation! Enjoy having 'forced' time indoors and allowing ideas to move forward when they are ready – or to be replaced with new inspiration!
I grew up in Southern California so all of this cold and rain (and apparently SNOW on Tues) is all new to me. I have been here 10 years and I still can't really get used to it. I guess the novelty has worn off. 😀 Having said all that, I think I prefer what the seasons bring to the horrible drought, fires and mudslides in California. I remember it and feel for anyone having to deal with that!
Winter has me dreaming of spring and gardening to be sure, but it also provides me many unlimited hours to sew and quilt. So, I guess I can't complain too much about being kept inside.


text:
// Commandline tool to unpack audioproc debug files.
//
// The debug files are dumped as protobuf blobs. For analysis, it's necessary
// to unpack the file into its component parts: audio and other data.

#include <stdio.h>

#include <memory>

#include "modules/audio_processing/test/protobuf_utils.h"
#include "modules/audio_processing/test/test_utils.h"
#include BOSS_WEBRTC_U_rtc_base__flags_h //original-code:"rtc_base/flags.h"
#include BOSS_WEBRTC_U_rtc_base__format_macros_h //original-code:"rtc_base/format_macros.h"
#include BOSS_WEBRTC_U_rtc_base__ignore_wundef_h //original-code:"rtc_base/ignore_wundef.h"
#include BOSS_WEBRTC_U_typedefs_h //original-code:"typedefs.h"  // NOLINT(build/include)

RTC_PUSH_IGNORING_WUNDEF()
#include "modules/audio_processing/debug.pb.h"
RTC_POP_IGNORING_WUNDEF()

// TODO(andrew): unpack more of the data.
DEFINE_string(input_file, "input", "The name of the input stream file.");
DEFINE_string(output_file, "ref_out",
              "The name of the reference output stream file.");
DEFINE_string(reverse_file, "reverse",
              "The name of the reverse input stream file.");
DEFINE_string(delay_file, "delay.int32", "The name of the delay file.");
DEFINE_string(drift_file, "drift.int32", "The name of the drift file.");
DEFINE_string(level_file, "level.int32", "The name of the level file.");
DEFINE_string(keypress_file, "keypress.bool", "The name of the keypress file.");
DEFINE_string(settings_file, "settings.txt", "The name of the settings file.");
DEFINE_bool(full, false,
            "Unpack the full set of files (normally not needed).");
DEFINE_bool(raw, false, "Write raw data instead of a WAV file.");
DEFINE_bool(text,
            false,
            "Write non-audio files as text files instead of binary files.");
DEFINE_bool(help, false, "Print this message.");

#define PRINT_CONFIG(field_name) \
  if (msg.has_##field_name()) { \
    fprintf(settings_file, "  " #field_name ": %d\n", msg.field_name()); \
  }

namespace webrtc {

using audioproc::Event;
using audioproc::ReverseStream;
using audioproc::Stream;
using audioproc::Init;

void WriteData(const void* data, size_t size, FILE* file,
               const std::string& filename) {
  if (fwrite(data, size, 1, file) != 1) {
    printf("Error when writing to %s\n", filename.c_str());
    exit(1);
  }
}

int do_main(int argc, char* argv[]) {
  std::string program_name = argv[0];
  std::string usage = "Commandline tool to unpack audioproc debug files.\n"
    "Example usage:\n" + program_name + " debug_dump.pb\n";

  if (rtc::FlagList::SetFlagsFromCommandLine(&argc, argv, true) ||
      FLAG_help || argc < 2) {
    printf("%s", usage.c_str());
    if (FLAG_help) {
      rtc::FlagList::Print(nullptr, false);
      return 0;
    }
    return 1;
  }

  FILE* debug_file = OpenFile(argv[1], "rb");

  Event event_msg;
  int frame_count = 0;
  size_t reverse_samples_per_channel = 0;
  size_t input_samples_per_channel = 0;
  size_t output_samples_per_channel = 0;
  size_t num_reverse_channels = 0;
  size_t num_input_channels = 0;
  size_t num_output_channels = 0;
  std::unique_ptr<WavWriter> reverse_wav_file;
  std::unique_ptr<WavWriter> input_wav_file;
  std::unique_ptr<WavWriter> output_wav_file;
  std::unique_ptr<RawFile> reverse_raw_file;
  std::unique_ptr<RawFile> input_raw_file;
  std::unique_ptr<RawFile> output_raw_file;

  FILE* settings_file = OpenFile(FLAG_settings_file, "wb");

  while (ReadMessageFromFile(debug_file, &event_msg)) {
    if (event_msg.type() == Event::REVERSE_STREAM) {
      if (!event_msg.has_reverse_stream()) {
        printf("Corrupt input file: ReverseStream missing.\n");
        return 1;
      }

      const ReverseStream msg = event_msg.reverse_stream();
      if (msg.has_data()) {
        if (FLAG_raw && !reverse_raw_file) {
          reverse_raw_file.reset(new RawFile(std::string(FLAG_reverse_file) +
                                             ".pcm"));
        }
        // TODO(aluebs): Replace "num_reverse_channels *
        // reverse_samples_per_channel" with "msg.data().size() /
        // sizeof(int16_t)" and so on when this fix in audio_processing has made
        // it into stable: https://webrtc-codereview.appspot.com/15299004/
        WriteIntData(reinterpret_cast<const int16_t*>(msg.data().data()),
                     num_reverse_channels * reverse_samples_per_channel,
                     reverse_wav_file.get(),
                     reverse_raw_file.get());
      } else if (msg.channel_size() > 0) {
        if (FLAG_raw && !reverse_raw_file) {
          reverse_raw_file.reset(new RawFile(std::string(FLAG_reverse_file) +
                                             ".float"));
        }
        std::unique_ptr<const float* []> data(
            new const float* [num_reverse_channels]);
        for (size_t i = 0; i < num_reverse_channels; ++i) {
          data[i] = reinterpret_cast<const float*>(msg.channel(i).data());
        }
        WriteFloatData(data.get(),
                       reverse_samples_per_channel,
                       num_reverse_channels,
                       reverse_wav_file.get(),
                       reverse_raw_file.get());
      }
    } else if (event_msg.type() == Event::STREAM) {
      frame_count++;
      if (!event_msg.has_stream()) {
        printf("Corrupt input file: Stream missing.\n");
        return 1;
      }

      const Stream msg = event_msg.stream();
      if (msg.has_input_data()) {
        if (FLAG_raw && !input_raw_file) {
          input_raw_file.reset(new RawFile(std::string(FLAG_input_file) +
                                           ".pcm"));
        }
        WriteIntData(reinterpret_cast<const int16_t*>(msg.input_data().data()),
                     num_input_channels * input_samples_per_channel,
                     input_wav_file.get(),
                     input_raw_file.get());
      } else if (msg.input_channel_size() > 0) {
        if (FLAG_raw && !input_raw_file) {
          input_raw_file.reset(new RawFile(std::string(FLAG_input_file) +
                                           ".float"));
        }
        std::unique_ptr<const float* []> data(
            new const float* [num_input_channels]);
        for (size_t i = 0; i < num_input_channels; ++i) {
          data[i] = reinterpret_cast<const float*>(msg.input_channel(i).data());
        }
        WriteFloatData(data.get(),
                       input_samples_per_channel,
                       num_input_channels,
                       input_wav_file.get(),
                       input_raw_file.get());
      }

      if (msg.has_output_data()) {
        if (FLAG_raw && !output_raw_file) {
          output_raw_file.reset(new RawFile(std::string(FLAG_output_file) +
                                            ".pcm"));
        }
        WriteIntData(reinterpret_cast<const int16_t*>(msg.output_data().data()),
                     num_output_channels * output_samples_per_channel,
                     output_wav_file.get(),
                     output_raw_file.get());
      } else if (msg.output_channel_size() > 0) {
        if (FLAG_raw && !output_raw_file) {
          output_raw_file.reset(new RawFile(std::string(FLAG_output_file) +
                                            ".float"));
        }
        std::unique_ptr<const float* []> data(
            new const float* [num_output_channels]);
        for (size_t i = 0; i < num_output_channels; ++i) {
          data[i] =
              reinterpret_cast<const float*>(msg.output_channel(i).data());
        }
        WriteFloatData(data.get(),
                       output_samples_per_channel,
                       num_output_channels,
                       output_wav_file.get(),
                       output_raw_file.get());
      }

      if (FLAG_full) {
        if (msg.has_delay()) {
          static FILE* delay_file = OpenFile(FLAG_delay_file, "wb");
          int32_t delay = msg.delay();
          if (FLAG_text) {
            fprintf(delay_file, "%d\n", delay);
          } else {
            WriteData(&delay, sizeof(delay), delay_file, FLAG_delay_file);
          }
        }

        if (msg.has_drift()) {
          static FILE* drift_file = OpenFile(FLAG_drift_file, "wb");
          int32_t drift = msg.drift();
          if (FLAG_text) {
            fprintf(drift_file, "%d\n", drift);
          } else {
            WriteData(&drift, sizeof(drift), drift_file, FLAG_drift_file);
          }
        }

        if (msg.has_level()) {
          static FILE* level_file = OpenFile(FLAG_level_file, "wb");
          int32_t level = msg.level();
          if (FLAG_text) {
            fprintf(level_file, "%d\n", level);
          } else {
            WriteData(&level, sizeof(level), level_file, FLAG_level_file);
          }
        }

        if (msg.has_keypress()) {
          static FILE* keypress_file = OpenFile(FLAG_keypress_file, "wb");
          bool keypress = msg.keypress();
          if (FLAG_text) {
            fprintf(keypress_file, "%d\n", keypress);
          } else {
            WriteData(&keypress, sizeof(keypress), keypress_file,
                      FLAG_keypress_file);
          }
        }
      }
    } else if (event_msg.type() == Event::CONFIG) {
      if (!event_msg.has_config()) {
        printf("Corrupt input file: Config missing.\n");
        return 1;
      }
      const audioproc::Config msg = event_msg.config();

      fprintf(settings_file, "APM re-config at frame: %d\n", frame_count);

      PRINT_CONFIG(aec_enabled);
      PRINT_CONFIG(aec_delay_agnostic_enabled);
      PRINT_CONFIG(aec_drift_compensation_enabled);
      PRINT_CONFIG(aec_extended_filter_enabled);
      PRINT_CONFIG(aec_suppression_level);
      PRINT_CONFIG(aecm_enabled);
      PRINT_CONFIG(aecm_comfort_noise_enabled);
      PRINT_CONFIG(aecm_routing_mode);
      PRINT_CONFIG(agc_enabled);
      PRINT_CONFIG(agc_mode);
      PRINT_CONFIG(agc_limiter_enabled);
      PRINT_CONFIG(noise_robust_agc_enabled);
      PRINT_CONFIG(hpf_enabled);
      PRINT_CONFIG(ns_enabled);
      PRINT_CONFIG(ns_level);
      PRINT_CONFIG(transient_suppression_enabled);
      PRINT_CONFIG(intelligibility_enhancer_enabled);
      if (msg.has_experiments_description()) {
        fprintf(settings_file, "  experiments_description: %s\n",
                msg.experiments_description().c_str());
      }
    } else if (event_msg.type() == Event::INIT) {
      if (!event_msg.has_init()) {
        printf("Corrupt input file: Init missing.\n");
        return 1;
      }

      const Init msg = event_msg.init();
      // These should print out zeros if they're missing.
      fprintf(settings_file, "Init at frame: %d\n", frame_count);
      int input_sample_rate = msg.sample_rate();
      fprintf(settings_file, "  Input sample rate: %d\n", input_sample_rate);
      int output_sample_rate = msg.output_sample_rate();
      fprintf(settings_file, "  Output sample rate: %d\n", output_sample_rate);
      int reverse_sample_rate = msg.reverse_sample_rate();
      fprintf(settings_file,
              "  Reverse sample rate: %d\n",
              reverse_sample_rate);
      num_input_channels = msg.num_input_channels();
      fprintf(settings_file, "  Input channels: %" PRIuS "\n",
              num_input_channels);
      num_output_channels = msg.num_output_channels();
      fprintf(settings_file, "  Output channels: %" PRIuS "\n",
              num_output_channels);
      num_reverse_channels = msg.num_reverse_channels();
      fprintf(settings_file, "  Reverse channels: %" PRIuS "\n",
              num_reverse_channels);

      fprintf(settings_file, "\n");

      if (reverse_sample_rate == 0) {
        reverse_sample_rate = input_sample_rate;
      }
      if (output_sample_rate == 0) {
        output_sample_rate = input_sample_rate;
      }

      reverse_samples_per_channel =
          static_cast<size_t>(reverse_sample_rate / 100);
      input_samples_per_channel =
          static_cast<size_t>(input_sample_rate / 100);
      output_samples_per_channel =
          static_cast<size_t>(output_sample_rate / 100);

      if (!FLAG_raw) {
        // The WAV files need to be reset every time, because they cant change
        // their sample rate or number of channels.
        std::stringstream reverse_name;
        reverse_name << FLAG_reverse_file << frame_count << ".wav";
        reverse_wav_file.reset(new WavWriter(reverse_name.str(),
                                             reverse_sample_rate,
                                             num_reverse_channels));
        std::stringstream input_name;
        input_name << FLAG_input_file << frame_count << ".wav";
        input_wav_file.reset(new WavWriter(input_name.str(),
                                           input_sample_rate,
                                           num_input_channels));
        std::stringstream output_name;
        output_name << FLAG_output_file << frame_count << ".wav";
        output_wav_file.reset(new WavWriter(output_name.str(),
                                            output_sample_rate,
                                            num_output_channels));
      }
    }
  }

  return 0;
}

}  // namespace webrtc

int main(int argc, char* argv[]) {
  return webrtc::do_main(argc, argv);
}

redpajama_set_name: RedPajamaGithub


After an Alzheimer's Diagnosis, What Comes Next?
Make sure the information you are getting is accurate as there are many misconceptions about the disease. The caregiver and the person who has been diagnosed with Alzheimer's Disease should keep informed so they know what to expect as the disease progresses.
Contact area organizations, like Alzheimer's Services, for programs and support services. Attend educational sessions offered by agencies and health care providers on particular topics about the disease.
Another good idea is to seek out other families and caregivers who have been through the journey or who are presently experiencing the effects of the disease so you can get support and also learn more about the disease. Consider enrolling in clinical trials, such as the various ones being conducted at area hospitals.
Making decisions on long-term care can be a sensitive subject, but it is important to have these conversations with the person who has been diagnosed. Additionally, that person should complete advance directives and legal documents, such as wills and trusts, early in the disease so they have the cognition to offer input.
Keep everyday routines in place as this gives someone with the disease a sense of normalcy in a chaotic internal world he or she is living through the disease. It is helpful to keep clocks and calendars around the house in the beginning of the disease to orient the person with Alzheimer's.
Another thing to consider is home safety. Keep sharp objects, toxic cleaners and solutions as well as medications in locked cabinets or out of reach. If wandering becomes an issue, make sure doors are secured.
Don't ignore good nutrition. A low-fat diet rich in fruits, vegetables and omega-3 fatty acids helps protect brain cells. And, along with a good diet, a daily exercise regimen is recommended for both the caregiver and the affected person.
Finally, socialization is a key component in sustaining a quality of life and a sense of well-being. Find ways of mingling with others. Attend social events as much as possible. Invite friends and family members to visit. Socialization, especially for the person with Alzheimer's, is crucial in avoiding total isolation, which can speed the progression of the disease.