Mini crates perfect for holding business cards, calling cards, wallet size photos, school photos or storing Artist Trading Cards. Try our ATC file folders that were designed to fit right in and organize anything that is mini. Also perfect for tiny gift baskets, wallet size photos, custom business card holders for a desk and more.
choose from a wide range of atc size accessories for the crates - file folders, tags, tickets, ephemera and more.


James Auld was born circa 1861.
He was the son of Archibald Auld and Catherine Heaps.
James Auld died in 1935 in Queensland.
Jane Isabel Auld was born on 6 July 1898 in Queensland.
She was the daughter of William Auld and Louisa Annie Barnes.
Jane Isabel Auld died on 3 June 1978 in Mt Ommaney, Queensland, at age 79.
John Auld was born in 1874 in Queensland.
John Auld and Archibald Auld appeared on the Electoral Roll in 1913 living at Crow's Nest. Archibald was a farmer and John was a timber getter.
At the age of 47 years, John Auld married Clara Beatrice Barnes in 1921 in Queensland.
John Auld and Clara Beatrice Barnes appeared on the Electoral Roll in 1925 living at Crow's Nest. He was a timber getter. Clara gave her address as Glen Retreat, Crow's Nest.
John Auld died in 1953 in Queensland.
Margaret Auld was born on 28 October 1867 in Queensland.
She was the daughter of Archibald Auld and Catherine Heaps.
At the age of 25 years, 6 months and 19 days, Margaret Auld married Thomas John Williams, son of Thomas Williams and Catherine Maddern, on 17 May 1893 in Queensland.
Margaret Auld and Thomas John Williams appeared on the Electoral Roll between 1903 and 1908 living at Thallon Street, Crow's Nest. Thomas John was a storekeeper. Margaret carried out domestic duties.
Margaret Auld and Thomas John Williams appeared on the Electoral Roll in 1913 living at Crow's Nest. Thomas was a storekeeper and Margaret carried out home duties.
On 15 February 1949,her husband, Thomas John Williams died in Queensland at age 84.
Margaret Auld died on 5 October 1955 in Queensland at age 87.
Margaret Louisa Auld was born on 7 March 1904 in Moore, Queensland.
Margaret Louisa Auld died on 1 June 1981 in Queensland at age 77.
Mary Auld was born circa 1865.
Mary Auld died in 1957 in Queensland.
Muriel Nellie Auld was born on 17 March 1907 in Queensland.
Muriel Nellie Auld died on 31 July 1991 in Brisbane at age 84.
Robert Auld was born in 1870 in Queensland. He was a twin to Andrew.
Robert Auld died in 1952 in Queensland.
Robert Andrew Auld was born on 4 March 1900 in Queensland.
He was the son of William Auld and Louisa Annie Barnes.
Robert Andrew Auld died on 9 September 1969 in Queensland at age 69.
Thomas Auld was born in 1863 in Queensland.
Thomas Auld died in 1920 in Queensland.
Thomas Keith Auld was born on 4 February 1911 in Wynnum, Queensland.
At the age of 24 years, 7 months and 17 days, Thomas Keith Auld married Mavis Alma Doherty on 21 September 1935 in Queensland.
Thomas Keith Auld died on 8 April 1969 in Queensland at age 58.
William Auld was born in 1872 in Queensland.
At the age of 24 years, William Auld married Louisa Annie Barnes, daughter of Charles Barnes and Mary Ann Maddern, on 14 July 1896 in Toowoomba, Queensland.
William Auld appeared on the Legislative Assembly - Aubigny Electoral Roll in 1900 living at Crow's Nest. His qualification to vote was that he was a resident timber getter of the area.
In 1901 he was listed in the Queensland Post Office Directory as a baker.
He and Louisa Annie Barnes appeared on the Electoral Roll in 1903 living at South Street, Crow's Nest. William was a farmer.
On 20 March 1931,his wife, Louisa Annie Barnes died in Brisbane at age 56.
William Auld died on 1 September 1953 in Brisbane.
Tollef N H Aumudsen was born in 1876 in Norway.
He and Henri Gustav August Roze were associated in July 1904.
Tollef N H Aumudsen witnessed the death of Henri Gustav August Roze on 20 July 1904 in Gowrie Flat, Queensland; He died of a fractured skull after a fight with his employee,Toleff Aumudsen. An inquiry held in Crow's Nest on 22 Jul 1904, and Aumudsen was charged with manslaughter. He served two years hard labour.
On 20 April 1906 he was discharged from prison.
She and William A Reuschle immigrated to Sydney on 17 October 1896. They travelled on the Oruba which left London on 4 Sep 1896.
At the age of 25 years, 11 months and 15 days, Karoline Luisa Frederika Auracher married William A Reuschle, son of Friedrich Reuschle and Wilhelmine Pantel, on 27 April 1904 in Queensland.
Karoline Luisa Frederika Auracher died on 10 May 1954 in Queensland at age 75.
She was buried on 11 May 1954 in Drayton & Toowoomba Cemetery. LUTH3-002-0016.
Violet (Bertha) Auracher was born on 3 September 1899 in Queensland. Her mother was living at Clayfield at the time.
She was the daughter of Karoline Luisa Frederika Auracher.
Violet (Bertha) Auracher was raised by the Wiltshire family and married Edward Streeter.
Abraham Austin was born circa 1730.
Alexander Charles Edwin Austin was born on 9 April 1909 in Queensland.
He was the son of Charles Edwin Austin and Elizabeth Sawatzki.
At the age of 24 years, 10 months and 26 days, Alexander Charles Edwin Austin married Ida Dover on 7 March 1934 in Queensland.
Alexander Charles Edwin Austin appeared on the Electoral Roll with Charles Edwin Austin in 1936 in Milford. Charles was a farmer and Elizabeth carried out home duties. Their son Alexander who lived at the same address was a farm labourer.
Alexander Charles Edwin Austin and Ida Dover appeared on the Electoral Roll in 1943 living at Milford. Alexander was a farm labourer and Ida carried out home duties. His mother Elizabeth lived with them.
Alexander Charles Edwin Austin and Ida Dover appeared on the Electoral Roll between 1954 and 1963 living at New South Wales. Alexander was a grazier and Ida carried out home duties. Alex's mother Elizabeth lived with them.
Alexander Charles Edwin Austin and Ida Dover appeared on the Electoral Roll in 1968 living at 12 Rotary Crescent, Redcliffe.
Alexander Charles Edwin Austin and Ida Dover appeared on the Electoral Roll in 1980 living at 12 Rotary Crescent, Redcliffe. He was a grazier and Ida carried out home duties. Their daughters , a clerk typist and , a clerk also lived with them.
Alice Mabel Austin was born on 30 December 1899 in Queensland.
She was the daughter of George Edgar Austin and Minnie Sawatzki.
Alice Mabel Austin appeared on the Electoral Roll with George Edgar Austin and Minnie Sawatzki in 1925 in Milford. George was a farmer whille Minnie carried out home duties as their daughter Alice who lived with them.
St Thomas' Presbyterian Church, Boonah, was the scene of a picturesque wedding on August 3, when Mr. Francis Herbert Grimsey (second son of Mr. and Mrs. Grimsey, Dugandan) was married to Miss Alice Mabel Austin (eldest daugh- ter of Mr. and Mrs. G. E. Austin,Hazelhurst, Milford). The Rev. G. K. Kirk (Ipswich), assisted by the Rev. C. Reid Boonah), officiated. The church had been tastefully decorated by the bride's friends. The bride, who was given away by her father, wore an ivory crepe de Chine gown) with an overskirt of silver lace, and the bodice was heavily beaded. The veil was worn in cap effect, and caught at the sides with orange blossoms. She carried a bouquet of sweet peas, roses, and Arum lilies, tied with white ribbon streamers. Miss Doris Austin (cousin of the bride), who attended as bridesmaid, was frocked in cream georgette, with hand-made flowers, over a cream satin slip. She also wore a cream tulle cap, ornamented with pearls and orange blossoms, and carried a bouquet of pale pink sweet peas and roses. Her knife edged brooch was the gift of the bridegroom. The two flower girls, little Misses Georgia Austin (sister of the bride) and Hazel Millar (niece of the bridegroom), were frocked alike in pale blue crepe de Chine, trimmed with rows of cream lace, and they wore caps of tulle to tone. Mr. George Grimsey (brother of the bride- groom) carried out the duties of best man. Miss Olive Williams presided at the organ. During the signing of the register Miss Lynda Austin (cousin of the bride) rendered a vocal solo. At the conclusion of the ceremony a reception was held at Rowe's Cafe, the main feature of the bride's table being a three tier wedding cake, which was the work of Miss E. Punn (Boonah). Subsequently Mr. and Mr F. H. Grimsey left by car for the Northern Rivers, where their honeymoon was spent. Their future home will be at Mt. Alford."
In 1969,her husband, Francis Herbert Grimsey died in Queensland.
Aquilla Thomas Bartlett Austin was born circa 1877 in Queensland.
He was the son of William Honey Austin and Sarah Priscilla Bartlett.
Aquilla Thomas Bartlett Austin married Sarah Ann Freeman, daughter of Charles Freeman and Sarah Ann Williams, on 17 April 1901 in Queensland.
Aquilla Thomas Bartlett Austin appeared on the Electoral Roll between 1903 and 1919 living at Queensland.
He and Sarah Ann Freeman appeared on the Electoral Roll in 1913 living at Tallegalla. Aquilla's father William Honey and his brother William Francis were also farmers at Tallegalla.
Aquilla Thomas Bartlett Austin and Sarah Ann Freeman appeared on the Electoral Roll in 1919 living at Tallegalla. He was a farmer and Sarah carried out home duties. His father and brother also farmed in the area.
Aquilla Thomas Bartlett Austin and Sarah Ann Freeman appeared on the Electoral Roll in 1925 living at Tallegalla. Thomas was a farmer and Sarah carried out home duties. Thomas's father William also lived there as did their son Thomas Stanley.
Aquilla Thomas Bartlett Austin appeared on the Electoral Roll in 1936 living at Queensland.
Aquilla Thomas Bartlett Austin died in 1946 in Queensland.
Arthur James Chivell Austin was born on 1 August 1874 in Queensland.
He was the son of John Honey Austin and Mary Jane Burt Chivell.
Arthur James Chivell Austin appeared on the Electoral Roll in 1903 living at Boonah. He was listed as a farmer as were his brothers George, William and Charles and his father John Honey.
He appeared on the Electoral Roll in 1908 living at Golden Fleece Hotel, Leyburn. He was the licensed victualler.
At the age of 34 years, 1 month and 13 days, Arthur James Chivell Austin married Olive Alice Lovell on 14 September 1908 in Queensland.
Arthur James Chivell Austin and Olive Alice Lovell appeared on the Electoral Roll in 1913 living at Glengilp, Cecil Plains. Arthur was a farmer and Olive carried out home duties.
Arthur James Chivell Austin and Olive Alice Lovell appeared on the Electoral Roll in 1925 living at Helidon. Arthur was a farmer and Olive carried out home duties.
Arthur James Chivell Austin and Olive Alice Lovell appeared on the Electoral Roll in 1930 living at Kenilworth Street. Arthur was a fruiterer and Olive carried out home duties.
Arthur James Chivell Austin and Olive Alice Lovell appeared on the Electoral Roll in 1937 living at 12 Rosebury Street, Toowoomba. Arthur was a labourer and Olive carried out home duties. Their son Vincent who lived with them was also a labourer.
Arthur James Chivell Austin died on 8 July 1939 in Queensland at age 64.
He was buried on 10 August 1939 in Drayton & Toowoomba Cemetery. METH3-005-0009.
Austin Family - Back LtoR - John Cochrane (husband of Elsie Austin), Edgar Austin, Beattie Connolly (nee Austin); and on right at back Elsie Cochrane (nee Austin). Others in photo are the children of Elsie and Edgar. Photo thanks to Athol Logan.
Beatrice Lousia Austin was born on 7 February 1888 in Boonah, Queensland.
She was the daughter of Thomas Henry Ascendant Austin and Ellen Hooper.
Beatrice Lousia Austin commenced school at Crow's Nest State School on 21 April 1896. aged 8 years and 1 month. Her father's occupation was a teamster.
She appeared on the Electoral Roll with Thomas Henry Ascendant Austin and Ellen Hooper in 1913 in Queensland. His was a farmer. Their daughter Beatrice also lived on the farm as did their son Edgar.
At the age of 29 years, 4 months and 18 days, Beatrice Lousia Austin married Edward James Connolly on 25 June 1917 in Queensland.
In December 1961,her husband, Edward James Connolly died in Queensland.
Beatrice Lousia Austin was buried on 8 December 1975 in Hemmant Cemetery.
Beatrice Lousia Austin died on 8 December 1975 in Queensland at age 87.
Berenice Austin was born on 19 August 1917 in Queensland.
She was the daughter of George James Austin and Rosanna Werner.
Berenice was a bridesmaid at the wedding of George Wilfred McLeod Kidman and Myrtle Florence Austin, daughter of George James Austin and Rosanna Werner, on 28 February 1934 in Queensland.
Berenice was a bridesmaid at the wedding of Cyril James Austin and Catherine Jean Gillies, daughter of James Herbert (Herb) Gillies and Jessie Agnes Bailey, on 10 October 1935 in Methodist Church, Crow's Nest.
At the age of 21 years, Berenice Austin married Stanley Smith, son of Frederick Smith and May Honour Elizabeth Parr, in September 1938 in Queensland.
Wedding of Berenice Austin and Stanley Smith, September 1938. Joyce Austin was the bridesmaid and the best man was on of Stan's brothers. Photo courtesy of Helen J.
Berenice Austin and Stanley Smith appeared on the Electoral Roll in 1943 living at Anduramba. Stan was a farmer.
On 29 January 1985,her husband, Stanley Smith died in Queensland at age 77.
Berenice Austin died on 15 January 1997 in Queensland at age 79.
She was buried in January 1997 in Taabinga Cemetery.
Charles Edwin Austin was born on 12 September 1869 in Queensland.
Conditional approval for Charles Edwin Austin and Charles Edwin Austin's selection of landwas given on 24 November 1888. He selected 76a at Beauaraba (near Ravensbourne). He was also fined for withdrawing from the ballot for another 80 acres of land at Beauaraba. "For the agricultural township farms adjoining the village of Ravensbourne there was great competition, many of the portions being applied for from four to ten times over. The ballot had to be resorted to in no less than 50 cases; this, with the refunding of the amounts paid by the unsuccessful applicants, necessarily occupied  a deal of time, and it was not till half-past 6 O'clock that the business was concluded, and the court closed. By 7 o'clock the whole of the refundments had been paid over to 115 applicants. The 76 portions adjoining the village of Ravensbourne, granted at the land court, were  apportioned among 62 selectors, so there is every probability of the village settlement of Ravensbourne proving a success. The total area granted at the court was 5025 acres among 68 applicants."
In February 1894 Fred and Charles' applications for a certificate for their land in Parish Beauaraba (Ravensbourne) was adjourned pending inspection of the properties.
In 1900 he was dairy farmer.
At the age of 30 years, 11 months and 10 days, Charles Edwin Austin married Elizabeth Sawatzki, daughter of Charles Sawatzki and Wilhelmine (Minnie) Podich, on 22 August 1900 in Queensland. Two brothers Charles Edwin and George Edgar AUSTIN married two sisters Elizabeth and Minnie SAWATZKIE.
Charles Edwin Austin and Elizabeth Sawatzki appeared on the Electoral Roll in 1903 living at Boonah. He was listed as a farmer as were his brothers George, William and Arthur and his father John Honey. Elizabeth carried out domestic duties.
Charles Edwin Austin was the Director of the Boonah Farmers Co-Operative Dairy Association in 1907.
He appeared on the Electoral Roll in 1913 living at Milford. Charles was a farmer and Elizabeth carried out home duties.
He and Elizabeth Sawatzki appeared on the Electoral Roll in 1925 living at Milford. Charles was a farmer whille Elizabeth carried out home duties as their daughter Vera who lived with them.
Charles Edwin Austin appeared on the Electoral Roll in 1936 living at Milford. Charles was a farmer and Elizabeth carried out home duties. Their son Alexander who lived at the same address was a farm labourer.
Charles Edwin Austin died on 31 March 1937 in Queensland at age 67.
He was buried in Boonah Cemetery.
Charlotte Jane Austin was born on 18 February 1860 in Queensland. "There was a farming community on Bolgo Road that led down to swampy ground; I guess the water was used to grow crops. The people who live there called it "Boggy". In 1863 The new State Government was worried about the women's prison being in the heart of the city, and St Helena was a problem. So in that year they surveyed the Bolgo road site for a new prison. By this time the local people had called it Bolgo Road. The prison went ahead; the farmers were moved on and the name of the road was changed in 1905 to Annerley Road." - Tom Logan 2002.
She was the daughter of John Honey Austin and Mary Jane Burt Chivell.
At the age of 22 years, 5 months and 16 days, Charlotte Jane Austin married Alexander Arthur Gorring, son of Thomas Gorring and Emma Elderfield, on 3 August 1882 in Queensland.
Charlotte Jane Austin and Arthur Austin Gorring appeared on the Electoral Roll in 1903 living at Aneley, Corey Street, Toowoomba. Alexander was a crown lands ranger and Charlotte carried out domestic duties.
Charlotte Jane Austin died on 23 March 1915 in Queensland at age 55.
She was buried on 25 March 1915 in Drayton & Toowoomba Cemetery. COE Section.
Claud Chivell Austin was born on 19 April 1911 in Queensland.
Claud Chivell Austin died on 20 April 1911 in Queensland.
He was the son of Arthur James Chivell Austin and Olive Alice Lovell.
Cyril Austin (1911-1942), son of George James Austin and Rosanna Werner. Photo courtesy of Helen J.
Cyril James Austin was born on 3 February 1911 in Queensland.
He was the son of George James Austin and Rosanna Werner.
Cyril had a cream run, firstly using a sulky (in which he use to travel to Emu Creek to see Catherine) and then a truck.
At the age of 24 years, 8 months and 7 days, Cyril James Austin married Catherine Jean Gillies, daughter of James Herbert (Herb) Gillies and Jessie Agnes Bailey, on 10 October 1935 in Methodist Church, Crow's Nest.
Wedding of Cyril James Austin and Catherine Jean Gillies 10 October 1935, Methodist Church, Crow's Nest. Best man - Mervyn Gillies, Bridesmaid - Berenice Austin, Flower Girl - Lorna Austin, Page Boy - Keith Barnes. Photo thanks to Helen J.
Cyril James Austin died on 18 June 1942 in Queensland, Australia, at age 31. During the war, because of fuel shortages, Cyril used coal to fuel his truck. It was during a time that he was preparing the charcoal that an open wound became infected, and Cyril died of blood poisoning.
He was buried on 20 June 1942 in Crow's Nest Cemetery.
Headstone on Cyril James Austin's grave (1911-1942). His son Graham was buried with him in 2007. Crow's Nest Cemetery.
Doris Vera Austin was born on 5 April 1902 in Queensland.
She was the daughter of William John Honey Austin and Ellen Jane Wilson.
In 1922 Doris Vera Austin lived in Queensland.
At the age of 20 years, 8 months and 16 days, Doris Vera Austin married Albert Ward on 21 December 1922 in Queensland.
Doris Vera Austin and Albert Ward appeared on the Electoral Roll in 1925 living at Brighton. Albert was a farmer and Doris carried out home duties. They lived with Albert's father Albert senior and a Mary Ellen Ward.
Doris Vera Austin and Albert Ward appeared on the Electoral Roll in 1936 living at Brighton. Albert was a labourer and Doris carried out home duties.
Doris Vera Austin and Albert Ward appeared on the Electoral Roll in 1954 living at Highvale. Albert was a farmer and Doris carried out home duties. Their son was a farm hand at the same address.
Doris Vera Austin appeared on the Electoral Roll in 1980 living at Highvale. She lived with her son Geoffrey and his wife.
Dorris Irene Emily Austin was born on 1 June 1901 in Queensland. She was the older twin of Vera Geddis May Austin.
She was the daughter of Charles Edwin Austin and Elizabeth Sawatzki.
At the age of 29 years, 4 months and 14 days, Dorris Irene Emily Austin married Gustav Paul Hohenhaus, son of Wilheim Friedrich Hohenhaus and Ottililie Emilie Ramdon Gerchow, on 15 October 1930 in Queensland. The following notice appeared in "The Brisbane Courier' on Saturday 25 October 1930 - HOHENHAUS-AUSTIN.
The Boonah Methodist Church was the scene of a picturesque wedding on October 14, the bridegroom being Mr. Gustav Paul Hohenhaus (third son of Mr. W. P. Hohenhaus and the late Mrs. Hohenhaus, of Moogerah) and the bride Miss Doris Austin (daughter of Mr. and Mrs. Chas. Austin, Milford). Girlfriends of the bride had decorated the church with roses, arum lilies, and larkspurs, and the bridal couple stood under an archway formed of pink and white flowers. Rev. A. C. Tempest officiated, and Mrs. G. Grim- sev presided at the organ. The bride, who was given away by her father, wore a frock of white crepe de Chine, and an embossed tulle veil, caught with a circlet of orange blossoms. She carried a bouquet of white roses and gerberas. Miss Linda Austin (sister of the bride) was bridesmaid, and was flocked in pink crepe de Chine, with which she wore a cream picture hat. Her bouquet was com posed of pink roses and gerberas. Mr. Jack Hohenhaus (brother of the bride- groom) carried out the duties of best man. After the ceremony a reception was held at a cafe. Later Mr. and Mrs. G. P. Hohenhaus left for a tour of the Northern Rivers. They will make their future home at Moogerah."
Dorris' sister Lynda married Gustav's brother Albert.
Dorris Irene Emily Austin and Gustav Paul Hohenhaus appeared on the Electoral Roll in 1936 living at Moogerah. Gus was a farmer and Dorris carried out home duties.
On 6 August 1968,her husband, Gustav Paul Hohenhaus died in Queensland at age 72.
Dorris Irene Emily Austin appeared on the Electoral Roll in 1972 living at Moogerah. She carried out domestic duties. She possibly lived with her son and his wife.
Dorris Irene Emily Austin died on 24 September 1975 in Queensland at age 74.
She was buried on 26 September 1975 in Boonah Cemetery.
Edward Austin was baptized on 18 August 1805 in Menheniot.
He was the son of Thomas Austin and Elizabeth Warne.
At the age of 23 years, 5 months and 13 days, Edward Austin married Grace Bennett on 31 January 1829 in Tywardreath.
Edward Austin died in December 1840 in Tywardreath, Cornwall, at age 35.
He was buried on 11 December 1840 in Tywardreath, Cornwall.
Eliza (Frances) Austin was born in 1907 in Queensland.
She was the daughter of Aquilla Thomas Bartlett Austin and Sarah Ann Freeman.
At the age of 27 years, Eliza (Frances) Austinpossibly married Byron Arthur Longford in 1934 in Queensland. She may have married John Berlin in 1937.


Below are some photos of projects I have completed that highlight some of my expertise. They show examples of staining, repair, texture matching, and work with log homes. Also the photos feature some of the kitchen modeling and bathroom remodeling I have completed.
After clicking on an image below, it will pull up a large version of the photo with a description.


text:
Q: Copying addresses of objects containing an atomic member? Lets say I have a struct AtomicElement:
struct AtomicElement{
    std::atomic<int32_t> a;
};

and I have another class, Object, which contains a reference to one of the above AtomicElement objects:
struct Object{
    AtomicElement& ae;
};

Now elsewhere I have a vector of these AtomicElement objects and I would like to update Object::ae to point to different vector elements:
std::vector<AtomicElement> aeVector(AtomicElement());
Object obj;
.
.
//Obtain the address to the new element
AtomicElement& raw_ae = aeVector[i];
.
.
//Change to point to the new element
obj.ae = raw_ae;  //Cannot get this part to compile.

What am I doing wrong?
My AtomicElement is only 32 bits, should I just be using by value?
I want to do this in the most efficient way possible, with as little copying as possible.
EDIT:
The 32-bit int is actually representing two 16-bit numbers and the atomicity is so the value is updated.... atomically. I'm wondering if I'd be better off defining a copy constructor as copying 32-bit int would be quicker than pointer dereferencing?

A: You can't reassign references, but you can use pointers. (Would have commented but don't have the rep.)
However, since an std::atomic is (most likely, but depends on your architecture) useful because of the way it funnels all access through atomic member functions, not because of any extra member data that makes it atomic, copying it around is probably equivalent to copying an int, and it may indeed be faster if you don't need reference semantics, because dereferencing memory is relatively slow. As mentioned in the comments, you'll have to define what it means to copy it to satisfy your needs.

A: Type & value = reference;is more and less similar to Type * const value = &reference while to set a value you need to do so respectively through value = Type() and *value = Type(). As a fact, you CANNOT change the address of a reference in both ways once defined and it is mandatory to define them at their declaration.
In your case, the issue is that by doing obj.ae = raw_ae; you are not attempting to change the reference but to assign a new value to the current referencee of obj.ae. As std::atomic is declared as a non-copyable class, you got an appropriate compiler error.
If you need to be able to switch to another referencee, you must use a pointer instead.

redpajama_set_name: RedPajamaStackExchange


text:
Night Owls Infant Care Inc - MA Norfolk, Quincy 02169
Nursery Schools and Kindergarten in United StatesNursery Schools and Kindergarten in Massachusetts Nursery Schools and Kindergarten in Quincy, MANursery Schools and Kindergarten in 02169 Quincy, MA All businesses in Massachusetts StateAll businesses in Quincy, MAAll businesses in 02169 Quincy, MA
Night Owls Infant Care Inc entered the industry of Nursery Schools and Kindergarten in 2012 and has grown to employ 1 to 4 people, generating an annual revenue of $100.000 to $499.999. The NAICS classifies this business under the code 624410, which describes it as a Nursery Schools and Kindergarten. For further clarification, the SIC classifies this business under the code 8351 and described it as a Nursery Schools and Kindergarten. The business provides service to the B2C market.
To acquire more information, please contact Nora Lally Full Name Report by calling (617) 481-1137 Full Phone Report during business hours. You can also write to the business' Single Location at 15 Charlesmount Avenue, Quincy, Massachusetts MA 02169. You can also visit the company's website at . View this business' social media profiles on Twitter or on Facebbok .
Company: Night Owls Infant Care Inc
Representative: Nora Lally Full Name Report
Place of Business: 15 Charlesmount Avenue, Quincy, MA 02169
Type of Service: Nursery Schools and Kindergarten
Market Type: B2C (Business to Consumer)
Night Owls Infant Care Inc is a company operating from Norfolk, Massachusetts providing professional Nursery Schools and Kindergarten and relevant B2C variables. It was founded in 2012 and registered with the SIC code 8351 as Nursery Schools and Kindergarten, and with the NAICS code 624410 as Nursery Schools and Kindergarten.
With a current employee count of 1 to 4, Night Owls Infant Care Inc has gone to report making $100.000 to $499.999 per annum on its journey towards growth. This company invites you to contact its representative Nora Lally Full Name Report at (617) 481-1137 Full Phone Report for related queries, or to locate its Single Location using the coordinates 42.24132,-70.988672.
The Single Location can also be found at the street address 15 Charlesmount Avenue in Quincy, Massachusetts 02169 and can be engaged online through the company website at , the company Twitter , and Facebook page .

redpajama_set_name: RedPajamaCommonCrawl


text:
JOB Jan 12, 2021
Senior Lecturer / Lecturer, Lingnan University, Hong Kong
Winnie Li
Lingnan University, a distinctive liberal arts institution in the Hong Kong Special Administrative Region, is committed to the provision of quality whole-person education by combining the best of Chinese and Western liberal arts traditions. It strives to pursue excellence in teaching, learning, scholarship and community engagement. With three academic Faculties, it offers a wide range of undergraduate degree programmes in arts, business and social sciences. Lingnan's liberal arts education is characterised by a broad-based interdisciplinary curriculum with specialised disciplinary studies; close student-staff relationship; a vibrant residential campus; ample global learning opportunities; active community engagement and multifarious workplace experience. The School of Graduate Studies also offers postgraduate programmes up to doctoral level in various disciplines and provides professional education for the wider society. Applications are now invited for the following post:
Senior Lecturer / Lecturer, Department of Visual Studies
(Post Ref.: 21/02/ARTHISTNET)
The Department of Visual Studies (VS) offers a multi-disciplinary course of study, focusing on art history and film art. VS admits about 30 undergraduate, MPhil and PhD students each academic year. The BA (Hons) in Visual Studies curriculum emphasises the history and theory of visual arts and culture in Asia and beyond; in addition, the programme offers students practical, object- and skill-based learning through studio practice, video production, curatorial projects and internships. The Department also offers a taught Master's programme in Curating and Art History (MACAH). Another new taught Master's programme in Creative and Media Industries (MACMI) will be launched in 2021/22. For more information about the Department and its programmes, please visit https://www.LN.edu.hk/visual.
VS is inviting applications for a non-tenure track position at the rank of Senior Lecturer/Lecturer. The appointee is expected to: (i) teach a number of courses on studio arts, including supervising internships and undergraduate final projects, for 30 hours (about 10 courses/sessions) each academic year; (ii) serve as internship coordinator; (iii) develop and implement innovative teaching approaches; and (iv) contribute to service and development of the Department. The appointee may also be invited to supervise internships and curatorial projects in MA programmes.
Applicants for the position should have:
(i) An MFA, DFA and/or a PhD degree in a relevant discipline;
(ii) At least four years' relevant experience for appointment as Lecturer and at least eight years' experience for appointment as Senior Lecturer;
(iii) Excellent track record of teaching in higher education, including curriculum development, innovative pedagogy and grants;
(iv) Proven record of exhibitions, awards and professional services; and
(v) Commitment to knowledge transfer, community engagement and related activities.
Applicants who can teach a wide range of practice-based studio courses, such as drawing, printmaking, digital imaging, video art and photography, are of particular interest. Strong track record of creative and curatorial practices is highly desirable. Applicants are required to provide information about their art portfolios and evidence of high-quality teaching in relevant subjects.
The conditions of appointment will be competitive. The rank and remuneration will be commensurate with qualifications and experience. Fringe benefits include annual leave, medical and dental benefits, mandatory provident fund, gratuity, and incoming passage and baggage allowance for the eligible appointee.
Appointment will normally be made on contract basis for up to two years.
Application Procedure (online application only)
Applicants are invited to submit their applications and resumes at our online system https://lingnan.csod.com/ux/ats/careersite/4/home/requisition/70?c=lingnan. The job search will continue until the posts are filled. Applicants shall provide names and contact information of at least three referees, including a recent employer, to whom applicants' consent has been given for their providing references. Please specify the post/level you are applying for and quote the reference number of the post in all correspondence. Personal data collected will be used for recruitment purposes only.
We are an equal opportunities employer. Review of applications will start from March 2021 and will continue until the post is filled. Qualified candidates are advised to submit their applications early for consideration.
The University reserves the right not to make an appointment for the post advertised, or to fill the post by invitation or by search. We regret that only shortlisted candidates will be notified.
JOB: Senior Lecturer / Lecturer, Lingnan University, Hong Kong. In: ArtHist.net, Jan 12, 2021 (accessed Jan 17, 2021), <https://arthist.net/archive/24232>.


I wonder about the Ring of Fire spell.
Can the Red Lotus Eater cast more than one of those at a time?
I've seen four or five of these in effect on a board. You can cast as many times as you are successful. It's only Summoning that limits you to three castings in a game.
Actually Josh, the rule is you may Summon as many times as the summoner has actions. All summoning models happen to have 3 actions, but if a new model were to have only 2 actions (for example) it could only Summon twice.
There's a bit of an issue if you can plant 4-5 of those templates on a board...i mean for a normal bash, it's not a problem as you can go around it, it's when it comes to scenarios that the spell gets very gimmicky.
Cross the bridge: just cast that thing on the bridge and it's game over (imagine two).
Take and hold: a bit like the bridge, it can prevent access to the objective.
Sieges: cast in front of the gate.
Doing residual damage 12, only the most powerful pieces in the game can dare to go through a single time, let alone the other side.
While fluffy and worthy of a "fire bender" movie style, it can transform a game to a non-issue quickly.
so would the spell be counted as one of the summonings one can maintain?
It is a game-breaker spell if not limited in one way or another, especially vs low/mid armor factions.
The spell is not a Summoning, and will remain in place for game, if cast successfully. Not so easy if the opposing force has a model with Eagle Eye to take out the Lotus Eater, or has fliers, or has units immune to fire like the Devout Wailers.
I can see how this can drive someone crazy if the Lotus Eater successfully lays down multiple templates.
Any continuing effect spells, such as Rings of Fire or Vortex, suffer the same limitation as summoning spells, i.e. you may only cast as many during the game as you have actions for one turn. So a Stygian Priestess could not cast Sandstorm more than four times in a single game. Spells that confer a bonus or extra action(s) to a unit are not cumulative. Multiple castings of the same spell will have no additional effect until the unit is no longer under the effects of the original spell. If a spell can be cast at varying levels it will state so in the spells description, otherwise the spells level is fixed...."
I believe this should also apply to second edition.


Thirty years ago, Ed McCabe started with a simple premise: good things happen when you're out on the water.
On Saturday, 250 rowers will experience the fruition of McCabe's idea as they take part in the Hull Lifesaving Museum's 30th annual Snow Row, a race for rowboats of all sizes and rowers of all ages. It kicks off at 11 a.m. at the Windmill Point Boathouse in Hull.
McCabe, one of the founders of the museum and its maritime programs director, said a special emphasis is put on exposing children to the power of rowing and the ocean.
The museum has several programs that cater to underprivileged kids, including its Maritime Apprentice Program for children in the care of the state Department of Youth Services.
Although the Snow Row is technically a race, McCabe said it's not about who finishes the nearly 4-mile course first.
The Snow Row has brought back to life a sport that disappeared in the 1920s when the Coast Guard went motorized.
"There was no open-water rowing 30 years ago," McCabe said. "There were no teams, no teaching.
Not much has changed since the race began in the 1970s, McCabe said. The triangular course is exactly the same. What's different is the number of entrants. In the beginning, there were just three long boats and a canoe.
As the race grew, McCabe and the museum began building their own boats.
Fifty boats, crewed by nearly 250 people, will race Saturday.
With so many boats of different sizes, chaos is inevitable.
Those interested in participating can register Saturday morning before the race. The registration fee is $20 per rower.


Thanks to mmmcrafts for her how-to.
I was going to add velcro or snaps to the pocket flap, but since they are so long, decided not to – nothing's going to fall out of these!
I think there will be many, many more messenger bags in my future.
You are so welcome! I love the result and especially the cargo pockets.
hey there - the bag is super cute. I agree with you on the colors but very young and hip regardless...Those cookies look delish!
thanks for sharing all your creativity - keeps me on my toes.
& Jane, you're right - it was a lot of work, but since I never made one of those before, I followed all the directions step-by-step. Even still, it was done under 2 hours (incl. taking time for breakfast, etc.) Next time I make one, I'll probably just use an oil-cloth fabric & some pinking shears on the inside to finish it off.
I love how you still had time--and the energy--to make those cookies! I'm tired just reading this post. I'm impressed!
Wow, thanks for the tutorial link!


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The Los Angeles Rams' response to a long-awaited breakthrough season in 2017 has been a Hollywood marquee-worthy 2018 offseason.
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Regardless of how you view Dan O'Dowd, you've got to give him props for this trade. While the spelling of his first name is unusual the United States, Peralta stated people use that spelling the Dominican Republic. Go watch him play before he graduates.
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text:
Wooden Fans of the Calabar Coast
Female Art Revisited
June 09, 2018 By: Dr. David Zemanek
African objects of daily use have, until recently, not been considered fine art by the so-called 'tribal' art world. Over time, and especially in recent years, this perception has changed as we become more aware of the artistic qualities of these objects—objects such as neck rests, ladders, combs, and terracotta pots. Kuba textiles from the Democratic Republic of the Congo have had a huge impact on designers and artists with Matisse famously saying, "I never tire of looking at them… and waiting for something to come to me from the mystery of their geometry."
The fans presented here represent the artistic expression of half of the population of the Calabar coast that is otherwise unrepresented in the larger corpus of African art. What makes wooden fans even more intriguing is the fact that they were an art form created by women, an artistic medium through which they were able to express themselves, unlike much of African art, traditionally created by men.
Ibibio Wooden Fan, Nigeria
Provenance: Karlsson & Wickman, Stockholm
Among the Ibibio, Igbo and the Efik ethnic groups of Nigeria, we find beautifully decorated fans, several of which exist in private collections and in museums. These fans are made out of a light, yellowish softwood, and are decorated with floral and geometric designs via pyro-engraving. Museum records show them dating from between 1869 – 1914.
Provenance: Old UK Collection
The first appearance in literature of an Ibibio fan can be found in Margaret Trowells' 1960 book 'African Design'. In the book, Margaret writes that these fans were made with a "scorched pattern on wood… in a technique which combines the scorching of large areas with [engraved lines]," made with a hot metal point and blackened with a small metal tool. "The Ibibio of Eastern Nigeria decorate their calabashes with gracefully flowing curvilinear designs said to be derived from the patterns painted on the skins of these people." Further, she states that "the flowing leaf-like forms are typical of the work of Eastern Nigeria."
Igbo pottery vessel with group of figures. In the centre is a male chief holding a drinking-horn in his left hand and a fan in his right, both signs of his status. Either side of him are two pregnant women, probably his wives, with elaborate hairstyles and scarification, holding fans.
Purchased from J N Schmitt in 1951
Images Courtesy British Museum
Examples of Ibibio fans are found in the British Museum (Af1934,0307.481 and Af1934,0307.480) and were donated in 1934 by Charles A Beving. According to the British Museum, there were two generations of Charles Beving:
"Charles Beving senior was a West Africa trader born in Baden (he was Christened Karl), born in 1858. He worked from Manchester in the cotton business, first as a trader, trading in Africa for all but a few months every two years. He became partner in a cotton printing company Blakeley & Beving, and later owned his own company Beving & Co, apparently at a late stage in his career. He is listed in the 1891 Manchester census as 'Africa Merchant' and in 1901 as 'merchant and calico printer'. He died in 1913. He formed for his company a large collection of items, largely textiles, from West Africa and Indonesia, as specimens on which his firm might model its productions for the African market.
"This collection was donated to the Museum in 1934 by his eldest son, Charles Adolphus Beving, on behalf of Messrs Beving & Co of Manchester, with the request that it be known as the 'Charles Beving collection' in his father's memory. Braunholtz states that the collection was formed by Beving senior, and there is no reason to think that the son ever made additions to the collection. All items in it, therefore, have a secure dating before 1913."
In addition, we find several other examples in the database of the British Museum. Under Af1954,+23.2987, is an Igbo/Ibibio fan with the label, "Ibo/Ibibio craft work for missionaries", the fan was donated to the British Museum in 1954 by the Wellcome Institute for the History of Medicine. Unfortunately, records do not show when the Institute received the piece or when or from where it was collected.
Another wooden fan (Af1952,20.87) with quatrefoil pattern on one side and a square pattern on the other, decorated using a knife and poker, was donated in 1952 by Lady Menendez. She inherited the piece from Sir Manuel Raymond Menendez, who worked as a Puisne Judge in Southern Nigeria between 1899 – 1904 and as Chief Justice of Northern Nigeria from 1904 – 1908. Additional Ibibio fans were collected by Menendez, (Af1952,20.141 and Af1952,20.142). The register from 1952 describes them as "two wooden fans with pokerwork decoration, one [141] trilobed, the other [142] bilobed". The acquisition statement mentions that the objects were collected before 1908.
Igbo Fan Made of Wood and Cord, Nigeria
Image Courtesy British Museum
Under (Af.3969) we find a wooden Igbo/Ibibio fan that was collected by the academic Henry Christy and was acquired by the museum sometime between 1860 – 1869. This is the earliest known collection date thus far.
Another Efik/Ekoi wooden fan is at the Ethnologisches Museum in Berlin (III C 33128). Jonathan Fine, the African art curator, shared that the piece was acquired in 1921 from collector and dealer Julius Konietzko (1886 – 1952) who sold a group of artefacts from the 'Bezirk Ossidinge', the district of Ossidinge in Northern Cameroon, to the museum. This fan is the only one that remains in the museum's database from the Konietzko collection.
Igbo ugo na cho mma ('The eagle seeks out beauty') Figure, Nigeria
Using a stain derived from indigo (uli), assistants have covered this figure's body with minutely detailed body painting. Rows, or rectangular marks, cut into the skin of a young woman before marriage, lead down her torso. This figure served as a centrepiece in a competitive dance display.
Image Courtesy Seattle Art Museum
Detail of female ugo na cho mma figure
Largely abstract uli lines are arranged symmetrically, as they might have been painted on an Igbo woman. The mirror she holds emphasises the aesthetics of uli.
Igbo ugo na cho mma Figure, Nigeria
The figure has bent arms encircled with armlets and bracelets leading to the finely carved hands bearing a fan and crook in either hand.
Image Courtesy Sotheby's
In the catalogue from an exhibition at the Bomann Museum Celle, the Ethnologisches Museum fan on loan is described in German as:
"Holzfächer: Das Mädchen trägt während der Beschneidung folgenden 3 bis 5 Tage kein Lendentuch, sondern verdeckt die Scham mit diesem Fächer";
"Wooden Fan: During circumcision, a girl does not wear a loincloth for the following 3 to 5 days, instead she hides her vulva with the fan."
The fan is said to be used by Monekim (initiated girls) to protect themselves post-circumcision.
Ute Röschenthaler describes the following about the usage of these fans: "Monekim get the so-called efriji fans that are engraved with nsibiri symbols". Such fans are also said to be used during nkanda performances of the ngbe leopard society. With this fan in her hand, the monekim performs a final dance as she tries to imitate the nkanda dance. Röschenthaler further describes that after the dance, seclusion starts.
Dr Alfred Mansfeld observed the usage of these fans among the Efik groups in Mamfe. He published the first ever drawing of an Efik/Keaka wooden fan in his 1928 book West Africa. From primeval forest and steppe between Cross River and Benue. It was acquired in 1909 and is now in the collection of the Russian Museum of Ethnography in St. Petersburg.
Igbo Wooden Fan, Nigeria
Photograph Courtesy Penn Museum
Another wooden example (AF4328), with an atypical handle, can be found in the collection of the Penn Museum in Philadelphia. It was acquired in 1912 from the British dealer and collector William Ockelford Oldman (1879 – 1949). It has the same design as Af.3969 at the British Museum. We can, therefore, assume a possible Igbo origin and that the wooden ones were used by women (leather ones are regalia reserved for male chiefs).
The Museum of Ethnology Dresden (State Ethnographic Collections Saxony – SES) owns a 'double dance fan' that was collected by Alfred Mansfeld depicting dancers and Ngbe symbols.
Ibibio Raffia Fan, Nigeria
Provenance: J.P. WIllborg, Stockholm
There are also several Ibibio raffia fans in the collections of the Pitt Rivers Museum, Världskulturmuseet, and the National Museum of American History, that provide us with a link to the textile tradition of Ibibio patterns.
There are six wooden fans are in private collections that have no collection data, but were all bought on the British antique market. Unfortunately, most examples went through the hands of dealers over the last 20 years, none of whom could provide us with any provenance. In the absence of provenance, let's analyse the objects and see what we can learn from them.
In total, I found a group of 12 Ibibio, two Igbo/Ibibio, and two Efik/Ekoi fans during my research. Every object in African art is always an expression of a society at a certain moment in time.
The corpus of 12 wooden Ibibio fans gives us a glimpse into the iconography and representations of a female culture. The patterns depicted on the fans are floral and geometric. Is floral art known in Africa? The key to interpreting the patterns lies in the old tradition of uli paintings and nsibidi patterns of Ibibio women. We find several bowls, lamellophones and other objects of daily use (combs, mirror boxes, ladles etc.) decorated with floral patterns and Ngbe society symbols. All these objects belong to the sphere of women. These objects are decorated by women for women—objects decorated for their representation and to document their status.
Provenance: Michael Graham-Stewart, London
We know very little about how these objects were employed. Were they all made for a Western art market? There is little patina on all of these objects and the darker patination appears as a known technique of the art market. Were these fans valuable souvenirs in Victorian Britain? Were they just nicely decorated for a foreign clientele as John Picton suggests? We know that a lot of early Ibibio art was commissioned by British missionaries for a British audience.
Front wall of a house in Ikot Udo Nto Ide, Nigeria, 6 November 1905. Here we can see a wall with traditional Uli paintings, next to a wall covered with British trade cloth with floral designs.
Photograph Courtesy British Museum
Let's consider something for a moment, was there an exchange of pattern or an integration of English-Indian paisley patterns into uli designs? I could imagine so because women's art is known to incorporate new additions each go round. Female art does not shy away from experimentation. Let us return here to Charles Beving. He was aware of what kind of cloth the peoples of West Africa liked and he found common language through the medium of floral patterns. We must note here that floral art is, in general, very rare in sub-Saharan African art.
Regardless of if these fans were ever used, they are the only ones of their kind. There are two different models of Ibibio fans known—one with a round shape and the other U-shaped. All types have an elegant handle.
All Ibibio fans we analysed, except for the example in the Penn Museum, are made using the same technique—a plain wooden fan with incised patterns made by pyro-engraving. The fan at the Penn Museum has a high relief and the details are carefully carved out—the Efik example in the Berlin Museum also uses a similar technique.
Provenance: Clive Loveless, London || Marcuson & Hall, Brussels || Alex Arthur, Brussels
We don't often find fans as paraphernalia or dance ornaments in the corpus of African art in the Calabar coast. Why were these fans no longer collected after 1920? Perhaps fashions changed. No one knows. But these fans are reminders of the rich creativity of female art among the Ibibio.
Want to learn more about the Ibibio and their wooden fans? The following books and resources should get you going.
'African Design'
Margaret Trowell
'Urwald Dokumente - Vier Jahre unter den Crossflussnegern Kameruns'
Alfred Mansfeld
'The Art and Culture of the Ejagham: In the Footsteps of Alfred Mansfeld'
David Zemanek
Dr. David Zemanek is a German ethnologist, expert of African and Oceanic art and a public sworn auctioneer for non-European art (Auction House Zemanek-Münster, Würzburg). He is author of several articles and publications about African art.


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But it would likely create new opportunities for local restaurants, which have had their operations restricted by state mandate since March 17.
"The city is bending over backwards to assist small businesses," said Jane Anderson, executive director of Asheville Independent Restaurants, a local restaurant trade group.
AIR has already provided input to the city regarding the use of public spaces for dining, she said. Considerations, including public alcohol consumption, are being ironed out.
According to Anderson, an AIR member reached out to the city about expanding outdoor dining options about a month ago, and officials have been responsive.
"We're grateful to be invited into the planning," she added.
Not just restaurants invited to the table
The city is exploring the following initiatives, for businesses of all kinds, including but not limited to:
Curbside pickup zones in commercial districts.
Expanded use of sidewalks and the creation of "parklets" in on-street parking spaces.
Expanded opportunities for flexible use of private property.
Pedestrian zones and/or temporary shared spaces for commerce and recreation.
Polly McDaniel, the city's communication specialist, said protecting the health, safety and welfare of the public is the top priority.
To shepherd along the process, the city has formed an interdepartmental team to expand opportunities for public access to businesses and services while aligning with COVID-19 health guidance.
"With consideration for physical distancing and other safety measures implemented by public health officials, the city is exploring ways to use shared public spaces — like streets, sidewalks, parking areas and parks — differently, to support economic recovery and other community needs," McDaniel said in an email, reflecting language on the city's site.
"This work relies on collaboration, communication and flexibility across sectors of government, business and community," she said.
Hendersonville also drafting plan
This announcement comes quickly on the heels of Downtown Hendersonville's announcement that it would draft an "Open Main Street/Love Hendo" plan to expand the footprint businesses could use, while adhering to social distancing recommendations.
More:Hendersonville may close Main Street on weekends to expand retail, dining space
Hendersonville's proposal suggests closing Main Street on weekends to let restaurants expand outside dining and retail businesses to conduct business outdoors.
On May 11, McDaniel said closing streets entirely in Asheville would be complicated.
Shutting Wall Street to traffic, for example, would not only create access problems for people with disabilities, she explained, it would also complicate trash pickup and food deliveries.
Opening parks and sidewalks would be one solution.
Many North Carolina bars and restaurants have struggled after a state mandate ordered them effectively closed, except for takeout, on March 17.
Under the state's Phase 2 guidelines for reopening North Carolina, restaurants and bars can reopen dining rooms, but at limited capacity, as early as May 22.
More:Gov. Cooper announced 3 phases to reopen NC. Here's what they are and how we get there.
Anderson said operating at reduced capacity would be an enormous challenge for restaurants, particularly those with already small footprints.
The new options under city consideration would offer a lift to a beleaguered industry.
"Although a good amount of restaurants have outdoor dining already, there are many restaurants that don't, and this would allow them to increase their capacity and still follow social distancing guidelines," she said.
More:'A massive punch': Faced with rent for empty restaurants, chefs worry about the future
More:'We will not make it if aid doesn't change': Asheville restaurants face uncertain future
Inclusivity 'critical'
According to the Public Space Usage proposal, the city considers the equitable and inclusive use of public space "critical."
"Together, we can improve our collective future by making space at the table for a more diverse set of voices, neighborhoods and partners in those efforts," it says. "Intentional and strategic community engagement will be key in the coming months."
According to the site, the city's guiding principles include:
Aligning with the guidance of state and local public health agencies.
Supporting the recovery of the city's economy and the overall vitality of Asheville's commercial districts.
Flexibility to accommodate the changing operational needs of businesses and organizations.
Considering longer-term implementation of successful tools and strategies.
Using public resources responsibly.
Initiatives will roll out incrementally for initial trial periods.
"Public feedback will be critical to making adjustments, considering expansion and ensuring success," the site says.
Send ideas, questions, feedback and proposals to publicspace@publicinput.com.
Mackensy Lunsford has lived in Asheville for more than 20 years, and has been a staff writer for the Asheville Citizen Times since 2012. Lunsford is a former professional line cook and one-time restaurant owner.
Reach me:mlunsford@citizentimes.com.
Read more: Subscribe to the Citizen Times here. Subscribe to my newsletter here.


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https://apnews.com/article/ar-state-wire-arkansas-coronavirus-pandemic-health-382e906a3b023a9721baf2839eb8a936
AR State Wire
Arkansas again has biggest daily virus case jump in 4 months
LITTLE ROCK, Ark. (AP) — For the second day in a row, Arkansas reported Thursday its biggest one-day spike in four months of the coronavirus that causes COVID-19, an increase officials have blamed on the delta variant of the virus.
The state reported 700 new virus cases, bringing its total since the pandemic began to 350,085. The state's active cases, meaning those that don't include people who have recovered or died from the virus, increased by 496 to 4,199.
The one-day increase in cases was the state's highest since it reported 726 on Feb. 25.
The state's COVID-19 hospitalizations increased by 12 to 337, while the death toll remained unchanged at 5,909.
"While the past two days have seen some of the highest reports for vaccine distribution in a while, our hospitalizations and new cases continue to rise," said Gov. Asa Hutchinson. "Delays in getting vaccinated allow the delta variant to spread."
Hutchinson appealed to the public to begin getting immunized to COVID-19 by the weekend.
The delta variant of the coronavirus that causes COVID-19 was first detected in India.
Arkansas has had one of the lowest vaccination rates in the country with 42% of the state's population having received at least one dose of the vaccine and about 34% have completed their vaccination, according to the Centers for Disease Control and Prevention.


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