MUMBAI (Reuters) - Women who drink, long portrayed as less than respectable by Bollywood movies and still wary of entering most watering holes, are becoming big business in socially conservative India.
Makers of alcoholic beverages, including global No.1 Diageo, are taking notice of this small segment of India's $10 billion drinks industry that is growing more than twice as fast as the overall sector and presents a significant, if delicate, market opportunity.
With more women in the organized workforce, gaining financial independence and interacting with their male counterparts in social and professional settings, the idea of them drinking is slowly gaining acceptance.
Two years ago Sula launched Dia, a light, slightly sparkling wine aimed at female drinkers that comes in a slender bottle with pastel-colored labeling and has a lower alcohol content. The company is adding more low-alcohol options and expects women to account for roughly one-third of sales this year.
Rising incomes and changing social habits give India the growth potential that recently prompted British-based Diageo to enter a deal to buy a controlling stake in United Spirits Ltd, India's biggest alcohol maker.
Despite its rapid modernization, India remains deeply traditional. Even in cities, most women choose to marry a partner selected by their parents. Incidents of thugs beating up women at pubs are not unheard of.
"Your marketing program has to take into account the city's sensitivities," said Sharda Agarwal, a director at Mumbai-based MarketGate Consulting.


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Bruno Munari was born in Milan in 1907. During his youth, Munari was attracted by the theories of futurism, and he exhibited his works in some futurist shows. In 1923, he wrote with the artist Aligi Sassu a manifesto, Dinamismo e pittura muscolare (dynamism and muscular painting), that was based on the futurist principles of art as movement, celebration of machines and technological progress. Few years later Munari started working on the Macchine inutili (useless machines), first exhibited in 1933: mechanisms presented as experimental models investigating the possibilities of perception, making him a precursor of the optical art. Considered one of the greatest protagonists of art, design and graphics of the 20th Century, he maintained its whimsical creativity in support of the investigation of construction of form through tactile and visual experiments and his great ability to communicate with words, objects and toys. After the war, Munari slowly abandoned futurism and started to gravitate towards the Movimento Arte Concreta, a movement that was completely rethinking non-figurative art, highlighting the difference between abstract and concrete art. Among his most important works of this period are the Proiezioni di Luce (Light Projections); Libri Illeggibili (Illegible Books); Macchine Aritmiche (Arrhythmic Machines); Oggetti trovati (Found Objects), while still working on the Macchine inutili. In 1951, Negativo-positivo is on the cover of the French magazine Art d'Aujourd'Hui, that dedicated a monographical number to Italian abstract art. In 1954, he won Compasso d'oro, the most prestigious Italian prize dedicated to design and figurative arts, for the rubber animal models designed for Pirelli. His fame further increased, and he started to held solo and collective shows in some of the most importants museum institutions. In his later life, Munari was worried by the misperception of his artistic work, which is still confused with the other type of his activity (didactics, design, graphics), and decided to select art historian Miroslava Hajek as curator of a selection of his most important works in 1969. This collection, structured chronologically, shows his continuous creativity, thematic coherence and the evolution of his artistic thought and philosophy throughout his entire life. Munari died in Milan in 1998.
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text:
import superimport

import numpy as np
import matplotlib.pyplot as plt
import os
figdir = "../figures"
def save_fig(fname): plt.savefig(os.path.join(figdir, fname))

import pandas as pd
import sklearn.datasets
import sklearn.linear_model as lm
from sklearn.model_selection import train_test_split

# Prevent numpy from printing too many digits
np.set_printoptions(precision=3)

# Load data (creates numpy arrays)
boston = sklearn.datasets.load_boston()
X = boston.data
y = boston.target

# Convert to Pandas format
df = pd.DataFrame(X)
df.columns = boston.feature_names
df['MEDV'] = y.tolist()

df.describe()

# plot marginal histograms of each column (13 features, 1 response)
df.hist()
plt.show()

# scatter plot of response vs each feature
nrows = 3; ncols = 4;
fig, ax = plt.subplots(nrows=nrows, ncols=ncols, sharey=True, figsize=[15, 10])
plt.tight_layout()
plt.clf()
for i in range(0,12):
    plt.subplot(nrows, ncols, i+1)
    plt.scatter(X[:,i], y)
    plt.xlabel(boston.feature_names[i])
    plt.ylabel("house price")
    plt.grid()
save_fig("boston-housing-scatter.pdf")
plt.show()

# Rescale input data

X_train, X_test, y_train, y_test = train_test_split(
    X, y, test_size=0.33, random_state=42)

scaler = sklearn.preprocessing.StandardScaler()
scaler = scaler.fit(X_train)
Xscaled = scaler.transform(X_train)
# equivalent to Xscaled = scaler.fit_transform(X_train)

# Fit model
linreg = lm.LinearRegression()
linreg.fit(Xscaled, y_train)

# Extract parameters
coef = np.append(linreg.coef_, linreg.intercept_)
names = np.append(boston.feature_names, 'intercept')
print([name + ':' + str(round(w,1)) for name, w in zip(names, coef)])
"""
['CRIM:-1.0', 'ZN:0.9', 'INDUS:0.4', 'CHAS:0.9', 'NOX:-1.9', 'RM:2.8', 'AGE:-0.4',
'DIS:-3.0', 'RAD:2.0', 'TAX:-1.4', 'PTRATIO:-2.1', 'B:1.0', 'LSTAT:-3.9', 'intercept:23.0']
"""

# Assess fit on test set
Xscaled = scaler.transform(X_test)
ypred = linreg.predict(Xscaled)

plt.figure()
plt.scatter(y_test, ypred)
plt.xlabel("true price")
plt.ylabel("predicted price")
mse = sklearn.metrics.mean_squared_error(y_test, ypred)
plt.title("Boston housing, rmse {:.2f}".format(np.sqrt(mse)))
xs = np.linspace(min(y), max(y), 100)
plt.plot(xs, xs, '-')
save_fig("boston-housing-predict.pdf")
plt.show()

redpajama_set_name: RedPajamaGithub


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Yeah, it's the only job I do. I do this for a few reasons and I think you should also make a few changes (more on that in a minute). We have some useful tips and instructions for you if you are interested in writing fiction. Craftsmanship of attitude and description. Are you working on something much shorter?
The WRITING AND THE SECRET LIFE I recently got two telephone conversations that made me think about the kind of fiction and poetics that I prefer to work with. There was one about a man who was telling me that he had just been reading a tale of me named "Rainier" about a diorced drunk whose boy died in a motorcade.
As he told me his tale, he stopped and said: I just wanted you to know that you are not alone. I have a history that is not autobiographic. I' ve never been to Montana or Wyoming where the tale is set; I have never been parted; I'm not an alcoholist, convalescent or not; and my boy, I'm glad to say, is very much alive. No.
Nothin' in this whole thing ever happen to me or anyone I know. It was not my heartfelt intention to tell this to the person calling; for the time of the telephone call I acted as if the tale was real and that I did not only share his sadness with imagination but quite literally. 2. That other call came from a Vietnamese veterinarian who had been reading my brief tale "Freeze", about a Vietnamese military man stepping on a mine that hasn't exploded yet, but still has a disastrous impact on his own world.
"If you weren't even there, what gives you the right to talk about a war?" he called. And, in a way, what is a fictionist, if not a trusted performer, someone who exchanges words for your faith, and - if he's fortunate - your moneys? How can authors accuse their readership of not realizing that fiction is fiction, not reality, if we do everything we can to make them believe that what we have envisioned is real?
There was no way I could have defended myself to this person who called - he almost immediately put the phone down after he accused me of being in a work of fiction - but if I had, I would have said to him that "Freeze", like "Rainier" and the remainder of my tales, is a real stop, but not the way he wanted me to.
It is not the one that can be caught by a security cam, but the one that comes into our imagination, a reality reinforced by distortions and the strange confrontation of a lifelong collection of pictures. It is like a nightmare to tell a tale when it is good, the reality about the author's mystery, his inner self, and as often as not, by lying about his external social-live. As Oscar Wilde said, "True living is so often the kind of living you don't have.
" Sometimes the readers know more about the character of this reality than the authors. The most common piece of counsel in the story of writing design is "Write what you know". "This is good counsel for authors who have a gift for dealing between the requirements of the facts and the requirements of artistry.
Like Garret Hongo said: "Sometimes when you are writing about what you know,".... the biography gets in the way. When you type "Grandfather's Backyard," you may see his astonishing array of hybrids, but the readers won't if you don't put them in the poet. "Moreover, writing about what you already know can be a recipe to get bored - and if you get bored, you will get bored.
Grace Paley did just the right thing for my price when she said: "You are writing about what you know, but you are writing about what you don't know. "You can' t help what you know - it is who you are, after all - but if you try to put in what you don't know, you will find things about yourself that you didn't know.
Briefly, you will find your hidden world, and so will your reader. I have tried in my tales and poetry to make my way into many personalities about whose lifes I know little or nothing: a Bangladeshi woman, a Dominican Republic baller, a Hmong fugitive, a 16th c. Spaniard, a 19th c. Soviet midget, the Bible Lazarus and various other figures, among them some real jazzmusicians and writers.
Gustave Flaubert is one of these writers who sent a note to Louise Colet about the joy of writing about life other than his own. About his work on Madame Bovary he wrote: "It is a delightful thing to be good or bad - not to be yourself anymore, but to move in a whole world of your own creation.
It is my belief that fleeing from the self, the idea of someone else's own world, is a precious, even sacred act. I also believe that through the human beings he invented, we experience as much or more about Flaubert's real self as through any open autobiography, for the idea of the other is in the end a way to discover the self.
" Jorge Luis Borges also understands this, as his abstract of an artist's biography shows: This is the face my reader should see, my real face, not the wrong faces I am wearing to unveil it. What will they see when they see my real face?
" Here is the paradox: just as you expose your own private existence when you think of others', so you expose the other' s private existence when you expose your own. It is enough to say that in thirty-four years of writing and eleven years of publishing literature magazines I have been reading about 40,000 unreleased shorts (not to speak of several thousand published), and I would rightly guess that between a quarter and a third of them can be seen as the culmination of this instant of abrupt realization, which we call "Blast-of-Trumpets/Choir of Angels".
Most of the time I am tired of all these revelation coming on time like traits in a fast growing state, and I admit that I am reliefed and pleased when I meet a history that does not even allow its protagonists to look at the eternal truth. and I wrote (and still write) them myself.
But as Flannery O'Connor may have said, a good revelation is difficult to find (and, as I can testify, even more difficult to write). I would like to begin this debate about the past and present of the present with a forecast about the future: when the literature experts of 3000 are writing about the fiction of our times, I believe that they will regard our use of the present as their most striking - and perhaps most problematical - characteristic.
Robie Macauley and George Lanning called it "the most common cliché of technology in the new fiction" in 1987, and since then it has emerged even more frequently. "Isn' t that the way fiction is to be spelled now," she said and then added: "The past form leaves a history somehow like in the 19th world.
" Why, I asked myself, has a form of time that has been used by the writers since the beginning of fiction lost its favour all of a sudden? I will begin by speculating on some possible responses to these issues, then I will explore the pros and cons of the present in fiction. CONTRACTION AND THE PHYSICS OF CREATIVITY For years I have been giving the pupils in my initial writing courses a two-part practice, which I only tell them half openly to give them practically everything they need to know about the creation work.
Here is the exercise: First I ask her to put her name on a sheet of sheet of paper, then I ask her to invent an undername. This little practice shows that the creativity of our processes demands a way of thought that is deviantly contrary to our normal way of thought.
If I ask my disciples to type their real name, there is only one right answer and an endless number of wrong ones, but if I ask them to invent an alias, there are an endless number of right answers and only one wrong one. When I ask them to type their real name, my pupils don't hesistate, but they do when I ask them to invent fictional name.
I tell them the whole idea of the creation lies in this reluctance, this element of insecurity. Because without insecurity, the fantasy just doesn't come into the game. There would be no invention without the scan processes caused by lack of awareness, without the ability to move the intellect in unforeseen ways. "It is not ignorance," he says, "but a challenging transcendency of the known.
While I believe what I am saying to my pupils - I am not sure about the need for insecurity - I also believe that learning to read does not help them if they are only encouraged to accept insecurity. Insecurity is too insecure for us to understand. Standing on the empty side, not to know what will be happening in the history or the poetry, or what its final significance will be, is for those pupils who know intuitive how to go on the waters of fantasy, but there are many otherwise very gifted pupils who are on the brink of insecurity and cannot go on.
Basically, these literate do one of two things---they return to converging thought and cause a DOA color-by-numbers tale or poetry, or they rewrite their every thought back into the stillness from which it came and don't type anything at all. I increasingly think that what Bertrand Russell said about giving lessons in philosophies also applies to giving lessons in writing creatively: our main aim should be "to learn how to be paralysed without knowing for sure and yet without hesitation".
" Hesitating is an integral part of the creation and without it divisive thought is not possible - but we must find a way to move through it and beyond, or we must run the danger of being paralysed by the insecurity that makes it possible. I think the answer to avoid such paralyzation is to cultivate it.
However, initial authors almost everywhere identify contradictions with errors and failures and therefore work intensively to avert them. Antinomy's real and beneficial significance lies in the fact that every real thing contains a juxtaposition of opposing aspects. "For Hegel, the opposition therefore brings us to the reality, not away from it.
"Widerspruch ", she says to us, "is the leverage of the transcendental. This paradox allows us to transcend the converging way of thinking that Weil simply refers to as "discursive intelligence" and the erroneous assurance that it generates. "The path to comprehension therefore leads through insecurity, and the path to leaving behind and entering the field of insecurity leads through the use of contradictions.
"Once we have thought something," she says, "try to see if the opposite is the case. "It is important that the aim of dialectical investigation of notions is not to wipe out one or the other of them, because contradictions, she says, are an important part of both reality and beauty: "We find contradictions in beauty," she says, and "every reality contains contradictions.
" In the dialectical approach Weil suggests that something can be truth on one plane, its opposite on another, and when synthesised, both can be truth on a higher plane at the same time. "The whole creation," he said, "is the mind of opposition in its highest state.
" And, in its highest state, the disagreement goes beyond the "either-or" mindset of mere negation - "That's right, that's not right" - and reaches the complexity of the Affirmation of what Cleanth Brooks termed the "two-sided" mindset. Amy Hempel says this is the way of thinking that triggers a work of fiction. "As she says, a narrative happens when two equal powers or two equal personalities or thoughts try to take the same place at the same moment, and both are right.
" Considering the part played by "mutual" thinking in the creation of processes, it is not astonishing to find it in the act of dreams, which is of course the kissing crony of the creation as well. This way of thinking, this kind of sensible disagreement, is what Weil recommends in our quest for truths and beauties.
This is because the counsel is particularly useful for authors, because the creation is not only inconsistent, but also incoherent. Ultimately, the very first stage in the creation proces is demolition.
" This demands both devastation and creativity, and devastation demands repudiation, denial and aversion. As I have proposed, the response is the opposition. Keats' idea of negative ability must be taken a small but important leap forward: our aim as authors should be not only to remain in insecurity, but to search for it through opposition, even to deliberately achieve it.
It is paradoxical that the best way to prevent paralysis caused by insecurity is to increase it, and the most intensive type of insecurity is antagonism.


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Going gluten-free can be an incredibly daunting task – even nowadays with all the information at your fingertips on the internet. It's not just about reading labels and looking for ingredients you should avoid, but it's about knowledge -the know-how you need to identify which foods and beverages contain gluten but also how to navigate a gluten-free diet, whether at home, at a restaurant or travelling.
Simply put, following a gluten-free diet can be overwhelming and for those who with celiac disease, a gluten-free diet is not a choice. It's the only treatment currently available for those with this autoimmune disease. It's also key for those with non-celiac gluten sensitivity.
To the rescue is Shelley Case, a leading international nutrition expert in the field. She is the authority many health professionals turn to not only when they have questions about this diet but even when it comes to making a diagnosis. The latest edition of her book, Gluten Free: The Definitive Resource Guide, has been long anticipated and is now available. It offers a wealth of information about anything and everything to do with a gluten-free diet. As the title says, it is the most comprehensive guide available.
You name it and Shelley covers it. While she has meal plans, delicious recipes (over 50 including one from yours truly) and cooking hints, all of which are invaluable for someone following this eating plan, these topics are just the tip of the iceberg as to what's contained.
Before she even gets into the diet itself, there is comprehensive information about the diagnosis of celiac disease. I hate to say this but I do think that many physicians would benefit from reading this section of the book as it goes into great detail about even how a biopsy should be performed-in terms of where and how many different places in the small intestine.
There are almost 20 pages detailing foods to question in terms of gluten. And there might be surprises for many. For example, if you were dining out and asked about the salad dressing on your greens, would you know to ask what type of the vinegar was used? Malt vinegar, for instance, should be avoided as it's made from barley.
Besides the over 3700 gluten-free foods listed by company and product name and directory of more than 220 companies, Shelley has included information about products which can help the gluten-free eater meet their nutritional needs.
Information about iron fibre and calcium contents of various foods is included in easy-to-read chart form. Did you know that one cup of chia seeds contain 17.5 mg of iron compared to 2.5 mg in one cup of pecans? Likely not!
But she doesn't just include basic information about gluten free alternatives. Want to use quinoa? She explains the difference between quinoa flakes, quinoa pasta, quinoa polenta and quinoa beverages.
The same goes for rice but did you know that rice vinegar may contain gluten due to the ingredients that are used in the production of some brands? She also clears up the confusion about whether oats are indeed gluten-free or which alcoholic beverages can be included in the plan.
Besides important chapters such as gluten-free meal planning and gluten-free shopping, there are also a wealth of tips on eating out or what to do when travelling. Even avoiding peak mealtimes can help to lessen the risk of being unable to ask a server about gluten-free dishes.
For those with celiac disease, avoiding gluten includes even foods just coming into contact with trace amounts – what's called cross-contamination. Besides offering lots of information on how to avoid cross-contamination in your own home kitchen, such as buying condiments in squeeze bottles so they don't come into contact with gluten, Shelley also offers examples of what to look for to avoid cross-contamination in restaurants. Did you know that eggs might be cooked on a grill where French toast and pancakes are being prepared? She suggests asking for separate clean pan.
The eating out section includes a long list of tips but also some common sense pointers you might not think of. For instance, when you order a gluten-free meal and the food comes, do you check with the server to make sure that it's gluten-free that you had ordered before you actually eat?
The wealth of information contained is invaluable for gluten-free eaters and for anyone who cooks for someone on a gluten-free diet on a regular basis. Also, dietitians, chefs and anyone else needing accurate information about this complex diet should purchase Shelley's book. The book is $29.95 and is available from Shelley on her website as well as at Chapters/Indigo.


The Ultra is a series of jerseys made with fabrics that work with the body and protect in various types of weather. In the Ultra, the female rider stays comfortable on her short social or long endurance rides. The Ultra Libeccio Jersey is offered in the Ultra series.& Ale Bike Wear LS Jerseys: When worn alone, the Ale long sleeve cycling jerseys keep you warm in weather between 50 F (10 C) to 60 F (15 C) which makes them ideal for spring, fall and winder riding days. The ergonomic cut and the thermal fabric with a fleece stretch make for long sleeve jerseys that are soft against the skin and sit close to the body so you are comfortable and aerodynamic. The long sleeve jerseys were designed in collaboration with amateur and professional cycling teams. The result of this collaboration are eye-catching cycling clothing made to make the racer feel great on the bike.


text:
Results of Tags "Movies 2004"
Three friends, whose lives have been drifting apart, reunite for the funeral of a fourth childhood friend. When looking through their childhood belongings, they discover a trunk which contained details…
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Country: France, Spain, UK, USA
The Life Aquatic with Steve Zissou
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat…
Genre: Action, Adventure, Comedy, Drama, Romance
An eccentric, if not charming Southern professor and his crew pose as a band in order to rob a casino, all under the nose of his unsuspecting landlord – a…
An American nurse living and working in Tokyo is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading…
Exceptionally ambitious high schooler Matthew has aspirations for a career in politics when he falls in love with his gorgeous 19-year-old neighbor, Danielle. But Matthew's bright future is jeopardized when…
After years of increases in the greenhouse effect, havoc is wreaked globally in the form of catastrophic hurricanes, tornadoes, tidal waves, floods and the beginning of a new Ice Age….
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When a CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been…
A biopic depicting the life of filmmaker and aviation pioneer Howard Hughes from 1927 to 1947, during which time he became a successful film producer and an aviation magnate, while…
Team America: World Police
Team America World Police follows an international police force dedicated to maintaining global stability. Learning that dictator Kim Jong il is out to destroy the world, the team recruits Broadway…
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Sky Captain and the World of Tomorrow
When gigantic robots attack New York City, "Sky Captain" uses his private air force to fight them off. His ex-girlfriend, reporter Polly Perkins, has been investigating the recent disappearance of…
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Bitcoin HODL Whale T-Shirt For Crypto Enthusiast: Premium Cotton Apparel Launch
All the t-shirts that the crypto wallet brand is providing are made from premium quality 100% cotton and feature unique designs. The Crypto Merchant understands that crypto is much more than a way of banking or investing. It is an ideology, and they believe that crypto enthusiasts will love wearing their new statement t-shirts and displaying their cryptocurrency affiliation with pride.
The launch comes at the end of one of the most exciting and dynamic years in cryptocurrency's young history. After earlier market tumult, the value of the world's biggest and most subversive currencies, like Bitcoin, is on the rise again, increasing its popularity and affirming what crypto stalwarts have been proudly saying throughout 2022, that crypto is the future of currency.
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Home Mexico HIstory Felipe Carrillo Puerto, the Governor of Yucatán who loved the Mayans and...
Felipe Carrillo Puerto, the Governor of Yucatán who loved the Mayans and inspired the song "Peregrina"
Felipe Carrillo Puerto was one of the most popular governors of Yucatán. Feminist ally, promoter of cooperatives and enemy of alcoholism, his last words are: Do not abandon my Indians!
Felipe Carrillo Puerto was born in Yucatán on November 8, 1874, and was a journalist and politician in the context of the Mexican Revolution. He was the second son of Justiniano Carrillo and Adela Puerto Palma, who had fourteen children and emigrated to the north of the peninsula due to the Caste War.
During his youth, Felipe dedicated himself to helping his father in the grocery store on his property. Later he worked in the distribution of cattle and was a train conductor for the Eastern Railway. During his stays in Mérida, he met his wife Isabel Palma, with whom he married and had four children. He initially settled in Motul, where he devoted himself to transporting goods.
He started his public life when he incited the Maya to tear down a fence built by the landowners in Dzununcán to prevent his passage. Carrillo had been a Maya speaker since childhood, for which he maintained a close relationship with them.
Sometime later he ventured as a journalist in El Heraldo de Motul, a newspaper from which he criticized local authorities and businessmen. Thanks to this, he met Delio Moreno Cantón, a liberal intellectual who owns the Mérida Magazine, who became a candidate for governor of Yucatán in 1907. Felipe Carrillo Puerto supported this candidacy.
In 1909, Moreno Cantón again ran for state elections. On that occasion, Carrillo Puerto suffered an attack by Néstor Arjonilla, who threatened him with a pistol. Given this, Carrillo Puerto shot and murdered Arjonilla, which caused him to be imprisoned. During his conviction, Carrillo devoted himself to translating the Constitution of 1857, so that the indigenous people knew their rights.
Felipe Carrillo Puerto, the Apostle of the Mayans.
He was released in 1913 by the Venustiano Carranza movement. He immediately returned to his journalistic work at the Revista de Yucatán, but the outlet was censored and he was forced into exile in New Orleans. In 1914 he left for Morelos intending to join the Zapatista cause. By 1915 he was already part of the third Agrarian Commission of the Cuautla district.
Thanks to the help of General Salvador Alvarado of the government of Yucatán, Carrillo Puerto returned to his native state and founded an Agrarian Commission to begin the distribution of land. At this juncture, he converted to socialism and promoted the founding of the Union of the Workers of Railroads and the Socialist Workers Party of Yucatan in March 1917. Also, he became a defender of Mayan and the dissemination of rights in that language. He organized peasant chewing gum producers to eliminate intermediaries and demand better payment from foreign companies.
In 1917 Felipe Carrillo Puerto became president of the Socialist Workers Party of Yucatán and promoted the candidacy of the railroad leader Carlos Castro Morales, who became the first socialist Governor of the state.
By 1920, Felipe joined the Agua Prieta Plan and supported President Álvaro Obregón, for which he reorganized the Socialist Party and renamed it the Socialist Party of the Southeast. Two years later he became governor of Yucatán.
Alma Reed, Carrillo Puerto and the Peregrina song.
His first government speech was made in Maya. His tenure lasted twenty months, in which he sought to benefit the most disadvantaged sectors. Among his actions were declaring the henequen industry of public interest, the distribution of land and the socialization of the production of ejidos. Also, he established the minimum wage in the city of Mérida, promulgated laws on social security and work, as well as divorce, tenancy, expropriation and revocation of mandate. He created production and consumption cooperatives.
In social matters, Felipe Carrillo Puerto fought alcoholism and religious fanaticism was a feminist ally, and established free medical and legal services. He also promoted rationalist education and founded the Universidad Nacional del Sureste, today the Autonomous University of Yucatán.
His work with the Mayan culture was not left behind either, since he created the Academy of the Mayan Language, he supported the exploration of archaeological finds; He instituted Cultural Mondays and translated the 1917 Constitution into Mayan. He also promoted his ideas and the trova through the radio "La Voz del Gran Partido Socialista".
In 1923 he met the American journalist Alma Reed, with whom he had an affair that inspired the song Peregrina, with lyrics by the poet Luis Rosado Vega and music by Ricardo Palmerín. Reed had gained notoriety in her home country for saving a Mexican teenager on death row. Thanks to her work, the death penalty for adolescents was abolished in the United States.
Alma Reed came to Mexico to cover the expedition of archaeologist Edward Thompson, whom she denounced as a looter of pre-Hispanic art. Alma and Felipe Carrillo Puerto met on the shores of a cenote and quickly began their romance. Reed came to admire the government of Felipe Carrillo Puerto and wrote about her achievements in education and gender parity.
Although the popularity of Carrillo Puerto was high among the peasants and popular bases, he soon gained the animosity of the landowners, who supported De la Huerta to carry out a revolution in 1923. After his resistance, Felipe tried to escape, but the The ship he was traveling was wrecked and he was arrested on December 21, 1923 in Holbox, Quintana Roo.
Although Adolfo De la Huerta himself advocated that the lives of the prisoners be respected, Colonel Juan Ricárdez opposed it. Felipe Carrillo Puerto was judged and sentenced to death. On his last night in his cell, he endured the mockery of musicians being brought to him to sing the Peregrina song in his cell. Reed, who was in the United States preparing for her wedding to Carrillo Puerto, could not say goodbye to her.
On January 3, 1924, Felipe Carrillo Puerto was shot along with three of his brothers and nine of his closest collaborators. His last words were: Do not abandon my Indians!
Source: mexicodesconocido.com.mx
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'The Avengers' Destroys Opening Weekend Record; Can It Beat 'Avatar'?
By The Movie God | @ | Tuesday, May 8th, 2012 at 10:00 am
It's looking more and more like it's going to be a big summer at the box office. If The Hunger Games passing $600 million wasn't enough (I know, it came out in March—movies don't follow the seasons accurately), now the ultimate in superhero movies, The Avengers, has arrived, and it is laying waste to all that stand before it.
The movie, which is directed by geek god Joss Whedon, had already scored multiple hundreds of millions of dollars overseas before finally being released this past Friday here in the States. In midnight screenings alone, The Avengers pulled in $18.7 million on its way to a $207.4 million opening weekend. For those keeping track, that makes it the ALL-TIME biggest domestic opening ever recorded, usurping Harry Potter and the Deathly Hallows Part 2's $169.1 million opening weekend as if brushing a particle of dust off one's shoulder.
If that's not impressive enough, we've only just begun (cue Karen and her melodic carpenters). Overseas, the movie has shot past $447 million already, bringing its grand total to $654.8 million in just 12 days.
Now, when you're blowing up the box office such as The Avengers currently is, you can't help but wonder if it has a chance to touch the untouchable, the all-time domestic and worldwide champion: Avatar.
To compare the two, James Cameron's sci-fi epic finished its theatrical run with a $749.7 million domestic gross (now at $760.5 million after a re-release), and a jaw-dropping $2 billion haul in foreign markets…giving it a brain-melting near $3 billion worldwide grand total.
The Avengers had a monster first weekend, but the numbers will only decline from here. It would take a lot of word of mouth praise (which is already happening) and a whole lot of repeat viewings from a bunch of fans for it to bring in another $500 million or so domestically, and another $1.5 billion or so internationally. It's a feat any movie would struggle to come anywhere even remotely close to.
Then again we all thought the last box office king, Cameron's decade-plus-long champ, Titanic, was also untouchable at $600 million domestically…until Avatar came along.
How many times will YOU see The Avengers? Do you think the record can fall?
[Source: Deadline]
Topics: Box Office, Comics, Movies, News
Tags: Avatar, Harry Potter and the Deathly Hallows, Joss Whedon, The Avengers, Titanic
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• 'Avengers: Endgame' Passes 'Avatar' To Become The Highest Grossing Movie Of All-Time


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