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Preserving the Present: Art as Activism
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One year later, Preservation Long Island shares acquisition highlights from its "Preserving the Present: Collecting in the Time of Covid-19" initiative
In May of 2020, Preservation Long Island launched the initiative "Preserving the Present: Collecting in the Time of Covid-19" to collect art and objects that tell the diverse stories of Long Islanders living through the COVID-19 pandemic. Later that month, the murder of George Floyd sparked protests across the country against violence towards Black Americans, police brutality, and systemic racism in our country today. What developed was one of the most significant civil rights movements in United States history. Subsequently, protests and demonstrations in solidarity with the Black Lives Matter movement took place across Long Island, the country, and the world.
LEFT: Brookhaven Councilwoman Valerie Cartwright and family at A Wishful Gesture at Gallery North in Setauket. RIGHT: Co-organizer Tali Hinkis and family at A Wishful Gesture. Photos courtesy of Annemarie Waugh.
One year ago, artists Tali Hinkis of LoVid and Annemarie Waugh organized A Wishful Gesture outside Gallery North in Setauket. According to the organizers, the installation was a peaceful symbol that allowed the community to show support for Black lives and unity in our nation during a time of social distancing. Between June 4 and June 11, 2020, people were invited to "share wishes of love, peace, and hope by placing flowers, plants, paintings, drawings, sculptures, and messages in the courtyard at Gallery North." Preservation Long Island is pleased to add two artworks from A Wishful Gesture to its Permanent Historic Collection: the "Protest Blanket" by LoVid and the print "Who Too Believe" by Shari Cummings. Together, they help Preservation Long Island preserve this historic moment of pandemic and protest for future generations
LEFT: Tali Hinkis, LoVid, "Protest Blanket," 2020. Cotton, felt, synthetic fibers, dye, paint, 46.5 x 29 in. Preservation Long Island purchase, 2020.3. RIGHT: Shari Cummings, "Who Too Believe," 2020. Digital print,12 x 15 in. Preservation Long Island purchase, 2020.4.
The issues of race and racism the artworks confront connect deeply to Long Island's early past. For most of the colonial period, more men, women, and children were enslaved on Long Island than anywhere in the North, and today, our region remains one of the most segregated areas in the United States. Throughout world history, including right here on Long Island, people have turned to artistic expression as a form of resistance—from the writings of Jupiter Hammon, the first published African American poet, to the visual artworks left behind at A Wishful Gesture.
Preservation Long Island is excited to give a permanent home to LoVid's "Protest Blanket" and Cummings's "Who Too Believe," and through them, spark meaningful dialogue between the present and the past. In the words of Smithsonian Secretary Lonnie G. Bunch III: "museums can often be the glue that holds nations together, provide context and understanding during periods of uncertainty, remind us of beauty and creativity during times of tragedy and loss and, maybe, help us all find hope." (June 25, 2020 Statement, International Council of Museums, US)
In June of 2020 Lauren sat down with artists Shari Cummings and Tali Hinkis to talk about their two works of art and A Wishful Gesture.
Click HERE for full bios and artist statements from Shari Cummings and Tali Hinkis
Click HERE to learn more about Erase Racism, a Long Island-based organization that leads public policy advocacy campaigns and related initiatives to promote racial equity in areas such as housing, public school education, and community development.
By Lauren Brincat, Curator, Preservation Long Island
Published June 2021
A Wishful Gesture Art Black Lives Matter Collections Contemporary Art COVID-19 Gallery North Pandemic Preserving the Present Protest Setauket Stewardship Town of Brookhaven


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This entry was posted on Sunday, December 30th, 2012 at 02:17 and is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

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China Medical Tourism
China Medical Tourism offers everything from cardiology to traditional Chinese medicine
China (People's Republic of China) is situated in eastern Asia, bounded by the Pacific in the east. It is the third largest country in the world (next to Canada and Russia), with an area of 9.6 million square kilometers, or one-fifteenth of the world's land mass.
China has one of the oldest cultures and civilizations, and has contributed to the invention of paper, printing, powder and compass. Chinese had to suffer 80 years of internal turbulence, continuous civil war, foreign interference and Japanese invasion until a communist state, People's Republic of China, was established on October 1, 1949.
China Medical Tourism Fame
China is fast emerging as a desirable destination for individuals seeking medical care in a wide range of medical specialties, including cardiology, neurology, orthopedics and others. A number of private and government hospitals in major cities have established international departments. Many leading hospitals provide treatments integrating Traditional Chinese Medicine with Western medical technology and techniques.
China is home to leading stem cell research and treatment hospitals that offer Westerners stem cell treatments that are still considered experimental or have yet to be approved in their home country.
Standard Mandarin is the official national spoken language in China. There are many ethnic groups in this country that speak several variants of Chinese and other dialects. Chinese people are finding English an important language for international relations, therefore it is a required subject for persons attending university.
China is characterized by a continental climate. The latitudes span nearly 50 degrees; its southern part is in the tropical and subtropical zones, and its northern part near the frigid zones. The northern part of Heilongjiang province has long winters but no summers; while Hainan Island has long summers but no winters. The Huaihe River valley is marked by distinctive seasonal changes, but it is spring all year round in the south of the Yunnan-Guizhou Plateau. China's high tundra zone is situated in Qinghai-Tibet, where the temperature is low in all four seasons.
Visa / Entrance Requirements
Tourists visiting China require a Visa. You must have your valid Passport and your Visa should be applied for one month before the applicant departs from USA in order to avoid any delay or loss during the delivery. Rush service for applications by mail is not offered in China.
Airlines Servicing this Destination
The most pertinent airports to medical tourists visiting china are:
Beijing Airport - Capital International Airport (PEK)
Shanghai Airport - Hong Qiao International Airport (SHA)
Shanghai Airport - Pudong International Airport (PVG)
Hong Kong Airport - Hong Kong International Airport (HKG)
The following airlines have flights to China:
Reservations can be conveniently made around the clock at all Chinese hotels open to foreigners by telephone from your home or through your travel agent. They all offer international standards of service.
The three star and above rooms are air-conditioned, have a TV, a refrigerator and private bathroom. Other hotels also include ballrooms, swimming pools, bowling courts, laundries, beauty parlors, massage rooms, saunas, steam baths, gymnasiums and medical services. Some of the hotels even have a Shopping mall, business center, bank and post office. Price ranges go from $40 for a simple and functional hotel room to $150, $250 and up for more upscale hotels.
1 US Dollar = 6.83700 Chinese Yuan Renminbi
1 Chinese Yuan Renminbi (CNY) = 0.14626 US Dollar (USD)
Communicating Home
The international access code for Chins is 86.
Beijing: 10
Xian: 29
Shanghai: 21
Haikou: 898
Lhasa: 891
Lijiang: 888
Emergency Telephone Numbers
U.S. Embassy in Chennai (Madras): 44-2857-4000
U.S. Embassy in Kolkata (Calcutta): 33-3984 2400
U.S. Embassy in New Delhi: 11-2419-8000
U.S. Embassy in Mumbai (Bombay): 22-2363-3611
U.S. Embassy in Hyderabad: 40-4033-8300
Towering mountains and dramatic landscapes make up China's wealth - background scenery to the fall of dynasties, the rise of emperors and the turning of the revolutionary wheel. Unless you have a couple of years to tour, it's best to follow a loose itinerary while visiting. Some suggestions would be; Beijing to Tibet via Xi'an's terra cotta warriors, following the Silk Road route, sailing down the Yangzi River, or exploring the Dr Seuss landscape of Guangxi Province.
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China isn't a country - it's its own world. From shop-till-you-drop metropolises to the epic grasslands of Inner Mongolia - with deserts, sacred peaks, astounding caves, and imperial ruins - it's a land of cultural and geographic schisms.
There are at least 31 English language newspapers from local papers like the Kashmir Times to single genre papers such as The Economic Times, The Financial Express, and The Business Standard.
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When you provide your personal information to medicaltourism.com we will provide this to third party healthcare providers or medical tourism providers who may be able to assist you or so that they can provide information to you about a medical procedure you inquired to. MedicalTourism.com will also keep this information in our database to contact you at later dates. User by providing MedicalTourism.com any personal or medical information hereby agrees that MedicalTourism.com may send it to third parties and that user hereby waives any liability towards MedicalTourism.com and indemnifies medicaltourism.com for any use of the information by MedicalTourism.com.You must be an adult to submit a request or contact information on this website.


Cold day at the MN Zoo.
Today we all went to the MN Zoo for the first time. I've been to Como Zoo many times, so it was fun to see something new. I really loved the fish and the tropical exhibit. We rode the monorail and I had a total temper tantrum when Mom would not let me have my crackers (we were not supposed to have food in the cars, but I eventually got my way).
Today Dad and I bought a sled and went sledding for the first time. I totally loved it! Mom was worried that I was too little but I could not get enough. Every time we got to the bottom of the hill I would say "more, more".
For my birthday I got a cool new kitchen, a Corduroy doll and some big fluffy slippers. It was a very succesful birthday.
What a great weekend! On Friday my 2nd cousin George came over and we ran wild. Then my Grandpa and Grandma Haas came for the weekend. They brought me early birthday gifts, a cake and they took me to the zoo!
Hanging out & cleaning up.
I like to hang out with my good friend Chewie. Tonight I had a HUGE bubble bath. At one point I had a bubble beard and bubble mohawk!


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Upcoming Comics
Premium and Signed
TITLES » THE TWILIGHT ZONE » THE TWILIGHT ZONE #1
THE TWILIGHT ZONE #1
Available on Dynamite Digital >
Shipping: Sold Out
SKU: C72513021267200111
Rating: Teen +
Covers: Francesco Francavilla
Writer: J. Michael Straczynski
Art: Guiu Vilanova
Genre: Science Fiction, Media Tie-In
Publication Date: Jan 2014
Format: Comic Book
UPC: 725130212672 00111
ON SALE DATE: January 1
The Twilight Zone, Issue One: Trevor Richmond is a Wall Street investor who embezzled millions and is about to tank the economy. Again. Desperate to avoid the consequences for his actions, he goes to Expedited Services, Inc., which offers to help him disappear and enjoy a life of leisure in a new life. But what exactly is this new life, how much is freedom worth, and what happens to the old life when someone else shows up to claim it? This is the first installment of three interlocking stories that will push the boundaries of The Twilight Zone into new and uncharted territory, a journey that will travel into the past and the future, into murder and revenge and the sunrise of nuclear Armageddon. From J. Michael Straczynski, Hugo-winning creator of Babylon 5, writer for Thor and Changeling and World War Z as well as the 1988 Twilight Zone.
1. 'THE TWILIGHT ZONE' RENEWED FOR SEASON 2 AT CBS ALL ACCESS
2. 'THE TWILIGHT ZONE' REBOOT GETS AN EXTENDED TRAILER
3. 'THE TWILIGHT ZONE' REBOOT FULL TRAILER DEBUTS
4. �THE TWILIGHT ZONE�: FIRST SPOT FOR SERIES REVIVAL �DISRUPTS� SUPER BOWL
5. 'THE TWILIGHT ZONE' ENLISTS ADAM SCOTT
6. CBS ALL ACCESS BOSSES ON MORE 'STAR TREK' SERIES, 'THE TWILIGHT ZONE' STATUS - TCA
7. �BOTH METE OUT A KIND OF JUSTICE.� � DAVID AVALLONE ON THE CONNECTION BETWEEN THE TWILIGHT ZONE AND THE SHADOW
8. WRITER�S COMMENTARY � DAVID AVALLONE ON THE TWILIGHT ZONE: THE SHADOW #3
9. �ROD SERLING IS ONE OF MY IDOLS.� � DAVID AVALLONE TALKS THE TWILIGHT ZONE: THE SHADOW #3
10. �IT WAS A CHALLENGING CONCEPT.� � DAVID AVALLON TALKS THE TWILIGHT ZONE: THE SHADOW
Anthony Rogers was a fictional character that originated in two short stories by Philip Francis Nowlan, "Armageddon 2419 A.D." and "The Airlords of Han" published in Amazing Stories (August 1928, March ...
Five hundred years in the future the government monitors everything - including your mind. Everyone on earth has been infected with a nano-tech virus that allows a central computer known as ...
A Series 800 terminator , a robot-only version of the cyborg played by Arnold Schwarzenegger. In the Terminator film series, a terminator is an autonomous robot, typically humanoid, originally conceived as a ...
Greg Pak is an award-winning comic book writer and filmmaker whose run on Marvel�s �Incredible Hulk� was named the Best Ongoing Series of 2007 by Wizard Magazine. Pak created the character ...
SHANNON ERIC DENTON
Shannon Eric Denton is a veteran storyteller with credits at Cartoon Network, Warner Bros., Jerry Bruckheimer Films, NBC, Disney, Sony, ToyBiz, Marvel Entertainment, FoxKids, Paramount, CBS, Dimension Films, DC Comics, Tokyopop, ...
ANDE PARK
Most of Ande Park's career in comics has been spent as an inker, but in recent years, though, he has also turned his attention to writing. As an inker, Parks has worked ...
Dynamite, Dynamite Entertainment & The Dynamite Entertainment logo ® Dynamite. All Rights Reserved.
All books, titles, characters, character names, slogans, logos and related marks are ™ and © their respective owners.


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Press Release: Loudoun Chamber & Loudoun EDA launch Young Entrepreneurs Academy
June 13, 2016 by Andrea Winey
Loudoun Chamber and Loudoun Economic Development Authority launch Young Entrepreneurs Academy to help local high school students create and launch their own businesses
Lansdowne, VA – The Loudoun County Chamber of Commerce and Loudoun Economic Development Authority are launching a local entrepreneurship training program that will match local business owners and leaders with high school aged students to help them formulate, develop and launch their own business or nonprofit organization.
The Young Entrepreneurs Academy (YEA!) is a proven national program that partners with more than 100 local Chambers of Commerce in 39 states to provide hands on entrepreneurial training to students between grades 6 through 12.
YEA! was developed at the University of Rochester in 2004, with the support of a grant from the Kauffman Foundation, and today partners with the U.S, Chamber of Commerce to engage local chambers. YEA! has graduated more than 4,500 students since 2004, who have started more than 3,000 businesses and social movements!
"To be a successful entrepreneur requires a wide variety of skills and experience, assets that translate to any course of study or career path. The Loudoun Chamber and the Loudoun Economic Development Authority are proud launch the Young Entrepreneurs Academy to help Loudoun students translate the knowledge gained in the classroom into real businesses or social movements to affect change in their community," said Chamber President Tony Howard.
"In my high school days, entrepreneurship was either mowing lawns or throwing newspapers. Today, the possibilities of the Internet coupled with the buying power of teens has produced limitless opportunities for our Loudoun youth to start real businesses," said Brian Chavis, Chairman, Loudoun Economic Development Authority. "The EDA is very pleased to partner with the Chamber to create this exciting new program that will help produce a new generation of entrepreneurs here in Loudoun County."
The Loudoun chapter of YEA! will launch this October at the Mason Enterprise Center in Leesburg. YEA! Is a 30 week program with weekly classes, field trips guest speakers, a trade show and a Pitch Event where the student entrepreneurs pitch their business plan to an Investment Panel for seed funding. At the end of the YEA! Program the students will have a legally registered business.
For more information, visit our website or contact Tony Howard at thoward@loudounchamber.org.
Sponsorship information, click here.
To be added to the email information list, click here.


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Based on information from the Wasatch Front Regional Multiple Listing Service, last updated 04/19/2019 at 10:31pm MDT. Listing information is provided exclusively for consumers' personal, non-commercial use and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing. Information deemed reliable but not guaranteed by the MLS or this website.


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University>News
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York University School of Continuing Studies Joins D2L Wave
Toronto (CA), July 2021 - D2L Inc., a global learning technology leader, has announced that the York University School of Continuing Studies has joined the D2L Wave platform to provide working professionals with opportunities to upskill and reskill within one centralized and easy-to-use cloud-based platform.
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"We are constantly developing new programs with employers to fill Canada's largest skills gaps and are thrilled to be able to enhance the ease with which employees access our programs through D2L Wave," said Tracey Taylor-O'Reilly, Assistant Vice-President, York University School of Continuing Studies. "Through D2L Wave, our professional-education programs will provide a way for working professionals to access new knowledge, skills, and practical applied experience to demonstrate how they can add value in their current role and prepare for new roles or career paths within their organization."
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HAIM - The Under the Radar Cover Story
Sisterhood of Sound
Mar 04, 2014 By Matt Fink Photography by Kate Garner HAIM
Their debut album, Days Are Gone, has only been out for two days, but the Haim sisters are already exhausted. Less than 24 hours ago, they were in top form onstage for an intimate performance at Rough Trade East in London; this afternoon, after nearly two years of writing, recording, and touring, the Los Angeles trio appears to be finally wearing down. Baby sister, keyboardist and guitarist Alana, has come precariously close to losing her voice, giggling as she hoarsely rasps into the phone. Middle sister, singer and guitarist Danielle, is struggling to focus, trailing off and apologetically asking me to repeat my questions after forgetting what she's talking about. Eldest sister and bassist Este, usually the comedian of the group, is surprisingly subdued, stumbling over her words and repeatedly confusing song titles. They don't know yet that when the sales are finally tallied, their album will debut at #1 in Great Britain, #2 in Australia, and #6 on the Billboard Top 200 in the United States, and each of them admits that they are trying to avoid reading any reviews that would indicate just how their album is registering critically. "It's bad because my mom is really excited about it, and she's sending me reviews and I see them all," sighs Alana. "So I can't get away from them, because she's so excited that she posts them on her Facebook. I keep telling her to stop, but she's so proud. She just does what she wants."
If they did read the reviews, they'd probably be pleased but a little bit confused. As if looking at a musical Rorschach test, everyone acknowledges the objective form and shape of Days Are Gone, but no one agrees on quite what it means. For some, HAIM are purveyors of deliriously melodic pop music, steeped in the production of the Top 40 hits of the 1980s (Michael Jackson, Madonna, Pat Benatar, Sheena Easton) and the sexy grooves of the female-fronted R&B groups of the 1990s (Destiny's Child, En Vogue). Others hear '70s classic rock (The Eagles, Heart, Tom Petty) in the sisters' sturdy harmonies and Danielle's jagged guitar leads. Some celebrate HAIM for making an album that represents a timeless and unpretentious take on intricately textured, heart-on-sleeve pop songcraft; others criticize them for those same qualities, finding their songs slick, superficial, and a little too eager to please. Some hear classic rock bands such as Fleetwood Mac, some hear TLC, and some hear both.
"That shit," groans Danielle. "When we were first coming out, the big thing was 'They're like TLC meets Fleetwood Mac!' And I remember being like, 'What?' If someone fucking told me, 'Hey, check out this band! They sound like TLC mixed with Fleetwood Mac,' I'd say, 'That sounds like the worst thing I've heard of in my entire life.' I forget who was the first person who said that, but that's how people described us. I think you can ask anyone how people describe their music or comparing themselves to others, and they'll say, 'Eh…that's not how I would describe it.' I love TLC and I love Fleetwood Mac, but I don't think our shit sounds like them mixed together or anything."
When asked to describe what HAIM does sound like, Danielle seems less certain. Despite what some have claimed, they're not making anything that should be described as folk music ("We never wanted to play acoustic guitars," she says. "I can't fingerpick for the fucking life of me!"). They're also not a studio creation, something she's adamant about, making it a point to emphasize that every drum machine on the record was doubled by her live kit work. More than pursuing any sort of stylistic benchmark, they were chasing a certain feeling in their music. But even that feeling is difficult for her to describe.
"We'd basically work all day [in the studio], and then we'd come back the next morning and blast the fucking shit out of it. If we weren't getting the right kind of feeling or the song wasn't growing in a way that was hitting at the core or getting the message across…" she says, struggling. "I think each song has its own story. I don't think there was an overarching feeling for the record. I think the overarching theme was to make it sound like a band. But the feeling really does go from song to song. Something like 'Honey & I,' we wanted this open-air, sunny, easygoing thing. And 'Running If You Call My Name' was like a dramatic end of a relationship. I think we took each song and had a feeling for each song. I never thought about this shit!" she says, turning frustrated. "I shouldn't talk about it. No one really has asked."
Given that they've just released an album that sold nearly 90,000 copies worldwide during its first week (beating Justin Timberlake's new release in first-week sales in the U.K.), they better get used to answering awkward questions. In fact, over the past two years they've managed to build what is arguably one of the most rabid fanbases in all of contemporary popular music. The videos for Days Are Gone standouts "Don't Save Me" and "Forever" have each been viewed over 4,000,000 times on YouTube, and they have become the rare band that can appeal to both tweens and jaded hipsters, celebrated by everyone from One Direction heartthrob Harry Styles to Tegan and Sara and Jay-Z. And why not? How many other bands have the range to cover songs by The Strokes, Sheryl Crow, and, more recently, Miley Cyrus? How many could treat those songs with the same amount of sincerity and nuance, translating the substance of each into something identifiably their own? How many acts could make an album that would be celebrated by indie scenester blogs, out-of-touch mainstream rock rags, and stuffy national newspapers, each of them hearing something different? How many have so much to offer to so many different kinds of listeners?
All that goes to say that HAIM isn't quite like any band currently making music in 2013. Undoubtedly, they do make overt gestures to '80s production flourishes and the percussive hooks of '90s R&B acts. As both their proponents and detractors claim, they do write songs with earworm melodies, funky grooves, and an effortless directness that cuts across both their celebratory anthems and their more brokenhearted ballads. But unlike their contemporaries who mined the echoes of the past for inspiration, pulling out the most palatable elements and throwing out the rest, the Haim sisters daringly embrace those same influences in all their messy glory, deconstructing and recombining them in ways that haven't yet been seen in modern pop songwriting. In short, if HAIM makes music that is hard to describe, it's not because they are using a completely unprecedented musical vocabulary, but because they are using that language in a way that is so intuitive to them that they don't even realize that they're the only ones speaking it. And if they are speaking a different musical dialect, it's probably because it's one they've learned over many years, starting at home.
Just a Good Reason to Get it Right
Like parents who become coaches for their kids' sports teams only to find themselves screaming at their children and other parents, the rock canon is littered with parents whose good intentions got the best of them. Murry Wilson (The Beach Boys), Austin Wiggin (The Shaggs), Joe Jackson (The Jackson 5)—there's an unfortunate tradition of fathers who set out to mold their children into musical prodigies but ended up terrorizing and emotionally (and sometimes physically) brutalizing them in the process. In that regard, Mordechai "Moti" Haim does not belong to the ghastly gallery of stage dads. An Israeli expat and former professional soccer player who relocated to the United States in 1980, married the girls' mother, Donna (a former folk singer and The Gong Show winner), and started a second career in real estate, Moti also taught his daughters the fundamentals of music-making. Nearly from the time they could hold instruments, he was grooming them to fill spots in Rockinhaim, the newest iteration of the cover band he started with his wife years earlier to play at every school, fair, synagogue, and charity event that would have them. They never made a dime from their performances, but music was always serious business.
"It was like our high school version of classic rock music," Alana explains. "Growing up, when we were at the age of five or six, I knew what a I-IV-V chord progression was, and I knew how amazingly written classic rock songs were and how to play them and what their structures were. That's our foundation—we played covers. Looking back on it, it is kind of crazy, because we would practice so much. Even though it was a fun family hobby, we took it really seriously. I think that's why we take music so seriously now, because my dad always said, 'You don't want to go on stage and feel nervous or uncomfortable. You want to feel completely prepared.' He said, 'The way you feel that way is if you practice.' And I hated it. While it was happening, I was like, 'Dad! I want to go the mall!' And he was like, 'No. You have to practice the guitar.' But my parents were so dope and have the best taste in music. It was a fucking awesome way to grow up. I can brag now that I was in a band with my parents, which is super fucking dope."
Though most 20-somethings probably reflect on their family hobbies with a certain amount of embarrassment, variations of this account are repeated by each of the sisters. Such unanimity is typical for the Haim sisters, and those who have worked with them joke about how they finish each other's sentences, both in conversation and in music. And just as they share their gratitude to their parents for foisting a life of music upon them, those formative years also ingrained in them a musical vernacular that is uniquely theirs. Motown, funk music, classic rock, '80s pop—night after night, week after week, year after year, the Haim sisters were honing their chops, ending up like identical twins who spend so much time together that they develop their own language. By 2004, it looked like it was going to pay off.
After a Rockinhaim gig in Sherman Oaks, California, Este and Danielle were unexpectedly asked to join three other teenagers in a prospective girl group called Valli Girls, a sort of teenaged American version of The Spice Girls. With the invitation came a contract with Columbia Records and a predefined character role: Este would be the boisterous, boy-crazy one with a bedhead mullet and a bass guitar, and Danielle would be the streetwise guitar-slinging rocker. ("We're just ourselves," Este says comically in a press release promoting their debut album. "What you see is what you get.") Almost immediately, they regretted the decision. Despite having a song on The Sisterhood of the Traveling Pants soundtrack and making a high-profile appearance at the 2005 Nickelodeon Kids' Choice Awards, the Haim sisters soon realized that being in a prefabricated pop band meant that other people would write your songs. They might have spent their youth perfecting their covers of rock classics, but they had caught the songwriting bug and didn't want to spend their lives playing songs that were little more than advertising for some record executive's idea of youth culture. Before the end of the year, they asked to be released from their contracts.
"I was super pumped for them," Alana recalls. "I just knew that they were going to get to play music, but I was so young when that whole thing happened. I was just stoked for the ride. It was never like a weird Baby Haim revenge, jealous thing. But I knew that they didn't like the songs and that they were never really happy in Valli Girls, and I just wanted them to be happy. When they got out, it was kind of like this big relief, because Este and Danielle are such great songwriters and they really wanted to write songs but weren't allowed to in that band. It was just the weirdest surreal thing that happened to them, but they learned a lot from it, which was really cool. And they moved on, and they got to write their own songs, and I finally joined the band, which was what needed to happen. They needed the Baby Haim!" she says with a laugh. "They needed Baby Haim in their lives."
Still only 15 at the time, the Baby Haim completed the newly liberated lineup, while Danielle went back to high school, and Este went off to UCLA to study ethnomusicology. But if starting HAIM allowed the girls to reclaim creative control of their work, they still lacked the one benefit that membership in Valli Girls provided—an audience. They played their first gig on 7/7/07 to a club packed with their high school friends, but Haimania had already fizzled out by the time they played their second show—to a grand total of one audience member. They were already polished live performers, but their songwriting chops lagged behind, with their early efforts mostly "weird teenage angsty songs that you write after your first heartbreak and you throw them away after you write them," Alana says. But their years of taking any gig they could while playing with their parents had instilled in them a willingness to wait for their big break, and HAIM soldiered on, scheduling around Alana's school nights to play at any venue that would book them and for any musician who would let them open. Who knew? A record contract had fallen into their laps once before; perhaps their next big break was just around the corner. In reality, it was. But only for one of them.
Running if You Call My Name
Though she's the most withdrawn, least talkative member of the band, Danielle is arguably the band's musical leader, a multi- instrumentalist with a dryly expressive voice that is as emotive as she is stoic. And even if the world was largely content to ignore HAIM, by the fall of 2007 Danielle was about to become a sought-after touring player. Fresh out of high school, she turned an impromptu jam session at Jenny Lewis' house into a full-time gig as her touring guitarist. It was on that tour that Danielle would find her next gig, when The Strokes' vocalist Julian Casablancas approached her to fill that same role in his band. This would be different, though. While the girls had their parents' record collection in their musical DNA by design, they had The Strokes in their CD players by choice.
"I remember seeing [The Strokes'] 'Last Night' video on MTV, and I think I looked pretty goth at the time," Este recalls. "I remember watching it and literally in my head I was thinking, 'My whole world has changed.' The next day I went out and bought an army jacket. Everything about the music that I listened to and the way that I dressed and the things that I thought were cool completely changed. I did a complete 180, and I think all of my sisters reacted the same way. I remember when Danielle called me and said, 'I think I'm going on tour with Julian Casablancas,' and I remember being, like, 'That is so surreal.' It seemed like an April Fools' joke."
So Danielle went off to Japan with Casablancas and her sisters stayed home in L.A., with HAIM becoming less and less relevant. A few tracks they had posted to Myspace failed to generate any interest, and every attempt to record something better just left them more aware that something was missing. Live, however, it was a different story, as all those years of practice had given them a natural stage presence that couldn't be translated in the studio. By the time Casablancas got back to the U.S., he wanted the girls to be his opening act. "I think for us that felt like someone was playing a joke on us," Este says. "That was the first time we'd been out of L.A., and he was super-supportive and such a good dude. He really, really helped us get our shit together."
With Mom and Dad acting as de facto merch crew and tour manager, respectively, the family loaded up the van just as they had years earlier and hit the road. Though no one had a clue who they were, the sisters earned rave reviews, with shocked onlookers wondering just how this band of charismatic sisters with the polished stage presence had gone undiscovered for so long. But despite the positive buzz, HAIM still didn't have a recording that they could live with floating around on the Internet for eternity, their recordings repeatedly falling short of the sounds they had in their heads. Este had finished up her degree and Alana was enrolling in a local community college, mainly to keep her parents off her back. Their parents, the most unrepentant of dreamers, had turned into realists, encouraging them to think about treating HAIM as a hobby and not a career. Soon, Danielle would audition for and win a spot playing guitar and singing in CeeLo Green's all-female backing band, Scarlet Fever, and she would be gone again. By 2011, HAIM had been together for over four years, opened up for one of the biggest names in indie rock, and worked with reputable producers. They did not, however, have enough quality recordings for a whole EP.
Part of the problem was they simply didn't know how to explain what they wanted. The language they had developed between themselves on stage, that sound they all heard but couldn't effectively describe, was always just out of reach when they entered the studio. That changed when they met Ludwig Göransson, a young Swedish producer who had been doing music for TV shows (Community, New Girl) and worked with Donald Glover on his Childish Gambino album, Camp. Here, the girls finally found the missing ingredient in their sound—sub-bass frequencies, the heavy bottom end that would add weight to the glistening synthesizer textures and tumbling drum machine rhythms that often floated to the top of the mix.
"I heard [their unreleased material] and I thought the songs were really good, but one song was produced like a total Michael Jackson rip-off," Göransson recalls. "There are different ways you can rip off Michael Jackson, but if you're going to do it, do it in a way that's inspired more than in a rip-off kind of way. I know people had tried to incorporate a lot of '80s vibes, and I think when we started working, something that I made different from the other people they had worked with was that I brought in that '80s vibe and those '80s instruments, but I played it in a modern way. We never really discussed that it was going to sound like the '80s influences. More what we were talking about was how much they like hip-hop and that they were really looking forward to working with someone who had done a lot of hip-hop production."
Built on a foundation of hip-hop sub-bass textures, those '80s-influenced tracks would become the Forever EP, named after the song that would become the girls' first radio-ready single. A dreamy slice of surging dance-pop, it presented all of the elements that would come to define the HAIM sound. Woozy melodies, intricate rhythms, sugary backing harmonies—it was all there. "That was truly the turning point for us," Este recalls. "We finally had something that we were proud of and that we wanted to show our friends. I think we basically wanted to be like 'Fuck you, guys. Yeah, we can record. We know what we're doing.' Because all of our friends were like, 'You've been a band for five years and you've never actually put out anything. It's actually kind of depressing.' That's also why we gave it out for free, so we could be like, 'Here, guys. This is what we did. We love it. We don't even care if you like, but here it is.' It was one of those things that we were so proud of it that if someone didn't like it, we didn't care."
If 2011 had been the year of breakthroughs, 2012 held the promise that the Haim sisters finally had the debut recording they had always wanted to give to the world. But their main problem remained the same: they still didn't have an audience who wanted to listen to it.
I Can Feel the Eyes All Watching Us So Closely
There's a scene in That Thing You Do—the 1996 comedy written and directed by Tom Hanks—that might help explain the feeling the Haim sisters are chasing with their music. Set in 1964, it's the story of a band (managed by Hanks) that is fighting its way through an endless series of talent shows and state fairs, only to have it all pay off when they hear their music on the radio and promptly lose their minds with excitement. This is the scene that Alana mentions when she explains what is most important to her as an artist, and that's the sort of revelation that provides an insight into how this band represents a slightly different paradigm, not only musically, but also philosophically. HAIM isn't a band that wants to impress you with their ability to reference and fetishize pop music's past—though they could—nor are they afraid to admit that they really, really want you to like them. If no can agree on exactly what they sound like, and the Haim sisters can't articulate what the feeling is that they are chasing, they at least can all agree on where they want their music to fit—on the radio. In the spring of 2012 that dream came true when a British disc jockey named Mary Anne Hobbs played "Better Off"—one of the three songs on the Forever EP—on her radio show, just a few weeks before the girls would go to their first SXSW festival. Their lives would never be the same.
"I remember it like it was yesterday," Este recalls. "I think all of us were collectively surprised, because we had just put our EP out a month before that, and we just kind of released it to our friends. We're still not sure how she got ahold of our record—that's still a mystery. And that SXSW was so much fun for us. We played our first show, and there were maybe four people in the audience, including a toddler who was running around and shitting everywhere. I'm not even kidding about that. It was on a grassy knoll and you could see everything. Then our second show was my birthday, and that was really fun, because everyone was buying me shots. I've never really experienced that before. And there were a bunch of people there, and then the next day there were more people—it was weird to see word-of-mouth at work. And by our last show there was a line outside to get in. It was just a huge surprise for us."
Five years in the making, HAIM was finally an overnight sensation. But knowing that fickle fans have short memories, they needed to strike fast if they wanted to capitalize on the moment. With their music already playing on the radio in the U.K., they started to generate an unexpectedly strong reaction on the other side of the Atlantic, resulting in a slot at The Great Escape Festival in Brighton (England's answer to SXSW), followed a few days later by their first headlining gig in London and a record contract with Polydor. Soon, dates opening for Ke$ha, Mumford & Sons, and Florence and the Machine would turn up on their tour agenda—but they still needed to actually make a full-length album, to once again translate the ineffable magic they produced onstage onto studio tape. That job fell to Ariel Rechtshaid, a fellow Angelino who was quickly becoming one of the hottest producers in all of popular music, having worked on Usher's Grammy-winning "Climax" single as well as Vampire Weekend's Modern Vampires of the City.
"There wasn't a really preconceived idea of what the record was going to sound like as much as that it wasn't going to sound like anything else," Rechtshaid says. "Resisting any kind of pastiche production—even though we were very influenced by music from the '80s, we tried to make sure it didn't sound like an '80s record. The approach is similar, especially with the band recording it like a band. Most of the record was like that, setting up in a room and using old analog equipment. The approach is similar to the way records were made in the '70s and '80s. So I think the spirit is captured there, but we always took it a step further. I think sometimes [pointing out the '80s references] is the quick way to write it off, but it's really a lot deeper than that. I think the reaction has been indicative of that. If it was another throwback record, they wouldn't hold such a special place in so many people's hearts at the moment. It's something new and different."
That said, Rechtshaid admits he doesn't know why listeners are connecting so deeply to HAIM's music. Is it that they're mixing the familiar sounds of the pop hits of the past with a modern, more texturally sophisticated approach? Is it because they are a rock band playing pop music, adding an instrumental complexity that's uncommon for music that is, on its face, no less immediate and accessible than the latest Miley Cyrus hit? Or is Days Are Gone the rare album that captures the sound of this moment, one for a generation that grew up as musical omnivores who don't draw distinctions between genres and eras? Still, despite everything that's going on in the album, nearly every reviewer seems fixated on those references to '80s pop music.
"I think we definitely knowingly used some studio tricks from the '80s and put in really obvious things, like some reverbs on the drums," Danielle admits. "Definitely, there's a lot of synths from the '80s. In my mind, they were used as textures, but I don't know why. I was born in '89, so I didn't get to live and digest music in the '80s when it was happening, but I think I just really like those sounds. Growing up, my parents loved that music. I stopped listening to '80s music once I got into high school, but I remember revisiting it and feeling really nostalgic about the textures and sounds. For whatever reason, those were the sounds that excited us. At least in my mind, I feel like the '80s have some sounds that are now looked at as classic. And hopefully [the songs are] catchy and do get stuck in your head. I don't think that's necessarily a bad thing."
The way Danielle suggests that writing catchy songs could be a bad thing is curious, and she seems to be at least somewhat conflicted that listeners could be gravitating to her music simply because the songs are so instantly gratifying and not because the Haim sisters are such good musicians. "But it's more than that," Rechtshaid contends, "because there have been plenty examples of bands historically that don't have the same sort of impact. I don't know what people see, but they all seem to see something different. It's such a complex thing. It's so much more complex than just 'They are great pop songs—that's what it is. They're three beautiful girls—that's what it is.' It's more than that."
Though his reserved tone indicates that Rechtshaid isn't someone who is easily impressed, he is adamant in his confidence that HAIM is the rare band that has such a solid foundation as musicians and songwriters that they could potentially go in any stylistic direction they want. If their music is being greeted with confusion, that's the highest possible compliment, he says—that's how you know you're doing something original. What will they do in the future? He says he wouldn't hazard a guess, but he knows it will be different than what they've already done and (he hopes) just as hard to define. After all, it's hard to repeat yourself if you don't even know what kind of music you make.
"I have no fucking clue!" Alana says with a sandpaper laugh. "We just play music that we wanted to hear on the radio. It's kind of a philosophical question, like, 'What does your music sound like?' I've been in this band for six years, and I've never been able to answer that question."
[This article first appeared in Under the Radar's November/December 2013 issue. This is the cover story's debut online.]
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Bombardier Dashboard 8 Q400 Cockpit, Specifications, Inside, and also Rate
Bombardier Dashboard 8 Q400 Cockpit, Specifications, Inside, and also Rate.Bombardier Dashboard 8 Q400 is one of the quietest turboprop aircraft in the world created by Bombardier Aerospace De Havilland Canada. The advancement of this aircraft is planned to satisfy the demands of regional airline companies for larger aircraft above density paths and short ranges. Q400 is the largest member of the Dashboard 8 family that can suit up to 80 passengers.
The Q400 program was introduced in 1995 as a broad version of the Q300 series. The very first trip of the Q400 aircraft was carried out in 1998 and went into business service in February 2000. The airplane was equipped with a noise and vibration reductions (NVS) system introduced in the Dashboard 8 turboprop family members in 1996.
The latest version of the Q400 airplane, the Q400 NextGen, was revealed in March 2008. The brand-new airplane has renovations in the cabin atmosphere, including LED illumination, brand-new ceiling panels, sidewall windows as well as larger containers. Q400 NextGen took part in the 2012 FIDAE Air Program kept in Santiago, Chile in April 2012.
Bombardier Dash 8 Q400 Engine and also Efficiency
The Q400 airplane is powered by 2 PW150A turboprop engines supplied by Pratt & Whitney Canada. Each engine can producing an output power of 5,071 shp or 3,800 kW. The engine is furnished with complete digital engine control (FADEC). With the assistance of the PW150A engine, the Q400 is capable of flying with an optimum cruise ship rate of 650 kilometres/ h with a maximum distance of 2,519 kilometres.
Bombardier Dashboard 8 Q400 Specifications
The transverse section near the circle of the fuselage as well as the tail section are manufactured by Mitsubishi. The wings, tail plane, and also front end of the fins are outfitted with a de-icing system. The Q400 airplane is geared up with a R408 kind 6 bladed composite propeller provided by Dowty. The propeller is furnished with an electric existing elimination system. Generally, the Q400 airplane has a length of 32.84 m, an elevation of 8.36 m, and also a wing span of 28.42 m.
In regards to power, the Q400 airplane powered by an Allied Signal electrical power system includes two starter/ generators for DC power, two transformer systems and 2 nickel cadmium batteries. There are two engine-driven A/C generators to provide variable regularity AC power.
The Q400 airplane touchdown mechanism features a retracting Menasco tricycle kind touchdown gear. Each unit has actually twin wheels outfitted with Goodrich anti-skid brakes. 2 independent hydraulic systems are supplied by Parker Bertea Aerospace.
The fuel container situated on the wing of the airplane has an overall capability of 6,526 l. The Q400 test aircraft ended up being the very first Canadian aircraft to fly utilizing D7566 bio-fuel. D7566 is accredited by the American Society for Testing and also Materials (ASTM). Concierge Airlines is Canada's first biofuel-powered profits trip on its Q400 aircraft.
Bombardier Dash 8 Q400 Cabin and also Inside
The Q400 aircraft cabin can be configured for a class or more class design that can hold 68 to 78 passengers. Meanwhile, cabin with organisation class arrangements can only suit 58 seats. The cabin is geared up with an air ladder mounted at the front of the cabin, allowing the aircraft to make use of the flight terminal with minimal ground assistance centers. Two passenger doors and one service door allow the aircraft to stand up and also down quickly. This aircraft provides more than 14 m ³ of baggage area.
Bombardier Dash 8 Q400 Cabin as well as Avionics
The Q400 aircraft is equipped with a double control cockpit that can fit pilot and also co-pilot. The cockpit is integrated with an electronic trip instrumentation system (EFIS) with five high-resolution LCDs, 6 in x 8 in to present all flight info. The cockpit is likewise geared up with an emergency locator transponder, strong state cabin voice recorder, as well as a holographic support system from Trip Dynamics.
The avionics collection of Q400 aircraft supplied by Thales Avionics includes a flight management system, international placing system as well as a traffic warning and also collision evasion system, TCAS II. The airplane communication collection includes twin VHF navigation and S communication and transponder setting. Navigating tools includes weather condition radar, proximity closeness alerting receivers, radar altimeters, automatic direction finders, and distance measuring devices.
Bombardier Dashboard 8 Q400 Price as well as Orders
The cost of the most recent Bombardier Dash 8 Q400 aircraft is around US $ 32.2 Million. Greater than 413 Q400s have been gotten, with 389 provided in December 2011. Major drivers include: SAS Commuter (launch consumer), Augsburg Airways from Germany, Perspective Air UNITED STATES, Austrian Tyrolean Airways, Qantas Airways, Horizon Air, Flybe, Colgan Air/ Peak, Doorperson Airways and All Nippon Airways Japan. Meanwhile orders for the NextGen Q400 consist of 20 aircraft from Eurolot in March 2012, 5 airplane for Ethiopian Airline companies and also 2 for Horizon Air in February 2012.
10 photos of the "Bombardier Dashboard 8 Q400 Cockpit, Specifications, Inside, and also Rate"
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This spectacular, private, 0.55 acre estate is situated in an area called The Golden Mile; one of the most prestigious streets in British Properties. A most stunning family residence that was Completely Rebuilt 10 years ago by a local custom builder, Goldwood Homes. This home features the absolute finest in quality throughout; from the beautiful gourmet kitchen with granite & stainless steel, to the gorgeous master bedroom suite; you won't be disappointed. The large patio doors lead out to exquisite south facing landscaped grounds with large pool, jacuzzi, outdoor fireplace and barbeque area. Perfect for family fun & entertaining. Open house Sunday Oct 29 from 2 to 4 PM.


Views from the 'High Prince'. In the Cies can be observed intriguing geological formations resulting from erosion. If the erosion is a horizontal surface formations are called pools or pious (gnamma) and canals. These formations can be seen in the top of the prince.


In what will be a New Zealand first, Transport World is proud to announce it is gearing up to launch its third attraction Dig This, Invercargill. Based on the hugely popular formula established by Dig This, Las Vegas guests will now be able to live out their wildest fantasies and operate heavy machinery, including bulldozers, excavators, mini excavators and skid steers in a giant, adult sized sand pit.
Dig This, Invercargill is designed for anyone who has ever wanted to operate heavy machinery and will include interests for both young and old. Easy to pick up, guests will operate heavy machinery whilst being challenged to a series of games within a controlled and safe environment. To manage the project Transport World has hired a new full time Dig This Manager, Lex Chisholm.
Dig This, Invercargill expands upon Transport World's vision to create a hub of world class transport related activities. Transport World is passionate about supporting Invercargill's tourism and inner city development and can't wait to bring a third attraction to the city. It is hoped Dig This, Invercargill will complement both Bill Richardson Transport World and Classic Motorcycle Mecca and be another drawcard to Invercargill for those interested in wheeled activities.
Scott O'Donnell, Transport World's Director says "We are trying to create new and unique reasons for people to not only visit Invercargill but also stay longer. Whether it be new attractions or events we really want to see Invercargill's tourism and the inner city flourish. We are looking forward to launching Dig This, Invercargill as it's another positive step towards these goals".


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Childish Gambino Dropped New Song 'This Is America' — and Stunned Fans With a Symbolic Music Video
Childish Gambino in 'This is America'
By Jennifer Calfas
May 6, 2018 12:33 PM EDT
While hosting and performing on Saturday Night Live over the weekend, Donald Glover dropped a new song and music video under his stage name Childish Gambino.
Titled "This Is America," the visually remarkable music video, which contains some graphic imagery, is a stirring commentary from Childish Gambino on the state of America as he dances with children in a warehouse in one moment then guns down a gospel choir in the next.
Hiro Murai, a longtime collaborator with Glover on his FX hit Atlanta and his music videos, directed "This Is America." The video follows Childish Gambino traveling through the warehouse as a multi-layered and constantly shifting scene unfolds behind him.
"This is America / Don't catch you slippin' up," Gambino raps. "Look how I'm livin' now / Police be trippin' now / Yeah, this is America / Guns in my area (word, my area) / I got the strap / I gotta carry 'em."
"This Is America" is the first song and video Childish Gambino has released since his 2016 Grammy-nominated album Awaken, My Love! Fans took to social media in the hours after the video's release, praising Childish Gambino for his social commentary and artistry.
Along with the debut of the music video, Glover performed the song as Childish Gambino during his Saturday Night Live performance.
Glover hosted Saturday Night Live for the first time over the weekend ahead of the release of Solo: A Star Wars Story, in which he stars as Lando Calrissian. The multi-talented artist, who joked about his many passions in his SNL monologue, made history last fall at the Emmy Awards when he became the first black person to win a best-directing comedy award. He also won the Emmy for Best Actor in a Comedy. Earlier this year, he won a Grammy as Childish Gambino for Best R&B Performance with his hit "Redbone."
5 Songs You Need to Listen to This Week


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Q: Wordpress external DB: error in your SQL syntax - get_var after feeling like sitting hours in front of my code, I thought maybe someone sees my mistake.
I am using wordpress and try to access an external database:
For Example: $test = 2017; Chemp_ID = "1";
$mydb = new wpdb (......);
$state = $mydb->get_var("SELECT ablauf FROM ".$test." WHERE chempionid ='". $Chemp_ID."'");

SQL Error:
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SELECT ablauf FROM 2017 WHERE chempionid ='1'
I just don't see the synthax error, since the sql output seems to be fine to my eyes: SELECT ablauf FROM 2017 WHERE chempionid ='1'
Hope someone is not as blind as me
Thank and kind regards
Daniel

redpajama_set_name: RedPajamaStackExchange


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Закон Ротенберга (офіційно — проєкт федерального закону № 607554-6 "Про внесення змін у Федеральний закон «Про компенсацію за порушення права на судочинство в розумний строк або права на виконання судового акту в розумний строк») — законопроєкт, внесений депутатом Державної Думи VI скликання від фракції «Єдина Росія» В. А. Поневежским і передбачає виплату з федерального бюджету компенсацій російським громадянам і організаціям, закордонне майно яких піддано арешту або іншим стягненням за рішеннями іноземних судів та інших компетентних органів, і прийнятий у першому читанні 8 жовтня 2014 року.

Неофіційна назва «Закон Ротенберга» набула поширення в російських ЗМІ — його прийняттю передували події, пов'язані з арештом в Італії ряду об'єктів нерухомого майна, що належать російському мільярдерові Аркадію Ротенбергу, який потрапив під санкції Євросоюзу у зв'язку з подіями в Україні.

У Державній Думі законопроєкт був підтриманий фракцією «Єдина Росія» і профільним комітетом з конституційного законодавства і державного будівництва; на думку його голови Володимира Плігіна, законопроєкт має на меті захист майнових інтересів жителів Республіки Крим та міста Севастополя, а не власників великого капіталу. Опозиційні фракції КПРФ, ЛДПР і «Справедлива Росія» законопроєкт не підтримали; так, депутат від «Справедливої Росії» Дмитро Гудков обурюється тим, що проблеми бізнесменів і чиновників, які потрапили під санкції, будуть вирішуватися за рахунок усіх громадян Росії; депутат від КПРФ Леонід Калашников вважає, що законопроєкт спрямований на захист бізнесменів, «які повинні були знати, на що йдуть, коли розсовували активи по західних країнах»; інший депутат від КПРФ Віра Ганзя вважає цинічним і аморальним відшкодування з федерального бюджету втрати російських підприємств і приватних осіб, що нерідко становлять до 20-30 млн євро, в умовах наближення економічної кризи і скорочення соціальних витрат:

На збільшення материнського капіталу у них грошей немає, а на це — звідкись знайшлися. А регіони — жебраки. Нещодавно повернулася з нашого регіону, там в одному селі жителі плачуть — в сільському клубі дах протік, немає коштів, щоб полагодити. Ось їм спробували б пояснити — навіщо підтримувати наших олігархів.

Уряд Росії влітку 2014 р. дав негативний відгук на законопроєкт за підписом Сергія Приходька, проте до вересня 2014 р. змінив свою позицію і погодився з прийняттям закону за умови внесення до нього окремих поправок.

Міністр економічного розвитку Росії Олексій Улюкаєв, який брав участь у підготовці першого (негативного) відгуку на законопроєкт, згодом критикував його публічно; на його думку, цей проєкт фактично пропонує бюджетну страховку на іноземні активи і тим самим сприяє виведенню капіталів за кордон. Міністр фінансів Росії Антон Силуанов вважає можливі витрати бюджету на виплати компенсацій у зв'язку з прийняттям закону незначними.

Сам бізнесмен Аркадій Ротенберг стверджує, що не займається лобіюванням цього закону і не збирається компенсувати особисті втрати за рахунок бюджету.

Примітки

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China's New Covid Policies Boost New Year, Spring Festival Travel Bookings
China's State Council issued a series of new pandemic control measures on December 7, relaxing restrictions on travel and boosting the search volume on domestic ticketing platforms.
The 10-point notice declared that negative nucleic acid test results and health codes will no longer be checked for cross-regional travelers. Except for nursing homes, welfare homes, medical institutions, nurseries, primary and secondary schools and other special places, it will not be required to provide negative tests or green health codes. Non-high-risk areas shall not restrict the flow of personnel, and high-risk areas may not be blocked off without the risk of community transmission.
The search volume for air tickets on Trip.com, a popular booking services provider, soared by 160%, among which searches for flights on the eve of the Spring Festival soared to their highest point in three years. The search volume for air and train tickets on TravelGo also increased by 438% and 276%, respectively.
According to data by Qunar.com, after the notice was released, the search volume for flights increased by seven times. The most popular destinations were Sanya, Chengdu, Guangzhou, Shanghai, Chongqing, Harbin and Changchun. The search volume for train tickets increased fivefold, and the top five most popular destinations are Chengdu, Changsha, Zhengzhou, Wuhan and Chongqing.
The coming month is generally the peak travel season. On the morning of December 7, the Office of the State Council officially announced the New Year's Day holiday in 2023, lasting from December 31 to January 2. Two weeks after the holiday, the Spring Festival will come.
According to Trip.com data, from 10:00 to 12:00 after the New Year's Day holiday notice was issued, the search volume of air tickets and hotels increased by six times and seven times respectively compared with the same period of the previous day. As of 12:00 on December 7, the top five cities with search popularity on New Year's Day were Shanghai, Sanya, Beijing, Macau and Hangzhou.
SEE ALSO: Founder of Chinese COVID Testing Firm Nucleus Gene Found Guilty of Academic Misconduct
Many tourists have begun to plan their trips next year. Trip.com's travel search popularity in 2023 this week increased by more than 900% compared with the same period of last year, reflecting users' optimistic expectations for next year's travel. With the change of policies and the recovery of people's confidence in traveling, the tourism market during the Spring Festival and next spring is gearing up for a rebound.
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Grade: 10-12 College Credit: 1.0 semester BY AUDITION ONLY HS Conversion Credit: .5 This course partially fulfills the Arts Standard Credit.
Advanced band, yearlong course, the PLHS Symphonic band is designed to provide the platform for advanced musical study. In this course students will develop & grow as musicians, performing most compositions with one individual per part. The symphonic band is designed to provide students with an opportunity for in- depth study in areas of: chamber music & wind band literature as it applies to their instrument. Through this study students will understand the cultural & artistic relevance of particular compositions throughout history. Members of the ensemble compete at MSHSL contests and perform 3 concerts a year. Students have the opportunity for solo/ensemble and touring during the year. Participation in Pep Band is required. The symphonic band is an audition only class, which consists of 9th- 12th grade students. *Students must meet College requirements to qualify for college credit. Symphonic Band I, II, III & IV are available.


Underneath the sands of Mauritius, located in the Indian Ocean, lays a secret. Deep beneath the sands lays an ancient continent.
According to NewScientist , Trond Torsvik and his colleagues at the University of Oslo, Norway, took a close look at grains of zircon which was found on Mauritius' beaches, and they measured the balance of lead and uranium isotopes to try to figure out their age. They came to the conclusion that some formed almost 2 billion years ago, even though the island is younger than 65 million years old.
According to GlobalPost, the zircon points to the existence of fragments of an prehistoric continent beneath the island. The fragments were brought to the surface after recent volcanic activity occurred on the island.
According to The Australian, the micro-continent has been dubbed "Mauritia", and fragments of the continent may also lay underneath the Seychelles and Reunion Island.
This discovery helps explain where the Seychelles originated from. The Seychelles are considered a geological peculiarity.
Scientists believe that the Indian Ocean could be filled with fragments from ancient continents.


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A marital property checklist may be useful • Sisemore Law Firm, P.C.
The divorce process can be complex and confusing. For individuals going through a high asset divorce, property division can be one of the most complex aspects of the entire process. While every divorce represents some type of financial concern to the parties involved, a high asset divorce may represent a significantly greater concern.
Items acquired both before and during a marriage, including personal property, real property and business assets may be of substantial value. With this in mind, it is likely that divorcing couples will want to spend a great deal of time evaluating and separating marital property. To keep the task as manageable as possible, couples should consider using a marital property checklist. This useful tool may prove invaluable to individuals concerned with a fair and equitable property division.
In order to keep property division as organized as possible, divorcing couples may choose to work with a checklist. Typically a marital property checklist will contain four categories of property; real property, personal property, financial assets and the business assets. Within these four categories, there may be several subcategories that help divorcing couples keep track of their property.
It may be easy for divorcing couples to keep track of large items such as land, cars and the marital home. However, high net worth couples may have collections of smaller items that represent an even greater value than their larger, more obvious property. Home furnishings, the tableware, jewelry and artwork are all subcategories under personal property that may be extremely valuable but are often overlooked. Likewise, subcategories of financial assets such as trusts, stocks, mutual funds and educational accounts may also be extremely valuable but still overlooked.
Working with a marital property checklist can help keep divorcing couples on task and focused on a fair and equitable property division. For individuals concerned that they may be overlooking important and valuable assets, speaking to an attorney may help.