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The fresh Zune browser is shockingly Fantastic, yet not as optimistic as the iPod's. It will work effectively, still isn't as immediate as Safari, and is made up of a clunkier interface. If you at times method upon using the world-wide-web browser which is not an issue, still if you might be building in the direction of browse the world wide web alot versus your PMP then the iPod's more substantial display screen and improved browser could be substantial.
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The fresh new Zune browser is remarkably constructive, however not as Terrific as the iPod's. It will work properly, but just isn't as instantaneous as Safari, and contains a clunkier interface. If you sometimes plan upon employing the net browser that's not an issue, however if you happen to be coming up with to read the net alot from your PMP then the iPod's greater screen and superior browser could possibly be sizeable.
Palms down, Apple's application shop wins by means of a mile. It can be a massive conclusion of all sorts of purposes vs a very unsatisfied quantity of a handful for Zune. Microsoft consists of plans, particularly in just the realm of video games, yet I am not positive I might will need to guess upon the foreseeable future if this element is critical towards yourself. The iPod is a considerably far better decision within just that situation.
Hands down, Apple's application shop wins through a mile. It is a large decision of all varieties of apps vs a as a substitute not happy option of a handful for Zune. Microsoft includes packages, primarily within just the realm of online games, still I am not certainly I would need to wager on the foreseeable future if this aspect is sizeable to oneself. The iPod is a much greater selection inside of that circumstance.
This is starting to be a little bit further more subjective, yet I considerably choose the Zune Market. The interface is vibrant, contains far more aptitude, and some amazing options together with 'Mixview' that permit oneself suddenly view equivalent albums, music, or other users equivalent in direction of what you happen to be listening toward. Clicking upon one particular of people will center upon that product or service, and yet another mounted of "neighbors" will occur into watch, allowing yourself in the direction of navigate about exploring by means of related artists, music, or users. Talking of people, the Zune "Social" is moreover Good exciting, allowing by yourself locate other individuals with shared choices and getting good friends with them. You then can pay attention in the direction of a playlist intended based mostly on an amalgamation of what all your friends are listening towards, which is additionally remarkable. Those anxious with privateness will be relieved in the direction of notice yourself can protect against the community versus looking at your person listening routines if yourself therefore consider.
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Concerning me and my partner we have owned even more MP3 players about the decades than I can count, such as Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, and many others. But, the past pair yrs I have solved down to just one line of avid gamers. Why? Because I was joyful in direction of discover how well-designed and pleasurable towards seek the services of the underappreciated (and widely mocked) Zunes are.
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Amongst me and my husband we've owned further MP3 avid gamers previously mentioned the several years than I can rely, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the remaining handful of many years I've settled down toward a single line of players. Why? Due to the fact I was pleased in the direction of investigate how well-designed and enjoyable to retain the services of the underappreciated (and widely mocked) Zunes are.
Apple at present is made up of Rhapsody as an app, which is a best begin, still it is presently hampered as a result of the inability in direction of retail store domestically on your iPod, and consists of a dismal 64kbps little bit value. If this adjustments, then it will fairly negate this comfort for the Zune, nevertheless the Ten songs for every thirty day period will still be a big additionally in Zune Pass' prefer.
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Apple presently is made up of Rhapsody as an application, which is a Good start off, nonetheless it is at present hampered by the incapacity towards retail store domestically on your iPod, and is made up of a dismal 64kbps little bit rate. If this alterations, then it will fairly negate this convenience for the Zune, still the Ten tunes per month will nonetheless be a huge additionally inside Zune Pass' favor.
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Zune and iPod: Utmost americans assess the Zune to the Touch, nonetheless after viewing how slim and incredibly very low and mild it is, I think about it in direction of be a quite exclusive hybrid that brings together characteristics of possibly the Touch and the Nano. It really is Really colourful and stunning OLED screen is a bit more compact than the contact screen, nonetheless the player alone feels Very a bit smaller and lighter. It weighs about 2/3 as significantly, and is considerably lesser within width and top, although getting exactly a hair thicker.
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text:
African Head Charge Vinyl Re-issues
Pre-order the bundle of all four here
Pre-order My Life In A Hole In The Ground here
Pre-order Environmental Studies here
Pre-order Drastic Season here
Pre-order Off The Beaten Track here
After a resurgent 2015, On-U Sound will kick off the new year with vinyl re-presses of the first four African Head Charge albums. All have been re-cut at 'Dubplates & Mastering' in Berlin for maximum bass pressure. They also include printed inner with sleeve notes by Steve Barker (On The Wire), and digital download cards for full album.
The groundbreaking debut album My Life In A Hole In The Ground from 1981 plays on both the title and concept of David Byrne and Brian Eno's My Life in the Bush of Ghosts. Built upon sparse backing tracks constructed by Adrian Sherwood, the producer invited Bonjo Iyabinghi Noah (who had studied under Count Ossie in the rasta drumming camp at Wareika Hill in Jamaica) to lay down hand percussion patterns and breaks on top, augmented by stereo-strafed effects and the occasional burst of Sun Ra-style horns. The result is a unique mixture of traditional African rhythms, dub and free jazz. Features DJ favourite "Stebeni's Theme" and "Far Away Chant", used to famously gruesome effect by David Lynch in the film Wild At Heart.
Second album Environmental Studies from 1982 saw African Head Charge working manipulated and vari-speeded 1/4 inch tape loops that were re-recorded back to the multi-track, soaked in reverb and delay, and then applied to the performances of the musicians, not to mention extensive use of found sounds and field recordings, hence the title. The brainchild of Adrian Sherwood and percussionist Bonjo Iyabinghi Noah, the group forged their own undefinable sound on these early albums which sound eerily contemporary, pre-dating the experimental bass music of labels such as Hyperdub and Tectonic. Features contributions from Bruce Smith (The Pop Group), Style Scott (Roots Radics) and Deadly Headley (The Wailers).
Their third album Drastic Season from 1983 was described by producer Adrian Sherwood as "experiments in active frequencies, out of time noises, rhythms within rhythms, and endless tape edits". More so than most that make the claim, African Head Charge could truthfully make the assertion at this stage in their career that the music they were making was a genre unto itself, defying categorisation. Loose echoes of traditional African percussion music, field recordings and roots reggae inform the mix, whilst some parts conjure up the stripped-back post-rock of Can or Tortoise.
Originally released in 1986, Off The Beaten Track still sounds forward thinking, forging a new middle ground between dub and electronic music. Programmed chants and unexpected sounds (barking dogs, breaking glass, gypsy violin loops) are dropped onto a fluid rhythmic bed. A landmark recording in the integration of sampling technology and live instrumentation.
Features contributions from Jah Wobble (Public Image Limited), Skip McDonald (Sugarhill Gang/Tackhead) and Albert Einstein (the theory of relativity)!
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On Saturday afternoon Newcastle travels the Emirates Stadium to take on Arsenal in the Premier League.
Newcastle hasn't won back-to-back away games against Arsenal since 1957, however, Arsenal are looking strong having just won three games in a row. Arsenal's form is reflected in the betting odds, bookies are offering 4/7 on a Gunners victory while the best on the Magpies is 6/1.
Both Mikel Arteta and Aaron Ramsey are ready to return to Arsenal, however, they might not both be starting due to the impressive performances of Alex Oxlade-Chamberlain and Tomas Rosicky against AC Milan earlier this week.
The team will also be benefiting from the return of Andre Santos who was out injured for three months.
Newcastle is likely to be missing Yossi Benayoun but Shola Ameobi could return from illness. Peter Lovenkrands, Sammy Ameobi and Leon Best are all expected to be side-lined.
Arsenal is five points ahead of Newcastle in fourth place. A win would place them just one point behind Tottenham. However, Arsenal has lost its last three Premier League meetings with Newcastle; the last time they won was in March 2009.
On the other hand they did beat them 4-0 in the League Cup last season.


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Great news, ClassEval is now open for you to submit your opinion on your courses this session. ClassEval will close Monday December 10th at 8am! Don't delay or you risk missing this valuable chance to grade your courses. This is a limited window so respond as soon as you can!
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ClassEval is confidential. Instructors do not know your responses. Instructors only see a summarized report, and that is only after the final grades deadline on December 20th.
All students enrolled in surveyed classes as-of Monday November 26th will receive an evaluation opportunity.
It is important to let your students know now to submit their evaluations. They may complete them both by desktop and mobile devices and update them as desired throughout the survey process.
Please remind your students how ClassEval is an important part of the instructional process and is used. Ask them to logon and respond to the surveys for your classes.
Daily reminders will be sent to students enrolled in surveyed classes as of November 26th.


Strength in Our Streets is this Saturday and we would love all the help we can get for this event! Click this link to register as a volunteer for whatever time you have available on Saturday the 24th. You can also donate to the NapTown Fitness team, all donations will go to Wheeler Mission and Outreach Indiana. If you help the team get into the top 3 in fundraising, then Jared and Peter have agreed to drag a sled from Delaware to Monon!
we will be starting the week off with a rotating EMOM, mixing capacity work, skill work, and some explosiveness. You will finish your day off with a quick workout that will likely leave your legs feeling a bit like jelly when you walk out of the gym.
your workout today will be a testing kind of day. You have three different movements that you will be testing in a sprint like fashion with two opportunities at each. There will be built in rest to help you keep the intensity high as we go through the challenges.
time for some strength work this week! We will be dropping the reps back down in our alternating strength work with the goal being to work at a heavier weight than the last time we ran through these movements. Hopefully you have been tracking your scores on train heroic so you have an idea of where you were last time! We will finish the day off with an AMRAP involving some odd objects.
getting in our muscle up practice this week focused on building a strong, stable foundation on the rings and developing a big pull. You will finish your day out with a gymnasty workout.
beginning our day with more core development and some flute activation to get you prepped for the rest of the day. In similar fashion to a few weeks ago, we will be focusing on one lift on the minute with the goal being to work towards a one rep max. Build slowly to refine your technique and see where the day takes you!
we are finishing our week out with a variation on Annie that teams will be taking on at Strength in Our Streets. Pack your jump ropes and drag a friend to the gym today for this fun workout!
Have a fun and fit week!


text:
using UnityEngine;

//This class animates a gameobject along the spline at a specific speed.
[AddComponentMenu("SuperSplines/Animation/Regular Animator")]
public class SplineAnimator : MonoBehaviour
{
	public Spline spline;

	public WrapMode wrapMode = WrapMode.Clamp;

	public float speed = 1f;
	public float offSet = 0f;

	public float passedTime = 0f;

	void Update( )
	{
		passedTime += Time.deltaTime * speed;

		float clampedParam = WrapValue( passedTime + offSet, 0f, 1f, wrapMode );

		transform.position = spline.GetPositionOnSpline( clampedParam );
		transform.rotation = spline.GetOrientationOnSpline( clampedParam );
	}

	private float WrapValue( float v, float start, float end, WrapMode wMode )
	{
		switch( wMode )
		{
		case WrapMode.Clamp:
		case WrapMode.ClampForever:
			return Mathf.Clamp( v, start, end );
		case WrapMode.Default:
		case WrapMode.Loop:
			return Mathf.Repeat( v, end - start ) + start;
		case WrapMode.PingPong:
			return Mathf.PingPong( v, end - start ) + start;
		default:
			return v;
		}
	}
}

redpajama_set_name: RedPajamaGithub


42,000 people attend Ballet Austin performances each year. Who knew that some of the most exciting works of ballet are being performed in our backyard?
You don't have to be a diehard ballet geek to appreciate the cultural value Ballet Austin adds to our city. You don't even have to be a current fan of ballet to enjoy what Ballet Austin has to offer.
Here are 5 things you never knew about Ballet Austin.
From a nationwide pool of 300 arts organizations, Ballet Austin is among 26 that won the "Building Audiences for Sustainability" grant through the Wallace Foundation. The 6-year, $52 million initiative by the Wallace Foundation is an effort to gain insight into how arts organizations can expand their audiences.
Ballet Austin's focus on and creation of contemporary works that appeal to the diverse Austin community is what made it stand out among hundreds of applicants. With their grant share coming in at $455,000, expect Ballet Austin to develop works that meet the purpose of the Sustainability grant: fostering improvements in the vitality of the arts for everyone.
Led by Artistic Director and Choreographer Stephen Mills, Ballet Austin delivers a combination of classic and contemporary ballet. What that means is you can expect to see familiar performances (think Nutcracker and Swan Lake) mixed with innovative works like Belle Redux/A Tale of Beauty and The Beast, a contemporary version of the Beauty and the Beast story featuring original music by local composer Graham Reynolds.
But collaborating with local artists and designers doesn't begin to tell the story of just how special Ballet Austin is.
Stephen Mills' own creation, Light/The Holocaust Humanity Project, has garnered international acclaim because of the way it presents a powerful topic. Light is a ballet and Holocaust partnership that promotes the protection of human rights against bigotry and hate through arts, education and public dialogue. In Austin, Light partnered with over 40 community partners to put on the performance. It was also the subject of an Emmy award-winning KLRU documentary and is currently traveling to West Palm Beach.
You can learn how to dance like Beyonce, too. It's not all about performing at Ballet Austin. You and your friends can get a solid workout on.
The Pilates Center – Voted "Best Pilates in Austin 2012." You can attend Ballet Austin's Pilate Center classes 7 days a week. They offer private and group classes, discounted "Pilates Challenge" packages and pilates mat courses.
Dance and Fitness Workshops – Here's where things get fun. Take classes to learn Salsa, Bollywood dancing and ballet if you've ever been curious to try it. You can also take a class to learn the choreography to Beyonce's "Boo" and her song "7/11." What?! Plenty of programs for kids too, so check it out for the upcoming summer break.
Founded in 1956, Ballet Austin Academy has over 800 students and is the official school of Ballet Austin. In fact, only Academy students are eligible to audition for roles in full-length company productions. From as young as age 3, students learn the fundamentals of classical ballet and can continue training through high school.
Ballet Austin also sponsors the Butler Fellowship. After a rigorous selection process, the year long, post high school program helps Butler Fellows continue exploring techniques and choreography unique to Ballet Austin: a mix of contemporary and classical ballet.
Every year, Ballet Austin hosts Fête and its companion party Fête*ish, a fundraiser gala where Ballet Austin supporters and community leaders gather for a night of dancing, dining and philanthropy.
This year, the event will be held at the new JW Marriott in downtown Austin on September 18, 2015.
Academy Financial Aid Program – Over $250,000 a year in need-based scholarships is given to Ballet Austin Academy students who want to train in classical ballet but lack the financial resources to do so.
Pilates Pink Ribbon Program – A free 10-week pilates program designed for women who are recovering from breast cancer surgery.
Leaps and No Bounds Program – By using movement, Leaps and No Bounds program instructors work with teachers and students to enhance core subject learning through kinesthetic learning in economically challenged elementary schools.
If you've never been to a ballet performance, Ballet Austin is the place to start. You can see a classic like Swan Lake or dive into something more unique and truly local. Or maybe you just want to challenge yourself physically by emulating Beyonce's moves.
Whatever your interest may be, you should spend some time at Ballet Austin and see for yourself the treasure that is tucked away downtown.
Have you experienced Ballet Austin?


Procell's CarniCell 3000 is the purest L-carnitine that can be found. The proof of this is the seal of quality that assures us its purity indicating that it is 100% Carnipure® (patent that guarantees the purity of L-carnitine). Due to its purity, quality and the mega dose of 2500mg of carnipure per 25mL the weight loss is guaranteed with success. Moreover, Procell has designed the 100% CDR product of pyridoxine, vitamin B6, which is related to the most energy metabolic processes, offering more fat potency and a good combination to increase the absorption of carnitine. CarniCell 3000 also gives us 500 mg of acetyl L-carnitine. Acetyl L-carnitine shares with L-carnitine its property to introduce fatty acids into the bloodstream of the mitochondria from the bloodstream. However, it differs from it in the way that it can cross the blood-brain barrier, offering an improvement in neurotransmitters. Significantly increases the sensitivity and stimulus of the relationship between glucose uptake with insulin, to insulin.
It must be emphasized that l-carnitine in solution is absorbed more completely and quickly than in the powder or tablet state, which is why Procell has opted for the format that offers the best results.
L-Carnitine stimulates the use of fatty acids in our small energy engines called mitochondria, where fats will burn or oxidize to release energy.
Thus, L-Carnitina, apart from reducing our adipose accumulations, it provides energy of fat directly, the most interesting for athletes and for everybody in general. Therefore, this sport supplement can be used for two different purposes: one of them is the reduction of fats because of doing physical activity and the other one provides more energy for high endurance and prolonged strength tests or for periods of low calories diet.
L-Carnitina use to have a bitter taste, in this case, Procell has added flavours and a little quantity of quick release of carbohydrates. This added will provide more energy in any physical activity and will give a nice flavour to this product which is ideal for loss of fats.


Dutch painter of pastoral landscapes in the Italianate manner, principally active in Haarlem. He was the son of the still-life painter Pieter Claesz. and it is not known why he adopted a different surname. Claesz. was his first teacher, but although Berchem tried his hand at most subjects, no still-lifes by him are known. He visited Italy in the 1640s and perhaps again in the 1650s and became, with Jan Both, the most highly regarded exponent of the Italianate landscape.
Successful and well rewarded in his lifetime, he had numerous pupils and his influence on 18th century English and French landscape painters was very considerable, Gainsborough and Watteau being among the artists who particularly admired his work.


VSO consulting has extensive knowledge and experience in structural analysis and structural design. We strive to accommodate both elegance and efficiency and employ the latest software for computations and graphics. To achieve the best results we emphasize close collaboration with the client, architects and other designers.
We stay abreast of the latest developments in structural analysis and consult with professionals abroad to broaden our perspectives. Thus, we ensure our design is efficient and according to latest technology.


Online Acer ADP-65JH BB - COMPATIBLE LAPTOP ADAPTER CHARGER - 19V 3.42A 65W in India Online India Shop for Acer ADP-65JH BB - COMPATIBLE LAPTOP ADAPTER CHARGER - 19V 3.42A 65W at Lowest Price Check Our Other Cables For your Device! Premium Quality. Compare the price here.


Electrical and Computer Engineering is the creative application of engineering principles and methods to the design and development of hardware and software systems. The M.S and Ph.D. programs encompass the design, development, testing, and evaluation of hardware and software components, as well as integrated systems and networks. Broad focus areas in ECE are computer engineering, communications and networks, signal and information processing, and electronic circuits and systems. Research in Electrical and Computer Engineering strives to achieve innovative functionality and higher performance in electronic systems and components, algorithms, and computing.
Visit the Department of Electrical and Computer Engineering website.
The M.S. in Electrical and Computer Engineering provides a student greater breadth and depth within the field, preparing them for positions in industry or for additional study. While a B. S. degree provides a strong, broad foundation, the M.S. degree provides a greater degree of specialization in one of our technical concentration areas. Students can select the thesis option that includes a multiple-semester research project or a non-thesis option.
The Ph.D. program prepares students for research and/or teaching careers in industry, at universities, or in government agencies. Students work closely with an ECE faculty member, performing research that leads to their doctoral dissertation (thesis). The program develops the student's ability to recognize and formulate research problems, apply theoretical and/or experimental techniques to develop a solution, and to transmit the results to the scientific and engineering community.


The Gorilla Carpet Cutter has an easy-loading blade slot and adjustable blade depth.
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The thumbscrew is ideal in assisting quick turn blade changes and adjustments.
Blade retract into pockets housed in a durable, stainless steel body.
The Gorilla Cutter includes Better Tools top quality carpet blades in mini-dispenser with built-in blade disposal.
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The stainless steel body is lightweight for ease of control with reduced hand fatigue. No need to worry that coating will peel from the tool into new carpet during use. Stainless steel is easily wiped clean and chances for rusting are reduced.


Anthony Hawkins, extending the hottest hitting display in the Classic's 42-year history, went 3 for 3 with two home runs, a double and four RBIs while powering Fresno to a 9-4 win over Independence. He's 9 for 11 (.818) with four home runs, one triple, three doubles and 10 RBIs in the tournament. The Warriors (17-3) are seeking their first Classic title since 1989. The event's hosts will play Davis at 10 a.m. at Euless Park.
Yosemite, remaining the tourney surprise after arriving Monday with a 4-12 record, received a six-hitter on the mound and two hits and two RBIs at the plate from Luke Riley in a 7-1 win over Sierra-Manteca. The Badgers will close the final phase against Hanford West at 2 p.m. at Clovis West.
Jon Farino earned the win, Savea Sefo and Niko Pacheco each had two hits and Bullard rallied for three runs in the bottom of the seventh for a 4-1 win over third-ranked Centennial.


Day 23—24 November 2011 It's loverly! (a Granny-ism) Thanksgiving is hands-down my favorite holiday of the year, largely because of its proximity to my fabulous Granny's birthday. Granny makes The Best Stuffing Ever. Now that she lives way far away, we have to fend for ourselves. My better half is the better cook, and he's in charge of most of the meal. But, I got this!


text:
Zhang Xiaobin (; born 23 October 1993) is a Chinese footballer who plays as a  defensive midfielder for Wuhan Three Towns.

Club career
Zhang Xiaobin started his football career with Jiangsu Sainty during the 2014 season   after playing for Jiangsu Youth during the 2011 season  and the 2012 season. On 23 July 2014, Zhang made his debut for Jiangsu Sainty in the 2014 Chinese FA Cup against Lijiang Jiayunhao, coming on as a substitute for Ji Xiang. On 26 October 2014, he made his Super League debut in the 2014 Chinese Super League against Shanghai East Asia. He scored his first and very decisive goal in CSL on 15 August 2015, when Jiangsu beat Shanghai Shenxin 1–0.

On 13 February 2019, Zhang was loaned to fellow first-tier club Tianjin Tianhai for the 2019 season. On 1 March 2019, he made his debut for the club in a 3–0 away defeat against Guangzhou Evergrande. On his return to Jiangsu he would be part of the squad that helped aid the club win the 2020 Chinese Super League title. On 28 February 2021, the parent company of the club Suning Holdings Group announced that operations were going to cease immediately due to financial difficulties.

On 6 April 2021, Zhang joined second tier club Wuhan Three Towns on a free transfer. In his debut season he would go on to establish himself as a vital member of the team and help aid the club to win the league title and gain promotion as the club entered the top tier for the first time in their history. The following campaign he would be part of the squad that won the 2022 Chinese Super League title.

International career
Zhang was called up to the senior China squad for the 2018 FIFA World Cup qualification – AFC Third Round.

Career statistics

Statistics accurate as of match played 11 January 2023.

Honours

Club
Jiangsu Sainty
Chinese Super League: 2020
Chinese FA Cup: 2015

Wuhan Three Towns
Chinese Super League: 2022.
China League One: 2021

References

External links

1993 births
Living people
Sportspeople from Nantong
Chinese footballers
Footballers from Jiangsu
Jiangsu F.C. players
Tianjin Tianhai F.C. players
Chinese Super League players
China League Two players
Association football midfielders

redpajama_set_name: RedPajamaWikipedia


text:
Captain Beefheart (właśc. Don Van Vliet; urodzony jako Don Glen Vliet, 15 stycznia 1941 w Glendale, zm. 17 grudnia 2010 w Arcata) – kompozytor, wokalista, muzyk, poeta i malarz.

Życiorys

Początki
Był niezwykle rozwiniętym dzieckiem, od najwcześniejszych lat wykazującym talent artystyczny. Jego pierwszymi pracami były rzeźby w mydle, tworzone podczas kąpieli w wannie. Ich tematem były przede wszystkim zwierzęta, a jego miłość do świata natury będzie obecna we wszystkich jego późniejszych działaniach.

Jego kariera w przemyśle rozrywkowym zaczęła się w wieku 5 lat. Podczas zwiedzania Griffith Park Zoo w Los Angeles portugalski rzeźbiarz Augustino Rodriguez zauważył szkicującego Dona i zaprosił go do swojego edukacyjnego programu w miejscowej telewizji. Raz w tygodniu Don rysował i rzeźbił w studiu TV. Jak sam twierdził w wieku 11 lat miał wykład w Barnsdale Art Institute w Los Angeles.

W wieku 13 lat Don wygrał 3-letni wyjazd na studia rzeźbiarskie w Europie. Miał udać się do Europy po skończeniu 16 roku życia. Jednak do wyjazdu nie doszło z dwóch przyczyn: sam Don był temu niechętny, gdyż musiałby oglądać te wszystkie kościelne obrazy, a z kolei jego rodzice będąc przekonani, że wszyscy artyści to homoseksualiści, nie zgodzili się na wyjazd. Równocześnie postanowili przerwać kontakty syna z Rodriguezem i przenieśli się do miasteczka Lancaster na pustyni Mojave, w pobliżu Bazy Lotniczej Edwards.

W Lancasterze zaczął uczęszczać do szkoły średniej Antelope Valley, co było dla niego niemal traumatycznym wydarzeniem, gdyż nie potrafił skupiać uwagi przez dłuższy czas, poddawać się reżimowi szkolnemu i nie lubił czytać książek W wywiadzie udzielonym Billowi Gubbinsowi w 1974 r. powiedział Nie, nigdy nie chodziłem do szkoły. Dlatego mam kłopoty z czytaniem. Prawdopodobnie jedną z głównych przyczyn dlaczego jestem poetą – jest to, iż nie mogłem zaakceptować takiego języka angielskiego i zmieniłem go.

Jednak domowa atmosfera była znakomita i rodzice Dona Glen i Sue byli przez wszystkich lubiani, traktując wszystkie dzieci jednakowo przyjacielsko. Jednym z pierwszych przyjaciół Dona w Lancasterze stał się Jim Sherwood, późniejszy muzyk The Mothers of Invention, który (tak jak i jego starszy brat Chuck) często gościł w domu Dona.

W tym czasie wykrystalizował się już gust muzyczny Dona, który prawie całkowicie odseparował go od innych uczniów szkoły, z wyjątkiem zaledwie kilku. Został porwany przez wiejski blues (country blues) i awangardowy jazz Johna Coltrane'a, Ornette'a Colemana (z którym się później zaprzyjaźni) i Cecila Taylora.

W 1956 r. do Lancasteru przeprowadziła się z San Diego rodzina Zappów. Ich syn Frank Zappa miał już za sobą pierwsze doświadczenia muzyczne, jako 14-latek był perkusistą w grupie The Ramblers, która wykonywała głównie utwory Little Richarda. Równocześnie komponował i wykonywał z orkiestrą szkolną awangardowe utwory w stylu swojego mistrza Edgara Varèse'a.

Wspólne zainteresowania muzyczne zbliżyły Franka i Dona i wkrótce obaj byli już przyjaciółmi. Spotykali się w domu Dona, który miał dużą kolekcję płyt bluesowych, rhythm and bluesowych i jazzowych. Wspólnie wykonywali także bluesy dla własnej przyjemności, gdyż z powodu niezwykłej nieśmiałości Dona, namówienie go na jakiś występ publiczny czy nawet domowe nagranie, było niemożliwe. Sztuka ta udała się dopiero w 1958 r., gdy szkolnej klasie Don (wokalista), Frank (gitarzysta prowadzący) i Bobby Zappa (gitarzysta akordowy) nagrali utwór Lost in a Whirlpool. Nagranie to ujawnia talent wokalny i możliwości improwizatorskie Dona.

W tym samym czasie w okolicy powstają dwa zespoły: The Omens – założony przez gitarzystę Alexa Souffera i The Blackouts – założony przez Franka Zappę, w którym Snouffer grał na trąbce. Oba zespoły częściowo wykorzystywały tych samych muzyków (np. Jima Sherwooda), gdyż w okolicy po prostu więcej ich nie było. Don niewątpliwie od czasu do czasu dołączał do nich aby zaśpiewać jeden czy dwa utwory. Jednak w tym czasie zainteresowany był głównie sztuką i występy w ogóle go nie interesowały.

W tym okresie Don ostatecznie rzuca szkołę (Antelope Valley Junior College) i rozpoczyna szereg prac; po ataku serca, któremu uległ jego ojciec, Don bierze na siebie rozwożenie wypieków do sklepów w całej dolinie Antelope. Krótko pracuje w zakładach lotniczych, potem jako grafik, następnie jest menedżerem sklepu z obuwiem i wreszcie zostaje domokrążnym sprzedawcą odkurzaczy. Jeden z nich sprzedał samemu Aldousowi Huxleyowi reklamując go Proszę pana, ta rzecz naprawdę ssie.

Don i Frank byli w stałym kontakcie i w 1963 r. zakładają zespół The Soots w składzie; Don – wokalista, harmonijka; Frank – gitarzysta, Janschi – gitarzysta basowy i Vic Mortensen – perkusja. Oprócz nagrań jako The Soots, Don z Frankiem zajmują się innymi projektami; eksperymentują z muzyką i filmami. Jednym z ich projektów jest film fantastyczno-naukowy Captain Beefheart versus Grunt People. Według Zappy w filmie wziąć mieli udział Don (jako Captain Beefheart), bluesman Howlin' Wolf, kilku przyszłych członków The Mothers of Invention oraz Grace Slick, wokalistka grupy Jefferson Airplane. Film jednak nigdy nie wyszedł ze stadium scenariusza pisanego według historyjek wymyślanych przez Dona. Później pracowali nad pierwszą w świecie rockową operą I Was a Teenage Malt Shop, która nigdy nie została dokończona z powodu odrzucenia nagrań The Soots przez Johna Landisa z CBS.

Mniej więcej w tym samym czasie Don kupuje sobie saksofon i dołącza do różnych grup muzycznych, z których jest natychmiast zwalniany, za zbyt niekonwencjonalną grę. Prawdopodobnie pod koniec 1963 r. Frank posyła kilka nagrań The Soots firmie Dot Records. W pisemnej odmowie z 19 września można przeczytać: materiał nie jest wartościowy i nie jesteśmy wystarczająco mocno przekonani, co do jego komercyjnych możliwości. Mil Rogers jeszcze telefonicznie uzasadnił odrzucenie nagrań zniekształconym dźwiękiem gitary.

Wymyślona przez nich postać Captaina Beefhearta miała być kombinacją bohatera z ich dzieciństwa (na wzór np. takiej postaci jak Captain Midnight) oraz żartu – z którego powstało nazwisko Beefheart

W tym czasie w barze Don poznaje Douga Moona, którego zaprasza do Studia Z należącego do Zappy. Moon – późniejszy gitarzysta Magic Bandu – stał się tam prawie codziennym gościem.

Captain Beefheart and His Magic Band

Zespół, początkowo bez nazwy, założył Alex Snuffer w lutym 1965 r. Alex zebrał muzyków, czyli Douga Moona (gitara), Jerry'ego Handleya (gitara basowa) i Paula Blakely'ego (perkusja) jeszcze pod koniec jesieni 1964 r., brakowało im jednak wokalisty. W lutym skład został dopełniony przez Dona i przetrwał do kwietnia, kiedy to Blakely został zamieniony na Vica Mortensena. Grupa ta przetrwała mniej więcej do końca 1982 r. chociaż w międzyczasie zmieniały się składy zespołu, których było ponad 40. Don był jedynym muzykiem, który znajdował się we wszystkich składach grupy.

Mniej więcej w tym samym czasie Alex i Don zmieniają swoje nazwiska, gdyż poszukiwała ich policja pod zarzutem przemytu gąbek do Nevady. (Niektórzy fani twierdzą, że dokonali także kilku włamań podczas ich samochodowych wędrówek po Teksasie). Don dodaje sobie Van i jego nazwisko brzmi teraz Don Van Vliet, a Alex zamienia Snouffer na St. Claire.

Od połowy 1966 r. Don stał się pełnoprawnym liderem i narzucił grupie kierunek dalszego rozwoju stylistycznego. Nastąpiło także równoczesne utożsamienie się z Captainem Beefheartem.

Natychmiast po nagraniu płyty Safe as Milk grupa przystąpiła do prób przed planowanym występem na Monterey Pop Festival. Ostatnim sprawdzianem miał być występ w amfiteatrze na Fantasy Fair and Magic Mountain Festival na Mt. Tamalpais w San Francisco 10 i 11 czerwca. Drugim utworem wykonywanym przez grupę był Electricity. Don zaśpiewał wstępną partię i kiedy dotarł do wersu eeee-lec-tri-cit-eeee nagle zamarł, obrócił się i chciał zejść z tyłu 10-stopowej sceny, jednak spadł z niej prosto na siedzącego menedżera grupy Krasnowa. Wydarzenie to prawdopodobnie zniszczyło karierę zespołu. Od tego momentu stali się awangardową grupą, która już nigdy nie zrobiła pieniędzy i nie stała się popularna. Grupa już bez Dona dokończyła utwór i zeszła ze sceny. Ry Cooder, ich ówczesny gitarzysta, natychmiast opuścił zespół. Nie uległ już później żadnym namowom do powrotu i występu w Monterey. Zapowiedział, że nigdy nie wystąpi z Donem.

Za Coodera do zespołu doszedł nowy gitarzysta, Jeff Cotton z byłego zespołu Frencha Blues in the Bottle. Don otrzymał grupę, która mogła realizować jego coraz bardziej awangardowe pomysły muzyczne.

We wrześniu 1967 r. ukazał się album Safe as Milk i singiel Yellow Brick Road/Abba Zaba, ale Don wytyczył już nowy kierunek muzyczny grupy. Chociaż pozornie podobny do psychodelii, w rzeczywistości przekraczał ją i szedł w zupełnie innym kierunku. Wielki wpływ na Dona wywarł wówczas gitarzysta Gabor Szabo.

W grudniu 1969 r. Peter Frame przeprowadził wywiad z Beefheartem i zadał mu pytanie dotyczące właśnie tego okresu. Pod koniec 1967 r. mieliście wiele (...)występów(...). Czy pracowaliście dużo w trasie? Don odparł Nie...dużo graliśmy, ale nie pracowaliśmy. Ale tak naprawdę nie pamiętam tego, ponieważ wtedy grałem. To jest jak z dzieckiem, które w coś gra – jestem pewien, że nie będzie tego pamiętało. I tak jest właśnie z muzykę.

W styczniu 1968 r. grupa odbyła tournée europejskie a 27 stycznia wystąpiła na Targach MIDEM w Cannes.

Cały zespół zamieszkał wówczas w wynajętym domu na Ensenada Drive w Woodland Hills blisko do granicy Tarzany. Grupa pracowała nad nową płytą nieraz po kilkanaście godzin dziennie. Don komponował i tworzył teksty. Zmuszał muzyków do krańcowego wysiłku. Po nagraniu Safe as Milk doszło do zatargu między nim a Alexem, a grupa wybrała Alexa, usiłując pozbyć się trudnego do współżycia Beefhearta.

Ponieważ producentem albumu był Frank Zappa, byli znów w bliskim kontakcie i na przełomie 1968 i 1969 r. nagrali wspólnie utwór I'm a Band Leader.

Na początku 1969 r. Beefheart, Zappa, Elliot Ingber i John French nagrywają w suterenie Zappy utwór Alley Cat. Został wydany w 1996 roku na albumie "The Lost Episodes". Słowa i muzyka zostały całkowicie zaimprowizowane przez Dona. Z tego okresu kolaboracji Dona i Franka pochodzi także utwór recytowany przez Dona The Grand Wazoo. W 1992 r. Zappa dograł do niego podkład na synklawierze.

Captain Beefheart and His Magic Band otrzymali zaproszenie na występ na przygotowywanym festiwalu w Woodstock, jednak Beefheart nienawidzący hipisów zadecydował, że zespół nie ma tam czego szukać i odrzucił zaproszenie. Nie, nie grajmy tam. To tylko jakaś kupa pijanych hipisów siedząca w błocie.

W lipcu 1969 r. ukazał się album Trout Mask Replica. Krytycy, z Lesterem Bangsem z pisma Rolling Stone na czele, w większości przyjęli płytę bardzo pozytywnie. Mimo to Vliet zaczął narzekać, że płyta nie została odpowiednio wyprodukowana. Tak rozpoczął się pierwszy konflikt pomiędzy Beefheartem a Zappą. W późniejszym okresie obaj już to kłócili się, już to godzili, powracając do głębokiej przyjaźni. Konflikty były raczej powodowane przez Vliet. Pod wpływem menedżera Herba Cohena Zappa postanowił uruchomić własny, niezależny biznes nagraniowy, co krytykoał Vliet. Muzycy pogodzili się przed śmiercią Zappy w 1993 r.

We wrześniu 1969 r., mimo konfliktu, Vliet razem z Zappą i jego nowymi muzykami rozpoczęli nagrania w znanym studiu TTG w Los Angeles. Skład tej grupy to: Frank Zappa (gitara, gitara basowa, instrumenty perkusyjne), Ian Underwood (instrumenty klawiszowe, saksofon), Don Sugarcane Harris (skrzypce), John Guerin (perkusja), Max Bennett (gitara basowa) oraz Captain Beefheart (wokal). Plonem tej sesji nagraniowej był utwór Willie The Pimp.

Dyskografia

Captain Beefheart and His Magic Band

Albumy studyjne
 Safe as Milk (1967)
 Strictly Personal (1968)
 Trout Mask Replica (1969)
 Lick My Decals Off, Baby (1970)
 Mirror Man (1971)
 The Spotlight Kid (1972)
 Clear Spot (1972)
 Unconditionally Guaranteed (1974)
 Bluejeans & Moonbeams (1974)
 Shiny Beast (Bat Chain Puller) (1978)
 Doc at the Radar Station (1980)
 Ice Cream for Crow (1982)

Kompilacje i albumy koncertowe
 The Legendary A&M Sessions EP (1984)
 I May Be Hungry but I Sure Ain't Weird (1992)
 A Carrot Is As Close As A Rabbit Gets To A Diamond (1993)
 London 1974 (1994)
 Grow Fins: Rarities 1965-1982 (1999)
 The Dust Blows Forward (1999)
 I'm Going to Do What I Wanna Do: Live at My Father's Place 1978 (2000)
 Magnetic Hands – Live in the UK 72-80 (2002)
 Railroadism – Live in the USA 72-81 (2003)
 Amsterdam 1980: Live (2006)

Single
 "Diddy Wah Diddy" / "Who Do You Think You're Fooling" (1966)
 "Moonchild" / "Frying Pan" (1966)
 "Yellow Brick Road" / "Abba Zaba" (1967)
 "Pachuco Cadaver" / "Wild Life" (France only) (1970)
 "Click Clack" / "I'm Gonna Booglarize You, Baby" (1972)
 "Too Much Time" / "My Head Is My Only House Unless It Rains" (1973)
 "Upon the My-O-My" / "Magic Be" (UK) (1974)
 "Sure 'Nuff 'n Yes I Do" / "Electricity" (1978)
 "Ice Cream for Crow" / "Oceands" (1982)

Don Van Vliet/Captain Beefheart
 1. Bongo Fury (album sygnowany jako Frank Zappa/Captain Beefheart/Mothers. 1975)
 2. The Bongo Fury Tour at the County Coliseum – El Paso (bootleg, także inne nagrania)
 3. An Evening With... Frank Zappa and Captain Beefheart (archiwalia i wersje)
 4. The Lost Episodes (1996 – archiwalne nagrania Franka Zappy i kilka Beefhearta)
 6. Cheap Thrills (1998 – Frank Zappa – jedno archiwalne nagranie Beefhearta)
 7. Mystery Disc (1998 – Frank Zappa – kilka archiwalnych nagrań Beefhearta)
 8. W 1977 r. Don Van Vliet pomaga grupie The Tubs w nagraniu albumu Now i nagrywa partię saksofonu w utworze Cathy's Clown i partię harmonijki ustnej w Golden Boy.
 9. Nagrywa także partie harmonijki ustnej na dwu albumach Franka Zappy One Size Fits All (utwory San Ber'dino oraz Can't Afford No Shoes) i Zoot Allures (utwór Find Her Finer).
 10. Frank Zappa, album Hot Rats (1969) zawiera partię wokalną Beefhearta w utworze Willie the Pimp.

Wystawy indywidualne i zbiorowe

Wystawy indywidualne
 1972. Paintings. Bluecoat Gallery, Liverpool
 1985. Sechs Bilder. Galerie Michael Werner, Kolonia / Mary Boone Gallery, Nowy Jork
 1986. Waddington Galleries, Londyn
 1987. Zehn Bilder. Galerie Michael Werner, Kolonia / Galerie Brinkmann, Amsterdam
 1988. Neun Bilder. Galerie Michael Werner, Kolonia
 1988/1989. Galerie Lelong, Zurych
 1989. New Work. Museum Of Modern Art, San Francisco
 1990. Galerie Frank Hanel, Frankfurt / Galerie Michael Werner, Kolonia / Fred Hoffman Gallery, San Francisco
 1991. Kunsthallen Brandts Klaedefabrik, Odense / Michael Werner Inc., Nowy Jork / Galerie Michael Werner, Kolonia
 1992. Galerie Michael Haas, Berlin / Kunsthallen Brandts Klaedefabrik, Odense
 1993. Galerie Michael Werner, Kolonia /Bielefelder Kunstverin, Museum Waldhof, Bielefeld Don Van Vliet – Stand Up To Be Discontinued
 1994. Galerie Daniel Blau, Monachium / Kunsthallen Brandts Klaedefabrik, Odense Don Van Vliet – Stand Up To Be Discontinued / Brighton Museum and Art Gallery, Brighton Don Van Vliet – Stand Up To Be Discontinued
 1994/1995. 141. An LundbyStrand, Göteborg
 1995. God's Empty Socks and Other Paintings. Michael Werner Gallery, Nowy Jork / Galleri Stefan Andersson, Umadalen/Umea / Cleveland Centre for Contemporary Art, Cleveland /Galleri Aveny, Göteborg
 1996. Galerie Michael Werner, Kolonia
 1998. Don Van Vliet – New Work. M. Knoedler & Co., Nowy Jork
 1999. Works On Paper. Michael Werner Gallery, Nowy Jork
 2000. The Lowe Gallery, Atlanta, Georgia
 2001. Rockin' Art. Cultureel Centrum Stedelijke Musea Sint Niklaas (wystawa i wydarzenie muzyczne) / Rockin' Art. Kunstvereniging, Dpiepenheim (wystawa i wydarzenie muzyczne) / Painting From the Eighties. Michael Werner Gallery, Nowy Jork

Wystawy zbiorowe
 1982. Performance Video. Museum of Modern Art, Nowy Jork
 1985. From Organism To Architecture. New York Studio School, Nowy Jork
 The Chi-Chi Show. Massimo Audiello Gallery, Nowy Jork
 Factura. Gallery Schlesinger-Boisante, Nowy Jork
 1987. Byars, Chamberlain, Salle, Fishl, Lasker, Van Vliet. Galerie Michael Werner, Kolonia
 1988. Accrochage. Gallerie Michael Werner, Kolonia
 A La Surface De La Peinture; Les Annes 80. Centre d'Art Contemporain, Abbaye Saint Andre
 1989. Accrochage. Gallerie Michael Werner, Kolonia
 Bilderstreirt. Widerspruch, Einheit und Fragment in der Kunst seit 1960. Museum Ludwig, Kolonia
 Accrochage. Gallerie Michael Werner, Kolonia /Galerie Frank Hanel, Frankfurt
 1990. Bilder des Rocks. Kunsthallen Brandts Klaedefabrik, Odense
 1991. Rockens Bilder – Images of Rock. Goeteborgs Kunstmuseum, Göteborg
 Bilder des Rocks. Leopold-Hoesch Museum, Duren
 Georg Baselitz, Per Kirkeby, Markus Lupertz, A.R. Penck, Don Van Vliet: Drawings. Michael Werner Inc., Nowy Jork
 1993. Accrochage. Galerie Michael Werner, Kolonia
 1994. Accrochage. Galerie Michael Werner, Kolonia
 1995. Dancing Girls, in honour of Gustav Mahler, along the edge of Expressionism. Stedelijk Museum, Amsterdam
 1995. Major Works by George Baselitz, James Lee Byars, Per Kirkeby, Markus Lupertz, Sigmar Polke, Don Van Vliet: Michael Werner Gallery, Nowy Jork;
 1998. Accrochage. Galerie Michael Werner, Kolonia
 Georg Baselitz, Marcel Broodthaers, James Lee Bryars, Jorg Immendorf, Eugene Leroy, Markus Lupertz, A.R. Penck, Don Van Vliet: Works on Paper. Michael Werner Gallery, Nowy Jork
 Nature. Contemporary Art and the Natural World. Contemporary Gallery, Marywood University, Scranton

Film
 Hard Workin' Man/Coke Machine (1978 – singel z muzyką z filmu Blue Collar, Don Van Vliet śpiewa utwór ze strony A)
 Utwór grupy Captain Beefheart and His Magic Band pojawia się w filmie Big Lebowski, a w High Fidelity nieśmiały fan usiłuje kupić francuską edycję albumu Safe as Milk.

Uwagi

Przypisy

Bibliografia
 Mike Barnes. Captain Beefheart. The Biography. Cooper Square Press, Nowy Jork 2002
 Bill Harkleroad with Billy James. Lunar Notes. Zoot Horn Rollo's Captain Beefheart Experience. SAF Publishing Ltd, Londyn 2000
 Kevin Courrier. Trout Mask Replica. Continuum, Nowy Jork 2007

Linki zewnętrzne
 Beefheart.com – The Captain Beefheart Radar Station
 Captain Beefheart Electricity
 Captain Beefheart Link Explorer

Amerykańscy kompozytorzy muzyki rozrywkowej
Amerykańscy malarze
Amerykańscy wokaliści rockowi
Amerykańscy wokaliści bluesowi
Amerykańscy multiinstrumentaliści
Urodzeni w 1941
Zmarli w 2010
Ludzie urodzeni w Glendale (Kalifornia)


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This email is to let you know what is happening with Currawong and to refresh our membership list of people who want to stay informed. Membership is free and we will not ask for donations – you just need to complete and return the attached form. To our long-term members, please confirm your membership and current contact details by also returning the form. Membership simply means we can easily keep you informed through occasional email updates and our Annual General Meeting. We are pleased to have only positive news to report in this update, but in the current political environment it is important for the public to keep demonstrating their support for public ownership of important assets. We hope you will join us to ensure Currawong is always managed to preserve its heritage and provide affordable holiday accommodation.
Conservation Management Plan prepared andadopted.
The old homestead, Midholme, has been carefully restored with substantial help from a privatedonation.
A new wastewater treatment system wasinstalled.
Solar treatment of drinking waterinstalled.
$1.68 million to upgrade the eight holiday cabins. Together with the $1 million given in 2017, the state government has provided a total of $2.68 million for these works.
A private donation is managed through the Pittwater Environmental Fundto care for the natural environment and relatedprojects.
A walking track is planned from Mackerel Beach toCurrawong.
Who are the committee?…and you?
The FOC committee's ongoing role is to ensure the public have a voice in the planning and management of this historic site. Shane Withington led the fight over many years and remains our president. Sue Martin continues as our dynamic secretary. Other members of the committee bring skills from architecture, media and education. The committee has remained very stable over the last ten years but is also seeking new members. As you'll read below, we need a new treasurer and IT manager – could you help? These roles are not too onerous because we are now in a phase of ongoing management, not campaigning. We also need a couple more general committee members to meet several times a year.
At our AGM in December we reluctantly accepted the resignation of both treasurer, Ken Hughes, and I.T. manager, Michael Mannington. Ken and Michael have fulfilled these roles with great dedication over ten years and we are deeply grateful for their vital contributions.
Ken received an Order of Australia Medal in 2018 for his outstanding service to many community organisations. As our treasurer, he skilfully managed the committee's finances and his long involvement in the Rural Fire Service and bush regeneration gave him expertise in the appropriate use of grants and donations for the protection of Currawong's natural environment.
Michael, a digital whizz and gifted photographer, set up and managed the FOC website. The success of the campaign to save Currawong was in no small part due to Michael's use of electronic communication for calls to action. Michael compiled his photographs of Currawong and the campaign into a stunning photobook which was presented to the panel considering the proposed private development.


Don't judge the total ridiculous sound of the name. I've had it since I was 13. I'd like to switch to something a lot less retarded, but I don't feel like transferring my buddy list.
Sorry it took so long but I did put it in my profile.
Always down to chat .
I'm usually on YIM by default, but I get on MSN and AIM every now and then too. MSN usually daily, AIM usually at least once every few days.