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Taxation and government expenditure
As we have shown earlier that there is a limit to private investment. S. However, it is clear that there has been a strong upward trend in taxation and government spending as a proportion of national income in …Government spending or expenditure includes all government consumption, investment, and transfer payments. Mnuchin is responsible for the U. e. pdf), Text File (. In national income accounting the acquisition by governments of goods and services for current use, to directly satisfy the individual or collective needs of the community, is classed as government final consumption expenditure. Government spending is a separate issue from the effect of interest rates on government revenue. This is a part of macroeconomics. ppt), PDF File (. , exchange of favour) between the tax payer and the public authority. In national income accounting the acquisition by governments of goods and services for current use, to direThat is, the government should discover and maintain an optimum level of public expenditure by balancing social benefits and social costs. The key is the size of government, not how it is financed. A Tax is a compulsory contribution to government revenue, levied by the government on workers' income and business profits, or added to the cost of some goods, services, and transactions. Most government spending has a negative economic impact. Government Expenditure Policy. As Secretary, Mr. 2 pages, 837 words. In a "perfect world" the US government would democratically decide to commit to an expenditure of money to achieve some outcome beneficial to the publGovernment spending or expenditure includes all government consumption, investment, and transfer payments. - Determines overall tax take and rates for each tax - Now subject to Office for Budget Responsibility oversight Finance Bill - Parliamentary scrutiny, Committee stage, amendments Parliamentary approval for expenditure delivered through the 'supply' process - Supply Estimates published in line with government's published SpendingTax expenditure programs, once in the tax code, do not come up for annual review and can only be removed through tax legislation. The Federal Government borrows money by selling Treasury securities (bills, notes …Tax expenditures are defined by law as "revenue losses attributable to provisions of the Federal tax laws which allow a special exclusion, exemption, or deduction from gross income or which provide a special credit, a preferential rate of tax, or a deferral of tax liability. Government expenditure has a direct impact on a country's economic growth. The essence of a tax, as distinguished from other charges by the government, is the absence of a direct quid pro quo (i. In the final Topic of in this Lesson we address the problem of how governments should spend tax payers' money and how they should acquire that tax revenue. Like private investment, an increase in government spending results in an increase in national income. There are three broad reasons why governments need to raise and spend tax revenue. Topic 7: Government Expenditure and Tax Policies. Therefore, it impacts your business and your revenue. Every rupee spent by a government must have as its aim the promotion of the maximum welfare of the society as a whole. As a result, they may not be able to afford your products anymore. Number 1 resource for Government Taxation and Expenditure Economics Assignment Help, Economics Homework & Economics Project Help & Government Taxation and Expenditure Economics Assignments Help02/11/2016 · Measuring taxation and government spending as a proportion of national income is beset with difficulties. Taxation refers to the act of a taxing authority actually levying tax. Appendix: Taxation and Expenditure by Government For the Classical economist the best role of government in economic affairs was no role at all. If government spending increases, citizens have to pay more in tax and have less money left. A more complex tax system will make it more difficult for voter-taxpayers to identify their true tax burdenLec 23 - 24 GOVERNMENT EXPENDITURE AND TAXATION. There is overwhelming evidence that government spending is …ADVERTISEMENTS: Let us learn about Government Expenditure Multiplier of National Income. Thus, to stimulate Steven Terner Mnuchin was sworn in as the 77th Secretary of the Treasury on February 13, 2017. Another major government expenditure is net interest, or interest payments on the public debt less interest received by trust funds and other interest the government receives. txt) or view presentation slides online. 15/03/2005 · Daniel is a former McKenna Senior Fellow in Political Economy. Tax expenditure programs are a form of entitlement spending in that every tax payer that qualifies can claim government money. Taxation as a term applies to all types of taxes, from income to gift to estate taxes. This suggests that its effect on national income is expansionary. ppt - Free download as Powerpoint Presentation (. "taxes in tax revenue ( Pommerehne and Schneider, 1978), and of deficit finance relative to spending (Goetz, 1977), the greater the likelihood that taxpayers underestimate the tax-price and vote for higher levels of government expenditure. Treasury, whose mission is to maintain a strong economy, foster economic growth, and create job opportunities by promoting the conditions that enable prosperity at home and abroad. The deficit is not the critical variable. Filed Under: Essays Tagged With: Taxation. . Most students of public finance are aware of Smith's limited list of exceptions to this dictum, for example national defence, education, regulation of the provision of moneyTaxation: Tax and Government Expenditure Policy
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Anderson District
South Carolina Conference of the UMC, Phone :: (864) 226-6649
Mission, Values, and Vision
District Churches
Clergy Events
Kairos Cookies
Lay Servants
Salkehatchie
What is Kairos?
Kairos is an ecumenical Christian ministry designed for use in state and federal men's and women's correctional institutions in the United States and throughout the world. Kairos is conducted in cooperation with the chaplains and wardens of correctional institutions, by teams of laity and clergy who are qualified by their experiences in Christian renewal programs.
The Strategy of Kairos is to establish a strong Christian community among the residents of correctional institutions. There, they become Christ's agents for change in their environment that ultimately can bring about change in the attitude and quality of life for the entire institution. The primary goal of the Kairos ministry is to teach those who attend the weekend to become part of a share and prayer group. This allows them to share their lives on deep spiritual level and pray for one-another.
Learn more at the Kairos of South Carolina website.
Kairos Cookies Drop-Off and Retreat Dates
Drop off at the Anderson District Office on Tuesdays, September 16 and October 21 from 9AM-12PM
Men's Weekend is September 18-21
Women's Weekend is October 22-26
Lead with Gratitude, Empathy and Mindfulness
andist@umcsc.org · Copyright © 2023

redpajama_set_name: RedPajamaCommonCrawl


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Fatma Zohra Zerouati est une présidente du parti TAJ et ancienne ministre de l'Environnement et des Énergies renouvelables d'Algérie.

Biographie

Formation
Fatma Zohra Zerouati a fait une formation d'ingénieure d'État en Écologie et Environnement.

Carrière professionnelle
Fatma Zohra Zerouati fut une journaliste ,grand reporter  de la télévision publique . Elle y a présenté de nombreuses émissions traitant de l'environnement.

En 2002, elle est nommée à la tête de la Fédération nationale de la protection de l'environnement (FNPE).

En 2017, elle est désignée membre du conseil national des droits de l'homme.

Carrière politique
Engagée pour l'écologie et de la préservation de l'environnement, elle s'engage en 2012 en politique dans le parti  TAJ, le TAJ (Rassemblement de l'Espoir de l'Algérie).

Le 25 mai 2017, Fatma Zohra Zerouati est nommée ministre de l'Environnement et des Énergies renouvelables du nouveau gouvernement Abdelmadjid Tebboune. Elle remplace M. Abdelkader Ouali et est le seul   membre du parti TAJ au sein de ce gouvernement.

Elle garde son portefeuille  lors du remaniement ministériel d'août 2017 dans le gouvernement Ahmed Ouyahia X.

Notes et références

Énergie renouvelable en Algérie
Ministre algérien de l'Énergie
Ministre algérienne
Ministre algérien de l'Environnement

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BAŞAY - BCT1 Başay Intensive Dampener - Baserler Pazarlama Makina Imalat Sanayi ve Ticaret Ltd. Sti.
It is used for removing foreign materials from wheat.
Consumption of water to wash the wheat is less than vertical model (5-80 lt/h).
Debimeter adjust desired water flow.


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American film actresses
Germany net worth
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✎ About Maria Del Pino y Calvo-Sotelo
Birth Place: Madrid, Spain, Spain
Residence: Madrid, Spain
Alma mater: IESE Business School
Spouse(s): married
Parent(s): Rafael del Pino y Moreno
Relatives: Rafael del Pino Calvo-Sotelo (brother)
Maria Del Pino y Calvo-Sotelo
Maria Del Pino y Calvo-Sotelo was born on 1956 in Madrid, Spain, Spain. Maria del Pino y Calvo Sotelo is the eldest child of the late billionaire Rafael del Pino y Moreno, who founded Ferrovial S.A., Spain's largest infrastructure construction and management company. She has been a member of Ferrovial's board of directors since 2006 and owns slightly less than 10% of the company. Her main focus is the del Pino Foundation, which she chairs. Founded in 1999 by her late father, it develops future business leaders and organizes conferences on globalization, grants fellowships to students and professionals with leadership qualities and supports cultural events. She is also a member of the board of trustees of Fundación Codespa and the Scientific Foundation of the Spanish Association Against Cancer. She enjoys traveling with her husband and playing tennis with friends.
Maria Del Pino y Calvo-Sotelo is a member of Construction & Engineering
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zumbar press
zumming the bar
claiming some zumbar
the hum about zumbar
spiraling to the zum
jingling zumbar
spiraling poets
emily abendroth
Emily Abendroth is a writer and teacher currently residing in Philadelphia. Her print publications include: NOTWITHSTANDING shoring, FLUMMOX (Little Red Leaves), Exclosures 1-8 (Albion Press), Property : None (Taproot Editions), and Toward Eadward Forward (horse less press). An extended excerpt from her piece "Muzzle Blast Dander" can be found in Refuge/Refugee (Chain Links, Vol 3).
divya victor
Divya Victor is author of Partial Dictionary of the Unnamable, Partial Directory of the Unnamable (Troll Thread press), and Partial Diary of the Unnamable (forthcoming). She is also author of PUNCH (Gauss PDF), Hellocasts by Charles Reznikoff by Divya Victor by Vanessa Place (Ood press), SUTURES (Little Red Leaves). Her books of poems Things To Do With Your Mouth is forthcoming as part of Les Figues press' TrenchArt series. She curates an occasional interview series, Discourses on Vocality, for Jacket2, is a scholar, and a member of the publishing collective Troll Thread press.
a.rawlings
Poet, arts educator, and interdisciplinarian a.rawlings has presented and published work throughout North America, Europe, and Australia. In the last decade, she held the position of assistant publisher for The Mercury Press and hosted the first season of television documentary series Heart of a Poet. Her first book, Wide slumber for lepidopterists (Coach House Books, 2006), received an Alcuin Award for Design and was nominated for the Gerald Lampert Memorial Award; the book is being translated into French. Her works-in-progress EFHILMNORSTUVWY and Rule of Three have been exhibited in the Simon Fraser University Art Gallery, Niagara Arts Centre, and Infusoria in Belgium. As the recipient of a Chalmers Arts Fellowship, angela spent 2009 and 2010 in Belgium, Canada, and Iceland working on her next manuscripts, researching sound/text/movement with special emphasis on vocal and contact improvisation, and collaborating with local artists. angela's current collaborators are experiential theatre company bluemouth inc. and Belgian artist Maja Jantar, Canadian musician Nilan Perera, and Canadian dancer Julie Lassonde.
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Aral Balkan — Introducing the 7th pillar of DiEM25: An Internet of People – a progressive tech policy for a democratic Europe.
22 May, 2017 I'm excited to announce that I've been elected to the DiEM25 Advisory Panel to help lead a new initiative with Renata Avila to craft DiEM25's 7th pillar: a progressive tech policy for a democratic Europe.
I'm joining the DiEM25 Advisory Panel to help lead a new initiative with Coordinating Collective member (and good friend and long-time ally) Renata Avila to craft the 7th pillar of DiEM25's Progressive Agenda for Europe: An Internet of People.
Today, we see a Europe in the throes of wholesale capitulation to the digital imperialism of Silicon Valley. We are worried to observe Europe's growing dependence on the centralised, surveillance-based technologies of a handful of American platform monopolies that share an intimate relationship with the US government. This state of affairs doesn't bode well for the individual sovereignty of Europe's citizens or for the national sovereignty of Europe's member states.
We also see, however, a unique potential in Europe – with its unique history, culture, and approach to human rights – to diverge from this current system of surveillance capitalism and mark its own progressive path ahead.
The mission of our initiative is to start a Pan-European process, working together with members of the DiEM25 Network from across Europe, to draft a progressive tech policy for a democratic Europe.
Our policy must achieve two important goals. First, in the short term, we must effectively regulate Silicon Valley's abusive business model in Europe. Second, in the medium-to-long term, we must fund and create an ethical alternative to surveillance capitalism.
Imagine an Internet where everyone owns and controls their own space.
Our guiding principles in drafting the 7th pillar of the Progressive Agenda For Europe are the Universal Declaration of Human Rights, the Four Freedoms of the Free Software, the Ethical Design Manifesto, the "Share Alike" philosophy of Creative Commons, and a profound respect for – and a desire to protect and encourage – individual sovereignty and a healthy commons as prerequisites for democracy and progressive internationalism.
We will take the first steps of drafting the 7th pillar in Berlin this Thursday.
In the words of Audre Lorde, "the master's tools will never dismantle the master's house". A democratic Europe and a progressive internationalism cannot be achieved without democratic, progressive technological infrastructure.
The Internet of People imagines a decentralised, free and open, interoperable, sustainable, and democratic technology infrastructure for a democratic Europe and beyond. It is our progressive counter-narrative to the exploitative, centralised, and feudalistic mainstream narrative exported by Silicon Valley.
Imagine an Internet where everyone owns and controls their own space. Imagine a world where the ability to do this is acknowledged as a basic human right.
In such a world, all of your smart devices – the various technological extensions of your self – connect to your own sovereign node (and to each other) instead of to faceless corporations. That is the Internet of People. The Internet of People is an Internet that respects and protects your human rights and the integrity of your self. It is a basic prerequisite for personhood in the digital age.
We will take the first steps of drafting the 7th pillar in Berlin this Thursday as DiEM25 meets to answer the important question: How can we take our European New Deal to the ballot box in every corner of Europe, and make it a reality?
Renata and I will be holding a 90-minute panel on the 25th to introduce the core philosophy and goals of the 7th pillar. During the first-half of our panel, we will be joined for short presentations by representatives from Free Software Foundation Europe and The Commons Network, Polina Malaja and Sophie Bloemen. The remainder of the panel will be an open round-table discussion with DiEM25 members. In the evening, Renata and I will take to the main stage to introduce the initiative alongside DiEM25 founders Yanis Varoufakis and Srećko Horvat.
Renata and I look forward to working together with the DiEM25 Network across Europe and beyond to craft a progressive, democratic, inspiring European vision to counter Silicon Valley's neoliberal narrative of surveillance capitalism.
Here's to an Internet of People, a democratic Europe, and to progressive internationalism.


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Can good scripts and great performances rise above low budgets?
Event Summary: A Spirit of Independence with Jake Mahaffy, chaired by Alyx Duncan, Auckland Writer's Room, Tuesday 28 May 2013, The Classic, 321 Queen St, Auckland, 7:30-8:30pm, see the event listing here, and a video of the session here
Sure they can. Just ask innovative US filmmaker Jake Mahaffy whose shorts and micro-budget features have screened in A-list festivals all over the world. His project War, which he wrote, shot, directed, edited, and produced, screened at Sundance in 2004, and earned him a spot in Filmmaker Magazine's 2005 '25 New Faces of Independent Film'. He went on to make the micro-budget feature Wellness, which won the Grand Jury Prize at SXSW in 2008. His work has been called a '… a textbook case of how a solid script and great performances can transcend the lowest of budgets' (Variety 2008) and the May Writer's Room was fortunate indeed to have Jake in discussion with Alyx Duncan.
Alyx described Jake as an' incredible film maker who produces his self-made films in a 'handmade' and independent way', creating stories that have reached audiences around the world. Jake developed and established two film making programmes at American universities as an Associate Professor, and now teaches at Auckland University.
Jake and his family arrived in New Zealand about four months ago and he is impressed with the filmmaking culture here. "It seems to be the perfect environment to create innovative films. I'm still learning about it but it sounds like the Film Commission is great. There is nothing like it, on that scale, for filmmaking in the USA."
Jake is well known for creating strong and honest character-driven films without the benefits of large budgets. First up for discussion was Miracle Boy, a 17-minute film based on a short story by writer Pinckney Benedict, a close friend of Jake's. "It was shot over six days in West Virginia," said Jake. "I wanted to knock out a short film and move on to other things. The original Miracle Boy story is excellent. I showed up in Appalachia where the story is based, used local residents – no actors – spent five days finding locations, getting a cast together, shot it in six days, edited for just under a year and then sent out rough cuts to a couple of festivals." The film premiered at the 2012 Venice Biennale.
Pinckney Benedict is an award-winning writer and a local celebrity so the film project generated much community interest. Jake held a public info session at a local theatre and about 50 people showed up. "A co-producer, Jason Brown, put out flyers and blurbs in the local paper. A film had never been made there before so people really got behind it. Some offered set locations. I didn't do auditions. I just talked with people. With this kind of filmmaking you use anyone who is willing and able."
Jake needed to find children for the main roles and gave copies of the script to parents so they could approve their child's involvement. "I never expect kids to remember the lines. I give them some idea of what is going on in the scene and feed them the lines as we go. " Jake would direct, shoot, do sound, and prompt lines from behind the camera until he captured the performances he was after.
He said it was a pleasure to write the script because the story on which it was based is very tight. "The adaptation was mostly just visualising it. I know, for me, that when shooting, the screenplay is the first thing to go. I don't hold on to scenes and dialogue as they're written on the page. It's more about what is available for the film at the moment in real life. The film is about that moment. The screenplay was the excuse to get people involved and to get the images I wanted. I try to fit things around what is available and that can be tough- it takes a facile mind to manage that process. You have intention and a belief in your original concept but must adapt to what is right in front of you, not what is stuck inside your head. You know going in that you won't get exactly what you want … but you hope for something better."
Alyx asked about Jake's ongoing relationship to his completed films. "I care about the films. But I am not in control of what happens when they're finished. Once the film is made, I can't make people watch it or like it. So I'm willing to forgo that. A film takes so much time and effort to make, I cut my losses and just skip out on the exhibition end of things."
Wellness began as a learning exercise for writing naturalistic dialogue but ended up generating enough material for a film. "I learned to let my ear tell me what was authentic. Working with untrained actors meant I didn't have to deconstruct bad training. They were there because they enjoyed the process – it wasn't about a paycheck or fame and fortune so I was able to say, ' Let's do it again' and they were willing. It does take confidence to insist on getting it right and keep shooting. I didn't have a crew but that meant we could keep working until we got it right. It was never a case of someone demanding 'Hurry up!'"
The central idea of Wellness involves a man who tries to sell something that does not exist, a financial scam. "The lead character of this film is based on a synthesis of people I've known. He was the only performer that could commit to the project long-term so I built the narrative around his episodic encounters with other people that may only show up for an hour or two. I shot it single-handedly, no crew, and edited it myself. To trick myself into getting involved in a feature film project, a massive endeavor, at the start I had to pretend I was just 'screwing around.' "
The film was shot over twenty days during a two year period. " I would shoot for a week or so, go back home, edit, then determine what I needed to change, refine, pickup, get more of. I sculpted the film over time, a great way to work if you can afford it, not having to cram it all into a 30-day shoot. But two years was a big commitment."
There is a process of discovery for Jake in the film making process. "Having a script and then illustrating the plot with pictures on set is mind-numbingly dull to me. But as a director not knowing what is going to happen next, and the anxiety and excitement of trying to pull something together that is falling apart as you're making it- that tension should translate to an audience. You won't broadcast your intentions. It's less deliberate and formulaic because I'm trying to keep up with the story myself. All bets are off. Go in with a plan but having that constant tension of holding things together was helpful for me. When you take what you have written and shoot it, there are limitations imposed on you and that is a good thing. When shooting and editing I always prioritise the performances of the actors. It's not about people saying the lines right according to what was written. I focus on the performance and the character's spontaneity."
Jake came to film via visual art and drawing. He attending arts school in Chicago and studied filmmaking at RISD and the Russian State Institute of Cinematography in Moscow. The USA has a strong independent film culture and Alyx asked how this had influenced his work.
"There are films and filmmakers I like but no particular film making model . I don't come from a wealthy background so had to make films as cheaply as possible. My films didn't make any money so I couldn't take other people's money to throw away and I couldn't pay people. I'm not great at the organisation side of things, building up the apparatus around film making to get a crew, funding. I just take the camera and go shoot by myself. I've made all my films singlehandedly but did have a bit more help with Miracle Boy. If you shoot on your own with no budget you realise what you don't have control over, for example you have no control over who shows up and when … but with a budget I can get people to show up."
Alyx asked Jake about the balance of art and commerce. "I have no idea about the financial side of filmmaking. People who have the luxury of considering making a film can likely get access to the gear they need to do it- cell phone or camera – there are different scales of filmmaking. My scale is very specific and and as an independent filmmaker I write my own job description- it doesn't include commerce. I just make the best films I can in a given circumstance."
Teaching at Auckland University is something Jake is enjoying. "It's not big money but there is the time off, you have a steady schedule and great resources for research. Teaching is fun. Hashing out ideas in class keeps the brain active. It's a great situation and I keep working on film projects too. I have several feature screenplays and shorts written, ready to go. I'm always working on something."
Alyx invited questions and the first asked Jake to explain how he knows when an idea is a good one.
"Almost any idea can be good. It's all in the execution. If you gave a cheesy soap opera script to a good director they'd make something amazing out of it. Or a great script with a bad director makes a bad film. For me it's all about how the idea will be shot, what is visualised from it, because I know the shooting is what will make or break it. The more I talk about an idea and involve others, the more refined it becomes."
Jake's earlier films made as an undergraduate were praised for their raw expressionism. "Each image is a self-sufficient narrative. That first film I made was very raw and did something that I have never been able to recapture. Over time, my films have become more traditionally narrative and less expressionistic and this has come about as my interest in other people and their behaviour has grown. It's a change of interest. I look at the early film and I'm amazed. It's something I'd like to go back to at some point."
When asked if there were challenges adapting someone else's work, Jake replied, "With Miracle Boy the writer is a good friend. He trusted me. I sent him a copy of the screenplay and he was fine with it. It was a case of taking the best parts of the short story and visualising them cinematically. There was alot in the story that wouldn't work on screen so it had to come out."
If someone offered a big budget, would that turn his head? "I'd love to work that way. But at what cost? Here's money- go make a movie! That would be great. It would be great to collaborate, work with creative actors and a good crew. But it hasn't happened yet and it may never happen. So in the meantime, I'll just keep doing it on my own. Time can be a big limitation as is one's own talent and experience. Money will buy out reality. You can change the circumstances because you pay people to change it for you. You can pay for locations, pay to have things the way you want them… you can fire one person and employ another… but if you don't have funds then you have to adapt to circumstances without compromsing your central concept. But money for nothing? I'm not at that place in the world."
There is no doubt we will be hearing and seeing more from Jake in the near future. "It's project to project for me. Each film has its own specific purpose and goal. It's when a film exceeds your own intentions, developing into something that your mind could not even conceive before you began- that's joy."
Written for Script to Screen by Jane Bissell.


Travis Strikes Again: No More Heroes ended up seeing somewhat of a mixed reception – especially from a critical standpoint. However, this is something that director Suda51 actually expected.
Suda51 also weighed in on Grasshopper Manufacture's next title without saying too much, but noted that "it may be a sequel." He also believes that what the teamed learned in making Travis Strikes Again could prove useful.


Game On! 2019: All the Best Games: Awesome Facts and Coolest Secrets Get ready for another awesome year of gaming with this ultimate guide to the best games, including a definitive list of the biggest games of the past year and the new ones coming in 2019. Featuring Five Nights at Freddy's and Hello Neighbor!Game On! 2019, the most comprehensive guide to all the best games, tech, and YouTube stars, features some of the year's greatest moments, including exclusive interviews with YouTube legends, top streamers, and game developers.This complete guide is packed with information on all the latest gaming hardware, tech, and essential mobile games. Also included are the best gaming secrets, stats, tips, and tricks to help unlock achievements and trophies on games like Marvel Vs. Capcom: Infinite, Spider-Man, GT Sport, Sea of Thieves, and so much more! All games featured in Game On! 2019 are rated T for Teen or younger, keeping it appropriate for young gamers.
Descriptions Get ready for another awesome year of gaming with this ultimate guide to the best games, including a definitive list of the biggest games of the past year and the new ones coming in 2019. Featuring Five Nights at Freddy's and Hello Neighbor!Game On! 2019, the most comprehensive guide to all the best games, tech, and YouTube stars, features some of the year's greatest moments, including exclusive interviews with YouTube legends, top streamers, and game developers.This complete guide is packed with information on all the latest gaming hardware, tech, and essential mobile games. Also included are the best gaming secrets, stats, tips, and tricks to help unlock achievements and trophies on games like Marvel Vs. Capcom: Infinite, Spider-Man, GT Sport, Sea of Thieves, and so much more! All games featured in Game On! 2019 are rated T for Teen or younger, keeping it appropriate for young gamers.


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Warren MacKenzie has influenced generations of potters through the simple act of welcoming them into his home.
Warren MacKenzie bought his Minnesota property in 1953 for $10,000. That was for a song, even then, and his tremendous good fortune, he says. An affordable living and workspace gave him freedom to pursue a potter's life.
Warren MacKenzie is giving directions to his home. It isn't, he explains, the easiest place to find. But his guidance is practiced – perfected, even. Over the six decades he has lived and worked in this modest house, on a wooded lot at the edge of Stillwater, Minnesota, the potter has invited hundreds, if not thousands, of guests.
Inviting people in – to his home, his studio, his life – is as much MacKenzie's signature as the mark he presses on his pots. And over his career, including 37 years at the University of Minnesota, this openhearted generosity has helped launch generations of ceramists.
"Ask anybody who's making studio pots in the Upper Midwest," says Sarah Millfelt, director of the Northern Clay Center, a Minneapolis gallery and nonprofit devoted to ceramic arts. "I'm sure through the seven degrees of Kevin Bacon, they could connect themselves to Warren in some way." Millfelt, in fact, studied at the University of Wisconsin-River Falls with Randy Johnston, a former student of MacKenzie; she patterned her relationship with Johnston after his with his teacher.
Gratitude is a theme among MacKenzie's protégés. Now ceramics professionals in their own right – artists, teachers, gallerists – they describe the potter, who turned 90 this past February, almost universally, as supremely generous. And utterly modest. He leads by example, they say. They speak of his work ethic, passionate and committed. They recall visiting his home – handling his collection of pots, firing the kiln, sharing meals – and the profound impact being invited there had on how they crafted their own lives.
The students, inspired, began sneaking into the studio between classes and practicing the tenets of Leach's book, which emphasized basic forms and skills. After finishing their time in Chicago, Warren and Alix relocated to Minnesota, where they were hired to teach ceramics at the St. Paul Gallery and School of Art (now the Minnesota Museum of American Art). Soon thereafter, they had a remarkably self-aware realization.
"We were lousy teachers," MacKenzie says. Their own education was lacking; their skills weren't up to snuff.
The young couple hatched a plan to travel to St. Ives, Cornwall, with hopes of securing apprenticeships at the Leach Pottery. Alas, the famous potter took one look at their pots and declined to hire them.
Determined not to let disappointment cloud practical matters, they asked if they could observe in the studio during the rest of their two-week trip. On the eve of their departure, Leach invited them to keep watch on the kiln overnight. "We talked about everything except pottery," MacKenzie remembers. In the morning, Leach offered to take them on.
Asked what made Leach change his mind, MacKenzie pauses amiably. "He had a group of people," MacKenzie says, "who had to work together." Inviting someone in wasn't simply a question of who could make the best pots; it was a matter of who could work together well.
And so, in 1950, they became the first Americans to apprentice at the Leach Pottery. Leach went so far as to invite the pair to room at his house. ("Bernard had just separated from his second wife," MacKenzie explains. "And Bernard could not live alone.") For the next two and a half years, they were treated to an immersive learning experience at home and in the studio. They studied everything about Leach, personal and professional habits alike. Toward the end of their stay, they also encountered Shoji Hamada, the influential Japanese potter and Leach's friend. (The couple would be instrumental in organizing the two potters' famous 1952 U.S. workshop tour with the philosopher Soetsu Yanagi.) While their pots received fierce criticism from these masters, MacKenzie insists this is how they finally learned proper throwing.
They were also absorbing important lessons about earning a living as potters. The Leach Pottery model essentially was: Make good pots, make them fast, sell them cheap. It's an accessible philosophy, centered on everyday utility, that informs MacKenzie to this day, as he invites potters and collectors into his home, treating them to demonstrations, lots of storytelling, and the opportunity to buy pots at prices far lower than he could command.
In 1953, within a year of returning to the United States, MacKenzie was hired at the University of Minnesota, where administrators were trying to rebuild the studio arts program. That same year he and Alix bought the little house near Stillwater and began setting up a pottery studio.
In the classroom, MacKenzie preached the importance of mastering skills. "Learning to make pots is not hard," he would say. "It just requires a lot of practice." What he did not ask of students was to replicate his look. "You don't make my pots; you make your pots, and then we'll talk about them," he remembers telling one aspiring potter.
MacKenzie never hesitated to invite students out for kiln firings, sales events, even parties. They could observe him at the wheel or watch the Leach-inspired business model in action.
"My studio is structured largely by what I observed working in his studio – his process from materials to finished work to getting the pots out to an audience," says Guillermo Cuellar. At potlucks, MacKenzie would serve food in pieces from his collection, offering little tributes to the pots.
MacKenzie retired from the university in 1990. "But he only retired from teaching in the formal sense," Millfelt notes. Nancy d'Estang concurs; over the years, she says, MacKenzie has followed his former students and apprentices' lives and careers, keeping in touch through calls and letters, offering both gentle criticism and enduring support.
And MacKenzie's most important classroom – his home – remains. It has changed over time. For the past 30 years, he shared it with fiber artist Nancy MacKenzie, his second wife, who died in October. (Alix MacKenzie died in 1962.) The little house has become an attractive rustic-modern structure – exposed brick, vaulted ceilings, and enormous picture windows. His pottery studio is just out back, a short walk down a wooded path.
Christy DeSmith is a Minneapolis-based writer. She covers arts, culture, and travel. Julie K. Hanus is American Craft's senior editor.
This recently fired piece spans 16 inches.
More than anything, MacKenzie's students speak of his work ethic; he modeled a lifestyle in which making pots for everyday use meant, quite appropriately, working in the studio every day.
MacKenzie is a staunch functional potter, and the beauty of his pots is experienced through daily use. This darkly glazed bowl stands a smidge over 5 inches tall and is 13.5 inches wide.
For years, MacKenzie did not sign his work; he wanted people to buy his pots based on their aesthetic and functional merits alone. The inflated value of his signed pots on the secondary market, however, drove him to resume using a mark in recent years.
MacKenzie is credited with bringing Japan's mingei style of pottery, with its emphasis on utilitarian beauty and the anonymous craftsperson, to Minnesota. Its influence has since spread nationwide.
One of MacKenzie's signature drop-rim bowls. During the two years he lived with Bernard Leach, he had access to the potter's wide-ranging collection of English, Japanese, Chinese, Korean, and German ceramics.


text:
Give us a hug: Meet the man whose best friend is a lion
WITH a single bite or a few powerful claw swipes Sirga the lioness could kill a man in seconds.
By Adrian Lee
00:01, Sat, Apr 11, 2015
SPLASHNEWS
Valentin Gruener enjoys sharing hugs with best pal Sirga
She is barely three years old but is already almost fully grown, weighs over 300lbs and is an accomplished predator.
Yet, in a remarkable display of trust, Valentin Gruener opens Sirga's enclosure each morning and she jumps into his arms for a cuddle.
Video footage of the embrace between man and beast has become a worldwide internet sensation, with more than 15 million views.
The pair are also seen play-fighting in the sand in Botswana, where Valentin runs a wildlife project.
Their heart-warming story is to be the subject of a documentary, currently being filmed and expected to be released later this year.
Valentin saved Sirga when she was a 10-day old cub, weighing just 20lbs.
Abandoned by her mother, she was badly dehydrated and a few hours from death.
She only survived after being placed on a drip and bottle fed a mixture of cream, milk, eggs and vitamins.
Over the following months an extraordinary bond between the lion and her rescuer developed, which has only grown stronger as Sirga has matured.
However, while she appears to be a big softie she is no pet.
Valentin Gruener has been caring for Sirga since she was a cub
In the beginning I was a mother figure, feeding her and taking care of her. Lions are social animals, who live in groups, and now I think her pride is basically her and me.
Valentin Gruener
Under Valentin's supervision, the lion hunts in the bush for up to nine hours at a time and has almost 20 kills to her name.
Sirga will not allow any strangers to approach, growling fiercely if anyone else dares to wander close to her enclosure.
"I do not believe she will ever turn on me and I have never been worried," says Valentin.
"We trust each other completely and if I tell her to back off she listens.
She is always happy to see me. Sirga was just a little fur ball and very sick when she was found.
I wasn't sure if she was going to make it but after about a week she was doing fine.
"In the beginning I was a mother figure, feeding her and taking care of her.
Lions are social animals, who live in groups, and now I think her pride is basically her and me.
She runs away from other lions and since Sirga arrived I haven't really left her side."
As the lion has grown Valentin has become aware of her strength.
He suffered a suspected cracked rib after one particularly rough bout of play, while her daily embraces now nearly knock the 27-year-old off his feet.
He adds: "I have also suffered a few scratches but nothing serious, although I'm always aware that she could hurt me accidentally."
Valentin Gruener and Sirga share a warm embrace
Because she has been hand-reared, Valentin doubts that Sirga, named after a fictional lion that befriends a human, can ever be released into the wild to fend fully for herself.
However, lions have an innate ability to hunt, which he has encouraged.
Several times a week Valentin spends up to eight hours walking with Sirga in the bush while she looks for prey.
"Normally lions hunt together so it is difficult for her," says Valentin, from Germany, who originally wanted to be a vet.
"I haven't taught her to hunt, I just take her to the right places where I know she can track animals.
She learned to be patient, to stalk and ambush.
"We don't want Sirga to be like other lions in captivity that are fed by constant streams of tourists.
"Watching her kill her first antelope, when she was aged 16 months, was an amazing moment.
I thought she might become aggressive after the kill but she just came back and gave me a big hug. There is a very strong connection between us."
He is very conscious of Sirga's rather confused upbringing but adds: "There was no choice.
She would have died and I couldn't just stand by and watch.
Now she is neither wild animal, nor pet but I try to respect her as a lion.
"She gets to hunt and live as closely as possible like a wild lion.
No other humans are allowed to feed her. What we are running here is not a petting zoo.
I don't think she has a terrible life." Valentin's dream is that Sirga will eventually mate with another rescued lion.
He is trying to raise funds so that he can build a mini wildlife park where the big cats can roam in a large fenced area, and Sirga can possibly have cubs of her own.
Lions can live to be 20 years old.
"If we can find a young male, let's just see what happens," he says.
"All that is missing in her life are other lions and I'd like to change that."
Botswana, in southern Africa, is more than twice the size of Britain and home to diverse areas of wildlife habitat including the largest concentration of African elephants.
But there is an increasing conflict between the wild animals and farming.
Much of the livestock reared there is destined for European tables.
Although they are supposedly a protected species, lions are often shot by cattle farmers.
Over-hunting by humans has led to a decline in natural prey for the lions.
This establishes a vicious circle in which lions are forced to prey on livestock, further driving the conflict with humans.
Conservationists such as Valentin try to persuade the farm owners to trap the lions instead and hand them over, so they can live on secure game reserves.
Despite the lion being one of Africa's most symbolic animals, populations have plummeted and it is now considered an endangered species.
A century ago there were as many as 200,000 wild lions in Africa but the figure has dwindled to less than 30,000.
Botswana is one of only seven countries in the world with a lion population of more than 1,000 but they have become extinct in 26 other nations.
Valentin's project, called Modisa, which means guardian in the local language, is based on 25,000 acres of land in the Kalahari region owned by enlightened farmer Willie De Graaff.
There's a safari lodge and Valentin, his co-founder Mikkel Legarth, from Denmark, and eight colleagues are on hand to offer ranger and tracker courses.
At Modari there are other lions and leopards that have been saved from the farmers' guns but none is quite like Sirga.
Jurgen Jozefowicz, maker of the six-part documentary, which is called Lionheart, says: "It is an extraordinary story that transcends borders between lion and man, predator and prey.
"It has been amazing to record the incredible bond between a man and a lion."
Valentin adds: "I feel privileged. Not everyone gets to run around with a lion and I am fulfilling a childhood dream to live in Africa.
"The worldwide interest is astonishing.
We have the chance to do something very special for wildlife here and by attracting all this attention Sirga is playing a big part."
To find out more about Valentin's work visit: www.modisa.org.
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Millions of Brits want to give up their day jobs - to become online stars, research finds
Queen Kate! Duchess has developed 'firmness and determination' over recent years - expert
'Better than sleeping pills!' Aldi shoppers go wild for new tea product - 'best sleep'


Welcome to The Littlehaven Nursery, we offer a high quality, safe and stimulating environment for your children aged between 3 months and 5 years.
Find out all you need to know about how to register your child along with key information regarding our admissions procedure and terms and conditions.
We understand how precious your child is to you and so encourage all parents to book a tour of The Littlehaven Nursery.
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It is our mission at Alternative Homes for Youth (AHFY) to teach, support, and model healthy life skills to youth and families by providing therapeutic and educational interventions to end violence.
Alternative Homes for Youth (AHFY) specializes in transforming the effects of trauma, neglect, and abuse in the lives of children. Our commitment is to respond to the needs of the community and our clients by integrating current research to create individualized treatment plans and multi-modal treatment approaches which are adaptive, vital, and effective.
Alternative Homes for Youth (AHFY) began in 1976 as a group home for at-risk teenage girls in downtown Denver. AHFY grew and ultimately developed programs across Colorado, providing emancipation services, drug and alcohol treatment, treatment for youth with sexually abusive behaviors, mental health treatment, intensive individual, group and family therapy, survivors of abuse treatment and interventions for behavioral problems as well as numerous juvenile offender issues. AHFY's primary clients have always been at-risk adolescents, while simultaneously providing support and treatment to their families.
When I started my program at Alternative Homes for Youth, I was thinking that I could still do whatever I wanted and there was not a person who could oppose me. I did not feel I fit in anywhere and I only cared about myself. I knew that when I made poor choices that it affected the way I made others feel, but I did not care about that either. This is my 6th group home and I was extremely hesitant to engage in the program.
I began therapy and my therapist noticed all the little things and would check in on her own time. It was not my scheduled time and that meant a lot. I have a lot of self-harming habits and thanks to my treatment, I have not cut myself all year; the longest streak ever.
Through all of this, I have learned how to be a stronger more independent person. Most importantly, I have learned three very important words: "Surrender" and "Delayed Gratification". Also, I learned that I use to be a very selfish person.
At Alternative Homes for Youth, I have earned my diploma, entered into the Independent Living Program and am currently job hunting.
At Alternative Homes for Youth I have experienced Youth Advisors that really listen and help you through each day. I feel like I have made some strong and close relationships because of this that will help in a successful future.


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For many individuals and businesses, the right lease can be crucial for success. Whether you are a retailer seeking that perfect location to attract shoppers or you are looking to rent premises for a machine shop, the expense of your lease needs to be justified by the benefits of the location. If you are a landlord, you need steady tenants producing a reliable income stream.
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Our clawfoot tub faucet and shower assembly had been improperly installed by our general contractor's plumber and did not work properly (or really at all). We called Aladdin to reassemble the assembly and replace a diverter and a valve/cold water cartridge that the supplier sent as replacements. The shower/tub was reassembled properly and the replacement parts installed.
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Fenerbahce Beko Istanbul has cruised into the playoffs seemingly without a care in the world, finishing the regular season atop the standings with a 25-5 record – the best registered yet by any team in the three seasons of the league's new format.
Perhaps the biggest tribute to Coach Zeljko Obradovic's men is that their place in that lofty perch was never seriously threatened. At no time did Fenerbahce look in danger of suffering a loss of form; its few defeats were spaced evenly apart as impressive victory piled upon impressive victory.
For the rest of the league, the most ominous thing about that long sequence of success was that Fenerbahce proved itself capable of winning different types of games. When tough defense was needed, Fenerbahce provided it. When a flurry of points was required, someone stepped up. Obradovic's men were triumphant in all sorts of situations, prepared to adapt to whatever the circumstances of the game demanded: there were blowouts (100-79 against Darussafaka Tekfen Istanbul, 65-84 at FC Barcelona Lassa), high-scoring shootouts (92-85 versus AX Armani Exchange Olimpia Milan, 96-87 over KIROLBET Baskonia Vitoria-Gasteiz), low-scoring nailbiters (70-74 at Maccabi FOX Tel Aviv, 65-63 against Real Madrid) and everything else in between.


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Employees are responsible for various technical tasks of average difficulty associated with maintaining and processing accounting and financial records. Work performed requires knowledge of the practices and methods of accounting and familiarity with the operations and procedures of accounting systems. Reasonable initiative and independent judgment are required in completing such activities as reviewing financial transaction documents for accuracy, completeness, and conformance with established procedural criteria which are more detailed, technical, and complex. Employees are also expected to trace transactions through procedures and entries which are more diverse and detailed to correct errors and facilitate reconciliations. Work is performed under general supervision and reviewed through conferences, reports and other documents submitted, results obtained, and audits.
Verifies various posting media for accuracy, completeness, and conformance with standard practices; prepares financial summaries and reports; reviews and reconciles ledgers, registers, bank statements and journals, and corrects or reports inaccuracies; prepares, maintains and updates control reports and cost accounting records for such transactions as capital contract payments; prepares and submits journal entries and posts income, payments, charges, and disbursements to ledger accounts using computer; prepares data input and reviews and corrects data output to ensure transactions are recorded properly. Reconciles payroll and related transactions to the general ledger; reviews employment records, updates insurance deduction registers and related records and ensures proper payment of insurance costs to companies; reviews departmental payroll attendance records and balances payrolls. Arranges for disposal/transfer of assets; processes and maintains records of fixed assets purchased with federal funds ensuring that purchases are made and property is utilized in conformance with federal regulations; reconciles inventory price adjustment accounts; some positions coordinate and participate in physical counts of fixed assets and departmental inventories. Participates in department budget preparation and maintenance, providing financial data and coordinating activities with budget and accounting; compiles reports utilizing financial data from such areas as job cost programs and maintenance management systems; records financial transactions of operating agencies; reviews and maintains expenditure records to ensure that budgeted amounts are not exceeded and to initiate required changes; codes, checks, and/or processes purchase requisitions, purchase orders, invoices, and other related forms. Plans, assigns, supervises, and reviews the work of subordinate clerical personnel; provides training, technical advice, and guidance to subordinates; recommends such personnel actions as employment, promotions, transfers, demotions, suspensions, and dismissals; administers required discipline; serves as initial respondent in grievance procedures; completes performance evaluations. Performs related work as required.
Working knowledge of: financial records keeping principles, practices, and methods.
Some knowledge of: practices and methods of accounting; laws, rules, and regulations applicable to financial records keeping for municipal government; effective supervisory techniques.
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Graduation from an accredited high school, supplemented by some college level course work in accounting or a closely related field with six (6) months responsible financial records keeping experience and six (6) months supervisory or lead experience.


Editor's Note: Welcome to another new contributor, William diGiacomantonio, who recently joined the USCHS staff. Look for the second part of this piece tomorrow, on George Washington's actual birthday.
On this Washington's Birthday, let us remember a brief moment when he risked leaving the historical stage before imparting his invaluable imprint on the office of the Presidency.
Everyone knows the story of William Henry Harrison's truncated Presidency of 1841: he gave his Inaugural Address in a very Washingtonian "wintry mix," got sick, and died a month later. (Not incidentally, the Address was all of two hours long—the longest in American history. Being the only President who was also the son of a Signer of the Declaration of Independence, perhaps Harrison thought he ought to be held to a higher standard.) In fact, Harrison did not develop his fatal pneumonia until three weeks after his inauguration, but the myth has survived—perhaps as a warning to equally reckless presidential speechifying.
The most important Constitutional legacy of Harrison's presidency was the identity of his successor. John Tyler was the first Vice President to test the Constitution's vague provision for presidential succession, and by his actions under Article II, section 1, paragraph 6, decided once and for all that the Vice President would fill the office and not merely perform the duties of president (leaving the actual office technically vacant). Although dubbed "His Accidency" by detractors, Tyler succeeded in providing the first transition of power following the death or incapacity of a president.
By the time this important precedent was set, the federal government under the Constitution had fifty years of momentum behind it. Failure to outlive the constitutional crisis of 1841, while not an option, was not much of a threat either. Much more threatening, not merely to the Presidency but to the very existence of the United States itself, was the crisis that occurred in the early summer of 1789, when the Constitution's duration was being measured not in decades, but in weeks.
The First Federal Congress had inaugurated George Washington as the first President of the United States barely six weeks earlier. The temporary capital of New York City was not as salubrious as some (especially rival Philadelphians) might have wished, but it was not a specifically urban illness that laid the President low in the second week of June. If anything, he was more likely exposed to the near-fatal bacterial spores back on his plantation at Mount Vernon.
Tune in tomorrow to learn more about the cause of this mysterious fever.
Note: all quotes are from Charlene Bickford et al., The Documentary History of the First Federal Congress, 1789-1791 (20 vols. to date; Baltimore, 1972-), volume 16.


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Bishops Park is a park in Fulham, West London.  The park was opened by the London County Council in 1893, on land given by the Ecclesiastical Commissioners. It is listed Grade II on the register of parks and gardens of special historic interest maintained by English Heritage.

The park runs north of the River Thames from All Saints church along a broad tree-lined avenue and an embankment path along the river, and ends at Bishop's Park Road.  It contains tennis courts and bowling greens, with another small park area fronting Fulham Palace Road.  It is adjacent to Fulham Palace and Fulham Football club.

A memorial to members of the International Brigade who volunteered to fight in the Spanish Civil War has been located within the park since 1997. The park has a poolside beach and facilities for basketball, tennis, table tennis, lawn bowling and skating, and hosts a farmers' market.

History
The park was formally opened by Sir John Hutton, chairman of the LCC, in 1893. It included land known as Bishop's Walk, Bishop's Meadow and West Meadow, formerly owned by the Ecclesiastical Commissioners as Lords of the Manor of Fulham which had been given to the Fulham District Board of Works on condition that it be laid out and maintained for public recreation.

The meadows had already been protected from flooding by the creation of an embankment; the river wall was built between 1889 and 1893 by Joseph Mears, the father of Chelsea F.C. founders Joseph and Gus Mears.

In 1894 the Ecclesiastical Commissioners sold Fulham Vestry the house of Pryors Bank (then called Vine Cottage) and its gardens. The house was demolished in 1897 and replaced by a Pseudo-Tudo refreshment pavilion, but the gardens were preserved and opened as an extension of Bishops Park in 1900 after extension of the river walk. They contain four 1940s sculptures titled Adoration, Protection, Grief and Leda, presented in 1953 by sculptor James Wedgwood as a commemoration of the coronation of Queen Elizabeth II.

A further sculpture, Affection, a mother and child by Joseph Hermon Cawthra, was added in 1963; both sculptors had studios in the area. The park was expanded again in 1903.

Scenes from the 1976 horror film The Omen were shot on location in the park.

After a successful lottery funding bid in February 2011, the park underwent a major restoration project with almost the entire site being altered and modernised.

References

External links

Parks and open spaces in the London Borough of Hammersmith and Fulham
Fulham


text:
Samsung Focus S: Slick Windows Phone -- for consumers only
Hands-on: Windows Phone 7 Mango edition adds features, polish
Mobile deathmatch: Windows Phone 7 vs. Apple iPhone 4
Hands on -- Can the Nokia Lumia 800 save Windows Phone 7?
Beauty and the geek: Windows Phone 'Mango' vs. Android
Microsoft's mobile OS reboot turns out to be a small update that lacks enterprise security and rich apps but is a cleaner alternative to Google's Android for smartphones
By Galen Gruman
Executive Editor for Global Content, InfoWorld |
Windows Phone 7.5 "Mango," Microsoft's answer to Apple's iOS and Google's Android, draws you in immediately with its simple but sexy interface. It's very easy to get into messaging -- both traditional email and IM and newfangled Twitter and Facebook -- and launch widgets to track the weather or see your stocks. The colorful Windows Phone UI makes iOS look a bit dowdy, almost computerlike, and it really shows what a mess the Android Franken-interface is.
But in the case of Windows Phone 7.5, the beauty is only skin deep. The OS doesn't actually offer much. The available apps are highly simplified widgets -- there's nothing of the texture, quality, sophistication, or capability of what iOS or even Android offers. Just compare Office for Windows Phone to Apple's iWork suite or the Documents to Go suite for Android: Office's Word has no fonts, no styles, no tables or charts -- it's a glorified note-taking app. Office's PowerPoint lets you edit just text, not add slides or visual elements, whereas Keynote for iOS could replace PowerPoint on your PC.
[ See who wins InfoWorld's deathmatch comparison: Apple iOS 5 vs. Google Android. | Learn to manage iPads, iPhones, Androids, BlackBerrys, and other mobile devices in InfoWorld's Mobile Device Management Deep Dive PDF special report. ]
And Windows Phone has no place in the enterprise. Although it works with Exchange, it supports very few Exchange ActiveSync (EAS) policies -- not even the basics any corporation would require, such as on-device encryption and complex passwords.
Microsoft's "Mango" face-lift targets the aging Android "Gingerbread" Although Microsoft has billed Windows Phone 7.5 "Mango" as a major update to the shockingly limited original Windows Phone OS released a year ago, it is not a big change. Microsoft has filled in some of the glaring gaps: Copy and paste, for example, was added in the "NoDo" update this past spring. Of the 13 big holes for professional users in Windows Phone 7.0, only three have been addressed in Windows Phone 7.5: Multitasking has been added, you can now thread messages in a conversation, and the OS partially supports HTML5, though it's still far behind iOS and Android in the last regard.
What's really new in Windows Phone 7.5 are a handful of widgets, not fundamental capabilities. That accounts for the superficiality of the Windows Phone 7.5 OS; it's essentially the same weak platform with more makeup and jewelry piled on. In fact, after updating a Windows Phone 7.0 to "Mango," I could detect no difference, so I went to the Settings app to be sure it actually had been installed.
Like a beauty at a party, Windows Phone 7.5 is well suited for small talk and other forms of social engagement, and it can surprise you with unexpected depth from time to time. A Windows Phone 7.5 phone is first and foremost a cool messaging device -- what the RIM BlackBerry should have evolved into -- that also has a capable Web browser and at-a-glance informational widgets. It's a consumer device for staying in touch at a high level, not a professional device for accomplishing tasks.
If you're looking for a smartphone you can use for both work and business, the iPhone remains by far your best choice, followed by Motorola's line of Android 2.3-based smartphones, to which Motorola has added basic business security capabilities. (Pitting Windows Phone 7.5 against iOS 5 would be a Bambi-meets-Godzilla comparison.)
But if you're a professional who wants a device for strictly personal use or to do mainly messaging for a small business that relies on IMAP and POP mail, Windows Phone 7.5 is worth considering instead of an Android device. If you watch "The Big Bang Theory," consider this a contest between Penny and Rajesh.
I tested Android 2.3 "Gingerbread" -- now a year old, and showing its age -- on a Google Nexus smartphone and Windows Phone 7.5 on an HTC Arrive smartphone. Nokia announced its first "Mango" devices today, and HTC, Samsung, and others are expected to launch new "Mango" devices in the coming weeks to tempt holiday buyers. The first Google Android 4.0-based smartphones are due in November, but Google declined to provide a preview unit so that we could see what might change. What Google has revealed thus far suggests a slicker UI and improved security capabilities, but no major changes to basic functions such as email and social networking.
Windows Phone 7.5 vs. Android 2.3: Email, calendars, contacts, and social networking If you look at the specs, Windows Phone 7.5 and Android 2.3 "Gingerbread" appear evenly matched. Both can connect to Exchange, IMAP, POP, and Gmail accounts, make and synchronize appointments, and manage contacts. Both allow for "push" synchronization with Exchange. Both preserve your Exchange and IMAP folder hierarchy for mail. But the lack of meaningful EAS policy support in Windows Phone and Android means you won't likely be able to access your corporate email.
Email. Android "Gingerbread" has a poorly chosen visual scheme for email lists: It opts for white text on a black background, whereas Windows Phone "Mango" goes for the easier-to-read, black-on-white color scheme. Although "Mango" displays nice, big text for your messages' From addresses, it suffers from the use of tiny, thin, gray fonts for your message text, so messages are very hard to read. And there are no controls over text size. Android also leans toward small text, but it is more readable than in Windows Phone. Both mail clients seem designed for the eyes of teenagers and 20-somethings.
I like Windows Phone's way of handling message groups such as unread and flagged messages: Just swipe to the right to see lists of unread messages; repeat to see flagged messages. "Mango" also implements a color highlight on the subject of unread messages in the All message list, but the Unread list is simpler. Android uses the common approach of indicating unread messages or flagged messages in your message list via icons and font treatments.
One continued beef I have with Android is that it runs a separate app for Gmail accounts -- an unnecessary division of labor. Windows Phone normally provides a separate tile on its Start screen for each email account, but you can use the linking feature to get a unified inbox both in the mail client and on the Start screen. If you look carefully at the tiny To text, you can see which account the message was sent to. Android is more elegant in presenting messages from multiple accounts: It shows distinct color bars next to each message to indicate the associated account.
Neither OS handles mail folders well. When viewing your mail list in Windows Phone, you have to press the More button (the ... icon) to get the Folders menu, which you then use to see messages in a specific folder. In Android, you have to hit the Menu button to see a list of folders as well. In both cases, it's a hassle. Android 2.3 does not support message threading, but Windows Phone 7.5 does. You have to set it up in the Settings app's Applications section, under Messaging, not in the mail client.
Composing messages is straightforward in both Windows Phone and Android, though neither mail client supports rich text formatting as iOS 5 does. Both also look up names as you enter them from your address book and previous email history.
Android's mail client lets you view attachments in Microsoft Office and PDF formats, as well as the common Web graphics formats. Windows Phone 7 isn't so savvy. It can open Office documents in its mobile versions of Word, PowerPoint, and Excel, though PowerPoint is strangely restricted to version 2007 and later (.pptx) files. To open PDFs, you'll need a separate PDF viewer, such as the free Adobe Reader.
Both mail clients show a list of attachments in the message body, but Windows Phone doesn't automatically download them. Instead, you must tap an attachment to download it and tap it again to open it. This saves on 3G data usage. Both Windows Phone and Android open zip files (unlike iOS, which requires a third-party app to do so).
In both Windows Phone and Android, you can easily search for mail, as well as reply to, forward, delete, and select multiple messages, though you can't select or deselect all messages. Android forces you to conduct your search from the OS's universal search facility; you can't search directly in the email client, as you can in Windows Phone. Selecting multiple messages in Windows Phone 7.5 is easy -- once you realize you need to tap the left side of the screen to open the selection bubbles.
Calendars. Both Windows Phone 7.5 and Android 2.3 let you view and update your calendars, as well as sync to Exchange and Google calendars. Both "Mango" and "Gingerbread" let you send invites to other users. On Android, the Calendar app automatically adds Exchange and Google Calendar invitations to your calendar with Maybe status, which is not apparent until you open the appointment. You can open Exchange invitations in the Email app, as well as accept or decline the invitation. But you can't open .ics invitations sent to POP or IMAP accounts. Windows Phone relies on its Calendar app to handle all invitations; its mail client doesn't know what to do with them.
Windows Phone 7's day and agenda views are pretty, but the tiny colored text for your appointments is very hard to read on the black background. And the month view is all but useless; the supertiny text for each appointment in each date is easily overlooked. Android uses clearer presentation in all of its calendar displays; its fonts aren't as elegant, but you can actually read your calendar.
Contacts. Both Windows Phone and Android have capable contacts apps, but it's a bit easier to navigate contacts in Android. The Contacts app displays a gray box as you begin scanning your contacts list, and if you drag it, you can scroll through the letters of the alphabet that appear in the box and move to names beginning with that letter. Windows Phone's People app has a different quick-nav capability: Tap the # icon button near the top to get a list of letters that you then tap to jump to. It's not slick, but it works.
In Android, you can also designate users as favorites, to put them in a shorter Favorites list. Windows Phone doesn't do that exactly; instead, it lets you "pin" an individual to the Start screen for easy access, such as to click an email address or phone number to initiate a message or call.
Windows Phone 7.5 lets you create groups of contacts, as well as link contact cards to create virtual groups. For example, if you have separate entries for a couple, you can link their cards so that each person's contact information appears in both of their cards. Android "Gingerbread" doesn't support groups at all.
Social networking. Windows Phone's People app provides a convenient location to monitor your social feeds -- Twitter, Facebook, LinkedIn, and others -- and engage in any conversations. You use the Me tile to initiate a message to all your networks simultaneously. The app is not as full-featured as the social networking services' own apps, so you still need to use them to do more sophisticated actions, including sending a direct message. A bizarre implementation issue on Windows Phone is that if you install the separate Twitter, Facebook, or LinkedIn apps, you have to sign in separately -- the sign-in you provided for the People app to use isn't shared with the social networking apps themselves.
Android doesn't integrate your social streams. Instead, you use the various apps for your social services separately.
The winner: A tie. Windows Phone is handier at social communication and has a better contacts app. Both have pros and cons for email, but Android enjoys a slight edge -- and it doesn't require reading glasses to use if you're over 40. Ditto on calendars.
Windows Phone 7.5 vs. Android 2.3: Applications If running applications is your thing, get an iPhone. Nothing else comes close in terms of rich application options that in some cases can do much of what a computer can do. But many people don't see the need for such apps on a smartphone and its small, constrained interface. For them, lightweight widgets are sufficient, and if that describes you, Windows Phone 7.5 and Android 2.3 are respectable platforms.
Apps. Android has a larger app selection than Windows Phone 7.5, especially "middleweight" productivity apps such as Quickoffice and Documents to Go. By contrast, Windows Phone's "big" app is Office, a collection of rudimentary touchup tools using the Word, PowerPoint, and Excel labels. Word is barely more capable than a typical note-taking app, and PowerPoint can only let you edit text, not adjust graphics -- much less create slides. Excel can't edit cells' contents, so it's good only for viewing and searching spreadsheets. Windows Phone 7.5 comes with a SharePoint client, but it's hard to imagine, given its lack of security, that any significant business would let users into such corporate assets through a Windows Phone.
The truth is, you can do more with Google Docs than Office on Windows Phone 7, whereas on Android you can do a bit more than Google Docs with the third-party apps available. (Apple's productivity apps for iOS, by contrast, let you live without a computer for days.)
And neither Windows Phone nor Android has any way to present PowerPoint or other slide presentations to a projector or TV, as iOS easily does on an iPhone via a cable or over the air through an Apple TV.
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I no longer drink that much — although I do indulge my 60+ years with an overdose of wine or beer once in a big-while, and of course I've quit smoking, it's going on 4 years now.
And may I say that there is not a day that goes by that I don't think about having a glass of wine or a swig of suds, or a healthy shot of whisky (they have that beautiful Crown Royal- Apple now…) with a puff of a sikaleti — it's that stress reliever that my generation grew up with.
In fact, I've got some great memories growing up here in the Territory — drinking cases of beer and sharing endless ciggies with friends and crazies under fau trees at the Pala Lagoon or Airport area, which involved a lot of singing, laughter and throwing up.
Many of my friends have since passed away from health issues that range from alcoholism, high blood pressure, heart conditions, sugar diabetes, and the list goes on… our stress relievers we are now told are SINS or causes of NCDs that are killing us before our time — nicotine, alcohol, and sugar.
To wit, I have no problem with the proposed new way of calculating the excise tax on beer — it would calculate the tax based on volume, not invoice value, which as GHC Reid says — definitely will level the playing field. It will not matter, what kind of beer you buy, only the size of the bottle or can… In this case, I guess — size does matter… GONG!
And then Rep. Fagaoatua Dorian Salave'a commented, in the same hearing, that those affected in the end are the consumers.
Gebauer responded, "In our analysis we did not want to single out a specific beer and we did not want to single out a specific company." As a whole, he continued, "What we collect is the same."
In other words, the money is the same — and that's really all they're interested in achieving.
And, I have no problem with that — after all we are talking about a government tax levied to support itself and by God — if nothing else — it will be fairly done!
People who live in poverty need an outlet to drown their sorrows — that's what religion and cheap beer & cigarettes are all about. If you (the government) can keep the people blissfully 'happy' then they will be less inclined to rise up and overthrow the powers that be, despite corruption and oppression.
If this is true, I would say American Samoa is heading towards some tumultuous times — a lot of the people are now sober and in a bad mood … GONG!


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Watch Dead Men Tell (1941) Online
Comedy, Crime, Drama, Mystery, Thriller
Donald Douglas, Kay Aldridge, Robert Weldon, Sheila Ryan, Sidney Toler, Victor Sen Yung
Harry Lachman
Writer(s):
Earl Derr Biggers, John Larkin
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A treasure map in four pieces, the ghost of a hanged pirate, a talking parrot, and a shipful of red herrings complicate Charlie's search for a murderer on board a treasure cruise.
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Are you knowledgeable about exactly how to purchase the best coffee beans? If you're a coffee drinker who's lately made the step up from instant to ground coffee, you should understand this. It's due to the high quality of your coffee beans is the largest factor in the high quality of your coffee.
Currently, there's a whole lot to be stated for terrific coffee beans. They give some of the richest, most intoxicating coffee flavors possible– especially when fresh as well as properly baked.
The issue is, bad coffee beans can do the contrary. They'll give you a brew so weak it could put you to rest out of gustatory monotony.
So to assist you to stay clear of bad coffee beans, I'll offer you some suggestions. These should reveal you just how to acquire the most effective coffee beans for your money.
Coffee beans are a must-have for major coffee enthusiasts. Some individuals may not adore them because they're a lot more pricey than immediate coffee and also take more job. But the fact is, they usually produce better-tasting coffee.
Yet once more, it's dependent on the quality of your components. Even if you're an immediate coffee drinker, you must have some sense of this.
In fact, that's why even immediate coffee drinkers still examine what others need to claim regarding an immediate coffee brew before buying it.
For instance, those curious about Organo Gold Review coffee, generally look for Organo Gold business examines initially. They do not intend to waste their cash on something that tastes like unclean dishwater.
The risks are a little bit greater in whole as well as ground coffee-making, though. That's because coffee beans, whether entire or ground, expense more than instant coffee powders or granules.
So when looking for the most effective coffee beans, never neglect to inspect consumer evaluations. Include what those state to what you learn about a product by complying with the steps listed below.
All coffee beans are slightly oily, particularly after roasting. That's because the roasting process creates the oil in them to seep a bit through the skin of the beans.
However, an effectively roasted bean shouldn't be so oily that it feels like somebody glazed them with butter. In fact, the most effective coffee beans ought to still feel somewhat dry. That's due to the fact that they have not been roasted so aggressively that all the oil adding to coffee's taste has started leaving the bean currently.
This is a little like an excellent steak. If it's prepared and handled poorly, all the juices (and flavor) leakage out of it prior to you even get it to your plate. With badly-roasted coffee beans, all the oil leakages out and also oxidizes prior to you can get it into your press.
Look for completely dry coffee beans, whether you're looking for a darker or lighter roast. Also, darker roasts shouldn't be as well oily.
There is a lot of areas where coffee is grown now. The majority of them have rather different flavor profiles. Recognizing which of those accounts you like best can aid you to limit your choices when seeking the most effective coffee beans.
For instance, allow's state you tend towards robust, thick and also abundant brews. You're probably the type that likes Brazilian coffee beans, after that. What happens if you like lighter, practically caramel-tinged coffees with a little sweetness? After that Colombian ones are probably for you.
As soon as you have actually done your study on which regions produce which sort of coffee, begin checking them. You'll eventually appeal the best coffee beans for pleasing your taste buds.
In the course of your experiments, take down the brand names that produce coffee beans you like. Chances are, you'll like a few of their various other coffee beans too.
Don't be absorbed by a great deal of advertising and marketing or advertising, incidentally. All that really proves is that the brand name has money to spend on promos and online marketing. It's not a warranty of excellence– particularly when you consider that some of the very best coffee beans have actually been created by firms so small they were a bit far better than a home business.
When acquiring coffee beans from the rack, only acquire those that remain in closed containers. If the container isn't closed, the beans will certainly already have actually begun to oxidize, i.e. shed their taste.
Naturally, some tiny roasters won't offer beans in closed plans. That's all right if they have actually been roasted just recently (less than 2 weeks ago) or if the roaster maintains the beans in closed containers before marketing them. You can just relocate the beans you've acquired to a real closed container after purchase.
This is important due to the fact that ground beans tend to shed their flavor much faster. Furthermore, unless they have actually been kept in a closed container in a store, they've likely shed most of their taste also prior to you purchase them!
Purchasing entire coffee beans lets you keep the beans for longer. It additionally assures you of the power to identify exactly how big or little a grind you intend to use. That may be necessary for your coffee-making process.
The actions over must show you that locating the most effective coffee beans isn't a Herculean obstacle. In fact, it can even be an enjoyable procedure, checking out various ranges searching for the best coffee beans.
Just bear in mind that the very best coffee beans are still items with a restricted shelf-life. The longer you wait to use them, the much less of their flavor you'll get from what you would have if you 'd used them shortly after roasting.
So don't be stingy concerning utilizing the very best coffee beans quickly after purchase. You can always simply get more once you do run out– and take pleasure in the preference of the freshest, best coffee beans all over once again!


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Q: Change Pre-commit Ids I am checking my commits and pre-commit Ids for validation. I am using the following command to get the list

git log -10 --no-merges master | Select-String -Pattern "commit"

And I found Last commit message missed the pre-commit

Is there any way to correct (Add missing pre-commits)? much appreciate your help

A: If it is the last commit, you can simply:

*

*run your pre-commit to check/get the ID

*amend the last commit message (git commit --amend) with that checked ID

*and force push (git push --force).

Make sure to notify your collaborators on the project, for them to update their origin/master whose last commit would have changed ID.

redpajama_set_name: RedPajamaStackExchange