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La sesta e ultima stagione della serie televisiva Glee è stata trasmessa negli Stati Uniti per la prima volta dall'emittente Fox dal 9 gennaio al 20 marzo 2015.

In Italia, la stagione è andata in onda in prima visione sul canale satellitare Sky Uno, in contemporanea con gli Stati Uniti e doppiata due settimane dopo, dal 23 gennaio al 3 aprile 2015. I titoli degli episodi, su questa emittente, non sono stati tradotti in lingua italiana, a differenza di quanto succede su La5: la serie in chiaro va in onda dal 23 febbraio al 10 marzo 2016.

Amber Riley e Dot-Marie Jones sono promosse a regular per questa stagione. Alex Newell, Naya Rivera, Becca Tobin e Jenna Ushkowitz passano da regular a guest star, mentre Melissa Benoist lascia ufficialmente la serie. Blake Jenner e Jacob Artist appaiono nell'ultimo episodio come guest star.

Ritorno a Lima
 Titolo originale: Loser Like Me
 Diretto da: Bradley Buecker
 Scritto da: Ryan Murphy, Brad Falchuk e Ian Brennan

Trama
Rachel, dopo essere stata licenziata a causa del fallimento della serie tv basata sulla sua vita, decide di tornare a casa a Lima dove ad attenderla ci sono molti cambiamenti e situazioni complicate. Apprende infatti che i suoi padri stanno divorziando e che la sua casa è stata messa in vendita. Anche per Blaine le cose sembrano non andare bene, infatti il ragazzo confessa a Rachel che Kurt ha rotto il fidanzamento e si sono lasciati perché il dover convivere da soli li portava sempre a litigare. Blaine inoltre le confessa che dopo la rottura ha trascurato i suoi studi alla NYADA, venendo di conseguenza espulso, ed è perciò tornato a Lima accettando di diventare il coach degli Usignoli alla Dalton Academy. Al McKinley Sue Sylvester continua ad avere il ruolo di preside, utilizzando la sua carica per instaurare un regime tirannico e del tutto contro le arti tanto da cancellarle completamente ed utilizzare la vecchia aula del Glee Club come laboratorio multimediale. Frattanto Rachel va a far visita a Sam, che ora è diventato l'assistente della coach Beiste, e qui fa la conoscenza di Spencer che è il nuovo giocatore di football gay, arrogante e maleducato. A New York, Kurt sembra star bene dopo il mancato matrimonio con Blaine tanto da decidere di partecipare agli speed date. Tuttavia nel momento in cui ha un appuntamento, si rende conto di star piangendo pensando ancora al modo in cui lui ha lasciato Blaine mesi prima e perciò comprende che l'ex usignolo gli manca. Rachel continua la sua tappa di visite e decide di andare a trovare il professor Shuester, ora allenatore dei Vocal Adrenaline. I due chiacchierano un po' e Rachel capisce che la cosa giusta da fare è far risorgere il Glee Club al McKinley, perciò con i fondi rimasti dalla sua serie tv decide di finanziare le arti al liceo. Kurt, tornato a Lima, decide di aiutarla diventando il co-coach del Glee e frattanto scopre che Blaine esce con Dave Karofsky, il bullo che per mesi durante il liceo aveva tormentato Kurt, ma che si era poi pentito del suo comportamento ed è ora una brava persona. L'affetto reciproco tra i due sorprende e addolora Kurt, che rimpiange di aver perso Blaine. L'episodio si conclude con Rachel che, cantando Let It Go dopo essersi sistemata nel vecchio ufficio del professor Shuester, appende sulla bacheca della scuola la sua stella porta fortuna ed il foglio di iscrizione al Glee Club.

 Guest star: Brian Stokes Mitchell (LeRoy Berry), Iqbal Theba (Figgins), Max Adler (David Karofsky), Jim Rash (Lee Paulblatt), Max George (Clint), Carrot Top (Blartie), Jim J. Bullock (Cert), Marshall Williams (Spencer Porter), Noah Guthrie (Roderick Meeks), Christopher Cousins (Sovrintendente Bob Harris), Heather Mazur (Agente pubblicitario Nancy).
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Nuove reclute
 Titolo originale: Homecoming
 Diretto da: Bradley Buecker
 Scritto da: Ryan Murphy

Trama
Gli ex-alunni del McKinley ritornano a Lima per il Raduno, inclusi Mercedes, Artie, Puck, Quinn, Santana, Brittany, Tina e Becky Jackson. Per evitare i problemi avuti nelle competizioni passate, Rachel, Kurt, Blaine e Will fanno un patto: giocheranno pulito senza imbrogli e senza furti, né di canzoni né di componenti. Intanto i vecchi membri delle Nuove Direzioni decidono di aiutare Rachel e Kurt a reclutare nuove voci per far risorgere il Glee Club, ma la cosa si rivela difficile in quanto nessuno è intenzionato ad iscriversi. In seguito però scopriranno che Roderick, un ragazzo sovrappeso vittima di bullismo, ha una splendida voce e alla fine lo convinceranno ad unirsi al club. Nel frattempo Blaine deve vedersela con Jane, unica ragazza iscritta alla Dalton, che vuole entrare negli Usignoli, i quali non vogliono rompere la tradizione accogliendo una femmina nel gruppo. Blaine riesce a convincerli a farle avere almeno un'audizione e la ragazza, aiutata da Rachel, regala loro un'ottima performance. Tuttavia questo non basta per far cambiare idea agli Usignoli, e Blaine promette a Jane di lottare per farla entrare nel gruppo. La ragazza però, sapendo che non verrebbe mai accettata comunque, decide di unirsi alle Nuove Direzioni, cosa che farà litigare Blaine con Rachel visto il precedente patto e in quanto si era molto esposto per Jane. L'ex Usignolo dichiara così che la tregua è finita. Infine, ispirati da una performance di Santana, Quinn e Brittany, si uniranno anche i gemelli cheerleader Mason e Madison. L'episodio termina con i vecchi e i nuovi membri che partecipano al raduno, mentre Kurt osserva tristemente Blaine e Karofsky guardare insieme i fuochi d'artificio.

 Guest star: Dianna Agron (Quinn Fabray), Heather Morris (Brittany Pierce), Naya Rivera (Santana Lopez), Mark Salling (Noah Puckerman), Becca Tobin (Kitty Wilde), Jenna Ushkowitz (Tina Cohen-Chang), Max Adler (David Karofsky), Lauren Potter (Becky Jackson), Samantha Marie Ware (Jane Hayward), Marshall Williams (Spencer Porter), Noah Guthrie (Roderick Meeks), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy), Connor McCabe (Gabriel).
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Pillole di verità
 Titolo originale: Jagged Little Tapestry
 Diretto da: Paul McCrane
 Scritto da: Brad Falchuk

Trama
Rachel e Kurt introducono il loro primo argomento alle Nuove Direzioni e i rimanenti ex alunni: un mash-up tra gli album "Tapestry" di Carole King e "Jagged Little Pill" di Alanis Morissette. Santana e Brittany danno una dimostrazione ai nuovi ragazzi e alla fine della performance Santana sorprende tutti chiedendo a Brittany di sposarla. Brittany accetta e le ragazze ottengono l'approvazione di tutti tranne Kurt, che soffre ancora per la fine della sua storia con Blaine. Il ragazzo infatti dichiara che le due stanno facendo uno sbaglio e che sono troppo giovani per un passo grande come quello. Ciò provoca l'ira di Santana che rinfaccia al ragazzo tutto quello che pensa di lui. Questo porta Kurt a discutere anche con Rachel per la gestione del Glee.  Alla fine però, scoperto che Blaine e Karofsky andranno a vivere insieme, il ragazzo capisce che deve andare avanti e accetta il matrimonio di Brittany e Santana. Nel frattempo Becky torna al McKinley dove annuncia a tutti che ha un ragazzo, Darrell. La ragazza chiede aiuto al Glee Club in quanto ha raccontato un sacco di bugie per far colpo su di lui (gli ha detto infatti di essere stata la presidentessa di vari club, tra cui il Glee) e il ragazzo vuole visitare la sua scuola e conoscere i suoi amici. Anche Sue vuole conoscere Darrell, ma rimane sorpresa quando scopre che non è affetto da sindrome di Dawn come si aspettava. Questo preoccupa sia la preside che gli ex-alunni, convinti che il ragazzo la stia solo prendendo in giro. Darrell però si dimostra un ragazzo sincero e davvero preso da Becky. Spencer nota degli strani comportamenti nella Coach Beiste e lo riferisce a Sue, la quale, dopo aver frugato tra le sue cose e aver trovato alcuni medicinali, la affronta convinta che la donna abbia il cancro. Inizialmente la coach afferma, ma poi capendo di non voler mentire racconta la verità a Sam e Sue: ha deciso di cambiare sesso in quanto non si è mai sentita a suo agio in un corpo femminile. I due la appoggiano e le promettono di aspettare il suo ritorno, nel frattempo sarà Sam a occuparsi della squadra di football.

 Guest star: Dianna Agron (Quinn Fabray), Heather Morris (Brittany Pierce), Naya Rivera (Santana Lopez), Mark Salling (Noah Puckerman), Jenna Ushkowitz (Tina Cohen-Chang), Max Adler (Dave Karofsky), Lauren Potter (Becky Jackson), NeNe Leakes (Coach Roz Washington), Marshall Williams (Spencer Porter), Noah Guthrie (Roderick Meeks), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy), Samantha Marie Ware (Jane Hayward), Justin Prentice (Darrell).
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Prove aperte - 1ª parte
 Titolo originale: The Hurt Locker, Part One
 Diretto da: Ian Brennan
 Scritto da: Ian Brennan

Trama
Per mettere in difficoltà il Glee club, Sue organizza un'amichevole per le Nuove Direzioni, i Vocal Adrenaline e gli Usignoli: il gruppo di Rachel e Kurt infatti è ancora piccolo e impreparato. Sue inoltre ha altri piani segreti: distruggere Rachel per averla sfidata e Will per essere una costante scocciatura. Per fare ciò ipnotizza Sam perché faccia innamorare Rachel di lui per poi dimenticarsi di tutto una volta baciata e per fargli spargere bugie in modo da mettere Will contro la ragazza. Ma il suo più grande obiettivo è inaspettatamente un altro: far tornare insieme Kurt e Blaine, per cui ha segretamente tifato fin dall'inizio. Inizialmente mette un cucciolo d'orso nell'appartamento di Blaine e Karofsky per spaventare Dave, poi affronta i due a cena invitando tutte le fiamme precedenti di Dave e affermando addirittura che i due hanno un antenato comune. Avvertito in precedenza da Sue, Kurt dice a Blaine che la preside si è inventata tutto per farli tornare insieme e di non preoccuparsi e andare avanti con la sua storia, gli rivela inoltre di avere un appuntamento, cosa che rattrista visibilmente Blaine. Kurt poi incontra il suo appuntamento online, Walter, che si rivela un uomo di 50 anni, ma nonostante la netta differenza di età decidono di provare almeno a essere amici e vedere poi cosa succederà. Nel frattempo l'ipnosi di Sam porta i risultati sperati da Sue: dopo aver baciato Rachel le dice che ama ancora Mercedes (cosa che addolora la ragazza), mentre Will, che inizialmente aveva promesso di non fare sul serio per non mettere in difficoltà le Nuove Direzioni, fa fare ai suoi ragazzi il loro numero migliore, mettendo così in soggezione i ragazzi del Glee Club.

 Guest star: Iqbal Theba (Figgins/Preside del liceo Carmel), Max Adler (Dave Karofsky), Max George (Clint), Harry Hamlin (Walter), Lauren Potter (Becky Jackson), Trilby Glover (segretaria), Samantha Marie Ware (Jane Hayward), Noah Guthrie (Roderick Meeks), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy).
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Prove aperte - 2ª parte
 Titolo originale: The Hurt Locker, Part Two
 Diretto da: Barbara Brown
 Scritto da: Ian Brennan

Trama
Dopo la performance dei Vocal Adrenaline, Sue annuncia che l'Amichevole verrà estesa di due giorni per dare tempo alle Nuove Direzioni di prepararsi e trovare altri membri. Sotto consiglio di Kurt, Rachel chiede a Kitty, l'unico membro del vecchio Glee rimasto al McKinley, di unirsi, ma la ragazza rifiuta categoricamente in quanto la rottura col vecchio gruppo è stata troppo dolorosa per lei. Dopo aver visto l'esibizione degli Usignoli, Kitty ha un ripensamento e decide di aiutare Rachel creando una nuova scaletta con tutte le canzoni preferite di Sue, le uniche che daranno loro una chance di vincere. Inoltre Sam, libero dall'ipnosi, convince Spencer, il ragazzo gay della squadra di football, a unirsi al Glee Club. Nel frattempo Kurt e Blaine vengono intrappolati da Sue in un finto ascensore e, in una comica imitazione di Saw, promette che li lascerà andare solo se i due si baceranno. I due ragazzi rifiutano di cedere al ricatto, ma alla fine disperati per la situazione accettano di baciarsi stabilendo che non significherà niente. Così facendo Sue li libera giusto in tempo per l'esibizione delle Nuove Direzioni. La performance fa breccia nel cuore di Sue, e durante l'esibizione si capisce che Rachel prova qualcosa per Sam, e che Kurt e Blaine non sono indifferenti l'uno all'altro. Alla fine vengono annunciati i vincitori: gli Usignoli si classificano terzi, i Vocal Adrenaline secondi e le Nuove Direzioni sono decretati vincitori. Inoltre Will e Rachel fanno pace dopo aver capito di essere stati vittime delle macchinazioni di Sue. Kurt e Blaine affrontano Sue dicendole che il suo tentativo di farli riconciliare ha fatto sì che potessero essere di nuovo amici, e le chiedono di smetterla con i suoi sotterfugi. La donna apparentemente acconsente, ma in realtà dopo rivela a Becky che le cose stanno andando esattamente come da lei programmato.

 Guest star: Michael Hitchcock (Dalton Rumba), Becca Tobin (Kitty Wilde), Max George (Clint), Harry Hamlin (Walter), Lauren Potter (Becky Jackson), Marshall Williams (Spencer Porter), Samantha Marie Ware (Jane Hayward), Noah Guthrie (Roderick Meeks), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy).
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Serve solo l'amore
 Titolo originale: What the World Needs Now
 Diretto da: Barbara Brown
 Scritto da: Michael Hitchcock

Trama
Rachel e Sam continuano ad essere indecisi sul loro rapporto: entrambi non vogliono ferire Mercedes. Tuttavia la ragazza, tornata a Lima per fare da mentore alle Nuove Direzioni prima delle provinciali, fa capire a entrambi che il rapporto tra lei e Sam ora è di sola amicizia e che possono uscire insieme se vogliono. Il vero obiettivo di Mercedes però è un altro: fare in modo che Rachel torni a New York una volta sistemato definitivamente il Glee Club. Rachel infatti non si sente ancora pronta a tornare dopo aver mandato all'aria la sua carriera, ma il sostegno di tutti i suoi amici la convincerà almeno a tentare un provino per un musical che Mercedes le ha procurato. Nel frattempo Brittany rivela ai genitori del suo matrimonio con Santana, cosa che rende molto felici i due e che li porta anche a svelarle una scioccante verità: il vero padre della ragazza è Stephen Hawking, e questo spiega il suo genio matematico. La ragazza inoltre assume Artie, in quanto aspirante regista, come Wedding Planner. Brittany però vuole che al matrimonio partecipi anche la nonna di Santana, che aveva rinnegato la ragazza dopo aver scoperto della sua omosessualità, perciò fa amicizia con lei senza dirle che è la futura moglie di sua nipote. Dopo averla conquistata, la fa assistere ad un'esibizione a sorpresa di Santana, e le rivela in seguito la verità. Tuttavia la nonna, nonostante voglia bene alla nipote, non riesce ad accettare che sposi una donna, e allora Santana e Brittany dichiarano che saranno felici di non averla al loro matrimonio. L'episodio si conclude con una festa a casa di Will per Brittany e Santana, circondate da tutti gli amici che tengono a loro.

 Guest star: Ken Jeong (Pierce Pierce), Jennifer Coolidge (Whitney S. Pierce), Heather Morris (Brittany Pierce), Naya Rivera (Santana Lopez), Becca Tobin (Kitty Wilde), Ivonne Coll (Alma Lopez), Samantha Marie Ware (Jane Hayward), Noah Guthrie (Roderick Meeks), Marshall Williams (Spencer Porter), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy).
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Transizioni
 Titolo originale: Transitioning
 Diretto da: Dante Di Loreto
 Scritto da: Matthew Hodgson

Trama
Insegnando al liceo Carmel, Will gode di molti benefici per sé e la sua famiglia, ma non è entusiasta del suo lavoro poiché i Vocal Adrenaline sono troppo presi dalla competizione e non lo rispettano come coach. Quando Clint e gli altri membri bombardano di uova Rachel e Blaine, Will invita l'ex-studente Wade "Unique" Adams per aiutarlo con una lezione sulla tolleranza, ma non ottiene il successo sperato. Nel frattempo torna al McKinley Coach Beiste, adesso un uomo di nome Sheldon. Ma se al McKinley l'uomo è accolto senza pregiudizi, lo stesso non si può dire per i Vocal Adrealine che scrivono sulla sua auto "Coach Trans". Sam e la squadra di football vogliono vendicarlo ma Sheldon, commosso dall'affetto dei suoi ragazzi, dice loro che questa è la sua battaglia. Will, saputo ciò che hanno fatto i suoi alunni, caccia Clint dal gruppo, ma la sua è una causa persa in partenza visto che al Carmel hanno un'altra mentalità. Rachel intanto deve accettare il fatto che la casa dove è cresciuta è stata venduta e i suoi amici la aiutano dando un'ultima festa nel seminterrato di casa sua. Scegliendo le coppie che canteranno, Kurt fa in modo di finire in coppia con Blaine, mentre Sam duetterà con Rachel. Alla festa tutto procede per il meglio: i ragazzi si divertono e Sam e Rachel si rivelano finalmente i propri sentimenti. Dopo aver cantato il loro duetto, Blaine inaspettatamente bacia Kurt, salvo poi pentirsene subito dopo e andarsene. Il giorno dopo racconta tutto a Dave, il quale, avendo capito da tempo che Blaine ama ancora Kurt, lo invita a dirgli tutto. L'ex Usignolo quindi si precipita a scuola, ma desiste dal suo intento quando scopre che Kurt sta andando a un doppio appuntamento con Walter, Sam e Rachel. Nel frattempo Will, sotto consiglio della moglie Emma, che gli dice di fare quello che ama e non quello che gli altri si aspettano, porta i Vocal Adrenaline con l'inganno al McKinley e li fa assistere a un'esibizione di Unique e un coro di transessuali dedicata a Sheldon, per farlo sentire finalmente accettato, dopodiché si licenzia dal Carmel. Rachel e Kurt allora gli offrono di diventare consulente delle Nuove Direzioni e l'uomo accetta.

 Guest star: Jayma Mays (Emma Pillsbury), Alex Newell (Wade Adams), Max Adler (Dave Karofsky), Max George (Clint), Harry Hamlin (Walter), Gary Grubbs (Jimbo Wilson), Marshall Williams (Spencer Porter), Samantha Marie Ware (Jane Hayward), Noah Guthrie (Roderick Meeks), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy).
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Le nozze dell'anno
 Titolo originale: A Wedding
 Diretto da: Bradley Buecker e Ian Brennan
 Scritto da: Ross Maxwell

Trama
Si avvicina il matrimonio di Brittany e Santana; le ragazze, su suggerimento di Whitney Pierce, decidono di festeggiarlo nel fienile in Indiana dove Brittany è nata, dato che in Indiana il matrimonio gay è legale. A causa di un imprevisto, viene deciso che a officiare il matrimonio sarà Burt Hummel. Durante la prova vestito, Santana vede la fidanzata in abito da sposa e questo manda nel panico Brittany che è molto superstiziosa. Inoltre Santana non vuole che Sue venga al matrimonio dopo tutte le cattiverie subite nel corso degli anni. Nel frattempo Kurt rivela a Walter che è ancora innamorato di Blaine e l'uomo, per niente sorpreso, lo sprona e incoraggia a cogliere l'attimo e a tornare con Blaine. Kurt corre subito all'appartamento del ragazzo, rivelandogli i suoi sentimenti e scoprendo che Blaine non ha mai smesso di amarlo, così i due si rimettono insieme. Intanto Tina, stufa di vedere soltanto la felicità degli altri e mai la sua, vuole chiedere a Mike, con il quale è sempre rimasta in contatto anche dopo la rottura, di sposarla, nonostante i due non stiano più insieme. La ragazza chiede l'appoggio per la sua decisione ad Artie, Blaine e Puck ed Artie rimane visibilmente scosso dalla notizia. Il giorno delle cerimonia Sue si presenta portando un regalo inaspettato: Alma Lopez. La donna infatti, nonostante non abbia ancora accettato del tutto il matrimonio gay, ha capito che la famiglia è più importante e vuole far parte della vita della nipote. Con questo gesto Sue si guadagna il perdono di Santana. Ma le sorprese non sono finite: Brittany infatti vuole che Kurt e Blaine si sposino insieme a loro. Dopo varie reticenze, i ragazzi sorprendono gli invitati celebrando in un giorno solo non uno ma ben due matrimoni gay. Durante la festa Tina prende da parte Mike e gli fa la proposta, ma Mike, nonostante ami Tina, le dice che non può sposarla, in compenso le propone un ultimo ballo insieme, durante il quale Sam e Rachel ricevono l'approvazione di Burt e Carole. Dopo il matrimonio Artie e Tina si trovano in aula canto per il loro pranzo insieme da tradizione e Artie, intenzionato a riconquistarla, la convince a fare un patto: se entro i 30 anni saranno ancora single si sposeranno tra di loro. Infine Sue regala ai neo-coniugi due lune di miele: un mese alle Bahamas per Brittany e Santana e un weekend a Provincetown, Massachusetts, per Kurt e Blaine.

 Guest star: Gloria Estefan (Maribel Lopez), Ken Jeong (Pierce Pierce), Jennifer Coolidge (Whitney S. Pierce), Gina Gershon (Pam Anderson), Heather Morris (Brittany Pierce), Naya Rivera (Santana Lopez), Mark Salling (Noah Puckerman), Harry Shum Jr. (Mike Chang), Becca Tobin (Kitty Wilde), Jenna Ushkowitz (Tina Cohen-Chang), Mike O'Malley (Burt Hummel), Romy Rosemont (Carole Hudson), Harry Hamlin (Walter), Vanessa Lengies (Sugar Motta), Ivonne Coll (Alma Lopez), Samantha Marie Ware (Jane Hayward), Noah Guthrie (Roderick Meeks), Marshall Williams (Spencer Porter), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy).
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Bar Mitzvah
 Titolo originale: Child Star
 Diretto da: Michael Hitchcock
 Scritto da: Ned Martel

Trama
Nella speranza di assicurarsi il prestigioso premio come "Preside dell'Anno" (Principal of the Year Award), Sue chiede al soprintendente Bob Harris una lettera di raccomandazione. In cambio, Harris chiede alla donna di aiutare il nipote dodicenne, Myron Muskovitz nel pianificare una performance musicale sontuosa per il suo prossimo partito bar mitzvah. (Rituale che per gli ebrei simboleggia essere diventato finalmente un uomo o una donna, in base al sesso dell'individuo). Quando Sue lo rinvia alle Nuove Direzioni, Myron chiede loro di svolgere (a seguito della sua esibizione musicale per farsi conoscere ai membri del glee) il suo party nell'auditorium del McKinley. Mason, nel frattempo, scopre di provare dei sentimenti per Jane, è ansioso di esibirsi con lei al party di Myron, ma è impedito dal controllo della sua incestuosa sorella gemella. Quando chiede comunque a Jane di esibirsi e dice a Madison che dovrà cantare con Roderick invece di lui, Madison impazzisce. Tuttavia, dopo Mason esegue un assolo che racconta l'indipendenza della sorella nei suoi confronti alla festa del ragazzino, Madison cede e gli spiega che tutto quello che fa è per proteggerlo in quanto suo unico fratello e dopo un momento dolce con quest'ultimo, dice che potrà esibirsi certamente insieme a Jane. Nel frattempo, Spencer sviluppa una cotta per uno studente di nome Alistair, e decide di aiutare Roderick che è un amico di Alistair, a migliorare la sua forma fisica. Nonostante la personalità abrasiva di Spencer, Roderick aiuta i due e riesce a convincere Alistair ad unirsi alle Nuove Direzioni. Myron, alla fine del suo party, (risultato grandioso e apprezzato da tutti), si unisce al glee (nonostante fosse un ragazzino di 12 anni) a causa della influenza dello zio, che fa infuriare Sue, che non potrà distruggere il club senza invocare le ire del suo superiore. Tuttavia, ha intenzione di fare la battaglia con il gruppo stesso.

 Guest star: Becca Tobin (Kitty Wilde), J.J. Totah (Myron Muskovitz), Finneas O'Connell (Alistair), Christopher Cousins (Sovrintendente Bob Harris), Noah Guthrie (Roderick Meeks), Samantha Marie Ware (Jane Hayward), Marshall Williams (Spencer Porter), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy).
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Ascesa e declino di Sue Sylvester
 Titolo originale: The Rise and Fall of Sue Sylvester
 Diretto da: Anthony Hemingway
 Scritto da: Jessica Meyer

Trama
Dopo che la Dalton Academy è andata inaspettatamente in fiamme, gli Usignoli si uniscono alle Nuove Direzioni in modo da formare un unico Glee Club. Sue intanto tenta di esercitare le sue autorità e vuole mandare via gli Usignoli, ma questo fa arrabbiare Becky la quale rompe la sua amicizia con la Sylvester e ne rivela i segreti malvagi ad Harris. Di conseguenza, Sue viene licenziata e le viene revocata la carica di preside del McKinley. Successivamente viene intervistata da Gerardo Rivera su Fox News, il quale sta conducendo un exposè di Sue rivelando a tutti che è una bugiarda e che persino Michael Bolton non è il padre della sua bambina. Solo due persone intervistate da Rivera sono dalla parte di Sue, Will e Sheldon. Dopo, la madre Doris fa visita alla figlia e dopo essersi scusate dei loro mali si riconciliano attraverso un duetto. Sue intanto viene assunta come coach dei Vocal Adrenaline. Nel frattempo, Rachel torna alla NYADA per convincere Carmen Tibideaux a darle una seconda possibilità, la quale però non accettà. Di ritorno a Lima, riceve la chiamata del produttore del musical per cui aveva fatto l'audizione, il quale le dice che è stata scelta per la parte e lei ne è entusiasta volendo partire per New York e prendere parte al musical senza più tornare alla NYADA. Sam però le rivela che sta commettendo la scelta sbagliata, ma quando Carmen Tibideaux chiama Rachel per accettare il suo ritorno alla NYADA, quest'ultima decide che resterà fedele alla scelta di partecipare al musical.

 Guest star: Carol Burnett (Doris Sylvester), Geraldo Rivera (se stesso), Michael Bolton (se stesso), Carnie Wilson (se stessa), Christopher Cousins (Sovrintendente Bob Harris), Max George (Clint), Becca Tobin (Kitty Wilde), Bill A. Jones (Rod Remington), Earlene Davis (Andrea Carmichael), Lauren Potter (Becky Jackson), Samuel Larsen (Joe Hart), Marshall Williams (Spencer Porter), Noah Guthrie (Roderick Meeks), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy), Samantha Marie Ware (Jane Hayward), Justin Prentice (Darrell), J.J. Totah (Myron Muskovitz), Finneas O'Connell (Alistair).
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Il nostro glee club
 Titolo originale: We Built This Glee Club
 Diretto da: Joaquin Sedillo
 Scritto da: Aristotle Kousakis

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Manca pochissimo alle Provinciali e le Nuove Direzioni provano tutti i giorni per perfezionare le loro coreografie. Tuttavia, gli Usignoli sostengono che alcuni membri non siano sufficientemente bravi per affrontare delle coreografie di un certo tipo, alludendo nello specifico a Roderick e Spencer. I due ragazzi riconoscono di non essere eccezionali e promettono di impegnarsi di più, chiedendo aiuto a Kitty e al prof. Schuester. Durante le prove Spencer si sloga una caviglia ma è deciso a salire sul palco con le Nuove Direzioni a tutti i costi.

Rachel è in auditorium a preparare gli ultimi pezzi per la gara, Sam la raggiunge cercando di convincerla per l'ennesima volta a non scartare la possibilità di tornare alla NYADA per riprendere in mano la propria vita e la propria carriera. La ragazza tuttavia è ancora molto indecisa e gli chiede di lasciarla riflettere meglio. Mentre quest'ultima intona Listen To Your Heart, compare sul palco inaspettatamente Jessie St.James e duetta con il ragazzo. Anche Jessie vorrebbe tanto che Rachel tornasse a Broadway e accettasse la parte in quel musical per il quale ha fatto audizione. L'ex direttore dei Vocal Adrenaline ha ottenuto il ruolo da protagonista maschile proprio in quel musical e sapendo che la ragazza ha ottenuto la parte della protagonista femminile, vorrebbe tanto recitare sul palco con lei, come in fondo ha sempre sognato.

Arriva il temutissimo e attesissimo giorno delle Provinciali, i Falcons e i Vocal Adrenaline si esibiscono e ottengono il consenso del pubblico. Dopo il bellissimo discorso di Rachel su quanto i ragazzi l'abbiano ispirata a ritrovare sé stessa, la sua forza e le sue ambizioni, è tempo di salire sul palco e dimostrare tutto il loro talento. Sulle note di Take Me To Church, Chandelier e Come Sail Away il glee club di Lima insieme agli Usignoli della defunta Dalton Acedemy conquistano il pubblico e i giudici stessi vincendo le fatidiche Provinciali. Inutile negare la gioia dei membri attuali ma soprattutto dei membri passati delle Nuove Direzioni. Rachel guarda con ammirazione ed emozione i trofei vinti negli anni passati e su consiglio di Kitty, sceglie di affiancarli a quello più recente per non dimenticare le gioie e le vittorie più vecchie.

Sue si scontra nuovamente con Will sostenendo di averlo aiutato a vincere le Provinciali, ringrazio lui e il coach Beiste per tutto quello che hanno fatto in passato per lei, nonostante tutte le vendette e i soprusi contro il liceo McKinley, i suoi prof e i suoi studenti. Rivela così il suo buon cuore e sotto sotto la sua vera natura. L'episodio si conclude con i festeggiamenti del glee club e i flashback delle vittorie passate dei ragazzi. Dopotutto i bei ricordi sono indimenticabili.

 Guest star: Jonathan Groff (Jesse St. James), Max Geroge (Clint), Becca Tobin (Kitty Wilde), Bill A. Jones (Rod Remington), Fortune Feimster (Butch), Marshall Williams (Spencer Porter), Patricia Forte (Donna Landries), Billy Lewis Jr. (Mason McCarthy), Laura Dreyfuss (Madison McCarthy), Samantha Marie Ware (Jane Hayward), Noah Guthrie (Roderick Meeks), J.J. Totah (Myron Muskovitz), Finneas O'Connell (Alistair).
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2009
 Titolo originale: 2009
 Diretto da: Paris Barclay
 Scritto da: Ryan Murphy, Brad Falchuk e Ian Brennan

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L'episodio è un flashback dell'episodio pilota dello show, che esplora come nel 2009 i membri originali delle Nuove Direzioni: Rachel Berry, Kurt Hummel, Mercedes Jones, Artie Abrams e Tina Cohen-Chang sono entrati nel club. Kurt è senza amici e depresso; credendolo propenso a suicidarsi, la consulente didattica Emma Pillsbury contatta Burt per avvertirlo delle difficoltà del figlio. Come risultato, Burt ordina a Kurt di unirsi a una squadra della scuola per il suo bene. Sperando di compiacere il padre, Kurt fa amicizia con Rachel e Mercedes; la prima gli suggerisce di fare un provino per il nuovo Glee Club di Will Schuester, mentre la seconda lo aiuta a scegliere la canzone per l'audizione. Dopo la firma stessa, Mercedes è presa di mira da Rachel come una potenziale rivale per il posto di cantante femminile, e le due immediatamente sono ai ferri corti. Dopo che Will dà l'assolo per la prima cantante femminile a Rachel, la fiducia in se stessa di Mercedes crolla a pezzi fino a quando sua madre non le fa un discorso di incoraggiamento. Tina, ancora gotica, finge costantemente di balbettare per allontanare le persone, e, nonostante sia consapevole del suo talento, cerca sempre di rimanere impopolare; nel frattempo, la ragazza diventa amica di Artie, innamorato di lei. I due  vanno assieme a fare l'audizione per via di una sfida lanciata da parte degli amici gotici della ragazza. Sue e Will sono in buoni rapporti l'una con l'altro fino a quando lui non si rifiuta di rinunciare al Glee Club al fine di mantenere la loro amicizia. Dopo che la moglie di Will, Terri dice al marito d'essere incinta e lo convince a lasciare l'insegnamento e prendere la contabilità, Rachel tenta invano di farle cambiare idea. I cinque membri originali del Glee Club sono titubanti sulla leadership di Finn Hudson, mettendo in discussione il suo impegno dopo che li lascia per poi ritornare. Nel corso di un incontro tra i cinque, Rachel e Artie convincono gli altri a dare a Finn un'altra possibilità, perché credono nelle le sue buone qualità. L'episodio si conclude con la messa in scena ormai iconica dell'episodio pilota di Don't Stop Believin', che è quello che ha convinto Will a restare come direttore di coro.

 Guest star: Jessalyn Gilsig (Terri Del Monico), Jayma Mays (Emma Pillsbury), Mike O'Malley (Burt Hummel), Mark Salling (Noah Puckerman), Jenna Ushkowitz (Tina Cohen-Chang), Iqbal Theba (Preside Figgins), Max Adler (Dave Karofsky), Kent Avenido (Howard Bamboo), Natalija Nogulich (Madame Helen), Dijon Talton (Matt Rutherford), April Grace (Mrs. Jones), Bex Taylor-Klaus (ragazza gotica).
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I sogni si avverano
 Titolo originale: Dreams Come True
 Diretto da: Bradley Buecker
 Scritto da: Ryan Murphy, Brad Falchuk e Ian Brennan

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Dopo che le Nuove Direzioni vincono alle Nazionali, il sovrintendente Harris rende il McKinley una scuola per le arti e nomina Will preside. Questo decide di aggiungere più cori oltre alle Nuove Direzioni, il cui leader diventa Sam. Dunque, i vecchi membri si ritrovano per l'ultima volta per dirsi addio. Mercedes annuncia che è stata scelta come performer per aprire il concerto del tour mondiale di Beyoncé, però avverte gli amici che non potrà più rivederli per un po'; li saluta cantando loro una canzone e promettendo che un giorno si rincontreranno. Nel frattempo, Kurt e Blaine ringraziano Sue per aver fatto sì che i due si riunissero e subito dopo lei fa pace con Becky e con Will. Si ha un salto temporale di cinque anni. Nel 2020 Kurt e Blaine sono attori teatrali che visitano le scuole per sensibilizzare i giovani all'accettazione e all'uguaglianza; Sue è diventata la Vice Presidente degli Stati Uniti; Artie e Tina sono tornati insieme e la ragazza è protagonista di un film diretto da lui; Mercedes è una cantante di successo, molto impegnata a causa di vari tour; Sam rimane ad insegnare a Lima e frequenta molte ragazze; Rachel è una star di Broadway, vince persino un Tony Award e durante il suo discorso ringrazia il professor Shuester, che l'ha sostenuta e aiutata più di tutti a realizzare il suo sogno. È sposata con Jesse e ha deciso di essere la madre-surrogato del/la figlio/a di Kurt e Blaine. Nel corso di quell'anno, Sue invita Will, Emma, Sheldon, Burt, Carole, Figgins e Terri al McKinley per dedicare l'auditorium a Finn. Dopo il suo discorso Will e tutti gli studenti che hanno fatto parte del club cantano, per l'ultima volta insieme, I Lived.

 Guest star: Jonathan Groff (Jesse St. James), Geraldo Rivera (se stesso), Andrew Rannells (se stesso), Dianna Agron (Quinn Fabray), Jacob Artist (Jake Puckerman), Jessalyn Gilsig (Terri Del Monico), Blake Jenner (Ryder Lynn), Jayma Mays (Emma Pillsbury), Heather Morris (Brittany Pierce), Alex Newell (Wade "Unique" Adams), Mike O'Malley (Burt Hummel), Naya Rivera (Santana Lopez), Mark Salling (Noah Puckerman), Harry Shum Jr. (Mike Chang), Becca Tobin (Kitty Wilde), Jenna Ushkowitz (Tina Cohen-Chang), Max Adler (Dave Karofsky), Christopher Cousins (Sovrintendente Bob Harris), Tim Bagley (Insegnante), Laura Dreyfuss (Madison McCarthy), Ashley Fink (Lauren Zizes), Noah Guthrie (Roderick Meeks), Samuel Larsen (Joe Hart), Vanessa Lengies (Sugar Motta), Billy Lewis Jr. (Mason McCarthy), Finneas O'Connell (Alistair), Lauren Potter (Becky Jackson), Romy Rosemont (Carole Hudson), Dijon Talton (Matt Rutherford), Iqbal Theba (Figgins), J.J. Totah (Myron Muskovitz), Samantha Marie Ware (Jane Hayward), Marshall Williams (Spencer Porter).
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Note


It's not surprising that literary powerbroker agent Jennifer Rudolph Walsh and I started our first lunch talking about our shared passion for bringing people — in particular other women — together for the purpose of sharing stories and feeling the power of community. For Jennifer, this passion led her to create the Together Tour and for me, it's been TEDWomen, now in its 7th year.
I had the pleasure of speaking with reporter Cheryl Harbour recently for a cover story in this month's GRAND Magazine. We talked about advice I received from my own grandmother growing up in Georgia and what I've learned from being a grandmother myself.
From inspiring sunrise sessions at Maroon Bells to enlightening sundown conversations at the Belly Up Bar, the Aspen Institute's Spotlight Health Forum covered a lot of ground in search of common ground on the need for more accessible health care, challenges to reproductive justice and rights, and increased support for caregivers.


text:
Administration seeking rollbacks on tech company protections
This April 26, 2017, file photo shows the Twitter app on a mobile phone in Philadelphia.[AP/Matt Rourke, File]
The Justice Department is proposing that Congress roll back legal protections for online platforms such as Facebook, Google and Twitter that generally could not be held legally responsible for what people post on the sites.
The proposed changes to Section 230 of a major telecommunication overhaul from 1996 come weeks after President Donald Trump signed an executive order challenging the protections that have served as a bedrock for unfettered speech on the internet.
Companies such as Twitter and Facebook are granted liability protection under the Communications Decency Act because they are treated as "platforms," rather than "publishers," which can face lawsuits over content. Without that shield, companies could face lawsuits from people who feels wronged by something someone else has posted.
Trump preparing order targeting social media protections
One of the administration's requests is that Congress strip the civil immunity protections for tech companies that may be complicit in unlawful activity on their platforms, according to a Justice Department official. For example, the proposal would remove the legal protection if an online platform purposefully solicited third parties to sell illegal drugs to minors, exchange sexually explicit photos or video of children or engage in other criminal activity, the official said.
The official was not authorized to discuss the matter publicly before the formal announcement and spoke on condition of anonymity.
The department said its proposals are aimed "at incentivizing platforms to address the growing amount of illicit content online, while preserving the core of Section 230's immunity for defamation."
The administration contends that the broad immunity should not apply to companies that don't "respect public safety by ensuring its ability to identify unlawful content or activity occurring on its services," according to a department memo obtained by the AP.
"Further, the provider must maintain the ability to assist government authorities to obtain content (i.e., evidence) in a comprehensible, readable, and usable format pursuant to court authorization (or any other lawful basis)," the document says.

redpajama_set_name: RedPajamaCommonCrawl


text: Q: Google Search Results In A Variable I need to create an application that stores Google search results in a array. I've never done something like that and haven't tried anything because I'm undecided which language to use, would it be possible with Python?? Can i do it adding those in a PHP global variable??I just need some ideas so the rest I can research. Thank you!!

redpajama_set_name: RedPajamaStackExchange


Rewind – I won't bore you with the rest of the fiasco – think dumb blonde!!!! However I did feel better when I discovered I was not the first person to make this mistake!
A stroll round the town prior to my dinner has me wondering about this ride – I see only people in snow gear here, coming off the mountain – you hear that peculiar sound their pants make as they walk, before you even see them. And the sight of the sun on the still snow capped mountain takes my breathe away – no photo could do it justice.
So as I sit in the local pub with my local wine (Snobs Creek Pinot Noir😂) and lasagne I reassure myself : regardless of snow, rain or shine it's all about the horse.
But will I be warm enough, will my body hold up, will I dismount or be dismounted?
Author leepowriePosted on September 11, 2017 April 4, 2018 Categories Horses, Howqua RiverTags adventure, Bush, High Country, Horses, living, roads, time, Travel2 Comments on Again?
We are in the Howqua Valley, the river in front of me; the sound of its strong flow mingling with so many birds roosting for the night. The sun is setting and the trees appear luminous as the last rays filter through them. And the daffodils watch on as they clearly have done season after season.
Strange name Howqua, with equally strange possible origins, after a Chinese tea very popular during the 19th Century, after a Chinese surveyor of the area, (Ah Kin Wowqua); a derivative of Mount Howitt, where the river rises, and aqua; or if you prefer, after John "Howka" Hunter (1820–68), a pastoralist. I am guessing any will do, but it is probably better known as the countryside where they filmed The Man From Snowy River.
Which brings me back to the ride…. well almost back to the ride. Firstly though, I must remind you that riding and taking photographs are almost mutually exclusive, and even more so when you are not riding alone and cannot just stop at will. So most of the photographs we tried to take ended up in the 'trash' bin – you will need to engage your imagination if you mean to capture even a fraction of this adventure.
set me up for the drive to the stables – about 30 minutes out of Mansfield.
There is, at least for me, always a few nerves involved in arriving somewhere alone on another adventure. Will I be riding alone, and if not, who will I be riding with.
And so the 'settling in period' as I jostle around the 'edges' to determine where in the pecking order I fit – a little, as I discovered like the horses themselves as they get chosen for the trail.
I arrived at the stables to find I was not riding alone. Sitting comfortably and beautifully attired were a 'couple' – mother and daughter to be precise. Or even more precise, Wendy and Danny. My antennae and nerves on high alert I realised these were riders with a capital R, every fibre of their brand name gear confirmed that to me. Almost certainly their antennae were out as they realised this was a rider with a capital B (for beginner), as every fibre of my gear (aka Aldi & Kmart) confirmed. I have no doubt their hearts sank at the thought of a novice holding them back.
But they were so gracious and at no point did they allow me to feel incompetent. So grateful.
That out of the way, the next thing is to 'navigate' around the horses. Which one leads, who snaps, who lingers, and let me tell you, they most certainly do have a pecking order as Danny and I discovered throughout the 2 days as our two jostled with each other.
And then there's the saddles, apparently I was riding on a stock saddle, long stirrups, legs down, stand up when cantering, hang on the mane, lean forward so if she swings in the bush (as she did a few times) you ready to swing with her and not off her 🙂 🙂 and so it went on. Finding bones and muscles in strange parts of my body, I settled onto the new horse, in a new saddle surrounded by Victorian Alpine countryside.
My stock horse, Rhumba made me think on many occasions that she should be called Rumble (as in the jungle – think Mohammad Ali); nipping whenever she felt like it, putting her ears well back and warning me and Danny that any closer was a no go, deciding to trot at the most random moments, for the most random reasons and for all that, lovely to canter. Danny had a busy time keeping her little one in line – and her years of riding experience came to the fore.
The ride was interesting with very steep climbs and even steeper declines – although I know that cannot Really be possible :). The ground was often very muddy and the inclines such that much of the day our eyes were down keeping a watch on our horses feet. They slipped and slid but thankfully everyone kept their balance. Well most of the time that is.
The countryside was breathtaking and we stopped for a photoshoot.
We also stopped for lunch alongside the river at an old miners hut. Which was fortunate and lovely because as we started our fire and made some hot tea, it began to rain and we were warm and snug. By the time we were ready to ride again, the rain had moved on.
We needed to cross the river a few times and it was surprisingly full and fast flowing. Four of us were across when Michael's horse (Michael being our host) lost its footing and it and he went for a swim in very cold water. Thankfully neither was seriously hurt and we could all laugh about it once we were sure there were no major injuries. One learns early on that there are no egos in riding – mishaps can and do happen to any and everyone if you spend long enough on or around horses.
Truth be told, even in those tranquil riding moments when you can be lulled into a semi comatose state, your horse remains its own being with a will and strength quite independent of yourself! So I'm realising it pays always to be vigilant.
As you can 'see' a lovely day one, with many hours in the saddle. A good meal and time now for bed.
If anyone snored, no one heard – we all slept warmly and long.
And our second day dawned bright and sunny. Full of optimism about the weather I forgot for just a while that we live in Victoria where the weather changes every 20 minutes.
We wandered down to the horses, wandering how our bodies would feel as we climbed 'aboard' after such a long day yesterday in the saddles which were definitely 'not custom made' as the others usually use.
But we were fine, and up and riding in quick smart time.
Which was just as well as Rhumba was ready to rhumba, forward, sideways, anyway but quickly and for the first 1o minutes I had my hands full.
Today we were riding up and up and up past farmlands, a fabulous school camp with kids having so much fun I was tempted to stop and join them on their flying fox. Past cattle, with heads down against the wind, almost level with a Wedge Tailed Eagle which seemed suspended in the sky as it flew into the very strong wind. And still up and up.
And I must say, it was a fearful place. None of us were game to ride to the edge, but rather relied on Michael leading our horses to 'the spot'. I could not look down, in fact I could not breathe in case Rhumba should think I wanted her to move. I held her head up, just in case and thankfully swung round after 'the photoshoot' to safer ground!!!!
The weather did not invite lingering and we hurried down with a steady drizzle and wind reminding us why these hills are known as 'the Alps'. I had a very large oilskin which made me wonder if I would 'take off' when cantering as it turned me into, according to the others, a phantom rider, but kept me warm and dry in this winter weather.
And so we rode home, as we had all the way in single file, Wendy and Michael at the back talking, we couldn't hear what they were saying, but there was a companionable constant hum of their voices reaching us when the wind was still. And the three of us absorbed in our own worlds. The kookaburras called along the way, bellbirds sang, a wedge tail eagle alongside the road ate from a carcass, kangaroos loping across the fields every which way; standing up in the strange posture to watch us and then bouncing off. Sheep littered the lower hills looking for all the world as though hundreds of white tissues had escaped from a tissue box and landed haphazardly round the field. The eucalyptus forests with trees reminding me for some reason of cathedrals – Huge, imposing, reaching for the sky. The barren hills which were pine forests, now looking forlorn and empty of any life. And the green green hills so full of energy and promise of new life. Wattle in flower was everywhere, a bright yellow which when the sun caught it seemed to shimmer with a promise of abundance not yet here.
And so to a lovely lunch to farewell new friends, and another adventure.
And not a moment too soon.
The drive home alone was in pouring rain, so heavy that reaching the speed limit was not possible, never mind exceeding it!!!!
My musings over the two days included gratitude that I was now in my little old car; it's 4 wheels, a steering wheel and heater rather than my new friend, Rhumba, her 4 legs, reins and an oil skin.
Oh and did I tell you?
The Howqua River was one of just thirteen locations worldwide featured on the fly fishing documentary television series A River Somewhere.
That bit of trivia for my fishing friends – best come visit!


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text:
Justia Dockets & Filings Fourth Circuit South Carolina District Court Cagle v. Commissioner of Social Security Administration Filing 20
Cagle v. Commissioner of Social Security Administration
ORDER remanding action to the Commissioner pursuant to sentence four of 42 U.S.C. § 405 (g) for further proceedings as noted within the order. Signed by Honorable Joseph F Anderson, Jr on 9/20/10.(hhil, )
IN THE UNITED STATES DISTRICT COURT F O R THE DISTRICT OF SOUTH CAROLINA ) ) Plaintiff, ) v. ) ) Michael J. Astrue, Commissioner of ) S o c ia l Security, ) ) D e f e n d a n t. ) ______________________________________ ) J e rry L. Cagle, C /A No. 2:09-115-JFA-RSC ORDER T h e plaintiff, Jerry L. Cagle, brings this action pursuant to 42 U.S.C. � 405(g) to o b tain judicial review of a final decision of the Commissioner of Social Security (C o m m is s io n e r) denying his claim for disability insurance benefits (DIB) and supplemental s e c u rity income (SSI) benefits under the Social Security Act. The Magistrate Judge assigned to this action 1 has prepared a Report and R e c o m m e n d a tio n wherein he suggests that the Commissioner's decision to deny benefits is su p p o rte d by substantial evidence and that such decision should be affirmed. The Report sets fo rth in detail the relevant facts and standards of law on this matter, and the court in c o rp o ra te s such without a recitation. T h e parties were advised of their right to submit objections to the Report and The Magistrate Judge's review is made in accordance with 28 U.S.C. � 636(b)(1)(B) and Local Civil Rule 73.02. The M a g i s tr a te Judge makes only a recommendation to this court. The recommendation has no presumptive weight, and the r e s p o n s i b i l it y to make a final determination remains with the court. Mathews v. Weber, 423 U.S. 261 (1976). The court is charged with making a de novo determination of those portions of the Report to which specific objection is made and t h e court may accept, reject, or modify, in whole or in part, the recommendation of the Magistrate Judge, or recommit th e matter to the Magistrate Judge with instructions. 28 U.S.C. � 636(b)(1). 1 1 R e c o m m e n d a tio n . The plaintiff has submitted timely objections and the Commissioner has re p lie d to such objections. PROCEDURAL HISTORY T h e plaintiff previously filed applications for DIB and SSI on August 26, 2003. These a p p lic a tio n s were denied initially on November 6, 2003 and were not appealed. The plaintiff again applied for SSI on April 12, 2005 alleging disability as of January 1 0 , 2003 due to inflammatory musculoskeletal impairments and depressive disorder with s o m e anxiety. Plaintiff also alleges disability due to mental problems, no energy, fatigue, a n x ie ty, depression, impaired memory, hallucinations, chronic back and neck pain, stiffness a n d joint pain, arthritis, knee and hand joint pain, and instability. The plaintiff was 50 years old at the time of the decision denying benefits. He has a n inth grade education and past relevant work experience as a boiler maker and sandblaster. T h e plaintiff's SSI application was denied initially and on reconsideration. The A d m in is tra tiv e Law Judge (ALJ) held a hearing on March 17, 2008 and issued a decision on N o v e m b e r 19, 2008, concluding that the claimant was not disabled. Once approved by the A p p ea ls Council, the ALJ's decision became the final decision of the Commissioner. P la in tif f thereafter filed this action pursuant to 42 U.S.C. � 405(g) seeking judicial review o f the final decision of the Commissioner. STANDARD OF REVIEW T h e role of the federal judiciary in the administrative scheme established by the Social S e c u rity Act is narrowly tailored "to determining whether the findings are supported by 2 s u b s ta n tia l evidence and whether the correct law was applied." Walls v. Barnhart, 296 F.3d 2 8 7 , 290 (4th Cir.2002). Section 205(g) of the Act provides, "[t]he findings of the C o m m iss io n e r of Social Security, as to any fact, if supported by substantial evidence, shall b e conclusive ..." 42 U.S.C. � 405(g). The phrase "substantial evidence" is defined as: e v id e n c e which a reasoning mind would accept as sufficient to support a p a rtic u la r conclusion. It consists of more than a mere scintilla of evidence but m a y be somewhat less than a preponderance. If there is evidence to justify a re f u sa l to direct a verdict were the case before a jury, then there is `substantial e v id e n c e .' S h iv e ly v. Heckler, 739 F.2d 987, 989 (4th Cir.1984) (quoting Laws v. Celebrezze, 368 F.2d 6 4 0 , 642 (4th Cir.1966)). In assessing whether there is substantial evidence, the reviewing c o u rt should not "undertake to re-weigh conflicting evidence, make credibility d e te rm in a tio n s , or substitute [its] judgment for that of" the agency. Mastro v. Apfel, 270 F.3d 1 7 1 , 176 (4th Cir.2001) (alteration in original). T h e Commissioner is charged with determining the existence of a disability. The S o c ia l Security Act, 42 U.S.C. �� 301-1399, defines "disability" as the "inability to engage in any substantial gainful activity by reason of any medically determinable physical or m e n ta l impairment which can be expected to result in death or which has lasted or can be e x p e c te d to last for a continuous period of not less than 12 months." 42 U.S.C. � 4 2 3 (d )( 1 )( A ) (2004). This determination of a claimant's disability status involves the following five-step i n q u iry: whether (1) the claimant is engaged in substantial activity; (2) the claimant has a m ed ic a l impairment (or combination of impairments) that are severe; (3) the claimant's 3 m e d ica l impairment meets or exceeds the severity of one of the impairments listed in A p p e n d ix I of 20 C.F.R. Part 404, subpart P; (4) the claimant can perform [his or] her past re le v a n t work; and (5) the claimant can perform other specified types of work. Johnson v. B a r n h a r t, 434 F.3d 650, 654 n. 1 (4th Cir.2005) (citing 20 C.F.R. � 404.1520(a)(4)(i)-(v) (20 0 5 )). If the claimant fails to establish any of the first four steps, review does not proceed to the next step. See Hunter v. Sullivan, 993 F.2d 31, 35 (4th Cir. 1993). The burden of p r o d u c tio n and proof remains with the claimant through the fourth step. However, if the c laim a n t successfully reaches step five, then the burden shifts to the Commissioner to p ro v id e evidence of a significant number of jobs in the national economy that a claimant c o u ld perform. See Walls, 296 F.3d at 290. This determination requires a consideration of " w h e th e r the claimant is able to perform other work considering both his remaining physical a n d mental capacities (defined as residual functional capacity) and his vocational capabilities (a g e , education, and past work experience) to adjust to a new job." Hall v. Harris, 658 F.2d 2 6 0 , 264-65 (4th Cir.1981). If the claimant is found to have the ability to adjust to other w o r k , the Commissioner will not find him disabled. 20 C.F.R. � 404.1520(g)(2). D ISCUSSION T h e ALJ's Findings In his decision of November 19, 2008, the ALJ made the following findings: (1) plaintiff retained the residual functional capacity ("RFC") to perform unskilled light work in a lo w stress environment with no requirement for interaction with the public; (2) plaintiff was 4 u n a b le to perform his past relevant work; (3) there were a significant number of other jobs i n the national economy that plaintiff could perform; and (4) plaintiff was not under a " d is a b ility" as defined by the Act at any time through the date of his decision. T h e Magistrate Judge's Report and Recommendations and Plaintiff's Objections The Magistrate Judge suggests that the Commissioner's decision should be affirmed. T h e plaintiff has filed an 18-page objection memorandum to which the Commissioner has re sp o n d e d . Plaintiff summarily objects to the Report and asserts that the ALJ and Magistrate J u d g e ' s decisions are not supported by substantial evidence. Plaintiff requests that the case b e remanded to the ALJ for further evaluation of plaintiff's ability to satisfy the requirements o f "light work" and evaluate the new evidence submitted to the Appeals Council. The C o m m iss io n e r contends that the plaintiff merely reiterates his previously made arguments th a t have been addressed in the briefs and the Report and Recommendation. A s an initial matter, plaintiff argues that the Magistrate Judge failed to recommend th a t this matter be remanded for another hearing to allow the ALJ to consider the significant a d d i ti o n a l evidence submitted to the Appeals Council. After plaintiff's applications were d e n ie d , the plaintiff retained new counsel to represent him. New counsel obtained additional e v i d e n c e to submit to the Appeals Council including examination notes and a questionnaire o f Dr. LeBlanc of Black River Healthcare. These submissions were dated September 3 and 1 6 , 2008, noting plaintiff's chronic hand pain and opining that the plaintiff has significant a rth ritis in his knees and hands which have been treated with steroid injections. Dr. LeBlanc a lso opined that the degree of arthritis in plaintiff's knees would prevent him from being able 5 to stand and/or walk for 6 hours out of an 8-hour workday and that the arthritis in plaintiff's h a n d s would interfere with his ability to perform fine and gross movements effectively and re p e titiv e ly. Plaintiff asserts that Dr. LeBlanc has been treating the plaintiff for a period of tim e and is his primary physician. P l a i n t if f represents to the court that the Appeals Council did not address the new e v id e n c e in its decision and issued a form denial. The court is well aware of the conflicting c a se law on the issue of whether the Appeals Council must articulate and state reasons for th e assessment of additional evidence. Nevertheless, it is reasonably possible that the a d d i ti o n a l medical evidence submitted to the Appeals Council could be material to the ALJ's d e c is io n that the plaintiff could perform light work, to include standing or walking for a p p ro x im a te ly 6 hours of an 8-hour workday. Without a reasoned decision on the new evidence and a continuation of the sequential e v a lu a tio n process, if necessary, the court cannot determine whether substantial evidence s u p p o rts the Commissioner's decision. Therefore, the additional evidence that was presented to the Appeals Council needs further development. C O N C LU S IO N I t is the duty of the ALJ reviewing the case, and not the responsibility of the courts, to make findings of fact and resolve conflicts in the evidence. This court's scope of review i s limited to the determination of whether the findings of the Commissioner are supported b y substantial evidence taking the record as a whole, Craig v. Chater, 76 F.3d 585, 589 (4th C ir. 1996), and whether the correct law was applied," Walls v. Barnhart, 296 F.3d 287, 290 6 (4 th Cir. 2002). After a careful review of the record, including the findings of the ALJ, the briefs from th e plaintiff and the Commissioner, the Magistrate Judge's Report, and the parties objections th e re to , the court remands this action to the Commissioner pursuant to sentence four of 42 U .S .C . � 405(g) for further proceedings as noted herein. IT IS SO ORDERED. S ep t e m b e r 20, 2010 C o lu m b ia , South Carolina J o s e p h F. Anderson, Jr. U n ite d States District Judge 7


There are hundreds of Magazines dedicated to covering automobiles and motor sports. Many have ceased publication.
This section details the major Magazine titles, by country.
This page was last modified on 1 August 2011, at 23:45.


Sometimes we think our lives would be so empty without all those IM and iOS chat apps. It would be even emptier if all those mobile chat apps were paid. But thanks to mobile app developers, chat apps for iPhone are free to download, friendly to use and large in number. The market offers tons of them so you can choose the one that best suits your individual tastes and needs. We've found our favorite – SeudosChat. Thanks to its developer team over at Nutrition Source, both iPhone and iPad users can now enjoy a fully loaded social networking app.
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This is a placeholder page for Jeffrey Lawson, which means this person is not currently on this site. We do suggest using the tools below to find Jeffrey Lawson.
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The latest additions to our range are the mobile printers from our partner Rongta, currently not a well-known brand outside of their home market however their 2" and 3" models are starting to generate a lot of interest in the US and now throughout Europe due to a good design, specification and astute commercial aspects.
The clamshell design, RPP200 is the 2" print width version and the RPP300 is the 3" print width version, both models are classed as semi-rugged due to their double injection moulded case and can be supplied in either grey or high visibility orange. They offer a high standard of reliability and can withstand a drop of 1.5M onto a hard floor, further protection is offered by rubber side grips or bumpers which also aids secure handling of the printers. To further enhance the printers semi-rugged tag is their wide operating temperature of -10°C ~ 50°C making the printers ideal for a host of outdoor printing applications.
Both the RPP200 and the RPP300 are compact and lightweight, the 2" printer measures just 112x79x45mm, taking a paper roll of 58mm wide with a 40mm outer diameter and weighs just 260g, the 3" version measures 113x103x45mm and accommodates a paper roll of 80mm wide with an outer diameter of 40mm and weighs in at just 335g. The printers are capable of high resolution (203 dpi) fast printing (80mm/sec) and produce high quality text, graphics and barcode printouts. For communication flexibility, the RPP200 & RPP300 come equipped with a hard-wired USB interface plus a wireless option of either Bluetooth or Wifi or if required both Bluetooth and Wifi. ESC/POS print commands are supported and 3 different sized font options are available, 12×24, 9×24 and 24×24 giving the 2" model either 16, 32 or 42 characters per line and the 3" model 24, 48 or 64 characters per line.
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text:
Blog > <
Jewish Cemetery Weißensee
text & photography by Matthias Planitzer
Matthias9 Oct '12
The Jewish Cemetery Weißensee was recently put on a list of future applicants for the UNESCO World Cultural Heritage. The oldest tombs date back to 1880 and over the decades, many families buried their dead here – most in ordinary, but still dignified graves and quite a few in splendid family mausolea. We took a walk through Jewish history.
Finding the Jewish Cemetery Weißensee wasn't easy. The graveyard being tucked away behind the composers's neighbourhood of South Weißensee, it took a map guided walk through calm and neat streets with lovely names such as Puccinistraße, Mahlerstraße and the like. A big luxuriant gate sat on the end of the street and announced the dignity and grandeur of Jewish burial culture that the humble visitor was about to experience.
I had a sketchy idea about what this would look like: The Jewish Cemetery Weißensee was recently put on a list of future applicants for the UNESCO World Cultural Heritage. Given it's size of 115.000 graves on an area of 42 hectare, it's Europe's biggest Jewish graveyard. The oldest tombs date back to 1880, when the cemetery was founded as Berlin's heavily growing Jewish community needed more space for their parishioners. Over the decades, many families buried their dead here – most in ordinary, but still dignified graves and quite a few in splendid family mausolea. Many of them were still visible, making a walk through the rows of graves a walk through history.
I have a somewhat peculiar interest in historical graveyards, especially during late spring and autumn, when old and beautiful cemeteries such as Bethlehemskirchof at Kreuberg's Blücherstraße turn into tranquil places full of history and culture, where the birds chirp in the birches and few visitors come to see the magnificent graves and mausolea.
The Jewish Cemetery Weißensee was said to exceed other historical graveyards not only in size, but also in splendour. Being more of a forest cemetery, it would surely proof to be one-of-a-kind place. I had to see it.
To Jews, cemeteries are holy grounds. The community requires every male visitor to put on headdress and kindly offers kippah's to those how forgot to bring a hat. I put on one of those and ever since than struggled with the wind blowing through the trees and, much to my embarrassment, my kippah away. I set off to immerse into cottonwood forest and then, there it was: this usual notion of being isolated from the frantic city, the silent and grave atmosphere of century old cemeteries such as this particular and quite special one.
There was more green than I expected: Many of the crooked gravestones, that bore Hebrew epigraphs, were overgrown with big ferns and dense layers of ivy. Trees would rise from nearly everywhere, the graves and narrow path notwithstanding. Some tombstones were broken and I wondered if these were the wretched remnants of anti-Semitic acts of vandalism. Unlike Christian cemeteries, no flowers adorned the graves; visitors put pebbles on the tombstones here and there, a fashion quite common for Jewish mourning culture. Later on, I read that Jewish graves wait for Judgement Day – that explained why the graves were in such shape.
However, there were also the promised mausolea – not only few, there were quite many. Big ones, exceeding everything I knew from typical Christian cemeteries. Marble, sandstone and granite, delicate pillars with lavish capitals, sprawling entablatures and sometimes even domes contributed to pompous sepulchral structures.
I wondered how this place rich of Jewish culture could survive anti-Semitic and Holocaust times both before and during the Third Reich. I learned that many graves date back to the Nazi era, most of them for community members who committed suicide. Almost two thousand of the here buried people took their own lifes during the Nazi reign, in sheer fear of pursuit and deportation. Another eight hundred graves mourn those whose ashes were brought from concentration camps. The figures for the murdered victims, who weren't buried here because their bodies or ashes were never retrieved, but received a grave anyway so their families received a place to grieve for them, are said to be much higher. Uncounted other Jews were illegally and undocumentedly buried here during the last months of the Nazi reign. The war did it's damages, too, leaving the bigger buildings in ruins.
After the Liberation, the fate of the Jewish Cemetery Weißensee did not brighten up. The district fell under Soviet, then East German rule which ignored the cemetery, supposedly because Jewish life was wiped out then. Few but unswerving people strived for the preservation and reconstruction of the graveyard, until more then twenty years after the Nazi era ended the site was put a "preservation order of cultural history" on. But the Jewish cemetery was at stake once again in the mid-eighties when an important highway was planned to span over the graveyard. It was planned to go over a strip of land that was conceived as a passage from the beginning but never saw any traffic. During the turmoil of war, many anonymous Jews were buried here, rendering it holy ground to stay untouched. It was due to the effort of the chairman of the Central Council of Jews in Germany, that State Council chairman Erich Honecker dropped the plan, thus saving the cemetery.
Today, the empty public coffers don't allow the preservation and maintenance for the heritage-protected Jewish Cemetery. Costing about forty million Euros, both the Jewish community and the city cannot afford the restoration and maintenance of the graveyard. They proposed to apply for UNESCO World Cultural Heritage in order to obtain the funds needed. Let's hope they succeed and the Jewish Cemetery Weißensee can retain its silent and grave atmosphere and become a centre of Jewish life again.
Category : Culture, Random
Tags : Cemetery, History, Weißensee
Architecture, Culture
Sunsets in Berlin


I'm currently an undergraduate student trying to find validity and reliability of questionnaires. I have performed equivalence testing between the questionnaires for validity, test retest for reliability, and also have done Pearson correlations to identify any relationship.
I was told I should also do paired sample t tests between the different questionnaires. Although I don't understand why because this finds the significant difference when I am trying to find that the questionnaires are similar.
If anyone could help to explain this to me that'd be great!
Wouldn't the standard way to calculate something like this would be some type of measurement invariance procedure through Structural Equation Modelling?
You have two questionnaires that you are using to try and measure some phenomenon, correct? Is this a supervised setting where you know the true outcome classification for the phenomenon? If not, how do you know either questionnaire is accurate.


If you're one of the approximated 112,000 bodies in the Sacramento breadth with little or no bloom insurance, a California advance accumulation wants to advice you see a doctor.
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text:
School of the Humanities and Social Sciences
Theses - History
The United States Federal Government and the Making of Modern Futures Markets, 1920-1936
Thesis (PDF, 2Mb)
Saleuddin, Rasheed
Coffman, D'Maris
Saleuddin, R. (2017). The United States Federal Government and the Making of Modern Futures Markets, 1920-1936 (Doctoral thesis). https://doi.org/10.17863/CAM.13797
In 1921, 1924 and 1929-1934, markets for the future delivery of wheat went through periods of extreme volatility and/or significant depression, and in all three cases there were significant and long-lasting changes to both the institutional and regulatory framework of these Chicago-dominated grain markets. There was no real change after these key reforms until 1974, while indeed much of the original regulatory and market innovation remains. The result of the severe depression of 1921 was the Futures Trading Act of 1921. In 1924-25, the so-called 'Cutten corner' market turmoil was followed by three key institutional innovations brought about in 1926 by US federal government coercion of the grain futures trading industry in collusion with industry leaders. The Great Depression gave birth to the 1936 Commodity Exchange Act. This Act was based on research done by the government and/or with government-mandated evidence that essentially saw the small grain gambler as needing protection from the grain futures industry, and was pushed through by a coalition of farmers' organisations and the agency responsible for the 1922 Act's administration. The government demanded information that was begrudgingly provided, and the studies of this data formed the basis of a political and intellectual justification of the usefulness of futures markets to the marketing of farm products that influenced the Act of 1936 and – more importantly - continues to today. My key thesis is that government worked closely with the futures industry to the extent that the agency was captured by special interests for much of the interwar period, and I claim that government intervention was responsible for the essential changes that assured the dominance of futures markets, with the Chicago Board of Trade as their hub. The lasting institutions created in the 1920s and 1930s continue to immensely influence the financial markets of today, including being incorporated into the Dodd-Frank Act of 2010. My study differs from the accepted account that sees federal regulation as an irrational 'populist' attempt at controlling or even banning the markets, with the new institutions developed during the interwar period as the result of effective industry self-regulation in spite of state interference. The findings are based on a theory-driven reading of archives of the Chicago Board of Trade, its regulator the Grain Futures Administration, and the other key government agencies engaging with the grain trade, the USDA, the Federal Farm Board and the Federal Trade Commission. The approach here differs from the accepted accounts in that it is based mostly on my archival work, including the newly reorganised (in 2014) Chicago Board of Trade archive, rather than on public sources such as Congressional hearings and newspaper stories.
american history, futures markets, regulation


The Microsoft Office also said as MS Office is productivity app to write content, make companies' balance sheet, build slides and presentations, and deploy websites etc. The MS Office Application runs in Windows, and OS X environment.
The Microsoft Office or MS Office is productivity suite for desktops and servers running Winds OS or OS X. You can do many things in office application; for example write content, make companies' balance sheet, build slides and presentations, and deploy websites etc. It was first announced by Bill Gates during COMDEX in Las Vegas on 1 August 1988. The MS Office has many editions, some of those are already closed, for those Microsoft offer no support. The most recent MS Office Suite is Office 2013 for Windows, released on 11 October 2012 and Office 2011 for OS X, released 26 October 2010. Some other variants of MS Office are a touch optimized version pre-installed on Windows RT tablets, Office Mobile for Windows Phone, iOS and Android. A web version of MS Office called Office Online is also available.
What are the benefits of using the Microsoft Office 2010?
In this article, I will explain to you what are the benefits of using Microsoft Office 2010 as compared to other programs or other versions.
In this resource I would like to introduce different editions available with MS Office 2010 and also the features of each edition in detail.
This article is about how to use Indian Rupee Symbol in Microsoft Office. Download free font for Indian Rupee Symbol.
Many time we create a excel document but when print it,we need top header on every page but excel print only first page.in this article we will discuss how to print header/title on every page.
Microsoft launches new version of its Office suite, Office 2010. The publisher has made many innovations, such as integrating video on presentation material, and management of social networks from the Outlook email. A light version ("Office Web Apps"), available free online, is also proposed.


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text:
En Italie, la loi du , n. 205 (), surnommée loi Mancino, sanctionne les phrases, les gestes, les actions et les slogans incitant à la haine, à la violence et à la discrimination basées sur des critères de race, d'ethnie, de religion ou de nationalité. La loi punit également l'utilisation d'emblèmes ou de symboles xénophobes et racistes.

Elle trouve son origine dans le décret-loi du , n. 122, qui après amendements a été adopté comme loi. Elle doit son surnom au proposant de la loi : Nicola Mancino, qui était à l'époque ministre de l'Intérieur de la République italienne.

Cette loi constitue le principal instrument législatif pour la répression des crimes de haine et les incitations à la haine.

Références

Annexes

Documentation
 .

Liens externes
 .
 .
 .

Loi italienne
Lutte contre le discours de haine
1993 en Italie

redpajama_set_name: RedPajamaWikipedia


text:
Victoria-to-Vancouver luxury ferry service shuts down
CTV Vancouver Island
Adam Chan CTV News Vancouver Island Associate Digital Producer
Published Tuesday, January 7, 2020 10:37AM PST Last Updated Tuesday, January 7, 2020 12:49PM PST
V2V Vacations announced its immediate closure on Monday after three years of operation: Apr. 27, 2017 (CTV News)
VICTORIA -- A luxury ferry service between Victoria's Inner Harbour and downtown Vancouver has abruptly shut down.
The private ferry company, V2V Vacations, announced its immediate closure on Monday after three years of operation between B.C.'s capital and the province's largest city.
In the announcement, V2V says that despite "double-digit growth in passenger numbers" in 2019, overall financial prospects for 2020 did not appear healthy enough to continue the business.
"We are disappointed but also acutely aware of the pressures and challenges that we faced in running such an ambitious venture," said Julian Wright, general manager of V2V Vacations, in the company's announcement Monday.
"We thank our team for their skills, service and commitment," said Wright. "We also thank our partners, suppliers, tourism organizations, harbour authorities and associates for their support and collaboration over these past three years. Lastly, we thank our customers for their patronage, it has been a pleasure hosting you onboard."
V2V Vacations first launched in Victoria as a primarily tourist-marketed ferry service. However, in 2019 the company began to offer discounted prices for B.C. residents.
Sailings aboard V2V Vacations included 360-degree views of B.C.'s coast, leather seating which included USB ports and power outlets in each seat, Wi-Fi, and an onboard menu which included local craft beers, B.C. wines and fresh locally sourced food.
The company's 242-seat high speed catamaran vessel will now remain docked in Victoria for the foreseeable future.
Victoria-Vancouver passenger ferry to launch in spring at $120-$240 per ticket
Rising number of B.C. residents moving to Alberta
Lisa Helps selected as provincial housing adviser
New ultrasound clinic opens at Camosun College
Port Hardy doctor raises concerns
Earthquake warning system in development in B.C.
WATCH: Vancouver Island weather forecast
Vancouver Island Top Stories
More From CTV News Vancouver Island
3 Vancouver Island restaurants among top 100 in Canada for 2023: Yelp
Vancouver Island's first H-Mart store coming to Mayfair mall
Victoria business owner calls for greater transparency in B.C. insurance industry
Victoria car company expects luxury cars to sell for millions at U.S. auction
Nanaimo woman to stand trial for 2020 murder of boyfriend, interference with dead body
Video shows Port Alice pulp mill demolition
Ukraine's tank request falls on deaf ears: why?
3 men who drowned in Sooke River were likely 'puddle-jumping' in their truck: coroner
'I was really scared': Regulator investigating 'very troubling' allegations against Victoria massage therapist
Police cancel senior's distracted driving ticket after online outrage
Saanich massage therapist charged with secretly observing client while nude
'It's fantastic': Rare Asian duck splashes down in Victoria


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text:
by Stacey // July 11, 2019 // No Comments
30 years ago, a little girl found a CD to a new musical and couldn't stop listening to it. For Christmas that year, her parents took her all the way to London to watch that show live.
That little girl of roughly 5 or 6 years old sat in the theatre in awe and amazement, laughing and crying and thoroughly blown away by her first live musical theatre experience. And a musical theatre lover was born.
That little girl, obviously, was me, that show was Miss Saigon, and the lead actress was none other than the incomparable Lea Salonga.
Ms Salonga would feature regularly in my Musical Theatre development, popping up from time to time, such as in the concert DVD "Hey Mr Producer" and of course, in the Disney films "Aladdin" and "Mulan" (One of my personal favourites.)
Then, just last night, I was once again lucky enough to be in the same room as this musical theatre legend, as she performed at the stunning Royal Concert Hall in Nottingham on her UK tour.
From the moment the band started playing the opening notes of "Miss Saigon", I knew I was in for a treat. The overture hinted at all of Lea's greatest hits, giving us a taste of things to come.
Speaking of the band, I would have expected Lea to be accompanied by a brass band or orchestra, so I was surprised to see more of a cabaret club-style band, with two keyboards, guitar, drums, bass and a piano. Whatever my expectations, I certainly wasn't disappointed with the sound they produced, especially during some of the larger numbers.
At the end of the day though, the instrument everyone really wanted to hear was Lea Salonga herself. I mean, we all know Lea can sing. Obviously she can sing. But she can really sing! Her voice is crystal clear, as flawless as I'll probably ever hear and I was utterly mesmerised from her first note.
The concert featured a varied repertoire of songs, including all of the famous numbers you'd most associate with Lea, while throwing in a few curve balls at the same time. I don't want to give too much away for anybody who may be seeing the show later in the tour, but I will say that I have a whole new appreciation for One Direction and I'll never think of A Ha's "Take on Me" in the same way again!
As a musical theatre and Disney lover, I was pretty much in my own personal heaven.
There was even the opportunity for some audience participation as Lea invited the audience to sing along with her to some numbers, an offer which many people couldn't refuse. One lucky gentleman was even invited to join her on stage to perform the Disney classic "A Whole New World". (And he did a pretty good job if I do say so myself – Well done Arthur!)
When Lea wasn't captivating her audience with her singing, she was entertaining us with her funny anecdotes and fascinating stories about her career in the musical theatre industry. Although I'm sure I would never, ever get bored of hearing her sing, I'd always happily listen to her chat away for hours on end. She's clearly a woman who has had some amazing life experiences and I want to hear about them all!
The set was simple, with just some decorative curtains as a back drop, but the use of some impressive lighting effects really helped to add to the atmosphere of the evening.
As Lea sang her last "not really last" song, I couldn't help but feel a little sad that such a magical evening was ending. As it turns out, there was one last special treat left in store.
After the performance, we were able to meet Lea herself and have our programmes signed. True, it may have only been for 30 seconds, and we may have exchanged just a handful of words, but I can now officially say that I have met the woman who inspired my love of singing and the theatre. That's not something I ever thought I'd get the chance to say.
If, like me, you are a life-long fan of Lea's work then I urge you to get online pronto to see if you can find any tickets left for her remaining UK tour venues. Similarly, if you love musical theatre or just love beautiful music, then it's definitely worth going along.
Tickets and tour details are available through Lea's website. I'm even tempted to buy tickets myself and go along again. Who knows when I'll next get the chance to see her live. I'm really hoping it's sooner rather than later.
This entry was posted in Theatre Reviews and tagged lea salonga, nottingham, royal concert hall, uk tour.
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