Mountain Maven here. It's official. We are launching this little blog. There is so much to tell from our little mountain town. We are less than a week away from the holiday extravaganza that happens here once a year. Last year was our first time experiencing the holiday parade here in Lyons, Colorado. I have never seen so many twinkling Jeep Wrangler Rubicons in my life, but this is a mountain town, so that's how they roll. No pun intended.
We roll in many ways, and while we have a Jeep, it's not a Rubicon. Any mountain trail stuff we do is all about hiking trails with our kids and dog and fishing. Here at home, we are busy doing some making, because this is a blog about making and living in a small foothills town of the Rocky Mountains. I am busy learning the art of wet felting and gathering supplies for my little garage studio. Soon, my busy teaching semesters will end, and I will turn to practicing the art of making throughout the holiday break.
and making clothes were skills she learned as a child growing up in Sicily. I learned fractions and the art of killing time at the beach with friends. Still, all that fabric piled in the sewing machine that sat in the kitchen left an impression, and I did do a like stitch work as a kid, lots of it. I was the kid who was always using my hands to make something. If my mom gave me a needlepoint for Christmas, I finished it by spring. Making and creating has always been a part of who I am, even if I did spend more time at the beach.
chili sauce obsession began with his stops at two places in the Denver area, El Taco de Mexico, where he likes the burrito topped with pork green chili sauce, and The Original Chubbys, where he tasted his first Pueblo Slopper (a burger smothered with green chili sauce). When the Chef gets something in his head, there is no getting it out until he makes it. Sometimes, I get to go on the adventures to source everything he needs for whatever dish he is curious about at the moment. Sometimes, he finds things on his own. This time, he found a place to source the Pueblo chilies he was looking for. This was all while he was planning a to brine and smoke a turkey for Thanksgiving on the side, but the oh so important University of Michigan and Ohio State football rivalry requires almost as much food prep as any holiday as far as he is concerned, so this year it was pork green chili sauce over burritos for the big rivalry.
down while I supply the dessert. This year, I took a minute to learn another tradition from my mother, the art of making her fabulous cannoli. It was a pastry that graced every childhood holiday meal I can remember. My mother's cannoli are the stuff of legend (ask any of our old neighborhood friends back in Michigan and they'll agree). It's long past time I learn the fine art of making them. Most of the labor is in the making of the shells. Before my parents retired, my mother would spend an entire Saturday making 250 shells by herself so my dad could take some to work and she could take some to the school where she taught art and we could still have enough left over for the many holiday gatherings ahead. My sister and I helped her some as we got older, but mostly I just helped press and cut the dough. This time, I did some actual frying of the shells. We did about 80 shells together and I was beat. I have a new appreciation for all that my mother has always done to make our lives rich and festive.
That's about all I have for now. It's time to walk the dog and get my daily dose of the fresh mountain air.


March 31, 2015 — Gabriel Molina Casillas — Isais Lopez Jr. Day!
March 30, 2015 — Amanda Jo Liberty — Brian Mason Siebert — Derrick M. French — Larry Gott Jr. Day!
March 29, 2015 — Daniel Martin — Dennis Scott Plumber —Irma Yolanda Hernandez — Luc Dulude — Megan Cheyenne Mahan — Michael Anthony Mahan Jr. — Paul F. Mudd Jr. — Richard Christian Zimmermann — Ryan David Moss — Savanah Amberlie Mahan Day!
March 28, 2015 — Brian Ramirez — Davin Ryan Ashtyn Brown — Dereck Fuller — Harold Wayne Smith Jr. — Jeffrey John Parker — Laila Gabrielle Schmeltzer — Patrick "Red" Todd Kincaid Jr. — Zachary Aaron Desjarlais Day!
March 27, 2015 — Diamond Leath — Joshua James Villatoro — Shane Dickinson Day!
March 26, 2015 — Alexander Laurence Tomei — Brittany Brooks Guleff — Jared Michael Bergman Day!
March 25, 2015 — Christopher Iacabone —John Michael Hurley — Mathew Jameson — Tammy Louise Gillman —Zachary Clark Day!


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text:
Q: flutter : How to separate two controllers in Flutter? I have a list view that I set the controller attribute to scroller view controller
And inside the NotificationListener
I  set it hide menu when the scroll is up and when it is down
show menu..
Now I have some photos in this list view
When I try to zoom in on these photos,shows menu
And these two events of scrolling and zooming are mixed together
What should I do so that they don't get confused???
NotificationListener<ScrollUpdateNotification>(
                    onNotification: (ScrollNotification scrollInfo)
                    {
                        if(widget.scrollViewColtroller.position.userScrollDirection == ScrollDirection.forward)
                        {
                            widget.selected = false;
                            widget.Update();
                            return false;
                        }
                        else
                        {
                            widget.selected = true;
                            widget.Update();
                            return true;
                        }
                    },
                    child:
                    ListView(
                        shrinkWrap: false,
                        primary: false,
                        physics: widget.switchZoom?  const NeverScrollableScrollPhysics(): const AlwaysScrollableScrollPhysics(),
                        controller: widget.scrollViewColtroller,
                        clipBehavior: Clip.antiAliasWithSaveLayer,
                        children: [
                            Container(
                                padding: EdgeInsets.only(top: 95,left: 20.0,right: 20.0,bottom: 20.0),
                                width: 200.yswx,
                                height: 595.yshx,
                                child: GestureDetector(
                                    onPanStart: (details) {
                                      widget.scrollViewColtroller.removeListener(() { });
                                      widget.selected = false;
                                      widget.Update();
                                    },
                                  child: zoom.Zoom(
                                    transformationController: widget.zoomController,
                                    doubleTapScaleChange: 1,

                                    onScaleUpdate: (p0, p1) {

                                        print('object');

                                      widget.listViewScroll = const NeverScrollableScrollPhysics();
                                      widget.Update();
                                    },
                                    initPosition: Offset(0, 0),
                                    maxZoomHeight: 1000,
                                    maxZoomWidth: 1000,
                                    initTotalZoomOut: true,
                                    child: AdvanceImage(
                                          'packages/secretariat/Assets/Images/document.svg',
                                          onPress: () {

                                          },
                                      ),
                                  ),
                                ),
                            ),
                            Container(
                                padding: EdgeInsets.only(left: 20.0,right: 20.0,bottom: 20.0),
                                width: 200.yswx,
                                height: 500.yshx,
                                child: AdvanceImage(
                                    'packages/secretariat/Assets/Images/document.svg',
                                    onPress: () {
                                       log('message');
                                      widget.zoomController.toScene(Offset(0, 0));
                                      widget.listViewScroll = const AlwaysScrollableScrollPhysics();
                                    },
                                ),
                            ),
                        ]
                    ),
                ),

redpajama_set_name: RedPajamaStackExchange


text:
CU HOME · IRAAS · PRIVACY POLICY · CONTACT US
The Personal As Political: Keeping Care and Community in a Moment of Political Upheaval
Strict warning: Only variables should be passed by reference in eval() (line 32 of /nfs/c11/h03/mnt/195341/domains/carss.columbia.edu/html/modules/php/php.module(80) : eval()'d code).
The Center on African American Religion, Sexual Politics and Social Justice (CARSS) was launched in the Spring of 2013, building upon five years of research, analysis, network development and strategic planning, to address major shifts within society at large—and black communities, in particular—that have taken place during the same period of time.
The earliest stage of this work began in with an Arcus Foundation-funded study of black churches— which polled over 100 members of black churches, clergy and lay, women and men, across the nation—in the wake of the 2008 passage of Proposition 8 in California. Subsequently, the process that led to the Center's launch unfolded in four distinct stages of work: 1) A public forum at Union Theological Seminary followed by a day-long dialogue (both collaboratively sponsored by Arcus and Columbia University in July of 2010) featuring an interdisciplinary roster of fifteen scholars, each of whom is contributing to an anthology in the works, tentatively titled, The Sexual Politics of Black Churches. 2) A six-month planning stage to design and recruit participants for a roundtable of black clergy, scholars and community leaders ("Roundtable on the Sexual Politics of Black Churches"), 3) Three convenings of the Roundtable over a period of eighteen months, during which a comprehensive review of "the field" (including both organizational/activist work and academic/popular literature and debates) was produced.
Across these stages, almost fifty different people formally contributed to a document that maps trajectories for advancing more generative conversations about sexuality within, and in relationship to, black religious institutions and the communities they serve. In every stage the project has modeled its commitment to the diversity and difference (i.e. race, class, sexual orientation/gender identity and expression, age, clergy/lay, Academy/Church/Community; as well as denominations, theologies, regions, etc.) that is apparent within black church traditions. This process of collaborative deliberation was unique in that it included, in addition to scholars and activists, a network of black church leaders (i.e. the Roundtable) who spanned the historic black denominations, the Protestant mainline, and black LGBTQ faith communities that have long been on the front lines working for healing and justice for black LGBTQ people, within both black churches and communities and majority white LGBTQ churches, as well as in the broader society. CARSS embraces the particular opportunities presented by recent developments at the same as it recognizes, honors and seeks to learn from the sacrifices that continue to be made by a longer tradition of pro-LGBTQ black church activism that has helped to achieve many of the gains evident in the contemporary context. Indeed, the conversational and collaborative model that is the core of the CARSS's work is based on a commitment to dialogues that purposefully span the diversity of black church traditions, and specifically place in conversation "straight" and LGBTQ black religious and community leaders (clergy and lay). This model both informed the design of the Roundtable, took deeper form during its deliberations, and it will remain central both to CARSS's organizational infrastructure and programmatic work.
During the same window of time that the Black Church Strategy was produced, the nation witnessed marriage equality achieved in several states, including Washington, D.C. (2009) and Maryland (2012). In both of these cases a small number of black clergy played a decisive leadership role. Along the way the Obama administration ended "Don't ask, Don't tell" in the military, and determined that the Defense of Marriage Act (DOMA) was unconstitutional. Moreover, within the span of a couple of days in May of 2012, President Obama affirmed same-sex marriage (which was seen to have a major impact on African American opinions on the issue) and voters passed Amendment One in North Carolina. Additionally, a number of prominent black LGBTQ activists questioned whether marriage was the most pressing issue in the communities they represent and serve.
Indeed, the highs and lows in recent struggles for the full inclusion and civil protection of LGBTQ persons and communities in American society highlight progress made even as they reveal the complexities of the challenges that remain. For instance, the participation of African American churches (clergy, in particular) in these contests helps to clarify opportunities for future work in both black churches and the communities they serve, more broadly. While a few prominent black clergy stepped up to affirm civil marriage as a legal right for same-sex couples, most stopped short of endorsing LGBTQ equality on theological or moral grounds. One might ask, in this case, how are the relationships between religious belief and practice, public deliberations and political participation to be understood? As the Supreme Court has recently ruled against DOMA and Proposition Eight— even as it supported undoing parts of the Voting Rights Act and raised questions about the relevance of race-based affirmative action—debates about the connections between LGBTQ equality and racial justice in the present moment both confirm the significance of, and set the stage for, the agenda of research, education and public engagement that CARSS will advance.
The developments of the past four years present a major opportunity for engaging with churches and communities, as many Americans—including black Christians (clergy and lay)—are seeking to make sense of an evolving social order that appears to be moving to more fully embrace diverse sexualities. Of course, there is no single solution or one simple way forward. However, CARSS is well positioned to play a leadership role within academia and with black churches and communities (and in American public life, more generally) in a number of ways. CARSS will do this by advancing cutting edge research and writing, developing more nuanced narratives on sexuality, establishing collaborative networks, and facilitating safe, generative and inclusive conversations. All of these efforts will provide language and structures for black churches and communities to grow and change as they sort through a shifting cultural landscape, at the same time that they position CARSS to contribute in novel ways to current scholarly debates.
The Center on African American Religion, Sexual Politics and Social Justice (CARSS) advances research, education and public engagement at the nexus of religion, race and sexuality with regards to black communities in the U.S. and the African Diaspora.
760 Schermerhorn Extension
Mail Code 5512
1200 Amsterdam Avenue
E-mail: carss@columbia.edu
CONTACT CARSS

redpajama_set_name: RedPajamaCommonCrawl


text:
Miami Dolphins Injuries
Dolphins vs. Bill wild card Thursday injury report: Chubb improves as Armstead, offensive line remains in flux
The Miami Dolphins are heading into their Wild Card playoff game against the Buffalo Bills decimated by injury.
By Kevin Nogle@KevinNogle Jan 12, 2023, 4:21pm EST
Share All sharing options for: Dolphins vs. Bill wild card Thursday injury report: Chubb improves as Armstead, offensive line remains in flux
The Miami Dolphins are hurting heading into their Wild Card playoff game against the Buffalo Bills. The team already ruled out quarterback Tua Tagovailoa, who continues in the league's concussion protocols following a head injury in Week 16 against the Green Bay Packers. The issues do not end there as Miami prepares for their third game against their AFC East rivals this year.
On Thursday's injury report, Miami listed six players as non-participants, including Tagovailoa. That is actually an improvement over Wednesday's report, with linebacker Bradley Chubb improving from not practicing to a limited participant as he deals with ankle and hand injuries. Miami also saw linebacker Melvin Ingram return to practice after a veteran rest day on Wednesday. Joining Tagovailoa as a non-participant were tackle Terron Armstead, guard Liam Eichenberg, tackle Kendall Lamm, running back Raheem Mostert, and tackle Brandon Shell.
"I'm working," Armstead, who has toe, pectoral, knee, and hip injuries, said on Wednesday about his availability for this weekend. "I'm working around the clock, man, to try to do everything I can. I've been dealing with quite a bit this season as you guys know. It's been a battle. It's been challenging, but I'm not wavering at all. I want nothing more than to be out there with my guys in Buffalo on Sunday. It is not anything I wouldn't check off to do that, so if I'm able to be functional – for me, it's not a pain thing. I can deal with any type of pain. It's the function of the muscle and things around it. If it'll hold up and I can go, I'm going."
Eichenberg is dealing with a hand issue, Lamm has an ankle injury, Mostert has a broken thumb, and Shell has injuries to his knee and ankle.
Miami's limited practice participants on Wednesday included Chubb, quarterback Teddy Bridgewater, fullback Alec Ingold, linebacker Jaelan Phillips, wide receiver Jaylen Waddle, and wide receiver Cedrick Wilson, Jr. Bridgewater, who dislocated a finger against the Bills in Week 17, served as the team's backup quarterback last week and likely is in line to do the same this week, with the team expecting rookie Skylar Thompson to start on Sunday.
"I think when you look at it from philosophically for an offense, our job is to score points and however we score points is trying to obviously win the game," offensive coordinator Frank Smith said on Thursday when asked about the philosophy of minimizing risk with a rookie quarterback like Thompson starting in the playoffs. "So for us last week, we felt there was an opportunity with the Jets to attack them in a way that maybe we hadn't attacked certain opponents the same way. I think ultimately like this week, we have a plan for how we want to attack the Bills and ultimately, regardless how that plays out, that's the plan that we communicate. The guys understand it, I don't think necessarily that we're looking at some type of way to really do it. We're just looking at what's the best way for us to make sure we score points and win the game and if we maximize those opportunities, we feel confident that we can accomplish that."
Ingold has a thumb injury, Phillips is working on toe and wrist issues, Waddle has an ankle injury, and Wilson has issues with his groin and hip.
Miami listed cornerback Kader Kohou (thumb), tackle Greg Little (achilles), and Thompson (ankle) as full participants in both Wednesday and Thursday practices. Running back Jeff Wilson, Jr., was upgraded from a limited participant on Wednesday to full on Thursday as he deals with an illness.
The Bills' injury report on Thursday included wide receiver Isaiah McKenzie downgraded from limited to did not practice due to a hamstring injury. Defensive tackle Jordan Poyer was unable to practice either day as he deals with a shoulder injury.
Safety Jordan Poyer was held out of Wednesday's practice with a knee injury, as well as being given a veterans rest day, then returned on a limited basis on Thursday. Quarterback Josh Allen (ankle and right elbow) and cornerback Cam Lewis (forearm) were both full participants. Guard Roger Saffold was removed from the injury report after a veteran rest day on Wednesday.
Dolphins vs. Bills Wild Card playoff preview - All our coverage in one place
Five Things I Think I Think About the Miami Dolphins - SUPER Wildcard Weekend
The Splash Zone 1/12/23: Tua Tagovailoa ruled out for Sunday's game


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Miguel Cotto vs. Canelo Alvarez
Posted on August 14, 2015 by sparxteam in Film/TV, Home, Sports // 0 Comments
One of the rare boxing blockbusters that's also a terrific action fight is finally confirmed.
Earlier yesterday, Golden Boy CEO Oscar de la Hoya revealed that the long-demanded fight between Puerto Rican legend Miguel Cotto and Mexican superstar Saul "Canelo" Alvarez is set for Nov. 11, 2015, inside Mandalay Bay in Las Vegas, Nevada.
No word on the undercard yet, but hot damn, this is a good fight.
Cotto (40-4, 33 KO) — after a limp performance against Austin Trout in 2012 — went on an absolute tear, finishing three straight opponents with the aggressive, body-focused attack with which he dominated the 140- and 147-pound divisions. His last time out, he ran over Australian veteran Daniel Geale in four rounds to defend his WBC middleweight title (which he has never defended at middleweight, but that's beside the point).
Alvarez (45-1, 32 KO) has proven himself not only a joy to watch, but uncommonly willing to face the best his division has to offer. Following his loss to Floyd Mayweather and subsequent savaging of Alfredo Angulo, "Canelo" took on the highly-skilled and highly-avoided Erislandy Lara, whom he edged by split decision. He faced James Kirkland earlier this year, scoring a hellacious knockout in the third round.
"I will give the fans the fight they want to see," Cotto said. "As I have always said, during my whole career, I am here to fight the best names and the best fighters. This will be another chapter in my career, and I will be ready for him. Fans will enjoy a real fight, another classic battle in the Puerto Rico versus Mexico rivalry."
That rivalry, one of the most intense in boxing, has included some huge fights, including Salvador Sanchez-Wilfredo Gomez, Julio Cesar Chavez Sr.-Hector Camacho, Felix Trinidad-Oscar De La Hoya and Cotto's two rumbles with Antonio Margarito.
"Historically, mega fights are made because fans demand them," Alvarez said. "In this case, the fans have spoken out, longing for this fight, and it is my pleasure to say that it is finally happening.
"All fights at this level are very important, but this fight in particular has something more. It will hold a special place in history as part of the big rivalry between Mexico and Puerto Rico, and I promise all the fans that this is going to be an event that will not disappoint."
Canelo Alvarez | Photo via ESPN
Rather than fight at the middleweight limit of 160 pounds, they will meet at a catch-weight of 155 pounds, a weight that does not favor either man, as Cotto eyes his second successful defense.
Cotto weighed 155 pounds when he knocked out Sergio Martinez to win the middleweight championship and he weighed 153½ pounds when he knocked out Daniel Geale in his first defense. Alvarez has had his three previous fights — wins over James Kirkland, Erislandy Lara and Alfredo Angulo — contracted at 155 pounds.
When Cotto knocked out long-reigning champion Martinez in the 10th round in June 2014 to win the world title, he likely punched his ticket to the International Boxing Hall of Fame as he became the first Puerto Rican boxer to win world titles in four weight classes (middleweight, junior middleweight, welterweight and junior welterweight).
Miguel Cotto vs. Canelo Alvarez for the Middleweight Championship in a much-anticipated fight on Nov. 21 (HBO PPV) at Mandalay Bay in Las Vegas, Jay Z's Roc Nation Sports — Cotto's promoter — and Alvarez promoter Golden Boy announced.
Alfredo Angulo
Golden Boy Promotions
James Kirkland
Miguel Cotto
Roc Nation Sports
TheFineBros: Teens React To Original Nintendo
by sparxteam in Home
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text:
Fill In / 填充 Archive
Fill In / 填充 Newsletter
Hong Kong Design History Network
Posted on 28th Sep 2020 5th Nov 2020
Fill In / 填充 #4: Made in Hong Kong
Welcome to Fill In / 填充 #4. Thanks again for the feedback from the previous newsletter, and as we are getting back on track into the autumn, we're grateful to have kept your attention through the summer!
This time we want to explore the idea of 'Made in Hong Kong'; the term has arisen again following the implementation of the NSL and the US declaration that Hong Kong is no longer autonomous from China in late May, US Customs and Border Protection announced in early August that all exports from Hong Kong must be labelled 'Made in China' as opposed to 'Made in Hong Kong'. The move therefore ended HK's special trading status with its second largest trading partner. But while this political tactic puts weight on the determination of what Hong Kong is in terms of global relations, less explored in this phrase is the 'made' part.
Although its history as a trading hub has always been the emphasis, things have always been made in Hong Kong – not only has there been a long history of indigenous craft and everyday domestic objects, manufacturing of rattanware, rope, sugar refining and shipbuilding were in place in the earliest colonial years, followed swiftly by cement, cotton spinning, weaving and dying at the turn of the 20th century. But the term 'Made in Hong Kong' is really rooted in the post-war period alongside the manufacturing boom in the 1950s. As a result, labels on garments, plastic products, packaging, sporting 'Made in the British Crown Colony of Hong Kong' made the distinction explicit – as a British colony, Hong Kong could remain in the global market in spite of the Korean War and the US and UN trade embargo on China, and ultimately thrived economically under all these circumstances. This sent the phrase all over the world as a mark of quality and consistency.
In the current context, 'Made in Hong Kong' has gained a different meaning. With the city's manufacturing days largely left behind since the 1980s, 'making' in Hong Kong has returned to small-scale production, and collective skill-sharing and learning. Some of this making has never left, found in the hidden workshops and street-side shop stalls making all sorts of objects from start to finish, or totally overlooked businesses that have been run by generations. In recent years some of these have been spotlighted as hidden treasures to be protected, and legacies to be continued. But as opposed to the protection of intangible heritage, you could say 'Made in Hong Kong' offers something else; maybe it's more to do with agency in knowing how to design and make, and being able to define our own identities, than preserving 'ultimate' objects and practices.
_Notice_ _啟事_
In thinking about 'Made in Hong Kong' in this way, we revisit one of Hong Kong's seminal design exhibitions, 'Made in Hong Kong: A History of Export Design 1900 – 1960', which was opened at the Hong Kong Museum of History in 1988. It's tricky to get our hands on the catalogue, but curator of the exhibition Matthew Turner looks back on it in a paper on M+ Matters – although the exhibition reflected a point in time where the public were re-engaging with a recent design identity, he admitted that the exhibition concluded with 'the decline of local originality and the rise of imitation as a consequence of American influence….By contrast, local designers' success in achieving convergence with Western design was portrayed as mimicry. Not only was our curatorial interpretation free from political deference, it was also free from deference to design.' From his retrospective view, something being made and designed were not (and arguably continue not to be) considered together in Hong Kong. He also says that this distance was exacerbated by the term 'Asian design' as a way of design promotion, Asian design as 'brand' rather than as a process.
Designers themselves too have something to say concerning 'Made in Hong Kong' as a brand. Sandy Choi recollected recently on his poster for the 2011 HK/SZ Exhibition by the HK Design Centre in a recent post 'Our idea was based on the competition between these two cities. Today, not only are we losing our brand label: "Made in Hong Kong", more importantly we are also losing our identity and our core values. "Is Hong Kong dead?" A friend in England recently asked. To that, I really do not have an answer.' A lot of annialistic statements like this have been made in the media in the wake of NSL ('Hong Kong is dead; death of Hong Kong; end of Hong Kong as we know it') , alongside more hopeful ones. But while the 'brand' of 'Made in Hong Kong' is lost, the making still remains…and is perhaps more important than ever. Rather than 'Made in Hong Kong', what does it mean to be 'Making (in) Hong Kong' as an act detached from national/international design promotion?
_Read__閱覽_
Across the ocean, an exhibition by Petrina Ng, artist resident at the Textiles Museum of Canada, reflects on how a bootlegged t-shirt with an illustration by cartoonist Larry Feign caused a ripple effect for her as a Canadian Hongkonger. For Distant Water will not quench a nearby fire, Ng invited other artists to respond with their own appropriations of the image, as an attempt to take back agency of narratives of sovereignty and cultural identity.
Agency in the form of dystopian imagination and speculation of the future may also offer a scifi version of what it means to make in Hong Kong. In a recent piece for e-flux, Junyuan Feng and Alvin Li look back to the future at several Asian cities, including an underwater Hong Kong in 2098. The piece also actually references a 1998 exhibition on the myth of Lo Ting, half-man, half-fish ancestor of Hongkongers, at the Hong Kong Arts Centre, 'Even before the Great Flood, this once-half-forgotten figure had become the symbol of the city's solidarity.' There's something magical about thinking about the future in this way, reimagining what it means to be, know and remember Hong Kong in light of the unknown.
_Join__連結_
To imagine sometimes you need an interruption. HKU Architecture's discussion series has gone online – this time on methods of engagement, and inviting practitioners from outside architecture in. They ask 'Are there ways in which interdisciplinary approaches can help address chronic imbalances and deficiencies in the ways architecture has been historically conceived, produced, and studied?' In October they will have artist and researcher Wen Yau on 'Performing the Publicness: From Public Space to Public Sphere', all the Zoom links for the events can be found here.
In its most mundane sense, 'Made in Hong Kong' is most commonly found in clothing from the 1950s – 1970s, gracing garment labels in the clothing of Laura Ashley, Tommy Hilfiger, Marks and Spencers among others (a selection of labels can be currently found in the CHAT permanent exhibit). After visiting the Tenement Museum in New York a few years ago, I was struck to find out the connection between Hong Kong's garment industry and the garment factories in the East Village. Family connections between the two cities helped to make sure production could meet the demands in the US export market in the 1970s, and perhaps they even kept the 'Made in Hong Kong' garment labels. It makes it all the more poignant for the Tenement Museum to host the book launch of Chinatown Pretty 華埠靚靚, looking at the 'signature style worn by pòh pohs (grandmas) and gùng gungs (grandpas) everywhere—but it's also a life philosophy, mixing resourcefulness, creativity, and a knack for finding joy even in difficult circumstances.' A recording of their online book launch and presentation is on Youtube.
Back in Hong Kong, CHAT has released several Curator Tours of their current and past exhibitions, including Day Measures: Stories from Former Workers 一日之計:工友回憶錄 presenting their recent oral history project with past textiles and garment workers. Their experiences are structured in the exhibition with the ways this labour was quantified – numbers of hours, weights of products, their salaries. But layered with their oral history records and personal objects, like notebooks and pattern drafts, the exhibition fills out the narrative beyond final products, deadlines and costs of their labour, allowing for the intimacies of making, relationships and processes to come to the fore. CHAT will be continuing this through their Facebook and Instagram Live series 'Makers of Hong Kong', looking out for them over the next few weeks. Alongside this, the digital catalogue by CHAT of the Sudo Reiko: Making Nuno Textiles exhibition, the first solo exhibition of Reiko's work in Hong Kong, expands on the exhibition emphasis on the ordinary processes behind the spectacular pieces, and can also be found online.
_Eat__食用_
As social breakdowns continue under the Covid-19, food has been central to both community and individual survival and resistance (and hence why the Eat section is so full this time!). With the restaurant industry suffering severely from world-wide lockdowns, choosing to eat and shop at small local businesses are indeed meaningful. At the same time, the UK's contentious Eat Out to Help Out campaign in August has now allowed authorities to pin the blame back on consumers and business owners. It's clear food, and how we buy, seek, share and make it, has wider more urgent implications. But cooking at home too has had to become more central to our lives more than ever, finding ways to provide comfort and care as well as basic sustenance. Earlier this month, Clarence Kwan, aka @godofcookery shared a free digital zine Chinese protest recipes as a way to donate to BLM, raise awareness of food racism and ultimately, resist. Departing from commercialised ideas of the recipe, these recipes instead are written 'as short descriptions, inspired by family tradition and oral history', contrasting classic dishes with straight-forward, punchy recipe titles directly reflecting Kwan's anti-racist agenda. Kwan has just released Chinese protest recipes for pre-order as a limited edition printed zine on Instagram, and you can read an interview and download the pdf on 032.
Likewise, the third issue of Fatboy Zine centres on Hong Kong. Both a diary and a cookbook, the issue focuses 'on communal dishes against the backdrop of the current fight for democracy.' One particularly intimate feature is by photographer Kenneth Lam, who visited his grandmother's village over this past summer to record his relationship with her and their everyday routines, culminating in a series of surreal still lifes and gentle portraits. Lam shares excerpts on his Instagram, and Fatboy Zine can be bought through Antenna Books or at your local independent bookstore.
Personal food histories cross over with wider ones. An article by The Picky Glutton in Vittles newsletter remarks on the rice cooker and their ubiquity in East Asia in comparison to the Western world, and the prejudice by 'foodies' that using one is a kind of snobbish cheating. The article introduces the piece with the cameo of the rice cooker in In the Mood for Love, and indeed it points out Hong Kong's special relationship with the rice cooker. As told in Yoshiko Nakano's book Where There are Asians, There are Rice Cookers, Hong Kong was one of the primary markets for National (now Panasonic) rice cookers from the 1960s, and a collaborative effort between the Japanese manufacturer and a Hong Kong entrepreneur. In that way, Nakano expands on the 'Made in Japan' narrative to encompass a global story. Maybe 'Made in Hong Kong' can be understood in the same way – part of this bigger network of use, change and making. The latest Vittles newsletter by Sean Wai Keung on Glasgow's Poo Choi and Hong Kong's Munchy Box also dwells on the movement and comparison of food rituals and experiences, you can subscribe to the newsletter here.
Still, the new 'Made in Hong Kong' restriction has affected remaining local export businesses, including 冠珍醬油 Koon Chun Soy Sauce. Now based in Yuen Long, the factory was founded in 1928 in Kowloon City, and still remains in the family. Simon Shen interviews the fourth-generation successor, Daniel, and asks him about the very real and tangible effects of the trade law on this historic local company, and the logistics and emotions behind transitioning from 'Made in Hong Kong' to 'Made in China'.
_HKDHNet__我們_
For us as it has been for many, this time has been for navigating our own lives under various uncertainties, but nevertheless we're so grateful to be able to do this work together. As September arrives, and a return to school and work, we hope that we'll be able to share more with you as things progress. We have been enjoying dropping in on some thought-provoking online talks and workshops, Enable Foundation, SAHGB, M+ among them, and we're looking forward to taking part in more in the near future.
As always, our archive of newsletters is on our blog, where they will be updated with Chinese translations soon! The newsletters are sporadic for a reason…but we're working hard behind the scenes as our deadlines come ever closer. We're also still excited for you to join us! – if you have any ideas for collaboration or want to contribute to the blog, please do get in touch with us as usual, on @hkdhnet or hkdhnet@gmail.com
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These Terms and Conditions of Membership ("the Agreement") apply to the relationship between Japan Thailand Golf and Wellness Association ("the Association") and each individual member of the Association ("the Member"), and define the acquaintanceship and rules for the Member. Once an applicant submits an application, Japan Thailand Golf and Wellness Association Office ("the Association Office") presumes that the applicant has agreed to the Agreement.
The Association operates itself in accordance with the Agreement set forth with Members. Furthermore, additional rules set forth by the Association as needed shall be incorporated to the Agreement.
The Association may modify the Agreement when the Association deems necessary to keep smooth operation, without obtaining prior approval from Members. The modification will become effective once the modified Agreement is posted on the Association's website or notified by e-mail, in Written Form or other ways the Association deems appropriate.
1) "Member" is collectively defined as a member of the Association.
2) "Written Form" is defined as a written document in the format specified by the Association or a written document in an arbitrary format (including electronic documents). Notifications and messages sent to the Association Office via the e-mail address registered upon admission shall also be recognized as Written Form.
Chapter 2	Application for Admission, etc.
The party who is to become a Member shall pay the admission as well as the annual membership fees separately set forth by the Association, and fill in and submit the application form to the Association Office.
Article 5: Rejection of Application for Admission, etc.
3) Other cases equivalent to the preceding events and that are deemed by the Association to be inappropriate to admit to membership.
2) The membership validity shall start from the date the membership fee payment has been made after the Association's approval. However, for members joining the Association after the commencement of the membership year, the annual membership fee for the first year shall be calculated by the month and the fractional part shall be rounded up.
Membership types consist of the following.
Admission fees and Membership fees for Members are shown below.
Membership benefits are shown below.
Benefits: Preferential participation to workshops, events, seminars, training/inspection tours, etc., and occasional e-mail newsletter service, etc.
Chapter 3	Change in Member Information, etc.
Article 8: Change in Member's individual name and/or group name, etc.
In the event of changes in the Member's individual name, group name, address, phone number, e-mail address, etc., the Member shall promptly give notice to the Association Office in Written Form. However, the Association shall not be liable for any delivery delay or delivery error of notices, messages, documents, etc. sent from the Association to the Member due to the absence of the notice of change as prescribed in the preceding clause.
1.) The Member submitted a notice of withdrawal.
2.) The Member himself or herself died or the Member organization ceased to exist.
3.) The Member was delinquent in payment of the membership fee and failed to respond to the payment reminder.
4.) The Association rescinded the Member's membership qualification.
The Member may withdraw from the Association by submitting a notice of withdrawal to the Association Office. Membership fee, once it is paid, shall not be refundable.
In the event that a Member falls under any one of the following items, the Association may suspend or rescind membership of such Member without providing prior notice or advice.
1.) The Membership fee has not been paid.
2.) The Member violated or contravened with domestic and international laws and ordinances or offended public order and morals.
3.) The Member has engaged in activities that infringe or likely to infringe intellectual property rights such as trademarks, patents, design rights and copyrights, and privacy of the Association, its Members and/or a third party.
4.) The Member has spread information for the purpose of harassments or libelous attacks against the Association, its Members and/or a third party.
5.) It was found that the Member made a false entry on the membership application.
6.) The Member has engaged in actions that jeopardize the name or credit of the Association, its Members and/or a third party.
7.) The Member has violated the Agreement.
8.) In other cases the Association deemed the Member to be inappropriate as a Member.
Membership fee and other contributions, once it is paid or contributed, shall not be reimbursed.
In the event that the Association is not able to confirm the Member's willingness to pay the membership fee and the Member would not renew its membership that has been expired even after the notice from the Association, or the membership of such Member has been terminated due to other reasons, the enforcement of membership rights shall be suspended. In such a case, the Member shall promptly settle its accounts with the Association.
Chapter 6	Use of Trademarks and Trade Names, etc.
Article 14: Use of Trademarks and Trade Names, etc.
If a Member needs to use the trademarks and/or the trade names set by the Association for personal purposes or any other purposes, the Member must obtain the approval of the Association in Written Form prior to the use.
Members must not engage in advertising and publicity activities for commercial purposes through the unauthorized use of the Association's name, membership list, etc. and its philosophy and what it does as its mission. Members shall understand the Association's goal and must not engage in each and every action listed in Article 11 or other actions that jeopardize the Association's purposes.
However, the following data will be published on the Association's website or membership magazines, etc. to encourage social interaction among Members. Also, a Member's website and that of the Association may be mutually linked if requested by the Member and the Association.
All copyrighted works, know-how, ideas, inventions, creations, designs, trademarks, etc. brought forth by the Association belong to the Association.
All documents and data created and published by the Association must not be published in other media, given over or sold to a third party or disclosed publicly.
In the case where the Association has suffered loss/damage due to the Member violating the Agreement or rules based on the Agreement, such Member shall compensate the Association for its loss/damage.
The Association shall not be responsible for damages, etc. inflicted upon Members for any reason, unless such damage is caused by intent or gross negligence of the Association, in relation to the use of the service offered to Members.
Provisions set forth in the Article 13, Article 15, Article 20 and this Article shall be effective even if the Member has withdrawn from membership or the Member's membership has been suspended or rescinded.
The construction, validity, performance and interpretation of the Agreement shall be governed by the Laws of Japan.
The Association and Members shall agree that when a need for judicial action arises between the Association and Members, the Tokyo District Court shall be the exclusive consensus court of jurisdiction for its first trial.
Matters not covered in the Agreement however deemed necessary by the Association shall be prescribed by the Association sequentially.
Additional Provision	This Agreement shall be effective as of August 1, 2016.


text:
Thorbjörn Widell, född Karl Oskar Torbjörn Widell 21 oktober 1917 i Stockholm, död där 17 november 1973, var en svensk skådespelare.

Widell filmdebuterade 1937 i Sigurd Walléns Familjen Andersson, och han kom att medverka i fem filmer.

Filmografi

Externa länkar

Svenska skådespelare under 1900-talet
Män
Födda 1917
Avlidna 1973
Skådespelare från Stockholm

redpajama_set_name: RedPajamaWikipedia


text:
Weekend Forecast for April 16-18, 2004
For the second time in three weeks, the two biggest new releases are action movies going head-to-head, with one based on a comic. Apparently, April isn't just a month of rebirth and renewal; it's also a month for ass-kicking.
Kill Bill Vol. 2 is set to finish what Quentin Tarantino started six months ago with the release of the first half of his bravura blood-and-guts epic. I would have added the adjective "samurai" here as well, except for the fact that the split in films has allowed Tarantino to make two distinct homages in the two films. Volume 2 is far more concerned with being an homage to the Leone spaghetti westerns than the Japanophilia seen in Volume 1, and thus perhaps justifies the split of the movies beyond the cynical financial motivations.
Opening to $22 million last October, Kill Bill Vol. 1 finished with a modest $70 million total (though strictly speaking, it doesn't leave theaters entirely until this weekend). While the fans of the film haven't proven to be extraordinarily large in number, they have shown themselves to be loyal, and those that did see the film became quick converts. The DVD of Volume 1 was released on Tuesday, with sales topping two million units. It's one of the few times that a studio has released concrete numbers regarding those sales, and it's really appropriate here, considering that the DVD is turning out to be Miramax's biggest marketing tool for Volume 2.
With the project firmly in the black just from the first outing, Miramax seems to feel reluctant to take any big risks with mounting a huge ad campaign that could come back to bite them. It's a kind of "pass it on" strategy rarely seen for a big-budget film, although we recently saw something similar with the campaign for The Matrix Revolutions, though that may have been more a case of giving up on a film they knew was a lost cause. The effect could be the same, as they may run into a case where even those who want to see the film might miss that it's out. And then there's the enormous gap in wow factor in the two film's advertising; where Volume 1 used music and Uma Thurman's kineticism to hook viewers, Volume 2 is just...there. They should keep all the hardcore fans but have utterly given up on expanding that audience. The opening weekend should be a little lower than the first, though not excessively, at about $18 million.
With the waters safe again for comic book films, it's time to start revisiting previous projects that have failed, back when studios didn't know how to make these kinds of films. In this case it's the 1989 Dolph Lundgren version of The Punisher that's getting a second take. It's an interesting choice, as it's quite different from the vast majority of comic films that are made, being not about brightly colored heroes, but instead a dark and morose revenge tale. After his family is killed and he is left for dead by a Florida criminal family, FBI agent Frank Castle proceeds on a campaign of revenge and retribution, adopting the moniker of The Punisher.
Were it not for the comic connection, The Punisher would probably end up as a pretty generic action film ca. 1987, and in spots it kind of resembles that. However, this similarity might be, in some ways, its greatest asset, as the R-rated action film has become kind of rare these days. The lead is Thomas Jane, who is an interesting contrast to the steroidal Lundgren -- though no weakling, he's a bit of a slimmed-down action hero. He's probably best known for either his roles in Deep Blue Sea or Dreamcatcher, both bad films, but he was probably the best thing in either. This is his big test as an action hero.
John Travolta plays the heavy, again, which seems to be developing into an "every other movie" thing for him. It almost seems like he's worn out his welcome again and is quickly becoming box office poison for, what is this, like the fifth time? How many career comebacks can you have? His last film, Basic, bombed unreservedly, opening to just $11 million and finishing with just $26 million total and it's hardly unique among his recent CV; you need to go back to The General's Daughter in 1999 before you can find a film of his that's a hit without qualifications. So while The Punisher probably did need a name in some role to make it look legit, I'm not sure this was the one.
The promotion for this film has been well done, with a grit and edge that's pretty much necessary these days for action. Something Marvel continues to do well with its comics-turned-movies is to use the attached soundtracks to sell the movie and that's no exception here. Filled with neo-grunge bands including a track from Seether featuring Evanescence's Amy Lee, it might be enough to pull some more people in à la Daredevil last year, which effectively broke Evanescence. In any case, it's made for very effective ads. Look for The Punisher to challenge for the top spot for the weekend, but it should fall a little short at $16 million.
Universal must be hoping that everyone's forgotten Some Like It Hot and Victor/Victoria to come out with a film like Connie and Carla. Nia Vardalos's second effort as a screenwriter after My Big Fat Greek Wedding, it features her and Toni Collette as witnesses to a mob hit who decide to hide out as female impersonators until the heat dies off. Much wackiness involving mistaken genders and bad song and dance numbers ensue. I'm setting the Nia Vardalos fame clock at 13 minutes and 45 seconds pending the opening weekend figures of this film; it's just an aggressively unfunny looking project and should quickly wear out the welcome that she engendered from being the creative force behind the biggest indie success ever (to that date). It's only being inflicted on a little over 1,000 venues, so we're probably looking at around a $3 million weekend.
The biggest story of last week was The Passion of the Christ's jump back into first place for Easter weekend, earning $15 million, one of the few films to recover first place after losing it. It looks as though that's not going to be a signifier of a restart for its run, as in weekday figures, it's already fallen back to where it was in previous weeks, fourth place. The figure for this weekend should probably sit at around $6.5 million.
Hellboy had what has to be considered a very disappointing second weekend, dropping a massive 53% from its opening frame. For a film that should have been able to build an audience with quality and was surely hoping to turn into a franchise, this is very disheartening, though films that have done worse have had sequels. Look for only about $5 million here.
The Alamo was a stunning flop for Disney, grabbing only $9 million in its bow against (depending on who you believe) an operating budget of anywhere from $90 to 140 million. It defies belief that a film about such a well known historical event could fare so badly, but that may just be me channeling Michael Eisner (must...finance...milquetoast...movies). The Alamo is an early front runner for financial loser of the year. It's going to start shedding screens next week like Courtney Love would her clothes in a Wendy's.
The most significant limited release film to open this weekend is Young Adam, the latest chapter in Ewan McGregor's goal to make sure every human alive has seen his penis. Rated NC-17, it's gotten a tremendous amount of publicity for his fight to keep his nude scenes in the film and less about the plot of the film, a sexual thriller set in Scotland in the '50s.
Forecast: Weekend of April 16-18, 2004
Changes in Sites
from Last
Gross ($)
1 Kill Bill Vol. 2 2,971 New 18.4
2 The Punisher 2,649 New 17.0
3 The Passion of the Christ 2,848 -392 6.5
4 Hellboy 2,897 -146 5.8
5 Johnson Family Vacation 1,326 +9 5.4
6 Walking Tall 2,444 -392 5.1
7 The Alamo 2,609 0 4.9
8 Home on the Range 2,735 -323 4.9
9 Scooby-Doo 2: Monsters Unleashed 2,810 -320 4.3
10 Ella Enchanted 1,939 +8 4.0
[ View forecast columns ] [ View columns by Reagen Sulewski ]
[ Email this column ]


text:
Jo Zeller Racing est une écurie suisse de sport automobile créée à la fin des années 1990 par l'ancien pilote suisse Jo Zeller pour pouvoir faire courir son fils Sandro Zeller dans les compétitions de Formula Lista Junior, de Formule 3 Autrichienne et plus récemment en Formule 3 Euro Series.

Liens externes
Site officiel

Écurie de sport automobile en Suisse


text:
Home » Plans Come Together For GIScience 2004
Plans Come Together For GIScience 2004
The third International Conference on GIS will be held Oct. 20-23, 2004, in College Park Campus, Maryland.
GIScience 2004 is the follow-up meeting to the highly successful GIScience 2000 and 2002 conferences. At each of the previous conferences in the series approximately 150 papers were selected for presentation from among a large international pool of submissions. GIScience 2004 will again bring together scientists from academia, industry and government to analyze progress and to explore new research directions. It will focus on emerging topics and basic research findings across all sectors of geographic information science. The conference program aims to attract leading GIScience researchers from all fields to reflect the interdisciplinary breadth of GIScience, including cognitive science, computer science, engineering, geography, information science, mathematics, philosophy, psychology, social science and statistics. The conference will be held at the conference center of the University of Maryland's College Park campus, within the Washington, D.C., metropolitan area and accessible from the Washington Metro and several major airports. Full details are available at www.giscience.org.
We solicit research papers in all areas of geographic information science. Since GIScience 2004 focuses on advances in the fundamentals of geographic information science, submission of GIS application papers is discouraged. To accommodate the variety of papers and presentations that result from an interdisciplinary melting pot, GIScience 2004 will give authors choices about the type of submission they wish to make.
Full papers, consisting of 5,000-word manuscripts, will be thoroughly reviewed. Manuscripts must describe original work that has not been published before nor is currently under review elsewhere. Papers must be written in English, in 12-point type, and double-spaced. All submissions will be reviewed by three members of the international program committee, and high-quality submissions will be accepted for presentation at the conference and will be published by Springer in the Lecture Notes in Computer Science series. Full papers must be submitted by April 12, 2004.
Extended abstracts of 500-1000 words, describing work in progress, will be screened by the program committee, and those submissions selected will be published in a booklet and be presented at the conference. Extended abstracts must be written in English, in 12-point type, and double-spaced. Extended abstracts will be received until June 28, 2004.
All submissions (full papers and extended abstracts) must be sent electronically to papers@giscience.org. Material can be submitted as PDF files or Microsoft Word files.
April 12, 2004: Full papers due
May 31, 2004: Review results of full papers transmitted to authors
June 28, 2004: Extended abstracts due
July 5, 2004: Camera-ready versions of accepted full papers due
October 20-23, 2004: Conference
Max J. Egenhofer, Christian Freksa and Harvey J. Miller Program Co-Chairs, GIScience 2004 max@spatial.maine.edu, freksa@sfbtr8.uni-bremen.de, harvey.miller@geog.utah.edu
GIScience 2004 is organized by: National Center for Geographic Information and Analysis (USA), Association of Geographic Information Laboratories Europe, University Consortium for Geographic Information Science (USA) and the Association of American Geographers.
Source: SpatialNews, Dec. 2, 2003
Intergraph Awards Outstanding Geographic Information Science Scholars and Educators at GIScience 2004 10.25.04
Intergraph Plans Open Solutions Exchange for GeoSpatial World 2004 10.28.2003
ESRI 2nd Annual Survey and GIS Summit 2004 Planned to "Bridge the Gap" 3.1.04
SBA Announces Plans to Commemorate Small Business Week 2004 2.2.04


text:
George Clooney Marries Amal Alamuddin
The happy couple tied the knot in Venice this weekend...
That's it - George Clooney is officially off the market, ladies.
The actor married his fiancé Amal Alamuddin in Venice yesterday (27 September).
The pair reportedly tied the knot in a 'private symbolic ceremony' in Venice in front of more than a hundred family members and friends.
According to E! News, it's thought the Oscar-winning actor and his new wife will continue the celebration throughout the weekend and then file the paperwork to make their union official on Monday.
Clooney arrived to the ceremony in a fleet of 20 boats, flanked by local police and photographers.
As expected, a slew of Hollywood stars showed up for George and Amal's big day - with the likes of Bill Murray, Matt Damon, Cindy Crawford and hubby Rande Gerber, Emily Blunt and John Krasinski seen arriving for the ceremony.
The actor reportedly said his 'I dos' with the British lawyer on a podium in front of a large wall of white candles just after sunset.
The venue was also said to be decorated with hundreds of hand-crafted candles, tiny white roses, lilies and carnations.
There's been no final word on Amal's wedding dress, but E! also reports that it could be an Alexander McQueen number, designed by it's creative director, Sarah Burton, who made Kate Middleton's iconic gown for her nuptials to Prince William.
More From George Clooney
James Corden's Carpool Karaoke Is Fifteen Months Old! Here Are Its Top 10 Moments So Far
Gwen Stefani's Carpool Karaoke Was Crashed By George Clooney And Julia Roberts
See George Clooney Do Downton Abbey For Text Santa
George Clooney Joins The Cast Of Downton Abbey For… A Selfie?!
George Clooney: No One Supported My Sony Petition
Hail Clooney! George Dresses Up As Caesar For Movie Role
See George Clooney In Downton Abbey Clip
Hugh Bonneville On George Clooney's 'Hilarious' Appearance In Downton Abbey
Amal Alamuddin Changes Surname To Clooney For Work
George Clooney On Downton Abbey 'Brilliant' - Says Star
George Clooney Crashes New York Comic Con
George Clooney 'Honeymooning In Berkshire'


This tract will be sold via ABSOLUTE AUCTION as part of a two day, multiple parcel sale. Tract 30 includes 51.3 +/- acres tillable and multiple fingers of timber for good deer and turkey hunting.
35.27 +/- acres tillable rented through 2016 fall harvest. See Property Documents for soil and topo maps.
This property has access from both the east and west.
Timber and hidden fields on this property should provide good hunting opportunities.
Potential build site close to Weir, KS and less than 10 miles from Pittsburg, KS.
Be sure to check out the 360 degree photos below. You can zoom and pan around with your mouse for a better view of the property.
1 mile south of HWY 400 on 20th ST, then 1/2 mile east on Coal Valley Rd. Turn south on Kelly St. and go 1/2 mile to property on east side of the road.
Fill out the form below and click "Send" to send "O'Malley Auction Tract 30" to your friends, family or real estate agent.


text:
Bow-Wow, Meow: No. 7 Raises Money for Cedar Valley Humane Society
Four-legged friends of the community were not forgotten as members of Cedar No. 7 (Cedar Rapids, IA) raised money to support the Cedar Valley Humane Society. The group held two fundraisers with support from the Matching Funds program.
More than 2,000 animals are cared for by the Cedar Valley Humane Society each year.
No. 7 members present Cedar Valley Humane Society staff with a check.
The first fundraiser was a rummage sale. "After much discussion about trying something new, it made sense to do what we have had success with in the past. We all have so many things we are no longer using that could be useful to someone else. Being able to hold it in our neighborhood also helps to raise awareness of Western and what we do," commented member Melissa Clapp.
The rummage sale benefited from having plenty of donations and lots of volunteer helpers. Clapp shared the tips that made it run smoothly: using colored dots to quickly price items, and allowing volunteers to work in short shifts over the two-day sale.
The second fundraiser was an online auction. Similar to an in-person auction they had in years past, talents and skills were put up for bidding. Baked goods, sewing, cleaning services, babysitting, and artistic talents were very popular. This online auction was more successful than the in-person auction because it happened over the course of several days and allowed for more people to participate. It was only open to members and Home Office staff so that services could be exchanged and money collected easily.
Employees offered services that showcased their unique interests. Offers of tailoring clothes, baking pies, and custom crafts were some of the many items. For a few days, employees and close associates were given an opportunity to bid online. Winners were able to organize the delivery of their prizes with the people who placed them at auction.
Member Programs Manager and No. 7 Correspondent Kelsey Logan commented, "I believe that it could be hugely beneficial for lodges who have members spread out over a long distance but still want to contribute. It can also be used for those who are not members and can be opened to the public and shared on social media sites like Facebook. The best part is, the online silent auction was free to use!" The auction site the lodge used is available online at www.32auctions.com.
Finally, the group had exceeded its fundraising goals and were able to utilize the Community Matching Funds to add even more money to the efforts for the Cedar Valley Humane Society. Clapp reflected, "It is great to have the support of Western Fraternal Life with what we do."
Category: Community Matching Funds
Pittsville, WI Holds Fundraiser for Local Boy
Members of City Point No. 408 (City Point, WI) organized a grilled chicken dinner fundraiser for the public. Using Community…
Cedar No. 7 (Cedar Rapids, IA) raised money to support the Cedar Valley Humane Society. The group held two fundraisers with…
Box Lunch Social Helps Repair School
Western No. 84 and School District #32 hosted a Box Lunch Social on Labor Day at the Rock School House site South of Table Rock.


text:
import { ValidationError, ErrorJson } from './ValidationError'
import { Key } from '../core'

export class KeyedValidationError extends ValidationError {
	constructor(
		public readonly input: unknown,
		public readonly error: unknown,
		public readonly key: Key
	) {
		super(ValidationError.getErrorsAsMessage(KeyedValidationError.getErrorAsJson(input, error, key)))
	}

	public static getErrorAsJson(input: unknown, error: unknown, key: Key) {
		if (error instanceof ValidationError) {
			return error.toJSON().map((error) => {
				return { ...error, path: [key, ...error.path] }
			})
		}
		return [{ error, input, path: [key] }]
	}

	public toJSON(): ErrorJson[] {
		return KeyedValidationError.getErrorAsJson(this.input, this.error, this.key);
	}
}

redpajama_set_name: RedPajamaGithub


Musi river is the largest river in Palembang with a length of more than 750 kilometers. The sedimentation in the Musi river is commonly existed due to the high level meeting of velocity between the Musi river and the ocean in the Bangka Strait. The silting condition of Musi river is getting more severe due to the sludge growth that reach about 40 cm per month. In fact, the volume of sludge could reach 2.5 million m3. There are 13 silted points along the river shipping channel from the Boom Baru port to Bangka Strait. Four points are vulnerable due to the siltings reach up to 4 m. This research was conducted by using the approach of software models MIKE 21 Flow Models. The results obtained from this study are the greatest speed direction occurred, elevation of the outer surface and total depth of water will contribute and effect to the free area for ships to perform well and safe movement. The other side will effect of the amount of sedimentation and the aquatic environment of the swamp area.


Looking for a garage in Ellon for your car service? No need to ring around or hang on the phone – find and book it online quickly and easily with BookMyGarage.
Simply enter your registration number and postcode, choose a Ellon garage and make your booking. You won't pay a penny until the work is complete.
It's a fact of life that cars, like all machines, need care, attention, and repairs from time to time. Whether it's a major service or an interim service, or you just feel that something's not quite right with your motor, use BookMyGarage to search for the best garage in Ellon for your needs, and book the work at a fixed price online there and then. No need to wait around for quotes from lots of garages, BookMyGarage gives instant transparent pricing so you can choose and book there and then.
What is most important for you when you're booking in your car's service? For many people working in or near Ellon, it's about finding a time that fits around office hours, school pick-ups or nursery drop-offs; BookMyGarage can help here by telling you which garages offer car collection and/or a loan car while yours is out of action. Hanging on the phone while you try to get on with the rest of your life is not ideal so the option to book online with a service such as BookMyGarage can prove invaluable. Of course, you also want a garage you can trust which is where the star ratings from other car owners in Ellon come in, to help you make the right choice.
Do you know how often you should get your car serviced and what type of service you need? There is no hard and fast rule - it depends on the model of car you have and its age. You should find this information in your car owner's manual. If you're not sure, enter your mileage on BookMyGarage and we'll help you decide. As a general recommendation, you should be taking your car for a Full Service every 12 months (or 12,000 miles) and a Major Service every couple of years (or 24,000 miles). If you're regularly travelling far beyond Ellon for work or to visit relatives, or you have a car with known issues, it's worth getting an Interim Service every 6 months (or 6,000 miles).
A common car problem which is worth taking action on fast is a faulty alternator. The alternator is a simple but key part in your car - as well as powering your headlights it gives your battery the power it needs to start the car, so it's pretty important. There are a few signs to look out for if your alternator is starting to fail, from dimmed headlights when you're driving around Ellon at night or a light appearing on the dashboard, to a growling sound or unusual smell coming from the engine. If you spot any of these, find a Ellon garage on BookMyGarage and get your car checked out. Prices for a replacement alternator can vary a lot depending on the make and model of your car, but are generally around £200-£300.


text:
News: Industry titan signs on at Clifton Lane
Rotherham Titans, the borough's rugby union club, has appointed a new board member – former Rugby League President John Whaling.
The former Wath Grammar School pupil initially served his rugby apprenticeship as an union front row forward with his local Wath club and then at Dinnington, where he went on to become skipper while representing South Yorkshire before a back injury halted his playing days and then becoming involved with the Sheffield Eagles.
Whaling started out as a rookie helper at the rugby league outfit and ended up as the troubled club's chief executive officer while also serving as the RFL President in 2011/12. He spent nearly three decades with the former Don Valley club, now exiled at Wakefield, before calling it a day at the end of last season.
John studied at Sheffield City Polytechnic and went on to join local company, Sheffield Insulations Limited (which later became SIG plc) in 1979 as a trainee computer programmer. He had a number of promotions over the coming years and was appointed to the board of directors in April 1989 where he served for 22 years seeing the turnover of the business rise from £100m to a peak of £3 billion.
Other roles include being the technical consultant on the construction of Rotherham United's New York Stadium, being a trustee at Rotherham Hospice and holding directorships at local companies whom he mentors. He joins the Clifton Lane board with the brief of developing the commercial side.
It was around this time in 2015 when it was announced that Nick Cragg and Martin Jenkinson wanted to take to step back from their custodianship of the club. The successful Rotherham businessmen were part of a consortium that saved the club in 2004 after the previous owner withdrew their financial backing.
New CEO and investor, Richard Lamb was unveiled in 2016 alongside a three year plan of forging closer links to the community and engendering a passion for the team - which is hoped to become a competitive Championship side again.
The Titans recently finished bottom of the Greene King IPA Championship and were only saved from relegation following London Welsh's expulsion.
John Whaling, board member at Rotherham Titans, said: "I think I can add something and I'm looking forward to working here and getting the club back on the right track.
"We all think it'll be a good fit. I like Martin and Nick and that's important, so from that point of view it'll be an easy settling-in process and let's see if we can get the club back up that table."
Nick Cragg, Chairman of the Titans, added: "We're very fortunate to have a man like John joining us. He's a very accomplished man in sport and in the business world and he will be helping us to rebuild and he'll bring something back to the club.
"We need to rebuild and have the right quality and the right values. John does what he says and we're very lucky to have someone of his calibre joining us.
"He will mainly work on the commercial side but he will also have involvement on many fronts."
Rotherham Titans website
Images: Titans Rugby
Labels: Rotherham, Rotherham Titans, sheffield, sport


text:
Activists Attempt To Climb London's Shard, Europe's Tallest Building
by John G Johnston on 07/11/2013
in Earth, Politics
As I write, Greenpeace activists are attempting to climb the Shard, Europe's tallest building. The glass skyscraper in London is 310 meters tall. The climb is a protest to draw attention to planned oil and gas drilling in the Arctic.
As the Iceclimb webpage states, "1 skyscraper. 6 women, No permission. What will you do to save the Arctic". The protesters are asking people to sign up to the protest, and to share the event with others via social media.
The building is the focus because it is modelled on a shard of ice, and located in the middle of Shell's three London headquarters. The Greenpeace protesters say Shell does not want them talking about its plan to drill in the Arctic, so they are there "to shout about it from the rooftops", literally.
At present there are over 11,000 people watching the live video feed, and over 27,000 people have signed up to the protest, so the action is certainly drawing a lot of attention. As you can see from the tweet below, the activists are currently about halfway up the Shard.
The protesters plan to unfurl a banner once they get to the top, as is the norm with Greenpeace protests of this nature. As you would expect, Metropolitan police are monitoring the situation, along with British transport police. For safety reasons, it's very unlikely that police would try to intervene while the women are climbing the building. It's a certainty they'll be arrested afterwards.
It's now just past 2:00 pm London time and the protesters are well over halfway up the Shard, reaching the 180 mark of the 310 meter climb. They set out on the climb at about 4:20 am this morning, so it's already been a long haul. They have reported that it's very hard work climbing the skyscraper, but they're in good spirits. They are being spurred on by the amount of encouragement they are receiving from supporters via social media.
The number of new sign-ups on the Save The Arctic Iceclimb webpage has rocketed up in the past couple of hours to over 35,000 – which is already well beyond Greenpeace's expectations for the protest.
It has also been reported on Twitter that the Iceclimb protest became the most popular story on the BBC website.
The protesters have also been receiving a good deal of celebrity support via social media, including from musicians Thom Yorke and Annie Lennox.
Follow @jjprojects
Tagged as: activism, arctic, environment, greenpeace, iceclimb, london, oil and gas drilling, protests, the Shard
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Hvem var María? from Digital Storylab on Vimeo.
Born in the wrong era from Digital Storylab on Vimeo.
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in which the function increases, and for . The function which is to be found is specified on the boundary. This boundary consists of a sufficiently-smooth contour and pieces of characteristics. This equation is elliptic in the half-plane , parabolic on the line , and hyperbolic for . The half-plane of hyperbolicity is covered by two families of characteristics, which satisfy the equations and .
The characteristics of one of these families merge with the characteristics of the other on the line .
Let be a simply-connected domain with as boundary a sufficiently-smooth contour if or pieces , , , and if , and being the characteristics of one family, and and of the other (see Fig.). The theorem on the existence and the uniqueness of solutions of the following boundary value problems is valid in : the function is given on ; the function is given on .
These problems were first studied (for , ) by S. Gellerstedt  by methods developed by F. Tricomi  for the Tricomi problem, and represent a generalization of that problem. Gellerstedt's problem has important applications in gas dynamics with velocities around the velocity of sound. These and related problems were studied for certain multiply-connected domains and for linear equations containing lower-order terms .


Last week we brought you seven affordable H&M finds that look way more expensive than their price tags indicate. And, after further deal-hunting this past weekend, we realized the Swedish mecca isn't the only mega retailer carrying luxe-feeling goods that could pass as heavy hitters.
After adjusting our high-concept-vision goggles, we set out on our next fashion mission: scoping the finds at cheap-o standby Forever 21 that look high-end. And, we succeeded. Sure, we had to dig through a lot of questionable graphics and festival gear. But, eventually, we uncovered the pieces that exude a posh vibe. The streamlined, refined silhouettes ahead — including structured bags, chic heels, and intricately detailed blouses — could warrant a primo spot in any designer's window front. And, all of it is under $40. Click through to shop the eight picks that'll hold their own this season — even next to your fancy colleague's Prada mules.


text:
OS := $(shell uname)
OPTIONS:=

ifeq ($(OS),Darwin)
	OPTIONS += -framework OpenCL
else
	OPTIONS += -l OpenCL
endif

main: main.c
	gcc -Wall -g main.c -o main $(OPTIONS)

clean:
	rm -rf main


Home - Blog - What Makes Transworld's Business Model So Special?
If you're thinking of becoming a franchise consultant, you're probably wondering what is so special about Transworld's business model. In this post we'll review some of the benefits of investing in Transworld when you decide to become a franchise consultant.
One of the best parts about franchising with Transworld is the comparatively low initial investment. Unlike other franchises that require costly inventory and lease agreements, you can work with our proprietary software from just about anywhere! This frees you up to work from a home office, sparing you the expense of monthly rent. Why let burdensome expenses eat up your profits when you can get more for less with Transworld?
The franchising industry is massive at almost $4 trillion, and it's growing every day! With franchises in many different markets, you'll be able to provide services to all kinds of businesses. Our business model helps franchisees tap into this exciting industry by offering valuable services to franchisors, potential franchisees, business owners, and interested buyers. From the comfort of your own home you can identify listings and broker deals between these parties.
One of the best parts of franchising with Transworld is the training and support you can expect to receive. Becoming a franchise consultant can seem intimidating at first glance, but with our experts to guide you, you'll be confidently brokering deals in no time. Why spend weeks or months trying to learn the tricks of the trade on your own when you can benefit from our knowledge and experience? Your initial training in West Palm Beach, Florida will teach you the ins and outs of the business, and your ongoing training and support will help you apply what you've learned.
Many businesses are interested in franchising but don't know where to start. Our Transworld franchise consults are experts in everything from creating a FDD to identifying prime locations. Business owners know they can trust us with the nuances of developing a new franchise, or revamping an existing one.
As you can see, Transworld's business model is multi-faceted, and is designed to give our franchisees a competitive edge in the franchise consulting industry. Between our low initial investment, products and services in high demand, and the top-notch training and support we offer to our clients, we're confident that you'll love franchising with us. Reach out to us today to learn more!
Previous PostAre You a Good Fit for a Transworld Franchise Development Business? Find Out Here!


Waiting for Sorkin, passing on this movie-of-the-week.
Is it against the law to watch both films? I think this one looks pretty good. Oscar-worthy? No, but I think Kutcher is going to surprise a lot of people by the end of this thing.
I've seen the trailers,and each time I think Ashton Kutcher was the wrong choice. Visually close to Jobs, but the voice is all wrong and too reminiscent of other roles. Will be waiting for this one on HBO.
They sure are marketing it to a very specific demographic (but why wouldn't they these days). Still, I have to see it. Not sure if I'll be able to wait for HBO etc., though yeah, that will probably happen pretty quick.
The editing and music make this trailer seem infinitely better than the clips I've seen so far.
"Pirates of Silicon Valley" from 1999 is one of my all time favorites AND is "Steve Jobs Approved"! ...I guess these 2013 remakes will need to be pretty awesome if they're to stand a chance against the original.
Does this movie really exist or is it just trailers?
How many Golden Rasberry Worst Actor nominations has this dude received? He's won once. He's clearly hoping to be this years Ben Affleck.
But wouldn't it be great if he won an Oscar- "I'd like to thank the Academy and Steve Jobs......!"
Base upon Enigmamatic's review above it looks like it should be called "Dude, Where's My Mac?"
From all the previews, Ashton Kutcher looks awful. AWFUL. Sad for him, because bio-pics usually guarantee an Oscar nom.
Kutcher wasn't bad. He looks like Jobs. The "walk" is like ASIMO not Jobs. That said he wasn't exceptional. No Oscar. But no raspberry either (except for the walk thing. That was weird).
Oh! I forgot to mention. The production value and art direction are way off. I won't list the stuff most people won't notice but the opening scene is Jobs introducing a brand "new" product called the "iPod". Kutcher then holds up a FOURTH generation iPod. Not the original first gen with FireWire and a physically rotating scroll wheel. That error sets the tone for the rest of the movie!
"Pirates" was a D-quality after school special that served to flatter Microsoft and vilify Apple, helping to launch a generation of hopelessly ignorant Windows Enthusiasts who based their hatred of Jobs on a stilted caricature imaged by the guy who seriously believed Google was building vast data centers to pre-render the web in Adobe Flash so we wouldn't suffer from slow HTML.
Eh, I'm not sure about that. It was pretty close to being correct… at release. The fact that complete morons (read: Windows users) kept quoting it as current information (and misrepresenting said) for another DECADE is their problem. Granted, the movie should have explicitly stated that it wasn't Microsoft's purchase of Apple stock that "saved" the company, but other than that it seemed a fine piece, if now too outdated to mean anything.
who based their hatred of Jobs on a stilted caricature imaged by the guy who seriously believed Google was building vast data centers to pre-render the web in Adobe Flash so we wouldn't suffer from slow HTML.
Wait, what? This sounds interesting.
Why does http://jobsthefilm.com look like a vertical Metro interface?
It seemed plausible throughout, but was complete nonsense, just like everything else written by "Robert X Cringely," (aka Mark Stephens). Just do a Google search and start reading.
Particularly Cringeworthy: his prediction that PowerPC software would soon be obsolete in early 2006 (this didn't happen until late 2009); that OS X needed a Linux kernel, that Apple's "microkernel" was defective by design, and that Apple was working on a "Red Box" to natively host Windows apps on Macs.
Unraveling The PowerPC Obsolescence Myth predicted that PowerPC wouldn't be eclipsed by Intel Macs until 2008, and Apple kept supporting PPC apps on its latest OS until Snow Leopard at the end of 2009. It also links to some other mythbusting of X's more absurd notions expressed back in the day.


Hike from Dobongsan Station (Subway line 1) to Juanbung peak. The first km passes a lot of street food vendors and stores selling outdoor gear. Once you are on the trail at around 1.2 km, the trail get progrssively steeper the closer you get to the summit.
There are a lot of options on where to go. You may also take detours to some of the many temples along the way.
Dobongsan Station exit. This stop is on Seoul Subway line 1 north of the city center.
Syreet food. Lot of good street food between the subway station and the trail head.
Follow oceans2001 and discover new trails!


Whatever you've got on your Valentine's Day agenda calls for a little extra lip service to take you from conference calls, boot camp class, or chocolatier-hopping to date night or dinner with the girls.
Not sure if you should go romantic, bold, or sophisticated for February 14th? Pucker up and discover the perfect pigment to complement your personality with our Cupid-approved lipstick quiz.
Click 'let's play' to get started!


An 8-year-old Santa Rosa Beach child was airlifted to Sacred Heart Hospital in Pensacola after being run over by a car at La Canosa Boulevard and San Jose Drive on Wednesday afternoon, according to the Florida Highway Patrol.
SANTA ROSA BEACH - An 8-year-old Santa Rosa Beach child was airlifted to Sacred Heart Hospital in Pensacola after being run over by a car at La Canosa Boulevard and San Jose Drive on Wednesday afternoon, according to the Florida Highway Patrol.
Mireya E. Chacon, 31, of Santa Rosa Beach, was stopped about 3 p.m. in a 2003 Ford Expedition on the west shoulder of La Canosa Drive, the FHP reported. The car traveled backward and hit Chase Allen Maas.
The Expedition�s right rear wheel then ran over him.
Maas was taken to Sacred Heart Hospital on the Emerald Coast and then transferred to Sacred Heart in Pensacola because of internal injuries, according to the FHP.
Chacon and her passenger, 6-year-old Omar Chacon of Santa Rosa Beach, were not hurt, according to FHP.
Mireya Chacon was charged with improper backing with serious injuries.


ID   NUOI1_NITMU             Reviewed;         171 AA.
DT   20-DEC-2005, sequence version 1.
DT   16-JAN-2019, entry version 94.
OS   Nitrosospira multiformis (strain ATCC 25196 / NCIMB 11849 / C 71).
DR   EMBL; CP000103; ABB74323.1; -; Genomic_DNA.
DR   EnsemblBacteria; ABB74323; ABB74323; Nmul_A1020.
FT   CHAIN         1    171       NADH-quinone oxidoreductase subunit I 1.
FT   DOMAIN       41     71       4Fe-4S ferredoxin-type 1.
FT   DOMAIN       81    110       4Fe-4S ferredoxin-type 2.
FT   METAL        51     51       Iron-sulfur 1 (4Fe-4S).
FT   METAL        61     61       Iron-sulfur 2 (4Fe-4S).
FT   METAL        90     90       Iron-sulfur 2 (4Fe-4S).
FT   METAL        96     96       Iron-sulfur 2 (4Fe-4S).
FT   METAL       100    100       Iron-sulfur 1 (4Fe-4S).


text:
Q: Proving a topological space is path connected Suppose $(X,T_X)$ is a topological space and $\infty_X \notin X$. Write $X^* = X \cup \{\infty_X\}$ and suppose the open sets of $X^*$ the empty set and the union of an open set in $X$ and the point $\{\infty_X\}$.
I want to show that $(X^*,T_X^*)$ is a path connected space. This means I have to show that there is a single path connected component ($X^*$ itself), i.e. that for any $x,y \in X^*$ there is a continuous map $\gamma: I \rightarrow X$ where $\gamma(0) = x, \gamma(1)=y$. Here is $I=[0,1]$ equipped with the Euclidean topology.
I don't really have a clue how to proceed, should I do something with the fact that $\gamma$ is continuous and work with the definition? I'm guessing that the special point $\{\infty_X\}$ has an important role to show path connectedness but I am confused because we don't have any information on the connectedness of $X$.
EDIT: Can we conclude from this that any topological space can be embedded as a closed subspace of a path connected topological space? If so, how would I go about doing that?

A: Take $x\in X$ and define $\gamma\colon[0,1]\longrightarrow X$ by$$\gamma(t)=\begin{cases}\infty_X&\text{ if }t\in[0,1)\\x&\text{ otherwise.}\end{cases}$$Then $\gamma(0)=\infty_X$ and $\gamma(1)=x$. Besides, $\gamma$ is continuus since, if $A$ is an open subset of $X$:

*

*If $\infty_X,x\notin A$, $\gamma^{-1}(A)=\emptyset$, which is an open subset of $[0,1]$;

*If $\infty_X\in A$ and $x\notin A$, $\gamma^{-1}(A)=[0,1)$, which is an open subset of $[0,1]$;

*If $\infty_X,x\in A$, $\gamma^{-1}(A)=[0,1]$, which is an open subset of $[0,1]$.

Since you cannot have $x\in A$ and $\infty_X\notin A$, this proves that $\gamma$ is continuous. And $\gamma$ is a path from $\infty_X$ to $x$. Since there is such a path for every $x\in X$, $X$ is path-connected.


We are one of the leading toiletries manufacturers in Hong Kong. Our fully integrated New Product Development, R&D and Merchandizing team understands and caters for the many specific needs and requirements of projects from brands and private labels of different markets.
flexible packaging laminates, seasonal gift packaging materials and etc.


text:
Q: ERROR in src/app/admin/admin.module.ts(83,33): error TS2307: Cannot find module 'ng2-pdf-viewer' ERROR in src/app/admin/admin.module.ts(83,33): error TS2307: Cannot find module 'ng2-pdf-viewer'. after installing npm install --save ng2-charts in angular CLI 7.3.10

A: I think you got error because after install ng2-charts the dependencies are update/missing for ng2-pdf-viewer
so just run npm install


First assembled in 2013, Radux is a high-octane rock n' roll group with speed metal and crossover influences from Tampere, Finland. Fronted by the vocalist and bass player Juho, the band features Markus and Joacim on the guitars and, as of the printing of this text, no permanent drummer. With this lineup (plus one) the group calls out the daily (and with some misfortune, future) doom and gloom of the world and seeks to inform the masses on at least some select injustices as aggressively as musically possible.


Bio: Pleased to meet you! My name is Santiago Whittenburg but it is not the most masculine business name.
Taking care of animals is her occupational. Idaho is his birth place amazing family loves it.
I am really fond of driving however i haven't launched a dime in addition to.


Below you can view all the homes for sale in the Heritage Meadows subdivision located in Fishers Indiana. Listings in Heritage Meadows are updated daily from data we receive from the Indianapolis multiple listing service.
To learn more about any of these homes or to receive custom notifications when a new property is listed for sale in Heritage Meadows, give us a call at 317-218-4216.
A house like this in Fishers priced below $200,000 won't last long! MLS#21614950. Realty World Indy.
These statistics are updated daily from the Metropolitan Indianapolis Board of REALTORS® Multiple Listing Service. For further analysis or to obtain statistics not shown below please call Highgarden Real Estate at 317-218-4216 and speak with one of our real estate consultants.


text:
Kálmán Giergl (born as Koloman Giergl, 29 June 1863 in Pest, Hungary, Habsburg Empire – 10 September 1954 in Verőce, Hungary), was a Hungarian-German architect and a significant figure in the Austro-Hungarian eclectic architectural style. A member of the Györgyi-Giergl artistic family.

Family background
Giergl's family originated from the Tyrol region but for generations were known for their artistic endeavors in Pest. His father Henrik Giergl (1827–1871) was a famous glass artist and among his cousins were Géza Györgyi (hu) (1851–1934) who was an architect and Kálmán Györgyi (hu) (1860–1930) who was an expert on applied arts.

Career
Giergl finished his studies at Budapest Technical University and the Berlin University of the Arts. He also began his career working for the Gropius and Schmieden company in the German capital. Upon his return to Budapest, he came to work under Alajos Hauszmann at the Budapest Technical University. This is the period when he also began to work with the other rising star of the Hauszmann office, Flóris Korb (1860–1930). They both took part in working on major commissions such as the Palace of Justice, New York Palace and the extension to the Buda Palace all in the capital. In 1893 the two established their own partnership, their first major work being the Pesti Hirlap headquarters and also some of the many now demolished pavilions for the 1896 millenary exhibition. They built the twin Klotild Palaces on the approach to the Elizabeth bridge in 1901 and won the competition for the Music Academy building. This building, built between 1904 and 1907, is their major work. Subsequent projects include the Maria street Eye Clinic and Üllői street Wound and General clinics. It is unclear when they finished working together, some sources say 1906, others 1909 or even 1914. Giergl travelled extensively throughout Europe, America and the near and far East. Notes of his travels and collections of applied arts from these areas are housed in the Budapest Museum of Applied Arts.

Works

 New York Palace, Budapest (with Hauszmann & Korb, 1894)
 Palace of Justice, Budapest
 Klotild Palace, Budapest (with Korb, 1901)
 Király Apartment, Budapest (with Korb, 1902)
 Liszt Ferenc Academy of Music, Budapest (with Korb, 1907)

See also
 Dénes Györgyi
  ()

References

External links

19th-century Hungarian people
20th-century Hungarian people
Hungarian architects
Hungarian-German people
Hungarian people of Austrian descent
Berlin University of the Arts alumni
Budapest University of Technology and Economics alumni
Danube-Swabian people
People from Pest, Hungary
1863 births
1954 deaths


"Guys, 30 years from now you will be showing your children, my grandchildren these handprints and I will be reminiscing about this day." I told my children as they all left their handprints in the freshly poured concrete of our new patio.
We all leave our handprints in many different ways in this life, some intentionally good and some on accident or without thought. What handprints will you leave behind in this world? What impression have you made in the wet concrete of your life and the life of your family and friends? The actions you take today will form a lasting memory for those little ones all around you as well as the people you have hurt or touched so deeply.
We often race through life trying to get it all done but is being kind, helping others, slowing down and being thoughtful on the list? All of us regardless of how conscious we are of life need to slow down and check in daily to ask the difficult questions: Could I have been nicer? Should I stop doing this thing right now and call my spouse instead? Can I spend more time one on one with my children? Can I stop what I am doing and play a game or read a story with my child? Can I pause long enough to breathe deeply for a moment and say a little prayer?
All of these efforts lead to the handprint becoming a good memory instead of one that is setting and will never be forgotten for all that it lacked in this life or how it hurt or neglected others. Today be conscious of the way your hand sets upon another's wet concrete and make sure it is good, kind and loving for all those around you as well as for your own well being. The gesture only lasts a second but the imprint will last for generations.


text:
Q: How does the OpenSSL's PRNG works in Windows? Every time I call RAND_bytes and RAND_pseudo_bytes, with the same seed, it returns different random numbers and I don't understand why. It said that the PRNG automatically seeds itself from /dev/urandom in Linux, but how does it work in  Windows?
Why does the same seed lead to different random numbers?

A:
Why does the same seed lead to different random numbers?

You can read about the general design of the rand subsystem at Random Numbers on the OpenSSL wiki. The reason the same seed produces different random numbers is...
It depends on the generator. If you are using the default generator, then you are using md_rand. If you look at the source code for md_rand.c, then you will see rand_bytes adds entropy at each invocation with system calls to functions like time.
On Linux rand_bytes also adds the result of getpid; and on Windows it adds the result of GetSystemTime and SystemTimeToFileTime.
Adding entropy at each invocation is a good design practice for RNGs. Also see When Good Randomness Goes Bad: Virtual Machine Reset Vulnerabilities
and Hedging Deployed Cryptography and When Virtual is Harder than Real: Security Challenges in Virtual Machine Based Computing Environments.


The restaurant of Hotel Villa Malpensa, thanks to its charming style, is the ideal place to enjoy the special occasions of a lifetime with elegance and magic. Its halls give a particular classy touch at your wedding in this environment with a refined atmosphere that makes the day simply unforgettable. In a special way is notable the Frescoes Hall, beautiful hall decorated on a Libery style with frescoes on the vault, totally restored, in the past royal-hall of the historical Central Train Station of Milan, where you will find yourself on a magical atmosphere where everything is preserved since long ago to maintain the charm and the originality.
The "mise en place" is prepared on a fine table linen with extreme care, beginning from the refined china service with elegant silver plates and cutlery and tasting-glass.
The disposition of the tables is different according to the hall and the number of guests.
Our halls are also ideals to prepare prestigious receiving as christening, communions, confirmations, anniversaries, degree parties, gala dinners and business lunch during your meetings.
For your memories the Villa offers many charming corners, both inside the Villa itself and outside, in the vast park, to immortalise those great days on an exclusive scenery.
During the summer season the aperitif can be served under the "berseau" or in the garden.
For your banquets you will be assisted by an high-qualified staff and by our Maitre that will work out with you the menu suggested by the chef. Then you will choose the prestigious wines of our cellar.
On request we produce flower decoration, personalised printing of the menu and of the place cards. For your guests a big parking is available.
For any request our maitre is at your disposal.