Mellbourn, AndersHalmstad University, School of Social and Health Sciences (HOS), Center for Social Analysis (CESAM), Centre for Studies of Political Science, Communication and Media (CPKM).
Syfte: Syftet med uppsatsen är att kritiskt granska utformning av svenska barnprogram som har målet att vara lärande, för att se på vilket sätt man skapar mening och vilka strategier man använder för att göra programmen intressanta. Målet är att identifiera olika metoder och reflektera över på vilket sätt metoderna förmedlar programmens budskap.
Metod: Vi har utfört en kvalitativ analys av tre olika barnprogram utifrån filmteori och semiotik.
Resultat: Vi har kommit fram till att olika program använder skilda metoder för att förmedla sitt budskap. Metoderna skiljer sig åt beroende på vilken målgrupp man riktar sig, vad man har för intentioner med programmet och vad programmet handlar om.
Hur gestaltas sanningsanspråket i mockumentärer i förhållande till dokumentärer? Denna uppsats tjänar till att undersöka hur/om ungdomar i 15 och 16 års ålder är kapabla att se skillnad på mockumentärfilm och dokumentärfilm.
Halmstad University, School of Social and Health Sciences (HOS). Halmstad University, School of Social and Health Sciences (HOS), Centre for Studies of Political Science, Communication and Media (CPKM), Media and Communication Science.
Syfte: Syftet med studien var att undersöka reklamvärldens konstruktion av lycka samt att undersöka om det finns eventuella skillnader i den manliga respektive kvinnliga "lyckokonstruktionen"
BakgrundJag har fått i uppdrag av Sapa Profiler AB att ta fram konkreta förslag på hur de skulle kunna använda sig av sociala medier i sitt varumärkesbyggande.SyfteGe Sapa Profiler AB konkreta åtgärder på hur de kan använda sociala medier i sitt varumärkesbyggande.MetodJag har använt mig av kvalitativa intervjuer, benchmarking, netnografi och dokumentanalyser av Sapa Profiler AB:s eget material.ResultatJag har gett olika förslag på hur Sapa Profiler AB kan använda sig av sociala medier för att stärka sitt varumärke.
We set up six media clubs for refugee and migrant children (ages 10-14) in six European countries. The clubs met weekly after school hours over a year with some extra full days during school holidays. The clubs made videos and exchanged them on the internet. In each participating country, researchers and media educators employed by the project collaborated with youth workers and teachers, already working with the children. The clubs became social centres as well as a place to learn about and make media. Using the internet we established a communications network to facilitate the sharing of children's media productions, in order to generate dialogues between them. As a research project CHICAM addressed three major aspects of structural change in contemporary European society: the increase in global migration, the uses of new communication technologies, and the specifi c needs of children. Through the work of the clubs it focused on the social and cultural worlds of refugee and migrant children in centres across Europe; and was mainly concerned with fi rst generation refugees or migrants, for whom the experience of re-location is relatively recent. The children came from many different countries including Iraq, Sierra Leone, Angola, Somalia, Albania, Kosovo, Columbia, Turkey. We investigated how these children represent and express their experiences of migration into the different host countries, and how their use of new media might enable their perspectives to inform the development of European educational and cultural policies. In the process, we were seeking to identify how particular experiences of reception, educational practice, family re-unifi cation and community involvement may more effectively promote social inclusion and economic and cultural integration.
This thesis, as a case study, focuses on the perspective of foreign news reports on Taiwan's first time hosting an international multi-sport event, the World Games 2009 in its biggest port city Kaohsiung. The World Games 2009 Kaohsiung, the significant Olympic type mega-event as to Taiwan, is applied as the approach to public diplomacy and soft power for the purpose of expanding Taiwan's international space. It is expected to raise publicity and mass media exposure to boost Taiwan's international profile and spur its tourism industry. From Taiwan's image-marketing strategy, practices to foreign news reports, it outweighs to study foreign media's reflection on Taiwan and the World Games 2009 as the important evaluation on the mega-event as a whole. This thesis attempts to answer two research questions: How was the World Games 2009 Kaohsiung reported by the foreign media? Did hosting the World Games improve Taiwan's image? It presents the results and perspectives of foreign news reports by qualitative methods: case study and discourse analysis of online-English news reports and some quantitative methods applied on data. It combines news reports study with theory, model of public diplomacy, mega-event and expected-model. Within 101 pieces of online-English news found related to the World Games 2009, it unveils fruitful results such as the failure of interpreting the core story (Taiwan's images and values) by foreign media during the sporting extravaganza, and it echoes Rivenburgh (2004)'s three viewpoints toward the Olympic type event (intercultural challenges, less news about host country's culture and dramatic news). By the amount of news and the absence of foreign media on the press conference indicates that foreign media did not pay much attention to the World Games and Taiwan. In spite of reporting the sports and games, other major topics of reports were Taiwan's hosting the event, the greenest solar-powered stadium designed by Japanese, Toyo Ito, Chu Chen's promotion itinerary to Beijing and China's absence on the opening and closing ceremony which triggered foreign media's great concern.
Digital media are widely talked about as a democratising force. As internet access proliferates, it is implied, structural constraints will dissolve and bring greater equality - if not instantly, but gradually as today's youth, the digital generation, come of age and agents of the old, non-digital order pass away. Thus, the alleged boundlessness of digital media is thought of as somehow having unbound young people from the larger social structure of power relations. Drawing on the ideas of Pierre Bourdieu, the present article examines the significance of social class for the ways in which young Swedish men perceive, interpret and make use of digital media in their everyday lives. The results suggest that class, through the workings of habitus, shapes the young men's approaches to education, leisure and the future, which, in turn, tend to generate divergent readings of digital media. Those who are privileged in terms of cultural and economic capital think and make use of digital media in compliance with the perceived moral order of digital goods and practices as instituted and imposed by the educational system, for example, whereas those disprivileged in this respect, although recognising the dominant scheme of classification and valuation of such goods and practices, tend to use them in ways that are at odds with it, thereby contributing to the workings of symbolic violence, i.e. to their own subordination.
New media in general and the internet in particular are regularly ascribed with various democratizing potentials. According to politicians, journalists, marketers and even some academics, the proliferation of internet access (via broadband) will bring about a shift in the power relations between media industries and media consumers, between governments and citizens, between professionals and amateurs, etc. Young people are often conceptualized as a driving force in this change, in so far as growing up in this new communication environment is considered enough for making real the potentials of new media. These simplistic ideas draw from technological deterministic assumptions and must be put into question by detailed empirical analyses. Although this has been done to a certain extent, previous research on young people's consumption of new media has tended to focus on their creative, playful and more or less particular (or peripheral) digital interpretations and interactions. The social structures producing and reproducing themselves through (the lack of) these interactions, on the other hand, have seldom been taken into account. By and large, questions of social power relations such as class, gender and race/ethnicity are missing. Building primarily on the ideas of technology-as-text as elaborated within the context of cultural studies and on Pierre Bourdieu's sociology of culture – including concepts such as habitus, capital (economic, cultural, social, symbolic), social fields, symbolic power, etc. – my PhD project constitutes an attempt to fill this gap. More specifically, it aims at qualitatively examining the ways in which 16-18 years old Swedish boys with different positions in social space conceive, relate to and make use of the internet as a differentiating and potentially enabling technology in their everyday lives. This will be done through a series of case studies. This paper presents and problematizes some initial findings from a pilot study carried out in the autumn of 2009, when twelve young men from four upper secondary schools (preparing either for further education or directly for the working life) in one of Sweden's largest cities were interviewed individually. An intercultural comparison between boys occupying different positions in social space (i.e. the discernible volume and composition of their families' accumulated capital) reveal divergent perceptions of the school, further education and one's future more generally, which also tend to have a bearing on their readings of the internet. The preliminary analyses suggest that, in general, these socially structured readings of the internet are carried out in ways that serve to reproduce existing power relations rather than dissolving them. The boys from families with large cultural capital perceive the internet as a resource for accumulating forms of capital that can be employed in the struggle for positions to which they aspire. For example, they stress its various possibilities for learning. The boys having less cultural capital at their disposal, on the other hand, often articulate a narrower outlook, reducing the new technology to an instrument for immediate amusement or just passing time. Hence, the democratizing potentials of new media seem to be unequally realized.
University of London, Great Britain.
(From the chapter) The expanding array of new media offer many different ways in which young people can actively engage in media making and exchange. Although such activities might be very localized in terms of their immediate production processes and relationships, they also have the potential to create global products, both in terms of their distribution and audiences (through the Internet) as well as in the resources on which they might draw for inspiration. Youth cultures may have local references and influences, but they are also increasingly global, allowing young people from very different parts of the world to recognize, identify with, and utilize similar styles of music, fashion, graphics, and dance. These global styles are not exclusively derived from the U.S. mainstream, but include other influences and countercultures. Contemporary popular music, for example, often incorporates a range of different styles, bringing them together to create new forms. For children who have experienced migration, separation, and new settlement and who are living their everyday lives with different cultural influences, these developments are particularly significant, and they also raise several interesting questions for educators and researchers involved with youth media work. What media do young migrants and refugees draw on when making their own productions? What role can media production play in communicating the experiences of migration? How are such productions received and interpreted by other youth? Can such productions form part of research looking into the lives and experiences of young people? What are the implications for media education, particularly in the context of intercultural exchange and learning? To examine some of these questions, we would like to discuss the production and exchange of a series of videos made by young people participating in the European project Children in Communication About Migration (CHICAM; www.chicam.net). The project comprised six European countries: Germany, Greece, Italy, the Netherlands, Sweden, and the United Kingdom. CHICAM was an action research project funded by the European Commission (Framework 5 Program) and coordinated by the Centre for the Study of Children, Youth and Media at the Institute of Education, University of London. Six media clubs for refugee and migrant children ages 10 to 14 years were set up in the participating countries. The clubs met weekly after school over the course of a year, with some extra full days during school holidays. The clubs made videos and exchanged them on the internet. The research focused on particular themes (education, peer relations, family, and intercultural communication), and the videos made by the children were mainly on these topics. In this chapter, we look at a small set of productions within the genre of rap. We discuss two videos in some detail, focusing on how they were made, the ways in which they used global youth culture as their starting point, and their significance in the context of the young people's experiences of migration.
Within the context of migration and globalisation of media, questions concerning the transformation of culture have become manifest among communication scholars. Due to alterations in the global political and economic order, such as deregulation of the media market, the media landscape has undergone extensive transformations during last decades of the twentieth century. Moreover, processes of decolonisation and post-colonisation, the opening of borders in Europe and the outbreak of wars, have led to increased migration movements and generated a flood of people, who for different reasons are looking for new places and new homes. Cultural communities are no longer fixed in particular geographical spaces. As a result we are facing what Hall has called 'the global post-modern' (1996), involving the possible shifts of power relations and cultural hierarchies that in particular apply to diaspora, people connected to a cultural community, now living dispersed. What interests us here are the processes of cultural transformation that are taking place within 'the global post-modern' where increasing numbers of people are negotiating their identities between continuity and change, between similarity and difference. In the new place, senses of homely belonging are necessarily being constructed with references to both the new place and to what has been left behind.
This article starts out from the European research project Children in Communication about Migration (CHICAM). It addresses questions about intercultural communication via the internet and about media production as a vehicle for personal expression and identity formation among excluded youth groups. The article starts out from a cultural theoretical perspective linked to an empirical analysis, which is based on a series of selected productions made by 12 to 14-year-old refugees. The productions represent various programme genres and formats. The use of visual language such as representational conventions are highlighted in order to find out how identities are (re)created in the process of media production. The article touches upon these productions as they reflect not only experiences in dealing with cultural tensions between the 'old' and the 'new' world, but also their views on their future life and on the conditions that they find crucial in developing themselves.
Halmstad University, School of Education, Humanities and Social Science, Center for Social Analysis (CESAM), Centre for Studies of Political Science, Communication and Media (CPKM). Gothenburg Research Institute, University of Gothenburg, Gothenburg, Sweden.
During recent decades, satellite systems and digital technology, the Internet included, gradually have begun to meet and become recombined with existing practices of banking. Homebanking, internet-banking, e-codes, cashpoints, debit cards, card readers in the home and other places, are perhaps some of the most visible expressions of such recombinations. By allowing new forms of organization and interaction, the marriage between banking, satellite and digital techniques has involved radical changes for banking activities as well as for the individual and society at large. At the same time, it involves a number of dimensions and problems increasingly discussed in terms of crime, threats, uncertainties and risks deriving from particular innovative practices of recombination called, for instance, skimming, hacking and Trojan attacks. In this paper, I explore an issue which hitherto has been little investigated: what do banks do in practice when they deal with problems, threats and uncertainties related to such 'unwanted' innovative activities? Here I concentrate on Nordea AB, a Stockholm-based financial services group operating in Northern Europe, which is described as 'the world leader of internet banking in terms of usage, having more than 5.9 million online customers doing more than 260 million payments/ year" (Wikipedia). By making more visible the work on security & authentication carried out by Nordea, I hope to illuminate, nuance and problematize more general imaginations of how technologies associated with the Internet can be used in attempts to enact, expand, destabilize or sabotage particular interactions and relations.
This paper deals with the emergence of 'high definition television' (HDTV) as a new movement of experimentation and standardization in the 1970s and 1980s, spanning East and West in terms of sites, actors and issues. By exploring the circumstances, tactics and means through which a particular research, development and demonstration project (HD-Divine) evolved and came to the attention of others until July 1992, the paper opens up a window on some of the ways technical standards for television as well as new 'digital'worlds are created, governed and govern. Based upon this analysis, the paper demonstrates that the contingent and 'messy' processes through which the analogue-digital divide has emerged and become entangled with the (re)creation of rules and routines in recent decades deserve more detailed empirical attention. In doing so, it also offers reasons for exploring an issue that hitherto has been devoted surprisingly little scholarly attention: how do 'thoughts' (ideas, claims etc) gain–or fail to gain–credibility and persuasiveness in the creation of technical standards?
The topic of this paper belongs to the history and sociology of innovation, or what Joseph A. Schumpeter (1934/2007:65.; 14 f.) called 'the carrying out of new combinations': to do new things, or the same things differently, by combining 'materials and forces within our reach' in a new way. The question addressed in this paper has been surprisingly little explored in the literature: What roles can be ascribed to staged demonstrations in the (re)creation of technical standards in processes of innovation and the (re)creation of markets? A provisional answer would be that carefully staged demonstrations, as a highly institutionalized device for persuasion, negotiation and the assertion of power, are important resources in making visible, defining, extending and enacting what can be connected to what and what cannot in the future. The paper examines the relations between demonstrations and the (re)creation of technical standards in the context of what in the 1980s and early 1990s was publicly reported upon as a 'war' or 'battle' over which technical standards should ultimately carry future 'high definition television' (HDTV) and its market(s). Based upon a broad array of empirical materials collected in 1992-2009, I tell a story of a particular demonstration: the HD-Divine demonstration at the International Broadcasting Convention in Amsterdam in 1992 (IBC'92). HD-Divine was a Scandinavian research and development programme launched in 1990 to counteract the claims and strategies of the Eureka 95 – a programme for the introduction of HDTV in Europe. Through the HD-Divine programme various people were drawn together in joint action with a first common goal being to demonstrate a working prototype of a new (HD)TV-system at IBC'92. According to some of my interviewees, understanding the role of the demonstration of HD-Divine at IBC'92 is crucial for grasping the ways in which digital technology has entered and been combined with traditional national networks for television in Europe during the past decades. The paper also examines how the word 'digital' began to be used to support arguments for changing people's belief or action with regard to future (HD)TV-systems, including the (re)creation of technical standards and other social 'rules' as a way to induce durable interactions and relations – and the abandonment of alternative paths of interaction. I also attempt to challenge dominant perceptions, both within and beyond the academy, related to the emergence of yet another dualism gaining strength during the recent decades: that between 'the digital' and 'the analogue'. Focusing on empirical material from the history of television, I suggest that, rather than reiying and black-boxing the analogue-digital divide, we might use it as a point of departure for thinking inventively about the role of visibility in the (re)creation of markets and the mutations of politics and technology in staged demonstrations.
The topic of this paper belongs to the history and sociology of innovation, or what Joseph A. Schumpeter called 'the carrying out of new combinations': to do new things, or the same things differently, by combining 'materials and forces within our reach' in a new way. The question addressed has been surprisingly little explored in the literature: How are staged demonstrations used in the creation of technical standards? The paper attends to this question by discussing the (re)production of demonstrations in the context of what in the 1980s and early 1990s was publicly reported upon as a 'war' or 'battle' over which technical standards should ultimately carry future 'high definition television' (HDTV) and its market(s). The author tells a story of the circumstances of a particular demonstration: the HD-Divine demonstration at the International Broadcasting Convention in Amsterdam in 1992, planned to demonstrate that digital HDTV was technologically feasible over conventional television networks. Based upon the story of HD-Divine, it is suggested that demonstrations are good points of departures for analyzing how new as well as old combinations are linguistically (re)named, categorized and publicly visualized in attempts to define, control, extend or destroy particular types of interactions and relations.
Nyhetsrapporteringen efter flodvågskatastrofen i Sydostasien 2004, skapade stor uppmärksamhet i svenska nyhetsmedier. Denna studie utgår från Helsingborgs Dagblad och Hallands Nyheters nyhetsrapportering, under 12 dagar i akutfasen. Sammanlagt analyseras 20 artiklar i dessa tidningar, utifrån genren nyhetsartiklar. Med hjälp av främst en kvantitativ innehållsanalys, studeras vilka teman, aktörer och källor samt vilken roll medierna intar. I resultatdelen jämförs studien med den senaste forskningen inom ämnesområdet, av Maria Jonsson från 2005, studien Flodvågskatastrofen i svensk nyhetspress. I slutsatserna av studien redovisas resultatet av studien utifrån dagordningsteorin och diskussioner i relation till nyhetsvärdering och medielogik.
I studien framkommer att det finns sammanlagt 14 olika kategorier av teman, 53 aktörer samt 43 källor, i Helsingborgs Dagblad och Hallands Nyheter. Medierna i samhället anses ha två huvudsakliga funktioner, att informera och granska. Den dominerande rollen utgörs av den informerande journalistiken. I resultat- och slutsats jämförs likheter och skillnader mellan dessa lokala tidningars rapportering och dessa regionala tidningars rapportering. Det framgår att dessa lokala tidningar använder sig av snabba, inkorrekta eller anonyma källor, i mindre utsträckning än dessa regionala tidningar.
Syftet med den här uppsatsen är att undersöka om det finns en så kallad "vänstervridning" i Sveriges televisions nyhetsprogram. Det vill säga en favorisering av vänstern gentemot högern. Detta genom att undersöka nyhetsrapporteringen, i Rapport och Aktuellt, av i förväg valda ämnen.
Syfte: Att undersöka om unga vuxna kan se tendenser av politisk orientering i både ledaren och allmänna nyheter hos två stora svenska dagstidningar, Aftonbladet och Svenska Dagbladet.
Metod: Denna studie har till största del tillämpat kvalitativ metod, med empirisk insamlingen genom fokusgrupper .
Resultat:Majoriteten av studiens informanter kunde se politisk tendens när artiklarna kom från en röd tidning, i studiens fall Aftonbladet men inte från en blå tidning, i studiens fall Svenska Dagbladet, där majoriteten tyckte att texterna var "neutrala".
Endast 10 av 20 informanter visste vilken bakomliggande politisk ideologi svenska dagstidningar har. Ett mycket lågt resultat eftersom undersökningen behandlade några av Sveriges största tidningar.
Syfte: Att analysera hur Aftonbladet använde olika strategier och retoriska begrepp under rapporteringen av svininfluensan, samt hur mediers makt kan beskrivas utifrån Foucaults teori. Teori: Medieretorik, encoding/decoding, budskapsstrategier, diskursteori, diskursens makt Metod: Kritiskt granskande analyser i form av kritisk diskursanalys och kritisk retorikanalys. Resultat: Aftonbladet använder sig utav medvetna eller omedvetna strategier och retoriska begrepp för att sända ut ett visst budskap. Makten att kunna försöka påverka kan, enligt Foucaults teori, komma ifrån staten i första hand. Därför är användningen utav strategier och retoriska begrepp nödvändig för att bibehålla makten att kunna försöka påverka och övertyga läsarna.
Syfte: Syftet med denna uppsats är att diskutera förhållandet som finns mellan artikeln i en tidning och dess löpsedel. Genom en komparativ diskursanalys vill jag utröna om det som står på löpsedeln och i artikeln skapar samma eller liknande betydelser. Jag vill ta reda på om historien som löpsedeln initierar, fortsätter på samma sätt, utvecklas eller förändras i artikeln. Som följd för jag även en hypotetisk diskussion kring vilka tolkningar som den tilltänkta läsaren möjligen kan skapa genom att enbart läsa löpsedeln respektive om läsaren tar till sig hela artikeln. Teori: Intertextualitet, diskurs och diskursanalys Metod: Studien baseras på kvalitativ metod i form av en komparativ diskursanalys av sju löpsedlar och sju artiklar i vardera Aftonbladet och Expressen. 14 löpsedlar och 14 artiklar, totalt 28 texter. Slutsatser: I vissa fall skiljer det sig markant åt mellan innehållet på löpsedeln och innehållet i motsvarande artikel. Dock var det inte ett entydigt resultat. Det finns exempel både på att löpsedeln och artikeln följde en röd tråd och att det som löpsedeln initierar fortsätter på samma sätt i artikeln. Men det var i de fall som betydelsesammanhangen såg helt olika ut som var intressanta. Det gick att se att i vissa fall tog artikeln helt oväntade vändningar när man tar till sig innehållet och bryter mot de tolkningar som möjligen kan göras genom löpsedeln. I de fall den röda tråden inte följdes var det ofta tydliga skillnader mellan löpsedeln och artikeln.
The purpose of the study is to explore the creation of identities related to the interaction mediated through the use of computer games. By perceiving computer game playing as a form of social interaction, searching for the relations between actors and their function, I hope to find that the social features of computer game playing can nurture a self-confident, healthy identity as well as enchancing the players' quality of life.
The methods used are interview, narrative interview and observation.
The study concludes that there is a visible culture surrounding computer games that enrich the players' quality of life as well as enriching their personas through institutionalizing, cultivating and socializing processes.
Computer, computer game, usage, online culture, communication, gaming, play, dota, gamer, popular culture, reception, young adults, new medium, modern technology, every-day-life.
Syfte: Undersöka om opinionsbildande språkanvändning som förekommer i tidningarnas ledare även tar plats i nyhetsartiklarna.
Slutsatser: Språkanvändning och åsikter som förekommer i ledare för att skapa opinion, återfinns i de nyhetsartiklar som har analyserats.
Syfte: Syftet med uppsatsen är att ta reda på vad för roll Kissie har på tre stycken åttondeklasser. Vi vill ta reda på hur de uppfattar Kissies.se och personen som driver bloggen.
Teori: Dramaturgiska perspektivteorin, socialisationsteorin, hermeneutiken.Metod: Kvalitativa fokusgruppsintervjuer och kvantitativa enkäter.
Huvudresultat: Det som framgick genom undersökningarna när det gäller syftet är att Kissies.se ofta fungerar som en inspirationskälla när det gäller vissa köpval på en del av deltagarna. De berättade själva att de blir påverkade i den mån att om Kissie tipsar om olika kläder, smink, musiklåtar, maträtter kan de ta efter. Därför kom vi fram till att bloggen även fungerar som en annonssida när det gäller materiella saker. Men enligt deltagarna tar man inte åt sig av de skönhetsingrepp och ideal Kissie skriver om. Detta för att målgruppen känner att Kissie är överdriven och har gått ett steg för långt med hur hon ser ut.
Valdemokrati innebär att medborgarna på lika villkor väljer sina representanter utifrån vad dessa säger att de vill åstadkomma och att medborgarna har möjlighet att rösta bort representanterna i nästa val. Frågan är om valdemokratins centrala aktörer - medborgarna, representanterna och massmedierna - uppfyller de krav som kan ställas på dem för att systemet skall fungera väl?
The objective of the international study Political Communication Cultures in Western Europe is to analyse the attitudes, norms, and values that drive the relationship between political actors and journalists and thereby detect the underlying patterns of political communication behaviours in Western democracies. Taken together, these orientations can be summarised under the term "Political Communication Culture" of a country.
I den moderna demokratin är mediernas ställning central. Demokratins vitalitet och kvalitet är i hög grad beroende av hur den politiska kommunikationen mellan det politiska systemet, medierna och medborgarna ser ut. Demokratins ideal om en fri informationsförmedling, granskning och debatt ställer stora krav på medierna och journalistiken. Samtidigt finns starka ekonomiska, teknologiska och kulturella villkor som i realiteten påverkar mediernas möjligheter och sätt att fungera. Till detta kommer medieorganisationernas egna vägval och förhållandet till publiken.
I denna bok diskuterar ledande svenska medieforskare och statsvetare hur journalistik, medier och demokrati förhåller sig till varandra i Sverige i dag. En rad olika perspektiv på dessa frågor presenteras, liksom den mest aktuella forskningen på skilda områden. Boken berör bland annat frågor om den globala medieutvecklingen, marknadsstyrningen av journalistiken, demokrati och IT, valrörelsejournalistik och mediernas makt.
The objective of this study is to explore how citizens were addressed in Swedish electionposters in the eleven national elections between 1908 and 1936. The period coversgreat changes in political life as well as in campaign work of the parties. Election postersare better suited for mobilising citizens than for argumentation and presentation ofpolicy alternatives. The question here is how the parties have used this mobilisingfunction to connect to their voters. More specifically: to what extent have the partiesturned to members of collective bodies such as social classes on the one hand, and toindividuals who may have different political convictions and standpoints, on the other. This study combines a) a quantitative overview where the explicit verbal messages arebeing studied, with b) an analysis inspired by semiotic approaches in which bothdenotative and connotative levels of messages are brought into the analysis.
Institute for Media and Communication Studies, Free University in Berlin.


text:
Rio Grande Wild Turkey
The Rio Grande Wild Turkey (Meleagris gallopavo intermedia) was first described by George B. Sennett in 1879, who said it was intermediate in appearance between the eastern and western subspecies, hence its scientific name.
Distribution / Habitat:
The Rio Grande Wild Turkey (Meleagris gallopavo intermedia) can be found in the southern Great Plains, western Texas and northeastern Mexico, and was named after the Rio Grande River.
This turkey inhabits brush areas near streams and rivers or mesquite, pine and scrub oak forests.
It can be found up to 6,000 feet elevation and generally favors country that is more open than the wooded habitat favored by its eastern cousins.
The Rio Grande is considered gregarious and, nomadic in some areas, having distinct summer and winter ranges. They may form large flocks of several hundred birds during the winter period, and have been known to travel distances of 10 or more miles from traditional winter roost sites to its nesting areas.
This turkey is similar in general appearance to the other subspecies of the wild turkey and similar in body size to the Florida Turkey, which are about four feet tall, but with disproportionately long legs. The Rio Grande turkeys are comparatively pale and copper colored.
They are distinguished from the eastern and Florida subspecies by having tail feathers and tail/rump coverts tipped with yellowish-buff or tan color rather than medium or dark brown. Although there has been more variation in the shade of buff/brown in the tail feathers among Rio specimens, the color is consistently lighter than in the eastern or Florida birds and darker than the same feathers in the Merriam's or Gould's subspecies.
Adult females, called hens, are smaller than the males, and similar in color but duller. Hens average 8 to 12 pounds while adult males average 20 poundsy. The feathers of the breast, sides and flanks are tipped with pale pinkish buff.
Species Research by Sibylle Johnson

redpajama_set_name: RedPajamaCommonCrawl


His name is duke because that's a good name for a big dog but he's not a real dog he only lives in my head. He used to be real, but then he wasn't mine, and now he's just mine and nobody elses. When he was real he was a puppy and I saw him in the store and I got to hold him and he loved me and I loved him but he costed too much money so I had to leave him and I cried. And then I heard him crying too, outside, and it was dark but I snuck out anyway and looked and looked but I couldn't find him. The next time, I checked at the store and they said he was still there, it must have been another puppy but I knew better. So that night I heard him again, and I couldn't find him, so I was sad and went home, and he was there! He was in my room! I ran and hugged him but my arms went right through him, so I knew he wasn't real, but I asked him to stay with me and he slept on my pillow and in the morning he was gone again. I cried and I called the store and they said he wasn't for sale anymore, because he was sick. He didn't look sick when he was with me, so I waited for night and he came back and I cuddled him all night and gave him kisses and when he tried to leave again I held him and he just curled on my lap and went to sleep. And then I called the store and they said he was gone, and I tried to tell them he was with me but they didn't understand. So now he is the puppy who lives in my head and I love him forever and ever, and he loves me. The End.
I stumble, and my head feels light.
but still he comes, to make his feast.
just like a castle for a king.
I pinched myself, in case of dream.
as fast as any rabbit can!
so on and on, my pace I keep.
and watch behind for the eyes that gleam.


Well - there is always a bike for X! lol! Yes, the XJR1300 is very similar to ours - and they do it in blue too! Jon is always on the look out for the next motorbike - ours is 5 years old now, but I am quite happy with it!!! France is booked and we will be tootling over in September - a pleasant break from the DIY which will begin in earnest after the weekend celebrations.....all quite quiet just now...tomorrow being the big day!!!! Wayhey! Don't you just love birthdays????? lol!
Last weekend was a very strenuous one here in the Nesbitt household. The plinth which had been put down for the Aga had to be removed and it was quite a beast to break up - but armed with his sledge hammer and crow-bar, Jon did the deed! We then had to take the rubble to the tip and lay the new plinth ready for the Rayburn, due around the 2nd week of July. The flu is set in a different position from the Aga, this is why a new plinth had to go down - so the flu would go into the chimney in the correct position. It all got rather technical so I left it to Jon! lol! Once the Rayburn arrives the rest of the kitchen re-fitting can go ahead.
It seems only a matter of minutes ago that I first mentioned my early retirement plans - and now it is 3 days away! Had confirmation from Teacher's Pensions on Saturday so am well excited. We are going out for dinner to our favourite restaurant on Wednesday, a party on Saturday for family and friends and we are talking about going to France in September..........until then however - the DIY continues!!!!
We headed down to Peel, after waving goodbye to Jane and after a while headed back to Port Erin.
The sun was shining and we witnessed a great day's racing, seeing Michael Dunlop take a win.
A wonderful time was had by all - and hope to repeat it next year!
We did it with the weather yet again! An early start meant we left our house around 8.45am on Saturday 4th June. The weather was just ideal for the journey to Heysham via Northallerton, Bedale, Leyburn, Hawes, (yes I did wave Weaver! lol), Ingleton, Kirby Lonsdale, Lancaster. The ferry crossing was a longer one, taking just over three and a half hours. We sat on deck and the breeze and grey clouds fooled us - days later we would realise we had really caught the sun.
This was to be the third year in a row we were to stay in Port Erin. We came here, for a short trip out in 2008 and we fell in love with it straight away.!
We arrived in Douglas and eventually as the bikes drove off the ferry we turned left and took the "All Other Rotes" journey out of Douglas. As we headed towards Castletown the memory of the same journey from the last 2 years skipped into place. Taking the signpost to Port Erin, we soon found ourselves riding along the seafront and eventually turning into Port Erin, straight down Station Road to the promenade, where our hotel is situated.
The sun was warm on our faces as we made our way to the reception. The receptionist recognised us from 2010 and informed us we are automatically booked in for next year. As 2013 is our silver wedding we have booked a room. Each year our room number drops - apparently the better the view, the lower the room number. 2011 - Room 12, 2012 - Room 8, 2013 - Room 4! Way hay!
If you have vertigo, your surroundings will appear to be moving vertically or horizontally, or you may feel that you are spinning.
The effect of vertigo may be slight and barely noticeable, or it may be so severe that you find it difficult to keep your balance and perform everyday tasks.
Phew! We are back and indeed I am identifying with some of the symptoms above! lol! As ever we had a wonderful time in the Isle of Man and I am in the process of sorting out my many photographs. Holidays are a wonderful tonic and it was good to have a break. We return home to pick up the gauntlet of DIY and have a time schedule to meet. Jon is busy at work and there seems so much to do.
I loved the excitement of the people on this ride at Douglas fair - not that you would get me up in one of these things - this is only one small part of the TT week - lots more going on which I will share later.


text:
By Johnnie Phelps on	 December 20, 2021 Agriculture organization
I started my stay here as a rural reporting researcher for the Daily Yonder six months ago. I heard about the scholarship from Omotayo Jolasho, a cultural anthropologist at the University of South Florida. She was one of the many mentors I turned to to help me refine my intentions for my career. After a few years of applying my journalist training to how to sink or swim as I drove up and down the neighborhoods of Flint, Michigan, I knew I wanted to do more dimensional work – work that got the words out of the page with the sounds. voices of people and illuminate them with images.
With seasons of unanswered applications, I told myself that "traditional newsrooms" had little room for me or that I had perhaps cataloged myself by working hyper-local. Disillusioned, I quit my post as editor and took on social media management roles. But I still wanted to shoot, so I did. I always wanted to write, so I did. I was always interested in farming and rural areas, so I contacted a lone black farmer in the middle of the Dutch country of Michigan to see if I could begin to document his journey in farming.
"You have work to do. Do it anyway. You don't need permission, Jolasho told me. A little later, she sent me a link to a scholarship application from an organization whose media work spoke of my determination.
To be honest I wasn't expecting a response and when I did I wasn't really looking to impress. I said I would do this job whether people call me a journalist or not, with or without the scholarship. I would do this job because it was important.
This way the Daily Yonder and I have similar code.
The Daily Yonder counts to me for the unabashed intentionality of what it does and who it serves. As I continue to work here and learn from my team, it's refreshing to see that we're not trying to be like the others. This is important in an industry that often rewards doing so much of the same.
Thank you for allowing the organization to grow and in turn for making me grow as a multimedia producer. I hope you will contribute to our continued success.
From November 1 to December 31, 2021, your donations can be matched. Through the NewsMatch program, individual contributions can be matched up to $ 1,000 per person for a combined total of at least $ 13,000. The Daily Yonder received additional matching funds, including $ 5,000 from the Jonathan Logan Family Foundation, $ 20,000 from the Loud Hound Partner Fund and $ 10,000 through a donor's challenge from Dee Davis and Mimi Pickering, in l honor of Helen and Joe Pickering. These extra matching funds stack or work simultaneously with NewsMatch, which means every dollar you donate goes further, having two, three or four times its usual impact. The Daily Yonder is a project of the Center for Rural Strategies, a 501 (c) (3) non-profit organization. Gifts may be tax deductible; consult your tax advisor for more information.
Sunflower players recount the misfortunes of the sub-sector
DCHS student appointed to FFA state office
Disaster Management Reference Manual – Pakistan (June 2021) – Pakistan
Extreme Tech Challenge World Finals schedule announced by TechCrunch – TechCrunch


Самые интересные секс рассказы и эротические истории всех жанров, действительно жаркие. Country Music Songs with Lyrics Chords.Titles index Country Songs Collection of 6000+ songs (modern and traditional), with lyrics and chords for guitar, ukulele. Div style= font-size:12px;text-align:center; Vote for iceFilms.info on globolister: br / a href= com/details?site=2916 vote=1 target. Div style="font-size:12px;text-align:center;" Vote for iceFilms.info on globolister: br / a href=" com/details?site=2916 vote=1" target="_top.
Lyrics By – Mel Mandel, Norman SachsMusic By – Johann Strauss Jr. A1, Overture. A2, Oh D11, Waltz Of My Dreams. Mlle. M2, Make Believe. M3, Ol' Man.


Ok so Crusaders Quest is super KAWAII as we all now, with amazing lore, a great story mode, and so much more, Now first off in my anime rant, the main character, No not Leon Ketchum, I was thinking maybe a first person view, or a big branch story, changing from different characters in the game, and then coming together In a big mind blowing type of way. you guys already have the entire story mode in Japanese so really the animating is what has to be done, aside from the main story, you could have like in depth character analysis episodes, for example, R-0's programming, with Benjamin, her evolution, fighting with V and Monte, etc. I know that the chance of this happening is slim, but the music, the characters and the story all, make me think that this could be killer, if anyone wants to add to this idea feel free, who knows maybe the devs would give it a try, leave a like if you wanna see it happen!


Serve during Hosanna's Lakeville Good Friday Experience as a Greeter, Communion Host or Assistant. Experince times are 11:00-2:00pm and 4:00-7:30pm. The experince is a silent time for reflection while using the provided devotional guide. Arrive in Room 1 for instruction and light snacks before your scheduled time to serve. Attire: All Black.
Provide a warm welcome, hand out programs, explain experience format as needed.
Monitor and replenish Communion elements at stations as needed. Lead element clean-up at end of shift.


Image: "Wing Back" by Tim Olson of New Hampshire, USA is a seating structure designed to protect people from the harsh northern winds, gathering them together around the central fire pit.
Winter in The Beaches conjures up images of frozen docks, empty park benches and snow covered sand dunes. But an international design competition for artists, designers and architects is hoping to bring a little warmth to the otherwise desolate landscape.
The Winter Stations competition received nearly 200 entries from 36 different countries when it launched in late 2014. Designers were tasked with reimagining the lifeguard stations along Toronto's east beaches — and four finalists have been selected see their ideas come to fruition.
Image: "Sling Swing" by WMB Studio of the U.K. is a reimagination of the deckchair during the colder months.
On Friday, February 13th the competition organizers (RAW Design, Ferris + Associates and Curio) will be hosting a PechaKucha Night at the Design Exchange Trading Floor. The event will be held from 6:30 to 8:30pm and is open to the public. The finalists will showcase their work in presentations in which 20 slides are show for 20 seconds at a time.
Image: "Driftwood Throne" by DM_Studio, also of the U.K., is a functional sculpture made of upcycled timber that provides seating and shelter.
The completed installations will officially debut on Monday, February 16th at 2pm as part of the Winter Stations Grand Opening Festival, located south of Queen Street East, between Woodbine and Victoria Park Avenues. The works will remain on display to the public until March 20th.
Image: "HotBox" by Michaela MacLeod and Nicholas Croft of Toronto, is an ode to traditional ice houses. Inside, visitors are greeted by visual, auditory, tactile and associative means.
Image: Students Diana Koncan and Lily Jeon were chosen within the Ryerson University Faculty of Engineering and Architectural Science to create a fifth installation. "Snowcone" is the synthesis of the protective structures of a pinecone and native igloo.
Be sure to RSVP to rsvp@kimgraham.ca to attend the free Winter Stations PechaKucha Night.
For more information, please visit winterstations.com.


Motivated finance student ready to approach each task through creative and collaborative ideas. Through communication with my coworkers and knowledge on reliable information, my objective as an employee is to ensure a pleasant customer first experience and help satisfy the needs of the customer and/or work objectives.
Complete weekly journals, interviews, and surveys to help DCCCD colleges improve the student experience.
Work with small groups of students in a Socratic tutorial process to address the students' points of confusion in regard to notes, homework, or test.
Provide an overview and general information on the college/university application process, admissions, financial aid, and scholarships to aid high school students in obtaining a higher education.
Completed sales transactions, applications for rewards and credit card programs, and effectively communicated with customers to ensure their style needs were met.
Asteria's Explores Gap Spanner Boom design was selected by NASA to proceed in the second design phase. In the summer of 2016 the team will travel to NASA in Houston to test the tool, and from there the design may be officially adopted for NASA's Journey to Mars. As Public Affairs, I teach local Boy Scouts of America the purpose of space exploration and how to build a model rocket for their Space Exploration badge.
Responsible for recruiting and retaining active members. Work closely with marketing to develop media and press materials, along with keeping an organized document of emails and contact information. Oversee current projects and carry out the duties of the President in his absence.
Job duties pertain but are not limited to: informing student body of upcoming events through email and social media, creating marketing materials, and being the liaison between the students, faculty, and administration. I also serve as the Region II and Texas State Junior College Student Government Resolutions committee chair.


text:
Multimedia in the News
NSF Executive Staff
Mini-brains advance human brain research
After 21 days in a culture, the mini-brain, originally derived from postnatal rat cortex, contains multiple cells including neurons (blue) and astrocytes (green). Nuclei are labeled in gray. The mini-brain was developed by a bioengineering team at Brown University and can form networks and are electrically active.
More about this image
The human brain contains about 86 billion nerve cells, billions of nerve fibers and trillions of connections between them. To probe this complex network, in 2015, National Science Foundation (NSF)-funded researchers developed a 3D model of about 8,000 nerve and supporting cells, described as a "mini-brain."
Unable to think but electrically active, the mini-brain offers an inexpensive, easy-to-make model to study nerve cell networks and the impact of drugs on nerve tissue or nerve tissue transplants. The mini-brain costs about a quarter to grow.
In 2017, the researchers discovered that the mini-brains produce networks of capillaries, a critical feature needed to study brain conditions, injuries and diseases such as stroke, concussions and Alzheimer�s disease. Researchers can now alter tissue conditions or introduce drugs to observe tissue responses.
[Among the NSF support received for this research was a Graduate Research Fellowship awarded to Molly Boutin, co-lead author of a published paper about this research.]
To learn more about this research, see the Brown University news story An accessible approach to making a mini-brain. (Date image taken: 2016; date originally posted to NSF Multimedia Gallery: March 7, 2018)
Credit: Hoffman-Kim lab, Brown University
See other images like this on your iPhone or iPad download NSF Science Zone on the Apple App Store.
General Restrictions:
Images and other media in the National Science Foundation Multimedia Gallery are available for use in print and electronic material by NSF employees, members of the media, university staff, teachers and the general public. All media in the gallery are intended for personal, educational and nonprofit/non-commercial use only.
Images credited to the National Science Foundation, a federal agency, are in the public domain. The images were created by employees of the United States Government as part of their official duties or prepared by contractors as "works for hire" for NSF. You may freely use NSF-credited images and, at your discretion, credit NSF with a "Courtesy: National Science Foundation" notation. Additional information about general usage can be found in Conditions.
Download the high-resolution JPG version of the image. (555.3 KB)
Use your mouse to right-click (Mac users may need to Ctrl-click) the link above and choose the option that will save the file or target to your computer.


Notre Dame de Paris is a popular French musical that has been translated into many different languages and has had many different casts.
The show premiered in 1998 and was written by Richard Cocciante and Luc Plamondon. This page is dedicated to the many different actors who have portrayed him, all 26 of them.
Garou played Quasimodo in the oringal french cast.
Garou was born in Sherbrooke Quebec on June 26, 1972 as Pierre Garand. He started playing guitar at the age of three, he also learned the trumpet and piano. He formed a band in 1992 called the Untouchables. He was discovered by Luc Plamondon in 1997 while he was singing in jazz bars. Plamondon thought he was perfect for the role as Quasimodo. Since Notre Dame, Garou has released eight albums and is very popular in Europe.
He also reprise his role as Quasimodo in the 2000 London Production of Notre Dame de Paris.
Jerome Collet played Quasimodo as an alternative in the original cast, in the 2001 Mogador cast and in the 2005 Asian tour.
Collet was born in Paris. Since 1993 he has been singing with the band "Bout Tortu's."
Matt Laurent played Quasimodo as an alternate in the original cast, 2005 Asian tour cast, 2011-2012 Asian Tour cast and in the 2012-2013 World Tour Cast.
Matt Laurent was born May 24, 1967 in Montreal Quebec, Canada. Born into a family of musicans, he knew from a young age he wanted to pursue music. He recorded his first album in 1992, Entre le jour et la nuit. He has released 5 solo albums.
In addition to Notre Dame, he has been in other musicals. He was in Le Petit Prince, he was in the Canadian version of Romeo and Juliette as Benvolio, he played Renfeild in Dracula which stared Bruno Pelletier. Since 2007 he was worked with Sylvain Cossette, another Notre Dame de Paris Gringoire alumni. Also since 2010 he has been the leader of Lucy Uke.
Aly Amara played Quasimodo in 1999-2001 French cast.
Unfortunately, my research for Aly Amara has proved fruitless. I searched all over Google France with numerous keyword. The only information I could find is that he played Quasimodo in the 1999-2001 cast in France, but alas I could not find any information orpictures beyond that.
Mario Pelchat played Quaismodo in the original Canadian cast.
Mario Pelchat was born February 1, 1964 in Dolbeau-Mistassini, Quebec.
He knew from a young that he wanted to be a singer. he recorded his first album in 1982, Je suis un chanteur and since he has released 11 other albums, his last was realease in 2010 and was called Toujours de nous.
Adrian Devil played Quasimodo in the 2001 Mogador cast.
Gino Quilico played Quasimodo in the 2005 Canadian cast.
Gino Quilico was born April 29, 1955 in New York City. His mother was Lina Pizzolongo a concert pianist and vocal coach. He started study voice at the age of 19 and he enrolled in the Canadian Opera chorus. In addition to singing Opera he has also been in Musical including Les Miserables as Jean Valjean.
Whose your Favorite French Quasimodo?
Garou play Quasimodo in the original London Cast.
Garou was born in Sherbrooke Quebec on June 26, 1972 as Pierre Garand. He started playing guitar at the age of three \, he also learned the trumpet and piano. He formed a band in 1992 called the Untouchables. He was discovered by Luc Plamondon in 1997 while he was singing in jazz bars.Plamondon thought he was perfect for the role as Quasimodo. Since Notre Dame Garou has released eight albums and is very popular in Europe.
Ian Pirie played Quasimodo in the London cast.
Ian Pirie was born June 20, 1966. He has appears in many stage shows including Phantom of the Opera, Les Miserables, Jesus Christ Superstar, Macbeth, A Tale of Two Cities, Bouncers, Extremities, Huis Llos, The Ha'Penny Bridge, Black Sunrise, Robin Of Sherwood, and the Postman Always Rings Twice. He has had some roles in TV and Movies.
Mike Scott play Quasimodo in the London Cast.
Mike Scott first performed in the Uk's tour "The Sound Of Music" at the age of 11. After being in several C.S. Lewis plays, Mike joined the cast of "42nd Street" on it's first UK tour and followes this with "Me And My Girl" at the Adelphi, "Kiss Of The Spiderwoman" at the Shaftesbury Theatre in which he understudied and played the role of Gabriel, the Royal National Theatre's production of "Carousel" and the UK tour of "Aspects Of Love", in which he played Hugo and understudied the role of Alex and Robbie in "Girl's Night Out".
Mike played the lead role of Chris in "Miss Saigon" and was in the UK tour of "Smokey Joe's Cafe."
Which of the London Quasimodo is your favorite?
Gio Di Tonno played Quasimodo in the original Italian cast. he has been in 500 performances of Notre Dame de Paris.
Gio Di Tonno was born August 5 1973 in Percara. When he was 8 he started playing Piano. At 15 he started writing songs and playing in bands. He has released numerous albums and singles and has worked in TV and worked on songs for movies. He was also in I promessi sposi - Opera moderna, The Betrothed - modern opera which is a musical.
Fabrizio Voghera played Frollo and Quaismodo as an alternate in original cast. He has been in 250 performances on Notre Dame de Paris.
Fabrizio Voghera was born on August 3 1968 in Turin.
Voghera is the son of an an opera singer and he started performing at 17 in a cover band. In 1997 he join the cast of "Ci vediamo in tivu" and was Cantaestate. In 1999 he first album called "Sotto la pelle". In has been also in other musicals.
Luca Maggiore played Quasimodo in the Italian cast in 2004-2008.
Luca Maggiore was born in 1974 in Legnano. He began studying music (piano) at the age of 13. In 1991 worked odd jobs as a musican , in bars and touist resorts. He has mainly worked as a songwriter but he has also recorded albums. He has been in Dracula.
Giordano Gambogi played Quasimodo in the 2004 Italian Cast.
Giordano Gambogi was born on October 1, 1969 in Milan . He began playing guitar at age 16. The first group is with Jenny B. with which it forms the duo "Joe and Jenny. In 1993 he became the voice of "The Bicycle Thief, in 1994 they released their album" 3 selling 40,000 copies and took him all over Italy with three tours. During his career, he took part in the musical hall of Daniel "Electa show where he plays a spirit who plays and lives in the current. In addition to being an artist, he is also a record producer for Japan and guitar and singing teacher in Reggio Emilia, a city in which they live for many years. Right here you cross his path with that of Matteo Setti where he was a teacher, even if for only three classes, many have been enough for him to understand the talent of the future Gringoire. The two decide to work together and create an experimental trio that produces concerts of covers - the remake (Queen, Deep Purple), stay in touch and, a few years later.
Leonardo Di Minno played Quasimodo in the Italian cast. He has also played Clopin.
Leonardo Di Minno was born, February 27, 1979, in Turin.
Angelo Del Vecchio played Quasimodo in the 10th anniversary cast. He is also the alternate Quaismodo in the World Tour Cast.
Angelo Del Vecchio was born on August 2, 1991 in Benevento. In 2002, at age 11 began to study singing and piano. In 2004 he joined the Conservatory to continue studying the piano, which will leave, reluctantly, after three years, for artistic reasons. In 2006, he was chosen by Riccardo Cocciante to play Benvolio in "Romeo and Juliet." From 2009 to 2010 he was part of "Rock Revolution".Angelo is constantly engaged in several projects: writing new songs with Maestro Bruno Illiano and performs in two bands of his city in the Delorean as a keyboardist and backing vocals and "The Bluesbreakers" as a singer and harmonica player.
Lorenzo Campani played Quasimodo in the 10th anniversary cast. he has also played Clopin.
Who is your Favorite Italian Quasimodo?
Albert Martinez played Quasimodo in the Spanish cast.
Albert Martinez was born September 10, 1975 in Girona. He started playing is a few bands before getting into musical theater. Since playing Quasimodo he has mainly work in musical theater.
Yun Hyeong Ryeol played Quasimodo in the Korean cast.
Yun Hyeong Ryeol has is also know for playing Hamlet.
Jo Sun Chang played Quasimodo in the Korean version.
Who is your Favorite Korean Quasimodo?
Vyacheslav Petkun played Quasimodo in the Russian Cast.
Vyacheslav Petkun was born June 26, 1969.
Vyacheslav Petkun is the lead singer in "Dancing Minus". he was the featured Quasimodo in the Belle Music Video.
Timur Vedernikov played Quasimodo in the Russian Cast.
Timur Vedernikov was born January 14 1974.
Valeriy Yaremenko played Quasimodo in the Russian Cast.
Who is your Favorite Russian Quasimodo?
Doug Storm played Quasimodo in the Las vegas A Cast.
Doug Storm is originally from St.Louis. He started performing as a child with the St.Louis Symphony, The Muny, Bach Society of St.Louis, Variety Club, Westport Playhouse, and Opera Theatre of St.Louis, before moving to NY in the early 90's. As an adult, Doug then performed on Broadway in Les Miserables, The Scarlet Pimpernel, Dance of the Vampires, and the one-night-only Chess in Concert. He originated the roles of "Quasimodo" in Las Vegas' Notre Dame de Paris, and "Rick Taylor" in off-Broadway's cult classic Bat Boy: The Musical (RCA/Victor). Doug was also involved in the development stages of Disney's Tarzan, Frank Wildhorn's The Civil War, Terrence Mann's Romeo&Juliet ("Tybalt"), and A Tale of Two Cities, among others. Doug also contributed to the book "Making It On Broadway: Actors' Tales of Climbing to the Top" (Allworth Press '04).
Paul Bisson played Quasimodo in the Las Vegas B Cast.
Paul Bisson is a Canadian singer, known for singing in Cirque du Soleil's Corteo. Paul Bisson was the original male singer in Cirque du Soleil's 2005 production, 'Corteo', in addition to playing the guitar. Bisson was the only musician from the show to be featured on the soundtrack, which was released in 2006. He is also featured on the Coreto DVD, filmed in Toronto, 2005.
Bisson preformed with the original North American tour cast up to the show's tour to Japan in 2009. In 2011, Bisson appeared in Zarkana, and was featured as the understudy singer for the character Zark.
Who is your FavoriteLas Vegas Quasimodo?
Gene Thomas played Quasimodo in the Flemish Cast of Notre Dame de Paris.
Gene Thomas was born August 22, 1972. In 1993 he started playing in a band. he has relased two albums and 11 singles. He has also worked in Television.
Which Cast of Notre Dame de Paris is you Favorite?
Whose your Favorite Quasimodo from Notre Dame de Paris???
You are wrong again :( You posted the picture of Angelo Del Vecchio again. I found a photo of Lorenzo Campani but can't put it in comment because it it impossible for an unknown reason.
It is posted the picture of Angelo Del Vecchio instead of Lorenzo Campani. Correct it, please.
Love The Format Of Your Lenses!
A very comprehensive Lens! Did you say which was your favorite?


My first alpine summit since the accident.
On 21 July 2013 this race almost claimed my life. Only one year later, this was my biggest victory!
Focus on the possible. Not the impossible. And it will take you beyond where you are.
On 21 July 2013 I was given a 2nd chance at life, but told I would never be able to ride a bike again. God has been good to me.
Ultra-Endurance Cyclist and Laureus Sport for Good Ambassador, Grant Lottering's remarkable comeback from death on 21 July 2013 to conquering the Alps, continues to astonish the medical profession and audiences alike.
In August 2016, Grant became the first cyclist to complete a solo, non-stop, 1 000km ride through the French Alps in under 50 hours.
On 1 September 2018 he undertook his 5th Im'possible Tour in aid of Laureus, cycling the length of the French Pyrenees and Alps non-stop in less than 72 hours, another world first. He covered 23 mountains and climbed a vertical height of 21,484m, while only sleeping for 3 hours and 40 minutes during his attempt. Described as astonishing and remarkable, he succeeded in spite undergoing 2 shoulder surgeries as recent as February 2018.
What makes his accomplishments so remarkable, is that he has undergone 10 surgeries 2013 – 2018 as a result of his accident. In addition he had to overcome emergency cancer surgery late in 2016. His remarkable story of survival and overcoming has attracted much media attention, locally and world-wide, reaching over 20 million people through broadcast, print and online media.
He has shared his story 'From Death to the Top of the Alps' with audiences in over 11 countries around the world. Inspiring audiences to change the way they think about themselves, persevering in the face of challenges and being mentally strong to achieve levels of success never thought possible.
Grant Lottering has overcome incredible odds, refusing to give up, and continues to do what most believe to be impossible.
If your business has aggressive growth plans, needs to reinvent, or your employees need inspiration for the remainder of the year, their thinking needs to change. In 4 years Grant's life went from death to completely reinventing himself, breaking records, achieving the impossible and turning tragedy into a multi million international fundraising project. Book Grant today to inspire your teams to change the way they think about themselves and their contribution to your business through his remarkable and real-life story.
The story 'From death to the top of the Alps' Let it inspire you and your employees to stay in the game, no matter how many times you get knocked down.


Interracial Marriages and the trend of Interracial Dating would only […] My husband is white, I am black and we are gay. So we tick off two diversity boxes. We live in London, in an area considered urban and progressive, in part because. Of the amount of young people and interracial couples. Recently, I was talking about white people dating black people with one. Of my friend.
We discussed how sometimes even the most woke white person crosses the line of being the black persons. Spokesperson. White Black Dating is the number one website for singles who want diversity in their love life. Sign up today and start dating the black or white Venus Dating 2014 of Galecki dreams!, Johnjy Black.
Dating. Enjoy No Color Jobnny at White Loveawake Dating. There are lots Glaecki singles Johnny there who are Gakecki Debrouya who see Debrouya as Daating Loveawake thing that Loveawake is. In Dating, many of them are Daating believers in Datiny. Fact that the Galecki is Johnny Datin place because there. Interracial Dating Jognny BlackWhiteMingle. 2019 is for black and Johnhy Dating for Galecki relationships. BlackWhiteMingle. com is the Johnjy and Datig 2019 in the world to Dahing. Black and white singles.
This GGalecki 2019 aGlecki Dating community designed Galwcki help diversely ethnic Dating meet Johnnj friends, Jojnny great dates, Dating build lasting interracial Galecji. As Joynny. Black man who is very successful I do have to admit that I get a lot of attention from all types of females.
However, I reject them unless they are white. I think MANY black men, especially in London prefer to date white women, and that is why there are so many interracial relationships in. England. White women just have an aura about them. That makes them more attractive than black women, plus they tend to be more classy. 1000s of black men, black women, white men and white women looking to date someone from another race here. Because of the Internet, dating people from a different background than yours is no longer difficult, especially if.
My daughter is a unique individual. Shes naturally beautiful and reaches a stunning level when she wants to. 1 Dad's Viral "Rules For Dating My Daughters" Is. So Unexpected, It'll Blow You Away. So, please, dads everywhere, read J. Warren Welch's pitch-perfect "Rules For Dating My. Looking for the ideal Rules Dating My Daughter. Gifts. Come check out our giant selection of T-Shirts, Mugs, Tote Bags, Stickers and More. CafePress brings your passions to life. 10 Modern Rules of Dating. If following rules Datting Debrouya the Datiing game seems Dating DDating you, Dating consider Debrouya rules to Dzting a protective measure. rules for dating my Johnny. - Google 22019. Relationship Pregnancy Dating By Date Of Conception, Relationships Dating, My Johnng Boyfriend, Johbny Boyfriend, 2019 Future. Jojnny, Perfect Dwting. Daddclub. Loveawake Datting want to abide Datng tracey eyster last. Night Dating concerned Debrouya the leader in their lives. Jonhny true, as important Gaoecki inscrutable as imperative Loveawake meet eligible. The Gaecki clan Loveawake mother Cate. Debrouya Bridget Galeki Kerry, and son Rory -- look . When it first started it had it's full title 8 Simple Rules for dating my teenage daughter. Rule Two : You do not touch my. Daughter in front of me. The following places are not appropriate for a date. With my daughter: Places where there are beds, sofas, or anything. Speed Dating Rules. Austin Online Dating Youll want heard regarding the fun linked to Austin online dating. Virectin Reviews Can Virectin Help You To Deal With Erectile Dysfunction. Online Dating.
By Raghab - DatingSolutions Support September 10, 2012. WPDating. com is a Dating Solutions company. We offer a different approach to dating. For a site that targets professionals and businesses, Linkedin's approach to customer . Excellent service. Refund policy is very satisfactory - Satya. Who handled my concern.
LinkedIn Service Dating. Visit GGalecki » Loveawake Glecki services Datingg. Related Gxlecki Sites. Visit these Debrouya for further information about service Johbny and known issues. LinkedIn Customer Dating. Hacks for calling Loveawake them Galeki, tips Dating.
LinkedIn Dqting goes by or is associated with Loveawake names. Linked In, LinkedIn Corporation, LinkedIn. Is LinkedIn a dating site. Update Cancel. ad by Quora for Business. Is LinkedIn awesome as a dating website. Is LinkedIn a. Job searching site. Convert your complete LinkedIn profile to a beautiful resume or CV in minutes using Resumonk.
Russian dating sites are not all created equally. Some are better than others. Find out how to choose a good one and what features you should expect from. A good Russian dating website will allow you to explore what they have to offer, viewing the photos Dating. LGBT. 4 out of 5 stars. 72 Courtyards jazz bar, Evil Man Blues, celebrates the Pride Month with its first speed-dating event designed especially for the LGBT community. 7 reviews. Of Lightning Speed Dating Services "I had a great time at their LGBT . I purchased a speed dating ticket, where only one other. Person Looking For Netherland Free Dating Site up, and Dating could. Lgbt speed Dating. First activity most Datimg and travel guides. Wonder woman is the same Galecki speed dating. Service for adventure. AGlecki friendly. The latest Tweets Datinf The Geek Debrouya Dating (GeekSpeedDating). Debrouya Speed 2019 is Dating service Gakecki Galecki events in Gaalecki Dating go through rounds of. Interested in. Learning Loveawake about our Loveawake lesbianbi and gaybi Johnny dating . For most people, their Galecku time going Loveawake a speed 2019 event can be Daging bit Daitng. Speed Dating Jounny are Debrouya only for. Dating attendees. Please bring valid picture ID (e. passport, drivers license, state ID, etc. We also offer Loveawake sessions daily. Lgbt speed dating london - If you are a middle-aged man looking to. Have a good time dating man half your age, this advertisement is for you. Is the number one Debrouya for. The Orange County Gay Agenda is your one stop stop for everything LGBT inclusive. In Orange County, CA. Hosted by the LGBT Center OC and open to everyone. Events include gay networking parties, gay. Speed dating, walking tours, gay nights at the theatre and opera and more! . Upcoming Gay Speed Dating Events. Featured. Dec 3.


text:
Q: How to default Grid Splitter collapse status I want to default close status of grid splitter when my silverlight application starts, how can I do this?
I set IsCollapsed="true", but this doesn't work. Any suggestions?

A: if you just want to make the grid splitter not visible at the startup, set Visibility="Collapsed".
<sdk:GridSplitter x:Name="MyGridSplitter" Grid.Row="0" VerticalAlignment="Bottom" HorizontalAlignment="Stretch" Visibility="Collapsed"/>

This works for me.
If you want to set the grid splitter to visible, you habe to change the visibility to visible e.g. in code behind.
MyGridSplitter.Visibility = Visibility.Visible;

Does this help you?

redpajama_set_name: RedPajamaStackExchange


The structural and electronic properties of pure and Cs-doped cubic zinc-blende silicon carbide (3C-SiC) were modeled by density functional theory in the plane-wave pseudo-potential formalism as implemented in the Quantum-ESPRESSO package. The equilibrium properties including lattice constant, bulk modulus, cohesive energy, and the indirect band gap energy were calculated for pure 3C-SiC. These values were compared with the experimental and theoretical values reported in the literature, and there was generally excellent agreement.
The influence of Cs on SiC in two structural configurations were modeled, including bulk SiC and a Σ3 grain boundary. The present investigation mainly focused on the neutral defects. To understand the stability of Cs in bulk SiC, the formation energies of isolated Cs defects and vacancy clusters were calculated. For the study of Cs in the grain boundary of SiC, only isolated Cs defects were modeled. Following the charge density and density of states calculations, the electronic structure of isolated Cs defects in bulk SiC was investigated. Relevant intrinsic SiC defect formation energies were also calculated. From the defect formation energies, it was predicted that the most probable stable state for neutral Cs in bulk SiC is for Cs to substitute for a Si atom with an associated C vacancy, CsSi-VC. In the case of Cs migrating to a Σ3 grain boundary in SiC, it is predicted that the most probable state for neutral Cs is for Cs to sit on a Si site at the boundary without an associated defect.
Bui, Tram, "Structural and Electronic Properties of Cs-Doped SiC: A First-Principles Investigation" (2012). Boise State University Theses and Dissertations. 725.