text:
<?xml version="1.0" encoding="UTF-8"?>
<article id="1370">
	<title>Computer Literature Searches in the Physical Sciences	</title>
	<author>Murdock, L. Opello, O.	</author>
	<text>
		  Selected computerized current awareness services and literature
		searchs in physical sciences are listed.  The information given
		includes type of literature in each data base, time period covered,
		prices, and sources of availability.
	</text>
</article>


text:
Q: How do I filter JSON arrays by string using JSONPath-plus? If I have JSON such as
{
   "blocks":[
      {
         "data":"yes",
         "_class":"yes"
      },
      {
         "data":"no",
         "_class":"no"
      }
   ]
}

and I want to retrieve the object that only has '_class' equal to 'yes', how do I use JSONPath-plus (https://www.npmjs.com/package/jsonpath-plus)  to do that?
I've been trying
  const blob = JSONPath('$.blocks[?(@._class === 'yes')]', jsonData);

but I get
ReferenceError: yes is not defined

Thanks for any help!

A: Be sure of your quotes and double-quotes when nesting strings.
"$.blocks[?(@._class === 'yes')]"

is the correct answer (thanks @AVAVT)

redpajama_set_name: RedPajamaStackExchange


A red, small, plastic fortune telling fish can tell your fate. Have you ever thought how it works? There is a science behind its curling up or wiggling, which is discussed in this article.
A fortune telling fish adds fun to any occasion, particularly in kids' birthday parties. Kids simply love the way these fish moves in their palms. But, what is the reason behind their wiggling so? It is nothing but a plastic fish that wiggles, curls up, or flips off on its own when kept in your palm. And based on the movements, you can predict your future luck. Doesn't that sounds interesting? Read the back of the package and you will find the meanings of specific fish movements. More information on the working mechanism of this fortune telling toy is highlighted in the upcoming paragraphs.
Believe it or not, there is a scientific logic behind the working of a fortune telling fish. Try your understanding and predict what can be the factor for bending of this little plastic object. Is it the heat from your hand, or conduction of electricity, or sweat from your skin? The right answer is its composition. The chemical constituent of this toy is partly similar to that of a baby diaper. It is made up of long-stranded polymers (called sodium polyacrylate) that grab water molecules from the area of direct contact.
When you keep the fish in your palm, the polymer grabs moisture from the portion where it touches your palm. This alters the shape of the molecules in the particular area, at the same time increasing their volume. Both the change in shape and increased volume of the molecules cause some of the parts of this toy to swell. As a result, one side of the fish curls, which we decipher as movement. Thus, the magic fish bending takes place in a specific direction. The curling or wiggling movements depend on the way which you keep it in your palm.
To be more precise, it is the chemical constituent of the plastic fish that makes it wiggle or move. Hence, if you use the same polymer in other toys, say a plastic cookie or an imitation platter, they will move in a similar way as a fortune telling fish does. In another case, if you keep this toy in a bowl of water or let it submerge completely in water, then it will not curl or bend, as all the polymer molecules will grab water equally.
In case the fish floats on the water, all the molecules in the bottom side that come in contact with the water will swell up and the fish won't bend. Similarly, a submerged fish remains the same in shape, though it will increase in size. Experiment these hypothesis as a part of your practicals, and you can demonstrate the results. Once you are done with this toy-inspired science fair project, allow the plastic fish to dry in sun, and it will work as a brand new fortune telling fish. As you can see, this fish is not only a toy for kids, but it can also be used for chemistry demonstrations. In fact, many teachers use the same in classroom experiments.
This coming Christmas, order the fortune telling fish and spice up your party. The more number you buy, the more discount you will get. Buying 10 fish costs less than USD 9 and 50 fish costs only USD 16. So, shop around and may be you will get them at a discounted rate. A word of caution regarding this fish is that this is a toy played just for fun, and not for other intentions. Hence, do not take the meanings seriously. You can explain the movement phenomenon of this fortune teller after the party gets over.


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Great , this should add a new twist to the followers of the Bear Tribe teachings , conjured by Vincent LaDuke (SunBear, Winona LaDukes father) that started producing his Bear Children followers at an experimental college in Davis Calif. in the 70's.
That Bear Tribe b.s brainwashing script of spiritual seduction cow crap from SunBear's Dreams, that eventually formed a pot smoking , acid dropping hippie commune, where the Bear Children referred to Marijuana as Bear Medicine …. LMAO !!!!
Quite the hoax this is, the continuance of being something, that is suppose to be beneficial, progressive and healthy for the Nations, presented as financial needs of course.
Wondering if the pitch to allow such, included financial support for education and health programs , like part of the reasoning to allow Gaming operations …. Gaming Profits and Marijuana Profits combined "could" assist Leech Lake Band of Ojibwe's Bug School from falling apart at the seams, since it's current physical structure has been neglected for so many years ….. with the finger now pointing at the Federal Government for such a shabby physical status …. blAim, blAim, blAim …. Let's trash the back yards a bit more by adding pot fields for the youth to Honor the Earth in eh?
Get ready for the "next level" of Honor Songs, Round Dances, and Sacred Ceremonies enunciating the teachings of trinket dream catchers and medicine wheels to give people an understanding of what ancestry stood for , and what identity is about …. Que Sera Sera ….
this year Eric Holder's judicial reform, just recently removed minimum extreme penalties for crimes such as possession and distribution of small quantities of marijuana, using oppression and poverty for his campaign rhetoric to garnish sympathy, while trying to impose white guilt. (in doing so his game plan for judicial reform threw thousands on top of thousands of drug cases out of the courts.
Obama just this past month in his speech during the week of the christmas tree lighting dog and pony show, at a conference for the indian nations stated "economic development" as one of "his administrations" key focus with rebuilding relationships with the nations.
For those who believe "growing pot" is progressive and an upwardly mobile venture for the Nations and it's youth , YOU HAVE ROCKS IN YOUR HEAD !!!
and TODAY …. just a WEEK or so after Obama's grand speech to assist the Nations , the government opens the door for those behind the drug trade to take advantage of and use the Nations to new levels of abuse, under the pretense of being concerned for culture and tradition of the Nations.
lets talk about the recent tobacco ring with the Nations and the Mafia, that tobacco smuggling ring bust that broke up something in the tune of 30 million of illicit trade by the way of the Nations being used, that bust that came just days after the ho-chunk shipment to leech lake was confiscated ….
"May 1, 2014 – MONTREAL—Police arrested 28 people Wednesday in a crackdown on tobacco trafficking that allegedly involved the Italian Mafia and native organized crime.
lets talk about the Ball Club wild rice storage that ended up with something to the tune of 4000 pounds of wild rice not being accounted for (we can expect the same with marijuana harvests if growing pot ends up here)…. of course that came on the heels of the current leech lake chair woman being elected. Does anyone need to say Dennis Banks Native Products on this, along with his support for the chairwoman, who it is evident , still does not completely comprehend the levels at which she is being used ?
BTW: that leech lake tobacco shipment seized was in route from the ho-chunk ….. might want to do a bit of research to see how dots connect with that, even thou you guys could not connect the two correct dots on a page consisting of only two dots !!!! …. just saying , funny to watch you guys support, justify, and promote that which continues to eat at the foundation of ancestries teachings , and the identity of "being" human. Que Sera Sera ….
those same who witnessed many a ruined life unfold as a result of substance abuse ….
the saddest part being, we still have to sit back and watch the youth of today make the same bad choices because your promotions have mountains of crap to dish out, based on sympathy for people with cancer.
AND that HollyWood Saturday Night Live Comedian Senator AL Franken who now sits on the 113th congressional Senate Committee for Indian Afairs for the state of minnesota, where Obama just after his stop in Standing Rock this past summer , made a 24 hr. unscheduled stay in the twin cities of Minnesota, the core recruiting center for AIM.
So what marker shows up in affiliation time and time again in the last couple of postings, try that former senator of s. Dakota Syrian James Abourezk the puppet master behind AIM ….
yep, that would be Abourezk who sits on the board of advisers for the Lakota Peoples Project who has Chase Iron Eyes as one of its lead attorneys, that is Chasing his Tail in circles who recently did the radio Huffington talk show about indian education along with Carrie Jones of Leech Lake Band of Ojibwe for the Bug School …. Keeping in mind the Huff talk show host is one of Winona's pr groupies from Harvard, that talk show that occured just after Obama's visit to the cities, and just before Obama's speech to the Nations during the week of the Christmas tree show Leech lake was invited to with the Minnesota tree ….
Hollywood, Geffen, Abourezk, Franken, AIM and Hollywood icons , do your homework en? Abourezk has been using the Nations for him and his hollywood buddies since the 70's, when he initiated the senate for indian affairs during the years of AIM's reign of terror across indian country , while hollywood was turning AIM into 1st Nations Hero's through the likes of Brando and Redford's one sided indian liberator b.s documentaries, filled with one sided perspectives, myths and lies, and in later years through SunDance TV (Rainbow Media (now AMC) , a subsidiary of Cablevision, the foundation of SunDanceTV) ….
might want to check into Robert RedFords current drive with affiliation in all this mess as well …. or just ask Abourezk's son Charlie (another AIM member from the 70's who later became a Judge in the Dakota's ….
The Nations are Being Played like Fools again by a few no good government handlers that will continue to use and abuse us on the pretense of being concerned for the survival as Nations ….
"the Lakota, are trying to pass through our government system a Bill to obtain total control over something that was never ours or any one Tribal Nation's through the Traditional Law of our Creator.
The corporate world headquarters are in Chicago. The corporation was formed by the 2007 merger of the Chicago Mercantile Exchange (CME) and the Chicago Board of Trade (CBOT). On March 17, 2008, CME Group announced it had acquired NYMEX Holdings, Inc., the parent company of the New York Mercantile Exchange and Commodity Exchange, Inc (COMEX). The acquisition was formally completed on August 22, 2008.
The four exchanges now operate as designated contract markets (DCM) of the CME Group. On February 10, 2010, CME announced its purchase of 90% of Dow Jones Indexes, including the Dow Jones Industrial Average. Dow Jones Indexes subsequently became S&P Dow Jones Indices, in which CME has a 24.4% ownership interest.
This entry was posted on December 13, 2014 at 7:08 am and is filed under Uncategorized.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
Richard, here is a recent interview with Annie Mae's daughter, it involves discussion about Trudell. Poor old John still stuck in his world of myths, lies and deception, what a smuck!
PAGE 02 STATE 038858- HELD IN 1972 SEEKING TO GENERATE REAPPRAISAL OF U.S.POLICY TOWARD CUBA. CHILE CONFERENCE HAS BEEN GESTATING SINCE EARLY 1973.
NOW – here comes Obama, Jarrett & Abourezk's CUBAN BUDDIES MEDICAL MARIJUANA !!!! – nothing like being a participant, in the continuance of assisting thugs who continue to threaten our freedoms and Nationhood eh?
This much i can promise, those who gave the ultimate sacrifice to protect this country, it's freedoms, it's constitution, and those who continue to put their lives out there with the risk of the ultimate sacrifice , DID_NOT & DO_NOT do so for idiotic ideas and actions to open the doors to those who threaten our soil.
"In 1972, a coalition of congressmen, radical activists and some communists spearheaded a drive to relax relations with Fidel Castro's Cuba.
out a fresh U.S. policy on Cùba.
Prominent members of the press and academic world participated, including conference chairman Kalman Silvert of the Ford Foundation, Joseph Gruenwald of the Brookings Institution, Tad Szulc of the New York Times and James Goodsell of the Christian Science Monitor.
Cuba in March 1972, when he attacked the State Department for refusing to issue visas to four Cuban film-makers who planned to participate in a pro-Castro film festival in New York City.
Secretary of the New York State Communist Party USA, Michael Myerson coordinator of the festival, was among the observers at the Cuba recognition conference as well.
Kennedy had set the stage for the meeting by recommending an end to the economic boycott of Cuba, freedom of travel and cultural exchanges between the U.S. and Cuba, and reestablishment of formal relations.
reached a broad consensus that the United States should: Pay rent or give up its Navy at Guantánamo, initiate cultural and sports exchanges with Cuba, lift the trade embargo on Cuba, sell surplus grain to the island on a deferred payment plan and establish formal and informal diplomatic contacts. Members also hoped a study commission to pursue these goals would grow out of the conference.
Brady Tyson of American University, the most miltant panelist, said public opinion must be mobilized to persuade the U.S. government to ease relations withCastro's regime. Committees of Cuban-Americans must be formed for the same purpose, he said.
Abourezk and his working groups social chaos script that has been in play in palestine, and the ukraine since the 70's as well, amazing how many people support such B.S !!!!
Well are you going to be able to help me get information on john or not?


Rubén is the 14th journalist killed in the southern state of Veracruz where governor Javier Duarte has made open threats against reporters. Freedom of expression is under attack in one of Latin America's oldest democracies! This case has sent thousands into the streets and set off an explosion in the national and global media. Hundreds of journalists, writers and artists have signed an open letter demanding justice for journalists in Mexico, murdered for doing their jobs.


text:
L BRANDS (LB)
EARNINGS RELEASE WEDNESDAY- MAY 22 (AMC)
The auto-trade portal allows you to opt in and out of trades
Sector: Services Short Interest: 5.18
ESTIMATED EPS: .0/share REV: 2,560/M
LAST QTR: EPS: 2.14/share ESTIMATED: 2.07/share (BEAT)
NEXT QTR: EPS: .23/share REV: 2,940/M
FY19: EPS: 2.39/share REV: 13,400/M
BEAT/MISS HISTORY: 68% OF THE TIME THEY BEAT ESTIMATES
PRIOR 'JUMP ZONE' MOVES (3 QTRS %) -9.59, 6.45, -12.13
POTENTIAL JUMP MOVE: 12-15%
» Top Ranked Momentum Stocks to Buy for January 19th
Top Ranked Momentum Stocks to Buy for January 19th
» L Brands Founder Leslie Wexner Faces New Complaints About 'Culture of Misogyny' at Victoria's Secret
Shareholder complaints say Wexner knew about abuse at the hands of disgraced sex offender Jeffrey Epstein — and that it cost the company money.
» Bragar Eagel & Squire is Investigating Certain Officers and Directors of Jeld-Wen, Raytheon, and L Brands and Encourages Investors to Contact the Firm
NEW YORK, Jan. 13, 2021 (GLOBE NEWSWIRE) — Bragar Eagel & Squire, P.C., a nationally recognized shareholder rights law firm, is investigating certain officers and directors of Jeld-Wen (NYSE: JELD), Raytheon Technologies Corporation (NYSE: RTX), and L Brands, Inc. (NYSE: LB) on behalf of long-term stockholders. More information about each potential case can be found at the link provided. Jeld-Wen Holdings, Inc. (NYSE: JELD) Bragar Eagel & Squire is investigating certain officers and directors of Jeld Wen Holding, Inc. following news that the Shareholder Class Action Against Jeld-Wen has survived the motions to dismiss in the pending securities class action and may face damages.According to the securities class action complaint, throughout the Class Period defendants engaged in a scheme to defraud and made materially false and misleading statements, as well as failed to disclose material adverse facts, regarding the Company's business, operations, growth prospects, and competitive positioning. Specifically, defendants stated that Jeld-Wen products, including doors, compete against other manufacturers on price, and described the market in which the Company sells its doors as "highly competitive." Defendants also attributed Jeld-Wen's strong margins and anticipated margin growth to legitimate business factors, such as "making strategic pricing decisions based on an analysis of customer and product level profitability" and increasing its emphasis on "pricing optimization." These and similar statements made by defendants during the Class Period were false and misleading because defendants knew that Jeld-Wen was engaged in a price-fixing conspiracy with another door manufacturer to artificially increase or maintain prices of interior molded doors. As a result of defendants' misrepresentations, shares of Jeld-Wen's common stock traded at artificially inflated prices throughout the Class Period. On October 26, 2020, U.S. District Judge John A. Gibney, Jr. denied defendants' motions to dismiss plaintiffs' claims, finding that plaintiffs had plausibly alleged securities fraud claims.For more information on our investigation into Jeld-Wen go to: https://bespc.com/cases/JELDRaytheon Technologies Corporation (NYSE: RTX) Bragar Eagel & Squire is investigating certain officers and directors of Raytheon Technologies Company following a class action complaint that was filed against Raytheon on October 30, 2020.The complaint alleges that throughout the Class Period defendants made false and/or misleading statements and/or failed to disclose that: (1) Raytheon had inadequate disclosure controls and procedures and internal control over financial reporting; (2) Raytheon had faulty financial accounting; (3) as a result, Raytheon misreported its costs regarding Raytheon's Missiles & Defense business since 2009; (4) as a result of the foregoing, Raytheon was at risk of increased scrutiny from the government; (5) as a result of the foregoing, Raytheon would face a criminal investigation by the U.S. Department of Justice ("DOJ"); and (6) as a result, defendants' public statements were materially false and/or misleading at all relevant times. When the true details entered the market, the lawsuit claims that investors suffered damages.To learn more about our investigation into Raytheon go to: https://bespc.com/cases/RTXL Brands, Inc. (NYSE: LB) Bragar Eagel & Squire is investigating certain officers and directors of L Brands, Inc. Company following a class action complaint that was filed against L Brands on July 23, 2019.The complaint alleges that during the Class Period defendants made materially false and misleading statements and/or failed to disclose adverse information regarding L Brands' business and prospects, which caused L Brands stock to trade at artificially inflated prices of more than $37 per share during the Class Period. Specifically, the complaint alleges that, prior to and during the Class Period, L Brands' Victoria's Secret and PINK businesses began to experience deteriorating operating performance due to, among other things, increased competition from new lingerie brands. In an attempt to drive sales and retain market share in the face of increasing competition, Victoria's Secret and PINK engaged in heavy promotional activities by offering consumers large discounts and even giving items free of charge. While this marketing strategy helped to mitigate sales declines, it adversely impacted the Company's profit margins and cash flows and had a deleterious impact on the Company's liquidity. In response to questions from securities analysts about the sustainability of the Company's dividends, defendants repeatedly stated that L Brands had sufficient cash flow and cash on hand to sustain its dividends and that the Company, "in its history, ha[d] never reduced the dividend." Then, just weeks after defendants issued a series of false and misleading statements about the Company's dividends, L Brands announced that it was cutting its dividend in half so that it could pay down existing debt. In response to this news, the price of L Brands common stock declined approximately 18%, from $34.55 per share on November 19, 2018 to $28.43 per share on November 20, 2018.For more information on our Investigation into L Brands go to: https://bespc.com/cases/LBAbout Bragar Eagel & Squire, P.C.: Bragar Eagel & Squire, P.C. is a nationally recognized law firm with offices in New York, California, and South Carolina. The firm represents individual and institutional investors in commercial, securities, derivative, and other complex litigation in state and federal courts across the country. For more information about the firm, please visit www.bespc.com. Attorney advertising. Prior results do not guarantee similar outcomes.Contact Information: Bragar Eagel & Squire, P.C. Brandon Walker, Esq. Melissa Fortunato, Esq. Marion Passmore, Esq. (212) 355-4648 investigations@bespc.com www.bespc.com
» Why L Brands (LB) Might be Well Poised for a Surge
L Brands (LB) shares have started gaining and might continue moving higher in the near term, as indicated by solid earnings estimate revisions.
StockJumpers trajectory analysis reveals a less than positive reaction to the earnings release. The company the owner of Victoria's Secret and other iconc brands has been printing multi-year lows and we were looking for a pop on positive release news. This may not be their quarter. They are expected to announce .0 profit per share against 2.5 billion in revenue, which they may meet, but all eyes are on next quarter and FY19 results.
Our preliminary analysis based on the data collected is a negative response, but this is not conclusive. We are biased SHORT on the event at this writing.
TRADE PLAN:
ENTRY: SELL – end of day (may be revised)
STOP LOSS: NA
TAKE PROFIT: 8%
UPDATE: (2:43PM) We remain biased short. Our latest review of the data, suggests a negative reaction as previously reported. The concern here is that the stock has been tanking all day is is down 5% from open which means the move may be priced in. Also they are printing NEW multi-year lows, even though it could go lower.
POST RELEASE ACTION: They beat on both, but the forward for next quarter is below expectations. We will take a loss on this one… (no follow on trade)
[/mepr-sho
NOTE: There is a significant amount of data behind the scenes in getting to the analysis in the tab above. Too much information for traders only confuses things – so this is striped down to only what it needed to make the best possible decision(s) on trading the trajectory.

redpajama_set_name: RedPajamaCommonCrawl


text:
From Editor-in-Chief
About Protein & Cell
AllTitleAuthorKeywordAbstractDOICategoryAddressFund
2010 Vol. 1, No. 11
Solving X-ray protein structures without a crystal: using X-ray Free Electron Laser, the fourth generation synchrotron light sources
Bo Huang
2010, 1(11): 965-966. doi: 10.1007/s13238-010-0135-6
[Abstract](98) [PDF 41KB](67) [Cited by] ()
Dynamics of the higher-order structure of chromatin
Ping Chen, Guohong Li
2010, 1(11): 967-971. doi: 10.1007/s13238-010-0130-y
[Abstract](60) [PDF 167KB](178) [Cited by] ()
Eukaryotic DNA is hierarchically packaged into chromatin to fit inside the nucleus. Dynamics of the chromatin structure plays a critical role in transcriptional regulation and other biological processes that involve DNA, such as DNA replication and DNA repair. Many factors, including histone variants, histone modification, DNA methylation and the binding of non-histone architectural proteins regulate the structure of chromatin. Although the structure of nucleosomes, the fundamental repeating unit of chromatin, is clear, there is still much discussion on the higher-order levels of chromatin structure. Identifying the structural details and dynamics of higher-order chromatin fibers is therefore very important for understanding the organization and regulation of gene activities. Here, we review studies on the dynamics of chromatin higherorder structure and its relationship with gene transcription.
Zongluo Luo, a Chinese Haigui in 1930s
Ming Li, Le Kang
Synthetic circuits, devices and modules
Hong Zhang, Taijiao Jiang
[Abstract](118) [PDF 99KB](193) [Cited by] ()
The aim of synthetic biology is to design artificial biological systems for novel applications. From an engineering perspective, construction of biological systems of defined functionality in a hierarchical way is fundamental to this emerging field. Here, we highlight some current advances on design of several basic building blocks in synthetic biology including the artificial gene control elements, synthetic circuits and their assemblies into devices and modules. Such engineered basic building blocks largely expand the synthetic toolbox and contribute to our understanding of the underlying design principles of living cells.
A study of miRNAs targets prediction and experimental validation
Yong Huang, Quan Zou, Haitai Song, Fei Song, Ligang Wang, Guozheng Zhang, Xingjia Shen
microRNAs (miRNAs) are 20-24 nucleotide (nt) RNAs that regulate eukaryotic gene expression post-transcriptionally by the degradation or translational inhibition of their target messenger RNAs (mRNAs). To identify miRNA target genes will help a lot by understanding their biological functions. Sophisticated computational approaches for miRNA target prediction, and effective biological techniques for validating these targets now play a central role in elucidating their functions. Owing to the imperfect complementarity of animal miRNAs with their targets, it is difficult to judge the accuracy of the prediction. Complexity of regulation by miRNA-mediated targets at protein and mRNAs levels has made it more challenging to identify the targets. To date, only a few miRNAs targets are confirmed. In this article, we review the methods of miRNA target prediction and the experimental validation for their corresponding mRNA targets in animals.
Role of tegument proteins in herpesvirus assembly and egress
Haitao Guo, Sheng Shen, Lili Wang, Hongyu Deng
Morphogenesis and maturation of viral particles is an essential step of viral replication. An infectious herpesviral particle has a multilayered architecture, and contains a large DNA genome, a capsid shell, a tegument and an envelope spiked with glycoproteins. Unique to herpesviruses, tegument is a structure that occupies the space between the nucleocapsid and the envelope and contains many virus encoded proteins called tegument proteins. Historically the tegument has been described as an amorphous structure, but increasing evidence supports the notion that there is an ordered addition of tegument during virion assembly, which is consistent with the important roles of tegument proteins in the assembly and egress of herpesviral particles. In this review we first give an overview of the herpesvirus assembly and egress process. We then discuss the roles of selected tegument proteins in each step of the process, i.e., primary envelopment, deenvelopment, secondary envelopment and transport of viral particles. We also suggest key issues that should be addressed in the near future.
The substrates of Plk1, beyond the functions in mitosis
X. Shawn Liu, Bing Song, Xiaoqi Liu
2010, 1(11): 999-1010. doi: 10.1007/s13238-010-0131-x
[Abstract](122) [PDF 415KB](343) [Cited by] ()
Polo-like kinase 1 (Plk1) is a key regulator of cell division in eukaryotic cells. In this short review, we briefly summarized the well-established functions modulated by Plk1 during mitosis. Beyond mitosis, we focused mainly on the unexpected processes in which Plk1 emerges as a critical player, including microtubule dynamics, DNA replication, chromosome dynamics, p53 regulation, and recovery from the G2 DNA-damage checkpoint. Our discussion is mainly based on the critical substrates targeted by Plk1 during these cellular events and the functional significance associated with each phosphorylation event.
Essential residues for the enzyme activity of ATP-dependent MurE ligase from Mycobacterium tuberculosis
Chandrakala Basavannacharya, Paul R. Moody, Tulika Munshi, Nora Cronin, Nicholas H. Keep, Sanjib Bhakta
2010, 1(11): 1011-1022. doi: 10.1007/s13238-010-0132-9
The emergence of total drug-resistant tuberculosis (TDRTB) has made the discovery of new therapies for tuberculosis urgent. The cytoplasmic enzymes of peptidoglycan biosynthesis have generated renewed interest as attractive targets for the development of new antimycobacterials. One of the cytoplasmic enzymes, uridine diphosphate (UDP)-MurNAc-tripeptide ligase (MurE), catalyses the addition of meso-diaminopimelic acid (m-DAP) into peptidoglycan in Mycobacterium tuberculosis coupled to the hydrolysis of ATP. Mutants of M. tuberculosis MurE were generated by replacing K157, E220, D392, R451 with alanine and N449 with aspartate, and truncating the first 24 amino acid residues at the Nterminus of the enzyme. Analysis of the specific activity of these proteins suggested that apart from the 24 Nterminal residues, the other mutated residues are essential for catalysis. Variations in Km values for one or more substrates were observed for all mutants, except the N-terminal truncation mutant, indicating that these residues are involved in binding substrates and form part of the active site structure. These mutant proteins were also tested for their specificity for a wide range of substrates. Interestingly, the mutations K157A, E220A and D392A showed hydrolysis of ATP uncoupled from catalysis. The ATP hydrolysis rate was enhanced by at least partial occupation of the uridine nucleotide dipeptide binding site. This study provides an insight into the residues essential for the catalytic activity and substrate binding of the ATP-dependent MurE ligase. Since ATPdependent MurE ligase is a novel drug target, the understanding of its function may lead to development of novel inhibitors against resistant forms of M. tuberculosis.
Tyrosine aminotransferase: biochemical and structural properties and molecular dynamics simulations
Prajwalini Mehere, Qian Han, Justin A. Lemkul, Christopher J. Vavricka, Howard Robinson, David R. Bevan, Jianyong Li
Tyrosine aminotransferase (TAT) catalyzes the transamination of tyrosine and other aromatic amino acids. The enzyme is thought to play a role in tyrosinemia type Ⅱ, hepatitis and hepatic carcinoma recovery. The objective of this study is to investigate its biochemical and structural characteristics and substrate specificity in order to provide insight regarding its involvement in these diseases. Mouse TAT (mTAT) was cloned from a mouse cDNA library, and its recombinant protein was produced using Escherichia coli cells and purified using various chromatographic techniques. The recombinant mTAT is able to catalyze the transamination of tyrosine using α-ketoglutaric acid as an amino group acceptor at neutral pH. The enzyme also can use glutamate and phenylalanine as amino group donors and p-hydroxyphenylpyruvate, phenylpyruvate and alpha-ketocaproic acid as amino group acceptors. Through macromolecular crystallography we have determined the mTAT crystal structure at 2.9 Å resolution. The crystal structure revealed the interaction between the pyridoxal-5'-phosphate cofactor and the enzyme, as well as the formation of a disulphide bond. The detection of disulphide bond provides some rational explanation regarding previously observed TAT inactivation under oxidative conditions and reactivation of the inactive TAT in the presence of a reducing agent. Molecular dynamics simulations using the crystal structures of Trypanosoma cruzi TAT and human TAT provided further insight regarding the substrate-enzyme interactions and substrate specificity. The biochemical and structural properties of TAT and the binding of its cofactor and the substrate may help in elucidation of the mechanism of TAT inhibition and activation.
Complement activation by phospholipids: the interplay of factor H and C1q
Lee Aun Tan, Bingbin Yu, Francis CJ Sim, Uday Kishore, Robert B Sim
Complement proteins in blood recognize charged particles. The anionic phospholipid (aPL) cardiolipin binds both complement proteins C1q and factor H. C1q is an activator of the complement classical pathway, while factor H is an inhibitor of the alternative pathway. To examine opposing effects of C1q and factor H on complement activation by aPL, we surveyed C1q and factor H binding, and complement activation by aPL, either coated on microtitre plates or in liposomes. Both C1q and factor H bound to all aPL tested, and competed directly with each other for binding. All the aPL activated the complement classical pathway, but negligibly the alternative pathway, consistent with accepted roles of C1q and factor H. However, in this system, factor H, by competing directly with C1q for binding to aPL, acts as a direct regulator of the complement classical pathway. This regulatory mechanism is distinct from its action on the alternative pathway. Regulation of classical pathway activation by factor H was confirmed by measuring C4 activation by aPL in human sera in which the C1q:factor H molar ratio was adjusted over a wide range. Thus factor H, which is regarded as a down-regulator only of the alternative pathway, has a distinct role in downregulating activation of the classical complement pathway by aPL. A factor H homologue, β2-glycoprotein-1, also strongly inhibits C1q binding to cardiolipin. Recombinant globular domains of C1q A, B and C chains bound aPL similarly to native C1q, confirming that C1q binds aPL via its globular heads.
Guide For Reviewers
Institute of Biophysics, Chinese Academy of Sciences, 15 Datun Road, Chaoyang Beijing 100101, China
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The Magistrate Court has jurisdiction to handle personal property foreclosures where the value of the property is $15,000 or less. A personal property foreclosure is an action where a secured party can seek return of a property that secures a debt. A personal property foreclosure may also be used by the owner of property that has been rented to another to seek return of the property.
Venue is appropriate in the county where the person in possession of the property resides or in the county where the property is located.
An applicant may appear in person in the office of the Clerk of Magistrate Court, 325 East Washington Street, Suite 240 and the Clerk will assist in the filing of the paperwork. The office provides carbonized forms with the correct amount of copies required for the filing of a personal property foreclosure claim. If you live out of the county and would prefer to have the forms mailed to you, please contact the Clerk of Magistrate Court by phone. The form must be completely filled out and notarized. Please attach a copy of the contract that created the security interest or a copy of the rental contract to the Affidavit for Foreclosure of Personal Property. Link to Instructions for Filing a Personal Property Foreclosure.
The filing fee is $100 for one defendant, and $50 for each additional defendant per case. Checks should be made payable to the Magistrate Court.
A person who has been served with an affidavit for foreclosure of personal property has 14 days to file an answer. Download the answer form. The answer may be filed in person, by mail, or by fax, but it must be received by the 14th day. If an answer is not filed within 14 days, the defendant is in default, and the plaintiff may file a Request for Writ of Possession.
If a defendant files an answer, a hearing will be scheduled within 30 days of the date of the answer or request, but no sooner than 15 days from the answer. Both parties will have the right to present evidence and call witnesses. The parties should bring any relevant evidence with them to court, including copies of the lease or contract, receipts, ledgers, photographs, or other relevant items.


Centex Homes v. Superior Court (2013) 214 Cal.App.4th 1090. This was a case in which a builder sought leave to file a cross-complaint containing claims for both equitable indemnity and partial equitable indemnity in response to a construction defect lawsuit by a homeowners association. The homeowners' complaint alleged violations of certain specific building standards, but none of those related to plumbing or sewer systems. The homeowners association however had alleged plumbing and sewer defects in its prelitigation notice under Civil Code §910. About a year after receiving the prelitigation notice, the contractor presented a claim to the city in which the homes were built asserting that a defect in the city's sewer system had affected the waste line installed by the builder. The city denied the claim as untimely. After the builder had filed its proposed cross-complaint, the homeowners association then filed an amended complaint alleging that the waste line was defective.
The court of appeal issued a preemptory writ of mandate finding that the builder's equitable indemnity claim as presented to the city was timely because the claim did not accrue until service of the amended complaint by the homeowners association. A prelitigation notice the court held was not the equivalent of a complaint, and thus did not cause the accrual of the claim at an earlier date.


Here's a very nicely edited video from John Neeman Tools showing how their craftsman, Stephen, produces one of their hand-made leather belts. I encourage you to check out their website to learn more about them. They are a small group of skilled craftsmen from Latvia and they produce (according to their website) kitchen tools, leather belts, knives, axes, timber framing tools, drawknives, froes and bows.


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Code of Criminal Procedure (CrPC) >
SECTION 189 CrPC - Code of Criminal Procedure - Receipt of evidence relating to offences committed...
SECTION 189 CrPC - Code of Criminal Procedure - Receipt of evidence relating to offences committed outside India
When any offence alleged to have been committed in a territory outside India is being inquired into or tried under the provisions of section 188, the Central Government may, if it thinks fit, direct that copies of depositions made or exhibits produced before a judicial officer in or for that territory or before a diplomatic or consular representative of India in or for that territory shall be received as evidence by the Court holding such inquiry or trial in any case in which such Court might issue a commission for taking evidence as to the matters to which such depositions or exhibits relate.


The Vezina, probably one of the more forgotten trophies in the league and much like the Norris despite the goaltenders impact on a team whoever has the best statistics at the end of the regular season wins usually. Last years winner was Pekka Rinne, who posted 42 wins in 59 starts, a 2.31 goals against (GAA), .927 save percentage, allowed 134 goals against on 1,840 shots and posted 8 shutouts.
Frederick Anderson: Yes the Leafs are good, sure it may not be difficult some nights for Anderson but he plays a huge role in why the Leafs are successful this year. Anderson has started in the fourth most games this year (24), has collected wins 16 of those 24 starts (16-8-0 record) posts a 2.50 goals against (1st among goalies with 20+ games started) has a .926 save percentage (1st among goalies with 20+ games started). Anderson sees a lot more time than most starters do, he is in almost every night for the Leafs and of the 30 games the Leafs have played Anderson has not played in six of them, nearly unheard of. He did the same thing last year just not as well, but this year he has come out hot and has not slowed down one bit. The Leafs starter certainly deserves Vezina credit.
Marc Andre Fleury: It was a big discussion last year if Fleury should win it, although he started in fewer games he was a major reason the Golden Knights went as far as they did last year. Fleury had a unforgettable 2017-18 season and even with the Golden Knights starting out a little slow Fleury has still been the back bone to this teams success. Fleury has started in the most games among all goalies (28), has a 2.51 goals against (2nd among all goalies with 20+ starts) and .908 save percentage. Fleury's save percentage is probably one of the reasons some may look the other way on him, but look at the minutes he is seeing. He has not started in just four Vegas games this season, has seen 5th most shots against and is still producing for Vegas, not mention he is first among all goalies in wins (17) and shutouts (5). Fleury continues this streak and does not miss time it will tough to leave him out of the Vezina talk this year.
John Gibson: A goalie that does not get enough credit for what he does. The Ducks have Ryan Miller sure but Miller does not do what Gibson does. Gibson has started in 25 games this year, 3rd most among all goalies, has a 2.59 GAA, .925 save percentage and has seen the second most shots against this year (832). Gibson has played in all but 7 games for the Ducks and the reason Anaheim is where they are right now is in large part because of Gibson. If he stays healthy he needs to be a nominee at least. His playoff struggles concern some but Vezina is regular season production so that should not be an issue.
Pekka Rinne: It would be tough not to mention last years Vezina winner in this discussion. Although Rinne missed sometime this year he still does have 19 games started not as many as the other three but even in those 19 games, Rinne has posted a 1.96 GAA, .930 save percentage (both lead the league among goalies), and he does have two shutouts in just 19 starts. Sure it is tough to say if Rinne deserves the same recognition as the other three. Even when he was not playing the Predators did fine but Rinne is still a top-tier goalie in the league as he is healthy now he will see a lot more time. He is probably a border line number four right now at this point in the season but come after the All-Star break when we re-address this conversation I would expect him to be within the top-three among Vezina talk.


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Considering such issues, Brett's installations are often unusual, absurd and poetic representations of technological and mechanical devices extrapolated from their context. Her works, often ironically imbued by a DIY aesthetic (Do It Yourself), appear to the spectator both as ruins of a future that has yet to come and as scars of an unfinished history.
The artists' works, mainly realized by waste elements derived from technological and electronic devices, tell us how, although its apparently immaterial nature, the digital and technological disaster remains firmly bonded to the material reality. Through the artistic process of gathering and alteration of such debris, we immediately think about the toxic cities of the recycling system such as Guiyu in China, where motherboards are dismantled and hard disks poison the groundwater, or Agbogbloshie in Accra, Ghana, the widest electronic dump of Africa where European and American scraps end up.
Following to such a similar dismantling process but with opposite aims, Brett uses materials that she constantly manipulates: at the heart of her practice in fact always lays an authorial intervention by which, from time to time, she breaks, rips, scratches, welds and alters the composition elements until they are often reduced to a mere matter deprived of its previous utility. Thanks to this strategy, the artist not only intervenes on the technological production process and its finalities, but also cleverly reverses the observation perspective by turning, for example, a computer's screen into a pure and simple object perceived for its aesthetical features rather than for its informative qualities.
The sculptures and installations by Gillian Brett come in succession and intertwine one another along a wide and articulated path within the gallery space. While inviting the spectators to almost nostalgically observe the lost dreams, the broken promises and the weaknesses of a technology addicted society, at the same time such a route unveils the personal universe of the artist, where the events of our modernity unfold in front of the public within an atmosphere of ironic disenchantment.
Within the installation In Mars we Trust #2, 2018 some lights evoking far galaxies are fixed within the wall. A broken logo appears, decorated as well by small funfairs lights advertising a colonization campaign already failed. Suggesting the American motto "In God We Trust", Brett addresses the contemporary faith in technology and, at the same time, she ironically reflects on the new tendency, popular among the few richest people of the planet, to organize space trips in the spirit of a new exclusive tourism made possible by the ever more developed contemporary technological progress.
In her practice, Brett's reflection on technology is intertwined with a recent meditation about science and contemporary nutrition. In the series Smart food: better for you and the planet, 2018 Brett analyses the current ambiguity between the desire of a healthy and energetic food and the modern conception of the human body, conceived almost as a mere device to be fuelled in the name of productivity which has completely lost the pleasure to eat in advantage of a fake efficiency.
Made out of resin and electronic elements, a kebab of real dimensions and some sausages displayed on LCD screens – trays compose the installation Smart food: better for you and the planet #kebab and Smart food: better for you and the planet #sausages. Inside them, the word Soylent appears as a reference to the company that, in recent years, was the first to put in commerce for a wider public the powder's food additive conceived to save time avoiding the preparation of the traditional meals. The company name is ironically inspired to the sci-fi movie Soylent Green (1973), where a totally overpopulated society feeds itself, without knowing, with food made of humans' corpses.
The artist reflects thus on the new food's typologies by analysing the so called smart food - a way to eat which was once used by athletes who assumed calories and vitamins through chemically originated products only - and puts it in confrontation with a new form of fast food today accessible to all, in which technology and science are combined together with the purpose to increase human performance within the global production system.
The components used for Smart food: better for you and the planet, 2018 comes in turn from the debris resulted from a previous work, Witnesses, 2016. (...) The unusual rocks that compose it refer to another present work, Untitled, 2015-2018, which is realised by some disused but still functioning LCD screens that the artist started to collect while studying in London and later manually altered.
If the screens are still able to show images and keep their production and functioning invisible, the sculptures in Witnesses reverse the process and show what is hidden, revealing the elements inside the screens (printed circuits, polarizing films, liquid crystals etc.) and their raw origins (precious metals and chemical industry production line). The work is thus both a tangible proof and a demonstration of the reality hidden behind one of the technological industry's most recent products. With her intervention, which allows us to see similar devices devoid of their functions, the artist is asking us to question the overwhelming role that machines have assumed in contemporary society.
In 2013, in Vienna, Austria, she became interested in machines and their relationship with man. From her nocturnal strolls in the Prater, between disused attractions and an empty Ferris Wheel, she draws a critique of our relationship to Technique. There is a fine line between fairground machines and those which, in all seriousness, "build" a little more inhuman a world every day: identical in their materials and design, only their aesthetics and their uses differ. Reducing them to their common denominator, she questions the place they take and the place they leave us. Thus, through the use of toys that she mixes with "serious" objects collected on construction sites, she reflects on the role that play, and entertainment in general, occupy in the familiarization and acceptance of the machines that surround us.
She is then confronted, in London, with post-humanist and trans-humanist ideologies, cyborg manifestos, which promise a better world where machines would lead the human being towards bright tomorrows. She takes the opposite tack from accelerationists who advocate the "acceleration of the process of technological evolution" to free humanity from work through the empowerment of machines or the development of Artificial Intelligence aimed at "solving intelligence to make the world a better place" (GoogleDeepMind). She takes a strong rejection for these new millenarian doctrines and seeks to disenchant this vision. By resorting to the processes of satire, she derides this craze for algorithmic life by abusing technological devices, reducing them to simple aesthetic objects, defused and deprived of function.
Contrary to the contemporary mode of production which produces machines with the help of other machines, she gleans objects of all kinds and creates non-machines. In the manner of a haruspex, she uses her imagination to scan the bowels of these modern mechanisms and shows, if not a possibility of reversal, something like a pause, a slowing of the process. This method is not an unnecessary detour but a consequent response to the (non)-donation mode of the phenomenon of modern technology. It is a mediation that must enable us to decipher a reality that is no longer immediately decipherable.
"The sculptor is the isolating artist"1. Gillian Brett extracts machines from the machines' universe, from this world in which machines live (and not humans anymore). What she gleans here and there during her urban walks, from a joke shop to a waste disposal, is combined and transformed in her studio into technological devices whose main characteristic is their uselessness. Her sculptures are offbeat and absurd representations of machines out of their context. This extraction gives them an uncanny look, somehow echoing the feelings she had while strolling by night in a deserted Wiener Prater.
Therefore the combine harvester, giant and efficient agricultural machine, becomes a funfair one, an old exercise machine serving as a ridiculous hold for coloured fairground lanterns and a cutter bar with ersatz of knives (Moissonneuse-foireuse, 2014), while a harmless claw crane machine takes gigantic proportions (UFO catcher, 2015). Although usually a player tries to carefully pick up the coveted item, there the claw is moving on its own, as if driven by a blind and random urge. It sometimes grips a balloon which then pops, condemning it to carry on its erratic wandering.
Construction props on which multi-coloured buoys are attached, some glittery, some covered in confetti, some others with bright pink feathers, Plexiglas, or plastic wings, evoke greasy poles or civil defence sirens (Songe d'une nuit d'étais, 2015).
Along the same lines of hijacking things so mundane that we don't pay attention to them anymore, Je-suis-plus-Interstellar-que-Marcel-Duchamp (2015) combines an office chair with mirrors to create some kind of personal house of mirrors in which one is locked with one's own image reflected from every angles and multiplied. .
"Art serves to rinse out our eyes"2. By giving us to see machines devoid of function Gillian Brett invites us, through childish way of looking, satire, and derision leading to demystification, to question the overwhelming role they have taken in this world. Rather than the rush forward chosen by posthumanists who project themselves in a brave new world in which technology would have erased humankind's "flaws" to free it from its mortal condition, she decided not to respect machines and to ridicule them. To look at them as serious toys for grown-up children who forgot that they once were children. Maybe in order to help us fight against our Promethean shame, this "shame of not being a thing", this "shame who takes hold of men in front of the humiliating quality of things he himself has made"3.
In Gillan Brett' sculptures and installations, there is sometimes only one step between Luna Park and Interstellar. Funfair meets science fiction through things-hybridisation, spangled or acidulous lights compositions. Contained in aquariums or unfolding in videos installations, her formal tales invite the viewer to ambiguous experiences. Therefore a supersized claw crane machine tries in vain to pick up balloons or an office chair takes the shape of a gravitational waves centrifuge.
At first glance, Songe d'une nuit d'étais (2015) evokes a tree from the palm family, a long stem topped by a tree crown. Looking closely, the palms are buoys turned into rockets or other funfair items that could very well be small carriages of an amusement park ride.
Moissonneuse-foireuse (2014-2015) is the crossbred of an exercise machine and an agricultural one. Its bubble-gum-coloured coating and its fairground lanterns lining neutralize the potential danger of the device. Gillian Brett's extra-terrestrial rocks samples collection makes up a joyful group in which would be gathered the planets of a still unknown planetary system..
C'est en 2013, à Vienne en Autriche, qu'elle est amenée à s'intéresser aux machines et à leurs relations avec l'Homme. De ses déambulations nocturnes dans le Prater, entre attractions désaffectées et Grande Roue tournant à vide, elle tire une critique de notre rapport à la Technique. La frontière est ténue entre les machines de fête foraine et celles qui, sérieuses, « construisent » chaque jour un peu plus un monde inhumain: identiques par leur matériaux et conception, seules leurs esthétiques et leurs usages diffèrent. Les réduisant à leur dénominateur commun, elle questionne la place qu'elles prennent et celle qu'elles nous laissent. Ainsi, à travers l'utilisation de jouets qu'elle mélange à des objets « sérieux » récupérés sur des chantiers, elle mène une réflexion sur le rôle qu'occupent le jeu et le divertissement en général, dans la familiarisation et l'acceptation des machines qui nous entourent.
A rebours du mode de production contemporain qui produit des machines à l'aide d'autres machines, elle glane des objets en tout genre et crée des non-machines. A la manière d'un augure, elle scrute à l'aide de son imagination les entrailles de ces mécanismes modernes et donne à voir, si ce n'est une possibilité de renversement, quelque chose comme une pause, un ralentissement du processus. Cette méthode n'est pas un détour inutile mais une réponse conséquente au mode de (non)-donation du phénomène de la technique moderne. Elle est une médiation qui doit nous permettre de déchiffrer une réalité qui n'est plus immédiatement déchiffrable.
« Le sculpteur est l'artiste qui isole »1. Gillian Brett extrait des machines de l'univers des machines, de ce monde dans lequel les machines vivent (et non plus les hommes). Ce qu'elle glane ici et là, au hasard de ses balades urbaines, dans un magasin de farces et attrapes ou dans une déchetterie, se retrouve combiné et transformé dans son atelier en dispositifs technologiques dont la caractéristique principale est l'inutilité. Ses sculptures sont des représentations décalées et absurdes de machines sorties de leur contexte. Cette extraction leur confère une inquiétante étrangeté, écho à celle ressentie lorsqu'elle déambulait de nuit dans un Wiener Prater désert.
Ainsi la moissonneuse-batteuse, machine agricole énorme et efficace devient un engin de foire, un vieil appareil de musculation servant de ridicule support rose et jaune à des lampions colorés et à une barre de coupe aux ersatz de couteaux (Moissonneuse-foireuse, 2014), tandis qu'une inoffensive machine attrape-peluche prend des proportions gigantesques (UFO catcher, 2015). Alors qu'habituellement le joueur tente d'attraper délicatement l'objet de sa convoitise, la pince est ici comme livrée à elle-même, animée d'une aveugle et aléatoire pulsion, et va parfois piocher des ballons de baudruche multicolores qui éclatent alors, la condamnant à poursuivre son déplacement erratique.
Des étais de chantier sur lesquels sont fixées des bouées maritimes multicolores, tantôt pailletées, tantôt recouvertes de confettis, agrémentées de plumes fluo, de plexiglas ou d'ailes en plastique, évoquent des mâts de cocagne ou des sirènes d'alerte aux populations (Songe d'une nuit d'étais, 2015).
Toujours dans le registre du détournement d'objets si familiers qu'on ne les remarque même plus, Je-suis-plus-Interstellar-que-Marcel-Duchamp (2015) combine une chaise de bureau recouverte de skaï avec des pans de miroirs et devient une sorte de palais des glaces personnel, dans lequel le spectateur est enfermé avec sa propre image reflétée sous tous les angles et démultipliée à l'infini.
« L'art sert à nous essuyer les yeux »2. En nous donnant à voir des machines dénuées de fonction Gillian Brett nous invite, par le recours au regard enfantin, à la satire et à la dérision amenant à la démystification, à nous interroger sur la place démesurée qu'elles ont prise dans notre monde. Plutôt que la fuite en avant choisie par les post-humanistes qui se projettent dans un meilleur des mondes où la technologie aura gommé les « imperfections » constitutives de l'humain pour l'affranchir de sa condition mortelle, elle fait le choix de ne pas respecter les machines et de les tourner en ridicule. De les considérer comme des jeux sérieux pour des grands enfants qui ont oublié qu'ils étaient des enfants. Pour peut-être nous aider à lutter contre notre honte prométhéenne, cette « honte de ne pas être une chose », cette « honte qui s'empare de l'homme devant l'humiliante qualité des choses qu'il a lui-même fabriquées »3.
Dans les sculptures et les installations de Gillian Brett, il n'y a parfois qu'un pas du Luna Park à Interstellar. La fête foraine rejoint la science-fiction au travers d'hybridations d'objets, de compositions lumineuses, pailletées ou acidulées. Contenus dans des aquariums ou déployés dans des installations vidéo, ses récits formels invitent le spectateur à des expériences ambiguës. C'est ainsi qu'un grappin de fête foraine disproportionné tente en vain d'attraper des ballons de baudruche ou qu'une chaise de bureau prend les contours d'une centrifugeuse d'ondes gravitationnelles.
De prime abord, Songe d'une nuit d'étais (2015) évoque un arbre de la famille des palmiers, une longue tige surmontée d'un houppier. De plus près, les palmes sont des bouées maritimes transformées en fusées et autres objets à connotations festives qui pourraient finalement bien être les petites nacelles d'un manège de parc d'attraction.
Moissonneuse-foireuse (2014-2015) est la rencontre d'un appareil de musculation avec une machine agricole. Le danger potentiel de l'engin est désamorcé par son revêtement aux teintes malabar bi-goût et une succession d'ampoules de guirlande de bal du 14 juillet.
La collection d'extraits de roches extraterrestres de Gillian Brett constitue, quant à elle, un joyeux ensemble dans lequel seraient réunies les planètes d'un système solaire encore inconnu.


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Q: Trying to access array elements: subscripted value is not an array, pointer, or vector I'm trying to write a function that adds up the elements in an array. Unfortunately, every time I try to access the array elements, I get the abovementioned error message when I compile. What is going on?
#include <stdio.h>

int arraySum(ar, number) {
    int x = 0;
    int i;
    for (i = 0; i < number; i++) {
        x += ar[i];
    }
    return x;
}

int main (void) {
    int ar[4] = {3,6,9,12};
    int number = 4;

    printf("The sum is %i",arraySum(ar[4], number));

    return 0;
}

A: 1) int arraySum(ar, number) - in function declaration you have to provide type for parameters. But you don't.
2) In main you are trying to access ar[4], which is fifth element of ar, which has only 4 elements.

A: This is what your code should look like:
#include <stdio.h>

int arraySum(int ar[], int number) {
    int x = 0;
    int i;
    for (i = 0; i < number; i++) {
        x += ar[i];
    }
    return x;
}

int main (void) {
    int ar[4] = {3,6,9,12};
    int number = 4;

    printf("The sum is %i",arraySum(ar, number));

    return 0;
}

You can test it here
http://codepad.org/a2dZzzsG
You completely forgot to declare the types of the arraySum() parameters, so compiler did not know what to expect at first, and then you also tried to pass ar[4] to the function, which is not a valid index vor the a array and would, even if you had 5 members, just pass one int value and not the whole array.


What comes to mind when I think of James Town? First of all, my hometown because this is where I come from. Next, just like the Ga people, it's flowing with rich tradition; those ancient or pre-colonial buildings. There's a lot of curiosity as well. I think, some of the projects that are going to happen will probably arouse more curiosity in terms of what the artists can do and what you can find in the space that we are using as a platform to show or talk about folklore. I'm curious about how far we can stretch this whole idea of futurism.
With folklore, really what comes to mind is storytelling. You know, how do we tell our stories apart from the traditional words that we know? How do we tell our own stories on a day-to-day basis? What kind of stories are we creating? I think that with this year, as much as we are looking at the traditional sense of folklore- what it is – it's also how we create what our ideas of this futurism is, because times change and stories change. I'm wondering what other new ways we can identify ourselves and what point do we begin to tell these stories.
The first thing that comes to mind when I think of James Town is life. The funk life, the free life, the free road to do whatever you want to do. That's why I think there are a lot of creative artists here. My expectations for Chale Wote this year are lots of creative projects and a lot of people coming from outside to witness how artistic Ghana is. Chale Wote always lives up to expectations but we are looking forward to seeing a larger platform for a lot of people to come and witness how Ghana is in terms of arts and culture.
I've lived in James Town for 27 years. When I think of James Town, I think of arts. I think of lots of things. I mean, different cultures with different backgrounds, with a lot of people with different perspectives. James Town brings a lot to my mind, don't even get me started. For the past two experiences – first and second Chale Wote – it's been wonderful. This time around, I'm looking forward to something great like something with a lot of fine arts. Something crazy, something that's not just going to attract people around Ghana but people around the world. Something wild.
Livingston and Nana Osei style it up for Strolling Goats.
Well, it's actually my first time walking through the place and going this deep. James Town is like the mega port of Accra. Lots of "I-don't-care" things going on. I also expect, like the past Chale Wote to depict the actual African style here in James Town. So, I don't expect anything different from what I see right now just the party part of it so it can make it a lot of fun.
When I think of James Town, the first thing that comes to mind is the forts and the sea life that was here prior to independence and then the Light House and then the living – everyone is free to live on the streets, people do what they please. You see people walking wherever time of day it is, people walking freely. I mean, no hustle, no rush, no stress. Chale Wote always blows my mind. I mean from when it started – my first Chale Wote to last year – so I'm hoping for a bigger, better Chale Wote with a lot of performances.
When I think of James Town the first thing that comes to mind is the old architecture of the place. It has so much character and you don't see anything else like that in the city. I also love how people just feel free here, there is always something happening and I love that about James Town. I'm expecting amazing setups and performances and lots of people. I like the fact that this year people are talking about it without us having to announce it all over.
When I think of James Town, I think of boxing. This place has the best fighters in the country. It's a very vibrant place but there is also this calmness about it. My expectations for CHALE WOTE this year, well I'm expecting a lot of new talent and futuristic art. I'm also looking forward to all the new music at the finale concert on the beach. That should be very cool.


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Start Over You searched for: Owning Repository University of Texas Libraries ✖Remove constraint Owning Repository: University of Texas Libraries Place Name Great Britain ✖Remove constraint Place Name: Great Britain
11. Great Britain Ministry of Information: Daily Press Notices and Bulletins:1941-07-12
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In today's cynical and self-centered world we can share the hope of the Good News simply by learning to be an encourager. Charles' message is filled with words of encouragement for you, as well as tips about how to get words of encouragement through you to the people God brings into your life.
Do you feel like you just never get enough encouragement?
In today's cynical and self-centered world we can share the hope of the Good News simply by learning to be an encourager. Charles' message is filled with words of encouragement for you, as well as tips about how to get words of encouragement through you to the people God brings into your life.
Also included in Lowery DVD Bundle and The Best of Charles Series.


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text:
Anchor Yale Bible Commentary: Judges 1-12 - Sasson (AYB)
Commentary / Study Notes
Gain knowledge on any passage of the Bible, exactly when you need it. The Resource Guide will let you know when information in this title is relevant to anything in the main window. It will also track along with you as you read through the Bible.
Title: Anchor Yale Bible Commentary: Judges 1-12 - Sasson (AYB)
Publisher: Yale University Press
Author: Jack M. Sasson
Available in 92 Volume Set
Anchor Yale Bible
Buy the set and save 31%
Profound changes have occurred in the study of early Israel over the past four decades. In recent years, the pendulum of scholarship has swung toward literary and theological readings that are not significantly informed by the literature of the ancient Near East. Jack M. Sasson's commentary to the first twelve chapters of the book of Judges is a refreshing corrective to that trend. It aims to expand comprehension of the Hebrew text by explaining its meaning, exploring its contexts, and charting its effect over time. Addressed are issues about the techniques that advance the text's objectives, the impulses behind its composition, the motivations behind its preservation, the diversity of interpretations during its transmission in several ancient languages, and the learned attention it has gathered over time in faith traditions, Jewish, Christian, and Muslim. In its pages also is a fair sampling from ancient Near Eastern documents to illumine specific biblical passages or to bolster the interpretation of contexts. The result is a Judges that more carefully reflects the culture that produced it.
In presenting this fresh translation of the Masoretic text of Judges as received in our days, Sasson does not shy away from citing variant or divergent readings in the few Judges fragments and readily calls on testimonies from diverse Greek, Aramaic, and Latin renderings. The opinions of Jewish, Christian, and Muslim sages are reviewed, as are those of eminent scholars of recent times. With his Introductory Remarks, Notes, and Comments, Sasson addresses specific issues of religious, social, cultural, and historical significance and turns to ancient Near Eastern lore to illustrate how specific actions and events unfolded elsewhere under comparable circumstances. This impressive new appreciation of Judges will be of immense interest to bible specialists, theologians, cultural historians, and students of the ancient world.
THE ANCHOR YALE BIBLE COMMENTARY SERIES is a project of international and interfaith scope in which Protestant, Catholic, and Jewish scholars from many countries contribute individual volumes. The project is not sponsored by any ecclesiastical organization and is not intended to reflect any particular theological doctrine.
The Anchor Yale Bible is committed to producing commentaries in the tradition established half a century ago by the founders of the series, William Foxwell Albright and David Noel Freedman. It aims to present the best contemporary scholarship in a way that is accessible not only to scholars but also to the educated nonspecialist. Its approach is grounded in exact translation of the ancient languages and an appreciation of the historical and cultural context in which the biblical books were written supplemented by insights from modern methods, such as sociological and literary criticism.
Jack M. Sasson, the Mary Jane Werthan Professor of Jewish Studies and Hebrew Bible at Vanderbilt University, lives in Nashville, TN. He is past president of the American Oriental Society and the International Association for Assyriology.
Anchor Yale Bible Commentary: Ruth - Schipper (AYB)
Anchor Yale Bible Commentary: Joshua 1-12 - Dozeman (AYB)
Anchor Yale Bible Commentary: Ezekiel 38-48 (AYB)
Anchor Yale Bible Commentary: Amos - Eidevall (AYB)
Anchor Yale Bible Commentary: 1 Chronicles 10-29 (AYB)
Anchor Yale Bible Commentary: Habakkuk (AYB)
Anchor Yale Bible Commentary: Lamentations (AYB)
Anchor Yale Bible Commentary: Judges - Boling (AYB)


Colerain Police Need Your Help!
On 01/22/2015 at 0347 hours, two unknown male black subjects entered a running vehicle in a gas station parking lot in the 9200 block of Colerain Avenue. The two subjects fled the scene in the white 1999 Chevrolet Suburban (Ohio plate DHW4282). The subjects were inside of the convenience store prior to the offense. Three photographs of one of the unknown subjects is attached.
If anyone is able to identify the subject, please contact Detective Dustin Weekley with Colerain Police or Crimestoppers at 513-352-3040.


Peanut Butter, Milk Chocolate & Sugar Free*. What more could you want? We cover a light Peanut Butter meltaway center with a rich layer of Albanese Milk Chocolate. Go ahead - indulge!
I wanted to by some but they where out of stock, then I looked at another choclate and they where out too. How do you sell something you dont have.
My father is diabetic so i bought these as a early fathers day present he likes them a lot.
This was part of a larger order; thus you'll prob see this review a few times: These are excellent! I've been eating sugar free chocolate for some time, and these are as good as any I've ever tried. I would highly recommend.
Contains Milk, Peanuts, Soy. Manufactured in a facility that processes Peanuts,Tree Nuts, Soy, Wheat, Egg & Milk Products.


I've been searching for the perfect satay recipe for a while now... shall have to give yours a try!
Pumpkin and Carrot together sound awesome. That's even 2 out of your 5 a day!!
Okay now...i have had the hardest time getting my frosting to form like that...no matter what I do, it won't work. It becomes loose and all runny...It only happened when I started making frosting here in the UK because I can't find the normal stuff I would use in the states. Help!
Did you really grate a whole pumpkin with a box grater? I tried that for a Harry Eastwood recipe and nearly had a heart attack after generating less than 100g. After that, I decided I was getting myself a Kenwood Chef for definite!
T. - Full fat cream cheese and the patience to let it firm up. Or dump a load of icing sugar in. But patience is best!
Mr. P, your Non-Carrot Cupcakes are beautiful! You can come over and see my carrot cake recipe. It is really, really good; but I have never in all these years made it into cupcakes. It's been on my blog schedule for some time but keeps getting pushed back. I've made pumpkin cupcakes before, but from pureed pumpkin. It has never occurred to me to GRATE pumpkin. You just might be onto something!
Pretty Woman!! That's one of my favorite lines, along with "You work on commission, don't you? Big mistake. Big. Huge."
you might have started a trend here as im sure many ppl would have pumpkins sitting around gathering dusts! :D looks nice and the frostings so pretty.
I just threw three sugar pumpkins away! Never occurred to me that i would ever dust them!
You really grated a pumpkin?? and used it RAW in the recipe? I have never made anything with raw pumpkin. I have always roasted it first, and used it as a puree.
I am going to make these cupcakes for the name alone!! I love it Carrot Cupcakes no Carrot!! Plus they look fantastic!
How interesting. Grated pumpkin instead of carrots. I love pumpkin and I love Rose's book. Will have to try that. I bet it would work great with grated zucchine (courgette) too.


Easter, circa 1978. I hated this dress!
Like every other little girl in 1976 I wanted to be Dorothy Hamill. Unfortunately, the closest I ever got to being women's figure skating Olympic champion was this haircut. I begged for lessons and tried to convince my mom that my dance costumes could do double duty on the ice.
There were just a few problems with my plan. There weren't many rinks in NC and it rarely snowed more than 2 inches. Simply, NC was not a haven for winter sport athletes. After all, why would you want to be a figure skater when you could be a little league cheerleader?
I was confident. Despite the fact that I had never been on skates, I knew I was a skating prodigy waiting to be break loose. After all, I could pull my head through my legs and do Cirque-Solie things with my body.
Well, we all know how this story ended. I didn't become Olympic Figure Skating Champion. My six year old ambition wasn't enough. I moved on, and yes made the cheerleading squad on my first try. Yeah, for me. I learned to yell loud and wave poms poms on cue. I guess yelling out loud was my gift.