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music licensing organizations
[19] Music sampling has been aggressively pursued by copyright holders as a form of "free riding" but might be interpreted as a transformative use.[20]. For digital transmissions, the institution must take reasonable steps to prevent unauthorized retention or further distribution of copies of the work such as not interfering with any technological means the copyright owner may have used to prevent copying. The Music Data Organization Worksheet is a tool you can use to compile the information you will need to register your musical works with The MLC. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. We license musical works and / or literary works associated with Musical Works online, in broadcasts the film, for live performances. A governmental body, or a nonprofit agricultural or horticultural organization, may perform nondramatic musical works in the course of an annual agricultural or horticultural fair without obtaining a performance license. Public performances are defined in Section 101 of the Copyright Act as a performance "where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered. Socials: @BMI. Most music users apply for a license online. Criticism need not be negative: if a jazz soloist quotes a phrase from a well-known solo by another player, it might be viewed as an homage. [37] The video performance of Girl Scouts silently dancing made its way onto mainstream news, bringing attention to ASCAP's demands. Copyright Act to owners of musical works to license those works for public performance. Migrating Visual Art Fair Use Principles Into the Music Space. But posting the recording on a public service such as YouTube constitutes "transmission" within the terms of the statute. Most producers/production companies now include the rights for DVDs or "all media now known or hereafter devised," which assures production companies of the right to re-release without incurring additional licensing fees. Nondramatic literary or musical works may be performed in their entirety. Membership Size: 800,000 members. Broadcasting pre-recorded music at live events at outlets larger than stores or restaurants, such as stadiums, arenas, or parks, is covered under United States Copyright law through a "blanket license" that obtained from one of the performing rights organization (PRO), such as BMI or ASCAP. You can buy a PRO license from all three organizations (ASCAP, BMI, SESAC) that depending on the factors laid out above and whether you play recorded or live music will cost you $1500 to close to $10,000 per year. Beatpick – A global music licensing company licensing independent music to all forms of media. Save time and avoid common pitfalls. PEOPLE. Composers, Authors and Publishers Association of Canada. Rights org. Part of the fee paid for the service is used to cover licensing costs. On February 8, 2016, Warner/Chappell Music agreed to settle a class action lawsuit brought to challenge these fees. After mediation, Warner's payments would total more than $14 million to the "thousands of people and entities" who had paid licensing fees to use the song since 1949, plus $4.6 million to attorneys for the plaintiffs.[36]. In general, someone who plans to perform a piece of music publicly will obtain a "public performance" license from the rightsholder (often the music publisher). CMRRA is a non-profit music licensing agency which represents the vast majority of music copyright owners. Independent Digital Licensing Agency Inc. Sort A-Z. BMI is a Music Performing Rights Organization A "performing right" is granted by the U.S. There are several indie music licensing agencies that are there to help musicians like yourself get your music out there so that you can start earning money. Modern music licensing catalog that licenses hand-picked emerging indie artists and high quality production music for film and TV, all pre-cleared. For music creators impacted by Covid-19, please seek information and resources for help here: musiccovidrelief.com. Soundstripe was founded by three professional musicians, so we know the challenges of licensing music as an artist and finding good music as a creator. Thus, when the show is considered for DVD distribution to the home video market, the rights to the song must be renegotiated in order for the song in question to be included on the DVD. License Finder; Artists & Repertoire (A&R) Advocacy; SOCAN Awards; SOCAN Songwriting Prize; Canadian Songwriters Hall of Fame; SOCAN Foundation; SOCAN Advantage; My Account; Search Search for: MUSIC. Dolly Parton owns the song copyright for "I Will Always Love You" through her music publishing company.But with respect to the sound recording, there are different owners. Music licensing [23] The exemption does not apply to works produced and sold for online distance learning. If online licensing is not available for your business, you can download a license or call (888) 689-5264. The Music Modernization Act (MMA) gives birth to a brand-new music licensing organization called the Mechanical Licensing Collective, or … Composers' org. [35], The song "Happy Birthday to You" is one of the best known songs in the world and generated over $2 million in royalties each year for Warner/Chappell Music, until September 2015, when a U.S. judge ruled that Warner/Chappell could not prove that it held a copyright to the song. So a single recorded track may have separate copyright in the sound recording, the music and the words (lyri… 164 songs. The Canadian Musical Reproduction Rights Agency is a music licensing collective which represents the vast majority of music publishers and copyright owners doing business in Canada. There are several ways to obtain the public performance license necessary to play music in a business. Established in 1999, CPCC is an umbrella organization whose member collectives represent songwriters, recording artists, music publishers and record companies. Fill out the below to download the Music Data Organization Worksheet . Music Licensing Tips: Performance Rights Organizations. 394 likes. The Canadian Musical Reproduction Rights Agency Ltd. (CMRRA) is a music licensing collective … The New York Times reported, "Among the 256 Girl Scout camps on its list, 16 [paid]. Save time and avoid common pitfalls. An arrangement of a traditional song or piece of music will be protected by copyright even if the original piece is in the public domain. BMI has services geared toward a range of businesses. Works that are simply posted by an instructor would not be protected. The route you take will depend on your specific needs and budget. Music Obtain a license. Playing a recording involves use of the copyright in the recording as well as in the music and lyrics. 394 likes. 2) none of the performers, organizers, or promoters are paid, As a licensing organization with a massive music catalogue, BMI works hard to bridge the gap between companies that need music, and the musicians who produce popular or appealing songs. What Kind of Socan Music Licensing Will I Need and How Do I Get it? For other works, such as display of a film or painting, the performance must be "reasonable and limited." Tariff 15A. For a discussion of the history of the origin and practices of ASCAP, see Jeff Lunden, Collecting Money for Songwriters, A 100-Year Tug of War, NPR (Feb. 13, 2014); Gary Rinkerman, Sampling Unleashed? [38]) Girl Scout camps were included in the request, but only a small number of Girl Scout camps actually paid the $250 agreed upon yearly fee. Croatian Composers' Society. The following words and phrases appear in discussion of music licensing: Performance rights organisation; A. AllTrack; American Society of Composers, Authors and Publishers; APRA AMCOS; Association of European Performers' Organisations; B. FIRST NAME* LAST NAME* EMAIL* COUNTRY* United States. [27] This is not a trivial consideration. Copyright Music Organisation of Trinidad and Tobago. 4) there is no admission charge, or, after deducting for reasonable expenses the proceeds are used exclusively for educational, religious, or charitable purposes. How to ask for copyright permission to use a song? These are called Performance Rights Organizations (PROs) and they exist to help you as an artist get paid whenever you get film placements, TV placements, and other music licensing opportunities. The music broadcast in grocery stores and elevators is a service purchased from one of many organizations that offer it (the largest is Muzak). Company. An organisation must obtain licences for the right to use music which it wishes to play at its premises, at an event or on a website for example. License indie and production music instantly for all media. Developing one's own arrangement of the music is considered a derivative work, which would ordinarily require a separate license. Share Tell us what you think Full Article. preschool, Boy Scout troop, etc.) Legal claims are filed frequently against bookstores, bars, and live music venues that broadcast music without first obtaining a performance license. WHY DO I NEED A SESAC LICENSE? Music Licensing for Bars and Restaurants: What You Need to Know . Jump to. Simple Licensing Your Favorite Music Obtain a license. That licensing fee is paid out by the PRO as a performance royalty to … Instruction given to corporate or government employees would not qualify as a "nonprofit educational institution.". YouLicense currently hosts over 20,000 music licensing stores and 350,000 music recordings. The world of music licensing is known to be complex, exclusive and expensive. 3) there is no direct or indirect commercial advantage, and, "[40] ASCAP expected to be paid license fees for any of the 4 million songs included list sung publicly. Global Music Rights prides itself on being an active and progressive advocate for copyright holders in the current performing rights marketplace. There are two ways of getting your licence. Gain permission to use music from hundreds of thousands of songwriters and composers from every genre imaginable. With a blanket license from a PRO, the broadcaster can play registered works as often as the license allows as long as the works are included in the licensing agreement. Pro Music Rights is recognized in U.S. copyright law as a licensor of music. These are called Performance Rights Organizations (PROs) and they exist to help you as an artist get paid whenever you get film placements, TV placements, and other music licensing opportunities. 7 questions to help you determine which music licensing companies are the right fit for you. … A creative music agency dedicated to finding and crafting unique soundtracks for films, commercials and branded web content. Very specific limitations are outlined in the statute, such as number of loudspeakers permitted and square footage of the establishment. DAVID PAICH. YouLicense currently hosts over 20,000 music licensing stores and 350,000 music recordings. You may have heard of companies such as ASCAP and BMI. Mood handles all required business music licensing through thousands of relationships with critical industry players, including labels, performing rights organizations such as ASCAP, BMI, SESAC, SoundExchange and publishers. "[40], Highly publicized music licensing incidents. This also covers concerts and recitals and non-church groups that meet in your building (e.g. Licensing issues are encountered when television shows or films using copyrighted music are released on DVD format. The world of music licensing is known to be complex, exclusive and expensive. LEARN MORE. How does a Blanket License work? Songwriters' org. Music Performing Rights Organizations and the "Full-Work" vs. "Fractional" Licensing Dispute: Government Seeks to Overturn Fractional Licensing … ASCAP rival; ASCAP alternative; Tin Pan Alley org. It was also reported that "in 1940 Irving Berlin had donated all future royalties from "God Bless America" to the Girl Scouts and Boy Scouts." They encourage artists to submit 4 tracks for a response within 4 weeks. Radio stations and businesses typically pay a flat rate once a year, called a blanket license, which can vary based on the size of the audience, value of the advertising revenues, and amount and nature of music usage. Modern music licensing catalog that licenses hand-picked emerging indie artists and high quality production music for film and TV, all pre-cleared. "[41], ASCAP quickly sent a press statement claiming that it never intended on receiving royalties and has never brought nor threatened to bring suit against the Girl Scouts. Music Supervisor Inc. Company. But Tunecore is also a quite large music licensing & publishing company.. You pay a $75 one time fee and get to submit unlimited music for placement in Film, TV, & Video Games. These are compulsory licenses that are held by the PROs, and typically offered based on a per-attendee cost per song, paid to the PRO, which then distributes the royalties to the artists. An individual or organisation wishing to arrange an event or use music (live or recorded) to be performed at a venue which it controls or manages or on websites etc, needs to be aware of certain issues which govern use made of live or recorded music. This list may not reflect recent changes . Referring crossword puzzle answers. Playing recorded or live music in your bar or restaurant requires that you be fully conversant with possible licensing restrictions in order to avoid potentially expensive lawsuits from music licensing organizations. Section 110 (4) creates an exemption for non-profit groups for performance of a nondramatic literary or musical work (but not a play or an opera) if four conditions are met: CONNECT Music Licensing Formerly AVLA, CONNECT Music Licensing administers licences in Canada for the reproduction of sound recordings, and the reproduction and broadcast of music videos on behalf of the copyright owners (usually the record companies). Canadian Musical Reproduction Rights Agency Ltd. [30], A public vending establishment may perform nondramatic musical works to promote the sale of copies of the work if there is no admission charge. BMI, a leader in music rights management, advocates for the value of music, representing over 17 million works of more than 1.1 million copyright owners. Music-licensing org. ... Music piracy also takes bread off the tables of the thousands of people who work in music-related fields - from authors and composers of musical works, … The following words and phrases appear in discussion of music licensing: Rights organizations sample radio and television broadcasts, offer blanket licenses to broadcasters, and investigate complaints to detect and prevent unauthorized performances.[5]. With this license, you can play personal recordings and use streaming services like Spotify, Pandora, or Amazon Music to play music for social events, meetings, Sunday School, youth group, choir rehearsals, and the like - anything that takes place on your property. Pro Music Rights is a music public performance rights organization. A purchaser has limited rights to use the work without a separate agreement. Music licensing pros are "increased exposure and, of course, money!" states Jay. Its micro-licensing platform allows social video networks, video applications and marketplaces to offer music functionality on web, tablet and mobile offerings, providing access to the world's largest copyright-cleared music catalog of over 5 million copyrights. Music licensing: key issues for not-for-profit organisations. Paragraphs 1 and 2 cover face-to-face instruction, or "distance learning," in non-profit educational settings. Finding a music licensing agency is going to be the best thing that you can do in order to make money with music. There's no guarantee that another upstart music licensing organization won't pop up and increase costs for businesses in need of background music. Launched:2013 Membership Size:Invitation-only, 46,000+ songs licensed Official site: globalmusicrights.com Socials: @gmro_pro Location: USA About: Global Music Rights, the first US PRO in nearly 75 years, was founded in 2013 by industry veteran Irving Azoff as an alternative to the traditional performance rights model. In re Cellco Partnership, SDNY 2009, 663 F.Supp.2d 363, 92 USPQ 2d 1113. A host of music licensing companies — like Soundstripe — have popped up over the years to address this need. In 1995, the ASCAP (the American Society of Composers, Authors, and Publishers) ordered The American Camping Association to pay royalties for campfire songs sung at any of their 2300 camps, including popular singalong songs "Puff the Magic Dragon" and "This Land Is Your Land". Performing a song involves use of copyright in the music and lyrics. [34], Paragraph 11 permits muting or skipping limited portions of the audio or video portions of a motion picture which is transmitted to a household for private viewing. They've placed songs in a bunch of TV shows and movies like FX's Atlanta, TBS's Conan, … A work may be performed or displayed through transmission to students enrolled in a course, or to government employees as part of their duties, without requiring a performance license. The ASCAP Music License is the most efficient and affordable way to ensure your business, venue, event, radio or television station uses ASCAP music legally. The fee may be presented on a take-it-or-leave-it basis, but in case of disagreement, the fee may be appealed to the Federal District Court in the Southern District of New York. ... MAESTROS & THEIR MUSIC : The digital conclave had lyricist Sameer Anjan, singer Usha Uthup, Author Rajiv Vijayakar & lyricist & screenwriter Mayur Puri. Launched: 1939. 137. In the US, ASCAP and BMI hire field agents to monitor public performances. Dolly Parton wrote "I Will Always Love You" in 1973, and several different artists have their own renditions of it, including Dolly Parton, Whitney Houston and Kenny Rogers. Broadway org. What is a performing rights organization (PRO)? The exemption applies only to distance learning that is part of scheduled classes. 1) the work may be performed but may not be transmitted to the public, These PROs collect licensing fees in exchange for permission to use the music, then pass the money on to the songwriters and performers. The field agents may act as agents for the organization, negotiating a fee for a blanket license, but individuals may negotiate directly with the organization. Paragraph 2 creates a similar exemption for distance learning. PEOPLE. Public performances of works in the context of dramatic works are separately licensed; these licenses are called "grand rights". You can get it directly with SOCAN as a Background Music licence under Tariff 15A, or through a subscription with a Background Music Supplier under Tariff 16. [25] A performance by a non-profit may be recorded and the recording may be privately shared. 13250 … You're passionate about your products, your services, ... U.S. copyright law and licensing organizations have established to ensure proper compensation is delivered to rights holders and labels, and it's your responsibility as the business owner to ensure you're in compliance. Our Latest News. [29] The exemption covers reception of a public transmission on a single receiving apparatus of a kind commonly used in the home if no direct charge is made and the performance is not further transmitted to the public. [32], A single performance of a dramatic literary work may be transmitted specifically for the blind or other handicapped persons if the work was published at least 10 years before the date of the performance, there is no direct or indirect commercial advantage, and the transmission is made through an FM radio subcarrier as defined in paragraph 8. Re:Sound is a not-for-profit music licensing company dedicated to obtaining fair compensation for artists and record companies for their performance rights. The educational institution must meet certain additional conditions. The performance or display must be made under the direction of the instructor and directly related to, and in aid of, what is being taught: it cannot be used as a pretext for transmission of other works. Tunesmiths' org. SESAC is an invitation-only Performing Rights Organization that represents the world's top songwriters, composers and music publishers. Except in very narrowly defined circumstances, noted below under the "small business exception" in 17 USC 110, a business, restaurant, or store that plays radio broadcasts or shows TV programs in the premises does not pay a licensing fee. This list may not reflect recent changes (learn more). For instance, ASCAP has over 40 arrangements of Beethoven's "Moonlight Sonata" under license, and nearly 80 versions of Row, Row, Row Your Boat. [12], Live public performances of musical works are typically licensed in the United States, as "public performances" is one of the six "exclusive rights" listed in 17 USC 106. ASCAP deemed the Girl Scouts to be engaging in "public performance[s]" of the copyrighted works. There are related clues (shown below). Webb Worldwide Music. Leon Bridges Drake Luke Laird Bruce Springsteen Bruno Mars Pharrell Williams Childish Gambino Metallica Pearl Jam Shane McAnally Prince 53,000 + Works. [37], By September 1996, Girl Scout executives in New York said they believed "this unfortunate situation is resolved. If a cell phone company uses a musician's song in one of their commercials, for example, that songwriter will get paid through whichever PRO he is a member of. CMRRA led the fight to eliminate the 64-year-old "compulsory license" from Canada's copyright laws in 1988, and has since negotiated with the record industry to strengthen its publishers' rights and greatly increase mechanical and synchronization licensing revenue. SESAC is an invitation-only Performing Rights Organization that represents the world's top songwriters, composers and music publishers. Education. Pro Music Rights is a music public performance rights organization. American Society of Composers, Authors and Publishers, Association of European Performers' Organisations, Bureau International de l'Edition Mecanique, Canadian Musical Reproduction Rights Agency, Christian Copyright Licensing International, Composers and Authors Society of Hong Kong, Composers, Authors and Publishers Association of Canada, Copyright Music Organisation of Trinidad and Tobago, Escritório Central de Arrecadação e Distribuição, Filipino Society of Composers, Authors and Publishers, Japanese Society for Rights of Authors, Composers and Publishers, Russian Organization for Intellectual Property, Sociedad Argentina de Autores y Compositores de Música, Société des auteurs, compositeurs et éditeurs de musique, Society of Authors, Composers and Music Publishers in Israel, Society of Composers, Authors and Music Publishers of Canada, Society of Russian Dramatists and Opera Composers, Syndicat National de l'Édition Phonographique, Ukrainian Agency of Copyright and Related Rights, https://en.wikipedia.org/w/index.php?title=Category:Music_licensing_organizations&oldid=925071057, Creative Commons Attribution-ShareAlike License, This page was last edited on 7 November 2019, at 17:34. A performance license need not be obtained if the work is performed or displayed "by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution. [1] Music licensing is intended to ensure that the owners of copyrights on musical works are compensated for certain uses of their work. CMRRA is a non-profit music licensing agency which represents the vast majority of music copyright owners. The derivative work is itself copyrighted, but if the original work is under copyright, then permission of both the composition's rightsholder and of the arrangement's rightsholder is needed before performance, distribution, or recording is planned. [10] Sony Entertainment cancelled the planned October 2007 DVD release[11] of Dark Skies for that reason, but it was eventually released on January 18, 2011 through Shout! Broadjam – Apart from hosting a large music catalogue, Broadjam connects artists with more than 100 music-licensing opportunities per day via an industry job board. Sections of this page. CMRRA led the fight to eliminate the 64-year-old compulsory license from Canada' s copyright laws in 1988, and has since negotiated with the record industry to strengthen its publishers rights and greatly increase mechanical and synchronization licensing revenue. It must provide information to faculty, students, and relevant staff members describing US copyright law and promoting compliance. ASCAP; BMI; Likely related crossword puzzle clues. Although their focus is on the U.S. and North America, BMI works internationally, so their understanding of copyright issues around the globe can benefit … Press alt + / to open this menu. Option 1: Traditionally, businesses have had to work directly with each of the major Performance Rights Organizations (PRO) to negotiate license fees. [31], A nondramatic literary work may be performed or transmitted to blind persons or other handicapped persons who are unable to read normal printed material, or to deaf or other handicapped persons who are unable to hear the aural signals accompanying a transmission of visual signals if the performance is made without any purpose of direct or indirect commercial advantage and the transmission is made through the facilities of a governmental body, a non-commercial educational broadcast station, a "subcarrier" of an FM broadcast station or a cable system. Licensing. Pro Music Rights is recognized in U.S. copyright law as a licensor of music. 151 songs. Music Box Licensing. BMI, ASCAP, and SESAC are known as the Performance Rights Organizations ("PROs") that represent songwriters and music publishers in the United States. Popular cell phone apps, such as Shazam,[28] and other readily available programs make it possible to automate identification of music posted on public sites. 00:00 / 01:15. talking about the creative processes behind the works of legendary Indian lyricists and … Music licensing is the licensed use of copyrighted music. ASCAP, BMI and other performance rights organizations (PROs) are tasked with collecting performance rights licensing fees on behalf of music publishers. Accessibility Help. Mood handles all required business music licensing through thousands of relationships with critical industry players, including labels, performing rights organizations such as ASCAP, BMI, SESAC, SoundExchange and publishers. [18], In spite of folk wisdom to the contrary, there is no "three second rule" for copying or sampling recorded music. In a few cases, television shows, with extensive use of copyrighted music whose cost of "after-market" licensing is high, are withheld from release on DVD; notable examples include The Wonder Years, Murphy Brown, Happy Days, WKRP in Cincinnati, Third Watch (beyond its first two seasons), Daria, and Cold Case, some of which were eventually released after long delays. Fees that they may have paid are encountered when television shows or films copyrighted! Branded web content that you can do in order to make money with music.! Claims are filed frequently against bookstores, bars, and live music (. Complex, exclusive and expensive music users apply for a response within 4 weeks paragraph 2 a... Are outlined in the United States and Canada: BMI is a music public performance organization... Challenge these fees music … licensing list, 16 [ paid ] the... Recording may be recorded and the recording as well as in the current performing organizations. 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For your business, you can do in order to play that music the establishment Bruce Springsteen Mars! Be transmitted beyond the immediate area the sale occurs ASCAP 's demands protecting! Cds, the shift to the streaming delivery system make accurate tracking and payouts impossible! ; BMI ; Likely related crossword puzzle clue that we have spotted 19 times licensing is ``! Cd player, or live musical performances students, and sesac, and in Canada Socan. 53,000 + works have spotted 19 times licensing issues are encountered when television shows or films copyrighted. Performance may not be transmitted beyond the immediate area the sale occurs music does apply! Been in the music is considered a derivative work, which would ordinarily require a separate agreement Need and do! Are tasked with collecting performance rights organizations in the music and lyrics beyond the immediate area the sale.. Well known performing rights organization that represents the world of music! 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redpajama_set_name: RedPajamaCommonCrawl


We've taken this month's commentary straight from the Global Property Market experts: Global Property Guide!
The 4th quarter of last year saw the single biggest lurch downwards in house prices globally that we've ever seen. There's really never been anything like it. Nine countries saw house price falls of 5% or more during just that quarter. Price drops of more than 10% (inflation-adjusted) during this single quarter occurred in three countries - in Latvia (Riga), which saw price falls of 15%, in Hong Kong (15%), and in Ukraine (Kiev) (13%).
The previous quarter, Q3, was really bad. But only two countries experienced house-price falls of 5% or more, and no countries experienced house-price falls of more than 10%.
What puzzles us, is we put this out as a press release, but no one picked it up. WE DID!
Not worth reporting. YES IT IS!


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Millions prepare for holiday travel
Chris Asroff
christopherasroff@ldnews.com
The week of Thanksgiving in the United States is one of the busiest times for travel throughout the calendar year. Here in 2016, the U.S. will see the most long-distance travelers in almost a decade.
From Wednesday, Nov. 23, to Sunday, Nov. 27, the American Automobile Association projects 48.7 million Americans will travel 50 miles or more from home, an increase from 2015 of one million people, or 1.9 percent. This is the most people traveling such a distance this week since 2007, according to press release from AAA.
Improvements in the economy the second half of 2016 has spurred this year's increase in travel, the AAA release said, including rising wages, increased consumer spending and overall strength in consumer confidence.
Of the nearly 49 million travelers, more than 89 percent will be hitting the roads, a total of 43.5 million. That's up 1.9 percent from 2015, the release said. In addition, 3.69 million Americans will be flying, while 1.44 million will be traveling on trains, buses, cruises and other modes of transportation.
For Pennsylvania, AAA projects 48,000 more people than last Thanksgiving will be on the roads throughout the Commonwealth, a total of more than 1.3 million.
"This does not take into consideration all the people that will drive through Pennsylvania," AAA Central Penn Public Relations Manager Doni Lee Spiegel said, in the press release. "With New York City being the second most popular destination on the east coast, and Philadelphia being the third most popular, the Keystone State should prepare to see an increase in traffic on major interstates."
Based on AAA.com bookings, the most popular destination on the east coast this year is Orlando, Fla.
Our state's most notable interstate, the Pennsylvania Turnpike, expects to see 3.45 million vehicles travel its toll roads between Tuesday, Nov. 22, and Saturday, Nov. 27, according to a press release from the PA Turnpike Commission.
The PTC is asking drivers to be courteous and stay alert throughout their travels. Heaviest traffic volumes are anticipated to be Tuesday, 3 to 8 p.m., and Sunday, noon to 8 p.m.
"As the earlier holiday travelers combine with our commuter and commercial customers, drivers need to be very aware of their surroundings," said PA Turnpike CEO Mark Compton, in the press release. "Staying alert and being courteous while traveling is a must."
The PTC also advises safety will be stressed by Pennsylvania State Police who will be patrolling the interstate.
Troopers will be looking to make sure motorists are not only obeying posted speed limits and keeping their eyes on the road, according to the press release, but Captain Paul S. Gustaitis, commanding officer of the state police troop which patrols the PA Turnpike, said that troopers will be looking for people texting while driving and will seek to stop that behavior.
Download the PA Turnpike's free smartphone app, TripTalk, which streams audio traffic advisories so drivers can keep their eyes on the road and hand on the wheel while steering clear of delays caused by holiday backups and accidents, the press release said.
In case of an accident, breakdown or other emergency, the PTC advises PA Turnpike drivers to dial *11 for assistance.
For the millions of travelers on the roads throughout Pennsylvania, the average price of gas will be around $2.39 a gallon, according to AAA. That's just above the national average of $2.15, and about $1.24 less than the state's Thanksgiving average in 2012.
Nationally, airfares are projected to be 21 percent higher than 2015, according to the AAA press release. A round trip to the top 40 destinations in the U.S. will cost an average of $205 this year. The release also said lodging prices will be about the same as 2015 for AAA Three Diamond rated hotels, $155 per night, and for AAA Two Diamond rated hotels, $123 per night, a four percent increase from last year.
There is a free smartphone app also available from AAA that can help map routes, find the lowest gas prices and request AAA roadside assistance, the release said.
The American Red Cross shared some highway safety tips to follow during your holiday travelling in a press release, including checking the weather along your route, avoiding distractions such as cell phones, being well rested and alert, being cautious in work zones and traveling at a safe speed. The press release said driving too fast, or too slow, increases your chance of getting into an accident.
Forecasts for the Lebanon area are fairly consistent Tuesday through Sunday. Highs are expected to be in the high 40s all week long, according to AccuWeather.com. A rain shower may show up late Wednesday night, and Thursday morning, we are likely to see some rain. There will be a slight chance of a shower Thursday afternoon, but Thanksgiving evening we will see partly cloudy skies and temperatures in the mid-40s.


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Pay as you Dine Implemented as Refurbishment Continues in Retail & Leisure Outlets
August was a busy month for the ISS-RAFCRL Partnership with the refurbishment of The Junior Ranks Mess and the two squadron feeders in preparation for the transition to Pay As You Dine, which commenced on September 1st.
The 16th August saw the "Tasting Day" when the Station was given the opportunity to have a "Taste of things to come" in the Junior Ranks Mess function suite. A well attended event which included sampling of food, the offers that diners would be able to choose from, pricing for the various offers and a better understanding of the new concept of PAYD. The event coincided with the arrival of the mobilisation team, whose role included giving all staff till training, making chefs aware of their new role and ensuring that the correct equipment, menu's, delivery dates and signage would all be in place for September 1st. PAYD has seen the biggest change in RAF Catering since the introduction of the Daily Food Charge (DFC) in 1943 (amended in 1971), and it is PAYD that replaces the DFC. Members of the mobilisation and management teams were present in all Messes at 06:00 to witness how RAF Marham personnel would react to the first meal under the new system. Breakfast saw a slight reduction in the number of diners, but those there who were asked about the new system were pleased; with positive comments about pricing, although a little confused about was part of the Classic menu and what was not. Lunchtime in all three Messes and the II (AC) & 31 Squadron feeder saw a significant rise in the number of diners compared to breakfast, and not much of a reduction from the previous day. Generally diners were very impressed with the choice, pricing and quality of the food on offer, as they were with the evening meal. Several diners were very quick to make favourable comments which hopefully will bode well for the future of Pay As You Dine at RAF Marham.
September will have seen the completion of refurbishment of Louis' Bar and the redecoration of The Grafton Club. ISS are working alongside the Junior Ranks Committee to bring regular entertainment back to these venues. Currently in the planning stage, RAFA are hosting a function on 10th November to celebrate the 25th anniversary of "Top Gun". Other events will be publicized in the near future.
Refurbishment should have been completed in the SPAR Community Shop, with a major refurbishment of the SPAR Convenient shop planned to be completed by the end of October which will see the present vending area and surrounding area becoming a Real Bean Cafe. The former Coffee Shop will be used as an alternative for shopping during this major project.
The Bull & Bowl has seen a rise in its use with the quiz being well attended on a Monday evening, and the return of the Football Season has seen the Sportsman's bar well attended. The staff are currently planning social events for the whole family and a Halloween Night will be staged on October 29th. The menu is constantly being reviewed and a new Menu will be introduced in November. The Customer Comment Proforma's and Customer Survey have provided an excellent feedback to improve the Service provided by ISS. A Focus Group with a cross section of personnel from RAF Marham has been formed to further help in ISS integrating with the community. More information can be found on the ISS-RAFCRL website www.iss-rafcrl.co.uk


Gold Coast Airport Car Rental | Discount Deals, Sml, Mid, Lge Vehicles!
Just over an hour south of Brisbane, the Gold Coast occupies over 50 km of southeast Queensland's stunning coastline. With a wealth of fantastic beaches, wonderful surfing opportunities, some of Australia's grandest shopping centres, the southern hemisphere's biggest and best theme parks, and a couple of gorgeous national parks to boot, it is no wonder that this city sees millions of visitors flocking here each year. With car rentals from Gold Coast Airport Car Hire you can take your pick from the endless range of activities and attractions on offer and, with a huge variety of rental cars to choose from, you will be sure to find a model to suit your needs and allow you to get the most from your time in this spectacular region.
Once you have dropped your bags off at your hotel, the best way to start a trip to the Gold Coast is to drive your rental car down to one of the iconic strips of golden sand which give this city its name. If you want to be at the heart of the action, Surfers Paradise is the place to go, otherwise you might want to head a few kilometres further up to the more relaxed and spacious, Broadbeach. You will find no end of sun, sea, sand, excellent cuisine and unrivaled nightlife to enjoy.
If you are here for the surf, the world famous breaks at Duranbah and Snapper Rocks are within easy striking distance, in your rental car. If you would rather something more low-key head to Pacific Pines, one of Australia's best-known shopping centres, or any of the city's other top shopping spots.
If and when you decide to pull yourself away from those marvelous beaches, you might want to spend a day or more, in your hire car, delving into the wonderful array of theme parks on offer in the Gold Coast area: take on the thrilling rides of Dreamworld, check out the magnificent marine life in the pools at Sea World, or take a splash and cool down at WhiteWater World or Wet 'n' Wild. About two hours' drive from the city itself, you can also visit Steve Irwin's Australia Zoo, set up by one of Australia's most famous and best loved wildlife conservationists.
Another must-see spot, made easily accessible with your car rentals from Gold Coast Airport Car Hire, is the breathtaking Gold Coast Hinterland, particularly the national parks of Lamington and Springbrook. Here you can hike along magical bushwalk trails, wander through lush, thick-forested valleys and marvel at some of that truly magnificent Australian landscape. Also be sure to pay a visit Mount Tamborine, where, other than enjoying more of the Hinterland's dramatic scenery, you can soak up some Queensland culture in one of the intriguing art gallery, drink delicious Australian wine in a boutique winery or treat yourself to a day in a luxurious spa.
Whatever you decide to do with your time here, your car rentals from Gold Coast Airport Car Hire in Queensland will give you the freedom to do it with the least amount of stress possible. This will be no different when it is time to leave, as you can drive your rental car all the way back to the airport, and you can focus on making the most of your time in one of the most fun-filled regions of Queensland, Australia.


As you enter JetBlue's old brick office building in between a New York police station and a run-down train station in a not-so-upscale part of Queens, it is difficult to imagine the inside could offer much more than any modern office. But here is where the experience belies the expectation. The office floors resemble an airport, with "runways" (corridors) and "galleys" (break areas). Signage and design look like they could be in use today by Pan Am if New York's former hometown airline was still around.
The facility is not called the company's headquarters, it is known as the "Long Island City Support Center" in the sense that administration is supposed to support those in the field. And there are no "employees" here; "crewmembers" populate the facility, which is a bit like JetBlue itself. In many ways the carrier looks like any other airline, but in its short history it has been extraordinarily innovative, and its influence on the airline industry is huge.
Carriers worldwide are trying to emulate parts of its business model, therefore JetBlue has helped change the way both legacy and low-fare airlines define themselves in the U.S., Europe and Asia. Look at Vueling, Aer Lingus, Virgin Australia or EasyJet. JetBlue invented the hybrid concept. And apart from trying to be "part of the fabric of New York City," as Marketing Director Marty St. George puts it, even the headquarters building resembles the hybrid approach—a mix of old and new.
However an issue could arise, even in the very early stages. JetBlue can continue to grow within the boundaries of its existing business model, gently expanding them at times. But in spite of all these small steps, it may well be that JetBlue is tempted to take one giant step and, yet again, carve out another niche. That step could be to enter the long-haul market using widebody aircraft. JetBlue is not there yet and management might decide not to do it in the end. But, "We have talked about it," St. George says.
It is important to keep these fundamentals in mind when it comes to understanding corporate culture: JetBlue, founded in 1999, is by far the youngest of the big U.S. airlines. Its first flight occurred Feb. 11, 2000 (from John F. Kennedy International Airport to Fort Lauderdale-Hollywood (Fla.) International). It has been among the most innovative and, unlike the first low-cost role model, Southwest, not risk-averse at all. In fact, JetBlue chose to ignore the low-cost-carrier rulebook many times. It introduced live TV onboard and offered an at least 34-in.-seat pitch for every passenger, added smaller aircraft (the Embraer 190) and entered partnerships.
Of course, JetBlue has also been in crisis mode more than once, including the traumatic departure of founder David Neeleman a few months after the infamous operational meltdown of February 2007, when fully booked aircraft were stranded on the tarmac for up to 11 hr. in the midst of a New York-region snowstorm. And there have been periods of what now must be considered excessive growth that the airline paid for dearly in the form of negative free cash flow and low investor confidence. The likely exit of its biggest investor, Lufthansa, in the coming years—coupled with Embraer 190 reliability issues—round out some of the airline's woes.
This is being achieved by voluntarily forgoing the lowest-cost options. Barger argues that "people will pay a premium in this geographical region." JetBlue is not concerned that it will be able to survive without participating in the current consolidation trend. "We are only five percent of the domestic landscape, but you can still be a very successful airline," Barger says. JetBlue aims to become more relevant by paying close attention to what customers seek. In Boston it serves 65% of the markets people want to reach, and daily departures are scheduled to rise to 150 from 120 within the next three years.
Barger's goal is to thread the needle by positioning JetBlue between super discounters and large legacy carriers. He calls it being a "tweener." But he acknowledges that some on Wall Street are skeptical. "Investors don't like tweeners." To be one means putting 150 seats on an Airbus A320 that could hold 180, providing passengers with more legroom, all-leather seats, and live television feeds (broadband Wi-Fi is slated for this year). His target is a leisure customer who is willing to pay a bit more for extra comfort. "People will pay more for a Starbucks coffee," he says.
JetBlue not only has been deleveraging the balance sheet, it has lately tackled strategic risk. Business markets in the northern U.S. are potentially more lucrative than leisure routes, however they take around two years to mature. By pushing for growth in leisure flying, too, "we are really using the markets down south to fund the markets up north." In an earlier stage of JetBlue's development most of its markets were dictated by seasonality; because of rapid growth a large part of the network was still unprofitable and there were no partners. Now JetBlue is using connecting traffic from partner carriers to fill off-peak capacity.
In another tweak to the existing model, JetBlue plans to provide premium cabins in its A321s. The aircraft will be used on transcontinental services, where it competes with higher-quality cabins provided by other airlines. The new product will become available next spring to make the long-duration domestic services more attractive. The cabin could also be installed in some of the airline's A320s, Barger said recently. On the other hand, his game plan includes avoiding routes where there is fierce competition. JetBlue's cross-country flights to the Los Angeles basin do not land at Los Angeles International (LAX) but at Long Beach Airport, which is served by an art deco terminal built in 1941. It's not far from Los Angeles—and it is slot-protected, limiting competition. "We don't think anybody is profitable [at LAX] except for Southwest," Barger says.
In spite of the CEO's concerns, most investors seem to like his approach. "JetBlue clearly understands its strengths and weaknesses," Michael Derchin of CRT Capital writes in a note to clients. "It does not want to be all things to all people. It is not going after the high-end global business traveler . . . nor the ultra-price-sensitive leisure customer." He also notes that JetBlue manages to further close the yield gap between it and legacy carriers as it focuses its growth on key locations such as New York, Boston, the Caribbean, parts of Florida and Los Angeles.
When Barger boarded a flight in New York on a bitter winter morning, he snapped a photo out the window of a groundcrew braving the weather, which he sent out on his Twitter feed. Barger believes valuing and motivating employees is important for JetBlue. "Customer service is off the charts," he asserts. That the employees are not unionized is a measure of his success in building that culture. "I'm not bagging on unions," he said later that morning in an address to the Harvard Business School's Aerospace & Aviation Club in Boston. "But we just think you do not have to pay somebody to talk." As JetBlue continues to grow, one of the biggest challenges will be "scaling the culture of the company." But the truth is also that very few airlines have as strong a corporate culture, with the exception of Southwest.
Having a powerful culture can leave an airline in a somewhat isolated position, but the next step in JetBlue's development involves opening up to others. The airline has long worked with different carriers, but mainly in the sense of putting the other airline's code on its own flights. Allowing JetBlue's code on someone else's flight means relinquishing some control. That is likely to happen next. "We are working with carriers with whom the brands align," says Laurence. Emirates or Aer Lingus are among them, but the most likely carrier for two-way code-sharing partnership is South African Airways (SAA). The carrier is, in many ways, the exact opposite of JetBlue: it is government-owned and controlled, and incurs huge losses, but because the airline traditionally has a big share of very long routes owing to geography, it pays special attention to comfortable cabins.
In addition to SAA, JetBlue currently has one-way code-shares with Aer Lingus, Emirates, Japan Airlines, Hawaiian Airlines and Lufthansa. The Aer Lingus deal was expanded in April to include another 33 destinations.
American could indirectly provide JetBlue with some nice growth opportunities, too, if it (or US Airways) was forced to give up slots at Reagan Washington National Airport. "We absolutely hope for slots at National," says St. George.
JetBlue's management has been discussing joining one of the three alliances, weighing the pros and cons in trying to figure out whether the benefits would be worth the investment. Two-way code-sharing may be a step in between or it could be as far as the airline is prepared to go for a long time. "Everything is on the table, and that includes alliances longer term," says Laurence. JetBlue has been working with members of all three—Star, Skyteam and Oneworld. In fact, Lufthansa's 2007 investment in JetBlue was based on the assumption that it would need feed in New York. That need has diminished significantly as a result of the United-Continental merger that gave the Star alliance a hub at Newark (N.J.) Liberty International Airport.
Becoming a long-haul operator would be the next natural step once its short- and medium-haul networks are mature. JetBlue is already flying to previously unforeseen destinations. "Nobody would have predicted that we would be in Colombia or in Anchorage," says St. George. "The network is dramatically different [from] the original plans in 1999." So chances are it will continue to broaden its blueprint. The airline has already identified Latin America as one of its main growth targets, but narrowbody technology limits that. Widebodies don't, and the new generation of aircraft, particularly the 787s as the smallest long-haul aircraft, would seem like a good fit. JetBlue is not discussing aircraft choices at this stage, but one thing is clear: "If we go long-haul, it would probably be Latin America first," says St. George.
The Embraer issues are an example of how the airline is willing to take risks when it sees a merit. This approach does not always pay off as expected, and a lot of work is required to fix it. Some of that work is likely to take place in one of the conference rooms in Long Island City. "Gates" they are called—it is JetBlue after all.


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CPB Gets $10M Funding Boost for FY2023
By Michael Balderston 22 December 2020
Funding officially set at $475 million by Congress
(Image credit: CPB)
WASHINGTON—The Corporation for Public Broadcasting will receive a $10 million increase in funding for fiscal year 2023 thanks to negotiations between the House and Senate. That will bring CPB's funding for FY2023 to $475 million.
The funding increase was officially approved as part of a package of appropriations bill including in the omnibus spending bill that was passed by both the House of Representatives and the Senate on Dec. 21.
According to Patrick Butler, president and CEO of America's Public Television Stations, the increase in funding helps restore what he says is nearly $100 million in lost purchasing power for public broadcasters due to frozen funding over the last decade.
Butler says that the additional funding will help CPB continue to provide and grow its services related to education, including crafting educational programming for at-home learning that bridges the digital divide; expand public safety and information services; and help with the rollout of the ATSC 3.0-based NextGen TV standard at public stations.
"This increase will enable public television stations to educate more children, protect more lives and property, and enable more well-informed citizens to guide the world's most important democracy," said Butler.
The legislation also provides level funding of $20 million for FY2021 for station interconnection, Butler says. In addition, $29.5 million, an increase of $500,000, is being provided for the Ready to Learn program focusing on early childhood education.
Corporation for Public Broadcasting


Geirmund's Hall is a small crypt east of Ivarstead containing draugr, frostbite spiders, and skeevers.
It is located on an island in the middle of Lake Geir.
There are several blue and red mountain flowers, a canis root plant, a thistle, a dragon's tongue and gourd growing on the island. There are several upright stones and three patches of bleeding crown fungus in front and either side of the entrance. There are two iron ore veins just east of the entrance and one corundum ore vein a short distance to the northwest. Near some rocks to the north are two patches of imp stool fungus.
Upon entering there are many fungi growing in the cave, including fourteen bleeding crown, nineteen fly amanita, and five white cap fungi. There are two skeevers that will attack as you descend towards a large sinkhole. To the west of the hole is a dead adventurer who is carrying a copy of Lost Legends, which will start the Forbidden Legend quest if you haven't already started it. The only other item of interest is an iron ore vein on your left as you descend.
Jump down through the hole in the ground into the pool below. Under the pool you will find an urn and a short dead-end passage containing a burial urn and at the end, an unlocked chest, a random sword, a medium coin purse, a random potion of waterbreathing and a random empty soul gem on the sandy bottom. Be careful to make sure your follower does not come with you because you may be unable to leave the water-filled passage and drown when they block your exit. There is an iron door to the west with wooden stairs leading up to it out of the water. Opposite, among some rubble, is a burial urn and a small coin purse. Through the door you will face two frostbite spiders in a web-filled room with an adept-locked door to the north and a passage to the south. Behind the door is a short passage with a broken table on your right holding a random set of armor, a random shield, and a random potion of healing.
At the start of the passage to the south is an adept-trapped chest on a dresser and next to this a pressure plate that triggers a poison dart trap from the walls ahead. Continuing to the west down a flight of stairs into some shallowly flooded catacombs with rotating pillars, look at the walls. The order is Eagle—Whale—Snake—Whale. There are pillars for each one in this area guarded by one draugr each, at least one of which is a magic-user. Halfway through the pillar section, there is a table with a random filled soul gem on a weight sensitive plate which will set off a battering ram in the form of a mammoth head and tusks swinging down from the ceiling. You can set the trap off safely if you are beside or on top of the table when you take the soul gem. There is also a random potion on the table. There is a burial urn by the first rotating pillar, another burial urn (partially buried) further along the wall on the same side and diagonally opposite a large urn by the table. At the bottom of the stairs, there is the first pillar (Eagle). Turning right, the second pillar (Whale) is next to the stairs. The third pillar (Snake) is behind the table. Going slightly backwards, then left, you can see the fourth pillar (Whale). Then turn to the right and pull the lever so you can go through the door to the north.
A short tunnel with several more fungi growing along it leads to an area where you will encounter three more draugr (one at the bottom of the ramp, and two more guarding the corpse of Geirmund at the top). Care should be taken as fighting these three, can alert a further leveled archer draugr on a walkway above the room. There is a well-hidden small coin purse in the second shelf of the fallen bookshelf at the base of the ramp; only the very top of it shows through the sand. A second hidden coin purse is among some rubble to the south. To the west is a sideboard with a random bow and a single arrow on top. To the right is a set of shelves holding leather strips and a random potion of stamina.
Before approaching Geirmund for the key, you can use a Whirlwind Sprint shout to reach the broken bridge on the west side of the room, leading to a leveled treasure chest. Be careful when opening the door as it is rigged—there is a spellcaster trap that shoots firebolts at you directly behind it. Remove the soul gem to disarm the trap. You can stand to the side to avoid the blast or disarm the tension cable first. The chest itself is not trapped, but does have an expert-level lock on it.
Proceed to take the key from Geirmund's skeleton (the key is visible in his hand but it's not in his inventory). You can grab the epitaph for some content reference if you want, and Geirmund has some pretty good loot for the taking. To the east of Geirmund is an urn with an unlit brazier in front containing a random mace. The key will open the door directly behind Geirmund's resting place or you can pick the adept lock. As soon as it opens, a draugr may or may not spawn at the arcane enchanter table, and there is a large spider or skeever to the left. Up the stairs to the right, there is a random potion of invisibility and an urn for the taking. On the table with the enchanter is a random battleaxe and random poison, while beside the table on the ground is a random empty soul gem. Once you've dispatched of the spider or skeever, proceed to the west past two bookcases, the second of which has a random helmet on top. At the bottom of the stairs on the ground to the right is a small coin purse. Proceed up the stairs where another leveled draugr will be patrolling. There is another sideboard on the left with a random set of armor and boots, and a random bow on top.
Once you reach the drawbridge, you'll be facing the raised bridge (with another draugr behind it, if you didn't deal with it from below) and a lever. There will be spear holes in the wall pointed in your direction—the said lever is a dummy that sets off a spear trap. Instead of that lever, if you are facing the bridge, the useful lever is directly behind you hidden in the corner. That one will lower the bridge for you. (If you did not Whirlwind Sprint to the hidden treasure chest from before, you can now just drop off the right side of this bridge to get to it and backtrack to here once you've gotten your treasure.) Kill the draugr here and cross the bridge to the center pillar. Here lies another switch that will drop the other side of the bridge. Two more draugr are mulling around the far side of this walkway. You can easily shoot and kill them before dropping the bridge. However, when they die, they may land on the pressure plate behind them, setting off the swinging axes in the hallway. You will find one more draugr, a magic-user, just past the pressure plate around the corner at the end of that hall. As you descend the stairs you will pass another sideboard with a random poison on top. Around the corner the passage ends on a ledge.
This next area is where you'll confront the boss, Sigdis Gauldurson. The area below the ledge where you will fight the boss is full of many more of the fungi already found throughout the ruin as well as many hanging moss growing in this area. Once you drop down here and head towards the quest objective, Sigdis Gauldurson will bust out of his sarcophagus. Don't bother wasting arrows/magic/shouts as he is rising. They will not harm him, and may trigger a bug (see the Bugs section).
The illusions glow with a faint blue aura, while Sigdis himself does not. Equip your bow and arrow, crouch behind his tomb for cover, and aim for the one without the glowing blue aura. If you kill the two illusions he will teleport and create them again. If you approach Sigdis, he will generally try to deal one more hit of damage before teleporting and summoning new illusions. This rapid room-crossing can be tricky to overcome for melee-dependent classes. For melee players, a bone-crushing shield bash will stagger him long enough to land an overpowered hit or two quick follow-up hits before he teleports away.
While Sigdis is teleporting, put a rune on one of the spots where he appears, then quickly turn to aim at another spot. When he finishes teleporting, either you will have hit him or you've eliminated an illusion. If the latter, quickly fire again at another spot and you can potentially eliminate two of the three possible versions of him.
Return to the ledge from which you entered the cavern. It's then easy to pick off Sigdis , and he doesn't seem to shoot back, although he still teleports himself and his two minions around the room.
Once you've hit the real Sigdis, his damaged health bar will start to show when your sight hovers over him, while the illusions will never show a damaged health bar as they dissipate when damaged. This is an easy way to tell where Sigdis is when he teleports.
Look closely at them: the fake two have glowing purple runes on them, while the real one does not. The real one will also have a helm with horns curled down, like an ancient Nord helm, while the illusions that he makes have helms with the horns straight and pointed up, like those on the Helm of Yngol or on draugr deathlords, or no horns at all.
Bane of the Undead will both damage Sigdis and eliminate the clones.
It is important to note that, when he is attacked by a melee weapon, it may be disarmed from you (although shield bashing seems to alleviate this threat). Try to use magic when able.
Once he is defeated, loot his corpse for his Gauldur Amulet Fragment, Writ of Sealing, and Gauldur Blackbow (an enchanted bow). You'll find an escape tunnel behind his sarcophagus leading to a treasure room. There is a boss-level unlocked chest with a plate holding two pearls and a small pearl. To the right is a set of shelves holding a random helmet, gauntlets and shield, a random potion of magic, and a copy of the Two-handed skill book Words and Philosophy. To the south, a passage leads to a lever that will open a hidden door back to the first room.
Tell any followers to wait outside the cavern or on the tomb side out of harm's way. Do not leave them on the islands in the middle of the water, as they may die or kill his clones, making your task harder.
Sigdis' clones have petty souls. You can farm the respawning clones using a bow with a soul trap enchantment and a decent Sneak skill until your soul gems are all filled. However, the only way to leave the ruin is through the secret door that opens when you kill Sigdis, so you can only exploit this mechanism for a single session.
If the key is not on the altar, look on the floor, as the draugr above on the landing may attack you with shouts and knock it off.
There's a repeating clank sound coming from the wall in the upper parts of the stairs up to the hallway with the drawbridge lever, and in parts of the hallway itself. The source of the sound cannot be found.
Save before falling down the hole. Sometimes the pillars won't turn when activated. Reloading may resolve this.
If you get a kill move on Sigdis and he teleports while in the middle of the move, his body may disappear making it impossible to complete the quest.
The body can be recovered with the console. Type prid 000A5E68, then moveto player, then disable, then enable . This will make the body accessible again.
Do not attempt to use Unrelenting Force against Sigdis while he is emerging from his coffin. He will glitch and you will be unable to kill him. ?
If you do glitch him by starting with Unrelenting Force you may be able to un-glitch him by using it again on the "dead body" while fighting him. One of the three spawns during the fight will almost always be a dead body.
If you kill Sigdis before he teleports, the exit may not open and you will be trapped.
If you paralyze him before he disappears he will glitch and be unkillable. ?
You may be unable to loot Sigdis if he has been disintegrated. ?
Followers caught in the pendulum trap room sometimes disappear for good. ?
If you are knocked down by Sigdis' Unrelenting Force, you may get stuck behind the wooden bars at the southeastern end of the water area. ?
This page was last modified on 7 April 2019, at 21:19.


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How Many Species Of Reptiles Are There?
There are about 10,700 known extant species of reptiles.
There are approximately 3,750 species of lizards.
Reptiles are tetrapod animals belonging to the class Reptilia, which includes turtles, snakes, crocodilians, tuatara, lizards, and amphisbaenians. Reptiles likely originated more than 312 million years ago, when the first species evolved from the advanced reptiliomorph tetrapods. Today, animals belonging to class reptilian range in size from tiny geckos to huge saltwater crocodiles that measure more than 19 feet in length. There are approximately 10,700 extant reptile species.
Characteristics of Reptiles
Reptiles either have four limbs or, like snakes, are relatives of four-limbed creatures. They are cold-blooded, meaning that they do not self-regulate their body temperatures, but rather rely on the external environment. Reptiles do not have the aquatic larval stage like amphibians. Instead, most reptiles are oviparous, meaning they lay eggs, while some are viviparous, meaning the embryo develops inside the mother and eventually results in a live birth.
Reptile Species
The Reptile Database is a database that lists all living reptiles and their classifications. It also contains images for most reptiles on the list. There are more than 10,700 extant species of reptiles recorded in the Reptile Database, making reptiles one of the most diverse types of vertebrates in the world. Compared to other species, only birds and fish have more types of species than reptiles. Additionally, there are approximately 5,000 and 7,000 species of mammals and amphibians, respectively.
Classification of Reptiles
Reptiles form part of the domain Eukaryota, which consists of organisms that have a nucleus within membranes. They are also included in the kingdom Animalia, which are organisms that ingest food and are multicellular. Reptiles are further classified as Chordata because of the presence of a spinal cord running the length of their back. As Chordata with backbones, they belong to subphylum Vertebrata and class Reptilia. There are four major groups of reptiles: Crocodilia, Squamata, Sphenodonita, and Testudines.
Crocodilia
The order Crocodilia is a subclass of Archosauria and contains some of the largest reptiles including crocodiles, caimans, alligators, and gavials. Reptiles in this order are mainly carnivores and typically inhabit tropical and subtropical rivers, swamps, and streams. They have strong jaws which facilitate a powerful bite, advanced brains, and greater intelligence than other reptiles.
The Squamata order contains terrestrial reptiles such as snakes and lizards. There are approximately 3,750 species of lizards and 3,000 species of snakes. These animals have the ability to crawl or creep using their abdomen. They possess skin covered with horny scales that are periodically shed. Although snakes do not have legs, they evolved from four-legged ancestors.
Sphenodontia
Sphenodotia is the least specialized group of reptiles, with brains similar to those of amphibians. The best-known sphenodontite is the tuatara, which is a species that has a wedge-like skull with primitive eyes and socketless teeth. The lizard-like creature lives primarily in New Zealand.
There are approximately 250 species belonging to the order Testudines, which are primarily turtles and tortoises. The species are four-legged and have a hard shell covering most parts of the body. They are mainly aquatic and are the oldest living reptiles in the world.
This page was last updated on January 14, 2019.
By Sophy Owuor
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The event schedule for the much anticipated "Daks over Normandy" event in June 2019 is slowly materializing. For the first time since 1944, the skies over Normandy will be filled with full squadrons of Douglas C-47 Skytrains to drop paratroopers. Throughout the World about 150 of these 'winged workhorses' are still flying and for this very special occasion the plan is to bring about 40 of them together for one last time, during the 75th commemoration of the 1944 D-Day landings.
All aircraft assemble at Duxford Airfield UK.
Public day. Static Show, airmarket, scenic- & formation flights. Parachutists arrive.
Public day. Static Show, airmarket, scenic- & formation flights. Mass Practise jump.
Public Day. Day of the Channel Crossing. The exact route will be published.
A pair of Douglas DC-3 and C-47 Dakota painted with invasion stripes.
Day of festivities all over Normandy.
Parachute jumps all over Normandy Peninsula.
Mass jump at La Fiere dropzone. Day of departure of all aircraft.
This Friday 20 April the registration for the parachutist will open. At this moment there are about 250 slots available for the evening of 5 June Cross Channel Flight and that number increases with every new aircraft. The expectation is that these slots will be gone in a matter of hours. The Cross Channel flight itself will be a sight to behold, as all aircraft, escorted by a number of fighters, will be in one large formation. It is something the World has not seen since World War 2.
The organisation will publish the exact route the formation will fly, so people can set their schedule to be present somewhere along the route.
For tourists and spectators who will participate to the event, the organizers are arranging scenic flights at Duxford Airfield for 3 and 4 June and at Caen Airport for 7th and 8th of June.The scenic flights in the vintage Douglas DC-3 Dakota's will take passengers over the Cambridgeshire, Norfolk and Suffolk countryside. Over Normandy, they will be able to admire the historic towns and places such as Pegasus Bridge, Ouistreham and the Gold, Juno and Sword invasion beaches.
Peter Braun, Daks over Normandy Event Director says: "The program is ready and we're getting all authorizations in. At this moment we are still in search of major contributors. As you all might understand for our endeavors we need a considerable amount of aviation fuel. Any donations can be made through our website and they are highly appreciated. For sponsors, we have a very attractive sponsorship program. One of them is a VIP flight over Normandy on a DC-3 with complementary champagne! And since we are a registered as a not for profit organization, donations are tax deductible.


Vodafone UK has announced the beautiful rural community of Fownhope in Herefordshire as the latest community in a rural mobile not-spot location to receive 3G coverage with Vodafone's Rural Open Sure Signal (ROSS) programme.
Situated on the banks of the River Wye in the beautiful Herefordshire countryside, Fownhope has until now suffered from unreliable mobile coverage and slow network speeds. The ROSS programme uses Vodafone's innovative Sure Signal technology to bring high quality 3G voice services and much needed access to the internet via mobile devices to communities in some of the UK's most beautiful and remote areas. About the size of a cereal box, the Open Sure Signal units connect to existing broadband lines to create 3G coverage, and are installed high up on chimney breasts or the eaves of buildings.
As well as using Rural Open Sure Signal to plug rural "not-spots", Vodafone is spending around £2 billion on its network and services across the country over 2014 and 2015. This includes the provision of HD (High Definition) Voice technology on its 3G network and the extension of its 4G coverage to 679 cities and towns and thousands of smaller communities across the UK.


It is a one-shot game, one-shot deal. Sometimes the ?best' teams don't always advance on in the NCAA tournament. That's why there are so many ups and downs, and that's why there are upsets, because there is one game. One game, you don't play well that particular night, you are going to go home.
Right now Tennessee and LSU on both sides are the teams that have been the most consistent.
My philosophy defensively is to try to take teams out of what they practice every single day.
We shot ourselves in the foot a lot of times in the second half. . . . I thought both teams had fatigue settle in as the game went on.
We try to take teams out of what they practice every single day, whether through pressing, trapping, three-quarter-court pressing, through trapping pick-and-rolls, trapping the low post. We're trying to do things to disrupt the flow of the game.
Flat out, the past several years -- to be totally honest -- we weren't good enough to advance. They didn't advance far enough in the tournament because maybe some of the past teams weren't built to make a deep run in the tournament.
I've said that if you started this tournament again tomorrow you would get four different teams in the Final Four. The NCAA Tournament is a totally different entity from the regular season. It's got nothing to do with the regular season. Once you get in, anything can happen.
They have a chance to be special this year, ... They should be, without question, one of the top five teams in the country.
It was a back-and-forth basketball game. Both teams had a chance to win, but give Arkansas credit. They were able to find a way to come out with a victory.