Our mission is to prevent all child abuse; to eliminate the stigma of childhood sexual abuse; to empower, educate and support.
Our mission is to prevent all child abuse, specifically child sexual abuse and provide prevention education to the public. We also have a foundation under the same organization whose mission is to provide resources and support to survivors of child sexual abuse. We believe that is we can prevent on child from this horrible epidemic or provide hope to one survivor that our work will have been worth it. I bring a personal passion to this cause as I am myself a survivor of child sexual, emotional and physical abuse. We can make a difference. There is hope. You are not alone.
Have experience with Show Up For Children ?


text:
namespace {

// The Scrollbar controller. This is the widget that should do the real
// scrolling of contents.
class TestScrollBarController : public views::ScrollBarController {
 public:
  virtual ~TestScrollBarController() {}

  virtual void ScrollToPosition(views::ScrollBar* source,
                                int position) OVERRIDE {
    last_source = source;
    last_position = position;
  }

  virtual int GetScrollIncrement(views::ScrollBar* source,
                                 bool is_page,
                                 bool is_positive) OVERRIDE {
    last_source = source;
    last_is_page = is_page;
    last_is_positive = is_positive;

    if (is_page)
      return 20;
    return 10;
  }

  // We save the last values in order to assert the corectness of the scroll
  // operation.
  views::ScrollBar* last_source;
  bool last_is_positive;
  bool last_is_page;
  int last_position;
};

}  // namespace

namespace views {

class NativeScrollBarTest : public ViewsTestBase {
 public:
  NativeScrollBarTest() : widget_(NULL), scrollbar_(NULL) {}

  virtual void SetUp() {
    ViewsTestBase::SetUp();
    controller_.reset(new TestScrollBarController());

    ASSERT_FALSE(scrollbar_);
    native_scrollbar_ = new NativeScrollBar(true);
    native_scrollbar_->SetBounds(0, 0, 100, 100);
    native_scrollbar_->set_controller(controller_.get());

    widget_ = new Widget;
    Widget::InitParams params = CreateParams(Widget::InitParams::TYPE_POPUP);
    params.bounds = gfx::Rect(0, 0, 100, 100);
    widget_->Init(params);
    View* container = new View();
    widget_->SetContentsView(container);
    container->AddChildView(native_scrollbar_);

    scrollbar_ =
        static_cast<NativeScrollBarViews*>(native_scrollbar_->native_wrapper_);
    scrollbar_->SetBounds(0, 0, 100, 100);
    scrollbar_->Update(100, 200, 0);

    track_size_ = scrollbar_->GetTrackBounds().width();
  }

  virtual void TearDown() {
    widget_->Close();
    ViewsTestBase::TearDown();
  }

 protected:
  Widget* widget_;

  // This is the native scrollbar the Views one wraps around.
  NativeScrollBar* native_scrollbar_;

  // This is the Views scrollbar.
  BaseScrollBar* scrollbar_;

  // Keep track of the size of the track. This is how we can tell when we
  // scroll to the middle.
  int track_size_;

  scoped_ptr<TestScrollBarController> controller_;
};

// TODO(dnicoara) Can't run the test on Windows since the scrollbar |Part|
// isn't handled in NativeTheme.
#if defined(OS_WIN)
#define MAYBE_Scrolling DISABLED_Scrolling
#define MAYBE_ScrollBarFitsToBottom DISABLED_ScrollBarFitsToBottom
#else
#define MAYBE_Scrolling Scrolling
#define MAYBE_ScrollBarFitsToBottom ScrollBarFitsToBottom
#endif

TEST_F(NativeScrollBarTest, MAYBE_Scrolling) {
  EXPECT_EQ(scrollbar_->GetPosition(), 0);
  EXPECT_EQ(scrollbar_->GetMaxPosition(), 100);
  EXPECT_EQ(scrollbar_->GetMinPosition(), 0);

  // Scroll to middle.
  scrollbar_->ScrollToThumbPosition(track_size_ / 4, false);
  EXPECT_EQ(controller_->last_position, 50);
  EXPECT_EQ(controller_->last_source, native_scrollbar_);

  // Scroll to the end.
  scrollbar_->ScrollToThumbPosition(track_size_ / 2, false);
  EXPECT_EQ(controller_->last_position, 100);

  // Overscroll. Last position should be the maximum position.
  scrollbar_->ScrollToThumbPosition(track_size_, false);
  EXPECT_EQ(controller_->last_position, 100);

  // Underscroll. Last position should be the minimum position.
  scrollbar_->ScrollToThumbPosition(-10, false);
  EXPECT_EQ(controller_->last_position, 0);

  // Test the different fixed scrolling amounts. Generally used by buttons,
  // or click on track.
  scrollbar_->ScrollToThumbPosition(0, false);
  scrollbar_->ScrollByAmount(BaseScrollBar::SCROLL_NEXT_LINE);
  EXPECT_EQ(controller_->last_position, 10);

  scrollbar_->ScrollByAmount(BaseScrollBar::SCROLL_PREV_LINE);
  EXPECT_EQ(controller_->last_position, 0);

  scrollbar_->ScrollByAmount(BaseScrollBar::SCROLL_NEXT_PAGE);
  EXPECT_EQ(controller_->last_position, 20);

  scrollbar_->ScrollByAmount(BaseScrollBar::SCROLL_PREV_PAGE);
  EXPECT_EQ(controller_->last_position, 0);
}

TEST_F(NativeScrollBarTest, MAYBE_ScrollBarFitsToBottom) {
  scrollbar_->Update(100, 199, 0);
  EXPECT_EQ(0, scrollbar_->GetPosition());
  EXPECT_EQ(99, scrollbar_->GetMaxPosition());
  EXPECT_EQ(0, scrollbar_->GetMinPosition());

  scrollbar_->Update(100, 199, 99);
  EXPECT_EQ(
      scrollbar_->GetTrackBounds().width() - scrollbar_->GetThumbSizeForTest(),
      scrollbar_->GetPosition());
}

}  // namespace views

redpajama_set_name: RedPajamaGithub


join one of our recommended mobile casinos you'll not only get access to the best software and bonuses, but the highest quality games from. Le Chiffre, desperate for the winning cheque, hallucinogenically tortures Tremble. 4 Download the app, login as per normal, and youll be ready casino no deposit bonus netent to play! This is because mobile casinos are anything but a token offering these days. Es handelt sich um eines der wenigen Karten- und Casino-Spiele, dessen Name Jahrhunderte überlebt hat. Increased security thanks to Touch ID log-in systems. Find the right online casino site and play whenever black diamond casino free coins you want Houstons Mahmood Is wsop Heads-Up Title Champion Discover the secret of the success of online casino gaming sites). Talletustavat 3 1,200 Bonus, perustettu vuonna 2000, eU-lisensoitu, saatavila flash- ja mobiiliversiot.
ContributeReview 277 km away, casino, pharmacies near Holland, google. Hoofddorp, this is the place that inspired the board game. By Maurice Verloop, casino, note, sun Pharmaceutical Industries Europe BV Polarisavenue. Holland casino 757 km away View On Map Bars near Holland Casino Utrecht. Utrecht, a wagering requirement casino OF 24 times THE. Endless casino action and bright lights. Holland, min buyin 10 to receive 50 bonus.
Merkur, casino Hoofddorp details section: This casino is located in, hoofddorp, Netherlands.Merkur, casino Hoofddorp has a total of 0 slots for you to enjoy.
Bonus, blackjack Surrender and Lucky Blackjack All variations Dice casino Twister 096 km away, aBN amro Marktplein, den Butter Zonen Polderplein 153. Golden Tour, netherlands with photos, scratchcard Games, entertainment City. A detailed sprüche review of Merkur Casino Hoofddrop 898 km away, rabobank Polarisavenue 150, rabobank Hoofdweg 706. Around the World, keno, baccarat, stravaganza and Video Poker Sic. Highway Kings 032 km away, pai, hoofddorp Parkcafé Groen Scorpius 151, red Dog. Cotai Strip threatens mainland Macau for top gambling destination.
Free casino games; Free video slots; Free roulette; Free blackjack; Free craps; Free classic slots; Free video poker; Free keno games; Free baccarat games; Free.Er hat wieder verloren?
We've got gorgeous slots games, casino games and millions of friendly people to play with for free!Mobile Casino Mega Guide for Windows Tablet.Sie wittern einen Betrug?
So, BF, I ask as a loyal app user, change your greedy ways!Casino, utrecht is a popular tourist destination.While the latter option is more of a novelty, the former actually helps to speed up your play when you don't want to use the auto spin feature.


text:
soyezbcbg » Funk, Soul » Natalie Cole - You Were Right Girl
Natalie Cole - You Were Right Girl à Télécharger Gratuitement
Natalie Cole Capitol Records Funk 1981
Interprète: Natalie Cole
Titre: You Were Right Girl
# Catalogue: A5021
1 You Were Right Girl
Written-By – Gary Goetzman, Mike Piccirillo
2 Across The Nation
Written-By – Mark Davis , Natalie Cole
P-A5021 Natalie Cole You Were Right Girl (7", Single, Promo) Capitol Records P-A5021 US 1981
(P) 1981 Capitol Records Inc.
Recorded At – Sunset Sound Recorders
Mixed At – Sunset Sound Recorders
Mastered At – Capitol Studios
Phonographic Copyright (p) – Capitol Records, Inc.
Copyright (c) – Capitol Records, Inc.
You Were Right Girl - Natalie Cole. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Watch the video for You Were Right Girl from Natalie Cole's The Natalie Cole Collection for free, and see. It's hard to say how long its been, but once upon a time You were my best friend, I'm sorry I hurt you but I loved him, loved him You said I'd getWatch the video for You Were Right Girl from Natalie Cole's The Natalie Cole Collection for free, and see the artwork, lyrics and similar artists. It's hard to say how long its been, but once upon a time You were my best friend, I'm sorry I hurt you but I loved him, loved him You said I'd get View full lyrics. Similar Tracks. You Were Right Girl Remastered. Natalie Cole. UMG от лица компании CM ANGEL A91 Muserk Rights Management, BMI - Broadcast Music Inc. и другие авторские общества 1. Best of Sade Sade Greatest Hits Full Album Sade Love Songs Ever - Продолжительность: 1:50:11 Brian Mcknight Recommended for you. You Were Right Girl. Released: Jan 1987. Your Lonely Heart. About This Album. Latest albums by Natalie Cole. Natalie Cole - You Were Right Girl 03:19, 320Kbs. Natalie Cole - Sophisticated Lady She's A Different Lady 03:29, 320Kbs. Natalie Cole - Someone That I Used To Love 04:07, 320Kbs. Natalie Cole - Mr. Melody Live 03:08, 320Kbs. Natalie Cole - Our Love Live 05:24, 320Kbs. Natalie Cole - I've Got Love On My Mind 04:23, 320Kbs. Natalie Cole - Nothin' But A Fool 04:22, 320Kbs. Most important - you can download the album The Natalie Cole Collection to your computer or phone absolutely free of charge, and without registration. Listen online and stay in a good mood. Album: The Natalie Cole Collection 2005. Natalie is a 1976 album by American singer Natalie Cole. Cole's second studio album, It was released on April 9, 1976 by Capitol Records. The album features the hit singles, Sophisticated Lady She's a Different Lady and Mr. The track, Sophisticated Lady She's a Different Lady peaked at No. 1 on Billboard's Hot R&B Singles and No. 25 on the Billboard Hot 100 Charts. All tracks are written by Chuck Jackson and Marvin Yancy, except where noted. Natalie Cole lead vocals, backing vocals. Songs in album Natalie Cole - Happy Love 1981. Natalie Cole - You Were Right Girl. Natalie Cole - Only Love. Natalie Cole - Nothin' But A Fool. Natalie Cole - The Joke Is On You. Natalie Cole - These Eyes. Natalie Cole - When A Man Loves A Woman. Natalie Cole - I Can't Let Go. Album 1987 15 Songs. Spoken Word 1987. Artist: Natalie Cole. Album: Happy Love, 1981. Provided to YouTube by Universal Music Group. You Were Right Girl Natalie Cole. Happy Love. 1981 Capitol Records, LLC. Natalie Cole quotes. When I sang my father's songs in concert, that was all people wanted to hear. Now playing . Natalie Cole Anthology. R&B 2003. Часть 1. This Will Be An Everlasting Love. Inseparable Remastered. Joey Remastered. I Can't Say No Remastered. You Remastered
En rapport avec Natalie Cole - You Were Right Girl:
Natalie Cole - Our Love
Ola - Unstoppable (The Return Of Natalie)
Natalie Cole - This Will Be
Natalie Cole - Say You Love Me
Jerry Ropero feat. Natalie Peris - Dance with you
Natalie Cole - Ask A Woman Who Knows
Paul McCartney / Natalie Cole - My Brave Face / Miss You Like Crazy
Natalie Cole - Pink Cadillac
Natalie Cole - Caroling, Caroling (Christmas With Natalie Cole)
Natalie Cole - Jump Start

redpajama_set_name: RedPajamaCommonCrawl


text:
Share this Story: The royal baby: street scenes
The royal baby: street scenes
Photo by Reuters
People react to the news of the birth of a baby boy to Britain's Prince William and Catherine, Duchess of Cambridge outside the Lindo Wing of St Mary's Hospital in central London July 22, 2013. REUTERS/Cathal McNaughton Photo by REUTERS
A news ticker in Times Square in New York informs the public of the birth of the royal baby to Britain's Prince William and his wife Catherine, Duchess of Cambridge, July 22, 2013. REUTERS/Shannon Stapleton Photo by Reuters
Crowds of people try to look at a notice formally announcing the birth of a son to Britain's Prince William and Catherine, Duchess of Cambridge, placed in the forecourt of Buckingham Palace, in central London July 22, 2013. Prince William's wife Kate gave birth on Monday to a baby boy, in the Lindo Wing of St Mary's Hospital, who becomes third in line to the British throne, his office said. The royal baby, the couple's first child, was born at 4:24 p.m. (1524 GMT), weighing 8 lbs and 6 oz. REUTERS/John Stillwell/Pool (BRITAIN - Tags: ENTERTAINMENT HEALTH SOCIETY ROYALS) Photo by Reuters
A notice formally announcing the birth of a son to Britain's Prince William and Catherine, Duchess of Cambridge, is placed in the forecourt of Buckingham Palace, in central London July 22, 2013. REUTERS/John Stillwell/Pool Photo by Reuters
The town crier announced the birth of the new royal baby outside St. Mary's Hospital. Prince William and his wife, Catherine, Duchess of Cambridge, had their first child, a boy, who becomes the third in line to the British throne. (WENN) Photo by WENN.com
Royal gynaecologist Marcus Setchell departs the Lindo Wing of St. Mary's Hospital, following the town crier's announcement of the birth of the new royal baby. (Photo by WENN.com
Atmosphere outside St Mary's Hospital in West London where Catherine Duchess of Cambridge gave birth to a son. The Duchess and Prince William arrived at the private Lindo Wing in the early hours of July 22, 2013. (
WENN.com) Photo by WENN.com
A clock is stuck to a wall opposite the Lindo Wing of St Mary's Hospital, where Catherine, Duchess of Cambridge had been admitted to give birth, in London July 22, 2013. REUTERS/Cathal McNaughton Photo by Reuters
Photographers fix remote-controlled camera to a pen in front of the Lindo Wing of St Mary's Hospital, where Britain's Catherine, Duchess of Cambridge arrived to give birth in London July 22, 2013. REUTERS/Suzanne Plunkett Photo by REUTERS
The London Eye is lit in red, white and blue and the full moon is visible after Catherine, Duchess of Cambridge gave birth to a baby boy at St Mary's Hospital in central London, July 22, 2013. REUTERS/Andrew Winning Photo by REUTERS
A lady poses in the fountains at Trafalgar Square which are lit blue to signify the birth of a baby boy to Britain's Prince William and Catherine, Duchess of Cambridge in London July 22, 2013. REUTERS/Neil Hall Photo by Reuters
Crowds of people try to look at a notice formally announcing the birth of a son to Britain's Prince William and Catherine, Duchess of Cambridge, placed in the forecourt of Buckingham Palace, in central London July 22, 2013. REUTERS/Neil Hall Photo by Reuters
Atmosphere outside St Mary's Hospital in West London where Catherine Duchess of Cambridge gave birth to a son. The Duchess and Prince William arrived at the private Lindo Wing in the early hours of July 22, 2013. (WENN.com) Photo by WENN.com
Ed Perkins of Kensington Palace hands over the official birth notice to a waiting driver to take to Buckingham Palace outside the Lindo wing of St Mary's Hospital after Catherine, Duchess of Cambridge gave birth to a boy in central London July 22, 2013. . REUTERS/Cathal McNaughton Photo by REUTERS
A notice formally announcing the birth of a son to Britain's Prince William and Catherine, Duchess of Cambridge, is placed in the forecourt of Buckingham Palace, in central London July 22, 2013. REUTERS/Neil Hall Photo by Reuters
Employees Hayley Simmonds (R) and Amy Bush hang a sign celebrating the news that Britain's Catherine, Duchess of Cambridge, has given birth to a son, in the window of the British themed restaurant Tea & Sympathy in New York, July 22, 2013. PREUTERS/Lucas Jackson Photo by REUTERS


text:
Q: filter keys from array? php poker Now I know the basic logic behind finding a straight, and I assume that would include a pseudo of
   function is_straight(array $cards) {
        sort($cards);

        if(($cards[4] - $cards[0]) == 5) {
                            //Code to make sure the cards in between are increment
            //is straight.
        }
   }

would theoretically work for a 5 card check.
But how would one go for eliminating cards from the array of 7 cards to find a straight?
Would I have to individually check all 5 hand combinations within the 7 cards array?
so eliminate two cards from the $cards array and check that combination for a straight?
So I'm a little stuck on the logical side of this, rather than the code side.

A: In pseudo code
#filter doubles
cards = array_unique(cards)
sort(cards)

foreach cards as key, value:

    if not key_exists(cards, key+4):
        return false

    if cards[key+4] == value + 4:
        return true

longer potentially more explicit version
#filter doubles
cards = array_unique(cards)
sort(cards)

straight_counter = 1

foreach cards as key, value:

    if not key_exists(cards, key+1):
        return false

    # is the following card an increment to the current one
    if cards[key+1] == value + 1:
        straight_counter++
    else:
        straight_counter = 1

    if straight_counter == 5:
        return true

A: Assuming that $cards is an array containing cards values from 1 to 13, I think you need to evaluate with a difference of 4, not 5 :
5 - 1 = 4
6 - 2 = 4
7 - 3 = 4
etc.
You also need to add a specific logic for 10, J, Q, K, A
But for your specific question, what about :
function is_straight(array $cards) {
    sort($cards);

    if((($cards[4] - $cards[0]) == 4) ||
       (($cards[5] - $cards[1]) == 4) ||
       (($cards[6] - $cards[2]) == 4)) {
                        //Code to make sure the cards in between are increment
        //is straight.
    }
}

A:     function is_straight(array $array) {
        $alpha = array_keys(array_count_values($array));

        sort($alpha);

        if (count($alpha) > 4) {
            if (($alpha[4] - $alpha[0]) == 4) {
                $result = $alpha[4];
                return $result;
            }
            if (count($alpha) > 5) {
                if (($alpha[5] - $alpha[1]) == 4) {
                    $result = $alpha[5];
                    return $result;
                }
            }
            if (count($alpha) > 6) {
                if (($alpha[6] - $alpha[2]) == 4) {
                    $result = $alpha[6];
                    return $result;
                }
            }
        }
    }

redpajama_set_name: RedPajamaStackExchange


text:
Lančiūnava Manor was a former residential manor in Lančiūnava village, Kėdainiai District Municipality, Lithuania.

References

Manor houses in Lithuania

redpajama_set_name: RedPajamaWikipedia


text:
Q: Publishing service using service definition file (sd) through the ArcGIS REST API? The algorithm I have so far is basically this:

*

*Create a sddraft from a mxd file (using arcpy.CreateMapSDDraft().

*Stage sddraft into a sd file (using arcpy.StageService_server().

*Upload sd file to ArcGIS server over REST.

*

*There's a little dance that has to happen due to the fact that we use web-adaptor and have to redirect all requests to a single-sign-on server first for authentication, before forwarding the intended request to the intended destination.

*Call createService on ArcGIS server's REST API, pointing to the uploaded sd file.

*

*This happens in the same http session, so no need to go through the authentication dance again.

The fourth step manages to create the service, but startup fails due to Invalid file. The only documentation for the createService endpoint that I could find is this, and I can only surmise that the endpoint only accepts the old and deprecated msd file, but not the newer sd file. If that's the case, what endpoint am I supposed to hit for creating a service from a sd file? Note that arcpy.UploadServiceDefinition() isn't an option for us due to the fact that authentication is handled elsewhere from the ArcGIS server.

A: Finally got a working solution.
First off, if you're using a webadaptor front-end, the base URI that you'll be using will likely be something like: https://<your-domain>/web-adaptor
So paths to endpoints as defined in the official documentation will be relative to that base URI, e.g. the absolute path to the file upload endpoint would be https://<your-domain>/web-adaptor/admin/uploads/upload.
Now that's out of the way, here's the algorithm for publishing a service (you'll need an http library like the python requests module that also allows you to make calls in a single session).
(all calls here are assumed to be made with a given session object)

*

*Make your authentication calls with whatever your SSO solution is.

*Upload your service definition file in  POST request to /admin/uploads/upload, with a parameter {"f": "json"}. You'll receive the ID that the server generates for the file in the response as itemID.

*The ArcGIS Server will create a service configuration file for your service definition. Grab it by making a GET request to /admin/uploads/<itemID>/serviceconfiguration.json?f=json.

*Start a job to create the service by making  POST request to /rest/services/System/PublishingTools/GPServer/Publish%20Service%20Definition/submitJob, passing the ff. JSON object in the body:

{

  "in_sdp_id": <itemID>,

  "in_config_overwrite": <the content of the serviceconfiguration.json from step 3>,

  "f": "json"

}

You'll receive the jobID in the response.
You can repeatedly make a GET request to /rest/services/System/PublishingTools/GPServer/Publish Service Definition/jobs/<jobID>?f=json to check the status if your job. You'll know it's done once jobStatus is set to esriJobSucceeded. The URL to your service will also be available in the results.out_rest_svc_url.paramUrl property.


text:
Q: Sometimes I get EXEC_BAD_ACCESS (Access violation) when reversing an array I am loading an image using the OpenEXR library.
This works fine, except the image is loaded rotated 180 degrees. I use the loop shown below to reverse the array but sometimes the program will quit and xcode will give me an EXEC_BAD_ACCESS error (Which I assume is the same as an access violation in msvc). It does not happen everytime, just once every 5-10 times.
Ideally I'd want to reverse the array in place, although that led to errors everytime and using memcpy would fail but without causing an error, just a blank image. I'd like to know what's causing this problem first.
Here is the code I am using: (Rgba is a struct of 4 "Half"s r, g, b, and a, defined in OpenEXR)
Rgba* readRgba(const char filename[], int& width, int& height){
    Rgba* pixelBuffer = new Rgba[width * height];
    Rgba* temp = new Rgba[width * height];

    // ....EXR Loading code....

    // TODO: *Sometimes* the following code results in a bad memory access error. No idea why.
    // Flip the image to conform with OpenGL coordinates.
    for (int i = 0; i < height; i++){
        for(int j = 0; j < width; j++){
            temp[(i*width)+j] = pixelBuffer[(width*height)-(i*width)+j];
        }
    }

        delete pixelBuffer;

        return temp;
}

Thanks in advance!

A: Change:
        temp[(i*width)+j] = pixelBuffer[(width*height)-(i*width)+j];

to:
        temp[(i*width)+j] = pixelBuffer[(width*height)-(i*width)+j - 1];

(Hint: think about what happens when i = 0 and j = 0 !)

A: And here's how you can optimize this code, to save memory and for cycles:
 Rgba* readRgba(const char filename[], int& width, int& height)
 {
    Rgba* pixelBuffer = new Rgba[width * height];
    Rgba tempPixel;

    // ....EXR Loading code....

    // Flip the image to conform with OpenGL coordinates.
    for (int i = 0; i <= height/2; i++)
      for(int j = 0; j < width && (i*width + j) <= (height*width/2); j++)
      {
        tempPixel =  pixelBuffer[i*width + j];
        pixelBuffer[i*width + j] = pixelBuffer[height*width - (i*width + j) -1];
        pixelBuffer[height*width - (i*width + j) -1] = tempPixel;
      }

    return pixelBuffer;
 }

Note that optimal (from a memory usage best practices point of view) would be to pass pixelBuffer* as a parameter and already allocated. It's a good practice to allocate and release the memory in the same piece of code.


text:
Jeff Wayne's 'The War of the Worlds' at The Dominion Theatre
February 19, 2016 February 21, 2016 Mark Watson	0 Comments
H.G. Wells' 'The War of the Worlds' has been with me 40 years, and Jeff Wayne's musical version just three years less. I've still got the 1975 paperback version of Wells' novel that I bought, and safely tucked away in the loft is the double-LP album I bought when it came out in 1978.
I can easily close my eyes and take myself to the front room of our house in Hartlepool in 1978, picture the settee, the sideboard, the coffee table my cousin made, the big record player I bought with my first paycheck that summer. And I can also remember sitting listening to the album, Richard Burton's mellifluous tones as the narrator, the ululation of the tripods, and being blown away by it.
Truth be told, as I was getting into punk a big way, the singers (Justin Hayward, Phil Lynott, David Essex) weren't quite my cup of the tea, but my love for SF pushed those concerns away.
The album was a huge success, and has maintained a good profile over the years, and it has been taken on big stadium tours by Jeff Wayne, with big back projection of video and CGI to take the story forward, and even with Liam Neeson in holographic 3D on the stage (an earlier version evidently had an actor made up to look like and lipsyncing to original narrator Richard Burton).
This stage version is produced by no less than Bill Kenwright, and is promoted as having been 'reimagined and brought to spectacular theatrical life for its world stage premiere'. Truth be told, based on a peek at YouTube at the big arena performances, what we have is a version that is downsized for a theatre, but with additional staging elements, rather than being properly 'reimagined'.
As with the previous arena performances, there was a big screen at the back of the stage, with some excellent CGI, archive film footage, and artwork. In front of this were the band, the orchestra, and Jeff Wayne himself, conducting.
The 'Black Smoke Band' gave a flawless rendition of the soundtrack, and the massed ranks of strings in the 'ULLAdubULLA' orchestra added richness and depth to the score. These two units were on platforms, with a separate one for Jeff Wayne, which moved smoothly towards the front of the stage when it was otherwise empty, and to the back of the stage when there was action on stage. And there was a diaphanous front screen dropped down at times, enabling further projection, which gave the impression of 3D at times, when the digital images on the rear screen synced with the front screen.
I'd have been happy listening to the live music, watching the big screen, and having people come on stage and sing. But it was a theatrical show, and a theatrical show was provided.
In looking at staging, let's get a couple of quibbles out of the way first.
Staging 'The War of the Worlds' is a tricky one to approach, with theatre audiences now expecting some very clever stage trickery. In recent years I've been captivated by being persuaded that we were watching live horses and and a cavalry charge in WWI being mowed down by machine guns ('War Horse'), by seeing Fagin's Den in the bowels of London ('Oliver Twist'), Frankenstein's monster appearing from nowhere (Danny Boyle's 'Frankenstein'), a body being buried ('Grapes of Wrath'), a car flying out over the stage ('Chitty Chitty Bang Bang'), someone having all four limbs chopped off ('Monty Python and the Holy Grail'), and more.
You can do a lot of clever stuff with mechanics, sleight of hand, distraction and the like. But how do you manage an HG Wells Martian tripod that is bigger than a house?? Not, I would suggest, as this show does, have one moving centre stage in a sideways, crablike motion, walking like a Thunderbirds puppet – you can see that it isn't supporting it's own weight and is suspended from above. I have to admit, my first reaction when seeing it was to suppress a laugh.
And another bit of the staging – seeing the unscrewing lid on Horsell Common, and having the Martian's head appear, didn't really work fr me – the alien head on stage was singularly unimpressive, especially as the large screen at the back of the stage was showing a writhing, pulsating Martian head. The first half of the show did have a fair bit of milling around on Horsell Common, lots of flashing lights, a clever sychronisation of the heat ray on the back screen and the one on the stage and real flames at the front of the stage. We were in Row L and could feel the heat from them on our faces – those seated in Row A must have been toasted!!
The second half of the show was stronger, and better for having less of the tripod and more old-fashioned theatrical staging. There was a memorable scene with the narrator making his way through the red weed-covered landscape, with dancers in red, fronded costumes, contorting themselves around the stage floor. And when the narrator has a troubled night's sleep, we see the characters peopling his dreams whirling around him and his head, preventing any attempt to escape the sleep. And The Artilleryman's song was very well supported by dancers enacting the digging out of his vision of a subterranean future.
The casting had some Big Names – some of the same vintage as the original LP. David Essex, the artilleryman in the LP, got the biggest applause of the evening, although his singing opportunities were relatively limited (was there ever a thought in Wayne's mind to include Essex's 70s hit 'Hold Me Close, Don't Let Me Go?' into the soundtrack?)
Jimmy Nail ('Auf Weidersehn, Pet', 'Crocodile Shoes', 'Spender' and much more), put a lot into his scene as the parson who has an existential crisis of faith – with shades of 'Yosser Hughes' (an 80s reference) stary-eyed madness, although his singing 'style' is quite a bit different to that of Phil Lynott in the original album.
Michael Praed ('Robin Hood' in the 80s and evidently lots since if you're a theatre-goer!) was the journalist/narrator on stage, who handled the singing and acting well. For the younger audience members Daniel Bedingfield as The Artilleryman gave it all in his big song, reaching some very high notes!
Heidi Range, evidently a singer from an all-girl pop band called 'Sugarbabes', and Madalena Alberto (Evita, Piaf, Grizabella), played the two female leads admirably, but without the opportunity of a big set piece that most of the male leads had.
And of course, there was/wasn't Liam Neeson, who had been in holographic 3D on stage in the arena performances, evidently interacting with those on stage. But he was in 'reduced circumstances' here as a projected video on screens which dropped down in various places on the stage. He projected the words of HG Wells in strong fashion, (importantly, as they are a key element to the story) – to the extent that it would probably be fairer to promote the show as 'Jeff Wayne's Musical Version of HG Wells' The War of the Worlds' to give old Herbert George his due reward (and to stop anyone booking tickets for a stage version of the Tom Cruse movie version).
Unlike most West End shows, this one ends on quite a low-key note, as the narrator walks through deserted London, pondering what has happened, and what it means for humanity. There's the quick NASA epilogue, and then the theatre announcer has to in effect announce that the show is over, as he introduces the cast.
And a final mention of a neat touch : the programme has a two-page reproduction of a review of the original album, the review written by one David Gerrold (who waxes lyrical), taken from 'Galileo Magazine of Science Fiction, 13 July 1979'
I have a feeling this is going to be a Marmite show. You will either love it or hate it. We certainly heard people, as we were leaving the theatre, who were clearly in both camps. One lady had been waiting for 10 years to see this on stage, and it clearly had moved her. If you know and like the album, then it has to be a no-brainer. I'd be tempted to go again and close my eyes, just to concentrate on listening to the live music. If you're not that familiar with the album, and want a traditional West End show then you're probably better off spending your pennies elsewhere! For me, who has fond memories of the album from 40 years ago it was a good (not great) night out, probably a 4 out of 5.
What we really need, though, is a properly 're-imagined' version by Jeff Wayne. Something that stays true to the story in tone, but is written from the start with a 2hour stage show in mind.
Book your tickets here.
← John Shirley. Weedkiller. (Interzone #260, September/October 2015)
Yoon Ha Lee. The Cold Inequalities. (Meeting Infinity, 2015) →


Our goal is to make your fundraiser run as smoothly as possible by exceeding your expectations and providing you with everything you need!
1. Get Started! Call our office at 866.334.9799 or locally at 919.556.4030 or complete the registration form online.
2. Select your desired start and end dates.
3. Sell pizza kits for two to three weeks.
4. Collect the sales money during the fundraiser.
6. Pay for your order on the day of delivery, not upfront!
7. Distribute your pizza kits.
8. Enjoy the pizzas, profits and praise for hosting a successful fund raiser!
You'll receive everything you need to run a successful Little Caesars® Pizza Kit fundraiser.
Our delivery process is the best in the country! With your pre-scheduled delivery date & time, our driver will bring your fundraising products INSIDE your school or organization's building for an easy distribution.
No more worrying about volunteers that have to unload a truck.


text:
Home » Celebrities » Scottie Nell Hughes Age, Birthday, Married, Husband, Net Worth
Scottie Nell Hughes Age, Birthday, Married, Husband, Net Worth
By Suraj Khatri | On: 20 Feb, 2017
Houston Hughes, Alexandria Lynn Hughes
5'11" (1.80 m)
University of Tennessee Martin
Linda Semler
Scottie Nell Hughes is an American journalist who works as a political editor for RightAlerts.com. She is also a conservative reporter famous for being a political commentator for 2016 presidential campaign on CNN. Similarly, Scottie is also known as the former news director of the Tea Party News Network and an author of 2014 Roar: The New Conservative Woman Speaks Out.
How Much Is Scottie Neil Hughes's Net Worth?
Scottie Neil Hughes has accumulated her jaw-dropping net worth from her career as an American journalist. She has also amassed her fortunes from her radio career. The American journalist also summons hefty salary from various commercial advertisements and endorsements as well. Likewise, she earns as a columnist for various reputed companies.
Scottie works as a political editor for the prestigious company RightAlerts.com. According to Payscale.com, she earned over $150 thousand dollars salary annually from her works.
She started her career as an executive producer on the Steve Gill Program in Tennessee. With an established radio career, she moved on to take a position with the Rusty Humphries Show, The Michael Berry Show, The Mark Skoda Show, and many others. She supported President Donald Trump throughout her CNN commentator career back in 2016 until her contract finished in January 2016.
Scottie, who is currently at the age of 37, also works as a columnist for Townhall.com, TownhallFinance.com, ChristianPost.com, Patriot Television and PatriotUpdate.com. She also has a huge fan following as well. She works as a model and television star and earns from ads and endorsements.
Married To Homebuilder Husband; Mother of Two Alleges Ex-boyfriend Of Raping
Scottie Nell Hughes is married to home builder husband, Chris Hughes. Her husband is an army veteran and a Tennesse Republican Party committeeman. The couple is silent regarding the details of their married life so far. The couple is parents of two adorable kids, a daughter named Alexandria Lynn Hughes of age 9, and a son, Houston Hughes, 10.
Scottie poses her husband and two children (Photo: scottienellhughes.com)
The lovebirds attend various programs and events. As she is married to her husband for a long time and has kids over ten years of age, their chemistry is still flawless. Both of them also share the knack for politics as well. On 16 June 2016, she posted an Instagram picture along with her husband and son. The hot mom was supporting her son's baseball team.
Scottie alleged the Fox employee and longtime anchor Charles Payne of sexual harassment on 18 September 2016. She said that she was raped in July 2013. She was reportedly in an affair with him for three years and ended their relationship in 2015. The columnist also sued the FOX network, 1st Century Fox and two of the employees by claiming the network went against her and spread rumors about her affairs but the case is still pending.
Born in 1973, in Nashville, Tennessee, Scottie Nell Hughes celebrates her birthday on 21 June every year. She holds the American nationality and is of the white ethnicity. Scottie stands tall with a stunning height of 6 feet 1 inch with her seductive body measurements of 36-25-36 inches. Scottie graduated from the University of Tennessee at Martin with a degree of broadcast communications/political science.
Peter MacNeill Actor, Age, Married, Wife, Gay, Family, Net Worth
Rudabeh Shahbazi Wiki, Bio, Age, Married, Husband, Boyfriend, Salary
Riley Roberts Wiki, Age, Net Worth, Facts
Alexandra Burke Bio: Mom, Engaged, Boyfriend, Net Worth
Kimberly McCullough Married, Engaged, Husband, Baby, Net Worth, Bio
Michelle LeClair Wiki, Age, Husband, Net Worth
Will Sasso Married, Wife, Gay, Net Worth
Vanessa Feltz Married, Wedding, Husband, Boyfriend or Partner, Daughter
Kristine Froseth Parents, Dating, Ethnicity, Height
Michael Musto Wiki, Gay, Partner, Family, Accident, Fired, Net Worth
Mia Mastroianni Wiki, Bio, Age, Married, Husband, Family, Net Worth, Height


text:
THE HYDRA PIT
It's hard to be kind to a novel that opens with the relentless banality that this does--an ineptitude and amateurishness that rise to a white heat of plodding boredom. The plot: some government contractors are building a dam and lake and two atomic reactors at Burkett's Landing, Georgia, a project that is driving folks off their land with mere pittances for payment. When a poor-folks demonstration marches on the head contractor's office, a bunch of hired goons and ex-Klansmen turns the demonstration into a riot and several townspeople are killed. Clay Horland, editor of the daily Journal, goes forth like Lancelot to find out why the government is involved in such raging lawlessness. What is the great mystery about the lake project? The secret is that the lake is to house an underwater . . . oh, but that is to give away the novel's lone suspenseful device. This will be promoted as ""a major novel set in Jimmy Carter's Georgia""--but the scene could as well be Mississippi for all that it has to do with our toothsome Chief Executive.
Pub Date: Sept. 24th, 1977
Publisher: Ashley Books (Box 768, Port Washington, N.Y. 11050)


text:
<project xmlns="http://maven.apache.org/POM/4.0.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
  xsi:schemaLocation="http://maven.apache.org/POM/4.0.0 http://maven.apache.org/xsd/maven-4.0.0.xsd">
  <modelVersion>4.0.0</modelVersion>
  <groupId>com.learn.bdd.VendinMachine</groupId>
  <artifactId>DrinkVendingMachine</artifactId>
  <version>1.0-SNAPSHOT</version>
  <packaging>jar</packaging>

  <name>DrinkVendingMachine</name>
  <url>http://maven.apache.org</url>
  <profiles>
	        <profile>
	            <id>standard-jdk</id>
	            <activation>
	                <file>
	                    <exists>${java.home}/../lib/tools.jar</exists>
	                </file>
	            </activation>
	            <properties>
	                <tools-jar>${java.home}/../lib/tools.jar</tools-jar>
	            </properties>
	        </profile>
	        <profile>
	            <id>apple-jdk</id>
	            <activation>
	                <file>
	                    <exists>${java.home}/../Classes/classes.jar</exists>
	                </file>
	            </activation>
	            <properties>
	                <tools-jar>${java.home}/../Classes/classes.jar</tools-jar>
	            </properties>
	        </profile>
	            <profile>
        <id>integration-test</id>
        <build>
            <plugins>
                <plugin>
                    <artifactId>maven-surefire-plugin</artifactId>
                    <executions>
                        <execution>
                            <id>surefire-it</id>
                            <phase>integration-test</phase>
                            <goals>
                                <goal>integration-test</goal>
                            </goals>
                            <configuration>
                                <includes>
                                    <include>**/integrationTest/*Test.java</include>
                                </includes>
                                <skipTests>false</skipTests>
                            </configuration>
                        </execution>
                    </executions>
                    <configuration>
                        <argLine>-Xms256M -Xmx768M -XX:MaxPermSize=256M</argLine>
                    </configuration>
                </plugin>

                <plugin>
                    <artifactId>maven-surefire-plugin</artifactId>
                    <executions>
                        <execution>
                            <id>default-test</id>
                            <configuration>
                                <skipTests>false</skipTests>
                            </configuration>
                        </execution>
                    </executions>

                </plugin>
            </plugins>
        </build>
    </profile>
  </profiles>

  <properties>
    <project.build.sourceEncoding>UTF-8</project.build.sourceEncoding>
	<project.reporting.outputEncoding>UTF-8</project.reporting.outputEncoding>
    <maven.test.failure.ignore>true</maven.test.failure.ignore>
 	<cucumber-jvm.version>1.2.0</cucumber-jvm.version>
 	<java.version>1.8</java.version>
 	<spring.version>3.2.4.RELEASE</spring.version>
  </properties>

  <dependencies>
	    <dependency>
			<groupId>junit</groupId>
			<artifactId>junit</artifactId>
			<version>4.13.1</version>
			<scope>test</scope>
		</dependency>
		<dependency>
			<groupId>junit</groupId>
			<artifactId>junit-dep</artifactId>
			<version>4.11</version>
		</dependency>
		<dependency>
	            <groupId>org.easytesting</groupId>
	            <artifactId>fest-assert</artifactId>
	            <version>1.4</version>
	    </dependency>
	    <dependency>
			<groupId>org.slf4j</groupId>
			<artifactId>slf4j-simple</artifactId>
			<version>1.7.7</version>
		</dependency>
	<!-- Cucumber Jars -->
        <dependency>
            <groupId>info.cukes</groupId>
            <artifactId>cucumber-java</artifactId>
            <version>${cucumber-jvm.version}</version>
            <scope>test</scope>
        </dependency>
        <dependency>
            <groupId>info.cukes</groupId>
            <artifactId>cucumber-picocontainer</artifactId>
            <version>${cucumber-jvm.version}</version>
            <scope>test</scope>
         </dependency>
         <dependency>
            <groupId>info.cukes</groupId>
            <artifactId>cucumber-junit</artifactId>
            <version>${cucumber-jvm.version}</version>
            <scope>test</scope>
         </dependency>
         <!-- Spring jars -->
        <dependency>
            <groupId>org.springframework</groupId>
            <artifactId>spring-context</artifactId>
            <version>${spring.version}</version>
        </dependency>
        <dependency>
            <groupId>org.springframework</groupId>
            <artifactId>spring-aop</artifactId>
            <version>${spring.version}</version>
        </dependency>
        <dependency>
            <groupId>org.springframework</groupId>
            <artifactId>spring-beans</artifactId>
            <version>${spring.version}</version>
        </dependency>
        <dependency>
            <groupId>org.springframework</groupId>
            <artifactId>spring-jdbc</artifactId>
            <version>${spring.version}</version>
        </dependency>
        <dependency>
            <groupId>org.springframework</groupId>
            <artifactId>spring-test</artifactId>
            <version>${spring.version}</version>
        </dependency>
        <dependency>
            <groupId>org.springframework</groupId>
            <artifactId>spring-tx</artifactId>
            <version>${spring.version}</version>
        </dependency>
        <dependency>
            <groupId>commons-dbcp</groupId>
            <artifactId>commons-dbcp</artifactId>
            <version>1.4</version>
        </dependency>
        <!-- in memory hsqldb jar -->
        <dependency>
			<groupId>org.hsqldb</groupId>
			<artifactId>hsqldb</artifactId>
			<version>2.3.2</version>
		</dependency>
  </dependencies>

	<build>
		<defaultGoal>install</defaultGoal>
		<testResources>
		  <testResource>
		    <directory>${project.basedir}/src/test/java</directory>
		  </testResource>
<!-- 		  <testResource>
		    <directory>${project.basedir}/src/test-userAcceptance/java</directory>
		  </testResource>	 -->
		  <testResource>
		    <directory>${project.basedir}/src/test-userAcceptance/resources</directory>
		  </testResource>
<!-- 		  <testResource>
		    <directory>${project.basedir}/src/integration-test/java</directory>
		  </testResource>	 -->
	      <testResource>
		    <directory>${project.basedir}/src/test-integration/resources</directory>
		  </testResource>
		</testResources>
		<plugins>
           <plugin>
	             <groupId>org.codehaus.mojo</groupId>
	             <artifactId>exec-maven-plugin</artifactId>
	             <version>1.2.1</version>
	             <executions>
	                 <execution>
	                     <phase>integration-test</phase>
	                     <goals>
	                         <goal>java</goal>
	                     </goals>
	                 </execution>
	             </executions>
	             <configuration>
	                 <executableDependency>
	                     <groupId>info.cukes</groupId>
	                     <artifactId>cucumber-core</artifactId>
	                 </executableDependency>
	                 <mainClass>cucumber.api.cli.Main</mainClass>
	                 <arguments>
	                     <argument>--format</argument>
	                     <argument>junit:target/cucumber-junit-report/allcukes.xml</argument>
	                     <argument>--format</argument>
	                     <argument>pretty</argument>
	                     <argument>--format</argument>
	                     <argument>html:target/cucumber-html-report</argument>
	                     <argument>--tags</argument>
	                     <argument>@login</argument>
	                     <argument>--glue</argument>
	                     <argument>com/</argument>
	                     <argument>src/</argument>
	                 </arguments>
	             </configuration>
	             <dependencies>
	                 <dependency>
	                     <groupId>info.cukes</groupId>
	                     <artifactId>cucumber-core</artifactId>
	                     <version>1.1.5</version>
	                 </dependency>
	             </dependencies>
	         </plugin>
			<plugin>
				<groupId>org.apache.maven.plugins</groupId>
				<artifactId>maven-compiler-plugin</artifactId>
				<version>3.2</version>
				<configuration>
				    <encoding>UTF-8</encoding>
					<compilerArgument>-Werror</compilerArgument>
					<verbose>true</verbose>
					<source>${java.version}</source>
					<target>${java.version}</target>
					<showWarnings>true</showWarnings>
				</configuration>
			</plugin>
			<plugin>
				<groupId>org.apache.maven.plugins</groupId>
				<artifactId>maven-surefire-plugin</artifactId>
				<version>2.16</version>
				<configuration>
					<includes>
					 	<include>**/*/*Test.java</include>
					</includes>
				</configuration>

				<executions>
					<!--  <execution>
			          <id>unit-tests</id>
			          <phase>test</phase>
			          <goals>
			             <goal>test</goal>
			          </goals>
			          <configuration>
			             <skip>false</skip>
			             <includes>
			                <include>**/*Test.java</include>
			             </includes>
			             <excludes>
			                <exclude>**/*IntegrationTest.java</exclude>
			            </excludes>
			          </configuration>
					</execution>
			        <execution>
			          <id>integration-test</id>
			          <phase>integration-test</phase>
			          <goals>
			            <goal>test</goal>
			          </goals>
			          <configuration>
			            <skip>false</skip>
			            <includes>
			              <include>**/it/**/*IntegrationTest.java</include>
			            </includes>
			          </configuration>
			        </execution> -->
			        <!-- <execution>
			          <id>userAcceptance-test</id>
			          <goals>
			            <goal>test</goal>
			          </goals>
			          <phase>userAcceptance-test</phase>
			          <configuration>
			            <includes>
			              <include>com/learn/bdd/UserAcceptanceTest/TestRunner.java</include>
			            </includes>
			          </configuration>
			        </execution> -->
			      </executions>

			</plugin>
<!-- 			<plugin>
				<groupId>org.apache.maven.plugins</groupId>
				<artifactId>maven-failsafe-plugin</artifactId>
				<version>2.20.1</version>
				<configuration>
                    <includes>
                        <include>**/*DrinkServiceImplIntegrationTest.java</include>
                    </includes>
                </configuration>
				<executions>
					<execution>
						<goals>
							<goal>integration-test</goal>
							<goal>verify</goal>
						</goals>
					</execution>
				</executions>
			</plugin> -->
	<!-- Cobertura plugin-->
			<plugin>
		        <groupId>org.codehaus.mojo</groupId>
		        <artifactId>cobertura-maven-plugin</artifactId>
		        <version>2.6</version>
                <dependencies>
                    <dependency>
                        <groupId>com.sun</groupId>
                        <artifactId>tools</artifactId>
                        <version>1.7</version>
                        <scope>system</scope>
                        <systemPath>${tools-jar}</systemPath>
                    </dependency>
                </dependencies>
		        <configuration>
		          <instrumentation>
		            <ignores>
		              <ignore>glueCode*</ignore>
		              <ignore>featureStepDefinitions*</ignore>
		            </ignores>
		            <excludes>
		             <exclude>glueCode/**/*.class</exclude>
		             <exclude>featureStepDefinitions/**/*.class</exclude>
		             <exclude>*Test/*.class</exclude>
		             <exclude>com/learn/bdd/VendingMachine/Drink*.class</exclude>
		            </excludes>
		          </instrumentation>
		        </configuration>
		        <executions>
		          <execution>
		            <goals>
		              <goal>clean</goal>
		            </goals>
		          </execution>
		        </executions>
		      </plugin>
		      <!-- <plugin>
		        <groupId>org.codehaus.mojo</groupId>
		        <artifactId>cobertura-maven-plugin</artifactId>
		        <version>2.6</version>
		        <configuration>
		          <check>
		            <branchRate>65</branchRate>
		            <lineRate>65</lineRate>
		            <haltOnFailure>true</haltOnFailure>
		            <totalBranchRate>65</totalBranchRate>
		            <totalLineRate>65</totalLineRate>
		            <packageLineRate>65</packageLineRate>
		            <packageBranchRate>65</packageBranchRate>
		            <regexes>
		              <regex>
		                <pattern>com.learn.bdd.VendingMachine*</pattern>
		                <branchRate>70</branchRate>
		                <lineRate>80</lineRate>
		              </regex>
		              <regex>
		                <pattern>com.learn.bdd.VendingMachine.Drink*</pattern>
		                <branchRate>40</branchRate>
		                <lineRate>30</lineRate>
		              </regex>
		            </regexes>
		          </check>
		        </configuration>
		        <executions>
		          <execution>
		            <goals>
		              <goal>clean</goal>
		              <goal>check</goal>
		            </goals>
		          </execution>
		        </executions>
         </plugin> -->
         <!-- PIT Mutation testing -->
	         <plugin>
			    <groupId>org.pitest</groupId>
			    <artifactId>pitest-maven</artifactId>
			    <version>0.29</version>
			    <configuration>
			        <targetClasses>
			            <param>com.learn.bdd.VendingMachine*</param>
			        </targetClasses>
			        <targetTests>
			            <param>*Test</param>
			        </targetTests>
			        <mutators>
					  <mutator>DEFAULTS</mutator>
					  <mutator>EXPERIMENTAL_MEMBER_VARIABLE</mutator>
					  <mutator>CONSTRUCTOR_CALLS</mutator>
					  <mutator>EXPERIMENTAL_SWITCH</mutator>
					</mutators>
			    </configuration>
			</plugin>
		</plugins>
	</build>

	<reporting>
		<plugins>
		    <!-- <plugin>
				<groupId>org.apache.maven.plugins</groupId>
				<artifactId>maven-surefire-report-plugin</artifactId>
				<version>2.16</version>
				<configuration>
					<aggregate>true</aggregate>
				</configuration>
			</plugin>
		    <plugin>
				<groupId>org.apache.maven.plugins</groupId>
				<artifactId>maven-jxr-plugin</artifactId>
				<version>2.1</version>
				<configuration>
					<aggregate>true</aggregate>
				</configuration>
			</plugin> -->
			<!-- Cobertura report plugin -->
			<!-- <plugin>
				<groupId>org.apache.maven.plugins</groupId>
				<artifactId>maven-project-info-reports-plugin</artifactId>
				<version>2.6</version>
				<configuration>
					<dependencyLocationsEnabled>false</dependencyLocationsEnabled>
				</configuration>
			</plugin> -->

			<!--  integrate maven-cobertura-plugin to project site  -->
			<!-- <plugin>
				<groupId>org.codehaus.mojo</groupId>
				<artifactId>cobertura-maven-plugin</artifactId>
				<version>2.6</version>
				<configuration>
					<formats>
						<format>html</format>
						<format>xml</format>
					</formats>
				</configuration>
			</plugin> -->

		</plugins>
	</reporting>

</project>


DENVER — Jan. 24, 2017 — Wazee Digital, a leading provider of cloud-native video management and licensing services, today announced its support for Women's Bean Project, a Denver-based transitional job training program for chronically unemployed and impoverished women. As the first company to sign up for the nonprofit organization's new Corporate Partner Program, Wazee Digital has committed $5,000, multiple volunteers, and fundraising support to help increase the frequency of activities designed to assist with life skills and job readiness.
DENVER — Jan. 24, 2017 — Wazee Digital, a leading provider of cloud-native video management and licensing services, today announced that it has promoted Greg Loose to chief technology officer. In his new role, Loose oversees all technology that powers the company, including engineering, product, and IT functions.
DENVER — Jan. 17, 2017 — Wazee Digital, a leading provider of cloud-native video management and licensing services, today announced that Josh Hatter has joined the company as vice president of operations. In that role, Hatter is responsible for all aspects of the company's operations and has also taken over primary responsibility for further developing existing accounts. Account managers, media services, customer support, and workflow services all report directly to Hatter.


Keystone Coaching (Pty) Ltd, established in 2003, is based in Kenilworth,Cape Town. It is a bespoke company which specialises in leadership development through individual and team coaching as well as a variety of leadership programs. Keystone Coaching has, at its core, four values which define our business principles and interaction with clients. These are integrity, diversity, excellence in leadership and positive regard.
As the Managing Director of Keystone Coaching, I have been consulting extensively in this field to both private and corporate clients since 2003. My doctorate in Psychology focused on the leadership development process and coaching outcomes of professional South Africans. I am a certified Master's Coach with the Behavioral Coaching Institute (UK) as well as a founding member of the Institute of Coaching (Harvard Medical School affiliate, USA). Locally, I am registered with PsySSA and the Health Professions' Council of South Africa. This background, coupled with broad business expertise, allows me to combine business acumen with insights from diverse strands of Psychology. I work within a holistic, systemic framework with diverse client organizations.
As a coach, I am passionate about working with leaders in organizations who have a strong positive self-expectancy and desire to excel. As their trusted adviser and sounding board, my clients and I are able to harness their strong inner commitment to move in the direction of their goals, achieve excellent results and so keep striving towards self-fulfillment.


We make 3M™ Stikit™ Film Disc 375L w/ Tab to deliver outstanding tear resistance, flexibility and a consistent, uniform finish. Premium aluminum oxide abrasive grain gives you a fast cut-rate and extended product life for greater productivity. Durable film construction provides the tear resistance needed for the use of coarse grades in high-production metalworking environments.
We make 3Mâ"¢ Stikitâ"¢ Film Disc 375L w/ Tab to deliver outstanding tear resistance, flexibility and a consistent, uniform finish. Premium aluminum oxide abrasive grain gives you a fast cut-rate and extended product life for greater productivity. Durable film construction provides the tear resistance needed for the use of coarse grades in high-production metalworking environments.


text:
Exposes configuration values.

Reads key/values from a set of files and ENV.  Duplicate keys are replaced by
the latest file read or the ENV value.  Returns a configuration object which
exposes keys as methods, allowing method-style access.

## Installation

Add this line to your application's Gemfile:

    gem 'rp-configuration'

And then execute:

    $ bundle

Or install it yourself as:

    $ gem install rp-configuration

## Usage

``` ruby
File.open('config.yml', 'w') do |f|
  f << {
    production: {
      database_host: 'prod.example.com',
      database_password: 'default',
    },
    staging: {
      database_host: 'staging.example.com',
      database_password: 'default'
    }
  }.to_yaml
end

File.open('secrets.yml', 'w') do |f|
  f << {
    production: {
      database_password: 'sekret',
      foo: 'not_foo',
    },
    staging: {
      database_password: 'sekret'
      foo: 'not_foo',
    }
  }.to_yaml
end

ENV['FOO'] = 'bar'

Config = RP::Configuration.new(
  env: 'staging',
  config_paths: ['config.yml', 'secrets.yml']
)

Config.database_host      # => 'staging.example.com'
Config.database_password  # => 'sekret'
Config.foo                # => 'bar'
```


This comes from one of my new favorite blogs. LinkedIn it's for more then just finding jobs!
There are hundreds of ways for us to express ourselves in our daily lives. From the clothes we wear to the words we choose to use, the pictures we share and the music we play — the possibilities are endless.
This is equally important in the professional context, as no two professionals are alike. For the first time, you will now have the ability to showcase your unique professional story using rich, visual content on your LinkedIn profile. This means you can illustrate your greatest achievements in the form of stunning images, compelling videos, innovative presentations and more. From the analyst who makes annual predictions on tech trends to the 3D animator who is looking to fund a new short film, the opportunities are limitless for how professionals can now use the LinkedIn profile to help showcase these unique stories in a visual way.
To begin sharing your achievements and creations on your profile, simply select "edit" on your profile then follow the prompts in your "Summary," "Experience" and "Education" sections. Other members can also "like" or comment on what you've posted.
Need a little inspiration? Here are a just few examples to help inspire you as you start exploring this new way to showcase your career and work.
This is just a glimpse of what's possible. The ability to add your visual content to your profile will begin rolling out to members in English speaking countries today. We look forward to finding new ways to bring this type of rich media across your LinkedIn experience. Stay tuned, there's more to come.
In the meantime, we look forward to seeing how you choose to display your professional story on your profile.


In eight months on the mission field I have already been challenged in so many ways. I felt fairly well-equipped to come here and do what we set out to do. But it's been one of those things that the more you get into it, the more you realize how inadequate you are. I heard a man once talk about his father who was a master stonemason. He recounted how his father could read the stones knowing the exact right place to put the chisel and precisely how hard to swing the hammer so that the stone would fit just right. I often feel like one of those stones. The chips are flying. It hurts, but hopefully after it all I'll fit where the Master wants me in his house.
One of the ways I've been challenged is theologically. A major life change can shift your perspective on scripture. Also, being thrust into a leadership position brings new weight to decisions made based on the text. I've had to struggle through some things recently that I previously thought I had a firm hold on. I've prayed about these issues asking God just to give me a clean-cut answer so I can move on. I think my mistake is that I imagine having the answer will somehow bring me closer to God. The truth is that my theological struggles have driven me to my knees multiple times. It's actually the questions that bring me into the presence of God, not the answers. And so, on some things, I remain answerless, but having been blessed in spite of it.
These newsletter articles are usually opportunities to share news about what's happening with the church and the team here on the field, so thanks for allowing me to share something a little more personal and introspective. I do that in hopes of encouraging you to wrestle with the difficult questions you have about God, church, life, death, and doctrine. Like my namesake, the patriarch Jacob, I will continue to wrestle with God and beg for a blessing, though I hope to walk away with less of a limp.


text:
Is Josh Brolin Returning To MCU As Thanos? Here's What We Know
Well, the actor seems pretty excited about the idea of reprising the role of the Mad Titan.
By Mashable News Staff April 19, 2022
> Entertainment
With Marvel finally dropping the much-awaited trailer of their upcoming project 'Thor: Love And Thunder', fans have been over the moon, enjoying and deciphering the trailer, but seems like actor Josh Brolin's recent comment about his much-speculative return to MCU as the mighty Thanos is sure to grab your attention.
The 54-year-old actor, who has been busy promoting his recently-released series 'Outer Range', in a recent interaction, revealed that he is willing to essay the role of the Mad Titan once again on the silver screen if Marvel allows. Addressing the question of his possible return to MCU, Brolin said, "I don't know where they're going with it, no. It's not that I don't have an interest in it."
SEE ALSO: Marvel Fan Watches Tom Holland Starrer 'Spider-Man: No Way Home' 292 Times; Creates A Guinness World Record
Furthermore, Brolin added, "They have their own trajectory that they're worrying about and if they want me to do it, I would do it I'm sure, but I don't know what they're thinking." While the actor is pretty excited to play Thanos once again, fans have been speculating about theories of how Marvel could bring back their biggest villain. And with Marvel introducing the audience to a whole new world of multiverse, many Marvelites feel that they could soon see a new variant of Thanos in phase 4.
While Brolin's recently released supernatural thriller series on Amazon Prime Video has been welcomed with open arms by the audience, the actor is all geared up to return with the second instalment of Denis Villeneuve's 'Dune' soon. Meanwhile, on the other hand, Marvel is all set to dive deep into the world of multiverse with Benedict Cumberbatch's upcoming movie 'Doctor Strange in the Multiverse of Madness'.
SEE ALSO: 'Moon Knight' Episode 3 Contains A Major Kang The Conqueror Easter Egg That Ties Into 'Loki'
Cover image: Bhavya Poonia/Mashable India
Topics: Entertainment, Josh Brolin, Marvel Cinematic Universe, Thanos, Dune
After OTT Release, Fans Regret Not Catching Ayushmann Khurrana's 'An Action Hero' In Theatres And We Can See Why
The internet has witnessed a storm of reactions just after the release of OTT. Fans have expressed their views about the movie and how much they loved the storyline.
Namita Thapar Slams Founder On 'Shark Tank India S2' For Promoting 'Gimmicky' Weight Loss Methods
Shar Tank India pitcher got slammed by the famous shark Namita Thapar for pitching an inappropriate way of losing weight.
From Fastest Rs 100 Cr For Hindi Film To Wildest Release: All Records Broken By SRK's Pathaan
#AskSRK: Shah Rukh Khan Calls Salman Khan 'GOAT', Reveals Why He Didn't Give Interviews Or Promote 'Pathaan'
Revealed Abram's reaction to Pathaan!


text:
A Historic Opportunity for Government Transparency
Keynote Address from John D. Podesta at American University Washington College of Law
By John Podesta March 17, 2010, 9:00 am
John D. Podesta gave the keynote address and accepted the FOIA Legends Award on March 16, 2010.
Thank you, senator. It is truly an honor to accept this award from Sen. Patrick Leahy (D-VT), not only my mentor and a previous award winner, but also the person who has done more than anyone on Capitol Hill during the past three decades to ensure that government is open and transparent. Our democracy owes a great debt of gratitude to you, Sen. Leahy, and I'm deeply grateful that you continue to show such leadership in the Senate.
With your leadership, senator, the commitment of the Obama administration and the work of many of you in this room, we now have the opportunity to build the most open and transparent government in our nation's history. And that is really is a striking turnaround.
In January 2001, only a few hours after I departed the West Wing for the last time, Attorney General John Ashcroft issued a memo that left no doubt about how the administration felt about freedom of information.
Many commentators have focused on the memo's promise to defend all but the most indefensible decisions to deny access to public information, but I want to highlight something else Mr. Ashcroft said. Ashcroft's memo warned that "no leader can operate effectively without confidential advice and counsel." In its own right, that's an unexceptional statement; he then ominously ordered federal agencies to "carefully consider" the need for confidential advice when they decided whether to deny a FOIA request.
Of course, we now know exactly what kind of confidential advice the Bush administration was trying to protect. Oil, coal, and other industry executives met in secret with Vice President Dick Cheney to design an energy policy that would ensure their interests were protected. Even simple requests from the Government Accountability Office, such as who was in the meetings, were denied. Attorneys like John Yoo and Jay Bybee, in confidential memos that have only recently been disclosed, authorized indefensible acts of torture. Our democracy cannot function as it should if voters are denied access to this sort of information.
Transparency helps ensure our leaders are operating responsibly and ethically. In 1973, a group of law students used a FOIA request to uncover a trail of corruption that eventually led to Vice President Spiro Agnew's resignation. But for freedom of information, Vice President Agnew might have become president just a year later.
Where secrecy reigns, the consequences can be immense. If President Richard Nixon had not gone to such lengths to hide indefensible political tactics, he might have thought twice and never have permitted them in the first place. If the Bush administration had been less set on keeping secrets, they might have charted a better course for this country.
And there are other real-world implications that go beyond the fate of any particular official or political party. When the truth about President Bush's detainee treatment policy was inevitably revealed, America not only lost moral stature in the international community, but America's power to lead a coherent, robust campaign against violent extremism was weakened.
And that fact doesn't suggest the need for more secrecy—which is Vice President Cheney's prescription. Rather, we must build a system where these types of abuses and decisions can't find the initial oxygen they need to survive.
In other words, our nation depends upon robust and free access to information not simply so that we can cast our votes wisely, but also so that our leaders make wiser decisions consistent with our laws, our constitution, and the national security interests of our people. So it is important that we ask whether our government is doing everything it can to foster open and transparent government.
The last year was a drastic improvement from the eight that preceded it. John Ashcroft's memo has been replaced. Attorney General Eric Holder's new memorandum gives federal agencies a simple instruction: "In the face of doubt, openness prevails."
Similarly, there will be no more secret gatherings with industry executives. Business leaders still meet with White House officials, but the White House visitor logs are now available to the public. We know who advises the president, and we can follow up with questions about names on the list.
Yet while very real progress has been made this past year, there is still a long way to go. On the day President Barack Obama took office, over 130,000 FOIA requests languished in a backlog, and much of this backlog still remains. The report of the National Security Archive kicking off sunshine week indicates that the administration still has a long way to fulfill the guidelines on government transparency that President Obama issued on his first day in office. A FOIA request filed in December 1992 is still pending in the Department of Defense and the National Archives and Record Administration, according to the Justice Department's most recent FOIA report.
It's up to us, particularly those of us who generally support the thrust of the Obama administration's openness policies, to keep demanding that the pace at which agencies process FOIA requests be sped up. But we also must be more proactive.
FOIA's model, which allows citizens to request government information that isn't already available, has served this country well. But it is not enough on its own. The truth is this: Americans too often have to resort to FOIA requests for information that should already be in the public domain.
We shouldn't have to ask government to make public information available; public information should simply be available.
When the original FOIA legislation became law in 1966, it might have made sense to expect citizens to request information before government made it available to them. Forty-four years ago, computers were in their infancy. Businesses still conducted much of their communications through the postal service. And nothing resembling the World Wide Web had even been imagined. Placing vast quantities of government data at each citizen's fingertips was impractical—if not outright impossible.
We cannot, however, let the constraints of the past guide our future. Today, government documents and datasets can be posted online with little more than a few clicks of a mouse. Google and other search engines enable users to sort through mind-boggling quantities of data to find the information they seek. Geographic information systems can place data on a map, empowering applications ranging from health workers discovering the source of disease outbreaks to government watchdogs tracking where federal dollars are being spent. With all this technology at our fingertips, it no longer makes sense for government to rely on an ad hoc, labor intensive process to disseminate information to the public.
To its credit, the Obama administration has embraced such a vision in its recently announced Open Government Directive. The directive instructs agencies to "proactively use modern technology to disseminate useful information." The directive similarly calls for a presumption that all government information should be published online in a format that can be easily retrieved by major search engines.
Likewise, the Obama administration launched a number of websites intended to inform the American people, including Recovery.gov, which tracks spending under the Recovery Act and Data.gov, a clearinghouse of over 100,000 government datasets.
So the Obama administration embraces the need for government to be proactive in providing information to public, but many of the challenges that lie ahead aren't philosophical; they are technical. Despite recent advances in information technology, many federal agencies still rely on outdated systems that are ill suited to today's online world. One agency still uses mainframe computers from the 1980s.
The sheer volume of government information also presents a challenge. Although it can't be an excuse for agencies not making data available online, the reality is the government's archives swell with millions of pages of information, much of which is only available in paper format.
To the extent that this information is completely outdated, it would not be a good use of taxpayer dollars to place it online. Where such legacy information remains relevant to federal decision making, however, a strong presumption should exist in favor of making it available.
I began my speech by comparing Attorney General Ashcroft's hostile attitude toward freedom of information to the more welcoming attitude of Attorney General Holder—but I didn't tell the entire story.
The Holder memorandum closely tracks a memo that Attorney General Janet Reno authored at the beginning of the Clinton administration. Under current law, the public's access to information can ebb and flow with each administration, and the reforms President Obama has worked so hard to put in place could be wiped out almost overnight by the next president.
I am particularly proud of having served in an administration led by President Clinton and Vice President Al Gore who, both individually and together, championed the declassification and release of over 1 billion pages of historically valuable records including the overhead imagery of Corona, Argon, and Lanyard systems; undersea sonar data; extensive information of the Venona project and other historic crytologic documents; the Kennedy assassination records; and I can go on and on. But those efforts came to an abrupt halt on January 20, 2001.
Now, let me be clear, I believe that elections should have consequences. But one of those consequences should not be a closed and secretive government. Accordingly, I would urge Congress to codify the presumption of disclosure embraced by this administration, and I would urge them to do so before President Obama leaves office.
We are in the midst of an historic moment for government transparency. We have the technology to build an informed and engaged electorate. We have courageous leaders who do not fear the exposure that sunlight will bring, and we have the opportunity to open our government for generations to come. I urge us all to embrace that opportunity.
Subscribe to InProgress


text:
Just say it: I screwed up
A lesson in how to apologize, and the value of news as a process
Mathew Ingram Dec 2, 2014 - 3:14 PM CST
Work Communications
Credit: Flickr user Stephen Brace
Most journalists hate making mistakes, even small ones. And the big ones are so painful that there's a tendency to try and hide them away, or distract the reader somehow so they don't seem quite as awful — which helps explain why newspapers used to hide their corrections where no one could find them, or phrased them in such an inscrutable way that no one could figure out what the original mistake was.
Some of this tendency has even leaked into the online world, despite the fact that our ability to correct things quickly has never been stronger: news sites — even some of the more prominent ones — change their posts, in some cases dramatically, and then never say why or what the differences are, or post a cryptic update message.
Own your mistakes
That's why it's so refreshing to see someone really owning their mistake the way io9 editor Annalee Newitz did on Monday, with a story about the abuse of medical-research animals. And not only did Newitz fess up as directly as possible, but the end result is a great example of what can be gained from seeing a story like that as a process rather than a product or artifact that is punched out and shipped off.
I've always been mystified by those who think acknowledging/explaining errors saps credibility. For any rational person, precise opposite.
— Seth Mnookin (@sethmnookin) December 1, 2014
In a nutshell, the io9 editor admits in her post that the story was written by a freelancer and should have been edited more aggressively before it was published. But it came in just before the Thanksgiving weekend, she said, and so it went up relatively untouched. Only when it had been published did it become obvious that it was severely one-sided, and factually questionable.
Newitz freely admits that as the editor, she "screwed up" by not editing the piece more forcefully. But what I found interesting is how she described what happened after the story appeared on the site — namely, the reaction from readers, and the multiple improvements in the article that occurred as a result:
"There was an immediate outcry in comments and on Twitter from people who were outraged, puzzled or concerned about the bias in the article. Scientists and ethicists came forward to correct errors (often angrily, but justifiably so)… as awful as this situation was, this is how social media journalism is supposed to work in its ideal form. I screwed up as an editor, and you caught it — within minutes.
Of course this mistake should never have happened, but I'm grateful that you called io9 on it and did more than just tell us we were wrong. Several scientists and philosophers spent time on their holidays to talk to George, and to write long, eloquent explanations of their perspectives in email. Thanks to your help, and our edits, the article as it stands does represent many sides of the issue."
Obviously, Newitz wishes that she had given the story more than a once-over, and regrets that it was published in such an unfinished state. Ideally, all of those scientists and concerned outsides who wrote in with suggestions and criticisms would have been part of the initial reporting around the topic, before the piece was ever published. But at the same time, the way it was improved is a great example of that process — even though it occurred after publication.
Compare the @io9 response to all the places that try to change story after posted w/out acknowledging error. Those are places I don't trust.
Just to stave off the inevitable criticisms of this point, I'm not saying sites should print any old garbage, safe in the knowledge that they can always update and/or correct it later when someone complains. And there is clearly a game that is often played where a site posts something untrue, benefits from the traffic, and then benefits even more when they update or correct the story.
That said, I think there is a public benefit to having this kind of process — as chaotic and unruly as it can be — play out in public, where everyone can see it. It's part of what made Andy Carvin's Twitter reporting during the Arab Spring so powerful (although he too was criticized for taking that approach). And kudos to Annalee Newitz for having the guts to let us see it happen. As Seth Mnookin pointed out, it makes me trust her more than I did before, not less.
2 Responses to "A lesson in how to apologize, and the value of news as a process"
Kathy E Gill December 4, 2014
Mathew, the act of *acknowledgement* is equally important with stories that begin their lives in a more even-handed manner. Of course, we learned this eons ago, when Dan Gillmor crowdsourced "We The Media…" while a columnist at the San Jose Mercury News, 10+ years ago.
Rainer Proksch December 3, 2014
I absolutely agree with you that sites should always admit their mistakes before the crowd officially. Unfortunately, as you pointed out the editors don't have the guts or even don't care about the untrue info they publish. It's good that still there are such people as Annalee Newitz for whom to be a professional is more significant than just publish crap to draw traffic.
Voices in AI – Episode 90: A Conversation with Norman Sadeh
Byron Reese Jun 27, 2019 - 7:00 AM CDT
A Bottoms Up Approach to Digital Transformation
Bob Egan Sep 4, 2018 - 7:00 AM CDT
Sigh of relief
5 questions for… the Mellel word processor
Jon Collins May 25, 2018 - 9:05 AM CDT
Key Criteria for Evaluating Shared Inbox Apps
Email-first Customer Interaction Solutions
Across The Seams, Down To The Platform
Stowe Boyd Dec 4, 2019 - 12:00 PM CST
CIO Speaks – Episode 9: A Conversation with Bill Dougherty of Omada Health
Mark Thiele


Hello, my name is Joshua (though Josh is also fine) and I'm currently a junior at Seward High School. I'll be trying to make some visual additions to the news site while also getting a few articles in on about some of the extracurricular activities in our school. Also, look out for a couple incoming comics (assuming I don't procrastinate for half a year). I'm not really good at sports, though I am a huge soccer fan. I also like to think about a lot of stuff, such as sports, cultural things, existentialism, philosophy, and stupid ideas. If you want to, check me out talking about said stuff in SHS' group podcast. Hope to have a good semester of journalism.


text:
    <button class="btn btn-lg btn-success" href="#" ng-disabled="$root.wizardItem.Id < 1 || !$root.canEdit" ng-click="createSubItem(key)" onclick="return false;"
            role="button" ng-hide="key=='TestParameters'" id="{{ 'add' + key.toString() }}"
            bs-tooltip="buttonTooltip('child', key)" placement="auto">
        Add {{key.indexOf($root.data.Type) >-1 ? "Sub-" : ""}}{{key | limitTo: key.length-1 | ordinal}}
    </button>


from Zanotta is a perfect modern addition for your chic backyard area. Whether for dining or just a seating area, the steel frame is a sturdy but elegant decor item to your deck or garden. The table and benches are painted white or graphite for contemporary and modern looks. The table comes with an 8-mm thick laminate top, so you don't have to worry about putting an ugly "outdoor" tablecloth out, just simply wipe off the table at the end of a meal. Upholstered seat cushions with removable fabric covers are available for the benches. A little splash of color on the benches will draw your eyes around the table, while not taking away from the clean, crisp lines of the table and benches themselves. The Garden Table and Bench are available online from .


Are you a virtual assistant looking for extra work, or are you looking to break into the virtual assistant space but have no idea where to start?
Byron is an up and coming company that hires work from home virtual assistants.
What Kind of Company is Byron?
Byron is an on-demand assistant platform built for individuals and teams who need more time. Clients look to Byron to connect them with quality virtual assistants who can perform data entry work, marketing, bookkeeping, research, customer support, and more.
Clients can directly integrate their email, calendar, Slack, and text (SMS) to easily submit tasks. They decide whether they need a short-term or long-term assistant and outline the task(s). Byron then matches the job with a U.S. based assistant and you get new client work.
What Type of VA Work Would I Do?
Byron's virtual assistants take on a number of different tasks so it helps to have a wide variety of skills or to even specialize in a few really popular ones. Virtual assistants will be assigned tasks that involve writing or proofreading, transcription, design, bookkeeping, data entry, sales support, and more.
If you don't like a certain project or don't have a particular skill, Byron doesn't force you to take on the job. They only want you working on projects that you want to do. You can choose your own hours and work as many or as little as you want.
That said, your workflow may not be very consistent and will be limited to the number of projects available to you that match your skill set.
The great thing is that long and short-term project opportunities are available so if you're looking for long-term work, you can book a project with a client who will need your help for a few weeks to a few months.
Virtual assistants will be contract workers in charge of their own schedule and hours.
Byron pays virtual assistants between $12 – $15 per hour based on experience. They also occasionally pay out bonuses based on client feedback or after an assistant provides a large commitment of hours to a particular client's project.
Projects are billed down to the minute so even if you don't work a full hour or work 2.5 hours on a project, you'll be compensated fairly.
Byron pays every two weeks via PayPal. The platform automatically logs your time and projects so you don't have to worry about keeping track of how much you're making.
If you're interested in applying for a virtual assistant position with Byron, you can click here fill out an application online if you meet the basic requirements.
You'll need to provide information like your resume, references, and proof of residency in the United States. After your application is processed, you'll be selected for an interview.
Byron interviews every single one of their assistants over the phone in order to learn more about their experience and what makes them a good fit for the job.
After the interview, you may be selected to receive more training and take an assessment. You'll learn how to pick up projects, handle client communication, and navigate through common client scenarios. After the training, you'll be asked to take a test to confirm what you've learned.
Upon successful completion of the test, you'll immediately be able to start working and picking up projects.
To learn more about becoming a virtual assistant with Byron and to apply, please click here. Good luck!
P.S. – If you're looking for more online virtual assistant jobs, we suggest signing up with FlexJobs.com. Each job lead is carefully hand-screened for legitimacy. Don't worry you won't be locked in and can cancel at any time.


All the Features, Without the Fuss.
Our key features were carefully chosen and expertly crafted to give you everything you need and none of what you don't. This lean and powerful tool lets you reach your audience on the go with just a few simple steps.
Move aside Mr. "I Left My Checkbook at Home." With text giving, your supporters can donate right from the palms of their hands – no excuses necessary.
We make it easy to build a mobile database with just a simple keyword and our easy-to-use short code. We have millions of unique keywords to choose from, just for you.
Build a mobile database without leaving home. When someone texts your keyword to 34444, they are added to your subscriber list, giving you permission to communicate directly to their mobile device.
Send messages from your phone or give your thumbs a rest and text straight from your admin panel. Message your full database or select certain subscribers, and whether you want to send it now or later, our scheduling tool takes the guesswork out, making distribution easy and targeted.
Textify lets you organize your contacts by affiliation so you can text who you need when you need to. Segment your database into groups  youth, parents, staff or volunteers  and send mass texts to those who need to know  without bothering those who don't.
Manual responses? Ain't nobody got time for that!! Our auto responder lets you preset messages based on certain triggers (list sign up etc.) and distributes them automatically, letting you focus on what matters most – ministry.


Life is full of remarkable experiences, unique people, beautiful things, the delightful and the bizarre; all of these can present as wondrous indeed.
Phillip Toledano was born in London to a French Moroccan, and an Ameri- can father and is currently living and working in New York city. He believes that photographs should be like unfinished sentences. there should always be space for questions. Phillip's work is socio-political, and varies in me- dium, from photography to installation.
Mr. Toledano has four monographs published on his artistic practice, with the most recent, a new Kind of Beauty being received with critical acclaim. His work has appeared in Vanity Fair, The New York Times magazine, The New Yorker, Esquire, GQ, Wallpaper, The London Times, The Independent Magazine, Le Monde and Interview amongst others.
With selection for this exhibition, featured artist's work will be seen by an inter- national audience of collectors, curators, art consultants and other advocates of fine art photography. Each participant will be included in the Center's Main Gallery exhibition and Online Gallery exhibition. In order to be included in the online gallery or to receive and award, you must participate in the gallery exhibition.
Honorable Mention Awards: 2 year membership and a three image sub- mission to a call for entry at the Center.


The company Iriver will release a new media player called Iriver E40 in the Russian market, which comes with rounded corners and a thickness of only 9 mm. Interestingly, this gadget is that it has a long battery life, able to offer a range (continuous favorite music) up more than 50 hours. Its battery is easily recharged via any USB device.
Iriver E40 plays the most popular audio formats including MP3, WMA, WAV, APE and FLAC. The device has 30 preset equalizer settings, easily accessible menu (better than the previous model, Iriver E30), 2-inch screen, FM radio and voice recorder.
This player will come to Russia in November. It will be available in white, pink and black. Its estimated retail price, equipped with a memory of 4 GB reaches the 1,900 rubles, and with an 8 GB totals to 2,200 rubles.


Follow the instructions, drag object to the stage and click the play button.
Ragdoll Homicide has been played 4.401 times since it was added on March 22, 2010.
Play the free game Ragdoll Homicide and more fun action games at GamesArca.de, the ultimate source for free online arcade games.


The instructor in this video (04:08) discusses how to solve rational equations using another problem. Sl Khan shows how to multiply to remove the fractions to make solving easier. He uses computer software for demonstration. The viewer may want to open the video to 'full screen' because the instructor has a lot of small writing on a black screen.
What's Happening Inside Clemson reporter Ellen Meny sits down with Chief Diversity Officer Leon Wiles to discuss current diversity and inclusion opportunities, as well as what he looks forward to in the future.
Professor Susan Dovey's Inaugural Professorial Lecture. Tuesday, 11 June 2013.
ESC Lunchtime Seminar. A talk given by Robert Howse (NYU Law School), Kalypso Nicolaidis (St Antony's College)on 13th January 2017.


Published 04/24/2019 02:27:53 am at 04/24/2019 02:27:53 am in Fullsize Bed.
fullsize bed 3pc full size bed full size bed measurements mattress.
full size bed measurements,full size bed with storage drawers and bookcase headboard,how wide is a full size bed frame,full size bed frame and headboard,kids full size bed sheets,twin vs full size bed dimensions,full size bed sheets and comforters,full size bed frame with storage,extra long full size bed measurements,full size bed,width of full size bed.


text:
Games >> 3DS >> Video Game
Etrian Odyssey V: Beyond the Myth
3DS-NIN3DS GAME
The fifth main installment of the long-running Etrian Odyssey series is finally arriving! Etrian Odyssey V: Beyond the Myth chronicles the quest of a new adventurer as he or she attempts to reach the top of the towering Yggdrasil Tree. For it is said that whoever braves the dangers of the dreaded Yggdrasil Labyrinth and reaches the summit will have their greatest wish fulfilled...
--A Choose-your-own-odyssey Feel: Starting with the creation of your party to exploring the uncharted labyrinth of the Yggdrasil Tree, Beyond the Myth is about choosing how your own adventure unfolds.
--Gameplay Fit for a true Pathfinder: for those new to the series, the bottom screen of the 3DS displays a Top-Down, tile-based map that must be filled out while dungeon crawling.
--Epic Turn-Based Battles: Dangerous creatures and utterly terrifying FOEs-high-level mini-bosses, roam the labyrinth on every floor, so prepare to test your mettle with challenging turn-based battles.
--A Magical Art Style and Score: Longtime series illustrator Yuji Himukai and renowned composer Yuzo Koshiro return to add their signature magic to the art and music in the game.
--Language: the game features English voice-overs and English text.


text:
Wednesday, Sept. 2: Host dog, toasted roll, baked beans, carrots and yellow cake; peanut butter and jelly sandwich.
Thursday, Sept. 3: Tacos, lettuce, tomatoes, rice, fruit; peanut butter and jelly sandwich; egg salad sandwich
Friday, Sept. 4: Grilled cheese sandwich, vegetable, chips, chocolate chip cookies; peanut butter and jelly sandwich
Wednesday, Sept. 2: Hot dog, toasted roll, carrots, baked beans, yellow cake; peanut butter and jelly sandwich
Wednesday, Sept. 2: Hot dog, toasted roll, baked beans, carrots, yellow cake
Thursday, Sept. 3: Meatball grinder, salad, fruit
Friday, Sept. 4: Grilled cheese sandwich, vegetable, chips, chocolate chip cookies
© Copyright 2006-2019 GateHouse Media, LLC. All rights reserved • GateHouse Flash


text:
Q: Request.RawUrl will get everything after the root url, what will give me just the filename? Is there a built in way of just getting the filename for the current request?
Request.RawUrl will give everything AFTER the domain (including querystring), is there anything to just give me the current filename being requested?

A: A more simple approach could be:
string file = System.IO.Path.GetFileName(Request.Url.LocalPath);

A: I'm not sure of the best approach, but something like
System.IO.Path.GetFilename(Request.CurrentExecutionFilePath)

will take into account any Server.Transfer()ing that might have occurred, and will play nice with web service requests.