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Solid Works Training Material
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Solid Works Training Report
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Acknowledgements Special thanks to: Dean, School of Mechanical and Aerospace Engineering, USM Assoc. Prof. Dr. Zaidi Mohd Ripin. USAINS Holding Sdn. Bhd. Unit Latihan, USM Secretariat committee; Mr. Mohamad Ikhwan Zaini Ridzwan, Dr. Mohd Salman Abu Mansor, Mr. Wan Amri Wan Mamat Ali, Mr. Norijas Abd Aziz, Mr. Hishammudin Endan Ms. Rosmawati Mohamath Ms. Siti Farah Aida Zolhani Staffs, School of Mechanical and Aerospace Engineering, USM Prof. Ahmad Yusoff Hassan Mr. Ahmad Khaizi Mahidin Ms. Sharmila Azlin Ramly Ms. Nor Zainah Bahari Ms. Juhana Ahmad Ariff Mr. Jamari Sadli Mr. Hasrie Mohd Hashim
Coordinator, Mr. Mohamad Ikhwan Zaini Ridzwan i
Contents Day One – 29 April 2008 Module 1: Introduction to SolidWorks and Basic Sketching..................................... 1 Introduction to SolidWorks........................................................................................1 SolidWorks user interface & Toolbar menus .......................................................2 FeatureManager Design Tree ...............................................................................4 Keyboard shortcuts and mouse buttons..............................................................5 Tools-Options .........................................................................................................6 Basic 2D sketching....................................................................................................9 Sketch Entities/Geometry.................................................................................. 10 Status of a sketch............................................................................................... 11 Sketch Relations................................................................................................. 12 Tutorial 1.1: Sketch a Simple Nut with Circle and Polygon ............................. 20 Tutorial 1.2: Using 3D sketch ............................................................................ 21 Tutorial 1.3: Apply Add Relations between Sketch Entities ………………………. 22 Exercise 1.1: Sketching Horizontal and Vertical Lines..................................... 23 Exercise 1.2: Sketching Lines............................................................................ 23 Exercise 1.3: Sketching using Rectangle and Circle........................................ 24 Exercise 1.4: Sketching a Chair Frame using 3D sketch................................. 24 Module 2: Additional Sketching ............................................................................... 25 Tutorial 2.1: Creating a Flat Bar ............................................................................ 26 Tutorial 2.2.............................................................................................................. 31 Tutorial 2.3.............................................................................................................. 33 Exercise 2.1 ........................................................................................................ 35 Exercise 2.2 ........................................................................................................ 36 Module 3: Basic Part Modeling ................................................................................ 37 Sketching and Creating Bosses............................................................................. 38 Creating a Counterbore Hole ............................................................................. 41 Cut Feature ......................................................................................................... 43 Filleting................................................................................................................ 46 Chamfering.......................................................................................................... 47 Define Material and Mass Properties ............................................................... 48 Editing features .................................................................................................. 49 Exercise 3.1: Glass Plate ....................................................................................... 51 Exercise 3.2: Bracket ............................................................................................. 51 Exercise 3.3 ............................................................................................................ 52 Exercise 3.4: Gland ................................................................................................ 52 Exercise 3.5: PVC Tee Pipe .................................................................................... 54
Day Two – 30 April 2008 Module 4: Additional Part Modeling......................................................................... 55 Revolved features................................................................................................... 56 Tutorial 4.1.......................................................................................................... 57 Patterning................................................................................................................ 62 ii
Tutorial 4.2: Vary Sketch option ........................................................................ 63 Exercises 4.1: Curve Driven Pattern.................................................................. 64 Swept....................................................................................................................... 65 Tutorial 4.3: Creating a Worm Gear .................................................................. 66 Tutorial 4.4: Creating a Spring........................................................................... 67 Tutorial 4.5: Creating a Bottle (with a guide curve).......................................... 68 Lofted ...................................................................................................................... 69 Tutorial 4.6: Create lofted part with Centerline Parameters ........................... 70 Exercises 4.2: Chisel .......................................................................................... 72 Rib and Shell........................................................................................................... 76 Tutorial 4.7: Using Shell to create wall thickness inside the Bottle................ 77 Module 5: Assembly Modeling ................................................................................. 78 Assembly toolbars .................................................................................................. 81 Basic assembly mates ........................................................................................... 81 Sliding Brace Assembly .......................................................................................... 82 Exploding and collapsing the assembly ................................................................ 93 Creating an explode line sketch ............................................................................ 94 Module 6: Drawing.................................................................................................... 96 Drawing toolbars..................................................................................................... 97 Insert standard drawing views - Angle of projections........................................... 97 Insert Component into Drawing............................................................................. 98 Adding dimensions to drawing and modifying dimensions ............................... 100 Create Section View.............................................................................................. 101 Insert a Note ......................................................................................................... 105 Edit Sheet Format................................................................................................. 106 Assembly Drawing ................................................................................................ 112 Elements of an Assembly Drawing ...................................................................... 112 Example of Assembly Drawing............................................................................. 112 Opening drawing template and edit Sheet Format ............................................ 113 Adding the Exploded View.................................................................................... 114 Creating Bill of Materials (BOMs) ........................................................................ 115 Customizing BOMs ............................................................................................... 116 AutoBalloons......................................................................................................... 116 Producing an e-drawing file ................................................................................. 118 Exercises 6.1:.................................................................................................... 119 References ..............................................................................................................120
SolidWorks Training (Basic)
Module 1: Introduction to SolidWorks and Basic Sketching (1 hour 50 minutes) Introduction to SolidWorks (20 minutes) SolidWorks is a mechanical design software package to build parts, assemblies, and drawings, which take advantage of the Microsoft Windows graphical user interface. In SolidWorks, a part, an assembly, and a drawing are all fully associated. Changes to the model are automatically reflected in the associated drawings and assemblies. Likewise, when you make change to the drawing and assembly, those changes will be reflected back to the model. Starting a SolidWorks
SolidWorks user interface & Toolbar menus The interface is native Windows interface, and such behaves in the same manner as other Windows applications.
Standard Views Toolbar
Standard Toolbar View Toolbar
CommandManager FeatureManager Design Tree
Status Toolbar
Menus • •
It provides access to all commands that the SolidWorks offers. When a menu item has a right pointing arrow, it means there is a sub-menu associated with the choice,
When a menu item is followed by a series of dots, it means that option opens a dialog box with additional choices or information.
Toolbars menus • •
Provide shortcuts enabling to quickly access the most frequently used commands. They are organized according to function and can be customized, removed and rearranged according to your preferences.
Example of a Toolbar Standard toolbar as shown below contains commonly used function as opening new or existing documents, saving documents, printing, copying and pasting objects, undo, redo, and help.
You can turn toolbars on and off using one of three methods. 1. Click Tools – Customize. On the Toolbars page, click the check boxes to select each toolbar you want to display. Clear the check boxes of the toolbars you want to hide.
2. Right click on toolbar area of the SolidWorks window. Check marks indicate which toolbars are currently visible. Clear the check marks of the toolbar you want to hide.
3. Clicking View – Toolbars displays the same list of toolbars.
FeatureManager Design Tree • • • •
It is located on the left side of the SolidWorks Graphic window. It displays the details chronological sequence on how all the parts, assembly and drawing are created. It allows access to do editing of the models. It consists of three default tabs: o FeatureManager design tree o PropertyManager o ConfigurationManager
The FeatureManager design tree makes it easy to: • • • • •
Select items in the model by name. Identify and change the order in which features are created. You can drag items in the FeatureManager design tree list to reorder them. This changes the order in which features are regenerated when the model is rebuilt. Display the dimensions of a feature by double-clicking the feature's name. Rename items by slowly clicking two times on a name to select it and then entering a new name. Suppress and Unsuppress part features and assembly components.
The PropertyManager appears on the PropertyManager tab in the panel to the left of the graphics area. It opens when you select entities or commands defined in the PropertyManager. OK. Accept the selections, execute the command, and close the PropertyManager. Cancel. Ignore any selections and close the PropertyManager.
Title bar Help. Open the corresponding help topic. Preview. Display a preview of the feature.
The ConfigurationManager on the left side of the SolidWorks window is a means to create, select, and view multiple configurations of parts and assemblies in a document. The icons in the ConfigurationManager denote how the configuration was created: Manually With a design table Manually, and has an explode state With a design table, and has explode state 4
Keyboard shortcuts and mouse buttons Keyboard shortcuts Some menu items indicate a keyboard shortcut such as: Ctrl+O for File, Open Ctrl+S for File, Save Ctrl+Z for Undo And many more You can customize SolidWorks by creating your own shortcuts. Click Tools – Customize. Find Keyboard tab as in figure shown.
Three mouse buttons •
Left – to select objects as geometry, menus buttons, and objects in the FeatureManager design tree. To select multiple items, you must hold down the Control (Ctrl) key. To deselect object, simply click anywhere in a blank (empty) portion of the work area.
Right – activates a context sensitive shortcut menu. The contents of the menu is differ depending on what object the cursor is over.
Middle – use for dynamically rotating, panning, zooming a part or assembly. o Rotate part or assembly – Holding down the middle button and drag the mouse o Zoom all document types – Hold down the Shift key while depressing the middle button and moving the mouse. (Simply rotates the wheel of the middle mouse button for zooming in or out if your middle mouse button is a wheel.) o Pan all document types – Hold down the Ctrl key while depressing the middle button and drag the mouse.
Tools-Options The Options dialog box able you to customize the SolidWorks software based on your preferences. Level of customization: •
Every option under System Options will affect every document you open in SolidWorks session. For example, the viewport background, if you set the color to Black, it will remain as black every time you open the SolidWorks window until you change to another color. Example: Set Viewport Background to White
This setting only applied to individual documents. For example, units, drafting standard, material properties, image quality etc. They are saved with the document and do not change. Example: Setting Units
Tools Æ Options Æ Document Properties Æ Units Æ MMGS (millimeter, gram, second)
Example: To increase the quality of image
SolidWorks Training (Basic) Example: Set Dimensioning Standard
Basic 2D sketching (1 hour 30 minutes) Sketching is the act of creating 2-dimensional profile comprised of wireframe geometry. Sketches are used for all sketched feature in SolidWorks including: • Extrusions • Revolves • Sweeps • Lofts Process of completing the sketches Starting a New part (It can be created in inch, millimeter or other units)
Sketches (Collections of 2D geometry that are used to create solid features)
Sketch Entities/Geometry (Types of 2D geometry such as lines, circles and rectangles that make up the sketch)
Sketch Relations (Geometric relationships such as horizontal and vertical are applied to the sketch entities. The relations restrict the movement of the entities)
State of the sketch (Each sketch has a status that determines whether it is ready to be used or not. The state can fully-, under- or over defined)
Sketch tools (Tools can be used to modify the sketch geometry that has been created/ this often involves the trimming or extension of the entities)
Extruding the sketch (Extruding uses the 2D sketch to create a 3D solid feature)
Sketch Entities/Geometry SolidWorks offers a rich variety of sketch tools for creating profile geometry. Sketch entity
Toolbar button
Geometry example
Centerpoint Arc 3 Point Arc
Tangent Arc
Partial Ellipse
Centerline
Status of a sketch The most common color codes are: No. Color
Under constrained 1.
(this is usually appears when first drawn)
Fully constrained
(when more constraints and dimensions are added to the sketch – the sketch become completely defined)
Over constrained
(adding any dimension to fully defined would serve to overdefine the sketch)
Only case 1 and 2 are allowable. For case 3, you must fix the error as soon as possible before quitting the sketch mode otherwise a warning message will popout and it will create more problems for yourself.
Sketch Relations The following table describes the entities that you can select for a relation and the characteristics of the resulting relation. Relation Horizontal or Vertical
Entities to select One or more lines or two or more points.
Collinear
Two or more lines.
Coradial
Two or more arcs.
Perpendicular Two lines. Parallel
Concentric Midpoint Intersection Coincident Equal Symmetric
Two or more lines. A line and a plane (or a planar face) in a 3D sketch. An arc, ellipse, or spline, and a line or arc. Two or more arcs, or a point and an arc. Two lines or a point and a line. Two lines and one point. A point and a line, arc, or ellipse. Two or more lines or two or more arcs. A centerline and two points, lines, arcs, or ellipses. Any entity.
Merge Points Two sketch points or endpoints.
Resulting relations The lines become horizontal or vertical (as defined by the current sketch space). Points are aligned horizontally or vertically. The items lie on the same infinite line. The items share the same centerpoint and radius. The two items are perpendicular to each other. The items are parallel to each other. The line is parallel to the selected plane. The two items remain tangent.
The arcs share the same centerpoint. The point remains at the midpoint of the line. The point remains at the intersection of the lines. The point lies on the line, arc, or ellipse. The line lengths or radii remain equal. The items remain equidistant from the centerline, on a line perpendicular to the centerline. The entity's size and location are fixed. However, the end points of a fixed line are free to move along the infinite line that underlies it. Also, the endpoints of an arc or elliptical segment are free to move along the underlying full circle or ellipse. The two points are merged into a single point.
SolidWorks Training (Basic) A line may be constrained vertically or horizontally. Once the line is drawn horizontally, it will remain horizontal unless the relation is removed. The line can be repositioned and resized but must remain horizontal. For an instance:
The line is in Horizontal
The line is in vertical
The lines are in horizontal and have equal length
Where to find it •
Select the sketch entity or entities, and select the appropriate relation from the Add Relations section of the PropertyManager
Or, right click the entity or entities, and select Add Relation from the short-cut menu Or, click Tools, Relations, Add… Or, on the Sketch toolbar click Add Relation
You can view all relations in your sketches by select View – Sketch Relations
SolidWorks Training (Basic) What are we going to sketch? How to start?
1. Open SolidWorks 2007. 2. Select New from the File menu, or click on the New icon on the Standard toolbar. 3. Select the type of new file (Part, Assembly, or Drawing) from the New SolidWorks Document window.
4. Click OK. 5. Open a new Sketch. Open the sketch by either clicking or choosing Sketch from the Insert menu. This will show all three default planes for selection in a trimetric orientation. From the screen, choose the Front Plane. The plane will highlight and rotate.
6. Sketch active. The selected Front Plane rotates so it is parallel to the screen.
Plane can be resized by dragging these handles
The Origin Point 14
SolidWorks Training (Basic) 7. Sketch lines Click the Line tool
8. Saving your Work. It is a good habit to save your work right way. Always bear in mind to save regularly and often. Select Save from the File menu, or click Save icon on the Standard toolbar. 15
SolidWorks Training (Basic) 9. Linear dimensions. Add additional linear dimensions to the sketch as shown.
Where to find it? • • •
Tools menu, select Dimensions, Smart Or Right click, select Smart Dimension Or Dimensions/Relations toolbar, pick Smart Dimension tool,
10. Angular dimension. Using the dimension tool, create the angular dimension shown and set the value to 125°.
SolidWorks Training (Basic) 11. Fillets. Click Sketch Fillet and set the Radius to 10 mm. Select all of the endpoints in the sketch. Click OK.
Sketch Fillets are used to round off sharp corners in a sketch. Where to find it? • Tools menu, select Sketch Tools, Fillet. • Or Sketch toolbar, click Sketch Fillet
12. Extrude menu. Click Insert, Boss/Base, Extrude or the to access the command
tool on the Features toolbar
The depth is 10 mm.
SolidWorks Training (Basic) 13. Edit the sketch
Right click on Extrude, and select Edit Sketch
a. Change the value of angular dimension
Double click on 125° and modify to 110°. You'll see that other dimensions remain unchanged.
SolidWorks Training (Basic) b. Length of the base
Double click on 100 mm and modify to 90 mm
Click here to Exit Sketch and update your part.
Modified part
Tutorial 1.1: Sketch a Simple Nut with Circle and Polygon 1. Create a New part in SolidWorks. 2. Right click Top Plane from the FeatureManager design tree. This will be a Sketch plane. 3. Click Sketch from the toolbar. 4. Click Circle
from the Sketch toolbar. Sketch a circle centered at the origin. Give dimension as illustrated.
5. Click Tools – Sketch Entities – Polygon from the Menu bar. Sketch a Polygon centered to the origin larger than the circle.
6. Extrude to 8 mm depth.
We can create equilateral polygons with any number of sides from 3 to 40. Parameters This box allows you to define the number of sides. Other parameters will automatically update when this parameter is modified.
Circumscribed circle
Inscribed circle 20
Tutorial 1.2: Using 3D sketch 1
Select 3D sketch and start sketching
You can change the plane sketch by pressing the Tab key
Apply Fillet with the radius is 10 mm
Sweep function. You will learn this through Module 4
Tutorial 1.3: Sketch part using Lines, 3 Point Arc, Tangent Arc and apply Add Relations between Sketch Entities 1
Select these two arcs to make tangent
Select Tangent as relations
Symbol of tangent as relations between these two arcs
Add dimensions as illustrated
Extrude to 80 mm depth
Exercise 1.1: Sketching Horizontal and Vertical Lines (15 minutes) Create this sketch on the Front Plane using lines, automatic relations and dimensions. Fully define the sketch.
Extrude the sketch 30 mm in depth.
Save and close the part.
Exercise 1.2: Sketching Lines (5 minutes) Create this sketch on the Front Plane using lines, automatic relations and dimensions. Extrude the sketch 30 mm in depth. Save and close the part.
Exercise 1.3: Sketching using Rectangle and Circle (5 minutes) Create this sketch on the Front Plane using rectangle and circle, automatic relations and dimensions.
Exercise 1.4: Sketching a Chair Frame using 3D sketch (5 minutes) Create this sketch using 3D sketch (free dimension)
The completed figure used Swept feature that you will learn in Module 4
Module 2: Additional Sketching (2 hours) This module is an extension of the previous module. Here, you will learn more about Sketch toolbar, Sketch Relations, Dimensions and edit the sketch. On the completion of this module, you will be able to: •
Apply other Sketch Entities: o Rectangle o Centerline o Ellipse
Understand and utilize the available tools from the Sketch toolbar to create and modify the sketch: o Trim – able to trim the selected entities, o Linear Pattern – able to create a linear pattern along one or both axes, o Mirror – able to mirror existing sketch entities, o Offset – able to offset one or more sketch entities, and selected model edges by a specified distance, o Circular Pattern – able to create a circular pattern along one or both axes
Apply Sketch Relations between sketch entities o Midpoint o Horizontal o Coincident o Tangent
Edit the sketch o Edit Linear Pattern o Change the sketch plane
Tutorial 2.1: Creating a Flat Bar (20 minutes) 1. 2. 3.
Open a New sketch and Save As Flat Bar Click Sketch from the toolbar. Select the Front Plane.
Click Rectangle
from the Sketch toolbar.
Click Centerline toolbar.
from the Sketch
Select both Centerline and Origin Point (press Ctrl key while selecting) and choose Midpoint as their relations.
Click Trim Entities
Select Trim to closest from the Trim Options
Select the right and left vertical lines to remove.
10. Click Tangent Arc
from the Sketch toolbar
11. Give dimension to the bar.
12. Click Circle
from the Sketch toolbar with the diameter is 20 mm at the
left end of the bar.
13. Click Linear Pattern menus.
from Tools – Sketch Tools drop down
14. Extrude the bar to 10 mm depth.
15. Save the part.
16. Editing a. Reduce the number of holes to 5 i.
Right click on Extrude and select Edit Sketch ii. Select one of the Circle and right click and choose Edit Linear Pattern
iii. Change the number of holes from 9 to 5 and the distance between each holes to 50 mm
iv. Select OK and Exit Sketch.
b. Change the Sketch Plane i.
Expand the Extrude. Right click on Sketch and select Edit Sketch Plane.
ii. You will see shows the Front Plane, which denotes your previous sketch plane.
iii. Expand this button iv. Select Top Plane.
v. Click OK and you will see that the sketch plane is now changed to Top Plane.
Tutorial 2.2: (20 minutes) 1. 2. 3. 4. 5.
Open a new sketch. Click Sketch from the toolbar. Select the Front Plane. Sketch horizontal and vertical Centerlines. Sketch two Circles with different diameters as shown in figure below. Connect these circles with 3 Point Arc.
We can see all relations between the sketch entities. Tangent between arc and circle
Coincident Horizontal
Trim the sketch as shown in figure below.
Select Mirror from the sketch toolbar and mirror the entity with respect to the vertical Centerline.
9. Next, Mirror with the horizontal Centerline. 10. Select Ellipse from the sketch toolbar and complete all dimensions as shown in figure below.
11. Extrude to 10 mm depth and save the part.
Tutorial 2.3: (15 minutes) 1. 2. 3. 4.
Open a new sketch. Click Sketch from the toolbar. Select the Front Plane. Create a Circle with 50 mm in diameter.
Create another Circle by using Offset
Type 7 mm as distance parameter outside the first Circle.
Sketch one Line which 6.15 mm from the vertical Centerline and Mirror about the Centerline. Then Trim the lines carefully until you get as similar as in figure below. If you pick a wrong line, you may Undo the step.
Trimming 8. 9.
Select Tools – Sketch Tools – Circular Pattern . Select the lines and insert 8 as your number of pattern instances.
10. Trim the lines 11. Extrude to 10 mm and save your part.
Exercise 2.1: (20 minutes)
(b) Special cam (Unit is in inch)
(c) Shift Lever
Exercise 2.2: Create a solid model of this 2 mm thick steel bicycle disk rotor. (25 minutes)
Module 3: Basic Part Modeling (2 hours) This module provides an understanding of creating Extruded, Fillet, Chamfer, Simple Hole and Hole Wizard features. These are the samples of Features toolbar: Boss/Base and Cut
Pattern/mirror
Some of the icons (which are not circled) will be seen during Module 4 – Additional Part Modeling. On the completion of this module, you will be able to: 1. 2. 3. 4. 5. 6.
Sketch at any planes, Utilize extruded boss and extruded cut, Create fillet and chamfer at the selected edges, Create standard holes by applying the Hole Wizard, Find the mass of your part and Edit or manipulate features geometry to reduce or increase the mass properties of the component.
Sketching and Creating Bosses (45 minutes) 1. Open a new sketch. 2. Click Sketch from the toolbar. 3. Select the Top Plane.
4. Sketch as shown in figure below. Add dimensions to the sketch. Equal length
5. Extrude 10 mm upwards.
Coincident with the origin
6. lnsert new sketch. Create a new sketch using Insert, Sketch or by clicking the Sketch tool.
Select this side/plane
7. Sketch as shown in figure below.
Coincident with the origin 39
SolidWorks Training (Basic) 8. Add dimensions.
9. Extrude to 10 mm depth and in reverse direction.
Creating a Counterbore Hole 10. Hole position. Select the face indicated and Insert – Features – Hole – Wizard…
Select this face
SolidWorks Training (Basic) 11. Choose Counterbore. Set the properties of the hole as follows: Standard: Ansi Metric Screw Type: Hex Bolt – ANSI B18.2.3.5 Size: M8 Fit: Normal End Condition: Through All 12. Turn to Hole Position.
13. Drop the point onto the center point.
SolidWorks Training (Basic) 14. Completed Hole. Click Finish to complete the hole feature.
Cut Feature 15. Press the spacebar and double-click *Front. Start a sketch on this large face and add a rectangle Coincident with the bottom model edge.
16. Select the left vertical sketch line and the vertical model edge. Add a Colinear relation between them. (Hold down the Ctrl key and then select the objects) Repeat the process on the opposite side.
17. Add a dimension.
18. Through All Cut. Click Insert, Cut, Extrude, Or pick Extruded Cut
on the Features toolbar.
Choose Through All and click OK
SolidWorks Training (Basic) Holes 19. Change the view orientation. Press the spacebar and double-click *Top.
20. Hole. Click the Hole tab and set the properties of the hole as follows: Standard: Ansi Metric Screw Type: Drill sizes Size: ∅12.5 End Condition: Through All 21. Turn to Hole Position and locate the holes.
22. Set Dimensions add relation so that these points are aligned horizontally.
SolidWorks Training (Basic) 23. Return to Isometric.
Filleting 24. lnsert Fillet. Set a radius = 10 mm
SolidWorks Training (Basic) 25. Add fillets at selected edges and face, radius 2.5 mm, and using Full preview.
Selected edges and face
Chamfering 26. Add chamfer
to the holes.
SolidWorks Training (Basic) 27. Save the part.
Define Material and Mass Properties 28. How to define material and check its mass properties
Right click on Material and select Edit Material
29. Choose Copper and its Alloys and select Brass.
SolidWorks Training (Basic) 30. Drop down menus, Tools – Mass Properties…
Mass of the part (474.04 g)
Editing features 31. Mass of the part can be reduced by modified the thickness of the features. 32. Right click on Extrude and select Edit Feature.
SolidWorks Training (Basic) 33. Change the depth from 10 mm to 5 mm.
34. Click OK. 35. Check the current mass of the part. Now, the mass is 326.09 g which means more than 30 % of mass has been reduced.
36. The Cut Feature is still maintaining the dimension to be 2.50 mm from the bottom face.
Exercise 3.1: Glass Plate (15 minutes) Create this part using the information and dimensions provided. Sketch and extrude profiles to create the part.
4 x M20 Drilled Hole 10
R20 fillet
Exercise 3.2: Bracket (15 minutes) Create this part using the information and dimensions provided. Sketch and extrude profiles to create the part.
CBore M14 Hex Head Bolt
Exercise 3.3:
Create this part using the information and dimensions provided. Sketch and extrude profiles to create the part. (10 minutes)
Exercise 3.4: Gland (15 minutes) Create this part using the information and dimensions provided. Sketch and extrude profiles to create the part.
Mirror the sketch with vertical axis
Give dimensions
Start sketching
Extrude 10 mm
Sketch small circle and mirror for another circle
Complete part Sketch circle with 70 mm diameter and extrude 10 mm
Sketch another circle with 48 mm diameter and extrude cut 15 mm
Exercise 3.5: PVC Tee Pipe (30 minutes) Create a solid model of this plastic pipe tee. A tee is used to connect pipes together. The type of tee shown here is used to join pipes with solvent welding. A chemical is applied to the inside of the socket, and the pipe is then forced into the socket. The solvent softens the plastic, and when the solvent dries, a strong, permanent joint is created. The sockets are tapered slightly to allow for a tight fit with the pipe.
Sockets are to be tapered 0.50 degrees Set the material to PVC Rigid (density=1300kg/m3) and find the mass of the tee. (Answer: Weight =70.63 g)
Module 4: Additional Part Modeling This module provides a comprehensive understanding on additional modeling techniques such as: Revolved, Patterning, Swept, Lofted, Rib and Shell features in SolidWorks. Below are examples of products that applied these types of features.
Revolved features Revolved Boss/Base – material added by rotating the profiles about a centerline Revolved Cut – material removed by rotating the sketch The Revolve parameters box provides the ability to select:
Axis of Revolution Revolve Type • One-Direction • Mid-Plane • Two-Direction
Angle It controls the revolve thickness
Allow a small gap between rectangle and the centerline to create a hollow cylinder
One of the lines is collinear with the centerline to make a solid cylinder
Tutorial 4.1: 1. Draw a Centerline across the Origin
2. Using Line, sketch as follows (free dimension)
3. Exit the sketch and select Revolve from Features toolbar. Select the Centerline as the Axis of Revolution.
It rotates clockwise
4. The direction of rotation and its angle can be changed, i.e. 180°.
Click here to change the rotation to counter clockwise
6. To edit the feature. Right click Revolve and select Edit Feature.
7. Change the angle of revolution to 360°.
8. We will make holes on the selected face.
9. Sketch a Circle and tick For construction box. The line will turn to construction line.
10. Sketch a small Circle and coincident with the construction line.
11. Extrude Cut, Through All.
12. The hole will be copied around the face by using Circular Pattern. Click View – Temporary Axes. The axis will be used as axis of rotation.
13. Select Circular Pattern from Features toolbar. Number of holes are 6.
14. The completed part.
Patterning In Module 2, you have learnt the sketch pattern such as linear and circular pattern. There are other pattern tools that are available in SolidWorks. You may find them at Insert – Pattern/Mirror. Pattern repeats the selected features in an array based on a seed feature. You can create a linear pattern, a circular pattern, a curve driven pattern, a fill pattern, or use sketch points or table coordinates to create the pattern. Linear pattern
Circular pattern
Curve driven pattern
Fill pattern
Sketch points or Table coordinates to create the pattern
Select the features, then specify the direction, the linear spacing, and the total number of instances. Select the features and an edge or axis as the center of rotation, and then specify the total number of instances and the angular spacing between instances. Select the features and an edge or sketch segment on which to pattern the feature. Then you can specify the type of curve, the curve method, and the alignment method. Fill a defined region with a pattern of features or a predefined cut shape. Typical uses include: • Weight reduction • Ventilation holes Select where to populate a seed feature by sketching points on model face, or Add or retrieve previously created X-Y coordinates to populate a seed feature on the face of the model.
But remember, the commands are only enable when you have multi body parts.
Tutorial 4.2: Vary Sketch option 1
Sketch as illustrated (some of the entities are free dimension) 5
Apply Linear Pattern and enable Vary Sketch option
Extrude the sketch
Sketch a slot on top of 3D part and give dimensions Hint: 8 mm at both sides will control the distance between the arcs and the plate edges.
Extrude cut the slot
Apply Circular Pattern Complete component
Exercises 4.1: Curve Driven Pattern
Offset 5 mm
Sketch as illustrated using Spline (free dimension)
Extrude to 10 mm Sketch a Circle with diameter 3 mm on top of spline face 6
Select the Circle and add relations with the Offset line to be coincident
Extrude Cut the Circle
Select the Extruded Cut feature and go to Insert-Pattern/Mirror-Curve Driven Pattern Select the Offset Spline as the direction Spacing and Instances: 20
Swept Swept Boss/Base – material added by sweeping a profile along the path Cut Sweep – material removed by sweeping a profile along the path
Follow path – the section remains at the same angle with respect to the path at all times.
Keep Normal Constant – the section remains parallel to the beginning section at all times.
Sample of applications:
Spiral coil 65
Tutorial 4.3: Creating a Worm Gear
Sketch the profile (or the sketch can be taken from Tutorial 2.3, but you have to modified a bit)
Create the path
Completed part
Tutorial 4.4: Creating a Spring
Click Insert: Curve: Helix/Spiral
Sketch a Circle
Create a Plane Normal to Curve
Completed spring
Select Swept. The Circle will be the Profile and Helix/Spiral is the Path.
Sketch a Circle with 3.50 mm diameter 67
Tutorial 4.5: Creating a Bottle (with a guide curve) 1
Lofted Loft creates a feature by making transitions between profiles. A loft can be a base, boss, cut, or surface. You create a loft using two or more profiles. Only the first, last, or first and last profiles can be points. All sketch entities, including guide curves and profiles, can be contained in a single 3D sketch.
You can drag to modify/change the location of these blue points (closing point)
Sample of application: Chisel
Tutorial 4.6: Create lofted part with Centerline Parameters 1. Create Rectangle on Front Plane.
2. Select and sketch 3 Point Arc at other Top Plane. One of its end points must coincident with the Origin.
3. View in Isometric.
4. Create a Plane Normal to Curve. You have to select the Arc and Point.
5. Sketch another Rectangle on this Plane
6. Select Loft from Feature toolbar. Select Sketch 1 and Sketch 3 (both Rectangles) as the profiles.
7. Expand the Centerline Parameters and pick the Arc (Sketch 2).
Exercises 4.2: Chisel 1. Select Front Plane
2. To create another Plane, Hold Ctrl key and drag Front plane to the left.
3. Set the Distance
to 30 mm and Instances: 2
4. Create one more plane (Plane3) which 40 mm from Plane2 using the same method.
5. Select Front Plane and sketch a square.
6. Exit sketch. 7. Select Plane1 and sketch a Circle.
8. Exit sketch. 9. Select Plane2 and sketch another Circle, which its radius is coincident with the vertex of the square. Exit the sketch.
10. Select and Copy larger Circle and Paste on Plane3.
11. Click Features – Lofted Boss/Base 12. Select sketches. You have to make sure that all the selected points are at the same corner.
13. Create one plane 200 mm at the back of Front Plane.
14. Select Plane4 that you have just created and sketch a Rectangle as illustrated below.
15. Click Features – Lofted Boss/Base. Select the profile. Pick the point at the right bottom of square and rectangle.
16. Complete the model. Save the part.
Rib and Shell Rib is a special type of extruded feature created from open or closed sketched contours. It adds material of a specified thickness in a specified direction between the contour and an existing part. You can create a rib using single or multiple sketches.
1. Sketch L shape and extrude the sketch. 2. Sketch a Line to use as the rib feature on a plane. 3. Click Rib on the Features toolbar, or click Insert, Features, Rib. 4. Click OK Shell tool hollows out a part, leaves open the faces you select, and creates thinwalled features on the remaining faces. If you do not select any face on the model, you can shell a solid part, creating a closed, hollow model. You can also shell a model using multiple thicknesses.
Tutorial 4.7: Using Shell to create wall thickness inside the Bottle
Module 5: Assembly Modeling Stages in the process; •
2. Adding the first component Components can be added in several ways. They can be dragged and dropped from an open part window or opened from standard browser.
1. Creating a new assembly New assemblies are created using the same method as new parts
3. Position of the first component The initial component added to the assembly is automatically fixed as it is added. Others components can be positioned after they are added.
4. Mating components to each other Mates are used to position and orient components with reference to each other. Mates remove degrees of freedom from the components.
Concentric mate between two cylindrical faces
5. Sub assemblies Assemblies can be created and inserted into the current assembly. They are considered sub-assembly components.
SolidWorks Training (Basic) From assemblies, you can: 1.
Perform mass properties calculations on entire assemblies and also interference (clashes) detection between parts in assembly,
Create an exploded view of an assembly,
Bill of Materials (BOM) table can be generated from the assembly. Associated balloons can be added to identify the items.
Assembly toolbars
• Insert components • Hide/show components • Change suppression state • Edit component • No external references • Mate • Move component
• Smart fasteners • Exploded view • Explode line sketch • Interference detection • Simulation
Basic assembly mates • Coincident – place two flat surfaces in the same plane • Parallel – define two flat surfaces as parallel • Perpendicular – define two lines or planes as perpendicular to one another • Tangent – define a cylindrical feature as tangent to a line or plane • Concentric – align the centerlines of two cylindrical features • Distance – make two surfaces parallel, with a specified distance between them • Angle – two lines or planes at a preset angle to one another
Sliding Brace Assembly 1. Create a new assembly 2. Insert components (Browse the components from Desktop/SolidWorks Basic Training/Module5/Bracket) By default, the first component inserted into an assembly is fixed (locked) in position.
3. Float and Fix components
Right click and select Float. Now, the component is 'floating', and can be moved or rotated
4. Mate the faces of these two components (Bracket – C Link) and select Coincident Select top Face of C Link
3 1 Coincident
Select bottom Face of Bracket 83
Select these two faces
5. Moving and rotating the component – U Bolt
Select this component to rotate
Rotate the bolt so that its legs are parallel with the holes
6. Mating components (select U Bolt's right leg and Bracket's hole) – choose Concentric
7. Mate another side
Mate another side
8. Select bottom faces of U-Bolt and C Link and constraint their Distance to maintain at 40 mm.
9. Continue with the other side. You have to insert other U-Bolt and C Link and apply mates on respective parts as before.
10. You will utilize the Design Library and take a standard nut from the library.
11. Save as the nut to Desktop/SolidWorks Basic Training/Module5/nut.
2 Double click the nut 89
12. You will be asked to Select a Configuration of the nut size. Select M20-2.5. M – Metric, 20 – nut diameter (in mm)
13. Insert/copy four nuts.
14. Mating the nuts
3 15. A complete assembly.
16. Generate an assembly statistics - Generate a report of the components and mates in an assembly.
9 components
20 mates
Exploding and collapsing the assembly Exploded View - It is a view of an assembly where the components have been separated.
17. Select the component to be exploded – a triad will appear – place the cursor over the arrow on the triad that represents the direction in which component should be exploded – then drag to the desired distance. 18. Select the nuts (it will be highlighted in cyan color at the design tree). Then drag the triad downward.
Exploded step
Drag the triad downward
19. Continue to select other parts and follow the sequence.
20. Expand the entries in the ConfigurationManager so that defined Explode Steps will appear
Creating an explode line sketch 21. Make sure the assembly in its exploded view (not collapsed).
22. Select edges or faces on components that the explode line will connect between.
Select edges
23. Repeat for other components. Save the assembly.
Module 6: Drawing After completion of this module, you will be able to: • make 2-D drawing from a SolidWorks part file. • create a custom drawing sheet format, and • use eDrawings to create a drawing file that allows easy file sharing 1. To open a new drawing file, open SolidWorks 2007, click New icon on the Standard toolbar.
2. Select Drawing icon and then OK.
3. You will be asked about the format and size of your drawing layout. Click Standard sheet size and select A-Landscape. Do not turn on the Display sheet format yet.
4. Click on the X to close the box, we will set a few options before browsing the part file.
Drawing toolbars In the drawing mode, the CommandManager has THREE groups of command:
You will use some of the icons along the way.
Insert standard drawing views - Angle of projections 5. In the drawing space, right-click and select Properties from the menu.
6. Select Third angle projection. Do not worry about the scale, it can be changed later,
Select Third angle projection
Insert Component into Drawing 7. In Drawings CommandManager, select Standard 3 View
8. Then Browse…
9. Search the Bracket that you have created during Exercise 3.2 or go to Desktop/Module3/Exercise 3.2. Enable the Preview to view the part before you open.
10. Selected part in third angle projection.
11. All other views are aligned with the Front view. When you move/drag the front view up-down or left-right will move the other views.
12. Enlarge the views by change the scale to 1:2
Make the Hidden Lines Visible
Adding dimensions to drawing and modifying dimensions 13. Select Annotation – Model Items, and in Dimensions tab, click Marked for Drawing
Source: Entire model
Marked for Drawing
14. To change the arrow direction, click this point.
Create Section View 15. Select the Section View Tool from the Drawing group.
2 Move the cursor over the edge 3 Move the cursor to the downside of the bracket
16. A Section View is created. To reverse the arrow direction – double click on the section line
17. To break alignment between section view and top view, right click the section view; go to Alignment-Break Alignment.
18. Delete the Right view.
19. The location of Right view will be replaced by the Section view, but you need to rotate this view first. Right click the view; choose Zoom/Pan/Rotate – Rotate View.
20. Rotate the view to -90°.
21. Select the section view, and click Centerline Tool from Annotations group then centerlines will be added to the holes
22. Press and hold the Shift key and drag the dimension of 45 mm diameter hole from the top view into the Section View
Press Shift key and select the Dimension
Bring the Dimension to a new location
23. You can also hide the dimension. Just select the dimension you want to hide, right click and find Hide. To show the dimension, go to View – Hide/Show Annotations, then click any hidden dimension
Insert a Note 24. Select Note Tool from the Annotation group
25. Begin typing the text as shown in the box that appears.
Edit Sheet Format 26. Right click in the drawing space and select Properties
27. Turn on/enable the box Display sheet format.
28. Right click in the drawing area and select Edit Sheet Format.
29. The drawing Sheet Format. After this, you will learn how to do some modification to the sheet.
30. Drag your mouse from left to the right to select all the lines and information that you may not needed. Press Delete key and then use Trim Entities to trim the lines.
31. Trim until you get the drawing table like this.
32. Select Note Tool and type inside the Comments. Symbol plus/minus is inserted by clicking on the Add Symbol Tool under Text Format tab.
33. Fill up the form as shown; type your department and drawing title.
The Scale 1:5 is not corrected.
34. To modify the scale, you have to go to Sheet Properties and change the Scale 1:2.
35. Right click and select Edit Sheet.
36. You will get back to the other side of drawing. It includes your drawing part and sheet.
37. A trimetric view can often be helpful in interpreting a 2D drawing. To bring the view into the drawing layout, click Model View from Drawings.
38. Click arrow Next.
39. Select the Trimetric View, and arrange the view as figure below.
Assembly Drawing ƒ ƒ ƒ ƒ
Assembly drawings show all the parts and how they go together Dimensioning is not usually required Hidden lines usually omitted 3D CAD packages can generate assembly drawings directly from assembly models
Elements of an Assembly Drawing ¾ All parts are shown in one drawing • assembled view • sectioned assembly • exploded assembly ¾ Parts list or bill of materials (BOMs) • Part ID, quantity, description, catalogue number, etc. ¾ Balloons • each part is identified by a numbered balloon, and referenced to the parts list ¾ Machining and assembly instructions
Example of Assembly Drawing
Parts list (BOM)
Opening drawing template and edit Sheet Format 1. Open the assembly file Desktop/SolidWorks Basic Training/Module5/Sliding brace assembly.sldasm". Make sure that the assembly is in the 'collapsed' configuration
2. OK to accept the Drawing Template 3. Click Standard sheet size and select A-Landscape. Do not turn on the Display sheet format yet.
Uncheck the box
4. In the new drawing window, select the Standard 3 View, and make sure it is in Third angle projection
5. Select the Model View Tool from Drawings group
Select Trimetric from the list
Trimetric view
Adding the Exploded View 6. Next, we will make an exploded view to the drawing.
1 Right click the Trimetric View and select Properties
Enable the box to show in exploded state
7. Showing the assembly and exploded drawing.
Creating Bill of Materials (BOMs) 8. Select any of the drawing views 9. From the main menu, select Insert: Tables: Bill of Materials
10. Accept the default selections
Customizing BOMs 11. Edit the title box
Click on the Part Number cell, and select Column Properties
Edit the title box to read PART NAME
12. The drawing is almost complete, but the item numbers in the Bill of Materials are not linked with the components in the drawing. We will add "balloons" with part numbers to the drawing.
AutoBalloons 13. Select the exploded Trimetric Views. Select the AutoBalloons Tool from the Annotations group of the CommandManager.
14. Balloons will be added to the view.
15. Click and drag the part numbers to relocate the balloons.
16. Balloon styles Circular – Triangular – Hexagon – Circular split line –
Item number Quantity
17. Completed assembly drawing.
Producing an e-drawing file 1. Right click at the Main Menu and select eDrawings 2007. 2. Click Publish eDrawings 2007 File 3. A pop up window will come out. Click Retry button.
4. e-drawing file.
5. To save the file, go to File-Save As. The type of file is *.edrw.
Exercises 6.1: In the PropertyManager, click Browse, and then open Desktop\ SolidWorks Basic Training/Module6/motor casing.sldasm. Do the assembly drawing as shown.
References 1. William E. Howard and Joseph C. Musto, (2006). Introduction to Solid Modeling using SolidWorks. McGraw-Hill International Edition. ISBN 007-124956-7. 2. David Murray, (2006). Inside SolidWorks 4th Edition. Thompson Delmar Learning. ISBN 1-4180-2085-0. 3. David C. Planchard and Marie P. Planchard, (2008). A Commands Guide for SolidWorks 2008 – The reference edition including more than 200 integrated stand-alone tutorials. Thompson Delmar Learning. ISBN-10: 1-42835301-1, ISBN-13: 9781-4283-5301-5. 4. Frederick E. Giesecke, Alva Mitchell, Henry Cecil Spencer, Ivan Leroy Hill, John Thomas Dygdon and James E. Novak, (2003). Technical Drawing 12th Edition. Prentice Hall. ISBN 0-13-178446-3. 5. Albert William Boundy, (2002). Engineering Drawing 6th Edition. McGraw-Hill International Edition. ISBN 007-471043-5. 6. James H. Earle (2004). Engineering Design Graphics AutoCAD 2004 11th Edition. Pearson Prentice-Hall. ISBN 0-13-142573-0. 7. SolidWorks 2003 Training Manual. 8. http://www.solidworks.com/ 9. SolidWorks 2007 Online User's Guide
Report "Solid Works Training Material"
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Create a fresh, natural glow with this lightweight tinted powder.
This silky formula provides light coverage, sets makeup, and helps mattify skin and minimize the appearance of fine lines.
Brush on the face with the Beautifully Bare Blending Brush using circular motions. Can be worn alone or over the Beautifully Bare Foundation Serum.


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text:
<?dbhtml filename="ctype.html"?>

<info><title>ctype</title>
  <keywordset>
    <keyword>ISO C++</keyword>
    <keyword>ctype</keyword>
  </keywordset>
</info>

<info><title>Implementation</title></info>

<info><title>Specializations</title></info>

<para>
For the required specialization codecvt<wchar_t, char, mbstate_t> ,
conversions are made between the internal character set (always UCS4
on GNU/Linux) and whatever the currently selected locale for the
LC_CTYPE category implements.
</para>

<para>
The two required specializations are implemented as follows:
</para>

<para>

ctype<char>

</para>
<para>
This is simple specialization. Implementing this was a piece of cake.
</para>

<para>

ctype<wchar_t>

</para>
<para>
This specialization, by specifying all the template parameters, pretty
much ties the hands of implementors. As such, the implementation is
straightforward, involving mcsrtombs for the conversions between char
to wchar_t and wcsrtombs for conversions between wchar_t and char.
</para>

<para>
Neither of these two required specializations deals with Unicode
characters.
</para>

<info><title>Future</title></info>

<itemizedlist>
   <listitem>
   <para>
   How to deal with the global locale issue?
   </para></listitem>

   <listitem>
   <para>
   How to deal with different types than char, wchar_t? </para></listitem>

   <listitem><para>
   Overlap between codecvt/ctype: narrow/widen
   </para></listitem>

   <listitem>
     <para>
       Mask typedef in codecvt_base, argument types in codecvt.  what
       is know about this type?
   </para></listitem>

   <listitem>
   <para>
   Why mask* argument in codecvt?
   </para></listitem>

   <listitem>
     <para>
       Can this be made (more) generic? is there a simple way to
       straighten out the configure-time mess that is a by-product of
       this class?
   </para></listitem>

   <listitem>
     <para>
       Get the ctype<wchar_t>::mask stuff under control. Need to
       make some kind of static table, and not do lookup every time
       somebody hits the do_is... functions. Too bad we can't just
       redefine mask for ctype<wchar_t>
   </para></listitem>

   <listitem>
     <para>
       Rename abstract base class. See if just smash-overriding is a
       better approach. Clarify, add sanity to naming.
     </para>
   </listitem>

</itemizedlist>

<bibliography xml:id="facet.ctype.biblio"><info><title>Bibliography</title></info>

  <biblioentry>
    <citetitle>
      The GNU C Library
    </citetitle>
    <author><personname><surname>McGrath</surname><firstname>Roland</firstname></personname></author>
    <author><personname><surname>Drepper</surname><firstname>Ulrich</firstname></personname></author>
    <copyright>
      <year>2007</year>
      <holder>FSF</holder>
    </copyright>
    <pagenums>Chapters 6  Character Set Handling and 7 Locales and Internationalization</pagenums>
  </biblioentry>

  <biblioentry>
    <citetitle>
      Correspondence
    </citetitle>
    <author><personname><surname>Drepper</surname><firstname>Ulrich</firstname></personname></author>
    <copyright>
      <year>2002</year>
      <holder/>
    </copyright>
  </biblioentry>

  <biblioentry>
    <citetitle>
      ISO/IEC 14882:1998 Programming languages - C++
    </citetitle>
    <copyright>
      <year>1998</year>
      <holder>ISO</holder>
    </copyright>
  </biblioentry>

  <biblioentry>
    <citetitle>
      ISO/IEC 9899:1999 Programming languages - C
    </citetitle>
    <copyright>
      <year>1999</year>
      <holder>ISO</holder>
    </copyright>
  </biblioentry>

  <biblioentry>
      <title>
	<link xmlns:xlink="http://www.w3.org/1999/xlink"
	      xlink:href="http://www.unix.org/version3/ieee_std.html">
	The Open Group Base Specifications, Issue 6 (IEEE Std. 1003.1-2004)
	</link>
      </title>

    <copyright>
      <year>1999</year>
      <holder>
      The Open Group/The Institute of Electrical and Electronics Engineers, Inc.</holder>
    </copyright>
  </biblioentry>

  <biblioentry>
    <citetitle>
      The C++ Programming Language, Special Edition
    </citetitle>
    <author><personname><surname>Stroustrup</surname><firstname>Bjarne</firstname></personname></author>
    <copyright>
      <year>2000</year>
      <holder>Addison Wesley, Inc.</holder>
    </copyright>
    <pagenums>Appendix D</pagenums>
    <publisher>
      <publishername>
	Addison Wesley
      </publishername>
    </publisher>
  </biblioentry>

  <biblioentry>
    <citetitle>
      Standard C++ IOStreams and Locales
    </citetitle>
    <subtitle>
      Advanced Programmer's Guide and Reference
    </subtitle>
    <author><personname><surname>Langer</surname><firstname>Angelika</firstname></personname></author>
    <author><personname><surname>Kreft</surname><firstname>Klaus</firstname></personname></author>
    <copyright>
      <year>2000</year>
      <holder>Addison Wesley Longman, Inc.</holder>
    </copyright>
    <publisher>
      <publishername>
	Addison Wesley Longman
      </publishername>
    </publisher>
  </biblioentry>

</bibliography>

redpajama_set_name: RedPajamaGithub


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On the ground floor of Muster Point you'll find The Cutting Division, a collective of independent hairstylists, makeup artists, barbers, and brow experts.
Parked up in the Muster Point courtyard under the tree and festoon lighting, PERRY serves up pimped toasties, old school shakes, new school smoothies, and daily specials to suit every taste.
The One Night Stand series sees Muster Point transform into Newcastle's event space for businesses to host workshops and launch their latest ideas and products. Available Saturday evenings, and all day Sunday.
Are you a business owner, ready to launch your brand? Join the Muster Point movement through our 'Rent-A-Chair' initiative, or talk to us about something new and find out how we can help you and your brand be more than ordinary.
We launch great brands, great products and great people.
The vision of Muster Point has always been to provide a launchpad for the like-minded. More than a name, Muster Point is the very definition of this place where kickass hairstylists, barbers, makeup artists, food lovers, and creatives assemble with their crowds.
The iconic building in Mayfield East has been transformed into an impressive home to two permanent distinct businesses, but also catapults others through 'ONE NIGHT STAND' events.
Inside lives THE CUTTING DIVISION, a collective of independent hairstylists, barber and makeup artist ready to transform you in their edgy, industrial space. Outside, PERRY THE FEEDER serves you all the best stuff from the quirky food truck window.
The duo behind the concept is known for styling (yes, they're also helloHOLT!), team development, and thinking outside the square. Kristy and Tanille Elley have overhauled the once run down space to nail the point where opportunity, engagement and inspiration meet. Their meticulous consideration of comfort, functionality and experience addressed in their inimitable stylish way is seen throughout the design, with original art work, custom made fixtures, and careful showcasing of original art deco features.
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My name is Tsuyoshi Ito in English and 伊藤剛志 (いとうつよし) in Japanese. I am a native speaker of Japanese with a casual interest in languages.
19 What is wrong with ending a question with ありがとうございます?
140 Why is "cannot" spelled as one word?
87 "log in to" or "log into" or "login to"
57 Is it acceptable to extend results from an arXiv paper that has not appeared in a journal?
55 How important is knowing how to program for TCS?
40 Should I use "everyone's", "everyones'" or "everyones"?


5%80°60°Night - Mostly cloudy. Winds variable at 6 to 10 mph (9.7 to 16.1 kph). The overnight low will be 60 °F (15.6 °C).Mostly sunny with a high of 69 °F (20.6 °C). Winds from S to SSE at 8 to 12 mph (12.9 to 19.3 kph).
Tonight - Mostly cloudy. Winds variable at 6 to 10 mph (9.7 to 16.1 kph). The overnight low will be 60 °F (15.6 °C).
Today - Mostly sunny with a high of 69 °F (20.6 °C). Winds from S to SSE at 8 to 12 mph (12.9 to 19.3 kph).


text:
New Escape Room in Lanzarote!
There's a new Escape Room in town, and you can find it at the Biosfera Rooftop Experience in Puerto del Carmen. Dave took the family to see what it's all about!
New Escape Room Experience in Lanzarote
If you're in Lanzarote and looking for an escape room, then head on over to the Biosfera Rooftop for their all new Escape Room Experience.
The first thing we noticed after stepping inside was just how well the attraction has been put together. The quality of the fittings and furnishings was second to none and the escape room itself has been meticulously planned and crafted. For obvious reasons we can't give away too much when it comes to the actual escape room, but we did film some of our time there. See the video below.
Biosfera Rooftop Experience
For those of you who are familiar with the Rooftop Experience at the Biosfera shopping centre, you'll also be aware that there are some great things to do in addition to the new Escape Room. So if you've worked up an appetite after solving all the puzzles or you fancy further challenges with a game of mini golf, then the rooftop experience has plenty to offer to make an afternoon of it. The open air cinema is also a great way to spend an evening watching a blockbuster movie under the stars.
The Biosfera Rooftop Experience is just one of the many things to do in Lanzarote.

redpajama_set_name: RedPajamaCommonCrawl


Arthritis of the knee. American Academy of Orthopaedic Surgeons website. http://orthoinfo.aaos.org/topic.cfm?topic=A00212 Reviewed June 2014. Accessed May 8, 2016.
Hyaluronic Acid Injections for Osteoarthritis. Arthritis Foundation, http://www.arthritis.org/living-with-arthritis/treatments/medication/drug-types/other/hyaluronic-acid-injections.php#.Vy9BRGqEjxk.email Accessed May 8, 2016.
Handout on Health: Osteoarthritis. National Institute of Arthritis and Musculoskeletal and Skin Diseases. National Institute of Health website. NIH Publication No. 15-4617 http://www.niams.nih.gov/Health_Info/Osteoarthritis/default.asp Reviewed April 2015. Accessed May 8, 2016.
Osteoarthritis Causes. Arthritis Foundation, http://www.arthritis.org/about-arthritis/types/osteoarthritis/causes.php#.Vy82MqEFTNA.email Accessed May 8, 2016.
Diagnosing Osteoarthritis, Hospital for Special Surgery, https://www.hss.edu/osteoarthritis-diagnosis.asp#.Vy9SGwTLNKE.email Accessed May 8, 2016.
How is osteoarthritis diagnosed? WebMD, http://www.webmd.com/osteoarthritis/guide/know-if-you-have-osteoarthritis#0 Reviewed by David T. Derrer, MD on January 23, 2016, WebMD, LLC. All rights reserved; accessed May 8, 2016.
Hochberg, MC, Altman, RD, April, KT, Benkhalti, M, Guyatt, G, McGowan, J, Towheed, T, Welch, V, Wells, G and Tugwell, P. (2012), American College of Rheumatology 2012 recommendations for the use of nonpharmacologic and pharmacologic therapies in osteoarthritis of the hand, hip, and knee. Arthritis Care Res, 64: 465–474. doi: 10.1002/acr.21596.
Hinton R, Moody RL, Davis AW, Thomas SF. Osteoarthritis: diagnosis and therapeutic considerations. Am Fam Physician. 2002 Mar 1;65(5):841-8.
Osteoarthritis Treatment, Mayo Clinic. http://www.mayoclinic.org/diseases-conditions/osteoarthritis/diagnosis-treatment/treatment/txc-20198275 Accessed May 8, 2016.
Guidelines Can Help Doctors Choose the Best OA Treatments, Arthritis Foundation. http://www.arthritis.org/about-arthritis/types/osteoarthritis/articles/acr-treatment-recommendations-oa.php#.Vy9aNnKauw4.email.


text:
3 stone Diamond Engagement Ring, Heart Filigree Ring, 1 carat Engagement Ring, 18K Diamond Ring
Material 18 White gold 18K Yellow gold 18K Rose gold
18 White gold / 4 - $1,790.00 USD 18 White gold / 4 1/4 - $1,790.00 USD 18 White gold / 4 1/2 - $1,790.00 USD 18 White gold / 4 3/4 - $1,790.00 USD 18 White gold / 5 - $1,790.00 USD 18 White gold / 5 1/4 - $1,790.00 USD 18 White gold / 5 1/2 - $1,790.00 USD 18 White gold / 5 3/4 - $1,790.00 USD 18 White gold / 6 - $1,790.00 USD 18 White gold / 6 1/4 - $1,790.00 USD 18 White gold / 6 1/2 - $1,790.00 USD 18 White gold / 6 3/4 - $1,790.00 USD 18 White gold / 7 - $1,790.00 USD 18 White gold / 7 1/4 - $1,790.00 USD 18 White gold / 7 1/2 - $1,790.00 USD 18 White gold / 7 3/4 - $1,790.00 USD 18 White gold / 8 - $1,790.00 USD 18 White gold / 8 1/4 - $1,790.00 USD 18 White gold / 8 1/2 - $1,790.00 USD 18 White gold / 8 3/4 - $1,790.00 USD 18 White gold / 9 - $1,790.00 USD 18 White gold / 9 1/4 - $1,790.00 USD 18 White gold / 9 1/2 - $1,790.00 USD 18 White gold / 9 3/4 - $1,790.00 USD 18 White gold / 10 - $1,790.00 USD 18 White gold / 10 1/4 - $1,790.00 USD 18 White gold / 10 1/2 - $1,790.00 USD 18 White gold / 10 3/4 - $1,790.00 USD 18 White gold / 11 - $1,790.00 USD 18 White gold / 11 1/4 - $1,790.00 USD 18 White gold / 11 1/2 - $1,790.00 USD 18 White gold / 11 3/4 - $1,790.00 USD 18 White gold / 12 - $1,790.00 USD 18K Yellow gold / 4 - $1,790.00 USD 18K Yellow gold / 4 1/4 - $1,790.00 USD 18K Yellow gold / 4 1/2 - $1,790.00 USD 18K Yellow gold / 4 3/4 - $1,790.00 USD 18K Yellow gold / 5 - $1,790.00 USD 18K Yellow gold / 5 1/4 - $1,790.00 USD 18K Yellow gold / 5 1/2 - $1,790.00 USD 18K Yellow gold / 5 3/4 - $1,790.00 USD 18K Yellow gold / 6 - $1,790.00 USD 18K Yellow gold / 6 1/4 - $1,790.00 USD 18K Yellow gold / 6 1/2 - $1,790.00 USD 18K Yellow gold / 6 3/4 - $1,790.00 USD 18K Yellow gold / 7 - $1,790.00 USD 18K Yellow gold / 7 1/4 - $1,790.00 USD 18K Yellow gold / 7 1/2 - $1,790.00 USD 18K Yellow gold / 7 3/4 - $1,790.00 USD 18K Yellow gold / 8 - $1,790.00 USD 18K Yellow gold / 8 1/4 - $1,790.00 USD 18K Yellow gold / 8 1/2 - $1,790.00 USD 18K Yellow gold / 8 3/4 - $1,790.00 USD 18K Yellow gold / 9 - $1,790.00 USD 18K Yellow gold / 9 1/4 - $1,790.00 USD 18K Yellow gold / 9 1/2 - $1,790.00 USD 18K Yellow gold / 9 3/4 - $1,790.00 USD 18K Yellow gold / 10 - $1,790.00 USD 18K Yellow gold / 10 1/4 - $1,790.00 USD 18K Yellow gold / 10 1/2 - $1,790.00 USD 18K Yellow gold / 10 3/4 - $1,790.00 USD 18K Yellow gold / 11 - $1,790.00 USD 18K Yellow gold / 11 1/4 - $1,790.00 USD 18K Yellow gold / 11 1/2 - $1,790.00 USD 18K Yellow gold / 11 3/4 - $1,790.00 USD 18K Yellow gold / 12 - $1,790.00 USD 18K Rose gold / 4 - $1,790.00 USD 18K Rose gold / 4 1/4 - $1,790.00 USD 18K Rose gold / 4 1/2 - $1,790.00 USD 18K Rose gold / 4 3/4 - $1,790.00 USD 18K Rose gold / 5 - $1,790.00 USD 18K Rose gold / 5 1/4 - $1,790.00 USD 18K Rose gold / 5 1/2 - $1,790.00 USD 18K Rose gold / 5 3/4 - $1,790.00 USD 18K Rose gold / 6 - $1,790.00 USD 18K Rose gold / 6 1/4 - $1,790.00 USD 18K Rose gold / 6 1/2 - $1,790.00 USD 18K Rose gold / 6 3/4 - $1,790.00 USD 18K Rose gold / 7 - $1,790.00 USD 18K Rose gold / 7 1/4 - $1,790.00 USD 18K Rose gold / 7 1/2 - $1,790.00 USD 18K Rose gold / 7 3/4 - $1,790.00 USD 18K Rose gold / 8 - $1,790.00 USD 18K Rose gold / 8 1/4 - $1,790.00 USD 18K Rose gold / 8 1/2 - $1,790.00 USD 18K Rose gold / 8 3/4 - $1,790.00 USD 18K Rose gold / 9 - $1,790.00 USD 18K Rose gold / 9 1/4 - $1,790.00 USD 18K Rose gold / 9 1/2 - $1,790.00 USD 18K Rose gold / 9 3/4 - $1,790.00 USD 18K Rose gold / 10 - $1,790.00 USD 18K Rose gold / 10 1/4 - $1,790.00 USD 18K Rose gold / 10 1/2 - $1,790.00 USD 18K Rose gold / 10 3/4 - $1,790.00 USD 18K Rose gold / 11 - $1,790.00 USD 18K Rose gold / 11 1/4 - $1,790.00 USD 18K Rose gold / 11 1/2 - $1,790.00 USD 18K Rose gold / 11 3/4 - $1,790.00 USD 18K Rose gold / 12 - $1,790.00 USD
Just surprise the woman you love with this stunning heart trellis 3 stone diamond engagement ring. Available in your choice of 18K yellow gold, 18K white gold, or 18K rose gold, this beautiful ring features a round brilliant cut center stone and two side stones absolutely eye-catching.
Our beautiful diamond engagement ring is the perfect choice to propose to a stylish woman who likes to stand out from the crowd. This gorgeous gold ring will become a beloved heirloom piece passed down to future generations. Take your relationship to the next level and watch your special lady's face light up when you pop the question holding this truly unique ring!
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- Together Diamond Weight ONE carat
~ Made to order
~ Available in your choice of 18K yellow gold, 18K rose gold, or 18K white gold
~ 5.10 gram total gold weight
~ Heart trellis setting design
~ Round Brilliant cut, natural diamonds
~ All stones have color grade H and clarity grade SI2
~ Center stone is clarity enhanced with Excellent cut
~ Center stone has the weight of 0.50 carat
~ Side diamonds are not enhanced in any way and
~ Side diamonds have excellent cut with the weight of 0.50 ct.
~ Comes with Certificate of Authenticity
~ Arrives in an exclusive ring box inside gift packaging
~ Shipping with Eco fast delivery mail (insured)
If you have any questions, please contact us. We are happy to help!
Thank you for looking at this Heart trellis 3 stone design diamond engagement ring!
See more Diamond Engagement Rings:
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Product no.: 1D90723YG
All Diamonds in our Jewelry are Conflict Free Diamonds !
We make this design with Center stone Ruby, Sapphire, Emerald and Amethyst.
The Amethyst in the center is Natural while the Rubies, Sapphires and Emeralds are lab created.
If you prefer Natural Ruby, Sapphire or Emerald as center stone then the price will be naturally much higher, and, it will be without such a brilliance as Lab created stones.
The side stones are Natural white Sapphires and are very white!
With Ruby
White gold 3-stone Ruby Ring:
/il-en/listing/721707001/3-stone-hearts-ruby-engagement-ring?ref=shop_home_active_10&frs=1
Rose gold 3-stone Ruby Ring:
/il-en/listing/721709243/rose-gold-ruby-ring-3-stone-heart?ref=shop_home_active_9&frs=1
Yellow gold 3-stone Ruby Ring:
/il-en/listing/721703559/3-stone-heart-ruby-engagement-ring-14k?ref=shop_home_active_11&frs=1
With Blue Sapphire:
White gold 3-stone Sapphire Ring:
/il-en/listing/707857038/14k-white-3-stone-sapphire-heart?ref=shop_home_active_5&frs=1
Rose gold 3-stone Sapphire Ring:
/il-en/listing/721716643/rose-gold-ring-heart-milgrain-3-stone?ref=shop_home_active_4&frs=1
Yellow gold 3-stone Sapphire Ring:
/il-en/listing/707856086/3-stone-filigree-sapphire-heart?ref=shop_home_active_6&frs=1
With Emerald:
White gold 3-stone Emerald Ring:
/il-en/listing/721712265/14k-white-gold-emerald-ring-3-stone-ring?ref=shop_home_active_7&frs=1
Rose gold 3-stone Emerald Ring:
/il-en/listing/721689229/14k-rose-gold-emerald-3-stone-ring?ref=shop_home_active_14&frs=1
Yellow gold 3-stone Emerald Ring:
/il-en/listing/707853356/14k-gold-emerald-3-stone-ring-unique?ref=shop_home_active_8&frs=1
With Amethyst:
White gold 3-stone Amethyst Ring:
/il-en/listing/707864068/3-stone-filigree-amethyst-heart?ref=shop_home_active_1&frs=1
Rose gold 3-stone Amethyst Ring:
Yellow gold 3-stone Amethyst Ring:
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The Power of Diamonds
The history of diamond goes a long way. In the early days of diamonds, they were used all over the world for engraving tools because of their hardness. Ancient Greeks named this precious stone "Adamas", meaning invincible or indestructible or proper. The warriors in ancient Greece used to wear it as they believed these stones would add strength to the muscles of warriors and bring them invincibility. Ancient Greeks used to believe that diamonds represented the tears of weeping gods.
The mystifying effects of diamonds:
Diamonds are known to have healing properties and positive mystical attributes. This precious stone is associated with the seventh chakra, Sahasrara that unites the body with the mind. Diamond is regarded as one of the strongest precious stones while it can even tap into your spiritual doors. It also represents truth and symbolizes perfection.
Diamonds are believed to improve your energy, love life, environment, faith, endurance, and growth process. They attract strength, courage, power, fortitude, imagination, creativity, innocence while improving relationships full of pure love. In fact, diamonds fill up the negative spaces in you with the purity of love and help you accomplish all of your dreams.
We are Lianne Jewelry, a highly respected and renowned name in the world of diamonds. At our store, you can buy everything related to diamond and other precious stones. We are known for our diamond engagement rings, diamond pendant, diamond stud earrings, gemstone stud earrings, and more.


9 Imperial Mansions, 11 Royal Parade, Harrogate 379,950 with Andrew Hill, 01423 528528.
Apt 2, The Toffee Works, Crescent Road, Harrogate 230,000 with Nicholls Tyreman, 01423 503076.
Apartment 2, The Toffee Works is a first-floor flat in the converted former premises of Farrah's Harrogate Toffee, as old sepia photographs show.
Apt 2, Royal Baths II, Hgte 250,000 with FSS, 01423 501211.


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An impressive CV!
Robin Wright's Amazing Career
December 7, 2021 - 00:43 am / Andrés Galarza
Robin Wright is a very talented and very respected American actress. Although she has been around for some time, she is best known today for her groundbreaking role in the Netflix political series House of Cards.
But Robin's trajectory in Hollywood goes as far back as film classics like The Princess Bride, and Forrest Gump. Robin Gayle Wright was born in Dallas, Texas, on April 8, 1966, but she grew up in San Diego, California which she considers her home. She started her journey in show business as a model in 1980 at the age of 14, and worked both in Paris and Japan for various fashion companies...
Watch the video above to learn more!
'Santa Barbara': How Robin Wright Looked On The '80s Soap Opera
'The Princess Bride': Robin Wright & Cary Elwes Reunite For Disney+ Streaming News
> Robin Wright's Amazing Career


Days 0–3 Weather Summary: Moderate rain (total 14mm), heaviest on Fri afternoon. Very warm air temperatures (max 31°C on Thu morning, min 26°C on Tue night). Wind will be generally light. Days 4–6 Weather Summary: Heavy rain (total 26mm), heaviest during Sat night. Very warm air temperatures (max 31°C on Mon afternoon, min 27°C on Fri night). Wind will be generally light.


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Home » Featured, People & Places, Politics » P.U.P. National Executive Discusses Campaign Strategy Ahead of General Elections
The P.U.P. today held a meeting of the National Executive, which also includes standard bearers, to decide a way forward to general elections. But by our count, there were at least twelve standard bearers who did not show up. Now, what we heard is that those persons – including five from the north, three from the West and a few from the city, San Pedro and Belize District, deliberately absented themselves from the meeting in silent protest of Francis Fonseca's leadership. It's a credible report, because rumours of discontent have continued to grow after defeats and loss of ground in consecutive elections – three in 2015 back to back to back. At least three big hitters—John Briceño, Dan Silva and Cordel Hyde—were not present. But true to form and course, the P.U.P….at least those present, say that there's absolutely nothing wrong with the Party, and nothing amiss about those very conspicuous absences.
Henry Charles Usher
Henry Charles Usher, Chairman, P.U.P.
"It was a regular meeting of the National Executive and we invited our standard bearers to be present."
"Okay, we've been out here since one-fifteen and we noticed that key personnel in the P.U.P. didn't show up. We know that most of the standard bearers from the north didn't show up; we know many from central including Cordel Hyde didn't show up and we know a number of from the west didn't show. Is there a reason for half of the standard bearers not showing up?"
"I don't know of any organized reason; I know a few of them gave us apologies as to why they couldn't be here today. And I believe others had work-related items they had to deal with. There is nothing organized against it; it's just that they couldn't be here today. But as I said, it was just a regular meeting. It wasn't like if anything special was brought up."
"It is the first meeting after the Dangriga bye-election, which the P.U.P. lost. There was so much spirit on the ground…so much said about the strong spirit."
"It's the first official meeting, but we've had meeting of the caucuses since the bye-election in Dangriga so we have met since then yes."
"It's the first time for a lot of them to feel their party leader since the Dangriga bye-election; he's not in the caucuses. So I'm saying that after the strong showing on the ground at the Dangriga bye-election, shouldn't we have expected a good strong showing to continue that momentum?"
"But we had a majority of them there, Jules. Majority of the standard bearers, all the members of the national executive, they were upstairs and we had a good meeting. We went through what was the plan for the next couple of months and that was the basic agenda of today."
"So you don't make nothing of the absences?"
"Nothing at all…nothing at all."
1 Response for "P.U.P. National Executive Discusses Campaign Strategy Ahead of General Elections"
Kaila Moralez says:
Why don't the media go and probe the staff of Hospital and BEL? Why doesn't the media expose the truth about the host BTL migrate to ROCKSPACE a company that is in a financial bind unstable can't compare to Google. Why don't the media grill the Central Bank, Belize Bank about the crippling effects the public is facing due to the U.S. Bank of America discontinued service?


The U.S. Polo Association time wear collection consists of updated classic timepieces geared for a more fashion conscious consumer. The watches are designed with larger cases, special plating and sporty leather, rubber or metal bands to create a fresh look in the market place.
The U.S Polo Assn. watch collection combines quality, leading edge fashion, the spirit of the sport, and value.
This is a sporty U.S. Polo watch, casual for everyday attire. It consists of updated classic timepieces geared for a more fashion conscious consumer. The watches are designed with larger cases to create a fresh look in the market place.
Click the button below to add the U.S. Polo Assn. US8163 Black Dial Gun Metal Bracelet Men's Sports Watch to your wish list.


Das Fischer is a 9-minute, prop-heavy, fictional comedy about a young German man, Otto Rubschlager, and his magazine-inspired journey to Idaho to learn the art of fly fishing and uncover the mysteries of the reclusive, legendary outdoorsman, Hildebrand Richwine.
At last, A River Runs Through It – on LSD!
Worth watching for the progress of the little red plane alone.


Tropical Gingerbread House Designs,Metal Wall Art, Hand Painted Metal - Light Switch Covers - Wall Hangings - Tropical Home Decor - Caribbean Art > Gingerbread Caribbean House Wall Hook - Painted Metal Tropical Decor - 11" x 11"
Gingerbread Caribbean House Wall Hook - Painted Metal Tropical Decor - 11" x 11"
Tropical Design – Haitian Metal Art Wall Hook – Beach home decorating - Tropical decorating , Metal art - Caribbean house design.
Hand painted metal wall hook, Created from hand cut steel drums in Haiti.
Tropical House metal wall hook measures 11" x 11".


The 2013 Welsh Rugby players Association awards were held at Cardiff's majestic City Hall, where over 400 guests were in attendance.
Hosted with usual style and humour by BBC Wales Scrum V's Phil Steele, the honours were issued to the best and brightest of Wales's professional Rugby players for the past season.
We have been proud to work with the committed staff of the WRPA to produce both the video content and awards night event and were delighted that the event ran smoothly and was warmly received by all. We look forward to working with the WRPA on future projects to highlight the great support they offer to the Rugby Professionals of Wales and beyond.


Made in Italy, Proparq timber flooring is designed for superior performance in all applications. A top layer of French oak is bonded with a high-grade marine-ply birch wood base, which ensures the flooring is more stable than traditional solid timber flooring – even in areas of high humidity or over under-floor heating. Proparq is so stable it is guaranteed for 20 years even over under floor heating!
Floor Gres was founded in Italy in 1962 and is well known for its forward-thinking and innovative spirit.


You are in a hurry and you have to get to the cab, but a little bit of makeup are not done yet. Or, maybe you are inside a cab and you just need to do a little touch-up. Applying nail polish is easier than before, but you also have to dry it out faster and at times when the clock is ticking. Maybe you are on a flight and got yourself a mangled index nail and you need some tips.
A lot of expectations for a faster drying nail polish emerge from a bad application. If you can put the coats thin, your results will be always better. Also, textures dry almost instantly then just paint. There are instant-dry nail polishes that are available in the market too. From just a couple of minutes, they can dry your coat quickly. You can check for instance-dry formulas at your local drugstore too. Also, you can take help of an external "drying agent" polish over the actual coat. These work fines even when the coat is thicker below.
This is sort of an external agent that needs nothing to buy from anywhere or any further application of coatings. The question is as to how it works? So, to get this procedure done, bring some cool, maybe melt from ice, in a small bowl. Use any finger bowl that you use after dinner. Don't make it very chilly for frostbite fear, but still keep it with ice cubes and cold. In this process, you continue from the Step One, without using any drying agent. Do remember to paint your nails and let them dry for about a minute. That is, right after the last nail is done, or the last coat is done, wait for a minute. You can even time it.
This is time to use some dunking donuts, as in, dipping your fingers in the cool water inside the bowl. Dunk all of them together. Even if you feel chilly just let them be, of course, as you have taken care that it is not freezing cold. Keep your fingers dipped inside for two to three minutes at maximum. This can be timed too. Now, you remove them and you can notice a few drops of water on the top of the polish. This means the paint is firm. Touch and make sure. You are now done.


Milton Davis is a lifelong resident of Cass Avenue. He's watched many homes on the street deteriorate and get torn down after the Great Recession and foreclosure crisis. In 2016, he decided he wanted to do something about it. He purchased 3713 Cass Avenue from the Hamilton County Landbank and began to rehab it in his free time while working his full time job.
When Davis bought 3713 Cass from the Landbank, one of the walls of the house was falling down and the roof was open to the weather. Today, a family lives in the 2,500 square foot house built in 1911. Davis and his friend and neighbor of 20 years, Terry Lowery, worked together to rehab 3713 Cass. Lowery also bought a house on Cass. He's been rehabbing it while living in it. He plans to stay in the home once he's finished with the rehab.
The two have teamed up again to rehab 3720 Cass, another property Davis purchased from the Landbank. Built in 1905, the home was abandoned for nearly 20 years. Davis closed on the property in April and started interior demolition work in July 2018. He expects to have the house ready to rent by the end of the year. He's interested in rehabbing more Landbank properties if he can make the financing work.
Both homes that Davis bought required a total gut and restoration. Davis and Lowery are adding a bathroom to the master suite in 3720 Cass and the kitchen will feature all new appliances. The house has an adjacent patio and backyard.


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Atomic Energy Act 1962
Nuclear Safety Regulatory Authority Bill: Statutory backing key to better safety
The proposed Nuclear Safety Regulatory Authority Bill is seen as a crucial step in strengthening the functional independence of the country's atomic regulator and give it the necessary statutory backing.
Indian Express (New Delhi)
Atomic Energy Regulatory Board (AERB)
Atomic Minerals Concession Rules, 2016
Mines Ministry has asked the Department of Atomic Energy (DAE) to provide the exploration data of areas where the occurrence of atomic minerals is less than the threshold value to expedite auction of such
Mineral - Based Industry
Mines Act 1957
The Atomic Minerals Concession Rules, 2016: draft
The Ministry of Mines has prepared the draft rules named "The Atomic Minerals Concession Rules, 2016" for regulating the grant of mineral concessions in respect of minerals specified in Part B of the First
Minerals (Other than Atomic and Hydro Carbons Energy Minerals) Concession Rules, 2016
The Ministry of Mines has prepared the rules named "The Minerals (Other than Atomic and Hydro Carbons Energy Minerals) Concession Rules, 2016" for the provisions relating to grant and regulation of mineral
Mining Regulations
The Atomic Energy (Amendment) Bill, 2015
The Atomic Energy (Amendment) Bill, 2015 was introduced in Lok Sabha on December 7, 2015. The Bill was introduced by the Minister of State in the Department of Atomic Energy, Mr. Jitendra Singh. The
The Minerals (Other than Atomic and Hydro Carbons Energy Minerals) Concession Rules, 2015
The Ministry of Mines has prepared the draft rules named "The Minerals (Other than Atomic and Hydro Carbons Energy Minerals) Concession Rules, 2015" for the provisions relating to grant and regulation
Land Act amendment widens scope of relief
The Cabinet on Monday amended the Right to Fair Compensation and Transparency in Land Acquisition, Rehabilitation and Resettlement Act, 2013. Under the 2013 Act, compensations were hiked up to four
Land Acquisition Act 2013
Coal Bearing Areas Act 1957
Land acquisition law may be eased for PPP projects
Need for consent of affected families and social-impact assessment could go The National Democratic Alliance government is planning to exempt public-private partnership (PPP) projects from the need
Land Act 1894
Centre plans changes in atomic energy law for NPCIL ventures to take off
The Centre is looking to move amendments to the Atomic Energy Act, 1962 to enable the licensing of three joint ventures proposed by state-owned Nuclear Power Corporation of India Ltd — with NTPC Ltd, Indian
Nuclear Power Corporation Of India (NPCIL)
National Thermal Power Corporation (NTPC)
National Aluminium Company (NALCO)
Department Of Atomic Energy (DAE)
HC seeks government's stand on proposed Kovvada nuclear power plant
The AP High Court on Monday directed the counsels representing the state and the Centre to inform it within a week their stand on a petition that challenged the setting up of a nuclear power plant at Kovvada
Times Of India (Hyderabad)
Srikakulam (D)


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Yoga Brunch
Four generations of the family at the Sussex Ox
The current owner of the Sussex Ox, Stephen Carr, is a Sussex farmer who was born in the hamlet of Winton Street, walking distance from the pub.
Over the last 70 years. four generations of his family have lived and worked at the Sussex Ox – starting with Stephen's grandfather and grandmother, Fred and Phyliss Aspin, along with Stephen's mother, Aline Aspin. And now Stephen and his wife, Fizz, own the pub and run it alongside their nephew Jonny Bunt (the current manager) and Stephen's own children.
The family long relationship with the pub started in 1942, when Fred Aspin took on the licence of what was then known as the Royal Oak . It was then a Beer House, serving just beer to the local farming community.
A former jump jockey, Fred had started his career as a stable lad at the age of 14 at the famous Manton House racing yard on the Wiltshire Downs. In the late 1920s he stopped racing and took a job as the broodmare manger at Jevington Place Stud, now also owned by Stephen.
Stephen's mother, Aline, was born in Jevington. She moved with her parents to the Royal Oak and met and married Stephen's father, local farmer and landowner Harry (Jim) Carr, in 1953. She went to live with Jim at Winton Street where Stephen and his sister Josephine, were born.
Fred and Phyllis ran the pub until the early 1970s, when Fred retired to live in the neighbouring village of Folkington. It was then sold by the brewery and had several owners before passing back into the ownership of the Carr family in 2014.
Outside the front of The Royal Oak, 1949. The current owner, Stephen Carr, is following in the footsteps of his grandfather, Landlord Fred Aspin (2nd from r), and grandmother Phyllis (3rd from r) and their daughter, Stephen's mother, Aline (4th from r)
A photo taken by Jeff Tullberg's father in the late 40s, of the current owner Stephen Carr's grandparents, Fred & Phyllis Aspin, with Fred's thatched Austin Seven which he used for an informal transport service from Milton Street to Alfriston after the Second World War.
From The Star Weekly, Toronto, September 23rd 1950. The car of the landlord of The Royal Oak was in need of a new roof and a local thatcher provided it! Stephen Car's mother, Aline is leaning on the car talking to her father, Fred Aspin.
Until the 70s, The Sussex Ox was known as the Royal Oak.
A hunt preparing to set off from The Royal Oak in the early 60s
Click the link below to read an article on the pub written by Stephen Carr for Farm Life Magazine
FHF_141015_018-21
The pub & gardens
What to do locally
Fizz's Blog
Copyright © 2020 The Sussex Ox | All rights reserved
The Sussex Ox, Milton Street, Polegate, East Sussex, BN26 5RL
Telephone: 01323 870840 Email: mail@thesussexox.co.uk
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