text:
Amnesty International seeks to right WWII wrong
3 July 2009 min read
Targeting social media users, Amnesty International has launched a new initiative aimed at extracting an apology from the Japanese Government on behalf of WWII's 'comfort women'.
Amnesty International claims that during WWII the Japanese military forced women into internment camps to serve as sexual slaves for Japanese armed forces. It is believed as many as 200,000 women were put into slavery as a result.
The 'Comfort Women' initiative allows users to create a butterfly, pick its shape and colour (and then rotate the resultant Rorschach-style colour disc). Following this, respondents are asked to provide their name, email and mobile number to 'sign' a pre-generated petition.
Supporters are asked to download their butterfly, set it as their picture on Facebook, MySpace or Twitter and then change their status to reflect their action and link people to the initiative.
Amnesty International's initiative aims to urge the Australian Government to pass a motion asking the Japanese Government to apologise, as well as compensate these women. The organisation also requests users donate toward skywriting a butterfly above parliament house to emphasise the point.
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text:
Q: FILE *tmp = tmpfile() always generates NULL pointer in C? I have the following code:
char buffer[8];

int main(int argc, char *argv[]) {
    FILE *input, *output, *tempFile;
    input = fopen(argv[1], "rb");
    if (input == NULL) {
        printf("%s", strerror(2));
        exit(EXIT_FAILURE);
    }
    else {
        output = fopen(argv[2], "wb");
        if (output == NULL) {
            printf("%s", strerror(2));
            exit(EXIT_FAILURE);
        }
    }
    tempFile = tmpfile();
    for (int i = 0; i < 8; i++) {
        fputc(buffer[i], tempFile);
        fillBuffer(tempFile);
        printf("%s", buffer);
    }
    if (tempFile == NULL) {
        printf("Unable to create temp file");
        return 0;
    }
}

Some things have been left out but I believe that this is the relevant portion. The buffer[] array is valid. If in the for loop I use

fputc(buffer[i], output);

The correct info gets stored in the output file. Whenever I run this program I get a bunch of null results followed by "Unable to create temp file". Advice?

A: The tmpfile function is standard C and is supposed to create temporary files in some abstract way the program shouldn't have to care about. If these files even have locations (no need for them to) in the filesystem, the location should be one that's suitable for temporary files.
It seems the MSVC implementation of tmpfile is buggy and tries to put files in "C:\" for h{istor,yster}ical reasons. If you'll be building on MSVC you need to either use a different nonstandard function or drop in a replacement to fix the problem by first creating a file safely in a valid location for temp files, then calling fopen on it.
It might be possible to fix this by setting an environment variable, but if it's broken by default that's probably not a suitable fix for a program you want to deploy/ship.

A: I should use:
#include <stdio.h>
#include <stdlib.h>
#include <string.h>
#include <errno.h>

int main()
{
    FILE *f = tmpfile();
    if (!f) {
        fprintf(stderr,
                "couldn't create tmpfile: %s (errno = %d)\n",
                strerror(errno), errno);
        exit(EXIT_FAILURE);
    }
}

in order to know the reason of the failure to create a temporary file.  I've just run it on my system and it creates the file correctly.  (and this should be a Minimal, Complete and Verifiable example as I recommend you to read in my comment to your question)  but most probably had you have done this, you should never have asked this question (as the reason probably is shown in the output of your program).

redpajama_set_name: RedPajamaStackExchange


text:
Answer the CAPTCHA * − 3 = 6
Answer the CAPTCHA * 9 + = twelve
Between Love & Goodbye
By Steve Pardue	 Last updated Feb 18, 2018
Casper Andreas previously wrote and directed the irreverent comedy Slutty Summer, and then co-wrote and directed its spin-off, A Four Letter Word. He is also planning a second spin-off, and recently directed both The Big Gay Musical and a short film. But before all of that, the Swedish immigrant wrote a role for himself in his unproduced script Between Love & Goodbye.
Deciding on a younger actor (Justin Tensen) for the role of gay immigrant Marcel, Andreas focuses on his directing duties and finally brings this drama to life. Kyle (Simon Miller) falls in love quickly with Marcel, and they decide to live together in New York City.
Unfortunately, Marcel's Visa marriage with their friend Sarah (Jane Elliott) and the arrival of Kyle's transgender sister (Rob Harmon as April) both test their patience and their love. Made with the same reckless abandonment as the rest of their relationship, the lovers' reactions to these problems change their lives in ways they might regret.
Kyle and April restart their band. Besides providing a good soundtrack and revealing Simon Miller as a talented singer, the songs help move the film along, flashing through scenes of falling in love or of betrayal and anger.
Justin Tensen smolders throughout the film, always keeping some of his emotions below the surface, yet convincing viewers that Kyle could instantly fall in love with him. He anchors the cast with his tender portrayal of a young man who just wants to stay in America and in his loving relationship.
Jane Elliott provides some of the film's more comical moments, but also adds to its humanity and helps readers identify with both sides of the growing struggles between the two lovers. Rob Harmon, on the other hand, comes in like a gale force, manipulative and spiteful in his roles as April and Cole. The part of Cole involves a complicated twist in the film that I won't give away.
All the cast members deliver solid performances, though I hope Andreas will also step back in front of the camera in the future. While he mostly focuses on drama this time around, he still entertains his audience and tells memorable stories. I look forward to seeing his upcoming films.
Visit http://www.lovegoodbye.com to read more about Between Love & Goodbye.
Distributed by Embrem Entertainment and TLA Releasing.
Steve Pardue 158 posts 0 comments
Steve Pardue is publisher and editor of This Week in Texas and has been providing this website for 21 years this August 2019.
Ten Things to Do Between Now and the National Equality March
U.S. House Holds Hearing on Employment Non-Discrimination Act
Majority of Workers Still Hide Sexual Orientation, Gender Identity at Work

redpajama_set_name: RedPajamaCommonCrawl


text:
« Turnover of High Level Public Employees-BECKER | Main | Women's Academic Performance--Comment by Posner »
The Economics of the Revolving Door--Posner
Articles by Eric Lipton in the June 18 and 19 issues of the New York Times discussed the "revolving door" phenomenon with specific reference to the Department of Homeland Security. According to Lipton, although the Department is only three and a half years old, already more than two-thirds of its senior executives have quit for jobs in the private sector, mostly working for companies that have or seek contracts with the Department, which has an annual budget of some $40 billion. These executives, some of whom had come to the Department from the private sector for brief stints in government sservice, are paid multiples of their government salaries when they leave to join or rejoin the private sector. Although departing government employees are forbidden to lobby their former government employer for a year, the prohibition is particularly porous in the case of the Department of Homeland Security because a former employee is permitted to lobby from the start any unit in the Department for which he did not work. The Department is a conglomerate of 22 formerly separate agencies, with overlapping responsibilities, and there are subunits with each of the agencies. Should the revolving door be stopped or slowed? Two considerations favor the revolving door. First, people who have served in government have useful information about government's needs and procedures; that information can enable a better matching of government contractors with the agencies that purchase their services. Second, the opportunity for lucrative private employment after a stint of public service reduces the cost to the government of obtaining able employees. The compensation of government employees includes not only their government salaries but also the enhanced private earning capacity that they acquire by their government service. But these points are persuasive only with regard to career government employees, in the sense of people who worked for the government--initially at least at a junior level--for many years. They accrue valuable knowledge over the course of their employment and the prospect of eventual private-sector employment substantially increases in real terms their meager compensation as government employees. Not that there isn't a loss; many of the ablest and most experienced government employees leave government well before normal retirement age, while the least able stay till or beyond that age because of the difficulty of firing government workers. The system can also produce transitional crises, as illustrated by the hemorrhaging of government security personnel in the wake of the September 11, 2001, terrorist attacks. The attacks caused a surge in private demand for security personnel, resulting in a sudden and substantial loss of experienced CIA, FBI, and other security officers to the private sector at greatly increased salaries. The increased ratio of private to government salaries represented a windfall for these officers because it had not been anticipated. In the long run, however, these windfalls become anticipations that will enable the government security services to hire abler people because they will foresee superior private-sector opportunities. In other words, as a result of the continuing concern with terrorism, working for government security agencies confers on one more human capital than before 9/11. Meanwhile, however, there is tremendous turnover in government security agencies, and a resulting decline in the quality of those agencies, as senior officers vacate their positions for the private sector and are replaced by inexperienced juniors. The impact on quality is aggravated by the disuptive effect of rapid turnover in any organization. The exodus of officials of the Department of Homeland Security for the private sector, about which Lipton wrote, is a distinct phenomenon. Many of them are people who had come to work for Tom Ridge in the White House when he was the President's homeland security advisor and went with him to the Department when it was formed in March of 2003 and he became the first head of it. Many did not have extensive or relevant government experience. Moreover, the Department has from the outset been grossly mismanaged. The fault lies mainly in the design and structure of the Department and in the haste with which it was created; but no one considers it, even given these constraints, a well-managed enterprise. The companies that have hired these officials do not care, however, because they are not hiring DHS officials for their managerial expertise. They are hiring them in the hope that it will facilitate the obtaining of contracts with the Department. The Department needs contracts, of course, and its former officials doubtless have a good sense of how a contractor can make an attractive pitch to the Department; otherwise the contractors would not have hired these officials at high salaries. But whether the officials are actually knowledgeable about the Department's needs is another matter. Many of them were birds of passage, who never became real experts on security. There is warranted suspicion that many of them got their high positions in the Department by reason of political contacts, and those contacts may enable them to land contracts for their new employers that are not in the government's best interest. So the first reason I gave for why "revolving door" practices may serve the public interest is probably absent in the case of senior officials. And likewise the second. The prospect of subsequent reemployment by the private sector probably attracts few able nongovernment people to government jobs. It is disruptive to give up one's private job to work for government for a short time with the aim of then returning to the private sector at a higher level--a level one might well have attained in the ordinary course of promotions and job changes had one remained in the private sector. Moreover, there is what economists call a "last period" problem that is more serious in the "bird of passage" case than in the case of the career government employee. An individual in the last period of his employment (or a company that is about to go out of business) is not restrained in his self-interested behavior by concern that his employer will fire him (or, in the case of the company, that its customers will desert it). Any government employee who has decided to seek private employment may be tempted to make decisions that will make him more attractive to prospective private employers; the added problem with the "birds of passage" is that their entire government service is last period because they know they are going to return to the private sector soon. All their decisions as government officials may be influenced by a desire to position themselves for as lucrative a reentry into the private sector as possible. What might be done to alleviate the revolving-door problem? One possibility would be to restructure the civil service so that it paid better and, as important, reached higher in the government system. In the United Kingdom, civil servants occupy the highest posts in government just below the ministerial level. The opportunity to become a permanent undersecretary is an inducement to the ablest civil servants to remain in government service for their entire, or at least a very long, career. In our government quite junior officials, such as assistant secretaries of department and even many deputy assistant secretaries, are appointed from outside the ranks of the civil servants. These are, many of them, the birds of passage; and the diminished promotion opportunities for the civil servants makes a civil service career much less attractive for able and ambitious people than it would otherwise be. The major exception of course is the military, a branch (realistically) of the civil service in which one can rise to a very high rank, because there is no lateral entry into the uniformed service. The CIA and FBI are other exceptions, since among their top officials ordinarily only the director himself is appointed from outside the agency staff. Of course there would be costs in strengthening the civil service--one being that the able people it attracts might be more productive in the private sector. But the challenges faced by the American government at present are so acute that we must take steps to improve governmental efficiency, and reform of civil service may be one of them.
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Parsons The New School of Design needs no introduction. It ranks as the number one fashion school in America, having produced a slew of household names — Marc Jacobs, Donna Karan and Alexander Wang to name a few. Each year, a handful of distinguished students are blessed with the opportunity to showcase their MFA thesis collection at NYFW. With a total of 11 designers, there was no end to the string of creative talent being shown down the runway.
Like an abstract Bryce Hudson painting, designer Pengji Cai's contemporary use of acetate in Crayola-like colors was eye-grabbing and thought-provoking. Heavy, boxy shapes broke up the models' silhouettes into the most intriguing shards and fragments.
Acclaimed for her rope-coiling technique, Katherine Mavridis used a smaller gauge of rope that appeared similar to yarn. The result was warm, cozy and blanket-like — unraveling rather than binding. Her work exposed the pure and delicate female form lying underneath her designs.
Using plastic with traditional textiles, Tianfang Jing extends the conventional definition of fabric to encompass unorthodox materials. Often rendered in shades of blue, the plastic appeared like ocean waves rolling along a golden coast.
An explosion of floral motifs, Sisi Liu took a D.I.Y. maximalist's approach to her collection. Starting with a base of scanned flower prints, Liu topped it with ribbon and yarn embroidery as well as felting techniques. Her end product was cute, quirky and reminiscent of old decoupage.
Varpu Rapelli's slick collection destroys the idea that knitwear has to be frumpy and shapeless. Body-conscious and almost athletic looking, many of her pieces had designs oriented along a horizontal plane, a direct reference to Rapelli's inspiration: the works of ab-ex artist, Mark Rothko.
Playful and nonsensical, Ryohei Kawanishi's literal appropriation of banal, everyday objects into fashion makes quite the statement. Addressing cultural materialism and the fast-paced nature of fashion, a shower-curtain gown and backpack mini dress were only a few of Kawanishi's creations that exhibited an introspective self-awareness.
Shih Hsun Lee's traditional menswear is evocative of cigars, leather armchairs and a bottle of Jack Daniels. Using an applique technique, Lee adds dimension and texture to his simple silhouettes with layers of panels stitched atop the flat surface. Not only does it result in a raised visual-effect, but it also lends a burly sense of bulk and volume to his garments.
It isn't difficult to see Liya Liu's inspiration in her avant-garde collection. Taking a cue from the city's garbage bags found all along the streets, she skillfully manipulates the plastic into a dynamic textile that catches the light and highlights the body. Liu creates beautiful pieces of art that are masqueraded as waste, denying the value of external appearances.
Knits are always seen as either a sweater or cardigan, so it's really uplifting to see Diletta Cancellato using them in a new and novel way. Taking advantage of their weight, Cancellato fashions rounded bell-sleeve forms on thick outerwear. The salmon-hued skirt even replicates the appearance of pleats with a ribbed texture.
Mayako Kano's fascination with historical aesthetics comes alive with floral and damask prints. Her shapes are feminine and ladylike, incorporating movement and light with airy fabrics like chiffon. She brings together the old and the new by combining gorgeous lace and vivid colors with the obscurity of translucent layering.
Long Xu's deft hand creates intricate and swoon-worthy displays of weaving. Borrowing from African, Japanese and South-Asian techniques, his palette includes both sugary pastels and somber neutrals. The forms of his column dresses only serve to emphasize the graphic linearity of his striking collection.


text:
← Martin Wolf , Robert Kagan, David Frum, in A Financial Times Political Melodrama.
A Thatcherite adrift in the 21st Century: @RColvile in the London Times of 10/03/21. →
Thomas Chatterton Williams interviewed in The Financial Times.
Posted on October 3, 2021 by stephenkmacksd
Political Observer comments on the 'political transcendentalist'.
This newspaper employs one of the most interesting writers and political commentators, of the political present, in Janan Ganesh! I read many different publications on the internet, I spend my days reading! Conduct an interview with Mr. Ganesh, one of the real talents, to emerge from the Neo-Liberal Age gone bust! I will never agree with Mr. Ganesh's politics, no matter how engagingly framed!
Define respectable bourgeois, jejune political chatter: The New York Times!
What 'we' get in this interview from a New York Times regular contributor is the warmed-over political hysterics, of Mr. Thomas Chatterton Williams and its ensuing victimology melodrama:
In July 2020, Williams was one of the organisers of "A Letter on Justice and Open Debate", an open letter signed by 152 scholars and writers, published in Harper's magazine. It warned of an "intolerant climate that has set in on all sides" across cultural institutions and a "vogue for public shaming and ostracism", and stressed the need "to preserve the possibility of good-faith disagreement without dire professional consequences".
Although its authors were careful to not use the phrase "cancel culture", it was obvious this was the letter's target, and it provoked a backlash from the progressive left, who argued that such a culture does not exist — or at least is nothing new — and who criticised the choice of signatories, such as JK Rowling, who has been accused of being "anti-trans".
"I lost a couple of people that I had been very good to on an interpersonal level because of the Harper's letter — people who unfollowed me and blocked me with no explanation. They actually know me. That's crazy," says Williams, clearly upset by this. "The details of what's right or wrong don't matter, it's that 'you're not with us'. I never thought ideas or writing were about signalling allegiance."
https://www.ft.com/content/1bf6a540-0a7c-427f-9eea-b756acb81813
What appeals to the Financial Times is that Mr. Williams made 'enemies' of both 'Left' and 'Right', he is a 'political transcendentalist' :
"I never thought ideas or writing were about signalling allegiance."
This last quote is an astoundingly naïve assertion for a cosmopolitan, engaged in the endeavor of political/cultural commentary!
Political Observer
Replying to Tench
On the question of '"I never thought ideas or writing were about signalling allegiance." : I have four books on my desk. 'Rorty and his critics' published by Blackwell, 'Statecraft as Soulcraft' by George F. Will, published by Touchstone, 'Homo Juridicus' by Alain Supiot published by Verso. 'Kant : Biography' by Manfred Kuehn published by Cambridge University Press: Call all these 'signalling allegiance'. Kant, in The Critique of Pure Reason: 'Our age is the genuine age of criticism, to which everything must submit.', pages 100/101 of the Cambridge Edition.
Mr. Chatterton knows were he is and where he is going, and he knows all about self-promotion. His special knowledge of these bad political actors enables him rebuff them, even though they possess a power, to shame the writer of Harry Potter, and commit other political felonies of bad etiquette. Chatterton lacks the ingrained paranoia of Greg Lukianoff and Jonathan Haidt, his self-conception of being a Cosmopolitan does not allow that political exercise.
As for :
'that Jemima Kelly didn't warm to Thomas Chatterton Williams, despite having much sympathy for the substance of his political and intellectual stance on these issues. She can write with great warmth (look up her interview with David Spiegelhalter) and that's absent here.'
Yes, Janan Ganesh is always fun, but though I often find myself agreeing with his observations I do sometimes feel he's a bit too by his own cleverness. Did you ever catch him writing movingly, or with palpable warmth?
Its almost 'as if' the Television/Radio Psychologist, armed with Neo-Freudian Kitsch hadn't utterly disappeared!
Thank you for your comment,
StephenKMackSD


Celtic music band Molly's Revenge returns to Menlo Park on August 20 to play a Blue Rock House concert. Organizer Gwen Fuller promises there will also be Irish dancers. Of note to band fans, this is singer and band spokesman Pete Haworth's last year performing.
Tickets are $25. No smoking but responsible consumption of alcohol is acceptable.


Splodge update and change craft projects every few months - we have a large selection for the children to choose from on the day all our projects are blank for you to paint and decorate. You can also purchase these crafts and take them home to do your own thing!!!


What is the difference between cost-effectiveness analysis and cost analysis?
Cost-effectiveness analysis is a specific type of cost analysis. Cost analysis breaks down the costs of an operation and reports on each factor separately. According to the Centers for Disease Control, cost-effectiveness analysis, in the evaluation of health care, examines both the costs and health outcomes of alternative intervention strategies.


text:
Trial set for Milbank man accused of murdering brother and pregnant sister-in-law
Published: Jan. 5, 2022 at 12:09 PM CST
MILBANK, S.D. (AP) - A Milbank man will face trial this summer on charges of killing his brother and pregnant sister-in-law.
Fifty-seven-year-old Brent Hanson appeared court Tuesday where a judge set a jury trial to begin Aug. 11.
Police say Hanson hit his brother, Clyde Hanson, in the head with a baseball bat Dec. 12 at a residential property they both owned, but where they lived in separate spaces.
Authorities say Jessica Hanson, who was nine months pregnant, returned home the following morning and the defendant struck her in the head with a machete. The couple's bodies were found Dec. 15 after police were called to do a welfare check. Their 3-year-old child was found sleeping and unharmed.
Copyright 2022 The Associated Press.


USCIS received 201,011 H-1B petitions during the filing period, which began April 1, including petitions filed for the advanced degree exemption. USCIS announced on April 5 that it had received enough petitions to reach the congressionally mandated H-1B regular cap of 65,000. For a sense of how the filing numbers compare to prior years: In FY2019, USCIS received 190,098 petitions; in FY2019, 199,000; in FY2017, 236,000.
After completing the random selection process for the regular cap, USCIS also determined that it received a number of petitions projected as sufficient to meet the 20,000 H-1B visa U.S. advanced degree exemption, also known as the master's cap.
USCIS will issue receipt notices for petitions selected in the lottery. Notifications will occur on a rolling basis; last year notifications were not complete until June. This year, USCIS began to issue the first notifications for selected cases on April 11th. LAC will notify employers and employees upon receipt of any correspondence related to their petition.
Petitions selected in the lottery will proceed to adjudication.
The current regular processing time for an H-1B adjudication is 9.5 to 12.5 months. Regardless of the approval date, the earliest effective date for employment authorization will be October 1, 2019.
On March 19th USCIS advised it would limit the premium processing option for cap cases to those which request a Change of Status. On March 29th USCIS confirmed it would begin adjudication of FY2020 cap cases filed with a premium processing request on May 20th. For selected petitions filed with a premium processing request, adjudication should therefore occur by June 3, 2019. USCIS response within the 15-day premium processing window may be an approval, denial, or request for additional evidence.
After all lottery winners have been notified, USCIS will begin rejecting and returning all unselected petitions to the employer/ counsel. LAC will promptly refund the filing fees for rejected petitions to the employer.
USCIS will continue to accept and process petitions that are otherwise exempt from the cap.
LAC will notify applicants promptly upon receipt of case-specific information from USCIS. We will also forward general updates as information becomes available. Should you have any questions in the interim, please do not hesitate to contact your LAC attorney.


Interior Minister Sar Kheng said on Wednesday that 100 to 200 Cambodians illegally cross the border with Thailand every day, well under an estimate from a U.N. agency that puts the figure at 3,000 to 4,000.
Illegal border crossings needed to be identified and closed, and the government had already shut down some, Mr. Kheng and other officials said at a meeting at the ministry in Phnom Penh, where the minister presented the government's revised national plan to combat human trafficking.
"People cross the border for different purposes, every day on average, there are at least 100 to over 200 Cambodians who cross illegally via the Cambodian-Thai border," Mr. Kheng said.
But a regional coordinator from the U.N. Office on Drugs and Crime said its research had found that "approximately 3,000 to 4,000 irregular Cambodian migrants cross into Thailand daily," defining "irregular migrants" as any who enter another country without following legal immigration procedures.
Most estimates suggest there are about 200,000 irregular Cambodians in Thailand at any one time, Benjamin Smith, the regional coordinator specializing in human trafficking and migrant smuggling, said in an email on Wednesday.
"There is general consensus that the number of irregular migrants is considerably greater than the number of people migrating through regular channels," Mr. Smith said.
Mr. Kheng said that to combat illegal migration, the government would study the reasons why people were crossing the border.
He said the government needed to speed up the passport application process for migrant workers and raise awareness among them about the risks of illegal migration and the need for proper documents.
Chou Bun Eng, secretary of state with the Interior Ministry and vice chair of the national committee to combat human trafficking, said authorities had already begun shutting down illegal checkpoints on the border.
"We don't want to have informal border checkpoints because it is hard for us to control," Ms. Bun Eng said.
"The informal border checkpoints are the nexus of all forms of crime, and so we already closed down some, and now we are going to study them again and will decide which ones will be closed down, why and how," she said.
While most people cross the border voluntarily, some are tricked or misled by those assisting them to cross, and drug and human trafficking continue to be "big problems," Mr. Smith of UNODC said.
"You need an effective law enforcement crackdown on the criminal networks involved in trafficking, but, since those traveling irregularly are much more vulnerable to trafficking, and given the porous nature of the border, you also need measures to deter the use of irregular migration and actively promote safe, regular migration," he said.


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text:
Dödsbo eller sterbhus är kvarlåtenskapen efter en avliden person. Dödsboet räknas som en juridisk person. Kvarlåtenskapen ska enligt lag förtecknas i en bouppteckning inom tre månader efter dödsfallet. Fram till arvskiftet förvaltas kvarlåtenskapen av de efterlevande som har arvsrätt till den avlidnes egendom. En sådan person kallas antingen dödsbodelägare, eller efterarvinge för den som har rätt att få ut sitt arv först efter att en dödsbodelägare har avlidit. Ett dödsbo kan också förvaltas av en boutredningsman. Dödsboet upplöses när arvskiftet är avslutat och all kvarlåtenskap fördelats mellan arvingarna.

Dödsboet svarar för alla kostnader för begravning, även de närmast anhörigas omkostnader för begravningen kan belasta dödsboet, till exempel sorgkläder, transporter, vistelsekostnader osv.

Sterbhus
Det från tyskan lånade ordet sterbhus används sällan i dag. Det förekommer inte heller längre i lagtexterna. Ordet har emellertid en något vidare betydelse än dödsbo då det, utöver den avlidnes tillgångar och skulder, även kan avse de efterlevande arvingarna eller dödsbodelägarna.

Se även
Arv
Boutredningsman
Efterlevande

Referenser

Arv
Begravning

fr:Patrimoine (droit)

redpajama_set_name: RedPajamaWikipedia


text:
/*
 * DO NOT EDIT THIS CODE BY HAND! It has been generated with jsvcgen.
 */
package com.solidfire.element.api;

import com.solidfire.gson.Gson;
import com.solidfire.core.client.Attributes;
import com.solidfire.gson.annotations.SerializedName;
import com.solidfire.core.annotation.Since;
import com.solidfire.core.javautil.Optional;
import java.io.Serializable;
import java.util.Arrays;
import java.util.HashMap;
import java.util.Objects;

/**
 * RemoteReplication
 * Details on the volume replication.
 **/

public class RemoteReplication implements Serializable {

    public static final long serialVersionUID = -3394807960679489464L;
    @SerializedName("mode") private String mode;
    @SerializedName("pauseLimit") private Long pauseLimit;
    @SerializedName("remoteServiceID") private Long remoteServiceID;
    @SerializedName("resumeDetails") private String resumeDetails;
    @SerializedName("snapshotReplication") private SnapshotReplication snapshotReplication;
    @SerializedName("state") private String state;
    @SerializedName("stateDetails") private String stateDetails;
    // empty constructor
    @Since("7.0")
    public RemoteReplication() {}

    // parameterized constructor
    @Since("7.0")
    public RemoteReplication(
        String mode,
        Long pauseLimit,
        Long remoteServiceID,
        String resumeDetails,
        SnapshotReplication snapshotReplication,
        String state,
        String stateDetails
    )
    {
        this.mode = mode;
        this.pauseLimit = pauseLimit;
        this.remoteServiceID = remoteServiceID;
        this.resumeDetails = resumeDetails;
        this.snapshotReplication = snapshotReplication;
        this.state = state;
        this.stateDetails = stateDetails;
    }

    /**
     * Volume replication mode.
     * Possible values:
     * Async: Writes are acknowledged when they complete locally. The cluster does not wait for writes to be replicated to the target cluster.
     * Sync: Source acknowledges write when the data is stored locally and on the remote cluster.
     * SnapshotsOnly: Only snapshots created on the source cluster will be replicated. Active writes from the source volume will not be replicated.
     **/
    public String getMode() { return this.mode; }

    public void setMode(String mode) {
        this.mode = mode;
    }
    /**
     * The number of occurring write ops before auto-pausing, on a per volume pair level.
     **/
    public Long getPauseLimit() { return this.pauseLimit; }

    public void setPauseLimit(Long pauseLimit) {
        this.pauseLimit = pauseLimit;
    }
    /**
     * The remote slice service ID.
     **/
    public Long getRemoteServiceID() { return this.remoteServiceID; }

    public void setRemoteServiceID(Long remoteServiceID) {
        this.remoteServiceID = remoteServiceID;
    }
    /**
     * Reserved for future use.
     **/
    public String getResumeDetails() { return this.resumeDetails; }

    public void setResumeDetails(String resumeDetails) {
        this.resumeDetails = resumeDetails;
    }
    /**
     * The details of snapshot replication.
     **/
    public SnapshotReplication getSnapshotReplication() { return this.snapshotReplication; }

    public void setSnapshotReplication(SnapshotReplication snapshotReplication) {
        this.snapshotReplication = snapshotReplication;
    }
    /**
     * The state of the volume replication.
     **/
    public String getState() { return this.state; }

    public void setState(String state) {
        this.state = state;
    }
    /**
     * Reserved for future use.
     **/
    public String getStateDetails() { return this.stateDetails; }

    public void setStateDetails(String stateDetails) {
        this.stateDetails = stateDetails;
    }

    @Override
    public boolean equals(Object o) {
        if (this == o) return true;
        if (o == null || getClass() != o.getClass()) return false;

        RemoteReplication that = (RemoteReplication) o;

        return
            Objects.equals(mode, that.mode) &&
            Objects.equals(pauseLimit, that.pauseLimit) &&
            Objects.equals(remoteServiceID, that.remoteServiceID) &&
            Objects.equals(resumeDetails, that.resumeDetails) &&
            Objects.equals(snapshotReplication, that.snapshotReplication) &&
            Objects.equals(state, that.state) &&
            Objects.equals(stateDetails, that.stateDetails);
    }

    @Override
    public int hashCode() {
        return Objects.hash( mode,pauseLimit,remoteServiceID,resumeDetails,snapshotReplication,state,stateDetails );
    }

    public java.util.Map<String, Object> toMap() {
        java.util.Map<String, Object> map = new HashMap<>();
        map.put("mode", mode);
        map.put("pauseLimit", pauseLimit);
        map.put("remoteServiceID", remoteServiceID);
        map.put("resumeDetails", resumeDetails);
        map.put("snapshotReplication", snapshotReplication);
        map.put("state", state);
        map.put("stateDetails", stateDetails);
        return map;
    }

    @Override
    public String toString() {
        final StringBuilder sb = new StringBuilder();
        Gson gson = new Gson();
        sb.append( "{ " );

        sb.append(" mode : ").append(gson.toJson(mode)).append(",");
        sb.append(" pauseLimit : ").append(gson.toJson(pauseLimit)).append(",");
        sb.append(" remoteServiceID : ").append(gson.toJson(remoteServiceID)).append(",");
        sb.append(" resumeDetails : ").append(gson.toJson(resumeDetails)).append(",");
        sb.append(" snapshotReplication : ").append(gson.toJson(snapshotReplication)).append(",");
        sb.append(" state : ").append(gson.toJson(state)).append(",");
        sb.append(" stateDetails : ").append(gson.toJson(stateDetails)).append(",");
        sb.append( " }" );

        if(sb.lastIndexOf(", }") != -1)
            sb.deleteCharAt(sb.lastIndexOf(", }"));

        return sb.toString();
    }

    public static Builder builder() {
        return new Builder();
    }

    public final Builder asBuilder() {
        return new Builder().buildFrom(this);
    }

    public static class Builder {
        private String mode;
        private Long pauseLimit;
        private Long remoteServiceID;
        private String resumeDetails;
        private SnapshotReplication snapshotReplication;
        private String state;
        private String stateDetails;

        private Builder() { }

        public RemoteReplication build() {
            return new RemoteReplication (
                         this.mode,
                         this.pauseLimit,
                         this.remoteServiceID,
                         this.resumeDetails,
                         this.snapshotReplication,
                         this.state,
                         this.stateDetails);
        }

        private RemoteReplication.Builder buildFrom(final RemoteReplication req) {
            this.mode = req.mode;
            this.pauseLimit = req.pauseLimit;
            this.remoteServiceID = req.remoteServiceID;
            this.resumeDetails = req.resumeDetails;
            this.snapshotReplication = req.snapshotReplication;
            this.state = req.state;
            this.stateDetails = req.stateDetails;

            return this;
        }

        public RemoteReplication.Builder mode(final String mode) {
            this.mode = mode;
            return this;
        }

        public RemoteReplication.Builder pauseLimit(final Long pauseLimit) {
            this.pauseLimit = pauseLimit;
            return this;
        }

        public RemoteReplication.Builder remoteServiceID(final Long remoteServiceID) {
            this.remoteServiceID = remoteServiceID;
            return this;
        }

        public RemoteReplication.Builder resumeDetails(final String resumeDetails) {
            this.resumeDetails = resumeDetails;
            return this;
        }

        public RemoteReplication.Builder snapshotReplication(final SnapshotReplication snapshotReplication) {
            this.snapshotReplication = snapshotReplication;
            return this;
        }

        public RemoteReplication.Builder state(final String state) {
            this.state = state;
            return this;
        }

        public RemoteReplication.Builder stateDetails(final String stateDetails) {
            this.stateDetails = stateDetails;
            return this;
        }

    }
}

redpajama_set_name: RedPajamaGithub


In 1994, after the release of Twin Peaks: Fire Walk With Me, David Lynch, Angelo Badalamenti, & Julee Cruise returned to the studio with new compositions as well as the intent of crafting previously instrumental score-based material from Fire Walk With Me & Wild At Heart into Julee Cruise songs. The result was the trio's 1993 final studio album together "The Voice Of Love". In the studio, David would always say "sing like an angel, like an angel…" Cruise remembers.
25 years after its initial release, Julee Cruise's sophomore album "The Voice Of Love" is on vinyl for the first time ever! It marked the final full-length collaboration between the three of them. The World Spins.
Record comes with 10×10 fold out glossy 8 panel lyric & photo booklet.


, selects the top series using best quality simply for you all, and this pictures is actually one of photographs series inside our very best images gallery about Media Chests Living Room. I am hoping you will enjoy it.
submitted through godong on 2018-01-19 02:19:47. To view almost all photographs within Media Chests Living Room photographs gallery make sure you stick to that url.


The Burleigh House involved the reprogramming of an existing single-storey brick & tile house to meet the needs of a young growing family. Two existing bedrooms at the rear of the house were transformed into new north-facing living spaces with a seamless connection to the lawn and garden. This was critical to the design as our client's and their 2 young children regularly spend many hours in the garden tending to vegetables, herbs and chasing butterflies. North light floods into the new living spaces all year round and thermal mass in the floor traps heat to provide a beautiful, warm spot to spend winter mornings. The external terrace acts as a connection between the front and backyards, while the trellised creeper protects the internal living spaces from the harsh western sun.


text:
Eddie The Eagle Wiki
15.01.2020 Faekinos 2 Kommentare
Review of: Eddie The Eagle Wiki
Und es auf die schwarze Liste landen lassen. Als kritikwГrdig sehen wir indes die kurze Freispielzeit sowie das niedrige Gewinnlimit von.
For the film based on his life, see Zip-line ride: Global News Calgary (television broadcast), 13 February Eddie the Eagle est un film. In , he was portrayed by Taron Egerton in the biographical film Eddie the Eag Eddie the Eagle – Net Worth, Ex-Wife (Samantha), Wiki, Rule June 27, . While maturity levels vary, the Eddie Eagle program is intended for children of any age from pre-school through third grade. Nachdem er mit Bronson Peary. <
Skispringer Eddie the Eagle
Michael Edwards (geb. 5. Dezember ), bekannt als " Eddie the Eagle ", ist ein englischer Skispringer und Olympiasieger, der als. For the film based on his life, see Zip-line ride: Global News Calgary (television broadcast), 13 February Eddie the Eagle est un film. Skispringer Eddie the Eagle Der Traum vom Fliegen. Er kam als Lachnummer und ging als Legende: Als blutiger Laie mit Schnapsglasbrille.
Eddie The Eagle Wiki Recent Posts Video
Eddie the Eagle - Extended Preview Clip - 20th Century FOX
Edward "Eddie the Eagle" Edwards is the sixteenth episode of the third season of The Goldbergs, and the sixty-third episode overall. It aired on February 24, 1 Overview 2 Cast Main Cast Guest Stars 3 Trivia 4 Gallery Episode Stills 5 Continuity 6 References When Barry sees. 『イーグル・ジャンプ』(原題: Eddie the Eagle)は、年にアメリカ合衆国とイギリスとドイツが共同製作した伝記映画。イギリス史上初のスキージャンプオリンピック代表選手であるエディ・エドワーズの半生を描いている 。. Eddie the Eagle – Net Worth, Ex-Wife (Samantha), Wiki, Rule Biography. Edwards was born on December 5, , in Cheltenham, Gloucestershire, England, UK. He has a sister, Liz, who Video Of The Day. The Winter Olympics was held in Calgary, Alberta, Canada. Eddie became the first British. Eddie the Eagle is a biographical sports comedy-drama film directed by Dexter Fletcher. The film stars Taron Egerton as Michael Edwards, a British skier who in became the first competitor to represent Great Britain in Olympic ski jumping since Hugh Jackman, Christopher Walken, Iris Berbenand Jim Broadbent co-star. Eddie the Eagle is a British biographical sports comedy-drama film directed by Dexter Fletcher. The film stars Taron Egerton as Michael Edwards, a British skier who in became the first competitor to represent Great Britain in Olympic ski jumping since Hugh Jackman, Christopher Walken, Iris Berben and Jim Broadbent co-star.
Eddie The Eagle Wiki. - Navigationsmenü
Von nun an mussten Skispringer in internationalen Wettkämpfen im vorderen Lottoland Paysafecard des Starterfeldes landen, um sich für die Spiele zu qualifizieren. National Review. The Huffington Post Australia. Initially, some media outlets were reporting that Jackman had been cast as Berghorn. Casino Ohne Account legal face-off inspired Edwards to Tradecom Gmbh a lawyer. Retrieved April 27,
Februar machte Edwards einen Gegenbesuch in Calgary, um an den Feierlichkeiten zum Suggiert Jahrestag der Spiele teilzunehmen. He held the British ski jumping record from to Januar beim Sundance Film Festival seine Weltpremiere, kam Champions Leuage Vor laufenden Kameras wedelt er mit den Beste Spiele Kostenlos wie ein Adler.
At the height of Eaglemania, he sang before 70, at a rock festival near Helsinki. Fame brought with it not just fortune, but an entire entourage of managers, flunkies and would-be wives.
When the trust went bust in , Edwards declared bankruptcy and sued the trustees for mismanagement. The legal face-off inspired Edwards to become a lawyer.
Despite carrying a torch in the pre-Olympic relay at the Vancouver Games, Edwards is something of a pariah in the ski jumping world. In , the International Olympic Committee imposed a minimum qualifying distance for all World Cup and Olympic ski jumpers.
Some sent him hate mail. Go off and die. I was the best—albeit the only—jumper my country had. I had a right to be there.
Bouncing on his sofa, he makes a rare foray into introspection. Continue or Give a Gift. Privacy Terms of Use Sign up. SmartNews History.
Featured: Huge Turkish orphanage may get new life. History Archaeology. World History. Featured: The Transfer of Presidential Power. Science Age of Humans.
Future of Space Exploration. Human Behavior. Our Planet. Earth Optimism Summit. Featured: How Dinosaurs Thrived in the Snow.
Bronson decides to travel to the games and support him. After an encouraging conversation with his idol Matti "The Flying Finn" Nykänen on the lift to the top of the hill, Eddie barely manages to land a Once again, he scores last in the event, but is nonetheless cheered by the audience as well as millions around the world, which includes a playful salute in the closing speech of the President of the Organising Committee for the Olympic Games , Frank King, who said "You have broken world records.
You have established many of your own personal bests and some of you have even soared like an Eagle". British Olympic officials grudgingly accept him.
Warren Sharp reconciles with Bronson, who was present, and Edwards returns home a national hero to the cheers of his fans at the airport; his mother rushes to him, embracing him.
As Eddie looks to his father, he reveals a jumper that says "I'm Eddie's dad," declaring his support before embracing Eddie as well.
Development on the film was first reported in as a project of Irish director Declan Lowney [8] with Steve Coogan to appear in the lead role.
The studio set 29 April for the release of the film. The same month, it was announced that the film had delayed to 26 February in the United States.
It is an album of new studio recordings and original songs, curated by Barlow at the behest of producer Matthew Vaughn.
Eddie the Eagle Original Motion Picture Score was released a week before the curated album above, and features the film's original score by Matthew Margeson.
You can't believe most of it, but you can believe in it. That's a subtle but important difference. The Games were the first Winter Olympics to be held over a whole two-week period.
Most events took place in Calgary, while several skiing events were held west of the city at the Nakiska mountain resort and in Canmore.
Hugh Michael Jackman is an Australian actor, singer, and producer. Matti Ensio Nykänen was a Finnish ski jumper who competed from to Widely considered to be the greatest male ski jumper of all time, he won five Winter Olympic medals, nine World Championship medals, and 22 Finnish Championship medals.
Most notably, he won three gold medals at the Winter Olympics, becoming, along with Yvonne van Gennip of the Netherlands, the most medaled athlete at that Olympiad.
He held the British ski jumping record from to He also took part in amateur speed skiing, running at Janne Petteri Ahonen is a Finnish former ski jumper and drag racer.
He is one of the most successful ski jumpers of all time, as well as one of the most successful from Finland, having won two consecutive World Cup overall titles, the Four Hills Tournament a record five times, two individual gold medals at the World Championships, and the Nordic Tournament once.
Nicknamed "The King Eagle", Ahonen has been described as the greatest ski jumper to have never won an individual Winter Olympic medal.
Ski jumping at the Winter Olympics consisted of three events held from 14 February to 24 February, taking place at Canada Olympic Park.
The Calgary Games featured the addition of a new event, the first program change since , with the debut of the team event.
Britain's Eddie "The Eagle" Edwards achieved celebrity by finishing last in both individual events, with less than half the points of the second-last competitor.
Andreas " Andi " Goldberger is an Austrian former ski jumper. He became the first man in history to jump over metres in , although he didn't manage to stand.
The final of the men's triple jump event at the Summer Olympics in Atlanta, Georgia was held on July 27, There were 43 participating athletes from 32 nations, with two qualifying groups.
The Eddie Eagle program and its namesake character were developed by the National Rifle Association for children who are generally considered too young to be allowed to handle firearms.
While maturity levels vary, the Eddie Eagle program is intended for children of any age from pre-school through third grade.
The program trains children to avoid causing harm when they encounter firearms, through an easily-remembered litany:. The NRA, which also sponsors training for adults in safe gun-handling, developed this program in response to news stories about deaths and injuries of youths by negligent gunfire.
The film was released by 20th Century Fox in Canada and the U. The film received generally positive reviews from critics and in it was nominated for the Empire Award for Best British Film.
In , ten-year-old Michael Edwards dreams of Olympic glory, practising in various Olympic events and failing miserably. His mother unconditionally supports him, while his father constantly discourages him.
As a young teen, he gives up his dream of participating in the Summer Games in favour of skiing in the Winter Games. Although successful at the sport, he is rejected by British Olympic officials for being uncouth.
Realising he could make the team as a ski jumper a sport in which the United Kingdom had not participated for six decades , he decamps to a training facility in Garmisch-Partenkirchen , Germany.
The more seasoned jumpers, specifically those on the Norwegian team, belittle him. Alcoholic snow groomer Bronson Peary encourages Eddie to give up, but Eddie's tenacious spirit and shared feelings of ostracism by the other jumpers there convince Bronson to train Eddie.
Peary is a former champion American ski jumper who left the sport in his 20s after a conflict with his mentor, famous ski jumper Warren Sharp, which Eddie learns from Petra, the kind owner of a nearby tavern.
With very little time to qualify for the Winter Olympics in Calgary , Alberta , Eddie and Bronson employ various unorthodox methods to condition and refine Eddie's form, and he successfully completes the 40m hill.
Though discouraged, Eddie decides to continue training and performs on a circuit, his jumps increasing in length each time, but unable to meet the Olympic requirements.
During a practice jump at the final event before the cutoff date for qualification, he lands a 61m jump exactly, but misses the mark on his official jump and is disqualified.
Eddie resolves to return home to work with his father as a plasterer, but he receives a letter claiming that his qualifying practice jump is valid, and he happily tells Bronson that he is eligible to compete in the Winter Olympics.
Bronson tries to convince him to wait until the games and train for the next four years to give himself a better chance of winning a medal, promising that he will make a complete fool of himself and his country if he goes, but Eddie is undeterred, noting that simply competing in the Olympics, not necessarily winning a medal, was always enough for him.
Upon arriving in Calgary, he receives instant scorn from the other British athletes, who get him drunk and nearly provoke him into fighting after he is subsequently absent from the opening ceremonies.
Despite finishing last in the 70m jump with His triumphant celebrations win the audience over, and the media embrace him as Eddie "The Eagle.
Oder unter Spielautomaten Free. - Inhaltsverzeichnis
Eddie mit Vegas-Girl: Michael Edwards am Eddie the Eagle is a British Spielautomaten Free sports comedy-drama film directed by Dexter Fletcher. His triumphant celebrations win the audience over, and the media embrace him as Eddie "The Eagle. Only the Eagle could launch off a mountain and plummet like a dead parrot. Nicknamed "The King Eagle", Ahonen Farmerama Spiel been described as the greatest ski jumper to have never won an individual Winter Olympic medal. Curators' Corner. Most events took place in Calgary, while several skiing events were held west of the city at the Nakiska mountain resort and in Canmore. There were 43 participating athletes from Dorfleben Plinga nations, with two qualifying groups. Eddie the Eagle? January 29, Hidden categories: Webarchive template wayback links CS1 maint: multiple names: authors list CS1 German-language sources de Use mdy dates from February Template film date Deutschland Gegen Gibraltar Wann 3 release dates. The same month, it was announced that the film had delayed to 26 February in the United States. He held the British ski jumping record from to Nor was there anything that could stop him from jumping: Following one botched landing, he continued with his head tied up in a pillowcase toothache-fashion to keep a broken jaw in place. Deadline Hollywood. He later said:.
Michael Edwards, besser bekannt als Eddie the Eagle (* 5. Dezember in Cheltenham, Gloucestershire, England), ist ein ehemaliger britischer Skispringer. Eddie the Eagle – Alles ist möglich (Originaltitel: Eddie the Eagle) ist eine britisch-US-amerikanisch-deutsche Sport-Filmbiografie über den britischen. Michael Edwards (geb. 5. Dezember ), bekannt als " Eddie the Eagle ", ist ein englischer Skispringer und Olympiasieger, der als. In , he was portrayed by Taron Egerton in the biographical film Eddie the Eag Eddie the Eagle – Net Worth, Ex-Wife (Samantha), Wiki, Rule June 27, . 5/4/ · Eddie the Eagle is a biographical sports comedy-drama film directed by Dexter Fletcher. The film stars Taron Egerton as Michael Edwards, a British skier who in became the first competitor to represent Great Britain in Olympic ski jumping since Author: Dexter Fletcher. The Eddie Eagle program and its namesake character were developed by the National Rifle Association for children who are generally considered too young to be allowed to handle firearms. While maturity levels vary, the Eddie Eagle program is intended for children . Edward "Eddie the Eagle" Edwards is the sixteenth episode of the third season of The Goldbergs, and the sixty-third episode overall. It aired on February 24, 1 Overview 2 Cast Main Cast Guest Stars 3 Trivia 4 Gallery Episode Stills 5 Continuity 6 References When Barry sees.
2 Gedanken zu "Eddie The Eagle Wiki"
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Bahn sagt:


Beautiful rolling property w/mixture of fields in cultivation & woods. 90% Wooded.
Lots of wildlife all over the land making it a great recreational tract of land.
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Call 2144557115 or email white.clark.jr@gmail.com for more info.


text:
3850502 (PAL), 3859682 (NTSC) (2 discs)
Genesis: And Then There Were Three
"And Then There Were Three"
1. Down And Out
2. Undertow
3. Ballad of Big
4. Snowbound
5. Burning Rope
6. Deep In The Motherlode
7. Many Too Many
8. Scenes From The Night's Dream
9. Say It's Alright Joe
10. The Lady Lies
11. Follow You Follow Me
Stereo/Multichannel
SA-CD + DVD
Genesis 1976-1982
Buy now from... amazon.ca amazon.co.uk amazon.com amazon.de amazon.fr amazon.it
Genesis: Invisible Touch
Buy now from... amazon.ca amazon.co.uk amazon.de amazon.fr amazon.it
Genesis: Genesis
Genesis: We Can't Dance
Genesis: A Trick of the Tail
Buy now from... amazon.ca amazon.co.uk amazon.com amazon.de amazon.fr amazon.it CDJapan
Review by Rage April 21, 2007 (3 of 3 found this review helpful)
Sonics:
After listening to this SACD (stereo layer only), I have to agree with the previous review regarding the sound of the drums. Which vocals and other instruments are crisp and clearly presented in the mix, I can't help but feel that the drums are mixed too low and that they lack some "umph." In fact, for all of the albums I bought (Duke, ...And Then There Were Three & Abacab), I found myself investigating the DTS surround mixes (which I almost NEVER do) in search of something a little bit extra out of the low end.
I also agree with the previous reviewer regarding the dynamics. Perhaps I expected the breathtakingly real dynamics that I have experienced on other remastered SACDs, but these new mixes just don't deliver those goods. That is not to say that they don't sound excellent because they do...they just don't register as high as some others out there that I have heard.
All of this being said, I am picking nits here. If you a fan of Genesis, pick this SACD up immediately if you haven't done so already...you won't be disappointed.
Review by wiggy57 October 8, 2014 (1 of 2 found this review helpful)
Listening to both the SACD & DVD-Audio, I have to admit, after one listen, I prefer the SACD to the DVD-Audio. I find the rear channel on the DVD-Audio a tad to high. I have only just bought this title from ebay, and will give this disc more plays. Most of the tracks on this album I like, at least 70% of it. The audio so far is very good, especially like I said, on the SACD, but it is good to have a choice. Maybe they will correct the audio levels when this album arrives on Blu-Ray Pure Audio.
Review by TheProf August 22, 2011
Much as I like the album 'Then there three' on my original LP, I can't say the SA-CD is a joy to listen too. I listen on 5.1 and stereo, and on both mixes the dynamic range is compressed to the point where its just too loud - and fatiguing on the ears. There hasn't been enough effort to bring the mastertapes into the 21st century. All Genesis albums sound flat and crappy. It if wasn't for the good songs I would not bother with them. There is almost no bass to speak of, and that is something that could have easily been addressed. What bass there is is extended ok, but its feeble. The dreadful habit of spreading the instruments all around you and concentrating them on the rear speakers is very annoying. Phil Collins voice is quite well represented on the centre channel which sound ok. But the real bug bear is the crushed dynamics. That is a crime for a SA-CD release, and in my opinion a waste of time. I don't know how the other Genesis SA-CD remasters sound but this one hurts my ears.


Garador garage handle. Back plate dimensions: 113mm x 64mm with four rear fixing spigots at 45mm x 78mm centres. Supplied with an 8mm square shaft approx 106mm long which can be easily cut down to match the length of your original.


This should have been posted in the Support Forum if I am correct... Everyone learns at some time I guess.
Then you will click on the Browse Icon (assuming you are a Windows User) and then find that .xml theme file. Then insert the name you want for theme, then I usually check mark the Ignore Version Compatibility option. Then click Import Theme at the bottom and your good to go. To activate it, find your Theme in the theme list, and click on the Options drop down menu. Click on Set as Default and then click on the Option dropdown again and click Force on all Users. Congrats, your theme has been installed.
What do you mean merge the Portal Page with the Home Page? Do you mean make it so if someone types in your website's url: www.websitename.com they come up on your Portal page? Or what do you mean? You can't merge your Portal with your Forum.
I was trying to say that when ever i go to the site link posted above the portal is nit a separate page its on the index page..
http://www.worldbeyblade.org does not have their Portal as their Home Page. They have whats called Side Bars. You can download a plugin to do that, but their home page is still their forum, they just have Side Bars.


text:
Q: What should go in a default git config file? There is a bewildering array of options that can be set via git config, and that is just the documented ones.  Of all of these options, which ones should every developer have set on their box (like user.email)?  And what are the most common ones that should be set in common situations (like core.autocrlf=input on Windows)?  But please stay away from religious arguments (like the only acceptable  setting of core.whitespace being tab-in-indent).

A: Your global git config (~/.gitconfig) should really contain the settings that apply to ALL your repositories. Primarily things like user.name, user.email, core.editor, merge, and diff should be pretty consistently set. That being said I also like to enable color, core.pager, rerere, rebase.autosquash and a slew of aliases.
[color]
    filemode = false
    diff = auto
    status = auto
    branch = auto
    pager = true
[alias]
    b = branch
    ci = commit
    co = checkout
    cob = checkout -b
    d = diff
    l = log
    lg = log --graph --pretty=format:'%Cred%h%Creset -%C(yellow)%d%Creset %s %Cgreen(%cr) %C(bold blue)<%an>%Creset' --abbrev-commit --date=relative
    lga = log --graph --pretty=format:'%Cred%h%Creset -%C(yellow)%d%Creset %s %Cgreen(%cr) %C(bold blue)<%an>%Creset' --abbrev-commit --date=relative --branches
    st = status
    fixup = !sh -c 'git commit -a -m \"fixup! $(git log -1 --format='%s' $@)\"' -
    squash = !sh -c 'git commit -a -m \"squash! $(git log -1 --format='%s' $@)\"' -
    ri = rebase --interactive
    rc = rebase --continue
    pr = push gerrit HEAD:refs/for/master
    mt = mergetool
[user]
    email = REDACTED
    name = Matt Henkel
[core]
    pager = less -FRSX
    excludes = ~/.gitexcludes
    editor = vim
[rerere]
    enabled = true
    autoupdate = true
[rebase]
    autosquash = true
[merge]
    tool = kdiff3
[mergetool "kdiff3"]
    keepBackup = false
    trustExitCode = false
[diff]
    tool = kdiff3

A: Here is an annotated list of several of the most common config settings.  Of course, everybody's environment/language/os/git workflow is different so you will likely have to tweak this somewhat but these are some of the most common config variables.
[user]
    # these are about the most basic and should pretty much always exist
    email = your-email@example.com
    name = Your Name
[core]
    # if you use windows
    #autocrlf = true

    # use aggressive compression
    # can make your repo smaller but can also be slow
    compression = 9

    # lets you define a global .gitignore for all those
    # *.swp, *~, *.o, etc things that you're frequently
    # sticking in .gitignore
    excludesfile = ~/.gitignore_global

    # tells git to ignore file permission changes
    filemode = false

    # lets you tweak the default pager
    # see `man less` for the meaning of these flags
    pager = 'less -FRSX'

    # probably not a good default for most projects,
    # but you should uncomment with something based on your needs
    #whitespace = tab-in-indent

[color]
    # this turns on default colors for many commands
    # or you can customize specific colors per command (see [3] for example)
    ui = auto

[rerere]
    # google `git rerere`, basically git remembers your
    # partial merge choices and replays them next time
    enabled = true
    autoupdate = true

[push]
    # lets you say just `git push origin` to push the current branch
    default = current

[alias]
    # this is the most subjective section

    # aliases are useful if you either frequently typo certain words
    # or else if you are used to another VC like cvs or svn
    co = checkout
    ci = commit
    st = status
    br = branch -av
    brdel = branch -D

    # Show all of my configured aliases
    aliases = !git config --list | grep 'alias\\.' | sed 's/alias\\.\\([^=]*\\)=\\(.*\\)/\\1\\ \t => \\2/' | sort

    # pretty much everybody has their favorite log format view
    # you can find dozens of variations with a quick google
    # here are couple of the most common (the first is my favorite)
    lg = log --graph --pretty=format:'%Cred%h%Creset -%C(yellow)%d%Creset %s %Cgreen(%cr) %C(bold blue)<%an>%Creset' --abbrev-commit --date=relative
    hist = log --pretty=format:\"%h %ad | %s%d [%an]\" --graph --date=short

Answer merged from several sources:

*

*https://githowto.com/aliases

*https://www.javacodegeeks.com/2013/06/git-configuration-options-you-cant-miss.html

*http://michaelwales.com/articles/make-gitconfig-work-for-you/#colored-output

*https://wildlyinaccurate.com/useful-git-configuration-items/


Intel acquired Silicon Hive today in an effort to push itself further into the mobile device market. Silicon Hive is a company specializing in making chipsets for smartphones, media hubs and other small devices. Intel has been lagging behind in mobile processing, and although its Intel Atom is gearing up for tablet devices, their processor is still too big, demands too much power, and is more expensive than those of competing chip makers such as ARM and NVIDIA.
"We now target phenomenal successes inside Intel in the delivery of differentiated multimedia experiences in Atom-processor based SoCs", says Silicon Hive company chief Atul Sinha. Sinha says that the company will be folded into the processor chip giant to help improve the media performance of Atom system-on-a-chip (SoC) processors.
No details yet on how much the deal is worth or when it will get full approval. Intel's current Atom chips are still not as efficient in media performance when compared to Qualcomm's Adreno graphics or NVIDIA's Tegra 2. The purchase of Silicon Hive will hopefully speed up their development in this area.


text:
La Magna Carta
Britain & Ireland	History Behind The Headlines	Medieval	Protest & Civil Rights	Public History	by Charles West	on October 4, 2014 9 comments	human rights Magna Carta Magna Carta and Europe Magna Carta and human rights Stephen Langton 7068 views
A few days ago, the UK Prime Minister David Cameron announced that a future Conservative government would revoke legislation that embeds the European Convention on Human Rights into British law. Since then, leading members of the current government have indicated that Britain might withdraw from the European Convention entirely if the institution rejected the proposed changes.
This policy raises political and legal issues which have stirred lots of feeling, but it is not for this blog (or this blogger) to take a position on them here. Striking however is the level of appeal to history that has appeared, on both sides of the argument. Many commentators have pointed to the prominent role of British lawyers in setting up the Convention in the 1940s and 1950s in the first place. In Cameron's speech, however, he reached back to an earlier, perhaps more authoritative past. Britain, he said, doesn't need lessons on human rights from Europe. After all: "This is the country that wrote Magna Carta."
Magna Carta has become a touchstone for claims to liberty almost since the time it was written, so David Cameron's reference is itself in a long historical tradition. And as ever, it's always nice to see medieval history being given the attention in public discourse it deserves. However, while placing Magna Carta within a British context as opposed to a European one might be good rhetoric, it's bad history (and bad history is seldom a basis for good politics).
As surely everyone knows now, "Britain" was of course not a country in 1215 (though it was an idea). And Magna Carta is not really evidence for a unique English achievement either, since it was just one of several documents drawn up across medieval Europe around this time to put the relationship between a king and his nobility on a written basis, even if the others are regrettably less well known today to the wider public.
More than that, though, engagement with the European mainland is actually at the heart of Magna Carta itself.
One of the key architects of the document was the Archbishop of Canterbury, Stephen Langton. Langton was born in Lincolnshire but was educated in Paris, where he taught theology for many years in what would these days be called an 'ivory tower'. Some of his teaching concerned the proper relationship between kings and their subjects. And a recent article by Professor John Baldwin, based on Langton's unpublished archives, revealed a remarkable overlap between the key ideas of Magna Carta and what Langton had learned, taught and discussed on the Left Bank. "Of the four articles of Magna Carta in 1215 that survive on the Statute Books today, three (art. 1, freedom of the Church, art. 39, due process and art. 40, sale of justice) were enunciated by Stephen Langton at Paris". 1
In other words, the great touchstone of English liberty had an unmistakably French intellectual flavour. That's not to say that Magna Carta didn't reflect specific English conditions and circumstances. Of course it did – it was not merely a scholastic exercise, but a political intervention that played out in the English kingdom for many years afterwards. It was a combination of ideas and realities. But if the realities were mostly English, the ideas came, at least in part, from Paris. One might even be tempted to ascribe its political success precisely to the way it blended English pragmatism with the latest French theory.
So, let politicians invoke the 'Great Charter' in a discussion of the proper relationship between the UK and the rest of Europe. But all that the document can really reveal in such a context is the reality of a long, shared history of thinking about rights on both sides of the Channel. Magna Carta cannot possibly show that the UK doesn't need lessons on human rights from Europe, because in a sense, that's exactly what it was.
Charles West is Senior Lecturer in Medieval History at the Department of History. He is currently on a Humboldt Foundation Fellowship at the University of Tübingen. You can follow him on twitter: @Pseudo_Isidore, and read about his research here
Image credit: one of the four surviving 1215 copies of Magna Carta. Wikipedia.
J. Baldwin, 'Master Stephen Langton, Future Archbishop of Canterbury: the Paris schools and Magna Carta', English Historical Review 123 (2008), 811-846, here at p. 836, available online here (£) ↩
Tags : human rightsMagna CartaMagna Carta and EuropeMagna Carta and human rightsStephen Langton
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Approaching Queerness in the Viking World
David Wilson says:
This is the Prime Minister who famously couldn't say what the words Magns Carta meant when interviewed on US
Charles West says:
The very same! Let's hope politicians are better informed come the centenary celebrations next year…
pjg says:
The Normans were not exactly French. Norman law was the French custom at the time.
Indeed they weren't! And the Anglo-Norman aristocracy was increasingly identifying itself as straightforwardly English in the 13th century. And of course Paris was a centre for scholars from all over Europe, not just from France.
Derek Taylor says:
Citing a thirteenth century document in support of either pro or anti EU membership or any of today's issues is dangerous. For instance we don't hear much about clause 54 which limits the freedom of women to bring legal actions.
Thanks, Derek. The issue of relevance you raise is an interesting one – are documents from the 20th also outdated for "today's issues"? I guess there's a question here of how connected people feel they are to their past. Magna Carta was certainly a document of its time, like any other, but it raised some issues that continue to be important (eg. due process), alongside others that aren't (fish weirs on the Thames).
Thats a big leap to state it was actually french/european in origin.
As said MC it important as it was crafted onto a culture of law and custom at the time.
Our laws origins (custom and culture)is from the nordic, saxon, germanic traditions of law not the roman tradition, but that does not imply roman law as not been influential.
The sad fact is that MC was repealed in 98 by doctrine of implied repeal.
Australians/Kiwis are so obviously less free than we are and don't enjoy the same "rights" as we do. Continue to enjoy its slavery.
A sad 800th birthday.
Surely the history of perpetual (re)appropriations of la magna carta deserves credence? The fact that it could be used as a touchstone for English liberties in say the C17th (whether using "bad" history or not) places the PM's comments within a well established tradition.
I absolutely agree! (I did mention this briefly in the blog). Though were the 17th-c. traditions setting it in quite
such stark opposition to 'Europe'? (perhaps they were, I don't know). In any case, I think it's possible to tell alternative stories about Magna Carta – to reinterpret for the 21st c., using new evidence, like that uncovered by Baldwin.
A Genealogy of Bisexuality; Androgyny, Behaviour, and Suspicion.
'Time and Tide: Connections and Legacies' Website Launch
In the Name of 'the Family', Past and Present
Shutdown 2013: Working in the Shutdown City
English Heritage and the Dark Ages


-----> Upgrade To Add Another DVD to add * Love At First Bite 1979 George Hamilton * on DVD R ! !
For fans of campy cult movies, this is a godsend. Toni Basil as a horny vampire mom! Thomas Dolby as a vampire-hunting coffin salesman! Bo Diddley as himself! Not to mention the simple fact that this is an 80's rock Vampire Musical! A really fun rock and roll 80s style vampire flick.
Rockula is about a male vampire who lost his lady love centuries ago. She was killed by a pirate with a rhinestone peg leg, wielding a large ham bone. Our hero, the vampire, did nothing to save her. So he is now cursed to watch her be born again in another life, and then watch her die, strangely enough by a pirate with a rhinestone peg leg, wielding you-know-what. Now, in 1990, he has, he suspects, his last chance to try to save her instead of watching get clubbed over and over again down through the years. Oh, and he becomes a rock star in the process. Rockula DVD is a fun rock musical vampire flick with some serious 80s vibe!
Rockula DVD is fun and an 80s vampire movie from a completely different perspective. Rockula DVD is a cool early 90s vampire flick with 80s style. Rockula DVD is fun silly and just plain vampire odd. This is a fantastic comedic vampire flick with 80s flare.


text:
Cathedral of the Sea
By Ildefonso Falcones
Read by Paul Michael
Category: Historical Fiction | Romance
Category: Historical Fiction | Romance | Teen & Young Adult | Audiobooks
Apr 07, 2009 | ISBN 9780451225993
May 01, 2008 | ISBN 9781440630415
Audiobook Download $30.00
May 01, 2008 | 1376 Minutes | Young Adult
May 01, 2008 | ISBN 9781436219921 | 1376 Minutes
May 01, 2008 | ISBN 9781436219921 | Young Adult
Buy the Audiobook Download:
About Cathedral of the Sea
An unforgettable fresco of a golden age in fourteenth-century Barcelona, Cathedral of the Sea is a thrilling historical novel of friendship and revenge, plague and hope, love and war.
Arnau Estanyol arrives in Barcelona to find a city dominated by the construction of the city's great pride—the cathedral of Santa Maria del Mar—and by its shame, the deadly Inquisition. As a young man, Arnau joins the powerful guild of stoneworkers and helps to build the church with his own hands, while his best friend and adopted brother Joanet studies to become a priest.
With time, Arnau prospers and falls secretly in love with a forbidden woman. But when he is betrayed and hauled before the Inquisitor, he finds himself face-to-face with Joanet. Will he lose his life just as his beloved Cathedral of the Sea is finally completed, or will his brother save him?
MORE THAN TWO MILLION COPIES SOLD WORLDWIDE!
In the tradition of Ken Follett's The Pillars of the Earth, here is a thrilling historical novel of friendship and revenge, plague and hope, love and war, set in the golden age of 14th-century Barcelona. Arnau Estanyol arrives in Barcelona and joins the powerful guild of stone-workers building the magnificent cathedral of Santa Maria del Mar, while his adoptive brother Joan studies to become a priest. As Arnau prospers, he secretly falls in love with a forbidden woman. When he is betrayed and hauled before the Inquisitor, he finds himself face-to-face with his own brother. Will he lose his life just as his beloved cathedral is finally completed, or will his brother spare him?
Listen to a sample from Cathedral of the Sea
Also by Ildefonso Falcones
See all books by Ildefonso Falcones
About Ildefonso Falcones
Ildefonso Falcones is a Spanish lawyer and the internationally bestselling and award-winning author of Cathedral of the Sea and The Hand of Fatima. With over seven million copies sold, his work has been translated into more than 40 languages worldwide. He lives in Barcelona… More about Ildefonso Falcones
Published by Berkley
Apr 07, 2009 | 624 Pages | 6 x 9 | ISBN 9780451225993
Ebook | $9.99
May 01, 2008 | 624 Pages | ISBN 9781440630415
Audiobook Download | $30.00
Published by Penguin Audio
May 01, 2008 | 1376 Minutes | Young Adult | ISBN 9781436219921
In the Company of the Courtesan
Sarah Dunant
Dream of Scipio
Iain Pears
Devil's Brood
Sharon Kay Penman
The Game of Kings
Dorothy Dunnett
In the Name of the Family
The Linnet Bird
Linda Holeman
Signora Da Vinci
Robin Maxwell
Deborah Moggach
C. W. Gortner
Praise for the #1 international bestseller Cathedral of the Sea
"The passion and heartache, as well as the grit and grime, of medieval Spain come alive…This epic novel…twists and turns through war, women and the Spanish Inquisition…[A] saga filled with colorful characters…[A] fantastic fourteenth-century fresco."—USA Today
"[It's] soap opera on a grand scale, made believable and enthralling by the inclusion of the commonplace brutalities and small compassions of life in medieval Barcelona. Watching Arnau's rise from literal rags to riches is frequently like watching a series of train wrecks; you're horrified but can't look away…[The] plot…is so beautifully structured that the last sixty pages detonate like a string of firecrackers…[The] prose is powerful…Falcones has an eye for the singular, telling detail, and…his characters are…believable…[A] riveting story."—The Washington Post
"[An] absorbing epic…Falcones's rich portrait of medieval society is fascinating."—Publishers Weekly
"[A] sprawling medieval family saga."—Kirkus Reviews
"With Cathedral of the Sea, Ildefonso Falcones dethrones Eduardo Mendoza and
Arturo Pérez-Reverte…and has become Spain's new Dan Brown."—El Mundo
Get the latest updates about Ildefonso Falcones


Dr. Stephen Farnsworth is Assistant Professor of Communication at George Mason University. He has published extensively on Canadian media and previously served as Canada-U.S. Fulbright Research Scholar at McGill University. Dr Farnsworth also worked for ten years as a daily newspaper journalist, and he has led reporter training seminars in India, the Philippines, Ukraine, Georgia, Azerbaijan, Lithuania, Armenia and Estonia on programs funded by the U.S. government. He is currently working on a book that compares coverage of the US in television news reports aired around the world.
Dr. Xiaomei Cai is Associate Professor of Communication at George Mason University. In collaboration with Dr. Xiaoquan Zhao, she is conducting a study of global warming coverage in Chinese newspapers. This is part of a project aimed at identifying effective communication techniques to help China craft a climate change prevention and adaptation action plan.
Dr. Xiaoquan Zhao is Associate Professor of Communication at George Mason University. In collaboration with Dr. Xiaomei Cai, he is conducting a study of global warming coverage in Chinese newspapers. This is part of a project aimed at identifying effective communication techniques to help China craft a climate change prevention and adaptation action plan.
Hong Yu Wang is a senior fellow at CMPA. She has worked as a major media senior broadcast journalist and senior news host in both the United States and China.


text:
Q: Найти файлы которые указаны в переменной в заданных директориях Как мне можно найти файлы, которые указаны у меня в переменной vfiles и в заданных директориях?
Код:
var vfiles = []string{
    "vfile",
    "vfile32",
    "vfilemsx32",
}

var vdir = []string{
    "C:\\Vfiles\\Drivers",
    "C:\\Vfiles\\Objects",
}

for _, rdir := range vdir {
    ioReadDir, err := ioutil.ReadDir(rdir)
    if err != nil {
        fmt.Println(err)
    }

    for _, file := range ioReadDir {
        for _, vfile := range vfiles {
            if strings.HasSuffix(file.Name(), vfile) == true {println("Yes")}
        }
    }
}

Создает цикл в цикле, из-за чего программа проходит в одних и тех же директориях более 100 раз (смотря сколько файлов в директории), а нужно чтоб программа прошлась по указанным директориям всего 1 раз и вывела "Yes" если файл, который указан в []string массиве, существует.

A: Похоже вам в самый раз https://golang.org/pkg/path/filepath/#Walk
package main

import (
    "fmt"
    "os"
    "path/filepath"
    "strings"
)

func checkVfiles(path string, info os.FileInfo, err error) error {
    if path == "" || info == nil {
        // опускаем пустые запросы
        return nil
    }

    if info.IsDir() {
        // пропускаем папки
        return nil
    }

    var vfiles = []string{
        "vfile",
        "vfile32",
        "vfilemsx32",
    }

    // выдираем имя файла
    dir, file := filepath.Split(path)
    // здесь ещё можно проверить чтоб файл не пустая строка

    for _, vfile := range vfiles {
        // Может быть вы имели ввиду https://golang.org/pkg/strings/#HasPrefix ??
        if strings.HasSuffix(file, vfile) == true {
            // делаем что нужно с файлом
            fmt.Println(dir, file)
            return nil
        }
    }

    return nil

}

func main() {

    var vdir = []string{
        `C:\Vfiles\Drivers`,
        `C:\Vfiles\Objects`,
    }

    for _, rdir := range vdir {
        err := filepath.Walk(rdir, checkVfiles)
        if err != nil {
            fmt.Printf("error walking the dir %s %v\n", rdir, err)
            continue
        }
    }

}


You have all no doubt been made aware of the devastating earthquakes in northeast Japan, as well as the tsunamis along the Pacific coast. I am so lucky to be doing completely fine right now. Knock on wood. Sorry-I hate to reveal this, but I am not exactly unsuperstitious. I do not want to give myself an ahora. (The Yiddish word for the evil eye).
I might've been as surprised about the disaster as family and friends at home. Having sprained my ankle last week, I have only left my apartment as much as necessary. Hence, I have been much less aware of the world outside it than usual, of late.
On Friday, I was shocked to learn the news; I spent much of the day in disaster mode. Lacking a TV, I watched the coverage on NHK online. Simultaneously, friends and family worried about my safety via postings on Facebook. My wonderful friend in Northern Kansai called multiple times to let me know about the tsunami coming my way. I was so lucky to have close friends in Seattle and San Francisco call to check on me.
"I know you're not near the earthquakes up north," my friend said. "but what about the tsunamis?"
"Oh, those?" I replied mock-casually, letting my dark humor mask my genuine concern. "No... I'm not near the earthquakes... but the tsunamis...Yeah... I'm right in the warning area for those. The map is all lit up in red."
My parents in Metro Detroit called at 3:30 in the morning, Eastern Standard Time. I told my dad that the tsunami was supposed to be 3 meters or more.
"What is that again?" my dad asked.
"Let's see... I'm 152 centimeters (5 ft.), so, about two of me."
"That's pretty tall." he replied.
I couldn't have agreed more.
I was extremely worried about the tsunami. The (I assumed) tsunami warning announcements were not much help. The announcer mumbled as the megaphone ate half the syllables, rendering it like a Charles Schultz warning system. I'd hear "Shingu, tsunami, mwamwaaaa mwaaa mwaa mwaaa mwaaaa!" Not knowing what was being said, as a result, was more than a bit unnerving. I'm a huge fan of The Peanuts, but there's a time and a place.
The Metro Detroit area does not have much in the way of natural disasters. It has irritating, cold weather, but not much to worry about. The most difficult of that ilk is snow. Of course, tornadoes occur, but not very often. A friend and I consoled each other on how because we were from there, we had no idea how to deal with unwanted natural occurrences which were not snow; certainly not earthquakes or a tsunami. We have learned.
As for the tsunami, it did hit. I was only certain of that because my friend alerted me. There is no damage outside at all that I can see. I am beyond fine and beyond lucky. There have been a few tiny shakes, but nothing to be concerned about. I am so fortunate to have been here and to have had so many concerned for my well being.
If you are looking for someone, please take a look at Google's people finder.
The photo at the top of today's blog was taken today at the supermarket. I chose this to show that it is business as usual in Shingu, Wakayama, Japan. Everyone here is fine, so please do not worry about us. If you would like to extend your concern, please do so for the north.


A reminder to band members that there's no rehearsal tonight, 23rd April. See you next week!
The Barnes Concert Band are performing in smaller groups at the opening of the 2019 Barnes Children's Literacy Festival. We'll be on the green by the duckpond from around 10 am on Saturday 11th May, playing jolly family-friendly music for a couple of hours. Come and say hello!
Note from our Band Secretary: a reminder that there are no rehearsals on April 16th or 23rd – we meet again on April 30th, when we'll have the EGM [see Susie's email for details]. And the rehearsal on May 7th is only for those taking part in the Barnes Children's Literary Festival on Saturday May 11th.
Daryle's plans for our summer gigs – may be tweaked but a delicious menu to choose from ….
Barnes Concert Band will be at this year's event, which takes place on Saturday 27th April at the Old Sorting Office, Station Road on Barnes Green from 10.00 am till 2.00pm. It's about not-for-profit organisations showcasing what they do to residents of Barnes and Mortlake and anyone who's visiting! The Open Day is an opportunity to attract new supporters, volunteers and members. It's also a great way to network with other societies and clubs in the area.
Fiona has created a leaflet, and Daryle and Andrea are welcoming all visitors to find out more about the Barnes Concert Band, whether they're prospective players or audience members.
If you fancy a swift half after Band Practice, head to the Albany ~ today is the first of the April Tuesdays.
NB change of time, Regent's Park Gig, now 3.30 - 5.30pm  August 25th, with rehearsal on Tuesday 20th. PLEASE BE THERE!
Barnes Concert Band will have a stand.
Barnes Children's Literature Festival ~ THANK YOU FLUTES!  Even more small groups needed.  Playing time 9.45 ~ 12 noon, Saturday 11th May. Music available.