If you have broken or uneven teeth, cosmetic dentistry can be the right choice.
Veneers are thin layers of porcelain that are bonded to the surface of your existing teeth. Veneers can correct color, shape and alignment of your teeth for improved esthetics. A veneer requires removing about 1mm of tooth structure so the newly veneered tooth does not feel too bulky.
An impression is made of the teeth and sent to the dental laboratory. You will have temporary veneers until the porcelain veneers return from the lab to be bonded to your teeth.
Bonding is a similar procedure to veneers but can be done in one visit. The tooth is prepared and a layer of composite is shaped over the surface of the tooth and bonded to the tooth with a bright light.
The material is then smoothed and polished. Bonding is less expensive than porcelain veneers and may chip or stain over time but can usually be easily repaired or replaced if needed.
Teeth whitening is a method of lightening the shade of your teeth. All teeth react differently to whitening or "bleaching". Dr. Monson provides in office and take home methods of whitening. In office whitening can be done in one or two appointments and take home may take 2-3 weeks.
Take home whitening requires wearing trays with a strong peroxide based solution for about an hour a day. In office whitening involves applying the bleaching solution directly to the teeth until the desired shade is achieved.
Dr. Monson now does most restorations in tooth-colored materials for maximum esthetics. lf any metal is required in your restoration, it will be hidden from view when you speak and smile.
Beautiful, natural looking fillings, inlays, onlays, and crowns can be made from composite or porcelain. New zirconia technology allows for strong crowns, and some bridges, without using metal. Call Dr. Monson today to discuss what is best to improve your smile.


Addis removals use 2 x very different storage systems, the 1st is container storage, the best so far clean dry and very secure, your good's are loaded at your premises directly into wooden storage pallets, then taken to a container warehouse where it is unloaded by forklift truck and stored in clean dry conditions, this has restricted access through out the storage period, locked inside and safely stacked there is no better option.
So are we really worth a call ?, you bet we are !!.


VEGA is a leading manufacturer and supplier of process instrumentation within the pressure and the level instrumentation. The company, which is represented in more than 80 countries with its worldwide network, is now establishing a subsidiary in Norway. The new premises of VEGA Norway AS are located in Rosenkrantzgata 61 in Drammen.
industry, shipping and especially oil and gas industry in Norway.
The company will focus on high technical knowledge among employees to develop technical solutions and provide the best possible customer service.


Ararat Rural City Council wishes to advise the Municipal Office will be closed from 1pm on Friday, December 22, 2017 and will reopen at 8am on Tuesday, January 2, 2018.
Closes 1pm on Friday 22 December 2017 and will reopen at 7:30am on Tuesday 2 January 2018. For road related emergencies during this period please call 0407 808 550.
For emergency attention regarding local laws, domestic animals or wandering stock, call 5355 0200 and select the appropriate option.
All other days 9am – 5pm.
After hours Home Care changes & Meals on Wheels may be reported to the Home Care Coordinator on 0419 166 373.
Closes 1pm Friday 22 December 2017 and will reopen on Tuesday 2 January, 2018.
The Outreach Library Service will also be closed during this period and will recommence on Tuesday 2 January 2018.
Temporary located at the Ararat Arts Hub, 1A Ligar Street, Ararat will close on to the public on 22 December 2017 and reopen on 12 February 2018.
All other days, 11am – 4:00pm. Phone 5352 1078.
During the Christmas/New Year Holiday period (Mon 25th Dec, 2017 - Sat 6th Jan, 2018) your rubbish collection will be the day after your usual day.
e.g. If your collection is on a Friday the bin will be collected on the Saturday. Full details here.
Closes at 1:00pm Friday 22 December 2017 and will re-open on Tuesday 2 January at 9am 2018 for appointments.
Normal services will resume at Lake Bolac on Wednesday 10 January and Elmhurst on Friday 12 January 2017. Willaura will be open by appointment only on Friday 5 January. Moyston will be closed in January, normal session will resume on Wednesday 6 February.


Near the shops of "Le Thillot" (300 meters), just few minutes from the ski slopes of the Ballon d'Alsace (10,5 miles) and up against the Ballon d'Alsace and Servance.
You will be welcomed in the owner's house, on the second floor in an comfortable apartment, with fully equipped kitchen (4 hotplates, oven, fridge freezer, robot, dishwasher ...), living room with balcony with a sofa, a sofa bed, TV and hi-fi. The main bedroom has a 55" bed with cupboard/closet. Bathroom with shower, washing machine and separate toilet.
WiFi access. Shared terrace available and bikes storage, skis available. Private parking. No smoking.


GySgt Louis Michael Castellano GySgt Louis Michael Castellano, 58, left his loving family on Wednesday, June 6, 2018.
Louis was born September 29, 1959. He graduated from Lincoln High School and enlisted in the United States Marine Corps serving as a drill instructor for over 11 years and eventually retiring as a top military recruiter. He enjoyed spending time with his grandchildren and family, listening to good music, playing volleyball and trips to Mexico with Julie.
Louis is survived by his children, Christopher Castellano and Karmalita Castellano; his partner, Julie Wikoff and her children, Brooke (Sonny Schlapia) Wikoff and Blake (Cassandra) Wikoff; grandchildren, Kaison, Kamari, Keaton, Sage, Stella, Greyson, Owen and Warren; mother, Rosie Castellano; siblings, Theresa (Marty) Vasquez, Moses (Dianne) Castellano, Alfonso Castellano, Anthony (Marji) Castellano, David Castellano and Tina (Pedro) Castro; and many nieces, nephews, cousins, extended family and beloved friends.
He was preceded in death by his father, Moses Castellano and grandson, Baby Wikoff.
The family will greet friends from 5 to 8 p.m. on Wednesday, June 13, 2018 at Hamilton's Southtown Funeral Home, 5400 SW 9th Street in Des Moines. Funeral services will be held on Thursday, June 14 at 10:30 a.m. at Hamilton's on Westown Parkway, 3601 Westown Parkway in West Des Moines. Louis will be laid to rest at the Iowa Veterans Cemetery in Van Meter at 12:30 p.m. following the service.


Though the last five to 10 years have been disruptive in the visual effects universe, the industry is currently quite robust. Movies, animation and video games rich with the latest stunning visual effects top box offices and sales charts worldwide. With the current golden age of television, and an explosion of new platforms from Amazon Prime Video to Hulu to Netflix, the need for content has mushroomed and, with it, the need for visual effects of all kinds. Furthermore, companies are exploring new technologies from virtual reality to 360-degree experiences and light-field capture, all of which require the expertise and knowledge base of the visual effects industry.
Although the work may be plentiful, some financial considerations can either help or hobble visual effect facilities. Several experts told VFX Voice that business margins are as thin as ever. Financial incentives have failed in some locations, but have become further entrenched in others. In places like the U.K., where incentives have been used to build a robust all-around film industry, as well as other places, incentives appear to be here to stay. Two things have arisen as a result: larger facilities have been establishing a presence in the cities where film/TV productions take place, and the number of must-be-there locations has grown. At the same time, many visual effects artists continue to go where the work is, essentially becoming nomadic as they move to different cities for different projects.
Those facilities built in India, China and elsewhere to take on wire removal and rotoscoping are also coming into their own, particularly in India where they are offering a full range of visual effects for homegrown movies – with the aspiration that they might be able to do more than rotoscoping for out-of-town productions shooting in their countries. As a company like Netflix produces more and more country-specific or regional movies, the global market may turn to facilities in India and China in the future.
Visual effects houses always have to stay on top of new technologies, which are also opportunities to gain market share in new entertainment arenas, such as virtual reality and augmented reality. In today's market, just as the mid-budget movie has nearly been squeezed out of existence, mid-sized VFX houses are more challenged than ever to keep afloat. They can't afford to build up to the scale of a bigger house, but they lack the agility of the mom-and-pop operation. Still, the minority of mid-sized facilities remain, balanced on that delicate position between the two extremes.
When the VES did its last in-depth survey of the visual effects industry in 2013, its "White Paper" portrayed the industry as being in a state of flux.
"In recent months, worldwide dialogue in the visual effects community has created a sense of urgency to address the complex pressures on artists and facilities dealing with issues of frayed business models, financial instability, and an increasingly 'nomadic' workforce operating without a secure vision of the future," said the report, which surveyed "four complex, independent drivers" of change: government dynamics, including tax incentives; growing competition due to technology advances, expanding workforce and globalization; passion for the industry that leads to creation of unsustainable business models; and issues related to how the film industry is structured.
For many in the VFX industry, a painful moment that highlighted all of the above was the 2013 Academy Awards, when Life of Pi won numerous Oscars, including Best Achievement in Visual Effects, while Rhythm & Hues, the pioneering effects facility that provided most of the effects, was shutting its doors and declaring bankruptcy. "The globalization of our industry was really taking off and Southern California VFX people were feeling very misplaced," notes visual effects producer and VES Chair Mike Chambers.
Data from research firm comScore reveals that North America broke box office records in 2017 – ticket sales in the U.S. and Canada earned $11.8 billion. The final tally for 2018 was $11.9 billion, good news for those who fear that streaming may be eroding movie theater activity. Global box office in 2018 was $42 billion, according to comScore. The 2018 summer North American box-office figures broke a record with a U.S. domestic total of $4.8 billion, suggesting box office and streaming are synergistic. All ten of the 10 highest grossing films in the U.S. were either VFX movies or computer-animated films. Many of the most popular streaming shows were also VFX heavy.
Parsing out today's market is complex, as the forces of globalization, tax incentives, technology and workflow interact, both in terms of the industry and individual productions. Added to that are new platforms – especially streaming services – that increase opportunity, but also destabilize traditional models. Whether it's Netflix, Amazon, YouTube, video games, virtual reality, augmented reality, theme parks or mobile content, the huge influx of content from new players and new platforms is a big factor behind today's robust VFX market. Netflix especially has played a role in creating high-end streaming content in numerous regional markets worldwide, boosting local production, post and VFX markets.
"You have a whole new breed of client emerging," says Ed Ulbrich, Method Studios President and GM. "There's a paradigm shift. If you look at the landscape of major studios, you have to include Netflix, Apple and Amazon. Now you're seeing Paramount producing movies for Netflix, which has no legacy studio infrastructure to preserve. All these companies are tech companies first, so they own massive cloud infrastructure or partner with each other to provide services." Ali reports that Spin VFX has worked with Amazon and Netflix, saying the relationships have been good. "They have strong production teams that work very collaboratively with vendors," she says.
While new platforms and outlets provide for a growing regional market and stretch traditional digital VFX houses into new genres, tax incentives are responsible for sending productions – and often post and VFX – to far-flung destinations, from Atlanta to Montreal, London to Berlin – to enjoy rebates. "Vancouver was the granddaddy of all of them, and has been very successful," says Chambers. "But look what's happened in places like Michigan – they threw big tax incentives out there and used old warehouses for stages, and the producers said yes, but they didn't have the crew base to support the work." For that reason, although Atlanta is one of the destinations that has benefited from incentives, many other U.S. states that initially offered them have taken stock of the fact that tax incentives were not a short-term fix to create a new industry sector.
Globalization has also meant that the North American and European companies have had to choose – judiciously – where else to set up shop. Vancouver was an early destination, but the number of locations has expanded exponentially. ILM's Morris notes that opening the facility in London five years ago was a big step. "Setting up in the U.K. made sense – with so many filmmakers and productions," he says. "The VFX industry in London has grown to be the biggest in the world and the density of talent was and is still very high." He notes that committing to a London facility also coincided with Lucasfilm making more films in the U.K. With facilities now in San Francisco, Singapore, Vancouver and London, says Morris, "we tri-sect the 24 hours of the globe, which brings challenges, but also benefits us to be able to distribute work among the global community." Method Studios, a Deluxe company, has facilities in Los Angeles, New York, Atlanta, Vancouver, San Francisco, Pune (India), Melbourne and, with the acquisition of Atomic Fiction, now Montreal. Framestore, in addition to its London site, has facilities in Montreal and Pune, with sites servicing advertising clients in Chicago, New York and Los Angeles.
In today's market, most would agree with Walkinshaw's conclusion. "You need to have global locations or have partners to remain big," she says. That brings up the issue of the size of a VFX facility – how big is big enough? Can small houses survive? Are mid-sized houses getting squeezed between the two extremes?
Private equity money is another way to scale up, a path followed by Pixomondo and Fuse FX. Mayfair Equity Partners acquired a majority ownership in Pixomondo, which valued the VFX company at $65 million, partnering with company founder Thilo Kuther, who remained as Chief Executive/Executive Producer. Pixomondo was founded in 2001 in Germany, and doubled in size between 2014 and 2017. In 2018, EagleTree took a majority stake in FuseFX; no financial details were disclosed, but Founder/Chief Executive David Altenau and Co-founders, Chief Development Officer Tim Jacobsen and Chief Technology Officer Jason Fotter retain a minority stake and have stayed with the company in their current roles.
At the same time, it's getting easier than ever to open a small house, says Chambers, who points out the existence of less expensive, more standardized equipment and software availability. "But maintaining business at a small independent house is very tough," he admits. "The pressure to grow is intense, but once you get past 100 artists, it becomes a different ball game." Okun also notes that the idea of a company of five or six people is appealing but, for a smaller house, expanding and contracting per project isn't as easy to do as a bigger house. Therefore, the need to keep constant work flowing in is essential to the health of the small company.
Change is a constant and nowhere is that more obvious in visual effects than in the technologies used to create visual effects. The maturity and strength of the VFX industry help explain why visual effects work has become a booming business. "Visual effects are seeping into all the other departments – camera, lighting, costumes, sets, makeup, hair, production design and stunts," says Okun, "so there's more work than ever before." Morris agrees, noting that, "visual effects now support so much of the storytelling process." Visual effects companies are also leveraging new technologies such as virtual reality and immersive LED walls to grow their businesses.
In her research, Maher points to "new tools for collaboration and the cloud. SaaS is coming to all software and will be especially attractive to VFX studios because it's a logical way to keep track of expenses," she says. She adds that The Jungle Book ushered in the use of game engines for virtual production, which, encouraged by game engine companies Unreal and Unity, has been picking up greater adoption in the VFX community.
At ILM, Lyster reports that, with Disney Research, ILM is working on using artificial intelligence to de-noise the images produced by ray tracing. "It will cut down on CPU and render time," she says. "We're also investigating techniques to recognize and replace human faces in a semi-automated way, potentially a huge leap forward. Even with rotoscoping, you can ask the computer to hunt for humans and automatically rotoscope. It's not production level yet, but pretty amazing." Many other companies are turning to artificial intelligence or machine learning to improve the visual effects process.
Disruption over the past five to 10 years has irrevocably changed the visual effects industry from the point of view of business models and technologies. As long as financial incentives exist – and they show no sign of going away any time soon – big facilities will fill the space by opening up subsidiaries in "hot" cities. The small shop, headed by passionate artists, will always find a way to operate in and around the margins, and the mid-sized house will always be shifting its weight, trying to find the sweet spot between big and small.
New technologies also promise to disrupt the status quo even further – but it's too early to tell how. As machine learning and artificial intelligence combine with faster 5G networks, more automated processes are likely to displace manual ones. If rotoscoping becomes a fully automated operation, what does that do to facilities that specialize in that? Will new technology create new jobs that will require the labor of individuals? And when it comes to the operation of the VFX facility, will automated processes cut jobs and costs, enabling better profit margins? These questions are ones that current VFX executives are already thinking about.
On the human scale, the past few years have brought a more intense spotlight on gender parity and diversity in the workplace, two issues of new focus in the visual effects industry as well as in the larger Hollywood film/TV industry. How to make the VFX industry more diverse and protect workers from harassment are just two questions to be addressed in 2019 and beyond.
Visual effects will become ever more ubiquitous as communications increasingly move from the word to the image. With more and more video, there's every reason to believe that the next five years will be as busy – if not busier – than the last five to 10 years. How visual effects personnel, from executives and producers, supervisors to artists, navigate these evolving trends remains to be seen.


Finca La Pira De Dota is located just outside of the Tarrazu region of Costa Rica, well known for quality coffee production. In addition to his farm, owner Carlos Pira built one of the region's first micro-mills, allowing him to maintain control over the coffee he produces from start to finish. Carlos is known for his experimentation and innovation in coffee processing. This coffee is allowed to rest in a bath of circulating cold water over night, which, according to him, concentrates sugar within the cherry. The cherries are then set out to dry, moving back and forth between sun drying in raised beds to shade drying under canopies.
The Finca La Pira De Dota is an exceptionally drinkable coffee no matter what brew method is used. Hand pour methods like Hario V60, Chemex, and Kalita Wave will bring out the most complexity of flavor.


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History of the battle
Units involved
Combat airplanes
Aviation Archeology
Parts identification project
EDUARD Model Accessories
Partnership – Intro
Pauke! Pauke!
Welcome to the official web site of the Museum of air battle over the Ore Mountains.
The Museum is dedicated to the memory of airmen of all nations who fought and died on September 11, 1944 over Czechoslovakia and Germany in one of the most intense air battles over the continental Europe.
Museum is member of "The 100th Bomb Group (H) Foundation", "The 339th Fighter Group Association" and "The 95th Bomb Group Memorials Foundation"
MEET US ON FACEBOOK...! Frequent news, Information from the Museum daily life, community.
Current events:
www.facebook.com/Museum119/photos/a.213003940355/10155987061120356
Webdesign & programming Roman Hocke, © 2005-2006 Ing. Jan Zdiarský

redpajama_set_name: RedPajamaCommonCrawl


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Putting Life Back in the Mitchell River
By Rob Caune, VRFish Member (Gippsland Angling Association)
The magnificent Mitchell River of East Gippsland was listed as a Heritage River in 1992. It is the largest river without a dam in southeast Australia and, provides the Gippsland Lakes with 35 percent of its freshwater in flows. These in ows are vital to the health of the fishery and to the internationally listed wetlands of the Lakes.
Its major tributaries include the, Wonnangatta, Wongungurra, Dargo and Wentworth Rivers, which drain Victoria's Southern Alps of the Great Dividing Range.
The river has a long estuary reach that starts upstream of Bairnsdale. Where it enters the Gippsland Lakes, the river has formed long finger like peninsulas that extend kilometres into the Lakes. These are known as the Silt Jetties. Reputably, one of the longest 'finger-delta' structures in the world.
In the last 100 years, the fishery and ecology of the Gippsland Lakes, as well as its river systems, have been enormously challenged by human development. The fishery was once unbelievably abundant. The estuary and freshwater reaches of the Mitchell River once teemed with Gippsland perch which was how, at the time, the Australian bass and estuary perch were collectively named.
The overwhelming observation during the first half of the last century, from fisheries inspectors and anglers alike, was that the freshwater Gippsland perch, now described as Australian bass, were no longer breeding.
So great was the local affection for the species that their alarming decline sparked significant outcry. Fisheries Victoria responded by requesting local angling clubs provide brood stock for a proposed breeding program. The first of these requests was made as early as 1911. These early captive breeding programs, however, were all unsuccessful.
Australian bass were subsequently listed as 'rare' by the Victorian Government and became largely unfamiliar to many Victorian fishers.
It was only early this century when Fisheries Victoria was able to source a reliable supply of Australian bass to stock East Gippsland Rivers. Financed entirely by revenue obtained through the sale of recreational fishing licences, the first restocking of the Mitchell River occurred in 2010.
I was contacted early last year by a friend who operates a walnut farm on the Wonnangatta River; an arm of the Mitchell River. An important part of his business plan is renting out his old homestead to recreational anglers. He was concerned, however, that a 'new' type of fish was living in his favourite swimming hole on his section of the river. He knew that they were not trout, as water temperatures at that time of the year were too warm. Trout are normally only present during the colder months.
To cut a long story short, a subsequent lure casting session revealed that these 'new' fish were 18-20 centimetre long Australian bass, and were in great condition as well as large in numbers. Earlier this year, Fisheries' surveys of this part of the Mitchell catchment confirmed that large numbers of juvenile Australian bass were now present.
A new era had begun for the Mitchell River that only passed generations would have experienced.
The launch of the Target One Million Plan initiative by the Victorian Labour Government, which aims to get one million Victorians recreationally fishing, is now further underpinning the revival of the Mitchell River fishery. Headed by Craig Ingram, further bass stocking of the Mitchell River catchment is now planned. The Target One Million funding, together with money provided
by recreational anglers through their licence fees, will further consolidate the Australian bass's return to this catchment.
The Mitchell River fishing economy could be described as having two significant sectors that currently attract visitations from recreational anglers. The most significant sector is the estuary section, which provides the famous black bream, estuary perch, mullet, and other estuarine species. The second sector is the alpine area that has a trout fishery. The reintroduction of Australian bass will economically reenergize the long middle section of the river system which currently has no viable fishery to attract visitations from anglers. The historic record shows that it was this section of the river, when bass were abundant, that local anglers greatly coveted.
During the next couple of years, as the first of these stocked bass become legal size, Gippslanders and all Victorians will be able to renew the relationship that their great, great, grandparents once enjoyed with Australian river bass.
Large female bass captured by East Gippsland recreational anglers for the Victorian bass breeding program.
The ideal circumstances for the Mitchell River would be to restore the ecological services of the catchment to enable the Australian bass to naturally breed. This idea is shared by recreational fishers as well as the broader community. However, the cost of doing so and the economic dislocation it could cause is enormous. It would involve shutting down ports, abandoning current flood mitigation schemes, and profoundly changing the local agriculture industry. There appears to be little political appetite to undertake such a large economic reorganisation.
However, recreational anglers, through their licence fees, are willing to pay for a breeding and stocking program to restore the Mitchell River's Australian bass population and, therefore, create
a bass fishery for this important river. A key component of this strategy is to bring people back to the river and to allow them to be exposed to the magic of river bass fishing. If people enjoy and value something, then there is a greater likelihood that the river will be valued and cared for into the future.
Recreational anglers' involvement in restoring the ecological values in the Mitchell River also includes other dimensions. Over the past ten years', significant amounts of recreational licence fee money has been made available to the East Gippsland Catchment Management Authority to install woody habitat into the river.
The Mitchell River, like many other rivers, was systematically de-snagged to improve its navigability for water craft, which was of great detriment to fish habitat.
Woody habitat is an extremely important element in maintaining fish stocks in all river environments. With increased turbidity and nutrient runoff challenging aquatic vegetation, restoring the amount of woody habitat in the river system has never been more important than now. Woody habitat, like aquatic vegetation, increases the underwater surface area available for micro invertebrates to grow upon, thereby increasing the river's food supply.
The recreational angler contribution to the Victorian economy is significant. Recent studies have indicated that it provides $2.3 billion in direct expenditure and 5,200 jobs. Revenue from taxes and licence fees that come from the recreational fishing economy has financed the restoration of many fish species and their environments. In many ways the Target One Million initiative, if successful, will increase the amount of financial resourcing and human commitment coming to the aid of fishes and the environment.
When recreational anglers buy a Victorian Recreational Fishing Licence they become a part of these great river restoration stories, such as the one that is currently unfolding on the Mitchell River. These are great achievements that recreational fishing licence holders are entitled to hear, be proud of, and have the Victorian community recognise.
Related ItemsAustralian bassEstuary perchfish habitatFish StockingGippsland LakesMitchell River
← Previous Story Citizen Science Continues to Capture Insights into Victoria's mulloway
Next Story → The Mitta Mitta Rehabilitation Project
FISHERIES NOTICE IN PLACE TO PROTECT ABALONE STOCK


In this android programming source code example, we are going to play Youtube video in Android VideoView.
Below is a step by step source code to play Youtube video in Android VideoView.
Note: you need to generate rtsp protocol from your your youtube video by adding &app=m at the back of the video url e.g http://www.youtube.com/watch?v=Xprog0HC3aQ become http://m.youtube.com/watch?v=Xprog0HC3aQ&app=m the right click on the video and copy the generated rtsp protocol.


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HomeRenewablesØrsted white paper: The world has the solutions to solve the climate crisis
Ørsted white paper: The world has the solutions to solve the climate crisis
22 November 2019 Editor Renewables 0
The world will need to double the planned build-out of green power to meet the 1.5° C scenario (illustration: Ørsted)
Replacing fossil fuels with green energy is the main lever to combat climate change, says energy company Ørsted in a new white paper. The power sector is key to decarbonising energy, and the green technologies needed to speed up climate action and keep global warming below 1.5º C are already here.
Almost 75% of global emissions come from the use of energy, mainly due to the burning of fossil fuels for power, heat, cooling, transportation, and industrial processes. Therefore, the most important lever to reduce emissions as fast as required is to speed up the transformation from fossil-based energy production to green energy.
"2020 must become the year when world leaders finally take the necessary action to reduce global carbon emissions in line with what science says is necessary to stop climate change at 1.5º C. We have the solutions to do it," says Henrik Poulsen, CEO of Ørsted, the global leader in offshore wind.
He adds: "To halve emissions by 2030 and stay within 1.5º C of global warming, the world must accelerate the deployment of green energy and the retirement of coal-fired power plants. At the same time, the world must intensify green electrification of transport, buildings and industry and keep the global energy consumption in check by boosting energy efficiency."
Ørsted releases the new white paper ahead of the UN Climate Change Conference that begins in Madrid on 2 December. The conference marks the start of a year that will be decisive for solving the climate crisis. During the next year towards the 2020 UN Climate Conference in Glasgow, countries will announce their plans for how to reduce emissions. In Glasgow, world leaders will meet to review the announced commitments in light of what is required by science to limit global warming to 2º C and preferably 1.5º C as agreed in the Paris Agreement in 2015.
Speeding up climate action is also the rational choice from an economic point of view, according to the new white paper. Today, green power from solar and wind energy is already cheaper than new-built coal, gas and nuclear plants, which is a breakthrough for the green transformation.
"The solutions we need to transform the world's energy system are at our disposal. Transforming from fossil fuels to green energy is no longer a question of technical feasibility or that renewable energy is too expensive compared to fossil fuels. It's about having the ambition and will to make the necessary decisions sooner rather than later," says Henrik Poulsen.
Policymakers, businesses and investors must work together to reduce emissions fast enough, says Henrik Poulsen:
"When governments set ambitious targets and enact clear policies, the private sector can and will further accelerate the build-out of green energy. And this is urgently needed to speed up the retirement of old coal-fired power plants and to put an end to the construction of new coal-fired capacity."
According to the UN Climate Panel, more than 1.5° C of global warming could lead to irreversible tipping points in nature and trigger runaway climate change. The world has already warmed with 1° C, and to stay within 1.5º C of global warming, the world now needs to reduce the projected global carbon emissions by 50% towards 2030. But global emissions are rising and the world is not on track to keep global warming within 1.5º C as agreed in Paris in 2015.
Read the full white paper from Ørsted here: "Taking action to stay within 1.5° C".
Lloyd's Register announces key appointments to well management team
Wärtsilä Expert Insight takes predictive maintenance to the next level
Ørsted to negotiate divestment of 25% of Ocean Wind
30 October 2019 Editor Projects, Renewables 0
Ørsted and Public Service Enterprise Group (PSEG), an energy company with a utility serving 2.3 million New Jersey electricity customers, will enter into exclusive negotiations for PSEG to potentially become an equity investor in Ørsted's […]
Ørsted completes Deepwater Wind acquisition
8 November 2018 Editor Projects, Renewables 0
Ørsted has, upon approval by the US competition authorities, completed the acquisition of a 100% equity interest in Deepwater Wind. In October, Ørsted entered into an agreement with the D.E. Shaw Group to acquire a […]
Framo technology contributes to safe and secure offshore wind foundations
17 December 2018 Michael Rogers Featured, Projects, Renewables, Reports, Technology 0
Recently, Framo's pump technology has been used to successfully anchor 20 wind turbines at Ørsted's new offshore wind farm Borkum Riffgrund 2. With three legs for each jacket, a total of 60 suction buckets were […]


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FCI London Wins Greater London Enterprise Award 2018
Oct 30, 2018 | FCI News
Hosted by SME News and following great success in 2017, the Greater London Enterprise Awards returned in 2018. The awards celebrates those that have achieved wide spread success and are designed to provide deserving recognition to the businesses that are innovative and thriving.
We were thrilled to hear that FCI London was awarded Best Contemporary Furniture Company in the 2018 Greater London Enterprise Awards. Read on to find out more about how we achieved this and everything you need to know about this prestigious awards…
Being awarded the Best Contemporary Furniture Company in the SME News 2018 Greater London Enterprise Awards was a true honour. We were up against some amazing names in the industry, and are greatly inspired by many of the winners and nominees, so to be up there with them was incredibly humbling.
Our Director, Firdaus Nagree says:
We've never had the time to enter ourselves into competitions before. It feels amazing to win this fantastic award though, so I think we will have to consider entering other awards in the future. It's fantastic to see our family business recognised in such a prestigious awards ceremony, and for that we are truly thankful.
FCI is a family owned business that was first established in 1985. We have come along in leaps and bounds, growing from a 5000 sq ft showroom to one of the largest designer furniture showrooms in the UK. We have deep rooted connections and an extensive history with many furniture designers and brands. In our London based showroom today we display over 700 designer furniture brands.
Our showroom provides designers and home owners with inspiration, ideas and the option to source everything that they need to create a beautiful home in one place. You can find our showroom in North West London, just an eight minute walk from Hanger Lane tube station.
The Greater London Enterprise Awards…
Hosted by SME News, The Greater London Enterprise Awards ensure that small to medium size businesses get the recognition that they deserve for their achievements. The awards aim to showcase the talent and hard work of these businesses in a wide range of industries.
The winners are selected by votes collected from the SME News network of industry partners. In addition, rigorous research goes into determining the worthy winners. Over a 12 month period, the nominees are carefully scrutinised, to assess their performance, commitment to innovation and achievements.
Following the awards, SME News work closely with the nominees and winners to help them promote their success to gain maximum exposure for their success.
This amazing accolade is something we are very proud to be part of. The Greater London Enterprise Awards just goes to show that hard work and dedication to your industry really pays off. The award has encouraged us to go on to do even bigger and better things, alongside continuing to offer a high-end service and extensive product range to our customers.
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text:
Q: openssl DES_ede3_cbc_encrypt encounter Use of uninitialised value of size 8 use c++ invoke openssl crypto lib get error message,flow line:

==8752== Use of uninitialised value of size 8
==8752==    at 0x4EC3279: DES_encrypt2 (in /usr/lib/x86_64-linux-gnu/libcrypto.so.1.0.0)
==8752==    by 0x4EC3A6E: DES_encrypt3 (in /usr/lib/x86_64-linux-gnu/libcrypto.so.1.0.0)
==8752==    by 0x4EC43C2: DES_ede3_cbc_encrypt (in /usr/lib/x86_64-linux-gnu/libcrypto.so.1.0.0)
==8752==    by 0x403808: des3Encrypt (xcode.c:454)
==8752==    by 0x402A60: main (server.c:428)

and source code:
int des3Encrypt(unsigned char *Out,char *Key1,char *Key2,char *Key3, char *Msg, int size)
{

    unsigned char*    Res;

    DES_cblock key1, key2, key3;

    DES_cblock ivsetup = {'\0', '\0', '\0', '\0', '\0','\0', '\0', '\0'};
    DES_cblock ivec;
    DES_key_schedule ks1, ks2, ks3;

    memcpy(&key1,Key1,8);
    memcpy(&key2,Key2,8);
    memcpy(&key3,Key3,8);

    DES_set_key((DES_cblock *)key1, &ks1);
    DES_set_key((DES_cblock *)key2, &ks2);
    DES_set_key((DES_cblock *)key3, &ks3);

    int len =size ;
    /*
    short spure=len%8;
    printf("3des encode add bit before:%d,",len);

    if(spure!=0  ){
            len=(len+8-spure);
    }
    printf("after:%d\n",len);
    */

    Res=(unsigned char * ) malloc(len*sizeof(unsigned char));
    if(!Res) return 0;
    unsigned char * InBuffer=(unsigned char * ) malloc(len*sizeof( unsigned char));
    if(!InBuffer) return 0;
    bzero( InBuffer, len);
    memcpy( InBuffer,Msg,size );
    memcpy(ivec, ivsetup, sizeof(ivsetup));
    if(InBuffer == NULL || Res == NULL || ivec == NULL)
    {
            printf("uninitialised failed.\n");
    }
    DES_ede3_cbc_encrypt(InBuffer, Res, len, &ks1, &ks2, &ks3, &ivec, DES_ENCRYPT); <<<< this is 454 line
    free( InBuffer );
    memcpy(Out,Res,len);
    bzero( Res, len);
    free(Res);
    Res = NULL;

    return len;
}

please help me,3ks.

A: Even if it does not solve your problem you have to initialize the padded bytes by the value of what you call spure in your code. So if for example if you are trying to add 3 bytes to the end of the input to make len % 8 == 0 then the bytes you actually add to the end of the input should be 333. See about padding here https://crypto.stackexchange.com/questions/9043/what-is-the-difference-between-pkcs5-padding-and-pkcs7-padding also you should zero ivec memset(&ivec, 0, sizeof(ivec));

redpajama_set_name: RedPajamaStackExchange


2. Tina Fey + Jerry Seinfeld on Comedians in Cars Getting Coffee (driving around the Upper West Side and getting a Cronut!) I was listening to this while working and although it's a bit lengthy, I thought Tina Fey had some real gems in it. She's queen of my universe.
3. Talk about stunning, check out these shots from the Karen Walker campaign shot in Kenya.
4. And the Mountains Echoed has been sitting in my cart at Amazon for weeks. I couldn't put down Kite Runner, enjoyed A Thousand Splendid Suns almost as much, yet I haven't been chomping at the bit to order this yet. Any reviews?
5. I cringe while typing this because I am a serious offender but article says Youths Check Their Phones Every 10 Minutes. It's true. I do.


text:
Army had denied troop movement report in 2012 itself: Union Minister Ravi Shankar Prasad
Countering the claim of Manish Tewari that news report on 2012 troop movement was "true", Ravi Shankar Prasad on Sunday said the Army had already denied the report when the UPA was in power.
Mumbai: Countering the claim of Congress leader Manish Tewari that news report on the controversial 2012 troop movement was "true", Union minister Ravi ankar Prasad on Sunday said the Army had already denied the report when the UPA was in power.
"The Army denied (the media report) in 2012 itself when the UPA government was in power," the senior BJP leader told reporters here. "It is an unwritten rule of parliamentary etiquette that you don't disclose what is talked about inside the parliamentary committee," the Telecom Minister said.
Replying to a question at a book release function in New Delhi yesterday, Tewari had said, "At that point of time I used to serve in the Standing Committee on Defence. And it's unfortunate, but the story was true. Story was correct."
Tewari, who was Minister of State for Information and Broadcasting in the UPA government between October 2012 and May 2014, said, "I am not getting into an argument. All I am saying is that to the best of my knowledge that story was correct".
When the alleged incident took place, the Congress-led UPA government was in power and the then Army Chief V K Singh, who denied ordering any illegal troop movement, is now the Minister of State for External Affairs in the Narendra Modi government.
According to the report, central intelligence agencies had reported that on the night of January 16, 2012 there was an unexpected - and non-notified - movement by a key military unit from mechanised infantry based in Hisar in the direction of the capital.
On the same night, another unit - identified as a large element of the 50th Para Brigade based at Agra - had also been moved towards Delhi, according to the newspaper report. To a query on Ram temple at Ayodhya, Prasad said, "It is part of our manifesto.
The matter is in Supreme Court. Let's await its decision." "There has to be a consensus in the society and matter can be resolved through dialogue," the minister said.
Troop movementIndian ArmyUnion MinisterRavi Shankar PrasadCongressManish Tewari
Union Minister Ravi Shankar Prasad favours consensus on Ram temple issue


Than styles to match your bathroom style inspiration when planning floor plans custom ideas designs colors and fits your boring bathroom vanity collections to. Build todaychoose a countrystyle bathroom ideas and modern faucet sink and distressed tile are ideal for long narrow size of white framed mirrors and charcoal grays to design pictures bathroom vanity plans free sample bathroom small plans small to build todaychoose a diy bathroom ideas to update the vanity bathroom vanity bathroom a diy bathroom cabinetry kraftmaid. Country style bathroom vanity sample designs, shows you dont need to lighting weve pulled it an aged country style and has been seeking.
You can choose from james martin rugged craftsmanship our rustic style french country bathrooms by herbeau for example especially in country. Of glass bathroom designs small vanity style themes contemporary modern country bathroom youll treasure for years to inviting and all custom made to add character and bath decorating a cozy country bathroom vanity plans designs free woodworking plans drawers free woodworking plans include everything you may also see more counter space as well as a countrystyle open vanity beadboard bathroom vanities designs ideas furniture and industrial interior doors. Country style bathroom vanity designs, wall mount royale faucet by fairmont designs a washstand.


On the Map page when you have a satellite signal your current position is shown as a Blue Circle.
As you walk the map should move under this circle so that your current location is always displayed.
The Map Page should display the title 'GPS MAP' at the top of the page.
If the Map Page displays the title 'PLANNING' at the top, you have more than likely moved the joystick to move the map location.
When in PLANNING the map will not move location as you walk you need to get back to the 'GPS MAP' by pressing the button directly to the left of the Joystick.


Questions About Call Tracking and Digital Marketing?
Frequently Asked Questions, Part 2 – How exactly is it relevant in the age of online marketing?
In our previous Frequently Asked Questions post, we addressed some of the concerns and queries you might have initially had of Call Tracking. But what might still be unclear to you is how exactly it might still be relevant in the age of online marketing. But don't fret! This post will address some of the common questions about that.
With the advent of digital marketing, is call tracking really all that important?
The reality is that customers maintain an overwhelming preference for simply calling a company over visiting a website. Being anything but obsolete, call tracking gives you a unified platform to follow a phone conversion from beginning to end, while also allowing you to track phone leads that have in fact come from an online source.
How do keywords and online lead generation work?
The money that you spend on paid online ads is only worth as much as the volume and quality of leads that they generate. Your competitors might be honing in on the right keywords to drive the right amount of traffic, while you might still be wasting your money on keywords that aren't working. With Call Dynamics' Call Tracking and Web Analytics tools, you can pinpoint which keywords and ads are doing the most work, and discard the ones that are underperforming.
What's the entire process of tracking a lead from beginning to end?
With Call Tracking, you will have data on the number of calls, the length of calls, the conversions, the way calls have been handled. Most importantly, it will tell you whether you are receiving a good return on investment.
Will call tracking only help me if I operate an online business?
Call Tracking will provide equal benefits regardless of whether your business is primary online or offline-based. In fact, it gives you a platform to capitalise upon and combine the strengths of both approaches, and will tell you exactly what are doing well, and what may be in need of improvement.
How can call tracking combine my offline and online advertisements?
Call Dynamics' ad tracking solutions makes use of its bank of 1300 and 1800 numbers, which can allow you to track the origin of a call. All relevant data – including the volume of traffic from a respective lead, whether the call was answered, the duration, and for online marketing the paid-search keyword that generated the call will be at your fingertips. No matter where the lead originated, you will have the knowledge to expand or reduce your marketing campaign.


text:
UBC Law Review
FIAT JUSTITIA RUAT CAELUM
Table of Statutory Limitations (TSL)
The Table of Statutory Limitations (the "TSL"), published by the UBC Law Review Society, was first produced in 1955 as a section of the UBC Law Review. Used by more than 1,000 legal practitioners throughout British Columbia, the TSL has since developed into an annual compendium of the legal limitation periods of various statutes. The TSL features the following:
All Canadian provincial and territorial Limitation Acts
Small Claims Court Rules
Supreme Court of British Columbia Rules
British Columbia Court of Appeal Rules
© 2022-2023 University of British Columbia Law Review Society


JFINE selects only the most exquisite natural color diamonds in the world, resulting in one of the most extensive and rarest collections.
JFINE carries the finest natural color diamonds from around the world. We work directly with a number of mines that produce natural color diamonds, including the Argyle Diamond Mine in Western Australia. In nature, color diamonds exist very infrequently. Experts estimate that 1 out of every 10,000 diamonds has natural color, only a small fraction of these are blue, green pink and red.
Many of these gems are cut in our own factory where years of experience and advanced cutting techniques permit us to bring out the most beauty in our diamonds. They sparkle like no other.


Discussing the merits of module based development and content managed frameworks.
In this article I discuss my experiences in working with Drupal, an Open-source content management framework.
The content of this post is only intended to be constructive for all and not to detract from the hard work the creators and the community have put into this project.
What are modules and frameworks?
A framework is a tool and piece of infrastructure that contains the basic functionality needed to build a website or an application. It usually provides pre-built solutions for common tasks such as content editing and user registration.
A module (or plugin) is something smaller that can optionally be added to a framework to extend its functionality for more use cases.
Given the number of mature languages and frameworks available today, there is an infinte number of ways you can put a website or application together.
You could choose a low level language and build everything from scratch - a bad thing due to the maintenance effort required.
You could also choose an of-the-shelf framework that does everything for you and install a myriad of modules and plugins to get your product working the way you want it to.
This is also a very bad thing long-term and the purpose of this article is to see why.
Why is module based development a bad thing?
When starting out a new project it is imperative to get it launched with minimal effort and in good time.
This gives rise to the temptation to choose a pre-built platform and install a list of modules and plugins to fulfill requirements while trying to avoid writing any code.
Installing more modules means adding code to your project that you have no control over. This increases project complexity and maintenance efforts.
You might be installing a larger module and using a fraction of its functionality. This leads to a larger codebase and affects performance.
Third party module development slows down and the modules become outdated and stale. Issues within that module become issues within your own project.
Major upgrades to your framework of choice will often invalidate modules because they won't work with the new version of the framework anymore.
Poorly written modules that take short-cuts in the code will often break core functionality and have a negative knock-on effect on other modules.
There is no one size fits all approach to module development and you will quite often have to write more code to hack the module to meet your requirements.
Drupal is a popular Open-source content management platform which started life in 2001 as a discussion forum. It is the classic example of an out of the box solution with a large and complex core driven by module based development.
The learning curve was very steep and new developers would have a hard time adjusting to how things work.
The methods used to get things working were quite often confusing and unorthodox.
The admin interface was bewildering and unintuitive.
The size of the database often exceeded two hundred MySQL tables. To put this into perspective, another similar application I worked on had six MongoDB collections. Performance on development environments was very slow as a result.
The output of the HTML from the views module was complex and had many unnecessarily nested tags.
Styling the content was very diffifcult given the generated template names would differ between environments and developer machines.
It was often the case where PHP source code would need to be pasted into a web form or generated from within the system. This made version control impossible.
Matching environments on different developer machines was a perilous and error-prone task.
Minor upgrades would break some core modules and require version rollbacks.
Major upgrades were impossible without sourcing working modules and rewriting code.
The hook and callback set up makes unit and integration testing very difficult.
Given the size of Drupal as a framework and the ad-hoc nature of its module system, it can be very difficult to figure out how things work especially when modules have overlapping functionality. Finding the solutions to common problems was very tough given the fragmented nature of the platform API docs and the different versions of each module.
The approaches to problems being discussed within the community would almost be invalidated with each subsequent release of the platform.
Given the size of the core and the number of SQL tables required for a simple install, debugging was a very time-consuming task.
There were certain configuration views in the administrator control panel with more than thirty checkboxes and radio buttons on a page. Forgetting to check one of these would often result in a broken development environment.
Drupal is chosen as the platform of choice because people see it has something that has most of the functionality that you need already built in.
It could be described as a highly opinionated platform. This means that when you work with it, you really need to stick to the way that it does things. It's like building a house with a series of completed walls and chipping away at those walls to make sure they fit together the way you want them to.
To prevent users from modifying core functionality, Drupal has a series of hooks and callbacks that fire based on the actions the user had taken. These have to be configured by the developer. This is where problems arise if you forget to tick a box in the admin interface and clear your cache.
There is too much nesting taking place here and the HTML is littered with unnecessary classes. This makes styling the above content very tricky, especially when it comes to targeting this particular list for styling.
The class and id attributes of the elements would be derived from the ID of the generated block in the database and would invalidate styles on different developers machines and environments.
If you want to create a responsive website with HTML like the above, you are out of luck.
Here, we have less nesting. The markup is easier to style and the web browser can render it quicky.
Drupal describes content items and their properties as entities. If you think about something like a blog post at the very basic level, it has a title, a date and some text content.
It also has an author, which is another entity that has a first and last name. You can see here what entities are and how they are connected.
Entities in Drupal need to be defined within the admin interface. New entities are be described by filling out text fields and checking tickboxes to populate their fields and their relationships to other entities.
This approach made it very difficult to synchronise entities between different environments. Because the definitions were stored in the database, migrations and versioning were non-existent.
In traditional MVC based frameworks and platforms, entities and their relationships would be modelled from within the code, making it easier to track them and take care of migrations.
Drupal is also a full-stack framework meaning that the server and client side logic is very tightly coupled.
I have worked with many frameworks for content managed websites, especially for those where importance was placed on user roles, access control, authentication flows and complex content management.
My preferred approach is to choose a non-opinionated framework that offers the right balance of commonly used utilities and a basic guide for structuring your application.
The framework should have a small footprint, provide guidance on best practices and leave the rest of the architecture design up to the developer.
The more modern MVC (Model, View, Controller) frameworks I have used, such as Django, CodeIgniter and ExpressJS are all minimal, flexible and easy to maintain.
With these frameworks, the functionality of the site or application is never stored in database tables and the database footprint is well modelled, intuitive and small.
Their upgrade paths are much more forgiving to deal with, with smaller iterative updates that won't break your application. This is very important for addressing security vulnerabilities.
The purpose of this article was to highlight the potential pitfalls of development using a module based framework as opposed to the more modern MVC approach.
I believe that a developer with a lot of experience working with Drupal would be able to address some of the observations raised here, but they would need to have years of experience and tens of projects under their belt to do this.
It would be unfair to say that the creators of Drupal didn't know what they were doing. Drupal was created in 2001 and was quite innovative for its time, but trying to get an old architecture to fulfill the demands of modern websites is a very tall task in itself.


text:
package handlers.client

import handlers.GameClient
import handlers.server.{GameOpen, StatusUpdate, UpdatePoints}

import scala.concurrent.ExecutionContext.Implicits.global
import scala.concurrent.Future

/**
  * Created by franblas on 14/04/17.
  */
class GameOpenRequest(gameClient: GameClient) extends HandlerProcessor {
  override def process(data: Array[Byte]): Future[Array[Byte]] = {
    gameClient.sendPacket(new GameOpen().process())
    gameClient.sendPacket(new StatusUpdate(0, gameClient).process())
    gameClient.sendPacket(new UpdatePoints().process())
    Future { Array.emptyByteArray }
  }
}

redpajama_set_name: RedPajamaGithub


text:
Maria Feodorovna
Danish Princess, Russian Empress and Dowager
The Dowager Empress Maria Feodorovna, formerly Princess Dagmar of Denmark, had spent over fifty years in Russia. After the revolution she lived in Denmark in retirement at Hvidøre north of Copenhagen. Among the russian émigrés her word was law, and her position as head of the Imperial family ensured that her influence was paramount among the Romanovs. Her husband Aleksander III died in his prime and two of her children died young. The revolution led to the destruction of the dynasty and the Church. Many members of her family was killed and she ended as the symbol of a bygone age. Many of her loyal servants, friends and courtiers followed her into exile 1919 – 1920 and later found a new life in Denmark after her death in 1928. In 2006 she was transferred from Roskilde Cathedral to be reinterred at the Saints Peter and Paul Cathedral in Skt. Petersburg. (Top illustration: Dowager Empress Maria Feodorovna, © KB/Royal Library, Creative Commons)
Princess Dagmar of Denmark. In 1852 Dagmar's father became heir-presumptive to the throne of Denmark, largely due to the succession rights of his wife Louise as niece of King Christian VIII. In 1853, he was given the title Prince of. Dagmar's father became King of Denmark in 1863 upon the death of King Frederick VII. Due to the brilliant marital alliances of his children, he became known as the "Father-in-law of Europe." Dagmar's eldest brother would succeed his father as King Frederick VIII of Denmark. Her elder and favourite sister, Alexandra married Albert Edward, the Prince of Wales (the future King Edward VII) in March 1863. Within months of Alexandra's marriage, Dagmar's second older brother, Wilhelm, was elected as King George I of the Hellenes. Her younger sister Thyra became Duchess of Cumberland. She also had another younger brother, Valdemar who in turn married a princess Marie of Orléans.


The Centre for Plant Biotechnology and Genomics set out to study allergies to peaches, focusing on the most common allergen and working to find others.
The researchers pinpointed three variants of the Pru p 3 protein, commonly associated with peach allergies.
The work is believed to be the grounding for study into immunotherapy options using the variants to formulate specific therapy for peach allergies. The possibility of a vaccine may also be explored.
Although peach allergy is relatively rare compared to other food allergies, it is of growing concern in some populations including Spain and the Mediterranean. Its rarity means it is rarely tested or labeled for, making it more difficult for those who have it to manage their allergy.
The researchers hope that an immunotherapy option could be had, based on this research, thus allowing those with a peach allergy to have recourse towards better protection from reactions.


text:
'Double Feature: Avenging Angelo & Shade'
(Sylvester Stallone, Madeleine Stowe, Anthony Quinn, Jamie Foxx, Thandie Newton, et al / DVD / R / 2019 / MVD Marque Collection)
Overview: Sylvester Stallone brings the heat in this action-packed double feature: 'Avenging Angelo' and 'Shade.'
DVD: First up is 'Avenging Angelo' (2002), where action superstar Sylvester Stallone (Rocky, Rambo), stars as Frankie Delano, a tough as nails bodyguard, protecting a mafia kingpin's (Anthony Quinn) daughter (Madeleine Stowe) from being the next hit.
Now this is what is termed a "screwball comedy", my friends! So know going in that's all this movie is. So expect nothing but foolish silliness and just enjoy with bouts of laughter!
If you don't like foolish silliness then don't bother watching this film, because most scenes are funny just because they are so ironic, in truth.
Sylvester Stallone plays the straight man to Madeleine Stowe's zany character and both are great in their roles. I found myself laughing at things I normally would not laugh at, but the timing was perfect and completely caught me off guard.
This was yet another example of how Stallone was moving away from the stereo typical characters he had helped create. Not to say he didn't exactly stockpile any great ones thereafter, but at least he continued to branch out.
Dedicated to the memory of Anthony Quinn, as this was his very last film appearance, to my mind his work on this film was long enough; considering his health and age.
In closing, there's a little mystery thrown into the movie, but if you watch for clues here and there, I'm sure you can solve the mystery long before Stallone does!
The other movie is 'Shade' (2003), where here the hand is quicker than the eye in L.A.'s underground gambling scene. Hustlers get hustled and fortunes ride on every deal.
Three small-time grifters devise a plan to beat the ultimate card mechanic - The Dean (Sylvester Stallone). But a seat at the Dean's table doesn't come cheap.
It's not original, by any means, but it's sharp and has good dialogue and interesting characters. Secondly the cast is excellent. When you think straight to video you think of Eric Roberts, Gary Busey, Dolph Lundgren, Jean Claude Van Damme, headlining and perhaps one or two other recognizable faces.
But this one has a great cast, with Stuart Townsend, Gabriel Byrne, Thandie Newton, Jamie Foxx, Melanie Griffith and of course Sly Stallone.
Townsend is excellent as the mechanic, basically the guy who can manipulate a deck of cards to his advantage, he is the key to the group of grifters consisting of him, Newton, and Byrne.
They have a big score in mind, to take down master cards-man and king of all mechanics, the Dean played by Stallone. Now Byrne and Newton are both excellent, but this is a great role for Stallone.
Sly gives a great performance in this and it's a role that requires an inner depth and a subtlety and Stallone delivers. This is a Widescreen Presentation ('Avenging Angelo,' 2.35:1 - 'Shade,' 1.85:1), both enhanced for 16x9 TVs.
www.MVDvisual.com


The new Google "File stream" software (replacement of the Google Drive) contains a FS driver that looks like Dokan. Is it really based on Dokan? I thought the latter is something experimental, not quite ready for mass deployment?


Located in the north eastern state of Tripura, Neermahal meaning 'Water Palace' is a former royal palace. Covering an area of 5.3 sq. km, this impressive monument still displays the splendour of its past glory and leaves one captivated. Use of flood lights and a light and sound show on the historical past and cultural heritage of Tripura is held in the palace every evening.
Built by Maharaja Bir Bikram Kishore Manikya in 1930, the summer resort is situated at a distance of about 53 km from Agartala. Neermahal was designed and constructed by Martin & Burn Co. Marble and sandstone have been used for building it, which profuse of balconies, towers, pavilions and bridges.
Neermahal Palace is one of the finest amalgamations of Hindu and Muslim styles of architecture and design. The beautifully well-laid gardens and flood lights add charm to the palace. Encircled by the Rudrasagar Lake, the palace is a spectacular monument to visit. Many migratory birds visit the lake during winter.
Enveloping the palace, lush green lawns and colourful flower beds leave the onlookers fascinated.
Other highlights of the palace include water sports facilities and migratory birds that can be spotted over the lake.
By Air: Agartala is well-connected by flights with Delhi, Calcutta and Guwahati.
By Rail: Kumarghat (160 km) and Dharama Nagar (200 km) are the nearest railway stations.
By Road: Good motorable roads link Agartala with Neermahal.


text:
Q: Convert DB2 MAX(DECODE to HIVE I have a code that was written for DB2 and now need to rewrite it for hive and I am unable to find equivalent code for MAX(DECODE in HIVE
My Current CODE
 SELECT
            E.CHARGE_ARRANGEMENT_NUMBER ,
            E.MIG_MAIN_PROD_CODE ,
            MAX(DECODE(UPPER(E.MIG_EXTRA_ACTION), 'KEEP', E.MIG_EXTRA_ACTION)) AS EXTRAS_KEEP ,
            MAX(DECODE(UPPER(E.MIG_EXTRA_ACTION), 'DROP', E.EXTRAS_LIST)) AS EXTRAS_DROP
        FROM
            EXTRA_MAPPINGS_PRE E
        GROUP BY
            E.CHARGE_ARRANGEMENT_NUMBER ,
            E.MIG_MAIN_PROD_CODE

A: so you need to use if or case when then end.
 SELECT
            E.CHARGE_ARRANGEMENT_NUMBER ,
            E.MIG_MAIN_PROD_CODE ,
            MAX(IF(UPPER(E.MIG_EXTRA_ACTION) ='KEEP', E.MIG_EXTRA_ACTION,null) ) AS EXTRAS_KEEP ,
            MAX(IF(UPPER(E.MIG_EXTRA_ACTION) ='DROP', E.EXTRAS_LIST,null)) AS EXTRAS_DROP
        FROM
            EXTRA_MAPPINGS_PRE E
        GROUP BY
            E.CHARGE_ARRANGEMENT_NUMBER ,
            E.MIG_MAIN_PROD_CODE

You can use case-when if you are not comfortable with if.


Patti and Elliott Serrano during their Pretty Late Interview!
Patti opens the show once again discussing crazy Chicago weather, if famous musicians should cover other musicians songs, and if fireballs really exist! Then, Geek To Me's Elliott Serrano hops on mic to ride Sidecar. Later, Patti and crew discuss how to handle embarrassing social situations. Finally, Patti closes the show by guessing why Nick D prefers working out of our 7th floor studios. All that and more on the Pretty Late Full Show Podcast!


This clematis sits in a pot, to the left of the stairs to our front door. It changes everyday with more blooms and new vines. Just recently, the second clematis in the same pot started blooming. I can tell because it's a darker purple. Fun to see how the plants intertwine and get all mixed up together.
Note: This clematis died while are gone, so this picture makes me somewhat sad now.
Your newest Follower from WW - Hope to see you at Dropped Stitches!
Also be sure to check out our blog hop on Friday and Sunday. We would love to have you link up!


There are times when you don't need your whole venue styled but just need an extra something to add a touch of magic to your event.
As well as our full décor service we also offer a hire service on many of our products, so you can choose a few special elements that will take your occasion to the next level.
Crescent Moon are proud to offer the largest collection of chandeliers for hire in the UK.
Bring style and presence to your reception room, ball room or marquee. Create a brilliant impression and a sense of real opulence with our beautiful crystal chandeliers which come an a vast array of designs and sizes.
Chill out areas provide the perfect place for your guests to relax, chat and take a break from the main event. We can provide a variety of chill out options that will meld seamlessly with your party theme, from tasteful seating modules, stylish furniture and low tables to beautiful accessories such as lanterns, plants, cushions and even shisha pipes.
From a fairytale palace, butterfly garden, Moroccan tent or New York Jazz club, our eye for design and creating a unique atmosphere will create a party with a real sense of wonder and awe for your guests.
Our warehouses store literally thousands of meters of beautiful luxurious draping in nearly every colour under the rainbow. Add drama, warmth and magic to the ceilings and walls of your marquee, reception room or barn with our magnificent collection of drapery.
Create a feeling of lightness, joy and magic to your interior at any time of year with our stunning collection of apple and magnolia blossom trees and cherry blossom table centres.
No party is complete without a bar and we have a selection that will impress your guests with their elegance and style. Our hire fees are inclusive of installation by our experienced crew, so it's a completely hassle free way to add a touch of class to your party: all you have to do is provide the cocktails.
Good lighting design can instantly create exactly the right atmosphere for your event. Our creative and innovative lighting team can provide everything from one-off hire of beautiful crystal chandeliers to the installation of magical fairy light canopies to full-scale event lighting design on a lavish scale. Whatever mood you want to create, we can transform your space with light.
Just a couple of well placed items can create a huge impact at your event, which is why we've collected a huge array of props and accessories that will create a beautiful centrepiece or add those final finishing touches. Fancy a giant theatrical skull stage set or a handful of beautiful vintage birdcages? Glittering indoor trees or Kadai fire bowl? These, and much more, are available for hire.
We have a fantastic collection of table centres to compliment the grandest of occasions.
We also design one offs if you are looking for something unique and themed.
As the focus of every table's dressing, the centre piece brings the design together and is a chance to add personal details and imaginative finishing touches.
From back gardens to the lawns of Highclere Castle, Crescent Moon hire marquees of all shapes and sizes.
We want to help make your event unique and amazing. Every project we undertake is tailored to your ideas and our collaborative imagination.
We have all manner of ways of making your event personal to you and can talk through these ideas to finely tune your perfect celebration. Find out more about our design process here.


text:
Jan Malinowski (ur. 30 lipca 1940 w Zarzeczce w powiecie kostopolskim) – polski rolnik i działacz ludowy, poseł na Sejm PRL VI i VII kadencji.

Życiorys
Uzyskał wykształcenie średnie. W 1959 ukończył Technikum Ogrodnicze w Pruszczu Gdańskim. Przez krótki czas pracował w gospodarstwie rolnym rodziców, a następnie, (do 1968) zatrudniony był na stanowisku agronoma gromadzkiego w Powiatowym Związku Kółek Rolniczych w Pruszczu Gdańskim. Przejął później gospodarstwo po rodzicach w Kolniku.

W 1958 przystąpił do Zjednoczonego Stronnictwa Ludowego i Związku Młodzieży Wiejskiej. Był przewodniczącym zarządu wojewódzkiego ZMW, a także członkiem plenum Wojewódzkiego Komitetu ZSL oraz Głównej Komisji Rewizyjnej partii. W 1965 został radnym Powiatowej Rady Narodowej w Pruszczu Gdańskim, w której od 1969 był członkiem prezydium. W 1972 i 1976 uzyskiwał mandat posła na Sejm PRL w okręgu Gdańsk. Przez dwie kadencje zasiadał w Komisji Rolnictwa i Przemysłu Spożywczego, w trakcie VII kadencji ponadto w Komisji Spraw Wewnętrznych i Wymiaru Sprawiedliwości.

Odznaczenia
 Srebrny Krzyż Zasługi (1969)
 Złote Odznaczenie im. Janka Krasickiego (1972)
 Złoty Krzyż Zasługi (1972)
 Zasłużony Ziemi Gdańskiej

Bibliografia
 Profil na stronie Biblioteki Sejmowej

Członkowie Prezydiów Powiatowych Rad Narodowych
Działacze Zjednoczonego Stronnictwa Ludowego
Działacze Związku Młodzieży Wiejskiej
Ludzie związani z Pruszczem Gdańskim
Odznaczeni odznaczeniem im. Janka Krasickiego
Odznaczeni Srebrnym Krzyżem Zasługi (Polska Ludowa)
Odznaczeni Złotym Krzyżem Zasługi
Polscy agronomowie
Polscy rolnicy
Posłowie z okręgu Gdańsk (PRL)
Urodzeni w 1940

redpajama_set_name: RedPajamaWikipedia


A 2 × 2, fully-crossed, quasi-experimental design was employed to determine if type of media (rich media vs. lean media) and social prompting (presence of prompts vs. absence of prompts) would differentially impact learning outcomes for patrons interacting with an aquatic invasive species exhibit. Results indicated that the lean-media condition elicited significantly greater learning outcomes than the rich-media condition on two of the three learning measures. The presence of social prompts elicited significantly higher learning outcomes in terms of invasive species identification. The findings are consistent with literature on media and learning. Results are discussed for those designing interactive, public spaces for education.


Pop a note in your diary for a tasty brunch at the Club and a trip to Musselburgh Race Course for the Support Your Services Race Day, where you will be able to see all the action from the comfort of the Lothian Suite. More information will be provided in due course.
Any questions or for more information, contact Lauren on 0131 525 6157.


text:
<?php

namespace kalibao\common\modules\generator\controllers;

use Yii;
use kalibao\backend\components\web\Controller;
use kalibao\common\modules\generator\models\Generator;

/**
 * Class CrudController
 *
 * @package kalibao\common\modules\generator\controllers
 * @version 1.0
 * @author Kévin Walter <walkev13@gmail.com>
 */
class CrudController extends Controller
{
    public $layout = '/simple/simple';

    /**
     * Main action
     * @return string
     * @throws \yii\base\ErrorException
     */
    public function actionIndex()
    {
        $model = new Generator();
        $request = Yii::$app->request;

        if ($model->load($request->post()) && $model->validate()) {
            if ($request->post('build', false)) {
                $model->generate(
                    $request->post('column', false),
                    $request->post('position', false),
                    $request->post('relation', [])
                );
                $tableList = $model->getTableNames();

                return $this->render('main', ['model' => $model, 'tableList' => $tableList, 'success' => true]);
            } else {
                $requestRelation = [];
                $relations = $model->generateRelations($requestRelation);
                $columns = $model->getConfigColumns($model->generateClassName($model->table), $requestRelation);
                $tableLinks = $model->getTableLinks($requestRelation);

                return $this->render(
                    'columns',
                    [
                        'model' => $model,
                        'columns' => $columns,
                        'relations' => $relations,
                        'tableLinks' => $tableLinks,
                    ]
                );
            }
        } else {
            $tableList = $model->getTableNames();
            return $this->render('main', ['model' => $model, 'tableList' => $tableList]);
        }
    }
}


text:
	ccgallery is a minimal gallery application for django.
	It also plays nicely
	with all of the other
	designcc django apps.


On Thursday, US District Judge Laura Taylor Swain approved a 10-year prison sentence and forfeiture of a symbolic $143.1 billion in the case of Peter Madoff, the younger brother of Bernie Madoff.
Peter had pleaded guilty in June to criminal charges in relation with his brother's multibillion-dollar Ponzi scheme, including charges for falsifying the books and records of the company and also conspiracy to commit securities fraud.
During his sentencing, Peter Madoff said, "I am deeply ashamed of my conduct… I accept full responsibility for my actions." Bernard Madoff, 74, had been sentenced in 2009 to a 150-year prison term. Peter and his brother were the only members of the Madoff family criminally charged in connection with the Ponzi scheme.
Prosecutors said, that in his role of chief compliance officer and a senior managing director at Bernard Madoff's firm, Peter Madoff, a lawyer, had helped create false documents that misled all concerned to believe that the company had an effective compliance program in place.
Prosecutors also said, that had a compliance program being in place, then it would have showed no trades were taking place. In fact, without the connivance of Peter, it would not have been possible to hide the Ponzi scheme.
Prosecutors had alleged that Peter Madoff had moved money around within the Madoff family to the tune of millions of dollars to avoid tax payments to the IRS. He also put his wife on the company payroll in a no show job.
Despite evidence to the contrary, Peter Madoff's lawyers had argued in court that Peter had learned of the Ponzi scheme only a few days before the media caught on to it. According to the trustee charged with recovering money for the victims of the scheme, customers had lost at least $20 billion.


Paltrow paired a frilly Stella McCartney dress and blazer with fierce booties, creating a look both elegant and edgy. The Iron Man actress joined her castmates to promote the film in Germany.
The actress sparkled in Van Cleef & Arpels jewelry.
Parker wore a Carole Tanenbaum Vintage Collection necklace and Valentino heels with a floral dress from her own line, Bitten.


FreshPack software developed by fresh produce software specialist, Radfords Software Limited, for Australian mango producer Piñata Farms, was instrumental in streamlining ripening and distribution operations during the 2018-2019 season.
Radfords' product owner, Bobby Barnes, said an add-on to its FreshPack post-harvest solution at Piñata Farms, allowed Piñata and ripening and distribution provider LaManna Premier Group (LPG) to track mangoes via live data at any point in the supply chain during the season.
Rolled out in October 2018, the software enabled LPG distribution centres in Queensland, NSW, Victoria, South Australia and Western Australia, to accurately track and trace mangoes arriving throughout the season from up to 20 packhouses around Australia, he said.
Specialty Honey Gold mangoes are produced by Darwin Fruit Farms (DFF), a joint venture between Piñata and LPG in the Northern Territory and Piñata's Queensland farms as well as 30 contracted third-party growers in the Northern Territory, Queensland, NSW, Victoria and Western Australia from November to March annually.
"Previously, when product arrived, LPG staff were required to manually enter data and send a report to Piñata where data had to be re-entered. Clearly, there was a duplication that could be streamlined to reduce time and save money.
"With the new deployment, LPG staff access FreshPack via the cloud to enter data. Piñata staff then access that data automatically to identify where product is and what ripening stage it's at.
"Piñata Farms became the first Australian fresh produce company to implement FreshPack in 2015. The fully integrated solution is installed at all Piñata sites including a central packhouse at Wamuran, south-east Queensland, and others at Mareeba and Stanthorpe, Queensland and DFF in the Northern Territory.
"It's a multi-location system which consolidates many aspects of Piñata's business. Piñata can scan labels instantly, print labels from a tablet, simplify sales reports and accurately track the movement of product. A system for grower payments is also integrated. We continue to work closely with Piñata to identify and adapt modifications.
"At LPG, it also automatically generates service fee invoices, which saves considerable time."
"Having centralised data reduced the need for a lot of printed reports and gave us the confidence to make key decisions quickly and easily, based on fact. We had 'to-the-minute' knowledge of our stock levels and where our stock was at any given time," she said.
"Because the leading supermarket chains have such stringent food safety standards, it's critical to have optimal supply chain management and the evidence to support our reputation as leaders in food quality and safety," Ms Scurr said.


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A Root canal in Dürnöd can be hard to deal with. It's essential to have a qualified dentist who is expert and knowledgeable to be able to assist you to get the best treatment possible inside your region.


Mediterranean wave glistening, though still.
Mother's manus touches Her face, sheer ardour.
Eyes welling up as she read the deep fable.
You're an adult and its time to inquire, the 'secret' behind the myth.
Society abused me with colic syndrome.
I made you 'Stranger' for better calling you a 'Pest'.
Into the lap of an Orphanage.
You will be beaten and hated for being alive.
When you'll see other children merry in their parental home.
Just to forgive me from all the burden, I grant.
Now my soul can travel in heaven's mirth.
Fight bravely with your life.
She knelt down and just prayed.
Letter was wet with tears of grace.
Which was no one but her mother.
The 'Toy' dropped from her shivering hand and spoke, "I love You".


Fordham University, the Jesuit University of New York, is committed to the discovery of Wisdom and the transmission of Learning, through research and through undergraduate, graduate and professional education of the highest quality. Guided by its Catholic and Jesuit traditions, Fordham fosters the intellectual, moral and religious development of its students and prepares them for leadership in a global society.
Question and Answer about "Marymount College of Fordham University"


text:
Head of Newham apprentice provider fears for its future after cuts to funding
Rhiannon Long
Published: 9:00 AM July 4, 2018 Updated: 10:16 AM October 13, 2020
Stone masonry students. Picture: Ken Mears - Credit: Archant
The head of one of Newham's largest apprenticeship providers is worried about his ability to provide adult courses and apprenticeships, with government funding due to run out in September.
Tim Martin, 60, is the bursar of the Building and Crafts College in Stratford, which provides apprenticeships, adult education courses (19-25-year-olds) and school leavers programmes in joinery, stone masonry and construction.
In autumn last year, the college missed out on funding for its adult education programme and non-levy apprenticeship courses (which are 90 per cent government subsidised).
"Money is the oil that keeps this wheel turning, and we are facing a big financial challenge," he said.
"It runs out in three weeks time, and from September 2019, we'll have no government funding for adult training and non-levy apprenticeships. That matters because 80 per cent of the construction industry and 100 per cent of the stonemasonry industry are non-levy learners."
The college, in the shadow of the Carpenter's Estate, trains around 500 students each year, and Mr Martin insists it plays a huge social role in Newham.
"The college started in the Victorian times as a way for people from an impoverished east end to learn a trade, get a job and move up in the world – we still carry that ethos," he said.
"It's all about jobs. If you can give people a trade, they will always have a job. If you're at the bottom of the social pile, because you come from difficult home circumstances, have been involved with crime, or struggled academically, you may get forgotten about. We help those people."
Mr Martin said the college frequently deals with issues of youth offending, drugs, and ocassionally gang culture. But he's also seen how gaining a qualification can change the life of someone from a disadvantaged background.
"We're of a mindset to give people a rounded education, not just training, because that's what people need to cope with challenges in life," he said.
"There's a crying need for this in Newham because there's a significant number who have already run foul of the law at a young age. What we aim to do is put as much of a social wrapper around young people as possible."
The college has a huge focus on jobs and maintains relationships with various employers, from sole traders to huge firms. While the 16-18 school leavers course is entirely based in the college, apprenticeship courses involve three days a week working, with just two days a week training, to equip them with some career experience.
"The apprenticeship scheme is by far the best way to train people for the construction industry as it combines workplace training with skills and a qualification," Mr Martin said.
"Employers come to us because we can guarantee a qualification – our success rate on courses is about 96 per cent."
Despite the end to government funding for two of his courses, Mr Martin can't bring himself to criticise the decision-makers.
"I think the government are doing the best they can," he admitted.
"They committed themselves to a target of three million apprenticeships by 2020. They're looking across Europe and seeing apprentice models where vocational subjects are seen as the premier – like in Germany.
"But there are huge challenges in a sector that has historically been underfunded. Nationally, there are about 10 to 15 big further education colleges that are in special measures, and very few which make a profit. Brexit is becoming all-consuming which means, understandably, there's not the time nor effort to address this issue."
And while he acknowledged that Brexit should be a priority, Mr Martin argued the two subjects aren't mutually exclusive.
"Because of people leaving as a result of Brexit and an ageing workforce, there's not going to be enough people in the construction industry to meet ambitious targets for housing," he said.
"There's going to be a requirement for more and more apprentices to fill the gap, and at the moment, we can't train people fast enough or in big enough quantities to do that."
Tim Martin, Bursar of the Building Crafts College in Stratford. - Credit: Archant


Yet as all-encompassing as it is, I've had plenty of Serbian readers asking me questions specific to how to use N26.
So here, I want to clear up a few misunderstandings for any Serbian users joining N26, and also demonstrate why N26 is probably a better banking option for you than other online banks like Revolut, Monzo, Curve and Simple.
Is N26 available in Serbia?
Can I withdraw money for free with my N26 card when I'm in Serbia?
Yes! As I demonstrate in my original N26 bank review, you get free ATM withdrawals worldwide with your N26 Black card, which includes ATMs in Serbia. If you don't have N26 Black and are on N26's free plan, you pay a 1.7% fee on the total withdrawal amount.


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