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Camping Trailers For Sale In Missouri
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A decision whether the Gander Outdoors store will remain in Chesterfield could be made in the next 30 days, Camping World Chairman and CEO. In response to the sale of RVs, Wyse wrote: We've.
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The Ponca man gazes at the sprawling current of the flooding Missouri River. Instead of marveling at. He also rented 25 lots to people for their campers, cabins and trailers. Continue reading your.
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Florida-based Brightway Insurance has opened a new store in Missouri. The Grone Agency in Des Peres was established. His new agency offers customized home, condo, renters, auto, flood, boat, RV,
Police arrested four men after catching them stealing televisions from recreational vehicles at Midwest RV, said the St. Louis County Police. Officers from St. Louis County Police South County.
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(Even living in an RV can cost you $1,400 to $3,000 a month. 69 Median home value: $143,200 (Median sale price: $159,400) Taxes: North Carolina has a flat tax and has eliminated a number of breaks.
Here's our pick of the five best tiny houses under $50,000, plus a few honorable mentions. this tiny house sits on a 20 ft (6 m)-long trailer and was constructed using SIPs (structural insulated.
At Middleton's RV, a Missouri RV dealership, "We want your business." Our goal is to earn your business by treating you fairly on your first deal and continuing to serve you throughout your camping adventures. Here at Middleton's RV, a St. Louis RV dealer, we are large enough to serve you, but small enough to know you.
Family attractions are making a big comeback in Biloxi this summer, with a new RV resort planned on Veterans Avenue. go-kart track similar to ones that are very popular in Branson, Missouri and.
BRANSON, Mo. (KMOV.com) — Planning a vacation comes with the hassle. It also boasts a historic downtown district, a full range of dining options and a host of hotels resorts and RV parks. For more.
Storms Monday evening flipped campers at Lucas. A tractor-trailer was blown off a highway. Heavy rain was called a contributing factor in the deaths of two people in a traffic accident Tuesday near.
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As of December 31, 2016, it owned and operated or had an interest in a portfolio of properties located throughout the United.
Claire McCaskill confirmed Tuesday that she used her private plane during a three-day RV tour. later sale of the plane appeared to be a nod to the political pickle that lavish modes of travel might.
and the public is invited to the show and sale. Glass dealers will display rare and collectible American brilliant cut glass. The admission fee is $5 per day. Expo Square, 4145 E. 21st St. Visit the.
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ST. CHARLES, Mo. (KMOV.com) — The lot of On Wheels Storage was evacuated Monday after floodwaters breached the Elm Point Levee. According to the business, more than 600 customers store boats, campers.
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2/02/2009�� WoW Legendary Weapon Do you get that MMORPG.com World of Warcraft Correspondent Darry Huskey provides us with this piece of lore talking about the wow legendary weapon , WoW Frostmourne. With the release of Wrath of the Lich King, ten million bleary eyes have turned to Northrend. how to get stains out of white clothes without washing Maybe I have been lucky and the gods have favored me, but I have just gotten my 3rd legendary, all of which have dropped from World Quest Caches (which I do everyday before I go to work) just keep grinding and it will fall eventually.
11/10/2017�� Also note it is not tagged as a "Legion Legendary" Only as a "Path of the Titans", so yes 3 legendaries, but only this one can be the 3rd. Also..
21/09/2016�� While doing Normal Emerald Nightmare Raid Boss Dragons of Nightmare, the 3rd legendary dropped! Legendary Fire Mage Bracer, Marquee Bindings of the Sun King.
This allows you to upgrade your legendary ring by 3 item levels, up to a maximum of item level 795 (which will require 20 Crystallized Fel). You can get a maximum of 1 Crystallized Fel per lockout, regardless of the difficulty on which you kill Archimonde, but Crystallized does not drop in LFR.


We are an authorized training and consultancy company for IP vendors as Cisco Systems and Fortinet aro...sales (inbound and outbond), follow up and customer management. We will be able to offer a Permanent Position, part time or full time, an interesting basic salary plus commission per sales. IT/TLC sector knowledge will be a plus to consider.


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Q: What is the training accuracy of this model? Training accuracy plot

I'm trying to classifiy ECG signals using LSTM and MATLAB, the above plot shows that the training accuracy of the system is 100% but when I apply this code to calculate and get the accuracy I get only 20%
LSTMAccuracy = sum(trainPred == Labels)/numel(Labels)*100

Training accuracy calculated

Am I missing something here? Or there something wrong I did in my code?
Here is the configuration and the training code:
layers = [ ...
    sequenceInputLayer(1)
    bilstmLayer(100,'OutputMode','last')
    fullyConnectedLayer(5)
    softmaxLayer
    classificationLayer
    ]

options = trainingOptions('adam', ...
    'MaxEpochs',1750, ...
    'MiniBatchSize', 150, ...
    'InitialLearnRate', 0.0001, ...
    'ExecutionEnvironment',"auto",...
    'plots','training-progress', ...
    'Verbose',false);

net = trainNetwork(Signals, Labels, layers, options);

trainPred = classify(net, Signals,'SequenceLength',1000);

LSTMAccuracy = sum(trainPred == Labels)/numel(Labels)*100
figure
confusionchart(Labels,trainPred,'ColumnSummary','column-normalized',...
              'RowSummary','row-normalized','Title','Confusion Chart for LSTM');

A: The problem can be solved using the following line of code:
trainPred = classify(net, Signals,'SequenceLength','longest');

redpajama_set_name: RedPajamaStackExchange


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Węgierska Formuła Renault Sezon 2009 – drugi sezon Węgierskiej Formuły Renault.

Kalendarz wyścigów

Klasyfikacja kierowców

Przypisy

2009 w sportach motorowych
Węgierska Formuła Renault

redpajama_set_name: RedPajamaWikipedia


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'That's not a plan for us,' says Lee of advice from White House on stopping COVID-19
Governor Bill Lee said that although he takes the advice from the White House very seriously, he does not intend to follow it.
FILE - Tennessee Gov. Bill Lee removes his mask as he begins a news conference July 1, 2020, in Nashville, Tenn. Earlier this week, as Tennessee registered its highest single-day coronavirus case increase, Gov. Lee held a news conference and issued a stern response. It wasn't a mandate to wear masks in public or clamp down on businesses or social gatherings. Instead, it was a plea for residents to do the right thing. "When we have people dying in this state as a result of this virus, we should be taking personal responsibility for this," the Republican governor said.(Mark Humphrey | AP Photo/Mark Humphrey, file)
NASHVILLE, Tenn. (WVLT) - Governor Bill Lee said that although he takes advice on COVID-19 from the White House very seriously, he has his own plan for handling the virus in the state.
Dr. Deborah Birx, with the White House COVID-19 Task Force, encouraged widespread mask use in Tennessee and pointed to the possible closure of bars. Lee, however, has repeatedly said no to a statewide mask mandate and another shutdown.
Lee said he discussed alternative plans with Birx to mitigate the spread of COVID-19 that do not involve a state-wide mask mandate, forcing bars to close or shutting down the economy.
"People wear masks because they believe there is a reason to do so," said Governor Lee, adding that he's been to counties that do have a mask mandate in effect and that many people still were not wearing them. "When people begin to understand this will powerfully and productively affect their lives and their livelihoods in a positive way, then they'll do it."
Lee said he will continue to let Tennesseans know every day the importance of mask-wearing, but he will not issue a state-wide mask order.
"President Trump has stated that he believes it's patriotic, he believes that Americans should do it, and I agree with President Trump," said Lee. However, when asked if he would follow the advice of Dr. Birx to close bars and limit restaurant capacity he said, "That's not a plan for us now."

redpajama_set_name: RedPajamaCommonCrawl


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White Bear Smiles > FAQs > Gum Disease > As an adult, am I less likely to have dental problems than when I was younger?
Unfortunately, the possibility of having dental problems doesn't necessarily diminish as we age. Although the baby boomer generation has benefited from water fluoridation programs and fluoride toothpaste, problems can still crop up in the adult's mouth.
Gum disease, for instance, remains a problem for adults. Some 14 percent of adults aged 45 to 54 have severe gum disease.
Signs and symptoms from soft-tissue diseases like cold sores are common in adults. According to the U.S. Centers for Disease Control, about 19 percent of adults aged 25 to 44 are affected by such soft-tissue ailments.
Every year more than 400,000 cancer patients undergoing chemotherapy are afflicted with oral problems like painful mouth ulcers, loss of taste and dry mouth as a result of malfunctioning salivary glands.
The CDC reports that employed adults lose more than 164 million hours of work each year because or oral health problems. So the message is keep brushing, flossing and visiting your dentist regularly. Don't sit back and relax.


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The Road to Jamaica
Rude Paper, a duo from Korea who make 'Future Reggae' music in a land where the word 'reggae' is still not all that common, have created a unique piece of work. They started out in 2012 by releasing their debut album <Paper Spectrum> and ever since heading over to Japan to play at a Reggae Festival, where they befriended lots of other reggae musicians, they have been on a mission to discover what the 'true essence of reggae' actually is. The result of this mission was that in late 2015 the band found themselves on a plane heading to the birthplace of reggae music, Jamaica itself. Members Kunta and RD stayed in Jamaica for a month, where they recorded their second full length album.
The band have just released (via Youtube) a five part documentary series that follows the process of recording their second album <Destroy Babylon> while out in Jamaica. It is a vivid look at the band during their time at Tuff Gong Studio, a reggae music shrine, where they worked with the legendary Dean Frazer and Earl Chinna Smith. As an added bonus for their English-speaking fans, the film includes English subtitles as well!
In order to complete their quest to 'fully understand reggae' music, Rude Paper traveled all the way over to Jamaica to get a taste of the local life and culture. They say their biggest achievement from the trip was to finally get a grasp on the structure of roots reggae music. You can check out the whole story by watching the videos below, or heading over to their Youtube channel here.
Although the band have only just released the video of their trip to Jamaica, the album was released late last year. You can get a copy by following the links below. Rude Paper say they are going to be playing loads of gigs and also plan to release a new single in the near future, so make sure to keep checking back with them for the latest updates and to see them live when you can.
# Episode 1 - Reggae Music is Weapon of the Future
# Episode 2 - Inna De Yard
# Episode 3 - East Rockers
# Episode 4 - D-Day
# Episode 5 - Final recording
Buy Rude Paper's <Destroy Babylon> :
Digital : Monkey3 Music | Naver | Olleh Music | Bugs | Genie | M-Net | Mellon
Physical : Yes24 | Aladdin | Kyobo Online | Hot Tracks
For more information on the band, check them out here :
Facebook : https://www.facebook.com/rudepaperhive
Official Site : http://www.rudepaper.net/
Instagram : https://www.instagram.com/rudepaper_official/
DOINDIE : http://www.doindie.co.kr/en/bands/rude-paper
Rude Paper
Roots Reggae 루츠레게 Jamaica 자메이카
Fan EP of the Year 2016
DOINDIE Introducing 06: Zeal & Ardor
TED : Music Worth Spreading
Idling about with Lazybone
Communicating With The Veggers


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Our success spans two centuries.
For more than 170 years, Harsco has played a fundamental role in industrial progress, expanding across the United States and the world to deliver critical products and technologies to our customers and the markets they serve.
The Harrisburg Car Manufacturing Company
Harsco's rich history dates back to 1853, when a small group of entrepreneurs founded the Harrisburg Car Manufacturing Company. Sparked by the growth of the U.S. railroad system, Harrisburg Car Manufacturing Company successfully produced rail cars for more than 30 years from its manufacturing facility just blocks from Pennsylvania's state Capitol building.
While the company initially manufactured basic railroad freight cars, it later expanded into oil tank cars and refrigerated cars, along with agricultural steam engines and boilers and farming and machinists' tools. Like the Harsco of today, innovation was a foundation for the Harrisburg Car Manufacturing Company.
The Harrisburg Pipe and Pipe Bending Company
In 1890, the Harrisburg Pipe and Pipe Bending Company rose from the former Harrisburg Car Manufacturing Company. Founded by the son of the general manager and two friends, the trio took their small pile of cash and innovative minds and built an enterprise. Using techniques they'd learned to reliably shape steel pipe, they ultimately proved the feasibility of refrigerated rail transport.
Production surged as their new technology was applied to ice-making equipment, shipping containers for ammonia and numerous other products. Over the course of the next decades, the Harrisburg Pipe and Pipe Bending Company continued to expand production and open new business lines in gas shipping, including the lucrative carbon dioxide and oxygen canisters market. The company's steel coils even cooled America's first indoor ice rink, located in Pittsburgh.
Harrisburg Steel
On February 27, 1935, the Harrisburg Pipe and Pipe Bending Company became the Harrisburg Steel Corporation, a change that better reflected its diverse portfolio of forged iron and steel products for industry. During World War II, the workforce swelled to more than 5,000 employees, and the company's efforts earned the coveted Navy E and Army-Navy E awards for dependable, high-volume production.
Entering the 1950s, the company embarked on a deliberate path of industrial diversification, expanding its capacity beyond industrial metalcrafts to include several emerging lines of business, from onsite metal recovery at steel mills to the production of a range of gas containment equipment.
Harsco
In its quest to further broaden and diversify its businesses, Harrisburg Steel and its subsidiaries combined to form Harsco Corporation on January 28, 1956, and began trading on the New York Stock Exchange under the ticker symbol "HSC." Through myriad acquisitions over the next five decades, Harsco propelled itself into new industries and new markets around the world -- from steel and metal services and railway track maintenance to boiler and heat exchanger manufacturing.
In 2009, Harsco united all of its operations under three business segments: Rail, Industrial and Metals & Minerals.
Harsco Acquires Altek
Harsco acquires ALTEK Group, a U.K. - based manufacturer of market leading products that enable aluminum producers and recyclers to manage and efficiently extract value from critical waste streams, reduce waste generation and improve operating productivity.
The cost-efficient recovery of metal and other valuable materials – and environmentally-safe solutions for residual waste materials – are increasingly important to the aluminum industry. ALTEK's products and technologies address these and other operating challenges. Its products include aluminum dross and scrap processing systems and its latest innovation.
Harsco Metals & Minerals Rebrands as Harsco Environmental
In 2019, we rebranded Harsco Metals & Minerals as Harsco Environmental, officially staking our claim to ground we have unofficially occupied for decades. The lion's share of our work is environmentally-focused; Harsco Environmental is a refined vision of what we always have been. At more than 130 sites in over 30 countries, we take products that are dirty – and often dangerous – and make them sustainable. We partner with our customers to solve their most complex mitigation and remediation challenges through nearly 50 different service and product offerings. And, most importantly, we always conduct our business with the mindset that we must never prioritize profit over people and planet.
Harsco Acquires Clean Earth
Clean Earth analyzes, treats, documents and recycles waste streams generated across many diverse end-markets in the infrastructure, industrial, commercial, and institutional sectors. Clean Earth is a leader in the hazardous waste market, and is the largest operator in the contaminated materials and dredged material management market, operating 27 permitted facilities in the U.S.
The company currently maintains a portfolio of more than 200 scarce and difficult-to-replicate permits with a 100% permit renewal success rate, to date. In 2019, Clean Earth is expected to generate approximately $300 million of revenue and approximately $65 million of adjusted EBITDA.
Harsco Divests Industrial Division
In January of 2020, Harsco Corporation announced that it had completed the full divestiture of its Industrial division. The sale of Harsco's three industrial businesses is noteworthy as Harsco continues to transform into a single-thesis environmental solutions company. The sale of these businesses further enables Harsco to focus on high growth, less cyclical areas with a strengthened balance sheet and increased financial flexibility.
Harsco Acquires Environmental Solutions Business (ESOL) from Stericycle, Inc.
A leader in environmental and regulated waste management, ESOL provides a comprehensive portfolio of disposal solutions across the industrial, retail and healthcare markets. With a team of experienced personnel and a network of 13 federally-permitted treatment, storage and disposal facilities (TSDFs) across the U.S., ESOL processes more than 500,000 tons of hazardous waste annually. In addition, ESOL provides transportation services through its extensive logistics network and operates a fleet of more than 700 vehicles, serving more than 90,000 customer locations with 450,000 service stops annually. The acquisition of ESOL marks a significant step forward in Harsco's ongoing transformation into a global, single-thesis environmental solutions platform, with more than 85 percent of the Company's total revenue now expected to come from environmental solutions.
ESOL will be combined with Harsco's Clean Earth division.
New Brand Identity for Clean Earth Following the Acquisition of ESOL from Stericycle
A new brand identity is specifically created to mark the merger of Clean Earth and ESOL. The new logo symbolizes our future vision for Clean Earth.
Unifying ESOL and Clean Earth ensures a highly complementary leading network of 88 waste management sites across the U.S., including 19 federally-permitted Treatment, Storage and Disposal Facilities (TSDFs).
With the increased scale, capabilities and geographic reach to serve a broader base of customers across diverse industries, Harsco is well placed to become a national leader in hazardous and non-hazardous waste streams.


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ideas from within
We are an award-winning full music services provider based mainly in NYC with tentacles reaching to the West Coast and Europe. With over 250 TV episode placements - over 80,000,000 streams and several compositions featured in film, the Endo's are blessed with a slew of the most accomplished songwriters, composers, producers and musicians on the planet. Through years of work recording and gigging, Endo has cultivated deep lasting relationships in the field and are committed to delivering the best quality in all genres of music with a track record to prove it. For our work on the Nickelodeon Emmy-winning show The Loud House, Endo Music won the ASCAP Screen Music Awards for Top Television Series.
endomusic@icloud.com
Endo Music Catalog
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©2022 Endo Music
© 2022 Endo Music


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New Zealand's Brodie Retallick to take break from All Blacks and play in Japan
http://www.bbc.com/sport/rugby-union/48606137
Retallick, 28, has 75 caps for the All Blacks
Former World Rugby player of the year Brodie Retallick has signed a new deal with New Zealand Rugby that will see him take a break from the All Blacks.
The 28-year-old second row will leave New Zealand after the World Cup later this year to play two seasons in Japan, including an extended family break.
He will return to the All Blacks set-up in May 2021 through to the following World Cup in 2023.
Retallick said he made the "big decision" to "give his body a break".
"I'm grateful to be able to have the opportunity to head over to Japan and experience not just the rugby but for my family and to be immersed in another culture," he said.
"I've been playing high-octane rugby with the Gallagher Chiefs and All Blacks since 2012, and while I've loved every minute of it and my workload has been managed well, I've decided to give my body a break from the New Zealand game, so that ultimately I can extend my career here."
Retallick named player of the year
Like England, the All Blacks have a policy of not selecting players who have moved abroad to play club rugby.
All Blacks coach Steve Hansen said: "While there's a playing sabbatical during that time - and Brodie will no doubt be missed - it also gives the future All Blacks coaches the opportunity to build even more depth in that position.
"I congratulate NZR on being inventive in their contracting process, as there would have been many offers for him to leave permanently."
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Observing how cinema has maintained its years of fears


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Category Archives: Science fiction
Looper (2012)
Delay of gratification is hardly fashionable these days. In 2044, even less. So working as a looper makes sense, offering clean murder services to crime syndicates whose hands are otherwise tied by extensive body tagging. Instant cash, never mind what happens 30 years later. Joe (Joseph Gordon-Levitt) explains the premise:
In the future, time travel is outlawed, used only in secret by the largest criminal organizations. When they need someone gone and they want to erase any trace of the target ever existing, they use specialized assassins like me, called loopers. The only rule is: never let your target escape, even if your target…is you.
Therein lies the crux of the plot. Old Joe (Bruce Willis) travels back in time to hunt down a certain child and prevent a disastrous future, in the process endangering Young Joe's life, whose looper contract forbids such a dichotomy. The two Joes struggle against each other, culminating in a final face-off at a Kansas farmhouse owned by Sara (Emily Blunt), whose son Cid (Pierce Gagnon) just might be the feared Rainmaker.
With all this going on, it's not surprising that the film projects an Inception-like feel. Director/writer Rian Johnson makes his own mark on the sci-fi genre though. The movie handles information well, and it is a clash of motives that drives the conflict, not external antagonists (although we have those too). Looper owes a lot to its impressive cast. Gordon-Levitt delivers as usual, and Willis reprises a role he's practiced to perfection: shooting down bad guys in the name of love and leather jackets. It is Blunt who surprises us with a highly emotional scene—which she pulls off without a hitch. And Gagnon gives new meaning to creepy child prodigy when he goes past mere precocious to ultra-powerful. Also, although these hardly alter the overall effect, I appreciated little touches like Gordon-Levitt's make-up and Blunt's tan. While they can be distracting, I recognized the added effort to lend authenticity to the movie.
Time travel is always a tricky territory to navigate. But Looper provides a caveat early on, and one that we readily agree with at the film's conclusion. "This time travel crap," Abe says, "just fries your brain like an egg." This might seem like a cop-out, but it's not. The film plays out so elegantly, so neatly (it's a "closed loop" after all) that one would be hard-pressed to come up with a better solution. It's not so much that there are no plot holes, but that the film holds you in thrall so effectively that you don't want to find them, you don't want to spoil it by thinking too much. Sure, Looper makes leaps of logic (what sci-fi movie doesn't?) and characters make lousy decisions, but that's part of the act. And it's all synchronized so well that you don't feel the need to look behind the scenes and dispel the magic. Those of you who want to take up the challenge and fry your brains, go ahead and try. As for me, I don't need to make heads or tails of this. I'm happy with this violent, ambitious, splendid mess.
'I'm from the future. Go to China.'
'I don't want to talk about time travel because if we start talking about it then we're going to be here all day talking about it, making diagrams with straws.'
This entry was posted in Action, Film, Science fiction, Thriller and tagged Bruce Willis, Emily Blunt, Joseph Gordon-Levitt, Looper, Pierce Gagnon, Rian Johnson on October 21, 2012 by Michelle.
The Dark Knight Trilogy (2005-2012)
There are storylines, and then there are variations. Season after season, we see movies harking back to their predecessors: targeting the same audience and using the same time-tested tropes, with varying degrees of critical and box office success. But every so often there comes along a work that is not content with playing by the rules, that changes the game altogether. Off the top of my head: The Godfather, Lord of the Rings, The Matrix—trilogies that changed the platform for all that came after. For the superhero genre, Christopher Nolan's The Dark Knight series is one such game-changer.
I spent almost six hours preparing for the finale last Saturday. Several hours before the 8:10 PM screening, I saw Batman Begins for the first time and re-watched The Dark Knight. I walked into the theater drugged with Batman information and fortified by an NYFD sandwich. It had been an adrenaline-packed day. By midnight I was dragging myself, but the marathon did give me a 20/20 view of the whole trilogy.
At least for the first half-hour, Batman Begins underwhelms. Although it's an origin story, it handles Bruce Wayne's childhood trauma carelessly, using terrible sequencing. The repeated flashbacks don't work, and the sudden introduction of Ra's al Ghul (who basically just goes, "Come, I'll to train you to be badass") seems too convenient and hard to believe. The story gets progressively better though, picking up when Bruce returns to Gotham. From that point on the plot unfolds gracefully. Bruce's childhood terror of bats comes neatly into play when Scarecrow unleashes his panic-inducing psychedelic drug. This paves the way for the film's most poignant moment, which occurs when a heavily-gassed, hallucinating Batman clambers onto a rooftop and rasps into a cellphone, "Alfred, help me." The scene barely lasts a minute, but it shows Batman at his weakest, his most vulnerable, and he calls out to his oldest friend and says, "Help me." After an unexpected twist, the conflict escalates into a familiar climax: mentor and mentee fight for the greatest city in the world. It's not particularly astounding, but as far as superhero movies go, it is gratifying. Undoubtedly the film's worst decision involves casting Katie Holmes as Rachel Dawes. She and Christian Bale have zero chemistry together. Maggie Gyllenhaal doesn't really embody the character either, but she's definitely an improvement.
Actually, with The Dark Knight, everything is an improvement. Since its release, the sequel has received worldwide acclaim, overshadowing its precursor by a wide margin, and for good reason. The Dark Knight goes well beyond what a good film should be. As an action movie, it does not disappoint. It is suspenseful, thrilling, and thoroughly captivating. In exploring dark moral themes, it is also thoughtful and fiercely intelligent, offering not black-and-white answers, but motley shades of gray. The ingenious interplay and overlap of the characters' values creates a spectacle both difficult and incredible to watch.
What props up the movie's ambition is its stellar cast. Christian Bale gives a consistent performance throughout the series, defining Batman in a way that will affect generations. Aaron Eckhart also delivers as Harvey Dent/Two-Face, rendering his rage-driven insanity credible and at the same time repulsive. Heath Ledger gives his best (and sadly, last) performance as the Joker, often stealing the spotlight from Batman. The Joker has already solidified his status as one of the greatest villains of all time, but through Ledger he becomes even more sinister, even more enigmatic. Thrice he asks would-be victims (including Batman), "Ever wonder how I got these scars?"—hinting, "Ever wonder why I turned out this way?"—and gives different answers, implying that there is no reason, that evil can exist sans cause.
Without a doubt, The Dark Knight marks an industry milestone, by superhero genre standards or any other. Coming on the heels of such an acclaimed movie, the third film was not poised for success. But even with lowered expectations—and as much as I do not want to admit it—the finale disappoints. Whereas The Dark Knight posits questions on meaning and morality, the third installment mostly provokes questions about plot. Its convoluted enemy storyline feels hastily patched together and shows holes in many places. Take just one point: Batman's return. How did he re-enter Gotham from the Pit? How did he get back all his gear? And, for that matter, why hasn't Bane destroyed his equipment yet? Five months is a long time to spend waiting around to fail.
Despite his bulging muscles, Bane (Tom Hardy) fails to command respect as a villain because of his lackluster terrorist-thug image. So we're actually relieved to discover he's not the mastermind—only to find out that it's someone even more unimpressive, whose role until then had only been to provide Bruce Wayne with support, financial or otherwise. Uncharacteristically, Marion Cotillard gives a flat performance (maybe her role just isn't compelling enough). Her final speech falls on deaf ears; we don't really care about her father issues. What fans feel strongly about, even before production began, is Catwoman. Given Nolan's previous female lead miscasts, fans had a right to worry. But Anne Hathaway gets to slap all haters in the face when she undergoes an exquisite transformation as the super-hot and versatile Selina Kyle. She easily proves herself one of the best cast choices in the franchise, right up there with Michael Caine as Alfred Pennyworth, Batman's batman.
Hathaway aside, the finale still holds a lot of room for disappointment. Its clear division between good and evil may be fine for a regular superhero movie, but we're not talking about a regular superhero movie. We're talking about the conclusion to The Dark Knight series! We're talking about the follow-up to the one film that changed the rules! Unfortunately, like Sam Raimi's Spider-Man 3, the much-anticipated finale finds a hard time reaching the high standards it set for itself.
Let me make this clear: The Dark Knight Rises is not a bad movie, far from it. It still attempts to ask big questions, but instead of soaring the way its predecessor does, it kind of flops and sputters along the runway. The film spends a long time cultivating a classist undercurrent, but it never really takes off because we don't get the sense that things change after the riots. Presumably, order resumes, and up stays up, down stays down. Not like in The Dark Knight, where the Joker shakes Gotham to its core. I at least found one gem in a conversation between Commissioner Gordon (Gary Oldman) and Detective John Blake (Joseph Gordon-Levitt), when the latter admits the former's point about structures becoming shackles and relinquishes his badge in favor of a more…unorthodox crime-fighting path.
If The Dark Knight Rises fails at setting up a convincing conflict, it nonetheless succeeds in wrapping up the series. And it does so admirably, doing justice to each of its characters. Thematically, the conclusion of Batman echoes several points in his life: his emotional struggles, his failures, his parents' vision, their subsequent death, Rachel's death. All three scripts reflect this cohesion. Even Selina's chilling whisper of "There's a storm coming, Mr. Wayne" from the 2012 trailer recalls a scene two films earlier, when Batman tells then-Sergeant Gordon, "Storm's coming." Subtle, but shows just how much care was put into the making of these scripts. No wonder Nolan was so damn protective of them.
"Haven't given up on me yet?" "Never." In Batman Begins, we see Bruce and Alfred regularly exchanging these lines. During their final confrontation, under different circumstances, Alfred gives a different answer—heartbreaking, but necessary all the same. This argument sets the audience up for the conclusion, which, in hindsight, seems to be what trilogy has been heading towards all along. From Rachel's letter to Alfred's ultimatum, the finale makes it clear that the story no longer belongs to the symbol, but to the man—that the day has finally come "when [Bruce] no longer needs Batman."
Although obviously an action franchise, Nolan's series is invigorating in more ways than one. While remaining strikingly original, it calls to mind other landmark works that develop the same themes. Ra's al Ghul's insistence on becoming "more than just a man" finds similar incarnations in V from V for Vendetta and Zero from Code Geass. And Bane's point about the Pit, about there being "no true despair without hope," calls to mind a line from Neil Gaiman's Sandman. Among its achievements, the trilogy's greatest feat lies in how it pushes boundaries. It shows us the philosophical possibilities of superhero movies, a genre until now largely confined to entertaining but safe productions like the recent Spider-Man reboot.
But, as the Joker would say, "Why so serious?" For all its intellectual high-wire twists, the series triumphs because it works on a more basic level: it knows how to please an audience. All three films come out generously sprinkled with action sequences featuring top gear from Lucius Fox (Morgan Freeman), among other visual spectacles ("Anne Hathaway on a motorbike? So worth it!" my friend TJ avows). It also doesn't hurt that the movies weave key truths and emotions into their storyline, creating more than a few tearjerkers. "Why do we fall? So we can learn to pick ourselves up."
Nolan's trilogy is not perfect, but even with the worst of its warts, it still comes extremely well-recommended, even for non-geeks like me. It remains the best superhero series out there, and one that is not likely to fade from memory.
'A vigilante is just a man lost in the scramble for his own gratification. He can be destroyed or locked up. But if you make yourself more than just a man, if you devote yourself to an ideal, and if they can't stop you, then you become something else entirely.'
'Death does not wait for you to be ready! Death is not considerate or fair! And make no mistake: here, you face Death.'
'Crime cannot be tolerated. Criminals thrive on the indulgence of society's understanding.'
'Haven't given up on me yet?' 'Never.'
'Ignorance is bliss, my friend. Don't burden yourself with the secrets of scary people.'
'It's not who you are underneath, it's what you do that defines you.'
'You either die the hero, or you live long enough to see yourself become the villain.'
'If you're good at something, never do it for free.'
'Tonight you're all gonna be a part of a social experiment.'
'That's the point of Batman. He can be the outcast. He can make the choice that no one else can make.'
'They're only as good as the world allows them to be.'
'Sometimes the truth isn't good enough. Sometimes people need more.'
'There can be no true despair without hope.'
This entry was posted in Action, Film, Science fiction and tagged Aaron Eckhart, Anne Hathaway, Batman Begins, Christian Bale, Christopher Nolan, Cillian Murphy, Gary Oldman, Heath Ledger, Joseph Gordon-Levitt, Katie Holmes, Liam Neeson, Maggie Gyllenhaal, Marion Cotillard, Michael Caine, Morgan Freeman, The Dark Knight, The Dark Knight Rises, Tom Hardy on July 26, 2012 by Michelle.
In 2093, the spacecraft Prometheus enters the vicinity of LV-223, a distant moon believed to hold the secret to man's origins. Funded by Weyland Corp.'s dying CEO (Guy Pearce), the expedition follows an ancient star map discovered by archaeologist couple Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green). On the moon, several crew members disembark, including an android called David (Michael Fassbender). Under instructions from Meredith Vickers (Charlize Theron), they explore the area expecting answers, and discover horrifying truths.
As many critics have noted, Fassbender gives a superb performance as David. He radiates an aura so otherworldly, so nonhuman, that it's chilling just to watch him move. Because we are not privy to his motivations, David remains an unpredictable character. We are always suspicious. In contrast, Shaw starts off as a naïve scientist seemingly ignorant of the risks of experimenting with extraterrestrials. What she experiences, however, transforms her into a resilient survivor, and we find ourselves rooting for her by the movie's end. Vickers, on the other hand, stays terribly underutilized. She first appears doing push-ups after two years of stasis—piquing audience interest—but she contributes virtually nothing to the plot. Without any real power (her crew keeps disobeying her) and ostensible personal agenda, Vickers functions as little more than eye candy. Theron's capable acting is wasted on a character that isn't done any justice in the script.
Prometheus is far from perfect, but the good news is, it doesn't aim to be. Viewers complain that it's confusing and that it contains too many unresolved questions—perfectly valid assessments elsewhere, but here I disagree. Details are dealt sparingly, but attentive viewers should be able to piece together enough information to feel satiated, for now. Ample threads are left open for a possible sequel, which may or may not connect to the first Alien movie (TJ filled me in on this). It's not that I have zero complaints: An early scene, a father-daughter memory meant to provide background on Shaw's faith, strikes me as gratuitous and too on the nose. But despite certain predictabilities (ooh this looks dangerous let's touch it), Prometheus pulls off a thrilling and intellectually satisfying adventure by taking on some of mankind's most enduring issues and setting them against a gorgeously bleak alien landscape. Perhaps rightly so, it portends that some questions are not meant to be answered, and leaves us with a distressing possibility.
'The trick is not minding that it hurts.'
'Why do you think your people made me?' 'We made ya 'cause we could.' 'Can you imagine how disappointing it would be for you to hear the same thing from your creator?'
This entry was posted in Adventure, Film, Science fiction, Thriller and tagged Charlize Theron, Guy Pearce, Logan Marshall-Green, Michael Fassbender, Noomi Rapace, Prometheus, Ridley Scott on June 28, 2012 by Michelle.
Sam (Sam Rockwell) is a Lunar Industries employee who has signed a three-year contract to oversee automated operations on the moon base Sarang. His job consists of collecting full canisters of helium-3 from robotic harvesters and sending them to Earth, where clean fusion energy has replaced fuel as the main source of power. With only a mechanized assistant called GERTY for company, Sam maintains a regular routine, counting down the days until he sees his family again. However, things change when an accident occurs and he finds someone out there, the one person he would have never expected—himself.
Co-writer and director Duncan Jones deserves praise for this stunning debut, which—as Joachim Boaz warned me—far exceeds the merits of his other film Source Code. While both involve thought-provoking science fiction, Moon (among other achievements) attains greater success in the creation of a singular effect on its viewer. I went to bed that night feeling sorrowful and deeply moved. It's also worth noting the director's aptitude in crafting a story about immense solitude and intuitively situating it on the moon, which carries with it simultaneous associations of fascination and alienation. On the one hand, it's new terrain—exotic and unfamiliar. On the other, it represents the furthest possible distance between one man and others (in this case, also himself).
Moon is a prime example of the kind of science fiction that asks the terrible questions. What does it mean to be human? What differentiates us from highly intelligent machines like GERTY, one that can express a limited range of emotions and even make decisions on its own? In a world where both are manufactured, rebooted, and disposed of as needed, where do we draw the line? This film forewarns of a plausible (and in some ways already palpable) future based on dehumanization, where our perception of man draws from mere practicality, where a person is reduced to a commodity, of which hundreds of similar stocks may be produced; most cruelly of all, where an individual is permanently deceived in regard to his own identity. In the most painful of ironies, Sam is reduced to asking questions about his existence to a machine.
A highly satisfying movie, Moon convinces, compels, and assaults with a poignancy human enough to disturb an emotional core. It is a film I am grateful to have watched, and one I passionately recommend.
'GERTY, we're not programmed. We're people, you understand?'
This entry was posted in Drama, Film, Science fiction and tagged Duncan Jones, Moon, Sam Rockwell on February 24, 2012 by Michelle.
Melancholia (2011)
Revealing the end is not something most of us would consider doing in a movie, especially one about the end of the world. But that is exactly what Lars von Trier does in Melancholia, and very consciously at that. The film opens with a series of slow-motion images chronicling Earth's last moments: a bride floating down a stream, a mother carrying her child, two planets at the moment of collision. Not wanting his audience to be distracted from the central drama, von Trier dispels the suspense by establishing the end at the beginning.
I'm not completely sold on this idea, mostly because I found the opening scenes too dramatic and too consciously "artistic," to the point that they seemed little more than overdone wallpapers. Nonetheless, I do get von Trier's point about distraction, and I did like the movie better as it progressed. Part I focuses on Justine (Kristen Dunst), who remains distant and troubled throughout her wedding, until her new husband leaves her by the night's end. In Part II, we see Claire (Charlotte Gainsbourg) struggling with her depressive sister as her husband John (Kiefer Sutherland) tracks the approach of the rogue planet Melancholia.
Maki always makes me watch the strangest films. Although it doesn't beat Waking Life, Melancholia ranks very high in terms of oddity. For one thing, it confines a world catastrophe to one family's experience. It's actually more frightening than typical apocalyptic movies where everything is large-scale and explosive. Here, the end of the world is a most private experience. Seemingly marooned on a sprawling mansion, our characters are cut off from the rest of humanity and are left to face the end alone.
What I appreciated most about Melancholia is its skillful handling of metaphor in conflating depression and planetary collision. Von Trier identifies melancholy with a destructive planet, both of which loom over the characters' lives in their immensity, and against which they are rendered completely powerless. But this subtlety is difficult to reconcile with the film's extremely slow pace, which adds to its inherent heaviness and disconcerts the viewer. It's not a pleasant experience, but one I cannot criticize because it's clearly part of the intended effect. Strange and eerily beautiful, Melancholia is not a readily enjoyable film, but is triumphant enough to warrant intellectual appreciation and discussion. Most importantly, it exhibits a conceptual ambition that few other movies even attempt.
'Life is only on Earth. And not for long.'
This entry was posted in Drama, Film, Science fiction and tagged Charlotte Gainsbourg, Kiefer Sutherland, Kirsten Dunst, Lars von Trier, Melancholia on February 8, 2012 by Michelle.
The Adjustment Bureau (2011)
Is it just me, or are Hollywood movies getting better with their plot lines these days? Since Inception, more and more directors are dipping their fingers into science fiction. In 2011 alone, we have popular films like Source Code, Contagion, and In Time all with sci-fi elements serving as premises to fuel the story. In The Adjustment Bureau, fate is a book that you hold in your hand, and chance is a man in a fedora hat setting up your every choice.
On election eve, Senate candidate David Norris (Matt Damon) meets beautiful, impulsive Elise (Emily Blunt). Fate dictates that they never see each other again, but chance intervenes and sets in motion a problem for the agents of destiny. Harry (Anthony Mackie), a jaded member of the Adjustment Bureau, makes a slip-up that allows the two to meet again, and this time the attraction is strong enough to reshape their lives. The Bureau does not respond kindly to deviance, so in order to stay together, David and Elise must overcome forces they never knew existed and fight against fate itself.
"The guy rides the same bus every day for three years. Who does that?" Romantic movie heroes, that's who. It's easy to imagine the same scenario with Ryan Gosling, dutifully waiting for that moment he chances upon Elise again. But Matt Damon, really? Because we saw so much running from him in the Bourne series? For a movie centering on love, the romance falls flat in this film, partly because Matt Damon fails to convince. The script had some winning lines, but it also contained too many cheesy scenes. I prefer Source Code, where the focus is more on the action and the implications of the setup than the romance. Here, all I see is a sci-fi love-conquers-all drama.
Maki agrees with me: The Adjustment Bureau has a promising concept, but unfortunately it came out half-baked. Somehow it feels like the people behind it didn't think their premise through because they were too busy trying to make it appealing. If God watched this, I'm sure he would feel offended. The Chairman is a whimsical God: he intertwines David and Elise's fate from birth, then one day rewrites everything. Later on, he again changes his mind. Really, God? That's the plan, impulsive revision? Plus the hat thing is just hilarious. What God would do that?
'You ruined me. I didn't want to settle for less.'
'You don't have free will, David. You have the appearance of free will.'
'All I have are the choices I make.'
'I want to spend the rest of my life with you. Even if it's only a little while.'
Free will is a gift that you'll never know how to use until you fight for it.
This entry was posted in Action, Fantasy, Film, Science fiction and tagged Anthony Mackie, Emily Blunt, George Nolfi, Matt Damon, The Adjustment Bureau on December 9, 2011 by Michelle.
District 9 (2009)
What is District 9? This was a question I had asked myself many times, whenever I heard the title brought up in workshop discussions or random conversation. Initially I thought it was an action-drama movie. I had imagined prison breaks, rapid gunfire, a happy ending. What is District 9? This was a question I asked even as I pressed the button that would play it on our TV. What unfolded on that screen was as far from expected as possible.
Aliens. A million of them. Their sudden arrival on an inoperative spacecraft in Johannesburg pushes the government to confine them inside District 9. During a mass relocation decades later, operation leader Wikus van de Merwe (Sharlto Copley) becomes exposed to alien biotechnology, making him a valuable specimen for genetics research. Escaping capture, Wikus runs for his life and in the course of survival forges an unlikely friendship with an extraterrestrial (Jason Cope). Together, they struggle to harness alien biotechnology to achieve individual ends, even as a military colonel (David James) and his army follow at their heels.
The movie opens with Wikus, immediately establishing him as a bureaucratic flunky. In his early encounters with aliens, he displays a flippant callousness bordering on offensive. But while he is an unpleasant character, Wikus does not deserve what happens to him. Since exposure, his life is reduced to a series of choices forced onto him by circumstances. As a viewer, I felt tremendous pity for him. But I also recognized the cleverness of the setup, the possibilities it held for the film. The movie's structure also deserves praise. Regular action sequences are interspersed with various mock-documentary material such as fictional news footage and interviews, creating an illusion of reality. This technique also lends the movie an exposé feel, as if we viewers were regular citizens suddenly given a chance to become privy to national secrets. The surveillance camera trick makes you feel as if the whole truth is unfolding before the public eye. Who can resist?
Like any good science fiction movie, District 9 offers a lot more uncertainties than answers. It pushes viewers to the limits of their imagination and poses the right questions—without brandishing a moral and, most importantly, without sacrificing the story. A film worthy of its premise, District 9 refuses to fade into memory. It delivers a calculated ending that leaves viewers with a profoundly disturbing chill.
When dealing with aliens, try to be polite, but firm. And always remember that a smile is cheaper than a bullet.
This entry was posted in Action, Drama, Film, Science fiction, Thriller and tagged David James, District 9, Jason Cope, Neill Blomkamp, Sharlto Copley on November 6, 2011 by Michelle.


Facebook testing a fake news detector and more.
The Russian startup launched their app in June, initially offering a series of art filters that could be applied to photos. After the filter-lovin' public of Instagram embraced the app en masse, the team added support for video. However, almost immediately after launch, the startup's access to the Live API was cut off by Facebook.
Pinterest is launching a new design for business profiles that allows brands to showcase more products and ideas on their pages. The slideshow-style feature can be populated with five boards that automatically alternate, and with a placement right at the top of a business profile it is one of the first things a general user sees. The new updates give you more control over how your content is displayed, helping you showcase your products and offerings in a more effective way.
Facebook is showing red warning labels above fake news links in the News Feed for some users in what appears to be a limited test. However, the feature appears to be an implementation of the Chrome plugin B.S. Detector, which some users took as a test by Facebook itself.
Last week, Reuters unveiled its custom tool with the name 'Reuters News Tracer'. The news agency claims its software is designed to identify breaking news events on Twitter while initial reports are still coming in. According to Reuters, its biggest (and most important) challenge when developing the algorithm was figuring out what events were newsworthy and not spam.
Tone is important, but audiences identify most when you share their world view.


Following the opening of a new £14m warehouse facility, Henderson Group users reported a serious performance issue with the main warehouse management system. Origina were called, and solved the issue inside 15 mins!
Your details are safe with us and rest assured we'll only contact you with awesome offers or great news. Now as promised, here's your "How Origina Solved an IBM Software issue in 15 minutes".


text:
Planning Board to take closer look at riding academy site
Members of the Southold Town Planning Board plan to take a closer look at the G.W. Meade farm on Ackerly Pond Lane before a public hearing on an application for a riding academy at the site scheduled for Oct. 17.
The board members plan to walk through the Southold site as a group after several neighbors voiced concerns about the proposed riding academy, which is currently before both the Planning Board and the Zoning Board of Appeals for review.
Town Planner Brian Cummings told board members at a work session on Monday that there are several issues with the proposal to add a 14,400-square-foot indoor arena and a 5,200-square-foot barn to the existing 10-acre horse farm, including the fact that the property is accessed by a shared one-way driveway that is used by three neighboring residential property owners.
The farm is currently owned by William Bergrath, but Brian Glenn and Lucille Sullivan of Riverhead plan to buy the farm, which has a small farmhouse and three barns.
Mr. Cummings said that Mr. Bergrath likely violated covenants and restrictions on the property when building some of the outbuildings on the site.
"It needs a lot of scrutiny. We need to walk the road and walk the driveway," said Town Planning Director Heather Lanza at Monday's work session.
The Oct. 17 public hearing will begin at 6 p.m.
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Southold Town Planning Board
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Aaron is taught the method for kindling the Menorah. Moshe sanctifies the Levi'im to work in the Mishkan. They replace the firstborn, who were disqualified after sinning with the golden calf. After five years of training, the Levi'im serve in the Mishkan from ages 30 to 50; afterwards they engage in less strenuous work. One year after the Exodus from Egypt, Hashem commands Moshe concerning the Korban Pesach. Those ineligible for the Korban Pesach request a remedy, and thus the giving of the mitzvah of Pesach Sheini, which allows a "second chance" to offer the Korban Pesach one month later. Miraculous clouds, that hover near the Mishkan, signal when to travel and when to camp. Two silver trumpets summon the princes or the entire nation for announcements. The trumpets also signal travel plans, war or festivals. The order in which the Tribes march is specified. Moshe invites his father-in-law, Yisro, to join the Bnei Yisrael, but Yisro returns to Midian. At the instigation of the Eruv Rav (the mixed multitude of Egyptians who joined the Bnei Yisrael in the Exodus) some of the people complain about the manna. Moshe protests that he is unable to govern the nation alone. Hashem tells him to select 70 elders, the first Sanhedrin, to assist him, and informs him that the people will be given meat until they will be sickened by it. Two candidates for the group of elders prophesy beyond their mandate, foretelling that Yehoshua instead of Moshe will bring the people to Canaan. Some protest, including Yehoshua, but Moshe is pleased that others have become Prophets. Hashem sends an incessant supply of quail for those who complained that they lacked meat. A plague punishes those who complained. Miriam makes a constructive remark to Aaron which also implies that Moshe is only like other Prophets. Hashem explains that Moshe's prophecy is superior to that of any other Prophet, and punishes Miriam with tzara'as, as if she had gossiped about her brother. Moshe prays for her, and the nation waits until she is cured before traveling.
One of the less attractive features of modern urban living is graffiti.
Sometimes the motive is political; sometimes it is anarchic. Really, the granddaddy of all modern graffiti are the initials carved into an oak tree together with a heart pierced by an arrow - "Brian loves Brenda" and the like. Or the ubiquitous 'Kilroy' who must have been more well-traveled than Marco Polo. For from Macchu Picchu in Peru to the Acropolis in Athens, you can find engraved on those ancient stones: "Kilroy was here".
What is the underlying motivation that makes people want to carve their names in stone, and spray their opinions in day-glow paint?
Man is terrified by the thought of his own transience. By carving his name in the Acropolis, he tries to extend his life span to thousands of years. "Even though I may be dead and gone, I'm still alive as long as someone is reading this."
Graffiti is a cry of anguish in the face of our own transience.
When Aaron lit the Menorah, we are told that he did it without changing. What's so special about that? Of course, if G-d commands us to do something, we do it without changing the command.
No. When it says that Aaron didn't change, it means he didn't change one iota from the way G-d commanded him to do the mitzva. He did it exactly the way he was commanded. He resisted the natural desire to imprint his own character on what he was doing, to add something of his own personality, to immortalize himself.
Aaron was praised because he wanted to do nothing less and nothing more than the will of Gd.
Hashem's will - His Mitzvos - are flawless. When Man tries to 'improve' on them, he is spraying day-glow paint over an edifice of celestial perfection.
When you think of man's first landing on the moon, the picture that probably comes to your mind is that of Edward 'Buzz' Aldrin with his arms slightly lifted from the sides of his body by the bulk of his space suit. Distorted by the curvature of his helmet's visor is a reflection of the photographer, Neil Armstrong. In front of him are a few footprints that represent a 'giant leap.' Behind him the blackness of space.
Whenever we want to remember something, to have a reminder of a landmark event in our lives, we take pictures to immortalize the experience. Be it a wedding or a trip down the Orinoco, we make mementos of these moments. And by making these mementos, we fix these events in the map of our lives, and they become like signposts. Signposts that by telling where we have been, help us to clarify to where we are supposed to be going.
But if you think about it, it's difficult to understand what was flawed in their behavior. After all, a person is supposed to run to do a mitzva, and they were 'running' to Eretz Yisrael where many of the mitzvos were to be performed exclusively.
Weren't they merely fulfilling the command to do mitzvos with alacrity?
Furthermore, in this week's Parsha, the Torah itself teaches us that "According to the word of Hashem the Children of Israel traveled, and according to the word of Hashem, they camped." So what was their failing, since it was Hashem who commanded their movements?
The flaw was not in their actions, but in their feelings.
When something special happens in life, we want a memento to immortalize the moment. The Children of Israel, while wanting to journey as quickly as possible to Eretz Yisrael, should still have left Mount Sinai, the site of the giving of the Torah, with mixed feelings, with a little hint of melancholy that they were leaving this, the site of the Creation of the Jewish People; the fulfillment of the purpose of Creation.
They should have wanted, as it were, to have 'a photograph' - an emotional keepsake - of this, mankind's greatest giant leap.
How do you get a quart into a pint pot?
If the walls of a pot are very thick, what you can put inside will be less than if the walls were thin. The thinner the walls of a container, the less they intrude into the space inside the container, and thus the greater its capacity.
Moshe Rabbeinu was more humble than any man who lived. He made less of himself than anyone else. That doesn't mean he thought he was a shlepper! Moshe knew who he was. He was a king. But he understood that compared to Hashem, he was nothing. He understood this more clearly than anyone else who has walked this planet.
It is for this reason that he was able to receive and contain the Torah in its perfection.
It's not that Moshe was just 'the best man for the job.' It's not that he was relatively humble - more humble than those who surrounded him. Rather, Moshe reached an absolute and quantifiable level of humility, at which point he became able to contain the whole Torah in all its fulness and complexity.
It therefore follows, that even today, if someone reached Moshe's level of humility, that person too could receive the Torah in all its perfection and completeness - like Moshe.
What is the connection between last week's Parsha which tells of the gifts that were brought for the inauguration of the Mishkan, and the beginning of this week's Parsha which describes the mitzva of the Menorah?
At the end of last week's Parsha, when Aaron saw the princes of all the other tribes bringing their offerings for the inauguration of the Mishkan, he was depressed. Seemingly, he had been left out.
Hashem consoled him, telling him that his lot would be greater than that of the princes, because he would prepare and light the lamps of the Menorah.
Why was lighting the Menorah greater than bringing offerings? The Midrash answers that offerings can only be brought while the Beis Hamikdash is standing, whereas the mitzvah of the Menorah is eternal.
But the question returns - when the Beis Hamikdash is no longer standing, doesn't the lighting of the Menorah also cease?
In reality, the Menorah lives on even after the destruction of the Beis Hamikdash, through Aaron's descendants, the Maccabees, who were of the priestly lineage.
The Maccabees' miraculous defeat of the Greeks at the time of Channuka, will be commemorated eternally by the kindling of lights. That was the consolation that Hashem gave Aaron: That the Menorah would live on eternally in every Jewish home in the lights of Channukah.
Even though today it seems that all remnant of the majesty of the Royal House of David has been uprooted and has vanished into nothingness, nevertheless, the root is still living, hidden and dormant.
Immediately prior to the coming of Mashiach, there will be tremendous confusion in the world. Everything will seem to have gone haywire. The natural order will be turned on its head: Age will bow to youth. Ugliness will be trumpeted as beauty, and what is beautiful will be disparaged as unattractive. Barbarism will be lauded as culture. And culture will be dismissed as worthless.
The hunger of consumerism and the lust for material wealth will grow more and more, and it will find less and less to satisfy its voracity. Eventually Esav/Materialism will grow so rapacious that it will become its own angel of death. It will literally consume itself and regurgitate itself back out.
However, from this decay, the line of David will sprout, like a plant that springs forth from no more than the dirt of the ground. There will be three wars of confusion, and then, at the appropriate moment, the Mashiach will appear like a majestic tree flourishing from barren ground, laden with fruit, revealed to all.
Anyone who repeats something he heard from someone else and says it in his name brings a redemption to the world, as we see that the redemption of the Purim miracle came as a result of Queen Esther telling the king, in the name of Mordechai (Esther 2:22) about the plot to assassinate him.
would pardon them they would avenge themselves upon him. It is the will of Heaven that the source of such exemplary behavior or wisdom be publicized so that people will seek to learn from him. In the case of Mordechai and Esther the result was the physical redemption from the genocidal plot of Haman and the spiritual redemption of Jews coming closer to their Father in Heaven.


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Home > Noutati Bell > Choctaw Nation of Oklahoma and Bell Announce Agreement as part of the FAA UASIPP
Choctaw Nation of Oklahoma and Bell Announce Agreement as part of the FAA UASIPP
Publicat pe: 2019-12-16 16:15:00
DURANT, Okla. (December 16, 2019) – The Choctaw Nation of Oklahoma (CNO) and Bell Textron Inc., a Textron Inc. (NYSE: TXT) company announced today an agreement to add Bell to the CNO UASIPP team and begin testing some of the Bell innovations and systems on CNO-owned property in rural southeastern Oklahoma.
The flights and tests will be conducted as part of the FAA Unmanned Aircraft Systems Integration Pilot Program (UASIPP) in preparation for future planned beyond visual line of sight (BVLOS) and other more advanced UAS operations. CNO is one of nine UASIPP sites selected byDepartment of Transportation Secretary Elaine L. Chao in May 2018.
CNO, Bell and their partners plan to work with the FAA and other federal agencies to enhance emerging aviation technologies and operations to help keep the United States a leader in aviation.
"The Choctaw Nation continues to be excited to work with our key strategic teammates like Bell as we begin to foster innovation and utilize new technologies in today's world," states James Grimsley, Executive Director of Advanced Technology Initiatives. "Working with an industry leader like Bell validates our investment and highlights all the hard work and success our team has had to date."
"We are proud and excited to be a part of the CNO UASIPP team," said Scott Drennan, Bell's vice president, Innovation. "This agreement will enable us to continue to test our vehicles and work in a collaborative effort with CNO and the FAA to improve aviation technologies and achieve new possibilities together."
Future missions for the CNO UASIPP team include advanced drone operations – including BVLOS – for agricultural applications, public safety operations, infrastructure inspections, safe operations over people, and weather related missions.
CONTACT: Kristina Humenesky, Public Relations Director – Choctaw Nation, 580-380-5967, CONTACT: James Grimsley, Executive Director of Advanced Technology Initiatives – Choctaw Nation, 580-740-3772, CONTACT: Brian Post, Senior Director of Advanced Technology Initiatives – Choctaw Nation, 580-380-5104, CONTACT: Grace Dieb, Media Relations – Bell, 817-296-4238,
ABOUT BELL
Thinking above and beyond is what we do. For more than 80 years, we've been reimagining the experience of flight – and where it can take us.
We are pioneers. We were the first to break the sound barrier and to certify a commercial helicopter. We were a part of NASA's first lunar mission and brought advanced tiltrotor systems to market. Today, we're defining the future of on-demand mobility.
Headquartered in Fort Worth, Texas – as a wholly-owned subsidiary of Textron Inc., – we have strategic locations around the globe. And with nearly one quarter of our workforce having served, helping our military achieve their missions is a passion of ours.
Above all, our breakthrough innovations deliver exceptional experiences to our customers. Efficiently. Reliably. And always, with safety at the forefront.
ABOUT TEXTRON
Textron Inc. is a multi-industry company that leverages its global network of aircraft, defense, industrial and finance businesses to provide customers with innovative solutions and services. Textron is known around the world for its powerful brands such as Bell , Cessna, Beechcraft, Hawker, Jacobsen, Kautex, Lycoming, E-Z-GO, , , Arctic Cat, Textron Systems, and TRU Simulation + Training. For more information, visit: .
ABOUT THE UAS IPP PROGRAM
The Unmanned Aircraft System (UAS) Integration Pilot Program (IPP) is an opportunity for state, local, and tribal governments to partner with private sector entities, such as UAS operators or manufacturers, to accelerate safe UAS integration. The program will help theDepartment of Transportation (USDOT) and Federal Aviation Administration (FAA) craft new enabling rules that allow more complex low-altitude operations by:
Identifying ways to balance local and national interests related to UAS integration
Improving communications with local, state and tribal jurisdictions
Addressing security and privacy risks
Accelerating the approval of operations that currently require special authorizations.
The Program is expected foster a meaningful dialogue on the balance between local and national interests related to UAS integration and provide actionable information to the USDOT on expanded and universal integration of UAS into the National Airspace System.
ABOUT THE CHOCTAW NATION OF OKLAHOMA
The Choctaw Nation is the third largest Indian Nation in the United States with close to 200,000 tribal members and more than 9,000 employees. The first tribe over the Trail of Tears, the historic boundaries are in the southeast corner of Oklahoma. The Choctaw Nation's vision, "Living out the Chahta Spirit of faith, family and culture," is evident as it continues to focus on providing opportunities for growth and prosperity. For more information about the Choctaw Nation, its culture, heritage and traditions, please visit
For more information about the Choctaw Nation UAS IPP program please visit
Certain statements in this press release are forward-looking statements which may project revenues or describe strategies, goals, outlook or other non-historical matters; these statements speak only as of the date on which they are made, and we undertake no obligation to update or revise any forward-looking statements.
These statements are subject to known and unknown risks, uncertainties, and other factors that may cause our actual results to differ materially from those expressed or implied by such forward-looking statements, including, but not limited to, the efficacy of research and development investments to develop new products or unanticipated expenses or delays in connection with the launching of significant new products or programs; the timing of our new product launches or certifications of our new aircraft products; our ability to keep pace with our competitors in the introduction of new products and upgrades with features and technologies desired by our customers; and performance issues with key suppliers, subcontractors or business partners.
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Hello; we just wanted to introduce ourselves. Not sure if this is an active group or not, but we'd be happy to know you. We purchased Thalia in November in Annapolis and moved her down to Oriental while we wrapped up affairs at home in Portland, OR. Now we're living aboard full time and heading out shortly to some (hopefully) warmer weather down toward Charleston, SC. How about you?