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Concert ReportsJanuary 6, 2013
Tesco 25th Anniversary Festival Live Action Report — Day I
25th anniversary of Tesco Organisation Germany November 2012 7er, Mannheim Anenzephalia
Established in 1987 by Wilhelm Herich and Doc M. Riot of Genocide Organ, Tesco Organisation has become synonymous with Post-Industrial music and an embodiment of Industrial culture. While the over 85 releases throughout the years vary in form and presentation, from the brutal German Industrial/Power Electronics of Genocide Organ, to the hypnotic ambience of Galerie Schallschutz, and the pagan ritual sounds of Apoptose, the one common element is a commitment to integrity and the spirit of Industrial. Based out of Mannheim, Germany, Tesco Organisation expanded label operations with their archival Functional division (dedicated to reissuing out of print classics), an international Tesco Distribution network, and an American division in Tesco USA/North American Tesco Organisation (NATO, of which I was accompanied by for this event).
On the weekend of November 16th, 2012, Tesco Organisation, with their partners L´affaire fatale, celebrated the 25 year anniversary of Tesco with a 2 day festival in the literal industrial sector of Mannheim. The 7er Club is surrounded by automotive workshops, streets littered with broken records, and nearby factory smokestacks; a fitting location for such an event. Tickets for the festival sold out within two weeks of announcement, filling the venue to near capacity. This would have been an issue if not for the spacious outdoor smoking & lounge area, which helped the crowds clear out in between performances. The sound and lighting systems were excellent, which in the United States is usually a challenge for these genres. In all, the high quality of the execution and staff itself speaks to the aforementioned dedication Tesco and L´affaire fatale have for putting nothing but first class productions. Instead of a track by track break down of each performance, these live action reports should serve as a witness testimony to the aesthetics and atmosphere created by each act, as such elements are just as important as the music itself.
Anenzephalia
Anenzephalia | Credit: Timo Raab
Whether intentional or not, I found it fitting for the festival's first performance being a project which was one of the first to be officially released by Tesco Organisation (Lyse, TESCO 003). Headed by Brigant Moloch with live support from Wilhelm Herich, Anenzephalia delivers a no-nonsense psychological assault on the audience. Moloch is a stern front-man, no rock and roll antics, no bullshit. He is a Svengali weaving nihilistic messages into the subconscious with pulsating strobes, looping drones, and waves of heavy electronics. In a world where everyone is made to think they are special, Moloch and Herich are there to remind you this society does not need you, and ultimately the scent of decay of the sleepers are a perfume for the awakened. The metaphysical and philosophical concept of Noehaem is prevalent throughout the performance. Noehaem represents a home, vaguely familiar, but that has changed over time. Is it progress or decay? Much of this can relate to city of Mannheim itself. The back video welcomes you aboard a flight, final destination, Noehaem. Welcome home.
Tho-So-Aa
Tho-So-Aa | Credit: Timo Raab
Although a relative newcomer to the Tesco roster ("Identify", TESCO 081, 2010), Lutz Rach has been releasing experimental ambient recordings under Tho-So-Aa since 1995 via Art Konkret. Instead of providing comfort and relaxation Tho-So-Aa's creeping digital ambience crawls under your skin, like the spiders projected on the screen. Even amongst a packed crowd, feelings of isolation arise, and subtle rhythms kept me engaged throughout the show. Like the sharp pain of neurotoxic venom, high pitched audio rips through the layers of dense audio, leaving us wounded prey for the predators and wolves ahead.
Operation Cleansweep
Operation Cleansweep | Credit: Timo Raab
Evil. That's the one word I've heard used to describe Operation Cleansweep repeatedly, both in their sound and presentation. I personally find "evil" to be both entirely subjective and a necessary social element. All the good guys need bad guys to give their lives purpose, and this German Power Electronics duo is more than willing and able to play the role. Their lyrical and thematic content no doubt places them at odds with the politically sensitive, but their very sound is menacing in and of itself. The brooding, bass heavy Power Electronics of "House of his Promise" rattle internal organs as frontman IB instigates the crowd with a sinister smile. The first wave of violence erupts during "Lesson 1", as the pace picks up and frenetic frequencies exercise inner demons. No backing video is necessary, but synchronized lighting provides a visual sense of urgency. The forces power and dominance wrap around the hands like gloves, a perfect fit for Operation Cleansweep.
The Grey Wolves
The Grey Wolves | Credit: Karen A.
The Grey Wolves are less of a "band" and more of an international cultural terrorist cabal fronted by two British Power Electronics agents, Dave Padbury (aka Dap) and Trevor Ward. Since the early 80's the Grey Wolves have been in the business of providing brutal reality attacks with over 50 CD, vinyl, and tape releases, accompanied by aesthetic pipebombs and counter-cultural literature. Their performances are known for being lo-fi, unpredictable, and consisting of any number of additional recruits. For this live action Dap has contracted W. Herich for support and the two of them proceeded to deliver a short set that was planned to be about the Seven Deadly Sins. Gluttony and Lust were on visual display as an obese couple fornicated on video. The audio was sharp and mid tempo with Dap staggering across the stage, clinging on to every shouted word. Unfortunately some technical problems would soon arise and the backing audio would start to fade away. After a few moments, the call was made and a backup unit was brought in. As Dap steps back to take on audio assault duties, the legendary Mike Dando calmly steps up, and the amorphous Grey Wolves reassemble into Control Domination.
Con-Dom
Con-dom | Credit: Karen A.
For almost 30 years, Mike Dando has been exposing the forces of control, domination, manipulation, and organization however it may appear. White supremacists, black panthers, catholic priests; these are all confronted and exposed, unearthing the dirt behind the daydream. As the bare chested Dando unceremoniously slathers white chalk throughout his body, text scrolls in the background and two men are shown riding horses. T. E. Lawrence, otherwise known as Lawrence of Arabia, comes to mind, "the Prince of Our Disorder". The text as in excerpt from Lawrence's "Seven Pillars of Wisdom", the subject of Con-Dom's "The Eighth Pillar – A Confession Of Faith" album, which Functional Organisation reissued in 2008. Like Lawrence, Dando is a man seeking inner faith, unsatisfied with formal institutions and seeks individual freedom. His vocals are delivered clearly and loudly, reverberating throughout the crowd. While Con-Dom performances are known for "audience participation", they are on his own terms, as one audience member will remember after getting a swift kick for trying to interfere. The "music" is more of an audio collage of looping samples and oscillating feedback noise, inter-spliced with the occasional distorted synth pad to give volume. As loud and oppressive as it is, there's a sense of calm that washed over me, almost a meditative state that comes with masochistic abuse. But then, the iconic balaclava comes out and the crowd's Pavlovian reaction is immediate. Often used by irregular military forces, paramilitary organizations, and terrorists, the balaclava or ski mask is a stark symbol of both control and revolution. Who can forget the grim black and white images of Black September? Along with the mask came a powerful electronic assault, and the visual footage shifted to a visceral display of abuse. Towards the end, the paced slowed down and Dando was left alone, yelling "I am not nothing, you are nothing!" After a round of applause, Dando unenthusiastically claps back, as if mocking the crowd. What do you think this is? Art? Music? Some kind of performance art by a Fine Arts student seeking approval? No. After 30 years, it is my hope that Mike Dando has realized that he truly is not nothing, that his mark has been left, and he will live on in the minds of those he has both influence and provoked. This is true immortality.
As the iron curtains draw close and the first night of performances comes to an end, I (Silent Signal) would join DJ's Markus of Art Konkret and Larry of White Rabbit Records for after-party duties. While most of the attendees head home, a good amount stay for the sounds of Whitehouse, SPK, David E. Williams, Cult of Youth, Der Blutharsch, as well as classic selections from the Tesco archives. After catching up with old comrades, my wife and I regrouped with our NATO alliance and headed back to our forward base for the evening. The streets of Mannheim were dark and cold, our bodies tired, but hearts filled with anticipation for another day of reconnaissance patrol.
Disclaimer from the Author: For full disclosure, it is worth noting that Raul A. participated in this event as a DJ, Silent Signal, and has collaborated with Tesco USA in the past. So rather than an objective review, consider these subjective documented experiences.
Anenzephalia | Credit: Karen A.
Operation Cleansweep | Credit: Karen A.
Grey Wolves | Credit: Carsten Cyberbio.
Grey Wolves | Credit: Karen A.


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Q: Private IP address in reserved subnet range I have an arm template that has a vNet with 2 subnets. I am trying to deploy a Nic to one of these with a static private IP address. It used to be dynamic, and it worked fine. Now it is static, I have set the IP I want the nic to have, but when I deploy, it says the IP is invalid. I tried changing the IP I set, but it still doesn't work...
Extracts from my template: (subnetPart is a parameterised number as we have several vnets that will be connected, but the subnets need to not clash)
variables
"virtualNetworkRange": "[concat('10.', parameters('subnetPart'), '.10.0/26')]",
"ssrsSubnetRange": "[concat('10.', parameters('subnetPart'), '.10.8/29')]",
"ssrsPrivateIP": "[concat('10.', parameters('subnetPart'), '.10.10')]",

resources
{
  "name": "[variables('ExternalServicesVNET')]",
  "type": "Microsoft.Network/virtualNetworks",
  "location": "[resourceGroup().location]",
  "apiVersion": "2015-05-01-preview",
  "properties": {
    "addressSpace": {
      "addressPrefixes": [
        "[variables('virtualNetworkRange')]"
      ]
    },
    "subnets": [
      {
        "name": "[variables('jumpSubnetName')]",
        "properties": {
          "addressPrefix": "[variables('jumpSubnetRange')]"
        }

      },
      {
        "name": "[variables('ssrsSubnetName')]",
        "properties": {
          "addressPrefix": "[variables('ssrsSubnetRange')]"
        }

      }
    ]
  }
},
{
  "name": "[variables('SSRSvmNicName')]",
  "type": "Microsoft.Network/networkInterfaces",
  "location": "[resourceGroup().location]",
  "apiVersion": "2015-06-15",
  "dependsOn": [
    "[concat('Microsoft.Network/virtualNetworks/', variables('ExternalServicesVNET'))]"
  ],
  "tags": {
    "displayName": "SSRSvmNic"
  },
  "properties": {
    "ipConfigurations": [
      {
        "name": "ipconfig1",
        "properties": {
          "privateIPAllocationMethod": "Static",
          "privateIPAddress": "[variables('ssrsPrivateIP')]",
          "subnet": {
            "id": "[variables('ssrsSubnetRef')]"
          },
          "networkSecurityGroup": {
            "id": "[resourceId('Microsoft.Network/networkSecurityGroups', variables('nsgName'))]"
          }
        }
      }
    ]
  }
}

Here is the error message:
Resource Microsoft.Network/networkInterfaces 'hub2e40SsrsNic' failed with message '{
"error": {
 "code": "PrivateIPAddressInReservedRange",
 "message": "Private static IP address 10.100.10.10 falls within reserved IP range of subnet prefix 10.100.10.8/29.",

Hmm ok, so it can't be in the subnet range as those addresses are reserved? Ok so I will change the last digit of the IP to 16, outside of the subnet range.
Resource Microsoft.Network/networkInterfaces 'hub2e40SsrsNic' failed with message '{
  "error": {
    "code": "PrivateIPAddressNotInSubnet",
    "message": "Private static IP address 10.100.10.16 does not belong to the range of subnet prefix 10.100.10.8/29."

So that doesn't work either...
Any ideas? Thanks very much!

A: Azure reserves a few IP's from each subnet for routing purposes:
Yes. Azure reserves some IP addresses within each subnet. The first and last IP addresses of the subnets are reserved for protocol conformance, along with 3 more addresses used for Azure services.
Reference: https://learn.microsoft.com/en-us/azure/virtual-network/virtual-networks-faq
So you would need to account for that when assigning IP's. So in your case you have 10.100.8-15, substract reserved ips - 10.100.11-14.

redpajama_set_name: RedPajamaStackExchange


Shobhit is a Director in Advisory and Transactions business line in CBRE Singapore.
Shobhit's expertise is in the field of strategy consulting focused on RE strategy, workplace strategy, business process optimization and change management. He has extensive experience in the overall RE life cycle and has worked in a number of sectors including banking, heathcare, Information technology, learning environments, FMCG and energy. Currently, Shobhit leads a team of 12+ consultants in Singapore focused on delivering workplace transformations for occupier clients.
In the last two years, Shobhit has led complex RE and Workplace transformation for multinational clients in Singapore, Hong Kong, Tokyo, Manila, India and Kuala Lumpur. Recently he led team of consultants to deliver strategy and implement workplace transformation project that led to $25+m RE savings for an American bank in APAC.
Shobhit has an MBA from NUS, Singapore and a bachelor in engineering (RGTU, India). He enjoys solving complex problems through creative solutioning and helping organisations achieve strategic objectives.


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Q: excel formula to get datetime in format '20-oct-2015 8:34:59.000000 PM' I have excel sheet where I need to enter todays datetime in format 20-oct-2015 8:34:59.000000 PM. I used NOW() function in excel but got it in format 10/20/2015 11:48. can someone please tell me the formula to extract the data in required format.

A: Type =NOW()  in the required cell
Press enter
Right click on that cell .
Go to "Formats cells"

Go to numbers tab (first tab)
Go to custom category(last line)
There you can see a sample and "Type"
In that "Type " row just put(copy and paste) the following line as shown in the figure
[$-409]d-mmm-yyyy h:mm:ss.000 AM/PM

Press ok.


South Korea launched its first rocket Tuesday, just months after rival North Korea's launch drew international anger, but space officials said the satellite it carried failed to enter its intended orbit.
A Science Ministry statement called the launch a "partial success," as the satellite separated from the rocket normally before entering a different orbit.
The launch could boost South Korea's space ambitions, but the North warned it would keep a close eye on the international response. There was no immediate comment from North Korea.
The two-stage Naro rocket — delayed several times since July due to technical glitches — lifted off Tuesday from South Korea's space center on Oenaro Island, about 290 miles (465 kilometers) south of Seoul, about 5 p.m. (0800 GMT, 4 a.m. EDT).
It was South Korea's first launch of a rocket from its own territory. Since 1992, it has launched 11 satellites, all on foreign-made rockets sent from overseas sites.
The rocket, built with Russian help, was carrying a domestically built satellite aimed at observing the atmosphere and oceans.
This entry was posted on Tuesday, August 25th, 2009 at 6:18 am	and is filed under Around the Blogs. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


There just a few questions to answer.
The last 2 questions I just left them as is.
That is all that is needed to be done, now you don't need to be connected to the internet to update you NTP server to have the correct time.
Previous PostLINK: UNetbootinNext PostAcer Aspire Timeline 4810T laptop and Backlight Control, part 2.
hate to say it, but that X beside your GPS means it's being rejected, the * show's who you are using.
Also, gpsd isn't needed as you are accessing the gps directly. gpsd can be used if you configure ntp to use shared memory SHM.
What flavor and version of linux were you running? From the documentation I read the drivers for the receiver only support red hat 7.3,8, 9. Thus, does your solution allow you to use other versions of linux?
1. When editing the ntp.conf file, should the IP addresses remain the same or be changed to match the IP address the computer which the gps receiver is connected to?
2. Can this be added anywhere in the ntp.conf file or should it be placed after the commented section "You do need to talk to an NTP server or two (or three)." ?
What flavor and verison of Linux are you running? I've followed your instructions on a newly installed Ubuntu 10.04 desktop and I'm getting some errors, but think I'm really close to getting it working.
The 'x' next to the GPS_NMEA(0) indicates that the GPS receiver is regarded as a 'falseticker' and as a result, will not consider it as a valid time source for the time being. The '*' next to 'a.pool.ntp.uq.e' is the server that the computer is currently syncing with.


It's official, I am madly in love with Jessica Alba. While most of the CanMag readers already know I got a 'thing' for her [in the worst way], these latest pics from Into the Blue posted online have just pushed my attraction for Alba from a simple crush to continuously watching her from a distance. I know, sounds strange, but check out these pics.
Judging by the trailer, it would seem that a movie studio has finally made a teenie bopper movie that can appeal to every one and still look damn good. Into the Blue takes some of the elements that made Fast and the Furious good and applied them to an even better looking movie. John Stockwell [director] decided to ensure a movie-going audience by including a cast that includes Paul Walker, Jessica Alba, Scott Caan, Nicola Paciotta, and Ashley Scott; all a pretty safe mix of good looking people.
Beer and hottie = perfection!
Want more Into the Blue stills? You can check out higher res versions of these movie stills plus more stills over at MYSAN.
Into the Blue comes to theatres on September 30th, instead of July 15th as originally planned.
For the trailers, clips, movie stills, and synopsis, go to the Into the Blue Movie Page.


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Q: how to see if a pixel's color is red? (with jquery) I have an image and I want to see if the pixel that the mouse is on it is red or not to decide to do something in the following function, how can I find out that the pixel is red or not ?
$('#picture').mousemove(function(e) {} ;)

A: You can do this with canvas. Draw the image on a canvas, after that using getImageData method you can get the image's pixels. As last step calculate the right pixel where the mouse is located and check it's red value (you'll have the RGBA for the pixel).
Probably the most tricky part will be to find the right pixel but this shouldn't be a big issue. Use the relative mouse position for the canvas. You'll already know how big is the image so it'll be easy to find the pixel.


Florida ranchers know Tropical Soda Apple (TSA) as the "Plant from Hell". It was first noticed in south Florida, but its seeds survive in the digestive tract of animals and it spread north through the movement of hay and cattle. TSA plants are covered with thorns and can make large sections of pasture nearly useless for livestock. Concerted efforts to lessen the population of TSA since its arrival have reduced the populations in pastures but it persists in sheltered or waste locations. Cattle, birds, deer and feral hogs ingest the mature fruits and spread the plants to loafing and browsing areas that may be inaccessible to mechanical treatment with anything larger than a hoe. According to Dr. Jeff Mullahey, who has been working on TSA since its appearance in south Florida, one plant can produce 40,000-50,000 seeds with seed germination ranging from 75%-100%. The seeds remain viable for at least three years. Be on the lookout for these while engaged in outdoor activities.
Isolated plants can be controlled by mechanical means. You won't want to pull them up barehanded, though. Additional information and control methods are available at http://edis.ifas.ufl.edu/uw097, or contact your local Extension agent.


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Feldspar – Colors, Shapes, and Sizes
How and where is Feldspar formed and found?
The Uses of Feldspar
Moonstone is perhaps the most mystical of the gemstones. In fact, moonstone is not a gemstone or even a fancy mineral, it comes from Feldspar. Feldspar is so common, that it makes up almost 60% of the earth's crust. While Feldspar is extremely common, moonstone which is found within the stone is a little rarer.
Moonstone has a striking shimmer quality to it and it is fascinating to look at. Most people associate Moonstone with femininity or fertility, it truly does have a sensual look to it that is very smooth and usually reflects a wonderful aura. Moonstone can be found in many colors. However, the most popular moonstone color is blue. Blue moonstone is by far the most valuable, but other colors include green, orange, brown, yellow, and a mix of colors.
Moonstone is usually cut into spherical or marble forms. Usually, moonstone is made into beads, a bracelet, or a pendant. Moonstone is usually priced on color, size, and adularescence, which is a term used for its reflective or shimmering quality. While moonstone can be large, it is usually cut into pieces that look attractive as jewelry or ornaments.
It should be noted that Moonstone does have a weakness, it can break or chip. It only has a hardness score of 6 on the Mohs scale, so it is important to be careful with it. It should be noted that Moonstone does dull over time, however, you can take your moonstone to a professional jeweler to be polished and it will look brand new once again.
One of the most distinctive stones that are sold as jewelry today is the Moonstone. The moonstone is not a special gemstone or hard-to-find mineral, in fact, the moonstone is made out of stone that is as common as the stone from your backyard.
What makes Moonstone so unique is its shimmering quality, it sometimes gives off a three-dimensional aura of color or colors that make it fascinating to look at. It comes in many colors, most notably blue. The light that is shined onto the moonstone gets trapped and bounces around the crystalline structure, reflecting back an extremely magical and mystical aura of light. Besides blue moonstone, other colors that can occur are orange, brown, green, yellow, and multi-colored stones. However, it should be noted that blue is the most popular and valuable.
The stone which Moonstone is cut from doesn't look that special, but through cutting the stone properly and then polishing it, true beauty can occur.
While Feldspar is found all over the world, moonstone does come from specific regions. For instance, the most valuable types of Moonstone which are blue can be found in Sri Lanka. Other colored moonstones come from areas such as Tanzania, Brazil, Germany, Myanmar, Mexico, and certain regions in the United States.
One of the fascinating stones that are sold as ornamental jewelry is the moonstone. Moonstones have been known to man for thousands of years and are extremely popular today. Moonstones are not a special mineral or stone, they come from Feldspar.
Moonstone is mainly used for jewelry but does have other uses as well. For instance, it can be used as part of a cleaning product, usually as an abrasive. It is also used as a glaze on ceramics.

redpajama_set_name: RedPajamaCommonCrawl


text:
Biografia
Dopo essersi laureata al Victorian Collage of the Arts ed aver aperto concerti per Missy Higgins, ha pubblicato il suo album di debutto You Go Your Way, I'll Go Mine nel 2013. Ha raggiunto maggiore attenzione nel 2019, anno di uscita del suo secondo disco All You Have Is All You Need, che è stato selezionato all'Australian Music Prize. Agli APRA Music Awards ha vinto un premio nel 2017 ed ha ricevuto altre due candidature, nel 2018 e 2019, mentre agli AIR Music Awards è stata inclusa in due categorie.

Discografia

Album in studio
 2013 – You Go Your Way, I'll Go Mine
 2019 – All You Have Is All You Need

EP
 2007 – Ainslie Wills
 2010 – Somebody for Everyone
 2015 – Oh the Gold

Singoli
 2007 – Wide Load
 2007 – Green Coloured Glass
 2007 – I'm Your Woman
 2012 – Fighting Kind
 2012 – Stop Pulling the String
 2015 – Drive
 2015 – Hawaii
 2015 – Young Turks
 2017 – Running Second
 2018 – Society
 2019 – Fear of Missing Out
 2020 – Two Strong Hearts
 2021 – This Is What Our Love Looks like Now

Note

Altri progetti

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


accounts and contacts exist both in SAP Cloud for Customer and in SAP ERP.
This essentially means that immaterial of the fact whether ERP integration lies in First phase or any other subsequent Project implementation phases, if it is planned anywhere in future to be integrated, it should be enabled in the Scoping during the very First Implementation project, even if in the First implementation project the ERP OnPrem system is not getting integrated to Cloud system.
There can be data inconsistencies if the integration is enabled after First Implementation is LIVE i.e. if ERP integration is enabled in a CHANGE Project, as already suggested in the note, SAP does not support this.
We are changing the application. If you want to add integration later for ERP, this is OK. For CRM it is a bit more tricky. We should have a ticket to back off such strong language for ERP integration. There will be some considerations such as ID mapping for accounts, but it is doable.
I have a statement in some of my documentation re: enabling integration only in the First Implementation project. Should I update the statement now or wait until r1408?
I think you should update it now. For CRM it's a bit more tricky due to the transaction data that is exchanged bi-directionally. For ERP we can say it's possible but we need to look at details like ID mapping required for master data that are in both applications.
May, 2014 – added link to our updated 'golden' deck for integration with ERP, CRM, BW.
When will be able to get the ERP version of the Initial Data Load ?
You have the CRM version – but we would love to see the ERP too.
Karthik is working on this – we should have it soon – I'll ask him when it will be ready.
Thanks for putting all the information into one place.
Any update on the Initial Data Load from ERP to C4C?
This should be now visible under How to Perform Initial Load of Data from SAP ER… | SCN.
Can you give us a hint on integration of 3rd party ERP solution with C4C? Is this a part of standard or do we have to work it our self?
Where can i get the road map for C4C?
You can definitely use HCI or PI to integrate with 3rd party ERP. We don't invest in the mappings for competitor ERP's – we really can't legally do this. Our hope is that partners will do this. So, this is something you will need to do on the project. Which ERP app do you need to integrate to?
Thank you for your answer. Our client is using, KOS and VISMA for ERP.
OK. You will need to build the integration. Please let us know if you do this and how it goes! Would be great if you can write up a white paper or something as well!
Sure.Thank you for your help. I will update you on this later.
I am struggling to find any information on replicating users from SAP ECC into Cloud 4 Customer. Is there anything i specific to be aware of?
Does C4C support a central Central User Administration function for creating users automatically from backend systems?
I can't find any information relating to this.
There is not like a CUA with the cloud. The users are replicated using the migration workbench. You can read about it in the admin guide at help.sap.com. I think the new employee template in 1405 enables you to create the employee and the user.
Hi Ginger….We currently have our C4C integrated via HCI with our OnPrem system. We are now looking at getting data from our ECC6 system. I thought I read someplace on this forum that there are over 200+ iFlows that can be integrated with C4C. Do you know where I can get a list of those and where one would start with determining how easy or hard it is to get any of them integrated?
Thanks Ginger….I appreciate the reply and helpful information.
We are integrating C4C with OnPremise System.
Do you know Where We can find component LOD-HCI?
Do you know how to create a ticket to send to SAP? I'm sorry, the CSS is an internal name -we'll get this fixed Karthik S J – we should fix this.
If you create a ticket to send to SAP from your an op-premise application, you enter an component. For example, if you go to https://service.sap.com/notes – from there I think you can create an incident to send to SAP. When you do that, you can enter a component – that's where you put the LOD-HCI- your basis person can help you with this.
In code list mapping exist field "Account Group"? Or C4C works with another field?
I am sorry I missed this – did you get an answer? It might be party role code in C4C – I'd have to go double-check.
I donn´t have answer yet.
My questions is about: How an Account in C4C is integrate with some Account Group in SAP R3? If I donn´t have a field like "Account group" in C4C?
The appenxi of the integration guide lists the code list mapping and field s- have you looked at that?
My Questions is about How can identify the Account Group when I create an Account in C4C? Is possible?
but I cann´t found how C4C can differentiate for every account group?
I am not sure if it can be added via personalization or adaption mode – have you tried that? Adding the additional field to the screen? I assume it is an option.
I founded option and this is configuration, with adaption mode is not possible.
A lot of thanks for the information you share. I'm integrating C4C and SAP ERP but I have the next problem.
Please some help with this, I have no information about.
Thanks for this excellent blog. It is really helpful.
This problem is solved, where I had to write globalweather.wsdl, I put globalweather.WSDL, and this is case sensitive.
Thank you for sharing the resolution!
Great resource. One question on the Odata services. What we have is a great start, but are the any plans to provide more objects with Odata services? Any details you can share with the community?
Hi Michael – there is not an explicit roadmap for odata services. However, the following are planned: Lead, quote, employee.
Is there any link/information available how to integrate C4C system to Hybris5.3. We have customer who want implement cloud for sales. Please provide any such information regarding C4C, Hybris integration.
Currently we don't have anything. Soon we will be releasing some integration content, then we will provide some documentation. For now you'll need to use a consultant who has experience. Sorry we don't have anything official yet. You might can find something on SCN that someone has done – but nothing official from the product teams yet.
This post reduced all efforts needs to put for researching. Thanks a lot!!!
I need one query as well, Is there any standard integration is available between C4C and MRS(Multi Resource Scheduler).
Currently, I don't believe there is any standard pre-packages integration available in C4C with MRS.
I would let SAP/Ginger comment if this is on the roadmap in future version.
Thanks for your reply. We will wait for the Ginger confirmation 🙂 .
We don't have any prepackaged integration content with MRS. If you're a partner, maybe you could build something and promote it in your customer base ? I don't see it on the roadmap either. Is MRS a component on ERP? We could also look at adding it to our backlog. I know Cloud for Service has many new integrations coming.
Thanks a lot for your quick response. Yes, MRS is a component of ERP.
We do not have a standard integration with SAP MRS yet, but we have done a prototype integration with MRS, and such an integration can be enabled on a project basis.
We are also looking at making resource scheduling capabilities in the Cloud as part of Cloud for Service.
SAP MRS is not a component of ERP, but a separate solution that can be implemented as an add-on on ERP.
Could you please provide more details on the integration steps. This is the first time we are trying to integrate the SAP Add-on application.
URL for outbound communication is missing. when i do check completeness in communication arrangements.
is there any different hostname i need to use i am trying to connect to my dropbox account.
Looks like it is working with dav.box.com.
ignore all communication errors. the important point is do not neglect the final step.
adding the roles to your id from webdav integration in maintain mapping.
I have another followup question with this is how do we connect to sharepoint with vpn access.
Try the required settings for sharepoint for WebDav integration. Unsure about the VPN requirements.
Is there any documentation on integration(data migration) between Siebel CRM and C4C. Any pointers in this regard will be helpful.
Due to IP issues, SAP cannot publish anything on integration between other solutions and C4C. We have had customers do this, but we can't publish it here. You might want to put this on a forum so that more partners will see it and respond.
Any folks here who have tried integrating C4C with ERP over Biztalk?
Did you end up doing this? Would love to see a blog on your experiences using Biztalk.
We already done the ERP,PI,C4C system settings.
What are you referring to as the module configurator? Is that a PI term? Are you referring to the communication channel in PI or the communication arrangement in C4C?
I'm sorry -but unclear on the step you are on. If you're having a specific issue, you might want to create a forum question and more people will see it and can respond.
We have a customer who has already integrated ERP with C4C using PI. We are developing a Partner solution which requires building new integration scenarios using SOAP on C4C and IDoc on ERP. Could you suggest which would be best way to go ahead in this case?
HCI or PI or Integration Gateway?
If it is for this customer only, then use PI. If you will reuse it – then do PI first then maybe build on HCI as well – you can import all your ESR content and you'll just have to build the flow.
Thanks for your answer! We also needed to know If PI is capable of handling new integration scenario development using OData and SOAP or do we need Integration Gateway as well.
Is Integration Gateway planned to be packaged within PI?
I apologize for my delay – somehow I've missed the latest questions on this blog. PI can handle new development, also with ODATA – we'd have to double-check that witha PI consultant – did you already get an answer? I'm late to the party on this one!
Hi. Do you know if the Product configuration available in SAP CRM 7.0 for Telecommunications will also be supported in C4C in a way or another ? Any idea about the Hybris integration to support Sales to end-customers scenarios ?
I'm not sure. Checking with a colleague.
Thanks for your details explanation about Multiple system Integration Scenario.
i have SAP Hybris Marketing (CEI) system as a Front-End , Hybris system is connected with SAP CRM system and CRM System is Connected with SAP ECC ERP sytem using RFC Connection .
i want to understand how Hybris Marketing (CEI) system will be integrated with SAP CRM system and SAP ECC System.
Starting soon we will have standrad integration with hybris marketing. As soon as the documents are posted, I'll add here.
Sapna Ramaiah – we need to discuss what links to put here for hybris integration.
You can find links to hybris Commerce and hybris Marketing integration collaterals on this blog .
Thanks Sapna – I'll get the blog updated with this link!
I noticed there is no specify information in regards to email integration (MS Outlook/Exchange) capabilities – in particular relating received/sent emails with a C4C object (ticket or case in 1505).
Is information around this integration available?
should the link PHP Simple Application point to the PHP application? When I open the zip file I can only see camtasia related files in there? Am I missing something. It thought the zip file would contain some PHP code and configuration instructions for XAMPP.
I'm sorry I missed this comment….are you still trying to do this? I can check on the zip and get with the author.
Its an awesome document. Everything under one umbrella !!
I think it's not clearly defined which component has to be in SP13/SP14. Can anyone tell me the relevant component? Is it SAP_APPL or SAP_BASIS?
Anytime you see a reference to our release, like 1502, we always mean the SP for the Add-On. The CODERINT. We will also make clear if it's a SAP_APPL or SAP_BASIS SP. If we just say SP – we mean the add-on in ERP or CRM.
Hi Ginger, yes please. It would be great if you could check with the author to get a better zip file that contains all the objects needed.
There is a problem when trying to download the RDS/BP's for integration.
The error is "no data available".
Ginger Gatling are those being updated or it is an error?
Sorry I didn't see this – I don't know of any guide for MRS. Sapna Ramaiah – do you know if/who would have such a guide?
Hi Ginger, No worries. Thanks for the info. Hi Sapna, Looking forward to your feedback. Thank you.
Awesome blog. Very Useful. I add it to my favorite list.
Great Blog and appreciate the work so far. The technical connectivity guide is the feather in the cap.
I have a small doubt on the connectivity between C4C and the onpremise systems.
Does the reverse proxy or the PI link have to be under HTTPS protocol *mandatory* ?
I was wondering if it can pass through HTTP links as well. I was not able to change the protocol in the C4C Communication Arrangement administration page which was likely the only option (HTTPS) at the moment .
Do we have any other options that we can use like SCC to be used as a reverse proxy ?
Thanks for the information. I will check the cloud connector and share my experience .
Very useful content! Thanks a lot Ginger for your efforts!!
There is a way to create integretion with PO?
All the documents talking about integretion with PI.
Yes – PO is fine. In our PI guides on https://service.sap.com/cloud4customer we have a java only option – the PO configuration is included. It's just our minimum is PI 7.1.1 – but we support all releases of PO as well. You have a good point – maybe we should now change the guides to say PO more explicitly. Sapna Ramaiah – what do you think?
We tried to do the integretion for a demo.
But i understand that we need SAP Webdispatcher for the integration.
Is there an option to do the integration without this?
Maybe there is an option to to the integration with files? like offline integration?
I am working on C4C integration with Success Factor Employee Central using HCI, Here we will use Ticket functionality only in C4C and all the employee record will flow from SF EC to C4C. I could not find any document/blog/thread available on this. I need your help to setup the integration. Could you please share some document with step by step procedure.
This is a P2P integration, and we don't have a standard integration between C4C and EC via HCI.
Thanks for your reply. I seen this document. I am getting issue in setting up the connection.
1. What scenario should I choose while creating arrangement?
1. "EC Integrtion" is the scenario to be used for C4C-EC integrtaion.
2. API Key value is the SF company ID.
3. EC integrtaion with C4C is point-2-point. No HCI middleware used.
Please follow the steps mentioned in the integrtaion guide and that should solve the issue.
and if I ignore this warning and proceed for replication then replication gets failed.
Could you please advice how can I handle these warnings and error messages.
Looks like initial load is not performed. It should be done as first step to pull the employees else you get such errors. There errors says it failed to replicate because it didi not find its manager 1650/1652.
Please refer the intergration guide and perform the initial load.
Please advice how can I resolve these errors?
From the sceen-shot, I could only see the warnings, which are Ok.
Could you please scroll down and check the errors. Usaully they would be due to missing code list mappings. Please maintain them. If the issue does not resolve even after maintaining them please raise the ticket by providing details of error.
Please create the ticket by attaching the screen-shots and will look into this issue.
I have followed the document you mentioned and did the P2P integration. Now problem is that when I replicate the data from "Data integration " work center(Individual Upload) then it gives successful message "1 Record received from EC; 0 record relevant for replication" but it doesn't write data in c4c and also doesn't display under People–>Employee.
Could you please advice why it is not replicating in c4c?
Employee Central (EC) integration with C4C has default check for employee-class and employee-status.
If the employees have the following class or status then such employees will not get replicated to C4C.
If the employee-class / status are different in your case due to fine tuning of pick-list then it is possible to configue such code via BC fine tuning UI.
Default checks will be ignored if the employee-status/class are configured via fine tuning.
Please check if the returned employee has one of the above default / fintuned employee-class or status.
Please refer EC integration guide available at SAP Service Market Place.
I could not see the error text here.
Could you please provide error description.
Hey Ginger, I can't seem to find a reference to the ERP Cockpit integration scenario in your last iteration of this document. Can you confirm this scenario is still supported (maybe an omission?) as opposed to having been dropped?


text:
Q: Async/Await inside Array function reduce I have 2 code snippets (Parallel,Sequential) execution of a simple Async function on an array with reduce. I do not understand, why the execution does not start until I call Promise.all. Is this the best way to do this?
// Function returning promise with root value
async function proot(x) {
    return new Promise((res,rej)=>{
        setTimeout( () => {
            console.log(x*x);
            res(x*x)
        },1000)
    })
}

// Parallel Execution
var arr1 = [2,3,4].reduce((prev,next)=>{
    return prev.concat(proot(next))
},[])
arr1 = await Promise.all(arr1)

// Sequential Execution
var arr2 = [2,3,4].reduce( async (prev,next)=>{
    return (await prev).concat(await proot(next))
},Promise.resolve([]))
arr2 = await Promise.all([arr2])

A: The code inside the promise gets executed when you call the function that returns the promise:
// Parallel Execution
var arr1 = [2,3,4].reduce((prev,next)=>{
    return prev.concat(proot(next))
},[])

But it returns a promise instead of a value. You will need to handle the promise to get the value it resolves.
You don't need to use reduce. Map will work in your case:
var arr = [2,3,4].map((n) => proot(n));
Promise.all(arr).then((values) => {})

Or:
var arr = [2,3,4].map(async (n) => await proot(n));


Aaron is an average midwestern teen – or so he thinks. When his grandfather disappears under strange circumstances, Aaron's ordinary existence changes forever. He will soon discover a mysterious world where stories are powerful and dangerous, where deadly enemies and dark forces lurk just out of sight.
Somewhere, between time and space; beside fantasy and fact, lies a universe undiscovered, until now.
The Folktellers Universe is an ever-expanding place where stories live, breathe and take on a life of their own.
You are not alone in this world. There is evil. And there is good.
The evil comes in shadow and takes on many forms. The good comes to guide, to teach and to learn along with you.
There are the Folktellers; travelers of time, space and dimension. They are the chosen, dedicated to collecting stories and sharing the ones that need to be told.
If I asked you to enter this realm, this new universe with me, would you? I promise adventure, danger and sights unseen by the human eye. But there are no guarantees. Death lurks around every corner and evil waits for your arrival. Eventually, we all have to choose.
The first book in the Guidebook Series is now available!
Do you have a story to tell? Do you know of a local legend you'd like see in the Folktellers Universe? Or maybe you just want to say hello!
If so, please get in touch, we'd love to hear from you!


text:
The Michelangelo Tour
Click here to Book 3 hours tour Book 3 hours tour
3 hours tour From
Duration: 3 hours, 4 hours
Starting Time: 09:00 am, 09:30 am, 1:00 pm, 1:30 pm, 10:00 am, 10:30 am, 11:00 am, 11:30 am, 12:00 pm, 14:00, 2:30 pm, 3:00 pm, 3:30 pm, 4:00 pm, 4:30 pm, 5:00 pm
Discover the Path of Michelangelo
3 hours tour: As a tourist guide in Florence, I would definitely suggest anyone a special guided tour in Florence focused on Michelangelo's personality reflected in his works of art.
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We will meet in Piazza San Marco, but we will start our tour right from the symbol of the Renaissance and the Florentine Republic, the "David". With your guide in Florence, you will discover the history of the "Giant" and what makes this sculpture a masterpiece of the Renaissance. But there are other works of art by Michelangelo that deserve our admiration and we will discover them together.
After this important introduction in the carrier of the master of the Renaissance, your guide in Florence will take you to Piazza San Lorenzo, a typical Tuscan market that Florentines love. Here, Michelangelo showed his artistic genius also in architecture, creating the Laurentian Library and the Medici Chapels in Florence.
From the Medici quarter, we will continue our itinerary in the life and art of Michelangelo with the National Museum of Bargello that houses four works of art that confirm again the artistic perfection of the great Michelangelo.
Since we spoke a lot about the complicated life of the artist, his rude character, a guided visit to Buonarroti House, in the Quarter of Santa Croce in Florence, cannot be excluded. Here are housed the first two creations of the young Michelangelo, the "Madonna of the stairs" and "The Battle of the centaurs".
We will end our tour in the same Quarter, Santa Croce in Florence, to discover the Michelangelo's Tomb in the Basilica of Santa Croce. After his death in Rome, his body was taken and brought to Florence by his nephew.
After more than 400 years, the name of Michelangelo resonates in our memories. I hope that one day we will tell our sons and nephews the story of his life and above all, we will remember Michelangelo's masterpieces in Florence. We will be proud to say: "I was there … at the Accademia Gallery of Fine Arts in Florence, at the Bargello Museum, at Buonarroti House, in Church Santa Croce …
4 hours tour: We start our experience about Michelangelo by visiting the Bargello, used from the 15th century as a prison and today the National Museum of Sculpture.
The museum houses the most significant collection of Renaissance and Mannerist sculptures: we look at masterpieces like the Bronze David by Donatello, commissioned by the Medici and recently restored. We also see other works of art by the same artist and you will fully enjoy the brightly coloured works of glazed terracotta by Luca and Andrea della Robbia.
Our visit will focus on important sculptures by Michelangelo such as Bacchus, David-Apollon and the very famous Tondo Pitti, a fine example of "non-finito".
Our guided tour will take you through medieval streets, to the nearby church of Santa Croce, Franciscan church, burial place of Michelangelo and many other distinguished Italians of the past.
The tomb of the artist, planned by the Medici family's architect, Giorgio Vasari, reminds us of how in his life, the three major arts, sculpture, architecture and painting, always intertwined.
The Michelangelo tour culminates at the Gallery of the Academy, the richest museum concerning our artist: we will see his "unfinished" works, the Prisoners, made for the tomb of Pope Julius II and your guide will discuss with you Michelangelo's later career in Rome. You will be moved by the feeling that the Palestrina Piet arouses on you.
Finally, the worldly known David, an icon of the Florentine Renaissance. You will be able to explore the statue in its full beauty as your guide will narrate the history, the events that brought to the birth of this absolute artwork.
In the atmospheric setting of the Bargello museum, a medieval palace used as a prison during the 16th century, we will visit the city's most significant collection of Renaissance and 'mannerist art'. One of the earliest works by Michelangelo on display here is the intriguing Bacchus, the clearest expression of the artist's youthful sensuality.
We look at other significant works by Michelangelo too, including his Brutus, David-Apollo and the Tondo Pitti. The museum also hosts Donatello's masterpiece, the bronze David, as well as the David by Verrocchio, another outstanding Renaissance work commissioned by the Medici and recently restored. Another highlight of the Bargello is the glazed terracotta work by Andrea and Luca Della Robbia.
On leaving the Bargello we stroll down the road to look round the imposing church of Santa Croce, where Michelangelo and other distinguished Italians are buried. The tour culminates with a trip to the Galleria dell'Accademia where we marvel at the mastery of Michelangelo's David, his unfinished Prisoners and the Palestrina Pietà.
This above is a suggested itinerary only, if you wish to exclude some site or include others, please feel free to tell us.
Brunelleschi Tour: Florence Cathedral Dome
An expert official Tourist Guide will accompany you to the top of the highest building in Florence. You will have the chance to use the same staircase used by Brunelleschi.
Complex of the Florence Cathedral
Your visit will unravel for three hours among these wonderful monuments of the Cathedral of Florence. Our guide will start showing you the path outside and inside the Baptistery with the famous Gates of Paradise.
UNDER THE TUSCAN SUN tours – a fully registered and insured Travel Agency & Tour Operator, specialists in guided walking and wine tours in Italy registration number: 16022012 – sun[email protected] – License authorization as a Tour Operator based in Florence (Tuscany – ITALY ) LUNGARNO PONTE VECCHIO (OLD BRIDGE), 44 – FIRENZE (FI) – FLORENCE – TUSCANY – ITALY, since 04.04.1990 Rental companies with Driver Guide regularly registered at the Chamber of Commerce of Florence N. REA 606005 Company certified by the province of Florence, Tuscany Region and the Government of Italy. – Insurance: EUROPE Assistance Italia S.p.A.- n. 711715 mobile (+39) 348 3146644 – P.IVA: 05449060481 General letting insurance conditions for UNDER THE TUSCAN SUN TOURS Authorisation granted by Provincia di Firenze Florence Guided Tours – Florence Sightseeing Tours – Chianti Tours – Personalized Tours of Florence, Tuscany and Italy Individual, Family and Group Tours Designed Just for You! Works with a team of fully certified professional.


I am Wind. Just Wind, but you can also call me Ellie (my real name) if you want. Not a very creative name but it fits! I am a 25 year old digital artist. I end up drawing mostly canines, but I also enjoy drawing other animals and styles such as Invader Zim and Lion King as well as creating fursuits. I love art, but it is not my true calling and I am currently working as an aquarium educator.


text:
Jets see Antonio Cromartie as a two-way player
Posted by Michael David Smith on July 27, 2012, 3:45 PM EDT
Antonio Cromartie is good enough with the ball in his hands that he owns the NFL record for the longest touchdown ever, a 109-yard return of a missed field goal. So it makes sense that the Jets plan to get the ball in his hands more often.
Jets coach Rex Ryan said today that in addition to his primary role as a starting cornerback, Cromartie could become a two-way player this season, and that they've already discussed lining him up at wide receiver.
Cromartie has never caught a pass in his NFL career, but he has lined up at wide receiver on a couple of occasions and once ran the ball on an end-around. He also had been expected to play some wide receiver during his final season at Florida State, although he ended up missing his last year of college football after suffering a torn ACL during summer workouts.
Ryan, who also plans to make backup quarterback Tim Tebow a jack-of-all-trades player both on offense and on special teams, emphasized the importance of getting as much production out of the talents of every player on his roster as he possibly can. Cromartie has the talent to make plays at receiver, and it makes sense that Ryan plans to use him there.
20 responses to "Jets see Antonio Cromartie as a two-way player"
walkinginthewasteland says:
"Cromartie has never caught a pass in his NFL career," but as the father of a dozen kids, we can be sure he is experienced in making passes.
jaggedmark says:
Yeah, it makes a lot of sense, right up until you lose your starting CB because he was leveled on a receiving route and placed on IR.
808raiderinparadise says:
All of his baby momma's are sucessful wide recievers too.
gtorlone says:
This is, of course, code for, "I'm all out of ideas to help Mark succeed, so I'm putting our tallest, most athletic player on offense."
Santonio will be *thrilled*. But only one thing will surely come of this: Darrelle Revis will somehow use it as leverage for more money.
livxsiv says:
As a Jets fan, let me be the first to say that his ability to avoid tackles is a useful trait for Wide Receivers…
xsorethumbx says:
this guy loves contact so imagine how much he will enjoy it when Ed Reed or Troy lay him out
blackandbluedivision says:
They're going to scrap all these gimmicks when they start 0-4.
fdugrad says:
A "two-way player?" With all those kids?!
mezzano1 says:
Well maybe if he makes plays as a receiver, he will stop making kids and be able to save some of that money he makes.
mikesvikes says:
Sounds like a circus. The offense is so bad they have to use defensive players?
hansenbrothers says:
Rex Ryan is a champion. A champion of saying ridiculous, headline grabbing garbage that adds nothing to his teams play on the field.
Any player that can pretty much take on two positions is great, doing so gives the team a roster spot to use somewhere else thats needing help.
The Jets lost out on keeping the jack of all trades guy they already had in Brad Smith QB, WR1/2/3, HB, ST coverage and KR/PR. I was so surprised that they let him go test free agency, he has been a good player for the Bills, and I'm sure Chan Gailey has a lot more planned for him this season as well.
If Cromartie can do both without taking anything away from his current position at Cornerback, then I say go for it. Duel threats can make a big difference on a football team. There hasn't been too many of them, but for the few that have been able to do it, they are usually Pro Bowl caliber.
thecarline says:
Upon hearing the news that Cromartie could go both ways, Mark Sanchez was reported as saying that he always liked Antonio's eyes and thought he had a cute ass.
daysend564 says:
He has to be, dodging all the mother of his children. Guy has more moves than Barry Sanders.
smartbutlazy says:
Cromartie has actually caught 22 passes in his NFL career. They were just thrown by the other team's quarterback.
cool10857 says:
I agree that Cromartie is a two-way player because he can't play defense and he can't play offense. He sucks!
rajbais says:
Well, Jets fans can see Rex Ryan as a one-way thinker.
That one way is stupid.
He's caught more STD's than footballs.
thetruth1313 says:
Tim Tebow thought he had everything under control by giving Cromartie the safe sex talk. Tebow has now decided to do an intervention when he overheard Rex saying Cromartie and plays both ways
backindasaddle says:
I'm not certain his brain… or lack thereof… will be able to shift gears that quickly. He's liable to start batting passes thrown to him.


text:
·11 min read
RGM INTRODUCING – WE INTERVIEW THE MIDNIGHT VORTEX
What made you decide to start the band?
We all really love music! We're super passionate about making it and sharing what we create. We also can't imagine doing anything else with our lives!
Introduce us to all the members and your musical history?
Mo (guitar) – The first time I picked up a guitar I knew that was what I wanted to do – it all started with a band called 'The Experience' in Morocco. In 2013 I moved to London, started playing at jam sessions and open mics, and in 2016 I joined the house band of the legendary Passing Clouds club. In 2018 Rabie and I formed a band called 'Spicy Wings' which eventually became 'The Midnight Vortex'
Rabie (drums) – When I was a teen back home I used to live in an area that was famous for musicians, so I was always attracted to learning about music – I wanted to be a part of that world. So, I started learning and playing drums! After a few years, I met some friends who had a band already and by chance they needed a drummer so I filled the role, but I had to hit pause while studying. I came to London and started going to see live music, hanging out at venues, and getting to know people in the industry. Mouad and I met in one of the venues which I used to jam in every Sunday – in 2018 we formed 'Spicy Wings' (which eventually became 'The Midnight Vortex'
Danny (bass) – I fell in love with skate punk bands in the early 00s and naturally wanted to emulate with my mates. I played guitar in a band with my schoolmates for 4 years in my teens. 'Organised Confusion' gigged often around Sussex & Kent supporting 'GetAmped' (they were on Kerrang! ) and winning a battle of the bands in Tunbridge Wells. A uni migration split us up and I had an 11-year hiatus in terms of playing in bands. In August 2020 I joined Mo & Rabie for a jam session swapping 6 strings for 4 and haven't looked back!
Robin (guitar) – I picked up guitar in my early teens, like 13 probably, after being introduced to AC/DC and Black Sabbath. The first band I got involved in was a "power metal" band called 'Insignie' where I played from the age of 17 till 19. Shortly after leaving the band I left for London and immediately started getting involved in jam sessions and bands. To name a few – Stark Rebels, Whopine, Dave Winkler's Star Circus… and of course The Midnight Vortex.
Bri (vocals) – I can't remember when I started singing – so very young, probably! I first contributed backing vocals to prog rock band 'Mandalaband' when I was 18. Then I started singing Radiohead-inspired songs in acoustic duo 'My String Theory'. Then, prior to forming hard rock band 'Black Palms' with collaborator Chris Sarantis, we made various projects ranging from electro to trip-hop to punk to blues-rock. I've contributed vocals to a few electronic projects, too including 'Marc JB', 'Sounds Of iO' and 'Greedy DJs'.
What's one question you're sick of being asked when interviewed?
"What made you decide to start a band" haha.. Why does anyone?? It's fun..
Robin – "Do you get much p***y on your d**k as a rock star?"
Do you sign up to any conspiracy theories?
Conspiracy theories are interesting because they can give you an idea of what people are thinking about and how they see the world, or perhaps that they've got too much time on their hands, haha.. an interesting theory is that this whole reality could be constructed and we're all living in the matrix controlled by our desire – increasingly it's becoming true through algorithms used by Facebook etc. to create personal bubbles and echo chambers. Your reality is what you make it and what you're fed.
What useless party trick do you have?
Robin – Getting absolutely wasted and turning my p***s into a helicopter… haha
What was the most fun you have had on stage?
We've only done two gigs, but probably at our NYE party! We played a cover of '…Baby One More Time' and everyone was singing it back to us – it's a cool feeling..! Maybe down the road, people will sing our own songs back to us, but we've gotta earn that over time.
In the meantime, it's such a great feeling when every member of the band is confident and the individual performances are raw and honest – you can feel it reflects on the audience and creates an amazing connection… well, they tell us afterward anyway, haha..
What was the worst experience on stage?
Again, we've only had two gigs, so not a lot to report.. maybe when Bri got too excited with her tambourine and whacked Robin in the face, or Rabie's kick pedal falling apart mid-set.
Tell us something about each member that you think people would be surprised about?
Mo – I do speak 5 languages: native North African (Amazigh) Arabic, French, English, and Romanian due to my studies in Romania
Danny – I have plenty of tales to share… but I'm not sure how PG or PC they are… I went deaf for about a week after pouring black pepper essential oil in my head. I had a stuffed wildebeest head called Asaf but lost him in a pub & I looked after a shrub called Susanalbumparty for a year.
Robin – I love wearing Motörhead t-shirts but I can't get enough of ABBA or Bee Gees!
Rabie – I was a mountain guide in Morocco..!
Bri – my day job is as a school science technician, I studied biochemistry at uni but realised I wanted more time than a scientific career would allow, so school working hours and holidays are a great match for being creative on the side.
If you had to describe your band to an alien how would you describe it?
Pleasant vibrations… sounds like a sex toy, haha..! To be honest, if we just played, they'd probably get it… if you have the technology for interstellar travel, surely music isn't much of a challenge..? Or maybe it is? Hopefully, the aliens are into a mix of classic rock, grunge & blues – probably the kind of thing that would have attracted them to the Earth given the radio waves we've been emitting for the last century!
What makes you stand out as a band?
We're a diverse bunch, we're all Londoners now, but we're from all over. Our current set is quite varied in dynamics, tone, mood and style and we'll strive to keep that a constant as we progress. We definitely don't want to cave to the pressure of trying to recreate songs that may prove successful and becoming formulaic 'cause we like our songs to be honest.
Right now, what's pissing you off the most? (Can't say the virus)
Well, the virus is affecting everything! It was amazing that so many people were able to come to our NYE gig, but there were so many others who didn't, which is fair enough. When one of us tests positive, or we have to cover at work for sick colleagues we can't meet up to rehearse which slows everything down. We're doing ok considering we've only been (all) together for less than a year.
What's your favourite song to play live and why?
We have a song called 'Addicted To You' starting with a gentle interweaving melody on the guitars and vocals, which creates an intimate atmosphere to begin that builds to a loud and energetic finish – it's fun 'cause you can see people engaging with the changing mood and head-banging by the end of it!
I hear you have a new single, what can you tell us about it?
Our new single 'Long Way Ahead' is coming out on the 15 of January! Our second single! We're also playing at Luna Lounge in Leyton on the same day.
Talk me through the thought process of the single?
For us, the track was inspired by the extreme situations, both physical and mental, that people can find themselves in surrounding war and tough times in life in general – it talks about finding hope through sufferance.
We hope anyone who listens is able to hear something relatable in the lyrics and find their own stories in our songs. We like to keep the meaning ambiguous and open to listeners to interpret in their own way.
What was the recording process like?
The day we recorded was full of energy and enthusiasm – we spent the whole day focusing on recording 2 songs that we thought were good to start with from our repertoire (debut single 'Before You Know' & this single 'Long Way Ahead').
It was set up like a live session, recording most parts simultaneously, then adding the lead and vocals on top of the take we wanted to go with. Danny's brother Jack very kindly came down to the studio to film and take some photos, then Bri made a music video from the footage for our debut single – it's up on our YouTube channel!
What was the biggest learning curve in writing the single?
Well, we've all been writing music for a while, so no great learning curve in that sense. Overall, this song was one of the last songs we got together, but even so it just felt like it was ready to go, which isn't always the case, but sometimes it can happen that way…
Would you change anything now it's finished?
Recording in a live-style session is cool, but it does allow bleed from other instruments unfortunately, which affects what you can do with mixing and production. It's given the sound of those two tracks a particular vibe, but in future we wanna try a different approach.
What are your plans for the year ahead?
Playing more gigs! Recording more singles!
Is there anything else you would like to share with the world?
Yeah, we have also got our debut single up on Spotify etc, so if you like our new one, you'll probably enjoy that one too! – go give us a follow!
interviewreviewrgmTHE MIDNIGHT VORTEX


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G: Staffing profile and equal employment opportunity
Table A5 gives a breakdown of all staff in the Commission at 30 June for the past two years by employment type and gender and includes the Australian Public Service Commissioner and the Merit Protection Commissioner. All staff are employed or appointed under the Public Service Act 1999.
Table A5: Ongoing and non-ongoing staff, by gender, 2012–13 and 2013–14
Notes: Figures do not include irregular/intermittent employees. Figures include staff on long-term leave or temporary transfer to another agency, and the Australian Public Service Commissioner and Merit Protection Commissioner, who are statutory office holders and are counted as ongoing full-time. The 2012–13 data has a slight correction and increased by one full-time male employee.
Ongoing full-time
140 62 202 135 59 194
Ongoing part-time
23 4 27 26 1 27
Non-ongoing full-time
15 4 19 6 8 14
Non-ongoing part-time
Table A6 shows Senior Executive Service staff at 30 June for the past two years by gender.
Table A6: Senior Executive Service staff, by geneder, 2012–13 and 2013–14
Note: Figures do not include the Australian Public Service Commissioner and the Merit Protection Commissioner, who are statutory office holders.
– 1 1 – 1 1
5 5 10 5 5 10
Tables A7 and A8 show staff by classification, gender and location for the past two years.
Table A7: Staff by classification, location and gender, 30 June 2013
Cadet APS 1 1
Graduate APS 2 2
APS 1 1 3 4
APS 4 31 4 2 1 38
APS 5 15 3 3 21
APS 6 37 10 2 1 50
EL 1 46 22 4 3 2 1 78
SES 1 4 4 8
SES 3 -
Statutory office holders 1 1 2
163 68 10 4 4 1 4 1 255
APS 2 5 6
APS 6 36 10 2 1 1 50
SES 2 1 1
152 66 9 2 5 1 3 1 1 - 240
Table A9 shows the representation of equal employment opportunity groups as a percentage of staff, by classification.
Table A9: Representation of equal employment opportunity groups as a percentage of staff, by classification, 30 June 2014
Total no. of staff
ATSI = Aboriginal or Torres Strait Islander; EBO = employees who were born overseas and arrived in Australia after five years of age and whose first language was not English; PWD = people with disability; SOH = statutory office holder.
Cadet APS 1 1 100 1 100
Graduate APS 2 2 100 2 100 1 50
APS 1–2 8 2 25 3 38 3 38
APS 3–4 42 33 79 5 12 2 5 1 2
APS 5–6 65 52 80 1 2 4 6 3 5
EL 1 72 50 69 2 3 2 3 5 7
EL 2 38 24 63 2 5 3 8
SES and SOH 12 6 50 0
240 170 71 16 7 8 3 16 7


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Collaboration – What's Stopping Us?
Originally posted on 21 April 2015 #LMGBlogArchive #LMGBlogArchiveProject by Paul Manners
On Thursday the Future of Collaboration conference will hear ideas and experiences of how museums and higher education institutes can work together. In my role as director of a centre funded to build more effective public engagement across higher education, it's a topic close to my heart. I don't know whether it is the beautiful spring sunshine, but I am feeling resolutely optimistic about collaboration. Here are some of the things that I have learned from current projects.
There are many compelling reasons why we should be encouraging collaboration between museums and higher education institutions. Here are a couple:
Collaboration makes such good strategic sense: we are all feeling the cold winds of austerity, smaller museums perhaps more than anyone. With increasing pressure on resources, finding efficient ways to share expertise and assets is not a luxury, it's essential.
There is already great work in train that we can learn from – just look at the Share Academy project, or the track record of the Universities Museums Group. We should be sharing this more widely.
My optimism is well founded, I think. I want briefly to mention three projects that I'm involved in which have helped me deepen my understanding of the potential, and limits, of collaboration.
One of these is a new Funders' Forum for people working in the area of public engagement in informal science learning. The Wellcome Trust's review of the field in 2012 revealed a complex ecosystem with pockets of very good practice, but a significant set of issues holding back progress. These included 'silo working', a weak evidence base and a lack of alignment between the investments of different funders. The new Funders' Forum brings together the key funders of activity in this space and some of the key deliverers such as the Science Museum Group and the BBC. One of our first tasks has been to begin to critique how the money flows through the system. There is a palpable energy in the room when we meet, these are people who really want to see change happen. By working systemically and strategically together, there is a tantalising prospect that we can begin to make some big collective decisions that will make the whole system work better.
The second project is one we are coordinating for Research Councils UK. Called the School-University Partnerships Initiative it was established to try to effect a step change in collaboration between the two sectors. Many millions of pounds have been invested in project after project to bring researchers in universities together with teachers and pupils, but all too often these haven't delivered lasting benefit. We commissioned a review to analyse the dynamics of these partnerships and to identify where we might focus to make the biggest difference. What we discovered resonates with museums too. Despite there being some major successes, the reality on the ground is less impressive. The review identified structural factors which helped account for this – a really helpful way to focus future work:
Limited evidence of impact and benefits from partnerships and a lack of investment in evaluation.
Lack of shared vision and agendas at policy level and between universities and schools.
Recognising, rewarding and communicating good practice in partnerships.
Lack of recognition of the skills and capacity required for key brokerage roles and the associated expectations of researchers and practitioners.
Policy pressures make partnerships difficult, including accountability, imposed models and timescales.
Cultural barriers make partnerships difficult – how to create a 'third space'.
The final project is one funded by the Arts and Humanities Research Council. Called How should decisions about heritage be made, it brought together a group of people all committed to cutting through the red tape, bureaucracy and silo thinking that holds back really effective collaboration in heritage. If the Funders' Forum and School-Universities Partnership review were top down attempts to fix the system, this small project was very much a bottom up attempt to bring together people working in different parts of the system to see if we could collectively develop new ways of working. Partners in the project included people working in heritage planning, funding, policy, in museums and university research departments, in charities and in community organisations. What we all had in common was a commitment to change. At times it was a recipe for conflict or muddle: how on earth can such different personal and professional orientations towards heritage actually find common ground?
We discovered that a commitment to collaboration was vital, but not enough on its own. As important is 'acting', 'reflecting' and 'situating' your work – key ways in which the barriers and possibilities identified above might be tackled:
Act: Make change from where you are.
Connect: Cross boundaries and collaborate.
Reflect: See your work through other people's eyes.
Situate: Understand your work in context.
So, what is my recipe for realising this wonderful world of university-museum collaboration? It has two ingredients: much greater alignment and common purpose at a system-level and valuing the role of individual change makers and addressing the many significant barriers to effective collaboration they face day-to-day.
We know what's at stake, we're well informed about the challenges – what's stopping us?
Paul Manners is director of the National Coordinating Centre for Public Engagement.
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The first shipments of UK beef departed for the USA last week. 30th September 2020, marking an historic moment for UK farmers and food producers.
Following the USA's longstanding ban on EU beef – introduced in the wake of the BSE outbreak in 1996 – market access for UK beef was granted in March 2020. Welsh beef producers now have access to the US market for the first time in over 20 years.
The news means the sector can now begin to reap the economic benefits of trade with the US – with industry estimating beef exports will be worth £66 million over the next five years.
The first four UK food businesses, based in Wales and Northern Ireland, have now been officially listed by the US Department of Agriculture's Food Safety Inspection Service as eligible to export UK beef to the USA.
It is expected that in the coming months, more food businesses across Wales and the rest of the UK will be able to take advantage of this exciting new export opportunity.
The US Food Safety and Inspection Service (FSIS) Audit Report, a crucial step leading to British exporters being able to sell to the US, was published in March 2020, and confirmed that UK meat hygiene systems and controls are of a suitable, equivalent standard for products to be imported to the USA. The report noted that the whole of the UK meets the US's production requirements, therefore beef from England, Wales, Scotland and Northern Ireland is eligible for export.
Source: Other Tue, 06 Oct 2020 00:00:00 +0100
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THE REARVIEW MIRROR (ENSLAVED) AN NCS INTERVIEW: RE-ARMED
SHADES OF BLACK: DRAUGSÓL, SROGOŚĆ, CANCER, LASHBLOOD, SHRINE OV BELIAL, INFAMOVS
Album Reviews, RANDOM FUCKING MUSIC, SHADES OF BLACK, SHORT BUT SWEET Add comments
Once again I find myself drowning in attractive new black metal. I've assembled some of my new discoveries in this post and have in mind pulling together a second round-up for tomorrow — but yes, I do remember how foolish it is for part-time, half-witted metal bloggers to make forecasts of what they'll do in the future. I'll just say… maybe.
This is one of those times when all of the underground bands featured here are newcomers to our site, and I've bent the framework of this series a bit with the last band, which is more in the vein of death than black metal. Hope you find something to like…
DRAUGSÓL
Oh look! Another Icelandic black metal band! There seem to be more of them than there are snowflakes in Iceland, but on the other hand, I haven't yet been disappointed by any of them. I was particularly unable to resist the lure of Draugsól (as if I wanted to) when I saw the fantastic cover art by Moonroot Art for their debut album, Volaða Land.
The album will be released early next year on CD and LP by Signal Rex, and as a sign of what's to come we have an advance track called "Váboðans Vals" that's very good.
It's also very grim… and it's also almost bright. Rather than immersing themselves in the esoteric, alien, and murky atmospherics of many of their fellow Icelandic BM bands, they seem to have more in common with such U.S. bands as Falls of Rauros and Panopticon. The music is vibrantly intense and dramatic, but multifaceted and dynamic. It thunders and threshes with a will, but is transportive, too.
Volaða Land is set for release on January 13, 2017. Pre-orders can be placed here:
https://draugsol.bandcamp.com/track/v-bo-ans-vals
https://www.facebook.com/draugsol/
Váboðans Vals by Draugsól
SROGOŚĆ
Srogość is the name of a two-man band (musician Dariusz 'Erebos' Łukasik and vocalist/lyricist Grzegorz 'Susurrus' Nowak) from Paterek, Poland. The band was formed in 2013 and have produced an initial demo (Nicość) and a debut album in 2014. On November 30 the Via Nocturna label will release another Srogość album named Umbra Mortis / Nicość, which includes both the demo material and three new songs.
"Apostles of Hate" is one of the new songs, which you can stream below. Bleak, savage, and heavy, the largely mid-paced song features a dismal trilling melody that's memorable, as well as a phalanx of killer riffs and head-hammering drumwork. And when Srogość do kick into rampaging gear in the song, they give you a strong dose of ice-coated barbarity, too.
You can pre-order the new release through the Via Nocturna site.
http://www.vianocturna.com/releases/srogosc-umbra-mortis-nicosc/
https://www.facebook.com/srogoscblackmetal/
https://srogosc.bandcamp.com/music
Cancer are an Australian band, and their five-track debut EP named Terminal was released via Bandcamp on October 25. Three qualities in particular made this EP stand out for me.
First, the vocals are absolutely maniacal. The first minute of the first track includes a couple of shrieks that seem to go on forever, and the expressions that follow burn with wrenching agony, carnivorous bestiality, and unhinged passion (there are some ghostly clean vocals here as well).
Second, the songwriting is top-notch; the melodies are magnetic; the sludgy grooves can be felt down to the soles of your feet; and the energy is in the red zone, even when the music sinks into black pits of despair. The band do an excellent job of melding physical punch and haunting atmospherics, scathing attacks and hallucinatory dream states, depressive beauty and the beast.
And third, there are no weak links in this five-track chain. All the songs are strong, and each has enough individual character to avoid any hint of monotony in a straight run through all the tracks.
You can download Terminal as a name-your-price offering on Bandcamp. I'll be very surprised if this isn't picked up by one or more labels for a physical reissue — it richly deserves to be spread around far and wide.
P.S. I'm also adding a music video released by the band for one of the songs on the EP.
https://canceraus.bandcamp.com/releases
http://www.facebook.com/canceraus
Terminal by Cancer
LASHBLOOD
Lashblood are from Stavropol, Russia, and have been active since 2007. Beginning under the name Lash they released a 2010 demo by that name and then a 2011 split. After changing their name they produced a 2012 debut album entitled Philosophy of Self-Flagellation: Being and Nothing, and a 2015 EP called Plasticine People.
I discovered them through a stream on Soundcloud of a track called "Эхо Пустоты (Echo Of The Void)". The Soundcloud stream is about one month old, but the song is described as one that was "recorded at a rehearsal on January 25th, 2010 for a demo disk, but not included in it". A version of a song with the same name also appears on the Philosophy of Self-Flagellation album. I've got both recordings for you below.
The shorter version is loaded with infectious, driving power and absolutely bestial vocals right from the start, but the prominent bass line hints right from the start that Lashblood have more in mind than causing convulsions in the reptile part of your brain. As the song unfolds, it becomes more and more interesting without losing an ounce of its intensity, venturing with a sure hand into avant-garde and prog territory, leading you into an increasingly hallucinatory and infernal trip while keeping the voltage coursing through your body at a high level. And man, I do love the exuberant and increasingly inventive bass work in this song…
The fact that the song was recorded six years ago at a rehearsal makes it all the more impressive.
I will add that Lashblood have recorded and are in the process of mastering a new full-length called UnBeing, which they are planning to release next year. They recently uploaded a demo version of a track from the album called "To Rest…", and you'll find that below as well. It's a 10-minute trip down Alice's rabbit hole, exhibiting many of the qualities that make "Echo of the Void" so compelling, except even more so. The vocals are magnetic; the guitar work is both crazed and powerfully infectious; the low end is massive; and the song is a kaleidoscope of dynamic and wildly inventive movement.
And hell, dat bass work is still a huge highlight — and they've added a saxophone as well, which nearly steals the show. I can hardly wait for Unbeing to come into being!
https://soundcloud.com/user-766442321/lashblood-ekho-pustoty-echo-of-the-void-demo-version-2010
http://lashblood.bandcamp.com/
https://www.facebook.com/Lashblood-124265784290042/
Philosophy of Self-Flagellation: Being and Nothing by Lashblood
SHRINE OV BELIAL
Soweto may seem an unlikely place for the birth of a black metal band, but that's where Shrine Ov Belial is located. It's currently a one-man band consisting of Thronumgoroth Diabolus Antikristus.
As I would guess many of you know, Soweto is a predominantly black township of the city of Johannesburg. Harshly victimized by apartheid, it still includes some of the poorest areas in South Africa. It's credited with being one of the birthplaces of popular South African forms of hip-hop called Kwaito and Kasi Rap, but as I've learned, it also has a growing rock, punk, and metal culture — including black metal.
Earlier this month Shrine Ov Belial released a split with a U.S. one-man band named Goatswarth that's available for free download. And there are a couple of other songs available on ReverbNation. One of those, "In the Absence of Light" is the first Shrine Ov Belial track that I heard after receiving an e-mail from the band. Keyboards play a prominent role in the song, giving it a chilling, panoramic sweep. But the song also includes very earthy rhythms — and by "earthy", I mean heavy and hard enough to smash bone into dust — as well as wild, tortured vocal extremity and penetrating guitar melodies that add a spectral cast to the despondent atmosphere of the music.
Below you can listen to "In the Absence of Light", as well as the second track available at ReverbNation, "Pandemonic Yelp of Mephitic God", which is also very bleak and unearthly, but also hammering (and it includes a change in the vocal styling as well). And to get a free download of the Shrine Ov Belial split with Goatswarth via Mediafire, go HERE. The tracklist for that release is as follows:
Goatswarth (USA)
01 – Many Rivers to Cross – 05:05
02 – Ancient Beauty – 05:31
03 – Gazing Upon the Moon – 03:56
Shrine ov Belial (RSA)
04 – Splinter – 04:12
05 – Shrine of Light – 06:22
06 – The Harrowing – 05:13
Total play time – 30:20
One more note. Through Shrine Ov Belial's Facebook page I discovered a short film about metal (and black metal in particular) in Soweto. It's called Black Black Metal, and it's an eye-opener. I've included the video below and encourage you to watch it.
https://www.facebook.com/Shrineovbelial/
Black Black Metal from Picture Tree on Vimeo.
INFAMOVS
To conclude this collection I'm moving somewhat beyond the admittedly expansive boundaries of black metal with a song by a band from Coquimbo, Chile, called Infamovs. They have an album named Under the Seals of Death that's due for release on January 23, 2017, by the Spanish label Memento Mori, and the song is a track from that album named "Dawn of the Black Dance".
I was unfamiliar with Infamovs before hearing the song, but they do have a previous EP named Emanation of Impure Heresies that was released last year by LMDT Records. They claim influences by such bands as Incantation, Dominus Xul, Dead Congregation, Imprecation, Immolation, Sadistic Intent, early Deicide, and early Morbid Angel.
"Dawn of the Black Dance" is both sickening and enlivening, both primal and propulsive. It's heavy as a rain of lead and brutally primitive at one level, but the soloing in the song is like a flight of furious wraiths who have lost their minds but not their hunger for human flesh. And the riffing and lead guitar arpeggios become both more frenzied, more intricate, and more interesting as the song moves ahead like an unstoppable juggernaut capable of crushing everything in its path. Very, very impressive!
https://www.memento-mori.es
https://www.facebook.com/memento.mori.label
https://www.facebook.com/infamovs.deathmetal
https://www.soundcloud.com/infamovs
Posted by Islander at 10:18 am Tagged with: Cancer, Draugsol, Infamovs, Shrine Ov Belial, Srogość
5 Responses to "SHADES OF BLACK: DRAUGSÓL, SROGOŚĆ, CANCER, LASHBLOOD, SHRINE OV BELIAL, INFAMOVS"
Chris Martin says:
That vocalist for Cancer–holy cow. Really good songs and video!
function says:
truly incredible vocals!
Yes wow those vocals from Cancer are killer…This band is amazing. Another Aussie band & album to check out is Advent Sorrow – As All Light Leaves Her, much in the same realm as Cancer…equally depressive!
Islander says:
Hell yes, we're big fans of Advent Sorrow around here and have spilled quite a few words about that album across four posts, collected here:
https://www.nocleansinging.com/tag/advent-sorrow/
brklyner says:
Damn, Cancer! Great discovery, thanks for sharing! Lashblood also sound promising.


How good is WordPress for E-Commerce?
It comes as no surprise that people have smitten to the WordPress.com for their blogs but the Word Press offering does not end there and there is still a lot more glory to this new free and open source blogging tool. And that's precisely what we are going to discuss in this post. Making its way as the most popular blogging platform in the world. WordPress is a free publishing tool "via WordPress.com" and a content management system (CMS) for self-hosted blogs "via WordPress.org". Having an enormous library of themes and plugins, WordPress provides a broad spectrum of blogging options for casual bloggers as well as top-notch businesses.
Having such strong attributes the question is if WordPress can also be a platform for ecommerce? And the answer is a big "Yes" but things get gloomy when you come to know that although most WordPress eCommerce platforms come free and are open source, but their plugins aren't free. Generally the price ranges from about $50 to $150 or more based on the preferred features you may require. In addition to the benefits mentioned above, the word plugin is a jargon because such plugins are very much the same like apps which other e-commerce platforms also brag about, for e.g. Shopify apps.
So, if you own an e-commerce "store" or are planning to start one soon you'd definitely want to take a look at WordPress if it can be the "to be" e-commerce platform. So there you go firstly, along with the user friendly interface you get a number of plugins available which are easily installed on the platform to facilitate you for the various e-commerce functions and features. Next is the "third party" shopping cart plugin which has been evolving slowly along with WordPress since the last couple of years. Integrating your WordPress content management system and shopping cart helps you to create a seamless user experience for all your customers. Selling products or services on your WordPress site has come a long way that will benefit your e-commerce site in a variety of ways.
One of the most popular wordpress ecommerce plugin available in the market is WooCommerce that offers a number of powerful features. The e-commerce sites that use Woo-Commerce plugins are capable to feature a number of tasks like comprehensive tax and shipping options, powerful marketing tools, inventory management tools and extensive reporting features. This plugin is extremely useful with its superior user interface.
The Cart 66 plugin provides increased functionality for your e-commerce website. It's perfect and easy for most types of online WordPress stores. Cart66 is different when compared to other WordPress e-commerce plugins, is that you can sell digital and physical products through this medium.
Having said all that about what all Word Press can offer as an e-commerce platform but making things a lot more easier for the decision maker the fact is that WordPress was originally not developed for an e-commerce platform. The burgeoning popularity of WordPress as a blogging platform raised the expectations of developers to overlay the basic program incorporating plugins and heavy themes to make it work as an e-commerce platform. The popularity of Word Press has come as a major disadvantage for it as it has a large installed base, being under constant attacks by hackers. They surely offer upgrades but who want to live under constant threat of being hacked and especially for an e-commerce site security comes as a top requirement.
When an e-commerce business is successful and one has to process an increased number of orders the number of synchronized scripts executed by WordPress can overwhelm a number of web servers and given that one needs to add a theme and plugins to make WordPress work decently for e-commerce, there can be some problems when upgrading your WordPress installation. Firstly the installed plugins and themes may not be found compatible enough with the WordPress upgrade. It's important to note that its plugins and themes have to be upgraded quite often. And any customization one makes will get overwritten every time there's an upgrade. Although Word Press has been admired for its "rapid strides" and there are high expectations that there will soon be an easier way for Word Press to overcome the problems mentioned above, but for right now an ecommerce platform on Word Press may not be a very good idea despite the great features we've mentioned above. But choosing it as an acceptable performer today will probably make it the winner for tomorrow.
Nancy Ronnie is a New York based Writer and Editor, an MA in English with a specialization in Creative Writing from New York University. Her literary interests include 17th century poetry as she has always had a passion for literature. An expert creative non-fiction writer as she is, Nancy also enjoys outdoor activities such as biking, fishing, hiking and running.


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Fit Tip No. 1 – Eat!
Exercise uses up your energy reserves.
Hence, your body needs to replace energy after exercise – stored in the body in the form of glycogen – and this is replaced by carbohydrates (fruit, energy bars, sports drinks) – within 2 hours of endurance exercise.
If you miss the 2 hour window, then your body will be upto 50% less effective at replacing the energy.
You just have to eat the good stuff – not the rubbish.


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Medford é uma cidade localizada no estado norte-americano de Wisconsin, no Condado de Taylor.

Demografia
Segundo o censo norte-americano de 2000, a sua população era de 4350 habitantes.
Em 2006, foi estimada uma população de 4140, um decréscimo de 210 (-4.8%).

Geografia
De acordo com o United States Census Bureau tem uma área de
9,2 km², dos quais 9,1 km² cobertos por terra e 0,1 km² cobertos por água. Medford localiza-se a aproximadamente 450 m acima do nível do mar.

Localidades na vizinhança
O diagrama seguinte representa as localidades num raio de 24 km ao redor de Medford.

Ligações externas

Cidades do Wisconsin