You need to add this to your diet PRONTO!
While most of us are busy planning good hair days, we're slacking on skincare, and end up investing in expensive products to get a seemingly flawless look. In the age of Instagram, where hashtag #BeautyAddict is only encouraging you to buy more highlighter, concealers, and foundations, it's about time we sit you down to discuss real skincare. There are countless products that claim to perfect your skin by breaking the bank, but what if we told you that you need to start from within to get that natural glow you always wanted?
Instead of applying any and every fancy skincare product to test the results, here's one ingredient that you can add to your diet to clean your skin from within, without spending a bomb.
If you struggle with oiliness, redness, dullness, and acne on your face, Vitamin C is the only ingredient you need in your life RN!
Predictably, lemon or orange would top the list for being the richest source of Vitamin C, but to our surprise, these two ingredients did not even make it to the top five!
The benefits of consuming this humble vitamin don't just end here — this ingredient also helps you stay anxiety-free. Vitamin C acts as a powerful antioxidant that acts towards eliminating harmful free radicals in the body. The brain is especially susceptible to these free radicals.
Since vitamin C fights those free radicals, it can help keep your mood stable.


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Industry News/News
USACE, Maryland Transportation Department Ink $4B Chesapeake Bay Restoration Project Partnership
by Christine Thropp
The U.S. Army Corps of Engineers' Baltimore District and the Maryland Department of Transportation have greenlighted a $4 billion ecosystem restoration project in Dorchester County.
USACE said Tuesday representatives from both parties signed a project partnership agreement to set their respective roles, responsibilities and financial obligations for the Mid-Chesapeake Bay initiative aimed at restoring remote habitats on James and Barren islands.
The restoration project will cover 2,072 acres of lost remote island habitat, which may include low and high marsh, upland areas, mudflat, ponds, channels and submerged aquatic vegetation.
"Rebuilding James and Barren islands will promote wildlife, restore coastal shorelines, and provide us with a long-term placement site for dredged material from port shipping channels, allowing us to accommodate larger ships bringing more cargo and business to Maryland," said James Ports, secretary of MDOT.
Materials USACE dredged from channels and anchorages serving the Port of Baltimore will be used for the project, with Barren Island possibly beginning to accept dredged material by 2024 and James Island by 2030.
An initial contract award for the Barren Island phase one effort is anticipated in the coming weeks. The Mid-Bay project is expected to be completed in 2067.
Sign Up Now! Executive Gov provides you with Free Daily Updates and News Briefings about Industry News
James Ports
Mid-Chesapeake Bay
Project Partnership Agreement
restoration project
USACE

redpajama_set_name: RedPajamaCommonCrawl


PES RealisticGameplay Patch by nesa24 [ version 1. Like many who have played FIFA for years I have always been intrigued by the claims from PES lovers ( many dear friends of mine).
Aug 09 emblems , serie b, championship, kits, seria a, · fbnz of - full bundesliga ( all teams, la liga , liga nos with kits, stats , all faces) - premier league, squads names. This is how to download and install the Patch PTE 8. 0 is a latest patch for PES Patch PESEdit 13. The game features a modified version of the new Fox Engine.
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Home » Co-Chairman in the Press » Soyak Said: "Türkiye will run the show. That means an extra $150 million income for Türkiye,"
Soyak Said: "Türkiye will run the show. That means an extra $150 million income for Türkiye,"
Armenian reconciliation to boost border trade with Türkiye
The historic protocols signed by the Turkish Foreign Minister Ahmet Davutoğlu and Armenian Foreign Minister Edward Nalbandian in Zurich is expected to have a deep impact on commercial life in the region.
Aimed at normalizing relations between the two countries, the protocols are expected to make way for collaboration in a wide variety of industries including textile, food and tourism when the border between Türkiye and Armenia opens in the New Year.
Georgia has long been used as a route for back-door trade between Türkiye and Armenia. The annual value of trade is about $150 million, a figure expected to reach $500 million once the border opens.
Kaan Soyak, the co-chairman of the Brussels-based Turkish-Armenian Business Development Council, said although the border between the two countries has been closed for years, the volume of indirect trade between the two countries has reached $150 million. When the border gates become operational, trade volume is expected to rise three-fold, he said.
Especially with the start of railroad trade all products that Armenia and Middle Eastern countries purchase from Mediterranean countries will pass through Türkiye. "Türkiye will run the show. That means an extra $150 million income for Türkiye," said Soyak.
The deal will also benefit Turkish textile companies that have trouble sending materials to Russia. Shifting 5 percent of the total investments to Armenia would enable companies to benefit from the free custom agreements between Armenia and Russia.
Food, health, transportation and textile industries will also be at the forefront, said to Soyak. "Our textile exporters, who have been struggling to send materials to Russia, will benefit from the Armenian route. That is because Armenia and Russia have signed a free customs agreement. If our businesspeople produce 5 percent of their products in Armenia, they will be allowed to benefit from the deal and export to Russia without paying a customs fee. It would also enable development in the Eastern Anatolia."
"Diaspora tourism" will also be launched soon to established improved ties between Türkiye and Armenia. Many members of the Armenian diaspora wish to visit Türkiye to see the villages and towns where their ancestors lived at the beginning of the 20th century. Tours will be organized to Kars, Erzurum, Van, İstanbul, Muş, Yozgat and Adapazarı.
Meanwhile, Istanbul Kültür University Faculty Member Mensur Akgün said Armenia would benefit from the new protocols.
Nalbandian announced "The border could be opened by the New Year." This announcement may be perceived as symbolic of a new era for the commercial structure of the region. The Eastern Gate located 66 kilometers from Kars has been shut since 1993, the final year of direct trade between both countries, although trade relations between Türkiye and Armenia have continued through Georgia. However, the existence of Georgia as the middleman has meant that businesspeople and customers lacked the advantage of establishing close business relations. Using an intermediary is also more expensive, increasing the price of trade products.
Following the signing of the protocols in Zurich, the Union of Manufacturers and Businessmen of Armenia, or UMBA, Chairman Arsen Ghazarian came with 10 delegates arrived in Türkiye on October 12. For two days, Turkish and Armenian businesspeople engaged in discussions. It has been 15 years since both parties met face to face. UMBA delegates will also meet with Turkish Industrialists' And Businessmen's Association, or TÜSİAD, representatives. Wednesday's meeting will be in the northwestern city of Bursa.
yatirimlar.com 15.10.2009


These are the questions frequently asked by high school students who are looking at Cornell's Animal Science Program.
What time of year is best for a visit?
We welcome students year round. Visiting during the academic year gives you the opportunity to speak with students and sit in on a class. Please coordinate your plan to visit with the Undergraduate Advising Assistant (607-255-5497) who will arrange for you to meet with a member of the faculty.
Can I stay overnight in the dorm?
Yes, at certain times of the year, specific dates are set aside with the Red Carpet Society. Please visit the admissions site for more information.
Please visit the Cornell Undergraduate Admissions site for more information and an application.
Where can I get information about transferring to the College of Ag & Life Sciences from another institution?
Please visit CALS Admissions transfer information for detailed information on transferring to Cornell University College of Ag & Life Sciences and the Animal Science Department.
I'm interested in Pre-Vet. Do I have to major in Animal Science?
Most pre-vet students major in Animal Science, and a smaller number in Biological Sciences. Any major is, however, acceptable as long as you complete all of the prerequisite courses.
Where can I obtain additional information on studying veterinary medicine?
Please visit the Cornell University College of Veterinary Medicine web page for high school students.
Where can I find out more about International Agriculture opportunities?


Danganronpa Another Episode: Ultra Despair Girls (PS4 Announcement Trailer) – 3WIREL!
The other games in the Danganronpa series are releasing on the PlayStation 4 early next year but today NIS America announced that the spin-off third person shooter in the series is coming to the PS4 for 2017.
Greetings, dood! We are happy to announce that Danganronpa Another Episode: Ultra Despair Girlswill be arriving on the PlayStation®4 as both a physical and digital release in summer 2017 in North America and Europe!
Originally released in 2015 on the PS Vita, Danganronpa Another Episode: Ultra Despair Girls is a spin-off action-adventure game that connects the critically acclaimed mystery adventures Danganronpa: Trigger Happy Havoc and Danganronpa 2: Goodbye Despair. For more information on Danganronpa Another Episode: Ultra Despair Girls, visit the Official Game Page.


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Understanding Conditions Leading to High School Success as Identified by Urban Georgia At Risk Students
Catherine Michele Nigg, Georgia Southern UniversityFollow
Mary Jackson
Paulette Harris
Abebayehu Tekleselassie
A qualitative research design was used to gather data from in-depth interviews of 10 at risk students at an east-central Georgia high school. The students met at least two of the following at risk characteristics: low SES, failing at least one grade and/or in danger of failing four or more courses this year, and high rate of suspension or absenteeism and/or on probation. The instruments for this study consisted of structured interviews that contained questions to elicit the students' views on school with the aim of determining what they identify as critical to their success. The interviews were guided by an outline of topics from a review of research and literature concerning at risk student conditions such as family, school and personality issues. The overarching question was: What conditions do at risk high school students identify as critical to their success? Subquestions: 1.What conditions do at risk students feel are in their lives that affect their academic success? 2. What conditions do at risk students feel are in the school environments that affect their academic success? 3. What conditions do at risk students feel are in their personalities that affect their academic success? The results were combined into three overall conditions that students, themselves, viewed as important to their success: 1. Discipline- Students wanted more supervision for students who kept others from learning and they wanted to be treated respectfully when corrected. 2. Relationships- Students wanted caring teachers who listened and acted as learning partners. Students wanted mentors who could be family members, teachers, coaches or other caring adults. 3. Curriculum- Students wanted courses that addressed their future. They wanted more courses that taught life skills, technical skills, job training or apprenticeships. Students wanted more time to master subject matter, more flexible scheduling for school times and class times. Students also wanted presentations to suit their learning styles, including hands on experiences.
Nigg, Catherine Michele, "Understanding Conditions Leading to High School Success as Identified by Urban Georgia At Risk Students" (2008). Electronic Theses and Dissertations. 358.


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È un maestro di arti marziali cinesi che avrebbe insegnato a Chang Dsu Yao nell'Accademia Militare di Guilin alcune forme di stili interni: Xingyiquan, Baguazhang e Liangyiquan.
Come Chang Dsu Yao e molti altri membri dell'esercito Nazionalista, si sarebbe rifugiato a Taiwan a seguito della disastrosa sconfitta subita dalla sua fazione.
Secondo i libri Italiani sarebbe stato un allievo di Yang Chengfu, e sarebbe morto negli anni settanta, ma di lui oggi non sono reperibili tracce significative. Nel libro Taijiquan shiyongfa, tra i vari discepoli di Yang Chengfu c'è un tale Zhang Qinglin 张庆麟, che potrebbe essere identificato con Zhang Qingpo, ma la sua biografia non parla di fughe a Taiwan, infatti sarebbe nato nel 1913 e morto nel 1947.

Note

Bibliografia
 Chang Dsu Yao, Roberto Fassi. L'enciclopedia del Kung Fu Shaolin, Volume 1º. Roma, Edizioni Mediterranee, 1986. ISBN 8827200169
 Chang Dsu Yao, Roberto Fassi. L'enciclopedia del Kung Fu Shaolin, Volume 2º. Roma, Edizioni Mediterranee, 1987. ISBN 8827202110
 Chang Dsu Yao, Roberto Fassi. L'enciclopedia del Kung Fu Shaolin, Volume 3º. Roma, Edizioni Mediterranee, 1989. ISBN 8827203567
 Chang Dsu Yao, Roberto Fassi. Tai Chi Chuan. Milano, De Vecchi Editore, 1989. ISBN 8841280263
 Chang Dsu Yao, Roberto Fassi. Il Kung Fu, le tecniche fisiche e mentali per l'autodifesa. Milano, De Vecchi Editore, 1990. ISBN 8841280336
 Chang Dsu Yao, Roberto Fassi. Il Tai Chi Chuan, il segreto dell'energia vitale. Milano, De Vecchi Editore, 1996 (ris.). ISBN 8841220139
 Chang Dsu Yao, Roberto Fassi. Corso pratico di Tai Chi Chuan. Milano, De Vecchi Editore, 1993. ISBN 8841213647 ISBN 8841220198
 Ignazio Cuturello, Giuseppe Ghezzi. Kung Fu Shaolin. Milano, De Vecchi Editore, 1996. ISBN 8841220031

redpajama_set_name: RedPajamaWikipedia


A diet rich in lettuce and other greens is always a good idea, but not all lettuces are created equal. Learn which varieties are the best and worst nutritionally.
With its broad leaves, watery flavor and crunchy texture, iceberg lettuce ranks as one of the least nutritionally dense. One cup of shredded lettuce still provides about 3 percent of your daily recommended fiber intake and is a great source of water.
Red-tip leaf lettuce can be distinguished by its large "crumpled" leaves with red coloration. Red-tip leaf lettuce is a great source of vitamins A and K; one cup of shredded lettuce provides 42 percent and 29 percent of your daily recommendation, respectively.
The other type of leaf lettuce, green leaf lettuce, packs a bit more punch. A cup of shredded green leaf lettuce provides 53 percent of your daily vitamin A and 78 percent of your recommended vitamin K! Compared to red-tip leaf lettuce, it has more thiamin, riboflavin and vitamin B6.
We love all kinds of butterhead lettuce from Boston to Bibb; its tender and slightly sweet leaves are wonderful in salads. It's particularly high in vitamin K (one cup of chopped butterhead lettuce provides 70 percent of your daily recommendation), and it's a great source of folate.
Romaine's long leaves have a deep taste and crisp texture. It is an excellent source of vitamins A, C and K and folate and a very good source of fiber and four minerals including potassium and iron. By the cup, it provides 36 percent more thiamin and more than 4.5 times the amount of folate than green leaf lettuce.
Mildly bitter and perfect for pepping up salads, wild chicory is high in vitamins A, C and K and is an appetite stimulant. One cup of chopped chicory greens is high in fiber and more than a day's worth of vitamin K!
One cup of this cabbage-like plant has 128 percent of your daily vitamin K! It is a great source of minerals like copper and potassium. Radicchio also contains antioxidants zea-xanthin and lutein that promote eye health.
Rich in vitamins K, A and C and minerals like magnesium and potassium, chard provides a nutritional boost to your salads. A cup of chard contains nearly four times your daily recommended vitamin K! Plus, it contains carotenoids to keeps eyes healthy!
Kale is everywhere these days and for pretty good reasons. A cup of kale contains a whopping 684 percent of your daily recommended intake of vitamin K, and it is is unusually high in antioxidants like beta carotene for eye health and cancer-fighting vitamin C. It contains detoxifying sulfur and fiber (both great for weight loss) and has powerful anti-inflammatory properties.
A diet rich in lettuce and other greens is always a good idea, but not all leafy vegetables are created equal. If you're looking for salad and sandwich ingredients that pack a nutrient punch, it can be tricky to tell which types are the best. Many leafy vegetables are rich in vitamins, minerals and phytonutrients. They can be an excellent source of vitamin K, which regulates blood clotting and promotes bone health, as well as anti-cancer antioxidants, heart-healthy fiber and water for hydration. From popular greens like romaine and iceberg to trendy kale, we get raw about the best and worst leafy vegetables for a healthy diet.
Check out our slideshow above to discover the best and worst leafy vegetables for your health.
Want more Kitchen Daily? Friend us on Facebook and check out our Pinterest, or sign up for KD VIP to save favorite recipes and create grocery lists.


Check out our full range of HP Compatible and Re-manufactured HP Ink Cartridges below. Our HP compatible ink cartridges are produced in an ISO9001/ 9002 production facility. Best Seller this month is our HP C6656AN #56. If you can't find the HP Ink Cartridge you are looking for just call.


The Mosquito device is a device that uses high-frequency sound to stop teenagers from gathering outside places of business. The device is available in the United States as the Mosquito Kid Deterrent Device. The government-appointed Children's Commission in the UK wants to see it banned.
According to Sir Albert Aynsley-Green, the Children's Commissioner, the Mosquito device infringes on the basic rights of young people. The device sends out an intolerable tone that only young people can hear; 85 decibels of sound at 17-18 kilohertz. The capacity to hear high-frequency tones gradually declines with age; older people are not affected.
"These devices are indiscriminate and target all children and young people, including babies, regardless of whether they are behaving or misbehaving," Sir Al told the BBC.
"This device is a quick fix. It's not tackling the root of the problem and it's indiscriminate."
"What type of society uses a low-level sonic weapon on its children? Imagine the outcry if a device was introduced that caused blanket discomfort to people of one race or gender, rather than to our kids."
Indiscriminate use of a sonic weapon that effectively clears out large areas of property is one of the issues seen in Ayn Rand's 1957 novel Atlas Shrugged. In the book, she calls such a device "Project X:"
It's first public test, which you are about to witness, has been set to cover a small sector, a mere two miles, in perfect safety, with all space cleared for twenty miles beyond.
Via Kids' commissioner calls for ban on Mosquito, ultrasonic anti-teen device; see also the Mosquito Kid Deterrent Device at Kids Be Gone. Thanks to reader Moira for contributing the tip on this story, as well as the reference.


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Find your Tribe / Training - 2021 / 08 / 11
Valdemar Fredriksson
Meet Valdemar
Our new health coach. A fitness professional based in Stockholm. In his daily work, he trains clients, manages a boutique studio and inspires his community to get stronger and feel better. You can count on Valdemar on all things training and wellness.
"To train is to live!
Our bodys are made to move. It nourishes our mind. By reducing levels of the body's stress hormones and It also stimulates the production of endorphins - chemicals increasing overall well-being.
It strengthens our body's systems by increasing the work capacity. Muscle, bone & the vascular system. In my opinion it's best to stay on top of health!".
Find your Tribe - 2021 / 08 / 11
Sharareh Hoss
Training means a lot to me. Training has helped me both physically and mentally.
Martin Hansson
Ever since I was a kid, I've liked the products and brand of Björn Borg. But later on - as I've been working out more - sportswear has become a big part of my everyday wardrobe I can often be seen wearing a grey or black sweatsuit from Björn Borg.
Find your Tribe / Interviews - 2021 / 06 / 24
Lisa Olsson
We're proud to announce our new ambassador, entrepreneur and founder of Nootka
Ellen Claesson
Björn Borg has always been with me throughout my entire life. It's a brand that I have been familiar with for a long time. I'm so happy to be working together with a brand that I've worn as a kid and still do


An Emirates Boeing 777 aircraft designed with Diamonds has caused a stir on social media after it made an appearance ahead of the festive season.
The airline took to Twitter to unveil the plane's new look, which saw every square inch of its livery covered in diamonds, making for a pretty spectacular sparkling effect.
Unsurprisingly, it sent aviation fans into meltdown, with the image garnering thousands of likes and retweets.
Twitter users began speculating on everything from the cost of the project to the routes it would be flying so people could look out for it in the skies.
Meanwhile skeptics questioned whether the plane would be able to take-off with the additional weight of the diamonds.
They were right to be doubtful, as the diamond-encrusted plane isn't real, but rather the result of nifty photo editing skills.
Sara, a former dentist turned 'crystal artist', regularly edits images to give them a bedazzled new look, posting the results on her Instagram account.
The Emirates plane was just another fun project on her list, ahead of a trip to Milan where she was going to be flying with the airline.


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Q: Empty Values is returning to an array using express I'm Still learning with express so I'm new, Alright so I'm trying to send data from the form that I have created to and array, but unfortunately it's returning an empty value to the array.
therefor the values are showing in the console "consoe.log".
HTML FORM PAGE CODE

New Movie

                <form action="/movies" method="POST">
                    <input type="text" placeholder="Movie Title" name="title">
                    <input type="text" placeholder="Movie Img" name="image">
                    <input type="text" placeholder="Movie Date" name="date">
                    <input type="text" placeholder="Movie Time" name="time">
                    <button>Submit</button>
                </form>

HTML and EJS

            <% for (let movie of moviesList) { %>

                        <%= movie.movieImg %>

                        <%= movie.movieTitle %>

                        <%= movie.movieDate %>

                        <%= movie.movieTime %>

            <% } %>

        New Movie

App.js File
const express = require("express");
const app = express();
const ip = require("ip");
const path = require('path');
const port = 8800;

app.use(express.urlencoded({ extended: true }))
app.use(express.json());
app.set('views', path.join(__dirname, 'views'));
app.set("view engine", "ejs");

// ================ DB ================ //

const moviesList = [
    {
        movieTitle:'Movie 1',
        movieImg: 'Movie Image Link',
        movieDate: '2021',
        movieTime: '100 min'
    },
    {
        movieTitle:'Movie 2',
        movieImg: 'Movie Image Link',
        movieDate: '2021',
        movieTime: '100 min'
    },
    {
        movieTitle:'Movie 3',
        movieImg: 'Movie Image Link',
        movieDate: '2021',
        movieTime: '100 min'
    },
    {
        movieTitle:'Movie 4',
        movieImg: 'Movie Image Link',
        movieDate: '2021',
        movieTime: '100 min'
    }
]

// ================ DB ================ //

// ================ Content ================ //
app.get("/movies", (req, res)=>{
    res.render("movies", { moviesList })
})
app.get("/movies/new", (req, res)=>{
    res.render("new-movie")
})
app.post("/movies", (req, res) => {
    const { title, date } = req.body;
    moviesList.push( {title, date})
    console.log(req.body)
    res.redirect("/movies")
})
// ================ Content End ================ //

app.listen(port, ()=>{
    console.log(`Visit: http://localhost:${port}, as for the other devices Visit: http://${ip.address()}:${port}`)
})

this is the code that I'm working on right now..

A: the problem is fixed, so I re-read the code multiple time and carefully and the issue was from the form name attribute value and and json array keys or title inside the (app.post).
And below is my edited and updated code.
HTML FORM PAGE CODE

New Movie

                <form action="/movies" method="POST">
                    <input type="text" placeholder="Movie Img" name="movieImg">
                    <input type="text" placeholder="Movie Title" name="movieTitle">
                    <input type="text" placeholder="Movie Date" name="movieDate">
                    <input type="text" placeholder="Movie Time" name="movieTime">
                    <button>Submit</button>
                </form>

App.js File
const express = require("express");
const app = express();
const ip = require("ip");
const path = require('path');
const port = 8800;

app.use(express.urlencoded({ extended: true }))
app.use(express.json());
app.set('views', path.join(__dirname, 'views'));
app.set("view engine", "ejs");

// ================ DB ================ //

const moviesList = [
    {
        movieTitle:'Movie 1',
        movieImg: 'Movie Image Link',
        movieDate: '2021',
        movieTime: '100 min'
    },
    {
        movieTitle:'Movie 2',
        movieImg: 'Movie Image Link',
        movieDate: '2021',
        movieTime: '100 min'
    },
    {
        movieTitle:'Movie 3',
        movieImg: 'Movie Image Link',
        movieDate: '2021',
        movieTime: '100 min'
    },
    {
        movieTitle:'Movie 4',
        movieImg: 'Movie Image Link',
        movieDate: '2021',
        movieTime: '100 min'
    }
]

// ================ DB ================ //

// ================ Content ================ //
app.get("/movies", (req, res)=>{
    res.render("movies", { moviesList })
})
app.get("/movies/new", (req, res)=>{
    res.render("new-movie")

})
app.post("/movies", (req, res) => {
    const { movieTitle, movieImg, movieDate, movieTime } = req.body;
    moviesList.push({movieTitle, movieImg, movieDate, movieTime})
    console.log(req.body)
    console.log(moviesList)
    res.redirect("/movies")
})
// ================ Content End ================ //

app.listen(port, ()=>{
    console.log(`Visit: http://localhost:${port}, as for the other devices Visit: http://${ip.address()}:${port}`)
})

redpajama_set_name: RedPajamaStackExchange


Magnum's modern version of a traditional uniform patrol shoe. Part of Magnum's long established Uniform range, and for those looking for that traditional styling.
The Active Duty Shoe CT is a lightweight uniform safety shoe with a breathable, water resistant upper.
Featuring a modern composite safety toecap and plate (not the heavier, colder steel variety), the Active Duty Shoe CT meets the European Standard EN 345 for Safety Footwear.
A number of Forces nationwide stipulate that their officers are not allowed to wear safety footwear - i.e. boots or shoes with safety toecaps.
To avoid later hassles and expense with exchange, we recommend that you check Force policy before purchasing this product.


Macros allow you to group multiple functions into one command. Here is a quick example of where macros can be of assistance: Let's say you want to perform multiple functions with one command. For example, if you want to turn all of the lights in the living room on and you also want to set the mode and/or arm the Smart Home Monitor. In this case, you would create a control macro with all of these functions. When you execute the control macro, all of the functions are performed. If you wish to run the function at a later time (maybe as a delay before leaving the house) you can specify a time delay and the macro will run in the future.
WebCoRE trigger macros are also included and are used to trigger WebCoRE 'pistons' using a voice command.
Finally, using a extension group, you can combine control macros, WebCoRE triggers and reporting into one function. For example, let's say you have three control macros for various floors within your house. You can run each of these individually, or you can also place them into a extension group to run them sequentially with one command, along with a nightly report to finish out the macro.
Macros are built into the base code of Ask Alexa. There is no additional code to install to use macros.
On the <<Macro Settings>> page, you will enter a name for the macro (required), up to 3 aliases for the macro (optional), and then choose a type of macro you want.
eliminate confusion when addressing the Alexa Enabled Devices with commands.
create a totally conversational experience with Alexa Connected Devices.
Next, you will choose the type of macro. There are currently 3 types of macros currently available: Control Macro, WebCoRE Triggers and Extension Group, and they can be used in different ways.
Once you choose a macro type, depending on what type you choose, you will have the ability to enter your settings for that particular macro, or to choose restrictions for the macro. Restrictions are used exclusively with Control, WebCoRE Trigger and Voice reporting macros. Also available on this page is the ability to post when this macro is triggered within the Message Queue, which can post a note to speakers, the notification feed, or send you a text message.. In addition, you have the ability to send the message to the queue when the macro is actually triggered (i.e. in case it was delayed through either the app or a voice command), and include what response was sent to Alexa. Finally, if you have the continuation message enabled for macros/extensions (see Ask_Alexa#Personalization) you will be presented with a final option to suppress the continuation message for the macro you are working on.
Below is additional information on the macros currently available: Control Macro, WebCoRE Triggers and Extension Groups.
A control macro allows you to control various aspects of your SmartThings devices and settings with one command. For this macro, choose the routine, mode, Smart Home Monitor status you want to have enabled when the you speak the control macro name. You also have the option of turn on/off (or toggle) certain devices such as switches, dimmers and colored lights, change the status of room occupancy sensors and output text-speech audio (TTS) to speakers and voice synthesis devices via the Ask Alexa Message Queues. In addition, you have the ability to set the lock/unlock status of a door lock, or even open/close a garage door. Using a control macro and some of the options within the macro you can set up very natural speech request. For example, if you set up a macro called "It is too bright in here", you can actually have the macro react by simply saying <"Alexa, tell SmartThings it is too bright in here"> and have the lights dim by an amount you specify. You can even have the macro reply with a custom message that could say, "I have decreased the lights for you."
There is also an option to run an HTTP GET request when you activate the control macro. This is for advanced users and sends an HTTP GET request (External to your LAN or Internet facing) upon the Alexa Switch being triggered. If you wish to use this option with a SmartThings location, you may also install the Cloud Interface SmartApp (see Alexa Helper#Cloud Interface Code Installation and Alexa Helper#Cloud Interface Smart App Setup). This functionality may also be used with the IFTTT web site. On the HTTP configuration page, you will also be presented with other advanced options such as specifying an IP, port and command for LAN (internal) connected devices.
At the bottom of the section, you are given the option to have a message sent to a message when the scenario is triggered. This could be useful in situations where you delay the triggering of the control macro and want to be notified.
To activate a control macro, simple say, <"Alexa, Ask SmartThing to run MacroName"> or even <"Alexa, Ask SmartThing MacroName">. You also have the option of delaying the activation of the actions of the macro. You can do this either in the control macro through a default delay, or simply append your command with a number of minutes. This might be similar to <"Alexa, Ask SmartThing to run MacroName in 5 minutes">. If any verbal delay is given, the default delay will be ignored. If the default delay is set and no verbal delay is given, the default delay will be used. Be sure to specify whole minutes, even if the length is an hour (use "60 Minutes" in this specific case). If you inadvertently trigger a control macro and wish to cancel the timer, you can simply say <"Alexa, Ask SmartThing to cancel MacroName">. Once you set a timer the control macro will not allow you to run this again until it either executes or you cancel it. Please note, depending on your PIN setup (see Ask_Alexa#Password_PIN), you may also append your request with the required password. So, in the example above, the command would be <"Alexa, Ask SmartThing to run MacroName in 5 minutes password 1234">.
Finally, at the bottom of the page you can specific a unique response when you execute the control macro. You will lose the ability to get feedback on errors that occur when the macro runs; if your devices does not respond as you would expect, simply delete the text in the area labeled <<Acknowledgement Message>> and the default response or error message will be spoken. If you are using the control macro with a extension group you may also want to click the slider to completely eliminate any output from the individual macros.
Using the WebCoRE community SmartApp, you can create very complex, condition-based automations (pistons). Using the WebCoRE Trigger Macro within Ask Alexa, you can trigger these WebCoRE 'pistons' with your voice. Simply create a WebCoRE Trigger, choose the piston you want to run (typically a DO Piston), set a delay (if necessary) and an acknowledgement message, along with any restrictions that are appropriate (especially if you run this as part of a Ask_Alexa_-_Macros#Extension_Group). It is that simple. If you do have a PIN set up in the <<Settings>> area you will also be given the option of password protecting the macro from running.
to run a piston, or WebCoRE can listen for any macro to run and then trigger.
With the power of WebCoRE, there are advanced features of this macro that allow you to take advantage of this power. The setup of these features is more manual, but when you set them up properly you will have a lot more control over your WebCoRE environment. To set up these features, you will need to do a little bit of planning about the various function you might do in WebCoRE. In the example linked below, the user wanted a single macro that would allow him to change channels on his television simply by saying the station's name. Previously, he would need to create multiple WebCoRE macros to accomplish this. However, he added additional parameters to his WebCore output to allow for just one macro and the channel names as an addition parameter sent along to the WebCoRE piston. The channel names were places into a slot of the Amazon Developer Site (under LIST_OF_WCP. This list can be maintained by going to <<Settings>><<xParams For WebCoRE Macros>>). He then simply says the macro name (Change Channel) and the additional parameter. This information is sent to a complex WebCoRE piston and the channel changes.
As of version 2.3.6 you can pass both a number (through the mNum parameter) in addition to a word (xParam) to the WebCoRE piston.
In addition to running a WebCoRE Macro directly (by voice), you also have the ability to run it when a switch is triggered via voice. Simple expand the section called <<Switch trigger for this macro>> and you can have one switch action control the running of this macro. In addition, you can have an mNum (number) or xParam (verbal parameter) sent to WebCoRE with the activation of the piston. Please note that if the macro is password protected this WILL NOT prompt you for a password and will run freely. This activation method is perfect for Alexa native routines.
The extension group is somewhat analogous to a "box within a box". After setting up various controls, WebCoRE Triggers, weather and/or voice reports, you may find that you are running some of them in one at a time with multiple commands. As mentioned above, a good example of a use case is a multi-story home. While each level may have a control macro, you may have a need to run them all at once (for example, a good night action). To do this, you would simply include the extensions you want to run and then name this new extension something unique. Then, when you run the extension, the "child extensions" will run in order (the order determined by what order you select them we in the app). Other examples of how to use extension, along with restriction to create complex "if/then" routines, are included in the Ask_Alexa#Tips_and_Tricks section below. If you have a PIN set up under <<Settings>> in the parent app, you will be given the opportunity to enable a PIN for the extension group.
enable the PIN on the Extension Group itself.
In addition to running control macros, you can also run a voice report or weather report as part of the extension group. Simply add the desired voice report at the bottom of the list of extensions to run and it will speak the results of the report.
voice reports as this will also keep them from reporting out as well.
As mentioned in the definitions (see Ask_Alexa#Definitions), a REST URL is the (secure) "path" to your devices through a web command. The <<REST URL>> will appear on the main Control Macro and Extension Group pages. This is an advanced function for those users that may want to control a separate location's (two SmartThings accounts, two Amazon accounts, etc) devices from a centralized location. Most users will not need to use this for a single home configuration. However, for those that need this feature, it allows you to run a Control Macros and Extension Groups (no other parameters) using a single URL. Please note that if you use this URL in another Control Macro (Run HTTP Request...) or Extension Group with and included voice macro, there is NO feedback from the GET command that is run to the Alexa (at either location). However, if you run the URL from a web page you will receive JSON output that would normally go to Amazon. The feature to allow this to pass through to the running Control Macro is being evaluated.
Please remember ANY changes or additions you make to your Ask Alexa environment should immediately be followed up with running <<Settings>> <<Setup Variables>> in the main Ask Alexa SmartApp. This will allow newly created macros to be reflected in the Amazon developer site. See Ask_Alexa#Setup_Variables for more information.
This page was last edited on 6 March 2018, at 01:04.


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Home > Identification > Construction > All about rivets
All about rivets
The way a rivet looks indicates how it was formed and fitted to the pot. I'm coming to suspect that rivets could indicate the era in which a French copper pot was made.
When a rivet is made, it's given a "factory head" (in French, la première tête), the mushroom or button shape on one end. Once the rivet is inserted through the pot wall and handle, the smith pounds or "upsets" the other end into a rounded or flattened shape to form the second head — the "shop head" (la rivure) — that spreads and locks the handle to the pot.
I think the appearance of the factory head and the shop head are clues to the technology used to assemble the pot and handle, and which in turn can indicate the general era of the pot.
The first revolution: Machine-made rivets
Up to the mid-19th century, rivets were forged by hand: the smith heated up a metal bar and used a special anvil called a bombarde to cut the bar to the proper length and hold it in place while he or she shaped the factory head. A skilled smith could make about 100 kilos (220 lbs) of rivets a day. (For this history, I am indebted to the Bulletin de la Société d'encouragement pour l'industrie nationale, which, in 1906, saw fit to publish Étude expérimental du rivetage [Experimental study of riveting]. I found it to be, well, riveting.)
This began to change in 1836, when a French coppersmith named Antoine Durenne patented a machine that could manufacture rivets using mechanical pressure to shape the factory head. What had been a task that consumed hours of a smith's time could now be handled mechanically. More innovations followed: by 1855, an English coppersmith invented a machine that could produce 1,000 kilos (2,200 lbs) of rivets a day, and by 1862, a French machine could crank out 2,000 kilos (4,400 lbs!) of rivets per hour.
The second revolution: Machine riveting
At the same time that Durenne figured out how to use mechanical force to manufacture a rivet, other engineers began to work out how to apply the same principle to the riveting process itself. In 1838, just two years after Durenne, Sir William Fairbairn in Manchester produced a machine that could insert a rivet, hold it in place, and press a forming tool against the protruding shaft to form the shop head and finish the rivet in just eight seconds.
As with the rivet-making machines, improvements came quickly. The machines evolved to use steam pressure, pneumatic pressure, and finally in 1872, hydraulic pressure. Pneumatic and hydraulic hand-held and bench-mount riveting machines are used today, along with electromagnetic systems and other 20th century improvements.
My assumptions
I'm having a hard time finding authoritative sources on who did what when, but I think I can make some common-sense guesses.
Assumption #1: I think machined rivets began to appear in French pots around 1840, a few years after the first mechanized rivet machines were produced. Coppersmiths would have welcomed the capability to produce machined rivets, sparing manpower to focus on shaping and assembling pots. I think it would be worthwhile for a manufacturer to buy a machine for its own use or to buy finished rivets rather than pay people to continue making them by hand.
Assumption #2: I think a machined rivet can be recognized by the uniformity of its factory head. A hand-made rivet's factory head was pounded into shape with a series of hammer strikes, and could be shaped however the smith desired for the intended use. By contrast, a machined rivet's factory head is shaped by a forming tool that compresses and forces the metal into a smooth and uniform shape.
Assumption #3: I think riveting machines did not come into use in French pot-making until 1880 or later. The first crank-driven riveting machine in 1838 was heavy and dangerous; its continuous eight-second cycle gave the operator four seconds to move everything in and out, and if anything was out of alignment, the rivet would be spoiled. The steam-powered systems that followed gave more control over the timing but were still huge and ponderous and required a steam boiler and plumbing. These systems were conceived for riveting long sections of metal for bridges, ships, and buildings and would not have been ideal for the more delicate work of pot-making. It was not until the hydraulic process emerged in 1872 that smiths could rivet with safety, control, and precision, but the first applications for these systems were immediately put to work making bridges and ships. I have no hard data to back this up, but I am guessing that it took several more years (and patents) for riveting machines that were sized and priced appropriately for a coppersmith.
Assumption #4: I think a machine-riveted pot will have uniform exterior shop heads. Just as the factory head of a machined rivet has a smooth finish, so should the shop head formed by the same process. The shop head could have a smooth dome, a bullet shape, or a partially flattened surface depending on the tooling used to form it.
I'm going to take a look at the rivets in the pots to which I have access and see if I can make an educated guess about the period and method by which it was made.
Pre-1840s: Hand-made rivets in hand-riveted handles
These pots have hand-made rivets that were inserted and finished by hammering. Here are the distinctive characteristics I see:
Flush or near-flush factory heads custom-shaped to each maker's style
Wide and flattened shop heads with clear impact marks from hammering
The factory heads on the inside of the pots also show some hammering. This could be from rivet tightening during a retinning; a good tinner will check for any wiggle in the handle and if needed will give a few measured blows to the rivets to compress them and tighten things up. Another possibility is from the assembly. The smith will have needed some kind of clamp to hold the factory head tight against the pan while he or she pounded against the other end, and this process may have left some physical marks. (I'm trying to learn more about this craft.)
1840 to 1880s: Machine-made rivets in hand-riveted handles
The first rivet-making machine was patented in 1836, and I've made the assumption that smiths would have switched to pre-made rivets for the obvious time-savings. It would follow that there would be a transition period when coppersmiths used machine rivets but still hammered them into place by hand.
In support of this idea, here is what I see:
Rounded factory heads that protrude slightly from the pan walls
Standardized rivet diameters that are smaller than rivets of the handmade era
Shop heads with hammer strike marks
GAILLARD PARIS interior rivets
GAILLARD PARIS brass loop handle
Rivet replacements
While a loose rivet can be whacked a few times to help secure a wobbly handle, sometimes a smith opts to drill out an old rivet and replace it completely. I have two examples of this that appear to have rivet replacements that look different from the originals.
It's easy to spot the replaced rivet in the sauté pan below — the factory head protrudes relative to the other two flattened heads. On the exterior, the shop head (on the left in the photo) still looks hand-hammered. I would estimate this repair was done in the late 19th century.
J & E. GAILLARD interior
J & E. GAILLARD iron handle
The handle below belongs to a pot that I suspect is early to mid-19th century, and I suspect that the rivet on the right was repaired much later with a riveting machine of some sort. The brass around the rivet has been marred, but I don't think this was from hammer strikes. If it were, the rivet would also be flattened. Instead, the rivet head protrudes as it would if it were being shaped with a forming tool that socketed around it, and that came up against the brass handle.
Known Dehillerin, 19th century, wide flare with peak, 13cm wide at base
Post-1880s: Machine-made rivets in machine-riveted handles
This is the beginning of the modern industrial era: smiths used machines to make the rivets and to fasten handles to pots. The key element of this era is the uniformity of the shop heads on the handles.
That said, the shop heads do not all have the same appearance. I suspect that different manufacturers used slightly different tools and methods for the riveting, which produced different shapes: a smooth dome, a flattened dome, a pancake, et cetera.
Smooth dome
This shop head style is a smooth hemispherical dome. It is of course possible that a skilled smith could shape a smooth round head like this with a hammer, but I also see known pots from the 1970s onward with this style of rivet, and it's produced by a rivet press with a rotating head that compresses and smooths the rivet into a dome.
(The captions are from my post on handles.)
Likely Gaillard
Likely Mauviel, 20th century, wide flare with droop, 12cm wide at base
Known Mauviel (post-1970s), wide flare with evenly spaced rivets, 11cm wide at base
Known Mauviel, 20th century, wide flare with even spacing, 11.5cm wide at base
No stamp, 20th century, wide flare with even spacing, 10cm wide at base
Dehillerin stamped but likely Mauviel make, 20th century?, no flare, 10cm wide at base
Known Mauviel, 20th century, wide flare with even spacing, 11cm at base
No stamp, slight flare, 12.5cm wide at base
Known Mauviel, close-spaced, 9.5cm wide at base
Flattened dome
As my name for it implies, this is a rivet with a dome shape that has a flat top. It could be that the forming tool created that shape, or that a two-step process created a dome and then a second tool flattened it to compress it further.
Known Gaillard
Possible Mauviel, 20th century, slight flare, 15cm wide at base
Known Mauviel, 20th century, wide flare with droop, 11cm wide at base
Known Mauviel, 20th century, wide flare with high central rivet, 9.5cm wide at base
Known Mauviel, 20th century, wide flare with even spacing, 10cm wide at base
These rivets have been flattened into a distinct pancake shape.
Known Mauviel, 20th century?, no flare, 8cm wide at base
I have a few pans that have unusual characteristics.
The rivets in the pot below have factory heads and shop heads with a concentric circle mark. I suspect this is a 20th century pot with machine-made rivets and a riveting machine, and it's possible the forming heads left the same distinctive stamp on the rivet heads.
The twin handles on this daubière look to have been riveted with different techniques. The upper handle (for the shallow rectangular lid) has uniform bullet-shape shop heads that appear to have been machined, while the lower handle (for the deep rectangular body of the daubière). has flattened, irregular, hand-hammered rivets. My theory is that the smith had some kind of riveting machine but only used it for the lid handles because the deep shape of the daubière body was difficult to maneuver into position for riveting.
Modern manufacturing techniques
Sara Dehman of House Copper tells me that riveting techniques are closely guarded secrets, but there are nonetheless a few videos that show how this is done.
Falk Culinair
In 2016, Falk was featured on the Discovery Channel show "How Do They Do It" (Season 12, Episode 14). In May 2019 Falk posted a video of the segment and it's very informative — there's narration and subtitles in English. The video is 5:30 long, and the riveting process begins at the 4:05 mark.
This video is from an assembly line. The rivet is probably aluminum, as it compresses easily into place.
I hope this post has been helpful to you. I would really welcome your comments and information if you can contribute.
I added the May 2019 Falk video, replacing two others, because the new video explains things much better.


You'll probably notice frequent references to AMTA on New Leaf's website, and it's likely to pop up a time or two in conversations with your New Leaf music therapists. So what, exactly, is AMTA?
New Leaf's music therapists are proud members of AMTA for the professional alliances and continuing education that the organization provides. Staying abreast of cutting-edge music therapy techniques is a priority for our practice, and we lean on the AMTA community for continuous refinement of our protocols and practices.


text:
Q: Freeradius: Authenticate users on certain condition There is a network where users are using PPPoE to establish connections to the Access servers. We have lost the billing system and users' DB. The only condition that we know is that 'Valid credential should be credential where username and password are the same value. (i.e. username: johnsmith, password: johnsmith)'.
We'd like to recover access to the Internet asap.
Setup that we have now: Ubuntu 2004, accel-ppp, freeradius3. Everything works fine but we have to add a record for each user to raddb/mods-config/files/authorize file.
# raddb/mods-config/files/authorize
user1 Cleartext-Password := "user1"
user2 Cleartext-Password := "user2"
userN Cleartext-Password := "userN"

Is that possible to avoid manually adding users? The script should verify credentials assuming that username and valid password are the same value.
Also, I tried:
# raddb/mods-config/files/authorize
DEFAULT Auth-Type := Accept

radtest -t mschap tqq tq 172.17.0.1 0 testing123  - Received Access-Accept but when trying to set up PPPoE on a Router or PC I get Authentication failed, incorrect username or password.
Appreciate any help.
freeradius-radius-1  | (11) Received Access-Request Id 1 from 192.168.192.1:49648 to 192.168.192.2:1812 length 178
freeradius-radius-1  | (11)   User-Name = "q"
freeradius-radius-1  | (11)   NAS-Identifier = "accel-ppp"
freeradius-radius-1  | (11)   NAS-IP-Address = 172.17.0.1
freeradius-radius-1  | (11)   NAS-Port-Type = Virtual
freeradius-radius-1  | (11)   Service-Type = Framed-User
freeradius-radius-1  | (11)   Framed-Protocol = PPP
freeradius-radius-1  | (11)   Calling-Station-Id = "d8:47:32:c3:72:bd"
freeradius-radius-1  | (11)   Called-Station-Id = "00:0c:29:fb:5d:8e"
freeradius-radius-1  | (11)   MS-CHAP-Challenge = 0x57d2a52805a8b83f1c2241558e501549
freeradius-radius-1  | (11)   MS-CHAP2-Response = 0x01002b3c2451214fb6e0583fb9972a49a56e00000000000000001ae496c046d6b776df57a8ba10ab82254b78878444ce0cb1
freeradius-radius-1  | (11) # Executing section authorize from file /etc/freeradius/sites-enabled/default
freeradius-radius-1  | (11)   authorize {
freeradius-radius-1  | (11)     policy filter_username {
freeradius-radius-1  | (11)       if (&User-Name) {
freeradius-radius-1  | (11)       if (&User-Name)  -> TRUE
freeradius-radius-1  | (11)       if (&User-Name)  {
freeradius-radius-1  | (11)         if (&User-Name =~ / /) {
freeradius-radius-1  | (11)         if (&User-Name =~ / /)  -> FALSE
freeradius-radius-1  | (11)         if (&User-Name =~ /@[^@]*@/ ) {
freeradius-radius-1  | (11)         if (&User-Name =~ /@[^@]*@/ )  -> FALSE
freeradius-radius-1  | (11)         if (&User-Name =~ /\.\./ ) {
freeradius-radius-1  | (11)         if (&User-Name =~ /\.\./ )  -> FALSE
freeradius-radius-1  | (11)         if ((&User-Name =~ /@/) && (&User-Name !~ /@(.+)\.(.+)$/))  {
freeradius-radius-1  | (11)         if ((&User-Name =~ /@/) && (&User-Name !~ /@(.+)\.(.+)$/))   -> FALSE
freeradius-radius-1  | (11)         if (&User-Name =~ /\.$/)  {
freeradius-radius-1  | (11)         if (&User-Name =~ /\.$/)   -> FALSE
freeradius-radius-1  | (11)         if (&User-Name =~ /@\./)  {
freeradius-radius-1  | (11)         if (&User-Name =~ /@\./)   -> FALSE
freeradius-radius-1  | (11)       } # if (&User-Name)  = notfound
freeradius-radius-1  | (11)     } # policy filter_username = notfound
freeradius-radius-1  | (11)     [preprocess] = ok
freeradius-radius-1  | (11)     [chap] = noop
freeradius-radius-1  | (11) mschap: Found MS-CHAP attributes.  Setting 'Auth-Type  = mschap'
freeradius-radius-1  | (11)     [mschap] = ok
freeradius-radius-1  | (11)     [digest] = noop
freeradius-radius-1  | (11) suffix: Checking for suffix after "@"
freeradius-radius-1  | (11) suffix: No '@' in User-Name = "q", looking up realm NULL
freeradius-radius-1  | (11) suffix: No such realm "NULL"
freeradius-radius-1  | (11)     [suffix] = noop
freeradius-radius-1  | (11) eap: No EAP-Message, not doing EAP
freeradius-radius-1  | (11)     [eap] = noop
freeradius-radius-1  | (11) files: users: Matched entry DEFAULT at line 1
freeradius-radius-1  | (11)     [files] = ok
freeradius-radius-1  | (11)     [expiration] = noop
freeradius-radius-1  | (11)     [logintime] = noop
freeradius-radius-1  | (11) pap: WARNING: Auth-Type already set.  Not setting to PAP
freeradius-radius-1  | (11)     [pap] = noop
freeradius-radius-1  | (11)   } # authorize = ok
freeradius-radius-1  | (11) Found Auth-Type = Accept
freeradius-radius-1  | (11) Auth-Type = Accept, accepting the user
freeradius-radius-1  | (11) # Executing section post-auth from file /etc/freeradius/sites-enabled/default
freeradius-radius-1  | (11)   post-auth {
freeradius-radius-1  | (11)     if (session-state:User-Name && reply:User-Name && request:User-Name && (reply:User-Name == request:User-Name)) {
freeradius-radius-1  | (11)     if (session-state:User-Name && reply:User-Name && request:User-Name && (reply:User-Name == request:User-Name))  -> FALSE
freeradius-radius-1  | (11)     update {
freeradius-radius-1  | (11)       No attributes updated for RHS &session-state:
freeradius-radius-1  | (11)     } # update = noop
freeradius-radius-1  | (11)     [exec] = noop
freeradius-radius-1  | (11)     policy remove_reply_message_if_eap {
freeradius-radius-1  | (11)       if (&reply:EAP-Message && &reply:Reply-Message) {
freeradius-radius-1  | (11)       if (&reply:EAP-Message && &reply:Reply-Message)  -> FALSE
freeradius-radius-1  | (11)       else {
freeradius-radius-1  | (11)         [noop] = noop
freeradius-radius-1  | (11)       } # else = noop
freeradius-radius-1  | (11)     } # policy remove_reply_message_if_eap = noop
freeradius-radius-1  | (11)     if (EAP-Key-Name && &reply:EAP-Session-Id) {
freeradius-radius-1  | (11)     if (EAP-Key-Name && &reply:EAP-Session-Id)  -> FALSE
freeradius-radius-1  | (11)   } # post-auth = noop
freeradius-radius-1  | (11) Sent Access-Accept Id 1 from 192.168.192.2:1812 to 192.168.192.1:49648 length 32
freeradius-radius-1  | (11)   Session-Timeout = 14400
freeradius-radius-1  | (11)   Termination-Action = RADIUS-Request
freeradius-radius-1  | (11) Finished request
freeradius-radius-1  | Waking up in 1.9 seconds.

A: This is easy to do in unlang, the FreeRADIUS configuration "language".
You copy the (known) User-Name to Cleartext-Password, which is what the incoming password is then compared to.
See my full answer to the same question on StackOverflow for an example: https://stackoverflow.com/a/70620187/5857272


Yuuko has been teaching her new assistant about balance and payment of debts for services rendered, so what happens when a recurring dream prompts Watanuki to examine his one sided relationship with Doumeki more closely? Watanuki has a tendency to react in over the top ways to situations he faces and this is no exception. As he stands on the precipice of a new relationship with his friend, will Watanuki's choices lead to good things or disaster?
Everybody knew that psychics and palm readers and fortune tellers were really all just cons: reading people's subtle cues and making pronouncements just vague enough that people would believe they were real. Kent Parson wasn't going to believe anything the tarot reader said when he finally gave in to the impulse to see what so many other people fell for. He wasn't.
He could never have guessed what would be in the cards: either in his reading, or in the hand that life would deal him afterwards.
Alexei is pretty much perfect. He's bigger than Kent, owns a gym, is really good at giving blow jobs, and best of all he has absolutely no idea who Kent is.


Francine Cunningham is an Aboriginal writer, artist and educator originally from Calgary, Alberta but who currently resides in Vancouver, British Columbia. Francine has a Master of Fine Arts degree in Creative Writing from The University of British Columbia. She also has a Bachelor of Arts in Theatre from UBC. She graduated from Keyano College in Fort McMurray, Alberta with a Visual and Performing Arts Diploma with conservatory style training in acting.
Francine received an award for a First Nations artist in 2015 from The First Peoples Cultural fund, was a participant in the 2014 Indigenous Writing Studio at the Banff Arts Centre and placed second in the 2014 Our Story: Aboriginal Arts and Stories contest. Francine's work has appeared as part of the 2015 Active Fiction Project in Vancouver, in Hamilton Arts and Letters, Echolocation Magazine, The Quilliad Magazine, Kimiwan'zine, nineteenquestion.ca and The Ubyssey.
Francine is currently running creative writing and visual art workshops with the aim of helping students express their unique ideas and feelings surrounding issues of identity.
She is also working on her second novel, a collection of short stories and an adult picture book.
2015 Echolocation Magazine, A selection of two poems.
2015 The Puritan, Summer issue. Pornorama. (Short story).
2015 Issue Eight, Hamilton Arts and Letters. A selection of four poems.
2014 Second place, Our Story: Aboriginal Arts and Writing Challenge.


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By Jeff Tirrell C.S. Lewis, Christianity and the Theatre, Theatre
Faithful Imagination in Theatre: What We Can Learn from C.S. Lewis
Quality theatre presented from a Christian perspective is hard to find.
It exists in small pockets, such as Lamb's Players Theater in San Diego, California, or Taproot Theater in Seattle, Washington, but these are the exception rather than the norm. As sparse at that is, however, quality theatrical material written from a Christian perspective is even rarer. I was asked by a student a few years ago about what good Christian scripts and plays are in existence. My answer was simple: not much. The shows which have a reputation and name recognition are few: Godspell, Joseph and the Amazing Technicolor Dreamcoat, and perhaps Jesus Christ Superstar are the only ones that I could list. Undoubtedly there are others, and certainly there are smaller productions with smaller acclaim that have been done over the years (the recent success of The Christians by Lucas Hnath might be an example), but either I am not aware of them or they run below most people's radar. Of course there are many plays and musicals that are amicable, or at least not antithetical, to the Christian worldview, and it is these that most Christian theatre companies, groups, and educational departments often turn to. But this does not negate the fact that quality work written from a Christian perspective is greatly lacking.
Let me interject a quick sidebar here. Some might ask, 'What exactly is the Christian perspective? After all,' they might rightly argue, 'there are a wide variety of Christians in the world today who disagree on many things.' By 'Christian perspective' I am not referring to an American, Republican, evangelical view, though it can be that. Nor am I referring to a progressive, social-justice oriented liberation theological view, though it can be that as well. Truth be told, it's not really a located Christianity at all.
Rather, this simple, even blasé phrase is trying to encapsulate what was so beautifully called 'Mere Christianity' by C.S. Lewis. That is, in this context, a theatrical piece of literature or performance that allows for the simplicity of the gospel message (e.g., God exists, God came in the form of Jesus of Nazareth, Jesus died on the cross and rose again so that we might be reconciled with God and have life eternal in communion with God) to be influential within a larger narrative in a way that takes the weight of the message seriously. This does not mean that the overall story arc must be about Christianity, but rather that a Christian worldview undergirds and influences the way that the narrative develops. To adapt one of Lewis's famous phrases about the sun [1], the Christian worldview of the writing, acting, and/or direction should allow audiences and actors alike to 'see everything else' related to the story in a new fashion.
There are works that leave it up to the viewer to discern truth from fantasy, such as Freud's Last Session by Mark St. Germain, a sharp one act that posits a fictional conversation between Sigmund Freud and C.S. Lewis in London, 1939. There are works that retell the gospel story in a new context to try to make it more applicable, such as The Cotton Patch Gospel by Tom Keys and Russell Treyz, which resets the Gospel of Matthew in small Gainsville, Georgia. And there are a few pieces in between. But these are rare, both in quantity and in performance. But their rarity, like fine stones, makes them all the more special when they are discovered (or, as is sometimes the case, rediscovered).
This shortage of quality Christian material is what led me to The Great Divorce. Adapted from Lewis's book of the same name, The Great Divorce immediately captured my attention and my mind the first time I saw it. It was commissioned by the C.S. Lewis Company to be performed by Lamb's Players Theatre at the triennial C.S. Lewis 'Oxbridge' conference held in Oxford and Cambridge. Robert and Deborah Smyth (from Lamb's Players Theatre) adapted it for the stage, performed it at the conference, and later were given permission to include it in their mainstage season of shows in Coronado, CA, in 2004.
That is where I first encountered the production, and fell in love with the story. Here was one of the few instances of an unashamedly Christian production that was smart, intelligently written, humorous yet deadly serious when necessary, and which left the audience with the sense that they had witnessed something extraordinary and life-changing. It was not overtly missional in its focus, though it certainly sought some type of transformation in the viewers and participants who were open to it. It was not sappy, there was no alter call at the end, and it reached down to the very souls of those who partook in it.
And I loved it.
And I wondered why I had never encountered anything quite like it before. I was fascinated by the fact that Lewis could translate so well to the stage and that his work, which was so obviously Christian, could captivate audiences from all ilk. Since 2004 other adaptations have come out as well, and have been performed as far apart as Seattle, San Diego, and off-Broadway in New York City. Even the liberal-leaning New York Times, when reviewing the adaptation of The Great Divorce by the Fellowship for Performing Arts, called it 'infinitely thought provoking' and 'consistently intriguing.' [2] Indeed, I was so captivated by the adaptation that I first saw that I have since revived the piece several times in other venues, first as an actor then twice as a director, and most recently as a consultant to a university theatre department chair that saw the work and is adding it to their season next year.
It has, in a very real sense, become part of my own theatrical story. But it has only done so because the work itself, which lifts entire paragraphs directly from the pages of the book, is so powerful and compelling.
In his essay 'Bluspels and Flalansferes: A Semantic Nightmare' (1939), Lewis writes, 'For me, reason is the natural organ of truth; but imagination is the organ of meaning. Imagination, producing new metaphors or revivifying old, is not the cause of truth, but its condition.' [3] This understanding of imagination as meaning maker and the condition necessary for truth to be presented helps to explain why Lewis' writings are still read today. As George Marsden states in C.S. Lewis's Mere Christianity: A Biography (Princeton University Press, 2016), '[Lewis] recognizes that the best reasoning has to be set in contexts that excite the affections or the deepest loves, desires, fears, and hopes that make up the whole experience of the person.' [4] With imagination holding such an integral part in Lewis' understanding of how to both grasp and present truth, is it any wonder then that the arts, the most imaginative form of communication, can and do so easily embrace and translate his writings?
The Great Divorce is full of fanciful imagery that forces the reader to acknowledge the differences between the reality of this world and the world Lewis describes: grass that is too hard to walk on, waterfalls that talk, ghosts that become 'more solid' as they venture into the mountains, great saints that nobody on earth has ever heard of, and lizards and puppets that control their human masters, just to name the obvious ones. Though most of The Great Divorce is dedicated to the conversations between the ghosts and the mountain people, it is these imaginative set pieces that communicate an atmosphere of truthfulness to the points that he makes in those conversations; the conversations would be interesting but largely inconclusive on earth, but on the fields between heaven and hell, which clearly have different norms than we are used to, they become potent and intense. 'We think we are listening to an argument; in fact, we are presented with a vision; and it is the vision that carries conviction.' [5]
Theatrical presentations, like the Lamb's Players adaptation with which I have become so familiar, have the unique ability to draw audiences into the world of Lewis's imaginative atmosphere so that they may breathe the truth that he presents.
Unlike reading the book, which is usually a solitary experience, or watching a filmed version on a screen, theatrical encounters are designed to create a spiritual and emotional interplay between audience, actor and material (the play itself) which can only happen in live spaces without a canvas, screen, or paper serving as intermediary.
The experience of seeing real people speak real words in a real, shared space creates this imaginative atmosphere that Lewis understood to be so important for conveying Christian truth.
Theatre is a tool. It can be wielded like a hammer, or like a conductor's baton. Both have their purpose and value, but one should never confuse one with the other. Lewis felt that his purpose as a lay apologist for Christianity was to put forth a 'mere Christianity' that conveyed the central essence of the faith in a simple yet reasonable way. This purpose supports all his apologetic works, including The Great Divorce. For those of us who engage in the theatrical arts and who seek to integrate our faith into the works that we create or participate in, we would do well to take a page out of Lewis's playbook. Let us be bold in our creations, yet always mindful of the need for both truth and imagination in our work. 'The poet is not a man who asks me to look at him; he is a man who says "look at that" and points; the more I follow the pointing of his finger the less I can possibly see of him.' [6] There is a great need for more imaginative engagement with 'mere Christianity' in theatre. So let's get to it.
[1] I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else. In 'Is Theology Poetry?', 1945.
[2] For the full review, please see http://www.nytimes.com/2015/12/18/theater/review-in-the-great-divorce-searching-for-greener-pastures.html?_r=1.
[3] This essay is available at http://pseudepigraph.us/wp-content/uploads/2015/07/CSL-Bluspels-and-Flalansferes.pdf.
[4] p. 169.
[5] Austin Farrer, 'The Christian Apologist,' in Light on C.S. Lewis. Edited by Jocelyn Gibb. (London: Geoffrey Bles, 1965), 31.
[6] Lewis, 'The Personal Heresy in Criticism,' in Lewis and E.M.W. Tillyard, The Personal Heresy: A Controversy (London: Oxford University Press, 1939), 11.
Jeff Tirrell
Jeff Tirrell is a recent Ph.D graduate from Claremont School of Theology in southern California. His areas of study include the intersection of theater and theology, film and theology, and the Inklings. He currently teaches in both the Theater and Practical Theology Departments at Azusa Pacific University (Azusa, CA) and serves as the Special Assistant to the Deans at Claremont School of Theology.
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New York Knicks Release Statement Following Spike Lee Feud
After Monday's game, a video surfaced online of filmmaker Spike Lee being denied into an employee entrance at a New York Knicks game. The video shows Lee having a back and forth with security in front of an elevator at Madison Square Garden.
"I'm staying here. And if you wanna arrest me like Charles Oakley, go the f*ck ahead," Lee tells security, referring to former NBA star, Charles Oakley who was banned and ejected from a game in 2017. Lee claims to have been using the employee entrance for the past 28 years. "They wanted me to leave the Garden, walk outside … and come back on 31st Street. And I said I'm not doing that," the filmmaker told ESPN.
Fans have been disappointed in the treatment that the Knick's number one fan has received and have assisted Lee by calling them out. Well, recently the New York Knicks have released a statement regarding the matter.
"The idea that Spike Lee is a victim because we have repeatedly asked him to not use our employee entrance and instead use a dedicated VIP entrance — which is used by every other celebrity who enters The Garden — is laughable," the teams PR wrote on Twitter. "It's disappointing that Spike would try to create this false controversy to perpetuate drama. He is welcome to come to The Garden anytime via the VIP or general entrance; just not through our employee entrance, which is what he and Jim agreed to Monday night when they shook hands."
The team then posted a photo of what appears to be Spike Lee and James Dolan shaking hands. Lee has responded to the picture by saying, "I wasn't shaking his hand. In fact, when he came over I didn't get up right away."
It's safe to say the New York Knicks have ticked off one of their longest supporting fans, as Lee has made the announcement that he is done supporting the team for the season.
james dolanNew York Knicksspike lee.


Canberra FC ripped apart bottom club Tuggeranong United with six of the best at Kambah 2 in Round 14 of the PlayStation 4® NPL Capital Football.
A goal from substitute Aisosa Ihegie completed a comeback and rescued a point for Belconnen United as they were held to a 2-2 draw by the FFA Centre of Excellence at McKellar Park on Saturday evening.
Ihegie knocked in his sixth goal of the season within seconds of his introduction off the replacements bench in a tactical masterstroke by Blue Devils coach Dean Ugrinic. Up until then it had appeared that the FFA COE were all set to leapfrog their opponents on the PlayStation 4 National Premier Leagues: Capital Football ladder after claiming a two-goal lead in the first half.
The visitors had made a bright start to the fixture and took the lead in the fourth minute as prolific striker Nicholas Panetta moved onto double figures for the season with his tenth goal of a productive campaign. Belconnen, who are chasing the league title and started the day a point behind the leaders Tigers FC, responded well but the FFA COE appeared to have landed a killer blow in first half stoppage time when Cameron Joice scored his fifth goal of the season.
Whatever was said in the changing rooms during the interval certainly seemed to work as a regalvanised Belconnen United emerged from the sheds to immediately set about repairing the damage. They needed an early goal, and they got it via a seventh strike this term from the effervescent Jason Ugrinic.
That set the scene nicely for the home side to complete the comeback as Ihegie, who has enjoyed a spectacular breakthrough season at this level, netted the leveller to increase his 'super-sub' status even further.
A performance of two halves marked Gungahlin United's 4-2 win over Monaro Panthers in the PlayStation 4® National Premier Leagues at Gungahlin Enclosed on a cool but sunny Sunday afternoon.
Whilst the first forty-five minutes saw a rampant Gunners rip through the Panthers like a hot knife through butter, the second forty-five saw a lackadaisical approach and more than a hint of complacency allow Monaro back into a game in which they should have been buried.
The writing was on the wall for the Panthers early on as Gungahlin raced into a 2-0 lead before a quarter of an hour had been played. Stephen Domenici's seventh goal of the season gave Gungahlin the lead in the tenth minute and it was 2-0 three minutes later as Josh Gaspari rattled in the second.
By the half-time break the match, as a contest, was surely over as Gungahlin was awarded a penalty and set-piece expert Shane Murray confidently scored from the spot. At 3-0, and with plenty more chances wasted, it should have been game over. However Monaro recovered best from the half-time break and reduced the deficit when Tyson Cottam netted in the 66th minute.
That sparked a little more life from a lethargic Gungahlin and Gaspari crunched his second of the afternoon, and third of the season, shortly afterwards. That meant the destination of the points was safe, but there was still more time for the Panthers to pull one more back as Michael Mensah registered from the penalty spot with time running out.
The red machine scores half a dozen without reply to move back into contention for the league championship title firing out a warning shot that they have returned from Croatia fresh and prepared for the run in.
If there was any jet-lag lingering from their post-Zagreb jaunt it was quickly dispelled early on. The visitors took the lead in the eighteenth minute when Thomas Milicevic found space to rifle home the opener. And they didn't have long to wait to go further ahead as midfield dynamo Ian Graham made it 2-0 before the half-time break.
Tuggeranong had a couple of half-chances themselves but in the main it was FC in control of the match. After the break FC upped their tempo and made the points safe in the 53rd minute when Daniel Bennett met a cross with a wicked first time volley that fairly scorched into the net past the despairing Rowan Forbes-Shepherd in the Tuggeranong goal.
It was to get worse for the home team when FC added a brace of further goals within minutes of each other. Thomas James latched onto a Graham through ball to make it five before the English striker begged his twelfth of the season in the 70th minute. The comprehensive result was concluded in stoppage time when substitute Josip Jadric powered a shot in off the underside of the crossbar to round off an impressively ruthless display from Zoran Glavinic's team.
Canberra Olympic roared back into contention at the top of the PlayStation 4® National Premier Leagues: Capital Football with a 5-0 hammering of Woden-Weston FC at O'Connor Enclosed on Sunday afternoon.
Olympic looked particularly classy in attack against a Woden-Weston FC team that struggled to contain their pace and movement with some of the play in the final third top class. The home side had the match virtually done and dusted by half-time as they sauntered into a three-goal lead.
The opener was a demonstration of their skill with a slick one-two opening up a gap for Jordan Tsekenis to slide the ball past Chris Trajanoski for a cracking opener. The second was even better. Bernard Rene put in a lung bursting run through the Woden-Weston FC midfield before laying off to Tsekenis who drilled a delightful finish into the top corner. And it got even better for an irresistible Olympic just three minutes later as Robbie Cattanach was found by Adrian Macor and the former Tiger lashed in his seventh goal of the season.
From here Olympic threatened a rout but it didn't quite materialise as Woden-Weston FC stood form in the second half. A quick thinking free-kick from Callum Smith, curling the ball into the net when everyone else was static, made it 4-0 before substitute Oliver Wiederkehr marked his return to the squad for the first time in over a year with a fifth with six minutes to play.


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pishtech.com • View topic - can you give me the link with the full game ????
can you give me the link with the full game ????
If you order a copy and contact us by e-mail we can give you a link to download the full game. However, the downloadable version requires an activation file to work. We only provide an activation file for customers who have paid for a copy of the game, and every activation file is unique. An activation file we send to one customer won't work for anyone else. The download option is a service we provide mostly for international customers, since international shipments sometimes take a while.
Real World Fly Fishing is the product of several thousand hours of development and field work over several years, so we hope you'll understand why we don't give it away for free. All things considered, we think it's very reasonably priced.
paul wrote: If you order a copy and contact us by e-mail we can give you a link to download the full game. However, the downloadable version requires an activation file to work. We only provide an activation file for customers who have paid for a copy of the game, and every activation file is unique. An activation file we send to one customer won't work for anyone else. The download option is a service we provide mostly for international customers, since international shipments sometimes take a while.


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ed., South Atlantic Quarterly's Ireland and Irish Cultural Studies special issue, 95, no 1 (Winter 1996).
ed., electronic text edition of "Gertrude of Wyoming" by Thomas Campbell, University of Virginia Hypertext Archive. Autumn 1999.
ed., The African Traveller: A Radical's Tale from the Great Irish Rebellion. forthcoming.
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