text:
Norvaišaitis FAMILY
Norvaišaitis Juozas (1902 - 1953 )
Norvaišaitienė Uršulė (1889 - 1952 ), WIFE
Radzevičienė Aldona, DAUGHTER
Norvaišaitis, Juozas
Norvaišaitienė, Uršulė
Radzevičienė-Norvaišaitytė, Aldona
The farmer Juozas Norvaišaitis lived with his wife, Uršulė, and their daughter, Aldona, in the village of Smilgiai (Vilkaviškis District). In late September 1941, at the end of the third month of German occupation, Juozas encountered four Jews in the forest who had fled from the Vilkaviškis ghetto just before it was liquidated and all its inhabitants murdered. They were Alter Kirkilovski, Haim Chernevski and the sisters Tsipa and Sheina Weber. The Jews asked him for food and dry clothing. After consulting his wife, Juozas invited them to his home, where he gave them food and offered to hide them in the cowshed. They all dug a pit there, placed straw and blankets in it and installed a hidden trap-door. The four Jews then hid there for the winter. In early spring, they went out into the forest, where they built a bunker for themselves, and continued to receive food from Juozas and his family. In time, the Weber sisters found Lithuanian acquaintances who lived in the area, the Šneideris* family, and went to hide with them. Alter and Haim on the other hand, remained under the protection of the Norvaišaitis. At times, they also had to accept help from other farmers since Juozas was suspected by the local police and was being watched. The police knew that he helped Jews but had not caught him in the act. Finally, in 1943, Juozas was deported to forced labor in Germany. Uršulė and her daughter, Aldona continued to help Jews in the forest and sometimes secretly received them in their home. These Jews included the sisters Tsila and Judita from Vilkaviškis, and a young man called Savler. On August 17, 1944, when the area was liberated by the Red Army, the survivors regained their freedom. Alter Kirkilovski settled in the nearby town of Kybartai and remained friends with his rescuers. The other survivors dispersed around the world and contact with them was lost.
On July 16, 2001, Yad Vashem recognized Juozas and Uršula Norvaišaitis and their daughter Aldona Radzevièienė - Norvaiðaitytė as Righteous Among the Nations.


text:
var express = require('express');
var token = require('../helpers/token')
var uuid = require('uuid');
var slack = require('../helpers/slack');
var view = require('../views/mfa');
var router = express();

function getMfa(req, res) {
  var client_secret = process.env.CLIENT_SECRET || req.webtaskContext.data.client_secret;
  var connectionString = process.env.MONGO_CONNECTION || req.webtaskContext.data.mongo_connection;
  var secret = new Buffer(client_secret, 'base64');

  var decodedToken;
  var signedToken;

  token.verify(req.query.token, secret, connectionString).then(function (decoded) {
    if (!decoded.slack_username) { throw new Error('JWT does not contain a slack_mfa_username'); }

    decodedToken = decoded;
    return token.revoke(decoded, connectionString);
  }).then(function () {
     return createMfaToken(secret, decodedToken.sub, decodedToken.aud, connectionString);
  }).then(function (mfaToken) {
    signedToken = mfaToken;
    var baseUrl = process.env.URL || 'https://' + req.x_wt.container + '.us.webtask.io/' + req.x_wt.jtn;
    var slackOptions = {
      verifyUrl: baseUrl + '/verify?token=' + signedToken +'&state=' + req.query.state,
      cancelUrl: baseUrl + '/cancel?token=' + signedToken,
      username: decodedToken.slack_username.toLowerCase().trim(),
      token: process.env.SLACK_API_TOKEN || req.webtaskContext.data.slack_api_token
    };

    return slack.sendDM(slackOptions);
  }).then(function() {
    res.end(require('ejs').render(view(), {
      token: signedToken,
      slack_username: decodedToken.slack_username,
      slack_enrolled: decodedToken.slack_enrolled
    }));
  }).catch(function (err) {
    console.log(err + '\r\n' + err.stack);
    res.status(500).send('Error.').end();
  });
}

function createMfaToken(secret, sub, aud, connectionString) {
  var options = { expiresIn: '5m'};
  var payload = {
    sub: sub,
    aud: aud,
    jti: uuid.v4(),
    iat: new Date().getTime() / 1000,
    iss: 'urn:sgmeyer:slack:mfaverify'
  };

  return token.issue(payload, secret, options, connectionString);
}

router.get('/mfa', getMfa);

module.exports = router;

redpajama_set_name: RedPajamaGithub


Brixton Film and I teamed up so I can present their presets and bundles to photographers and I'm super excited to show them off because I'm in love with the results. I curated travel photos from a recent London and Scotland trip I took that I've been meaning to edit so why not use Brixton Film?!
If you're interested in purchasing the presets then click this link here!
A curation of photos from London and Scotland covering location, the presets I used, and a little info on some of the places seen.
Me offering advice. I'm always here to help!
Editing with presets is essential. Basically, there are two main reasons to own presets, whether you use your own or purchase them. First, the faster and more consistently you edit the better.
At times, I still feel like I'm on the search for presets that work for me and when I make my own they don't seem to translate across my other images. Any other photographers figured out how to combat that? Hit me up.
If you can tell, I like my images to have emotion. I don't like stale photos. I want wind blowing in hair, light to draw the eyes in, and a bold, striking color illuminating the scene. I want the image to exude mood.
Brixton Film does not disappoint when it comes to color. Some of the presets were too strong for me, but I found the ones that I began to consistently use. Rich shadows and highlights paired with strong dynamic ranges pleased me.
Before you scroll down to see the results, I must explain that I have every single bundle and add on. Each bundle offers presets and each add on offers an extra layer of simple editing.
The two bundles I used the most were Essential and Modern. They're the most versatile for all types of photos from my experience.
I prefer the best news last so I'll start with the things I didn't like.
The names of each preset.
I'm used to editing with VSCO, which uses the film type for the preset name. With VSCO, I edit with Film 00 and Film 06, and the presets are labeled such as Kodak Gold 100 or Provia 400X XP Over.
With Brixton, the names began to blur together between bundles. Names like Hot & Cold vs Soft & Warm really threw me off. I couldn't remember which one was which, although, I do recognize that the presets are new to me and I would start memorizing them over time.
Ultimately, I do prefer more mature and simple names, even if they are creative. Instead, I would prefer each preset after a name -- Mary, Isabelle, Anna, etc. Or name them after a place -- Denver, LA, NYC. Or just name them based on numbers kind of like VSCO. I prefer a uniform consistency with preset names.
Some of the presets were way too edited for me. They were giving Instagram filters a run for their money. Using a subtle curve and split tone, a mature use of shadows and highlights, and a minimal manipulation of hue + saturation makes for the best image.
If I'm placing a preset over an image and then needing to take the split tone down 20 notches and then consequentially readjusting the temperature and tint then the preset is way too extreme.
First, let me start with saying I never use Instagram filters (but if I did, Valencia all the way, am I right?) so I picked the 2 most outlandish ones I could find which were X-Pro II and Hefe.
Now I will show you some of the presets I probably will never touch on Brixton and that is for two reasons.
1. They aren't my style but if they are your style or they can work for you then that's great. Less is more for me, though.
2. I love way too many of the other presets with completely different styles so why bother with these?
Honestly, fixing these would take so much time that it's not worth it. There are a handful of these extreme presets amongst the Brixton bundles and that's one thing that overwhelmed me when I was getting to know the presets.
However, I found and used the presets that weren't so wild and those really grew on me. I also found the ones that were too extreme but had potential and edited them how I preferred and simply copied and pasted them to the rest of my photos in that sequence. You'll see what I mean next.
Some of these images are a 1 click edit with few changes and some are heavily edited but they stay true to the mood of the preset, which is what I wanted to exhibit in my examples.
I love the add-ons for simple editing, such as "cool highlight" or "less saturation." Those were great to have for 1 click edits.
The preset Cool Water under the bundle Photojournalism is what I used for a sequence of action photos. It's hardly a 1 click edit but I loved the mood. Here you will first see the RAW image + Cool Water with no edits + Cool Water with my edits. I then took the preset and copied it to the rest of the images.
Now I'll show you a preset I do enjoy because it causes subtle change but still conveys a rich mood with constrasting shadows. It works wonderfully on streets and buildings although I do suggest toning the blue hue down when using it. The preset is under the Modern bundle and is named Blast.
As you can tell, I've barely made any changes at all. It's amazing! I love being able to click on the preset with a vision of rich colors and contrast and I barely have to do anything. The main edits I want to focus on are dodging, burning, and playing with the curve a tiny bit and this simple preset allows me to do that.
Another preset I used quite a bit was under the Essential bundle and named Warm Memories. This preset I had to reign in more than Blast with it's super vivid colors and red shadows. Once I figured out exactly how I wanted it, though, it worked like a charm. Here are two images that I barely had to edit with this preset.
All I had to do for both of these images was take the exposure down, which was an in-camera choice, and decrease the red saturation and ta-da!
This preset is so nostalgic to me. It reminds me of the perfect rainy day with my comfy sweater, a cup of tea, and an old-fashioned color tv show with rich blue skies. I can't get enough of it.
The ones I used the most are so beautiful and moody with rich shadows and cool highlights. They change the image from RAW and flat to a whole different dimension of depth and the perfect mixture of warm and cool. I love warm photos, rich blacks, and color color color. I had so much fun editing with two specific presets. What are they you ask?? You'll find out at the end of the blog!
Of course, I used many others but I couldn't stay away from these. You'll see why.
If you've ever browsed Pinterest for more than five minutes then you've probably seen the famous Churchill Arms pub on your feed. It's always brilliantly decorated season-round. In the warm months it's either as you see it above or even better with thousands of flowers and during the holiday it is covered in lights and pine trees. If you're walking around Kensington in London (as you should) then make sure to see this masterpiece.
As seen in the above image and in the photos below, London has some very colorful buildings but you just have to find them. Portobello Road and the Notting Hill area are so worth visiting for the grand and colorful homes and historic market.
While waiting to eat at The French House in Soho, my friends and I explored the nearby area of Chinatown. I'm still kicking myself for not having taken photos of my food from The French House but let me tell you it was gooooooood and presented like a work of art. The classy cuisine was well priced and we decided to eat there because my London friend has a book, Tired of London Tired of Life, which gives you a list of things you can do each day in London. Realistically, you can't do something every day but it's a great way to get out and see London and it was the inspiration for many of the locations in this blog.
Brixton Portrait "Soft and Warm"
The Victoria and Albert is one of my favorite museums in London. I've been twice which is nothing in comparison to my friend who has been countless times. Little did we know that through the courtyard and into the next building of the museum is this stunning gem of a cafe. Upon discovery, thanks very much to Pinterest, we visited and found ourselves delightfully drinking tea and eating scones in the first and oldest museum restaurant in the world.
A few days after London, my friends hopped in a car and roadtripped to Scotland, visiting Edinburgh, Stonehaven, Inverness and the Culloden Battlefield, Isle of Skye, and the Glennfinnan Viaduct, which if you don't know is the Harry Potter bridge. We hiked a lot, drank beer and ate pub food, listened to live Scottish music, slept in hostels, got rained on, laughed so much it hurt, and drove all around the beautiful Highlands.
Seriously, one of the best trips of my life.
Like what you see so far? Link for presets here!
If you ever have any questions on how I edit or want help editing something then message me! If you ever have travel questions or want to know where I was in any of these photos then tell me. I'm always here to help!
If you're curious and want to purchase Brixton Film Presets then click here. Don't forget if you want to purchase any presets to go through me! I can advise you on what bundle will be best for you as well and help you through the process. I hope my photos convey how beautiful, colorful, and rich the Brixton presets are. I found my favorites and I'll be sticking to them.
Essentials "Warm Memories" + Modern "Blast."
The "Warm Memories" preset instantly creates a mood with rich depth and creamy cool highlights. I especially love it when there is a lot of sky in the image or contrasting colors such as yellow and blue.
"Blast" is the perfect street photography preset and I'll probably use it from now on with many of my travel street and city photos. With it highlights pop, greens and yellows glow, backlighting shines against shadows, and a cool tonal range attracts the eye that's perfect for cityscapes.
I also used Essentials "Winding Down" for the green scenes quite a bit. That's a really beautiful preset for a subtle look and a pop of fresh green. It was ideal for the cliff and sea photos in the Scottish Highlands.
Vintage "Carnival" worked well with my nightscapes against a blue sky and pops of bright lights. It is a bold and colorful preset. When I used it for daytime photos they had a vibrant pink hue to them.
For many of my nature photos with less tonal range that were predominantly green due to lots of trees, I preferred Vintage "California" and Modern "Soft & Violet." The presets are softer with a lower contrast and a subtle tonal range while maintaining the vivid colors that already exist.
Overall, these are the presets that stood out the most and I used the most.
Up and coming will be another blog post with these presets used on portraits so stay tuned.
Before I let you go there's one thing I gotta know!
Okay, 2 things. Did you scroll through the photos with the arrows that went left to right? I hope so!
Which photograph is your favorite? Or which one stands out the most to you? I would like to know why. Sometimes, an artist just really likes to see things through the eyes of others and I am biased on my own work. Leave a comment and help a starving thriving artist out!


Giu·sep·pe An·to·nio [joo-zep-pe ahn-taw-nyaw] /dʒuˈzɛp pɛ ɑnˈtɔ nyɔ/, Joseph Guarnerius, 1683–1745, Italian violinmaker.
The Guarneri Violins that he possessed were of a very high class.
The marked difference between these epochs of Guarneri's manufacture has led to a great amount of misconception.
Yet it seems as if this member of the Guarneri family had only made a limited number.
The third is the scroll, in which Guarneri is as distinct from Stradivari as it is possible to be.
The pattern is not a copy of Guarneri, as often stated, but thoroughly original.


Not by that far, their best effort. Top notch death + grind.
Excellent debut by these stoner rockers. This is one of the albums I heard the most during last year.
For me, this was - by far - the best argentinian album of 2015. Sort of extreme progressive (death) metal with a twist.


The World Without the Alphabet "H"
The eighth in our 26 book series, this original interactive read aloud will help make phonics fun! Humor and rhyme combine in this black and white illustrated poem asking students to consider what life would be like without the letter "H". Before you are finished reading students will be thinking of and naming the many things they would miss without letter "H"! Eleven multi-level activities are included in this 48 page printable providing vocabulary practice for ESOL learners as well as practice or review for native English speakers. Select pages for your students' abilities. Alphabetizing to the second letter uses the book's vocabulary together with pictures to make this printable super student friendly. Highlighting rhymes in the poem is an activity that works together with a cloze exercise to give more advanced students a challenge. Letter tracing, writing and coloring pages (full and half sized pages) let beginners have fun learning the shape and sounds of "H". Other activities include matching vocabulary to pictures, word search, fill in the missing letter in the alphabet chart (upper and lower case) and more. Six full -sized blackline pictures representing the sound of "H" can be colored and used for bulletin boards, whole class discussions, or class books. We included these illustrations in half-sized pages, too. We will eventually be offering all the illustrations in this book as blackline and full color PNG files. We think your students will enjoy this book because ours do! This will be offered as part of a 1,000+ page bundle with all 26 letters of the alphabet and accompanying activities and flashcards with bonus illustrations.


Audiority has launched XenoVerb, a new creative multi algorithm reverb effect plugin for Windows and Mac.
10 Reverb Algorithms: Room, Hall, Plate 1, Plate 2, Springy, Glass, Flow, Shimmer, Bode, Formant.
XenoVerb is available from Plugin Boutique for the intro price of 40 EUR until October 1st, 2017 (regular 50 EUR).
XenoVerb was updated to v1.0.3. This fixes an issue with the ROOM algorithm causing a random crash at higher sample rates.


New single from Marty Friedman and Friedman's first jump into full-blown Jpop! This time Marty welcomes vocalist Shinichiro Suzuki (formerly of Craze) for a 90s rock-drenched new number. Also includes supporting performance from Luna Sea member Shinya on drums! Limited edition includes bonus DVD with music video, movie, and game footage!


A group of bloggers at Daily Kos has started an impressive project involving citizen oversight in the coming Congress. The project, called Committee Transparency, aims to get at least one person to cover the goings-on of each and every committee in Congress and to make recommendations to make committees more transparent. This past weekend blogger greenreflex wrote one of the better blog posts on committee transparency explaining the Rules that govern public access to committee hearings and documents and the continuing lack of transparency in many committees despite public access rules.
You should really read greenreflex' whole post about the structure of the House and Senate Rules and what they say must be made available for public consumption. The gist of it is that House and Senate Committees must "be open to the public" and "prepare and keep a complete transcript or electronic recording adequate to fully record the proceeding of each meeting or conference". Of course, this doesn't always happen as greenreflex shows in their post.
In the search for committee transparency and providing citizen oversight is the need to look at the recent history of the committees in Congress. The oft cited quote by Woodrow Wilson, "Congress in session is Congress on public exhibition, whilst Congress in its committee rooms is Congress at work," provides us with a reason to be concerned about what has been transpiring behind supposedly open doors. Or in the case of the recent committees, what hasn't been transpiring.
Since 2001 no session of Congress has held 1500 or more committee meetings. This year of 2006 House committees held 1204 meetings, the third lowest in the past twenty years. But it doesn't really matter how many committee meetings are held so long as their substance is greatly important. It's not the quantity, it's the quality.
This story doesn't turn out so well either. The minority office of the House Government Reform Committee issued a report in January of this year highlighting the lack of Congressional oversight of the Executive branch. The report shows some of the past Congresses lowlights including Judiciary Committee Chairman James Sensenbrenner and Government Reform Chairman Tom Davis refusing to hold hearings into the detainee abuses at Abu Ghraib; Rep. Davis and Rep. Sensenbrenner refusing to investigate the leaking of undercover CIA agent Valerie Plame's name; Rep. Davis' refusal to subpoena "emails between [Michael] Brown and top White House officials" during hearings into the failures surrounding Hurricane Katrina; and that no committee has held hearings into procurement problems at the Department of Homeland Security.
This report only covers Congress up until 2005. So it's about time to take a look at 2006. If there was one dominant issue in the country this year it has been the war in Iraq. You would expect Congress to hold hearings over the problems that the country is facing over there; you might even expect some committees to discuss other regional issues. (By the way, the following is only a review of Full Committee hearings and does not include Subcommittee information.) This is unfortunately not the case.
The House Armed Services Committee has held two hearings about Iraq this year. One of those hearings, held at the behest of Rep. Curt Weldon, was to determine if weapons of mass destruction still existed or not. The second hearing was held on November 15th in the wake of the Republican's electoral defeat and the resignation of Secretary of Defense Donald Rumsfeld.
The most pressing problem of the year warranted only 5 full committee hearings, none lasting more than a day, in the House of Representatives.
On other issues, the House Resources Committee, under the Chairmanship of Rep. Richard Pombo, held no hearings into Jack Abramoff's abuse of Indian tribes despite tribal matters being under its purview (the full committee did hold four oversight hearings on off-reservation Indian casinos, but nothing related to Abramoff's lobbying). The Resources Committee and the Energy & Commerce Committee both failed to hold hearings into the issues of climate change and global warming. The only hearings into climate change were held by the Government Reform Committee, which held two hearings this year. The Financial Services Committee has held no hearings into backdating, the new corporate scandal.
The only top tier issue that did get a serious amount of committee attention was illegal immigration. The Judiciary Committee led the way holding five oversight hearings into the negative effects of both illegal immigration and the Senate immigration reform bill.
The full committees in the House have failed to truly examine and probe the issues of the day. They have failed to meet enough and have failed to provide the oversight, not only of the Administration, that is necessary for the American people to the heart of important issues and topics. If we are to take Wilson's aphorism to heart than the fall in quantity and quality of committee work indicates — combined with the shortened Congressional calendar — that Congress has not been working.


If you're looking for a responsible full-service junk removal company, you need to put in a sufficient amount of research to find someone that matches your expectations. You need to go through reviews you see online and speak to people who've worked with them.
At Junk Canada Removal Inc., we are confident about the services we provide and will not shy away from giving you references. Besides, we will be happy to tell you why we are the top name in junk removal. Here are a few reasons why we believe you should pick us over the rest of our competition.
We have excellent ratings and reviews! It is vital for us to provide our clients with the absolute best because it keeps both of us happy. Check out our HomeStars page to read reviews from our satisfied customers.
We can do the same work, for less! Many junk removal companies are franchises, which means that they need to pay a franchise fee, and this fee is factored into all of their pricing. At Junk Canada, we don't need to pay franchise fees and can pass on low-price benefits to you this way.
Our truck is probably bigger! Many of our competitors charge the same prices for a percentage of their vehicle as we do, but have a smaller truck! Junk Canada utilizes a big truck (11x8x5) and packs it carefully to fit as much as we can in one load, because the fewer times we have to go to the dump, the quicker we can clear away everything you want us to.
You can speak directly with the owner, not a call center! Some of our larger competitors utilize call centers before dispatching a truck to your location. When you call Junk Canada, you can speak directly with the owner or our employees with operational experience, which means we can help you faster.
We are friendly and professional! At Junk Canada, we understand that we are coming onto your property and helping you with something you care about, which is your home or business. All our employees are expected to be respectful of you and your property as we have high standards of conduct for all representatives.
As the best full-service junk removal company in Toronto, we ensure that we exceed expectations and always put you first. Our services are available to individuals and businesses in the Greater Toronto Area. We handle the tough jobs and ensure your waste is carefully recycled, donated, and disposed of responsibly.
To learn more about the services we offer at Junk Canada Removal Inc., please click here. To read what our clients are saying about us, please click here. If you have any questions about how we can help you, get in touch with us by clicking here.


Last year, Europe trailed the U.S. in electric vehicle sales, following the prevailing trend. Despite the EU's population of 500 million, Americans purchase several million more cars on an annual basis, so you could argue the difference was proportionate — that is, until 2015. Europeans are crushing U.S. totals in EV sales this year: A better selection of cars — one plug-in hybrid SUV in particular on the market — is fueling the huge lead Europe has taken in the segment.
The statistics from Europe's Automotive Industry Data (AID) show just how much times have changed in the first four months of 2015 (per HybridCars.com). EU electric vehicle sales (including pure EVs and plug-in hybrids) have totaled 51,386 units through April to 32,433 sales in the U.S. (per InsideEVs.com). That amounts to more than a 60% lead for PHEVs, which is a dramatic shift from 2014, when U.S. buyers purchased over 123,000 to the EU's 98,000.
The Mitsubishi Outlander PHEV, not for sale in the U.S. market, has taken Europe by storm since its release. According to the AID newsletter, "Almost overnight Mitsubishi's Outlander PHEV has spawned – if not pioneered – an almost entirely new sub-sector." That sector is the plug-in utility EV market Mercedes and BMW (among others) hope to enter in the coming months. Outlander's performance shows what they are missing by not capitalizing on the U.S. market, Mitsubishi included.
On the U.S. market, teases and concepts have been the story of plug-in hybrid SUVs and crossovers. While the Volvo XC90 has made its debut, consumers are on hold when it comes to the BMW X5, Mercedes GLE, Audi Q7 diesel plug-in, and the Outlander itself, which is set to debut in spring 2016.
Meanwhile, we can't forget the Tesla Model X, the hotly anticipated pure electric crossover that appears on schedule for September delivery. (Because of the existing waiting list, new orders for the SUV will be delivered in 2016.) Europeans looking for greater total range, the sort found in a plug-in hybrid, are likely to greet the Model X as warmly as they did Tesla's Model S sedan.
In the meantime, the EU market is continuing to gobble up the Outlander utility vehicle with electric range, which has pushed the euro zone into its position as global EV sales leader. The impact of low U.S. gas prices — which, compared to Europe, were low even when they were high — also has to be considered. European countries don't subsidize fuel prices the way the U.S. does; emissions caps are also tighter, which forces consumers to do the right thing where gas guzzling is concerned.
It all adds up to a blowout. The U.S. leads the world in many things, but when it comes to green vehicle adoption, we could learn a lot from Europe.


Welcome to the Lubretec website documentation section !
Here you can find the Lubrication Reliability product documentation, brochures, general presentations, technical data sheet, etc. From Oil Safe cans to Lubristation lube storage solutions.


text:
Red River Parish Library
Board of Control
410 East Carroll St - Coushatta, LA 71019
The Wait Is Over!
Come see our new library building...new Saturday hours just added.
See how we've grown
Our new library building is finally open!
The new library building is more than 10,400 square feet — double the size of the old library.
We now have room for 40,000 titles, more than double the current collection.
This is the first significant library expansion since the Nellie P. Kirkpatrick Memorial renovation in 1984.
The new children's area is an open, comfortable space with plenty of books and room for activities.
For teens and adults, there's a large reading area with the latest periodicals and a cozy gas log fireplace.
Your community resource
Our new library includes a public meeting room that can accommodate up to 50.
This new space will be useful to community groups and for library-sponsored activities, classes, and workshops.
Look into our history…
Our new history room is a place where visitors can see the cultural heritage of Red River Parish.
It will house many Native American artifacts and an archive of Coushatta family histories.
We are always seeking historical items, family genealogies, and especially old newspapers to add to this collection.
…and envision the future
Our new digital resources include high-speed Internet, public Wi-Fi access, and 16 patron computers.
Our new website features the latest eBooks, magazines and even digital music — all free with your library card.
Search our catalog of more than 20,000 books, videos, audiobooks, and periodicals!
About Red River Parish
Learn about the history of Red River Parish and Coushatta, including links to local genealogy resources, census data, local government and schools, and information on early Native American settlements.
Louisiana Library Connection
The State Library of Louisiana offers an amazing array of FREE databases and services including after-school homework assistance, computer and job skills training, reference books, and the Louisiana Digital Library.
Check out our calendar of upcoming library events, add events to your own Google calendar, or subscribe to events via e-mail!
Search thousands of FREE ebooks and audiobooks to download and enjoy on your favorite tablet, reader or smartphone device!
Choose from over 7 million FREE music downloads and music videos in all genres including rock, country, R&B, hip hop, jazz, alternative and classical!
History Room Displays with Director Trey Lewis, Betty Comer and Carolyn Byles.
October 20, 2014 Trey Lewis News
Recent Photos from Flickr
View my Flickr photostream
RRPL on Twitter
Tweets by @redriverlibrary
Site design by Louisiana Convergence Services

redpajama_set_name: RedPajamaCommonCrawl


I added some mail to the whitelist (some manually, others by the junkmail quarantine options). I still have these mails put into quarantine. Any ideas? Whitelist mail should not be set as junk mail!
I think MAYBE they were having problems with the junk filter recently. I just logged into web panel and noticed that all of my custome entries to the whitelist and blacklist (across all of my domains) have been deleted. Ugh, manually re-entering all those whitelist addresses does not sound pleasant to me! I must do what I must do, I guess.
You may want to go check and see what is listed on your webpanel, and add them from there. I am going to add mine back tomorrow and see if they take.


text:
Centre Creative Europe in Slovenia
× This website uses cookies. Any further click on this site implies your consent with our use of cookies. More about cookies
Special Actions
Calls & Results
Resources & Library
Strand 1.1 – Multi annual cooperation projects & Strand 1.2.1- Cooperation measures
Culture (2007-2013)
Saturday, October 2 2010 closed
2. Who can apply
3. Award criteria
4. Deadline for applications
The thrust of this strand is to help organisations, such as theatres, museums, professional associations, research centres, universities, cultural institutes and public authorities from different countries participating in the Programme to cooperate so that different sectors can work together and extend their cultural and artistic reach across borders.
Strand 1.1: Multi-annual cooperation projects (lasting from a minimum of 36 months to a maximum of 60 months)
The category seeks to foster multi-annual, trans-national cultural links by encouraging a minimum of six cultural operators from at least six countries taking part in the Programme to cooperate and work within and across sectors to develop joint cultural activities over a period of three to five years. Funds of between a minimum of EUR 200 000 and a maximum of EUR 500 000 per year are available, but EU support is limited to a maximum of 50% of the total eligible cost. The funding is intended to help set up or extend the geographical reach of a project and make it sustainable beyond the funding period.
Strand 1.2.1: Cooperation projects (lasting up to twenty-four months)
The category concerns actions shared by at least three cultural operators, working within and across sectors, from at least three countries taking part in the Programme over a maximum period of two years. Actions that explore means of long-term cooperation are especially targeted. Funds ranging from a minimum of EUR 50 000 and a maximum of EUR 200 000 are available, but EU support is limited to a maximum of 50% of the total eligible cost.
The Programme is open to the participation of all categories of cultural operators, insofar as the organisations are acting in a non-profit-making capacity.
To be eligible, applicants must have their head office in one of the countries taking part in the Programme.
The countries taking part in the Programme are:
– the Member States of the European Union,
– the countries of the EEA (Iceland, Liechtenstein and Norway);
– the applicant countries for accession to the European Union (Croatia, Turkey, the Former Yugoslav Republic of Macedoni(a), Serbia and Montenegro.
Awarding a grant is not only dependent on assessment of the eligibility, exclusion and selection criteria. The final selection decision will be determined on the basis of the type of proposal submitted (annual operating grant or partnership) assessed on the basis of the award criteria:
(1) the extent to which the project can generate real European added value
(2) the relevance of the activities to the specific objectives of the Programme
(3) the extent to which the proposed activities are designed and can be carried out successfully with a high level of excellence
(4) the quality of partnership between coordinator and co-organisers
(5) the extent to which the activities can produce outputs which achieve the objectives of the Programme
(6) the extent to which the results of proposed activities will be appropriately communicated and promoted
(7) the extent to which the activities can generate a long lasting impact (sustainability)
The application must be sent at the latest by 12:00 CEST on 01/10/2010 (e-form). You must send all the documents by post at the latest on 01/10/2010 (the postmark serves as proof) to the Executive Agencyat, at the following address:
Education, Audiovisual & Culture Executive Agency
Culture Programme (2007–2013)
Programme Strand (specifiy)
Avenue du Bourget 1
(BOUR 04/13)
B – 1140 Brussels Belgium
More information: Strand 1.1, Strand 1.2.1
The announcement in all official languages of the EU are published in the Official Journal C 204 of the 28/07/2010.
banner Funding
banner Events
banner Media Guides
Creative Europe Desk Slovenia provides information
on the Creative Europe's funding and opportunities,
and offer free advice and support to applicants.
Creative Europe Desk Slovenia is hosted by Motovila Institute.
Motovila, Centre for the promotion of cooperation
in the cultural and creative sectors
Trg prekomorskih brigad 1, SI-1000 Ljubljana, 3rd floor
© All rights reserved 2016 – MOTOVILA


text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;

namespace Matrix
{
    public class Matrix<T> where T : IComparable
    {
        private int rows;
        private int cols;
        private T[,] matrix;

        public int Rows
        {
            get { return this.rows; }
            set
            {
                if (value > 0)
                {
                    this.rows = value;
                }
                else
                {
                    throw new ArgumentOutOfRangeException("Rows can not be less than zero.");
                }
            }
        }

        public int Cols
        {
            get { return this.cols; }
            set
            {
                if (value > 0)
                {
                    this.cols = value;
                }
                else
                {
                    throw new ArgumentOutOfRangeException("Cols can not be less than zero.");
                }
            }
        }

        public Matrix(int rows, int cols)
        {
            this.rows = rows;
            this.cols = cols;
            this.matrix = new T[rows, cols];
        }

        public T this[int row, int col]
        {
            get
            {
                if ((row < 0 || row >= this.Rows) || (col < 0 || col >= this.Cols))
                {
                    throw new IndexOutOfRangeException();
                }
                return this.matrix[row, col];
            }
            set
            {
                if ((row < 0 || row >= this.Rows) || (col < 0 || col >= this.Cols))
                {
                    throw new IndexOutOfRangeException();
                }
                this.matrix[row, col] = value;
            }
        }

        public static Matrix<T> operator +(Matrix<T> matrix1, Matrix<T> matrix2)
        {
            if (matrix1.Rows != matrix2.Rows || matrix1.Cols != matrix2.Cols)
            {
                throw new ArgumentException("Addition not possible on matrixes with different number of rows and cols.");
            }
            Matrix<T> result = new Matrix<T>(matrix1.Rows, matrix1.Cols);
            for (int i = 0; i < result.Rows; i++)
            {
                for (int j = 0; j < result.Cols; j++)
                {
                    result[i, j] = (dynamic)matrix1[i, j] + matrix2[i, j];
                }
            }
            return result;
        }

        public static Matrix<T> operator -(Matrix<T> matrix1, Matrix<T> matrix2)
        {
            if (matrix1.Rows != matrix2.Rows || matrix1.Cols != matrix2.Cols)
            {
                throw new ArgumentException("Substraction not possible on matrixes with different number of rows and cols.");
            }
            Matrix<T> result = new Matrix<T>(matrix1.Rows, matrix1.Cols);
            for (int i = 0; i < result.Rows; i++)
            {
                for (int j = 0; j < result.Cols; j++)
                {
                    result[i, j] = (dynamic)matrix1[i, j] - matrix2[i, j];
                }
            }
            return result;
        }

        public static Matrix<T> operator *(Matrix<T> matrix1, Matrix<T> matrix2)
        {
            if (matrix1.Cols != matrix2.Rows)
            {
                throw new Exception("The matrixes cannot be multiplied.");
            }
            Matrix<T> result = new Matrix<T>(matrix1.Rows, matrix2.Cols);
            T temp;
            for (int i = 0; i < result.Rows; i++)
            {
                for (int j = 0; j < result.Cols; j++)
                {
                    temp = (dynamic)0;
                    for (int index = 0; index < result.Cols; index++)
                    {
                        temp += (dynamic)matrix1[i, index] * matrix2[index, j];
                    }
                    result[i, j] = (dynamic)temp;
                }
            }
            return result;
        }

        private static bool OverrideBool(Matrix<T> matrix)
        {
            for (int row = 0; row < matrix.Rows; row++)
            {
                for (int col = 0; col < matrix.Cols; col++)
                {
                    if (matrix[row, col] != (dynamic)0)
                        return true;
                }
            }
            return false;
        }
        public static bool operator true(Matrix<T> matrix)
        {
            return OverrideBool(matrix);
        }
        public static bool operator false(Matrix<T> matrix)
        {
            return OverrideBool(matrix);
        }

    }
}


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Woolwich Township, a 21-square-mile municipality in Gloucester County, is the fastest-growing community in New Jersey and the second fastest-growing in the Northeast; since 1990, its population has increased six-fold.
Woolwich officials have proposed a comprehensive overhaul of the township's land-use regulations that would preserve thousands of acres of open space while channeling future growth into two designated town centers.
As part of its smart-growth plan, Woolwich would be the first community to implement a transfer of development rights (TDR) program under the state's TDR enabling legislation.
Although the farms of Gloucester County have long been known for their delicious peaches and tomatoes, the last two decades have seen the explosion of a different kind of crop: McMansions. While many municipalities in the county remained stable or even lost population during this period, the mostly rural townships along the county's main east-west corridor, Route 322, saw double- or even triple-digit gains. Since 1990, Harrison has grown by 150 percent; South Harrison and Mantua by 48 percent; and Woolwich by 521 percent. Much of this growth has come in the form of large-lot, auto-dependent residential subdivisions.
In response to this growth, the region's Metropolitan Planning Organization, the Delaware Valley Regional Planning Commission (DVRPC), released a study titled "Managing Change along the Route 322 Corridor." The study called for higher-density, mixed-use developments with a parallel street network at specific points along the corridor to help relieve congestion. The State Development and Redevelopment Plan also calls for this type of development in the area. But so far, only one municipality in the study area has attempted to implement these recommendations: Woolwich.
Woolwich's plan, which has received awards from the DVRPC and the New Jersey Chapter of the American Planning Association, is centered around an innovative TDR program that would maintain landowner equity while ensuring that growth occurs where it makes the most sense. The plan would create two mixed-use, walkable town centers while simultaneously preserving more than 4,000 acres of open space and farmland.
The township will be seeking plan endorsement from the State Planning Commission at the commission's April 18 meeting. Even if it receives this endorsement, however, there is a real possibility that Woolwich's plan may never get off the ground. Major, unresolved issues regarding wastewater capacity and transportation infrastructure have the potential to jeopardize the future of Woolwich's smart-growth plan.
For example, while state transportation funds have been committed for a bypass along Route 322 in nearby Mullica Hill (a bypass necessitated by years of poor land-use planning), no funds have been made available for critical improvements along the Woolwich stretch of the roadway. This issue, and others, are not insurmountable. But they will require the timely and pro-active involvement of state agencies, particularly the Department of Transportation and the Department of Environmental Protection, to be resolved.
The success or failure of Woolwich's plan will have serious implications not just for South Jersey, where Woolwich is literally on the front lines in the battle against sprawl, but also for the state as a whole. Because Woolwich is the first community to attempt to use TDR under the enabling state legislation, the outcome of the township's plan will almost certainly influence other municipalities considering similar action. In formulating the plan, Woolwich officials expended considerable time and resources in an attempt to make the state's vision for smart growth a reality. They should be rewarded, not penalized, by state agency actions.
If you have any questions about this issue of Future Facts, please contact Policy Analyst Jay Corbalis or Senior Communications Consultant Rick Sinding.


Entries for the event, being run by Sidmouth in Bloom, can be submitted from now until April 12, with judging taking place the following day.
The competition is free to take part in and has three categories – Large Garden, Medium Garden and Small or Courtyard Garden.
Lynette Talbot, of Sidmouth in Bloom, said there were more than 50 entries for the spring and summer competitions in 2018, and the group hopes to do even better this year.
She added: "We had some wonderful entries last year.
Fill out a form below and send it to 26 Coulsdon Rd, Sidmouth, EX10 9JP, call 01395 578081 or email info@sidmouthinbloom.org.


Studying social work online has numerous advantages in addition to many disadvantages. Similarly, social work online degree program could be highly advantageous for many students, but however, it's really a great disaster for other students. Success is dependent around the capabilities from the students for example, learning style, motivation, availability, abilities, and dealing habits. An invaluable and quality education could be acquired online institutions, only individuals students succeed who've the capabilities to follow along with online system. Following are the pros and cons for studying social work online.
The training or course materials are favorable for online study, because classes like summary of social welfare, ethnic awareness, business development, and cultural awareness could be taken online effortlessly. Students may also read, attend lectures, write essays and get ready for exams online. Study of Social jobs are unlike study regarding studio art where students have to learn assets, people, and materials in the beginning level. However, you will find some servings of the courses of social work degree where students are needed to follow along with the standard types of lectures and books.
The internet classes of social work program provide versatility towards the students. If some students do part-time job or doing full-time job, then online program allow working students to consider their classes in both nights, or in the weekends. Online program provides convenience making students understand their agendas.
An additional advantage of studying this kind of work online is it enables students to review anywhere. Students who live far from colleges always prefer getting their title enrolled for online program to be able to avoid traveling expenses. Furthermore, online degree programs focus on the requirements of all of the students to ensure that a appropriate program of social work could be selected based on the interests.
For many classes like action research and human services, face-to-face lectures are essential to consider online education ignores this portion.
Next, existence of senior students and experts is definitely advantageous for fresh students, simply because they can guide students anytime inside the college campus, whereas in online program of social work, students have to assist them to for controlling the program material in an exceedingly effective manner.
Another essential facet of studying this area is the fact that students choose this program to assist disadvantaged people, groups, and families through practical assistance, but after finishing their study on a web-based institute, the majority of the students neglect to communicate with disadvantaged individuals real existence.
Distance Learning – Do you know the Advantages of Distance Learning?


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text:
Halimium verticillatum är en solvändeväxtart som först beskrevs av Felix de Silva Avellar Brotero, och fick sitt nu gällande namn av Pinto da Silva. Halimium verticillatum ingår i släktet Halimium och familjen solvändeväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Solvändeväxter
verticillatum

redpajama_set_name: RedPajamaWikipedia


text:
Weatherford cut
By JMFP,
September 4, 2015 in New York Giants
JMFP
Thanks for 2011, Steve.
http://www.si.com/nfl/2015/09/04/new-york-giants-steve-weatherford-released
I have to say I'm not really surprised...it was becoming increasingly clear that he doesn't possess the directional ability to cover for our shitty punt coverage. So, he endures the wrath. Seems like a good dude, though, it's a shame.
Yup, agreed.
From what I've heard, the Steelers have two Aussies duking it out for the final spot, so maybe we pick up whomever gets cut.
Also, the NCAA has a ton of punters with cannon legs....alot of these guys are dual-purpose too, so you can pick up a punter plus a backup/distance kicker.
Either way, we needed an upgrade. The Meadowlands should be a place where our punter has a home field advantage in the late Fall.
Maybe in the old Giants Stadium. I haven't noticed the swirling winds of Fall in the new Giants Stadium.
The Autumn wind is a Raider
When Tom says he wants the ball to land in the corner, he means it. Good luck to our new punter Brad Wing, he is going to get a lot of work in this season.
Weatherford was pretty overrated the past few years. More into his stupid health magazine shit than doing what the team asked.
Loved him in 2011, but that was a long-assed time ago.
What's Matt Dodge up to?
Man where is that today..... in sports commentary? I love those old surreal NFL films Sabol made.
Geesh...I almost had tears running down my eyes watching him and his family while he says goodbye to the Giants
"I'd also like to thank the greatest man that I've ever met, Coach Tom Coughlin."
Class act.
Total class act. Wasn't expecting that at all.
Yeah dude, he's constantly posting high praise for Tommy C. on his facebook page. Which makes me think that Coughlin likely was part of a tough decision to let him go.
"No matter where we go NJ will always be home"
There's a depressing thought....
Farewell Weather!
Knowing Steve that is probably someone else's family and he's pranking us. Seriously, that's a tough situation, and what a classy way to leave. He really endeared himself to the fans, and really was more than a punter on this team, he was a football player. Great twitter follow, too, lol.
Steve was as Coughlin put it, an exceptional human being. His social media posts were either about getting better, family, or New York Giants. There was nothing in between. A consummate Giant and probably the third best Giant punter after Landeta and Feagles.
Dave Jennings all star every year almost


text:
Q: ajax - failed to load resource ::netERR_CONNECTION_REFUSED Webapp/page is able to load data requested from local express api when client/web browser is run from localhost (the server running the express app)- however when pointing a browser from another machine on the network at the server's IP:port to view the webapp, I get an error when the ajax fires:
"failed to load resource ::netERR_CONNECTION_REFUSED"
EDIT:
The dev tools in chrome were vague and did not provide much insight into the issue (for me anyway). When viewing same in firefox the network tab of dev tools made issue obvious:

"Cross-Origin Request Blocked: The Same Origin Policy disallows
reading the remote resource at
localhost:1337/getDeviceStatusAllCached"

So it was a CORS issue- answer below is what fixed it for me.
relevant code:
app.js-
    app.get('/', function(req, res){
        logger.printWriteLine('Issues tracker (re)loaded.', 0);
        res.sendFile(path.join(__dirname, '/views/wallboard.html'));
    })

    app.get('/getDeviceStatusAllCached', (req, res) => {
        logger.printWriteLine('Front-end requesting cached data.');
        reqs.retrieveCachedDeviceStatusAll(obj => res.send(obj));
    });

reqs.js -
    retrieveCachedDeviceStatusAll: function (callback) {
            fs.readFile('./data/getDeviceStatusAll.json', 'utf-8', function(err,data){
                if(err) throw err;
                obj = JSON.parse(data);
                console.log(JSON.stringify(data));
                callback(obj);
            });
        }

wallboard.html
    <script src="https://ajax.googleapis.com/ajax/libs/jquery/3.3.1/jquery.min.js"></script>

    <table ... working table stuff>
    </table>

    <script>
        var dataArray = [];
        console.log('running ajax');
        $.ajax({

            method: 'GET',
            url: 'http://localhost:1337/getDeviceStatusAllCached',
            dataType: "json",
            success:function(response){
                dataArray = response
                buildTable(dataArray)
                console.log(dataArray)
            }
        })
    </script>

A: This is what I had to add to my app.js to allow the requests from different origins to read data from api. Specify domain/ip instead of * if you don't want to allow access from any origin.
app.use(function(req,res,next){
    res.header('Access-Control-Allow-Origin', '*');
    res.header('Access-Control-Allow-Headers', 'Origin, X-Requested-With, Content-Type, Accept');
    next();
});

Also, in my ajax GET request in wallboard.html was using 'localhost:1337' which obviously needed to be changed to the server's IP.
More info on CORS, what it is/why it happens/how to fix it:
XMLHttpRequest cannot load XXX No 'Access-Control-Allow-Origin' header

redpajama_set_name: RedPajamaStackExchange


Syncro System upfits are usually done on traditional commercial vans of various models and makes. However, because of the versatility of the Syncro System modular components, upfits can be done on less traditional vehicles like the Land Rover Freelander (two passenger model) that can be seen in the photos on this page.
We covered the floor of the cargo area with a 12 mm coated plywood floor panel. To be able to use the space under floor panel, we installed straps inserted through the plywood.
On the left side, we installed a wheel arch frame with hinged door, and above the base frame we added a vice with 115 mm jaws mounted to a small shelf that extracts out when needed.
Over that, we mounted a Syncro drawer unit with a single large steel drawer (760 mm long and 200 mm tall) with ball-bearing glides on both sides.
At the top of this particular modular system, we mounted a drawer unit with 12 clear plastic drawers – all with aluminum dividers and automatic locking button.
On the left hand side, behind the vice, we mounted a second drawer unit with six forward-tilting clear plastic drawers, also with their own automatic locking buttons.
On the right side of the van, there is another wheel arch frame with hinged door. Above the frame is a drawer unit with a single steel drawer and a tray with portable utility case, complete with containers for screws, washers, bolts, and other small parts. Placed over the drawer unit is a single long shelf with metal dividers. Attached to the end panel is an aluminum spray can holder and a paper towel roll holder.
On the top of the modular unit (on the right-hand side) is another drawer unit with forward-tilting clear plastic drawers – also with automatic locking buttons.
To the side of the wheel arch frame (toward the back doors), we placed a second spray can holder.
To optimize the available space, we positioned a shelving unit with three shelves (two with closing hinged doors) behind the passenger seat.
To illuminate the cargo space, we used an 11-Watt neon light fixture powered by 12 volts, which we placed in the top at the back door.


Show More Show Less. I took off the cover plate for the wireless card and I see that I have 5 antennae wires. Send In Your Dell Laptop. Viewing 1 through Your Dell Service Tag is 7 characters long and is located on the bottom of your laptop. Automatically find compatible parts using your Dell service tag.
Nauzhror Nov x;s, We use your Dell service tag to identify which parts were originally shipped with your laptop from Dell.
I recently got an Carc router and wish to upgrade to an N card. Yes, my password is: Only 10 left in stock – order soon. I took off the cover plate for the wireless card and I see that I have 5 antennae wires. We are a trusted supplier to s of schools, government agencies, military and repair shops worldwide.
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Wireless Card Upgrade DatamongerAug 6,in forum: Dell 2 anetennae connections Intel 3 antennae connections Intel 3 antennae connections Edit: Aaron Dec 27, at 6: No, create an account now. Or maybe if the laptop was ordered with a WWAN card or not. Your name or email address: Send your laptop to the Dell Experts!
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It was a long time ago now that I took my gap year but as I was talking to a colleague about her daughter taking a gap year it had me thinking back on my own. I loved my gap year, I travelled to so many places at the top of my bucket list and saw so much more than I could ever have imagined. Yet despite all of that, there are still things that I would change. So today I wanted to share with you what I did for my gap year and if I could plan my gap year again what I would do.
Hopefully this will be super useful post if you are looking to plan your own gap year. I flew off at the age of 21 having not been to uni at that point. Since then I have actually been to uni and trained as a teacher showing that a gap year didn't make any difference to my career, if anything it helped open my eyes to what I wanted to do with my life. My boyfriend (23 at the time) came with me and he had just completed his first year of his career, our gap year fell in a natural gap between contracts for him and he got a job as soon as we came back to the UK after the gap year.
Before leaving the UK we saved quite a bit of money, this was essential as our first destination was Australia on a working holiday visa where you have to have a certain amount of money as part of the entry requirements. We also booked all of our flights for the year on a flexi ticket giving us the option to change the dates during our time away, which we did.
We landed in Sydney, Australia and spent 6 weeks travelling the East Coast this was the perfect introduction to gap year travelling, we had so much fun and saw some amazing sights! After that, we flew to Melbourne, a city we had yet to visit at that point, and tried to look for jobs. We had barely any money left, hated the city and were struggling to get jobs in the city as peak season was about to hit at the end of November.
In a big turn of events we choose to go and complete our regional work in rural Australia picking oranges. This is something you have to do to get your second year visa and is typically well paid. Our farm, not so much… We worked our butts off for 3 months solid to earn enough money for a bit more travelling. Thankfully we managed that and made some amazing friends along the way.
That totalled 5 months in Australia and after finishing the farm work and road tripping the Great Ocean Road we gave Melbourne another change and loved it second time around. We found jobs and a flat easily and again worked our butts off for another 4 months. This time we managed to save a lot of money and of course at this point we changed our flights to fly home later.
The next country on our gap year was New Zealand, we spent a whirlwind 3 weeks in the country exploring. We bought Kiwi Experience passes and travelled both the North and South Islands making even more amazing friends and having the most incredible experiences. It was expensive but thankfully we had budgeted very well for the trip.
We had one final stop before heading home and that was South East Asia for 6 weeks. Probably the biggest bucket list ticket for me having followed Adventurous Kate travel around this area a few years previous. We hit up Thailand, Cambodia, Vietnam, Thailand again and eventually on to Singapore. To get around we used buses mostly with the odd flight to get us between the big distances. We were totally immersed in the culture and we spent most of the time travelling just the two of us.
After 51 weeks of being away we flew back to the UK having had the best time.
As I explained above we did six weeks of travelling in Australia before even looking for a job. Although this was great and such an amazing start to our gap year, it left us pretty broke. This meant we were quite desperate for jobs when we landed in Melbourne and didn't really have time to waste. Had we of got a job at the beginning in Sydney we wouldn't have been broke and might have been able to get jobs we enjoyed a little more. We could then have saved the travelling for a little later on.
The rural work we did picking oranges was one that was not paid by the hour. This is something every rural work tips advises and a big mistake on our part. We also started this job just as summer was beginning, meaning we were working in sweltering conditions. The summer we were picking oranges also happened to be the worst crop for many seasons! So basically do up to date research on the crop, make sure it is paid by the hour and don't do it in the middle of summer.
We rushed around New Zealand using the Kiwi Experience for the minimum time they suggest. Although it was nice as we stayed with the same group for pretty much the whole tour (I guess everyone else was in a rush too) we really didn't make the most of the country. There were a few spots we missed and many we only scrapped the surface of. New Zealand is an amazing country and one you certainly don't want to rush!
Much like New Zealand, we rushed around South East Asia too. Although we had more time, we also had more ground to cover. This meant we only spent a night or two in every location and crammed each day to the brim with activities. It would have been nice to have some slow days in some of the locations meaning we could have enjoyed the local way of life a little more. Our time constraints also meant that we missed Laos and had to take flights between some destinations. There is so much more to see in South East Asia it would be easy to fill two or three months!
This may sound like a silly one but the way we had planned our travels when we left meant we would avoid a lot of winter. Knowing this we didn't pack much for winter… when we extended our flights we found this to be a big mistake. You never know where you might go or when you might end up there so be prepared and pack a range of clothing especially things that can be layered.
I hope you find this post helpful, honestly taking a gap year was such a fantastic opportunity and one I would recommend to everyone.


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Professionally bland 'one woman's struggle' tale that's more of a style clash mish mash than a top class award bash.
Released in 2003, certified UK-18. Reviewed on 21 Nov 2003 by Scott Morris
Meg Ryan is apparently tired of being seen as the effervescent, bubbly blonde of a billion romance films and fancies a bit of an image change. She wants to sexy. Don't we all, love. Not all of us can take the avenue Ryan chooses, that of starring in a tepid and messy erotic thriller that would really be more at home filling late night schedules on cut rate television channels. For that we should be eternally grateful.
Frannie Thorstin sounds like a poor double entendre, but it's actually the name Meg's character. An English teacher, she rather strangely meets one of her high school students in a bar. Displaying a worrying inability to follow directions a voyage to the toilet inadvertently winds up in a stockroom whereupon she lurks in the shadows watching a shadowy figure receiving shadowy fellatio (Kids, ask your parents today!). This is remarkable not only for its inexplicable randomness but also one of the few times an engorged phallus has slipped through the hole in the BBFC's net, thrusting its way onto the screen and penetrating your eyeballs.
In unrelated news, Frannie meets with her hard-drinkin' lovelorn sister Pauline (Jennifer Jason Leigh) for general bitching sessions about how unsuccessful Pauline's love life is and how non-existent Frannie's is, with the exception of dodging her intense and mildly disturbed ex John (Kevin Bacon). This Coronation Street level family drama is given an extra dimension when Detective Malloy (Mark Ruffalo) shows up canvassing for information on a grizzly murder. After a flaky start the two embark on a hot 'n' sweaty passion filled affair.
Or no doubt that's what was intended. The single best description of it would be tawdry, a grotty minded schoolboy's understanding of erotica that wants to fall into a hardcore porn groove but is barely restrained by some bound of social acceptability. From Ruffalo's aggressively foul mouthed dirty talk to Ryan's nipple exposing sex scenes, it goes for a near gritty approach similar to Young Adam and fails as pitifully as it did.
Having met with little success so far, the story takes a deeper turn into serial killer territory as the frequency and gruesomeness of the killings increases. Frannie's relationship with Ruffalo drags her into this unsavoury world and she takes her sister along for the ride, with predictably tragic results. It's an effective whodunnit I suppose, because for the majority of the runtime you won't have a clue whodunnit. That this is because no clues are shown and it isn't even an important part of the plot are details we shall lightly skip over.
In The Cut, the significance of the title I have yet to discover, is a movie filled with damaged, incomplete characters doing their best to survive in an indifferent world. In its own little bleak way it approaches realism at times, although pounds to pennies realism was not the goal striven for here. What was striven for is another of those things I've yet to discover. It isn't a particularly good family drama, it's an awful erotica / porn film, it's an incomplete character study, and it's a hurried and unsatisfying multiple murder mystery. It's all of these things and none of them, a blend that leaves an insignificant taste.
It's not entirely without merit. Production values are of a high standard throughout. Ryan gives one of her best performances, and none of the other major characters are too shabby either. Kevin Bacon puts in another good performance and when taken along side Mystic River it's enough to take him off my talentless idiot list. The final scene has a strange Lynchian nightmare feel to it that's oddly effective.
The sparks of light are too few and too far between to make much difference. It tries to marry a few disparate genres and it fails, none of them individually being strong enough to be carry the film and the combination being uninspired and at best merely watchable. By sheer dint of effort and talent of the actors involve it manages to occasionally give the illusion of being something greater than it sets out to be, but like all illusions once figured out it ceases to be impressive.
Meg Ryan (Frannie Thorstin)
Mark Ruffalo (Detective Malloy)
Jennifer Jason Leigh (Pauline)
Nick Damici (Detective Rodriguez)
Sharrieff Pugh (Cornelius Webb)


Social media advertising plays a pivotal role for businesses. With the right strategy in place, your social media channels can assist with driving traffic to your website, building a connection with your audience, and generating quality leads. However, if your business is like any other, you'll recognize managing your social media channels internally, creating compelling content and producing results is not always an easy task – not to mention it can be pretty time consuming!
If this sounds like you, a social media advertising agency may be a good fit. Here are the types of services and key benefits working with a social media advertising agency can provide.
The role of a social media agency is to help identify and engage with your audience, and provide measurable results in return. To achieve this, there are three primary services a social media agency can provide.
Keeping up with your social media channels can be overwhelming, regardless of whether your company has a preexisting presence to maintain or needs to build a presence from scratch. Though it may take time, finding ways to engage with your audience and stay in front of them can directly impact your brand's business objectives, so it's important to take managing your social channels seriously.
A social media agency will work with you to best understand who your audience is, identify which social channels are the right fit, and create high-quality content that can be shared on a consistent basis. You should expect your agency to create engaging content calendars as well as handle the scheduling and distribution of your content at ideal times using social media management tools such as Sendible.
Some agencies may even assist from a customer service aspect and respond to questions or comments shared from your audience online. Be careful here. You should consider whether you're comfortable having a third-party be the voice of customer service for your brand on social media. Also, consider how "available" you need to be, and how quickly you need to respond.
It can be difficult to grow your social media audience and get in front of the right demographics. In the past few years, social platforms like Facebook have introduced algorithm updates that make it harder to organically reach your audience, which has made social media marketing more of a challenge.
So what other options do marketers have? You can use paid social advertising to help supplement your organic efforts. Paid social advertising helps place your message in front of the right audience by targeting key segments or demographics.
Each social platform has its own targeting options and ad types and can serve a different overall purpose. Depending on your audience and KPIs, a paid social agency may recommend different networks for different goals. Whether you want to generate more sales, awareness, or website traffic, a social advertising agency will work with you to develop a campaign strategy that will produce results.
Running a social media campaign won't be effective without the proper strategy in place and reporting to measure the results following a campaign.
These metrics often will help you determine if a social network is a good fit, if you're targeting the right audience, and if your ad spend is working efficiently.
With a solid reporting framework in place, a social media agency will be able to give your business better, more thorough recommendations and overall paid social strategies. A social media agency will work with you upfront to determine what is important to your business and use that to drive their reporting and recommendations for specific social networks.
While there are certainly many reasons you should consider outsourcing your social media advertising and management, working with the right social media agency can provide several clear benefits to your company.
Point blank, working with a social media agency gives time back to your team. If your business is not equipped to hire internal digital marketing resources or your current internal team needs support, a full team of social media marketers and advertisers can help produce a steady stream of content, engagement, and results in a more efficient time span.
You may know your business in and out, but sometimes an outside perspective can provide an alternative strategic direction that targets your audience more effectively. Social media advertising agencies have the expertise for building successful campaign strategies, all while remaining within a dedicated budget and aligning with your data-driven goals.
Experts within a social media advertising agency are also well-versed in multiple social networks, and spend time working within these platforms daily – time your internal resources may not have the capacity to spend. Working with a team of experts that stays on top of trends in the industry and social networks can help support your company's social strategy and provide stronger decisions or recommendations for your campaigns.
Did you generate enough clicks to a specific product page on your website? Did you receive enough quality leads after promoting your whitepaper? Nobody wants to spend money on advertising and question whether there was a return on investment. A social media agency will provide detailed campaign reporting to help analyze the impact your social campaign has had in relation to your business objectives.
Aztek's team of social media experts will partner with you by producing or leveraging high-quality content and promotional strategies to grow your social media channels into impactful marketing tools. For help with building your social media strategy and paid social advertising campaigns, contact us today to learn more about our social media marketing services.


Photos of mural, painted in acrylic on the walls of Maya's bedroom. Clockwise from top left: Main wall with sea turtle and fish; Killer whale and fish; Close-up of seahorse; Coral and seaweed along baseboard; Close-up of fish; Treasure chest with coral and seaweed along baseboard.
Photos of mural, painted in acrylic on the walls of the Clark family's bathroom. Clockwise from top left: Main wall with surfing Great White Shark, Hammerhead Shark, and Sea Star, with Lifeguard sign, seaweed, and fish; Close-up of Hammerhead Shark; Close-up of Sea Star; Lifeguard Pelican over shower; Fish around the light fixtures; Beach Dolphin; Close-up of Lifeguard sign; Close-up of Great White Shark.
Photos of mural, painted in acrylic on the walls of Rebekah's bedroom. Clockwise from top left: Main wall with rainbow, clouds, butterflies, and dove; Close-up of dove; Flowers; Butterfly; Flowers and butterflies under window; Bunnies; Close-up of rainbow butterflies.
Photos of mural, painted in acrylic on the walls of Benjamin's bedroom. Clockwise from top left: Main wall with planets, alien spaceship, and name graphic; Astronaut surfing on comet; Astronaut standing on moon; Planets; Space shuttle and nova; Close-up of alien spaceship.
Photos of mural, painted in acrylic on the walls of Elijah's bedroom. Clockwise from top left: Main walls with team flags and baseball bats with baseball; Close-up of baseball bats with baseball; Street sign above closet for "Home Run Alley;" Baseball, football, basketball, soccer ball, and hockey puck on inside of door; Catcher's mitt with baseball.
Photos of mural, painted in acrylic on the walls of Dana's office. Clockwise from top left: Main walls with pineapples, palm tree, clouds, scarlet macaws; Close-up of pineapples; Window looking out on a sunset with potted flowers and a dolphin figurine on windowsill, painted on wall above computer; Close-up of scarlet macaw; Flowers over doorframe; Flowers around whiteboard.


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GitHub Contracts
GitHub Vacancies
The following table provides summary statistics for contract job vacancies with a requirement for GitHub skills. Included is a benchmarking guide to the contractor rates offered in vacancies that have cited GitHub over the 6 months to 19 January 2021 with a comparison to the same period in the previous 2 years.
Note that daily and hourly rates are treated separately in these statistics. When calculating contractor rate percentiles, daily rates are never derived from quoted hourly rates or vice versa.
Rank change year-on-year +31 +30 +61
Contract jobs citing GitHub 760 1,126 1,364
As % of all contract jobs advertised in the UK 1.83% 1.57% 1.38%
As % of the Cloud Services category 5.52% 5.28% 5.47%
Number of daily rates quoted 629 713 921
Median daily rate £495 £500 £500
Median daily rate % change year-on-year -1.00% - -
10th Percentile £374 £350 £355
UK excluding London median daily rate £450 £475 £450
% change year-on-year -5.26% +5.56% -
Number of hourly rates quoted 9 7 2
Median hourly rate £54.00 £47.00 £57.50
Median hourly rate % change year-on-year +14.89% -18.26% -8.00%
10th Percentile £21.74 £40.15 £43.18
UK excluding London median hourly rate £36.25 £47.00 £42.50
% change year-on-year -22.87% +10.59% -32.00%
GitHub is in the Cloud Services category. The following table is for comparison with the above and provides summary statistics for all contract job vacancies with a requirement for cloud computing skills.
All Cloud Skills
Contract vacancies with a requirement for cloud computing skills 13,756 21,344 24,950
As % of all contract IT jobs advertised in the UK 33.17% 29.76% 25.26%
Number of daily rates quoted 9,745 14,866 17,534
Median daily rate % change year-on-year +0.51% -0.51% +4.21%
Number of hourly rates quoted 262 329 295
Median hourly rate % change year-on-year +15.38% +11.43% -2.78%
% change year-on-year +8.11% +5.94% +2.72%
Job postings citing GitHub as a proportion of all IT jobs advertised.
Contractor Daily Rate Trend
3-month moving average daily rate quoted in jobs citing GitHub.
Daily Rate Histogram
Daily rate distribution for jobs citing GitHub over the 6 months to 19 January 2021.
Contractor Hourly Rate Trend
3-month moving average hourly rates quoted in jobs citing GitHub.
Hourly Rate Histogram
Hourly rate distribution of jobs citing GitHub over the 6 months to 19 January 2021.
Top 15 Contract Locations
The table below looks at the demand and provides a guide to the median contractor rates quoted in IT jobs citing GitHub within the UK over the 6 months to 19 January 2021. The 'Rank Change' column provides an indication of the change in demand within each location based on the same 6 month period last year.
Median Daily Rate
England +41 629 £475 -5.00% 285
London +8 355 £488 -11.36% 134
UK excluding London +42 257 £450 -5.26% 163
Work from Home -34 238 £500 - 68
North of England +37 124 £450 -4.76% 45
Yorkshire +52 86 £450 -10.00% 16
South East +53 49 £450 -10.00% 20
North West +38 32 £400 - 26
Midlands +24 22 £463 - 43
West Midlands +30 21 £463 - 31
East of England +62 19 £500 +5.26% 21
South West +76 17 £450 - 17
Scotland -11 14 £450 -16.28% 11
Wales +21 12 £513 +13.89% 6
North East +2 6 £472 +22.60% 3
For the 6 months to 19 January 2021, IT contractor jobs citing GitHub also mentioned the following skills in order of popularity. The figures indicate the absolute number co-occurrences and as a proportion of all contract job ads with a requirement for GitHub.
1 429 (56.45%) Agile Software Development
2 357 (46.97%) DevOps
3 346 (45.53%) Jenkins
4 308 (40.53%) Git (software)
5 260 (34.21%) Python
6 256 (33.68%) Java
7 255 (33.55%) Docker
8 251 (33.03%) AWS
9 244 (32.11%) JIRA
10 229 (30.13%) Test Automation
11 202 (26.58%) Terraform
12 189 (24.87%) Linux
13 181 (23.82%) Confluence
14 171 (22.50%) REST
15 166 (21.84%) Scrum
16 165 (21.71%) Kubernetes
17 164 (21.58%) JavaScript
18 160 (21.05%) Ansible
19 158 (20.79%) Azure
20 151 (19.87%) Node.js
21 145 (19.08%) Maven
22 144 (18.95%) Continuous Integration
23 132 (17.37%) React
24 130 (17.11%) Microservices
24 130 (17.11%) SQL
25 123 (16.18%) JSON
26 121 (15.92%) Infrastructure as Code
27 119 (15.66%) Kanban
28 118 (15.53%) Finance
29 117 (15.39%) RESTful
1 181 (23.82%) Confluence
2 46 (6.05%) Apache
3 38 (5.00%) Cloud Foundry
3 38 (5.00%) Mule
4 20 (2.63%) Apache Spark
5 19 (2.50%) WebLogic
6 18 (2.37%) IIS
6 18 (2.37%) nginx
7 14 (1.84%) Elasticsearch
8 13 (1.71%) WebSphere
9 12 (1.58%) Tomcat
10 9 (1.18%) DNN
11 8 (1.05%) Apache Airflow
12 7 (0.92%) Oracle SOA Suite
13 6 (0.79%) Adobe Experience Manager
14 5 (0.66%) Mule ESB
15 4 (0.53%) Anypoint
15 4 (0.53%) Jupyter
15 4 (0.53%) WebLogic Portal
16 3 (0.39%) CMS
1 6 (0.79%) MS Visio
2 3 (0.39%) Chatbot
3 2 (0.26%) Adobe XD
3 2 (0.26%) InVision
3 2 (0.26%) OmniGraffle
3 2 (0.26%) Sketch
3 2 (0.26%) Zeplin
4 1 (0.13%) InfoPath
4 1 (0.13%) Microsoft Office
4 1 (0.13%) SPSS
1 5 (0.66%) Oracle EBS
1 5 (0.66%) SAP S/4HANA
2 4 (0.53%) Oracle Applications
3 2 (0.26%) Dynamics NAV
3 2 (0.26%) Oracle BPM
3 2 (0.26%) Shopify
3 2 (0.26%) Sparx Enterprise Architect
4 1 (0.13%) Magento
4 1 (0.13%) Teamcenter
2 158 (20.79%) Azure
3 103 (13.55%) Slack
4 80 (10.53%) Serverless
5 72 (9.47%) GCP
7 59 (7.76%) AWS Lambda
8 46 (6.05%) IaaS
9 33 (4.34%) Amazon S3
10 28 (3.68%) Amazon EC2
11 26 (3.42%) Amazon ECS
12 19 (2.50%) SaaS
13 18 (2.37%) Amazon EKS
14 15 (1.97%) Amazon SQS
15 13 (1.71%) npm
16 12 (1.58%) AWS CloudFormation
17 11 (1.45%) Amazon CloudWatch
17 11 (1.45%) Google Analytics
17 11 (1.45%) OpenShift
17 11 (1.45%) Virtual Private Cloud
1 30 (3.95%) HTTP
2 26 (3.42%) Firewall
3 21 (2.76%) TCP/IP
4 20 (2.63%) Reverse Proxy
4 20 (2.63%) SSL
6 16 (2.11%) SNMP
7 14 (1.84%) DNS
7 14 (1.84%) HTTPS
8 10 (1.32%) Kerberos
9 8 (1.05%) 802.11
9 8 (1.05%) NAS
9 8 (1.05%) Wi-Fi
10 7 (0.92%) SSH
11 6 (0.79%) VPN
12 5 (0.66%) LAN
12 5 (0.66%) WAN
13 4 (0.53%) Wireless
1 79 (10.39%) SQL Server
2 66 (8.68%) Big Data
3 46 (6.05%) MySQL
3 46 (6.05%) PostgreSQL
4 39 (5.13%) MongoDB
5 31 (4.08%) NoSQL
6 26 (3.42%) Amazon DynamoDB
7 23 (3.03%) Amazon RDS
7 23 (3.03%) Relational Database
8 20 (2.63%) Blockchain
9 18 (2.37%) Hadoop
10 17 (2.24%) Data Warehouse
11 16 (2.11%) Cosmos DB
12 13 (1.71%) Oracle Database
13 12 (1.58%) BigQuery
14 11 (1.45%) Azure SQL Database
15 9 (1.18%) Apache Hive
15 9 (1.18%) Oracle Database 11g
15 9 (1.18%) RDBMS
4 145 (19.08%) Maven
5 115 (15.13%) Sonatype Nexus
6 114 (15.00%) GitLab
7 112 (14.74%) JUnit
8 76 (10.00%) Mockito
9 74 (9.74%) Bitbucket
10 58 (7.63%) Android Studio
11 55 (7.24%) Atlassian Bamboo
12 51 (6.71%) Selenium
12 51 (6.71%) Xcode
13 50 (6.58%) Gradle
14 48 (6.32%) CocoaPods
15 37 (4.87%) IntelliJ
16 32 (4.21%) Visual Studio
17 29 (3.82%) Vagrant
18 27 (3.55%) Subversion
19 26 (3.42%) Cucumber
1 118 (15.53%) Finance
2 88 (11.58%) Banking
3 52 (6.84%) Public Sector
4 21 (2.76%) Retail
5 13 (1.71%) Investment Banking
6 12 (1.58%) Telecoms
7 8 (1.05%) Law
8 6 (0.79%) Front Office
8 6 (0.79%) Legal
8 6 (0.79%) Retail Banking
9 5 (0.66%) Manufacturing
10 4 (0.53%) Games
10 4 (0.53%) German Language
10 4 (0.53%) Pharmaceutical
10 4 (0.53%) Publishing
11 3 (0.39%) Electronics
12 2 (0.26%) Automotive
12 2 (0.26%) International Banking
13 1 (0.13%) Back Office
1 270 (35.53%) Developer
2 140 (18.42%) DevOps Engineer
3 57 (7.50%) AWS Engineer
4 49 (6.45%) AWS DevOps
5 45 (5.92%) AWS DevOps Engineer
6 43 (5.66%) Architect
7 39 (5.13%) Full Stack Developer
8 38 (5.00%) Java Developer
9 37 (4.87%) Azure Engineer
10 32 (4.21%) Android Developer
11 28 (3.68%) Front End Developer (Client-Side Developer)
12 26 (3.42%) Cloud Engineer
12 26 (3.42%) iOS Developer
13 25 (3.29%) Azure DevOps
13 25 (3.29%) Azure DevOps Engineer
13 25 (3.29%) Senior Developer
13 25 (3.29%) Software Engineer
14 23 (3.03%) JIRA Engineer
15 21 (2.76%) Consultant
16 18 (2.37%) Data Engineer
1 171 (22.50%) REST
2 151 (19.87%) Node.js
3 132 (17.37%) React
4 123 (16.18%) JSON
5 117 (15.39%) RESTful
6 110 (14.47%) Spring
7 97 (12.76%) Spring Boot
8 87 (11.45%) HTML
9 86 (11.32%) CSS
10 57 (7.50%) .NET
11 54 (7.11%) Kafka
12 52 (6.84%) XML
13 50 (6.58%) Web Services
14 44 (5.79%) HTML5
15 41 (5.39%) AngularJS
16 39 (5.13%) WireMock
17 36 (4.74%) SOAP
18 35 (4.61%) Redux
19 32 (4.21%) RxJava
20 31 (4.08%) GraphQL
1 111 (14.61%) Mobile App
2 102 (13.42%) User Experience
3 43 (5.66%) Cloud Native
4 24 (3.16%) Analytical Skills
5 19 (2.50%) Greenfield Project
6 18 (2.37%) Algorithms
6 18 (2.37%) Enterprise Software
6 18 (2.37%) Public Cloud
7 16 (2.11%) Bitcoin
7 16 (2.11%) Clustering
8 13 (1.71%) Data Structures
8 13 (1.71%) Linux Command Line
8 13 (1.71%) Mobile Payment
9 12 (1.58%) iPad
10 9 (1.18%) Animation
11 8 (1.05%) IVR
12 7 (0.92%) Hedge funds
12 7 (0.92%) iPhone
12 7 (0.92%) NHS
12 7 (0.92%) Self-Motivation
1 189 (24.87%) Linux
2 102 (13.42%) Android
3 76 (10.00%) Windows
4 63 (8.29%) Apple iOS
6 33 (4.34%) Unix
6 33 (4.34%) Windows Server
7 26 (3.42%) CentOS
8 19 (2.50%) Windows 10
9 8 (1.05%) Amazon Linux
9 8 (1.05%) Windows Server 2008
11 6 (0.79%) Solaris
12 5 (0.66%) AIX
13 3 (0.39%) Mac OS X
3 229 (30.13%) Test Automation
4 166 (21.84%) Scrum
5 144 (18.95%) Continuous Integration
6 130 (17.11%) Microservices
7 121 (15.92%) Infrastructure as Code
8 119 (15.66%) Kanban
9 112 (14.74%) TDD
10 101 (13.29%) Open Source
11 93 (12.24%) Configuration Management
12 89 (11.71%) Android Development
12 89 (11.71%) Software Engineering
13 75 (9.87%) Pair Programming
14 58 (7.63%) Continuous Delivery
15 57 (7.50%) Continuous Improvement
16 55 (7.24%) iOS Development
17 54 (7.11%) Mentoring
17 54 (7.11%) SDLC
18 49 (6.45%) Analytics
3 164 (21.58%) JavaScript
4 130 (17.11%) SQL
5 93 (12.24%) Kotlin
6 87 (11.45%) Java 8
7 81 (10.66%) Bash Shell
8 73 (9.61%) PowerShell
9 61 (8.03%) C#
10 55 (7.24%) Apple Swift
11 46 (6.05%) C++
12 42 (5.53%) Ruby
13 39 (5.13%) Go
14 37 (4.87%) Scala
15 33 (4.34%) Shell Script
16 31 (4.08%) Perl
17 30 (3.95%) TypeScript
18 24 (3.16%) PHP
19 22 (2.89%) ES6
20 19 (2.50%) C
2 65 (8.55%) SC Cleared
3 38 (5.00%) Degree
4 21 (2.76%) Computer Science Degree
5 13 (1.71%) ISTQB
6 9 (1.18%) Master's Degree
7 8 (1.05%) ISEB
9 4 (0.53%) DBS Check
9 4 (0.53%) DV Cleared
9 4 (0.53%) ISTQB Foundation Certification
10 3 (0.39%) AWS Certification
11 2 (0.26%) ISTQB Advanced Certification
12 1 (0.13%) CAPM
12 1 (0.13%) Microsoft Certification
12 1 (0.13%) Oracle Certification
12 1 (0.13%) PMI Certification
12 1 (0.13%) PRINCE2 Practitioner
12 1 (0.13%) TOGAF Certification
1 46 (6.05%) QA
2 13 (1.71%) GDPR
3 8 (1.05%) WCAG
5 4 (0.53%) SLA
6 3 (0.39%) Data Quality
6 3 (0.39%) GxP
8 1 (0.13%) Disclosure Scotland
8 1 (0.13%) PMO
2 32 (4.21%) VMware Infrastructure
3 24 (3.16%) GlusterFS
4 23 (3.03%) vSphere
5 21 (2.76%) Active Directory
7 5 (0.66%) HDFS
9 2 (0.26%) KVM
9 2 (0.26%) Oracle RAC
9 2 (0.26%) UAG
9 2 (0.26%) Xen
10 1 (0.13%) Apache ZooKeeper
10 1 (0.13%) Firmware
10 1 (0.13%) Virtual Desktop
1 202 (26.58%) Terraform
2 165 (21.71%) Kubernetes
3 160 (21.05%) Ansible
4 78 (10.26%) Grafana
5 70 (9.21%) Puppet
6 61 (8.03%) Prometheus
7 59 (7.76%) Opscode Chef
8 30 (3.95%) Packer
9 24 (3.16%) Kibana
10 21 (2.76%) Single Sign-On
11 20 (2.63%) ZABBIX
12 10 (1.32%) Salt
13 8 (1.05%) Nagios
14 7 (0.92%) Docker Swarm
15 6 (0.79%) Microsoft Clustering
15 6 (0.79%) Oracle RMAN
16 5 (0.66%) Control-M
16 5 (0.66%) Oozie
16 5 (0.66%) Red Hat Satellite
17 4 (0.53%) CloudHub
1 94 (12.37%) Splunk
2 64 (8.42%) Atlassian
3 61 (8.03%) Microsoft
4 58 (7.63%) Oracle
5 57 (7.50%) AppDynamics
6 51 (6.71%) Google
7 32 (4.21%) VMware
8 17 (2.24%) Databricks
9 16 (2.11%) Dell
9 16 (2.11%) Red Hat
10 15 (1.97%) EMC
11 10 (1.32%) Micro Focus
11 10 (1.32%) RedGate
11 10 (1.32%) Sybase
12 9 (1.18%) Dynatrace
12 9 (1.18%) MuleSoft
13 8 (1.05%) IBM
13 8 (1.05%) SAP
322 GitHub job vacancies Nationwide
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text:
Contact Us 24/7 | 888-778-8880
Robert J. DiCello, Esq.
Life Changing Injury
Truck Crashes
Dangerous Medical Devices
HomePractice AreasMesotheliomaBillions Set Aside
Billions Set Aside
You may have heard that many companies who are responsible for injuring and killing tens of thousands of people due to exposure to asbestos have declared bankruptcy and have been ordered by Courts around the Country to reorganize. As of 2011, asbestos trust funds have combined assets of $36.8 billion.
It's important to understand that reorganization means that the Courts have allowed many companies to protect their assets. It is also important to understand that the Courts have also required these companies to set up reserves of money or "personal injury trusts" to pay victims of asbestos. The DiCello Law Firm lawyers want victims to know that these funds exist and are called Mesothelioma compensation funds, or asbestos bankruptcy trusts.
Over $36 Billion Available
As of 2011, asbestos trust funds have combined assets of $36.8 billion. While this is a large sum of money, many are concerned that with the new cases emerging every year and with the expectation that new cases of Mesothelioma expected for the next 20 to 50 years, these funds ultimately will not be enough to allow all victims to get justice.
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The week of November 7th, I spent several days giving lectures to students, teachers, local law enforcement and parents about cyberbullying and online predators.
It was the first time I'd given a lecture to students under the age of 18 (I've done lectures for college kids for a couple of years now). And it was an experience, LOL!
The first morning was an assembly of over 500 kids in 7th-12th grades. They were boisterous (I remember being a teen), but a good audience. They were quiet at times during my PowerPoint presentation, especially when I showed them why it wasn't a good idea to put too much info in their profiles and when I showed examples of cyberbullying from recent news stories. I did get some questions, but not as many as I'd hoped. I had some kids come up to me afterwards to ask questions privately and overall it was good.
The kids love the KTD logo and seemed happy to find that there is a web site they can go to for info and for help if they need it.
That afternoon I did a 2-hour mini training session for teachers and local police and it went over well, as did the nighttime 1 hour lecture for parents about keeping kids safe online.
The next morning it was over 300 kids from 6th-8th grades - no high school kids. I found that this group asked the most questions and I assume it was because they didn't have to worry about the older kids making fun of them. They asked so many questions, I couldn't answer them all and got a standing ovation. That made me feel great! A surprise - the most questions were about online games (on the PC and not the Xbox or Playstation, etc) and eBay! The teachers afterward said they were shocked at how many kids raised their hands when I asked how many bought or sold items on eBay. Interesting.
My talks with teachers and parents went very well that day.
The next day, Wednesday, it was an afternoon assembly of 6th-12th graders - over 500 again. I was the last "class" of the day, and I knew they'd be kind of loud (I remember wanting to get out of school fast if an assembly was the last class), but for some reason they were overly noisy and I couldn't figure out why. No questions were asked at all at the end and I was flummoxed. Then I found out that because Veteran's Day fell on Friday, the teachers were going to do an in-service day on Thursday. That explained the noisiness - the kids were getting *four* days off and I was their last session. Pfft.
The parents lecture that night was the best of the week - over 50 people attended and a lot of my books were sold. The next day over 200 teachers (and some local police) attended - again, the biggest group of the week. What a wonderful response, good questions and a lot of books sold.
I tweaked my presentation after each time, figuring out what went over well, what didn't, and requests from some folks to add things I didn't have. So it was a "test run" that week, but now I have the presentations down pat.
I got a lot of thank-yous from the teachers and parents for the work we do at WHOA and WHOA-KTD. It's always heartening to hear that once in a while.
I think I am going to try to do more 6th-8th grade assemblies, and possibly 4th and 5th. I found the older kids were less interested, think they know everything and were too "cool" to ask questions. I figure I'll get them younger and hope they remember that I teach when they get into high school.
I learned something though - don't plan two business trips that keep me away all week with only one day at home in between. Two days after returning from the second trip (this past Monday), I got hit with a horrible cold. My body said STOP and I literally collapsed and slept for hours.
I'm back in almost fighting form and have more lectures scheduled, but I'm going to try to space them out better.
Congratulations on your new blog. I hope everything is cool here.
Congratulations on your new blog. I'm afraid the type is hard to read though. Very small from where I'm sitting.
The abuse team at livejournal has been lacking for some time now. I imagine part of it is because it's run by people who aren't getting paid.