text:
Having your looks compared to legendary actress Hedy Lamarr is the ultimate compliment, which is how Famke Janssen was seen early in her career. She turned those looks into an acting career, one that saw Janssen in many high-profile movies.
Lately, though, Famke Janssen has been making news for another reason, something that seems to find actresses at a certain stage in their careers.
FAMKE JANSSEN ACCUSES X-MEN OF SEXISM
Famke Janssen in Days of Future Past
Famke Janssen appreciates her time with the X-Men franchise. What she doesn't appreciate, though, is what she feels is a pattern of Hollywood sexism that didn't allow her to return as Jean Grey in the more recent X-Men movies. Her complaint stems from the 2014 movie X-Men: Days of Future Past where James McAvoy and Michael Fassbender were on hand to play the younger versions of Patrick Stewart's Professor X and Ian McKellen's Magneto along with Stewart and McKellen, who were playing the older versions.
Game of Thrones actress Sophie Turner was hired to play the young Jean Grey, but for some reason, Famke Janssen was not asked to be part of the main story. She does make an appearance, but it is brief and at the very end of the film. She told Entertainment Weekly, "Women, it's interesting because they're replaced, and the older versions are never to be seen again," Janssen said. "Whereas the men are allowed to be both ages. Sexism. I think that I should be back along with my younger version and the way that we've seen it with Magneto and Professor X."
Famke Janssen says she even reached out to the producers of the movie asking why an older Jean Grey was not making an appearance. "I have not heard any feedback on that, other than total radio silence," she said.
FANS FREAK OUT OVER FAMKE JANSSEN'S PLASTIC SURGERY
Many actors and actresses get plastic surgery, and many have ended up with horrendous results. Look at screen stars Melanie Griffith, Priscilla Presley, Cher, and Mickey Rourke just name a few who have gone under the knife or gotten an injection in the hope of maintaining a youthful appearance. You can now count Famke Janssen as one who went down this road with terrible results.
Whatever work she has had, whether it be actual plastic surgery or injections, it has given her that plastic look we've seen one time too many. Twitter blew up when Famke Janssen revealed her new "look" on the show The Capture. One reaction read, "Woah, Famke Janssen…more fillers than Subway. Why do such beautiful women do this to themselves?? Makes them look older than they actually are." Another said, "Is that Famke Jansen??? WTF has happened to her face, she looks well puffed and cannt move anything! No no no."
Famke Janssen on The Capture
TURNING DOWN STAR TREK LEADS TO DOING JAMES BOND
Famke Janssen got her start in modeling. She moved from the Netherlands to the United States so she could begin her career as a model, signing with Elite Model Management and modeling for entities such as Giorgio Armani, Yves Saint Laurent, Victoria's Secret, Chanel, and Coty.
Famke Janssen decided to retire from modelling so she could pursue an acting career and grabbed early TV roles on series such as Melrose Place and The Untouchables. Her actual first role on TV came on the series Star Trek: The Next Generation. Producers liked her so much that she was offered a role in Star Trek: Deep Space Nine as Jadzia Dax (which eventually went to Terry Farrell). She turned Deep Space Nine down so she could go after roles in feature films.
Famke Janssen in GoldenEye
Famke Janssen's first movie was actually the first role in her career. She starred alongside Jeff Goldblum in the 1992 movie Fathers & Sons. She wouldn't see the big screen again for another 3 years when she turned up in the horror movie Lord of Illusions. From there, she truly opened eyes when she took on the role as femme fatale Xenia Onatopp in Pierce Brosnan's first James Bond flick: GoldenEye.
Not wanting to be typecast after being Onatopp, Janssen went on to star in interesting supporting roles in movies like City of Industry, Celebrity, The Gingerbread Man, and Monument Ave. As the '90s rolled on she found more horror in Deep Rising, The Faculty, and The House on Haunted Hill.
As the new century began, Famke Janssen found herself in what is probably her most recognizable role as Jean Grey in Marvel's X-Men. The movie was directed by Bryan Singer and Janssen wasn't his first, or even his second, choice.
Singer offered Peta Wilson the job but she had to turn it down because she was filming the fourth season of La Femme Nikita. Helen Hunt was then offered the part but she turned it down. Selma Blair, Lucy Lawless, Renee O'Connor, and Maria Bello were also considered for the part of Jean Grey but Singer finally landed on Janssen and it was a great choice.
She embodied the role as Jean Grey, physically commanding the part. Janssen went on to play Jean Grey in X2: X-Men United and also in X-Men: The Last Stand, The Wolverine (where she appeared briefly as a hallucination to Logan), and finally she made a quick cameo in X-Men: Days of Future Past.
FAMKE GETS TAKEN
During her time appearing as Jean Grey, Famke Janssen also found another franchise to star in. She played Lenore, ex-wife to Liam Neeson's Bryan Mills, in the thriller Taken. Her role in that film was only a supporting role but it set up the action she'd be handling in Taken 2, where her role was greatly expanded.
The second movie in the trilogy brought her character off the sidelines and tossed her right into the mix. She spent the bulk of the movie alongside Neeson as the two were the ones "taken" this time around. Unfortunately, her role in the third Taken movie was cut short as her character was killed early on, sending Neeson's Bryan Mills into action.
Many times, actors and actresses are in the business want to do more than act. For Famke Janssen, she had a desire to write and direct and she was able to pull both off with her 2011 movie Bringing Up Bobby. Her screenplay told the story of a Ukrainian con-artist and mother, Olive, to a 10-year-old boy who move to Oklahoma to start a new life. But it isn't long before Olive's past catches up with her and she is forced to put her son's happiness before her own, so she allows a grieving couple to adopt her son.
Famke Janssen's movie starred Milla Jovovich, Bill Pullman, and Marcia Cross as the main characters but didn't fare well at the box office in its limited release.
Famke Janssen moved on from her failed directorial debut and stayed in front of the camera. She was the big bad in Hansel & Gretel: Witch Hunters and then was the lead in the horror TV series Hemlock Grove, which lasted three seasons. She also found some time on the hit series The Blacklist, which got her a spin-off series The Blacklist: Redemption. Unfortunately, that spin-off didn't last but one season. Janssen also has found a recurring role on How To Get Away With Murder.
FAMKE JANSSEN NOW
Famke Janssen has kept working, despite the bad reaction to her plastic surgery. She finished her time with How to Get Away with Murder and starred in the feature The Vault. Next up she'll appear in the movie Redeeming Love.
Halle Berry Naked: Why She Did Nudity And Why She's Showing More At 54
Captain Marvel 2: The New Ms. Marvel Will Co-Star
Live-Action X-Men Series Possible, Will Focus On Political And Social Issues
Exclusive: X-Men's Rogue Getting A Solo Spinoff From Marvel


Sagas and the Use of the Past: The 15th International Saga Conference, 5th—11th August 2012, Aarhus University. Preprint of Abstracts, ed. A. Mathias Valentin Nordvig and Lisbeth H. Torfing (Aarhus: Department of Aesthetics and Communication, Department of Culture and Society, 2012).
A PDF of the Preprints is avaiable from the conference website, or by clicking here.
Minutes of the Business meeting (approved 2015).


text:
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<!DOCTYPE appref SYSTEM "appref.dtd">

<appref>

    <copyright>
      <year>2002</year><year>2013</year>
      <holder>Ericsson AB. All Rights Reserved.</holder>
    </copyright>
    <legalnotice>
      Licensed under the Apache License, Version 2.0 (the "License");
      you may not use this file except in compliance with the License.
      You may obtain a copy of the License at

          http://www.apache.org/licenses/LICENSE-2.0

      Unless required by applicable law or agreed to in writing, software
      distributed under the License is distributed on an "AS IS" BASIS,
      WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
      See the License for the specific language governing permissions and
      limitations under the License.

    </legalnotice>

    <title>Test Server Application</title>
    <prepared>Siri Hansen</prepared>
    <responsible>Peter Andersson</responsible>
    <docno></docno>
    <approved></approved>
    <checked></checked>
    <date>2002-07-12</date>
    <rev>PA1</rev>
    <file>test_server_app.xml</file>

  <app>test_server</app>
  <appsummary>Test Server for manual or automatic testing of Erlang code</appsummary>
  <description>

Test Server is a portable test server for
      automated application testing. The server can run test suites
      and log progress and results to HTML
      pages. The main purpose of Test Server is to act as engine
      inside customized test tools. A callback interface for
      such framework applications is provided.

In brief the test server supports:

    <list type="bulleted">
      <item>Running multiple, concurrent test suites</item>
      <item>Test suites may contain other test suites, in a tree fashion</item>
      <item>Logging of the events in a test suite, on both suite and case levels</item>
      <item>HTML presentation of test suite results</item>
      <item>HTML presentation of test suite code</item>
      <item>Support for test suite authors, e.g. start/stop slave nodes</item>
      <item>Call trace on target and slave nodes</item>
    </list>

For information about how to write test cases and test suites,
      please see the Test Server User's Guide and the reference
      manual for the <c>test_server</c> module.

Common Test is an existing test tool application based on the
      OTP Test Server. Please read the Common Test User's Guide for more information.

  </description>

    <title>Configuration</title>

There are currently no configuration parameters available for
      this application.

    <title>SEE ALSO</title>

</appref>

redpajama_set_name: RedPajamaGithub


The Withholding Rules Tab define the rules governing the withholding of amounts.
C_PaymentTerm_ID Y VARCHAR2(32) The setup and timing defined to complete a specified payment.
Rate Y NUMBER The percentage to be multiplied by the source to arrive at the tax or exchange amount.
The Withholding indicates the type of withholding to be calculated.
The Tax Withholding checkbox indicates if this withholding is tax related.
The Prorate Tax checkbox indicates if this tax is prorated.
The Paid to Third Party checkbox indicates that the amounts are paid to someone other than the Business Partner.
The Percent Withholding checkbox indicates if the withholding amount is a percentage of the invoice amount.
The Percent indicates the percentage used for withholding.
The Fixed Amount indicates a fixed amount to be levied or paid.
The Threshold Minimum indicates the minimum gross amount to be used in the withholding calculation.
The Threshold maximum indicates the maximum gross amount to be used in the withholding calculation . A value of 0 indicates there is no limit.
The Minimum amount indicates the minimum amount as stated in the currency of the invoice.
The Maximum Amount indicates the maximum amount in invoice currency.
The Rate indicates the percentage to be multiplied by the source to arrive at the tax or exchange amount.
This page has been accessed 2,258 times. This page was last modified on 14 June 2011, at 11:04. Content is available under Creative Commons Attribution-ShareAlike 2.5 Spain License.


text:
Colorado Politics: Reps. Neguse, Crow to perform a story online in the words of an undocumented immigrant
U.S. Reps. Joe Neguse of Lafayette and Jason Crow of Aurora have a story to tell next week, but it's not their own.
The Democratic freshmen are teaming up to tell the real stories of undocumented immigrants as part of a free online series for the Motus Theater, a Boulder-based nonprofit that creates dialogue around issues through creative expression.
The reading is from 6 to 7 p.m. online. It's free, but an RSVP is recommended, by clicking here.
The series is called the "UndocuMonologues." Wednesday night's show is presented in conjunction with Alejandro G. Iñarritu's a virtual reality experience "CARNE y ARENA (Virtually President, Physically Invisible." The multinational virtual reality program is on display at at The Hangar at Stanley Marketplace in Denver until Jan. 31 in partnership with the Denver Center for Performing Arts, the Biennial of the Americas, the Denver Art Museum, the Latino Cultural Arts Center, the Mexican Cultural Center and the Museum of Contemporary Art Denver. The exhibit opened in October.
Iñarritu was the first Mexican director to be win an Academy Award, and he has 45 Oscar nominations to his credit, including best picture and best director nods for "Babel," "Birdman" and "The Revenant."
Neguse and Crow will be reading a story by Juan Juarez, a mechanical engineering student at Metropolitan State University who speaks about his worry and critical need for the preservation of the DREAM Act, the Obama-era program that allows immigrants brought to the U.S. as children to remain as long as they maintain good conduct.
"All of us who are telling our stories as part of the UndocuAmerica project are undocumented or individuals protected under the Deferred Action for Childhood Arrivals program," Juarez said. "What we want is for people to understand, to put themselves in our shoes. Our representatives and neighbors need to know the impact of immigration policies on undocumented people in our country."
Juarez also speaks to the attempts by society to vilify families who risk so much, live in the shadows to get by and depend on one another completely. He talks about his slightly older brother.
"When we were in elementary school Alejandro was always protective of me and our two younger brothers," Juarez writes. "I remember when I was eight some kids kept stealing my lunch money; when Alejandro found out, he gave me his money for lunch even though it meant he wouldn't eat.
"When I was 14 and my mother and three brothers were crossing the desert to join our father in Arizona, it was 16-year-old Alejandro who stepped into my dad's shoes and made sure nobody was left behind. He was constantly looking back to make sure we were all okay. And when it was freezing in the desert at night, Alejandro would do exercises to increase his body heat, and then wrap his arms around us to keep us warm."
Juarez is a board member for the Colorado Immigrant Rights Coalition and a leader for Northern Colorado Immigrants United.
"By creating spaces that offer proximity to the stories of undocumented people, the UndocuAmerica project is helping our fellow citizens understand the experiences of undocumented people and how we can work together towards a more just society," said Tania Chairez, the Motus Theater's national education and outreach director.
She added, "The UndocuAmerica project creates spaces of courage and civic hospitality that allow our guest readers to learn from the experiences of undocumented people and embrace our humanity."
Each monologue is followed by a musical response around the same theme from Uruguayan musician Elisa Garcia, who lives in Boulder after studying anthropology at the University of Colorado.
The executive director of the Colorado Immigrant Rights Coalition, Lisa Duran, will join the online performance for a Q&A session following the reading by the congressmen.
Colorado Politics: Reps. Neguse, Crow to perform a story online in the words of an undocumented immigrant2020-12-312021-01-04https://jasoncrowforcongress.com/wp-content/uploads/2018/04/logomenu.pngJason Crow for Congresshttps://jasoncrowforcongress.com/wp-content/uploads/2018/04/logomenu.png200px200px
PRESS INQUIRY | CONTRIBUTE | VOLUNTEER | CONTACT US
PAID FOR BY JASON CROW FOR CONGRESS
Jason Crow was a Captain in the U.S. Army. Use of his military rank, job titles, and photographs in uniform does not imply endorsement by the Department of the Army or the Department of Defense.
PO Box 32145 Aurora, CO 80041-2145

redpajama_set_name: RedPajamaCommonCrawl


text:
Satanic Temple Claims Netflix's 'Sabrina' Illegally Copied Baphomet Statue
The Satanic Temple is willing to take "aggressive actions to protect our copyright" against Netflix, claiming its "Sabrina" series features a replica of their Baphomet statue.
Oct 29 2018, 6:13pm
Screenshot via Netflix
Late Sunday evening, Lucien Greaves, spokesman and co-founder of The Satanic Temple (TST), tweeted that the organization would be "taking legal action" against Netflix's Chilling Adventures of Sabrina for "appropriating our copyrighted monument design to promote their asinine Satanic Panic fiction." Sabrina is Netflix's rendition on an Archie Comics classic, following a half-witch, half-human teen as she balances a life battling her religion's overbearing, bullying ruler, Satan, as well as jocks at her mortal high school who, like the Dark Lord, are misogynistic bullies.
In an emailed statement to Broadly, Greaves said that "one of the central missions of The Satanic Temple has been to fight back against witch-hunts and irrational mob panics," adding his view that there are "signs of a Satanic Panic revival today, and as Satanists we need to do all we can to fight back against negligent and harmful representations." According to Greaves, TST would be pursuing a copy right claim regardless of how Satan was portrayed in Sabrina. In a separate statement sent to Broadly, TST co-founder Malcolm Jarry stated that, "If a resolution cannot be worked out, we will take aggressive actions to protect our copyright."
"We hold a copyright that was filed with the Library of Congress," Jarry explained. "Statues and their subsequent representations are protected. In fact, the US Postal Service had to pay a hefty fine for their unauthorized use of the representation of a statue—ironically, a representation of the Statue of Liberty."
The Satanic Temple is a religious organization that has positioned itself as a legal advocate against the placement of religious statues on public property, as well as issues related to bodily inviolability, such as women's reproductive rights. In 2012, Oklahoma installed a six-foot tall statue of the Ten Commandments outside the Statehouse. In response, TST announced plans to "erect a monument glorifying the Dark Lord," to stand beside it. TST then created a statue of Baphomet "sitting beneath an inverted pentagram and flanked by two children gazing upward in loyalty" and argued that if the Christian church is entitled to display a religious statue, so are Satanists. TST won that battle when the Oklahoma Supreme Court ruled that the Ten Commandments monument "violated Oklahoma's constitutional ban on using public property to benefit a particular religion."
In Netlix's Sabrina, the Baphomet figure also represents Satan, a villainous entity the teenage witch battles against throughout the series. In the Academy of Unseen Arts, the school for witches depicted in the show, there is a prominent statue of Baphomet, which some media outlets have previously stated looks a lot like the statue created by TST. Both statues feature Baphomet in a seated stance, with two adoring children—of similar appearance—looking upward. (Notably, neither of the statues depict Baphomet with breasts, though the popularized image of the goat-headed figure originated in an 1856 illustration by occultist Eliphas Lévi, clearly shows a creature with exposed breasts. Lévi described his androgynous Baphomet in Transcendental Magic—regarded as the first published treatise on ritual magic—writing that "humanity is depicted by the two breasts and the androgyne arms of this sphinx of the occult sciences.")
According to Lisa Soper, the production designer of Sabrina who spoke with VICE about the statue in an interview conducted before Greaves tweeted about taking legal action, the show's statue was not modeled after TST's. "I think that's kind of a coincidence...," Sopher said. "When you look at Baphomet, there's really only a couple of statues of him—which, they have their statue, and we've got our statue in the show."
"If you look at Goya paintings, if you look at a lot of the tarot cards, or the Alistair Crawley iterations of him—because there's hundreds and hundreds of iterations of him, he's always seen with his people around him and it's more of like a father figure kind of thing. So depicting his children with him, that kind of stuff, and those kinds of elements are all kind of the same," Soper said. "But it's no different from, in my opinion anyhow... from any other of the mass amounts of iterations of him that have been around."
Though Baphomet is a cultural figure that's been depicted for more than a century, Jarry tells Broadly that TST's depiction is "very distinct and has numerous prominent features that do not exist in any prior representation." Adding, "Our depiction of Baphomet is wholly original. I cannot compare ours with all previous depictions."
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"Our lawyers sent a letter informing the show that they have violated our copyright in using our own central image as an icon for some evil cannibalistic cult," Greaves said. "Obviously, the nature of the copyright violation could be considered defamatory." He adds that the TST was never contacted by anyone involved with the Netflix series regarding the statue. "Our answer, given how the image is portrayed in the show, would have been 'no.'"
Broadly has reached out to Soper and Netflix regarding the TST's claims. They have not immediately responded. We will update this story upon a response.
VICE's Kara Weisenstein contributed reporting to this piece.
Broadly Life


Nutritional Bonus: This smooth avocado pesto packs a nutritional punch. One cup of avocado has 23% of the recommended daily value of folate, a water-soluble B vitamin vital to cell regeneration. Avocados also have more of the carotenoid lutein than any other commonly consumed fruit. Lutein protects against macular degeneration and cataracts, so eating avocados helps to ensure that your peepers are in top shape.
In a food processor, purée all ingredients. Add cold water as needed to adjust to your preferred texture and thickness.


text:
\'Monster-in-Law\' Drives Allergy Advocates Nuts
Posted on: Tue, 05/10/2005 - 9:16am
synthia
[url="http://www.zap2it.com/movies/news/story/0,1259,---25706,00.html"]http://www.zap2it.com/movies/news/story/0,1259,---25706,00.html[/url]
'Monster-in-Law' Drives Allergy Advocates Nuts
Tue, May 10, 2005, 11:05 AM PT
LOS ANGELES (Zap2it.com)- The creative team behind New Line's Friday (May 13) release "Monster-in-Law" think that food-based allergies are a viable source of humor. The Food Allergy & Anaphylaxis Network (FAAN) begs to differ.
FAAN is charging "Monster-in-Law" with sending a careless message to viewers in a scene that finds Jane Fonda's character attempting to off her future daughter-in-law (Jennifer Lopez) by sneaking nuts into her food. In an outraged statement, FAAN worries that the "Monster-in-Law" hilarity will inspire copycat food spiking and will give viewers the impression that watching people get puffy is funny, rather than dangerous stuff.
"Better examples need to be set," charges Anne Munoz-Furlong, FAAN's founder. "I doubt New Line Cinema would permit a scene where a diabetic would be given an overdose of insulin. We are seeing more Hollywood movies and shows portraying food allergies in an unsafe and very uneducated light. Just recently the movie 'Hitch' and an episode of 'The Simpsons' poked fun at individuals with food allergies. In real life, food allergies are no laughing matter."
According to FAAN, roughly 11 million Americans suffer from some form of food-based allergies and between 150 and 200 people each year die from food allergies they never knew they had.
Although "Monster-in-Law" is ostensibly a comedy, FAAN is just the latest advocacy group to express an absence of amusement. The People for the Ethical Treatment of Animals protested the film's April 29 premiere because of Lopez's love of fur and the use of fur in her Sweetface fashion collection.
Nutrition Bars & Shakes
Baking, Lunch & Dinner
Cookies, Popcorn & Potato Chips
Divvies


Yakub Memon, convicted for the 1993 Mumbai serial blasts, was executed at 6.30 am today after the Supreme Court rejected his final appeal after an all-night hearing. While most parties were unanimous in saying that Yakub's hanging was the result of a fair judicial trial, Congress leaders Shashi Tharoor and Digvijaya Singh raised questions on the issue on various grounds. The party, however, was quick to distance itself from the controversial remarks.


text:
Watch Ronny Chieng: International Student Full Season Online | Gomovies
Ronny Chieng: International Student
Ronny is a Malaysian student who's come to Australia to study law. Though smart, driven and competitive, he's also blunt and barbed, so it's not long before Ronny is at odds with most people on campus.
Genre : Comedy
Actors : Adrienne Pickering, Anthony Morgan, Brenton Cosier, Dave Eastgate, Hoa Xuande, Keith Brockett, Laurence Boxhall, Molly Daniels, Patch May, Ronny Chieng, Shuang Hu
Studio : Sticky Pictures
Networks : ABC
Director : Declan Fay, Ronny Chieng
Ronny Chieng: International Student 1×1
James Acaster: Repertoire
Offbeat comic James Acaster covers the strange, the mundane and everything in between in this collection of four wide-ranging stand-up specials.
Genre: Comedy, Talk
Captain Planet and the Planeteers
Captain Planet and the Planeteers is an American animated environmentalist television program created by Ted Turner, Robert Larkin III, and Barbara Pyle, produced by Pyle, Nicholas Boxer, Andy Heyward and Robby London, and developed by Pyle, Boxer, Heyward, London, Thom Beers, Bob Forward, Phil Harnage and Cassandra Schafhausen. The series was produced by Turner Program Services and DIC Entertainment and it was broadcast on TBS from September 15, 1990 to December 5, 1992. A sequel series, The New Adventures of Captain Planet, was produced by Hanna-Barbera and Turner Program Services, and was broadcast from September 11, 1993 to May 11, 1996. Both series continue today in syndication. The program is a form of edutainment and advocates environmentalism.
In February 2009, Mother Nature Network began airing episodes and unreleased footage of Captain Planet and the Planeteers on its website. In September 2010, the Planeteer Movement was launched with the assistance of Pyle as a means for fans of the show to connect and continue to integrate the show's messages into their lives as real-life Planeteers.
Genre: Action & Adventure, Adventure, Animation, Comedy, Family
Each episode features two A-list celebrities like you've never seen them before – syncing their hearts out in hysterically epic performances. Hosted by LL Cool J with colorful commentary by social media maven and supermodel co-host, Chrissy Teigen. The mic is off, the battle is on!
Genre: Comedy, Music
The world's greatest feline fighter, lover and milk connoisseur is back in this original series filled with daring adventures, great boots, and laugh-out-loud fun! The entire family will be entranced by Puss' fantastical CG world filled with new characters, exotic locations and mystical tales that make up the stuff of legends. There's nothing that can get in this celebrated swashbuckling kitty's way…except maybe a hairball.
Genre: Adventure, Animation, Comedy, Family, Fantasy
High Kick!
High Kick! was a popular South Korean situation comedy revolving around the life of the Lee family, taking place in Seoul at the same time as the broadcast. The title of the show "High Kick!" has several implications, one of which is the oft-depicted high kicks of Yoon-ho, one of the main characters. The show aired in South Korea from Monday to Friday in sitcom format. Due to its popularity, the show filmed more episodes than were initially planned. Many of the characters starred in commercials and advertisements in Korea. The show's popularity also led to High Kick Through the Roof, which aired in 2009-2010, and High Kick 3: The Counterattack of the Short Leg, which aired in 2011-2012.
Xena: Warrior Princess is an American–New Zealand supernatural fantasy adventure series that aired in syndication from September 4, 1995 until June 18, 2001.
The series was created in 1995 by writer-director-producer Robert Tapert under his production tag, Renaissance Pictures with later executive producers being R. J. Stewart and Sam Raimi. The series narrative follows Xena, as an infamous warrior on a quest to seek redemption for her past sins against the innocent by using her formidable fighting skills to now, help those who are unable to defend themselves. Xena is accompanied by Gabrielle, who during the series changes from a simple farm girl into an Amazon warrior and Xena's comrade-in-arms; her initial naïveté helps to balance Xena and assists her in recognizing and pursuing the "greater good".
The show is a spin-off of the television series Hercules: The Legendary Journeys; the saga began with three episodes in Hercules where Xena was a recurring character originally scheduled to die in her third appearance. Aware that the character of Xena had been very successful among the public, the producers of the series decided to create a spin-off series based on her adventures. Xena was a successful show which has aired in more than 108 countries around the world since 1998. In 2004 and 2007, it was ranked #9 and #10 on TV Guide's Top Cult Shows Ever and the title character was ranked #100 on Bravo's 100 Greatest TV Characters. Xena's success has led to hundreds of tie-in products, including, comics, books, video games and conventions, realized annually since 1998 in Pasadena, California and London.
Country: New Zealand, USA
Genre: Action, Adventure, Comedy, Drama, Fantasy
High & Dry
An air steward crash lands into a tropical paradise and puts himself in charge of the palm-fringed island. But remaining survivors won't be grateful for their lives for too long as they will soon learn they are stranded with the world's worst human being, Brett Sullivan, and not even the blue tropical waters are enough to make him bearable.
Genre: Action & Adventure, Comedy
Two women working in the same industry with the exact same name keep getting their lives entangled both professionally and personally.
Genre: Comedy, Drama, Family, Romance
Aretiredmandecidestofulfillhislife-timeambitionandwalkthelengthofBritainfromLand'sEndtoJohnO'Groats.Thefilmcentresaroundthediscoveryofhimself,therelationshipwithhiswife(whoisunsureofhisreasons)andthecolourful,andnotsocolourful,peoplehemeetsonhistravels.WrittenbyDavidLaoide-Kemp
The nicest guy in the Midwest moves his family into a tough neighborhood in Los Angeles where not everyone appreciates his extreme neighborliness. That includes their new next-door neighbor Calvin.
Naruto Shippuuden is the continuation of the original animated TV series Naruto.The story revolves around an older and slightly more matured Uzumaki Naruto and his quest to save his friend Uchiha Sasuke from the grips of the snake-like Shinobi, Orochimaru. After 2 and a half years Naruto finally returns to his village of Konoha, and sets about putting his ambitions to work, though it will not be easy, as He has amassed a few (more dangerous) enemies, in the likes of the shinobi organization; Akatsuki.
Genre: Action, Adventure, Animation, Comedy, Drama, Fantasy
The Coopers vs The Rest
The Cooper family share a small house, and absolutely no DNA. Mum Tess wanted to save as many kids as she could from the sort of childhood she had. So, along with her husband Toby, she now divides just about enough money and nowhere near enough time between their three adopted children Frankie, Alisha and Charlie.


text:
Q: HTML5  not plays under Basic Authentication I am developing an app for SmartTV platform webOS by LG. I have to play video with html5  tag. The videos are stored in playlist files (m3u8), so I have links to them. But they are protected by Basic Authentication. I am using a link like that:
https://username:password@domain.name/file.m3u8
When I embed this link to  tag it doesn`t play the stream, although I am using an attribute crossorigin="use-credentials" in  tag.

<video id="videoplayer" width="480" height="320" crossorigin="use-credentials" autoplay>
 <source id="source" src="https://username:password@domain.name/file.m3u8"></source>
</video>

redpajama_set_name: RedPajamaStackExchange


text:
Council delivered over £164m of grant funding to Shropshire businesses during pandemic
Related topics: Community / Economic growth / Finance and budget / Partner organisations
A report going to Shropshire Council's Cabinet on Wednesday shows the council delivered £164,122,313 of COVID-19 grant funding to businesses across Shropshire between April 2020 and March 2022.
22 different business grant programmes were set up to help local businesses survive and respond to the pandemic, with over 32,000 individual grant payments made during the period.
Funding pots were also made available to deliver a range of business support activity. One successful project that the funding helped was Silverpreneurs©, a scheme founded by Chris Gough and Vernon Hogg to inspire and empower the over 50s who wanted to start up their own business.
The programme received £71,000 of funding to launch a programme for Shropshire-based over 50s looking to collaborate, upskill and transform their business idea to a business reality.
The programme welcomed 42 clients, who could access 12 hours of funded business support and opened up a network of 'silver experts' from across various industries and sectors.
Chris Gough and Vernon Hogg from Silverpreneurs©
Another successful story from the funding was The Queen's Baton Relay, a celebration event part of the Birmingham Commonwealth Games, hosted from The Quarry, Shrewsbury in July 2022.
Shropshire Festivals secured £100,000 grant funding to deliver the event alongside partners, to put Shrewsbury and Shropshire on the map as part of the Games.
The unique opportunity helped to promote Shropshire's tourism offer and over 6,000 people attended the event during a record-breaking heatwave.
The funding helped towards the event planning, promotions, and event entertainment.
The Queen's Baton Relay event at The Quarry, Shrewsbury
Funding was also allocated to co-working spaces across Shropshire, as the county (and world) responded to new ways of working. £600,000 was used to help 16 co-working providers create 223 new desk spaces in Shropshire.
Hadleigh Works
Co-working spaces were created in Oswestry, Wem, Bishop's Castle, Ludlow, Bridgnorth, Market Drayton, Cleobury Mortimer and Shrewsbury.
Dean Carroll, Shropshire Council's Cabinet member for growth, regeneration and housing, said:-
"The positive impacts this funding has had upon real people and their businesses is astonishing. During one of the most challenging times modern businesses have faced, it is brilliant to hear some of the resounding success stories that highlight the resilience of the business community.
"Congratulations to those businesses who managed to survive and thrive during times of struggle, and thank you to the council's economic growth team who helped to deliver this programme."
The agenda for Cabinet on Wednesday 18 January 10.30am is here.
mailto:?subject=Council delivered over £164m of grant funding to Shropshire businesses during pandemic&body=https%3A%2F%2Fnewsroom.shropshire.gov.uk%2F2023%2F01%2F164m-grant-funding-businesses-pandemic%2F Share via e-mail


No matter what time of year it is, white beer is one of the most refreshing, consistently pleasant brews you can get. It's also time for a bit of a review of this style of beer, as it still remains one of the most misunderstood.
Fortunately, the minor effort to make sense of it pays off a hundredfold: It's not only supremely refreshing, but also one of the most food-friendly alcoholic beverages you can possibly sip. Plus, it has the added benefit of being the kind of brew that you can gulp down just as easily as you can ponder its complexities.
Here, then, is a primer on the basics.
Like Diddy, this is a beer that goes by a number of names. Depending on where you're ordering it or what you're specifically asking for, white beer and wheat beer generally refer to the same basic thing — kind of. That having been said, however, it should be noted that you'll likely end up drinking rather different beers depending upon which one you ask for. White beer and wheat beer are typically both lighter in colour and cloudier than most other ales, and both are made with a higher proportion of wheat than their more barley-based cousins.
What's important to remember is this: Though Belgian white beer and German wheat beer share a common lineage, their individual styles are quite different.
Whatever style you order — whether your wheat/white beer is produced in Belgium, Germany, America or elsewhere — one thing is fair to generalise: your beer will fall on the fruitier, crisper end of the spectrum. Spiced or not, these beers are generally more mouthwatering than many other ales.
Whatever wheat or white beer you drink, they are perfect for the warmer season for just this reason: they're thirst-quenching, not overly boozy and fantastic with lighter foods as well as certain slightly richer ones.


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National Building Museum, Washington D.C., U.S.A. • Phil Roeder/Flickr
Home›Destinations›North America›USA›Washington, D.C.›Things to Do›The Best Websites
The Best Outdoor Pursuits
Best Free Things to Do
Frommer's Favorite Experiences
Best Family Experiences
The Best Offbeat Travel Experiences
The Best Neighborhoods
Best Dining Bets
The Best Authentic Experiences
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The Best Mid-Range Hotels
Organized Tours
Spectator Sports
The Best Websites in Washington, D.C.
www.bwiairport.com: Ground transport, terminal maps, flight status, and airport facilities for Baltimore-Washington International Airport.
www.culturaltourismdc.org: Cultural Tourism DC is a grass-roots, nonprofit coalition of more than 230 arts, heritage, community, and cultural organizations collaborating to promote the less-known stories and attractions of Washington. The website lists tours, itineraries, calendars, and plenty of background information about historic and cultural sites that you won't find anywhere else.
www.dc.gov: This is the city of Washington's website, full of details about both federal and local D.C., including history and tourism. Every day, the site lists a calendar of what's going on around town.
https://washington.org: Destination DC is the Washington, D.C. Convention and Tourism Corporation. This website leads you through various screens of information on what to see and do in D.C. and provides travel updates and tips on where to stay, dine, shop, and sightsee.
www.house.gov: This is the site for the U.S. House of Representatives. Find out about the legislative process, what's going on in Congress, and what's going on with your own representatives -- the site links you to the individual websites for each of the representatives.
www.kennedy-center.org: Find out what's playing at the Kennedy Center and listen to live broadcasts through the Net.
www.metwashairports.com: Ground transport, terminal maps, flight status, and airport facilities for Washington Dulles International and Ronald Reagan Washington National airports.
www.mountvernon.org: Click on "Plan Your Visit" for daily attractions at Mount Vernon and a calendar of events, as well as information on dining, shopping, and school programs. For a sneak preview, click on "Virtual Tour" to see images of the master bedroom, dining room, slave memorial, and the Washingtons' tomb.
www.nps.gov: This National Park Service site includes links to some dozen memorials and monuments. When you click "Find a Park" then click "DC" on the map, a map of the capital's National Park sites appears, including the National World War II Memorial, Washington Monument, Jefferson Memorial, National Mall, Ford's Theatre, FDR Memorial, Lincoln Memorial, and Vietnam Veterans Memorial.
www.opentable.com: This site allows you to make reservations at most of the capital's restaurants.
www.senate.gov: In the U.S. Senate site, click on "Visitors" for an online virtual tour of the Capitol building and information about touring the actual Senate Gallery. Also, find out when the Senate is in session. The site connects you with the websites for each of the senators; you can use this site to e-mail your senator.
www.si.edu: This is the Smithsonian Institution's home page, which provides information about visiting Washington and leads you to the individual websites for each Smithsonian museum.
www.visitthecapitol.gov: The Capitol Visitor Center's website posts the history of the Capitol and the center, discusses the art and architecture of the buildings and the legislative work that takes place within, and is the portal to the online reservation system for booking tours of the Capitol.
www.washingtonian.com: The print magazine of the same name posts some of its articles here, including information on what's going on at museums, theaters, and other cultural showplaces around town, and a directory of reviews of Washington restaurants. The magazine really wants you to buy the print edition, though -- for sale at bookstores, drugstores, and grocery stores throughout the area.
www.washingtonpost.com: The Washington Post's site is an extremely helpful source for up-to-date information on restaurants, attractions, shopping, and nightlife (as well as world news).
www.wdcahotels.com: This nicely designed site recommends hotels suited for families, urbanistas, sightseers, or business travelers.
www.whitehouse.gov: Click on "Tours and Events" to learn about visiting the White House and about upcoming public events. You'll find all sorts of links here, from a history of the White House, to archived White House documents, to an e-mail page you can use to contact the president or vice president. Twitter, Facebook, and other connections are all here.
www.wmata.com: Timetables, maps, fares, and more for the Metro buses and subways that serve the Washington, D.C., metro area.
Frommer's EasyGuide to Washington, D.C. 2020 Buy Now
Frommer's Washington, D.C. day by day Buy Now


A few raw clips of Josh Dove, Dean Anderson, Jayden Fuller, Natalya Diehm, Chris James and Alex Hiam from Sydney's Vans BMX Pro Cup.
Vans put together this great highlights video from the recent Vans BMX Pro Cup that went down in Sydney. Everyone killed it!
Congrats to Chris James for scoring 2nd at the Vans BMX Pro Cup, Josh came 10th and Alex copped 13th in the finals. Natalya also scored 2nd in the womens and also best trick!
More from the Vans BMX Pro Cup….
Few photos from the first day at the Vans BMX Pro Cup.
Pat's current Sweet Tooth build looks soooooo good! Check the photos and spec below.
Frame: Colony 20.7″ Sweet Tooth.
We're stoked to have Jacob Bailey apart of the team reppin Colony in the USA via The Secret. Check the photos and parts list below.
Simon O"Brien has a great interview over on the Flatland Immersion Podcast. Make sure you check it out below. You can also peep the full range of flatland products we make right here.


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April 16, 2020 · by Dan Meier	· in Reviews.	·
Eddie Murphy turned down Ghostbusters to make the movie that would narrowly beat it, as Beverly Hills Cop cleverly comes top of the 1984 box office.
This action-comedy about a cop heading from the wilds of Detroit to the decadence of the West was originally planned to star Sylvester Stallone, who wanted to make the film that would ultimately become Cobra in 1986; another violent, fascistic entry into a filmography full of them.
Thankfully Murphy took over, adding a) a good actor and b) racial subtext of the progressive rather than Stallone kind. Murphy's Axel Foley (Cobretti in Sly's script) is likeable and laudable, nudging the boundaries of law enforcement without crossing over into Stallone-style violations of human rights and cinematic decency.
Though this is Murphy's show, there's great chemistry among the whole cast; turns from Judge Reinhold, Jonathan Banks and perpetual baddie Steven Berkoff are as easy as the Patti LaBelle songs, even if the theme tune was ruined (like so many childhoods) by Crazy Frog.
Director Martin Brest (so called because Gigli eventually sent his career tits up) effortlessly balances the action, comedy and crime plot, which does nothing new (maverick cop, fish out of water, scene in a strip club etc.) but forms a well-rounded example of this type of movie; as well-oiled as an axle and slick as popcorn grease.
Tags: 1980s, 1984, action, Beverly Hills Cop, cobra, comedy, Dan Meier, Eddie Murphy, Ghostbusters, Jonathan Banks, Judge Reinhold, Martin Brest, Patti LaBelle, Retro review, steven berkoff, Sylvester Stallone
← Conan the Borebarian
M →


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Open to residents of the 50 United States & D.C.	All Ages
Irwin Tools – National Tradesperson Day Giveaway – Win One 2021 Toyota Tundra TRD Pro Crew Max Double Cab with a MSRP of $53050.00 including any applicable upgrades
PROTECTED 関係者外秘
IRWIN® NATIONAL TRADESPERSON DAY GIVEAWAY 2021
NO PURCHASE NECESSARY TO ENTER OR WIN.
VOID WHERE PROHIBITED BY LAW OR REGULATION.
This IRWIN® National Tradesperson Day Giveaway 2021 ("Giveaway") is sponsored by IRWIN Tools, Black & Decker (US) 701 E. Joppa
Road, Towson, MD 21286 ("Sponsor"). The Entry Period will start on August 9, 2021 at 9:00:00 AM Eastern Time ("ET") and end on
September 3, 2021 at 11:59:59 PM ET ("Entry Period"). Sponsor will be the official timekeeper for this Giveaway. By entering this
Giveaway, each entrant fully and unconditionally accepts and agrees to comply with and abide by these Official Rules and all
decisions of Sponsor which shall be final and legally binding. Each entrant understands that they are providing their information to
Sponsor and the information provided with this Giveaway will be used in accordance with Sponsor's privacy policy found on
https://www.stanleyblackanddecker.com/privacy-policy. Should there be conflict between Sponsor's privacy policy and these Official
Rules, these Official Rules shall govern. Any personally identifiable information collected during an entrant's entry in this Giveaway will
be collected by Sponsor or its designee and used by Sponsor or its designee for purposes of the proper administration, fulfillment, as
described in these Official Rules, as stated in Sponsor's privacy policy or as otherwise expressly consented to by entrants during any
separate opt-in opportunity provided to entrants during entry in this Giveaway. If an entrant does not fully agree to the terms of these
Official Rules and Sponsor's privacy policy, such entrant should not enter this Giveaway. All Entries (defined below) must be entered
during the Entry Period. Limit of one (1) Entry per person; (1) Winner to be declared; and one (1) prize to be awarded. If you do not
fully agree to these Official Rules, you should not enter this Giveaway. Void where prohibited or restricted by law.
1. ELIGIBILITY: This Giveaway is open only to persons who are a legal resident of one of the Continental United States (EXCLUDING
RESIDENTS OF ALASKA AND HAWAII WHO ARE NOT ELIGIBLE TO ENTER) or the District of Columbia; age 21 or older at the time
of entry in this Giveaway; have auto insurance coverage; and have a valid USA driver's license (each, an "Entrant"). Employees,
Officers and Directors of Sponsor, Stanley Black & Decker, Inc., Toyota Motor Sales, U.S.A., Inc. ("TMS"), Retail Sports Marketing,
Inc., ("RSM"), Joe Gibbs Racing, Inc. ("JGR"), their respective affiliates or subsidiaries (collectively, "Giveaway Entities"), their
advertising agencies, and immediate family members (defined as spouse, domestic partner, children, siblings, parents,
grandparents, grandchildren and step family members) and/or people living in the same household (related or not) of each are
not eligible to enter.
By entering this Giveaway, each Entrant fully and unconditionally accepts and agrees to comply with and abide by these Official
Rules and all decisions of Sponsor which shall be final and legally binding. Entrants understand that they are providing their
information to Sponsor and the information provided with this Giveaway will be used in accordance with Sponsor's privacy policy
found on https://www.stanleyblackanddecker.com/privacy-policy. Should there be conflict between Sponsor's privacy policy and
these Official Rules, these Official Rules shall govern. Any personally identifiable information collected during an Entrant's entry in
this Giveaway will be collected by Sponsor or its designee and used by Sponsor or its designee for purposes of the proper
administration, fulfillment, as described in these Official Rules, as stated in Sponsor's privacy policy or as otherwise expressly
consented to by Entrants during any separate opt-in opportunity provided to Entrants during entry in this Giveaway. If an Entrant
does not fully agree to the terms of these Official Rules and Sponsor's privacy policy, such Entrant should not enter this Giveaway.
All Entries (defined below) must be submitted during the Entry Period. Limit of one (1) Entry per person per day. Each eligible Entry
submitted during the Entry Period is referred to as an "Entry."; (1) winner to be declared; and one (1) prize to be awarded. If you
do not fully agree to these Official Rules, you should not enter this Giveaway. Void where prohibited or restricted by law.
2. HOW TO ENTER:
Entrants may Enter this Giveaway, during the Entry Period only, as follows:
(A) Go to the Entry Site: https://irwintool.com/nationaltradespersonday
(B) Complete the Entry form
(C) Agree to the Giveaway Official Rules and Terms of Use;
(D) Click "submit" to Enter.
(A) Scan the QR code from your device to be taken to https://irwintool.com/nationaltradespersonday to Enter.
ALTERNATIVE METHOD OF ENTRY ("Mail-In entry") — NO PURCHASE NECESSARY TO ENTER OR WIN.
Entrants may enter this Giveaway by doing the following:
(1) Go the Entry Site and print the Entry form or complete a card with the required information
(2) Mail your completed Entry form or card to Stanley Black & Decker – 701 E. JOPPA RD. MS# TW621 TOWSON
MD 21286, ATTN: D. MOSCH and include "IRWIN® National Tradesperson Day Giveaway 2021" on the outer
envelope;
(3) Mail-In Entries must be postmarked during the Entry Period and received by Sponsor at the above address no
later than 11:59:59 PM ET on September 8, 2021;
(4) Full responsibility for the proper postage on mail-in Entries rests solely with Entrant (you);
(5) Mail-In Entries must be submitted by Entrant (you) and contain all required information;
(6) Sponsor is not responsible for any lost, late, damaged, incomplete, misdirected or illegible Mail-in Entries; and
(7) Proof of sending or submission will not be deemed to be proof of receipt of any Mail-in Entries by Sponsor.
Limit of one (1) Entry per person. Each eligible entry entered during the Entry Period is referred to as an "Entry." SPONSOR will NOT
notify any Entrant of an unsuccessful, void, deleted or invalid submission or Entry. Giveaway Entities shall not be responsible for any
costs or expenses incurred by any Entrant in Entering this Giveaway. Entries generated by a script, macro or other automated system
or means will be disqualified. Entries that are incomplete, garbled, corrupted, illegible or unintelligible for any reason, including, but
not limited to, computer or network malfunction or congestion, are void and will not be accepted as a valid Entry. SPONSOR is not
responsible for lost, late, incomplete, invalid, unintelligible or misdirected Entries, which Entries will be disqualified. Tampering with
the Entry process or operation of this Giveaway is prohibited and any Entries deemed by SPONSOR, in its sole discretion, to have been
submitted in this manner will be void. Multiple Entrants are not permitted to share the same email address, purchase receipt, photo
image, information or submission, validation, code / pin # or mail-in entry. Any attempt by any Entrant to Enter by using
multiple/different email addresses, identities, telephone information, purchase information or receipt(s), photo image, registration,
Entry form, validation(s), mail-in entries or any other methods will void that Entrant's Entries and that Entrant will be disqualified. In
case of a dispute over the identity of an Entrant, the authorized account holder of the email address used to Enter will be deemed to
be the Entrant. "Authorized account holder" is defined as the natural person assigned to an email address by an Internet access
provider, online service provider or other organization that is responsible for assigning email addresses for the domain associated with
the submitted email address. All Entries become the sole and exclusive property of SPONSOR and will not be returned. Automated,
bulk, or mechanically reproduced Entries or Entries submitted by third parties will not be accepted and will be disqualified. Giveaway
Entities shall not be responsible for any costs or expenses incurred by any Entrant in connection with entering this Giveaway. The
Judging Panel (defined below) reserves the right to reject or not consider any Entry in this Giveaway for any reason.
3. RANDOM DRAWING: The random drawing will be held on or about September 9, 2021. The one (1) Entry drawn will be declared
the potential "Winner." Entrants are not required to be present to win. Odds of winning depend on the total number of eligible Entries
received. AN ENTRANT IS NOT THE OFFICIAL WINNER UNLESS AND UNTIL ENTRANT'S ELIGIBILITY HAS BEEN VERIFIED AND ENTRANT
HAS BEEN ADVISED BY SPONSOR THAT VERIFICATION IS COMPLETE.
4. PRIZE: The Winner must accept, claim and take possession of the Prize Vehicle and Prize Trip, both defined below (collectively
the "Prize") complete Prize, as described below, or it will be forfeited in its entirety. The Prize will be comprised of the following:
A. One (1) 2021 Toyota Tundra TRD Pro Crew Max Double Cab with a manufacturer's suggested retail price ("MSRP") of Fifty-
Three Thousand and Fifty Dollars ($53,050.00), including any applicable upgrades ("Prize Vehicle"). The Prize Vehicle will
be delivered solely with the express written limited warranties specifically set forth in the Prize Vehicle's applicable
owner's guide, which warranties shall run for the term set forth in said guide. TMS and Sponsor disclaim, to the full extent
of the law, any other warranties in the connection with the Prize Vehicle. Exterior or interior color of Prize Vehicle is
subject to availability. The vehicle depicted on the designated landing page and/or in any advertising, promotional
materials or physical display may NOT reflect the actual Prize Vehicle awarded to the Winner; including but not limited to
the Prize Vehicle awarded may not be of the same color or have the same features or options as the depicted or displayed
vehicle. In the event the particular model of the Prize Vehicle becomes unavailable, or if circumstances are such that
awarding such model would be damaging to Sponsor's reputation (due to recall or other similar circumstances), TMS will
supply an alternative prize vehicle of comparable or greater value. Any options desired by the Winner will be at the sole
cost and expense of the Winner. Subject to availability and excluding any delay for special order vehicle customization or
vehicle manufacturing production delays, TMS shall use reasonable efforts to arrange delivery of the Prize Vehicle to the
authorized TMS dealership selected by TMS closest to the Winner's primary state of residence in the Continental United
States or the District of Columbia ("specified delivery site") within ninety (90) days after TMS's receipt of the information,
items and documents from the potential Winner as required per these Official Rules and necessary to
transfer the Prize Vehicle legally in the Winner's primary state of residence. TMS and Sponsor shall not be responsible
for any delays in delivery of the Prize Vehicle that are not within their control; delivery will be subject to availability. The
Prize Vehicle will be delivered to the specified delivery site determined by TMS, only. The Winner MUST personally retrieve
the Prize Vehicle from the specified delivery site within thirty (30) days of written notification of delivery and present
adequate personal identification, valid United States driver's license and evidence of legally required insurance or an
alternative winner shall be selected and the original Winner's rights to the Prize Vehicle shall be automatically
forfeited. The Winner shall bear all risk of loss or damage to the Prize Vehicle once he/she takes title of the Prize Vehicle
at the specified delivery site. The Winner shall be responsible for all taxes, license, title, tags, emission tests, insurance,
registration fees and other costs and expenses, including without limitation any travel or transportation costs associated
with winning, obtaining ownership of and/or using the Prize Vehicle. Failure of the Winner to pay such taxes, fees and
costs/expenses will result in forfeiture of the Prize Vehicle. The ARV/MSRP stated represent Sponsor's good faith
determination of the retail value and is final and binding and cannot be challenged or appealed. The Prize Vehicle is non-
transferable, non- assignable, not redeemable for credit or cash (except for the check) and no substitutions of the Prize
Vehicle (or any part) will be made except that Sponsor reserves the right to substitute the Prize Vehicle (or any part of)
for a prize (or part) of equal or greater value for any reason at its sole and absolute discretion. No more than the above
stated Prize Vehicle will be awarded. The use of any Prize Vehicle manufacturer's name or trademark in connection with
the Prize Vehicle is solely for the purpose of describing such Prize Vehicle and is not intended to suggest any affiliation or
sponsorship. All trademarks and trade names are the property of their respective owners. Income and other taxes on the
Prize Vehicle are the sole responsibility of the Winner. TMS or Sponsor will determine all features of Prize Vehicle,
including, but not limited to, color of exterior and interior, and all other features or upgrades will be allowed only if
permitted by delivery dealer and paid for by Winner. Giveaway Entities shall not have any responsibility or liability
whatsoever for any property loss, damage, personal injury, or death, in connection with the Vehicle Prize provided
pursuant to the Giveaway and/or any person's participation in the Giveaway; provided, however, that Toyota shall be
solely responsible for any express-written limited warranties specifically set forth in the applicable Owner's Guide for the
Prize Vehicle. Winner must take delivery of Prize Vehicle from the automobile dealership designated by TMS or Sponsor.
TMS and Sponsor shall not be responsible for delays in delivery of the Prize Vehicle, and delivery is subject to availability.
TMS and Sponsor, however, shall use all reasonable efforts, subject to availability, to deliver the Prize vehicle within one
hundred twenty (120) days of completion of verification process. The Winner shall bear all risk of loss or damage to the
Prize vehicle after it has been delivered to the specified delivery site.
B. "Prize Trip" includes a five (5) day, four (4) night racing experience trip for two (2) to Charlotte, NC, scheduled for
October 7, 2021 through October 11, 2021. The approximate retail value ("ARV") of the Prize Trip is $3,500. Actual
Prize Trip dates will be finalized by Sponsor prior to the Winner's travel. for two (2) persons The Prize Trip will
include: round-trip coach air transportation on a carrier of Sponsor's choice between the Winner's nearest major airport
and Charlotte Douglas Int'l. Airport; accommodations for two (2) people for four (4) nights (one (1) room (double-
occupancy)) at a hotel of Sponsor's choice; transportation to and from hotel and airport while in North Carolina. The
Prize Trip will include the following experiences:
o Thursday, October 7, 2021: Group Dinner with Irwin Influencers
o Friday, October 8, 2021: Toyota Tundra Presentation to Winner (the key awarded may not be the actual key to the
Prize Vehicle; see above regarding delivery of the Prize Vehicle to the Winner).
o Saturday October 9, 2021: NASCAR Hall of Fame Tour
o Sunday October 10, 2021: VIP Race Day Experience with IRWIN and JGR including IRWIN Suite Tickets
Winner and travel companion must travel on the same itinerary. All expenses associated with P rize Trip receipt
and/or use not expressly described in these Official Rules, as included in the Prize Trip, are the sole responsibility of the
Winner and travel companion. Winner is responsible for all travel expenses not included herein, including but not limited
to airline travel insurance, baggage fees, gratuities, meals, airport fees, parking fees, personal charges at the hotel, and
any other incidental costs or expenses related to participation in this Prize Trip. Prior to the Prize Trip, travel companion
will be required to return to Sponsor or RSM a personally signed liability and publicity release form. The travel companion
must be age 21 or older. Sponsor shall not be responsible for any lost, misplaced, stolen, expired, unclaimed or travel
vouchers, unused tickets, passes, etc. The Prize Trip may involve strenuous physical activity and there is a risk of personal
injury and property damage. Winner and travel companion must assume all the risk of injury, death or other losses or
damages arising out of participation in the Prize Trip. The Prize Trip is subject to all terms and conditions contained on
the back of travel vouchers, tickets, passes, etc. In the event the actual value of the Prize Trip awarded is less than $3,500
the Winner will not receive the balance in cash, credit or otherwise. The Winner and travel companion agree to comply
with all applicable rules and regulations in connection with the Prize Trip. Giveaway Entities reserve the right to
remove or deny entry to the Winner and/or travel companion who engage in a non-sportsmanlike or disruptive
manner or with intent to annoy, abuse, threaten or harass any other person while participating in the Prize Trip. Due
to the dates of the Prize Trip, the potential Winner and travel companion must respond promptly to Sponsor, RSM
and/or their agents/designees and provide all required documents, items information by stated deadlines; if the Winner
and/or travel companion do not timely respond such that Sponsor and/or its agents are unable to make necessary
arrangements for the Prize Trip, the Winner will be disqualified and forfeit the Prize in its entirety.
The total ARV of the Prize in this Giveaway, including the Prize Vehicle and Prize Trip, is $56,550. The ARV of the Prize represents
Sponsor's good faith determination, is final and binding and cannot be challenged or appealed. If any portion of the Prize is unclaimed,
it will not be awarded. The Vehicle Prize and Prize Trip are non-transferable, non-assignable and not redeemable for credit or cash.
Sponsor reserves the right to substitute any portion of the Prize for a prize (or part) of equal or greater value for any reason whatsoever,
in its sole and absolute discretion. No more than the stated Prize will be awarded. Income and other taxes (federal, state and local)
on the Prize are the sole responsibility of the Winner. THE WINNER IS ADVISED TO SEEK INDEPENDENT COUNSEL REGARDING THE
TAX IMPLICATIONS OF ACCEPTING THE PRIZE. AN IRS TAX FORM 1099 WILL BE ISSUED TO THE WINNER FOR THE AMOUNT OF
$56,550. Odds of winning the Prize depend on the number of eligible Entries received during the Entry Period.
5. NOTICATION AND ACCEPTANCE OF PRIZE: A representative of Sponsor or RSM will notify the potential Winner (based on the
information in Entry) within three (3) business days after the random drawing is held. The potential Winner must accept the respective
prize by returning to Sponsor a completed and personally signed (a) IRS tax form W-9, and (b) Affidavit of Eligibility, Liability/Publicity
Release (except where prohibited by law) confirming such potential Winner's compliance with these Official Rules and releasing the
Released Parties from any liability in connection with such potential Winner's Entry in this Giveaway and their acceptance, possession,
use or misuse of the prize. In addition, the potential Winner and travel companion must consent to take, and must successfully pass,
a background-check or they will be disqualified from receiving the prize. ALL OF THE ABOVE ITEMS MUST BE COMPLETED BY THE
WINNERS AND RETURNED TO SPONSOR WITHIN FIVE (5) DAYS OF SPONSOR'S FIRST NOTIFICATION ATTEMPT — FAILURE TO DO SO
WILL RESULT IN FORFEITURE OF PRIZE. Sponsor will have no liability for any notification that is not received by a potential Winner for
any reason. If, despite reasonable efforts by Sponsor, a potential Winner does not respond to the notification and accept prize as
required herein or if prize notification is returned as unclaimed or undeliverable, such potential Winner will be disqualified and forfeit
prize. If a potential Winner is found to be ineligible, has not complied with these Official Rules, declines the prize, or does not consent
to or pass a background check (potential Winner and travel companion) such potential Winner will be disqualified and forfeit any prize
in this Giveaway. If a potential Winner is disqualified or forfeits prize, the Sponsor may, but shall not be required to, select an alternate
potential Winner based on the criteria stated above in Section 4. AN ENTRANT IS NOT A WINNER OF THE PRIZE UNLESS AND UNTIL
ENTRANT'S ELIGIBILITY HAS BEEN VERIFIED AND ENTRANT HAS BEEN ADVISED BY SPONSOR THAT VERIFICATION IS COMPLETE.
6. PUBLICITY RIGHTS: Acceptance of the Prize constitutes permission (except where prohibited by law) from Winner for Sponsor and
its designees to use Winner's name, likeness, biographical information, photograph (whether still or in video), image, voice, address
(city and state), Prize information and any statements, testimonial or remarks made about winning the Prize or entering this Giveaway
in whole or part ("Attributes") for advertising and promotional purposes and publicity in any and all media now or hereafter known or
devised, throughout the world in perpetuity, without additional compensation, notification, permission or approval. Winner agrees to
release SPONSOR and its designees from all claims arising out of such Attributes.
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050.00. including any applicable upgrades. Irwin Tools - National Tradesperson Day Giveaway Sweepstakes Win Free Stuff Win One 2021 Toyota Tundra TRD Pro Crew Max Double Cab with a MSRP of $53
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text:
Q: Time Reversal by complex conjugating Schrodinger Equation I am reading Sakurai's chapter on time-reversal symmetry. He argues that we can show that if $\psi(x,t)$ is a solution to the Schrodinger Equation (using $\hbar=1$):
$$ i\partial_t \psi(x,t)=\left(-\frac{\nabla^2}{2m}+V(x)\right) \psi(x,t) \tag{1}$$
then $\psi^*(x,-t)$ is also a solution. In the book, he says we can show this by complex conjugating the equation above. This leads to:
$$ -i\partial_t \psi^*(x,t)=\left(-\frac{\nabla^2}{2m}+V(x)\right) \psi^*(x,t) \tag{2}$$
Now, in order to verify that $\psi^*(x,-t)$ is a solution, I expect to arrive at
$$ i\partial_t \psi^*(x,-t)=\left(-\frac{\nabla^2}{2m}+V(x)\right) \psi^*(x,-t) \tag{3}$$
But all I can do is use $-i\partial_t\psi^*(x,-t)=i\partial_t\psi^*(x,t)$ to get
$$ i\partial_t \psi^*(x,t)=\left(-\frac{\nabla^2}{2m}+V(x)\right) \psi^*(x,-t) \tag{4}$$
How can I show $\psi^*(x,-t)$ satisfy the Schrodinger Equation?

A: First thing to note is that under time reversal $t\to-t$, the time derivative also changes sign $\partial_t \to \partial_{-t}=-\partial_t$. So the LHS of our Schrödinger equation goes as:
$$i\partial_t\psi(x,t)\to i\partial_{-t}\psi(x,-t)=-i\partial_t\psi(x,-t)$$
So in your eq. $(3)$ you should have an additional minus sign that then solves your problem.

A: There is also the following answer:
whenever we switch from $\psi(x,t)$ to $\psi^{*}(x,t)$ we have to formally change the operators to act on the correct space. In other words, if we have a PDE defined on the ket space and if we want to replace the ket by a bra, we also need to replace the operators for the ket space to its Hermitian adjoints.
Think of it this way: if you have a matrix operator acting on the column vector and if you switch the column vector to a row vector you will need to complex conjugate the matrix, otherwise, the inner product will not be conserved in general and since inner products correspond to probabilities in quantum mechanics it follows that you will no longer describe the given system.
So, how do we find the Hermitian adjoint of the operator $i\partial_t$, we do the following calculation
since $\langle\psi(x,t)|\psi(x,t)\rangle = 1$ because all states must be normalized to unity assuming $\psi(x,t)$ satisfies the TD Shrodinger equation. Now, if we take the time derivative we get
$$
\partial_t \langle\psi(x,t)|\psi(x,t)\rangle =0
$$
but this is equivalent to
$$
(\langle\psi(x,t)|\partial_t)\psi(x,t)\rangle + \langle\psi(x,t)|(\partial_t\psi(x,t)\rangle)=0
$$
where the parenthesis indicates whether the differential operator is acting on the ket or bra. The above is also equivalent to
$$
(\langle\psi(x,t)|\partial_t)\psi(x,t)\rangle = - \langle\psi(x,t)|(\partial_t\psi(x,t)\rangle)
$$
Now we utilize the bilinear property of the inner product and move the negative sign in the inner product and therefore we get
$$
(\langle\psi(x,t)|\partial_t)\psi(x,t)\rangle = \langle\psi(x,t)|(-\partial_t\psi(x,t)\rangle)
$$
What the above tells us is that the Hermitian adjoint of $\partial_t$ is the negative of itself i.e. $(\partial_t)^{\dagger} = -\partial_t $ which then means that if we replace the $\psi(x,t)$ by $\psi^*(x,t)$ then we should replace $i\partial_t$ by $-i\partial_t$. Also, since the time is replace by $-t$, the LHS is equivalent to
$$-\partial_t \psi^*(x,-t)=-(\partial_t\psi^*(x,-t))\frac{d(-t)}{dt}$$
using the chain rule. At this point, the minus signs cancel and you are left with the correct form of the time derivative. But so far we have been talking about the LHS of TDSE and the RHS remains intact under the change of bra to ket because the Hamiltonian operator is Hermitian or self-adjoint (as mathematicians like to call it).

A: The trouble here is tied to the bad notation surrounding partial derivatives.  At times like these I find it useful to use very clear - but very cumbersome - notation to clarify the concepts, and then use sloppier shorthand once the concept is well-understood.

Consider the function $f:\mathbb R\times \mathbb R \rightarrow \mathbb R$ which eats two numbers and spits out the square of the first number plus the cube of the second number.  What is $\partial f/\partial w$?
If you are confused, it is for good reason.  What on earth is $w$?  My question makes no sense at all.  On the other hand, I could ask for the derivative of $f$ with respect to its first entry; the result, which I will call $\partial_1 f$, is the function which eats two numbers and spits out two times the first number.  Similarly, the derivative with respect to the second entry is the function $\partial_2 f$ which eats two numbers and spits out three times the square of the second number.
Now obviously, expressing all of this using English words is incredibly tedious, and it is much easier to simply write
$$f(x,y)=x^2+y^3 \qquad \big(\partial_1f\big)(x,y) = 2x \qquad \big(\partial_2f\big)(x,y) = 3y^2$$
However, it is crucial to note that the $x$'s and $y$'s which appear above are dummy variables.  In the absence of any additional information, the symbol $\partial f/\partial x$ simply makes no sense.  What does make sense is the following:
$$\frac{\partial}{\partial x} f(x,y) = \big(\partial_1 f\big)(x,y) $$
To get the general idea, here are a few other expressions which make sense:
$$\frac{\partial}{\partial x}f(x^2, y) = \big(\partial_1 f\big)(x^2,y) \cdot 2x \qquad \frac{\partial}{\partial x} f(y,x) = \big(\partial_2 f\big)(y,x) \qquad (1)$$
Observe that $\partial/\partial x$ is a derivative with respect to a variable, while $\partial_{1}$ is a derivative with respect to an entry.

With this bit of notation in hand, let's address your question.  Let $\partial_1,\partial_2,\partial_3$ refer to the derivatives with respect to the position entries and $\partial_4$ refer to the derivative with respect to the time entry.  The Schrodinger equation (without reference to dummy variables) becomes
$$\left[i\partial_4 + \frac{1}{2m}(\partial_1^2+\partial_2^2+\partial_3^2)-V\right]\psi = 0 \qquad (2)$$
Complex conjugation gives
$$\left[-i\partial_4 + \frac{1}{2m}(\partial_1^2+\partial_2^2+\partial_3^2)-V\right]\psi^* = 0 \qquad (3)$$
Now define $\rho(\mathbf x,t) = \psi^*(\mathbf x,-t)$.  For the spatial variables we have e.g.
$$\big(\partial_1\rho\big)(\mathbf x,t) =\frac{\partial}{\partial x} \rho(\mathbf x,t) =  \frac{\partial}{\partial x}\psi^*(\mathbf x,-t) = \big(\partial_1\psi^*)(\mathbf x,-t)$$
while for the time variable,
$$\big(\partial_4\rho\big)(\mathbf x,t) = \frac{\partial}{\partial t}\rho(\mathbf x,t) = \frac{\partial}{\partial t}\psi^*(\mathbf x,-t) = \color{red}{-}\big(\partial_4\psi^*\big)(\mathbf x,-t)$$
where we've used the chain rule, c.f. the first example in $(1)$. As a result, plugging $\rho$ into $(2)$ yields
$$\left[i\partial_4 + \frac{1}{2m}(\partial_1^2+\partial_2^2+\partial_3^2)-V\right]\rho(\mathbf x,t) $$
$$= \left[-i\partial_4 + \frac{1}{2m}(\partial_1^2+\partial_2^2+\partial_3^2)-V\right]\psi^*(\mathbf x,-t) = 0$$
where we've used the fact that $(3)$ holds for the function $\psi^*$, regardless of the dummy variables I subsequently choose to plug in.


text:
Happy Birthday Subhash Ghai: A look at his popular films
The filmmaker turns 78 years old today, January 24.
'Karz' (1980): The romantic thriller film starring Rishi Kapoor and Tina Munim as leads is one of the most successful films in Ghai's career. The movie is best remembered for its chartbusters tracks, 'Om Shanti Om' and 'Ek Haseena Thi'.
'Ram Lakhan' (1989): Widely regarded as Ghai's best work, the film was one of the year's biggest hits and regularly makes lists of the greatest Bollywood films ever made. The film revolved around two brothers with opposing views of the law and featured Jackie Shroff, Anil Kapoor, Madhuri Dixit, and Dimple Kapadia in important roles.
'Pardes' (1997): Subhash Ghai launched Mahima Chaudhry with the film. The film tells the story of a woman who goes abroad after agreeing to an arranged marriage but later she develops a bond with her fiancé's foster brother. The movie featured Shah Rukh Khan and Apurva Agnihotri in lead roles.
'Saudagar' (1991): The film is also remembered for Bollywood legends Dilip Kumar and Raaj Kumar playing friends-turned-deadly foes. Ghai also bagged a Filmfare Best Director award for the film.
'Khalnayak' (1993): The filmmaker produced and directed the film, which also became one of the highest-grossing films of that year. It is best remembered for the blockbuster musical number 'Choli Ke Peeche'. The film featured Madhuri Dixit, Jackie Shroff, and Sanjay Dutt in lead roles.
Click here to read the latest entertainment news.


text:
Q: get form data on select change I am trying to get All form data on select.when someone select country ,then collect aal form data and store in a variable,
  <from name="form1" id="formid">
    <input type="text" name="address">
    <input type="text" name="pincode">
    <input type="hidden" name="price" value="80">
     <select class="form-control" name="country" id="country">
                <option value="">Select Country</option>
                @foreach ($countries as $country)
                    <option value="{{$country->id}}">
                    {{$country->name}}
                    </option>
                @endforeach
            </select>
          </from>

Here Is my ajax.

<form name="form1" id="formid">
  <input type="text" name="address">
  <input type="text" name="pincode">
  <input type="hidden" name="price" value="80">
  <select class="form-control" name="country" id="country">
    <option value="">Select Country</option>
    <option value="us">USA</option>
    <option value="canada">Canada</option>
    <option value="brazil">Brazil</option>
  </select>
</form>

A:

in page.php you need to get varible like this.
echo $_POST['country'];

A: I still don't know your problem. If you want to get all data in form and use in ajax, you can see my code:


So large is the international betting industry, most, if not all bookmakers, sportsbooks and betting sites rely on third parties to supply them the raw data regarding sporting events and fixtures that are being held in all four corners of the globe and rely heavily of such companies to supply them with the results of such sporting events.
Therefore, if it is possible for a team of fraudsters to somehow infiltrate those third-party companies there is a large amount of money to be made by sending out falsified data regarding the results of any sporting events.
One very recent scam that has come to light is a strange phenomenon known as ghost football matches. Those are matches that bookmakers believe are scheduled to take place, which they then set about accepting best and wagers on; but are matches that do not exist and are never played.
An Isle of Man based betting company recently fell foul to a ghost football game, when the raw data they were supplied with from one of their usual suppliers indicated that two Belarusian Premier League clubs were to play each other. The bookmaker then, as usual, offered a betting market on that match, and being a large company, they then started to receive bets on that football match.
After the supposed match was played the bookmaker then received the result from the exact same data supplier and paid out all winning bets in the usual way.
However, it then transpired that the match hadn't taken place and was in fact a ghost match, leaving the bookmakers with a huge loss on that match, as not surprisingly many of their customers had bet on it and won! Both football teams denied any wrong doing, and it was the case that someone had been able to alter the raw data the bookmaker had received regarding that match, including the result and had then instructed members of their team well in advance of it to open accounts with that bookmaker and place what would be winning bets!
It may sound strange that any bookmakers, sportsbooks and betting sites would fall foul to such a scam these days, however due to the huge and ever-growing number of sporting events held all over the world, and as most betting sites will offer markets on them all, it is possible they will fall foul of such a well thought out football scam.
It is not only betting sites that end up paying out a fortune for fictitious football matches and other made up sporting events, for there may just have been several innocent punters who decided to have a bet on them when they see they're trusted betting sites and bookmakers offering odds on them.
Whilst this type of ghost football match scams are quite rare, if you are planning on having a football related bet in the future, do your own research to ensure that match is a real one and is actually taking place!


Spelling words will be sent home on Mondays. Children will have 5 words that follow a pattern or rule. The children should find other words that follow the same pattern. On Friday the children will be tested on the pattern they have been learning.


Perry Zivley was born and raised in Houston, Texas. After completing his undergraduate degree at Southwestern University, he came back to Houston to get his law degree and start his practice. Mr. Zivley's legal practice has always focused on litigation and trying cases. He is very comfortable in the courtroom having won many major victories against large corporations, including multi-national entities. Representing plaintiffs against corporate giants is his passion. Perry works on a contingent fee basis because he knows his clients, more often then not, would not get their day in court otherwise. His talent for finding the needle in the haystack of evidence serves his clients well. Tenacity, a stong work ethic, and his compassion for victims of personal injury, negligence, or business fraud is what Mr. Zivley is known for, along with his remarkable gift for strategic moves during the prosecution of cases.


text:
Book Review - Castle on the Rise by Kristy Cambron
A storied castle. A band of rebels.
A nation chasing a centuries-old dream of freedom.
And three women who rise above it all . . .
When Laine Forrester travels overseas to attend her best friend's vineyard wedding, she expects to find the bride on the brink of a fairy-tale life. But after a series of unforeseen setbacks, it seems the storybook lives they'd imagined are suddenly ripping apart.
With hopes of resurrecting a happy ending, Laine agrees to accompany the newlyweds to the groom's home in Ireland—never expecting she'd be the one drawn in by its wide-open moors, backroads bordering the Irish Sea, and a mysterious castle that dares to keep its secrets hidden.
From the storied streets of Dublin to the shores of the Emerald Isle, Laine is drawn in to the land and its rich history. The castle ruins whisper stories of Issy—a photojournalist battling through the 1916 Easter Rising, and Maeve—the castle's lady of legend, fighting for survival through the 1798 rebellion that started it all.
Spanning more than two centuries, Castle on the Rise unites the legacy of three women who must risk mending the broken places within for life, love, and the belief that even through the depths of our pain, a masterpiece of a story can emerge.
Castle on the Rise begins with Laine Forrester traveling to her best friend Ellie's wedding in France. They all travel on to Ireland. From there the story branches into three storylines: we have Laine, a newly divorced single mother, in present day; Issy, a budding photojournalist, in 1916 Ireland; Maeve, an Irish lady in love with a pirate during the 1798 Irish rebellion.
This is the second book in the Lost Castle series. I read the first book last year, and it was one of my favorite books of 2018. I was so glad to read more about Ellie (from The Lost Castle) in this book, and to continue her story.
There are three Irish stories that comprise this book. It took me a while to find my footing as a reader, as the storylines switched back and forth on a chapter to chapter basis. I was most interested in the contemporary storyline of Laine, recovering from a painful divorce and slowly warming to Ellie's brother-in-law Cormac. I really liked Laine as a protagonist. She has a background in antiques, as I do, and I found her work researching antiques at the family's castle to be fascinating. I also loved Cormac as a romantic lead. He was so quiet and wise. I marked his line to Laine in the book: "Funny thing about Dublin -- the rain always stops, just not in the moment we may want it. So like God. His plan, His timin'" (p. 176).
Issy's 1916 storyline was also very interesting. I especially liked the details of early photography, and her fascination with her new Kodak camera, as well as her dedication to chronicle the Easter Rising on film. I loved this description: "Issy squeezed the camera case just to feel the leather against her skin. How she wished to capture the moment -- anything to remind her that the world had so much more to offer than what transpired within the confines of ladies' parlors in County Wicklow" (p. 85).
Maeve's storyline was a little harder for me to get into, although I enjoyed it more as the book went on. I often read and enjoy dual storyline historical fiction, and perhaps I just found triple storyline fiction a bit of an adjustment.
Kristy Cambron's descriptions are beautiful. She has a masterful ability to create a strong sense of time and place. I loved her description of places in Ireland, and especially loved the castle that figures prominently in this story.
The storylines all came together in an interesting way -- with some good detective work from Laine and Cormac. Without spoilers, I will add that I loved the last chapter of the book.
I recommend the Lost Castle series to fans of historical fiction, and especially to readers who want to explore another time and place (and who love mysterious old castles!). I look forward to reading the third book in this series.
Labels: book review, BookLook Bloggers, historical fiction
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text:
Home Patient Care Airway & Respiratory Asthma Epidemic Documented Among 9/11 Responders
Airway & Respiratory
Asthma Epidemic Documented Among 9/11 Responders
Recovery workers who spent significant time at Ground Zero after Sept. 11, 2001, developed asthma at a rate 12 times higher than what is normal for adults, according to statistics published yesterday in a report by the city Health Department.
The agency's study – the largest to date, according to city Deputy Commissioner of Epidemiology Dr. Lorna Thorpe – determined that those who responded to the World Trade Center attacks early on or were exposed to the site over longer periods of time were especially likely to have developed new cases of asthma.
Of 25,748 rescue and recovery workers listed in the World Trade Center Health Registry who did not previously have asthma, 926, or 3.6 percent, reported being diagnosed with asthma after the World Trade Center attacks.
More than 7 percent of people who arrived on Sept. 11 and worked for at least 90 days developed asthma, according to the report.
Workers who wore masks or respirators on Sept. 11 and 12 reported less "newly diagnosed" asthma – 4 and 2.9 percent on those two days – than people who did not – 6.3 and 4.5 percent, the study revealed.
The study, which did not include specific Staten Island data, was reported yesterday in the Environmental Health Perspectives journal.
NOT A SURPRISE
"It doesn't surprise me that the numbers were high," said Joseph Sykes of Westerleigh, who spent about three months at Ground Zero as a fire marshal. He retired in 2002 after being afflicted by health problems and is currently taking six medications daily for asthma and acid reflux disease. "You didn't need to do a study to figure that out. It's not rocket science."
Asthma, a chronic disease that does not currently have a cure, results in inflamed lungs that can easily get irritated, causing episodes of airway tightening and symptoms such as wheezing, coughing and shortness of breath.
"The dust from the World Trade Center collapse appears to have had significant respiratory health effects, at least for people who worked at the site," said Dr. Thomas R. Frieden, commissioner of the Health Department, in a statement. "These findings reflect the critical importance of getting appropriate respiratory protection to all workers as quickly as possible during a disaster, and making every effort to make sure workers wear them at all times."
Dr. Thorpe, one of the authors of the report, said yesterday that the findings underscore the need for rescue and recovery workers and volunteers to enroll in medical monitoring programs.
"It speaks to the importance of having adequate supply of respiration protection for future emergencies and guidance for emergency responders," she added.
HELP FOR VICTIMS
Various programs are available for those potentially suffering from Sept. 11-related health conditions, including the FDNY World Trade Center Monitoring and Treatment Program for active and retired firefighters and a program at Manhattan's Mount Sinai Hospital, sponsored by the National Institute of Occupational Safety and Health (NIOSH).
About 79 percent, or 20,394, of those afflicted, were men, while 72.5 percent, or 18,670, were non-Hispanic whites. More than 60 percent, 15,599, of the newly diagnosed asthmatics were between the ages of 25 and 45.
"They keep doing these studies," said Sykes, who believes the Health Department's count of asthma sufferers is on the low end. "Studies are useless. Who cares what's the percentage? We know it's high. Use that money to find a cure or pay for medications that people are taking."
Rep. Vito Fossella, who along with Rep. Carolyn Maloney (D-Manhattan/Queens) fought for the appointment of a federal 9/11 Health Czar to coordinate World Trade Center benefit programs, said the report "points to the need for the federal government to develop a comprehensive plan to monitor and treat those who are sick or injured as a result of 9/11."
John Feal, who heads the not-for-profit Feal Good Foundation that aims to spread awareness about the health effects on 9/11 responders, called the study "a slap in the face and an insult."
"Money is being spent on data and gathering information," the Long Island resident said. "It's more important to spend money on treatment. Take some of that money and actually treat the asthma."
Glenn Nyback and Tevah Platt are news reporters for the Advance. They may be reached at nyback@siadvance.com and platt@siadvance.com
ASTHMA RATES SOAR FOR 9/11 RESPONDERS AND RESCUERS
Recovery workers who spent significant time at Ground Zero after Sept. 11, 2001 developed asthma at a rate 12 times higher than what is normal for adults, according to statistics in a city Health Department study released yesterday.
Here is how the 25,748 responders broke down in terms of gender, age and race.
Male (20,394) 79.2%
Female (5,354) 20.8%
Age on September 11, 2001
8 – <25 Years (1,346) 5.2%
25 – <45 Years (15,599) 60.6%
45 – <65 Years (8,319) 32.3%
65+ Years (484) 1.9%
White, Non-Hispanic (18,670) 72.5%
Black, Non-Hispanic (2,246) 8.7%
Hispanic or Latino (3,464) 13.5%
Asian (607) 2.4%
Multiple (457) L8%
Other or Unknown (304) 1.2%
SOURCE: National Institute of Environmental Health Services
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