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redpajama_set_name: RedPajamaGithub


The layer-based technique of the fused deposition modeling (FDM) additive manufacturing process creates anisotropy within printed parts, but the full quantitative characterization of this anisotropy is not yet available, making it difficult to predict structural performance of printed parts. This research studies the tensile strength of ABS plastic created by FDM in incrementally rotated orientations, to analytically and experimentally characterize the anisotropy of the material. The known relationship between strength and orientation can then be used to create a predictive model of the local material behavior in any FDM printed object.
The structural performance of traditional 3D-printed parts is typically limited by nature of the ayer-by-layer construction. Such parts are anisotropic due to decreased adhesion between layers and the internal structure is uniform, not flexible. This project seeks to overcome these limitations by printing along the edges of a stress-optimized lattice. With this approach, larger-scale, lightweight parts can be printed with an optimal structure that can vary depending on a loading configuration. The results of this project may be promising for diverse fields including concrete rebar design, spaceframe prototyping for buildings, and generative art.
The fabrication component of the project includes designing a custom extruder for a six-axis robotic arm that excels in printing along hard-to-reach toolpaths in free air, with larger nozzle diameters. To complement this technology, a computational tool is in development to generate lattices and toolpaths for any part and its loading configuration.
The project presents a new integrated software and hardware process that reconsiders the traditional addive manufacturing (AM) technique of fused deposition modelling (FDM) by adding material explicitly along the three-dimensional principal stress trajectories, or stress lines, of 2.5-D structural surfaces. Using a six-axis robotic arm, this project materializes continuous stress fields into discrete structural topologies, rendered computationally as robotic tool paths. The goal of this project is to develop and perfect this new technique, and to explore conditions in which it is favorable to conventional layer-based additive manufacturing. The research is supported by methodologies including computational structural analysis and comparative structural load testing. For more video information, see this YouTube video.


War of the Rebellion: Serial 014 Page 0464 THE PENINSULAR CAMPAIGN,VA. Chapter XXIII.
LEE'S HOUSE, April 25, 1862.
GENERAL: I have just read your letter of this date, and Captain Pierson's report to you, inclosed with it.* This report shall be sent to the Secretary of War as soon as practicable.
I have always supposed that McLellan's effort would be to turn our left by getting possession of York River.
I asked by telegraph yesterday for long-range guns for you; the Secretary promised five more than a week ago. I'll telegraph again.
Do I understand you to say that your men already require relief? I suppose not, as there has [been] no occasion yet for fatiguing service. It will be necessary to husband their strength and to require of them but the amount of exertion they are able to endure.
It seems to me too late to make the obstruction to navigation that you purpose. It would require, if we had the cable, a long time to prepare the floats and put them in position. It is very unfortunate to be placed in such a command after the enemy has had time to prepare his attacks.
WAR DEPARTMENT, Richmond, April 25, 1862.
DEAR SIR: I regret extremely the bursting of the rifle guns, but do not attribute it to fould play, as they were cast by Southern founderies. The scarcity of metal has caused the use of inferior qualities, and hence these accidents. The usual test is no safeguard, for the gun may be fired thirty or forty times before it bursts, and overcharges for the purpose of testing weakens the gun.
We have sent you a smooth 10-inch and will send immediately a smooth 8-inch gun; these are safe, and in my judgment are better guns than the rifled guns.
We cannot rely upon the latter,and for the present have ceased to make them. We fully appreciate the policy you speak of, and have pursued it to an extent that has exposed some vital points. The difficulties of your position are great, and if the Peninsula were merely at stake we should not hesitate to evacuate it rather than subject the troops to losses from sickness and the superior artillery of the enemy. But Norfolk would go, almost our entire Navy would be lost, an immense amount of material would be captured, and we should gain no better position nearer to Richmond for the defense of the city. There is much that can't be trusted to paper, and I must request you to destroy this. A short conversation would convince you of the necessity of defending our present position as long as possible.


text:
High Street Press releases new resource on Satan
September 22, 2021 By Staff
JEFFERSON CITY – The Missouri Baptist Convention, through its High Street Press imprint, has released a new resource for personal or group study titled What Every Christian Should Know about Satan.
Written by the MBC's Rob Phillips, the 400-page book explores more than a dozen biblical names and titles that reveal the evil one's character, tactics, and ultimate destiny in hell. It's designed for pastors and laypersons who desire a deeper study of Satan's doomed campaign against God and God's people.
Curiously, the Hebrew satan means "accuser" and is not a title devoted solely to the evil one. Even the angel of the Lord – the preincarnate Christ – plays the role of satan / accuser on one occasion (Num. 22). However, God's progressive revelation in Scripture reveals one particular accuser who stands in opposition to his Creator – the diabolos, or devil, of the New Testament.
Numerous biblical names and titles appear, focusing on a single fallen angel who reigns over a host of demonic followers. These names include: dragon, serpent, father of lies, murderer, tempter, deceiver, evil one, Beelzebul, ruler of this world, and destroyer.
Thirteen of the book's 15 chapters explore these and other names and titles. Chapter 14 examines the evil one's ultimate destiny: hell, a place Jesus says has been prepared for Satan and his messengers.
The book's closing chapter surveys the apostle Paul's teaching on the armor of God (Eph. 6), which enables all believers to stand firm in the face of Satan's relentless onslaught.
Each chapter concludes with brief summaries, along with questions for personal or group study. This resource features terrifying biblical accounts of Satan's power, and insights into his devious ways. Yet, Christians have no reason to fear the evil one, for he is a lion on God's leash and his destiny in the lake of fire is as certain as the sovereign hand of God.
John Mark Yeats, dean of students and student success at Midwestern Baptist Theological Seminary, has written the book's Foreword.
He writes: "It is my prayer that as you read this volume and study the Scriptures, you come away with a clear understanding of Satan – a biblical view of Satan and his work. One equipped, you will walk with confidence, knowing that the evil one's end is already decreed because Jesus is King."
John Yeats, MBC executive director, adds: "I highly recommend this book to Missouri Baptists in general and to MBC church leaders in particular as a church-wide or small-group study. For us to successfully pursue the Great Commission, we must understand our enemy and know that he is a defeated foe."
What Every Christian Should Know about Satan is available in print and Kindle formats at Amazon.com. It's also available from other booksellers. Bulk orders of the book may be purchased directly from the MBC at deeply discounted prices.
For more information, or to place a bulk order, send an email to cdowell@mobaptist.org.
To learn more about the MBC's High Street Press, visit highstreet.press.
'Get back to the Word of God,' Bumpers tells elected officials at prayer service
Continuing in faithfulness to racial reconciliation
'We are neighbors': Ridgecrest Baptist launches year-long neighboring initiative, plans conference
Parental rights become priority for Mo. legislature
Ridgecrest Baptist Church in Springfield exists to make Christ-centered disciples of their neighbors and the nations. In 2022, church leaders are asking the Lord to lead members to build strong, loving relationships with their eight closest neighbors as part of a neighboring initiative being called "We Are Neighbors."

redpajama_set_name: RedPajamaCommonCrawl


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text:
Vader to re-issue early demos "Morbid Reich," "Necrolust" and "Live in Decay"
by Brett Stevens on February 9, 2015
Ripping death metal band Vader, who gained stature in the field of Morbid Angel/Slayer-influenced fast tremolo death metal, plan to re-issue three early demos on CD, cassette and LP via Witching Hour Records starting on April 3, 2015.
The three demos — "Live in Decay" (1986), "Necrolust" (1989), adn "Morbid Reich" (1990) — will see separate releases unlike the last collection of Vader demo material, 1996's Reborn in Chaos which remains a sought-after release for its Pavement Records version which contains better sound than other variants. These capture the transition of Vader from aspiring speed metal/death metal hybrid to catching on to the new death metal style and picking a fast but explosive style that graced their first album, The Ultimate Incantation and subsequent albums De Profundis and Sothis EP.
As Vader continue to release material in a fast although simplified and more hookish style, these retrospectives may provide insight into the origins of this band back in the days of the Soviet bloc. It will be interesting to see what bonus tracks, if any, Witching Hour Records adds to pad these releases up to full-length duration.
http://www.youtube.com/watch?v=K7lnCQMtwHk
Tags: death metal, vader, witching hour records
8 thoughts on "Vader to re-issue early demos "Morbid Reich," "Necrolust" and "Live in Decay""
Sniff my Stiff says:
Vader seems like a very active band, anything worthy from them in the last 3 or 4 years ?
vomit says:
No. They've been on repeat since "Litany". Less generous and more discerning folks would say that nothing is worthy past 1996.
Either way you choose, avoid the new material.
The Mighty Vaginator says:
Speaking of old death metal, anybody remembers this mighty band ?
https://www.youtube.com/watch?v=LmUF5fo3KL0
Seriously dudes what's up with no one celebrating this lost gem ?
They are back together and playing in Milwaukee again.
Athletic Hessian with real sexy muscles says:
Not as great as this:
https://www.youtube.com/watch?v=_AHG-aN64IM
Now this folks is exactly how death metal should sound like, intense yet headbangable, see not all death metal fans are nerds, some of us are quite fucking athletic. That's why we also listen to NWOBHM band Raven with their athletic Brand of heavy rock.
Imposition says:
Never heard them before, thank you for this.
Never listened to Vader before, Reborn in Chaos sounding pretty solid so far.
Incantation Up the Ass says:
"think music in general has gone to shit over the last 20 years. The good thing about it is that I think people are starting to appreciate bands like us and Autopsy. Some people say death metal is limited, but it's only as limited as you let your mind limit it. "
http://www.invisibleoranges.com/2013/07/interview-incantations-john-mcentee/


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text:
Hong Tianguifu (23 November 1849 – 18 November 1864) was the second and last king of the Taiping Heavenly Kingdom. He is popularly referred to as the Junior Lord (). Officially, like his father Hong Xiuquan, he was the King of Heaven (). To differentiate, he is also called the Junior King of Heaven ().

History
Hong succeeded his father at fourteen and was not respected like his father by the princes, and he was spoken of poorly. Li Xiucheng wrote in his autobiography, which was written shortly before Li's execution, Hong Tianguifu was described as "inexperienced", "spoiled" and "incapable". Also, Hong Tianguifu never rode a horse, which was essential for leaders and commanders in wars.

Four months after his coronation, Tianjing, the capital of the Taiping rebels, was captured by the Qing dynasty. Hong Tianguifu escaped to Dongba (), Jiangsu in July 1864, rendezvoused with his uncle, Hong Rengan. After going to Guangde County, Anhui first, they went to the town of Huzhou, Zhejiang on 13 August 1864 to rendezvous with the local Taiping Army commander Huang Wenjin (). The Qing dynasty sent Zuo Zongtang and Li Hongzhang to attack the city, and Chen Xueming (), the Taiping army commander in charge of defending the southern gate of the town, surrendered on 26 August 1864. Hong Tianguifu, Hong Rengan and Huang Wenjin were forced to flee from the town next day, under the cover of night, and Huang Wenjin soon died of his wounds. The rest of the survivors attempted to escape to the border region of Jiangxi, Guangdong and Fujian to join the remnant Taiping forces led by Li Shixian, but on 9 October 1864, they were ambushed by the Qing army at Shicheng. Hong Rengan was captured and subsequently executed on 23 November 1864 at Nanchang, Jiangxi. Hong Tianguifu escaped to the mountains near Shicheng after his token force was wiped out, but he was caught on 25 October 1864 by Qing soldiers searching for him.

On the way to the escort, Hong Tianguifu and a Qing army soldier named Tang Jiatong had a conversation.

Hong Tianguifu first talked about his relationship with his father Hong Xiuquan and others. He said that the old things of the Taiping Heavenly Kingdom were done by his father and Hong Renxuan. "It has nothing to do with me, even after stepping on the road, I did nothing that is unfavorable to the Qing dynasty, those who resisted the Qing Empire were shattered by the king, Zhongwang and others." However, after the second day of writing a poem of praise to the Qing dynasty, he was subsequently executed by slow slicing on 18 November 1864 at the age of 14.

A glimpse of Hong Tianguifu's character can be seen by his remarks before his execution: "Guangdong is not a nice place, I do not want to go back in. I just want to study with Old Master Tang in Hunan, and I should be a great scholar, I want to be a good scholar". ("廣東地方不好,我也不愿回去了,我衹愿跟唐老爺到湖南讀書,想進秀才") This apparently innocent, pointless and irrelevant comment was considered by some as a desperate and futile attempt to avoid death by confusing the executioner of his identity. It may also have reflected his utter lack of understanding of what was happening to him, and to his lost kingdom.

Despite the short time he was a king, he was issued an official jade seal (玉璽 yù xǐ), which is an exhibit in the Hong Kong Museum of History ().

Hong Tianguifu's name is unusual in that it contains a three-character given name whereas almost all Chinese given names have just one or two characters.

Bibliography
Mark Juergensmeye & Wade Clark Roof, Taiping Rebellion, in Encyclopedia of Global Religion, Volume 1, SAGE, 2012, pp. 1257.
Nick Shepley, Sun Yat Sen and the birth of modern China: 20th Century China: Volume One, AUK Academic, 2013.
James Z. Gao, Taiping Rebellion, in Historical Dictionary of Modern China (1800–1949), Scarecrow Press, 209, pp. 350–352.

Notes

References

Heavenly kings of Taiping
People from Huadu District
1849 births
1864 deaths
Executed people from Guangdong
People executed by the Qing dynasty
People executed by flaying
Hakka people
Executed Taiping Heavenly Kingdom people
Child soldiers
Executed children

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7 Gripping Documentaries Inspired By The Written Word
Words often inspire documentaries. A novel, a poem, a magazine article, a blog post - all can provide the spark that leads to a gripping non-fiction film. There are, of course, many examples. Here are seven of my favourites:
In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary and personal account of the lives and successive assassinations of three of his close friends - Medgar Evers, Malcolm X and Martin Luther King, Jr.
However, when Baldwin died in 1987 he left behind only thirty completed pages of his manuscript. In this powerful, thought-provoking documentary, director Raoul Peck envisions the book that James Baldwin never finished.
Click here to read more about I Am Not Your Negro
Maya Angelou: And Still I Rise
Rita Coburn Whack and Bob Hercules' documentary, Maya Angelou: And Still I Rise, tells the powerful story of iconic dancer, singer, writer, poet, actress and activist Maya Angelou - whose life intersected with some of the most significant moments in recent US history.
Dr Angelou was one of the world's very best storytellers, I could listen to her all day. A joy to watch, this documentary honours her life, her legacy and her incredible words.
The Inventor: Out For Blood In Silicon Valley
Deception and self deception. The meteoric rise and catastrophic fall of a billion dollar corporation. The dangers of entrepreneurship and the cult of personality. The manipulative power of storytelling.
All of these elements form part of the complicated story of Elizabeth Holmes and Theranos - the health technology company that she created aged just 19 years old. In 2015, Theranos was worth an estimated $9 billion. Just one year later, the company was worthless and Holmes was left facing accusations of serious fraud.
Alex Gibney follows Holmes' rise and fall in his documentary, The Inventor: Out For Blood In Silicon Valley. In the film, we discover that the Theranos scandal was uncovered John Carreyrou. Carreyrou's The Wall Street Journal report helped to expose Holmes. He went on to write a gripping book called Bad Blood: Secrets and Lies in a Silicon Valley Startup.
Click here to read more about The Inventor: Out For Blood In Silicon Valley
The Booksellers
If you have even the slightest appreciation of books (or collecting in general), you will find D.W. Young's documentary, The Booksellers, an absolute joy. Full of fascinating, often wonderfully eccentric characters, the film explores the world of antiquarian booksellers and asks questions about the importance and value of the books that they sell.
Click here to read more about The Booksellers
Hitchcock/Truffaut
In 1962, Francois Truffaut persuaded Alfred Hitchcock to sit with him for a week-long interview in which the iconic British director would share the secrets of his filmmaking process.
Truffaut then published a fascinating book - called Hitchcock/Truffaut - based on the transcripts of this meeting. Long viewed as a bible of cinema (it contains some truly remarkable insights), the book not only became a reference for future filmmakers but it also cememented the director's role as an artist.
In 2016, director Kent Jones released his documentary about the meeting. The film explores the impact that the book has had and features fascinating interviews with ten directors: Martin Scorsese, Arnaud Desplechin, David Fincher, Richard Linklater, Wes Anderson, James Gray, Olivier Assayas, Kiyoshi Kurosawa, Peter Bogdanovich and Paul Schrader.
Click here to read more about Hitchcock/Truffaut
Author: The JT LeRoy Story
Author: The JT LeRoy Story explores the fascinating life of writer, Laura Albert, whose literary alter-ego, JT LeRoy, took on a truly remarkable life of its own.
Click here to read more about Author: The JT LeRoy Story
Gatsby in Connecticut: The Untold Story
Few books are as intriguing and bewitching as F. Scott Fitzgerald's literary masterpiece, The Great Gatsby. Published in 1925, the book tells the story of one eventful summer in the fictional towns of West Egg and East Egg.
The Great Gatsby, of course, features one of the most iconic characters in literature - the mysterious millionaire, Jay Gatsby. For years, fans and academics have speculated about the man behind Fitzgerald's creation.
Meanwhile, the real location behind The Great Gatsby's West and East Egg setting was largely accepted as Great Neck, Long Island in New York. After all, F. Scott Fitzgerald and his wife Zelda Fitzgerald lived there for two years.
However, this view was thrown into question when celebrated author, Barbara Probst Solomon, wrote an article in The New Yorker in 1996. She suggested that Westport Connecticut could have been Fitzgerald's inspiration.
Inspired by Solomon's article, Robert Steven Williams' documentary, Gatsby in Connecticut: The Untold Story, investigates Westport's influence on The Great Gatsby.
Click here to read more about Gatsby in Connecticut: The Untold Story
What do you think of this list? Are there any documentaries that you would add?
Let me know in the comments section below or over on Twitter. You can find me @500DaysOfFilm.
tagPlaceholderTags: documentary, Documentary7, DocFeature, bookdocumentary


text:
Brazilian industry and airlines form alliance to develop sustainable aviation biofuels
Azul is planning a sugarcane-derived biofuel flight in 2012 on an Embraer 190 (photo: Embraer)
Thu 20 May 2010 – Following a recent meeting in Sao Paulo, ten organizations have agreed to form the Brazilian Alliance for Aviation Biofuels (Aliança Brasileira para Biocombustíveis de Aviação – ABRABA). They include four airlines – Azul Brazilian Airlines, GOL, TAM and TRIP – as well as aircraft manufacturer Embraer and the Brazilian Aerospace Industry Association (AIAB). Representing the biofuels industry are producers and developers of biomass sources such as jatropha, sugarcane and algae.
The alliance follows an announcement by TAM that the airline will carry out Latin America's first commercial aircraft biofuel flight during the second half of 2010 using a 50/50 blend of jatropha and conventional jet fuel (see story).
The biofuels industry partners in the alliance include Algae Biotechnology, Amyris Brazil, the Brazilian Association of Jatropha Producers (Associação Brasileira dos Produtores de Pinhão Manso – ABPPM) and the Brazilian Sugarcane Industry Association (União da Indústria da Cana-de-Açúcar – UNICA). ABRABA said it expected other organizations will eventually join the group and contribute to the project.
The objective of the alliance is to promote public and private initiatives that seek to develop and certify sustainable biofuels for aviation. The goal, expects ABRABA, will be achieved through dialogues with those who form public policies, as well as opinion makers, in order to obtain biofuels that are as safe and cost efficient as petroleum derivatives.
"The use of sustainable biofuels produced from biomass is essential for maintaining the growth of the aviation industry in an economy of low carbon emissions," ABRABA said in a press statement. "Brazil's recognized capability for developing alternative energy sources, allied with its knowledge of aeronautical technology, will result in significant gains for the environment, while minimizing the impact on economic development."
Speaking at last week's International Civil Aviation Organization (ICAO) Colloquium on Aviation and Climate Change, Brazil's representative on the ICAO Council, Ambassador Raymundo Santos Rocha Magno, said his country had already gained a lot of experience in alternative fuels and they were an important means of reducing aviation emissions.
At the same event, Guilherme Freire, Director of Environment at Embraer, revealed that Azul was planning a demonstration flight in the first half of 2012 using a 50% blend of sugarcane-derived biojet fuel on a GE CF34-10E-powered Embraer 190 aircraft. Freire said this would be the first time a biojet fuel produced from a fermentation process was used on a commercial airliner flight.
He said the aviation industry was fully engaged in fostering the commercial development of alternative fuels but support was needed from governments to instigate public initiatives to foster research and development synergies towards accelerating the scaleable introduction of the fuels.
ABRABA announcement
Embraer - Environment
ICAO Colloquium on Aviation and Climate Change
Boeing commits $1 million towards Brazilian RSB-certified feedstock production for sustainable aviation fuel
Boeing partners with Embraer in next phase of ecoDemonstrator test programme
KLM Cityhopper to operate 80 flights from Oslo to Amsterdam using ITAKA-sourced camelina biofuel
Boeing and Embraer open joint research centre to aid sustainable aviation fuels development in Brazil
Air France-KLM again leads DJ Sustainability Index as LATAM becomes first airline group in the Americas to join
Brazilian sustainable jet biofuel plans boosted by promise of a new generation of jatropha hybrid crops
Boeing and Embraer to open joint research centre to help develop Brazilian aviation biofuel supply chain
'Green Skies of Brazil' programme rolled out in drive to improve airspace efficiency and reduce environmental impact


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text:
Diplomatik Yorum – Ali Tuygan
Dış politika üzerine düşünceler
Neden Diplomatik Yorum?
Etiket arşivi: Kim Jong-un
The Singapore Summit
On April 22 North Korean leader Kim Jong Un said that "under the proven condition of complete nuclear weapons, we no longer need any nuclear tests, mid-range and intercontinental ballistic rocket tests, and that the nuclear test site in northern area has also completed its mission." And, in a span of a few months, DPRK's "reclusive leader" moved to the center stage of world diplomacy almost as an astute statesman, one who acts but avoids unnecessary talk. He visited China twice; he met South Korean President Moon Jae-in twice; Secretary of State Pompeo visited him twice in Pyongyang and Russian Foreign Minister Lavrov delivered him an invitation by President Putin to visit Russia.
Throughout the Singapore summit President Trump acted as if he was the host. His body language and remarks were designed to underline who was the principal actor. The meeting no doubt also had an internal politics dimension. After the talks, President Trump said that he had formed a very special bond with Kim Jong Un. Thus, he showed once again that he is determined to remain Mr. Unpredictable. Okumaya devam et →
Uncategorized içinde China, Japan, Kim Jong-un, South Korea, Trump, Trump-Kim summit, Turkish foreign policy etiketleriyle Haziran 13, 2018 tarihinde Ali Tuygan tarafından gönderildi.
Kim Jong-un's Diplomatic Offensive
Following North Korean leader Kim Jong-un's visit to China in late March, I said that though many would still say that he remains a ruthless dictator, some may start thinking that he plays his foreign policy cards rather well (*). Indeed, his whirlwind diplomatic campaign upends the title of "reclusive ruler" attributed to him in the West. Six days before meeting South Korean President Moon Jae-in, he declared in a display of confidence that he will suspend nuclear and missile tests and will shut down the testing-site where the previous six nuclear tests were conducted. The announcement received broad international welcome. South Korea's Presidency said in a statement that this was a meaningful step forward. And days before meeting with President Moon Jae-in of South Korea came the pivot away from nuclear testing toward the economy. Following the announcement regarding the suspension of nuclear and missile tests President Trump tweeted "This is very good news for North Korea and the World – big progress!" But during his joint press conference with President Macron on April 24, when asked what complete denuclearization meant he responded "It means they get rid of their nukes. Very simple…" Okumaya devam et →
Uncategorized içinde Kim Jong-un, Kim-Trump summit, Moon Jae-in, North Korea, NPT, South Korea, Turkish foreign policy etiketleriyle Nisan 30, 2018 tarihinde Ali Tuygan tarafından gönderildi.
Kim-Trump Summit
In remarks before the 72nd Session of the United Nations General Assembly on September 19, 2017 President Trump said that the scourge of our planet today is a small group of rogue regimes. On top of his list were North Korea and Iran. He made no distinction between the two. He accused Pyongyang of a reckless pursuit of nuclear weapons and called the Iran nuclear deal one of the worst and most one-sided transactions in U.S. history. He said, "the United States has great strength and patience, but if it is forced to defend itself or its allies, it will have no choice but to totally destroy North Korea." Okumaya devam et →
Uncategorized içinde China, Kim Jong-un, Trump, Turkish foreign policy, U.S-DPRK, U.S. etiketleriyle Mart 13, 2018 tarihinde Ali Tuygan tarafından gönderildi.
Blog'u E-posta ile takip edin
Bu blog'u takip etmek ve posta mesajı almak için e-posta adresinizi giriniz.
A Turning Point in Washington
The Path to Peace in Nagorno-Karabakh
The Assault on US Capitol
President Trump's "Royal" Pardons
More Than a Lost Year
Obama-Syria
Putin-Syria
Russian airstrikes
Turkey-EU
Turkey-Syria
US-Russia relations


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Quality embroidered stitching on front and back.


text:
Q: How to Use Rhino Mock in unit testing i am new to unittesting with rhino mocks and i am confused how to mock my dependency which are initialized in controller constructor using unity container.
as per the below code i have to unittest "GetHelloWorld" method with two dependency TestRepository and  RedisCacheManager   .
public class TestController : BaseController
{
    private ITestRepository testRepo;
    private IRedisCacheManager cacheManager;

    public TestController()
    {
        testRepo = UnityResolver.Resolve<ITestRepository>();
        cacheManager = UnityResolver.Resolve<IRedisCacheManager>();
    }

    public ActionResult GetHelloWorld()
    {
        LoggerHelper.WriteInfo("Inside GetHelloWorld Method..");
        testRepo.PutDataInCustomAzureDB();
        cacheManager.Add("Test", "TestData", new TimeSpan(0, 1, 0));
        var getData = cacheManager.Get<string>("Test");
        cacheManager.Add("Test", "TestData123", new TimeSpan(0, 1, 0));
        var getDataa = cacheManager.Get<string>("Test");
        LoggerHelper.WriteInfo("Leaving GetHelloWorld Method..");
        return null;
    }
    }
    }

A: You have to have a separate UnityResolver for the unit test project and there you have to send mock objects in the Resolve method. That is have a separate container for the unit test project and then
Mock<IRedisCacheManager> _mockRedis = new Mock<IRedisCacheManager>();
container.RegisterInstance <IRedisCacheManager>(_mockRedis.Object);

Another way of doing this would be to inject the resolver or the dependencies in the class itself

redpajama_set_name: RedPajamaStackExchange


Jason, 47, was making over $400K a year. He has 4 kids and has spent over a decade of his life flatlined, stuck on a plateau, both personally and professionally. Last year, when we connected, it was after the Strategic Training Group had filled. He was ready to go as he is this year, but now his power has started to wane and he's not sure if he can make the commitment to the group.
He thinks fear is holding him back, fear that making big changes in his life will cause him to lose ground in other areas -- family, fitness, finances, friends etc.
I reminded him that joining a team like this isn't so that he'd lose power, but so he'd gain it. He got that quickly, but here's what surprised him and enlightened me.
Jason had missed 2 appointments with me before we finally connected. He was one of the few I followed up with to reschedule. Usually, if someone misses an appointment, I just move on, but this time I didn't. I was glad because of what we discovered. We discovered Jason's fear is being generated by his own lack of precision.
"Where would you be right now if you said what you meant and did what you said you would do? What if you made powerful commitments and actually followed through on them?" I asked.
"Oh man… way further," he said.
Jason has ideas beyond his current self and situation, but he's afraid that pursuing them will jeopardize his current comfort. For sure, there's legit fear that should be present when making such a pivot, but the fear that's coming from our own sloppiness can be eliminated pretty quickly. It's about precision and accountability.
It's simple if you think about it. If you make promises to yourself and actually keep them, you'll progress very nicely. It's just that we swim in a culture of comfort, surrounded by others who just talk and don't act. That makes not following through the norm, rather than the exception. When we don't keep the small promises, we lose confidence in our ability to keep the big ones.
Jason kept bringing up this notion that he was suffering from his own self-limiting beliefs, as if he caught them like a cold, like they were a psychological condition to be cured through talk therapy. I got very pragmatic with him here, and explained that the reason most people think they can't do something great in their life is because they are constantly failing to make and fulfill basic promises to themselves and others-- diets, exercise routines, adventures.
I leaned into him a bit about having missed two of our meetings. "How could you trust yourself to make a huge pivot like starting a new business, or significantly changing the trajectory of your career if you can't even show up for a scheduled appointment on time?" When we fail to keep our promises to others, it's not just their trust we're breaking in us. We're also breaking trust in ourselves. What I mean is that our actions subtly teach us to stop trusting ourselves, and when the time comes to go big, we don't trust ourselves to see it through.
So, how do you get rid of a self-limiting belief?
You start making promises, big and small, and start keeping them. If you say you're going to meet with someone, then show up on time and ready to go. If you say you're going to call someone back in 5 minutes, then call them back in 5 minutes. If you say you're going to produce an additional $200K this year, then produce it.
How do you do all of this?
You start surrounding yourself with bold dudes and keep up with them.
Yes. It's that easy. Change your environment and you change your life.


text:
/// <reference path="../../typings/jquery/jquery.d.ts" />
/// <reference path="../../typings/jquery.gridly.d.ts" />
///<reference path="../../typings/toastr/toastr.d.ts"/>
/// <reference path="../../lib/localizationManager/localizationManager.ts" />

// This is one of the root files for our webpack build, the root from which
// pageThumbnailListBundle.js is built. Currently, contrary to our usual practice,
// this bundle is one of two loaded by pageThumbnailList.pug. It is imported last,
// so things it exports are accessible from outside the bundle using FrameExports.

import theOneLocalizationManager from "../../lib/localizationManager/localizationManager";

import * as toastr from "toastr";
import * as $ from "jquery";
import "../../modified_libraries/gridly/jquery.gridly.js";
import { SetImageElementUrl } from "../js/bloomImages";

const timerName = "thumbnailInterval";
const kSocketName = "webSocket";

var thumbnailTimerInterval = 200;
var listenerFunction;

$(window).ready(function () {
    $(".gridly").gridly({
        base: 35, // px
        gutter: 10, // px
        columns: 4,
        callbacks: {
            reordered: reorder
        }
    });
    jQuery(".gridItem").click(function (e) {
        // adding "preventDefault()"" here and the cursor css might make the
        // invisibleThumbnailCover unneccessary, but all of it together should be plenty
        // of defense against the user getting unwanted results by clicking on thumbnails.
        e.stopPropagation();
        e.preventDefault();
        fireCSharpEvent("gridClick", $(this).attr("id"));
    });

    // start the thumbnail timer
    var timerSetting = document.body.dataset[timerName];
    if (timerSetting)
        thumbnailTimerInterval = parseInt(timerSetting, 10);//reviewslog: was timerSetting.value, but timerSetting is a string)

    // This timeout expires before the main page is displayed to the user, so we're using
    // thumbnailTimerInterval * 2 for the first interval to give the UI more time to catch up.
    setTimeout(loadNextThumbnail, thumbnailTimerInterval * 2);

    jQuery("#menu").click(function (event) {
        event.stopPropagation();
        fireCSharpEvent("menuClicked", $(this).parent().parent().attr("id"));
    });

    let localizedNotification = "";

    // This function will be hooked up (after we set localizedNotification properly)
    // to be called when C# sends messages through the web socket.
    // We need a named function because it looks cleaner and we use it to remove the
    // listener when we shut down.
    listenerFunction = event => {
        var e = JSON.parse(event.data);
        if (e.id === "saving") {
            toastr.info(localizedNotification, "", {
                positionClass: "toast-top-left",
                preventDuplicates: true,
                showDuration: 300,
                hideDuration: 300,
                timeOut: 1000,
                extendedTimeOut: 1000,
                showEasing: "swing",
                showMethod: "fadeIn",
                hideEasing: "linear",
                hideMethod: "fadeOut",
                messageClass: "toast-for-saved-message",
                iconClass: ""
            });
        }
    };

    theOneLocalizationManager.asyncGetText("EditTab.SavingNotification", "Saving...", "").done(savingNotification => {
        localizedNotification = savingNotification;
        // addEventListener is much preferred to onmessage, because onmessage doesn't support multiple listeners
        var socket = getWebSocket();
        if (socket) {
            socket.addEventListener("message", listenerFunction);
        }
    });
});

export function stopListeningForSave() {
    var socket = getWebSocket();
    if (socket) {
        socket.removeEventListener("message", listenerFunction);
        socket.close();
    }
}

// N.B. Apparently when the window is shutting down, it is still possible to return from this
// function with window[kSocketName] undefined.
function getWebSocket(): WebSocket {
    if (!window[kSocketName]) {
        //currently we use a different port for this websocket, and it's the main port + 1
        let websocketPort = parseInt(window.location.port, 10) + 1;
        //NB: testing shows that our webSocketServer does receive a close notification when this window goes away
        window[kSocketName] = new WebSocket("ws://127.0.0.1:" + websocketPort.toString());
    }
    return window[kSocketName];
}

function fireCSharpEvent(eventName, eventData) {
    var event = new MessageEvent(eventName, { "bubbles": true, "cancelable": true, "data": eventData });
    top.document.dispatchEvent(event);
}

function loadNextThumbnail() {
    // The "thumb-src" attribute is added to the img tags on the server while the page is being built. The value
    // of the "src" attribute is copied into it and then the "src" attribute is set to an empty string so the
    // images can be loaded here in a controlled manner so as not to overwhelm system memory.
    var nextImg = jQuery("body").find("*[thumb-src]").first();

    // stop processing if there are no more images
    if ((!nextImg) || (nextImg.length === 0)) return;

    var img = nextImg[0];

    // adding this to the query string tells the server to generate a thumbnail from the image file
    var src = img.getAttribute("thumb-src");
    if (src.indexOf("?") >= 0) {
        // already has a query (e.g., at one point we had optional=true for branding)
        src = src + "&thumbnail=1";
    } else {
        src = src + "?thumbnail=1";
    }
    img.removeAttribute("thumb-src");

    SetImageElementUrl(img, src);

    // This delay is needed because the processing of larger images was causing out-of-memory errors if several
    // images were requested before the server had finished processing previous images requests. We are also
    // attempting to prevent the browser from timing out and showing the alt text instead of the image.
    // 2015-06-04: The interval is now a variable rather than a constant in order to make the initial Edit tab
    // load more responsive, especially on low-end hardware.
    setTimeout(loadNextThumbnail, thumbnailTimerInterval);
}

function reorder(elements) {
    var ids = "";
    elements.each(function () {
        var id = $(this).attr("id");
        if (id)
            ids += "," + id;
    });
    fireCSharpEvent("gridReordered", ids);
}


After Santa Cruz, seven showcases at SXSW 2013, and the release of the "Little Too Late" single, Nicki Bluhm from was on her way to Nashville, TN with her Gramblers, when she found the time to connect over the phone for an afternoon conversation on her evolving artistic endeavors. Bluhm is an artist who describes her music as country-rock and after releasing Toby's Song  and Driftwood , the vintage inspired singer/songwriter is hard at work with a U.S. tour and a new record.
Nicki's career got its start once producer and musician Tim Bluhm, whose most notable fame resides in fronting American Recording's West Coast faithful — the Mother Hips, discovered her singing at a party. After encouraging Nicki to pursue her talent, the two eventually began making music together and later on got married. Now, they both perform in Nicki Bluhm and The Gramblers along with their own duo Tim and Nicki Bluhm, releasing Duets. "The band is more rock influenced while the duet record specifically is a lot more mellow and folk," explained Bluhm. She included that she enjoys working creatively side by side with her husband. The Gramblers' lineup rounds out with Deren Ney, DaveMulligan, Steve Adams and Mike Curry.
It seems as if lately, this mash up category of alternative-blues-country and folk-rock is on the rise and recently, Nicki Bluhm and The Gramblers debuted "Little Too Late" and "Ravenous" from their upcoming album, that seem to rock a similar vibe. Although there isn't an exact release date yet and she didn't reveal the title, Bluhm stated, "We're hoping to get it out by the summer." She went on to explain, "We recorded it mostly live in the studio, it's most reflective of the band in its current state." The sessions are taking place in San Francisco at Tim Bluhm's Misson Bells Recording, located on the outskirts of the city's famed Mission District.
About a year ago, listeners were given a different kind of musical experience from the band through a series of "van sessions" posted on You Tube. The videos captured Nicki Bluhm and The Gramblers jamming out while traveling in their van between shows, performing covers like "I Can't Go For That" by Hall and Oates and "Faith" by George Michael. Bluhm explained the idea developed out of boredom on the road and it surprisingly wasn't long before the videos became an online sensation. "It was a good way to pass the time," she said and went on to laugh about how they never expected the "van sessions" to become popular.
When I brought up her style, Bluhm asked, "Have you seen Woody Allen's film, Midnight in Paris?" After admitting that I actually haven't seen it, she described how the film represents the concept of everyone having their own idea of a "golden" era and while she might draw from some old school influences, she's making the most of her own time.
Nicki Bluhm and The Gramblers will be performing Tuesday, March 26 at World Café Live in Philadelphia, PA and Wednesday March 27 at Bowery Ballroom in New York, NY.


text:
Overview & Mission of Church
LCMS
This Week in Music
Pastor's Weekly Sermon
Monthly Serving Schedule and Upcoming Event Flyers
Ministries at St. John's
Ladies Guild, who are they?
Please click onto the below attachment to find out what these incredible women do.
Ladies Guild Info Sheet.docx
EVANGELISM - SOCIAL MINISTRY
WELCOME TO ST. JOHN'S MUSIC MINISTRY
Emily and her Bassoon!
Abby and her Oboe
Bill and his Trumpet
Richard and his Sax and Alto Horn.
Johannus Organ
Ede, The Netherlands (2006)
Digital tone generation
3 manuals, 62 stops (Rembrandt Model)
Make a joyful noise to God, all the earth; sing the glory of his name; give to him glorious praise! Psalm 66:1-2. Make a joyful noise to the LORD, all the lands! Serve the LORD with gladness! Come into his presence with singing! Psalm 100:1-2. Next to the Word of God, the noble art of music is the greatest treasure in the world. (Martin Luther) These words recorded in the Psalms and spoken by Martin Luther, still hold true today. St. John's has had a long history of choirs and we continue in our Music Ministry to welcome new members to all our choirs.
THE HAND-BELL CHOIR
Hand-Bell Choir
The hand-bell choir presently consists of youth from high school. The choir enhances worship with hand-bell and hand-chimes. They rehearse at 9:30 a.m. every Sunday and are in session from September - May. They play each month and highlight our Easter and Christmas Eve service.
The adult choir meets every Tuesday night at the church from 5:30 p.m. - 6:30 p.m. The adult choir sings at worship two to three times a month. Currently we have a SATB choir, and are always searching for more members. Once again, reading music is not required. Our adult choir has sung many years together and harmonize beautifully. Along with all the feast days during the church year, the adult choir adds glorious music to special services such as Christ the King Sunday and to those receiving First Holy Communion and Confirmation. It wouldn't be a holiday if our choir didn't perform one of their Choir Anthems. All our choirs are very dedicated and committed. For some people it is difficult if not impossible to make a full time commitment due to various reasons. That's okay too, you can make a partial commitment to our choirs, or you may just choose to rehearse with us during special holidays. The adult choir is like a family to one another and each year we gather together for a celebration during the Christmas season and at the end of the choir year.
Let us remember Ephesians 5:19-20 which tells us to, address one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with all your heart, always and for everything giving thanks in the name of our Lord Jesus Christ to God the Father.
Thomas Sax
Organist, Music Director
CHURCH MUSICIANS
Click below the picture to go to the school's official website
Please click on the below website for further information about our school. stjohnslutheransi.org/school
The Divine Service with Holy Communion
Every Sunday morning at
10:30 Sept. - May
9:30 June - August
Printable Monthly Calendar
APRIL CALENDAR 2021.docx
2021 May Calendar.docx
Serving Schedule
2021 APRIL SERVING SCHEDULE UPDATED.docx
2021 MAY SERVING SCHEDULE.docx
2021 JUNE SERVING SCHEDULE.docx
2021 JULY SERVING SCHEDULE.docx
2021 AUGUST SERVING SCHEDULE 1.docx
Sunday at 9:00 a.m.
Sunday School at 9:00 a.m.
Hand-bell Rehearsal
will resume at a later
date TBD
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Appropriate media – why radio ?
For many communities we work in, radio remains a lifeline.
Radio can reach people struck by war, disaster or poverty. It speaks to communities where illiteracy is high, or where political, social or religious barriers prevent people accessing vital information and education. We use the most appropriate media for each community we reach, whether that's community FM, short wave, the Internet or other means.
Feba seeks to build trusted relationships with its audiences, becoming a sustained and consistent presence in their lives.
Wherever possible, our material is produced in-country by local people, in partnership with like-minded organisations. We seek to work alongside other national Feba and FEB associations as well as like-minded NGOs.
We actively seek to inspire potential partners to use radio or other media for the benefit of hard-to-reach communities. Through developing media skills in local people and investing time, expertise, staff, equipment, technical support and funds in projects, we plan for each – in time – to become self-sustaining.
We work through the most suitable media for each community we reach.
In some communities, that will be short wave. In others, it may be community FM, medium wave or the Internet and social media.
In disaster situations, it's sometimes appropriate to distribute radios to those affected so that they can access vital information.
Feba doesn't belong to a particular denomination and we don't promote one denomination over another among our listeners.
Our supporters, partners and listeners come from all faiths and none, joined together by the desire to see transformation in the lives of those we reach.
Many of our supporters are followers of Jesus, and come from many different denominations.
We are committed to working with the local church wherever possible, enabling it to use media to positively impact its local community.
We have some resources for churches available for download on our website, including video clips, our Prayer Diary and our Annual Review. We can also send out posters and more copies of our newsletters by post.
We would love to be able to visit all churches who request a visit, but we have no one person responsible for this. So each request will be looked at individually on a case-by-case basis.


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text:
\section{Introduction and result}
Let $G$ be a graph with vertex set $V(G)$ and edge set $E(G)$. For a positive integer $k$, a \emph{$k$-colouring} of $G$ is a mapping $\alpha \colon V(G) \to \{1, 2, \ldots, k\}$ such that $\alpha(u) \neq \alpha(v)$ whenever $uv \in E(G)$. The \emph{reconfiguration graph} for the $k$-colourings of $G$, denoted $\mathcal{R}_k(G)$, is the graph whose vertices are the $k$-colourings of $G$ and two colourings are joined by an edge if they differ in colour on exactly one vertex. We say that $G$ is \emph{$k$-mixing} if $\mathcal{R}_k(G)$ is connected.

A $k$-colouring $\varphi$ of $G$ is called \emph{frozen} if $\varphi$ is an isolated vertex in $R_k(G)$. In other words, $\varphi$ is frozen if for every vertex $v \in V(G)$, each of the $k$ colours appears in the closed neighbourhood of $v$. One technique to prove that a graph $G$ is not $k$-mixing is to exhibit a frozen $k$-colouring of $G$.

Let $k$ and $t$ be positive integers, and let $G$ be a $k$-colourable $P_t$-free graph. The subject of this note is to determine the smallest integer $\ell \geq k$ such that $G$ is $\ell$-mixing. Notice that if $G$ is the complete graph on $k$ vertices, $R_k(G)$ is disconnected, so we assume from now on that $\ell > k$.

Bonamy and Bousquet \cite{bonamy2018} proved that any $k$-colourable $P_4$-free graph is $\ell$-mixing. Moreover,
using an example of Cereceda, van den Heuvel, and Johnson \cite{cereceda2008}, they also pointed out that, for every $\ell \geq 3$, there exists a $2$-colourable $P_6$-free graph with a frozen $\ell$-colouring. In that same paper, they also attempted to find a family of $k$-colourable $P_5$-free graphs with a frozen $\ell$-colouring. Unfortunately, as noted in \cite{merkel2020} the graphs they considered are not $P_5$-free (see Figure \ref{fig:notp5free}). This leaves open the case $t = 5$, which has since received some attention and has been considered for several subclasses of $P_5$-free graphs \cite{biedl2021, bonamy2018, feghali2020, merkel2020, merkel2021}. The aim of this short note is to settle this case, thereby answering a question raised in \cite{merkel2020}.

\begin{figure}
\centering
\begin{tikzpicture}[scale=1.2]
\tikzstyle{vertex}=[circle, draw, fill=black, inner sep=0pt, minimum size=5pt]

	\node[vertex](1) at (0,1) {};
    \node[vertex](2) at (cos{30},sin{30}) {};
    \node[vertex](3) at (cos{30},-sin{30}) {};
	\node[vertex](4) at (0,-1) {};
	\node[vertex](5) at (-cos{30},-sin{30}) {};
	\node[vertex](6) at (-cos{30},sin{30}) {};

	\node[vertex](7) at (cos{30},1.5) {};
	\node[vertex](8) at (cos{30},-1.5) {};
	\node[vertex](9) at (-cos{30},-1.5) {};
    \node[vertex](10) at (-cos{30},1.5) {};

    \draw
    (1)--(2)
    (1)--(3)
    (1)--(5)
    (1)--(6)
    (1)--(7)
    (1)--(10)
    (2)--(3)
    (2)--(4)
    (2)--(6)
    (2)--(7)
    (2)to[bend left=40](8)
    (2)to[bend right=40](10)
    (3)--(4)
    (3)--(5)
    (3)to[bend left=40](9)
    (4)--(5)
    (4)--(6)
    (4)--(8)
    (4)--(9)
    (5)--(6)
    (5)to[bend right=40](8)
    (5)--(9)
    (5)to[bend left=40](10)
    (6)to[bend right=40](9);
    \draw[dashed]
    (6)--(10)
    (6)to[bend left=40](7)
    (3)to[bend right=40](7)
    (3) to (8);

\end{tikzpicture}
\hspace{10mm}
\begin{tikzpicture}[scale=1.2]
\tikzstyle{vertex}=[circle, draw, fill=black, inner sep=0pt, minimum size=5pt]

    \node[vertex](1) at (0,1) {};
    \node[vertex](2) at (cos{30},sin{30}) {};
    \node[vertex](3) at (cos{30},-sin{30}) {};
	\node[vertex](4) at (0,-1) {};
	\node[vertex](5) at (-cos{30},-sin{30}) {};
	\node[vertex](6) at (-cos{30},sin{30}) {};
	\node[vertex](7) at (0,2) {};
	\node[vertex](8) at (2*cos{30},2*sin{30}) {};
	\node[vertex](9) at (2*cos{30},-2*sin{30}) {};
	\node[vertex](10) at (0,-2) {};
	\node[vertex](11) at (-2*cos{30},-2*sin{30}) {};
	\node[vertex](12) at (-2*cos{30},2*sin{30}) {};

    \draw
    (1) to (2)
    (1) to (3)
    (1) to (5)
    (1) to (6)
    (2) to (3)
    (2) to (4)
    (2) to (6)
    (3) to (4)
    (3) to (5)
    (4) to (5)
    (4) to (6)
    (5) to (6)
    (7) to (1)
    (7) to (2)
    (7) to[bend right=80] (5)
    (8) to (1)
    (8) to (2)
    (8) to (3)
    (8) to[bend right=80] (6)
    (8) to[bend left=80] (4)
    (9) to (2)
    (9) to (4)
    (9) to[bend right=80] (1)
    (9) to[bend left=80] (5)
    (10) to (3)
    (10) to (4)
    (10) to (5)
    (10) to[bend right=80] (2)
    (10) to[bend left=80] (6)
    (11) to (4)
    (11) to (5)
    (11) to (6)
    (11) to[bend right=80] (3)
    (11) to[bend left=80] (1)
    (12) to (5)
    (12) to (1)
    (12) to[bend right=80] (4)
    (12) to[bend left=80] (2);

    \draw[dashed]
    (12) to (6)
    (7) to (6)
    (7) to[bend left=80] (3)
    (9) to (3);

\end{tikzpicture}
\caption{Graphs mistaken to be $P_5$-free by Bonamy and Bousquet \cite{bonamy2018}. An induced $P_5$ is marked with dashed edges.}
\label{fig:notp5free}
\end{figure}

\begin{theorem}
\label{thm:main}
For every positive integer $p$, there exists a $7p$-colourable $P_5$-free graph that is not $8p$-mixing.
\end{theorem}

We do this by constructing, for each positive integer $p$,  a $7p$-chromatic $2K_2$-free (and hence $P_5$-free) graph admitting a frozen $8p$-colouring as follows.

\begin{figure}
\centering
\begin{tikzpicture}[scale=2.75]
\tikzstyle{vertex}=[circle, draw, fill=black, inner sep=0pt, minimum size=5pt]

    \draw (0,0) circle (1);

    \node[vertex, label=above:1](0) at (0,1) {};
    \node[vertex, label=above:2](1) at (cos{67.5},sin{67.5}) {};
    \node[vertex, label=above:3](2) at (cos{45},sin{45}) {};
    \node[vertex, label=above:4](3) at (cos{22.5}, sin{22.5}) {};
    \node[vertex, label=right:5](4) at (1,0) {};
    \node[vertex, label=below:7](5) at (cos{22.5}, -sin{22.5}) {};
    \node[vertex, label=below:2](6) at (cos{45},-sin{45}) {};
    \node[vertex, label=below:3](7) at (cos{67.5},-sin{67.5}) {};
    \node[vertex, label=below:4](8) at (0,-1) {};
    \node[vertex, label=left:5](9) at (-cos{67.5},-sin{67.5}) {};
     \node[vertex, label=left:1](10) at (-cos{45},-sin{45}) {};
    \node[vertex, label=left:2](11) at (-cos{22.5}, -sin{22.5}) {};
    \node[vertex, label=left:3](12) at (-1,0) {};
    \node[vertex, label=above:4](13) at (-cos{22.5},sin{22.5}) {};
    \node[vertex, label=above:6](14) at (-cos{45},sin{45}) {};
    \node[vertex, label=above:7](15) at (-cos{67.5},sin{67.5}) {};

    \draw(0)--(2);
    \draw(0)--(3);
    \draw(0)--(4);
    \draw(0)--(5);
    \draw(0)--(6);
    \draw(0)--(7);
    \draw(0)--(9);
    \draw(0)--(11);
    \draw(0)--(12);
    \draw(0)--(13);
    \draw(0)--(14);
    \draw(1)--(3);
    \draw(1)--(4);
    \draw(1)--(5);
    \draw(1)--(7);
    \draw(1)--(8);
    \draw(1)--(10);
    \draw(1)--(12);
    \draw(1)--(13);
    \draw(1)--(14);
    \draw(1)--(15);
    \draw(2)--(4);
    \draw(2)--(5);
    \draw(2)--(6);
    \draw(2)--(8);
    \draw(2)--(9);
    \draw(2)--(11);
    \draw(2)--(13);
    \draw(2)--(14);
    \draw(2)--(15);
    \draw(3)--(5);
    \draw(3)--(6);
    \draw(3)--(7);
    \draw(3)--(9);
    \draw(3)--(10);
    \draw(3)--(12);
    \draw(3)--(14);
    \draw(3)--(15);
    \draw(4)--(6);
    \draw(4)--(7);
    \draw(4)--(8);
    \draw(4)--(10);
    \draw(4)--(11);
    \draw(4)--(13);
    \draw(4)--(14);
    \draw(4)--(15);
    \draw(5)--(7);
    \draw(5)--(8);
    \draw(5)--(9);
    \draw(5)--(10);
    \draw(5)--(11);
    \draw(5)--(12);
    \draw(5)--(14);
    \draw(6)--(8);
    \draw(6)--(9);
    \draw(6)--(10);
    \draw(6)--(12);
    \draw(6)--(13);
    \draw(6)--(15);
    \draw(7)--(9);
    \draw(7)--(10);
    \draw(7)--(11);
    \draw(7)--(13);
    \draw(7)--(14);
    \draw(8)--(10);
    \draw(8)--(11);
    \draw(8)--(12);
    \draw(8)--(14);
    \draw(8)--(15);
    \draw(9)--(11);
    \draw(9)--(12);
    \draw(9)--(13);
    \draw(9)--(14);
    \draw(9)--(15);
    \draw(10)--(12);
    \draw(10)--(13);
    \draw(10)--(14);
    \draw(10)--(15);
    \draw(11)--(13);
    \draw(11)--(14);
    \draw(11)--(15);
    \draw(12)--(14);
    \draw(12)--(15);
    \draw(13)--(15);

\end{tikzpicture}
\hspace{0mm}
\begin{tikzpicture}[scale=2.75]
\tikzstyle{vertex}=[circle, draw, fill=black, inner sep=0pt, minimum size=5pt]

    \draw (0,0) circle (1);

    \node[vertex, label=above:1](0) at (0,1) {};
    \node[vertex, label=above:2](1) at (cos{67.5},sin{67.5}) {};
    \node[vertex, label=above:3](2) at (cos{45},sin{45}) {};
    \node[vertex, label=above:4](3) at (cos{22.5}, sin{22.5}) {};
    \node[vertex, label=right:5](4) at (1,0) {};
    \node[vertex, label=below:6](5) at (cos{22.5}, -sin{22.5}) {};
    \node[vertex, label=below:7](6) at (cos{45},-sin{45}) {};
    \node[vertex, label=below:8](7) at (cos{67.5},-sin{67.5}) {};
    \node[vertex, label=below:1](8) at (0,-1) {};
    \node[vertex, label=left:2](9) at (-cos{67.5},-sin{67.5}) {};
     \node[vertex, label=left:3](10) at (-cos{45},-sin{45}) {};
    \node[vertex, label=left:4](11) at (-cos{22.5}, -sin{22.5}) {};
    \node[vertex, label=left:5](12) at (-1,0) {};
    \node[vertex, label=above:6](13) at (-cos{22.5},sin{22.5}) {};
    \node[vertex, label=above:7](14) at (-cos{45},sin{45}) {};
    \node[vertex, label=above:8](15) at (-cos{67.5},sin{67.5}) {};

    \draw(0)--(2);
    \draw(0)--(3);
    \draw(0)--(4);
    \draw(0)--(5);
    \draw(0)--(6);
    \draw(0)--(7);
    \draw(0)--(9);
    \draw(0)--(11);
    \draw(0)--(12);
    \draw(0)--(13);
    \draw(0)--(14);
    \draw(1)--(3);
    \draw(1)--(4);
    \draw(1)--(5);
    \draw(1)--(7);
    \draw(1)--(8);
    \draw(1)--(10);
    \draw(1)--(12);
    \draw(1)--(13);
    \draw(1)--(14);
    \draw(1)--(15);
    \draw(2)--(4);
    \draw(2)--(5);
    \draw(2)--(6);
    \draw(2)--(8);
    \draw(2)--(9);
    \draw(2)--(11);
    \draw(2)--(13);
    \draw(2)--(14);
    \draw(2)--(15);
    \draw(3)--(5);
    \draw(3)--(6);
    \draw(3)--(7);
    \draw(3)--(9);
    \draw(3)--(10);
    \draw(3)--(12);
    \draw(3)--(14);
    \draw(3)--(15);
    \draw(4)--(6);
    \draw(4)--(7);
    \draw(4)--(8);
    \draw(4)--(10);
    \draw(4)--(11);
    \draw(4)--(13);
    \draw(4)--(14);
    \draw(4)--(15);
    \draw(5)--(7);
    \draw(5)--(8);
    \draw(5)--(9);
    \draw(5)--(10);
    \draw(5)--(11);
    \draw(5)--(12);
    \draw(5)--(14);
    \draw(6)--(8);
    \draw(6)--(9);
    \draw(6)--(10);
    \draw(6)--(12);
    \draw(6)--(13);
    \draw(6)--(15);
    \draw(7)--(9);
    \draw(7)--(10);
    \draw(7)--(11);
    \draw(7)--(13);
    \draw(7)--(14);
    \draw(8)--(10);
    \draw(8)--(11);
    \draw(8)--(12);
    \draw(8)--(14);
    \draw(8)--(15);
    \draw(9)--(11);
    \draw(9)--(12);
    \draw(9)--(13);
    \draw(9)--(14);
    \draw(9)--(15);
    \draw(10)--(12);
    \draw(10)--(13);
    \draw(10)--(14);
    \draw(10)--(15);
    \draw(11)--(13);
    \draw(11)--(14);
    \draw(11)--(15);
    \draw(12)--(14);
    \draw(12)--(15);
    \draw(13)--(15);

\end{tikzpicture}
\caption{A 7-colouring and a frozen 8-colouring of $G$.}
\label{fig:G}
\end{figure}

Let $C$ be a cycle on $16$ vertices and $H$ be the fourth power of $C$. Let $v$ be a vertex in $V(C) = V(H)$, and $\alpha$ and $\beta$ be, respectively, the colourings  $1234572345123467$ and $1234567812345678$ of  $V(H)$ in clockwise order around $C$ starting at $v$. Let $G$ be the graph obtained from $H$ by adding any missing edges between pairs of vertices that are coloured distinctly under \emph{both} $\alpha$ and $\beta$; see Figure \ref{fig:G}. By construction, $\alpha$ and $\beta$ are proper in $G$, and as every colour appears in the closed neighbourhood of every vertex in $H$ (and hence in $G$) under $\beta$, the colouring $\beta$ is frozen. It can be checked via a standard implementation in, for example, SageMath, that $G$ is $2K_2$-free. This establishes Theorem \ref{thm:main} when $p = 1$.  For $p \geq 2$, we take the pairwise complete join of $p$ copies of $G$ as our graph.

\section{Closing remarks}

It has been shown that a $k$-colourable graph $G$ is $(k+1)$-mixing if $G$ is in one of several subclasses of $P_5$-free graphs. This includes when $k=2$ \cite{bonamy2014}, for co--chordal graphs, for ($P_5$, $\overline{P_5}$, $C_5$)-free graphs when $k=3$ \cite{feghali2020}, for $P_4$-sparse graphs \cite{biedl2021}, and for $3K_1$-free graphs \cite{merkel2021}. We leave as an open problem whether a $k$-colourable $P_5$-free graph is $(k+1)$-mixing for $3 \le k \le 6$.

In every known example of a $k$-colourable (arbitrary) graph $G$ that is not $(k+1)$-mixing, $G$ has a frozen $(k+1)$-colouring. It would be interesting to know if there are $k$-colourable graphs that are not $(k+1)$-mixing, but where every connected component of $\R_{k+1}(G)$ has more than one vertex.

\section*{Acknowledgments}
Carl Feghali was supported by grant 19-21082S of the Czech Science Foundation. Owen Merkel was partially supported by Natural Sciences and Engineering Research Council of Canada (NSERC) grant RGPIN-2016-06517.

redpajama_set_name: RedPajamaArXiv


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There are lots of books and guides available on how to start a business, so why choose this one?
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text:
Q: CSS last-child on HTML5 article In my blog, I have a series of HTML5 articles like so:

Title

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut laoreet, ligula in commodo vestibulum, erat purus consectetur ipsum, ac sodales quam risus id nibh. Suspendisse iaculis egestas nisi et pharetra. Proin gravida, eros et aliquam tempus, massa diam feugiat urna, vestibulum suscipit purus diam vitae turpis. Cras congue aliquet sollicitudin. Fusce sit amet dui odio. In vitae dictum ante. Lorem ipsum dolor sit amet, consectetur adipiscing elit.

        Read More

....this article repeats 7 times

I want to use css selector, last-child to select the last article and remove the bottom border. Normally I would use article.post:last-child{margin-bottom:0; padding:0; border-bottom:0} but for some reason this isnt selecting the last article. Any idea what I am doing wrong? It works great if I was to use an unordered list, but not so much with articles.

A: I know this is an old problem, but I was having the same issues and came across this.
The above won't work if you have anything after the article tags (i.e. where you typed "....this article repeats 7 times") If there's anything after the article tags (a footer for instance), then the last article is not the last-child of its parent.
This selector worked for me (Windows 8, Chrome):
article:last-of-type{}

See this JSFiddle and try removing the header and footer HTML tags to see the difference between :last-child and :last-of-type

A: You could try this?
article.post div:last-child{}

See this fiddle.
e: I couldn't get it to work either, if I was just using article.post:last-child

A: I think this is just personal preference, but try defining your parent within the selector:
#blog article.post:last-child

see: http://jsfiddle.net/wjCTx/
Also, instead of:

I think using a Section tag may be more semantic.


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Critics are losing it over Jordan Peele's new movie, 'Us'
Everything coming to Netflix in February 2019
'BirdBox' fans have been warned: Do not attempt the blindfold challenge
Riverdale's Mädchen Amick turned down the role of Carrie Bradshaw
Netflix is raising its subscription prices
'Black Mirror' fans are freaking out over 'Bandersnatch'
The new Netflix feature you are going to hate
Netflix Australia is ruining the month of June by axing these movies and TV shows from their site
Everything you need to know about season two of Netflix's 'Mindhunter'
'YOU' creator confirms season THREE is already in the works
Yikes, the second trailer for Jordan Peele's 'Us' just dropped and it's terrifying
Why Netflix's 'Bird Box' is terrifying audiences
The simple Netflix trick you NEED to know
Buckle up, 'Get Out' is coming to Netflix next month
Prepare to wig out with Chris all over again. - by Madison Spira
Happy Tuesday, folks. I come with good news.
Jordan Peele's cinematic masterpiece 'Get Out' is coming to Netflix Australia next month. Oooh, yeah!
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385 likes - View Post on Instagram
Something's not right. Own #GetOut on Digital HD with an Alternate Ending and Deleted Scenes 5/9 #LinkInBio
In case you weren't ballsy enough to see the film when it was in cinemas, which I'm low key judging you for, you're in for one hell of a ride. Here's how the synopsis goes.
Chris (Daniel Kaluuya) and his seemingly normal girlfriend Rose (Allison Williams) have reached the meet-the-parents point in their kind of odd relationship. Rose invites him to their family home which is beautiful, but in the middle of nowhere. Chris, a young African American photographer immediately notices how weird her parents are with their interracial relationship. Over the course of one eventful weekend, Chris discovers a more sinister side to her family. What happens next is completely unexpected. And super trippy.
Something Perfect. #GetOut
Rave reviews from some of the harshest critics followed the film's 2017 release. Not only does it have an average rating of 8.3/10 but 'Get Out' was so brilliant it was even nominated for an Oscar. Need I say more?
Anyway, get yourself mentally prepared because the film is set to hit the streaming service on February 9.
Madison Spira
Madi is WHO magazine's Visual Content Editor. You'll probably find her byline on every story to do with the Kardashians.


Peel and finely slice the onion and garlic. Roughly chop tomatoes. Put a saucepan on a medium heat and add 1 tablespoon of olive oil and the onion, then cook for around 7 minutes, or until soft and lightly golden. Stir in the garlic, then add tomatoes and the vinegar. Season with a tiny pinch of salt and pepper, then continue cooking for around 15 minutes, stirring occasionally. Reduce to low and leave to tick away. fill a large pot three-quarters of the way up with boiling water, add a tiny pinch of salt and bring back to the boil. Add the spaghetti and cook according to packet instructions – you want to cook your pasta until it is al dente. This translates as 'to the tooth' and means that it should be soft enough to eat, but still have a bit of a bite and firmness to it. Once the pasta is done, ladle out and reserve a cup of the cooking water and keep it to one side, then drain in a colander over the sink and tip the spaghetti back into the pot. Stir the spaghetti into the sauce, adding a splash of the pasta water to loosen. Serve with Parmesan cheese over.


The UNESCO International Hydrological Programme (IHP) is the only intergovernmental programme of the UN system devoted to water research, water resources management, and education and capacity building. Since its inception in 1975, IHP has evolved from an internationally coordinated hydrological research programme into an encompassing, holistic programme to facilitate education and capacity building, and enhance water resources management and governance. IHP facilitates an interdisciplinary and integrated approach to watershed and aquifer management, which incorporates the social dimension of water resources, and promotes and develops international research in hydrological and freshwater sciences.