text:
Are Nintendo Switch Games Shareable?
1 Things to remember when game sharing on the Switch
2 How to share a game on your Nintendo Switch
3 1. Buy the game with your Nintendo account
4 2. De-register your Switch as your primary console
5 3. Make the second Switch your new primary console
6 4. Log back in on the first Switch
7 Things to remember
8 History of the Nintendo Switch
Are you wanting to share a Nintendo Switch game with your friends? Maybe you want a game that one of your friends is playing. Well in this article we will let you know if this is possible.
So are Nintendo Switch games shareable?
Although some people have problems gamesharing with their friends, It is possible to gameshare on the Nintendo Switch.
Have you downloaded a Nintendo Switch game that your friend wants to play? No problem, you can share the game with them easily. You will just need to follow the steps we have outlined below. You can also watch this video to show you how to gameshare with your friends.
Want to take your Nintendo Switch to the next level? Then check out this Nintendo Switch accessory bundle by clicking here.
https://www.youtube.com/watch?v=Bd09IpNR3lQ
Video can't be loaded because JavaScript is disabled: How to Game Share on Nintedo Switch with a Friend 2022 Easy Tutorial (https://www.youtube.com/watch?v=Bd09IpNR3lQ)
Do you love your Switch but want to stand out from everyone else with the same model? Then look no further than this custom Joy-Con grip.
This Joy-Con grip will make your Switch console look amazing and you can even choose the one that fits your style the best!
Things to remember when game sharing on the Switch
There is no official game share feature on the Nintendo Switch, but through a workaround, you can still share a game with a friend.
To share a game, you'll need to have a Nintendo account paired with your Switch console.
If you start playing the game on your system, it will pause their game right in the middle of the action.
They will also need an internet connection to play any game you are sharing.
You can't share games that you only have the physical version of.
Below are the steps you will need to follow to game share with your friends.
How to share a game on your Nintendo Switch
Through this method, you can share any game that you have downloaded. To share a downloaded game, you'll have to temporarily deregister your Switch as your primary console (don't worry, you can always undo this change) and give your login information to the other player. This is why who you give it to you must fully trust.
Below, we've outlined how to game share on the Nintendo Switch, so you and a friend or family member can both play the same game on separate systems.
1. Buy the game with your Nintendo account
The initial step appears glaringly evident, yet it's basic that you buy the Switch game you wish to share with others on your personal Nintendo account. Head over to the eShop like you typically would, purchase the game, and afterward completely download it.
2. De-register your Switch as your primary console
Next, you will need to go to the eShop again and tap your profile picture in the top-right corner. Scroll down to the very bottom of the screen and you'll see an option marked "primary console." Deactivate this. As long as you are still signed in to your Nintendo account on this console and have an internet connection, you will be able to still access your games.
3. Make the second Switch your new primary console
On the second Nintendo Switch, with which you will be game-sharing, sign in with the same Nintendo account that is used on the first system. Because you've already de-registered the first Switch, it will automatically change the second Switch to your primary console. Fully download the game you want to play.
Because this console is now your primary console, it can access the games you've purchased. However, if you wish to play online at the same time as the first Switch, you need to sign in to a different Nintendo account on the new primary system. This should be the account you are trying to game share with. If both are online with the same account at the same time, the game will be paused on the first Switch.
4. Log back in on the first Switch
It's a requirement from Nintendo that non-primary accounts must be connected to the internet in order to access games, so this is something you'll need to keep in mind from this point forward. You should be able to download and play the same game at the same time as the second Switch. You will also still be able to download any other games associated with your Nintendo account.
Do not delete your Nintendo Switch user profile from your first Switch system during this process. Doing this will also erase save data stored locally on the machine. If you have a Nintendo Switch Online membership and you use the cloud backup system, your saves can still be restored, but a few titles including Pokémon: Let's Go cannot be backed up online.
History of the Nintendo Switch
Nintendo Switch is a hybrid console that can be used as a home console and also a portable device. It has wireless Joy-Con controllers, with standard buttons and directional analog sticks for user input, motion sensing, and tactile feedback. These can attach to both sides of the console to support handheld style play. They can also connect to a Grip accessory to provide a traditional home console gamepad form or be used individually in the hand like the Wii Remote and Nunchuk, supporting local multiplayer modes.
The Nintendo Switch's software supports online gaming through Internet connectivity, as well as local wireless ad hoc connectivity with other consoles. The Nintendo Switch games and software are available on both physical flash-based ROM-cartridges and digital distribution via the Nintendo eShop. Because of this, the system has no region lockout. A handheld-focused revision of the system called the Nintendo Switch Lite was released on September 20, 2019.
The Nintendo Switch was unveiled in October 2016. It was known in development by its codename the NX. The concept of the Switch came about as Nintendo's reaction to several quarters of financial losses into 2014. Nintendo was losing money because of bad sales of the Wii U as well as the increase of the mobile gaming market.
Nintendo's then-president Satoru Iwata pushed the company towards mobile gaming and novel hardware. The Nintendo Switch's design is aimed at a wide demographic of video game players through multiple modes of use.
Nintendo opted to use more standard electronic components, such as a chipset based on Nvidia's Tegra line, to make development for the console easier for programmers and more compatible with existing game engines. Because the Wii U had struggled to gain external support, it was left with a weak software library. Nintendo didn't want history to repeat itself, so they preemptively sought the support of many third-party developers and publishers to help build out the Switch's game library.
Although Nintendo only anticipated around 100 titles for its first year, over 320 titles from first-party, third-party, and independent developers were released by the end of 2017! This led to bigger sales of the Switch because it appealed to more people.
As an eighth-generation console, the Nintendo Switch competes with Microsoft's Xbox One and Sony's PlayStation 4. The console shipped nearly three million in the first month of its launch, exceeding Nintendo's initial projection of two million.
Although this was good news, this was nothing compared to the first year sales that reached over 14 million units sold worldwide! the Switch became the fastest-selling home console in both Japan and the United States. As of December 2019, the Nintendo Switch and Switch Lite have sold more than 52 million units worldwide.
Switch sales have been strongly tied to the sales of Nintendo's first-party titles. These titles include:
Pokémon: Let's Go
Each one of these games produced over 10 million downloads each!
Even though the Nintendo Switch was not originally designed to gameshare, it is still a possibility and many people today do it. If you have not purchased your Nintendo Switch yet, you can get your here.
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Join us in the new Huron/King's/Western Joint Minor in Public History–the first and only undergraduate Public History program in Canada. The 4.0 course module will introduce you to the field of Public History, and provide opportunities for gaining practical experience through partnerships with museums, heritage organizations, libraries and archives.
The Public History module is supported by Huron History's program strengths in community-based research and active history, and by the breadth and depth of Public History scholarship and course offerings in the Department of History at Western and the Department of History at King's.
Huron students can combine the minor module in Public with other History modules, or with modules in other disciplines, such as Archaeology; Classical Studies; English and Cultural Studies; Geography; Media, Information and Technoculture; and Visual Art.
Previous Post New editions published!


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Q: How to make a toggle button in javascript to change the backgrounds of divs, text of a  tag and switch between two groups of divs So I've been working on this project for a few days where I would like to toggle several elements of a page to hide and make others appear. This happens with the use of the button you see before you. The button successfully changes the page to the other but I am unable to bring it back to the other setting. I change the backgrounds with the use of data- values in the divs. The problem is I have a limited understanding of javascript and am sure that my code is probably riddled with problems. So in conclusion I would like the button to be able to toggle between both states of the page. I am also willing to use JQuery which there is some of already in my code. As a last note I would also like to later add css transitions later if that would change anyones answer or if anyone could provide any advice on that before i do it that would be great.

This is a sample of the HTML of one of the divs. This particular one contains the button that toggles and the divs that I want to switch out

TOPICS

ALL

POLITICS

ETHICS

MISCALULATIONS

Click to see more info

Click to see more info

Click to see more info

Click to see more info

Click to see more info

Click to see more info

Click to see more info

Click to see more info

            <button type="button" class="btn-switchbutton color-div" id="change-page" data-color="#9a0707" data-color1="">Change Veiw</button>

This is a sample of a div that replaces the others but is hidden by default

Click to see more info

This is the code before I started messing with it but sadly it is unable to toggle.

$('body').on('click', '#change-page', function () {
            $('.color-div').each(function () {
                $(this).css('background-color', $(this).data('color'));
            });
            // Changes the topics
            $('#badTopic1, #badTopic2, #badTopic3, #badTopic4, #badTopic5, #badTopic6, #badTopic7, #badTopic8').each(function () {
                $('#badTopic1, #badTopic2, #badTopic3, #badTopic4, #badTopic5, #badTopic6, #badTopic7, #badTopic8').show();
                $("#goodTopic1").replaceWith($("#badTopic1"));
                $("#goodTopic2").replaceWith($("#badTopic2"));
                $("#goodTopic3").replaceWith($("#badTopic3"));
                $("#goodTopic4").replaceWith($("#badTopic4"));
                $("#goodTopic5").replaceWith($("#badTopic5"));
                $("#goodTopic6").replaceWith($("#badTopic6"));
                $("#goodTopic7").replaceWith($("#badTopic7"));
                $("#goodTopic8").replaceWith($("#badTopic8"));
            });
            // Changes the about the page text
            $('.change-text').each(function () {
                document.body.innerHTML = document.body.innerHTML.replace('Hello and welcome to (insert name here). Here you are able to see unbiased opinions on the current several current happenings of the world. There is a collection of eight good and bad events that have occurred in our recent history and we would like to share the correct information on the matters.',
                    'Lorem ipsum dolor sit amet, eu sed duis harum. Ex eam congue ponderum electram, nec elit graecis eu, error dolore mandamus nec at. At ullum facilisis eum. In sea consequat incorrupte, viris facilis ad vel. Eos no diceret recusabo, mei et soleat postulant philosophia, cibo libris omnium an mea.');
            });
        });

This is the new code that I'm sure there is an correct and much simplier way of doing

$('body').on('click', '#change-page', function () {
        var element = $("#bg-carousel");

    if(element.css('background-color') == "#e54f31") {

        $('.color-div').each(function () {
                $(this).css('background-color', $(this).data('color1'));
            });
            // Changes the topics
            $('#badTopic1, #badTopic2, #badTopic3, #badTopic4, #badTopic5, #badTopic6, #badTopic7, #badTopic8').each(function () {
                $('#goodTopic1, #goodTopic2, #goodTopic3, #goodTopic4, #goodTopic5, #goodTopic6, #goodTopic7, #goodTopic8').hide();
                $('#badTopic1, #badTopic2, #badTopic3, #badTopic4, #badTopic5, #badTopic6, #badTopic7, #badTopic8').show();
                $("#goodTopic1").replaceWith($("#badTopic1"));
                $("#goodTopic2").replaceWith($("#badTopic2"));
                $("#goodTopic3").replaceWith($("#badTopic3"));
                $("#goodTopic4").replaceWith($("#badTopic4"));
                $("#goodTopic5").replaceWith($("#badTopic5"));
                $("#goodTopic6").replaceWith($("#badTopic6"));
                $("#goodTopic7").replaceWith($("#badTopic7"));
                $("#goodTopic8").replaceWith($("#badTopic8"));
            });
            // Changes the about the page text
            $('.change-text').each(function () {
                document.body.innerHTML = document.body.innerHTML.replace('"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat');
            });
    }

    else {

        $('.color-div').each(function () {
                $(this).css('background-color', $(this).data('color'));
            });
            // Changes the topics
            $('#goodTopic1, #goodTopic2, #goodTopic3, #goodTopic4, #goodTopic5, #goodTopic6, #goodTopic7, #goodTopic8').each(function () {
                $('#badTopic1, #badTopic2, #badTopic3, #badTopic4, #badTopic5, #badTopic6, #badTopic7, #badTopic8').hide();
                $('#goodTopic1, #goodTopic2, #goodTopic3, #goodTopic4, #goodTopic5, #goodTopic6, #goodTopic7, #goodTopic8').show();
                $("#badTopic1").replaceWith($("#goodTopic1"));
                $("#badTopic2").replaceWith($("#goodTopic2"));
                $("#badTopic3").replaceWith($("#goodTopic3"));
                $("#badTopic4").replaceWith($("#goodTopic4"));
                $("#badTopic5").replaceWith($("#goodTopic5"));
                $("#badTopic6").replaceWith($("#goodTopic6"));
                $("#badTopic7").replaceWith($("#goodTopic7"));
                $("#badTopic8").replaceWith($("#goodTopic8"));
            });
            // Changes the about the page text
            $('.change-text').each(function () {
                document.body.innerHTML = document.body.innerHTML.replace('Hello and welcome to (insert name here). Here you are able to see unbiased opinions on the current several current happenings of the world. There is a collection of eight good and bad events that have occurred in our recent history and we would like to share the correct information on the matters.',
                    'Lorem ipsum dolor sit amet, eu sed duis harum. Ex eam congue ponderum electram, nec elit graecis eu, error dolore mandamus nec at. At ullum facilisis eum. In sea consequat incorrupte, viris facilis ad vel. Eos no diceret recusabo, mei et soleat postulant philosophia, cibo libris omnium an mea.');
            });
    }
        });

This is what it looks like before

This is what it looks like afterclick the colors and text change but the divs dont. It keeps the first divs but doesn't hide them and I think it moves the other set of divs into position it just keeps them hidden. The biggest problem is that it doesn't let the user switch back.

A: There's an easier way, by just adding a couple divs to hold your two views:
     ...

POLITICS

ETHICS

MISCALULATIONS

         ...
          ...

         ...
         ...

Then, in your JS making view1 disappear and view2 appear would be as simple as
$('view1').css('display','block'); $('view2').css('display','none');

Then, swap them back:
$('view2').css('display','block'); $('view1').css('display','none');

There's no replacing, so nothing is ever lost.

redpajama_set_name: RedPajamaStackExchange


text:
Chew in baseball, Chewing tobacco, San Francisco
Follow-up: San Francisco may ban chewing tobacco at AT&T Park
February 27, 2015 Pepe Lepew	Leave a comment
I wrote about this a day or two ago — a bill has been proposed to ban chewing tobacco both on the field and in the stands of all California ballparks, including Major League ballparks.
Now, while such a bill is likely a longshot to pass, here is an ordinance that might have a better chance. In addition to the statewide bill, there has also been an ordinance proposed to ban chewing tobacco at ballparks within the city and county of San Francisco. Well, there's one major ballpark in the city — AT&T Park, home to the San Francisco Giants.
SFGate interviewed several players about the proposal, who said it would be difficult to enforce.
Also in Arizona, Giants manager Bruce Bochy, who quit chewing tobacco with the help of a hypnotherapist, said: "To force a ban, that's going to be difficult. I'll say that. (Quitting) is something you have to want to do. I know baseball is doing a great job of trying to keep these guys from doing chewing or dipping. I'm guilty. It's part of the the game I grew up with."
The County Supervisor behind the proposal, Mark Farrell, said he has spken with Major League Baseball and the Giants about the idea, and said he's "not ruling out" exemption for AT&T Park if an agreement cant be reached with the Player's Association.
Major League Baseball has publicly stated that it is interested in banning chew at ballparks (it is already banned in Minor League parks and by the NCAA), but that it would require an agreement with the Players' Association. Chew, which for some mystifying reason is deeply ingrained in the game of baseball, is expected to be discussed as part of the next collective bargaining agreement in 2016.
Chewchew in baseballSan Francisco
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redpajama_set_name: RedPajamaCommonCrawl


11:59 Harsh: We would like to incorporate more transparent processes in policy redesign. We have tried this – online, on social networks and otherwise – but often it comes down to resources. And where do you spend the resources you have? Health, roads, transport? Prioritization needs to happen.
11:57 Ashwin: Just because we give money, we don't have the right to tell people that they are wrong and that we should accept our way. A basic human freedom that we have is the right to make mistakes, because that is how we learn.
11:56 Sneha: The approach, most often, do not look at the larger systems of policy implementation. It's not just a matter of policy, but the ability to look at the larger problems with implementation – for example the lack of knowledge of certain ways of thinking – and to collaborate in this process.
11:54 Rohini: How can we creative more participative process within design itself? Many examples in my work, including Pratham books.
11:51 Ashwin: There's a general perception that government doesn't listen to us. My perception is that not enough people are actually trying to be heard. You have to first ask and answer another question: is public space about contestation or consensus? The political space is contestational. But we would ideally like that governmental space to be not contestational, but rather we want consensus.
11:48 Question: can we translate some of these issues into a more visual medium? Can we make some of these problems more visible?
11:47 Aditya Sood: Is there a scope for using design approaches for policy redesign?
11:45 Rohini: Risk-taking is a necessary part of any innovation or policy or service redesign.
11:43 Ashwin: Even to do good things in the public sector, you have to mimic some of the commercial processes. The problem is that nitty-gritties are what determine the changes in the public sector.
11:42 Question to the panel: can something be done to regulate policy for better public-private partnerships?
11:40 Ashwin: Unless you have face time with the right people to make your solutions happen, it won't take off. And that doesn't just involve having a good solution..
11:38 Sneha: CKS' work is about an unbiased approach to first understand the situation, and then we may or may not actually be involved in creating solutions.
11:33 Rohini: Pratham books was set up as a social enterprise. It came to involve philanthropy, design, education — all of these things. People buy them, but also many kids get them for free. We have a wide network of volunteers – writers, illustrators, translators, funders. Collaboration at its best?
11:31 Rohini to Ashwin: What I might want in my street may be different from what I want in my nation, and sometimes I may not be able to tell the difference between the two.
11:29 Ashwin: The real problem is that people do not want to do the solutioning themselves – they expect the government to do this. The lesson we can learn from many countries in the west is that government allows the people to make and implement their own solutions. Here in India, the government is afraid of the people.
11:27 Harsh: Loads of research happens, especially when it funded by international agencies and so forth. But the real question is: what comes after this?
11:24 Mahesh Murthy asks if academia often refuses to consider points of interests of different groups, and disallows these points of view.
11:23 Rohini Nilekani: there are many interest groups and often each one thinks that only their interests matter. We have to be able to compromise, yes?
11:21 Sunil asks Ashwin: Sometimes people use words like participation and collaboration, but often this amounts to tokenism. What do make of this?
11:20 Sneha gives an example of CKS' work in Maternal and Child Healthcare to show how these public-private partnerships can be aligned better towards the larger public interest.
11:17 Harsh: My way of protecting Bangalore's reputation as the hub for innovation in India is to encourage more competition so that Bangalore has to get even better.
11:16 Rohini Nilekani talks about how we all need to work collaboratively towards the public interest. We need to innovate and design checks and balances to curb the power imbalances.
11:13 Sunil Abraham asks Rohini Nilekani: Competence and innovation doesn't exist solely within government. Since increasingly there are more public-private partnerships, how can these collaborations yield innovations?
11:11 Ashwin Mahesh: What is our capacity to make change, and where does that capacity come from? We might say it should come from a knowledge society, but the truth is that simply having knowledge may not actually yield innovation.
11:10 Ashwin Mahesh: We used to have excellent mousetraps, called Cats.
11:09 Ashwin Mahesh says these words sometimes don't mean anything – he does what he does, and if it is innovation, great, but if it isn't, it isn't.
11:07 Asks Ashwin Mahesh about some thing that emerged from Design Public 1: someone said there that the government is not meant to innovate. What can you say about that now?
11:04 Session starts with Sunil Abraham talking about the Spice mobile, similar to a Blackberry, but far cheaper. Has a variety of features, and is made in a Chinese company somewhere in China. Claims that he, for one, is not grieving for Steve Jobs, because these companies and factories in China continue to exist.
At the Sankalp Forum earlier in the year there was a panel on social venturing which ended with a bit of uncertainty regarding what kinds of projects were social in nature, versus those which were merely plain-vanilla capitalist ventures. How can one make and maintain such a distinction? Does one have to build a start-up to be a Social Innovator? To what extent do social ventures use design or structured innovation processes to decide what to do? Is that the next stage?
This panel is being chaired by Sunil Abraham of the Center for Internet and Society, who is in conversation with Rohini Nilekani of Arghyam and Pratham, Ashwin Mahesh of Mapunity and Harsh Shrivstava of the National Planning Commission. Sneha Raman of the Center for Knowledge Societies is the respondent, bringing knowledge of how design processes can create new kinds of value and generate more effective interventions in Public and Social Sector Projects.


Haven Craft presents: the 2018 Harvest and Hallows Spooktacular!
Fly, creep, crawl, or slither to the FunkYard on October 28th, from 2 to 8 pm! Something's brewing, and it'll be ghoulishly fun, a wicked good time for everyone! Nevada Taste Site and ReBar will have treats and boos, while the FunkYard will host a variety of games, activities, and entertainment!
This event is an interfaith, intercultural celebration. Children of all ages may trick or treat from table to table, handcrafting items and playing games that teach how different faiths, cultures, spiritual paths, and traditions celebrate this transitional time of year. There will be face painting, dance and sing a longs, a costume contest, raffle prizes, and much, much more!
So come on down for candy galore in your best frightful attire and have a bountiful blast!
The event is taking place inside the FunkYard, behind ReBAR and Nevada Taste Site, in the Arts District of Main Street. There is free extra parking on Colorado, in a dirt lot dedicated to Arts Factory businesses, thanks to the efforts of ReBAR and Nevada Taste Site.


text:
Q: D Lang. Упаковать DLL в EXE Здравствуйте. Вопрос по std.net.curl.
Класс использует динамическую библиотеку libcurl.dll, пытается ее подгрузить из системных папок и из папки с исполняемым EXE.
Вопрос заключается в следующем, как можно упаковать данную библиотеку в сам exe. И еще один вопрос, как из программного кода получить доступ к ресурсам, к примеру к sometext.txt на скриншоте.


text:
The Castles of Mad King Ludwig II
Fairy-tale turrets decorate Neuschwanstein Castle, King Ludwig's alpine retreat. (photo: Dominic Bonuccelli)
Hohenschwangau Castle, Ludwig's childhood home, nestles on a postcard-perfect Bavarian hillside. (photo: Dominic Bonuccelli)
Touristy, glorious, and romantic, the mountainous borderlands of southern Bavaria house some of Germany's best attractions. My favorites are three of King Ludwig II's castles: stocky Hohenschwangau, his boyhood home; the nearby and fanciful Neuschwanstein, his dream escape; and Linderhof, his final retreat.
Ludwig was just 18 when he became king of Bavaria in 1864. Rather than live with the frustrations of a modern constitution and a feisty parliament reining him in, he spent his years lost in Romantic literature and operas…chillin' with the composer Wagner as only a gay young king could. From his bedroom in Hohenschwangau, Ludwig trained a telescope on a ridge to keep an eye on Neuschwanstein as it was being constructed.
On my last visit, I peered through that telescope up to Neuschwanstein Castle (which inspired another boy, named Disney). I could relate to the teen-king Ludwig. As a kid, bound by schoolwork and house rules, and with a stretched-out turtleneck and zits rather than crowns and composer friends, I, too, had built a castle: a tree house with a shiny roof. It was the envy of other little kings in my neighborhood.
Then, at age 18, I made my first independent trip to Europe. I toured Ludwig's postcard-perfect Neuschwanstein, and saw firsthand just how big, dramatic, and over the top a "real" fairy-tale castle could be. Ludwig's extravagance and romanticism earned him the epithet of "Mad" King Ludwig.
With towering turrets in a striking setting, these castles are a huge hit with sightseers. Every tour bus in Bavaria converges on Neuschwanstein and Hohenschwangau, while more tourists flush in each morning by train from Munich, two hours away. As if by the wave of a magic wand, a handy reservation system with set admission times sorts out the chaos for smart travelers.
The castle, built in the age of the typewriter and telephone, is a textbook example of 19th-century Romanticism. After the Middle Ages ended, people disparagingly named that era "Gothic" — meaning barbarian. Then, all of a sudden, in the 1800s, it was hip to be square, and Neo-Gothic became the rage. Throughout Europe, old castles were restored and new ones built, this time plastered with features recalling, with little historical accuracy, a bygone age of chivalry and mystique.
Germany became a single united country only in 1871. As if to bolster its legitimacy, the young nation dug deep into its murky, medieval past. These same heroes and legends inspired young Ludwig in decorating his fanciful castles — Neuschwanstein's lavish interior is covered with images of damsels in distress, dragons, and knights in gleaming armor.
Sitting at the foot of Neuschwanstein's hill, Hohenschwangau Castle is more lived-in and historic, offering an excellent look at Ludwig's life (with fewer crowds). Originally built in the 12th century, it was ruined by Napoleon. Ludwig's father rebuilt it, and you'll see it as it looked in 1836. The walls of the beautifully painted rooms are slathered with the epic myths and exotic decoration of 19th-century Romanticism.
The homiest of Ludwig's castles is the small and comfortably exquisite Linderhof, set in the woods 15 minutes from Oberammergau, the Shirley Temple of Bavarian villages (a 45-minute drive from Hohenschwangau). Surrounded by fountains and sculpted, Italian-style gardens, it's the only place I've toured that actually had me feeling palace envy.
Ludwig lived much of his last eight years at Linderhof. Frustrated by the limits of being a constitutional monarch, he retreated here, inhabiting a private fantasy world where his lavishness glorified his otherwise weakened kingship. He lived as a royal hermit; his dinner table — pre-set with dishes and food — rose from the kitchen below into his dining room so he could eat alone.
Beyond the palace is Ludwig's grotto, a private theater for the reclusive king to enjoy his beloved Wagnerian operas — he was usually the sole member of the audience. The grotto features a waterfall, fake stalactites, and a swan boat floating on an artificial lake. The first electricity in Bavaria was generated here, to change the colors of the stage lights and to power Ludwig's fountain and wave machine.
My preferred home base for exploring Bavaria's castles is Füssen, a town that's a mix of real-world and cutesy-cobbled; it's the closest to Neuschwanstein and Hohenschwangau, and also the handiest for train travelers. Reutte, actually just over the border in Austria, isn't as appealing as a town, but its surrounding villages are home to some of the coziest rural accommodations in the region, making it particularly good option for drivers.
Ludwig was king for 23 years. In 1886, fed up with his extravagances, royal commissioners declared him mentally unfit, and he died soon after under mysterious circumstances. But no one complains anymore about the cost of Ludwig's castles. Within six weeks of his funeral, tourists were paying to see the castles — and they're still coming.
Germany Guidebook


text:
Q: Java any ways to square root faster? Is there any know formula to square root faster in java, I use eclipse here's my normal code. I found a looping way that was inaccurate I'm using this for an elo calculater.
 Elo = Elo - (Math.sqrt(pointslot)/(elop-eloo)*2)

A: Here's the source for Java's Math.sqrt(). Optimize away. Looks pretty simple.
static const double one = 1.0, tiny=1.0e-300;

double z;
int sign = (int) 0x80000000;
unsigned r, t1, s1, ix1, q1;
int ix0, s0, q, m, t, i;

ix0 = __HI(x); /* high word of x */
ix1 = __LO(x); /* low word of x */

/* take care of Inf and NaN */
if ((ix0 & 0x7ff00000) == 0x7ff00000) {
    return x*x+x; /* sqrt(NaN) = NaN,
                     sqrt(+inf) = +inf,
                     sqrt(-inf) = sNaN */
}

/* take care of zero */
if (ix0 <= 0) {
    if (((ix0&(~sign)) | ix1) == 0) {
        return x; /* sqrt(+-0) = +-0 */
    } else if (ix0 < 0) {
        return (x-x) / (x-x); /* sqrt(-ve) = sNaN */
    }
}

/* normalize x */
m = (ix0 >> 20);
if (m == 0) { /* subnormal x */
    while (ix0==0) {
        m -= 21;
        ix0 |= (ix1 >> 11); ix1 <<= 21;
    }
    for (i=0; (ix0&0x00100000)==0; i++) {
        ix0 <<= 1;
    }
    m -= i-1;
    ix0 |= (ix1 >> (32-i));
    ix1 <<= i;
}

m -= 1023; /* unbias exponent */
ix0 = (ix0&0x000fffff)|0x00100000;
if (m&1) { /* odd m, double x to make it even */
    ix0 += ix0 + ((ix1&sign) >> 31);
    ix1 += ix1;
}

m >>= 1; /* m = [m/2] */

/* generate sqrt(x) bit by bit */
ix0 += ix0 + ((ix1 & sign)>>31);
ix1 += ix1;
q = q1 = s0 = s1 = 0; /* [q,q1] = sqrt(x) */
r = 0x00200000; /* r = moving bit from right to left */

while (r != 0) {
    t = s0 + r;
    if (t <= ix0) {
        s0 = t+r;
        ix0 -= t;
        q += r;
    }
    ix0 += ix0 + ((ix1&sign)>>31);
    ix1 += ix1;
    r>>=1;
}

r = sign;
while (r != 0) {
    t1 = s1+r;
    t = s0;
    if ((t<ix0) || ((t == ix0) && (t1 <= ix1))) {
        s1 = t1+r;
        if (((t1&sign) == sign) && (s1 & sign) == 0) {
            s0 += 1;
        }
        ix0 -= t;
        if (ix1 < t1) {
            ix0 -= 1;
        }
        ix1 -= t1;
        q1  += r;
    }
    ix0 += ix0 + ((ix1&sign) >> 31);
    ix1 += ix1;
    r >>= 1;
}

/* use floating add to find out rounding direction */
if((ix0 | ix1) != 0) {
    z = one - tiny; /* trigger inexact flag */
    if (z >= one) {
        z = one+tiny;
        if (q1 == (unsigned) 0xffffffff) {
            q1=0;
            q += 1;
        }
    } else if (z > one) {
        if (q1 == (unsigned) 0xfffffffe) {
            q+=1;
        }
        q1+=2;
    } else
        q1 += (q1&1);
    }
}

ix0 = (q>>1) + 0x3fe00000;
ix1 =  q 1>> 1;
if ((q&1) == 1) ix1 |= sign;
ix0 += (m <<20);
__HI(z) = ix0;
__LO(z) = ix1;
return z;


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text:
News Blog One Year Later: How the Great American Outdoors Act Is Funding Trail Fixes
One Year Later: How the Great American Outdoors Act Is Funding Trail Fixes One year on from the signing of the Great American Outdoors Act, funding for stewardship and maintenance of trails has helped WTA to make great strides in our work. With four more years of GAOA funding to go, we're optimistic at what we can achieve, but we know that making trails for everyone, forever will take a lot more work. https://ww.wta.org/news/signpost/gaoa-one-year-later https://ww.wta.org/news/signpost/gaoa-one-year-later/@@download/image/heather lake with clouds by rachel glover.jpg
One Year Later: How the Great American Outdoors Act Is Funding Trail Fixes
Posted by jmoschella at Aug 06, 2021 01:30 PM | Permalink
Filed under: Trail Funding, Trails Rebooted, Trails Rebooted Signature, Lost Trails Found, Pasayten
One year on from the signing of the Great American Outdoors Act, funding for stewardship and maintenance of trails has helped WTA to make great strides in our work. With four more years of GAOA funding to go, we're optimistic at what we can achieve, but we know that making trails for everyone, forever will take a lot more work.
On August 4, 2020, the Great American Outdoors Act (GAOA) was signed into law. Hailed at the time as an incredible success of bipartisan support for public lands, GAOA was a win for outdoor advocates nationwide.
Heather Lake is one of many trails related to the Mountain Loop Highway that may see improvements due to GAOA funding. Photo by Rachel Glover.
We reported on the details of this act and how it incorporates two pieces of legislation that WTA has long advocated for — full funding for the Land and Water Conservation Fund and funding to address the deferred maintenance backlog on federal lands.
GAOA's impacts to public lands were intended to be immense, making significant investments into outdoor recreation:
Permanently funding ($900 million annually) the Land and Water Conservation Fund.
$1.9 billion in funding (annually, for five years) for priority deferred-maintenance projects on federal lands.
After one year of implementation, now is a great time to take a look back at the Great American Outdoors Act, one of the best successes in hiker advocacy in recent history.
Turning funding into fixes: Addressing deferred maintenance for trails
With such a significant investment into addressing deferred maintenance on federal public lands, the Great American Outdoors Act's lasting impact on outdoor recreation will be measured for a long time. The legislation spreads out its investment across different agencies like the U.S. Forest Service, National Park Service, U.S. Fish and Wildlife Service and Bureau of Indian Affairs. Of the $1.9 billion in annual investments, $285 million annually is allocated directly to the U.S. Forest Service.
This investment marked a huge success for trail advocates working to fix the massive backlog of trail maintenance that has been deferred. As population growth in Washington adds hikers to our trails, we need to invest in ways to keep our trails safe and sustainable for the future. Maintaining our trails is one of the best ways to do that.
The first step in this process was for the government to set up the National Parks and Public Land Legacy Restoration Fund (LRF), to act as the bank account built to address the deferred maintenance backlog. Translating this funding into real-time trail work has relied on collaboration between the Forest Service and organizations like WTA to plan for which projects fit the fund's priorities.
For the 2021 fiscal year, that meant that 556 projects were authorized by Congress for implementation. The Pacific Northwest received $40 million in GAOA funds towards projects in 2021, with 29 projects receiving funding. Those projects include things like "deferred maintenance on 1,500 miles of priority trails in the Pacific Northwest" and work to enhance the Mountain Loop Highway Corridor, an area that has been a priority for WTA's Trails Rebooted Campaign. That means funding for projects like:
Replacing a bridge and boardwalk at Big Four Ice Caves
Improving the trailhead and replacing a bridge at Heather Lake
Conducting trail maintenance and bridge repair at Lake 22
Other improvement projects include road improvements on Forest Road 25 in the Gifford Pinchot National Forest and restroom replacement in recreation areas across both Oregon and Washington. (Forest Road 25 helps provide recreation access to the Mount St. Helens Volcanic Monument and views of Spirit Lake.)
Planning for additional "shovel-ready" projects for the future has already begun. The USDA has released its list of proposed projects for 2022, which includes investments in things like the Pacific Crest Trail and further investments in trail work around the Mountain Loop Highway. Looking further ahead to 2023, we are hopeful that projects like road improvements in the Snoquera area, trails on the Mountain Loop Highway and infrastructure improvements at popular sites like Heather Meadows will make the final list.
The great American backcountry pro-crew
As part of the investments that GAOA made into deferred maintenance, WTA was able partner with the Forest Service to employ a backcountry pro crew that has been working on trails all summer. The six-person pro crew is focusing on addressing maintenance needs on backcountry trails in three wilderness areas in the Okanogan-Wenatchee National Forest: Pasayten, Glacier Peak, and Lake Chelan-Sawtooth.
Thanks to GAOA funding and the support of WTA members, the pro crew has made incredible strides into important trailwork in the Okanogan-Wenatchee National Forest. Here are some stats from their work already this summer:
32 days of work on 80 miles of trail
893 logs cleared
Midway through one season, the WTA pro crew has made incredible headway on addressing deferred maintenance. With GAOA investments for four more years, we're excited about the opportunity that a crew like this offers for trail maintenance in Washington.
Mount Saint Helens National Monument has received funding through LWCF. GAOA projects like improvements to Forest Road 25 will help preserve recreation access to the area. Photo by Richard Mrozek.
Full Funding for Land and Water Conservation
The new law has also made a substantive impact on conservation by providing full and permanent funding for the Land and Water Conservation Fund (LWCF). Full funding for LWCF has been a WTA priority for many years.
LWCF is the nation's most successful conservation and recreation program. It works to support local economies, tourism and recreation and increase access to the outdoors by funding land acquisition and conservation projects. LWCF also works to support America's state park system and local communities through grants that help create trails, parks, playgrounds, urban wildlife refuges, greenways and other recreational facilities.
At $900 million annually, LWCF will be able to work towards addressing a substantial backlog of federal conservation needs estimated at more than $30 billion. The President's proposed 2022 budget invests $232.4 million in state and local assistance grants as well as $125 million targeted toward urban underserved communities via the LWCF-funded Outdoor Recreation Legacy Partnership Program.
Washington public lands and trails have benefited tremendously from LWCF. Since 1965, LWCF has helped to protect places like Mount Rainier and Olympic National Parks, Ebey's Landing National Historical Reserve, the Pacific Crest National Scenic Trail and Columbia River Gorge. Matching grants have supported local areas in Washington like Riverbend Park in Spokane, Gas Works Park in Seattle, the Burnt Bridge Creek Trail in Vancouver and the Oak Creek Elk Viewing Area in Yakima County.
The work isn't done: Join us to keep creating change
GAOA funding lasts for five years, meaning that from 2022-2025, another $1.14 billion will be invested into maintenance on Forest Service lands.
Despite the substantial investments, the backlog of trail maintenance nationwide is still lengthy. In 2019, the Forest Service reported this backlog as more than $5.2 billion, which is four times more than the total amount of funds that will be available to the agency as part of GAOA funding.
Funding for just maintenance won't solve the entirety of the issue either. As GAOA funding increases the opportunities of partnerships for trail maintenance, the requirements for agencies like the Forest Service also increase. They need more staff to help develop agreements, conduct the necessary permitting for these projects and engage with underserved communities. Since 1992, the Forest Service has seen reductions in important positions like fishery biologists, wildlife biologists and forestry technicians.
With more people recreating on public lands and less staffing, a bold investment in the Forest Service is required. Increased funding for staffing and stewardship must be cornerstones of those new investments, which is why we asked hikers on Washington Trails Day this year to urge our Senators to invest in trails.
Take action: There's still time to sign the petition.
After such a successful year, we can celebrate our leaders coming together to invest in our public lands. But the work isn't done, we are far from a future of trails for everyone, forever. Climate change and population growth means our work is more important than ever. Advocates like you will make the difference, keeping trails and public lands on the forefront of our legislators' priorities at all levels of government.
Sign up for our Trail Action Network today.


text:
class Lean::Router
  def self.routes
    ["config/routes.rb",File.dirname(__FILE__) + "/config/routes.rb"].each do |path|
      if File.exist? path
        return instance_eval File.read(path)
      end
    end

    raise "routes.rb was not found."
  end

  def self.route(request)
    if routes[request.request_method.downcase]
      routes[request.request_method.downcase].each do |uri_pattern, route|
        uri = request.path.sub(/\A\//,'').sub(/\/\z/,'')

        if matches = uri.match(uri_pattern)
          path = substitute route.split('#'), matches

          return [path[0], path[1], path[2...path.length]]
        end
      end
    end

    raise "No route found for #{request.request_method} #{request.path}"
  end

  def self.substitute(path, matches)
    path.map! do |item|
      for i in 1...matches.length
        item.gsub! "$#{i}", matches[i]
      end
      item
    end

    path
  end
end

redpajama_set_name: RedPajamaGithub


We are currently looking for multiple Capital Project Managers to join a leading Biopharmaceutical company on an initial 6 month contract based in the Berkshire area. As the Capital Project Manager you will be responsible for managing multiple construction based projects.
1. As the Capital Project Manager, you will managing numerous refurbishment projects so having a construction background working within the Bio/Pharmaceutical industry is essential.
2. In addition to construction based projects, you will also be responsible for managing the project life cycle of specialised process equipment.
3. As the Capital Project Manager, you will be working within a multifunctional project team where you will be managing projects from design all the way through to handover.
1. Relevant degree in an Engineering discipline or equivalent qualifications.
2. Proven industry experience working within a Bio/ Pharmaceutical company is essential.
3. A working knowledge and practical experience with construction, refurbishment based projects is essential.


text:
Women demand Olympic equality
24 July 2012 20 May 2016 Peter Tatchell Foundation
Sexist discrimination remains, must be remedied by IOC
You are invited – Public meeting
London 2012: Justice for Women
10:30am to 2pm
On board the ship Hispaniola, moored on the River Thames
Map: http://goo.gl/ff5IR
Nearest tube: Embankment
Leading French yachtswoman, Anne Liardet, and former supermodel and Bond girl, Waris Dirie, now a campaigner for women's rights, are guests of honour at Wednesday's meeting, which is demanding an end to discrimination against women at the Olympics.
All welcome. Open to the public and media.
This event will be chaired by Anne-Marie Lizin, Honorary President of the Belgian Senate.
Read the full programme below.
At 2pm there will be a symbolic burial of the Olympic Charter, in protest at its non-enforcement by the IOC, accompanied by a New Orleans jazz band, marking the neglect of Olympic values for women.
At 3pm a delegation will present letters to all IOC delegates at the Hilton Hotel, Park Lane, where the IOC is headquartered. The letters outline the seven equality demands made by the London 2012: Justice for Women movement.
See the seven equality demands below.
"In advance of the Olympics, our intention is to remind the IOC of its obligation to apply the principles of equality and neutrality inscribed in the Olympic Charter," said London 2012: Justice for Women.
"Why does the IOC comply with certain countries' requests to cover their female athletes from head to toe? It amounts to the blatant stigmatisation of the female athlete's body.
"London 2012: Justice for Women demands an end to these inequalities," she said.
London 2012: Justice for Women is supported by the human rights organisation, the Peter Tatchell Foundation. It's Director, Peter Tatchell said:
"There will be more events for men than for women at the 2012 London Games. This means that men have the opportunity win more Olympic medals than their female counterparts. Examples of event inequality exist in athletics, canoeing, rowing, wrestling, shooting, and boxing. Some of the additional events for men are based on the sexist assumption that women are the weaker sex. These male-only events include the 50 km walk and the decathlon.
"Saudi Arabia blocks women from participating in sport & requires women athletes to be accompanied by male guardians. Iran has gender segregation in sport & forces women athletes to cover their entire bodies, even if they do not wish to do so. In more than 150 countries, lesbian athletes have to hide their sexuality to get selected for their country's Olympic squad. The Olympic Charter outlaws discrimination in sport but it is being violated with impunity," said Mr Tatchell.
London 2012: Justice for Women 7 Demands:
Three demands against gender discrimination:
1. Parity: Equal numbers of male and female Olympic disciplines and events
2. Decision-making bodies: apply immediately a minimum quota of 20% women's representation and set parity objectives
3. Homage and visibility: the IOC President should give the gold medal to both the male and the female marathon winners, and not only to the male winner
Three demands against sexual segregation:
4. No more male-only delegations
5. Competitors and officials must not be allowed to wear politico-religious symbols
6. IOC should no longer support gender the segregated games for women organized by Tehran
A global demand to build a better world of equality and inclusion:
7. No more stereotypes (sexism, homophobia, transphobia), separation of Olympics / Paralympics, and end prostitution around the Olympics
http://www.playthegame.org/fileadmin/image/PTG2011/Presentation/Gender_in_Sport_-_Annie_Sugier.pdf
Annie Sugier & Linda Weil-Curiel
The Ligue du Droit International des Femmes,The French Coordination for the European Women's Lobby.
Email: [email protected] and [email protected]
Website: http://www.ldif.asso.fr
Martha Jean Baker
Women's International League for Peace and Freedom, European Women's Lobby
Peter Tatchell, Director, Peter Tatchell Foundation
Web: www.PeterTatchellFoundation.org
PROGRAM OF THE 25 JULY EVENT ON BOARD THE HISPANIOLIA
Chair: Anne-Marie Lizin, Honorary President of the Belgian Senate
Welcome coffee
Short presentation about the organisations supporting "London 2012: Justice for Women" and guest of honour, Waris Dirie
Annie Sugier, speaker for the International League for Women's Rights and Françoise Morvan, Vice President of the French Coordination for the European Women's Lobby, representing 80 NGOs.
Who we are, where it all began: the Barcelona Games 1992 and the foundation of the Atlanta+ Committee.
The Olympic Charter, the sole law for the Olympics.
Our seven demands
Short video: when women reject the veil.
IOC's betrayal of equality principles
Why we support "London 2012: Justice for women" (3 minutes each):
Martha Jean Baker, Lawyer, Vice-President of European Women Lobby,
Peter Tatchell, Director of the Peter Tatchell foundation,
Anne Liardet, sailor (Vendée Globe Challenge),
Nina Charlier responsible for the syndicate of sports (teachers in France) ,
Audrey Keyser co-author of "Feminine football, are women the future of football?"
Ana Pak journalist, Iranian political exile
Shoukria Haidar, President of an Afghan NGO, former member of the Afghan NOC (written message from Kabul),
Sundas Hoorain, from One Law for All
Sonia Lokar, Chair of the European Women's Lobby representing NGOs will conclude the session.
12h15 break for sandwiches, refreshments and music
Festive mock burial of the Olympic values and principles that have been trampled on by IOC, with New Orleans jazz band.
A delegation will take letters with the seven demands for women's equality to the Hilton Hotel, Park Lane, where the IOC is headquarted.
International, Women's Rights
equality, event, IOC, Olympics, Women.
London Olympic protesters urge: No discrimination
Women demand: End gender bias at Olympics


text:
Former defence minister and Goa CM Manohar ... No respite from rising fuel prices
Stephen Constantine resign as coach of Indian football team
Last Modified	Tuesday, 15 January 2019 (13:21 IST)
Sharjah: As India went down fighting against Bahrain in the last Group A match of the Asia Cup 2019 on Monday, Stephen Constantine decided to step down as the head coach of Indian football Team.The Englishman, made this announcement in the post-match press conference in Sharjah.
"I've been here for four years. My objective from day one was to qualify for the Asian Cup and I've done that and we've broken a few records as we'd done that. I'm exceptionally proud of the players and everything they've given," Constantine said."I feel my cycle here is finished. I have left the players here in a much better place than when I arrived," he added.
This was Constantine's second stint with the Indian side after having been at the helm between 2002 and 2005. He returned to the hot seat after taking over the reins for a second time in 2015, succeeding Netherlands' Wim Koevermans. Under his guidance, India did make progress, especially in Fifa world rankings, when they saw themselves in top-100 last year.
India bowed out of the Asian Cup 2019 after they finished at the bottom of the Group A standings after suffering a 0-1 defeat against Bahrain.India needed a point to confirm their berth in the round of 16.A win for UAE against Thailand would have helped their cause. However, UAE and Thailand played out a 1-1 draw while India conceded a 89th minute penalty to Bahrain.(UNI)
AFC Asian Cup: India on cusp of making history, take on Bahrain in last group match to qualify for maiden knock-out stage
Syrian national football team to leave for AFC Asian Cup with high hopes
Not only in scorching heat of Dubai, India beat Pak in ice chilling weather of Mongolia
Indian football team will not be sent to play Asian games, confirms IOA
India clubbed with Iran, Vietnam and Indonesia in AFC Cup under 16 finals
Read more on : Afc Baharain Stephen Constantine Indian Football Afc Cup Sunil Chhetri


First, a little about me and what I do. I am an electrician who uses the Surface Pro 3 to program and troubleshoot industrial automation. I had a Toshiba before getting the Surface and looked at a Toughbook or a semi-rugged laptop or tablet but chose the Surface because it had good specs and durability for a good price. Mine is about 6 months old now, I haven't gone to Windows 10 yet. My biggest issues are really with Windows 8.1 Pro and how it relates to what I do. In comparison to Windows 7, Windows 8.1 is not friendly to my common tasks, especially using network adapters and serial adapters. It does not believe me when I tell it what drivers to use, does not retain settings well, and it does not run utility software well. If I could install Windows 7 on this machine I would probably be very happy. Office works as expected. The hybrid interface is a little awkward. I use the pen the majority of the time because the icons and menus are too small for my fat fingers and touchpad on the Microsoft Backlit Keyboard doesn't work well. At my desk I use a USB mouse. The display adapter is nice. The single USB port has been OK. Be aware that not all ethernet/serial/hdmi adapters are equal and the Micorosoft adapters are not necessarily the best ones. The battery life is OK, not great and it takes a while to recharge. The screen is OK in daylight, not great. The Wi-Fi adapter is OK. Overall, it is functional for what I do and the price was OK, but there haven't been any moments where I have been surprised by the ease or function and there have been a lot of moments of frustration as I have had to force or re-do settings to make it work.
I bought this computer for college about a year ago over the Mac that I was looking at. I thought I made the right decision, but I've had issues with my surface ever since buying it. It get's extremely hot and the fan is really loud. The lock button doesn't always work and so I have to act like I'm shutting it down in order to be able to unlock my computer. The keyboard doesn't always work and because of this I've had to take it into the Microsoft store countless times and spent way too long there. Now the audio isn't working with my headphones so finally I got fed up and contacted through chat a worker who told me I could exchange it for a mac if I got a new surface from the extended warranty. I was so excited! I realized that obviously an older model surface was not going to cover the cost of a new Mac but thought it could at least cut down the $1000+ cost. She told me to contact geek squad for details who told me it was not possible. Not only that, but I asked if there was any kind of buy back policy so I could at least put the money I received from my computer back towards a Mac but he very rudely told me that computers can only be returned fifteen days after purchasing. So my $1000 dollars and the two year warranty I purchased were a complete waste.
I purchased a Surface Pro 3 in December of 2014. I had spent a lot of time researching and made sure to get all the specs I felt I needed. And I loved how fast it processed and how convenient and light it was. Then... after 18 months the internet adapter went out. As this seemed to be a reoccurring problem even on repaired units, I settled for an external adapter. A bit cumbersome but cheaper than a new device. Now 27 months after purchase, the device has completely cratered. It will not turn on at all. I loved the device when it worked, but am extremely disappointed in the defects and life span.
I bought one of these at Best Buy a little over a year ago. Within 2 weeks, the computer would no longer connect to Wifi. I was given a replacement, and now the replacement has broken and won't turn on. I've been told that it can't be fixed and that I'll need to pay for a replacement since it's out of warranty. I very much regret purchasing this item.
I love my Surface Pro 3!
I love this Surface Pro 3! I have had an iPad for quite some time now but since I have been using this Surface Pro 3 I have realized how lacking the iPad is. I can do so much more with the Surface Pro. It has ports for many uses which the iPad does not. I will never go back to any kind of iPad. I'm sticking with my Surface Pro for everything.
For Business or Personal use, Great Computer!
I have been using this tablet/laptop combo device for 3 weeks now and could not be more pleased. Not only the computer but the accessories that all work together in a seamless integrated manner. Very functional, portable and user friendly. I bought one for my daughter as well.
This is everything you could ask for in a portable and user friendly tablet. It has more options than you'll probably ever use but they are there if you need them. Definitely worth every penny spent on this!
Great 2 in 1 computer.
I've had my Surface Pro 3 for 2 months and just got back from 1 month vacation and this computer was great on my trip. I bought it mainly for its portability but it has become my main computer.
I was given a Surface Pro 2 for work and other than the screen size, I loved it. This screen size is better with all the things I loved about the previous version.
This is so much easier for "on the go" times. Now I can work on my artwork without a tablet and on the couch. Just love it.
This really is a tablet that can be used as a laptop. Great for work and personal use.
The functionlity is way beyond my expectation. The keyboard and pen work seamlessly.
I am so happy I picked this laptop. I would definitely pick it again.


text:
Lifecycle managem...
Lifecycle management software reaches new products
Robert Roe looks at the software that can manage a product from the cradle to the grave - and beyond
At the end of February, the Product Innovation Conference in Düsseldorf will discuss the growing role of product lifecycle management (PLM) software, whose importance has also been highlighted by a report from market researchers Frost and Sullivan, published just before Christmas.
According to the report, revenues from sales of PLM software and services were $20.45 billion in 2013 and are set to grow to $27.78 billion in 2017. Karthik Sundaram, who is an industrial automation and process control analyst at Frost and Sullivan, said: 'The emergence of new end-user industries such as the biomedicine and pharmaceutics will make product portfolio expansion all the more crucial. Extending capabilities to include virtualisation and 3D immersive reality will also become a necessity to keep pace with demand in the global market.'
The increased attention to PLM also follows Dassault Systèmes' acquisition of Accelrys, earlier this year, and its relaunch as Biovia, indicating a push by PLM into new markets such a biosciences. Jean Colombel, vice president of the life sciences industry at Dassault Systèmes, said: 'I agree with this – the industries that have not been typically covered by the PLM vendor are certainly an important area of expansion for Dassault.'
Sundaram continued: 'The increasing focus on collaborative operations will play a key role in influencing PLM functionality in discrete industries. Hence, capabilities such as product data management, portfolio management, collaboration solutions, content management, and enterprise integration will help expand the global market.'
Colombel said: 'You have the PLM, the historical heritage of the PLM, and we will continue to do this, but we have expanded it to the notion of experience to what we would call the Dassault Systèmes 3D experience platform. This means that we want to be able to bring the end user, consumer, or the patient in the life sciences industry, into the loop so that they can directly participate with the innovation lifecycle.'
Colombel said that meaningful insights can be derived by interacting with users or patients, depending on the use case. These insights can then be used to drive the product forward and help to develop new features or to streamline the workflows. However, for this to be accomplished there is a need to engage with very specific populations.
Colombel continued: 'First of all you need to be very strong on horizontal common platforms for collaboration and innovation – this is what we call the 3D Experience platform – but it is really the combination of this common innovation platform and understanding the specific language of the population which really can make this a reality.'
While the Frost and Sullivan report highlighted the importance of new end-user industries such as the biomedicine and pharmaceuticals, Colombel pointed out that Dassault have been engaging with some of these markets for up to 10 years: 'We started 10 years ago, today we have invested more than $1.5 billion into this area.'
Some of the visible aspects are the acquisition of the Accelrys, earlier this year and also the bio-intelligence consortium, a project that was started five years ago.
The acquisition of Accelrys by Dassault puzzled some industry veterans who questioned whether the Accelrys platform would be utilised effectively but, in Colombel's view, it fits neatly with the new markets for PLM software that Dassault has been developing over the years.
The Biovia platform that was launched earlier this year is the evolution of Accelrys software, but more than that it represents a commitment to the life sciences industry from Dassault, a sign that the company views these emerging markets as a key aspect of its strategy moving forward.
The other big project that Dassault has been working on that addresses these new markets specifically is the biointelligence initiative. This aims to develop a series of software applications to enable the adoption of PLM software and methods and its application to the life sciences.
Started as a private-public consortium, operationally driven by Dassault, it comprises industrial partners (Bayer CropScience, Ipsen, Pierre Fabre, Sanofi and Servier), bio-IT specialists (Sobios and Aureus Pharma), and public research institutes (Génopole, INRIA, INSERM).
Colombel said: 'You need to be able to speak the specific language of this industry: pharmaceutical language is different; you need to be able to speak the language of the biologist, and the chemist, and so on.'
Colombel concluded: 'We are in [emerging markets]; we will continue to accelerate in this area, and today we already have tangible results for our users.'
Robert Roe is a technical writer for Scientific Computing World, and Fibre Systems.
You can contact him at robert.roe@europascience.com or on +44 (0) 1223 275 464.
Find us on Twitter at @SCWmagazine, @FibreSystemsMag and @ESRobertRoe.


4:00pm Cross Country: Girls Varsity Division Game vs. Manasquan, Monmouth Reg. H.S., Raritan, Red Bank Regional, Rumson Fair Haven H.S., Shore Reg. H.S., St. John Vianney H.S., St. Rose H.S.
4:00pm Cross Country: Boys Varsity Division Game vs. Manasquan, Monmouth Reg. H.S., Raritan, Red Bank Catholic H.S., Rumson Fair Haven H.S., Shore Reg. H.S., St. John Vianney H.S., St. Rose H.S.
3:45pm Tennis: Girls Varsity Game vs. Red Bank Catholic H.S.
5:00pm Soccer: Girls JV Game vs. Red Bank Catholic H.S.
6:30pm Soccer: Boys Varsity Game vs. Red Bank Catholic H.S.
2:00pm Field Hockey: JV Game vs. Shore Reg. H.S.


text:
CASA - The Contemporary A Capella Society
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Home → About CASA → Board of Directors and Program Managers
Board of Directors and Program Managers
CASA is run by a very dedicated team of a cappella enthusiasts. If you want to contact any of us, send to our individual emails listed below, or send a general email to contact@casa.org
Tony Huerta President
Tony Huerta is a professional singer, beatboxer, recording studio engineer/producer and live audio engineer. He is considered to be one of the world's best acappella live sound engineers and has mixed almost every major acappella act in the United States including Pentatonix, Take 6, Home Free, Nota, The Exchange, Arora (Sonos), Voice Play, Duwende, Street Corner Symphony, Delilah, and m-pact. He has been the Front of House Engineer and Production Manager for 10 time Grammy award winning group, Take 6 for 11 years, traveling to 41 countries thus far. He also engineered and sound designed the full U.S. Tour of the NBC's "The Sing Off Tour" and Deke Sharon's production of Vocalosity. Recently he has been the preferred engineer for the Barbershop Harmony Society and the Association of International Champions.
Tony is the founder of Urban Method, finalists on the 3rd season of NBC's "The Sing Off" TV show. Urban Method made it to the finals and had a heartbreaking loss to Pentatonix. Sonic Audio, Huerta's recording studio in Denver, CO, was founded in 1998. He has produced, engineered or mastered a cappella CD Projects for: The Real Group, Take 6, Home Free, Women Of The World, Harmonia Vocal (Angola Africa and Angola Grammy), Afro Blue, Cadence, Six Appeal, Nota/Sony Latin, Storm Front, and many more. He also Recorded, Mixed and Produced the world's first full length acappella opera and original stage production, "Midsummer Night's Dream" for Opera Memphis.
As a freelance engineer, he has mixed concerts for many major acts including Stevie Wonder, Jacob Collier for Quincy Jones, The Manhattan Transfer, Brian McNight, the 2010 Shakira Tour, Amy Grant, Kirk Whalum, Nnenna Freelon, the National Tree Lighting a the White House, The Eli Young Band, and the Las Vegas Venetian Ray Charles "Georgia On My Mind" Show. Huerta is known for his technical knowledge but also his creativity behind the mixing console. He is regularly called upon to beatbox and perform out in the audience from his mix position, and has done so for Take 6, Vocalosity, and the Sing Off Tour.
In 2017, Huerta expanded the education division of his business. He is a teaching professional at Camp A Cappella, the Kettering A Cappella Festival, Nordonia A Cappella Festival, SoJam, and A Cappella University.
Deke Sharon Founder
Deke Sharon has been singing a cappella since the age of five and spent his formative years with one foot in traditional choral idioms (church choir, San Francisco Boys' Chorus, madrigal groups, barbershop quartets) and the other in rock bands. The two came together during his tenure as music director of the Tufts Beelzebubs, and he formed CASA in hopes of creating a community of like-minded acappellaheads.
Often called the "father of contemporary a cappella", Deke has played a prominent and influential role in the formation of CASA's many outreach programs. Most recently, he founded the Contemporary A Cappella League (CAL), a national network of a cappella groups for post-collegiate and adult singers.
Deke founded and has been singing in the vocal rock band The House Jacks since 1991. The group has produced seven full-length albums and completed multiple world tours. He arranges and directs the groups on NBC's a cappella competition reality show, "The Sing-Off". @dekesharon
Evan Feist Vice President
Evan Feist has composed, arranged, taught, and performed a cappella music for more than 15 years. As the founder of the Creative Vocal Lab, Evan has been teaching singers of all ages to improvise in both small and large groups He's earned two master's degrees in Music Education from Teachers College at Columbia University and a MusB from the Purchase College Conservatory of Music. In 2014, the New York Musical Theatre Festival presented him with the Outstanding Musical Direction and Outstanding Arrangements awards for A Cappella: the musical.
Evan has vocal coached for The Voice, sung with Bobby McFerrin, helped scout for America's Got Talent, and is the general manager of Stacks of Wax, an audio production company. Most recently, he is the creator of the sold-out 54Below series, "Broadway Goes A Cappella". As of April 16th, he is the Lead Content Producer for the WORLD'S FIRST all vocal/a cappella TV channel, FloVoice.
Shane Ardell Director of Technology
Shane began arranging music at an early age and ventured into arranging a cappella music at the age of 16. She started her contemporary a cappella career at Georgia Tech as a performer, arranger, and eventual president of the all female group, Nothin' but Treble. While still in college, she also began singing in a rock/gospel semi-professional group, Breakdown, in Atlanta. Shane continues to arrange and coach groups as well as judge for the ICCAs. An engineer at heart, Shane spends her days as a web software developer. @shaneardell
Gina Deaton Director of Human Resources
Gina Deaton has a background in vocal performance and has been singing as long as she can remember. Unlike most folks in the a cappella community, Gina didn't sing in a contemporary a cappella group until well after college when she helped form the semi-professional group Breakdown. The group performed primarily in the Atlanta area, with Gina writing original songs, arranging, and acting as co-director. After attending SoJam, Gina fell in love with the community and started volunteering with CASA events and judging ICCAs. She currently lives in Boston, MA and continues to work on original music.
Meron Mogos Director of Festivals and Events
Originally from the suburbs of NYC, Meron got her start in a cappella in 2004 with Duke University's Lady Blue. She has been an active member of the a cappella community ever since, working for CASA in several roles, judging at Varsity Vocals events, performing at festivals across the country, and collaborating with some of the best in the business. Meron was a member of NYC CAL group, Empire and after moving to Los Angeles in 2012, she co-founded the all-female CAL group, Premiere and served as their President for 3 years. Meron first got involved with CASA when she joined the Los Angeles A Cappella Festival production team in 2014. A year later, she became Executive Producer of the festival, serving in that role through 2017 before stepping into the role of Director of Events. She was also Sponsorship Manager of CASA's core events team from 2015 to 2016. Meron is currently a member of professional vocal group, VXN. She works full-time in TV production, and enjoys movies, music, escape rooms, bowling, traveling, skydiving, and most importantly, happy hour.
@meronibaloney
Jessica Chen Assistant Director of Awards
As a musician Jessica started at an early age, playing piano and flute throughout her childhood, but she discovered singing and a cappella during high school and was immediately hooked. In college she sang with and directed the Boston University Allegrettos, doing most of the arranging as well as producing an album, and sang with friends in her hometown during the summers in Henry Fonda & the Falsettos. As a post-grad she has continued to arrange for various collegiate and high school groups around the country. Some of her other interests include Boston sports, video games, and all dogs, ever.
Bill Hare Program Manager: Forum
Bill Hare has been a full-time recording engineer/producer for 28 years, and has specialized in contemporary a cappella production since 1989. Over the last two decades, Bill has recorded and/or mixed acclaimed albums for some of the best contemporary a cappella groups around the globe, including England's Flying Pickets, Swingle Singers, King's Singers and Voces8, Denmark's Basix and Vocal Line, Norway's Apes & Babes, Italy's Cluster, The Ghost Files, and Maybe6ix, as well as working with many top American acts including Nota, Duwende, Street Corner Symphony, The Backbeats, and The House Jacks.
Collegiate A Cappella clients include The Beelzebubs, Divisi, and about 80 others. Bill is the world's most awarded individual contemporary a cappella producer, including over 60 appearances on BOCA, over 120 CARA nominations, over 30 albums in the RARB "Picks of the Year" lists, and 11 "DeeBee" awards since 1987 in the Vocal Jazz category from Downbeat Magazine. In 2010 he added a Grammy Award to this list in the Classical Crossover Album category for Christopher Tin's "Calling All Dawns".
For more information, visit Bill's website – www.dyz.com. @billhare
Ricky Jabarin Administrative Manager: Contemporary A Cappella Recording Awards
Originally from Philadelphia, Ricky had his first full exposure of contemporary a cappella at Penn State University. He joined Blue in the FACE in 2010, then co-founded and directed The Coda Conduct in 2012. His arrangements and coaching have contributed to The Coda Conduct winning 1st place at the 2015 ICCA quarterfinals and 'Outstanding Arrangement' for the entire set. Shortly after, Ricky co-founded CAL group, DolCe, in Washington, D.C. He now arranges for scholastic groups, judges for the ICCA, and aspires to become a recording producer for the genre. Aside from a cappella, Ricky works full-time as a product manager for an education technology startup.
Brooks Jordan Nominations Manager: Contemporary A Cappella Recording Awards; Development Team
Born and raised in Raleigh, North Carolina, Brooks found a cappella in his freshman year at North Carolina State University; He joined The Grains of Time where he became the Business Manager and Executive Board leader his senior year. During his tenure in the Grains, the group won many levels of ICCA competitions as well as 3rd place at Sojam 2014. Brooks has dedicated his time to all forms of a cappella and experiencing it in schools, competitions, and festivals. After college Brooks joined the Sojam Production team as the Showcase Coordinator as well as one of the many teachers that held classes during the festival. When hes not working on a cappella events and education, Brooks works as a bio-pharmaceutical research in Durham, NC at KBI Biopharma.
Tom Keyes Executive Producer: Los Angeles A Cappella Festival
Tom is a passionate and dedicated a cappella facilitator, event producer, and music director. Within CASA, he is the Executive Producer of the Los Angeles A Cappella Festival and formerly served as director of the Contemporary A Cappella League. He current also serves as Director of Operations at the A cappella Academy, a judge for Varsity Vocals, and a producer of several all-vocal events around SoCal. With an extensive background in vocal and instrumental music, Tom was bitten by the a cappella bug in 2009 when he decided to create and direct his own semi-pro group, the award-winning Frequency, and has been a passionate advocate of all-vocal music ever since. Currently music directing two vocal groups as well as a spiritual center, he balances music, a career in IT, and family, and lives with his wife and three children in Laguna Niguel, CA.
TeKay (Thomas King) Program Manager: Ambassadors, Compilations
TeKay was one of the first ambassadors for CASA back in the early '90s. He's a member of Contemporary A Capella League group DeltaCappella and served as a CAL-rep for SoJam. He's been a RARB reviewer for several years and is one of the sing series producers. Previously, he served on the Board of Directors for the Alliance of A Cappella Initiatives as a jack-of-all-trades and the Executive Producer of the Sing series of recordings. He was the Associate Editor of the Contemporary A Cappella News magazine for more than a decade and was the South Regional Producer of the ICCA from 1998-2004.
@acappellanews @casa_ambassador
Alexander Koutzoukis Executive Producer: BOSton Sings A Cappella Festival
Alexander is co-owner (and producer, and engineer...) of Plaid Productions, a full-service a cappella production studio based in Boston, along with Alex Green. While attending Tufts University for computer science, he spent five years in the Beelzebubs, for two of which he was Music Director. He got his start in the field of a cappella production while working closely with Ed Boyer and Bill Hare on two award-winning Bubs albums (Pandaemonium and Play The Game) and continued along that path to help record and edit BATTLE and Helix, as well as about half of the Warblers tracks from Season 2 of Glee. He won a 2010 Best Male Collegiate Arrangement CARA for his arrangement of "All The Love In The World," a 2012 CARA runner-up in the same category for "Kings and Queens," and was also runner-up for Favorite Vocal Percussionist in the 2010 ACAs.
Liz Mongrello Manager: Event Volunteers
Liz began her a cappella journey with Groove A Cappella at Smith College, her beloved alma mater where she earned a bachelor's degree in music. She spent much of her musical career at Smith in leadership positions, serving as Business Manager and Co-Director of Groove as well as President of the College Chorus and Glee Club. Pursuing a graduate degree from CCSU in Student Development in Higher Education, Liz took a break from performing herself, but was happy to advise the CCSU A Cappella Society, which consisted of four different groups. After a two-year hiatus, Liz saw the need to have music back in her life and found her way to Fermata Town and Sound Off.
When not at rehearsal or just spending time with her aca-families, Liz is coordinating user research for Lola Travel. She's excited to be part of a fast-moving and innovative team. You might also find Liz running through the streets of Somerville, attempting not to keel over after three miles. If you find her laying on the sidewalk unable to breathe, please give her a ride home - she would like to live to see another CARA..
Chris Tess Program Manager: Physical Archive
Chris Tess served on the CASA Board of Directors starting in 2003, when he created Tunes To Teens, a CASA program that sends donated a cappella CDs to junior high and high school choruses. He also runs the A Cappella Mega-Sale.
Chris sang with the Pikers at Washington U in St. Louis, as well as several other vocal ensembles. He also created and directed the Notochords at St. Louis U. School of Medicine, and sang in and wrote for MACH 1. More recently, Chris sang in Redline, a CASA League group. In 1993 he co-founded the Recorded A Cappella Review Board ( RARB) and headed that up until 2004. He has judged for several years for the CARAs and the NCCAs/ICCAs. In his spare time, Chris is a doctor. @christess
Pablo Vega Executive Producer: SoJam
Pablo Vega is a composer and audio engineer in Durham, NC. He is the owner of the music production studio "The Workshop", focusing on music composition for digital media. While attending the University of North Carolina in Chapel Hill he earned his bachelor's degree in music composition and sang with the UNC Clef Hangers. He spent three more years studying audio engineering at Living Arts College and getting a specialist certificate in Pro Tools through Berklee College of Music's online program. He got his start in a cappella production under the tutelage of Dave Sperandio, and now produces the UNC Clef Hangers albums, as well as recording the UNC Loreleis. He continues to write music for video games and film.
Zakk Wooten Program Manager: Memberships
Zakk Wooten has been singing a cappella since he was 15 years old. He co-founded the professional group No Better Cause during his junior year of high school. After high school he joined the group Soul'D Out where he traveled the high seas with Celebrity Cruise Lines. Zakk then got his degree in Vocal Music Education from the University of Nebraska-Lincoln. There he founded and directed the a cappella group Rocktavo. Zakk led Rocktavo, in their first year, to the ICCA finals where they placed second and his arrangement of 'Figaro' won "best arrangement."
After Zakk graduated he was hired by The Cat's Pajamas to start a franchised group called The Cat's Meow, where he traveled the world aboard Norwegian Cruise Lines. In October of 2010 The Cat's Pajamas offered Zakk a position with the group in Branson Missouri. Zakk sang with the Cat's Pajamas until December of 2011. The year 2012 brings wonderful new opportunities for Zakk. He has recently joined forces with some of his 'a cappella family' to create the group re:Voiced. Zakk lives in Denver with his gorgeous Siberian Husky, Rilo. @zakkwooten
sing! Compilation - Download Instructions
Tags: board members, Business, CASA, CASA board, Collegiate, Fan, Professional, program managers
What You Can Do...
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Want to Start a Group?
There's no need to learn the hard way! From conceptualization through your first performance, we can tell you the best way to find members, run auditions, structure your group, build a quick repertoire, and start performing.
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©1992 - 2015, Contemporary A Cappella Society


At one of the Sunscreen Film Festival cocktail parties, I happened to meet an Oscar-nominated successful screen writer and subsequently went home with great tips and a determination to write the next big animated children's film. The following year, I found out I could be a volunteer and earn my VIP pass. After a couple more years of volunteering, I was invited to join the board of directors to oversee the volunteer program.
I'm still writing that screenplay, but getting involved with the Suncreen Film Festival has made a significant difference in my understanding of what's required to be successful. It amazes me that so many people don't know about this amazing weekend event that showcases the best indie (independent) films from around the US and the world.
This year's festival is the 14th in its history. It takes place April 25-28 at the Sundial Plaza AMC theaters in downtown St. Petersburg. My goal is to work with our sponsors to make the festival more visible and more of a presence in St. Petersburg. In a city known for the arts, we are fortunate to have this type of festival just steps from our front door!
From its simple beginnings in 2005 at a local art gallery, the festival has grown to become a four-day international festival. Each year 60-70 filmmakers visit St. Petersburg in order to engage with audiences. This is a unique opportunity for St. Petersburg residents to watch new independent films that they may never have a chance to see anywhere else. Attendees also have the unique opportunity to engage with filmmakers and to hear some of the behind-the-scenes information about what went into the making of the film.
In addition to many outstanding films, the Sunscreen Film Festival is noted for its workshops and panel discussions led primarily by Los Angeles and New York City industry professionals who lecture on production issues, acting tips, financing and a wide variety of insider techniques on how to get a film produced.
And let's not forget the parties. The highlight of any film festival are the parties where you get to meet and greet the filmmakers, producers, writers, film distributors, and attorneys. Many first-time filmmakers have scored great deals over a cocktail. You can even expect the occasional celebrity sighting. Last year, Hollywood actors Jane Seymour, Kirstie Alley, Dylan McDermott, and Joe Pantoliano were among those attending the festival. For film lovers in town, this is a weekend to put on the calendar!
This year is expected to be better than ever. Chris Eaton, director of the Sunscreen Film Festival, has worked with the screening team to select 130 films from the 600 submitted. The carefully curated list this year includes both feature-length films and approximately 100 short films (animation, comedy, thrillers, etc). Some of this year's highlights will be the new documentary about Colombian artist Fernando Botero, as well as the locally produced film Fly Like A Girl about the history of female pilots. Additionally, there are short and feature films with stars, including Anna Paquin, Cynthia Nixon, Carol Kane, and Ed Asner, among others.
Shorecrest Preparatory School in St. Pete).
Attendees can purchase a four-day VIP pass, which entitles them to go to all the films, workshops, and parties. A one-day pass give you access to all the films, workshops, and parties for that day only. Or, you can purchase a single admission ticket per film or short block segment. For more information, visit www.sunscreenfilmfestival.com, or email info@sunscreenfilmfestival.com.
Looking forward to seeing you in April at the Sunscreen Film Festival!


BEAUTIFUL PET FRIENDLY BUILDING (Maximum 2 pets under 25 pounds each). You and your pet will love the convenience of this corner elevated first floor unit. No elevators needed to get to the dog park area. This walk in/walk out unit also gets you to the beach, pool, cabana, parking lot, and tennis court area within a minutes time. New hurricane impact windows/ doors throughout. Unit has been completely renovated. 2 patios (1 off living room/1 off both bedrooms). Some intracoastal views.
Listing courtesy of Homelister, Inc..


"Unlike many, if not most, Oregon Licensed Masseurs, Rob's skill is backed up by 2 years of University level studies of Exercise Science, followed by a Diploma at the New School for Massage in Chicago. So, he not only knows Anatomy but understands (and knows the limits) of applying various therapeutic massage techniques to achieve his Client's goals. For stress management clients (me), he was very adept at locating 'trigger' points that, when manipulated, served to release accumulated stress. I haven't slept better than I did after our very first appointment. I've already scheduled a repeat visit. Highly recommended.
"Rob has an innate ability to find the tension areas, and is always learning new techniques to improve his skill. He is a pro at shoulders/back, and I always feel better after my appointment. It took me a long time to find someone this good."
"Rob is an excellent massage therapist, I cannot recommend him more highly; his dedication to the art means he has developed an extensive knowledge of the body and it's mechanics. He can pick out exactly the right spots to work on, and he's good at engaging me in stretching and breathing through the massage so that I can also feel the changes. He helped me with a hip problem (HIP PROBLEMS AT 28!!!) that's been bothering me, and it was the first sense of relief I've had in months. He knows his stuff."
"Rob was excellent! He and his space - warm and welcoming. I really loved the stretching and focus on areas causing pain. He's totally professional. Wish I had booked 2 hours. I will next time!"
"Rob was very good! Strong hands and pressure was perfect. Studio is quite comfortable and music was perfect! The whole experience was an A+ I can't wait for my next appointment."
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"Excellent massage. I will be referring Rob to anyone who asks and even those who don't. I haven't been pain free for years, this was a blessing finding Rob. Thank you!"


text:
Миропольское сельское поселение — упразднённое муниципальное образование в составе Ярцевского района Смоленской области России.

Административный центр — деревня Мирополье.

Образовано Законом Смоленской области от 28 декабря 2004 года. Упразднено Законом Смоленской области от 28 мая 2015 года года с включением всех входивших в его состав населённых пунктов в Капыревщинское сельское поселение.

Географические данные
 Расположение: восточная часть Ярцевского района
* Граничит:
 на севере — с Холм-Жирковским районом
 на востоке — с Сафоновским районом
 на западе — с Репинским сельским поселением
 на юге — с Капыревщинским сельским поселеним
 По территории поселения проходит автодорога Ярцево — Холм-Жирковский.
 Крупные реки: Вопь.

Население

Населённые пункты
На территории поселения находилось 15 населённых пунктов:
 Мирополье, деревня
 Большое-Бердяево, деревня
 Верхоповье, деревня
 Ветлицы, деревня
 Глисница, деревня
 Голочево, деревня
 Дедово, деревня
 Дмитрово, деревня
 Ерзаки, деревня
 Жуково, деревня
 Захолынь, деревня
 Малое-Бердяево, деревня
 Павлово, деревня
 Плаксино, деревня
 Староселье, деревня

Ссылки
 Сведения о поселении на сайте администрации района

Примечания

Упразднённые муниципальные образования Ярцевского района
Упразднённые сельские поселения Смоленской области
Сельские поселения, упразднённые в 2017 году

redpajama_set_name: RedPajamaWikipedia


Sharing a bill with bassoonist Dana Jessen, Yeh and Lampert will present the next installment of a collaborative performance first staged at the New Music Circle in St. Louis, MO in Spring 2018. Amplified violin and multiple film projectors are haphazardly paired in a way that purposefully undermines each of the artists' extended histories operating in the realms of "expanded cinema" and "live scoring". As a duo they are constantly thinking about how forms develop and change, or more likely, just freeze at some point but never rot, like a moose fallen into an icy lake. This is not a movie with music. It's a town hall meeting. It's a $17 cocktail. It's a novel about a carpenter who is afraid to turn 33. It's a blanket covered in cat hair. It's a stain that no dry cleaner can remove. It's a hot soda on a cold day. It's a #4 pencil. It's acrylic paint on aluminum. It's an Aunt Annie's Pretzel made by Uncle Phil. It's that other stuff that isn't lint. It's Rosh Hashanah holiday hours. It's yesterday's newspaper with tomorrow's news. It's a digital remaster of the bootleg recording of The Who's 1979 concert in Cincinnati where the audience was trampled pressed on 180-gram vinyl and it comes with a bonus DVD of the WKRP episode titled "In Concert" that poignantly references this tragic event. It's Ess-A-Bagel at the old location on 1st Avenue when it was still good. It's a 51-pound suitcase that you have to pay an extra $25 for because the person helping you is being a jerk. It's a hard way to make a living, but a good way to have fun.


There are places around the world where objects appear to roll uphill.
March 6, 2017, 8:10 p.m.
Gravity, we're told, is just a theory. Or at least, in science we use theories of gravity to explain why objects tend to fall towards the Earth. Gravity is the theory; that objects tend to fall towards the Earth is the fact.
But how does science explain weird places where gravity doesn't seem to apply? For instance, scattered around the world are a number of strange, physics-defying "mystery spots," places where objects appear to roll uphill rather than down, where cyclists struggle to peddle down rather than up, reports Science Alert.
These places are known as "gravity hills," and many of them, such as California's Confusion Hill, have been transformed into uncanny roadside tourist attractions. Perhaps understandably, these natural phenomena have also come with their fair share of wacky explanations, from witchcraft to mysterious spacetime vortexes to conspiracy theories about giant magnets buried in the hillsides.
Cars on this road appear to roll uphill, a spooky mirage that has long confused anyone driving along it. But when a road surveyor was asked to take precise measurements, there was nothing spooky about it at all. The end of the road that seemed like it was uphill was actually downhill. So despite appearances, gravity was working exactly how it should.
In other words, gravity hills are really just optical illusions. Your brain is being tricked into believing that up is down and down is up, and it comes down to a simple matter of relative perspective.
"We're standing within a tilted landmass," explained U.K. psychologist Rob Macintosh in the Science Channel video above. "The whole landscape tilts this way, and the road tilts in the same direction, but by a smaller amount, so the relative slope appears to go the [opposite] way."
It's a mind-bender, to be sure. But when the YouTuber tested the road with a carpenter's level, the road proved to be tilted in the direction predicted by the rolling objects. So the mystery is in our minds, not in the natural world. Like so many other things, it all comes down to a matter of perspective.
It goes to show that perhaps seeing shouldn't always equate to believing after all.
There are some strange places around the world where objects appear to roll uphill against gravity.