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COMING TO A THEATRE NEAR YOU- THIS VALENTINE'S DAY!!!!
"Her life was about Rules. His life was about Freedom."
I have forwarded your email.
The University of Alabama is holding Alabama-Cuba Week from November 17 through November 20.
Details of the events are linked on my weblog "Cuba, Alabama".
Please do me a favor and forward this email to Sela.
Wilkes reached St. Thomas on October 13, 1861,where he took command of two other cruisers, and then sailed onward, arriving at Cienfuegos, Cuba eleven days later. While in port Wilkes learned of the arrival of the Confederate commissioners in Havana. He then set sail in the hopes of catching the Theodora, but by the time he reached Havana on the last day of October the Theodora had already left. Rather than attempt a near futile chase of the Theodora (which had a two week head start), Wilkes turned his attention towards the two Confederates.
Thanks for featuring the Denbigh on the blog. Very nice, indeed.
Got the map and the bird's eye Xerox yesterday. Thank you, it looks like I'll be able to scan and stitch the map's pieces together, at least for the part of Havana of most interest. Where can I get an original of the bird's eye? I'd like to use that one, too.
Thank you for being such a big help. Please consider yourself officially appointed to the Institute of Nautical Archaeology's Denbigh research team.
at Bird Key, a sand shoal just off the Bolivar Peninsula.
motion of the engine to the paddlewheel.
Director of the Galveston County Historical Museum.
for the education and enrichment of all.
GALVESTON - The Denbigh, a Civil War ship excavated by Texas A&M University's Institute of Nautical Archaeology and one of the most successful blockade runners of its time, will be the subject of the Galveston County Historical Museum's newest exhibit, beginning Saturday (Oct. 25).
The exhibit, part of the museum's "ArtWalk," which is scheduled from 6 p.m.- 9 p.m., will highlight artifacts related to the Denbigh, a British merchant ship and blockade-runner that made six successful runs into Galveston before running aground May 23, 1865 at Bird Key, a sand shoal just off the Bolivar Peninsula.
The wreck was discovered in 1997 and is now a protected archeological site under the stewardship of the Texas Historical Commission (THC). The exhibit, done in conjunction with the Institute of Nautical Archeology, will feature artifacts recovered from the site, including the connecting rod that transferred the motion of the engine to the paddlewheel.
Topics discussed in the exhibit will include blockade running, the history of Galveston and the United States in 1865, the engineering of the Denbigh, her loss and eventual site discovery and underwater archeology. The Denbigh exhibit will run through April 11, 2004.
"This is an exciting exhibit for the museum as it relates to Galveston's involvement in the Civil War," states Christy Carl, Director of the Galveston County Historical Museum.
The Galveston County Historical Museum is located at 2219 Market Street in Galveston and is a joint project of Galveston County Commissioners Court and Galveston Historical Foundation. Galveston Historical Foundation preserves and revitalizes the architectural, cultural and maritime heritage of Galveston Island for the education and enrichment of all.
For more information about the Denbigh exhibit at the Galveston County Historical Museum, call Christy Carl at (409) 766-2340 or christy.carl@galvestonhistory.org.
Professor Thompson has taught at Yale since 1961, and has served as visiting curator at UCLA's Museum of Ethnic Arts (1970), at the National Gallery of Art (1974). He has organized several major exhibitions, including The Four Moments of the Sun (1981) and The Face of the Gods: Shrines and Altars of the Black Atlantic World (1985) at the National Gallery of Art. Prof Thompson has received research grants from the Ford Foundation (1962-1964), the Yale Concilium on International and Area Studies (1965), the National Institute of Medicine and Science (1975), the National Institute of the Museums of Zaire (1976), and the National Gallery of Art (1977, 1979, 1980). He has served on the Joint Committee on African Studies of the Social Science Research Council and American Council of Learned Societies (1966-1973), as Chairman on the Humanities Committee of the African Studies Association (1966-1970), and in numerous capacities at Yale.
In November 17-20, 2003, the University will sponsor an Alabama Cuba Conference on the University of Alabama campus, Tuscaloosa, Alabama.
Go to Robert Farris Thompson for a brief biographical sketch of our main speaker, scheduled for the noon hour, Wednesday, November 19th, Birmingham Room, Bryant Conference Center, The University of Alabama campus. Thompson will give a presentation on Cuban mambo in the world, with slides, music, and video.
Cuban science fiction writers Angel Arango and Michel Encinosa will be at the University of Alabama in Tuscaloosa for the university's Alabama-Cuba Week conference, Nov. 17-20, 2003, and everyone's invited.
All four guests also will speak to the members of the Tuscaloosa Science Fiction Society at the society's monthly meeting, 7 p.m. Wednesday, Nov. 19. The meeting is open to the public. Also in the works are a public reading and a party in the science fiction visitors' honor at the home of Andy and Sydney Duncan, details TBA.
Dozens of Cuban artists, scientists and scholars, as well as a number of their U.S. collaborators and counterparts, have been invited to the Alabama-Cuba Week conference. Three days of panels will be devoted to all things Cuban, from poetry and photography to wastewater treatment and baseball. The conference officially begins with an evening reception Monday, Nov. 17, at the university President's Mansion, and concludes with a dinner Thursday, Nov. 20.
The registration fee for the whole conference is only $25, though meals are extra. Details and registration forms should be online in the next couple of weeks. In the meantime, questions and suggestions regarding the science fiction events may be directed to Andy Duncan (aduncan@sa.ua.edu, 205-348-9298); questions about the overall conference may be directed to Carmen Taylor, associate dean of UA's College of Arts and Sciences (ctaylor@sa.ua.edu, 205-348-7007).
Angel Arango was arguably the first Cuban science fiction writer, publishing his first stories soon after the 1959 Castro revolution, and he remains perhaps the most widely published and widely respected. His story collections include Where Do the Caphalhoms Go? (1964), The Black Planet (1966), Robotomachy (1967), The Monkey's Rainbow (1980), Transparency (1982) and Juncture (1984).
Michel Encinosa leads a weekly Havana writer's workshop that is a spiritual center of the "new wave" of Cuban science fiction. He is the author of two best-selling story collections, Black Sun and Neon Children (both 2001). "I write for those interested in a change of point of view," he says, and he describes science fiction as "a controlled way to think and to dream about the past and the future and to throw light on the present."
Juan Carlos Toledano is assistant professor of Hispanic studies at Lewis & Clark College in Oregon. He reports on science fiction in Cuba and Spain for Locus magazine and is active in the International Association for the Fantastic in the Arts.
James Stevens-Arce won Europe's UPC Award for his novel Soulsaver (2000), and his stories have appeared in Asimov's, Amazing Stories and the New Legends anthology. A Miami native, he has lived for more than 40 years in Puerto Rico, where he is a free-lance writer, producer and director for film and television.
Andy Duncan (moderator) has won the Theodore Sturgeon Memorial Award and two World Fantasy Awards, including one for his collection Beluthahatchie and Other Stories (2000). Recent stories are in Conjunctions:39 (2002) and Mojo: Conjure Stories (2003). He teaches at the University of Alabama, where he is assistant director of student media.
NOTE: U.S.-Cuban politics and the issuance of visas on both sides being subject to unexpected disruptions, the final conference lineup is subject to change at the last minute.
Not only is September 17th Kesey's birthday, it's also Hank's 81st birthday.
THIS ZANE KESEY'S SITE WHERE YA CAN GET THE NEW KESEY BOOKS ALONG WID ALL KINDS UV UDDER PSYCODELIANA!


Netizens have a unique ability to instantly react to anything newsworthy - and there has been no doubt that the pivotal US midterm elections would be par for the course. The Dems have won back control of the House of Representatives - a major triumph, compared with their 2016 expectations - but the Republicans have retained the Senate.
A new meme has flooded social media, showing a stark difference between voters in 2016 in 2018. The "me then vs me now" pics imply a dramatic shift from the youthful optimism of Democratic supporters ahead of the presidential election two years ago towards their hopelessness — and sometimes warlike determination.
Online users have delivered scores of Game of Thrones references in the first place.
— Lauren Duca (@laurenduca) 5 ноября 2018 г.
— Bertrand Gilfoyle (@bert_gilfoyle) 5 ноября 2018 г.
Then come animal pics — and the time to show your inner wolf.
— Jennifer Reitman (@JenniferReitman) 5 ноября 2018 г.
— so called meg 🦉🦚🦜 (@sakai_meg) 5 ноября 2018 г.
Some voters' mindsets have not changed over these two years, apparently.
— Maya (@mayaminocha13) 6 ноября 2018 г.
— moonmoon sicardi (@arabellesicardi) 5 ноября 2018 г.
Movie and TV-series characters help netizens communicate their anxiety, in a way.
— Brian Scully is VOTING ON 11/6 (@brianscully) 5 ноября 2018 г.
— Pulin Modi (@IAmTomorrow) 6 ноября 2018 г.
— Whitney Friedlander (@loislane79) 5 ноября 2018 г.
— Lord Omelet Toes (@TheBarbarienne) 5 ноября 2018 г.
Does a half-failed attempt to restore a Blue majority in Congress have something to do with a failed restoration of a Jesus fresco? We honestly have no clue.
— Megan Amram (@meganamram) 5 ноября 2018 г.
In the days leading up to the election, many American celebrities were calling on the voters to go out and put their ballot in the ballot box. Dwayne Johnson might have also contributed to the increased turnout with his Photoshop skills.
— Dwayne Johnson (@TheRock) 5 ноября 2018 г.


text:
yoplaysflappy
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Yo Plays Flappy Bird

redpajama_set_name: RedPajamaGithub


Tabletop games, board games, fantasy fiction; anything you might discuss in a tavern on the Borderlands. Pull your chair closer to the fire and take up a glass.
Gloomhaven is currently the 800lbs gorilla of table top gaming. It had a successful Kickstarter campaign, and then good word of mouth and strong critical response led to the 2nd Kickstarter collecting millions of dollars. It recently had a third printing, it reigns as the number 1 rated game on Board Game Geek and anyone with even a passing interest in RPGs or Dungeon Crawlers has heard of it. I can't remember where I heard about it. Probably from the message boards on BGG. When I started reading about the game it was between printings and copies were fetching up to $400.
The first thing you notice about the game is the box. The box is huge. The box has 1500 cards in it. The box has tuck boxes filled with hero attack decks and boxes of hero miniatures and dozens and dozens of monster chits. The box has a map and a sheaf of stickers that you apply to the map when you unlock a new area. The box has mysterious, sealed envelopes marked with an A, and a B, and an X. Someday you may be directed to open one of them. Or you may not.The box weighs 22lbs.
The third printing was sent out last month and Sula lugged a copy home from the University bookstore like a panther dragging an antelope up a tree. We popped the lid to gawp at all the bits but got scared, pressed the lid back down and slid the box onto the shelf.
10 days ago our curiosity got the better of us and we sat down to pop all the chits and learn the game. The manual is badly organized but the game is surprisingly simple to learn. Informally, the game is know as a Euro-inspired dungeon crawler and the designer, Isaac Childres, has stripped away all of the cruft that gets bolted onto Ameri-style dungeon crawlers. There are no dice in this game. The rules for line of sight (LOS) are clear and easy to grasp. You're never comparing your characters strength value against the enemies defence value and calculating the result. Instead, you have a deck of cards and each card has an upper action and a lower action, and every round you choose to perform the upper from one card and the lower from another. Basically, that's it.
The monsters also have a deck of cards which are revealed one at a time and dictate what the monster will do on that turn: move, attack, heal other monsters, buff themselves. We even saw an archer lay down a trap in front of herself so we couldn't get to her. It's a very elegant and engaging system.
The cards, yours and the monsters, also have an initiative number on them which dictates the order in which participants act during the round. Some rounds you night go first. Some rounds the monsters might go first. It's a very smart system and leads to monsters acting in fairly unpredictable but believable ways. It also means you and your fellow players aren't just doing the same thing over and over and it lends quite a lot of tension to the rounds. Tension perhaps because the monsters went first and now they're not all bunched up perfectly for your spell to hit them all. But also because your hand of cards is a ticking clock.
After you play a card, sometimes it goes into your discard pile and sometimes it goes into your lost pile. Cards in the discard pile can be recovered by taking a short rest at the cost of randomly losing one card for the rest of the scenario. Cards that go to your lost pile are lost for the rest of the scenario, unless you have a card which allows you to retrieve them. If you ever get to a point where you cannot play two cards on your turn then you are exhausted and the scenario is over for you. Which means that often, you make it to the last room in the dungeon, ready to fight the big boss and loot their treasure and...you only have four cards; two rounds of play in which to kill them. It models beautifully your characters exhaustion.
You hand size is fixed. My Spellweaver will never be able to carry into battle more than 8 cards. However, as we level up we can add other, more powerful cards to our decks. Sula and I just finished our third scenario and we both levelled up and that made us feel special and good. We're excited to choose our next hand of cards.
So, your characters level up, and the town of Gloomhaven levels up, which adjusts the prices you pay for gear; armour and weapons and potions, etc. Your party has a reputation that can rise of fall depending on decisions you make as you encounter other factions in the game world. When you start, the big map is empty and as you discover new locations you add a sticker to the map, placing that dungeon or temple you just heard about right there for you to go visit. There's something very compelling about adding stickers to the map. We found a location inside a treasure chest (must have been a map on rolled up parchment) and that was interesting. We learned about another location from a group of Sun Demons we met on the road, and that was interesting.
This feature, this element of hidden information being revealed to the player is something Gloomhaven is built around. When you start the game there are 6 classes to choose from but they're inside tuck boxes with just a symbol drawn on them: a musical note, a sun burst, a mechanical gear. What do they mean? What's inside? You won't know until you open them. And there are 11 other classes, each identified by an equally opaque symbol, which begin the game sealed.
When you choose your first character you also choose a life goal from a deck of cards (get two, choose one) and that life goal might be as simple as, gather 200g or as complicated as, take part in four scenarios in crypts. And when your life goal is completed that character retires and you're told which character box to open next. You don't know who you'll be playing as. It's all very mysterious and tantalizing and delicious.
You also choose a battle goal (in secret) for the scenario you're playing and if you achieve it you get a tick mark. Get three tick marks and you can choose a perk which alters your attack modifier deck, making it stronger. Eventually you'll be able to add stickers to your cards, changing the way your powers and skills work. Gloomhaven gives the player an enormous amount of control over the destiny of their character. After our first scenario, Sula and I commented that we felt like our characters were very different from each other, and that we had full control over what they did. And, in fact, the only other game which had made us feel the same way was a real game of Dungeons and Dragons, run by a good DM. And that's really what Gloomhaven is: an enormous D&D campaign, in a giant box.
Sure, you're collaborating with the other players, you're all travelling together and going down to attack this Inox Bandit camp, but your ultimate motivation is to fulfill your life goal. If it makes more sense for you to run around the dungeon sucking up gold instead of helping with the boss fight, then you'll go do that. And the game doesn't want you to collaborate too much. Table talk, in the D&D sense, is forbidden. You can say something vague like, "I'm gonna try and kill these two spiders over here", but you can't say what your initiative will be or exactly what attack or spell you'll be using. This also helps to feel like you're in charge of your own business, and it stops any Alpha Gamers who might be at the table, from taking over and directing what everyone does.
The chatter around the water cooler says that there's 100 hours of gaming in this box. And you can buy removable stickers (like we did) if you're averse to permanently altering the game, or if you think that one day you might like to reset it and start over from scratch. Gloomhaven is incredibly generous. If you fail a scenario you get to keep all the gold and XP you earned. If some friends come over and want to play you can give them characters and choose a random scenario from the random scenario deck, so it has no bearing on your campaign game, except your character will have levelled up a little. (It's a bit like playing World of Warcraft, taking a break from trying to kill the Lich King and instead running Shadowfang Keep for the afternoon with your other friends.) The game also has a built-in difficulty scale. You can choose where to set the monsters for any scenario, which makes it incredibly easy for people to just drop in and play with your main characters. Setting aside for a moment how good the combat is, how much of a brain burner it is, from a quality of life perspective there is lots and lots to love here.
Well I don't hate anything. But there are a few niggles.
-Whoever is running the game needs to find a way to not have perfect knowledge of the scenario. If you know which room the treasure is in, what's stopping you from just heading there? Or more accurately, the game is hard enough, of course you're going to want the group to succeed and get all the loot. This can be worked around by using an app which only reveals the contents of a room once you click on it. This way you can populate rooms as you discover them along with your players.
-You need an insert, which is a bit of a kick in the teeth for a game which already set you back at least $130 +tax. There is a ton of stuff in this game and a good insert will help with setup and tear down times. My thing is I don't want to take too long to set a new room so before the insert arrived I would look at the entire scenario, find everything I needed, and set it all aside, but that lead to me knowing where the treasure chest was. With a good insert (and a scenario app) I can learn what is in a room the moment the door is opened and then quickly find the monsters and treasure and the room features I need.
-Max 4 players. You can play the game solo and the hivemind thinks that one person controlling two characters is the way to go. But the player limit is 4 which struck me because Sula and I are two and then we have room for...two more, and we are way more popular than that. I can't think of many games we play regularly that don't accommodate more than four players. A Feast For Odin might be the only one, and that's just because it's too good not to play. I suppose the mitigating factor is time. It's already a pretty lengthy affair and adding more players adds to that.
We own the second edition of Descent, a big, sprawling dungeon crawler from Fantasy Flight Games. We have a couple of the expansions and a big fishing tackle box that we store monsters in. We like Descent. But why would we play Descent when we have Gloomhaven? Maybe for the flavour? Descent does a very good job of making me feel like my character is standing in a muddy field, or on a stone walkway, or in a dank ossuary. For all it's interesting mechanics, Gloomhaven's map tiles are pretty dull and bland and I'm never very convinced by the poorly rendered locations drawn on them. However, Gloomhaven does a good job of presenting fresh and interesting races and classes. There isn't an elven archer or dwarven warrior in sight.
Descent does have a large variety of interesting scenarios and in Gloomhaven it feels a lot like every scenario will begin with us being asked to kill everyone in X location. But it's too early to tell for sure how samey the scenarios might become and Gloomhaven does have this large story arc that you and your group are caught up in. Your party has a reputation that affects the outcome of Events and the town of Gloomhaven changes over time as story beats happen. So in Descent there is variety in the scenarios and in Gloomhaven it's in the interstitial bits between scenarios.
The other thing about combat in Descent is you're rolling dice. Lots and lots of dice. Now, I love specialty dice. Dice with interesting symbols on them instead of numbers, and Descent has lots of them. There are brown dice and red dice and yellow dice and white dice and black dice. Dice with shields and dice with Xs and dice with hearts and dice with lightning bolts. It's all very thrilling and tactile and when you pick them up they feel like a handful of potential: "What's gonna happen this time?" I like dice rolling in games. Roll for the Galaxy and Black Orchestra are two of my favourite games, but dice rolling results in a different kind of tension. In Descent, the tension is "Will I get the die rolls I need to kill this Ettin?", which sort of leaves the whole affair in the hands of Fortuna, spinning you downwards, if she feels like it. In Gloomhaven, the tension is "Will we make it to the end of the scenario without becoming exhausted? How well can we manage our decks? How do we deal with the threats in the room?" Which I find to be a much more engaging kind of tension. When things go pear shaped in Gloomhaven it's not because the Die Gods hate us.
At their most abstract, games are engines that run on decisions and predictions: I have to make a decision, I expect this will happen. The best games, or my favourite games, are the ones that mess with your predictions just enough that you're challenged but still allow you to feel that you can make good decisions. I want variation that I can absorb, I need to be able to make mistakes and be able to recover from them; I want an A.I. that provokes interesting decisions and doesn't feel like it's just cheating. Gloomhaven does all that for me. I don't think it's the most heavily thematic game I've played. Descent makes me feel more like I'm navigating an actual dungeon. Mansions of Madness does a great job of making me feel like I'm exploring a spooky old house. But those games decision spaces are fixed points. There is very little variation in the things I'm doing and the actions I'm taking. The variation comes from loopy die rolls. In Gloomhaven, every round is giving me an interesting decision to make, inside the larger tension of wondering which cards can I risk going to the lost pile? How do I manage my exhaustion to make it all the way through this scenario. It all comes back to agency. In Gloomhaven it feels like our fate is in our hands. No matter the size.


Note: Whoops, looks like I lied when I said I'd soon be caught up on posting roundups. But we are almost there, I swear! Sorry for any confusion my lazy posting has caused!
Month 44 found me back on the go after a nice stretch at home for the holidays. I eased back into life on the road with some domestic travel, visiting family and friends in Louisiana and Florida — in total, I logged time with five family members and four close friends. Visiting loved ones is such a great way to travel! Yeah, I'd make my way to New Orleans and Miami eventually regardless of if I had a sister and cousin living in those respective cities. But would I ever go to Tampa, Florida, if I didn't have two beloved aunts there? Probably not. Yet I've had so many fun trips and unique travel experiences there now (diving with sharks comes to mind!) that I can't imagine having never been. When people wonder how they can travel more, it's the first thing I suggest… think about where those far flung cousins and long lost friends live. Maybe it's time to reconnect!
Anyway, from Miami I hopped to Managua, kicking off my next multi-month international trip. I'd really waffled about whether or not I was doing the right thing in heading to Central America — as always, Southeast Asia was calling me home — but as soon as I landed I knew I'd made the right choice. Southeast Asia may win the gold for me, every time, but Central America easily places for silver. And I had plenty of exploring ahead.
• Spending a completely unbeatable New Year's Eve in New Orleans with my sister, my best friend, and her sister (how well this crew got along was just a highlight on top of a highlight). I've had some pretty amazing New Year's Eves before but… this one is going to be hard to top. Starting with sister massages at The Ritz (my sister's Christmas gift to me!), followed by a fun and relatively cheap group dinner and finally celebrated with fireworks, people watching, and live music in the streets — what more could we have asked for? Perhaps some late night beignets and hot chocolate at Café du Monde? Oh right, we did that too.
• Live music everywhere. It's one of my favorite things about New Orleans. And seeing Rebirth, one of the cities most beloved big brass bands at the Maple Leaf was a night I'll never forget. It was perfection.
• Watching my sister with her students, and helping her set up her classroom for second semester. She met me at the airport with three of her girls in tow, and later we took three of the boys the Insectarium and tricked them into eating creepy crawlies at the Bug Cafe. I'm just so proud of my sis, and as grateful as I am to technology for letting me follow along on her teaching journey through Snapchat and Instagram, it really hits home when I get to go to experience it all in person. Watching her grow through her two years teaching with Teach for America has been an unbelievable joy.
• Eating. Duh. Baru and District Donuts were new favorites from this trip, as was Commander's Palace — for the food, yes, but more so for the company and the dress up cuteness (and the 25 cent martinis).
• Getting along so well with my sister. For years we've had a roller-coaster like relationship typical of close-in-age siblings, but lately we seem to be on a streak of mutual love and support — one that really kicked off on this trip. Nothing makes me happier than seeing her FaceTime requests pop up on my screen.
• Arriving in Orlando and flinging open my curtains every morning and seeing what animals were lounging below at the Animal Kingdom Lodge! I've wanted to stay at that resort for years — or at least since my dad became a member of the Disney Vacation Club. And there's no one I would have rather shared a room with than Florida fanatic . We had such a good time gossiping about blogging, singing silly Disney songs, and talking travel, as always.
• A Jacksonville jaunt. I was so excited to check out Angie's hometown with her! Unfortunately arctic temperatures (seriously, it snowed in Florida) kept us inside, so I didn't actually see much of Jacksonville, but I didn't mind snuggling up in her apartment for a few days — we both had tons of work to catch up on anyway. But it was great to hang with her family, meet her fiance, and get to check out Angie Away Headquarters!
• Family time in Tampa. I was so excited when I put a whole week in Tampa with my aunts on the books, and even more thrilled when I talked my dad and sister into joining us for a weekend. Still, I loved our nights just the three of us, when we went through and souvenirs and they regaled me with tales of their great backpacking trip through Europe.
• A day in Weeki Wachee. The mermaids at Weeki Wachee Springs basically hit on every one of my travel obsessions — I was pretty much vibrating with excitement while we were there. Under-appreciated aquatic antics in a kitschy Florida setting with a quirky history and amazing photo opportunities at an insanely reasonable price? It's LIKE I LITERALLY DREAMED IT.
• Taking a dip in the Florida Aquarium. This was probably my most exhilarating adventure of the month — getting to dive with sharks in Tampa! I loved geeking out at the behind-the-scenes action at a major aquarium, and was beside myself at the opportunity to be so close to (and photograph, of course!) such amazing creatures. Having my auntie entourage along doubled — nay, tripled — the fun.
• Going movie mad. Going to the movies is one of my favorite forms of entertainment, and I knew I'd soon be heading into a cinema-free few months, so I wanted to see as many as possible on the big screen before take off. I was introduced to this crazy fancy breed of new dine-in and drink-in theaters at the in New Orleans, where I saw Wild, and continued the theme at the in Tampa, where I saw American Sniper. These theaters are so fun — I'll definitely be seeking out more when I travel. However, my favorite flick of the month, despite being screened at a regular 'ol multiplex, was Selma.
• Driving through the Everglades. I was SO pumped about this road trip, and it didn't disappoint. With my girl Michelle flying in from Albany to play co-pilot, we made our way from Tampa to Miami while stopping as often as we could along the way. I loved this trip for a lot of the same reasons I loved Weeki Wachee. Basically, I just want to live in a .
• Decadent days in Miami! From relaxing at the pool of my cousin's downtown building to drinking ciders on the beach (fellow Rekorderlig fans, rejoice — you can stock up at ABC Liquor stores in Florida!), from after dark nightclub antics to getting tipsy on Ocean Drive in the middle of the day, my time in Miami with Michelle was indulgent and fun. I love this city!
• Unexpectedly Miami meetups. When I arrived in Miami, I realized via Instagram that fellow travel enthusiast was there too. We've been online friends for ages but never had the opportunity to spend one on one time together — when we finally met up for lunch at PAMM, Miami's modern art museum, we clicked instantly. It's always great to meet up with my (normally virtual) blogging colleagues on the road! But she wasn't the only one — I also comically discovered in the midst of a major text sesh that my friend Ashley was in town too! I love when my world feels small, and it was great to get to spend some time with her.
• Taking amazing Viator tours. Man, I love my job. I got to take some fabulous Viator day tours over this month, from the aforementioned shark diving to going behind-the-scenes at Mardi Gras World to taking a cocktail tour of New Orleans to taking a food tour of Miami to stunning and adrenaline boosting air tours over both South Beach and the Big Easy. I would be seriously hard pressed to pick a favorite.
• Booking my flight to Central America on points! I always feel like I'm getting away with something when I score a free flight thanks to Frequent Flyer miles and travel hacking with my credit cards. And listening to a girl in my hostel sob because she couldn't change her flight made me grateful that booking with Aadvantage points means you can change your flights with no change fee — maximum flexibility for the win.
• Landing in Nicaragua. It's been one of the highest priority countries on my "to visit" list, and finally making it there felt like a victory.
• Going on a people detox in Granada. I love me some serious family and friend time, but… I also love binging on high quality me time. For my week in Granada I very purposefully went into social hibernation and didn't have a single non-essential conversation for the whole week. It was wonderful! I went sightseeing in blissful silence, chain watched Friday Night Lights, and logged endless hours writing in sunny cafes. A lot of travelers say that they love solo travel because of how easy it is to meet other people, and that is totally true. But I also love solo travel because of how easy it is to be completely anonymous, when that's what you need.
• Peeking behind closed doors. My one real tourist activity in Granada was a hit! It was also fun to write about and share with you guys, since the tour isn't very well advertised or promoted. Hopefully I convinced a few other travelers to head out and hit up this unique tour, the proceeds of which support a local library.
• Pure. This gym slash spa slash health center was one of my favorite things about Granada, and was a huge factor in my three night stay doubling to six.
• Flight frustration. I had to change my flight to New Orleans and lose two days there because of my surgical infection, which definitely bummed me out. But the upside was that I booked with Southwest, who makes flight changes insanely simple — I actually ended up getting a refund because the new itinerary I booked was cheaper than the original.
• Shivering in New Orleans! While it was certainly warmer than New York, we did catch a bit of a cold front in New Orleans — a week earlier it had been ten degrees cozier. I don't do well when I'm chilly, especially in the evening. I think we all turned in a bit earlier than expected on New Year's Eve simply because we wanted to warm up!
• Financial fluster. On New Year's Eve, I had a seriously inebriated bartender who — long story short — returned my credit card saying it was rejected, so I handed her another one. Turns out they both went through, which launched a nightmare with my credit card companies in trying to get one of them reversed. If time is money, that was a very expensive round of drinks.
• Disney disappointment. Downtown Disney was a bust. I know they were under construction, but after I saw Universal's CityWalk I was actually kind of embarrassed for them. In general, Disney Florida did not hold the magic of Disney California for me. It felt overwhelmingly big and spread out, and a little more tired. I think part of it had to do with not going to the actual Animal Kingdom park, which I do kind of regret in retrospect. Overall, It made me appreciate my California experience all the more, though!
• Ankle ouch. I fell hard in Tampa, and it was the injury that just would not heal. I actually started getting a little scared in Granada, where every day when I got back to my room my ankle was swollen and hot to the touch and my calf was stiff and filled with fluid. It was my fault for not staying off of it, but it's pretty hard to submit yourself to bed rest when you're excited about a new city.
• Photo frustrations. I had a really hard time getting decent photos from my two night flights. The combination of the motion of the plane and the lack of light was too much for me and my lens to handle. If you're a photo fanatic planning an aerial tour, you might want to avoid the evening hours and go for a nice bright daytime flight.
• Cousin crunch. Because he had a last minute family emergency back in Illinois and had to fly out for much of my time there, I ended up barely seeing my cousin Eric in Miami, which was as bummer. The good news is I know I'll be back.
• Accommodation antics. I dreamed about staying at The Freehand in Miami for a long time, and I was really excited when Michelle decided to join me despite being a little skeptical of the whole hostel thing — what a great first experience for her, I thought! Yet as outlined, it wasn't really the smoothest. On top of everything else, when we first checked in they told us we'd be in separate rooms despite booking together! The lovely girl at the front desk helped us sort it out, but I definitely felt I aged a few years in the process.
• Selfie sighs. It might sound silly, but when I left Granada I realized I had just a single photo of myself from there — a mediocre selfie snapped atop the cathedral. I figure a few decades from now, those are the photos I'll really cherish, so normally I'm pretty good about asking others to take my photo or setting up my self timer. A good reminder to be better in the future!
• Granada regrets. I was ready to move on and get to the beach when I left Granada, yet there were a lot of things I wish I had done while I was there — paint something at the art cafe, go SUPing on the lake, etc. I guess in the end, it just gives me a good reason to go back.
• I don't think I've ever laughed quite so hard in an airport as I did . Only in New Orleans, right?
• Have you ever taken the train in Florida? No? Well neither, it seems, has anyone in Florida. As a New Yorker, booking the Amtrak from Jacksonville to Tampa was a no-brainer — cheaper than flying and much more comfortable than a bus. But from the reactions this choice garnered from my hosts in both cities, you would have thought I'd chartered a private unicorn to fly me between them.
Angie, who's lived in Jacksonville her whole life and didn't even know there was an Amtrak station there, had us leave her apartment half an hour early out of grave concern that the whole thing was a hoax and Google Map's directions were going to lead us to an empty field with some rusty old tracks lying around. My aunts in Tampa had their concerns as well, sounding highly suspicious of the whole situation even after I assured them I had, in fact, made a booking. "Hmm. I'll look into that," my aunt Karen said, as I stared at the ticket in my inbox. And the train ride itself? Enough of a tragicomedy to warrant its own chapter in a future short story collection. Stay tuned.
Because this month features such drastically different destinations in terms of affordability, I'm not going to do a dollar by dollar breakdown. However, in the future I'll likely do a full budget breakdown for Nicaragua, so stay tuned for that. The good news is that overall, I made more than I spent. The bad news is, I spent quite a bit while I was in the US. Though apart from The Freehand I didn't spend anything on accommodation as I was crashing with fam and friends or booking with points, I made up for it with pretty lavish meals.
Still, I spent less than $2,500 for the month (not including what I pay my assistant) which is not bad considering it consisted of three flights, one being international!
Unsurprisingly, I got tragically behind on work while I was traveling stateside. I thought I'd built in enough days that I'd be glued to my laptop, but it's really hard to maintain control of your schedule when you are traveling with or staying with others. Thankfully, I knew I had my time in Granada coming up and so I remained pretty calm about how behind I was getting.
On the blog front, my traffic dramatically spiked in January — and has stayed up! I had a great month of income with projects for Enterprise, Viator, and Contiki, as well as some small writing and graphic design projects and a decent chunk of affiliate earnings.
I went to one barre class in New Orleans, went for one bike ride in the Everglades, worked out once at a gym in Miami and went for one run in Tampa — which yeah, if you read through the lowlights section, didn't end well. That twisted ankle would haunt me for months! But basically, I didn't put much emphasis on exercise when I was in the US, and I did put a lot of emphasis on eating and drinking every single thing I could get my hands on.
However, I really turned things around when I got to Central America. I started eating relatively cleanly again, and despite my ankle, worked out almost every single day in the form of either yoga, Zumba, or a gym session. Zumba was my big discovery of the month — I seriously fell in love — but I also set a pattern of focusing deeply on my yoga practice, which would become somewhat of a theme for this trip.
A few more weeks in Nicaragua and then onto El Salvador.
It's SO important to have that pre-trip talk, but it's strangely hard to actually remember to do it. I have a trip with my mom and sister booked next year, and I'm trying to already get a sense of what they're interested in. I've never been on the train in Florida (though I was born there), but I HAVE heard of it. Now I feel like I earned a brownie point!
I know! I think we naturally assume the people we plan to travel with will be on the same page as us… always a shocker to be reminded that's not necessarily the case. Enjoy that family vacation!
You are so sweet Jennifer! And we do indeed. I'd love to see other travel bloggers take on Albany and give me some great ideas! Sounds like you have an awesome visit home planned.
This post really brings me back to my days living in Orlando. Of course, having a friend working for Disney sure helped me enjoy a lot of the 'behind the scenes' fun you mentioned. Enjoy the blog – and I'm always happy to find someone who loves the kitsch as much as I do (if that is possible!).
Card carrying kitsch obsessed over here 🙂 Love hearing of others who appreciate it!
Congratulations! You've done so many interesting things, i can't even imagine. Keep the traveling and good luck!
This was indeed a jam-packed month! Jam packed with awesome, at least 🙂 Thanks for the well wishes, Izy!
No problem with the lateness, I was more than happy to revisit pics of those donuts….
Can't say it hurt me to take a look either 🙂 Especially on what I heard was the eve of National Donut Day!
I'm pretty productive in Albany too! Well, it can be an issue for me sometimes when I'm "home" in New York… but in this post I was more referring to visiting friends and family, wherever in the country or world that may be. When I'm a guest, it's hard to control my own schedule.
One thing that you mentioned that resonates – when I'm staying with friends or family, it is SO HARD to keep to my normal work schedule or do my regular social media stuff. Seriously. I thought I had this diligent work ethic but it gets thrown every time (she says as she writes this at 6am from a family members' house…the only alone time ever).
Oh man, I do know how you feel! I often do the early AM wake up to cram in some office hours. One of these days though, I'm going to learn to actually open my mouth and TELL people ahead of time that I need/want some computer time, and not to worry about entertaining me every hour of the day. That's probably a better tactic than just hoping/assuming that they'll just want to sit around for a while on their own laptops when they have a guest in town… ha.
I've been doing zumba for a few years. I love it – its fun without feeling like a workout!
I should try it again now that I'm back stateside! I've been so excited to be back in my barre classes though.
It's certainly not ever a bad idea. A brief talk about budget, goals, and itinerary is always for the best!
How amazing that you've been traveling for 43 months! Love reading about all your adventures.
I enjoy your round ups because of all the little notes that us(non bloggers)don't usually write about, but think about 🙂 Also, the other segment I enjoy reading from your blog is "Confessions". That's where relativity speaks to many people.
I do love to confess 🙂 Thanks Julia!
I can't believe at this point you've almost been traveling for four solid years. WAT.
We shall see 🙂 I'm definitely California bound… but a little further south.
So funny about the Florida trains! Who knew I was such a maverick all these years, taking the tri-rail from Miami to West Palm?
It really sounds like Central America is all about yoga and living a healthy lifestyle. Is that just true of the places you visited, or is it really prominent all across the area?
I'd say if you are looking for that, it is VERY easy to find in Central America. There are strong hippie dippy vibes throughout the region, though I'd say they'd be easy to avoid if you wanted to! I was fairly fascinated though and definitely was seeking it out.
I've lived in Florida all my life and I think you have done more here than I have! Thanks for the new ideas to take my wandering family to – it all sounds fun! No Disney though, been there – done that. I like finding old Florida places and activities.
Me too! Classic Florida is where it's at 🙂 Weeki Wachi was one of my favorites, ever!
What a busy life you lead. I've barely begun to discover about the rest of your travels, having only just tripped over your travelogue here but you really seem to have some interesting times.
Hopefully not every trip includes all the mini-disasters you mention and I do hope you got your card charges sorted.
Best of luck for your next trips.


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The New Jersey Devils hosted the Boston Bruins to open the 2020-21 season on Thursday at Prudential Center in Newark....

redpajama_set_name: RedPajamaCommonCrawl


Would you like some crowberries?
Eva Aariak and I gathered so much of this fruit yesterday. While exploring Disko Island in Greenland, we discovered a bumper crop. Joy!
We planned on hiking but ended up with our hands in the crowberry bushes much of the time. These berries are perfectly ripe, with the best balance of juice, sugar and bitterness. Eva is teaching me about what to gather from the land. She's an Inuk from Baffin Island, Canada, she was the premier of Nunavut, and she is a language expert. I am already looking forward to visiting with her again.
Meet the North is, in part, about gatherings: gathering people together, gathering stories, gathering what the land has to offer. I could not make this journey without guides like Eva.


Night paintings of Chicago venues, finger painted on an iPad from sketch to final image.
I love the way night transforms the urban environment. Instinctually we interpret our surroundings differently after dark. In this series of paintings I am trying to capture the unique mood and atmosphere created by night in the city of Chicago. I pick venues that attract this sensibility, some well known, others not. When I paint these images, I try to create a sense of stillness and urban isolation, as though the hour is late and the streets are devoid of people and traffic. The light reflections dance on the street and you can hear the echo on the sidewalk and the hum of the neon.
Chicago with its unique neighborhoods and rich history offers up a multitude of possible locations as subject matter for this series. I find myself like a moth being drawn to the light emanating from corner diners, bars, bakeries, theaters, etc.


text:
Solution home Dictionary B
Modified on: Wed, 29 Jun, 2016 at 9:14 AM
The various subjects relating to modern lighting technology are dealt with in depth in the Handbuch für Beleuchtung This is the standard reference work for everyone whose work involves questions of light and lighting. The manual, which is now in its 5th edition, is published by the Lighting Engineering Societies of Germany, Austria, Switzerland and the Netherlands (LiTG, LTAG, SLG, NSVV). This work has served as a source for many of the explanations provided in the DIALux Help texts without acknowledgement in the individual case.
The following is a list of the basic and commonly cited standards and regulations in the field of lighting technology (D, A, CH, NL, international):
National standards and regulations
Radiation physics in the optical range and lighting technology
Daylight interior lighting
Artificial lighting of interiors
Radiometric and photometric properties of materials
Photometric evaluation of spotlights
Light, lamps, luminaires
Luminaires for lighting purposes
VDU workstations
ASR 7/3
Artificial lighting
ÖNORM 1040
SEV 8910
Measurement and evaluation of lighting systems
Daylighting of interiors
International standards and regulations
CIE No. 29.2
Guide on interior lighting
CIE No. 55
Discomfort glare in the interior working environment
IEC 598
Luminaires, General requirements and tests


Tania Withers started her business back in January 2011. In August 2014, she decided to amend the company name to incorporate the training element of the business.
As the business specialises in Eyelash Extensions, you know you will be going to experts that see over a hundred clients each month on a regular basis - rather than the odd few here and there.
Lashings of Beauty & Training has built a positive reputation and large client base on the high level of work that is provided.
As a fully insured member of The Beauty Guild and ABT, you can rest assure that you will receive a first class service.
Tania and her team are focused on providing beauty treatments to the highest standard, and they aim to deliver what each individual customer requests. They will adapt their expertise to ensure they meet their clients expectations.
Although Tania herself is trained in many aspects of Beauty, she mainly concentrates on Eyelash Extensions to ensure her experience and knowledge in this area are not spread thin! 95% of Tania's working week is filled with Eyelash Extensions alone and even though she works full time, she still struggles to keep up with demand.
This goes for the other members of the team too. Rather than have members of the team offering ALL beauty treatments, only occasionally, Tania has employed several staff who specialise in each field, to ensure their clients only receive the best treatment possible, from staff who undertake these treatments on a regular basis.
This sets her business aside from any other in the industry within Plymouth.
Tania is an Advanced Master Lash Stylist.
With this knowledge and passion under her belt, she has decided to open Plymouths FIRST Beauty Salon & Training Academy, to take on more therapists and train them to a high level.
You can find a wide range of pictures on the Facebook page, as well as this website, and the team can offer various styles of eyelash extensions.
You can choose the length, thickness, curl and even colour!!! And for those that are new to this treatment, dont worry! - The Advanced Lash Stylists can help you decide which will suit you best.
Lashings of Beauty and Training welcomes you to come and 'see' for yourself.
Tania and her team would welcome the opportunity to earn your trust and deliver you the best service in the industry.
Tania Withers entered the Beauty Industry in 2011, with little experience or knowledge in any area of Beauty.
Within 5 years, she has built her 'idea' into a hugely successful business and is now one of the busiest Eyelash Technicians in the Plymouth area.
Although Tania has only been in the industry since 2011, her "experience" isn't based on working years - her workload, client base and passion for Eyelash Extensions reflect this.
Tania and her team offer a warm, welcoming, 'homely' setting and focus on making their clients and students feel comfortable and relaxed, in a laid back, yet professional atmosphere.
Tania was ranked number 1 in the Worldwide Lash Festival 2016, Classic Category.
If you are looking for a professional business that strives to meet your needs, we are exactly what you're looking for!
Tania is proud to be an International Associate Member of Lessons in Lash Artistry (IAMLILA).
This is proof that, alongside regular practical training courses, Tania continues to make a conscious effort to ensure her knowledge within the Lash Industry is up to date. This enables her and the team to give their clients the very best treatments by staying at the forefront of the industry.


United announces another whammy…. make that a double whammy!
So the second largest U.S. carrier just announced that not only will they be raising 1 way fares as much as $90, but they are now going to tell you how long you must have a stay. Yep, they are going to start requiring minimum stays for nearly all domestic flights starting in October. So, they will REQUIRE a 1 to 3 night or weekend-night minimum stay.
STOP THE PRESSES! United Airlines to Start Charging for Checked Second Bag!!


text:
Phone rang early this morning ...
The call was from the city councilman with whom I was to have lunch and chat about joining his staff soon. "Last night was our swearing-in ceremony and many of my relatives came from elsewhere to join me in celebration. They're still here and I'd like to re-schedule our lunch 'til next week, if possible, Betty." "Of course, but I'll want to know if there is some question about whether you're interested in my being considered for the position." "Oh no! That's a given." So that's where we are at the moment, and we'll meet next Wednesday to work out the details.
I like him. He's been a public servant for some years, serving on the Peralta Community College Board and serving well. It may mean another couple of years of civic involvement before the lab gets the remains! He will have some interest in education.
Last night I attended a meeting of an ad hoc group of educators who've been studying the NCLB (No Child Left Behind) legislation. It was spirited and revealing. It's been some time since I've met with educators -- not since leaving my position of field rep for Assemblywoman Hancock. It takes a different set of ears when you're participating as a member of the public. A lot more freedom is involved. No need to censor myself.
Learned that this legislation is not new at all but is simply the old Elementary and Secondary Education Act passed in the Sixties which gave us Title 1. When that bill came up for reauthorization in 2001 (I believe), it was renamed NCLB and (supposedly) was enhanced with some "strengthening" measures. The irony was that it had worked to empower many minority students before -- when fully funded -- but under the reauthorization became little more than an unfunded mandate.
The passion expressed last night by concerned teachers and administrators (largely Latino, female, and/or African American) was unbridled. Their frustration at the conditions under which they're working was clearly moving many out of teaching in the public school system, and into either charter schools or out of teaching altogether. What a sad state of affairs. What a tragedy that we've allowed one of the best systems of public education in the world to fall into such chaos! What is obvious is that the schools are being privatized at such a fast rate that it's all happening under the radar of most parents and -- except for alert educators and a few concerned legislators -- it may already be too late to save them.
Found myself thinking last night that the only possible answer is the massive withholding of the source of revenue, ADA (Average Daily Attendance) by pulling children from the schools in a general strike of unity. That may be the only way to slow down the juggernaut and give us the time to correct our course.
One of the many speakers was Dr. Kathy Emery, the co-author of "Why is Corporate America Bashing Our Public Schools?" It says on her book jacket, "...Kathy Emery has taught high school history for 16 years, has a Ph.D. in education from the University of California at Davis, and is currently working with Teachers for Social Justice and the San Francisco Organizing Project. Her dissertation, on which her book is based, can be found at www.educationanddemocracy.org.
Jonathan Kozol, author of Savage Inequalities: Children in America's Schools writes of her book:
"Kathy Emery and Susan Ohanian have written a magnificent, carefully documented, and high-voltage manifesto to confront the degradation of our nation's schools by powerful corporations whose self-serving motives and assaultive tactics have developed into a relentless and dehumanizing juggernaut. Steam will be coming out of your ears by the time you finish this extraordinary book. It should be a wake up call to all who care about the future of our schools and all who truly value children."
Bought a copy after hearing what she and the others had to say last night. It all fit closely with the facts as I'd been able to glean them from five years as a field rep in the county and the district. I knew that 49% of Latino and African American children drop out of school by the tenth grade -- according to state figures, and that I was unable to direct any attention to those shocking figures while working in the field. And, knowing that these were state figures, we can be fairly certain that the local figures were far higher.
The predictability, the drawing together of these facts with those of last Friday's meeting in Oakland last week (900,000 young men of color incarcerated) made my teeth grind!
And, how on earth will my next round of career moves impact this problem?
Will attend the school board meeting tonight when some of the teachers will be testifying. Maybe I can glower from the audience! Can't think of a single thing that will help when what I really want to do is work to convince every parent to remove their kids from the schools in a show of determination to save the system from a predictable fate. The schools will be taken over by private educational enterprises, sold, made into charters, or simply closed. That's a certainty, unless ...
Wonder if I ever posted these song lyrics? It was...
Hopped on BART this morning with two friends to a...
Having such a long view on history makes for some ...
Phone rang early this morning ... The call was f...
Where does the time go? Already it's Tuesday. Tim...


text:
Albert Herter (American, 1871-1950). Pilgun Yoon, ca. 1923. Oil on canvas, 70 1/8 x 41 1/4 in. (178.1 x 104.7 cm). Brooklyn Museum, Gift of Mrs. Frederic B. Pratt, 32.68. © artist or artist's estate (Photo: Brooklyn Museum, 32.68_SL1.jpg)
Albert Herter (American, 1871-1950). Pilgun Yoon, ca. 1923. Oil on canvas, 70 1/8 x 41 1/4 in. (178.1 x 104.7 cm). Brooklyn Museum, Gift of Mrs. Frederic B. Pratt, 32.68. © artist or artist's estate (Photo: Brooklyn Museum, 32.68_glass_bw.jpg)
Download our app and ask your own questions during your visit. Here are some that others have asked.
What is he wearing?
That's a good question! Albert Herter's "Pilgun Yoon Korean Actor in Theatrical Costume" depicts a Korean Actor in a traditional Qing Dynasty royal costume. . . playing Aladdin for a stage play.
I'm very confused about that. Aladdin isn't a Chinese story, right? I wonder how it became like that?
Great question! Herter was working with a very "Oriental" view of the East, in which anything Asian is exotic yet simultaneously homogenous and interchangeable. Obviously this kind of generalization and inaccuracy seems problematic to us today. However, in the past people often adopted different visual motifs and aesthetics without devoting much time to understanding different cultures beyond the surface.
History is complicated, and the western gaze of the exotic is very real. You might be more familiar with the French obsession with Japan known as "Japonisme," which is pretty similar.
What was the artist try to say when he painted this?
This is a portrait of the actor Pilgun Yoon in his costume for his role of Aladdin. The artist was using the traditional format of formal Chinese portraiture. The emphasis is definitely on the rich textiles.
This painting plays into the popularity of exoticism in the later 19th century, when Europeans and Americans were fascinated by all things foreign, especially Asian and Middle Eastern.
Tell me more.
Many of Albert Herter's works reflect an interest in the Aesthetic Movement style. This painting shows Korean actor Pilgun Yoon in the role of Aladdin, which was a popular theatrical production for Asian theater troupes to performs at the time for American and English audiences.
Herter uses traditional, formal Chines portraiture as source material. You'll notice this in the solid colored background, the frontality of the subject, and the seated pose. His costume is actually a stylized variation on Qing dynasty court robes.
It may come as a surprise to learn that the character of Aladdin was originally depicted as Chinese, in both illustrations and theatrical productions. The story of Aladdin was an 18th century addition to 1001 Nights by French translator Antoine Galland. The original version takes place in a mythical version of China.
You're looking at the portrait of actor Pilgun Yoon that was painted by Albert Herter in 1923. Pilgun Yoon is dressed here in the costume he wore to play Aladdin on stage.
The clothing is inspired by traditional Qing Dynasty royal costume. Herter also took cues from royal Chinese portraiture when painting the actor, showing this seated, frontal pose!
In the late 19th century, Orientalism was popular amongst Europeans and Americans, an aesthetic that emphasized all things "exotic" from Asia and the Middle East. This portrait plays into that trend.
Pilgun Yoon
Albert Herter
On View: American Art Galleries, 5th Floor, The United States on the World Stage, 1865–1930
The story of Aladdin and his magical lamp enjoyed considerable popularity with U.S. theater audiences during the early twentieth century, as did productions with ornate costumes, elaborate sets, and Asian acting troupes, often performing in pantomime.
In this image of the Korean actor Pilgun Yoon in the role of Aladdin, Albert Herter (son of Christian Herter of the American furniture firm Herter Brothers, whose cabinet is nearby) referred to the strict frontal poses of formal Chinese portraiture. His interest in a decorative aesthetic is evident in the robe's elaborate pattern, based on Chinese Qing dynasty court dress.
ARTIST Albert Herter, American, 1871-1950
DATES ca. 1923
DIMENSIONS 70 1/8 x 41 1/4 in. (178.1 x 104.7 cm) (show scale)
SIGNATURE Signed lower left: "Albert Herter"
COLLECTIONS American Art
MUSEUM LOCATION This item is on view in American Art Galleries, 5th Floor, The United States on the World Stage, 1865–1930
Killer Heels: The Art of the High-Heeled Shoe
ACCESSION NUMBER 32.68
CREDIT LINE Gift of Mrs. Frederic B. Pratt
RIGHTS STATEMENT © Estate of Albert Herter
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org. If you wish to contact the rights holder for this work, please email copyright@brooklynmuseum.org and we will assist if we can.
CAPTION Albert Herter (American, 1871-1950). Pilgun Yoon, ca. 1923. Oil on canvas, 70 1/8 x 41 1/4 in. (178.1 x 104.7 cm). Brooklyn Museum, Gift of Mrs. Frederic B. Pratt, 32.68. © artist or artist's estate (Photo: Brooklyn Museum, 32.68_SL1.jpg)
IMAGE overall, 32.68_SL1.jpg. Brooklyn Museum photograph
blue robes
Yoou