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Home » by International Observers » #OccupyRio Begins: "This is Where It's At!"
#OccupyRio Begins: "This is Where It's At!"
As it began, Occupy Rio looked set to follow an all-too-predictable pattern amongst leftist movements: the descent into partisan bickering. A small group had gathered at Cinelândia on a gray and rainy afternoon in Rio, answering Spain's Indignados' call for worldwide protests on October 15, but it was not long before the arguments started. At issue were the political party banners carried by some of the protesters and fears that any sort of connection to a political party went against the true anti-system philosophy of the original occupy movements. Intense arguments soon divided the group in two, and the few carrying party flags soon packed up and went home, deciding to ply their wares elsewhere. But for the rest of the afternoon and on into early evening, the group displayed a commendable unity of purpose.
The demonstrators formed a circle at the steps of the City Council building and slowly began covering the ground at its center with signs bearing a variety of messages, from "Get off the couch and come here," to "Go by bike!" or "The media lies!," or simply "Love."
The political party question was discussed, one demonstrator mentioning that "political flags represent a step backwards." The issue was then peacefully resolved, however. "I too have a party," said one of the first to enter the circle to speak, "but that's not what this is about. Today I'm here representing only myself."
Lacking a megaphone, protesters took a page from Occupy Wall Street's book, with those nearer to the center repeating the speakers' sentences so that those on the edges of the circle could understand. The floor was open, and anyone willing to step over and around the numerous placards had the right to address the crowd. Speakers touched on a variety of topics. The mega-events soon to arrive in Rio were much discussed, with various speakers denouncing the illegal evictions and favela-razings that have come to characterize the preparations for the World Cup and Olympic Games. Others warned that these events will only make Rio a more attractive target for the fickle comings and goings of international capital. One speaker spoke against planned housing developments in Brasília that will infringe on traditional indigenous lands, and another spoke against government shutdowns of community radio stations, like the one in Santa Marta in May of this year.
Despite a dismissive Globo report that put the number of demonstrators at 37, the gathering was closer to five times as large at its height. Several speakers told their personal stories of struggle, emphasizing the simple solidarity of a group of "human beings, not organizations." In the end, the demonstrators embraced what had become a central theme of the day: the diversity of viewpoints, opinions, and personal backgrounds of those gathered.
One speaker summed it up: "People will wonder, will all of this here work? But it is already working. This is the solution. This is where it's at!" implying that it is simply creating an open space for dialogue and exchange that is the purpose of the event.
As light began to fade and the rain began to fall in earnest, the protesters relocated to the shelter of a nearby building and split into working groups with the goal of beginning the occupation of Cinelândia next Saturday, October 22. Working groups for food, security, legal issues, infrastructure, and promotion were formed, and strategy discussed. Finally, with plans made and high hopes for the beginning of the true encampment, the protesters allowed themselves a collective round of applause and a bit of dancing, with beats, appropriately, pounded out on repurposed Cargill fertilizer cans.
#occupy
Central Rio
indignados
This article was written by Mark Waterman, and published on October 17, 2011.
in by International Observers, Event Reports, Solutions


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As Batman hunts for the escaped Joker, the Clown Prince of Crime attacks the Gordon family to prove a diabolical point mirroring his own fall into madness.
Genre: Action, Animation, Crime, Drama
Director: Sam Liu
Actors: Brian George, John DiMaggio, Kevin Conroy, Mark Hamill, Maury Sterling, Ray Wise, Robin Atkin Downes, Tara Strong
The Assassin
A female assassin receives a dangerous mission to kill a political leader in eighth-century China.
Country: China, France, Hong Kong, Taiwan
Two years after the murder of his son and father, a retired hitman sets in motion a carefully crafted revenge plan against the killer: his own brother.
Superman returns to discover his 5-year absence has allowed Lex Luthor to walk free, and that those he was closest to felt abandoned and have moved on. Luthor plots his…
From Vegas To Macau III
A gambler is targeted for murder during the wedding of his daughter to his protege.
Queens of Langkasuka
As sea pirates threaten to invade their kingdoms, three queens of Langkasuka must band together to defend their lands and peoples.
Genre: Action, Adventure, Fantasy, History, Science Fiction
Thunderbolt Fantasy: The Sword of Life and Death
A theatrical spinoff of the 'Thunderbolt Fantasy' television series which explores the backstory of Shā Wú Shēng, the Screaming Phoenix Killer, and bridges the events of the first and second…
Country: Japan, Taiwan
Genre: Action, Animation, Fantasy
Earthfall
WHERE DO YOU HIDE FOR THE END OF THE WORLD? As a massive asteroid roars through our solar system, its gravitational forces pulls Earth in its wake. Meteors destroy major…
Genre: Action, Science Fiction
Dashing legionnaire Rick O'Connell and his companion, Beni stumble upon the hidden ruins of Hamunaptra while in the midst of a battle in 1923, 3,000 years after Imhotep has suffered…
Genre: Action, Adventure, Fantasy
A rowdy, unorthodox Santa Claus is fighting to save his declining business. Meanwhile, Billy, a neglected and precocious 12 year old, hires a hit man to kill Santa after receiving…
Genre: Action, Comedy, Fantasy
All grown up in post-apocalyptic 2018, John Connor must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright appears, his existence confuses the mission…
Country: Germany, Italy, UK, USA
The Myth
When a fellow scientist asks for Jack's help in locating the mausoleum of China's first emperor, the past collides violently with the present as Jack discovers his amazing visions are…
Genre: Action, Adventure, Comedy, Drama, Fantasy
With the nation of Panem in a full scale war, Katniss confronts President Snow in the final showdown. Teamed with a group of her closest friends – including Gale, Finnick,…
Country: Canada, France, Germany, USA

redpajama_set_name: RedPajamaCommonCrawl


These faux leather paper snowflakes are sewn together on strings on the sewing machine. Each string is tied around a stick.
Start by pulling the two threads (the machine thread and the bobbin thread) to the back of the sewing maching to ensure there is enough thread for hanging. Now place the first snowflake under the pressure foot and sew down through the middle of the snowflake.
Continue sewing without anything under the pressure foot to make a gap between the next snowflake. Place another snowflake under the pressure foot and sew down through the middle of the snowflake.
Continue like this until a suitable length is reached. Cut off the threads leaving a gap from the last snowflake.
Tie a double knot at each end to secure the threads.
Sew four strings and tie them around the stick.
Tie a leather cord through the loops at each end of the stick for hanging.


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The physical toolbox presented within this text will form a basis for students to enter into a wide range of pure and applied bioengineering fields in medical, food and pharmaceutical areas.
1.7 Cells (Complex Constructs of Biomolecules).
1.8 Viruses (Complex Constructs of Biomolecules).
1.9 Bacteria (Complex Constructs of Biomolecules).
2.3.3 The Force Between Charged Spheres in Solution.
2.4 Steric and Fluctuation Forces.
2.7 Direct Experimental Measurements of Intermolecular and Surface Forces.
3.5 Liquid–Liquid Demixing (Phase Separation).
4.4 More Exotic Possibilities for Liquid Crystalline Phases.
5.2 Low Reynold's Number Dynamics.
5.5 Rate Theories of Chemical Reactions.
6.4 Polymerisation of Cytoskeletal Filaments (Motility).
8.2 Good/Bad Solvents and the Size of Polymers.
8.4 Damped Motion of Soft Molecules.
8.5 Dynamics of Polymer Chains.
8.6 Topology of Polymer Chains – Super Coiling.
9 Charged Ions and Polymers.
9.4 The Behaviour of Polyelectrolytes.
9.7 Poisson–Boltzmann Theory for Cylindrical Charge Distributions.
12.1 Storage and Loss Moduli.
14.1 Self-assembling Motility – Polymerisation of Actin and Tubulin.
14.2 Parallelised Linear Stepper Motors – Striated Muscle.
15.1 Cartilage – Tough Shock Absorber in Human Joints.
15.6 Nacre and Mineral Composites.
16 Phase Behaviour of DNA.
16.1 Chromatin – Naturally Packaged DNA Chains.
16.2 DNA Compaction – An Example of Polyelectrolyte Complexation.


As though it wasn't hard enough to choose a college, choose a major and then get into your school and program of choice, now you are left with yet another pressing challenge – deciding where to live throughout college! There are many pros and cons of living either on campus, off campus in apartment, as well as choosing to stay at home. However, sometimes students are even not left with the choice, as some schools require students to live on campus, and in other cases, financially what we would ideally like is simply not feasible. Thankfully, no living situation is permanent, unless you sign a contract of course.
A very popular college option is living on-campus. For many, this path is chosen for the desire to find a sense of community and to truly have the full college experience, being away from home, gaining independence, and creating a new life with fellow students. It is often seen as a easy way to meet friends quickly and become more adjusted to the new shock of starting college and being in a new environment. However, meeting lots of new people and constantly being in group settings, as well as living with roommate also entails a lack of alone time, and little, to no privacy whatsoever. While your college roommate might very well become your best friend for life, for some people it is very important to have alone time here and there. And for others, having someone by their side every step of the way might be the best aid in getting through college successfully.
It is also said that living on-campus can make it easier to really focus on school, since it becomes your everything, and there are fewer outside distractions. It is often referred to as 'easy living', for one since it takes away from the potential commute to campus, as well as all the headaches of dealing with apartment bills and problems. In campus dorms, the rooms are already furnished and set up for students. Meals along with everything else you could possibly need in an apartment are already organized for you. Often times, on-campus living can be cheaper than living on an off-campus apartment, other factors such as expensive meal plans need to be taken into consideration as well. Or perhaps if you are a picky eater a or a terrible cook, a meal plan not might not be the best option for you.
Another popular option for college living is an off-campus apartment. These of course, range in prices, but are often known to be very expensive, usually more so than living on-campus. Although it is possible to find more reasonable apartments, private developers are now making the market more competitive, and attempting to advertise apartments as a tempting way to feel right at home, with kitchens and living rooms, as well as a more spacious, comfortable, private option. Furthermore, not only does the cost of rent need to be taken into account, but students will need to purchase furniture or even renovate the place, which can become quite costly and stressful. However, as meal plans can be very pricey, being able to cook at home needs to also be taken into account as a money saver, if you both enjoy and know how to, of course.
Another important factor about living off-campus is the transportation. Perhaps you are just a few minutes walk away from campus, or have a bike. Maybe you don't mind taking the bus or your college might even have a free shuttle system. If it is difficult for you to share such a small space with other people and compromise your privacy, which can be most challenging for some, especially in terms of sharing a bathroom and shower. And despite a desire for space and privacy, some people fear they will feel isolated from their peers living off-campus. However it does not mean you have to live completely alone, as their are multi-room apartments, that also provide more space and privacy. And then of course, there is the reality that you will have more bills and apartment problems to deal with. But perhaps the independence and responsibility is something you feel ready to handle and want to experience, and is another great way to have the college experience.
A third option is living at home throughout college. The biggest and clearest benefit of this path is that it is the most financially easy and stress-free option. However, it can be problematic in terms of transportation to campus, similar to living in an off-campus apartment. The downside however of living at home, is that it does not although for the same amount of self-development and independence that the typical college experience offers, but this is not necessarily something that everyone feels they need.
Overall, when trying to decide where to live throughout college, firstly you have to add up all of your costs of living after everything, and see what is realistic and affordable for your budget. And most importantly, you must decide which aspects are most important to you, and what you are willing to sacrifice for the other benefits.


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Does a Car Backing Out of Park...
Home Government & Politics Law Driving Laws
Does a Car Backing Out of Parking Space Have the Right of Way?
A car backing out of a parking space does not have the right of way, according to Ameriprise Auto & Home Insurance. If a driver backing out hits another car that is already in motion, the car backing out will likely be assigned primary fault for the accident.
A moving car in the traffic lane of a parking lot has the right of way, and a driver backing out from a spot is responsible for waiting until the traffic lane is clear and it is safe to do so. If two cars back out of a spot at the same time and hit each other, they may both share responsibility for the accident.
What Are the Measurements of a Parallel Parking Space?
What Is a Parallel Parking Space Size?
What Do I Do If I Hit a Car in a Parking Lot?
Who Has the Right-of-Way in a Parking Lot?


Regional One Health Chief of Endocrine Service Ayotunde Dokun, MD, PhD, FACE, has been appointed to serve on a national commission on diabetes-related diseases, a reflection of the high-level work Regional One Health doctors are doing every day on behalf of the medical field.
Regional One Health Chief of Endocrine Service Ayotunde Dokun, MD, PhD, FACE was recently named to the National Clinical Care Commission.
The National Clinical Care Commission will make recommendations on federal programs within the Department of Health and Human Services related to complex metabolic or autoimmune diseases that are the result of insulin-related issues. These conditions and their complications represent a significant disease burden in the United States.
"I am honored to be appointed to the Commission," Dr. Dokun said, noting he and his fellow members will spend the next three years developing recommendations aimed at helping federal agencies improve the future of diabetes management.
The Commission will review government programs that prevent and reduce the incidence of these conditions and complications, support clinicians to provide high-quality care, and provide education, awareness and outreach.
It will submit its final report to the U.S. Congress and the Secretary of Health and Human Services.
For more information, visit https://health.gov/hcq/nccc-members.asp.
Dr. Dokun earned his MD and PhD at the Mt. Sinai Graduate School of Biological Sciences and the Mt. Sinai School of Medicine in New York City. He completed residency training in internal medicine and earned a fellowship in endocrinology at Duke University Medical Center.
He is an associate professor in the department of endocrinology medicine at University of Tennessee Health Science Center and runs a translational research laboratory that studies the molecular mechanisms of vascular complications in diabetes.
Dr. Dokun sees patients at Regional One Health's Outpatient Center, 880 Madison Avenue. For an appointment, call 901-545-6969.


King, John, and Bond, Trevor (2002) Parents' and students' satisfaction with the use of information technology in government schools in Queensland, Australia. In: Selected Papers from the 7th World Conference on Computers in Education (8) pp. 55-59. From: Seventh World Conference on Computers in Education, 29 July - 3 August 2002, Copenhagen, Denmark.
This paper describes some information technology aspects of a school opinion survey carried out over 1,200 government schools in Queensland, Australia. The focus here is on determining the levels of satisfaction of parents and students with the ways in which Queensland government schools organise and use information technology for learning and teaching. A sample of parents was obtained across all grades in each school, except for small schools (n<30) where all parents were surveyed. Students were sampled only from Years 7(primary), 9 and 11 (secondary) at each school site where these years were present. For small schools, all students were surveyed in the grade involved. A total of some 36 000 parents and 40 ,000 students responded to the survey across the state.


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Sky Living Sets UK Premiere Date For 'Scandal' Season 3
By The TVWise Team | July 2, 2014 - 3:00 pm | No Comments
Tags : Scandal, Sky Witness
The third season of the hit ABC drama Scandal will receive its UK premiere on Sky Living on Thursday July 31st at 9pm, it has been announced. The first two seasons are now available to watch via Sky On Demand.
Created by Shonda Rhimes, Scandal follows Olivia Pope, a former White House Communications Director, who runs a crisis management firm in Washington DC; where she must protect the images of the political elite, including the President of the United States.
The drama series is produced by ABC Studios and stars Kerry Washington, Columbus Short, Darby Stanchfield, Katie Lowes, Guillermo Diaz, Jeff Perry, Joshua Malina and Tony Goldwyn.
In the opening episode, titled It's Handled, an unexpected allegiance is formed as Pope & Associates and the White House face their biggest scandal; meanwhile Olivia learns what her father is really capable of.
TVWise's UK Premiere Dates page has been updated with this new information.


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Cleveland Centennial
Love In Pieces (play)
Love In Pieces is a short play, written by Sarah Morton. When Cleveland Public Theatre had a new plays festival, it won the top prize, the Chilcote Award, in 1997. With this honor came a full production the following season, and premiered at Cleveland Public Theatre in February, 1998. I was an actor in the company.
This 40-minute work consists of four scenes, depicting famous couples from mythology and literature: Antony & Cleopatra, Laertes & Ophelia, Orpheus & Eurydice and Cupid & Psyche. Each scene departs from its traditional narrative to paint original portraits of love in crisis.
The playwright makes clear in her stage directions that these are not four separate plays. For example, the set should remain simple, each scene resembling the other, to create what she calls a "dreamlike fluidity." Also, though she concedes the play could be performed by eight actors, or "two very versatile ones," she believes the play works best with four actors playing each of the younger and older roles.
So it was in 1998, where I and Triste Crawford played the first and third scenes, and Doug Rossi and Michelle Pristash the second and fourth scenes. Cleveland Public Theatre promoted the work as an (odd) choice with which to celebrate Valentine's Day. Our costumes and Oliver Sohngen's set were largely white, with red accents, the set like a wedding cake, or more like a bisected cheese wheel.
Doug Rossi (Laetres) & Michelle Pristash (Ophelia)
Critical response to Sarah's work was strong, the Free Times calling the show "both post-modern and old fashioned" and "smart and sweet." The Plain Dealer praised her for having "a gift for using both the visual and verbal elements of theater to create complex, striking work."
Scene Magazine spared little restraint, and with this work sincerely called Sarah Morton, "a nascent playwriting genius."
Each performer received uniformly positive notices ... with one interesting exception. Plain Dealer critic Marianne Evett noted that "David Hansen does not have enough presence and command as the old warrior Antony." Cleveland Public Theater made the mistake in 1995, when I was not yet twenty-seven, to cast me (in a different production) as a fifty year-old former Marine. Only twenty-nine, I agree that I made a young and scrawny Antony. More on that later.
Suffice it to say, the show was successfully produced, and I was very happy to be part of that.
Poster, CPT (1998)
As for Love In Pieces, it was produced one more time, produced by a third party for the 2002 New York International Fringe Festival. The best that can be said about this version is that nytheatre.com recognized strength in Morton's writing, but that there were serious issues with the director who cast herself in all four female roles, acting against a single male partner. These actors had apparently little chemistry and the performance included breathtakingly long scene breaks.
Shooting bull in the rehearsal hall last fall (continuing yesterday's post) I remembered this play. Four scenes, two set in bedrooms, one in a bathroom, the fourth one the road out of the Underworld. The CPT production was presented in the cavernous former ballroom that is the Levin Theatre. True, it was in the round, which was exciting, but hardly intimate.
Each scene a two-hander, three couples and one set of siblings. Impotence, abuse, disappointment, doubt. You can make these feelings span the distance between character and witness, but what if you closed that gap, made the audience need to lean in, to listen carefully, or make them truly feel they are walking in on something they shouldn't be seeing?
These are the personal moments we all feel in every relationship, that we desperately work to keep secret. Set them in their natural habitat ... what would that be like?
Except for the road out of Hell. That would take some imagination.
Anyway, that was my proposal. I offered it to the company. You want to put on a show, this is the show I am offering, because then I would believe in it. And they all jumped on board.
Tomorrow: Love In Pieces (execution)
Posted by pengo at 11:29 PM No comments:
Labels: Cleveland Free Times, Cleveland Public Theatre, Cleveland Scene, immersive theater, Love In Pieces (play), Marianne Evett, New York International Fringe Festival, nytheatre.com, Sarah Morton, The Plain Dealer
Love In Pieces (concept)
It is a common refrain among actor-teachers in the residency program, the suggestion that we put on a show!
"We should stage a showcase," one suggested my first year, like it's the most natural thing in the world. They are young, and energetic, with no children, no need to sleep, nor any previous experience producing any kind of event.
I have been a producer, in my fashion, and I hate slap-dash amateur shit. You can do good work on the cheap, but that's the point - the work has to be good. All of it, from the moment your guests enters until after they depart. Expectations raised must be expectations exceeded, and so on.
I never rose to seriously consider any of these calls to "put on a show". When I was an actor-teacher, I knew I had to concentrate on that work, and had time for little else. As their supervisor, I know they need to concentrate on their work, and have time for little else.
And yet, for the past thirteen years, the same refrain. "Let's put on a show!" Mickey Rooney is dead, get back to work.
This past fall, however ... we were taking a break from rehearsal and Andrew says, "We should put on a show." Ugh. Come on, man? What? Where? Be specific. You don't put on a show for its own sake, you have to believe in it.
After Sleep No More, Emily, James and I had dinner in Chelsea. The subject came up - we should do an immersive show. That would be so much fun. Sure. So is Disneyland. I put it out there - okay, what would we do?
That was the stumper, where it all fell down. Everything each of us suggested would really just be a site-specific play, no different from any number of shows staged at CPT or the 78th Street Studios. The audience might stand, or be guided from one space to another. But it would still be: We, actors. You, audience. In a theater, even if it was some kind of non-traditional one.
The most non-traditional space perhaps, more unusual than a cemetery or an abandoned hotel, is a private residence. Some person's home or apartment or condo, into which strangers (or near-strangers) have been invited. Especially when the expectation has been raised that this will be some kind of special event. Not something informal. A house, but not a house. A performance space.
In the past several years I had been fortunate enough to experience performances of I Dreamed of Rats and It Was a Set-Up in a single room of a private residence with a limited audience. You felt you were part of something special, that you receiving a gift.
Andrew said, "we have a house." Of course, he doesn't have a house, three actor-teachers have been renting a place on the Near West Side. A small house, not a large house. Not even as large as my house, and my house is not that large.
Questions to be answered; What is the point in performing a play that close to a tiny audience, if the story you tell is mundane? If it is private, it must be personal. If it is close, it must be intimate.
And then I remembered Sarah Morton's Love In Pieces.
Tomorrow: Love In Pieces (play)
Posted by pengo at 4:35 PM No comments:
Labels: immersive theater, Love In Pieces (play), Sarah Morton, School Residency Program
Summer of 2004
Any given year can be packed with exciting events, personal and professional. The right song can send me spiraling into memory of summers where nothing significant happened at all.
However, the summer of 2004 went from strength to strength, each successive event more startling than the last.
Grandfathers
Late spring, we visited my grandfather Henrik in Florida, for his 100th birthday. A fragile, dribbling old man. He'd made it, though. Mind intact. Counting down, he had previously announced he was five! (when he was 95.) He was two! (when he was 98.) Now he was zero. As the man said, second childishness. But not oblivion. Not yet. Never oblivion. He also had all his teeth.
At around the same time, we lost Toni's grandfather Calvin, our first child's namesake. Diagnosed with cancer, he was gearing up to fight it, but that fight never came. Awaiting chemo, a blood clot lodged in his heart and he was gone.
We had prepared for a long good-bye, and were stunned by no good-bye at all. We were grateful he had the chance to meet the girl, who delighted him. No funeral, not a religious man, a memorial was planned for the end of the summer.
Spencer Tunick in Cleveland
Our daughter was fifteen months old.
This was also the summer experiental artist Spencer Tunick came to Cleveland and encouraged us all to get naked in public. Having tried and failed to find an indoor site for a January shoot, they bumped the date to late June after securing the assistance of the city of Cleveland to stage what was (at that time) the largest mass-nude photo shoot in North America.
There was confusion.
The photograph itself is almost beside the point, Tunick was at that time bringing with him a lot of attention, often raising interesting social questions simply by arranging these unusual events. The experience itself was an artistic event, with euphoric highs and irritating lows. Listen to this audio diary my wife and I created with the folks at WCPN, documenting the event for Around Noon, and you will understand what I mean.
Spencer Tunick: The Naked Truth
Around Noon, June 28, 2004
This event fell neatly on our fifth wedding anniversary - June 26th.
Radio K
There are moments in time when I become suddenly very interested in new music. Obsessed, really. This year two things came into play which made it urgent to discover the hot new dance music. 1) This is the year I became a fanatically dedicated runner because of 2) The iPod.
Receiving an iPod for my birthday meant successfully being able to take music with me on runs, without requiring a cassette player, which is like running holding a brick that is tethered to your head.
My brother introduced me to the University of Minnesota's Radio K back in 1999, but using the "radio" feature on iTunes I was able to play it in my house all the time, and with the music store could spontaneously purchase whatever it was I heard that I never knew I lived without. Music by The Streets, Felix da Housecat, and of course, I Am The World Trade Center.
. In a good and decent universe, this is the number one pop song of all time.
Example of an awesome 2004 playlist for running.
Mr. Shakespeare
This summer, and for only two seasons, my employer experimented with resuming a summer season (as opposed to fall-through-spring). One effort in raising awareness was imagined by Andrew May, who was impressed by a serendipitous promotional event that occurred when he was a young man in Chicago.
A performer on break from a Shakespeare festival downtown was reading a newspaper on a park bench in his compete, Elizabethan costume. A photographer happened to catch a passerby in the very second of an expressive double-take, and the picture made the front page of the Trib.
This is how I came to be Mr. Shakespeare, and my job was to be seen all summer, at a variety of arts festivals and public events. The Rib Burn-Off, an Indians game, the Cain Park Arts Festival -- I wasn't handing out advertisements, I wasn't putting on an act, I was just this guy who claimed to be William Shakespeare.
One day in early summer (and unfortunately before our costume shop had finished tailoring my beautiful, GLT-branded "plum" outfit) Andrew took me around Cleveland for a few preliminary, promotional shots.
During its final year, Bad Epitaph Theater presented and I directed the Midwestern premiere of Kirk Wood Bromley's The American Revolution. Written entirely in verse, Mr. B. cast the story of the War for American Independence in the style of a Shakespearean tragedy along the lines of Henry V or Othello.
George Washington, traditionally depicted as an unknowable American god, is here a troubled and sympathetic general, finding his footing as general and becoming the man who would be First President. However, it is Benedict Arnold and his wife Peggy Shippen who provided an intimate dramatic tension, like Macbeth and Lady M., full of jealousy and scheming.
Our production was presented out-of-doors, on Wade Oval in University Circle, with bright costumes taking the place of any kind of set. Challenges included creating interesting stage combat with rifles and bayonets rather than swords, but interesting they were with swirling flags and the dramatic (though not frightening) sound of heavy wooden sticks beat against plastic garbage cans, which sound enough like guns and cannons without alarming the police.
Bromley's clowns, the Rebel Mess (led by Ray McNiece as Appalachian beatnik Johnny Freeman) sang songs and hid from battle and lost limbs. It was awesome. Unfortunately, it was a very cool June that year which kept crowds low until the end of the run … and our final performance on Independence Day was washed out due to a sudden flash flood minutes after call time.
Highlight of the run was when the playwright and members of Inverse Theatre, who originated the work, made a trip to enjoy the performance. We feted them in grand Cleveland style at Nick's place in Tremont.
As if we were not busy enough, there was a road trip to Maine.
I Hate This @ FringeNYC
That August was the first time I went solo at the New York International Fringe Festival, performing I Hate This (a play without the baby) in a 40-seat walkdown way out on Eighth Avenue.
Famous playwright in the house. Can you spot her?
While it was thrilling to share this work on a national stage, I learned some hard truths on that journey. I do not know how to handle being alone. Also, that a glowing review in The New York Times won't do a thing for box office when no one wants to see a show about stillbirth.
However, it was that review which led a number of health and/or bereavement organizations across the Midwest to contact me and created the opportunity to carry Calvin's story far and wide and eventually across the Atlantic.
We ride the Central Park carousel with a bunch of phonies.
AIDSWALK/RUN
This year I became a runner. I had been an itinerant runner since I was an adolescent. Sometimes I would make a serious effort to maintain some kind of regimen -- ten years earlier, in 1994, I kept it up for several months.
But with one technological advance, I became a committed runner and have never stopped. As previously stated, that device would be The iPod.
For the first time, AIDSWALK included a 5K run, starting at Edgewater Beach. Running a race using the iPod (which I no longer do) gave me some kind of superhuman burst of energy and I broke twenty minutes for the first and possibly last time ever. That included that hill, by the way.
The girl was only a year and half, this was her first race. At first she was excited by all of the runners, starting all at the same time. But when we just kept going, running, running away and not coming back, and me with them, she started crying.
However, in 19 minutes and so many seconds I was back and when she saw me she smiled and shouted, DADDY RUNS FAST!
This epic summer closed with Calvin G.'s memorial, a glorious event where the extended family came together for a beautiful celebration of memory and music - and someone ripped off our diaper bag, and with it two pair prescription sunglasses, my camera and her wallet. Instead of enjoying the celebration, I was choking down anger, on the phone with the Athens Police Department.
Coupled with a different theft in NYC a month earlier, I fell into a prolonged period of anxiety and fear. How can I care for a little girl when I cannot look after myself?
Posted by pengo at 11:31 AM No comments:
Labels: AIDSWALK, Bad Epitaph, family, Great Lakes Theater Festival, I Hate This (play), New York International Fringe Festival, Radio K, running, Shakespeare, Spencer Tunick, summer, The American Revolution (play)
Playhouse Square, circa 2006
This picture is truly surprising. Taken eight years ago for the Great Lakes Theater season brochure, the theme was "re-imagining a classic" and so here is Mr. Shakespeare holding the V-J Day nurse (Elizabeth A. Davis) only it's not Times Square, it's Euclid Avenue.
Full color people, black and white photo -- black and white like the Eisenstaedt photo, but today it just looks like another gray day in Cleveland. This is what Playhouse Square looked like when I began working out of the GLT office in the Bulkley Building.
Only eight years ago, and Playhouse Square was still pretty vacant. But that was about to change.
This picture was taken before the RTA HealthLine and accompanying street and sidewalk renovations. Before the IdeaCenter, Cleveland State University and Zack Bruell moved into all the empty space between my office and East 13th Street. Before we were joined by Cleveland Play House, and Great Lakes' move to the Hanna Theatre.
For years, it seemed the coffee shop on the ground floor was changing management every few months. MOKO has been there for five years. And all this change was well before the residences in the Hanna opened, and every day more and more signage and branding is being erected all over Playhouse Square in anticipation of Dazzle the District on May 2, 2014.
Playhouse Square, April 11, 2014
The "dead zone" between East 13th and East 9th Street continues to shrink, with pockets of new business and housing, and I hold out hope that one day we will once again have a vibrant Euclid Avenue which stretches from Cleveland State to Public Square without interruption.
For now, Cleveland's Playhouse Square theater district is a place I am very proud to say I work.
Labels: Bulkley Building, Cleveland Play House, Great Lakes Theater Festival, Playhouse Square
David Hansen, Playwright Web Site
davidhansen.org
Available from Pioneer Drama Service
Sherlock Holmes Meets the Bully of Baker Street
Available from YouthPLAYS
Double Heart (The Courtship of Beatrice and Benedick)
Available in paperback or ebook.
On the Dark Side of Twilight
The Scret Adversary (A Tommy & Tuppence Adventure)
Available from Playscripts, Inc.
The Mysterious Affair at Styles
Available in paperback or ebook
I Hate This (a play without the baby)
Red Onion, White Garlic (A Tale of Indonesia)
Adventures In Slumberland
Artistic Statement
Through his work, David Hansen seeks to describe what we owe to each other as people. What are our fundamental obligations to one another? Hansen's work is intimate, wildly theatrical, funny, tender and surprising, incorporating pop culture and a keen awareness of history.
The Future: September 2001
James Alexander Rankin Photo by Cody York (Playhouse Square, 2021) You know this story, or one very similiar to it. It was my second week a...
Adam Szymkowicz: I Interview Playwrights
Part 1084: David Hansen
Plays available from Pioneer Drama Service
Plays available from Amazon
On the Dark Side of Twilight (Evolution of the Vampire)
Plays available from YouthPLAYS
Red Onion, White Garlic
The Secret Adversary
Plays available from Playscripts, Inc.
Read plays on New Play Exchange
About a Ghoul
Forget About Me (The Breakfast Club Play)
The Great Globe Itself
No One Wants To Work Anymore
Rosalynde & The Falcon
Savory Taṇhā
These Are The Times
The Vampyres
The Way I Danced With You (The George Michael Play)
Play References
About a Ghoul (4)
Adventures in Slumberland (16)
And Then You Die (11)
Breaking Point (7)
Cole Cuts (play) (2)
Double Heart (58)
I Hate This (play) (55)
I Hate This (radio drama) (3)
Lombardo (play) (1)
No Cure for Cancer (play) (1)
On the Beam (play) (1)
On the Dark Side of Twilight (30)
Red Onion White Garlic (11)
Rosalynde & The Falcon (12)
Savory Taṇhā (play) (19)
Seven Ages (play) (12)
Sherlock Holmes Meets the Bully of Baker Street (22)
The Great Globe Itself (30)
The Gulf (3)
The Lady (3)
The Mysterious Affair at Styles (55)
The Secret Adversary (14)
The Vampyres (8)
The Way I Danced With You (17)
The Witches (play) (7)
These Are The Times (19)
This Is The Times (3)
Tiresias Riddles the Fates (play) (1)
What Happened (play) (5)
You Have The Right to Remain Silent (play) (6)
Theater References
78th Street Studios (3)
Allen Theatre (8)
Ancient Comic Opera Company (1)
Antioch Shakespeare Festival (1)
Bad Epitaph (15)
Barrow Street Theatre (1)
Beck Center (10)
Biltmore Theatre (2)
Blank Canvas Theatre (7)
Bread and Puppet Theater (1)
Cain Park (1)
Camden Shakespeare Company (1)
Candlelight Theatre (1)
Carter Theater (8)
Charenton Theater Company (2)
Chataqua Playhouse (1)
Chattanooga Theatre Centre (1)
Chennai Art Theatre (4)
Circle Theater (1)
Clague Playhouse (4)
Cleveland Play House (35)
Cleveland Public Theatre (81)
Cleveland Repertory Unit (1)
Cleveland Shakespeare Festival (39)
Connelly Theater (4)
convergence-continuum (2)
Culver City Public Theatre (6)
Delacorte Theatre (2)
Dobama Theatre (18)
Dobama's Night Kitchen (21)
Ensemble Theatre (9)
Euclid-77th Street Theatre (3)
Federal Theatre Project (26)
Fine Arts Association (1)
Freerange Theatre Company (3)
Giant Portions (1)
Gilpin Players (2)
Great Lakes Theater (75)
Great Lakes Theater Festival (131)
Guerrilla Theater Company (33)
Guthrie Theatre (1)
Hanna Theatre (15)
Improv Olympic (IO) (1)
International Children's Theater Festival (6)
Inverse Theater (2)
Karamu (11)
KrisP. Production (1)
Lake Tahoe Shakespeare Festival (1)
Lakeland Civic Theatre (1)
Lakewood Civic Auditorium (1)
Lantern Theatre (2)
Last Frontier Theatre Conference (8)
Lunt-Fontanne Theatre (1)
Musicarnival (1)
Near West Theatre (1)
Nederlander Theatre (1)
Negro Theatre Unit (2)
New York International Fringe Festival (24)
Ohio City Theatre Project (1)
Ohio Theatre (2)
Ohio University School of Theater (6)
Old Globe Theatre (10)
Olde Town Hall Theatre (3)
One Theatre World (1)
Palace Theatre (5)
Penumbra Theatre (2)
Playhouse Square (24)
Playwrights Local (6)
Professor Street Theater (2)
Public Auditorium (1)
Public Little Theatre (1)
Reinberger Auditorium (1)
Repercussion Theatre (1)
Royal Shakespeare Company (6)
Rubber City Theatre (3)
Rupture (1)
Scared Scriptless (1)
Shakespeare In The Parking Lot (1)
Shakespeare's Globe (5)
Showagon (1)
Sleep No More (4)
Stan Hywet (1)
State Theatre (2)
Talespinner Children's Theatre (32)
The Actors' Gym (3)
The Compass (3)
The Drilling Company (1)
The Group Theatre (1)
The Lowry (2)
The Lyceum (1)
The Neo-Futurists (8)
The Owl and Cat Theatre (1)
The People's Theatre (2)
Theater Ninjas (2)
Theater Oobleck (1)
Theatre Communications Group (1)
Théâtre de Complicité (1)
Theatre l'OEil (1)
Theatre Theater (1)
TheatreLovett (1)
TossPot Productions (1)
Vivid Stage (1)
Walter Kerr Theatre (1)
Workshop Players (5)
Ziggurat Theatre Ensemble (1)
Title photo by DJ Johnson. Simple theme. Powered by Blogger.


text:
Q: Wordpress style stats for regular pages I am wondering if there is something similar to Wordpress stats or if I can use the Wordpress stats engine on a regular site (which does not use Wordpress). I really like the interface of the stats and although I have Google Analytics installed, I see myself more comfortable with the WordPress stats engine.
Can you suggest me a good solution. I would like a sort of real-time statistics generator of sorts.
Thank you for your time.

A: When you say "regular site", do you mean a site with static pages, or pages served from a different Content Management System?
The reason it's important to differentiate between static & dynamic is that dynamic web pages are built as-needed (or served from a cache), as WordPress is doing.  In this case, the CMS can hook a stats package into that event as the page is rendered, and the stats package can do its thing.
Static pages don't really have that same server-side processing, so you're sort of limited to the events thrown off by the web server itself, or JavaScript-based tracking like Google Analytics.  There are other JavaScript "engines" like that out there -- many of them linked to site promotion networks like Yahoo!'s MyBlogLog.
If you want to report off the server logs, you should be able to find a wide selection by googling "IIS stats package" or "apache stats package", or something similar.  This one popped right up on the top of both lists:
http://awstats.sourceforge.net/

A: Here you go - the wordpress.com stats plugin for wordpress.org sites: http://wordpress.org/extend/plugins/stats/

redpajama_set_name: RedPajamaStackExchange


This subject is concerned with building a foundation for design as a discipline, introducing students to the role of representation in design and architecture in contemporary practice. The subject aims to develop student's skills by teaching them how to carefully observe and analyse information using different forms of media.
A series of lectures will introduce students to a range of vector based representation techniques. Why do designers draw? What is the role of representation? This subject emphasises the importance of developing a critical understanding of representational devices and operative design techniques.
The subject will explore key ideas addressed in the lecture series and put them into practice using a variety of representation techniques including orthogonal projection (by hand), model making, 2D vector based drawing and 3D modelling using common industry software.
Students will learn how to manage data, information and representation workflows between different software, how to represent spatial information, how to draw and model with care and develop a critical eye.
At the end of semester, students will design and prepare their own portfolio.
Developed an understanding of how such techniques are related to creative thinking.


GMAT 2019 which stands for Graduate Management Admission Test (GMAT) is a standardized management test which is conducted to provide admission to graduate management program, such as MBA, Masters of Accountancy, and Masters of Finance and other 5,900 programmes of more than 2000 business schools worldwide. The exam conducting body for GMAT is GMAC which stands for Graduate Management Admission Council. It is a computer adaptive test which assesses analytical, writing, quantitative, verbal and reading skills in written English. It requires knowledge of certain grammar and knowledge of certain algebra, geometry, and arithmetic. The total duration of the test is three and a half hours. It can be taken up to five times a year. The total number of attempts which a candidate can access over lifetime for taking GMAT exam is 8. There should be a gap of at least 16 days between next attempts. GMAT 2019 scores are valid for up to 5 years, and scores up to 10 years are available for reporting.
The minimum age of the candidates taking the exam should be 18 years. However the upper age limit is not specified.
Candidates must have completed graduation degree in any discipline from any recognized institution or university.
Other eligibility criteria will be set by the university or institution where candidate is seeking admission.
No of Questions: The question paper will contain total 91 questions.
Mode of Exam: it is a computer based exam hence will be conducted in online mode.
Duration: the total duration of the exam is three and a half hours.
Subjects: The exam will consist of total four sections such as Analytical Writing Assessment, Integrated Reasoning, Quantitative and Verbal.
The Analytical Writing Assessment (AWA) consists of one 30-minute writing task of Analysis of an Argument. The AWA measures the ability of the candidate to think critically, communicate ideas, and formulate an appropriate and constructive critique. Essay has to be typed on the keyboard.
Admit cards for GMAT 2019 will be accessible online from the website of GMAT. The admit card will contain information such as candidates name & roll number, exam center, exam date & timing, exam instructions, etc. It is mandatory for the candidates to carry the admit cards to the examination centre on the day of the examination.
The GMAT 2019 Result will be accessible from the official website of GMAT within three weeks of the examination date. Candidates will be intimated for the score card through e-mail which includes important instructions for online access to score card. The GMAT Score card will contain Analytical Writing Assessment score, past five years GMAT exam scores, personal data provided at the time of registering.
The GMAT 2019 test scores the candidates on a scale of 200–800. As per the GMAT score, only Verbal and Quantitative GMAT 2019 score impact the total score. For the analytical writing section, test takers are scaled on a 0–6 range as per the GMAT score 2019. Integrated reasoning is scaled on a range of 1–8.


Madurai: A team of more than 20 dosa masters joined hands today to make the world's longest dosa, measuring a serpentine 48.25 ft, which found a place in the Guinness Book of World Records.
The record-breaking crew, led by renowned chef Damoranan, known as Dhamu, broke the previous record of the Vijayawada Hotel owners Association, who had made a 38.2 ft long dosa.
"We spread the longest ever dosa - Guinness dosa today," Damodaran, who was assisted by 20 dosa masters in the effort, said.
The feat was achieved as part of the food festival organised at the Tamukkam Ground here by the Madurai Rountable 14 in association with Ladder Commercial Solutions, a Chennai-based event management company, and with support from Madurai Hotels' Association.
The event was held to raise funds to support government schools and orphanages.
As part of the feat, a 61-ft dosa pan had been made and fitted to a special steel table. The weight of the pan was 900 kg, Satish Devadoss, one of the organisers, said.
The organisers started using the 61-ft dosa tawa by rolling out dosas for visitors yesterday. The final spread was done as per Guinness specifications. Officials from the Guinness Book of World records were present when the dosa was made, Devadoss said.
The burners for the huge dosa tawa were manufactured and brought from Chennai while three dosa tawas, each measuring 20 ft each, were fitted here. The total weight of infrastructure involved in the event including table and pan burner was 4,000 kg, Devadoss said.
The huge quantity of batter required to make the Guinness dosa, about 1,500 kg of it, was provided by Hotel Temple City.
Besides the 20 dosa masters aiding chef Dhamu in the effort, experts and students from catering colleges also joined the event.


Quiet, safe suburb, in minutes of Kettering Hosp, UD & south Dayton suburbs. Features of our Poetry Room & home: Queen bed. Corner room & private bath nearby. Hand-painted murals. Indoor Endless Pool (see House Rules). Beautifully decorated home, on one level. Park in front of house. TV & fireplace in our family room. Complimentary oatmeal breakfast, fruit & coffee. Earth-friendly home. Adult guests only. No children. We have rescued greyhounds. No guest pets, please. Share home with hosts.


text:
By October 25, 2019
If you recognize the late-American multi-talented star, Glen Travis Campbell, then it would be easy for us to introduce you with his ex-wife, Diane Kirk. Diane gained fame as the first wife of Glen. The couple divorced after sharing four years of married life together. After Glen's divorce with Diane, he had married three more times. Nevertheless, the couple got blessed with a child daughter named Debby. Many of her followers want to know in detail about her personal and professional life. If you are one of them, then read the article until the end. Stay tuned with us. Marriage With Glen Travis Campbell As we prior mentioned, Diane Kirk gained the limelight as the first wife of the famous American late singer, songwriter, and guitarist, Glen Travis Campbell. The couple exchanged their wedding vows in 1995 in a private marriage ceremony. Her ex-husband, Glen died at the age of…
Glen Campbell Wife Kimberly Woolen Married Life – Their Children & Family
By June 27, 2019
Glen Campbell is the legendary country music artist who tasted success till his last breath. As successful he was in his career, Glen rarely tasted success in his marriage until he found Kimberly Woolen. Kimberly and Glen stayed together until death put them apart. The couple was together for thirty-six years. If you want to know about Glen's children, his past affairs, and his married life, then you've found the gem as we answer these question. When did Glen Campbell Marry? Know his Wife Glen Campbell married the caucasian dancer Kimberly Woolen in October 1981. At the time when the couple met each other, Woolen was just 24-years-old. Kimberly and Glen exchanged wedding vows at the North Phoenix Baptist Church in Arizona. Coming from three failed marriage, Glen never thought he would marry again. But after meeting with Kimberly Woolen his reality altered as he fell in love again. The…
Who is Tanya Tucker's Husband? Know about her Married life with her Children
By June 6, 2019
The fans of country music singer sometimes find it hard to keep track of Tanya Tucker's husband. Tanya got into many relationships in her life but did she settle down with anyone? In the course of this article, we'll find out who is Tanya planning to settle down with? But what we can tell right now is the country music artist is survived by her children. The singer has three children, one son and two daughters. Let's figure out who her husband is in the article below. Tanya Tucker's Conundrum Of finding The Right Man In her life, Tucker got into many relationships and that too with no ordinary peoples. The man she dated is some of the greatest country music artists like Glen Campbell and Merle Haggard. Tucker finds it very difficult to settle with one guy and when she was asked about her relationship by The Big Interview,…
Tanya Tucker Bio, Age, Husband, Children, & Net Worth
Tanya Tucker is an American music artist who got famous at a very young age of 13, by signing Delta Dawn. Moreover, she has won many awards like for Top New Female Vocalist, Female Vocalist of the Year, to name a few. As well as she nominated for Best Female Country Vocal Performance for a number of times. People are interested to know about her marital status and relationship. So, are you interested to know about her Age, Husband, Children, Net Worth and much other personal stuff? Stay on our page and read this article to the end. Tanya Tucker's Bio & Wiki Tanya Tucker was born on Oct 10, 1958, in Seminole TX with the sun sign Libra. She was born to father Jesse "Beau" and mother Juanita Tucker. Jesse, who worked as a heavy equipment operator was very supportive of her daughter's career choices despite being a middle-class dad. The family usually moved from here to there to…
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text:
Tag: Murder
Founder of Baton Rouge's African American museum found dead in trunk of car
Sadie Roberts-Joseph (Photo: Facebook/C. Denise Marcelle, state representative) A Black woman who founded the African…
Terry Shropshire July 14, 2019
Teen sentenced to life after beheading classmate for dating his ex-girlfriend
A teenager has been sentenced for beheading a classmate. Two months after he was convicted…
A.R. Shaw July 11, 2019
White man claims fear caused him to kill Black teen for playing rap music
The murder of Elijah Al-Amin has caused thousands of people to pay attention to what…
A.R. Shaw July 9, 2019
LAPD investigating why star witness was turned away after Nipsey's murder
The Internal Affairs division at the Los Angeles Police Department has launched an investigation into…
Terry Shropshire July 2, 2019
Getaway driver in Nipsey Hussle's murder offered protection by police
The woman who allegedly served as the getaway driver in the murder of Nipsey Hussle…
A.R. Shaw June 28, 2019
Woman jailed after her unborn baby dies during a gun fight over a man
A woman whose unborn baby was killed after she was shot faces murder charges. The…
Grandson murders mom of Cleveland serial killer, stabs sleeping children
The mother of Cleveland, Ohio, convicted serial killer, Michael Madison, is dead and her grandson…
Mo Barnes June 25, 2019
FBI, ATF, and DEA called in after Black postal worker shot in Shreveport
The city of Shreveport, Louisiana is in shock after the senseless killing of a postal…
Fake cop who shot a mom of 5 in face over alleged shoplifting denied bail
Chicago prosecutors have detailed the charges against a man who pretended to be a cop…
XXXTentacion's friend C Glizzy shot in the head 1 year after rapper's murder
The mourning for late rapper XXXTentacion on the one-year anniversary of his murder was made…
Terry Shropshire June 19, 2019


text:
Q: How can I dynamically render HTML links in Shiny? In a Shiny app, I want to create a link dynamically using a URL loaded from a file. The link appears inside a conditionalPanel. In my first attempt, the ui portion looked like this:
     conditionalPanel(condition = "input.myEvent",
            fluidRow(column(12,tags$p(textOutput("description")))),
            fluidRow(column(6, tags$a(href='http://www.google.com/', "Google"))),
            fluidRow(column(6, tags$a(href="url", 'website'))),

while the server portion looked like this:
    observeEvent(input$myEvent, {
          p <- input$myEvent

          description = c(data[data$Name == p, ]$Description)
          output$description <- renderText(description)

          url1 = c(data[data$Name == p, ]$Website)
          output$url <- renderText(url1)
      }
    )

With this code, the URL is treated as the string "url" so it doesn't work.
I found another answer Create URL hyperlink in R Shiny?
however that example uses a static URL. I can't figure out how to make it dynamic. Here I made the UI section look like
    uiOutput("url")

and the server section look like:
          url <- a("website", href='url1')
          output$url <- renderUI({
              paste(url)
          })

But again the url is just the string 'url1', and again the url renders as text, rather than an a clickable link. It seems close, but
a) how do I set the value of href in this server code to be a variable?
b) how do I make the output an actual html anchor tag rather than just text.

A: Not sure if this completely answers your question, but you might be missing HTML(paste(url)) to make it into a link.
library(shiny)

hrefs <- list('StackOverflow'= 'https://stackoverflow.com',
              'R-project'= 'https://www.r-project.org/')

shinyApp(
  ui = fluidPage(
    selectInput('href_ref','Link:',
                choices=names(hrefs), selected=names(hrefs)[1]),
    uiOutput("url")
  ),
  server = function(input, output) {
    output$url <- renderUI({
      url <- a("website", href=hrefs[input$href_ref])
      HTML(paste(url))
    })
  }
)


Japan Maritime Self Defence Force, Shon Meiwa US-1A, 9078. | Flickr - Photo Sharing!
Japan Maritime Self Defence Force, Shon Meiwa US-1A, 9078.
Incredible to see one of these beasts up close - much bigger than expected!
mgriach, and 12 other people added this photo to their favorites.


Ingrid was a co-founder of Greenside Design Center with Professor Laubscher in 1987 and was instrumental in gaining Greenside Design Center membership of IFI and ICOGRADA, both international organisations. She currently lectures in the interior design department but has run programmes for the graphic and multimedia departments as well. Prior to founding Greenside Design Center she lectured in the interior design department at the Technikon Witwatersrand, which is now a part of the University of Johannesburg. Along with lecturing she has practiced as a fine artist, graphic and interior designer but her passion is education. After completing a BA Honours degree in Fine Arts, she completed a Post Graduate diploma in Higher Education at the University of South Africa and a Masters degree in Visual Arts at the University of Pretoria. Ingrid was awarded winner of the International Award for Excellence for her journal article, 'New Media Interactivity in the Museum: Democratisation or Dumbing Down?' This was awarded at a conference in Turkey. She also wrote a chapter for a book entitled 'Design for a complex world'. Other contributors came from nine other international countries. Apart from design education, her other interests include psychology and phenomenology.


Summer temperatures have well and truly arrived in Mid Canterbury, and Ashburton District Council is reminding motorists to be cautious of the affect hot days can have on road surfaces.
"During the next few days, we expect some road surfaces around the district may reach temperatures above 50 degrees Celsius, and this could result in something known as 'bleeding seal'. This is when the bitumen melts and begins to appear on the top of the chip seal road surface, making the road sticky," Council Roading Manager Brian Fauth says.
"When this happens, our contractors apply small chip over the affected areas to try and absorb the bitumen. If you come across a section of road that looks to be melting, please slow down, drive carefully and report it to us.
Council's contractors have been carrying out road sealing on Thompsons Track, Line Road, Isleworth Road and Arundel Rakaia Gorge Road this week, and Mr Fauth says hot temperatures often impact on this work.
To learn more about the work carried out on roads around Ashburton District, keep an eye out for Council's new 'Roading Worx' campaign on Facebook, the radio and in local newspapers.


How is the SVIP funded?
SVIP is fully funded by the participating tech companies. Our aim is to encourage and support the next generation of entrepreneurs.
Can I come at a different time of year?
No. SVIP has one intake in September of each year.
Do you offer a summer internship?
No. SVIP is a one year program. We've found that it takes good couple of months for SVIPers to learn the ropes and really be useful to their tech companies, short term internships just don't work so well.
How does the SVIP teach entrepreneurship?
The bulk of the SVIPer's day-to-day experience is in the trenches working in rapidly growing companies, learning about commercial coding and how people within these companies think about business. Augmenting the day-to-day experience are monthly 'Meet the Entrepreneur' and 'Hackathon' events. 'Meet the Entrepreneur' is an opportunity to meet and learn the personal stories behind the careers of entrepreneurs and venture capitalists - think 'Inside the Actor's Studio' for entrepreneurs. The Hackathons are a sequential set of themed workshops which aim to take the SVIPers through the company formation process from idea to revenue.
When do applications open for the Class of 2019?
Applications open on January 5, 2019 and close on February 9th, 2019. By the way, SVIP Alumni built it. Pretty cool!
What are you looking for in an ideal SVIP candidate?
SVIP looks for technically strong candidates who will thrive in a fast paced environment. Startups are a unique place to work for with each day hosting a variety of business and technical challenges which top SVIP interns need to solve through creative and entrepreneurial means.
I have a different degree, can I still apply?
The main focus of the SVIP is on computer science/software engineering graduates. There is a very specific need in Silicon Valley for people who are able to code and while we do always keep an eye out for people coming from other academic backgrounds, this skill set is a must.
I went to university outside of the UK, can I apply?
We take applications from engineering students from all around the world (with a bachelor's degree).
Can I apply to the SVIP for my 'year in industry' placement?
SVIP does not normally offer internships to those on 'sandwich' years. We've found that many of our companies want to have the option for their SVIPer to stick around at the end of the year if things work out well.
What languages can I use to submit my application and resume?
All applications and resumes/CVs MUST be submitted in English. Applications and resumes submitted in any other language will not be considered.
What if my degree or transcript is in a different language?
If your degree or transcript is in a different language, you will need to have these documents officially translated. Many universities offer a translation of your degree to another language. Costs for translation will need to covered by the applicant.
Which SVIP company would I work for?
The SVIP works with participating companies to find a match based on your skill set and interests, as well as the needs of the company.
SVIP works with successful candidates to obtain a J1 visa. This process begins approximately 3 months before you arrive. Towards the end of the process, you will be required to attend an appointment in person at the US Embassy in London for SVIP candidates.
Are there any costs in processing the visa if I am offered an internship?
While the SVIP covers the visa processing costs in the USA for the issuance of the visa, you will be responsible for application fees of approximately $350 (which may vary depending on your country). On arrival in the USA, SVIP will create bank accounts for every SVIPer which will be opened with a $350 deposit from the SVIP.
I live far away from a US Embassy. If I am accepted into the program, will SVIP cover the cost of travel for the US Embassy appointment?
No, unfortunately we are unable to cover these costs.
Yes! SVIPers receive a salary of $75,000 for the year.
How much time will the SVIP take up outside of working hours?
In addition to your role as a full time member of an engineering team, SVIPers commit to one weekend a month for the 'Meet the Entrepeneur' and 'Hackathon' programs. On top of this, SVIPers are expected to work on their business ideas between the Hackathons in their spare time. There are also occasional 'formal' events such as the Xmas party, Summer party, Business Review Panel and Pitch Night, where attendance is expected. This is not a one-year paid holiday in California!
SVIP provides accommodation for your first month in the program. SVIP also has a six bedroom house in the heart of San Francisco for a select group of SVIP engineers. Room allocations for the SVIP house is based on the candidate's office location. As we have candidates working in both San Francisco and across Silicon Valley (the entire bay area) many SVIPers end up living together for the rest of the year, largely depending on where their companies are based. Beyond the first month, you will be responsible for your own living situation.
Where are the SVIP companies located?
Some of our companies are based in Silicon Valley 'proper'; that's the general area south of San Francisco around Menlo Park, Palo Alto and Mountain View. However more and more startups are springing up in the city of San Francisco itself.
What happens if I drop out of the program?
We really hope this does not happen! However, in the exceptional case that it does, the SVIPer is responsible for reimbursing SVIP for the 'hard costs' sunk into the candidate for visa processing, flights, accommodation, etc. which adds up to $6,000.
Formally, at the end of the SVIP, your J-1 visa status will lapse and you will need to return to your home country. In practice, many SVIPers join their companies full time and those companies apply for visa for them to stay in the US or work remotely from their home country. The SVIP itself sometimes makes available 'Entrepreneur in Residence' opportunities to SVIpers to work further on their business ideas or other opportunities.
What is the difference between a J1 intern and J1 trainee Visa?
A J1 intern visa is for candidates who have a degree with little to no industry experience. A trainee intern has a masters degree or 2-5 years of experience.
What happens after the 12 month internship?
If you have the J1 intern visa, your maximum stay in the country is 12 months, after which you will need to return to your home country for a maximum of 2 years before re-entering the United States. If your visa is a J1 trainee visa, you can extend your visa for another six months and the company is able to apply for a H1b visa should they wish to continue your employment.
If we want to stay in the country past the J1 visa, does SVIP provide help?
If you're on the J1 Trainee visa and your company wishes to extend your contract to a full time employee- SVIP can connect you to our partner immigration firm to help you on the next step.
If I wanted to start a company, what services does SVIP provide?
Throughout the year SVIP encourages all engineers to participate in Hackathons and events that help you come up with an idea. We then support you from ideation to build. Once you are ready for incorporation in the US we connect you with our partner firm that will support you on all legal services. For more information look at the legal service section.
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