text:
NashTech makes strategic acquisition of North American cloud and data solutions provider, Knoldus
LONDON, Jan. 13, 2023 /PRNewswire/ -- NashTech, the global technology solutions business of Nash Squared, has acquired Knoldus as part of its strategic expansion in North America.
Knoldus is a technology advisory and solutions company with over 300 employees based in Canada, the US, Singapore and two development centres in India. It has a strong reputation across Fortune 500 clients for delivering leading-edge digital solutions around data, cloud and machine learning, as well high-performance real-time data systems.
The acquisition significantly strengthens NashTech's footprint in the world's largest technology market and adds important expertise in the fast-growing areas of cloud and data. It extends NashTech's global development centre capability, which includes hubs in Vietnam, Latin America and now India.
Nick Lonsdale, CEO of NashTech, said: "NashTech is all about creating success and value for our clients and Knoldus' deep expertise and strong track record in cloud and data solutions takes our offer to a new level. We look forward to welcoming the Knoldus team and clients to NashTech at this very exciting time of growth and development."
Vikas Hazrati, CEO of Knoldus, shared: "We are excited about joining NashTech. As we continue to build on our achievements over the last ten years, Knoldus coming into the NashTech organisation will enable us to offer clients further capability and capacity to support them on their digital transformation journey to success."
Cuong Nguyen, MD of NashTech, Vietnam commented: "This represents a step change in how we can help and support our clients in delivering technology solutions. They are the perfect fit for us, and I look forward to working with them."
Bev White, CEO of Nash Squared, added: "This acquisition represents a very significant step forward in NashTech's footprint in the important North America market. It forms part of the wider Nash Squared strategy of being a global leader in technology solutions and recruitment, supporting our clients with their digital transformation journey with choice and agility and building on the significant existing strength in Europe. I am delighted to welcome Knoldus into the Nash Squared family."
Michelle Thomas
Nash Squared
michelle.thomas@nashsquared.com


Visit America's largest online firearms and accessories mall with this shooting package at the Las Vegas Gun Store. This is the perfect package for those who want to try almost every gun available. Shoot 12 different guns including an AK47 and an UZI. No previous shooting experience is needed. An expert instructor will provide all the protective gear then load the guns and provide guidance throughout the shooting experience. Ear and eye protection plus a souvenir t-shirt are included. Pickup is available from select Las Vegas Strip hotels. Shuttle transportation is based upon availability. Please call 702-454-1110 to book our complimentary shuttle service!
As one of Las Vegas's most experienced firing ranges, be safe in the knowledge that experienced instructors are leading the way to a successful shooting session.
Upon arrival at the Gun Store, check in with a hostess. Once inside the 100 percent non-toxic and lead-free range, meet the instructor and receive ammunition and protective gear.
The instructor will lead the way to the recently renovated, indoor firing range. They they will load the weapon, set up the target, and explain how to use the selected gun. They will also be readily available at all times to answer any questions in regards to safety at all times.
Feel free to take plenty of pictures and videos of the experience to share with friends and family.
The Gun Store Shoot the Wall Package includes 25 rounds on each of the following weapons: M249 SAW, Browning M1919, M4, AK47, MP5, Thompson, MP40, Sten, MPL, Madsen, UZI, and Suomi.


Close your eyes and think of Thailand, a land of glittering golden spires, warm sapphire seas and thick green jungle topped off with a fascinating history. Combine this with a famously friendly population who welcome visitors with beaming smiles and friendly chitter-chatter, and you'll see just why Thailand is Southeast Asia's most popular holiday destination. Travellers usually make a beeline for one of the hundreds of palm-fringed islands dotted throughout the Andaman Sea and the Gulf of Thailand, but the interior's traditional villages, floating markets and mouth-watering local food should definitely be on your trip list too.
On first arrival into Bangkok it's natural to be a little overwhelmed. A mass of motorbikes weave in and out of the cyclists and pedestrians at frightening speeds, accompanied by an endless cacophony of traffic noise. To get your bearings head to the relative peace of the Grand Palace which, together with the Temple of the Emerald Buddha, offers a welcome escape from the chaos outside. The palace has been the residence of the King of Thailand since 1782; come for its towering gold spires, jewel encrusted statues and fabulously over-the-top display of wealth.
It's no secret that Thai food is delicious, but recreating its delicate flavours for yourself is another matter entirely. The cooking methods are not complicated, but balancing the many spices takes a bit of practice. To try for yourself, sign up to one of the many cookery classes on offer all over the country – Chiang Mai is the best place to start. You'll begin your day with a trip to the local market to buy ingredients and then venture into the classroom to concoct your own feast of flavour. Come hungry, because you'll eat everything you cook, and that's an awful lot of food.
Sea kayaking is a wonderfully relaxing way to get a closer look at the cliffs, lagoons and coves that fleck Thailand's coastline. Although most beach shops can rent you a kayak, Krabi is a great option, especially for beginners. Its karsts and sea caves, some of which contain 3000-year-old cave paintings, mean there's plenty to explore, while its calm seas and lack of waves mean even the least active types can have a go at paddling. Sometimes, the sea is so clear you can see the tropical fish swimming just inches below the surface.
Otherwise known as Wat Rong Khun, the White Temple is actually a piece of art, created in 1997, in the style of a Buddhist temple. You'll find it in Chiang Rai, part of Thailand's famed Golden Triangle. Designer Chalermchai Kositpipat is still working on it, and doesn't expect to complete it until 2070. Despite this, visitors flock to glimpse its bizarre structures, such as the bridge over a mass of hands, all reaching for the sky, and it's all-white ubosot, (main building) which is inlaid with mirrored tiles. Inside, murals depict everything from fire and death to Michael Jackson and Hello Kitty.
Photogenic Phi Phi is one of the shimmering jewels of the Andaman Sea. With sweeping powdery white beaches at the foot of towering limestone cliffs and impossibly clear waters of intense blue, the islands are conventionally beautiful and enduringly popular. Be sure to head to Maya Bay, a perfect cove of talcum powder sand and sheer cliffs that you might recognise from the Leonardo DiCaprio film The Beach. Chill out on the sand and soak up the postcard views.
To see the infamous bridge on the River Kwai, you'll need to head for Kanchanaburi, an unassuming town filled with World War II landmarks. The bridge was built as part of the Death Railway, so-called because over 100,000 prisoners died due to the squalid conditions and brutal labour involved in its construction. You can walk across the current bridge, a reconstruction, or see the original in the nearby War Museum. For the best views, ride the train over the bridge to Nam Tok, two hours of mountains, countryside and extraordinary engineering.
The ancient capital of what was then Siam, Ayutthaya is a fascinating collection of towers, monasteries, temples and palaces. Most are a little weather worn, but that adds to the appeal. The city and its ruins are a World Heritage site, its stupas and statues now surrounded by trees and grass, making for a pleasant spot for an afternoon's exploring, especially if you are into photography.
There are 127 national parks in Thailand, which gives you ample opportunity to trek the forests, climb the mountains and explore the caves. A favourite place to try this is Chiang Mai, where treks tend to visit the local hill tribes, and Khao Sok, whose cavernous grottoes are home to some rather freaky looking spiders and bats. Hiking is not just confined to the mainland though – combine your beach trip with a trek through the dense jungles of Mu Ko National Park in Koh Chang or spot butterflies and wild pigs in the forests of in Koh Samui.
Beautiful Koh Lanta epitomises your dream Thai island. A typical combination rainforest and white beach, as well as some fine diving and snorkelling, it ticks all the boxes. On top of this, thick mangrove forests, best explored by traditional longtail boat, blooming orchid farms and a collection of intriguing caves keep the activities coming. There's an atmospheric Old Town too, with a couple of temples and a few leftovers from the Chinese merchants who once frequented these parts. It's a good place to pick up authentic souvenirs and sample some seriously tasty food.
There's world-class diving to be had all over Thailand, and Phuket is up there with the best. With numerous diving schools to choose from, it's easy to arrange, even if you've never set foot in the ocean before. The best known site is Racha Yai, where you'll find an abundance of colourful corals and a wreck (although this is for experienced divers only), but you could also try Shark Point and its many leopard sharks, or search for reef fish and moray eels at Doc Mai's wall. If you've ever dreamt of trying free-diving, this is the place to do it, with a number of schools offering beginner tuition.
Tempted to visit Thailand? Round the World Experts offer a range of tailor-made Journeys to Thailand, including our popular Bangkok, Jungle & Beach holiday. Chat to your Expert today for advice and to book.


Been enthusiastic about redesigning Amazing Wall Cabinets Ikea #7 Shallow Wall Cabinets With Doors your house? These are several popular home renovation projects that could freshen up your dwelling drastically.
Provide a good view to anyone with top quality landscaping. It is really getting harder to find vegetation in the town, consequently filling your yard with Amazing Wall Cabinets Ikea #7 Shallow Wall Cabinets With Doors vegetation can certainly make your property appears to be more appealing. Fresher and cleaner air and cut down sound pollution are two extra gains to complement your eye-catching garden.
Kitchen is the heart of a home, therefore kitchen remodeling is indeed deserving of the money. The easiest update is by changing old kitchen appliances with more eco-friendly versions. LED lighting, a pull-out pantry, and quality granite countertops are some desired kitchen renovations.
Having added Wall Cabinets Ikea living space in comparison with the regular dwellings would increase your home price. You can consider constructing a basement, a second story, or even a portable garage.
Interior decoration should not cost lots of money, so do your research as well as determine what Amazing Wall Cabinets Ikea #7 Shallow Wall Cabinets With Doors you really want and the ideal solution to achieve it.


Set in a distinguished Makati address, The Gentry offers you the best of city living with its diverse offerings of retail, office, and residential spaces. At a distinct intersection of power and prestige, you will never look at Makati the same way again.
At The Gentry Residences, life is made complete and convenient. Featuring the basic amenities along with extra features and measures, the developmnet ensures that you make the most of your stay, living securely in comfort and ease. Here, even the littlest of details matter.


The DJ duo that form RougeX had gained increasing popularity in the downtown club scene, and as a result began to begin formal channels to connect with their fan base. One of these channels included a website, which Pericror happily delivered alongside custom email domains for both DJ's.
In addition, Pericror trained the team on how to post show information so that they could keep their fans up to date on the latest activities. Alongside the show schedule was the ability to purchase tickets and apparel.


text:
using System;
using Telerik.Charting;
using Telerik.UI.Xaml.Controls.Chart;
using Windows.UI.Xaml.Controls;
using System.Linq;
using System.Collections.Generic;

// The Blank Page item template is documented at http://go.microsoft.com/fwlink/?LinkId=234238

namespace SDKExamples.UWP.Chart
{
    /// <summary>
    /// An empty page that can be used on its own or navigated to within a Frame.
    /// </summary>
    public sealed partial class SelectionBehavior : ExamplePageBase
    {
        public SelectionBehavior()
        {
            this.InitializeComponent();
        }

        private void DataPointSelectionChanged(object sender, EventArgs e)
        {
            if ((sender as ChartSelectionBehavior).SelectedPoints.Count<DataPoint>() > 0)
            {
                CategoricalDataPoint selectedPoint = (sender as ChartSelectionBehavior).SelectedPoints.First() as CategoricalDataPoint;
                textblock1.Text = string.Format("The selected point value is : {0}", selectedPoint.Value);
                textblock2.Text = string.Format("The selected point category is : {0}", selectedPoint.Category);
                textblock3.Text = string.Format("View model property value: {0}", (selectedPoint.DataItem as CustomPointSelection).CustomProperty);
            }
            else
            {
                textblock1.Text = "No point selected";
                textblock2.Text = "No point selected";
                textblock3.Text = "No point selected";
            }
        }
    }

    public class CustomPointSelection
    {
        public double Value { get; set; }
        public string Category { get; set; }
        public string CustomProperty { get; set; }
    }

    public class ViewModelSelection
    {
        public ViewModelSelection()
        {
            this.Source = new List<CustomPointSelection>()
            {
                new CustomPointSelection{ Category = "Apples", Value = 10, CustomProperty =  "First point" },
                new CustomPointSelection{ Category = "Oranges", Value = 32, CustomProperty = "Second point"},
                new CustomPointSelection{ Category = "Pears", Value = 15, CustomProperty =   "Third point"},
            };
        }

        public List<CustomPointSelection> Source { get; set; }
    }
}

redpajama_set_name: RedPajamaGithub


This Thanksgiving, Blue Sky Studios and 20th Century Fox will team up to bring audiences the first-ever big screen Peanuts adventure that (go figure) is simply titled The Peanuts Movie. Personal opinions aside, it is interesting to note that as the movie's debut nears, so is Warner Brothers' home entertainment division–Warner Home Video (WHV)–stepping up its re-issues of the classic Peanuts TV specials. Already released this year WHV has re-issued Race For Your Life, Charlie Brown. Officials with WHV have also announced that the organization will also release Bon Voyage, Charlie Brown (And Don't Come Back) and He's a Bully, Charlie Brown along with the company's new compilation set Peanuts: Emmy Honored Collection. The latter of the trio is currently planne for a nationwide release on Tuesday, September 15th. Though, interestingly enough it has already been released through Target likely via a special deal between the retailer and the people at WHV. For those that were not lucky enough to pick up the dual-disc collection in its original release via Target will be pleased to add it to their personal collections. The main reason that audiences will be pleased to add it to their collections is its featured specials. It features eleven classic Peanuts TV specials that while previously released on one platform or another are now collected into this much more ergonomic collection. This will be discussed at more length shortly. Another reason that the collection proves so interesting and worth the purchase is the material presented within each special. Audiences actually get to hear an adult talk for the first time ever in one special (She's A Good Skate, Charlie Brown). And while most audiences are familiar with the classic Peanuts holiday specials, some will be surprised that there is another holiday special of sorts that is just as deserving of attention in the form of What Have We Learned, Charlie Brown? This special is a deeply moving Memorial Day special that will impact viewers of all ages. Last of note in regards to this collection's positives is that classic hand-drawn animation style. The old school style of artwork is yet another example of what once made animated features truly animated and in turn truly entertaining. Each noted element shows in its own way that Peanuts: Emmy Honored Collection is a surprising new release from WHV. It would be nice to think that maybe it marks the beginning of WHV finally moving in the right direction after having slid in the wrong direction for the past couple of years or so. One can only hope. Even if it is just a random diamond in the rough from the once powerhouse studio, it proves through all three noted elements together, to be one that any Peanuts fan will happily welcome into his or her home DVD library.
Warner Home Video has been noticeably declining over the course of the past two years or more. That is evident through every one of its releases both for families and for select audiences. Said releases have shown that someone(s) at WHV apparently did not and does not care about providing audiences with quality home releases. For all of the problematic releases that WHV has put out in stores over the past couple of years or so, finally a random diamond in the rough from WHV will be released very soon in the form of the new Peanuts collection Peanuts: Emmy Honored Collection. This collection of TV specials includes eleven classic Peanuts TV specials that some of which were nominated for Emmy Awards while certain others actually received the coveted trophy. It should be noted that all eleven of the specials featured in this new double-disc collection have each previously been released via one platform or another. Some have been released on VHS while others have previously been released on DVD. Others have even been issued and re-issued on one platform then another. Despite this, some viewers out there might not have been lucky enough to add one, another or more of the featured specials up until this point. That being the case, all eleven specials show collectively to be of the utmost importance for all viewers. That is because more than likely among the legions of Peanuts fans around the world few to any likely have all of the included specials.
The inclusion of each of its specials in one collection is good for Peanuts fans everywhere in large part because having them all in one place means just that. It means that for the first time ever each one of the specials has been finally released on one platform on which all audiences can watch them. No one is left behind. On another level, for those that had one or more of the specials in question from their previous releases can finally eliminate those platforms (or at least most of them if they own the original VHS copies of said specials). That will ultimately lead to saved space for many fans on their respective DVD racks. Again, this might not apply for every Peanuts fan. But it will definitely apply to many fans. And that being the case, it makes the collection's ergonomic factor that much more important to the whole of its success and enjoyment.
The episodes presented in Peanuts: Emmy Honored Collection show clearly why they are within themselves quite important to the whole of the collection. Examining the episodes on a closer level, ther writing shows to be just as important to the collection as the episodes themselves. In examining the specials' writing it becomes clear why they were either nominated or in some cases even won an Emmy. That is most evident through the surprisingly moving special What Have We Learned, Charlie Brown. This sequel of sorts to Bon Voyage, Charlie Brown (And Don't Come Back) follows Charlie Brown and company on their departure from France. Along the way, the Peanuts gang happens to arrive at Normandy and the site of the Allied landing on D-Day. The history lesson provided by Linus upon their arrival is unbiased and moving all at the same time. The writers don't pull any punches here, revealing that the Allied attack on Normandy was in fact anything but perfect. Linus notes in his lesson that weather conditions had ruined the mission so much that Allied commanders even considered pulling back. That is a lesson that sadly very few history teachers and professors alike will teach in the classroom. So it is nice to have that historical truth noted in a special that is aimed at younger viewers.
In another of the collection's episodes, She's A Good Skate, Charlie Brown, audiences actually get to hear an adult speak for the first (and probably only)time in the history of the Peanuts TV specials. The adult in question is Peppermint Patty's teacher. She continuously calls on Patty as Patty continues falling asleep in class thanks to her early morning skating practice. Yes, skating. That is another reason that the writing in this special proves so notable. Anyone that knows their Peanuts history knows that Peppermint Patty is more of a tomboy than a girly girl. Heck, she was even voiced by males in a number of the specials. So having Patty taking part in a sport that is traditionally more aimed at females than males shows a completely opposite side of Patty and to the Peanuts universe in whole. It is a change that all audiences will agree now in the 21st century is a welcome change. It shows that it's okay for a girl to be girly and one of the boys. Simply put, it really serves to defy those strict, standard gender roles established by society. Whether or not that is the reason that it at least received an Emmy nomination, it is one more reason that the writing behind this special stands out so strongly as one more part of the whole of the collection's writing.
Why, Charlie Brown, Why? is perhaps the strongest evidence of the importance of the writing behind the collection's featured episodes. This episode tackles the issue of cancer. On a more specific level, it tackles the issue of childhood cancer and the impact of cancer on both the victim and his or her friends and family. Its story centers on a young girl named Janet who is diagnosed with leukemia. It just so happens that she is friends with Linus and the rest of the Peanuts gang. Though, Linus is the main character of this story. That side element of the story's writing will be discussed shortly. Sticking on the main topic, the manner in which the writers tackled the subject is hugely worthy of applause. It was handled with the utmost gentility and in a fashion that also made the topic accessible even for much younger viewers. That in itself makes this special more than just a special. It is special in every sense of the word. It's just one aspect of the special's writing that makes it so notable among the others included in this set. The fact that Linus was made the story's central character makes it even more worth the watch. It's not the first time that Charlie Brown took a back seat to his Peanuts pals. But it is one of the most successful episodes that featured someone other than Charlie Brown at the center of the story. That is especially the case as audiences see Linus actually lose his cool in a very rare instance. He loses it when another child makes fun of Janet for having lost her hair right in front of him. Audiences will find themselves cheering Linus on and even doing so with the slightest tear in their eyes. That rare moment really exemplifies the pent-up feelings that not only children feel in a situation such as that presented here, but grown-ups, too. So for that reason too, the writing behind Why, Charlie Brown, Why? shows even more the importance of the episodes' writing in whole in examining the set in whole. It is just one more example of the importance of the writing within each of the set's episodes. The writing within each of the remaining eight specials shows in its own way why the writing in whole is so important to the episodes' enjoyment and the success of the set in whole. And together with the episodes themselves, both elements together make a strong argument why every Peanuts fan should have this new collection in his or her own home DVD library. They still are just part of the whole of the collection's positives. Last of note is the animation style within each episode.
Both the episodes featured throughout the body of Peanuts: Emmy Honored Collection and the writing within each special makes for plenty of reason for Peanuts fans to appreciate this latest collection of Peanuts classics. Of course what examination of such a classic collection would be complete without mention of the specials' animation style. Every one of the specials featured as part of Peanuts: Emmy Honored Collection was drawn by hand. That means that endless hours were spent bringing to leave each and every second of each special. Now being that each special runs roughly in the range of about twenty minutes (or just a little more in some cases), the math adds up to quite a bit of time spent on bringing each special to life for broadcast. That says a lot when these specials are compared to the largely CG presentations out there today that try to claim themselves as being animated. They are animated in name only. These specials show everything that was once great about true, animated features. Each one of the specials boasts a similar look. But there are also minute details within each special that set them apart. Audiences that have eagle eyes will catch that minutia. The same can't be said of today's CG creations. It really gives these classic specials a real soul and heart. Together with the episodes' impressive writing and the episodes themselves all three elements come together to make Peanuts: Emmy Honored Collection a clear must have for any real devoted Peanuts fan.
Earlier this year, independent movie studio Indiepix imported the Turkish foreign film Ships for American audiences. The movie, which originally debuted in its home country in January 2014, is quite the interesting work. Coming in at just over the ninety-minute mark, its script lies at the heart of its interest. The movie's script follows a young man named Ali (Ugur Uzunel–El yazisi) as he ponders his life in the port town that is he calls home in regards to his own future, his relationship with his father, and much more. As the story, penned by writer/director Elif Refig, progresses, it becomes more than just a story ruminating on one's place in the world but one that even boasts just the slightest amount of romance. Luckily that romance factor doesn't overpower the movie's main plot. Rather it plays into the movie's overall plot, leading to a deep philosophical (and psychological) concept that will definitely have viewers talking after the movie ends. While the movie's script plays a powerful part in its surprising enjoyment, it can't be said that the movie is pefect. There is a clearly noticable problem with the movie's sync. The movie is not dubbed in English. So this is not just the standard English voice actor dubbing over the foreign original. The audio and video is at the very least a good second and a half off from one another. To some this may not seem like that much. But it is noticeable. And while it doesn't necessarily kill the movie (or the bonus short included with the movie–it also has a sync issue)it is a hindrance that must be noted. Having noted the painfully obvious issue with the movie's sync (and that of the movie's companion short film) that noted bonus companion short film adds even more to the movie's overall presentation. That is the case even with its sync issue. It abrely tops the twenty-minute mark. But in the course of that time, it achieves plenty. And even despite it having its own syncing issue it still combines with the presentation's main movie to make Ships a must see indie fick and one of this year's top new independent films.
Indiepix Films' recently imported independent foreign film Ships is a must see for anyone wanting to escape the monotony of the material being churned out by Hollywood's "Power Five Studios." It is also one of this year's best new independent movies. The main reason that it is worthy of holding both titles is its script. Penned by writer/director Elif Refig, the script behind this movie isn't just some overly artsy forieng film that is artsy for the sake of it. Rather it balances that art film approach with a mainstream style story and presentation that is just as accessible to audiences as any human drama churned out by Hollywood's "Power Five studios" in the last twenty years or more. The story that lies within the movie script follows Ali as he ponders his place in the world and comes to the realization that he needs to get out of his hometown and branch out. That realization becomes even stronger when he meets what will become his female love interest Eda (M. Sitare Akbas–Ada, Not Worth A Fig, Dila Hanim), who also feels the need to get on one of the boats (there is one in particular called the Vamos of which Ali dreams and thus thinks will be the pair's ticket out of their town) and sail away. What is really interesting about all of this is that Refig flips the standard gender roles used in the movie's American counterparts in the development of both Ali and Eda. Ali is a dreamer while Eda is something of a bad girl figure, painting graffiti, wearing the dark hood, etc. early on. And it is in fact her growing relationship with Ali that leads her, not him, to change. This is a subtle element of Refig's script. But it is an element that proves quite interesting to those that pay close enough attention to catch it. Even more interesting are the philosophical and even psychological discussions that are certain to be generated by Refig's script by the time the movie ends. It will raise discussions on whether Ali's dreams about the Vamos were n fact real signs or if perhaps they were just the catalyst for the relationship between he and Eda that forms over time. It's just one more of so many elements within the movie's script that make the script so important to the movie's success and enjoyment. There is potentially more that this critic might have missed in regards to the scripting. That aside, the elements that were in fact noted here and the expert manner in which Refig balanced each element within the body of the script shows even more so why the script behind Ships is so important to its enjoyment and overall success.
For all of the positives that Ships' script presents, it is painful to say that in watching this movie, the script is its one major positive. In other words the movie (and its companion bonus short film) does have a noticeable problem. Audiences will note that both the central presentation and its companion short film both suffer from a noticeable issue of the audio and video's syncing. Before anyone gets upset, automatically thinking that it is just a dubbing issue, that is not the case. The cast's speaking parts were not covered by English-speaking voice actors. Rather the cast's speaking parts were handled via English subtitles. This makes it painfully clear that there is a problem with the movie's syncing. It is not relegated to just those speaking parts either. The audio and video appear to be out of syn from the movie's opening scene to its last. Some will attempt to argue that this is a non-issue since English-speaking viewers will probably spend most of their time reading the subtitles. However, the rebuttal to that argument is that even those audiences will still be watching the movie at the same time as reading the movie's subtitles. This problem isn't relegated to just Ships. It is just as obvious in the movie's companion short film Man To Be. In defense of those behind both presentations, the synching issue doest not necessarily eliminate any reason to watch either film. but it does have a noticeable impact on the movies' enjoyment. That being the case, both Ships and Man To Be are still worth at least one watch even with that painfully obvious issue thus leading again to the argument that Ships is at the very least one of 2015's top new independent movies. It just can't be said that it is the year's best because of that issue.
Ships is one of this year's best new independent movies. This is even despite the noticable issue of its syncing between its audio and video throughout. It is so well worth the watch because of its largely original and creative script. Thanks to writer/director Elif Refig's attention to detail, it proves itself to be anything but just another existential coming of age piece. Rather it is something much deeper that will keep audiences engaged throughout the course of its ninety-two minute run time. It is just one part of the whole that makes this movie worth the watch. The inclusion of its companion bonus short film Man To Be is one more reason that this presentation proves so powerful. Just as with Ships, Man To Be proves so enjoyable thanks to its script. The acting of its cast adds even more enjoyment to this deeply human story. It presents its young lead actor having to grow up very fast because of some very difficult situations. He lives at home with his mother, grandmother, and uncle, who happens to be a not so nice person. He plays a direct role in him becoming a man at a far too young age, as he is forced into situations to which no one at his age should be exposed. From seeing the girl he is crushing going off with his uncle, to having to save his uncle from some very bad men, to having to do his uncle's dirty work trying to convince his grandmother to sell her house, the young man in this movie faces some very difficult situations. He is even forced to make a literal life and death situation in the film's climax that no one will see coming. The ending won't be given away, but he comes out okay. Though it can be said that as is evidenced in the film's final scene how okay is debatable. It and the rest of the film will leave viewers talking just as much as they will in watching Ships. This being the case, the combination of both movies together makes Ships even more clearly a must see. This is despite both films suffering from a painfully obvious issue with the synching of their audio and video. Even with that problem noted, the movie's scripts and the work of each movie's cast together proves Ships in whole to be a must see for anyone wanting to escape the monotony of Hollywood's endless lust for prequels, sequels, and reboots and in turn one of the year's best new independent movies.
Francesca Blanchard is not the most well-known name in the music industry today. But the French-born singer-songwriter is no stranger to the music industry. She has been writing music ever since her childhood. And in 2011, she released her very first recording, Songs on an Ovation. The record, a six-song EP, was released via Emote Records. Now a little more than four years after its release Blanchard will finally release her debut full-length studio recording for American audiences. The aptly titled Deux Visions will be released Friday, October 2nd via Vis-a-vis. Deux Visions is such an aptly titled record because Blanchard presents both her French and American roots throughout the course of the album's twelve total songs. She sings half of those songs in English and the other half in French. In doing so she is able to reach not just her French-speaking listeners but her American listeners, too. This is just one element of the album worth noting. In direct correlation to her dual vocal approach, the lyrics to each of her songs have been printed in the album's companion booklet side by side in both French and English, too. Not only does this mean that she will reach both audiences even more but that she will also guarantee keeping her listeners engaged. She and her label made sure to not leave out anyone. And being that this record is her debut full-length recording that is an especially good choice. Having noted her dual approach to her debut album, the next logical element to examine in this record is the combined musical and lyrical content of her album in whole. That material in question is notable because it stands out from so much music from her more well-known pop counterparts. It stands out because it switches seemingly from song to song. And even the lyrical content of each of the album's songs boasts its own depth in comparison to that of other female artists. The combination of that standout musical and lyrical content set alongside the previously noted albums leads Deux Visions to prove itself one more of the year's best new world music albums.
The official release date of Francesca Blanchard's debut album Deux Visions is still roughly five weeks out at the time of this review. Even being so far out from its release it can still be said of her new album that it is one of the best of this year's new world music field. It proves this in more ways than can be noted in one sitting. So this critic will focus on just a few ways in which it proves itself so impressive beginning with her performance of the album's twelve total songs. Blanchard, who is French by birth but currently lives in Vermont, splits the album's tracks right down the middle, singing half of the songs in French and half in English. She is not the only bi-lingual artist to use this approach. Colombian pop star Shakira uses a similar approach as do the men of Los Lonely Boys, kindie rock act Future Hits and others. While the approach that she takes is not exactly new, it does not make it any less important. That is because as with the albums released by the previous artists and acts, it shows an attention to detail so as to not alienate one listener base or another. What's more, some of the aforementioned acts (and others) don't always balance the linguistic approach on their albums as much as she has here. In many cases, the foreign language performances seem to take precedence over the English-language tracks. Though, it can be said that Future Hits come close as they go through their album Today is Forever first in Spanish and then repeat each song in English. While Blanchard's approach isn't quite at that level, the equal balance of French and English performances rather than a random slathering of French and English presentations ensures that audiences of both English and French backgrounds will be able to equally enjoy her new album so to speak. That is a solid foundation for her debut record. And it is just one level of that foundation, too. The presentation of the album's songs both in English and French within the album's booklet strengthens that foundation even more.
Francesca Blanchard's balanced, dual-language approach on her debut album Deux Visions makes for a solid foundation for this first effort. It is not the only element that allows this album to sit so strongly, either. Each of the album's songs are printed both in English and French in the album's companion booklet. This means for French audiences whose abilities with English might not be so strong will still be able to enjoy it just as much as those English-speaking listeners whose abilities with French are just as weak. Some might read this and ask why this would be so important. The answer here is simple. It is important because especially today, not every group, band, or act includes lyrics with their albums. That can easily lead to misinterpretation of lyrics in many cases. In the case of a foreign language record, not having lyrics greatly diminishes the interest that those not familiar with the album's linguistic approach might have in the album. What's more even those albums that do include lyrics are not always guaranteed to include translated lyrics for those not fluent with the featured artist's/group's/band's language. It does not necessarily have to mean English, either. It can be any language. In the case of this album it just so happens that Blanchard has seen to it along with Vis-a-vis that the songs' lyrics were printed in both French and English. This means that those English audiences not familiar the French language will be able to understand the lyrics to each song just as much as French audiences not familiar with English. What this means is that Blanchard's French and English audiences alike will be able to take in her debut album in whole without worrying about missing out on any of it. Simply put, everybody is at the same level in listening to this record as a result. This takes the foundation established by Blanchard in her performances that much stronger. It is not the last element of the album's success, either. The overall musical and lyrical content of Blanchard's album sits atop the foundation set by her approach to the album's songs and their presentation both on record and in writing in two languages.
Both Blanchard's dual-language approach to her new album both on record and in writing do plenty to make it an impressive first effort from the talented, young artist. For all of their importance to the overall structure of this record, the actual content of the album in regards to its musical and lyrical content is just as important to its whole. In regards to both elements, Blanchard manages quite well to stand out from so many of her more well-known counterparts. Listening to the album's musical content, the first comparison that this critic came up with was to Mazzy Star. That is at least in songs such as 'Mon Ange,' and 'Rame.' At other points, listeners can hear hints of Vanessa Carlton (at least in her vocal delivery style), Norah Jones (both vocally and stylistically) and others. The combination of such comparisons in regards to both Blanchard's own vocal delivery style and the overall stylistic approach to her album's songs shows its ability to hold its own against said artists. The same can be said of the album's lyrical content. Each of the songs present lyrical content that can be best described as being deeply personal and just as moving. 'Rame,' the album's opener is just one example of how the album's lyrical content helps the album to hold its own both in the underground realm and against more well-known mainstream acts. Blanchard presents a subject that is in a very dark place. Yet being in such a dark place, her subject still holds out hope, singing that "All is not lost/No/All is not lost. In the case of this song, Blanchard uses the metaphor of a person out at sea in a sinking boat. Despite the situation looking hopeless, her subject receives a sign of hope; a sign that everything will be okay. It is definitely an interesting approach to the topic of maintaining hope and even a partially optimistic outlook on things in those dark times. 'Le Blues' is another good example of how the record's lyrical content helps it to stand out. Blanchard writes in this song of how the blues make her happy. What is interesting about this is that she is not necessarily referring directly to the blues that many might think. She refers seemingly to the different shades of blue in the world as well as the blues as a musical style. The gentle tones of the song's piano line and the song's overall somewhat jazzy style accent those lyrics so well. The combination of her play on words and the song's musical content makes this song yet another prime example of why Deux Visions lives up to its title. 'Papa…Pere' is one more example of how the lyrical content of Deux Visions makes it such an original, standout recording for Blanchard. This deeply emotional piece presents Blanchard's subject apparently singing to her father. It is inferred as she sings, "I looked up at the sky/And I said your name/Papa…Father/Where are you/And that's when I saw you/Your star/Dancing across the sky/Flying over the atmosphere's horizon/And just like that you heard me/And you came to me/Papa." This is just one small portion of the song's lyrical content. But it is a strong example of why this song helps to make the album in whole stand out. Those lyrics (and the rest of the song's lyrics) alongside its gentle musical backing will move to tears every person that hears it. Any person that is not so moved is either heartless or not human. It is just one more example of how the combination of Deux Visions' lyrical and musical content together serves to make it a standout recording both against music produced by Blanchard's more well-known counterparts and for herself. Together with the presentation of its songs in both French and English both musically and on paper, all three elements show without argument why Deux Visions is a solid start for Blanchard and why it is also one of the best of this year's new world music records.
This fall, Shout! Factory will resurrect another piece of hidden television history that was long thought forgotten when it releases the short-lived ABC action-comedy Automan.
Shout! Factory, in partnership with Fabulous Films, will release Automan: The Complete Series on Tuesday, November 10th. The 13-episode series originally ran on ABC from December 15th, 1983 to April 2nd, 1984. It starred Desi Arnaz, Jr. (The Lucy Show, Here's Lucy) in the series' lead role of Walter Nebicher. Nebicher was an IT professional with dreams of being more than just a tech man for his local police department. Though, his superiors have other ideas. So he creates the artificial intelligence program Automan (Chuck Wagner—General Hospital, All My Children) to help fight crime in his city. Automan is accompanied by a small, floating droid named Cursor much as Clu did in Disney's surprise hit 1982 movie Tron. Speaking of the similarities between Automan and Tron they are not coincidental. Automan was co-produced by Donald Kushner (Tron, Tron: Legacy).
Automan: The Complete Series will be accompanied by a handful of extras for even more enjoyment including a forty-two-minute documentary titled: "Calling Automan – The Auto Feature," which includes interviews with series stars Chuck Wagner, Glen A. Larson, Desi Arnaz, Jr., and heather McNair. There will also be a feature focusing on "The Story of Automan," a trailer for Manimal: The Complete Series, which will be released alongside Automan: The Complete Series by Shout! Factory and Fabulous Films, a number of picture galleries and more. The complete list of bonus features included in Automan: The Complete Series is noted below.


& the 13th largest P&C insurer in the US.
insurance writer & the 14th largest P&C insurer.
At the end of 2017, CNA was the 8th largest commercial insurer.
Today, "CNA is one of the largest US commercial P&C insurance companies."
CNA Financial Corporation has announced a fourth quarter 2018 net loss of $84 million , or $(0.31) per share, and a core loss of $23 million, or $(0.08) per share, with catastrophe losses and investment returns from limited partnership and common equities accounting for $(0.82) per diluted share. Property & Casualty Operations combined ratio for the fourth quarter was 105.4% and the underlying combined ratio was 98.0%. Property & Casualty Operations net written premium increased 4% compared with the prior year quarter.
Fourth quarter 2018 core results decreased $309 million from the prior year period. Contributing to this variance was lower investment returns on our limited partnership and common equity portfolios of $143 million, higher net catastrophe losses of $91 million and higher non-catastrophe current accident year losses driven by increased property losses as well as increased professional liability losses in our London operation.
Core income (loss) for our Life & Group and Corporate & Other segments was $7 million and $(46) million, respectively.
CNA Financial declared a quarterly dividend of $0.35 per share and a special dividend of $2.00 per share, payable March 14, 2019 to stockholders of record on February 25, 2019.
Results in 2018 were impacted by the reduction of the U.S. Federal tax rate from 35% to 21%.
Management utilizes the core income (loss) financial measure to monitor the Company's operations. Please refer herein to the Reconciliation of GAAP Measures to Non-GAAP Measures section of this press release for further discussion of this non-GAAP measure.
The fourth quarter combined ratio excluding catastrophes and development increased 2.2 points compared with the prior year quarter driven by a 3.7 point increase in the underlying loss ratio primarily due to elevated property losses and professional liability in our London operation. This was partially offset by a 1.4 point improvement in the expense ratio driven by lower employee costs and higher net earned premiums.For the full year, the combined ratio excluding catastrophes and development improved 0.1 point compared with the prior year driven by a 1.0 point improvement in the expense ratio primarily due to higher net earned premiums and lower employee costs partially offset by a 0.8 point increase in the underlying loss ratio.
The fourth quarter combined ratio increased 11.4 points compared with the prior year quarter. Net catastrophe losses were $146 million, or 8.6 points of the loss ratio in the quarter compared with $38 million, or 2.3 points of the loss ratio, for the prior year quarter. Favorable net prior period development improved the loss ratio by 1.2 points in the quarter compared with a 4.1 point improvement in the prior year quarter.For the full year, the combined ratio improved 0.4 points compared with the prior year. Net catastrophe losses were $252 million, or 3.7 points of the loss ratio for the full year compared with $380 million, or 6.0 points of the loss ratio, for the prior year. Favorable net prior period development improved the loss ratio by 2.4 points in the current year compared with a 4.4 point improvement in the prior year.
Net written premiums grew 4% in the quarter and for the full year.
The fourth quarter combined ratio excluding catastrophes and development improved 0.2 points compared with the prior year quarter driven by a 0.3 point improvement in the underlying loss ratio. For the full year, the combined ratio excluding catastrophes and development improved 1.1 points.
The combined ratio for the fourth quarter of 2018 increased 2.6 points compared with the prior year quarter. Net catastrophe losses were $4 million, or 0.6 points of the loss ratio, for the fourth quarter of 2018 and nil for the prior year quarter. Favorable net prior period development improved the loss ratio by 3.7 points in the quarter compared with a 5.8 point improvement in the prior year quarter. For the full year, the combined ratio improved 0.5 points.
Net written premiums for Specialty increased 3% for the fourth quarter of 2018 driven by higher new business and positive renewal premium change partially offset by lower retention. For the full year, net written premiums were consistent with the prior year.
The fourth quarter combined ratio excluding catastrophes and development increased 1.4 points compared with the prior year quarter driven by a 4.0 point increase in the underlying loss ratio driven by higher frequency of large property losses. This was partially offset by a 2.4 point improvement in the expense ratio primarily due to lower employee costs. For the full year, the combined ratio excluding catastrophes and development improved 0.9 points, or 0.4 points after adjusting for the Small Business premium rate adjustments.
The combined ratio for the fourth quarter of 2018 increased 15.1 points compared with the prior year quarter. Net catastrophe losses were $120 million, or 15.7 points of the loss ratio in the fourth quarter of 2018 compared with $34 million, or 4.7 points of the loss ratio, for the prior year quarter. Unfavorable net prior period development increased the loss ratio by 0.7 points in the quarter compared with 2.0 points of favorable development in the prior year quarter. For the full year, the combined ratio improved 1.6 points.
Net written premiums for Commercial in the fourth quarter of 2018 were consistent with the prior year quarter as growth in gross written premium was offset by a higher level of ceded reinsurance. For the full year, net written premiums grew 5%, or 3% after adjusting for the Small Business premium rate adjustments.
The fourth quarter combined ratio excluding catastrophes and development increased 10.4 points compared with the prior year quarter driven by a 13.7 point increase in the underlying loss ratio driven by elevated property losses and professional liability in our London operation. This was partially offset by a 3.3 point improvement in the expense ratio driven by lower employee costs and higher net earned premiums. For the full year, the combined ratio excluding catastrophes and development increased 4.0 points.
The combined ratio for the fourth quarter of 2018 increased 22.8 points compared with the prior year quarter. Net catastrophe losses were $22 million, or 8.2 points of the loss ratio, for the fourth quarter of 2018, compared with $4 million, or 1.5 points for the prior year quarter. Unfavorable net prior year development increased the loss ratio by 0.2 points in the quarter compared with 5.5 points of favorable development in the prior year quarter. For the full year, the combined ratio increased 1.7 points.
Net written premiums for International grew 21% excluding currency fluctuations for the fourth quarter of 2018 driven by positive renewal premium change and a favorable change in estimate of ultimate premium partially offset by lower retention and new business. For the full year, net written premiums grew 13% excluding currency fluctuations. As previously announced, underwriting actions are being taken to address profitability within our London-based operation that will drive reduced premiums in the International segment beginning in the first quarter of 2019.
Core income decreased $24 million for the fourth quarter of 2018 compared with the prior year quarter. The prior period included a $27 million after-tax reduction of long term care claim reserves resulting from the annual claims experience study. For 2018, the claims experience study was completed in the third quarter. Persistency continues to benefit from a high proportion of policyholders choosing to reduce benefits in lieu of premium rate increases. Morbidity continues to trend in line with expectations. For the full year, Life & Group core income was $43 million.
Core loss increased $38 million for the fourth quarter of 2018 compared with the prior year quarter. The result of retroactive reinsurance accounting driven by additional cessions to the A&EP Loss Portfolio Transfer in the fourth quarter of 2018 resulted in a $28 million after-tax non-economic charge.
Pretax net investment income decreased $171 million for the fourth quarter of 2018 compared with the prior year quarter. The decrease was driven by limited partnership and common stock investments, which returned (5.7)%, or a loss of $138 million for the fourth quarter of 2018 compared with 2.1%, or $50 million in the prior year quarter.
CNA is one of the largest U.S. commercial property and casualty insurance companies. CNA provides a broad range of standard and specialized property and casualty insurance products and services for businesses and professionals in the U.S., Canada and Europe backed by 120 years of experience and approximately $45 billion of assets. For more information, please visit CNA at www.cna.com.
Does Insurance Drive You Insane?


Since becoming independent in 1991, Lithuania proceeded to re-orientate its trade towards the West. The proportion of trade with EU countries increased from 37% in 1996 to 46% in 2001. The CIS zone, which was the main trade partner until 1996, (40% of Lithuanian import-export) represented only 23% of the trade in 2002 (see: Trade and Partner Countries Typology). This movement is mainly of political origin : the European integration process pursued by successive governments resulted in the signing of several agreements favouring the intensification of trade between the 2 zones. The countrys imports remain higher than its exports but sales as well as purchases are growing steadily. Paradoxically, the trade deficit which is a characteristic of countries in transition, is a positive indicator for a country with a growing economy.
Opening to trade and common market integration	In 1994, Lithuania signed a free trade agreement with its Latvian and Estonian neighbours. It subsequently signed the same type of agreements with EU member countries (1995) then with those of the EFTA (1997). Finally, a series of bilateral agreements were signed at the end of the 1990s which liberalised trade with all the CEEC EU member countries. In addition, in accordance with the status of a country which has recently become a member of the WTO, Lithuania granted the ìNPFî clause (conventional customs duty varying between 0 to 45 %) to all the other members of the organisation. Bilateral agreements also allowed other countries (Byelorussia, Kazakhstan, the Russian Federation, Uzbekistan and Vietnam) to benefit from this clause. Apart from these simple free trade agreements, within the context of EU membership, Lithuania must integrate the common market as of 1st May 2004. It must therefore respect its commitments with regard to the free circulation of workers and goods, the elimination of quantity restrictions, the adaptation of legislation to competition and State aid and standardise customs and administrative formalities.
Trade and partner countries typology	Although trade with European Union countries represents almost half of Lithuaniaís external trade, from a bilateral point of view it is Russia which has remained the young Baltic republicís most important trade partner. Energy is its main import from Russia, whereas the export of used vehicles contributes to a large proportion of Lithuanian exports to Russia. Its other trade partners in order of importance are Germany, the United Kingdom and Poland. Despite the fact that Lithuania is very poor on raw materials, the export of ores represents almost 20% of the countryís total exports. These are oil products, either in transit in Lithuania or which have entered the country to be re-exported after processing in the giant Mazeikiai refinery. Other major exports are vehicles (mainly used cars), textiles, electrical equipment, chemical industry products (mainly fertilisers) and some food products, which together represented approximately 45 % of the countryís exports in 2002. Apart from energy, the majority of imports include equipment and intermediary goods (electrical and electronic components, chemical products, textiles) and vehicles, which together represented more than 50 % of the imports in 2002.
As a country entering a phase of economic transition, Lithuania is now pursuing the restructuring of its production apparatus and at the same time, is providing itself with new production tools. The spectacular economic growth figures in 2001 and 2002 (ca. 6% annually) prove that this effort towards modernisation has borne fruit. Today, Lithuania and all the other CEECs are progressing towards maximum production. Imports play an essential role in this development phase as they must respond to the populationís everyday demands, not yet covered by local production. They also play a major role in the modernisation of the national production apparatus (technology and equipment transfer) and thus favour the development of new production capacities. Seen from this point of view, a high level of imports is a positive sign of economic dynamism. In the case of a regular increase in exports, the trade deficit need not be feared and may even be considered to be an instrument for financing economic growth. However, in West European countries where production is near its maximum, a trade deficit is above all seen as a negative indicator reflecting the lack of competitiveness of national companies.
According to the preliminary data of the Lithuanian Customs declarations, exports increased by 24.0 % and imports - by 15.2 %, if compared to the first half of 2000. The balance of foreign trade was negative and equalled to USD 0.6 billion. That is by 6.2 % lower than during to the same period of 2000.
The biggest part of Lithuanian exports in the first half of 2001 was directed to EU countries - 49.4 % of the total exports. Exports to CIS made up 17.0 % of the total exports. The biggest part of imports also came from EU - 42.5 % of the total imports. Imports from CIS reached 32.6 %. Imports from EU increased by 10.1 %, meanwhile imports from CIS - by 21.4 %, if compared to the same period of 2000. Exports to EU countries increased by 29.9 %, to CIS countries - by 46.6 %, if compared to the same period last year.
The main Lithuanian export partner is Latvia (15.1 %), United Kingdom (14.8 %), Germany (13.5 %), Russia (8.7 % of the total exports), and import partners - Russia (28.7 %), Germany (15.8 %), Poland (4.6 %) and Italy (4.0 %).


Source: International Journal of Wilderness. 17(1): 14-21.
A significant research body on recreation constraints exists, but wilderness constraints research is limited. Like other recreationists, wilderness visitors likely experience a number of constraints, factors that limit leisure preference formation or participation and enjoyment. This project explored how visitors' experiences with and in wilderness are constrained, and examined responses to those constraints. A hermeneutic approach (Patterson and Williams 2002) provided the stories of wilderness visitors' experiences and constraints to experiences with and in wilderness. A purposive sample identified respondents for in-depth face-to-face interviews with a semistructured interview guide. Interviews were transcribed verbatim, and analysis considered visitors' individual stories and stories across individuals. Member checking and dual readers provided discussion opportunities about and validation of the interpretations. Similar to other types of recreation, a variety of constraints to wilderness visitation emerged, although structural constraints dominated the conversations. Of particular interest to wilderness managers are the visitors' coping responses to constraints: shortened trips with fewer miles traveled influence both social and biophysical management areas. Future research opportunities include monitoring longer-term impacts on experiences, visitor use patterns, and subsequent biophysical impacts.
Schneider, Ingrid E.; Schroeder, Sierra L.; Schwaller, Ann. 2011. Structural constraints to wilderness: Impacts on visitation and experience. International Journal of Wilderness. 17(1): 14-21.