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Home » Show Archives » 2016 Season » West Side Story
Cast/Team
Zach Schanne (Tony) and Julia Paladino (Maria)
Performances July 6 - 31
Thu - Sat 8pm, Sun at 4pm
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
From the first notes to the final breath, West Side Story is one of the most memorable musicals and greatest love stories of all time. The book remains as powerful, poignant and timely as ever, touching upon race relations, immigration, police and community relations and gun control. The score by Leonard Bernstein and Stephen Sondheim is widely regarded as one of the best ever written.
Shakespeare's Romeo and Juliet is transported to modern-day New York City, as two young idealistic lovers find themselves caught between warring street gangs, the "American" Jets and the Puerto Rican Sharks. Their struggle to survive in a world of hate, violence and prejudice is one of the most innovative, heart-wrenching and relevant musical dramas of our time.
Directed by Melody Meitrott Libonati (Artistic Director)
Musical Direction by David Hancock Turner
Choreography by Doug Shankman
Costume Design by Lauren Gaston
Set Design by Charles Pavarini III
Lighting Design by Daniel Chapman
Sound Design by Ian Loftis
Fight Coordination by Dan Rankin
Linguist Coaching by Jose Plaza
Production Manager Nathan Gray
WEST SIDE STORY THEATRE REVIEWS:
(see full reviews below)
"If You See Only One Production This Summer,
Make it STONC's WEST SIDE STORY"
Geary Danihy, CT Theater News And Reviews, CT Critics Circle
Summer Theatre's "West Side Story"
Dazzles With Talent and Professionalism
Michael Catarevas, Editor NC Advertiser
"A WEST SIDE STORY to Remember"
Brooks Appelbaum - Shoreline Times, CT Critics Circle
"Everyone Was Mesmerized by this Stirring Production"
Marlene S. Gaylinn -ON CT & NY THEATRE, CT Critics Circle
"WEST SIDE STORY Awesome in New Canaan"
Bonnie Goldberg - Middletown Press, CT Critics Circle
A Broadway Performance in New Canaan
Rachel Lampen, HamletHub
"An Entirely Sterling Production"
By Zander Opper - TalkinBroadway.com, CT Critics Circle
"Summer Theatre of New Canaan's Top-Notch
Production of WEST SIDE STORY"
Dave Rosenberg, Talking About Broadway.com, Norwalk Hour, CT Critics Circle
"A Fine Revival of A Classic Musical"
By Tom Holehan - CT Post / Chronical, CT Critics Circle
Full Reviews:
The Show to Go To -If You See Only One Production This Summer,
Make It STONC's WEST SIDE STORY".
By Geary Danihy, CT Theater News and Reviews and CT Critics Circle
Recently there have been informal discussions amongst members of the Connecticut Critics Circle about viewing – and reviewing -- plays and musicals that have been seen many times before. One typical response has been: "Oh, not another production of (fill in the blank)." Yes, one has to labor against becoming jaded, and an antidote to the "Been there, done that" syndrome can be found in New Canaan at Waveny Park, where Summer Theatre of New Canaan's "West Side Story" is running through July 31. From the first haunting whistle that calls the Jets together, this production sweeps you up and makes you forget you know the story, you know the score – you are once again a kid in a candy store reveling in all the delights being offered. Director Melody Meitrott Libonati and choreographer Doug Shankman have created a magical evening of musical theater that you simply don't want to miss.
When it first opened on Broadway in 1957 (yes, almost 60 years ago) it received mixed critical response, but the musical, based on a concept by Jerome Robbins, with a book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim, quickly captured the public's imagination and became one of the most beloved musicals. Based on Shakespeare's "Romeo and Juliet," the story focuses on two rival gangs, the Jets and the Sharks, fighting for turf rights on the West Side of Manhattan (an area that would soon be leveled to make way for Lincoln Center). Against all odds, two "star-crossed lovers," Maria (Julia Paladino) and Tony (Zach Schane) attempt to defy racial boundaries, believing that there is a place, "somewhere," where their love for each other can flourish.
Under the protective tent at Waveny their tragic story unfolds, and it is just about everything you could ask for. Yes, the music and songs are familiar, but the energy and intensity generated by this fine cast makes you believe that this is the first time this story has been told, the first time these numbers have been performed.
Paladino is superb as the young girl on the brink of womanhood, flush with hopes and dreams, giddy with the dawning awareness that she is "so pretty." Playing against her unbridled vibrancy, Schanne creates a Tony torn by loyalties and desires. I defy you not to wipe a tear or two away from your eyes while watching their "balcony" scene.
There's just so much energy up there on the stage that you often wonder if the tent's fabric isn't pulsating. The "Dance at the Gym" sequence, when Tony and Maria first meet, is sheer magic, enhanced by some nice lighting effects compliments of Daniel B. Chapman, and the "America" number is sharp, intense and witty, enhanced by Stewart's performance as Anita, and the first act's penultimate number, "Tonight," can't help but stir the soul.
The biggest revelation is the second act's "Gee, Officer Krupke," meant to lighten up the mood with a bit of pointed humor before the eventual dark close. It's non-stop movement and unbridled energy, a show-stopper in every way that drew thunderous, well-deserved applause. This is immediately followed by the angry/tender duet between Anita and Maria ("A Boy Like That/I Have a Love") as the two women mourn their losses and confront their helplessness when what the heart feels cannot be denied.
Much of the initial, muted critical response to "West Side Story" was based on the fact that it defied accepted musical theater standards. There's no big, closing number. In its place is a body being carried off the stage and a distraught Maria standing alone, center stage, a shawl pulled up over her head. It's been written that the opening night audience on Broadway simply didn't know what to do when the lights went down – there was stunned silence. Such was not the case in New Canaan. The audience knew exactly what to do – get to its feet and applaud for a production that is just about near-perfect, thanks to a stellar cast and some very wise and deft direction and choreography.
If you see only one production this summer, make it STONC's "West Side Story." You won't be disappointed.
For tickets or more information call 203-966-4634 or go to www.stonc.org
Summer Theatre's "West Side Story" dazzles with talent and professionalism
By Michael Catarevas, Editor NC Advertiser
It takes chutzpah for any theater group to produce West Side Story, considered by many people, myself included, to be the greatest musical of all time. Most adults in a West Side Story audience will not only know the songs, but likely have seen the film version, which, not coincidentally, is thought to be the #1 all-time movie musical. Thus, any new stage production has a lot to live up to. Summer Theatre of New Canaan (STONC) decided to take the risk. Risk rewarded. In spades.
Now, truth be told, Hersam-Acorn, the Advertiser's parent company, is one of STONC's sponsors. We do not pay for tickets. And I am not a theater critic. But I am a West Side Story buff. I've watched the movie dozens of times. I own West Side Story CDs by Andre Previn, Stan Kenton, Dave Grusin, Ali Ryerson, the Oscar Peterson Trio, Dave Brubeck and others. I have been a regular on West Side Story's official website and have corresponded with some of the movie's original cast members. I saw the 2009 revival on Broadway and was thoroughly unimpressed. It was wimpy.
STONC's is simply sensational. I attended the first preview performance on Wednesday night. It opens Friday, July 8, and runs for 17 shows through July 31. West Side Story was Leonard (Bernstein), Jerome (Robbins), Arthur (Laurents) and Stephen (Sondheim)'s 'John, Paul, George and Ringo' accomplishment: Four men at the peak of their powers producing legendary, timeless work. Music by Bernstein, choreography by Robbins, book by Laurents and lyrics by Sondheim. In STONC's slightly updated version, 27 professional actors and actresses make the musical come alive. The story of two warring gangs in 1950s New York City is dated, of course, but the clever wordplay retains its charm. The elaborate, difficult song and dance numbers are simply wonderful. Watching these 20-somethings, all muscle and sensuality, dance in sometimes frenzied, sometimes moody rhythms is pure entertainment.
The ensemble numbers are best. Dance At the Gym, with it's famous mambo inclusion, is special, as is Somewhere, in which the cast serenades the star-crossed lovers, Maria and Tony, while dancing in sky-blue outfits signifying heaven.
There are no weak moments or cast members, which is not unusual when you are performing a musical this famous and have auditioned over 1,200 people. It's easy to applaud them all here, but mention must be made of the one astonishing, spine-tingling, transcendent performance.
Julia Paladino as Maria absolutely captured the stage, and never more so than when she sang. Her operatic voice had incredible, hard-to-believe emotional range and power, and it turned numbers like Tonight, I Feel Pretty and, most sensationally, A Boy Like That, into show stoppers. Her acting, in such a demanding highs-and-lows role, showcased what a dynamic talent she is.
I'd heard how great the lead shows at STONC were, but the last two, Legally Blonde and Hairspray, weren't in my wheelhouse and I didn't see them. West Side Story? My go-to. Go!
Read more: http://ncadvertiser.com/80817/summer-theatres-west-side-story-dazzles-with-talent-and-professionalism/#ixzz4E6aD3o5u
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A "West Side Story" to Remember
By Brooks Appelbaum - Shoreline Times, CT Critics Circle
"It may come cannonballing down through the sky/Gleam in its eye/Bright as a rose!" sings Tony (Zack Schanne), early on in "West Side Story." He might as well be describing Summer Theater New Canaan's magnificent production, running through July 31 in Waveny Park. "West Side Story" is, famously, one of the most difficult musicals of its era—the late 1950's—but this version gets every detail absolutely right, from the furious energy, to the lovers' chemistry and tenderness, to the pulsing choreography, to the glorious singing. Without a gimmick in sight, this production feels as fresh as if you are coming to the show for the first time. And if you are, you are more than fortunate.
Based on a concept by Jerome Robbins, and featuring a book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim, "West Side Story" transposes Shakespeare's "Romeo and Juliet" to an ethnic, blue collar neighborhood on Manhattan's West Side. Two gangs, the Polish-born Jets and the Puerto Rican Sharks, square off as immigrant enemies. Their fight for turf—literal and figurative—is painfully relevant today, as we see the Lt. Shrank (a chilling Mike Boland) instruct the Jets to clean up the neighborhood and get rid of the Puerto Ricans for him.
In a scene echoing Shakespeare's plot, Puerto Rican Maria (beautifully played by Julia Paladino) meets former Jet Tony at a dance, and they fall instantly in love. Thus the tragedy begins its inevitable course, overseen by adults who are either, like Lt. Shrank, hatefully prejudiced, or like Officer Krupke (David Johnson) completely ineffectual, or like the good-hearted, peace-keeping Doc, unable to talk sense into the warring kids.
The musical demands remarkable technical prowess from its director, stars, and ensemble. Director Melody Meitrott Libonoti has cast the show with a perfect eye and ear, while Choreographer Doug Shankman, along with Music Director David Hancock Turner and his terrific orchestra, help to create the show's remarkable energy, so crucial to any "West Side Story."
From the first big number, "Jet Song," featuring a terrific Naysh Fox as the gang's charismatic leader, to Tony's hopeful, delicate ballad, "Something's Coming," it's clear that the production will hit every emotional and musical note. Through acting, singing and dancing, Paladino beautifully portrays Maria's journey through girlish innocence, awakening romantic passion, and finally the furious rage of a woman. Zack Schanne is in every way her equal: a delicate, tender Tony who creates, for his Maria, a magical world where hatred has no place, until hatred proves stronger than he.
Kristen Stewart plays Anita, Maria's soon-to-be sister-in-law and best friend, as sharply intelligent and sensually fearless. Hector Flores, Jr., as Bernardo (Maria's protective brother), is terrifying in his hatred of the Jets but poignant, too, as the leader of the most recent immigrants, who know full well that they are the pariahs of the West Side.
Every single member of the ensemble sparkles, and those in featured roles amaze. As Action, Johnny Wexler not only exudes frightening power and energy, but he can do back flips, walk on his hands, and, in the terrific number "Gee Officer Krupke," he nearly steals the scene, amidst a group of fabulous Jets.
Rosalia, as played by Nicole Colón, brings innocent homesickness to "America," while Stewart's Anita, along with the other Puerto Rican girls deliver their zingers with pizzazz. Ella Raymont, as Anybodys, the girl who wants to be a boy and a Jet, brings just the right toughness and poignancy to her role.
As with any great production of either "Romeo and Juliet" or "West Side Story," we always hope and hope that the story will end differently. However, its ending is not only inevitable, but—as with all true tragedies—cathartic. Kudos, then, to Libonati and her cast, for playing the ending just as it should be played, with no softening. Even the company bow is restrained and in keeping with all that has just gone before. At the production I saw, Paladino's eyes were still glistening with Maria's tears as she acknowledged the audience's ovation. For this critic, the tears had begun long before.
"West Side Story" at STONC - Everyone was mesmerized by this stirring production
By Marlene S. Gaylinn -ON CT & NY THEATRE, CT Critics Circle
Fists, sticks, stones, knives, guns, bombs and drones -- as the weapons of hate keep escalating, we wonder if humans will ever learn to get along? While the whole world is falling apart and no one is safe from violence, "West Side Story," is packing a powerful punch at Summer Theatre of New Canaan (STONC).
A collaboration of geniuses: Jerome Robbins, Leonard Bernstein, Stephen Sondheim and Arthur Laurents,' "West Side Story was inspired by Shakespeare's "Romeo and Juliet" and tales that are even more ancient. It's a modern, yet timeless tragedy about uncontrollable human nature, and it's also one of the best, musicals ever written.
Because of its serious subject matter, there remains a debate over whether "West Side Story" should be termed a musical. Some feel it should be considered an "Opera," others claim it's a "Ballet." I admit that I'm prejudiced in this regard. As a former dancer, this work is what I call a "Dansical" -- because the dancing hardly stops.
I also have some strong, personal feelings connected to "West Side Story." For one thing, I happened to have known Lee Becker, who played the original tomboy, "Anybodys." We were in the same ballet class, and I can tell you that in real life she was even tougher than her character role. This young, very aggressive woman died of cancer at the peak of her career -- after forming the highly successful, "American Dance Machine Company." One of its last performances was at Westport Country Playhouse. The dancer left a husband and a young son -- a tragedy in itself. The rest of my personal feelings will remain just that.
At New Canaan, handsome Zach Schanne (Tony), and delicate, Julia Paladino (Maria) are a perfect pair. As they blend their rich voices, they are able to project the romantic electricity between them. "The Balcony Scene" and "One Hand, One Heart" musical numbers could not have been more tender. The livelier, "Something's Coming" and "I Feel Pretty" are delightfully animated solos and the two singing actors dance pretty well too.
Katie Stewart (Anita) is not only a firecracker, she dances like a rocket and her Spanish accent is good. We enjoyed her and her female compatriots in the show-stopping dance sequence, "America. " Hector Flores Jr. (Bernardo) is a suave and fiery Shark leader while swaggering Naysh Fox (Riff) is someone whom the rival Jets understandably look up to.
"The "Jets" and the "Shark" gang members and their matching girlfriends are also true to life, and it's hard to single anyone out. Each and every musical number received thunderous audience applause. The highly amusing, Jets sequence, "Gee, Officer Kropke" is a cleverly choreographed highlight that will be long remembered. This is because the inventive choreography and clever songs describe the ironies that still exist in our society.
The only problem is the staging of the final scene. Having the climatic action take place on the floor at the extreme, side of the stage, allowed only a portion of the audience to both see and feel the sudden shock. However, the impact and sorrowful aftermath was powerful!
STONC'S production is perfectly polished, and expertly directed by Melody Libonati. Doug Shankman's choreography bursts with the flavor of Jerome Robbins' original, finger-snapping dance sequences. The mood lighting by Dan Chapman and the convertible, set, designed by Charles Pavarini are excellent. Equally important, the orchestra, under the sensitive direction of David Turner, rivals the intensity of any live music on Broadway.
While it drizzled steadily outside, the audience was very comfortable under the all-weather tent at New Canaan's Waveny Park. In fact, everyone was mesmerized by this stirring production and gave it an enthusiastic, standing ovation.
Plays to July 31 Tickets: 203-966-6177
This review appears in "ON CT & NY THEATRE" July/2016
"WEST SIDE STORY" Awesome in New Canaan
Bonnie Goldberg - Middletown Press, Patch, CT Critics Circle
Rocky road is the name of a great ice cream flavor but it is also a term that can be fixed on a love relationship that fails to run smoothly. Such is the fate of the original star-crossed lovers of Shakespeare lore, Juliet and her Romeo, who have been reborn on the streets of New York in "West Side Story," the revolutionary musical created by Leonard Bernstein's music, Stephen Sondheim's lyrics and story by Arthur Laurents, based on a conception by Jerome Robbins.
Summer Theatre of New Canaan is pitting the rival gangs, the Jets and the Sharks, against the fragile young love of Tony and Maria, under their giant tent in Waveny Park in New Canaan until Sunday, July 31. Become engrossed in the rumble as the "native" Jets take on the Puerto Rican Sharks, for a piece of the streets, the territory they both seek to own. Caught in the fisticuffs that soon escalate to switch blades are the innocents, Zach Schanne's powerful Tony and Julia Paladino's sensitive Maria, who only want to be free to share their affection openly "Somewhere."
Tragically the world has conspired against them. Maria's brother, Bernardo, an angry Hector Flores, Jr., has planned she marry "one of her own kind," which Tony certainly isn't. Bernardo's girlfriend, the fiery Anita, well developed by Katie Stewart, tries to help the young lovers but is thwarted in her task. Doug Shankman's glorious choreography carries the action, propelling it forward in electrifying waves. Memorable songs like "Something's Coming," "Maria," "America," "Cool," "Tonight," I Feel Pretty" and "The Ballet Sequence" shine. The humor of "Gee, Officer Krupke" by a quartet of talent-laden Jets relieves the intense drama of the tale. Artistic director Melody Libonati has crafted an awesome version of this classic story, with the help of music director David Turner, set designer Charles Pavarini III, costume creator Lauren Gaston and lighting specialist Dan Chapman.
For tickets ($45,and up to tables of 6 ), call STONC at 203-966-4634 or go online to This email address is being protected from spambots. You need JavaScript enabled to view it.. Performances are Thursday, Friday and Saturday at 8 p.m. and Sunday at 4 p.m. The theatre is located at 11 Farm Road, at the New Canaan High School entrance.
Can love be powerful enough to heal racism and put an end to gun violence? Come discover for yourself under the big white tent in Waveny Park with Summer Theatre of New Canaan. Don't forget to bring the kiddies to see "James and the Giant Peach" and "Cinderella" playing weekends ($22).
Past and current stars of the STONC family and of Broadway will sparkle at "A Night of Stars in Concert," in support of education for the performing arts, on Tuesday, July 26 at 7:30 p.m. For info/tickets,go to www.stonc.org.
Last night I went to the Summer Theatre of New Canaan (STONC), to watch West Side Story for the first time. It was incredible. This was no amateur dramatic production, but a highly polished performance. The acting, singing and dancing was first class. The set, lighting, sound and costumes were faultless. At one point I was so lost in the storyline, I had to pinch myself that I was still in Connecticut, let alone New Canaan
This is the 13th season for STONC, and we are so lucky to have this conveniently set up in Waveny Park. I took my mother, who loved the hasslefree journey and the airiness of the open theatre. There was something rather lovely, hearing the gentle patter of rain falling against the theatre roof, whilst being visually transported to the Upper West Side neighborhood in New York City during the mid 1950's. My friend was so impressed, she will be taking her daughter to see Cinderella and James and the Giant Peach over the next few weeks.
I have got to know one of the Board of Trustees, Patrice LaSusa, who tirelessly and passionately pulls together the pre and post dining partners and promotions. If you are looking for a few hours escapism – STONC is ideal.
Bravo to the Artistic Director & Director, Westside Story - Melody Meitrott Libonati. We all stood to applaud the actors. It will be sometime before I can stop thinking about these fated lovers. Good night, good night, sleep well and when you dream, dream of me tonight.
West Side Story at STONC will run through to July, 31st. Performances are every Thursday-Saturday at 8pm and
Sunday at 4pm. Tickets are $45-$60 and may be purchased online HERE or by telephone at 203-966-4634
"West Side Story" at Summer Theatre of New Canaan
Summer Theatre of New Canaan is currently presenting a beautiful and moving revival of "West Side Story." What this production really has going for it is an ideal pair of lovers in Zach Schanne and Julia Paladino, who are both pretty magnificent. It should be noted that this "West Side Story" is actually performed under an open air tent, which somehow brings such immediacy and feeling to the show in the fact that the audience is so close to the stage. With nuanced direction by Melody Meitrott Libonati and fine acting by the entire cast, this production of "West Side Story," as put on by Summer Theatre of New Canaan, is most definitely worth seeing.
I just recently reviewed a different production of "West Side Story" in Connecticut, and it is interesting to compare and contrast the two revivals. Both definitely have merit and they are equally as good, in their own ways. Where the Summer Theatre of New Canaan really shines is in the casting of Zach Schanne as Tony. Schanne gives a dreamy, beautifully sung performance in the role and he also brings out the innocence in the character. That's one thing about the production that makes this "West Side Story" so heartbreaking, in that both Tony and Maria seem so young, with a hopeful idealism that truly makes the audience yearn for their happiness together, despite knowing full well their ultimate fate.
Julia Paladino is a lovely and extraordinary Maria and she matches Zach Schanne's Tony impeccably. Indeed, they almost seem like two halves of a whole that, when they get together, fit perfectly. Consequently, their duets, "Tonight" and "One Hand, One Heart" are achingly poignant and their appearance in the second act "Somewhere" ballet, in which Tony and Maria try to get away from everything around them, is all the more tragic because one knows that they can never escape. It is doubtful that Summer Theatre of New Canaan could have found a better Tony and Maria then in the pairing of Zach Schanne and Julia Paladino.
Still, this production definitely has many other assets besides the central couple. The scenic design by Charles Pavarini III is terrific, with the main set being the streets of New York, with set pieces moved from the sides to provide the locales of Doc's Drugstore and the bridal shop that Maria works at, amongst others. The costumes by Lauren Gaston feel absolutely authentic and the fine lighting design is provided by Daniel B. Chapman.
And then there is the rest of the cast, who all do exceedingly well under Melody Meitrott Libonati's sensitive direction. Katie Stewart makes for a firecracker of an Anita, but one also sees how much she cares about Maria's happiness, despite everything that happens in the show. Hector Flores Jr. is a charismatic Bernardo, who believably seems like he should be the leader of the Sharks. As the head of the Jets, Naysh Fox is a wonderful Riff and he definitely makes the most of his two big numbers, "The Jet Song" and "Cool." All the other actors in the show are equally good and totally embody their respective characters.
This production of "West Side Story" is interesting in that choreographer Doug Shankman doesn't seem to borrow any of Jerome Robbins' original steps, but still makes the dances lively and extremely well staged. The excellent off-stage band is terrifically led by music director David Hancock Turner, and the ideal sound design is provided by Ian Loftis.
Since both the original 1957 Broadway cast recording of "West Side Story" and the original Oscar-winning 1961 film version are so indelible, it is saying a lot that one can pretty much put aside the memory of the originals and concentrate solely on the production at hand. Indeed, this revival is consistently riveting and surprising and it is highly recommended that you bring tissues with you for the conclusion. "West Side Story" is a show that will be produced forever and Summer Theatre of New Canaan is putting on an entirely sterling production of it.
"West Side Story" continues performances at Summer Theatre of New Canaan's Waveny Park in New Canaan, CT through July 31, 2016. For tickets, please visit www.stonc.org or call the box office at 201-966-4634.
"Summer Theatre of New Canaan's Top-Notch Production of "West Side Story"
By David A. Rosenberg, Talkin Broadway, Norwalk Hour, CT Critics Circle
All the restlessness of youth—its vigor, its jolts, its spontaneous bursts of dynamic danger and soothing safety—energizes Summer Theatre of New Canaan's top-notch production of West Side Story.The Leonard Bernstein/Stephen Sondheim/Arthur Laurents classic is directed by Melody Meitrott Libonati with a sure touch for evoking the impetuousness of groups that have fallen into traps of tragic inevitability.
Based on choreographer Jerome Robbins' conception, the conflict between mainland Jets and Puerto Rican Sharks takes on added significance in the shadow of the nation's current travails. At the performance caught, Libonati's pre-curtain speech emphasized its relevance to the killings in Orlando, Baton Rouge, Falcon Heights, and Dallas. Derogatory names carelessly tossed about in West Side Story find echoes in a land divided by hateful tribalism and demagogic politicians.
The work, dating from 1957, ostensibly concerns itself with feuds between rival New York gangs. Based on Shakespeare's Romeo and Juliet, the evening starts and ends with heart-tearing explosiveness, leavened by thwarted love stories. With time, the musical drama has been recognized not only as a work of art but a metaphor for class and racial clashes.
In New Canaan, although some of the dialogue scenes are tentative, the musical numbers come across with searing intensity. Later performances should acquire more assuredness but, even now, the cast sings and dances with fiery abandon.
The opening mini-ballet is prologue to murderous terrors to come. Cavorting Jets move to melodic strains that become menacing as the Sharks claim territory. Soon, a touch becomes a shove, a fist becomes a knife, someone's ear is cut and limbs fly. A rumble is promised at a school dance but something unexpected happens: Tony, once a Jet leader, falls instantly in love with Maria, a girl from the Shark side of the tracks. Their reach across the divide is woven into the fabric of the larger battle between the gangs.
There are moments when cooler heads might prevail. At the dance, when Tony and Maria meet, other couples exchange the harsh mambo for the soothing minuet. When, in act two, Tony and Maria are caught in the web of violence, they dream of a better life "Somewhere," as males and females from both sides, costumed by Lauren Gaston in diaphanous pastels, reconcile in a luminous fantasy ballet.
But Doug Shankman's choreography, though skilled, here falls short. The "Somewhere" ballet is more pretty pictures than signifier of dreams deferred. Further, the intrusion of the resurrected Riff and Bernardo, killed at the end of act one and now returned to inject reality into fantasy, is hidden upstage and loses impact.
Elsewhere, there's a similar lack of focus. "Cool" is less an attempt at controlling volcanic emotions than a hodgepodge of steps. Further, the climactic deaths—Riff's and Bernardo's, then Tony's—happen on a lower platform level and are virtually unseen by many in the audience.
Compensations abound: a plangent "Tonight" quintet, a hilarious "Gee, Officer Krupke," an exuberant "I Feel Pretty," a powerful "A Boy Like That" and "I Have a Love." The orchestra under music director David Hancock Turner gets all the brassy and percussive nuances out of Bernstein's brilliant score. Still, it's Robbins' powerful concept that makes West Side Story the major work of art it has become.
Both Zach Schanne (Tony) and Julia Paladino (Maria) have gorgeous voices. Their acting improves as the show goes along until, in the second half, they become a moving duo. Hector Flores Jr.'s Bernardo is commanding, while Naysh Fox's clean-cut Riff is equally strong. Mike Boland as Shrank, David Johnson as Krupke, and Marc Geller as the empathetic Doc do well in roles meant to show adult perplexities.
Except for Bernardo and Chino (an excellent John Paul LaPorte), the Sharks are less individualized than the Jets. The latter are idiosyncratically portrayed by Jonny Wexler, Bryan Dougherty, Donovan Mendelovitz, and Nicholas Cocchetto, with Ella Raymont as the lively camp follower, Anybodys.
As good as everyone is, it's Kristen Stewart who provides the most fireworks. Her Anita peppers toughness with generosity and love. Dancing with spirit, singing with dramatic inflections, Stewart brings out the character's remarkable ability to be ironic and serious at once, nowhere more than in the drugstore rape scene where her humiliation swiftly turns to vitriol. She anchors a show that would seem to be dated yet isn't. Unfortunately.
West Side Story is at Summer Theatre of New Canaan, Waveny Park, New Canaan, through July 31, 2016. Thursday-Saturday at 8:00 p.m., Sunday at 4:00 p.m. Tickets are $45-$60 and may be purchased online at www.stonc.org or by phone at 203-966-4634.
Based on a conception by Jerome Robbins Book by Arthur Laurents Music by Leonard Bernstein Lyrics by Stephen Sondheim Music direction: David Hancock Turner Choreography: Doug Shankman Scenic Design: Charles Pavarini III Costume Design: Lauren Gaston Lighting Design: Daniel B. Chapman Sound Design: Ian Loftis Production Stage Manager: Maria Gray Director: Melody Meitrott Libonati
Cast: Zach Schanne, Julia Paladino, Kristen Stewart, Hector Flores, Jr., Naysh Fox, Mike Boland, David Johnson, Marc Geller, Matthew Johnson, Jonny Wexler, Bryan Dougherty, Donovan Mendelovitz, Nicholas Cocchetto, Ella Raymont, John Paul LaPorte, Joey Lucherini, Michael J. Baugh, Michael Damian Fasano, Jessica Lawyer, Kelly Loughran, Rachel MacIsaac, Nikki Croker, Nicole Colon, Samantha Sayah, Katrina Asmar, Kelsey Morales, Bennett Leeds, Savannah Lobel, José Plaza, Jessica Freedman, Dylan Thomas Kastel
What would summer be like without an annual revival of "West Side Story"? Currently there are no less than two Connecticut productions of the sturdy Jerome Robbins classic at the Summer Theatre of New Canaan and Connecticut Repertory Theatre. I've yet to attend the CRT, but the rendering currently under STONC's tent in Waveny Park is worth the trip.
Based on Shakespeare's "Romeo and Juliet" with book by Arthur Laurents, lyrics by Stephen Sondheim and a glorious score by Leonard Bernstein, "West Side Story" exploded on the scene in 1957, shocking Broadway audiences with its visceral story about rival gangs in New York City and the doomed love between Tony (Zach Schanne) and Maria (Julia Paladino). The Jets (Whites) and Sharks (Puerto Ricans) are warring gangs fighting over turf and, almost immediately, the STONC revival impresses with a group of young men who convince as street toughs and who can also nimbly sing and dance. No easy feat.
Directed by Melody Meitrott Libonati with choreography by Doug Shankman, this "West Side Story" moves along as briskly as tempers between the gangs flare and the ill-fated romance flowers. It's interesting to remember that the musical only covers two days and Shankman and Libonati ably illustrate the speedy recklessness of youth, whether the characters are seeking revenge or falling in love. The cast is up to the dancing rigors of the show with the standout being Katie Stewart playing the fiery Anita, girlfriend of Sharks leader Bernardo (a rather low-key Hector Flores Jr.). Miss Stewart commands the stage with ease especially in the high-spirited "America" and in her powerful duet with Paladino, "A Boy Like That."
Both Paladino and Schanne convince as a couple and their voices blend effectively on songs like "Tonight" and "One Hand, One Heart," Although Paladino's accent wavers here and there, the chemistry she shares with Schanne is undeniable. In other roles, Jonny Wexler is excellent as the hot-headed Action who leads the Jets in one of the best renditions of "Gee, Officer Krupke" I've ever heard. Admirable here is the clarity of diction (from the entire cast throughout) in a complicated song that has Wexler enacting several characters while also delivering a highly athletic performance. Playing one of the few adult roles in the musical, Mike Boland's Lt. Shrank nails the casual racism of the period which, unfortunately, still resonates today.
There are some oddly staged sections in evidence, however. The moving dream ballet sequence has the crucial characters of Riff and Bernardo blocked from view for most of the song and sight problems are also an issue at the emotional and too-rushed finale where Libonati has positioned the victim far stage right instead of down center. There is good work from costumer Lauren Gaston here especially for the dream ballet, but did she get a bulk rate for the Jets' sneakers? They all appear identical and look brand new. Charles Pavarini III's scenic design is functional and effective.
It probably goes without saying that it's great to hear that wonderful score again and at New Canaan it is played by a full orchestra under musical director David Hancock Turner. I was convinced the music was a recording so rich and rewarding was the sound at STONC. All told, this is a fine revival of a classic musical that should never grow old.
"West Side Story" continues at the Summer Theatre of New Canaan in Waveny Park through July 31. For further information or ticket reservations call the box office at: 203.966.4634 or visit: www.stonc.org.
Tom Holehan is one of the original founders of the Connecticut Critics Circle, a frequent contributor to WPKN Radio's "State of the Arts" program and Artistic Director of Stratford's Square One Theatre Company. He welcomes comments at: This email address is being protected from spambots. You need JavaScript enabled to view it.. His reviews and other theatre information can be found on the Connecticut Critics Circle website: www.ctcritics.org.
Tony & Maria
Pre-College Theatre Intensive
by Userking.
STONC. The Summer Theatre of New Canaan is a 501 (c) 3 non-profit professional regional theatre company.


1. For the stuffing, mix the lemon, garlic, parsley, olive oil, sugar, and salt and pepper in a bowl, and pound with a mortar until paste-like. Fill the cavities of each poussin with this mixture.
2. Pre-heat the oven to 180C/gas 4. Heat 1 tablespoon of olive oil with 1 tablespoon of butter in a sturdy roasting tin placed over a medium heat.
3. Add the poussins and fry until golden, before transferring the roasting tin to the oven. Cook for about 30 minutes, until the birds are tender - remove the birds from the oven and leave in a warm place for 10 minutes. While the poussins are in the oven, make the pancakes.
4. For the pancakes, combine the mashed potato with the flour, salt, pepper and nutmeg. Stir in the eggs, cream and milk, and mix until smooth. Divide the potato mixture into four portions, and shape each piece into four rounds, about 1.5cm thick, 16cm diameter.
5. Heat a knob of butter in a frying pan placed over a medium heat. Fry each pancake for about two minutes on each side - until golden and remove from the pan. Cover with aluminium foil and keep warm in a low oven.
6. For the sauce melt the butter in a saucepan over a low heat, and add the shallots and thyme. Cover and cook until golden - about 5 minutes.
7. Pour in the white wine, and cook down until almost all of it has evaporated. Add the chicken stock and simmer for about 10 minutes, until the sauce takes on a coating consistency.
8. With a small spoon, scoop out the lemon and herb stuffing from the poussins and arrange on 4 serving plates.
9. Using a sharp knife, remove the bones from the poussins. Reserve any roasting juices, and add to the sauce.
10. Place each poussin over the lemon stuffing. Strain the sauce, and serve with the birds. Accompany with the warm potato pancakes.


• Learn how you can save on oxygen concentrators with Direct Supply.
Whether you're taking vital signs or simply using a scale, you need clinical equipment you can trust in order to provide the best level of care. From cardiac care and respiratory solutions, to everyday medication management and charting, Direct Supply has everything your clinical staff needs to succeed.
Looking for more customized solutions? We'll be there for you as you implement a resident monitoring program or create a customized memory care environment. Learn more about these in-depth solutions on our blog.


text:
Los Colibris gives Toronto genuinely uncompromising Mexican food
Chris Nuttall-Smith
This article was published more than 7 years ago. Some information may no longer be current.
Los Colibris is the first up-market Mexican place in the city with polished service and genuinely uncompromising cooking, writes Chris Nuttall-Smith.Danielle Matar/The Globe and Mail
The mariachi band was not an auspicious introduction. They were playing out in front of Los Colibris on King Street late one night last month as the Royal Alexandra Theatre spat wide-eyed Walters and Eunices out into the evening, as crowds of tipsy young men and women wobbled arm-in-arm from the Fashion Week festivities at David Pecaut Square.
A sucker is born every minute; in the Theatre District, I'd put it closer to two, at least. Barring a few exceptions, the street is lousy with tourist traps. Los Colibris's band put me more in mind of Mexicali Rosa's-style artifice – the sort of ersatz Mexican that most Canadians have grown up with – than real-deal hospitality and food.
But Los Colibris is anything but a tourist trap. It's the first up-market Mexican place in the city with polished service and genuinely uncompromising cooking, executed with love and craft and finesse.
The 150-seat room is the work of Andreas Antoniou, the young restaurateur behind Estiatorio Volos, on Richmond Street West. There are linen cloths on the tables and quiet, up-tempo music overhead. They serve Mexican craft beer here; Mr. Antoniou is an expert at combining fine dining service and a modern, casual mood. But the food here, from an untested and relatively unknown chef named Elia Herrera, sets the place way apart.
Ms. Herrera grew up in Cordoba, in central Mexico, in a prominent culinary family. Her grandmother, Luz Carmen Dominguez de Herrera, was a de facto culinary ambassador for the country, producing elaborate state dinners at the Vatican and in the Spanish court. Ms. Herrera's mother, Elia del Carmen Herrera, also became a chef; she now runs the family's national catering enterprise from their hometown in Veracruz state. Ms. Herrera followed her mother and grandmother's career path; she began cooking when she was six years old.
Yet a life in Mexico would have been too predetermined, too comfortable, she worried. Ms. Herrera moved to Toronto 10 years ago to work as a pastry chef. She ran the desserts at Mistura, Canoe and Scarpetta before signing on with Los Colibris.
Outside of the staff meals she often cooked before service, she'd never been known as a savoury cook, and she'd never led her own kitchen crew. By many accounts, the restaurant's opening months were shaky. (It opened in June.) But her dishes today tell a different story.
Los Colibris serves the foods that Ms. Herrera grew up with: the delicate corn dumpling and confit chicken stew called called tesmole de pollo; the pork and fruit and spice-stuffed peppers dish called chiles en nogada; scratch-made flour and corn tortillas that are cooked to order; gossamer bunuelos doughnuts with soursop sorbet. It's Veracruz-style home cooking, much of it, issued from an expert palate, in many cases with wildly uncommon finesse.
Ms. Herrera's green pozole, a special recently, makes a good introduction. The flavours and the seasoning are calibrated as if with laser guidance: tart green tomatillos and Mexican oregano, savoury stewed chicken and lime-soaked corn kernels that lend an earthy, soulful layer over top of it all. It's a sophisticated soup, but also fresh-tasting and simple. If you closed your eyes you could be in a market in central Mexico.
The chef's "Tijuana Caesar salad" comes from a more inventive corner of her mind. The romaine leaves are lightly grilled so they're crisp-tender and smoky, combined with the porky, smoked paprika taste of homemade chorizo sausage, with cotija cheese, with classic, creamy Caesar dressing and pomegranate seeds.
Her torta de elote is also atypical. Torta de elote is a sweet cake made from fresh corn, butter, eggs and condensed milk and usually served for dessert. Ms. Herrera's kitchen serves it as a savoury course, pulling back the sweetness and adding whole fresh kernels so it tastes richly, intoxicatingly of late-summer corn, but with a texture somewhere between toasted brioche and chocolate cake.
She dresses the cake with a thick, dark, low-burning adobo chile sauce and with brisket that's been braised to falling apart.
Her chiles en nogada, a national dish in Mexico that's often eaten in the fall, is also a must-order. Like so many of the country's greatest dishes, this one is both simple, and remarkably complex. Ms. Herrera follows her grandmother's recipe, with more than 30 ingredients in the stuffing alone, she said. There's ground pork, prunes, apricot, green apples, cinnamon, olives, capers, almonds, pine nuts, plaintains … That filling is stuffed into whole poblano peppers, which are charred and then floured and dipped in egg whites and shallow-fried; the peppers comes napped with a creamy walnut sauce and pomegranate seeds. This is cooking with depth and personality. If all you know of Mexican food is Baja-style tacos and chicken chimichangas, the best of Ms. Herrera's dishes will alter your conceptions for good.
Not all of her work is polished enough. While the appetizers (entradas calientes) were terrific, mostly, the main dishes (platos fuertes) often suffered from heaviness and unsubtlety. The flat iron steak came on a thick smear of refried beans, with crumbled chorizo sausage that only underscored the fuerte; some lightness would have been an enormous help. The confit pork belly in adobo sauce, although beautifully roasted, suffered the same problem, and the huachinango a la Veracruzana – fried fish in a tomato, caper and olive sauce – was boring the first time I had it, without enough acidity. On another night: fish is either spanking fresh or it isn't. The piece I had the second time was not.
I suspect that most of these issues are a result of Ms. Herrera's inexperience; I'm also confident given the strength of her strongest dishes – of which there are many – that the weakest ones will improve with time. Instead of the fish or the beef, have the tesmole de pollo, a wicked-delicious chicken stew topped with dumplings that are made from masa corn flour and pork fat. Get the pulpo à la parilla, grilled octopus in a shallow, verdant-smelling broth made with jalapeno peppers, basil and coriander. Or get the queso fundido: that house-made chorizo sausage, smothered with melted cheese and served with those made-to-order tortillas. (Los Colibris and its casual downstairs sister restaurant, called El Caballito Tequila y Tacos, employ a cook who does nothing over his eight hour shift but make tortillas, Ms. Herrera said. Respect.)
And do not neglect Ms. Herrera's desserts list; she's a magnificent pastry chef. The tres leches cake is a must, refreshingly semi-sweet instead of cloying, served with pineapple, coconut macaroons and soursop sorbet, as well as a cochineal-red gel made from hibiscus flowers. Or get the bunuelos, a beautifully patterned, deep fried pastry that looks almost like a magnolia flower, that comes with a square of hazelnut rum cake, superbly sweet-sour guava sorbet and dulce de leche ice cream.
And then enjoy that mariachi band on the way out. You'll never listen to Cielito Lindo the same way again.
No stars: Not recommended.
* Good, but won't blow a lot of people's minds.
** Very good, with some standout qualities.
*** Excellent, well above average with few caveats, if any.
**** Extraordinary, memorable, original with near-perfect execution.
Follow Chris Nuttall-Smith on Twitter: @cnutsmithOpens in a new window
Little Sister: You should order the whole menu at this surprising Dutch-Indonesian spot
DaiLo: This new restaurant will become one of Toronto's best
Sea Witch Fish & Chips and Farmer's Daughter: The right way and wrong way to draw inspiration for a new restaurant

redpajama_set_name: RedPajamaCommonCrawl


Planning and Producing in Italy and Dubai .
With first-hand experience in planning opulent events in the region we assist in organising each and every element from concept design to detailed planning and overseeing the delivery of the entire event.
we pride ourselves on our attention to the finer details and the quality of our execution. Our creative team go the extra mile to make sure our events make a distinguished impression.


text:
Q: Can g++ / minGW play nice with the Windows SDK? Is Visual Studio the only option? Can g++ and minGW on Windows XP use the Windows SDK?
Specifically, why does g++ fail to compile:
#include <stdio.h>
#include <windows.h>

int main(void) {
 printf("!!!Hello World!!!");
 return EXIT_SUCCESS;
}

I have tried compiling by by running:
g++ -c -Wall  Test.cpp -IC:/Program\ Files/Microsoft\ Platform\ SDK/Include/

I get a litany of compile errors beginning with
winnt.h:666:2: #error Must define a target architecture.

I have installed the Windows Server 2003 SP1 Platform SDK
Background
I am working on a large real-time image processing software project that up until now has used g++, minGW and gnu make files (written by hand). For a new feature, I need to interface with a frame grabber that has an SDK which was designed for Visual Studio. The framegrabber SDK depends on header files from the Windows SDK.
Do I need to learn Visual Studio or is there another way?

A: According to the discussions from the MinGW-users mailing list, you might encounter compatibility problems with the Windows SDK, and you may have to fix those problems yourself.

Georgi Petrov [Dec 27, 2010; 8:33am]:

Hello,
I'm trying to develop a EVR (Vista/7 specific video presentation API)
  renderer for MPlayer on MSYS/MinGW. The problem is that I have Windows
  SDK v7.1 and I need evr.h from it. If I try to copy it to MinGW's
  include directory as well as the 12 header files it includes, the
  compilation is close to impossible. I have a TON of errors just by
  including evr.h, nothing else. I investigated and found that I can't
  use the Windows SDK header files directly with MinGW, because it ships
  with its own header files, which are sometimes very, very different.
  The problem is that Media Foundation/Enhanced Video Renderer header
  files are not part of MinGW's header files.
What should I do?

*

*Windows SDK header files question:
http://mingw-users.1079350.n2.nabble.com/Windows-SDK-header-files-question-td5870336.html

Ross Ridge [Oct 10, 2010; 10:16pm]:

For the most part the Windows SDK headers aren't incompatible with
  GCC.  If there one particular header file you need that doesn't exist
  in  win32api heapers or is missing something you need, then you can
  try  just using that one header with from the Windows SDK and use
  win32api  for the rest.
It's also possible to only use Windows SDK headers, and avoid using
  the  win32api headers entirely, but you need to fix a number of
  problems in key  header files.  I used to just modify the headers, but
  the Windows SDK  has actually gotten a bit more compatible and now I
  use wrappers to fix  the problems.
There are some header files and libraries that are pretty much
  fundementally incompatible with GCC, like GDI+.  If you want to use
  GDI+,  you'll need to use a Microsoft compiler.
                                    Ross Ridge

*

*compiling against Windows SDK:
http://mingw-users.1079350.n2.nabble.com/compiling-against-Windows-SDK-td5609389.html

A: I use MinGW to compile Windows programs every day, with zero problems. There must be something wrong with your installation - try the version at Twilight Dragon Media.
Edit: Just re-read your post - you do not need to specify the include directory as you are doing, and probably should not do so. Also, you may (or may not) need the slightly mysterious -mwindows flag. I just compiled your program using  MinGW (TDM build) g++ 4.4.1, with the command line:
g++ main.cpp

with absolutely no problems.
More Info: Just so you know what the -mwindows flag does, the GCC docs say:

This option is available for Cygwin and
  MinGW targets.It specifes that a GUI
  application is to be generated by
  instructing the linker to set the
  PE header subsystem type appropriately.

Personally, I've never found it necessary, but then my Windows apps are all command line tools or servers.

A: try adding these defines before you include those windows headers
#define WINVER 0x0501
#define _WIN32_WINNT 0x0501

EDIT: my gcc compiles your script without problems (and without these defines) aswell.
I am using mingw's gcc 4.40 (alpha ?!)

A: Try using the latest version of MSYS2 UCRT64 with MingW64.  I'm using it on Windows 11.
Use 'pacman' to install 'mingw-w64-x86_64-gcc'.  Try re-installing it too to insure you have the WIN32 SDK which is included in this windows-based package:
$ pacman -S mingw-w64-x86_64-gcc
warning: mingw-w64-x86_64-gcc-12.2.0-6 is up to date -- reinstalling
resolving dependencies...
looking for conflicting packages...

Packages (1) mingw-w64-x86_64-gcc-12.2.0-6

Total Installed Size:  154.48 MiB
Net Upgrade Size:        0.00 MiB

:: Proceed with installation? [Y/n] Y
(1/1) checking keys in keyring                               [###############################] 100%
(1/1) checking package integrity                             [###############################] 100%
(1/1) loading package files                                  [###############################] 100%
(1/1) checking for file conflicts                            [###############################] 100%
(1/1) checking available disk space                          [###############################] 100%
:: Processing package changes...
(1/1) reinstalling mingw-w64-x86_64-gcc                      [###############################] 100%

I discovered the windows.h is located in '/ucrt64/include' within the shell session and 'C:\Msys64\ucrt64\include' outside the shell:
$ find . -name windows.h
./mingw64/include/windows.h
./ucrt64/include/windows.h

Here's a link to an article from Microsoft which shows how to troubleshoot setting up gcc to work with building windows applications:
https://code.visualstudio.com/docs/cpp/config-mingw
You can add the directories to your build using the '-I' parameter on 'make' or 'gcc':
make -I /ucrt64/include

redpajama_set_name: RedPajamaStackExchange


Learn more about different cabinets offered at A Plus Warehouse.
The See Though Cabinet with Expanded Metal Doors is a unique product. It has always been a customer favorite.
This product falls under A Plus Warehouse's metal cabinet section. A Plus Warehouse specializes in the distribution of metal cabinets. A Plus Warehouse stocks a large variety of metal cabinets with capacities up to 1,900 pounds per shelf. Not many other dealers offer capacities this large. If a customer is looking for am inexpensive option for heavy duty cabinets, metal is the way to go. Today's product of the day is considered an heavy duty cabinet.
Heavy duty shelving is anything with a capacity of 1,000 per shelf and beyond. A Plus Warehouse's heavy duty metal cabinet line features six items including the product of the day. These items include Economy Heavy Duty Metal Set Up Cabinet, Extra Wide Lynons Steel Cabinet, Heavy Duty Metal Stroage Cabinet, Lynon Deluxe Metal Jumbo Storage Cabinet, See Through Steel Storage Cabinets, and See Through Cabinet with Expanded Metal Doors, todays product of the day. These cabinets are often used by the military or any other industry when medium duty is just not enough. Every customer has different needs. This is also a reason A Plus Warehouse offers such a wide array of products.
The See Through Cabinet with Expanded Metal Doors is pictured to the right. This item features expanded metal for easy content identification. When seeing inventory is needed, this cabinet is highly suggested. This item has always been a customer favorite, and A Plus Warehouse hopes more customers learn the magic of this cabinet. This cabinet also is in stock for immediate delivery. Customers should order theirs today.
A Plus Warehouse is the operator of http://www.apluswhs.com and distributes materials handling and storage equipment nationwide and throughout Canada. The sales staff at A Plus Warehouse is available at 800-209-8798. A Plus Warehouse has been in constant operation since 1996.


text:
"""
Flask-Snooze
--------------

Backend-agnostic REST API provider for Flask.

Links
`````

* `development version
  <http://github.com/ahri/flask-snooze>`_

"""
from setuptools import setup

setup(
    name='Flask-Snooze',
    version='0.1.6',
    url='http://github.com/ahri/flask-snooze',
    license='MIT',
    author='Adam Piper',
    author_email='adam@ahri.net',
    description='Backend agnostic REST API provider for Flask',
    long_description=__doc__,
    py_modules=['flask_snooze'],
    test_suite="nose.collector",
    zip_safe=False,
    platforms='any',
    include_package_data=True,
    install_requires=[
        'Flask>=0.8',
    ],
    tests_require=[
        'Flask-Testing>=0.3',
        'nose>=1.1.2',
        'Flask-SQLAlchemy>=0.16',
        'SQLAlchemy>=0.7.8',
    ],
    classifiers=[
        'Development Status :: 4 - Beta',
        'Environment :: Web Environment',
        'Intended Audience :: Developers',
        'License :: OSI Approved :: MIT License',
        'Operating System :: OS Independent',
        'Programming Language :: Python',
        'Topic :: Internet :: WWW/HTTP :: Dynamic Content',
        'Topic :: Software Development :: Libraries :: Python Modules'
    ]
)

redpajama_set_name: RedPajamaGithub


Oats are a well-liked source of nutrition for many people, engaged in heavy physical activity or not.
For your convenience, in this product we already combined oats and a high-quality whey protein for a meal that can be consumed at any time of the day to support your activities. The added protein is exclusively from whey. Dietary proteins are the source of nitrogen and indispensable amino acids, which the body requires for tissue growth and maintenance. Therefore the protein in Oat 'n' Whey contributes to the growth and maintenance of muscle mass*. Whey protein from milk is a so-called complete protein, because it provides the body with all necessary amino acids, including the 9 amino acids (i.e. Histidine, Isoleucine, Leucine, Lysine, Methionine, Phenylalanine, Threonine, Tryptophan, Valine) that are considered essential for life, because the body cannot synthesize them.
Determination of the nutritional efficiency of protein in the diet is in most cases based on estimating the extent to which dietary protein nitrogen is absorbed and retained by the body and is able to balance daily nitrogen losses. Net Protein Utilisation (NPU) is the percentage of ingested nitrogen that is retained in the body, and the Biological Value (BV) gives the percentage of absorbed nitrogen that is retained. Biological Value is the product of NPU and digestibility. Whey protein has good digestibility and amino acid composition, thus it's Biological Value is great compared to other dietary protein sources like meat, fish, eggs or soy. This product provides an added extra amino acid, Taurine.
Mix a serving with 400 ml water or milk. You can eat Oat 'n' Whey with a spoon, or drink it as a shake as well at any time of the day. This is not a meal replacement product, use only as a food supplement.
Oat flour, Ultrafiltered whey protein concentrates (containing lactoglobulin, lactoferrin, lactalbumin and immunoglobulin protein microfractions), Dextrose, Cocoa Powder (10-12%), Natural and Artifical Flavors (Chocolate, Vanilla Cream), Flavor enhancers: Sodium Chloride, Sweeteners (Acesulfame-K, Sucralose), Thickener: Xanthan gum, Taurine.


text:
Lee Ann Womack Album Review
It has been nearly seven years since Grammy award-winning country music vocalist, singer and songwriter Lee Ann Womack has released a new album. Needless to say, the long awaited musical hiatus is finally over and the moment for Lee Ann's rightful return to music has arrived. "The Way I'm Livin'" is packed with raw emotion, authenticity, songs that will move your senses and touch your soul!
Read the full album review and see the new video here: http://www.countrystarscentral.com/lawthewayimlivin14.htm
Categories: Country Music News, Music Reviews , Celebrity News
Country Music News (186)
Country Music Interviews (90)
Concert Tickets (3)
Celeb Buzz (86)
© 2017 Country Stars Central. All Rights Reserved.


text:
Michael King, Man Behind Oprah and Dr. Phil's Shows, Dies at 66
By Jackie Willis 4:20 AM PDT, May 28, 2015
The king of daytime talk has passed away.
Michael King, the man who helped launch Oprah Winfrey, Dr. Phil and Rachael Ray's shows, died Wednesday in Los Angeles at age 66, ET confirms. He passed away with his family by his side.
PHOTOS: Stars We've Lost
TMZ is reporting that King had been at Cedars Sinai Medical Center in West Hollywood for three weeks in the facility's intensive care unit and was taken off life support yesterday after being admitted with pneumonia.
Brothers Michael and Roger King inherited King World Productions from their father, Charles King, and went on to bring The Oprah Winfrey Show to syndication in the 1980s. King World Productions also teamed up with Harpo Productions to make Dr. Phil and Rachael Ray successful daytime TV hosts.
WATCH: Flashback! Oprah Launches O Magazine in 2000 With Star-Studded Affair
The King brothers also obtained the rights to the wildly popular game shows Jeopardy and Wheel of Fortune.
King World was acquired by CBS in 2000.
In addition to all his TV endeavors, King was also a sports fan. The New Jersey native had been part-owner of the New York Yankees, New Jersey Nets and New Jersey Devils.
King leaves behind his wife Jena and his children.


text:
Gothic & Romantic
Victorian & Edwardian
Horror & Science Fiction
International Series
Vintage Thrills and Chills
ROBIN MAUGHAM
Robin Maugham was born Robert Cecil Romer Maugham in 1916, the son of Frederic Maugham, 1st Viscount Maugham, and Helen Romer, and nephew of the famous author W. Somerset Maugham. Educated at Eton and Cambridge, Maugham trained as a barrister but instead decided to follow in his uncle's footsteps and pursue a career in literature.
Maugham served with distinction in World War II in North Africa, where he reportedly saved the lives of 40 men and sustained a head injury that resulted in blackouts. While convalescing from his wounds, Maugham wrote his first book, Come to Dust (1945), which drew on his war experiences. The book was praised by Graham Greene and sold well, convincing Maugham to continue writing full time. Over the next thirty years, Maugham would be one of England's most popular writers, publishing some twenty volumes of fiction and a dozen nonfiction works, including travel writing, biographies of his uncle, and the autobiography Escape from the Shadows (1972), which dealt frankly with the three "shadows" over Maugham's life: his father, his uncle, and his own homosexuality. Maugham was also a prolific playwright, writing scripts for stage, radio, and television.
Among his many works, highlights include the classic novella The Servant (1948), memorably filmed by Joseph Losey in 1963; Line on Ginger (1949), filmed as The Intruder (1953); The Wrong People (1967), a controversial novel dealing with pederasty and initially published pseudonymously, and The Link: A Victorian Mystery (1969), loosely based on the real-life Tichborne case.
On the death of his father in 1958, Maugham succeeded to the viscountcy, becoming the 2nd Viscount Maugham. His first speech in the House of Lords drew attention to the subject of human trafficking and led to a book on the subject, The Slaves of Timbuktu (1961). He traveled widely, living for ten years on the island of Ibiza, but towards the end of his life his health deteriorated due to diabetes and alcoholism. He died in Brighton in 1981.
TITLES BY THIS AUTHOR
"We owe a debt of gratitude to the publisher Valancourt, whose aim is to resurrect some neglected works of literature, especially those incorporating a supernatural strand, and make them available to a new readership."
- Times Literary Supplement
LGBT Interest
MORE INFO
Copyright © 2018 | PO Box 17642, Richmond, VA 23226 | 804.873.8528 | email
Banner art by M.S. Corley


text:
using System;
using System.Device.Location;
using Ghostware.GPS.NET.Enums;
using Ghostware.GPS.NET.Models.ConnectionInfo;
using Ghostware.GPS.NET.Models.Events;

namespace Ghostware.GPS.NET.GpsClients
{
    public class WindowsLocationApiGpsClient : BaseGpsClient
    {
        #region Private Properties

        private GeoCoordinateWatcher _watcher;

        private DateTimeOffset? _previousReadTime;

        #endregion

        #region Constructors

        public WindowsLocationApiGpsClient(WindowsLocationApiInfo connectionData) : base(GpsType.WindowsLocationApi, connectionData)
        {
        }

        public WindowsLocationApiGpsClient(BaseGpsInfo connectionData) : base(GpsType.WindowsLocationApi, connectionData)
        {
        }

        #endregion

        #region Connect and Disconnect

        public override bool Connect()
        {
            var data = (WindowsLocationApiInfo)GpsInfo;

            IsRunning = true;
            OnGpsStatusChanged(GpsStatus.Connecting);

            _watcher = new GeoCoordinateWatcher();

            _watcher.PositionChanged += WatcherOnPositionChanged;
            _watcher.StatusChanged += WatcherOnStatusChanged;

            bool result;
            try
            {
                result = _watcher.TryStart(false, TimeSpan.FromMilliseconds(data.Timeout));
            }
            catch
            {
                Disconnect();
                throw;
            }
            return result;
        }

        private void WatcherOnStatusChanged(object sender, GeoPositionStatusChangedEventArgs e)
        {
            switch (e.Status)
            {
                case GeoPositionStatus.Ready:
                    OnGpsStatusChanged(GpsStatus.Connected);
                    break;
                case GeoPositionStatus.Initializing:
                    OnGpsStatusChanged(GpsStatus.Connecting);
                    break;
                case GeoPositionStatus.NoData:
                    OnGpsStatusChanged(GpsStatus.Connecting);
                    break;
                case GeoPositionStatus.Disabled:
                    OnGpsStatusChanged(GpsStatus.Disabled);
                    break;
            }
        }

        private void WatcherOnPositionChanged(object sender, GeoPositionChangedEventArgs<GeoCoordinate> e)
        {
            if (_previousReadTime != null && GpsInfo.ReadFrequenty != 0 && e.Position.Timestamp.Subtract(new TimeSpan(0, 0, 0, 0, GpsInfo.ReadFrequenty)) <= _previousReadTime) return;
            OnGpsDataReceived(new GpsDataEventArgs(e.Position.Location));
            _previousReadTime = e.Position.Timestamp;
        }

        public override bool Disconnect()
        {
            IsRunning = false;
            _watcher.Stop();
            _watcher.Dispose();
            OnGpsStatusChanged(GpsStatus.Disabled);
            return true;
        }

        #endregion
    }
}


text:
Public Laws of the State of Rhode Island and Providence Plantations
Po avtorjih Rhode Island
CHAPTER 267.-OF CREDIT UNIONS.
See 1923, 427
CHAPTER 268.--OF LOAN AND INVESTMENT COMPANIES.
CHAPTER 274.—OF THE BANK COMMISSIONER.
Sec. 3. Deputy bank commissioner ..
Amended, 1923, 447
Regarding the regulation of business of making small loans .... 1923, 427
CHAPTER 279.–OF THE METROPOLITAN PARK COMMISSION.
Regarding the lighting of certain parkways in East Providence and
1923, 435
CHAPTER 301.—OF LIENS.
Sec. 33. Notice of lien in favor of the United States to be filed by
recorder of deeds..
Added, 1923, 460
CHAPTER 304.-OF THE ASSIGNMENT OF WAGES.
TITLE XXX.-OF THE SALE OF GOODS.
Regarding the protection of installment purchasers of wearing apparel
CHAPTER 329.-OF JURORS AND JURIES.
Sec. 3. Exemption from jury duty..
CHAPTER 372.-OF GUARDIAN AND WARD.
Secs. 44 to 47. Guardian or conservator may continue support of person
previously cared for.
... Added, 1923, 475
CHAPTER 402.-GENERAL PROVISIONS CONCERNING CRIME.
Sec. 4. Attempt to commit larceny made punishable.... Added, 1923, 480
CHAPTER 411.—OF JAILS AND OF THE CARE AND DISCIPLINE OF
JAILS.
Sec. 5. Prisoners of the United States.
CHAPTER 413.-OF THE PENAL AND CHARITABLE COMMISSION.
(Now State Public Welfare Commission.)
Article II.-.
.See 1923, 441
Article III. Sec. 4. Oaklawn School.....
.Amended, 1923, 433
Sec. 5. R. I. State Reformatory for Women, etc. .Amended,
Regarding change of name to State Public Welfare Commission ....1923, 439
CHAPTER 416.-OF SALARIES AND CLERICAL ASSISTANCE AND OF
APPROPRIATIONS.
Sec. 5. Clerical assistance for general treasurer. . Amended, 1923, 440 Sec. 27. Appropriation to R. I. Humane Education Society......
Amended, 1923, 431 CHAPTER 418.-OF THE MILITIA.
Sec. 9. Calling out of militia .
.See 1923, 481, Secs. 17, 18 Sec. 13. Articles of war.
...Amended, 1923, 481 Sec. 14. Power of commander-in-chief in case of invasion.
See 1923, 481, Sec. 18 Sec. 18. Disbanding ..
Amended, 1923, 481 Sec. 19. Staff of commander-in-chief ..
. Amended, 1923, 481 Sec. 30. National guard, how constituted.
Amended, 1923, 481 Sec. 37. Service medals.
Amended, 1923, 481 Sec. 39. Annual practice marches and camps. Amended, 1923, 481 Sec. 41. Arms, ammunition, uniforms, etc.
. Amended, 1923, 481 Sec. 42. Certain officers to give bond.
. Amended, 1923, 481 Sec. 44.
Repealed, 1923, 481 Sec. 47. Eligibility for commission..
Amended, 1923, 481 Sec. 49. Uniforms of commissioned officers.
. Amended, 1923, 481 Sec. 52. Discharge of commissioned officers .. Amended, 1923, 481 Sec. 60. Payments.
Amended, 1923, 481 Sec. 61. Payments, how made.
Amended, 1923, 481 Sec. 62. Expenses, how paid ..
Amended, 1923, 481 Sec. 84. Fines not otherwise provided for, how collected, Amended, 1923, 481
CHAPTER 420.-OF THE REPEAL OF STATUTES HEREIN REVISED
AND ARRANGED.
Legislation of January session, 1923, deemed to be in amendment of General
Laws, Revision of 1923.
..1923, 461
TABLE NO. 2
SHOWING CHANGES IN THE PUBLIC LAWS
Passed Since the Enactment of the General Laws, Revision of 1923, Made by Chapters of the Public Laws, Passed at the January Session, 1923.
PUBLIC LAWS OF 1923.
CHAPTER.
423 Amended, 1923, 464. 426 Amended, 1923, 464.
The chapters of the Public Laws contained in this volume are numbered continuously from the GENERAL LAWS, REVISION OF 1923.
The GENERAL LAWS, REVISION OF 1923, become effective December 31, 1923, and on and after that date in consulting the Public Laws passed at the January session, 1923, reference should be had to this volume of REVISED PUBLIC LAWS OF 1923, which revision becomes effective December 31, 1923, pursuant to the provisions of Resolution No. 52, passed by the General Assembly at its January session, 1923.
Pursuant to the provisions of Chapter 461 of the Revised Public Laws, herein contained, all laws passed at the January session, 1923, shall, on and after December 31, 1923, be taken and deemed to be in amendment of or in addition to the GENERAL LAWS, REVISION OF 1923.
This volume of REVISED PUBLIC LAWS OF 1923, contains the Public Laws passed by the General Assembly at its January session, 1923, with the chapters of such laws numbered continuously from the last chapter of the GENERAL LAWS, REVISION OF 1923, and with all references to the " General Laws" or 'Public Laws "contained herein made to apply to the corresponding chapters and sections of the GENERAL LAWS, REVISION OF 1923.
For reference purposes, the old chapter number of each Public Law, as originally published, is bracketed beneath the revised chapter number herein.
ERNEST L. SPRAGUE,
Deputy Secretary of State.


text:
Q: Querying Python Functions by Signature What's the best way to document/decorate your Python functions/methods so that you're able to easily query them by signature (e.g. argument count, argument type, and return type)?
I'm playing around with a genetic-programming package, and I'd like to extend it to be able to dynamically replace a function in an expression by randomly selecting a replacement from all functions in my module with an equivalent signature.
I was thinking about rolling my own decorator, so I could do something like:
@validate(args=((int, range(1,10), (float, range(1,10)), (bool,)), returns=(int,range(-10,10))
def myfunc(a, b, c):
    result = do_stuff
    return result

and then be able to query similar functions by doing something like:
similar_functions = find_functions(like=myfunc)

Are there any standard tools or libraries along this line?

A: You can get function's argument list using inspect. This includes default values, but of course cannot provide types, because the very definitions lack this info.
Decorators like the one you shown seem the best solution for 2.x if you need type info. But I'd probably make their syntax a bit less parenthesized:
@validate(a=(int, 1, 10), b=(float, 1, 10), c=bool, returns=(int, -10, 10))
def foo(a, b, c): ...

You may detect obvious errors if your decorator will actually inspect function's arglist and make sure that it matches decorator's arguments. It need not modify the actual function if you don't aim to add validation code.
Note that you'll need special handling for *arg and **kwarg: those are far harder to provide type info for, and I don't know how much f1(int, int, int) is similar to f2(int, *ints), let alone f3(int, **kwargs).

A: In keeping with the "we're all adults here" mentality, why need you ensure that the specified types are actually adhered to? You know what the signature of the function is meant to be, so just tag each function with a decorator and store the tags in a dictionary.
>>> import collections
>>> tags = collections.defaultdict(set)
>>>
>>> def tag(tag):
...     def decorator(func):
...             tags[tag].add(func)
...             func.tag = tag
...             return func
...     return decorator
...
>>> @tag("foo")
... def a(): pass
...
>>> @tag("foo")
... def b(): pass
...
>>> tags['foo']
{<function b at 0x0000000002BF2448>, <function a at 0x0000000002BD5A48>}

similar is trivial:
def similar(func):
    return signatures[func.sig]

A:
dynamically replace a function in an expression by randomly selecting a replacement from all functions in my module with an equivalent signature.

Just do this.
all_functions_of_some_sig = [
    myfunc, myfunc2, myotherfunc, ...
]

It's not that hard.  And it's more likely to work because any filtering or matching will be done by the designer of the function.

This is probably simpler
def myfunc( a, b, c ):
    return something
myfunc.args= ((int, range(1,10), (float, range(1,10)), (bool,))
myfunc.returns= (int,range(-10,10))

patterns= collections.defaultdict( list )
for f in __all__:
    patterns[f.args,f.returns]= f

Is that what you want?
All you have to do then is make sure that __all__ lists all the relevant functions.  Not hard to do, and often expected of a module which includes thousands of functions.


Want take a look popular foto naked celebrities? then you in the right place, we constantly publish photo actresses and their Is a cute, as well as the braless. We you find photo fusion on the internet. We constantly improve update our content.


This, along with the increased ketones, are two of the main reasons this diet has so many health benefits 9111213 Some researchers argue the results are simply due to a higher protein intake, and others think there is a distinct "metabolic advantage" to ketogenic diets is keto diet good for weight loss With meals planned, research done, and supplements on hand, I was ready and excited for the challenge.
I'm still struggling to find a morning beverage that I enjoy and that keeps me full, so I try flavorless collagen protein powder with my coffee plus a splash of macadamia nut milk.
Take Home Message In order to get the most out of a ketogenic diet, you must eat high-fat foods and limit your carb intake to fewer than 30—50 grams per day. When it comes to weight management, reduce your carbohydrate intake by reducing energy-dense, nutrient-poor foods. It primarily works by lowering insulin levels, producing ketones and how to burn fat with herbs fat burning.
Metabolic syndrome affects over 50 million people in the What is the best diet for weight loss, and can lead to a variety of health problems weight loss slowing down slimming world34. Peak exhaustion set in back on days 3 and 4, but I rounded the corner and started to feel more like myself the last couple days.
What is a ketogenic diet? Ketogenic diets are extremely effective for lowering insulin levels, especially for people with type 2 diabetes or prediabetes 3637 Nonetheless, feelings of lethargy were to be expected, says Dr. Ketogenic diets can improve many aspects of the metabolic syndrome, a major risk factor for obesity, type 2 diabetes and heart disease.
My digestion is off even though I take probiotics every morningso Dr. I have a love-hate relationship with this intermittent fasting thing. Buy meatcheese, whole eggs, nuts, oils, avocados, oily fish and cream, as these are now staples in your diet.
It is definitely a good idea to cut down on discretionary foods. One gram of fat equals 9 calories, opposed to 4 calories per gram for both protein and carbs.
Based on current research, studies at my lab and continuous testing with clients, anything over 0. Carbohydrate is used in the body as the major source of fuel, like petrol is used to fuel a car.
A ketogenic diet can also have amazing effects on triglyceride levels. If you are risk of colon cancer, give ketogenic diets for weight loss a miss. Over 3 months, the low-carb diet caused 3 times more weight loss The Potential Benefits and Risks of the Keto Diet Before you dive in, it's key to know the possible benefits and risks of keto.
But just knowing there are cookies how to lose fat around the lower stomach I can't eat makes me feel a little cheated. What vitamins and nutrients am I missing out on by leaving these foods off my plate?
You can see typical weight loss results on this graph My first thought is that the vanilla flavor is a nice complement to black coffee. Low-carb keto drinks such as tea, water, and coffee were all options, and Dr. Yet this requires a lot of discipline, and must be followed with healthy eating. I'm starting to get sick of the same foods that I know are safe bets. Axe admits that following a keto diet will be difficult for most people, since many Americans have diets high in sugar, salt, and carbs.
Luckily, I had the Keto Blueprint which mapped out how this was all going to go downDr.
The Mechanisms Behind The Effects on Metabolic Disease There are several key factors that explain the drastic effects of the ketogenic diet on markers of metabolic disease. I can tackle coconut oil and avocado just fine. This diet promotes the loss of body fat, especially unhealthy abdominal fat.
Plus, it's not like I couldn't feed my body anything until noon. Some research suggests ketogenic diets may reduce lipogenesis, the process of converting sugar into fat However, there are contrasting theories for these findings. A ketogenic diet is high in fat, moderate in is keto diet good for weight loss and extremely low in carbs 8.
Those with epilepsy should also consult their doctor before using this as part of their treatment plan. Axe built into his program. When I thought back to what Is keto diet good for weight loss ate today, I realized that between my salad and my lamb burger, I ate an entire avocado.
They measured changes in appetite and blood concentrations of appetite hormones and ketones.
Prevention guidelines recommend having greater variety, and higher intakes, of legumes, wholegrains, non-starchy vegetables and fruit. Today is a sad day.
As fate would have it, 3 p. I pass it every single day and never really think anything of it. I relished the idea of proving that eating fat doesn't make you fat—a diet myth that I'd like to see die a faster death. In fact, at least 2. The ketogenic diet can drastically reduce chronic inflammation, which is linked to metabolic syndrome and various diseases 464748 A ketogenic diet may help you burn fat, reduce calorie intake and increase feelings of fullness, compared to other weight-loss diets.


text:
ACONW
Aclarion Inc
Healthcare >
Health Information Services
-1.49M
ACONW does not pay dividends
EV to Sales -29.81
Revenue (TTM) 49.90K
Gross profit (TTM) -14.33K
Gross margin (TTM) -28.71%
Operating margin (TTM) -11703.93%
Profit margin (TTM) -18863.43%
Cash 2.66M
Net receivables 25.50K
Total current assets 2.88M
Intangible assets 1.22M
Total assets 4.10M
Shareholder's equity 2.93M
Operating cash flow (TTM) -4.75M
Capital expenditures (TTM) 188.34K
Free cash flow (TTM) -4.94M
Dividends paid (TTM) 831.05K
Return on Equity -320.96%
Return on Assets -229.52%
Return on Invested Capital -320.96%
Cash Return on Invested Capital -168.52%
Daily high 0.15
Daily low 0.12
All-time high 0.75
ACONW S&P500
Aclarion, Inc., a healthcare technology company, develops software application for magnetic resonance spectroscopy (MRS) in the United States. It offers NOCISCAN-LS Post-Processor suite comprising NOCICALC-LS that receives and processes the acquired disc MRS data to calculate levels of degenerative pain biomarkers; and NOCIGRAM-LS, a clinical decision support software. The company was formerly known as Nocimed, Inc. and changed its name to Aclarion, Inc. in December 2021. Aclarion, Inc. was founded in 2008 and is based in San Mateo, California.
https://www.aclarion.com
ACONW SEC filings
Gregory Basil MD to Join Aclarion as a Key Opinion Leader Surgeon Advisor
Director of Endoscopic Spine Surgery at the University of Miami Broomfield, CO, Jan. 31, 2023 (GLOBE NEWSWIRE) -- via NewMediaWire -- Aclarion, Inc., ("Aclarion" or the "Company") (Nasdaq: ACON, ACONW...
Aclarion Appoints George Frey MD as Seventh Key Opinion Leader Surgeon Advisor
Broomfield, CO, Jan. 17, 2023 (GLOBE NEWSWIRE) -- via NewMediaWire -- Aclarion, Inc. ("Aclarion" or the "Company") (Nasdaq: ACON, ACONW), a healthcare technology company that is leveraging biomarkers ...
Aclarion to Present at the Jan 26th Virtual Investor Summit Microcap Event
Broomfield, Colorado--(Newsfile Corp. - January 17, 2023) - Aclarion, Inc., (NASDAQ: ACON) (NASDAQ: ACONW) ("Aclarion" or the "Company"), a healthcare technology company that is leveraging biomarkers ...
Dr. Christopher Ames to Join Aclarion as a Key Opinion Leader Surgeon Advisor
Broomfield, CO, Dec. 22, 2022 (GLOBE NEWSWIRE) -- via NewMediaWire -- Aclarion, Inc., ("Aclarion" or the "Company") (Nasdaq: ACON, ACONW), a healthcare technology company that is leveraging biomarkers...
Aclarion's Key Opinion Leader Program Adds Fifth Surgeon Advisor with Addition of Eric Potts, MD
Development of this program supports Aclarion's commitment to lead with strong clinical evidence and engage the payer community through key opinion leader advocacy. Broomfield, CO, Dec. 21, 2022 (GLOB...
Aclarion Adds to Growing Key Opinion Leader Program with Juan Uribe M.D. as a Surgeon Advisor
Dr. Uribe is the fourth national KOL to join the Aclarion team this year. Development of this program supports Aclarion's commitment to lead with strong clinical evidence and engage the payer communit...
Aclarion Adds to Strong Patent Portfolio with Notice of Allowance for New U.S. Patent Application Addressing Key Pain Indicator Biomarker
Strengthens portfolio by addressing the anaerobic bacteria that can seed into the intervertebral disc, proliferate, and accelerate painful disc degeneration. Successful commercialization of IP holds t...
Aclarion, Inc. Releases Updated Investor Presentation In Connection with Appearance at LD Micro Main Event XV
/ Aclarion, Inc. (NASDAQ:ACON)(NASDAQ:ACONW) ("Aclarion" or the "Company"), a healthcare technology company that is leveraging biomarkers and proprietary augmented intelligence algorithms to help phys...
Dr. Sigurd Berven to join Aclarion as a Key Opinion Leader Surgeon Advisor
Aclarion, Inc., ("Aclarion" or the "Company") (Nasdaq: ACON, ACONW), a healthcare technology company that is leveraging biomarkers and proprietary augmented intelligence algorithms to help physicians ...
Aclarion To Present at The LD Micro Main Event XV
Presentation on Tuesday, October 25th at 9:00 AM PT Broomfield, Colorado--(Newsfile Corp. - October 12, 2022) - Aclarion, Inc., (NASDAQ: ACON) (NASDAQ: ACONW) ("Aclarion" or the "Company"), a healthca...


text:
Enyu Valchev Dimov (; 4 January 1936 – 15 February 2014) was a lightweight freestyle wrestler from Bulgaria. He competed at the 1960, 1964 and 1968 Olympics and won a bronze, gold and silver medal, respectively. At the World championships, he won gold in 1962, silvers in 1959 and 1969 and bronze in 1967, while finishing fourth in 1965, fifth in 1966 and sixth in 1963. At the European Championships Valchev won gold medals in 1968 and 1969 and a bronze in 1967. In 1962 Valchev was selected as Bulgarian Sportsperson of the Year.

After finishing his wrestling career, Valchev worked as a coach, and was the head coach of the Bulgarian junior team until his retirement in 1990. In 2005 he was elected to the FILA International Wrestling Hall of Fame.

References

1936 births
2014 deaths
Olympic wrestlers of Bulgaria
Wrestlers at the 1960 Summer Olympics
Wrestlers at the 1964 Summer Olympics
Wrestlers at the 1968 Summer Olympics
Bulgarian male sport wrestlers
Olympic gold medalists for Bulgaria
Olympic silver medalists for Bulgaria
Olympic bronze medalists for Bulgaria
Olympic medalists in wrestling
People from Radnevo
World Wrestling Championships medalists
Medalists at the 1968 Summer Olympics
Medalists at the 1964 Summer Olympics
Medalists at the 1960 Summer Olympics
20th-century Bulgarian people
21st-century Bulgarian people

redpajama_set_name: RedPajamaWikipedia


SADLY NO...but youll be hearing me CHEER YOU ON.
This race has been on my wish list for two years now...I am running Reach the Beach two weeks before it and am considering Baystate, which is three weeks after Zooma! Too many races to choose from!!!!!!!!
Hmm I've been debating a half in September as I'm working on my NYC training. Maybe I'll take a little better look at this race!


North Mankato is a municipality in Nicollet County in the U.S. state of Minnesota. In 2000, the population of the city was 11,798 and an area of 12.4 square kilometers. While most of the city is in Nicollet County, it extends into Blue Earth County as well. It is neighbored to the south across the Minnesota River by Mankato, Minnesota. North Mankato was incorporated as a village in 1898.
In the city the population was spread out with 26.3 percent under the age of 18, 10.9 percent from 18 to 24, 30.6 percent from 25 to 44, 22.5 percent from 45 to 64, and 9.6 percent who were 65 years of age or older. The median age was 33 years. For every 100 females there were 96.1 males. For every 100 females age 18 and over, there were 93.1 males.


To create a symlink at /usr/bin/bar which references the original file /opt/foo, use: ln -s /opt/foo /usr/bin/bar You would need to apply the above command as root (i.e. with sudo ).... If you have C:\mytext.txt and a symbolic link c:\users\user\readthis.txt. Clicking it would open the mytext.txt and any changes would be to mytext.txt regardless of which file was opened. However, deleting the readthis.txt will not delete the mytext.txt file.
symlink - make a symbolic link to a file Synopsis. #include int symlink (const char *path1, const char *path2); Description. The symlink() function shall create a symbolic link called path2 that contains the string pointed to by path1 ( path2 is the name of the symbolic link created, path1 is the string contained in the symbolic link). The string pointed to by path1 shall be treated... Default is a file symbolic link. /H Creates a hard link instead of a symbolic link. /J Creates a Directory Junction. Link specifies the new symbolic link name. Target specifies the path (relative or absolute) that the new link refers to.
I created symbolic links named c:\portable and c:\documents without moving a single file or folder. Another interesting thing is that if I move my symbolic links to some other location, for example, to the E: drive, they continue to work and will point to my folders on the D: drive.... I created symbolic links named c:\portable and c:\documents without moving a single file or folder. Another interesting thing is that if I move my symbolic links to some other location, for example, to the E: drive, they continue to work and will point to my folders on the D: drive.
Unlike hard links, symbolic links can be made to directories or across file systems with no restrictions. You can also make a symbolic link to a name which is not the name of any file. (Opening this link will fail until a file by that name is created.) Likewise, if the symbolic link points to an existing file which is later deleted, the symbolic link continues to point to the same file name... I created symbolic links named c:\portable and c:\documents without moving a single file or folder. Another interesting thing is that if I move my symbolic links to some other location, for example, to the E: drive, they continue to work and will point to my folders on the D: drive.
Default is a file symbolic link. /H Creates a hard link instead of a symbolic link. /J Creates a Directory Junction. Link specifies the new symbolic link name. Target specifies the path (relative or absolute) that the new link refers to.
cmd /c mklink c:\path\to\symlink c:\target\file You must pass /d to mklink if the target is a directory. For hard links, I suggest something like Sysinternals Junction .


text:
MSU Opera Theatre's 'La Clemenza di Tito' runs March 18–22
Preview	March 06, 2020 Encore Staff
EAST LANSING—The MSU Opera Theatre presents Wolfgang Amadeus Mozart's La Clemenza di Tito (The Clemency of Titus) in four performances at Fairchild Theatre in the MSU Auditorium. Performances on the MSU campus will be Wednesday, March 18th, Friday, March 20th and Saturday, March 21st at 7:00 p.m. and at 3:00 p.m. on Sunday, March 22nd.
The opera, written in the final year of Mozart's life, dramatizes the story of Roman emperor Titus, who ruled from 79 to 81 CE. The story of Emperor Titus is one of deceit, confusion and forgiveness. A young ruler, Titus finds himself up against jealous nobility, treacherous friends and a plot to have him assassinated. He wrestles with whether he will grant clemency to the friends that betrayed him, or have each one executed for their crimes.
This opera production is directed by Melanie Helton and conducted by Daniel Beckwith. Helton, soprano and Professor of Voice at MSU, has directed the award-winning MSU Opera Theatre for 19 years. This is Beckwith's 5th appearance with MSU Opera Theatre, having conducted at the Metropolitan Opera, Glyndebourne Festival Opera, San Francisco Opera and many more worldwide. The production is sung in Italian with English surtitles, and will be accompanied by the MSU Symphony Orchestra.
"La Clemenza di Tito is the story of a ruler torn between the consequences of betrayal and the benefits of mercy," Helton says. "The production is updated to current-day Rome, and is particularly relevant in making the case for a leader whose decisions are led from kindness and understanding, and who puts the welfare of his people first and foremost."
Reserved seating: $22 for adults, $20 for seniors, $7 for students and those under 18 with valid ID, and are available from the College of Music box office—in person at the Music Building, Room 102, 333 W. Circle Drive or over the phone at (517) 353-5340—online at music.msu.edu, or at the door one hour before the show.
Photo: MSU Opera Theatre cast members on the Fairchild Theatre stage for Fall 2013 opera of Mozart's The Magic Flute. Photo by Harley Seeley
Read more about La Clemenza di Tito 03/18–03/22
Read more about MSU College of Music


Remove the .NET registry entry which you added in the first step so Windows does not continue to think it has .NET 4 installed.
You should find everything works fine running on the .Net 3.5 framework. Though this is fairly untested and unsupported by Citrix, so your mileage may vary.


MANATEE COUNTY, FL (Dec. 19, 2013) – Manatee County Commissioners on Tuesday took action to extend through the end of January, 2014, the deadline for a public commenting period for proposed changes to the County's Land Development Code.
Manatee County, Florida -- Manatee County Government offices will be closed Monday, Nov. 11 in honor of Veterans Day.
Bradenton, Florida -- All 401 national parks, including De Soto National Memorial are closed because of the federal government shutdown.
The Visitor Center, trails and parking areas will remain closed until the government reopens. All park programs, including kayak programs, and special events have been canceled.
Manatee County, Florida -- More than 50 Manatee County building permit and inspection fees will be reduced by 10 percent. The fee reduction comes on top of a six percent cut in fees that began last year.
Manatee County, Florida -- Manatee County is accepting application for two vacancies on the Planning Commission, a citizens advisory committee that makes recommendations to the Board of County Commissioners on land use items.
Manatee County, Florida -- The Public Hearing on the Budget to be held tomorrow, Thursday, August 29, 2013, was arranged by Superintendent Rick Mills and the School Board of Manatee County to provide an additional avenue for public input into the budget process over and above what is required by the state of Florida.
Tomorrow's Public Hearing will be held in the Board Chambers at the School Support Center located at 215 Manatee Ave. W., in Bradenton. The Hearing begins at 1 p.m.
Bradenton, Florida -- Independent credit ratings rank Manatee County's financial standing among the top five percent of local governments out of nearly 500 cities and counties around Florida.


text:
Orange County Doctor Pleads Not Guilty to Illegally Prescribing Opioids to Three Patients
Dr. Dzung Ahn Pham of Tustin, 57, was charged in an indictment last week of illegally prescribing oxycodone to one patient on Aug. 4 and Aug. 27 and another patient on Oct. 5.
By City News Service
Published Jan 22, 2019 at 4:43 PM | Updated at 4:49 PM PST on Jan 22, 2019
Mona Edwards
Dr. Dzung Ahn Pham of Tustin, 57, appears in an Orange County courtroom on Tuesday, Jan. 22, 2019 to face charges of illegally prescribing opiods to three patients.
An Orange County doctor is accused of providing drugs to a man charged with striking and killing an off-duty Costa Mesa fire captain.
Dr. Dzung Ahn Pham of Tustin, 57, was charged in an indictment of illegally prescribing oxycodone to patients.
Pham was arrested in December he was accused of prescribing drugs to patients he never examined, including five who died of overdoses.
An Orange County doctor accused of providing drugs to a man charged with running over and killing an off-duty Costa Mesa fire captain riding his bicycle in Mission Viejo pleaded not guilty Tuesday to illegally prescribing opioids to three patients.
He was also charged in the indictment with illegally prescribing hydrocodone to one of those patients on Oct. 5 and another patient Nov. 6.
Pham was also charged with illegally prescribing amphetamine salts to a patient in October.
Doctor Arrested for Illegally Selling Narcotics
An Orange County doctor was accused of writing narcotic prescriptions for money. Hetty Chang reports for NBC4 News at 11 p.m. on Dec. 18, 2018.
(Published Wednesday, Dec. 19, 2018)
When Pham was arrested in December he was accused of prescribing drugs to patients he never examined, including five who died of overdoses, prosecutors said. Pham hired a new attorney at Tuesday's hearing, replacing Julie Swain with Tom Gruenbeck.
Pham was ordered to return to court for a pretrial conference hearing on March 1. Trial is scheduled for March 12.
Pham was previously ordered by a federal judge to stop treating patients to whom he has prescribed opiods in the past and refer them to another doctor.
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Pham is also barred from prescribing opioids, but he was allowed to continue practicing medicine and can prescribe other medications such as antibiotics.
One of Pham's patients was Stephen Taylor Scarpa, 25, of Mission Viejo, who is charged with second-degree murder in the death of 44-year-old Costa Mesa Fire Capt. Mike Kreza.
According to a court filing, Scarpa allegedly told Orange County sheriff's investigators he fell asleep before the collision.
Prosecutors Say OC Doc Was Drug Dealer Armed With Prescription Pad
An Orange County doctor has been charged with illegally distributing opioids and may be responsible for 5 fatal drug overdoses. Vikki Vargas reports for the NBC4 News at 4 on Tuesday, Dec. 18, 2018.
(Published Tuesday, Dec. 18, 2018)
During questioning, he "admitted to using multiple controlled substances for the past three days and admitted he shouldn't have been driving a motor vehicle," according to the report authored by sheriff's Sgt. B. Sims.
Scarpa allegedly added during questioning that he "knew better about driving under the influence of drugs and had even done so in the past with his 3-year-old daughter," according to the sheriff's sergeant.
Sheriff's investigators allege they found several prescription medications in the van.
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Pham's name was on the prescription bottles, according to a Drug Enforcement Administration affidavit in Pham's case.
Federal authorities also contend that Pham sent a text message expressing concern that Borderline Bar and Grill mass killer David Ian Long had prescription drugs in his possession that Pham had prescribed for someone else. Twelve people were killed in the Nov. 7 massacre inside a Thousand Oaks bar before Long fatally shot himself.
In addition to allegedly writing prescriptions for patients he never examined, prosecutors said Pham sold prescriptions to drug addicts or to dealers selling the narcotics on the black market.
Prosecutors allege Pham wrote "an extremely high amount" of prescriptions over three years, so much so that a CVS pharmacy in Irvine stopped taking prescriptions from Pham more than five years ago.
Over the summer, DEA agents conducted two undercover operations targeting Pham in which he allegedly steered the agents to a pharmacy in Irvine that filled many of his prescriptions, said Thom Mrozek, a spokesman for the U.S. Attorney's Office.
Five people who obtained drugs from Pham from 2014 through last year overdosed and died, prosecutors said.
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Pham charged between $100 and $150 per office visit, Mrozek said. The doctor deposited over $5 million, mostly in cash, into his and his wife's bank accounts between 2013 and September of this year, according to the DEA affidavit.
He also deposited about $1.7 million into a business bank account that investigators suspect came from insurance payments, Mrozek said.
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