MASVINGO-Following his appointment as Masvingo United (Una Una) head coach, Shadreck Maguraushe (50) has begun laying groundwork to assemble a formidable side capable of challenging for honors in the ZIFA Eastern Region Division 1 League this year.
The soft spoken military man stationed at 3 Infantry Brigade in Mutare was given the mammoth task of leading the new outfit with three weeks remaining before the season commences.
The Mirror caught up with Maguraushe on Tuesday at Una Una's favourite hunting ground, Mucheke Stadium where he said his vision is to lead the team into the Premier League.
"I was given the reigns two weeks back and my mission is to create the best team from Masvingo, It is a hard task but I am equal to the task as well as open to advice and criticism, I hope the players, fans and management will support my vision and game plan," he said.
Maguraushe is a holder of a CAF Grade B coaching license obtained certificate obtained in Bulawayo in 2017 and an intermediate goalkeepers' training certificate. He has managed to win accolades at every club he has coached over the last 10 years.
He coached Manicaland Youth Games U17 soccer team in 2009 and clinched gold in Marondera and in 2010 he repeated the same feat with the same team in Harare. In 2011 he joined Buffalo FC and led the team into the Premier League in 2012. In 2013, he created Dongo Sawmills FC and led the team into Division 1and eventually the Premier League before it disbanded in 2015.
Maguraushe began his footballing career in 1992 as a central defender for Tanganda FC till 1995 when he joined Buffaloes FC and retired in 2003. He retired in 2003 and in 2004 obtained a Level 1 coaching certificate and had a stint at Vhengere High School and GMB Pirates Rusape before tracing back his roots to Buffaloes FC as assistant coach to Luke Vahombe Masomere when the team was promoted into the Premier League.
In 2013 he teamed up with his brother in law Francis Dongo to form Dongo Sawmills FC in Division 2. The team was promoted into Division 1 and Premier League the following year where he was assisted by Justin Bingadadi and former Caps Utd defender who is currently coaching Buffaloes FC, Dananai Chinovava. Unfortunately the team was disbanded in 2015 due to financial crisis.


Week-by-week results of all Hawaii high school games with links to "Game Night" posts when available.
Saint Louis running back Dayton Sam found the end zone against Mililani in the Crusaders' 38-17 victory in the Open Division state championship game on Nov. 24 in Week 17. Jamm Aquino / Honolulu Star-Advertiser.
Lahainaluna's Elijah Oliveira-Kalalau pursued Roosevelt quarterback Sky Ogata during Week 16's OIA D-II state semifinal game. The Lunas defeated the Rough Riders 48-10 at Sue Cooley Stadium to move on to the final against Kapaa on Nov. 24 at Aloha Stadium. / Rodney S. Yap / Special to the Honolulu Star-Advertiser.
'Iolani's Tom Topinka sacked Waipahu quarterback Cody Marques in a Week 15 game. The Marauders topped the Raiders 20-19 in the home playoff game to move on to the state Division I final on Nov. 24. Jamm Aquino / Honolulu Star-Advertiser.
Mililani's Kilifi Malepeai tried to work his way through the Kahuku defense during Friday's OIA Open Division championship game. The Trojans won 27-7 at Aloha Stadium. George F. Lee / Honolulu Star-Advertiser.
Kahuku, which lost earlier in the season at Campbell, got payback in Week 13, beating the Sabers 27-7 in the OIA Open Division semifinals. In photo, Campbell's Titus Mokiao-Atimalala had a potential TD catch knocked away by Kahuku's Zealand Matagi. Steven Erler / Special to the Honolulu Star-Advertiser.
Waipahu's Matthew Fiesta made a catch and fought for extra yardage in the Marauders' 29-6 upset victory over No. 9 Leilehua in Week 12's OIA Division I semifinals. Darryl Oumi / Special to the Honolulu Star-Advertiser.
Campbell's Jalen Henderson caught a pass over Kapolei linebacker Peni Naulu during the Sabers' 28-0 victory over the Hurricanes in Week 11. Jamm Aquino / Honolulu Star-Advertiser.
Roosevelt quarterback Sky Ogata ran for yardage in Week 10's 49-14 victory over Pearl City. Steven Erler / Special to the Honolulu Star-Advertiser.
Mililani's Cy Kuboyama-Hayashi was brought down by Kahuku's Alex Fonoimoana-Vaomu during the fourth-ranked Trojans' 38-10 victory over the second-ranked Red Raiders on Sept. 29. Jamm Aquino / Honolulu Star-Advertiser.
No. 5 Punahou's Hugh Brady led the Buffanblu to a 43-14 victory over No. 3 Campbell in Week 8 on Sept. 22 in Ewa Beach. Steven Erler / Special to the Honolulu Star-Advertiser.
Saint Louis' Robbie Paikai ran for positive yards, with Punahou's Marist Liufau defending. No. 1 Saint Louis defeated No. 3 Punahou 35-28 at Aloha Stadium on Sept. 15 in Week 7. Jamm Aquino / Honolulu Star-Advertiser.
Damien receiver Lindon Sevilleja dodged the Waipahu defense after catching a pass in a last-second win over Waipahu. Cindy Ellen Russell / Honolulu Star-Advertiser.
Nanakuli's A'alona Aleka leaned forward to break the goal line for a touchdown against Leilehua. Photo by Darryl Oumi/Special to the Star-Advertiser.
Saint Louis running back Alema Scanlan (21) lunged into the end zone for a touchdown during the third quarter on Friday night. Photo by Jamm Aquino/Star-Advertiser.
Waianae defensive back Xaiston Kamehaloha (2), left, and defensive back Samson Cook (18) battled for a bobbled pass with Saint Louis wide receivers Roman Wilson (14) and Koali Nishigaya (23) on Friday. Photo by Jamm Aquino/Star-Advertiser.
Kahuku's Mason Paulo made a one-handed catch against Konawaena's Kaha'i Navas-loa. Photo by Jay Metzger/Special to the Star-Advertiser.


text:
With over 40 releases, you may know him as Uhuru Beats, Croydon Punks Ltd, Masonic Noodles, or the Chicago Transit Authority. Grant's first release as Tribalation – EP1 on Loaded records got licensed to Strictly Rhythm; the rest is dance music history.
The son of a jazz musician, Grant's teen years rebelled to the raw aesthetic of punk, but his tastes quickly warmed to the rolling basslines of dancehall and dub reggae. South London soundclashes cemented his love of gritty low-slung frequencies. And then acid house.
Down Clink Street, deep underground to Heart and Soul and onto to countless warehouse parties, Grant took his innate appreciation of dancefloor dynamics behind the decks. Grant's shared love of the best of Chicago house and Detroit techno started morphing into a sound in the early days that could only be detected in the mix. He's now widely regarded as a Tech-House pioneer, but his influences span a far broader spectrum – Early disco to post punk – Barrington Levy to Basic Channel with a splash of soul and that inimitable swing.
In 1996, after securing a one-year residency at the Underground Cafe in Sydney, Australia, and a one-year residency at the Red Zone in Auckland New Zealand, Grant embarked on the first ever tech-house world tour alongside fellow pioneers Terry Francis, Mr. C and Colin Dale. In 2001 Tribalation were voted DJ Magazine's Best Newcomers. A succession of solo releases followed on key US labels; Tango, Plastic City, Detour, Nightshift, Big Chief, Stupendous, Headtunes, Worship, Leaf and Utensil Recordings and Visitor.
Grant was soon spending most of his time stateside collaborating with the likes of Tony Hewitt, Jay Tripwire, Tyler Stadius and Adam Collins. With his tracks finding their way onto mix compilations by Fabric, Renaissance, Tyrant , Nu Breed Global Underground ,Turbo Recordings, La Terrazza and DC-10 in Ibiza, Grant was soon spinning his wares everywhere from Canada to Costa Rica and Brazil to Buenos Aires. In the UK, his remixes for Hooj Choons and releases on Bosh, Tag, Evasive and Rescue Recordings have extended and enhanced his reputation. He's rocked the glitterati at Pacha in Argentina and the Rex in Paris, but he's in his element at underground house temples like Wiggle and Kerfuffle.

redpajama_set_name: RedPajamaCommonCrawl


Constrcutor: Constructor methods for classes can be declared. Classes having a constructor method can call this method on each new object.
Parent constructors are not called implicitly if the child class defines a constructor. In order to run a parent constructor, a call to parent::__construct() within the child constructor is required.
Destructor: The destructor methods are called as soon as all references to a particular object are removed or when the object is explicitly destroyed.


Nobel Prize candidate Dr. Sidney Marlowe, was considered an expert in the field of magnetic fields in the ozone layer. He was a friend and colleague of Dr. Carl Steubens, who was conducting research in the same field for the Sendrex Corporation at the KIVA Laboratories complex. Like his friend Dr. Steubens, he had a love of the game of Chess and played long distance games against Steubens via Telex.
When Dr. Steubens feared that his research was going to be used to create a doomsday weapon, he invited his friend to visit the KIVA Laboratories, where Steubens had planted explosives with the view to killing both of them and setting the research back some 20 odd years.
Fortunately the explosion didn't kill either of them, although it did destroy much of the KIVA building trapping both men deep in the underground complex before MacGyver was able to rescue them both.


text:
Kathie Lee Gifford Brings Aimee Semple McPherson To Broadway
Beliefnet blogger John W. Kennedy interviews Kathie Lee Gifford about the 1920's evangelist Aimee Semple McPherson.
Kathie Lee's Scandalous quest. The iconic performer and talk show host spent a good part of the last dozen years inching toward bringing Scandalous: The Life and Trials of Aimee Semple McPherson to the Great White Way. She wrote both the lyrics and the book for the highly-anticipated musical. David Pomeranz and David Friedman wrote the music. Finally, the result of their work is in previews at the Neil Simon Theatre, set for an official opening of on Thursday, November 15th.
I recently checked out one of the preview performances and can report to you that it's a rousing, thought-provoking and, ultimately, inspirational portrait of one of the most influential and enigmatic religious leaders of the 2oth century. It's a role brought spectacularly to life by Carolee Carmello, the Broadway actress known for her roles in such productions as Sister Act, The Addams Family and Mamma Mia!
Afterward, I sat down for a wide-ranging chat with Kathie Lee, the highlights of which you can read below the video about Aimee Semple McPherson's legacy — built before a scandal involving an allegedly faked kidnapping and a torrid love affair threatened to destroy everything she worked to create.
JWK: What drew you to Aimee's story?
KATHIE LEE GIFFORD: Well, anybody that's heard Aimee's story is drawn to her because it's such an extraordinary story. When I first heard about her 40 years ago when I was at college, I couldn't believe the life she had led…I just remember thinking that's impossible. What kind of a woman in the 1920′s could have done that when women didn't even have the vote…And then I moved to Los Angeles to pursue my own career in the 1970′s and because Los Angeles is where her temple had been and so much of her life had taken place, I started hearing all kinds of stories about her and I didn't know what was true or wasn't true. I just knew that this was quite an extraordinary woman to be talked about in such legendary terms so many years after she had passed away. It just got my attention and the more I studied about her the more fascinated I became. I went to Jack Hayford's church at Church On the Way in Los Angeles and he had gone to her Bible college. Then later I was dating Frank (Gifford) when I moved to New York and I was talking about her and he goes "Oh, yeah, I went to her temple when I was a kid." He had been in a Pentecostal family and as a 12-year-old kid had gone to Aimee's temple on Sunday's when his dad was working at the shipyards during World War II. And then I found the connection with Aimee's daughter — that her husband had been the creator of Name That Tune (the game show) that I got my big break on.
KLG: I don't believe in coincidence. I just think that all things work together for good — Romans 8:28 — and I just felt like I was meant to write this.
JWK: So, you really felt called to do this?
KLG: I wouldn't have spent 12 years of my life doing it (if I didn't). It wasn't a non-stop 12 years but the journey — from the first song to being here talking to you right now — was 12 years and nobody does that unless they feel called to it.
JWK: So, you had the idea about 12 years ago?
KLG: Well, I had the idea that she would make a wonderful musical. I never dreamed that I would be the one that would end up writing the book for it. I was just writing the lyrics for the songs and then it was only when I couldn't find anybody else to write the book (that) I decided to write it by default.
JWK: How did you find the time between hosting TV shows and all the other things you have going on?
KLG: I'm post-menopausal. I have nothing but time. Post-menopausal do not sleep. You obviously don't know one. We get about three hours of sleep a night and the rest of the time we have to do something productive with our time.
JWK: Is it difficult to be an open Christian while working in the mainstream media?
KLG: No. Why would it be difficult when He's done so much for me…The Scripture is quite clear about what happens when we can't stand up and be bold for Him. I'm grateful He gives me the strength to be. I count it as glory, I count it as grace.
JWK: It seems like you're getting better press now but you've been through some pretty difficult times where it seemed like you were judged by the media. Does that help you relate to Aimee more?
KLG: I think so, yeah. Having been accused of something myself, publicly, that was not true and feeling this frustration in not being able to get the truth out there.
JWK: You're talking about the sweatshop allegations.
KLG: Yes, the sweatshop allegations were completely untrue, found to be untrue but for several years there nobody wanted to know the truth because the truth didn't sell newspapers, the truth wasn't selling the nightly newscast. There's something called "an inconvenient truth" and I don't mean Al Gore. It just made a better story that I was guilty than I was raising money for an AIDS home and house for crack babies in New York City. $14 million dollar went to that and nobody ever went to look at it, nobody ever went to verify it. They just assumed I was pocketing it and it was ridiculous.
JWK: Do you think that experience somehow prepared you to be able to tell this story in a way — because you could feel it more?
KLG: I think so. I think sometimes the very reason we go through something is so that we can be empathetic with another person later on. I think when you've gone through a betrayal in life then when somebody's been betrayed you can talk to the person about it. If your husband's been unfaithful to you, you know what that's like, you know how that feels. You can share true empathy with someone. It's when people say "I know how you feel" that had never been through something that rings hollow to people. I can say to someone "I know how you feel" because I do. I've been through it and God can use that in our lives. He can bring beauty from the ashes.
JWK: You run two charities named for your children. Can you tell me about them?
KLG: They're basically the same organization called the Association to Benefit Children here in New York City. Back in the early nineties, when AIDS was an epidemic and crack addiction was an epidemic, we renovated one little townhouse that they ended up calling Cody House and that's where all the AIDS babies died because there was no hope for them at the time. Then, later, after we sued the State of New York to unblind HIV testing so that pregnant women could discover their HIV status and get the prenatal care that they needed…If a woman found out that she was HIV positive and she was pregnant, and she got a certain cocktail of drugs, we knew from working with the Association to Benefit Children that the chance of her having a child with the AIDS virus would go from 40% to less than 8%. So, we were part of a lawsuit that sued the State of New York to unblind HIV testing.
I sat with Governor Pataki at the time and told him about this and, here I was, basically, part of a lawsuit against his state, and I had dinner with him one night and he said "You know what? I didn't know that. We're on the wrong side of this issue and I'm gonna do something about it." I left dinner that night thinking "Sure, what politician ever does what they say they're gonna do?" Within one month he mandated the unblinding of HIV testing. That was the first year that the AIDS death rate went down in New York State. Because the AIDS birthrate went down. So, I've always give tremendous credit to Governor Pataki. He did a very unpopular thing politically but it was the right thing to do. It was absolutely the right thing to do. Then after that every other state followed.
JWK: He actually didn't realize it until you told him?
KLG: He didn't know. You see there's two kinds of ignorance in the world. There's ignorance which is that kind — you just truly didn't know the facts. That's so understandable. We're all guilty of that kind of ignorance. I said "Hello" to somebody the other day and said "How's your husband?" and She said "He's gone." I didn't know that he had died. You're forgiven for such a thing, you know? It's just how would you know?
The other kind of ignorance is the kind that chooses to remain that way in spite of the facts that are presented to you. And that's what I was up against in the world and in the media at the time that I was accused of those things. No matter what facts were presented, they didn't want to change their story. I was "an inconvenient truth" in that sense.
JWK: I read on Wikipedia that you working on a musical version of It's a Wonderful Life.
KLG: Yes…I just did the lyrics for it with a wonderful, wonderful, composer named John McDaniel. We're trying to get the rights to produce it now. We thought we had them (but) that's in a legal hassle right now. But I'm hoping so. It's one of my favorite scores that I've ever been involved in. I'm real excited about it.
JWK: Have you always been writing music or is this something you came upon later.
KLG: I always wrote. I always wrote lyrics. I was the one that if somebody was having a birthday somebody would say to me "Kathie, you write a song for them" but it was always a stupid song, a goofy song. But I never really thought I could write a serious song until my friend David Friedman, who's one of our composers, years ago when I was doing a nightclub act here in New York and I knew I needed a number that would address all the tabloid years and I called him and I said "Would you write a song for me about it?" And he said "I've never lived it. Why don't you write some thoughts down and then I'll write the song?" Well, I wrote all these lyrics and…I sent them to him and about twenty minutes later he calls me and he says "Congratulations, you've written your first song." I said "I have?" He says "Yeah, you wanna hear it?" And it was a song called "You Sell."…When David Letterman was sick with his heart condition, I was the first woman to host Late Night with David Letterman, I took it out of the mothballs and performed it that night. I've probably written 2,000 songs since then. I don't know how many years ago that was.
JWK: So you're enjoying this new avenue of your career.
KLG: Very much. Much more than I've ever enjoyed being a performer. I like sitting in the dark and watching people far more talented than I'll ever be sing my songs and say my words. It's thrilling. These are the most talented people on the planet here on Broadway. Carolee Carmello (who plays Aimee Semple McPherson) is the finest working actress in the musical theater today. She's like having Barbra Streisand as a singer and Meryl Streep as an actress rolled up in one. And she does eight shows a week.
JWK: She's very good.
KLG: Very good?!
JWK: Excellent!
(Kathie Lee laughs)
JWK: What's next for you after this?
KLG: A little vacation. I'll see my family at Christmas time. We open on November 15th. My kids will be home from California for Thanksgiving — a quiet family Thanksgiving and away for the holidays I hope. And then I'm writing another musical with the same John McDaniel (with whom she's collaborating on It's a Wonderful Life), just a little 90-minute review called A Table at Neary's about a little pub here in New York City. It's Frank (and my) favorite restaurant in New York that means a great deal to us for personal reasons and what goes on in that little pub is a little microcosm of life in New York City. I don't set out ever to write a hit. I don't know how to do that. I just set out to tell a story. And you only hope that an audience is going to find it and enjoy it.
What's exciting is that we're discovering our audience here in New York City of all places is really responding to this very specific about a Pentecostal preacher. But people of all faiths seem to be reacting to it. If atheists like it then I've done my job.
JWK: You're really bringing faith to Broadway.
KLG: Well, it's not the first time faith has been brought to Broadway. I mean Jesus Christ Superstar, Godspell, Sister Act, Leap of Faith. I mean Sound of Music is about faith. It's not that I'm the first one by any means. It's just that I'm the first one to bring this particular story. I don't think Pentecostalism has ever been examined, perhaps. That might be a first.
JWK: It may be a little early for this question but is there any thought to a movie version of Scandalous?
KLG: Well, it certainly would be lovely (but) we just want to get open and stay open for a while. I'm trying to have humble hopes. But, of course, we'd love to have a film made of it. Aimee screams to be theatricalized and, of course, this show cannot go to the world unless it first comes to Broadway.
JWK: What is your own opinion of Aimee? Do you believe that she was innocent of the allegations against her?
KLG: She was never found innocent. All charges were dropped on a technicality. Everybody else's story fell apart in the course of the trial. Hers is the only story that never changed. I think exactly what Aimee says in the show — "All have sinned and fallen short of the glory of God." I don't know where she was those five weeks. It's not even my business where she was. I don't where she was. I'll let the audience decide (what they think). God knows where she was and God knows her heart and I leave all judging up to Him.
JWK: One last question to cap it off. You've worked with Regis Philbin and you've worked with Hoda Kotb. How are they different?
KLG: Plumbing. They just have different plumbing. They're both fantastic human beings with incredible senses of humor and (are) great storytellers and I love them dearly. I pinch myself sometimes that I've been able to be so blessed two times to work with such incredible people — and have two hit shows! You know, at this point in my life to (be on) one of the fastest growing shows in daytime television is kind of miraculous. Miracles still happen!
JWK: Anything you'd like to add?
KLG: I just hope that people will understand that if Aimee were alive today this is exactly what she would be doing. She was a trailblazer. She broke the rules. She never let organized religion define her. She never let organized religion put her in chains. She was free and free indeed! If there's anything I admire about her more than anything else it was the freedom that she had to live her faith. I'm not a fan of religion. Religion ties people up and binds them and puts them back in chains but faith — true relationship — releases us to be all what God ever intended us to be. That's what I'm interested in.
JWK: So you're not into religiosity.
KLG: I run for the hills from it! It's the last thing I want to be a part of. It's the last kind of person I want to be around. I want to be free and free indeed and life and life abundant!
Encourage one another and build each other up – 1 Thessalonians 5:11
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Prepare pudding as directed on package. Keep refrigerated until ready to assemble your dessert.
Slice strawberries and bananas, spritzing with a little lemon juice.
Place half of your Nilla Wafers in bottom of trifle dessert bowl.
Top with half of your pudding mixture. Place a few berries along the edges of your bowl.
Top with half Cool Whip. Place remaining Nilla Wafers on top of Cool Whip.
Top with remaining pudding and repeat strawberries, adding some to the middle and around edges.
Frost with remaining Cool Whip and add a few strawberries on top for decoration.


Safaricom has launched a new health payment application named M-Tiba in partnership with PharmAccess Foundation and CarePay, to make medical payments easier and more transparent.
CarePay specifically deals with facilitating a payment solution between funders, patients and healthcare providers, while PharmAccess networks with government and private entities to provide medical funds.
Both companies aim to improve efficiency in the medical provision in Sub Saharan Africa.
When funds are distributed by various NGOs to low income groups, tracking their use becomes a challenge and this is what M-Tiba aims to solve.


Sew on clothes, shoes, hats suitcase etc.
1. Composed of grey/silver reflective fabric, cotton thread, and mesh cloth.
2. Subjected to sew into various products 'seams, and is widely used on outdoor wear, bags, shoes, cap, umbrella, safety belt, etc.
3. Can help outline and enhance visibility of the wearer in nighttime or low-light conditions.
4. The specification of reflective fabric, cotton thread and mesh cloth can be customized as per customers' requirements.
5. Retro reflectivity of reflective fabric up to more than 420 cd/lx.m² meeting the requirements of major international standards like EN 20471 or ANSI 107.


You came into my life unexpectedly, and everything took a turn for the better.
Your warm eyes, your laugh, the sincere way you speak, and the kindness you showed me, all became a part of my life.
As you unfolded yourself to me, I discovered more and more beauty.
I have never seen so much gentleness in one person.
Without even knowing it, you were slowly making a place for yourself in my heart.
It used to seem so hard at times to feel so close in a relationship.
But it's so easy to feel close to you. I can't tell you how nice that feels. I realize now that I had never known what it meant to be loved until I was loved by you.


text:
Жозе Каэйру да Мата (); 6 января 1877 года, Аррайолуш, Португалия — 3 января 1963 года, Лиссабон, Португалия) — португальский юрист и государственный деятель, министр иностранных дел Португалии (1933—1935 и 1947—1950).

Биография
В 1899 году окончил юридический факультет Коимбрского университета, где в 1905 году получил лиценциат, а годом позже — докторскую степень. Являлся ассистентом, а затем профессором кафедры уголовного права и криминологии Коимбрского университета, с 1919 г. — профессор международного частного права в Лиссабонского университета. С 1908 по 1910 гг. — депутат португальского парламента от Прогрессивной партии. После провозглашения республики на некоторое время ушел из политической жизни и вновь занялся наукой.

В 1920-х годах представлял свою страну на нескольких международных конференциях. В 1922 году вошел с состав правления Банка Португалии. В 1929—1946 годах занимал должность ректора Лиссабонского университета.

В правительстве Нового государства, сформированном после военного переворота 1926 года, занимал пост министра иностранных дел Португалии (1933—1935). Кроме того, в 1931—1945 годах являлся в качестве вспомогательным судьей (juge-suppléant) в Постоянной палате Международного суда в Гааге. В 1935—1939 годы неоднократно возглавлял португальские делегации на заседаниях Лиги Наций. В 1941—1944 годы являлся послом Португалии при Режиме Виши.

Занимал ответственные должности в правительстве Салазара:
 1944—1947 гг. — министр образования,
 1947—1950 гг. — министр иностранных дел. На этом посту в 1949 году подписал Североатлантический договор и таким образом выступил одним из основателей НАТО. В 1947 и 1948 годы возглавлял делегацию на Парижской конференции по Плану Маршалла и при создании Организации экономического сотрудничества и развития. В 1948 году было заключено двустороннее соглашение с США, исключающее получение финансовой помощи, однако обеспечивавшее дальнейшее существование режима Салазара.

С 1945 года до своей смерти возглавлял Академию исторических наук Португалии.

Являлся автором юридических монографий и учебных пособий. Почетный доктор Университета Бордо (1938).

Награды

Примечания

Источники
 Biographical Notes concerning the Judges and Deputy-Judges. M. José Caeiro da Matta, Deputy-Judge. In: Seventh Annual Report of the Permanent Court of International Justice. A.W. Sijthoff's Publishing, Leiden 1931, S. 38/39
 Mosés Bensabat Amzalak: Elogio do Prof. Doutor José Caeiro da Mata. Academia Portuguesa da História, Lissabon 1976

Политики Португалии
Министры иностранных дел Португалии
Министры образования Португалии

redpajama_set_name: RedPajamaWikipedia


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Awards/Nominations for 1971 Best Actor
View for other years: 1971 2010 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 1974 1973 1972 1970 1969 1968 1967 1966 1965 1964 1963 1962 1961 1960 1959 1958 1957 1956 1955 1954 1953 1952 1951 1950 1949 1948 1947 1946 1945 1944 1943 1942 1941 1940 1939 1938 1937 1936 1935 1934 1933 1932 1931 1930 1929 1928
Win: Gene Hackman, The French Connection
Runner-Up: George C. Scott, The Hospital
Runner-Up: Peter Finch, Sunday Bloody Sunday
Runner-Up: Topol, Fiddler on the Roof
Runner-Up: Walter Matthau, Kotch
Win: Gene Hackman, The French Connection (Best Actor - Drama)
Win: Topol, Fiddler on the Roof (Best Actor - Musical or Comedy)
Runner-Up: Jack Nicholson, Carnal Knowledge (Best Actor - Drama)
Runner-Up: Peter Finch, Sunday Bloody Sunday (Best Actor - Drama)
Runner-Up: George C. Scott, The Hospital (Best Actor - Drama)
Runner-Up: Malcolm McDowell, A Clockwork Orange (Best Actor - Drama)
Runner-Up: Dean Jones, $1,000,000 Duck (Best Actor - Musical or Comedy)
Runner-Up: Bud Cort, Harold and Maude (Best Actor - Musical or Comedy)
Runner-Up: Walter Matthau, Kotch (Best Actor - Musical or Comedy)
Runner-Up: Gene Wilder, Willy Wonka & the Chocolate Factory (Best Actor - Musical or Comedy)


text:
Skeel on Christian Legal Theory
In Books & Culture, Penn law prof David Skeel reviews The Teachings of Modern Christianity on Law, Politics and Human Nature (a volume to which MoJ-er Patrick Brennan contributed) and notes the growing interest in exploring the intersection of Christianity and law:
From the early 20th century until the 1940s, evangelical Christians disengaged from American public life. Law schools were hostile territory, generally to be avoided. As a result, the few evangelical legal scholars tended to operate under cover, assiduously separating their faith and their scholarly life. By the 1970s, Presbyterian minister and apologist Francis Schaeffer and other evangelical leaders, building on the efforts of predecessors such as Carl Henry and Harold Ockenga, had begun asking why there weren't more Christian lawyers, doctors, and businessmen. The evangelical re-engagement that followed has spread to academic circles, but more slowly than to business and the professions. Even now, it is an unusual law school that has more than one or two scholars who identify themselves as Christians, and whose faith explicitly informs their scholarship.
The publication of The Teachings of Modern Christianity, and the major Pew Charitable Trust funding that launched the project, signifies the major change underway. With the visible influence of Catholic intellectuals and evangelical leaders on the current White House, there suddenly is a deep interest in perspectives on religion, politics, and law. Legal scholars are not oblivious to these developments, as reflected in the increasing numbers of law review articles with "Christianity" in the title. Much of the new scholarship, too much perhaps, emphasizes philosophy and philosophical theology at the expense of other methodologies. The bias is understandable. For a generation chastened by Mark Noll's brilliant indictment, The Scandal of the Evangelical Mind, it's hard to resist the assumption that philosophy must be the truest and highest scholarly end.
https://mirrorofjustice.blogs.com/mirrorofjustice/2006/08/skeel_on_christ.html
https://www.typepad.com/services/trackback/6a00d834515a9a69e200e5504b5ad68833
Listed below are links to weblogs that reference Skeel on Christian Legal Theory :


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text:
A Sound of Thunder- Blaze Bayley guest vocal announcement!!!!
Todd 'ToddStar' Jolicoeur | 10 September 2012 | Reply
Washington, DC-based heavy metallers A SOUND OF THUNDER have begun work on their third full-length album entitled Time's Arrow. The band has entered Assembly Line Studios with producer Kevin "131" Gutierrez (Shinedown, While Heaven Wept, Raven). With the same band line-up, producer and studio that created 2012's acclaimed Out of the Darkness (Nightmare Records), Time's Arrow features 11 new songs combining rousing and catchy traditional metal with crushing modern production. Time's Arrow will release in early 2013 and is the subject of the band's current Kickstarter campaign.
Blaze Bayley (ex-Iron Maiden, Wolfsbane) makes an appearance on the album, performing a duet with vocalist Nina Osegueda on the track "My Disease". "Blaze is a legendary figure in the history of metal, but more importantly he brings incredible power, passion and sincerity to his performances, and that's exactly what we needed on this song. Musically it has little in common with Maiden, and sounds more like a cross between Black Sabbath and Blaze's first few solo albums…and of course A Sound of Thunder,"said guitarist Josh Schwartz.
Bayley commented: "It has been a real pleasure to work on this song. Filled with passion and intensity, it has an edge. I wish A SOUND OF THUNDER the very best of luck with their project, but with a song this good, I don't think they will need luck."
On August 20, 2012 A Sound of Thunder started a Kickstarter.com fundraiser campaign for the recording of Time's Arrow. The campaign will run for 30 days and offers fans a chance to pre-order the album, have their name printed in the album booklet, reserve an ultra-limited box set edition of the album, and acquire unique and rare items from the band. Video at the band's Kickstarter page contains the first clips from the new album. The Kickstarter campaign can be found here.
The band has also announced a second new release, the Queen of Hell EP, due out in November. Also recorded at Assembly Line Studios with producer Kevin "131" Gutierrez, the Queen of Hell EP contains four new tracks and is only available via the band's Kickstarter campaign.
A preview of the EP can be found here.
11 August 2015 LIVE: BOY GEORGE & CULTURE CLUB – AUGUST 7, 2015 (Windsor, Ontario)
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Still, during a recent rehearsal, Walker radiated contentment. In a warm, sunny studio, she and the rest of Los Angeles Ballet's corps de ballet were learning the finale to George Balanchine's Stravinsky Violin Concerto. Its tempo was quick, the counts long and complex, but Walker remained unruffled. In ballets like this one, dependent on an impeccable corps, she dances for herself and her own commitment to her art, but also for the sake of the whole: for the other dancers who move with her in precise, shifting formations across the stage, to realize the choreographer's vision and dazzle the audience. During breaks, other dancers sought her out for help, counting and gesturing through the phrases they'd just learned, double-checking the movements. Like almost all ballet dancers, she is slight but very strong, with spectacular posture. Her technique is crisp, her presence alert yet serene. She smiles as she dances. "I feel like I've had it almost taken away so many times that I'm just astounded with the fact that I'm still able to keep going," she says.
Walker's path has been uncertain, and unusual for a professional dancer. A native of New York City, she studied at American Ballet Theatre's elite Jacqueline Kennedy Onassis School as a teenager. Her senior year of high school—even after she'd been accepted to Harvard—was spent attending massive cattle-call auditions for professional companies. Just when she was about to give up, she spotted a notice for Los Angeles Ballet, a new company with impressively pedigreed artistic directors. The audition happened on a rainy day, she remembers; her mother encouraged her to go. "She said I'd regret it if I didn't. I was sewing pointe shoes in the car." A week later, she got the call.
Even for the luckiest dancers, careers are relatively fleeting; the fragility of the body, pushed to extremes, is part of ballet's allure and its heartbreak. As the curtain rose for the following year's Nutcracker, Walker found herself tearing up, overwhelmed. "I wasn't sure it was going to happen," she says.
For now, she dances. "I'm going to keep doing it until I can't anymore or until it doesn't make sense to anymore," she says. Back in the studio, Stravinsky Violin Concerto took shape with amazing quickness. Walker, in black tights and diaphanous green skirt, darted and turned and leapt. After an hour, the dancers had mastered Balanchine's clockwork choreography. The company would not revisit the piece for six months, until final rehearsals for the performance, but when the time came, Walker would remember the steps.
Maggie Shipstead '05 is the author of Seating Arrangements and a second novel, Astonish Me, about ballet.


text:
Misheard Song Lyrics -> Stories -> Beatles
Misheard lyrics (also called mondegreens) occur when people misunderstand the lyrics in a song. These are NOT intentional rephrasing of lyrics, which is called parody. For more information about the misheard lyrics available on this site, please read our FAQ.
This page contains a list of the songs that have stories about their misheard lyrics submitted.
Song names are sorted by first letter, excluding A and The. This is sorted by song title only, not by song title and performer. So if two different performers preformed the same song, you'll see misheard lyrics for both on the same page (provided the song title was spelt the same both times, and misheard lyrics have been submitted for both!).
Help! [UK] album at Amazon.com
Beatles', "Across The Universe"
The Misheard Lyrics:
Ooooh, David, Oh.
The Real Lyrics:
Jai guru deeva om.
The Story: I was belting out in song in my room when I thought my roommate was gone. He was listeing to me from the hall as I was singing, 'Ooooh David! As soon as he could stop laughing, he corrected me. - Submitted by: PoKey_Penguin
My guru's name is Love
Jai guru deva om
The Story: Whenever I sing along to this song ( one of my favorites) I sing these words. I have since I first heard it. It's not an obscure mantra. It's plain english. It fits. Try it and you'll agree...Nothing's gonna change my world. - Submitted by: Steve
Beatles', "And I Love Her"
She gives me everything, and tender veal
She gives me everything, and tenderly
The Story: It never crossed my mind that I might be wrong about these lyrics. I sang them, unexamined, for ca. 20 years before it dawned on me that my version was patently absurd. But hey, maybe tender veal is a British thing...who can say? - Submitted by: Byron Brehm-Stecher
Beatles', "Eleanor Rigby"
All the lovely people,
Where do they all come from
All the lonely people,
The Story: I heard one of my older brothers singing 'lovely' instead of 'lonely'. When I told him he got it wrong he replied something like, 'I know, but I want a happy song right now.' - Submitted by: Dolf Lowey-Ball
Beatles', "Get Back"
Jo Jo was a man who thought he was an owner
But he knew it couldn't last
Jo Jo left his home in Tucson, Arizona
Boston, California past.
Jo Jo was a man who thought he was a loner
For some California grass.
The Story: I knew that what I was singing made no sense at all, but I didn't find out the real lyrics until I came across this website and realized I'm not the only one who's had trouble with this song. - Submitted by: Erinn
Jojo was a man who thought he was a woman
But he was another man.
Jojo was a man who thought he was a loner
But he knew it wouldn't last.
The Story: A couple of weeks ago I found out by accident on the Internet that I'd been wrong about this for 33 years. I thought Jojo was a confused transvestite, and that the Beatles were being rather intolerant by telling him to get back to where he once belonged. - Submitted by: Mitch Monger
But he was an ugly man
The Story: When "Get Back" first came out my older brothers used to sing, "Jojo was a man who thought he was a woman/But he was an ugly man" at the top of their lungs along with the Beatles. I was only 7 at the time so I firmly believed that was the actual way the song was written. It wasn't until I searched for the lyrics on the Internet about ten years ago that I found out they were singing the wrong words. - Submitted by: Roxanne
and I loathe that sweater
and a low back sweater
The Story: I was singing along with this song late at night driving in a car trying to keep myself awake. My wife drowsily asked, "What did you just say"? - Submitted by: Joe
Beatles', "I've Just Seen a Face"
Spawning, yes I am spawning
And she keeps calling me back again
Falling, yes I am falling,
The Story: The song was new so I hadn't heard it before. I was riding in a 1958 Chevy with a bunch of friends returning from a weekend at the State Fair in Sacramento. I was in the back seat, the radio's speaker was on the dashboard, and there were two conversations going on. I tried my best to make sense of the new lyrics. - Submitted by: Ken McCrimmon
Beatles', "Let It Be"
Speaking words of wiz-bum.
Speaking words of wisdom.
The Story: My four year old song asks my wife out of the blue one day, 'Mom, what's a wiz-bum?' As you can imagine, her imagination went wild. Did he crack the parental code on the Spice Channel? Did he pick this up at pre-school? So she asks, 'What are you talking about?' He says, 'You know (sings) 'Speaking words of wiz-bum, Let it Be.' Proud that our four year old had such good musical taste for a kid his age, and trying no to laugh out, she explained the correct words to him. The Beatles, and particularly the Let It Be album, remain his favorites. - Submitted by: Paul Cranage
Beatles', "Lucy In The Sky With Diamonds"
You've paid the tax, he's the queer of the shore.
Newspaper taxis appear on the shore.
The Story: I listened to this song and thought that line was incredibly stupid. (So was the rest of the song.) When I told my obsessive Beatles-fan friend what I thought they were, she screamed at me as if I had seen the Rocky Horror Show too many times. - Submitted by: different sort of freak
Brown paper packages leer on the chore
Newspaper taxis appear on the shore
The Story: I was about 8 when I first heard this one. My dad was a fanatic, so I asked him how brown paper packages could leer. He laughed and corrected me. Not bad? Well, we were carting home all of my friends the night after my sleepover party, where I had told my friends that I knew the lyrics to every beatles song. Extreme Embarrassment!!! - Submitted by: Eva
Lucy in the sky would die.
The Story: My mom never quite grew out of her Beatle Phase. So I grew up listening to Beatles & 60's music, then later moving on to 80's. When I was little, I would sing 'Lucy in the Sky would Die' because it's what I thought they said. I never really thought about it until recently when I was getting my boyfriend into the 'Sgt. Pepper's Lonely Hearts Club Band' Album CD. & showing him that there's more to music than Nirvana & other depressing music. (Yeah, I know the Beatles were one of Kurt's biggest influences.) I started laughing, because I finally realized how dumb I must have sounded getting it wrong all of those years! - Submitted by: Casey Barden
Beatles', "Norwegian Wood"
So I let her fly
So I lit a fire
The Story: I didn't know the correct version until very recently--I thought my version made complete sense for more than 30 years! My husband (who told me the real lyrics) could not believe that I had missed the whole point of the song! - Submitted by: Ronne Randall
Beatles', "Obladi Oblada"
Ob-la-di, ob-la-da, lygozor, brah!... ly ly ly ly lygozor!
Ob-la-di, ob-la-da, life goes on, brah!... Life, Life, Life, Life, life goes on.
The Story: My sister was so sure the that song was about a «lygozor» (which she was thinking it was a type or dinausor ) haha - Submitted by: Katleen Rousseau
Beatles', "Paperback Writer"
Isn't that right, girl?
The Story: I got busted once when a friend heard me singing the song to myself. She cracked up. I didn't have a clue why she was laughing so hard.I knew I was a bad singer, but man, how rude would that be for her to laugh out loud at my singing. 'Is that what you think the lyric is?', she eventually asked me. Even after she corrected me, I had a tough time accepting it until I next heard the song. - Submitted by: Merrell Vannier
Take the back right turn
The Story: College roommate sang this at the top of her lungs ten years ago...and thought it was correct..(of course, we were kind and didn't laugh and tell everyone....not!) - Submitted by: Laurie Ann Lawrence
Beatles', "Penny Lane"
Penny Lane is in my ears and in my mind
Wet beneath the blue suburban skies.
Penny Lane is in my ears and in my eyes
There, beneath the blue suburban skies.
The Story: Didn't know I was singing this song wrong since 7th grade Then, I was looking through this list of misheard lyrics. 'Haha' I thought. 'These people are so stupid...wait...really? Is that how it goes?' Crap. - Submitted by: mojofarm
Candy Lane
Andy Lane
and Elaine
The Story: My friend told me that at one time a friend of hers thought the line was Andy Lane. My friend thought it was and Elaine. The second person's sister misheard it off of her and thought it was Candy Lane! And what's funny is that there's actually a street in our area called Candy Lane! - Submitted by: Lindsey
Beatles', "Polythene Pam"
She's the kind of a girl
Who makes a U with the world.
Yeah, she's the kind of a girl
Who makes the 'News of the World'.
The Story: I've always thought it was "makes a U with the world", even though it makes no sense. I just found out today (June 2018) what the real lyrics are and I've been listening to this since it came out. - Submitted by: Beatrice
Well you should see her tractor is in her honey bag
Just you should see honey pie
Well you should see her in drag dressed in her polythene bag
Yes you should see polythene Pam
The Story: Well it sounded like Lennon is saying honey pie, I think this I heard is funny because of John that I didn't hear him say polythene Pam, I like it and it's the funniest lyrics I heard. - Submitted by: matthew
Beatles', "Rain"
('rain' reversed)
The Story: As a child, Andy Partridge of XTC wondered why John Lennon was singing about his mother's depilotary cream, according to the Mojo Lennon special! - Submitted by: Pickle
Beatles', "Something"
A taxi like no other lover
Attracts me like no other lover
The Story: I was just busy doing other things while the song was playing and even though I knew the real lyrics, my brain still decided to make me hear "a taxi." - Submitted by: Bridget Ilene Delaney
Beatles', "The Ballad of John and Yoko"
Hear the groundhogs say,
you can get naked ok,
you can get married in the altar this way.
Peter Brown called to say
you can make it okay,
you can get married in Gibraltar near Spain.
The Story: My sister and I were singing this song along with the album one day, and I stopped short as she sang the wrong lyrics with gusto. I took the needle off the record and said, "WHAT do you think they're saying?!?" She said it, somewhat embarassed, and I informed her what the real lyrics were. This began the "Valerie, what HOW does this song go?" craze I suffered through most of my teenage years. - Submitted by: Valerie Duffy
Beatles', "Ticket To Ride"
My pee-pee don't care.
My baby don't care.
The Story: My 6 year old misheard this Lyric. We were listening to a Beatles Greatest Hits cd in the car. Near the end of this song when they repeat this line over and over he started laughing and asked, 'Why are they singing about their pee-pee's?' Listen to the song, it does sound like that is what they are saying! - Submitted by: Cathy
Beatles', "Yellow Submarine"
We all live in the Ellis of Marines
We all live in a Yellow Submarine
The Story: During the Vietnam war, my little group of neighborhood friends sang this often in honor of an older 19 year old kid on the block who had joined the Marines. We thought that we were being patriotic. We were all 6 and 7 years old. - Submitted by: Paul MacDougall
Beatles', "You Never Give Me Your Money"
Out of garbage, money spent ...
Out of college, money spent ...
The Story: Misheard by my wife and her first husband, who insist to this day that not only are they correct but it makes sense ... if you are out of garbage, you are out of everything "... see no future pay no rent." - Submitted by: Ted
Beatles', "You Won't See Me"
And since I, since I f***** you, f***** you.....
And since I lost you...
The Story: I was a teen and asked my Mom why they say the 'f' word in the song. She said, "They wouldn't say that; that's a nice song." - Submitted by: mr
There are more Beatles misheard lyrics available.
Indexes: [#] [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [Y] [Z]
New entries in this section are currently reviewed by Brian Kelly. Previous editors (if any) are listed on the editors page.
Would you like to Submit some Misheard Lyrics for a song We're always looking for more entries.


text:
package org.jetbrains.plugins.groovy.codeInspection.assignment;

import com.intellij.psi.PsiElement;
import com.intellij.psi.tree.IElementType;
import org.jetbrains.annotations.Nls;
import javax.annotation.Nonnull;
import javax.annotation.Nullable;
import org.jetbrains.plugins.groovy.codeInspection.BaseInspection;
import org.jetbrains.plugins.groovy.codeInspection.BaseInspectionVisitor;
import org.jetbrains.plugins.groovy.codeInspection.utils.EquivalenceChecker;
import org.jetbrains.plugins.groovy.lang.lexer.GroovyTokenTypes;
import org.jetbrains.plugins.groovy.lang.psi.api.statements.expressions.GrAssignmentExpression;
import org.jetbrains.plugins.groovy.lang.psi.api.statements.expressions.GrExpression;
import org.jetbrains.plugins.groovy.lang.psi.api.statements.expressions.GrReferenceExpression;

public class GroovySillyAssignmentInspection extends BaseInspection {

  @Override
  @Nls
  @Nonnull
  public String getGroupDisplayName() {
    return ASSIGNMENT_ISSUES;
  }

  @Override
  @Nls
  @Nonnull
  public String getDisplayName() {
    return "Silly assignment";
  }

  @Override
  @Nullable
  protected String buildErrorString(Object... args) {
    return "Silly assignment #loc";

  }

  @Override
  public boolean isEnabledByDefault() {
    return true;
  }

  @Override
  @Nonnull
  public BaseInspectionVisitor buildVisitor() {
    return new Visitor();
  }

  private static class Visitor extends BaseInspectionVisitor {

    @Override
    public void visitAssignmentExpression(@Nonnull GrAssignmentExpression assignment) {
      super.visitAssignmentExpression(assignment);

      final IElementType sign = assignment.getOperationTokenType();
      if (!sign.equals(GroovyTokenTypes.mASSIGN)) {
        return;
      }
      final GrExpression lhs = assignment.getLValue();
      final GrExpression rhs = assignment.getRValue();
      if (rhs == null) {
        return;
      }
      if (!(rhs instanceof GrReferenceExpression) || !(lhs instanceof GrReferenceExpression)) {
        return;
      }
      final GrReferenceExpression rhsReference = (GrReferenceExpression) rhs;
      final GrReferenceExpression lhsReference = (GrReferenceExpression) lhs;
      final GrExpression rhsQualifier = rhsReference.getQualifierExpression();
      final GrExpression lhsQualifier = lhsReference.getQualifierExpression();
      if (rhsQualifier != null || lhsQualifier != null) {
        if (!EquivalenceChecker.expressionsAreEquivalent(rhsQualifier, lhsQualifier)) {
          return;
        }
      }
      final String rhsName = rhsReference.getReferenceName();
      final String lhsName = lhsReference.getReferenceName();
      if (rhsName == null || lhsName == null) {
        return;
      }
      if (!rhsName.equals(lhsName)) {
        return;
      }
      final PsiElement rhsReferent = rhsReference.resolve();
      final PsiElement lhsReferent = lhsReference.resolve();
      if (rhsReferent == null || lhsReferent == null || !rhsReferent.equals(lhsReferent)) {
        return;
      }
      registerError(assignment);
    }
  }
}

redpajama_set_name: RedPajamaGithub


text:
Fractured Fables is an anthology published by Jim Valentino's Silverline Books/Image Comics.
Cover by Mike Allred
The concept of the anthology is simple. Much like Shrek or Fables, this takes familiar fairy tales and folk stories and places twists on them - resulting in 33 stories overall. Since the lengths of these stories average around five pages, they're pretty much all comedic, charming, experimental, or any combination of the three. Shannon Wheeler does a wonderful and charming rendition of "Row Row Row" (Your Boat, that is):
And Bill Morrison brings his usual cartoony style over from the Simpsons comics and does a really fun and expressive sequence where a kid named Junior sings the old ditty, "On Top of Spaghetti."
Most of the other strips are fun and funny. More often than not, the twists put on them are quite modern and contemporary. Neil Kleid and Fernando Pinto do a version of "The House that Jack Built" involving a man and his family and his neighbors, which includes kids with a rock band. "The People vs. Hansel and Gretel" is drawn by Jeremy R. Scott in a style reminiscent of South Park, and is pretty much a spoof of those daily courtroom dramas, where the witch is the plaintiff and Hansel and Gretel are the defendants. Shane White cleverly tells of "Trouble at the North Pole," where Santa and his elves use broadcast a news program on the dangers of global warming. And one of the funniest stories is by Doug TenNapel, which is a retelling of "Rumpelstiltskin."
In this version, Rumpelstiltskin is an obnoxious little imp, while the princess who has to guess his name is an idiot. TenNapel's art conveys this perfectly, and made at least this reader laugh his socks off.
Though all of these examples are funny from the get-go, not all the stories follow the same comedic pattern. "The Real Princess," for example, is a takeoff of "Princess and the Pea," "Jack and the Beanstalk," and a few other fairy tales, and is about a princess searching for her true love. Instead of the more modern manner of speaking peppered throughout the book, writer Alexander Grecian tells the story in the same type of language as a regular fairy tale, and Christian Ward lavishly paints the entire story so it doesn't look like it's a comedy at all.
And the truth is, it's not. The story is played completely and totally straight, as per the conventions of the wacky world of fairy tales. Anything funny or comedic in it is more a circumstance of what actually goes on in the story than it is the story actually attempting to be funny. On that note, I think it's excellently done, and is one of the highlights of an already excellent book.
Another highlight is "The Little Mermaid," written by the one and only Peter David and drawn by Juan Ferreyra. More a riff of Disney's version than the old Hans Christian Andersen tale, David plays the story completely straight in the first half and then just runs with a repeating joke for the second. It's a clever setup, thigh-slappingly funny, and aptly drawn by Ferreyra. Even if just for this story alone, I'd recommend the book.
By far, my favorite of the funny stories is Derek McCulloch and Anthony Peruzzo's take on the Rapunzel fairy tale. I'll just post a page here to show you.
I'd probably be a bad Filipino if I didn't mention that one story here ("The Fox and the Cat") was written by the Filipina Nikki Dy-Liacco and drawn by May Ann Licudine. The story is funny and contemporary, and beautifully drawn, giving a fully painted look that is charming and compelling to kids and art lovers all over. I'd also definitely be both a bad Filipino and a bad reviewer if I didn't mention Marie Cruz and Whilce Portacio's (yes, that Whilce Portacio) "The Secret Princess Society," which isn't a comic at all, but a prose piece with accompanying illustrations by Portacio. Because it's prose, there's enough time to develop a full (if short) story, and so this is the one story in the entire book that doesn't try to be charming or funny at all. "Secret Princess Society" is heavily rooted in Filipino mythology, with anting-antings (special medallions for protection) and duwendes (like dwarves, but different), and it's just great, more than seeing Filipinos in the anthology, to see Filipino mythology getting international exposure. I also didn't think Portacio's art - usually sketchy and gritty - could be used for this purpose, and this was a nice surprise.
So yes, while this anthology is mostly funny, some stories are not, nor are they meant to be. Some stories are experimental and works of art; "The Secret Princess Society" is serious; and the funny stories all have great variety in their humor sensibilities that you never get burned out laughing.
The presentation of the book is also top-notch, with the binding and the coloring making it a true pleasure to read.
Posted by Duy Tano at 10:56 AM
Featured In: comics for kids, Duy, Fractured Fables, Reviews
Peachy said...
The Rapunzel and Rumpelstiltskin stories were a riot, but for some reason, I have a terribly soft spot for Shannon Wheeler's work on "Row Row Row". :)
mags said...
any of the stories here appropriate for 11-12 year olds? thinking of using this for class. (i.e. hi peachy, where did you buy this? :) )
I'd actually say they're PERFECT for 11-12 year olds. They're just at that perfect age to have fun with the fairy tales - you know, the age where they start to think it's corny, then you show them something like this and they don't think it is anymore.
My nephew is 11 going on 12 and he really likes some of the stories.
Also, Planet X in Glorietta has a copy.
Maggie: Sa Planet X ra! Head over there, I think they still have some copies left. :)
Also, tell them Peachy sent you. They like her, specifically because she conspired with them for getting me Fractured Fables for my birthday!
CloudWoman said...
Thanks for the special mention! :-) Glad you enjoyed the story and the book. May Ann and I had a blast!
You deserved it! I'd only wish I'd found an image on the net to accompany it — the binding is too fragile for scanning.


text:
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NECC's First Friday Events Focus on East Asia
Submitted by pattygosselin on September 30, 2019 – 8:45 pm
Northern Essex Community College is continuing their "One Geographic Region" program, this time focusing on East Asia. Free and open to the public, these events will be held on the first Friday of each month during the fall semester, beginning Friday, October 4, 2019, with a presentation on the 250-year history of the relationship between the U.S. and China given by Professor Andrew Morse of the Department of Global Studies.
Beginning at 2 p.m. in Lecture Hall A in the Spurk Building, Haverhill Campus, 100 Elliott St, Professor Morse's presentation will give an overview of the U.S.'s relationship with China through the current "trade wars".
The First Friday lectures are a part of the larger project along with films, and other presentations to be hosted on the NECC campus. The next two First Friday events will cover Confucianism on November 1 at 2 p.m. and Chinese writing and language on December 6 at 2 p.m.
At NECC, "One Geographic Region" focuses on one part of the world for a period of two years, with a special focus on the culture, history, politics, economy, and other topics of the region. "One Geographic Region" is a project developed by NECC's Office of International Studies in conjunction with the NECC Library. Its intent is to promote learning across disciplines and borders. For the next two years, the One Geographic Region will be East Asia.
This event is open and free to the public. For more information on this event contact Dr. Stephen Russell, at (978) 556-3237 or by email at srussell@necc.mass.edu. And for more information about the "One Geographic Region" program contact International Studies at studyabroad@necc.mass.edu.
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Fall 2022 Dean's List
Haverhill and Lawrence, MA (January 30, 2023)– Congratulations to the Northern Essex Community College students on the Fall 2022 Dean's List! To be included, students must attain a grade point average of 3.3 or higher within the term, carry six…
Faculty & Staff »
New Director Working to Fill Need for Continuing Education for Health Care Workers
Haverhill and Lawrence, MA (October 27, 2022) – As the new Tomfohrde Executive Director of Health Care Pathways at Northern Essex Community College, Marjorie Campbell is already busy connecting students with local employers. And vice versa. Her one-year, grant-funded role…
Campus & Community »
New Department of Higher Education Commissioner Visits NECC
Lawrence, MA (January 24, 2023)– Leaders from the city of Lawrence and Northern Essex Community College gathered on Tuesday morning to welcome the Commonwealth's new Commissioner of Higher Education, Noe Ortega. The visit included a roundtable discussion at the El…
Programs »
New Testing Site and Course to Enhance Job Readiness for Nurse Assistants
Lawrence, MA (January 18, 2023)– Northern Essex Community College continues work to address the growing job needs of the healthcare industry with two new offerings for Certified Nurse Assistants (CNA). Students preparing to take the Massachusetts CNA exam can now…
One and Done Express Registration Day
Haverhill, MA (January 6, 2023) – Northern Essex Community College is making registering for spring classes easier than ever. On January 11, 2023, the Office of Enrollment Services is offering a "One and Done Express Registration Day." Students and prospective…
Honors Students Awarded $1,000 Scholarships
Two NECC Athletic Programs Ranked Nationally
Daily News: NECC offers new course for nurse assistants
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text: Q: Removing lone, obsolete tags on offtopic questions How should we handle the situation where a question has only one tag, but the tag is obsolete and the question is off-topic? For example, see this SO question (10k-only), which is off-topic and didn't have any tags other than homework until after it was brought up here on Meta.

redpajama_set_name: RedPajamaStackExchange


Losing weight takes a lot of sweat and discipline, but even if you're not powering through an interval workout or counting calories, there are a lot of simple ways to see those pounds drop on the scale. Employing these 10 little tricks daily will help you lose weight. Best of all, no gym time or diet required.
Going for a vinaigrette dressing instead of a Green Goddess dressing at lunch can save you 80 calories, while opting for fresh fruit instead of dried can save you dozens as well.
If you want to lose weight, sticking to the right portions at every meal is important. Measure out snacks beforehand instead of eating from the bag, use smaller plates to visually signal that your meal will satisfy, and put away leftovers so you're not tempted to go back for seconds.
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A little hunger can be good for you, but starving yourself all day in order to "splurge" on dessert at night is both unhealthy and diet sabotage. Eat well-timed meals and snacks to regulate blood sugar level so that you don't crash.
When it's time to snack, make your food work for you. Steer clear of the empty, high-calorie options like chips and crackers, and go for protein- and fiber-rich foods that taste good and fill you up too. You'll be able to eat fewer calories while still feeling satisfied.
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A lot of people might think that pumpkin is an autumn-only ingredient. Well, let us confess, we use pumpkin all year 'round. Don't judge. And Innkeeper Dave's pumpkin bread remains our top-requested recipe. So we have it here just for you. Enjoy!
Combine wet and dry ingredients and spoon into loaf pans.
Bake for an hour; cool for 10 minutes.
Makes 3 medium + 2 small loaf pans; or 2 large loaf pans.
This entry was posted in Recipes and tagged Recipes by Inn on Mill Creek. Bookmark the permalink.
I stayed with you a couple of summers ago with my then-boyfriend. He's gone, but I've kept this recipe going strong! The last time I made it, it didn't turn out as normal, and I am trying to figure out what went wrong. I wanted to check: does "¼+ cup Brown Sugar" mean 1/4 cup and a little bit, or 1 cup + 1/4 cup?


The entotympanic in late fetal artiodactyla (Mammalia).
Safety evaluation of commonly used Chinese herbal medicines during pregnancy in mice.
Maternal-Fetal Medicine Subspecialists' Provision of Second-Trimester Termination Services.
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Patients with five or more unexplained recurrent pregnancy losses (RPL) have a poor prognosis for a subsequent delivery compared to patients with two to three RPL. Treatment guidelines are needed to address this select group of patients.
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Progesterone relaxes the uterus during pregnancy, resulting in retention of the fetus. A recent study in mice uncovers a molecular pathway through which progesterone indirectly inhibits contraction-associated proteins during pregnancy.
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text:
package main

import (
	"github.com/Rafflecopter/golang-messageq/example"
	"github.com/Rafflecopter/golang-messageq/messageq"
	"github.com/garyburd/redigo/redis"
	"log"
	"time"
)

func DoPublisher(mq *messageq.MessageQueue) {
	dur := 1 * time.Second
	log.Println("Publishing a tick message every", dur)

	for _ = range time.Tick(dur) {
		if err := mq.Publish("tick", &example.ExampleMessage{Name: "tick", Sent: time.Now().UnixNano()}); err != nil {
			log.Println("Error publishing tick:", err)
		} else {
			log.Println("Published tick successfully at", time.Now())
		}
	}
}

func main() {
	pool := CreatePool()
	mq := CreateMessageQ(pool)
	DoPublisher(mq)
}

func CreateMessageQ(pool *redis.Pool) *messageq.MessageQueue {
	cfg := &messageq.Config{
		RelyQConfig: &messageq.RelyQConfig{
			Prefix: "subscriber-messageq", // Required
		},
		SubscriberListDecay: time.Second, // This is low because of the example app
	}

	// This must be the same on all nodes of a pub/sub network!
	discoveryPrefix := "my-discovery-prefix"

	return messageq.NewRedis(pool, cfg, discoveryPrefix)
}

func CreatePool() *redis.Pool {
	return redis.NewPool(func() (redis.Conn, error) {
		return redis.Dial("tcp", ":6379")
	}, 2)
}


text:
Q: How to determine true end velocity of pan gesture? When using UIPanGestureRecognizer and detecting UIGestureRecognizerStateEnded, then the velocity of the gesture is not the true velocity. Instead, it's the old velocity of the previous invocation of my action method. How can I access the true velocity at the end of the gesture?
I create my UIPanGestureRecognizer like this:
    UIPanGestureRecognizer* panGestureRecognizer = [[UIPanGestureRecognizer alloc] initWithTarget:self action:@selector(panGestureRecognized:)];
    [panGestureRecognizer setMaximumNumberOfTouches:2];
    [panGestureRecognizer setMinimumNumberOfTouches:1];
    [panGestureRecognizer setDelegate:self];
    [panGestureRecognizer setDelaysTouchesBegan:NO];
    [panGestureRecognizer setDelaysTouchesEnded:NO];
    [panGestureRecognizer setCancelsTouchesInView:NO];
    [self addGestureRecognizer:panGestureRecognizer];

The beginning of my action method is here:
- (IBAction) panGestureRecognized:(UIPanGestureRecognizer *)recognizer {

    UIGestureRecognizerState state = recognizer.state;

    CGPoint gestureTranslation = [recognizer translationInView:self];
    CGPoint gestureVelocity = [recognizer velocityInView:self];

    [CBAppDelegate log:@"panGestureRecognized: state: %s\n    translation: (%f, %f)\n    velocity: (%f, %f)", [self toString:state], gestureTranslation.x, gestureTranslation.y, gestureVelocity.x, gestureVelocity.y];

Example of the log output:
2013-09-30_10:46:32.830 panGestureRecognized: state: UIGestureRecognizerStateChanged
    translation: (-283.000000, 2.000000)
    velocity: (-43.046783, 45.551472)
2013-09-30_10:47:02.942 panGestureRecognized: state: UIGestureRecognizerStateEnded
    translation: (-283.000000, 2.000000)
    velocity: (-43.046783, 45.551472)

As you can see, the velocity is the same in both log entries (same story with translation, but I care only about velocity), although I was holding down my finger for about 30 seconds without moving it, and then lifting the finger. You can tell the timing from the timestampts of the entries. There should certainly not be a velocity reported after 30 seconds of not moving my finger.
I've tested this with the iOS simulator for iPhone with iOS 6.1.

A: The velocityInView method is defined only when a pan occurs. That is, only when you're actually moving the finger a pan gesture is occurring. If you keep your finger still, it does not actually trigger a pan gesture.
This means that there is no built-in method to know the movement speed when the gesture ends. You could do something like check the time difference between the last event with the status value as UIGestureRecognizerStateChanged and UIGestureRecognizerStateEnded. You can then tune this threshold in order to obtain the desired behavior.
For example
- (IBAction) panGestureRecognized:(UIPanGestureRecognizer *)recognizer {

    UIGestureRecognizerState state = recognizer.state;

    CGPoint gestureTranslation = [recognizer translationInView:self];
    CGPoint gestureVelocity = [recognizer velocityInView:self];

    if ( state == UIGestureRecognizerStateChanged )
         _lastChange = CFAbsoluteTimeGetCurrent();
    else if ( state == UIGestureRecognizerStateEnded ) {
         double curTime = CFAbsoluteTimeGetCurrent();
         double timeElapsed = curTime - _lastChange;
         if ( timeElapsed < MY_THRESHOLD )
              finalSpeed = gestureVelocity;
         else
              finalSpeed = CGPointZero;
    }
 }

A: 2019 how-to ...
This is the only way to really know the velocity when the finger comes up:
have some variables...
var cat: CADisplayLink? = nil
var prevTime = CFAbsoluteTimeGetCurrent()
var lastKnownPosition: CGFloat = 0
var lastKnownActualVelocity: Double = 0

and then ...
@objc func _checkVelocityEveryTrueFrame() {
    let newTime = CFAbsoluteTimeGetCurrent()
    let frameTime = newTime - prevTime
    prevTime = newTime

    let newPos = yourConstraint.constant
    lastKnownActualVelocity = Double(newPos - lastKnownPosition) / frameTime
    lastKnownPosition = newPos
    print("- \(frameTime) \(lastKnownPosition) \(lastKnownActualVelocity)")
}

@objc func dragOrFlick(_ p: UIPanGestureRecognizer) {
    if p.state == .began {
        cat?.invalidate()
        cat = nil
        cat = CADisplayLink(target: self,
             selector: #selector(_checkVelocityEveryTrueFrame))
        cat?.add(to: .main, forMode: .common)
    }

    if p.state == .changed {
        ... p.translation(in: ...
        yourConstraint.constant = new position...
    }

    if p.state == .ended {
        cat?.invalidate()
        cat = nil
        let trueFinalVelocity = lastKnownActualVelocity
        print("trueFinalVelocity is truly \(trueFinalVelocity)")
    }
}

That's it.  As far as I know there's no simpler way.

+ Footnote. As any game programmer will tell you, even this is a bit shoddy; it gives the platonic velocity over one frame: purists would smooth it a little over a discussable amount of frames  :/  It's a tricky issue.


text:
Tech Radar Pro TechRadar IT Insights for Business
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Inventor of the World Wide Web wants to ensure you have total control over your data
By Anthony Spadafora
What if your data followed you across applications and online services?
(Image credit: Inrupt)
After launching his new startup three years ago, World Wide Web founder Sir Tim Berners-Lee (opens in new tab) has announced that the enterprise version of Inrupt's Solid Server is now available.
Inrupt was created to deliver on Sir Tim Berners-Lee's original vision of a free and open web that is available to everyone as the company's technology allows organizations and governments to build applications that put users back in control of their data. Lee did so by building Inrupt on top of MIT's open source (opens in new tab) project Solid which is "a proposed set of conventions and tools for building decentralized social applications based on Linked Data principles".
Solid lets users choose where their data resides and who is allowed to access it by decoupling content from applications. As a user's data is no longer tied to a particular application, they can seamlessly switch between apps and personal data storage servers without losing their data or social connections while avoiding vendor lock-in.
We've assembled a list of the best wireless routers (opens in new tab) on the market
These are the best Windows 10 VPNs (opens in new tab)around
Also check out our roundup of the best proxy service (opens in new tab) providers
In a press release (opens in new tab), Sir Tim Berners-Lee provided further insight on what led him to create Inrupt in the first place, saying:
"The web was always meant to be a platform for creativity, collaboration, and free invention - but that's not what we are seeing today. Today, business transformation is hampered by different parts of one's life being managed by different silos, each of which looks after one vertical slice of life, but where the users and teams can't get the insight from connecting that data. Meanwhile, that data is exploited by the silo in question, leading to increasing, very reasonable, public skepticism about how personal data is being misused."
Personal Online Data Stores
In order for users to gain greater control of their personal data online Inrupt uses Personal Online Data Stores or Pods for short. These Solid Pods are used to store a user's data across applications, websites and more so that their data stays with them regardless of which platform or software they use.
With the company's Enterprise Solid Server (opens in new tab), developers will be able to build applications using an SDK that allows them to take advantage of Inrupt's Pods and access the data they contain. The main difference between Pods and conventional apps is the fact that a user decides who can access their information and app developers would need explicit permission from a user to do so.
Inrupt already has a trusted cohort of early adopters using its technology including the BBC, NatWest Bank, the NHS and the Flanders Government.
Now that the company has made its Enterprise Solid Server available to organizations, businesses can begin creating applications that will leverage Inrupt's Pods and hopefully usher in a new era of data ownership (opens in new tab) for consumers.
We've also highlighted the best VPN (opens in new tab) services
Via TechCrunch (opens in new tab)
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Anthony Spadafora
After working with the TechRadar Pro team for the last several years, Anthony is now the security and networking editor at Tom's Guide where he covers everything from data breaches and ransomware gangs to the best way to cover your whole home or business with Wi-Fi. When not writing, you can find him tinkering with PCs and game consoles, managing cables and upgrading his smart home.
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Enormous 85-inch Super Bowl TV deals are here - prices start from $899.99
SanDisk Professional G-DRIVE SSD review


To adopt a lifestyle that is effective and useful is also a significant requirement if you intend to stay in the house unit, while the design of the house devices are developed successfully. That's why, in creating the inside of house devices need foresight and accuracy to figure out the items that will be made use of so concerning satisfy the visual aspect and comfort facets. To make the visual and comfortable inside on unit house in the example picture over, to make the program feel of asian layout. This appears from the color variety and the variety of several devices and interior components. Asian nuances are very pronounced in the living-room that blends with are consuming. This can be seen through the game on the wall surface color on the wall surface devices and interior components in the location such as color attractive pillows and consuming devices regular asian style. This location is developed to place the furniture that is simple but functional. Product packaging layout around is very simple and elegant and contemporary perception.


text:
Getting thoroughly lost was what led this Cape Town couple to find their dream holiday destination, it turns out. Renee and Pedro De Sambento had spent months exploring properties up the West Coast, an arid, sun bleached stretch that hugs the icy Atlantic Ocean to the north of the Mother City. On one of their weekend property hunting expeditions a wrong turn led them to the Rocherpan Nature Reserve and an isolated plot with a 'for sale' sign. Within days it was theirs.
Casa Sanchia, named after their eldest daughter (their pad in town is called Casa Luz after their next born) may be a new build, but the whitewashed walls, the sandblasted, twisted myrtle tree pergola that graces the deck and the practical design make it feel as if it has been resting in these dunes for decades.
With no other homes in sight, and the beach a short hop from the front door, architect Marco Bezzoli from Archilab and Renee wanted to infuse the home with panoramic views. Otherwise, the brief was to create easy, open plan living that could comfortably accommodate a growing family and endless rounds of friends. The space is bright and breezy thank to high ceilings, exposed roof beams and raw grey concrete floors. A vast central living, dining space and open kitchen form the heart of the cottage and enjoy sweeping views of the coast, but the main bedroom and en-suite guest bedrooms also spill onto the lower deck.
A well-timed trip to Bali proved to be an inspiring experience – and a solution to their interior decorating woes. 'The furniture at the hotel we were staying in was perfect. We asked the hotel manager and he gave us contact details of his supplier. We went to their factory and were able to order everything we needed, just as we wanted it,' says Renee. 'I wanted the cottage to be organic and elegant, and not too beachy. I also wanted it to feel South African, rather than African,' she says.
Years of working on fashion shoots and advertising campaigns has taught Renee the beauty and power of light, and she wanted the cottage to look as beautiful at night as it did in daylight. 'Ambiance is important. I spent a lot of time planning the lighting. Every room has a unique chandelier designed for it giving it it's own identity and story.'
Time at the cottage is divided between long ambles on the beach and relaxing around the pool. 'We have a tradition that our first morning there we go for a walk after breakfast in our pajamas. You can walk for an hour and see nothing around you,' says Renee. It has proven to be a place where the family can get lost in time, even if it is only for a few days at a time
The kitchen is designed for lazy breakfasts and entertaining and leads on to a courtyard and barbeque area. Plastic chairs were given a second life with white cotton covers, and now live alongside a rustic table made by a local, West Coast carpenter, Oom Johan Swartz. The chandelier was built for Renee by a friend using shells collected from her travels and drift wood, and is interwoven with fairy lights, transforming the kitchen into a wonderland at night. 'I wanted the light to look like an upside down boat, and that's exactly what he built,' says Renee. Renee refashioned store-bought bar stools with wooden seats. Calling on her creative contacts, the stainless steel potholders were made by a family friend.
This West Coast cottage began as a 'party getaway' for the couple, but has become a weekend refuge for their family of four and friends. 'We add a row of pictures every year,' says Renee.
Thanks to postcard views from every corner of the cottage, the walls have been left bare of distracting artworks. However, Renee stumbled across this photograph of a young girl taken in the 1920s and fell in love with it. It rests amongst a selection of succulents on a trestle table made by a local craftsman, Oom Johan Swartz.
The lounge is the heart of the living space, and each piece chosen for the interior gives a nod to the tones of driftwood, sun bleached pebbles and white sand of the wild coastline the cottage overlooks. The couch, rope and circular wooden coffee table and wire armchair are from local store Weylandts, while the rough hewn blocks of wood that serve as foot stools are from boutique interior store LIM. The cowhide marks a splash of true South African inspiration. These indigenous beasts are renowned for their distinctive markings and rich colours. The cushions are from Country Road. The lights are from local store Nap. 'I'm obsessed with wood. I like the feeling of raw nature in my home,' says Renee.
The main bedroom also leads onto a deck that overlooks the ocean. The enormous tiered white leather chandelier in Pedro and Renee's room was made by The African Queen Studio.
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The World Child Cancer Charitable Trust teamed up with MiNDFOOD for the MiNDFOOD Festive Home tour, which helped raise funds for children with cancer in the Pacific.
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Of course, vibrant touches of red and green are always hero colours for this time of year, but if you feel like steering away from the classic palette, all-white is a striking choice that can look quite stunning with accents of gold or silver, or even more natural decoration such as ferns, greenery or flowers picked straight from the garden. No matter the time you dine, a flickering candle always creates a grand sense of occasion.
Click on the images to enlarge.
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Helene Segura is the author of the Inefficiency Assassin and can help you reduce stress and organize your life. In this show she talks about priorities, goal setting, making more time in your day and being more productive!
Helene Segura, MA Ed, CPO®, is a time management consultant based in San Antonio, TX. She combines neuroscience, educational psychology and pop culture to teach her individual clients and keynote and training audiences how to improve their efficiency during their work day so they can have a life outside of it. Her website is www.HeleneSegura.com.
Thank you so much for your interest in this show of Exploring Mind and Body, if you haven't done so already please take a moment and leave a quick rating and review of the show in iTunes by clicking below. It will keep us delivering valuable content each week and give others an opportunity to find the show as well.


text:
Q: ADO.NET calling T-SQL Stored Procedure causes a SqlTimeoutException I have a T-SQL stored procedure with the signature
CREATE PROCEDURE MyProc
@recordCount INT OUTPUT
@param1 INT
...

When executed directly in Sql Server the procedure runs in under 5 seconds, returning a few result sets amounting to about 100 rows in total.
Calling this procedure using the ADO.NET SqlDataAdapter.Fill method to populate a Dataset causes a SqlTimeoutException on the SqlCommand after 3 minutes (the specified timeout interval).
Changing the stored procedure so that it no longer has an output parameter, and that the output value required is returned as the last result set, solves the problem, and the whole thing runs in under 5 seconds as expected.
But why?
I don't want to go through my code base and modify all instances of this type of behaviour without understanding if I have really solved the problem.
Another thing to note is this is only apparent on one particular server, which admittedly has a larger dataset than other similar databases we run. Surely not a Sql Server setting?
UPDATE
Stepping into the framework source the issue appears to be in metadata retrieval. The ConsumeMetaData method of the SqlDataReader object hangs indefinitely. However I ran tests on other databases and cannot reproduce, so it is a database specific issue when this procedure is called though ADO.NET... Great.
UPDATE II
Have confirmed the issue still occurs if I change the code to use the OleDbDataAdapter with the SQLOLEDB or SQLNCLI provider types. Definitely to do with the connection.

A: Once I determined that it is the ADO.NET connection at the root of the problem, this thread led me to the answer.
Basically connections through Sql Server Management Studio (SSMS) by default have SET ARITHABORT ON. ADO.NET connections do not.
Setting ARITHABORT OFF and executing the query directly through SSMS gives me the same slow response time.
The main difference when running with or without this setting is a different query plan is created for the two calls. When ARITHABORT was OFF, the SSMS command would use the pre-compiled cached query plan that the ADO.NET connection was using, and therefore timeout.
By running the following commands as administrator on the database all queries run as expected regardless of the ARITHABORT setting.
DBCC DROPCLEANBUFFERS
DBCC FREEPROCCACHE

I can only assume a compiled query plan became corrupt, or invalid.
I will go with this as the solution (I have up-voted the answer) on the other thread
Thanks.

A: I stand corrected - yes, you CAN have both - an OUTPUT parameter as well as a set of rows being returned. You learn something new every day :-)
As to why a timeout happens - hmm.... hard to tell. A quickie little sample works fine for me. Can you post your stored proc (at least relevant bits of it)?
How many rows are we talking about, that get returned here?
At what point in your stored proc are you calculating the number of rows that you need to return back as OUTPUT parameter?
What if you try to add another parameter MaxRows to your one SProc as a test and do a SELECT TOP (@MaxRows)....... on your data? Does that return quickly?
Marc

A: In short - I fixed my issue by forcing SQL Server to use the most appropriate index to limit lob logical reads when it couldn't figure it out on its own.
In long -
I just ran into this issue and resolved it in a different way after trying all of the other suggested answers.  In SSMS the query was running in ~3s, but was timing out when called from a .Net MVC web application.
Statistics IO output in SSMS was telling me that there were over 195,500,000 lob logical reads on one table (20M-row table with a clustered columnstore index and also has row indexes, but has no "LOB" columns).  I noticed from the execution plan that a bulk of the load (76%) was coming from an index seek on one of the row indices.  I used the following:
from [table] with (index([clustered columnstore index name]))

in my query to force the usage of the clustered columnstore index and my query was reduced to <1s and the lob logical reads dropped to <6k from >195M, and when calling the SP from the web app now, it is round-tripping in 1.3s.
I tried option recompile, set arithabort on, parameter sniffing, and in the end SQL Server just couldn't figure out which index to use.  This is an edge case too btw, and the only time I have had to force an index in this database.