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Home > Jewish > Yosef Karo Synagogue in Safed
Yosef Karo Synagogue in Safed
Set in the heart of Tsfat's old city, the Yosef Karo synagogue is said to be built where in the 16th century Rabbi Yosef Karo wrote his monumental book, 'Shulchan Aruch'. Today, this humble sized synagogue, with its special interior and old library is a popular tour attraction.
History of Yosef Karo Synagogue
Following the Jewish expulsion from Spain, many Jews fled to the east. Some even settled in Israel, although it was undeveloped under Ottoman rule. Yoseph Karo, who was born in Toledo, eventually settled in Safed/Tsfat, in Israel's Upper Galilee. He was ordained as a Rabbi, and then devoted 32 years to compile all Jewish Laws ('Halacha'). Fearing what the Spanish inquisition and Jewish expulsion could do Jewish tradition and faith, he set to compile all 'Halachot', and conclude the best way to adhere them. The shorter version of his monumental work, 'Shulchan Aruch' (from Hebrew: 'Set Table'), was accepted by all Jewish communities. It enabled Jews to follow the 'Halacha' even in the absence of sufficient local Rabbinical scholarship, and so reunited the Jewish world after the trauma of the Spanish expulsion. Furthermore, to this day, 'Shulchan Aruch' is the accepted text for Jewish law among all orthodox communities, with many commentaries written about it. Karo himself developed a high reputation, and was Safed's chief Rabbi until his death in 1575, at the age of 87.
Yoseph Karo's Home and 'Magid Meisharim'
By local tradition, Karo lived beneath the synagogue while compiling the 'Halachot' and was often visited by an angelic figure called 'Hamagid'. Dialoguing with him in Aramaic, Karo published these visions in a separate book called 'Magid Meisharim'. This book alludes to Safed's reputation as a Kabbalah center at that time.
Touring Yosef Karo Synagogue
Both the Yosef Karo synagogue and his single-room house are open for visits during the week. On Sabbath the synagogue runs Sepharadic-style prayers, and it is especially known for its kabbalat Sabbath in the summer. The current synagogue dates to 1839 and was built after the earthquake of 1837. It has a Sepharadic design, characterized by the seats set around the Bimah and the walls painted in color colors. The Holy ark presents 3 Torah scrolls. The oldest is said to be 500 years old and coming from Spain. In the synagogue's back wall is its old library, with some books that are centuries old. Tourists are to dress modestly when visiting the synagogue, and men are expected to cover their head. It is also costumery to leave a small donation in the synagogue's charity box.
A visit to Yoseph Karo synagogue and Safed can be combined with a day tour in the north.
Contact us to inquire more about a private tour to Safed:
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This object will be decorated in a very elegant way your living room or bedroom and it will also be a great gift idea for women, whatever the occasion.
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Here are some ideas for inexpensive gifts while being of high quality (weight will attest) for your family or friends.


I Love This High Tech New Trash!
Sometimes I surprise myself with the things that fascinate me. Like this trash can. MOTION SENSORED, OMG! I ate at the new Chick-fil-A on Andrews Hwy. in Midland the other day and saw this, I was like a kid, couldn't wait to throw my trash away! So I thought, why not take a video of how it works?
Do you love it? So simple yet so satisfying. lol All you do is wave your hand in front and voila, it opens sesame. Saw it, loved it, ready to go back and try it again. It really is the little things.


school premises & hospital areas were elaborated. The horn was pulled off immediately and the subject was modified. A complete serene environment was created throughout the way until the destination was reached.
This happened to me when I caught a car in the morning for my office. When I reached the destination, I offered him 10 rupee tips along with the rent but he instantly denied the earlier, accepting the later and he gave a huge smile at his face. He said, "Bhai (Brother), you already have offered me tips before but I denied then too". It is very generous & fortunate for such kind of people around us who understand and care for the environment.
award them for their better services.
the construction of a sincere & serene world.


New year, fresh start! There's something so satisfying about "starting over," so to speak, in the new year. Day 1. It gives us an opportunity to think about how we'd like to change/grow over the course of the next 12 months. Rather than writing a post about resolutions, I want to write about ways in which we can prepare for the New Year. Rather than entering into 2018 with a cluttered/anxious mind, how can we hit the "reset" button so we feel more motivated to follow-through with our goals and resolutions?
My room is so cluttered I can't even think straight. This is not an ideal work environment. I do a "deep clean" at least once a year so I can get rid of old projects / miscellaneous items taking up space, to make room for the new creative projects. For me this means reorganizing my closet, picking up my bedroom, decluttering desk drawers/bins, and tossing any school-related papers/assignments from previous semesters. What might this mean for you? Cleaning/reorganizing your bedroom, dorm, desk, car, office, etc.?
2. Get your FINANCES in order.
I am guilty of neglecting my check register – I forget to record all the charges I've made on my debit/credit cards throughout the month(s). This leads to a guilty conscience when I spend because I'm not sure I *should* be spending. I used to be so much better at this when I was younger and dealt only with cash! Now, I'm all too ready to swipe my debit card, I hoard receipts, and I don't understand the concept of credit cards. Clearly, I have some growth to do in this area! So, before heading into the new year, get your finances in order – deposit checks, pay your bills or your credit card statement, create a new "check register" spreadsheet for the new month.
3. REFLECT on your year and think about your accomplishments and what you'd do differently.
This is a really helpful exercise to complete before you make any resolutions for the new year. I think it's always beneficial to give yourself a pat on the back for the things you're proud of – and ask yourself, HOW/WHY did I succeed and HOW could I do it again? What do you hope to achieve in 2018? And, conversely, think about the things you weren't able to achieve in the past year, and what you might do differently going forward. Taking the time to reflect will give you insights you might not have recognized otherwise. Allow these insights to influence your new resolutions.
4. SHARE your resolutions with family and friends. Find an accountability partner!
This is something I'm really going to work on this year. In the past several years, I've totally clammed up when it comes to sharing my ideas for new creative projects. I used to be so excited to share my writing with my parents (my two biggest fans), and now, it makes me uncomfortable to tell them when I'm writing creatively or working on something new. But when you share your ideas/progress with others, you're more motivated to follow-through because someone (other than yourself!) is holding you accountable. That's powerful! Choose friends/family who will support you in your endeavors, people who will encourage you but also challenge you.
5. DO something you've wanted to do but haven't had the time for.
The best way to enter into 2018 with a positive, can-do attitude is by making time for something you've wanted to do but haven't. Maybe this is taking a weekend trip, or visiting friends/family, or completing a creative project. Whatever it is, make time for it by penciling it into your calendar, and show yourself that you're committed to your personal plans and goals.
I hope this helps! I may even write a follow-up post describing how these 5 activities have worked for me. I'm excited about everything that's to come in 2018, and I want to get off on the right foot!


Rob Delaney has announced that more episodes of his trans-Atlantic sitcom Catastrophe will begin shooting soon. Of course, Delaney made the announcement on his satire-filled Twitter account, so it's possible that this is just the latest in a long string of the comedian's hilarious tweet-goofs, albeit one that doesn't sound that great from a marketing point of view.
Delaney stars in the series—which aired originally on the U.K.'s Channel Four and recently began streaming exclusively in the States through Amazon Prime—with British actress Sharon Hogan and, apparently, a lot of water-filled metal buckets. The show centers on a couple whose first hook-up results in a pregnancy, with Delaney's character Rob moving to England to help Hogan raise the child.
Technically, Catastrophe was already renewed six months ago, before it even appeared in America, when Channel 4 executive Jay Hunt made an announcement to that effect. However, Delaney has apparently been deluged with questions about the series, so he hopped on Twitter—which may or may not be Rob Delaney's natural response to any given stimulus at this point—to confirm that he and Hogan would begin shooting new episodes this summer.


You should be aware of the danger you face as a result of not having enrolled in the prescription drugs plan. If you exceed 63 days without having the plan, you will be penalized. To make it worse the penalty is not a one-time fee but for every month you stay uncovered it grows.
You can use the hotline numbers that prescription drugs plan companies provide to speak to their representatives. There you will have the opportunity to obtain better understanding of the terms of the plans and you will assisted to choose the suitable package. Alternatively, you can choose to personally visit the offices of the insurance company like Aines Carter & Associates to have a face-to-face meeting.
Ensure that the list of medications that you use is with you as it will help determine how much you are going to pay for the prescription drugs medication. You need to follow the same procedure even when you are making your application online.
It is important to be sure about the dates that are set aside for enrollment. There are alternative dates that are set aside for the people who will not be able to meet the first deadlines. The alternative dates are meant for subscribers who are facing unique life-changing situations or are in the process of moving.
If you are already having a prescription drug plans louisville ky, it is advisable to review it to ensure that you are adequately covered. It is recommended that you pay close attention to every detail of the plan available from the insurance firm.
It is not advisable to stick to one pharmacy for your medication requirements if you intend to benefit fully from your prescription drugs plan. Making a comparison of the costs of the prescribed drugs that are available from various drug stores is a prudent move.
Ensure that the insurance company that is providing the prescription drugs plan has been operating in the industry for a long time. In addition, make sure you are selecting a company that has a good standing in the profession. Learn more through https://en.wikipedia.org/wiki/Insurance.


Thank you for supporting the Family Program at the Warrior Games to support our wounded warriors.
Sponsored by United Rentals, the world's largest equipment rental company, click here to download Michael Eston's E.P. and digital music.
For a limited time, Twisted Wire Records and Michael Eston are inviting you to download the E.P. free of charge because you have donated to a sponsor of the 2014 Warrior Games.
Enjoy! God Bless America and Our Troops!


The Confederation of North, Central America and Caribbean Association Football (Concacaf) announced that 15 U.S. metropolitan areas will welcome the 2019 edition of the Concacaf Gold Cup summer of 2019. The games scheduled to be played in countries outside of the US, Canada, and Mexico will be announced at a later date.
To date, six of the 16 national teams scheduled to participate have qualified for next year's tournament, those being the countries that participated in the 2018 FIFA World Cup Hexagonal qualifier round: Costa Rica, Honduras, Mexico, Panama, Trinidad and Tobago, and the United States, in alphabetical order.
Canada, Mexico and the United States automatically qualify for the Gold Cup in representation of North America.
The additional participating nations in the 2019 Gold Cup will qualify through Concacaf Nations League Qualifier competition, to be played in September, October, and November of 2018, and March of 2019.
Taking place every two years, the CONCACAF Gold Cup is the official national team championship of the region, which includes North and Central America and the Caribbean. Drawing large crowds and millions of television viewers across the region, the Gold Cup is a celebration of soccer, sportsmanship, and culture.The winner of the 2019 tournament will win continental bragging rights and an assured spot in the CONCACAF Cup play-in game to qualify for the 2021 FIFA Confederations Cup.


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The Importance of the Troy Ounce
August 10, 2017 / Ben Mitchell
As we teach in our Safety Step course, there are very few things in this day and age that are still measured in Troy Ounces. The first two that always come to my mind are precious metals and gun powder. The reason these things are still measured in Troy Ounces rather than the "regular" (or Avoirdupois) Ounce that we use for pretty much everything else, is because the Troy Ounce is a more precise measurement.
The Troy Ounce is a measure that dates back to the middle ages, and it is heavier than the avoirdupois ounce by approximately 10%; the conversion is as follows:
1 troy ounce = 1.09714286 avoirdupois ounces
The Troy Ounce is believed to have originated in a French town called Troyes in the Middle Ages. Traveling merchants from around the globe would buy and sell goods in France's trade markets, which made it a necessity to incorporate a standardized weight system that would make trading and doing business a lot easier for every country.
King Henry II of England adopted the Troy Weight system, which was widely used in Britain's coinage system in the 1400s. In the early 1500s, the Troy Ounce was accepted as the official standard of measure for gold and silver in Britain, with the U.S. adopting this measurement method as well in 1828, as the U.S. Mint expanded our coinage system.
Just as traders did centuries ago, investors all over the world today still benefit from this unit of measurement. As mentioned previously, because the Troy weight system is so precise, it makes it easy for bot sovereign and private mints to consistently produce the purest precious metals investments in the world.
It's not uncommon for dealers (or anyone who has access to a smelting kit) all over the world to try and rip off customers by selling a regular ounce of a metal at the current Troy Ounce price, which would of course cheat the investor out of getting the amount of metal he/she paid for.
A 10 percent difference in weight might not seem like much in small quantities, but it begins to add up quickly as you start buying in bulk, and accumulating metals throughout the years. A good way to choose where you buy your metals is to ensure the description lists the item's weight in Troy Ounces, as opposed to just ounces. However, it's worth noting that the standard for copper is to be weighed in avoirdupois ounces because it's a base metal with many commercial uses.
August 10, 2017 / Ben Mitchell/
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NOTE: Do to their inherent safety, INR cells don't have a protection circuit built in. They should never be discharged below 2.5 volts or cycle life/performance will be reduced. It Is HIGHLY recommended that you ONLY use smart chargers when charging INR Cells (or ANY battery for that matter).
REMEMBER – Safety begins with YOU.


During my first year of teaching at a high school, I was handed the preexisting curriculum for the sophomore class. I vividly remember sitting at my desk starring at the large multi-colored teacher's manual with the big bolded word "Christology" written across the top. Despite having just graduated from Boston College with a degree in Theology, Christology was a topic that I was reluctant to teach to a room filled of 15-year-olds. As I skimmed the pages of the teacher's manual, I could not help but grow more frustrated with each new lesson that I read. I did not think that these students were going to be intrigued by Cyril of Alexandria, Athanasius, or the Cappadocian fathers (although my lesson on St. Nicholas's showdown with Arius was a big hit). And yet, a course in Christology had to begin with the classic formula developed at the Council of Chalcedon in A.D. 451, that affirmed the full humanity and full divinity of the one person, Jesus Christ, " without confusion, without change, without division, without separation." And even with such a set definition, it is profoundly difficult to make sense of this. So I began the semester with the basic knowledge that my students and I were going to have to undertake that challenge together.
I managed to outline the course and develop a syllabus under the guidelines of three "simple" questions: Who am I? Who is Jesus? Who is God? I set out with the intention that on the last day of class, we would return again to the first question in light of the responses we gathered from the other two. My aim, of course, was to demonstrate that knowledge of Jesus and knowledge of God enhances our understanding of who we are as finite beings and challenges us to live a life of Christian discipleship. And as I am sure most teachers know, the lessons that I taught ended up having a deep impact on my own personal and academic journey of faith.
As we began to answer the second question, I made a distinction for the class between "Jesus of Nazareth" and "Jesus Christ." Although "Jesus of Nazareth" is a designation found rarely in ancient Christian authors, I used these terms in order to create an appreciation for the cultural and geographic historical contexts that informed the theological understanding of who Christ is for believers. As we use the terms today, "Jesus of Nazareth" and "Jesus Christ" tend to be used interchangeably. And yet when separated, the two have their own defining characteristics. "Jesus of Nazareth" refers to the more concrete aspects of his historical life, ministry, and death. By way of contrast, "Jesus Christ" refers more to the cosmic Christ's role in salvation history, and is contingent upon his divinity.
As I began to make this distinction for the class, I realized my own Christological presuppositions. Up to that point in my life, I had always identified more deeply with the portrait of "Jesus of Nazareth," feeling both challenged and inspired by his earthly ministry, and seemingly indifferent towards some of the other cornerstones that make up the Christian faith such as the resurrection. And yet my students, many of who came from popular forms of Catholicism in the Dominican Republic, seemed to resonate more fully with the portrait of "Jesus Christ." They seemed far less interested in the historical facts and were more inclined towards his role as their Savior.
1. There are seven key " I am" sayings: the bread of life (6:35), the light of the world (8:12), the door (10:9), the good shepherd (10:11), the resurrection and the life (11:25), the way, the truth, and the life (14:6), and the true vine (15:1).
2. Jesus is presented as the Glory of God (1:14; cf. 2:11,11:4,12:23).
"Right in the middle of all these things stands up an enormous exception … It is nothing less than the loud assertion that this mysterious maker of the world has visited his world in person. It declares that really and even recently, or right in the middle of historical times, there did walk into the world this original invisible being; about whom the thinkers make theories and the mythologists hand down myths; the Man Who Made the Word. That such a higher personality exists behind all things had indeed always been implied by the best thinkers, as well as by all the most beautiful legends" (G.K. Chesterton, Orthodoxy (1908), 93).
To my surprise, John's Christology more than the other gospel narratives brought me into a complex level of self reflection. It helped me to understand that "doing Christology" is not an exercise reserved for academics, but is an incredibly important task for Christian discipleship. Even more, the Gospel of John helped me to understand that ultimately Christology must be about establishing reasons for the confession of Jesus' divinity, not merely presupposing it.
I no longer cast my initial inclination and identification with "Jesus of Nazareth," over "Jesus Christ," in a negative light. That was, and continues to be, my starting point for "doing Christology". Here lays the difference between "doing Christology from above," and "doing Christology from below." In many cases, the Catholic Church has implied that theology should start " from above," with the Nicene Creed's affirmation of Jesus' divinity (" one in being with the Father"). By way of contrast, Wolfhart Pannenberg (1948-2014), a German theologian, writes an interesting critique on the consequences of doing theology " from above." "For Christology that begins "from above," from the divinity of Jesus, the concept of the incarnation stands in the center. A Christology "from below," rising from the historical man, Jesus, to the recognition of his divinity, is concerned first of all with Jesus' message and fate and arrives only at the end at the concept of the incarnation" ( Jesus God and Man, 33). Whether or not we agree with Pannenberg's line of thinking, it is important to remember that Jesus' message and fate must remain at the center of our Christological thinking and ought to continually inform and reform our discipleship. The mode of Christology that I had initially undertaken tried to form an understanding of Jesus that began with the way Jesus appeared to his contemporaries. I realized that as I began my theological studies as an undergraduate, I needed to begin with the historical Jesus because I was not working off of an assumption that I knew what divinity was. And because I still don't, doing Christology from "below" remains an important aspect of how I approach faith from both an academic and spiritual perspective.
What is feared in doing Christology from below, I suppose, is a Christ who emerges out of a social setting instead of a communion of faith – to have Christ be subject to political and ideological currents. And this is the very reason why I think doing Christology "from below" is so important. Starting with Jesus and his message – most particularly his direct and evident preferential option for the poor – provided the best way for me to be led into authentic faith in Jesus Christ. It empowered me to live as a disciple of Jesus while being an advocate for peace and justice.
The greatest lesson I have learned in "doing Christology" is that our Christology will fail us if we concentrate too much on the divine exalted Christ and end up with the virtual exclusion of the historical Jesus. If we spend too much time thinking of why the divine Logos became incarnate, we inturn risk focusing on the epistemological significance of Jesus' historical vocation, or indeed, the unity of his person and destiny revealed in the cross and resurrection.
During the 1950s, Karl Rahner S.J. wrote an essay titled " Current Problems in Christology." He wrote, "We shall never cease to return to this formula [of Chalcedon], because whenever it is necessary to say briefly what it is that we encounter in the ineffable truth which is our salvation, we shall always have recourse to its modest, sober clarity. But we shall only really have recourse to it (and this is not at all the same thing as simply repeating it), if it is not only our end but also our beginning." These words continue to remain true. I would even go so far as to say that we ought to amplify the timbre of urgency to not indifferently repeat creedal confessions, but appropriate them into our lives. When I look at the political climate I recognize the pressing need for us to return to our own Christological presuppositions and challenge ourselves to renew our commitment to live out what it means to confess a belief in Jesus Christ.
Of course, what I am writing here is nothing new or novel. Rather it is to serve as a simple reminder that as Christians when we " do Christology ," it ought to present a challenge to us. Christology is not an academic exercise that is devoid of reality. When I think of Jesus' origin, the composition of his nature, his self-perception, and his relationship with God, I cannot help but return to ask the same questions of myself. In my own life this exercise has served as a reminder that I am a finite being, and presents me yet again with the challenge of being a Christian.
Doing Christology during the political season in particular cannot be an indifferent academic exercise or statement of faith. In light of who Jesus was and continues to be, what is our role as Christians in the midst of a tense political climate? Are we getting too caught up in the maelstrom of gossip and scandals? Will the vote we cast be marked by selfish individualism, nationalism, or a belief in American exceptionalism? Or will it, to the best of our ability, be marked by an attempt to vote for the candidate who seeks to bring about a preferential option for the poor through their legislation and policies? Will we hold the candidates to higher standards, using as a barometer the inclusivity they espouse to bring about?
I cannot help but wonder if doing a Christology "from above" can render the same consequences as doing politics "from above" – one that is driven by what each party professes to stand for, but not rooted in the reality of the people that our political decisions ultimately effect the most, the poor and marginalized. And even more, a consequence of doing politics "from above" ( so to speak) could run the risk of not fully integrating what we purport to stand for into our lives.
If our Christology does not demand critical self reflection, challenging us to live out a preferential option for the poor, and leaving us in awe at the mystery of the incarnation, then it is failing us. We cannot risk reducing the incarnation to a vague avowal. The challenge before us in an era of Clinton and Trump is to appropriate and extend our creedal confessions, and to "do Christology" with a challenge from below.
Meg Stapleton Smith is a Ph.D. Candidate in Theological and Social Ethics at Fordham University. She received her M.A. degree in Ethics from Yale Divinity School in 2016 and received her B.A. degree in Theology from Boston College in 2013. Prior to her time at Yale, she was Director of Campus Ministry and a Theology teacher at Notre Dame Cristo Rey High School in Lawrence, MA. Her current research interests lie primarily in looking at Christian virtue ethics from a liberationist perspective.


All hail the mighty Purple Man!
Music icon Prince will release two new studio albums on September 30, 2014; the solo project ART OFFICIAL AGE and PLECTRUMELECTRUM by his new band 3RDEYEGIRL.
Both projects will be released on Warner Bros. Records, Prince's original label home before declaring his independence. Prince and Warner Bros' new partnership also see him taking full ownership of his '80s albums, including Dirty Mind, 1999, Purple Rain and Sign 'O' the Times.
"Prince is one of just a handful of visionary artists who have truly reshaped and redefined modern music and culture," said Warner Bros. Records Chairman & CEO Cameron Strang. "For the past 35 years, he has never stopped evolving, challenging himself, reinventing his sound, and pushing boundaries. In true Prince fashion, he has just given us not one, but two extraordinary albums that express the incredible range and depth of his talent. All of us at WBR are immensely proud to be working with Prince to bring this brilliant new music to his legions of fans around the world, and needless to say we are thrilled to be working in partnership with him again."
Fans whom are eager to hear ART OFFICIAL AGE and PLECTRUMELECTRUM can now pre-order at digital retailers and from http://www.artofficialage.com. Early buyers will be able to unlock 'instant grat' tracks from each record.


Your mouth will be watering all day long when you're exploring Zeeland´s coastline. So why not give in to temptation with a delicious selection of the region´s specialty seafood for lunch or evening meal.
Mussels are at their tastiest when there is an R in the month. And mussels are simply delicious: try a pan full of steaming ´black gold´ (as they are called in Zeeland) that has been cooked in beer or in wine with green vegetables until it just melts in your mouth.
You can find mussels on the menu all over Zeeland and there are also villages that specialise in mussel fishing, with specialist restaurants in the villages of Bruinisse, Yerseke and Philippine.
Then there is the Eastern Scheldt lobster, which is unique to Zeeland which also has a unique flavour. Its flavour is much more refined and subtle than any other lobster, in fact you can tell whether or not you´re eating in one of Zeeland´s better restaurants, depending on whether they have Eastern Scheldt lobster (Oosterscheldekreeft) on the menu or a different sort. The Eastern Scheldt lobster tastes delicious as a bisque, and boiled with a little marsh samphire on the side they are just irresistible.
The oysters in Zeeland have the most fantastic salty and refreshing flavour. They are best when served in freshly-squeezed lemon juice, which makes a delicious combination of salty and sweet. Oysters are generally serves at the better restaurants in Zeeland, including the mussel restaurants in the villages of Bruinisse, Yerseke and Philippine.
Winkles (Kreukels) are sea snails with a dark brown shell and a see-through, yellowy-brown operculum (literal meaning: little lid). Winkles like to hide in inaccessible places like breakwaters and rocky ledges where they can only be harvested by hand. Traditionally, the locals like to eat winkles with fruit bread: a delicious combination of sweet and salty!
These delectable and delicious vegetables that go well with fish and lobster dishes and are often on the menu in Zeeland´s restaurants. Marsh samphire is a salt-loving plant that loves very salty water; sea lavender is a plant that can tolerate salty water very well but does not necessarily love being in it. This is why of these two vegetables, marsh samphire is the saltiest. Both vegetables are best blanched briefly, or stir fried. They are crunchy, salty and pure: they are the taste of Zeeland.


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TRADITION Versus SOCIAL CHANGE
Change is the universal law of nature. Even Traditional practices, beliefs and customs undergo a gradual change. Social change occurs in all societies and at all times. No society remains completely static.
• Sati is an ancient Hindu practice where the widow immolated herself on the funeral pyre of her husband. The ritual of sati was banned by the British Government in 1829 consequent to the relentless efforts of Sri Raja Ram Mohan Roy for which there was resistance in the beginning by a section of society. But now the abetment or glorification of sati is punishable offence under the law.
• Ancient Hindu Society widow re-marriage was considered as a sin because a widow was expected to mourn the death of her husband throughout her life. The Hindu Widows' Remarriage Act of 1856, was enacted in response to the campaign of Pandit Ishwar Chandra Vidyasagar. But still a section of orthodox citizens prevail in the societies who are strictly against the custom of a widow marrying again. Whatever this orthodox section of the society may think, one thing is for sure; modern India gives a widow the same status as it gives to any other woman and this is a matter of pride for all the citizens
• Child marriage has been an issue in India for a long time. Because of its root in traditional, cultural and religious practises it has been a hard battle to fight. Efforts to stop this practice with law enforcement have been protested and challenged in courts by a section of society. Under the Prohibition of Child Marriage Act (PCMA), 2006, the marriage between a man above 18 years of age with a woman below 18 years of age, is punishable. Now there is a decline in the practice of child marriage.
• Untouchability is a menace and social evil associated with traditional Hindu society. It is being practiced since times immemorial and despite various efforts made by social reformers such as Dr. B. R. Ambedkar; and despite there being provision on abolition of untouchability in our Constitution under Article 17, the evil is still in practice in our country. It is hoped that "the wicked practice of untouchability would be removed from the society sooner and our country would usher into a new era of social equality and brotherhood which will be the tru India of Gandhi and Ambedkar"
• Bettale Seve (nude worship) was one of the most exploitative caste-based religious practices in Karnataka. Various dalit organizations and leaders tried to raise awareness by initiating political process to get this practice banned for which there was resistance by a section of the society. Eventually in 1992, a ban was imposed on Bettale Seve.
• "Made Made Snana", commonly known as "Made Snana", is the practice of devotees rolling over banana leaves with food left over by Brahmins. This takes place during the Shashti festival at some temples. The devotees rolling on the left-overs are mostly from the shudra and backward communities also comprising some middle and upper middle class. It is believed that the practice cures skin diseases, and also purifies them of the sins they might have committed. Made Snana has become a major issue in Karnataka with people from various sections condemning and protesting the ritual. The matter went upto the Supreme Court which imposed a ban on conventional Made Made Snana declaring it illegal. The imposition of a ban, however, has been challenged in the courts by a section of the community. A modified version known as "Ede Snana", in which devotees roll over "prasada" (food offered to the deity) [6] or consumed by cows[7] is still practised.[8]
• The use and status of triple talaq in India has been a subject of controversy and debate. Those questioning the practice have raised issues of justice, gender equality, human rights and secularism. The Indian Supreme Court ruled instant triple talaq (talaq-e-biddah) unconstitutional and directed the government to ban the the use and status of triple talaq in India by enacting a law.[10]A section of the society opposed the ban. The Muslim Women (Protection of Rights on Marriage) Bill, 2017 was passed in Lok Sabha and was pending in the Rajya Sabha . The Union Cabinet passed the Ordinance to amend provisions of the Triple Talaq Bill which got President's assent. According to the ordinance, giving instant Triple Talaq has been made illegal and void, and will attract a jail term of three years for the husband. Now the triple talaq is thing of the past.
• In 2016, the Bombay High Court ruled that women could enter the sanctum sanctorum of Haji Ali Dargah of Mumbai. The trust of the shrine informed the Supreme Court that women will be allowed to enter, accordingly now, women of all sects go and pray there.
• Sabarimala is a Hindu Temple in Kerala, where women pilgrims of menstruating age (ages 10 to 50) were not allowed to enter and pray. Recently the country's Apex court gave a landmark ruling in the Sabarimala case, allowing women of all ages entry into the temple, upholding the principle of equality enshrined in the constitution.
However, it can be said that things are slowly changing; "The mind set of modern generation is also changing. Today's youth with modern education and globalized outlook are viewing the social order from different perspective of equality and impartiality and not from the religious or traditional point of view."
Dr.B.S.Sherigara;
Formr.Vice-Chancellor, Kuvempu University, Shivamogga


Sarasota County means sun, surf and shells. No day at the beach is complete without a walk along the Gulf of Mexico looking at shells. There are so many to see but many prominent types include buttercup and sailor's ear, periwinkle, cockles, auger, worm, scallop and the colorful coquina. (Everybody loves coquina).
Here is a word of warning for those who want to take the shells home; shells are houses and it is quite possible that they are still occupied! Be sure to leave the living marine animals at the beach.


For 30 years, the American Waste Recycling Industry Association (ISRI) has become the "Voice of the Recycling Industry." During this time, few years can bring about more changes than in 2017. In its just released 2017 annual report, ISRI highlights in detail the impact of these changes and the organization's important role in helping industry respond to change.
Robin Wiener, chairman of ISRI, said: "Many will see 2017 as a year for China to declare a ban on imports of waste, and while this has dramatically changed our industry landscape, many other changes have taken place that have allowed the industry to continue to grow, Many times in the past, changes in the U.S. government, changes in global trade policies, changes in new technologies, a comprehensive reform of the tax structure in the United States, and many other changes have affected commerce, markets and trade, and in all changes, the only The same is still ISRI for our members and the recycling industry to provide help and support. "
The report also mentions other 2017 ISRI reports, including advocating for tax reforms in the United States and advocating investment in recycling equipment; setting up a MRF committee to help address issues related to the collection, recovery and disposal of recyclables; and developing North American Free Trade The latest guidelines for the agreement.


text:
Editora Nemo é uma editora brasileira, parte do Grupo Editorial Autêntica, especializada na publicação de histórias em quadrinhos. A editora começou seus trabalhos em julho de 2011 com a coordenação de Wellington Srbek. Ganhou por duas vezes consecutivas o Troféu HQ Mix de "editora do ano", em 2013 e 2014.

Editoras do Brasil
Editoras de banda desenhada do Brasil

redpajama_set_name: RedPajamaWikipedia


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The Clara Bow Page
Clara in 2000: a Year of Rediscovery
No Limit and Kick In
Home > biography > Biography
clarabow biography
To posterity, film buffs, and historians alike Clara Bow will forever be the "It" girl…"the royal mounted policeman of sex who always gets her man" at the end of every film. Granted many older fans who are still alive today remember her with love and affection. She was often cast as a waitress, a manicurist, or a salesgirl. The ever plucky and ever resourceful Clara would predictably set her sights on the prize (a handsome male). Armed with her natural vivaciousness, cunning, sensuousness, and irresistible charm, Clara's character would rise above her lowly station in life and obtain her goal. "Clara Bow lit up the screen as much as-if not more than-any other star in history. She is three- dimensional in her presence, and this quality projected onto her down to earth, regular-guy flappers, makes her seem terribly real and true to audiences." (Silent Stars by Jeanine Basinger, Alfred A. Knopf, 1999 p.448). But like so many of the great actors of yesteryear, rumors and legend have a way of superceding the truth. They have a way of distorting the facts and thereby eliminating any knowledge of what made Clara the truly talented phenomenon that she actually was.
"(Clara Bow has) won a very prominent place in the pantheon of silent movie stars, and her surviving films leave no doubt as to the exceptional force of her talent. She may have been the rawest and most unlettered of the silent era's stars…but the Clara Bow you can see in both pot-boilers and Oscar-winners ,clearly belongs in the elite company of the Gish sisters, Gloria Swanson, Louise Brooks, Garbo-female performers who made indelible and incandescent impressions on the collective unconscious of movie culture in the silent era."
(Peter Hogue – Film Comment)
Clara Bow invented the notion of sex on the silver screen. She was the first actress who visibly flaunted her sex appeal and, in turn, became the most talked-about resident of Hollywood. Idolized by Louise Brooks in the 20s, Marilyn Monroe in the 50s, and Madonna in the 80s, Clara was an icon of sexual freedom for women everywhere. But beneath Clara's radiant, carefree laughter hid a pain that she couldn't ignore forever.
Born in a Brooklyn tenement in 1905 during one of the worst heat waves New York has ever experienced, Clara was unwanted from day one. Both her mother and grandmother were mentally ill and her father was disinterested in both marriage and children (he had left Clara's mother shortly before she went into labor). Clara's mother hoped that the heat would kill both her and her child and didn't bother with a birth certificate.
"Clara developed into a lonely, hypersensitive child, acutely self-conscious of a slight speech impediment" (Stenn). School chum Catherine Mulligan remembers that a young Clara was not allowed to invite anyone to her home. To add to this she was ashamed of her wastrel father and sick epileptic mother who "entertained visiting firemen or uncles". The terrified Clara would often have to hide in a cupboard during these frequent 'visits'."
For her escape from her oppressive home-life, Clara would turn to a new medium: the moving pictures. There she would forget her parents' bitter fights, her father's long absences, and her mother's increasingly bizarre behavior. Clara, much to the consternation of her mother would look in the mirror and imitate the acting styles of her favorite actresses, Mary Pickford, Mae Murray, and Theda Bara.
In the early 1920's, most every American girl dreamed of winning a fan magazine contest as a stepping stone to becoming a movie actress. Clara was no different. The plucky and ambitious street urchin recognized early what she saw in the mirror and would save what little she had to go search out the studios in New York. Always on the lookout for "beauty" and "film" contests, Clara borrowed 50 cents off of her father to get a cheap tin-type made up and entered and won one such contest that was sponsored by Motion Picture, Motion Picture Classic, and Shadowland Magazines. The January 1922 edition of Motion Picture Magazine announced Clara as the 1921 Fame and Fortune Contest. The magazine went on to say:
" She is very young, only 16. But She is full of confidence, determination and ambition. She is endowed with a mentality far beyond her years. She has a genuine spark of the divine fire. The five different screen tests she had, showed this very plainly, her emotional range of expression provoking a fine enthusiasm from every contest judge who saw the tests. She screens perfectly. Her personal appearance is almost enough to carry her to success without the aid of the brains she indubitably possesses. "
"Gentlemen: I want to thank all those in the Brewster Publication, In., who have been responsible for the kind treatment and many efforts in my behalf, from the day of my entrance into the Fame and Fortune Contest of 1921 up until the present time, and also for the beautiful outfit, which they so kindly presented me with. Everyone thinks the outfit beautiful, and is so very becoming, thanks to the taste of Mrs. Gleason and Miss Palmer.
"Now about my future. I hope that everything you credit me with will prove true, and that all your hopes and expectations will also do the same. I hope that with the proper training I will grow into a good actress, worthy of the Brewster Publications' help, and hope that some day Mr. Brewster and the rest will be proud of me and my work. I intend to work very hard and try and perform the smallest role that is given me to the best of my ability."
(Clara Bow's thank-you letter to the judges)
As part of her prize, Clara was promised a part in a motion picture. This came about in the 1922 feature, Beyond the Rainbow, in which she was cast as a flirtatious sub-deb who stirs up trouble by passing the note, "Consult your conscience. Your secret is common gossip." The excited Clara gathered all of her friends to view her screen debut, only to be disappointed to find out that her sequences were cut from the initial print.
Curiously, perhaps mistakenly, Clara's performance as Virginia Gardener in Beyond the Rainbow, was reviewed in Variety: "The feminine characters form a galaxy of beauty, Lillian (Billie) Dove has a wealth of brunette loveliness and makes an attractive contrast to the other two beauties, Virginia Lee and Clara Bow, both blondes and both beauty contest winners." After viewing clips of the re-issued print as shown on Hugh Munro Neely's recent documentary, Clara Bow: Discovering the "It" Girl, it is obvious that the "dark"-haired Clara was not one of the mentioned blondes.
At any rate, the unfettered Clara bounced back and continued making the rounds at the Manhattan film and photography studios. As luck would have it, D. W. Griffith's protégé, Elmer Clifton came across her photo and the Motion Picture contest announcement and became interested in casting her. Clifton was shooting the low-budget whaling movie, Down to the Sea in Ships in New Bedford, Massachusetts. He hired Clara at $35 a week for 13 weeks to play Dot Morgan, "…a life-loving, energetic young girl who shows no respect for the rules. Set down in the middle of this staid vehicle, she is like a breath of fresh air-vivid, alive, modern. She seems to have real passion rather than just imitating it. She's the very definition of the term 'screen presence', particularly seen among the careful and stilted performances of the other actors. Cast as a young tomboy she romps, she fights, and she seems utterly unselfconscious." (Basinger pg.423)
Clara was unbilled in her next two 1923 features. Enemies of Women, and The Daring Years. Sadly, Clara's mother died during the filming of Enemies of Women.
Soon Clara met up with playwright-agent Maxine Alton, who in turn convinced J. G. Bachman, a partner of B. P. Schulberg in Preferred Pictures, to sign Clara for a three-month film contract at $50 a week. Train fare to be included. Alton remembers Clara's brutal audition before Schulberg: "Without make-up, still in a sweater and skirt, she ran the gamut of emotions. Schulberg told her to laugh. She did. Suddenly he said, 'Stop laughing, cry!' Immediately, in the snap of a finger, a flood of tears drenched her cheeks. She was an emotional machine. Schulberg turned to me, threw up his hands, and said 'You win!' " (Stenn)
The ambitious and often ruthless Preferred Picture chief, Schulberg, was a rising force in Hollywood. He accumulated much of his revenue from loaning out his overworked and underpaid contract players to other producers when they weren't being used in his own cheaply produced vehicles. Clara was no exception. The ever -grateful Clara was most happy to do anything to be a working actress. Clara made 25 features in the next two years. Budget productions like these allowed no time for rehearsals or retakes for many of her roles. And yet despite the grueling work schedules and the many demands, Clara would rise above her material. It is in these early productions that you see the real talent that is Clara Bow. Sadly, many film historians and writers never have had the opportunity to experience her in her early features. Instead she is labeled the "It" girl—only one type of the many different characters that she was able to play. Clara had many non-flapper roles. As a matter of fact, the flapper (i.e.: It, Mantrap, Dancing Mothers) was only one of three major film types Clara would play during her career. The other two being- that of the "Jailbird" (as in Free to Love- 1925, Shadow of the Law- 1926, and Grit- 1924)- and that of a "tomboy" (as in Down to the Sea in Ships- 1922, The Lawful Cheater- 1925, etc.,.) In these roles Clara would be called upon to run the gamut of emotions, and she would always transcend the oft-bad material that she was given.
The recent re-discovery of Empty Hearts provides a rare glimpse of Clara in an early dramatic role. The "simple and unforced" death scene in this feature is poignant and heart wrenching and is indeed, a revelation.
"She seemed to really enjoy what she was doing. I think it was the desire of her life to be a film actress in Hollywood…later being the "Itgirl" she was kind of a conniving shop-girl who wanted to catch her man. But that wasn't her role in Helen's Babies. Clara plays a simple homespun girl. She seemed to have a bubbly enthusiastic, youthful nature…and she appeared to me to be natural and true to herself." (Diana "Baby Peggy" Cary-"Clara Bow: Discovering the Itgirl")
Even later when she was called on to play her flapper roles, Clara would infuse these same aspects of simplicity and naturalism into her later films as well. She could consistently and naturally cry for the camera. Witness her in any of her films—the tears she shed were real. She would pass it off and explain the crying to be a result of thinking about her awful past. True, when the scene called for crying, the violins in the background would churn out "Rock-a-bye Baby", and Clara would methodically fall apart and cry hysterically. Other times, she could cry at the drop of a hat. Frank Tuttle, her director in the 1924 feature Grit, "marveled at Clara's ability to express emotion without apparent concentration." She would ask the director, "Ya want me t' cry?" (Stenn, pg. 29) She would park her chewing gum behind her ear and within seconds, would cry her eyes out.
Victor Fleming was also astounded at her serious side. He is quoted as saying that, she had "A temperament that responded like a great violin, touch her and she answered with genius. Her acting could have been developed to a power, a reality that would have led screen drama to newheights." (Love, Laughter, and Tears" by Adela St. Johns, pg. 218)
In Children of Divorce, Fleming remembers her "dying scene" to be the best one he ever saw. Children of Divorce was recently restored and presented publicly for the first time in over 70 years. This 1927 feature not only showcases Clara's natural abilities at comedy, and the "It" qualities that made her a star, but also reveal a darker and yet more brilliant side to her acting abilities. Director Frank Lloyd's original cut was reportedly very bad and the film was only released after the great Josef von Sternberg brought his German "new wave" techniques to re-shoot sequences of the film. His expert use of light and shadows, unusual camera angles and perspectives, and tight close-ups gave the film an in-depth psychological turn. This was unusual for filmgoers of the 1920's who were used to seeing frivolous flapper films and epic adventure yarns. Toward the end of the film Clara's character, socialite Nancy Worthington, a child of a broken home, is faced with a fatal decision. The only way for her to reunite her best friend with her true love (who happens to be Nancy's own husband, Gary Cooper), and to thereby guarantee their future happiness (apart from divorce), would be to take her own life.
In a truly haunting scene Nancy grimly writes her suicide note, seals it with her own real tears, and as the boom camera rises, she is seen quietly walking through a series of doors-as if she is voluntarily going to her own execution. The ensuing death scene is gripping and startling. In it, Clara almost seems to be calling back the spirit of her dead mother as she screams in terror. You can sense that she will be going into death alone. She then dies in the arms of her childhood friend.
Despite giving such brilliant dramatic performances, it was Clara's flapper roles that increasingly drew the attentions of millions of American film-goers. Riding on the successes of The Plastic Age, Dancing Mothers, and especially Mantrap, Clara was fast becoming a major star. Men started to desire her voluptuous body and became completely mesmerized by her effervescent charm and breath-taking beauty. Clara even set fashion trends among women. They would pluck their eyebrows in the same fashion as Clara. Clara Bow style hats were offered for sale in many mail-order catalogues.
Of course studio chief B. P. Schulberg knew the market potential of Clara's stardom and began to act accordingly. Eliciting the aide of popular romance novelist Elinor Glyn (not unlike Jacqueline Susanne), Schulberg crowned Clara the 'IT' girl. 'It' was a euphonium for the word "sex" in those days-mostly because it was not acceptable to say "sex." Thereafter, IT "did much to establish Bow as a popular icon, and the film itself is and exemplary showcase for the basic Clara Bow movie persona-cheerful impudence and free-spirited sexiness transcending the barriers of class and Victorian inhibition." (Hogue) And thus Clara, by all intents and purposes, became the first sex symbol (in the tradition of Jean Harlow, Marilyn Monroe, Brigitte Bardot, Racquel Welch, and others).
After the resounding success of the movie It (which starred Clara), Schulberg and Paramount began to continually cast her in movies with the same type of premise. Films like Red Hair, Rough House Rosie, Get Your Man, Fleet's In all were all merely variations of how a charming and scheming woman, would win over an otherwise unavailable man. People loved these types of movies, and flocked to see her in record droves. By contrast, Clara would soon grow bored with this one-dimensional typecast.
During her rise to fame in the mid to late 1920's, many people closely associated the real Clara to the roles she played on screen. True, she did have many flings, lovers, and wild times. What young, beautiful, talented, successful, and available 20-year-old girl wouldn't behave like this? But imagine this:
"She had been a child of poverty and neglect and had suddenly come into money, fame, and if not business or political power, at least an understanding of her own sexual power. She became known for her very colorful off-screen life, and was eventually brought low by scandal…her many love affairs, madcap adventures, and careless, sometimes drunken exploits were well known"
(Basinger. pg445).
To promote their young star, Paramount was only too happy to help sensationalize every love affair she had. The otherwise shy and reclusive Clara gave into the expectations and trappings of being the Itgirl. A hypocritical Hollywood society did not take kindly to her wild raucous ways and were very quick to shun and distance themselves from her. Many of Clara's exploits were quite mild compared to some of her Hollywood counterparts. The only difference being was that her counterparts were more careful about airing out their dirty laundry.
Much has been written about Clara's failings as a "talkie" star, but in retrospect, it is interesting to note that she had a more substantial career in sound films. She was the top-billed star in no less than 11 features.
"Bow's iconic value is almost entirely a matter of her silent films, and of images forged in a relatively brief period-but her sound films are intriguing in part because they show us dimensions of the actress that her most famous and successful silent films managed to conceal. Clara Bow with a voice is by no means unfit for movie stardom, but that tough, torch-song voice generates a very different creature from the one who seemed able to activate mythy magic just by the way she looked at people or things".
(Peter Hogue)
It is no wonder why Clara Bow's life started to spin so hopelessly out of control in 1930. After falling victim to three horrible scandals that involved gambling, carousing, and a much publicized court trial, Clara became media fodder to a ravenous, mean-spirited media machine. An unsympathetic Paramount abandoned Clara in her hour of need and passed her off as "Crisis-a-day Clara". With no family to speak of, no close friends, and no studio to come to her rescue Clara had no life net to catch her, and no one to wipe away her tears of despair. Although adapting well to talkies (Clara had become quite a singing sensation in True to the Navy, Paramount On Parade, and Love Among the Millionaires), the fun and refuge that Clara found in making films had left. After suffering a nervous breakdown during the filming of her final Paramount feature, Kick In, she had decided enough was enough and had decided to quit films. Being a movie actress was no longer a safe place for her to be.
Clara did find a safe place in the arms of cowboy star, Rex Bell, who she later married. Almost immediately, the couple moved far away from the bright lights of Hollywood, and to their remote ranch in Searchlight, Nevada. There Clara recuperated and soon felt strong enough to return to films.
Clara's last two films, Call Her Savage(1932) and Hoopla (1933) proved to be very successful and financially rewarding for her. After making a very lucrative deal with Fox, she was now able to finally retire from films and move back to Nevada to later have two sons of her own.
…"She should be the greatest dramatic actress if Paramount would…give her stories worthy of her genius. Poor Pictures have dimmed the blazing light of her success, but with one real story she would come back. I have studied Clara Bow closely. I have had opportunity to talk with her for hours. She has always interested me intensely, because, as I say, I honestly believe the girl has genius." She adds, "…We find her living only in the moment, only in the present… Of course that is what makes her a very great actress. Since only the moment has reality, her acting becomes intensely real to her. She is so glad to get away from reality that her parts seem real to her. She loves to have them seem real. Her greatest joy is her work. When she is being someone else, living vicariously, getting away from herself and being some girl when she would much rather have been." She concludes, "I believe her (Clara) capable of reaching heights as an actress not yet reached by anyone in pictures."
(Adela St. John-"The Salvation of Clara Bow")
But how could Clara be a public figure again? Especially after what Daisy DeVoe, her closest and dearest friend had done to her by divulging soul-bearing secrets and the most intimate details of her personal life, in an internationally public trial that shocked the world? It did not help that notorious Frederic Girnau, publisher of the Coast Reporter (an early National Enquirer-type gossip magazine) would add fuel to the fire by regularly publishing false, mean-spirited, tales of sexual debauchery and perversion to this sordid mess. Similar false and ridiculous fables would later be spun in Kenneth Anger's Hollywood Babylon. Thereafter, the major public perception of Clara Bow would be shrouded and she would be falsely characterized as a wild, sex-crazed, uncontrollable, and one-dimensional actress. This would continue until well after her death on September 26, 1965.
It was not until 1988, when author David Stenn boldly dispelled many of these falsities in his Clara Bow biography, Runnin Wild. Since then her movies, which had previously existed idle and rotting in archives, were brought out and preserved. Most recently, Playboy founder, Hugh Hefner took an active interest in preserving Clara's work for posterity by funding the nationally televised Hugh Nealy documentary, Clara Bow: Discovering the It Girl. The response has been overwhelming. Just in the last year or so, many of Clara's titles have been restored. Such films as Best Bad Man (a Tom Mix western), Children of Divorce, Parisian Love, Her Wedding Night have been presented to packed movie houses for the first time in over 70 years. The films, Capital Punishment, My Lady of Whims, My Lady's Lips, and Poisoned Paradise are all currently being restored with funds provided by "The National Film Preservation Foundation".
In addition to this, all of Clara's talkies are reported to be newly preserved. Furthermore, all of Clara's existing Films are in the process of being restored. Movie houses across the nation are now offering Clara Bow revivals and film festivals. Clara's personal items, movies and memorabillia are now fetching top dollar at online web auctions. Young people, unfettered by past misconceptions of Clara, are now discovering her sparkling beauty, prodigious talent, and dynamic presence. Clara Bow is enjoying a new-found and lasting popularity. Clara Bow's time has finally arrived and she can no longer be silenced. She is definitely here to stay.
"..A beauty contest in Brooklyn had first brought her into the movies. She had arrived in Hollywood in 1923, a vibrant, gum-chewing, slightly tattered, and emotionally vulnerable eighteen-year-old. The pretentious social hierarchy of twenties Hollywood, embodied by her "discoverer" and producer, B.P. Schulberg, had slotted her into semi pornographic flapper and Cinderella stories, where she would remain until the end of her career in 1933. But now that Bow's movies are emerging from vaults, it is possible to see how original was the talent she brought to those cheap twenties formulae, and how critical is her place in the whole history of female screen acting in America. Bow not only summed up the techniques of her predecessors Mary Pickford, Lillian Gish, and Mae Marsh-the D. W. Griffith pioneers-she suggested those of her "descendants." She brought to the screen an openness that hadn't been seen before, and elemental good nature, a wish to please that read as a healthy sexuality, and an unstudied naturalness about the extremes of grief and joy-qualities that Mae West took from her and caricatured, and which the romantic comedy heroines then took over, via West, and turned into virtues. Yet Clara had done it all herself: no director, producer, or screenwriter ever tried to build a movie around her unstinting generosity. She constructed her own roles. Romantic comedy was obliged on the surface to repudiate her example, since she was associated with the wild jazz years though responsible for the Crash. But this most exploited of actresses haunts the genre. Her trustingness lives in its heroines; her magnificent vulnerability prepared the way for them. (Elizabeth Kendall-THE RUNAWAY BRIDE)
Shadows of Clara Bow – A Tribute by Anastasija Marinochka
Clara Bow remains an enigma. Her life remains a tangled mass of quivering femininity, depraved childhood, and Hollywood super-stardom. Her beaming porcelain face and sparkling eyes belied the truth, the shadows, that surrounded her. She seemed to dance her way through life (and into our hearts) as the care-free 'IT Girl' and seemed surrounded in a posh future of Hollywood history and fulfilling marriage and motherhood. Yet, Clara died alone, much as she danced her way through life. Alone, with only the shadows to accompany her.
Clara was born into poverty, depression and abuse, which inadvertently doomed her to a life of excruciating loneliness – a loneliness that prevailed even in the company of fans, lovers and her beloved boys. That loneliness nurtured, inside Clara, a fierce craving for release, happiness, and acceptance. Clara found all of this in acting and nowhere else. But, Clara's star faded much too soon – a delicate flower ravished by the elements surrounding her. We live with only the memory of Clara Bow brought about by her surviving films. Her talent was genuine and innocent and thus stalked and led astray by power and money-hungry movie executives. Amazingly enough, Clara never lost the genuine and innocent talent she had even when it was constantly used against her. Even when all the fulfillment was lost. Beyond all that she lost or endured, Clara gave the world, through her acting and her life, something to wish for. She gave hope to those who were trying to over-come their own somber lives. She made us laugh, smile and, most importantly: forget. A lull in our lives that, however short-lived, made us keep coming back for more of her infectious spirit. We still find comfort in the spirit she possessed and, even after all these years, find delight and sanctuary in her films. This is the true mark of Clara Bow.
When most people remember Hollywood's Golden Age, they think of Chaplin, Jean Harlow and Mae West among others, but rarely do they think of Clara Bow. This is one aspect of Clara's life that I have pondered extensively and still have not figured out. How could "The girl of the year…someone to stir every pulse in the nation…" (as quoted by F. Scott Fitzgerald), the screen's first sex-symbol, the most famous actress of her day who received more fan letters than any other actor of that time; how could Clara have faded to relative obscurity in the face of the stardom and admiration she garnered?
We will never understand the complete truth about Clara Bow. She hid so much while fearing rejection and yet gave so freely of herself through her acting. She retired from the public eye to find the love she craved and eventually found safety in the solitude she died in. Our memory is laced with the image of Clara Bow and bathed in her natural beauty and talent. She gave us something she never found. Something revered uniquely by each and every one us, her fans. We remember Clara, today and everyday. And, in the fading lights and final curtain calls, we watch as she dances away into the shadows.
"All the time the flapper is laughin' and dancin', there's a feelin' of tragedy underneath…" ~Clara Bow
*************************************************************************************************************Sources
*Silent Stars by Jeanine Basinger, Alfred A. Knopf, 1999
*Sweet and Lowdown,Peter Hogue in the Jan/Feb 2000 issue of Film Comment
*The January 1922 edition of Motion Picture Magazine, "A New Star"
*Runnin' Wild by David Stenn, Cooper Square Press, 2000
*CLARA BOW: DISCOVERING THE ITGIRL , a documentary by Hugh Nealy produced by Timeline Films, 1999
*Variety Film Reviews
*Love, Laughter, and Tears" by Adela St. Johns
*The Salvation of Clara Bow by Adela St. Johns, "The New Movie Magazine", Dec., 1930
*The Runaway Bride by Elizabeth Kendall
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Finance, Personal Finance
Turkish court sentences Erdogan rival to jail with political ban
By ericamclain385 On Jan 19, 2023 1 0
Istanbul mayor handed 2-year 7-month jail sentence
Imamoglu accused of insulting public officials in speech
He is seen as strong possible contender in 2023 elections
Supporters chant slogans outside municipality HQ
(Adds U.S.State Department comment)
By Ali Kucukgocmen
ISTANBUL, Dec 14 (Reuters) – A Turkish court sentenced Istanbul Mayor Ekrem Imamoglu to jail on Wednesday and imposed a political ban on the opposition politician who is seen as a strong potential challenger to President Tayyip Erdogan in elections next year.
Imamoglu was sentenced to two years and seven months in prison along with the ban, both of which must be confirmed by an appeals court, for insulting public officials in a speech he made after he won Istanbul's municipal election in 2019.
Riot police were stationed outside the courthouse on the Asian side of the city of 17 million people, although Imamoglu continued to work as usual and dismissed the court proceedings.
At his municipal headquarters across the Bosphorus on the European side of Istanbul, he told thousands of supporters that the verdict marked a "profound unlawfulness" that "proved that there is no justice in today's Turkey".
Voters would respond in presidential and parliamentary elections which are due by next June, he said.
The vote could mark the biggest political challenge yet for Erdogan, who is seeking to extend his rule into a third decade in the face of a collapsing currency and rampant inflation which have driven the cost of living for Turks ever higher.
A six-party opposition alliance has yet to agree their presidential candidate, and Imamoglu has been mooted as a possible leading challenger to run against Erdogan.
Kemal Kilicdaroglu, chairman of Imamoglu's opposition Republican People's Party (CHP), said he was cutting short a visit to Germany and returning to Turkey in response to what he called a "grave violation of the law and justice".
The U.S.State Department is "deeply troubled and disappointed" by the sentence, Department principal deputy spokesperson Vedant Patel said. In the event you loved this information and you would like to receive details concerning Law Firm Turkish kindly visit our own web-site. "This unjust sentence is inconsistent with respect for human rights, with respect to fundamental freedoms and rule of law," he added.
'VERY SAD DAY'
The European Parliament rapporteur on Turkey, Nacho Sanchez Amor, expressed disbelief at the "inconceivable" verdict.
"Justice in #Turkey is in a calamitous state, grossly used for political purposes. Very sad day," he tweeted.
Imamoglu was tried over a speech after Istanbul elections when he said those who annulled the initial vote – in which he narrowly defeated a candidate from Erdogan's AK Party – were "fools".Imamoglu says that remark was a response to Interior Minister Suleyman Soylu for Law Firm Turkish using the same language against him.
After the initial results were annulled, he won the re-run vote comfortably, ending the 25-year rule in Turkey's largest city by the AKP and its Islamist predecessors.
The outcome of next year's elections is seen hinging on the ability of the CHP and others in opposition to join forces around a single candidate to challenge Erdogan and the AKP, which has governed Turkey since 2002.
Erdogan, who also served as Istanbul mayor before rising to dominate Turkish national politics, was briefly jailed in 1999 for reciting a poem that a court ruled was an incitement to religious hatred.
Selahattin Demirtas, the jailed former leader of the pro-Kurdish Peoples' Democratic Party (HDP), tweeted that Imamoglu should be incarcerated in the same prison where Erdogan was held so that he could ultimately follow his path to the presidency.
A jail sentence or political ban on Imamoglu would need to be upheld in appeals courts, potentially extending an outcome to the case beyond the elections date.
Critics say Turkish courts bend to Erdogan's will.The government says the judiciary is independent.
"The ruling will be final only after the higher court decides whether to uphold the ruling or not. Under these circumstances, it would be wrong to say that the political ban is in place," Timucin Koprulu, professor of criminal Lawyer Law Firm Turkish at Atilim University in Ankara, told Reuters after the ruling.(Additional reporting by Ece Toksabay and Huseyin Hayatsever in Ankara, Humeyra Pamuk in Washington and Daren Butler in Istanbul; Writing by Daren Butler and Dominic Evans; Editing by Gareth Jones, Law Firm Turkish William Maclean)
Lawyer Law Firm Turkish
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Our client a leading manufacturer of computer hardware products, based in Surrey seeks an Inside Sales Account Manager to join the European Inside Sales department. The purpose of the role is to manage relationships and provide sales support to assigned customers and ensure products are in channel. You will also conduct business reviews and make recommendations to management and ensure both correct and competitive pricing whilst maintaining customer satisfaction at all times. The ideal candidate will ideally be educated to degree level or equivalent. Additionally a European language, particularly German is also desirable, however not essential. The successful candidate will ideally have Sales/Account Management experience. In return our client is offering a competitive salary and benefits package. For further details or to apply for this position please submit your cv via this website.


text:
October 13, 2014 in Lifestyle
A Literary Challenge
Cat, over at Juggling Act Of Life, challenged me to participate in a literary challenge – I have to name 10 books that have made a impact on my life in no particular order and then to nominate 10 more people to take part.
So here goes, in no particular order, but 10 of my most favorite books of all time as follows:
1. Me Before You – Jojo Moyes
I actually blogged about this book here – https://www.kweenb.co.za/me-before-you/
I love it! I love love love this book, it's quite possibly my most favorite book of all time and it had a profound impact on my thoughts surrounding assisted suicide. Such a brilliant brilliant, emotion and thought provoking read!
Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun tea shop and she knows she might not love her boyfriend Patrick.
What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps her sane.
Will Traynor knows his motorcycle accident took away his desire to live. He knows everything feels very small and rather joyless now and he knows exactly how he's going to put a stop to that.
What Will doesn't know is that Lou is about to burst into his world in a riot of colour. And neither of them knows they're going to change the other for all time.
2. The Fault In Our Stars – John Green
Another book that I've written about before and definitely one of my all time favourites. So beautifully written, so smart and intelligent and the writer writes with such utter brilliance. The story is deeply emotion and deeply touching!
Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel's story is about to be completely rewritten.
3. A Child Called It – Dave Pelzer
This book shocked the shit out of me! I think I read it in one day flat! I could not put it down, but screamed, cried and wanted to vomit the entire time I read it. It really opened my eyes to the horror of Dave Pelzer's childhood.
This book chronicles the unforgettable account of one of the most severe child abuse cases in California history. It is the story of Dave Pelzer, who was brutally beaten and starved by his emotionally unstable, alcoholic mother: a mother who played tortuous, unpredictable games–games that left him nearly dead. He had to learn how to play his mother's games in order to survive because she no longer considered him a son, but a slave; and no longer a boy, but an "it." Dave's bed was an old army cot in the basement, and his clothes were torn and raunchy. When his mother allowed him the luxury of food, it was nothing more than spoiled scraps that even the dogs refused to eat. The outside world knew nothing of his living nightmare. He had nothing or no one to turn to, but his dreams kept him alive–dreams of someone taking care of him, loving him and calling him their son
4. Rainfall – Melissa Delport
Another book I've blogged about before. I loved this book, I loved the story, I loved the twists and turns that the story took and the big twist that surprised the hell out of me!
Paige's father has Alzheimers, and her fiancé is shot and killed in an armed robbery. Paige fights her depression and pulls herself out of the dark place that she has succumbed to, with monumental effort and a new-found determination to live her life to the fullest, doing things that both terrify and exhilarate her.
When Paige meets Adam, the attraction is instantaneous. Adam grew up in an orphanage and has no recollection of his life before the age of six. Paige falls head over heels in love and embraces a happiness she never dreamed possible. Until the day she finds Adam in bed with another woman.
Wanting nothing more to do with him, Paige cuts Adam out of her life, until she receives a mysterious visitor, who reveals secrets about Adam's past that shock Paige to her very core.
Determined to fight for the man that she loves, Paige finds herself on a journey that will change her life forever.
5. White Oleander – Janet Fitch
I read this book ages ago and I LOVED it! It's probably been 10 years since I read it but I still remember it, it really sticks out in my memory. A beautiful, tragic coming of age story!
When Astrid's mother, a beautiful, headstrong poet, murders a former lover and is imprisoned for life, Astrid becomes one of the thousands of foster children in Los Angeles. As she navigates this new reality, Astrid finds strength in her unshakable certainty of her own worth and her unfettered sense of the absurd.
6. The Pillars Of The Earth – Ken Follet
What an incredible and historical masterpiece about cathedral building in the 12th century. I loved this book! Another one I probably read about 20 years ago but it has stayed with me till now!
The spellbinding epic set in twelfth-century England, The Pillars of the Earth tells the story of the lives entwined in the building of the greatest Gothic cathedral the world has ever known—and a struggle between good and evil that will turn church against state, and brother against brother.
7. Stolen Lives (20 Years In A Desert Prison) – Malika Oufkir
Another book that shocked my socks off. Stolen Lives is an autobiographical novel by Malika Oufkir detailing her detainment, from childhood, to age 38, in a prison. An incredible and inspiring read!
A gripping memoir that reads like a political thriller–the story of Malika Oufkir's turbulent and remarkable life. Born in 1953, Malika Oufkir was the eldest daughter of General Oufkir, the King of Morocco's closest aide. Adopted by the king at the age of five, Malika spent most of her childhood and adolescence in the seclusion of the court harem, one of the most eligible heiresses in the kingdom, surrounded by luxury and extraordinary privilege.
Then, on August 16, 1972, her father was arrested and executed after an attempt to assassinate the king. Malika, her five younger brothers and sisters. and her mother were immediately imprisoned in a desert penal colony. After fifteen years, the last ten of which they spent locked up in solitary cells, the Oufkir children managed to dig a tunnel with their bare hands and make an audacious escape. Recaptured after five days, Malika was finally able to leave Morocco and begin a new life in exile in 1996.
A heartrending account in the face of extreme deprivation and the courage with which one family faced its fate, Stolen Lives is an unforgettable story of one woman's journey to freedom.
8. The Book Of Ruth – Jane Hamilton
Winner of the 1989 PEN/Hemingway Foundation Award for best first novel, this exquisite book confronts real-life issues of alienation and violence from which the author creates a stunning testament to the human capacity for mercy, compassion and love.
9. We Were The Mulvaneys – Joyce Carol Otes
The unforgettable story of the rise, fall and ultimate redemption of an American family.
The Mulvaneys are seemingly blessed by everything that makes life sweet. They live together in the picture-perfect High Point Farm, just outside the community of Mt Ephraim, New York, where they are respected and liked by everybody.
Yet something happens on Valentine's Day 1976. An incident involving Marianne Mulvaney, the pretty sixteen-year-old daughter, is hushed up in the town and never discussed within the family. The impact of this event reverberates throughout the lives of the characters.
As told by Judd, years later, in an attempt to make sense of his own past reveals the unspoken truths of that night that rends the fabric of the family life with tragic consequences. In 'We Were the Mulvaneys', Joyce Carol Oates, the highly acclaimed author of 'Blonde', masterfully weaves an unforgettable story of the rise, fall and ultimate redemption of an American family.
10. Drowning Ruth – Christina Swartz
In the winter of 1919, a young mother named Mathilda Neumann drowns beneath the ice of a rural Wisconsin lake. The shock of her death dramatically changes the lives of her daughter, troubled sister, and husband. . . . Told in the voices of several of the main characters and skipping back and forth in time, the narrative gradually and tantalizingly reveals the dark family secrets and the unsettling discoveries that lead to the truth of what actually happened the night of the drowning.
I'm always on the look out for a good book so I'm opening the challenge to all of you. Leave a comment with your favorite all time reads below!
To Kill a Mockingbird – Harper Lee (A classic and a must Sharon it will stay with you forever)
A Thousand Splendid Suns – Khaled Hosseini (beautiful)
We have to Talk about Kevin – Lionel Shriver (the book not the movie! – it will haunt you for a very long time)
Not Without my Daughter – Betty Mahmoody
Thanks! I'll check these out!
Pandora says
Its so hard to list favourites but if I go by those I never get tired of re-reading they would be:
Riders by Jilly Cooper (and all her others)
The hitchhikers guide to the Galaxy by Douglas Adams (all of them)
Lord of the Rings by Tolkien
The secret Diaries of Adrian Mole aged 13 and 3\4 by Sue Townsend (and all those following it.)
Anguished English by Richard Lederer (because it makes me laugh out loud every time.)
Watermelon by Marian Keyes ( love all her books)
Jane Eyre by Charlotte Bronte.
cat@jugglingact says
Thought I have left a comment here but it's gone? Thanks for doing this. I have read 4 on your list and also liked every single one so I think I need to read the others. BTW totally forgot how good White Oleander was. I hated the movie though – the actresses were just all wrong for the pictures in my head
I also didn't love the movie but LOVED the book!


Create a memorable dipping sauce to accompany a variety of savory dishes, from fresh peeled shrimp to succulent pork chops. This sauce is ready in just minutes, and layers a range of fresh, complementary flavors to create a tasty profile to tantalize any taste buds. This sauce tastes complex but is easy to create right at home. By using Macaw's mango preserves, you'll be able to serve up a consistent recipe every time.
Mix all the ingredients in a bowl and mix them until smooth. Taste and adjust seasoning.
Serve with shrimp, fish, grilled chicken or pork.


Beneath the curious cobbled pathways of the Square Mile lies a rich Roman history surviving 2,000 years of building, fires and bombings.
Lower Thames Street is home to one of Roman London's most fascinating remains.
The Billingsgate Roman Bathhouse was discovered in 1848, and is now open for public inspection.
Explore this fascinating insight into ancient life in the City on a 45-min guided tour and discover the remains of the Roman Bathhouse which lies hidden beneath office buildings.


Google's working with a number of phone makers to create Daydream-ready devices: In the opening keynote, Bavor specifically mentioned Samsung, HTC, LG, Huawei, ZTE, Asus and Alcatel. Those phones are going to sport some pretty powerful specs to cut latency to less than 20 milliseconds — a key to delivering the kind of "you are there" experience Google is aiming for with Daydream.
Smartphone-based implementations of VR are never going to be able to compete with the kind of power that you see in the base system requirements for something like Oculus Rift—requirements so strict that no Macs support it. But if we've learned anything from the rise of the smartphone, it's probably that they don't have to compete. High-end VR rigs will probably appeal to the same people who have gaming consoles and gaming PCs. A mainstream use of VR is far more likely, it seems to me, to come from the smartphone market.
That said, smartphone-based VR tech still needs to be good enough for people to accept it. If it's a lousy experience, it will fail. It'll be interesting to see how Daydream plays out.


What are the solutions which you have to consider when preparing your windows?
Many times, it is up to you to decide the technique which you want to use when it comes to repairing the windows. Therefore, you have to always look at the various techniques which are to be used. You need to always understand that you have to look into these options and thereafter take a call. You have to also 1st understand the type of the problem which you are facing in your windows. Once you are able to look at the type of the problem, you would be able to figure out the right solutions as well. We would today share with you some of the solutions which you have to always look into.
You need to understand that if you're living near a busy highway or if you are living in a deal near the airport, the rattling of the windows is a pretty common problem to have. Therefore, you have to understand that in such a case it would be a good idea to opt for double pane windows. When you are able to opt for double pane windows, there would be more insulation. When there is more insulation, it would be easier for you to avoid the rattling of the windows. Also, you can fill up the edges of the windows as well in order to ensure that there is no space for the windows to move. When there is no space for the windows to move, the rattling would stop automatically as well.
Many times, the problem is with the frame of the windows. If the frame of the window is not good enough, it is very difficult for you to keep the window in proper condition. You need to understand that there would be quite a few problems in such a case like the breaking of the glass panes or improper installation. Therefore, you have to look at the repairing of the window frame. You have to look at the material of the window frame and thereafter you can take a call regarding how you can repair it. Many times, if it is made of wood, you have to just use the sandpaper in order to remove the dust as well as other contaminants from the window frame. However, one thing which you have to keep in mind is that you can use epoxy filler in order to fill the gaps in the wooden frame as well. This would ensure that the rattling would stop entirely.
Many times, the problem is with the improper sliding of the windows. In such a case, the frame is actually blocked. Therefore, you have to remove the insulation from the frame. Also, if the frame is not aligned properly, the sliding would not take place properly. In such a case, you have to work towards aligning of the frame.
So, before directly calling the window repair company residential Glass installation company, it is a much better idea to look into these problems yourself. Once you are sure that the residential Glass replacement & repair company would need to be called in order to tackle this problem, thereafter only you have to opt for a professional solution.
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text:
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@property(retain) IDERefactoringInputValidator *inputValidator; // @synthesize inputValidator=_inputValidator;
@property(retain) IDEIndexSymbol *originalSymbol; // @synthesize originalSymbol=_originalSymbol;
- (void)controlTextDidChange:(id)arg1;
- (id)nibBundle;
@property(readonly) NSString *previewSummary;
@property(readonly) NSDictionary *userInput;
- (void)setInitialData:(id)arg1;

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redpajama_set_name: RedPajamaGithub