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Updates the private key file path of an automation principal. This command returns the handle for the newly created automation principal.
The following example sets the private key file path of "CorpDomainAdmin" to "//host/.ssh/id_rsa".


SuperSummary, a modern alternative to SparkNotes and CliffsNotes, offers high-quality study guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. This one-page guide includes a plot summary and brief analysis of The Thirteenth Tale by Diane Setterfield.
The 2006 gothic novel The Thirteenth Tale is Diane Setterfield'sfirst book. It is written in the style of the Brontësisters and alternating between the early and present lives,tells the story of two characters, Margaret Lea and Vida Winter. Vida's background is told in the third person voice and in the past tense. Later, first person perspective is also used. The two main storylines involve the life of Margaret, who is a biographer, and her study of the Angelfield/March family's history, and the story that is told to her by Vida. The book has four sections titled: "Beginnings," "Middles," "Endings," and "Beginnings." Charlotte Brontë's Jane Eyre is cited as having influenced some of the characters in The Thirteenth Tale.
As the narrative opens, Margaret Lea is asked to produce a biography of Vida Winter, an author who invents her past whenever asked about it. Margaret is unsure about taking on the task; she fears that Vida will not tell her the truth about her life since that has always been her way. She does, however, decide to take the job after reading Vida's books. The request to write Vida'slife story came from Vida herself in the form of a letter to Margaret. Vida is not especially welcoming at Margaret's first meeting with her. The guidelines she gives Margaret for the project include letting Vida tell her life story to Margaret without any interruptions, for she feels that will break the flow of her sharing the story. Margaret agrees and the tale begins.
Vida begins by speaking of Isabelle who was born before her. Isabelle is the pampered daughter of a wealthy man who favors her over her brother and everything else. In adulthood, Isabelle has a relationship with her brother, Charlie, that, at the very least, is presented as bordering on incestuous. Later, when she runs off to get married, her father dies, grief-stricken. She returns home months later with infant twin daughters. Charlie welcomes her return, and the siblings become so involved with each other that the babies are ignored, and the housekeeper, known as the Missus, does what she can to tend to their needs. As they get older, the twins become uncontrollable and run wild around the neighborhood. The town's doctor, out of concern, sends his wife to talk to Isabelle and Charlie about the girls. While the woman is at the house, she is hit in the head with a violin. As a result, Isabelle is committed to an asylum, Charlie is depressed, and the twins continue to run amok unchecked.
Margaret wonders about the validity of the story she is being told and decides to try to verify some of the facts. She discovers that the family from which Vida claims to have come, the Angelfields, did in fact exist. Upon visiting the family home where much of the story Vida told her took place, she finds it dilapidated, but its remnants are still there. Margaret encounters a caretaker there. This man, Aurelius, lives in the area, and due to his feelings of abandonment in life, Margaret feels a connection to him.She explains that she was born a twin, but this was kept from her by her parents. She discovered this only accidently as an adult. This connects her in a way to Vida as well.
Vida's narrative continues as she tells Margaret about a governess the doctor sent to the Angelfield home to take care of the twins after their mother was gone. The governess discovers that the twins have unique personalities that make them seem like two different halves of a whole. She believes that separating them would give them a chance to develop into two "whole" people. This suggested experiment does not take place as the girls lapse into a catatonic period when the governess falls in love with the doctor and leaves. Charlie learns of Isabelle's death and flees. His body is discovered in the woods by Vida, who does not tell anyone else as she sees no value in doing so. The gardener at Angelfield, John-the-dig, decides that it would not be in anyone's interest to make Charlie's disappearance public, since they need Charlie's solicitor to keep sending money for their survival. In time, John dies and one of the girls shares what has been going on with the solicitor.
Margaret finds out that Emmeline, who was one of the twins, lived in the house with Vida. Margaret had heard, and assumed on her own, that Vida was actually Adeline, the other twin. In a diary written by the governess, Margaret finds further evidence and realizes that there was a third girl living in the Angelfield house. Vida confirms this explaining that the girl was found abandoned in the garden by John-the-dig, who realized that Charlie was the child's father and kept her at the house, but in secret. Vida is the third child. Margaret returns to the Angelfield house and finds that it is in the process of being demolished.


ELGIN, S.C. — Betty Hill Pepper, 81, died Oct. 21, 2018, at the Providence Hospital in Columbia. Born Jan. 1, 1937, in Fulton, Miss., daughter of James Henry and Annie Mae Rhyne Hill, she had lived in Mississippi County, Mo., before moving St. Louis, Mo., where she lived most of her life. She moved to Elgin in 2010. On Dec. 8, 1962, she married Tommy Dean Pepper Sr., who preceded her in death on May 21, 1995. Survivors include: two sons, Dan Long of Elgin and Tommy D. Pepper Jr. of Arnold, Mo.; two daughters, Deborah Robinson of Gilbert, Ariz., and Melissa Harris of Festus, Mo.; three sisters, Judy Hill of Dexter, Mo., Ivanell Hudson of Advance, Mo., and Sue Davis of Sikeston, Mo.; and six grandchildren and two great-grandchildren. In addition to her parents and husband, she was preceded in death by one son-in-law, Jerry Robinson; two brothers, Judson B. "J.B". Hill and Alfred Hill; one sister, Ocell Hamilton; and one grandson. Visitation will be from 10 a.m. until service time a 1 p.m. Friday at the McMikle Funeral Home in Charleston, Mo. Johnny Hester of Sikeston will officiate. Burial will follow in the Dogwood Cemetery. Pallbearers will be: Tim Hill, Stanley Harris, Paul Harper, Jamie Hamilton, Phillip Robinett and Jimmy Hudson. Online condolences may be shared at www.mcmiklefuneralhome.com.


Look up My Chinese animal sign, Snake.
I did this in May. I was very poor.
Snake eats crow. Dragon eats snake eats crow.
Gemma Lovell lives and works in Milton Keynes. She has one daughter, one cat, one dog. She works as an art therapist with children as well as being an Arts and Crafts support worker for adults with learning disabilities.
This is the first poetry competition Gemma has entered. For the past 5 years she has been reading and writing poetry regularly. She will soon to be going back to university, for the third time, to study for a poetry MA in London.


Open Forum .Monday at 8:00 PM, 2 hours.
4 weeks, Saturday noon, 2 hours.!
Meets 4 weeks, Tuesday and Thursday for 2 hours! Be ginning at 7:00 PM.
Upon completion of any of the above courses, diplomas will be issued to the survivors!
Copyright©2007 Robin L. Olson, Robin's Web, All Rights Reserved.


text:
FROM cptactionhank/atlassian-jira-software:latest

MAINTAINER Jaroslaw Filiochowski <jarfil@gmail.com>

# grsec compatibility
# - switch to root user
# - install paxctl
# - disable MPROTECT on java binaries
# - remove paxctl
# - switch back to daemon user

USER root:root

RUN apk add paxctl \
	&& paxctl -cm /usr/lib/jvm/*/bin/* \
	; paxctl -cm /usr/lib/jvm/*/jre/bin/* \
	; apk del paxctl \
	&& rm -f /var/cache/apk/APKINDEX*

USER daemon:daemon

redpajama_set_name: RedPajamaGithub


text:
Rot Front (fronte rosso in lingua tedesca) può indicare:

 Rot front – abbreviazione di Rotfrontkämpferbund, organizzazione paramilitare associata al Partito Comunista Tedesco
 Rot Front – azienda dolciaria russa
 Rot-Front – villaggio del Kirghizistan
 RotFront – gruppo musicale tedesco

redpajama_set_name: RedPajamaWikipedia


text:
review of brothers
2019-09-18 08:41 作者:内地娱乐
This American remake of Susanne Bier's 2004 Danish film by Jim Sheridan is quite a disappointment that it is heartbreaking, but it failed to elicit a thorough sympathy from the audience. 'Brothers' itself is a well-meaning and touching story, however unfortunately it hasn't been pulled itself together properly. The biggest problem is perhaps the pace of the film, sometimes the scenes changed too fast for the audience to catch up the emotions. It almost feels like many movies have been compressed into one. Everytime true emotion starts to emerge, the scene changes. In addition, there are still plenty of scenes that are unnecessary and drag the movie down.
Sam Cahill (Toby Maguire), an US marine, brother to Tommy (Jake Gyllenhaal), who is fresh out of jail, loves his wife Grace (Natalie Portman) and two daughters, and is patriotic about his next duty to Afghanistan. After his helicopter crashed, Sam is thought to be killed in the accident and the whole family mourn his loss. Sam's death becomes an important milestone for Tommy, who starts straight up, help putting Sam's family back to order and turns into the "good son" in the eyes of their farther, a damaged Vietnam vet. Grace, being left to grieve photogenically, borrows a shoulder from Tommy, and they start to develop a relationship. After a 'different' Sam returning home, the family begins to be torn apart.
After Sam went to Afghanistan, there are a series of switching scenes between the battle field and the family back in American, it is an enhanced contrast. But at the same time, it interrupts the epitasis. There are more and more movies on screens these day which inspired by the war in Afghanistan and Iraq. 'Brothers' has its apolitical perspective and focused on the effects of the war on American families. If Sheridan can maintain the perspective of Grace throughout the entire movie, it might buy more tears from the audience. The movie leaves a vague feeling like it is not sure what is it trying to tell the audience.
The high light of this film is the performance of the two child actresses, Bailee Madison and Mare Winningham, playing Sam's daughters. The scenes with the two girls are subtle and delicate. Toby Maguire and Jake Gyllenhaal thankfully do look like brother in the movie. The natural softness of Jake Gyllenhaal is revealed especially in the scenes with the children. Toby Maguire seems strained by the pace set by Sheridan, whereas Natalie Portman is just kindly of being there.
The trio of Jake Gyllenhaal, Tobey Macguire and Natalie Portman got me very excited for this film, and from an acting standpoint, they did not disappoint. The script gives Macguire the most to work with as the family man/Marine, Sam Cahill, whose latest trip to Afghanistan sees him imprisoned by the Taliban and ultimately returned to America with some serious psychological issues. While he is MIA, his wife, Grace, (Portman) and ex-con brother, Tommy, (Gyllenhaal) are told he is dead, and the two grow closer, eventually verging on emotional and physical attachment.
Avatar is a 2009 American science-fiction film written and directed by James Cameron, and starring Sam Worthington, Zoe Saldana, and Stephen Lang. The film employed the latest 3D technology, and broke several box office records during its release and became the highest-grossing film worldwide. The film is set in the mid-22nd century; the expansion of human mining colony threatens the existence of a local tribe of Na'vi---a humanoid species indigenous to Pandora. On the surface being a neo-liberal tale of eco warriors battling against corporate interests, this film conveys what it means to be a human. When examined at the ideological level, however, the film, promoting conservative attitudes and values in relation to identity and gender, is still a narrative of white male supremacy which reaffirms and normalizes patriarchal hegemony.
This is not a film about war, but a film about being a human and what it means to be a human; according to Cameron, this means being in touch with the environment and world:
Ultimately, the movie is an emotional ringer. Sam returns to a family that wants to love him, but his walls are up, he's been through a lot and its his brother the fun loving Uncle Tommy who Sam's children want to play with. A quick note, Sheridan the director makes great use of the two daughters as comic breaks in otherwise terribly tense situations. Our theater was laughing at the kids and it felt to me, as though we needed that laughter to balance out the gloom. There are a few climaxes, some extremely tense family dinners and finally a final gripping scene where Sam is pushed to the brink, he distrusts his wife, assumes his brother is sleeping with her, and no longer can see the humor in his elementary aged children, can he hold on?
The Na'vi represent something that is our higher selves, or our aspirational selves, what we would like to think we are or maybe what we realize we're losing, and the humans in the film, even though there are some good ones salted in, represent what we know to be the parts of ourselves that are trashing our world and may be condemning ourselves to a grim future. ("Avatar Friday")
Its a touching film and a sad film, but it probably could have been a bit better. The script and title of the film suggest a big tension or interplay between the brothers. I found the brother relationship lacking in substance, and I thought the ingredients for some serious tension and emotional pain were in place but were never put to use. Sam Shepard does well as the Vietnam Vet father, but all he really does is establish his love for his son, the Marine, and his disdain for his son, the ex-con. There was so much more that he could have done, his role seems intentionally diminished. Portman is great as usual, but arguably miscast, as she doesn't belong cast into a film where she is not supposed to think. She's a thinking woman's actress and here she is left observing, we know she knows, but her character must play it clueless.
In the narrative, humans as settlers have absolutely no concern for the environment or rights of the natives; they are driven by their own greedy need. At the very beginning of the film, the director uses a long shot to present a bird's eye view of a mining field in which there is a super giant mining machine functioning. The super machine looks like a monster devouring the land. The director also uses a rack focus to make a distinct contrast between the tiny humans and the super size trucks. In addition, this scene is displayed in a monotone, dark grey lighting which is a sharp contrast to the colorful Pandora world. Therefore this opening scene of the film conveys to the audience the idea that the pitiless human settlers for the sake of valuable materials devastate the nature of Pandora, which serves to set the conflict between humans and Na'vi and precludes at the same time the failure of humans in the final assault on the Tree of Souls. Besides, in a later scene, after the giant tree, the home of the Na'vi tribe, is firebombed down by humans, the whole scene becomes black and white, muted, and retarded, showing on the one hand humans' ruthless and devastating attack at Pandora's environment and on the other the extreme sadness of Na'vi. The natives seem savage and primal, but turn out to be noble stewards of nature. They seem savage and primitive in many aspects. For example, the Na'vi do not wear normal clothes as humans do; they wear long braided hair; they sleep in nets tied among branches; they live in a huge home tree; their weapons of arrow seem quite vulnerable compared to machine guns, explosives and missiles. However, the Na'vi, on the other hand, have a spiritual, as well as psychic, connection with nature. The director uses a close-up shot to show Neytiri's devout pray for a dying viperwolf, when she rescues Jake from the beset of a group of feral viperwholves, meaning that Na'vi bond with these creatures. When depicting the sacred trees, Cameron employs soft, bright, purple and blue light to create a holy and pure atmosphere, and he uses low-angle shots to display the nobleness of the Tree of Souls. Also non-diegetic sounds of Na'vi's ancestors can be heard when they tap into a network of sacred trees which can store memories, thoughts and experiences. Moreover, when Jake is flying with an ikran that he has established a neural bonding with for the first time, non-diegestic music is played, giving audience a sense of freedom and awareness which cannot be felt by Jake in his human body. By refusing to be disconnected from nature, the Na'vi retain many animalistic behaviors but gain a greater dignity than their technologically advanced human counterparts. As for Jake, to be a greedy human or a pristine Na'vi, that is a question; he chooses the latter one, not only because the physical disability is obliterated when he makes the transformation, but for the reason that he could live his life with dignity, freedom, understanding and respect. Either being a human or a member of Na'vi is only the shell of life. What really matters to Jake is feeling of being alive, just as Joseph Campbell once said:
I cried, and wanted the story to continue, as there seems to be a bit left to this story when the film fades away. Both signs that the movie was enjoyable and touching. The growth of Gyllenhaal as the ex-con who is on the rise, adjusting to life on the outside and acting as a surrogate father in the absence of Macguire is nicely juxtaposed with Macguire's devolution into post-traumatic stress ridden torment. Watch the Oscar nods roll in, but I think, if anything, the movie may win individual awards, as the product as a whole falls quite a bit short of award winning status
People can say that what we're all seeking is a meaning for life. I don't think that what's we're really seeking. I think that what we're seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances within our innermost being and reality, so that we actually feel the rapture of being alone. That's what it's all finally about. (The Power of Myth.)
Jake chooses the permanent transformation, and simultaneously submits himself to nature. Therefore, by comparison between humans and the Na'vi, an ideal human society would be one in which humans submit to nature and honor it as source of life.
As for gender and identity, the film depicts two antithetical characters---the masculine character Quaritch and the feminine character Dr. Grace. To portrait the masculinity of Quaritch, Cameron employs several techniques. At the initial speech given by Quaritch in the headquarters, he uses close-up shots at Quaritch's black army boots and three obvious scars on his face to show his dauntlessness and vigorousness, along with his sonorous and mighty voice in the quiet room. Cameron at this time uses a pan shot to show the solid and innocent faces of miners, engineers, geologists as they take in what Quaritch is saying, which in return enhances the masculinity of Quaritch. The scene in which Quaritch, dressed in tank top, is bench-pressing massive plates and says "This low gravity makes you soft" serves to intentionally show his brawniness as well. Moreover, it reveals Quaritch's confidence and masculinity that he is drinking a cup of coffee when he gives the order to attack the home tree. The last scene to show Quaritch's masculinity and rashness is that rushing out of the room, he doesn't wear mask until he uses up all the bullets to shoot Jake and his friends down. By contrast, to portrait the femininity of the female character Dr. Grace, the director uses bright light to make her skin seem whiter than anyone else, especially compared to Quaritch whose skin is really dark. As a scientist, she is not eager to subjugate the Na'vi, but very interested in gaining samples from Pandora, and she is pretty gentle and amiable to interact with the natives in a pedagogical role and to make them civilized. She even asks Jake to finish the meal before allowing him to start the experiment, which probably can be associated with mother-like behaviors. Nevertheless, it can be inferred from the film that she is inferior to Quaritch in many aspects. There is always a high-angle shot to Grace when she is talking to Quaritch, which implies her less essential position on Pandora. Besides, in order to avoid direct confrontation with Quaritch and keep experiments in order, she moves the lab to Hallelujah Mountains. Unfortunately, people escape the headquarters safe and sound except Grace who gets one deadly gun shot from Quaritch. Thus, based on the above tiny techniques in the film the director basically tells audience men are in an active and aggressive position while women are inferior.
In the article "Visual Pleasure and Narrative Cinema," Mulvey argues "The magic of the Hollywood style at its best (and of all the cinema which fell within its sphere of influence) arose, not exclusively, but in one important aspect, from its skilled and satisfying manipulation of visual pleasure." While classical Hollywood uses formal compositions to heighten the aesthetic pleasure of the female form and consequently subjugates the female body as object of male pleasure, so too does Cameron's three dimensional aesthetics spectacularize the female form and relegate it to passive object of beauty and thing to behold. When Jake first meets Neytiri in the jungle at night, the director uses close-up shots and relatively dark light to display her slender hips and long articulated digits which are ethereal supermodel dimensions. The attached shadow on her body, on which the gently curved stripes line the blue skin, makes her very charming. Through a serial of trainings, Jake establishes the mastery of Neytiri and Na'vi tribe. These trainings are edited in a fluent and relatively fast pace, implying Jake is growing increasingly proficient to the skills that a competent Na'vi warrior should obtain. The pleasant, non-diegetic background music suggests both of them enjoy this process and that Jake is gradually and successfully assimilating the culture and nature of Na'vi tribe. There is one scene in which Neytiri is teaching Jake archery. A close-up shot in which Neytiry and Jake are extremely close to each other reveals a subtle affection between them. Moreover, after Jake's chosen his ikiran, his skillful flying impresses Neytiri. It is Jake's skillful flying that protects them from the attack of the Great Leonopteryx, and it is through his newly found prowess as a skilled warrior that he takes control over the situation. Relieved, they laugh together, and Neytiri displays her growing affection for Jake through a close-up shot on her subtle, pleased expression. After Jake has finished all of the trainings, Neytiri takes him to the home tree. The soft, blue and purple light creates a sense of sexuality. Jake chooses Neytiri as his mate at this moment. They then kiss and then make love in apparent human fashion, which suggests Jake asserts his superiority and mastery over her. In addition, despite her already being betrothed to Tsu'tey, the incumbent chief, Neytiri accepts Jake's offer, positing the superiority of Western love matches over alternative cultures of arranged marriage through bloodline and kinship ties. At this point, Jake hasn't just conquered an ordinary Na'vi woman; he has conquered the Na'vi par excellence in that she is beautiful, desired by the succeeder to chief, great-great granddaughter of a legendary chief, and daughter of the current Omaticaya chief and of the high priestess. Jake's mastery of Na'vi people is achieved by his mastery over the Great Leonopteryx. A low-angle shot, showing his descending into the crowd just like the return of the king, suggests Jake is formidable to Na'vi. At this time he earns the admiration and respect of all the Na'vi, including his love rival, Tsu'tey. What's more, Jake then speaks to the Na'vi in their language, 'I am here to serve you' positing a humility, but then continues in English, asking Tsu'tey for his help, stating 'I can't do this without you,' reaffirming his position as the nominal leader of the Na'vi, responsible for their safety and the one to engineer their fight against the humans, but requiring Tsu'tey's aid in their fight against the common enemy. But what is telling is that in a show of brotherhood, Jake asks Tsu'tey to act as translator, relegating the formerly active Neytiri to the role of passive observer. The director conveys this is, after all, men's work and there is no room for Neytiri despite her better linguistic skills. The once valiant female warrior has been restored to her place as passive helpmate and quiet observer.
Having shown greedy, ruthless humans and pristine, yet noble Na'vi, Cameron transmits the idea that an ideal human society would be one in which humans submit to nature and honor it as source of life. Through the depiction of weakness of the femininity of Dr. Grace in conflict with masculine Quaritch, the director conveys women's inferiority. Furthermore, it is through Jake's mastery of woman and Na'vi people that the film translocates conservative American ideology into a new, 3D world and transposes white culture and white male mastery onto the Na'vi population while inculcating them into patriarchal hegemony.
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redpajama_set_name: RedPajamaCommonCrawl


text:
Q: await doesn't wait before moving onto next line of code My code:
async function main(collection, token, symbol) {
  await collection.deleteMany({});
  const priceHistory = await makePriceHistoryRequest(token, symbol, slow*2);
  await insertPriceHistory(collection,priceHistory);
  const res = await priceQuote(token,symbol);
  await insertQuote(collection,res,symbol);
  return await avgFastSlow(fast,slow,collection);
}

My code makes request to 2 endpoints and update MongoDB collection. The last code:
return await avgFastSlow(fast,slow,collection);

takes the updated collection from the two endpoints to calculate fast and slow average. Problem is that it is not waiting before moving onto the this last line of code. Isn't the point of async function to make it "wait?"
Mystified here. Thanks for the help
@ihoryam Thanks for responding. Here is insertQuote function:
function insertQuote(collection,res,symbol) {
  const quote = res[symbol];
  const date1 = new Date(quote.quoteTimeInLong).toLocaleDateString();
  const record = {
    dateInMS: quote.quoteTimeInLong,
    dateFormatted: date1,
    open: quote.openPrice,
    high: quote.highPrice,
    low: quote.lowPrice,
    close: quote.regularMarketLastPrice,
    volume: quote.totalVolume
  }
  console.log("below is from insertQuote");
  console.log(record);
  helper(collection,record);
}

async function helper(collection,record) {
  await collection.insertOne(record);
}

To further isolate the issue, I added console.log to see if the request is returning updated value, and it is:
console.log("below is from insertQuote");
console.log(record);

So this tells me the problem is with MongoDB isn't updated in time before the code moves onto the calculation part of the code:
async function helper(collection,record) {
  await collection.insertOne(record);
}

Any ideas? Thanks

A: await works very well when you are awaiting a promise that resolves/rejects when the underlying asynchronous operation completes.  If you await something that is not a promise or await a promise that isn't tied to the underlying asynchronous operation, then it doesn't really do anything useful.
In addition, at the point of the first await, the parent function will immediately return an unresolved promise and execution will continue after the function call.  So, while await on a promise will suspend the execution of the current function until the promise resolves/rejects, it won't suspend the calling code.  The calling code will get a promise back from the async function and the calling code will have to itself use await or .then() to know when the function has actually completed.
If your await isn't waiting the way you think it should, then probably you aren't awaiting a promise properly.  To help you further with that, we would have to see the code inside the functions that you're awaiting.  There is perhaps an implementation error with those functions.
As you can see your insertQuote() function has no return value.  So, when you await insertQuote(...), the await doesn't do anything because you aren't awaiting a promise.  You can fix that by changing to this:
function insertQuote(collection,res,symbol) {
  const quote = res[symbol];
  const date1 = new Date(quote.quoteTimeInLong).toLocaleDateString();
  const record = {
    dateInMS: quote.quoteTimeInLong,
    dateFormatted: date1,
    open: quote.openPrice,
    high: quote.highPrice,
    low: quote.lowPrice,
    close: quote.regularMarketLastPrice,
    volume: quote.totalVolume
  }
  console.log("below is from insertQuote");
  console.log(record);
  return helper(collection,record);
}

function helper(collection,record) {
  return collection.insertOne(record);
}

This implementation assumes that collection.insertOne() returns a promise that resolves/rejects when the underlying database operation completes.
Now, your insertQuote() function returns the promise that helper() returns.  Note, there is no reason here for helper() to be async because return await collection.insertOne(record), does nothing different than return collection.insertOne(record).  They both return a promise that resolves/rejects the same.  If it were inside a try/catch block, then return await xxx() could end up the catch block if it rejects, but you don't have a try/catch here so return await xxx() is not appropriate.  You can just return the promise directly return xxx().
And, if this is the entire code for insertQuote(), then there's really no reason for helper() to exist at all.  You can just do this:
function insertQuote(collection,res,symbol) {
  const quote = res[symbol];
  const date1 = new Date(quote.quoteTimeInLong).toLocaleDateString();
  const record = {
    dateInMS: quote.quoteTimeInLong,
    dateFormatted: date1,
    open: quote.openPrice,
    high: quote.highPrice,
    low: quote.lowPrice,
    close: quote.regularMarketLastPrice,
    volume: quote.totalVolume
  }
  console.log("below is from insertQuote");
  console.log(record);
  return collection.insertOne(record);
}

A: This response has been edited by me because it doesn't answer the question but still sheds some light into the usage of async functions in JS, so I'll leave it up.
return await is redundant outside of try catch blocks. That's because all async functions return a Promise. So you need to await the function call.
If you do this:
async function main(collection, token, symbol) {
  await collection.deleteMany({});
  const priceHistory = await makePriceHistoryRequest(token, symbol, slow*2);
  await insertPriceHistory(collection,priceHistory);
  const res = await priceQuote(token,symbol);
  await insertQuote(collection,res,symbol);
  return await avgFastSlow(fast,slow,collection);
}

const result = main(collection, token, symbol)
console.log(result);

You'll see that result is actually a promise. Instead, you can do something like this:
async function main(collection, token, symbol) {
  await collection.deleteMany({});
  const priceHistory = await makePriceHistoryRequest(token, symbol, slow * 2);
  await insertPriceHistory(collection, priceHistory);
  const res = await priceQuote(token, symbol);
  await insertQuote(collection, res, symbol);
  return avgFastSlow(fast, slow, collection);
}

(async () => {
  const result = await main(collection, token, symbol);
  console.log(result);
})();

Now result should be what you expect.

redpajama_set_name: RedPajamaStackExchange


text:
set -ex

# change to grpc repo root
cd "$(dirname "$0")/../../.."

sudo apt-get install -y python3-pip
sudo python3 -m pip install --upgrade pip
sudo python3 -m pip install grpcio grpcio-tools google-api-python-client google-auth-httplib2 oauth2client

# Prepare generated Python code.
TOOLS_DIR=tools/run_tests
PROTO_SOURCE_DIR=src/proto/grpc/testing
PROTO_DEST_DIR=${TOOLS_DIR}/${PROTO_SOURCE_DIR}
mkdir -p ${PROTO_DEST_DIR}

python3 -m grpc_tools.protoc \
    --proto_path=. \
    --python_out=${TOOLS_DIR} \
    --grpc_python_out=${TOOLS_DIR} \
    ${PROTO_SOURCE_DIR}/test.proto \
    ${PROTO_SOURCE_DIR}/messages.proto \
    ${PROTO_SOURCE_DIR}/empty.proto


The massive Congressional spending bill signed into law by President Trump contains several important achievements for America's dairy farmers, according to the National Milk Producers Federation (NMPF), including relief from potential regulation under the CERCLA law.
NMPF said it helped organize a coalition of farm groups to urge Congress to clarify that the measure, aimed at monitoring emissions from hazardous waste sites, was never intended to generate reports on low levels of emissions of ammonia and hydrogen sulfide from farms.
"Because of recent court decisions, the CERCLA law was poised to require farms to generate meaningless reports that regulatory agencies do not want and will not use," said Jim Mulhern, president and CEO of NMPF.
Given the existing definition of milk as a product of a dairy animal, NMPF said that Congress' instructions to FDA in the omnibus bill should restrict the ability of beverages made from plant foods from using the term "milk" on their labels. This will also affect products misusing other dairy food names such as "cheese" and "yogurt" that are defined in the Code of Federal Regulations and cited in the congressional bill.
Another sizable drop in the U.S. All Milk price average, plus higher corn, soybean and hay prices, pulled the February milk feed price ratio lower again. The USDA's latest Ag Prices report shows the February ratio at 2.03, down from 2.19 in January and 2.62 in February 2017.
The index is based on the current milk price in relationship to feed prices for a dairy ration consisting of 51 percent corn, 8 percent soybeans and 41 percent alfalfa hay. In other words, one pound of milk today purchases 2.03 pounds of dairy feed containing that blend.
The U.S. All-Milk price averaged $15.30 per cwt., down 80 cents from January and a depressing $3.20 below February 2017. Michigan again scored the lowest at $13.80, with California at $14.75, and Wisconsin at $15.60.
February corn averaged $3.38 per bushel, up 9 cents from January, following a 6 cent rise from December, but is still 6 cents per bushel below February 2017. Soybeans averaged $9.49 per bushel, up 19 cents per bushel from January but 37 cents per bushel below a year ago. Alfalfa hay averaged $155 per ton, up $3 from January, and $28 per ton above a year ago.
Looking at the cow side; the February cull price for beef and dairy combined averaged $65.60 per cwt., up $2.30 from January and 70 cents above February 2017, but is $6 per cwt. below the 2011 base average of $71.60.
A point of explanation concerning the All-Milk price was stated in the March 16 Western United Dairymen's (WUD) newsletter. This is the price USDA uses in the Margin Protection Program's (MPP) formula to calculate the milk price part.
In some states, USDA uses data obtained from Coops or Federal Milk Marketing Orders. In California, USDA uses data provided by the California Department of Food and Agriculture. To calculate a U.S. price, USDA weighs the top 23 states' price estimates by the states' monthly milk production estimates.
The USDA published in the March 30 Federal Register a long-awaited, final decision to establish a Federal Milk Marketing Order (FMMO) for California. The proposed FMMO would incorporate the entire state of California. The final decision is based on the evidentiary record of a public hearing held in Clovis, Calif., from September to November 2015. A recommended decision regarding the proposed program was published Feb. 14, 2017.
USDA will conduct a referendum among dairy producers to determine whether they support the proposed FMMO. The referendum began April 2 and will end on May 5. USDA will mail ballot materials to all known eligible dairy producers supplying milk to the proposed marketing area. The FMMO would become effective if approved by two-thirds of the voting producers, or by producers of two-thirds of the milk represented in the voting process.
The Outlook said, "Markets continue to move sideways with little prospect for substantial improvement. The predicted mailbox prices for September to November 2018 are averaging $17.56 per cwt, which is $2 per cwt. higher than the second quarter of 2018 average mailbox price. If these predicted prices do occur this autumn, it will provide a few months of relief from the punishing low prices currently experienced by dairy producers. This temporary relief is still below the 3-year average breakeven for most Pennsylvania farms.
"Dairy producers that have a small land base and need to purchase corn on a regular basis should watch price trends closely. The markets are expecting corn prices to rise by autumn and through the winter of 18-19. Dairy producers in the Northeast are already at a disadvantage in purchasing corn due to the transportation basis that adds 15-20 percent to the Chicago market price. So, watch corn closely," the Outlook advised.
Cash dairy prices at the Chicago Mercantile Exchange were mixed in the Good Friday holiday-shortened week as only butter advanced. The markets had little to chew on in the way of USDA reports that the industry regularly monitors.
The Cheddar blocks closed March 29 at $1.53 per pound, down 1.5 cents on the week, unchanged on the month, but a penny above a year ago. The barrels came under pressure as product found its way to Chicago, and dropped to $1.44, down 7 cents on the week and the lowest since Feb. 15, down 3.25 cents on the month, 3 cents below a year ago, and 9 cents below the blocks. Two cars of block traded hands on the week at the CME and 23 of barrel.
Midwestern cheesemakers tell Dairy Market News that demand is moving at steady to increasing levels. Mozzarella and provolone makers say sales are meeting expectations, while some traditional/cheddar style producers are pointing to increases in orders. Milk intakes continue to be heavily discounted: $2 to $5 under Class III.
Western cheese makers report that demand has been solid, according to DMN, but the relatively strong orders and ample milk supplies have pressed manufacturers to keep up. "Industry contacts are pleased cheese is moving well and prices have been fairly stable. However, some suggest that cheese demand due to spring holiday orders has eased. The changing seasons leave processors with the knowledge they will soon face the vanward waves of spring flush," DMN said.
Somebody wanted to buy butter on March 28 and got it, as 40 loads exchanged hands, with another 20 on March 29. The price closed the day and the month at $2.2150, up 2.5 cents on the week, up 3.5 cents on the month, and 10.75 cents above a year ago. A total of 62 cars found new homes on the week.
FC Stone pointed out in its March 27 Early Morning Update, "Historically we've seen downside following the big demand of Easter, but we'll have to see how pipelines get refilled to make that call this year. In addition, European butter continues to find remarkable support at prices trading north of $2.80 per pound.
Butter stocks vary, but some suppliers report their stores are generally balanced.
Butter churning is ongoing in the West given that higher milk loads are available and have to be cleared. Export sales are unchanged from last week, and market players do not expect any big change in the near future. Current butter stocks are more than sufficient to meet end users' needs, according to DMN.
Cash Grade A nonfat dry milk saw a Thursday close at 69 cents per pound, down a quarter-cent and 11 cents below a year ago, with 23 cars sold this week.
The March 29 Daily Dairy Report said the EU sold 4,127 MT of skim milk powder SMP from its Intervention stocks at the minimum price of the equivalent of 58.5 cents per pound (U.S.), the lowest minimum price fixed for the past 18 tenders.
CME dry whey closed March 29 at 28.5 cents per pound, down a quarter-cent on the week, with two sales reported. The lagging USDA surveyed whey price was up 2.2 cents, to 26.14 cents per pound.
McDonalds is trying to get back into the good graces of the dairy industry after it recently removed dairy from its Happy Meals. Dairy checkoff scientists who work onsite at McDonald's headquarters have helped the chain launch three items that "continue its commitment to elevate dairy and provide customers with great-tasting menu choices," according to a Dairy Management Inc. (DMI) press release.
DMI scientists worked with McDonald's to create the new menu additions which include McDonald's Signature Crafted Recipes sandwiches and the Egg White Delight McMuffin, which will feature sharp white Cheddar cheese slices that are 30 percent larger than the pasteurized process version previously used. The cheese were available in all 14,000 restaurants by April 2. A new Signature Crafted Recipe, Garlic White Cheddar, will be added to the Signature Crafted Recipes lineup.
McDonald's launched a limited-time-offer McCafe Turtle Coffee Beverages with advertising starting April 2. Consumers can choose Turtle Macchiato Iced, Turtle Macchiato Hot and Turtle Iced Coffee. These beverages join a McCafé lineup that offers dairy in 90 percent of its items, according to DMI. And, McDonald's in partnership with Coca-Cola, recently launched a line of ready-to-drink McCafé Frappes at grocery stores nationwide. Three flavors, caramel, vanilla and mocha, are available, and McDonald's plans to expand its line-up later this year.


The Development Partner Group for Water (DPG Water) has been operational since 2005 with agreed Terms of Reference under the Development Partner Group. This DPs group supporting the water sector currently consists of bilateral and multilateral agencies and donors.
DPG Water aims to enhance the Development Partners harmonization, support the implementation of the Sector Wide Approach SWAp and promote Government leadership. The DPG-W enhances dialogue between the Government of Tanzania and the Development Partners by providing a united DP voice on Water Sector Development rather than a potentially diverse set of individual views.
2. Support the Government to achieve the objective of NWSDS, MKUKUTA and the WSDP, launched in early 2007.
The DPG-Water Group meets regularly on the first Thursday of every month, from 13.00 to 1500 Hrs.
The DPG Water has its Secretariat housed at GIZ office, Third floor, Isimani Street Upanga in Dar es Salaam. P. O. Box 1519, Tel: +255 767 218 091.


text:
Q: Adding status to a facebook page I am trying to post a message to the user's Facebook wall using Spring-social-facebook api. Below is my code. I think it's not my code error and some of the jars I needed to include may not be there. Can anyone tell me which jar have to be downloaded to fix this error and from where?
    String accessToken = "xxxx";
    FacebookTemplate facebook = new FacebookTemplate(accessToken);
    //facebook.feedOperations().updateStatus("hello facebook");
    facebook.feedOperations().updateStatus("hey");

The error I got is
Exception in thread "main" java.lang.NoClassDefFoundError:
 org/codehaus/jackson/type/JavaType
at pkg.am.ncrb.shot.Test.main(Test.java:15)
Caused by: java.lang.ClassNotFoundException: org.codehaus.jackson.type.JavaType
at java.net.URLClassLoader$1.run(URLClassLoader.java:372)
at java.net.URLClassLoader$1.run(URLClassLoader.java:361)
at java.security.AccessController.doPrivileged(Native Method)
at java.net.URLClassLoader.findClass(URLClassLoader.java:360)
at java.lang.ClassLoader.loadClass(ClassLoader.java:424)
at sun.misc.Launcher$AppClassLoader.loadClass(Launcher.java:308)
at java.lang.ClassLoader.loadClass(ClassLoader.java:357)
... 1 more


Home Town Nazareth: Where Jesus Was A Kid!
Families will step back in time at Hometown Nazareth, exploring what it was like to live in the town where Jesus grew up. Kids and adults will participate in a memorable Bible-times marketplace, sing catchy songs, play teamwork building games, dig into Bible-times snacks, and visit Jesus' mom, Mary. Plus, everyone will learn to look for evidence of God all around them through something called "God Sightings." Each day concludes at Celebration—a time of upbeat worship that gets everyone involved.


text:
Adaalat (Independence Day Special) – 10th Aug & 11th Aug 7.30 PM
More in Television:
Taarak Mehta Ka Ooltha Chashmah – Snipet – Will Jethalal choose profit over humanity? Nov 28, 2022
Watch the story a young dreamer; 'Faltu' coming on StarPlus at 9 Pm on 2nd November Nov 1, 2022
Academy Award winning actress Gwyneth Paltrow to be Guest Judge on Shark Tank S14 Sep 23, 2022
In tonight's episode, we see that a minister has been shot while giving his speech in a college on Independence Day. However the bullet just hits and goes. He is taken to the principal's office where a girl named Shubhangi comes to meet him where minister has an argument with her. While the argument goes on we see he gets an asthma attack. The principal asks the girl to pass the inhaler to him. She does it and when the minister takes the puff we see that he falls down. He is dead. Shubhangi gets accused of murdering her. The reason being that she loved the minister's son and they wanted to marry each other whereas the minister wanted his son to get married to a rich girl. Shubhangi tells Kd that she didn't kill him. The opposition lawyer presents documents which show that she had taken training in long range firing. Kd gets annoyed with Shubhangi's brother and her as they did not tell this to kd. The opposition lawyer blames Shubhangi saying that when her aim missed then she poisoned the inhaler. The shocking revelation happens when she accepts to have killed the minister. Kd is taken aback he asks her why is she doing this. She doesn't reply to him just says that she has killed the minister. What will kd do now? Is his client really innocent?
Tune in to Sony Entertainment Television on 10th – 11th August at 7.30 PM


This year our class will learn (to) . . .
Hello! I am really looking forward to getting to work with your child this year and getting to know each family. I have taught Kindergarten at Harmony Elementary for sixteen years! Last year I had the pleasure of teaching a K-1 combo class. This year I will be teaching a first grade class!!
I grew up in Iredell County and attended college at Appalachian State University (Go App!). I love to spend time with my little girl who will be turning 7 in October! She will be a 1st grader as well this year!
During the summer my daughter and I love to travel. We enjoy swimming at the pool (or beach) and relaxing in the mountains.
What's the buzz about honeybees?


Ann Taylor | Magenta Cropped Ankle Pants. Size 4. Pretty magenta pink pants in a cropped ankle length. 16" across the waist. 8" rise. 26" inseam. 6" across the leg opening. 53% cotton, 41% polyester, 6% spandex.
Work pants in great condition !


text:
Home Entertainment Iggy Azalea recents having to 'prove' herself to other people
Iggy Azalea recents having to 'prove' herself to other people
The 32-year-old rap star has taken to social media to hit out at perceived misogyny, revealing that she hates being asked to prove that she's "making choices from a position of power". "Women have to PROVE that they are over and over again."I hate that. " Iggy previously confessed to feeling "utterly deprived of a personal life" during her music career.
Iggy who was born in Australia, but moved to the US during her teens wrote on Twitter: "No one ever assumes a woman is making choices from a position of power/control. The rap star recently took to social media to offer advice to aspiring music stars, admitting that her own path towards fame and success hasn't been straightforward.
"On the road to ur goal there will be moments u feel insane, utterly deprived of a personal life and like everything's falling apart. "When u reach ur goal… u will still have those moments. The 'Fancy' hitmaker who has Onyx, two, with ex-boyfriend Play boiCarti wrote on the micro-blogging platform: "Here's the thing I think everyone working hard toward a dream should know.
Iggy announced in 2021 that she was taking a break from music for "a few years" to focus on "other creative projects". However, the rap star later confirmed her return to the music scene via a Twitter post. Iggy wrote online: "A year ago I was willing to walk away from music because I was tired of the negative energy it attracted. "But what I've learned is that even when I'm minding my business, y'all gonna be negative AND nosey. "So if I can't have peace, neither can you.
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Barb and Leo had home building, home contents and comprehensive car insurance all with BIG INSURANCE COMPANY.
They are newlyweds who recently moved into a bushfire prone region. On a particularly devastating summer's day, while visiting her sick grandma in another part of the state, Barb heard news that her home town had been ravaged by bushfires. It was reported that the fires wiped out the whole town.
A phone call to the local relief centre confirmed Barb's worst fears. Her house and her car were all completely engulfed by the sudden onslaught of the bushfires. Fortunately Leo is safe but they have nothing left.
Barb & Leo will definitely claim under their existing insurance policies but don't know where to start or what to expect. They are too overwhelmed.
If you have insurance, the damages and losses resulting from bushfires may be recoverable depending on what type of insurance you have and the extent of that cover.
Life Insurance covering injury, disability and/or death. It may be stand-alone insurance through a life insurer or as part of your superannuation benefits. If you have life insurance through your super, some policies will cover you even if you are no longer employed.
If you think you may have insurance but you can't remember which company it is with, ring the Insurance Council of Australia on 1300 728 228. When there has been a large scale disaster event there is usually also a dedicated Catastrophe Hotline 1800 734 621. Your superannuation fund can tell you about any insurance attached to your superannuation in the event that there has been a death or severe injury resulting in disability in the family.
PART 2: DOES MY INSURANCE POLICY COVER ME?
Do not be concerned if your policy documents have been lost or destroyed, insurance companies keep records electronically and only require the policyholder's name and address in order to process a claim. Your insurer is obligated to send you a copy and may have them available online.
One of the first things you should look for is whether you are covered for the costs of temporary accommodation. More about this is found below in Part 4: Additional Benefits under your policy.
Take reasonable steps to minimise your loss. If you can secure your property from further loss, for example, putting a tarp over your contents if they are exposed or moving it under shelter. Try and document this with photos, invoices and evidence of any directives from council or local emergency services.
If you do not do this, the insurer may reject any claims arising out of subsequent damage because of this.
You should be mindful of your insurer's rights to inspect your property or determine whether buildings or contents should be repaired/rebuilt/replaced and by who. You should talk to your insurer to try and get their consent before performing works.
NOTE: In the event of a major disaster event, some insurance companies may not expect you to itemise all of your contents if your home and everything in it has been totally destroyed – they may agree to just pay the full amount insured, particularly if the amount claimed seems reasonable for the size of the family and the size and value of the home insured.
Sometimes, in a large bushfire event, there may be the possibility that some person or entity will be found responsible for starting the fire. If there is a possibility that, for example, a large company, or the government, may be found to be liable for the event, and your insurance is insufficient to cover all your loss, you may want to gather such evidence anyway just in case there is court case, inquiry or other source of compensation.
If you are not sure what you are covered for, you should get a copy of your Product Disclosure Statement and Policy schedule and your Certificate of Insurance covering the date of the bushfire.
Many insurance policies cover bushfires as an insured event. There may however be limitations on whether or not fire damage includes bushfire damage and to what extent.
The extent of your cover will ultimately depend on the wording of your particular Policy.
Many policies also impose a general obligation on you to take reasonable precautionary measures to prevent loss – for instance clearing your gutters to reduce the risk of leaves in the gutter catching fire from embers carried by the wind. This only requires reasonable measures – you should not risk your health or safety or disregard local planning laws. What is reasonable can be argued about, especially if the fire was sudden or of unavoidable ferocity.
Have an embargo or time delay (e.g. 48 hours) after you've entered into the insurance contract for the policy to take effect in relation to bushfires. This is important because you will only be covered after this time delay but see the section on "Non Disclosure" below.
Exclude cover where there has not been any actual flame damage (such as damage from scorching, melting, heat, smoke, ash or soot).
Limit cover where you have not taken adequate precautions to prevent damage or loss.
GOLDEN RULE: It can be difficult to work out what is covered by your policy so if you are unsure get advice from the Insurance Law Service 1300 663 464, or your private solicitor.
Provide copies of any transcripts of telephone calls (if applicable).
PART 3: WHAT ARE TYPICAL ISSUES TO CONSIDER IN BUSHFIRE INSURANCE CLAIMS?
If you have indemnity cover, your insurance policy will generally cover you for actual losses up to the sum/s you are insured for. If you have this type of policy, your certificate of insurance will state what amounts you are insured for – for instance "Up to $400,000 for building, $20,000 for contents". There may be limitations – for instance if you choose not rebuild but sell the land, your policy could say that your insurer may only pay the value of the property.
If you have a replacement cover, your insurer should cover you for the amount it would cost to replace or repair damaged building/contents to the condition it was in just prior to the fires.
For either, you may also be entitled to other Additional Benefits under the policy, see below.
Underinsurance is a problem with indemnity cover, where the amount you are insured for is not enough to cover your loss or damage. This is a major problem particularly in times of natural disasters such as floods or bushfires, as the cost to rebuild can easily rise due to the increased demand for builders and building materials.
Insurers are only obligated to cover you up to the amount you are insured for. However, your insurer has a duty to clearly inform you in writing that their liability is limited to a particular amount before the contract is entered into.
The reverse side of this is over-insurance is where you are insured for more than the amount required to cover your loss or damage. Over-insurance can be one way of creating a buffer to make sure you are fully covered. However you need to be aware that you will not be entitled to an automatic payment of this higher sum. The insurer is entitled to reduce your payout to the amount of your actual loss, and you will not be entitled to any refund of the higher premiums you paid because you were over-insured.
IS IT THE INSURER'S FAULT THAT I AM UNDERINSURED OR OVER-INSURED?
Generally no. When you first take out a policy and at every renewal it is your obligation to review the amount of cover the insurer is offering to ensure that it meets your needs and expectations.
If you feel you have been clearly misled by your insurer into getting too little or too much insurance get legal advice.
handle any complaint about the quality and timeliness of the work or conduct of the repairer (clause 7.20b).
If you agree to a cash settlement and engage your own repairer, any issues arising from the quality of repair will be an issue for you to sort out with your own repairer.
Most insurers will have clauses about the standard of cover – for instance, matching of materials with what you had before, or "new for old". Usually "new for old" has its own definition under the policy. You should read your policy to see what level of cover you have and the extent the insurer has to try and source the same materials you had before the event.
In contents claims, the insurer may pay your claim not in cash but in store credit. The insurer may be able to do this if there is an express right to settle in the terms of the policy that they can pay your contents claims in this way. If you are not happy with store credit check your policy wording.
If the policy is silent on a store credit you could ask for cash as an alternative. However, you should be aware that the insurer may reduce your cash settlement to a lower amount than the stated value of the store credit. This may be because the insurer has an arrangement with one retailer (such as a volume discount) which enables them to pay less for the credit than the dollar amount you are able to spend. Many insurance policies allow insurers to only indemnify you as to the cost the insurer would have to replace the item rather than the retail value. Policies vary so get advice if you are not happy with the arrangement and the policy is unclear.
You need to be clear on what you are settling, if it is the whole claim or only part of it eg. contents. You may have "Additional Benefits" on top of the amounts you are insured for building and contents.
You need to be very careful about accepting a settlement agreement!
Get legal advice. Once the claim is settled, you may be prevented from asking anything further from the insurer. This will vary on a case by case basis and on the wording of the settlement.
If you have a mortgage over your home that has been damaged or destroyed the insurer may pay the amount of your claim directly to your home lender. In this case you will need to negotiate with your lender about the release of the funds for rebuilding or repair. If there is a problem with this process you should get advice about your options.
There may be additional benefits under your home building and/or contents policy which may cover you for emergency/alternative accommodation, removal of debris and demolition, architects, surveyor and legal fees etc.
These additional benefits can be in addition to your sum insured. Therefore, before agreeing to any settlement of your claim, it is important that you check to see if you are entitled to more than your sum insured through the existence of additional benefits cover.
If you can no longer live in your house, you should contact your insurer and check your policy to see whether you have temporary accommodation entitlements and for how long.
If you have been relocated to emergency "community" accommodation, it is also worth contacting your insurer to determine whether you are eligible for emergency "private" accommodation. If you live in a remote area, there may be no private accommodation available. Contact your insurer to determine what is likely to happen in such cases.
The costs to remove such debris from your property and clear your land can be significant.
You need to carefully check what types of "debris" is covered. For instance, debris from trees, shrubs and plants may not considered "debris" under the policy. This exclusion may be done through a series of clauses. Make sure you look out for these.
However, if you see any clauses in your contact such as the following you will know you are not covered for trees and shrubs debris.
The above policy only covers the removal of debris to "buildings or its contents", and because "trees, shrubs and plants" aren't considered buildings or its contents, the removal of fire damaged trees and plants are not covered by the policy.
Reading a policy can be difficult, and you should contact us for specific advice if you need assistance.
Most home building insurance policies provide additional cover for the costs of the services of architects, surveyors and legal fees in rebuilding and/or repairing damage to buildings.
After significant event like bushfires, sometimes local councils will impose new regulations and fire safety standards for bushfire prone areas. New regulations may also have been introduced since your home was initially built.
It is likely that you will be covered for additional compliance costs if your policy is to replace your property "as new" or if you have "total replacement cover".
PART 5: THE CLAIMS HANDLING PROCESS – WHAT HAPPENS AFTER I LODGE MY CLAIM?
After you lodge the claim, the insurer will send out an assessor and possibly builders or engineers to inspect your property and help determine whether you claim is covered.
There are guideline timeframes insurers should follow in how long the claims process should take. This is outlined in the General Insurance Code of Practice.
Generally the insurer should make a decision on your claim within a maximum of four months, unless exceptional circumstances apply. Exceptional circumstances include where there has been an extraordinary catastrophe or disaster declared by the Board of the Insurance Council of Australia. In these circumstances the maximum time to make a decision on a claim is 12 months, but you may complain to the Australian Financial Complaints Authority (AFCA) at any time if you are dissatisfied with the progress of your claim.
This Code also obliges your insurer to fast-track your claim if you are in urgent financial need (Clause 7.7a) and to make an advance payment within 5 business days of you satisfactorily demonstrating your urgent financial need (Clause 7.7b). Any advance payment will be deducted from the total value of your claim.
PART 6: WHAT CAN I DO IF MY CLAIM IS REFUSED, OR IF THE CLAIM IS TAKING TOO LONG? HOW DO I RAISE A COMPLAINT?
You should gather as much evidence as you can and provide copies to your insurer. If your insurer is relying on expert evidence, you should consider obtaining your own independent expert report to support your dispute.
You can also consider court proceedings, however you should speak to a private solicitor for advice first as court is risky and you may be made responsible for the insurer's legal costs.
GOLDEN RULE: It can be difficult to work out what is covered by your policy so if you are unsure, get legal advice.
You can call the Insurance Law Service on 1300 663 464 on Mondays through Fridays between 9:30am to 4:30pm. If you cannot reach us on this number and have an urgent bushfire inquiry, you can also reach us through the National Debt Helpline on 1800 007 007 from 9:30 to 4:30pm Mondays to Friday.
What can I do if my car insurance claim is refused?
If you are a tenant affected by the bushfires either from having your possessions burnt or your rental property damaged or destroyed, please contact a Tenants Union in your state or territory for tenancy advice. NSW residents may contact Law Access on 1300 888 529 for a referral to your nearest Tenants Union.
DO YOU HAVE A MORTGAGE OR OTHER LOANS?
You should contact your lender immediately to ask for hardship assistance. This is most commonly provided in the form of reduced or postponed repayments, usually for 3 to 6 months at a time.
When catastrophes happen, some lenders may offer even more generous assistance and you should explore that avenue as well.
If you do not do anything, not paying your loan/s pending the outcome of an insurance claim will result in additional interest and enforcement fees being added to your loan and may result in legal action.
There are also services such as the No-interest loans scheme (NILS) which can provide loans to low income earners on an interest free basis to pay for essential household items such as whitegoods.
DO YOU HAVE OTHER DEBTS – WATER, RATES, ELECTRICITY, PHONE BILLS?
All utility companies and telecommunications companies have hardship policies, and can provide assistance by reducing or postponing your repayments. If you are experiencing difficulties negotiating with your provider you can contact the Telecommunications Industry Ombudsman on 1800 062 058 or www.tio.com.au for telecommunications or the Energy & Water Ombudsman in your state.


text:
\section*{Introduction}
	One of the most important open problems in operator theory is the \emph{Invariant Subspace Problem} (ISP), which asks: Given a complex separable Hilbert space $\mathcal{H}$ and a bounded linear operator $T$ on $\mathcal{H}$, does $T$ have a nontrivial invariant subspace? An invariant subspace of $T$ is a closed subspace $E\subset\mathcal{H}$ such that $TE\subset E$. The recent monograph by Chalendar and Partington \cite{Chalendar Partington book} is a reference for some modern approaches to the ISP. In 1960, Rota \cite{Rota} demonstrated the existence of operators that have an invariant subspace structure so rich that they could model \emph{every} Hilbert space operator. \\ \\
	$\mathbf{Definition.}$
	\emph{Let $\mathcal{B}$ be a Banach space and $U$ a bounded linear operator on $\mathcal{B}$. Then $U$ is said to be universal for $\mathcal{B}$, if for any bounded linear operator $T$ on $\mathcal{B}$ there exists a constant $\alpha\neq 0$ and an invariant subspace $\mathcal{M}$ for $U$ such that the restriction $U|_\mathcal{M}$ is similar to $\alpha T$. } \\

	If $U$ is universal for a separable, infinite dimensional Hilbert space $\mathcal{H}$, then the ISP is equivalent to the assertion that every \emph{minimal} invariant subspace for $U$ is one dimensional. The main tool thus far  for identifying universal operators has been the following criterion of Caradus \cite{Caradus}. \\ \\
	$\mathbf{The \ Caradus \  Criterion.}$
	\emph{	Let $\mathcal{H}$ be a separable infinite dimensional Hilbert space and $U$ a bounded linear operator on $\mathcal{H}$. If $\mathrm{ker}(U)$ is infinite dimensional and $U$ is surjective, then $U$ is universal for $\mathcal{H}$. } \\

	Let $\mathbb{T}^n$ be the Cartesian product of $n$ copies of $\mathbb{T}=\partial\mathbb{D}$ equiped with the normalized Haar measure $\sigma$. Let $L^2(\mathbb{T}^n)$ denote the usual Lebesgue space and $L^\infty(\mathbb{T}^n)$ the essentially bounded functions with respect to $\sigma$. The Hardy space $H^2(\mathbb{D}^n)$ is the Hilbert space of holomorphic functions $f$ on $\mathbb{D}^n$ satisfying
	 \[
	 ||f||^2:=\sup_{0<r<1}\int_{\mathbb{T}^n}|f(r\zeta)|^2d\sigma(\zeta)<\infty.
	 \]
	 Denote by $H^\infty(\mathbb{D}^n)$ the space of bounded analytic functions on $\mathbb{D}^n$. It is well-known that both $H^2(\mathbb{D}^n)$ and $H^\infty(\mathbb{D}^n)$ can be viewed as subspaces of $L^2(\mathbb{T}^n)$ and $L^\infty(\mathbb{T}^n)$ respectively by identifying $f$ with its boundary function $f(\zeta):=\lim_{r\to 1}f(r\zeta)$ for almost every $\zeta\in\mathbb{T}^n$. If $|f|=1$ almost everywhere on $\mathbb{T}^n$ then $f$ is called \emph{inner}. Let $P$ be the orthogonal projection of $L^2(\mathbb{T}^n)$ onto $H^2(\mathbb{D}^n)$. The \emph{Toeplitz operator} $T_\phi$ with symbol $\phi\in L^\infty(\mathbb{T}^n)$ is defined by
	 \[
	 T_\phi f=P(\phi f)
	 \]
	for $f\in H^2(\mathbb{D}^n)$. Then $T_\phi$ is a bounded linear operator on $H^2(\mathbb{D}^n)$. The adjoint of $T_\phi$ is simply given by $T_\phi^*=T_{\bar{\phi}}$. If $\phi\in H^\infty(\mathbb{D}^n)$, then $T_\phi f=\phi f$ for all $f\in H^2(\mathbb{D}^n)$ and $T_\phi$ is called an \emph{analytic Toeplitz operator}.

	The best known examples of universal operators are all adjoints of analytic Toeplitz operators on $H^2(\mathbb{D})$, or are equivalent to one of them. For example $T^*_\phi$ when $\phi$ is a singular inner function or infinite Blaschke product. Another well known example was discovered by Nordgren, Rosenthal and Wintrobe \cite{Nordgren-Rosenthal-Wintrobe} in the 1980's. They proved that if $\phi$ is a hyperbolic automorphism of the unit disk $\mathbb{D}$,  then $C_\phi-\lambda I$ is universal for all $\lambda$ in the interior of the spectrum of $C_\phi$. In the last few years, Cowen and Gallardo-Gutiérrez (\cite{Cowen- Gallardo 1},\cite{Cowen- Gallardo 2},\cite{Cowen- Gallardo 3},\cite{Cowen- Gallardo 4}) have undertaken a thorough analysis of adjoints of analytic Toeplitz operators that are universal for $H^2(\mathbb{D})$.

	The objective of this article is to consider analytic Toeplitz operators $T_\phi$ whose adjoints are universal on $H^2(\mathbb{D}^n)$ for $n>1$. We now state our main result.

	\begin{theorem*} \emph{Let $\phi\in H^\infty(\mathbb{D}^n)$ for $n>1$. Then $T_\phi^*$ satisfies the Caradus criterion for universality if and only if $\phi$ is invertible in $L^\infty(\mathbb{T}^n)$ but non-invertible in $H^\infty(\mathbb{D}^n)$}.
		\end{theorem*}

	This shows that analytic Toeplitz operators with universal adjoints are far more ubiquitous in the higher dimensional case $n>1$. \\ \\
	$\mathbf{Corollary.}$
	\emph{If $\phi$ is a non-constant inner function or a polynomial in the ring $\mathbb{C}[z_1,\ldots,z_n]$ that has zeros in $\mathbb{D}^n$ but no zeros in $\mathbb{T}^n$, then $T_\phi^*$ is universal for $H^2(\mathbb{D}^n)$ with $n>1$. } \\

	In particular the backward shift operators $T^*_{z_1},\ldots, T^*_{z_n}$ are universal when $n>1$. These results are \emph{not} true in general for $H^2(\mathbb{D})$. A closed subspace $E\subset H^2(\mathbb{D}^n)$ is said to be $z_i$-invariant if $z_i E\subset E$ for some $i=1,\ldots,n$. A $T_\phi$-invariant subspace $E$ is called maximal if $E\subsetneq H^2(\mathbb{D}^n)$ and there is no $T_\phi$-invariant subspace $L$ such that $E\subsetneq L \subsetneq H^2(\mathbb{D}^n)$. Since every maximal $T_\phi$-invariant subspace $E$  corresponds to a minimal $T^*_\phi$-invariant subspace $E^\perp$, we obtain the following version of the ISP. \\ \\
	$\mathbf{An \ equivalent \ version \ of \ the \ ISP.}$
	\emph{ Suppose $n>1$ and i=1,\ldots,n.	Then the ISP has a positive solution if and only if every maximal $z_i$-invariant subspace has codimension $1$ in $H^2(\mathbb{D}^n)$. } \\

	The maximal $z$-invariant subspaces in $H^2(\mathbb{D})$ indeed have codimension one by Beurling's Theorem. Hedenmalm \cite{Hedenmalm Maximal} proved that this is also true  in the classical Bergman space $L^2_a(\mathbb{D})$. A closed subspace $E\subset H^2(\mathbb{D}^n)$ that is $z_i$-invariant for all  $i=1,\ldots, n$ simultaneously is called a \emph{shift-invariant} subspace. The description of all shift-invariant subspaces for $n>1$ is a central open problem of multivariable operator theory (see the recent surveys of Sarkar \cite{Sarkar} and Yang \cite{Yang}{\tiny }) which could therefore lead to a solution of the ISP.
	\section{Proof of theorem}
	Cowen and Gallardo-Gutiérrez (\cite{Cowen- Gallardo 1},\cite{Cowen- Gallardo 2},\cite{Cowen- Gallardo 3},\cite{Cowen- Gallardo 4}) have frequently observed that if $\phi\in H^\infty(\mathbb{D})$ and there is an $\ell>0$ so that $|\phi(e^{i\theta}))|>\ell$ almost everywhere on $\mathbb{T}$, then $T_{1/\phi}$ is a left inverse for $T_\phi$ on $H^2(\mathbb{D})$ and therefore that $T_\phi^*$ is surjective. Our first goal is to characterize the left-invertibility of analytic Toeplitz operators on $H^2(\mathbb{D}^n)$ for all $n\geq 1$. The following general result can be found in functional analysis textbooks, but we state it here for completeness.

	\begin{lem}\label{Left invertible} Let $T$ be a bounded operator on $\mathcal{H}$. Then the following are equivalent.
		\begin{enumerate}
			\item $T$ is left-invertible.
		\item $T^*$ is surjective.
		\item $T$ is injective and has closed range.
			\end{enumerate}
		\end{lem}
	\begin{proof} If $T$ is left-invertible then there exists an bounded operator $S$ with $ST=I$ and hence $T^*S^*=I$. So $T^*$ is surjective and $(1)\implies (2)$. The equivalence $(2)\iff (3)$ is the closed range theorem \cite[Theorem 4.1.5]{Rudin}.
	If $T$ is injective and has closed range, then it has a bounded inverse $T^{-1}:T(\mathcal{H})\to\mathcal{H}$ by the open mapping theorem \cite[Corollary 2.12]{Rudin}. Therefore $T^{-1}T=I$ and $(3)\implies (1)$.
		\end{proof}
	Recently Koca and Sadik \cite{Koca-Sadik} proved that if $f\in H^\infty(\mathbb{D}^n)$, then the subspace $E=f  H^2(\mathbb{D}^n)$ is shift-invariant if and only if $f$ is invertible in $L^\infty(\mathbb{T}^n)$. Using this result we obtain the following characterization of left-invertibility for analytic $T_\phi$.

	\begin{prop}\label{Surjective} Let $T_\phi$ be an analytic Toeplitz operator on $H^2(\mathbb{D}^n)$ for $n\geq 1$. Then $T_\phi$ is left-invertible if and only if
	$\phi$ is invertible in $L^\infty(\mathbb{T}^n)$.	\end{prop}

\begin{proof} If $\phi$ is invertible in $L^\infty(\mathbb{T}^n)$, then $T_{1/\phi}$ is a (not necessarily analytic) Toeplitz operator and
	\[
	T_{1/\phi}T_\phi f=T_{1/\phi}(\phi f)=Pf=f.
	\]
 for all $f\in H^2(\mathbb{D}^n)$. Therefore $T_\phi$ is left-invertible. Conversely if $T_\phi$ is left-invertible, then it has closed range by Lemma \ref{Left invertible}. Then $E=\phi H^2(\mathbb{D}^n)$ is closed and satisfies $z_i E\subset E$ for all $i=1,\ldots,n$. Hence $E$ is a shift-invariant subspace and therefore $\phi$ is invertible in $L^\infty(\mathbb{T}^n)$ by the result of Koca and Sadik \cite[Theorem 2]{Koca-Sadik}.
\end{proof}

 Therefore by Lemma \ref{Left invertible} and Proposition \ref{Surjective} we know precisely when the adjoint of an analytic Toeplitz operator is surjective. The key ingredient in the proof of the main theorem is a result of Ahern and Clark \cite[Theorem 3]{Aherk-Clark}. \\ \\
 $\mathbf{The \ Ahern \ and \ Clark \ Theorem.}$
 \emph{	If $f_1,\ldots,f_k\in H^2(\mathbb{D}^n) $ with $k<n$, then the shift-invariant subspace E generated by $f_1,\ldots,f_k$ is either all of $H^2(\mathbb{D}^n)$ or $E^\perp$ is infinite dimensional.} \\

 By the shift-invariant subspace $E$ \emph{generated} by $f_1,\ldots,f_k$ means the smallest shift-invariant subspace containing $f_1,\ldots,f_k$. So the  shift-invariant subspaces of the form $\phi H^2(\mathbb{D}^n)$ for some invertible $\phi\in L^\infty(\mathbb{T}^n)$ are singly generated. We arrive at our main result. \\ \\
  $\mathbf{Theorem.}$
 \emph{Let $\phi\in H^\infty(\mathbb{D}^n)$ for $n>1$. Then $T_\phi^*$ is surjective and has infinite dimensional kernel if and only if $\phi$ is invertible in $L^\infty(\mathbb{T}^n)$ but not in $H^\infty(\mathbb{D}^n)$.}
 \begin{proof} Suppose $T_\phi^*$ is surjective and $\mathrm{Ker}(T_\phi^*)$ is infinite dimesnional. Then $\phi$ is invertible in $L^\infty(\mathbb{T}^n)$ by Lemma \ref{Left invertible} and Proposition \ref{Surjective}. It follows that the closed subspace $E=\phi H^2(\mathbb{D}^n)$ has infinite codimension since $E^\perp=\mathrm{Ker}(T_\phi^*)$. In particular $\phi H^2(\mathbb{D}^n)\neq H^2(\mathbb{D}^n)$ and hence $1/\phi\notin H^\infty(\mathbb{D}^n)$. Conversely suppose $\phi$ is invertible in $L^\infty(\mathbb{T}^n)$ but not in $H^\infty(\mathbb{D}^n)$. Then $T_\phi^*$ is surjective by Lemma \ref{Left invertible} and Proposition \ref{Surjective}. The assumption that  $1/\phi\notin H^\infty(\mathbb{D}^n)$ means that  $E=\phi H^2(\mathbb{D}^n)$ is a proper subspace of $H^2(\mathbb{D}^n)$. Therefore $E^\perp=\mathrm{Ker}(T_\phi^*)$ is infinite dimensional by the Ahern and Clark Theorem.
 	\end{proof}
 We immediately obtain the following dichotomy. \\ \\
$\mathbf{Corollary.}$
\emph{Let $T_\phi$ be a left-invertible analytic Toeplitz operator on $H^2(\mathbb{D}^n)$ for some $n>1$. Then either $T_\phi$ is invertible or $T_\phi^*$ is universal. } \\

		\section*{Acknowledgement}
		This work constitutes a part of the doctoral thesis of the first author, which is supervised by the second author.
	\bibliographystyle{amsplain}

redpajama_set_name: RedPajamaArXiv


There's a new Kobo eReader on the way. It's called the Kobo Clara HD and it has an E Ink display and an FCC listing for the device showed up over the weekend, as spotted by The Digital Reader.
We don't know much about the Kobo Clara HD at this point, other than that it has an E Ink display, support for 2.4 GHz 802.11b/g/n WiFi networks, and a 1,500 mAh, 5.55 Whr battery.
The device is manufactured by Netronix, which makes a number of popular eReaders. And the HD in the name suggests it'll have a reasonably high-resolution display.
Kobo's hardware lineup currently consists of 4 eReaders with prices ranging from $120 to $280. They're all available online from the Kobo website.
But when the new Kobo Clara HD launches, there's a chance you might be able to walk into a store and buy it.
Kobo, which is owned by Japanese company Rakutan, recently announced a new partnership with Walmart that could help the company gain inroads in the United States, where Amazon's Kindle line of devices dominate the eReader space.
Once upon a time Kobo had a similar deal with Borders Bookstores, but since Borders went out of business it's been hard to walk into a store in the US and look at a Kobo device the way you can walk into a Barnes & Noble and see a Nook or walk into any number of stores and play with a Kindle.
Update: It looks like the Kobo Clara HD will ship in June for around $129.
I think that is very interesting. At one time there was a few e-book readers. It seems they are making a comeback. I still use my Kindle e-book reader with e-ink screen. It has 60 books on it. The e-ink screen means the battery lasts a long time. I will be checking out this new one online.


text:
Home›News›Mayor Menino declares public health emergency, flu outbreak expanding
Mayor Menino declares public health emergency, flu outbreak expanding
News, Off Campus, Spotlight
by Jasmine Uduma
Mayor of Boston Thomas M. Menino has declared a public health emergency due to the expanding flu outbreak. Boston has already seen 700 confirmed cases of the flu, 18 resulting in deaths. That is 10 times as many cases Boston confirmed last year. In response, health care centers will offer free vaccines to anyone who has not been immunized.
This flu season is on pace to be moderately severe, on its way to be more severe than average but still not unprecedented in severity. The flu season has been accompanied by a significantly large number of norovirus cases, an intestinal illness, said Cranston, of the Department of Public Health.
What has been the bright side of this flu season is that the strains of flu virus were anticipated, and 91 percent of the viruses found in testing this year are well-matched to the vaccine. But hospitals and other health care facilities are still taking extra precautions, limiting visitors who may potentially infect sick or elderly patients with the virus. This is the same procedure they followed during the 2009 H1N1 "swine flu" pandemic.
UMass Memorial Medical Center this week decided to completely ban children under 16 from visiting hours, since kids frequently contract the virus in school. Patients are also only allowed to have two visitors at a time. "This is something we do during any type of outbreak," Robert Klugman, a doctor and the hospital's chief quality officer, said.
Even without formal visitor restrictions, most hospitals have been stopping anyone who's coughing or sneezing, keeping a close eye on visitors' health statuses in order to make sure it does not spread within the hospital. "We will be monitoring closely and ramping up as needed," said Thomas Sandora, an infectious disease specialist and doctor at Boston Children's Hospital.
A health care provider at Upham's Corner Health Center tweeted on Tuesday, "We're moving patients out of waiting rooms ASAP to avoid further infections."
Doctor visits for flu-like illness (i.e. fever, body aches, coughing, runny nose, and fatigue) is now above 4 percent and is still climbing, according to the latest data from the Department of Public Health. Last year, barely more than 1 percent of doctor visits were due to the flu at the season's peak.
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We are excited to announce our another Game Developers Meetup! We have been working on building a healthy community of talented game developers and artists in Pakistan. A community of people who want to devote their time and efforts towards learning and collaboration. We believe that your games are worth sharing and there is no better place to do that than within such a community.
Do you agree with our sentiments? If so, join us and other game developers for a Game Developers meet up.