The repertoire of Zemel is vast and covers a broad range of traditional Jewish melodies; Ashkenazi, Sephardic, Yiddish and Israeli. In 2006 the choir revived parts of a Jewish opera which had not been performed since 1912.
The opera, 'King Ahaz' was written in Yiddish by Samuel Alman, probably Britain's foremost composer of Jewish liturgical music. Alman made a major contribution to synagogue music with choral arrangements of traditional tunes.
In 2005 the choir was featured in a Chandos recording of Ernest Bloch's Avodath Hakodesh (Sacred Service) with the London Symphony Orchestra conducted by Geoffrey Simon.
In recent years the choir has reached out to non-Jewish audiences through appearances on the BBC. Its annual festival of Jewish Choral Music, called 'Celebrate with Song' aims to bring Jewish music to audiences and amateur singers of all denominations.
On Sunday June 14, 2009, the choir will perform 'Celebrate with Song' at St. John's, Smith Square with a program of American Jewish choral music featuring composers Gershwin, Lehrer, Weill and more.
Talented young British conductor Benjamin Wolf has been conductor of the Zemel Choir since 2003.
The Zemel Choir, a leading mixed-voice Jewish choir from the UK, will return toIsraelin March, with concerts scheduled in Ra'anana, Karmiel and Rishon Lezion.
THE ZEMEL Choir will mix 19th century works with Lennon and McCartney.
Under Musical Director Benjamin Wolf, the choir performs a wide range of music in Hebrew, English, Yiddish and Ladino, written by composers from allaround the world. The Zemel Choir performs regularly in London to both Jewish and non-Jewish audiences, has been on the BBC and recently released an album of Jewish choral music.
On itsIsraeltour, the choir, accompanied by British cantor Robert Brody, expects to sing synagogue music by 19th century composers Lewandowski and Sulzer, works by Israeli composers such as Gil Aldema and Yehezkel Braun, American music by Copland and Tom Lehrer, liturgical and folk music by British composers, and lighter numbers by the likes of John Lennon, Paul McCartney and Burt Bacharach.
The choir, which was established in 1955, was last here in 1996.
In March 2009, the Zemel Choir – the UK's leading mixed-voice Jewish choir – makes a welcome return visit to Israel, performing concerts in Ra'anana, Karmiel and Rishon LeZion. In the years since its last visit – to the Zimriyah in 1996 – the choir has been expanding its international contacts, having visited the Czech Republic, Hungary, France, Belgium and Luxembourg. Its members are now looking forward to renewing the choir's long-standing friendship with Israeli audiences.
The Zemel Choir is well known to London concert-goers, both within and outside the Jewish community, performing regularly in both Jewish venues and London's major concert halls. In recent years it has reached out to non-Jewish audiences through appearances on the BBC, and in the last few months released its latest CD of Jewish choral music. Its annual festival of Jewish Choral Music – entitled Celebrate with Song – aims to bring Jewish music to audiences and amateur singers of all denominations.
Under Musical Director Benjamin Wolf, the choir has earned a reputation for performing a wide range of music in Hebrew, English, Yiddish and Ladino, written by composers from all around the world. For this tour to Israel, the choir will perform classics of synagogue music by the nineteenth-century composers Lewandowski and Sulzer, works by Israeli composers such as Gil Aldema and Yehezkel Braun, American music by Copland and Tom Lehrer, liturgical and folk music by British composers, and lighter numbers by the likes of Lennon and McCartney and Burt Bacharach. It is accompanied by the much-loved British cantor, Robert Brody.
A tour like this only happens once every thirteen years, and is a chance not to be missed. Don't wait until 2022 to hear it!
French Jewish choir the Polyphonies Hebraiques de Strasbourg made its British debut at Belsize Square Synagogue on Sunday. The 40-strong French choir is based at the University of Strasbourg, which contains departments of Hebrew and musicology. According to its founder and conductor, Argentinian-born musicologist Hector Sabo: "We sing Ladino songs, Yiddish, Italian and modern Israeli." The concert, marking Remembrance Sunday and Kristallnacht, also featured soloist Eliot Alderman - son of JC columnist Geoffrey Alderman - with the Zemel Choir under its director Ben Wolf.
The Zemel Choir will be taking part in a special concert to commemorate the 70th anniversary of Kristallnacht at Belsize Square synagogue in north west London on Sunday evening.
The Zemel will be joined by the Polyphonies Hébraïques de Strasbourg, a 40-strong mixed choir that is based in the Jewish studies and Hebrew department of the Marc Bloch University of Strasbourg.
The programme will include French compostions, classic compositions by the great 19th century German composer Louis Lewandowski, as well as works by Solomon Secunda and lighter items in English, Ladino and Yiddish. Belsize Square Synagogue, which was started by refugees who fled the Nazis, willcelebrate its own 70th anniversary next year.
It was working in Jerusalem with the Ankor Children's Choir which prompted Gregory Rose to compose Sha'alu Shlom Yerushalayim, his new 23-minute choral work for upper voices and harp, which receives its world premiere in London next week.
The choir — attached to the Jerusalem Rubin Conservatory of Music and Dance and run by Dafna Ben-Yohanan — is made up of children aged roughly 8 to 16. They have appeared with most Israeli orchestras as well as with major orchestras abroad.
Sha'alu Shlom Yerushalayim, which will be performed alongside Leonard Bernstein's Chichester Psalms by harpist Vicky Lester and soprano and alto members of the Jupiter Singers under Rose's direction, consists of strikingly beautiful and energetic settings, in the original Hebrew, of half-a-dozen or more psalms.
Meanwhile, also in London, the Zemel Choir is presenting its second Celebrate with Song mini-festival, which aims, by means of workshops and performance, to introduce audiences and participants (of any denomination) to mixed-voice Jewish choral music.
Sha'alu Shlom Yerushalayim is performed at St James's Piccadilly, London W1 on Wednesday June 18 at 7.30pm. Tel: 020 7381 0441. Celebrate the Song continues at St John's, Smith Square, London SW1, with a choral performance on Sunday June 15 at 7.30pm. Tel: 020 8236 0317 for details, 020 7222 1061 for tickets.
Ten centuries of Jewish music were in play as the second year of the Zemel Choir's "Celebrate With Song" got under way in Central London on Sunday.
Participants grappled with scores from early Hebrew plainsong to baroque cantatas in intermediate and advanced workshop groups. Each is learning several pieces that will be performed in a concert also featuring the JFS and Pandemonium choirs at St John's, in Smith Square, Westminster, on June 15.
The programme, the brainchild of Zemel musical director Ben Wolf, is sponsored by the Harold Hyam Wingate Trust, the BBC's Play It Again campaign, the Jewish Music Institute and the Spiro Ark Foundation.
Hannah's guest this week is Benjamin Wolf - conductor, composer, pianist and academic. They will discuss his role as Musical Director of the Zemel Choir and the work he has done conducting the Wallace Ensemble, of which he is co-founder. They will also explore his varied compositions, ranging from Jewish liturgical music to settings of Homeric poetry in Ancient Greek, while they delve into the social history of 20th century music, on which he is currently writing his PhD. Tune in for a fascinating chat with a multi-talented portfolio practitioner par excellence.
Music will include works by Wolf himself, as well as pieces by Britten, Tallis, Rachmaninov, Ravel, Lewandowski and Kriwaczek.
A workshop designed to revive interest in choral music was given by theZemelChoir in Covent Garden, central London, on Sunday.
Organised by musical director Ben Wolf and backed by the Harold Hyam Wingate Foundation, the workshop attracted 35 new singers. A second workshop will take place this Sunday, ahead of an evening concert at St John's Smith Square.
Aled Jones talks to composer Judith Bingham about her latest project and discovers riches of a choral variety in London's financial district.
It's around this time of year that I am struck down by Christmas Carol envy, writes Gaby Wine.
However, last Sunday's extraordinary concert marking the 50th anniversary of the Zemel Choir was a timely reminder that Judaism has its own rich and beautiful tradition of choral music.
The audience packed into St John's, ready to applaud the Zemel (the name is an acronym for the Hebrew for "North-West London" — "Tsphon Ma'arav London"). This talented group of amateur singers flies in the face of Jewish Orthodox convention by having males and females singing together.
For the occasion, all seven of the choir's past conductors joined the current musical director Benjamin Wolf on the podium, giving every song added poignancy.
The evening opened with a jubilant "Halleluyah" by 19th-century composer Louis Lewandowski, which set audience expectations high. With a performance spanning 30 songs over three hours, the choir lived up to them.
The highlights included ana capella version of "Shir Hama'alot," by 17th-century musician Salamone Rossi. It's a song habitually raced through after eating, but this version savoured every note.
The traditional Chasidic niggunim "Ken Bakodesh" and "Ai Di Di Di Dai" were fittingly upbeat, and the rich vocals of tenor Robert Brody led Kurt Weill's "Kiddush" in the jazziest version of the piece I have ever heard.
The evening was also an opportunity for conductors to premiere their own impressive compositions, including a deeply moving Psalm 95:1-7, composed by Malcolm Singer and dedicated to his late mother. Indeed, it was fascinating to see the contrasting style of the conductors — from choir founder Dudley Cohen's controlled and focused approach to Geoffrey Simon's flamboyant movements.
For the final numbers, around 100 previous Zemel members squeezed onto the stage to sing some old favourites, and the audience was invited to join in with the British and Israeli national anthems.
While it was rousing to sing in a hall with such great acoustics, I personally would have preferred to sing along with Israel's 1979 Eurovision winner, "Hallelujah," sung by the choir earlier in the night.
That, after all, summed up how most of us were feeling.
This week, the Zemel Choir really has something to sing about.
The Jewish mixed-voice ensemble celebrates its 50th anniversary on Sunday night with a concert — expected to be a sell-out — which will be attended by all six of the ensemble's previous musical directors as well as hundreds of former members and well-wishers.
The choir's history actually goes back even further than 50 years. In 1948, a keen musican called Dudley Cohen formed a youth choir, the first to bear the name Zemel (an acronym of Tsfon Ma'arav London — North-West London). In 1955, after completing his National Service, Dudley revived and reconfigured the choir and remained its conductor and musical director until 1975.
Notable performances over the course of its history include the "Kaddish For Terezin" at Canterbury Cathedral, which was broadcast live on the BBC in 1986, and singing in BBC1's "Songs of Praise" Holocaust Day broadcast this year.
The ensemble's repertoire embraces Ashkenazi, Sephardi, Yiddish and Hebrew songs.
Fittingly for a choir with such a cosmopolitan range, it has travelled widely, with tours to the USA, Canada, Israel, the Czech Republic, Hungary and Poland, where it sang at Polish Holocaust memorial ceremonies at Warsaw and Treblinka.
This Sunday's concert will feature liturgical pieces, concert works and folk music, including compositions by George Gershwin, Ernest Bloch, Kurt Weill and Naomi Shemer, plus world premieres of new works written specially for the choir by former musical directors.
Two Purim spiels in one issue! Fortunately, members of Hendon Reform Synagogue have a sense of humour, and enjoyed the joke of seeing the Zemel Choir, led by Danes-croft's own choir-leader, Benjamin Wolf, photographed on our unmistakable bimah.
The joke, of course, was the caption, which relocated them to Nottingham's Hebrew Congregation, and stated that the leader was Robert Brody.
The highlight of the day is a performance, in the Queen Elizabeth Hall, of Handel's great oratorio, "Judas Maccabaeus," by the London Chorus and the New London Orchestra, with special guest conductor, Rudolf Goldsmith.
But with 12 hours of concerts, discussions, and dance, there's plenty to choose from. Klezmer band She'koyokh, team up with theZemelChoir and chamber musicians the Wallace Ensemble for what promises to be a fascinating orchestral concert at the QEH, while Middle Eastern music is brought to the fore at the Purcell Room with a performance of traditional Jewish and Arab folk song.
Presented by the Jewish Music Institute, and supported by the JC, Musical Dialogues of East and West features some of the most prominent performers in the field — Lucie Skeaping and the Burning Bush play a range of Jewish folk, there's outstanding jazz from Avishai Cohen and Yonathan Avital, and mezzo soprano Ruti Halvani pays tribute to composer Paul Ben-Haim.
Full details of the programme are on page 51, tickets are available on 08703 800 400 (online bookings at www.rfh.org.uk).
The Zemel Choir has named Benjamin Wolf as its musical director.
The North-West London-based mixed choir was led, until December, by Vivienne Bellos, who announced last summer she was to leave after four seasons as musical director.
Mr Wolf, 26, has a double first from Oxford, where he was a choral scholar.He has a postgraduate diploma in conducting from Trinity College of Music, London, and has participated in masterclasses with a variety of leading musicians, as well as the London Soloists Chamber Orchestra and the National Symphony Orchestra of Lithuania.
He regularly performs with cellist Alison Holford and is co-conductor and founder of the Wallace Ensemble, a professionalgroup of students and former students of London music colleges. As well as presenting musical items on Radio Three, he is also involved in the choir at Bromley Reform, where he and his family are members.
He is now working on a composition for piano and orchestra called "L'Chaim," funded by the Millennium Commission and the Jewish Music Institute. Part of the composition was premièred in 2001.
The musical director of the Zemel Choir, one of the UK's leading Jewish choirs, is to step down after four seasons in the post.
Vivienne Bellos has said she will leave at the end of the year to devote more time to her career as a soloist.
Her commitment to Jewish music had brought "many bonuses for the choir," which had sung at a many key events in the Jewish calendar, he said.
A spokesman said the choir was now seeking a successor.
FOR THE FIRST time in its 44-year history, the community's leading mixed-voice ensemble, the Zemel Choir, is to have a woman as its musical director.
At its annual meeting held on Monday, members of the choir voted in favour of soprano Vivienne Bellos, who is the musical consultant to the Reform movement, being given the post.
Ms Bellos — who also directs the Alyth Choral Society — will succeed Robert Max.Mr Max is leaving the choir after five years to pursue other musical interests.
Ms Bellos expressed delight at her appointment, not least because she is the first singer to hold the Zemel's top job.She begins her duties at a rehearsal on January 18. Her first major concert in charge will be in June.
Zemel chairman Rusty Davis told the JC: "The appointment of a woman is novel. But I am sure that no doors that have been open to us will be closed as a result.
Liturgical pieces and folk tunes will be performed in Hebrew, Yiddish and English by the Zemel Choir of London tomorrow night at 8:45 at the Conservative Synagogue Adath Israel of Riverdale, at Henry Hudson Parkway and 250th Street in the Bronx.
The 35-member choir, started 25 years ago, will be directed by its founder, Antony Saunders. Tickets are $7.50 ($3 for students), and proceeds benefit the synagogue. Information: 543-8400.


"Voraciously curious" ceramicist Richard Flores says, "After food and shelter, art is everything." First introduced to clay in grade school, art forever became an integral part of his creative existence. As an adult, working with the Earth is still invigorating. He delights in the flow of energy that emanates from working with the Earth. "It ignites a spark of sprit that dances intimately with my soul." Flores uses clay to investigate, experiment and inquire. He pushes his artistic envelope, driven to create objects that maintain the potential for practical use while standing alone on the merits of shape, form and technical expertise. Flores was educated at CSUN, Brooks Institute, Santa Barbara Art Institute, Columbia Pacific University and California Institute for Earth Art and Ceramic Architecture. Insight and inspiration emerged from working with Beatrice Wood, Otto Heino and Nader Khalili. A gifted educator and member of Ojai Studio Artists, Flores is also the three-dimensional studio arts professor at the College of the Sequoias in Visalia, California. FOTM documented artist and ceramist Richard Franklin admires Flores' ability to bring out the best in his students, encouraging them to move beyond the academics, to find the joy of their own voices through creative exploration, and especially to realize their creative potential while still having fun doing it.
His talk was sponsored by Yvette and Richard Franklin. The AfterGlow hosts were Christine and Kevin Beirne. The FOTM Archive contains extensive information about this artist.


A 14lb. turkey rubbed with butter under and over the skin. Stuffed orange quarters inside the cavity. Sprayed skin with Pam for a nice golden brown. Smoked with 1/2 cup cherry wood at 250°F to an internal temp of 170°F in the breast. About 7 hours. So simple but simply delicious!
We rubbed butter under and over the skin then sprayed the whole bird with Pam. This creates a golden brown skin we all love. A probe thermometer is a must! Just put it through the smoke hole. We use a dual probe.
After removing the legs and wings slice on either side of the backbone then under the breast on each side.The with flat side down slice breast on an angle for a nice presentation.


Who do Ты think that haves the prettiest voice?
do u think all the Русалки are beautiful?
CAS SOMEONE SEND ME A GREAT PIC OF HANON I HAVE GOT A LOT BUT I NEED еще I LPVE HER!!
Will anyone send me a picture или a video with Seira & Rihito???
a comment was made to the poll: who do Ты think is the most beautiful enemy from season 2?


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Fife Funeral Home
Send Flowers for Jesus
Plant a Tree for Jesus
Jesus Ramirez
September 30, 1955 ~ January 19, 2023 (age 67) 67 Years Old
Read more about the life story of Jesus and share your memory.
Jesus Ramirez passed away peacefully Thursday January 19, 2023 at Community Hospital. He was surrounded by his daughters and grandchildren and close family. He was 67 years old.
Funeral Services will be held at Fife Funeral Home. Located at 4201 Indianapolis Boulevard East Chicago, IN 46312.
Visitation will be held at Fife Funeral Home Saturday January 28, 2023 from 2pm-6pm.
Jesus wished to be cremated so there will be no burial to follow.
Jesus was born September 30, 1955 in Mccallen, Texas to Roel and Jovita Ramirez. He was the 6th of 9 children. In 1959 Roel moved his family to Gary, IN. When Jesus was 18 years old he got a job at Youngstown Steel. At 24 years old he met his first wife Joann Quiroga and they were married in 1979. He had four daughters Kelly (Jason) Ramirez; Josephine (David) Ramirez; Joann Vera (Oscar) and Irene Vasquez (Eduardo). Jesus loved music and started a band with his brothers Jose and Felipe and good friend Dino Atilano. They loved to get together on the weekends and perform at local places.
Jesus met his late wife Diane Nunez in the mid nineties and were married July 29, 2002. He continued working at the steel mills until he retired in the late 90s. After retirement Jesus helped out in the church and became involved in the church's music program. The two lived a beautiful life together involved in the Lighthouse Christian Church until Diane's passing.
Jesus had a strong passion for music and was happiest with a guitar in his hand. He loved playing music and never went anywhere without his favorite guitar. He loved raising Piranha and loved having and maintaining a fish tank. Until his untimely death he loved jamming out with his brother Felipe and good friend Dino. He loved going to the casino and being surrounded by family and friends. He loved being involved and raising his grandchildren and great grandchildren.
He was a great dad, brother, uncle and friend to many. His infectious laugh and jokes could light up a room. He loved helping others and would often give his last dollar to help a friend in need. He was loved by so many and will be greatly missed.
He is survived by his four daughters; grandchildren Tianna, Ciera, Adam, Jasmine, Mariela, Serena, Soriah, Jason, Christine,Richard, Oscar and Liam. Great grand sons Amir and Jeremy; and a great daughter that he did not get to meet. Brothers Arturo (Maria) Ramirez; Jose (Yolanda) Ramirez; Felipe Ramirez; Leticia Alcocer; Lori (Beto) Gonzalez.
He is preceded in death by his late wife Diane Nunez; parents Roel and Jovita Ramirez; brother Roel Ramirez; sisters Lupe (Israel) Salinas and Aurora (Rogelio) Rodriguez and niece Yolanda Ortega.
To send flowers to the family or plant a tree in memory of Jesus Ramirez, please visit our floral store.
4201 Indianapolis Blvd.
East Chicago, IN 46312
Send Flowers to Jesus' Visitation
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Private Cremation Following Visitation
September 30, 1955-January 19, 2023
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A warm, bright and picturesque summers morning awaited us on the 11th July as we awoke nice and early to begin our coverage of Rosie and Catherines wedding. Months of planning and preparations and plenty of nerves were to finally pay off and they couldn't have chosen a better day or location for their magical wedding.
Hidden away in the quiet and elegant village of Coleby was Rosie's mums stunning house which had been perfectly prepared for the ceremony and reception. From the Ceremony to the Reception right through to the first dance, it was impossible not to capture stunning footage in this stunning location with everyone being so relaxed, so friendly and so welcoming we almost felt like part of the family.
If you have any questions or would like to discuss our wedding videography further, please get in touch!


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també coneguda com a June Carter, va ser una cantant, compositora, actriu, comedianti filantropa americana. Tocava la guitarra, el banjo, i l'autoarpa, un tipus de cítara. Va ser la segona muller del cantant Johnny Cash.

El març del 1943, juntament amb la seva mare Maybelle i les seves germanes Helen i Anita formen el grup Mother Maybelle & the Carter Sisters, un dels millors grups de country de tots els temps. Malgrat no posseir el talent vocal de les seves germanes, va desenvolupar un do per la comèdia que va tenir molt bona acollida.

El 1950 s'integra al grup Opry format per diversos artistes que feien gires. Aquí la família es feu amiga de Hank Williams, Elvis Presley i Johnny Cash, amb qui comença a establir una complicada relació. Amb la seva fesomia prima, June sovint optava per les actuacions còmiques del grup al costat d'estrelles com Faron Young i Webb Pierce.

Es va casar tres vegades, primer amb el cantant de honky-tonk Carl Smith el 9 de juliol de 1952, del qual es divorcià el 1956. Van tenir una filla: Rebecca Carlene Smith, àlies Carlene Carter. L'11 de novembre de 1957, es va casar amb el camioner Edwin "Rip" Nix amb qui va tenir una filla Rozanna (Rosie Nix Adams). Se'n va divorciar el 1966. Ambdues filles van arribar a ser cantants.

És en aquests moments que actua sovint fent duo amb Johnny Cash. La seva relació es veu afectada per les caigudes de Johnny en la dogroadicció i la beguda de la que se'n surt gràcies a l'ajuda de la June i la seva família.

El 1968 es va casar amb Johnny Cash, el seu tercer marit, després que aquest li demanés l'enllaç públicament en un concert. La parella va tenir un fill dos anys més tard, John Carter Cash, també cantant.

El 1967, va guanyar, conjuntament amb Johnny Cash, un premi Grammy a la categoria Best Country & Western Performance, Duet, Trio or Group (vocal or instrumental) per la cançó Jackson. El 1970, van tornar a guanyar una altra vegada en la mateixa categoria amb la cançó If I Were a Carpenter.

El 1999, va guanyar un altre premi Grammy per al seu àlbum Press On. El seu últim àlbum, Wildwood Flower, es va llançar pòstumament el 2003 i va guanyar dos Grammys addicionals. Conté, a més, extractes de la pel·lícula de les sessions d'enregistrament que es van fer a la propietat familiar dels Carter a Hiltons, Virgínia.

June Carter va morir el 15 de maig del 2003 a Nashville, Tennessee, degut a les complicacions que va patir després d'una operació a cor obert. Fou enterrada als Jardins Hendersonville Memory a Hendersonville, Tennessee. Johnny Cash va morir quatre mesos més tard.

Johnny Cash va dir a la seva autobiografia:

June era la meva guia del camí. Em feia alçar quan estava dèbil, m'animava quan em descoratjava, i m'estimava quan estava sol i em sentia desemparat. És la dona més gran que mai he conegut. Ningú més, excepte la meva mare, se li acosta.

Referències

Cantautors de Virgínia
Cantants de country estatunidencs
Guitarristes de country estatunidencs
Banjistes de country
Banjistes estatunidencs
Harmonicistes estatunidencs
Ballarins estatunidencs
Guanyadors del premi Grammy
Alumnes de la Neighborhood Playhouse School of the Theatre
Morts a Nashville
Morts d'insuficiència cardíaca

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As the camera is moved back from a subject the images become less intimate. Lenses of focal length 50 - 135mm are normal for part-length shots although others can be used. Depth of field increases with focused distance and is usually sufficient with large apertures. It can be manipulated to control environmental sharpness. Backgrounds should be chosen carefully because significant areas may be visible and unwanted detail may creep in. Include some of the environment if it is interesting - otherwise drop it out of focus.
The biggest challenge with half-length and full-length shots is dealing with limbs. Hands can be very expressive but may need to be kept occupied to avoid them becoming untidy. Arms and legs may also look awkward if they extend out of the frame. In full-length shots legs must be arranged in a comfortable manner. Try asymmetrical and bold positions, as the straight up and down look is usually dull. Tightly cropped full-length figures tend to look uncomfortable in the frame.
For a natural feel, the camera is ideally positioned a little more than half way up the part of the body in the frame. If it is much higher or lower the subject appears demure or dominant. When using flash, keep the flash head well away from the lens. The red-eye phenomenon becomes more apparent at a distance of several metres, so use red-eye reduction if possible.


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A familiar feeling. Then woozie-headed and thick-tongued, I asked Dan to take my notebook and continue journaling, as I would likely be sleeping soon. I was right. This was my prep before they ran a test dose to see if I would have an allergic reaction to the iron. Handling the IV iron well, they allowed me to move on to the Big Bag. What are Psychic Readings 6 Of Wands. Fortune-telling is an unusual way of looking into the future. There are numerous techniques for Psychic Readings. Numerology Report Free. Each has a history. Ask any of us, and we will immediately name a couple of fortune-telling.
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A querent who draws the Six of Wands is a highly confident and accomplished person. He or she is a natural leader who uses their charisma to inspire and persuade others. Goal-oriented, a Six of Wands person is organized but unafraid to take risks when need be. They are positive, optimistic people who love to be in the spotlight.
6 of wands as feelings for someone
January 3, 2021 January 3, 2021 Astro Live 8 8 of wands, 8 of wands, 8 of wands advice, 8 of wands after break up, 8 of wands and judgement, 8 of wands and judgement tarot, 8 of wands as advice, 8 of wands as intentions, 8 of wands building beautiful souls, 8 of wands does he like me, 8 of wands healing tarot, 8 of wands health, 8 of wands in. The Three of Swords is a very simple card which is illustrated with a message of suffering. A heart, hovering in the air, was pierced by three swords. The heart is a symbol of love and beauty, while swords reflect words and thoughts that can harm a person's body and emotions. The sky was obscured by dark clouds, and the rain poured fiercely. ace of wands as feelings for someone. 10 June 2022 cat 320 excavator fuel consumption contano le calorie giornaliere o settimanali. ace of wands as feelings for someone. 10 June 2022 cat 320 excavator fuel consumption contano le calorie giornaliere o settimanali.
In matters of the heart, the King of Wands suggests intense feelings of love, attraction, and adoration. Someone you know (or about to know) has fallen for you. Your presence gives them a boost in energy, and they'd grab the first opportunity to tell you how you make them feel. They're not only passionate but also confident. tabindex="0" title=Explore this page aria-label="Show more">. Three of wands as feelings Three of wands as feelings denotes the Seeker feels ready for a renewal . The Seeker could feel they have walked too long on the same old path, and they are now ready for a new beginning. If you are asking how someone feels about you, Three of wands can mean the person feels ready to date you. According to the Cleveland Clinic, the iron in your body is called "elemental iron," and iron pills contain different dosages of elemental iron.The higher the dosage of the iron supplements, the more iron your body will absorb. "For the treatment of iron deficiency anemia in adults, 100 to 200 milligrams of elemental iron per day has been recommended," the Cleveland Clinic states.
The Imagery of the Eight of Wands Tarot Card. The imagery of this card is clean, clear, and simple. Eight wands are moving swiftly at an angle. All the wands are at various positions but they are following the same direction. The problems that arise at 7 of wands got clear at 8 of wands and now there is a release from obstacles and difficulties. Feeling fuzzy or forgetful is another common sign of too-low B12 levels, according to Harvard Health Publishing. Some people experience memory loss, and others have trouble with thinking and reasoning. 3. Difficulty Walking or Balancing. Typically, you're the first one to volunteer for a 5K. Upright Ace of Cups Tarot card meaning. When you see the Ace of Cups in an upright position it is a sign of impending abundance on the emotional plane. It heralds infatuation, love, or even love for another person or for ourselves. The Ace of Cups in an upright position also signifies friendship, help from someone, or a gift from God Himself. Ace of Swords. If you are asking about someone's intentions towards you, Ace of Swords can mean they feel things are moving too quickly, with their behaviour to see if this is positive or negative. They feel you have a sharp, witty mind.
I did a reading to gain further insight into someone's emotional feelings towards me, and I pulled the Ace of Wands. When I asked for further clarification, I pulled Death. I wasn't exactly sure how to interpret this, as it seems weirdly contrarian. Iron plays an important role in the body, from transporting oxygen to supporting energy levels and aiding muscle strength. Low levels.
ace of wands as feelings for someone Request a free quote. ace of wands as feelings for someone. bonnie dwyer sister wives photos > magcustomerservice legit > looking forward to new beginnings meaning > ace of wands as feelings for someone. June 27, 2022 June 27, 2022 By what is matt whitaker doing now day trip to volcano national park from kona. The Six of Wands in Tarot represents triumph, acclaim, and pride. This card is the equivalent of the Chariot of the Major Arcana. Just like the Chariot, it represents moments of victory and triumph. Some of the cards that reinforce the qualities of the Six of Wands are the Chariot and the Sun (Major Arcana cards) and the Nine of Cups. From 65 to 69 years of age, the incidence of new-onset anemia was 6 percent in men and 4 percent in women. In persons 85 years and older, the annual incidence rose to. ace of wands as feelings for someone. 10 June 2022 cat 320 excavator fuel consumption contano le calorie giornaliere o settimanali.
What does 10 of wands mean as feelings for someone? 9 comments. share. save. why would a narcissist get someone pregnant; celebrity chef talent management; ontario small business support grant reddit; const_cast shared_ptr. radio button in servicenow catalog item; band 2 council housing waiting time nottingham; hardin county tax assessor; can i have an interpreter on my driving test; dalle de terrasse; stutter warning. Weakness. Nausea. Abdominal pain. Arthritis. Weight loss. Hair loss. Depression. *Typically iron saturation and serum iron are the first to creep up outside the normal range in iron overload. High bilirubin, and elevated liver enzymes on lab tests can also hint at iron overload. Eight of wands as feelings denote the Seeker feels excited. They have butterflies in their stomach and they are feeling energised and ready to live life to the fullest. If you are asking how someone feels about you, Eight of wands can mean this person has a big crush on you. ace of wands as feelings for someone. Western Bride 26/05/2022. 0.
The Six of Wands can indicate that you will be receiving a reward for good work that you have done. The Six of Wands can make you feel really good about yourself. You may feel as if you have a lot of support from everyone around you. On the other hand, you could adore someone else where by adoring them makes you feel amazing. Six of Wands in Love. The nine of wands reversed tarot card means if you're feeling lonely in life, stop considering that others are isolating you on purpose. Paranoia can come from many angles. It may be strange to hear, but you might be worrying that your life is going 'too' well. If you're used to something bad happening, peace can be a little discomforting. Main Functions of Iron. Transport and storage of oxygen; Aid in energy production and cell diffusion; Helps the immune and central nervous systems; Low iron level; Low iron levels can cause people to develop iron deficiency anemia When a person is anemic, their blood contains low levels of oxygen; Signs of iron-deficiency anemia.
Best tablet iron supplement: New Chapter Fermented Iron Complex. Best low-dose iron gummies: Vitamin Friends Kids Vegan Iron Gummies. Best iron. The word was associated with hope and optimism which makes the Page of Wands card very similar in energy and symbolism to The Fool tarot card. Gazing at his staff, the symbol of his power, the man in the Page of Wands is definitely hopeful. The Salamanders on his tunic represent the element of fire. The Page of Wands is the earth aspect of fire. Introduction: The 6 of Wands reversed is a positive omen. It can mean that despite delays and challenges, that things you have been hoping for or working on may finally come through. This is not a time to let fear hold you back. General: In general, the reversed 6 of Wands is about victory. However, you may need to be cautious about in whom you.
These people are adaptable and can travel to places for work. These people are dynamic, energetic, and quick-witted. Three of Wands Card in General Reading. The three of wands card is very similar to the two of wands. This is actually a step ahead of the position that was established in the 'two of wands'. Topic: Six of Wands as Feelings? Nikisa Newflake . Posts: 23 From: Registered: Sep 2011: posted January 21, 2013 06:49 AM In a relationship spread what does it mean if someone's feeling towards you is the Six of Wands? His impression of me was the Five of Swords. Which I. 1. Anaemia. The fatigue caused by anaemia is the result of lack of red blood cells. If you feeling tired all the time and if your symptoms include extreme weakness, difficulty in sleeping, lack of concentration, rapid heartbeat, chest pains and headache, then you are probably suffering from Anaemia. Solution: Thorough evaluation for anaemia. Stone: Star Sapphire, Pearl. 'Three of wands' is the third card in the suit of wands. Number three is the number of creativity, harmony, compassion, and exploration, and the fiery suit of wands is about energy, passion, power, ideas, and illumination. This is the third stage of the passion that emerged from the Ace of wands. The Seven of Wands can also mean a challenge to the success of a creative project from an external source. Someone or something may get in the way of you being able to pursue your goals and dreams. While it appears to block your path forward, you can overcome this obstacle by drawing upon your strong self-confidence, self-belief, and continual.
The nine of wands reversed tarot card means if you're feeling lonely in life, stop considering that others are isolating you on purpose. Paranoia can come from many angles. It may be strange to hear, but you might be worrying that your life is going 'too' well. If you're used to something bad happening, peace can be a little discomforting. The Seven of Wands tarot is the card of challenge, competition, and authority. It's all about perseverance and defense, derision and communication. It signifies taking a stand and contemplating opinions. It denotes cautionary action and accountability. The Seven of Wands tarot is depicted as a man standing on top of a hill in a defensive. ace of wands reversed as feelings for someone. 1988 notre dame football full roster; June 9, 2022 6:13 pm.
Best tablet iron supplement: New Chapter Fermented Iron Complex. Best low-dose iron gummies: Vitamin Friends Kids Vegan Iron Gummies. Best iron. ace of wands reversed as feelings for someone. 1988 notre dame football full roster; June 9, 2022 6:13 pm. When the Four of Wands is upright in a Tarot reading, it can mean the breaking of physical, emotional, or mental bonds that also brings in a new era of personal growth. The energy of the Four of Wands can help you out of your restrictions and take you on a new path of freedom. The excitement attributed to the Four of Wands varies from person to.
The dizzyness and head rush is sometimes concurrent with a sense of a change in pressure in the head, neck and chest. Sometimes there is brief neck pain or head pain, like a pinched nerve. Sometimes there is a sense of heat and then cold that rushes through my chest, arms or hands. For at least a half an hour afterwards there is a sense of unease. The meaning of the Seven of Wands Tarot card is that it symbolizes fights. Someone will make a hassle for you, possibly to the point that they will become a severe problem. Arguments are always foretold with the Seven of Wands. You will not see eye to eye with someone. This individual could be someone you care about, such as a lover, friend, or. Anemia is defined as hemoglobin below two standard deviations of the mean for the age and gender of the patient. Iron is an essential component of the hemoglobin molecule. The most common cause of anemia worldwide is iron deficiency, which results in microcytic and hypochromic red cells on the peripheral smear. Several causes of iron deficiency vary based on.
Women receiving iron supplements intermittently were less likely to have any adverse side effects than those receiving iron supplements daily (RR 0.41, 95% CI 0.21 to 0.82; 6 studies, 1166 participants; moderate-quality evidence). The Queen of Wands as feelings indicates optimism, passion and empathy. It is a very positive tarot card that represents someone who feels very warm and loving towards their person. The Queen of Wands also represents someone who has a. The Six of Pentacles tells of a happy and positive atmosphere. 6s in a reading indicates adaptability and the ability to make changes in times of difficulty. The number 6 implies and emphasizes that there is a focus on accomplishments and rewards. The VI of Pentacles tells of a happy atmosphere, a feeling of empathy and generosity, and even.
Six of Swords Feelings Tarot Meaning If you're wondering what a potential partner's feelings are towards you do not worry; the Six of Swords is sign that they are moving in the right direction. That's not to say that they're head over heels in love with you just yet but it looks like they are heading that way. Their feelings are evolving. Four of Wands (Upright) As a Person : Four of Wands (Reversed) As a Person : A person with a sense of belonging to tradition. A person who is Satisfied with life, able to have fun and live with taste. Vacationers. Happy and self-satisfied people. Those who build their nest. People taking part in social events such as prom, etc. quote: Originally posted by Junethird: The 7 of cups tells me that you have a lot of personal dreams, hopes and wishes. These feelings you are facing hinges on gaining more than loosing. Indecision and multiple choices in front of you. More often than not its wishful thinking.
6 of Swords - slight inhibitions, less fun; 8 of Swords - limited, lack of freedom. A few support Tarot cards for the Four of Wands. 3 of Cups - excitement, high spirits, celebration; 2 of Pentacles - fun, excitement, party. Upright meaning of the Four of Wands: celebration, harmony, marriage, family, community Words and Keywords. This card suggests that one or both people in the relationship are romantic lovers. When the King of Cups and Knight of Cups appear together in a love tarot reading, it means your significant other harbors intense feelings for you. They'll take action to show you just how much they love and care for you. I am 6 weeks post iron infusion and also feeling desperate with continuing bad symptoms. Mainly weakness in arms and legs , anxiety and stomach issues. Would love to hear how long other people had issues for and what their recovery was like. Calcium regulates your heartbeat. So a deficiency could cause an arrhythmia, or irregular heartbeat, and even lead to chest pains. 3. Wounds are slow to heal. If you are diligent about brushing and flossing daily and your gums are still red, swollen and bleed, you might need to boost your vitamin C intake. Learning Objectives. 6.1. Types of Groups. Understand primary and secondary groups as two key sociological groups. Recognize in-groups and out-groups as subtypes of primary and secondary groups. Define reference groups. 6.2. Groups and Networks. Determine the distinction between groups, social networks, and formal organizations.
Feeling fuzzy or forgetful is another common sign of too-low B12 levels, according to Harvard Health Publishing. Some people experience memory loss, and others have trouble with thinking and reasoning. 3. Difficulty Walking or Balancing. Typically, you're the first one to volunteer for a 5K. Pentacles Tarot cards – Feelings. Furthermore, 16 MBTI personality types are identified by the Myers-Briggs method corresponding to 16 Tarot Court cards. If we stop to think about what we have learned about the "personality types" of cards based on level, suit, and astrology, we can understand which card corresponds to which personality. The Symbolism of the Nine of Wands. This card depicts a man standing with a single staff, whilst 9 other staffs are ranging about him. He has a bandage on his forehead - showing a recent struggle. The expression on his face is that of fear, paranoia, and resentment. One can see he feels very alone, perhaps even rather paranoid. This really depends on the past medical history of the person and on how fast the hemoglobin dropped, but generally, a hemoglobin of 6.5 to 7.9 gm/dL is often considered "severe" anemia. People also sometimes want to know how low can hemoglobin go before causing death. In general, a hemoglobin less than 6.5 gm/dL is considered life-threatening.
Knight of Wands, Minor Arcana, Wands XII. The Knight of Wands represents an immediate urge to act, eagerness, to do something about a situation, or adventure and travel. Wands stand for fire, our fiery energy, and the Knight of Wands is someone who wants to put that fire into movement and action. This card suggests that one or both people in the relationship are romantic lovers. When the King of Cups and Knight of Cups appear together in a love tarot reading, it means your significant other harbors intense feelings for you. They'll take action to show you just how much they love and care for you.
What does 10 of wands mean as feelings for someone? 9 comments. share. save. Of the 4,906 donors were analyzed, only 63 volunteers experienced a side effect. To put things in perspective, around 1.08% of the subjects experienced mild side effects (weakness, nausea, swelling, etc.) and approximately 0.02% of the subjects experienced severe side effects (vomiting and fainting.) Few people will experience side effects. In matters of the heart, the King of Wands suggests intense feelings of love, attraction, and adoration. Someone you know (or about to know) has fallen for you. Your presence gives them a boost in energy, and they'd grab the first opportunity to tell you how you make them feel. They're not only passionate but also confident.
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level 1. · 2 yr. ago. the wheel of fortune usually means soulmates and a chance of something big coming and changes for the greater good and the universe giving you want you want (which signs point to yes, he does like you back) the clarifying card, knight of wands, can mean being hasty but also fearlessness and being confident and can mean.
Pale skin, a tingling or crawling feeling in the legs, ... Serum Iron for children 6 mo-2 yr: 50-120 mcg/dL: 9.0-21.5 mcmol/L: Total iron-binding capacity: 250-460 µg/dL: 45 – 82 µmol/L: ... Iron poisoning and more serious complications in people taking iron to lower stress.
Four Of Wands Upright. Accomplishing your goals should be the primary concern, and you have to keep going forward to achieve it. So, the upright card signifies the importance of being flexible as you manage to outshine anything that comes your way. So, be accurate and look for a left way of expressing your feelings and success.
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I did a reading to gain further insight into someone's emotional feelings towards me, and I pulled the Ace of Wands. When I asked for further clarification, I pulled Death. I wasn't exactly sure how to interpret this, as it seems weirdly contrarian.
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Iron-deficiency anemia is sometimes remedied with IV iron infusions — and the bill can vary by thousands of dollars. Shannon Wood Rothenberg.
The Six of Wands can indicate that you will be receiving a reward for good work that you have done. The Six of Wands can make you feel really good about yourself. You may feel as if you have a lot of support from everyone around you. On the other hand, you could adore someone else where by adoring them makes you feel amazing. Six of Wands in Love
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Before diving deeper into the upright- and reversed Six of Wands card meaning, and its connection to love, work, and life, first a quick overview of the most important words connected to this Wands card. Upright. Victory, triumph, recognition. Reversed. Failure, losing, broken promises, fame-hungry.
The Symbolism of the Nine of Wands. This card depicts a man standing with a single staff, whilst 9 other staffs are ranging about him. He has a bandage on his forehead - showing a recent struggle. The expression on his face is that of fear, paranoia, and resentment. One can see he feels very alone, perhaps even rather paranoid.
Generally speaking the Knight of Wands is a positive sign to see when relating to your career; you should soon feel like you are in control of this aspect of your life. If you're starting a new project, then you'll likely get more and more passionate with it as you go on, even if you aren't that invested right now.
The King of Wands is an excellent omen. He means that someone you love has feelings of protection and care about you, and that both of you are willing to work hard if necessary to make the relationship work. It is taking action to solve problems. Both you and your partner take an adult attitude, which focuses on the future and resolves always ...
Wands, rods, or staves are one of 4 suits in the Minor Arcana, and correspond with the suit of clubs in a traditional playing card deck.The suit of wands is associated with the element fire of the 4 elements and represent a fiery intensity and inner drive to succeed. There's a strong masculine characteristic to this suit, which means competition and courage are obvious in many Wand tarot ...
The Six of Wands in Tarot represents triumph, acclaim, and pride. This card is the equivalent of the Chariot of the Major Arcana. Just like the Chariot, it represents moments of victory and triumph. Some of the cards that reinforce the qualities of the Six of Wands are the Chariot and the Sun (Major Arcana cards) and the Nine of Cups.
Meaning of Seven of Wands in the Tarot Card. The 7 of Wands symbolizes the struggle to stay on the top even after a lot of achievements and success. The man is an epitome of defense, stamina, and determination. The mismatching shoes refer to an unstable footing in life with no clear stand. The six wooden sticks depict fierceness and challenges.
People with mild or moderate iron-deficiency anemia may not have any symptoms. More serious iron-deficiency anemia may cause common symptoms of anemia, such as tiredness, shortness of breath, or chest pain. Other symptoms include: Fatigue. Dizziness or lightheadedness. Cold hands and feet.


The premier day of harness racing in Australia tomorrow with Group 1s galore for Breeders Crown day. Complete coverage from harness racing fanatic Luke Humphreys, @WorldRacingLuke.
1 Kyvalley Frank (33/1): Only run was in the heat when running gamely in 4th. From this barrier should be able to finish top half of the field.
2 Wobelee (1/25): Shortest favourite of the day and the superstar 2YO Trotter of Australasia, three times G1 winner already. Could gallop and still win, could be what the sport needs.
3 Smashthemcalder (18/1): One of the better juvenile trotters in the state that has had the misfortune of running into Wobelee. Feature race winner at Stawell last month.
A big night at Saratoga with Graded races galore and a very rare occurrence - all three of the US Triple Crown race winners turning up to run in the Travers, which means it's probably quite open with some late-maturing types in the field as well. Stepping up with the preview is regular US racing contributor, Jon da Silva - @creamontop.
Opening the card on the final day of the Ebor meeting is the Strensall Stakes. Taking the reins again is David from AllWeatheranalysis, @AWAnalysis.
A race that in which it generally pays to concentrate on the younger horses with three, four and five year olds accounting for 17 of the last 19 winners. Fancied runners also look the ones to concentrate on with 17 of the last 19 winners coming from the top three in the market 6 were favourite and 7 were second favourite. There is a split in the trends for the days since last run with 22% of winners returning from an eight to 15 day break and 27% returning from 61 to 90 days absence.
This looks like it could be a tactical race with no obvious early speed runners so those that like to come from off the speed could be slightly inconvenienced.
One great day of racing at York down (how impressive were Cracksman and Ulysses?!), three to go. The juvenile feature of the day is the Lowther Stakes for the fillies, and stepping in with a preview is David from Allweatheranalysis, @AWAnalysis.
No really strong trends but horses returning from a decent break have a good record here with those returning from 61-90 days absence having a profitable 26% strike rate.
Last time out winners have won 15 of the last 19 races but are unprofitable to follow as are horses having their fourth run yet they have a 21% strike rate.
Only one horse fits the absence criteria and that is Happy Like A Fool but the ground and step up in trip have to be a major concern with the two-year old progeny of Distorted Humour failing to win over 6 furlongs on good to soft ground in eight attempts.
The juveniles have been my focus for most of this year so time to knock up a preview of the opening day's 2yo feature. I don't think this one is as simple as it may appear. Quirky conditions, it's only for horses who had not won a race before July 13. So at the very least, we have 11 horses in form, and few horses that can truly be ruled out.
Beatbox Rhythm - off the mark last start at Pontefract, beating Chief Justice by four lengths but in a horrible time on a soft track (which may have been worse than declared). Topspeed figure quite low in both runs to date. Suited by step up to 7f, does he prefer wet tracks or was that just a coincidence improving from his first run? Trainer is flying with his juveniles (1-2 in the G1 Prix Morny on Sunday) but class rise may find him wanting.
Highlight of the meeting for most racing fans will be the Juddmonte International where the star 3yos take on the world at weight-for-age. It mightn't be a deep field but it does reek of quality. Even the rank outsider won a G1 just over a year ago.
Taking up the challenge in international racecalling prodigy, Luke Humphreys, @WorldRacingLuke.
1 Decorated Knight (16/1): Much improved horse this season. Winning two G1s in the Jebel Hatta in Dubai and the Tattersall's Gold Cup at the Curragh.
Career best performance two back when only finding Highland Reel too good in the Prince of Wales's Stakes. However weakened out of the Eclipse last time out. Don't discount him completely and whatever the result connections can be very pleased of his outstanding season.


To illustrate historical trends, total demand, the various segments, and trade are provided in annual series from 2006 to 2016. A Market Environment section provides pertinent background on historical trends, key economic indicators, trade, demographic trends, consumer spending, and fitness and sports participation. A Segmentation and Forecasts section defines upper materials, discusses market drivers and constraints, identifies substitute products when applicable, and assesses the impact of key drivers and constraints on each upper material segment over the forecast period.
Further analysis includes an Industry Structure section, which surveys the supply base and profiles the leading firms competing in the US market. An introductory Highlights section summarizes key findings from this 26-page report, and a Resources section lists contributing sources as well as resources available for further research.


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Courts, Tradition and Citizenship
Shylashri Shankar
Muslim wives have finally rid of the Damocles' sword of triple talaq, homosexual men and lesbian women are free to express their sexuality without fearing arrest, and adulterers can make the choice to commit such acts without being penalized by the Indian state. These judgments of India's Supreme Court, particularly in the arena of religious freedom, have evoked approval from liberals who call it 'progressive', anger among those who value 'tradition' and 'religious commandments', and disquiet among those who wonder if balance between conflicting freedoms has indeed been achieved, and whether courts ought to be in this fray.
The issues involved are threefold: (i) how can traditional values cohere with the concept of citizenship (this question concerns the role of tradition in creating a community, and the extent to which that sense of belonging to a group or a community is an important feature of our citizenship); (ii) to what extent can a pluralist democratic polity reconcile tradition and religion with the concept of equality without losing the diversity; and (iii) whether the state ought to play the primary role in mediating these conflicts, and if so, which institution of the state should take on the responsibility.
I will discuss these issues in the context of the Sabarimala temple judgment and argue that the institutions of the state ought to be the last resort for such issues, not the first one, if we want to inculcate the values of engaged citizenship. The task of the government and the courts is to create a safe space where citizens can engage in these debates.
On 3 October 2018, a 4-1 majority of a Constitution bench of India's Supreme Court held that the Sabarimala temple's practice of barring the entry of women between the ages of 10 and 50 was unconstitutional. The temple authorities had justified the exclusion of a sub-set of women from the temple as an ancient tradition. They pointed to Section 3(b) of the 1965 Kerala Hindu Places of Worship (Authorisation of Entry Act), which allows the exclusion of 'women at such time during which they are not by custom and usage allowed to enter a place of public worship'. Hence, said the temple authority, they had the right to bar the entry of women of menstruating age into the Ayyappan temple in Sabarimala. Opponents of the practice highlighted other constitutional provisions such as Article 25(1), (freedom of worship), Article 26 (freedom of religious denominations to regulate their own practices), and Articles 14 and 15(1) (equality and non-discrimination), and Article 17 (banning untouchability).
The majority judgment said women as individuals had the right to freedom of worship (Article 25) and barring their entry contravened that right. It laid down that the Sabarimala custom did not constitute an essential practice of religion, and even if it was (as Justice Khanwilkar said), it did not matter because Sabarimala was not a separate religious denomination from Hinduism.
The sole dissent by Justice Indu Malhotra disagreed on the following grounds: that the equality provision (Article 14) did not override the right to religious freedom (Article 25); and that 'constitutional morality in a secular polity would imply the harmonisation of the Fundamental Rights, which included the right of every individual, religious denomination, or sect, to practise their faith and belief in accordance with the tenets of their religion, irrespective of whether the practice is rational or logical'.
The Sabarimala case highlights an area where judges have often disagreed with one another. This is on the contours of the balance between the principles of equality and non-discrimination on the one hand, and protecting the freedom of faith, belief and worship guaranteed by Article 25 and Article 26, on the other. The judicial disquiet pertained to whether and how the court ought to deal with group-created traditions that conflicted with the principle of equal access. What the judges were asking in the Sabarimala judgment was this: which agency – individual citizens, the state, political parties and civil society organizations – should be the channel for creating the textured citizenship that promotes openness, tolerance and diversity?
The Sabarimala pilgrimage is like a haj for devout Hindu men who conform to strict rules of behaviour (fasting for 41 days, sleeping on the floor, wearing a mala and black clothes, and eschewing material temptations) prior to their trek to the temple of Lord Ayyappan, a celibate deity. While Hobsbawm is right in saying that traditions are invented, if tradition creates a sense of belonging, if to belong and be part of a group also means to exclude other groups, and if in our daily lives we purposefully elect to undertake particular activities that create such communities (and exclude others from that community), then who should map these contours?
The majority and minority opinions in the Sabarimala case gave different answers, and both used the concept of 'constitutional morality' to make their argument. Justice Chandrachud (concurring with the majority ruling) linked the exclusion of women from the pilgrimage to the larger issue of patriarchy as a social institution that needed to be transformed so that women (like Dalits – and here he linked the issue to untouchability and the Indian Constitution's mandate to deliver social justice) gained access to public spaces such as temples. Justice Indu Malhotra (dissent) said constitutional morality in a secular polity meant harmonizing other rights with the fundamental right to practise religion.
The recent triple talaq judgment too highlights the dissension among judges in this sphere. The majority ruling said the question to be considered was whether triple talaq was legal: 'Whether what is Quranically wrong can be legally right is the issue to be considered in this case … What is held to be bad in the Holy Quran cannot be good in Shariat and, in that sense, what is bad in theology is bad in law as well.' They based their judgment on the 1937 Act whose purpose 'was to declare Shariat as the rule of decision and to discontinue anti-Shariat practices with respect to subjects enumerated in Section 2 which include talaq'. Since no practice against the tenets of Quran was permissible under this Act, and triple talaq was antithetical to the Quran, the practice of such a mode was bad in law as well, they said. They ended with the view that 'it is not for the Courts to direct for any legislation'.
The minority opinion (which included the Chief Justice) implied that constitutional protection was given to triple talaq, and therefore it was up to the Parliament, not the courts, to pass that law. It directed the Union of India to undertake that process taking into consideration the advances in Muslim personal law. Their stopgap arrangement 'till such time as legislation in the matter is considered' was 'injuncting Muslim husbands, from pronouncing "talaq-e-biddat" as a means for severing their matrimonial relationship'.
These issues do not have easy resolutions particularly in the 21st century where technology and higher literacy have created pathways for ideas to travel globally, and where citizenship is being exercised in more vocal ways. Belonging, as British sociologists like Yuval-Davis and Mike Savage point out, is not an essential or purely discursive concept, but is socially constructed, embedded and processual; people reflexively assess whether they feel comfortable in a place in relation to their life and to their positions and roles. When you embark on a haj or a pilgrimage (for example, to Mecca or to Sabarimala), you are also choosing to be part of a community of believers of that tradition.
Traditions create social cohesion. Unlike convention, which displays a habit or routine, tradition has a significant ritual or symbolic function. Tradition imposes invariance: drums cannot replace the bugles that signal the end of the Beating the Retreat ceremony. In 1983, British historians Eric Hobsbawm and Terence Ranger edited a volume entitled The Invention of Tradition where the contributors explored examples of invented traditions in Scotland and colonial Africa, and the pageantry of monarchy in Great Britain, Victorian India and 20th century Europe. Tradition is invented for three types of reasons, they say: (a) those establishing or symbolizing social cohesion of groups; (b) those establishing or legitimizing institutions (pomp and pageantry); and (c) those whose main purpose was socialization, the inculcation of beliefs, value systems and conventions of behaviour. If Hobsbawm and Ranger are right that tradition is invented to create social cohesion, then changing tradition, as done in the Sabarimala judgment, comes at a high price.
One may argue that the Sabarimala judgment will trigger a new and more inclusive tradition and create a larger community. However, it is the court, an institution of the state, which has created this new tradition. What is the problem with that, you may ask. As philosopher Roger Scruton says,
by citizenship I mean a specific form of communal life, which is active, not passive, towards the business of government. The citizen participates in government and does not just submit to it. Although citizens recognize natural law as a moral limit, they accept that they make laws for themselves. They are not just subjects: they appoint the sovereign power and are in a sense parts of that sovereign power, bound to it by a quasi-contract which is also an existential tie. The arrangement is not necessarily democratic, but is rather founded on a relation of mutual accountability.
Mutual accountability implies that the state – that is, the legislature, executive and the judiciary – must respect a citizen's need and ability to create a patchwork of belonging and unbelonging, as long as these do not unduly harm the rights of other citizens. There lies the problem for India's courts.
The constitutional diktat to the Indian state to create the conditions for social justice has meant that the judiciary has become involved in assessing whether a religious practice coheres with or contradicts social justice. The concept of 'essential practices of religion' was coined because the court had to make a distinction between matters of religion and matters of secular activity amenable to state regulation. Here, we see the practical implications of the twin constitutional injunctions on the Indian state: to address the historical inequities meted out to Scheduled Castes and Scheduled Tribes while pursuing a vision of inter-religious bonhomie through the guarantee of religious freedom and secularism. Social justice meant that the state had to answer legal challenges to its intervention in reforming the religious practices of Hindus such as allowing entry of the lowest castes into temples and abolishing untouchability. The fulfilment of inter-religious bonhomie called for caution in dealing with the large Muslim minority who remained after the Partition, and took the form of non-intervention in the religious practices of Muslims and Christians.
Analysis of case law reveals that the concept of 'essential practices' crops up in the court on issues where the state has to regulate the secular functions of a religious group (applies to all religions), or when the state has to undertake social reform among Hindus, or when a religious practice is at odds with a constitutional directive to the state. Essential practices, in relation to Hindu custom such as untouchability and temple entry that contravened a constitutional command, were treated differently (that is, the state's interventions were allowed) by the court compared with practices (such as excommunication among Bohras) that did not contravene a constitutional command.
The wording of the majority opinions in these recent judgments on decriminalizing homosexuality and adultery, ending the practice of divorce by triple talaq among Muslims, and ending gender discrimination suggests that these judges are trying to create a just and equal order for individual citizens (liberty, equality and fraternity) by removing the archaic practices of discrimination in group activities. The wording of the minority opinions suggests that these judges want the political arm of the state (the legislature and executive) to create such an order.
It does not help that in the past four decades, there has been a growing attempt by politicians to send contentious political issues to the courts so that they themselves do not suffer the backlash during elections. Fragmented vote banks, unstable coalitions and fractured legislatures are cited as possible reasons for such transference. The judiciary, on its part, is aware that by choosing to decide on such questions, it risks non-implementation of its judgment, and a consequent decrease of its prestige and authority.
Recently, the Bombay High Court said women could not be barred from entering the sanctum sanctorum of a Sani temple, a practice that has a 100-year-old footprint. This was after 400 women activists tried to enter the core shrine area and were stopped, and two activists approached the court through public interest litigation. Another Sani Shinganapur temple, this one in Ahmednagar, had to allow women to enter the temple premises in 2011 – women were barred before that from even stepping into the temple premises – after rationalists carried out a mass awareness campaign. It is this kind of dialogue and compromise that I am alluding to – one where state institutions play little or no role, and if they do, it is the last resort, not the first one. Otherwise, we risk creating an anodyne and sterile citizenship bereft of deliberate and articulated choices to belong or not belong to a tradition, and also of the ability to transform social practices in association or in dialogue with fellow citizens, without necessarily involving the state.
As deliberative spaces increase in an age of high connectivity and social networks involving a more literate and connected citizenry, the next government faces three challenges in this space.
1. First, it has to create enabling conditions for the concerned groups to challenge and deliberate with one another in safe spaces (virtually and in person) so that they use the representative and judicial institutions of the state as the last and not the first resort. Political representatives, that is, lawmakers, should enter the picture only after a level of consensus necessary to create a stable solution is achieved. The process of active citizenship implies that the principles for a just order are forged by each citizen through a process of contention and engagement within a safe space provided by the government.
2. Second, when state institutions are tasked with resolving such contention, the implementation of orders (for example, a judgment) ought to be carried out promptly even when the decision does not resonate with the ruling party's stance.
3. Third, and most difficult for the new government, is how it plans to restrain its party members and other politicians from transferring contentious political questions to courts, and also to impose self-restraint in pushing through constitutional amendments by citing election manifestos.
Inclusive Citizenship_All Pages.pdfInclusive Citizenship
India is no stranger to the challenges of inclusion, be it in the matters of religion, caste or even labels of employment. However, in the recent years, its goals of pluralism and tolerance have come under significant strain. In the process, the concept of Indian citizenship is being challenged in unprecedented ways. In this section, CPR faculty examine several aspects of Indian society where the question of inclusion has come to the forefront or should be brought there. The section discusses how courts are struggling with the challenge of reconciling tradition with citizenship, how the constitution is grappling with protecting the Scheduled Castes and Scheduled Tribes and how sanitation workers being denied the right to safe and dignified work.
Courts, Tradition and Citizenship_Shylashri Shankar.pdf
In Need of Structural Repairs_The Social Justice Project_D Shyam Babu.pdf
In Need of Structural Repairs: The Social Justice Project
D Shyam Babu
Safe and Dignified Sanitation Work_Arkaja Singh and Shubhagato Dasgupta.pdf
Safe and Dignified Sanitation Work: India's Foremost Sanitation Challenge
Arkaja Singh, Shubhagato Dasgupta


text:
Q: OPENACC How to handle a library function in a #pragma acc routine I have to call the <stdlib.h> function exit() inside this routine:
#pragma acc routine(Check) seq
int Check (double **u, char *str)
{

  for (int i = beg; i <= end; i++) {
  for (int v = 0; v < vend; v++) {
    if (isnan(u[i][v])) {

      #pragma acc routine(Here) seq
      Here (i,NULL);

      #pragma acc routine(exit)
      exit(1);
    }
  }}
  return 0;
}

I get the error:
nvlink error   : Undefined reference to 'exit' in 'tools.o'
Usually I solve this problem by adding the routine #pragma acc routine before the body of the function but in this case I'm dealing with a library function.

A: All routines called from the device, need a device callable version of the routine.  Often system routines do not have device callable versions, including "exit", so can't be used.
Though, you can't exit a host application from device code, so you may want to rethink this portion of the code.  Instead of using "exit", you'll want to capture errors and then abort once execution has returned to the host.

redpajama_set_name: RedPajamaStackExchange


We stayed in one of the fan bungelows which was fine, had an essential mosquito net and comfortable, although a little old now. Very attractive location surrounded by the limestone crags and 5 minutes from Railey east beach, 10 from Railey West. Nice grounds with plenty of trees and more attractive than the row after row of bungelows in some of the expensive resorts. Restaurant is nicely situated with good views and good food. Some noise from the local bar until about mid night. Wifi worked fine (2bhat per minute).
It's the best place to relax in the natural surrounded by Green Mountain and Andaman sea. Enjoy our restaurant which serves a great variety of authentic Thai and Western food, drinks and exotic cocktail. All set in what we proudly claim to be the most beautiful and romantic setting in Railay.
Building style 10 rooms. All rooms are provided full amenities and a private balcony with a nice garden view. The room size is 30 square meters with double queen size bed. Standard features in all rooms are inclusive complementary drinking water, air-conditioning, mini-bar and a private bathroom with toiletries.
Villa style 10 rooms. All rooms are located among garden and surrounded by various kind of tropical trees which you can appreciate from your own balcony. The room size is 35 square meters, double queen size bed is available in all rooms. Standard features are provided in all rooms including, complementary drinking water, air-conditioning, mini-bar and a private bathroom with toiletries.
Front desk operation hour from 06 a.m. - 10.00 p.m.
Restaurant services hour from 07 a.m. - 09:30 p.m.
Check in time is 14:00 hrs.
Check out time is 11:00 hrs.
Railay Phutawan Resort, Railay Krabi Thailand.


The ORMA modular formwork is perfect for the construction of all kinds of vertical concrete structures, both in building construction and civil works (walls, columns, abutments, footings).
It's distinctive for high performance rates with minimum labour costs and erection time.
The system is comprised mainly of panels which, joined by clamps, make up formwork gangs. It has items that provide efficient and safe solution for all types of geometries.
Very versatile: lateral holes for fast erection of standard solutions (bulkheads, corners, columns, etc.). Minimum work on infillings and compensations.
Panel connection with clampsand a single hammer blow.
- Adjustment of clamp enables compensations of up to 10 cm.
Robust panel with galvanised steel frame and reinforced corners.
Connecting element between panels and corners.
Excellent finishing due to high-quality phenolic birch plywood.
Wide height range of panels: 3.3 m; 2.7 m, 1.2 m and up to 3.3 x 2.4 m (7.92 m2).
Safety items: SBU Safety Platform. Galvanised metal platform with accesses designed for wall formwork work at height (bracing, concrete pouring, etc.) with absolute safety.
The Racibórz Dolny Dam, designed to control flooding in the area, will have a total holding capacity of 170 million cubic metres, placing it at the forefront of such projects in Poland.
Projects such as this open pit mine, composed of many unique structures, require unique solutions with products adapted to the specific demands of the project.
Młociny Large Shopping Centre, a surface area of over 220,000 m² in the heart of Warsaw.
Crane free, self-climbing system. Allows high construction speed and provides multiple applications for each high-rise project. Safe lifting and handling.
Flexible rail-guided climbing formwork for high-rise buildings. Highlights: optimised structure and easy to use.
Crane-lifted climbing system, perfect for the construction of double-sided walls and piers.
High performance one-sided climbing formwork for the construction of strongly inclined walls with total safety.
Movable system for the construction of very long single or double-sided concrete walls. Easy formwork erection and stripping.
Modular safety platform, adaptable to different geometries. It can be assembled on the ground. Easy transport and storage.
Most suitable for the construction of considerable height walls. Easy to transport and handle.
Optimised safety platform designed for wall concreting tasks. Very simple assembly.
Tough plywood with smooth surface most suitable for different needs. It enables more repeated uses than conventional plywood and offers excellent fair-faced concrete finish.


text:
Your home librarian
Review: 'Avengers & Champions: Worlds Collide'
March 6, 2018 by J. Caleb Mozzocco Leave a Comment
Avengers & Champions: Worlds Collide
Writer: Mark Waid
Artists: Humberto Ramos, Jesus Saiz, Victor Olazaba and others
Marvel Entertainment; $17.99
Rated T+ for teens 13 and up
When writer Mark Waid took over the main Avengers title in 2015, the conceit for his All-New, All-Different Avengers was a team line-up neatly divided between adult heroes Iron Man, Thor, Captain America Sam Wilson, and The Vision, and teen heroes Ms. Marvel, Nova, and Spider-Man Miles Morales. One generation actively training the next was built into the book, but in the ever-chaotic shared setting of the Marvel Universe (and perhaps the even more chaotic behind-the-scenes world of Marvel Entertainment), that status quo didn't last too long. After about a dozen issues, the kids spun off into their own book, forming an all-new, all-teen team calling themselves The Champions, while the adults added a few more characters for a relaunched Avengers book.
Waid wrote both Champions and Avengers, so it was not only natural, but perhaps even inevitable that they would reunite in a crossover story arc. That's what's collected in Worlds Collide: Three issues of each series, alternating back and forth.
The specific threat that brings the heroes back together is a sort of apocalypse of the day, a huge meteor headed straight for Kentucky with enough force to take out a hemisphere. The villain behind the meteor strike, which turns out to be the opening salvo of super-science plot to destroy two worlds—the title of the crossover story is to be taken quite literally—is The High Evolutionary, an old Stan Lee and Jack Kirby creation who is basically the superhero comics answer to Doctor Moreau.
He has long ruled Counter-Earth, a planet on the other side of the sun, which he has populated with animal/human hybrids called Ani-Men. He's worked out a way to destroy the worlds, and it's some pretty clever comics writing on the part of Waid, who uses real science to tease out the plot specifics and answer the questions that no doubt arise in readers' heads when presented with facts so fantastic that they make the suspension of disbelief difficult.
While the threat requires two superhero teams to meet it, the Avengers (whose ranks now include Hercules, Spider-Man Peter Parker, and The Wasp Nadia Van Dyne) and the Champions (which also includes The Totally Awesome Hulk Amadeus Cho, the time-lost teenager Cyclops, and Viv Vision, the android "daughter" of The Vision) don't get along too terribly well. Heroes who pull together in order to save the day but aren't exactly chummy is, of course, a longtime hallmark of Marvel Comics, but here Waid keeps the tension thematically focused on a single point—the Champions chafe at being treated like kids by the Avengers, despite the fact that they are, you know, actually kids.
While there are a dozen superheroes involved, the characters who get the most attention are The Vision and Viv, whose strained father/daughter relationship is emblematic of the tensions between the two teams, only much more intense. Throughout, The Vision acts like a particularly aggressive and vindictive jerk, and its only gradually revealed why he's being so controlling over his daughter; the climax hinges on her actions, and, in expected serial comics fashion, sets up a weird, unexpected cliffhanger that will be explored elsewhere later.
Despite that, Worlds Collide works quite well as a standalone read; it's a complete story and thus a satisfying read, whether this is one's first, second, eighteenth, or eightieth Avengers story arc. The art is, unfortunately, fairly scattershot. Because the story ran through alternating issues of two titles, the art changes every 20 pages or so, with the Champions art team of Humberto Ramos and Victor Olazaba drawing every other issue. The three Avengers issues have two different art teams; Jesus Saiz draws two of the three, while Javier Pina and Paco Diaz draw the other. The end result? Three extremely different art styles, changing frequently.
It's all quite readable, of course, and there are only a very few visual continuity glitches, but it is certainly more difficult than it should be to get lost in the world of Worlds Collide, since too little care was taken to make a consistent-feeling story.
Filed Under: Reviews, Young Adult Tagged With: Avengers, Champions, Humberto Ramos, Jesus Saiz, Mark Waid, Marvel, Victor Olazaba
About J. Caleb Mozzocco
J. Caleb Mozzocco is a way-too-busy freelance writer who has written about comics for online and print venues for a rather long time now. He currently contributes to Comic Book Resources' Robot 6 blog and ComicsAlliance, and maintains his own daily-ish blog at EveryDayIsLikeWednesday.blogspot.com. He lives in northeast Ohio, where he works as a circulation clerk at a public library by day.
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About Good Comics For Kids
A collaborative blog covering good comics for kids by Brigid Alverson, Robin Brenner, Johanna Draper Carlson, Lori Henderson, Esther Keller, J. Caleb Mozzocco, Mike Pawuk, Renee Scott, and Eva Volin.
We are a group of librarians, parents, and writers--and most of us wear at least two of those hats--who started writing about kids' comics in 2008 because, well, nobody else was. We like everything from Literary Graphic Novels to blatantly commercial (but fun!) licensed properties. And we don't lump all ages together; we're smart enough to know that a three-year-old has different abilities and interests than a 13-year-old.
Our goal is to cover kids' comics (for readers from birth to age 16) with both breadth and depth, through a mix of news, reviews, interviews, and previews, and to be both accessible to casual readers and interesting enough for serious fans.
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