Best Beginner Surfboards: The Top 9 In 2019 To Start Surfing!
Even the most experienced surfers can feel overwhelmed by the countless surfboards on the market.
Each board is unique, and there are tons of terms to describe the small differences between them.
Since these "small differences" can completely change the way each board surfs, looking for advice on your first purchase is a great choice.
We've compiled an inclusive guide to buying your first surfboard and understanding how it works, so look no further for a simple breakdown of how to buy your first board.
Weight capacity up to 230 lbs.
Weight capacity up to 200 lbs.
4 How To Choose a Surfboard For Beginners?
Rather than having to choose from the hundreds of boards out there, we've narrowed it down to the top nine best beginner surfboards to make your choice that much easier.
We sifted through boards of all shapes and sizes to find the ones that are most suitable for learning.
While all of these boards will make learning to surf easier, our reviews will help you decide which board is the most suitable for you.
The SBBC 8' Verve Soft Top was made for speed.
It's wide and thick shape provides plenty of paddling power, while its shape is fine-tuned for speed and precision.
The tri-fun set up makes sure that when you're coming into your turns with all of that speed, you'll glide smoothly down the face of the wave.
The Wavestorm 8' Classic is most recognized soft-top surfboard in the game for a reason.
It's universal, easy-to-use qualities make it suitable for any surfer.
With a slightly narrower width than the SBBC Verve, it will maneuver quickly and smoothly.
What you're giving up in width may reduce your paddling power, but this board is still perfect to catch beginner-sized waves.
The SBBC 7' Soft Top is more performance based than our other top two boards, making it easy to surf bigger waves and carve longer turns.
Suitable for a slightly smaller surfer, this board doesn't have the high volume found in the longer SBCC 8' and Wavestorm 8'.
This lower volume will make the board easier to handle and a breeze to carry around with you.
Highly recommended for younger, smaller beginners and surfers advancing into larger waves.
The Surftech 8' Soft Top has been called the most durable soft top surfboard you can buy.
Even with a triple stringer to keep the board from breaking, it's lightweight and easy to paddle.
This classic soft top is suitable for surfers of all shapes and sizes.
The BIC Sport Ace-TEC surfboard is modeled after a classic longboard.
At nine feet long and four inches thick, this board has enough volume to give any surfer optimum paddling power.
Unlike the previous soft top options, epoxy-based boards like this one take durability to a whole new level.
This board can be expected to stick with a surfer for many years to come.
The California Board Company 7' surfboard is another soft top made for either light-weight or more advanced beginners.
Its shorter length will handle bigger surf, while its triple stringer will ensure durability in those harsher conditions.
It also includes a traction pad to avoid slipping, and its wooden graphics make it look like a classic wood surfboard.
The BIC Sport EVO soft top comes in four different sizes to suit any surfer.
While the 5'6 is perfect for a little grom, the 9'0 can handle any sized surfer.
Choosing the right size depends on your weight and skill level, but going a little bit bigger is never a bad choice.
Whether you're going for the 5'6, 7'0, 8'0, or 9'0, this board won't disappoint.
The Thurso Surf 5'10" Fish is unique among our top picks because of its twin fin, fish tail setup.
While the fishtail makes turning quicker and smoother, the fins will keep the boards grip on the wave – even on your biggest turns.
For surfers who want to spend more time in bigger, steeper waves, this board is a great choice.
It's designed for stability and traction, while still giving the surfers enough speed to crank out a few big turns.
The Giantex 6'0 Foamie is our top choice for the best surfboard for kids.
While it's durable and lightweight, it also has a colorful design and removable fins.
The removable fin design will keep your kids safe in bigger waves, while the colorful deck will get them stoked.
In three different color designs, this board is a perfect fit for your young beginners.
After choosing the right board for you, it's a good idea to read up on some simple steps every beginner needs to know.
Although there is no definitive rulebook on "How to Surf", knowing the basics will not only make learning easier, but much more fun.
Step 1: Before you head to the beach, look up a guide on surf etiquette. It is essential to follow these unspoken rules of the lineup in order to stay safe and be respectful.
Finding a partner, whether it's a paid instructor, a friend, or some stranger on the beach. Having someone in the water to guide you is vital for your first few sessions. It's easy to underestimate the size and power of the waves, so use the buddy system!
Practicing the pop up, whether it's on the beach or in the shore break, will help you ride real waves quicker and easier. Without the pop up, beginners will end up riding countless waves on their stomach. While this tends to be a part of learning, it's best to get this step down before paddling into a lineup.
Once your surfing buddy has correctly directed you towards the lineup, you'll want to start thinking about paddling into a wave. Try not to get too eager here, because not every wave is going to be the right one. You'll want a wave that is peaking (at the highest point before breaking) right behind you. Then, you can paddle hard until you feel the wave picking up your board. This may take a few tries, and it's wise to paddle hard until you're sure you're in the wave – those last few can make all the difference.
The last crucial step to riding any wave is making your bottom turn. You can notice the difference between the surfers who stay in the wave and the ones who ride straight into the whitewash. While going straight is bound to happen to any beginner, try to turn the same way as the wave is moving as soon as you start to gain speed. This turn will give your board the speed that it needs to ride the rest of the wave, without getting caught up in the part of the wave that's already broken. The bottom turn takes practice, but a few rules of thumb are to bend your knees, put your weight on your back foot, and then straighten your legs and evenly distribute your weight.
How To Choose a Surfboard For Beginners?
While doing your research on which board to choose, you're likely to come across lots of terms you may not recognize.
While knowing about each of these aspects of a surfboard is important for choosing the right one, the way that they all relate to each other determines how the board will work.
Learning about each individual characteristic is the first step in understanding the function of surfboard shapes.
As your surfing progresses, it's essential to begin thinking about riding the right board for the conditions your surfing. Knowing about the function of the basic types of boards will help you understand which boards are fit for which conditions.
A shortboard, also known as a thruster for its tri-fin setup, is what you'll commonly see the pros riding. Shortboards are not ideal for beginners because they're meant for big waves, turns, and airs. Shortboards are maneuverable and easy to handle in the water. They're typically short and narrow with low volume, which makes them less buoyant and harder to paddle.
A fishtail is a shortboard that tends to be wider and shorter with an inverted triangle shaped tail. It is similar to the shortboard because it's also meant for bigger surf and drawn out turns, but it works better in mushier surf than your typical shortboard.
A mid0length is a board with more volume than a shortboard, but less than a longboard. Like many of the soft tops that we suggested, a funboard is usually in the 7'0"-8'0" range. Boards this size are ideal for a transition down to a shortboard because they still provide buoyancy and paddling power, but make turning and maneuvering much easier.
Longboards are the most traditional surfboard shape, usually over 8'0" long. Their high volume allows for fun sessions in small surf. The graceful glide that a longboard allows is much different than the quicker, more aggressive style of shortboarding. Longboards are a great place to start once you feel comfortable on a soft top because of the similar volume but additional function that they provide.
A gun is meant for very big surf – usually overhead and above. While this won't be a purchase that beginners will be making for a while, it's smart to be able to identify a gun because they can sometimes be mistaken for shortboards. While they're typically a bit longer than a traditional shortboard, they are similarly narrow and have a sharp nose. On the other hand, they're much thicker, which allows buoyancy in big waves and super quick drops. They will also have lots of nose rocker and an extremely narrow nose.
When it comes to surfboards, size does matter. Surfboards have three very important dimensions – length, width, and thickness. Together, these create the volume of the surfboard. The volume will determine how much floatation the board has, which will make a huge difference in your ability to paddle into waves and balance on your board. When you're learning, it's always a good idea to stick to bigger boards because you'll be able to paddle into waves easier and keep your balance once you're up.
The length of your board is the most closely correlated with your height. Taller surfers will always want a longer board than shorter surfers because their stance will be wider. Having the space to adjust your stance is essential. Length can be broken down into two basic (and obvious) categories: long and short. Long surfboards will have more stability and speed, while shorter surfboards will have more maneuverability.
The width of your board is the most closely correlated with its ability to float. The more floatation a board has, the easier it will be to paddle, balance, and get into waves. Narrower boards will be more responsive to small movements, which is why they're commonly used in bigger waves.
The thickness of your board also affects floatation, and especially paddling power. The function of a thinner board is to be able to take huge turns (aka "digging the rails"), which beginners won't be doing quite yet. Instead, getting a thicker board will help you catch more waves and surf in smaller conditions.
While buying your first board, size does matter…and bigger is definitely better.
The rocker of a surfboard is the curve that goes from the nose to the tail. When looking at a board from the side, you'll be able to see the rocker. The idea behind rocker (or lack thereof) is that when you have more rocker (more curve), the nose is less likely to dig into the water and nose-dive the board. When there is less rocker, the board is more likely to nose-dive, but it's also harder to get into the wave.
Having more rocker, or more curve in the shape of your board, allows for more maneuverability. When dropping into a big, steep wave, rocker is necessary for the board not to nose-dive. Since beginners won't be riding waves of this caliber, rocker will probably only make learning more difficult. Rocker makes it difficult to get into the wave because there is less surface of the board on top of the water, so the wave won't "pick you up" as easily.
Having less rocker allows you to glide on the surface much easier, which is why longboards tend to make surfing look so effortless. The combination of size and rocker allows a surfer to "set a line", or direct the board, and let the wave do the rest of the work.
Finding a balance between no rocker and just enough will ensure that you're able to get into plenty of fun rides, while still preventing the board form nose-diving into the wave.
The rails of a surfboard can be either hard or soft. Whether your board has hard or soft rails will determine the buoyancy, the drive, and the stability. Rails have foils, which are where the apex of the rail is in relation to the curve. The foil can be closer to the bottom of the board to give it a harder edge, or in the center to give it a softer, more rounded edge.
Hard rails have more defined edges, so the curve of the rail is more abrupt than a board with soft rails. This functions by holding the rail of the board into the wave while turning, so hard rails are common in performance boards. An 80/20 would be a very defined hard rail, while a 60/40 is a lighter hard rail.
Soft rails have a consistent, balanced curve in the edge, so they're typically found on bigger boards. Softer rails provide more volume and less sensitivity to small movements. Soft rails are ideal for a beginner because they're more forgiving and will generate more speed while the board is moving in a straight line.
The top of your board is called the nose. The nose is the key element when dropping into waves, which is why guns and shortboards have narrow noses – to prevent nose-diving. While wider noses make nose-diving more likely, they also make it possible to paddle into small waves. While there are many nose designs, the most common are the round nose, the pointed nose, and the rounded-point nose.
The round nose is commonly found on longboards, so beginners will be acquainted with this design. It provides a larger surface area, which provides stability and buoyancy. Round noses are also critical for nose-riding, which is a common longboarding trick where the surfer walks to the nose of the board. A round nose allows them to balance there and still maintain speed and control over the board.
The pointed nose is the opposite of a round nose. It's typical in performance boards like guns and shortboards because it allows for critical, steep take-offs. It doesn't work well in small waves because there is such small surface area to propel the board into the wave. On the other hand, it does make duck diving easier when a big set comes.
The rounded-point nose is a compromise between the previous two extreme shapes. It has enough width to paddle into average-sized waves, but it's narrow enough to avoid nose-diving. Rounded-point noses are common on mid-lengths and funboards, so it's likely that you'll become familiar with this shape when you begin transitioning to smaller boards.
Before getting into the specifications of fin types, it's important to know how many fins your board will actually need. Most boards will make this very obvious by having one or more fin boxes that only fit one type of fin. For example, a shortboard will usually have three fin boxes meant for a certain type of fin. That is why shortboards are commonly referred to as "thrusters" – meaning three fins. On the other hand, longboards usually only have one fin box, referred to as "single-fins". To make things more complicated, there are also twin-fins (usually found on the fishtail boards discussed earlier), quads (also a shortboard variation), and bonzers (shortboards with five fins!). Some boards will have the fins glassed into the board, while others will have fin boxes that fit different sized fins.
In order to understand what size fin your board needs, there are some terms that need to be understood. Choosing the right fin(s) for your board can seem overwhelming because there are so many options to choose from, but don't worry – once you understand the terminology, choosing the right fin(s) is pretty simple.
The base of a fin measures the widest part of the fin, which is the part that attaches to the board. A larger base creates more speed because more water will be moving around the part of the board that meets the fin, helping push your board down the line. The drive that a larger base provides is beneficial for beginners who don't want to have to turn to generate speed. Later, as you transition to shorter boards, fins with a smaller base will help loosen up your board and increase maneuverability.
Fin height, also generally called fin depth or fin size, is how deep into the water the fin will go. A larger fin, usually in the 8"-10" range, will be used on a longboard. Three smaller fins, usually 5"-6", will be used on shortboards. A larger fin will provide more hold on the wave, giving you more control. Smaller fins sometimes come completely out of the water (big turns, airs), which makes the board much more difficult to control.
The flex of a fin refers to how much movement the fin has from side to side. A fin with more flex has greater drive and will stay in the water during turns, while a stiffer fin will easily release from the wave. There is no need for the fins to release from the wave unless you're doing huge turns or aerial maneuvers, so a flex fin is ideal for bigger boards.
To avoid any road-blocks during your first few surf sessions, carefully read this comprehensive list of tips and tricks.
Being informed about proper surf etiquette is essential to maintaining a fun, respectful lineup. Make sure to memorize all of these unspoken rules and practice them in each of your future surf sessions.
They say that you've got to start somewhere… if you're looking for the place to first paddle out, this article will send you in the right direction.
Surfing provides countless health benefits for both your body and your mind. To understand how to maximize these benefits, it's a great idea to understand the ways in which surfing can benefit you.
In order to get all of the health benefits mentioned above, make sure to do the proper training before and after surfing. Even a short stretch will help prevent injury and allow you to surf your very best.
Do you need to know how to swim to surf?
Yes! If you can't comfortably swim to the lineup and back, then you shouldn't paddle out. Although having a big floatation device with you may seem like a safety net, it's considerably harder to get through a big wave or a set with a board. It's also not uncommon for a leash to break, which results in you losing your board and having to swim in. If you're not comfortable being in the water without a board, it's definitely not a good idea to paddle out.
It could take days, months, or years to learn how to surf. There are countless factors that can affect how long it'll take to learn, but the best advice for beginners is to stick with it and go regularly. Surfing in different conditions, on different boards, and in different waves can all help you progress quicker. It doesn't matter how quickly you become an expert, as long as you're having fun!
What are the best places to learn how to surf?
Great question! It's a good idea to do your research and find somewhere near you that's ideal for beginners. This will typically be a point break with multiple peaks, so that you can sit inside of the largest peak of the wave. This way, you can watch the more experienced surfers and get the waves that are breaking on the inside. It's also smart to do research before choosing a spot because you want to ensure that there aren't any hazards – rocks, rip currents, and sea cliffs are all easily avoidable if you find the right place.
Now that you've done your research, it's time to choose a board and get out there! Learning to surf can spur a lifelong passion for the sport and for the ocean, but having the right board can make surfing much more enjoyable.
It's no fun paddling for wave after wave and not catching anything, which is why we've recommended the boards deemed best suited for learning.
The SBBC 8' Verve is our #1 choice because it is a well-rounded board that will work well for any beginner.
With the ability to keep surfers from 70 lbs. up to 230 lbs. afloat, the SBBC Verve is guaranteed to work for surfers of all shapes and sizes. South Bay Board Co. has designed a "catch-every-single-wave foam surfboard" so that beginners can learn quickly and easily.
Your first board is a one-way ticket to a lifelong passion, so what are you waiting for?


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Coinbase settles $100M with New York regulators over anti-money-laundering compliance
By adminPosted on January 4, 2023
Cryptocurrency exchange Coinbase Global Inc. reached a $100 million settlement with regulators in the New York Department of Financial Services on Wednesday regarding failures in compliance with anti-money-laundering rules.
The settlement was split into two portions. The first part was a $50 million fine after a NYDFS investigation uncovered that Coinbase had "failed to maintain an effective and compliant [anti-money laundering] program" in violation of policies.
The settlement also requires that the company invest $50 million over the next two years to build out its compliance program. This will mean that Coinbase must track the identifying information of account holders so that drug traffickers, terrorists and other potential lawbreakers can be identified and prevented from opening accounts on the exchange using Know Your Customer standards.
According to the settlement filing, the NYFDS first licensed Coinbase as a money transmitter in New York in 2017 and did a supervisory examination in 2018 through 2019 when it found serious problems with the company's AML and KYC program features. Due to these deficiencies, the regulatory body asked that the company task a third-party consultant to fix them.
However, by 2021, Coinbase had seen "dramatic and unexpected growth" and was overwhelmed by a massive backlog of transaction monitoring alerts, which it had not yet gotten to. According to the filing, by this time the company had fallen behind by more than 100,000 alerts about potentially suspicious transactions, many of which were months old.
"At that time, Coinbase lacked sufficient personnel, resources, and tools needed to keep up with these alerts, and backlogs rapidly grew to unmanageable levels," the regulators wrote in the filing. "This was compounded by Coinbase's reliance in 2019 through November 2021 on an inadequate case management system for dispositioning alerts and filing."
According to the NYDFS filing, prior to December 2020, Coinbase only did the bare minimum to verify its customer information and often failed to assign informed "risk ratings" to customers upon onboarding. Historically the company only took photo identification and did little more than that to verify them.
The settlement mentioned that Coinbase is still moving too slowly to rid itself of its backlogs and requires that the company work with a third-party monitor to continue to remediate its current issues and improve its compliance program.
"Coinbase remains committed to being a leader and role model in the crypto space, and this means partnering with regulators when it comes to compliance and other areas," Paul Grewal, chief legal officer of Coinbase, said in a statement. "We believe our investment in compliance outpaces every other crypto exchange anywhere in the world, and that our customers should feel safe and protected while using our platforms."
He added that he believes this resolution with regulators is a critical step in the company's commitment to improving its policy toward compliance.
This settlement comes shortly after the dramatic collapse and bankruptcy of the crypto exchange FTX Trading Ltd., which has led to increased regulatory scrutiny of the crypto industry after it was revealed that massive malfeasance led to the company's implosion. Former chief executive of FTX, Sam Bankman-Fried recently pleaded not guilty to criminal charges related to the bankruptcy. Two of Bankman-Fried's associates, FTX co-founder Gary Wang and former Alameda Research co-CEO Caroline Ellison, last month pleaded guilty to federal fraud charges.
Photo: Coinbase
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A wedding reception photo by Dear Alex + Jane.
Like a marriage license, wedding photos are the long-lasting, tangible evidence that two people have committed to spending their lives together. Unlike a marriage license—which tends to be uniform and unadorned—wedding photos and the artists who take them, run the gamut from the traditional to the wild. They're meant to be pulled out and shared over the years and through the generations. Here is some expert advice on taking wedding photos to last a lifetime.
Besides your day-of coordinator and your soon-to-be spouse, your wedding photographer will be one of the most important actors on your wedding day. They are present during a couple's most memorable moments, often navigating through sticky family dynamics to capture both the intimate details and the grand scope of a timeless ritual.
"Trust your instincts," advises Cathy Ballone of Cathy's Elegant Events. "Find a photographer who makes you think—'Wow, I love these photos.'" Ballone advises couples to view a wide range of photographer's albums. "If there are only daytime photos in their album, ask to see some night shots, and vice versa." With nontraditional venue weddings (barns, wineries, or parks, for example), photographers should have prior experience in a similar space. After a photographer's work catches your eye, speak to their previous clients. "Research, get references, and talk to other brides about their experiences of working with the photographer," advises wedding planner JoAnn Provenzano.
Jesse Turnquist, of Turnquist Photography, advises couples to schedule an engagement photo session. (With his own clients, he requires it.) Not only does it give him a jump on the technical details of photographing a particular couple, it's a relaxing way to get aquatinted. It's also great practice for being a bride and groom. "Most couples have never been photographed together before," Turnquist says. "It's a great opportunity for them to get comfortable posing together."
During the engagement session, Turnquist makes a point of asking about family dynamics. "A wedding is a chance to document a family, all together," he says. "But this has its difficulties." Being comfortable with your photographer, and sharing your family's history, can help avoid potential drama or uncomfortable situations on your wedding day.
Photographers' styles vary greatly from traditional to documentary-like to arty and romantic. It's important your photographer's aesthetic matches your own. "Choose your photographer wisely," says Rachel Brennecke, the "Jane" half of Dear Alex and Jane. "They are essentially another guest, but a very visible one. Make sure you want them there."
Brennecke who, along with partner Alex Liguori began her career in the fashion industry, offers a creative take on wedding photography. "We pay special attention to the color palette," she says. The pair also encourage couples put together a mood board—a technique borrowed from the fashion world—of appealing pictures and images. (Pinterest is perfect for this.) "This gives us a visual connection," Brennecke explains. "It's something specific to reference as we photograph the wedding day."
Dear Alex and Jane also asks clients for a "hit list" of their top 10 shots. This includes traditional poses along with unique family details. "If your 86-year-old grandmother is there, your brother just got back from the military, or all your sisters are together in one place for once—let your photographer know," advises Brennecke.
This level of collaboration will lead to meaningful results. "We were shooting a wedding where the bride's parents were divorced and hadn't been in the same room for 20 years. Toward the end of the reception they got up crying, and hugged." Brennecke was able to capture it all on film. "We knew the bride and her background well enough to realize how important that moment—and a picture of it—would be."
Together with your day-of coordinator, your photographer sets the tone and pace of your wedding day. "Listen to your photographer with respect to light and scheduling," advises Turnquist. "Photographers schedule events to take advantage of the best light throughout the day. Economically and time wise, sunlight is always best."
An experienced wedding photographer can also help you deal with any glitches that arise. "Weddings have many moving parts and demands; you want a smooth, seasoned shooter who can roll with the punches," advises wedding photographer Steffen Thalemann. "People are stressed, emotional, you name it—change is constant." Thalemann schedules at least 30 minutes for couples to be alone together for portraits before a ceremony. "I think it's necessary for a couple to be physically separate from the rest of the wedding party. Not only does it give them a breather, it can be very romantic and lead to some beautiful, unique images," says Thalemann.
Scheduling this ritual "first look" before a ceremony, allows couples enough time to both take photographs and enjoy their guests during their reception. Father-daughter "first looks" are another great photo opportunity. "I've seen dads burst into tears," says Ballone. The right photographer can help you maximize your schedule, so you can enjoy yourself and your guests.
"The average wedding photography package runs around $5,000," says wedding planner Mary Beth Halpern. "This usually includes eight hours of photography—from dressing through cake cutting—and a second shooter." Couples might be tempted to reduce costs by cutting some of these pieces out but this isn't advised. "A well-tuned, two shooter team is the wisest choice," advises Thalemann. "It's a great safety backup and ensures all the couple's 'must-do' photographs are taken. It also provides two perspectives and helps capture intimate moments."
Understand what your paying for. "Know up front what you're getting for your money," advises Brennecke. "Look at the details: Make sure your contract gives you access to all your photos without any hidden fees."
Smart phones are a mixed blessing for marrying couples. On one hand, they can provide an abundance of extra footage; on the other, they can undermine the sacred nature of the wedding ritual. Mindfulness is the key to reaping their benefits, while avoiding their downside.
Consider declaring your ceremony "unplugged" by asking guests to leave their smart phones at home, in their car, or at least in their pocket. "You don't want people posting wedding pictures from the church," says Halpern. And if you're part of the bridal party, "never post pictures of a bride before she walks down the aisle," advises Brennecke. Provenzano agrees. "Remind guests that you are paying a professional to take photos," she says. "Let the professional do their job."
The reception, however, is another story. "Instagram is such a great source for secondary images," say Brennecke, who advises Dear Alex and Jane clients to develop a hashtag early in the planning process and share it with guests. "When guests post pictures with the hashtag, the bride and groom, as well as the other guests, have access to all those images." Ballone agrees. "With personalized hashtags, even vendors can getting in on the act and post pictures."
Bride and groom inside the Airstream. Photo by Quyn Duong for Rose & Dale.
Ditch the disposable cameras and consider renting a vintage photo booth instead. Nina Young of Rose and Dale has refurbished a 1963 Airstream Overlander camping trailer into a traveling photo booth and lounge. Young works with engaged couples to create a personalized backdrop for guest photos and can also decorate the lounge to complement a couple's reception. "It becomes a party within a party," Young says. Guests get an old-school picture strip to take home and bridal couples get virtual copies.
Decide if you want to film your wedding early; just like good photographers, good videographers are booked well in advance. "Video has changed quite a bit in the last few years," says Turnquist. "Wedding videos are edited like films." The use of drones (yes, drones) has further revolutionized the videography business, allowing videographers to film anywhere from six inches off the ground to high overhead.
"GoPros make the best hidden cameras," says Brennecke. "They're also a cheap, easy way to get extra video content of a wedding." A GoPro camera can be a terrific way to capture a reception. Strap one to a bottle of whiskey or Champagne, and pass it among guests, asking them to toast the happy couple. The resulting footage is sure to keep everyone warm, and merry, for years to come.


All pointe shoes do not fit all feet. Pointe shoe makers make different models to suit different feet - for instance, the Bloch Sylphide suits tapered toes, but would be uncomfortable if your toes are all even. So before you begin looking at shoes, it's important to know what your foot type, profile and toe length you have.
There are three foot types - Egyptian, Giselle or Greek. If you don't know what yours are, read this article to "diagnose" your feet.
The shoe profile is based on the height of your foot when viewed from the side, measured at the metatarsal joint (where the bunion is, if you have one!).
Measure your foot (not in a shoe!) at that point. Be accurate, because there's not much difference between high, medium and low, but the difference can be very important!
If it's an inch or less, you need a low profile shoe. Between 1 inch and 1.25 inches, you're a medium. A high profile is over 1.25 inches.
Most pointe shoes are made to suit low or medium profiles. If you have a high profile, those shoes will squash your foot, so it's important to seek out the few shoes that have the extra space you need in the box.
The vamp is the part of the shoe covering the front of the toes, from the front edge of the platform to the drawstring. The length of vamp for you will depend mainly on the length of your toes - your vamp needs to be just high enough to hide your toes completely (no "toe cleavage"!).
If your big toe is around 1 inch long, you have short toes.
Between 1 and 1.5 inches, your toes are medium.
Over 1.5 inches, you have long toes.
The length of your toes = the length of the vamp for most people. The "knuckles" of your toes must be covered, otherwise that part of your foot may "pop out" when you're en pointe.
It's important to get the height of the vamp right. Too high and the vamp will stop you getting properly over the box - unless you have a high arch, in which case you may need a high vamp to stop you going too far.
This foot spreads out wide when the foot is flat on the floor, but narrows when on pointe. If you choose a shoe that fits on the flat, the foot will just slide straight into the box, putting all the pressure on the toes and leaving an empty heel! Unfortunately there's no accurate way to measure for this - so bear in mind that even if you do all the other measurements carefully, if you have a compressible foot, the shoes may not fit.


Anyhow, information says it all. There's not much to say about this drama.
It's good but a lil disappointed with the ending, maybe it was just me who were expecting more. But really great drama.
Teaches how us individuality has their its strength, power and ability between rich and poor, love & hate.
The actors and actresses are awesome!! I think the quarter of the episode was a bit boring lol I don't know I thought because there were no exciting stuff happening, not till the Granpa start having his evil plans!! haha he's so funny!
All the main cast are great!!!
The acting in this show was really bad. The story is pretty dumb too. It was interesting enough to keep on watching, but just barely. I really liked seeing what cute outfits everyone would wear, it was one of the up sides.
I don't remember the music.
The show is full of miss-communication and poorly created facades that real people would see through, no matter how dumb they are.


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Biografia

Divenne patriarca di Costantinopoli nel 446.

Nel 448 iniziò la disputa teologica tra il monaco Eutiche, promulgatore della teoria del monofisismo, e quella di Nestorio, il quale difendeva la presenza in Cristo non di una compresenza, ma dell'unità non sostanziale ma solo morale di due status: quello divino ha trovato accoglienza in quello umano.
L'8 novembre 448 Flaviano riunì il Sinodo permanente a Costantinopoli; il 22 novembre 30 vescovi e 24 archimandriti sottoscrissero la condanna delle sue proposizioni teologiche.. L'imperatore però decise che su Eutiche dovesse esprimersi la Chiesa universale. Convocò quindi un concilio ecumenico per l'anno successivo. Flaviano ottenne l'appoggio di papa Leone I che, in una lettera, elogiò il patriarca per la sua ortodossia, invitandolo a combattere «questo errore perverso e folle» (27 maggio 449). Deciso a sostenere Flaviano, Leone I inviò al Concilio due suoi legati, i quali depositarono una lunga lettera, nota come Tomus ad Flavianum, in cui il pontefice sottolineava la propria contrarietà verso le dottrine di Eutiche.

Il secondo Concilio di Efeso si tenne sotto la presidenza del Patriarca di Alessandria, Dioscoro I. Durante le fasi del Concilio  il pensiero di Eutiche, che trovava l'appoggio dell'imperatore Teodosio II, riscosse il favore della maggioranza dei padri conciliari, tanto che Dioscoro I di Alessandria ottenne la deposizione di quei teologi che appoggiavano il nestorianesimo. Nonostante la partecipazione dei legati pontifici ai lavori conciliari, Dioscoro intervenne per far sì che essi non leggessero il Tomus; quindi proclamò la dottrina di Eutiche conforme all'ortodossia. Di conseguenza, Flaviano fu deposto dalla carica e condannato all'esilio.
Per il modo dispotico con cui fu condotto il Concilio, fu poi definito latrocinium dallo stesso pontefice.

Poco dopo aver raggiunto il luogo di esilio in Lidia (regione dell'Anatolia), Flaviano subì un duro pestaggio. Morì per le percosse ricevute.

Riabilitazione
Morto Teodosio II, la sorella Elia Pulcheria andata in sposa al senatore Marciano divenuto imperatore, fece riportare a Costantinopoli le spoglie di Flaviano, per scongiurare le offese dei seguaci di Eutiche e le depose nella chiesa dei Santi Apostoli.

Così nel 451 venne riunito il concilio di Calcedonia, nel quale, letta l'epistola censurata di papa Leone I, il monofisismo fu condannato, vennero esiliati Eutiche e Dioscoro I di Alessandria, e ritirata la scomunica al papa di Roma. Infine tutta l'assemblea ritirò le accuse contro Flaviano che fu venerato per la sua santità e per il suo martirio.

Culto

Il Martirologio Romano ricorda san Flaviano al 17 febbraio.

Secondo una leggenda, le spoglie di san Flaviano vennero imbarcate per volere dell'imperatrice Galla Placidia per essere inviate a Ravenna. Durante il tragitto in mare la nave, forse dopo una tempesta, approdò senza equipaggio, sulla costa di Castrum Novum Piceni, l'odierna Giulianova, che da quel momento prese il nome di Castel San Flaviano. Il giorno dell'approdo è tradizionalmente riferito al 24 novembre. Sulle sponde venne costruito un grande tempio dedicato al Santo Patriarca e i suoi resti vennero collocati in un'arca di marmo. All'arricchimento del tempio, oggi non più esistente, contribuirono personaggi illustri come Carlo Magno. Oggi le ossa del patriarca riposano nel duomo di Giulianova in un'urna rinascimentale in oro e argento. Nella città adriatica, di cui è patrono da secoli, gli si tributa la festa il 24 novembre, giorno dell'arrivo delle spoglie.

San Flaviano è molto venerato in Abruzzo ed è patrono anche di Conversano, feudo di cui il conte di Giulianova, Giulio Antonio Acquaviva d'Aragona, entrò in possesso nel Quattrocento.

È compatrono della città di Recanati e della sua diocesi e, come Conversano, custodisce una reliquia del Santo Patriarca prelevata dai suoi resti mortali conservati a Giulianova.

Note

Bibliografia
 Bibliotheca Sanctorum;

Voci correlate
 Costantinopoli
 Patriarca di Costantinopoli
 Duomo di Giulianova
 Giulianova
 Conversano

Altri progetti

Collegamenti esterni

 https://web.archive.org/web/20090615151433/http://www.comune.giulianova.te.it/MuseieCentriCulturali/GiulianovaPaese/DuomodiSanFlaviano/tabid/491/Default.aspx

Santi per nome
Patriarchi di Costantinopoli
Santi della Chiesa cattolica

redpajama_set_name: RedPajamaWikipedia


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Pullman & Roseland
Family of Man Killed In West Pullman Seeking Help With Funeral Costs
By Joe Ward | August 11, 2015 7:12pm
@jaydubward
Before he was shot and killed last week, Mike Walton was saving money to enroll in college and work toward a construction management degree.
CHICAGO — Before he was shot and killed last week, Mike Walton was saving money to enroll in college and work toward a construction management degree.
Now, his family is trying to raise enough money to bury the 31-year-old.
Walton, a father of three, was shot around 2:45 a.m. Friday in West Pullman. Police found Walton in the 100 block of East 117th Street with a gunshot wound in his head. He was pronounced dead on the scene.
No arrests have been made in the case, as the investigation is ongoing, according to Officer Beri Lemmon, a Chicago Police spokeswoman. Police said Walton is not a documented gang member.
On top of dealing with their grief, Walton's family is trying to figure out a way to give him a proper burial. The family has asked the public for help, setting up a GoFundMe page to assist in paying for Walton's burial.
"We've never had a tragedy like this," said Michelle Moore, Walton's sister. "This is very hard for us."
Walton was working at Home Depot and just received his plumbing certificate, the family said.
He wanted to gain custody of his children, Moore said, and so Walton decided to better his financial situation. He had plans to enroll in Kennedy King College this fall.
"He was a great person," Moore said. "He had integrity. He loved his kids and everyone loved him."
Moore and her siblings were at a chapel Tuesday trying to make arrangements for Walton's burial. The family is struggling to cover the costs, she said. Walton, who lived in South Shore, was uninsured.
So far, the GoFundMe has raised nearly $1,000 since it went live Saturday. The family has capped the fundraiser at $5,000. Any funds left over from Walton's burial will go to his three kids, who Moore said are traumatized by the loss of their father.
"The oldest is only 6," Moore said. "It hasn't really hit home yet."
Funeral arrangements have not yet been set, Moore said.
To help the family of Mike Walton, click here.
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Like his fellow saint, Francis de Sales, who was his friend and contemporary, Vincent de Paul performed an invaluable service to the Catholic Church in a period of confusion and laxness. But unlike the aristocratic bishop of Geneva, Vincent was born in poverty, of peasant stock. His birthplace was Pouy, near Dax in Gascony, in southwest France; the year was 1576. Jean de Paul and Bertrande de Moras, his parents, were sturdy farming people who reared a family of four sons and two daughters. Observing young Vincent's quick intelligence, his father sent him to be educated by the Cordelier Brothers at Dax. When the boy had been at school for four years, a lawyer of the town engaged him as tutor to his children, thus enabling Vincent to go on with his studies without further expense to his parents. Vincent continued his education at the Spanish University of Saragossa, and then returned to France to attend the University of Toulouse. At the age of twenty-four he was ordained priest by' the bishop of Perigueux, but remained at Toulouse for another four years to take the degree of Doctor of Theology.
Beyond an aptitude for study and a certain persistence in achieving his ends, there is nothing in Vincent's life up to this time to suggest his future fame and sanctity. He now went on a short journey which was to change his whole life. The scholarly young priest was to be captured at sea by pirates and sold as a slave in Africa! This extraordinary happening came about in the following way. Vincent, having returned home after receiving his degree, went back to Toulouse to recover by process of law a small legacy which had been left him by an old woman of that city. Homeward bound, he made the trip from Marseilles to Narbonne by water, on board a small coastwise vessel. The ship was set upon by three brigantines manned by Barbary pirates, who were at this time a menace to all Mediterranean shipping. When the Christians refused to strike their flag, the infidels attacked them with arrows. Three were killed and several, including Vincent, were wounded. Those who remained alive were put in chains, and the pirates straightway sailed to Africa with their human cargo. Landing at Tunis, the pirates led their prisoners through the streets of the city, after which they were brought back to the vessel and sold to the highest bidder, like cattle. Vincent, bought by a fisherman, was sold again to an aged Moslem, a humane man, who had spent fifty years in search of the "philosopher's stone." He grew fond of his slave, to whom he gave long lectures on alchemy and Mohammedanism; he even promised to make Vincent his heir and also to communicate to him all the secrets of his science if he adopted the religion of Islam. The young priest, terrified that his faith would be corrupted in this alien environment, prayed for divine protection, particularly for the intercession of the Blessed Virgin.
Vincent continued firm in his faith and lived on with the old man until his death, when he became the property of his master's nephew, who soon sold him to a renegade Christian, a native of Nice. This man, a convert to Mohammedanism, had three wives, one of whom was a Turkish woman. She often wandered into the field where the new Christian slave was at work, and out of idle curiosity would ask him to sing songs in praise of his God. With tears running down his cheeks Vincent would obediently sing certain Psalms, among which was Psalm cxxxvii, "By the waters of Babylon," in which the Jews bewailed their captivity. The Turkish woman now began to reproach her husband for abandoning his religion, and kept on until, without herself accepting the faith, she made him return to it. He repented of his apostasy, and he and Vincent made their escape from Africa together. They crossed the Mediterranean safely in a small boat, landed near Marseilles, in June, 1607, then traveled up to Avignon. There the apostate confessed, and abjured Mohammedanism before the papal vice-legate. The following year, accompanied by Vincent, he went to Rome, where he entered the order of the Brothers of St. John of God, who serve in hospitals.
Vincent now returned to France and chanced to be brought to the attention of Queen Marguerite of Valois, who appointed him her almoner. This office gave him the income from a small abbey. For a time he lodged in the same house as a lawyer, who was one day robbed of a considerable sum. He openly charged Vincent with the theft and spoke against him to all his friends. Vincent did nothing save quietly deny the charge, adding, "God knows the truth." For six years he bore the slander, making no further denial, and at last the real thief confessed. Speaking as though the victim had been someone else, Vincent once told this story at a conference with his priests, in order to show that patience, silence, and resignation are generally the best defense of innocence.
Vincent soon came to know a famous priest of Paris, Monsieur de Berulle, afterwards a cardinal. Father Berulle, who at that time was founding a branch of the Congregation of the Oratory in France, recognized Vincent's worth. He found for him a curacy at Clichy, in the outskirts of Paris, and later through his influence Vincent became tutor to the children of Philip de Gondi, Count of Joigny and general of the galleys of France. The countess, a serious-minded woman, was so impressed by Vincent that she eventually chose him as her spiritual director.
In 1617, while the family was at its country seat at Folleville, in the diocese of Amiens, Vincent was sent for to hear the confession of a peasant who lay dangerously ill. In the course of his questioning, Vincent learned that every one of the peasant's previous confessions had been sacrilegious. On his recovery the man declared, in the presence of the countess, that he would have been eternally lost if he had not spoken with Vincent. Unlike the majority of noble women of this period, who felt no responsibility for their dependents, this good lady was concerned about the spiritual welfare of her tenantry. She persuaded Vincent to preach in the parish church of Folleville and instruct the people. Such crowds came to confess that he called the Jesuits of Amiens to his aid. The Congregation of the Mission had its inception at this time.
Vincent left the household of the count that same year to become pastor of the parish of Chatillon-les-Dombes, which had long been neglected, its church virtually abandoned to the elements. By restoring the church, by instituting the habit of regular worship, he created a new spirit which helped to regenerate the whole district. He converted the notorious count of Rougemont and many other aristocrats from their dissolute lives. Seeing how effective Vincent's labors were, the countess now offered him a large sum of money to found a perpetual mission in whatever place and manner he thought fit. Nothing at first came of the idea, for Vincent seemed reluctant to undertake so important an enterprise. Meanwhile the countess secured her husband's help in organizing a company of zealous missionaries to work among their own vassals and the peasants of the countryside. They also discussed the plan for a perpetual mission with the count's brother, Jean Francois de Gondi, archbishop of Paris, who gave them the College des Bons Enfants as a reception house for the proposed new community.
The countess had obtained from Vincent a promise to continue as her spiritual director while she lived and to assist her at the end. She was in failing health and died in the summer of 1625, whereupon Vincent went to Paris to establish himself at the College des Bons Enfants. Now, at the age of forty-nine, he was free to assume the position of director. He drew up rules and constitutions for the house, and these were approved by Pope Urban VIII in 1632. In that year they were given the priory of St. Lazare, henceforth the chief house of the congregation. The Fathers of the Mission thus came to be called Lazarists, although they are more generally known as Vincentians. The Congregation consisted then, as it still does, of priests and laymen who, after a period of probation, take four simple vows, poverty, chastity, obedience, and stability. They live from a common fund and devote themselves to sanctifying their own spirits and to converting sinners. They are employed in missions, especially to country people, teaching the Catechism, preaching, reconciling differences, and performing charitable deeds. Some of them conduct seminaries. Their institutions now flourish in all parts of the world. Vincent lived to see twenty-five more communities founded in France, northern Italy, Poland, and elsewhere.
Extensive and rewarding as this work was, it did not satisfy Vincent's passion for helping suffering people. He started con fraternities to seek out and care for the sick in every parish. From these groups, under the leadership of Louise de Marillac, sprang the Sisters of Charity, "whose chapel is the parish church, whose cloister the streets of the city and wards of the hospitals." Vincent persuaded a number of noble and wealthy Parisian women, who had hitherto never given a thought to the misery of others, to band together as Ladies of Charity, to collect funds and assist in many practical ways. He made plans for the founding of several hospitals to serve the needy sick, foundlings, and the aged. At Marseilles a home was opened for exhausted galley-slaves. It was the custom at this time in France to punish criminals by condemning them to service in the war galleys of the state. Under the lash and chained to their benches, they performed the cruelly hard labor of rowing these cumbersome vessels with their many-tiered banks of oars. After a few years the prisoners were broken and useless; now for the first time they had a hospital and various other forms of aid.
For men about to take Holy Orders, Vincent devised a set of spiritual exercises, and special exercises also for those desiring to make general Confession, or to settle on a vocation. He conferred frequently with the clergy on the correction of the shocking slackness, ignorance, and abuses that were all around them. To the Biblical injunction, "Thou art thy brother's keeper," he gave new practical meaning, by laying down patterns of philanthropy that have been followed ever since. To the worldly society of seventeenth-century Paris he presented a much-needed example of selfless charity.
The great political and religious conflict known as the Thirty Years War was now raging. Vincent, on hearing of the wretchedness of the people of Lorraine, collected alms for them in Paris. He sent missionaries to other countries affected by the war. Recalling his own sorrows as a slave in Tunisia, he raised enough money to ransom some twelve hundred Christian slaves in Africa. He had influence with the powerful Cardinals Richelieu and De Retz, directors of French foreign policy; and was sent for by King Louis XIII, to minister to him as he lay dying. The king's widow, Anne of Austria, now Queen Regent, had him made a member of the Council of Conscience of the five-year-old prince, the future Louis XIV. Vincent continued to be in favor at court, and during the civil war of the Fronde, tried to persuade the Queen Regent to give up her unpopular minister, Cardinal Mazarin, to help pacify and unify the people.
Thus, although he had no advantages of birth, fortune, or handsome appearance, or any showy gifts at all, Vincent de Paul's later years became one long record of accomplishment. In the midst of great affairs, his soul never strayed from God; always when he heard the clock strike, he made the sign of the cross as an act of divine love. Under setbacks, calumnies, and frustrations, and there were many, he preserved his serenity of mind. He looked on all events as manifestations of the Divine will, to which he was perfectly resigned. Yet by nature, he once wrote of himself, he was "of a bilious temperament and very subject to anger." Without divine grace, he declared, he would have been "in temper hard and repellent, rough and crabbed." With grace, he became tenderhearted to the point of looking on the troubles of all mankind as his own. His tranquillity seemed to lift him above petty disturbances. Self-denial, humility, and an earnest spirit of prayer were the means by which he attained to this degree of perfection. Once when two men of exceptional learning and ability asked to be admitted to his congregation, Vincent courteously refused them, saying: "Your abilities raise you above our low state. Your talents may be of good service in some other place. As for us, our highest ambition is to instruct the ignorant, to bring sinners to a spirit of penitence, and to plant the Gospel spirit of charity, humility, and simplicity in the hearts of all Christians." One of his rules was that, so far as possible, a man ought not to speak of himself or his own concerns, since such discourse usually proceeds from and strengthens pride and self-love.
Vincent was deeply concerned at the rise and spread of the Jansenist heresy. He protested hotly against a view of God that seemed to limit His mercy, and no priest teaching that error could remain in his congregation. "I have made the doctrine of grace the subject of my prayer for three months," he said, "and every day God has confirmed my faith that our Lord died for us all and that He desires to save the whole world."
As the end of his long life drew near, Vincent endured much suffering. On September 27, 1660, he received the Last Sacraments, and died calmly in his chair, being then eighty-five years old. He was buried in the church of St. Lazare, Paris. In 1729 he was beatified by Benedict XIII, and canonized by Clement XII in 1737. Pope Leo XIII proclaimed him patron of all charitable societies. His emblem is, most appropriately, children.
Includes Letter to Pope Alexander VII. Celebration of Feast Day is July 19. Taken from 'Lives of Saints', Published by John J. Crawley & Co., Inc.
St. Vincent de Paul (1580-1660) contributed greatly to the transformation of religious life in France in the Seventeenth Century, although he is perhaps best remembered today for the society which he founded, and in connection with charity. Some of his many activities are touched upon in this short extract.


Artwork Name: Destiny. Artist: Michael Claxton. Size: 20 x 20.
Artwork Name: Azure. Artist: Michael Claxton. Size: 20 x 20.
ARTFINDER: Serenity by Michael Claxton - Acrylic on canvas board, inspired by th UK coast.
Artwork Name: Integrity. Artist: Michael Claxton. Size: 24 x 24.
Original oil painting created using soft glazing alongside more impasto knife work creating a soft dreamy feel to this contemporary artwork.
Artwork Name: Eternity. Artist: Michael Claxton. Size: 20 x 16.


ARE, Sweden — One last comeback complete. One last medal.
"I laid it all on the line. That's all I wanted to do today," Vonn said. "I have to admit I was a little bit nervous, probably the most nervous I've ever been in my life. I wanted to finish strong so badly."
"She has been business as usual this whole week, saying I'm racing to win," said Karin Kildow, Vonn's sister. "I was like, 'Just maybe make it down and maybe stand up.' But she was like, 'No, I'm going full out'. She was definitely in the mindset to push it and she really did."
"I had a really hard time controlling my nerves and I never have a hard time with that. I'm just happy I made it to the finish and I came down in the lead, which was nice for my last race," Vonn said. "I'm also safe. I made it down safely. My boyfriend and my family are happy."
Vonn had been planning on retiring in December but she recently moved up her retirement plans due to persistent pain in both of her surgically repaired knees. She then crashed in Tuesday's super-G , coming away with a black eye and a bruised rib.
"I'm happy that I could finish strong. I'm happy there are so many people here," Vonn said. "I wish my mom and my brother and my sister could be here, but half the family is here so that's good. I soaked it all in. I waved to the crowd one last time. Ingemar being in the finish area was literally the best thing that's ever happened in my life."
Vonn becomes the first female skier to win medals at six different world championships. It's also her fifth downhill medal at worlds, matching the record established by Annemarie Moser-Proell and Christel Cranz.
One Italian competitor bent down to the snow at Vonn's feet when Vonn was still in the leader's throne.
"It really helped me to start lower down," Vonn said. "The upper section was a bit bumpy and with my knee it's really hard on the body. I knew I had a good chance and thankfully right before I went, exact opposite of the super-G, the sun came out. I was like, this is it. This is my day. I just charged. I gave it everything I have like always. I put the nerves aside and just enjoyed it. I love going fast. It was a perfect day for downhill."


Finland "Finn" is a Merle Great Dane that came from Soddy-Daisy, Tennessee.
Finland absolutely loves playing with all dogs, going on walks and splashing around in the lake. She is known as a gentle giant and is incredibly docile. Her favorite thing to do is to "camouflage" herself behind peace lily plants around the funeral home! Finland looks forward each and everyday coming to work, getting to interact with the families that we serve as well as our staff.
Finland can be found strolling around our corporate headquarters, Hamilton's Funeral Home in the East Village where she comes to work with her mom, Morgan Haugland, Family Services Coordinator and First Floor Manager.


This Queen Anne Residence sits on the south slope of Queen Anne Hill in Seattle and includes the extensive use of architectural concrete counterbalanced with wood and steel. The landscape softens the exacting architecture with beautiful water features and IPE wood screens and gates. This is a great piece of architecture that matched the owners' vision from the beginning.


Fårup Sø Camping is situated in the most beautiful scenery – directly to Fårup Lake and 5 min. walk from Jelling forest.
Fårup Sø Camping is situated in the most beautiful scenery – directly to Fårup Lake and 5 min. walk from Jelling forest. We offer a cosy family camping with 250 lots and 18 cabins. All over you'll find grass under your feet and both lots with shelter and shade or plenty of sun.
The nice cabins are in the midst of the lovely surroundings of the lake. Some have a view of the near fields – other are close to the lake. The cabins available sleep 4 or 5 persons and are all modern and well furnished.
There are no pets allowed in the cabins and they are no-smoking.
Bed linen, towels, tea towels and cloths must be brought.
Fårup Sø Camping is a children friendly site with activities for all age groups.
At the grounds you'll find 2 big playgrounds offering a 157 m² big "jumping pillow", 2 rope way, a play tower, a "birds-nest" swing as well as ordinary swings, trampoline, rollercoaster, merry-go-round, sandboxes, seesaw-animals and much much more.
In the common room you may enjoy a game of table tennis, pool, table soccer or air-hockey or pass time at the slot machines.
The stay comes with free right of fishing for a chance to catch your dinner!
In the lake of Fårup you'll find the following fish: Eel, perch, pike, trout, brace and roach. It is possible to fish directly from the camp or it is an option to rent a row- or biking-boat 100 m. down the shore.
From Fårup Sø Camping you'll be close to some of the regions sites and attractions.
You are only a short distance from your children being able to "dig for gold" in the Legoland Park – or seeing their first lion at the Givskud Zoo, "LØVEPARKEN.
FÅRUP SØ CAMPING is a splendid centre of adventure.
Offers hot and cold water and sleeps 5 in 2 separate rooms (1 with double bed single bunk bed and 1 with 2 bunk beds (only suited for children). The cabin has a private lavatory * (not shower/bath) and a kitchen including 2 cooking plates, refrigerator, coffee machine, table, chairs and cutlery for 4 persons. The cabins have electrical heating. There are pillows and covers in the cabins.
* Toiletpaper must be brought.
Offers hot and cold water and sleeps 5 in 2 separate rooms (1 with double bed single bunk bed and 1 with 2 bunk beds (only suited for children), 2 cooking plates, refrigerator, coffee machine, table, chairs and cutlery for 5 persons. The cabins have electrical heating. There are pillows and covers in the cabins.
Offers cold water only and has 4 bunk beds, 2 cooking plates, refrigerator, coffee machine, table, chairs and cutlery for 4 persons. The cabins have electrical heating. There are pillows and covers in the cabins.


text:
MongoDB\BSON\toPHP(): Setting fieldPath typemaps for compound types with numerical keys
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Setting 'array1.1' path to 'MyArrayObject'
bool(true)
bool(true)
bool(true)
bool(true)
bool(true)
===DONE===

redpajama_set_name: RedPajamaGithub


Porcelain is becoming an increasingly popular alternative to stone patio tiles. Our porcelain paving has a very low porosity, which means no stains, no water damage, and no need for sealing.
Unlike traditional stone paving materials, the quality of our porcelain does not wear over time. Furthermore, porcelain tiles have a beautiful finish and come in a huge assortment of colours and styles.


Our Museums Development Service supports the work of Suffolk's museums in preserving and interpreting the physical heritage of Suffolk.
We also grant aid to the Association for Suffolk Museums (AfSM), which is an independent charity and membership organisation. It brings together over 60 voluntary and professionally staffed museums in Suffolk.
The AfSM provides a forum for museum development, as well as acting as a network in which museums across the county can share expertise and resources.


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Dragos Ghioca
Research and Development Specialist
Dragos Ghioca is part of the research and design team, under the direction of Carole Schmit, at the University of Luxembourg for the PETITE MAISON project. He is developing, with various specialists and partners, the project of a construction that thematizes circularity and resilient architecture within the framework of the European Capital of Culture Esch2022. In 2019, he graduated from the Master in Architecture, European Urbanization and Globalization at the University of Luxembourg and received the Order of Architects award for his master thesis "Halle des Soufflantes - Industrial Heritage as a Spatial Resource" . Before arriving in Luxembourg, he studied at the University of Architecture and Urbanism "Ion Mincu" in Bucharest in Romania and at the University of Liège in Belgium (B.Arch). During his studies in Luxembourg, he worked at the Museum of Modern Art (MUDAM) and was involved as a student helper in various academic projects.
Building Culture in Luxembourg
Last updated on: Wednesday, 07 July 2021
URL: https://wwwen.uni.lu/research/fhse/dgeo/people/dragos_ghioca Date: Thursday, 09 February 2023, 11:23


[GENEVA] Regular rail service through the world's longest tunnel began on Sunday, carrying passengers deep under the Swiss Alps from Zurich to Lugano.
The famed Gotthard Base Tunnel (GBT) had a ceremonial opening in June, attracting European leaders like German Chancellor Angela Merkel and French President Francois Hollande for its maiden ride.
The Swiss national rail service (SBB) had announced that Sunday would mark the start of normal commercial traffic through the 57-kilometre GBT, which took 17 years to build, at a cost of over 12 billion Swiss francs (S$16.9 billion).
The Swiss news agency ATS reported that the first regular passenger train to use the GBT pulled out of Zurich at 6.09am (0509 GMT) and arrived in Lugano at 8.17am, with the tunnel passage shaving a full 30 minutes off the previous travel time for the same route.
"It's Christmas," SBB chief Andreas Meyer was quoted as saying by ATS after the journey was over.
The Swiss funded tunnel was largely made possible by technical advances in tunnel-boring machines, which replaced the costly and dangerous blast-and-drill method.
The GBT has surpassed Japan's 53.9-kilometre Seikan tunnel as the world's longest train tunnel.


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There are certainly a number of big national and international companies, individual traders, multi-national pharmaceutical companies, educational organizations, health-care experts, individual candidates, mid-size and small companies, design companies, and many different professional training teams seeking immigration visas for the US. To be able to make certain their customers completely enjoy the most up-to-date information immigration lawyers constantly monitor the newest changes in regulation, immigration policy and methods. They assist you in all of the methods involved with the naturalization of foreign people who would like to become US citizens. The lawyers also cope with the legalities connected with people that are refugees or seeking asylum. Their huge knowledge along with state-of-the-art on the web credit running systems guarantee affordable, quickly, and safe immigration procedure.
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Metropolis-hinterland theory of social and economic development examines how economically advanced societies, through trade and colonialism, distort and retard the economic development of less developed societies and regions. Although the metropolis-hinterland theory predicts that closer ties to the mainstream economy will further retard the development of a peripheral economy. Under certain circumstances joint ventures may be an appropriate mechanism for the economic development of First Nation communities. Metropolis-hinterland theory is also called Metropolis-hinterland thesis or Centre-Periphery Thesis.
For more than a century Ontario, or even more narrowly the Toronto region, was seen as the metropolis to a vast Canadian hinterland and the United States has been seen as the metropolis for a Canadian hinterland. A metropolis is identified as the centre of political and economic power, as having a more advanced labour market, more skilled and educated workers, an abundance of value-added production, higher standard of living, etc. A hinterland would be less able to withstand the political and economic interference of the metropolis, would have an abundance of resource extraction industries, fewer skilled and educated workers, a lower standard of living and in many ways would emulate the culture of the metropolis.
I never bought into the Metropolis-Hinterland theory of political organization until I ran as an NDP candidate in my home city of Lethbridge during the 2004 federal election.
Within this theory, the Metropolis is viewed as an area of privilege with high political priorities, whereas the Hinterland consists of regions where political issues are ignored by the political elite. Large urban centres are traditionally seen to be the Metropolis and rural areas are the Hinterland.
When I first read this theory, I thought it lacked insight and did little to explain Canadian politics. After my campaign experience, I have changed my conclusion. The Metropolis-Hinterland theory does, in fact, shed light on how all political parties view this province, and how little people from Alberta understand our political culture.


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Taha Yassine Khenissi (Zarzis, 6 de enero de 1992) es un futbolista tunecino que juega en la demarcación de delantero para el Kuwait S. C. de la Liga Premier de Kuwait.

Selección nacional
Hizo su debut con la selección de fútbol de Túnez el 23 de marzo de 2013 en un encuentro de clasificación para la Copa Mundial de Fútbol de 2014 contra  que finalizó con un resultado de 2-1 a favor del combinado tunecino tras los goles de Oussama Darragi y Wahbi Khazri para Túnez, y de Alhassan Kamara para Sierra Leona. Además disputó la Copa Africana de Naciones 2017.

Goles internacionales

Clubes

Palmarés

Campeonatos nacionales

Campeonatos internacionales

Referencias

Enlaces externos
 Ficha del jugador en footballdatabase
 Ficha del jugador en national football teams (en inglés)

Futbolistas del Espérance Sportive de Tunis
Futbolistas del Club Sportif Sfaxien
Futbolistas del Al Kuwait Kaifan
Futbolistas de la selección de fútbol de Túnez en los años 2010
Futbolistas de Túnez en la Copa Mundial de 2022


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M.R. Bauer Foundation
The M.R. Bauer Foundation at Brandeis University
2019-2020 M.R. Bauer Foundation Summary
Bauer Colloquium Series
Distinguished Guest Lecturer Series
Volen Retreat 2019
Bauer Summer Science Research Fellows
Previous Summaries
Volen National Center for Complex Systems
Volen Center (left) and the Brandeis Science Complex
The Volen National Center for Complex Systems was formed for the purpose of studying the brain and intelligence. The Center is composed of faculty members who specialize in artificial intelligence, cognitive science, and a wide range of topics in neuroscience including experimental psychology, computational neuroscience, and cellular and molecular neurobiology.
The Center is an interdisciplinary group with the ability to perform scientific analysis of the brain from the cellular and molecular levels to the cognitive and computational.
The Center aims to increase knowledge within each of its individual component disciplines, as well as to foster interactions among the components, giving rise to new scientific initiatives.
Interested students should concentrate in one of these component disciplines: biochemistry, biology, chemistry, computer science, linguistics and cognitive science, neuroscience, physics, or psychology.
The Volen center and its activities have been generously supported by the M.R. Bauer Foundation for over 25 years. The newest Bauer Foundation program, started five years ago, supports 10 undergraduate researchers each year, enabling them to be integral members of a laboratory team as they pursue an independent research project. This innovative undergrad program is a critical component of the Volen Center's mission of training future research scientists.
Tijana Ivanovic selected to speak at 2021 Future of Biophysics Burroughs Wellcome Fund Symposium
Turrigiano lab uncovers sources of neuronal heterogeneity
Learning from how viruses assemble
More News from the Science Blog
Brandeis Science
Life Sciences at Brandeis University
Division of Science
Interdisciplinary Group
Benjamin and Mae Volen National Center for Complex Systems
Volen Center 206, MS 013


Takeo Paper Show 'Subtle' at Japan House L.A.
You are at:Home»English»Life & Arts»Art & Design»Takeo Paper Show 'Subtle' at Japan House L.A.
Japan House Los Angeles, located at Hollywood & Highland Center, 6801 Hollywood Blvd. in Los Angeles, presents "Subtle," an experimental exploration of the delicate world of paper in contemporary context, through May 23.
Familiar and everyday, paper is featured in innovative creations that awaken acute human perception through multiple, sophisticated design experiences. Curated and directed by Kenya Hara, art director for the global Japan House project, the exhibition bears the influence of Japanese minimalism and invites the viewer to observe each artwork and item in detail, uncovering what may not be evident upon first look.
"Subtle" is the latest iteration of the iconic Takeo Paper Show, organized by Takeo Co., Ltd. First held in 1965, it is Japan's only paper industry show dedicated to the universe of paper, making a significant contribution to paper culture, highlighting innovation in the material and manipulation of paper. Always ahead of its time, the Takeo Paper Show is renowned for working with top industry creators to realize the challenge of identifying new potential from paper.
The exhibition is divided into four primary parts. The core presentation consists of inventive paper creations, displayed on a series of 27 tables, that awaken the senses through multiple, sophisticated design and technology experiences.
The first section, "Subtle | Creation," is a manifestation of the concept of "Subtle" as imagined and represented by objects designed and produced by 15 creators working in Japan from diverse disciplines across art, animation, architecture, art, fashion, graphic design, and literature. The individual artist's unique creations deepen the fascination with their choice of paper, highlighting its diversity of textures, colors, through techniques and applications specific to their practice.
The second, "Subtle | Collection," comprises a collection featuring examples of products that invite visitors to recall their own experiences and memories related to the material, such as paper lace, envelopes, and more traditional Japanese objects, such as uchiwa, paddle-shaped fans. These items reflect historic and cultural significance and incorporate washi, a Japanese paper considered a national treasure.
The third component, "Paper | A Portrait," is a selection of photography from Yoshihiko Ueda, who through his gaze translates the Japanese passion for paper, expressing it through the play between light and the subtle textures and folds within the material.
The exhibition concludes with a "Subtle on Products" presentation showcasing the continuous role technological development plays in paper innovation, ultimately setting trends within the design sector in Japan and globally. Artworks created by the architecture office noiz (a renowned Tokyo architectural design agency), using two special papers, NT Rasha and Biotope GA-FS, developed by Takeo Co. Ltd., highlight the material's potential for design applications.
Takeo is a specialty paper company built on the foundation of paper, design and technology, determined to build a new paper culture and marketplace by collaborating with creators from various disciplinary fields. Since its inception in 1899, the company has shaped its own history as a specialty paper company. From the 1950s, based on collaboration between paper manufacturers and designers, Takeo has initiated research, development, and sales of fine paper, high-grade specialty printing paper with an emphasis on texture and color, creating many original products. Basing its work on the origins of paper, Takeo has continued to take up the challenge of creating new markets, while meeting the need for diversification and sophistication in their offerings.
Admission is free. Gallery hours: Tuesday through Saturday, 10 a.m. to 8 p.m.; Sunday, 10 a.m. to 7 p.m. Parking validation available for visitors. For more information, call (323) 467-7718 or visit www.japanhouse.jp/losangeles.
Japan House seeks to foster awareness and appreciation for Japan around the world by showcasing the very best of Japanese art, design, gastronomy, innovation, technology, and more. An innovative project of the Japanese Ministry of Foreign Affairs, Japan House is composed of three hubs — London, Los Angeles and Sao Paulo.
Japan House occupies two floors in the popular Hollywood & Highland entertainment complex and brings various aspects of Japan to American and international audiences.
On the second floor, the facility spans more than 6,000 square feet and features an exhibition gallery, a retail space that carries an expertly curated selection of uniquely Japanese products, a small café, and a sub-gallery suitable for intimate gallery talks and smaller exhibitions. The fifth-floor space spans 8,000 square feet and features a fine-dining Japanese restaurant, a relaxing library, a multi-purpose event venue, and spectacular views of Los Angeles.


Add a touch of retro glamour to your look with a stylish black filigree Liberty Print turban headband. Made from a viscose knit fabric, it is remarkably soft, moisture wicking, and breathable.
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Gaming is projected to be one of the highest-growth media industries in the next few years, second only to digital advertising. Walker 's analytics were designed to advise whether games companies were a good investment; but it was surprising that esports was left out of his presentation. While a professional competition may not always be affiliated with the company who produced the game, the potential for new titles becoming a hit among pros is surely something investors should keep an eye on. A QUESTION OF EVOLUTION Lucy Rissik, founder and CEO of Brotherhood of Brand, as well as a
new generation is now connected with the Balenciaga label. Moncler and other well-known names have followed suit, offering skins and in-game purchases across a variety of titles. New in-game technologies for ad placement are also starting to take off. Companies like AudioMob now offer tech for unobtrusive, audio- based ads, and Bidstack have created world-appropriate ads within the game environment (read our piece on Bidstack at page 110). The director of international insights and measurement at Twitch, Paul Nesbitt, described the unexplored depth of gaming audiences and their untapped potential: "When I speak to brands or agencies, I find many of them still think gamers are exclusively 14-year-olds in basements. But there's a whole spectrum of ages there. They love social games – and many love esports – but guess what? Gamers don't only love gaming. They can be into fashion, karaoke and beauty. These are normal people. Gamers make up nearly a third of the world's population – they can't all just be 14-year-old boys."
member of the executive board for Women in Games, reminded us of the virtually even split between women and men in gaming consumption. But, only one in five people in the industry itself are women. "The games industry is going through an evolution, recognising women much more," said Rissik. "And one of the best recent releases has to be The Last of Us II, which had this fantastic female character who was a lesbian. It was an amazing thing to have as the protagonist in a game. And I think we're going to see more of that." Games have become about much more than skill and competition – although this element remains. They are now social and transactional spaces, which allow more room for brands to reach out and interact with consumers. Last year, fashion house Balenciaga conducted a virtual show
Mediatel runs various events highlighting the future of ad tech
GAMERS ARE NEARLY A THIRD OF THE WORLD'S POPULATION – THEY CAN'T ALL JUST BE 14-YEAR-OLD BOYS
in Fortnite, launching a collaboration which has resulted in digital in-game fashion. A whole
@feedzinesocial


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Home / Gameface / Gameface "Three To Get Ready"
Doctor Strange Records
DSR038-1
Gameface "Three To Get Ready"
In 1995, struggling to recover from the tragic death of their original drummer, Southern California's Gameface created their most beloved album, solidifying a place in the underground music scene. With heart-on-sleeve lyrics and infectious melodies, "Three To Get Ready" connected with fans on an emotional level, crossing genres from pop punk to emo to rock, and remains a mid-'90s classic. This long out-of-print full-length is back as a remastered, expanded, 25th-anniversary edition - including the B-sides from their "A Day In June" 7" plus an alternate recording of "Time After Time" featuring a very young and less famous Gwen Stefani on backing vocals - all in newly updated gatefold packaging.
1. Start Me Over
2. Ten Blue Sticks
3. Greentree
4. Guess What
5. Three
6. Only Chance We Get
7. June
8. Thrift (bonus track)
9. Song
10. The Big Deal
11. Gibberish
12. Daylight Savings
13. Undone
15. Fun (bonus track)
14. Time After Time (alternate version) (bonus track)


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Grey lamps are the ideal lighting choice as they are modern, sophisticated and look fantastic paired with different finishes. There's so many light bases to choose from within this selection of grey table lamps, such as chrome glass, textured ceramic and polished nickel that add a decorative depth to the look of the grey lamp itself. Our grey lampshades come in various shades of grey from light to dark, and we offer a whole host of different grey light designs. Large grey table lamps with a decorative base would work perfectly in a lounge, whilst the adjustable grey desk lamp will be right at home in an office or on a bedside table. This collection of grey table lamps is just one range featured in our full collection of table lamps where you're sure to discover unique lighting ideas for your home from designer lighting brands. For even more grey lighting options, we stock a complete grey lights department where you can find grey ceiling lights, wall lights and other different lighting designs in your favourite grey finish!


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Born to an American mother and Kiwi father, Jess spent her childhood in thedusty Californian town of Quartz Hill. She grew up singing in Pentecostal'Happy Clappy' church choirs before finding her own voice at the age of fifteenwhen she wrote her first song- a sad love song with only two chords. Her voiceand melancholic compositions have enchanted audiences ever since.
Jess plays heartmusic: vignettes of emotions and scenes, elevated to art by a haunting andintimate voice and lush alt-county influenced instrumentation. Her sophomorealbum 'Desire' released September 26th 2011 is an ode to love and toabsence, transporting the listener to a hushed and intimate room where storiesare told.
The album reveals anartist in her prime, knowing exactly what she wants. Its unhurried and at ease:everything is in its right place. There is simplicity and a sparseness: nothingthat is not needed.
Music writer GrahamReid wrote of the album "These are emotionally affecting songs made morepowerful by their vocal and musical understatement. The instrumentation isspare throughout, the songs have dark corners but a strong thread of empathy".
Her voice iseffortless and pure, reaching high and strong and dropping to a husky whisper.Its storytelling is accompanied by a rich soundscape of guitars and strings,setting the album in the vicinity of alt/folk writers Gillian Welch and NeilYoung.
It is a worthysuccessor to Jess' acclaimed previous work. After first making her name in theelectronic scene through collaborations with Rhian Sheehan, Module, and TheUpbeats, Jess' debut solo album 'Jess Chambers and the Firefly Orchestra' (2008)was a return to the folk music she closely identifies with. The album has adreamy quality: the emotional intensity and honesty of the lyricscounterbalanced by the sweetness of the songs and taonga puoro (flute).Reviewers aptly described it as "sweet, soothing music from a rising younglocal talent" (NZ Herald) and "a splendidly lyrical and hauntingpiece of work" (Salient). The delicate anthem 'Island' which was used asthe soundtrack behind the NZ Green Party's 2008 election campaign went on to benominated for the prestigious New Zealand song award 'The APRA Silver Scroll'.
Jess' collaborationwith a host of New Zealand's most respected independent musicians in 'TheWoolshed Sessions' (2008) was similarly well-received by audiences andreviewers alike. Shows sold-out nationwide, and Jess's almost-pop contributionswere described as having "irresistible choruses that belie the heartachelurking in the lyrics" by the well-known music journalist and critic NickBollinger. 'Stringing me along' from 'The Woolshed Sessions' album won the APRA'Best NZ Country Song' award in 2009.
Jess' live show isknown for its intimacy. Her (2009) WOMAD performance was described by NZMusician magazine as "stunning… receiving standing ovations from theaudience- A response that alludes towards a very, very bright future for thisinfectiously irrepressible young singer.".


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The BEST Source on the Internet to find the songs you hear on TV, Commercials, Movies & More!!!
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