text:
Licensing and Management System
Approved by OMB 3060-0928
(REFERENCE COPY - Not for submission) Children's Television Programming Report
Reference Copy
File Number:
CPR-121216
Submit Date:
Call Sign:
WHAM-TV
Full Service Television
Children's TV Programming Report
Filing Status:
Current Step is General Information
Contact Representatives
Children's Television Information
Digital Core Programming
Digital Core Programming Summary
Non-Core Educational and Informational Programming
Sponsored Core Programming
Liaison Contact
Report reflects information for : Second Quarter of 2011
Are attachments (other than associated schedules) being filed with this application?
Applicant Name, Type, and Contact Information
Applicant Type
Contact Representatives (0)
Station Type
Station Type Network Affiliation
Affiliated network ABC
Nielsen DMA Rochester NY
Web Home Page Address www.13wham.com
State the average number of hours of Core Programming per week broadcast by the station on its main program stream 4.0
State the average number of hours per week of free over-the-air digital video programming broadcast by the station on other than its main program stream 168.0
State the average number of hours per week of Core Programming broadcast by the station on other than its main program stream. See 47 C.F.R. Section 73.671: 4.0
Does the Licensee provide information identifying each Core Program aired on its station, including an indication of the target child audience, to publishers of program guides as required by 47 C.F.R. Section 73.673? Yes
Does the Licensee certify that at least 50% of the Core Programming counted toward meeting the additional programming guideline (applied to free video programming aired on other than the main Yes No program stream) did not consist of program episodes that had already aired within the previous seven days either on the station's main program stream or on another of the station's free digital program streams? Yes
Digital Core Programs(16)
Digital Core Program (1 of 16)
Program Title That's So Raven
Origination Network
Days/Times Program Regularly Scheduled Saturdays, 4/2/2011-6/25/2011, 10:30-11:00 AM ET
Total times aired at regularly scheduled time 13
Total times aired 13
Number of Preemptions 0
Number of Preemptions for other than Breaking News
Number of Preemptions Rescheduled 1
Length of Program 30 mins
Age of Target Child Audience 10 years to 13 years
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 10 to 13. It is regularly scheduled Saturdays and it is 30 minutes in length. Raven Baxter, who has inherited her grandmother's gift of clairvoyance, is a normal, happy young woman. Nonetheless, Raven sometimes worries that she is a freak because of her clairvoyant abilities. She has a ten-year old brother, Cory. They are typical siblings, with the tension and rivalry that most siblings experience. Raven and Cory's mother is in law school, and their father owns a small restaurant. Raven attends an ethnically diverse San Francisco public high school. She is responsible for the after-school safety and activities of Cory. Her closest friends, Chelsea and Eddie, are fiercely committed to environmental issues and sports, respectively. Raven dreams of a career in fashion design, and the new season's episodes revolve around her internship with an eccentric fashion designer. Raven's parents and close friends know about her "visions". These premonitions often prompt her to intervene before trouble occurs. Sometimes her interventions backfire, and at other times the foreseen events occur, bringing embarrassment or sadness. She learns valuable lessons from her transgressions. "Visions" set up issues that the Core episodes of this series explore, among which are sibling rivalry, popularity, loyalty, self-acceptance, jealousy, dealing with authority, and consequences of lying or cheating. THIS PROGRAM AIRS ON 13WHAM-TV.
Does the Licensee identify the program by displaying throughout the program the symbol E/I? Yes
Program Title Made In Hollywood-Teen Edition
Origination Syndicated
Days/Times Program Regularly Scheduled Saturdays, 4/2/2011-6/25/2011, 1:30-2:00 PM ET
Total times aired
Number of Preemptions Rescheduled
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. Its segments range from coverage of Animation, Producing & Directing to Costume Design, Casting & 3D Technology. The content-rich spin-off introduces its audience to behind-the-scenes film making, special effects techniques and career opportunities focusing on the creative, technical and artistic skills of the motion picture and television industries. THIS PROGRAM AIRS ON ROCHESTER'S CW.
Program Title The Emperor's New School
Days/Times Program Regularly Scheduled Saturdays, 4/2/2011-6/25/2011, 9:00-9:30 AM ET
Age of Target Child Audience 8 years to 11 years
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 8 to 11. It is regularly scheduled Saturdays and it is 30 minutes in length. Kuzco, a youth who is heir to the throne of a mythical Andean country, must graduate from Kuzco Academy before he can become Emperor of his land. He lives with a peasant foster family and faces the intellectual, physical and social challenges that all teens face, while also preparing to rule justly and well. Sometimes Kuzco wonders whether being Emperor for the rest of his days will be a pleasure or a trap. Kuzco thwarts attempts by the nefarious Yzma and her henchman, Kronk, to stop him from doing well in school. If Kuzco were to fail at his class work, Yzma would become Empress. Kuzco struggles to complete his assignments and stay on track. Only if he remains steadfast, studies hard, learns from his mistakes, and can relate to citizens at all levels of society, will he ascend the throne. His best friend Malina, an excellent student, attempts to help Kuzco stay out of trouble and achieve his goals. Series episodes explore issues such as coping with peer pressure, respecting authority, taking responsibility, adhering to family and school rules, accepting differences, building self-esteem and trust. THIS PROGRAM AIRS ON 13WHAM-TV.
Program Title Magi-Nation
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 7 to 12. It's regularly scheduled Saturdays and it is 30 minutes in length. The educational objectives of Magi Nation include learning how to thoughtfully assess situations and logically set appropriate and responsible goals, encourage viewers to attain the independence and initiative to act on what is ethically right, and the determination and persistence to carry their aims through to fruition - even in the face of opposition, and to increase viewers' core knowledge base and appreciation of the world around us by presenting information across a range of academic areas, including mathematics, language, earth science, ecology, botany, geography and meteorology. THIS SHOW AIRS ON ROCHESTER'S CW.
Program Title The Suite Life of Zack and Cody
Days/Times Program Regularly Scheduled Saturdays, 4/2/2011-6/25/2011, 11:30 AM-12 noon ET
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 11 to 13. It is regularly scheduled Saturdays and it is 30 minutes in length. Those episodes of "The Suite Life of Zack and Cody" that air on ABC as Core Programming deliver life lessons tailored for the older child and "tween" audience. Stories take place in a luxury hotel in Boston, where twelve-year-old identical twins Zack and Cody live with their divorced mom, a lounge singer for the Tipton Hotel. The boys attend a local public middle school. One of the twins is polite and shy and excels in academics, while the other, athletic and extroverted, barely scrapes by in school, due to lack of effort. He often instigates wacky plans for outwitting hotel authorities, caregivers, and their mother. The boy's mother dates and would like to remarry. Their father is a professional rock musician who is on the road much of the year, but stays in touch with his sons. This sets up occasional parental conflicts about discipline and expectations. Parallel stories involve two teenage girls: heiress London Tipton, whose father owns the hotel, and Maddie, a girl who works after school at the hotel snack bar. Unlike London, Maddie attends a parochial girls' school and comes from a working class Boston family. Series episodes explore sibling rivalry, conflicts with parents, divorce, household and hotel rules, family budget limitations, responsibility, self-esteem, and peer pressure. THIS PROGRAM AIRS ON 13WHAM-TV.
Program Title Kids Teen News
Days/Times Program Regularly Scheduled Sundays, 4/3/2011-6/26/2011, 8:30-9:00 AM ET
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Sundays and it is 30 minutes in length. The show is a dynamic television news program for teens and pre-teens and it's the first kid-to-kid newscast. The focus of the program is young people, so all the stories are in their words. THIS PROGRAM AIRS ON ROCHESTER'S CW.
Program Title Eco-Company
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. Eco Company provides CORE programming in the area of the environment and preservation of the earth's resources. Eco Company explores all aspects of being "green" and understanding how our actions impact the world. The E-Co team learns about global warming by asking questions to discover the truths and myths of the global warming issue. They learn about alternative energies by visiting wind farms and solar installations and discovering new energy technologies currently under development. They learn more about recycling, conservation and organics. The E-Team profiles teens and school organizations who have taken it upon themselves to make a difference, young entrepreneurs who are taking their passion for green to develop new ideas, and new products for a sustainable future. Most importantly, each story and each feature is reported by teens and told from their perspective. Additionally the show provides weekly practical tips that teens, and people of all ages can use in their daily lives. THIS PROGRAM AIRS ON ROCHESTER'S CW.
Program Title M@dAbout
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 13 to 16. It's regularly scheduled Saturdays and it is 30 minutes in length. M@dAbout provides CORE programming in the area of Financial Literacy, Nutrition, Earth Science, Ecology, Health, Life Skills and Fitness that tie to state and national education standards. M@dAbout explores being "green" and understanding how our actions impact the world. The M@dAbout team find out about healthy snacks and proper exercise through sketch comedy segments. Music videos teach financial literacy and the importance of family budgeting. Animation reinforces concepts of cyber bully prevention. THIS PROGRAM AIRS ON ROCHESTER'S CW.
Digital Core Program (10 of 16)
Program Title Hannah Montana
Days/Times Program Regularly Scheduled Saturdays, 4/2/2011-6/25/2011, 11-11:30 AM ET
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 10 to 13. It is regularly scheduled Saturdays and it is 30 minutes in length. Thirteen-year-old Miley Stewart, recently moved from Tennessee to Malibu, CA, leads a double life. By day she attends public high school, along with her older brother Jackson, but by night she is emerging pop star "Hannah Montana". Except for her family, only her two best friends, Oliver and Lilly, and her bodyguard know about Miley's career as a singer, and she strives to maintain privacy, fearing that her new classmates would treat her very differently if they knew of her stage identity. Miley wears blonde wigs while performing, and manages to escape being recognized. Miley's mother died three years before the story begins, so her dad is now a single parent. He has just begun dating again. Miley misses her mother very much. One of the songs that she writes and performs is about the pain of growing up without her mother. Unlike her brother, Miley is a dedicated student. At school, her enemies are Amber and Ashley, two girls who constantly bully Miley. Oliver and Lilly are fiercely protective of their friend. Miley has ordinary teenage insecurities, but remains true to herself, despite the allure of concert life, the limos, parties, and glamorous clothes. This is in no small part due to the solid values that her father, Miley's manager (Billy Rae Cyrus), has imparted. Tension and sibling rivalry do occur, especially when Jackson feels that his talented sister is getting all the attention. Stories examine social issues such as peer pressure, integrity, family rules, jealousy, friendship, loyalty, and issues related to bereavement. THIS PROGRAM AIRS ON 13WHAM-TV.
Program Title Pets.tv
Days/Times Program Regularly Scheduled Saturdays, 4/2/2011-6/25/2011, 12:30-1:00 PM ET
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. Each segment of Pets.TV delivers an educational and informational message that supports current social, intellectual and emotional aspects of children ages 13 and up. Attributes and advice emphasized by guests instill a grounded balance of priorities, commitment, and perseverance children can apply to their lives. THIS PROGRAM AIRS ON ROCHESTER'S CW.
Program Title Young Icons
Days/Times Program Regularly Scheduled Sundays, 4/3/2011-6/26/2011, 9:00-9:30 AM
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Sundays and it is 30 minutes in length. Shot in high definition, it features stories about world-class athletes, accomplished artists, scholars, philanthropists and entrepreneurs all under the age of 18. Examples of the kinds of stories The Young Icons will tell include that of Patrick Pedraja, a 14-year-old actor and philanthropist who traveled America by RV, raising awareness for cancer by signing donors up for the National Marrow Registry; track phenomenon, Turquoise Thompson, who sprinted her way into the record books and earned herself a full ride to UCLA; Kimberly Anyadike, who became the youngest pilot to fly across the country; and sisters Marni and Berni Barta, who created Kidflicks, a non-profit organization that donates new and used DVDs to children's hospitals all across America. THIS PROGRAM AIRS ON ROCHESTER'S CW.
Program Title The Replacements
Days/Times Program Regularly Scheduled Saturdays, 4/2/2011-6/25/2011, 9:30-10:00 AM ET
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. program serves the educational and informational needs of children ages 8 to 12. It is regularly scheduled Saturdays and it is 30 minutes in length. Riley and Todd, siblings who were raised in an orphanage after the death of their parents, long to be adopted. They find a comic book advertisement for Fleemco, an agency that will provide "Replacement" parents or adults to substitute for certain individuals. Brother and sister decide to send in the $1.98 fee in hopes of obtaining parents to replace their lost ones. They acquire an unorthodox pair of Replacement parents, Dick Daring and Agent K. Dick is a former daredevil stuntman and Agent K is a British super-spy. Neither seems to know much about parenting, although their intentions are good. Agent K's highly intelligent automobile, C.A.R., her former spy partner, also joins the household. Their attempts to forge a family and adjust to a new school are both touching and comedic. Riley and Todd discover that they can call Fleemco to request replacement of any adult whom they dislike, who is overly strict, or who is merely uninteresting. The temporary Replacements for teachers, neighbors or other community figures never prove to be as exciting or fun as the siblings had hoped, and are often immature and obnoxious. As things go awry, Riley and Todd learn that they need adult leadership, discipline, role models, order and structure. By the end of each story they are eager to return the Replacement and reinstate the original adult. Stories revolve around issues such as cooperating with household/family rules, taking responsibility, fairness, building self-esteem, and trust. THIS PROGRAM AIRS ON 13WHAM-TV.
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Sundays and it is 30 minutes in length. Shot in high definition, it features stories about world-class athletes, accomplished artists, scholars, philanthropists and entrepreneurs all under the age of 18. Examples of the kinds of stories The Young Icons will tell include that of Patrick Pedraja, a 14-year-old actor and philanthropist who traveled America by RV, raising awareness for cancer by signing donors up for the National Marrow Registry; track phenomenon, Turquoise Thompson, who sprinted her way into the record books and earned herself a full ride to UCLA; Kimberly Anyadike, who became the youngest pilot to fly across the country; and sisters Marni and Berni Barta, who created Kidflicks, a non-profit organization that donates new and used DVDs to children's hospitals all across America. THIS PROGRAM AIRS ON 13WHAM-TV.
Days/Times Program Regularly Scheduled Saturdays, 4/2/2011-6/25/2011, 12:00-12:30 PM ET
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Sundays and it is 30 minutes in length. Each segment of Pets.TV delivers an educational and informational message that supports current social, intellectual and emotional aspects of children ages 13 and up. Attributes and advice emphasized by guests instill a grounded balance of priorities, commitment, and perseverance children can apply to their lives. THIS PROGRAM AIRS ON 13WHAM-TV.
Non-Core Educational and Informational Programming (3)
Non-Core Educational and Informational Programming (1 of 3)
Program Title Awesome Adventures
Days/Times Program Regularly Scheduled: Saturdays, 4/2/2011-6/25/2011, 6:30-7:00 AM ET
Total times aired at regularly scheduled time: 13
Number of Preemptions -1
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. The show is designed to educate, inform and entertain children about the world around them. Each week the host, as well as two different teens, travel to destinations around the world that can be exotic and remote. THIS PROGRAM AIRS ON ROCHESTER'S CW.
Does the program have educating and informing children ages 16 and under as a significant purpose? Yes
Does the Licensee provide information regarding the program, including an indication of the target child audience, to publishers of program guides consistent with 47 C.F.R. Section 73.673? Yes
Date and Time Aired:
Program Title Wild About Animals
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 1 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. The key objective of this program is to create awareness and understanding of animals and their interaction with their particular environment. Further, the role that humans play interacting with animals in the wild will be consistently explored. The importance of protecting endangered species and the impact of humans interacting with their environment and the need to protect their natural habitats will be a theme throughout this series. THIS PROGRAM AIRS ON ROCHESTER'S CW.
Days/Times Program Regularly Scheduled: Sundays, 4/3/11-6/26/11, 4:30-5:00 AM ET
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Sundays and it is 30 minutes in length. Each segment of Pets.TV delivers and educational and informational message that supports current social, intellectual and emotional aspects of children ages 13 and up. Attributes and advice emphasized by guests instill a grounded balance of priorities, commmitment, and perseveramce children can apply to their lives. THIS PROGRAM AIRS ON 13WHAM-TV.
Sponsored Core Programming (0)
Does the Licensee publicize the existence and location of the station's Children's Television Programming Reports (FCC 398) as required by 47 C.F.R. Section 73.3526(e)(11)(iii)? Yes
Name of children's programming liaison Chuck Samuels
Address 4225 West Henrietta Road
City Rochester
Telephone Number 585-334-8700
Email Address csamuels@13wham.com
Include any other comments or information you want the Commission to consider in evaluating your compliance with the Children's Television Act (or use this space for supplemental explanations). This may include information on any other noncore educational and informational programming that you aired this quarter or plan to air during the next quarter, or any existing or proposed non-broadcast efforts that will enhance the educational and informational value of such programming to children. See 47 C.F.R. Section 73.671, NOTES 2 and 3. 13WHAM-TV and Rochester's CW run several public service announcements designed to serve the informational needs of children including, but not limited to: parental involvement, drunk driving prevention, mentoring, on-line safety, anti-drinking, importance of literacy and education: arts, environmental awareness, nutrition, cultural and racial diversity and adoption. WHAM-TV's weather department offers behind the scene tours of the weather department to school classes. In addition, station tours are offered only on a special request basis to mainly cub and boy scouts and girl scouts. On the tour they learn about news gathering, weather forecasting and television production and see what it looks like on the other side of the screen. 13WHAM-TV produces a weekly public affairs program celebrating cultural diversity. The weekly show and monthly program guide are available on our website (13wham.com). Educators are invited to use the materials in their classrooms.
Other Matters (22)
Other Matters (1 of 22)
Age of Target Child Audience from 13 years to 16 years
Program Title Born To Explore
Total times aired at regularly scheduled time 4
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. The world's cultures and its geographical wonders come alive as the youngest president in Explorers Club history, Richard Wiese, takes viewers on a globetrotting adventure. While developed for 13-16 year olds, Born to Explore is engaging for the whole family. In this weekly half-hour series, Richard uncovers amazing facts of nature and man-made treasures. The host, Richard Wiese, takes the role of the ultimate Social Studies teacher to a new level, brining the viewing audience to the places and people of our world who form our cultures. Whether he climbs Mount Kilimanjaro, explores why people live a the base of an active volcano, or travels down the Nile River, viewers will travels the world without leaving their homes. THIS PROGRAM AIRS ON 13WHAM-TV.
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 10 to 13. It is regularly scheduled Saturdays and it is 30 minutes in length. Raven Baxter, who has inherited her grandmother's gift of clairvoyance, is a normal, happy young woman. Nonetheless, Raven sometimes worries that she is a freak because of her clairvoyant abilities. She has a ten-year old brother, Cory. They are typical siblings, with the tension and rivalry that most siblings experience. Raven and Cory's mother is in law school, and their father owns a small restaurant. Raven attends an ethnically diverse San Francisco public high school. She is responsible for the after-school safety and activities of Cory. Her closest friends, Chelsea and Eddie, are fiercely committed to environmental issues and sports, respectively. Raven dreams of a career in fashion design, and the new season's episodes revolve around her internship with an eccentric fashion designer. Raven's parents and close friends know about her "visions". These premonitions often prompt her to intervene before trouble occurs. Sometimes her interventions backfire, and at other times the foreseen events occur, bringing embarrassment or sadness. She learns valuable lessons from her transgressions. "Visions" set up issues that the Core episodes of this series explore, among which are sibling rivalry, popularity, loyalty, self-acceptance, jealousy, dealing with authority, and consequences of lying or cheating. THIS PROGRAM AIRS ON 13WHAM-TV
Program Title Eco Company
Age of Target Child Audience from 8 years to 11 years
Program Title Agents Of Change
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. In this weekly half-hour series developed and produced to educate and inform viewers ages 13-16, our hosts scan the country finding those who 'pay it forward' to promote health and wellness. The remarkable people that viewers meet are referred to as 'agents of change,' special individuals who are making big changes in people's lives, one small step at a time. Everyday Health is a series that uniquely raises awareness to help fight obesity, raise self-esteem, establish physical fitness habits and prevent negative health choices. An inspirational program about people who confront challenges by taking control, Everyday Health, through captivating storytelling, reports on amazing teens and other selfless Americans who are 'paying it forward' with good will and new ideas that will inspire other teens to take action. THIS PROGRAM AIRS ON 13WHAM-TV.
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 11 to 13. It's regularly scheduled Saturdays and it is 30 minutes in length. Those episodes of "The Suite Life of Zack and Cody" that air on ABC as Core Programming deliver life lessons tailored for the older child and "tween" audience. Stories take place in a luxury hotel in Boston, where twelve-year-old identical twins Zack and Cody live with their divorced mom, a lounge singer for the Tipton Hotel. The boys attend a local public middle school. One of the twins is polite and shy and excels in academics, while the other, athletic and extroverted, barely scrapes by in school, due to lack of effort. He often instigates wacky plans for outwitting hotel authorities, caregivers, and their mother. The boy's mother dates and would like to remarry. Their father is a professional rock musician who is on the road much of the year, but stays in touch with his sons. This sets up occasional parental conflicts about discipline and expectations. Parallel stories involve two teenage girls: heiress London Tipton, whose father owns the hotel, and Maddie, a girl who works after school at the hotel snack bar. Unlike London, Maddie attends a parochial girls' school and comes from a working class Boston family. Series episodes explore sibling rivalry, conflicts with parents, divorce, household and hotel rules, family budget limitations, responsibility, self-esteem, and peer pressure. THIS PROGRAM AIRS ON 13WHAM-TV
Program Title Ocean Mysteries
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. This weekly series offers a fresh approach to the quest for aquatic understanding by blending stories of fascinating sea creatures with comparisons to popular land animals and analogies to human experience. Ocean Mysteries with Jeff Corwin shows how animals share the same behaviors, challenges and triumphs as humans. From exciting rescues of abandoned animals to unexpected conflicts in the 'family dynamics' of the mingling species, viewers will get to know - and care - about these heroes and about all of the fascinating life teeming in our oceans. THIS PROGRAM AIRS ON 13WHAM-TV.
Other Matters (10 of 22)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 10 to 13. It is regularly scheduled Saturdays and it is 30 minutes in length. Thirteen-year-old Miley Stewart, recently moved from Tennessee to Malibu, CA, leads a double life. By day she attends public high school, along with her older brother Jackson, but by night she is emerging pop star "Hannah Montana". Except for her family, only her two best friends, Oliver and Lilly, and her bodyguard know about Miley's career as a singer, and she strives to maintain privacy, fearing that her new classmates would treat her very differently if they knew of her stage identity. Miley wears blonde wigs while performing, and manages to escape being recognized. Miley's mother died three years before the story begins, so her dad is now a single parent. He has just begun dating again. Miley misses her mother very much. One of the songs that she writes and performs is about the pain of growing up without her mother. Unlike her brother, Miley is a dedicated student. At school, her enemies are Amber and Ashley, two girls who constantly bully Miley. Oliver and Lilly are fiercely protective of their friend. Miley has ordinary teenage insecurities, but remains true to herself, despite the allure of concert life, the limos, parties, and glamorous clothes. This is in no small part due to the solid values that her father, Miley's manager (Billy Rae Cyrus), has imparted. Tension and sibling rivalry do occur, especially when Jackson feels that his talented sister is getting all the attention. Stories examine social issues such as peer pressure, integrity, family rules, jealousy, friendship, loyalty, and issues related to bereavement. THIS PROGRAM AIRS ON 13WHAM-TV
Program Title Magi Nation
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and informational needs of children ages 8 to 12. It is regularly scheduled Saturdays and it is 30 minutes in length. Riley and Todd, siblings who were raised in an orphanage after the death of their parents, long to be adopted. They find a comic book advertisement for Fleemco, an agency that will provide "Replacement" parents or adults to substitute for certain individuals. Brother and sister decide to send in the $1.98 fee in hopes of obtaining parents to replace their lost ones. They acquire an unorthodox pair of Replacement parents, Dick Daring and Agent K. Dick is a former daredevil stuntman and Agent K is a British super-spy. Neither seems to know much about parenting, although their intentions are good. Agent K's highly intelligent automobile, C.A.R., her former spy partner, also joins the household. Their attempts to forge a family and adjust to a new school are both touching and comedic. Riley and Todd discover that they can call Fleemco to request replacement of any adult whom they dislike, who is overly strict, or who is merely uninteresting. The temporary Replacements for teachers, neighbors or other community figures never prove to be as exciting or fun as the siblings had hoped, and are often immature and obnoxious. As things go awry, Riley and Todd learn that they need adult leadership, discipline, role models, order and structure. By the end of each story they are eager to return the Replacement and reinstate the original adult. Stories revolve around issues such as cooperating with household/family rules, taking responsibility, fairness, building self-esteem, and trust. THIS PROGRAM AIRS ON 13WHAM-TV
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Sundays and it is 30 minutes in length. Shot in high definition, it features stories about world-class athletes, accomplished artists, scholars, philanthropists and entrepreneurs all under the age of 18. Examples of the kinds of stories The Young Icons will tell include that of Patrick Pedraja, a 14-year-old actor and philanthropist who traveled America by RV, raising awareness for cancer by signing donors up for the National Marrow Registry; track phenomenon, Turquoise Thompson, who sprinted her way into the record books and earned herself a full ride to UCLA; Kimberly Anyadike, who became the youngest pilot to fly across the country; and sisters Marni and Berni Barta, who created Kidflicks, a non-profit organization that donates new and used DVDs to children's hospitals all across America. THIS PROGRAM AIRS ON 13WHAM-TV
Program Title Jack Hanna's Wild Countdown
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. Wildlife expert and animal ambassador Jack Hanna brings the viewer face to face with the best of the beasts. In this weekly half-hour series, which is designed primarily for viewers 13-16, Jack highlights his favorite animals and adventures from around the world. Presented in countdown style, Jack offers up a different 'top ten' each week in a variety of categories. What are the top ten 'fastest animals in Africa,' 'tallest insects,' 'biggest eaters,' smartest birds'...Jack will answer all of these questions and more. As Jack reveals the categories, he provides further insights and interesting facts about the animals, allowing viewers of all ages the opportunity to be entertained as well as learn more about the fascinating animal kingdom. THIS PROGRAM AIRS ON 13WHAM-TV
Program Title Culture Click
Days/Times Program Regularly Scheduled Saturdays, 9/3/2011-9/24/2011, 11:30AM -12 noon ET
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. Culture Click is a weekly half-hour series, developed and produced for viewers aged 13-16, that explores the genesis of - and reasons behind - cultural events that permeate our everyday lives. Host Nzinga Blake opens each episode from her virtual reality set with a list of what's trending on search engines that week. These topics will serve as a jumping-off point for a deep dive into the culture viewers 13-16 will embrace. Each week Nzinga will analyze and answer the questions that shape our society - using the power and speed of the internet and user-generated questions and content. Experts in pop culture will join her to add insight and historical perspective. And most importantly, viewers will come away with a week's work of "aha" moments to share with their friends and family. Six degrees of separation takes on a whole new meaning, and there's no limit to what viewers will learn when they experience Culture Click. THIS PROGRAM AIRS ON 13WHAM-TV.
Program Title Food For Thought With Claire Thomas
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. Young, enthusiastic and passionate about food, Claire Thomas is the 22-year-old host who opens viewers' eyes to how everyday life can inspire culinary creations in Food for Thought with Claire Thomas. Each weekly-half hour episode, produced for ages 13-16, informs and educates teens about the power of food as a tool for exploring new places, meeting new people and learning about different cultures. Claire serves as a role model for 13- to 16-year- old viewers by sharing stories in the kitchen that demonstrate her passion for her family, life, and healthy living. Creative inspiration can come from any place at any time - sometimes from family, sometimes from friends, sometimes even from bloggers seeking her help. No matter how exotic or local the location, she's always in search of new tastes and places to explore. Based on her unique perspective gathered throughout each episode, Claire will teach the audience how to prepare the "inspired" dish while promoting a healthy attitude towards food and life. THIS PROGRAM AIRS ON 13WHAM-TV.
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. This program serves the educational and information needs of children ages 13 to 16. It is regularly scheduled Saturdays and it is 30 minutes in length. Each segment of Pets.TV delivers and educational and informational message that supports current social, intellectual and emotional aspects of children ages 13 and up. Attributes and advice emphasized by guests instill a grounded balance of priorities, commmitment, and perseveramce children can apply to their lives. THIS PROGRAM AIRS ON 13WHAM-TV.
Program Title Made In Hollywood: Teen Edition
The undersigned certifies that he or she is (a) the party filing the Children's Television Programming, or an officer, director, member, partner, trustee, authorized employee, or other individual or duly elected or appointed official who is authorized to sign on behalf of the party filing the Children's Television Programming; or (b) an attorney qualified to practice before the Commission under 47 C.F.R. Section 1.23(a), who is authorized to represent the party filing the Children's Television Programming, and who further certifies that he or she has read the document; that to the best of his or her knowledge, information,and belief there is good ground to support it; and that it is not interposed for delay.
FAILURE TO SIGN THIS APPLICATION MAY RESULT IN DISMISSAL OF THE APPLICATION AND FORFEITURE OF ANY FEES PAID
Upon grant of this application, the Authorization Holder may be subject to certain construction or coverage requirements. Failure to meet the construction or coverage requirements will result in automatic cancellation of the Authorization. Consult appropriate FCC regulations to determine the construction or coverage requirements that apply to the type of Authorization requested in this application.
WILLFUL FALSE STATEMENTS MADE ON THIS FORM OR ANY ATTACHMENTS ARE PUNISHABLE BY FINE AND/OR IMPRISONMENT (U.S. Code, Title 18, §1001) AND/OR REVOCATION OF ANY STATION AUTHORIZATION (U.S. Code, Title 47, §312(a)(1)), AND/OR FORFEITURE (U.S. Code, Title 47, §503).
I certify that this application includes all required and relevant attachments.
I declare, under penalty of perjury, that I am an authorized representative of the above-named applicant for the Authorization(s) specified above.
Newport Television License LLC
No Attachments.
Submit a help request for assistance or contact (877) 480-3201 or TTY: (717) 338-2824 | Pay Fees
E-mail: fccinfo@fcc.gov
FCC Digital Strategy


text:
from __future__ import unicode_literals

from django.db import models, migrations

class Migration(migrations.Migration):

    dependencies = [
        ('invoice', '0001_initial'),
    ]

    operations = [
        migrations.AlterField(
            model_name='usercheckout',
            name='email',
            field=models.EmailField(unique=True, max_length=254),
        ),
    ]

redpajama_set_name: RedPajamaGithub


text:
Q: Tkinter scrollbar will not scroll Good day.  My research into the tkinter scrollbar is that the frame I want to scroll must be the child of a canvas.  I have looked at many examples and set up this code, however the scrollbar does not seem to scroll.  I would very much appreciate if someone could point out where I have gone wrong.
from tkinter import *

def makeUI():

    main = Tk()
    w=100
    h=400
    x=100
    y=100
    main.geometry("%dx%d+%d+%d" % (w, h, x, y))
    main.configure(background='#ff0000')

    canvas = Canvas(main, width=w, height=h, bg='#00ff00')
    canvas.pack(side=RIGHT, fill=BOTH)

    frame=Frame(canvas, width=w, height=h, bg = '#0000ff')
    frame.pack()

    scrollbar = Scrollbar(frame)
    scrollbar.pack(side=RIGHT, fill=BOTH)
    scrollbar.config(command=canvas.yview  )

    for n in range(100):
        text=Label(frame, text='hello')
        text.pack()

    main.mainloop()

makeUI()

Thank you.

redpajama_set_name: RedPajamaStackExchange


Which gradle version? I had trouble with IDEA and gradle 5.0. gradle 5.1 fixed the problems for me.
Cannot add Gradle Task 'Wrapper' as a task with that name already exists.
Replace while text selected no longer "Replaces Within Selection"
Can the Spock test framework get some love?
Thanks for finding that for me! I tried searching for "expand zip in project view" (or "... project tree"), but that failed to find this issue.
Expand archives in project view (jar/war/ear/zip)?


text:
package com.imaginary.designPats.InterfaceAdaptorMethod;

import org.junit.Test;

/**
 * @author chen.chi@abloomy.com.cn
 * @date Jul 18, 2016 10:37:53 PM
 * @version V1.0
 * @desc
 *
 */
public class TestDemo {
	@Test
	public void testServiceAdaptor(){
		SourceServiceImpl sourceServiceImpl = new SourceServiceImpl();
		sourceServiceImpl.write();
		System.out.println("--------");
		sourceServiceImpl.eat();

	}

}


text:
Browse: Summer Opera Sale - up to 60% off, Christa Ludwig (mezzo-soprano)
All New & Future Releases (1)
All DVD & Blu-ray videos (7)
Blu-ray audio (2)
Offer, Bernstein: Candide
Jerry Hadley (Candide), June Anderson (Cunegonde), Adolph Green (Dr. Pangloss/Martin), Christa Ludwig (Old Lady), Nicolai Gedda (Governor/Vanderdendur/Ragotski)
London Symphony Chorus & Orchestra, Leonard Bernstein
an irreplaceable treasure...Jerry Hadley is an ideal Candide (what a good career as a Broadway lead he might have had in another era), June Anderson is a grand opera Cunegonde with high wattage... — Fanfare More…
Release Date: 18th Jun 2003
Series: 2CD
Offer, Strauss, R: Der Rosenkavalier
Elisabeth Schwarzkopf (Marschallin), Christa Ludwig (Octavian), Teresa Stich-Randall (Sophie), Otto Edelmann (Ochs), Eberhard Wächter (Faninal), Ljuba Welitsch (Marianne), Paul Kuen (Valzacchi/Tierhändler), Nicolai Gedda (Italian Singer)
Philharmonia Chorus & Orchestra, Herbert von Karajan
a recording of Strauss's operatic masterpiece that, today, remains unbettered. The Philharmonia is on sparkling form and Elisabeth Schwarzkopf gives the performance of her life. Karajan's passion... — BBC Music Magazine, January 2012 More…
Maria Callas (Norma), Christa Ludwig (Adalgisa), Franco Corelli (Pollione), Nicola Zaccaria (Oroveso), Edda Vincenzi (Clotilde), Piero De Palma (Flavio)
Orchestra and Chorus of La Scala Milan, Tullio Serafin
Bellini's tragic Druid priestess was surely one of Maria Callas's greatest roles, and she's caught at her histrionic peak on this 1960 studio recording under Tullio Serafin, with Franco Corelli's... — Katherine Cooper, Presto Classical, October 2014 More…
Series: Maria Callas Remastered
Offer, Wagner: Der Ring des Nibelungen
George London (Wotan), Kirsten Flagstad (Fricka), Claire Watson (Freia), Set Svanholm (Loge), Waldemar Kmentt (Froh), Eberhard Wächter (Donner), Paul Kuen (Mime), Jean Madeira (Erda), Gustav Neidlinger (Alberich), Walter Kreppel (Fasolt), Kurt Böhme (Fafner),...
even Solti's detractors have to admit the awesome status of Gotterdammerung, in which performance and recording unite with seamless strength to evoke the power of cosmic, cathartic tragedy. It... — BBC Music Magazine, January 2012 More…
Release Date: 8th Jun 2015
17 CDs
Paris version
René Kollo (Tannhauser), Helga Dernesch (Elisabeth), Christa Ludwig (Venus), Victor Braun (Wolfram), Manfred Jungwirth (Biterolf), Hans Sotin (Hermann), Kurt Equiluz (Heinrich), Norman Bailey (Reinmar)
Wiener Staatsopernchor & Wiener Philharmoniker, Sir Georg Solti
Candide - Jerry Hadley, Cunegonde - June Anderson, Dr.Pangloss/Martin - Adolph Green, Old Lady - Christa Ludwig, Govenor/Vanderdendur/Ragotski - Nicolai Gedda, Paquette - Della Jones & Maximilian/Captain - Kurt Ollmann
London Symphony Chorus & London Symphony Orchestra, Leonard Bernstein
Release Date: 11th Sep 2006
Offer, Beethoven: Fidelio, Op. 72
Christa Ludwig (Leonore), Jon Vickers (Florestan), Walter Berry (Don Pizarro), Gottlob Frick (Rocco), Ingeborg Hallstein (Marzelline), Gerhard Unger (Jaquino), Franz Crass (Don Fernando)
Philharmonia Chorus & Philharmonia Orchestra, Otto Klemperer
Whilst I love the dramatic energy of Karajan's (thrilling but rough-round-the-edges) 1962 Fidelio, Ludwig sounds more secure in terms of diction and intonation on this studio recording from the... — Katherine Cooper, Presto Classical, 16th March 2018 More…
Offer, Bartók: Duke Bluebeard's Castle, Sz. 48, Op. 11
Walter Berry (Bluebeard), Christa Ludwig (Judith)
London Symphony Orchestra, István Kertész
Kertész shapes the music admirably, and Walter Berry makes an appropriately compassionate Bluebeard (as opposed to Dietrich Fischer-Dieskau on DG, who is altogether too menacing); but neither... — BBC Music Magazine, January 2012, More…
Catalogue No: E4663772
Series: Legends
($9.25) $8.00
Add CD to basket
Offer, Wagner: Tristan und Isolde
Wolfgang Windgassen (Tristan), Birgit Nilsson (Isolde), Christa Ludwig (Brangäne), Martti Talvela (King Marke), Eberhard Waechter (Kurwenal), Peter Schreier (Seemann
Chor und Orchester der Bayreuther Festspiele, Karl Böhm
Böhm's recording is a live Bayreuth performance of distinction, for on stage are the most admired Tristan and Isolde of their time, and in the pit the 72-year-old conductor directs a performance... — Gramophone Classical Music Guide, 2010 More…
Release Date: 22nd Sep 1997
Series: Originals
Offer, Puccini: Madama Butterfly
Mirella Freni (Butterfly), Luciano Pavarotti (Pinkterton), Christa Ludwig (Suzuki), Robert Kerns (Sharpless)
Vienna State Opera Chorus, Vienna Philharmonic Orchestra, Herbert von Karajan
In every way except one the transfer of Karajan's radiant Vienna recording for Decca could hardly provide a firmer recommendation. The reservation is one of price – this Karajan is on three discs,... — Gramophone Classical Music Guide, 2010 More…

redpajama_set_name: RedPajamaCommonCrawl


Keeping a desk 2018 calendar template google docs on your office desk is allowance of the corporate culture. Many people have them in their homes too! Its a great addition to have. If you would later than to own a desk manual which has got a design of your choosing, we suggest you to pick any one of clear printable Desk reference book Templates we have compiled here. The templates are tall mood and you can personalize the designs in any exaggeration you like. There are alternative Word templates, from a yearly calendar on a single ache (the whole year at a glance to a quarterly calendar three months/1 quarter on one ache out there in both landscape and portrait orientation. The templates are stored in Microsoft Word ".docx" format and can be used with the more recent versions of Word that contract the XML document standard data with ".docx" extension - Word 2007, 2010, 2013, 2016, 2019 & workplace 365). If you have an older version of Word that only helps the ".doc" format (Word 2000, 2002/XP & 2003), or if you don't have Word installed use Microsoft office Online or one of the free Microsoft Word/Microsoft office alternate options FreeOffice TextMaker, LibreOffice writer and Google medical doctors which are all free of charge (OpenOffice writer unfortunately has formatting issues when opening our calendars). also suitable with Microsoft workplace for Mac (macOS) and Microsoft workplace mobile for iPad/iOS, Android and home windows 10 mobile. Read more about the lots of Word types and dossier codecs on Wikipedia.


text:
Boycott the Saudi & U.A.E. Dictators
Join the Campaign: Click here to boycott the dictators who rule Saudi Arabia and U.A.E.
These dictators have committed many crimes:
They have starved and slaughtered thousands in Yemen.
They have used torture and imprisoned peaceful activists.
They have made the climate crisis even worse with their fossil fuel exports.
The Call to Divest from the Ruling Monarchies of Saudi Arabia and U.A.E.:
We, representatives of the Yemeni diaspora and allies, call upon individuals, organizations, institutions, and governments to impose and implement boycotts, divestment initiatives, and other penalties against the ruling families of Saudi Arabia and the United Arab Emirates (U.A.E.), similar to those applied to South Africa in the apartheid era.
Saudi Arabia and U.A.E. have helped drive the people of Yemen into a humanitarian crisis. In their war with Houthi rebels, the ruling monarchies of Saudi Arabia and U.A.E. have committed gross human rights abuses and war crimes, including using starvation as a weapon of war and the deliberate targeting of civilians.
Saudi Arabia and U.A.E. have bombed and killed tens of thousands of Yemeni civilians in airstrikes, using jet fuel and arms supplied by the United States, Britain, and other Western governments. The Houthis, the government of Yemen, and other armed groups have also committed human rights abuses and likely war crimes. However, the governments of Saudi Arabia and U.A.E. remain the leading source of civilian casualties and physical destruction of the country.
The United Nations has stated that approximately 14 million people in Yemen, half the total population of the country, are now facing "pre-famine conditions." 85,000 children in Yemen may have died from starvation since the Saudi-led coalition began its military intervention in 2015.
We urge civil society organizations and people of conscience worldwide to help end this crisis for the Yemeni people by pressuring governments to impose embargoes and sanctions against the ruling monarchies of Saudi Arabia and U.A.E., including their ruling institutions, financial holdings, and global investments. We urge people of conscience worldwide to push all private businesses, organizations, and other entities in their countries to divest from the Saudi and U.A.E. monarchies and cut all economic ties with the ruling families of these countries.
We stand in solidarity with the many residents and citizens of Saudi Arabia and the United Arab Emirates who have also suffered greatly under these governments' human rights violations and repressive policies. We invite Saudi Arabian and U.A.E. dissidents who are living in exile to support this Call.
These non-violent punitive measures should be maintained until the monarchies of Saudi Arabia and the United Arab Emirates end their starvation and destruction of Yemeni society and embrace the fundamental principles of universal human rights for all people.
Specifically, the ruling families of Saudi Arabia and the United Arab Emirates must:
Cease their catastrophic war in Yemen and end their use of famine and starvation as a weapon of war.
Pay full reparations to all Yemenis and other peoples who have suffered under their brutal war in Yemen.
Respect the full human rights of all people living in Yemen, Saudi Arabia, and the United Arab Emirates, including Yemenis in all three countries.
Endorsers:
Shireen Al-Adeimi, Assistant Professor, Michigan State University
Jehan Hakim, Yemen Alliance Committee
Hala Aldosari, Scholar and activist
Sunjeev Bery, Director, Freedom Forward
Aisha Jumaan
Rabyaah Althaibani
Somia Elrowmeim
Isaac Evans-Frantz, Action Corps NYC
Stanley Heller, Executive Director, Middle East Crisis Committee
Leah Muskin-Pierret, Manager of Congressional & Grassroots Advocacy, US Campaign for Palestinian Rights
Ramah Kudaimi, Director of Programs & Operations, US Campaign for Palestinian Rights
Anna Baltzer, Author and Granddaughter of Holocaust Survivors
Hassan El-Tayyab, Co-Director, Just Foreign Policy
Jodie Evans, Co-founder, CODEPINK
Isa Flores-Jones, Coordinator, Divest Harvard
Geneva Tilbury, Fossil Free UMKC (Univ of Missouri-Kansas City)


text:
Formula Zero Grand Xix
By Cunzy11 - November 26, 2012
Who wants a review of a nine year old game? Who DOESN'T want a review of a nine year old game more like? Yes Wii U is almost upon us and all those retarded journos, the morons who run GAME and those ridiculous early adopters won't stop bloody going on about it. However, much like the 3DS it feels like a series of reruns. There's genuinely nothing original on the platform bar Nintendoland but I can tell you now that 90% of Wii U games won't pick up on the brilliant idea of hiding information on the game pad or asymmetric gameplay.
It'll be like motion controls all over again. Everyone and their dog will make platformers where poor old player 5 (the mum character in the current TV spots) jabs the screen to create platforms and generally has far less fun than a quick spot of rub the man in the boat.
But fuck new games. I'm still catching up with the Gamecube releases. I distrust those pricks online who claim to be 'bored' by a console (normally the Wii, which by the way is permanently gathering dust. Who needs to hoover when you've got a Wii permanently sucking up dust because consumers don't know how to look for and buy good games that aren't shootan games?) there's hundreds of thousands of hours to be played on virtually every console and even if you were dipping, playing just enough to make your mind up about it, I refuse to believe that you've done that for a proportion of the semi-decent games. More often than not, you've been bored by a game that's flayed, dissected, promoed and previewed to death on one of those awful sites so by the time it eventual dribbles out you feel like you know it. But hey, that's how online marketing works. Playing and discarding games before they've come out in your territory so you don't have to. Boy this prelude bit is going on a bit isn't it? Take ZombiU for example. This is where I pretend I played the original because I'm a games waaaaaaaankar. I was only mildly interested in it to start off with because it seemed to me to be abundantly clear that all those 'trailers' and those shorts set in some trendy good looking guy's spacious flat, you know the ones where they have a proper haircut and a nice leather lazyboy, were not reflective of the final game. Thankfully, due to the excessive humping of previews my interest has gone from 'limp twitching' to 'back inside my body cavity'. For me, the distinctly average reviews were akin to a sex change. This metaphor has gone too far.
In other news, I will get on to talking about F Zero GX soon I promise, my local GAME. The place that inspired me to write this short play has seem to have forgotten that the Wii exists and that WiiU is backwards compatible and as a consequence has all but gotten rid of its Wii section (you can buy Mario & Sonic and Zumba fitness new, some tea stained Mario Kart Wii games make up the only actually playable games in the preowned section). So right now, today, you can go into GAME and look at the boxes for WiiU games. That's sure to placate the 42000 million Wii owners who still only have Wii Sports and Carnival Games. Way to steer them towards an attach rate higher than 2, guys. Good old GAME. I literally cannot wait until GAME goes under again. I have a 2011 Nintendo calendar I got free from ONM and on every day I've written GAME closed? At the end of the day when GAME hasn't closed down I cross off the day and move closer to God because GAME not closing is a modern day miracle. I could go outside right now, set up a stall out of cardboard boxes and sell my old PlayStation games, just the duplicates which amounts to a copy of Die Hard Trilogy, WWF (Pandas) Smackdown vs Raw 2 and two copies of Speed Freaks, and genuinely enter into competition with GAME. If I tweeted about it, the CEO of GAME might catch wind of the scheme, come over to my stall and try to sue because I had a monopoly on the high street game retail sector.
Anyway. I'm still caching up with the ol' Gamecube releases I never got around to all those years ago. I've got Baten Kaitos Eternal Wings and the Lost Ocean, Skies of Arcadia some fucking subtitle, Metroid Prime, Metroid Prime 2 and F Zero GX taunting me from the shelves. I've not touched Baten Kaitos. Skies is old skool RPG in that I've played it for about three hours and I think I've made less than ten buttons presses. Metroid Prime is so good I don't want to play it because then I'll play it and beat it and then I'll be sad that it is all gone and done and I know I won't play it again and so the next time it will be touched is when the guy from the council come into my flat to clean up my remains which slumped in the lounge for three years before anyone noticed I'd died and chucks it in a bin bag to give to Oxfam. I can't play Metroid Prime 2 until I finish Metroid Prime obviously. F Zero GX however....
Is soooo hard. It doesn't help that I'm visibly physically deteriorating with early onset middle age but it is ball achingly hard. I'm currently on Chapter 4 of the story which I had to buy from the fucking in-game shop with tickets that I had to earn by coming somewhere respectable in the Grand Prix races. Which, by the way are also fucking hard. I only took a year of on/off trying to beat Chapter 3 and even then I fluked it. I enjoy games being hard. I'm not that prick off the internet though who won't even look at a game's box art if it isn't as hard as those old arcade games that were designed to be hard so you'd pump all you cash into them. But at my time of life spending my precious gaming time doing the same fucking level over and over again and failing miserably isn't the most productive use of my time. I'm reading Reality is Broken at the moment because I'm a book waaaaaaankar and all the cool stuff that Jane McGonigal goes on about is moot because my gaming life for the last year is failing that one fucking mission over and over and over. It isn't even consistent either. Here's how my last series of playthroughs went. I came 8th then I came 20th, then I got retired, which the announcer pronounces retard, then I came 5th, then I came 12th, then retard, then retard, then retard, then I came 2nd (close), then I came 12th, then I came 11th, then I came 6th, then I came 9th, then retard, then 8th, then 5th, then retard, then 4th, then 11th, then retard. And then finally I came first and the tiny little burst of endorphins in no way made up for the tens of hours I'd spent getting it wrong. Then I bough Chapter 4. CHAPTER 4. How many chapters are there? I hope that there's 6 Chapters to be honest. I just want to get it off my Backloggery and move on.
2 Years WTF? as if gloom goldeen shower look at me I am Tim Rogers nintendo now showing
You should have a blog.
The future is now: Sponsored by [advertisement]
The Guardian School of News Reporting
We heard something about someone but we're too afr...
The snake eating its own tail


text:
Jeannie Kenmotsu, Ph.D.
The Arlene and Harold Schnitzer Curator of Asian Art
Jeannie Kenmotsu was appointed The Arlene and Harold Schnitzer Curator of Asian Art in 2020 and is responsible for the research, interpretation, and development of the Asian collections of the Museum, comprising nearly 6,000 works of art ranging from historical to contemporary. Dr. Kenmotsu joined the Portland Art Museum in 2017 as Japan Foundation Assistant Curator of Japanese Art and was promoted to Associate Curator in 2019.
At the Museum, Dr. Kenmotsu has organized the exhibitions Joryū Hanga Kyōkai, 1956–1965: Japan's Women Printmakers and Objects of Contact: Encounters between Japan and the West (both 2020-21), Dramatic Impressions: Japanese Actor Prints (2019), Suzuki Harunobu and the Culture of Color (2018), and Craftsmanship and Wit (2017). She was also closely involved in all curatorial aspects of the special exhibition Poetic Imagination in Japanese Art: Selections from the Collection of Mary and Cheney Cowles (2018), serving as co-editor of the accompanying catalogue.
A specialist in Japanese art of the Edo period (1615–1868), Dr. Kenmotsu has written on color printing and illustrated books in the eighteenth century, including entries for the Gerhard Pulverer Collection at the Freer|Sackler Galleries, Smithsonian Institution. Prior to joining the Portland Art Museum, Kenmotsu assisted with the major international loan exhibition of Japanese painting, Ink and Gold: Art of the Kano (2015) at the Philadelphia Museum of Art. She also worked closely with the print collections at Philadelphia, and co-curated the loan exhibition A Sense of Place: Modern Japanese Prints (2015). She has also been a visiting assistant professor of Asian art history at Scripps College.
Dr. Kenmotsu is a graduate of Pomona College and earned her doctorate from the University of Pennsylvania. Her research has been supported by the Andrew W. Mellon Foundation, Japan Foundation, and Blakemore Foundation, among others. She is a Senior Fellow of the Society of Fellows in Critical Bibliography (Rare Book School, University of Virginia).


Welcome to the Official Website for The Westerly Ambulance Corps, Inc.
Organized in 1917 as The Westerly Sanitary Corps, Inc.
The Westerly Ambulance Corps membership/subscription forms were mailed to all previous subscribers in the Town of Westerly on January 10, 2019. Please allow one week delivery time. Should you not receive your renewal or would like to join please call our office at 596-4375 ext. 0 or visit our website http://www.westerlyambulance.org/content/subscription/.
Ring In 2019 And The 350th Anniversary Of The Town Of Westerly With Us!


text:
Neil Z. Auerbach
Vishal Shah
Joseph E. Slamm
Wilson Chang
Michael Kasper
Jonathan Lee
Olivia Park
Steven Ruggeri
Max Klein
Cyrus Suleman
Valerie Kenney
Cyrus Suleman - Associate
Cyrus Suleman is an Investment Associate at Hudson. His primary responsibilities include investment analysis, due diligence, and portfolio management. Mr. Suleman previously advised clients on M&A and capital raising transactions as an Investment Banking Associate in the Power & Renewables group at Credit Suisse, including renewable energy asset transactions in the U.S and Latin America. Prior to that, he worked on emerging market investments at the Overseas Private Investment Corporation, including solar power project finance and corporate debt portfolio management. Earlier in his career, Mr. Suleman was a Peace Corps Volunteer in Cameroon, engaged in micro-finance and business development in agro-pastoral communities. Mr. Suleman began his career in Structured Finance as an Analyst at Bank of America Merrill Lynch. Mr. Suleman holds a B.S. in Finance from Indiana University and an MBA from University of Chicago Booth School of Business. Mr. Suleman is a CFA Charterholder.
Banner Photo:
© 2019 Hudson Clean Energy Partners. New York Web design by Gravitate.


text:
package com.blazebit.persistence.integration.hibernate;

import com.blazebit.persistence.spi.DbmsDialect;
import com.blazebit.persistence.spi.DbmsLimitHandler;
import org.hibernate.dialect.Dialect;
import org.hibernate.dialect.pagination.LimitHandler;
import org.hibernate.engine.spi.RowSelection;

import java.sql.PreparedStatement;
import java.sql.SQLException;

/**
 * @author Christian Beikov
 * @since 1.2.0
 */
public class Hibernate56LimitHandler implements LimitHandler {

    private final DbmsLimitHandler limitHandler;
    private Integer limit;
    private Integer offset;

    public Hibernate56LimitHandler(Dialect dialect, DbmsDialect dbmsDialect) {
        this.limitHandler = dbmsDialect.createLimitHandler();
    }

    @Override
    public boolean supportsLimit() {
        return limitHandler.supportsLimit();
    }

    @Override
    public boolean supportsLimitOffset() {
        return limitHandler.supportsLimitOffset();
    }

    @Override
    public String processSql(String sql, RowSelection selection) {
        if (selection == null || selection.getMaxRows() == null || selection.getMaxRows().intValue() == Integer.MAX_VALUE) {
            this.limit = null;
        } else {
            this.limit = selection.getMaxRows();
        }
        if (selection == null || selection.getFirstRow() == null || selection.getFirstRow().intValue() < 1) {
            this.offset = null;
        } else {
            this.offset = selection.getFirstRow();
        }
        return limitHandler.applySql(sql, false, limit, offset);
    }

    @Override
    public int bindLimitParametersAtStartOfQuery(RowSelection selection, PreparedStatement statement, int index) throws SQLException {
        return limitHandler.bindLimitParametersAtStartOfQuery(limit, offset, statement, index);
    }

    @Override
    public int bindLimitParametersAtEndOfQuery(RowSelection selection, PreparedStatement statement, int index) throws SQLException {
        return limitHandler.bindLimitParametersAtEndOfQuery(limit, offset, statement, index);
    }

    @Override
    public void setMaxRows(RowSelection selection, PreparedStatement statement) throws SQLException {
        limitHandler.setMaxRows(limit, offset, statement);
    }
}


Mildred Synang'andu is three months into her placement at South Leith Parish Church, having spent the last three years in training to become a minister in Zambia.
South Leith Parish Church has developed a strong partnership with the United Church of Zambia and Zambia as a whole. The country's founding president, Dr Kenneth Kaunda, who played a crucial part in southern Africa's liberation struggle, was the son of a Church of Scotland minister, and previously visited South Leith Parish Church in 2009.
In 2012 Rev Iain May completed two months of his probation in Zambia, before being called as minister by the South Leith congregation.
Now, six years since Rev May's own probation, the tables have turned and Mildred is completing her probation in his church.
"Services in Scotland are a lot quicker and quieter than in Zambia. In Zambia, the services are filled with choir singing and are generally a lot livelier than in Scotland.
Alongside her pastoral role, Mildred has been participating in all kinds of church activities.
Mildred told us she strongly supports the partnership between the United Church of Zambia and South Leith Parish Church, that began 30 years ago when a Kirk minister visited the country.
With the help of the Church of Scotland's World Mission Council, South Leith has set up a twinning initiative, whereby three Zambian ministers are being sponsored through their ministerial training at the United Church of Zambia's training college. In addition, in 2015, the congregation hosted Zambian student Chishimbe Kondolo.
"It has allowed me to see a difference culture, and learn from what they do. It has also opened up the congregation to having a ministerial representative from Zambia as opposed to visiting students previously.
One aspect of her time in Scotland that has been most educational is considering the balance of giving and charity with the Word of God.
She said: "Balancing core Christian values – the Word, the scripture – and charity work and giving is something that needs work in both Scotland and Zambia.
"In Zambia, the Word is paramount to how we experience the church, whereas the charity and giving side, not so much.
"However, with my experiences in Scotland, there is a lot of giving and charity and not as much emphasis as I'd like on the scripture.
Overall, Mildred feels that there is much to take home from her experiences in South Leith Parish Church, with the role of hymns being of significant importance to show she wishes to run her own services.
"There are many more hymns sung in services here, whereas at home there are around two hymns used and then the choirs sing.
Find out more about twinning between churches in Scotland and across the world.


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Boun Ork Phansa, the time for Buddhist festivities
Boun Ork Phansa is the last day of Buddhist Lent. Taking place three lunar months after Khao Phansa, the day is one steeped in tradition and brought alive by celebrations which begin at dawn and continue on way past dusk.
As morning breaks, people across the country flock to temples to present offerings of money and food to resident monks. The morning offering ceremony is quiet and reflective — the calm before the storm of festivities to come.
On the evening of Boun Ork Phansa, candlelight processions are held around temples in celebration of Lay Heua Fai. The river becomes illuminated as people send small boats made of banana leaves, decorated with flowers and carrying candles down the Mekong.
The boats serve as a mark of respect to Buddha and to thank the mother of rivers for providing precious water which sustains life. Some simply believe that the boats symbolise the departure of the previous year's bad luck to make room for the arrival of good luck. Lao folklore holds, however, that the lighted boats are sent downstream as an act of respect to the Nagas. The Naga is a mythical water serpent believed to reside in the murky depths of the Mekong, but on the night of the 15th day of the 11th month in the Lao lunar calendar, he is said to surface, to shoot bright fireballs into the sky.
Opinion is somewhat divided on whether the Nagas truly exist, but cynicism does not prevent throngs of spectators from lining the banks on both sides of the river to eat, drink and partake in the tradition and frivolities.
In bigger towns processions of lighted boats are floated on the water, while smaller riverside communities will gather for a much more low-key affair. Some light candles in their homes to pay their respects and continue with the tradition that dates back thousands of years.
Many young couples can be seen embracing the romance of the ceremony, no doubt full of anticipation for what the coming year will bring.
The Naga fireballs occur in a section of the Mekong stretching over 20km between Pakngum district, about 80km south of Vientiane, and Phonphisai district in Nong Khai province, Thailand.
On the Lao side, some people say they can see the fireballs floating by the ponds and rice fields near their villages. On the Thai side, the fireballs are said to shoot up in a pond locally known as Nong Pra Lay. Crowds of people drive down to the sites, hoping to catch a glimpse of the spectacle.
In Vientiane city centre, the boat racing festival of the following day is the pinnacle of the celebrations. After an early start, rowers and merrymakers alike flock down to the riverbank, singing and banging drums in anticipation of the races. As the boats hit the water at 9am, the riverbank becomes fit to bust with spectators, jostling for the best spot to view the action, armed with copious amounts of beer and all manner of traditional fare which has been plucked en route from the food vendors lining nearby pavements. For those content to watch the proceedings from the cooler confines of their home, the races are broadcast live on television.
Source: Vientiane Times
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our entrepreneurial journey made us understand how important it is for girls to grow up surrounded by female role models. It helps to be more confident and set bigger goals. We realized that 95% of the books and TV shows we grew up with lacked girls in prominent positions. We did some research and discovered that this didn't change much over the past 20 years. so we decided to do something about it.
Wanting to make a book their way and on their own terms, Favilli and Cavallo started an historic Kickstarter campaign that was the most funded original book to be crowdfunded, with over 20,000 backers and more than $1,000,000 raised! The names of special contributors take up five pages at the end of the book - how cool is that? It took me a year to finally purchase Good Night Stories for Rebel Girls, mostly because of the cover price, which $35.00. Really, this is a very reasonable price for a hardcover book with color illustrations on every page - and a red ribbon bookmark. And, I admire the fact that online booksellers are not offering Good Night Stories for Rebel Girls at a discount, like almost every other book they sell. However, once I learned the story behind the book and held it in my hands - it is a truly beautifully designed book with magnificent illustrations by 60 women artists from all over the world - I knew that it was worth every penny.
Good Night Stories for Rebel Girls: 100 Tales of Extraordinary Women is diverse in its choice of subjects, which are appear alphabetically by first name, their professions listed after. There are mathematicians, super models, astrophysicists and inventors. There are writers, artists, directors, politicians, activists and surgeons. And there are weightlifters, boxers, tattoo artists rock stars, spies, pharaohs and rappers. There are even a few double threats, like Ameenah Gurib-Fakim, president and scientist from Mauritius (below, left), Hypatia, mathematician and philosopher from Ancient Greece, Miriam Makeba, activist and singer from South Africa, Maria Montessori, physician and educator from Italy and Cora Coralina, poet and baker from Brazil. I find Manal Al-Sharif and her story especially inspirational.
Women from over 40 different countries are represented here, with more than 30 women from the United States like Serena and Venus Williams, Julia Child, Michelle Obama, Mae C. Jemison, trombonist Melba Liston and director Brenda Chapman. Working at Disney studios, Chapman discovered she was one of the very few women animators there. This led Chapman to realize why "princesses in their films were so helpless. They had all been created by men." Promising herself she would create a new kind of princess, strong and independent, she went on to write and direct Brave, the first Pixar film with a female protagonist AND the first Pixar film directed by a woman. Brave also won an Oscar and Golden Globe for best animated feature film in 2013. Another special entry from the United States is Coy Mathis (above, right) who, as a transgender six-year-old, went to court to enable people in Colorado to use bathrooms that match their gender identity in 2013.
Each woman gets a one page biography along with a fantastic illustration. As I read Good Night Stories for Rebel Girls, I found myself researching almost every entry, fascinated by woman after woman. I can only wonder what my life would be like today if I had known that there were so many historical and contemporary women doing incredible things and making phenomenal contributions. I am grateful to Cavallo and Favilli that girls today will be able to see what they can be!


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http://w3.windfair.net/wind-energy/news/2577-india-suzlon-and-wind-energy-ii
India – Suzlon and wind energy II
Indian wind-energy firm Suzlon and a top Indian businessman's foray into tapping wind energy
While Hansen will be run as an independent business unit, the acquisition will allow Suzlon to integrate gearbox technology into its wind-turbine solutions, creating a more reliable and competitive product. In the past Tanti has stated that India loses 45,000MW of power daily because of the untapped potential of wind energy. Suzlon, now India's leading manufacturer of wind-turbine generators, was a relatively unknown company just two years ago, privately held by the erstwhile textile-producing Tanti family, Gujaratis who have made Pune their home. The firm went public last year, and its market capitalization now stands at $8.4 billion, with the family stake amounting to $5.6 billion. Suzlon has also been trying to sell wind energy to India's corporate sector as a low-cost alternative. The company has persuaded firms such as Bajaj Auto, Godrej Group, MSPL Ltd, Ramco Group, Alembic, Bannari Amman group and a large number of textile units in Tirupur to try wind energy.
Others also have plans in place. The state-run Hindustan Petroleum Corp Ltd (HPCL) in Mumbai has identified seven sites in Maharashtra and Karnataka for its wind-energy projects and aims to generate 500MW in the next three to four years. State energy giant Oil and Natural Gas Corp (ONGC) and Reliance Energy Ltd (REL) have announced plans to invest in wind energy. ONGC is developing projects across six states, while REL is planning projects in coastal states including Karnataka. Nuclear Power Corp of India Ltd is setting up a windmill project near its nuclear power plant in Kudankulam, Tamil Nadu, to generate 50MW of wind power that will be used by the plant. More than 400 windmills have been set up in the desert city of Jaisalmer, collectively producing 150MW of power. Consumers in Jaisalmer pay Rs3.25 (7.3 cents) per unit of power, which is one of the lowest power tariffs in the country.
Indeed, there is money to be made in renewable energy, as the potential for expansion is quite large. The Planning Commission, in its draft integrated energy policy, has estimated power-generation-capacity requirements reaching 627,088MW in the year 2031, far beyond the present capacity of 130,000MW. India's largely indigenous (so far, that is) nuclear power program aims to generate 20,000MW of power by 2020, up from current levels of close to 3,500MW. It is estimated that wind, small hydroelectric and biomass sources have the potential to generate 80,000MW in India altogether.
Online editorial www.windfair.net
Edited by Trevor Sievert, Online Editorial Journalist
press@windfair.net
wind energy, wind farm, renewable energy, wind power, wind turbine, rotorblade, offshore, onshore
GE Renewable Energy Snags Order in Poland
GE Renewable Energy announced today that it will provide 81 onshore wind turbines to power the 220 MW Potegowo Wind Project in Slupsk County, Northern Poland.
GE Renewable Energy: First Cypress Order in Turkey
GE Renewable Energy will supply the 138 MW Saros wind farm with 27 Cypress turbines
Enerfín Chooses GE Renewable Energy as Turbine Supplier
GE will supply turbines for the 50 MW Cofrentes wind farm, the first one to be built in the Valencian Community after eight years
Equinor Pushes for Floating Offshore Wind in South Korea
Equinor, Korea National Oil Corporation and Korea East-West Power have formed a consortium to develop a floating offshore wind project in South Korea.
Deutsche Windtechnik Provides Maintenance for Senvion 6.2M Turbines
Independent service provider Deutsche Windtechnik AG now provides services for all installed Senvion power classes
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07/16/2019 Solar and wind segments to lead renewable power growth in Sweden during 2019–2030, says GlobalData
07/16/2019 National Grid Completes Acquisition of Leading Renewable Energy Developer
07/16/2019 Scotland's Wind Could Power Every Home Across Scotland and North of England
07/15/2019 Danske Commodities Signs PPA for 126 MW Offshore Wind with Sheringham Shoal
07/15/2019 GE Renewable Energy to open new offshore wind factory and development center in China
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RS-YABI: A workflow system for Remote Sensing Processing in AusCover
Wang, Z., King, E., Smith, G., Bellgard, M., Broomhall, M., Chedzey, H., Fearns, P., Garcia, R., Hunter, A., Lynch, M. and Schibeci, D. (2011) RS-YABI: A workflow system for Remote Sensing Processing in AusCover. In: MODSIM 2011 - 19th International Congress on Modelling and Simulation - Sustaining Our Future: Understanding and Living with Uncertainty, 12 - 16 December, Perth, Western Australia pp. 1167-1173.
Free to read: http://www.mssanz.org.au/modsim2011/C3/wang.pdf
Earth observation from space involves accessing, sharing, and processing huge volumes of data collected from satellite sensors. It is crucial for users to easily analyze and process the datasets, which may require complex computation on very high volume datasets, particularly for large-scale spatio-temporal analysis. Generation of data products, access to, analysis and visualization of these large datasets is often perceived as a highly technical and daunting set of complex steps. In this context, a workflow application can help users to manage and process large volumes of satellite data and execute scientific experiments on distributed resources. This paper reports our work on utilizing a workflow engine (RS-YABI) that works with data from Moderate Resolution Imaging Spectroradiometer (MODIS) sensors and enables researchers to process datasets using High Performance Computing (HPC) resources. The benefits of this approach include abstracting the complexity of the underlying processing environment and easy processing of raw satellite data to generate derived data products in standard formats. We start with providing an overview of AusCover, a facility of the Terrestrial Ecosystem Research Network (TERN), as the application context of our work. It provides a national expert network and a data delivery service for provision of Australian biophysical remote sensing data time-series, continental-scale map products, and selected high-resolution datasets over Terrestrial sites. AusCover supports a nationally consistent approach to the delivery and calibration/validation of key current and future core satellite-derived datasets. Some background of workflows and remote sensing data processing is described next. In our context, using a workflow for processing remote sensing data offers several advantages, such as (a) the ability to design an operational process by leveraging existing application modules, (d) utilizing distributed resources to increase throughput or reduce execution costs, (c) obtaining specific processing capabilities as required by users, and (d) hiding technical complexity behind a straightforward user interface. It is followed by the description of YABI, a workflow engine developed at Murdoch University, Australia, originally for use in a bio-informatics context supporting linear workflows similar to those used in remote sensing processing. It provides a flexible mechanism for joining independent executables through wrappers that can be implemented in virtually any language. Examples of ongoing work on the development of wrapping scripts for customizing specific remote sensing operations, orchestrating multiple modules and simplifying user input choices are described. One of YABI's key features is its abstraction of the backend HPC resources such as file stores and execution engines which makes it ideal for use in a distributed data system such as that developed by AusCover. YABI has been deployed as RS-YABI (for Remote Sensing) on HPC resources in the National Computational Infrastructure (NCI). The RS-YABI instance is deployed on a Virtual Machine (VM), which provides a self-contained environment independent of the HPC system. Multiple workflows for processing MODIS sensor data have already been successfully developed. We also present two brief case studies to demonstrate the applicability of RS-YABI in practical application areas such as dust detection, surface temperatures (land and ocean) monitoring, and smoke plume detection. We conclude the paper with a list of future research directions.
Centre for Comparative Genomics
In Chan, F., Marinova, D. and Anderssen, R.S. (eds) MODSIM2011, 19th International Congress on Modelling and Simulation. Modelling and Simulation Society of Australia and New Zealand, December 2011, pp. 1167-1173.


A lot of parents are clearly reluctant to provide their kids with fully featured mobile phones, enabling them with texting, e-mail, camera, internet access as well as games. Stories of teens sending expressed text or pic messages could give adults nightmares, as can make bills unbelievable for hours long calls to mates or inordinate downloading of ring-tones and video games.
kids.) For anyplace from $2 to $10 per month parents can bound text messages, block up incoming telephone numbers or bound calls to particular geographical locations, amidst other alternatives.
Cell phone companies provide some of the most effective blocking alternatives. Such parental control applications let parents arrange caps on the amount of text messages as well as downloads per daytime, as well as bound when the cell phone can be applied, who can be addressed or texted, and what sorts of pages can be accessed on the web. (When they were first launched, such blocking was so much rich that it prevented incoming calls from 911 cell phone dealers; that problem has since been clarified.) Other companies provide similar features. They render a free service for a few phones that allows parents to restrain texting as well as other activities.
Custom essay writing services have become a large area of e-commerce right now. A lookup for custom essays on the search engines lands up over 2 million web sites every single of which usually give the user a plagiarism free dissertation, research paper, term paper on a desired matter for a selected rate.
A research for custom essays on the internet lands up over two million websites each and every of that provide the end user a plagiarism free article, research papers, school assignment on a preferred subject for any particular cost. As hassle-free as it's, custom essay writing services are now being charged with triggering numerous unwanted characteristics in college students as well as institutions as well. We can recommend to use writing service.
Furthermore it may eliminate the accomplishments of kids that do work tirelessly and put precious time in to a specific dissertation or paper because a particular custom essay might have been rated much better than an authentic student's composition. Also institutions which use the expertise of these websites are now being charged with intellectual assets thievery and there's additionally increasing problem concerning lack of employment trouble, as businesses no more have to employ individuals to write out their works or reviews. The majority of custom essay sites come to be ripoffs and do occasionally consist of duplicated content as a result of discount prices being given to the authors and often defraud authors in terms of transaction trouble are involved. It's a constant income source for any authors of those websites. You may buy essays online.
Site with parental control software review started this year.
Look for our feature reviews about internet filtering, children protection against internet menace, kid's internet addiction, cyber safety.


Upward Facing Dog opens the chest and may provide relief from asthma symptoms.
Some people believe that yoga poses for asthma provide great relief from symptoms. Yoga practice is a good exercise for those who suffer from asthma because of the controlled deep breathing involved.
For some people, asthma is chronic condition that doctors manage with regular medication. Their bodies may also have intense inflammation in the lungs, causing the airways to constrict more rapidly than what others experience. Many people who suffer from allergies may also experience asthmatic symptoms because of inflammation and congestion.
Certain asanas focus on opening the chest and improving breath stability. Yoga teaches us that breath is life; the integration of poses that enhance that breath help to improve an asthmatic's relief from symptoms. Many yogis prefer to use the practice as a way to limit reliance on prescribed medication and aid the body more naturally. People who suffer from exercise-induced asthma often have success with a regular yoga practice. With cardio exercise, the lungs are forced to quickly fulfill the body's need for more air and maintain that same vigorous level of air flow for an extended period of time. Individuals might experience coughing, lack of breath, a tightening of the chest, and wheezing without asthma-relief medication.
However, asthma sufferers can complete a full routine of various yoga styles without too many complications. During yoga, the airways open more gradually, and by incorporating yoga poses for asthma, individuals discover they improve breath control. Chest-opening postures can also help to clear the lungs of mucus lining the airways.
The goal is to open the chest wide and practice breathing techniques. Click on the blue links for more detail about each pose.
Bow Pose - Beginners can place a bolster or rolled blanket under the legs if that makes it more comfortable to hold the feet.
Bridge Pose - A terrific pose that you can do as soon as you wake up. In this posture, the knees should not go over the toes. Don't turn your head.
Camel Pose - This can be a difficult pose to do properly without putting strain on the back, so use a block under your feet or place your hands on your calves. Make sure to lift the chest high without scrunching the shoulders.
Cobra Pose - Try this posture or Upward Facing Dog Pose anytime to clear the airways and relieve stress.
Cow Pose - This is one of the easiest yoga poses for asthma. Combined with Cat Pose, it is a fun way to help children open the lungs.
Wheel Pose - For more experienced yogis, this posture provides one of the best chest stretches!
Before trying any exercise routine, it's imperative that people with asthma or exercised-induced asthma talk with their health practitioners. While yoga may relieve symptoms, asthma sufferers should be clear about their need for regular medication and how frequently inhalers should be used to prevent or alleviate an attack.
For example, this writer has exercised-induced asthma, and uses an inhaler before performing Vinyasa Flow routines or Bikram Yoga, but not for a general Hatha Yoga sequence.
Yoga instructor Barbara Benagh has asthma. After a severe asthma attack put her in an intensive care unit, she made it her mission to discover ways to overcome the condition. In this article on Yoga Journal, Benagh talks about how people with asthma breathe differently, and how retraining breath control may be the key to relief. She provides a series of breathing exercises that help.


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Tag: Values
Prioritizing and trade-offs
Whether you call it, Planning Prioritizing Trade-offs Time blocking Choosing any number of other possibilities, the simple truth is… When you choose something, you give up the opportunity for something else. Some simple examples:Choose the red dress, you can't wear the cute tank and capris outfitChoose a car, no motorcycle for youBuy a house. Hmm,…
I was, once again, offered a full-time position in special education. I chuckled (because they know I don't want a full-time job) and told the person, "You know I can't play pickleball if I work full time." A discussion about how fun pickleball is followed. I then asked, "Do you play?" Which was followed by…
Go ahead, finish the sentence, we all know it… "doesn't mean you should." Right? I've been thinking about values, morals, and integrity as I ponder various situations and how people handle them. According to www.merriam-webster.com/dictionary, one of the definitions for "value" is: relative worth, utility, or importance. For us this would mean "what is important…
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