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The Wrong Path
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A small town electrician with anger issues gets extreme therapy from a noted Pyschiatrist, Dr. Eric Peselowe, but is soon framed for a robbery and then a murder. Even with the help of Dr. Peselowe's female assistant Bonnie, he soon learns to trust no one but himself and becomes entrapped in a web of deceit, greed and corruption.
Actors: Abigail Hawk, Artie Pasquale, C. Thomas Howell, Drew Moerlein, Gene Gabriel, Joseph D'Onofrio, Judy San Roman, Sal Rendino, Vincent Oddo
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Splatter University
A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.
Genre: Horror, Mystery, Thriller
Redirected
Four friends become stranded in Eastern Europe and have to become hit men, prostitutes, corrupt cops, smugglers and more to make it home.
Country: UK, Lithuania
The police try to arrest expert hostage negotiator Danny Roman, who insists he's being framed for his partner's murder in what he believes is an elaborate conspiracy. Thinking there's evidence…
Country: Germany,USA
You Kill Me
While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it's time for him to return to Buffalo…
Genre: Comedy, Crime, Romance, Thriller
The Warning
Ten-year-old Nico receives a threatening letter and now his life is in danger. No one seems to believe him except one person that he doesn't know.
Genre: Drama, Fantasy, Thriller
An Australian urban legend comes screaming on the Ozploitation scene. It's said that if you drive down the creepy road of Lemon Tree Passage, and witness a sudden flash of…
Set in the year 1999 during the last days of the old millennium, the movie tells the story of Lenny Nero, an ex-cop who now deals with data-discs containing recorded…
Genre: Crime, Drama, Science Fiction, Thriller
In the near future, Major (Scarlett Johansson) is the first of her kind: A human saved from a terrible crash, who is cyber-enhanced to be a perfect soldier devoted to…
Country: USA, India, Hong Kong, China, UK
Genre: Action, Drama, Science Fiction, Thriller
Transformers: Beginnings
On their home planet of Cybertron, the Autobots and Decepticons are involved in an explosive battle over the coveted AllSpark. With the fate of the universe at stake, the Autobots…
Genre: Action, Animation, Science Fiction, Thriller
The Moon-Spinners
Young English girl Nikky and her aunt arrive at the Moon-Spinners, a hotel on Crete, to a less than enthusiastic welcome. The coolness of the owner is only out-done by…
Genre: Family, Mystery, Romance, Thriller
The Translators
Nine translators have been picked by a ruthless publisher and locked in a luxury bunker to translate the highly anticipated book of a famous author in record time. Although the…
Country: Belgium,France
Genre: Mystery, Thriller
Modesty Blaise
Modesty Blaise, a secret agent whose hair color, hair style, and mod clothing change at a snap of her fingers is being used by the British government as a decoy…
Genre: Action, Comedy, Thriller

redpajama_set_name: RedPajamaCommonCrawl


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Aaron Njovu – zambijski piłkarz grający na pozycji pomocnika. W swojej karierze grał w reprezentacji Zambii.

Kariera klubowa
W swojej karierze piłkarskiej Njovu grał w klubie Red Arrows FC.

Kariera reprezentacyjna
W 1982 roku Njovu był powołany do reprezentacji Zambii na Puchar Narodów Afryki 1982. Zagrał na nim w trzech meczach: grupowym z Nigerią (3:0), w którym strzelił gola, półfinałowym z Libią (1:2) i o 3. miejsce z Algierią (2:0). Z Zambią zajął 3. miejsce w tym turnieju.

Bibliografia

Reprezentanci Zambii w piłce nożnej
Uczestnicy Pucharu Narodów Afryki 1982
Urodzeni w XX wieku

redpajama_set_name: RedPajamaWikipedia


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Carbon Neutrality: why it is important to reach carbon neutrality as soon as possible
What does being "carbon neutral" mean? A product, service, process or organisation is carbon neutral when it has zero net emissions of greenhouse gases: overall emissions of greenhouse gases are matched by CO2 removal by the green areas of the system considered. In most cases......
Global heating: a topic that concerns us all
What is global heating? Global heating is an increase in the mean annual temperature of the Earth due to human activities, not linked to natural cycles. The temperature varies in a given place in relation to many factors, such as weather, day/night, season, altitude, presence/absence......
Greenhouse effect and global heating
What is the greenhouse effect? A body heated by a heat source, like a saucepan on a stove, does not stay hot for long if the heat source is turned off. The heat disperses in the environment. Our planet is also heated where it is......
What are greenhouse gases and how is their emission reduced?
What are greenhouse gases? Greenhouse gases are gases which when released to the atmosphere, block part of the heat of solar origin that Earth re-radiates into space. What gases promote the greenhouse effect? There are many greenhouse gases and their properties vary widely. They share......
What does being "carbon neutral" mean? A product, service, process or organisation is carbon neutral when it has zero net emissions of greenhouse gases: overall emissions of greenhouse gases are matched by CO2 removal by the green areas of the system considered. In most cases it...
What is global heating? Global heating is an increase in the mean annual temperature of the Earth due to human activities, not linked to natural cycles. The temperature varies in a given place in relation to many factors, such as weather, day/night, season, altitude, presence/absence of...
What is the greenhouse effect? A body heated by a heat source, like a saucepan on a stove, does not stay hot for long if the heat source is turned off. The heat disperses in the environment. Our planet is also heated where it is day...
What are greenhouse gases? Greenhouse gases are gases which when released to the atmosphere, block part of the heat of solar origin that Earth re-radiates into space. What gases promote the greenhouse effect? There are many greenhouse gases and their properties vary widely. They share a physicochemical structure...
De sanctibus despatis dos picis Lorem Ipsum. Proin gravida nibh vel velit auctor aliqun sollicitudin desit.
Alleanza Carbon Neutrality
© 2020 Alleanza Territoriale Carbon Neutrality Siena.


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Asian Cultural Council
Alumni Events Around the World
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Gino Gonzales
2000 | Theater | United States
to complete a program of study in stage design leading to the M.F.A. degree at the Tisch School of the Arts, New York University
to continue a program of study in stage design leading to the M.F.A. degree at the Tisch School of the Arts, New York University, in 1999-2000
to begin a program of study in stage design leading to the M.F.A. degree at the Tisch School of the Arts, New York University
Badong: Salvador Bernal Designs the Stage
April 21, 2016 - July 2, 2016
Production designer and ACC Grantee Gino Gonzales co-curates "Badong: Salvador Bernal Designs the Stage" an exhibit about the life and work of his mentor, National Artist for Theater Design, Salvador Bernal.
Production designer and ACC Fellow Gino Gonzales co-curates Badong: Salvador Bernal Designs the Stage, an exhibit about the life and work of his mentor, National Artist for Theater Design, Salvador Bernal.
From: Philippines
To stay abreast of our grantees as they continue to inspire, aspire, extend their reach, and grow as artists in their own right, contact us.
Contact ACC


Office Assistant Resume Functional Administrative Template is just one of the many collections of pictures or photos that are on this website. you will get a lot of information about Office Assistant Resume Functional Administrative Template in here. We not only provide information about only, you will get a lot more references your Information of Cover Letter & CV Resume Ideas for your Find a Job. so keep visiting to All Best Cv Resume Ideas to get the latest information about Information of Cover Letter & CV Resume Ideas for your Find a Job and Office Assistant Resume Functional Administrative Template and more.


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James Arthur "Jim" Lovell, Jr. ()  un fost astronaut NASA  și căpitan în United States Navy, cunoscut în calitate de comandant al misiunii Apollo 13, care a suferit un eșec critic în drumul spre Lună și a ratat aselenizarea, dar a revenit înapoi pe Pământ în condiții de siguranță prin eforturile echipajului și al personalului de la sol. El a fost, de asemenea, pilot al modulului de comandă al misiunii Apollo 8, prima misiune Apollo care a intrat pe orbita lunară. Lovell a fost decorat cu Medalia de Onoare a Congresului pentru activități spațiale și cu Medalia Prezidențială pentru Libertate. El este unul dintre cei 24 de oameni care au zburat către Lună, primul dintre cei doar trei oameni care au zburat spre Lună de două ori și singurul care a zburat acolo de două ori fără a aseleniza. Lovell a fost, de asemenea, prima persoană care a zburat în spațiu de patru ori.

Note

Legături externe

NASA bio of Jim Lovell

Spacefacts biography of Jim Lovell

Nașteri în 1928
Astronauți americani
Aviatori americani
Oameni în viață
Eponime ale craterelor de pe Lună
Provocarea Apollo 11
Oameni care au călătorit spre Lună


	Metis Nation Governing Assembly will convene March 12th & 13th, 2016.
Home » Metis Nation Governing Assembly will convene March 12th & 13th, 2016. » Metis Nation Governing Assembly will convene March 12th & 13th, 2016.
Metis Nation Governing Assembly will convene March 12th & 13th, 2016.
Hilton Vancouver Airport Hotel, 5911 Minoru BLVD, Richmond, BC.
Contact Tracey Thornhill or call 1.800.940.1150 / 604.557.5851 by 4pm, February 12, 2016 to secure your accommodation and travel.


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class Wrake::InstallGenerator < Rails::Generators::Base
  source_root File.expand_path('../templates', __FILE__)

  def copy_initializer
    template "initializer.rb", "config/initializers/wrake.rb"
  end

  def copy_config_file
    template "wrake.yml", "config/wrake.yml"
  end

end

redpajama_set_name: RedPajamaGithub


The greater the degree of government involvement in the provision of a good or service the greater the price increases over time.
Over the last 12 years, I've probably created and posted more than 3,000 graphics on CD, Twitter, and Facebook including charts/graphs, tables, figures, maps and Venn diagrams. Of all of those graphics, I don't think any single one has ever gotten more attention, links, re-Tweets, re-posts, and mentions than the one above (and previous versions), which has been referred to as "the Chart of the Century." Here are some examples from earlier this year for the version of the chart with price data through December 2017.
Barry Ritholz has featured various versions of the chart three times on his Big Picture Blog here, here and here.
A multi-colored graphic that's made the rounds at the Federal Reserve hints at what Chairman Jerome Powell could face if President Donald Trump succeeds in throwing globalization into reverse: Higher prices for many goods and potentially faster inflation.
Plugged as possibly the chart of the century by economist and originator Mark Perry, it shows that prices of goods subject to foreign competition—think toys and television sets—have tumbled over the past two decades as trade barriers have come down around the world. Prices of so-called non-tradeable—hospital stays and college tuition, to name two—have surged.
A chart that has been making the rounds at the Fed from economist Mark Perry shows how falling prices for trade-sensitive things like TV sets and toys have helped offset rising costs for things like medical services, housing and education.
Based on yesterday's BLS report for CPI price data through June, I've updated the chart with prices for the first six months of this year. During the period from January 1997 to June 2018, the CPI for All Items increased by 57.4% and the chart displays the relative price increases over that time period for 15 selected consumer goods and services, and for average hourly earnings (wages). Seven of those goods and services have increased more than average inflation, led by hospital services (+216%), college textbooks (+204%) and college tuition (+191%). Average wages have also increased more than average inflation since January 1997, by 84%, indicating an increase in real wages over the last several decades.
Blue lines = prices subject to free market forces. Red lines = prices subject to regulatory capture by government. Food and drink is debatable either way. Conclusion: remind me why socialism is so great again.
b. Prices for manufactured goods (cars, clothing, appliances, furniture, electronic goods, toys) have experienced large price declines over time relative to overall inflation, wages, and prices for services (education, medical care, and childcare).
c. The greater the degree of international competition for tradeable goods, the greater the decline in prices over time, e.g. toys, clothing, TVs, appliances, furniture, footwear, etc.
I'll continue to update the price chart every six months, look for the next version in January 2019 with data through December 2018.


HELLO SISTERS! THERE ARE PEOPLE WHO PREFER SKETCHES MADE ON THEIR OWN SKIN.TAKE YOUR CHOICE!
Thanks very much for the re-blog! Love your site!
I am little lover of tattoos, but I'm appreciate the beauty of your art. Congratulations to the artist!


The NICE Cybersecurity Workforce Framework Mapping Tool is now available!
The NICCS Training Catalog provides a robust listing of cybersecurity and cybersecurity-related training courses offered in the U.S. The Training Catalog contains over 3,000 courses, with more courses being added every day!
The Cryptocurrency for Law Enforcement course is now LIVE on FedVTE!
Federal Virtual Training Environment (FedVTE) is a free online, on-demand cybersecurity training system for government personnel and veterans. Managed by DHS, FedVTE contains more than 800 hours of training on topics such as ethical hacking and surveillance, risk management, and malware analysis.


Eating is supposed to be satisfying. Yet many people suffer from damaged teeth that prevent them from enjoying their meals. Our restorative dentistry services in San Pedro will have you back to the table in no time and help you eliminate problems chewing.
If you're having a hard time chewing, I want you to come in, get a full exam by me. I want to know why. What's going on in your mouth that this is happening? Once we figure out what's going on and why you're having a hard time chewing, why it's uncomfortable, we'll go through the treatment options, different ways that we can fix your problem.
Don't suffer through another day of tooth pain. Call Shook Dental Care now at 310-982-6333 to schedule your appointment.
Cracked Teeth – We can help you stabilize and protect a cracked tooth from further damage with dental veneers or a dental crown.
Broken Teeth – Getting a broken tooth sealed is imperative if you hope to save it from a tooth extraction. Dr. Shook will place a beautiful dental crown to seal out bacteria and keep your tooth safe. This also lets you continue to use that tooth without pain.
Decayed Teeth – Cavities are common, but that doesn't make them any less serious. We'll make sure the decay is cleared from the tooth and that the tooth is repaired with a natural-looking dental filling that will perfectly match your smile.
Infected Teeth – If decay turns into an infection and is not removed, you can lose a tooth. Dr. Shook can perform a root canal to thoroughly clean out the infection and keep your tooth intact.
You also have multiple options for replacing missing teeth, including dental implants, dental bridges, and dentures.
If you're tired of missing out on favorite foods, our restorative dentistry services in San Pedro can help. Call 310-982-6333 today to make an appointment.


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Q: How do I format a string for use in an inline script rendered as HTML? I have the following properties string
GET 50% OFF ANY M'EDIUM OR L"AR"GE PIZZA!
I am using it in an HTML onclick markup like so
onclick="trackPromoCta(encodeURI(${properties.ctaTwoTextRight @ context='text'}));"
However this outputs invalid html. I tried @context of scriptString and that escapes but only for inside JavaScript not for inside HTML markup. I tried all of the other options as well and none of them actually escape special characters for rendering HTML.
I saw someone once use a @format to search the string for these characters and escape them for HTML but I can't find out how to use @format to do this.
The expected output should be
onclick="trackPromoCta(encodeURI('GET 50% OFF ANY M'EDIUM OR L"AR"GE PIZZA!'));"

A: Take a look at the HTL spec for display context: https://github.com/Adobe-Marketing-Cloud/htl-spec/blob/master/SPECIFICATION.md#121-display-context
What you need is scriptString since your string property will eventually be used as a javascript string literal.

${properties.jcr:title @ context='scriptString'}  <!--/* Applies JavaScript string escaping */-->

Also, you need to enclose your HTL expression with single quotes, for example:
var str = '${'this is a js string literla' @ context='scriptString'}'

The HTL code for you specific example would be:
onclick="trackPromoCta(encodeURI('${properties.ctaTwoTextRight @ context='scriptString'}'));"

A: The @context value "text", "html" or "attribute" will return encoded values in your resulting html. As per documentation too, text encodes all HTML special characters.
If you go through your html's code using "View Page Source" and not via "Inspect element of developer tools". You will see the expected outcome.
onclick="trackPromoCta(encodeURI('GET 50% OFF ANY M'EDIUM OR L"AR"GE PIZZA!'));"
Reference:
https://helpx.adobe.com/experience-manager/htl/using/expression-language.html

redpajama_set_name: RedPajamaStackExchange


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Home » Jazz Musicians » David F. Gibson
David F. Gibson
Philadelphia born musician Dave Gibson is paving his way toward that pantheon of jazz greats. Paying all the dues required to develop his prodigious talent. Gibson has earned an impeccable reputation in the jazz world. He's one of the rare drummers who can jump into any groove and swing or stretch out dynamically. His charisma on the bandstand further connects the audience to an experience of jazz as an entertaining and challenging American art form.
Music critic Chip Deffa, (The New York Post) says that "Gibson's drumming is strong and fluid and as satisfying as any drummer I heard in years". Music critic Jerry Carrier (The Philadelphia Daily News) says, "Gibson may be the ultimate Band drummer" His music credentials verify his outstanding rhythmic and melodic abilities. He has toured and recorded with The Count Basie Orchestra under the direction of Frank Foster. He worked directly with Joe Williams and the Frank Foster Non Electric Company and also The Diane Schuur Trio. His work in vanguard style includes guest spots with the Sun Ra Arkestra and the David Murray Big Band as well as other adventurous performances and educational projects.
Gibson earned a Bachelor of Music Degree from Temple University and is currently working on his Master of Music in Jazz Studies at Rutgers University. An active interest in Television media initiated a number of collaborations with producers of local Philadelphia programs including City Lights, Perspective and Sesame Street. He has recorded over 100 musical tracks for a religious cable show called Time of Deliverance. Living in New York City has resulted in numerous television appearances from CNN �" Entertainment to Jazz Festival coverage in America and abroad. Gibson's television involvement expanded to produce his own monthly cable access show �" Drummin' with Dave.
Gibson "passes the torch" by conducting clinics and workshops around the country and the world. In 1994 he formed a non �" profit organization, Collective Arts Services Inc. to help replace the diminishing music programs in our educational school system and secure grants for artists. It's important to expose our youth to music, as an alternative to life on the streets from musicians with experience.
four piece Stack set made by The Modern Drum Shop with Zildjian cymbals
David F. Gibson Drums
Willing to teach
Beginner to advanced
Credentials/Background
I teach all levels from Beginner to Advanced I have Classroom as well as private study experience
Message from Groove...
Arabesque Jazz
Instrument: Drums
Born: March 7, 1953
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We Are Proud to Fly the Flag for Our Veterans
November 15, 2019 | Categories: Blog, Veterans
As we consider the young men and women who have fought for our freedom throughout the years, whether overseas and protecting our borders at home, the words "You're a grand ole' flag, you're a high-flying flag" take on special meaning. As Americans – and as people from Indianapolis and Zionsville – our caring team at Simplicity Funeral & Cremation Care are so proud of what our country stands for, proud of the accomplishments our countrymen have achieved, proud of the brave men and women who have fought for our rights, and proud to live in a land that is free.
Our nation's flag is the symbol of these freedoms and achievements. Whether it is on your storefront or on your front door, an American flag can demonstrate your patriotism for our country. As November 11th is upon us, it is easy to pull out a flag and show our neighbors and friends our American spirit, but keep in mind, it takes more to wave the flag high all year long.
Respecting the Stars and Stripes
Are you aware of the proper flag etiquette? It is important, as Americans, to follow the rules for handling and displaying the flag. Do you know them?
You should never let the flag touch the ground.
It should be taken inside at sunset, unless it has a light shining on it.
The raising and lowering of the flag should be done in a quick, efficient manner.
Once the flag is down it should immediately be folded and put away.
A flag should be replaced once it becomes faded, tattered, or torn.
The old flag should be disposed of in a respectful manner. While there are several ways to respectfully dispose of the American flag, the most common method is burning it in a special ceremony.
Honoring and Remembering Our Veterans
Our funeral home has a long focus on honoring those who have nobly served our country and passed away. At no additional cost, a United States burial flag will be provided and draped on either a casket or urn alongside a veteran. The flag is given as a keepsake to the next-of-kin following the funeral or memorial service.
At Simplicity Funeral & Cremation Care we also can honor veterans by incorporating a flag ceremony into the funeral. At your request, we will arrange American soldiers to present a loved one with a folded American flag in appreciation from the president and all the citizens of the United States for the deceased's service for this great country. This touching tribute allows everyone to recognize the deceased's bravery and remember their accomplishments, while also giving loved ones a very special treasure by which to remember the deceased. This flag can then be placed in a glass case to display at home with other memorabilia from that unforgettable person's life.
There are other ways you can highlight military accomplishments in their funeral service – it might be displaying their uniform at their visitation, showing photos of them from their military days in a video tribute, or having a special memory table incorporating mementos such as awards, honors, or other items from their time in the service.
Contact Simplicity Funeral & Cremation Care when it's time to honor your veteran, or if you are a veteran and would like to put all of your funeral plans in place ahead of time.
And remember that all Americans have the amazing opportunity to display their patriotism by flying the flag high and proud.
"And forever in peace may you wave."
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We provide accommodation at highly competitive rates. Roof Top terrace providers relaxing environment, where you can enjoy views of the mighty Himalayas such as Mt. Ganesh Himal & Langtang etc. The famous Swayambhunath stupa and various monasteries which dot the hilltop of Kathmandu valley. Be an additional luxury for you to indulge in the shake of the load you to smart under the elevate your mood and spirit in the genuinely informal atmosphere at Kathmandu Peace guest house. The unique experience and that you will long remember the genuine Nepalese hospitality from our friendly staff as well as their homely atmosphere.


Decimal numbers are important because people use them in their day to day life in various situations, such as looking at temperature and humidity on a particular day, glancing at price tags while shopping, reading the digital blood pressure monitor or analyzing their favorite basket ball match. The decimal system is a way to express large and small numbers by utilizing the decimal point. But decimals are not quite handy in many real life situations. For instance, if you want to fabricate a bench, you might need to have it five feet three and a half inches long (5' 3 1/2"). Assuming that you cut the wooden board bit longer and your supervisor asks to cut off an eighth of an inch, being good at fractions in that situation would make it easier to comprehend the instructions. In making strong foundations for basic mathematics, we need to have strong walls. Algebra serves the purpose of those walls that keep the roof of mathematics lifted up. And if the math house is to have a sustainable roof in the future, it needs a really strong algebra. And for algebra to be strong you need to be good at fractions. Academically, almost all sorts of tests have a large portion of questions from the topic of fractions. Apart from academics, fractions and applying different arithmetic operations on them, are an essential part of our daily lives. Let it be dividing a cake pie or making up space by separating a large room, where ever be the need for division, without the skill of fractions things would get messed up.
To multiply two fractions, we multiply the numerators to get the new numerator and multiply the denominators to get the new denominator. Then the final step involves the simplification of a fraction, in case they are not in their lowest terms. When multiplying a fraction with a mixed number or multiplying two mixed fractions, the first step is to change the mixed fraction into an improper fraction. Then simplify the terms if possible, and the same process of multiplying the numerator by the other counterpart and denominator from the other one is performed. Finally, simplify and put the result in simplest terms if applicable.
The practical implication of multiplying fractions can be observed in the fields of construction, map scaling, surveying, salary payrolls, house hold jobs such as cooking, distance and volume calculations, family budget estimation, etc.
For instance, a family uses 1/3 of its monthly income for housing and utilities on average. If the family's monthly income is $100, what is spent on housing and utilities? What amount remains? Evaluating the result would be really easy and fast if one is familiar with fractions. The family's income is $100. So as stated in the problem, it spends 1/3rd on housing and utilities. Therefore '$100 / 3' i.e. ~$33 are spent. The remaining amount can be calculated by subtracting the spent amount from total income. That comes out to be as $100 - $33. The remaining amount would be $67 on average. Hence the skill of multiplying fractions comes in as a handy tool in solving day to day mathematical problems quickly.


Your heating and cooling equipment is essential for maintaining year-round comfort. At Meyer Oil Co. in Cleona, Pennsylvania, we offer heating equipment maintenance and air conditioning repairs to keep your units working longer and more efficiently.
The best way to keep your equipment running at peak efficiency is preventative heating equipment maintenance. For your peace of mind, we offer Heating Service Agreements. As part of the Heating Service Agreement, our technicians will inspect and tune up your heating system for you. The agreement is designed to cover annual preventative heating equipment maintenance, as well as emergency services that you may need throughout the year.
Your oil-fired water heater provides all the hot water you need at an affordable cost. Ask about our water heater service agreement option, which includes annual preventative maintenance at the time of your heating system check-up, plus emergency service 24 hours a day, 365 days a year.
We also offer a $1,000.00 tank protection program credit toward fuel oil tank replacement in the event of tank failure for qualifying oil tanks. Please call us for further information.
Trust our EPA-certified technicians for air conditioning repairs and installations. For your added convenience, we offer free estimates to replace your existing unit or add air conditioning to your home.
Our services don't stop with just air conditioners and heating systems. We also install gas log fireplaces and mantels. At 99.9% efficient, the vent-free slope glaze burner delivers more heat for your energy dollar and produces a natural flickering flame you can operate with a remote control.


text:
The UK's rarest coins in 2014
August 29, 2014 August 7, 2015 by Dan Oliver
Do you have a rare coin in your pocket? Ever since the news that the 2009 Kew Gardens 50p is the rarest UK coin design in circulation, there has been an increase in interest in the mintage figures and rarity of the coins that are currently in circulation. There are over 100 different coin designs in circulation, 98 of which make up The Great British Coin Hunt, and with mintage figures largely driven by demand from banks and cash centres, some are certainly rarer than others.
Click here to download the Wall Chart
Rarity is based on the mintage figures of United Kingdom decimal coins in circulation at 30 June 2014.
The 2009 Kew Gardens 50p leads the charts with a mintage of only 210,000. It is followed in second, third, fourth and fifth by four 2002 £2 coins. In 2002 four £2 coins were released to mark the 2002 Commonwealth Games in Manchester. Based around the same core design, the coins are differentiated by the flags of the four constituent parts of the United Kingdom. The 2002 Commonwealth Games £2 with a Northern Ireland flag is the second rarest coin design in circulation with a mintage of 485,000. Third is the 2002 £2 coin that features the Wales flag, with a mintage of 558,500. Fourth is the 2002 £2 with the England flag, with a mintage of 650,500, and finally in fifth is the 2002 £2 with the Scotland flag with a mintage of 771,750. The rarest £1 coin, and ninth in our top 20, is the 2011 Edinburgh £1, which has a mintage of 935,000.
What's the rarest circulating coin in your collection? Or how many of our Top 20 have you found? Let us know by tweeting using #coinhunt, or post a picture on our Facebook page. And keep on filling those collector albums!
29 Weeks of British Olympic and Paralympic sports – Week 26: Weightlifting The Weightlifting 50p was designed by Rob Shakespeare. Rob, a police officer from Manchester, designed the coin because of his love of the sport. The inspiration for this design was from […]
The Great British Coin Hunt is growing! The Great British Coin Hunt began during the London 2012 Olympic games, when collecting coins from change became a sport in itself. In total, 29 50p coins - each representing an Olympic […]
Gladiators to Glasgow: A history of sport on coins
Victoria to Elizabeth Penny by Penny


Hand in found items to the lost property office, so that lost mobile phones, glasses, ID cards, bags etc. can be returned to their owners. If you have lost something, get in touch with the local lost property office. If you don't find it, you can hand in a loss report.


A group of leading economists is urging the Irish government to ditch its "bad bank" plan in favour of a temporary nationalisation of the financial sector.
In an opinion piece in The Irish Times, 20 of Ireland's leading academic economists argue that the government has got it badly wrong.
"In normal circumstances, none of us would recommend a nationalised banking system," they wrote. "However, these are far from normal times, and we believe that in the current circumstances nationalisation has become the best option to the government.
"Furthermore, we explicitly recommend nationalisation only as a temporary measure. Once cleaned up, recapitalised, reorganised with new managerial structures, and potentially rebranded, we recommend that the banks be returned to private ownership."
The news came as Moody's credit ratings agency warned it could cut Ireland's triple-A rating within the next three months as the country's debt levels are set to soar. Standard & Poor's and Fitch, the other two major ratings agencies, have already downgraded their ratings on Ireland's sovereign debt.
Moody's said: "Should Moody's come to the view that Ireland will emerge from the crisis with relatively weak growth prospects and a much higher debt burden for the foreseeable future, Ireland would be downgraded to the mid to high Aa rating range."
Ireland's historically low debt levels could surge to 100% or more of GDP next year, compared with 41% last year, under the government's plans to cleanse the banking sector of bad property loans.
Last week Dublin announced what will be the first nationwide "bad bank" plan in Europe since the financial crisis started two years ago, with the creation of an asset management agency to take over toxic property loans with a book value of up to €90bn (£79.5bn). The government has said it will buy the loans at a substantial discount, and Dublin could end up taking majority stakes in some lenders to boost their capital ratios.
The group of economists said the government was grossly underestimating the scale of losses at the country's banks and could end up overpaying for land and development portfolios.
"We see nationalisation as being the inevitable consequence of a required recapitalisation of the banks done on terms that are fair for the taxpayer," they said.
"With €90bn in loans to be purchased, the consequences to the taxpayer of overpaying for bad assets by 10% to 30% are truly appalling. To put these figures in perspective, the effect in a full year of the budget measures taken last week was to save the exchequer €5bn," the economists said.
Last week, Dublin unveiled its second emergency budget in six months, but even with a slew of tax hikes and some spending cuts, it is still facing a shortfall this year and next equivalent to 10.75% of GDP, which is more than three times the EU's limit.
At Moody's a senior analyst, Dietmar Hornung, said that his firm's warning on Ireland's sovereign rating "reflects the severe economic adjustment taking place in Ireland, which threatens to undermine the country's low-tax, financial services-driven economic model. Ireland has lost both economic and government financial strength relative to its AAA peers over the past year."


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Essays, Manifestos, Statements, Speeches, Maxims, Epistles, Diaristic Jottings, Narratives, Natural histories, Poems, Plays, Performances, Ramblings, Revelations, and all such ephemera as may appear necessary to bring society into a slight tremolo of confusion and fright at least.
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Island of the Dead
Jean Frémon
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The various characters who inhabit Paris's Jardin des Plantes share their researches and knowledge with one another, just as they share petty jealousies, admirations, and dislikes of each other. Through the eye of the unnamed narrator, Frémon creates a world of what often seems like random bits of knowledge, but is, in fact, an interconnecting skein of ideas—philosophical, scientific, religious, and literary—that questions and searches out the meaning of everyday life and, just as importantly, how each of us experiences it. Or, do we experience it? Are we each lost in our own conception of things? With wit, humor and profound sense of intellectual curiosity, Frémon explores just these issues.
Jean Frémon is the author of numerous works, including Le jardin botanique (The Botanical Garden), La Vraie nature des ombres, Le Singe mendiant, L'Exhibition-nisme et sa pudeur, and, in English, Painting (1999).
Also by Jean Frémon:
The Botanical Garden [978-1-55713-411-0], U.S. $13.95
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Fridays on the Fly | Drink Beer. Tie Flies. Socialize.
Southeast breweries are popping up left and right, and we aren't upset about it. So, a few of us fisher-people decided we'd come up with a way to get people together, learn about fly tying, and drink some awesome locally brewed beer.
Every Tuesday throughout winter Headwaters Outfitters and Flymen Fishing Company host a tying night at Brevard Brewing Company located in downtown Brevard, N.C. at 7:00pm. This free tying night allows beginners and experts to come have a few beers, socialize, and learn a thing or two about tying flies. We offer all of the materials and can provide additional vises for folks just getting into the sport. We have "open tie" nights when we all come up with our best tie or we have "instructor" nights where we've got a designated fly that we're all learning how to tie. All ages are welcome. If you're interested and have all of the stuff you need, come on down. If you're interested and are in need of loaner vises or tools, shoot Jessica an e-mail at Jessica@headwatersoutfitters.com so we can bring some extra stuff along for you.
Brevard isn't the only place where you can go to a fly tying night. Every Tuesday of January and February Davidson River Outfitters hosts a tying night at Catawba Brewing Company off of Banks Avenue in Asheville, NC. This weekly social gathering starts at 6:30pm and is for all levels of tiers from beginners to experts. This is also a free shindig but a beer purchase is recommended to attend. For more information contact Jeb Hall at jeb@davidsonflyfishing.com or come check it out for yourself.
This is something every fly shop and brewery could partner up and do. It's an incredible way to bring new people into the sport of fly fishing by learning how to tie their own flies and bring folks into a local business during their slow winter months. We've had folks travel hours just to come to one of these nights because they aren't offered in their own towns.
It's a simple idea that creates not only a following of newcomers to the sport, but an incredible social atmosphere where everyone is relaxed, eager to learn and enjoying life. We urge you to take the initiative to create something like this in your own town and continue spreading the love of fly fishing through education. And beer.
Abbi Bagwell is the business operations manager for the Brevard, North Carolina-based Flymen Fishing Company. Follow her fly fishing adventures on Instagram and Youtube.


I basically turn my nose up at many reality TV shows, but I am a total sucker for The Biggest Loser, (and also Top Chef).
This season of Biggest Loser started out in a really uplifting and heartwarming way. People on this season were "the biggest ever," meaning some upwards of 400 lbs. But everyone seemed to be earnestly working hard and rooting for each other. There was a hint of Bad Attitude before, but last night it really hit the fan. It was so bad. People fighting and screaming and such. It was really unpleasant.
I have been most interested in the medical aspects of this show; the guys on the Black team who don't look SO bad, until you look at their body scans. The doctors present their transparent body scans next to one of a "normal" body. They point out the enormous pockets and layers of fat, and this one guy whose lungs have been pushed up into the shape of orange slices, rather than full length lungs, because he has so much abdominal fat pushing up from below.
This is something I have long been afraid of: that if somebody opened up my body and removed my heart, it would be this slippery butterball. And that the truth about my diet will be out.
I guess the blood test was one way that I got a little insight into my insides. Which was a hard truth.
Anyway, 3 weeks into The Biggest Loser, the guy with no lungs goes back to the doctor and the doc gets rid of ALL OF HIS MEDS (10 pills per day) except one (he didn't say which one). I was rather shocked at that. Was he really at normal levels for EVERYthing after 3 weeks, or was that doctor practicing really irresponsible medicine?
Speaking of medicine. I am taking a certain drug, Lisinopril, for my high blood pressure. One of the side effects of this medicine is a tickly, dry, super annoying cough. Last night I feel like I was coughing all night. I have had this cough for over a year. Before, I was on something called Diovan, which had NO side effects, but my health insurance changed, and suddenly Lisinopril was $3/bottle while Diovan costs $90. It's not rocket science, but it's annoying.
Anyway, I hope that if I can lose enough weight I can stop taking this BP medicine altogether, and my cough will go away.
Some nice news: I have lost about 4-5 lbs since last week.


There is a simple way for those of us who may be "artistically challenged" to produce inlaid furniture, jewelry boxes, canoe decks, trays, etc. with a modest investment in equipment and materials, in a reasonable period of time, and with eye-pleasing results. I have no formal training in making inlays, but have found a method which works for me. I showed this method to a friend who is a shop teacher; he now has students as young as ten incorporating it into their school projects with excellent results. My method is adaptable, user-friendly within limits and forgiving of minor cutting errors. Even novices can produce great looking marquetry.
Tom Pawlak captured this shot of Witham's marquetry at the Small Craft Builders' Rendezvous in peterborough, Ontario last summer.
The most challenging part of traditional inlay is cutting pieces that fit together within high tolerances. In contrast to the window method commonly used for marquetry, I accomplish this by cutting both the inlaid piece and the cutout in the background wood at the same time. In the window method the design is drawn on a waste sheet of veneer, then selected parts of the design, or "windows" are cut away from the sheet. Choice sheets of veneer are then placed under the windows to reveal the best color and grain placement. The shape of the hole is marked through to the selected veneer and cut to fit the window.
I use an entry level scroll saw that cost about $150 a few years ago, with a 16″ throat equipped with fine 00 blades. On a given project I might go through as many as a dozen fine blades, but at $5 a dozen, cost isn't a big concern. The blade specifications vary, but might go something like this: width .026″, 28 TIP, thickness .011″—this particular one is an Olsen 440R reverse tooth blade, but others could also be used.
I've found that wood species/density and thickness play a big part in determining ease and accuracy in cutting, and also affect how many blades break in the process. Because I do most of my inlay in hardwood, and my planer will take wood down only to about 1/8″ thick, that's the thickness of most of my work.
I laminate the finished inlay onto a backing material like Baltic birch plywood to provide strength and thickness. If both surfaces of the work are to be visible, such as in a jewelry box top, I laminate another piece of the background wood on the bottom to make a sandwich with the fancy woods on the outside and the plywood in the middle.
For some canoe decks I've made the inlaid piece for the top layer, then laminated it to homemade plywood made from ¼"-thick layers of cedar strengthened with fiberglass and epoxy (with successive layers having the grain oriented at 90° from adjacent layers). This results in a light but very strong deck, with the inlay on the top in a highly visible location.
To create the inlay you need a pattern. Many of my pieces are given as gifts, with the recipient's name or initial inlaid in a contrasting wood. I've also used lettering for significant dates, for a wedding gift, for instance. For this type of pattern, I use a computer graphic program to produce the letters and numbers. To create my pattern, I print out whatever I want to inlay on regular computer paper. Other sources of patterns could be pictures, photos, children's coloring books, hand-drawn designs, letterset or newspaper headlines. The only limiting factors are your imagination, and patience in cutting out whatever form might take your fancy.
I spray the backside of the pattern with spray adhesive (available at craft stores) and stick the pattern on my inlay piece of wood which has been planed to thickness, say a nominal 1/8″. Follow the instructions for "permanent bonding" on the spray adhesive; this keeps the pattern from separating from the wood during cutting. Later, you can remove the pattern and residual adhesive with a little lacquer thinner and elbow grease.
With the pattern adhered to the inlay piece, use double-sided carpet tape to affix the inlay piece to the background wood. This wood should be roughly the same thickness as the inlay piece, say a nominal 1/8″ thick. Now you'll have a unit consisting of two contrasting wood pieces topped with the paper pattern. Take care to ensure the inlay is positioned accurately on the background piece. I usually make the background piece oversized to allow for trimming to final dimensions after the inlay is glued in place.
The scroll saw is setup with light and magnifier.
The "ap" has been cut out with the two layers separated.
To cut out the inlay, drill a 1/16″ hole through all layers at the edge of one of the inlay marks on the pattern. With the scroll saw blade attached under the table, feed the blade through the hole and attach the top of the blade to the top arm of the saw. Cut out the inlay following your pattern. When completed, you have cut out a two-layered piece: your inlay wood on top, and the background wood on the bottom. You still have your background piece, now with a cutout in it. Carefully separate the two layers, then drop the inlay into the background piece. Now you have your contrasting inlay. Because you have to cut through both layers in the same cut, the inlay must match up with the shape of the "hole" created in the background wood. Next it's a matter of gluing the inlay into the background color.
To facilitate gluing a number of pieces, some of which may be quite small, you need a glue with a long "open" time. In addition, the glue should provide good gap-filling qualities and accept coloring to match to the work. After experimentation, I settled on WEST SYSTEM® Epoxy (which I use for coating strip-built boats) because it has the best combination of these features.
When I'm ready to glue an inlay I cover my working surface with waxed paper and arrange all my supplies: background inlay pieces, small cup for mixing the epoxy, epoxy resin and hardener, nitrile or latex disposable gloves, mixing stick, small artist's brush, lacquer thinner, paper towels, two pieces of ¾" plywood slightly larger than the workpiece, waxed paper, clamps and matching sawdust(s).
WEST SYSTEM 407 Low-Density filler is dark red-brown and 410 Microlight® is a light tan color. I do a lot of inlays using dark woods for the inlaid pieces—walnut, cocobolo, ziricote, etc., into a light-colored background like Birdseye maple. In cutting out the inlay in this case, I may favor the background color at the expense of the piece to be inlaid, and make up for minor imperfections in cutting by using the 407 Low-Density filler and walnut dust for coloring. The colored epoxy will match well with the inlay, and as long as your eye follows a smooth line along the contrast between the walnut/filler and maple, minor errors aren't noticeable. If the background was dark and the inlay light, I'd reverse the options, favoring the dark background during cutting, then using the 410 Microlight filler and other pale dust to color the epoxy to match the inlaid piece. It is possible to use different mixtures at different places on the same workpiece if you need to color one dark and another light in order to mask imperfections in your cut pieces.
To start, I mix the WEST SYSTEM 105 Resin® and 207 Special Clear Hardener® in the proper ratio. Using a small artist's brush I paint the mixed epoxy on all mating surfaces of the inlay piece and the "hole" in the background wood. At least two sides of each part will be end grain, which tends to soak up much more epoxy than face or side grain, so after letting the epoxy soak in for a few minutes I apply a second coating. If the end grain absorbs this too, I repeat with another coat or two until the end grain cannot absorb any more epoxy. At this point, I thicken the epoxy mixture with 407 Low-Density or 410 Microlight filler and the appropriate colored sanding dust. A small putty knife or plastic glue spreader is useful for packing the thickened epoxy mixture into the saw kerf to fill any gaps. I try to remove any gross excess of this colored mixture from the surface, using a paper towel moistened with lacquer thinner, but don't fuss over every tiny bit because the surface will be sanded smooth after everything sets.
To ensure everything lines up, I clamp the workpiece between the two pieces of ¾" plywood covered with waxed paper and leave it to set overnight. For larger workpieces I use larger pieces of plywood, put them on my workbench and weigh them down with a cement block, a jug of water or whatever is handy and heavy.
After the workpiece has set overnight, I remove it from the sandwich of plywood and weights/clamps and sand the face reasonably smooth with a random orbital sander to 120-grit. Usually this reveals some gaps where the epoxy mixture didn't quite fill the kerf. If so, I mix another small batch of epoxy and color it with fillers and/or sawdust to match, then fill in any remaining gaps and let it set.
After sanding the face again, this time to 220-grit or more, I laminate this thin (1/8″ thick) workpiece to a backing piece to provide strength and stability. Baltic birch plywood is reasonably resistant to changes in moisture, especially in the thicker pieces. For small pieces like trays, or if both sides are going to be visible I usually laminate another piece of the background wood to the bottom of the plywood. Having a sandwich with both outside layers of the same type and thickness of wood helps ensure that any seasonal changes in moisture absorption or release happen at the same rate in top and bottom layers, avoiding warping the finished work.
A beautiful example of a completed jewelry box with inlaid top.
1. Use background wood and inlay wood of the same thickness, or have the inlay slightly thicker. If the background piece is thicker than the inlay, the inlay may be recessed, requiring an undue amount of sanding to get everything to level again. It's usually much easier to sand a proud inlay down to level with the background than vice-versa.
2. Good light and magnification help during the cutting process. I use an inexpensive clamp-on lens/light and remove my bifocals to be able to focus through the lens onto the cut.
3. Make changes in cutting direction gradually; avoid sudden changes except at corners. Watch the blade carefully and slow the feed rate while you make gradual corrections if you see the blade drifting off the line of your pattern.
4. When cutting a pattern with shapes within shapes (inside of letters like A or O, or islands in lakes, etc.) always cut out the smallest shape first. That way, you still have the larger piece to hold onto and guide through the saw.
5. You can cut pieces larger than the throat dimension on the saw if you do them in sections then glue them back together. For example, I cut the deck of the Stony Lake Skiff by arranging the image on a lamination in the ash so the entry point for the first cut started right at the lamination before gluing that panel to the rest, and the cut continued across the north shore (i.e., top) of the lake. This allowed me to cut the long dimension from the rest of the work, leaving a piece of manageable size. I then cut out the rest of the islands and the south shore. After completing all cuts, I reassembled the pieces and side laminations and epoxied them together.
6. Multiple species of wood can be used in the inlay if you start with one species and the background wood. After you complete this cut, place the inlay in the background and repeat the process for the second species, etc. In this way, it is possible to build any number of species, and therefore colors and grain patterns, into the inlay.
7. Adding photocopier toner or WEST SYSTEM 423 Graphite Powder will darken an epoxy mixture. Use it to fill a kerf to produce a fine black line—for example, to replicate a kite string. The addition of white flour to a mixture can be used to lighten the final color.
8. For lettering, a script/handwriting font requires fewer holes to be drilled as entry points for the scroll saw blade as opposed to a font using individual letters. Drilling a 1/16th hole at an obvious turnaround spot (like the serif tail of a letter) facilitates making a clean change in direction with the scroll saw blade.
9. It can be easier to hide a drilled entry hole in dark wood filled with dark filler than in light wood filled with light filler. As the wood increases in darkness, subtle differences in shades of "dark" become more difficult to differentiate.


Please visit our Open House at 205 15035 THRIFT AVE in White Rock.
Seller has transferred, bring your offer - GROSVENOR COURT, GORGEOUS DECOR, CORNER UPDATED PRIME SOUTH EAST CORNER with view of ocean down the street. Bright and adult oriented (19+) security conscious and featuring 2 bedrooms, 2 full baths, insuite laundry room and storage. Balcony off the open plan living room and windows all around. Beautiful kitchen stainless appliances, and open pass through to dining area. Corner suite offers the feel of a house, with windows for light, and cozy fireplace. Lots of storage in the unit. Shows beautifully! Only a few steps to White Rock shopping and amenities. And enjoy the fabulous beach lifestyle of White Rock, in the best up hill location. See virtual tour.


We have been working really hard in the Hedgehogs' class this week.
After our visit from James, we investigated different animals that live in the Amazon Rainforest. In our topic lessons, we have looked at grouping animals into different categories; mammals, fish, insects, amphibians, bird and reptiles. The children loved learning about unique animal that they have never experienced before and putting them into groups based on what they looked like. Next week, each child will choose an animal and write a fact file about that animal.
In our English lessons, we are rehearsing and imitating the recount of "A Day at the Zoo". There are many zoo animals in the recount so we are using a lot of actions to portray the animals. We have created a story map of the "Day at the Zoo". We have also looked at the conjunction 'but' and how we can use it in our writing. Next week, we will be innovating our recount by changing one element of the story.
In our Maths lessons, we have looked at addition up to 20. We have looked at how we can add a one digit number to a two digit number using the number line, a part whole model and a bar model. Next week, we will be looking at subtraction of numbers up to and from 20.
Our visit from James was a special treat and we thoroughly enjoyed our time with him and his unique animal friends. Information and photographs can be found on the Hedgehog homepage.
Great second week back Hedgehogs!


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A film still from this movie was used as a 2022 backdrop.
Still features:
Jean Gabin
La Grande Illusion (also known as The Grand Illusion) is a 1937 French war film directed by Jean Renoir, who co-wrote the screenplay with Charles Spaak. The story concerns class relationships among a small group of French officers who are prisoners of war during World War I and are plotting an escape. The title of the film comes from the 1909 book The Great Illusion by British journalist Norman Angell, which argued that war is futile because of the common economic interests of all European nations. The perspective of the film is generously humanistic to its characters of various nationalities.
La Grande Illusion is regarded by critics and film historians as one of the masterpieces of French cinema and among the greatest films ever made. Orson Welles named La Grande Illusion as one of the two movies he would take with him "on the ark." In 1958, the film was voted number 5 on the prestigious Brussels 12 list at the 1958 World Expo. In 1995, the Vatican included La Grande Illusion in its list of 45 "great films" under the category of "Art." Empire magazine ranked it #35 in "The 100 Best Films Of World Cinema" in 2010.
https://en.wikipedia.org/wiki/La_Grande_Illusion
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Influences on Morrissey - Film and Television
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Who is Global Exchange Vacation Club "GEVC"?
GEVC is one of the most versatile and flexible vacation ownership products in the industry and was created by a national developer with over 35 years of vacation ownership experience. GEVC entered into a strategic alliance with RCI Points to offer you choices in affordable luxury global vacations. GEVC gives you the opportunity to enjoy the travel and vacation getaways of your dreams.
How do I take a tour?
If you would like to explore the opportunities GEVC provides, give us a call so we can arrange an appointment time to preview our state of the art system. There are a limited amount of seats available so make sure to call sooner than later.
With GEVC Powered by RCI Points, is it just a membership (like at a Country Club) or do I really own something?
As a Member of GEVC, the Membership and Points you purchase are backed by Real Estate acquired for the Club, with a policy of Title Insurance from Stewart Title Guaranty Company. Your Membership is in perpetuity.
Our Vacation Club membership provides our Members with greater flexibility. Unlike traditional timeshares that often provide a deed of ownership to one resort, our vacation club offers our members a choice in customizing the length of vacation time, size of accommodations and when or where they wish to travel each year.
How is GEVC Powered by RCI Points different from any other timeshare programs?
With our state of the art access program, we provide our Global Exchange Vacation Club members with more flexibility and choices in travel for global vacations. With our vacation club membership, we provide you with unlimited access to affordable luxury accommodations all over the world.
Based on your date of purchase, you are assigned a date at which time your membership will be activated. As a member you can look forward to luxury vacation experiences every year.
Yes, there are blackout dates and other exclusions regarding the premiums or gifts that are given for attending a presentation. There are no blackout dates or exclusions for timeshare owners.


Chandra is warm. Caring a sweet, she had me so excited to share her wedding with her in about half an email. One of my favorite parts of this whole "industry" is meeting these brilliantly happy people and getting to be a part of this absolutely wonderful part of their early lives together.
Thanks for being so good to each other you two! Cannot wait for your wedding!!


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Norfolk parent accused of felony child abuse to serve 10 years behind bars
Posted 1:44 pm, March 22, 2019, by Web Staff
Robert Griffis is charged with felony child abuse, felony child neglect and malicious wounding.
NORFOLK, Va. – Norfolk man Robert Griffis, accused of playing a role in the May 2017 death of 2-year-old Evalynn Arnold, was sentenced Friday to a total of 10 years in prison.
Griffis, the fiancé of Arnold's mother Destiny Martin, faced child abuse and malicious wounding charges in the child's death. He claimed to be one of Arnold's sole caretakers.
Court documents show that Griffis denied having anything to do with Arnold's injuries, which included facial bruises, lost teeth, head trauma and brain swelling, in recordings taken from the Children's Hospital of the King's Daughters. The recordings show Griffis becoming more and more agitated, eventually punching the interrogation room wall, according to court records.
Testimony from inside the court said that Griffis showed no emotion during his trial, even when pictures of the child's injuries and final hours in the hospital were shown to the jury.
A judge gave Griffis three sentences, two of 10 years and one of five years, to be served concurrently.
Martin pleaded guilty in August 2018. She was originally charged with child neglect, but was given a lesser charge of contributing to the delinquency of a minor and served no jail time.
Topics: Child abuse, evalynn arnold, Robert Griffis
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> Lexique stratigraphique
Churchill ProvinceTranslation of original French
Last modified: 23 October 2020
Geological Evolution
The Churchill Province was defined by Stockwell (1961) as a tectonic province of the Canadian Shield. This definition included the northern portion of the Ungava Peninsula, the Ungava Orogen, and the Southeastern Churchill Province (SECP), located in NE Quebec and Labrador, between the Superior and Nain provinces. Hoffman (1988, 1990) proposed that the Ungava Orogen correspond to an extension of the Trans-Hudsonian Orogen, while the amalgam of Archean rocks located in the centre of the SECP would have an affinity with the Rae Province.
The Trans-Hudsonian Orogen was subsequently identified as a large, continuous zone affected by a tectonometamorphic imprint caused by collisions that occurred between 1.83 and 1.80 Ga (Lewry and Collerson, 1990; Corrigan et al., 2009), resulting in the New Quebec and Torngat orogens being included. The term "Core Zone" is introduced by James et al. (1996) to define a central zone that is composed of an amalgam of Archean rocks remobilized in the Paleoproterozoic, and some of which would have an affinity with the Superior and Rae provinces. St-Onge et al. (1998) subsequently demonstrated that an E-W segment of the Trans-Hudsonian Orogen extended into southern Baffin Island, thereby negating any possible connection between the Rae Province and the Core Zone. The term "Southeastern Churchill Province (SECP)" appears to have been first used by James et al. (1996). It has been included in several subsequent publications, including the regional synthesis of Wardle et al. (2002).
Various names were used to describe the Trans-Hudsonian Orogen segment at the northern end of the Ungava Peninsula: Cape Smith Orogen (Hoffman, 1988), Ungava Trough (Lamothe, 1994), and Ungava Orogen (St-Onge et al., 1992a, b; Lamothe, 2007).
The Churchill Province borders the Superior Craton. It outcrops in NE Quebec and on the northern tip of the Ungava Peninsula. The SECP straddles the Quebec-Labrador border. It is 415 to 615 km long by 250 to 380 km wide, in a NNW-SSE general orientation. It is bordered to the west by the Superior Province, to the east by the Nain (North Atlantic Craton and Burwell Lithotectonic Domain) and Makkovik provinces, and to the south by the Grenville Province.
The Ungava Orogen is located in the northern Ungava Peninsula. It stretches nearly 300 km from the Hudson Bay in the west to the Hudson Strait in the north and east. To the south, it is limited by the Superior Province.
The Quebec portion of the Churchill Province is part of the Trans-Hudsonian Orogen, an area affected by a continuous tectonometamorphic imprint and caused by collisions that occurred at ~1.9 Ga to 1.8 Ga (Lewry and Collerson, 1990; Corrigan et al., 2009). These collision zones surround the Superior Craton and bind together smaller cratons, such as the North Atlantic Craton. Asymmetric geometry recognized by Hoffman (1988) is common to the different segments of the Trans-Hudsonian Orogen. It includes fold and thrust belts composed of weakly metamorphosed supracrustal rocks, as well as a hinterland of Archean crust, highly remobilized in the Paleoproteozoic, and magmatic arcs. This general pattern is found in both the SECP and Ungava Orogen.
Southeastern Churchill Province
The SECP consists of several lithotectonic blocks of different origins that have been amalgamated during the Trans-Hudsonian Orogen. In the SECP, this event can be broken down into two successive transpressive orogens, the Torngat in the east and the New Quebec in the west (Wardle et al., 2002).
The central portion between these orogens, defined as the Core Zone by James et al. (1996), was previously roughly subdivided into domains by different authors, with no systematic synthesis across the SECP. Following geological surveys the Ministère between 2009 and 2017, Lafrance et al. (2018) propose a subdivision of the SECP into six lithotectonic domains, which are from west to east: the Labrador Trough and the Rachel-Laporte, Baleine, George, Mistinibi-Raude and Falcoz lithotectonic domains.
The Labrador Trough is a metamorphosed volcano-sedimentary belt (greenschist to amphibolite facies) of Paleoproterozoic age (2.17-1.87 Ga), folded and overthrusted on the Superior Craton during the New Quebec Orogenesis. It extends over a length of >850 km, from the Grenville Province in the south to the Ungava Bay in the north. Contact with the Superior Province in the west is mainly represented by the Maraude Fault. Contact with the Rachel-Laporte Lithotectonic Domain, in the east, is rather marked by various echelon faults running from north to south, namely the Pointe Reef, Lac Hérodier and Lac Keato faults.
The Rachel-Laporte Lithotectonic Domain consists of Paleoproterozoic metamorphosed volcano-sedimentary rocks (amphibolite facies) of the Laporte Supersuite (<1.84 Ga; Henrique-Pinto et al., 2017), previously interpreted as equivalent to the Labrador Trough (Fahrig, 1965; Poirier et al., 1990; Wardle et al., 2002; Simard et al., 2013). Subsequent mapping indicates instead that the Laporte Supersuite metasedimentary rocks differ from those of the Labrador Trough by greater apparent thickness and more homogeneous composition. Detrital geochronological data from Henrique-Pinto et al. (2017) also indicate that these two sedimentary basins are derived from distinct tectonic sources and environments. The author's work indicates that detrital zircons of the Kaniapiskau Supergroup units (Labrador Trough) have a signature typical of the Superior Province (maximum frequency around 2.72 Ga). In the case of the Laporte Supersuite, the maximal frequency of detrital zircons is at ~1.84 Ga, suggesting that the main source of sediment comes from SECP units. The Rachel-Laporte Domain also includes Archean structural complexes (imbricate blocks not belonging to the Laporte Supersuite), interpreted as having belonged to the Superior Province (Wardle et al., 2002), as well as tectonic slices exhaled during thrusting of the Baleine Lithotectonic Domain on the Rachel-Laporte Domain and Labrador Trough.
The Baleine Lithotectonic Domain consists of two sections (north and south), the boundary of which is approximately 30 km south of Kuujjuaq. The northern section consists mainly of Archean tonalitic gneiss (Ungava Complex; 2.7-2.9 Ga), migmatite (Qurlutuq Complex) and anatectic granite (Aveneau Suite) derived from partial melting of gneiss. It also includes a mafic to intermediate intrusive complex (Kaslac Complex) and volcano-sedimentary sequences (Curot and Akiasirviup suites) alternating with gneiss in its western part. The southern section includes a large, highly migmatitized supracrustal cover (False and Winnie suites), deformed Archean potassic units (Saffray Suite; 2.7 Ga), but also gneiss, migmatites and anatectic granites similar to those observed in the northern section. A metamorphosed potassic intrusion (Champdoré Suite), synchronous to the De Pas Supersuite (see George Domain below), is also present in the southern part of the domain. The southern portion of the Baleine Domain is also characterized by a domes and basins structural pattern (Charette et al., 2016). The Diana Structural Complex (Madore and Larbi, 2000) constitutes the separated NW end of the Baleine Domain. This unit consists mainly of gneissic tonalite with strips of paragneiss, amphibolite and ultramafic rocks, usually mylonitized and migmatized. Like the rest of the Baleine Domain, these rocks are Archean and Proterozoic in age and have been affected by intense ductile deformation and metamorphism in the Paleoproteozoic.
The George Lithotectonic Domain is dominated by Paleoproterozoic intrusions of the De Pas Supersuite (1.86-1.8 Ga), which have been emplaced within gneiss units and their partial melting products (Saint-Sauveur and Guesnier complexes; 2.6-2.7 Ga) and through a large Neoarchean metamorphosed volcano-sedimentary sequence (Tunulic Complex; 2.6-2.7 Ga). Limited by major shear zones to the west (Lac Tudor) and east (Rivière George), this domain is characterized by large mylonitic deformation zones. Charette et al. (2018) consider the George Domain to be a transition zone between tectonometamorphic overprinting of the New Quebec and Torngat orogens. Thus, this domain would represent a discontinuous or gradual transition between their contrasting orogenic styles.
The Mistinibi-Raude Lithotectonic Domain stands out in the near absence of Archean lithologies, with the oldest units bordering the Neoarchean and Paleoproterozoic (2.3-2.5 Ga), and the absence of magmatism around 1.8 Ga. It includes a large sequence of paragneiss and diatexite (Mistinibi Complex), metavolcanic rock units (Ntshuku and Zeni complexes), gneiss (Advance and Elson complexes) and a clastic metasedimentary sequence (Hutte Sauvage Group). The Mistinibi-Raude Domain is also characterized by the presence of numerous intrusions, mostly potassic, whose composition varies from felsic to mafic. Some of these intrusions have crystallized during the Paleoproterozoic and Neoarchean (Pelland, Nekuashu and Dumans suites). However, the majority of these intrusions are Mesoproterozoic and have been emplaced at the boundary between the SECP and Nain Province (Mistastin Batholith, Michikamau and Napeu Kainut suites). Charette et al. (2019) also include, in this domain, the Orma Domain, which represents an area south of the Zeni Shear Zone>, considering that these two areas are characterized by the absence of crystallization age 2.67 Ga, but mostly by the absence of metamorphic overprinting associated with the Trans-Hudsonian Orogen.
The Falcoz Lithotectonic Domain represents the SECP's eastern margin divided into two parts (west and east) and separated by the Blumath Shear Zone, which marks the passage of the upper amphibolite facies to the granulite facies. The western part is dominated by variously migmatitized gneiss (Kangiqsualujjuaq and Fougeraye complexes) and potassic intrusions (Siimitalik Suite), mostly Mesoarchean (2.7-3.0 Ga). It also includes a sequence of Paleoproterozoic metamorphosed volcano-sedimentary rocks (Lake Harbour Group) intruded by mafic to ultramafic dykes and sills (Nuvulialuk Suite). The eastern part of the Falcoz Domain is dominated by Archean granulitic orthogneiss (Sukaliuk Complex; 2.7-2.9 Ga) and Paleoproterozoic hypersthene intrusions (Inuluttalik Suite; 1.8 Ga). More to the east, this domain also includes intrusive rocks interpreted as the root of a magmatic arc emplaced on the SECP eastern margin around 1877 Ma (Bertrand et al., 1993). These rocks are grouped within the Lomier Complex, which includes supracrustal rocks (Koroc River Group), charnockitic intrusions (Courdon Intrusive Suite) and gneiss interpreted as being derived from deformation and the alternating Koroc River Group and Courdon Intrusive Suite.
All SECP lithotectonic domains are cut by Mesoproterozoic subophitic dykes (~1.3 Ga) which have been grouped into swarms of varying direction, the main ones being the Falcoz Swarm (NNW-SSE), Slippery Dykes (E-W) and Harp Dykes (NE-SW).
Ungava Orogen
The Ungava Orogen is divided into four lithotectonic domains, which are from north to south: the Narsajuaq, Kovik, Northern and Southern domains. The Narsajuaq and Kovik domains form the heart of the Ungava Orogen, and consist of remobilized Archean rocks and Paleoproterozoic intrusions. The Southern and Northern domains form a volcano-sedimentary belt deposited on the Superior Craton.
The Narsajuaq Lithotectonic Domain represents the most intensely metamorphosed and deformed part of the Ungava Orogen. It consists mainly of foliated to gneissic, intermediate to felsic intrusive rocks including the Tasialuk Allipaaq and Sainte-Hélène complexes (~2790 Ma) and the Sanningajualuk and Nallujuaq suites (~2560 Ma). The Narsajuaq Domain is characterized by the presence of orthopyroxene stratigraphic units covering large areas and testifying to granulite facies metamorphism. The main units are the Pingasualuit (~2770-2610 Ma) and Estre complexes, as well as the Navvaataaq (~2550 Ma), Fargues and Siurartuuq suites. All of the units alternate over hectometric to kilometric thicknesses, forming E-W oriented banding characteristic of the Narsajuaq Domain. Metasedimentary rocks of the Erik Cove Complex are also interstratified within the igneous and gneissic units.
The Kovik Lithotectonic Domain consists of an assemblage dominated by Archean to Paleoproterozoic, foliated to gneissic intrusive rocks and strips of metasedimentary rocks. Intrusive rocks are mostly tonalitic to granitic and often migmatized. Currently, Kovik Domain rocks are mainly grouped within the Kovik Complex, but will gradually be divided into separate units as mapping progresses. Unlike the Narsajuaq Domain, orthopyroxene is not present in the Kovik Domain, suggesting that metamorphism has not generally reached the granulite facies. The main new units already identified include gneiss of the Nanuk Complex, granodiorite of the Arvik Suite, migmatized paragneiss of the Crony Suite and mafic to intermediate intrusions of the Gastrin Suite.
The Northern Domain is a complex lithotectonic package that straddles the Southern and Kovik domains and is itself straddled by the Narsajuaq Domain. It is composed mostly of the Watts, Spartan and Parent groups, and the Cape Smith Suite. Relationships between groups are not clearly defined. The Watts Group consists mainly of a mafic to ultramafic layered igneous complex associated with extrusive expression and is therefore interpreted by some authors as an ophiolite (St-Onge et al., 1988) dated ~2 Ga. The Spartan Group consists of sedimentary rocks while the Parent Group is a volcanic arc unit. The Cape Smith Suite comprises a series of intrusions emplaced from 1890 Ma to 1836 Ma. Some of these intrusions are interpreted as the source of the Parent Group's volcanism.
The Southern Domain, also known as the Cape Smith Belt, is the southernmost lithotectonic complex, it unconformably overlies the Superior Province and consists of lithological assemblages reflecting opening of a continental rift around 2038 Ma (Hegner and Bevier, 1991), and the subsequent transition to an active oceanic rift between 1883 Ma and 1870 Ma (Bleeker and Kamo, 2018). The Povungnituk Group is a volcano-sedimentary assemblage associated with the development of a continental rift. The Chukotat Group is composed of MORB-type basalts resulting from oceanic opening.
The Trans-Hudsonian Orogen is the major geological event that shaped the Churchill Province. This orogen is one of the most extensive of the Paleoproteozoic era. As early as 1973, Dewey and Burke applied plate tectonics to the Churchill Province and proposed that it be an analogue to the Tibetan Plateau, which is the hinterland of the Himalayan Orogen. Structural, metamorphic and geochronological studies of collision zones reveal the relationships between the different cratons and microcontinents that make up Churchill Province.
Early collision phases are located in distal position relative to the Superior Craton. In the Ungava Orogen, this early phase corresponds to the amalgamation of the Sugluk Block (Narsajuaq Lithotectonic Domain) with the Meta-Incognita microcontinent, which was located on Baffin Island around 1865 Ma (Corrigan et al., 2009). In the SECP, initiation of the continental collision with the Nain Province is dated between 1.89 and 1.81 Ga in metasedimentary rocks of the Tasiuyak Complex that was incorporated between the North Atlantic Archean Craton and the Falcoz Domain (Godet et al., 2021). The Meta-Incognita microcontinent is potentially linked to the Falcoz Domain (Corrigan et al., 2018). Thus both the early phases of continental collision would involve the Meta-Incognita microcontinent and be 15 to 20 million years older in the SECP than in the Ungava Orogen.
Detailed petrochronological data exist for the SECP and highlight the desynchronization of events to the east compared to those to the west. Thus, the central part of the SECP recorded a series of key events between 1840 and 1810 Ma. A period of magmatic activity was marked by intrusion of the De Pas Supersuite (1860-1805 Ma). At the same time, metamorphic paroxysm is reached in the Falcoz Domain around 1839 Ma (Charette, 2016). The formation of garnet circa 1836 Ma in the Baleine Domain is interpreted as indicating the age of the collision between the latter and the George Domain (Godet et al., 2020). The timing of syntectonic intrusions in the Rivière George Shear Zone constrains shear activity to a period prior to 1812 Ma (Dunphy and Skulski, 1996; Vanier, 2019). This shear zone is conjugate with the Moonbase Shear Zone which together form a ductile shear network accommodating approximately orthogonal shortening that characterizes this tectonic stage in the centre of the SECP (Vanier, 2019).
The major collision event in the western portion of the SECP corresponds to the New Quebec Orogen, during which the Baleine, Rachel-Laporte and Labrador Trough domains amalgamated with the Superior Craton. This collision occurred between 1.82 Ga and 1.77 Ga (Machado et al., 1989). A recent garnet dating result indicates mean-crust burial of Rachel-Laporte Domain metasediments at 1804 ±8 Ma (Godet et al., 2020).
Petrochronological data are still too fragmentary in the Ungava Orogen to be comparable to the SECP. However, formation of eclogite in the Kovik Domain between 1831 Ma and 1820 Ma (Weller and St-Onge, 2017) suggests that the continental phase of the collision was slightly later than reported in the centre of the SECP.
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6 février 2019 20 mai 2022


One Moore Book, a boutique publishing firm based in New York City, will celebrate the release of The Haiti Series, a collection of six stories that highlight the vibrant culture and people of The Republic of Haiti, with an art exhibit featuring the artwork of popular Haitian artist Edouard Duval-Carrie who illustrated The Last Mapou, which will be published as a part of this series.
Saturday, January 26, 2013, 6:00 p.m. – 10:00 p.m.
To purchase a ticket to this event, click. here.
Read what BET News and Madame Noire have to say about The Haiti Series.
One Moore Book publishes culturally sensitive and educational stories for children of countries with low literacy rates and underrepresented cultures. We provide literature for children whose narratives are largely missing from the children's book publishing industry. The books also serve as a key to unknown people and places for all children who do not have access to cultures outside of their own.
Edouard Duval-Carrié is a Haitian-born American painter and sculptor. Born in Port-au-Prince, his family emigrated to Puerto Rico while he was a child during the François Duvalier regime. Duval-Carrié studied at the Université de Montréal and McGill University in Canada before graduating with a Bachelor of Arts from Loyola College, Montréal in 1978. He later attended the École Nationale Supérieure des Beaux-Arts in Paris, France, from 1988 to 1989. His works have been exhibited in Europe and the Americas.
One Moore Book is a House of Success Client.


You're in a consultation with your doctor and you've just been told you have cancer. You're in shock, and find it difficult to take in anything else the doctor says during the remainder of the appointment.
Research shows receiving bad news can impact people's ability to understand and absorb information. Specifically, it affects the processing of information and memory formation.
People who are unwell and managing difficult health situations will often find it hard to remember important and complex medical information. This might include their diagnosis, prognosis, treatment plans, appointments, and when to take their medication.
Since the 1970s, researchers have been experimenting with audio recording medical consultations to combat this problem.
Many studies and reviews since then have found patients who are given personalised recordings of their medical consultations feel their recall and understanding is improved.
We don't yet have evidence that directly links the recording of medical consultations with improved health outcomes. But we know people who understand and remember important medical information are better placed to remember to attend scheduled appointments, to decide on the best treatment options, and to take their medication correctly.
This is commonly referred to as health literacy, and people with higher health literacy are known to have improved health outcomes. So we have good reason to believe recording medical appointments might positively impact people's long-term health.
Could recording your medical appointments benefit you?
While most research around medical consultation recordings has been done with people diagnosed with cancer, the process could help any person in any medical situation.
People who speak English as a second language find recordings of medical consultations particularly useful.
And consultation recordings are not just useful for patients. Family members and friends often play a significant part in the care of a loved one who is unwell. Recordings give them the opportunity to be involved and informed – even if they cannot attend the appointment in person – as recordings are easily shared.
Patients in a recent study described using the recording to replay important sections to their family, to remind themselves of words to look up, and to prompt questions to ask their doctor.
In addition, recordings have been shown to improve patient trust and satisfaction with their doctor.
Health professionals including doctors and nurses believe consultation recordings benefit patients, and improve the care they are able to provide.
Patients have described which appointments they feel are most useful to record. These include appointments at diagnosis of a health condition, appointments where important information is discussed, or appointments where treatment plans are made. Others think recording every appointment would be useful for them.
The great thing about recordings is they are under the control of the patient, so they can be made and used in the way that suits the person best.
People are already using their mobile phones to record their doctors' appointments. One study from the UK found 69% of people were interested in recording consultations on their phones.
Although this is usually done with the doctor's permission, it's sometimes done covertly. This may diminish the trust and openness that should characterise any doctor-patient relationship, and may even be unlawful in some states.
So you should always seek your doctor's permission before recording.
Importantly, if a health service endorses and provides a means for you to record your medical consultations, the recording is seen as forming part of your medical record.
By law in Australia, hospitals have a responsibility to safely store all parts of your medical record, including copies of consultation recordings made in this context.
Our team at the Peter MacCallum Cancer Centre has developed a smartphone app called SecondEars as part of a research project. This app will enable patients to record their consultations and share the recordings with family and friends.
Importantly, because this app has been designed to be integrated and supported by hospitals and other health services, once it's implemented in a health service, recordings will be able to be uploaded and saved in the patient's medical record.
Patients will have full control over which appointments they seek to record. It is hoped this service will be made available to health services around Australia in the future.
Research Roundup: A cure for cocaine addiction; using the Zika virus vaccine to fight brain cancers and more!


Why would Amazon give up its precious tax advantage? This week, as part of an excellent investigative series on the firm, the Financial Times' Barney Jopson reports that Amazon's tax capitulation is part of a major shift in the company's operations. Amazon's grand strategy has been to set up distribution centers in faraway, low-cost states and then ship stuff to people in more populous, high-cost states. When I order stuff from Amazon, for instance, it gets shipped to California from one of the company's massive warehouses in Kentucky or Nevada.


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