text:
In Memory of James Bolden
Ron and Linda Freiburger donated to Make-A-Wish Foundation of Canada
Ron Cox donated to Make-A-Wish Foundation of Canada
Patrick Kelly donated to Make-A-Wish Foundation of Canada
County of Bruce donated to Make-A-Wish Foundation of Canada
Leslie Motors donated to Make-A-Wish Foundation of Canada
James Bolden
James "Jim" William Bolden of Walkerton passed away Sunday, May 8, 2022, at the South Bruce Grey Health Centre, Walkerton, in his 83th year. Beloved husband to Patricia (nee Schmidt) for over 58 years. Father of Shawn (Nancy) of Walkerton, Dennis (Shazila) of Woodbridge, Scott (Tammy) of Walkerton, and Jeremy (Shannon) of Owen Sound. He will be deeply missed and forever loved as "Grandpa" of 10 and great grandpa of 6. Jim will be fondly remembered by his brother Patrick (Janice) of Woodstock and sister-in-law Beverley of Waterloo. JIm was predeceased by his brother Robert and parents William and Alice Bolden. Jim had a deep soul that cared about faith, family, and community. He served on Council for 23 years, being Mayor for 13 and Reeve for 4 years during that time, and contributed to the Health Committee, Bruce County Housing, and the Plowing Match. He belonged to many service clubs such as the Horticulture Society and Communities in Bloom. He especially loved family and sharing in the love that family gave him, spending his home time with his children and grandchildren, and making special memories along the way. "On angels wings he has left us, but his memory will last a lifetime." Mass of Christian Burial for Jim will be held at 11:00 a.m. on Tuesday, May 10, 2022, at Sacred Heart Church, Walkerton. Fr. Leszek Szczygiel officatiing. Interment in Calvary Cemetery, Walkerton. As expressions of sympathy, donations to Maek-A-Wish Foundation would be appreciated by the family. Donations and condolences may be made online at www.cameronfuneralhomes.com
Someone donated to Make-A-Wish Foundation of Canada
Roseann Strasser donated to Make-A-Wish Foundation of Canada
Deepest sympathy, so sorry for you loss, we are thinking of you and your family, sending hugs Roseann and Lorne Strasser and family


text:
Home › News › Breakthrough ruling on multiple-chemical sensitivities
Breakthrough ruling on multiple-chemical sensitivities
The Report: October / November 2009 vol.30 num.4
Appeal ruling recognizes condition affecting people exposed to workplace chemicals
LENORE WAS SHOPPING AT RONA with her husband when it happened. She cant remember the details, but she blacked out completely, and later was found wandering around in a confused state. Staff paged her husband to come help her.
Lenore (not her real name), is an imaging technologist at a large BC hospital. Back in the mid 90s, she was one of the first people in the province to work with the revolutionary new Magnetic Resonance Imaging machines that were appearing at that time. She, along with five other women, spent hours each day in a small room alongside the MRI unit, operating the computer console that ran the MRI machine and working with patients.
After about a year and a half, Lenore and the other women started to realize there was something wrong. Previously healthy, they developed asthma and other breathing problems, flushing of the skin, watery, itchy eyes, dermatitis, rosacea, gastrointestinal tract problems and periodic cognitive impairment or -brain fog".
-An investigation revealed that a ventilation system intended to expel fumes from the film processor was actually blowing the fumes directly from the developing machine into the small room in which they sat," says Sarah OLeary, an HSA WCB advocate.
The exposure left all six women acutely and permanently reactive to developing chemicals. They continue to work, but their careers have been significantly limited. While their own hospital accommodated them by removing film from their work area as much as possible and by prohibiting the use of scents of any kind, they have had to avoid going into hospitals where film continues to be exposed. As a board member with the Canadian Association of Medical Radiation Technologists, Lenore sets exams but cant actually enter many of the imaging areas her students work in because of the chemicals and exposure to film.
But the problem doesnt stay at work. As Lenore discovered that day at Rona, she and the other women are suffering from multiple chemical sensitivity (MCS), a condition that leaves individuals sensitive to a variety of everyday chemicals ... not just the ones involved in the original exposure. As a result, the six women can and do have severe reactions whenever they are exposed to scents or fumes of any kind. For example, when they board airplanes they must be cautious not to sit beside anyone who is wearing cologne. Other chemicals can affect them when at crowded events, in theatres, or visiting hardware stores. Building or road repairs may emit tar or other toxic fumes which will trigger a whole array of reactions.
HSA has raised the issue of MCS for years because many members have had these exposures while operating the high tech equipment used in imaging.
Working with HSA, the women fought for years to appeal the WCB decision to deny their chemical sensitivity. In 2006, after three days of oral hearing at the Workers Compensation Appeal Tribunal (WCAT), the WCAT accepted their sensitivity to film processing chemicals. But it still refused to accept MCS and cover their reactions to other chemicals outside the workplace.
-The WCB has fought this tooth and nail, but now, if they get sick at the workplace due to film processing chemicals, the WCB covers them," says OLeary. -The big question remains: what if you black out at Rona due to exposure to fumes there, fall down and break your leg?"
HSA hasnt given up, pursuing a second round of appeals for each of the women, and a recent breakthrough leaves room for optimism, explains OLeary. In the past year, three of the HSA members have won appeals to have their MCS accepted as a consequence of the original exposure to processing chemicals at work. One more is awaiting her WCAT decision and two have lost the MCS appeals.
-This is very significant because those who have their MCS accepted should now be covered if they are exposed to something outside the workplace," says OLeary.
Progress is slow, but steady, she explains, comparing the MSC fight to early skepticism about latex allergies.
-I remember when I started doing this work the WCB scoffed at latex allergy. They said its all in their heads. It takes a long time before its formally recognized as a diagnosis, and were getting there. Weve come a long way in the last 20 years in terms of recognition of MCS."
RT @FHcareer: "My mom's a #healthcare worker and I look up to her. When I used to visit her at work I would think that it would b… https://t.co/duMWZFZP5s — 1 week 2 hours ago

redpajama_set_name: RedPajamaCommonCrawl


text:
from __future__ import unicode_literals

from django.db import migrations, models

class Migration(migrations.Migration):

    dependencies = [
        ('blog', '0012_auto_20160916_1058'),
    ]

    operations = [
        migrations.AlterField(
            model_name='post',
            name='image',
            field=models.ImageField(blank=True, default='/media/placehold 900x300.png', upload_to=''),
        ),
    ]

redpajama_set_name: RedPajamaGithub


John Ruskin's interest in 'natural ornament', the use of plant and animal forms in decorative design, interested the young John Millais, who was very much Ruskin's protégé. To illustrate Ruskin's lectures on architecture and painting, Millais produced a number of drawings on this theme during the summer holiday of 1853, spent together at Glenfinlas in the Scottish Highlands (see British Museum Collection). This proved to be a fateful trip, as Millais fell in love with Ruskin's unhappy wife Effie (depicted in this sketch wearing imagined 'natural' jewellery). After an annulment of her marriage to Ruskin, she and Millais married in 1855.
A E Whitley 1939 Bemrose & Sons Ltd, Derby p. 279.
Malcolm Warner 1983d Dalrymple Press, Westerham no. 25, p. 56.
Mary Bennett 1967 Royal Academy of Arts and Walker Art Gallery, Liverpool p. 86.
Andrea Rose 1981 The Oxford Illustrated Press, Yeovil p. 70.
Charlotte Gere 1975 William Heinemann Ltd, London no. 13.
Charlotte Gere 1972 Kimber, London p. 149.


Last year, Equinox teamed with Wieden & Kennedy New York and Photographer Steven Klein on a bold campaign challenging consumers to commit to something -- not just to the gym, but even the most unexpected of pursuits.
For 2017, they're renewing that call with another series of thought-provoking images, including lush, sultry photographs of a man who unabashedly indulges in pampering, a concert-goer who foregoes the use of his mobile phone and cancer survivor Samantha Paige, who exposes her bare chest and mastectomy scars as she receives a new tattoo. The subjects range from light-hearted to serious.
"This year's campaign revolves around the notion that what you commit to is who you are, so we're daring viewers to take stance and look inward, even if doing so makes you a little bit uncomfortable," said Carlos Becil, executive vice president and chief marketing officer, Equinox in a statement. "We're in the business of changing lives at Equinox, so we've learned firsthand that going 'all in' on anything -- whether it be a workout, a cause or yourself -- will undoubtedly get you one step closer to finding out who you really are."
Last year, ads featured a male cheerleader, and unusual cat lady, a cult-like group and even a money lover.
Wieden & Kennedy, New York Creative Director John Parker explained in a statement, "There seems to be a push for ease and an overall lack of commitment today. These were designed to point out that commitments, not only in fitness but in life, fundamentally define you. It may be hard, it may take time, and you may not always be successful, but dedicating yourself to something is worth it. Because ultimately, the things you commit to, are the things that make you who you are."


text:
Prisoners cashed in on homebuyer tax credit
By Aaron Smith, staff writerJune 23, 2010: 2:03 PM ET
NEW YORK (CNNMoney.com) -- More than 1,200 prison inmates, including 241 serving life sentences, defrauded the government of $9.1 million in tax credits reserved for first-time homebuyers, according to a Treasury Department report released Wednesday.
Treasury's inspector general also found that thousands of people filed multiple claims or made claims outside the allotted time period. In all, more than $28 million was improperly doled out.
The Internal Revenue Service program at issue is meant to stimulate the housing market by giving tax credits of as much as $8,000 to qualifying first-time home buyers.
"Additional controls are necessary to address erroneous claims for the credit," the report stated. "Further, fraudulent and questionable claims processed prior to implementation of controls will need follow-up action by the IRS."
According to the report, 4,608 state and federal inmates filed for these tax credits, and that fraudulent refunds were doled out to 1,295 of them.
The inspector general's report said the most "egregious" fraudsters were 715 prison lifers, including 174 who filed with the help of paid preparers. From this group, 241 lifers were awarded $1.7 million.
The problem was particularly bad in Florida: 61% of the lifers who got credits were incarcerated in the Sunshine State.
"It is possible for an inmate to buy a house while in prison," said Jo Ellyn Rackleff, spokeswoman for the Florida Department of Corrections. "We have inmates in Florida prisons who still have businesses outside. Many of the inmates have families with children who live outside."
She said that one of the reasons why Florida inmates feature prominently in the Treasury report is because the Florida prison system is transparent in providing inmate information to the IRS.
"We provide [the IRS] with data quarterly," she said. "If we receive an IRS check in the Post Office of an institution, the IRS will receive a call that we received a check, to make sure it's all legitimate."
0:00 /5:20Double-dip fears haunt housing
The homebuyer tax credit program was very specific about the time period in which homebuyers were allowed to participate, though this rule seems to be the most widely violated. The credit was for home purchases that happened after April 8, 2008, with a cut-off date that was eventually extended to May 1, 2010.
The report found that the IRS awarded $17.6 million to 2,555 filers who had bought their homes before the credit program kicked in.
The inspector general also identified 206 filers who claimed the credit for multiple addresses; these fraudulent filers were awarded a total of $1.4 million.
The report also found that improper filers included 34 employees of the IRS. This is in addition to 53 IRS employees that the inspector general identified last year as improper filers.
The report included a response from the IRS, which highlighted the huge scope of the program, with $12.6 billion in claims awarded to 1.8 million participants. The IRS said it had ramped up efforts to crack down on criminal activity and would continue to review claims and "recapture" pay-outs determined to be fraudulent.
The IRS said it "has devoted substantial resources to working with state and federal prison systems to collect and maintain information on the prison population."
But the agency added, "The prison population changes frequently and it is simply not feasible for the IRS to maintain 100% accurate records based on information that is reported to us voluntarily by the various prison authorities." The agency suggested that Congress require prisons to report inmates' status to the IRS.
In an e-mail to CNNMoney.com, IRS spokesman Anthony Burke said the agency had "successfully blocked or denied nearly 400,000 questionable homebuyer claims and opened more than 150 criminal investigations. These aggressive efforts have saved taxpayers more than $1 billion."
As for the IRS employees, the agency said that it was working to identify those at fault.
Assistant Treasury Secretary Michael Mundaca said that, despite its problems, the homebuyer tax credit helped to spur more than 2.5 million new home purchases and helped to stabilize the housing market.
"These fraudulent claims, which are being pursued to the fullest extent of the law, represent less than half a percent of the credits paid out under this program," he said, in an e-mail to CNNMoney.com. "As with all new and expanded programs, we are constantly working to improve implementation, and the IRS has already begun to take additional steps to prevent fraud in this program."
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Agencies and organizations experience diverse business environments generating massive amounts of data, documents, content and records in many formats contained within various platforms. Gaining effective governance and records management control of these diverse and proliferating data sources is an ongoing challenge - and a prime directive of all organizations. Developing a framework for organizing effective, media neutral comprehensive records retention schedule "Buckets" has been a key ingredient to helping US Patent and Trademark Office provide all-important value and context to their information management needs - thereby simplifying and streamlining the agency's information governance process.
USPTO's experience in inventorying, updating and bucketizing the USPTO Program Records Schedules provides some key lessons of experience for organizations seeking better information governance in a decentralized multi-system information architecture - not only for records management but also for electronically stored information and future "big data" initiatives. John and Neale will relate their lessons of experience in navigating, negotiating, and balancing the various information governance needs of USPTO's IT, Legal, and the Business Areas (The 3 Bears) in order to develop and implement the USPTO Big Buckets Schedules. They will also discuss use of some common office business tools/programs in helping them organizing and facilitating their Big Buckets efforts. .
John Milligan is a Senior Records Management Specialist for Millican and Associates. John has 36 years' experience with government information systems specializing in data/document/records/content/knowledge management. John's experience includes project management, planning, information systems life cycle management, quality control, records management system implementation and training, records and content file plan/taxonomy development, information governance, and customer communication for various government clients such as the USPTO, NRC, US Mint, and FBI. John has worked extensively over the years with National Archives including NARA's Big Buckets initiative and implementing records management requirements related to the Federal Enterprise Architecture (FEA) Records Management Profile/Business Reference Models, DOD 5015.2, and ISO 15489 electronic records management standards. John has been active in the last 18 years as a leader locally in ARMA's Metro Maryland Chapter (Director-At-Large, Program Director) and other information management professional associations.
Neale Faunt is a Principal Analyst with Chartis Consulting with more than 16 years of experience in the Information Technology field. He has a rare combination of technical and client management skills that have led to his successful experience working under the USPTO IDEAI contract. For the past 11 years, he has been directly involved with the USPTO Office of Records Management. He has provided expert leadership for developing and maintaining the Records Management System (RMS) and Comprehensive Records Schedule (CRS) databases, which contain the records schedules for more than 150 USPTO offices. Neale has applied project management methodologies to his tasks, authored several design documents and user manuals and developed records management content for the USPTO intranet. Since 2004, he has also managed, developed and maintained two data repositories for the USPTO Trademark Office which automate and simplify the means by which Trilateral partners from the U.S., Japan and Europe collaborate and agree on Trademark identifications.


text:
Q: Nested RecyclerView doesn't react to notify functions I have a problem when working with nested RecyclerView in RecyclerView. In my parent RecyclerView I am displaying rows of items. These rows have rows of scanned goods. If I want to display the scanned rows, I click on the parent Recyclerview and it expands. When I tap on the child RecyclerView, it should show edit/delete buttons instead of an error message. Notify works until I shrink the parent RecyclerView(tap it again) and expand it again. At the moment notify does not trigger onBindViewHolder.
Anyone know what to do?
Parent Fragment
public class ShowCdlFragment extends Fragment {

private FragmentShowCdlBinding binding;
private Resources res;
private SessionManager session;
private Bundle params;

private F1002dlh f1002dlh;

@Override
public View onCreateView(LayoutInflater inflater, ViewGroup container,
                         Bundle savedInstanceState) {
    this.binding = FragmentShowCdlBinding.inflate(getLayoutInflater());

    this.session = new SessionManager(getContext());

    this.res = getResources();

    this.session.checkLogin(getActivity());

    // Inflate the layout for this fragment
    return this.binding.getRoot();
}

@Override
public void onViewCreated(@NonNull View view, @Nullable Bundle savedInstanceState) {
    super.onViewCreated(view, savedInstanceState);

    this.params = getArguments();
    this.f1002dlh = this.params.getParcelable("F1002DLH");

    RecyclerView rvMenu = (RecyclerView) binding.showCdlRecyclerView;

    ArrayList<F1002dlr> f1002dlrArrayList = this.f1002dlh.getF1002dlh_f1002dlrs();
    CdlAdapter cdlAdapter = new CdlAdapter(f1002dlrArrayList, getContext());

    rvMenu.setAdapter(cdlAdapter);
    rvMenu.setLayoutManager(new LinearLayoutManager(this.getContext()));
}

}
Parent Adapter
public class CdlAdapter extends RecyclerView.Adapter<CdlAdapter.ViewHolder> {

private List<F1002dlr> f1002dlrList;
private Context context;

private Integer expandedPosition = -1;

private RecyclerView.RecycledViewPool recycledViewPool;
private RecyclerView cdlItem_sub_recyclerView;

public CdlAdapter(List<F1002dlr> f1002dlrList, Context context) {
    this.f1002dlrList = f1002dlrList;
    this.context = context;

    this.recycledViewPool = new RecyclerView.RecycledViewPool();
}

@NonNull
@Override
public CdlAdapter.ViewHolder onCreateViewHolder(@NonNull ViewGroup parent, int viewType) {
    Context context = parent.getContext();
    LayoutInflater inflater = LayoutInflater.from(context);

    View cdlView = inflater.inflate(R.layout.cdl_item, parent, false);

    return new ViewHolder(cdlView);
}

@Override
public void onBindViewHolder(@NonNull CdlAdapter.ViewHolder holder, int position) {
    F1002dlr f1002dlr = f1002dlrList.get(position);

    ImageView f1002dlr_status_imageView = holder.f1002dlr_status_imageView;
    TextView f1002dlr_vpd_textView = holder.f1002dlr_vpd_textView;
    TextView f1002dlr_radek_textView = holder.f1002dlr_radek_textView;
    TextView f1002dlr_komodita_textView = holder.f1002dlr_komodita_textView;
    TextView f1002dlr_xvyr_textView = holder.f1002dlr_xvyr_textView;
    TextView f1002dlr_jakost_textView = holder.f1002dlr_jakost_textView;
    TextView f1002dlr_mnozstvi_textView = holder.f1002dlr_mnozstvi_textView;
    TextView f1002dlr_vady_textView = holder.f1002dlr_vady_textView;
    TextView f1002dlr_mj_textView = holder.f1002dlr_mj_textView;
    TextView f1002dlr_hodnota_textView = holder.f1002dlr_hodnota_textView;
    TextView f1002dlr_pc_textView = holder.f1002dlr_pc_textView;

    f1002dlr_status_imageView.setImageResource(getImageId(f1002dlr.getStatus()));
    f1002dlr_vpd_textView.setText(f1002dlr.getF1002dlr_vpd().toString());
    f1002dlr_radek_textView.setText(f1002dlr.getF1002dlr_radek().toString());
    f1002dlr_komodita_textView.setText(f1002dlr.getF1002dlr_komodita());
    f1002dlr_xvyr_textView.setText(f1002dlr.getF1002dlr_xvyr().toString());
    f1002dlr_jakost_textView.setText(f1002dlr.getF1002dlr_jakost());
    f1002dlr_mnozstvi_textView.setText(String.format("%.2f", f1002dlr.getF1002dlr_mnozstvi()));
    f1002dlr_vady_textView.setText(f1002dlr.getF1002dlr_vady().toString());
    f1002dlr_mj_textView.setText(f1002dlr.getF1002dlr_mj());
    f1002dlr_hodnota_textView.setText(String.format("%.2f", f1002dlr.getHodnota()));
    f1002dlr_pc_textView.setText(String.format("%.2f", f1002dlr.getF1002dlr_pc()));

    Double mnozstvi = 0.00;
    Integer vady = 0;

    for (F1002ck_data f1002ck_data : f1002dlr.getF1002dlr_f1002ck_datas()) {
        mnozstvi += f1002ck_data.getF1002ck_data_mnozstvi_mj1();
        vady += f1002ck_data.getF1002ck_data_vady();
    }

    TextView nasnimane_mnozstvi_textView = holder.nasnimane_mnozstvi_textView;
    TextView nasnimane_vady_textView = holder.nasnimane_vady_textView;

    nasnimane_mnozstvi_textView.setText(String.format("%.2f", mnozstvi));
    nasnimane_vady_textView.setText(vady.toString());

    if (expandedPosition == -1) {
        f1002dlr.setExpanded(false);
    }

    Boolean isExpanded = f1002dlr.getExpanded();

    if (isExpanded) {
        holder.expandable_constraintLayout.setVisibility(View.VISIBLE);
    } else {
        holder.expandable_constraintLayout.setVisibility(View.GONE);
    }

    cdlItem_sub_recyclerView = holder.cdlItem_sub_recyclerView;

    LinearLayoutManager layoutManager = new LinearLayoutManager(cdlItem_sub_recyclerView.getContext(), LinearLayoutManager.VERTICAL, false);

    cdlItem_sub_recyclerView.setLayoutManager(layoutManager);
    cdlItem_sub_recyclerView.setAdapter(new CdlSubAdapter(f1002dlr.getF1002dlr_f1002ck_datas(), context));
    cdlItem_sub_recyclerView.setRecycledViewPool(recycledViewPool);

}

private void updateF1002dlh() {
    if (context instanceof AdapterCallInterface) {
        ((AdapterCallInterface) context).setDocumentData(f1002dlrList);
    }
}

private int getImageId(int status) {
    Integer imageId = 0;

    switch (status) {
        case -2:
            imageId = R.drawable.orange_status;
            break;
        case -1:
            imageId = R.drawable.red_status;
            break;
        case 0:
            imageId = R.drawable.grey_status;
            break;
        case 1:
            imageId = R.drawable.green_status;
            break;
    }

    return imageId;
}

@Override
public int getItemCount() {
    return f1002dlrList.size();
}

public class ViewHolder extends RecyclerView.ViewHolder {

    private ImageView f1002dlr_status_imageView;
    private TextView f1002dlr_vpd_textView;
    private TextView f1002dlr_radek_textView;
    private TextView f1002dlr_komodita_textView;
    private TextView f1002dlr_xvyr_textView;
    private TextView f1002dlr_jakost_textView;
    private TextView f1002dlr_mnozstvi_textView;
    private TextView f1002dlr_vady_textView;
    private TextView f1002dlr_mj_textView;
    private TextView f1002dlr_hodnota_textView;
    private TextView f1002dlr_pc_textView;

    private TextView nasnimane_mnozstvi_textView;
    private TextView nasnimane_vady_textView;

    private LinearLayout linearLayout;

    private ConstraintLayout main_constrainLayout;
    private ConstraintLayout expandable_constraintLayout;
    private ConstraintLayout second_constraintLayout;

    private RecyclerView cdlItem_sub_recyclerView;

    public ViewHolder(@NonNull View itemView) {
        super(itemView);

        initAdapterViews();

        second_constraintLayout.setOnClickListener(new View.OnClickListener() {
            @Override
            public void onClick(View view) {
                F1002dlr f1002dlr;

                if (expandedPosition >= 0 && expandedPosition != getAdapterPosition()) {
                    int prev = expandedPosition;
                    f1002dlr = f1002dlrList.get(prev);
                    if (f1002dlr.getExpanded()) {
                        f1002dlr.setExpanded(!f1002dlr.getExpanded());

                        notifyItemChanged(prev);
                    }
                }
                expandedPosition = getAdapterPosition();
                f1002dlr = f1002dlrList.get(expandedPosition);

                f1002dlr.setExpanded(!f1002dlr.getExpanded());

                updateF1002dlh();

                notifyItemChanged(expandedPosition);
            }
        });
    }

    private void initAdapterViews() {
        f1002dlr_status_imageView = (ImageView) itemView.findViewById(R.id.cdlItem_status_imageView);
        f1002dlr_vpd_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_vpd_textView);
        f1002dlr_radek_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_radek_textView);
        f1002dlr_komodita_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_komodita_textView);
        f1002dlr_xvyr_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_xvyr_textView);
        f1002dlr_jakost_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_jakost_textView);
        f1002dlr_mnozstvi_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_mnozstvi_textView);
        f1002dlr_vady_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_vady_textView);
        f1002dlr_mj_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_mj_textView);
        f1002dlr_hodnota_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_hodnota_textView);
        f1002dlr_pc_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_pc_textView);

        nasnimane_mnozstvi_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_nasnimane_mnozstvi_textView);
        nasnimane_vady_textView = (TextView) itemView.findViewById(R.id.cdlItem_value_nasnimane_vady_textView);

        linearLayout = (LinearLayout) itemView.findViewById(R.id.menuItem_linearLayout);

        main_constrainLayout = (ConstraintLayout) itemView.findViewById(R.id.cdlItem_main_constraintLayout);
        expandable_constraintLayout = (ConstraintLayout) itemView.findViewById(R.id.cdlItem_expandable_constraintLayout);
        second_constraintLayout = (ConstraintLayout) itemView.findViewById(R.id.cdlItem_second_constraintLayout);

        cdlItem_sub_recyclerView = (RecyclerView) itemView.findViewById(R.id.cdlItem_sub_recyclerView);
    }

}

}
Child Adapter
public class CdlSubAdapter extends RecyclerView.Adapter<CdlSubAdapter.ViewHolder> {

private List<F1002ck_data> f1002ck_dataList;
private Context context;

private Integer showingButtonsPosition = -1;

public CdlSubAdapter(List<F1002ck_data> f1002ck_dataList, Context context) {
    this.context = context;
    this.f1002ck_dataList = f1002ck_dataList;
}

@NonNull
@Override
public CdlSubAdapter.ViewHolder onCreateViewHolder(@NonNull ViewGroup parent, int viewType) {
    Context context = parent.getContext();
    LayoutInflater inflater = LayoutInflater.from(context);

    View cdSublView = inflater.inflate(R.layout.cdl_sub_item, parent, false);

    return new ViewHolder(cdSublView);
}

@Override
public void onBindViewHolder(@NonNull CdlSubAdapter.ViewHolder holder, int position) {
    F1002ck_data f1002ck_data = f1002ck_dataList.get(position);

    ImageView f1002ck_data_status_imageView = holder.f1002ck_data_status_imageView;

    if (!Objects.equals(f1002ck_data.getF1002ck_data_indikace(), Funkce.INDIKACE_OK)) {
        f1002ck_data.setStatus(Funkce.STATUS_WRONG);
    }

    f1002ck_data_status_imageView.setImageResource(getImageId(f1002ck_data.getStatus()));

    ConstraintLayout cdlSubItem_chyba_constrainLayout = holder.cdlSubItem_chyba_constrainLayout;

    TextView nazev_zbozi = holder.nazev_zbozi;
    TextView f1002ck_data_id_zbozi = holder.f1002ck_data_id_zbozi;
    TextView f1002ck_data_cislodokl = holder.f1002ck_data_cislodokl;
    TextView f1002ck_data_mnozstvi_mj1 = holder.f1002ck_data_mnozstvi_mj1;
    TextView f1002ck_data_vady = holder.f1002ck_data_vady;
    TextView chyba = holder.chyba;

    nazev_zbozi.setText(f1002ck_data.getNazevZbozi());
    f1002ck_data_id_zbozi.setText(f1002ck_data.getF1002ck_data_id_f10zbozi().toString());
    f1002ck_data_cislodokl.setText(f1002ck_data.getF1002ck_data_cislodokl().toString());
    f1002ck_data_mnozstvi_mj1.setText(String.format("%.2f", f1002ck_data.getF1002ck_data_mnozstvi_mj1()));
    f1002ck_data_vady.setText(f1002ck_data.getF1002ck_data_vady().toString());
    chyba.setText(f1002ck_data.getF1002ck_data_chyba());

    LinearLayout buttons_linearLayout = holder.buttons_linearLayout;

    if (showingButtonsPosition == -1) {
        f1002ck_data.setShowButtons((short) View.GONE);
    }

    if (f1002ck_data.getShowButtons() == View.VISIBLE) {
        cdlSubItem_chyba_constrainLayout.setVisibility(View.GONE);
        buttons_linearLayout.setVisibility((int) f1002ck_data.getShowButtons());
    } else {
        cdlSubItem_chyba_constrainLayout.setVisibility(View.VISIBLE);
        buttons_linearLayout.setVisibility((int) f1002ck_data.getShowButtons());
    }

}

private int getImageId(int status) {
    Integer imageId = 0;

    switch (status) {
        case -2:
            imageId = R.drawable.orange_status;
            break;
        case -1:
            imageId = R.drawable.red_status;
            break;
        case 0:
            imageId = R.drawable.grey_status;
            break;
        case 1:
            imageId = R.drawable.green_status;
            break;
    }

    return imageId;
}

private Integer sortElementsInList(F1002ck_data f1002ck_data) {
    Collections.sort(f1002ck_dataList, new Comparator<F1002ck_data>() {
        @Override
        public int compare(F1002ck_data t1, F1002ck_data t2) {
            if (t1.getStatus().compareTo(t2.getStatus()) == 0) {
                return t1.getF1002ck_data_id_f10zbozi().compareTo(t2.getF1002ck_data_id_f10zbozi());
            }
            return t1.getStatus().compareTo(t2.getStatus());
        }
    });

    for (int i = 0; i < f1002ck_dataList.size(); i++) {
        if (f1002ck_data.equals(f1002ck_dataList.get(i))) {
            return i;
        }
    }

    return 0;
}

private void updateF1002dlh() {
    if (context instanceof AdapterCallInterface) {
        ((AdapterCallInterface) context).setF1002ck_data(f1002ck_dataList);
    }
}

private void removeRowF1002ck_data(F1002ck_data f1002ck_data) {
    if (context instanceof AdapterCallInterface) {
        ((AdapterCallInterface) context).removeRowF1002ck_data(f1002ck_data);
    }
}

@Override
public void onViewAttachedToWindow(@NonNull ViewHolder holder) {
    super.onViewAttachedToWindow(holder);
}

@Override
public void onBindViewHolder(@NonNull ViewHolder holder, int position, @NonNull List<Object> payloads) {
    super.onBindViewHolder(holder, position, payloads);
}

@Override
public int getItemCount() {
    return f1002ck_dataList.size();
}

public class ViewHolder extends RecyclerView.ViewHolder {

    private LinearLayout linearLayout;

    private ImageView f1002ck_data_status_imageView;

    private ConstraintLayout cdlSubItem_chyba_constrainLayout;

    private TextView nazev_zbozi;
    private TextView f1002ck_data_id_zbozi;
    private TextView f1002ck_data_cislodokl;
    private TextView f1002ck_data_mnozstvi_mj1;
    private TextView f1002ck_data_vady;
    private TextView chyba;

    private LinearLayout buttons_linearLayout;

    private CardView edit_imageButton;
    private CardView remove_imageButton;

    public ViewHolder(@NonNull View itemView) {
        super(itemView);

        initAdapterViews();

        linearLayout.setOnClickListener(new View.OnClickListener() {
            @Override
            public void onClick(View view) {
                F1002ck_data f1002ck_data = null;

                if (showingButtonsPosition >= 0 && showingButtonsPosition != getAdapterPosition()) {
                    int prev = showingButtonsPosition;
                    f1002ck_data = f1002ck_dataList.get(prev);
                    if (f1002ck_data.getShowButtons() == (short) View.VISIBLE) {
                        f1002ck_data.setShowButtons((short) View.GONE);
                        notifyItemChanged(prev);
                    }
                }
                showingButtonsPosition = getAdapterPosition();
                if (!f1002ck_dataList.isEmpty()) {
                    f1002ck_data = f1002ck_dataList.get(showingButtonsPosition);
                }
                if (f1002ck_data != null) {
                    if (f1002ck_data.getShowButtons() == (short) View.VISIBLE) {
                        f1002ck_data.setShowButtons((short) View.GONE);
                        //cdlSubItem_chyba_constrainLayout.setVisibility(View.GONE);
                        //buttons_linearLayout.setVisibility((int) f1002ck_data.getShowButtons());
                    } else {
                        f1002ck_data.setShowButtons((short) View.VISIBLE);
                        //cdlSubItem_chyba_constrainLayout.setVisibility(View.VISIBLE);
                        //buttons_linearLayout.setVisibility((int) f1002ck_data.getShowButtons());
                    }
                }

                notifyItemChanged(showingButtonsPosition);
            }
        });

        edit_imageButton.setOnClickListener(new View.OnClickListener() {

            @Override
            public void onClick(View view) {
                int position = getAdapterPosition();

                F1002ck_data f1002ck_data = f1002ck_dataList.get(position);

                f1002ck_data.setStatus(Funkce.STATUS_OK);

                f1002ck_data_status_imageView.setImageResource(getImageId(f1002ck_data.getStatus()));

                showingButtonsPosition = sortElementsInList(f1002ck_data);
                updateF1002dlh();
                notifyDataSetChanged();
            }
        });

        remove_imageButton.setOnClickListener(new View.OnClickListener() {

            @Override
            public void onClick(View view) {
                int position = getAdapterPosition();

                F1002ck_data f1002ck_data = f1002ck_dataList.get(position);
                f1002ck_dataList.remove(f1002ck_data);

                removeRowF1002ck_data(f1002ck_data);
                notifyItemRemoved(position);
            }
        });

    }

    private void initAdapterViews() {
        linearLayout = (LinearLayout) itemView.findViewById(R.id.cdlSubItem_linearLayout);

        f1002ck_data_status_imageView = (ImageView) itemView.findViewById(R.id.cdlSubItem_status_imageView);

        cdlSubItem_chyba_constrainLayout = (ConstraintLayout) itemView.findViewById(R.id.cdlSubItem_chyba_constraintLayout);

        nazev_zbozi = (TextView) itemView.findViewById(R.id.cdlSubItem_value_nazev_zbozi_textView);
        f1002ck_data_id_zbozi = (TextView) itemView.findViewById(R.id.cdlSubItem_value_id_f10zbozi_textView);
        f1002ck_data_cislodokl = (TextView) itemView.findViewById(R.id.cdlSubItem_value_cislodokl_textView);
        f1002ck_data_mnozstvi_mj1 = (TextView) itemView.findViewById(R.id.cdlSubItem_value_mnozstvi_mj1_textView);
        f1002ck_data_vady = (TextView) itemView.findViewById(R.id.cdlSubItem_value_vady_textView);
        chyba = (TextView) itemView.findViewById(R.id.cdlSubItem_value_chyba_textView);

        buttons_linearLayout = (LinearLayout) itemView.findViewById(R.id.cdlSubItem_buttons_linearLayout);

        edit_imageButton = (CardView) itemView.findViewById(R.id.cdlSubItem_edit_cardView);
        remove_imageButton = (CardView) itemView.findViewById(R.id.cdlSubItem_remove_cardView);
    }

}

}
Updated
In the course of this question, I made several changes inside the child adapter.

redpajama_set_name: RedPajamaStackExchange


text:
Guillermo Del Toro and Andre Ovredal bring Alvin Schwartz's stories and Stephen Gammell's disturbing artwork to life in the new horror movie Scary Stories to Tell in the Dark.
Zach on August 13, 2019
The final weekend of October 2018 cemented it as the highest grossing October of all time as Halloween, A Star is Born and Venom remained a strong top 3 while most of the new releases didn't fare very well.
Zach on October 29, 2018
Admit One 10/12
Damien Chazelle and Ryan Gosling re-team for the story of Neil Armstrong in the lead up to the first moon landing, Slappy is back for more mayhem in Goosebumps 2: Haunted Halloween and an all-star cast of strangers converge in Bad Times at the El Royale this weekend.
Viewer Beware, There's Another Scare with Goosebumps 2 in October (Trailer)
Slappy returns with a new army of monsters and a trio of teens are the only ones who can stop him in the upcoming sequel Goosebumps 2: Haunted Halloween.
Zach on July 11, 2018
Jack Black Teaches Magic in The House with a Clock in Its Walls (Trailer)
Jack Black and Cate Blanchett co-star in an adaptation of the fantasy novel by John Bellairs where a young orphan named Lewis Barnavelt aids his magical uncle in locating a clock with the power to bring about the end of the world.
Zach on June 28, 2018
News Shotgun 4/28
A Fast & Furious and a new Star Wars animated series are on the way, Peter Parker cast for the upcoming animated Spider-Man: Into the Spider-Verse movie, Scary Stories to Tell in the Dark will start shooting soon, the plot synopses for John Wick Chapter 3 and The Predator and more in this week's News Shotgun.
Zach on April 28, 2018
Everything Actioncast Ep 391 "Venomous Robots"
This week on the podcast, Zach, Chris and Joe discuss our new better look at Venom, the brilliance of Brockmire, Robocop and Terminator 2, Nickelodeon game shows, the end of Evil Dead, animated Fast & Furious and much more.
Everything Actioncast Ep 324 "Probability Manipulation"
This week on the podcast, Zach, Chris and Joe get excited for Guardians of the Galaxy Vol. 2 and Red Dead Redemption 2, the stupid mutant power of "probability manipulation", Shin Godzilla, the original The Fly, Assassin's Creed, Toxic Avenger and much more.
Auto Pilot: Goosebumps
Reader Beware, You're in For a Scare!
Some huge casting this week as we have our new Lara Croft and Jack Ryan, Stallone is playing a mafia don in a new TV series, Netflix remaking Watership Down and much more in this week's News Shotgun.


The length of time it takes to build a website can vary depending on the size of the project, and the company you're working with. The number of employees involved in the project, the company's workflow, and the company's workload will all have an impact on the timeline.
On average, our website development process takes nine weeks to complete, and includes developing content for your website – getting to know your business, writing marketing copy, arranging photography, and anything else that needs to be done to build a beautiful, complete website.
We also ensure there's plenty of time for you to review our work and respond to our requests. Your website requires your input and we want to make sure there's time for some discussion.
Week 2: We have a content meeting with you.
Week 3: We submit the draft content.
Week 4: You submit your feedback on the content; we incorporate any changes.
Week 5: We submit mockups of the website.
Week 6: You submit your feedback on the website design; we incorporate any changes.
Week 7: The test website goes live; we send you the link.
Week 8: You submit feedback on the test website; we incorporate any changes.
Week 9: We submit the invoice for the project; the site goes live upon payment.
Once the website is live, we're happy to help you continue to manage it properly. We highly recommend our website care plans, which include updates, back-ups, security scans, and monthly support.


text:
Tři sta osmdesát šest je přirozené číslo, které následuje po čísle tři sta osmdesát pět a předchází číslu tři sta osmdesát sedm. Římskými číslicemi se zapisuje CCCLXXXVI.

Matematika
 poloprvočíslo
 šťastné číslo

Doprava
Silnice II/386 je česká silnice II. třídy vedoucí na trase Kuřim () – Veverská Bítýška –

Astronomie
 386 Siegena je planetka hlavního pásu.

Roky
 386
 386 př. n. l.

Reference

Externí odkazy

Přirozená čísla

redpajama_set_name: RedPajamaWikipedia


If fitness and well being are your obsession, take a look at the latest superstar exercise trends, from yoga to pilates, and every little thing in between. It is an exhilarating, efficient, easy-to-observe, Latin-impressed, calorie burning dance health-social gathering that is transferring tens of millions of people towards well being pleasure and health. The app features personalized or group Tabata-primarily based interval workouts and group coaching experiences with in-app coaching.
Optometry is a health care profession which entails analyzing the eyes and applicable visual methods for defects or abnormalities as well as the medical analysis and administration of eye illness. In case you already exercise commonly, you'll be able to stop to examine your heart price periodically during an aerobic workout.
Our Mission: To place Judeo-Christian principles into apply by means of packages that build healthy spirit, thoughts and body for all. Getting up off the sofa and taking part in common bodily exercise is one of the most essential things you are able to do to make sure you remain healthy.
To succeed in your goal weight, all you could do is stay at or beneath your daily calorie allotment, a quantity the app generates while you first enroll and enter your private info. Exercise – any bodily activity that enhances or maintains physical fitness and general health and wellness.
The smart alarm rings while you're in a light-sleep-stage cycle, a healthy time to stand up. While it's important to treat those that are ailing, it is equally important to constantly improve the standard of life for those who are healthy. Whereas we work with individuals at all health levels, we offer a particular concentrate on serving to those not accustomed to bodily activity to develop safe and efficient exercise routines.


If you find yourself in need of a performance vehicle that is equally capable while commuting or discovering places unknown, look at BMW's invigorating X3 Sports Activity Vehicle.
BMW's history is dotted with legendary vehicles, but even among those, the 7 Series is held in particularly high regard. With its confident and poised exterior to its lavish and driver-oriented interior, the BMW 7 Series has been the first and last name of the full-size luxury sedan segment for more than 40 years.
It was once thought that a vehicle had to sacrifice character in the name of efficiency. That misconception has been completely dismantled with the inception of BMW iPerformance, a lineup of three attractive plug-in hybrid vehicles that you feel good about driving for more reasons than just efficiency.
Autumn is a fantastic time to enjoy the cooler weather and gather with family and friends to celebrate community as well as tasty food and drinks.
Fall maintenance is key to helping your BMW recover from the heat of summer and prepare for the cold of winter. To ensure that you get the most for your money, The BMW Fall Service Event offers two ways to save on vital services.
Haunted Towns in the U.S.
The autumn brings with it chilly winds, rustling leaves and stories of spirits that exist somewhere beyond our reality.
Earlier this spring, BMW kicked off the latest entry in its Ultimate Driving Experience program. The 2018 BMW Ultimate Driving Experience will visit a total of five cities nationwide, offering new and experienced drivers the opportunity to take part in a wide variety of driving courses behind the wheel of the Ultimate Driving Machine®.


Seriously this bag can carry it all. Top snap closure. Includes fun size removable bag with adjustable/detachable shoulder strap. Small bag has top zip closure. Inside zip pocket. Cell phone pockets. Outside it has a back zip pocket. Can be used as a separate crossbody bag. Available in rust red and olive green.
Dimensions 11 1/2" x 13" x 8" pouch 10 1/2" x 9" x 4 1/4"


Notes: This dial is the earliest variant of the "Superlative Chronometer / Officially Certified" (SCOC) dial on the 1675 and this designation continues until today.
Type 1 vs Type 2: Between these dials, the most obvious difference is in the coronets. The crown of the Type 1 has a characteristically small base and is skinnier than the other chapter-ring coronets, looking a bit more like a child's drawing – but charming in it's own right. The Type 2's is larger, wider, and has a longer but flat and symmetric base. With regards to the font changes, I look to the Type 2 with its characteristically flat and wide top of the A in "Master," stretched top and bottom portions of the S in "Superlative," and the skinnier O in "Officially," to name a few.


text:
Defend Charlie Hebdo's Publishing Disgusting Cartoons About Muslims? Yes. Give Them an Award for It? No.
The issue is the cartoons—and what they mean to ordinary French Muslims.
By Jon WienerTwitter
Supporters of French far-right Front National leader Marine Le Pen hold placards reading "I am Charlie" in January 2015. (AP Photo/Claude Paris)
It's a simple distinction, but somehow it's been overlooked by a lot of those who support the decision by PEN to give its "Freedom of Expression" award to Charlie Hebdo. Those who signed the protest against the award (I was one of them) agree that Charlie Hebdo had a right to publish cartoons about Islam, no matter how disgusting, and not be killed for doing it. The question is whether Charlie Hebdo should be given an award for publishing them.
I've been a huge fan of Katha Pollitt for decades. In defending the PEN award in The Nation, it's clear that she understands the distinction here. But a lot of others don't. For example, David Remnick, editor of The New Yorker, said "It was right to defend Salman Rushdie when he was under attack and it is right to defend those under attack now." But we all agree that Charlie Hebdo should be defended. The question is whether their cartoons should be celebrated. The writer Kurt Andersen declared that "this is one of those incidents that makes a clear line, and you're on either one side or the other." He means that if you're against the award, you're for the murderers. Actually I'm not, and neither is Joyce Carol Oates or Rachel Kushner or Peter Carey or Francine Prose, former president of PEN, all signers of the protest letter.
The issue is the cartoons. We are told we don't understand them; Katha says they are really "indictments of the racist and anti-immigrant views of right-wing French politicians." Others have said the cartoons "speak truth to power." The most objectionable one I've seen is labeled "Mohammed," and shows the Prophet naked on his hands and knees with his ass in the air, inviting anal sex; the cartoonist has drawn a star over his anus, and the caption says "a star is born." In a second cartoon, an ugly naked Mohammed figure in the same pose is asking the director filming him, "Do you like my ass?" The line is Brigitte Bardot's, in Contempt, from 1963, and the director in the cartoon is Jean-Luc Godard–a brilliant reference, but easy to see why young Muslims might not get it. (you can see the cartoons at http://csglobe.com/wp-content/uploads/2015/01/Charlie-Hebdo-Fired.jpg )
The Charlie Hebdo cartoons, Katha says, are really "the opposite of what they seem to American readers"; you have to be "immersed in French cartoon culture" to understand them. Maybe so—I'm certainly not. In fact, the context of the cartoon "a star is born" is not hard to find: Charlie Hebdo was commenting on the notorious YouTube video, "The Innocence of Muslims," released in 2012, which, according to The New York Times, depicts the Prophet Mohammed as "a buffoon, a womanizer, a homosexual, a child molester, and a greedy, bloodthirsty thug." Charlie Hebdo here seems to be piling on, rather than indicting the French right for racism. It's hard to imagine that a French Muslim would see these "star is born" cartoons in Charlie Hebdo as anything other than horribly offensive. Sometimes, as Katha says, "the road of excess leads to the palace of wisdom"—but what exactly is the wisdom one arrives at on this particular road?
Garry Trudeau and others criticized Charlie Hebdo for ridiculing the weak and the powerless in France today. In response, Katha argues that the cartoons in fact mock the powerful—fundamentalist Muslim authorities who oppress women. But take a look at those cartoons again; they're not about defending Muslim women from fundamentalist imams; they are about "Mohammed" inviting anal sex. I doubt that secular or moderate French Muslim women would see these cartoons as representing their views or defending their position; I imagine it would have the opposite effect and draw them back into the fold to defend Islam.
If Hillary Clinton were portrayed in the same pose as Mohammed in these cartoons—naked ass in the air, inviting anal sex—and then some angry feminists shot and killed the editors who published the cartoon, we would all defend the editors' right to publish. But would PEN give them an award? I doubt it—even though you might say it would take "courage" to publish such a cartoon. As Francine Prose said, I'm glad the ACLU defended the Nazis' right to march in Skokie, and I'm also glad they didn't give the Nazis an award for marching in Skokie. (That's not to say the murdered Charlie Hebdo's editors were Nazis—they were "aging sixties leftists"—my people!)
And yes it's true that Charlie Hebdo also ridiculed Christianity and Judaism. But they are not getting an award for ridiculing Christians—and PEN would never give them an award for having the courage to ridicule Jews.
Jon WienerTwitterJon Wiener is a contributing editor of The Nation.


DUTY FREE PHILIPPINES CORPORATION (DFPC), the sole government agency that has exclusive franchise to operate duty and tax free shops, is set to open two largest shopping outlets next month — the DFP Luxe Store and the NAIA Terminal 3 Landside Store.
"We are delighted to announce our two biggest DFPC shopping destinations for our tourists and balikbayans in the country. Our initiative is driven by the Department of Tourism's commitment to promote the Philippines as a premiere tourist destination," DFPC Chief Operating Officer Vico A. Angala said.
The Duty Free Philippines Luxe store will be the first ultra-luxurious travel retail destination in the country that will provide guests with a very discriminating and sophisticated duty free shopping experience. This 4,200 sqm multi-level facility is located in the heart of the shopping and entertainment district of Manila and within the tourist center of SM Mall of Asia complex.
Angala said the Luxe Store's boutiques and shops will carry a wide selection of high end imported goods and retail mix that will capture brands across all spectrums—from luxury designer labels like Bally and Ferragamo to mid-priced fashion labels like Coach and Michael Kors.
"This new upscale shopping environment will set a standard for the affluent market especially in South East Asian countries," he added.
Meanwhile, the NAIA Terminal 3 Landside Store, strategically located at the arrival lobby of the airport, will cater to a diverse mix of international passengers by offering a powerful line up of duty free staples, such as premium chocolates, perfumes, liquor, tobacco and other grocery items whose prices are guaranteed to be lower than market prices in Manila.
"DFPC has carved a unique niche in the travel retail industry. Despite the increasing market of other retailers and online shopping, DFPC maintains to augment market revenues, expand its reach to consumers to support the Philippine economic growth," said Angala.


View the monitoring station operations and facility.
Call us BEFORE you switch to find out what your VoIP provider didn't tell you!
Using Cellular for communications with your security system?
Call us to find out what your alarm company prefers that you didn't know, and what the bad guys already know!
Advantage Security Inc. offers several solutions so that a protected premise is not inadvertently compromised as landline telephone service is discontinued in favor of Voice over IP (VoIP) phone service. The problems result when VoIP is installed and the adapter is connected to a DSL or cable modem for Internet connectivity.
An incorrect installation often happens because digital phone service and dial-tone is back-fed to all phone-jack wiring on the premises. This incorrect installation procedure by the installing VoIP provider (in many cases your cable TV provider) defeats line seizure, which is required so the alarm-system panel cannot be interrupted by a local phone call during an alarm transmission.
If someone in the alarm business tells you that VoIP will operate reliabilty, even in the best of circumstances, you should view that as insight into their technical credibility. VoIp failures are frequent and with potentially catastrophic results!
When an alarm system communicates via a POTS line - or Plain Old Telephone System - a telephone call requires the same amount of bandwidth whether someone is talking or during a silent pause. VoIP protocol, on the other hand, compresses the signal to minimize the file size it needs to transmit. The conversion process is what often causes alarm-system glitches. To compound the problem, the compression ratio used by VoIP providers varies greatly. Even within the same providers network, the compression ratio may be based on current network capacity.
How does Comcast Digital Voice® service work with monitored home alarm systems?
Comcast Digital Voice works with most modern, home alarm systems that use tone dialing and standard data protocols. Comcast does not guarantee that the Comcast Digital Voice (including, without limitation, the feed between the alarm panel and the Comcast-supplied eMTA) will be uninterrupted or compatible with each and every make or model of home alarm systems.


text:
Lovecast 229 – GotSome [MI4L.com]
GotSome is UK producer and DJ extraordinaire Adam Gorsky, a man who has been on an upward trajectory since his arrival on the international circuit in 2014. In an amazingly short space of time, he has clocked up a series of achievements and career highlights that place him one step ahead of most of his peers and affirm his position as the leader of a new generation of talented British producers.
Adam's skills have already spawned a slew of bass-heavy, dance floor destroyers including 'Bassline', championed by Radio 1's B.Traits and Annie Mac and signed to Defected Records with a huge package of remixes from house legend Kenny Dope, Friend Within, Chus + Ceballos and Chocolate Puma.
More recently he collaborated with the 'Godfather of grime' Wiley to produce 'Vibe Out', which was signed to Chase & Status' inimitable label MTA Records. The 'Tell You Why' EP came out through Monki's label Zoo Records and his track 'Colours' appeared on UKF's 'Bass House' compilation. He has also dropped a succession of equally lauded, bombastic productions including; 'If You Wanna' (with Tazer), 'Move It Back' (with AC Slater) and 'Run Di Dance', and a plethora of remixes for big-name talent including Basement Jaxx, Róisín Murphy and the likes of Craig David with many more to come.
Gig-wise, he has been inundated with requests from around the globe, keeping most of the early tours to UK and EU territories, the jewel in the crown so far being a prestigious Together residency at Amnesia in Ibiza, where he played all summer long at the club's event. The world famous Cafe Mambos provided the setting for the warm up to these monumental shows where GotSome could be found easing the Ibiza crowds into their nights. Outside of Ibiza he has toured Asia with shows in Hong Kong, Singapore, KL, Bali & Bangkok. He also appeared at Glastonbury and Bestival (UK), SW4 and Fabric (London), Warehouse Project (Manchester), Arcadia and Motion (Bristol), Hideout (Croatia), Snowbombing (Austria), AMP Lost and Found (Malta), Superheroes (Dubai) and many more.
Adam's early diet of of pirate radio and sneaking into raves before he was the right age set him on the pathway to his current success and birthed GotSome's unique mixture of old- school elements and modern production. Names like Basement Jaxx, The Prodigy, J Dilla, Switch, Bugz In The Attic, Roni Size, MJ Cole and DJ Die have inspired the sound that emanates from GotSome's Bristol studio.
Whether it's throwing down dynamic sets at the world's best clubs and festivals, or spending hours on end tweaking his unstoppable bass-heavy creations in the studio, GotSome is a force to be reckoned with whose sharp rise shows no signs of letting up…
1. Dan Shake  3 AM Jazz Club
2. Joy Orbison  Donell
3. Wolf Story  Crazy
4. Eliphino  Lay Me Down
5. ZDS  Pinky (Monkey Safari Remix)
6. Norty Cotto  ASADO (Nortys Sazon Remix)
7. Sharon Pass & Steve Silk Hurley  The Word Is Love (Alfred Azzetto Classic Rework Remix)
8. GotSome  Larry (Original_Mix)
9. Steven Julien  Bloodline
10. GotSome  Untitled
11. Moodymann  No
12. DJ Le Roi  I Get Deep feat. Roland Clark (Late Nite Tuff Guy Remix  Emanuel Satie Rework)
13. Harry Romero  Selekta (Extended Mix)
15. Eats Everything  The Tribute (Original Mix)
16. MASC  Eye Feel
17. Boeke  She Came Hot
18. GotSome  Everybody Know Now (Radio Edit)
Interview with GotSome
How did you first get introduced to underground dance music? What is the most challenging part of becoming a full-time producer and touring artist?
Definitely holding down normal things, like having relationships with people, being healthy, and getting a decent amount of sleep.
What has been the most exciting turning point of your career so far?
Obviously Bassline was great as it was probably the record that put me on people's radar outside of Bristol, but honestly I'm really excited about the music I'm making now. I'm being totally honest with myself and going back to house which I've always loved, so I feel as good as I have done in my career.
Where is your home base? If someone were visiting there for the first time, what clubs and/or parties and/or restaurants would they want to check out?
Bristol is my home base. Anyone visiting is spoilt for choice in terms of culture: there's so much going on here. Clubs, galleries, record shops etc, but also there's a great culture around food in Bristol. There's a chef called Josh Eggleton who's got a pub called the Pony & Trap which is just amazing
What advice would you give to an aspiring producer?
Be yourself and carry on! Even when shit's not great. Especially when shit's not great actually.
What's on the horizon for you in 2018?
As I said I'm really focused on cementing myself back within the house scene. I've just released a big single called Everybody Know Now on Armada Deep that's doing really well and getting some good attention. I've got a release out on Nervous next month that's a bit of a tribute to Larry Levan, followed by an EP on Sweat It Out, then I have this record 'Gurlz & Boyz' which Annie Mac premiered at the start of the year. I sampled a couple of big records so had to get some stuff cleared and resampled. That could be a big one, got crossover potential I think. Then there will be an EP on King Street Sounds, kinda tribally, funky, garagey. I love producers like Karizma, so you can definitely hear some of that influence in there.
Do you have any hobbies outside of music?
I'm pretty active, got really into yoga, go swimming a lot, go to the gym. I like keeping fairly fit and busy
What are some touristy things you do while playing in a foreign city?
I always ask the promoter to take me to a good restaurant, one where they would go to themselves. That's pretty much all I have time for when I'm touring.
Dream gig…
I really like the look of Shamabala in Canada, and Northern Lights festival in New Zealand. I played Burning Man a few times: that was a dream gig. I've actually done quite a lot of my dream gigs, so now it's about looking out for new ones.
Name one of your go-to tracks…
When I was putting the mix together I was finding loads of older tunes, especially Moodymann ones that I've known and have been playing a lot. But one that stands out now is Harry Romero, 'Selector' – been playing that a lot. Absolute G.
Drink of choice…
Vodka or good tequila. Tequila is great as you can mix it if you want a more relaxed drink, or shot it if you need to party. It's versatile!
August 01, 2018 By Jimbo James