text:
Jonathan's sword was honest.
It tries to put itself out there, and moves without a hint of deception.
Despite its obvious trajectory, it's almost impossible to deflect.
Honest strength, that was Jonathan's sword.
But not Leira's.
She wanted to be the same.
However, her honest sword broke at a swing on the King Goblin.
The shock of that day and her traumatic childhood piled on her and created weakness.
What sword art could the weak use to be victorious?
As Leira battled the training dolls, she subconsciously searched for the answer to that question.
It was when she knocked down the level 1 training doll that she concluded,
'Engrave a blade like a ray of light within darkness.'
Yes, Leira was familiar with darkness.
Between the darkness walking alone on the streets as a child,
A ray of light called Raytely parted that darkness.
The darkness returned as she lost him.
To part away the darkness once more, the only way to do so was with her blade.
So Leira hid her sword in the darkness, and only shined when unsheathed from a swing.
It was the opposite of Jonathan's sword art, which was always true and honest to its movements.
"Junior, the fact that you realize that means you have grown one step further."
Jonathan laughed happily.
Leira was learning to accept her swordsmanship at an age he spent denying his.
He was sure she'll grow quickly.
They continued on forward exchanging conversations.
No major threats have appeared since the Mokidi Bandits.
Occasionally a monster appeared and Jonathan slayed it.
Jinhyuk cooked it to feed it to Lilil.
Time passed to the night before their arrival at the capital, where they talked in front of a bonfire.
Jonathan was amazed as he heard Jinhyuk's story.
"Indeed, Mr.
Jinhyuk was at the pinnacle of another world.
I knew that the power you exerted was very different from that of this world."
"Excalibur was also the holy sword of our world.
Though there's probably no human being who could wield it."
Excalibur was a sword only known through rumors and it took Jinhyuk some effort to get it.
It was told that no one could wield it, but he believed he could as an all-master.
However, it was after obtaining it he realized that Excalibur was a sword only those with a strong sense of responsibility could use – the King's Responsibility.
Jinhyuk had no sense of responsibility.
"I have no right to criticize other humans."
He was a hero that saved the world.
But it was not out of a sense of responsibility for his strength, but out of the joy of being respected.
There were many insignificant people, but could he say that he was any more than them? No, not at all.
He was, after all, a human being himself.
'Even though I'm an All-Master, I only now learned the Strike of Responsibility.'
Could he pride himself on being an All-Master? There was much he lacked to have such a title.
Jinhyuk has merely learned the Strike of Responsibility as a skill.
It didn't mean he knew anything about having a proper sense of responsibility.
He was completed as a hunter but not as a human being, which Jinhyuk thought was difficult for him to be.
Could he maintain kindness while thoroughly separating personal matters with others like Lilil? Act recklessly in anger over the death of a relative like Leira? Or, Could he show a sense of responsibility despite being insulted for the rest of his life like Jonathan?
None of them.
Jinhyuk knew he couldn't be like any of them.
At the pinnacle? The best? None of that mattered.
In the end, no one truly acknowledged him.
What they liked was not Jinhyuk himself, but the title of the strongest hunter, the All-Master.
But Jinhyuk liked Lilil, Leira, and Jonathan.
Not for their abilities, but their humanity.
This world was better than Earth.
Perhaps if he stayed in this world, maybe one day he'd be able to be complete as a person.
He wasn't sure if that was even possible, or what it means to be complete, but maybe it will happen someday.
He had hope.
But he couldn't express such hope, and simply smiled carefully.
"I have no right to criticize others now, but I want to be qualified to do so one day."
"That day will come.", said Jonathan.
A quiet night with the crackling of the bonfire.
Lilil and Leira were asleep next to Jinhyuk.
"These juniors carry a pain within themselves.
I could tell through the conversations.
And so do you, Mr.
Jinhyuk, but a different kind of pain.
You will support each other to relieve the pain.
That's how you grow."
Jonathan seemed to call his past.
Jinhyuk didn't know what kind of past he was recalling, but Jonathan too had difficulties in life.
And he grew within it.
He will try to grow further as time goes on.
Jinhyuk looked up at the night sky as he watched Jonathan step towards the endless sense of responsibility.
Bright, beautiful starlights were illuminating the night sky.
"Tomorrow would be a farewell."
Abruptly, the coachman sat between Jinhyuk and Jonathan.
They looked at the coachman at the same time as they took off the hood they were wearing.
Her long shiny silver hair drops.
Her appearance was silver, with alluring red eyes that gleamed in the silver like a ruby.
"Um, I wasn't aware you were a woman because of the hoodie.
And the neutral voice."
Jinhyuk left his honest impression.
"I hear that often.
I interrupted to introduce myself formally, since we are to part ways soon.
I hope I'm not being disrespectful."
"You must be more exhausted than any of us, coachman.
What could possibly be disrespectful?"
The coachman bowed her head slightly and spoke.
"My name is Fleur, the commander of the Fleur corps."
"Ah, yes, flu… What?"
She spoke so casually that Jinhyuk almost dismissed it, but quickly noticed something strange.
His eyes widened in surprise.
" Y-you mean the Fleur mercenary corps? That 100 million derat Fleur?"
We wander around the world disguised as various identities.
All the Fleur mercenaries are like this."
He knew the coachman was strong, but not that she was Fleur.
Jinhyuk stared blankly like he'd been hit in the head, and bursted out laughing.
"Why did such a strong person stand still during the Mokidi Bandits?"
"I was thinking of stepping in if I felt it was getting dangerous.
But the moment I was about to, Mr.
Jinhyuk destroyed the bandits with a strange weapon.
So I stayed put.
They'll be fine, I thought."
Or so she said.
Fleur couldn't help but be astonished to see Jinhyuk's special power and the weapon he handed over to Jonathan.
To be on such a level without using any magic – what would it be like if he did? She couldn't even begin to imagine.
Jinhyuk grows stronger as Summoner Lady Lilil's magical power grows… It is quite tempting.
I'd have Ms.
Lilil join the Fleur mercenary immediately if I could."
"What's the point of joining a mercenary corps that doesn't do their job?"
"Fufu, mercenary status is merely a camoflague."
"A camouflage? Then what are you really doing?"
"I cannot reveal my exact identity.
If it leaks, it will be troublesome."
However, I can tell you one thing is certain.
"The Fleur mercenary corps aims to eliminate the Cruel One."
Eliminating the Cruel One.
That's something Lilil would like to hear.
The reason she's working on her talents is to take revenge on the Cruel One.
"For you to tell us that… "
"Miss Lilil and Leira are victims of the Cruel One as well.
We mean to provide help."
"Any information we gather about the Cruel One, we will immediately share with you as well.
In addition to that…"
Fleur looked at Jonathan.
"Jonathan, I want you to join the Fleur mercenary."
"Oh my… Did Ms.Fleur fall for my looks as well?"
"Not sure if you were joking, but I don't know how to respond to that.
I'm not really good with that."
Jonathan scratched his head in embarrassment.
"It is truly an honor to join the Fleur mercenary.
I haven't been directly harmed by the Cruel One, but seeing Miss Lilil, Miss Leira, and Mokidi, I have learned a lot."
Jonathan thought to himself: If you become strong in this world, what do you need to achieve at the peak to unleash your sense of responsibility? Isn't the point of becoming strong to defeat someone, and protect some another? At the very least, it isn't to make anyone suffer.
Jonathan believed should he become strong enough to reach the pinnacle, he should kill the Cruel One.
The peak responsibility would be to eliminate absolute evil – he had no reason to reject Fleur's offer.
"The peak responsibility, I will join the Fleur Mercenary."
"Thank you for graciously accepting the offer."
The peak responsibility.
Jinhyuk pondered those words.
Perhaps that's what he lacked.
The reason he was bored even at the peak, and the reason he could not wield Excalibur, may have been due to lack of responsibility.
'But now there is someone to take responsibility for.'
His summoner,
His master.
Jinhyuk glanced over at sleeping Lilil.
When Lilil summoned him, was it merely the idea of getting stronger that made him excited?
Perhaps it was because of a sense of responsibility.
Going through sealing a summon contract, he may have found the emotions and responsibilities of the summon for their summoner enjoyable.
Though that's not exactly the case.
For now, that's why it was fun.
'Yeah, for now… '
Responsibility he felt towards his summoner Liril.
That may be the only reason.
When Lilil achieves her goal, he loses responsibility and may become bored again.
But that's still a long way off.
If one day he becomes a complete person, perhaps he'd have a sense of responsibility for people other than Lilil.
People like Fleur and Jonathan will become precious bonds when he looks back to this time.
But now was time to part ways.
By the time Leira was happy to defeat the level-5 training doll,
And Lilil's stomach filled with 10 more monsters that appeared during the journey,
They were able to arrive at the capital.
"Take care of yourselves."
With the academy in front, Fleur and Jonathan spoke.
"There is no place as enjoyable as the Academy,"
"But no place more dangerous than the Academy."
A place where sensitive teenage students gathered.
A place that plants such students with competition and the fear of failing.
A place that struck down on evil spirits and demons that arose in the process, calling them failed students.
A paradise to glorify their school days, coexisting with a place that certainly is hell for some.
They have arrived at the academy.


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The game journey is designed through multiple engaging levels to build curiosity.


text:
#6 Pirates of the Caribbean: The Curse of the Black Pearl
on The Greatest Movie Themes
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12 Supposedly Heartwarming Movie Endings That Are Actually Kind Of Creepy
T.W. Mitchell
Vote up the sentimental endings with the creepiest implications.
Doesn't everybody love a happy ending? At the end of the day, we want to see our beloved film protagonists succeed. Whether it's saving the world, earning the affection of their love interest, or solving the big mystery, everyone hopes for the hero to win the day.
But that doesn't mean sentimental finales always make for the tightest of endings. For instance, the 1985 Marty McFly returns to at the end of Back to the Future is all well and good, but would the McFlys really want to keep Biff Tannen around after he tried to attack Lorraine Baines in 1955? And would Sean Archer's wife really want to adopt a kid without being consulted beforehand at the end of Face/Off? And do we even need to bring up the bizarre "Jacob-imprinting-on-a-baby" storyline wrapped up at the end of the last Twilight movie? All of the endings below are certainly happy, but that doesn't mean they aren't a little bit weird and creepy at the same time.
'Radio Flyer': The Abused Brother Escapes! Except He Didn't - He's Clearly Dead And Mike Just Won't Acknowledge It
Photo: Columbia Pictures
Radio Flyer has an infamous ending. When a film critic like Roger Ebert absolutely goes to town on not only the finale but the movie as a whole, you know you've struck a nerve. So, the setup goes like this: Tom Hanks's Mike narrates a story about his childhood in the late '60s in which his younger brother, Bobby, is constantly abused by their stepfather. Inspired by an urban legend of a sort, Mike and Bobby jury-rig their Radio Flyer wagon into a flying contraption that somewhat resembles an airplane so Bobby can fly away.
At the end of the movie, Bobby actually flies away on the Radio Flyer plane in a scene that defies all logic. Bobby, an 8-year-old kid, sails through the skies away from his abusive stepfather and, supposedly, just does whatever he wants during his life on the road. Mike and his mom begin to get postcards from Bobby shortly afterward, and when we flashback to the present with Hanks as the grownup Mike, he claims to still get postcards from his brother to this very day. Except, um... no. Bobby is clearly dead, and the story of his escape is clearly a pleasant concoction of Mike himself - a more optimistic version of reality he can pass along as bedtime stories for his children. In the psychological community, this is known as "denial."
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'Jumanji': Alan And Sarah Remember Decades Of Lives They Now Have Never Lived
Photo: Sony Pictures Releasing
With all due respect to the rebooted Jumanji franchise, the new movies simply can't match the heart of the 1995 original. Much of this comes down to the warm performances of both Robin Williams and Bonnie Hunt as Alan and Sarah. As adults, they feel like human beings whose lives were completely upended by a malicious board game more than two decades earlier. When their lives are reset back to 1969 at the end of the movie, you can't help but be happy for them. That's the kind of movie Jumanji is.
Although, they remember the two-plus decades they lived after Jumanji changed their lives for good back in 1969 at the beginning of the movie. So, when they finish the board game and reset the timeline, both Alan and Sarah have years' worth of experiences far past their actual preteen age. It's more than a bit unsettling when you really think about it.
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'50 First Dates': No Way Should Lucy Whitmore Be In A Relationship With Such Severe Short-Term Memory Loss
Of the three romantic comedies Drew Barrymore and Adam Sandler have done together over their lengthy careers, 50 First Dates is both the most successful and the most unhinged. Barrymore plays an art teacher named Lucy Whitmore who suffers from a fictional form of short-term memory loss called "Goldfield's Syndrome," and Sandler's Henry Roth really wants to be with her. But, since they met after her mishap, she'll never be able to remember who he is. Wackiness ensues all around.
That high-concept setup is nothing compared to the finale of the movie, though. The final scene jumps forward in time with Lucy watching a home video every morning titled "Good Morning Lucy." It turns out she's married to Henry and they have a daughter! Every single day of her life she learns not only does she have a debilitating, incurable medical condition, but she's in a years-long committed relationship with a total stranger... and they have a kid...
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'The Twilight Saga: Breaking Dawn - Part 2': Everyone Lives Happily Ever After Because Jacob Imprints On A Baby, Helps Raise Her, And Then Later Marries Her
Photo: Lionsgate
The ending of The Twilight Saga: Breaking Dawn - Part 2 isn't really a secretly creepy ending as much as it is patently, blatantly bizarre. And we're not talking about the twist where a massive battle with numerous deaths takes place only for it to be revealed that it all merely happened in a character's mind. No, we're talking about that very creepy thing where a grown adult imprinted on a baby, helped raise her, and eventually married her.
Yes, Alice's flash-forward sequence shows Jacob and Renesmee (Bella and Edward's young daughter) all grown up and loving on each other! Which, without context, isn't all that weird. Except when you know Jacob was there for Renesmee's birth and "imprinted" on her when she was a baby, things really take a turn. Go read the Twilight Wiki entry for "Imprinting" and it will make you feel very uncomfortable.
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'Big': Susan Sadly Watches As The 12-Year-Old She's In Love With Goes Back To His Mom
Photo: 20th Century Fox
Big is a delightful, heartwarming fantasy/comedy that vaulted Tom Hanks to the top of the A-list in 1988 on the back of a huge box office gross - and it earned a couple of Oscar nominations to boot, including one for Hanks. That being said, Big is also a very weird movie about a grown woman who ends up falling in love with a 12-year-old in a fully grown adult's body. Talk about "Yikes Central" over here.
The plot of the film gives Hanks an excuse to expertly act like a 12-year-old for the majority of the runtime, but it also doesn't deal with the fact a grown woman falls in love with him and - wait for it - has a sexual relationship with him during the movie. Of course, it's not really her fault at the end of the day. Why would she believe a 12-year-old has been magically transformed into an adult by an antique fortune-telling machine? It's absurd. Still, watching her drop off a child she's been dating back to his mother at the end of the movie is bizarre, even in context.
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Photo: Universal Pictures
Thomas F. Wilson's Biff Tannen is a fantastic villain to root against. He's big, he's brash, he's dumb, and he's mean. During both the 1985 opening and the 1955 where the majority of the film takes place, Biff exists to be a huge bully for the audience to hate. Mission accomplished! When we get to see him in the revised 1985 of the film's ending, the villain of the entire movie is nothing more than a tracksuit-wearing goof who is a far cry from the old Biff.
But, like, wouldn't the McFlys not want him around at all? Or did everyone just forget that time in high school when he tried to sexually assault Lorraine Baines? It seems like the mere sight of the man would bring back some harrowing memories for Marty McFly's mom. One punch from George McFly and everything is good now? There has to be another mechanic in Hill Valley!
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redpajama_set_name: RedPajamaCommonCrawl


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Thailand accused of ignoring Myanmar migrants' plight
NGO accuses Thai government of turning blind eye to trafficking of Myanmar migrants to work in Kingdom's fishing industry.
A British environmental group has accused the Thai government of turning a blind eye to the trafficking of Myanmar migrants to work in the Kingdom's fishing industry.
Environmental Justice Foundation (EJF) found in a 2014 investigation that "endemic corruption, poor enforcement, inadequate victim support, unacceptable working conditions and deficient migration policy have not been addressed" in the country.
The NGO released a report Tuesday titled "Slavery at Sea: The Continued Plight of Trafficked Migrants in Thailand's Fishing Industry." In the report, it calls for the United States to downgrade the status of Thailand in its annual trafficking report – a measure which would lead to commercial sanctions.
Between 2-3 million migrants from Myanmar work in Thailand, around half of them illegally. A large number work in seafood processing factories along the coast of the Gulf of Thailand or on fishing boats after arriving in the country through brokers who promise them jobs in factories, but then send them to sea.
They work from 6-10 months without payment in order to reimburse the "broker's fee" and are not allowed to leave the boat during this initial period, the report - released March 4 - said.
EJF gave the example of a 21-year-old Myanmar worker who was promised work in a pineapple factory, but then driven to the Thai fishing port of Samesan where he was told to get on a fishing boat.
"He was compelled to work on the boat for ten months without pay before he managed to escape. He and his fellow crew suffered abuse and violence at the hands of the boat's captain," the report said.
Thai authorities responded to the report with a statement saying they are trying to fight human trafficking, highlighting fishing boat owners' construction of a new center to regulate the trade and support police in the instance of abuse.
Thailand's Department of Special Investigation, a department of the Thai Police under the Ministry of Justice, has also launched several raids over the last two years to rescue Myanmar workers who were under-aged, abused or retained on boats against their will.
EJF, however, concluded that "insufficient progress is being made by Thailand - one of the world's largest seafood exporters to the U.S. and Europe - to suppress and prevent human trafficking" in the industry.
#Myanmar,
#rohingya
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Large fire devastates Rohingya refugee camp in Bangladesh
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text:
A61N 5/06
A SPACE ENERGY IMPLOSION UNIT AND AN ENERGY AMPLIFICATION GENERATOR USING THE SAME
Lee, Eun-Jae
Lee, Yong-Won
European Patent Convention R 137(3)
Rules of procedure of the Boards of Appeal Art 12(4)
The filing of experimental results is not to be seen as an obligation resulting from the EPC imposed on the applicant but, in contrast, as a right, recognised by the practice and the case law of the boards of appeal, providing the applicant with the opportunity to convince the examining division or board of appeal that it erred in its initial findings (cf. point 4.1).
I. The appeal lies from the decision of the examining division to refuse European patent application No. 07 833 098.
II. The application was refused by the examining division because the applicant's main request did not meet the requirements of Article 83 EPC and Rule 42(1)(c) EPC.
Auxiliary requests 1 - 3, which were filed during the oral proceedings before the examining division, were not admitted into the procedure because they were considered to contravene Rule 137(3) EPC and Rule 116(1) EPC.
III. In the reasons for the decision, the examining division held that the notion of "space energy", underlying the claimed invention, was not clearly defined. In this respect, it was stressed that its existence was neither proven nor accepted by the scientific community. The same shortcomings applied to the notion of "torsion field" presented by the applicant as equivalent to the concept of space energy. The evidence provided by the applicant in order to prove the alleged effects produced by the invention with regard to the treatment of patients or the preservation of foodstuff did not convince the examining division.
IV. The appellant requested on appeal that the decision of the examining division be set aside and that a patent be granted "on the basis of the valid claims".
In support of his arguments, the appellant filed the following documents:
F1: US-A-6 548 752;
F2: Article of Wikipedia. "Torsion field
pseudoscience)";
F3: Article entitled "Spin-field Generator", A.
Shpilman;
F4: Article entitled, "Torsion Fields and their
experimental Manifestations", A. E. Akimov, G. I.
Shipov, 1996;
F5: Article entitled "Electromagnetic Waves in the
Vacuum with Torsion and Spin", R. M. Kiehn, Physics
Department, University of Houston, Houston, TX
77004, 3 July 1998;
F6: Certificate of the "Research Team of Rotating
Electro-magnetic wave in School of Mechanical
Engineering Ajou University", with protocol of
measurements carried out;
F7: Protocol of measurements carried out by the
"Research Team of Rotating Electro-magnetic wave in
School of Mechanical Engineering Ajou University";
F10: Protocol of measurements carried out by the
F12: Quality certificate issued by the "Research Team
of Rotating Electro-magnetic wave in School of
Mechanical Engineering Ajou University".
V. In accordance with the appellant's request, a summons to attend oral proceedings was issued.
VI. A communication informed the appellant of the provisional opinion of the board with regard to the merits of the main and auxiliary requests underlying the impugned decision.
VII. In a letter dated 20 February 2018, the appellant informed the board that he would not attend the oral proceedings.
The appellant did not comment on the provisional opinion of the board.
VIII. Independent claim 1 of the main request underlying the decision in suit filed under cover of a letter dated 18 August 2010 reads:
"1. A torsion field implosion unit comprising:
a planar structure (1) having a regular pentagonal shape;
a cubic structure (2) which is installed to be separated from an upper portion of the planar structure (1) and has a regular pentagonal pyramid shape; and
a separation structure (3) which separates the planar structure (1) and the cubic structure (2) from each other and has a smaller area than areas of the planar structure (1) and the cubic structure (2)."
Independent claim 3 of the main request underlying the decision in suit reads:
a planar structure (6) having a regular heptangular shape;
a cubic structure (7) which is installed to be separated from an upper portion of the planar structure (6) and has a regular heptangular pyramid shape; and
Independent claim 6 of the main request underlying the impugned decision reads:
"6. An energy amplification generator comprising:
a first geometrical structure in which vertices of each of five or seven pieces of planar structures (1) having a regular pentagonal shape contact one another;
a second geometrical structure which is separated from an upper portion of the first geometrical structure and in which vertices of each of five or seven cubic structures (2) having a regular pentagonal pyramid shape contact one another; and
a plurality of separation structures (3) which separate the first geometrical structure and the second geometrical structure from each other, are installed between the planar structure (1) and the cubic structure (2) and have a smaller area than areas of the planar structure (1) and the cubic structure (2)."
Independent claim 11 of the main request underlying the decision in suit reads:
"11. An energy amplification generator comprising:
first geometrical structure in which both-end vertices at two continuous sides of each of five or seven pieces of planar structures (6) having a regular heptangular shape contact one another;
second geometrical structure which is separated from an upper portion of the first geometrical structure and in which both-end vertices at two continuous sides of each of five or seven cubic structures (7) having a regular heptangular pyramid shape contact one another; and
plurality of separation structures (8) which separate the first geometrical structure and the second geometrical structure from each other, are installed between the planar structure 6 and the cubic structure (7) and have a smaller area than areas of the planar structure 6 and the cubic structure (7)."
Claims 2, 4, 5, 7 to 10 and 12 to 15 are dependent claims.
As regards auxiliary requests 1 - 3 submitted, but not admitted, during the oral proceedings before the examining division:
Auxiliary request 1 differs from the main request in that the notion of "A torsion field implosion unit" in claims 1 and 3 has been replaced by "A unit for radiating a torsion field" and in that the term "An energy amplification generator" in claims 6 and 11 has been replaced by "A generator for radiating energy".
In auxiliary request 2, the term "A torsion field implosion unit comprising..." in claims 1 and 3 has been replaced by the term "A unit for radiating a torsion field, the torsion field being a force that is not gravity or electromagnetic force, the unit comprising...". Similarly, the notion of "An energy amplification generator comprising" has been replaced by the notion of "A generator for radiating a torsion field, the torsion field being a force that is not gravity or electromagnetic force, the generator comprising...".
Auxiliary request 3 differs from the main request in that the term "torsion field implosion unit" has been replaced by "unit" and in that the concept of "energy amplification generator" has been replaced by the term "generator".
IX. The arguments of the appellant, insofar as they are pertinent to the present decision, are set out below in the reasons for the decision.
2. Interpretation of requests
The Board interprets the appellant's request that the patent be granted "on the basis of the valid claims" as referring to the claims of the main request filed under cover of a letter dated 18 August 2010 and to the claims of auxiliary requests 1 to 3 that were filed at the oral proceedings before the examining division on 26 April 2012.
3. Main Request - Sufficiency of disclosure
3.1 It is, firstly, observed that the board does not understand how the torsion field or space energy are to be measured. In particular, it is not straightforward for the skilled person to identify which devices or systems could possibly be used for such measurements. Similarly, in the description (cf. paragraph [97]) reference is made to the frequency of the radiated space energy. In the absence of direct measurements of the torsion field or space energy, the board does not understand how the frequency of the radiated space energy could actually be measured.
With the statement of grounds of appeal, the appellant cited documents F1 to F5, suggesting that the terms used in the claims were well known in the art and that the term "torsion field" should be given the meaning recognised in these references. Moreover, the appellant claimed that over 40 000 Internet citations could be found concerning "Space Energy" in the sense of the present application and suggested that the skilled person would be able to understand the invention on the basis of these citations.
That these terms are well known in the art appears, however, questionable. Documents F1 to F5 suggest that the notion of "torsion field", also called "spin field", may be related to the spin of particles, a concept from quantum physics. Document F3 appears, in this respect, more concrete in that it associates the spin-field to the presence of spin polarisation.
It is, however, unclear from the present application what relationship exists between the claimed structure, the torsion field to whose generation it contributes, and the spin polarisation of substances. No specific Internet citation was cited which could serve to explain the concepts of torsion field or space energy. In this respect, the appellant's submissions are of no assistance in identifying how the torsion field or space energy could be somehow measured.
The applicant only refers to "indirect" measurements carried out on white rats or patients or on observations carried out on substances like milk or fruits. The Board however fails to understand how such measurements would lead to any conclusions as to the frequency of the radiated space energy. The appellant did not elaborate on the nature of these experiments or on their relevance for the claimed invention despite having been invited to do so in the provisional opinion issued by the Board. The criticisms raised by the examining division regarding the absence of a control group for the patients treated, the doubts regarding the statistical relevance of the experiments carried out, the absence of details as to the circumstances and the way the experiments were controlled, are thus justified (cf. minutes of the oral proceedings before the examining division, point 3.2.1).
3.2 The inventions also concern an "energy amplification generator". It is however unclear what relationship exists between said generator and the notion of "torsion-field" or "spin-field". The generators appear to be elaborated on the basis of the implosion units. This, however, appears to contradict the statement in F2 that the spin-spin interaction, underlying the torsion field does not carry mass or energy. This contradiction is an indication that the concepts used throughout the application are not used in accordance with their generally accepted usage and meaning.
3.3 Secondly, the appellant also did not elaborate on the relevance of documents F6 to F12 enclosed with the statement of grounds of appeal.
The board concludes that these documents neither assist the skilled person in carrying out the invention, nor make plausible the effects described in the patent application.
Most importantly, it is not established that the documents F6 to F12 relate to the claimed subject-matter.
Furthermore, the content and purpose of the experiments carried out is not straightforward. The same appears to apply to the results obtained. In particular, statements such as the following from document F7, cover page:
"Result:
(1) left turn positive
left turn positive + right turn positive
(2) minus - (5) ~ plus+ (9)
{(-5) ~ (+9)}"; or, from document F11, cover page:
"Result: the sample is verifies [sic] to be very active for removing the harmful water vein left turn energy" appear to the Board not to follow the rules of English syntax and to be largely meaningless.
3.4 The appellant contested the findings of the examining division regarding the absence of proof of the effects achieved by the claimed devices. It was emphasised, in this respect, that the EPC does not contain any requirements for such experimental evidence to be provided. The appellant further questioned the competence of the examining division to require such evidence.
3.5 Article 83 EPC 1973 requires that the invention be disclosed in a manner sufficiently clear and complete for it to be carried out by the skilled person. In the case of inventions in fields of technology without any accepted theoretical or practical basis, the case law of the boards of appeal has established that the application should contain all the details of the invention required for the effect to be achieved (cf. T 541/96, point 6.2). This is the direct consequence of the fact that the skilled person will be unable to rely on common and accepted general knowledge when dealing with inventions in such fields.
Concerning the burden of the proof, the following should be noted. It is not contested that it is for the organ raising the objection of lack of sufficiency to justify its view. It is, therefore, in ex-parte proceedings, up to the examining division or the board of appeal to substantiate the objection raised. A different approach would be tantamount to incorporate further conditions for the grant of a patent for which no legal support can be found in the EPC. Such objection should rely on concrete and verifiable knowledge or facts that question the reality of the effects provided for by the claimed invention. The lack of credibility may result, for example, from a conflict with established laws of physics or merely because the nature or intensity of the effects relied upon may appear rather "surprising" in view of what is generally achieved by the prior art.
It is then for the applicant/appellant to provide the arguments or evidence that convince the examining division or board to change its position. This may be achieved, for example, by way of a plausible theoretical explanation of the phenomena involved, or by providing results from experimentation or simulation. Reference is made, in this respect, to decision T 1842/06 (cf. point 3) of the present Board (in a different composition) where similar issues were discussed.
There is no provision in the EPC according to which the grant of a patent depends on the filing by the applicant of evidence that the claimed invention performs satisfactorily in the form of results of experimentation. It follows that the filing of such results is not to be seen as an obligation imposed on the applicant but, in contrast, as a right, recognised by the practice and the case law of the boards of appeal, providing the applicant with the opportunity to convince the examining division or board of appeal that it erred in its initial findings.
3.6 In conclusion, in the absence of any recognised meaning for the concepts of "torsion field implosion unit" (claims 1 and 3) or of "energy amplification generator" (claims 6 and 11), and being unable to verify by way of measurements any effect to be generated by the claimed entities, the skilled person would not be in a position to carry out the inventions, contrary to Article 83 EPC 1973.
4. Auxiliary requests 1 to 3
4.1 The examining division did not admit said three auxiliary requests into the proceedings in view of Rule 137(3) EPC and Rule 116(1) EPC.
Rule 137(3) EPC stipulates that, once the application has been amended a first time, no further amendment may be made to the description, claims and drawings without the consent of the examining division. This makes the admission of further amendments a matter of discretion for the examining division.
4.2 In accordance with the decision of the Enlarged Board of Appeal G 7/93 (point 2.6), a board of appeal should only overrule the way in which a department of first instance has exercised its discretion under the EPC if it comes to the conclusion either that the first instance department, in its decision, has not exercised its discretion in accordance with the right principles, or that it has exercised its discretion in an unreasonable way, and thus exceeded the proper limits of its discretion.
In refusing to consent to the filing of the three auxiliary requests, the examining division held that the amendments introduced in the claims of the auxiliary requests did not prima facie overcome the objections regarding the insufficiency of disclosure (Art. 83 EPC) and the failure to comply with R. 42(1)(c) EPC which had been developed with regard to the main request.
4.3 The examining division thus based its decision on the question of whether the amendments were suitable to overcome the deficiencies of the main request. The examining division hence applied the right principle when deciding on the admissibility of requests which had been filed at a particularly late stage of the examination proceedings.
The examining division also made a reasonable application of this principle, since the objections regarding the reference to a "torsion field" in the main request applied also to auxiliary requests 1 and 2. This also appears to be true insofar as auxiliary request 3 is concerned. In this respect, it is noted that the generalisation resulting from the replacement of the term "energy amplification generator" by the term "generator" in independent claims 6 and 11 of said auxiliary request 3 without specifying the nature of the generator, de facto renders the claimed subject-matter even more ambiguous and certainly does not contribute to solving the problem of sufficiency of disclosure raised previously.
In the statement setting out the grounds of appeal, the appellant did not comment on the decision not to admit auxiliary request 1 to 3 into the proceedings.
4.4 As a result, the board has no reason to overrule the way in which the examining division exercised its discretion in not consenting to the amendments under Rule 137(3) EPC.
4.5 Article 12(4) RPBA empowers the boards to refuse to admit requests which were not admitted in the first instance proceedings.
In the present case, admitting the auxiliary requests 1 to 3 upon appeal would mean that the examining division's discretion would be overruled.
As shown above, the board has no reason to overrule the way the examining division's exercised its discretion with respect to said requests.
Consequently the auxiliary requests 1 to 3 are not admitted into the appeal proceedings.


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Montgomery County Commissioners Court terminates troubled AFC contract for CPS parental termination cases
By admin on October 11, 2017 No Comment
Montgomery County Purchasing Director Gilbert Palomo speaks to the Commissioners Court on October 10, 2017.
Conroe, October 11 – "It was the right thing for the County to do," said County Attorney J.D. Lambright after the Montgomery County Commissioners Court voted unanimously after a lengthy executive session to terminate the County's contract with nonprofit corporation Advocates for Families in Crisis (AFC) at the conclusion of the October 10, 2017, Commissioners Court meeting. County Purchasing Department Director Gilbert Jalomo explained the recent history between AFC and the County but Assistant County Attorney B.D. Griffin advised him to stop during the open meeting session and shorten Jalomo's remarks. Lambright added, "This decision is 100% about ethics and conflicts of interest."
Jalomo explained that the Montgomery County government had sent a letter to AFC on August 18 advising AFC that the County had grave concerns about the selection of some attorneys who provide services in Child Protective Services (CPS) parental termination cases under a $989,240 per year contract with the County. AFC has provided those services since 2012.
Parental termination cases are, obviously, quite serious both for the children involved and their parents who are usually the subject to accusations of drug and alcohol abuse or other activities that result in actual or potential harm to children. On behalf of CPS, County Attorney Lambright's Office files between three hundred and five hundred parental termination cases per year. Usually, there are approximately three hundred of those cases pending at one time. Despite the parent-child termination request, Lambright and others have made clear that the real purpose in those cases is to bring healing to the family circumstances through court-ordered counseling or rehabilitation programs, so that an actual termination is unnecessary.
AFC provided the attorneys who represented the children and indigent parents as court-appointed attorneys. The idea behind the annual contract with AFC, according to Lambright and according to Office of Court Administration Director Nathan Jensen (who explained the idea during his 2017 budget presentation), was to give the Commissioners Court certainty with respect to the cost to taxpayers for paying those attorneys. Unfortunately, it turned out that the AFC contract cost Montgomery County substantially more than the previous system of appointing attorneys for each case from a random "wheel system" of selection. Please see "Million Dollar Crisis Besmirches County Vendor AFC," The Golden Hammer, October 5, 2017.
When this newspaper broke this story last week, there were three primary problems with AFC in its relationship with the County government:
The cost of the AFC contract is exorbitant compared to the amount the County had paid each year under the "wheel system" of attorney appointments.
AFC created an enormous conflict of interest, on October 2, by hiring John Lockwood, an attorney who had left the County Attorney's CPS Division on August 28, as the new Program Director. Since Lockwood had served on almost two hundred pending CPS parental termination cases on behalf of the County, when he became the Program Director for AFC to oversee the work of attorneys on the opposite side of many of those same cases, AFC had a conflict of interest under the ethics rules which govern attorney conduct in Texas. AFC tried to remedy that problem by terminating Lockwood's employment on Friday, October 6.
Several individuals inside the County government as well as AFC insiders, such as former Program Director and Board member Stephanie Hall, a renowned child welfare attorney, had express concerns, similar to those in the County's August 18 letter, about some of the attorneys representing children for AFC in CPS cases.
On Friday, October 6, Hall publicly expressed her criticism of AFC and gave the nonprofit 30 days' notice that she was discontinuing her relationship with the organization. AFC also terminated Lockwood and notified Lambright and Assistant County Attorney Sarah Stallberg the same day.
Letter from AFC's Director Elizabeth Payte notifying the County Attorney's Office of John Lockwood's termination as Program Director.
After the Commissioners Court members held an executive session with Lambright, in the open session, Jalomo presented the two primary options to the Court: either continue with AFC until its contract with the County expires on February 13, 2018, or terminate the contract with 60 days' notice, as the AFC-County contract requires. Precinct 3 County Commissioner James Noack asked whether immediate termination was possibly. Jalomo explained the 60-day notice requirement.
Precinct 1 County Commissioner Mike Meador moved to terminate AFC with 60 days' notice and to terminate their use agreement for an office in the James Keeshan County Building within 30 days. Noack seconded Meador's motion, which the Commissioners Court passed unanimously.
The County Attorney's Office send official termination to AFC this afternoon. The nonprofit will need to vacate the Keeshan Building office by November 9 and its contract with the County will terminate on December 9, according to Lambright.
Lambright explained that he hopes to resolve the pending motions to disqualify AFC attorneys, resulting from their hiring of Lockwood and his supervisory role, by short affidavits from each attorney handling CPS cases that such attorney didn't receive confidential information from Lockwood during his brief tenure as Program Director at AFC. Three motions to disqualify are set for hearing before Judge Jerry Winfree on Wednesday morning, October 11, at 9 a.m.
Lambright said, "The judges of the three courts that hear these CPS parental termination cases will need to decide how to proceed with the appointment of attorneys, whether it's the 'wheel system' or some other method."
Left to right: Montgomery County Attorney J.D. Lambright, County Attorney Office Manager Natalie Laurent.
Advocates for Families in Crisis, County Spending, Hall, Jalomo, Lambright, Lockwood, Noack
Montgomery County Commissioners Court terminates troubled AFC contract for CPS parental termination cases added by admin on October 11, 2017


The benchmark for off-roading since 1941, Jeep celebrates its Diamond Anniversary this year and special editions of popular models are to be launched shortly at Dhofar Automotive, the exclusive distributors of Jeep in Oman. Synonymous with adventure, the brand 'Jeep' inspires many to lead a life of thrills and provides its owners with a sense of security to take on any journey without fear.
Not surprising, when you realise it was created for the U.S military when it announced that it wanted a "Light Reconnaissance Vehicle" to replace the army motorcycles and Ford Model-T vehicles. Subsequently, the Willys Quad was produced. But the Army and the world, came to know it as the Jeep. Close to 277,000 were made for the U.S. Army and the rugged 4x4 became famous the world over when it was credited for winning the World War. A civilian version was produced in 1945. It had a four-cylinder engine, solid axles, brighter colors and better seats for the mass market. Without a doubt the war hero won the hearts of the masses too. This laid the foundation for today's impressive vehicle line-up consisting of the Cherokee, Compass, Grand Cherokee, Renegade, Wrangler and Wrangler Unlimited.
Thanks to Oman's unique geography, the brand has earned a cult status even in the Sultanate. Immensely popular among the young and the old alike, most Jeep owners live with the joy of owning a vehicle that can truly go anywhere. This automobile legend is only growing stronger by the day and is sure to stay in the hearts of every thrill seeker for years to come.


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HomeBig Sean
Music Recommendation – Single – Meek Mill ft. Big Sean and A$AP Ferg, "B Boy"
January 31, 2015 January 31, 2015 ajh0123 A$AP Ferg, Big Sean, Hip-Hop, Meek Mill, Music, Rap, Recommendation, Single	A$AP Ferg, Big Sean, Foxes, Hip-Hop, Meek Mill, Music, Rap, Recommendation, Single, Zedd
Behold, the rule-defying song that happens to be the second Big Sean-featuring track I have written about within a week. I will try to prevent that from happening again, but to be fair, this will probably be the best effort Big Sean will put into a song. While all three of these artists go in, Sean proves why he is finally famous with his jaw-dropping verse.
Meek Mill provides a good start to the song and keeps it interesting, but Big Sean starts out average (as per usual) and words pour out like sweet lyrical honey. Being honest though, I believe that line with the commas was a bit of a run-on sentence. A$AP Ferg ends the song with a verse that will make you go "Hey, I should actually hear more from this guy."
There is no real chorus, but that does not mess up the song's quality much. Ferg is a bit difficult to understand, and Meek Mill doesn't exactly speak with the clarity of a Zedd/Foxes collaboration, but I digress. The song is a sick Hip-Hop track with artists who perform quite well for their reputations.
Overall, I would rate the song at:
You can check out the song and its newly-released music video below:
Music Recommendation – Single – Big Sean ft. Drake and Kanye West, "Blessings"
January 30, 2015 ajh0123 Big Sean, Drake, Hear It First, Hip-Hop, Kanye West, Music, Rap, Recommendation, Single	Big Sean, Drake, Hear It First, Hip-Hop, Kanye West, Music, Rap, Recommendation, Single
Most reactions to this song so far have been much unlike my own. Listeners have said this song has a great beat and weak verses. Meanwhile, I was impressed by each artist, mostly because of how surprised I am with Big Sean's development up to this track. Most people call him things like "wack" and "not dope" (I'm not very up-to-date with the lingo of the young people), but I believe he has the ability to do what he does in "Blessings" on the rest of his album.
"IDFWU" has been a big hit, but Big Sean is still treated like three-day-old potato salad leftovers. He is dumped on like crazy, and while I may not be the biggest fan of his music and do agree his lyrics feel very empty, I have heard way worse. I was going into this song expecting it to be a "Hear It First" and I would briefly cover it, but all three rappers do a solid job of carrying a low-key and difficult beat to work with and make the best of what they are given.
Big Sean starts out slow but picks up quick and goes on about a typically-empty subject with easy rhymes. Both of his verses have good flow, but just don't seem to be conveying anything. Drake, meanwhile, connects the song well with his chorus (though it is disappointing for Drake's vocal skills) and his own more consistent middle verse. Kanye's outro had my favorite verse on the song (that's a first) and I just love the idea of a pre-school run by Kanye West. I would absolutely send my child there, no regrets.
It was hard for me to pick up any meaning from "Blessings", but all three rappers make a good Hip-Hop radio hit and a song that will most likely achieve Billboard Hot 100 status. Before judging, I would hear it out; That was the only reason this made it to "recommendation" status. Overall, I would rate the song at:
This song is nothing new, but I like it and see the appeal. You can hear the new single first below:
Album Review – Logic, Under Pressure
November 2, 2014 November 2, 2014 ajh0123 Album, Big Sean, Childish Gambino, Hip-Hop, Logic, Music, Rap, Review, Top Rated	Album, Big Sean, Childish Gambino, Eminem, Hip-Hop, J. Cole, Kendrick Lamar, Logic, Music, Rap, Review, T.I., Top Rated
Whoa, look at me going all mainstream and posting about one of the best-selling albums of the year. How about those who have not had the time to listen to a whole album though, is it worth the buy? On my last album review, I was pretty extensive; but this time, I do not think I will have to break down the album that hard.
"Wait, so you're saying this will be a brief review?" Hell no, in fact, I have a lot to say about the Maryland-based rapper and his debut album (though not his first release, quite a few mixtapes before this). However I can say with confidence that this review will not have to be too extensive unless I want to get excessive. The album has a similar sound in every song, therefore making each song description short, as I cannot use the same synonyms for every track on Under Pressure.
I consider Logic the child of J. Cole's rhymes and rap style and Kendrick's flow after their first honeymoon. It is really hard to say anything bad about his rapping skills, and there is some evident talent. Calling this album of the year is a bit much though, but let's save it for the track by track breakdown:
1. Intro – The highlight of this album, believe it or not. Samples the album's sound and features some hard verses by Logic in his introduction. These subjects of the raps though will appear again soon. Reflective start though, really pulled me in. 9.75/10
2. Soul Food – I love the original beat of this song, and the soul-vibe. Of course we should expect that with a name like Soul Food. Right away Logic breaks out, and really drops some of the strongest lines on the album. Definitely one of the more stand-out products of the LP. 9.5/10
3. I'm Gone – A bit similar to Soul Food except this song tells more of a story. This is where Logic begins to really open up, and I like the life breakdown of I'm Gone. The hook is subtle, though repetitive, and it sticks with you. The raps are not as hard and impressive as the previous tracks, but they still show his skill in verse. I also really like the supporting vocals by whoever that woman is. 9.25/10
4. Gang Related – This song is, you guessed it, gang related. I do appreciate the honesty of Logic's verses, and more of the story-telling I started to like in I'm Gone. This song does what I'm Gone could not and spits strong rhymes while still informing the listener of growing up in the hood. The beat is very original as well, though it almost stands out so much it takes away from taking in the lines of Logic. Regardless, this is one of the best tracks on the album. 9.75/10
5. Buried Alive – This is the first time we actually get a glimpse of the singing voice of Logic. I wish we could get it more, as this is where he reminds me most of J. Cole (who sounded golden on Work Out and Can't Get Enough). The editing over the verses to emphasize phrases also channels Kendrick Lamar, so this song really appeals to me. Another favorite on the album, though the rap verses is similar to the previous songs (especially Soul Food and Gang Related). Still feels perfect in my eyes, best song on the album to me. 10/10
6. Bounce – Right away I was terrified that this song would have a sexual tone that would throw the album into wack. However the song is true to the album's focus, the story and upbringing of Logic. Definitely one of the most upbeat tracks on the album, which I definitely like. It does feel like the song gets lost in the chaos towards the end, but catches itself by the end with a smooth ride out. 9.25/10
7. Growing Pains III – More opening up of Logic, but wow I felt like it was forever until we could actually hear Logic start. I don't mind snippets of conversation, but this just lasted a long time. When it starts, there are some incredible rapping going on. Almost reminds me of Eminem, and the sounds actually add to the song's atmosphere. However I use my similar sound complaint, with some serious Gang Related material and subject matter applied. Also saddening when there is a lack of hook. 9/10
8. Never Enough – A huge shoutout to production on this track, golden work. The opening hook was not very appealing, however. These were some of my favorite Logic verses and the added-in sampling from the woman singer (I cannot place the song though) along with the nod to Kid Cudi's Pursuit of Happiness (One of my favorite Cudi songs) were superb. The song really improves and end up becoming one of my favorites after a minute in. 9.5/10
9. Metropolis – More storytelling, which I do not mind. The song does sound like previous works though, and does not seem to attempt at creating a hook. Good story and an enjoyable listen but perhaps my least favorite song on the track, despite quick and hard raps by Logic. The dialogue feels uncalled for as well towards the end of the song. 8.25/10
10. Nikki – Named after his child's mother is the track Nikki. I do hear a lot of emotion in the words of Logic and is refreshing to see the love from a rapper to who they are with. While the song's lyricism is incredible, the song itself is not as enjoyable of a listen as some of the preceding tracks. 8.5/10
11. Under Pressure – The song named after the album is usually given the most attention, unless there is a strong collaboration (stay tuned). This track is over nine minutes, and if you've liked listening to Logic's verses in the last few songs, you will enjoy this. More of the same sound and raps it feels, but I have to give him credit for rapping hard for so long. 8.75/10
12. Till The End – Interesting production, though I was not very amused. Logic stays on focus while telling his struggles of entering the music business, which is a heavy story. The hook is also really catchy. Decent song but the beat almost weighs it down. 9/10
13. Driving Ms. Daisy ft. Childish Gambino – Here is one of the most listened to songs on the album, Driving Ms. Daisy. Now that we are beginning the deluxe version songs, we have to keep in mind that these songs cost some extra, so they will have a lot more pressure on them. I liked Gambino's verse, almost sounding like classic T.I. Logic sounds similar as before, but this is actually one of the best songs on the album for the low-key production and emphasis on rapping. 9.5/10
14. Now – Now featured some heavy production from big names, including 6ix and Arthur McArthur. The hook is hard, and most Hip-Hop fans will immediately like it. These are strong raps by Logic, and seem more original than the others. I found it hard to keep up with this song, and the track overall was very impressive. 9.75/10
15. Alright ft. Big Sean – This song includes some of my favorite lines on the album, especially with his mention of Danny Devito, which gave me a good laugh. Of course Big Sean will help make this the most-listened-to song on Under Pressure, but Big Sean was a bit disappointing. The verse was solid but unfocused, though the whole song feels like that. 9/10
So that averages out to exactly 9.25. It was hard to keep it brief, in fact I could not. However my point of lying in the beginning was the emphasize that the same sound is used often, and if you've heard one you've heard the next four or five. If it ain't broke don't fix it, right? Hopefully Logic has more up his sleeve for his next project, as he will run out of ideas if he uses the same technique over and over again. I would love to hear more singing and vocal-work from him.
In essence, this album is complete Hip-Hop. It channels some of the best rappers and gives Logic the potential for a right future. So go ahead and ignore my rant on the whole thing and give the album a listen below (At the very least, I recommend the songs rated 9.5 or more):
Music Recommendation – Single – DJ Drama ft. Trey Songz, 2 Chainz, and Big Sean, Oh My (Remix)
October 8, 2014 ajh0123 2 Chainz, All-Timer, Big Sean, DJ Drama, Hip-Hop, Music, Rap, Recommendation, Remix, Single	2 Chainz, All-Timer, Big Sean, Dj Drama, Hip-Hop, Music, Rap, Recommendation, Remix, Single
I said earlier I would post a bit about DJ Drama over the course of this blog's life, and I will hold on to that promise for a while. Oh My, though not my favorite DJ Drama song, it is my second favorite and is an all-timer on my list. But why does this track hold a special place in my heart?
The Oh My remix is way better than the original, which is still decent. 2 Chainz has a very weak verse, but the hook is definitely fire. Trey Songz delivers the message that he wants to get in your pants pretty well, and Big Sean drops some good bars in a short time period. If you like any one of these artists you will most likely enjoy this song.
Really the only reason this song is in my all-timer list is because of the hook. I've listened to this thing so many times, Trey Songz kills it. But overall, I'm afraid I can't give the song above a 8.5/10. Big Sean's verse is good and Trey does well on his, but the hook is really the reason to listen to the song. Verses aren't very memorable, but still solid. I still think it is worth a listen, after all it was my favorite song for well over a year:


Tulsi Indian restaurant is a fine dining Indian restaurant located at Van Woustraat 212, 1073 NA, Amsterdam. We heartily welcome you to come unwind, socialize and share good times with your family & friends at Tulsi Indian restaurant.
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Tulsi restaurant is very spacious and could easily accommodate 150+ guests inside and have a nice terrace with 80 seats outside if you want to enjoy your meal in the summers. Moreover, the restaurant is also equipped with an elegant modern bar serving various types of alcoholic, non-alcoholic and cocktail drinks. The restaurant is also had a separate built -in smoking room.
Tulsi restaurant is conveniently located nearby Station Rai which not that far from Amsterdam central station. You can easily reach here either by taking a tram 4 and get down at tram stop Lutmastraat, the restaurant is hardly 1 min walk from the tram stop. If you are coming by car then there is often parking space available in the front of the restaurant.
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Home Commentary Josh Kurtz: Notes of Dissonance Tell a Story
Josh Kurtz: Notes of Dissonance Tell a Story
Musicians picket in front of the Joseph Meyerhoff Symphony Hall in Baltimore last month. Facebook photo
After months of acrimony, some of the key players in the dispute between the Baltimore Symphony Orchestra management and musicians came together the other day on the supposedly neutral ground of Annapolis.
But even there, with a well-respected former state senator presiding over the proceedings, it was hard for the two sides not to air their dirty laundry – and their grievances – in an uncomfortably public way.
In one corner, figuratively, were BSO managers and board members. In the other, musicians who are active in the union, known as the players' committee. And in the exasperated middle were former Senate Budget and Taxation chairman Edward Kasemeyer (D); Ken Skrzesz, the head of the Maryland Arts Council; and Fred Lazarus IV, the former president of the Maryland Institute College of Art, who is working on ways to make the symphony more sustainable.
This dispute, sadly, says a lot – not just about the state of one of the state's leading cultural institutions and its role in a struggling city, but about the state of the arts in Maryland, about budget priorities, and about the state government's ability to exert pressure on private entities.
Officially, this was the inaugural meeting of a work group that the legislature put together to discuss ways of securing the long-term fiscal health of the BSO, which has been operating at a deficit for the past few years. But it came, coincidentally if not necessarily propitiously, at a time when contract negotiations between the orchestra and the musicians' union have collapsed; management locked the players out in mid-June and canceled the symphony's summer schedule.
"It's sort of an awkward situation that we're in," said Kasemeyer, tapped by legislative leaders to head the workgroup.
That was an understatement.
This isn't strictly a management-vs.-labor situation, with the state called in as an unofficial mediator. The state, too, is an actor in this drama.
The BSO is a longtime recipient of state largesse, and the state government is one of the most generous in the country when it comes to backing arts organizations.
"It is clear that without the state of Maryland, we would not have the orchestra that we have today," said Peter T. Kjome, the BSO's CEO.
This year, the legislature tried to inject an extra $1.6 million into the symphony's coffers. But Gov. Lawrence J. Hogan Jr. (R) withheld the funds, observing that he did not want to throw good money after bad, with the BSO operating in the red. That announcement hit the symphony – its management and musicians, along with civic leaders – like a bomb.
On Monday, the Maryland Democratic Party referenced the BSO funding in a litany of complaints about Hogan, saying the orchestra had "been handicapped" by the governor. That's a bit of a sideshow, but it illustrates how an existential crisis facing a century-old cultural institution cannot be divorced from politics. And the BSO funding is part of a larger pot of money of legislative priorities that Hogan is refusing to release.
Lay these petty politics aside, and everyone knows the clock is ticking for the BSO. If a new contract deal hasn't been hammered out, if the orchestra isn't back on stage in a matter of weeks, Lazarus warned, "we're going to have a lot of trouble putting Humpty Dumpty together again."
An organization like the BSO, Lazarus pointed out, that is so dependent on ticket sales and donations, cannot dig itself out of its hole, much less thrive, "while we're in disarray" and not putting a product on the stage.
"We have to get people to realize in this state, in this city, in this region, how important this institution is," he said. "And you don't have to love classical music to appreciate it."
Someone at the meeting invoked the name of Calman J. "Buddy" Zamoiski, the Baltimore business leader who led the BSO board of directors for years and occasionally badgered his fellow philanthropists and capitalists to pony up and help the symphony – and yes, attend the concerts, whether they were classical music enthusiasts or not.
Zamoiski threw his weight around in multiple ways – including in Annapolis, where in the late 1990's and early 2000's he worked with powerful Baltimore lawmakers like Barbara A. Hoffman and the late Howard P. "Pete" Rawlings to provide substantial funding for a new concert hall in Montgomery County.
The Music Center at Strathmore Hall is the home-away-from-home for the BSO, and the orchestra plays about 35 dates a year there when it isn't based at the Joseph Meyerhoff Symphony Hall in Baltimore. In fact, the BSO is the only major orchestra in the U.S. with a second, season-long home (many play summer seasons, as the BSO traditionally has at Oregon Ridge Park in Baltimore County).
As Lazarus pointed out, the BSO's labor impasse and financial woes radiate beyond Baltimore, hitting Strathmore hard. And earlier this summer, another Strathmore tenant, the National Philharmonic Orchestra, teetered on the edge of financial ruin and required a $500,000 bailout from businessman Jim Kelly – who took over the operation in the process. Which makes us wonder about the financial stability of Strathmore – but that's another story.
In late May, I attended one of the last BSO performances before the lockout, at the Meyerhoff, featuring Rhiannon Giddens, the versatile, immensely talented and spellbindingly charismatic American roots musician. With an energetic young conductor, a small collection of BSO string players opened the show with a range of classical pieces, followed by Giddens and another folk musician, followed by an innovative collaboration between Giddens and the orchestra.
It wasn't quite "Roll Over, Beethoven," but it was a reminder that a symphony orchestra can adapt to the times, that it doesn't have to be stodgy or traditional. The musicianship was superb, the performance crackled with intensity, and the audience was buzzing.
When will we see the BSO on stage again? And can this institution right itself? So many conversations have to happen on so many levels, but they don't seem to be taking place, and Kasemeyer's evident confusion seemed to say it all.
"I'm not sure where to go from here," he said.
Baltimore Symphony Orchestra
Barbara Hoffman
Calman "Buddy" Zamoiski
Ed Kasemeyer
Fred Lazarus
Ken Skrzesz
Larry Hogan
Pete Rawlings
Peter Kjome
Strathmore Hall
David A. Plymyer August 31, 2019 at 1:37 pm
The good news and the bad news. The good news is that the dispute has moved beyond a simple us vs them, labor vs management spat. The bad news is that the underlying problems are much worse, and the orchestra faces an existential crisis based on a straightforward fact: It can't make, or attract, enough revenue to continue in its present form. Past solutions may not work: As Fortune 500 corporations have left town, so have a major potential source of donations – not to mention subscribers. Here's my only suggestion: Rebuild governance system into one that incorporates players into decision-making roles. This is not saying that current BOE and managers are at fault. This is saying that BSO has nothing to lose, and starting a fresh model may create the type of "we're in this mess together" attitude necessary to find a path forward.


text:
Commercial Translation
Redefining Commercial Translation
Translational Development
Translational Research Themes
Commercial Translation Aims
Meet Our Translators
Program Managers
Commercial Translation Architects
Commercial Translation Associates
Commercial Translation Operations Team
sciVelo Alumni
Allie Heymann
Junior Commercial Translation Associate
Assists project teams in sciVelo's Digital Health theme through the commercial translation process
MD Candidate
School of Medicine, University of Pittsburgh
MD Candidate with a focus on the clinical correlations between environmental impacts and health
Allie is currently an MD candidate at the University of Pittsburgh School of Medicine. Outside of her clinical training, she is engaged in research initiatives with the School of Public Health and local Pittsburgh NGOs that focus on the intersections of environmental justice and health. Prior to medical school, she worked as part of a 14-person implementation team installing the Epic Health Research Network at the American University of Beirut Medical Center (AUB). She oversaw the Emergency Department, Labor and Delivery, Newborn Intensive Care Unit, Critical Care, Core Nursing, and Quality teams. In practice, this amounted to customizing content for over 10 unique groups of practitioners. Allie led a team of seven analysts and worked in coordination with medical staff to convert all the hospital's paper processes into a fully integrated digital system. Most notably, she spearheaded efforts to create the first Lebanese closed-loop barcoded medication administration system and worked with the Ministry of Health to ensure that all medical regulatory requirements were met.
MD, University of Pittsburgh, expected 2024
Post-Baccalaureate, Goucher College, 2020
BS, Foreign Service, Georgetown University, 2016
Commercial Translation Experience
Epic Systems
Clinical Project Manager
Outside of specific-customer work, she performed validation of new software tools and machine learning clinical models
Georgetown Social Innovation and Public Service Fund (SIPS Fund)
For two years, Allie served as the Operations Director of Georgetown University's Social Innovation & Public Service (SIPS) Fund, a $1.5 million student-run endowment. Every year, the SIPS Fund disbursed $60,000 in grant funding to support student and alumni social justice projects and businesses. As the Operations Director, she was responsible for overseeing all marketing campaigns, strategic events, and publicity. She also served as a member of the board and participated in project evaluation and selection. Over the course of her tenure, the fund increased their funding pitch count by 45% and began to see an increasingly diverse range of proposals.
Below are the three areas you need to edit in order to place a new staff profile on the homepage, in the staff profile landing page, and the full staff bio page. These instructions are hidden and will not show up on the public profile page. You can, however, delete this box when you no longer need these instructions. I - Create a new Staff Profile page 1. Go to Posts and click "Add New" 2. Enter the person's full name and degrees in the "Enter Title Here" field 3. Scroll down to the Muffin Builder section 4. Click on "Templates" 5. Select: "New Staff Profile Template" 6. Select: "REPLACE current builder content" 7. Click: "Use Template" 8. Update content within each Item accordingly. Anything within (parenthesizes) should be updated. 9. Scroll to the LAYOUT section and choose the following options to maintain the appearance of the page and navigation: a. Switch "Hide The Content" button to ON b. For Layout, choose "Right Sidebar" c. For Sidebar, select "Meet Our Translators" 10. Under Categories, choose the appropriate staff role. 11. Click Publish when finished. II - Add new Offer to appear on "Meet the Team" on homepage 1. Under "Offer", click "Add New" 2. Enter the person's full name in the "Enter Title Here" field. 3. Copy/paste the content from the Body Copy area of another offer into this offer and update accordingly. This will guarantee you get the same look and feel. 4. Choose the appropriate category based on job title. 5. Add the person's headshot under "Featured Image" and make sure the background is transparent (.png) 6. Update the Post Attribute Order field to keep with the alphabetical order. You will need to view the list of offers to determine the appropriate Order attribute to assign. You will then need to update all the subsequent offers so they continue with the appropriate order. 7. Hit Publish. III - Add new profile to Meet the Team landing page This content will need to be added manually and does not pull from other areas on the site, like the homepage or staff profile pages. You'll need to copy/paste the following code into the appropriate area and update it with the new staff member's information. Stage location: http://stage.scivelo.pitt.edu/meet-our-translators/ Production location: http://scivelo.pitt.edu/meet-our-translators/
Megan Breski, MS
Clinical and Translational Science Institute Program Manager
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The rent at Promenade At Tampa Palms Apartments ranges from $1,000 for a one bedroom to a $1,300 two bedroom. Apartments in this building are about 4% more expensive than the Tampa Palms average. This is a pet-friendly apartment.
This apartment is in the Tampa Palms neighborhood in Tampa.
Promenade At Tampa Palms Apartments has a Walk Score of 11 out of 100. This location is a Car-Dependent neighborhood so almost all errands require a car.
A PERFECT PLACE FOR MODERN LIVING\nWe are renovating our apartment homes to provide an even better community for our wonderful residents! Schedule an appointment to stop by and view our new Shaker-style, soft-close, solid wood cabinetry and our beautiful new stainless steel appliances. We would love to show off our new brushed nickel light fixtures and faucets as well as gorgeous ceiling fans in every room.
Explore how far you can travel by car, bus, bike and foot from Promenade At Tampa Palms Apartments.
Promenade At Tampa Palms Apartments has some transit which means a few nearby public transportation options.
View all Tampa Palms apartments on a map.
Promenade At Tampa Palms Apartments is in the Tampa Palms neighborhood. Tampa Palms is the 70th most walkable neighborhood in Tampa with a neighborhood Walk Score of 18.


An IT strategist and Enterprise Architects reflection..
I have been working more deeply in the field of Business Intelligence for some months now and I came to a conclusion, which I had just been sensing before: Business Intelligence tragically lives its own life!
How come? There are of course reasons, many from the nature of BI, but it's still very surprising that organizations, small as large, don't handle their BI business as the highly important asset it should be. I used to say that IT in general lives in its own bubble. In many cases BI lives in its own bubble within the IT bubble. Hm, 1+1=3, the total gets even worse.
The list can be made long, but I think you get it.
It is very hard for many organisations to get out of the "swamp" made of diversified and poorly structured information management assets.
First of all, the mindset of the scope of BI has to be transformed; from Business Intelligence to Business Information. To not just look at datawarehouses fed by poor ETL procedures and all reports that can be made out of it – to instead look at a unified information context with traditional BI, new style BI, Meta Data Management, Business Process Monitoring, Document Output Management and Integration of all styles. Think about it. It is almost the same competence used in all these aspects of information management, and in many cases the swamp of all different products used can be considerably cleaned up.


Ken Ruffin, Vice President of the NSS of North Texas Chapter and member of the NSS Board of Advisors, appeared on Dallas ABC TV Channel 8 on the October 1, 2018 60th anniversary of the founding of the National Aeronautics and Space Administration (NASA).
In mid-September Ken contacted a meteorologist/space enthusiast acquaintance at WFAA-TV Channel 8 in Dallas, Texas, with whom he had previously discussed opportunities to be interviewed about space travel topics on the air. A live interview in honor of "NASA's 60th" was confirmed, and Ken was informed that the interview would last for only two minutes. On October 1, during what became a 4 minute and 30 second interview, Ken responded to questions and statements from award-winning TV news anchor Jason Wheeler about the present and future activities of NASA and commercial spaceflight companies.
First, Ken responded to Jason's statement about NASA being on the verge of having astronauts launched into space from the USA again. Ken responded that commercial spaceflight companies are anticipated to begin launching astronauts to the International Space Station (ISS) beginning in 2019, and NASA is planning to send astronauts first to the Lunar Orbital Platform-Gateway which will orbit the Moon, then later to Mars and back. Next, Jason asked, essentially, "How realistic do you think it is that NASA will launch rockets to send astronauts first to a lunar orbit, then later to Mars?" Ken responded that NASA sending astronauts to a lunar orbit is "all but guaranteed" and that the Mars missions may involve public-private partnerships between NASA and commercial spaceflight companies. Then, Jason asked, essentially, "How much do you think that commercial spaceflight companies are pushing NASA to be bolder?" Ken responded that he doesn't think that those companies are pushing NASA, but in his opinion, NASA and those companies will work together through public-private partnerships to get people to Mars. Finally, Jason asked, essentially, "What is it about NASA that causes most people to have positive feelings about it?" Ken's response included that NASA provides inspiration at its finest.
The full interview video (taken by a cell phone) is provided here. Ken received feedback that the interview was quite well received by the WFAA-TV staff. Ken continues to have discussions about possible future local TV news interviews to discuss interesting space topics as well as NSS.
Way to go, Ken! Glad you were paying attention and did something.
I am only continuing to follow my own plan, inspired in part by former NSS-NT President Ken Murphy. If all goes well, there will be much more to come.


In a statement on yesterday's incidents at Taksim Square, Turkish Journalists Association (TGC) said eighteen journalists were wounded and four others beaten and detained by police while covering news during the daylong protests at Taksim Square on Tuesday.
TGC called on the government, the opposition and the media to active duty to ensure the safety of journalists and underlined that media and press organizations must resist against all kinds of repression and perform a transparent duty while covering the news, so that they can reveal the truths and serve for people's freedom of information.
"Those who have so far turned a blind eye to the severe conditions press members are facing today, under the repression and threat of imprisonment, and the politicians who claim that the people have no demands for the freedom of expression and the press have to see the truth now", said TGC.
TGC remarked that the criticism that government and opposition side's criticism directed at the media since the beginning of the incidents have made press workers become a target. TGC called on politicians to pay attention to their statements about the media and to provide media organizations with necessary equipment to guarantee the safety of life for journalists.
Media organizations are responsible for ensuring journalists a working environment free from censorship and self-censor, TGC underlined and criticized the Radio and Television High Council (RTÜK) for imposing a fine on Ulusal TV, Halk TV, Cem TV and EM TV for allegedly promoting violence in society by broadcasting scenes of the events during the last two weeks.
TGC said RTÜK acted in line with the opinions of the government and called on the Council to display an objective attitude.
This entry was posted in News, Uncategorized and tagged Censorship Turkey, journalist, Journalists in Gezi Resistance, Police brutality on 12 June 2013 .


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Daniel Gabriel Alessandro Saucedo Grzechowski (nacido el 25 de febrero de 1986 en Estocolmo, Suecia), más conocido como Danny Saucedo, es un cantante sueco de orígenes bolivianos y polacos, que fue finalista de la versión sueca de Idols en 2006. Compagina su carrera en solitario con la banda E.M.D.

Carrera
Danny Saucedo es participante habitual en el Melodifestivalen, la preselección sueca para el Festival de la Canción de Eurovisión, el cual nunca ha ganado pero en el que siempre ha obtenido buenas posiciones.
Representó a Suecia en el Festival de Eurovisión de Baile 2008. En el Melodifestivalen participó por primera vez en 2009 con la canción "Baby Goodbye". En la tercera semifinal, celebrada en Leksand, actuaron en cuarta posición y ganaron la misma.
En la gran final, E.M.D. actuaron octavos en el Globen Arena de Estocolmo, consiguiendo la tercera posición.danny

En 2011 interpretó "In the club". Tras ser el ganador del televoto en la semifinal, fue subcampeón de la edición y fue portavoz de los votos suecos en el Festival de Eurovisión.
Regresó en 2012 con "Amazing", obteniendo de nuevo el segundo puesto en la final, sólo por detrás de Loreen. En 2021 concursó de nuevo en la selección sueca con "Dandi dansa". Sus participaciones en el Melodifestivalen le han llevado a copar las listas de éxitos en Suecia.

Discografía

En solitario

Álbum
 Heart Beats, 2007
 Set Your Body Free, 2008
 In the club, 2011
 Hör vad du säger men jag har glömt vad du sa, 2015

Sencillos
 Öppna din dörr, 2006
 Tokyo, 2007
 Play It For The Girls, 2007
 If Only You (feat Therese Grankvist), 2007
 Hey (I've Been Feeling Kind of Lonely), 2007
 Radio, 2008
 Need to Know, 2009
 All on You, 2009
 Emely (feat Sasha Strunin), 2009
 Just Like That, 2009
 In Your Eyes, 2011
 In the Club, 2011
 Amazing, 2012
 I Can See Myself in You (feat Tommy Körberg), 2012
 Delirious, 2012
 Todo el mundo (Dancing In The Streets), 2013
 Brinner i bröstet (feat Malcolm B), 2015
 Dör för dig, 2015
 Så som i himlen (feat Tensta Gospel), 2015
 Hör vad du säger men jag har glömt vad du sa, 2016

E.M.D.

Álbum
2008: A State of Mind
2009: A State of Mind (Deluxe Edition)
2009: Välkommen hem
2010: Rewind

Sencillos
2007: All for Love
2008: Jennie Let Me Love You
2008: Alone
2009: Baby Goodbye
2009: Youngblood
2009: Välkommen hem
2010: Save Tonight
2010: What Is Love
2010: There's a Place for Us

Enlaces
 Página oficial
 Espacio oficial

Cantantes masculinos de Suecia
Cantantes de pop de Suecia
Bailarines del Festival de Baile de Eurovisión
Nacidos en Estocolmo
Participantes en el Melodifestivalen

redpajama_set_name: RedPajamaWikipedia