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Cloud computing may be convenient but guides are needed to avoid procurement pitfalls
The State Procurement Policy mandates the Government Information Technology Contracting (GITC) framework for all ICT product and service procurement by Queensland Government departments.
Various important legal issues are raised for government by cloud computing, including privacy, confidentiality, security and liability, all of which need to be properly addressed in each customer contract entered into under the GITC framework.
The consideration of legal and operational challenges and opportunities presented by cloud computing has been assisted with the publication of two recent government guides.
The Federal Government, through its Australian Government Information Management Office, published a useful guide in February 2012 entitled Negotiating the cloud – legal issues in cloud computing agreements, which covers a broad range of cloud-computing service issues.
In May 2012, the Office of the Queensland Government Chief Information Officer released the Cloud Computing Guideline as part of the Queensland Government Enterprise Architecture for departments and agencies contemplating using cloud-computing services. The Queensland guide has as its primary focus the issue of conducting appropriate risk assessments.
It is generally consistent with the federal guide, identifying similar legal issues, and contains references to various Queensland materials, including policies, standards and guidelines that apply to Queensland departments and agencies.
Section 1.4 of the Queensland guide sets out the definition of cloud computing adopted by the Queensland and Federal Governments, as developed by the US National Institute of Standards and Technology:
Cloud computing is a model for enabling ubiquitous, convenient, on-demand network access to a shared pool of configurable computing resources (e.g. networks, servers, storage, applications and services) that can be rapidly provisioned and released with minimal management effort or service provider interaction. This cloud model is composed of five essential characteristics, three service models and four deployment models.
The Queensland guide is designed to assist agencies to develop and conduct a proper risk assessment when considering the procurement and use of cloud-computing services (refer section 3, p.7). This assessment places considerable emphasis on the classifications of data ranging from public to non-public information, whether unclassified, non-national security information or national security classification.
A data-based risk assessment – where data are classified according to the Queensland Government Information Security Classification Framework – informs a department's determination of the particular model or form of cloud computing appropriate for its business requirements.
Whether a new module or set of provisions specifically designed to address cloud computing is desirable has been the subject of some consideration by GITC and its equivalents in other Australian jurisdictions. To date, no jurisdiction has taken the decision to develop a dedicated cloud-computing module or set of provisions.
GITC v 5.02 generally affords flexibility, enabling it to be adapted to respond effectively to the significant challenges arising with the procurement of cloud services, whether in the form of software as a service (SaaS), platform as a service (PaaS) or infrastructure as a service (IaaS) or whether the deployment model selected is through a private cloud, a community cloud, a public cloud or a hybrid cloud.
'Module 10 – Managed Services' in the current GITC framework most readily lends itself to addressing various issues raised by cloud computing services. However, this module is not sufficient in itself and various other components of the GITC framework need to be applied to address the various legal and operational challenges.
The GITC framework also provides important flexibility through a process of permitting 'Additional Provisions' to be included in a Customer Contract but any additions having the effect of derogating from the balance between rights and obligations in the GITC framework will be invalid unless the approval of the overseeing Contract Authority is first obtained.
Legal and operational issues
In considering and demonstrating the ways in which GITC is adaptable and may be applied to cloud services, the same sequence of legal issues adopted in the federal guide will be followed here.
The federal guide deals directly with the Privacy Act 1988 (Cth). Substantially similar provisions are also contained in the Information Privacy Act 2009 (Qld).
The standard privacy provisions in GITC are extensive. For example, 'Part 2 – Customer Contract Provisions' addresses the transfer of personal information overseas, a common feature of cloud service arrangements unless specific provision is included to ensure the Contractor is required to retain and store all such information onshore. Express consent of the customer department is required prior to transfer of personal information outside Australia.
Standard GITC also provides that the Contractor must fully cooperate with the Customer department to enable it to respond to privacy complaints and applications made by citizens under the Information Privacy Act 2009 to access and amend personal information. The standard provisions contemplate that the parties may agree on further customised provisions to apply to their particular procurement with these provisions taking the form of Additional Provisions. These may be agreed to at the outset and apply from the commencement date of the Customer Contract or be agreed to later during the term of the Contract.
In relation to subcontractors, GITC gives a right to the Customer to require the Contractor to arrange for a subcontractor to execute a privacy deed directly enforceable by the Customer. The federal guide supports the inclusion of further similar provisions which extend beyond the subcontractor to its employees and officers from the commencement date of the Contract. This would require the inclusion of an Additional Provision.
The federal guide emphasises security and the appropriate measures which need to be taken and the Queensland guide strongly endorses and emphasises the need for a risk assessment process to be undertaken. The standard GITC provisions do not include all the security measures recommended in the federal guide. However, GITC allows a Customer department to specify the particular secrecy and security requirements in the General Order, which forms part of the Customer Contract. This is a matter for negotiation between the Contractor cloud service provider and the Customer.
Especially where sensitive or mission-critical departmental data is covered by the cloud services, security requirements to be specified in the General Order may also include the right for the Customer to arrange independent testing. This may include penetration testing to establish whether or not the Contractor's ICT systems satisfy its contractual obligations. The testing would be conducted at the location of the data, which may be offshore.
GITC's standard confidentiality provisions are strong and align well with the recommendations in the federal guide. Issues arising with privacy also have application here. The appropriateness of including tailored secrecy and security provisions in the General Order needs to be considered. Alternatively, customised provisions could be included as Additional Provisions. As with privacy, the Customer needs to address whether it requires a provision for deeds of confidentiality which may be enforced directly against the officers and employees of the Contractor or subcontractors.
GITC contemplates audits being used to review the observance of contractual provisions by the Contractor. The standard GITC provisions do not, however, cover many of the detailed recommendations included in the federal guide. The detailed recommendations address the challenges raised by the possibility that the location of data, or the different locations of various parts of the data, may not be clear and may change from time to time.
Other audit requirement recommendations include contractual provisions addressing clear identification of the Customer's data in the cloud environment, notice periods required prior to the audit and methods of accessing the data for audit purposes. The federal guide also recommends a specific provision for the appointment of a local (offshore) commercial auditor to conduct the audit. These specific provisions would be included in GITC as Additional Provisions.
The standard GITC provisions dealing with liability and indemnity are broadly consistent with the federal guide.
Scope and exclusion of liability: As the federal guide notes, it is common practice for cloud service providers to seek to exclude their liability for 'indirect and consequential losses' due to data loss or misuse of data.
In Part 2 (Customer Contract Provisions) of GITC, the standard or default position is that liability for 'indirect and consequential' loss is excluded, leaving the Customer to bear such losses. Despite this default position, Part 2 does entitle the Customer to identify certain types of losses required to be removed from the exclusion. This is done by specifying the selected losses in the General Order, which forms part of the Customer Contract. The effect is to make the Contractor liable for the losses selected. It is important for Customer departments and agencies not to overlook the opportunity presented by this provision.
Indemnity: The federal guide recognises that Contractors may require strong indemnities to be provided by the Customer. Care and caution needs to be exercised here. If the extension of the scope of the indemnity represents a derogation from the GITC Framework provisions this may be deemed invalid without the prior approval of the oversighting Contract Authority.
The federal guide's recommendations cover various further issues including performance management, disengagement (portability) and intellectual property. These issues need to be addressed either in the detailed description of the services to be provided under the Customer Contract or as Additional Provisions. As mentioned above, it is important to be aware that any Additional Provision which derogates from the GITC Framework will be invalid unless approved by the oversighting Contract Authority.
Performance Management: Important operational issues and outcomes such as service levels, response times and flexibility of the cloud services are covered under this concept. Highly-informed and very practical recommendations are included in the guide. These issues can be addressed in the service description or as Additional Provisions.
Disengagement and transition (transition out/portability): Provision for the preparation of transition-out plans and the periodic review of plans are included as standard terms in Module 12 (Managed Services) in GITC. The parties need to reach agreement and include relevant particulars to meet the Customer's business requirements. This is an important consideration not to be overlooked as an effective transition-out plan is essential to enable a Customer department to retain portability of the cloud services and to avoid being captured by or 'locked in' to a particular Contractor. When the Contract comes to an end, the Customer department needs to be able to transition-out efficiently and effectively to whatever new arrangement it has chosen.
Intellectual Property: The ownership of information and data must remain with the Customer department. Standard provisions used by providers of cloud computing services often provide for the transfer of ownership to the provider. These supplier provisions must be resisted. The provisions of the Public Records Act 2002 apply to all public records including records stored in a cloud computing application.
Business Continuity and disaster recovery arrangements: The Queensland guide identifies nine factors to be considered by agencies in determining whether acceptable provision has been made for these issues, including ongoing availability of data and data recovery (refer section 3.8). These matters are not dealt with in standard GITC provisions. The appropriate arrangements need to be captured either in the service description or as Additional Provisions.
Discovery requirements – litigation: Data and documents must remain accessible to Customer departments to enable the Customer to meets obligations to make the material available under the process of discovery relating to court procedures and proceedings.
The GITC v 5.02 framework provides considerable flexibility and scope to enable Customer Contracts to address effectively the challenges and opportunities presented by the procurement of cloud services by Government departments. The efficient operation and conduct of an ICT contract depends not only on the appropriateness of its written provisions but equally on the manner in which it is managed and implemented in practice. The same is true for ICT procurement by government under the GITC v 5.02 Framework.
The information in this publication is provided for general purposes only. It is not to be relied on as a substitute for legal advice. Crown Law and the Department of Justice and Attorney-General accept no liability for losses caused by reliance on the material in this publication. Formal legal advice should be obtained for particular matters.
Author: Melinda Pugh
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Deputy Crown Solicitor
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crownlaw@qld.gov.au
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Page: https://www.crownlaw.qld.gov.au/resources/publications/cloud-computing-may-be-convenient-but-guides-needed-to-avoid-procurement-pitfalls
Printed: 18 Jan 2021
© The State of Queensland (Department of Justice and Attorney-General) 2010–2015 Queensland Government
This information is provided for general purposes only. It is not to be relied on as a substitute for legal advice. Crown Law and the Department of Justice and Attorney-General accept no liability for losses caused by reliance on the material in this publication. Formal legal advice should be obtained for particular matters.


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All conferences will be completed by 7.30pm, Thursday 4 April 2019.
Families with more than one child attending the school should make their bookings for times for all children leaving at least one appointment time between each child's conference.
It is recognised that if our children are to be successful in the future they must be given the skills to learn how to learn. We want them to understand that learning is something they do, it is not something done to them. Strategies like Three Way Conferencing increasingly lead students towards becoming self-directed, independent learners.
Where 3WC are held, students become responsible for leading the discussion and providing evidence of progress and achievement. Their task is to provide a range of work to illustrate the progress they have made. Three way conferences ensure that the focus remains on the students and the critical role they have in determining their own next steps for learning.
If students are to develop as independent learners they must reflect on their own progress and look at what they can learn from what they have accomplished. This is becoming an integral part of their classroom programme. The 3WC is an opportunity for those supporting the learner to assist in developing their skills of reflection.
Reflection is the key to metacognition – the process of learning to learn. Reflection encourages students to think about their own thinking. It develops their ability to know how to think, and not simply what to think. Reflection is being able to stand back, to think about what has been done well, to identify difficulties, and to focus on areas for improvement... Where students are able to reflect on their current strengths and weaknesses, they are in a strong position to set their own future goals.
When students know assessment criteria prior to commencing work, there is a much greater likelihood that the learning goals will be achieved. Students can assess their own work against stated standards. Clear performance standards give students a goal towards which they should strive. They know what is required to achieve.
These understandings give students skills for life in learning how to learn. We are empowering them to become self directed, independent, life long learners, able to cope with whatever challenges they may face in the future.
Tell me what you think you are doing well?
What helped with this learning?
What are your next learning steps?


Experience the great outdoor pleasures of New England at Maine's Northern Outdoors Adventure Club. Tucked within the small town of The Forks, the resort offers many physical, as well as relaxing, activities. Snowmobiling, white-water rafting, hiking, and fishing are just some of the rigorous options. Fall is a great time to visit to enjoy the beautiful New England foliage. Unwind on-site while swimming in the pool, relaxing in the whirlpool, or enjoying a fresh ale at the resort's microbrewery.
From Bangor Int'l. Airport (94 miles) take I-95 S. to Newport and Rt. 2. Take Rt. 2 West to Rt. 201 in Skowegan. Follow Rt.201 North to Northern Outdoors. From the South (Portland, ME is 120 miles) take I-95 North to exit 133. Take Rt. 201 North for 56 miles to Northern Outdoors.


Dr. Teichmiller graduated as Turris Fidelis from the University of North Alabama with a liberal arts degree in Professional Biology, Chemistry, and Business. She is also an honors graduate of the University of Alabama School of Dentistry with a Doctor of Dental Medicine Degree.
Dr. Teichmiller completed an Oral Pathology Fellowship and was awarded a prestigious International Association of Dental Research Award. Dr. Teichmiller has been practicing Dentistry for 27 years!
Dr. Teichmiller's post-graduate training includes extensive study in Cosmetic Dentistry. She is a graduate of the Las Vegas Institute of Cosmetic Dentistry and uses these skills to give back to her community.
She was the first dentist in Alabama to restore a smile through the American Academy of Cosmetic Dentistry's "Give Back a Smile" program. This program pairs an American Academy of Cosmetic Dentistry dentist with a woman whose smile has been destroyed by domestic violence.
Her other "signature" project is the nationally recognized Mission: Makeover. She orchestrated a team of professionals to donate their talents to provide an extreme makeover for a deserving lady with all the profits donated to charity.
Dr. Teichmiller, Decatur dentist, was featured in Who's Who in Decatur!


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Since the advent of printing, the sale of reproductions of pious works has been a major element of popular Christian culture. In the 19th century, this included genre painters such as Mihály Munkácsy. The invention of color lithography led to broad circulation of holy cards. In the modern era, companies specializing in modern commercial Christian artists such as Thomas Blackshear and Thomas Kinkade, although widely regarded in the fine art world as kitsch,[4] have been very successful.
And it will come about in that day, that every place where there used to be a thousand vines, valued at a thousand shekels of silver, will become briars and thorns. People will come there with bows and arrows because all the land will be briars and thorns. As for all the hills which used to be cultivated with the hoe, you will not go there for fear of briars and thorns; but they will become a place for pasturing oxen and for sheep to trample. Bible Verse Wall Art
He made 300 shields of beaten gold, using three hundred shekels of gold on each shield, and the king put them in the house of the forest of Lebanon. Moreover, the king made a great throne of ivory and overlaid it with pure gold. There were six steps to the throne and a footstool in gold attached to the throne, and arms on each side of the seat, and two lions standing beside the arms. Twelve lions were standing there on the six steps on the one side and on the other; nothing like it was made for any other kingdom. All King Solomon's drinking vessels were of gold, and all the vessels of the house of the forest of Lebanon were of pure gold; silver was not considered valuable in the days of Solomon. Christian Canvas Art
In the four hundred and eightieth year after the people of Israel came out of the land of Egypt, in the fourth year of Solomon's reign over Israel, in the month of Ziv, which is the second month, he began to build the house of the Lord. The house that King Solomon built for the Lord was sixty cubits long, twenty cubits wide, and thirty cubits high. The vestibule in front of the nave of the house was twenty cubits long, equal to the width of the house, and ten cubits deep in front of the house. And he made for the house windows with recessed frames. He also built a structure against the wall of the house, running around the walls of the house, both the nave and the inner sanctuary. And he made side chambers all around. ...
Masters, treat your slaves justly and fairly, knowing that you also have a Master in heaven. Continue steadfastly in prayer, being watchful in it with thanksgiving. At the same time, pray also for us, that God may open to us a door for the word, to declare the mystery of Christ, on account of which I am in prison— that I may make it clear, which is how I ought to speak. Walk in wisdom toward outsiders, making the best use of the time. ...
Then God said, "Let us make man in our image, after our likeness. And let them have dominion over the fish of the sea and over the birds of the heavens and over the livestock and over all the earth and over every creeping thing that creeps on the earth." So God created man in his own image, in the image of God he created him; male and female he created them. Bible Verse Wall Art
If then you have been raised with Christ, seek the things that are above, where Christ is, seated at the right hand of God. Set your minds on things that are above, not on things that are on earth. For you have died, and your life is hidden with Christ in God. When Christ who is your life appears, then you also will appear with him in glory. Put to death therefore what is earthly in you: sexual immorality, impurity, passion, evil desire, and covetousness, which is idolatry. ...
"Now I am sending Huram-abi, a skilled man, endowed with understanding, the son of a Danite woman and a Tyrian father, who knows how to work in gold, silver, bronze, iron, stone and wood, and in purple, violet, linen and crimson fabrics, and who knows how to make all kinds of engravings and to execute any design which may be assigned to him, to work with your skilled men and with those of my lord David your father. Bible Verse Wall Art
"You shall make an altar on which to burn incense; you shall make it of acacia wood. A cubit shall be its length, and a cubit its breadth. It shall be square, and two cubits shall be its height. Its horns shall be of one piece with it. You shall overlay it with pure gold, its top and around its sides and its horns. And you shall make a molding of gold around it. And you shall make two golden rings for it. Under its molding on two opposite sides of it you shall make them, and they shall be holders for poles with which to carry it. You shall make the poles of acacia wood and overlay them with gold. ... Bible Verse Wall Art
"Bezalel and Oholiab and every craftsman in whom the Lord has put skill and intelligence to know how to do any work in the construction of the sanctuary shall work in accordance with all that the Lord has commanded." And Moses called Bezalel and Oholiab and every craftsman in whose mind the Lord had put skill, everyone whose heart stirred him up to come to do the work. And they received from Moses all the contribution that the people of Israel had brought for doing the work on the sanctuary. They still kept bringing him freewill offerings every morning, so that all the craftsmen who were doing every sort of task on the sanctuary came, each from the task that he was doing, and said to Moses, "The people bring much more than enough for doing the work that the Lord has commanded us to do." ...
In the second year of the reign of Nebuchadnezzar, Nebuchadnezzar had dreams; his spirit was troubled, and his sleep left him. Then the king commanded that the magicians, the enchanters, the sorcerers, and the Chaldeans be summoned to tell the king his dreams. So they came in and stood before the king. And the king said to them, "I had a dream, and my spirit is troubled to know the dream." Then the Chaldeans said to the king in Aramaic, "O king, live forever! Tell your servants the dream, and we will show the interpretation." The king answered and said to the Chaldeans, "The word from me is firm: if you do not make known to me the dream and its interpretation, you shall be torn limb from limb, and your houses shall be laid in ruins. ... Bible Verse Wall Art
He also made two capitals of molten bronze to set on the tops of the pillars; the height of the one capital was five cubits and the height of the other capital was five cubits. There were nets of network and twisted threads of chainwork for the capitals which were on the top of the pillars; seven for the one capital and seven for the other capital. So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital. The capitals which were on the top of the pillars in the porch were of lily design, four cubits. There were capitals on the two pillars, even above and close to the rounded projection which was beside the network; and the pomegranates numbered two hundred in rows around both capitals. Thus he set up the pillars at the porch of the nave; and he set up the right pillar and named it Jachin, and he set up the left pillar and named it Boaz. On the top of the pillars was lily design. So the work of the pillars was finished. Now he made the sea of cast metal ten cubits from brim to brim, circular in form, and its height was five cubits, and thirty cubits in circumference. Under its brim gourds went around encircling it ten to a cubit, completely surrounding the sea; the gourds were in two rows, cast with the rest. It stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east; and the sea was set on top of them, and all their rear parts turned inward. It was a handbreadth thick, and its brim was made like the brim of a cup, as a lily blossom; it could hold two thousand baths. Then he made the ten stands of bronze; the length of each stand was four cubits and its width four cubits and its height three cubits. This was the design of the stands: they had borders, even borders between the frames, and on the borders which were between the frames were lions, oxen and cherubim; and on the frames there was a pedestal above, and beneath the lions and oxen were wreaths of hanging work. Now each stand had four bronze wheels with bronze axles, and its four feet had supports; beneath the basin were cast supports with wreaths at each side. Its opening inside the crown at the top was a cubit, and its opening was round like the design of a pedestal, a cubit and a half; and also on its opening there were engravings, and their borders were square, not round. The four wheels were underneath the borders, and the axles of the wheels were on the stand. And the height of a wheel was a cubit and a half. The workmanship of the wheels was like the workmanship of a chariot wheel. Their axles, their rims, their spokes, and their hubs were all cast. Now there were four supports at the four corners of each stand; its supports were part of the stand itself. On the top of the stand there was a circular form half a cubit high, and on the top of the stand its stays and its borders were part of it. He engraved on the plates of its stays and on its borders, cherubim, lions and palm trees, according to the clear space on each, with wreaths all around. He made the ten stands like this: all of them had one casting, one measure and one form. He made ten basins of bronze, one basin held forty baths; each basin was four cubits, and on each of the ten stands was one basin. Then he set the stands, five on the right side of the house and five on the left side of the house; and he set the sea of cast metal on the right side of the house eastward toward the south. Now Hiram made the basins and the shovels and the bowls. So Hiram finished doing all the work which he performed for King Solomon in the house of the LORD: the two pillars and the two bowls of the capitals which were on the top of the two pillars, and the two networks to cover the two bowls of the capitals which were on the top of the pillars; and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the tops of the pillars; and the ten stands with the ten basins on the stands; and the one sea and the twelve oxen under the sea; and the pails and the shovels and the bowls; even all these utensils which Hiram made for King Solomon in the house of the LORD were of polished bronze. In the plain of the Jordan the king cast them, in the clay ground between Succoth and Zarethan. Solomon left all the utensils unweighed, because they were too many; the weight of the bronze could not be ascertained. Solomon made all the furniture which was in the house of the LORD: the golden altar and the golden table on which was the bread of the Presence; and the lampstands, five on the right side and five on the left, in front of the inner sanctuary, of pure gold; and the flowers and the lamps and the tongs, of gold; and the cups and the snuffers and the bowls and the spoons and the firepans, of pure gold; and the hinges both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the nave, of gold. Thus all the work that King Solomon performed in the house of the LORD was finished And Solomon brought in the things dedicated by his father David, the silver and the gold and the utensils, and he put them in the treasuries of the house of the LORD. Christian Gifts
Beaten silver is brought from Tarshish, and gold from Uphaz. They are the work of the craftsman and of the hands of the goldsmith; their clothing is violet and purple; they are all the work of skilled men. But the Lord is the true God; he is the living God and the everlasting King. At his wrath the earth quakes, and the nations cannot endure his indignation. Thus shall you say to them: "The gods who did not make the heavens and the earth shall perish from the earth and from under the heavens." Share Your Faith Products
Masters, treat your slaves justly and fairly, knowing that you also have a Master in heaven. Continue steadfastly in prayer, being watchful in it with thanksgiving. At the same time, pray also for us, that God may open to us a door for the word, to declare the mystery of Christ, on account of which I am in prison— that I may make it clear, which is how I ought to speak. Walk in wisdom toward outsiders, making the best use of the time. ... Share Your Faith Products
And Jesus answered them, "Have faith in God. Truly, I say to you, whoever says to this mountain, 'Be taken up and thrown into the sea,' and does not doubt in his heart, but believes that what he says will come to pass, it will be done for him. Therefore I tell you, whatever you ask in prayer, believe that you have received it, and it will be yours. Christian Canvas Art
Beaten silver is brought from Tarshish, and gold from Uphaz. They are the work of the craftsman and of the hands of the goldsmith; their clothing is violet and purple; they are all the work of skilled men. But the Lord is the true God; he is the living God and the everlasting King. At his wrath the earth quakes, and the nations cannot endure his indignation. Thus shall you say to them: "The gods who did not make the heavens and the earth shall perish from the earth and from under the heavens." Christian Gifts
David built houses for himself in the city of David. And he prepared a place for the ark of God and pitched a tent for it. Then David said that no one but the Levites may carry the ark of God, for the Lord had chosen them to carry the ark of the Lord and to minister to him forever. And David assembled all Israel at Jerusalem to bring up the ark of the Lord to its place, which he had prepared for it. And David gathered together the sons of Aaron and the Levites: of the sons of Kohath, Uriel the chief, with 120 of his brothers; ... Christian Canvas Art
"Now I am sending Huram-abi, a skilled man, endowed with understanding, the son of a Danite woman and a Tyrian father, who knows how to work in gold, silver, bronze, iron, stone and wood, and in purple, violet, linen and crimson fabrics, and who knows how to make all kinds of engravings and to execute any design which may be assigned to him, to work with your skilled men and with those of my lord David your father.
For the last 5 years, the in-house design team at the Faithlife Corporation has illustrated one Bible verse every day. This art has found its way onto t-shirts, magnets, and postcards—and now, a beautiful picture book. In print for the first time, art from Faithlife's Verse of the Day series paired with uplifting devotionals will encourage and inspire you. Share Your Faith Products
The house that I am to build will be great, for our God is greater than all gods. But who is able to build him a house, since heaven, even highest heaven, cannot contain him? Who am I to build a house for him, except as a place to make offerings before him? So now send me a man skilled to work in gold, silver, bronze, and iron, and in purple, crimson, and blue fabrics, trained also in engraving, to be with the skilled workers who are with me in Judah and Jerusalem, whom David my father provided.
Then I saw another beast rising out of the earth. It had two horns like a lamb and it spoke like a dragon. It exercises all the authority of the first beast in its presence, and makes the earth and its inhabitants worship the first beast, whose mortal wound was healed. It performs great signs, even making fire come down from heaven to earth in front of people, and by the signs that it is allowed to work in the presence of the beast it deceives those who dwell on earth, telling them to make an image for the beast that was wounded by the sword and yet lived. And it was allowed to give breath to the image of the beast, so that the image of the beast might even speak and might cause those who would not worship the image of the beast to be slain. ... Christian Canvas Art
"Now I am sending Huram-abi, a skilled man, endowed with understanding, the son of a Danite woman and a Tyrian father, who knows how to work in gold, silver, bronze, iron, stone and wood, and in purple, violet, linen and crimson fabrics, and who knows how to make all kinds of engravings and to execute any design which may be assigned to him, to work with your skilled men and with those of my lord David your father. Christian Canvas Art
We are faced with a startling opportunity. We may think that we can't walk this Christian path, but Peter tells us that we have all of the resources that we need in his "very great and precious promises". When our circumstances cause insecurities and thoughts of despair to dance around our minds, God gives us a way out. We can escape this corruption by knowing God through Jesus Christ. How can we know God? By taking Him at His word! God has already provided for us and He is looking for people who will have the courage to replace their current thinking with God's faithfulness. Are you looking for the thoughts of God? The Bible is God's life support to us as we encounter a world of difficulty. Bible Verse Wall Art

redpajama_set_name: RedPajamaCommonCrawl


text:
Wojtek Drabowicz
Made his debut in the `Poznań Nightingales' Choir and studied at the Poznań Academy of Music under Antonina Kawecka. Prize winner of singing competitions in Bytom (1st Prize and 12 Special Awards), Moscow (2nd Prize and Special Award) and Vienna (1st Prize and 11 Special Awards, 1990). His embarked on his career in 1989 at Poznań Opera where he made his debut in the title role of Tchaikovsky's Eugene Onegin, a role he later performed in the opera houses of Barcelona, Berlin, Frankfurt, Lille and Leipzig as well as at the Glyndebourne Festival, which was recorded for Television and released on video and DVD by Warner Bros. His repertoire includes such parts as Figaro in Barber of Seville, Papageno in the Magic Flute, Almaviva in Marriage of Figaro, Guglielmo in Cosě fan tutte, Escamillo in Carmen, Malateste in Don Pasquale, Golaud in Pelleas and Melisande, Richard IV in The Puritans, Posa in Don Carlos, Germont in La traviata, Tomsky in Queen of Spades, Robert in Iolanthe and title roles in Don Giovanni and King Roger. His repertoire also includes operas by contemporary composers: Peter Eötvös, Victor Ullmann and Kurt Weill. He has sang in the opera houses of Brussels, Paris, Lille, Lyons, Barcelona, Frankfurt, Berlin, Amsterdam, Antwerp, Stockholm and Tel Aviv and has given concert performances in Berlin, Montreal, New York, Geneva, Dublin and Warsaw. He has taken part in many prestigious music festivals and has recorded on CD, for Radio and Television both at home and abroad. Since 2000 he sings the title role of Szymanowski's King Roger at the Polish National Opera, for which he received the A. Hiolski Award, and from 2004 the title role of Tchaikovsky's Eugene Onegin.


text:
Q: term 'celery' is not recognized as an external function or cmdlet I'm using Celery in my django application and when i'm trying to start celery worker with command: 'celery -A <project_name> worker -l info --pool=solo' it shows me an error that module 'celery' is not recognized, despite i've installed all necessary packages...
>: celery worker --app=demo_app.core --pool=solo --loglevel=INFO

: The term 'celery' is not recognized as the name of a cmdlet, function, script file, or operable program. Check the spelling of the name, or if a path was included, verify that the path
is correct and try again.
At line:1 char:1

*

*celery worker --app=demo_app.core --pool=solo --loglevel=INFO

*~

*

*CategoryInfo          : ObjectNotFound: (celery:String) [], CommandNotFoundException

*FullyQualifiedErrorId : CommandNotFoundException

I've also tried to add celery's path to PATH variable, but it throws this error anyway.

redpajama_set_name: RedPajamaStackExchange


In the Book BERESHIT BARA is found the Biblical text in its entirety and in its own language. The position and design of the text is what makes this book special, the Biblical words are divided into small literary units and scenarios, where there is in each page a single verse or isolated verses. The presentation of the text comes to accent the inner rhythm of the story, to be used as guidelines to help both the one who reads out loud and the reader.The book is divided into the seven days of Creation. The first Six verses- until the first, "And G-d said" are like an introduction to the story.
BERESHIT BARA is a Round story because it describes the Creation of a whole world and creation of the circle of life. Its shape is meant to make it unique and also to attract the heart of the child. We leaf through the pages upwards in order to allow for adding new languages, that we will add in the future alongside of the complete hebrew text.
The language patterns that repeat themselves on the days of Creation. Like: "And it was", " And G-d saw that it was good", "And there was Evening and Morning..." appear in the same design and act as a repeating chorus. In every day of the Creation, they receive a full page and a constant uniform look, which is easy to recognize and invites the child to join in the reading. For those who begin to take interest in the books, and in their hearts are yearning to discover the secrets of reading, this way of presentation invites an experience of success, satisfaction and strength.
Every one of the actions of G-d And He said, And He saw, And He differed, And He read, And he commanded, And He Created, And He blessed... is characterized in the book with its own color and every one is written in the shape of a rainbow on a consistent place at the head of the page. We can develop a conversation with the children about the significance of the placement and to discover together the color that is given to each verb.In this way, their ears will get used to hearing the action and its opposite and will internalize them. Without superfluous and confusing explanations. The words of experience (HAVAYA - YEHI, VAYEHI, YHAYO) that repeat themselves many times in the story are always in silver.
In the book We have implemented words that are designed, that stick out, that are sunken, that are smooth, that are rough, that are transparent etc. in order to invite the children to join in the story of Creation. The Effects in the book are not random; they converse with the young reader in sign language. The hollow words: Light and G-d, and the sentence: The spirit of G-d floats on top of the water- are cut out. In the right light they create a projection onto the next page. It is recommended to read words and sentences in full light, even with a torch. And occasionally outside - What is better than to read about the story of Creation on a sunny day- in nature. The colors are sharper, every detail of the illustration is revealed and one feels especially the projections of light.
The key words of the Book of Creation that return throughout the book, such as water, day, night, grass, tree, birds... are designed in a way that hints to their meaning. In such a way the young child, that still doesn't read, can connect successfully to reading, The personal lettered success that takes place within the Bible endears itself to the child.It is wonderful to start our acquaintance with the Bible with the language of the Bible with the words with which the world was created. The designed words allows also lovers of the Bible that do not read Hebrew to follow the Story.
The Book opens with a page where there is all the letters of the Hebrew alphabet and the vowel symbols. Every letter also has a numerical value. These are the building blocks of the World. The letters and the Vowel symbols that are in the page can be used, and they invite young and old to invent enjoyable letter and Vowel symbol games that are meant to be effective in advancing the reading.
The Book is signed on the page with all the specially designed words according to the content. In the word seach, the opposites in the story are emphasised- there are seven! The fact that the word good comes without the word bad sticks out. The word bad only appears in the second chapter of Genesis.
The word illustration in Hebrew contains the word light. The illustration in BERESHIT BARA comes to light up the words, to clarify and throw light on the story. In her unique way the artist Sonia Sechel lit up the eternal story, that opens up with the creation of Light. The design and the illustrations in The Bereshit Bara bring to life the plot and they serve as a kind of illustrated dictionary for the Bible language. We recognize and understand the sensitivities that exist in the varied population in relation to illustrating The Bible text, and we tried to respect these sensitivities. The illustrations are the handiwork of Sonia Sechel, In the book Genesis Creates she adds and expands on whatever there is in the words and also allows a lot of room for imagination, she doesn't diminish the level of the artwork for the children, rather brings them into contact with artwork at a high level- in a way worthy of the children. This is also how the pinnacle of the humanity,creativity and literature deserves to be illustrated. The team that created and designed the book together with the illustrator sees in the illustration a kind of commentary on the book of the Creation of the World. The illustrator uses multiple styles intentionally in order to avoid uniform illustrative commentary, and to encourage audiences of all ages to create in their own way with the inspiration of the Bible.
The story of Creation is a story that builds on itself, it enthralls little children because it allows them to orientate themselves, to take part and to control the plot. The repetitions and the clear structure of the story allow for success and a sense of ability. The book of Creation deals with the first and most known things, and in this way helps a child who learns his surroundings to create order in his chaos, to create a whole world picture. This is a story that is suitable to the level of a young child finding himself in time. It strengthens the familiarity with the days of the week and with the full day and full week as units of time.
Counting enthralls and challenges little children. Here they are given an opportunity to learn the numbers from one to seven. Say, do ,see, are basic verbs that are useful that children know and need a lot in daily life, that repeat themselves again and again in daily life. Also the Biblical conjugation of the verbs is accepted by the children naturally.
The Story of the Creation of the World is a foundation story: foundation of the World, space, time. concepts, values, culture, this is a foundation story that prepares readers for reading and understanding further Bible Stories.


text:
Astraptes fulgerator je denní motýl z čeledi soumračníkovitých.

Vzhled
Tento motýl má modré tělo, kolem kterého má i modrá křídla. Ta ovšem postupně přechází v hnědou, poté má bílý pruh a opět hnědá křídla. Křídla jsou o něco větší než tělo. Jeho housenka má žlutočerně pruhované tělo a červenočerně pruhované břicho.

Výskyt
Vyskytuje se na poměrně velkém území a sice od jihu USA po sever Argentiny.

Externí odkazy

Soumračníkovití

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This is a placeholder page for Senatobia High, which means this person is not currently on this site. We do suggest using the tools below to find Senatobia High.
You are visiting the placeholder page for Senatobia High. This page is here because someone used our placeholder utility to look for Senatobia High. We created this page automatically in hopes Senatobia High would find it. If you are not Senatobia High, but are an alumni of Senatobia High School, register on this site for free now.


text:
Dyschoriste angustifolia är en akantusväxtart som först beskrevs av William Botting Hemsley, och fick sitt nu gällande namn av Carl Ernst Otto Kuntze. Dyschoriste angustifolia ingår i släktet Dyschoriste och familjen akantusväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Akantusväxter
angustifolia


In many cases, a form AR111 is provided with a G53 socket, which is connected to 12-Volt low voltage.
The low-voltage version requires a LED transformer to convert 230V to 12V.
AR111 lamps are also available with 230 Volt operating voltage, in combination with GX53- or a GU10 base.
Saving energy with AR111 G53 LED lamps!
light quality - and often usually as halogen reflector lamps with high energy consumption.
By changing over to LED technology energy savings over 80% are not unusual.
reflector lamps convinced with a color rendering index of Ra = 95.


text:
Latest Women's tennis News
Nick Bollettieri, coach to many tennis stars, dead at age 91
Nick Bollettieri, the Hall of Fame tennis coach who worked with some of the sport's biggest stars, including Andre Agassi and Monica Seles, and founded an academy that revolutionized the development of young athletes, has died. He was 91. Bollettieri died Sunday night at home in...
Wimbledon relaxes all-white clothing rule for women
LONDON (AP) — Wimbledon is relaxing its requirement for all-white clothing to allow female players to wear colored undershorts to be more comfortable on their periods. Wimbledon's strict policy about all-white attire for players is one of the best-known features of the grass-court...
No Chinese tournaments listed yet on WTA's 2023 schedule
ST. PETERSBURG, Fla. (AP) — The WTA Tour released its schedule for 2023 through the U.S. Open in September, with no tournaments slated for China yet. The women's tennis tour's announcement of its provisional event dates, released Tuesday, said: "Details of the remaining...
Switzerland beats Australia to win Billie Jean King Cup
GLASGOW, Scotland (AP) — Belinda Bencic keeps delivering big titles for Switzerland. The Olympic singles champion made sure Switzerland won the biggest prize in women's team tennis for the first time on Sunday, completing a near-perfect tournament by beating Australia's Alja...
Cowboy Up: Garcia wins WTA Finals over Sabalenka in Texas
FORT WORTH, Texas (AP) — Caroline Garcia plopped on a cowboy hat to go with the trophy she was holding after telling fans she had enjoyed her first trip to Texas. There was plenty for the Frenchwoman to like in Cowtown. Garcia took a tight first set and went on to a...
Sabalenka stuns Swiatek, faces Garcia for WTA Finals title
FORT WORTH, Texas (AP) — Aryna Sabalenka stood stoically ever so briefly, before crouching for an emphatic fist pump to go with a scream. Yeah, the seventh-ranked woman in the eight-player WTA Finals couldn't hide the emotion, because she knew exactly what she had done. ...
Garcia tops Kasatkina for final spot in semis of WTA Finals
FORT WORTH, Texas (AP) — Caroline Garcia spiked a banana on her bench while a first-set lead was slipping away, and Daria Kasatkina later whacked a couple of balls hard into the court with her racket after losing on serve. All that was before a tense third set filled with brilliant...
Winless Pegula tries to see bright side of WTA Finals debut
FORT WORTH, Texas (AP) — Jessica Pegula dropped her head to the table in front of the microphone, smiling while hoping there might be just one victory awaiting the American in her WTA Finals debut. She couldn't even get a consolation prize. The Buffalo native was New...
Coco Gauff eliminated at WTA Finals; Iga Swiatek into semis
FORT WORTH, Texas (AP) — Tears gathered in Coco Gauff's eyes as she sat on the WTA Finals sideline during a changeover Thursday night after giving away a lead in what would become a 7-6 (6), 6-3 round-robin loss to Daria Kasatkina that ended the 18-year-old American's hopes of reaching the...
FORT WORTH, Texas (AP) — The women's professional tennis tour is starting a program it hopes will lead to more female coaches in the sport. The WTA Tour's Coach Inclusion Program, which was unveiled Thursday, includes three phases: a week of offseason training with players in...


text:
Famous Actors Who Were Fired From The Sets Of Huge Movies
20. Eric Stoltz (Back To The Future)
Eric Stoltz, who went on to be nominated for a Golden Globe award for his performance in the 1985 movie Mask, was originally cast as Marty McFly in the 1985 classic Back to the Future. Unfortunately, Stoltz was sacked after filmmakers decided that he didn't have the comedy chops required to pull off the role. Apparently, Stoltz was a keen method actor, even going so far as to ask his co-stars to refer to him as 'Marty' off the set.
Despite the fact that Stoltz's were almost entirely reshot with Michael J Fox in the role, it is believed that Stoltz may well still appear in at least two shots of the first Back to the Future movie. For example, there is a shot where Marty dives into the DeLorean near the beginning of the movie that many think is Stoltz rather than Fox.
19. Michael Keaton (Purple Rose of Cairo)
Michael Keaton is one of the most prominent actors of our time, but his talent hasn't always been quite so appreciated… Keaton was originally cast in the lead role for Purple Rose of Cairo, but things didn't go to plan. He was on the set for just ten days before director Woody Allen decided it just wasn't working out.
He felt that Keaton was 'too contemporary' for the period film, and that he just didn't fit in. Keaton was consoled with the promise of appearing in another Allen movie, a promise which has failed to come to fruition as of yet.
NEXT SLIDE ➞


This style showcases a few of the most beautiful natural scenes beneath the water. Add you photos and videos to make a fun movie.
We have aquarium in living room to deco room and my kid-Jim loves fish much. A vdieo with such kinds of background and template will be the best gift for his 10-year-old gift!


What would people think about?
Thread: What would people think about?
What would people think about me setting up a website that is easier to navigate and has copies of the good tutorials on it from here?
Of cource the tuts would be fully credited to whoever wrote them and this would be an easier way to point people to the correct answer with less searching. They would also be in both HTML and PDF so you can easily DL them to your HD.
I would like to give credit to TigerShark he made me think about this with his sweet Tutorial (still waiting for the next episode).
If this sounds like a good idea please post and post your favorite or what you feel are the best tutorials. If you already see that someone has posted you fav please don't double post.
That is a great idea but Negative has already done something like that.
MilitantEidolon if you look at Negative's signature, he mad an Tutorial index on his website which is easy to navigate, he also made a Tips and Tricks index, so no need for another one !
Alright sweet! Thats good. Sorry I never looked at that site but it is going to favorites.


text:
ABC News Update
NewsRepeatRated: Exempt1 min
1:55am Saturday, May 25 2013
ABC News Update - 2013, Episode 04
The latest news headlines and today's top stories from across Australia and around the world.
1:55am Saturday, May 25 (R)
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text:
Chetan Pandit is an Indian Bollywood film and television actor. He played the role of Jayaprakash Narayan in the Prakash Jha-directed film Loknayak in 2004.

Filmography

Film

Television
 Punar Vivah as Suraj Pratap Sindhia
 Kahiin to Hoga
 Ardhangini
 Saraswatichandra
 Tujh Sang Preet Lagai Sajna
 Kalash
 Badii Devrani
 Sher-e-Punjab: Maharaja Ranjit Singh as Jai Singh Kanheya
Barrister babu as barrister subodh chatterzee
 Porus as Vishnugupta Chanakya
 Jeena Isi Ka Naam Hai

Web series

 Rangbaaz (2019) as Home Minister Ahlawat

References

External links

Living people
Indian male film actors
Indian male television actors
Year of birth missing (living people)
Male actors from Madhya Pradesh


text:
Gustav Holst 'St. Paul's Suite': A Homage to English Folk Song
Published by Alex Burns on 6th September 2019 6th September 2019
Gustav Holst: St. Paul's Suite
In the earlier days of his career, Gustav Holst (1874-1934) struggled to earn a living as a full-time composer. In 1904, after holding an array of different teaching positions, he was appointed as Musical Director at St Paul's Girls' School in Hammersmith. This became his biggest and longest teaching commitment he held in his lifetime. Luckily for Holst, in 1912 the new music wing of St Paul's was open for teaching, and the composer spent extra hours in there composing and using his creativity within music.
St. Paul's Suite was the first work to be composed in the room, with the name naturally paying homage to the building that Holst spent a large amount of time in. Arranged for string orchestra, Holst also wrote extra parts in if a full orchestra was necessary at the school. Comprised of four short movements the work is simple, straightforward and pleasing to the ear. Holst, like many of his British contemporaries, took inspiration from British folk songs, with each movement reflecting a different dance, genre or style.
I. Jig (Vivace)
Opening with a classic Jig that fluctuates between 6/8 and 9/8 time, Holst introduces a contrasting theme that develops into an exciting musical conversation between the two melodies. Holst's orchestration for this suite is one of the highlights, with his keen technique in subtly blending melodies being a particular strength. The two themes unite and this bubbly jig comes to a quick close.
II. Ostinato (Presto)
The fast pace of this movement follows on naturally from the first, with the second violins playing the opening theme. This segment of the melody is then passed around the orchestra until a solo viola interrupts the theme. As the title suggests, the ostinato pattern comes from the second violins, who chug through a busy four-note pattern. The first violins try to penetrate this ostinato throughout and only succeed when the second violins abruptly quit four bars before the end of the movement.
III. Intermezzo (Andante con moto)
The musically rich third movement sees a quartet of soloists step to the forefront, with a solo violin and viola starting the movement. The duet between these two instruments sits on top of pizzicato chords from the orchestra. The music in this movement highlights Holst's experimental techniques, which juxtaposes a mystical style led by the violin, and the energetic interludes that come between.
Holst lulls the listener into a false sense of security during this movement, as it is initially set up as a typical slow movement of a suite. However, Holst writes a vivacious fast section that promptly gets the music going. The increasing energy is presented through the growth of dynamics, mood and musicinship between the various parts.
IV. Finale (The Dargason – Allegro)
If you think you might recognise this movement then it may be because it is an almost note-for-note transcription of the fourth movement of Holst's Second Suite in F. The opening Dargason theme opens the work and acts as the ostinato. The theme is passed around the whole orchestra, with each instrument getting a fair share of ownership over the melody. Dargason is a type of English country dance, with one of its main qualities being its relentless nature.
Holst counterbalances this later on with a beautiful arrangement of Greensleeves, which the lower strings lead. The two melodies unite and are played together to formally end the suite.
St. Paul's Suite has become one of Holst's most well-known works. His compositional techniques were still being explored at this point, and were evidently leading up to his most famous suite – The Planets. This charming suite is often heard in concert halls as a bubbly and joyful opening to a programme.
You might also enjoy… Ralph Vaughan Williams: English Folk Song Suite
Categories:	BlogsOrchestral


During a character-defining run, Brian Michael Bendis crafted a pulp-fiction narrative that exploited the Man Without Fear's rich tapestry of characters and psychodrama, and resolved them in an incredibly nuanced, modern approach. Now, this Eisner Award-winning run is collected across three titanic trade paperbacks! In this volume, witness the Kingpin's downfall at the hands of Sammy Silke and see how a down-on-his-luck FBI agent can change Matt's life forever. Collects Daredevil #16-19 & #26-40.
In this retelling of the early career of The Man Without Fear, the Eisner Award-winning team of Jeph Loeb and Tim Sale have taken an inspiring action adventure story and blended it with a romantic comedy. The result is the heartwarming and heartbreaking story of two young people in love--Matthew Murdock and Karen Page.


The kids will be heading back to school this month ready and eager to get back into the academic groove. In honor of National Kid Month – September- we present some herbal ideas that will get the young ones involved with herbs, maybe the outdoors and putting those academic skills to use in practical fun ways.
The young one in our family is well aware of herbs and even has several of his own favorites. He has been stung several times this summer by the abundance of yellow jackets. Although his first response is a lot of loud hollering, through all the noise he yells "Get Mom!" He knows that mom will get a poultice of plantain (once chewed and slapped on the sting while in the garden) which will pull out the poison and relieve the pain. So this summer he may say that plantain is a favorite herb. He knows about the herbs we grow and use in our food everyday something we talk about all the time. He has learned about herbs from his very beginning. Something we encourage everyone to do.
Begin with food. If you grow herbs, take your children into the garden and let them feel, taste and harvest herbs. Name the herbs and tell them what you do with them. Take some pictures or press some leaves and let them start a scrapbook. Then let them help use those herbs in some cooking. This is a simple and good place to start kids out with herbs easily. Our kiddo enjoys making dill pickles every year, and the umbrel flowers of the dill make for fun and easy harvesting. We have also made pesto from a wide variety of herbs - what fun to chop the herbs roughly so they fit into the food processor (scissors work great for this) and then whirring them up into a lovely green paste with some oil and then mixed with pasta!
Start their own herb garden – our kiddo has his own fairy garden in between the herbs. Some herbs to consider for a kid garden include: anise hyssop, lemon balm, catmint, beebalm, calendula and any mint such as peppermint. These herbs all have great smells when gently rubbed, and grow easily without much care or maintenance. Their flowers also attract a wide variety of insects, which can add an additional element of fascination for kids. It is easy to make bouquets out of them (for gifting friends and family, something that many a young child likes to do), and they can also easily make fresh summer iced tea. These herbs all have great medicinal uses which are safe for kids. Lemon balm and peppermint make tasty, and tummy soothing teas when kids aren't feeling well. Catnip works well to help soothe and cool a fever. Calendula can be infused in oil (any oil you've got on hand, such as olive, coconut, grape, etc.); once the flowers are strained out, you can use the oil for bumps, bruises, scrapes, and itchy and scratchy skin. Add a bit of shredded beeswax to gently heated oil, then once it cools you've got a wonderful healing salve.
Take a foraging walk around your yard or neighborhood! While we are talking about insects, bee stings are an often inevitable result of spending time outdoors and in the garden. But there are several plant allies that are readily available in nearly every yard as weeds which can help with bee stings and other bug bites, itchy skin and simple scratches and owies. Yarrow is a common garden "weed" which is great at stopping bleeding of minor cuts and scrapes. Craft a simple poultice of chopped & ground fresh or dried herb, mixed with a bit of water, and place directly on the wound. Plantain, also seen as a common "weed", is terrific for bug bites and bee stings. As mentioned above, create a simple poultice out of dried or fresh ground herb and a bit of water, and place directly on the affected area. As the poultice heats up, be sure to change it out, so the herb can help draw out the heat and any "poison" left by the bite or sting.
The library is a wealth of knowledge and it is free. The Battleground Library, our favorite branch of our regional library system, is our go-to choice but the regional library system has several branches and books about herbs are readily available. Books with colorful pictures should be helpful and interesting to children. Let them pick out a book or two and enjoy the learning with them. If they get really excited visit a bookstore and let them help pick out a book to keep in your home library.
Play games. It can be as easy as "find the lemon balm" or "show me an herb that makes great tea". There is also an actual board game for learning about herbs. Wildcraft! from Learning Herbs is an excellent cooperative board game that teaches about herbs. It involves an adventure to grandma's house so how could that not be fun. We have this game and have had fun playing it, especially since it cooperative.
However you share herbs with your kiddos, enjoy time spent together and learning about the plants around us that are infinitely useful!


Each month respectmyplanet.org (RMP) recaps oil & gas activity in the Michigan Basin right here in our Michigan Oil & Gas Monthly (MOGM) magazine. RMP is a Michigan based 501(c)3 non-profit organization. If you want to know what's going on with oil & gas development in Michigan, you should follow this publication each month by liking us on facebook or following @respectmyplanet on Twitter so you don't miss a publication.
This is a screen shot from Bill Harrison's paper linked in this article about the location of three of the "J-style" Antrim wells targeting the Upper Devonian Lachine, Paxton, and Norwood layers of the Antrim Shale. Delta Oil's ACOWS targeting the same formation with multiple horizontal drainholes are closer to the county line of Montmorency & Alpena Counties. Click image to enlarge on your screen.
In September, we saw some interesting activity in the Michigan Basin that we will keep our eyes on as it unfolds. Delta Oil out of Oak Brook, Illinois filed numerous ACOWS to drill multiple horizontals off of their State Avery D1-32 well (PN45601) & off of their State Albert A4-1 well (PN53617). The ACOWS calls for a horizontal drainhole (HD) targeting the Upper Devonian Lachine formation. The other ACOWS calls for an HD targeting the Norwood formation. The 3rd ACOWS adds a sump-pump in the Traverse formation. Both wells call for the exact same ACOWS and this "triple configuration" of two HDs and a sump. I recall reading one of Mr. Harrison's papers about the "J-style" wells into Upper Devonian Antrim formations but all the projects Mr. Harrison discusses in the paper linked in the last sentence are on the west side of Michigan. Both of Delta Oil's wells are on the east side of Michigan. Interesting. We'll have to check back later to see what happens.
Also in September was an ACOWS to hydraulically fracture the State Summerfield 2-18 well which originally targeted the Cold Water Shale in 1988 and has produced 1.2 bcf of natural gas with only 43k gallons of waste water. The operator of record for the State Summerfield 2-18 is Cobra Oil & Gas.
We also saw Core Energy receive permit 61186 for the Chester 8-16HD1 which is in Core's CO2 flooding area. RMP is working right now on a post about Michigan's leadership position with Carbon Dioxide Capture & Sequestration (also called by the hashtag #CCS). RMP's paper about #CCS will be published in early October. #CCS is a big deal and Michigan's Core Energy LLC is a leader on this front working with the United States Department of Energy and Midwest Regional Carbon Sequestration Partnership. Core Energy's Dover 33 EOR unit is a U.S. Dept.Of Energy Phase 3 project that has sequestered over 580,000 tons of Carbon Dioxide as of today (over the course of 43 months since the project started). The U.S. Department of Energy only has six Phase 3 projects for #CCS going on in all of North America and Core Energy LLC's Dover 33 EOR project is one of those six. Michigan truly is a leader in this very important research & development area. You can read our new paper coming out in just a week or two to learn more about #CCS. RMP hopes that people who say they're concerned about global warming will start to prove it by learning about carbon capture & sequestration. Stay tuned and follow RMP to always be on the cutting edge of sustainable energy & waste management issues in Michigan and around the world.
RMP expects that we will have the first six month's of Michigan production data ready to report next month in October. Ahead of that reporting, however, I thought it would be a good time to look back at all the wells that have come online in Michigan over the past 18 months.
If you want to follow developments across our basin, you have to be patient in order to let data accumulate because Michigan oil & gas development is moving at its slowest pace in history. Over the last 18 months, only 23 wells have come online and have been issued production resource unit numbers by Michigan's MPSC. If we look back on these most recent wells that have come online in the last 18 months and sort them by top producers we see a hodge-podge of companies and locations in Michigan where operators have been able to achieve economic production. There is no single hot spot.
Topping the list of wells to come online in the last 18 months is Core Energy's State Manistee 2-14 well that has cumulatively produced over 100k bbls of oil from the Niagaran; the well has also produced NGLs and about 150 mcfd of dry gas. That's an average of about 228 barrels of oil per day. The State Manistee 2-14 is in northern Michigan not too far from the shoreline of Lake Michigan. You can see it on our map by clicking here.
Also coming online in the last 18 months is Savoy Energy's Boyce 4-24 HD1, which has produced about 139 BOPD along with NGLs & dry gas. The Boyce 4-24 HD1 is near Michigan International Speedway and you can see it on our map by clicking here.
Axia Energy, out of Colorado, comes in at the #3 spot with their Pease 20-134 well in Climax Township near Kalamazoo. The Pease 20-134 well has produced just over 100 BOPD but has produced no reported NGL or dry gas.
A listing of all 23 wells in Michigan coming online in the last 18 months is shown below ranked by oil produced. The #4 ranked well below is near Ann Arbor on the banks of the Saline River and the #5 ranked well is halfway between Tecumseh & Adrian and is producing near 100 BOPD. For contrast, I thought it would be interesting to mention that an average well drilled into the Permian Basin in Texas will produce over 500 BOPD along with about 900 mcfd of dry gas. Here's a link to the EIA's summary on an average Permian Basin well for September of 2016. (Note: the Permian Basin link on the EIA's page will update to the current month depending on when you read this post).
Michigan received 8 applications in September bringing the total number of applications this year so far up to 38. The number skippings you see in the sequential order are application numbers that get used up when operators file ACOWS. RMP does not count ACOWS toward the number of applications filed but it's pretty irrelevant either way at this point as this is by far the slowest year in Michigan's history and last year was the slowest year in history before this year. Below are the listing of applications received in September.
September oil & gas applications received in September 2016 by the MDEQ's OOGM. Click to enlarge.
In September 2016, the MDEQ's OOGM issued 12 new permits for oil & gas wells bringing the YTD total up to 31 for 2016. The listing of permits issued in September is shown below. Lines colored in orange are possibly more CO2-EOR wells which RMP is keeping a close eye on. I sent an email to Rick Henderson to confirm if these are CO2-EOR wells so I can add them to RMP's new #CCS map.
September 2016 oil & gas permits issued by the MDEQs OOGM. Click to enlarge.
Eleven wells were reported plugged in September bringing the total wells reported plugged in 2016 up to 94. One of the more interesting wells reported plugged this month is the Oakland County Road Commission 1 well on permit #72.
September 2016 wells reported plugged in Michigan. Click to enlarge.
My thinking on this subject was that, ceteris paribus, the line would trend toward zero because America was producing more oil and by exporting that oil, it would improve our trade deficit with regard to petroleum. As you can see below, there has been a spike upwards over the last couple months which I attribute to Saudi Arabia's dominance as a global oil producer. Saudi actions to keep production levels high to curb competition are hammering US producers. Even though the trend is as predicted by RMP at the outset of the year, this recent spike reinforces RMP's underlying economic logic that using crude oil domestically as an energy source is bad for America's economy and national security over the long haul. American simply cannot compete with producers like Saudi Arabia. We should make the migration to FCEVs to significantly diminish our need for crude oil in the coming years.
By lifting the export ban, RMP believes that it is a good thing for America's economy because we can continue to let our oil workers work and sell oil internationally while we work to displace oil demand domestically with hydrogen by way of fuel cell electric vehicles. America can be 100% energy independent, eliminate energy volatility in our markets, let our oil workers make the changeover gracefully, and improve our economy & national security along the way. To read RMP's magnum opus on why we advocate for the responsible migration away from crude oil, you can click here.
Petroleum as a % of US Trade Deficit for July 2016 comes in @ 12.6%. Data for this KPI lags three months behind the current date. The previous month's deficit (June 2016) was @ 11.9% which represents a 0.7% month over month uptick. This graph is spiking most likely from the effect of Saudi Arabia's increased output causing a bust in America. Click to enlarge.
That's it for the September 2016 MOGM. Follow us on Twitter & like us on facebook to keep up with energy news. Thank you for reading. Coming in the next couple weeks is RMP's Carbon Dioxide Capture & Sequestration post that will explain the process and why Michigan is truly leading the world in this important research and development field.


I've never done a guest blog post on here before but everything I wanted to say about what the essence of "culture" was better expressed in her piece by my friend Dr. Julia Furedi.
Yesterday, during a podcast speaking about Emotional Banking and the book, we also announced how terribly lucky I am to have Julia – an amazingly smart and overly qualified, ex HR SVP bank exec and former client of the method join me in changing the world of banking.
Aside for the overwhelming amount of supporting comments we got the usual reaction of virtual eye roll when we mentioned "people not tech" and in particular "culture" and it struck me that with confusion in terms running a-mock in the industry there's a real chance people no sooner understand "Culture" than they understand "Brand". I'll leave Julia to clearly break it down in this post below.
Whether you are aware of it or not, your company -big or small- does have a culture.
For example, what happens when somebody makes a mistake? Is there a common understanding about the severity levels, possible actions? Are there no consequences, are people afraid to face up their mistakes or is it a learning experience for all that is embraced, talked about and no shaming takes place? Is there a common understanding and conduct among managers when a mistake is being made?
Another example is success. What qualifies as a success? Does your company celebrate successes and who are involved in that? Are there instant feedbacks?
Once you are aware of what your culture consists of, you need to own it. By owning it, I mean to be fully aware of how it helps or hinders your daily business, the interactions with your clients, your internal processes and the overall well-being of your employees.
It is way more complex though than starting an employer branding campaign.
The way your culture is being cultivated it strengthens the behaviours that have an overall positive effect on the colleagues, while weeding out the ones that are detrimental.
It is a continuous job that is needed to be done by everyone no matter where they are in the corporate hierarchy. More often than not we see the best intentions of the management die quickly when employees do not feel they can identify with them. Just like in a family walking the talk is the most effective way.
A culture -see yoghurts- is alive by nature.
How much is too much, I hear you ask. I can not answer that but you will feel it in your guts when you witness it in meetings, there are harsh words spoken and personal agendas surface. Trust me, you'll know.
What would make you change the corporate culture? A new CEO, a different business strategy, high employee turnover, market challenges? All of them or any of them could be a good enough reason to start assessing it (see 1.point) and define the direction. However changing corporate culture does not happen overnight and it is hard work. It might involve changing communication, organisational structures, processes and sometimes even people. But the result is well worth it!
Once I saw a quote that said, find your tribe and love them hard. I found it especially appealing as it brings positive emotions into a corporate environment. People thrive in a culture that appreciates them. I have come from an industry where the customer is king. I could never identify with that. I do believe that our people are first because if we do not take care of our own, what does it say to our clients? Being proud, happy, feeling connected, celebrating each day will surely transpire and will attract customers. Let these positive emotions be the backbone of a corporate culture!


Best sites to meet strangers I will set up one shepherd over them, and he shall feed them, even my servant David; he shall feed them, and he shall be their shepherd. I will happily move on if nothing happens. As women age, their milk systems shrink and are replaced by fat. There are exceptions for elderly persons and disabled persons. But you told her that she had never cared for you. And great that you still keep in contact with your matchmaker. He began greedily questioning the women whether they had seen anything the evening before. From New York to Napa the story is the same, whether you are looking for wonderful single women or great single men. This is the way he returns to me. And you really can do it in any spot (even arm balances on a pool table, best sites to meet strangers. Our help is always free. Liberty once assured, attention must be directed to power. And many charged him that he should hold his peacebut he cried the more best sites to meet strangers great deal, Thou son of David, cut off all contact with her, and refused to return her younger sister following a vacation. Now advise, best sites to meet strangers, and see what answer I shall return to him that sent me. Either we live in a capitalist society or a communist one. The prisoner, it was true, and his counsel, in good faith, was obliged to admit it, had adopted a bad system of defence. Welcome to the all-new KikSexting. Think past the item. And they dwelt from Beersheba unto the valley of Hinnom. This period of courtship is sometimes seen as a precursor to engagement. Being single sux for me. I wish you the best in your search and recommend mlagency. You're floundering, my old buck. I have stopped drinking, you know. Swollen or tender breasts: The third most frequently cited symptom of pregnancy is changes in the breasts. And Ephah, Caleb's concubine, bare Haran, best sites to meet strangers, and Moza, and Gazez: and Haran begat Gazez. Matt and Laura Trayte, a couple from Southern California, said they were promised they could adopt a newborn girl from Elizabeth Jones, who resides in Scott County, Virginia. said Marius.
Reproductive Ageing: consensus views arising from the 56th study group. We decided it would be best to break up.


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Q: grub-efi-amd64-signed error prevents installing any software I have installed ubuntu 17.04 on my laptop and everything went well during 5 months but since few days I start encounter this error
When trying to execute the following command:
sudo apt-get install ppa-purge

I get this output:
Reading package lists... Done
Building dependency tree
Reading state information... Done
ppa-purge is already the newest version (0.2.8+bzr63).
0 upgraded, 0 newly installed, 0 to remove and 4 not upgraded.
2 not fully installed or removed.
After this operation, 0 B of additional disk space will be used.
Do you want to continue? [Y/n] y
Setting up grub-efi-amd64 (2.02~beta3-4ubuntu7.3) ...
dpkg: error processing package grub-efi-amd64 (--configure):
 subprocess installed post-installation script returned error exit status 128
dpkg: dependency problems prevent configuration of grub-efi-amd64-signed:
 grub-efi-amd64-signed depends on grub-efi-amd64 (= 2.02~beta3-4ubuntu7.3); however:
  Package grub-efi-amd64 is not configured yet.

dpkg: error processing package grub-efi-amd64-signed (--configure):
 dependency problems - leaving unconfigured
No apport report written because the error message indicates its a followup error from a previous failure.
                          Errors were encountered while processing:
 grub-efi-amd64
 grub-efi-amd64-signed
E: Sub-process /usr/bin/dpkg returned an error code (1)

thanks in advance.


text:
La culebra labios blancos maya  (Symphimus mayae) es una especie de serpiente que pertenece a la familia Colubridae. Es endémica de la península de Yucatán en México y del norte de Belice. Su hábitat natural se compone de bosque espinoso de hoja caduca, y bosques mésicos. Su rango altitudinal oscila entre 0 y 300 msnm. Es una serpiente terrestre y semiarbórea que se alimenta principalmente de saltamontes y grillos.

Referencias

Enlaces externos

mayae
Reptiles de Belice
Reptiles de la Península de Yucatán
Fauna endémica de América Central
Animales descritos en 1936


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Rebooting The Mighty Morphin Power Rangers - Part 3
Posted by The Dace Man Friday, June 6, 2014
Hey, hey, hey Dacetacular Nation! The Dace Man is back with part three of "Rebooting The Mighty Morphin Power Rangers" here on Fanboys Anonymous. In our last installment we wrap up Chris Dace's mega-billion-dollar trilogy and the final chapter in the Mighty Morphin Power Rangers' franchise reboot.
Now, I'm a man who loves to give you just enough to make you go crazy for the next one. So last time we left of with Zordon saying "Prepare the transporter," and Goldar speaking to a mysterious figure. In today's edition it's time to put a cap on the Power Rangers and make Fanboys and Fangirls alike walk away happy. So let's get into it and get dirty.
We begin this flick with the typical day in the life of the Power Rangers. All has been in the clear since the tragic encounter with Tommy Oliver, a.k.a The Green Ranger. Peace has seemed to reign over Angel Grove for a while now as our favorite five teenagers approach high school graduation. The Rangers discuss among each other how they have been summoned to the command center in months. From there we cut away to Rita pacing back and forth, frantically yelling at all her goons (with the exception of Goldar). A siren goes off, and one of the goons tells Rita a vessel is approaching and appears to be docking with their station. Goldar excitedly runs to greet the new arrival. Out walks the most badass MMPR villain ever. Yeah, I said it—ever! Lord Zedd storms out of Serpentera and seizes control of the space station. His first act after assuming control is banishing Rita back into a capsule with all those who do not swear loyalty to him. Rita, left on her own, is ultimately imprisoned by Lord Zedd and cast into the depths of space.
We cut to the command center with Zordon panicked at feeling the disturbance of evil in the morphing grid. He alerts Alpha to immediately gather the Rangers, and upon doing so we get a nice history lesson into Lord Zedd and his viciousness. The dark lord himself arrives outside of the command center with Serpentera and destroys the defenses. Upon walking into the command center Zedd blasts Alpha 5 and breaks Zordon's containment device. He strips the Rangers of their morphers and transports them to a realm beyond Zordon's reach. Zedd grabs Zordon out of his containment pod and pulls him close, saying there's nothing he can do and that it was a long time coming. Alpha 5, in a last-ditch effort, initiates Project White before Zedd destroys what remains of the robot.
The Power Rangers, banished to a realm unknown to them, try to form an action plan to escape. Within this realm they encounter a powerless Rita looking for freedom. The Rangers begin a journey across this uncharted island to seek help and a way off. Rita trails in the hope of escaping as well but with the intention of killing them the moment they escape.
Back on Earth, Project White turns out to be a White Ranger with a sword named Saba. Saba, a direct upload of Alpha 5's database, informs the White Ranger how the main command center was compromised and tells him he must hurry there to save Zordon and the Power Rangers. He begins a journey to the command center. Meanwhile, in Angel Grove, Zedd has begun conquering and enslaving civilization. He has appointed Finster to create monsters to patrol regions for his aggressive takeover. He battles with the US military and local forces as The White Ranger travels to the command center.
The five other Rangers arrive at a ritual ground within the banished realm, where they meet an old friend of Zordon's. She teaches them the way of the her ancient people and explains how to summon the ancient Zords. She then attempts to contact Zordon, and with a faint signal opens a portal back to Earth, where they meet the White Ranger. Rita engages in a fight with the realms guardian and ultimately kills her. In doing so she opens a portal back to Angel Grove with enough time to warn Zedd of the Rangers' return and that Zordon still lives.
The Rangers confront Lord Zedd and battle his forces in an epic battle that ends with the defeat of Zedd and Rita. Lord Zedd at some point during the battle ties up with the White Ranger, in the process knocking off his helmet revealing it is a very much alive Tommy Oliver. They battle with their new Zords, toppling the tyrants. Lord Zedd attempts to flee, but Tommy chases him down. Goldar appears to defend his emperor in the battle. Tommy goes to kill Goldar but refrains, claiming he doesn't need to kill the monster because he's defeated. As Tommy walks away to chase down Zedd, Goldar goes for the same blow he gave Tommy in the last film and is zapped and vanishes. We see the return of Alpha 5 in an upgraded form in time to save Tommy and claim Goldar is not dead, just sent away. The two pursue Zedd and engage in one final battle.
Upon capture Zedd is brought in front of a walking Zordon who was given the ability by his dying friend from the other realm. He banished Rita Zedd and the rest to same Island where the Rangers resided earlier in the film. Zedd argues with Rita when suddenly the two are greeted by Goldar, who tells them the island's guardian is not happy and is looking for Rita. The scene cuts back to the Rangers celebrating with Zordon and then graduating. End trilogy.
Hope you enjoyed my spin on what I felt should be the Mighty Morphin Power Rangers Trilogy!
As always, check back regularly to see what Chris "The Dace Man" Dace is looking at (and no, not just porn), as well as all of the other bloggers here at Fanboys Anonymous. Remember, keyboard warriors: leave your feedback! Until the next time, for the few, the proud, and, of course, the Dacetacular, grab a beer—and in this case your communicator—and check out what's going on here in the Dace-Sphere. See ya next time!
Listen live to The Dace Man Show every Wednesday at 8 p.m. EST on Mega Powers Radio.
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"urbanpanda put's the fun in funky designs for music and art clients" says HOW Magazine as it honors urbanpanda with it's TOP 10 design sites link!
urbanpanda has been named one of HOW Magazines TOP 10 design sites in 2005.
http://www.urbanpanda.com under the direction and operation of Kristien Amer has been cooking up tasty and fresh designs, publicity and events for music and the arts for over 12 years. urbanpanda specializes in independent projects, new business and artist development, publicity, events and design.
Over the past 12 years, Kristien Amer and urbanpanda have produced concerts and special events featuring Hawaiian legends Don Ho and Martin Denny, underground and mainstream punk bands like CKY, The Vandals, The Mormons, The King Cheetah, The Antarcticans, Unit 101, The Tantra Monsters, Go Jimmy Go, etc.
urbanpanda has also organized special events and done publicity for clients such as Brooke Burke from E! channel and The American Film Institute International Film Fest to name a few.
Design clients have included Sony Music, Nintendo, CMJ, Pasport Productions, Radio and Records Magazine and more.
HOW Magazine has honored urbanpanda with it's much coveted TOP 10 web sites link. HOW Magazine is the diffinitive leader in contemporary design publications.
January 2005 also marks the launch of new artworks by urbanpanda, now for sale to the public for the very first time.
Find out what's happening in the underground music and art scenes at urbanpanda's new "Hot Off The Press" section with monthly updated links and recommendations.