text:
Nationwide Mass Tort Lawyers
How have you been impacted? Get a Free Case Evaluation
Current Clients
9/11 Lawyers – Representing Victims of September 11th
Class Action & Commercial Litigation
JUUL Vaping Lawsuits
Sex Trafficking Attorneys
Nationally Recognized Public Client Lawyers
How Opioids Affect the Brain and the Body
January 2, 2018 | Opioid Crisis
Opioids, including heroin, morphine, oxycodone, fentanyl, and more, are commonly used around the world — the National Institute on Drug Abuse reports that an estimated 26.4 to 36 million people abuse opioids worldwide. Many types of opioids are abused by addicts and though the street drugs like heroin get the most press, the rate of adduction and abuse of morphine and oxycodone are just as high if not higher! It can be difficult to understand why people get addicted to these powerful opioids and the simplest answer is this- their brains and their bodies get addicted to the way the drugs feel and without the drug in their system even basic functions are difficult or painful. It is like only being able to swim with water wings and then suddenly being thrown in a pool without them. You do not know how to deal with that missing piece and your flounder and if the body fails to adapt and learn a new way to swim, you drown. Understanding why the addiction happens and what these drugs do to the boy and brain is critical to understanding how to fight this growing epidemic.
Here's what happens to the brain and body when opioids are used:
1. Opioids trigger specialized opioid receptors located throughout the body
These specialized receptors occur in the brain, spinal cord, digestive tract, and other organs in the body. They are designed to be specifically sensitive to the presence of opioids in the body and when these compounds are ingested, they tend to congregate in the regions of these receptors.
2. Pain perception is reduced
The reason opioids help with pain isn't that they remove the pain but rather that they mask the pain. They activate the opioid reactors and these shut down pain receptors in these areas. Opioids are commonly prescribed after major surgery or to treat pain from a traumatic injury or sever chronic condition that causes pain. They work well in many cases but the deadening effect can become addictive very easily.
3. A euphoria effect kicks in with the brain
Opioids are prescribed in various forms and most common of legal versions are pills. Heroin and extra strong versions of prescription opioids can be taken in a liquid or powder form. The effect of pain deadening occurs because the drug floods the blood and hits the brain where it creates a euphoric feeling that helps to disconnect the brain from the pain signals the body is sending. To produce this rush, the brain's limbic system is deadened to create the floating, happy, relax feeling addicts seek.
4. Mental function is clouded
A side effect of this surge of euphoria in the brain is a decrease in mental clarity. When the brain is dulled to the pint it doesn't registered pain signals as much, many of the other functions are also greatly impaired. Users commonly experience brain fog, slow reflexes, impaired judgment, and speech and hearing disturbances as well.
5. Analgesic effect seen with the spinal cord
Opioids block the flow of the millions of electrical signals that go to and from the brain every day. The work to disrupt the pain messages that are sent through the nervous system so the brain does not receive as many. It is like having 1,000 roads leading to one central spot and closing down all but 100 of them to reduce the strain and work load for a time.
6. Dopamine begins to be released into the blood stream
After the opioid receptors get triggered in the spinal cord and the brain, the signal to release dopamine will then begin to take effect. Dopamine is a neurotransmitter that's works with the brain's pleasure system and when the levels get high enough you begin to feel happy and content and relaxed.
7. Depending one various factors the high can last 15 minutes or 6+ hours
Although many opioids are considered to be in the same class of drugs, their effects on the brain and body will have varying levels of intensity and they will also last for different amounts of time. Heroin's high effect can last for an average of 15 to 30 minutes, with a very intense yet brief high. Morphine on the other hand can last 4-6 hours with not as high an intensity but a much longer lasting effect. This is why some opioids are more suited for certain types of pain management applications.
With the use of any opioids there are of course unwanted side effects that come with that rush and the reduction of pain. When used correctly in things like oxycodone or morphine common side effects include dry mouth, upset stomach, ulcers, headaches, constipation, and irritability. For drug users, opioids like heroin can cause severe reactions like heart palpitations, blood pressure issues, aneurysm, stroke, and death.
CATEGORY: Opioid Crisis
Do you need assistance with a legal matter? Our attorneys have the experience needed to guide you in the right direction.
Doctors from Lower-Tier Schools Prescribe More Opioids
Overall, doctors are still heavily prescribing opioid pain medications, which is helping to fuel the opioid epidemic in the United States. But what's behind physicians' prescribing habits? A new report suggests that the rank of the medical school where a doctor received initial training may have something to do with how frequently they prescribe opioids…Read the article
Fentanyl Billionaire Denies Paying Kickbacks
Opioid multimillionaire John Kapoor pleaded not guilty to charges of racketeering, conspiracy, mail fraud, and wire fraud in an Arizona federal court; prosecutors claim that Mr. Kapoor's company — Insys Therapeutics — gave doctors millions of dollars in kickbacks if they prescribed one of the company's prescription pain pills. Mr. Kapoor became a billionaire in…Read the article
Niagara officials react to AG's fentanyl warning
County opiate task force will meet to consider further steps Niagara County officials are taking the discovery of fentanyl-laced pills that resemble prescription oxycodone pills in Western New York seriously, pledging today to devise steps to deal with the new threat. The information, revealed Thursday in a briefing by New York State Attorney General…Read the article
Sign up to receive periodic updates from Napoli Shkolnik regarding our recent news, case filings, and settlements.
NapoliLaw.com CampLejeuneAttorney.com
Commercial Litigation & Class Actions
Napoli Shkolnik News
Westhampton Water
For all other inquiry types, please Contact Us or call (844) 230-7676
Accident Attorney (37) Asbestos Exposure (32) Asbestosis Attorney (15) Auto Accidents (66) Bad Drugs (22) Brain Injury Lawyers (13) Car Accident Attorney (18) Child Injuries (15) civil litigation (15) civil rights (23) Class Actions (13) Coronavirus (63) COVID-19 (63) defective products (52) Doctor Mistakes (27) Drug Side Effects (27) employment law (14) environmental litigation (20) flint water crisis (24) general negligence (90) health and safety (91) Healthcare (13) Hunter Shkolnik (64) Insurance Claims (33) James Zadroga Act (22) Marie Napoli (40) medical malpractice (30) Motorcycle Accidents (17) Napoli Shkolnik News (14) Paul Napoli (67) personal injury (144) personal injury lawyers near me (124) PFOA Water Contamination (52) pharmaceutical law (15) pharmaceutical lawsuit (26) pharmaceutical lawyers (21) pharmaceutical litigation attorney (21) Prescription Problems (16) product liability (46) Sexual Abuse (14) sexual harassment lawyer (15) standard of care (25) Workers Compensation Lawyer (14) wrongful death (13) WTC VCF (14)
Please contact us for an in-person appointment
Principal Office - NYC
Napoli Shkolnik PLLC
(212) 397-1000 $
400 Broadhollow Road
Mark Twain Plaza I
101 West Vandalia Street, Suite 200
Edwardsville, Illinois 62025
400 Continental Blvd FL 6, El Segundo, CA 90245
Available for Consultation
919 North Market Street, Suite 1801
Wilmington, Delaware 19801
1 Greentree Centre
10,000 Lincoln Drive East
1000 5th Street, Suite 200-Z7
3001 Esperanza Crossing
#1063,
3163 Flushing Road, Suite 200-D
Flint, Michigan 48504
1500 W. 3rd Street
Corporate Lakes Suites
6731 W 121st St Suite 201,
Our mission is to help our clients, whether they be families, governments or companies, cope with their losses and their legal needs.
We strive to achieve the best possible outcome for our clients and provide an unparalleled level of service.
We accomplish this by fostering a confident client focused work environment with motivated employees where cooperation thrives and innovation is rewarded.
Use of the AWWA logo is not an implied endorsement.
Talk to a Lawyer Today
For all other inquiries, please Contact Us or call (844) 230-7676
The Best Lawyers Around
I cannot begin to express how thankful and grateful I am to you and your team for everything you did in helping me achieve this favorable outcome.
Katherine C.
Results May Vary Depending On Your Particular Facts and Legal Circumstances
© 2022 Napoli Shkolnik PLLC
The information on this website is for general information purposes only. Nothing on this site should be taken as legal advice for any individual case or situation. This information is not intended to create, and receipt or viewing does not constitute, an attorney-client relationship. Past outcomes mentioned on this site do not guarantee future results.
This site is designed to be accessible and usable by people both with and without disabilities. Please contact us if you encounter an accessibility or usability issue on this site.


text:
Finishing School
MOUs And Partnership
Academic Advisory Board
Director's Profile
PGDM - Post Graduate Diploma in Management
BBA (HONS.)
B.Com (Hons.)
B.Des (Fashion Design)
GATI CE LSCM
ENTERPRENURESHIP DEVELOPMENT CELL
CENTER FOR SOCIAL RESPONSIBILITY
BUSINESS INCUBATOR CENTRE
B.Des (Fashion)
+3 Commerce (Hons.)
ImCon
NamCon
NATIONAL MANAGEMENT CONFERENCE(NamCon)
About ASBM
About NamCon
Convocation Address
ASBM holds its 12th Annual Convocation
ASBM Award for Excellence, 2018 for Prof (Dr.) Damodar Acharya
Entrepreneurship Awareness Camp
NamCon 2019 at ASBM
Click here to view all news
Certificate Programme on Structural Equation Modeling Using AMOs
7th International Management Conference(IMCON), January 2020
National management conference (NAMcon 2019)
Moorchhana – Annual Day on 7th & 8th December 2018
Confluence – The Alumni Meet on 8th December 2018
Click here to view all events
Aautonomous Business School. Established In 2006 by a team of dedicated educationists and management professionals led by Prof. Biswajeet Pattanayak, former Professor of IIM Lucknow & Indore, ASBM has been benchmarked with the IIMs for providing quality management education. It offers the PGDM programme approved by AICTE, Ministry of HRD, Govt. of India with national accreditation of NBA. The quality parameters of the school have earned it international accreditation of ACBSP (USA).
Besides playing a pivotal role in providing value based management education with an industry driven curriculum, ASBM is also committed to research and development. By dint of continuous innovation in its approach for excellence, ASBM was adjudged the "Best B-School" by Odisha Technological Conclave, 2018 and has been rated 'A+++' in the National Survey of Business India in December 2016.The Institute has also been rated the highest on governance parameter, along with IIM Ahmadabad, for three consecutive years by Indian Management best BSchool Survey.
To realise its vision to set the best standards for management education and business leadership, ASBM has entered into coveted MoU with internationally reckoned centers of learning like Metropolitan State University, California State University, San Bernardino (CSUSB), Westcliff University, North Carolina Central University (NCCU), St. Cloud State University (all from USA), Universidad Argentina de la Empresa (UADE), Argentina and Management Development Institute of Singapore (MDIS), Singapore.
Business is not always smooth sailing. It faces uncertainty and inclement weather as it goes through ups and downs. The twenty first century has no doubt brought in more opportunities, but also more complexities simultaneously. Business has become multifaceted, and at the same time it has to face much more rough weather. Not all organisations can sustain in such a situation. Some quit or die, some sustain and exist; only a very few not only sail through, but also grow, despite bad weather. The organisations today face the challenge of not only withstanding exposure to the vicissitudes of a complex business environment, but also of growing despite all the problems.
This calls for building a strong, stable and resilient organisation that can survive the challenges posed by business cycles, technological expansion, political upheavals, demographic dilemma and other multidimensional problems. It also calls for taking a holistic view of the emerging opportunities, and threats as well, to pave the way for organisational agility and sustainability. Ultimately, a culture has to be built that can sustain the organisation thorough good times and bad. Thus the traditional concept of 'challenge' itself has to be challenged to build a 'weatherproof' organisation that can thrive and develop in all seasons. This national convention will provide a platform to academicians, research scholars, industry practitioners and students for multi-layered discussion from different dimensions – Human Resource, Marketing, Finance, Logistics & Supply Chain – that can ultimately make business weatherproof.
NamCon Brochure
Paper Submission Guidelines
NamCon Template
Prof. Mrutyunjay Dash
Email : mrutyunjay.dash@asbm.ac.in
Co-coordinator
Prof. Udayan Das
Email : udayan.das@asbm.ac.in
Email us on : namcon@asbm.ac.in
Asian School of Business Management
Shiksha Vihar, Bhola, Baranga – Khurda Road, Chandaka, Bhubaneswar – 754 012
Fax-0674-2374900
Phone No: 0674 – 2374801 / 4802 / 4803 / 4804 / 4805
institute@asbm.ac.in
Apply now for PGDM
Apply now for BBA(Hons.)
ASBM Journal
ASBM Publication
News in Media
ACBSP Compliance
Grievance Redressal Portal
SEND MESSSAGE
Copyright © 2017 ASBM | Developed by SRV MEDIA Technologies

redpajama_set_name: RedPajamaCommonCrawl


Meaning and definitions of lung, translation in Tamil language for lung with similar and opposite words. Also find spoken pronunciation of lung in Tamil and in English language.
What lung means in Tamil, lung meaning in Tamil, lung definition, examples and pronunciation of lung in Tamil language.


This is the new location for the Four Cuffs blog! I had a feeling I'd outgrow the old site, I just didn't think it would only take two weeks. Sorry for any inconvenience! The old address at blogger was atrocious, and this site is a lot better on the eyes. So this will be the new home for everything Four Cuffs!
I've also uploaded Cuff I: Chapter 2, which occurs right after Chapter 1 and follows the perspective of Empress Vera. I love her character and am excited to show her off more! She's so important to the story. Let me know what you think.
There's also a new poll up, if you want to have a say in what chapter comes out next. Should we continue following Empress Vera, or introduce a new character named Vin Cullur?
As always, you can follow Four Cuffs on Twitter at @fourcuffs. You can also reach me directly via email (fourcuffs@gmail.com). If you're interested in getting news and chapters right to your inbox, go to the Sign Up page. Thanks!


text:
REGINALD FOORT
National Programme Daventry, 12 November 1937 21.40
at the BBC Theatre Organ ' with Robert Easton (bass)
National Programme is a radio service which began broadcasting on 9 March 1930 and ended on 9 September 1939. It was replaced by BBC Home Service Basic.
Feedback about REGINALD FOORT, National Programme Daventry, 21.40, 12 November 1937
Please leave this link here so we can find the programme you're referring to: http://genome.ch.bbc.co.uk/ca7e45323d244900af0d91c779ddd2c1


Following a call for tenders, a French local authority in the Paris Region awarded us a contract as part of a public transport and urban avenue project.
The owners or their assigns of the plots of land located within the project perimeter needed to be found.
We handled about a hundred cases via a dedicated team.


text:
Mazurka Op. 3, No 1
by Alexander Scriabin, transcribed and adapted for trumpet and piano
Oh Love, How Deep, How Broad, How High:
Variations on the Agincourt Carol for Trumpet and Piano
Gretchen Hull,
15th. Century English Folk Song
This mazurka was originally written for solo piano, now available to trumpeters wishing to play more purloined romantic literature.
Hear recording/purchase score:
https://sellfy.com/p/WjFb
The English folk song which provides the melodic material for Variations on the Agincourt Carol dates to the early 15th century, and the variations themselves develop and unfold from the carol's verse, which appears without the refrain in many hymnbooks paired with the text "O Love, How Deep, How Broad, How High" (attrib. Thomas á Kempis). The work illustrates six commonly sung verses of the hymn, a short narrative of the life of Christ. The introduction portrays the author's opening couplet, a rapturous contemplation of the incarnation, the heartbeat of Christ represented by the pianist's extended technique. The first variation of the theme is a dissonant depiction of the temptation faced by Christ in the desert, while the second variation depicts by use of a quietly steadfast and heartbeat-like pedal point the teaching and intercessory prayers of Jesus. The crux of the musical work coincides with the fourth and fifth verses, stanzas which portray Christ's suffering, death, and resurrection. This central tenant of Christianity is also central to the musical work, manifest in the fading and return of the heartbeat motive. Finally, as in many hymns, the last verse functions as a doxology—in this case, a triumphant coda.
https://sellfy.com/p/KIz0/#


Let's kick off the season with a list of potential free agent players that I find interesting. I'm a firm believer that in any fantasy sport, the key to success is to be active in the free agent market early in the season. Seek out the players that show signs of long-term staying power and grab them before they become so hot that you have to fight off the other owners in your league in a bidding war. Then enjoy the fruits of their production in your starting lineup or deal them for other needs on your team. And if they don't work out, dump them and look for the next up-and-comer. Never be satisfied with your entire roster, including the players way at the bottom. Also, never waste any roster space.
Early in the season is a prime time to take some chances on pitchers that may have slipped between the cracks on draft day. Keep an eye on "closers in waiting" and pounce when it looks like the player in front of them on the depth chart is faltering. Starting pitching is another area to keep watching. As teams get into their fourth and fifth starters, the aging veterans or young rookies start to get their feet wet. Make it a point to save 3-4 roster spots to take a chance on some starting pitchers that start out the season performing well.
We'll start things off with pitching, as this is where I think some diamonds can emerge … a long list this week, but I think this is the most important position to look closely at this early in the season. Any comments and feedback regarding the content and/or future format, let me know at dcoutts@fantasysharks.com.
The Pirates' opening day starter did not disappoint, allowing only two earned runs in six innings of work against the Chicago Cubs as he earned the win. The Pirates are very young at every position, including a feisty bunch on offense that can produce runs. Look for Correia to continue to excel as Pittsburgh posts some surprising fantasy numbers to support him.
After an injury plagued 2010 campaign, Francis kicked off 2011 by bottling up the Los Angeles Angels of Anaheim in recording his first win of the season. The Royals aren't going to give him a lot of run support, but if the lefty can hold teams like he did in his opening start, then he's worth a fantasy roster spot.
No, he's not going to hold teams hitless in every start, but the youngster has a tremendous amount of talent that was on display as he held the Tampa Bay Rays at bay in his opening start. The Orioles have a young pitching staff, so Tillman is going to get plenty of opportunity to prove that he belongs in the major leagues. He's worth a roster spot while you keep an eye on his next couple of starts.
After moving from Boston to Cleveland, Masterson did not perform well in 2010, disappointing many fantasy owners that had high hopes for him. With the fantasy "scorn" still fresh in many owners' minds, Masterson submitted a stellar performance in his opening start of the season, holding the Chicago White Sox to a single run as he picked up the first win for the Indians this season. He certainly has the skills to be a solid major league player and fantasy contributor, so keep an eye on his next start and react accordingly. I've already made room for him on my roster.
The Nationals' opening day starter did not disappoint against the Atlanta Braves, posting respectable numbers but not getting enough help to get a victory. That is going to be a repeat story this season. Hernandez will pitch a lot of innings, he won't give up a ton of runs or hits, but he also won't get a lot of offensive help so his win totals will be down. Innings guys have a lot of value so don't be afraid to use a roster spot for the Washington ace.
An impressive debut against the Boston Red Sox lands him on the watch list this week. As was evidenced by the multiple long balls, the Rangers are going to score a ton of runs this year, and as a result, their starters will have the luxury of not having to be perfect to grab a win. He's solidly entrenched as the Rangers' third starter, so he will be getting the ball on a regular basis.
Once a prized prospect for the Chicago White Sox, McCarthy has a second chance in Oakland this year. Currently listed as their fourth starter, McCarthy pitched well enough in spring training to earn the trust of management. Sometimes it takes a change of scenery for a pitcher to flourish, so keep an eye on McCarthy's early starts this year.
The Nationals' No. 2 starter is also not likely to post a bunch of wins in 2011, though he did get off on the right foot in his opening start. A solid effort, scattering a handful of hits against the Atlanta Braves while lasting long enough to get the first win of the season for Washington. Despite a disappointing overall 2010, he closed the season with some strong performances, so keep an eye on Lannan as he could be another innings/low earned run average/ walks plus hits per inning pitched players for your team.
As of press time, the Yankees had tabbed Ivan Nova as their fourth starter and Garcia as their fifth. Most have speculated that this was because of the three, Colon was a better fit to come out of the bullpen. The Yankees, like the Texas Rangers, are going to win their share of games, so whoever the starter(s) end up being are going to have some fantasy value. My guess is that both Colon and Garcia end up as regulars at the end of the Yankees rotation, so if you have room to stash Colon until that happens, then do so.
With multiple implosions already under his belt this short season, the Los Angeles Angels were forced to move Fernando Rodney out of the closer's role. Though the move is being reported as "temporary," Walden has the skills to take the job and run with it. If nothing else, his short-term value as a closer is extremely high, so he should be one of the top free agents acquired if available.
Joe Maddon isn't tipping his hand, and with plenty of options to choose from, it's a total crapshoot in the Tampa Bay Rays bullpen. My money is on Farnsworth, but even if he doesn't assume the ninth inning role, he should get plenty of opportunity to see game action in the seventh and/or eighth innings.
It's impossible on draft day to be stacked at every position. There is always at least one offensive position that is a little weak, so don't forget about the position players early in the season. Also of note, keep an eye on players that may not yet be position eligible for another key position. If you can grab a guy that is going to eventually qualify for middle infield, or catcher and can hit for power, that's a valuable asset.
Hall is a guy that went undrafted in many leagues, but I love the potential here. The Boston Red Sox didn't want to give him up, but they could not keep him, and that is Houston's gain. He likely qualifies at both second base and outfield, with second base being his real value because Hall is a guy that has the potential to belt 20 home runs. He's playing every day for the first time in three seasons, so look for him to post solid fantasy numbers at a position that does not have many power threats.
Lopez probably only qualifies at third base right now, but he's playing second base for the Colorado Rockies so he should soon qualify there as well. Third base is an extremely thin position this year, and as discussed above, second base does not have many options for power. Like Hall, Lopez has 20 home run potential so if he's available in your league, find room for him.
The Los Angeles Angels have a tremendous amount of confidence in the youngster, and fantasy owners should be salivating at the potential for power production. He's going to get a ton of playing time between first base and designated hitter. The only question is getting some major league timing. After a tremendous spring training, I have confidence that he will become an above average fantasy contributor by midseason.
Perhaps the Oakland management should have tried to trade him earlier, as he's been on an absolute tear all spring training and into the start of the regular season. With the third base position being so thin, Kouzmanoff isn't a bad option to have on your bench to cover for your starter if needed.
Many leagues saw Matsui as an available free agent at the end of draft day, and that's justified given the poor spring training he had. Look for the wily veteran to find his way and start contributing on his new team. He won't be putting up the power numbers that he once had in New York, but look for solid contributions in all categories by midseason, worth stashing at the bottom of your roster.
We're reaching a little deep here, but catching can be extremely thin, especially in those leagues were there are two required to be in the starting lineup. He barely made the opening day roster, but given what's in front of him in Baltimore, I can see him getting some playing time and eventually qualifying as a catcher by midseason. Yes, that's a long way off, but for those deeper leagues, he's worth a flier.
Another reach here, but for deep and dynasty leagues, Conger is worth a roster spot. The Los Angeles Angels kept him on the opening day roster, so they clearly have confidence in the rookie. Any potential offensive production is way off, at least to midseason, but at a thin position, his future is very bright.


Reading's main shop for second hand musicalinstruments, records, CDs, DVDs, HiFi, PA and disco equipment. Whether you are a beginner or a pro Music Man can find a guitar for you! Top names like Gibson and Fender regularly appear at a fraction of the new price. Likewise, if you are a record collector delve into 1000's of records and come out with a bargain. Music Man pay cash for your music gear and offer part ex. deals. Open Monday-Saturday 10am-5.30pm. Closed Wednesday afternoons.
At the town end of Oxford Road, 800 metres from Argos and opposite a Texaco petrol station. Please call for directions or we can travel locally.


text:
Der Leichtathletikverband von Angola nahm an den Leichtathletik-Weltmeisterschaften 2019 in Doha teilnehmen. Eine Athletin wurde vom angolanischen Verband nominiert.

Ergebnisse

Frauen

Laufdisziplinen

Einzelnachweise

Angola
Weltmeisterschaften 2019/Teilnehmer (Angola)

redpajama_set_name: RedPajamaWikipedia


text:
Q: Why don't Stack Exchange sites use a rich text editor? Why does the Stack Exchange network of sites use Markdown instead of some other rich text editor like FCKEditor or TinyMCE?

A: To expand somewhat on the user-friendliness and speed:
In any rich-text editior I know, to for example italicise a word, I would have to first write it, then mark it and then either click a button or use some keyboard shortcut for italics. Either way, this takes longer than just writing *word*. Should I use the mouse it also requires more attention: I have to switch my method of input, I have to actually look at the screen, etc. Similar problems apply to many if not all other formatting options.
Another advantage of markdown is that I can easily write a post off-line.
Finally, given what formatting disasters are already caused by new users with markdown, I do not want to know what will happen if they are given a WYSIWYG editor.

A: I am a programmer, and I know HTML and CSS inside-out, so I am not shy of such things.  In the early web days, I even invented a way of automatically marking up text to make it break, wrap, and indent as people usually expect. But I absolutely despise markup languages and wiki notation and this "Markdown" notation as a proliferation of lazy programmer bias.
All the reasons given by others here for not supporting WYSIWYG editing are merely excuses and rationalizations, in my opinion, for not doing the work to make it work.  Yes, it requires some work to support WYSIWYG, but it has pretty much been done for you already by others.
People who are happy with Markdown will tend to be happier with Stack Overflow as it is, and will stick around longer.  People who are not so inclined will tend to leave. This is similar to the Lisp community who are just fine with lots of insanely silly parentheses, and can't understand why they should consider changing.
Why not add the option of switching the editor to WYSIWYG mode?  Have its feature set be limited to doing nothing more or less than what Markdown can already do, and then there should be no conversion problems.

A: Because WYSIWYG doesn't really work. See my blog for an example.

A: Because I use lots of different websites, and I have no interest in learning different editors for different sites.  If the editor gets in the way of my sitting down and typing, which includes code snippets and links, I won't contribute.  The toolbar on top of the box I'm typing into is about the most I'm willing to learn to start with.

A: WYSIWYG RTE editors are generally bad at structuring the underlying data, making it very difficult to analyze/restructure the contents.
Consider this, how often have you seen a Word-user mark a line of text, make it bold, increase font size, and change the font. The experienced user would of course set the style (or what it's called in word) to Heading 1, and modify that style instead.
Why would you do this? Well, try to have word generate a ToC for a document where you changed all the 'headings' manually. Or if you'd like to submit your article for print, where there are other rules (fonts etc). Word actually does make this easier (you can select all instances of a certain combination of attributes), but you'll never be sure you got all of them, or if you managed to snag more than just your headers.
This might be irrelevant for small question/answer entries, but if you'd like to index the entire database, all the answers of all the questions, you'll have quite a substantial data set.
The bottom line is, markup usually conveys structure. WYSIWYG RTE editors usually conveys optical style. The first can pretty easily be turned into the latter, the other way around however, is very difficult. Use structural markup where you can, sooner or later you'll be happy that you did.
For the individual small entries / user experience, I'd go for the other answers (browser problems, source code, etc).

A: Because it would be a complete nightmare for keeping the site's content clean and readable, even with a magical "strip all formatting" button.
[curls up in fetal position]

A: There are many reasons for this:

*

*Take up resources

*Can be prone to cross browser issues

*A source of errors in javascript (goes with browser issues)

*It is quicker for users who are accustom to it to format the text

*Also, this site claims to be wiki like/based... so I guess this is just a similarity they are trying to reinforce.

A: 6. ... and RTEs suck at entering source code. Since that would be not optimal for a page like SO I am really happy they don't try to apply one.
(I'm starting at '6' because I fully agree with Monksy's answer and just wanted to add another important point).

A: Rich text editors might be suitable for average Joes, but it's annoying for programmers.
RTEs are wizards, you can't trust the code they generate.
Plain text makes it a lot easier to reorganize content, and move it somewhere else. RTEs are a big source of headaches when doing that; they just stand in the way.
Markdown is more semantic: you shouldn't care about what exactly some block looks like with regards to font, size, color, etc; markdown will take care of the representation for you.

redpajama_set_name: RedPajamaStackExchange


text:
Books about Open Access
Directories & Repositories
Bibliographies, Blogs, Wikis
Boston University and Open Access
The movement to make publications open access has been around for some time but has become increasingly important as many universities, including Harvard University and Boston University, have formally established open access policies. Open access literature is digital, online, free of charge, and free of most copyright and licensing restrictions. This guide will provide, among other things, an overview of the movement, a listing of directories & repositories, statements and mandates by various organizations, and copyright information about open access literature. It will also include information about open access policies at Boston University.
(Original author, Meredith Kirkpatrick, 2021)
Open Access by Peter Suber A concise introduction to the basics of open access, describing what it is (and isn't) and showing that it is easy, fast, inexpensive, legal, and beneficial. The Internet lets us share perfect copies of our work with a worldwide audience at virtually no cost. We take advantage of this revolutionary opportunity when we make our work "open access": digital, online, free of charge, and free of most copyright and licensing restrictions. Open access is made possible by the Internet and copyright-holder consent, and many authors, musicians, filmmakers, and other creators who depend on royalties are understandably unwilling to give their consent. But for 350 years, scholars have written peer-reviewed journal articles for impact, not for money, and are free to consent to open access without losing revenue. In this concise introduction, Peter Suber tells us what open access is and isn't, how it benefits authors and readers of research, how we pay for it, how it avoids copyright problems, how it has moved from the periphery to the mainstream, and what its future may hold. Distilling a decade of Suber's influential writing and thinking about open access, this is the indispensable book on the subject for researchers, librarians, administrators, funders, publishers, and policy makers.
Location: available online
Knowledge Unbound by Peter Suber; Robert Darnton Influential writings make the case for open access to research, explore its implications, and document the early struggles and successes of the open access movement. Peter Suber has been a leading advocate for open access since 2001 and has worked full time on issues of open access since 2003. As a professor of philosophy during the early days of the internet, he realized its power and potential as a medium for scholarship. As he writes now, "it was like an asteroid crash, fundamentally changing the environment, challenging dinosaurs to adapt, and challenging all of us to figure out whether we were dinosaurs." When Suber began putting his writings and course materials online for anyone to use for any purpose, he soon experienced the benefits of that wider exposure. In 2001, he started a newsletter--the Free Online Scholarship Newsletter, which later became the SPARC Open Access Newsletter--in which he explored the implications of open access for research and scholarship. This book offers a selection of some of Suber's most significant and influential writings on open access from 2002 to 2010. In these texts, Suber makes the case for open access to research; answers common questions, objections, and misunderstandings; analyzes policy issues; and documents the growth and evolution of open access during its most critical early decade.
Open Access and the Humanities by Martin Paul Eve If you work in a university, you are almost certain to have heard the term 'open access' in the past couple of years. You may also have heard either that it is the utopian answer to all the problems of research dissemination or perhaps that it marks the beginning of an apocalyptic new era of 'pay-to-say' publishing. In this book, Martin Paul Eve sets out the histories, contexts and controversies for open access, specifically in the humanities. Broaching practical elements alongside economic histories, open licensing, monographs and funder policies, this book is a must-read for both those new to ideas about open-access scholarly communications and those with an already keen interest in the latest developments for the humanities. This title is also available as open access via Cambridge Books Online.
Open Access and the Library by Anja Oberlander (Guest Editor); Torsten Reimer (Guest Editor) Libraries are places of learning and knowledge creation. Over the last two decades, digital technology--and the changes that came with it--have accelerated this transformation to a point where evolution starts to become a revolution. The wider Open Science movement, and Open Access in particular, is one of these changes and is already having a profound impact. Under the subscription model, the role of libraries was to buy or license content on behalf of their users and then act as gatekeepers to regulate access on behalf of rights holders. In a world where all research is open, the role of the library is shifting from licensing and disseminating to facilitating and supporting the publishing process itself. This requires a fundamental shift in terms of structures, tasks, and skills. It also changes the idea of a library's collection. Under the subscription model, contemporary collections largely equal content bought from publishers. Under an open model, the collection is more likely to be the content created by the users of the library (researchers, staff, students, etc.), content that is now curated by the library. Instead of selecting external content, libraries have to understand the content created by their own users and help them to make it publicly available--be it through a local repository, payment of article processing charges, or through advice and guidance. Arguably, this is an overly simplified model that leaves aside special collections and other areas. Even so, it highlights the changes that research libraries are undergoing, changes that are likely to accelerate as a result of initiatives such as Plan S. This Special Issue investigates some of the changes in today's library services that relate to open access.
Open Access: What You Need to Know Now by Walt Crawford Academic libraries routinely struggle to afford access to expensive journals, and patrons may not be able to obtain every scholarly paper they need. Is Open Access (OA) the answer?
Browse More Books About Open Access
BU Libraries
ask@bu.edu
Next: Overview >>
Last Updated: Jul 2, 2021 4:31 PM
URL: https://library.bu.edu/openaccess
Subjects: Books, Libraries & Publishing, Multidisciplinary


2013 AHS filly by Royal Prince X EM Diva (Donnerhall / Gardeulan II / Perser).
This lovely filly has much to offer. A stellar pedigree, correct conformation, incredible uphill balance,and personality plus! She will be a wonderful addition to someone's breeding program down the road but she will be a wonderful competition horse first. Start early in the breed shows before picking a discipline. Although bred for dressage there is strong jumping blood through the dam line. Check out Diva's page to see her jumping ability during her performance test.
Dam, Elite Mare Diva, is from the next to last foal crop of the great Donnerhall. She has produced several champion foals for former owner Mary Lou Winn of Home Again Farm. All foals are very correct, with good minds and correct conformation .
Diva's 3/4 brother Don Aqui by Don Bosco is a licensed stallion and has successful offspring in Europe.
Full brother to Rejoice, Royal Don, is cleaning up in the show ring and has garnered scores into the high 70's at 2nd/3rd level at 5/6 yrs old and is now showing 4th level.
Half-brother Flamboyant who debuted at PSG in April of 2016.
I expect this elegant filly to mature in the 16.2+ region.
She sells with AHS, and USEF registration.


text:
Q: How can I configure default route metric with dhcp and netplan? My problem is quite similar to this question. My vagrant machine sets default route metric incorrectly.
The following is netplan configuration.
network:
  version: 2
  ethernets:
    enp0s3:
      dhcp4: true
      match:
        macaddress: 02:70:4e:c8:68:e9
    enp0s8:
      dhcp4: false
      addresses: [192.168.33.10/24]
      gateway4: 192.168.33.1
      routes:
        - to: 192.168.33.0/24
          via: 192.168.33.1
          metric: 0

And route table.
# route -n
Kernel IP routing table
Destination     Gateway         Genmask         Flags Metric Ref    Use Iface
0.0.0.0         192.168.33.1    0.0.0.0         UG    0      0        0 enp0s8
0.0.0.0         10.0.2.2        0.0.0.0         UG    100    0        0 enp0s3
10.0.2.0        0.0.0.0         255.255.255.0   U     0      0        0 enp0s3
10.0.2.2        0.0.0.0         255.255.255.255 UH    100    0        0 enp0s3
192.168.33.0    0.0.0.0         255.255.255.0   U     0      0        0 enp0s8
192.168.33.0    192.168.33.1    255.255.255.0   UG    0      0        0 enp0s8

enp0s3 is NAT interface and internet connection should use this. sudo route del default enp0s8 resolves this problem, but adding routes to yaml couldn't solve the problem and has the limit of fixed gateway.
What configuration should I use to reorder metrics automatically?

A: For systems with multiple interfaces, only the interface that should get the default gateway should have "gateway4:" set; keeping in mind that DHCP is quite likely to set the default gateway as well:
network:
  version: 2
  ethernets:
    enp0s3:
      dhcp4: true
      match:
        macaddress: 02:70:4e:c8:68:e9
    enp0s8:
      dhcp4: false
      addresses: [192.168.33.10/24]

Note that the additional route you had set is typically unneeded: 192.168.33.0/24 is already reachable, as it is directly connected to the enp0s8 interface in this case (when addresses: lists the subnet already). Having a metric: set to 0 can further confuse the kernel.
If you need the interface with static IP (in this case enp0s8 to have the default gateway instead of the interface that does DHCP, then you can set a route with a metric value lower than 100; so that it is picked before the default gateway set via DHCP by systemd-networkd. For example:
network:
  version: 2
  ethernets:
    enp0s3:
      dhcp4: true
      match:
        macaddress: 02:70:4e:c8:68:e9
    enp0s8:
      dhcp4: false
      addresses: [192.168.33.10/24]
      routes:
        - to: 0.0.0.0/0
          via: 192.168.33.1
          metric: 50


Zimbabwean champions, FC Platinum are out of the CAF Champions League after after a 2-nil defeat by Horoya Athletic Club of Guinea in Conakry this evening.
The defeat saw the platinum miners remaining at the bottom of Group B with just a point out of four matches, while Horoya moved up to second with seven points, a point behind new log leaders, Esperance of Tunisia.
The defending champions, Esperance took over pole position in the group after a 2-nil victory over South African giants, Orlando Pirates in a game played earlier in Tunis.
With two games to play, maximum points for the Zimbabwean side will not take them to the quarter-finals as they will not overtake Esperance and Horoyo, the later already having a superior head to head record, which is the first criterion to separate teams tied on the same number of points.


text:
https://oxfordre.com/communication/abstract/10.1093/acrefore/9780190228613.001.0001/acrefore-9780190228613-e-1242
Sign in Article Navigation
Queer(ing) Musicology
Queering Musicology with (Sub)Cultural Studies
History of Queer(ing) Popular Music Culture
Riot Grrrls and Ladyfest
Queer(ing) Black Hip-Hop Feminism
Trans(ing) Music Culture
Primary and Additional Resources
Show Summary Details
Queer(ing) Popular Music Culture
Doris LeibetsederDoris LeibetsederInstitute for Educational Science, University of Vienna
https://doi.org/10.1093/acrefore/9780190228613.013.1242
Published online: 18 July 2022
Queer(ing) popular music culture is a diverse field. It focuses, on the one hand, on the adjective "queer" and describes and analyzes what makes certain music queer. On the other hand, there is a strong emphasis on the verb "to queer," on the doing, on how music culture can be made queer. Queer music is directed against not only norms concerning gender and sexuality, but also other intersectionalities correlating to the body and desire, such as disability, race, ethnicity, class, religion, and so forth. Early on, queer music culture stood for "homosexual" musicians, performances, taste, or audiences, but has now opened up toward other identities and queering practices showing the construction of identities in an interplay of dominant power mechanisms (e.g., racialization). To queer music culture is to step outside of binary normative assumptions and dichotomous thinking and to introduce more subtle in-betweens in music, which are directed against the hegemonic power structures at place in music culture and the society in general, and aim to dissolve them.
Queer musical performances and how to queer music culture depend strongly on the cultural and historical context the music is placed in. Two key concepts for the analyses are the performance and performativity (repetition of performances) of gender and sexuality and other intersectional identities. Both concepts are crucial because they form the foundation of queer theory.
In terms of music culture, this means that it is not only about how a musician performs their gender during a show, but also that this gendered performance needs to be repeated over time and in society. For example, members of the same audience could emulate the gendered performance of the musician in their own social life. Gender is performed and performative, as are other kinds of identities such as sexuality and other intersectionalities (race, class, age, dis/ability). Analyzing how a gender/sexuality/class/race performance is done and how it is repeated in everyday life (performativity) helps to find queer acts and gestures. In music culture this means to look at not only musical performances or at the appearance and behavior of the audience during the performance and in their daily lives, but also in doing music culture differently—hence "queering" music culture—and not corresponding to the heteronormative production and consumption scheme. This kind of "queering," for example, happened in the Riot Grrrl movement when they produced their own labels and escaped the male-dominated studio productions. Other examples are their self-produced zines to spread queer-feminist knowledge or their DIY archives (see History of Queer(ing) Popular Music Culture), and the queering of the production/consumption scheme is also seen in the ballroom culture as explained in the following section. Further musical periods and genres will be examined critically for their queerness: blues and jazz in the early 20th century, glam rock in the 1960s and 1970s, Black hip-hop from the 1990s until now, and contemporary trans music.
(sub)cultural studies
whiteness/race/racialization
You do not currently have access to this article
Please login to access the full content.
Access to the full content requires a subscription


Founded in 1947 as Air Pacific, Fiji Airways (FJ) is the flag carrier of Fiji. Nadi International Airport (NAN) is its primary hub and Nausori International Airport (SUV) is its secondary hub. The airline flies to 17 destinations. In addition to its two domestic destinations, it also serves Hong Kong, Japan, Kiribati, New Zealand, Samoa, Solomon Islands, Tonga, the United States and Vanuatu. Fiji Airways also has codeshare agreements with seven other carriers. The airline's fleet consists of three Airbus A330-200, one Boeing 737-700 and five Boeing 737-800 planes. All are configured with Tabua Class (Business Class) and Pacific Voyager (Economy Class) cabins.


text:
Place de l'Étoile steht für:

 Place de l'Étoile, früherer Name des Place Charles-de-Gaulle in Paris
 Place de l'Étoile, französischer Name des Sāhat an-Nadschma in Beirut
 La Place de l'Étoile (deutsch Titel Place de l'Étoile), Roman von Patrick Modiano (1968)


text:
Mission Impossible Burger
Eve Donnelly
With ocean levels rising, glaciers melting and global temperatures increasing, the effects of climate change are at an all-time high. Although society's recent efforts to carpool, recycle and shorten showers may lessen humanity's carbon footprint minimally, they do not prevent events that will have a significant impact on climate change.
Impossible Foods, a company founded in 2011, has made it their mission to reduce the animal agriculture industry's negative effects on the planet by creating plant-based, synthetic beef. Although completely meat-free, the Impossible Burger very closely mimics the appearance and taste of a real hamburger.
Achieving this level of realism for a non-meat patty took hours of trial and error in Impossible Foods' lab, as seen in their video, "The science behind the Impossible Burger." Celeste Holz-Schietinger and Richard Brown, the project's lead neuroscientists, started with the question, "What makes meat, meat?"
Brown and Holz-Schietinger began by isolating a single aroma molecule in a real hamburger, then recorded individual observations of what they smelled in the molecule. From this data, they pinpointed heme as beef's crucial ingredient.
Heme, also known as soy-leghemoglobin, is a molecule that looks and tastes like blood. It is responsible for beef's unique, meaty flavor as well as its deep red coloring. In the production of Impossible Burgers' non-meat patties, heme is extracted from the soy plant, and then combined with yan and xanthan gums, coconut oil and wheat and potato proteins.
Each ingredient makes a certain contribution to creating the same experience as eating a real hamburger. Heme matching the color and flavor of red meat appeals to the visual, taste and smelling senses, the sizzling of coconut flakes creates an auditory experience and the texture of the wheat and potato proteins imitate the fleshy texture.
Offering an eco-friendly alternative to beef could greatly improve the state of the Earth's environment. Nicole Loomis, an AP environmental science teacher, sees plant based meat as a possible method for reducing carbon emissions.
"Eating lower on the food chain is definitely a good solution, even if people only do it once a day, or one day a week. The Impossible Burger is made mostly from wheat, potatoes and soy, all of which have far lower carbon emissions than beef."
Nicole Loomis
According to Loomis, beef production has the highest level of carbon emissions and water usage of any food eaten, accounting for 67 percent of all food related emissions.
Beef is an incredibly popular food option — the average American consumes 222 pounds of red meat and poultry per year. This is equivalent to every person eating 800 quarter-pound burgers annually, or 2.4 burgers a day.
The Impossible Food company's mission closely aligns with that of non-meat eaters, but Impossible meat is actually created primarily for meat eaters, according to Impossible Foods' customer service manager Michelle Ishida.
"The Impossible Burger was created with the goal of being something that meat eaters would choose instead of traditional beef. The vast majority (of consumers) regularly consume animal meat."
Michelle Ishida
Only three percent of the company's customers identify as having a plant-based diet. One of these consumers is Paly junior Noa Lehrer, who has been vegetarian for five years and was startled by how realistic the Impossible Burger tasted.
"The texture was very fleshy and meaty," Lehrer said. "It was off-putting to me because it felt like I was eating meat."
But Lehrer thinks that for the very reason that she was shocked by the burger, a meat-eater could enjoy it.
"I think [the Impossible Burger] is an awesome alternative for people who want to be vegetarian for moral or environmental reasons, but still like the taste and texture of meat," Lehrer said.
Lehrer's first Impossible Burger experience was at Gott's Roadside, a popular Town and Country restaurant. Manager Cary Gutknecht, who has worked at Gott's for five years, said they started making their own Impossible Burgers to attract meat eaters who want to eat less meat for either health or environmental reasons.
"Think about everything that goes into raising meat," Gutknecht said. "There's a lot of carbon emissions, water usage, and maintenance, whereas the Impossible Burger doesn't have that cost."
Gutknecht explains that Gott's has a very close relationship with the Impossible Foods company.
If the Impossible Burger continues with its increasing popularity, Gott's could potentially decrease their beef production.
"We are here to serve the community and give the people what they want," Gutknecht said. "If the community wants to move towards meatless meat, we will be right here to do so."
Ishida is also confident that a world with reduced beef consumption is in the near future.
According to Ishida, the company partnered with researchers at the Technical University of Denmark (DTU) to investigate what the future impacts of plant-based, beef could be.
Their findings revealed that should Americans replace 50 percent of ground beef from cows with Impossible beef, 45 million metric tons of carbon would be spared from entering the atmosphere, 3.2 trillion gallons of water would be saved and 190,000 km of land could be restored to a healthy, wildlife habitat.
"As a young company, we can't be sure that there's a decrease in beef sales yet," Ishida said. "But it's certainly our goal as we move forward."
beefburgercowsimpossible burger
Social service effects and decline in living quality from rapid population growth
Shiki Toyama
Long COVID symptoms shown to affect students for months after recovery
Lucy Li and Brianna Zhou


text:
A few steps towards excellence | Cashmere amount
Educational institutions must instill strong moral values in students: Bombay HC | Bombay News
CCA-supported bills enacted
Omicron push leads universities to change spring semester schedule
10 things about Lorelai that have aged badly
Meet the pioneering geotextile manufacturing company in Bangladesh
Graduate education tax credits, here's what you need to know
Advancing and Streamlining DX in Higher Education
Adele "bursts into tears" as she is surprised by old school teacher in audience with Adele
She will delight UK fans on Sunday, with an ITV special recorded earlier this month, where the successful singer performed her greatest songs.
And Adele reportedly broke down in tears as she was surprised by her former teacher while on stage during the recording of An Audience with Adele at the London Palladium on November 6.
The Skyfall hitmaker, 33, reportedly cried tears of joy in front of the star-studded crowd when she reunited with the teacher, who taught her at Chestnut Grove School in Balham.
Tears: Adele, 33, reportedly burst into tears as she was surprised by her former teacher while on stage during the recording of An Audience with Adele
Fans of the London Palladium show earlier this month reportedly recounted how actress Emma Thompson asked the superstar who inspired her when she was young.
Adele opened up about the impact the grade eight teacher had on her, after which Emma revealed that she was, in fact, in the audience.
An audience member said The sun: 'It was a very emotional moment. Adele spoke fondly of how her teacher was her inspiration as a teenager.
"When she realized she was actually in the audience, she immediately brought her on stage and burst into tears. It was the big surprise of the night.
MailOnline has contacted ITV and Adele's representatives for comment.
Surprise! Skyfall hitmaker reportedly cried in front of the starry crowd when she reunited with the teacher, who taught him at Chestnut Grove School in Balham
Just days after releasing her fourth studio album, 30, Adele will be back on our TV screens in a one-off ITV special.
The singer said she felt "emotional" to be back on stage in the UK for the first time in four years as she performed for Andrew Lloyd Webber, Emma Watson, David Tennant, Naomi Campbell, Daniel Kaluuya and Catherine O'Hara. .
Her boyfriend, sports agent Rich Paul, also joined the star crowd and the singer's family and friends.
Unbelievable: Adele is back to delight her fans in the UK with an ITV special where the successful singer will perform her greatest songs for a star-studded audience in London
Superstar: She played for Andrew Lloyd Webber and Emma Watson
Dawn French, Stormzy, Gareth Southgate and Samuel L Jackson are among those watching the Someone Like You star live as her pal Alan Carr, 45, takes the stage to ask questions.
Adele is set to reveal who her idols are, "crazy stories" about fans' relationship issues and answers to burning questions like why she's no longer playing in heels.
Chatty man Alan and Adele are close, with the Make You Feel My Love frontman marrying him and partner Paul Drayton in 2018.
Gorgeous: Adele admitted she was "very nervous" to come back on stage
Best Friends: Chatty man Alan, 45, and Adele are close, the Make You Feel My Love singer marrying him with partner Paul Drayton in 2018
Taking the stage, Adele admits, "I got very emotional. I haven't been home for so long and haven't played a show here for so long.
"I am very, very nervous! Of course, I'm fucked up.
"I'm a huge fan of An Audience With – it was the highlight of my life every time it aired – I'm so excited to do it tonight, very, very excited."
Adele has not performed in the UK since her performances at Wembley Stadium in June 2017.
Supported: Samuel L Jackson was among the A-List celebrity crowd at the special filmed in London
But she is expected to make a comeback next year, having recently announced concerts in London in 2022.
The lucky celebrities who got to see her live once again shared their excitement ahead of the show's filming.
"I am so excited to see one of the greatest singers of all time." Emma Thompson said, who was with her husband Greg Wise.
Andrew Lloyd Webber added that he thinks Adele is "one of the great originals."
Iconic: Adele hasn't performed in UK since her performances at Wembley Stadium in June 2017
The singer celebrated this week after rave reviews poured in when her new album was released on Friday.
Inspired by her divorce from ex-husband Simon Konecki, the record received a score of 89 out of 100 on Metacritic, indicating "universal acclaim" from critics as fans took to the media in droves. social media to praise the outing and share crying memes to respond. the stars mighty words.
# Adele30 became a trending topic on Twitter immediately after the album's release, with fans around the world praising the record.
An Audience With Adele airs Sunday at 7:25 p.m. on ITV and ITV Hub
Yeah ! Adele took to Twitter on Friday to thank her fans for their support following the release of her new album 30
Shekhar Ravjiani talks about India's 'great unknown treasure of musical talent' – The New Indian Express
Auckland University staff critical of support for students amid revelations of former teacher's sexual misconduct
Award-winning actor, head of the Department of Musical Theater at the University of Michigan
Philadelphia Orchestra Closes Virtual Season With Captivating Program
Previous The impact of Transgender Day of Remembrance must be felt year round
Next A look at the four people giving their names to campus buildings
The violinist will perform with symphony during the grand finale of the fireworks
Students of the new Canaan School of Rock Participants in the AllStars music program
Sacked CEO Bernadette Norton refused to quit Australian Guild of Music Education job
Assistant Professor Position in Exercise Science at the University of Southern Alabama
Business Events – November 2021 – thehomewoodstar.com
Is the class leader a true story? Is the TV show based on real life?


"Using the Sidereal Zodiac, like Nostradamus, an astrologer and metaphysician stocks her perception concerning the mixing of jap and Western astrology within the Zodiac Conspiracy. This ebook underscores the omission of Ophiuchus, an incredible constellation that the Greeks left off the tropical zodiac wheel. It contains a short part on Ophiuchus, the one constellation named after a true guy named Imhotep.
The thirteen solar indicators of the Zodiac outlines the variations among renowned tropical astrology (that you learn within the day-by-day horoscopes) and the science/astronomy of sidereal astrology. This publication merges the sidereal and tropical structures to aid us know how the tropical zodiac represents who we're studying to be, whereas the sidereal zodiac represents who we actually are.
• Rev.Dr. Martin Luther King Jr. used to be particularly a Sagittarian (The Seeker) who used to be studying how you can be a Capricorn goat, mountain climbing up the mountain to turn into The Achiever.
• Jesus was once most likely born below the signal of Virgo to a virgin mom. despite the fact that, he was once quite a Libra (The Peacemaker) who was once studying how one can be a Virgo (The Selfless Servant).
All of this and masses, even more is defined during this striking book—13 sunlight indicators of Zodiac."
This eye-opening publication bargains a serious survey of the genuine origins of liberalism. It demanding situations the commonly held trust between social scientists that liberalism has built against Christianity. starting with the Protestant Reformation, it illustrates how Christian thinkers reinterpreted Christianity and used a suite of indemonstrable biblical presuppositions from their reinterpretations to increase the 1st liberal rules, beginning a approach that culminates within the start of the 1st liberal political conception within the writings of a religious Christian thinker, John Locke.


First you make eight red triangle slotted loosely into an orange.
Then you slot the whole orange and red "bar" onto a white on each end.
PS. If anyone can make something that launches these, that would be awesome!!!
Your welcome, any ideas and I would be glad to make.


text:
Q: Getting "tput: No value for $TERM and no -T specified" on Python While executing the command I am getting this "tput: No value for $TERM and no -T specified" while running the commands on Python (Using Sublime text).
Can anyone let me know why I am getting this?Screen Shot of the output


When it comes to marketing how does your performance measure up? What is the right digital and technology to deliver marketing performance? Do you need to rationalise your roster or optimise it? Want to achieve higher levels of media transparency and value?
When it comes to marketing how does your performance measure up?
Marketers are facing increasing challenges in a complex market. There is greater pressure on marketers to demonstrate effectiveness, drive customer experience and ultimately business growth. This means that marketers need to focus not only on delivering performance, but also on proving the effectiveness and efficiency of their strategy and execution. Read more here.
If you want to discuss this with a TrinityP3 consultant simply click here.
What is the right digital and technology to deliver marketing performance?
Technology is revolutionising marketing and marketing practice. Digital technology is core to the marketing process today. Automated marketing, data management platforms, customer relationship management platforms, demand side platforms, programmatic buying, content management systems, digital asset management and so much more. Plus there are new innovations and more technology options every day. Read more here. If you want to discuss this with a TrinityP3 consultant simply click here.
Do you need to rationalise your roster or optimise it?
As the scope and definition of marketing continues to grow, it becomes harder for one group of people to 'know it all'. Agencies have diversified over time, to meet demand for specialist services. The result can often be unwieldy agency rosters, un-checked process and underperforming relationships. Rather then just rationalise your roster, it is important to align it to your strategy to drive maximum performance from your roster. Read more here. If you want to discuss this with a TrinityP3 consultant simply click here.
Want to achieve higher levels of media transparency and value?
Media continues to be the single largest budget item for most advertisers. But how media has changed in the past decade, with paid digital media spend higher than television and all traditional media. But with these changes comes significant challenge around transparency, meaningful and consistent metrics, viewability, rising ad fraud counted in billions of dollars annually and the erosion of the advertiser's media buying value. Read more here. If you want to discuss this with a TrinityP3 consultant simply click here.
Want to bring your marketing production into the 21st century?
What happens when the rubber hits the road? The right building blocks, internal and external, are essential in starting the process of improving performance. But the delivery and implementation of marketing programmes represent crunch time. This is where inefficiency impacts directly on the power of your marketing budget. Read more here. If you want to discuss this with a TrinityP3 consultant simply click here.
Is your marketing environmentally sustainable?
Is your marketing strategy aligned to your company's sustainability policy? Do you measure and optimise your carbon emissions across all your advertising and marketing communications? Do you hold your specialist internal and suppliers accountable to sustainability performance? Corporate sustainability is increasingly important to more organisations and marketing plays an important role in this strategy. Read more here. If you want to discuss this with a TrinityP3 consultant simply click here.
Continued to work with a large retirement fund to re organize their roster and negotiate the correct remuneration structure.
We completed the market orientation stage for a leading Australian university.
Lastly we completed an agency section process in Japan for a large car manufacturer.


text:
Leslie Kaplan (* 1943 in New York City) ist eine französische Schriftstellerin, die aus einer jüdischen Familie stammt. Sie lebt seit 1945 in Paris und studierte 1962–1966 Philosophie und Politische Ökonomie an der Sorbonne und in Arras. 1968–1970 arbeitete sie  in der Fabrik, entsprechend ihrer damaligen Weltanschauung als Maoistin. Danach studierte sie Klinische Psychologie. Sie schreibt auf Französisch, ihre Werke sind in zehn Sprachen erschienen.

Werke, Stil und Denken
In den letzten Jahren veröffentlichte sie fünf Bände der Reihe Depuis maintenant (Von jetzt an), deren vier erste Folgen noch nicht ins Deutsche übersetzt sind. Es handelt sich um das Zeitbild einer Epoche, der Modernisierung Frankreichs seit den 70er Jahren und seiner Belastung, in der die Kollaboration und der Algerien-Krieg massiv verdrängt wurden. Der erste Band handelt von den 68ern. Die fünfte Folge ist der Roman Fever. Die Reihe war zuerst dreibändig geplant.

2009 erscheint auf Deutsch ihre Essaysammlung Die Werkzeuge, eine Auswahl aus Les Outils. Hier gibt Kaplan Einblick in ihren Schreibprozess, der danach sucht, der Welt zu "begegnen". Gutes Schreiben reicht dem Leser verschobene, verdichtete und symbolische Elemente zur Deutung der Wirklichkeit. Kaplan mahnt eine Ethik im Denken und im Schreiben an, sie liefert einen Entwurf dazu. Ihre Gedanken entwickeln sich spiralförmig, immer wieder neu ansetzend, mit vielen Zitaten aus der Psychologie und politischen Philosophie. Der Mensch lebt  (Franz Kafka), inmitten einer Welt der  (Dostojewski), seine Freiheit ist gefährlich (man kann alles denken, sogar den Mord). Die Shoa ist für sie ständiger Denkanstoß, im Anschluss an Robert Antelme.

Jedoch inmitten der Finsternis gibt es Breschen, durch die Licht fällt, eine Hoffnung keimt auf, das wahre Leben wird in seiner Fülle sichtbar. Kaplan möchte unsere Wahrnehmung schärfen, aus einem Blickwinkel des Staunens betrachtet sie, denkt und schreibt. Immer wieder zitiert sie, außer den eben Genannten, Flaubert, Balzac, Maurice Blanchot, Sigmund Freud. Über Blanchot: Ich meine, dass immer, seitdem ich schreibe, dieser Übergang von dem Offenen, das die Fabrik ist zu dem Offenen, welches das Gedicht ist das Thema meiner Fragen gewesen ist, und weiter glaube ich, dass es mir DIE WORTE Blanchots ermöglicht haben, sowohl die Dinge auf diese Weise auszudrücken, als auch immer mehr zu lernen, diese Frage offen zu lassen. Ich habe immer das Gefühl gehabt, dass ich von den Worten Blanchots gehört worden bin, ja begrüßt, unterstützt und angetrieben. Maurice Blanchot: seine genaue Art, diese ganz besondere Weise, vom Unglück zu sprechen. "Jemand macht sich ans Schreiben, von der Verzweiflung bestimmt"…  Die absolute Milde dieses "Jemand", eine Milde, die es erst möglich macht, von dieser brutalen Angelegenheit zu sprechen: der  Verzweiflung. Davon zu sprechen und sie in eine Frage zu verwandeln.(Siehe
"Werke, französisch" über Blanchot, frz. Original: der dortige Link)

Daneben ist Kaplan vom Film beeinflusst, sie nennt (John Cassavetes, Luis Buñuel, Jean-Luc Godard, Jacques Rivette), und schreibt selbst in Filmzeitschriften, z. B. in "Cinema" (Paris) und "Trafic" (Paris), bei dieser ist sie Mitglied des Herausgeber-Beirats. Vor allem aber gilt ihre Aufmerksamkeit der Verbindung von Literatur und Politik, denn Schreiben heißt auch, sich nicht in die Reihe der Totschläger einzuordnen, sondern aus dieser Reihe hinauszuspringen (Kafka, Tagebuch 27. Januar 1922).

In ihrem ersten  Roman Der Exzess (1982) beschreibt Kaplan – ohne eigentliche Handlung in Bruchstücken und ohne Metaphern – das verrückte extreme Leben ohne jeden Halt in einer Fabrik. Im Anhang Die Fabrik zur zweiten französischen Auflage, äußert sie sich im Gespräch mit Marguerite Duras über die Motive ihres Schreibens. Nie wird gesagt, wie extrem die Fabrik wirklich ist… Als ich daran dachte, L'excès-l'usine wirklich zu schreiben, ist mir klar geworden, daß jeder Diskurs die Sache völlig pervertiert…

Die Bücher Kaplans spiegeln in erster Linie die Erfahrungen ihres Lebens als Frau jüdischer Herkunft in Paris wider, geprägt von den Widersprüchen Frankreichs, angefangen von der Fabrikarbeit, die sie als Intellektuelle mit politischem Anspruch anpackte, bis hin zur unbewältigten Vergangenheit des Landes, bezogen auf die deutsche Besetzung bzw. die Nazi-Kollaboration des Petain-Regimes.

Als Leitlinie dienen große Denker aus vielen Ländern. Kaplans streng reduzierte Sprachkunst spiegelt in einer eigenwilligen Weise den Inhalt. Insbesondere Der Exzess stellt nicht nur als Motiv, sondern vor allem sprachlich, die Entfremdung von Frauen bei der fordistischen Fabrikarbeit dar. Letztlich sind alle Bücher Kaplans philosophisch grundiert.

Neben der Schriftstellerei, zu der auch zahlreiche Artikel über Literatur, Film und Theater gehören, leitet Kaplan Schreibwerkstätten in öffentlichen Einrichtungen und Bildungsstätten. Einige ihrer Werke wurden für das Theater adaptiert.

Der 2005 erschienene Roman Fever enthält zahlreiche Zitate aus der Philosophie – insbesondere von Hannah Arendt – und der übrigen Literatur. Mit Arendt werden Grundzüge des politischen Denkens angerissen und vor allem die Figur des Adolf Eichmann dargestellt, sein Karrierestreben, sein klischeehaftes Denken und Reden: er war ein banaler Massenmörder, das heißt, er war ein Schreibtischtäter.

Zwei 17-jährige Jungen begehen kurz vor dem Abitur einen Mord an einer jungen Frau, ohne jedes Motiv (so, wie auch Arendt meint: Eichmann mordete ohne Motiv). Neben ihren Adoleszenzproblemen spielt das Verhältnis zur attraktiven Philosophielehrerin dabei eine Rolle. In der folgenden Verwirrung machen sie sich daran, die Geschichte ihrer Familien zu erkunden und stoßen auf den Großvater des einen, der Pétainist und möglicherweise Nazi-Kollaborateur war, und auf die jüdische Großmutter des anderen, die das KZ als einzige ihrer Familie überlebt hat. Ihr Mann leidet seitdem unter einem beredten Schweigen. Die Elterngeneration der beiden erscheint als oberflächlich. Als die Jungen merken, dass ihre Tat nicht anders zu beurteilen ist als die Verbrechen der Kollaborateure, werden sie immer unsicherer, ängstlicher und zum Schluss immer verrückter.

Der Roman verwebt drei Themenkreise: die philosophische Frage nach der Willensfreiheit und der Verantwortung des Menschen entlang der furchtbaren Banalität des Bösen (Arendt); das Motiv der Adoleszenz: die Hauptfiguren sind frauenverachtend; und die politische Frage nach der unbewältigten Vergangenheit Frankreichs, die zuletzt im Papon-Prozess, über einen französischen Nazi-Verbrecher, Ende der 90er Jahre aufschien. Die lokale Geographie des 14. Arrondissements in Paris Montparnasse spielt eine Rolle. Der Unterricht in Abiturklassen in Paris wird anschaulich geschildert.

Die Sprache Kaplans beginnt mit äußerst lakonischen Formen in Der Exzess und nähert sich komplexen Sprachstrukturen  in Fever. Die Sätze sind oft unvollständig, sie bestehen bisweilen nur aus einem Wort. Die Gefühle und die Interaktionen der Menschen werden sehr genau betrachtet. Moralische Bewertungen fehlen fast vollständig. In den Gefühlen der Figuren spiegelt sich die Realität.

In ihren späteren Werken finden wir zunehmend Autoren jüdischer Herkunft angeführt, vorrangig Kafka und Arendt. In "Fever" bildet das (nicht religiöse) Judentum der einen Familie eine Folie, um einige Restbestände jüdischer Tradition vorzustellen, ein Talmud-Vers ziert den Teeladen. Vom Holocaust und den Deportationen, die im letzten Drittel (neben dem Eichmann-Thema) am Beispiel französischer Kollaborateure rund um den Papon-Prozess den thematischen Schwerpunkt bilden, wird abgeleitet, dass der Mensch auch in äußerst extremen Situationen Wahlmöglichkeiten zwischen Gut und Böse, Leben und Tod hat, die er aber oft (aus Karrieresucht, wegen der Pflichterfüllung) nicht nutzt.

Zu ihrem Selbstbild als Autorin äußert Kaplan sich im August 2006 im Radio-Interview mit Christoph Vormweg: Das gehört zu meinem schriftstellerischen Standpunkt, zu meiner schriftstellerischen Ethik: Ich möchte Bücher schreiben, die es dem Leser erlauben, gedanklich aktiv zu werden, die ihm also Raum lassen, selbst nachzudenken. Ich will ihn nicht an die Hand nehmen, nicht zwingen, dies oder das zu denken. Das Auslassen des Urteils ist, glaube ich, sehr wichtig. Man gibt dem Leser die Komponenten der Geschichte - und danach ist es an ihm, sich selbst eine Vorstellung davon zu machen. Für mich ist das wirklich wesentlich.

Textproben
Man denkt mit Büchern, Filmen, Bildern, Musik, man denkt, was einem widerfährt, was vor sich geht, man denkt die Geschichte und die eigene Geschichte, die Welt und das Leben, und dieses mit ist Zeichen einer besonderen Art des Denkens, eines Denkens, das die Begegnung berücksichtigt, die Begegnung zwischen einem Subjekt und einem Werk, und zwar zu einem bestimmten Zeitpunkt dieses Subjekts und dieses Werks… Im Sinne dieses mit ist hier die Rede von Werkzeugen, Denkwerkzeugen, Denken mit Dostojewski, mit Faulkner, mit Kafka, mit Robert Antelme, mit Maurice Blanchot, mit Cassavetes, Rivette, Bunuel, Jean-Luc Godard…" (aus: Les outils, deutsch 2007)

… mit einem Werk denken: mit einem von einem oder mehreren Menschen hervorgebrachten, zugleich abgeschlossenen und unabschließbaren Ding, das, in Umlauf gebracht, auf andere Menschen trifft und manche tatsächlich wird erreichen können, oder eben nicht. Dieses mit ist für die Werke selbst von Interesse und zugleich für das, was dank ihrer gedacht wird, eine andere Art, das Werk zu sehen, eine andere Art, das Leben zu sehen. Eine andere Art: die Werke sind nicht Produkte, die in Schränken, Kammern oder sonst wo angehäuft werden, Zeichen des Reichtums oder bewahrte, verehrte Überreste davon. Sie – die Werke – sind auch nicht Grundlage für Meinungen, Anekdoten (ich glaube dass, ich meine dass, ich ich ich).

Ein Werk ist ein besonderes Ding, ganz und gar besonders, offen für den Anderen, zugewandt, das Sinn hat, nicht den Sinn, sondern Sinn, das Beziehungen zwischen den Dingen, Augenblicken, Lebewesen herstellt, Beziehungen zwischen dem, was man davor für beziehungslos hielt (neue Beziehungen: Staunen, Überraschung), die deshalb Widerstände hervorrufen können. Man kann Überraschungen verabscheuen, man kann es verabscheuen, überrascht zu werden, doch diese Beziehungen sind Brücken, über die man gehen, über die man springen kann. Verbindungen, Assoziationen, Überschneidungen, Gegenüberstellungen, Beziehungen. Und die Tatsache, dass es sich um eine Begegnung handelt, bedeutet gewiss nicht, dass ein Werk zu irgendetwas geschaffen worden ist. So wenig wie irgendein menschliches Wesen je zu etwas (zur Ehre seiner Mutter, seines Landes oder Gottes) geschaffen worden ist. Vielmehr interpretiert ein Werk das Leben, oder es kann das tun.

Die Kunst steht nicht außerhalb der Welt. Das Anderswo, auf das die Kunst zielt, ist von dieser Welt: Im Leben, in Berührung, im Konflikt mit dem Leben, dem lebendigen Leben (Dostojevski), und die Kultur ist eine jener Dimensionen, welche die Menschen miteinander verbinden - auch indem sie ausschließt." (ebenda)

In Le Psychanalyste habe ich es so ausgedrückt: Die Totschläger, von denen Kafka spricht, sind, anders als man vielleicht meint, diejenigen, die in der Reihe bleiben, die dem gewöhnlichen Lauf der Dinge folgen, die das schlechte Leben, so wie es ist, immer wieder von vorn beginnen und wiederholen. Was erschlagen sie? Das Mögliche überhaupt, alles was neu anfangen, unterbrechen, verändern könnte. Um zu springen, bedarf es eines Halts: wenn man schreibt, sind die Wörter dieser Halt. (ebenda)

Werke
 Das Buch der Himmel. (frz. Le livre des ciels 1983) Gedichte, Dt. & Frz.- Übersetzerin Ilma Rakusa. Ferdydurke, Zürich 1991, ISBN 3-905604-02-7, Textproben: Dt. Schreibheft (Zeitschrift) H. 28/1986. Wieder in: Baumann & Lerch: Extreme Gegenwart.... Französisch:
 Der Exzess. (frz. L'excès - l'usine 1982) Übers. Christiane Baumann & Gisela Lerch, Manholt Verlag, Bremen 1988. Im Anhang aus der 2. frz. Aufl. Die Fabrik ein Gespräch von Leslie Kaplan mit Marguerite Duras, ISBN 3-924903-63-8. Dieser letztgenannte wichtige Essay wieder in: Les outils, siehe dort (auch in der dt. Fassung "Die Werkzeuge" 2009 enthalten). Erstfassung des Anhangs in Duras. Kaplan: L'excès-l'usine L'autre journal 5 (15. Mai 1985). Dieser Anhang auch in Schreibheft. Zs. f. Lit. H. 27, 1986. Frz. L'Excès – l'usine ou l'infini morcelé In: "Liberation", Paris, 24. Februar 1987, S. 35 -Weitere Übers. des Buches: Italienisch, Englisch (USA), Norwegisch, Spanisch und Schwedisch (Verlag Modernista, Överflödet - Fabriken 2006 ISBN 91-85453-10-2)
 Der Verbrecher. (frz. Le criminel 1985) Übers. Christiane Baumann & Gisela Lerch, Manholt Verlag, Bremen 1989, ISBN 3-924903-75-1.
 Brooklyn Bridge - Knotenpunkte. (frz. Le Pont de Brooklyn 1987 und als TB) Übers. Christiane Baumann & Gisela Lerch, Rowohlt, Reinbek 1989, ISBN 3-499-12438-6 (Auszug in: Schreibheft. Zs. für Literatur. Heft 32/ 1988).
 Die andere Seite des Flusses. (frz.  L'épreuve du passeur 1988) Übers. Sigrid Brinkmann & Marlis Micha, Rowohlt, Reinbek 1990, ISBN 3-499-12709-1.
 Formen, die zu erfinden sind in: Christiane Baumann & Gisela Lerch (Hrsg.): Extreme Gegenwart. Französische Literatur der 80er Jahre (Beiträge aus Anlass von Berlin, Kulturhauptstadt Europas 1988) Manholt Verlag, Bremen 1989, ISBN 3-924903-70-0, Seite 115–118 (um "Guyotat" gekürzte Verlagsausgabe von Der unterbrochene Dialog. Eine Veranstaltungsreihe zur frz. Gegenwartsliteratur im Rahmen von "Berlin Kulturstadt Europas" 1988, mit den Schriftstellern Jean-Luc Benoziglio, Philippe Djian, Jean Echenoz, François Bon, Leslie Kaplan, Valère Novarina, Marie NDiaye, Pierre Guyotat, Literaturhaus Berlin (Mappe, bei Deutsche Nationalbibliothek Frankfurt)).
 Fever. Übers. Sonja Finck, Berlin-Verlag, Berlin 2006, ISBN 3-8270-0628-7, (siehe Weblinks: Leseprobe des 1. Kap.) Berliner Taschenbuch Verlag btv, März 2008: ISBN 3-8333-0518-5 ISBN 978-3-8333-0518-4, (Band 5 der Reihe "Von jetzt an - Depuis maintenant"). André-Gide-Preis für deutsch-französische Literaturübersetzungen 2006
 Die Werkzeuge. (frz. Les outils, in Auswahl) Übers. Barbara Heber-Schärer, Vorwerk 8, Berlin 2009, ISBN 978-3-930916-77-1.

Werke (französisch)
Von allen Büchern sind jeweils die ersten ca. 10 Seiten online lesbar, siehe unter Weblinks (auf den Seiten des Verlags POL-Éditeur, Paris)

  Les amants de Marie  (aus der Reihe: Depuis maintenant, Band 4) neben der Printausgabe als E-Book erhältlich bei www.libri.de, Anbieter: Numilog
 L'enfer est vert  (Die Hölle ist grün Prosa-Gedicht, März 2006) Als Print (Paris: inventaire/invention édition) oder als Online-Text
 Du lien social (Vom Gesellschaftsband) und Une forme particulière de pensée (Eine besondere Denkweise) über die Arbeit in den Schreibwerkstätten  beide Texte in Deutsch in: Die Werkzeuge 2009
 Au roman le dernier mot. La litterature et l'inhumain (Der Roman hat das letzte Wort. Die Literatur und die Unmenschlichkeit) zur Schreibtheorie  aus Liberation 7. September 2000
 Qui a peur de la fiction? (Wer hat Angst vor der Fiktion) zur Literaturtheorie  ebd. 13. Februar 2001 Deutsch in Die Werkzeuge (frz. Les outils, in Auswahl) Übers. Barbara Heber-Schärer. Vorwerk 8, Berlin 2009
 Translating is sexy (Übersetzen ist sexy) Gedicht
  Maurice Blanchot  Prosa und Gedicht  Deutsch in: Die Werkzeuge (frz. Les outils, in Auswahl) Übers. Barbara Heber-Schärer. Vorwerk 8, Berlin 2009
 Cafés parlés Beispiele aus einem Versuch, Poesie unter das Volk zu bringen
 L'expérience du meurtre (Vorwort zu: Fedor M. Dostoievski  Notes du sous-sol) POL 1993  Deutsch in: Die Werkzeuge (frz. Les outils, in Auswahl) Übers. Barbara Heber-Schärer. Vorwerk 8, Berlin 2009
 Écrivains dans la cité Redaktion L.K., Hg. La Maison des écrivains DRAC, Ile-de-France, 1996, 2. Aufl. 1999 (frz. - über Schreibwerkstätten) ISBN 2-9506166-3-1
 Règne - Reign Gedicht (englisch und frz.) in: French Poets of Today, Hg. Jean-Yves Reuzeau, Toronto: Guernica, 1999 ISBN 0-920717-82-9 (S. 53–61) (aus: Banana Split)
 Leslie Kaplan & Naruna Kaplan da Macedo: La Mort de Monsieur Lăzărescu in: Trafic. Revue de Cinema ISBN 2-84682-168-2. Nr. 60, Hiver 2006, S. 71–74. P.O.L. Paris Nov. 2006. Über Rumänien. Inhaltsangabe in: siehe Literatur, Autor Finck
 Toute ma vie j'ai été une femme POL, Paris 2008 ISBN 2846821453
 Mon Amérique commence en Pologne, 2009
 L'Enfer est vert, 2009 (édition numérique)
 Louise, elle est folle, 2011
 Les Mots, 2011 (édition numérique)
 Millefeuille, 2012 - prix Wepler 2012
 Déplace le ciel, POL, 2013
 Mathias et la Révolution, POL, 2016

Theaterstücke
 L'Excès-l'usine (1982), Regie Marcial Di Fonzo Bo, 2002
 Le Criminel (1985), Regie Claude Régy, 1988
 Le Pont de Brooklyn (1987), Regie Noël Casale, 1993
 Depuis maintenant (1996), Regie Frédérique Loliée, 1996
 Tout est faux ! (2003), Regie Alain Brugnago und Didier Stéphant, 2004
 Fever (2005), Regie Christine Faure (2011)
 Toute ma vie j'ai été une femme (2008), Regie Elise Vigier und Fréderique Loliée, (2008)
 Louise, elle est folle (2011), Regie Elise Vigier und Fréderique Loliée, (2011); Aufgeführt 2013 von der compagnie Le chien au croisement.

Literatur
 Lore Ditzen: Die offene Genauigkeit. Leseerfahrungen mit den Büchern L.K.s in: Extreme Gegenwart (Näheres s. Werke), S. 106–114 (über:  Fabrik, Exzess, Brooklyn Bridge und Fluss)
 Renate Kroll:  Schreiben bis zum Nicht-mehr-Sprechen des Autors (zur Musik-Ähnlichkeit in "Exzess") in: Musik und Literatur. Komparatistische Studien zur Strukturverwandtschaft Hg. Albert Gier u. a. Peter Lang, Bern u. a. 1995, 2. Aufl. 1997 ISBN 3-631-31939-8
 Reinhard Finck: Autorin in psychoanalytischer Pflicht. Zurück auf dem deutschen Buchmarkt: L. K. in: Kritische Ausgabe. Zs. für Germanistik und Literatur Sommer 2007, Bonn  S. 108–110
 dsb.: Leslie Kaplan. in Jan-Pieter Barbian (Red.): Vive la littérature! Französische Literatur in deutscher Übersetzung. Hg. & Verlag Stadtbibliothek Duisburg 2009 ISBN 9783892796565, S. 18
 Maurice Blanchot: Das zerstückelte Unendliche. Leslie Kaplans "Der Exzeß – Die Fabrik" (Übersetzer: Peter Gehle) Schreibheft. Zs. für Literatur Rigodon, Essen. Heft 27/ 1986, S. 24 (Weiteres: Romanauszug. Das Gespräch mit Duras, wie im Anhang der 2. Aufl.)
 Wolfgang Asholt: Experimentelles weibliches Schreiben: Leslie Kaplan in dsb.: Der französische Roman der 80er Jahre WBG Darmstadt 1994 ISBN 3-534-11994-0, S. 60–70

Anmerkungen

Einzelnachweise

Weblinks

 Alle französischen Ausgaben (außer den Taschenbüchern) mit ausführlichen Rezensionen:  (frz.). Die TB-Ausgaben von Les Amants de Marie, Le Pont de Brooklyn, Le Psychanalyste und Fever bei Gallimard, Paris. Le Psychanalyste ist auch als Audiofile im Radio in 25 Fortsetzungen zu hören (Sept. 2005, ab 29.08.- suchen im Archiv) Siehe
  > Kaplan, Leslie (auch: von ihr gefertigte Übersetzungen, Theateradaptionen) Frz. Nationalbibliothek BNF (Button "se reconnecter" betätigen, Nachname, dann Vorname eingeben)
  Alle im deutschen Leihverkehr lieferbaren Bücher (dt., frz.)
  Beginn von Le Psychanalyste übersetzt ins Englische
 Weitere Rezensionen  (französisch)
 Zu den künstlerischen oder moralischen Vorbildern, siehe Kaplans kommentierte Zitatensammlung , unter dem Titel: Was ist ein freier Mensch? (frz.) dort weitere Texte von L.K., z. B. Les mots (2006) und über die Unruhen in der Banlieue (2005)
 Inhalt des Romans Fever, Hinweise für den Unterricht sowie ein Interview Kaplans mit jungen Menschen (deutsch)
 Kerstin Heyd: Textstrukturen und weibliche Subjektivität in Texten von Leslie Kaplan. Dissertation, Gießen, 2002,  (Volltext)
 Online-Texte Kaplans zur Sprachtheorie und lit. Vorbildern: siehe oben, Werke (franz.), inzwischen auch z. T. in Deutsch, siehe dort
 Leseprobe "Fever", 1. Kapitel (deutsch)  (html) oder  (pdf)
  Vergleich des Romans mit Hannah Arendts Gedanken, das Eichmann-Problem
 Über die Schreibwerkstätten von L.K. u. a. informiert
  Charity Scribner, John Berger, Leslie Kaplan, and the Western Fixation on the "Other Europe" (über "Exzess") (engl.) 2001, auch in: Moritz Csáky u. a. (Hgg), Inszenierungen des kollektiven Gedächtnisses. Eigenbilder, Fremdbilder S. 236–246. Studienverlag, Innsbruck 2002 ISBN 3-7065-1772-8
  Ausführliche Biographie, S. 239f. aus dem Sammelband "Leslie Kaplan", Verlag Classiques Garnier, 2016, Reihe Écrivains francophones d'aujourd'hui, 3  (in Französisch)

Autor
Literatur (20. Jahrhundert)
Literatur (21. Jahrhundert)
Literatur (Französisch)
Literatur (Frankreich)
Roman, Epik
Essay
Franzose
Geboren 1943
Frau


This is a placeholder page for Peyton Vineyard, which means this person is not currently on this site. We do suggest using the tools below to find Peyton Vineyard.
You are visiting the placeholder page for Peyton Vineyard. This page is here because someone used our placeholder utility to look for Peyton Vineyard. We created this page automatically in hopes Peyton Vineyard would find it. If you are not Peyton Vineyard, but are an alumni of Lake Hamilton High School, register on this site for free now.


Realistic images rendered from three dimensional models have proved invaluable sales tools for a number of property developers and house builders we work with. A model is built in a virtual environment from two dimensional plans and elevations and then translated into accurate images of buildings or other three dimensional objects before a brick is laid. These can be rendered to photographic quality to give a realistic impression of the planned structure. Animated walk-throughs or flyovers are also possible using our 3d software.
These types of illustrations are also extremely useful for planning applications or visualising extensions to existing buildings. Images of interiors can also be rendered with accurate lighting values and realistic finishes.
The images begin life as architect's two dimensional plans and elevations, the measurements are used to draw a scale wireframe three dimensional model. The basic shape is extruded and the roof and openings added. Depending on the requirements of the final render (how much detail the customer is prepared to pay for) more detail is added like handles, guttering and so on. It can then be determined which is the best aspect(s) to view the building.
The next stage is to assign materials to the surfaces, exact brick, stone, slate or other roofing colours and textures can be matched and applied. The materials are then given properties recognised by the rendering engine, whether surfaces are matt, shiny, dull or satin, reflective or transparent. We can also add texture and bump maps.
Once the materials and textures are applied the lighting values can then be decided. Is the time of day important, would the image benefit from bright or overcast conditions? The image is ready for rendering once these variable parameters are set. Rendering can take many hours for high resolution images. Final detail and some sometimes extra landscaping is then added in Photoshop to make the image as realistic as possible.


Online Shopping is quite latest thing nowadays. We purchase whatever from food to electronic tools online DHP Mattress gifts. When it comes to purchasing a product like a bed mattress that we are also made use of to going to the shop and also get, we tend to be reluctant DHP Mattress gifts often. This could be rather justified given that a mattress is a rather a considerable buy as well as returning such an item could be an inconvenience if you happen to earn a mistake with your option. Right here are a few of the points that you should understand before you buy mattress online.
Are you seeking mattress sales to give your bed a brand-new life? Well, the bed mattress market is everything about straightforward things stood for in rather DHP Mattress giftschallenging fashion. Nonetheless, it is excellent to know that mattress sales are obtaining increasingly more frequent. In reality, some of the top suppliers provide routine bargains on routine and minimal time items. These mattress sales are best for every person. For vendors, these sales bring a lot of advertising and marketing and some quick capital. Whereas in customer's viewpoint – mattress sales come with unmatched cost savings and customers seeking spending plan items even, often discover it possible to make a much better and quality purchase. Being a consumer and particularly the one who is out on a really essential goal of getting a bed mattress DHP Mattress gifts – you need to maintain yourself stick with some principals. Always, assume before you click the "order" button as today' s marketing strategies are kind of traps. Complying with are a few, basic guidelines for people who are about to buy bed linen products.
Hundreds of research' s have actually currently wrapped up that rest is really important to our physical and emotional health and wellness as well as wellbeing. Therefore, you have to be really mindful while acquiring anything from mattress sales. Relied on names typically don't put their name as well as company at threat for generating more by selling inadequate or outdated products.
Well, never ever purchase an improper cushion just because it is being offered at a cost much lower compared to its regular price. These type of cushions matches those that such as to rest on their sides. These cushions are known to be far better for sleepers who like to sleep on their back or tummy.
Once more, you have to deal really meticulously here as it is a matter of your sleep or sleeplessness. Trying something brand-new for a couple of days and also particularly when items are supplied with complimentary trials, is not a bad suggestion.
Well, by kind we can classify them into three different groups. The memory foam mattress comes on the top as they are the most preferred ones. These bed mattress offer a lengthy lifespan, they are offered at a competitive rate, and their toughness ratings are way better compared to their counterparts. DHP Mattress gifts The second kind of cushions we wish to discuss right here is called Latex Foam. They are additionally preferred in offline and also online markets. You could discover latex foam's all-natural as well as synthetic versions. They come consisting of on a poly foam base whereas their core is composed of multiple latex layers to supply sleepers with more comfort. Below comes the 3rd and the last primary kind of bed mattress. You can call it either innerspring cushion or springtime cushion straight. These were extremely usual in the USA and also Europe. The innerspring bed mattress come geared up with mechanical springtimes to supply the customer with type of a lift. Today's generation has actually started disliking innerspring cushions. Most of us know, our behaviors are transforming with the passage of time. Being constituents of an internet-based culture, we currently have brand-new issues to resolve, and our way of life is bringing changes in our sleep behaviors also.
Since you understand acquiring a mattress online will not make you be sorry for at the end, allow's see the important things you can do it make your choice as better as feasible. To begin with, it is extremely crucial that you are plainly familiar with the sort of item you are trying to find. Everybody has their very own style of sleeping. There are mattresses which are better for back sleepers compared to side sleepers. After that there are some which would certainly treat someone with a tight back better. Know specifically what you are opting for, then start surfing for the mattress that would match all your needs. Or else, you are most likely to obtain distracted by all the choices you will certainly see and also end up buying something that plainly does not suit you, your demands or your lifestyle.
As mentioned over as well, one of the most significant advantages of online buying is the accessibility to thousands of user evaluations. DHP Mattress gifts There are unusual opportunities that an item is a lot much better than what it has been described by the individuals, yet many of the time if the evaluations are legitimate, it would certainly give you an excellent understanding into the experience of utilizing the cushion that you could not get from anywhere else.