text:
Adams, Alexander B.: John James Audubon; a biography. Adams. New York, Putnam, 1966.
Arthur, Stanley Clisby: Audubon : an intimate life of the American woodsman. New Orleans : Harmanson, 1937.
Burroughs, John: John James Audubon, The Overlook Press, Woodstock, New York. John Burroughs was a great writer and naturalist in his own right. From Audubon's notes and journals, Burroughs produced his version of Audubon's life and work.
Robert Buchanan: The life and adventures of John James Audubon, the naturalist / edited from materials supplied by his widow. London : Sampson Low, Son, & Marston, 1869.
Chancellor, John: Audubon, Weidenfeld and Nicolson, London. Audubon travelled to Europe to find a publisher for his Birds of America since no one was either capable or willing to take on such a massive project in the United States. Chancellor gives an English perspective of Audubon's life that included considerable time in London overseeing his publication and recruiting subscribers to his "Great Work".
Ford, Alice: John James Audubon, University of Oklahoma Press, Norman. Ford dedicated much of her career as an art historian and artist biographer to John James Audubon. The detail and description that Ford has compiled on Audubon leaves her arguably as the authority on the artist's life and work.
Foshay, Ella M.: John James Audubon, Harry N. Abrams, Inc., Publishers, New York. Foshay worked as an art historian and was the curator for the New-York Historical Society. All of the drawings that were used for Audubon's Birds of America are in the society's collection.
Fries, Waldemar H.: The Double Elephant Folio, Zenaida Publishing, Inc., Amherst, Massachusetts. Fries provides a thorough summary of Audubon's life and work. Although most important to Fries is the process Audubon went through to produce Birds of America and the different forms in which Birds of America ultimately appeared. Almost half of the book is an accounting and locations of the known copies that still exist of the double elephant edition of Birds of America.
Hart-Davis, Duff: Audubon's Elephant, Henry Holt and Company, New York. As if Audubon's effort to identify, document, and draw every bird in North America was not ambitious enough, he also was determined to draw the birds as they appeared in nature and to their actual size. This required an extra large size (12" x 19") of paper called "double-elephant" folio. It is estimated that there are only about 170 copies of Audubon's elephant folio-sized Birds of America still intact.
Herrick, Francis Hobart: Audubon the naturalist; a history of his life and time. New York, London, D. Appleton and Company, 1917.
Irmscher, Christoph, editor: Audubon, The Library of America. Selected prints from Audubon's Birds of America and selected writings from Audubon's Mississippi River journal, the Ornithological Biography, Missouri River journals, letters and other notes.
Lindsey, Alton A.: The Bicentennial of John James Audubon, Indiana University Press, Bloomington. Lindsey's writing and a collection of essays by such writers as Mary Durant, Michael Harwood, Frank Levering, Robert Owen Petty, and Scott Russell Sanders about the importance of Audubon capturing an America that once was.
Logan, Peter B.: Audubon, Ashbryn Press, San Francisco. John James Audubon's search for the birds of America took him as far south as the Florida Keys and Galveston, Texas, all along the southern part of the Mississippi River, up and down the Ohio River, as far west as North Dakota, and as far north as Labrador. Logan focuses on Audubon's expedition to Labrador with his son and others where they found such species as the now extinct Labrador duck.
Nobles, Gregory H.: John James Audubon : the nature of the American woodsman. Philadelphia : University of Pennsylvania Press, [2017]
Peattie, Donald Culross, editor: Audubon's America, Houghton, Mifflin, Company, Boston. The America that Audubon saw and documented is nothing like what it is today. Peattie summarizes Audubon's thousands of pages of notes and letters to provide an account and image of the America Audubon saw in his eyes.
Rhodes, Richard: John James Audubon, Alfred A. Knopf, New York. Rhodes won the Pulitzer Prize with The Making of the Atomic Bomb in 1986. In 2006, Rhodes edited for Everyman's Library a collection of Audubon's letters and writings called The Audubon Reader.
Rourke, Constance: Audubon, Harcourt, Brace and Company, New York. Rourke is best known for American Humor: A Study of the National Character. Her biography on Audubon received a Newbery Honor in 1937.
Streshinsky, Shirley: Audubon, Villard Books, New York. Steshinsky's other works include the novels The Shores of Paradise, Gift of the Golden Mountain, A Time Between, and Hers the Kingdom.
Teale, Edwin Way: Audubon's Wildlife, Castle Books, New York. Teale wrote many books and articles about the outdoors and nature. By February 14, 1947, cars and roads were transforming Audubon's America but allowed Teale and his wife Nellie to travel to the Everglades and then head back north covering 17,000 miles. The odyssey inspired for Teale the book North With the Spring. It was the first of four books that made up The American Seasons. Teale drove another 58,000 miles to complete the other three books: Journey Into Summer, Autumn Across America, and Wandering Through Winter.In 1966, Peale won the Pulitzer Prize for the latter book.


Will Bankruptcy Wipe Out All Of My Debts?
If you are considering bankruptcy as an effective way to eliminate that debt, a bankruptcy attorney from our law offices will be able to let you know what portion of your debt may be eligible for discharge through bankruptcy.
Our attorneys do not judge your financial situation. We deliver bankruptcy advice unconditionally and are committed to helping guide our clients through the bankruptcy process with the kindness and respect they deserve. We have handled in excess of 10,000 consumer bankruptcy cases and we take pride in providing our clients with the legal representation necessary to resolve their debt so they can get on with living their lives without undue financial burdens.
Not all debt can be wiped out through bankruptcy, so it is important you have your individual finances reviewed by a skilled bankruptcy attorney who can advise you on what type of bankruptcy may be right for you. Bankruptcy will generally eliminate unsecured debt such as credit card debt, medical bills and lines of credit. Those types of debt which are backed by collateral such as home loans and car loans, are not eligible for discharge, however you may be able to negotiate a restructured payment plan or be given the time necessary to catch up on past due payments by seeking bankruptcy protection. There are also certain other debts such as taxes, student loans, child support and alimony which are not eligible for discharge.
To find out which of your debts can be wiped out through bankruptcy, call Detroit bankruptcy attorney Marshall D. Schultz today to schedule a free consultation.


Despite the occasionally cordial "partnering" rhetoric between the major hotel brands and OTAs, this is an existential battle on business models, advertising spend and traveler loyalty.
Hotel owners fuel the success of OTAs, with the vast majority of OTA revenues from hotel booking-related compensation that typically ranges upward from 15% of the revenue booked via the OTA, although the major brands may pay slightly less.
For a booking sourced through an OTA, a hotel owner may pay 15% to the OTA, 11% to the hotel brand and 2% to a credit card processor.
If a third-party management company is involved, another 3% of gross revenues must be added.
Every TMC/GDS corporate booking, even for those at a locally negotiated rate for a neighboring headquarters, are credited to the brand, via its Central Reservation System (CRS) channel.
Additionally, many hotel brands forbid member properties from hosting their own websites and/or booking engines, instead, offering a unified brand-centric channel that is also funneled through the brand's CRS channel.
It is the simplicity of the OTA business model that bolsters an OTA's margin justification – they efficiently produce bookings with limited associated risk.
OTAs heavily reinvest hotel sourced profits into direct advertising efforts.
In 2016, Priceline and Expedia collectively allocated nearly $6.5 billion, approximately a third of their aggregate gross profit, to advertising.
In 2017, that spend will total more than $9 billion – over double the direct advertising spend of the top five hotel brands combined.
This partly results from the ability of the OTAs to secure $16 billion in commissions, compared with the hotel brands billing $11 billion in royalty fees.


Ripple's cryptocurrency product for cross-border payments will go live for the first time with three financial institutions.
The San-Francisco-based financial technology firm said Monday that xRapid, which uses the cryptocurrency XRP to carry out international transactions in "a matter of minutes," is now commercially available.
It will be used by payment providers Mercury FX and Cuallix, as well as cooperative financial firm Catalyst Corporate Federal Credit Union, Ripple said. Chief Executive Brad Garlinghouse was set to announce the news at the start-up's annual Swell conference, a two-day event attended by industry representatives, on Monday.
"I'm really excited to bring the product into the market at a time when there is a lot of skeptcism about digital assets and their real use case," Asheesh Birla, Ripple's senior vice president of product, told CNBC.
"Here's something where we're finding a ton of value and providing a ton of value to our customers using digital assets to move money more efficiently."
Ripple says there is a distinction between it, a private company, and XRP, which is the native digital currency of an open source network known as the XRP Ledger. There has often been confusion between the two.
Of the 100 billion XRP tokens in existence, Ripple owns 60 percent. But the company has kept 55 billion of the tokens locked up in an escrow account, to "create certainty of XRP supply at any given time." That means it only has access to 13 percent of the digital currency, according to Ripple.
The development marks the first time XRP will be used in commercial application by financial services firms, and is seen as a critical milestone in Ripple's bid to make cryptocurrencies and the underlying blockchain technology a part of the financial mainstream. Blockchain refers to the decentralized ledger that logs transactions and other information across a distributed network of computers.
The company's business model also relies on deals with financial institutions, providing it with a core source of revenue.
"Banks worldwide are not first adopters of the xRapid product, but we are seeing a lot of financial institutions in general and payment providers moving forward with that product," Birla said.
"We have a lot of business with payment providers," he said, adding that "in certain markets I think banks will move faster towards leveraging digital assets, and so it really depends on the regulation and the local market."
"Those countries have a lot more forward-looking regulation when it comes to digital assets, so I would envision that those would be the first bank adopters."
Two weeks ago, Sagar Sarbhai, head of regulatory relations for Asia-Pacific and the Middle East at Ripple, told CNBC he was "confident" that news of xRapid's commercial application would be announced "in the next month or so."
And Ripple's Garlinghouse has also said he believes "dozens" of banks will use XRP by the end of 2019. The firm's xRapid product is primarily targeted at banks transferring money into emerging markets.
The price of XRP soared in value in the days following CNBC's report about Ripple edging toward a live rollout of xRapid. It also found support from news that U.S. bank PNC had joined its clientele of banking partners. However, it subsequently plummeted following that spike in value.
The cryptocurrency's price is currently well off a record high above $3 it notched at the start of the year — it is now worth almost 60 cents. Nevertheless, that hasn't stopped it from maintaining its position as the third-largest digital currency by market capitalization — a figure worked out by multiplying the price by outstanding tokens in circulation — with a market value of $23.3 billion, trailing behind rival cryptocurrency ether's $23.9 billion market cap.
"If the industry in general got more focused on customer problems and less about speculation, I think the entire industry would really be a heck of a lot better," Birla said.
Ripple says xRapid uses the digital asset as a kind of "bridge" between currencies, allowing payment providers and banks to process faster cross-border transactions.
"I think we've had a better year," Ripple's senior vice president of product Birla said. "We've had a lot of adoption, our sales team is out there now closing over two deals per week over our suite of products, and so it's just been a better and really a momentous year for Ripple."
Previous PostWhat Is Bill Clinton Doing at a Cryptocurrency Event?


text:
ENV["RAILS_ENV"] = "test"
rails_env = File.expand_path(Dir.pwd + '/config/environment')
require rails_env if File.exist?(rails_env+'.rb')

require 'cucumber/rails/world'
require 'cucumber/formatter/unicode' # Comment out this line if you don't want Cucumber Unicode support
require 'webrat'

Webrat.configure do |config|
  config.mode = :rails
end

# Comment out the next two lines if you're not using RSpec's matchers (should / should_not) in your steps.
require 'cucumber/rails/rspec'
require 'dataset'

Cucumber::Rails::World.class_eval do
  include Dataset
  datasets_directory "#{RADIANT_ROOT}/spec/datasets"
  self.datasets_database_dump_path = "#{Rails.root}/tmp/dataset"

  dataset :config, :pages_with_layouts, :snippets, :users_and_pages, :file_not_found, :markup_pages
end

redpajama_set_name: RedPajamaGithub


text:
Out Of His Gourd: Terrelle Pryor Arrested For Assault, Throwing Pumpkins At GF's Car
by Alejandro Avila October 6, 2021, 6:55 pm updated October 7, 2021, 8:07 am 3 Comments
Terrelle Pryor's road back to the NFL has been derailed once again by his volatile behavior. On Tuesday the former Buckeyes quarterback-turned NFL quarterback-turned wide receiver was arrested for reportedly slapping a woman and throwing objects at her car as she attempted to flee. He was arraigned on Wednesday after paying $100,000 in bail.
WTAE reporter Jim Madalinsky followed the arrest and stated that the incident began with Pryor shoving the woman, believed to be his partner, and "smacked her across the face with an open hand, causing an injury to her left eye during an incident last night in Penn [Township]." Pryor has been given a second-degree misdemeanor charge of simple assault.
Madalinksy also reported, "Police say Pryor had called the woman more than 50 times and sent more than 30 text messages before she arrived at the home in Penn Township."
#Breaking: Former NFL player and Jeannette native Terrelle Pryor was arrested last night and charged with simple assault and harassment. He is set to be arraigned this morning. Officials say Pryor allegedly hit a woman following an altercation. Working to learn more details. pic.twitter.com/Q3DKLGS0RI
— Jim Madalinsky (@JimWTAE) October 6, 2021
Pryor denied allegations of a physical altercation between himself and the woman, but told the media that he had been "throwing pumpkins at her car."
Back in November 2019, Pryor was arrested by Allegheny County police for getting involved in an altercation where girlfriend Shalaya Briston stabbed the former player in the neck and chest — resulting in non-fatal wounds.
When the woman tried to get into a vehicle to leave, police say Pryor threw a deck chair at her and eventually threw pumpkins at her windshield, causing damage to the windshield
His final appearance on an NFL field came as a receiver for the Buffalo Bills — spending a month on the active roster before his eventual release in November 2019. He later signed with the Jacksonville Jaguars but was cut by season's start, likely signaling the end of his career at 32. Pryor played for eight teams during his seven-year tenure.
Follow along on Twitter: @AlejandroAveela
Ohio State Buckeyesterrelle pryor
Written by Alejandro Avila
Grant. says:
I love how they always plea not guilty.
B says:
How should they plead.
Joseph Cascio says:
No contest, if the state allows.

redpajama_set_name: RedPajamaCommonCrawl


text:
Dance of Desire
Pulga Muchochoma's journey to Canada reads like the script for a film sure to sweep the Oscars.
Pulga Muchochoma (left) and Yuichiro Inoue in Pteros Tactics by Christopher House
Pulga Muchochoma's journey to Canada reads like the script for a film sure to sweep the Oscars. The dancer and member of Toronto Dance Theatre company first came to the country in 2006 — after a three-day journey from his native Mozambique — to perform at the International AIDS Conference. One day, while he was getting a ride to visit the dentist, one of the women responsible for bringing his Montes Namuli Dance Company to Canada asked him a life-changing question.
"She had a Portuguese dictionary with her because I couldn't speak any English back then," recalls Muchochoma (pictured above, left). "She started translating for me, word by word, saying, 'Would you like to stay in Canada and go to school?' Even before I opened my mouth, my eyes just, bingo, tears coming out of them. I went crazy. I didn't know what to say. I just said 'yes'."
It was a big decision for Muchochoma. If he went back to Mozambique, a career in dance would be unlikely, but he spoke no English, had no way to contact his family — he ended up telling them of his decision in a letter — and was unable to work in Canada. But the woman sponsored him, provided him with a place to stay, and paid for him to attend the Toronto Dance Theatre School, where he studied for three years. And it seems it was a wise decision, too. Muchochoma successfully auditioned for the Toronto Dance Theatre company ("there were 154 people for three spots," he says) and speaks impeccable English to boot.
"I had no choice," he says of learning the language. "At school, the teacher would come to me and I'd never done ballet before or contemporary dance before. I was only an African dancer. I would go to the bar and the teacher would come to me and say, 'Point your feet and make your shoulders perfect,' and I would say, 'Aaah, I don't understand, what are you talking about?'"
Muchochoma is one of 10 dancers performing in Toronto Dance Theatre's Pteros Tactics. Largely inspired by Anne Carson's poem Eros the Bittersweet, the piece — partially developed here as part of a Dance Victoria-sponsored creative residency — is a meditation on, as Carson writes, "the instant of desire."
"We play with a ball that represents a triangle between two elements, between two dancers," explains Muchochoma. "Two of them become lovers, but they end up using the gold ball as the third element, that relationship of the space between the two dancers."
Pteros Tactics will be performed at 7:30 p.m. Friday and Saturday, Feb. 25 and 26, at the McPherson Playhouse. Tickets are $25-$44 at rmts.bc.ca or dancevictoria.com.
Weekly Arts Listings – February 24-March 2
Calling on Keats


Captain Marvel is set to join the rest of the MCU and, being Marvel's most powerful hero, she could be the game-changer in Avengers: Endgame. Brie Larson's Carol Danvers has yet to debut on the big screen, but fans are already counting on her to help the Earth's Mightiest Heroes take down Thanos (Josh Brolin).
Captain Marvel will be entering the fold after Nick Fury (Samuel L. Jackson) sent her a message before disintegrating into dust in the post-credit scene of Avengers: Infinity War. This gave fans the notion that the first solo, female, headlining hero in the MCU will play a pivotal role in the upcoming battle in the Phase 3 capper. At the moment, though, not much is known about Danvers herself - something that her origin film, Captain Marvel, will soon solve. Set in 1995, Captain Marvel will reveal Danvers' existing connection to Fury and how exactly the Kree-Skrull war fits in the MCU's overall narrative.
While the Captain Marvel movie appears to be isolated from the rest of the franchise given where it fits in the timeline, it's no coincidence that her introductory movie is set before Endgame, meaning that whatever goes down in the flick may have something to do with the ongoing debacle with Thanos. Here's everything we know about Captain Marvel's role in Avengers: Endgame.
Debuting first in her solo film directed by Anna Boden and Ryan Fleck, Captain Marvel will eventually join Earth's Mightiest Heroes' fight against Thanos in Avengers: Endgame. As previously mentioned, considering that she's dubbed to be the most powerful character in the MCU, Danvers will definitely a key role in the upcoming bout. While it remains to be seen how she fits in the franchise's narrative, her connection to Nick Fury and S.H.I.E.L.D. may reveal potential information that will help the Avengers in their final mission.
Like Ant-Man (Paul Rudd) and Hawkeye (Jeremy Renner), Danvers also sat out the events of Infinity War. Her whereabouts for the last two decades continue to be a mystery and something that is a favorite topic of conversation among fans. There are several theories regarding her current location. Since her adventures are mostly cosmic-based, many are convinced that she's in outer space. Another theory claims that she might be in the Quantum Realm similar to how Janet Van Dyne (Michelle Pfeiffer) was trapped in the alternate dimension before she was saved in Ant-Man & the Wasp. Regardless of where she is, it's important for Marvel Studios to establish why she's been missing for the last two decades and how come she's unable to help the MCU heroes in their previous missions. Otherwise, it's odd that she's opted to not lend a helping hand when Earth was attacked by various threats in the past.
Based on what we've seen in the Captain Marvel trailers, it appears that Danvers also has a strong personality, and it will be interesting to see how the established MCU heroes take her on. Considering that they have no idea who she is and Fury is not around to brief them, chances are that the core Avengers will be skeptical about her. But we can expect all of them to eventually band together in accomplishing their common goal of defeating Thanos.
The first-ever indication of Captain Marvel's existence in the MCU came via Infinity War's post-credit scene. Before Fury turned into dust after Thanos' snapped his fingers and wiped out half of life in the universe, he sent out a mysterious message using a beat-up beeper which we now know will also appear in the Captain Marvel movie. The former S.H.I.E.L.D. director was apparently reaching out to Danvers after her insignia appeared on the device, giving fans the impression that she's the universe's last hope. It's safe to say that wherever she is, she got the message, prompting her return to the spotlight to help on the ongoing crisis.
Despite the excitement for her arrival, mystery still clouds everything about Danvers, especially the notion that Fury waited so long to call Captain Marvel for her help. Over the last 10 years, the MCU has gone through some dire situations. Loki attempted to take over Earth with the aid of Thanos' Chitauri army as seen in The Avengers, and not long after that, Malekith the Dark Elf attempted merging realms, returning all reality to darkness in Thor: The Dark World. Even when the Avengers were compromised and on the brink of losing against Ultron in Avengers: Age of Ultron, Fury stayed put, letting them handle the situation themselves. For the most part, they always came through, but not this time as the Avengers were finally dealt their first real loss at the hands of the Mad Titan.
Whatever goes down in Captain Marvel may have driven Danvers from Earth - giving strict instructions to Fury to not call her unless it's absolutely necessary. And while he's seen dark times in the last decade, this is undoubtedly the worst he's encountered. On top of not knowing what's really going on, the Avengers are nowhere to be found with Stark even missing (though it's already been confirmed that Iron Man survives, at least at first). With no one to reach out to for help, Fury had no choice but to draw her out. Perhaps Danvers even warned Fury of a similar situation prompting to immediately resort to calling her just in time before he died.


Foundational Gifts: Ads or Advent?
Record retail sales for Thanksgiving Weekend and Cyber Monday have been reported in 2015. While a robust economy is a good thing, prioritizing anything over focusing on Christ is not a good thing.
Join Coach Nicole as she reflects on the meaning of Advent--preparing spiritually for the coming of the Lord.


text:
Q: Android SDK ping has encountered While starting on eclipse I am getting below message:
Android SDK ping has encountered a problem,
ping usageServer failed
OnClick on details:
pingUsageServer failed
Bad version: 22.0.5
I know this question is already posted, but I didn't find any relevant solution for this. I am using windows 8.
While running the SDK:
////////////////////////////////////////////
Fetching http://dl-ssl.google.com/android/repository/addons_list-2.xml
Fetched Add-ons List successfully
Fetching URL: http://dl-ssl.google.com/android/repository/repository-8.xml
Validate XML: http://dl-ssl.google.com/android/repository/repository.xml
XML verification failed for http://dl-ssl.google.com/android/repository/repository.xml.
Line -१:-१, Error: org.xml.sax.SAXParseException; schema_reference.4: Failed to read schema document 'null', because 1) could not find the document; 2) the document could not be read; 3) the root element of the document is not .
Done loading packages.
Fetching http://dl-ssl.google.com/android/repository/addons_list-2.xml
Fetched Add-ons List successfully
Fetching URL: http://dl-ssl.google.com/android/repository/repository-8.xml
Validate XML: http://dl-ssl.google.com/android/repository/repository.xml
XML verification failed for http://dl-ssl.google.com/android/repository/repository.xml.
Line -१:-१, Error: org.xml.sax.SAXParseException; schema_reference.4: Failed to read schema document 'null', because 1) could not find the document; 2) the document could not be read; 3) the root element of the document is not .
Done loading packages.

A: Finally I solved the issue by updating hosts file.C:\Windows\System32\Drivers\etc, in last line I updated 74.125.237.1 dl-ssl.google.com, and second thing I change the windows language Hindi to english.

A: It's mainly because when you have other languages installed in parallel to English.
For correcting this issue go to: control panel > language > Advance Settings. Set Override for Windows display language to English. Do the same for Override for default input method and then restart Eclipse.

redpajama_set_name: RedPajamaStackExchange


text:
Figlio di chitarristi, è stato professore di chitarra presso l'accademia di belle arti di Buenos Aires.
Dal 1900, e fino agli anni '30, ha condotto una fortunata attività concertistica (anche radiofonica), e nel 1905 ha fondato una propria scuola di chitarra: (l'Academia de Guitarra).

La sua fama tra i cultori dello strumento è legata soprattutto alla pubblicazione di una serie di metodi progressivi per l'apprendimento della chitarra, intitolati "Le prime lezioni di chitarra", "Le seconde lezioni di chitarra", etc. per un totale di sei volumi. Disposte in ordine progressivo di difficoltà, in esse l'autore ha  saputo coniugare sapientemente l'intento didattico con la gradevolezza degli esercizi. L'opera ha avuto un grande successo ed è stata pubblicata in tutto il mondo (in Italia dalla casa editrice Bèrben - Edizioni musicali).

Come compositore, ha scritto musica per pianoforte e, soprattutto, per chitarra. Ha pubblicato circa cento composizioni con l'editore Francisco Nuñez, a Buenos Aires.

Composizioni
 El Colibri, per chitarra
 Mazurka de Salon, op. 1
 Quejas Amorosas, valzer op. 2
 Mis Aspiraciones, gran fantasia op. 3
 Espontánea, gavotta n. 1, op. 5
 Madrid, valzer-capriccio spagnolo op. 6
 Venecia, barcarola-capriccio op. 7
 Cadenciosa, habanera op. 8
 Zamba y Vidalita Oriental, op. 10
 Estilos criollos, op. 11
 Miradas y Sonrisas, valzer per chitarra op. 14
 Melancolía, sonata op. 15
 El Inspirado, valzer per chitarra op. 16
 La Marcial, marcia per chitarra op. 17
 Pensando en Ella, op. 18
 Tres Piezas Fáciles, op. 19 (Marcia, Maria Luisa, Nostalgia)
 Miniatura, valzer op. 20
 Divagando, andante sentimental op. 21
 Arrullos, valzer op. 22
 Sonatina-Estudio n. 1, op. 23
 Delia, valzer per chitarra op. 24
 Sonatina-Estudio n. 2, op. 25
 Magdalena, valzer op. 26
 El pimpollito, op. 27
 Sonatina-Estudio n. 3, op. 28
 La Elegante, gavotta n. 2, op. 29
 Rimas, valzer op. 30
 Sonatina-Estudio n. 4, op. 31
 Anita, valzer op. 32
 El Andalúz, tango classico op. 33
 La Napolitana, tarantella op. 34
 Reminiscencias, notturno op. 36
 La Gioconda, Danza delle ore, op. 37
 La Espiritual, romanza senza parole op. 40
 Elisa, mazurka op. 41
 El Melodioso, valzer op. 42
 Filigrana, valzer op. 44
 Sonatina-Estudio n. 5, op. 45
 Sonatina-Estudio n. 6, op. 46
 Sonatina-Estudio n. 7, op. 47
 Sonatina-Estudio n. 8, op. 48
 La Ideal, romanza senza parole op. 49
 La Aristocrática, gavotta n. 3 op. 50
 La Bailable, mazurka op. 51
 El Rosarino, valzer op. 52
 Nocturno n. 2 de Fryderyk Chopin, op. 53
 Lejos del Bien Amado!, 4° valzer Boston op. 56
 El Porteño, valzer op. 57
 La Original, habanera classica op. 58.

Bibliografia
Jaime Guiscafre - Julio S. Sagreras: an Argentine guitarist and his music, 1988.

Collegamenti esterni

Sagreras, Julio Salvador

redpajama_set_name: RedPajamaWikipedia


Location: Located in the southeastern part of Addis Ababa, 4km away from Goro square and about 860 km away from port of Djibouti.
Shed Utilization: 20 Total sheds of which 10 of them are 5500m2 and rest are 11000m2.
Land Area: Total land area of (phase I & II) phase I 140 ha, and phase II 160) 300 hectare for the first and Second phase.
Shed rent: The shed rental rate starts with 2 USD per sqm per month for the first four years, 2.5 USD/M2/per month for next three years, 2.75 USD/M2/per month form the 8th to the 10th year and 3 USD/M2/per month for the next five years.
Companies: PVH, JP textile and Arvind are some of the companies in Hawassa Industrial Park.
Vertical integration, Environmental and social sustainability are some distinct characteristics of the Hawassa IP.
The park has four Phases where the First phase has 75-hectare land.
Companies: Strathmore Apparel manufacturing PLC, KPR Exports PLC, and SCM Garment Knit textile PLC are some of the companies in the Mekelle IP.
Close to the newly opened Port of Assab.
Total area: The park has a total size of 150 hectares of which 75 hectares has been inaugurated.
Shed rent: The park has available sheds with the following size: The park has 4 sheds with the size of 5,500m2 and 4 sheds of 3,000m2 and two big manufacturers at Hawassa Industrial Park are considering to expand their business at the Park.
Total area: The total area of land designated for the park is more than 2000 hectare and only 345.5 hectare is to develop in the first phase by both IPDC and private investors.
Shed Rent: The shed rental rate starts with 2.75 USD per sqm per month for the first four years, 3 USD/M2/per month for next three years, 3.5 USD/M2/per month form the 8th to the 10th year and 4 USD/M2/per month for the next five years.
Companies: Sunshine Ethiopia Wool textile, Antex Textile PLC and Kingdom Linen Ethiopia PLC are some of the companies in the Mekelle IP.
The total Area: Total land designated for KIP in the first phase is 800 hectares.
Total of 7 Sheds with 5500m2 and 2 sheds with a size of 11,000m2 which are totally occupied by different international investors.
Five sheds with 11,000 sq., Six with 5,500 sq. and four with 3000 sq. will be availed for manufacturers in addition to a vast land area that can be transferred to investors.
Dire Dawa IP is the closest to the Djibouti port, where Ethiopia is using as a major port for Import and Export.
Location: Close to the capital which is nearly 6 KM and distance to the port of Djibouti is 863 km.
Total Land area: 279 hectares and 165 ha are developed to be a factory floor.
The park will avail developed land to investors and factory sheds will be built by manufacturers.
Various companies from different countries showed interest and from these seven have signed MOU with EIC and five secured investment licenses.
Various companies from different countries showed interest and from these many has taken the action to set up their premises.
Companies from the first phase which are already exporting (Jay Jay and Shints) their products have applied in the second phase too.
Cluster: It is clustered/ Specialized in manufacturing of building material, home appliances, and furniture.
Total Area: It covers the area of 1000 hectare.
The park will avail both developed land and Sheds.
Location: It is located in the northern part of Ethiopia.
Cluster: It is clustered textile and apparel.
It is operational with more 95 enterprises.


text:
Robert Alaine (fl. ca. 1576) held an office under a nobleman in the time of Queen Elizabeth, and is now only known for an elaborate treatise, Alaine's Astronomy, on astronomical instruments, which is preserved in the library of Trinity College, Cambridge. It was given to the library by Sir Edward Stanhope.

References

British science writers
16th-century English astronomers
16th-century English writers
16th-century male writers
17th-century English writers
17th-century English male writers


text:
<?php

namespace Figaromedias\Bundle\BriefBundle\Controller;

use Symfony\Component\HttpFoundation\Request;
use Symfony\Bundle\FrameworkBundle\Controller\Controller;

use Figaromedias\Bundle\BriefBundle\Entity\Demande;
use Figaromedias\Bundle\BriefBundle\Form\DemandeType;

/**
 * Demande controller.
 *
 */
class DemandeController extends Controller
{
    /**
     * Lists all Demande entities.
     *
     */
    public function indexAction()
    {
        $em = $this->getDoctrine()->getManager();

        $entities = $em->getRepository('BriefBundle:Demande')->findAll();

        return $this->render('BriefBundle:Demande:index.html.twig', array(
            'entities' => $entities,
        ));
    }

    /**
     * Creates a new Demande entity.
     *
     */
    public function createAction(Request $request)
    {
        $entity  = new Demande();
        $form = $this->createForm(new DemandeType(), $entity);

        $form->bind($request);

        if ($form->isValid()) {
            $em = $this->getDoctrine()->getManager();
            $em->persist($entity);
            $em->flush();

            if($this->envoieMailBrief($entity))
            {
                return $this->redirect($this->generateUrl('demande_show', array('id' => $entity->getId())));
            }
        }
        return $this->render('BriefBundle:Demande:new.html.twig', array(
            'entity' => $entity,
            'form'   => $form->createView(),
            'update'=> false
        ));
    }

    /**
     * Displays a form to create a new Demande entity.
     *
     */
    public function newAction()
    {
        $entity = new Demande();
        $form   = $this->createForm(new DemandeType(), $entity);

        return $this->render('BriefBundle:Demande:new.html.twig', array(
            'entity' => $entity,
            'form'   => $form->createView(),
            'update'=> false
        ));
    }

    /**
     * Finds and displays a Demande entity.
     *
     */
    public function showAction($id)
    {
        $em = $this->getDoctrine()->getManager();

        $entity = $em->getRepository('BriefBundle:Demande')->find($id);

        if (!$entity) {
            throw $this->createNotFoundException('Unable to find Demande entity.');
        }

        $deleteForm = $this->createDeleteForm($id);

        return $this->render('BriefBundle:Demande:show.html.twig', array(
            'entity'      => $entity,
            'delete_form' => $deleteForm->createView(),        ));
    }

    /**
     * Displays a form to edit an existing Demande entity.
     *
     */
    public function editAction($id)
    {
        $em = $this->getDoctrine()->getManager();

        $entity = $em->getRepository('BriefBundle:Demande')->find($id);

        if (!$entity) {
            throw $this->createNotFoundException('Unable to find Demande entity.');
        }

        $editForm = $this->createForm(new DemandeType(), $entity);
        $deleteForm = $this->createDeleteForm($id);

        return $this->render('BriefBundle:Demande:new.html.twig', array(
            'entity'      => $entity,
            'form'   => $editForm->createView(),
            'delete_form' => $deleteForm->createView(),
            'update'=>true
        ));
    }

    /**
     * Edits an existing Demande entity.
     *
     */
    public function updateAction(Request $request, $id)
    {
        $em = $this->getDoctrine()->getManager();

        $entity = $em->getRepository('BriefBundle:Demande')->find($id);

        if (!$entity) {
            throw $this->createNotFoundException('Unable to find Demande entity.');
        }

        $deleteForm = $this->createDeleteForm($id);
        $editForm = $this->createForm(new DemandeType(), $entity);
        $editForm->bind($request);

        if ($editForm->isValid()) {
            $em->persist($entity);
            $em->flush();

            //on envoie le mail
            $entityUpdate = $em->getRepository('BriefBundle:Demande')->find($id);
            if($this->envoieMailBrief($entityUpdate))
            {
                return $this->redirect($this->generateUrl('demande_show', array('id' => $entity->getId())));
            }

            return $this->redirect($this->generateUrl('demande_edit', array('id' => $id)));
        }

        return $this->render('BriefBundle:Demande:edit.html.twig', array(
            'entity'      => $entity,
            'edit_form'   => $editForm->createView(),
            'delete_form' => $deleteForm->createView(),
        ));
    }

    /**
     * Deletes a Demande entity.
     *
     */
    public function deleteAction(Request $request, $id)
    {
        $form = $this->createDeleteForm($id);
        $form->bind($request);

        if ($form->isValid()) {
            $em = $this->getDoctrine()->getManager();
            $entity = $em->getRepository('BriefBundle:Demande')->find($id);

            if (!$entity) {
                throw $this->createNotFoundException('Unable to find Demande entity.');
            }

            $em->remove($entity);
            $em->flush();
        }

        return $this->redirect($this->generateUrl('demande'));
    }

    /**
     * Creates a form to delete a Demande entity by id.
     *
     * @param mixed $id The entity id
     *
     * @return Symfony\Component\Form\Form The form
     */
    private function createDeleteForm($id)
    {
        return $this->createFormBuilder(array('id' => $id))
            ->add('id', 'hidden')
            ->getForm()
        ;
    }

    public function envoieMailBrief($entity)
    {
        $priority = 3;
        $urgentTXT = null;

        if($entity->getPlanningDateRetourInterne() != null)
        {
            $interval = $entity->getDate()->diff($entity->getPlanningDateRetourInterne())->d;
            if($interval <= 5)
            {
                $priority = 2;
                $urgentTXT = 'URGENT - ';

            }
            if($interval <= 2)
            {
                $priority = 1;
                $urgentTXT = 'TRES URGENT - ';
            }
        }

        $message = \Swift_Message::newInstance()
            ->setSubject($urgentTXT.'Studio Figaromedias :: New BRIEF !')
            ->setFrom($entity->getEmailDemandeur())
            ->setSender($entity->getEmailDemandeur())
            ->setTo('studio@figaromedias.fr')
            ->setReturnPath($entity->getEmailDemandeur())
            ->setPriority($priority)

            ->setBody(
                $this->renderView(
                    'BriefBundle:Demande:email.txt.twig',
                    array(
                        'entity'      => $entity
                    )
                )
            )
        ;

        if ($this->get('mailer')->send($message))
        {
            return true;
        }
        return false;
    }
}


I'm new to 3D Printing, but I'm not new to manufacturing.
I have an Ender 3 and am upgrading it and learning along the way.
I've used many helpful prints here and now I would like to give back in some small way with this tool holder.


I made this card using the brand new Stampin Blends markers that will be available soon .
Color Me Happy stamp set.
so that gives you a few more days to get them before anyone else .
right now only to Stampin'Up! demonstrators.
The Stampin' Blends release date hasn't been announced yet.
on joining my Glitter Queens team .
this past Saturday for a few minutes .
(Color Me Happy stamp set ~ coming soon ).
Are these refillable and did they correct the problems the last set of alcohol markers had that SU put out?
No news on them being refillable (yet) . Yes Stampin' Up! would not have brought the Stampin' Blends out if they didn't fix the issue with the past alcohol markers . They are awesome and plus they will be available individually ( awesome )!