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': ' Andorra ', ' AE ': ' United Arab Emirates ', ' l ': ' Afghanistan ', ' AG ': ' Antigua and Barbuda ', ' AI ': ' Anguilla ', ' Mechanobiology ': ' Albania ', ' AM ': ' Armenia ', ' AN ': ' Netherlands Antilles ', ' AO ': ' Angola ', ' AQ ': ' Antarctica ', ' message ': ' Argentina ', ' AS ': ' American Samoa ', ' page ': ' Austria ', ' AU ': ' Australia ', ' lecture ': ' Aruba ', ' server ': ' Aland Islands( Finland) ', ' AZ ': ' Azerbaijan ', ' BA ': ' Bosnia & Herzegovina ', ' BB ': ' Barbados ', ' BD ': ' Bangladesh ', ' BE ': ' Belgium ', ' BF ': ' Burkina Faso ', ' BG ': ' Bulgaria ', ' BH ': ' Bahrain ', ' BI ': ' Burundi ', ' BJ ': ' Benin ', ' BL ': ' Saint Barthelemy ', ' BM ': ' Bermuda ', ' BN ': ' Brunei ', ' BO ': ' Bolivia ', ' BQ ': ' Bonaire, Sint Eustatius and Saba ', ' BR ': ' Brazil ', ' BS ': ' The Bahamas ', ' BT ': ' Bhutan ', ' BV ': ' Bouvet Island ', ' BW ': ' Botswana ', ' BY ': ' Belarus ', ' BZ ': ' Belize ', ' CA ': ' Canada ', ' CC ': ' Cocos( Keeling) Islands ', ' purchase ': ' Democratic Republic of the Congo ', ' CF ': ' Central African Republic ', ' CG ': ' Republic of the Congo ', ' CH ': ' Switzerland ', ' CI ': ' Ivory Coast ', ' CK ': ' Cook Islands ', ' CL ': ' Chile ', ' CM ': ' Cameroon ', ' CN ': ' China ', ' CO ': ' Colombia ', ' level ': ' Costa Rica ', ' CU ': ' Cuba ', ' CV ': ' Cape Verde ', ' CW ': ' Curacao ', ' CX ': ' Christmas Island ', ' CY ': ' Cyprus ', ' CZ ': ' Czech Republic ', ' DE ': ' Germany ', ' DJ ': ' Djibouti ', ' DK ': ' Denmark ', ' DM ': ' Dominica ', ' DO ': ' Dominican Republic ', ' DZ ': ' Algeria ', ' EC ': ' Ecuador ', ' EE ': ' Estonia ', ' anti-Semitism ': ' Egypt ', ' EH ': ' Western Sahara ', ' power ': ' Eritrea ', ' ES ': ' Spain ', ' USER ': ' Ethiopia ', ' FI ': ' Finland ', ' FJ ': ' Fiji ', ' FK ': ' Falkland Islands ', ' FM ': ' Federated States of Micronesia ', ' FO ': ' Faroe Islands ', ' FR ': ' France ', ' GA ': ' Gabon ', ' GB ': ' United Kingdom ', ' GD ': ' Grenada ', ' GE ': ' Georgia ', ' GF ': ' French Guiana ', ' GG ': ' Guernsey ', ' GH ': ' Ghana ', ' GI ': ' Gibraltar ', ' GL ': ' Greenland ', ' GM ': ' Gambia ', ' GN ': ' Guinea ', ' board ': ' Guadeloupe ', ' GQ ': ' Equatorial Guinea ', ' GR ': ' Greece ', ' GS ': ' South Georgia and the South Sandwich Islands ', ' GT ': ' Guatemala ', ' GU ': ' Guam ', ' GW ': ' Guinea-Bissau ', ' GY ': ' Guyana ', ' HK ': ' Hong Kong ', ' HM ': ' Heard Island and McDonald Islands ', ' HN ': ' Honduras ', ' HR ': ' Croatia ', ' HT ': ' Haiti ', ' HU ': ' Hungary ', ' example ': ' Indonesia ', ' IE ': ' Ireland ', ' computing ': ' Israel ', ' quantum ': ' Isle of Man ', ' IN ': ' India ', ' IO ': ' British Indian Ocean Territory ', ' IQ ': ' Iraq ', ' IR ': ' Iran ', ' has ': ' Iceland ', ' IT ': ' Italy ', ' JE ': ' Jersey ', ' JM ': ' Jamaica ', ' JO ': ' Jordan ', ' JP ': ' Japan ', ' KE ': ' Kenya ', ' KG ': ' Kyrgyzstan ', ' KH ': ' Cambodia ', ' KI ': ' Kiribati ', ' KM ': ' Comoros ', ' KN ': ' Saint Kitts and Nevis ', ' KP ': ' North Korea( DPRK) ', ' KR ': ' South Korea ', ' KW ': ' Kuwait ', ' KY ': ' Cayman Islands ', ' KZ ': ' Kazakhstan ', ' LA ': ' Laos ', ' LB ': ' Lebanon ', ' LC ': ' Saint Lucia ', ' LI ': ' Liechtenstein ', ' LK ': ' Sri Lanka ', ' LR ': ' Liberia ', ' LS ': ' Lesotho ', ' LT ': ' Lithuania ', ' LU ': ' Luxembourg ', ' LV ': ' Latvia ', ' LY ': ' Libya ', ' cynicism ': ' Morocco ', ' MC ': ' Monaco ', ' heritage ': ' Moldova ', ' use ': ' Montenegro ', ' MF ': ' Saint Martin ', ' MG ': ' Madagascar ', ' MH ': ' Marshall Islands ', ' MK ': ' Macedonia ', ' ML ': ' Mali ', ' MM ': ' Myanmar ', ' world ': ' Mongolia ', ' MO ': ' Macau ', ' ET ': ' Northern Mariana Islands ', ' MQ ': ' Martinique ', ' MR ': ' Mauritania ', ' bargain ': ' Montserrat ', ' MT ': ' Malta ', ' MU ': ' Mauritius ', ' MV ': ' Maldives ', ' know-how ': ' Malawi ', ' MX ': ' Mexico ', ' Mind ': ' Malaysia ', ' MZ ': ' Mozambique ', ' NA ': ' Namibia ', ' NC ': ' New Caledonia ', ' Just ': ' Niger ', ' NF ': ' Norfolk Island ', ' love ': ' Nigeria ', ' NI ': ' Nicaragua ', ' NL ': ' Netherlands ', ' NO ': ' Norway ', ' NP ': ' Nepal ', ' NR ': ' Nauru ', ' NU ': ' Niue ', ' NZ ': ' New Zealand ', ' specificcharacteristics ': ' Oman ', ' PA ': ' Panama ', ' behaviorism ': ' Peru ', ' PF ': ' French Polynesia ', ' PG ': ' Papua New Guinea ', ' catalog ': ' Philippines ', ' PK ': ' Pakistan ', ' PL ': ' Poland ', ' PM ': ' Saint Pierre and Miquelon ', ' PN ': ' Pitcairn Islands ', ' PR ': ' Puerto Rico ', ' PS ': ' Palestine ', ' PT ': ' Portugal ', ' Abuse ': ' Palau ', ' case ': ' Paraguay ', ' QA ': ' Qatar ', ' RE ': ' request ', ' RO ': ' Romania ', ' RS ': ' Serbia ', ' RU ': ' Russia ', ' RW ': ' Rwanda ', ' SA ': ' Saudi Arabia ', ' SB ': ' Solomon Islands ', ' SC ': ' Seychelles ', ' SD ': ' Sudan ', ' SE ': ' Sweden ', ' SG ': ' Singapore ', ' SH ': ' St. 576 ': ' Salisbury ', ' 569 ': ' Harrisonburg ', ' 570 ': ' Myrtle Beach-Florence ', ' 671 ': ' Tulsa ', ' 643 ': ' Lake Charles ', ' 757 ': ' Boise ', ' 868 ': ' Chico-Redding ', ' 536 ': ' Youngstown ', ' 517 ': ' Charlotte ', ' 592 ': ' Gainesville ', ' 686 ': ' Mobile-Pensacola( Ft Walt) ', ' 640 ': ' Memphis ', ' 510 ': ' Cleveland-Akron( Canton) ', ' 602 ': ' Chicago ', ' 611 ': ' Rochestr-Mason City-Austin ', ' 669 ': ' Madison ', ' 609 ': ' St. Bern-Washngtn ', ' 520 ': ' Augusta-Aiken ', ' 530 ': ' Tallahassee-Thomasville ', ' 691 ': ' Huntsville-Decatur( Flor) ', ' 673 ': ' Columbus-Tupelo-W Pnt-Hstn ', ' 535 ': ' Columbus, OH ', ' 547 ': ' Toledo ', ' 618 ': ' Houston ', ' 744 ': ' Honolulu ', ' 747 ': ' Juneau ', ' 502 ': ' Binghamton ', ' 574 ': ' Johnstown-Altoona-St Colge ', ' 529 ': ' Louisville ', ' 724 ': ' Fargo-Valley City ', ' 764 ': ' Rapid City ', ' 610 ': ' Rockford ', ' 605 ': ' Topeka ', ' 670 ': ' scientifically-literate element ', ' 626 ': ' Victoria ', ' 745 ': ' Fairbanks ', ' 577 ': ' Wilkes Barre-Scranton-Hztn ', ' 566 ': ' Harrisburg-Lncstr-Leb-York ', ' 554 ': ' Wheeling-Steubenville ', ' 507 ': ' Savannah ', ' 505 ': ' Detroit ', ' 638 ': ' St. Joseph ', ' 641 ': ' San Antonio ', ' 636 ': ' Harlingen-Wslco-Brnsvl-Mca ', ' 760 ': ' Twin Falls ', ' 532 ': ' Albany-Schenectady-Troy ', ' 521 ': ' Providence-New Bedford ', ' 511 ': ' Washington, DC( Hagrstwn) ', ' 575 ': ' Chattanooga ', ' 647 ': ' Greenwood-Greenville ', ' 648 ': ' Champaign&Sprngfld-Decatur ', ' 513 ': ' Flint-Saginaw-Bay City ', ' 583 ': ' Alpena ', ' 657 ': ' Sherman-Ada ', ' 623 ': ' g.
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text:
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2018 has been all about bursting out the gates strong. Back in February, percussionist G Flip went from a basically unknown Australian name to playing SXSW, signing with Future Classic, and scoring acclaim on sites like Pitchfork in a matter of weeks, all thanks to the release of her debut single About You. There's been a tonne of others too, albeit less drastic than young Georgia Flipo, all exploding onto the scene or making waves with their first singles, albums and/or first EPs. Sydney's FLUIR may just do the same thing with her debut EP later this year if its leading single Change is anything to go by, so it's probably worth getting on this one early.
I'm an electronic/pop artist under the moniker FLUIR (pronounced 'flu-e-air'). I recently relocated from Melbourne to Sydney where I've been working closely with Sam Littlemore (of PNAU) recording my new track Change and upcoming EP scheduled for release in mid-2018.
My music is a mix of electronic, indie and pop, with some 80s synth influences. 'Fluir' means to 'ebb and flow'.
Usually, I start out on the keyboard to find a chord progression or baseline that I like. From there I'll sing melodies over the top until I find something that's catchy. It's not often that I'll write a song from start to finish in one session. Instead, I write a bunch of different ideas and then, later on, piece my favourite concepts together to form a demo in Logic or Cubase. Then I'll take this to a producer to collaborate and record.
When I top line a track, I loop the instrumental and sing random ideas over the top until something interests me. I will always record a take of the very first idea that comes into my head, no matter how good or bad it may be, as there's often a lot of magic in that very first concept.
Can you tell us about your new single, Change?
When I wrote this track, I was in the process of breaking free from my 9-5 work commitments to pursue my passion for music. It's a scary thing to walk away from such security and routine to wholeheartedly pursue a dream. Change is about taking that chance to pursue a more meaningful life and in the process, challenging the life that society wants you to live.
I've got the music video for Change coming out very soon and will be releasing my debut EP in mid-2018. I will also be playing a bunch of live shows including Groovin the Moo.
You can find my music on SPOTIFY or SOUNDCLOUD. Follow me on INSTAGRAM, FACEBOOK and TWITTER for the latest. Also, please leave me a review on TRIPLE J UNEARTHED.
Welcome To The Stingzone - Stingray & DJ $EX get down to bizness on hot new video clipThe man himself is embarking on a journey west very soon for a Rhino Tranq Party.


SCOTTSVILLE, Ky. (WBKO) — Nearly one dozen Wounded Warriors were out on the water Monday morning for the fourth annual Barren River Lake Wounded Warrior Fishing Event.
The event is put on each year by the Caveland Old Timer's Fish Club. Both the Glasgow and the Bowling Green/Scottsville chapters join up to help make the day happen.
The goal of the event is to thank these Wounded Warriors for their service and give them a day full of fun memories to create while fishing on the lake with the guys.
"I woke up at 3:00 a.m. and couldn't go back to sleep. I was so excited to take these gentlemen fishing," said Lewis Carter, President of the Glasgow Old Timer's Fish Club.
"We are having a great time today with people who have given everything they've got to keep us free and it's our time to give back," he said.
Several boats were on the water Monday, filled with members of the club and Wounded Warriors. Through the event, these men get to share stories, learn new fishing techniques, and create lasting bonds with each other.
"I've just recently retired from active duty military and due to some circumstances in life, I joined the Wounded Warrior Program," said Bryan Ploughe.
"We know by history that without these fellows, we're not free. We wouldn't be free. We would never be free," added Carter.
Some boat crews had better luck than others as far as the fishing goes, but as Ploughe put it best, it's not about catching fish, it's about creating memories.
"You don't talk about it when everything goes great. You talk about it, 'You remember that time we didn't catch any fish?' Those are the memories we'll take home with us," he said.
The event also included an afternoon fish fry at Port Oliver.
The smiles and full plates were topped off with homemade quilts and afghans that the Warriors were given as a keepsake to remember their time spent together on the lake.
"We know that these guys (members of the Fish Club) are out here supporting the Wounded Warrior Program and we're thankful for that," added Ploughe.
Eleven Wounded Warriors from Kentucky and Tennessee participated in this year's fishing event. Barren River Lake Army Corps of Engineers also helped prepare for the day and monitor the lake during the event.


Company: It is suitable to keep Xanthichthys mento (Redtail triggerfish) with organisms which are familiar to it in the wild.
Aquarium Setup: Xanthichthys mento (Redtail triggerfish) is a strong, adaptable and intelligent fish. It needs a large aquarium with plenty of things to explore and play with. The water must be clean, well-filtered and properly circulated water. Redtail triggerfish must have a rocky reef to wedge itself into when it sleeps, otherwise it will not feel secure.
Food: Xanthichthys mento (Redtail triggerfish) eats mollusks, crustaceans, zooplankton, corals and small fishes. You can feed them almost anything in captivity, as long as it is nutritious.
Breeding: We are unable to provide any information about Xanthichthys mento (Redtail triggerfish) breeding in aquariums.


Here's a chill pill for the not-so-merry band of alarmists worrying how the U.S. Food and Drug Administration (FDA) can possibly function with reduced regulatory power and under the federal hiring freeze instated by President Donald Trump's executive orders on January 30 and January 23, respectively. In addition to ignoring the hiring freeze's exemption for situations agency heads "deem necessary to ensure national security and public safety," the alarmists forget something: An FDA staffed to less than full capacity is a problem only if Trump intends FDA to remain the leviathan agency it has become in recent decades.
One of the fastest ways to make drug approval easier is to reduce FDA's regulatory footprint. All signs point to forthcoming FDA shrinkage, so freezing hiring at this agency makes sense, for five reasons. The most obvious is FDA is unlikely to accomplish anything earth-shattering until it has a new commissioner-one appointed by Trump and confirmed by the U.S. Senate.
It is inconceivable FDA will do much more than writhe and slither until it finds its head - a head carrying orders from Trump to make drastic improvements upon the status quo. Former Commissioner Robert Califf left his position when former president Barack Obama, who appointed Califf, left his. Califf's stand-in, Acting Commissioner of Food and Drugs Dr. Stephen Ostroff, formerly deputy commissioner for foods and veterinary medicine, also joined FDA during the Obama years.
Fun though it is to imagine FDA as a racing yacht needing all hands on deck, the reality is FDA is a barge in port and blocking passersby. It has been for years. Delays aren't Trump's fault; he just got there.
There are other reasons a temporary freeze on FDA hiring makes sense considering FDA's impending shrinkage. Four of those reasons are candidates on Trump's short list for FDA commissioner: Dr. Joseph Gulfo, Balaji Srinivasan, Jim O'Neill, and Dr. Scott Gottlieb.
All four candidates have voiced profound dissatisfaction with FDA as we know it. Each is likely to reduce FDA's regulatory footprint in the drug approval game if given the chance. They would probably do this not by merely accelerating FDA's current approval processes, as the bipartisan 21st Century Cures Act signed by Obama calls for, but by scooting FDA out of the way.
The FDA's mission is to permit safe and effective new drugs, biologics, and devices onto the market in an efficient and timely manner. But fear of being blamed for the failings of approved products has caused the FDA to become too restrictive. The FDA has strayed from the safety and effectiveness standards that are set out in the law. … The FDA must return to its role as gatekeeper of safe and effective drugs and devices, and refrain from attempting to anticipate the future judgments of physicians and patients regarding benefits and risks.
Gulfo's insistence FDA snap back to its lawful scope of practice is redolent of the originalism of strict constructionist Scalia, the late associate justice of the United States Supreme Court. Gulfo reportedly met twice with Trump's transition team in January.
The other contenders seem to have even less love for FDA as it now stands, and they have ideas for improving quality and lowering costs of new drugs for patients. For example, Srinivasan, who supposedly "hates the FDA," has suggested crowd-sourced review systems like Yelp and crowd-sourced provider systems like Uber or Airbnb could serve patients better than FDA, tech news site Recorder reported in January. Srinivasan leads 21.co, a company developing technology for using the digital currency bitcoin. He is also chief technology officer for Counsyl, a DNA screening biotechnology company.
Except for needing one of these candidates as commissioner and a few likeminded lieutenants, FDA shouldn't be hiring. In this new era of reduced regulation, however, there is one directive FDA can start following even without its new commissioner: Retreat.
Overnight Tuesday [was] the deadline to sign up for coverage under the federal health care law. Even if the ultimate fate of "Obamacare" is uncertain, there's been no change for this year. About 11.5 million people had enrolled as of Dec. 24.
The deadline [was] midnight Pacific time in the 39 states served by HealthCare.gov, the government said. States with their own insurance websites may have different deadlines.
Advanced-practice nurses have master's degrees or doctorates and advanced training in diagnosis and treatment. But their "scope of practice" is limited, and in many states-including Virginia-they are forbidden to practice medicine independently. In those states APRNs can practice only under the supervision of a doctor who will periodically check behind them, review charts, and so on.
New York officials have withdrawn a request to use Medicaid funding to cover healthcare services for prison inmates and expedite access to HIV treatment. Earlier this week, California officials chose to withdraw their 1332 state innovation waiver request to offer undocumented residents unsubsidized coverage through the state marketplace.
Medicaid patients lose coverage if they enter prison. A provision covers inpatient treatment provided by a medical facility not associated with the prison. That scenario happens if a prison inmate goes to a hospital and remains there for over 24 hours.
A separate waiver aimed to expand a New York City effort that places newly diagnosed HIV patients on treatment with no wait time was also withdrawn.
New York state officials formally submitted the incarceration waiver in October and the HIV waiver last month. They say they might resubmit.
Last week, I wrote about how the Patient Freedom Act-introduced by senators Bill Cassidy (R-LA) and Susan Collins (R-ME)-would dramatically expand taxpayer funding of abortions, even when compared to Obamacare.
The PFA … (text available here, and a summary available here) gives states a choice of three options regarding the health care system within their borders. They can either 1) essentially keep Obamacare in place; 2) use an allotment, based on 95 percent of a state's Obamacare spending, to create their own insurance regime (albeit with several federal mandates remaining); or 3) go out on their own and not receive any federal funds.
Section 104 of the bill contains a complicated formula to determine state allotments for option two-the default option for states under the PFA. Section 104(b)(2) provides that states that did not expand Medicaid under Obamacare will receive 95 percent of the amount they would have received had they accepted the Medicaid expansion.
The Patient Freedom Act includes what amounts to "Lie of the Year" redux: if you like your Health Savings Account (HSA), you can't keep it. While the bill does not repeal any of Obamacare-the word "repeal" appears exactly zero times in its 73 pages-it effectively ends the current HSA regime, making Health Savings Accounts less attractive to individuals.
Current law makes HSAs tax-privileged in two ways. First, contributions to an HSA can be made on a pre-tax basis-either via a payroll deduction through an employer, or an above-the-line deduction on one's annual tax return. Second, HSA distributions are not taxable when used for qualified health expenses under Obamacare.


By now you are likely at least aware that the Society's Board of Directors has issued a policy on harassment. While it is a bit broad and vague, We feel it is a necessary thing, and a good first step.
I have heard many voice a concern We share, that of the potential for this policy to be abused.
We would like to try and set those concerns at rest, if possible. In Æthelmearc, our Seneschal is Duke Christopher. It is his responsibility to handle these cases. It has been our experience that he is not prone to rash decisions or snap judgments. Hopefully long before his term is up, this policy has been fleshed out a bit, and he will have written policies for his office that make the chain of escalation one that will permanently set our minds at ease.
This is a good thing, and long overdue.


text:
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Applying for Import Duty Concessions
The Government of the Republic of Trinidad and Tobago offers incentives to local and foreign investors and local manufacturers for undertaking certain investment projects. Section 56 of the Customs Act provides for import duty concessions to encourage industrial development, promote investment, and facilitate trade.
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Locally-based manufacturers are eligible to be granted import duty concessions to assist with reducing their production costs.
Entities interested in applying for import duty concessions should obtain and complete sections A and B of an Application for the Approval of an Investment Project form, which can be downloaded from the Ministry of Trade and Industry website by following the link at the end of this section. Applications can also be obtained from the following locations:
Industrial Development and Inward Investment Division
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The original and one copy of each the following items should be attached to the completed application form:
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Sections A and B of the form should be completed in accordance with the included instructions and returned, with all required documentation, to the Industrial Development and Inward Investment Division at the address above.
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Upon receipt of an entity's application, a representative from the Ministry of Trade and Industry will review the application and, if necessary, request omitted information.
Within one month from the date an entity submits a completed application for import duty concessions, including all required supporting documentation, a representative from the Ministry of Trade and Industry will:
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Entities not eligible to receive import duty concessions will be notified in writing as to the reason for their ineligibility. Entities eligible to receive import duty concessions will be notified in writing within two business days of the Minster of Trade and Industry approval.
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text:
Tropidodexia is a genus of parasitic flies in the family Tachinidae. There are at least two described species in Tropidodexia.

Species
Tropidodexia coracina (Wulp, 1891)
Tropidodexia lutzi Townsend, 1915

References

Dexiinae
Diptera of South America
Tachinidae genera
Taxa named by Charles Henry Tyler Townsend

redpajama_set_name: RedPajamaWikipedia


text:
Reading Age: 4 to 6 Years
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The Titanic Secret (EPUB ebook)
By Cussler, Clive; du Brul, Jack
'The Adventure King' Sunday ExpressTHE NEW ISAAC BELL & DIRK PITT ADVENTURE FROM THE NUMBER ONE BESTSELLER When Isaac Bell attempts to decipher the mysterious deaths of nine men, he encounters a secret so powerful it could dictate the fate of the world . . . A century apart, Dirk... Pitt and Isaac Bell team up to unlock the truth about the most famous maritime disaster of all time - the sinking of the unsinkable Titanic. Present day Dirk Pitt is forced to make a daring rescue at the excavation site of an antiquated submarine in the waters around New York City. His reward is a document left behind a century earlier by legendary detective Isaac Bell - a document that re-opens a historical mystery . . . 1911 Colorado Isaac Bell is asked to look into an unexplained tragedy at Little Angel Mine. His dangerous quest to answer that riddle leads to something much bigger - the discovery of a rare element with extraordinary powers and of virtually incalculable value. As he discovers that there are people who will do anything to control the substance, Isaac Bell must find out how far he'll go to stop them . . .Delivering explosive action, knife-edge plotting and page-turning intrigue, The Titanic Secret proves once again that Clive Cussler is the best in the business. Praise for Clive Cussler 'Cussler is hard to beat' Daily Mail 'Just about the best in the business' New York Post 'Nobody does it better . . . nobody!' Stephen Coonts
Isaac Bell
Titles are sold with a 2 year time limit, or 36 loan limit, 21 days maximum loan period view?
Shuggie Bain (Hardback)
By Stuart, Douglas
A heart-wrenchingly moving first novel set in Thatcher's Glasgow: Shuggie Bain tells the story of a boy's doomed attempt to save his proud, alcoholic mother from her addiction.
Available for pre-order, ships once internationally released 6 Aug 2020
Reflection: A gripping page-turner you won't want to miss (Paperback)
By Chamberlain, Diane
From the Sunday Times top ten bestselling author of BIG LIES IN A SMALL TOWN, a compelling novel that asks... What if the person you trusted most was hiding something from you? Twenty years ago, a terrible tragedy shattered the tranquillity of the small Pennsylvania Dutch town of... Reflection. The residents of the village have never forgiven the one woman they blamed for what happened - Rachel Huber. After the incident, Rachel left the town and cut off all ties there. But when Rachel receives the news that her estranged grandmother, Helen, is ill and needs her care, she returns to Reflection. On arrival she discovers that the town has not forgotten the past and amongst the hostility and gossip, Rachel is forced to seek out old allies and new passions. Soon she finds an unlikely advocate in her grandmother, who surprises her with her wise counsel and rare strength. Rachel comes to realize that they are both trying to overcome the past, and in doing so brings private guilt and concealed secrets into the light. Unlock the secrets you'll love to discover with Diane Chamberlain, the storyteller beloved of readers everywhere: 'An excellent read that will be loved by her fans and anyone who enjoys reading' Jodi Picoult 'I completely LOVED this book' Jane Green 'Totally amazing...so powerful and beautifully written. I love Diane's writing' Cathy Kelly 'Incredibly moving story, rich in character and atmosphere. I couldn't put it down' Susan Lewis 'With beautifully drawn characters and a string of twists that will keep you guessing right up to the end' Stylist 'Chamberlain puts so much grit, emotion and drama into her books that it's impossible to stop thinking about them' Heat 'Gripping' Woman & Home 'Essential reading for Jodi Picoult fans' Daily Mail
Headline Publishing Group
Available for pre-order, ships once released
Secret Lives: A compelling page-turner of secrets and lies (Paperback)
From the Sunday Times top ten bestselling author of BIG LIES IN A SMALL TOWN, a page-turning novel that asks... How far would you go to keep your secret safe? Disillusioned actress Eden Riley leaves a life of Los Angeles glamour, and a broken marriage, to return to her mother's c...hildhood home in rural Virginia. Eden is full of questions about her mother, a famous children's author who died when Eden was very young. On her search for answers, Eden meets the handsome, yet mysterious, Ben Alexander, an archaeologist and friend of her uncle. But Ben has his own demons, and a secret that threatens to destroy their newfound happiness. Eden must make a heart-breaking decision, as she struggles to lay the ghosts of the past to rest and come to terms with her own future. Unlock the secrets you'll love to discover with Diane Chamberlain, the storyteller beloved of readers everywhere: 'An excellent read that will be loved by her fans and anyone who enjoys reading' Jodi Picoult 'I completely LOVED this book' Jane Green 'Totally amazing...so powerful and beautifully written. I love Diane's writing' Cathy Kelly 'Incredibly moving story, rich in character and atmosphere. I couldn't put it down' Susan Lewis 'With beautifully drawn characters and a string of twists that will keep you guessing right up to the end' Stylist 'Chamberlain puts so much grit, emotion and drama into her books that it's impossible to stop thinking about them' Heat 'Gripping' Woman & Home 'Essential reading for Jodi Picoult fans' Daily Mail
New Zealand Goods and Services Tax Legislation 2020 (Paperback)
This title provides a fully-indexed and comprehensive consolidation of the New Zealand Goods and Services tax legislation. An essential resource for GST advisers, accountants, lawyers and tax agents, the book contains: Goods and Services Tax Act 1985 Comprehensive summary of ...amendments Pending reforms Extensive history notes Detailed index. The book incorporates all amendments enacted to 1 January 2020
CCH New Zealand
Dare To Be Great: Unlock Your Power to Create a Better World (Paperback)
By Higgins, Polly
Dare To Be Great explores how anyone can open pathways for themselves and for our society as a whole to become truly great. This book is a call to arms for the changing world in which we live - a world that needs our greatness now more than ever.
The History Press Ltd
Available for pre-order, ships once internationally released 1 Jun 2020
Vision or Mirage: Saudi Arabia at the Crossroads (Hardback)
By Rundell, David
Something extraordinary is happening in Saudi Arabia where a traditional, tribal society is rapidly implementing significant economic and social reforms. An army of foreign consultants is rewriting the social contract. The experienced though aging King Salman has cracked down har...d on corruption. His dynamic though inexperienced son, Mohammad, is promoting a more tolerant Islam. Is all this a new vision for Saudi Arabia or merely a mirage likely to dissolve into Iranian-style revolution? David Rundell, one of America's foremost experts on Saudi Arabia, explains how the country has been stable for so long and what is really happening today. The book provides new information for those interested in Middle East politics, global energy markets, or the influence of Islam in the twenty-first century. More importantly, it is a well-structured framework for thinking about one of the world's more significant, but least understood, nations.
Bloomsbury Publishing PLC
Available for pre-order, ships once internationally released 17 Sep 2020
iPad Pro 11: The Beginners & Seniors Guide to Unlock the Useful, Time Saving & Fun Features in iPadOS 13.2 The Simplified Manual for Kids and Adults (4th Edition) (Trade Paperback / Paperback)
By Brave, Dale
An iPad can be so many things: an entertainment hub, a way to stay in touch with the world, a productivity tool, and many other things. In this friendly, easy-to-follow guide, you'll find out how to fire up any model of iPad, connect to the internet, and use applications to play ...games, watch movies, listen to music, chat via video, update your social accounts, read the news, or just about anything else you'd want to do. This book is a perfect guide for all of model of iPad Tablets such as iPad 2, iPad 6th generation, iPad 7th generation), iPad 4th generation, iPad Air, iPad Air 2, iPad Pro 12.9-inch, iPad Pro 9.7-inch, iPad Pro 10.5-inch, iPad Pro 11-inch, iPad Air 3rd generation, iPad mini and many more model to be made with exclusive features. This book is regularly updated, and it includes the basic setup wizard information and several other tips and tricks to maximize your iPad devices. In this book, you will find Step-by-step instructions including how to fix common iPad Pro 11 issues.
Apple Watch Series 5: The iWatch Beginners & Seniors Tutorial Guide for Exploring WatchOS 6 on all Apple watch series 5, 4, 3 and 2 respectively (Trade Paperback / Paperback)
By Kelligns, Peblo
Apple Watch Series 5 is the latest Smartwatch in the Apple lineup. It offers several unique features to make the users more active and better monitor their health among several other great features for humanity. As amazing as all the new features are, it's not quite as easy to us...e as an iPhone; the lack of buttons, the smaller screen, and general UI can make a frustrating initial experience. In this book, you will learn; *The differences difference between apple watch series 5, apple watch series 4, and apple watch series 3 *What's new to WatchOS 6 *Using watch gestures *Apple Watch ECG monitoring features *How to sustain battery life *How to Install the ECG and Share ECG Results with your doctor *How to Setup and Pair Apple Watch with IPhone *Sending messages and making phone calls *How to enable fall detection on iWatch WatchOS 6 *How to add music to Apple Watch ...and many more! This is the book with instructions to the shortcuts, tips, tricks, and in-depth tutorial you should know.
Politics of Forgetting: New Zealand, Greece and Britain at War (Trade Paperback / Paperback)
By Brown, Martyn
In World War II New Zealand was heavily involved on the battle lines of the Mediterranean. A lasting bond was formed with Greece, and the complex, now fading from memory, are vividly recounted by the author.
Australian Scholarly Publishin
Available for pre-order, ships once internationally released 29 Feb 2020


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Bridge of Sighs: A Short Story of the Bubonic Plague
by Laura Morelli
"My uncle the goldsmith died less than an hour ago but the Plague Doctor is already at our door…" After the bubonic plague takes his parents, 10-year-old Tonino is apprenticed to his uncle in a small goldsmith's studio perched on a bridge. But as the Black Death reaches its hand into his uncle's workshop, young Tonino is faced with making a choice to survive. From the author of The Gondola Maker and Made in Venice comes a short tale of pestilence, Venetian artisanship, and the will to live.
Novels, Young Adult FictionVenice
Volcanic Airs: An English Comedy
by Elizabeth Aston
Where would you rather be? Lonely and fog-bound in an ancient English castle, or sitting under the stars with friends on a magical Mediterranean island? Magdalena Mountjoy, furious with her impossible husband, the rakish Valdemar, doesn't hesitate when she has the chance to run away to Aeolus, a jewel of an island off the coast of Sicily. Yet every Eden has its serpent. As friends and relations arrive to share the bliss, fleeing from their own problems with life and love, Magdalena begins to wish herself back at Mountjoy Castle. Meanwhile Dido, once a dancer and now a nanny, listens to her voices and foretells just where this of complex dance of love and betrayal will end for her companions as they enjoy the idyll of an Italian summer. Love conquers all—but will it this time?
Novels, Young Adult FictionSicily
Racing the Sun: A Novel
by Karina Halle
It's time for 24-year-old Amber MacLean to face the music. After a frivolous six months of backpacking through New Zealand, Australia, and Southeast Asia, she finds herself broke on the Mediterranean without enough money for a plane ticket home to California. There are worse places to be stuck than the gorgeous coastline of southern Italy, but the only job she manages to secure involves teaching English to two of the brattiest children she's ever met. It doesn't help that the children are under the care of their brooding older brother, Italian ex-motorcycle racer Desiderio Larosa. Darkly handsome and oh-so-mysterious, Derio tests Amber's patience and will at every turn—not to mention her hormones. But when her position as teacher turns into one as full-time nanny at the crumbling old villa, Amber finds herself growing closer to the enigmatic recluse and soon has to choose between the safety of her life back in the States and the uncertainty of Derio's closely guarded heart.
Young Adult FictionCampania, Capri
The Girl in the Glass: A Novel
by Susan Meissner
Since she was a child, Meg has dreamed of taking a promised trip to Florence, and being able to finally step into the place captured in a picture at her grandmother's house. But after her grandmother passes away and it falls to her less-than-reliable father to take her instead, Meg's long-anticipated travel plans seem permanently on hold. When her dad finally tells Meg to book the trip, she prays that the experience will heal the fissures left on her life by her parents' divorce. But when Meg arrives in Florence, her father is nowhere to be found, leaving aspiring memoir-writer Sophia Borelli to introduce Meg to the rich beauty of the ancient city. Sofia claims to be one of the last surviving members of the Medici family and that a long-ago Medici princess, Nora Orsini, communicates with her from within the great masterpieces of the Italian Renaissance. When Sophia, Meg, and Nora's stories intersect, their lives will be indelibly changed as they each answer the question: What if renaissance isn't just a word? What if that's what happens when you dare to believe that what is isn't what has to be?
Young Adult FictionFlorence
Curses and Smoke
by Vicky Alvear Shecter
Tag is a medical slave, doomed to spend his life healing his master's injured gladiators. But his warrior's heart yearns to fight in the gladiator ring himself and earn enough money to win his freedom. Lucia is the daughter of Tag's owner, doomed by her father's greed to marry a much older Roman man. But she loves studying the natural world around her home in Pompeii, and lately she's been noticing some odd occurrences in the landscape: small lakes disappearing; a sulfurous smell in the air. . . . When the two childhood friends reconnect, each with their own longings, they fall passionately in love. But as they plot their escape from the city, a patrician fighter reveals his own plans for them — to Lucia's father, who imprisons Tag as punishment. Then an earthquake shakes Pompeii, in the first sign of the chaos to come. Will they be able to find each other again before the volcano destroys their whole world?
Ancient Rome, Novels, Young Adult FictionPompeii


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Home / 90s / Ninja Zombie (AGFA) DVD Review + Screenshots
Ninja Zombie (AGFA) DVD Review + Screenshots
Jimmy P October 23, 2018 0
Studio: AGFA (American Genre Film Archive) / Bleeding Skull
Release Date: October 9th, 2018 (dvd) (Never released in any form until now)
Region Code: ALL
Picture: 480i (1.33:1 Aspect Ratio)
Sound: English Dolby Digital 2.0
Subtitles: None
Starring: John Beaton Hill, Michael Correll, Kelly Anchors
Written by Mark Bessenger
Directed by Mark Bessenger
Rating: Not Rated (martial arts violence and some gore)
Orlan Sands is threatened by an evil spider-themed karate cult seeking the location of an archaeological dig unearthing a rare magical artifact, so he turns to his best friend Jack, a martial arts champion, for protection. But when Jack is killed, he has no choice but to seek out a voodoo witch doctor who brings Jack back to life as Ninja Zombie. Now, the undead warrior foil the plans of the cult and its leader, who will stop at nothing to succeed, even if it means kidnapping Jack's fiancee.
Ninja Zombie is another unique find from the good folks at both the American Genre Film Archive and Bleeding Skull. The previously gave us the 1987 film The Soultangler on DVD and now they have given us Ninja Zombie. The film is not quite as good as The Soultangler, but it does live up to its title. There is a ninja zombie in the film and he actually appears for more than five seconds, unlike some other films that make big promises in the title but barely deliver. (I'm looking at you, There Be Dragons). The thing that struck me right off the bat was that the film is a horror comedy. Usually, the filmmakers try to make a horror film, but it ends being a comedy. The filmmakers here have circumvented the audiences ability to laugh at crap by saying that they were in on the joke the entire time. It's smart business. The thing is: the filmmakers actually made a film that had me laughing quite a few times and not because the film fell into the "its so bad it's good", but because they made a film that has genuine laughs. The fight scenes are pretty decent while the effects leave something to be desired, but the thing is: these guys made a very competent, low budget picture, on 8mm, and it probably would have been successful if it had been released right after it was made. The fact that we have the film on DVD now is a minor miracle. So, if you are looking for something a bit different, that has been seen by very few people, then give Ninja Zombie a shot.
THE PICTURE AND SOUND
"Ninja Zombie was shot and edited on 8mm film. The transfer is taken from the original BETA-SP master tapes". This is from AGFA's own press materials. Knowing this, we can judge the transfer a bit differently. I have reviewed blu-rays and DVDs before where either the film had been lost and the only left is the BETA tapes (see: Killer Workout) or the film was shot on video in the first place (see: Boardinghouse) and I have looked at the transfers for these films in a different light than I do for something that was has all of its original materials (VHS notwithstanding). There is not really much that can be done with VHS or BETA tapes to make them look better. You can't really fix them like you can film.
That being said, Ninja Zombie looks ok. The film used for the tapes is scratched up with many sour points. This is the film that was used for the tape and IT looks pretty bad. Once you take the rough looking film and transfer it to BETA tape, it gets even worse. I won't go into too many specifics, but I will say that there is a ton of crushed blacks and nothing really looks the way that it probably should look. Still, the film is completely watchable and the fact that it doesn't look very good shouldn't impede your enjoyment of the film. We know why it looks like this and we can accept that.
The sound, as well, doesn't bode too well here. Dialogue is pretty clear, for the most part, and the effects are present. Still, it isn't all that great, but remember what we are dealing with here and everything is ok.
Ninja Zombie comes to us courtesy of AGFA and Bleeding Skull
The front cover features some nice artwork from Kelsey Spencer.
The reverse artwork, which is what the filmmakers came up with, is a decent cut-and-paste job. The skull in the ninja mask was clearly taken from the poster for Evil Dead 2, and I know that I have seen the ninja stance from another movie poster, but I just can't think of it right now.
The disc is all black save for the title of the film and the AGFA and Bleeding Skull logo at the top.
The disc is an ALL REGION disc.
Commentary by writer/director Mark Bessinger
Behind the Scenes Footage (26m 55s, SD, 1.33:1) This is VHS footage that was shot during the making of the film and there is a lot to take in, even if it doesn't feel like it at first. We see some of the cemetery scenes being shot, we see that the fire stunt that happens towards the end of the film almost resulted in the stuntman being burned very badly, and we see that the opening credits were almost shot with the camera on an RC car. I love when companies include features like this as we only really ever hear about the making of a low budget film. It is nice to be able to see HOW the film was made and how the set and everything else was like.
It Could Happen to Anyone (9m 19s, SD, 1.33:1) This is a love letter to monster films from every decade and even includes the old Universal logo (?) and music from horror films from the late 70's and early 80's. (?)
Interview with John Beaton Hill (11m 56s, SD, 1.33:1) Here we have a pretty decent interview with the Ninja Zombie himself. He talks about the making of the film and how he would love to do a sequel.
Ninja Zombie is a fun little flick that should have gotten its due years ago, had it been released. Hopefully, people will find this DVD and give the film a chance. The DVD is a lot of fun with some pretty cool special features. Just curb your expectations when it comes to A/V presentation and you will have a lot of fun.
MORE SCREENSHOTS:
Ninja Zombie (AGFA) DVD Review + Screenshots Jimmy P October 23, 2018
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The UIC advising community comes together once per semester to educate and inform ourselves about a range of topics. Advising Summits have been hosted on campus since 2004 and bring together the whole of the advising corps to interact between units and learn together. They are held during the Friday of Week 6 of each fall and spring semester.


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Break the Cycle of Domestic Violence
Designing the Future of Health
Root causes
All Topics Act Now Align Systems with Community Priorities Behavioral Health Break the Cycle of Domestic Violence Designing the Future of Health Legacy Our Strategy Our Values Payment Policy Population Health Presidents Message Prevention Root causes Safety Net Strengthen Economic Security and Mobility
Apana
Richard Thomason
Lucia Corral Peña
Rachel Wick
Carolyn Wang Kong
Hilary Smith
TC Duong
Shikiri Hightower-Gaskin
All Apana Richard Thomason Lucia Corral Peña Rachel Wick Carolyn Wang Kong Empty (9808) Hilary Smith Krysten Massa Debbie I. Chang, MPH Richard Vezina TC Duong Shikiri Hightower-Gaskin
The Power and Potential of Restorative Justice to Address and Prevent Domestic Violence
October 16, 2019 - 12:20pm
By: Lucia Corral Peña
Senior Program Officer Lucia Corral Peña met with Executive Director of Creative Interventions Mimi Kim for a candid conversation about the power and promise of restorative justice in the realm of domestic violence.
Lucia Corral Peña: Our vision for restorative justice is anchored in the Foundation's work to break the cycle of domestic violence, in our values of equity and possibility, and in our belief that in order to be effective we need to expand our partnerships, ideas, and solutions. As an alternative to the systems currently in place, restorative justice can offer survivors, children, and those who cause harm a different option that allows for healing and support before violence becomes an entrenched behavior that has far-reaching consequences. For communities, it also can offer a way to constructively engage in the issue of domestic violence and build new social networks and connections that create a safer environment for everyone involved.
We know that there is no one-size-fits-all approach to address and prevent domestic violence, and what's currently in place works for some, but not all. That's why we're investing in courageous leaders like Mimi Kim, sujatha baliga, and others, as well as supporting the nation's emerging efforts to apply restorative justice to domestic violence prevention through the Community Restorative Justice Solutions project. This innovative model has the potential to interrupt the cycle of family violence earlier and explores how it can meet the needs of our most marginalized populations. There are no easy answers, but if nothing changes, then nothing changes.
Join me in the conversation below to learn more.
Lucia Corral Peña: Congratulations, you were recently mentioned in a book I am a new fan of, "Decriminalizing Domestic Violence" by Leigh Goodmark. In your own words, why do you think we need alternatives to the criminal-legal system to address domestic violence?
Mimi Kim: Thank you. Leigh's book represents one of a growing number of works that take our need to find radically new, non-law enforcement solutions seriously. What we also find is some of these "new" approaches turn back to the "old" (for example, holding a conversation about conflict in a circle is hardly new) — and build them to work under current conditions. As someone who has worked within the anti-domestic-violence field since the late 1980s, I am very aware of how the field moved away from community responses and creative safety strategies and instead turned to a more rigid set of responses reliant on shelters and our collaboration with the police and the criminal justice system for survivor safety. This essentially meant that we, as a field, were no longer asking survivors what they wanted, but were telling survivors to flee their situations and call the cops on their abusive partners to resolve violence. You can imagine how many survivors didn't want to leave their partners or wouldn't or couldn't call the police. By having a one-dimensional set of responses and deeming anything else unsafe, we left countless survivors with no support and no other options. While telling survivors to flee violence and call 911 may make sense to our system of crisis shelters and police, we weren't necessarily reducing risk for the survivor. Instead, we told them what we thought was right for them. If those options weren't what they wanted or needed, we often left them completely on their own.
This reality led many of us to ask hard questions. How many survivors have felt trapped by our narrow solutions? What can we do before, or instead of, calling the police or forcing a survivor to leave? What can we do when we know that so many people (think about immigrants — undocumented or not) will absolutely not call the police?
Lucia: What's different about restorative justice and how are you measuring success?
Mimi: Restorative justice is not a new approach. It has been used in contemporary systems to deal with property crimes, harms committed by young people, and conflict within schools. It's also not new if we think of indigenous forms of justice that have been key in informing many of the restorative justice models we see today. The application of restorative justice to domestic violence is relatively new — and the rising interest that people now have in its application to domestic violence is definitely new. The model includes a range of methods for addressing violence based on dialogue and accountability that involves survivors, the person who caused harm, and their family or community members. We brought together a crew of people very experienced in violence intervention; the support of people who have worked, some for decades, on restorative justice; and partner organizations serving a very diverse community. We also have a robust evaluation that we have designed, tested, and are now implementing. All of this is with the dedication to really learn how, why, and what works for survivors, and how it could work for many more.
This work also includes family- and community-level objectives including family and child well-being and community engagement that weaves social networks of support and builds connectedness. If successful, we could do much more than simply intervene in cases of domestic violence; we could create stronger systems of support within communities — with sustainable long-term impact on communities, families, and futures. We can also build the capacity of community-based organizations to provide restorative justice options that are driven by those most impacted by violence and that can provide safety and opportunities for accountability and repair.
Lucia: We know that this model thoughtfully integrates survivor safety, can you share more about how it does that?
Mimi: One important feature of this innovative project is that we are bringing together people who have worked with violence for years. We have all known about and dealt with the most lethal cases of domestic violence. Many of us have lost the lives of people we have worked with. We don't walk into this naively — but we all believe that we can do better and expand options for survivors. We also know we need to lean on each other to create a restorative justice response that works across a lot of different situations and communities.
We have several values at the center of this project. Safety is central. At every point of our protocol and questions and evaluation there are multiple questions about safety — asking this in different ways to emphasize that we all need to think about safety all of the time. We stand together with survivors in risky situations and are willing to take our own risks to create more humane and sustainable solutions to violence — ones that may be much safer and more effective in preventing further violence.
It is also important that we learn more about how to appeal to people who do harm to be involved in an engaged and completely non-violent way. And that we have a process that they ultimately find is beneficial to them, too — not in terms of getting out of responsibility but of deepening their sense of responsibility.
Lucia: This sounds very promising, but we know that some may consider new approaches outside of the criminal-legal system as taking domestic violence further away from the public realm and making it a more private issue. Is that something to be concerned about?
Mimi: This is NOT the privatization of violence. If anything, it holds potential to expand who can support and be accountable to survivors beyond police and domestic violence advocates. It is deepening our responsibility to others and building our collective ability to talk about and find solutions to domestic violence. The restorative justice process can actually extend the circle of involvement from one or two private actors (survivor and the person who has caused harm) — or private actors and a professional — to include a broad network or community of people actively engaged around the issue. As we develop this approach further, it has the potential to raise the public's ability not to hide violence but to recognize how normal and pervasive it is — and, in turn, increase the public's willingness and likelihood to take action; to actually step up and come together to resolve and prevent violence. We'd like to reach the point where people know what restorative justice is; know where they can go for support and have many options available; are confident that restorative justice can have positive results; and, over time, can bring the values and skills of restorative justice to their own families and communities. This vision can raise the public conversation regarding violence, destigmatize being a survivor, and can encourage those who have done harm to talk about their violence and find support from their most trusted people in order to bring this violence to an end.
Lucia: What is the promise of restorative justice and how can it help heal survivors and families experiencing domestic violence?
Mimi: Will restorative justice bring about healing — or aid with healing in cases of domestic violence? We think so. However, we are careful about naming healing as a goal. Healing is a very personal process. We hope that this process supports healing — and we also need to let people decide for themselves where, how, when — and even if — healing is a priority for them. Will this work for everybody? We do not come to this work with the idea that it will work for everybody — there is no single solution that will. What we do believe is that this is what some people have been asking for and that this may be what some people choose if they are given this as a choice. Whatever we learn will help us improve how restorative justice can work and make it available to more and more people.
These days, a lot of us are hearing about restorative justice as an option. I think that on-the-ground practice and time to reflect are key to doing this well. Pilot projects that are thoughtfully constructed can give us much needed information about what works and how. This opportunity to evaluate the project over time provides evidence regarding how restorative justice can work for many survivors and families. This isn't the world we have now, or yet. But it's the world we're trying to create — and are, frankly, obligated to create.
We are, in many ways, at a time of new beginnings, but the pathway here has been created by so many who have come together to create collective solutions to violence. We have an opportunity to take these gifts, apply them systematically in the context of a local community and to the devastating issue of domestic violence and observe mindfully for what safety, accountability, repair and violence prevention can look like. Yes, we can also see if people experienced healing through these processes. We cannot hide behind what I believe to be the excuses of the past, but must take the responsibility to forge ahead.
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ALCOCK, or ALLCOCK, JOHN (1715–1806), doctor of music, who himself wrote his name variously as 'Alcock' and 'Allcock,' was born near St. Paul's Cathedral on 11 April 1715. He was educated in the cathedral choir under Charles King, and at fourteen was a pupil of the blind organist, John Stanley. He was appointed organist of St. Andrew's, Plymouth, in 1737, and was married in the following year. In January 1742 he became organist of St. Lawrence's, Reading, where he remained until 1749, when he was appointed organist, vicar choral, and master of the choristers at Lichfield Cathedral. In 1755 he look the degree of Mus. Bac. at Oxford, and that of Mus. Doc. in 1761 or 1765. He resigned the posts of organist and master of the choristers at Lichfield in 1760, and in the following year became organist at Sutton Coldfield parish church, an appointment that he held until 1786. Alock was also (from 16 May 1766 to 25 March 1790) organist of the parish church of Tamworth. In 1770, 1771, and 1772, he won the Catch Club prizes for glees and canons. His wife, by whom he had a son and three daughters, died in 1793. He died at the Close, Lichfield, in February 1806, and was buried in the cathedral. Dr. Alcock's compositions include songs, solos for the flute, harpsichord, and organ; services, anthems, glees, canons, and a setting of Psalm li. in Latin. He was a thoroughly sound musician, and throughout the course of his long life preserved the traditions of the old English school of church composers, free from the inanities in which some of his contemporaries indulged. His son, John Alcock, jun. (1740?–1791), born about 1740, was organist of St. Mary Magdalen's, Newark-on-Trent, from 1758 to 1768. In 1766 he took the degree of Mus. Bac. at Oxford, and was organist of the parish church of Walsall from 1773 until his death, which took place 30 March 1791. Between 1770 and 1780 he published several songs, anthems, lessons for the harpsichord, and sonatas for strings. He is often confounded with William Alcock, a contemporary organist at Newcastle.
This page was last edited on 28 January 2011, at 12:58.


They had eight people in their party with two 14-foot Avon rafts. And two Airedales.
"For us, we like to take things into our own hands," John Olson said. "When we are in wilderness we feel we should be able to handle ourselves."
They moved equipment from the river bank above the logjam to a beach at Pistol Creek below the clogged river, where they could continue their float.
"It was like childbirth. You just blacked it out," Debbie Olson said.
It all started when they hit the massive camp where several private rafting groups and commercial outfitters where holed up on Monday morning (July 24). A rainstorm hours earlier had caused a gully washer on Lake Creek, a mile upstream from Pistol Creek.
The Olsons hadn't been down the Middle Fork in 13 years. They were going to scout Pistol Creek Rapids anyway, but when they came upon the lake in the river made by the mudslide, they knew something was wrong.
After they pulled off the river, they looked at the logjam, the trail, and the beach below the logjam and decided to portage.
They began breaking down their rafts and moving equipment at about 2 p.m. Monday.
They took a dinner break and by 10 p.m. had all their gear on the beach at Pistol Creek. They camped Monday night near the beach and launched Tuesday morning.
"We were exhausted doing it in the heat of the day," Debbie Olson said.
The Olson are both 53 and active backpackers, climbers and bicyclists. Their kids and friends, who are in their 20s and 30s, also were on the trip with them.
The rafts weighed 140 pounds each. Ice chests and dry boxes, containing food and cooking gear, were upwards of 200 pounds each.
They had rowing frames, oars, propane tanks, stoves, Dutch ovens and personal dry bags which contained tents, sleeping bags and clothing.
They broke down equipment and took everything out of the coolers and dry boxes. They put food and gear in dry bags that were equipped with backpacking straps. That made it possible to portage gear piece by piece. Luckily, there was no beer. They went light with hard stuff.
They deflated their rafts and strapped them to oars and then shouldered the oars. They had to blow up the rafts with hand pumps at the beach.
They carried stuff in their arms. Each person made five to six round-trip carries.
"We were so exhausted and dehydrated," Debbie Olson said.
While other rafters at the camp were stressing out over the delay, Debbie Olson said their group focused all their energy on the portage.
You ask, why portage? Why not wait for the Forest Service to clear the logjam? Why not wait for help?
The Olsons said the government doesn't move fast. But besides that, Debbie Olson said, "We are big wilderness people and we thought this is what you should do. If you are doing a wilderness experience, you should deal with it."
Many of my e-mails said the Forest Service shouldn't have blown the logjam because it was a natural event. There were debates in camp on the river and on the Internet from one end of the country to another. The Forest Service even heard from Capitol Hill.
One outfitter followed what the Olsons did, but he hired a packstring from a nearby ranch to haul gear.
Another outfitter just gave up and flew clients out from the Pistol Creek airstrip, ending their trip. Others flew their clients to airstrips downriver and continued the trip. They also flew in additional rafts.
The 1.5-mile hike to the airstrip was difficult for some rafting clients, raising the question of who should be floating the river, even with outfitters. Some guides were really worried about clients. One woman suffered heat stroke on the hike out.
The Olsons didn't do the portage to make a statement. They were doing it to continue the float trip. You don't get to do the Middle Fork very often because rafters have to get a permit in a lottery to be able to legally do the trip.
Even so, they did make a statement. When the Olsons pulled into Indian Creek, a Forest Service outpost downstream, they got a standing ovation from other rafters at the beach who had heard about their portage.
They were recognized as the group that was prepared for what wilderness can dish out.


Though only a stone's-throw away across the grand Atlantic, Europeans and Americans are as different as night and day. And being anywhere from 5 to 7 hours difference in time, they literally are, too. Back in the days of old when that rag-tag batch of ticked-off Englishmen decided to brave the snarling sea and make new their lives in America, we've held similarities close to our hearts. However, times force great changes and leaps in advancement force gaps in our likenesses and make them far more diverse and different. Gone are the days when the 'New' Americans would take tea time, instead, we, as Americans, stumbled upon the idea of lunch… similar, but still, quite different. Well, you get the idea. Here are ten (of many, as we all know) ways we, as Americans, are different from our jovial brethren across the pond: the Europeans.
Europe: The European Parliament (Europarl or EP) is the directly elected parliamentary body of the European Union (EU). Together with the Council of the European Union (the Council), it forms the bicameral legislative branch of the Union's institutions and has been described as one of the most powerful legislatures in the world. The Parliament and Council form the highest legislative body within the Union. However their powers as such are limited to the competencies conferred upon the European Community by member states. Hence the institution has little control over policy areas held by the states and within the other two of the three pillars of the European Union. The Parliament is composed of 785 MEPs (Member of the European Parliament) who serve the second largest democratic electorate in the world (after India) and the largest trans-national democratic electorate in the world (492 million).
America: The federal government of the United States is the United States governmental body that carries out the roles assigned to the federation of individual states established by the Constitution. The federal government has three branches: the executive, legislative, and judicial. Through a system of separation of powers or "checks and balances," each of these branches has some authority to act on its own, some authority to regulate the other two branches, and has some of its own authority, in turn, regulated by the other branches. In addition, the powers of the federal government as a whole are limited by the Constitution, which leaves a great deal of authority to the individual states. The federal government is based in the federal district of Washington, D.C. and is often referred to as "Washington".
While Americans enjoy a mind-numbingly huge array of television stations via satellite or cable, Europe (though able to acquire said choices) also has a slew of nationally funded channels that offer them different types of programming (and in the case of the BBC in Britain, free of advertising). Since about 2000, both continents offer roughly the same when it comes to cable, satellite, and the offers of broadband with phone service and TV. The BBC and ITV are due to launch Freesat, which, unlike Freesat from Sky, will be a free-to-air system similar to Freeview. Europe, of course, features comedies and dramas specifically catered to its core audience, such as Dr. Who and the original Office. We here in American television companies have been know to pilfer European (usually English) programming which then needs modification to make it more appealing to US viewers. In some cases these American spin offs have become more popular than the originals. Two in particular that spring to mind are The Office, and Three's Company.
Europeans are more likely to be found eating as a family around the dinner table than many Americans who prefer the convenience of eating in front of the television. As a result, fast food chains are not as popular in placed like France and Italy as they are stateside. This, however, is not true of all nations in Europe, as the English (possibly through the influence of American television programming) are also beginning to lean toward the convenience of fast food (either ready made or ready-to-cook). Another striking difference is that in mainland Europe, supermarkets are far fewer in number than in America, as a large number of Europeans still buy their food daily from markets in their towns or city centers (again, this is probably no longer true of the United Kingdom). These markets are part of the appeal that Europe has for Americans traveling to Europe.
Trivia: In Europe, an entree is usually the first course of a meal (the same as an American appetizer). The main course is called "the main course". American's like to have a salad course, but this is almost never seen in Europe as salad (if it is being served) will usually be presented alongside the main course.
Shopping in the typical American city is a mater of walking around, going inside of whichever building one needs explore in order to locate goods and services, and purchasing. We have a plethora of the Big Box Stores like WAL-MART, Target, Meijer, and those similarly huge home-improvement shops like Lowe's, Home Depot, and the like. We like what we need readily available at our finger tips and unfortunately this has contributed greatly to the end many of mom-and-pop stores. Grocery delivery is very common in England, while it is still only seen occasionally in the US. Europeans prefer the open-air shops with the amazing array of vastly different foods available in each specific location suited specifically to the item's location. In Europe you will still see more high street shopping than malls, though this is beginning to change in some countries. The upside to this is that you get personal service, the downside is that if you get dreadful service, you have no one to complain to. It can take a lot more effort to find the items you need as you have to go to many shops instead of one.
American currency is just about as basic as it comes: Bills for anything for a dollar and over (5,10,20,50 etc.), and coins for anything a quarter (25 cents) or less: dime (10), nickel (5), penny (1). For the most part and for the longest time our bills have been green with nothing more than age-old etched images of presidents and persons of historical significance, and some say hidden meanings dating back to the rise of the Free Masons and other government clubs. The member states of the European Union have adopted a universal currency called the Euro (with the exception of the British who are exempted from adopting the Euro). This can be incredibly convenient when on holiday, but the adoption of the Euro has caused some difficulties in nations where prices dramatically rose – such as Italy.
America has one language for all – American English (though some might say that Spanish is creeping in) – Europe, on the other hand has more languages than nations. As a result, most Europeans will learn at least one other language in school (this is often compulsory in mainland Europe, but not the United Kingdom). English is spoken in most major cities and in the case of some people – like the Dutch, the English in Europe can be better than the English in England. Combined with the universal currency of Europe, this really does make holidaying easier.
To Americans, nothing kills a weekend more appropriately than sitting around with some good friends, nursing a few beers, and watching your favorite sports team beat the snot out of its opponent. We here in the U.S. have five major sports: Baseball, American Football, Basketball, Hockey, and Car Racing. Grabbing several bowls of artery-clogging goodies, staking out a spot in a favorite chair, and yelling at the television is what sports fans are all about. We love our sports so much we've delegated entire clothing lines to them. Now in Europe, the four main spectator sports are Football (soccer), Cricket, Rugby, and Tennis. And as we all know, your rabid attraction to your home teams rivals the beastly incorporation we have with our own. In fact, I have never seen anything even remotely close to the mass of infuriated spectators rising in unison to a bad call or a loss than European sports crowds. It's just scary and has been known in the past to be deadly.
American cooking, for all its variety and excitement, owes its very existence to everywhere else. Even our deep-seeded southern roots stemmed from French influence. If it can be successfully fried, we'll happily do it. If it can be mass-produced and served with fried potatoes, we'll joyfully do that, too. We love our steaks, our hamburgers, our hot dogs, our potato and tortilla chips, and our foods smothered in gravy. Europeans have a diverse cultural history in their food and this is still obvious in every nation. It would be wrong, however, to consider European food healthier overall – this is not necessarily the case and Europeans, knowing this, tend to eat smaller portions. Virtually every aspect of French cooking involves butter and cream. Of all the European nations, England is the one with the worst reputation for food – it is expensive and usually bad. This, however, is beginning to change as more English people take an interest in redefining old English favorites (such as steak-and-kidney pudding) for the new millennium.
There is very little doubt that America's favorite alcoholic beverage has got to be beer. We love to import, export, and support the local micro-brews of which there are literally thousands. In fact, I live smack in the middle of six, and the beers produced there are always readily available. We do have quite the active wine making community as well, generally on the west coast in California, though other states, such as Michigan where I live, produce wine as well. In my state, selling alcohol before 12 p.m. is not only taboo, but illegal. On Sundays you aren't allowed to purchase after five p.m., and if it's a holiday, none after 2 a.m the previous day or on the holiday at all. Now, in bars and pubs, you can purchase (as long as you are inside) until 2 a.m. Also, unless you want some serious trouble, you ought to be 21 to do so at all. Despite this high drinking-age, many kids start around 16 or 17. Europeans of course have beer, wine, and other alcohol, but most often just different variations on the common theme. In Europe the drinking age in each country varies too, but to be on the safe side, carry your ID if you drink or purchase alcoholic beverages. Some countries list two legal ages: one to buy beer and wine and another to buy stronger spirits such as vodka, while other countries allow younger people to drink while dining in the company of adults. It seems that the laws are similar as are the concerns for under-age drinking and especially drinking and driving. One major difference here, however, is that many European families give their children wine with dinner (often watered down) – there is much less a taboo associated with alcohol in Europe than America, which may be partly a side-effect of the prohibition movement.
While Americans and Europeans (excluding the British) drive on the same side of the road, there are still many different rules. The most obvious is the American rule allowing cars to turn on a red light. Most of the street signs use the same international symbols. In England, there are a variety of different crosswalks with different names: A puffin crossing has the lights on the same side as the pedestrian; a toucan crossing is a crossing for pedestrians and bicycles; a pegasus crossing allows horse-riders to cross as well. There are also tiger crossings (alternating yellow and black stripes) to allow cyclists to cross without dismounting, and of course, the zebra crossing. But wait – there's more. There are also pelican crossings which are traffic light controlled.
Power sockets in the United Kingdom differ from the rest of Europe, and both are different from American (and Japanese) sockets. European plugs generally have two circular pins for inserting in to the socket (though there are variations in almost all of the nations in Europe), while British and Irish plugs have three thick rectangular pins. Also, European lights switch off in the opposite direction to American lights.


In writing this book I have been grateful for the ideas, advice and comments of many people, including Christoph Burger, Stephen Bungay, Andrew Campbell, Martin Essayan, Franziska Frank, Rob Goffee, Mike Goold, Barbara Minto, Thedoore Modis, Phil Renshaw, Martin Richardson, Toby Roe, David Sadtler, Tony Sheehan and Tom Wilkinson. Thanks also to the many colleagues at the Boston Consulting Group and London Business School who set me on my strategy pathway.
Also many thanks to Angela Munro for her support on the website, Michelle Moore and her team and Jenny Ng for help on the exhibits, Annie Brakx and Hazel Hamelin who edited assiduously and Ellen Hallsworth my publisher.


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Tag: Ben Whishaw
Tuesday 28 April 2020 at 7.30pm
Emily Beecham, Ben Whishaw, Kerry Fox
Alice, a single mother, is a dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a very special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy.
Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it 'Little Joe' but as it grows, so too does Alice's suspicion that her new creations may not be as harmless as their nickname suggests.
2019 | Dir Jessica Hausner | 105min | UK | Austria | Germany
Wednesday 11 March 2020 at 2.30pm (Subtitled) and 7.30pm
Dev Patel, Tilda Swinton, Ben Whishaw
Armando Iannucci follows The Death of Stalin with a characteristically exuberant reworking of the Dickens classic. Using visual tropes that are more comic-book than Victorian novel, and a varied but vibrant cast headed by Dev Patel in the title role, this is at once funny and colourful, as well as poignant and hard-hitting on the subjects of poverty, class difference and child exploitation. Nothing less than you'd expect from the man who gave us Alan Partridge and The Thick of It, with characters like Mr Micawber and Uriah Heep given new life by Capaldi and Whishaw.
2019 | Dir Armando Iannucci | 119min | UK | USA
Sold Out 2.30pm (Subtitled)
Sold Out 7.30pm
Tuesday 10 March 2020 at 11.00am
Monthly 11.00 am Babes in Arms screening
Bringing a baby is not compulsory, but we cannot guarantee a quiet auditorium! Lights will not be fully dimmed, sound will be lower than usual and people may need to move around. When available, subtitles will be shown. The babes in arms may be up to one year old.
Book 11.00am
Thursday 5 March 2020 at 2.30pm and 7.30pm
Babes in Arms screening – THE FAVOURITE (15) – 2018 Ireland/UK/USA 119 mins
Director: Yorgos Lanthimos
Stars: Olivia Colman, Emma Stone, Rachel Weisz
While her armies war with France, Queen Anne's courtiers are more interested in satisfying the whims of their frail monarch (Colman). Lady Sarah Churchill (Weisz) is firmly ensconced as the queen's favourite, but her young cousin Abigail (Stone) is upwardly mobile. Lanthimos (The Lobster) and his fantastic cast ensure that this is no typical period drama, revelling in the smut, scandal and perversity of an era where power could not be separated from personality.
David Lean Cinema, Croydon on Tuesday 12 March 2019
Show starts at 11.00 am, ticket prices £7.50 & £6.00 (concessions).
This screening is SOLD OUT.
Babes in Arms screening – MARY POPPINS RETURNS (U) – 2018 USA 130 mins
Director: Rob Marshall
Stars: Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer
53 years after the iconic Oscar-winning original, the world's favourite nanny floats onto the big screen once again in this musical reboot. Set in 1930s depression-era London, Poppins – delightfully portrayed by Blunt – visits the grown-up Banks children after Michael suffers a personal loss. Inexplicably ageless, she uses her magical know-how to help the family rediscover their sense of wonder, along with jolly lamplighter Jack. Richly nostalgic, and full of supercalifragilisticexpialidocious fun, Mary Poppins Returns is a rapturous sequel.
David Lean Cinema, Croydon on Tuesday 12 February 2019
MARY POPPINS RETURNS (U) – 2018 USA 130 mins
David Lean Cinema, Croydon on Thursday 7 February 2019


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Interview With Jean-Phillip From St.Lucia
Northern Transmissions managed to track down Jean-Philip from 'St.Lucia' while on a tour stop in Denver.
NT: St. Lucia played some high profile shows and generated quite a bit of interest from the media before you releasing an album. Were you relieved when the album finally came out?
JPG: Yeah, I mean anyone who puts out music or art gets nervous. Some of my influences are a little on the cheesy side, like Phil Collins or Paul Simon. I was a little nervous about that aspect. I thought my music might be misconceived or people might get the wrong idea about what I was trying to do.
NT: You were even touted by some press as "the next big thing". Did you worry that this might create a backlash against the band?
JPG: I think that if you are conscious, there are backlashes everywhere. Many media outlets have haven't paid any attention to St. Lucia. I'm very confident with the album we made, as well as all the other projects I work on, be it remixing or producing.
NT: You had 'Passion Pit' remix one of your songs. Did it turn out like you thought it would, or were you surprised at the outcome?
JPG: Certain artists you ask for a re-mix, and you know what to expect. I was familiar with and a fan of Passion Pit's body of work. I was really happy with the way the track came out, and yeah, you could say that I was a little surprised.
NT: You produced most of When The Night on your own with the help of Rich Costey (Haim, Waaves). How difficult is it to self-produce? Did you find yourself second guessing the songs at some point?
JPG: Absolutely. The thing with self-producing, you don't always have a second set of ears. I spent about ninety-five percent of the time alone in the studio during this album. Sometimes you get completely wrapped up in such small details and forget about the big picture. It's tough as well, because you wear so many hats. It definitely becomes unique when you work on your own.
NT: Is it tougher to remix or produce other people's music?
JPG: Remixing is the least pressure. You kind of toy around with a few ideas, and have the luxury of experimenting with a few more ideas. I think that production work can be more difficult. I enjoy it more, because there is more of a big picture, and you try to help the artist see the picture. The difficult part is, at times you think you have a great idea, and the band will disagree with you. I really want to help the band because, I want the music to stand the test of time, it will be around forever and they will be attached to it.
NT: You grew up in Johannesburg. How much does this influence your writing?
JPG: There is a bit of influence, but when I was growing up in in South Africa, we had limited exposure to tons of music, unless it was Euro or UK Pop. One of the first albums that really influenced me as a writer was Ok Computer by 'Radiohead'. It really opened my eyes to modern music. I am influenced by cerebral music and do incorporate it into my music, but my musical roots come from a real poppy place. Geographically, the songs kind of come from everywhere.
NT: Did singing in a choir when you were younger give you more confidence to sing and write?
JPG: It definitely did. We sang in a real classical style, and it grounded me as a singer. It took a while to get used to singing with 'St Lucia', and it's different than singing in a classical boys choir. As a group it took a bit of work getting comfortable on stage and working out all the details as a band.
NT: Which five albums are still inspiring you today?
JPG:
Fletwood Mac – Tusk
Radiohead – Ok Computer
Kate Bush – Hounds of Love
Mew – And The Glass Handed Kites
Paul Simon – Graceland
http://stlucianewyork.com/#/home
"Tired of Being Broke" by Killen
"In My Bones" by Incan Abraham
Classixx share "Safe Inside" with Passion Pit
Classixx announce new album 'Faraway Reach'


 2014 IPCC 5th assessment did not give impacts information in general on cultivars (vegetables), including potatoes.
Research projected a slight decline in potato yields by 2050 and significant decline by 2100.
Bananas are projected to withstand climate change with a proviso on pests.


Lykathea Aflame's sole and classic foray into mystical Babylonian death, repressed on vinyl!
* Almost 35% cheaper price than the first pressing.
* Mastered specifically for vinyl from the high-resolution original mixes, with drummer Tomáš Corn sitting in on the sessions.
* 2 bonus tracks - "To Give (2002 Version)" and "Shine of Consolation (1999 Version)"
* 350gsm single-pocket jacket, utilizing the original high-resolution front cover art.
* Black-and-white insert with lyrics and credits, printed on high-quality gloss art paper.
* New catalog number designation (BLOOD-008R) to differentiate it from the first pressing.


True Crime is a facinating subject, which involves #crime #prevention #murder #mystery and #True #Crime #History. Following the History of the worlds most notorious and sinister killers. Our #True #Crime range is a tongue in cheek humour range and history of Crime in the #Ages.


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Verizon to offer BlackBerry PRIV very soon
Rei Padla
After AT&T, here's Verizon announcing that it will soon offer the first ever Android-powered BlackBerry smartphone. The BlackBerry PRIV is one of the highly anticipated devices today as it's the Canadian company's first official venture into the full Android game. Sure, the BB10 can run Android apps but it's the first BlackBerry-manufactured phone that runs the Android mobile platform.
Verizon has not shared any details yet, not even pricing or availability but anyone can now sign up for updates if they want to be notified as soon as the device is ready. It's only a sign up page for information though and not a pre-order page yet. This BlackBerry Priv is expected to offer advanced mobile security and privacy. The name Priv alone means privacy so you know that it's the brand's topmost priority in this phone.
For the past few weeks, BlackBerry has been sharing a number of things it does to ensure Android security including initiatives in management, Priv promo videos, mobile security framework, and the four important principles they follow.
To review, the BlackBerry Priv comes equipped with a 5.4-inch dual-curved screen, 3410 mAh battery, 18MP dual-flash Schneider-Kreuznach certified camera, DTEK protection, 32GB built-in memory, microSD card slot up to 2TB memory expansion, 4G/LTE, 2560 × 1440 resolution, Qualcomm Snapdragon 808 processor, and 3GB RAM. Still no word on pricing and availability but it should be around $699.
SOURCE: Verizon (1), (2)
Verizon promo brochure for new Motorola DROIDs leaked
Verizon outs Motorola DROID Turbo 2 and Maxx 2, available Oct 29
Verizon outs Ellipsis Kids Tablet with content from Zoodles
Verizon, NBA strike up partnership for mobile and digital content


The Nazi era Zeppelin bunker served as a secret war-time communicatieons centre, covering an area of 14.500 m2 below ground. The building stayed empty from 1994. All the corridors and rooms are photographed. Räume shows a selection of 100 blind rooms of a megalomanic maze.