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text:
First edition cover
1932 (Charles Scribner's Sons)
Moral Man and Immoral Society: A Study in Ethics and Politics is a 1932 book by Reinhold Niebuhr, an American Protestant theologian at Union Theological Seminary (UTS) in New York City.[1] The thesis of the book is that people are more likely to sin as members of groups than as individuals.[2] Niebuhr wrote the book in a single summer.[3] He drew the book's contents from his experiences as a pastor in Detroit, Michigan prior to his professorship at UTS.[4] The book attacks liberalism, both secular and religious, and is particularly critical of John Dewey[5] and the Social Gospel.[6] Moral Man and Immoral Society generated much controversy and raised Niebuhr's public profile significantly.[7] Initial reception of the book by liberal Christian critics was negative, but its reputation soon improved as the rise of fascism throughout the 1930s was seen as having been predicted in the book.[8] Soon after the book's publication, Paul Lehmann gave a copy to Dietrich Bonhoeffer, who read it and was impressed by the book's thesis but disliked the book's critique of pacifism.[9] The book eventually gained significant readership among American Jews because, after a period of considerable anti-theological sentiment among Jews in the United States, many Jews began to return to the study of theology and, having no Jewish works of theology to read, turned to Protestant theological works.[10]
^ Pianko 2010, p. 117.
^ Crouter 2010, p. 48.
^ Rasmussen 1981, p. 10.
^ Gill 2006, p. 143.
^ Rice 1993, p. 17.
^ Stumme 2006, p. 100.
^ Brown 1987, p. xv.
^ Dorrien 2003, p. 459.
^ Bethge 1999, p. 268.
^ Goldy 1990, p. 53.
Bibliography[edit]
Bethge, Eberhard (1999). Dietrich Bonhoeffer: A Biography. Minneapolis, Minnesota: Augsburg Fortress. ISBN 978-1-4514-0742-6.
Brown, Robert McAfee (1987). The Essential Reinhold Niebuhr: Selected Essays and Addresses. New Haven, Connecticut: Yale University Press. ISBN 978-0-300-16264-6.
Crouter, Richard (2010). Reinhold Niebuhr: On Politics, Religion, and Christian Faith. Octord: Oxford University Press. ISBN 978-0-19-977969-7.
Dorrien, Gary J. (2003). The Making of American Liberal Theology: Idealism, Realism, and Modernity, 1900-1950. Louisville, Kentucky: Westminster John Knox. ISBN 0664223559.
Gill, Robin (2006). A Textbook of Christian Ethics. A & C Black. ISBN 978-0-567-03111-2.
Goldy, Robert G. (1990). The Emergence of Jewish Theology in America. Bloomington, Indiana: Indiana University Press. ISBN 978-0-253-32601-0.
Pianko, Noam (2010). Zionism and the Roads Not Taken: Rawidowicz, Kaplan, Kohn. Bloomington, Indiana: Indiana University Press. ISBN 978-0-253-22184-1.
Rasmussen, Larry (1981). Reinhold Niebuhr: Theologian of Public Life. Minneapolis, Minnesota: Augsburg Fortress. ISBN 978-1-4514-1282-6.
Rice, Daniel F. (1993). Reinhold Niebuhr and John Dewey: An American Odyssey. Albany, New York: State University of New York Press. ISBN 978-0-7914-1345-6.
Stumme, Wayne (2006). The Gospel of Justification in Christ: Where Does the Church Stand Today?. Grand Rapids, Michigan: William B. Eerdmans Publishing Company. ISBN 978-0-8028-2690-9.
The Nature and Destiny of Man
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text:
Racing Legend Phil Hill Dies
Racing legend Phil Hill recently passed away at the Community Hospital of the Monterey Peninsula at 81 years of age due to complications from Parkinson's disease. The celebrated octogenarian was the first and only US born racing driver to ever win the Formula One international auto-racing championships.
Racing legend Phil Hill recently passed away at the Community Hospital of the Monterey Peninsula at 81 years of age due to complications from Parkinson's disease. The celebrated octogenarian was the first and only US born racing driver to ever win the Formula One international auto-racing championships.
Philip Toll Hill was a memorable racing legend who was born on April 20, 1927, in Miami. He was raised in Santa Monica and started to develop his passion for cars from an early age. At just 12 years of age, he started to drive a Model T Ford that his aunt bought him on the private roads in Santa Monica Canyon. Cars were clearly a life-long obsession for him – one that stood him in good stead in future years. Hill started out his automobile career as a mechanic, but by the mid-1950s he found himself behind the steering wheel in Santa Ana. From there he went on to race in Pebble Beach, Mexico and even Europe. After his long but brilliant journey to the top, he eventually managed to join the Ferrari team and tackle a Ferrari Formula One car. The year was 1958 and it marked the start of the most spectacular leg of an already spectacular career – one which culminated with his earning the Formula One world title for himself.
During his years as a Formula One driver, Hill witnessed many tragic events. Perhaps the most memorable of these was the 1961 Grand Prix in Italy at Monza when German Wolfgang von Trips was killed in a tragic three-car collision that also took the lives of eleven spectators. It must have been a tragic race for Hill since Von Trips was his Ferrari teammate. Nevertheless, Phil Hill managed to enjoy a very successful career without ever suffering a serious injury. He not only won the F1 Championship in 1961, but became a three-time winner of both Le Mans and Sebring. After he retired from competitive racing, he never left his passion and focused on his love of classic cars, pianos and other antique musical instruments. His life as a driver was commemorated in 1991 when he was inducted into the International Motorsports Hall of Fame.
Hill is survived by his wife, children, step child and grandchildren. He lived a very full life of passion and excitement and will no doubt be remembered fondly by loved ones and fans around the world.
championships driver formula one le mans phil hill racing legends sebring
Ayrton Senna was voted F1's greatest driver ever in Autosport Magazine. Do you agree?


text:
Q: Retrieve LocalAppData with specific program & assembly How can I retrieve this path programmatically?
C:\Users\Koen\AppData\Local\vanlooverenkoen\MIDIMACRO.exe_Url_04ecy2myca3ul5300zb1jbkbmpknlbzv\3.0.0.0

This is my path that is used by the WPF user.config. I need to get this file after an update to restore the user settings.
When I try this:
Environment.GetFolderPath(Environment.SpecialFolder.LocalApplicationData)

I only get this path:
C:\Users\Koen\AppData\Local

And because there is a unique string after my application name there is no way to hardcode this.
So my question is how do I get the complete path of the WPF user.config?

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They were 32nd in the National Football League in points scored with 234.Useful Pitching Statistics Arizona has a 83 overall mark this year."I need to be better.
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Valuable Colorado Buffaloes Betting Trends The Colorado Buffaloes are against the spread The Colorado Buffaloes are against the over under Important San Diego Toreros Betting Trends The San Diego Toreros are against the spread Key Colorado Buffaloes Injuries 10 18 F Dallas Walton ACL is out for season Key Kelly Oubre Jr. Jersey San Diego Toreros Injuries No http://49ersauthenticsofficial.com/-7-colin-kaepernick_c-406.html key injuries to report Player Spotlight McKinley Wright IV averages 15 points per game in 27 minutes per contest.Quarterback Eli Manning has a 95 rating right now and he has thrown for 1 yards with 11 touchdowns and five interceptions.The Reds pitchers as a team have surrendered 1 base knocks and 655 earned runs so far this season.
Arizona Betting Trends Arizona is against the over under so far this season Arizona has an ATS record of this season Cleveland Betting Trends Cleveland is against the over under so far this season Cleveland has an ATS record of this season Injuries to Watch Arizona 10 15 CB Jerraud Powers Hamstring ?He was willing to give back tens of millions of dollars to facilitate a trade from the Texas Rangers to Boston, going from a last-place team to a potential World Series contender.Rob Marberry scored 12 with four assists.
Denzel Rice is expected to slot into the starting lineup for the remainder of Sunday's season finale.We were playing Artemi Panarin, Patrick Kane, those guys, very last game of the season.They are averaging 79 points per game and surrendering 71, good for a point differential of 8.He started the 2012 season with Texas and played 57 games before being called up to the Stars.
The Bulldogs surrender 71 points per contest, which ranks them 172nd in D-1.They also allow a 43% shooting percentage and a 34% average from behind the arc ranking them 7th and 13th in those defensive categories.started 14 games…recorded 36 tackles , 4 sacks, one pass defensed and one blocked field goal…– Asuka def.
They are 11th in the league in team earned run average at 4.His field goal percentage is 44% and his free throw percentage currently is at 77%.A better idea of Salazar's availability should become clearer as the season approaches.
Defensive Tackle .He has 142 hits this year along with 105 runs scored and 75 RBI.The Tar Heels will need to muster it more often against better opponents.
NHTSA said in a statement that the automakers will tow the small pickups to local dealers and replace the parts, all free of charge.
This entry was posted in Colin Kaepernick Jersey and tagged Kelly Oubre Jr. Jersey, Womens Colin Kaepernick Jersey on January 21, 2019 by admin.


Civilisations and empires had triumped and fallen trouht the centuryies in Istanbul. Sirkeci is one of the few living eyewithnesses to these old days.
Visit this part of the town to see the heritage of the dead empires. You vill discover many of Istanbul's treasure in this amazing neighbourhood.
Erbil Hotel distinguished hotel among the historical heritages of Istanbul. It is 500 m. away from the Grand Bazaar and Suleymaniye mosque, 300m. away from Blue Mosque, St. Sophia, Topkapi Palace, Saint Sophia Museum and other worldwide famous museums. The distance from to airport is 16 km. Erbil Hotel has 56 rooms and 110 beds,Wireless internet Access.
Don't be suprised if you experience a miracle in this spiritual part of the world.
It is as mytical as a distant song. In Sirkeci you will be neighbour to the Sultans, hear the sound of the magical old days, and breathe the smell of the past just a few steps away.
Copy right (c) aacin, 2009.


text:
News - Magic Words that Improve Relationships
Important Words that Strengthen Relationships
It's pretty incredible to consider that a few short words can hold a world of meaning and make a huge impact on your life. 'Thank you' and 'I'm sorry' are some of the most significant words used to improve relationships — yet, they are often the most difficult to say.
Why is it that there are so many hang-ups and insecurities when it comes to saying these simple words? Let's find out why so many people avoid using these terms and how detrimental that can be to relationships.
Why is it difficult for people to say 'I'm sorry?' The mistaken beliefs are that saying "I'm sorry" will:
Force a person to admit that they were wrong
Threaten a person's ego
Show weakness
Award the other person an apology that they don't deserve
If you have been operating under the belief that apologizing is showing weakness, it's time you start thinking about it a little differently. Owning up and saying 'I'm sorry' is one of the bravest things a person can do. It puts you in a vulnerable place, opening you up to any response — whether it be blame, criticism, or mockery — or the opposite of those things.
Apologizing is a choice to put your ego aside and focus instead on healing wounds, fixing relationships, and giving respect to the person who was hurt. An apology doesn't necessarily mean that the apologizer needs to take all the blame — it's acknowledgment and regret that another person was hurt.
How to Apologize
Before approaching the person you wish to apologize to, it's important to think about exactly what you may have said or done — accidentally or otherwise — to hurt them. You must try to understand why they were hurt by what you did, and how you can fix it.
Find a quiet spot where you can talk and listen. You can say things like "I didn't intend to hurt you," "I'm sorry for what I said." Allow them the space to talk freely and express how they feel.
When apologizing, erase the word "but" from your vocabulary. "I'm sorry, but…" is ineffective and can come off as insincere. Focus on the person who was hurt instead of explaining yourself.
If it isn't possible to meet in person, take the time to write a sincere apology in a letter.
Most people have been taught to say their pleases and thank-yous, but how many people actually mean it?
Saying thank you is not just for the benefit of the person you're thanking, but for yourself as well. Gratefulness opens up our hearts and minds to appreciate all of the gifts that life has given us. It helps us to live in the moment instead of ruminating on the past or worrying about the future. When you say a sincere thank you, it turns exchanges into a positive experience and begins a snowball effect where those around you receive positivity and express it to others as well.
Positivity breeds generosity and confidence, which build resilience and lead to a happier and healthier life.
How to Express Gratitude
In order to properly express gratefulness, you must first take the time to appreciate what it is you have been given. If it is a physical gift, that may mean to look at it, hold it, find positives about it, and not take it for granted. If someone has done a kindness for you, consider how they went out of their way to help you and the time they sacrificed for you.
Every once in a while, think about your loved ones, and consider the good things that they do on a daily basis. Thank your parents for their constant support. Thank your spouse for the small things they do to contribute to the household. Thank your children for doing their homework, completing their chores, and behaving nicely.
Just like with apologies, 'thank you' should be said wholeheartedly and without the word "but."
Saying "I'm sorry" and "thank you" can sometimes be more complicated than meets the eye. Don't let an opportunity go by without saying them, though. They both have an important and long-lasting impact on building relationships with those most dear to you.
News Main Jan 23.
Sheba Medical Center Will Bring Innovative Healthcare to Bahrain Through a New Partnership Agreement
Aiming to benefit patients in the Persian Gulf through the sharing of medical expertise, Sheba has concluded a partnership with Bahrain's American Mission Hospital (AMH),…
Sheba Partners with Oranim Academic College to Aid Ukrainian Children
As the war between Russia and Ukraine rages on, children are not exempt from traumatic experiences, which often include being forced to leave their homes,…
News Main Dec 21.
A Collaboration Between Sheba and TJU: Advancing Neuroscience
Despite the vast amount of knowledge gathered owing to the sophisticated imaging devices that have been developed in recent years, considerable research budgets allocated to…


A new portal from PowerSchool, Inc. furnishes a safe doorway to educational content online. The portal features four different pages designed to meet the online educational needs of students, parents, teachers and administrators. All pages are customized to provide relevant online resources. PowerSchool is growing to address many of the Web-based needs of schools and their communities. The site can be customized at a school or district level, and additional online services can be added. PowerSchool, Folsom, CA, (888) 470-0808, www.powerschool.com.


text:
The Sixties, the Eighties, and the Irrelevance of Clinton
By David Boaz
The chattering classes have made up their collective mind: President Clinton has lost their confidence and it's time for him to go. That conclusion comes not just from Rush Limbaugh and the Weekly Standard but from David Broder, Garry Wills, and the Economist.
But the public is recalcitrant. A strong majority of the voters do not think the president should resign, even though a Washington Post/ABC News poll indicates that only 19 percent believe he has high moral and ethical standards and only 28 percent believe he is honest and trustworthy.
The chattering classes are beside themselves with frustration — and I sheepishly include myself in that camp. How can people acknowledge that the president has lied under oath, lied on television, encouraged others to lie; how can they overwhelmingly declare him unethical and not to be trusted, and still endorse his continuation in office?
Maybe the answer is one that comes hard to us professional analyzers and commentators: people just don't think it matters very much who the president is. We wouldn't let our daughters date Bill Clinton, we wouldn't lend him money, but president? So what? Maybe the voters have grasped what the opinion establishment just can't accept: the president doesn't run the country, the country runs itself.
The Cold War is over, so the president is less central to national and world politics, and the services government provides — from Social Security to schools — seem to run on autopilot, little affected by particular politicians or elections.
Perhaps the message of the Sixties, Seventies, and Eighties — "do your own thing" — has left people largely indifferent to centralized government.
Moreover, a spirit that is at once libertarian and simply indifferent to government has been growing in America for the past 30 years. As Mark Lilla wrote recently in The New York Review of Books, few political analysts have come to terms with the fact that the Sixties and the Eighties happened in the same generation. Many of the same people were involved in the antiwar movement or the counterculture in the 1960s, the personal liberation and self-help movements of the 1970s and the entrepreneurial upsurge of the 1980s. All those phenomena pointed toward the weakening of traditional authority structures and an increase in individualism and self-reliance.
Today the global economy and the information revolution are undermining government control and diffusing knowledge and power. Capital can flow literally at the speed of light to industries and countries where it will bring the highest return, limiting any national government's ability to tax or confiscate it. Labor can't move as easily as capital, but the same trends are at work. Highly skilled workers can increasingly work wherever the living is best — which might mean where the taxes are lowest — and companies can produce goods in the most efficient places.
Television, satellites and the Internet are bringing all the world's knowledge within the grasp of every American, undermining respect for the government's wisdom and authority.
President Clinton took office as globalization and the Internet were exploding, at a time when public confidence in government was at an all-time low: lower than in Nixon's final year, lower than in Carter's final year. Ignoring this inauspicious environment, Clinton promised a revival of government activism, including an old-fashioned economic stimulus package and the effective nationalization of one-seventh of the American economy. The resulting backlash left adviser James Carville sputtering, "I want to come back as the bond market. You can intimidate everybody," and produced the first Republican Congress in 40 years.
Clinton gave up, declared that "the era of big government is over," and stopped offering up grandiose plans. That was good enough for the voters, who figured they'd rather spend four years with Clinton as celebrity-in-chief than with Bob Dole. To be sure, the Clinton administration's real goals can still be seen in a thousand different attempts to expand the size and scope of government — the demand for a key to every computer in America, the antitrust assault on our most dynamic companies, new subsidies and regulations for health care, attempts to regulate tobacco and political speech by agency actions — but those have largely flown under the radar in an economy that's booming thanks to free trade and relative fiscal restraint.
Three-fourths of Americans — the most in polling history — say they rarely or never trust "government to do what is right." Only 63 percent responded to the initial mailing for the 1990 Census, and fewer than 50 percent of eligible voters even bothered to vote for president in 1996. Perhaps the message of the Sixties, Seventies, and Eighties — "do your own thing" — has left people largely indifferent to centralized government.
Now some of my libertarian colleagues offer a darker interpretation of the president's continued popularity: the public has been corrupted. Whether from increasing dependence on government, the declining quality of education, the low ethical standards of our leaders at least since Lyndon Johnson and Richard Nixon, or the rise of the victim mentality, people have simply become less concerned with integrity and ethics. As long as the economy is good, they will tolerate misbehavior in high places that even a decade or two ago would have caused outrage.
But I'm sticking with long-term optimism: if it mattered who was president, Clinton's lack of integrity would be a serious problem. But in a world where the worst excesses of government have been constrained, people are content to regard the chattering classes as mere background noise to the busy hum of commerce, family and entertainment.
David Boaz is executive vice president of the Cato Institute and author of Libertarianism: A Primer.


text:
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">

<meta http-equiv="Content-Type" content="text/xhtml;charset=UTF-8"/>
<title>Boost.Locale: wconversions.cpp</title>
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                Boost
                C++ Libraries

            <q>...one of the most highly
            regarded and expertly designed C++ library projects in the
            world.</q>

            — Herb Sutter and Andrei
            Alexandrescu, C++
            Coding Standards

Main Page

Modules

Namespaces

Classes

Files

Examples

wconversions.cpp

Example of using various text conversion functions with wide strings.

//
//  Copyright (c) 2009-2011 Artyom Beilis (Tonkikh)
//
//  Distributed under the Boost Software License, Version 1.0. (See
//  accompanying file LICENSE_1_0.txt or copy at
//  http://www.boost.org/LICENSE_1_0.txt)
//

//
// ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
//
// BIG FAT WARNING FOR Microsoft Visual Studio Users
//
// YOU NEED TO CONVERT THIS SOURCE FILE ENCODING TO UTF-8 WITH BOM ENCODING.
//
// Unfortunately MSVC understands that the source code is encoded as
// UTF-8 only if you add useless BOM in the beginning.
//
// So, before you compile "wide" examples with MSVC, please convert them to text
// files with BOM. There are two very simple ways to do it:
//
// 1. Open file with Notepad and save it from there. It would convert
//    it to file with BOM.
// 2. In Visual Studio go File->Advances Save Options... and select
//    Unicode (UTF-8  with signature) Codepage 65001
//
// Note: once converted to UTF-8 with BOM, this source code would not
// compile with other compilers, because no-one uses BOM with UTF-8 today
// because it is absolutely meaningless in context of UTF-8.
//
// ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
//
#include <boost/locale.hpp>
#include <boost/algorithm/string/case_conv.hpp>
#include <iostream>

#include <ctime>

int main()
{
    using namespace boost::locale;
    using namespace std;
    // Create system default locale
    generator gen;
    locale loc=gen("");
    locale::global(loc);
    wcout.imbue(loc);

    // This is needed to prevent C library to
    // convert strings to narrow
    // instead of C++ on some platforms
    std::ios_base::sync_with_stdio(false);

    wcout<<L"Correct case conversion can't be done by simple, character by character conversion"<<endl;
    wcout<<L"because case conversion is context sensitive and not 1-to-1 conversion"<<endl;
    wcout<<L"For example:"<<endl;
    wcout<<L"   German grüßen correctly converted to "<<to_upper(L"grüßen")<<L", instead of incorrect "
                    <<boost::to_upper_copy(std::wstring(L"grüßen"))<<endl;
    wcout<<L"     where ß is replaced with SS"<<endl;
    wcout<<L"   Greek ὈΔΥΣΣΕΎΣ is correctly converted to "<<to_lower(L"ὈΔΥΣΣΕΎΣ")<<L", instead of incorrect "
                    <<boost::to_lower_copy(std::wstring(L"ὈΔΥΣΣΕΎΣ"))<<endl;
    wcout<<L"     where Σ is converted to σ or to ς, according to position in the word"<<endl;
    wcout<<L"Such type of conversion just can be done using std::toupper that work on character base, also std::toupper is "<<endl;
    wcout<<L"not fully applicable when working with variable character length like in UTF-8 or UTF-16 limiting the correct "<<endl;
    wcout<<L"behavoir to BMP or ASCII only"<<endl;

}

// vim: tabstop=4 expandtab shiftwidth=4 softtabstop=4

// boostinspect:noascii

<address class="footer">
© Copyright 2009-2011 Artyom Beilis,  Distributed under the Boost Software License, Version 1.0.
</address>

redpajama_set_name: RedPajamaGithub


text:
condos, New Developments, Upper East Side
Subway Inn Site May Get a 1,000+ Foot Supertall Tower
Posted On Mon, October 19, 2015 By Dana Schulz In condos, New Developments, Upper East Side
It was almost two years ago that rumors starting circulating that beloved dive bar the Subway Inn would be forced out of its 77-year home in the wake of being purchased by the World Wide Group as one of six parcels on 60th Street between Third and Lexington Avenues. The bar did close in August 2014, but relocated to a new space around the corner on Second Avenue. This past summer, Cushman & Wakefield worked with World Wide to market/sell the assemblage, using renderings of a glassy supertall tower and talk of nearby Billionaires Row to sweeten the deal. Now, the Commerical Observer reports that Chinese developer Kuafu Properties bought the 19,685-square-foot plot for $300 million, getting one step closer to bringing the 1,000+ foot-tall condo to reality.
As Curbed notes, a new teaser site using the name 151 East 60th Street has launched and it's using the tagline "Manhattan's next most exclusive address." The property, actually located at 143-161 East 60th Street, offers 200 feet of frontage directly across from Bloomingdales, as well as 282,925 buildable square feet above grade. The site also notes that zoning allows for a residential/commerical-use combo and "unlimited height potential" and that the buildings "will be delivered vacant allowing demolition imminent upon closing."
Google Earth rendering via CityRealty
Stay up to date on developments, construction, and listings for 151 East 60th Street at CityRealty.
[Via Curbed via Commercial Observer]
New Renderings of Handel Architects' Torqued 43-Story Rental Underway Near Grand Central
Robert A.M. Stern's 520 Park Avenue Finally Reaches Street Level, $130M Penthouse on Its Way
252 East 57th Street Tops Off Construction Ten Years After Innovative Public-Private Partnership
Construction and Sales Begin on SCDA's Billionaires' Row Tower, 118 East 59th Street
Tags : 151 East 60th Street, kuafu properties, subway inn, Supertalls, World Wide Group
Neighborhoods : Upper East Side
All photos courtesy of Airbnb To wrap up 2020, Airbnb released the top 50 most wish-listed unique rentals across all 50 ...


text:
Selena Gomez: Revival Is The Best Revenge
Olivia Malone at Brydges Mackinney, Heather Wood Rudulph, Natalia Grosner
Selena Gomez hands me her phone.
I'm shocked.
Here is a young woman who, at just 23, has lived more than half her life in the spotlight, having grown up on the Disney series Wizards of Waverly Place, starred in more than a dozen movies, and sold nearly 12 million records. She's famous around the world — and famously wary of reporters, because we poke around in her personal life, specifically, about her past relationship with a certain Canadian pop star and which famous friend she is supposedly feuding with.
So, for her to casually hand over a device that is undoubtedly a repository of some of her most fiercely-guarded secrets — selfies? Taylor Swift's phone number? — is a pretty radical act of trust.
We're talking about her new single, "Same Old Love," which is already stirring speculation about Justin Bieber references (more on him in a moment). "I can't wait for you to see the video," she says, her deep-set eyes widening to take up even more real estate on her heart-shaped face. "Here, you can watch a rehearsal."
So here I am, holding her iPhone 6. It's encased in a basic black cover, incognito in a way that she can't be anymore (even here, at a quiet rooftop restaurant in Beverly Hills). When the video starts playing, she looks across our table a few times to peek at the screen. So, I get up and crouch down beside her, and together, we watch her slink around a mirrored studio while a reverse harem of male dancers contorts around her. "I'm so stoked," she says with an air of nonchalance. I'm not sure if this is cool confidence or anxiety. Both would be appropriate.
Photo: Olivia Malone.
Hellessy Jacket and Pants; Anthony Vaccarello Shoes.
Gomez spent the past year pouring herself into her new album, Revival, which was released October 9 and has been met with warm reviews. It's only her second solo record, her first since severing ties with Disney (her employer since age 7) and all of its marionette trappings. It's a good album: confessional, catchy, provocative. And, it's poised to transform Gomez from that girl who's a former child star and has dated a couple of famous guys into a grown-up pop star who dares you not to take her seriously.
To record the album she wanted, on her terms, Gomez made other major changes beyond breaking up with Disney. She fired her longtime manager (her mom, as it happens), hired new management, and signed a recording contract with Interscope. And, along the way, she ended her relationship with Bieber.
"The year wasn't just me trying to transition in my career — it was my whole life. I had to reconfigure everything," Gomez says, sitting up tall and looking me in the eye. "That was a little uncomfortable and very scary. I didn't have anything to fall back on." Not that she felt like she had a choice. "At the same time, the public perception of me was unfair and very invasive. I was trying to figure out all my own stuff in my personal life while everybody had an opinion." Those opinions weren't so kind. Scan the headlines from that time, and a sad portrait of Gomez comes together: She was "desperate," "angry," "heartbroken," "insecure" — a "girl" who just couldn't get her shit together.
Lin Top Ultramarine, $175, available at Solace London;'Evening Mist' Fitted Leather Pants, $990, available at Sass & Bide.
I can see why she wouldn't be into talking to me, another nosy reporter. So, I'm pleasantly surprised when she arrives and greets me with a warm hug that lasts longer than I expect it to. Her raven hair and impossibly long eyelashes are every bit as dazzling in person as they are in her glamorous Instagram selfies. Save for a bit of sparkle shadow on her lids, she appears to be makeup-free. She is only 5-foot-5, but she seems statuesque in her cropped sweater, high-waisted leggings, and heels. The outfit gives the illusion that she is nearly all legs.
After the hug, Gomez sits down, tucks her hair behind her ear, folds her hands — nails painted a deep, slate gray and carefully filed into pointy talons — and waits for the first question. She's all business. After spending years being judged in the press and media-trained by the Disney machine, she has built up a protective wall that can seem impenetrable. Finding out who she really is — beyond the gossip — is like digging for fossils with a Q-tip.
She responds to my first few questions — How have you changed? What do you want the world to know about yourself? How are you misunderstood? — with ready-made answers, including, "When people hear the album, they will be able to tell."
But by 20 minutes in, we're getting somewhere. We talk about the complexities of female self-confidence — at best, it's schizophrenic — and we laugh about an Amy Schumer joke that she roughly translates as, "Some mornings you wake up and you're like, 'Everything about me is amazing!' And the next morning you're like, 'How did anybody ever sleep with me?'"
After an hour, Selena Gomez is giving me a tour of her tattoos. There are six in all: a tiny music note on her right wrist was her first. "I wanted something small to test the waters," she says. "Now I'm addicted." There's the initial "G" behind her left ear for her 2-year-old sister, Gracie; her mother's birthday in Roman numerals on the back of her neck; a Bible verse on her right hip that reads, "I can do all things through Christ who strengthens me." The date on her left hip represents when she met one of her best friends eight years ago, and the phrase in Arabic on her back means, "Love yourself first." She's contemplating getting a seventh tattoo to celebrate her own revival — the album and the personal reinvention.
Lin Top Ultramarine, $175, available at Solace London.
For all her supposed skittishness, Gomez actually wants to show the world who she is — and, in the coming months, she'll have plenty of opportunity to do that. Besides the new album, she's joining The Voice as an advisor, handpicked by Gwen Stefani for her "confidence and creativity," Stefani said via email, adding, "Selena is incredibly passionate about her craft, and her talent far exceeds what one would expect from a woman her age." Gomez will also appear in four upcoming movies, including a hush-hush part in December's financial-crisis drama The Big Short, starring Brad Pitt and Christian Bale. And, in a role that seems to be the definition of "giant leap," she portrays a Depression-era young mother in the onscreen adaptation of John Steinbeck's In Dubious Battle, a performance her director (and Spring Breakers co-star) James Franco promises will reveal the depth of her acting talent.
"If she were allowed to play [more] roles beyond just teenagers with teen interests, she would show her innate maturity and strength," Franco said via email. "She has had to face pressures and scrutiny at a young age that most never face in a lifetime. So when she is able to display the strength and leadership she has developed, she shines."
So yes, you might say this is a big moment for Selena Gomez. After a rough 12 months, she's picking herself back up and taking control of her career.
Not bad for a 23-year-old who got her big break dancing with a plushy.
Ron Douglas as the Editor
Megan Doyle as ProducerRoja Gashtili: Director & Producer / Megan Doyle: Producer / Ron Douglas: Editor / Ava Berkofsky: DP / Craig Boydston: Gaffer & AC / Scott Kaser: Sound / Alex Bennett: PA.
Gomez was born in Grand Prairie, TX, a sprawling suburban town 20 miles outside of Fort Worth.
Her father, Ricardo Joel Gomez, is Mexican, and so worshipped Tejano music that he named his daughter after its martyred superstar, Selena Quintanilla-Perez, who was killed by a crazed fan in 1995, when Gomez was just 2 years old. Her parents divorced three years later, and at age 7, she and her mother, Mandy Tefey, moved to L.A. so they could both pursue acting careers. Obviously, only one of them found success. In 2002, Gomez landed a role on PBS's Barney & Friends, where she honed her showbiz chops by singing and dancing with the perpetually upbeat, purple T-rex. By 15, she hit the child-star jackpot when she was cast as the lead of Wizards of Waverly Place, the Disney Channel's colossally successful series about a magical family of New Yorkers. The show put her on the radar of every little girl with cable.
A music career followed — standard business when you're a member of the Disney family — and Gomez recorded three albums as part of the group Selena Gomez & the Scene. "I sang about crushes," she says. "I wore tutus on stage. I performed at state fairs. I was a baby." Highly produced teeny-bopper affairs, her Disney records often drowned her vocals in synthesizers or heavy dance beats. They were safely PG, broaching no-no topics like sex in that ambiguous way many pop songs do: by substituting metaphors about the thrill of the dance floor or the beat of the drums for actual carnal coupling.
By 2014, Gomez was a platinum-selling superstar — and headed for her first heartache. Her courtship with Bieber was bubble-gum cute; the breakup was less so. Every on-again, off-again fight, makeup, and meltdown was broadcast in the tabloids and dissected — viciously — on social media. In the space of six months, she cancelled tour dates and checked herself into rehab, which she has said she needed to recover from treatment for Lupus, including chemotherapy. She says felt overwhelmed in her personal life and stagnant in her career.
No wonder she wanted to start over.
Louis Vuitton Top.
When Gomez signed with Interscope last year, she demanded complete freedom. She got it. She picked her collaborators, including rapper A$AP Rocky, singer-songwriter Charli XCX, and mega-hit producer Benny Blanco, who has worked with Jessie J, Katy Perry, and Britney Spears. She decided which single she would release first and demanded creative control as Revival's executive producer.
"We never thought to say no," says Aaron Bay-Schuck, president of A&R for Interscope. "Before signing, Selena was vocal that she wanted to be very involved in the making of her album. She felt it was time to change her narrative and the story of her journey, and transition to a more adult artist. It all began and ended with her."
After three months in the studio in L.A., Gomez and her crew headed to Puerto Vallarta, Mexico, for some inspiration. "I think [the label] thought I was trying to get a free vacation," Gomez says. "I got to find myself there. It does not mean I have everything figured out and I'm awesome. Not at all. I just felt this sense of groundedness and structure and stability I had been craving for a long time."
Gomez and her team spent the days jet-skiing, riding on ATVs, and listening to local music wherever they could find it. At night, they huddled in the studio writing and recording, often until the sun came up.
"At first, she was a little guarded — of course, she was exposing herself," says Julia Michaels, who co-wrote six songs on the new album and has also worked with Kelly Clarkson. "She knew exactly what she wanted to say and she didn't hold back. Once everything was done, there was a sense of release. She just looked like she could finally breathe again."
Gomez came back from Mexico giddy about what she'd done there. She had the title of the album and an arsenal of songs she believed in. "Good for You" reached No. 1 on iTunes within hours of its release in June, and a second single, "Same Old Love," became the most shared track on social media just days after it was offered as an advance download with album preorders in September.
Gomez refers to the year she spent working on Revival as her "dark season" — as in going underground. She did her best to stay out of the public eye and talked mainly to her four best friends: her two non-famous roommates, who often star in her Instagram feed (one works as a real estate agent, the other for a nonprofit); her cousin, whose new baby is Gomez's godchild; and Taylor Swift, whom she's known for eight years. (Gomez, you might recall, played the head-busting #squad foe in Swift's epic "Bad Blood" video.)
"I have a lot of friends in the business, but at the end of the day, [these four women] are who I call crying," Gomez says. "They see my best and my worst."
Her squad may get the intimate details about what's going on in her head — and in her heart — but Revival gives us the rest. You can hear Gomez's frustration on songs like "Kill Em With Kindness," a beat-heavy dance track whose biting message I suggest is a "fuck you" to invasive, mean-spirited members of the press. She laughs at my analysis — and goes even further: "It's for everybody."
Cusnie et Ochs Mesh Panel Sheath Dress, $1595, available at Shopbop.
On "Same Old Love," a pop song gone gritty, Gomez seems to be shedding the skin of past relationships.
"Take away your things and go / You can't take back what you said… / I'm not spending any time, wasting tonight on you."
Everyone on Earth has already concluded that the song is about Bieber. Gomez insists it's about getting rid of everything toxic in her life. "You can try to work on things and fix them, but at the end of the day, you have to accept what is in front of you, and that's sometimes hard to do," she says. "I think there are people who have been in my life who are seasonal. Even people who I have dated have been just that. It's part of growing up."
Okay, now we are talking about Bieber…right?
"I think people really wanted to see me fail," Gomez says, staring at me blankly, then sighing and looking away. This is not an easy subject for her. "I'd sit down in an interview and get the most harshly asked questions. Of course I got my heart broken. Of course I was pissed about it. There, everybody has it. I was so disappointed, because I never wanted my career to be a tabloid story."
I ask her if she has any final words on the matter, so we can pack it away and move on — as she's been begging to do since last November, when she released "The Heart Wants What It Wants," her raw confessional about being imperfect in love. "Ha, I wish," she laughs, shaking her head.
"At this point, there is no anger. There's closure in a very good, healthy way," she says. "We've seen each other. I'm always encouraging and I am proud of his journey. I think people are making it out to be something that is more tragic than it really was. We grew up together. We both made mistakes. That's it."
Tanya Taylor Sweater; Jil Sander Dress.
As waiters come and go, dotingly checking in on the multimillionaire in their midst (she only wants lemonade), I decide it's time to ask Gomez about sex.
It's all over Revival. Before "Good for You" was released, Gomez teased her 46 million Instagram followers with photos of different parts of her presumably naked body. The video to that song features her rolling around on a couch, the floor, and in the shower. The artwork for the album's cover is a black-and-white portrait of her sitting cross-legged and topless, staring into the camera. It's not a come-hither stare. The expression seems to say, with self-assured attitude, "Yeah…what?"
"It's not something where I'm like, let me glorify what I do in the bedroom," she says. "But I think I have a very healthy perspective on my sexuality. It's part of being an adult, and I'm still figuring out how to be one of those, too." (A happily single one, at the moment. She issues this PSA to potential suitors: "Do not try to date me right now.")
But when you're young and famous and female, owning your sexuality is a minefield. Women can't just be sexy. They have to be just the right amount of sexy. Too little, and they're prudish and treated like children. Too much, and they're branded sluts. When I talk to Gomez about this — in a bit of a feminist rant, I must admit — she nods along. She references the Nicki Minaj documentary, My Time Now, which aired on MTV in 2010. In it, Minaj talks about the double standard for women in the industry:
"When you're a girl, you have to be everything," Minaj says to the camera. "You have to be dope at what you do, but you have to be super sweet, and you have to be sexy…and you have to be nice. It's like, I can't be all those things at once. I'm a human being."
"I used to watch that every single day," Gomez says. "I had to remind myself that it's an unrealistic expectation that people have with women."
Dion Lee Dress; Stella Luna pour Anthony Vaccarello Shoes.
We talk about how Gomez's fellow Disney graduates Demi Lovato and Miley Cyrus have handled the transition into adulthood. (Yes, they're friends. Nope, no one's feuding.) Lovato found edge early, embracing a rock vibe and an even heartier interest in tattoos than Gomez. And Cyrus obliterated all traces of Hannah Montana when she swung naked on a wrecking ball, started to twerk, and declared her "fluid" sexuality. "Everyone has found their identity in a really interesting way. We didn't come out as these robots that looked and dressed the same," Gomez says. "We had to go through our own shit. At the end of the day, it's respecting every female artist's choice in how she expresses herself, because that's what she wants."
That's the goal, anyway. The reality is a little uglier. Take what happened in April, when paparazzi photos of Gomez in a pink two-piece swimsuit surfaced, and online trolls picked her apart, criticizing every inch of her: thighs, stomach, breasts, face, even teeth. "It was appalling. I had never experienced that before," Gomez says, rolling her eyes and shaking her head. "I was sad. I was angry. I feel all of it. But I also got motivated." She crafted the perfect response, posting her own swimsuit photo on Instagram with the caption, "I love being happy with me yall #theresmoretolove." Her fans instantly responded, sharing stories of low self-esteem. They cheered her on to the tune of 1.6 million likes.
"I don't want to become little or hurt or a victim. I want to be strong for girls," she says. "I just want them to know that there is an option of standing up for yourself."
She's lucky that she's had some stellar role models. Jennifer Aniston invites Gomez over to make pizza and talk about life. Kerry Washington tracked down the young star at this year's Met Ball just to give Gomez her phone number, so she could call to talk if she needed to. "I treasure these women," says Gomez, who considers herself a proud Gladiator — i.e., a die-hard fan of Washington's ABC series, Scandal. "I'd rather be around women than men. I think they are interesting, complicated, and beautiful."
When asked about Gomez, Washington gushes like a protective sister: "I love her so much! I'm so proud of her. I think she's just such an elegant young woman — she's so filled with grace and poise and intelligence and generosity. She's just a real girl, you know?"
I'm beginning to think I've found the real Selena Gomez.
And I really like her.
She's an adult who is unafraid to talk about sex, tell her haters to suck it, and take credit for her hard work. She says she feels confident, graceful, and sexy. Which is kind of the best revenge against everyone she believes wanted her to fail.
As our conversation winds down, Gomez mentions that she's heading to a photo shoot, then a rehearsal. She looks at me, instantly recognizing the question in my hopeful eyes. "I'd love for you to come to rehearsal," she says.
Umm, yes! I would, too.
Ah, but there are limits to freedom when you're a celebrity. Gomez calls her publicist.
Rehearsal request denied.
She's apologetic and waits patiently, asking me if there's more I want to talk about. Of course there's more — there's always more! Do you follow who your exes are dating (the buzz over Nick Jonas and Kate Hudson is quite the doozy)? Do you ever feel squeezed out of your friendship with Taylor Swift with each new BFF she acquires?…
I don't ask these questions. I've already taken more time than I'd been allotted. So we say our goodbyes — another hug, this one shorter — and off she struts, past the Italian family who extended their brunch to gawk at her, past the hostess stand, where she pauses briefly to pay for our lemonade and iced tea. (She beat me to it.)
But before this departure, I do ask her a final question — one that she dodged earlier: What do you want people to know about you now? She smiles, looks at me with those big, kind eyes, and says, "I'm just a nice person."
Selena Gomez Sexuality Revival Relationships Interview
photographed by Olivia Malone at Brydges Mackinney
written by Heather Wood Rudulph
designed by Natalia Grosner
written by Hayley MacMillen; styled by Sarah Schussheim / The Wall Group; styled by Mandy Black; hair by Lona Vigi / The Magnet Agency; makeup by Jake Bailey / Starworks Artists; nails by Stephanie Stone using CHANEL in Secret / Nailing Hollywood; set design by Leila Fakouri / Atelier Management; Photo: Olivia Malone.
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text:
Q: In Angular, is there a way to communicate imperatively to a directive? What I know
I have a custom directive with isolate scope.
From the "outside", I can communicate to the directive using declarative bindings (via @ and = bindings).
The directive can communicate to the outside using either declarative bindings (=) or imperative callbacks (&).
What I'd like to know
Is there any imperative way to communicate to the directive?
Example
Say I have a <edit-profile> directive.  I'd like to expose a method reset(), so that the owner of the directive can reset the directive (imperatively).
Here's what I'd like to do with it:
<edit-profile on-save="..."></edit-profile>
<button ng-click="editProfile.reset()"> Reset </button>

And here's my directive:
app.directive("editProfile", function() {
    return {
        restrict: "E",
        scope: {
            onSave: "&"
        },
        template: `
            <input type="text">
            <button ng-click="onSave()"> Submit </button>
        `,
        controller: function($scope) {
            $scope.reset = function(){ ... };
        }
    };
});

What ways can I achieve this kind of "imperative" approach to directive communication?

A: To my knowledge your parent scope will not know about any child scope APIs unless you start walking down the scope hierarchy.  But you can use events to do what you want.  You can use a parent scope to broadcast down the scope hierarchy.  It does require that your child/directive's scope listen for the event.
parentScope.$broadcast('eventName', arg1, arg2, arg3)

directiveScope.$on('eventName', function(event, arg1, arg2, arg3){ })

I would recommend that you stop the event from further propagation.
Check out these links:

*

*https://docs.angularjs.org/api/ng/type/$rootScope.Scope

*https://jwopitz.wordpress.com/2014/06/11/notes-on-angular-2014-06-10/

A: You can use the same technique as the one used by the 'form' directive: expose the controller of the directive into its parent scope. Here's a basic example:
angular.module('directives').directive('foo', function() {
    return {
        scope: {
            name: '='
        },
        controller: function($scope) {
            this.sayHello = function() {
                $scope.hello = 'hello';
            };
            $scope.name = this;
        },
        template: '
{{ hello }}
'
    };
});

And its unit test, showing how a link outside of the directive can call a function on the directive controller when clicked:
describe('foo', function() {
    var elm, scope;

    beforeEach(module('directives'));

    beforeEach(inject(function($rootScope, $compile) {
        elm = angular.element(
            '
<foo name="bar"></foo>say hello
');

        scope = $rootScope;
        $compile(elm)(scope);
        scope.$digest();
    }));

    it('should say hello', function() {
        var a = elm.find('a');
        var div = elm.find('foo');

        expect(div.text()).not.toContain('hello');

        a.triggerHandler('click');

        expect(div.text()).toContain('hello');

    });
});


The Chair was born in 2012 and brings together researchers to promote high quality research in history and in the areas of human and social sciences, and especially Digital Humanities. The Chair has a multidisciplinary orientation to promote research on the history of political and social leadership, the evolution of identities on social organization and public space. The Chair also proposes to help to find ways of transferring humanistic knowledge with digital methodologies in order to contribute to the creation of a real historiographical "blockchain". The Chair welcomes the Research Group in National Studies and Cultural Policies (GRENPoC), recognized by AGAUR. Therefore, the Chair aims to promote, project and disseminate research, teaching, transfer of technology and / or innovation carried out by its researchers in the field of history, economics, sociology, psychology , linguistics, geography and anthropology, regardless of the format that this transfer takes. In addition to research, the Chair provides scientific and technical advice in the field of its competence, organizes and imparts its own postgraduate courses, university extension, specialization and professional updating in the field of Its competence, in accordance with the procedures and regulations established by the University of Barcelona.


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Dennis Nedry

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text:
The Patricia and Bernard Goldstein Director of Information Processing, supervises a staff of more than fifty people. Working with scores of high-end computers, these library professionals acquire, process, and catalog all of the material that replenishes the Library's store of knowledge: journals, books, newspapers, video recordings, microforms, and electronic resources.
"As the Library continues to adapt to the changing needs of our users, we must acquire and process new types of materials for our collections. We are grateful for Patricia and Bernard Goldstein's support of the Information Processing Center, which has given Library staff the tools to meet the challenges of a rapidly changing environment."
Since 2005, Beth Picknally Camden has been the Patricia and Bernard Goldstein Director of Information Processing, responsible for technical services at the University of Pennsylvania Libraries. Previously, she held positions at University of Virginia and University of Notre Dame. Beth holds a MS in Library Science from the Catholic University of America and a BA in English from the University of Notre Dame.
Beth is involved in professional organizations including the American Library Association (ALA), ALA Core, and the Program for Cooperative Cataloging (PCC). Beth is chair of the PCC Standing Committee on Training (SCT) and a member of the PCC Policy Committee (PoCo). Beth is engaged in international linked-data initiatives, and chairs the Share-VDE Advisory Council.
The Goldstein Family
Goldstein Electronic Classroom
Goldstein Information Processing Center
Mark's Cafe
Beth Picknally Camden
Patricia and Bernard Goldstein Director of Information Processing bethpc@upenn.edu


Phil Langran's songs are a powerful combination of immediacy and slow-burning subtlety. Their melodies instantly take up residence in the mind while the lyrics pack a considerable emotional punch. This is set off to great effect by Phil's line in dry, laconic humour which accompanies the live show. The songs and lyrics work effortlessly on different levels, belying the craftsmanship that has gone into their making. Phil is not only a fine musician but also a writer steeped in the poetic traditions of Robert Frost and Langston Hughes. The result is a brilliant intertwining of Americana, Celtic, Folk and Blues themes in distinctive original songs. Like all the best songwriters, Phil has created his own genre, where Harlem nights and New York cityscapes rub shoulders with the west coast of Ireland and scenes from Werner Herzog's films. Phil is joined on stage by a group of musicians drawn together by the quality of his writing. The band features luminaries of the acoustic scene – Steve Benford (acoustic guitar, banjo, vocals), Mark Walker (bass, vocals), Frank McCarthy (electric guitar, vocals) and Alistair Bloomfield (fiddle).
The band has released three CDs featuring Pippa Marland of Carmina and has just finished recording a new album, 'The Distance' featuring the present line-up. This will be released by Folkwit Records on 17th November 2017.
Phil is undoubtedly one of the finest songwriters working on the acoustic scene today.


In The Eye Of A New Storm: The Real iPhone Antenna Problem?
The so-called death grip hasn't caught up with me on my iPhone 4 (I'm running 4.1 beta 3 which helpfully fixes the proximity sensor problem that I had from day one with the phone but that doesn't fix the reported antenna problem - maybe it's all in the wrist?). But I have noticed significant delays with receiving texts. In a low signal area, I seem to have enough juice to send a text, but not too little to receive the reply.
Emerging from a building earlier this week I was surprised to receive a dozen texts in quick succession - despite my having sent perhaps the same number whilst in the building. It wasn't the first time this had happened.
Is this iPhone 4 antenna related? A problem with the O2 network?
Or something else entirely - that perhaps using email or browsing the web somehow affects the ability to receive texts and so delays them?


BRACKLEY-based manufacturing firm, Dura, have become the latest company to pledge their support of motorsport's most inspirational team.
Dura, which has its HQ in the town and a factory in Plymouth, manufactures and supplies modular furniture for workshops, and has supplied the team with its top of the range workshop cabinets.
The team's drivers are disabled and it is aiming to be the first ever all-disabled team to race in the Le Mans 24 Hour race. Its headquarters and workshop is based at Dunsfold Aerodrome in Surrey, and is home to the team's fleet of cars, all fitted with its world-leading hand controls which enable its drivers to compete on a level playing field.
Many of the team's drivers are injured military troops, and together with their civilian team mates, are looking to make history at Le Mans, whilst revolutionising the motorsport industry.
The team hit a new milestone recently with the launch of its Racing Academy, offering any disabled driver in the UK the chance to access race coaching and tuition.
Driver Nicolas Hamilton, the first disabled driver to race in the British Touring Car Championship, attended the launch at the team's base and demonstrated the hand controls in its Aston Martin V8 Vantage GT4.
Managing Director of Dura, Dominic Wishlade said: "Team Brit is indeed truly inspirational as was evident by the reaction of our own installation engineers, who were blown away when they came to install the cabinets at their set-up in Dunsfold. We are really proud to be associated with them and excited to follow their progress!"
Team BRIT Founder and CEO, Dave Player said: "We're extremely grateful to Dominic and everyone at Dura for their generosity.
"Our engineers are working tirelessly to keep our cars in top condition, whilst also working with the world's leading technology to make sure our drivers can compete at the highest level.
"Having the best kit and equipment to work with is so important, and receiving support like this means we can use our funds to get as much track time as possible and continue our journey towards Le Mans."


text:
Thomas Malcolm Muggeridge (Croydon, Surrey, 24 de março de 1903 – Robertsbridge, 14 de novembro de 1990) foi um jornalista, escritor, satirista, soldado-espião e um acadêmico cristão britânico.

Mugeridege lutou na Segunda Guerra Mundial, foi espião do MI6 e reitor da Universidade de Edinburgo. Quando jovem, Muggeridge era um simpatizante de esquerda mas posteriormente rejeitou o comunismo e denunciou o genocídio promovido por Josef Stalin na Ucrânia criticando fortemente a ocultação deste acontecimento realizada por jornalistas simpáticos à ditadura soviética.

Tendo passado boa parte de sua vida como agnóstico, Muggeride se converteu ao cristianismo, e escreveu "Redescobrindo Jesus" em 1969, uma coleção de sermões e artigos sobre sua nova fé. Em 1976 escreveu Jesus, O Homem Que Vive, um best seller.

Muggeridge em seus últimos anos ajudou a popularizar Madre Teresa de Calcutá e defendeu a Igreja Católica.

Jornalistas do Reino Unido
Escritores do Reino Unido
Alunos do Selwyn College
Humoristas do Reino Unido
Militares do Reino Unido
Professores do Reino Unido
Vegetarianos do Reino Unido
Cristãos vegetarianos
Convertidos do ateísmo ou agnosticismo ao cristianismo

redpajama_set_name: RedPajamaWikipedia


84% of inbound marketers reported that social media as a lead source has become more important to them over the last 6 months, according to the State of Inbound, the single most authoritative inbound marketing report available.
We agree, as we've seen our referral traffic explode. Facebook, as a source of leads, is among the most important social media trends for construction marketing today.
But are there any tactics using Facebook you can easily execute that you may not have tried out already?
Construction company marketing in the digital age means building content and growing an on-line audience. Posting and interacting on social networks is a great way to do just that.
If you're not doing any inbound marketing on social networks, you're losing the #2 best way to get new leads from the Internet. Posting on social networks will even improve your SEO because Google will find and index your posts.


Netflix's new series will feature hawkers from nine countries: Singapore, Indonesia, Thailand, Vietnam, the Philippines, India, Japan, Korea and Taiwan. But not Malaysia.
Hawker Chan is a Singaporean chef who's famous for his soya sauce chicken dish which he will be serving at KERB in King's Cross, London until March 16th.
Many North Koreans eat low-nutrient food that they buy from illegal markets.
London may not be a cheap city, but it does boast a thriving foodie scene with plenty of reasonably priced dining options — if you know where to find them.
Fried scorpions? Gummy bear nachos? Don't be afraid: these crazy foods are worth the risk.


The Diocese of Portland conducts its business as the Roman Catholic Bishop of Portland, a corporation sole. The diocese along with its parishes and parish schools are one legal entity under civil law in the state of Maine. However, the diocese is also governed according to the Canon Law of the Roman Catholic Church. The Finance Office's responsibilities are much the same as they are in other corporations as far as civil law matters are concerned. The Finance Office's responsibilities are somewhat broader as defined within the Church.
The Finance Office administers the temporal (worldly) goods of the diocese under the authority of the diocesan bishop and in accordance with a budget determined by a diocesan finance council. Enough income is to be provided to meet the expenses that have been legitimately authorized by the bishop. An account of all receipts and expenditures must be rendered to the finance council each year.
The Finance Office oversees the financial affairs (including fundraising activities) and property management of the diocese. In so doing, the Office conducts audits, centrally administers insurance and benefit programs, oversees investment activities and approves capital improvements.
I hope that you find this brief overview to be helpful. Please contact us if we can be of any assistance. Thank you for your interest.
Of the finances and operations of the Diocese of Portland available below in Adobe PDF format.
To call a staff member outside of regular office hours, please dial 773-6471 and the extension provided below.


text:
Voyage to the Falklands and South Georgia Part 3: The Serengeti of the Southern Ocean
December 26, 2018 August 11, 2017 by Kraig Becker
This part 3 in an ongoing series I'm writing about my travels to the Falkland Islands and South Georgia with Lindblad Expeditions earlier this year. If you haven't read the first two parts, and would like to, you can find them here and here.
When I last left off in my story, the National Geographic Explorer, my home home for the three-week journey, had left the Falkland Islands behind and we began the journey to the remote island of South Georgia. To get there, we would spend two days at sea, leaving behind the Atlantic Ocean and South American continental plate, as we crossed over into the Southern Ocean and the Antarctic Plate instead. Along the way, there was a noticeable chill added to the air as we made our way south, providing some indication that we had indeed traveled to an entirely new part of the world.
Anyone who is familiar with the sailing route to the Antarctic also knows that in order to get there you must first pass through the infamous Drake Passage. Named for the English sailor Sir Francis Drake, who discovered the waterway that links the Atlantic, Pacific, and Souther Oceans back in 1578, this lonely stretch of sea is famous for its turbulent waters. Fortunately for us, it was extremely calm on our passage south, with very few issues at all. That said, the Drake still rocked the Explorer enough that those susceptible to sea sickness still found the it to be a bumpy crossing, with some of the passengers confining themselves to their rooms for the duration. The crew even put up safety ropes leading in and out of the dining area to assist travelers as they came and went. Despite calm conditions, the ship still listed here and there, and it wasn't uncommon to have to shift in one direction or another as the Explorer moved under us. A few days in, we were still getting our sea legs, but slowly we would acclimate to the movement.
While en route to South Georgia we continued to spot an array of sea life. In addition to the occasional dolphin, we also spotted several more species of whales, including humpbacks and fin whales. But, one of the highlights of the entire trip was when we came across a pair of blue whales swimming amongst a pod of fins. I had never thought to see a blue whale in my lifetime, but there they were before me. The largest animals that have ever lived, the blue whale can stretch up to 30 meters (98 ft) in length and can weigh an astonishing 173 tons (380,000 lbs/173,000 kg). Watching these amazing creatures swimming right along side our ship was truly a wonder, and it is a sight that has stayed with me long after I've returned home.
After two relatively uneventful days at sea, which were filled with lectures, photography workshops, and videos, we finally caught sight of our destination. South Georgia is a hallowed place in the history of Antarctic expedition, as anyone who knows the story of Ernest Shackleton and his Endurance expedition can attest. We'll get into that in another post, but suffice as to say the island played a central role in that story, which for my money is amongst the greatest survival stories of all time. Knowing that story all to well, I was thrilled to be figuratively walking in the footsteps of a legend like Shackleton, knowing full well that in a few more days, I'd literally be following the man as well.
But before that would happen, we had the chance to meet some of South Georgia's most famous residents – namely the penguins that lived there. Our first stop was along a rocky shoal off the main island where were able to spot Magellanic penguins living along the rocks. The little flightless birds moved up and down the near vertical landscape with ease, climbing to and fro with almost effortless balance. It was amusing watching them leap off the rocks into the ocean, while others popped up from under the water and appeared on land as if by magic.
As much fun as that was to watch however, our wildlife viewing was just getting started. South Georgia has been dubbed the Serengeti of the Southern Ocean thanks to is vast numbers of penguins and seals. We'd learn exactly what that meant later in the day as we made landfall at a place called Salisbury Plains. There, we were greeted be thousands of fur seals, most of whom were sunning themselves on the beach.
Our guides told us that it was near the end of the mating season, and that many of the seals had already returned to the sea. There were only a few big males still there, but numerous mothers and their pups still wandered about the area, eyeing us cautiously. The pups were playful and liked to follow us, occasionally nipping at our boots. The moms kept a keen eye on are whereabouts at all times, and could get aggressive if anyone wandered in too close.
But the real attraction on Salisbury Plain could be found further down the beach. It was there that we came across a massive King penguin colony, numbering into the tens of thousands. One of the naturalists from the ship told us that there were 200,000 mated pairs, plus their chicks on South Georgia. That means that nearly 500,000 King penguins called the area home, and one look over the beach that was easy to believe. It was a magnificent sight to see, particularly for someone who has always wanted to wander amongst the penguins.
We were told that we should maintain a distance of 10-15 feet at all times to help protect the birds. Of course, no one told the penguins that, and it was not uncommon for them to wander right up to you. As we walked about, two or three of the Kings would sometimes fall in line behind us, marching along in perfect unison. It is impossible to not fall in love with these animals, which are just as funny and expressive as you would believe.
Visiting in March, it was once again late int he penguin breeding season, so most of the chicks had grown to a larger size and had begun molting off the fuzzy hair that they are born with in favor of the streamlined and waterproof feathers that they'll bear for the rest of their lives. While the adolescent birds were in this transitory stating between hair and feathers, they looked absolutely awkward, like a teenager still coming into his or her own. Several of them could often be seen grouping together, almost as if they were seeking solace in each other's company. Soon however, they would be ready to take to the sea, and in the future they would only return when it was time to care for a chick of their own.
This wouldn't be the only stop we'd make where penguins and seals took center stage. We visited several other colonies along the way, and the sight was often the same. Thousands of animals stretching out across the area, creating an impressive view to say the least. In fact, I'm told that during the high point of the mating season, South Georgia is home to the largest concentration of wildlife on the planet. It is little wonder that it draws comparisons to a place like the Serengeti, another destination that is near and dear to my heart.
Two animal that you hopefully won't see on South Georgia any longer are rats and reindeer. Both species were brought to the island by Europeans when they colonized the place. The rats came as stowaways aboard ships, while the reindeer were transplanted there on purpose to provide a source for fresh meat. But the two invasive species caused great harm to the environment there. The rats ate the eggs of some of South Georgia's bird species, bringing populations down dramatically, while the reindeer destroyed vast stretch of grasslands that were home to other creatures.
But, a systematic eradication of both rats and reindeer has cleared these creatures from South Georgia, and already it has begun to bounce back, with even more bird species appearing there in greater numbers. To help protect this special place even further, the passengers aboard the Explorer had to clean our hands and boots before embarking on any shore excursions. The fear is that another biological agent could be introduced there that could do more harm, so special care is taken to avoid such possibilities.
But, South Georgia has much more to see than just its abundance of wildlife. Soon, we would explore the history of the place in more depth as well. This crown jewel has much to offer visitors and we were just starting to scratch the surface. More on that in our next installment.
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Video: Nat Geo and Pristine Seas Take Us on a Wild Journey


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Q: Replace child component in Angular 4 Look at this component (call it app-parent):

  ...

  <app-custom-child-component>

    ...
  </app-custom-child-component>

So it has two children, child1 is shared across all components, child2 has a custom component and is different from place to place.
I'd like to use app-parent multiple times and at the same time be able to customize app-custom-child-component (and other things related to child2), but do not want to duplicate child1 (both UI and logic behind it, that's coupled with child2).
Think: any header - body (and perhaps footer as additional child3) relationship.
I could not find examples of this, does that mean that's not supported or recommended? If this is OK, is there an example? If not, what's the alternative?