text:
Berlin Fields
dear akos,
i have now a piece finished for three leaves. germany was great, but my original plan was not so great… so i followed an intuited new path. the recordings were all made during my journey – some in public spaces, some in natural landscapes, some in airports, as well as carsten seiffarth's apartment (where i was staying). as you know, i have never released a "pure" field recording – by pure i mean no manipulation to the recording itself. of course, i am not a nature recordist, nor a culture recordist, as much as i tend to use recordings as source material. so, your offer to make a work that was not processed or layered was quite a challenge, and i wondered what i could possibly offer to the field of field recordings that already exists. fortunately, your offer to do a record for 3 leaves arrived at a shifting point in my work, for i have been making recordings that are much more performance based – field recordings, so to speak – not only recording the landscape as it is, but the landscape as it hosts a human action. a lot of this came about while thinking about rolf julius' work, and how he managed to situate sound into a landscape without disrupting it… sometimes an artwork overwhelms a landscape and sometimes a landscape overwhelms an artwork, but julius managed to always create a sympathetic relationship between the two. while i was in berlin last october, i performed at a memorial evening celebrating julius' work, and i felt i should allow certain characteristics of his work to challenge me to do something less familiar and less comfortable… so i ended up performing with 3 small tape recorders and a harmonica – no pedals, no mixer, no processing and no actions other than facilitating an interaction between these elements with my hands and mouth. the field recordings that make up this work reflect such ideas – as some are the sounds of things discovered on site (such as a squeaking light in an airport); while others contain sounds that were activated through "performance" in sympathy within an landscape (such as moving jars on the surface of carsten seiffarth's kitchen table). i don't mean to make this sound more thought out than it was, as for the most part i simply wandered around berlin, paris and helsinki, and tried to acknowledge sounds or situations that moved me… and within such moments finding or seeking a small bit of reverie through listening and sound making. sometimes simply hearing a situation was enough, while at others i felt a strong desire to play along…
Berlin may be the lucky city that graces the title, but Berlin Fields was also recorded in Paris and Helsinki. It's an odd travelogue, 19 sonic vignettes captured as often by happenstance as by intention. One imagines the artist wandering through vast fields, or even city dumps, alone and intrigued. Oh look, a jam jar! I wonder what it would sound like on this broken tabletop. Hey now, a sardine tin! Jeepers, who would ever discard a perfectly good radiator? Birds, traffic and conversation provide a natural backdrop to his explorations. Roden's childlike curiosity is akin to that of Diego Stocco, but without multi-tracking. In his hands, every object possesses an intrinsic appeal, a sound waiting to be coaxed out through interaction. In this sense, Roden becomes the "jar whisperer", the artist who posseses the patience to woo the inanimate. As a child, it's likely he filled glasses with different levels of water and tapped them with spoons, or used icicles as drumsticks on frozen ponds. The passive traveler asks, "What does this sound like?" The active traveler asks, "What could this sound like?", and makes an effort to find out. A deep bass thump on an empty cylinder is the best example: an object noticed, engaged in conversation, and respectfully left intact. While the album is a solo production, it makes one wonder what a group of sonic strollers might produce: an improvised, site-specific concert of found sounds. Post-processing might accomplish the same thing, as would the blending of these vignettes into a single, break-free piece. But as appealing as these suggestions might sound, they would interfere with the purity of the recording, as well as with its purpose: to demonstrate the potential of hidden auditory sources. Those bottles might be worth tapping before recycling. The old muffler might sound better when removed from the car. The walls of one's house may be richer sonic environments than one can imagine. Best of all, these noises are free. This egalitarian approach to music reminds us that sound art is not the territory of sound artists alone. As the prophet declares, listen, then, if you have ears.
richard allen, a closer listen
Berlin Fields is a sonic journey not limited by national boundaries, city limits, or material limitation. Roden perambulates, recording as he goes with the immediacy and quirks that come from using both portable recorder (a Sony PCM-D50) and phone. Exploring intuitively, Roden brings together 19 sonic vignettes via "finds": things discovered; and "activation": objects performed on site.
Using intuition as a guide, Roden's interactions and sonic interventions – "play" in every sense of the word – are both learning tool and platform for his creativity. Unearthing a vocabulary spoken by quotidian things, Roden coaxes tables, radiators, sardine tins and all manner of chanced upon paraphernalia into speaking their curious and complex language. Mindful of Rolf Julius' artistic philosophy, Roden introduces performances that sit congruently within, and do not disrupt, the sites he happens upon on during his travels through the capital cities of France, Germany and Finland.
The land- and cityscapes, formal architecture and informal spaces Roden explores act as host for his interventions. Instead of simply absorbing his bodily movements and thought process, such places create a consonant dialogue with his soundings, saturating their own particular sounds – indeed atmospheres – within Roden's wanderings.
Roden is both player and listener in a world sounding with music, and musical with sound. His actions are delicate insertions that proliferate: actions, soundings, reactions that spread into, echo, and synergise with the world. His performances activate the specific place, space and object with microscopic precision – the knowledge of a shaman. Ripples of tone singe the edges of a bird-filled landscape bestowing it a glowing aura; rhythmic motions on cavernous metal are "touched by hands", jam jars are caressed across tables to intone chanting, a poetry of sorts. Such soundings act as a bridge, directly connecting body (and being) to location; a marker for experience.
What is evident in Berlin Fields, is that Roden respects the sonic world around him. He is playful, mischievous perhaps, but most of all he listens with the ears of the ancient, the sacred. His motivation, simply, is to work with situations and sounds that move him – that teach him something new or different – that in turn drive him on to explore new environments, situations, objects and the places they inhabit.
Ultimately, Roden brings one closer to an intimate world of reverie – an aural terrain that heaves, resonates, clips, scrapes, chimes and drips a mystical, ancient language.
Helen Frosi
Steve Roden is an American sound and visual artist from Los Angeles. He rose to prominence in 2001 with the release of Forms of Paper, a work commissioned by the Los Angeles public library featuring the manipulated sounds of books being handled. It was with this work that Roden became known for an extreme form of ambient minimalism termed lowercase.
In Berlin Fields Roden continues his exploration of the minute sounds which surround us in our global culture. Based on field recordings Roden made while travelling through Berlin, Paris, and Helsinki Berlin Fields presents a psychological account of what it is to feel displaced while travelling in foreign lands. The field recordings that Roden presents reflect the sense of dislocation we often feel when placed in an exotic environment, using our auditory faculties to while away the hours.
Roden's sonic journey throughout Europe is largely one of interior sounds. His field recordings reflect the slow passage of time for someone alone/isolated in their hotel room: feet on a ceiling, the drone in a bedroom, birds outside a window.
At times Roden participates with the soundscape of these interior spaces through his manipulation of objects found within them: he moves jars on a table, he audibly touches a radiator with his hands, he plays a sardine tin.
Whenever exterior sounds are presented, such as the bells of Notre Dame, they are often overshadowed through the amplification of the sonic miniature that surrounds him. Roden's exploration of the lowercase aesthetic ensures that peripheral sound events become central to our experience.
Roden's interest in the sonic possibilities of domestic objects and spaces seems contrary to the expansive idea of travel. For the audience these recordings become as much about domestic and liminal interiors as they do an exploration of Roden's own mind. It is here that Berlin Fields finds its subtle tension. We are moved to question if the subject choice of these recordings is the result of someone who has retreated inwards, someone unable to find a tangible connection with the foreign world outside. In this sense Roden's field recordings reflect the reality of international travel for many of us.
Berlin Fields is packaged beautifully by the 3leaves label. In a world of digital downloads it was refreshing to insert Roden's c.d into the c.d-player and read the accompanying text on the inner sleeve. Here's hoping that more labels will follow suit.
jay-dea lopez
"And you, you want me not to stop
Looking, listening, seeing, hearing,
You even have words to offer
For me to see further and know more. "
-Yves Bonnefoy, Voix sur le fleuve.
This is, above all, a story taking an epistolary form as the booklet contains a letter from Steve Roden to Ákos Garai, director of the label 3Leaves who released this disc. As usual, the artist took the time to explain his approach, adding to his letter a list of recorded places and objects. Not so much to give us a ready-made concept of how to think about his work, but rather to remove this question entirely and make us completely present as we listen to his creation.
From this approach, Steve Roden offers us the fascinating sonic journey, sometimes stationary, sometimes moving, of his body amidst the recording of bystanders all around him. He alternates between contemplation and action while playing with and manipulating objects in his daily life. A feeling of serenity emerges from this approach, whith caresses, light touches, and subtle incarnations where the place becomes contextualized, where details and overall impressions are juxtaposed. The point, here, isn't to disregard humanity within the soundscape. On the contrary, everything strives to live within the peace of objects found again, calling for the living and the dead in places loaded with memory (Walter Benjamin's Archive Reading Room in Berlin, the Mémorial des Martyrs de la Déportation in Paris).
Listening to the album becomes intense, as an intimacy is created through the process of field recording. We go along with Steve Roden in his wanderings, and find the silence, bordering on loneliness (the same solitude that is necessary for the listening process), revealing a much more populated place than we first imagined.
And like a medieval alchemist, Steve Roden manages to deeply touch us as he brilliantly transforms the banality of everyday life into something infinitely precious; into sound images that will accompany us for a long time. A long time indeed.
Flavien Gillié, translation by Rodolphe Gonzalès
Veteran deep listening sound artist Steve Roden released multiple recordings in 2012, one of which was "Berlin Fields", a single 40 minute piece largely composed of field recordings.
Many albums of the field recording genre simply pay omage to the underrecognized beauty of nature, whether remote or right under our noses. Most of the these recordings attempt to capture the natural environment as it is, without imposing any kind of human stamp on it. With "Berlin Fields", however, Roden's statement is more personal and complex.
Rather than focus on a single environment, Roden provides snapshots of a plethora of environments, and doesn't exclude sounds of man-made or mechanized nature. His choices reflect the at times dreary tone of a routine, domestic existence. From the beginning of the record, it's as if the listener is literally placed into Roden's life: a soft, quavering tone from a wind instrument patient sounds atop a bed of background noise in which one discern police sirens, people talking, the general bustle of the street.
Half-heard fragments of conversation become a theme as Roden contributes recordings of several densely populated public locations. Rustlings, hissings and slidings become eerie in this disembodied form, as the listener is unable to see the actions that corresponded to the sounds. Roden soon gives the piece completely over to these sounds, as all human voices disappear for the mix for many minutes. Particularly notable is the firm, insistent sound of a ventilation system paired to the singing of birds high in the trees; the sound of their altitude is pleasant.
The next notable development is a segment of sluggish metallic percussion that sounds like Roden is drumming on metal pipes. It is possible he sequenced the rhythm out of samples he recorded, but actually it sounds more organic than that. This passage has a heady, ritualistic air which compliments the continued feeling of being outdoors. Wisely, Roden extends this section for upwards of 8 minutes, letting the listener become fully engaged in the rhythm.
The following stanza is mostly hushed, like a basement. I hear dusty, wooden rattlings and scratching sounds like determined tunneling through dirt. At one point a muffled airplane passes overhead. After this, we are treated to a soothing lullaby, sung by a woman over a crackling radio, which serves to combat the relentless chug of subway trains in the backdrop. At this point we are roughly halfway through the running time of the album.
The third quarter of the piece is its quietest quadrant. The lack of sound in the foreground causes the listener to fixate on the faintest whisp of distant music (likely the drum beat of a pop song playing on someone's radio), or the imperfect yet pleasing rumble of a car's engine. The sounds of traffic and the noisy rattling of beans inside a cup or bowl do most to fill the space over the next few minutes.
As the album nears its end, the grimy din of the city has grown close, and it seems we're jogging down the sidewalk, judging by the rubbery slaps of shoes on the pavement. Several hallucinatory flashes follow, featuring water, birds, metallic groans, skronks and taps, glimmering bells and unidentified machines. In the last minute, it is as if we are submerged, and this causes the sonic activity to cease.
What a fascinating journey in sound, what a wonderful concise presentation of so much vital information. I love this album, and highly recommend it to anyone open to field recordings.
josh landry, musique machine


Ashley Wagner, a 14-year-old who recently battled leukemia, shares her wish with her twin brother, taking the duo from their home in Sherrills Ford, N.C., to Oakland, California, for some fun and games with the Warriors' Steph Curry.
Jalen & Jacoby: Will Brock Lesnar ever fight in the UFC again?
Jalen Rose and David Jacoby discuss Brock Lesnar's second failed PED test, his future in the UFC and Mark Hunt's legal options.
Source: Jalen & Jacoby: Will Brock Lesnar ever fight in the UFC again?
Jalen Rose and David Jacoby talk about Jameis Winston's recent weight loss and wonder why it's a story in the first place; shouldn't he have been in shape this whole time? He's a professional athlete after all.
Source: Why Do They Hate Her?
Jalen Rose and David Jacoby discuss Jameis Winstons' new look, Brock Lesnar's second positive PED test and the fellas answer your twitter questions.


И кстати, еесть очень хорошая новость!..
We have already recorded a new album. We are waiting for a new record company to put it out. I hope it will be out by the summer time. I will let you know.
Андрей, так пойдёт появление для тебя?..
О прослушанном можно сюда же отписаться?
А то с МэйлРу не всегда скачается с хохляндских провайдеров.
Originally formed as a five-piece in 1986, POTENTIAL THREAT SF has shared the stage with everyone from TESTAMENT to SLAYER to CRO-MAGS to NUCLEAR ASSAULT, and just recently returned from touring with DEATH ANGEL. Their hard-working, no-holds-barred attitude carries over to their live shows. Though they put every ounce of grit and determination into their set, they still manage not to sound like angry old fucks. Their mentality is simple — it's just as easy for a band to get the audience involved in their show as it is to be pissed off and push them away. In short, they still have fun and show it on stage and to the fans, regardless of how long they've been playing or how many people are in the attendance.
POTENTIAL THREAT SF consists of Mike Noble on lead vocals and lead/rhythm guitar, Daniel Sheridan on lead/rhythm guitar, Kenny Noble on drums and Damien Sisson (also in DEATH ANGEL) on bass.
ну и технически ребяты всё ж весьма простецкие, как навоз конский (кизяк) на обочине. Без мух ваще.
Серёг, где таких вокалистов "занятых" находишь?..


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Malaysia requests Interpol alert on four North Koreans over airport murder
WORLD NEWSBy Super User 22nd February 2017 Leave a comment
KUALA LUMPUR Malaysia has requested Interpol to put an alert out to apprehend four North Korean suspects in the murder of the estranged half brother of North Korean leader Kim Jong Un, Malaysia's police chief said on Thursday.
Peterson leads in Joburg rain
GOLFBy Super User 22nd February 2017 Leave a comment
Paul Peterson opened a two-shot lead before the opening round was suspended due to a waterlogged course at the Joburg Open.
Edmund sets up Raonic clash
TENNISBy Super User 22nd February 2017 Leave a comment
British No 3 Kyle Edmund has progressed into the quarter-finals of the Delray Beach Open but Aljaz Bedene crashed out of Marseille's Open 13.
Thiem marches on in Rio
Dominic Thiem remained on course for a first title of the year, seeing off Serbia's Dusan Lajovic 6-2 7-5 to reach the Rio Open quarter-finals.
Radwanska out as Kerber advances
Agnieszka Radwanska crashed out of the Dubai Tennis Championships, suffering a shock 6-4 2-6 6-2 defeat to American teenager Catherine Bellis.
China military says aware of U.S. carrier in South China Sea
BEIJING China's defense ministry said on Thursday it was aware of the presence of a U.S. aircraft carrier strike group in the South China Sea and China respected freedom of navigation for all countries in the waters there.
ATP Rio Open: Ways to Watch
A bumper week of action continues from Rio, where Kei Nishikori and Dominic Thiem are vying for the title, live on Sky Sports.
Major Elements of Trump's New Immigration Policies
With an executive order last month and a pair of Department of Homeland Security memos on Tuesday, the Trump administration has significantly hardened the country's policies regarding illegal immigration.
Asia gains as Wall Street extends record rise, dollar dips
UncategorisedBy Super User 22nd February 2017 Leave a comment
us-global-markets-idUSKBN161039
U.S., China diplomats discussed North Korea following coal ban
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redpajama_set_name: RedPajamaCommonCrawl


Jesus sat down near the collection box in the Temple and watched as the crowds dropped in their money. Many rich people put in large amounts.
This scene is inside the court of the Temple, in Jerusalem. The light for this scene is diffused sunlight, coming from the left & right ends of the corridor-like space the figures are in.
Jesus (in blue outer robe & head scarf) & James (son of Zebedee and brother of John) one of his disciples, in the right foreground.
Notice the young girl waving cheerfully to Jesus, who is waving back!
Verse 41 states that Jesus sat down. This is why James (who is standing next to Jesus) appears to be so much taller.
I enjoyed drawing the rich clothing of the people on the left, although such attention to fabric detail always takes a long time to colour up! We can see various rich people coming into the area to donate their gifts to the Temple treasury. They are chatting amongst themselves. We can't see the widow of this story yet; she comes in, in the next scene.
Apparently there were 13 trumpet-shaped collection boxes, used for receiving worshippers' freewill offerings and contributions to the Temple. I have only drawn one such collection box.


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Ili si neko ili si lud debitantski je studijski album bosanskohercegovačkog rock sastava Das ist Walter, objavljen 26. travnja 2016. godine. Grupa je izjavila da je ime dobio "po trenutnom stanju u državi" i da uvodna skladba, "Balkan", govori o tome.

Popis pjesama

Albumi iz 2016.
Bosanskohercegovački glazbeni albumi

redpajama_set_name: RedPajamaWikipedia


Ansible 2.8 features added logging of device interaction in log file to help diagnose and troubleshoot issues regarding Ansible Networking modules. The messages are logged in file pointed by log_path configuration option in Ansible configuration file or by set ANSIBLE_LOG_PATH as mentioned in above section.
The device interaction messages consist of command executed on target device and the returned response, as this log data can contain sensitive information including passwords in plain text it is disabled by default. Additionally, in order to prevent accidental leakage of data, a warning will be shown on every task with this setting eneabled specifying which host has it enabled and where the data is being logged.
Be sure to fully understand the security implications of enabling this option. The device interaction logging can be enabled either globally by setting in configuration file or by setting environment or enabled on per task basis by passing special variable to task.
If the task is failing at the time on connection initialization itself it is recommended to enable this option globally else if an individual task is failing intermittently this option can be enabled for that task itself to find the root cause.
Be sure to fully understand the security implications of enabling this option as it can log sensitive information in log file thus creating security vulnerability.
If you are using the provider: options ensure that its suboption host: is set correctly.
Option 1 (Global command timeout setting): Increase value of command timeout in configuration file or by setting environment variable.
Option 2 (Per task command timeout setting): Increase command timeout per task basis. All network modules support a timeout value that can be set on a per task basis. The timeout value controls the amount of time in seconds before the task will fail if the command has not returned.
Some operations take longer than the default 30 seconds to complete. One good example is saving the current running config on IOS devices to startup config. In this case, changing the timeout value from the default 30 seconds to 60 seconds will prevent the task from failing before the command completes successfully.
You can also set the proxy target for all hosts by using environment variables.
If the configuration variable is set to 1 the proxycommand and other ssh variables are read from default ssh config file (~/.ssh/config).
# you need to specify the NETCONF port that the host uses.
# Depending on the netconf port used.
If the command prompt received in response is not matched correctly within the network_cli connection plugin the task might fail intermittently with truncated response or with the error message operation requires privilege escalation. Starting in 2.7.1 a new buffer read timer is added to ensure prompts are matched properly and a complete response is send in output. The timer default value is 0.2 seconds and can be adjusted on a per task basis or can be set globally in seconds.
This timer delay per command executed on remote host can be disabled by setting the value to zero.


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Water Quality Information | Written By Actual Experts
NPDES Permits: What You Need To Know
Analies Dyjak | Hydroviv Policy Analyst
While there's a lot of debate on what should and shouldn't be regulated in terms of chemical discharge by companies, we thought that it would be interesting to show how regulations are used in the real-world. In this article, we talk about the permits that allow entities to discharge chemicals into sewers and waterways.
What Is An NPDES Permit?
The National Pollutant Discharge Elimination System (NPDES)
Permits disclose which chemicals companies are allowed to discharge into waterways, and at what concentrations. The overall goal of a NPDES permit is to provide transparency between the polluter, the federal government and the public.
Who Needs To Get An NPDES Permit?
Any company, organization of private entity that has plans to discharge pollution from a point source into a United States waterway.
How Are NPDES Permits Granted & Distributed?
Technology-based and water quality based limitations are two criteria that are considered when issuing a permit. Technology-based limitations take into consideration the technology and economic ability of the polluters to control the discharge of pollutants from their facilities. Water quality-based limitations are meant to protect the body of water that the effluent is being discharged into.
Once a permitting authority or company completes a Notice of Intent (NOI) for a NPDES permit, it becomes available to the public via the Federal Register. Often local newspapers will publish a notice of the application and provide information regarding public comments.
Where Can I Find an Existing NPDES Permit?
Existing NPDES permits can be found in the General Permit Web Inventory section of the EPA's website. Required information to search for a NPDES permit includes either the name of a state, permit number, or permitting authority.
What Should A NPDES Permit Include?
Information on each known contaminant must be included in a NPDES permit, whether it is regulated by the EPA or not.
Clear, concise, and consistent units. When a regulatory agency signs off on a NPDES permit without units, they're essentially allowing a company to discharge a contaminant at any concentration.
Pertinent information that might affect concentration levels.
For example seasonal variance or increased turbidity.
A NPDES permit should also have information on monitoring such as location and frequency of sampling.
Why You Should Care About NPDES Permitting
Public participation has the ability to prolong the issuing process and can cause a company to alter their plans for dealing with chemical discharge. If you have questions regarding a NPDES permit in your area, don't hesitate to address your concerns during the required public comment period. Be vigilant in assessing every component of the water discharge permit!
Want To Learn More About NPDES Permits And Water Policy?
Feel free to reach out to our Water Nerds through live chat or email (hello@hydroviv.com). We're happy to help you out!
Other Articles We Think You'll Enjoy
Why Does EPA Allow "Acceptable Levels" Of Toxic Chemicals In Water?
How Is Lead Regulated In Drinking Water?
Private Wells And Water Supplies: What You Need To Know
2018-02-10 | Water Nerds


Internal structure of metal foams is one of the most important factors that determine its mechanical properties. There exists a number of methods for studying the nature of the inner porous structure. Unfortunately most of these processes is destructive and therefore it is not possible to reuse the sample. From this point of view, as a suitable method seems to be the ability of using the so-called X-ray microtomography (also micro-CT). This is a non-destructive methodology used in a number of fields (industry, science, archaeology, medicine) for a description of the material distribution in the space (e.g. pores, fillers, defects, etc.). In principle, this technology works on different absorption of X-ray radiation by materials with changing proton number. The contribution was worked out in collaboration with experts from the Faculty of Electrical Engineering and Computer Science of the VŠB-Technical University of Ostrava and it is focused on the analysis of internal structure of the metal foam casting with irregular arrangement of internal pores by using micro-CT. The obtained data were evaluated in the commercial software VGStudio MAX 2.2 and in the FOTOMNG system. For the evaluation of these data a new specialized module was introduced in this system. Several methods of pre-processing the image was prepared for the measurement. This preliminary processing consists, for example, from a binary image thresholding for better diversity between the internal porosity and the material itself or functions for colour inversion.


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Full Time Fixed Term Languages, Literature & Linguistics Professors / Chairs jobs in Asia Pacific
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Professor/Associate/Assistant Professor in English Language and Literature Studies
Zhuhai, Guangdong, PRC
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BNU-HKBU UNITED INTERNATIONAL COLLEGE
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Pok Fu Lam, Hong Kong
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Kowloon Tong, Hong Kong
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Air Force Gen. Jacqueline Van Ovost, Air Mobility Command commander, shoots an M4 carbine at the new Combat Arms Training and Maintenance facility Feb. 2, 2021, at McConnell Air Force Base, Kan.
Photo by: Air Force Senior Airman Alexi Bosarge | VIRIN: 210202-F-AD239-0267C.JPG


When political protests have led to arrests by the LAPD, Rocky Delgadillo and other recent LA City Attorneys gave defendants the chance to work out a deal—to pay fines for disturbing the peace, for example, rather than going to jail. Current City Attorney Carmen Trutanich will have none of that. He's insisting on trials and pushing for jail time for 14 protesters against Arizona's restrictive immigration law and nine others who supported the Dream Act by stopping traffic on Wilshire Boulevard.
$4 a Gallon Gas Again?


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package com.foilen.smalltools.tools;

import java.util.Arrays;
import java.util.List;

import org.junit.Assert;
import org.junit.Test;

import com.foilen.smalltools.exception.SmallToolsException;

public class SingleDependencyResolverToolsTest {

    /**
     *

     * A -> B -> A
     *

     */
    @Test(expected = SmallToolsException.class)
    public void testCircular() {
        SingleDependencyResolverTools resolver = new SingleDependencyResolverTools();
        resolver.addDependency("B", "A");
        resolver.addDependency("A", "B");

        resolver.getExecution();
    }

    /**
     *

     * A -> B -> C -> D -> A
     * E -> F
     *

     */
    @Test(expected = SmallToolsException.class)
    public void testCircular2() {
        SingleDependencyResolverTools resolver = new SingleDependencyResolverTools();
        resolver.addDependency("B", "A");
        resolver.addDependency("C", "B");
        resolver.addDependency("D", "C");
        resolver.addDependency("A", "D");
        resolver.addDependency("F", "E");

        resolver.getExecution();
    }

    /**
     *

     * A -> B -> C -> D -> E
     *

     */
    @Test
    public void testSuccess() {
        SingleDependencyResolverTools resolver = new SingleDependencyResolverTools();
        resolver.addDependency("E", "D");
        resolver.addDependency("B", "A");
        resolver.addDependency("C", "B");
        resolver.addDependency("D", "A");

        List<String> executionPlan = resolver.getExecution();

        Assert.assertEquals(Arrays.asList("A", "B", "C", "D", "E"), executionPlan);
    }

    /**
     *

     * A -> B -> C -> D -> E
     *

     */
    @Test
    public void testSuccessWithEmpty() {
        SingleDependencyResolverTools resolver = new SingleDependencyResolverTools();
        resolver.addDependency("E", "D");
        resolver.addDependency("B", "A");
        resolver.addDependency("C", "B");
        resolver.addDependency("A", "");
        resolver.addDependency("D", "A");

        List<String> executionPlan = resolver.getExecution();

        Assert.assertEquals(Arrays.asList("A", "B", "C", "D", "E"), executionPlan);
    }

    /**
     *

     * A -> B -> C -> D -> E
     *

     */
    @Test
    public void testSuccessWithNull() {
        SingleDependencyResolverTools resolver = new SingleDependencyResolverTools();
        resolver.addDependency("E", "D");
        resolver.addDependency("B", "A");
        resolver.addDependency("C", "B");
        resolver.addDependency("A", null);
        resolver.addDependency("D", "A");

        List<String> executionPlan = resolver.getExecution();

        Assert.assertEquals(Arrays.asList("A", "B", "C", "D", "E"), executionPlan);
    }

    /**
     *

     * A -> B -> C -> D -> E
     *

     */
    @Test
    public void testSuccessWithNullAsFirst() {
        SingleDependencyResolverTools resolver = new SingleDependencyResolverTools();
        resolver.addDependency("A", null);
        resolver.addDependency("E", "D");
        resolver.addDependency("B", "A");
        resolver.addDependency("C", "B");
        resolver.addDependency("D", "A");

        List<String> executionPlan = resolver.getExecution();

        Assert.assertEquals(Arrays.asList("A", "B", "C", "D", "E"), executionPlan);
    }

    /**
     * A,B -> C
     */
    @Test(expected = SmallToolsException.class)
    public void testTooManyDependencies() {
        SingleDependencyResolverTools resolver = new SingleDependencyResolverTools();
        resolver.addDependency("C", "A");
        resolver.addDependency("C", "B");
    }

}

redpajama_set_name: RedPajamaGithub


Just want to say thank you for a great trip to the Chilkat. With your help I captured some fantastic shots. Trip of a lifetime (so far). I would recommend you to anyone. Eric T.
Regarded as one of the prime locations for viewing and photographing the majestic symbol of our country, bald eagles that converge along the Chilkat River near Haines, Alaska, have numbered in the thousands over the years.
Today, as many as 1,500 of these magnificent raptors return every fall to feed on a unique late season salmon run from as far away as British Columbia. Learn about the natural history of the eagles, valley and native Tlingit on our rides to and from the "eagle council grounds." The unique design of the river with silt and gravel keeps the river from freezing and a chum salmon spawn allows the birds to find plenty of food to start off their hard winters. We will spend all day at the preserve getting out and photographing eagles as they feed on the salmon, soar overhead and fill the trees just above our heads feeding on the salmon or just taking a break. We'll also have opportunities for some beautiful muontain landscape shots on our way to and from the preserve.
Every day, scores of eagles can be seen gathered along the sandbars, perched on snags and roosting in the branches of nearby cottonwood trees. Lots of flight shots of the eagles coming in for a meal are sure to be taken, some in front of a magnificent mountain backdrop when using a wider lens.
Some of the most interesting activity is when an eagle comes in to confront another one already on a fish. The one on the ground will jump up and lift its talons to defend as the other flies in with talons extended. The confrontations only last a couple of seconds but this type of action is what people wait around for wanting to capture.
This workshop is designed for all levels of photographers. Whether you are a beginner or intermediate photographer, you will learn something regarding the technical concerns of photographing bald eagles such as exposure, focus and flight photography. For the seasoned photographer, this is a great trip for building a very impressive portfolio of bald eagle photos.
This instructional-based workshop includes critiques of your work in addition to the daily shoots and as much in the field hands-on help as you desire. First Lights small group size allows for in-depth instruction combined with personal attention that is designed to the needs of the individuals in the group. You will hone your skills on close-up portraits, wildlife landscapes and interaction.
With the timing of this trip being late fall, shooting hours are reduced to between mid-morning and mid-afternoon before the sun dips below the mountains. This leaves plenty of time to review your work from the day's shooting.
The workshop begins with a ferry ride from Juneau to Haines that has the feel of the fjords of Norway. A full bird photography program is planned for the rest of the afternoon and part of the evening. For the next five days you will be photographing the gathering of eagles along the Chilkat River. Perched in the cottonwoods that line the river, the eagles fish for salmon as they come upriver to spawn. There will be	conflicts as eagles love to fight each other over a meal even though it's easier for them to go and grab one of their own. The incredible scenery will offer the opportunity of working flight shots of eagles against snow-covered mountains.
The Chilkat Eagle Preserve was designated in 1982 with the goal to "protect and perpetuate the world's largest concentration of Bald Eagles and their critical habitat." More than 48,000 acres of river-bottom land along the Chilkat, Kleheni, and Tsirku Rivers has been put aside to help preserve this incredible gathering.
A combination of cottonwoods and Sitka Spruce provide great habitat and the St. Elias Range as a backdrop is hard to beat.


text:
'Viva La Bands, Vol 2' Track Listing Revealed
In his position as one of the world's leading pop culture icons and most acclaimed action sports athletes, Bam Margera has made it his mission to expose an entire generation of his peers to some original high-energy music through his "Viva La Bands" album and tour series. Brought to you by Ferret Music and Filthy Note Records, "Viva La Bands, Vol. 2" will hit stores on September 4, 2007 to show us all how it's really done!
The CD features exclusive tracks, written and recorded for the CD/DVD combo from some of Bam's favorite acts like CLUTCH, IN FLAMES, CKY, CHILDREN OF BODOM, VIKING SKULL and VAINS OF JENNA. A U.S.-exclusive track from SHINY TOY GUNS and music from other faves like GWAR, THE SOUNDS, DIMMU BORGIR and KILL HANNAH also appears on the killer compilation. The full track listing for the 20-song album is displayed below.
Bam is as excited for the release as fans around the world will be… "I'm so fucking psyched that some of my favorite bands recorded exclusive songs this time around! CLUTCH and IN FLAMES fucking rock and my brother Jess did a sick CKY remix. Obviously THE SOUNDS are one of my favorite bands — my wife even insisted that they play our wedding. I also sent the first band I signed, VAINS OF JENNA, into the studio to record a new track for the record."
The DVD component to this rocking release contains almost an hour of never-before-seen Bam footage — a must-have for the 'Jackass generation!' Revealing what makes the DVD special, Bam adds, "I'm finding some of my best, unused footage for the DVD. Everyone keeps asking me for a CKY5 but I think this DVD might be the closest thing to that!"
"Viva La Bands" companion tour will be taking out some of Bam's favorite acts and is estimated to visit over 20 cities in the USA beginning in October 2007. Fans can also expect to see Bam and his friends at select shows.
"Viva La Bands, Volume 2" track listing:
01. CLUTCH - "King of Arizona" *
02. IN FLAMES - "Abnegation" *
03. CHILDREN OF BODOM - "Tie My Rope" *
04. CKY - "Rio Bravo" (Remix) *
05. THE SOUNDS - "Ego" (Alan Moulder UK Mix)
06. SHINY TOY GUNS - "Rocketship"
07. BLOODHOUND GANG - "Screwing You On The Beach At Night" *
08. GWAR - "War Is All We Know"
09. THE 69 EYES - "Shadow Of Your Love"
10. PRIESTESS - "Lay Down"
11. DIMMU BORGIR - "The Serpentine Offering"
12. KILL HANNAH - "Believer"
13. VIKING SKULL - "Blackened Sunrise" *
14. VAINS OF JENNA - "Enemy in Me" *
15. A LIFE ONCE LOST - "Firewater Joyride"
16. REVOLUTION MOTHER - "Come On"
17. MELODY CLUB - "Take Me Away"
18. THE THIEVES - "Vacant Thoughts"
19. MALEVOLENT CREATION - "Buried In A Nameless Grave"
20. GNARKILL - "Dico At The Piano Bar"
* Exclusive tracks


Product prices and availability are accurate as of 2019-04-21 19:33:28 UTC and are subject to change. Any price and availability information displayed on http://www.amazon.com/ at the time of purchase will apply to the purchase of this product.
We are presently selling the sought after Homitt Grill Cover with UV and PVC Coating for Water Resistant, Wind Resistant and UV Resistant at a slashed price. Don't lose out - purchase the Homitt Grill Cover with UV and PVC Coating for Water Resistant, Wind Resistant and UV Resistant online today!


Hallway bench wooden is a great choice of seats for aisles. It has a popular design a cubicle under seat space, ideal for storing shoes, accessories and other arts often need to enter or leave a house. These banks are usually finished with a cushion on top for comfort. For a more dressed look, opt for a wooden bench without storage formed under but finished with an upholstered back, allowing the opportunity to add color and texture through the fabric.
To a casual atmosphere and feel, hallway bench with wicker basket is a good go-to option. Like some wooden benches, wicker many banks are designed with storage, either under the seat or it can raise to contain and hide items inside. Over time, wicker is subject to show signs of wear, so consider how much use you will get the bank before committing to this material.
Combine all the storage you need in one space in a hallway bench tree. These types of banks have a place to sit with a high back decorated with hooks, ideal for hanging jackets, bags or backpacks. In the absence of a mudroom, this type of bench seating is a practical solution for storage and seating.


"Nobody reaches God's presence until he has learned to believe that He exists" (Hebrews 11:6 Knox).
FAITH IN GOD IS A CHOICE THAT WE MAKE BETWEEN TWO ALTERNATIVES. The river of evidence for God's reality runs strong and deep, but its current is not irresistible. Many people do swim against it, at least for a while.
Choosing to believe that God exists is a voluntary act of trust. We believe not because we think the reality of God is absolutely unequivocal, but because we judge the evidence to be greatly in its favor. After careful thought, faith puts its trust and confidence in a premise that is seen to be supported by the weight of the evidence. Faced with the ultimate fork in the road, faith understands that a decision must be made, and it responsibly chooses one alternative.
"Faith" is not inferior to "knowledge." It is a certain kind of knowledge, one that makes available to us all the great truths that happen to be inaccessible to the "eyes" of physical sense. "Now faith is the substance of things hoped for, the evidence of things not seen" (Hebrews 11:1). If we could know only what our own senses have experienced, how impoverished our minds would be! Most of life's important realities have to do with things that are unseen, and it is by faith that we apprehend these truths.
The time is coming, however, when the reality of God will no longer be a matter of faith. It will be an overwhelming fact, impossible to deny and terrifying in its implications for those who have tried to deny it. "As I live, says the Lord, every knee shall bow to Me, and every tongue shall confess to God" (Romans 14:11). For now, though, faith is "the response of our spirits to the beckonings of the eternal" (George A. Buttrick). To believe is to embrace both worlds, the seen and the unseen, neither more real than the other.
"Faith is the subtle chain which binds us to the infinite" (Elizabeth O. Smith).


A special thank you to our amazing Quilters!
We would like to thank all of the businesses and individuals who donated to our Silent Auction!
We also want to thank Katy Peters-Rodbell, Doris Ward and Amy Myers for donating delicious dessert for our event!
Join us on Saturday, March 30th at Cunningham Creek Winery for our Quilt Auction. Thank you to everyone that has donated these beautiful quilts.


text:
Book and review 2,566 holiday parks and campsites in the UK, Europe and the Americas
Tent pitch
Touring caravan pitch
Motorhome or campervan pitch
Electric pitch
Pitchup.com reveals UK traveller habits
Jul 15 2014 Posted by Samantha Marsh
Midlanders go mad
Glaswegians most spontaneous
Rise of the solo camper
Holiday booking habits released today by outdoor accommodation specialist Pitchup.com show that those living in the Midlands are keenest of all to embrace the Great Outdoors this summer and that more people are going camping and caravanning alone. Figures suggest that those living in the East Midlands are the least spontaneous - booking up to two months in advance - whilst the residents of Glasgow, London, Edinburgh and Cardiff are among those most likely to make a last moment decision to book a few days away.
Pitchup.com's sales of camping, caravanning and other outdoor holidays more than doubled year on year (based on January to June figures), but the site saw bookings by those living in Leicester boom with a 158% increase; Nottingham followed with 147% growth and Coventry saw 142% more bookings than in January to June 2013.
Dan Yates, founder of Pitchup.com, said: "The people of the East and West Midlands are showing an insatiable appetite for outdoor holidays this year, perhaps because their central location means they can reach the majority of our English and Welsh sites within two or three hours."
When it comes to getting away from it all on a whim, the most spontaneous travellers hail from Glasgow, whose citizens book a getaway on average 26 days prior to travel, with residents of the UK capital cities of Cardiff (34 days ahead), Edinburgh (33 days), and London (32 days) proving their busy capital lives inspire more impulsive travel.
Those living in Northampton and Hull plan the furthest ahead, booking 59 and 56 days in advance respectively, whilst the national average is booking 42 days prior to travel, up from 38 days in 2013 which Yates attributes to the Great British weather: "Last year we had a very hot and sunny spring and early summer which encouraged outdoor holidays, and I believe this year people are booking sooner to ensure they get the site they want."
Yates added: "Many of our sites actually offer availability right up until the evening of the stay, so for those seeking an impromptu getaway to the countryside camping and caravanning are ideal."
Whilst 37% of Pitchup.com customers travel with school-age children, 50% of bookings are adult-only and in the past 12 months there has been a 115% growth in solo travellers. Yates explained: "Many of our solo travellers enjoy rural pastimes such as bird watching or rambling, but feedback from our suppliers suggests that quite often friends will gather at a site from around the country, each having made their own booking. So while we may be seeing a boost for those seeking solace from their urban lives on a solo break, many of the single adult bookings may in fact be people joining friends and extended family."
Highlighting the affordability of domestic tourism, Yates said: "Government figures show that foreign holiday trips in 2013 were down 17% from their 2008 peak*. With an average holiday price on Pitchup.com of only £90 for three nights for three people, it's clear to see the attraction of holidaying closer to home."
* Figure 15: UK residents' visits abroad by purpose. Source: National Statistics (http://www.ons.gov.uk/ons/rel/ott/travel-trends/2013/rpt-travel-trends--2013.html#tab-Commentary--UK-residents--visits-abroad)
For media information
Cass Helstrip, Samantha Marsh or Rob Bates at White Tiger PR
rob.bates@whitetigerpr.com 07957 316491
Founded in 2009 by former lastminute.com man, Dan Yates, multi-award winning Pitchup.com is a free guide to all types of outdoor accommodation in the UK, Ireland, France, Spain, Italy, Portugal, Croatia, Luxembourg, Austria, Poland and Switzerland. Pitchup.com, which currently lists over 5,800 sites, provides users with a simple platform in which they can search and book an outdoor holiday with total ease: the customer experience from landing on the homepage through to booking a holiday can be completed in as little as four pages. The site also goes beyond traditional searches by allowing users to search for accommodation based on more than 80 criteria, such as adults only and campfires allowed, and view nearby events, Good Pub Guide pubs and VisitBritain attractions. It's also possible to check out water bathing water quality in the surrounding area with data provided by the European Environment Agency. Users can also search on the offers page to find the best deals available.
In 2013 Pitchup.com became the first business of its type to launch a bookable mobile site and app, making the site easily accessible to users of iPhones and other mobile and tablet devices. The mobile site, m.pitchup.com, now accounts for 15% of bookings.
Pitchup.com enables users to search for all types of parks and sites from the major brands right through to one-off campsites and unique outdoor accommodation options, which may not have previously had a web presence.
Awards include Best UK Travel Website of the Year at the British Travel Press Awards 2011, and most recently best Travel / Leisure / Sports / Mobile Strategy / Campaign at the Marketing on Mobile Awards 2014.


text:
Lionsgate Play to stream 2022 Emmy Awards in India- Cinema express
Lionsgate Play to stream 2022 Emmy Awards in India
The award ceremony will also stream exclusively on Lionsgate Play in Malaysia and the Philippines, the streamer added
CE Features
@XpressCinema
Published: 25th July 2022
The 74th Primetime Emmy Awards will be streamed exclusively on the OTT platform Lionsgate Play in India. The announcement was made by the streamer today.
The annual award ceremony will be reportedly available for streaming from 5.30 am onwards on September 13.
The award ceremony will also stream exclusively on Lionsgate Play in Malaysia and the Philippines, the streamer added.
The nominations for the 2022 Primetime Emmy Awards were announced on July 12. HBO's critically-acclaimed series Succession got a massive 25 nominations, while Netflix hit Korean drama Squid Game created history as it became the first non-English language series to receive a nomination for the top Emmy honour -- Outstanding Drama Series.
Meanwhile, Lionsgate Play's political series Gaslit, starring Julia Roberts and Sean Penn, bagged four nominations -- Outstanding Cinematography For A Limited Or Anthology Series, Outstanding Prosthetic Makeup, Outstanding Sound Editing For A Limited Or Anthology Series, and Outstanding Sound Mixing For A Limited Or Anthology Series.
74th Primetime Emmy Awards Lionsgate Play
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text:
Kim Kardashian West Shows Off Simplistic Halloween Décor Plus a Look at Her Previous Halloween Costumes
With only two weeks before the spookiest time of the year, Kim Kardashian West showed off her simplistic Halloween home decoration through her Instagram Story on Monday.
Source: Instagram | @kimkardashian
The minimalistic pumpkin-inspired décor is quite the opposite of her rather extravagant and out-of-this-world Halloween costumes. The 36-year-old mother of four set up some neutral-colored pumpkins all over her house with several of them near her grand staircase. She also posted a pile of green pumpkins outdoors beside some shrubs.
Is this a sign that that the KKW beauty magnate is keeping it low-key this Halloween? Knowing her track record when it comes to costumes, for sure she'll be shocking fans yet again on the big day. In fact, if you're still clueless about what Halloween costume to wear, you should get inspiration from the KarJenner sisters, especially Kim!
Last year, the five sisters dressed up as Victoria's Secret Angels. That was the first time that they collaborated on their costumes. Kardashian West together with Khloe, Khourtney, Kendall, and Kylie went to a Halloween event wearing sexy white lingerie. They completed their looks with big white angel wings which were supplied by none other than Victoria's Secret themselves.
Kardashian West posted a behind-the-scenes photo of herself wearing a tiny white G-string thong and a triangular bra top. She also had on floor-length white wings. She posted a thank you to Victoria's Secret for lending them the wings for the night.
Source: Twitter | @kimkardashian
Being a Kardashian, it wasn't a surprise that she got invited to several Halloween parties. In one event, she actually dressed up as Pamela Anderson. She wore a blonde wig, heavy makeup, and glittery tights and white corset. She even had a fake tattoo and heavy makeup.
In 2017, she paid tribute to several music icons with her multiple Halloween looks including Madonna, Cher, and Selena Quintanilla. Meanwhile, she dressed up as Disney's Princess Jasmine in 2016 because her daughter, North West, was obsessed with Disney at that time. She also dressed up as a sexy belly dancer while her son, Saint West, dressed up as Aladdin.
Kim Kardashian West still hasn't revealed her Halloween costumes but for sure, just like in the previous years, they will be smashing!


When you spend time with legendary Tea Man Rajiv Lochan at World Tea Expo, you're sure to be entertained and educated. This 'Ambassador of Tea' sells and grows tea, and is more than happy to talk tea. Rajiv has many years of tea knowledge and his passion for tea comes through loud and clear. If he hands you a sample of tea at World Tea Expo, you know you're in for a treat.
The sample I received is an organic black tea from the Jungpana estate in Darjeeling. This is a 2nd flush tea, picked in late May or early June. The tea was packed on June 6th (World Tea Expo was June 12th-14th), making it extremely fresh. Everyone talks about First Flush Darjeelings, how they are so delicate and lovely. But honestly, give me a 2nd flush (or later in the year), and I'm very happy. I enjoy a more robust tea, and this tea from Jungpana is exactly that.
The dry leaves smell super sweet, fruity, and soft. I love the fuzzy silver buds strewn among the hues of brown. The brewed tea has a very pleasant thickness, and is quite fruity. This combination reminds me of a velvety fruit nectar. It is also a bit floral, with whispers of that 1st flush green-ness. The brew is not nearly as sweet as the dry leaves promised, but still quite enjoyable.
You do need to watch your steeping time with this tea. I used a gaiwan so I could get a real feel for the flavors, but I needed to pay more attention to the steep length. The first time I made it, I got distracted and let the leaves brew for about 30 seconds too long (way too long), and I ended up with a very astringent cup that masked all of the other flavors. Stick with a shorter brewing time and you'll be gifted with a smooth, nuanced cup.
For the catalogue of Lochan teas, you can visit the website here. Thank you for the sample, Rajiv! I look forward to our future conversations.


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Insulation is absolutely essential for your vehicle if you transport food products and want to ensure they remain as fresh as possible without spoiling. Visit us and we'll custom match the insulation to your vehicle.


Added all but one of the deleted scenes back in to round out the story and make it an overall more creepy movie.
To have a more complete version of From Hell.
- Sc. 35 – 36 Abberline's wife / Dark Annie Dream / Waking up to Dog.
- Sc. 136 kate looks in bar window for Liz.


text:
paw patrol: jet to the rescue español
The launcher buttons are easy to reach and press. Requires 3 LR44 batteries (included). After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. For even more Jet to the Rescue fun, collect Chase, Marshall, Skye and Everest's Deluxe Vehicles (each sold separately)! We do not have any recommendations at this time, Paw Patrol, Jet to The Rescue Deluxe Transforming Spiral Rescue Jet with Lights and Sounds. Paw Patrol, Dino Rescue Dino Patroller Motorized Team Vehicle with Exclusive Chase and T. Rex Figures. Your question might be answered by sellers, manufacturers, or customers who bought this product. Use your imagination to create your own rescue missions again and again! They flip very smoothly. When it's time for a rescue, press the red button to transform the jet from stealth mode to rescue mode, activating the lights and sounds! The wings can be manually manipulated, which is a good thing and reason for only four stars. You can press the red button, and the wings will flip around, and open up, and have little red rockets that are ready to fire by pressing the circle red buttons by each rocket near the wing. I don't suggest letting a child younger than 4 play with this because of the little arrow pieces because they are small and it could be a choking hazard. From the pictures is looked smaller. He is all about Paw Patrol and has several smaller vehicles. In the event that the batteries go out, they are only needed for the lights & sounds and the toy can still shoot rockets and transform without them. It takes three LR44 batteries, it is easy to get to the battery chamber and insert the batteries. There's even room for two pups inside – load Chase (exclusive figure included) and another pup (sold separately) into the Spiral Rescue Jet and covertly patrol the sky. For the 2020 holiday season, returnable items shipped between October 1 and December 31 can be returned until January 31, 2021. Tome el vuelo con Jet al Rescue Everest. Jet to the Rescue with the PAW Patrol Spiral Rescue Jet! Top subscription boxes – right to your door, paw patrol jet to the rescue spiral rescue jet, © 1996-2020, Amazon.com, Inc. or its affiliates. The launcher pieces are small but not overly so. Please try again later. Learn more about the program. Our payment security system encrypts your information during transmission. Or get 4-5 business-day shipping on this item for $5.99 Paw Patrol stars Owen Mason as Ryder (Seasons 1 & 2), Scott McCord as Jake and Gage Munroe as Marshall (Season 1). Reviewed in the United States on October 1, 2020. The Paw Patrol Jet to the Rescue is so fun to play with! We don't share your credit card details with third-party sellers, and we don't sell your information to others. Activate the jet's lights and sounds by pressing the red button and the wings flip around and open up, revealing hidden projectile launchers! This deluxe Jet to the Rescue vehicle has room for 2 pups (Chase figure included) and features realistic details, transforming wings, lights and sounds and a projectile launcher! CHOKING HAZARD -- Small parts. As a parent, I appreciated how easy it was to unbox and that it included the required (3) AG13 batteries already installed so once I opened it, we were able to play right away. The dog fits right down in it. Or you could just put those pieces up. I, as a grown up, hard a hard time pushing it all the way down. So. They are actually part of the rotation of the wings, attained by pressing on the big red button on top. There was a problem completing your request. The legs don't move. We looked for a button to make the lights and sound work. Manufacturer's warranty can be requested from customer service. Volume 1, Season 2 Episode 18a: Pups Save Skye a.k.a. If you're a seller, Fulfillment by Amazon can help you grow your business. Reviewed in the United States on August 18, 2020. To me and my grand the lights and sounds are totally unnecessary on the toy. It does shoot out two small darts from the wings when separate little buttons are depressed that have very little power behind them (so not much of a concern for injury there), but are fun to play with. Find answers in product info, Q&As, reviews. Overall it's a fun simple toy! With transforming wings, lights and sounds, a projectile launcher and realistic details, this stealthy jet is ready for anything! The Spiral Rescue Jet brings the action and excitement of PAW Patrol to life! My 4 year old loves paw patrol so I thought I'd get this and let him take it for a test run. Paw Patrol, Jet to The Re... EXCLUSIVE CHASE FIGURE: This vehicle includes an exclusive Jet to the Rescue Chase figure, wearing a flight suit and helmet! The vehicle comes with a chase figure that you can place in the seat of the jet. Jet to the Rescue with the PAW Patrol Spiral Rescue Jet! It has places holders or seats for additional pups if you'd like to purchase other figurines. There was a problem adding this item to Cart. Happy with the fast shipping and how it was packaged. Incluye: 1 figura, 1 vehículo de lujo, 1 hoja de instrucciones (idioma español no garantizado). According to you, who was the most awesome character in this episode? Not for children under 3 yrs. To calculate the overall star rating and percentage breakdown by star, we don't use a simple average. Fulfillment by Amazon (FBA) is a service we offer sellers that lets them store their products in Amazon's fulfillment centers, and we directly pack, ship, and provide customer service for these products. Such a fun simple toy for young children! (Prices may vary for AK and HI.). We work hard to protect your security and privacy. Max size: 2Mo. As the deluxe jet transforms, the sides of the jet light up as the sound effects are activated, just like in the show! Contact - About - Data & Insights - Articles - Podcasts - Developers - Privacy Policy - TermsThanks. It feels like it is built to last, no flimsy plastic parts, would recommend! Reviewed in the United States on August 23, 2020. Push the button to flip the wings back to stealth mode. Jet to the Rescue (S00E24) is the twenty-fourth episode of season zero of "Paw Patrol" rel... More Jet to the Rescue (S00E24) is the twenty-fourth episode of season zero of "Paw Patrol" released on Fri Sep 25, 2020. They stay in there pretty well, even when upside down, as long as you don't jerk the jet too violently. The problem is that it is way too hard for a kid to do. Please try again. When it's time for a rescue mission, transform from stealth mode to rescue mode. For what ever reason I though it was just a push button. The PAW Patrol Jet to the Rescue Spiral Rescue Jet makes a great gift for kids aged 3 and up. This shopping feature will continue to load items when the Enter key is pressed. This large-scale vehicle brings the Jet to the Rescue action and excitement from the hit TV show to life. The wings lift up and down easily, no snapping sounds or getting stuck. All rights reserved. Load the projectiles (2 included) and launch! As you can see in the video the top portion is a handle. There was an error retrieving your Wish Lists. Overall, this is a fun Paw Patrol jet that I can see my kid playing with for hours on end. The little yellow pieces fly out like bullets when you push the button. Reviewed in the United States on October 18, 2020. Launch the projectiles (two included) and save the day!
Nombre Completo De Bart Simpson, Como Se Desplaza El Zorro, Qué Relación Tiene El Color De Los Escarabajos, Cuanto Tarda En Dar Fruto La Naranja, Verbo Traer En Inglés En Todos Los Tiempos, Como Comprar Dólares Por Ventanilla Banco Nación, Cómo Se Pronuncia Egregio, Precio De Cartón De Cerveza Corona Familiar,
paw patrol: jet to the rescue español 2020


Anniversary Time! Conch fritters, the ocean, Twin Brothers smoothies Lobster and snorkeling!!!
← Previous Story Live on @fox5atlanta @empirefox in minutes with Buck and Karen!
HAPPY ANNIVERSARY!!! Hope y'all are having a blast! See y'all when ya get bk!!
A year already??? Happy Anniversary and many more!


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Carlisle branded tires are exclusively manufactured and sold by The Carlstar Group.


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Bronlyn Jones & Robert Bauer: Shared Terrain
March 22, 2014 – April 26, 2014
Barbara Krakow Gallery is proud to announce the first two person show uniting the works of Bronlyn Jones and Robert Bauer.
The gallery has shown the work of Bronlyn Jones for well over a decade. The past few years have been quite exciting as Jones' pieces have been exhibited internationally and collected deeply. Robert Bauer, also a renowned artist who has been in numerous shows across the country, has been known to Barbara Krakow Gallery not only as a talented and widely exhibited artist but as Jones' husband.
Jones works from abstract forms and Bauer works from figuration. The key word in the preceding sentence is "from".
"There is an essential ambiguity I am drawn to and I accept" (Bronlyn Jones, 2013)
Jones' works are based in geometry, but the materials and processes used are organic, sensitive and specific. In her paintings, she chooses the grain of specific sections of wood from large sheets. Her choices involve thinking about references to landscape and also the abstract formal patterns of the grain . Paper is laid down carefully on the wood. Gesso and paint are applied evenly, sparingly and specifically. Some edges are painted particularly and other edges are allowed to wander. Positive and negative are balanced, whether in the image (paint on paper on wood) or in the physical form of the choice of space between panels (two paintings each have a 3/4″ full separation between them while two other paintings have a 1/8″ space that is only half as deep as the panels). Proportions may be intuitive but, over careers' worth of works, both artists have found their preferences consistent and specific.
These themes of chance, choice and control are deeply part of both artists' works, as well as being deeply ingrained in their ethos in life. Time spent experiencing, looking, seeing and observing their works is well rewarding, aesthetically and emotionally. In a world full of bombast, a bit of quiet inquisitiveness is a gift.
The 'feel' of the two artists' works, while starting from different places are consistent. Works are of different sizes but, except for a few unframed paintings by Jones, all works by both artists are in custom designed frames hand painted by the artists. They apply multiple thin coats of paint for a consistent and clean, yet, on closer inspection, hand-made appearance.
Bauer's tempera paintings on gessoed paper are portraits of specific individuals. The rendering is detailed, respectful and specific. However, they are not just portraits of people, but portraits of the process of rendering three dimensional subjects in two dimensions. Bauer allows his process of grids, layers and erasures to be visible within and surrounding the images of the faces. The choices of what, how and when to call something 'finished' are as key in Bauer's works as the smudges, erasures, incidental marks and wood grain are in Jones'.
Both artists also have deep involvement with drawing. For this exhibition, along the main wall, are a series of ink on paper drawings by Bauer. The landscapes depicted, drawn from direct observation, photography and collaged imagery, are made by a progressive layering of ink washes to build up elements in space, all the while using negative and positive space to equally define form. In conversation with this group and installed adjacent is a series of similarly formatted drawings using long horizontal lines created by Jones. As has been part of her practice for years, she draws with a combination of a straight edge, graphite and an eraser. The marks on the surface are a subtle balance between the forceful linear active marks, the passive marks resulting from the residues inherent in graphite drawing and the specific and subtle gestures of erasure.
It has been said that understanding begins with the questions we ask and yet the most interesting questions are often questions without closure…
Reception with the artists Saturday, March 22, 3 – 5pm
Bronlyn Jones and Robert Bauer Exhibition View
Bronlyn Jones and Robert Bauer
Shared Terrain, March 22, 2014-April 26, 2014, Barbara Krakow Gallery
Bronlyn Jones and Robert Bauer Exhibition View,
Bronlyn Jones & Robert Bauer: Shared Terrain (exhibition)
Ground Truthing
Bronlyn Jones Ground Truthing 2014 Oil on gessoed papers mounted on two 3/4" birch panels
Signed, dated and titled on reverse
Panel size: 9 x 11 inches each (22.9 x 27.9 cm each)
Overall size: 18 3/4 x 11 inches (47.6 x 27.9 cm)
Bronlyn Jones Ground Truthing, 2014
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Bronlyn Jones
Robert Bauer Adam 2013 Tempera on gessoed paper
Image/paper size: 11 7/8 x 11 7/8 inches (30.2 x 30.2 cm)
Frame size: 13 7/8 x 13 7/8 inches (35.2 x 35.2 cm)
Signed and titled on reverse
Robert Bauer Adam, 2013
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Two/Each (exhibition)
S/T Series #1, #1
Bronlyn Jones S/T Series #1, #1 2014 Graphite on artist's butcher paper in artist's frame
Image size: 1 x 10 inches (2.5 x 25.4 cm)
Paper size: 8 3/4 x 12 1/4 inches (22.2 x 31.1 cm)
Frame size: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Bronlyn Jones S/T Series #1, #1, 2014
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S/T Series #1 #2
Bronlyn Jones S/T Series #1 #2 2014 Graphite on artist's butcher paper in artist's frame
Bronlyn Jones S/T Series #1 #2, 2014
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Interstitial Terrain
Bronlyn Jones Interstitial Terrain 2014 Oil on gessoed papers mounted on 3/4" birch panels
Panel size: 18 3/8 x 11 inches ( 46.7 x 27.9 cm)
Bronlyn Jones Interstitial Terrain, 2014
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Robert Bauer Untitled 2011 Ink on paper
Signed and dated on reverse of paper
Image /paper size: 11 x 14 7/8 inches (27.9 x 37.8 cm)
Robert Bauer Untitled, 2011
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Marfa 1
Robert Bauer Marfa 1 2011 Ink on paper
Robert Bauer Marfa 1, 2011
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Image /paper size: 11 1/4 x 15 inches (28.6 x 38.1 cm)
Landscape Near Mexico City
Robert Bauer Landscape Near Mexico City 2011 Ink on paper
Robert Bauer Landscape Near Mexico City, 2011
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Bronlyn Jones Untitled 2014 Oil on gessoed paper mounted on 3/4" birch panel
Panel size: 8 1/2 x 7 inches (21.6 x 17.8 cm)
Frame size: 11 x 9 1/2 x 2 inches (27.9 x 24.1 x 5.1 cm)
Bronlyn Jones Untitled, 2014
Robert Bauer Anthony 2014 Tempera on gessoed paper
Image/paper size: 11 x 10 inches(27.9 x 25.4 cm)
Frame size: 12 3/4 x 11 5/8 inches(32.4 x 29.5 cm)
Robert Bauer Anthony, 2014
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Bronlyn Jones Exhibition View
Bronlyn Jones Exhibition View,
Untitled #4 from Altered Times series
Bronlyn Jones Untitled #4 from Altered Times series 2014 New York Times newsprint with graphite, wax and colored pencil mounted on artist butcher paper in artist's frame
Image/paper size: 5 x 9 inches (12.7 x 22.9 cm)
Frame size: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Bronlyn Jones Untitled #4 from Altered Times series, 2014
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Latitudes (exhibition)
White Repeating
Bronlyn Jones White Repeating 2014 Oil on gessoed papers mounted on 3/4" birch panels
Bronlyn Jones White Repeating, 2014
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S/T Series #1, G/ABP #3
Bronlyn Jones S/T Series #1, G/ABP #3 2014 Graphite on artist's butcher paper in artist's frame
Image/paper size: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Frame size: 8 x 10 inches (20.3 x 25.4 cm)
Bronlyn Jones S/T Series #1, G/ABP #3, 2014
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Robert Bauer Exhibition View
Robert Bauer Exhibition View,
Robert Bauer Isabel 2014 Tempera on gessoed paper
Image/paper size: 12 x 10 inches
(30.5 x 25.4 cm)
Frame size: 13 3/4 x 11 3/4 inches
Robert Bauer Isabel, 2014
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Joan Martinez Cuerva
Robert Bauer Joan Martinez Cuerva 2013 Tempera on gessoed paper
Image/paper size: 11 1/2 x 10 inches (29.2 x 25.4 cm)
Frame size: 13 x 11 5/8 inches (33 x 29.5 cm)
Robert Bauer Joan Martinez Cuerva, 2013
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Bronlyn Jones Echo 2014 Oil on gessoed papers mounted on two 3/4" birch panels
Left panel size: 9 5/8 x 8 inches (24.4 x 20.3 cm)
Right panel size: 8 1/2 x 6 7/8 inches (21.6 x 17.5 cm)
Overall size: 9 5/8 x 15 5/8 inches (24.4 x 39.7 cm)
Bronlyn Jones Echo, 2014
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Bronlyn Jones Biography


Euoplocephalus Model, 3" 8cm Euoplocephalus was an armoured dinosaur with a bony tail club and protective plates on its back. This detailed and beautifully painted dinosaur model is a must for all dinosaur fans. It is ideal for developing inventive and structured play and will foster many learning opportunities of the natural and prehistoric world. Collectible as part of a set. Ages 3+.


The standard dosage of histrelin implants for men with advanced prostate cancer is one 50-mg implant that releases 50 mcg of histrelin each day for 12 months. When treating precocious puberty in children, the standard dose is one 50-mg implant, which releases 65 mcg daily for 12 months. These implants must be removed after one year of use.
The standard dosage of the histrelin implant (Supprelin® LA, Vantas®) will vary, depending on which condition is being treated (precocious puberty or prostate cancer). As is always the case, do not adjust your dose unless your healthcare provider specifically tells you to do so.
The usual histrelin implant dosage in the treatment of advanced prostate cancer is one implant every 12 months. Each Vantas implant contains 50 mg of histrelin and provides a continuous release of 50 mcg per day for one year, plus an additional few weeks to allow for flexible scheduling of the next dose.
The usual dose of the histrelin implant for treating central precocious puberty (early puberty in children) is one implant every 12 months. Each Supprelin LA implant contains 50 mg of histrelin and provides a continuous release of 65 mcg per day for one year, plus an additional few weeks to allow for flexible scheduling of the next dose.
The histrelin implant is inserted by a healthcare provider as part of a minor surgical procedure. After numbing the arm, the healthcare provider will make a small incision (a cut). The implant will be inserted under the skin through this incision. The incision will then be closed with stitches, special surgical tape, or both.
The implant must be removed after one year, at which time a new implant can be inserted. The implant can also be removed at any time if treatment needs to be stopped. It is generally recommended that treatment with a histrelin implant end before age 11 in girls and age 12 in boys to allow for normal puberty to occur.


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Hand-Tied Rose and Hydrangea
Looking for an entirely new twist on a classic bouquet? Floral designer Anthony Swick of Bay Bouquet in Tampa, Florida has brought to life a truly original creation that takes botanical splendor to a whole new level. "I developed this arrangement for a new and younger generation, re-introducing the traditional look of a dozen roses while also adding hydrangeas, hypericum, aspidistra leaf, limonium and bear grass... designed in groupings to deliver exceptionally strong impact," he says. Send one to remind someone special they're on your mind, today and always.
Approximately 17.5"H x 10"L


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Stardust Assignment
It imposed several significant alternations to the original plot of the book, especially in the realm of the new characters introduction, and the insignificant ones that do not influence the storyline. Directed by Matthew Vaughn, and casting copious starts, the film became a real hit back in 2007. Among the most famous actors to act in the film were Robert De Noir, Charlie Cox, Michelle Prefer, Sienna Miller, David Kelly, and others. The Stardust fantasy novel was scrutinized as a work inclined to have a successful film adaptation spawned between Caiman, and director Matthew
Vaughn, who have eventually accepted the proposal of developing the book's plot into a film. However, the film adaptation seems to possess plenty minor changes to the original plot of the book, and only several serious alternations that have intervened within the film. To begin with, the novel's original lead character is called Tristan Thorn, and not simply Tristan, as it is in the film. Furthermore, some characters have been omitted, and, accordingly, several scenes were cut, or altered to some extend.
However, the main change that the film adaptation has brought to he book is that the film contains two characters, which are not included in the book. These are Captain Shakespeare performed by Robert De Noir, and Ferry the Fence, who is portrayed by Rick Gravers. Furthermore, the Michelle Ferrier's character Lamiae possesses a different name than her original character has in the book. Tristan Thorn the main hero of the book has a sister, and a mother in the literature version, while in the film adaptation, there is only his father to be seen.
The character of Captain Shakespeare turned out to be the most peculiar en, as this the character out of the book, and thus he brings a lot of new events that happen on his ship into the film, while there is not even a hint about their existence within the book. For example, there is a particular part in the book, in which Waive and Tristan end up stranded, and finally gets rescued by the lightning catchers ship. It should be pointed out that originally this is not a very long section of the book, which holds a few pages only.
Nevertheless, the Hollywood interpreters have greatly expanded on its timeline, as they found it to be one of the most breath-taking moments of the kook that a prospect spectator of the film would admire to see. Moving further on the list of changes called by the introduction of new characters into the film adaptation of the book, the next special alternation to be enlisted is a complete substitution of the mixed-gender crew, and the fairly laid-back captain with Captain Shakespeare and his pirate-type crew, which is mainly composed of males.
Ferry the Fence, the character, which was made up for the film adaptation of the book represents a run-of-the-mill market trader, who occasionally tampers at the Fairy market. He is a really tough negotiator. Nevertheless, in the deal he has with Captain Shakespeare, when they argue on the lightning bolt price, the second takes the laurel of the winner. Moreover, Ferry the Fence is also a good friend of Dishwater Sal, and indulges hopes to acquire the fallen star Waive, who still remains undiscovered to Ferry.
It is quite an interesting feature that one of the made up characters – Ferry, gets killed by one Of the original character who has a changed name in the film adaptation. It is Lamiae, who finds him in his own office, and asks him the whereabouts of Waive and about the chances of locating the Babylon candle, but he fervently annoys her, and eventually gets killed. The insignificant change that was presented in the film, but not in the original novel was the ending.
First of all, there is no epic battle between the witches and Tristan in the book, and the reason why the witch cannot have Waive;s heart is simply because it belongs to Tristan. In Neil Caiman's story, the witch is not murdered, and Tristan becomes the King of Stronghold, after his death Waive eternally rules in his stead. In the movie, Tristan also comes the King, but after eighty' years of ruling, Tristan and Waive use the Babylon candle and ascend to the sky to become stars and be forever reunited.
It is generally believed that the movie ending is happier than the one in the book, even though this change does not major influence the plot or the storyline. As a conclusion, the main change brought about by the film adaptation of the Stardust book is the introduction of the two new characters into the plot, which was not originally included in it. Nevertheless, such a change can be easily justified due to the whole chain of reason.
Fist of all, Berry the Fence, is the character that ultimately simplifies the plot, as he becomes the one, who reveals many secrets, thus making the film, not over-saturated with events, and thus, not incomprehensible for the spectator. Secondly, namely Captain Shakespeare is the one, who makes it clear, and explicit to Tristan that Waive is his real love, and shows that it is very foolish of him to hide his personal feelings. Furthermore, he is the one, who teaches Tristan to fight, what eventually becomes important in the course of the film's plot development.
Finally, he warns Waive that she should control her emotions, in order to make sure she does not waste herself. Thus, the new characters that feature only in the film adaptation of the book are the main change, which became the main facilitator of the very process of adaptation. The minor change brought about by the film adaptation of Stardust is the slight change of the ending that does not major influence the plot or the storyline. Extra Credit Points The most memorable thing from the course was the facilitation assignment because it gave me the opportunity to facilitate the class for few minutes.
Stardust Assignment. (2019, Oct 29). Retrieved January 20, 2022, from https://anyassignment.com/samples/stardust-2-4117/
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Earl's Quick Connect Adapter fittings are a slick easy way to use AN plumbing with late model OE fuel rails & fuel lines. Each quick connect uses two reusable metal retainers that won't break or melt. The secondary retaining clip is attached to the fitting on a tether chain.


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Flowers & Gardens Spring Festival
Mexico City decorates its facades with extravagant floral arrangements every year.
Mario Yair TS (Atlas Obscura User)
Top Places in Mexico City
The Source of the Risco
CCEMx Site Museum
Futura CDMX
Since the botanical garden of Chapultepec opened its doors, Patricia Elías Calles has tried to raise awareness among the population about various environmental issues. Her most phenomenal idea was to create a festival to welcome spring in one of the most sought-after areas of Mexico City.
Polanco is an area known for its elegant restaurants and its branded stores. The festival consists of inviting businesses to create facades with floral arrangements inspired by a different ecological theme. The peculiarity lies in the creativity and imagination with which the different establishments are decorated.
At the same time, the festival is complemented by workshops, cultural activities, and other free activities. Thus, the streets are covered with colors and spring fragrances. Polanco was a luxurious neocolonial residential area of the 1930s, so the festival has also allowed people to know the old mansions that are now restaurants and galleries.
Through different networks, people can vote for their favorite façade, although what is most abundant are the selfies of the attendees. It should be mentioned that the idea of decorating facades with floral arrangements is not new in Mexico. Since the 19th-century, the neighborhood of San Angel has used flowers, grown and harvested locally in the chinampas of Xochimilco, to decorate its balconies in honor of Holy Week.
The festival takes place in early April and usually starts on Wednesday and ends on Sunday. It is best to go the first few days when the flowers are fresh and there are fewer people.
Oaxaca: Tastes of Past & Present
Join us as we explore the indigenous flavors, contemporary cuisine, and rich history of Oaxaca—meeting local chefs, artisans, and historians along the way.
Mario Yair TS
Monsieur Mictlan
107B Av. Emilio Castelar
Cafebrería El Péndulo
Pabellón Coreano de la Amistad (Korean Friendship Pavillion)
Metro Auditorio
Part bookstore, part café, and part forest.
In Chapultepec Park there is a pavilion gifted to Mexico from South Korea to honor the 1968 Summer Olympics.
This Mexico City subway station will make you feel like you've been transported to the London Underground.
Moctezuma's Treasure
It's believed this golden brick is part of the legendary lost Aztec treasure.


Business cards for Ernst & Co Hair Salon have arrived! Since the cards were printed with Moo, there are 10 variations for each stylist and of course they look great! Stay tuned, there is plenty more to come for Ernst & Co.


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RALIANCE Reading: The Significance of Juneteenth
/ Blog, Culture, Workplace / June 10, 2022 June 10, 2022
Last year, Juneteenth was made a Federal holiday—the first new Federal holiday since Martin Luther King Jr. Day in 1983, so it was a big deal. Many people are still learning the meaning of June 19, 1865, and how we collectively reconcile and celebrate two very different types of Independence Days every summer.
Here is what the RALIANCE team has been reading to get all caught up on some of Black-American history, the significance of Juneteenth, and the best ideas for how to celebrate the holiday with diverse colleagues in the workplace.
The 1619 Project (New York Times) – The Pulitzer-winning project led by journalist Nikole Hannah-Jones posits that slavery is neither peripheral nor parallel to the history of the United States, but rather absolutely central to it. The 1619 Project, named after the first year when people were brought to North America as chattel slaves, was first a special issue of The Times magazine. It has since been spun off into a podcast and a book. The endeavor takes a look at slavery's integral role in the development of American society and the impacts of that legacy in the modern day.
'We received feedback': The commercialization of Juneteenth backfires for big brands (Yahoo! Finance) – We've become used to the commodification of holidays—whether the occasion comes with a blowout sale or limited-time merchandise. However, this pattern can become uncomfortable for staff members when the day of commemoration is rooted in a history of oppression or inequity. This article explains the concern with the commercialization of Juneteenth. The next article explains better ways to celebrate.
How companies can celebrate Juneteenth (HR Dive) – With such a new holiday, most companies don't necessarily have established traditions or corporate culture around Juneteenth. But it's never too late to start. In this article, HR Professional Akilah Cadet offers a bevy of ideas for how workplaces can start incorporating Juneteenth into the annual schedule. Some suggestions include making the day paid time off, sharing educational resources, or supporting local Black-owned businesses.
How people came to celebrate Juneteenth in the United States (ABC13) – Juneteenth is not just about freedom for enslaved people. It speaks to the Confederacy's resistance to letting go of the slavery system even after they had lost the Civil War. This quick read explores why Texas slaves were the last to know they were free.
We leave you with this quote:
"What, to the American slave, is your 4th of July? I answer; a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim." – Frederick Douglass, July 5, 1852.
Federal recognition helped make Juneteenth more ubiquitous, but there is still a lot of learning to do. Learning is a healthy and necessary process because updating knowledge and norms is part of building an inclusive workplace. Keep checking back for more ways to strengthen your workplace culture.


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Jadon Lavik
Album length: 10 tracks: 32 minutes, 9 seconds // 11 tracks
Street Date: October 12, 2010 // November 1, 2011
Jadon Lavik is a worship leader in Southern California whose radio friendly acoustic pop/rock has garnered him fame across the United States. Lavik burst onto the Christian music scene in 2004 with his debut album, Moving on Faith, on BEC Recordings and hasn't slowed down since. He is reaching more fans each year with consistent radio play and touring as well as leading worship at his church in California. This summer, he released his fifth studio album, Art and Soul, bringing more nationwide recognition with radio singles "Love" and "Shine."
Jadon Lavik's Christmas is an album chockfull of acoustic, bluesy renditions of Christmas traditionals (and one original) done Southern California style. The album begins with "Have Yourself a Merry Little Christmas" and Lavik's gentle acoustic guitar and effortless vocals float along to the jazzed up Christmas classic. Celebratory original "Hallelujah The Lord Has come" picks up steam with electric slide guitar forming it into an instant classic with the chorus "Hallelujah, The Lord has come, Emmanuel, our God is with us." A Dave Matthews influenced version of "Little Drummer Boy" features Lavik's bluesy guitar work and a horn section.
The simple piano arrangement of "I'll Be Home for Christmas" gives Lavik room to stretch his vocal range. He returns back to his acoustic pop roots with his takes on "Silent Night" and "O Come All Ye Faithful" that will be sure to find a spot on your Christmas playlist this year. Bringing the album to a close are the folk inspired "Go Tell It On The Mountain," the acoustic blues of "Joy to the World," and the Hawaiian Christmas song "Mele Kalikimaka" - complete with ukulele.
Jadon Lavik's Christmas will deliver yuletide joy and reflection on the birth of Christ for those wanting a slice of Americana with their Christmas celebrations.
- Review date: 12/6/10, written by Jason Rooks for Jesusfreakhideout.com
Record Label: None // BEC Recordings
Buy It: JadonLavik.com
Buy It: Amazon.com
Have Yourself A Merry Little Christmas (3:12)
Hallelujah The Lord Has Come (3:04)
Little Drummer Boy (2:58)
I'll Be Home For Christmas (3:25)
Silent Night (3:15)
O Come All Ye Faithful (3:03)
Christmas Time Is Here (2:47)
Joy To The World (4:08)
Go Tell It On The Mountain (3:08)
Mele Kalikimaka (3:09)
Walking In A Winter Wonderland **2011 BEC Recordings Release Only