Serving Hot Scotch eggs, Ploughman's Lunches, Teas & Coffees from dawn till dawn.
Scotch Eggs & Ploughmans Lunches.
The Oundle Food festival is well known for celebrating all that is excellent in British food.
We will be serving up our Scotch eggs, Ploughmans lunches, teas and coffees, Bacon and egg rolls at this amazing grass roots festival.
The multi-award-winning 2000 trees is a 5,000-capacity festival set in the rolling Cotswold Hills. You'll get 3 nights camping, a friendly, intimate atmosphere and amazing food and locally produced ciders, ales & lagers – plus there's a distinct absence of all the bad things associated with massive mainstream events!
Serving Hot Scotch Eggs, Ploughman's lunches and rosette cookies.
Thrilled to be invited back to the Ellington gala with our homemade ice creams for the event.
Serving up Goulash and Pierogi at the Transport museum, Wythall.


Raffles Court and Raffles Terrace are Spirit's self-serve buffet restaurants. The Court is inside while the Terrace is outdoors overlooking the stern.
The Blue Lagoon Cafe (above) is an essentially around-the-clock venue for snacks and light fare. It is informal and lighthearted.
Shogun Asian Restaurant was once a specialty restaurant but now is complimentary. This venue features Pan-Asian cuisine that includes elements of Japanese, Thai, and Chinese cuisines.
The Bier Garten Grill, high on Deck 13, offers burgers and light fare outdoors.


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Q: How to apply callcc so that it provides an escape continuation mechanism for use with the continuation monad I try to implement the continuation monad in Javascript to handle continuation passing style and asynchronous control flows. Here is my continuation monad for learning:

// auxiliary functions

const log = prefix => x => console.log(prefix, x);
const addk = x => y => k => setTimeout((x, y) => k(x + y), 0, x, y);
const inck = x => k => setTimeout(x => k(x + 1), 0, x);
const sqr = x => x * x;

// continuation monad

const cont = {
  of: x => k => k(x),

  map: ftor => f => k => ftor(x => k(f(x))),

  ap: ftor => gtor => k => ftor(x => gtor(f => k(f(x)))),

  chain: ftor => mf => k => ftor(x => mf(x) (k)),

  callcc: f => k => f(x => () => k(x)) (k)
};

// map a normal, unary function with an asynchronous function:

cont.map(inck(9)) (sqr) (log("map"));

// chain two asynchronous CPS computations with an asynchronous binary CPS function

const comp1 = cont.map(inck(4)) (sqr);
const comp2 = cont.map(inck(9)) (sqr);

cont.chain(comp1) (x => cont.chain(comp2) (y => addk(x) (y))) (log("chain"));

Apart from cont.ap, whose benefit doesn't reveal itself to me, everything works fine.
Now I'd like to mimic the throw/catch mechanism of synchronous control flows in Javascript. callcc seems to fit, because it provides an escape continuation mechanism for use with continuation monads, as stated on http://hackage.haskell.org/.
But I can't figure out how to apply callcc and I haven't found any suitable source that describes such an application.

A: Continuations in a Nutshell
Continuations are a powerful abstraction. Let me emphasize that. Continuations are an immensely powerful abstraction. Why are continuations so powerful? It's because a continuation is simply a function[1] and "functions have a dangerous property of being invokable." More on that later.
So, if a continuation is just a function then why is it so special?
Yes, a continuation is just a function. However, what makes a continuation so special is what it represents. A continuation represents the "rest of the computation" (a.k.a. the computation context). For example, consider the following Scheme expression:
  (add1 (* 3 x))
;       |_____|
;          |
;     computation

  (add1 [])
; |_______|
;     |
;  context

Here the computation (* 3 x) has the context (add1 []) where the [] represents a hole. The hole can be plugged with the result of a computation. This is written as (add1 [result]) for some result. A continuation is just a representation of a context. For example, the function (lambda (result) (add1 result)) represents the context (add1 []).
On the other hand, the computation (* 3 x) can also be represented as a function. It's represented as the function (lambda (context) (context (* 3 x))) where context is a continuation representing the context of the computation. In should be noted that the Cont type in Haskell represents the computation itself, not its context.
Okay, but what makes continuations so powerful?
As I said before, a continuation is simply a function and "functions have a dangerous property of being invokable." In particular, a function may be invoked not only once but also arbitrarily many times or even never at all. This is what makes continuations so powerful.
For example, consider the aforementioned computation (* 3 x) represented as a function:
(lambda (context)
  (context (* 3 x)))

What if we applied context more than once? We could use it to double the result as follows:
(lambda (context)
  (+
    (context (* 3 x))
    (context (* 3 x))))

If the given context is add1 then this will produce the answer (* 2 (add1 (* 3 x))).
On the other hand, what if we never applied context? We could short-circuit the evaluation:
(lambda (context)
  (* 3 x))

This is precisely what call/cc does. It short-circuits the evaluation by ignoring the context and simply returning an answer. For example, consider:
(call/cc (lambda (short-circuit)
  (add1 (short-circuit (* 3 x)))))

Here, the computation (* 3 x) has the context add1. However, we short-circuited the computation by applying the context of call/cc (i.e. short-circuit) to the result of the computation. Hence, we ignored the original context (i.e. add1) and returned an answer.
How is call/cc implemented?
Now that we understand continuations let's look at the definition of callCC in Haskell:
callCC :: ((a -> Cont r b) -> Cont r a) -> Cont r a
       -- |___________________________|
       --               |
       --               f
callCC f = Cont $ \k -> runCont (f (\a -> Cont $ \_ -> k a)) k
       --        __|___            |______________________|
       --       |      |                       |
       --       (a -> r)                 short-circuit

It should be noted that k is the current continuation (i.e. the continuation of the entire expression). The function f is the only input to callCC. It returns a Cont r a which represents the entire computation to be performed. We apply it to k to get the result of the computation.
However, inside the computation we can call short-circuit whenever we want to short-circuit the evaluation. This function takes a result and returns a computation that ignores its context and applies the current continuation k to the result, thereby short-circuiting the evaluation.
Putting it all together in JavaScript.
We understood what continuations are in Scheme. We understood how callCC works in Haskell. Let's use our newfound knowledge to implement continuations and callCC in JavaScript:

var Cont = defclass({
    constructor: function (runCont) {
        this.runCont = runCont;
    },
    map: function (f) {
        return new Cont(k => this.runCont(x => k(f(x))));
    },
    apply: function (g) {
        return new Cont(k => this.runCont(f => g.runCont(x => k(f(x)))));
    },
    bind: function (f) {
        return new Cont(k => this.runCont(x => f(x).runCont(k)));
    }
});

Cont.of = x => new Cont(k => k(x));

var callCC = f => new Cont(k => f(x => new Cont(_ => k(x))).runCont(k));

var log = prefix => x => console.log(prefix, x);

var add1 = x => Cont.of(x + 1);

callCC(short_circuit => short_circuit(15).bind(add1)).runCont(log("short"));

callCC(short_circuit => Cont.of(15).bind(add1)).runCont(log("no short"));

function defclass(prototype) {
    var constructor = prototype.constructor;
    constructor.prototype = prototype;
    return constructor;
}

Beware, callCC can be used to implement goto.
The power of callCC allows you to create arbitrary control flow structures like throw, coroutines and even goto as can be seen here:

var Cont = defclass({
    constructor: function (runCont) {
        this.runCont = runCont;
    },
    map: function (f) {
        return new Cont(k => this.runCont(x => k(f(x))));
    },
    apply: function (g) {
        return new Cont(k => this.runCont(f => g.runCont(x => k(f(x)))));
    },
    bind: function (f) {
        return new Cont(k => this.runCont(x => f(x).runCont(k)));
    }
});

Cont.of = x => new Cont(k => k(x));

var callCC = f => new Cont(k => f(x => new Cont(_ => k(x))).runCont(k));

var log = (x, ms) => new Cont(k => setTimeout(_ => k(console.log(x)), ms));

var omega = x => x(x); // This is a very dangerous function. Run `omega(omega)`.

callCC(omega).bind(cc => log("loop", 1000).bind(_ => cc(cc))).runCont(x => x);

function defclass(prototype) {
    var constructor = prototype.constructor;
    constructor.prototype = prototype;
    return constructor;
}

This code is equivalent to:
forever:
    delay(1000);
    print("loop");
    goto forever;

Hence, you should be careful when working with continuations.

[1] Continuations are usually implemented using first-class functions. However, in languages with first-class continuations like Scheme there's a distinction between continuations and functions. Nevertheless, even if a continuation is not a function it's still like a function in that it's invokable.

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Purity Ring's new album, Another Eternity, is an evolution for the Edmonton-based group. The songs retain the full-bodied sound despite being performed by a duo. Megan James (vocals) and Corin Riddick (instrumentals) have built on past themes in their work, such as the question of the malleability of physical bodies. The band seems to be making a determined progression. While James' vocals have the same transcendent quality, they take a step behind the instrumentals.
James' voice is what made listeners feel so familiar about the music, and the new tracks certainly create more of a distance between the vocals and the listener. However, what's lost in intimacy is made up in story-like lyrics and absorbing drum sections.
The album's opening tracks, "Heartsigh" and "Bodyache," signal that the group has continued to build on the theme of the body. The ephemeral discussion of feet moving on floors, sinking below the floor, and putting one heart into another seems literal rather than metaphorical, consistent with Purity Ring's style.
Previous music feels a bit like an acid trip, but the new album's hip-hop inspired drums and instrumentals feel more grounded. James is also using her voice in different ways – she relies less on drawn out notes and sings more quickly.
The production value is excellent, but the direction of Another Eternity is overall disappointing. Purity Ring had a niche sound that relied more on well-timed pauses than fleshed out instrumentals which, despite listening carefully, is hard to find. The music is more decidedly pop than previous work, but the band's appeal came from not subscribing to any specific genre.
"Stranger Than Earth" is one of the more distinctive tracks. James combines epic storytelling with the cutting and catching mantra, "I wasn't thinkin' bout you." Riddick's instrumentals support more than showcase, and the song benefits.
As indisputably talented as Riddick is, his contribution had more of an effect when it was pared down and it was not so obvious what the sound lacked. The type of songs the pair produced previously seemed proportional to a two-person project, while the new magnified tracks beg for a more substantial bass and worked over vocals.
"Flood on the Floor" proves worthy of multiple listens. The upbeat track is one of the few that feels as dark as fans are used to, and Riddick does not overpower James, who sings with a singular focus. The track veers refreshingly away from the others on the album.
Perhaps the biggest difference in this album is the self-awareness and superficiality. It is almost as if enough people told them how great they were and they decided to max out in all the areas they could. However, the charm and magnetic quality of their music came from being sparse and compelling.
After seeing two of their shows, it is difficult to imagine the energy of the new tracks on stage. James and Riddick cast a spell in their shows that left the audience content to watch in a trance; the new tracks seem to demand movement. Attending a show may be necessary, to see if the band's energy will keep up with their production.
The duo usually uses lights to add another element to the performance, a feat that may be more difficult with the instrumental cues.
Overall, the album is worth a listen for fans that already know the group, but those who have never heard them before may enjoy it more. Without any expectations, the album is creative and just strange enough. However, their older work had the ability to construct a mood and distinctive energy that are now absent. The pair will likely tap into audiences that enjoy the trance end of the electronic spectrum, but may lose some of the hard-earned fans that were surprised and intoxicated by the original, and truly weird, music.


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© Marc Piasecki
emma-stone-la-la-land-premiere-in-paris
"LA LA LAND" FILM PREMIERE IN PARIS
The American actress wore a dress from the Paris Cosmopolite 2016/17 Métiers d'Art collection at the premiere of "La La Land". Damien Chazelle's film, in which she plays the leading female role alongside Ryan Gosling, was shown last night in Paris.
© Steve Granitz
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The American actress wore a dress from the Fall-Winter 2016/17 Haute Couture collection to the 74th Golden Globe Awards ceremony in Los Angeles.
© Charley Gallay
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PALM SPRINGS FILM FESTIVAL
Pharrell Williams won "The ensemble performance" prize for the film "Hidden Figures", whose soundtrack he composed, at the 28th Palm Springs Film Festival. For the ceremony, he wore a jacket from the Cruise 2016/17 collection.
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SPRING-SUMMER 2017 CAMPAIGN

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3) I can no longer use the Android app, it says the nanoAVR is in use when neither PC is connected with the Windows plugin.
4) I no longer get video pass through UNLESS I remote into my HTPC and connect to the Windows plug in then I get video until I close off the Windows plugin and then disconnect the remote desktop program the video goes away until I connect to the Windows Plugin again. Since I use the nanoAVR 100% of the time with HTPC it makes the nanoAVR completely useless because I can't have that connected all the time due to rebooting on the HTPC. I can't remote in and reconnect the Windows plug in on every reboot, that completely kills the convenience of such a device.
EDIT: It looks like the unit doesn't like USB & Ethernet plugged in at the same time... unplugging USB fixed my issues. I'll just leave this here in case someone else plugs in both the USB & Ethernet and has problems.
Last Edit: 4 years 4 months ago by Tch0rT.
Yeah, that bit seems unavoidable whenever a new feature is added to the UI. Hopefully they will remember to mention it next time.
Glad you got it sorted. I guess I never tried that, but it's good to know what happens if.
Any thoughts on the new output mode feature?
I haven't had a chance to test it a whole lot yet but so far I like it. I have an HTPC with JRiver as the front end and changing from Bitstreaming to internal decoding of surround sound codecs is sometimes glitchy as it'll occasionally downmix a 7.1 blu-ray to stereo and isn't always immediately noticeable so at least this way I can easily double check to see if it's outputing stereo, 5.1 or 7.1 with my receiver. I haven't checked to see if my receiver will apply the matrixing surround sound like Dolby PLIIx or THX surround modes to the LPCM stream yet (I don't see why not) for expanding stereo or 5.1 sources.
miniDSP warns that I should erase/uninstall the current version of the firmware before installing the latest version, but they do not explain how to do this. Do I use the PIC32UBL.exe application to erase, or does installation of the newest version automatically erase the older version for me? Did you erase the older firmware version before installing the newest version (version 1.5)?
The Please_Uninstall_Old_Version_First_(For_user_with_version1.4_or_lower_only)_Readme.txt refers to uninstalling the Plug In on your computer. You will need to uninstall the old version of the Plug In on your computer and then install the new version.
There should be a pdf in the Firmware directory called nanoAVR_firmware_update_procedure.pdf that explains exactly what to do to upgrade the firmware.
2. Connect the unit to PC using USB cable.
5. Open the PIC32UBL.exe on the PC.
Settings tab) to select using the USB to download the firmware.
7. Click the "Connect" Button.
8. Click the "Load Hex File" Button.
9. Browse to the lastest firmware (.hex file) and select it.
NOT DISCONNECT THE UNIT DURING THIS PROCESS.
11.Click the "Run Application" Button, the unit will start up in normal mode.
12.Click the "Disconnect" Button to disconnect the USB connection to the device.
Glad to hear that you've figured it out. Just a quick note for those of your wondering the priority process between USB and Ethernet.
You can indeed plug both Ethernet and USB, it will work fine, BUT it will "force" the connection over USB instead of Ethernet.
In other words, if you're doing control of the unit over wifi/network, you will "lock" the Ethernet connection. I'm guessing that with your 2 PC setup (i.e. one for configuration, one for USB update), that's what happened here. (i.e. Ethernet connection was locked up).
We'll update the user manual to include that info. Sorry we've missed it.


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McLean Connection: June 22, 2022
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Virginia Artesian Bottling Company is pleased to welcome you as you explore who we are and what we're all about.
Here you'll learn about our philosophy, our culture, and the pristine artesian water we bottle for retail and custom label customers nationwide. Pure water, bottled at the source. A healthful and refreshing beverage. Enjoy!
In 2002, our family had a dream of sharing with the local community the special artesian water that lay beneath our land. Resources gathered, Virginia Artesian® Bottling Company was created and we set forth on a journey to realize that vision.
The dream is fulfilled, and we now offer that water not just locally, but to people all across America.
When we say Virginia Artesian water is special, it's because our water is derived from a deep, stone-protected aquifer located directly beneath our facility. This enables us to bottle it right at the source, and thus retain its purity and clean, crisp taste.
Virginia Artesian Bottling is still family-owned and operated, and remains pleasantly at home in pastoral Hanover, Virginia.
As Virginia Artesian Bottling Company grows, we remain focused on building a committed team of individuals who believe in our product and our responsibility to deliver Virginia Artesian water in its purest, most precious form. No one person is more proud than the next about our commitment to excellence, nor our determination to be the absolute best we can be.
Visitors regularly complement us about the neat and organized facility we keep, which is a reflection of how much our team cares about what we do. Every post is filled by individuals who seek to ensure Virginia Artesian will always be the finest bottled water available.
We love what we do and we are proud of our operation.
When community outreach opportunities present themselves, so do we. We love being involved in Heart Walks and other events of the sort. Non-profits and schools always have a friend in Virginia Artesian Bottling Company. And we were there when hurricanes Katrina and Sandy struck, as well as the flooding in Isle of Wight, ice storms in Wise and Lebanon, VA and the disaster at Flint, MI. We make our aid and assistance count, and we feel blessed to contribute in as many ways possible.


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Illinois Tech In the News Archive
Architecture's Robert Krawczyk at PechaKucha and Exhibition
College of Architecture Professor Robert Krawczyk has been invited to the upcoming PechaKucha 20x20 in Batavia on Thursday, February 21. The title of his presentation is "Visualizing the Invisible; Science, Mathematics, and Art."
The New York Times publishes Chicago-Kent College of Law Professor Hank Perritt's letter to the editor written in response to an op-ed titled "What Will New York Do About Its Uber Problem?"
"The most important lesson of the New York City taxi mess is that government-granted monopolies disserve the public interest," writes Hank Perritt.
Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship Executive Director Howard A. Tullman is a guest on Tastytrade's Bootstrapping in America
Howard A. Tullman discusses his new show at Tastytrade, learning how to build a core portfolio, and gives advice to recent graduates.
Chicago-Kent College of Law Professor Richard Kling speaks with the Chicago Tribune about a defendant using the victim's past behavior to claim self-defense at trial
"The video blows out of the water any contention that McDonald was coming at Van Dyke," says Richard Kling, a former public defender. "And when you plead self-defense, you can't be the one who started the fight."
Chicago-Kent College of Law Professor Anthony Michael Kreis talks to the Guardian about states banning the "gay panic" defense at trial
Anthony Michael Kreis helped draft the Illinois law banning gay panic defenses at trial.
College of Science Professor of Computer Science Shlomo Argamon chats with Forbes about Illinois Tech's Master of Data Science program
"The awareness of the usefulness of data science has grown, and as tools become more widely available, companies in a greater variety of industries are making use of data scientists, either in-house or via a growing number of data science consulting firms," says Shlomo Argamon.
School of Applied Technology Director of Information Technology Louis McHugh explains how to block robocalls for NBC Chicago
"In any of these scam type situations it's about making money," Louis McHugh says.
Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship Executive Director Howard A. Tullman chats about his position in several local media outlets
Chicago serial entrepreneur and former 1871 CEO Howard A. Tullman is the first executive director for the Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship.
Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship Executive Director Howard A. Tullman discusses his new position on the Steve Cochran Show
Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship Executive Director Howard A. Tullman discusses entrepreneurship on the Let's Be Frank podcast
Howard A. Tullman suggests entrepreneurs "spend less time wishing for it, and more time working for it."


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mobile » Price List » Best Mobile Phones under ₹ 90000 in India
Best Mobile Phones under ₹ 90000 in India
Here is a list of the Best Mobile Phones under ₹ 90000 in India. Check out their specifications & compare their prices across the leading online stores to take advantage of the amazing deals happening at the moment.
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Apple iPhone 8 (Gold, 256 GB Storage)
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The Apple iPhone 8 Plus (Space Grey, 64 GB Storage) features a 13.97 cm (5.5 inch) display. It comes with of RAM and 64 GB of internal storage. It supports Single Sim and 4G networks.
Google Pixel 2 XL (Just Black, 128 GB Storage, 4 GB RAM)
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Samsung Galaxy Note 9 (Alpine White, 128 GB Storage, 6 GB RAM)
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The Samsung Galaxy S9 (Midnight Black, 256 GB Storage, 4 GB RAM) features a 14.73 cm (5.8 inch) display. It comes with 4 GB of RAM and 256 GB of internal storage. It supports Dual Sim and 4G networks.
Samsung Galaxy S9 Plus (Burgundy Red, 128 GB Storage, 6 GB RAM)
The Samsung Galaxy S9 Plus (Burgundy Red, 128 GB Storage, 6 GB RAM) features a 15.75 cm (6.2 inch) display. It comes with 6 GB of RAM and 128 GB of internal storage. It supports Dual Sim and 4G networks.
Samsung Galaxy S9 Plus (Midnight Black, 256 GB Storage, 6 GB RAM)
The Samsung Galaxy S9 Plus (Midnight Black, 256 GB Storage, 6 GB RAM) features a 15.75 cm (6.2 inch) display. It comes with 6 GB of RAM and 256 GB of internal storage. It supports Dual Sim and 4G networks.
Apple iPhone 8 (Space Grey, 64 GB Storage)
The Apple iPhone 8 (Space Grey, 64 GB Storage) features a 11.94 cm (4.7 inch) display. It comes with of RAM and 64 GB of internal storage. It supports Single Sim and 4G networks.
Samsung Galaxy S9 (Coral Blue, 128 GB Storage, 4 GB RAM)
The Samsung Galaxy S9 (Coral Blue, 128 GB Storage, 4 GB RAM) features a 14.73 cm (5.8 inch) display. It comes with 4 GB of RAM and 128 GB of internal storage. It supports Dual Sim and 4G networks.


Soft tie-on mantles are well known among campers. They're used on larger camp lanterns and many vintage trailer owners use them on their Humphrey, Sunbeam or other brand of wall-mounted gas light.
If your old light has a ceramic burner nose with a simple groove around it, these are right for you. If your burner nose has three notches on it, your old light was not originally designed to use this type of mantle. The ceramic nose piece in your gas light was designed to fit the ring on a preformed "hard" mantle. Hard mantles are the best mantle available, but they are more expensive. For that reason, some people choose string-tie mantles on their notched burner noses.


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About Redwood Music Mart
Redwood Music Mart is a store that combines an appreciation for value, a concern for the community and a sense of humor. We are the go-to store for finding the best instrument for the best price in the Northern California region. We do this by shopping for our instruments just like a good customer shops for anything: we do a lot of research about the quality of the products we carry and try to find every bargain we can. We pass on our saving to our customers and make certain that we can honestly say that we don't carry any instruments that we wouldn't personally use. We are "a musician's better friend"! We also manage to do this in a manner that makes Redwood Music Mart a fun place to visit. Our employees like each other and like people. We are your friends--your goofy but nice, knowledgeable musical friends.
The name "Redwood Music Mart" came into existence in 2013. We combined our two locations into a single store, at a new location, and decided a change in the name was appropriate. Our previous name "Fortuna Music Mart" was born in January of 2002. Before that date a store called "Souza's Music Service" was in Fortuna. Jay Byker purchased the store from Ray Souza and changed the name to fit his own history. As it happens, the name "Music Mart" has a long standing Fortuna History. Jay worked at the original "Music Mart" when he was a student at Fortuna High, back in the 1960's. Jay's father, Henry Byker, sang at the grand opening of the original "Music Mart" in 1954. Jay's sister Joan and brother Jim both worked at the original "Music Mart" before his tenure. The original "Music Mart" was owned by Lloyd Anderson. Mr. Anderson was the former music teacher of Fortuna High. "Fortuna Music Mart" and the current "Redwood Music Mart" is owned by Jay Byker, the former music teacher of Fortuna High. The circle of life goes on. Jay Byker is currently the music teacher at Hydesville Elementary School and Loleta School, as well as a private teacher.
The very first Music Mart. Fortuna Rodeo Band inside the Music Mart
The staff of Redwood Music Mart includes
Jay Byker – store owner, cat lover, music teacher and check signer. Jay is from a family of musicians. He likes to talk about music. Mostly he likes to talk. He is married to the best singer he has ever heard.
Skip Wright – band instrument repairman, guitarist and smart guy. Skip knows a whole lot about making musical instruments work the way they are supposed to work.
Greg Moore - Greg is new to our store, but not to music. He spent 30 years in Europe playing jazz, runs the Humboldt Music Academy at HSU, and has a Masters in Community Band from Harvard.