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History of Meath, 1845 Version
The Parliamentary Gazetteer 0f Ireland, 1844-1845, Vol. 2
Meath, an ancient extensive territory, first a kingdom, and finally a lordship or earldom, partly within the present province of Ulster, but chiefly identical with most of the northern part of the modern province of Leinster. It seems to have comprehended the present counties of Meath, Westmeath, and Longford, the greater part of the present King's county, and small parts of the present counties of Cavan and Kildare; and to have been, in consequence, somewhat more extensive than the territory of the modern diocese of Meath. It probably was either erected into a kingdom in the second century, or was then made the peculiar domain of the Irish monarchs, while the other ancient divisions of the island owed them only feudal obedience; and it contained at Teamor, now called Tara, between Navan and Dunshaughlin, the residence of the monarch of Ireland, the seat of the supreme government, and the place where St. Patrick is alleged to have performed the first of his series of grand acts for establishing Christianity on the overthrow of paganism.
The monarchy of Ireland was afterwards separated from the kingship of Meath, and became so weakened by the separation as to retain little more than a nominal supremacy; but though the kings of Meath, now ranked as subordinate princes, and no longer boasted the possession of the chief government of the island, they continued to wield nearly absolute regal power, and constituted one of the two lines of the great family of O'Neills, who alternately swayed the sceptre of all Ireland. The kingdom was originally or uncorruptedly called Midhe or Miadhanagh, and, in Latin, Midia; and Beauford says, in the eleventh number of the Collectanea,
"According to several Irish poems and manuscripts, Midhe, in the early and middle ages, was, as at present, divided into two parts, that is, east and west; the eastern part, or East Meath, was denominated Oircamhoin, or eastern country, and the western part, or West Meath, Eircamhoin, whence the Hereman of the Irish poems and romances."
The kingdom of Meath, so rich in the greater part of its soil, and so destitute of natural fastnesses, offered a tempting and an easy booty to the Danish invaders; and it, in consequence, suffered often and severely from their descents and excursions. Turges, a Danish adventurer, in the early part of the 9th century, traversed the whole length of the kingdom, established his power on the shores of Lough Ree, and fearfully ravaged large portions of both Meath and Connaught; but he was eventually captured and slain, in the vicinity of Mullingar, by Melaghlin, then king of Meath, and afterwards monarch of Ireland.
The Danes, however, soon renewed their incursions, took advantage of the civil dissensions of the Meathmen, and, during several centuries, vied with hostile princes among the native Irish in making Meath a field of strife, and a theatre of spoil and disaster. Melaghlin 11, king of Meath in the time of the celebrated Brian Boromh, held the monarchy of Ireland, abdicated it in favour of Brian, resumed it after Brian's death, and retained it thence till his own death about 150 years before the Anglo Norman invasion; and he was the last monarch of all Ireland of the family of O'Neill, or royal line of the house of Meath. O'Melaghlin, king of Meath, one and a quarter century after the death of Melaghlin II., had, in common with other princes, been reduced into subordination by Dermod MacMurrough, king of Leinster, and had given his daughter in marriage to O'Rourke, king of Brefny; and when MacMurrough vilely abducted that lady, O'Melaghlin, aided by other princes, and even by MacMurrough's own subjects, hurled the royal abductor from his throne, and drove him into ignominious retreat to England, where he unprincipledly sold himself to the scheme of the Anglo Norman invasion.
Immediately after the speedy subsequent conquest of Ireland, Hugh de Lacy received from Henry II, a grant of Meath as a county palatine or feudal lordship, with several regal rights; and he parcelled out the territory among his followers, in portions which were afterwards recognised as baronies from the circumstance of his making their proprietors barons. This great lordship, however, appears to have been speedily wrenched from the English by the Irish; but it was reconquered by De Lacy, after his second appointment to the governorship of Ireland in 1178; and, during the general rebellion which arose out of the mal administration of Prince John, afterwards King John, it was preserved from a second return to Irish control by means of a victory won over the Irish forces in 1186 by William Petit. Hugh de Lacy, the second, or son of the first Hugh de Lacy, fought, as Earl of Meath, in a contest between two Irish princes for the sovereignty of Connaught, was appointed to the governorship of Ireland, and executed with difficulty a commission to arrest and send to England John de Courcey, the Anglo Norman Earl of Ulster. De Lacy was rewarded for his services with the earldom of Ulster, and was succeeded by his brother Walter in the earldom of Meath; and both of them became turbulent and insubordinate, and involved their territories in intestine commotions, and in contests with the Crown, and with the lords of the English Pale.
At the death of Walter, Meath was divided into West and East, and inherited by his two daughters: Westmeath became the portion of the elder daughter, the wife of Sir Theobald Verdon, and was allowed to fall away, for upwards of a century, into a state of total alienation from English law; and East Meath became the portion of the younger daughter, the wife of Sir Geoffry Genneville, but speedily passed by forcible capture into the possession of native chiefs or Anglo Norman lords. In 1329, the English were severely defeated by the native Irish in a pitched battle near Mullingar. In the reign of Henry VI., Richard, Duke of York, and lord deputy of Ireland, erected castles along the border of Meath for its protection. In the reign of Henry VIII, Con Buckagh O'Neill invaded Meath, but withdrew at the approach of an army under the lord deputy, the Earl of Surrey. In 1539, the insurgent Irish destroyed Navan, mustered their forces at Tara, and when on their march thence, were overtaken and dispersed. In 1540, the native Irish rose in great strength in Westmeath to march upon the English Pale; but, on learning that they were likely to be hotly received, they dispersed. Very nearly at the end of the reign of Henry VIII, Meath, which hitherto had been preserved in its ancient territorial integrity as one county, was divided into the two counties of Meath and Westmeath; but the former of these included the portion of the present county of Cavan which had belonged to the ancient Meath, and the latter included the present county of Longford, and a large part of the present King's county; and the final arrangement, or that which now exists, was made in the reign of Elizabeth.
The history of the county of Meath, down to near the close of the reign of Henry VIII, is that of successively the kingdom, the lordship, and the county palatine of Meath. During the rebellion of 1641, the English entered Trim, made it a military post, defeated an attempt of the Irish to take it by surprise, and made it the theatre of negociations for concluding a peace with the insurgents. In 1647, Trim was unsuccessfully besieged by General Preston; in 1649, it became an asylum to some of the royalists, who were beaten at Rathmines in the county of Dublin; and after the capture of Drogheda, and the massacre of the garrison of that town by Cromwell, it was without resistance surrendered to the parliamentarians. In 1690, the famous battle of the Boyne, so prolific of momentous consequences to the whole of the three kingdoms, and in a sense, to Europe, was fought principally on the north border of Meath; and the retreat and the pursuit of respectively the defeated and the victorious armies, were conducted right through the county from north to south. In the rebellion of 1798, a party of insurgents committed some outrages at Dunboyne, suffered a defeat at Ratoath, and cut off a portion of their victors at Clonee Bridge; other insurgents committed outrages at Dunshaughlin; and a body of about 4,000 took post at Tara, and suffered there a sanguinary defeat from the troops and the yeomanry.

redpajama_set_name: RedPajamaCommonCrawl


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To some people the age of 33 may seem like dinosaur years in the tennis world. But good luck explaining that to Roger Federer. Federer is 33-years of age and he isn't showing any signs of slowing down. The Association of Tennis Professionals season is two months old and Federer has two tournament wins to his credit. In January, Federer defeated Canadian Milos Raonic in three sets. Last week Federer met longtime rival Novak Djokovic in the finals of the Dubai Tennis Championships where he got past the Serbian in straight sets. Federer hasn't won a Grand Slam event since 2012 when he won Wimbledon, but he is still in the conversation as one of the best male tennis player on the court as he currently ranked as the second best tennis player in the world.
After a tough 2013, Federer began to make adjustments to his game as some skeptics felt that his best days as a tennis player were in the rear view mirror. First, Federer switched to a new tennis racket which has greatly improved his game. Second, as an older and wiser tennis player, Federer has learned to become more craftier and he has been using all of the tricks in his arsenal. Where some of the younger tennis players may attempt to win with power, Federer is going about things with finesse. Federer's drop shot and slices are legendary as when he is on with them it is the equivalent of watching Baseball Hall of Fame pitcher Greg Maddux toy with opponent's at home plate during his Major League Baseball career.
The revival for Federer began last March when he reached finals of the BNP Paribas Open in Indian Wells, California. There Federer would face Djokovic who was expected to cruise to an easy victory. Federer won the first set that day 6-3 and made Djokovic work for the hard earned victory. And even in defeat the fans in attendance and Djokovic alike had gained some more respect for Federer's grit as they saluted him. Djokovic and Federer would meet last summer in the finals at Wimbledon. And just like it was at Indian Wells, Federer made Djokovic work for every point as he took him to five sets before bowing out at the All England Club. Last summer in the quarterfinals of the U.S. Open, Federer would lose the first two sets of his match against Gael Monfils of France. And just when things seemed bleak, Federer rallied to win the next three sets to the cheers of the fans in New York City. But unfortunately for Federer, the five set victory over Monfils took everything out of him as he didn't have anything left and he fell to the eventual U.S. Open winner Marin Cilic in the semis in straight sets. After his run at the U.S. Open, Federer would win the Shanghai Masters last fall before reaching the finals of the Barclays ATP World Finals before an injury forced him to withdraw from another meeting with Djokovic. To top it all off in 2014, Federer helped Switzerland win the Davis Cup. And just when some people thought the 2014 would be Federer's last day in the sun, they were thoroughly mistaken as he has gotten off to a good start here in 2015.
There was a time when some people thought that Federer was winning too much. In 2004, 2006, and 2007, the French Open was the only Grand Slam event that Federer didn't win. Federer won five consecutive U.S. Open's and at Wimbledon along with claiming three consecutive Austrailian Open Titles. Federer would finally win the French Open in 2009 joining an elite list of male tennis players to win each Grand Slam event. It appeared to be too easy for Federer, but now in the next stage of his career he has become more of a fan favorite due to the fact that he is now somewhat of an underdog. With Djokovic, Rafael Nadal, and Andy Murray currently in the prime of their respective careers and youngsters such as Cilic and Raonic looking to make a name for themselves, things are tougher for Federer. It is the classic example of the young lions attempting to knock of the old lion. But in this case the old lion (Federer) isn't still fighting off the pack. There is still plenty of exciting tennis action on tap this year and I don't see the native of Switzerland in Federer getting lost in the shuffle.


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Can A UTI screw up your cycle?
About a week after AF came I was diagnosed with a UTI. According to one app, that was around my fertile window. Now bc of the UTI, I didn't feel any CM. Now I'm in my fertile window according to glow and I feel kinda dry. Does not feel like I would be ovulating. But between last week and this week, I have felt ovulation twitches on both sides. If it did happen last week, I would have not known bc I had a UTI and couldn't tell if I had EWCM. Either way, I am not getting my hopes up this month, I just feel like AF is coming whereas last month I coulda SWORN I was preggo. So does anyone know if a UTI can screw up your cycle?


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Sybra parastrandiella is een keversoort uit de familie van de boktorren (Cerambycidae). De wetenschappelijke naam van de soort werd voor het eerst geldig gepubliceerd in 1966 door Breuning.

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redpajama_set_name: RedPajamaWikipedia


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Tag Archives: Top 10 Lists
Cult Movie
Let's see what's on the slab: Top 10 Midnight Movies
June 29, 2015 Dennis Hartley Leave a comment
(Originally posted on Digby's Hullabaloo on October 29, 2010)
Tonight, I thought I'd paw through the "midnight movie" section of my library and assemble my Top 10 picks for your All Hallows Eve holiday "cheer". As I have around 150 titles in this genre, it wasn't easy narrowing it down; since my tastes tend to run toward the offbeat in general, this was akin to asking someone to choose their favorite child (the hell I go through for you people). Keep in mind-when it comes to picking favorite "cult" films, the axiom "One person's trash is another person's treasure" comes into play. As per usual, presented in alphabetical order:
Eating Raoul– The late great Paul Bartel (Death Race 2000, Lust in the Dust, Scenes from the Class Struggle in Beverly Hills) directed and co-wrote this twisted and hilarious social satire. Bartel and his frequent screen partner Mary Waronov play Paul and Mary Bland, a prudish, buttoned-down couple who are horrified to discover that their apartment complex is home to an enclave of "swingers".
Paul is even more shocked when he comes home from his wine store job one day and discovers Mary struggling to escape the clutches of a swinger's party guest who has mistakenly strayed into the Bland's apartment. Paul beans him with a frying pan, inadvertently killing Mary's overeager groper. When the couple discovers a sizable wad of money on the body, a light bulb goes off-and the Blands come up with a unique plan for financing the restaurant that they have always dreamed of opening (and helping rid the world of those icky swingers!). Things get complicated, however when a burglar (Robert Beltran) ingratiates himself into their scheme. Yes, it's sick…but in a good way. Wait 'til you meet Doris the Dominatrix!
Eraserhead-If there's one thing I've learned in my fifty-odd years on the planet, it's that when it comes to the films of David Lynch, there is no middle ground. You either love 'em, or you hate 'em. You buy a ticket to a Lynch film, my friend, you'd best be willing to take the ride-and he will take you for a ride. And do you want to know the really weird thing about his films? They get funnier with each viewing. Yes, "funny", as in "ha-ha" . I think the secret to his enigmatic approach to telling a story is that Lynch is in reality having the time of his life being impenetrably enigmatic-he's sitting back and chuckling at all the futile attempts to dissect and make "sense" of his narratives. For example, have you noticed how I've managed to dodge and weave and avoid giving you any kind of plot summary? I suspect that David Lynch would find that fucking hysterical.
Forbidden Zone- Picture if you will: an artistic marriage between John Waters, Guy Maddin, Busby Berkeley and the Quay Brothers. Now, imagine the wedding night (I'll give you a sec). As for the "plot", well, it's about this indescribably twisted family who discovers a portal to a sort of pan-dimensional…aw, fuck it. Suffice it to say, any film with Herve Villchaize as the King of the Sixth Dimension, Susan Tyrell as his Queen and a scene featuring Danny Elfman channeling Cab Calloway in a devil costume is a dream for film geeks; and a nightmare for others. Directed by Danny's brother, Richard.
Harold and Maude-Harold loves Maude. And Maude loves Harold. It's a match made in heaven-if only "society" would agree. Because Harold (Bud Cort) is a teenager, and Maude (Ruth Gordon) is about to turn 80. Falling in love with a woman old enough to be his great-grandmother is the least of Harold's quirks. He's a chronically depressed trustafarian who amuses himself by staging fake suicides to freak out his patrician mother (wonderfully droll Vivian Pickles). He also "enjoys" attending funerals-which is where they Meet Cute.
The effervescent Maude is Harold's opposite; while he wallows in morbid speculation how any day could be your last, she seizes each day as if it actually were. Obviously, she has something to teach him. Despite dark undertones, this is one "midnight movie" that somehow manages to be life-affirming. The late Hal Ashby directed, and Colin Higgins wrote the screenplay. The memorable soundtrack is by Cat Stevens.
Liquid Sky – A diminutive, parasitic alien (who seems to have a particular delectation for NYC club kids, models and performance artists) lands on an East Village rooftop and starts mainlining off the limbic systems of junkies and sex addicts…right at the moment that they, you know…reach the maximum peak of pleasure center stimulation (I suppose that makes the alien a dopamine junkie?). Just don't think about the science too hard.
The main attraction here is the inventive photography and the fascinatingly bizarre performance (or non-performance) by (co-screen writer) Anne Carlisle, who tackles two roles-a female fashion model who becomes the alien's primary host, and a male model. Writer-director Slava Zsukerman also co-wrote the electronic music score for his 1982 curio. Deeply weird, yet eminently watchable (I've seen it more times than I'm willing to confess in mixed company).
The Loved One-When it was originally released back in 1965, this film had a pretty unusual tag line for the era: "The motion picture with something to offend everyone." Even by today's standards, this one is pretty unusual.
The perennially gap-toothed Robert Morse (who can be currently seen on AMC's hit series Mad Men, playing senior partner Bertram Cooper) plays a befuddled Englishman, making a valiant effort to fully process the cultural madness of southern California, where he has come for an extended visit at the invitation of his uncle (Sir John Gielgud) who works for a Hollywood movie studio.
Along the way, he falls in love with a beautiful but mentally unstable cosmetician (Anjanette Comer) who prepares "loved ones" for open casket funerals, gets a job at a pet cemetery, and basically just reacts to the bevy of wack-jobs he encounters. In fact, he is the only character in the film that doesn't seem completely out of his goddamn mind.
The unbelievable cast includes Jonathan Winters (playing several roles with his usual aplomb), Robert Morley, Roddy McDowell, Milton Berle, James Coburn, Paul Williams, Liberace…and nothing, I mean nothing could ever prepare the uninitiated for Rod Steiger as Mr. Joyboy, an embalmer who has a very interesting relationship with his mother (who may have been the model for Edith Massey's baby crib-bound grotesque in Pink Flamingos). Tony Richardson directed, and the screenplay was adapted by Terry Southern (Dr. Strangelove) and Christopher Isherwood from Evelyn Waugh's novel.
Meet the Feebles-Long before he was concerning himself with bringing CGI-enhanced orcs and hobbits to life, director Peter Jackson was working with considerably lower production budgets (as in: next to nothing), and letting has overactive imagination make up the difference in off-beat indie projects like this one from 1990. It's a sordid backstage tale about a neurotic diva who heads the cast of a popular TV variety show.
So what makes it a midnight movie? Well, there's lots of graphic sex, gory violence, and drug use. OK (you may rebut) but that's the kind of thing one can see on premium cable any day of the week. Yes-but how often do you see puppets engaging in those activities? Adorable, fuzzy-wuzzy anthropomorphic animal puppets, committing all 7 deadly sins (and a few extra ones you may have never thought of before). You really have to see it, to believe it.
Pink Flamingos-"Oh Babs! I'm starving to death. Hasn't that egg man come yet?" If Baltimore filmmaker/true crime buff/self-styled czar of bad taste John Waters had completely ceased making films after this jaw-dropping 1972 entry, his place in the cult movie pantheon would still be assured. Waters' favorite leading lady (and sometimes leading man), Divine, was born to play Babs Johnson, who fights to retain her title of The Filthiest Person Alive against arch-nemesis Connie Marble (Mink Stole) and her scuzzy hubby.
It's a white trash smack down of the lowest order; shocking, sleazy, utterly depraved-and funny as hell. Animal lovers be warned-a chicken was definitely harmed during the making of the film (Waters insists that it was completely unintended, if that's any consolation). If you are only familiar with Waters' more recent work, and want to explore his "roots" I'd recommend watching this one first. If you can make it all the way through without losing your lunch, consider yourself prepped for the rest of the oeuvre.
Repo Man-As off-the-wall as it is, this punk-rock/sci-fi black comedy version of Rebel without a Cause is actually one of the more coherent efforts from mercurial U.K. filmmaker Alex Cox. Emilio Estevez is suitably sullen as disenfranchised L.A. punk Otto, who stumbles into a gig as a "repo man" after losing his job, getting dumped by his girlfriend and deciding to disown his parents. As he is indoctrinated into the samurai-like "code" of the repo man by a sage veteran named Bud (Harry Dean Stanton, in another masterful deadpan performance) Otto feels he may have found his true calling.
A subplot involving a mentally fried government scientist driving around with a mysterious, glowing "whatsit" in the trunk is an obvious homage to Robert Aldrich's 1955 noir, Kiss Me Deadly. Cox also tosses a UFO conspiracy into the mix. Great use of L.A. locations. The fabulous punk rock soundtrack includes Iggy Pop, Black Flag, and The Circle Jerks.
The Rocky Horror Picture Show-Arguably the ultimate midnight movie. 35 years have not diminished the cult status of Jim Sharman's film adaptation of Richard O'Brien's original stage musical about a hapless young couple (Barry Bostwick and Susan Sarandon) who have the misfortune of stumbling into the lair of one Dr. Frank-N-Furter (Tim Curry) one dark and stormy night. O'Brien co-stars as the mad doctor's hunchbacked assistant, Riff-Raff.
Much singing, dancing, cross-dressing, axe-murdering, cannibalism and hot sex ensues-with broad theatrical nods to everything from Metropolis, King Kong and Frankenstein to cheesy 1950s sci-fi, Bob Fosse musicals, 70s glam-rock and everything in between. Runs out of steam a bit in the third act, but a killer lineup of knockout musical numbers in the first hour or so makes it worth repeated viewings. And at the risk of losing my "street cred" with some readers, I will now publicly admit that I have never attended one of the "audience participation" midnight showings. I now fully anticipate being zapped with squirt guns and pelted with handfuls of uncooked rice…
2010 ReviewsTop 10 Lists
On Pop Culture, Tribute
RIP David Carradine: All life is precious…
(Originally posted on Digby's Hullabaloo on June 6, 2009)
…nor can any be replaced.
I was sad to hear about David Carradine's passing . He may not have always been discriminating in his choice of roles (like Michael Caine, it seemed that he never met a script that he didn't like) but he had a unique screen presence, and with well over 100 films to his credit over a 46-year career, was obviously dedicated to his craft.
According to the Internet Movie Database, there were six films in post-production and one in pre-production at the time of his death. He's even in a SIFF film (screening next week) called My Suicide (I know what you're thinking…but we still don't know for sure at the time of this writing, so let's not go there).
I don't think I've met anyone in my age group who doesn't have a certain nostalgic affection for Carradine via the character he created in the TV series Kung Fu (which I'm pretty sure was your average 'murcan teevee watcher's first exposure to Zen philosophy). Here's a few film recommendations:
Box Car Bertha-This 1972 Bonnie and Clyde knockoff (produced on the cheap for Roger Corman's American International Pictures) was the launching pad for a fledgling director named Martin Scorsese. It is also one of the 4 films in which Carradine co-starred with Barbara Hershey (the two had a longtime off-screen romantic partnership as well). Carradine also landed a small part in Scorsese's breakout film, Mean Streets.
Americana– David Carradine and Barabara Hershey star in this unique, no-budget 1973 character study (released in 1981). Carradine, who also directed and co-produced, plays a Vietnam vet who drifts into a small Kansas town, and for his own enigmatic reasons, decides to restore an abandoned merry-go-round. The reaction from the clannish townsfolk ranges from bemused to spiteful. It's part Rambo, part Billy Jack (although nowhere near as violent), and a genre curio in the sense that none of the violence depicted is perpetrated by its war-damaged protagonist. Carradine also composed and performed the song that plays in the closing credits. It's worth noting that Americana predates Deer Hunter and Coming Home, which are generally considered the "first" narrative films to deal with Vietnam vets.
Death Race 2000– At first glance, Paul Bartel's film about a futuristic gladiatorial cross-country auto race in which drivers score extra points for running down pedestrians is an outrageous, gross-out cult comedy. It could also be viewed as a takeoff on Rollerball, as a broad political satire, or perhaps a wry comment on that great, timeless American tradition of watching televised blood sport for entertainment. One thing I'll say about this movie-it's never boring! Carradine is a riot as the defending race champ, "Frankenstein".
Bound For Glory-You can almost taste the dust in director Hal Ashby's leisurely, episodic 1976 biopic about the life of Depression era songwriter/social activist Woody Guthrie. Carradine (as Guthrie) gives his finest performance, and does a very credible job with his own singing and playing (music was his first love).
The Long Riders-An underappreciated western from action film maestro Walter Hill. One of the more entertaining renditions of the oft-filmed tale of Jesse James and his gang, largely due to the stunt casting. Three sets of well-known acting siblings (the brothers Keach, Quaid and Carradine) portray three sets of legendary outlaw siblings (the brothers James, Miller and Younger, respectively).
Q, The Winged Serpent–I know this darkly comic horror flick from psychotronic writer-director Larry Cohen isn't going to be everyone's cup of tea, but it actually contains one of my favorite Carradine performances. He plays a New York police investigator looking for the nest of a flying lizard randomly terrorizing the city. Michael Moriarty (a demented performance) is the star, but Carradine's straight-faced character gets to deliver some wry lines; in fact I think he displays his knack for subtle comedy throughout the whole film. Also look for Richard Roundtree and Candy Clark.
Kill Bill, Vol 1 / Kill Bill Vol 2-Ever since Jules told Vincent (in Pulp Fiction) that his "retirement" plans were to "…just walk the Earth. You know, like Caine in Kung Fu…" you knew at some point, Quentin Tarantino and David Carradine were going to work together. It took 10 years, but it landed Carradine one of his most plum late-career roles, as the bad, bad, man at the top of Uma Thurman's hit list.
2009 ReviewsTop 10 ListsTribute
Comedy, Documentary, Drama, Fantasy
Let's start a (virtual) fistfight: Top 10 Films of the Decade
(Originally posted on Digby's Hullabaloo on December 13, 2009)
I know you didn't ask, but being that it's "that time of year" for the inevitable Top 10 lists, AND "that time of the decade" as well, I thought I might offer up my picks for (tympani roll, please) the Top 10 films of uh, erm…WTF do we call it-the "Aughts"?
At any rate, here for your consideration, edification, or (most likely reaction) eternal damnation, is my list, subjective as hell (please keep grain of salt handy). As per usual, they are presented in alphabetical order, NOT in order of preference or rank. Cheers…
Amelie-I know this one has its haters (?!), but Jean-Pierre Juenet's beautifully realized film stole this reviewer's heart. Audrey Tautou lights up the screen as a gregarious loner who decides to become a guardian angel (and benign devil) and commit random, anonymous acts of kindness. The plight of Amelie's "people in need" is suspiciously similar to her own-those who need that little push to come out of self-imposed exiles and revel in life's simple pleasures. Of course, our heroine is really in search of her own happiness and fulfillment. Does she find it? You'll have to see for yourself. Whimsical, original, humanistic and life-affirming, Amelie will melt the most cynical of hearts.
American Splendor– From the streets of Cleveland! Paul Giamatti was born to play underground comic writer Harvey Pekar, the misanthropic file clerk/armchair philosopher who became a cult figure through his collaborations with legendary illustrator R. Crumb. Co-directors Shari Berman and Robert Pulcini keep their biopic fresh and engaging via some unusual choices, like breaking down the fourth wall by having the real Pekar interacting with Giamatti in several scenes; it's quite effective. Hope Davis is excellent as Pekar's deadpan wife. Thoroughly engaging and surprisingly moving at times, this is one film that genuinely "made me laugh and made me cry"-and I don't say that very often.
The Brotherhood of the Wolf– If I told you that the best martial arts film of the decade features an 18th-century French libertine/naturalist/philosopher and his enigmatic "blood-brother" (an Iroquois mystic) who are on the prowl for a huge, supernaturally cunning man-eating creature that is terrorizing the countryside-would you avoid eye contact with me and quickly scurry to the other side of the street? (I thought so.) Christophe Gans' film defies category; Dangerous Liaisons meets Captain Kronos-Vampire Hunter by way of Crouching Tiger, Hidden Dragon is the best I can do for you. Regardless, this lushly photographed and handsomely produced epic is exciting, sexy, and one-of-a-kind.
The Fellowship of the Ring-Taken as a whole, Peter Jackson's gargantuan film trilogy adaptation of J.R.R. Tolkien's revered fantasy-adventure is not without its flaws (and fanboy-lamented abridgements and revisions), but he damn near gets it all pitch-perfect in the first installment. Even though it is only the beginning of the epic tale, the original book was always my favorite volume. I think it's because it sparks that joy of first discovering Tolkien's wondrous fantasy world, and Jackson's film does it proud. The two sequels tend to go a little over the top, but this film maintains a perfect blend of character, heart, and rousing heroics; not to mention an immersive sense of mythic time and place.
Man on the Train-There are a only a handful of films I have seen in my lifetime that I have become emotionally attached to, sometimes for reasons I can't always comprehend (Koyaanisqatsi and Local Hero spring to mind). This is one of them. Perhaps best described as an "existential noir", Patrice LeConte's relatively simple tale of two men in the twilight of their life with completely disparate life paths (a retired poetry teacher and a career felon) forming an unexpectedly deep bond turns into an equally unexpectedly transcendent film experience. French pop star Johnny Hallyday and the wonderful screen veteran Jean Rochefort deliver revelatory performances. I feel an urge to go watch it now.
Man on Wire– Late in the summer of 1974, a diminutive Frenchman named Philippe Petit took a casual morning stroll across a ¾" steel cable, stretched between the two towers of the then-unfinished World Trade Center. On the surface, this may appear to be a straightforward documentary about this eccentric high wire artist who was either incredibly brave, or incredibly stupid. In actuality, it is one of the best suspense/heist movies of the decade, although no guns are drawn and nothing gets stolen. It is also very romantic, although it is not a traditional love story. Like Petit's sky-high walk itself, James Marsh's film is ultimately an act of pure aesthetic grace, and deeply profound. (Full review)
The Mayor of the Sunset Strip– This amazing rockumentary, an alternately exhilarating and melancholy portrait of L.A. music scene fixture Rodney Bingenheimer was directed by George Hickenlooper (Factory Girl). The diminutive, skittish and soft-spoken Rodney comes off like Andy Warhol's west coast doppelganger. Although the film is ostensibly "about" Rodney, it is ultimately a whirlwind time trip through rock music's evolution, filtered through a coked-out L.A. haze and informed by its subject's Zelig-like propensity to have been photographed with seemingly everybody who was ever anybody in the business. So is he a true "rock impresario", or just a glorified Rupert Pupkin? You decide.
Memories of Murder-Buoyed by its artful production and knockout performances, this brutal, uncompromising police procedural from director Joon-ho Bong really gets under your skin. Based on the true story of South Korea's first known serial killer, it follows a pair of rural homicide investigators as they search for a prime suspect. Initially, they seem bent on instilling more fear into the local citizenry than the lurking killer, as they proceed to violate every civil liberty known to man. Soon, however, the team's dynamic is tempered by the addition of a more cool-headed detective from Seoul, who takes the profiler approach. The film doubles as a fascinating glimpse into modern Korean culture.
Spirited Away-Innovative Japanese anime master Hayao Miyazaki has made a lot of great films, but this may well be his crowning achievement. A young girl and her parents inadvertently stumble into a resort spa reserved exclusively for traditional Japanese deities and other assorted denizens of the spirit world. Needless to say, this "security breach" throws the phantasmagorical residents into quite a tizzy; Mom and Dad are turned into barnyard animals and their daughter has to rely on her wits and previously untapped inner strength to save them. Visually stunning and imaginative beyond description, it also tells a beautiful story-funny, touching, exciting and empowering.
There Will Be Blood– What you see in the dialog-free prologue of Paul Thomas Andersons' gripping epic may not be as seminal as Kubrick's "dawn of man" sequence in 2001, but it does put the focus on something just as primordial. It is something that is buried deep within the capitalist DNA-the relentless drive to amass wealth and power through willful exploitation and opportunism. And this very American "ideal" (love it or loathe it) has never been so perfectly embodied as it is in Daniel Day Lewis' magnificent performance as self-made oil man Daniel Plainview. In his worldview, you are either with him, or you are his "competitor". And trust me-he WILL "…drink your milkshake". (Full review)


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Psychological Thriller Series 'Chloe' Should Be Next on Your Must-Watch List
By Melissa Mason
With just six episodes, it's the perfect weekend binge
These days, television shows are either hyped to the point where you have a diary date set for months (see: Stranger Things) or quietly land on streaming services, with word-of-mouth slowly building momentum as we absent-mindedly press play, then discover a new gem. BBC One & Amazon Studio's Chloe (currently streaming on Prime Video) falls into the latter category, and as someone who consumed all six episodes in one 48-hour period, it's my duty to tell you just how damn good it is.
Chloe follows the mediocre life of Becky Green (Erin Doherty), a young woman who jumps from temp job to temp job as she struggles to care for her mentally unwell mother. Becky seems to have no life outside of work and home, and immerses herself in the social media account of her childhood friend Chloe Fairbourne whenever she gets a chance. Obsessed with Chloe's seemingly-perfect life, Becky is shocked to see a post one day announcing Chloe's death, seemingly by suicide. Becky's obsession with what happened leads to her developing a fake identity names "Sasha" to infiltrate the life Chloe left behind — one where she starts to unravel the perfect exterior and finds not all was as it seemed in her old friend's world.
Chloe's life may look perfect, but dark secrets are everywhere. Image: BBC One/Amazon Studios.
The mystery at the heart of Chloe is the driving force of the series, and the pace is smooth and fast. Showrunner Alice Seabright could have stretched this complex story out over more episodes, but keeping the series limited to six maintains momentum. You won't find any boring episodes in Chloe – everything has purpose, with each episode bringing you closer to the truth, sending you on red herring chases along the way to keep things interesting. This show will keep you guessing, but every wrong turn we take with Becky still leads us closer to the truth.
You may remember Doherty from her scene-stealing performance as Princess Anne in The Crown. Becky is a world away from Anne, and proves that Doherty's acting talent is anything but limited. She is pitch-perfect as the troubled Becky, making us feel both empathetic and alarmed as we watch this woman walk the finest of lines as she weaves the false world of 'Sasha' while simultaneously playing detective in what soon becomes a very dangerous world. This series needed a strong lead to work, and it landed it with Doherty, who vibrates with anxiety as she dodges exposure in Chloe's world.
Erin Doherty shines as Becky Green. Image: BBC One/Amazon Studios.
It's also a timely look at how we consume social media, and what we take from it. Becky's obsession might be extreme, but it's not too far away from our evening doom-scrolling, where we make judgements about acquaintance's lives as we hover over their sun-drenched holiday photos and romantic wedding videos. Like in real life, the reality of Chloe's world is a far cry from Becky's interpretation of it, and the message
What really works here is the limited nature of Chloe. The plot wraps in episode six, and that's exactly how mystery-based thrillers should be – the trend of leaving them open to create season after season never works. Even shows like The Sinner and True Detective where new mysteries are introduced each season, crash and burn at some point. Mystery-thrillers work best when they are, at heart, a lengthy feature film run episodically.
So if you're lounge-bound this weekend and want to immerse yourself in a series, Chloe is it. Trust me, you won't be disappointed.
Stream Chloe now on Prime Video.
topics: Prime Video, Tv Series, Erin Doherty
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'The Marvelous Mrs. Maisel': Let's Talk About Susie's Sexuality
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I still love listening to the old Taylor.
Everything about this performance is beautiful, her existance itself is beautiful.
It appears that I have a commitment to watch this at least once a month. I didn't realise I had this commitment.
Lovely song ....i love you and never forget you my sweet heart....tayler swift.
and I'm still looking for the fancams of that guy in the front here in YT.
i have this feeling, everytime i listen her songs it eases my problem instantly. I love you so much taylor!
Taylor Swift" khairul lampung21. Hmmm .. So Wonderful ..
I really love this sooooong!
I like Taylor Swift all song.
Taylor, please give me the answer to my post I am waiting for you to be Iranian. I have Yalda 13 years old and I look forward to seeing you and I'm Iranian.
Dr Gu Thank you a million for the freedom you gave me... I can't thank you enough for the freedom and care, Love you gave me. which to have my mind back with me. I am so so so .... so so extremely extremely.... extremely proud of you. This world would be a horrible place without your love. Thank you for caring for me truly. Thank you for loving me so deeply. Thank you for the comfort you gave to speak to you. Yes this world will be a horrible place without you. I love love love....love you extremely extremely...extremely and adore adore adore...adore you extremely. I know BG will get your back..... but know I truly adore you. Thank you a million Thank you a million Thank you a million Dr Gu I love you HUGE and TRULY.
OH MY GOD!!! I like this song so much! <3 <3 <3 Love Taylor, thanks for her perfect songs.
Hợp tác vs sơn tùng từ này đừng nhìn mặc chồng nữa.
There was a moment when i relate to this song so much. And now im back being cold as i was before. Nice to know i could relate to this, for once at least.
2018 still not over it.


2014 Track and Field: Competed in the pole vault for the Bisons… placed first at the TSU Invite with a vault of 4.32 meters… Won the pole vault at the Rhodes Open with a vault spanning 4.57 meters… Finished second at the Vanderbilt Black and Gold vaulting 4.75 meters and second at the Boston-Moon Classic vaulting 4.25 meters… Took third at the A-Sun Outdoor Championships vaulting 4.63 meters.
2013 Track and Field: Took home first place at the TSU Invite in the pole vault with a jump of 4.35 meters... Finished sixth at the Atlantic Sun Indoor Track and Field Championships in the pole vault with a distance of 4.30 meters... Completed the pole vault at the Samford Multi and Invitational with a vault of 4.70 meters, granting him a third-place finish... Taking part at the Raleigh Relays, finished first after vaulting 4.75 meters... Also took home first at the Boston-Moon Classic with a vault of 4.25 meters... Wrapped up the season with an A-Sun Outdoor Championship finish of second place in the pole vault with a leap of 4.77 meters, his current pesonal best.
2012 Track and Field: Began his career in the pole vault for Lipscomb at the SIU Saluki Open where he took home seventh with a vault of 4.10 meters... His vault of 4.51 meters at the Vanderbilt Black and Gold Meet earned him a fourth-place finish... At the Boston Moon/Tennessee State Invite, vaulted for a distance of 4.26 meters securing him a first-place win... At the Atlantic Sun Outdoor Championships, landed a vault of 4.46 meters capturing fifth place in the event.
Prep: Competed in pole vault for Mike Jinks at Byron P. Steele High School... Placed seventh in the Texas 5A state championships in 2010... Also won a state championship in football.
Personal: Son of Brian and Jo Ann Floyd... Has one brother (Steven)... Plans to major in music... Chose Lipscomb in order to expand athletically, academically and spiritually.


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Government & Politics Justice
Mosby Asserts Her Innocence, Calls Federal Indictment 'A Political Ploy'
By Hannah Gaskill
Baltimore City State's Attorney Marilyn Mosby (D) defends her innocence at a news conference Friday. Screenshot by Hannah Gaskill.
Baltimore City State's Attorney Marilyn Mosby (D) spoke in defense of her innocence Friday in light of false statement and perjury charges levied against her by a federal grand jury.
"I'm here before you today to state, unequivocally, that I am innocent and I intend to do what I've always done since I became state's attorney for the city and in the city that I love: fight," she said at a news conference.
A federal grand jury indicted Mosby on four charges Thursday: two counts of perjury for falsely claiming a COVID hardship on an application to withdraw tens of thousands of dollars from her retirement account, and two counts for making alleged false statements on mortgage applications for two vacation homes in Florida.
Mosby spoke for approximately 10 minutes Friday and took no questions from reporters. She said that the press should expect her defense attorney, A. Scott Bolden, to "make himself available at a later time."
She called Thursday's indictment a "political ploy" by her "political adversaries" to remove her from office, stating that, prior to Thursday's indictment, she offered to make herself available to present evidence before the grand jury.
"But the U.S. attorney and the lead prosecutor in the case, who has donated to my political opponents and who has personal animus towards me, has refused to allow me to do so," Mosby said.
U.S. Attorney Erek Barron, a former state delegate who was nominated to the post by President Biden in July, declined to comment.
Mosby is up for re-election in 2022 and two challengers, Ivan Bates and Roya Hanna, have launched campaigns.
During the Friday news conference, Mosby said that she expected her role as Baltimore's state's attorney to be challenging.
"I did not expect to incur, personally, more than $500,000 in legal bills defending myself from frivolous investigations and attacks on nearly every front," Mosby said, her voice cracking. "I did not expect for an investigation into my professional travel — which I asked for — to somehow snowball into state ethics and state election board inquiries, federal investigations and, ultimately, a federal indictment."
Mosby requested that the city's Office of the Inspector General open an investigation following reporting by the Baltimore Brew regarding her work travel. The investigation revealed that, between 2018 and 2019, Mosby had been out of town for 144 days and was often given gifts by event sponsors. As a result of the report, Mosby submitted an amended report to the Maryland State Ethics Commission in July 2020.
"I'm so disappointed but, unfortunately, not shocked that my family and I find ourselves in this position," Mosby said Friday.
Baltimore's top prosecutor said she's "had a target on [her] back" since she announced charges against the six officers involved in the death of Freddie Gray in 2015.
"As a state's attorney for Baltimore City, I've used my power and my discretion to do things that a lot of people in this country just don't like," Mosby told the media.
She rattled off a list of actions she's taken since she's been in office, including prosecuting law enforcement officers, exonerating people facing life sentences and helping others secure parole.
During the pandemic, Mosby suspended prosecutions of drug possession crimes, prostitution, trespassing and nuisance offenses during the pandemic.
"I get it: This is not what prosecutors usually do," Mosby said Friday. "And many people will forever hate me for it."
Mosby has caught heat from Gov. Lawrence J. Hogan Jr. (R) and Republican lawmakers, who accuse her of also failing to prosecute violent criminals.
In November, Hogan said Mosby's handling of criminal prosecutions was contributing to violent crime in the city and announced he would withhold funding until her office produced statistics on prosecutions, plea deals and case dismissals.
Weeks later, Hogan criticized Mosby as a "prosecutor … that refuses to prosecute violent criminals" on Fox News Sunday.
Mosby responded in an open letter defending her record and condemning the acrimonious relationship between Hogan and city leaders.
A Hogan spokesman declined to comment on Mosby's indictment Friday.
The charges
According to prosecutors, Mosby applied for $90,000 in retirement distributions through a CARES Act provision in 2020.
To qualify to withdraw money from her retirement account, Mosby certified on an application form that she experienced financial hardships because of the pandemic.
But federal prosecutors say that Mosby received her full gross salary of $247,955.58 in 2020. She ultimately withdrew $81,000, in two installments, from the account without a tax penalty, according to the indictment.
Bolden said on a daily online broadcast Thursday that the CARES Act provision allowed people to apply for retirement distributions if they were financially impacted "in any way," and pointed to her travel-related businesses first reported on by the Baltimore Brew.
Mosby also faces two counts of allegedly making false statements on mortgage loan applications for a home in Kissimmee, Fla., and a condominium in Long Boat Key.
According to the indictment, Mosby neglected to disclose a $45,022 federal tax lien against her and her husband, Baltimore City Council President Nick J. Mosby (D), for calendar years 2014, 2015 and 2016 on applications for both Florida properties.
Baltimore City Circuit Court records show that the tax liens were placed in February 2020 and ultimately paid in June 2021, after the purchase of the Florida properties.
The maximum penalty for perjury is five years in federal prison; the maximum penalty for making false mortgage applications is 30 years.
Editor's note: This story was updated to include additional detail about the relationship between State's Attorney Marilyn Mosby and Gov. Lawrence J. Hogan Jr.
Tags: A. Scott BoldenBaltimore BrewFreddie GrayLarry HoganMarilyn Mosby
Hannah Gaskill
Hannah Gaskill received her master's of journalism degree in December 2019 from the University of Maryland. She previously worked on the print layout design team at The Diamondback, reported on criminal justice in Maryland for Capital News Service and served as a production assistant for The Confluence — the daily news magazine on 90.5 WESA, Pittsburgh's NPR member station. Gaskill has had bylines in The Baltimore Sun, The Washington Post and The Chicago Tribune, among other publications. Before pursuing journalism, she received her bachelor's of fine art degree from Carnegie Mellon University in 2016. She grew up in Ocean City.
All posts by Hannah Gaskill
Josh KurtzWilliam F. Zorzi
New governor says his priorities should appeal to a wide swath of Marylanders.
The money is available, but coordinating the programs may be a challenge for a depleted state government.
Gov. Moore is about to shake up the Public Service Commission. Here's why it matters
Changes coming to the utility regulatory agency that could up the state's game when it comes to fighting climate change.
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text:
X-Men (Part 2) Kate's Take Podcast
Adam Eastwood is back to talk about the metaphors in the X-men movies. In this part 2 of 2 Kate and Adam dig into metaphors of gay rights, #BlackLivesMatter and fan suggested metaphors.
Comics Code: https://en.wikipedia.org/wiki/Comics_Code_Authority
LGBT themes in X-men: https://moviepilot.com/posts/3988951
Gay Teachers: https://www.theatlantic.com/education/archive/2014/12/the-plight-of-being-a-lgbt-teacher/383619/
Where you can be fired for being gay: https://www.fastcompany.com/3057357/the-future-of-work/heres-everywhere-in-america-you-can-still-get-fired-for-being-lgbt
Bryan Singer interview: http://www.bbc.co.uk/films/2003/04/25/bryan_singer_x_men_2_interview.shtml
Each week filmmaker & author, Kate Chaplin dissects a movie that has inspires her life for good, bad or ugly and shows you the universal messages hidden within. Like on Facebook. Follow on Twitter.
Subscribe on iTunes, YouTube, Podbean and Google Play.
Kate's Take is brought to you by Gal's Guide to the Galaxy.
March 9 – Trainspotting
March 16 – Pulp Fiction
March 23 – Be Kind Rewind
March 30 – Casablanca
Kate's Take started on D20crit.com in October of 2014. Kate was a guest on D20crit's show A Bit of Geek and Nerdery Episode #12 talking about the new film she was producing called Ezekiel's Landing (link to episode). She became a returning guest and before long Wil asked if she had an idea for her own show. Kate's Take is an adaption from a never-finished novel entitled "I Blame Lucas" where Kate recalls her life through the movies she had watched starting with Star Wars: A New Hope and ending with Return of the Sith. Wil Derringher co-hosted, edited and produced the show for D20crit. Together Kate and Wil produced 57 episodes and won 5 awards for the show from INDYpodnet.
In August of 2016 tragedy struck with the loss of Wil's beloved wife, Tristan. Understandably Wil was unable to do the show. November 2016 the show was moved from D20crit to Gal's Guide to the Galaxy and re-titled Kate Take: Reloaded.
Most Entertaining – 2016 INDYpodnet Awards
Best Audio Quality & Editing – 2016 INDYpodnet Awards
Rookie of the Year – 2015 INDYpodnet Awards
Best Coverage of a Geek Event – 2015 INDYpodnet Awards
Posted in: Art, Kate's Take, Movies, Podcasts | Tagged: #BlackLivesMatter, Adam Eastwood, Bryan Singer, Charles Xavier, comic, Ellen Degeneres, Films, gay rights, Jack Kirby, kate chaplin, Magneto, marvel, meaning, metaphors, Movies, Nighcrawler, podcast, Stan Lee, themes, theories, X-men


text:
\section{Introduction}

In the first decade of its operation, the Relativistic Heavy Ion Collider (RHIC) mostly concentrated on measurements of the more abundantly produced particles such as light mesons. These investigations led to the discovery of a strongly interacting quark-gluon plasma (sQGP), and the understanding of its basic properties\cite{Arsene:2004fa,Back:2004je,Adams:2005dq,Adcox:2004mh,Adare:2009qk}. In more recent years, however, vastly improved luminosity and newly installed detector subsystems allowed for rarer probes, such as comprehensive heavy flavor measurements. These probes provide us with tools to explore the thermal and dynamical properties of the sQGP from new aspects.

It has long been suggested that, due to the screening of the heavy quark potential, the production of heavy quarkonia (charmonium and bottomonium states) is suppressed in heavy ion collisions compared to expectations from p+p collisions. Charmonium suppression was, in fact, anticipated as a key signature of quark-gluon plasma (QGP) formation\cite{Matsui:1986dk}. Moreover, different quarkonium states are expected to dissociate (``melt'') in the QGP at different temperatures due to their different binding energies\cite{Digal:2001iu}. It has therefore been suggested that comprehensive quarkonium measurements can be used as a QGP thermometer\cite{Mocsy:2007jz}.

A nuclear modification that is chiefly governed by melting in the sQGP implies a monotonous increase in the suppression of a given quarkonium state with the beam energy. Recent measurements at RHIC and LHC, however, outline a more complicated situation: the beam energy dependence of \ensuremath{\mathrm{J}/\psi}\xspace production is found to be rather weak, moreover, data at LHC energies show less suppression than at RHIC energies\cite{Arnaldi:2012bg}. Our current understanding on this observation is that several nuclear matter effects influence the resulting yields besides melting\cite{Grandchamp:2005yw,Vogt:2012fba,Arleo:2012rs}. In hot nuclear matter, uncorrelated quark-antiquark pairs can recombine in later stages, thus increasing the overall production. Cold nuclear matter effects can also be significant, such as nuclear shadowing and anti-shadowing, initial state energy loss or co-mover absorption of quarks. There is also a sizeable but largely uncertain contribution to the yields from feed-down processes such as $\chi_c$, $\phi$ and $B$ decays to \ensuremath{\mathrm{J}/\psi}\xspace, and $\chi_b$, \ensuremath{{\Upsilon(\text{2S})}}\xspace and \ensuremath{{\Upsilon(\text{3S})}}\xspace to \ensuremath{{\Upsilon(\text{1S})}}\xspace. Detailed experimental studies are required to disentangle these various effects.

\section{Experimental approach}

RHIC is an extremely versatile accelerator and detector complex that can be utilized to measure different quarkonium states produced in several collisional systems in a wide range of energy, centrality, momentum and rapidity. Symmetric and asymmetric collisions are studied in p+p, p+Au, d+Au, Cu+Cu, Cu+Au, Au+Au and U+U systems over energies ranging from $\sqrt{s_\mathrm{NN}}$=7.7 to 200 GeV for heavy ions, and up to 510 GeV in the case of (polarized or unpolarized) protons.
Both the PHENIX\cite{Adcox:2003zm} and STAR\cite{Ackermann:2002ad} experiments that currently take data at the RHIC ring have a rich heavy flavor program. STAR is capable of measurements in the dielectron channel in full azimuth at midrapidity ($|\eta|${}$<$0.5) using the Time Projection Chamber for tracking, aided by the Barrel Electromagnetic Calorimeter for particle identification. From 2014 onwards, an outer Muon Telescope Detector (MTD) allows for measurements in the dimuon channel with significantly improved resolution\cite{Ruan:2009ug}. Tracking in PHENIX is done using the Drift and Pad Chambers, while the Electromagnetic Calorimeter serves for mid-rapidity particle identification in the central arm (covering $|\eta|${}$<$0.35 in pseudorapidity and $2 \times \pi/2$ in azimuth). The muons are tracked and identified in the forward arms (1.2$<${}$|\eta|${}$<$2.2).

The most common experimental approach is to measure the nuclear modification factor ($\ensuremath{R_\mathrm{AA}}\xspace$) of a given state. It is computed by comparing the corrected number of particles measured in A+A collisions to the yield in p+p collisions scaled by the average number of binary nucleon-nucleon collisions, as
\[
\ensuremath{R_\mathrm{AA}}\xspace=\frac{\sigma^{inel}_{pp}}{\sigma^{inel}_{AA}}\frac{1}{\langle\ensuremath{N_\mathrm{coll}}\xspace\rangle}\frac{d\sigma^{AA} / dy}{d\sigma^{pp} / dy}.
\]
Here $\sigma^{inel}_{AA(pp)}$ is the total
inelastic cross section of the A+A (p+p) collisions,
$d\sigma^{AA(pp)}/dy$ denotes the production cross section of the observed state in A+A (p+p) collisions, and $\langle\ensuremath{N_\mathrm{coll}}\xspace\rangle$ is the average number of binary nucleon-nucleon collisions from the Glauber model. In the case of quarkonia, where the reconstruction is done via the dielectron (dimuon) decay channel, usually the $B_{ee(\mu\mu)} \times d\sigma^{AA(pp)}/dy$ is specified, where $B_{ee(\mu\mu)}$ is the branching ratio corresponding to the given decay process of the state to an electron-positron ($\mu^+ \mu^-$) pair. A similarly defined \ensuremath{R_\mathrm{dAu}}\xspace is used for describing the nuclear modification in d+Au collisions.

\section{\ensuremath{\mathrm{J}/\psi}\xspace measurements}

Besides providing reference for nuclear modification in heavier systems, p+p data serve as a benchmark for QCD models. Figure~\ref{fig:PpJpsiSpectra} shows the transverse momentum spectrum of inclusive \ensuremath{\mathrm{J}/\psi}\xspace production at RHIC in p+p collisions at $\sqrt{s_{NN}}$=200 GeV\cite{Adamczyk:2012ey,Kosarzewski:2012zz,Adare:2009js}, compared to several theoretical calculations on prompt \ensuremath{\mathrm{J}/\psi}\xspace production. The prompt color evaporation model\cite{Frawley:2008kk} may provide an acceptable description of the spectrum over the whole transverse monentum range. However, the same models that describe the spectrum face difficulties understanding the \ensuremath{\mathrm{J}/\psi}\xspace polarization\cite{Trzeciak:2013yxr}.

\begin{figure}[t]
\begin{minipage}[t]{0.48\textwidth}
\centering
  \includegraphics[width=0.9\textwidth,height=4.5cm]{ppJpsiSpectra.pdf}
  \caption{\label{fig:PpJpsiSpectra}
  \ensuremath{p_\mathrm{T}}\xspace-spectrum of \ensuremath{\mathrm{J}/\psi}\xspace mesons in p+p collisons at $\sqrt{s_{NN}}$=200 GeV at mid-rapidity measured by PHENIX (open symbols) and STAR (solid symbols), compared to calculations for prompt \ensuremath{\mathrm{J}/\psi}\xspace production.
}
\end{minipage}%
\hspace{0.04\textwidth}%
\begin{minipage}[t]{0.48\textwidth}
  \includegraphics[width=\textwidth,height=4.0cm]{PhnxJpsiRdauY.pdf}
  \caption{\label{fig:PhnxJpsiRdauY}
  Nuclear modification factor $R_{dAu}$ versus rapidity in d+Au collisions at $\sqrt{s_{NN}}$=200 GeV measured by PHENIX.}
\end{minipage}\hspace{0.04\textwidth}%
\end{figure}

Collisions of d+Au (p+A) systems are generally considered adequate for CNM effect studies because they are too cold for the plasma to form\cite{Adams:2005dq,Adcox:2004mh}. Figure~\ref{fig:PhnxJpsiRdauY} shows the nuclear modification of the \ensuremath{\mathrm{J}/\psi}\xspace mesons in d+Au collisions at \ensuremath{\sqrt{s_{NN}}}\xspace{}=200 GeV, measured by PHENIX\cite{Adare:2010fn}. While there is a suppression in the whole rapidity range, the strongest effect is in the gold-going (backward) direction, while it gradually decreases through mid-rapidity and the \ensuremath{R_\mathrm{AA}}\xspace is marginally consistent with unity in the deuteron-going (forward) region. This pattern is reasonably explained by the EPS09 model\cite{Eskola:2009uj}, containing nuclear shadowing and final state breakup of the $c\bar{c}$ pair.

Figure~\ref{fig:PhenixJpsiBES} shows the \ensuremath{\mathrm{J}/\psi}\xspace nuclear modification factor at forward rapidities for \ensuremath{\sqrt{s_{NN}}}\xspace=39, 62.4 and 200 GeV Au+Au
collisions at PHENIX\cite{Adare:2012wf}, as a function of the number of participant nucleons (\ensuremath{N_\mathrm{part}}\xspace{}). A significant suppression is observed at all energies in mid-peripheral to central collisions, and all three datasets are consistent with each other within uncertainties. STAR data at mid-rapidity exhibits similar trends\cite{Zha:2014nia}. Model predictions that include in-medium dissociation of the \ensuremath{\mathrm{J}/\psi}\xspace as well as later
regeneration from $c\bar{c}$ pairs are consistent with data\cite{Zhao:2010nk}.
The weak dependence of \ensuremath{R_\mathrm{AA}}\xspace on collision energy suggests that the different contributions to the \ensuremath{\mathrm{J}/\psi}\xspace nuclear modification largely cancel each other.
Figure~\ref{fig:PhenixJpsiAuAuUU} shows PHENIX forward rapidity measurements of \ensuremath{R_\mathrm{AA}}\xspace vs.\ \ensuremath{N_\mathrm{part}}\xspace in U+U and Au+Au systems. The two datasets mostly overlap each other, similarly to other measurements of open and hidden heavy flavor at RHIC\cite{Vertesi:2014tfa}. However, there is a significant discrepancy at higher \ensuremath{N_\mathrm{part}}\xspace values that may be a hint that there is more coalescence in collisions of non-spherical Uranium nuclei.

We saw that it is difficult to disentangle the sources of nuclear modification, because the \ensuremath{R_\mathrm{AA}}\xspace is rather insensitive to beam energy over a wide range and also to the number of nucleons in the chosen heavy ion system. At high momentum, however, the impact of CNM effects and regeneration decreases and hot nuclear modification becomes dominant\cite{Zhao:2010nk}. Figure~\ref{fig:StarHighPtJpsi} shows the nuclear modification factor for \ensuremath{\mathrm{J}/\psi}\xspace mesons with a transverse momentum \ensuremath{p_\mathrm{T}}\xspace{}$>$5 GeV/$c$, measured by STAR at mid-rapidity in Au+Au collisions at \ensuremath{\sqrt{s_{NN}}}\xspace{}=200 GeV, compared to \ensuremath{\mathrm{J}/\psi}\xspace mesons from the same collisions without momentum selection\cite{Adamczyk:2012ey}. The suppression of high-\ensuremath{p_\mathrm{T}}\xspace \ensuremath{\mathrm{J}/\psi}\xspace at higher \ensuremath{N_\mathrm{part}}\xspace values is a clear sign of nuclear modification in the sQGP.

\begin{figure}[t]
\begin{minipage}[t]{0.48\textwidth}
  \centering
  \includegraphics[width=\linewidth,height=4.5cm]{StarHighPtJpsi.pdf}
  \caption{\label{fig:StarHighPtJpsi}
  STAR and PHENIX minimum bias (black circles and empty squares) \ensuremath{\mathrm{J}/\psi}\xspace vs. \ensuremath{N_\mathrm{part}}\xspace, as well as STAR high-\ensuremath{p_\mathrm{T}}\xspace \ensuremath{\mathrm{J}/\psi}\xspace vs. \ensuremath{N_\mathrm{part}}\xspace (shaded circles) in Au+Au collisions at $\sqrt{s_{NN}}$=200 GeV at mid-rapidity, compared to models.
}\end{minipage}%
\hspace{0.04\textwidth}%
\begin{minipage}[t]{0.48\textwidth}
  \centering
  \includegraphics[width=\linewidth,height=4.5cm]{StarUpsRdauY.pdf}
  \caption{\label{fig:StarUpsRdauY}
  \ensuremath{{\Upsilon(\text{1S+2S+3S})}}\xspace vs.\ rapidity in $\sqrt{s_{NN}}$=200 GeV d+Au collisions from STAR (stars) and PHENIX (diamonds), compared to theoretical calculations.
}
\end{minipage}
\end{figure}

\section{\ensuremath{\Upsilon}\xspace production}

Theoretical calculations that include shadowing and/or parton energy loss\cite{Vogt:2012fba,Arleo:2012rs} predict an $\ensuremath{R_\mathrm{dAu}}\xspace\approx 1$ at mid-rapidity.
While the cross sections for \ensuremath{\Upsilon}\xspace production in \ensuremath{\sqrt{s_{NN}}}\xspace{}=200 GeV p+p collisions\cite{Adamczyk:2013poh} are consistent with NLO pQCD color evaporation model predictions\cite{Vogt:2012fba}, the nuclear modification in d+Au, shown on Figure \ref{fig:StarUpsRdauY}, is stronger than what the above models can explain\cite{Adamczyk:2013poh}. This suggests that CNM effects may not be well understood or that CNM effects alone may not be enough to explain the suppression in the d+Au mid-rapidity bin ($|y|${}$<$0.5). However, the uncertainties on the measurement are still quite high. Evaluating the high-statistics p+Au data taken at RHIC in 2015 is essential to see whether there is an effect beyond model predictions or not.

While the most heavy-ion luminosity in RHIC is collected in Au+Au collisions, central U+U data at $\sqrt{s_{NN}}=193$ GeV are estimated to have a 20\% higher average energy density than that of Au+Au\cite{Kikola:2011zz}, thus allowing for the extension of measurements towards higher \ensuremath{N_\mathrm{part}}\xspace numbers and further tests of the sequential suppression hypothesis.
Figure \ref{fig:StarUpsRaaNpart} shows the nuclear modification factor of \ensuremath{\Upsilon}\xspace{}(1S+2S+3S) from Au+Au collisons at $\sqrt{s_{NN}}=200$ GeV as well as from U+U collisions at \ensuremath{\sqrt{s_{NN}}}\xspace{}=193 GeV, with respect to \ensuremath{N_\mathrm{part}}\xspace{}. Comparison to theoretical calculations shows the strong $q-\bar{q}$ binding potential scenarios\cite{Strickland:2011aa,Emerick:2011xu} are favored by the data.
\ensuremath{R_\mathrm{AA}}\xspace of central \ensuremath{\Upsilon}\xspace{}(1S) and the excited states \ensuremath{\Upsilon}\xspace{}(2S+3S) at 0-60\% centrality are compared to central high-\ensuremath{p_\mathrm{T}}\xspace \ensuremath{\mathrm{J}/\psi}\xspace mesons in $\sqrt{s_{NN}}=200$ GeV Au+Au collisions\cite{Adamczyk:2012ey,Kosarzewski:2012zz} on Fig.~\ref{fig:StarUpsRaaEbind}. A significant suppression of \ensuremath{\Upsilon}\xspace states is observed in RHIC central heavy ion collisions\cite{Adamczyk:2013poh,Vertesi:2015fua}. While the \ensuremath{\Upsilon}\xspace{}(1S) is similarly suppressed to the high-\ensuremath{p_\mathrm{T}}\xspace \ensuremath{\mathrm{J}/\psi}\xspace mesons in central Au+Au collisions at $\sqrt{s_{NN}}$=200 GeV, there is a stronger suppression in the case of the excited states. This attests to the sequential melting picture in the presence of a deconfined medium. The suppression pattern seen in the case of the U+U collisions is consistent with the trend marked in Au+Au collisons and extends it towards higher \ensuremath{N_\mathrm{part}}\xspace values.

\begin{figure}[t]
\begin{minipage}[t]{0.48\textwidth}%
  \centering
  \includegraphics[width=\linewidth]{PhenixJpsiBES.pdf}
  \caption{\label{fig:PhenixJpsiBES}
  PHENIX forward rapidity \ensuremath{\mathrm{J}/\psi}\xspace \ensuremath{R_\mathrm{AA}}\xspace vs. \ensuremath{N_\mathrm{part}}\xspace in Au+Au collisions at $\sqrt{s_{NN}}$=39, 62.4 and 200 GeV compared to theoretical calculations.
}
\end{minipage}%
\hspace{0.04\textwidth}%
\begin{minipage}[t]{0.48\textwidth}
\centering
  \includegraphics[width=\linewidth,height=4cm]{PhenixJpsiAuAuUU.pdf}
  \caption{\label{fig:PhenixJpsiAuAuUU}
  PHENIX forward rapidity \ensuremath{\mathrm{J}/\psi}\xspace \ensuremath{R_\mathrm{AA}}\xspace vs. \ensuremath{N_\mathrm{part}}\xspace in Au+Au collisions at $\sqrt{s_{NN}}$=200 GeV (squares) and U+U collisions at  $\sqrt{s_{NN}}$=193 GeV (circles).
}
\end{minipage}%
\end{figure}

\begin{figure}[t]
\begin{minipage}[t]{0.48\textwidth}
\centering
  \includegraphics[width=\linewidth]{Raa_npart.pdf}
  \caption{\label{fig:StarUpsRaaNpart}%
  \ensuremath{{\Upsilon(\text{1S+2S+3S})}}\xspace vs. \ensuremath{N_\mathrm{part}}\xspace in $\sqrt{s_{NN}}$=200 GeV Au+Au (squares) and $\sqrt{s_{NN}}$=193 GeV U+U collisions (circles, preliminary), compared to different popular theoretical calculations.
  }
\end{minipage}%
\hspace{0.04\textwidth}%
\begin{minipage}[t]{0.48\textwidth}
  \centering
  \includegraphics[width=\linewidth]{BindingEnergyVsRAA.pdf}
  \caption{\label{fig:StarUpsRaaEbind}
  \ensuremath{R_\mathrm{AA}}\xspace of central \ensuremath{\Upsilon}\xspace{}(1S) and the excited states \ensuremath{\Upsilon}\xspace{}(2S+3S) at 0-60\% centrality are compared to central high-\ensuremath{p_\mathrm{T}}\xspace \ensuremath{\mathrm{J}/\psi}\xspace mesons in $\sqrt{s_{NN}}=200$ GeV Au+Au collisions.}
  \end{minipage}
\end{figure}

\section{Summary and outlook}

Recent RHIC measurements show that the presence of a hot medium affects quarkonium production. The significant suppression of high-\ensuremath{p_\mathrm{T}}\xspace \ensuremath{\mathrm{J}/\psi}\xspace yields and \ensuremath{{\Upsilon(\text{1S})}}\xspace states in central heavy ion collisions, and an even stronger suppression of \ensuremath{{\Upsilon(\text{2S+3S})}}\xspace states in 0-60\% Au+Au collisions is in accordance with the sequential melting picture. The trends in U+U measurements are generally an extention of those observed in Au+Au to higher number of participant nucleons, although there is some indication in the \ensuremath{\mathrm{J}/\psi}\xspace data that there may be more coalescence in U+U than in Au+Au.
There is no strong dependence of the \ensuremath{\mathrm{J}/\psi}\xspace suppression on the beam energy between $\sqrt{s_{NN}}$=39 and 200 GeV, and the suppression in LHC 2.75 TeV collisions is even weaker than at RHIC, which attests to the role of \ensuremath{\mathrm{J}/\psi}\xspace regeneration. Measurements in d+Au systems show that cold nuclear matter effects are significant in the case of \ensuremath{\mathrm{J}/\psi}\xspace and also may not be negligible in the case of \ensuremath{\Upsilon}\xspace mesons.

The developments of PHENIX and STAR, paired with the increased luminosity delivered by RHIC in recent years, will highly increase precision of the measurements in the near future. The first results with STAR MTD have already been presented\cite{Ma:2015xta}. There are ongoing measurements with the inner silicon tracking systems of both experiments, where the prompt and non-prompt \ensuremath{\mathrm{J}/\psi}\xspace contributions will be separated, thus providing means to estimate the fraction of \ensuremath{\mathrm{J}/\psi}\xspace mesons coming from feed-down from $B$ mesons. Besides heavy ion measurements, high luminosity p+Au data recorded in 2015 will help the understanding of cold nuclear matter effects.

\section*{Acknowledgments}

The author would like to thank the Editors of the {\it Exploring Quantum Field Theory} Gribov 85 memorial issue, especially J\'ulia Ny\'\i{}ri for the invitation of this contribution;
and the organizers of the {\it Joint Wigner-CCNU High-Energy Heavy-Ion Balaton Workshop 2015, Tihany, Hungary} for the invitation to present this material. The work has been supported by the grant 13-20841S of the Czech Science Foundation (GA\v{C}R), as well as the Hungarian OTKA grants NK 101438 and NK 106119.

redpajama_set_name: RedPajamaArXiv


On Saturday, my L.A. Cupcakes MeetUp group was made more mobile thanks to Chevrolet, which provided a group of 17 of us with four roomy fuel-efficient 2010 Equinox crossovers and a hot Bumble Bee Camaro, Transformers edition to go on a cupcake tour of the city. Usually my group can only go to one place each meetup, so this cupcake marathon was a new fun experience. For the tour, chose four cupcake shops in Los Angeles to visit -- Crumbs Bake Shop in Beverly Hills, Sprinkles, Susiecakes, Vanilla Bake Shop.
Unfortunately, the tour landed on one of the rare days it chose to rain in Los Angeles, but it didn't stop us. Instead, it just gave me a reason to don my knitted cupcake hat that I bought on etsy.
Harley, the owner of Crumbs met us at his store and charmed everyone with his visit and HUGE cupcakes. My favorite has always been their Raspberry Swirl, but was also introduced to their Pistachio, which I didn't think I'd like but the almond extract totally wooed me over. Everyone thought it was the friendliest of all the shops and most chose it as their favorite cupcake too.
We then walked two blocks down from Crumbs to the famous Sprinkles, which I've never thought was worth the hype, line or attitude. As one member in the group said "Sprinkles was forgettable." I find their cake dry and their flavors run-of-the-mill.
Next was SusieCakes, where I always eat their Strawberry cupcake, which tastes like strawberry shortcake, but also had a holiday Gingerbread cupcake special that people enjoyed.
Lastly, we went to Vanilla Bake Shop, which I usually like their red velvet, but selected their Key Lime Pie, which unfortunately was pretty hard and cold as if it was refrigerated prior. We were also told not to take pictures inside the store, which was pretty deflating to our camera happy group, they also told us pretty rudely. It's not like we were taking photos of some top secret bomb after all. Whatever.
You can follow future Chevy Best of Tours on twitter - @bestoftours. You can read more from Pretty Sandy Feet and Happy Go Marni.
this totally made me want the pistachio and coconut cupacakes...and since you asked - i would take the Equinox for a tour of the Pacific Northwest - Portland, Seattle and Vancouver!
My co-worker just saw the Equinox at the LA Auto show and decided to purchase one. He wants to buy American this year. I wonder if that's the direction of the mainstream in this day and age?
i had so much fun, thanks again for the invite! and seriously i think i just loved all the cupcakes, i still have some at home, so tasty.
Sounds like Vanilla Bake Shop forgot to send themselves to Social Marketing 101. A pity.
I always tell people Crumbs is better than Sprinkles... way better!
How do you get on the cupcake meetup newsletter?
Um jealous. When I come visit LA let's do that all over again.
Now to make plans to visit LA!
Wow that sounded like so so much fun and a really yummy adventure.
Damn....now I want a cupcake. Seriously.
Hey SIL love the cupcake hat! Looks like you all had lots of fun !!
Best cupcakes I have ever had...Georgetown Cupcakes in Georgetown...just outside of DC.
Might take you up on that home advice you.