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Tom Cruise and David Miscavige Have Brunch & L. Ron Hubbard Was Supposed to "Make Himself Visible" by 1999
By Jeffrey Augustine on July 26, 2018 • ( 2 Comments )
The Church of Scientology sent this now widely-circulated photo of Tom Cruise and David Miscavige to the Los Angeles Times for its feature article on Scientology. Published December 5, 2004 both the photo and the Times caption are unintentionally hilarious:
A STAR AND HIS LEADER: Tom Cruise and David Miscavige after a brunch at Scientology's Celebrity Centre in Hollywood about a year ago.
Tom Cruise and David Miscavige send mixed signals in the photo. They want to present a sinister image of themselves as planetary-clearing, Psych-busting, bad-ass, leather-wearing Scientologists on their matching Ducati's. However, bad-ass bikers don't do brunch. The photo looks like a sultry urban bromance more than anything else.
In the L.A. Times article of 2004 we learn several interesting facts:
1. David Miscavige had molds made of his feet so that he could order custom made shoes:
2. Scientology acquired the old Gilman Hot Springs resort for $2.78 million in 1978. The resort became the home to Scientology's Gold Base where the infamous "musical chairs" event occurred. This event was first reported on by Marc Headley at xenu.net. This was when Marc was writing under the screen name Blownforgood. Marc's book Blown For Good: Behind the Iron Curtain of Scientology is a true classic.
3. The Church used the names "Scottish Highland Quietude Society" and "Western States Scientific Assn." to purchase the Gilman Hot Springs resort. Scientology did not want anyone to know who the real buyer was. This was the same dishonest method whereby Scientology acquired its first properties in Clearwater.
4. Scientology spent "at least $45 million" on improvements Gold Base in the period 1978-2004. The LA Times article does not mention Scientology's sniper nest and lookout station at Gold Base that was named the Eagle's Nest. Details are in my 2014 podcast with Jackson Morehead, the former Security Chief at the Base. In this podcast Jackson covers the big fire that was caused by toilet paper being set afire, the razor wire fences, and the sniper rifles at the Base:
5. Scientology was planning on a television station as early as 2004. Scientology TV was launched March 12, 2018 — a glacial fourteen years later. The "speed of particle flow" was slow on this project.
6. Scientology spent $9.4 million to build a mansion on its Gold Base for the deceased L. Ron Hubbard. The article informs us that Ron's mansion is named Bonnie View and has a lap pool and a movie theater. Looks like Ron wants to do laps in his pool and watch movies when he returns from Target 2.
7. David Miscavige told Sea Org members that the Bonnie View mansion needed to built quickly as L. Ron Hubbard was returning and would make himself visible within thirteen years of his 1986 death. Former Sea Org member Karen Schless Pressley, author of Escaping Scientology: An Insider's True Story, was quoted in the LA Times 2004 on Hubbard's mansion and David Miscavige's claim that Hubbard would soon appear:
A teenage L. Ron Hubbard never made himself visible by 1999 as promised by Scientology leader David Miscavige.
This is hardly surprising as David Miscavige's prophetic track record has been abysmal:
* The Ideal Orgs have not boomed Scientology or even moved the needle
* Scientology TV was dead on arrival. Scientology's "uncorrupted communication line to the billions" is an infomercial of incredible boredom and repetition.
* The new Flag Building in Clearwater did not boom Scientology.
* Scientology did not destroy Psychiatry by the year 2000 as Miscavige predicted
Finally, Miscavige got these predictions incredibly wrong when he made them in 1992 during the 25th Anniversary of the Sea Org:
Tagged as: Blown for Good, Bonnie View, bromance, brunch, Celbrity Centre, Church of Scientology, custom shoes, David Miscavige, Gold Base, Jackson Morehead, karen schless presley, L. Ron Hubbard, Marc Headley, Psychiatry, Scientology TV, Sea Org, Tom Cruise
A Scientology Salesperson's Secrets for Getting Money Fast From His Fellow Scientologists!
The Strongest Evidence Yet for Scientology Having Only 27,000 Members Worldwide
Nancy Bassett says:
My Ducati's bigger than yours, "oh yeah, let's do brunch and find out."
There's only two things I'm curious about:
Is there a Target on Target 2 – and what the heck is the Quietude Society?
– stay tuned to Scientology TV to find out.
Russtee K says:
Regarding 'Quitetude': The base before Gilman Hot Springs, outside Indio, Ca., was called Winter Headquarters, abbreviated to WHQ. That area is now called La Quinta, Ca. When the Gilman property was bought, it was going to be Summer Headquarters, or SHQ. The Scottish Highlands Quietude club was a joke, made up to match the abbreviation.


A vast and huge consolidation of 18th c. clothing from across the webiverse. There are sections for men's, women's, and children's clothing, compiling images of extant garments from various museum collections, as well as paintings and fashion plates, all organized in an easy-to-use, easy-to-find manner. Go, see, be inspired, create!


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Author SuzannePosted on July 11, 2019 July 13, 2019 Categories Habitats, Sonoma Coast, WildlifeTags ecosystems, endangered species, invasive species
Federal wildlife officials were urged Wednesday to withdraw a proposal to drop 1.5 tons of rat poison on remote islands off the coast of California to kill a mice infestation until they address questions on the impact to wildlife.
The California Coastal Commission heard public comment on the U.S. Fish and Wildlife Service plan, which has drawn criticism from local conservation groups. The commission is seeking to determine whether the plan complies with state coastal management rules.
The U.S. Fish and Wildlife Service said in a report presented to the commission in March that a massive house mice population is threatening the whole ecosystem on the rugged Farallon Islands, 27 miles (44 kilometers) off the coast of San Francisco.
The archipelago is home to the largest seabird breeding colony in the contiguous United States, with approximately 300,000 to 350,000 birds of 13 species, including the rare ashy storm petrels. The islands are also used by marine mammal species for resting and breeding and by migratory birds.
Federal wildlife officials proposed using helicopters to dump 2,900 pounds (1,315 kilograms) of cereal grain pellets laced with brodifacoum, an anticoagulant that causes rodents to bleed to death. The substance is banned in California.
Officials acknowledged the plan will kill some seagulls and other species but argue that the benefits of eliminating the invasive species will heal the whole ecosystem.
Coastal seabird die-off puzzles experts
"The only way to protect these species and allow the ecosystem to recover is 100% eradication of the mice," said Pete Warzibok, a biologist who has worked on the Farallon Islands for more than 20 years. "Anything else is simply a stopgap measure that will not adequately address the problem."
Read more at https://www.pressdemocrat.com/news/9786599-181/california-fights-us-plan-to
Author SuzannePosted on July 10, 2019 July 13, 2019 Categories Land Use, TransportationTags circulation plan, housing, market-rate housing
Will Schmitt, THE PRESS DEMOCRAT
A development calling for more than 200 new homes in southwest Santa Rosa is headed back to the drawing board.
The City Council voted 6-0 on Tuesday night to send the proposed Dutton Meadows subdivision back to the Planning Commission, which voted against the project in February.
City staff took the rare stance of opposing the housing project, based on concerns about how the developer, San Ramon-based Trumark Homes, planned to build nearby roads in conflict with the city's vision for the area.
The council's move gives city staff and Trumark more time to negotiate the layout of future roads connecting the project's 130 two-story homes and 81 secondary units to the rest of the city. It also allows Santa Rosa's elected officials to avoid shooting down a large housing project, which the city has generally welcomed with open arms as it seeks to create new places to live and rebuild from the October 2017 fires, which destroyed roughly 3,000 homes in the city.
City planners didn't object to the new housing — located on about 18.5 acres near the intersection of Hearn Avenue and Dutton Meadow — but to Trumark's plans for building out local roads significantly different from older city plans envisioned for the greater Roseland area. Trumark's position, which did not budge Tuesday, is that Santa Rosa's preferred street alignment removes the potential for 52 homes, which prevents the project from penciling out.
Read more at https://www.pressdemocrat.com/news/9765683-181/santa-rosa-sends-200-plus-home?sba=AAS
Author SuzannePosted on July 9, 2019 July 13, 2019 Categories Climate Change & Energy, Land Use, Sustainable LivingTags energy efficiency, EV charging stations, high-density housing, housing, rooftop solar, zero net energy
Alexandria Bordas, THE PRESS DEMOCRAT
After five years of planning, Windsor officials have approved construction of an apartment complex that will be the town's most eco-friendly housing community.
Called The Mill, it will include 360 apartments built over the next two years with all electric mechanicals such as heat pumps for water and cooling and appliances powered by solar panels installed throughout the 20-acre property. Also, residents will have electric vehicle charging stations and the ability to store excess solar energy, among other amenities. There will be no gas lines anywhere in the apartment community.
Town leaders touted the $100 million housing development as being zero-net energy, meaning energy used by apartment tenants on an annual basis will be renewable and generated on-site. It is believed to be the largest apartment project with such aggressive energy efficiency set for construction in Sonoma County, said Peter Stanley, a project manager with ArchiLOGIX, a Santa Rosa design and consulting firm.
Stanley is working with Bob Bisno, a Southern California developer that recently got the go-ahead from Windsor Town Council to build the housing project on the south end of Windsor River Road.
It will be walking distance from the planned Sonoma-Marin Area Rail Transit station.
The development represents another key piece of the town's leaders renewable energy agenda to contend with climate change. Last month, Windsor officials said the town will use solar energy to power its water facilities, by teaming with a French company that's installing floating solar panels this summer across a large pond on the town's public works property.
The town council approved The Mill in hopes Windsor will get ahead of a California state law that will require all building permits issued for most new homes and multifamily residences after Jan. 1, 2020 to include rooftop solar panels. Also, state officials last year announced a goal of having all new commercial construction achieving zero net energy by 2030.
Read more at https://www.pressdemocrat.com/news/9780974-181/windsor-approves-100-million-apartment
Author SuzannePosted on July 7, 2019 July 13, 2019 Categories Land UseTags high-density housing, housing
Martin Espinosa, THE PRESS DEMOCRAT
Santa Rosa planning officials are reviewing two housing projects that would bring a total of 424 apartments to the southeast side of the city, just south of the Santa Rosa Marketplace shopping center.
The projects, less than a block from each other, would further city efforts to build more housing along or near Santa Rosa Avenue, a key transit and commercial corridor.
One of the projects calls for 252 multifamily apartment units on more than 8 acres at 325 Yolanda Ave., just south of the Carriage Court mobile home park. The complex would consist of 11 three-story buildings and four two-story buildings, and would include an 8,000-square-foot clubhouse with a leasing office, fitness center, pool and spa.
That project, named Yolanda Apartments, is located within one of the city's Priority Development Areas, defined by the Bay Area's Metropolitan Transportation Commission as areas for future infill population and employment growth near transportation services.
"It provides a lot of housing near public transit," said Susie Murray, a Santa Rosa senior planner.
According to public review documents, the complex would offer 18 studio, 115 one-bedroom, 98 two-bedroom and 21 three-bedroom apartments. A total of 69 apartments would have "tuck under" garages.
Read more at https://www.pressdemocrat.com/news/9766090-181/two-proposed-apartment-complexes-could
Author SuzannePosted on July 7, 2019 July 13, 2019 Categories Climate Change & Energy, ForestsTags carbon sequestration, forest restoration, tree planting
Jesse Reynolds, LEGAL PLANET
Unfortunately, a new scientific paper overstates forests' potential
Today, The Guardian reports:
Planting billions of trees across the world is by far the biggest and cheapest way to tackle the climate crisis, according to scientists…
As trees grow, they absorb and store the carbon dioxide emissions that are driving global heating. New research estimates that a worldwide planting programme could remove two-thirds of all the emissions that have been pumped into the atmosphere by human activities, a figure the scientists describe as "mind-blowing".
global tree restoration potential
And the underlying scientific paper, published in Science, makes an unambiguous claim:
ecosystem restoration [is] the most effective solution at our disposal to mitigate climate change.
[See also the press release from ETH Zurich.]
That is, the authors claim that reforestation is more effective than reducing greenhouse gas emissions.
Unfortunately, this is misleading, if not false, as well as potentially dangerous. It is misleading for several reasons.
– The authors do not define "effective." Many policies and actions that could achieve a single given objective are impossible or undesirable.
– They do not consider cost. Planting trees requires arable land, physical and natural resources, and labor, all of which could be used for other valuable purposes. The most recent assessment report from the Intergovernmental Panel on Climate Change (IPCC) gave a range of $20 to $100 per ton of removed carbon dioxide (CO2), [PDF, p. 851]; which is roughly the same costs as many means of reducing greenhouse gas emissions that are presently under discussion.
– The authors do not consider how such reforestation might come about. This land — roughly the size of the US, including Alaska — is owned and managed by many private persons, companies, nongovernmental organizations, and governments. How these numerous diverse actors could be incentivized or somehow forced to undertake expensive reforestation efforts is important unclear.
They do not consider the rate of carbon removal. The IPCC gives a high-end estimate of 14 billion tons CO2 per year [PDF, p. 851], whereas humans' emissions are about 40 billion tons per year. Thus, at this generous rate, reforestation could only compensate for a third of current emissions, with not impact on accumulated atmospheric carbon dioxide. Furthermore, the amount of removal suggested by the new paper would require about 55 years.
– The authors simply assume that all potentially forested land "outside cropland and urban
regions" would be "restored to the status of existing forests." People use land for purposes other than crops and cities. For example, humans' largest use of land — agricultural or otherwise — is rangeland for livestock. Thus, the paper implicitly assumes a dramatic reduction in meat consumption or intensification of meat production.
– They reach a remarkably high estimate of carbon removal per area. This paper indirectly says that 835 tons CO2 could be removed per hectare (that is, 10,000 square meters), whereas the IPCC report on Land Use, Land-Use Change, and Forestry reaches values from 1.5 to 30 tons per hectare.
– In a critique, Pros. Mark Maslin and Simon Lewis say "The authors have forgotten the carbon that's already stored in the vegetation and soil of degraded land that their new forests would replace. The amount of carbon that reforestation could lock up is the difference between the two."
– The paper does not address the (im)permanence of trees, which could later be cut down.
A recent investigation by a reporter at Propublica concluded:
In case after case, I found that carbon credits [for reforestation] hadn't offset the amount of pollution they were supposed to, or they had brought gains that were quickly reversed or that couldn't be accurately measured to begin with. Ultimately, the polluters got a guilt-free pass to keep emitting CO₂, but the forest preservation that was supposed to balance the ledger either never came or didn't last.
Ultimately, if cost, feasibility, and speed were no matter, then one simply could claim that permanently ending the use of fossil fuels tomorrow is the most effective. This statement would be true, but largely irrelevant.
Read more at https://legal-planet.org/2019/07/05/can-planting-trees-solve-climate-change/
Author SuzannePosted on July 6, 2019 Categories Climate Change & Energy, Forests, Land UseTags carbon dioxide, carbon sequestration, forests, ghg reduction, tree planting
Damian Carrington, THE GUARDIAN
Planting billions of trees across the world is by far the biggest and cheapest way to tackle the climate crisis, according to scientists, who have made the first calculation of how many more trees could be planted without encroaching on crop land or urban areas.
The analysis found there are 1.7bn hectares of treeless land on which 1.2tn native tree saplings would naturally grow. That area is about 11% of all land and equivalent to the size of the US and China combined. Tropical areas could have 100% tree cover, while others would be more sparsely covered, meaning that on average about half the area would be under tree canopy.
The scientists specifically excluded all fields used to grow crops and urban areas from their analysis. But they did include grazing land, on which the researchers say a few trees can also benefit sheep and cattle.
Let nature heal climate and biodiversity crises, say campaigners
"This new quantitative evaluation shows [forest] restoration isn't just one of our climate change solutions, it is overwhelmingly the top one," said Prof Tom Crowther at the Swiss university ETH Zürich, who led the research. "What blows my mind is the scale. I thought restoration would be in the top 10, but it is overwhelmingly more powerful than all of the other climate change solutions proposed."
Crowther emphasised that it remains vital to reverse the current trends of rising greenhouse gas emissions from fossil fuel burning and forest destruction, and bring them down to zero. He said this is needed to stop the climate crisis becoming even worse and because the forest restoration envisaged would take 50-100 years to have its full effect of removing 200bn tonnes of carbon.
Read more at https://www.theguardian.com/environment/2019/jul/04/planting-billions-trees-best-tackle-climate-crisis-scientists-canopy-emissions
Author SuzannePosted on July 6, 2019 July 6, 2019 Categories Forests, Sustainable LivingTags boreal forests, forests, recycled paper, toilet paper
Eillie Anzilotti, FAST COMPANY
Toilet paper is made from wood pulp that comes from Canada's forests, which lost 28 million acres between 1996 and 2015. But if you look beyond the big brands, there are way more sustainable options out there.
Stand.Earth/NRDC Report
If you're a person living in America, you probably churn through the equivalent of 141 toilet paper rolls each year. It's not often a thing you think about closely. Toilet paper is sold in abundance in the U.S.; you can buy 36-packs off Amazon. The supply, it seems, is limitless.
But it's not without impact. Much of the pulp that makes up the tissue used in America comes from the boreal forest of Canada. The forest, which spans over 1 billion acres, holds at least 12% of the world's carbon stores in its flora and soil. But the logging industry is decimating the resource. Between 1996 and 2015, over 28 million acres of the Canadian boreal were cleared by industrial logging, which directly feeds the tissue industry. Virgin pulp, which goes into toilet tissue, accounts for around 23% of Canada's forest product exports. Not only is this terrible for the climate, but the industry is also destroying the habitat of numerous animal species and more than 600 indigenous communities.
A new report from the Natural Resources Defense Council and Stand.Earth spells out the dangers of the logging industry, specifically for the creation of tissue products. The major toilet paper suppliers in the U.S—Procter & Gamble, Kimberly-Clark, and Georgia-Pacific—which own recognizable brands like Charmin and Quilted Northern, are a significant part of the problem, according to the NRDC. "People don't really think about their toilet paper purchases as environmental decisions," says Shelley Vinyard, boreal campaign manager at NRDC. "But most major household brands that people buy are made from 100% virgin forest fibers." In the report, the NRDC includes a helpful scorecard that shows which brands perform the worst and best on environmental measures; popular ones like Charmin scored an F. (When asked about the report, Kimberley Clark and Proctor & Gamble both noted their wood comes from sustainably managed forests and that they support the standards supplied by Canada's Forest Stewardship Council, though they didn't mention any efforts to shift the material they use. Georgia-Pacific didn't respond.)
Read more at https://www.fastcompany.com/90363370/theres-an-overlooked-product-that-you-definitely-use-thats-destroying-the-worlds-forests
Author SuzannePosted on July 5, 2019 July 6, 2019 Categories Land UseTags affordable housing, development, in-fill development, multi-family housing
More than 50 studio apartments for homeless people in Santa Rosa are awaiting a final piece of funding before workers break ground on the project at the southwest corner of College and Cleveland avenues.
Arcata-based developer, builder and property manager Danco Communities received approval last week from the city zoning administrator to proceed with construction, clearing the last government hurdle for the 54-unit development, which is set to rise on what is now a 1-acre gravel lot.
All of the units except one reserved for an apartment manager will be made available to low-income and formerly homeless people, about 1,800 of whom live in Santa Rosa, according to an annual count earlier this year overseen by the Sonoma County Community Development Commission.
The project is one of several that Danco Communities is pursuing in Northern California; a similar apartment complex in Eureka is set to open by Christmas Eve. The Santa Rosa project is backed by about $10.5 million from a state bond measure voters approved in November, said Chris Dart, the company's president.
"The need has been there for years, but the funding hasn't been there to back it up," he said.
The project is the latest seeking to offer permanent shelter for homeless people in Santa Rosa. Last year, the city saw a former firehouse in the Junior College neighborhood converted into a seven-unit apartment complex for homeless veterans. The city is eyeing both the former Bennett Valley Senior Center and the Gold Coin Motel on Mendocino Avenue as future housing that could shelter more than 100 homeless people.
Read more at https://www.pressdemocrat.com/news/9760008-181/santa-rosa-gives-final-approval?sba=AAS
Author SuzannePosted on July 1, 2019 July 3, 2019 Categories Land Use, Sustainable LivingTags landfill, recycling, solid waste, zero waste, zero waste goal
Petaluma crafting goal of zero waste by 2030
Yousef Baig, PETALUMA ARGUS-COURIER
With nearby landfills expected to reach their capacity in the coming decades, Petaluma officials are pursuing a zero waste goal that could also help lay the foundation for future policies on climate change.
City officials are currently ironing out the details of a resolution that will ask the Petaluma community to reduce its landfill deposits by more than 90% within 11 years by reusing many items.
Petaluma's garbage is dumped at the Redwood Landfill in Novato, which is expected to reach its permitted capacity in 2032, said Patrick Carter, management analyst for Petaluma's Public Works and Utilities Department.
An expansion beyond its permitted limit might be possible, he said, but that could lead to future cost increases that would trickle down to households and businesses.
The entire Bay Area will hit its capacity by 2058, according to a 2016 report by CalRecycle, the state agency that regulates landfills.
"That's not too far in the future," Carter said. "Just like we've done with water conservation and energy efficiency programs when we're presented with a challenge like that, we've found that prevention is more effective than remediation."
Read more at https://www.petaluma360.com/news/9742730-181/petaluma-crafting-goal-of-zero
Author SuzannePosted on June 30, 2019 July 3, 2019 Categories Water, WildlifeTags dams, fishing, legislation, steelhead, watershed restoration
Op-Ed: Preserve nature for future generations
Charlie Schneider & Eric Leland, Trout Unlimited, THE PRESS DEMOCRAT
Northern California offers some of the best trout fishing in the world. Why? Because California's diverse climate, geography and ecology provide some of the best habitat for fish and wildlife anywhere. Much of this habitat is found on public lands.
Sportsmen and women in California have free or low-cost access to millions of acres of land and water that has been conserved and managed for their natural, recreational and resource values. This isn't the case in much of the world or even on the East Coast of the United States.
Within a three-hour drive of Sonoma County, one can fish for steelhead on the Eel or Trinity rivers or for trophy trout in the upper Sacramento River or Putah Creek. All on public land.
But California's public lands are under siege from a variety of threats. Exceptionally severe wildfire, sustained drought, a warming climate and ill-advised political gambits grounded more in ideology than science are primary ingredients in the witches' brew of influences that are drying up, burning up, using up or otherwise degrading or eliminating habitat in this state.
Trout Unlimited is committed to tackling the challenge of conserving our public lands in the face of these threats and keeping alive the unique sporting legacy these lands and waters have made possible. It's encouraging to see that some leaders in Congress are committed to this same goal.
Our representative in the House, Jared Huffman, D-San Rafael, is one. We salute Huffman and Sen. Kamala Harris for their recent introduction of the Northwest California Wilderness, Recreation and Working Forests Act, which would better protect and restore lands and streams vital for water supply, salmon and steelhead and the growing outdoor recreation economy in this region.
This legislation would conserve the landscapes and waters that make this area so special through a combination of forest restoration, new river and upland habitat protection measures, wildfire prevention treatments, rehabilitation of illegal trespass marijuana grow sites and new trails and other infrastructure to promote and expand recreational use. The type of inclusive lawmaking that developed this legislation is laudable.
Read more at https://www.pressdemocrat.com/opinion/9729411-181/close-to-home-preserve-nature

redpajama_set_name: RedPajamaCommonCrawl


The artwork of Oriental palaces extends straight back into early times. To certainly one of those conventional Oriental kinds of sculpture would be that the dividing the rock, that has been transported outside, chiefly, by hands. Sometimes, to generate just one or even some other amount of this protagonist of ancient legends and legends, even the venture functioned for all decades ago and because of this sort of attempts, glorious rock sculptures of individuals, critters, birds, blossoms seemed.
The rock carving could frequently be observed over big windmills of this gate and also onto the rock beams of buildings that are famous. Additionally, cast stone figurines are all located anyplace in temples and cave complexes, spiritual properties, in addition to in regions of burial of major Chinese men and women.
The primary aim of producing rock figurines would be to exhibit that the capacity and could of this Chinese ruler along with also his Blvd atmosphere. Generally, this sort of rock temples was built close to the royal tombs. This sort of rock sculpture originated straight back at the times of this "Warring States". Thus, the amazing advancement of dividing in rock will be received throughout the reign of both the two Chinese dynasties of both Tang and Soong. It's then that a distinctive program of producing rock figurines is shaped, that will be dependent with that or this status of this dead person.
The holy dinosaurs standing nearby the tomb of this emperor Xiaoping symbolize an example of rock sculptures out of the right time of these Southern dynasties. Equally lions, nearly 3 meters high and also powerful look, personify the ability and also electrical power of this buried ruler of China.
Throughout the reign of the Han Dynasty, both the inner walls and also facade of both tombs and temples are all adorned with all aid routines available on discs. Such dishes usually portrayed emperors by themselves, their very loyal dignitaries, cherished toddlers, invincible musicians and royal ladies. As an instance, among those dishes demonstrates a portrait of both Confucius along with his various pupils. The dishes portrayed whole legends, even inquiring, as an instance, in regards to the early rulers of Yao and also Shun, roughly chaste wives that stayed loyal with their dead wives.


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Q: AVR TWI/I2C Not Responding I use Twi module of AVR Atmega168 to talk to DS1307.
Twi works on the interrupt mode.
It works fine for a few hours and then stops, hopefully losing Twi interrupts further.
Is there any way to fix/resolve/work around this issue.
Any practical tips would be of great help.

A: It might already irrelevant for you but it might help others, I was experiencing the same issue, in the datasheet the following is stated:

To recover from a bus error, the TWSTO Flag must set and TWINT must be cleared by writing a logic one to it. This causes the TWI to enter the not addressed Slave mode and to clear the TWSTO Flag (no other bits in TWCR are affected). The SDA and SCL lines are released, and no STOP condition is transmitted.

So I just added the following line of code to my error handling routine (verify TWSR values):
TWCR = (1 << TWINT)|(1 << TWSTO);

And so far it works like a charm.

redpajama_set_name: RedPajamaStackExchange


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Migos' YRN Tha Album Artwork Is The GOAT
It's 3D! It moves! It's better than Revolver!
By Aimee Cliff
Migos just shared the official artwork for their upcoming debut album, YRN Tha Album, and it's a thing of beauty; that's it revolving in the GIF above, and in the even more souped-up Instagram post below. The 3D image is an homage to the cover art of their 2013 mixtape YRN.
Expect the album to drop July 31st, with features from Lil Wayne, Meek Mill and Chris Brown.
All three members of Migos were arrested during an appearance in Georgia last month; Offset remains in jail after being denied bail. This led to their album release and tour being slightly postponed, but if this artwork drop is anything to go by, things are still propelling forwards for the unstoppable trio.
YRN Tha Album coming July 31st #QC
A video posted by 300 Entertainment (@300ent) on May 27, 2015 at 12:03pm PDT
Watch Migos explain what's to come on YRN Tha Album in this March interview:


Lyn Haber, Ralph Norman Haber.
Tucson, AZ : Lawyers & Judges Pub., c2009.
Juror reactions to DNA evidence : errors and expectancies / Jason Schklar and Shari Seidman Diamond.
Dealing with DNA evidence : a legal guide / Andrei Semikhodskii.
Truth machine : the contentious history of DNA fingerprinting / Michael Lynch ... [et al.].
The lie detector in employment : an examination of some of the problems / by Mary Ann Coghill.
Polygraph for the defense / by Robert J. Ferguson, Jr., and Allan L. Miller ; With a foreword by Chris Gugas, Sr.
The polygraph in court / by Robert J. Ferguson and Allan L. Miller.
xiv, 217 p. : ill. ; 23 cm.
Includes bibliographical references (p. 199-208) and index.


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Q: Writing a tuple in file in erlang How to write a tuple in file in erlang.What i have tried so far is
Result={1,"OK",3},
file:write_file("/tmp/logs.txt", Result, [append])

But it is giving bad args error.
Any solutions??

A: file:write_file takes an iolist, not a plain Erlang term.  You could format the term as an iolist using io_lib:format:
file:write_file("/tmp/logs.txt", io_lib:format("~p.~n", [Result]), [append])


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Diese Liste von US-amerikanischen Märchenfilmen listet Märchenfilme nach Jahr. Sie gehört demnach zur Liste von Märchenfilmen und ist dort ausgegliedert. Ausgangspunkt für die Angabe von Filmtitel, Originaltitel, Premierenjahr und Regisseur der einzelnen Märchenfilme sind in der Regel die Internet Movie Database und das Lexikon des internationalen Films. Da sich auch bei diesen Filmdatenbanken sowie Filmlexika die Angaben beispielsweise über das Entstehungsjahr um ein bis zwei Jahre widersprechen können, ist es sinnvoll, jeden Film in der Listung eindeutig zu charakterisieren durch Titel, Jahr und Regisseur. Bei widersprüchlichen Angaben sollten – soweit zugänglich – die Angaben des Filmabspanns in Originalsprache herangezogen werden.

Shirley Temple's Storybook (USA, 1958–1961)
Shirley Temple's Storybook: Staffel 1 mit 16 Episoden und Staffel 2 mit 25 Episoden – darunter 14 Märchen:

 1958: Beauty and the Beast – Vorlage: Jeanne-Marie Leprince de Beaumont
 1958: Rumpelstilzchen – Vorlage: Brüder Grimm
 1958: Die Nachtigall – Vorlage: Hans Christian Andersen
 1958: Dick Wittington und seine Katze
 1958: Rip Van Winkle – Vorlage: Washington Irving
 1958: Dornröschen – Vorlage: Brüder Grimm
 1958: Der Knochen vom Zauberfisch – Vorlage: Charles Dickens
 1958: Die wilden Schwäne – Vorlage: Hans Christian Andersen
 1958: Rapunzel – Vorlage: Brüder Grimm
 1958: Ali Baba und die vierzig Räuber – Vorlage: Tausendundeine Nacht
 1958: Des Kaisers neue Kleider – Vorlage: Hans Christian Andersen
 1960: Das Land Oz – Vorlage: Lyman Frank Baum
 1960: Die kleine Meerjungfrau – Vorlage: Die kleine Meerjungfrau von Hans Christian Andersen
 1961: Die Prinzessin der Gobelins

Shelley Duvalls Faerie Tale Theater (USA 1982–1987)
Faerie Tale Theater: 27 Märchenfilme in sechs Staffeln, GB und USA 1982–1987, moderiert von Shelley Duvall – in Deutschland erschienen die Titel unter Große Märchen mit großen Stars:
 1982: Der Froschkönig (Faerie Tale Theatre – The Tale of the Frog Prince) – Regie: Eric Idle, Vorlage: Brüder Grimm
 1982: Rumpelstilzchen (Faerie Tale Theatre Rumpelstiltskin) – Regie: Emile Ardolino, Vorlage: Brüder Grimm
 1983: Rapunzel (Faerie Tale Theatre – Rapunzel) – Regie: Gilbert Cates, Vorlage: Brüder Grimm
 1983: Die Nachtigall (Faerie Tale Theatre – The Nightingale) – Regie: Ivan Passer, Vorlage: Hans Christian Andersen
 1983: Dornröschen (Faerie Tale Theatre – Sleeping Beauty) – Regie: Jeremy Kagan, Vorlage: Brüder Grimm
 1983: Hans und die Wunderbohnen (Faerie Tale Theatre – Jack and the Beanstalk) – Regie: Lamont Johnson, Vorlage: Joseph Jacobs
 1983: Das kleine Rotkäppchen (Faerie Tale Theatre – Little Red Riding Hood) – Regie: Graeme Clifford, Vorlage: Brüder Grimm
 1983: Hänsel und Gretel (Faerie Tale Theatre – Hansel and Gretel) – Regie: Patricia Resnick, Vorlage: Brüder Grimm
 1984: Goldlöckchen und die drei Bären (Faerie Tale Theatre – Goldilocks and the three Bears) – Regie: Gilbert Cates, Vorlage: Robert Southey
 1984: Die Prinzessin auf der Erbse (Faerie Tale Theatre – The Princess and the Pea) – Regie: Tony Bill, Vorlage: Hans Christian Andersen
 1984: Pinocchio (Faerie Tale Theatre – Pinocchio) – Regie: Peter Medak, Vorlage: Carlo Collodi
 1984: Däumelinchen (Faerie Tale Theatre – Thumbelina) – Regie: Michael Lindsay-Hogg, Vorlage: Hans Christian Andersen
 1984: Schneewittchen und die sieben Zwerge (Faerie Tale Theatre – Snow White and the seven dwarfs) – Regie: Peter Medak, Vorlage: Brüder Grimm
 1984: Die Schöne und das Biest (Faerie Tale Theatre – Beauty and the Beast) – Regie: Tim Burton, Vorlage: Jeanne-Marie Leprince de Beaumont
 1984: Von einem der auszog, das Fürchten zu lernen (Faerie Tale Theatre – The Boy Who Left Home to Find Out About the Shivers) – Regie: Graeme Clifford, Vorlage: Brüder Grimm
 1985: Die drei kleinen Schweinchen (Faerie Tale Theatre – The Three Little Pigs) – Regie: Howard Storm, Vorlage: Joseph Jacobs
 1985: Die Schneekönigin (Faerie Tale Theatre – The Snow Queen) – Regie: Peter Medak, Vorlage: Hans Christian Andersen
 1985: Der Rattenfänger von Hameln (Faerie Tale Theatre – The Pied Piper of Hamelin) – Regie: Nicholas Meyer, Vorlage: Brüder Grimm
 1985: Aschenputtel (Faerie Tale Theatre – Cinderella) – Regie: Mark Cullingham, Vorlage: Brüder Grimm
 1985: Der gestiefelte Kater (Faerie Tale Theatre – Puss in Boots) – Regie: Robert Iscove, Vorlage: Brüder Grimm
 1985: Des Kaisers neue Kleider (Faerie Tale Theatre – The Emperor's New Clothes) – Regie: Peter Medak, Vorlage: Hans Christian Andersen
 1986: Aladdin und seine Wunderlampe (Faerie Tale Theatre – Aladdin and His Wonderful Lamp) – Regie: Tim Burton
 1986: Die Prinzessin, die niemals lachte (Faerie Tale Theatre – The Princess Who Had Never Laughed) – Regie: Mark Cullingham
 1987: Rip van Winkle (Faerie Tale Theatre – Rip Van Winkle) – Regie: Francis Ford Coppola, Vorlage: Washington Irving
 1987: Die kleine Meerjungfrau (Faerie Tale Theatre – The Little Mermaid) – Regie: Robert Iscove, Vorlage: Hans Christian Andersen
 1987: Die tanzenden Prinzessinnen (Faerie Tale Theatre – The Dancing Princesses) – Regie: Peter Medak, Vorlage: Brüder Grimm

Cannon Movie Tales: Märchenmusical, USA und Israel, 1986–1989
 1987: Schneewittchen (Snow White/Schigia) – Regie: Michael Berz, Vorlage: Brüder Grimm
 1987: Hänsel und Gretel (Hansel and Gretel) – Regie: Len Talan, Vorlage: Brüder Grimm
 1987: Rumpelstilzchen (Rumpelstiltskin) – Regie: David Irving, Vorlage: Brüder Grimm
 1987: Dornröschen (Sleeping Beauty) – Regie: David Irving, Vorlage: Brüder Grimm
 1987: Des Kaisers neue Kleider (The Emperor's New Clothes) – Regie: David Irving, Vorlage: Hans Christian Andersen
 1987: Die Schöne und das Biest (Beauty and the Beast) – Regie: Eugene Marner, Vorlage: Jeanne-Marie Leprince de Beaumont
 1988: Der Froschkönig (The Frog Prince) – Regie: Jackson Hunsicker, Vorlage: Brüder Grimm
 1988: Der gestiefelte Kater (Puss in Boots) – Regie: Eugene Marner, Vorlage: Brüder Grimm
 1989: Rotkäppchen (Red Riding Hood) – Regie: Adam Brooks, Vorlage: Brüder Grimm

Stummfilme
 1902: Jack and the Beanstalk – Regie: George S. Fleming, Edwin S. Porter
 1910: Alice in Wonderland (Alice's Adventures in Wonderland) – Regie: Edwin S. Porter, Vorlage: Lewis Carroll
 1912: Undine – Regie: Lucius Henderson, Vorlage: Friedrich de La Motte
 1914: Cinderella – Regie: James Kirkwood, Vorlage: Charles Perrault
 1915: Alice im Wunderland (Alice in Wonderland) – Regie: W.W. Young, Vorlage: Lewis Carroll
 1916: Undine – Regie: Henry Otto, Vorlage: Friedrich de La Motte
 1916: Schneewitchen (Snow White) – Regie: J. Searle Dawley, Vorlage: Brüder Grimm
 1924: Peter Pan, der Traumelf (Peter Pan) – Regie: Herbert Brenon, Vorlage: J.M. Barrie
 1925: A Kiss for Cinderella – Regie: Herbert Brenon, Vorlage: J.M. Barrie

Weitere US-amerikanische Märchenfilme
 1931: Alice in Wonderland – Regie: Bud Pollard, Vorlage: Lewis Carroll
 1933: Alice im Wunderland – Regie: Norman Z. McLeod, Vorlage: Lewis Carroll
 1934: Abenteuer im Spielzeugland, Böse Buben im Wunderland (Babes in Toyland) – Regie: Gus Meins, Charley Rogers
 1938: Blaubarts achte Frau (Bluebeard's Eighth Wife) – Regie: Ernst Lubitsch
 1939: Der Zauberer von Oz (The Wizard of Oz) – Regie: Victor Fleming, Vorlage: Lyman Frank Baum
 1940: The Blue Bird – Regie: Walter Lang, Vorlage: L'Oiseau bleu von Maurice Maeterlincks
 1940: Der Dieb von Bagdad (The Thief of Bagdad) – Regie: Ludwig Berger, Michael Powell, Tim Whelan, Vorlage: Tausendundeine Nacht
 1942: Arabische Nächte (Arabian Nights) – Regie: John Rawlins, Vorlage: Tausendundeine Nacht
 1944: Ali Baba und die vierzig Räuber (Ali Baba and the Forty Thieves) – Regie: Arthur Lubin, Vorlage: Tausendundeine Nacht
 1944: Kismet (Kismet) – Regie: William Dieterle, Vorlage: Tausendundeine Nacht
 1945: 1001 Nacht (A Thousand and One Nights) – Regie: Alfred E. Green, Vorlage: Tausendundeine Nacht
 1947: Sindbad, der Seefahrer (Sinbad, the Sailor) – Regie: Richard Wallace, Vorlage: Tausendundeine Nacht
 1949: Die Prinzessin der Wüste (DDR) / Die schwarzen Teufel von Bagdad (BRD) (Bagdad) – Regie: Charles Lamont, Vorlage: Tausendundeine Nacht
 1950: Der Wüstenfalke (The Desert Hawk) – Regie: Frederick De Cordova, Vorlage: Tausendundeine Nacht
 1951: Die Diebe von Marschan (Prince Who Was a Thief) – Regie: Rudolph Maté
 1952: Der Sohn von Ali Baba (Son of Ali Baba) – Regie: Kurt Neumann, Vorlage: Tausendundeine Nacht
 1952: Hans und die Bohnenstange (Jack and the Beanstalk) – Regie: Jean Yarbrough
 1952: Hans Christian Andersen und die Tänzerin (Hans Christian Andersen) – Regie: Charles Vidor
 1953: Das goldene Schwert (The Golden Blade) – Regie: Nathan Juran, Vorlage: Tausendundeine Nacht
 1953: Zaubernächte des Orients (Siren of Bagdad) – Regie: Richard Quine, Vorlage: Tausendundeine Nacht
 1953: Der Prinz von Bagdad (The Veils of Bagdad) – Regie: George Sherman, Vorlage: Tausendundeine Nacht
 1954: Die Tochter des Kalifen (The Adventures of Hajji Baba) – Regie: Don Weis, Vorlage: Tausendundeine Nacht
 1955: Kismet (Approved) – Regie: Vincente Minnelli, Stanley Donen, Vorlage: Tausendundeine Nacht
 1955: Der gläserne Pantoffel (The Glass Slipper) – Regie: Charles Walters
 1955: Peter Pan – Regie: Clark Jones, Vorlage: J.M. Barrie
 1957: Cinderella / Rodgers and Hammerstein's Cinderella – Regie: Ralph Nelson
 1957: Der Rattenfänger von Hameln (The Pied Piper of Hamelin) – Regie: Bretaigne Windust
 1958: Sindbads siebente Reise (The 7th Voyage of Sinbad) – Regie: Nathan Juran, Vorlage: Motive aus Tausendundeine Nacht
 1958: Der kleine Däumling (Tom Thumb) – Regie: George Pal, Vorlage: Charles Perrault
 1960: Aschenblödel (Cinderfella) – Regie: Frank Tashlin, Vorlage: Charles Perrault
 1960: The Wizard of Baghdad – Regie: George Sherman, Vorlage: Tausendundeine Nacht
 1961: Schneewittchen & The Three Stooges (Snow White and the Three Stooges) – Regie: Walter Lang
 1962: Die Schönheit und das Ungeheuer (Beauty and the Beast) – Regie: Edward L. Cahn
 1962: Der Herrscher von Cornwall (Jack the Giant Killer) – Regie: Nathan Juran
 1963: Kapitän Sindbad (Captain Sindbad) – Regie: Byron Haskin
 1964: Der Nussknacker (The Nutcracker) – Regie: Heinz Liesendahl, Vorlage: E. T. A. Hoffmann
 1964: Sinderella and the Golden Bra – Regie: Loel Minardi
 1965: Das Schwert des Ali Baba (The Sword of Ali Baba) – Regie: Virgil W. Vogel
 1965: Cinderella / Rodgers & Hammerstein's Cinderella – Regie: Charles S. Dubin, Vorlage: Charles Perrault
 1966: The Daydreamer – Regie: Jules Bass, Vorlage: Hans Christian Andersen
 1967: Jack und die Wunderbohnen (Jack and the Beanstalk) – Regie: Gene Kelly
 1969: Hey, Cinderella! (Hey Cinderella!) – Regie: Jim Henson, Vorlage: Charles Perrault
 1971: Der Froschprinz (Tales from Muppetland: The Frog Prince) – Regie: Jim Henson, Vorlage: Brüder Grimm
 1972: Die Bremer Stadtmusikanten (Tales from Muppetland: The Muppet Musicians of Bremen) – Regie: Jim Henson, Vorlage: Brüder Grimm
 1972: Once Upon a Mattress – Ron Field, Dave Powers, Vorlage: Prinzessin auf der Erbse
 1973: Sindbads gefährliche Abenteuer (The Golden Voyage of Sinbad) – Regie: Gordon Hessler, Vorlage: Tausendundeine Nacht
 1974: Der kleine Prinz (The Little Prince) – Regie: Stanley Donen
 1976: Der blaue Vogel (The Blue Bird) – Regie: George Cukor, Vorlage: L'oiseau bleu von Maurice Maeterlinck
 1976: Die Schöne und das Biest (Beauty and the Beast) – Regie: Fielder Cook, Vorlage: Jeanne-Marie Leprince de Beaumont
 1976: Peter Pan – Regie: Dwight Hemion, Vorlage: J.M. Barrie
 1976: Beauty and the Beast – Regie: Fielder Cook, Vorlage: Jeanne-Marie Leprince de Beaumont
 1977: Sindbad und das Auge des Tigers (Sinbad and the Eye of the Tiger) – Regie: Sam Wanamaker, Vorlage: Tausendundeine Nacht
 1977: Once Upon a Brothers Grimm – Regie: Norman Campbell
 1978: The Wiz – Das zauberhafte Land (The Wiz) – Regie: Sidney Lumet
 1978: Cinderella in Harlem (Cindy) – Regie: William A. Graham, Vorlage: Aschenputtel
 1978: Fairy Tales – Regie: Harry Hurwitz
 1979: Ein Himmelhund von einem Schnüffler (Oh! Heavenly Dog) – Regie: Joe Camp
 1981: Der Drachentöter (Dragonslayer) – Regie: Matthew Robbins
 1982: Alice at the Palace – Regie: Emile Ardolino
 1983: Hansel and Gretel – Regie: Tim Burton, Vorlage: Hänsel und Gretel
 1984: Die unendliche Geschichte (The NeverEnding Story) – Regie: Wolfgang Petersen, Vorlage: Michael Ende
 1984: Oh Gott! Du Teufel (Oh, God! You Devil) – Regie: Paul Bogart
 1985: Oz – Eine phantastische Welt (Return to Oz) – Regie: Walter Murch
 1985: Der Tag des Falken (Ladyhawke) – Regie: Richard Donner
 1985: Legende (Legend) – Regie: Ridley Scott
 1985: Alice im Wunderland (Alice in Wonderland) – Regie: Harry Harris
 1986: Der Nussknacker (Nutcracker) – Regie: Carroll Ballard, Vorlage: E. T. A. Hoffmann
 1986: Die Reise ins Labyrinth (Labyrinth) – Regie: Jim Henson
 1987: Der weiße Drache (White Horse, Dark Dragon) – Regie: Jerzy Domaradzki, Janusz Morgenstern
 1987: Die Braut des Prinzen (The Princess Bride) – Regie: Rob Reiner
 1987: Das Mädchen mit den Wunderhölzern (The Little Match Girl) – Regie: Michael Lindsay-Hogg
 1988: Willow – Regie: Ron Howard, Vorlage: George Lucas
 1990: Ein Wunsch geht in Erfüllung – Regie: George Miller
 1990: Hexen hexen – Regie: Nicolas Roeg
 1990: Ashpet: An American Cinderella – Regie: Tom Davenport
 1990: Magic Woman (If the Shoe Fits) – Regie: Tom Clegg
 1991: Hook – Regie: Steven Spielberg, Vorlage: J.M. Barrie
 1993: Der Nussknacker (The Nutcracker) – Regie: Emile Ardolino
 1994: Der kleine Gigant (Beanstalk) – Regie: Michael Davis, Vorlage: Hans und die Bohnenranke
 1994: Der gute König / König Wenceslas (Good King Wenceslas) – Regie: Michael Tuchner
 1994: Little Princess – Die kleine Prinzessin (A Little Princess) – Regie: Alfonso Cuarón
 1994: Drachenwelt / Dragonworld – Der letzte Drache (Dragonworld) – Regie: Ted Nicolaou
 1994: Das Geheimnis des Seehundbabys (The Secret of Roan Inish) – Regie: John Sayles
 1995: Der Prinz und der Prügelknabe (The Whipping Boy) – Regie: Syd Macartney
 1995: Goldilocks and the Three Bears – Regie: Brent Loefke
 1996: Die Eisprinzessin – Regie: Danny Huston
 1996: Gullivers Reisen (Gulliver's Travels) – Regie: Charles Sturridge
 1996: Ritter der Zeit (To the Ends of Time) – Regie: Markus Rothkranz
 1996: Die Legende von Pinocchio (The Adventures of Pinocchio) – Regie: Steve Barron, Vorlage: Pinocchio von Carlo Collodi
 1997: Schneewittchen (Snow White: A Tale of Terror) – Regie: Michael Cohn
 1997: Cinderella – Regie: Robert Iscove
 1998: Auf immer und ewig (Ever After: A Cinderella Story) – Regie: Andy Tennant
 1999: Alice im Wunderland (Alice in Wonderland) – Regie: Nick Willing
 1998: Sindbad – Die Schlacht der Schwarzen Ritter (Sinbad: The Battle of the Dark Knights) – Regie: Alan Mehrez, Vorlage: Tausendundeine Nacht
 1999: Alice Underground – Regie: Robert E. Lee
 1999: Kampf der Kobolde (Leprechauns) – Regie: John Henderson
 2000: Arabian Nights – Abenteuer aus 1001 Nacht (Arabian Nights) – Regie: Steve Barron, Vorlage: Tausendundeine Nacht
 2000: Das zehnte Königreich (The 10th Kingdom) – Regie: David Carson, Herbert Wise, Vorlage: Brüder Grimm
 2000: Peter Pan – Regie: Glenn Casale, Gary Halvorson, Vorlage: J.M. Barrie
 2000: Geppetto, der Spielzeugmacher (Geppetto) – Regie: Tom Moore, Vorlage: Pinocchio von Carlo Collodi
 2001: Snow White – Regie: Caroline Thompson
 2001: Ritter aus Leidenschaft (A Knight's Tale) – Regie: Brian Helgeland, Vorlage: Motive aus den Canterbury Tales von Geoffrey Chaucer
 2001: Ein Kuss mit Folgen (Prince Charming) – Regie: Allan Arkush
 2001: Jagd auf den Schatz der Riesen (Jack and the Beanstalk: The Real Story) – Regie: Brian Henson, Vorlage: Hans und die Bohnenranke
 2001: Claire – Milford Thomas, Vorlage: Japanisches Volksmärchen
 2002: Die Schneekönigin (Snow Queen) – Regie: David Wu, Vorlage: Hans Christian Andersen
 2003: Peter Pan – Regie: P.J. Hogan, Vorlage: J.M. Barrie
 2003: Northfork – Regie: Michael Polish
 2003: Hans Christian Andersen: My Life as a Fairy Tale – Regie: Philip Saville
 2004: Cinderella Story (A Cinderella Story) – Regie: Mark Rosman
 2004: Ella – Verflixt & zauberhaft (Ella Enchanted) – Regie: Tommy O'Haver
 2004: Alice's Misadventures in Wonderland – Regie: Robert Rugan
 2005: Es war einmal … Die Prinzessin auf der Erbse (Once Upon a Mattress) – Regie: Kathleen Marshall, Vorlage: Hans Christian Andersen
 2005: Brothers Grimm (The Brothers Grimm) – Regie: Terry Gilliam, Vorlage: Brüder Grimm
 2006: Red Riding Hood – Rotkäppchen kehrt zurück (Red Riding Hood) – Regie: Randal Kleiser, Vorlage: Brüder Grimm
 2006: Penelope – Regie: Mark Palansky
 2006: Das Mädchen aus dem Wasser (Lady in the Water) – Regie: M. Night Shyamalan
 2007: Mr. Magoriums Wunderladen (Mr. Magorium's Wonder Emporium) – Regie: Zach Helm
 2007: Verwünscht (Enchanted) – Regie: Kevin Lima
 2007: Tin Man – Kampf um den Smaragd des Lichts (Tin Man) – Regie: Nick Willing
 2007: Der Sternwanderer (Stardust) – Regie: Matthew Vaughn
 2008: Another Cinderella Story – Regie: Damon Santostefano
 2008: Das Geheimnis der Mondprinzessin (The Secret of Moonacre) – Regie: Gabor Csupo
 2009: Jack im Reich der Riesen (Jack and the Beanstalk) – Regie: Gary J. Tunnicliffe, Vorlage: Joseph Jacobs und Brüder Grimm
 2010: Alice im Wunderland (Alice in Wonderland) – Regie: Tim Burton
 2011: Die Hexen von Oz (The Witches of Oz) – Regie: Leigh Scott
 2011: Red Riding Hood – Unter dem Wolfsmond (Red Riding Hood) – Regie: Catherine Hardwicke, Vorlage: David Leslie Johnson und Rotkäppchen von den Brüdern Grimm und Charles Perrault
 2011: Cinderella Story – Es war einmal ein Lied (A Cinderella Story: Once Upon a Song) – Regie: Damon Santostefano
 2012: Snow White and the Huntsman – Regie: Rupert Sanders, Vorlage: Brüder Grimm
 2012: Spieglein Spieglein – Die wirklich wahre Geschichte von Schneewittchen (Mirror Mirror) – Regie: Tarsem Singh, Vorlage: Brüder Grimm
 2012: Grimm's Snow White – Regie: Rachel Goldenberg, Vorlage: Brüder Grimm
 2012: Rags – Regie: Bille Woodruff, Vorlage: Aschenputtel
 2013: The Snow Queen – Regie: Rene Perez, Vorlage: Hans Christian Andersen
 2013: Jack and the Giants (Jack the Giant Slayer) – Regie: Bryan Singer
 2013: Jack the Giant Killer – Regie: Mark Atkins
 2013: Hänsel und Gretel – Black Forest (Hansel & Gretel Get Baked) – Duane Journey, Vorlage: Brüder Grimm
 2013: Hänsel und Gretel – Ein Märchen wird zur blutigen Wahrheit (Hansel & Gretel) – Regie: Anthony C. Ferrante, Vorlage: Brüder Grimm
 2013: Hänsel und Gretel: Hexenjäger (Hansel & Gretel: Witch Hunters) – Regie: Tommy Wirkola, Vorlage: Brüder Grimm
 2013: Die fantastische Welt von Oz (Oz the Great and Powerful) – Regie: Sam Raimi
 2014: Maleficent – Die dunkle Fee (Maleficent) – Regie: Robert Stromberg
 2014: Sindbads fünfte Reise (Sinbad: The Fifth Voyage) – Regie: Shahin Sean Solimon, Vorlage: Tausendundeine Nacht
 2014: Sleeping Beauty – Regie: Rene Perez, Vorlage: Brüder Grimm
 2014: Into the Woods – Regie: Rob Marshall, Vorlage: Rotkäppchen, Rapunzel, Aschenputtel u. a. von den Brüder Grimm
 2014: Winter's Tale – Regie: Akiva Goldsman
 2014: Peter Pan Live! – Regie: Rob Ashford, Glenn Weiss, Vorlage: J.M. Barrie
 2015: Rotkäppchen (Little Red Riding Hood) – Regie: Rene Perez, Vorlage: Brüder Grimm
 2015: Cinderella – Regie: Kenneth Branagh, Vorlage: Cendrillon von Charles Perrault
 2015: Descendants – Die Nachkommen (Descendants) – Regie: Kenny Ortega
 2015: Pan – Regie: Joe Wright, Vorlage: J.M. Barrie
 2016: The Huntsman & The Ice Queen (The Huntsman: Winter's War) – Regie: Cedric Nicolas-Troyan
 2016: Cinderella Story – Wenn der Schuh passt … (A Cinderella Story: If the Shoe Fits) – Regie: Michelle Johnston
 2016: Sinbad and the Clash of the Furies – Regie: Scott Wheeler, Vorlage: Tausendundeine Nacht
 2016: Väterchen Frost – Der Kampf der Zauberer (Ded Moroz. Bitva Magov) – Regie: Aleksandr Voytinskiy
 2016: Alice im Wunderland: Hinter den Spiegeln (Alice Through the Looking Glass) – Regie: James Bobin
 2017: Die Schöne und das Biest (Beauty and the Beast) – Regie: Bill Condon, Vorlage: Französisches Volksmärchen
 2017: Descendants 2 – Regie: Kenny Ortega
 2018: Der Nussknacker und die vier Reiche (The Nutcracker and the Four Realms) – Regie: Lasse Hallström, Joe Johnston
 2018: Die kleine Meerjungfrau (The Little Mermaid) – Regie: Blake Harris, Chris Bouchard
 2019: Aladdin – Regie: Guy Ritchie
 2019: Maleficent: Mächte der Finsternis (Maleficent: Mistress of Evil) – Regie: Joachim Rønning
 2019: The Adventures of Aladdin (Adventures of Aladdin) – Regie: Glenn Campbell
 2019: Darling, Darling, Wendy – Regie: Elise Robertson, Vorlage: J.M. Barrie
 2020: Gretel & Hänsel (Gretel & Hansel) – Regie: Oz Perkins, Vorlage: Brüder Grimm
 2020: Die Magie der Träume – Regie: Die Magie der Träume, Vorlage: Vorgeschichte zu Peter Pan und Alice im Wunderland
 2021: Cinderella – Regie: Kay Cannon
 2022: The Princess – Regie: Le-Van Kiet
 2022: The School for Good and Evil – Regie: Paul Feig
 2022: Verwünscht nochmal – Regie: Adam Shankman
 2022: Die Märchenprinzessin (A Fairy Tale After All) – Regie: Erik Peter Carlson

Einzelnachweise

Marchenfilme
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!Marchen

redpajama_set_name: RedPajamaWikipedia


text:
Q: how to display Native Xml Layout in React Js i have an Activity(with XML layout) in Native code. i want to use that Activity in React Native... with the help of Native Modules i can display use that's fine. but that Activity is Over Laying the React Application(That Activity Filling The total mobile Screen)...
What i want is Use that entire Activity in React Java Script like a Tag.
i tried by link using View Manager but i can not understood how to use it..... Any help? thank you.....


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Solitaire's Sizing and Timing Analysis compares a company's current storage limitations with selected corporate standards. A sizing analysis is performed on the company's financial data, including projected increases in storage requirements over the minimum or mandated retention period. Additional analysis is performed on the speed of backups and storage, which also incorporates network load and availability, to ensure the minimum of downtime while maintaining the required data, and to allow the organization to evaluate critical performance windows. This type of analysis is frequently performed in conjunction with Sarbanes-Oxley compliance, and provides a window on the critical time frames that are associated with the increased need for data retention.
Since this type of study is normally done for a three to five year projection window, the study deliverables are separated into time slices, with anticipated capacity levels for all resources defined during and at the end of each time period. These resources include personnel as well as processing, network, and storage resources. The analysis associates the total cost of ownership for the system during that time frame, with suggested strategies for cost containment as appropriate.
The deliverables from this analysis are similar to those of the other operational SIL offerings. Additional information is available upon request.


text:
HPC &
A prestigious award in the field of tourism innovation for TIM
Arctur has once again proved the importance of the Tourism 4.0 initiative by receiving the award for The best innovation in the field of artificial intelligence and data analytics for the tool called TIM – Tourism Impact Model.
Tourism Innovation Summit 2020 took place from November 25-27 in Sevilla. The event was organised as a live event, adhering to the strictest health and hygiene rules and regulations. It was meant to be a symbolic statement that despite the challenges of the current reality bound to COVID-19 such events can still be successfully accomplished. It was opened by the Spanish queen Letizia in the company of international politicians and experts, also from Slovenia. Arctur has once again proved the importance of the Tourism 4.0 initiative by receiving the award for The best innovation in the field of artificial intelligence and data analytics for the tool called TIM – Tourism Impact Model.
Tourism, one of the fastest growing industries, has been stopped virtually overnight because of the COVID-19 epidemic. It made us realise just how interwoven it is into all aspects of society. Rapidly changing circumstances are demanding solutions that enable municipalities, destinations and countries a quick and competent response in all situation. Some of the most important representatives gathered at this event, dedicated to restart of tourism, alongside queen Letizia there were also, Reyes Maroto the Minister of Industry, Commerce and Tourism, Juan Manuel Moreno, President of Junta de Andalucía, Juan Espadas, the mayor of Seville and many others international representatives from all fields of tourism.
Are we the owners of our own data and consequently decisions?
Two of the main speakers at the event were also Urška Starc Peceny PhD, the head of Tourism 4.0 department at Arctur and Tomi Ilijaš, the CEO. They have presented Tourism 4.0, a Slovenian initiative, which has grown into an international partnership with more than 150 members from all over the world.
"The essence of Tourism 4.0 is the awareness that in addition to good food, friendly people and beautiful nature, tourism is ruled by other forces, namely high technology. The fact is that Europe has fallen asleep from that aspect and technology is in the hands of American corporations, "said Tomi Ilijaš.
Tourism 4.0 is the European answer and focuses on the quality of life of the local residents, sustainable development of the environment and respect for personal privacy. There is a huge amount of data around collected and stored in various ways. As such, however, these data have no value, they need to be converted into information which will give key decision-makers a good enough picture to help them take the right decision in which direction to develop tourism, infrastructure and other areas.
The team at Arctur, in the company of international experts, found that people's perceptions of the effects of tourism are often significantly different from the real situation. TIM is the first step on the path to change that. It is based on more than three hundred indicators to show the effects of tourism in a selected destination. It covers all areas of life and presents an objective picture of both, the positive and negative effects of tourism. Assessments with TIM are currently carried out as part of European projects led by Arctur at six destinations in the Black Sea area, 24 destinations in the Danube region and in 5 brave Slovenian municipalities that have joined already the testing phase and are just finishing data collecting.
"The opportunity for Slovenia is to use the tool for assessing the majority of the territory and become a reference country. Currently, we mostly make decisions based on data collected and processed by foreign corporations. Is this the future we want or do want to become owners of our data and the consequent decisions?" asks dr. Urška Starc Peceny.
With a help of supercomputers on the way to digital transformation
Arctur encourages the use of supercomputers in both academia and the economy. As the Arctur Team is currently collaborating on two European projects, EuroCC and FF4EuroHPC, which offer the opportunity to introduce new technologies and connect the economy and educational institutions, the project presentation and benefits for Slovenian SMEs were presented in the national news portal Delo. ... read more
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South Bend, IN-(ENEWSPF)- Andre Pittman, 31 years old, of South Bend, Indiana was sentenced by U.S. District Court Judge Jon E. DeGuilio, after pleading guilty to two counts of robbery affecting interstate commerce, announced U.S. Attorney Kirsch.
The Court imposed a sentence of 63 months, followed by 1 year of supervised release.
According to documents in the case, Pittman robbed a cellular store on Lincoln Way West in South Bend on March 9, 2018. He also robbed a video store on Portage Avenue in South Bend on March 13, 2018. The combined cash stolen from these businesses was $1,045.00 dollars.
This case was investigated by the FBI with assistance from the South Bend Police Department and prosecuted by Assistant United States Attorney Joel Gabrielse.
This is from the United States Department of Justice.


Marriage of Thomas Lamb & Isabell Lamb given in North Carolina-VR film 0276138 ref 2:3XZF9TJ as 14 Sep 1857 in New Hanover, North Carolina (same as Pender Co); and in North Carolina-EASy transcribed variously as 14 Sep 1857, 24 Sep 1857...in New Hanober Co., North Carolina, United States film 276230 & 276194.
Moved NC to Drew Co., AR 1851. Spent some time at Attala Co., MS enroute to Drew.
During War Between the States, became Deputy QM under Maj. Latimore in the state service, and for some time was stationed at Fulton, after which he was detailed to steamboat service, and was captured at Poplar Bluff on Bayou Bartholomew, this being the only time he was exposed to Yankee bullets during his service. Soon after being captured he was paroled, and on June 4, 1865, returned to his home to find most of his property destroyed but immediately set to work to make good his losses, and more than did so. He died at his home 5 miles from Monticello 1908...his wife 1905.


text:
Micragrypnites is een geslacht van kevers uit de familie
kniptorren (Elateridae).
Het geslacht is voor het eerst wetenschappelijk beschreven in 1973 door Dolin.

Soorten
Het geslacht omvat de volgende soort:
 Micragrypnites issykiensis Dolin, 1973

Kniptorren


text:
Q: How do I sleep in Swift Playgrounds and get the latest async values? I'd like to test/display behavior in Swift Playgrounds related to a function that mutates values after a delay. For simplicity, let's just say it mutates a string. I know I can delay the execution of updating the value via DispatchQueue.main.asyncAfter and that I can sleep the current thread using usleep or sleep.
However, since the playground is seemingly running in a synchronous thread, I'm not able to see the changes after sleeping.
Here's an example of what I would like to do:
var string = "original"

let delayS: TimeInterval = 0.100
let delayUS: useconds_t = useconds_t(delayS * 1_000_000)

func delayedUpdate(_ value: String) {
  DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + delayS) {
    string = value
  }
}

delayedUpdate("test2")
assert(string == "original")
usleep(delayUS)
print(string) // ❌ Prints "original"
assert(string == "test2") // ❌ Assertion failure. string is "original" here

delayedUpdate("test3")
assert(string == "test2") // ❌ Assertion failure. string is "original" here
usleep(delayUS)
print(string) // ❌ Prints "original"
assert(string == "test3") // ❌ Assertion failure. string is "original" here

delayedUpdate("test4")
assert(string == "test3") // ❌ Assertion failure. string is "original" here
usleep(delayUS)
print(string) // ❌ Prints "original"
assert(string == "test4") // ❌ Assertion failure. string is "original" here

Notice all the failed assertions since anything at the top level doesn't see the changes to string. This seems like a synchronous vs. asynchronous thread issue.
I know I can fix it by replacing usleep with more asyncAfter:
delayedUpdate("test2")
assert(string == "original")
DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + delayS) {
  print(string)
  assert(string == "test2")

  delayedUpdate("test3")
  assert(string == "test2")
  DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + delayS) {
    print(string)
    assert(string == "test3")

    delayedUpdate("test4")
    assert(string == "test3")
    DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + delayS) {
      print(string)
      assert(string == "test4")
    }
  }
}

However, this leads to a pyramid of doom of indented code each time the app is delayed. This is not too bad with 3 levels, but if I have a large playground, this will become really hard to follow.
Is there a way to use something closer to the first linear programming style that respects updates updated after delays?

Another potential solution is to wrap each reference to string in a asyncAfter:
delayedUpdate("test2")
assert(string == "original")
usleep(delayUS)
DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + 0.001) { print(string) }
DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + 0.001) { assert(string == "test2") }

delayedUpdate("test3")
DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + 0.001) { assert(string == "test2") }
usleep(delayUS)
DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + 0.001) { print(string) }
DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + 0.001) { assert(string == "test3") }

delayedUpdate("test4")
DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + 0.001) { assert(string == "test3") }
usleep(delayUS)
DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + 0.001) { print(string) }
DispatchQueue.main.asyncAfter(deadline: DispatchTime.now() + 0.001) { assert(string == "test4") }

However this is not preferred either since it is pretty messy as well, and probably error prone if one execution relies on the previous value of string to do its function, for example. It also needs a 0.001 or similar correction to ensure there is no race condition.

How do I use a linear programming style (e.g. with sleep) in a Swift playground, but have values that are updated during the sleep be reflected correctly by the lines after sleep?

A: You're creating a race condition. Forget the playground; just consider the following code:
    print("start")
    DispatchQueue.main.asyncAfter(deadline:.now() + 1) {
        print("delayed")
    }
    sleep(2)
    print("done")

We delay for 1 second and print "delayed", and we sleep for 2 seconds and print "done". Which do you think will appear first, "delayed" or "done"? If you think "delayed" will appear first, you don't understand what sleep does. It blocks the main thread. The delay cannot re-enter the main thread until after the blockage is gone.

A: matt's simplified example makes the real problem with this code very clear. It's not that the main queue was not seeing updates to the values, but rather that the order of the code was being executed in a different way than I was expecting.
You can think of the order of execution as:

*

*All lines at the top level of a Swift Playground (main queue)

*Anything else scheduled on the main queue

That explains why the code is executed in this order:
print("start") // 1
DispatchQueue.main.asyncAfter(deadline:.now() + 1) {
    print("delayed") // 3
}
sleep(2)
print("done") // 2
// All async code on the main thread will execute after this line

Notice how it executes it in 132 order instead of the desired 123 order. The reason is that the top level code in a Playground is running on the main thread, and that .main was supplied to DispatchQueue.
If you try it with a semaphore, you can clearly see the problem as well:
print("start") // 1
let semaphore = DispatchSemaphore(value: 0)
DispatchQueue.main.asyncAfter(deadline:.now() + 1) {
  print("delayed") // never executed
  semaphore.signal()
}
semaphore.wait() // This causes a deadlock
print("done") // never executed

The line semaphore.wait() causes a deadlock since the semaphore.signal() can only be called after the done is printed, but it can't advance to that line because of the wait.
One way to get the code running in the desired order is to move the asynchronous code to a different thread (e.g. global()):
print("start") // 1
DispatchQueue.global().asyncAfter(deadline:.now() + 1) {
    print("delayed") // 2
}
sleep(2)
print("done") // 3

Simply changing to use a global queue instead of the main queue (and adding more time buffer) makes the original code function as desired:
var string = "original"

let delayS: TimeInterval = 0.100
let sleepDelayUS: useconds_t = useconds_t(delayS * 1_000_000)
let sleepPaddingUS = useconds_t(100_000)

func delayedUpdate(_ value: String) {
  DispatchQueue.global().asyncAfter(deadline: DispatchTime.now() + delayS) {
    string = value
  }
}

delayedUpdate("test2")
assert(string == "original")
usleep(sleepDelayUS + sleepPaddingUS)
print(string) // ❌ Prints "original"
assert(string == "test2") // ❌ Assertion failure. string is "original" here

delayedUpdate("test3")
assert(string == "test2") // ❌ Assertion failure. string is "original" here
usleep(sleepDelayUS + sleepPaddingUS)
print(string) // ❌ Prints "original"
assert(string == "test3") // ❌ Assertion failure. string is "original" here

delayedUpdate("test4")
assert(string == "test3") // ❌ Assertion failure. string is "original" here
usleep(sleepDelayUS + sleepPaddingUS)
print(string) // ❌ Prints "original"
assert(string == "test4") // ❌ Assertion failure. string is "original" here

Another option for testing code with delays in Playground is using XCTWaiter, since XCTest works in Playgrounds. If you want an even better way to test, you could use a custom dispatch queue meant for testing rather than literally waiting for time to pass. This episode on PointFree explains one way of doing that.


The Rion EcoGrow 6x10 Green Greenhouse is a great purchase for a serious gardener or a gardener with limited space. A very functional barn style design has been used in order to give heightened eaves that provide a spacious feel.
Not only is this product extremely functional and aesthetically pleasing, it is also extremely robust too. Thick extruded resin has been used to construct a frame that is not only durable but also has good natural insulating properties. Twin Wall glazing has been used, manufactured from virtually unbreakable polycarbonate panels, maintaining great safety and heat insulation.


EGI has opened a call for Competence Centres (CCs) proposals. CCs will be one of the instruments of EGI for e-Science support at a pan-European level.
Information about the Competence Centre and its activities is provided by the document "EGI Competence Centres, Call for participation".
Competence Centre proposals will undergo a selection process; the selected ones will become part of the programme of work (user engagement of the EGI-Engage project proposal for submission to the EC Horizon 2020 Call "European research infrastructures (including e-Infrastructures)", Topic EINFRA-1, to address Activity 6.
The Competence Centre proposals must be sent by mail to cc-call@mailman.egi.eu by July 04 2014 h 24:00 CEST.
NOTICE (25-06-2014). The main questions received from partners working on CC proposals are now collected in a FAQ document, see below. The FAQ was updated on 25-06-2014 3PM to correct one line on page 1 (highlighted in bold).


Karine Molloy was born in 1983 in New Carlisle in the Gaspé Peninsula (Quebec, Canada). Her interest in the arts awakens from the age of 5, while she practices classical ballet until she is 11 years old. Afterwards, she discovers Van Gogh at the local library, it's love at first sight. A first course of painting introduces her to the pleasure of colors and the freedom of creation. The dramatic art and theater are linked with the painting (figurative) behind. Her passion for nature led her first to studies in forestry. At the end of this program it is in visual arts (2004) at the University of Sherbrooke that she adventure herself. She explores Riopelle, Miro and Matisse then she discovers Frida. As many artists who make her vibrate by their gestures, their intensity, their colors, their freedom.
In 2010 is unveiled his first solo exhibition in abstraction. Then followed many individual exhibitions, all of which have been presented at cultural broadcasting centers recognized in 2012 (3), 2013, 2014, 2015 (3). Winner of several awards of emerging artist, Molloy continues her career as a professional artist on the south shore of Montreal.
MOLLOY's work is strongly influenced by this search for the relation between the empty and the full, the background and the strength of the line.


text:
Travel 80 » Mexico » How Do I Get to Sayulita (and How Do I Get Around)?
How Do I Get to Sayulita (and How Do I Get Around)?
With the charming port city of Puerto Vallarta as its gateway, getting to Sayulita is easier and interesting. From long bus rides to convenient, quick, and cheap taxis, you can get to Sayulita and have Banderas Bay, and the Riviera Nayarit to revel upon, ending with a splash in the surf-worthy waves of this little hipster town.
With its tropical, laid-back, beach town flavor, Sayulita still tops lists of the best Mexican getaway spots. The jewel of the Riviera Nayarit, Sayulita still holds the crown of the most laid-back yet flavorful beach town that
What Airport Do You Fly Into for Sayulita?
The nearest major airport to Sayulita is the Puerto Vallarta International Airport, south of the town. With more than 5 million recorded passengers in 2019, has direct flights not just from the US, but in Canada, and certain cities in Europe as well.
Because of Puerto Vallarta's status as one of western Mexico's jewels, flight prices going to Puerto Vallarta International Airport might be pricier. It's best to lookup certain seasons that will tailor accordingly to your budget.
How Far is Sayulita From the Airport?
Puerto Vallarta International Airport is approximately 36 km or 22 miles south of Sayulita. With a few transport options, getting to Sayulita from the airport can be by bus, taxi, car rental, or private transfers.
You can take a bus across the highway outside the airport, look for the name "Sayulita" indicated on the bus windshield. Buses can cost around 46 Mexican pesos or 2 US dollars. Taxis can be hailed across the highway outside the airport, or you can take airport taxis just outside the gates, but they're more expensive.
Private transfers and car rentals can be taken from Puerto Vallarta as well. They provide more comfort and the fullest experience of traveling across the states.
Does Sayulita Mexico Have an Airport?
With its small size and population, Sayulita doesn't have an airport. The nearest major airport, however, is in Puerto Vallarta. The Puerto Vallarta International Airport or PVR is a major airport that serves passengers coming to the coastal beauty of the Banderas Bay and the Riviera Nayarit.
How Far is Sayulita From Puerto Vallarta Airport?
The distance between Sayulita and Puerto Vallarta is approximately 36 km or 22 miles. If you take the main highway north going to Sayulita from Puerto Vallarta Airport, it will take about 43 minutes or more.
Is Sayulita North or South of Puerto Vallarta?
Sayulita is located more than 20 miles north of Puerto Vallarta. With a handful of ways in getting there, from buses to private transfers or rental cars, it takes about 30 minutes to an hour getting in between.
How Do I Get From Puerto Vallarta to Sayulita?
You can get to Sayulita from Puerto Vallarta via bus, taxi, or rental car. Travel time and price varies depending on which mode of transport you're going to take.
Buses usually cost around 40 Mexican pesos or 2 US dollars, and travel time usually takes around an hour, more or less. Taxi prices depending on which taxi you're going to take, airport taxis are more expensive, while local taxis are around half the price, for about 14 US dollars.
Several car rental companies dot Puerto Vallarta and the neighboring Nuevo Vallarta, rental fees could go from 15 to 19 US dollars per day, depending on what type of unit you want to get.
How Long is the Drive From Puerto Vallarta to Sayulita?
Depending on the mode of transport you're going to take, travel time can go from 30 minutes to an hour or so. Covering a distance of 36 km or 22 miles, with uncontrolled traffic conditions, and several other factors, driving to Sayulita has its perks and downsides.
How Long Does It Take to Drive From Puerto Vallarta to Sayulita?
If you take the bus, which is probably the longest drive, can get you around an hour or so. Depending on the driver, the number of stops, and the traffic conditions, buses may be the cheapest but it has its drawbacks for some people.
Taxis can be cheap or pricey, depending on your haggling skills and budget, but it takes you to Sayulita the fastest. Depending on the traffic conditions and other factors, drivers could go from 20 to 30 minutes.
Rental cars might lean on the pricier side. However, if you come prepared and planning to see the Riviera at your pace, your driving time all depends on you.
Is It Safe to Drive From Puerto Vallarta to Sayulita?
The state of Nayarit is safe to drive around, especially on national highways where the route going to Sayulita from Puerto Vallarta is in. However, you need to be careful when you take the highway past Bucerias, as the road has many twists that could be potentially dangerous.
How Much Does a Taxi Cost From Puerto Vallarta Airport to Sayulita?
Taxis are the fastest means of travel in getting to Sayulita from Puerto Vallarta Airport. The best taxis to take are the local ones, which you can find across the highway outside the airport, they cost approximately 200 to 300 Mexican pesos, make sure to pay in the same currency.
You can also haggle for cheap but the usual prices like the one mentioned above are the usual deals that are worth the money. Tipping the drivers are encouraged too, you could do so much for their livelihood with an extra tip.
Is There a Bus From Puerto Vallarta to Sayulita?
Buses are also another popular option in getting to Sayulita from Puerto Vallarta they're the cheapest yet they take the longest time. Most of the time, the drive usually takes about an hour or even more. Buses can cost around 46 pesos one way.
How Do I Get From Puerto Vallarta to Sayulita by Bus?
Bus stops around Puerto Vallarta are at all the major shopping plazas, and just across the highway from the airport. Look for Compostela buses indicating "Sayulita" on the windshield. Buses usually arrive every 20 minutes, and a one-way fare costs 46 pesos.
How Long is the Bus Ride From Puerto Vallarta to Sayulita?
From Puerto Vallarta to Sayulita, the ride usually takes 1 hour to an hour and a half, depending on certain factors. Puerto Vallarta proper can have traffic at certain times of the day, and there can also be unprecedented road factors along the highway going to Sayulita.
How Much is the Bus From Puerto Vallarta to Sayulita?
A one-way trip to Sayulita from Puerto Vallarta typically costs 46 pesos, however, if you're taking the bus outside of downtown Puerto Vallarta, you have to take a 10 peso-trip to downtown, as buses going to Sayulita can only be found there.
Where Do You Catch the Bus to Sayulita?
Buses going to Sayulita are mainly around the main shopping center and plazas around downtown Puerto Vallarta. If you're coming directly from Puerto Vallarta Airport, you can take the buses across the highway, and take the Compostela buses.
How Far is Sayulita From Nuevo Vallarta?
The distance between Sayulita and Nuevo Vallarta is approximately 24 km or 14.9 miles, directly. The driving distance via the highway is around 31.9 km or 19.8 miles, which could typically take less than an hour.
How Do You Get From Sayulita to Nuevo Vallarta?
The common ways of getting to Sayulita from Puerto Vallarta are buses, taxis, and rental cars. Depending on the mode of transportation and traffic conditions, travel time usually takes around 30 minutes to an hour or more.
Buses usually cost around 40 to 60 pesos or 2 to 3 US dollars. Local taxis for Nuevo Vallarta charge around 200 to 300 pesos or 11 to 14 US dollars. Whereas, rental cars depend on per-day fees and type of unit.
How Much is a Taxi From Nuevo Vallarta to Sayulita?
Local taxis typically cost around 200 to 300 Mexican pesos or around 11 to 14 US dollars, depending on your deal with the driver. It's best to pay in Mexican pesos, to avoid bad exchange rates and other hassles.
How Do You Get From San Pancho to Sayulita?
You have two options in getting to Sayulita from San Pancho: taxis and buses. Sayulita is only 7 km or 4 miles from San Pancho if you take the road. By car, taxi, or bus, it will take roughly 10 to 12 minutes to get from San Pancho to Sayulita.
How Much is a Taxi From Sayulita to San Pancho?
A taxi from Sayulita to San Pancho costs around 150 Mexican pesos or almost 8 US dollars.
How Far is Sayulita From Guadalajara?
The distance between Sayulita and Guadalajara is 204 km or 126.7 miles, in a direct line. If you take the long road, the driving distance is about 329.5 km or 204.7 miles and should take about 4 to 5 hours of travel.
How Do You Get From Guadalajara to Sayulita?
There are 4 main ways to get to Sayulita from Guadalajara, you can go by bus, taxi or rental car. Which can take from 4 hours to 7 hours depending on which option you're taking, unprecedented road conditions.
Buses cost around 934 pesos or 47 US dollars and can take the longest time. While taxis cost around 2,000 to 3,000 pesos or 100 to 150 US dollars and are the fastest option.
How Far is Sayulita From Mexico City?
The direct distance between Sayulita and Mexico City is approximately 678 km or 421 miles. If you decide to brave the long road, the driving distance is roughly 862.1 km or 535.6 miles. Depending on your mode of transportation, via bus, or plane, or both, the travel time can take up to 4 to 12 hours.
How Do You Get From Sayulita to Mexico City?
There are several ways in getting to Mexico City from Sayulita. You can take a bus from Sayulita to Puerto Vallarta and fly to Mexico City from there, or you can take a bus to Guadalajara and fly from there.
Another option is taking the bus across central Mexico to Mexico City from the state of Nayarit. Bus trips obviously will take the longest as there are many stops and transfers. Distance and travel time also depend on the routes and highways the bus company takes.
How Do You Get Around Sayulita?
Despite its small size, Sayulita has fun options to get around. From golf carts to plain walking, Sayulita will always allow you to see the town at a slower more laid-back pace.
Golf carts and bicycles are notorious among tourists in Sayulita. A plethora of rental places dots the town making it easy to access and use. There are also taxis available around town, and their not expensive, average costs are around 5 US dollars.
Is There Uber in Sayulita?
There is no Uber in Sayulita. Even though Uber is cheaper than taxis, unfortunately, you can't find them in small beach towns like Sayulita, or at least in Nayarit state.
How Much Does It Cost to Rent a Golf Cart in Sayulita?
Golf Carts typically cost around 50 to even 100 US dollars per day to rent in Sayulita. They are the most popular way of getting around Sayulita, as Golf Cart lets you see the town in your pace, and are compact and can easily be driven around.


text:
Glenshee Archaeology Project: exploring early medieval turf longhouses
The Society's grant contributed to macrofossil analysis and radiocarbon dating costs for the project.
Topography and site plan showing excavations over 2012-14, and 2015.
The Glenshee Archaeology Project (GAP) was established with a pilot year in 2012, funded by the Cairngorms National Park, the Drumderg Windfarm Community Fund, and the Society of Antiquaries of Scotland with the aim of assessing the potential for a programme of archaeological research through community engagement focusing on a cluster of proposed early-medieval longhouses at the site of Lair in Glenshee. A two-year programme of excavation was delivered over 2013-2014, supported by the Gannochy Trust, Historic Environment Scotland, and the Hunter Archaeological and Historical Trust. This, carried out topographical and geophysical survey and excavated over 20 trenches across five long houses and associated features, such as clearance cairns and linear boundaries. This showed that at least 2 of the longhouses dated to the 7-9th centuries AD, and a programme of pollen study revealed that the contemporary landscape was almost treeless, and that the inhabitants of the longhouse were growing crops, including wheat or oats, barley and rye. A further programme of work over 2015-17, funded by the Gannochy Trust, the Society of Antiquaries of Scotland, and Historic Scotland, will aim to excavate a remaining complex of longhouses as yet unexcavated, while mapping field systems and drove routes from a variety of aerial photographic sources. The project was developed by Perth and Kinross Heritage Trust (PKHT) and delivered in partnership with Northlight Heritage as a key event in the annual Perth & Kinross Archaeology Month (PKAM) programme.
The overall project aims are to add some much needed depth to our understanding of the so-called Pitcarmick-type buildings of north-east Perthshire. While many of these elongated turf and timber houses of the late first millennium have been identified in this upland area, initially by the Royal Commission of Ancient & Historical Monuments Scotland during surveys in the late 1980's (RCAHMS 1990), their overall distribution and dating is still poorly understood. In addition to this very few have been excavated to date, the notable exception being the site-type itself at Pitcarmick (Barrett & Downes 1993 & 1994, Carver et al. 2013). These turf and timber structures are particularly important given, with the exception of Viking settlement in the Outer Isles, early medieval buildings are rarely found elsewhere in Scotland.
The site of Lair is located in Glenshee, Perth and Kinross (NGR: NO 139 637) on terraces of a south facing slope, at a height of between c 360 and 380 m OD, with the Shee Water running c.600m to the east. Like Pitcarmick itself, the site comprises a relatively dispersed settlement of longhouses near to an earlier, probably Bronze Age, roundhouse settlement. All of the above sites are located around a ring-cairn of likely early Bronze Age date. The results of the pilot season in 2012 (Strachan & Sneddon 2012), which focused on one of the long houses, and the excavations 2013-14 (Strachan & Sneddon 2013 and 2014), which focussed on the longhouse adjacent to that excavated in 2012 are available online at the project website (www.glenshee-archaeology-co.uk).
An aerial view showing the scale of the longhouse group and 2015 trenches (photo: Eddie Martin).
In June 2015 the fourth season of excavation saw a series of 6 evaluation trenches over a complex of at least three adjacent longhouses (Fig 1, structures 3-5), located to the east of the ring cairn, a focal feature in the landscape and both prehistoric and later features in the immediate area.
The complex exhibits many of the characteristics of the classic 'Pitcarmick type' with rounded ends, an external oval enclosure attached to an external wall and signs of at least some slightly sunken internal areas. The 6 trenches aimed to evaluate the character and preservation of the building walls and internal areas. One trench also investigated the oval enclosure attached to the SW side of the main longhouse and the external area to the south of the group.
The walls of the structures appeared, in general, to be constructed from a
Section through a large pit within an annexe of the longhouse.
combination of turf and stone although well preserved turf layers in the wall of the northern most building appear to show a wall composed of an inner and outer skin of turf with an earthen core. A series of internal features and deposits were also uncovered including substantial layers of stone work in the centre of one of the buildings, post-holes and burnt layers. One of the most distinctive features encountered was a substantial pit in the centre of the oval enclosure containing a series of distinctive fills, including turf layers. Artefacts recovered included fragments of flint, corroded iron pieces, small pottery fragments and a spindle whorl with incised markings. A series of samples have been recovered for radiocarbon dating which will improve our understanding of this complex, the Lair group, and so the early medieval turf longhouses in the area as a whole.
The incised spindle whorl found within the longhouse in 2015.
In 2015, the project is planning further open area excavation of the longhouse complex containing structures 3-5 with a view to better understanding their function and development.
RCAHMS 1990 North-east Perth: an archaeological landscape. pp 150, No.290.3
Barrett, JC & Downes, J 1994 'North Pitcarmick (Kirkmichael parish)' DES, 87-88.
Carver, M et al 2013 'Pictish Byre-houses at Pitcarmick and their landscape: investigations 1993–5' PSAS 142.
ScARF 2010 Medieval Panel Draft Workshop Document, 20.
Strachan, D & Sneddon, D 2012 Glenshee Archaeology Project: 2012 Excavation, Unpublished Data Structure Report. http://www.glenshee-archaeology.co.uk/reports.html
Strachan, D & Sneddon, D forthcoming Glenshee Archaeology Project: 2015 Excavation, Unpublished Data Structure Report. http://www.glenshee-archaeology.co.uk/reports.html
David Strachan (Perth and Kinross Heritage Trust) and Dave Sneddon (Northlight Heritage)


Tickets for this two-day fest from the makers of Fuji Rock normally sell out in advance, and it's easy to see why: with just two stages, a laidback vibe and gorgeous views of Mt Fuji (when the weather plays nice, at least), it's one of the nicest music festivals around. Named after the verdant plateau on which it's held, Shizuoka's Asagiri Jam is as much about camping as it is music, with evening campfires and stalls selling locally produced goodies returning every year. This year's lineup is looking stronger than perhaps ever, with cross-genre rock icon Garland Jeffreys, tougher-than-steel guitar hero Wilko Johnson, Detroit titans Carl Craig and Theo Parrish and Scottish twee-pop champs Belle and Sebastian among the highlights. We're also excited to catch the likes of Ego-Wrappin', D.A.N. and former James Brown backup vocalist Martha High, who'll be appearing together with funk outfit Osaka Monaurail.


text:
The Ceremony of Receiving Grant from the Ministry of Foreign Affairs of Japan for the Russian-Armenian (Slavonic) University (Video)
Posted by hasmik on Mar 15, 2017 in Armenia, News
On March 14, 2017, from 15:00 to 16:00 p.m., at the conference hall of the Russian-Armenian (Slavonic) University took place the ceremony of receiving grant from the Ministry of Foreign Affairs of Japan for the University. The Grant is intended for the improvement of the conditions of studying Japanese and opening a center of the Japanese language at the University. The opening of the ceremony was done by the rector of the Slavonic University Armen Darbinyan.
Then there delivered a speech the Extraordinary and Plenipotentiary Ambassador of Japan in RA Eiji Taguchi.
Then the Extraordinary and Plenipotentiary Ambassador of Japan in RA Eiji Taguchi and the rector of the Slavonic University Armen Darbinyan signed a corresponding document on the provision of the grant.
After that, Karine Karamyan sensei announced about the concert organized by the students of the Slavonic University. Before starting the concert, she handed certificates to the participants of the qualification test (日本語能力試験), which was conducted for the first time in Armenia in 2016.
Then there was a Japanese dance
and a small performance.
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Home 3D Printing Cyborg Humans Scientists 3D Print Electronics Directly on Human Hand
Scientists 3D Print Electronics Directly on Human Hand
In a groundbreaking study, scientists have successfully 3D printed electronics on the human hand for the first time, that could enable soldiers on the battlefield to quickly make temporary sensors and detect hazardous agents. Researchers also successfully printed biological cells on the skin wound of a mouse. The technique could lead to new medical treatments for wound healing and direct printing of grafts for skin disorders.
"We are excited about the potential of this new 3D-printing technology using a portable, lightweight printer costing less than USD 400," said Michael McAlpine, from University of Minnesota in the US. "We imagine that a soldier could pull this printer out of a backpack and print a chemical sensor or other electronics they need, directly on the skin. It would be like a 'Swiss Army knife' of the future with everything they need all in one portable 3D printing tool," said McAlpine, lead author of the study published in the journal Advanced Materials.
One of the key innovations of the new 3D-printing technique is that this printer can adjust to small movements of the body during printing. Temporary markers are placed on the skin and the skin is scanned. The printer uses computer vision to adjust to movements in real-time. "No matter how hard anyone would try to stay still when using the printer on the skin, a person moves slightly and every hand is different," McAlpine said.
"This printer can track the hand using the markers and adjust in real-time to the movements and contours of the hand, so printing of the electronics keeps its circuit shape," he said. Another unique feature of this 3D-printing technique is that it uses a specialised ink made of silver flakes that can cure and conduct at room temperature This is different from other 3D-printing inks that need to cure at high temperatures (up to 100 degrees Celsius or 212 degrees Fahrenheit) and would burn the hand.
To remove the electronics, the person can simply peel off the electronic device with tweezers or wash it off with water. In addition to electronics, the new 3D-printing technique paves the way for many other applications, including printing cells to help those with skin diseases. Researchers successfully used a bioink to print cells on a mouse skin wound, which could lead to advanced medical treatments for those with skin diseases.
"I'm fascinated by the idea of printing electronics or cells directly on the skin," McAlpine said. "It is such a simple idea and has unlimited potential for important applications in the future," he said.
Scientists 3D Print Electronics Directly on Human Hand Reviewed by News Desk on Friday, April 27, 2018 Rating: 5
Tags : 3D Printing Cyborg Humans


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