When it comes to providing optimum air quality in your clinic (you know the place you spend most of your time and greet new clients often, hoping to put your best foot forward) an ounce of prevention is worth a pound of cure. In researching this blog, I "googled" smells in veterinary clinics and came across a long string of posts of former clients bashing a vet for her smelly clinic and saying how they stopped using her and would never go back and still had the foul smell in their nose, etc..They inferred that her smelly clinic meant she was not a competent Veterinarian and they couldn't trust her with their pets. Maybe she was an excellent doctor who made the unfortunate mistake of trusting her veterinary clinic to an engineer who does not specialize in animal facility design.
Zoning – physical & biological separations: there should be many smaller zones. Proper configuration creates individual mechanical, architectural, fire & noise control areas. These isolated spaces promote better odor and disease control and better environmental control. Zoning should be defined your engineer with your architect at the beginning of the project. It should not be defined by the architect.
Controls & dehumidification: dehumidification is necessary in nearly ALL climates. DO NOT use evaporative cooling or setback controls. USE simple thermostats for each zone. Use a separate humidistat for each zone @ 50% (fans should run continuously) and equipment should be accessible for maintenance.
Fresh air – is key for dilution of pathogens. So how much is too little? How much is too much? Not 10% and not 100%. It's important to note that fresh air varies from room to room. Denser population dictates more air. Larger building volume dictates less air. Balancing exhaust with fresh air is imperative. Exhaust should match or be slightly less than the fresh air in the ENTIRE building. Exhaust should have a normal level and a purge level. Your primary exhaust points should be catteries, bathing, isolation, therapy and kenneling.
Filtration and treatment – Why filter at all? Why not just use 100% fresh air? Even at merely 30% fresh air, 70%-80% of HVAC utility costs will be in heating and cooling the fresh air and you can achieve highly effective odor control by utilizing other available methods. Carbon filtration, ionization & ozone are highly effective odor controllers. Ionization, hydroxyl radicals & ozone are effective in killing airborne bacteria. Filtration removes dander, hair, spores & pollens and UV is effective at killing viruses. Be sure your engineer understands the product effectiveness. All methods of air treatment have benefits & detriments.
In addition to adequate air flow, adequate fresh air, dehumidification, and air treatment, proper air distribution is critical. Without proper air distribution, the other features of the HVAC system will perform poorly or not at all. Where possible, air should be delivered vertically to the floor surfaces at moderate velocity. Exhaust should be as low and close to sources of moisture, odor and disease as possible, including direct exhaust from cages, rather than in the middle of the ceiling as shown below. Returns should be located in intermediate locations from the perspective of odor and moisture. All of the air distribution features work with the caging and plumbing systems to create a clean environment. In this manner, the direction of the vertical air distribution pushes clean, treated, dehumidified air in the same direction as the washing and cleaning, ideally toward the drains, which is only really possible with a complete renovation or new construction. Typical diffusers should not be used. Improper air flow is the one area where we see the most errors in design and installation for existing buildings.
Designing a new vet clinic can be challenging and rewarding. If you are in the midst of selecting an architect for this purpose, find out who their engineer is and speak to that person directly. Better yet, hire the engineer independently of the architect. Get specific answers from them on their firm's odor control game plan. An engineer who has experience in animal care can make a world of difference in the outcome. Our firm partners with architects throughout the US and Canada and it's our mission to help create safe, sustainable and practical design solutions.
Scott Learned is president of Design Learned, Inc., supervising the engineering of mechanical, electrical, plumbing, fire protection, and air and noise control aspects of animal care facilities. In addition, he provides consultation, floor planning recommendations, and the specification of animal caging, animal equipment, and finishes. Scott possesses a vast knowledge of animal facility requirements — inspired and informed by his extensive experience caring for pets and rescued animals.
Scott Learned is Board Certified, both as a Licensed Professional Mechanical Engineer (PE) and a Licensed Professional Electrical Engineer (PE) and is a Leadership in Energy and Environmental Design Accredited Professional (LEED AP). He is registered with the NCEES and holds Professional Engineering registrations throughout most of the United States. Scott is a frequent speaker on animal care facility engineering at national conferences and has published a range of articles addressing the challenges of engineering for animal care facilities in Pet Services Journal, Animal Sheltering magazine, and the proceedings of several veterinary organizations.
Mr. Learned attended the University of Connecticut earning his Master of Business Administration, Master of Science in Mechanical Engineering, Bachelor of Science in Psychology, and Bachelor of Science in Engineering, Mechanical Engineering.


The much-awaited radio station built by the management of the Federal Polytechnic, Auchi has been officially inaugurated. According to the management, the station was meant to enhance effective flow of information dissemination within and outside the campus.
The station with the Frequency Modulation 94.1FM was inaugurated by the Rector of the polytechnic, Dr Philipa Idogho, last week with top officials of the institution in attendance. She charged the workers of the radio station to be committed, advising them not to throw ethics of journalism into a daylight shame.
Dr Idogho praised the effort of the Dean of School of Information and Communication Technology (ICT), Mr Francis Chete, and head of Mass Communication department, Mr Abraham Obaze, for ensuring that the interests of school are propagated.
CAMPUSLIFE gathered that the radio station has a clear signal that reaches some northern states such as Kebbi and Kogi. Other areas include Benin, Asaba, Akoko, Ekpeshi, Igarra, Okpella, and Okene. A caller from Kogi, Cynthia Ijeoma, confirmed the clear signal of the station, praising the management of the institution for the job well done.


Today I'm sharing with you an excerpt of A TOUCH OF CINNAMON by Bethany Lopez. A Touch of Cinnamon is the second book in an all-new contemporary romance series, Three Sisters Catering, and it will be released on January 22. Check out the excerpt and buy links for this fun new contemporary romance.


Girl's Undershirts are very comfortable under a shirt or as pajama tops. These are mostly cotton, so they weren't hot or scratchy or uncomfortable to wear. These undershirts are also tagless so no more scratchy labels. Girl's Undershirts is a great base to all outfits.These undershirt has a comfort thin spaghetti straps,stay-tucked hem so you can wear it alone or under your favorite shirts. 100% Preshrunk Cotton. Girl's Undershirts really fit well.


text:
Q: setting user model ID with django ldap auth I'm using django-auth-ldap for my django auth, with on-the-fly user creation.
In my settings.py
AUTHENTICATION_BACKENDS = (
    'django_auth_ldap.backend.LDAPBackend',
    'django.contrib.auth.backends.ModelBackend',
)

AUTH_LDAP_USER_SEARCH = LDAPSearch(
    "ou=clients,dc=oasiswork,dc=fr",
    ldap.SCOPE_SUBTREE,
    "(mail=%(user)s)")

AUTH_LDAP_USER_ATTR_MAP = {
    "username"  : "mail",
    "id"        : "uid",
    "first_name": "givenName",
    "last_name" : "sn",
    "mail"      : "mail"
}

Now my test case is :
LDAPBackend().populate_user('test1@example.net')
LDAPBackend().populate_user('test2@example.net')

Yes, I do want to set the IDs from the ldap.
I have only one user, from standard user model, with an ID that has no possible colision with the LDAP's.
The thing is if I don't put the "id"        : "uid", line in settings, my test case goes fine.
However, if I keep this line, it fails at first user creation:
Traceback (most recent call last):
  File "./manage.py", line 10, in <module>
    execute_from_command_line(sys.argv)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/core/management/__init__.py", line 399, in execute_from_command_line
    utility.execute()
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/core/management/__init__.py", line 392, in execute
    self.fetch_command(subcommand).run_from_argv(self.argv)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/core/management/base.py", line 242, in run_from_argv
    self.execute(*args, **options.__dict__)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/core/management/base.py", line 285, in execute
    output = self.handle(*args, **options)
  File "/home/jocelyn/dev/honcho/syncldap/management/commands/import-ldap-users.py", line 28, in handle
    user = backend.populate_user(attrs['mail'][0])
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django_auth_ldap/backend.py", line 190, in populate_user
    user = ldap_user.populate_user()
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django_auth_ldap/backend.py", line 365, in populate_user
    self._get_or_create_user(force_populate=True)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django_auth_ldap/backend.py", line 549, in _get_or_create_user
    self._user.save()
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/models/base.py", line 545, in save
    force_update=force_update, update_fields=update_fields)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/models/base.py", line 573, in save_base
    updated = self._save_table(raw, cls, force_insert, force_update, using, update_fields)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/models/base.py", line 654, in _save_table
    result = self._do_insert(cls._base_manager, using, fields, update_pk, raw)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/models/base.py", line 687, in _do_insert
    using=using, raw=raw)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/models/manager.py", line 232, in _insert
    return insert_query(self.model, objs, fields, **kwargs)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/models/query.py", line 1511, in insert_query
    return query.get_compiler(using=using).execute_sql(return_id)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/models/sql/compiler.py", line 898, in execute_sql
    cursor.execute(sql, params)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/backends/util.py", line 69, in execute
    return super(CursorDebugWrapper, self).execute(sql, params)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/backends/util.py", line 53, in execute
    return self.cursor.execute(sql, params)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/utils.py", line 99, in __exit__
    six.reraise(dj_exc_type, dj_exc_value, traceback)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/backends/util.py", line 53, in execute
    return self.cursor.execute(sql, params)
  File "/home/jocelyn/.virtualenvs/zimsoap/local/lib/python2.7/site-packages/django/db/backends/sqlite3/base.py", line 450, in execute
    return Database.Cursor.execute(self, query, params)
django.db.utils.IntegrityError: column username is not unique

Which seems quite unrelated to what I'm trying to do (not username related, and users provisioning works without the "id" in AUTH_LDAP_USER_ATTR_MAP)

redpajama_set_name: RedPajamaStackExchange


text:
Children's Hospital of Philadelphia Careers
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The Children's Hospital of Philadelphia does more than make a difference in the lives of children-- we offer endless opportunities for growth, change and support to the professionals who make up our team.
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Monell Chemical Senses Center
3500 Market St, Philadelphia PA, 19104
At Monell, world-class scientists are unlocking some of the most fundamental mysteries of what makes us human. How do we use our chemical senses to communicate?...
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3800 Powelton Ave, Philadelphia PA, 19104
We describes the activities of the Division of Trauma, Surgical Critical Care, and Emergency Surgical Services available within the Penn Medicine network....
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The Buerger Center for Advanced Pediatric Care revolutionizes care for children, standing as the nation's most state-of-the-art facility for outpatient...
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redpajama_set_name: RedPajamaCommonCrawl


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text:
By Edgar Allan Poe, H. P. Lovecraft, Algernon Blackwood, Ambrose Bierce, Arthur Machen, Franz Kafka, M. R. James & Robert Louis Stevenson
Book Genre: Horror
Author: Edgar Allan Poe, H. P. Lovecraft, Algernon Blackwood, Ambrose Bierce, Arthur Machen, Franz Kafka, M. R. James & Robert Louis Stevenson
4 Score: 4 (From 40 Ratings)
➲ Book "Horror Stories" ♫ Horror Stories AudioBook
Horror Stories Edgar Allan Poe, H. P. Lovecraft, Algernon Blackwood, Ambrose Bierce, Arthur Machen, Franz Kafka, M. R. James & Robert Louis Stevenson read online review & book description:
Horror Stories is a collection of over twenty chilling tales from the masters of horror storytelling including Edgar Allan Poe, H. P. Lovecraft, Algernon Blackwood, Ambrose Bierce, Arthur Machen, M. R. James, Robert Louis Stevenson, and Franz Kafka.
Horror Stories book review Horror Stories ePUB; Edgar Allan Poe, H. P. Lovecraft, Algernon Blackwood, Ambrose Bierce, Arthur Machen, Franz Kafka, M. R. James & Robert Louis Stevenson; Horror books.
Other books by Edgar Allan Poe, H. P. Lovecraft, Algernon Blackwood, Ambrose Bierce, Arthur Machen, Franz Kafka, M. R. James & Robert Louis Stevenson


Next year is already looking to be an exciting one for scholars of early modern imprisonment, with two upcoming conferences on the topic recently announced.
The first is Prison/Exile: Controlled Spaces in Early Modern Europe, to be held at Ertegun House, University of Oxford on 10-11 March 2017. It aims to 'explore the relationship between space, identity, and religious belief in early modern Europe, through the correlative, yet distinct experiences of imprisonment and exile'. Keynote lectures will be given by Professor Rivkah Zim (KCL) and Professor Bruce Gordon (Yale). The CfP is available here.
The second is Prisons and Prison Writing in Early Modern Britain, a Regional Day Conference of the International John Bunyan Society to be held at Northumbria University, Newcastle on 10 April 2017. It will focus on the experience of early modern imprisonment in Britain and writings produced therefrom, featuring plenary speakers Dr Jerome de Groot (University of Manchester) and Professor Molly Murray (Columbia University). The announcement and CfP can be found here.


Every car owner should keep a variety of different tools in their vehicle for the sake of an emergency. Most of us spend a lot of time in our vehicles – commuting work, driving around, going on road trips, and so on. What happens if you need to pull over to the side of the road as a result of a flat tire or some other emergency? Do you have all the tools necessary to alert other drivers, call for help, and get yourself out of the jam? Indeed, many of these essential emergency tools may just save your life. Here are some must-have emergency tools for your car.
This is essential because what happens when you are driving home late from work and you become stranded or get into an accident and your phone is completely dead? Most of us wait until we get home to charge our phones, but in the instance of an accident, a phone with a dead battery could put you in a dangerous situation. So, make sure to keep a charger in your car – you never know when you may need a little extra battery juice.
If you hurt yourself or cut yourself and there is no one around for miles to help, a first-aid kit will definitely come in handy. Not only will a first-aid kit help stop wounds from bleeding, but they also come with ointments, painkillers and antiseptic, so that you can clean wounds. The last thing you want is to get injured while driving then wind up with a serious infection. First-aid kits also come with many other tools that can come in handy if you hurt yourself.
This is an incredibly important tool to keep inside your roadside emergency kit. A car fire could happen at any time. Not only could this cause a physical injury – it may cause extreme damage to your vehicle too. So, you want to be sure that you have a fire extinguisher in the trunk of your car. If there is a fire, you can simply jump out and douse the flames with the extinguisher.
It is also incredibly important to keep something in your vehicle that can be used to alert other drivers in the instance of a major collision. For instance, LED Outfitters has some incredible emergency lighting systems that work great for civilian vehicles and emergency vehicles alike. Having the proper amount of illumination is critical because if your vehicle is hard to see or if your emergency blinkers are too dim, you could be in serious trouble.
It is imperative that you keep some extra containers of water in your trunk. It is much safer to place the water in metal canteens so that the chemicals released by plastic bottles don't taint it. In the end, you want to keep water in your emergency stock, because you just never know if you are going to become stranded – the last thing you want is to be stranded without water.


text:
function TourContentWindow(userDetails) {

	this.getAlbumCovers = function() {

		Ti.API.info(Titanium.Facebook.accessToken);

		Titanium.Facebook.requestWithGraphPath('me/albums', {
		}, 'GET', function(e) {
			if (e.success) {
				Ti.API.info(JSON.parse(e.result));
				if (e.result) {
					var data = JSON.parse(e.result);
					Ti.API.info(data);
				}

			} else if (e.cancelled) {
				Ti.API.info("user cancelled");
			} else {
				Ti.API.info(e.result);
			}
		});
	};

	var backButton = Titanium.UI.createButton({
		title : 'Back',
		style : Titanium.UI.iPhone.SystemButtonStyle.BORDERED
	});

	var win = Titanium.UI.createWindow({
		title : "Tour Info",
		backgroundColor : '#000',
		leftNavButton : backButton
	});

	var view = Titanium.UI.createView({
	});

	var textarea = Ti.UI.createTextArea({
		borderColor : '#000',
		color : '#000',
		value : 'Focus to see keyboard with toolbar',
		top : 10,
		width : 300,
		height : 250,
		editable : false,
		font : {
			fontSize : 16,
			fontFamily : 'Baroque Script'
		},
		opacity : 0.8,
		borderRadius : 5
	});

	view.add(textarea);

	win.add(view);

	backButton.addEventListener('click', function(e) {
		root.close();
	});

	nav = Titanium.UI.iPhone.createNavigationGroup({
		window : win
	});

	var img = Titanium.UI.createImageView({
		url : 'https://graph.facebook.com/' + userDetails.id + '/picture?height=125&width=125',
		top : 270,
		right : 10
	})

	win.add(img);

	var userName = Titanium.UI.createLabel({
		color : '#fff',
		text : userDetails.name,
		font : {
			fontSize : 16,
			fontFamily : 'Helvetica Neue'
		},
		width : 'auto',
		left : 5,
		top : 270
	});

	var userLocation = Titanium.UI.createLabel({
		color : '#fff',
		text : userDetails.location.name,
		font : {
			fontSize : 16,
			fontFamily : 'Helvetica Neue'
		},
		left : 5,
		top : 310
	});

	win.add(userName);
	win.add(userLocation);

	win.addEventListener('swipe', function() {
		var TourStop = require('ui/Stop');
		var stopWindow = new TourStop(nav,1);
		nav.add(stopWindow);
		//nav.close(win,{animate:true});
		nav.open(stopWindow, {
			animate : true
		});
	});

	root = Titanium.UI.createWindow();
	root.add(nav);

	return root;
}

TourContentWindow.publicStaticMethod = function() {
	Ti.API.info('Hello all invoked properly');
}

TourContentWindow.publicStaticMember = 'PuSM';

module.exports = TourContentWindow;

redpajama_set_name: RedPajamaGithub


One of the best parts about traveling in Maharashtra is that many places are pristine and unexplored. Even though successive Governments have tried to push places, there are many that lie outside the tourist radar.
This place lies very close to the Maharashtra - M.P border. It is an untouched hill station which makes the perfect weekend hideout from Mumbai and Pune. That place is Toranmal.
You would probably be excused for not hearing about Toranmal in all these years. Not much attention is paid to border towns, both in terms of infrastructure and tourism. Toranmal continues a tranquil life, welcoming everyone into its cool and breathtaking surroundings.
Toranmal is also known for being the second coolest hill station in Maharashtra, after Mahabaleshwar. It is a pilgrimage town, with several pilgrims making their way to the Gorakhnath temple during Maha Shivratri.
Toranmal lies in the Barwani Hills in the Satpura range. It is a natural plateau with a soccer like shape. The shape of the plateau ensures water runs off into a lake on the southern part of the plateau. The rainwater falling on the northern part of the town runs off into a lake called Lotus lake.
Toranmal derives its name from the 'Torna' tree, which grows in abundance in the area. The locals worship Torna Devi, who is the deity of the region. The hill station was the seat of power of the Mandu dynasty. In spite of this, the area is relatively untouched, and still occupied by tribals.
Toranmal is a place to see nature in its full beauty, especially after the monsoons. The hills get transformed into lush carpets of green and water fills the waterfalls in the area.
There's not a host of activities to be seen in Toranmal. It is a place to recoup energies and to soak in the beauty of nature. Like most hill stations, Toranmal has viewing points and trekking spots for enthusiasts.
It is the main attraction at Toranmal. It is a beautiful natural lake almost 1.5 sq kms long. The lake derives its name from former Chief Minister Yashwant Rao Chavan. This lake is rain fed, and still, you can find water here during the summers.
The Gorakhnath Temple is the most famous attraction here. It is Shiva temple where devotees come during Maha Shivratri. It is said that the devotees walk to this temple during the months of March and April.
This lake is called Lotus Lake because of the lotuses that grow on the lake. The rainwater runoff from the northern part of the plateau forms this lake. It is a freshwater natural lake.
This naturally formed cave is said to be the sitting point for Sage Markandeya. There is a temple and the caves which can both be visited at this spot.
This point has stunning valley views with a waterfall. This place is best visited after the monsoons. It is located around 2kms from Toranmal. Water from the Lotus Lake falls into the valley.
This place has great views of Toranmal and also is a paradise for trekkers. As per local legend, many years ago, there was a wall that ran through this area, and it was discovered when bricks were found during an excavation.
This point is located on the Madhya Pradesh border. It is a great viewing point for the hills and the forest. This point is near the Forest Rest House.
The best time to visit Toranmal is between October to February, when the temperatures are moderated. The average day time temperatures are between 25-30 degrees and nighttime temperatures from 12-18 degrees.
1. By Rail: The nearest railway station is Nandurbar which is 77kms away. However, tourists from Mumbai can come via Dhule which is 90kms away.
2. By Air: Vadodara is the nearest airport which is 145kms away.
3. By Road: There are frequent buses from Surat, Dhule, Nandurbar, Pune, Nashik and Ahmednagar. Alternatively, it is possible to drive into Toranmal with your own vehicle. The approach road to Toranmal from Shahad. Travellers from Mumbai can take buses to Toranmal via the Dhule-Shahad route.
Toranmal Hidden beauty. A one day bike trip.
Unexplored hill stations in Arunachal Pradesh that will put your favourite hill stations to shame!


Home » All Posts » Musings » Be Thankful. You'll Find Yourself Joyful!
Be Thankful. You'll Find Yourself Joyful!
Sitting outside on the screened porch on a beautiful and mild Spring morning (finally!). Listening. Looking.
There are no "routine" days, even though we come to think that way. Receive this day as the precious gift that it is from God.
Thank you, Andy!!! I'm thankful that you are a part of my life.


text:
Pes 2021 Ryan Gravenberch Face By Snow Broken
By Snow Broken / May 2, 2022 May 5, 2022
Pes 2021 Ryan Gravenberch Face By Snow Broken Converted From FIFA 22.
Ryan Gravenberch is a Dutch professional footballer who plays as a holding midfielder for Eredivisie club Ajax and the Netherlands national team.
Face can be used for PES 2020.


text:
title: Soldier of Fortune 1 (V1.0)
permalink: /soldier-of-fortune-1/
header:
  overlay_image: /img/headers/pages/SoldierOfFortuneHeader.jpg
---

INFORMACIÓN - DESCARGAS - CAPTURAS

Traducción completa de Soldier Of Fortune para Dreamcast y PC, realizada por
Indiket, PacoChan e IlDucci. Todos los textos, gráficos relevantes y subtítulos
están en castellano.

En marzo de 2016 Indiket me sugirió que intentáramos hacer una traducción de Soldier of Fortune.
El nombre conectó conmigo, ya que había jugado a las dos primeras entregas para PC y fueron dos de
los primeros juegos con los que trasteé antes de empezar a hacer fantraducciones de forma pública.

Gracias a la persistencia de Indiket y a la inestimable ayuda de PacoChan, han conseguido la primera
versión del juego que entra en un CD-R sin dar problemas de más. La primera versión de la traducción
se publicó el 2 de octubre de 2016.


text:
Home Art Ohio Artists
NICODEMUS Penguin Figurine
Ceramic penguin figurine by Nicodemus Pottery offers a humorous piece of art to the collection and is part of a larger set of three. Glazed in matte, representational finishes, each penguin is marked with original stickers titling them as "Pessimist", "Optimist", and "Investigator". The Nicodemus stamp is placed on the bottom of each ceramic figure. Three available in the set, each sold separately, as is. About the Artist: Chester Nicodemus (1901-1990) was a Columbus, Ohio potter, sculptor, and teacher known for his small clay birds, as well as other wildlife, teapots and pitchers. His pieces are recognizable as being produced with variously colored translucent glazes, which enhanced the redness of the high iron content of Ohio clay to create a russet brown undertone. Nicodemus earned a degree from Cleveland Art School and then went on to teach at Dayton Art School and Wittenberg College. In 1932, he became dean at the Columbus College of Art and Design and later taught at Ohio State University and served as president of the Columbus Art League. All of Nicodemus' molds and glazes were destroyed upon his death at his request. This ceramic figurine is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
MAC WORTHINGTON Aluminum Tabletop Sculpture
Aluminum sculpture by Columbus art scene staple Mac Worthington offers contemporary abstract metalworking to the desk or shelving unit. Metal strips have been bent into curvaceous, spiraling forms that draw the eye upwards with painted spheres providing whimsical, abstract focal points. This piece of fine art is mounted on a pole style stand and steadied with a square base that prominently displays Worthington's signature. This sculpture is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
KAY ACKERMAN-MARTIN "Still Life with Daffodils" Original Oil on Canvas
Original oil on canvas by Ohio-based artist Kay Ackerman-Martin depicts a floral still life of daffodil flowers resting against a polished kettle. Fruits occupy the foreground of the painting, which is rendered in a highly traditional style for mass appeal. Ackerman-Martin's delicate brushwork marries vitalic color and form to create a satisfying, postmodern composition, tipping her hand to her artistic sophistication. Mounted on the original stretcher bars, this painting is unsigned by Ackerman-Martin. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
KAY ACKERMAN-MARTIN "Blonde in Blue Shirt" Original Oil on Canvas
Original oil on canvas by Ohio-based artist Kay Ackerman-Martin depicts the portrait of a blonde haired woman in a blue shirt against a dramatic background of teal and earthy tones. Ackerman-Martin intermingles thin, translucent washes with opaque brushwork to create an image arrested in time with beautiful, modern sensibility. Mounted on the original stretcher bars, this painting is unsigned by Ackerman-Martin. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
KAY ACKERMAN-MARTIN "Variety of Flowers" Original Oil on Canvas
Original oil on canvas by Ohio-based artist Kay Ackerman-Martin depicts a floral still life subject with multitudes of colorful flowers resting in vases against a dark background. A painting with wide appeal, Ackerman-Martin's delicate brushwork marries vitalic color and form to create a satisfying, postmodern composition. Mounted on the original stretcher bars, this painting is signed by Ackerman-Martin in the lower right hand corner of the canvas. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
KAY ACKERMAN-MARTIN "Iris and Poppies" Original Oil on Canvas
Original oil on canvas by Ohio-based artist Kay Ackerman-Martin depicts a floral still life of iris and poppy flowers resting in a decorative purple vase; distressed linen sheets comprising a dramatic background. Working with her husband, Robert, Ackerman-Martin's work harkens back to the expressionist painters of the early 20th century, conjuring a blend of haptic color and form that will appeal to any collector. Mounted on the original stretcher bars, this painting is faintly signed by Ackerman-Martin in the lower right hand corner of the canvas. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
KAY ACKERMAN-MARTIN "Violinist" Original Oil on Canvas
Original oil on canvas by Ohio-based artist Kay Ackerman-Martin depicts the figure of a violinist against a neutral background. This painting appears to be an unfinished study, with Ackerman-Martin's brushwork and thin, translucent washes conjuring an image of intrigue and unique beauty. Mounted on the original stretcher bars, this painting is unsigned by Ackerman-Martin. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
KAY ACKERMAN-MARTIN "Purple and White Iris" Original Oil on Canvas
Original oil on canvas by Ohio-based artist Kay Ackerman-Martin depicts a floral still life of purple and white iris flowers resting in a decorative pink vase, an umber background looming. Working with her husband, Robert, Ackerman-Martin's work harkens back to the expressionist painters of the early 20th century, conjuring a blend of haptic color and form that will appeal to any collector. Housed in a beautifully distressed frame, this painting is faintly signed by Ackerman-Martin in the lower right corner of the canvas. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
ROBERT MARTIN (1918-1998) Original Charcoal Sketch on Canvas of a French Cathedral
Original charcoal sketch on canvas by Ohio-based artist Robert Martin (1918-1998) depicts the interior of a French cathedral. Rendered in a loose, mark-making technique, this drawing is likely a study for another, larger work. Mounted on the original stretcher bars, the canvas is unsigned by Martin. About the Artist: Robert Martin (1918-1998) was born in Cleveland, Ohio and raised by his grandmother. His grandmother, having grown up in the Victorian Era, is responsible for the period's influence on his early works. Martin studied the painting from books of the masters, old and new. He worked from life, enjoying the process and interaction that was created. In the 1980s, he began working from photographs with his series of Victorian Village scenes. An ever-learning student, his work has distinctly different decades reflecting his progress and interests. Persisting was his use of oil on canvas, despite his training in other mediums. His poetic soul was evident in his philosophy as an artist. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
ROBERT MARTIN (1918-1998) "Brown Eyed Susans in Vase" Original Oil on Canvas
Original oil on canvas by Ohio-based artist Robert Martin (1918-1998) depicts a floral still life of Brown Eyed Susan flowers resting in an ivory vase against a background of rust, brown, and alizarin crimson, grapes lying at the base of the vase. A modern painter who understood the depth of free expression, Martin's loose, washy brushwork creates an image that should be commonplace, yet somehow feels in motion and abstract. Mounted on the original stretcher bars, this painting is signed by Martin in the lower right corner of the canvas. About the Artist: Robert Martin (1918-1998) was born in Cleveland, Ohio and raised by his grandmother. His grandmother, having grown up in the Victorian Era, is responsible for the period's influence on his early works. Martin studied the painting from books of the masters, old and new. He worked from life, enjoying the process and interaction that was created. In the 1980s, he began working from photographs with his series of Victorian Village scenes. An ever-learning student, his work has distinctly different decades reflecting his progress and interests. Persisting was his use of oil on canvas, despite his training in other mediums. His poetic soul was evident in his philosophy as an artist. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
ROBERT MARTIN (1918-1998) "Seated Nude" Original Oil on Canvas
Original oil on canvas by Ohio-based artist Robert Martin (1918-1998) depicts a seated, nude female figure against a chartreuse background. A painter who was gifted with modern sensibility, Martin's loose, washy brushwork creates an image that still appeals to the contemporary collector. Likely a study for another, larger work, this painting is mounted on the original stretcher bars and is unsigned by Martin. About the Artist: Robert Martin (1918-1998) was born in Cleveland, Ohio and raised by his grandmother. His grandmother, having grown up in the Victorian Era, is responsible for the period's influence on his early works. Martin studied the painting from books of the masters, old and new. He worked from life, enjoying the process and interaction that was created. In the 1980s, he began working from photographs with his series of Victorian Village scenes. An ever-learning student, his work has distinctly different decades reflecting his progress and interests. Persisting was his use of oil on canvas, despite his training in other mediums. His poetic soul was evident in his philosophy as an artist. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
ROBERT MARTIN (1918-1998) "Seated Woman and Woman with Mirror" Original Oil on Canvas
Original oil on canvas by Ohio-based artist Robert Martin (1918-1998) depicts two female figures: one seated and one admiring herself in a small handheld mirror. Expressionistic and almost surrealist in nature Martin's loose brushwork lends itself to create a haunting image against a darker palette. Likely a study for another, larger work, this painting is mounted on the original stretcher bars and is unsigned by Martin. About the Artist: Robert Martin (1918-1998) was born in Cleveland, Ohio and raised by his grandmother. His grandmother, having grown up in the Victorian Era, is responsible for the period's influence on his early works. Martin studied the painting from books of the masters, old and new. He worked from life, enjoying the process and interaction that was created. In the 1980s, he began working from photographs with his series of Victorian Village scenes. An ever-learning student, his work has distinctly different decades reflecting his progress and interests. Persisting was his use of oil on canvas, despite his training in other mediums. His poetic soul was evident in his philosophy as an artist. This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
Famous Ohio Artist Pieces Columbus Ohio


text:
Ivimmiut bezeichnet:
 Ivimmiut (Insel), Insel im Distrikt Ammassalik, Grönland
 Ivimmiut (Inselgruppe), Inselgruppe im Distrikt Nuuk, Grönland

redpajama_set_name: RedPajamaWikipedia


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I hope these articles help you on your journey.
If you have food-related symptoms but can't pinpoint exact triggers, changing how and when you eat may more helpful than searching for illusive food triggers.
When completed properly, a journal can help you identify symptom triggers. In this article, I share my most helpful tips.
Food sensitivity diets should come with a warning label - "May be hazardous to your physical and emotional health!" Here's 7 tips to safely experiment with food sensitivity diets.
The holidays can be difficult when your diet is restricted! Get Wendy's top 11 tips for enjoying holiday traditions and celebrations.
Identifying food triggers can significantly improve your health, but it can be a challenging task. Use these four tools to make your journey easier.
Food restrictions may help for a while, but they can lead to worse problems in the long run. Learn how to prevent and recover from this downward spiral.
Trouble with meal and snack planning? In this video, Wendy will show you how home freeze drying may be the answer you are looking for!
Too much information - and the wrong kind of information - can wreak havoc with our well being. Here are some tips for using the internet without getting lost in the online noise.
IgG food testing is popular, but that does not make it a reliable test! Read on for some facts that your practitioner won't tell you.
You don't have to go far on the internet to find a diet restriction list. They can be helpful, but can also lead to over restriction and fear about eating.
If you have been on a gluten-free diet for more than a few months, celiac disease testing will no longer be accurate. This testing should be done before starting a gluten-free diet.
The popularity of the low histamine diet has lead to speculation and misinformation. Here's five myths that you should know about!


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text:
One in five LGBTQ people are targeted for 'conversion' therapy in Colombia
By Matt Moore
The results came from a survey about the country's LGBTQ population.
A shocking new survey in Colombia has revealed some of the hardships that the LGBTQ community face. One in five LGBTQ people have been forced to undergo 'conversion' therapy, with that number rising to one in three for the trans community.
The survey, conducted by the US-based Williams Institute at UCLA and the Colombia Collaborative Project, found other shocking results after speaking to 5,000 LGBTQ Colombians. One in two LGBTQ people in the country have thought about taking their own lives, while one in four have actually made an attempt.
The survey also found that one in four trans people had been physically assaulted by a police officer, which was double the amount reported by the rest of the community.
Speaking to Reuters, a co-author of the survey, Jennifer Florez-Donado, said: "Considering the levels of violence, victimisation, and discrimination that LGBT respondents experienced, it is not surprising that respondents reported such high rates of suicidal ideation and attempts.
"As a clinical psychologist, every week I have parents who come to me with their LGBT children … so that I can help their children become heterosexual." She also said that many parents take their children to religious leaders in an attempt to 'cure' their sexuality.
Jennifer added: "This research shows how critical it is to develop suicide prevention and violence treatment programs for LGBT people in the country."
Laws in Colombia have been improving for the LGBTQ community, with same-sex marriage becoming legal in 2016, but the wider community still face many issues.
Last year, Kendall, a 19-year-old trans woman and sex worker, was murdered after she was stabbed in the head by a colleague.
Kendall had left a client to go to the bathroom, when she tripped over a colleague, known as Alejandra. This then erupted into a full fight as Kendall was apparently with a client of Alejandra's.
During the fight, Alejandra pulled out a knife and stabbed Kendall in the head. The owner of a local establishment took Kendall outside and called an ambulance, as she bled in the streets. However, after one hadn't arrived within 45 minutes, friends of Kendall took her to the Santa Clara hospital.
There, she was pronounced dead, after being admitted with no vital signs. Kendall's murderer was arrested.


Have you ever wondered where the saying "Couldn't organize a piss-up in a brewery" comes from? Like so many well-known phrases and sayings, we have the immortal Bard, William Shakespeare, to thank for that.
Well, to be fair, it wasn't really his fault, because it all happened when he was chatting to one of his characters, by the name of Hamlet, about the lines that he intended to give him for Act 3, Scene 1, when he gets a bit annoyed with Ophelia.
"How does 'Get thee to a nunnery' sound?" he asked.
Hamlet thought that it sounded like a wonderful idea. That was because he had a particularly large wodge of earwax at the time, and he mistook "nunnery" for "brewery". It never struck him that "Get thee to a brewery" would be an extraordinary line for him to utter in the context, but then his mental processes were never all that robust at the best of times.
His thoughts therefore wandered off in a completely different direction, although the expression of dreamy abstraction that possessed his features for the rest of the day convinced Bill Shakespeare that he was on to a winner here. He could foresee the takings at the Globe hitting the roof – or he would have done if the Globe actually had a roof, which most of it did not.
"I'll give my mate Charlie a call", said Hamlet.
"Sounds great," said Hamlet. "Let's do it".
Hence the motley crew who assembled at Carl's brewery a few days later. Carl was a bit downcast when they turned up, because his girlfriend Stella, from France, had just left him. Carl's particular worry was that she had snaffled his recipe and might try going into production herself.
"Not a chance", said Hamlet, who was always an excellent judge of any matter that involved a woman.
To prove this point, he had suggested to Bill Shakespeare that he invite Cleopatra to the party, his reason being that she had invented a drink called "snakebite" that Carl might like to sample.
Hamlet's organizational skills were called into question not long into the event. Bill Shakespeare had suggested that, in order to bring a little magic to the proceedings, he let Prospero, or the combined forces of Oberon and Titania, wave their wands and make things happen, but Hamlet would have none of it. His only concession to this idea was to allow Puck and Ariel to help behind the bar, serving the spirits of course.
However, things really went to pot when Hamlet decided that the best person to pour the pints was Sir John Falstaff, accompanied by all his companions from the Boar's Head. Presumably Carl the Brewer was not all that concerned about the place being drunk dry, but presumably he would have preferred this to have been at the hands of the customers rather than the bar staff.
"It's more like a comedy of errors", Shakespeare said.
"As you like it", Shylock replied.
When the debacle was finally over, and the customers had all departed, save for the pile of inebriates stacked behind the bar, Bill and Hamlet talked things over.
"I think that was quite a success", Hamlet said.
"If you're going to tell me that all's well that ends well, I might just hit you where it hurts", said Bill.
"No, I was just thinking that you might rename one of your plays", said Hamlet.
"And what title did you have in mind?", asked Bill.
RasmaSandra › Loved this. Awesome shall we say punchline right at the end. In fact, when I get kind of wound up and a bit nervous if anyone said to me to get to a brewery you would see my feet fly to the very first pub. Not a brewery I know but under modern circumstances the best I could do.
Loved this. Awesome shall we say punchline right at the end. In fact, when I get kind of wound up and a bit nervous if anyone said to me to get to a brewery you would see my feet fly to the very first pub. Not a brewery I know but under modern circumstances the best I could do.
indexer › @RasmaSandra Thanks! I like mucking about with the Bard!
@RasmaSandra Thanks! I like mucking about with the Bard!


Classified ads are the advertisements are used by so many businesses whether it's small, medium or large. These ads contain small messages which are posted in newspapers, magazines and journals or periodicals. Most of the time they are free or low-cost ads. There are different types of classified ads like recruitment, property, obituary, matrimonial, business, announcements, education, etc. The disadvantage is that the span of these ads is short and you have to repost it after a specific period of time so that it will not get expired.
Now we will explain each point briefly so that you have a clear understanding of the classified ads.
Know your customers: It is very important to have a clear understanding of your targeted customers. It's better to study the customers first, before targeting them. Everyone has different needs and wants. So your ad must meet the need of the customers. For instance, if you have posted an advertisement about the selling of the house. It is necessary to post and shoot that advertisement to the right customers.
Choose the right media for the right customers: Choosing the right media for the right customers is important. Do not advertise your ad based on geo-targeting and search engines. You will waste a lot of money. There are different sections comes under numerous publication so you should know whether you have to post on regional publication or general publication because every reader read the ads with a different mindset.
Scan Your Competitors: Before posting the gay classified ads make sure you have done your homework nicely. It's better to keep an eye on the competitors so that you can frame a post that can catch everyone's attention. Find out what makes other ads more attractive than yours? Find the uniqueness in the ad. Observe the factors that make other ads more attractive. Does those ads associated with the advantages? You have to find all the key factors of every ad so that you can do better than others.
Use original Content: Always make sure the quality of the content. Do not use duplicate content as it will degrade the credibility of the post. The content must possess the related keywords and searching terms which will increase the exposure of the ads. Sometimes these keywords and search terms are overloaded in the post which again will hamper the listing of the post.
Repost the Advertisement regularly: These ads are free and get expired after a week. It's better to repost the advertisement regularly rather than posting it again. It will also help to increase the rank of the ad. Reposting it regularly will help to occupy the top rank in the listing. It will get visible to maximum people. You can even spend some money to upgrade the rank of the post.
Place a website and social media links in your Ad: Your ad must possess the website and social media link. It will help to increase the prospective traffic to the website. You can even create a landing page for products or services you offer so that the prospective customer can directly see or buy the product or service.
Nowadays, Facebook, Instagram, Twitter, etc are very popular. Placing social media link on the post will help to grow your business. If you're still not on social media, you must open the accounts today. You have no idea how much it is going to benefit you. Proofreading: Do not frame an advertisement and just post it. Make sure you have proofread the post before posting it. You can take the help of another person who can check the post and make the necessary correction if any. Make sure you have put the right phone number and other contact details.


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Movies, True Crime Tim Grierson December 9, 2020
The Snake-Handling Minister's Venomous Murder Plot
The new HBO doc 'Alabama Snake' is the fascinating story of Glenn Summerford, a Pentecostal minister who wanted his wife dead — and the enduring allure of the bizarre crime that followed
There are many ways to approach Alabama Snake, the compelling documentary that premieres on December 9th on HBO and HBO Max. Recounting the story of Glenn Summerford, the film introduces us to an Alabama man who as an adult found God and became a Pentecostal minister in the 1980s, leading a small but fervent congregation that engaged in snake-handling. A charismatic, albeit intimidating and violent individual, Summerford was said to perform miracles. (People who couldn't walk were supposedly cured at his church.) But things weren't well in his homelife, and one night, tensions came to a head after an altercation with his second wife, Darlene.
On the evening of October 4, 1991, EMTs received a call summoning them to the Summerford home, where they found Darlene in hysterics, claiming that her husband had tried to kill her with a rattlesnake. ("He took a pipe and hit the cages real hard so the snakes got real mad and then grabbed me by the hair and said he would push my face in there if I didn't stick my hand in there," she said during her husband's subsequent trial. "He said I had to die because he wanted to marry another woman.") Glenn told another story, insisting that she was having an affair and was suicidal. The jury believed Darlene, finding the 47-year-old defendant guilty of attempted murder. Because he'd had prior convictions, Summerford was sentenced to a 99-year term.
Soon, the story became a sensation, propelling the small town of Scottsboro, Alabama, into the national limelight in an unflattering way. "[T]hat's all people could talk about, was this snake and how this preacher forced his wife to get bit," Huntsville Times journalist David Brewer later said in the book The Serpent and the Spirit. "I mean it was the talk of the town for a long time. And when Darlene went on Sally Jessy Raphael — the way she acted on the show — people probably found that more embarrassing than the original situation. It really made everybody come across as a bunch of hicks. That was the image being presented to the world."
That book was written by Thomas Burton, a local historian and folklorist who compiled a series of interviews with people involved in this strange tale, including Summerford himself. The Serpent and the Spirit was published in 2004, more than a decade after the crime, but it continues to entice new readers — which is where the filmmaking team of Theo Love and Bryan Storkel enter the picture.
Love (who directed, produced, co-edited and co-wrote Alabama Snake) and Storkel (who produced, co-edited and co-wrote the documentary) have specialized in nonfiction focusing on quirky true-life incidents, including 2018's The Legend of Cocaine Island, and they were drawn to Burton's extensive research. (Burton is featured in the film.) But pretty soon, it became clear to them that this odd saga was about more than attempted murder by rattlesnake.
"It's about spirituality, it's about mental health, it's about abuse," Love told me over Zoom on Monday. "It's about a cycle of violence that's taught to young children, and it's about kids having to defend themselves, and about parents abandoning their children. It's about looking for redemption. It's a complex mixture of all those things. If you weave them together in the right way, it can be a compelling story. And I hope that we've done that and audiences find it to be a satisfying journey to go on."
Drawing from Burton's audio interviews with Summerford — and speaking to Darlene, Darlene and Glenn's adult son Marty, as well as Glenn's first wife Doris — Alabama Snake seeks to understand how this crime occurred, offering different perspectives depending on the participant telling the story. (And the participants' assertions can sometimes be quite shocking, like Darlene's insistence that her abusive husband was possessed by a demon.) The documentary weaves in reenactments to give a sense of the brutal, frightening man Summerford was — Doris says that she loved him but also feared him — as well as a snapshot of the community of Scottsboro, which remains haunted by this imprisoned snake-handler. The trick for Love and Storkel wasn't repeating what happened on Sally Jessy Raphael — they didn't want to depict their working-class subjects as hicks.
During our conversation, I asked them about that, as well as the fact that both men were raised in religious households. And I was curious how you balance such a scandalous, juicy story with the very real pain that underlines it. (As Love suggests, Alabama Snake raises disturbing questions about spousal abuse, and also alleged sexual assault.) But we also had to talk about the mythic allure of snake-handling.
This story is nearly 30 years old. Was it the sheer craziness of what happened that made you want to tell it?
Love: The headline speaks for itself: It's attempted murder with the murder weapon being a rattlesnake. I don't think in the next 30 years we're going to get a headline quite like it. But what we've really responded to was the fact that people were still telling this story 30 years later, that it had almost become this legend in a way. There were people who were dedicated to telling [this story] in different forms — there's been several books written about it, a couple of TV documentaries made about it — but the work of Dr. Thomas Burton was [what] really made us think, "Okay, this could be a feature-length documentary. We could tell this in a way that it's never been told before."
Was it because he's a folklorist that made it appealing?
Love: He had published a book called The Serpent and the Spirit, which just had interviews from all of the major parties involved in this story, as well as church members. He collected all of these interviews and published the transcripts, and that was a goldmine for us as documentary filmmakers, because we could just see what material was already there. Then we found out that he had housed all of these interviews in the Archives of Appalachia, so we were able to go out there and tour the archives and listen to the audio tapes.
The fact that he had all of those interviews made it really enticing for us, but [it was] also his approach as a folklorist and his fascination with snake-handling. He's one of the foremost experts on snake-handling because he studied it for so long, and he studied it from the standpoint of folklore, which I found very interesting. As a filmmaker, I think of myself as a storyteller — Bryan and I both do. Storytelling is a theme in a lot of our work. We're not necessarily trying to make historical documentaries as much as we are trying to just make oral histories.
The rattlesnakes of God
Snake-handling has this weird fascination in our culture. It feels like it harkens back to a bygone era. What is it that makes it so evocative?
Love: Snakes are the original scary thing. You're going back to biblical times — the first image of evil that we get is a serpent. When you see a snake, it can just make your skin crawl. Within church, it really is such a powerful image to have somebody say, "I'm going to believe in God's power to such a great extent that I will pick up a live rattlesnake and believe that it won't hurt me." That good-versus-evil pairing is just so interesting, it really is. You can disbelieve it, you can think that it's a trick, but when you see [snake-handling], it's hard to dispute it — especially when it doesn't work out so well. We have a couple of scenes in the film where someone does get bit, and you can see that these snakes are very real and the consequences are very real.
While watching Alabama Snake, I found myself doubting the sincerity of Glenn's later-in-life embrace of God. We see how angry and violent he could be, and starting a church didn't seem to really quell that in him. Do you think he really believed that God had come into his life?
Storkel: I think Glenn really believed. One of the first things we did was we found all this archival footage of people handling these snakes. And when you watch the footage, it's clear that they're having some experience. Call it God, call it whatever you might, they believe in something strong enough to pick up a deadly rattlesnake — and that faith has to be real in order to do that. You can disagree whether or not God exists — or whether or not you believe in God — but these people are having an experience and they have a strong faith. Just watching that footage, it was clear that they were each having some experience that goes beyond what we deal with on an everyday level. It's a spiritual experience, or whatever you want to call it. There's something that's happening there.
The other thing for me with the serpents is that I came up in a religious background — it's not that [far removed] from where I grew up. [Snake-handling] seems like this crazy thing, but they're just taking this one verse literally, Mark 16:17-18 [which says, in part, "They shall take up serpents"]. All the other things in that verse, the churches that I grew up in, they believed in all the other things except for serpent-handling. So, in some ways, it wasn't so far off from other Evangelicals, even though it's this crazy visual of this person handling the snake.
Bryan, were you raised in the South, too?
Storkel: Up in Seattle, actually. Both Theo and I have a Christian background, and the fascination [in] some of our work is that we wanted to study these things and understand people. Several of our films have been about people that have faith and are doing something unusual. That has become a theme that we keep exploring just because we're interested in it personally.
Doris Summerford
People like Darlene or Doris, they're characters — they have big Southern personalities. With Hillbilly Elegy out now, there's a whole new wave of debate about how Hollywood portrays certain parts of the country — and the people in those parts of the country. How careful did you have to be in terms of how your subjects were going to come across?
Love: That's a conversation that we have with every subject of our film. We're trying to earn their trust, first of all, and letting them know what we're about. The big thing in Alabama that we found was they didn't want people coming in and making fun of them. So the main hurdle was just saying, "Hey, we're going to try our very best to make something serious here. We're not coming at this from a skeptical standpoint about your religion. We're wanting to more or less believe what you believe. If you say that a demon was responsible, then that's what we're going to portray in our film."
When we started explaining that we wanted to make a film that was spiritual — it wasn't just another crime documentary, we wanted it to focus on the spiritual side of things — then that opened people up a lot. They were on board with that, especially Darlene. She's been through a lot, obviously. She's the victim of these snakebites, and has been through quite a bit in her life. So we asked her, "What was the real motive here [behind your husband trying to kill you]?" And she started telling these stories about demons. And that was something that hadn't been covered before in other interviews that she had done.
Storkel: What's really interesting to us is that [Glenn and Darlene] both believe in these spiritual forces. They can disagree on what happened the night of the crime, but they'll both talk about the fact that there were demons present causing these things to happen. And they believe still, both of them — Darlene really believes that there was a demon inside of her husband that caused him to do these things. Even though they strongly disagree about this crime, there's still that common ground where they still believe in this spiritual world.
There's also discussion in Alabama Snake that Glenn performed miracles at his church. What did you make of that?
Love: We didn't see any evidence that proved things one way or the other, but I have to admit, we weren't really looking in that direction. Our aim wasn't to hold up a scientific magnifying glass to these things. Going back to the folklore aspect, we wanted to just hear the stories and take them at face value and believe that they meant something to the people who are telling them — that they were a part of their personal story and a part of their faith. I enjoy stories like that — I find them to be entertaining — and they lose some of their power when there's a skeptical lens put up in front of them. So, truth be told, we weren't out to prove or disprove whether the miracles happened. We were just happy to hear the stories.
Glenn is a fascinating figure, but he's also a monster in terms of what he did to the people in his life. He was allegedly pretty abusive to his wives.
Love: We spent a lot of time discussing how to portray Glenn, because there's a mountain of evidence that he's a monster. I mean, he was convicted in court. But there's also this way of viewing his story, in the way he tells it, where it's almost like he wants to be built up as a spiritual icon of some sort — that he's a larger-than-life man of God. We were balancing in this story all of these different viewpoints, and we knew that we wanted to end with Glenn's — that this was Glenn's opportunity to portray himself the way he would like to be portrayed. So the ending of our film is, "What would the story be like if Glenn truly was the spiritual icon that he claims to be?"
Storkel: Along that theme of folklore, when we went to the town of Scottsboro the first time, everybody had heard about this story and everybody has their opinion on it. Everybody has their opinion on serpent-handling and how they do it: "Oh, they must chill the snakes or they defang them or they take out the venom." Scottsboro was only known for three things, and this Glenn Summerford trial [was one of them]. Because of that, locally it had built up into this legend, or this piece of folklore.
As we talked to more and more people, a lot of them did have these really strong opinions of Glenn being this man of God, this miracle worker that was their pastor and leader. They disagreed with Darlene's side of the story. So in trying to tell that spiritual story, we wanted to lean into some of those things and portray the image that Glenn wanted to have of himself, but also present a strong case that he's a monster.
I understand you want to tell an entertaining story and have your subjects speak for themselves, but Alabama Snake is also about spousal abuse. That balance between entertaining and talking about serious subjects, how did you approach that?
Love: There was a lot of discussion about this being a story about mental health as well. We knew that this was an area [of the country] where these are poor people that are not well-educated and their stories are complex. We're not from Appalachia, we're not from Alabama — we're outsiders telling this story. So, first of all, we wanted to come in with a sense of curiosity and empathy more than anything. One of the ways that we tried to do that is by letting our subjects' voices tell the story — we don't like to have narration in these stories, and we don't like to tell the audience what to think. We want the characters to speak for themselves — they can contradict themselves, but we want them to speak for [themselves].
Doris, who's Glenn's first wife, really wraps up the complexity of these issues with her statement about loving Glenn but also being afraid of him. What happens in a lot of abuse is that it's fear and love — those two things are tied together. It's always complex, and it's always a very difficult thing to prosecute — it's a difficult thing to get away from. And the other interesting thing is that it mirrors their faith in God — they believe in the same God that you would be introduced to if you went to your neighborhood church, a God of love, but there's fear there, too. They wholeheartedly believe in the power of fearing God.
When love and fear are packaged together in church services, that bleeds into the home life and enables a culture of abuse. Again, that's something that we weren't trying to go in and judge. We were trying to be as curious as possible and present their stories with all of the complexities, and do that with as much compassion as possible.
Marty Summerford
You talk to Glenn and Darlene's adult son Marty, who's still very shaken by what happened in his childhood to his mom. How easy was it to get him to go on camera?
Love: He was hesitant. I spent a lot of time with him and his wife, and their story was just heartbreaking. The first time that we sat down together, we all had tears in our eyes as he just recounted stories of his difficult childhood. This story basically orphaned him.
But one of the things that really made him want to do this was the fact that we had audio interviews of his father — we weren't just going to tell a story about how evil his father was. [Marty] has a complex view of the story, and more than anybody wanted to see all sides of it told. So when we said that we were going to give his father a chance to share his side, that opened him up quite a bit to participating. But it was a difficult thing, and in many ways it felt like a therapy session. He's seen the film now, though, and he liked the film, even though it was hard to watch.
Alabama Snake mentions that Glenn claimed that Darlene said she sexually abused the children he'd had with Doris. In Glenn's version of events, that revelation sent him into a rage and helped speed along his desire to get a divorce. That's a shocking claim, and you asked Darlene about it.
Love: We approached it very delicately. We had audio interviews from Burton's book that confirmed that the allegations were made, but we weren't able to secure interviews with the victims. We knew that it wasn't going to be a major part of the documentary — we weren't going to focus on it a ton — and I didn't want to ambush Darlene after all that she had been through. But I brought it up to her, and she knew exactly what I was talking about with [the] allegations made about her. She outright denied it and said that they were lies.
The reason that we included it in the film was because it's important to understand Glenn's side of the story — not only does it give a reason for all the turmoil that Glenn and Darlene were going through that day [of the snakebite], but it also, in some ways, gives a reason why he would have committed such a violent act. And it gives a reason why she would have [supposedly] wanted to commit suicide — that's the story that he's trying to convince us of, that she did this to herself. If she had just been found out to have been abusing his children, then she would be facing criminal charges, and that would be a reason why she would want to commit suicide.
And, if [the allegations] were true, it would give Glenn a reason why he would be so angry and commit such a violent act. It wouldn't justify it at all, but in his interviews, he talked about those allegations over and over and over. It was important for him to say, "Hey, I had just found out this information." But again, as I asked Darlene about it, she outright denied it and said that they were all lies. And certainly, there's been many lies told about Darlene, so it's not hard to believe that these were also lies as well. But because we did have audio recordings of one of the [alleged] victims, we felt like it was important to include [those allegations] in the story.
We hear Glenn's stories of being a boy and his own father beating him up to make him tougher. It's such an antiquated view of masculinity, but when you get that ingrained in you as a kid, it's hard to unlearn it.
Love: Absolutely, and he did pass that on, in some ways, to his son Marty — at the end of the story, Marty has to confront his father in a very violent way with a bow and arrow just to save his mother. But there's hope in the conclusion of the film with Marty having his own family — and, as far as we can tell, he's ending that cycle of violence. I think that there is a little bit of hope at the end of our story.
We see footage from Darlene's appearance on Sally Jessy Raphael, and it made me think how those daytime shows used to have such a leering, classist quality: "Let's look at the small-town freaks with their trashy scandals." With a movie like Alabama Snake, there's a certain portion of the audience who will watch for the same reason — no matter what you do as a filmmaker, they're not interested in the complexity. Do you have to make peace with that?
Love: There's an element to things like this that are a Rorschach test — you see what you want to see in it. I like to view how well I did based on how the subjects of my films react to them. I've made three films in the South, and all three of them have involved people that don't have a lot of money. My goal was always to come at it with compassion. I often start off my introduction when I ask them if they would like to be a part of a film [by saying], "My job is to help you tell your own story."
I also tell [my subjects] that my job is to entertain audiences, but the most entertaining thing that we can do as storytellers is present the truth and present an emotional truth. I think that these people are being as honest as they possibly can. It's a culture that not a lot of people know of — snake-handling in rural Alabama. A lot of people are going to assume that this is poverty porn, and I don't think that it is. We're giving a microphone to people that don't often get a chance to be heard. We're not coming at it and saying that they're less-than. We're saying that they have a story to tell, just like anybody else, and that they deserve to be understood.
Tim Grierson
Tim Grierson is a contributing editor at MEL. He writes about film and pop culture for Screen International, Rolling Stone and Vulture.
Drugs: Sorry, but 'Requiem for a Dream' Is a Terrible Movie
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text:
The Garden State Bowl was an annual post-season college football bowl game played at Giants Stadium in East Rutherford, New Jersey, from 1978 until 1981. Freezing temperatures each year at the game, together with a lack of successful local college teams, contributed to its rapid demise.

Game results

Garden State Bowl Broadcasters

Television

Effects
After the demise of the Garden State Bowl following the 1981 game, the New Jersey Sports and Exposition Authority, which operated and scheduled events at Giants Stadium, decided to host a game in the beginning of the season, rather than the end.  This led to the formation of the Kickoff Classic, which was held either the last week of August or the first week of September every year for 20 seasons.

See also
List of college bowl games
Kickoff Classic

References

Defunct college football bowls
American football in New Jersey
Recurring sporting events established in 1978
Recurring sporting events disestablished in 1981
1978 establishments in New Jersey
1981 disestablishments in New Jersey


Saturday morning I brought out all my strips in their various storage containers. I spent the next several hours sorting out the fabrics I might be able to use for Kontentment. Directions for Bonnie Hunter's Allietare Part 1 was released on Black Friday...I'm sure you've heard :)!
Funny that with all the strips I have these are the only fabrics that I found might work. Depending on what sizes are needed for this project I plan to use as much of the precut strips before cutting into yardage.
After the "big sort" DH and I headed out for lunch and a stop at Rosie's for the constant gray. Sunday brought the time to stitch the 294 HSTs that are Part 1.
So far only neutral strips have been used for Part 1. I'm pretty pleased with this outcome. I have a pretty good variety of neutrals that include batiks, novelty, solids, flowers, geometric, and my ever present cat fabric.
Part 1 done! Ready for Part 2 on Friday. In the meantime I have some backings to finish stitching and I'll be figuring out a new project to work on between the release of parts in the Mystery. See what others are doing today through the links at Patchwork Times AND stop by and see others who are participating in the Mystery at Quiltville.


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We believe in working with the nature and not against it. We share the philosophy that respects the environment and regards mankind as responsible for nourishing it. We strongly believe that only such an approach will ensure that also the coming generations will have the opportunity to enjoy our planet.
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text:
Use of a tourniquet during surgery for varicose veins
Varicose veins are obvious, dilated veins just under the skin. In normal veins the valves make sure blood only moves in one direction. The valves in varicose veins are faulty, allowing blood to pool and the veins to enlarge. This can cause aching legs, itching and poor cosmetic appearance. People with varicose veins may wear compression stockings, have an injection of irritant substance to close the veins under the skin (sclerotherapy), or have the veins removed surgically. There is a potential for large blood loss during surgery, especially if both legs are operated on at the same time. Tourniquets on the upper leg during surgery may be useful to minimise blood loss.
This review found that the amount of blood loss was clearly reduced when a tourniquet was used during surgery for varicose veins, with no overall increase in operative time, reported adverse events or change in patient reported pain and activity after surgery. Three trials were included in the review, in which a total of 176 men and women (211 legs) were randomised to either use or non-use of a tourniquet. All trials took place in the UK between 1989 and 2000. Those patients who did not have a tourniquet had a wider range of total blood loss and patients in the upper limits lost a significant amount of blood. A reduction in blood loss may also result in a reduction in post-operative bruising but only one of the trials (50 patients) looked at this. It found a clear reduction in the area of bruising with the use of a tourniquet. The trials did not have a large enough number of participants to determine any rarer complications of surgery with the use of a tourniquet such as nerve damage or arterial injury, especially in older patients.
Although there were significant quality issues with the available evidence, the use of a tourniquet would appear to reduce blood loss during surgery. There were no reported differences between the use or non-use of a tourniquet in terms of complications and morbidity. However, the available trials were not of sufficient size to detect rarer complications such as nerve damage.
Varicose vein surgery is a common surgical procedure but there is no consensus regarding the best surgical technique. The use of tourniquets during varicose vein surgery has been advocated as a means of reducing the potential for blood loss during the operation.
To identify whether the use of a tourniquet should be recommended when undertaking surgery for the management of primary varicose veins.
For this update the Cochrane Peripheral Vascular Diseases Group Trials Search Co-ordinator searched the Specialised Register (last searched April 2013) and the CENTRAL (2013, Issue 3).
All studies described as randomised controlled trials that examined the use of tourniquets during surgery for patients with primary varicose veins were included.
Data from eligible studies were extracted and summarised independently by two authors. All studies were cross-checked independently by the authors.
No additional studies were included or excluded in the updated review. Twenty papers detailing 18 trials were considered. Only three trials were randomised controlled trials and were included in the review. The remaining fifteen studies were excluded for various reasons. All three included trials had a small sample size and reported the trial design, outcome measures and analysis poorly. There were also variations in the outcome measures used between the trials. In addition, there was no consistency on the reporting of mean and medians for blood loss during the operation. It was therefore not possible to pool the data to perform meta-analysis. However, the reported blood loss when using a tourniquet was between 0 and 16 ml compared to between 107 to 133 ml when not using a tourniquet (P < 0.01).
CHIVA method for the treatment of varicose veins
Surgery versus sclerotherapy for the treatment of varicose veins
Sclerotherapy (injection techniques) for spider veins on the legs
Tourniquet use for knee replacement surgery
Treatment for telangiectasias and reticular veins
Heart & circulation > Varicose veins
Rigby KA, Palfreyman SJ, Beverley C, Michaels JA
Vascular Group
Rigby KA, Palfreyman SJ, Beverley C, Michaels JA. Surgery for varicose veins: use of tourniquet. Cochrane Database of Systematic Reviews 2013, Issue 6. Art. No.: CD001486. DOI: 10.1002/14651858.CD001486.pub2


Description : Discovering covert and faulty intelligence causes a U.S. Army officer to go rogue as he hunts for Weapons of Mass Destruction in an unstable region.
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