The CSA Operations Team (OT) is responsible for conducting the affairs of the Corporation according to the Articles of Incorporation and Bylaws and for accomplishing the vision and mission established by the Board of Directors. The CSA Operations Team collaborates closely with the Board of Directors to develop and otherwise implement the various programs, policies and procedures of the organization. The CSA Operations Team has responsibility for the successful implementation of programs and day-to-day operations for the Association. The guiding concern of the Operations Team is the growth and development of youth who participate in the various athletic programs.
CSA's obligation to its members is to govern with a style that emphasizes long term vision, encouragement of diversity in viewpoints, strategic leadership, collective decisions, and sustainability.
Participating in a leadership role with CSA enables you to apply your experience, passion and business acumen to support our local youth sports community. CSA leaders play an important role in sustaining the organizational vision and contribute to defining its path forward. If you are interested in serving or know someone who might be, please continue reading for more information.
Eligibility: New Officer candidates may be nominated by any current CSA Officer or CSA member. Information required at this time includes a brief bio, role desired, email address and phone number.
For position consideration a face to face interview with the candidate will be conducted between CSA representatives and the candidate prior to the board review meeting. The interview process must be completed and the respective evaluations submitted to the board for the nomination to be considered.


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OUT Life and Style
Homophobia, misogyny still problematic in world of dance, performers say
Male dancers say they face bullying offstage — and heteronormativity onstage. The trending hashtag #BoysDanceToo recently drew attention to the issue.
James Whiteside performs in Le Corsaire in 2013.Gene Schiavone
By Avichai Scher
Last month, "Good Morning America" ran what was supposed to be a cute culture story about the first-grade curriculum of Britain's Prince George.
But when correspondent Lara Spencer mentioned that the 6-year-old boy was studying ballet, she couldn't suppress her laughter. As Spencer said, "We'll see how long that lasts," co-host George Stephanopolous and most of the studio audience also laughed.
Being laughed at for pursuing dance is familiar to almost any boy who studies the art form, especially ballet.
Julius Tangorra.Deidre Tangorra
Deidre Tangorra's 9-year-old son, Julius, has been aggressively bullied for dancing. At school, he's been put in a chokehold, tripped and tackled while being called "twinkle toes," "fairy" and other homophobic slurs. He can't ride the school bus because of other kids spitting on him, according to both Julius and his mother.
"If a boy wants to do something perceived as slightly feminine, they're perceived as weaker," Tangorra said. "It's not about being against dance, it's machoness."
Julius had a strong reaction to Spencer's laughter and comments. "When she said it, I felt bad and angry and embarrassed," he said.
Following the TV host's controversial remarks, the dance community rallied to the young royal's defense, and #BoysDanceToo became a trending social media hashtag.
NBC OUTBiden flubs transgender advocacy as candidates tout their pride at LGBTQ forum
Spencer apologized for her comments and interviewed three male dancers who discussed their careers and experiences with bullying. Yet, the issue of men being perceived as feminine never came up in their discussion and neither did sexual orientation nor gender identity.
The subtext of the apology was that Spencer erred in saying that male dancers aren't masculine, but not that it's wrong to laugh at men who have a feminine side.
Many in the dance community felt it was a missed opportunity to address the root of the stigma male dancers deal with — homophobia and misogyny — especially because these exist within the dance world as well.
James Whiteside performs in "Don Q Espada."Gene Schiavone
James Whiteside is a principal dancer with the American Ballet Theater. As a child, he endured taunts of "sissy" and "fairy" for studying ballet.
His first job was with the Boston Ballet II, a training company that feeds into Boston Ballet, and on his first day, he wore a bright pink shirt to rehearsal.
"A soloist dancer came up to me and told me that color was inappropriate," he said. "I told her, 'Sorry, this is my favorite shirt.'"
Whiteside has tried to carve out a space for himself as a gay man who is not heteronormative in an art form that has for centuries depicted men as princes courting women.
He plays all the heteronormative princes but has been able to give other roles an effeminate interpretation, such as the wicked sorcerer von Rothbart in "Swan Lake" and the villain Iago in "Othello," because their sexuality is not defined in the plot. Villains often are the only characters where playing queer is an option. Relegating queer representation to evil characters is not unusual and can perpetuate stereotypes of queer people as predators.
NBC OUT'Bachelor' franchise gets its first same-sex proposal
Where Whiteside can really explore his feminine side is mainly in side projects. He blends male and female technique in his music video "WTF" and takes a stand against ballet's homophobes (he also performed this live for Madonna at her birthday party earlier this year). At Paris Fashion Week in June, he danced down a runway for Thom Browne in a tutu and pointe shoes. At Ballet Theater, if he gets to wear pointe shoes, the iconic ballerina shoe, it's usually meant as a joke.
"I'd love to do something where I can show off a little bit for real, and not just for comedy," he said.
But Spencer's laughs were a reminder to Whiteside of just how far most people are from being ready to see more variation in gender roles onstage.
"If we push queer representation too much, those people in the GMA audience will never come to the ballet," he speculated.
Jordan Veit and Hadriel Diniz of Ballet West in Africa Guzman's "Sweet Bitter."Beau Pearson
That conflict is something Adam Sklute, director of Ballet West in Salt Lake City, often grapples with. An openly gay man, Sklute said that Salt Lake is generally a gay-friendly city, despite Utah's conservative politics and its being home to the Mormon Church, which opposes same-sex marriage.
Sklute has programmed a few contemporary works with same-sex male duets that he said were well-received. But when he presented a work that featured a clearly romantic duet between two women, including a kiss, some board members opposed the production and then insisted he put a sign in the lobby that the performance was "recommended for mature audiences only."
"We've had shows with stabbings and shootings, but two women kissing needs a warning?" Sklute said. "But the audience was ready. Most rolled their eyes and chuckled at that sign."
Sklute said he'd like to have more opportunities for non-heteronormative representation, but he has to balance that against selling tickets.
"If 'Sleeping Beauty' and 'The Nutcracker' are our biggest sellers and we need to stay alive, how can we produce them with swapping gender roles?" he said.
NBC OUTMerriam-Webster adds nonbinary 'they' pronoun to dictionary
Last year, Chase Johnsey, a male dancer who identifies as gender-fluid and uses masculine pronouns, made history in English National Ballet's production of "Sleeping Beauty" as the first male dancer to perform an ensemble role traditionally danced by a woman.
It was a milestone, but the role was not in pointe shoes, and the heavy costume concealed his body, making it almost impossible for the audience to know they were witnessing a gender-crossover. Since then, Johnsey hasn't been offered any more such roles.
Sklute said that in the Ballet West Academy, there are students who are transgender.
"I'm very happy to have them," he said, but acknowledged the hurdles they may face when they audition. "The challenge will be where they go as they get older, what can we produce for them, what roles can they dance?"
Artists of Ballet West in Val Caniparoli's "Dances for Lou."Beau Pearson
There are no exact numbers on how many male dancers are gay, but many in the field estimate it's roughly 50 percent, meaning it's not uncommon for straight men to be ballet dancers. In response to homophobic bullying, however, some male dancers — both gay and straight — play up their proximity to women.
"I absolutely felt like I had to parrot that I get to be around the girls in leotards and lift girls," Whiteside said. "And I'd repeat it so I could convince them I was the same as them."
But most boys studying ballet just want to focus on their classes and not have to defend their masculinity or assert their femininity.
Julius Tangorra.Courtesy of DRC Video Productions
Julius, the 9-year-old taking dance lessons, said he is the only boy in the various classes he takes. This past summer, he attended The Male Dancer Conference in New York City, a five-day gathering for boys to take classes together and discuss the challenges they face. He described it as "the best experience ever."
"I didn't know so many boys liked to dance," he said. "I thought I was just one in a million, but there's a bunch. I made lots of friends."
He said that despite the physical violence and verbal abuse he has experienced as a boy who dances, he has no plans to stop dancing.
"Going onstage is just so much fun," he said. "I'm not one of those people who gives up."
Follow NBC Out on Twitter, Facebook & Instagram
Avichai Scher

redpajama_set_name: RedPajamaCommonCrawl


A chance of showers and thunderstorms. Mostly cloudy, with a high near 72. West wind around 16 mph, with gusts as high as 26 mph. Chance of precipitation is 40%. New rainfall amounts of less than a tenth of an inch, except higher amounts possible in thunderstorms.
A chance of showers and thunderstorms before 7pm, then a slight chance of showers between 7pm and 8pm. Mostly cloudy, with a low around 44. Northwest wind 6 to 11 mph. Chance of precipitation is 30%. New precipitation amounts of less than a tenth of an inch, except higher amounts possible in thunderstorms.
Mostly sunny, with a high near 67. North wind around 6 mph becoming calm in the morning.
A slight chance of showers before 10pm, then a chance of showers and thunderstorms between 10pm and 1am, then a chance of showers after 1am. Mostly cloudy, with a low around 53. Light southeast wind. Chance of precipitation is 50%. New rainfall amounts between a tenth and quarter of an inch, except higher amounts possible in thunderstorms.
Showers likely, mainly after noon. Mostly cloudy, with a high near 70. Calm wind becoming south around 6 mph in the afternoon. Chance of precipitation is 60%. New precipitation amounts between a tenth and quarter of an inch possible.
A chance of showers. Mostly cloudy, with a low around 51. Chance of precipitation is 50%. New precipitation amounts between a tenth and quarter of an inch possible.
A chance of showers before 9am. Mostly sunny, with a high near 68. Chance of precipitation is 30%.


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Home / ABGM
Category: ABGM
Abu Dhabi Markets Regulator Publishes ICO Guidance
ABGM, Abu Dhabi, Business News, Crypto News, Financial Services Regulatory Authority, FSRA, ICOs, Initial Coin Offerings, News, Regulation
The government of Abu Dhabi has released new guidelines for those looking to organize or participate in an initial coin offering (ICO).
Abu Dhabi Global Market's Financial Services Regulatory Authority (FSRA) said that it would apply existing anti-money laundering and know-your-customer (KYC) rules to token sales, classifying some as securities (depending on their makeup and underlying structure) and others as commodities. Like a growing number of regulators worldwide, the agency said that it would weigh the sale and release of blockchain-based tokens on a case-by-case basis.
The nine-page circular published yesterday includes instances in which a token sale would fall under or outside the definition of a security under Abu Dhabi law. Because the circumstances of such a determination may vary from project to project, the agency urged organizers within the region to "engage with us as early as possible in the fundraising process."
Richard Teng, the chief executive director of the FSRA, later said in a statement:
"Participants exploring the issuance of ICOs that offer real value to the market and wish to operate within our regulatory framework are encouraged to engage us early to gain insights into the applicable regulatory regime."
Tokens which are not treated as securities will be treated as commodities, along with cryptocurrencies more generally. As a result, their trades will not be regulated by the FSRA, according to the circular. That specific determination notably brings the FSRA in line with the Commodity Futures Trading Commission, which revealed that it would regulate the US-based market in late 2015.
Image Credit: Konstantin Tcelikhin / Shutterstock.com
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Reading Crown Court
Defence begins in Face Bar murder trial
Jerome Small denies murdering 17-year-old Jordan Malutshi on July 1, last year, in the Face Bar in Chatham Street
Jordan Malutshi died from a single stab wound that penetrated 9cm and pierced his heart
The man accused of fatally stabbing teenager Jordan Malutshi began his evidence yesterday.
Jerome Small said he met Mr Malutshi for the first time outside McDonald's in Oxford Road when he approached him to buy crack cocaine.
He had a heroin and cocaine addiction and moved to Oxford before returning to his hometown a few weeks before Jordan's death, he said.
Small, who was born and grew up in Reading, said he had used drugs since he was 14, twice tried to buy crack cocaine off Jordan at the takeaway and in Whitley but each time was mis-sold heroin but was unable to get hold of him.
The jury was told Small had previous convictions for GBH and robbery while his victim had been associated with a criminal gang in Wandswoth and had previous convictions for drug dealing.
Small denies murdering 17-year-old Mr Malutshi, from South West London, on July 1, last year, in the Face Bar in Chatham Street.
On Tuesday the court heard from Sylk Small-King who said her cousin Small was approached by a young man in the club.
She said: "I don't know what he said but it seemed like it was rude or patronising from his [Jerome's] body language – it was like 'What did you say?' or 'Why did you say it?'."
She said Small, of Arbour Close, Coley, left the Face Bar and the young man he spoke to remained sitting in the VIP booth at the back of the club.
Later she saw a man in a heavy black jacket and a black cap "come out of nowhere" and past her, knocking her hand in an "aggressive" way.
Both the seated man and the second man had left the booth, she said.
She followed and as she walked out of the bar she felt something wet on the doorknob and her hand was covered in blood.
As she walked into the foyer she saw the man who had been sitting in the booth fall to the floor.
Small denies murder. The trial continues.
Jordan Malutshi died from a single stab wound that penetrated 9cm and pierced his heart, Wednesday's trial heard.
Forensic scientist Annaliese Scawen said said Mr Malutshi's blood was found on three areas of Small's belt.
Coley


It's an important day for an important child! But you don't want the planning of the Bar Mitsvah or Bat Mizvah to take over a year of your life!
For many families a Bat/Barmitsvah is just as important (and as much planning) as a wedding! It should be a celebration of the Jewish tradition, and the party planning is a celebration of this unique tradition. Make sure you don't forget a thing be following the step by step guide!
Find out what your child's friends are doing so you do not clash with ideas- talk to the other parents early in the process! need help with a theme? Look here.
How far afield will you cast your net? family and close friends or more?
A lot rests on your child's and the synagogs shoulders!
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the room sets the vibe, make sure your child likes it!
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On June 10, 2003, a little rover named Spirit blasted off on a rocket headed for Mars. On July 7, 2003, a twin rover named Opportunity soared through the solar system with the same mission: to find out if Mars ever had water that could have supported life.A thrilling addition to the acclaimed Scientists in the Field series, The Mighty Mars Rovers tells the greatest space robot adventure of all time through the eyes—and heart—of Steven Squyres, professor of astronomy at Cornell University and lead scientist on the mission.
After more than a century of peaceful dormancy, the volcano Nevado del Ruiz in Columbia, South America, erupted. Blistering clouds of searing volcanic gases and ash flash-melted huge amounts of snow, launching a towering wall of hot mud toward the village of Armero. People ran - but they couldn't outrun the onslaught, and 23,000 perished.
They have a touch so feather-light, it can barely be felt on human skin. The vividly gold and black colored golden orb weaver spider is the largest web-making spider on the planet. These elegant and efficient arachnids can weave impressive webs up to three feet wide in less than an hour. And these spiders' silk-spinning abilities could have far-reaching implications for science and medicine.
Considered the "lungs of the world," the Amazon provides a full fifth of the world's oxygen, and every year unsustainable human practices destroy 2.7 million acres of it. What can be done to help? That's where Project Piaba comes in.


Members of the Amah Mutsun Tribal Band perform at the Community Center in San Juan Bautista on Saturday.
Suit up, San Benito Trekkies. You'll want to take a voyage to this meeting.
"We do anticipate there will be a lot of people there who are fans of Klingons," mused Valentin Lopez, chairman of the Amah-Mutsun Tribal Band, which is sponsoring the talk.
The Amah-Mutsun are historical residents of the Hollister, Gilroy, San Juan Bautista and Santa Cruz County areas, long before Spanish conquerors settled the region in the late 1700s. The federal Bureau of Indian Affairs is now considering a petition to offer federal recognition to the tribe, known as the "San Juan Band." The last known speaker of the Mutsun language was a revered member of the tribe – Ascencion Solorsano de Cervantes – who revived its history and traditions in the 1930s.
"The language that was spoken (by the tribe) was the Mutsun language," Lopez said.
The Mutsun language inspired the creation of the alien language "Klingon" in the "Star Trek" films, said Okrand in an interview from Washington, D.C. on Tuesday.
He studied the grammar of the Amah-Mutsun as part of his doctoral dissertation for the University of California, Berkeley, in 1977.
After he received his dissertation, he received a fellowship at the Smithsonian Institute in Washington, D.C. to further study old manuscripts of the Mutsun language. After that, he moved back out to California to do closed captioning work for television shows.
In 1982, he was in Los Angeles to do closed captioning work for the live broadcast of the Oscars that year when a friend invited him out to lunch at Paramount Studios, he said. The friend in question happened to be a secretary for "Star Trek" writer and producer Harve Bennett. The studio was working on "Star Trek II: The Wrath of Khan" at the time and needed help coming up with a new language, Vulcan, to speak by one of the most beloved characters in the Star Trek universe – Mr. Spock.
After Bennett discovered Okrand had studied linguistics, he was then hired by Paramount Pictures to develop the Vulcan language for a short scene in the movie.
"'We just solved the Vulcan problem,'" recalled Okrand as to what the producers said to him at the time.
After he spent a week helping to craft the language and coach the Vulcan actors, he moved on with other projects until producers of the next "Star Trek" film called him up and asked him to help with a new language they were developing for the bad guys of the "Star Trek" series – Klingons.
"I got a job creating Klingons," he said, calling it an opportunity he could not turn down.
He said the Klingon language does not sound exactly how the Mutsun might sound because no one has spoken Mutsun since the 1930s. Still, he knows that because of his training in the language, some of Mutsun language crept into the Klingon dialect.
Okrand said how he came to be the creator of the Klingon and Vulcan languages was a "fluke" that almost didn't happen.


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Q: Iphone 5s calender It is not possible to enter new appointments on the calendar.  In the option to select different calendars, there is only the birthday calendar.
How do i switch the other calendars on?

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Our final day in LA saw us being tourists along Venice Beach. The weather was perfect and we all enjoyed the sights that the area has to offer. We bumped in to Georgie's family and they joined us strolling along the boardwalk. There was some star spotting – Bono. Unfortunately we missed Arnie. He apparently cycled passed us but we were oblivious.
We then drove to Santa Monica and bid a farewell to Georgie as she joined her family on their holiday in the US. Some spent their remaining time on Santa Monica Pier, some hit the sand for Beach Volleyball and others did some more shopping.
We then headed back to LAX to board a Virgin Australia flight home.
Thursday saw the departure of Geraldine from the group. She rose early to be picked up by her family and holiday over Christmas in New York. The rest of us spent our morning at a shopping mall picking up last minute gifts and necessities. We then had lunch at In-N-Out Burger eating delicious hamburgers before heading to UCLA. We were fortunate to be offered a tour of the Pauley Pavillion – home of the UCLA Bruins.
After shopping in the UCLA bookstore for some merchandise we then watched the women's basketball NCAA game – UCLA Bruins against Cal State Northridge Matadors. Northridge won 77 to 72.
After the game we headed back to our rooms to pack and weigh luggage.
We spent Wednesday December 19 at Six Flags Magic Mountain a theme park full of roller coasters and rides. The girls went on almost every roller coaster and thrill ride. Some had their moments where their bodies just needed a rest but everyone enjoyed themselves. One or two even managed to enjoy the views in between screaming or laughing on the rides.
After a full day at the park we headed to the Staples Center to watch the Los Angeles Clippers play against the New Orleans Hornets. The Clippers won 93 to 77 giving them an impressive eleven wins in a row. The highlight for a few of our girls was spotting a Kardashian in the crowd.
On Tuesday we went shopping at the Citadel Outlets. Knowing that their luggage allowance was now increased, the girls shopped hard. Later that day we headed to Hollywood where we strolled along the Walk of Fame and photographed various brass stars embedded in the sidewalk. Some of the roaming entertainers beggars proved a little difficult at times but we learnt to 'keep walking'.
We then headed to the Hard Rock Cafe on Hollywood Boulevard for dinner.
We arrived in Los Angeles well after dark on Sunday December 16 but everyone was super keen for an early start the next day. Monday was Disneyland.
"The Happiest Place on Earth" requires nothing more than photos.
Saturday morning we headed to Skyline High School and joined their basketball girls in a fundraising Shoot-a-thon. It was a great time for our girls to mingle with the Skyline girls. The Shoot-a-thon was divided into rounds of foul shots, three point shots and then the big half court shots. Geraldine did us all proud with two spectacular goals from the half court line.
We then shared a delicious lunch with the Skyline team at Cucina Cucina.
That night the girls had a thrilling game against Skyline. With 13 seconds until full time, the scores were level. Matt called a time-out, told the girls what he wanted and they went back in to play. The set play was fumbled slightly but a goal was scored just before the buzzer. An exciting win – 53 to 55.
That night we had our final home stay for the tour. From all accounts everyone had a lovely time with the Skyline families. Once again we were humbled by the generosity and hospitality of new friends in the basketball community.
We all met the next day at the school and loaded the vans in the chilly morning air.
And we were then off to Sea-Tac Airport for a flight to LAX.
Just some random photos of the team out and about. Apologies for some blurry snaps but they captured the moment.


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L'anarchisme a depuis longtemps des liens avec les arts créatifs, en particulier la peinture, la musique et la littérature.

L'influence de l'anarchisme dans l'art n'est pas qu'une question d'imagerie spécifique ou de figures publiques propres à l'anarchisme, mais peut être vue comme une approche vers l'émancipation totale de l'homme et de l'imagination.

Éléments historiques

Bases théoriques

Dès le , des liens sont tissés entre artistes et anarchistes. En 1865, Pierre-Joseph Proudhon publie Du principe de l'art et de sa destination sociale et est, par ailleurs, l'ami de Gustave Courbet.

En 1882, dans Dieu et l'État, Mikhaïl Bakounine précise que « La science ne peut sortir de la sphère des abstractions. Sous ce rapport, elle est infiniment inférieure à l'art [...] L'art est donc en quelque sorte le retour de l'abstraction dans la vie. La science est au contraire l'immolation perpétuelle de la vie fugitive, passagère, mais réelle, sur l'autel des abstractions éternelles. ».

En 1885, dans Paroles d'un révolté, pour Pierre Kropotkine, « Le savant, comme le poète ou l'artiste, est toujours le produit de la société dans laquelle il se meut et enseigne. [...] Enfin vous, jeune artiste, sculpteur, peintre, poète, musicien, ne remarquez-vous pas que le feu sacré qui avait inspiré tel de vos prédécesseurs, vous manque aujourd'hui, à vous et aux vôtres ? que l'art est banal, que la médiocrité règne ? [...] Mais si réellement votre cœur bat à l'unisson avec celui de l'humanité, si, en vrai poète, vous avez une oreille pour entendre la vie, alors, [...] vous ne pourrez plus rester neutre ; vous viendrez vous ranger du côté des opprimés, parce que vous savez que le beau, le sublime, la vie enfin, sont du côté de ceux qui luttent pour la lumière, pour l'humanité, pour la justice ! »

Compagnonnages

Entre 1880 et 1914, nombreux sont les artistes et les écrivains qui s'intéressèrent à l'anarchisme et à l'art social. Ils collaborent à des revues ou font parfois don de certaines œuvres. On peut citer les noms de plusieurs peintres : Camille Pissarro, Paul Signac, Maximilien Luce et Henri-Edmond Cross, ou le critique d'art Félix Fénéon.

En 1891, dans The soul of man under socialism (L'Âme de l'homme sous le socialisme), Oscar Wilde défend passionnément une société égalitaire dans laquelle la richesse serait partagée entre tous, tout en mettant en garde contre les dangers d'un socialisme autoritaire qui détruirait toute individualité. Il précise plus tard « Je pense que je suis un peu plus qu'un socialiste. J'ai quelque chose d'un anarchiste, je pense ».

L'anarchisme a une influence significative sur le symbolisme français. Le , jour de l'attentat d'Auguste Vaillant au Palais-Bourbon, Stéphane Mallarmé affirme « Je ne connais pas d'autre bombe qu'un livre ».

Plus significativement, l'esprit libertaire se retrouve dans les œuvres du mouvement dadaïste et du surréalisme.

Dans le monde francophone, des personnalités comme Albert Camus, André Breton, Jacques Prévert, Boris Vian, Arthur Cravan , Robert Desnos ou Étienne Roda-Gil marquent le champ culturel d'une empreinte libertaire. Il en est de même dans le cinéma, avec Jean-Pierre Mocky ou Luis Buñuel.

Plusieurs artistes américains du début du  sont influencés par les idées libertaires, tels Rockwell Kent et George Bellows de l'École d'Ashcan, tendance du réalisme américain.

Vers la fin du , l'anarchisme et l'art sont associés de façon primaire dans les collages de , Freddie Baer et Johan Humyn Being dont les œuvres sont publiées dans les magazines anarchiste comme Anarchy : A Journal of Desire Armed (L'Anarchie : un journal du désir armé) et Fifth Estate (Le cinquième pouvoir). Freddie Baer est reconnu pour son œuvre en tant que designer de livres pour AK Press et pour sa contribution à la science-fiction féministe. De même, le Living Theatre, une troupe de théâtre dont faisait partie Judith Malina et Julian Beck, affiche sa relation directe avec les idées anarchistes.

Dans les années 1990, des anarchistes sont impliqués dans le mouvement mail art (art postal), qu'on peut décrire comme l'utilisation du service postal de façon artistique. On peut aussi parler de l'engagement des anarchistes dans les fanzines, les affiches, les stencils et les graffiti.

Anarcho-punk

Au milieu des années 1970 apparait un nouveau courant musical, culturel et politique influencé par l'anarchisme, l'anarcho-punk. Le terme est souvent utilisé pour décrire des groupes faisant partie du mouvement au Royaume-Uni.

Un certain nombre d'artistes-interprètes ont été inspirés par des concepts anarchistes ou ont utilisé la musique et le son pour promouvoir des idées et des politiques anarchistes. Les auteurs-compositeurs-interprètes français Léo Ferré et Georges Brassens sont peut-être les premiers à l'avoir fait, dans les années 50 et au-delà.

Le punk rock est un mouvement qui s'est beaucoup inspiré de l'imagerie et du symbolisme souvent puissants associés à l'anarchisme et à la rhétorique Situationniste, mais peut-être pas de la théorie politique. « Vivons aujourd'hui dans nos luttes la société de demain » aurait résumé AlainTouraine  au sujet des mouvements sociaux.

Au cours des dernières décennies, l'anarchisme a été étroitement associé au mouvement punk rock, et s'est développé en interaction avec le milieu des squats et du DIY. En effet, de nombreux artistes ont été initiés aux idées de l'anarchisme par le biais de cette conception politique et du sentiment anti-autoritaire que de nombreuses chansons punk exprimaient, notamment par le graphisme de leur affiche, de leur pochette de disque et de leur tract.

L'anarcho-punk, quant à lui, s'est engagé dans un courant  politique plus explicitement anarchiste, notamment dans le cas de groupes tels que Crass, Poison Girls, (au début) Chumbawamba, The Ex, Flux of Pink Indians, Rudimentary Peni, The Apostles, Riot/Clone, Conflict, Oi Polloi, Sin Dios, Propagandhi, Citizen Fish, Bus Station Loonies etc. De nombreux autres groupes, notamment au niveau local des groupes non signés, ont adopté ce que l'on appelle une éthique "punk" ou "DIY", c'est-à-dire Do It Yourself, en effet un slogan anarcho-punk populaire dit "DIY not EMI", référence à un rejet conscient de la grande maison de disques.

Toutefois, la volonté de composer avec un nombre restreint d'intermédiaires pour produire soi-même des albums indépendants n'en apparait pas moins  couteuse en temps et en énergie. C'est "un monstre à nourrir" .  La réussite d'une activité tient autant à la cohérence de l'action qu'au degré d'engagement de la part de ceux qui la mènent. "De fait, les grandes figures de la DIY sont le plus souvent de véritables bourreaux de travail qui animent simultanément plusieurs collectifs" comme Greg Ginn, Jello Biafa, Ian Mackay. Par exemple, lorsque Ian Mackaye (membre de Minor Threat) ne répète pas, il se consacre à couper et à assembler des pochettes de disques, à concevoir des flyers, à répondre aux interviews des fanzines, etc. Autre exemple, le groupe de rock De Kift est connu pour ses pochettes d'album DIY. Les albums cd sont publiés en petit nombre et emballés à l'aide de créations papier originale - souvent fait à la main. Il y a un album qui se présente sous la forme d'une boîte à cigares (Krankenhaus), d'un livre de cuisine ou encore d'un cadre photo (Vlaskoorts).

Le groupe Crass (1977-1984) en est sans doute l'un des plus emblématiques, collectif d'artistes formé autour d'une maison communautaire. Ses positions sont directement liées au courant libertaire communautaristes du . Prenant au mot le manifeste punk du Do it yourself, Crass combine la chanson, le cinéma, le collage sonore, le graphisme et la subversion pour lancer un front soutenu critique et novateur contre tout ce qui leur parait être une culture basée sur la violence, la guerre, le sexisme, l'hypocrisie religieuse et le mode de vie bourgeois du Royaume-Uni thatcherien.

Punk Not Dead graffiti

Bande dessinée
Entre 1982 et 1990, Alan Moore (1953-), écrit V pour Vendetta, une série de bande dessinée illustrée par David Lloyd et Tony Weare. Le scénario met en scène l'action d'un activiste anarchiste dans le cadre d'une dystopie contemporaine.

Dans les années 1980, une guerre mondiale éclate. L'Europe, l'Afrique et les États-Unis d'Amérique sont réduits en cendres par des armes nucléaires. Le Royaume-Uni est épargné par les bombardements mais pas par le chaos et les inondations issues des dérèglements climatiques. Dans cette société anglaise post-apocalyptique, un parti fasciste, Norsefire, prend en main le pouvoir et tente de rétablir le pays après avoir procédé à une épuration ethnique, politique et sociale sans pitié.

En 1997, au moment où le parti semble avoir la situation sous contrôle, un anarchiste commence une campagne pour ébranler tous les symboles du pouvoir. Cet anarchiste qui se fait appeler « V » porte un masque représentant le visage de Guy Fawkes, le plus célèbre membre de la conspiration des poudres. Lors de sa première action d'éclat, le dynamitage du Palais de Westminster, V sauve Evey, une jeune fille de 16 ans qui risquait d'être violée puis exécutée pour prostitution.

Art contemporain

Dans l'art contemporain, l'anarchisme peut prendre des formes diverses, du street art carnavalesque aux graffitis et aux romans graphiques, en passant par diverses formes d'art traditionnelles, notamment la peinture, la sculpture, la vidéo et la photographie.

Banksy est le pseudonyme d'un artiste connu pour son art urbain (ou street art) et également comme peintre et réalisateur. Dissimulant sa véritable identité, il serait né en 1974 dans les environs de Stoke au Royaume-Uni et se nommerait Robert Banks.

Cet artiste combine les techniques de Warhol et l'œuvre in situ pour faire passer ses messages, qui mêlent souvent politique, humour et poésie comme Ernest Pignon-Ernest, Miss.Tic, Jef Aérosol ou Blek le rat. Les pochoirs de Banksy sont des images humoristiques, parfois combinées avec des slogans. Le message est généralement libertaire, antimilitariste, anticapitaliste ou antisystème. Ses personnages sont souvent des rats, des singes, des policiers, des soldats, des enfants, des personnes célèbres ou des personnes âgées.

Expressionnisme
Né en Allemagne en 1919 et exprimé dans toutes les disciplines artistiques (peinture, littérature, musique, cinéma, théâtre), l'expressionnisme se distingue dans divers courant ayant en commun les idées radicales anarcho-individualistes, anti-positivistes, humanitaires et anti-bourgeoises. L'expressionnisme abstrait a inclus des artistes de tendance libertaire comme les peintres Mark Rothko et Jackson Pollock, qui a adopté ces idées radicales durant son expérience en tant que muraliste pour la Work Projects Administration.

Futurisme
L'œuvre la plus connue de Carlo Carrà est Les Funérailles de Galli l'anarchiste, peint en 1911. Dans un catalogue de 1912 pour la première exposition parisienne des futuristes, Umberto Boccioni écrivait « les gerbes de lignes correspondant à toutes les forces en conflit, suivant la loi générale de la violence », dont il étiqueta les lignes-forces en capsulant l'idée futuriste de transcendantalisme physique. Mark Antliff a suggéré que cette esthétique futuriste était créée pour engager le spectateur dans les politiques mêmes qui ont mené à l'intervention de l'Italie dans la Première Guerre mondiale et, finalement, à la montée du fascisme en Italie. L'historien de l'art, Giovanni Lista a identifié cet esthétique comme apparaissant pour la première fois dans le courant anarcho-syndicaliste, où Marinetti a rencontré les mythes soréliens d'action et de violence.

Surréalisme

Le surréalisme comme l'anarchisme prétendent exprimer la liberté totale de l'individu : le surréalisme sur le plan artistique, l'anarchisme sur le plan social et politique. Les surréalistes eux-mêmes ont longuement défendu ce « partage des tâches ».

Pour André Breton en 1952, « Les surréalistes ont vécu alors sur la conviction que la révolution sociale étendue à tous les pays ne pouvait manquer de promouvoir un monde libertaire (d'aucuns disent un monde surréaliste, mais c'est le même) ».

Le surréalisme est un mouvement artistique et politique en même temps, qui touche la libération de l'être humain des contraintes du capitalisme, de l'État, et des forces culturelles qui limitent le règne de notre imagination. Le mouvement s'est majoritairement développé en France après la Première Guerre mondiale avec André Breton comme théoricien et poète important du courant. À l'origine, Breton avait beaucoup d'affinité avec le parti communiste. Plus tard, une amitié sincère avec Leon Trotsky le fit lâcher le parti communiste. Au Québec, le surréalisme représenté par les "Automatistes", un groupe comptant entre autres Paul-Émile Borduas, Claude Gauvreau et Jean-Paul Riopelle, a été marquant dans l'histoire libertaire de la région. Même si son impression originale n'était que de 400 exemplaires, leur manifeste, le Refus Global, marqua l'histoire du Québec.

Artistes et créations artistiques liés à l'anarchisme

Arts visuels

Titres de presse

Musique et chanson

Auteurs

Œuvres littéraires
 Le Dynamiteur, Robert Louis Stevenson, 1885.
 La Princesse Casamassima, Henry James, 1886.
 L'Agent secret, Joseph Conrad, 1907.
 Le Nommé Jeudi, G.K. Chesterton, 1908.

Poésie

 Jacques Prévert
 Virgilia D'Andrea
 Robert Desnos
 Raymond Espinose
 Radovan Ivšić

Théâtre/Comédie
 Living Theatre
 Mother earth : an epic drama of Emma Goldman's life, Martin B. Duberman, 1991.
 Mort accidentelle d'un anarchiste, Dario Fo, 1970.
 The Coast of Utopia (A Trilogy), Tom Stoppard, 2002.
 Emma : a play in two acts about Emma Goldman, American anarchist, Howard Zinn, 2002.

Œuvres cinématographiques

 La Bande à Bonnot, Philippe Fourastié, 1968.
 Eros + Massacre, Yoshishige Yoshida, à propos de Ōsugi Sakae et Itō Noe, 1969.
 Sacco et Vanzetti, Giuliano Montaldo, 1971.
 L'An 01, Jacques Doillon, Gébé, Alain Resnais, Jean Rouch, 1973.
 Nada, Claude Chabrol, 1973.
 La Société du spectacle, Guy Debord, 1973.
 La Patagonia rebelde, Héctor Olivera, 1974.
 La Cecilia, Jean-Louis Comolli, 1976.
 Land and Freedom, Ken Loach, 1994.
 La Belle Verte, Coline Serreau, 1996.
 Libertarias, Vicente Aranda, 1996.
 The Edukators, Hans Weingartner, 2004.
 V pour Vendetta, James McTeigue, 2006.

Documents vidéo
 Félix Marquet, Sous le signe libertaire, CNT-FAI, 1936, voir en ligne.
 Christian Bussy, Anarchie, j'écris ton nom (1), Signes des Temps, Radio-télévision belge de la Communauté française, Sonuma, , voir en ligne.
 Christian Bussy, Anarchie, j'écris ton nom (2), Signes des Temps, Radio-télévision belge de la Communauté française, Sonuma, , voir en ligne.
 Maurice Joyeux, Foi d'anar. Portrait d'un anarchiste , France Régions 3, , 58 min, voir en ligne.
 Lisa Berger, Carol Mazer, De toda la vida, Mujeres Libres, 1986, voir en ligne.
 Richard Prost, Un autre futur : L'Espagne rouge et noir (1990) et Contre vents et marées (1995), 151 min, Les films du village, voir en ligne.
 Juan Gamero, Vivir la utopía (Vivre l'utopie), 96 min, TV Catalunya, 1997, voir en ligne.
 Collectif AlterNaction, Autrement, Suisse, 75 min, , notice, voir en ligne.
 Pierre Carles, Ni vieux, ni traîtres, 94 min, 2006, voir en ligne.
 Aitor Arregi, Jose Mari Gaenaga, Lucio, 93 min, 2007, notice.
 Jean-François Brient et Victor León Fuentes, De la servitude moderne, 2009, voir en ligne.
 Banksy, Jaimie D´Cruz, The Antics Roadshow, 48 min, Channel 4, , voir en ligne.
 Michel Onfray, Le post-anarchisme expliqué à ma Grand-mère, conférences de l'Université Populaire de Caen, 2011, voir en ligne.
 Yannis Youlountas, Ne vivons plus comme des esclaves, 2013, voir en ligne..
 Jean Bricmont, Qu'est-ce que l'anarchisme ?, , voir en ligne.
 Aurélie Marcireau, L'histoire mondiale de l'Anarchie, LCP, , voir en ligne.
 Tancrède Ramonet, Ni dieu ni maitre, histoire de l'anarchisme, Temps noir, Arte, 2016,
  partie, sortie en 2017/2018

Position anarchiste sur la liberté des connaissances

Les anarchistes s'accordent sur la promotion de la distribution libre de tous types d'information et connaissance. Ces temps-ci, cette tendance peut être reconnue dans ses activités de promotion de l'abolition des royalties et brevets, de désobéissance au copyright, de diffusion de la connaissance libre et de la culture libre et général, de la culture du fanzine et des licences alternatives notamment copyleft. Sur le plan de la diffusion se développent des athénées libertaires  et infokiosques, et au niveau virtuel des bibliothèques libertaires en ligne et des wikis comme celui-ci.

Bibliographie
 Catherine Malabou, Au voleur ! Anarchisme et philosophie, Paris, PUF, 2022,
 Pierre-Joseph Proudhon, Du Principe de l'art et de sa destination sociale, (1865), Les presses du réel, 2002, .
 André Reszler, L'Esthétique anarchiste, PUF, 1973.
 Edgar Wind, Art et Anarchie, trad. de l'anglais Pierre-Emmanuel Dauzat, intro. John Bailey, collection Bibliothèque des Sciences humaines, Gallimard, 1988, , présentation éditeur.
 Collectif, Art & Anarchie, Actes du colloque organisé pour les dix ans de Radio libertaire, 1993, Éditions Via Valériano, .
 Gaetano Manfredonia, Art et anarchisme dans la France de la Belle Époque (1880-1914).
 Michel Ragon, De Fénéon à Dubuffet.
 Collectif, Surréalisme et anarchisme : écrits pour débattre, Lyon, Atelier de création libertaire, 1992.
 Alix Large, L'Esprit libertaire du surréalisme, Lyon, Atelier de création libertaire, 1999.
 Mufloz Manuel, La critique d'art dans l'anarchisme espagnol au tournant du siècle, Romantisme, n°71, 1991, pp. 39-48.
 Anne-Marie Bouchard, Figurer la société mourante - Culture esthétique et idéologique de la presse anarchiste illustrée en France, 1880-1914, Département d'histoire de l'art et d'études cinématographiques, Faculté des arts et sciences, Université de Montréal, 2009, lire en ligne.
 Gaetano Manfredonia, La chanson anarchiste en France des origines à 1914 : « Dansons La Ravachole !, Paris, L'Harmattan, 1997.
 Caroline Granier, Nous sommes des briseurs de formules. Les écrivains anarchistes en France à la fin du dix-neuvième siècle, thèse de doctorat, Université Paris-VIII, 2003, publiée chez Ressouvenances, 2008, texte intégral.
 Jonny Ebstein, Au Temps de l'anarchie, un théâtre de combat. 1880-1914, Paris, Séguier, 2001.
 Bouchard, Anne-Marie, « Mission sainte » Rhétorique de l'invention de l'Art social et pratiques artistiques dans la presse anarchiste de la fin du XIXe siècle, Études littéraires, vol. 40, n°3, 2009, .
 Alain Pessin, Patrice Terrone (dir.), Littérature et anarchie, Presses universitaires du Mirail, Toulouse, 1998.
  Allan Antliff, Anarchy and Art : From the Paris Commune to the Fall of the Berlin Wall, Vancouver, Arsenal Pulp Press, 2007, .

Cinéma
 Michel Antony, Filmographie - Guerre et Révolution Espagnole 1936-39, 1995-2000, lire en ligne.
 Édouard Waintrop, Les écrans de la révolte, Libération, , lire en ligne.
 Isabelle Marinone, Anarchisme et cinéma : panoramique sur une histoire du  français virée au noir, doctorat en Art et archéologie, Cinéma, Université Paris-1 Panthéon-Sorbonne, 2004, résumé en ligne.
 Nicole Brenez, Isabelle Marinone (dir.), Cinémas libertaires - Au service des forces de transgression et de révolte, Presses universitaires du Septentrion, 2015, , présentation éditeur.
 .
 .
 Jacques Richard, Le cinéma libertaire et libertin, L'Écarlate, 2015. 411 pages.
  Anarchist Film Archive sur le site christiebooks.co.uk.

Bande dessinée
 Bruno Loth, Les Fantômes de Ermo, tome 1, éditions La Boîte à Bulles, 2017, présentation éditeur.

Articles connexes

 Symbolisme anarchiste
 Anti-art
 Filmographie de l'anarchisme
 Filmographie de l'altermondialisme
 ART112
 Art social
 Internationale Situationiste

Liens externes
  Libcom : art.
  Libcom : media and culture.
  Kate Sharpley Library : Notes on the History of Anarchism in literature : a chronology.
  Cinéma et anarchisme : par ordre chronologique.
  Arte e libertà sur socialismolibertario.

Notes et références

Politique dans l'art et la culture
Culture libertaire

redpajama_set_name: RedPajamaWikipedia


Open these documents to learn all about this ancient civilization's cities!
Q1.pdf (70,5 kB) Timeline of study.
Q2.pdf (157,6 kB) Why were cities formed?
Q3.pdf (68,2 kB) What makes a city?
Q4.pdf (162,4 kB) Explain the human/enviornment interaction in the city.
Q5.pdf (62,1 kB) How did people come and go?
Q6.pdf (61,2 kB) Why would people want to be part of a city?
Q7.pdf (59,6 kB) How did religion affect government formation?
Q8.pdf (17 kB) What is the governments role in the development of written language?
Q9.pdf (145,8 kB) Why must laws be created?


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Grown and Flown
...because parenting never ends.
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War American Civil Images The It's news to absolutely no one that underage teens drink alcohol and finding access to it is relatively easy for those who choose to seek it out. The tried and true methods that some of us may have utilized decades ago when we were minors are still effective today, like getting a fake ID. Kids get alcohol from friends, older siblings and even parents – who either willingly hand it over themselves, or who don't realize it's being swiped from a home liquor cabinet.
"Shoulder tapping" is still a thing as well. Underage drinkers can usually find a stranger headed into a liquor or convenience store who is willing to buy alcohol for them, with or without a few dollars in cash to make it worth their while.
Fake IDs carry heavy consequences. (Air Images/Shutterstock)
And anyone who's ever been on the hunt for alcohol before they've turned 21, quickly learns the locations of certain stores that have clerks who rarely ask for ID or knowingly sell to minors. I can still picture the tiny, crowded liquor store on a corner in the Marina District of San Francisco, where my high school friends and I easily acquired our Bartles and Jaymes wine coolers. ("…and thank you for your support.")
But one underage method of accessing alcohol War American Civil Images The has changed quite a bit in the past decade. Obtaining a fake ID in the digital age is a whole new ballgame, and in our post 9/11 world, the consequences of being caught using one can come with some serious, criminal consequences.
Of course, there are still kids who illegally use legitimate forms of identification given to them by older siblings or friends with a strong resemblance, and those who alter a bit of the data on some form of ID of their own. But the "good" fakes these days are purchased online, mainly from counterfeit ID distributors based in China.
Today, most real driver's licenses and state ID cards come with laser engraving and a magnetic strip on the back side, similar to a credit card. This makes it next to impossible for a student or other individual to create realistic fake IDs.
Manufacturers overseas who use specialized printers, have seized on the ease of online shopping. A customer is asked to use a money transfer service and route the purchase fee, usually around $50 to $100, to a bank account in Asia. These businesses typically offer a price discount for a larger order, so in many cases a group of friends go in together to order their fakes. Once the money transfer is complete, the IDs arrive in the mail within a couple of weeks, frequently stuck into the pages of a book.
What can happen when teens use a Fake ID
With a fake ID in hand, teens may try to purchase alcohol or cigarettes, get into bars and clubs, or misrepresent their identity, which are all crimes in every state. Fake ID laws are state specific though, so punishments vary by jurisdiction, and according to HG.org Legal Resources, can range "from $500 misdemeanor fines in more lenient states up to felony convictions for impersonation or forgery and sentences of more than a year in prison. If the ID is used to purchase a firearm, it is a felony in every state and the sentences are usually several years."
Bars and clubs that are in close proximity to college campuses are typically places that see a great number of fake IDs being used, and they generally employ bouncers who are trained and very skilled at recognizing fakes. When this happens, in most cases the bouncer will simply confiscate the ID card, and the user is now without it, and the $50 they paid to buy it.
However, some places hand over all the fakes they've collected that night to the police, and if the fake ID has an a legitimate name and photo, in addition to the fraudulent date of birth, the offender may be charged, lose their real driver's license, pay a substantial fine, be assigned to a diversion program with community service, or even serve a short time in jail. If it's a first arrest, jail time can usually be avoided and an attorney can be hired to get a misdemeanor charge reduced to an infraction, but there still will be the legal fees and court costs to pay.
Many college students are also not aware that if they are arrested while using a Fake ID, their school's administration can bring down a punishment as well.
War American Civil Images The What colleges say about a Fake ID
As an example, the Student Conduct Code at the University of Southern California lists these "Potential University Impacts" if a student is caught with a fake and prosecuted: removal from university housing, suspended parking privileges, not allowed to study abroad, dismissal from the university; and all organizations, clubs, or groups may be subjected to permanent or temporary removal of recognition and denial of the use of university facilities.
Few students also realize that being caught in a bar while under 21 can result in the business being charged a fine of several hundred dollars, and possibly losing their liquor license and being shut down for catering to juveniles. This can affect the livelihood of numerous employees, and some states even allow bars and liquor stores to bring civil damage lawsuits against minors who try to use a fake ID.
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So, while it can be very tempting for some teenagers to purchase a fake ID, especially the 19 and 20-year-olds who want to hang out with older friends at over-21 venues, it can come at a cost that is much more significant than the small amount of money that they paid for the convenience.
As parents, we can encourage our kids to educate themselves on the state laws where they live and on their school's policies regarding fake IDs.
When it seems like many people they know are getting away with doing this, kids under 21 think, "Getting caught will never happen to me." But every now and then, a first-time offender is used as an example for others. Having a conviction on their record, even for just a short number of years, can undeniably affect future job opportunities.
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Marybeth Bock, MPH, is Mom to two college students and one delightful hound dog. She has logged time as an Army wife, childbirth educator, college instructor and freelance writer. She lives in Arizona and thoroughly enjoys research and writing - as long as iced coffee is involved. You can find her work on Grown and Flown, Blunt Moms, the Scottsdale Moms Blog, Teen Strong AZ, and on random scraps of paper around her house. Find her on Facebook, Twitter and InstagramSocial Social History Security Social Social Security History History Security Security Social Social History History Security Security.
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Soon after All India Bakchod (AIB) decision to stop their co-founders Tanmay Bhat and Gursimran Khamba from taking part in any company's activity, Hotstar has cancelled the production of third season of 'On Air with AIB'.
On Air with AIB features a wide range of satirical comedy content curated by the popular group.
The streaming giant has released an official statement on Twitter saying that in light of recent events involving AIB, the company is cancelling the production of On Air with AIB Season 3, with immediate effect.
It further gives a strong message and outlined that Hotstar will not stand by anything that compromises the respect or safety of women.
The allegation of misconduct and sexual harassment by the group has received the wrath of audience and celebrity fraternity. Not only Hotstar the Mumbai Academy of Moving Image (MAMI) has also announced that they are dropping two films — AIB's Chintu Ka Birthday and Rajat Kapoor's Kadakh — from the line-up of the upcoming 20th edition of the Jio MAMI Mumbai Film Festival.
In its statement, MAMI said that it stood in support of the #MeToo movement and wanted to use this opportunity to open up conversation about sexual harassment at workplaces.


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Just published: We All Wore Blue - the FC Shoreline International youth soccer team
Players gathered for their 10 year reunion and to
celebration the publication of the story of their team
Coach / author Emerson Robbins at right
"We All Wore Blue" is the true story of a Shoreline youth soccer team comprised of players from as many as seventeen different countries, every major race and religion and how the team came together and embraced one another and celebrated their differences on their journey to winning two Washington State Championships in 2006 through 2010.
The team was located in Shoreline and was actually named FC Shoreline International.
Their coach, Emerson Robbins, has written a book about the team, which can be found on Amazon, Barnes and Noble, and most of the prominent Northwest area bookstores.
It's an inspirational story for our country and the world, especially important for today's turbulent times.
Centerpieces and decorations included flags from the
17 home countries of the players
The players, now in their late 20s, reunited recently at the Innis Arden Clubhouse in Shoreline to celebrate the book launch and their ten year anniversary.
A successful screenwriter is working on developing the story into a series aimed at Netflix, Amazon Prime, Hulu or one of the other networks.
Here is Robbins' account of their beginnings
I was born in Seattle, but I grew up in the Los Angeles area. My family moved here (Shoreline) in 1998 and lived there until 2010, when we moved to Whidbey Island, where my wife and I currently live.
I have coached youth soccer for over 35 years. After coaching for about twenty years, when we moved up here I began coaching my youngest son's team. It was the typical youth soccer team you'd find in most parts of the country, except it may have been the worst team I'd ever seen.
The coaches were just Dads who didn't really know too much about soccer, but were trying to do the right thing by their kids and the team. They had not won a single game during the first three years of the team's existence.
Once I took over, the team started winning, but also changing.
It's a long story, but somehow, without any real intention, the team attracted many immigrant kids who wanted to play. One day, there was a tall African boy watching our team practice and seeing him jealously watching, I invited him to join our practice. It turned out he was from Ethiopia and he and his family had just come from a refugee camp in Kenya just weeks prior to coming to WA State.
They were living in subsidized apts in Shoreline, just a block or two from the park we practiced at. He loved playing on our team and soon began sharing his joy with other immigrant kids in his ESL class at Einstein Middle School.
Within a year or two, other immigrant boys joined our team and before long, there were more kids from different countries, races and religions than there were white suburban kids.
The team continued winning and improving.
We ended up all bonding, the players and the families and enjoyed incredible international feasts, with food from as many as 16 different countries. The parents could not afford to pay the high costs of the youth soccer fees, so I helped pay their way.
However, the families could cook, so we all enjoyed these amazing get togethers.
This became our FC Shoreline International team, which ended up winning our respective league titles every year as well as two Washington State Championships.
From the worst youth team I'd seen years earlier, we transformed into one of the top youth soccer teams in the State.
However, the real story was how we all became close and the players and families all celebrated our differences.
People from dramatically different economic circumstances, different races, religions, etc.
And no one on the team cared about such superficial nonsense.
We just had fun together, sharing what we had in common, the love of soccer and the incredible food from all these assorted cultures and countries.
I knew our story might be of interest to many, as whenever we would play an away game, people would look at our motley group and wonder where we were from and how we happened to come together.
However, it wasn't until our current President started speaking so disparagingly and cruelly about immigrants, than I was motivated to have our story told and began writing the book, "We All Wore Blue."
Tags: author, books, people, soccer, sports


text:
Q: Core image minimal fails I'm building a Yocto minimal image on Opensuse Tumbleweed using bitbake core-image-minimal and I am getting the error
qemu-native/4.1.0-r0/qemu-4.1.0/linux-user/syscall.c:7657: undefined reference to 'stime'
| collect2: error: ld returned 1 exit status
Some googling turns up some known bugs referencing this, and it seems to be caused by glibc taking out stime from time.h in a newer version.
Source:
https://wiki.gentoo.org/wiki/Glibc_2.31_porting_notes/stime_removal
So my question is how do I fix this? I would like to avoid rolling back the c library if possible but if there are no other options I guess I don't have a choice.

A: What oe-core version are you using? Is it zeus? I think it's already fixed in just released dunfell.
See oe-core commit 2cca75155baec8358939e2aae822e256bed4cfe0


text:
Almost 6.700 newly infected, 63 people died
BELGRADE -- Until the last review, 6.697 new cases of COVID-19 were confirmed in Serbia, while 63 people died.
Source: B92 Thursday, 28.10.2021. | 17:30
Foto: Shutterstock/Fotosr52
There are 275 patients on respirators, and a total of 6.792 people are on hospital treatment.
As it is stated, the analysis of 23.474 samples was done.
Since the outbreak of the epidemic in Serbia, 6.253.869 samples have been tested, and the virus has been confirmed in 1.125.602.
The mortality rate is 0.87.
Kon: "It will result in more deaths"
In order to stop the epidemic, two things must go in parallel - on the one hand, a 24-hour COVID pass, and on the other, accelerated vaccination.
This was stated today by epidemiologist and member of the Crisis Staff Predrag Kon. He said that the fact that the validity of COVID passes after 10 pm "is not and will not be able to prove sufficient" and pointed out that without serious more restrictive measures, there would be no sudden decline in the number of new patients.
"The medical part of the Crisis Staff demands that the COVID pass be valid for 24 hours, and there is no division on that issue, the entire medical part fully supports that," Kon told Tanjug TV.
He said that certain riots and protests, which are being held due to the introduced COVID passes, "are not important at all at this moment". "We have to ensure that our health workers can work, and at this pace, they are so overwhelmed that there will be omissions and inability to schedule delays for some non-COVID conditions. It will result in more deaths," Kon said.
He stated that without restrictive measures, the transition to online teaching would not have the serious effect as expected.
You reap what you sow..
(Tony (a Brit seconded to Berlin), 29 October 2021 03:31)
Unsure about this statistics because the "infected" is not equal with "ill". Press does play with these words as they like.
Earlier or later everyone will be "infected" with Corona (and probably more, than once). It does not mean they will be "ill" - depending on the willingness of being vaccinated and also on political BS + hysterical convulsions of the press.
Be vaccinated twice and if possible get a booster - than watch the pathetic political show. But unfortunately some people claiming that slivovica with ajvar is good enough against "Corona" will suffer.
(Ataman, 31 October 2021 15:44)
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text:
Truce holds amid tough talking
Hezbollah and Israel both continue to talk tough, but the truce between the two has entered its second week with Italy the new favourite to lead a UN peacekeeping force in Lebanon.
Olmert has welcomed an Italian initiative to lead a UN force
Hezbollah's representative in Iran ruled out the disarmament of the group's militia on Monday.
Abdullah Safieddin said the movement would buy new weapons if necessary, despite the fact UN resolution 1701 demands the disarmament of all armed groups in Lebanon and prohibits any sales or supply of arms and related materiel to Lebanon except as authorised by its government.
"If anybody wants to resist, they will seek to buy arms if need be," he told the Shargh newspaper.
"Hezbollah will remain as it is. We even believe this war made the spirit of resistance more serious. We will do our political work but we will defend our country too."
For their part, Israel ruled out any peace talks with Syria as long as it continues to support "terrorism".
Territorial dispute
The prime minister, Ehud Olmert, on a tour in northern Israel said via his spokeswoman that it should not be forgotten that the rockets fired by Hezbollah at Israel during the month-long Lebanon offensive came from Syria.
Peace talks between Israel and Syria have stalled for more than six years.
Syria has repeatedly demanded the return of the Golan Heights, the strategic plateau which Israel occupied in the 1967 Middle East war and annexed in 1981.
"We are at the tilting edge still. This can easily start sliding again and lead us quickly into the abyss of violence and bloodshed"
Terje Roed-Larsen, UN envoy
Earlier, Avi Dichter, the public security minister, said Israel should resume negotiations with Syria and, in exchange for peace, give up the Golan Heights.
But despite the strong words from both sides, the ceasefire between Israel and Hezbollah held into its second week.
Olmert, due to host senior UN envoys in Jerusalem, spoke to Romano Prodi, the Italian prime minister, late on Sunday and said he would be happy to see the Italians in charge.
Stark warning
Prodi also spoke to Fouad Siniora, the Lebanese prime minister, as diplomats strove to shore up the truce.
The Lebanese cabinet was due to meet on Monday to welcome the Italian initiative. A senior Lebanese political source said 2,500 Italian soldiers would take part in the UN contingent.
The UN force will work alongside a similar-sized Lebanese army contingent gradually deploying to the war-shattered towns and villages of southern Lebanon.
The ceasefire ended a fierce 34-day war which killed nearly 1,200 people in Lebanon and 157 Israelis.
Despite the apparent progress, the UN envoy to the Middle east, Terje Roed-Larsen, warned the ceasefire might still unravel.
"We are at the tilting edge still," he said. "This can easily start sliding again and lead us quickly into the abyss of violence and bloodshed."


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