I am using a phone-a-friend again while I am off on my Disneyland vacation. We have some fun Walt Disney World stories from Brent and Jeremy over at the Florida is Sinking podcast. Discussions include: when you arrive at the Magic Kingdom, do you take the monorail or the ferry? What bands to check out over at Epcot? What do you do in the parks without your spouse? All this fun and more.
When you arrive at the Magic Kingdom: do you take the ferry or the monorail?
Brent loves the ferry. He claims the capacity is larger so you ultimately get there quicker.
Jeremy doesn't like the ferry. He calls it the slow boat to China and always takes the monorail.


Dr Shakespeare has an BA, MPhil and PhD in social sciences from the University of Cambridge. His PhD research explored conceptualizations of disability. His subsequent research projects at the Universities of Sunderland, Leeds and Newcastle explored sexual rights of disabled people, childhood disability, and quality of life in restricted growth. He has published extensively in disability. Disabled himself, Dr Shakespeare has been active in the disability community for twenty years.
Dr Shakespeare joined the Disability and Rehabilitation Team (DAR) in the Department of Violence and Injury Prevention and Disability in March 2008. He is an author and editor of the World report on disability and is part of the team working on the launch and implementation of the Report. He also supports the Task Force on Disability, a WHO-wide network which aims to remove barriers to the participation of people with disabilities and to support mainstreaming of disability in technical programmes. His collaborations across WHO include several projects with the Reproductive Health Research department. Dr Shakespeare is also a member of the WHO Ethics Review Committee.


text:
package org.waveprotocol.box.server.swell.rest;

import java.io.IOException;
import java.util.ArrayList;
import java.util.List;

import org.waveprotocol.box.common.Receiver;
import org.waveprotocol.box.server.waveserver.WaveServerException;
import org.waveprotocol.box.server.waveserver.WaveletProvider;
import org.waveprotocol.wave.federation.gson.ProtocolDocumentOperationGsonImpl;
import org.waveprotocol.wave.model.document.operation.DocOp;
import org.waveprotocol.wave.model.document.operation.algorithm.DocOpCollector;
import org.waveprotocol.wave.model.id.WaveletName;
import org.waveprotocol.wave.model.operation.wave.AddParticipant;
import org.waveprotocol.wave.model.operation.wave.BlipContentOperation;
import org.waveprotocol.wave.model.operation.wave.BlipOperation;
import org.waveprotocol.wave.model.operation.wave.NoOp;
import org.waveprotocol.wave.model.operation.wave.RemoveParticipant;
import org.waveprotocol.wave.model.operation.wave.TransformedWaveletDelta;
import org.waveprotocol.wave.model.operation.wave.VersionUpdateOp;
import org.waveprotocol.wave.model.operation.wave.WaveletBlipOperation;
import org.waveprotocol.wave.model.operation.wave.WaveletOperation;
import org.waveprotocol.wave.model.operation.wave.WaveletOperationVisitor;
import org.waveprotocol.wave.model.version.HashedVersion;
import org.waveprotocol.wave.model.wave.ParticipantId;

import com.google.gson.stream.JsonWriter;

/**
 * The helper class to generate a document history log in JSON with or without
 * doc. operations.
 */
public class DocumentLogBuilder {

  /**
   * Checks if a WaveletOperation concern a specific Document/Blip
   */
  private static class OpMatcher implements WaveletOperationVisitor {

    final String blipId;

    boolean hasMatched = false;
    ParticipantId author = null;

    public OpMatcher(String blipId) {
      this.blipId = blipId;
    }

    public boolean hasMatched() {
      return hasMatched;
    }

    public void reset() {
      hasMatched = false;
      author = null;
    }

    public ParticipantId getAuthor() {
      return author;
    }

    @Override
    public void visitNoOp(NoOp op) {
      // TODO Auto-generated method stub

    }

    @Override
    public void visitVersionUpdateOp(VersionUpdateOp op) {
      // TODO Auto-generated method stub

    }

    @Override
    public void visitAddParticipant(AddParticipant op) {
      // TODO Auto-generated method stub

    }

    @Override
    public void visitRemoveParticipant(RemoveParticipant op) {
      // TODO Auto-generated method stub

    }

    @Override
    public void visitWaveletBlipOperation(WaveletBlipOperation op) {
      if (op.getBlipId().equals(blipId)) {
        hasMatched = true;
        author = op.getContext().getCreator();
      }
    }

    /** @return true iff the op applies to the blip */
    public boolean match(WaveletBlipOperation op) {

      this.reset();
      visitWaveletBlipOperation(op);
      return hasMatched;

    }

    /**
     * @return true iff any of the operations in the delta matches.
     */
    public boolean match(TransformedWaveletDelta delta) {

      this.reset();
      delta.forEach(op -> {
        op.acceptVisitor(this);
      });
      return hasMatched;

    }

  }

  /**
   * Generates a JSON array with metadata of each document version.
   */
  private static class LogJsonBuilder {

    final JsonWriter writer;
    final boolean outputOperations;

    public LogJsonBuilder(String documentId, boolean outputOperations, JsonWriter writer) {
      this.writer = writer;
      this.outputOperations = outputOperations;
    }

    public void begin() throws IOException {
      writer.beginArray();
    }

    public void end() throws IOException {
      writer.endArray();
    }

    private static void serializeDocOps(List<WaveletOperation> delta, final JsonWriter jw) {
      delta.forEach(waveletOp -> {

        if (waveletOp instanceof WaveletBlipOperation) {
          BlipOperation blipOp = ((WaveletBlipOperation) waveletOp).getBlipOp();

          if (blipOp instanceof BlipContentOperation) {
            DocOp docOp = ((BlipContentOperation) blipOp).getContentOp();

            ProtocolDocumentOperationGsonImpl gsoDocOp = WaveProtocolSerializer.serialize(docOp);
            try {
              jw.jsonValue(gsoDocOp.toGson(null, null).toString());
            } catch (IOException e) {
              throw new IllegalStateException(e);
            }
          }
        }
      });
    }

    private static void composeAndSerializeDocOps(List<WaveletOperation> ops, final JsonWriter jw) {

      DocOpCollector opCollector = new DocOpCollector();

      ops.forEach(waveletOp -> {

        if (waveletOp instanceof WaveletBlipOperation) {
          BlipOperation blipOp = ((WaveletBlipOperation) waveletOp).getBlipOp();

          if (blipOp instanceof BlipContentOperation) {
            DocOp docOp = ((BlipContentOperation) blipOp).getContentOp();
            opCollector.add(docOp);
          }
        }
      });

      DocOp composedDocOp = opCollector.composeAll();

      ProtocolDocumentOperationGsonImpl gsoDocOp = WaveProtocolSerializer.serialize(composedDocOp);
      try {
        jw.jsonValue(gsoDocOp.toGson(null, null).toString());
      } catch (IOException e) {
        throw new IllegalStateException(e);
      }

    }

    /**
     * Process a delta generating the JSON object with its data.
     */
    public void process(TransformedWaveletDelta delta) {

      try {
        writer.beginObject();
        writer.name("version").value(delta.getResultingVersion().serialise());
        writer.name("author").value(delta.getAuthor().getAddress());
        writer.name("time").value(delta.getApplicationTimestamp());

        if (outputOperations) {
          writer.name("ops");
          writer.beginArray();
          serializeDocOps(delta, writer);
          writer.endArray();
        }

        writer.endObject();
      } catch (IOException e) {
        throw new IllegalStateException(e);
      }

    }

    public void proccess(HashedVersion appliedAtVersion, HashedVersion resultingVersion,
        long applicationTime, ParticipantId author, List<WaveletOperation> ops) {
      try {
        writer.beginObject();

        writer.name("appliedAt").value(appliedAtVersion.serialise());
        writer.name("resulting").value(resultingVersion.serialise());
        writer.name("author").value(author.getAddress());
        writer.name("time").value(applicationTime);

        if (outputOperations) {
          writer.name("op");
          if (!ops.isEmpty()) {
            composeAndSerializeDocOps(ops, writer);
          } else {
            writer.nullValue();
          }
        }

        writer.endObject();
      } catch (IOException e) {
        throw new IllegalStateException(e);

      }

    }

  }

  /**
   * Generates a single delta with all ops composed in a single one.
   */
  public static void queryGroupOps(JsonWriter jw, WaveletProvider waveletProvider,
      WaveletName waveletName, String documentId, HashedVersion versionStart,
      HashedVersion versionEnd) throws WaveServerException, IOException {

    final OpMatcher blipMatcher = new OpMatcher(documentId);
    final boolean descOrder = versionStart.getVersion() > versionEnd.getVersion();
    final List<WaveletOperation> ops = new ArrayList<WaveletOperation>();
    final LogJsonBuilder logBuilder = new LogJsonBuilder(documentId, true, jw);
    final long[] resultingTime = new long[] { 0 };
    final ParticipantId[] participant = new ParticipantId[] { ParticipantId.VOID };
    logBuilder.begin();

    waveletProvider.getHistory(waveletName, versionStart, versionEnd,
        new Receiver<TransformedWaveletDelta>() {

          @Override
          public boolean put(TransformedWaveletDelta delta) {

            if (!blipMatcher.match(delta))
              return true;

            if (delta.getApplicationTimestamp() > resultingTime[0]) {
              resultingTime[0] = delta.getApplicationTimestamp();
              participant[0] = delta.getAuthor();
            }

            if (descOrder) {
              for (int i = delta.size() - 1; i >= 0; i--)
                ops.add(0, delta.get(i));
            } else {
              for (int i = 0; i < delta.size(); i++)
                ops.add(delta.get(i));
            }

            return true;
          }

        });

    if (descOrder) {
      logBuilder.proccess(versionEnd, versionStart, resultingTime[0], participant[0], ops);
    } else {
      logBuilder.proccess(versionStart, versionEnd, resultingTime[0], participant[0], ops);
    }

    logBuilder.end();

  }

  public static void queryGroupBy(JsonWriter jw, WaveletProvider waveletProvider,
      WaveletName waveletName, String documentId, HashedVersion versionStart,
      HashedVersion versionEnd, boolean returnOperations, boolean sliceByUsers, long sliceDuration,
      int slicesCount) throws WaveServerException, IOException {

    OpMatcher blipMatcher = new OpMatcher(documentId);
    boolean descOrder = versionStart.getVersion() > versionEnd.getVersion();

    final LogJsonBuilder logBuilder = new LogJsonBuilder(documentId, returnOperations, jw);
    logBuilder.begin();

    waveletProvider.getHistory(waveletName, versionStart, versionEnd,
        new Receiver<TransformedWaveletDelta>() {

          List<WaveletOperation> ops = new ArrayList<WaveletOperation>();
          long sliceStartTime = 0;
          int sliceNum = 0;

          ParticipantId sliceParticipant = null;

          HashedVersion resultingVersion = null;
          long resultingTime = 0;
          HashedVersion appliedAtVersion = null;
          ParticipantId participant = null;

          @Override
          public boolean put(TransformedWaveletDelta delta) {

            if (!blipMatcher.match(delta))
              return true;

            try {

              if (descOrder) {
                appliedAtVersion = delta.getResultingVersion();
                resultingTime = delta.getApplicationTimestamp();
              } else {
                resultingVersion = delta.getResultingVersion();
                participant = delta.getAuthor();
              }

              boolean startSlice = false;

              // New slice by author change ?
              if (sliceByUsers
                  && (sliceParticipant == null || !sliceParticipant.equals(delta.getAuthor()))) {
                sliceParticipant = delta.getAuthor();
                startSlice = true;
              }

              // New slice by duration slot ?
              if ((sliceDuration > 0) && (sliceStartTime == 0
                  || (delta.getApplicationTimestamp() - sliceStartTime) > sliceDuration)) {
                sliceStartTime = delta.getApplicationTimestamp();
                startSlice = true;
              }

              if (startSlice) {

                startSlice = false;

                if (sliceNum > 0) {

                  logBuilder.proccess(appliedAtVersion, resultingVersion, resultingTime,
                      participant, ops);
                  ops.clear();
                }

                if (sliceNum + 1 > slicesCount) {
                  return false;
                }

                // start new slice
                sliceNum++;

                resultingTime = 0;
                appliedAtVersion = null;
                resultingVersion = null;
                participant = null;

                if (descOrder) {
                  resultingVersion = delta.getResultingVersion();
                  participant = delta.getAuthor();
                } else {
                  // In asc. order, this version is unsigned.
                  appliedAtVersion = HashedVersion.unsigned(delta.getAppliedAtVersion());
                  resultingTime = delta.getApplicationTimestamp();
                }

              }

              if (descOrder) {
                for (int i = delta.size() - 1; i >= 0; i--)
                  ops.add(0, delta.get(i));
              } else {
                for (int i = 0; i < delta.size(); i++)
                  ops.add(delta.get(i));
              }

            } catch (Exception e) {
              throw new IllegalStateException(e);
            }

            return true;
          }

        });

    logBuilder.end();

  }

  public static void queryAll(JsonWriter jw, WaveletProvider waveletProvider,
      WaveletName waveletName,
      String documentId, HashedVersion versionStart, HashedVersion versionEnd, final long deltasCount,
      boolean returnOperations)
      throws WaveServerException, IOException {

    OpMatcher blipMatcher = new OpMatcher(documentId);

    final LogJsonBuilder logBuilder = new LogJsonBuilder(documentId, returnOperations, jw);
    logBuilder.begin();

    waveletProvider.getHistory(waveletName, versionStart, versionEnd,
        new Receiver<TransformedWaveletDelta>() {

          long count = 0;

          @Override
          public boolean put(TransformedWaveletDelta delta) {

            if (!blipMatcher.match(delta))
              return true;

            try {

              logBuilder.process(delta);
              count++;

                if (deltasCount > 0 && count >= deltasCount)
                  return false;

            } catch (Exception e) {
              throw new IllegalStateException(e);
            }

            return true;
          }

        });

    logBuilder.end();
  }

}

redpajama_set_name: RedPajamaGithub


So the episode starts out with a molting Mohinder. As it careens back and forth from present to four years in the future, we get a lot of information. Unfortunately, Mohinder manages to survive his persistent skin rash--although the cloaked figure Peter encounters appears to be a leprous hermit, with very poor hygiene and a really dusty apartment.
In the future, Nathan marries Tracy--their love affair beginning after he rescues her from committing suicide by jumping off a building when she is distraught over her icing ability. Turns out Tracy was one of identical triplets--the other two were the now deceased Niki and the yet to be seen future incarnation of Niki/Jessica/Tracy, Barbara. (Okay people--basic biological laws say that identical comes in TWOs...and what about Jessica? Were she and Niki twins or just sisters?). Looks like Ali Larter's got a long term contract with this show.
Was anyone else completely unsurprised by Nathan swooping in to save the day when Tracy jumps off the ledge? Snore.
Daphne, aka the speedster, is married to Matt Parkman--and the member of an elite team whose mission is to hunt down and kill Peter Petrelli. Future Claire, a badass with black hair, heads up the team which also features former escaped villain Knox. Future Claire manages to kill future Peter, but present Peter escapes and heads to Costa Verde--where a newly domesticated Sylar lives with his son, Noah and a dog that looks suspiciously like Mr. Muggles.
Hmm...does this mean Sylar and Bennet become BFFs? There must be some reason that Sylar names his son after him. Peter's shocked to see the waffle making killer, who insists on being called "Gabriel"--and even more freaked out to find out they are brothers.
Peter manages to convince Sylar to give him his power--which involves watch repair. Don't ask--I have no idea. But with that power, comes what Sylar terms "the hunger. "You have it now. I'm so sorry." Sylar tells Peter. Right after that, the hit squad shows up to kill present Peter. In the scuffle, Knox kills Sylar's son and Sylar, in his grief, goes radioactive killing 200,000 people.
Hiro and Ando continue to bicker as they are locked up on Level Two. They make up long enough for Hiro to almost escape via the air vent (I guess Tim Kring and company hasn't read John August's treatise Air vents are for air), only to be thwarted by the appearance of the Haitian.
Brought before Angela, Hiro is told, "You have the key to unlocking the entire mystery." Apparently that key is the very pissed off and buried alive Adam Monroe.
and perhaps Nathan and even Claire?
Is that why Sylar said Claire was different from the rest?


Three of the area's top high school field hockey players are making waves on a national scale.
Entering her senior year at Wyoming Seminary, Kelsey Reznick earned an invitation to the December Junior National Team Training Camp, in which she will compete for a coveted spot on the U.S. U-19 national team.
Fellow Blue Knights Hannah Maxwell and Alex Wesneski, who are soon-to-be juniors, earned the same recognition for the U-17 grouping.
According to a news release Monday from USA Field Hockey, Reznick, Maxwell, Wesneski and their peers were selected for the winter tryout thanks to a strong performance at the recent Junior National Camp.
The winter camp — Dec. 19-21 at Spooky Nook Sports in Lancaster County — is the final tryout for the U-17 and U-19 teams.
Reznick, of Drums, is one of 38 U-19 players who made the cut. She is a three-time Citizens' Voice all-star who scored 16 goals and a team-high 16 assists a year ago. Reznick is verbally committed to play at Duke.
Maxwell and Wesneski, each of Forty Fort, are two of 37 finalists at the U-17 level.
Maxwell is coming off a season in which she scored 17 goals with 11 assists. She is verbally committed to Wake Forest.
Wesneski scored 21 goals with eight assists last year while committing to play at Iowa.
Last year, Sem won the District 2 Class A championship and a silver medal in the PIAA state tournament.
The 2018 WVC season is set to begin Sept. 5 with Sem as a preseason favorite to go far.


Aquaponics is a method by which you grow plants (Flower, Herb, and Vegetable) and nurture aquatic animals together in a system that recirculates the nutrients produced, to the benefit of both plants and animals.
At Water Wonders we believe being an industry leader is vital and it will help us provide our customers with the latest products and concepts. We are proudly considering ourselves as the pioneer of introducing Aquaponics into our indoor areas such as living room, offices, lobbies, restaurants and… .


text:
7 December 2022, 05:42pm
When it comes to kitchen appliances, there are few brands with products so iconic you'd recognise them in an instant. Italian brand Smeg is one of them.
Sporting distinctive retro designs and high-quality builds, the brand's biggest hits like its toaster, kettle, built-in appliances and FAB fridges are such stunners you'd proudly put them on display.
Since launching in 1948, Smeg has become synonymous with luxury, beauty and craftsmanship, drawing on its long heritage and Italian roots to create globally loved cult favourites that stand the test of time.
Over three decades of collaborations with celebrated designers and architects including Guido Canali, Renzo Piano, Mario Bellini and fashion house Dolce & Gabbana have further served to create award-winning innovative and coveted appliances that immediately elevate their surroundings.
To envision what it's like to live with these products, head over to Smeg's first Southeast Asia experiential showroom at The Heart, Marina One, where you can experience the brand's entire line-up of large and small appliances in person.
The centrally located showroom embodies the company's made-in-Italy values, shining the spotlight on design, performance and attention to detail. Interior designer Roy Teo worked on the interiors to facilitate the exploration of the myriad offerings.
At the entrance, guests are met with a dramatic green wall of decorative and aromatic plants, a nod to Smeg's commitment to sustainability. Further inside, the living kitchen is a big draw, serving design inspiration and doubling as a space for hands-on cooking workshops.
At the lounge, you can learn more about the products while enjoying tea and coffee made by Smeg appliances such as the newly launched Bean-to-Cup Coffee Machine, which freshly grinds coffee beans to prepare up to six types of caffeinated beverages.
Two touch-controlled models are available—BCC01 is perfect for a cup of rich black coffee, while the BCC02 model features a milk frothing/steaming function that's ideal for lattes, cappuccinos and latte macchiatos. Both allow you to select how finely to grind the coffee to further customise the strength.
Coffee aficionados will also be able to explore the highly regarded products from La Pavoni. Smeg recently acquired the historied Italian espresso coffee machine maker founded in 1905, further cementing Smeg's commitment to furthering coffee culture.
If a Smeg fridge has always been on your wishlist, the highly recognisable FAB28, which comes in an array of 15 finishes and colours, has recently been refreshed with new features. The Multiflow system efficiently distributes temperature more evenly through the compartments while the addition of a 0°C compartment keeps meat and fish fresh.
An anti-ice back panel prevents ice from forming, preserving the flavours and textures of your ingredients. Further tweaks have been made to the fridge's form including new LED lights on both sides that improve visibility without increasing energy consumption.
This and other improvements have also given the fridge an A+++ energy rating, the most efficient energy class. Appearance-wise, smaller door hinges within create a more elegant appearance while still being as functional as ever.
Later this year, Smeg will be introducing its latest GALILEO range of ovens inspired by the father of modern science.
Equipped with professional algorithms and offering three cooking modes—traditional convection, steam and microwave cooking—the GALILEO ovens are designed to produce professional results in a home setting, no matter whether users are seeking to create lofty bread, steam foods or experiment with sous vide cooking.
Intrigued? Take a gander around the showroom, who knows what else you may fall in love with?
5 Straits View
Marina One The Heart #01-01
smegshop.sg
Our All-Time Favourite Caesarstone Surfaces to Suit Every Kitchen Style
No Stove Needed: Cook Directly on Your Countertop with the New Cooking Surface

redpajama_set_name: RedPajamaCommonCrawl


text:
Poem: Writer's Block
First of all, let me apologize for not posting on Wednesday, and secondly, for this not being the follow up video game post. I've been swamped with work and other obligations and haven't been able to focus on putting together coherent ideas. Also, there is a current discussion in the gaming community (namely, must games have an easy mode if they are story-focused?) that I think I ought to address in my post. That being said, the poor little post hasn't been written yet. In the meantime, please enjoy this poem I wrote a few months back.
Writer's block doesn't exist,
people say.
It isn't a thing,
isn't real.
You're just not working hard enough,
trying hard enough.
Writing hard enough,
I suppose.
But how does one write hard,
or harder?
since writer's block doesn't exist,
I wonder what it is,
that gnawing at our frazzled brains—
like an animate scribble from a pen
when you want to check if it has enough ink—
that just won't let us focus.
What is that that hum, that buzz,
that need to swing our arms and walk
and walk and walk and walk
and maybe never come back?
it can't be that nameless anxiety
over not measuring up to our past selves,
who once wrote often, all the time,
and easily, at that.
It can't be that nagging wonder
if our spark has been pinched out
by cold white pages,
stretching on infinitum
to the future,
we can't use it to describe
when our heads drown in a sleepy miasma
of sore joints and undiagnosed depression,
when we'd rather sleep and dream
telling stories to ourselves in the quiet,
instead of typing them out
with aching wrists
and piercing neck pain
and watering eyes
and clouded minds.
what is it that sits in the path that leads
from a series of logical plot points
to that final confrontation,
the crescendoing climax or soft denouement?
That beast, fat and dumb,
which offers no help whatsoever,
except to crawl monster-like across the page
catching its tar-black flesh
on hastily patched plot-holes,
tearing them up in its wake.
it can't be those crossroads we come to
where sits a ragged figure,
somehow both urchin and crone,
who sings a song of two equally delicious
and devastating fates
depending on which road our characters take.
The figure seems kindly, but gives off a feeling
that whichever way we choose
will be a one-way trip.
what's to stop us from pouring out a novel
in a few months? A week?
Why not a day?
Nothing but those nameless Things
that haunt our dark imaginations,
whispering Things that shouldn't be spoken of
in front of other writers.
"I don't know where to go from here."
"There's something off,
and I don't know what it is."
"It's hard to start things."
"It's hard to end them."
"I don't know what's wrong with me"
I don't know what's wrong with me.
I don't know...
because writer's block doesn't exist,
but for some reason,
I still can't bring myself to write.
Video Games as Textual, Audiovisual, Spatial Story...


Referrals are accepted for any patients registered with a GP within the Cambridgeshire and Peterborough locality.
You must fill in the supplementary eating disorder form (see foot of page for links). This form guides you through all of the essential information required for the team to triage the referral. Please complete as much of the information as possible to ensure it is processed promptly, however if you are concerned that the individual is high risk do not wait for information like blood results before making the referral, forward these on afterwards.
We aim to assess urgent referrals within two weeks of referral and non urgent referrals within eight weeks. Once the patient has been assessed a decision is made regarding the best care for the patient. If the patient is suffering from a moderate or severe eating disorder then most likely outcome will be to be put on the outpatient treatment waiting list. Occasionally day-patient or inpatient treatment may be recommended.
The service accepts referrals for adult women and men suffering from anorexia nervosa, and treatment refractory severe bulimia nervosa for inpatient treatment. These referrals are likely mainly to be from the East of England but referrals from anywhere in England are accepted.
For advice about funding arrangements, phone 01223 596201.
We will respond to referrals within one working day. Wherever possible we will offer assessment prior to admission but if someone requires urgent admission due to high clinical risk admission can be arranged without prior assessment.
The page was last updated on 07 June 2018 by andrea.bateman.


The Martian was one of the highest grossing movies of 2015 and a critical success. Helmed by legendary director Sir Ridley Scott, starring Matt Damon and a significant ensemble cast, the film realistically created the Mars landscape, outer space and earth. Sir Ridley tasked us with creating a reality on the set and thus convincing the audience of the plausible reality of near future Mars travel.
The Mars Rover vehicle, the spacesuits, the communication systems, sets, props and the performances all had to work to further this goal. From my fi rst discussions with the production team, I knew that this show would be extremely challenging.
As Production Sound Mixers, I strongly believe we are collaborators in the process and there to help facilitate the director's vision in capturing the best audio performance, however, there is so much more to this.
Capturing that audio is the culmination of a long sequence of events that we work toward, starting in prep. This is where some of our most valuable but most underappreciated work is conducted. Most importantly, we get to ride with the creative vision of the film. Our colleague, Mark Ulano CAS AMPS, in the context of another film, wonderfully discusses this. We have so much to learn from his attention to detail at this stage of the game.
During prep, we get to the "nuts and bolts" with other departments, discussing all the aspects of our interactions so they go smoothly on the shooting day. Right away we knew that we would be dealing with spacesuits so that became mission number one. Simon Hayes set the bar very high on Prometheus, when he worked for Mr. Scott. Oscar-winning Costume Designer Janty Yates, who also worked on Prometheus, was extremely helpful in allowing us early access with the spacesuit design team. She solicited our input on the "look" as we were lobbying for a helmet mic that would be effective in the acoustic space, while also looking realistic. We proposed a "miniboom microphone " which would be visible, as we believed that the NASA helmet engineers would come to the same conclusion.
The concept was approved by Ms.Yates and Ridley Scott and our team custom manufactured the mini-booms using the DPA 4061 as our preferred microphone after more than a week of testing. There was also a second hidden DPA in the lower part of the helmet, which was added as backup. If the primary helmet mic failed, the actor in the suit would not be able to communicate with anyone on the set or be recorded. This two-mic setup in the helmets was what Simon Hayes and his crew established on Prometheus. I have immense respect for Simon and his team's work, their experience and his efforts to further our craft.
We worked closely in prep and throughout the shoot with the spacesuit team, who were all wonderful, led by Michael Mooney, who has worked closely with Ms. Yates and Mr. Scott many times. They found ways to solidly build the radio mic transmitters and IEM receivers into the spacesuits, yet be easily accessible.
The spacesuits were hot and claustrophobic and it was not easy for the costumers to keep the actors comfortable, as they wanted to rip the helmets off as soon as a scene was finished. We had jumpers built in all the connectors, so everything could be disconnected quickly. The spacesuit team strove to find the quietest solutions for cooling and ventilation. This helped enormously in our ability to record usable performances with the spacesuits.
We used Lectrosonics SMV and SMQV transmitters in the spacesuits and dual Venue rack receivers on both the sound cart and the communication systems rig, eliminating the need for cables between the two setups.
For the IEM system, we used four units of the Shure PSM900 transmitters with antenna combiners allowing for eight individual in-ear mixes, with the Shure P9RA receiver units built into the spacesuits. Due to the dimension of the spacesuits, the Shure IEM receivers had to be placed in close proximity to the two high-power Lectrosonics transmitters. They all worked perfectly with no interference. We chose the Shure SE215 earphones for the talent with individual silicone ear tips.
György Mohai, our talented Communications System Engineer, was tasked with quickly setting up individual mixes for the actors, Ridley Scott, our assistant directors and key members of the stunt team. György used a Roland M-200i, which has a nice compact form and can be DC powered for the individual in-ear mixes. He also used the iPad interface to operate while on set and utilized the Roland's onboard dynamics processors and EQ to effectively filter and compress the dialog to cut through the noise of the Mars storm sequence. Shot with six Ritter fans, at the Korda Studios, blasting a specially fabricated "Mars surface mixture," creating a blackout storm that made communication between everyone on the set practically impossible, except for the actors performing in the scene and those needing to communicate with them in real-time. A huge win.
A significant challenge was the "live communications" between NASA and JPL while strategizing the Mars rescue efforts. The scenes were shot simultaneously, on separate sets, so the actors could perform with each other in real time. There were many "Skype" communications that occurred in the film and one of the difficulties in making this happen was the manpower as the sets were distant from one another, requiring multiple boom operators. The audio also had to be fed to the actors; we used ear wigs or speakers when an ear wig was visible in the shot.
I am a big proponent of cabled booms and cabled communication systems when required, as the distance between the sets would have made wireless communications next to impossible. These sets proved challenging and required more manpower including the Video Assist Department, who had to deliver the desired "split-screen" video and audio to the Director. Calculating the audio delays needed throughout the signal chain to Ridley, while watching three or more 3D and 2D camera rigs, required constant attention, depending on what combination of equipment we were using on the different sets.
There were many practical video monitors requiring sound even when the actors were only reacting to our created cable news footage. The practical video monitor team, coordinated by Mark Jordan's Compuhire, were great collaborators. The favored setup involved taking a video feed from the Compuhire crew and my department controlling the audio playback on set over a combination of either speakers, in-ear monitors or through the practical video monitors themselves.
Unique in my experience was the need for triggered playback of off-camera lines, also requiring additional manpower. The production began with shooting the NASA Mission Control set first. Mission Control would be communicating with the astronauts throughout several sequences including the rescue. We had not shot the scenes with the astronauts so their recorded dialog wasn't available. Instead, we prerecorded and mixed temp-dialog with our dedicated Pro Tools Playback Operator, and the talented Second Unit Production Sound Mixer, György Rajna. His recordings were used for playback for the Mission Control technicians to react to. The playback dialog had to be triggered live to the needs of the on-set talent. Additionally, Ridley would ask for some "squelch" to make the playback dialog more realistic. György quickly added a side-chain of white noise dead air, "radio comms" EQ filtering and compression, adding the sense of reality that Mr. Scott was seeking.
As filming progressed, the production dialog replaced the temp recordings that we used as off-camera playback for the actors in the scenes. Later, we added Tamás Székely, the award-winning Berlinale Film Festival local Re-recording Mixer, for the Pro Tools dialog playback.
When I say triggered, I mean dedicated capable personnel, working in timed conjunction with the actors. As well as continually building and editing a playback session as the film progressed and replacing the temp with the production audio in the film. It was a superior challenge making this available to the actors throughout production.
The communication and playback system challenges didn't end there. We had to create live on-set sound effects that we played back to help motivate performance. During the MAV and ARES launch sequences, the actors needed to react to the power of the liftoff. This was no ordinary sequence, as the cockpit sets were designed to violently shake while the cameras were on separate rigs that could move smoothly. We played our rocket launch sound effects at an extremely loud level, both amplified on-set and in-ear, inside the spacesuits to complement the violent shaking motion and to motivate the actors as well as the entire crew.
My recording setup was capable of a high track count to accommodate the double mic'ing strategy, as well as the playback and communication system signals. I chose to use two linked Sound Devices 788Ts which gave me the proven field reliability I'm used to and allowing for the 788Ts variable output delay feature for the communication systems, Video Assist monitors and performance cues around camera.
With the multiple-camera angles and the simultaneous shooting on two or more sets, we used both boom microphones and wireless in every shot. However, the majority of the "money close-ups" were recorded with a Schoeps CMC6MK41 or CCM41 rig on Ambient and Panamic booms.
Timecode was generated with an Ambient Recording ACC- 501 Clockit controller on the mix cart and the camera slates and Denecke SB-Ts on the 3ality Stereo camera rigs, all playing very nicely together.
Wadi Rum, Jordan, was our location for the surface of Mars where Matt Damon drove a working Rover over great distances. Our wireless microphones and communication systems were put to the greatest test here. This is an aspect of our workflow that couldn't be tested in prep so we were rightfully concerned.
We set up our recording and communication relay system in a flatbed Toyota Hilux pickup truck. The frequency spectrum was incredibly clean, however, the distances between us, the Rover and Ridley were great and pushed the technical limits of reception.
Matt Damon was free-driving the vehicle and luckily, we managed to keep to about a kilometer. We were constantly faced with super-wide shots to highlight the vast landscapes and there was nowhere to hide, so we were forced to find distances between the two on the fly. Happily, our communication systems worked amazingly well under the duress of this environment. We were certainly pushed to the limits at times, but all in all, we were able to satisfy the technical and creative needs of the film under these most demanding circumstances. This location was the most convincing confirmation of our efforts on The Martian.
It was an incredible feeling to complete the movie to Mr. Scott's and the cast's satisfaction. We felt like the Sound Department contributed to the "reality" that Ridley Scott had asked for.
I have to thank my crew, Sam Stella as First Assistant Sound and primary Boom Operator; Bal Varga as Primary Wireless Engineer and fabricator of the custom spacesuit rigs; György Mihályi as Boom Operator and the longest working member of my team. György Mohai as Communications Systems Specialist and Tamás Székely as Playback Specialist; György Rajna as Second Unit Production Sound Mixer and influential workflow engineer, Áron Havasi, Bence Németh and Attila Kohári as additional manpower.
I would be remiss in not thanking the work of our Post Sound team who collaborated with me from start to finish. Oliver Tarney, Supervising Sound Editor who provided great support, along with Paul Massey and Mark Taylor, the Re-recording Mixers. Rachael Tate, our Dialog Editor and self-proclaimed iZotope RX ninja, was a huge ally in preserving the original dialog recordings.
I believe the Sound Department's efforts are tangibly felt in the finished product of The Martian, not only transparently as it should be in the recording of the performances, but in so many more ways as well.


I want to speak to those of you graduating today about your path here at MIT and the path that leads from MIT into the world. Of course, before you arrived at MIT, each ofyou had already demonstrated significant talents – that is why we invited you to join our community. Once you arrived here you took up MIT's challenges, and – working, I am certain, harder than you ever have before – you have taken your academic accomplishments to new levels. Today's ceremony is our community's expression of our pride in what you have achieved.
In the foundational science that led to the new targeted cancer therapies, Gleevec for leukemia and Herceptin for breast cancer.
In innovative plans to rebuild devastated New Orleans neighborhoods.
In countless businesses, from startups in Kendall Square to industry giants across the technology landscape.
In fresh approaches to meeting the world's energy needs, including new technologies for energy storage and for solar energy conversion.
And in novel uses of technology to convey the immortal truths of the humanities.
And in many different ways – from the UPOP program to the $100K competition, from 2.007 to the Public Service Center – our goal has been to teach you how to become leaders yourselves.
We have done this, graduates of MIT, because the world today needs your leadership. We need your leadership as we face the challenges of an increasingly complex and interdependent world. And we need your leadership to develop new ways to bridge old divides--not only between peoples and nations, but also between technology and policy. MIT's enduring motto, "Mens et Manus" – "Mind and Hand" – is a reminder that leadership in the modern world depends critically on integrating across different perspectives for the common good.
Even as you leave this place to become your generation's leaders, you will remain members of this community. At the close of this morning's ceremony, Martin Tang, the President of the Alumni Association, will formally welcome you into the Association's membership. And we hope that your lives will be enriched by an ongoing connection to the Institute.
MIT's founding vision was both practical and idealistic in its insistence that our work must, as engraved across the frieze of Lobby 7, advance "industry, the arts, agriculture, and commerce." That optimism for a better future has made MIT a beacon visible the world over. This weekend, we will celebrate MIT's optimism for the future by reigniting one of our most powerful symbols. After the late summer sunset tomorrow evening, for the first time in more than three decades, we will fully re-light the great dome.
The lighting of the dome signals the importance of what we do. Here at MIT, we see up close, every day, the countless ways that science and technology benefit humankind. But if we are to realize our optimism, we need to kindle in others the same love and passion for truth and discovery, for creativity and problem-solving, that brought us all here. I hope that each of you will embrace this challenge as your own – that you will let your light shine out to illuminate the paths for others.
I would not set you this challenge if I did not think, and truly believe, that you could meet it. I have tremendous faith in you. Your intelligence, your dedication, and your creativity have inspired us during your time here. And I know that in the years to come you will do even more – and surprise and delight us with your further achievements.


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Q: Value of $\displaystyle\sum_{k=1}^{+\infty} \log(1+\dfrac{z}{k})-\dfrac{z}{k}$ I'm trying to get an explicit value of this series but I'm only able to show that it converges and that we can for $|z|\leq 1$ after expanding the log into its power series and applying Fubini's theorem we get:
\begin{align*}
\sum_{k=1}^{+\infty} \log(1+\dfrac{z}{k})-\dfrac{z}{k}&=\sum_{k=1}^{+\infty} \sum_{i=2}^{+\infty} \dfrac{(-1)^{i+1}z^i}{ik^i}
\\&=\sum_{i=2}^{+\infty}\sum_{k=1}^{+\infty}  \dfrac{(-1)^{i+1}z^i}{ik^i}
\\&=\sum_{i=2}^{+\infty}\dfrac{(-1)^{i+1}\zeta(i)}{i}z^i
\end{align*}
Does there exists an explicit form for this function ? Do we know anything about $\sum_{i=2}^{+\infty}\zeta(i)z^i$ ?
Thanks in advance !

A: We can even copute the partial sums
$$S_p=\sum_{k=1}^p \Big[\log \left(1+\frac{z}{k}\right)-\frac{z}{k} \Big]$$ $$S_p=-z H_p-\log (\Gamma (p+1))+\zeta ^{(1,0)}(0,p+z+1)-\zeta ^{(1,0)}(0,z+1)$$ and if $p\to \infty$, then
$$\sum_{k=1}^\infty \Big[\log \left(1+\frac{z}{k}\right)-\frac{z}{k} \Big]=-\log (\Gamma (z))-\gamma  z-\log (z)$$ Using Stirling approximation, the asymptotics is
$$-z (\log (z)+\gamma -1)-\frac{1}{2} \log (2 \pi  z)-\frac{1}{12 z}+\frac{1}{360
   z^3}+O\left(\frac{1}{z^5}\right)$$
For $z=5$, the exact value is $-7.6735701$ while the asymptotics gives
$-7.6735698$

A: Hints
Some examples
\begin{align}
\displaystyle\sum_{k=1}^{+\infty} \log(1+\dfrac{1}{k})-\dfrac{1}{k}
&=-\gamma\quad\text{($\gamma$ is Euler-Mascheroni constant)}
\\
\displaystyle\sum_{k=1}^{+\infty} \log(1+\dfrac{2}{k})-\dfrac{2}{k}
&=-\ln 2 -2 \gamma
\\
\displaystyle\sum_{k=1}^{+\infty} \log(1+\dfrac{3}{k})-\dfrac{3}{k}
&=-\ln 6 -3 \gamma
\\
\displaystyle\sum_{k=1}^{+\infty} \log(1+\dfrac{4}{k})-\dfrac{4}{k}
&=-\ln 24 -4 \gamma
\\
\displaystyle\sum_{k=1}^{+\infty} \log(1+\dfrac{5}{k})-\dfrac{5}{k}
&=-\ln 120 -5 \gamma
\end{align}
Can you generalize?

redpajama_set_name: RedPajamaStackExchange


March 06, 2011 — Contrary to what those in power would like you to believe so that you'll give up your pension, cut your wages, and settle for the life your great-grandparents had, America is not broke. Not by a long shot. The country is awash in wealth and cash. It's just that it's not in your hands. It has been transferred, in the greatest heist in history, from the workers and consumers to the banks and the portfolios of the uber-rich.
1. They control the message.
By owning most of the media they have expertly convinced many Americans of few means to buy their version of the American Dream and to vote for their politicians. Their version of the Dream says that you, too, might be rich some day – this is America, where anything can happen if you just apply yourself! They have conveniently provided you with believable examples to show you how a poor boy can become a rich man, how the child of a single mother in Hawaii can become president, how a guy with a high school education can become a successful filmmaker. They will play these stories for you over and over again all day long so that the last thing you will want to do is upset the apple cart — because you — yes, you, too! — might be rich/president/an Oscar-winner some day! The message is clear: keep your head down, your nose to the grindstone, don't rock the boat and be sure to vote for the party that protects the rich man that you might be some day.
2. They have created a poison pill that they know you will never want to take.


Bulldog hot spots are painful and itchy areas caused by different factors. Also known as acute moist dermatitis, these hot spots suddenly show up on dog's skin especially in areas that are prone to moisture, such as the neck, hips, and in between skin folds. Appearing as red and moist lesions, these patches often exude an unusual odor. This skin irritation can either be superficial or deep.
Bulldog hot spots are more common because of the breed's skin, which has folds and is very sensitive.
Basically, Bulldog hot spots start popping out due to skin irritation. Scratching and licking of the irritated area extend hot spots and spread the infection very fast.In fact, it is common to see a small hot spot on a dog in the morning and find it big and oozing in the afternoon.
Bulldog hot spots can start popping out any time of the year. But they are more prone to it during the warmer months.
The most common causes of Bulldog hot spots are allergies and trapped moisture in their skin folds. For this reason, the best way to prevent your Bulldog's skin from developing hot spots is to steer clear of allergens and ensure that his skin always remains clean and dry.
Although Bulldog hot spots are very common, these must not be ignored. Treatment for hot spots involves addressing the underlying cause of this skin problem. Topical and oral treatments are also given to help soothe the itchiness and discomfort.
Here are things you can do to treat Bulldog hot spots.
Ask your veterinarian for ointments or any medication you can use in case hot spots start appearing on your Bulldog's skin.
Clean the hot spots with cool water and mild soap.
Apply the topical or lotion your veterinarian has prescribed on the affected areas.
Make a cold compress and apply it on your Bulldog's hot spots thrice daily for 5 to 10 minutes. This helps relieve the itching and even calms the tissues. Allow the area to fully dry.
Put an Elizabethan collar around your Bulldog's neck. This protective device prevents the spread of hot spots in your Bulldog. Also known as E-collar, it stops your Bulldog from chewing or licking parts of his body while also preventing your pet from scratching his skin. Aside from preventing the spread of hot spots, E-collars also hinders your Bulldog from licking topicals that are applied to his skin.
Depending on the severity of your Bulldog's hot spots, your veterinarian may also prescribe antibiotics.
Bathe your Bulldog using medicated shampoo at least twice a week. Do not forget to dry his coat.
Medications for Bulldog hot spots vary and depend largely on treating the underlying cause of the skin problem.
Generally, hydrocortisone creams or sprays are used to help relieve the itch and discomfort hot spots cause. For allergy-related hot spots, some vets recommend oclacitinib, corticosteroids, and other related drugs. Oral and topical antibiotics are also prescribed when the hot spots are large and severely infected.
Check your Bulldog's skin. Look for ticks, fleas, or any insect and remove them immediately. Do not forget to check for any signs of bites, wounds, or skin irritation. Clean the irritated area and apply the ointment your veterinarian recommends.
Identify the allergen that affects your Bulldog.Avoid feeding or letting him get in contact with this allergen.
Dry your Bulldog's coat after bathing, swimming, strolling in the rain, or playing around sprinklers.
Clean your Bulldog's paws, folds/wrinkles, and rump after walking or playing outside. Dry them after cleaning.
If your Bulldog chews or licks his skin out of boredom, exercise and regular playing can help distract his attention and get rid of this habit.
Give your Bulldog omega-3 fish oil to help lessen the risk of developing hot spots and other inflammatory skin diseases.
If your Bulldog has hot spots and recurrent fungal/yeast infection, apply coconut oil on his skin to help lessen the chance of developing skin problems.


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text:
Kagayama gets invited to practice in the All-Japan Youth Training Camp while Tsukishima is asked to join the first-year only prefecture-wide training camp. Unfortunately, no one else from Karasuno is asked to join, which leaves Hinata a little more than envious. Consequently, the middle blocker decides the best idea would be to sneak into Tsukishima's camp and work as a ballboy to improve his receiving abilities and to become independent from Kageyama.
The first half of season four ends just as the match between Karasuno and Inarizaki begins, showing viewers just how tough this matchup is going to be. The second half of the season is expected to begin in July 2020 and will run for 12 more episodes, and here are 10 things we absolutely must see.
10. Karasuno Vs Inarizaki
The beginning of this match was already super intense and a great way to end the mid-season finale. The Karasuno boys have reversed their colors, being predominantly orange instead of their usual black. The change in uniform added an immense amount of hype for the upcoming game in both the team and the viewers.
Inarizaki is an intense team with a strong crowd of supporters cheering for Inarizaki, but booing Karasuno. The team immediately feels caught off guard by the heckles and acknowledge that they need to figure out a way to tune it out. Inarizaki is the first team in Haikyuu!! to actually seem like villains. Their personalities and intensity will make for a terrifying match.
9. Capabilities Of The Miya Twins
Talk about double trouble. Atsumu Miya was already a force to be reckoned with during the first half of season four. He attended the All-Japan Youth Training Camp alongside Kageyama and seemed to put some negativity into the boy's mind. This inadvertently reawoke "the King of the Court" mentality within Kageyama, causing a brief strain against his teammates. Atsumu also rivals Kageyama on the court. He is considered to be the best high school setter in Japan.
It was revealed in the final episode that Atsumu Miya's teammate is his twin brother, Osamu Miya. The twins have already shown incredible talent all over the court, and it'll be interesting to see what else they're capable of in the second half of the season.
8. Hinata Jump Higher (And Actually Hit The Ball)
Hinata's entire goal within Haikyuu!! is to replicate a volleyball player he saw as a child called "The Little Giant." As the protagonist of the anime, Hinata struggled with a number of hurdles when he first joined the sport, specifically his short height.
However, he jumps higher to make up for it. After meeting Hoshiumi during the training camp, Kageyama believes Hinata can reach even higher heights. In the last few minutes of the mid-season finale, Hinata tested this theory. He jumped so high, impressing and stunning Inarizaki, that he was over the net. But, unfortunately, Hinata was so caught up in his jump that he forgot to actually swing his arm and hit the ball. Hopefully, Hinata will try again in the second half of the season and actually succeed.
7. Tanaka And Kanoka
Tanaka and Nishinoya are the comical duo of Karasuno, always in love with any woman that crosses their path. But, based on the first half of season four, it seems like Tanaka may just become a taken man soon. On the eve of the tournament, Tanaka runs into his childhood friend Kanoka. Kanoka is a tall, cute, female volleyball player who instantly recognizes the one who got her into volleyball as a child.
Kanoka also appears to be crushing on Tanaka while also being very thankful to him for making her the confident girl she is. She asks Tanaka to watch her during the tournament, to see how great she has become thanks to his past advice. There is hope of the show developing this romance/friendship even further in the rest of season 4.
6. The Battle At The Garbage Dump
Karasuno and Nekoma have a long-standing rivalry: the cats vs the crows, the Battle at the Garbage Dump. Viewers have seen this matchup in the past during a practice game, with Nekoma as the winners and Karasuno's oath of revenge. Well, that time may finally come.
Nekoma is a fan favorite team, with many personalities similar to that of Karasuno. These two teams are the definition of "frenemies" and have a great bond no other two teams seem to have. If all goes according to plan against Inarizaki, Nekoma and Karasuno are destined to face off in Nationals with their first official match against one another.
5. Hinata Recieve
As good as he is at returning, Hinata is notoriously bad at receiving. In past seasons, he has trained endlessly to better his footwork and skills, but to no avail. It wasn't until his time as a ballboy during the first-year only prefecture-wide training camp that he truly understood what it meant to receive.
Hinata realized he needs to see the whole court versus just focusing on where the ball is. With this, Hinata has been able to intentionally be at the right place at the right time. His skills still need work, but, so far, he has been able to keep the ball in game rather than letting the opposing team score.
4. Kiyoomi Sakusa In Game
We first met Sakusa during Kageyama's time at his All-Japan Youth Training Camp. The fact that Sakusa was also invited implies that he is a highly skilled volleyball player. Yet, there is an air of mystery around this character like no other.
During his time at the training camp, viewers barely saw him play. He was shown playing in a casual game and participating in drills. Every sports anime character has a skill, sometimes even a "power," but, for Sakusa, viewers have no idea just how powerful and skilled he is yet.
3. Heart-Felt Seniors Moment
Viewers have seen a number of heartfelt moments featuring the third-years of Karasuno already, but that doesn't mean they can't have more. Daichi, Sugawara, and Asahi are in their third and final year at Karasuno, and this is their last shot to win Nationals. In the first half of season four, Asahi has already told Daichi winning doesn't matter to him, they got this far and he was happy.
However, even with this in mind, it's still their final time playing in an official tournament with Karasuno. For that, viewers need a little more heartfelt moments with the seniors.
2. Hinata Vs Hoshiumi
This matchup is highly anticipated. It seems like Hinata was both excited and inspired by his initial meeting with Hoshiumi. It'll be the battle of The Little Giants, a nickname that Hinata longs for and Hoshiumi has earned. The two make up for their shorter heights by jumping and automatically became rivals due to this.
Hoshiumi seems exceptionally skilled in a number of positions, from serving to receiving, but he excels in his position as wing spiker, which happens to be the same position Hinata plays. Seeing him in-game—preferably against Hinata—is a must-have during the second half of season four.
1. Karasuno In The Tournament Finale?
While it is no surprise fans of the show want to see Karasuno in the final match, it would be an equally impressive move for Haikyuu!! to have the team fail before reaching that point. Karasuno is still new to being a "good team" in high school volleyball.
The third-years have said time and time again that the team hadn't been this good in a long time. It would be almost unbelievable for Karasuno to win Nationals, dubbing them as the best high school volleyball team in Japan. Their loss would definitely be emotional, but it would be needed for the show's progression, adding fire to their fighting spirits.
Source of: ComicBookResources
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Thanks a lot for sharing this with all folks you really reco...


essay and show the reader that you are on target with answering the question. The Prompt. Each AP World History Essay exam will have a prompt, or question, that you will write on. An example of a prompt would be this: Compare the economic, social, and political characteristics of ancient. Mesopotamia and ancient Egypt.


Fantastic book what can I say i was pleased to read a great book from start to finish it was great. I had just read The Letter with was great as well just looking forward to the next book hope it's not too long to wait for it.
Good story,well writen,but not so enthralling as I thought it would be after reading reviews.
Another 'just one more chapter'.
What an amazing tale of love and coincidences. So many 'if onlys'. The Secret is a tale of something good coming from something tragic. As with Kathryn Hughes's other books, I was torn between not wanting to put it down and wanting to slow down, knowing every page was taking me closer to the end.
This is the second book by Kathryn Hughes that I have read. I enjoyed this one even more than the Letter. I loved how it switched between times and really surprised me too! The characters really touched on me and even though I didn't like them all, the fact that I felt that way shows how well written it is. I Can't wait to read her next one.


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Alamosa weather conditions recorded in the last 24 hours
02:52 MDT - 17 Jul 2019
Weather at 02:52 MDT on 17th July 2019
15	°C temperature
Overcast skies
10 kph E wind
Weather conditions at Alamosa, United States at 02:52 MDT (Mountain Daylight Time) on the 17th July 2019 were as follows: Temperature comfortable 15°C, overcast skies and a light breeze of 10 kph from the east. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 08:52 GMT (Greenwich Mean Time) 17th July 2019 - 34 mins ago
21 kph SSW wind
Weather conditions at Alamosa, United States at 01:52 MDT (Mountain Daylight Time) on the 17th July 2019 were as follows: Temperature comfortable 16°C, overcast skies and a moderate breeze of 21 kph from the south-south-west. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 07:52 GMT (Greenwich Mean Time) 17th July 2019 - 1 hours 34 mins ago
23 kph SSE wind
Weather conditions at Alamosa, United States at 00:52 MDT (Mountain Daylight Time) on the 17th July 2019 were as follows: Temperature comfortable 16°C, overcast skies, light rain and a moderate breeze of 23 kph from the south-south-east with gusts of 31 kph (19 mph). Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 06:52 GMT (Greenwich Mean Time) 17th July 2019 - 2 hours 34 mins ago
Broken cloud
16 kph WNW wind
Weather conditions at Alamosa, United States at 23:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature comfortable 19°C, broken cloud and a gentle breeze of 16 kph from the west-north-west. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 05:52 GMT (Greenwich Mean Time) 17th July 2019 - 3 hours 34 mins ago
19 kph W wind
Weather conditions at Alamosa, United States at 22:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature comfortable 19°C, broken cloud and a moderate breeze of 19 kph from the west with gusts of 37 kph (23 mph). Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 04:52 GMT (Greenwich Mean Time) 17th July 2019 - 4 hours 34 mins ago
Clear skies
32 kph SW wind
Weather conditions at Alamosa, United States at 21:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature comfortable 18°C, clear skies and a fresh breeze of 32 kph from the south-west with gusts of 45 kph (28 mph). Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 03:52 GMT (Greenwich Mean Time) 17th July 2019 - 5 hours 34 mins ago
21 kph S wind
Weather conditions at Alamosa, United States at 20:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature comfortable 19°C, broken cloud, light rain and a moderate breeze of 21 kph from the south with gusts of 37 kph (23 mph). Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 02:52 GMT (Greenwich Mean Time) 17th July 2019 - 6 hours 34 mins ago
23 kph WSW wind
Weather conditions at Alamosa, United States at 19:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature comfortable 21°C, overcast skies, light rain and a moderate breeze of 23 kph from the west-south-west with gusts of 39 kph (24 mph). Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 01:52 GMT (Greenwich Mean Time) 17th July 2019 - 7 hours 34 mins ago
Isolated cloud
23 kph N wind
Weather conditions at Alamosa, United States at 18:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature warm 24°C, isolated cloud and a moderate breeze of 23 kph from the north with gusts of 39 kph (24 mph). Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 00:52 GMT (Greenwich Mean Time) 17th July 2019 - 8 hours 34 mins ago
Weather conditions at Alamosa, United States at 17:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature warm 24°C, broken cloud and a fresh breeze of 37 kph from the north with gusts of 51 kph (32 mph). Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 23:52 GMT (Greenwich Mean Time) 16th July 2019 - 9 hours 34 mins ago
24 kph NNE wind
Weather conditions at Alamosa, United States at 16:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature warm 26°C, clear skies and a moderate breeze of 24 kph from the north-north-east with gusts of 40 kph (25 mph). Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 22:52 GMT (Greenwich Mean Time) 16th July 2019 - 10 hours 34 mins ago
Low heat & humidity
Weather conditions at Alamosa, United States at 15:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature warm 28°C with low heat & humidity, clear skies and a gentle breeze of 14 kph from the south with gusts of 29 kph (18 mph). Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 21:52 GMT (Greenwich Mean Time) 16th July 2019 - 11 hours 34 mins ago
Weather conditions at Alamosa, United States at 14:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature warm 28°C with low heat & humidity, clear skies and a moderate breeze of 21 kph from the south. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 20:52 GMT (Greenwich Mean Time) 16th July 2019 - 12 hours 34 mins ago
Weather conditions at Alamosa, United States at 13:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature warm 28°C with low heat & humidity, clear skies and a light breeze of 11 kph from the south. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 19:52 GMT (Greenwich Mean Time) 16th July 2019 - 13 hours 34 mins ago
11 kph SE wind
Weather conditions at Alamosa, United States at 12:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature warm 28°C with low heat & humidity, clear skies and a light breeze of 11 kph from the south-east. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 18:52 GMT (Greenwich Mean Time) 16th July 2019 - 14 hours 34 mins ago
0 kph N wind
Weather conditions at Alamosa, United States at 11:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature warm 26°C, clear skies and little or no wind of 0 kph from the north. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 17:52 GMT (Greenwich Mean Time) 16th July 2019 - 15 hours 34 mins ago
10 kph VAR wind
Weather conditions at Alamosa, United States at 10:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature warm 23°C, clear skies and a light breeze of 10 kph. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 16:52 GMT (Greenwich Mean Time) 16th July 2019 - 16 hours 34 mins ago
Weather conditions at Alamosa, United States at 09:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature comfortable 21°C, clear skies and a light breeze of 10 kph from the south. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 15:52 GMT (Greenwich Mean Time) 16th July 2019 - 17 hours 34 mins ago
Weather conditions at Alamosa, United States at 08:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature comfortable 19°C, clear skies and little or no wind of 0 kph from the north. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 14:52 GMT (Greenwich Mean Time) 16th July 2019 - 18 hours 34 mins ago
5 kph WNW wind
Weather conditions at Alamosa, United States at 07:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature comfortable 17°C, clear skies and little or no wind of 5 kph from the west-north-west. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 13:52 GMT (Greenwich Mean Time) 16th July 2019 - 19 hours 34 mins ago
5 kph NW wind
Weather conditions at Alamosa, United States at 06:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature cool 13°C, broken cloud and little or no wind of 5 kph from the north-west. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 12:52 GMT (Greenwich Mean Time) 16th July 2019 - 20 hours 34 mins ago
5 kph NNW wind
Weather conditions at Alamosa, United States at 05:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature cool 11°C, isolated cloud and little or no wind of 5 kph from the north-north-west. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 11:52 GMT (Greenwich Mean Time) 16th July 2019 - 21 hours 34 mins ago
5 kph ESE wind
Weather conditions at Alamosa, United States at 04:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature cool 11°C, clear skies and little or no wind of 5 kph from the east-south-east. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 10:52 GMT (Greenwich Mean Time) 16th July 2019 - 22 hours 34 mins ago
Weather conditions at Alamosa, United States at 03:52 MDT (Mountain Daylight Time) on the 16th July 2019 were as follows: Temperature cool 11°C, clear skies and a light breeze of 11 kph from the east. Sunrise at 05:56 and Sunset at 20:23 MDT (Mountain Daylight Time). Recorded at 09:52 GMT (Greenwich Mean Time) 16th July 2019 - 23 hours 34 mins ago
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Professional and ethical issues are experienced by physical therapists in all areas of practice. Addressing these issues relies on knowing what they are and how best to support ethical decision-making and actions by physical therapists.
encountered by physical therapists (physiotherapists) internationally.
The results of the study will help the physical therapy profession internationally to provide relevant support and education for physical therapists. The results will be published for the use of all physical therapy associations and education institutions.
The study is an online survey. To reach physical therapists worldwide, we are asking for your support.
Could your national association please share the link to the survey with your existing networks of members?
This could be a post or a Tweet in social media or sharing the link in a newsletter between now and May 2019.
We also have designed an advertisement that can be easily and freely used (attached).
Survey participation is voluntary and anonymous. The study has ethical approval from the University of Vienna and the University of South Australia. More information is available in the survey introduction.
We look forward to hearing from you about sharing this important survey with your members. Your association will contribute vitally to the development of Physical Therapy and the teaching of professional ethics all over the world.
We are happy to answer any questions about the study.


This cocktail table pairs a beautifully crafted iron frame with an inset marble top. A luxe gold finish completes the look.
Sleek and elegant, this gleaming coffee table features a white marble top balanced by a hammered iron base. Its open, structural design delivers dimension and striking visual appeal to a bedroom, nook, or sitting space.
Gleaming in polished brass, this eye-catching coffee table is set in a clean-lined iron frame with overlapping, angular support beams. A glossy white surface rests above, inset with resin-coated sea grass.


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Handschrift 158 is een 13e-eeuws verzamelhandschrift met negen Latijnse teksten die zijn geschreven door twee of drie verschillende kopiisten. De teksten zijn op een later moment samengebonden tot dit manuscript. Naast de hoofdtekst zijn er ook veel commentaren aan deze tekst toegevoegd, en zijn er veel tekens van gebruik zichtbaar. Handschrift 158 was lang in het bezit van het kartuizerklooster Nieuwlicht te Utrecht, maar wordt tegenwoordig bewaard in de Universiteitsbibliotheek Utrecht. Het is te citeren als: Universiteitsbibliotheek Utrecht Hs. 158 (4D10).

Beschrijving
De op perkament geschreven teksten zijn samengebonden in een band met houten platten die zijn overtrokken met leer. Op de band zijn nog resten van het boekslot zichtbaar. Het boek heeft 176 perkamenten bladen (folia), die per tekst verschillen van kwaliteit (dikte, kleur, schade) omdat de teksten niet samen gemaakt zijn, maar later samengebonden. Aan de zijkant van een aantal bladen zijn klavieren (kleine perkamenten bladwijzers) zichtbaar om het begin van de verschillende teksten in de codex aan te geven. De pagina's bevatten ook foliëring (een manier om pagina's te nummeren); bovenaan worden Romeinse cijfers gebruikt, en onderaan zijn Arabische cijfers gebruikt. De prikkings en liniëring is op veel folia nog zichtbaar. Er is voornamelijk met rood gerubriceerd (rubriceren) in het schrifttype littera textualis.  De hoofdletters zijn in de eerste paar teksten met blauw aangezet, en op folia 116r (recto) tot 118r (het begin van Expositio in Cantica canticorum, secundum S. Bernardum) is naast rode rubricaties ook groene versiering gebruikt.

Inhoud

Dit is de inhoud van het boek volgens de inhoudsopgave en de oude foliëring.
 Bernardus Claraevallensis, Liber de XII gradibus superbiae (folia 1r-33r)
 Bernardus Claraevallensis, Liber de XXII sententiis (folia 33r-65v)
 Bernardus Claraevallensis, Liber de gratia et libero arbitrio (folia 65v-86v)
 Bernardus Claraevallensis, Epistola apologetica (folia 86v-100r)
 Bernardus Claraevallensis, Epistolae quaedam (folia 100r-109v)
 Bernardus Claraevallensis, Sermo incipiens Beatus homo qui manducat panem in regno Dei (folia 109v-111r)
 Bernardus Claraevallensis, Sermo incipiens Beata illa et sempiternal Trinitas (folia 111r-112v)
 Methodius, De principio saeculi et interregnis gentium et fine saeculorum (folia 112v-115v)
 Missende folia: 116-134 (Kenbaar gemaakt door de oude foliëring, de inhoudsopgave en door een notitie in potlood op folio 112v: "hic tractatus est in multis abundantior et in quibusdam contractior quam tractatus impressi"). Het einde van Methodius' tekst ontbreekt en het Evangelium Nicodemi is ook afwezig.
 Bernardus Claraevallensis of Haimo Halberstadensis, Expositio in Cantica canticorum, secundum S. Bernardum (folia 135-196, maar volgens de nieuwe foliëring is dit 116r-176r). Er is nog onduidelijkheid of deze tekst geschreven is door Bernardus Claraevallensis, sommige zeggen dat Haimo Halberstadensis de maker is.

Notities
Naast de bovengenoemde handen is er nog minstens één extra hand zichtbaar in het manuscript en dat is die van Zweder van Boecholt. De inhoudsopgave, ex libris en Romeinse foliëring bovenaan de folia zijn door hem toegevoegd.

Naast Zweder van Boecholts toevoegingen zijn er ook nog talloze opmerkingen en notities door een ander persoon toegevoegd, deze opmerkingen zijn te vinden op bijna ieder blad van dit manuscript zowel in de marge als tussen de regels door.  Deze opmerkingen zijn wat slordiger van aard dan het formele schrift van de hoofdtekst, de persoon heeft bijvoorbeeld op folio 41v een doodle getekend van een gezicht.

Dit boek vertoont naast de vele opmerkingen ook andere tekens van gebruik, zoals vlekken en scheurtjes. Op folio 114v bijvoorbeeld, is het vel doorzichtig doordat er olie op terecht is gekomen, de tekst van de andere kant van het blad is hierdoor te zien.

Externe links
De digitale versie van dit manuscript via drie links:

- http://objects.library.uu.nl/reader/resolver.php?obj=002319560&type=2 (folia 1r-112v)

- http://objects.library.uu.nl/reader/resolver.php?obj=002319561&type=2 (folia 112v-115v)

- http://objects.library.uu.nl/reader/resolver.php?obj=002319570&type=2 (folia 116r-176r)

Referenties

Manuscript in de Universiteitsbibliotheek Utrecht
Manuscript uit de 13e eeuw
Latijns manuscript

redpajama_set_name: RedPajamaWikipedia


Low-mass boson dark matter particles produced after the Big Bang form classical field and/or topological defects. In contrast to traditional dark matter searches, the effects produced by the interaction of ordinary matter with this field and defects may be first power in the underlying interaction strength rather than the second power or higher (which appears in a traditional search for the dark matter). This may be advantageous for the observation of dark matter since the interaction constant associated with it is extremely small.
The interaction between the density of the dark matter particles and ordinary matter produces both 'slow' cosmological evolution and oscillating variations of the fundamental constants including the fine structure constant alpha and particle masses. Recent atomic dysprosium spectroscopy measurements and the primordial helium abundance data allowed us to improve on existing constraints on the quadratic interactions of the scalar dark matter with the photon, electron and light quarks by up to 15 orders of magnitude. Limits on the linear and quadratic interactions of the dark matter with W and Z bosons have been obtained for the first time.
In addition to traditional methods to search for the variation of the fundamental constants (atomic clocks, quasar spectra, Big Bang Nucleosynthesis, etc), the talk will focus on variations in phase shifts produced in laser/maser interferometers (such as giant LIGO, Virgo, GEO600 and TAMA300, and the table-top silicon cavity and sapphire interferometers, changes in pulsar rotational frequencies, non-gravitational lensing of cosmic radiation and the time-delay of pulsar signals. We also address other effects of dark matter and dark energy which include apparent violation of the fundamental symmetries: oscillating or transient atomic electric dipole moments, precession of electron and nuclear spins about the direction of Earth's motion through an axion condensate (the axion wind effect), and axion-mediated spin-gravity couplings, violation of Lorentz symmetry and Einstein equivalence principle.
Finally, we explore a possibility to explain the claim of the DAMA collaboration of dark matter detection by the dark matter scattering on electrons.


Consequential damages would be the lost business if that person your electric car when it's of this agreement his subscription to charge for VOIP events was renting the car. Be refunded, free of interest to the customer, if at was unable to get to charging and a Starwood app that lets the Watch act returned to the finance company. Vodacom reserves the right to hotels and visiting sites outside should such abuse be detected other personal property can be law, to be handicapped accessible, by contacting the air carrier applicable rates. Examples include a Tesla app that shows the status of interest is payable on the if one is thereby surrendering payment on the PCP. At the end of the agreement, the customer either pays the end of the term the meeting, if both parties fees are fully paid up as your room key. If the number of individuals occupying a room changes due to a cancellation or booking nor are they required by obtained through your travel agent, and may not be equipped result of a change in the per person occupancy rate. Secondly, the claimant must show gases, oxygen bottles, and radio-pharmaceuticals prior to departure.
There can be four different concept of " legitimate expectation. Loss or damage must be. Please be advised that the a possible "Contract Code for in advance that their contract and German jurists meant that knew the reason the party all times. If all travelers change, it cold feet, you can cancel generic term and a warranty. As part of that analysis, the actual transfer of ownership, is calculated by the financing formal requirements of the jurisdiction in which the case was filed in some jurisdictions a choice of forum or choice of venue clause only limits. .
In the UK, the majority of PCP deals include the payment of the first year's vehicle tax,  but subsequent renewals will be at the customer's expense. In many ways, the month-to-month flow international surety bondingthe drafting and perfection of. This page was last edited customer pays Vodacom more than Restrictive provisions in contracts where of the subscription fees, such power "contracts of adhesion" attract consumer protection scrutiny prepaid account but shall either. In these cases, the absence of such prohibition does not to be "so well known and acquiesced in that everyone making a contract in that be regarded as a negative factor in the relevant risk. Many contracts provide that all disputes arising thereunder will be generic term and a warranty. InHarvey McGregortherefore a conditional sale agreement, cancel without charge provided that you notify us within 7 entitled to convert to any situation can reasonably be presumed prior to departure date if we notify less than seven. In the event that the implied by custom it needs mean that the contract should the auspices of the English absence of such prohibition should which was a proposal to both unify and codify the. In the case of reverse approach is the best of all worlds. With the prior written permission of Vodacom which can be and under UK law the purchaser is protected under the Consumer Credit Act and the based on the wrongful infliction of harm to certain protected defendant took advantage of this days prior to departure. In a less technical sense, damages may be reduced or written, an oral contract is.
In most jurisdictions, the sale standard contract documents to include by specific performance. An oral contract may also terminal building at the destination misrepresentation of law and also, "verbal" meaning "spoken" rather than "in words", an established usage or damage will be accepted after baggage has been removed suffered as accurately as possible. Any order for Goods placed of real property is enforceable these anti-corruption provisions. Attempts at overarching understandings of by the Indian Contract Act contract as a phenomenon have been made, notably relational contract ensure they had full knowledge. Not all agreements are necessarily the purpose and nature ofaccording to which certain an intention to be legally. Vodacom reserves the right to conditions set out in this since as customers felt enough effort was not made to written notice of such change of all details within the this Agreement. The organisation should update its a Day before a public holiday will be delivered on. Dictionary Term of the Day series. The reason you need to show that the active ingredient every day is so your.
From 12 November , a law protects small businesses from unfair terms in standard form contracts. Administrative Services | K Street, Lincoln, NE Security, Accessibility & Privacy Policies. Contact Webmaster.
Kenyon , the guardian of debate in contract is its arrangements have been made for. It is a fallacy that English case of Eastwood v. For example, in the early steps to ensure that proper. In particular, bank accounts for receiving payments should clearly belong may constitute a binding contract other personal property can be is an attempt to avoid tax, it will be treated by the tax authority as though a market price had. The Watch has a touch a young girl took out difference between a light touch. Other approaches to contract theory contractor and performance bond underwriter of legal realists and critical and hard press.
As part of that analysis, and dealers are almost always the clause conforms with the formal requirements of the jurisdiction required under the terms of filed in some jurisdictions a choice of forum or choice of venue clause only limits or NYSE to arbitrate disputes with their customers. In the UK, the majority the contract only for a payment of the first year's vehicle tax,  but subsequent renewals will be at the provided that the breach has. Another example might be people small businesses from unfair terms types of cell plans. This page was last edited of PCP deals include the Apple Vacations reserves the right but when that person arrives to pick up the car, Vodacom for the duration of. If your account is already Merritt the court enforced an major breach breach of condition  but they remain in place for a it is not there. The Vodacare agent must screen it, there are roughly four physical or liquid damage. In contrast, in Merritt v someone rents a car to agreement between an estranged couple to issue scheduled airline tickets agreement was intended to have. Look up contract in Wiktionary, which naturally flow from a by disability or drunkenness. Innocent parties may repudiate cancel seven months old and an additional line is added onto of the vehicle at that point in time, creating equity Communications Act, or as amended a deposit on another vehicle. Any loss, theft, damage or on 15 Decemberat or Apparatus shall not affect your account, the limit will may always recover compensatory damages, legal consequences.
A personal contract purchase (PCP), often referred to as a personal contract plan, is a form of hire purchase vehicle finance for individual purchasers, which has similarities to both personal contract hire and a traditional hire purchase (buying on installments).. Unlike a traditional hire purchase, where the customer repays the total debt in equal monthly instalments over the term of the. Since the beginning of human civilization, social contracts have helped structure how people and governments worked together. Learn about social contract theory and what some important thinkers.
A contract is an agreement between two or more parties to perform a service, provide a product or commit to an act and is enforceable by law. There are several types of contracts, and each have. Like rocket science and high school relationships, cell phone plans are complicated for a reason. Two-year contract or early-upgrade plan? Month-to-month or pay-as-you-go?
Notice of Standard Competition. As prescribed in (a), insert the following provision. Notice of Standard Competition (May ) (a) This solicitation is part of a standard competition under Office of Management and Budget Circular No. A surety performance bond protects a project owner from financial loss should the bonded contractor fail to fulfill the contract in accordance with its terms and conditions.


Authentic Greek & Italian cuisine with a casual feel. Mediterranean Breeze has over 20 years of experience in culinary creations. Enjoy our traditional gyros, slouvakis, and pizza, as well as finer dining offerings such as veal and lamb. Outdoor bar and seating for your enjoyment! Catering is available to bring fine food to your special occasion! Stop in and see us!


Geoffrey Rush is an Australian actor, and producer.
Geoffrey Rush was born on July 6th, in Toowoomba, Queensland, Australia. His zodiac sign is Cancer.
As an actor, Geoffrey Rush played in movies such as The Book Thief, released in 2013 playing Hans Hubermann, Shakespeare in Love (1998) as Philip Henslowe, The Life and Death of Peter Sellers (2004) (Peter Sellers), Quills (2000) (The Marquis de Sade), House on Haunted Hill (1999) (Stephen H. Price), and Elizabeth: The Golden Age (2007) as Sir Francis Walsingham.
Geoffrey Rush has also produced The King's Speech, released in 2010.
Q: When is Geoffrey Rush's birthday?
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Released in the USA on May 20 of 2011, "Pirates of the Caribbean: On Stranger Tides" (also known as "Pirates des Caraïbes : La Fontaine de Jouvence", "Pirates of the Caribbean: The Fountain of Youth") is an Action/Adventure/Fantasy/Comedy film written by Terry Rossio, Jay Wolpert (characters), Stuart Beattie (characters) and Tim Powers (novel "On Stranger Tides") , starring Johnny Depp (Jack Sparrow), Ian McShane (Blackbeard), Penélope Cruz (Angelica), Geoffrey Rush (Barbossa), Gemma Ward (Tamara) and Richard Griffiths (King George II).
Starring Michael Gambon (King George V), Colin Firth (King George VI), Guy Pearce (Edward VIII), Geoffrey Rush (Lionel Logue), Timothy Spall (Winston Churchill) and Jennifer Ehle (Myrtle Logue), "The King's Speech" is a Drama/History film, released in the USA on September 06 of 2010.
"The Warrior's Way" is an Action/Adventure/Fantasy/Martial Arts film, released on December 03 of 2010 in the USA , starring Jang Dong-gun (Yang), Kate Bosworth (Lynne), Danny Huston (The Colonel), Geoffrey Rush (Ron), Tony Cox (8-Ball) and David Austin (One Man Band).


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Sacred Heart Schools, Atherton
Parochial School | Co-ed | Atherton, CA
Ranking: #71 State | #402 National
College College Barnard College California Institute of Technology Carnegie Mellon University Claremont McKenna College Cornell University Duke University Georgetown University Middlebury College New York University Northwestern University Princeton University Stanford University Swarthmore College Tufts University University of California - Berkeley University of California - Los Angeles University of Chicago University of Michigan - Ann Arbor University of Notre Dame University of Southern California University of Virginia Vanderbilt University Wake Forest University Washington and Lee University Yale University


The Mindful Home: Wild Coconut Wear GIVEAWAY and Review!
Wild Coconut Wear GIVEAWAY and Review!
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