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text:
Adams - all models
Series: 16, 35
About Adams
The Adams was an English automobile manufactured in Bedford between 1905 and 1914.
American-born Edard R. Hewitt had helped Sir Hiram Maxim to build a large steam plane in 1894. He later designed a "gas buggy" along the lines of an Oldsmobile; this machine was built by the Adams Manufacturing Company. The Adams had a supposedly foolproof epicyclic transmission with a 10 hp (7.5 kW) single-cylinder engine. Indeed, "Pedals to push, that's all" was used as the marque's slogan. Hewitt eventually returned to the United States to manufacture similar cars under his own name, after which more conventional shaft-driven cars with vertical engines were produced (beginning in 1906). Models offered included two- and four-cylinder ones and one of the first British V-8s; this last had a 35/40 hp (26/30 kW) engine based on the French Antoinette model (an aeroengine for which Adams were agents). But the V-8 was plagued by crankshaft breakages. In 1910, the company produced an advanced 16 hp (12 kW) model with front-wheel brakes; it came with compressed-air starting, tire-inflating, and jacking equipment. The "pedals-to-push" gear was still offered, as was a conventional four-speed transmission and an unusual planetary gearchange (three-speed), which was operated by a pedal that moved in a gate. The company folded for good in 1914.
S4 8v 2.9L M-4
Adams 16/20 (1913)
petrol (gasoline) 4-cylinder 8-valve straight (inline) engine, 2918 cm3 / 178.1 cu in / 178.1 cu in, manual 4-speed transmission, rear wheel drive
V8 16v 7.3L
petrol (gasoline) 8-cylinder 16-valve V engine, 7274 cm3 / 443.9 cu in / 443.9 cu in, rear wheel drive
Car Insurance FAQs #3
Why is the insurance company not returning all of my premium after the policy was canceled?
Depending on the type of policy, you may be required to pay a minimum premium, or the premium may be fully "earned." In other instances, if you replaced your coverage with a different company, during the policy term, you may be subject to a "short-rate" penalty, which is usually about 10% of the unearned amount. You might also have some premium due for recent changes in coverage. The company should be able to provide a detailed billing history that explains the return-premium calculation.
Am I required to complete a medical questionnaire?

redpajama_set_name: RedPajamaCommonCrawl


No, Quiapo day was held yesterday but since I was itching to have new CD's and MP3's because my thirst for new beats are kicking in, I persuaded Brent to go with me since were going to have this 4-hour class gap. And I wasn't disappointed of what I bought. (^____^) all smiles here!
Then went to the CD's shop. Yeah, piracy is cheap. Actually, may MEMOIRS OF A GEISHA na sa Raon. If you like an advance copy, just go there. I'm not suggesting it, it's just that since were THAT busy with our studies, who has time to watch movies in cinemas?
A classmate's mom died last night. The whole class is planning to go to her mom's funeral after class. It's just so sad to hear stories about those. I mean, when my Grandma died, I felt as if that was the worst day of my whole existence. It's just that I really love her so much (more than my parents, actually) because she took care of me for 19 years. And imagine being swooped when you find out one morning, still sleepy, that the person you love so much just dies.
Condolences to Arlene's family. I know how you feel. I hope that our presence would be enough to let you know that we really care..


Content: With the help of an already prepared reduced single crown made of Prettau® Zirconia, we show you the manual colouring with Colour Liquid Prettau® Aquarell colours. We teach you the ceramic layering of the buccal area with ICE Zirkon Ceramics and give you a lot of tips for the individual finalisation.
1st day: 01.30 p.m. – 06.00 p.m.


In Victorian England, Dr. Frederick Treves (Anthony Hopkins) rescues a severely disfigured man (John Hurt) from his abusive carnival "owner" (Freddie Jones), and allows him his first chance at a life of dignity and respect.
Although it's often considered to be something of an aberration from director David Lynch's usual oeuvre, this heartbreaking biopic is actually well in alignment with Lynch's fascination for the disenfranchised and downtrodden. Oscar-nominated John Hurt (who's completely unrecognizable) plays the title role of Joseph Merrick, a real-life young man who suffered from a rare congenital deformity known as Proteus Syndrome, making him look decidedly freakish and abnormal; and while there's no denying Hurt's inestimable skills as an actor, his success here as Merrick is due in no small part to the tremendous efforts of make-up specialist Chris Tucker, who developed an elaborate synthetic "mask" based on a cast of Merrick's actual head. Anthony Hopkins — equally affecting in a less "showy" role — plays the doctor who at first is merely fascinated with Merrick's physical condition, but soon comes to realize that an intelligent, sentient being exists underneath the bulbous folds of skin and bone.
Merrick's transformation from mute "creature" to dignified gentleman — the crux of the film — is truly a wonder to behold; even those who rarely cry at movies (myself included) will find themselves hard pressed not to be moved by this one. Scene after scene — enacted by a crew of exceedingly well-cast supporting actors — prompts a renewed investigation of our own prejudices, as we realize just how important a relatively "normal" appearance is to our acceptance of others as human. My favorite scenes are those between Merrick and a renowned actress (Anne Bancroft) who barely bats an eye upon seeing Merrick for the first time, and remains resolutely dedicated to treating him like the gentle hero he is. Equally touching is the initial scene between Merrick and Dr. Treves' wife (Hannah Gordon), whose "natural" acceptance of his appearance causes him to break down in sobs of gratitude.
Some (including, I suspect, Peary, who neglects to nominate either Hurt or the film itself in his Alternate Oscars book) find The Elephant Man overly cloying — and there's no doubt that our heartstrings are strategically tugged throughout the entire film. Indeed, the final portion of the story — in which Merrick is kidnapped back by Jones, and forced to temporarily revert to his former status as a carnival freak — is nearly too much to bear, and shifts the story into undue pathos. Apart from this aberration, however, Merrick's journey remains a fascinating one to watch, and proves that there's nothing more uplifting than watching a character transform and transcend his initial limitations.
Yes, as a "good show" by an important director.


Here are the four major flicks that Paramount confirmed will have IMAX releases this year along with their official statement.
"When you combine the incredible storytelling talents of J.J. Abrams, Michael Bay, Brad Bird, and Steven Spielberg with technologies that transport the audience into the story, you create an awe-inspiring experience that takes movie-goers to places they only dream of -- and that is what the core and spirit of our partnership with Paramount Pictures is all about. We are very excited to share these amazing event films with IMAX exhibitors and movie-goers and look forward to working with these brilliant filmmakers as they showcase their talents in our format."


Mitch Treger is a veteran instrumentalist, composer, recording artist, and performer. After graduating from George Washington University, Mitch toured and recorded for ten years with original band, The Emptys, as lead vocalist and rhythm guitarist. His bandmates included producer/engineer Doug Derryberry (John Mayer, Dave Matthews Band, Bend Folds, Bruce Hornsby), saxophonist Peter Fraize (Jazz Studies Professor at George Washington University), and drummer/percussionist Leland Nakamura (National Chamber Ensemble). Throughout his life, Mitch has entertained countless of audiences, sharing the stage with well-known acts like The Ramones, Little Feat, MOE, Hootie & the Blowfish, Jewel, Edwin McCain.


No manufacturer of home carpet cleaning machines is more experienced in the carpet cleaning category than BISSELL. In all modesty, we pioneered the category. BISSELL Carpet Cleaning machines are recognized as the high-quality standard of the industry with durability and reliability engineered into each unit, every step of the way. Here you will find more information about how to choose the correct BISSELL Carpet Cleaners for your needs.
What is the advantage of carpet cleaning with heat?
The BISSELL ProHeat® and ProHeat 2X® series feature built-in heaters that heat hot tap water up to 25 degrees hotter for maximum cleaning effectiveness.
How large an area will a machine handle?
When using our full size upright carpet cleaning machines (such as ProHeat 2X® Select), typically a 10' x 12' room can be cleaned before the dirty water tank needs to be emptied and new cleaning formula and fresh water need to be added.
With our smaller upright carpet cleaning machines (such as QuickSteamer®), typically an 8' x 8' area can be cleaned before the dirty water tank needs to be emptied and new cleaning formula and fresh water need to be added.
These amounts will vary based on how much water/solution you are releasing onto your cleaning surface.
Are all carpet cleaners properly equipped to clean an entire home?
No. Some carpet cleaners, such as the QuickSteamer® or SpotBot® are better suited to cleaning everyday messes such as spills, spots and small areas. When purchasing a carpet cleaner to clean your entire home, it would be better to choose a full size carpet cleaner, such as the ProHeat 2X® Select.
I have a few small areas that need cleaning. What would you recommend?
For quick cleanup of spots, spills and small areas, BISSELL recommends the BISSELL SpotBot® or Little Green®. The compact, streamline design of these products provide continuous, portable carpet cleaning power for a variety of cleanups. They effectively deep clean spots, spills, high traffic and small areas including stairs, upholstery and auto interiors. The high-pressure spray loosens deep down dirt and the built-in brush scrubs spots and stains. Powerful suction lifts dirt & moisture to complete the cleaning task. The SpotBot® is unique in that it lets you do all of this without doing the work. You simply set it on the spot, hit Start and walk away - the machine does the work for you.


Festivities for Ireland's patron saint last almost a week in Dublin. A Patrick's Day holiday is a fun-filled family occasion that culminates in the colorful St Patrick's Day Parade in green fancy dress. Book a St Patrick's Day hotel near Dame Street where families start searching for clues on the annual Treasure Hunt. Another regular fixture is the Denny Big Day Out, which brings crowds to Merrion Square for puppetry, storytelling circuses and games.


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About Candour
Candour advises companies on diversity, equity, and inclusion (DEI) strategy and communications. We are data-driven and consider the intersection of race, gender and other identities in all the work we do. We are best known for our presentations on the topics of DEI and implicit bias, but we also work with select partners on developing sustainable inclusion strategy. Our clients range from the world's largest philanthropic foundation to an academic institution with 300 students. We are industry-agnostic but are fortunate to work with organizations fully committed to prioritizing DEI.
A selection of our services include:
Delivering highly customized keynote speeches, interactive workshops, and presentations about diversity, equity and inclusion. Research-based and intersectional – with a focus on communicating strategic and personal actions to overcome unconscious biases.
Gathering and leveraging data to inform business strategies – from diversity in recruitment to employee engagement and inclusion.
Building a thought-leadership platform for executive leaders.
Designing strategies for company leaders to accurately communicate Diversity & Inclusion strategies to employees, C-Suite, board, and media.
Enabling lasting change in behaviors and practices around diversity, equity, and inclusion.
Ruchika
Tulshyan
"An expert on diversity who is making ever bigger waves with her research and actions."
– Thinkers50 Radar Class of 2019
Ruchika Tulshyan is the author of "The Diversity Advantage: Fixing Gender Inequality In The Workplace" and the founder and CEO of Candour, an inclusion strategy practice. She partners with global organizations to create work cultures that foster innovation, diversity and belonging.
A former business journalist, Ruchika is now a regular contributor to Harvard Business Review. She shines a light on lesser-covered aspects of workplace culture, such as the specific challenges professional women of color face, office housework, the experience of immigrant women in American workplaces, and how to reduce personal bias. She has presented at top private, nonprofit and government institutions, including testifying as an expert witness at the U.S. House of Representatives.
Ruchika is also the inaugural Distinguished Professional-in-Residence for the Seattle University.
She was named to Thinkers50 Radar, an international ranking of emerging influential management thinkers. Ruchika has lived and worked on four continents.
"..this book provides a tool box filled with tools to fix gender inequality in the workplace. We learn not just why this is a win-win for companies, economies, governments as well as women and their families but also how to bring about the changes that are required to realize the diversity advantage."
- Melanne Verveer
Former U.S. Ambassador for Global Women's Issues


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Katie Espiner appointed CEO of Hodder & Stoughton and Orion
by Hachette UK
Related Categories: Hachette News
Hachette UK has appointed Katie Espiner to a new role as CEO of Hodder & Stoughton and Orion Publishing Group, while Anna Valentine has been promoted to Managing Director of Orion Publishing Group. Both will start their new roles on 1st January 2022.
David Shelley, CEO of Hachette UK, said: "'Katie has done the most amazing job at Orion: taking the company to new heights in her six years as MD, topped off by this year's Publisher of the Year and Imprint of the Year wins at the Nibbies, and record sales. Orion authors she has worked closely with include Ian Rankin, Candice Carty-Williams, Michael Connelly, The Hairy Bikers, Adam Rutherford, Simon Sebag Montefiore, Cathy Bramley, Veronica Henry, Ben Aaronovitch and Adam Kay.
"Hodder & Stoughton is one of the largest and most illustrious companies within the Hachette stable, and it has both an incredible heritage and some of the best-loved authors in the world. It was also shortlisted for the Publisher of the Year Nibbie after a fantastic 2020, which has been followed by an equally dazzling 2021. I have no doubt that Katie will bring her flair, dynamism, vision and – most of all – her passion for working with talented authors to the company. I am very excited to see what she, Managing Director Carolyn Mays and the brilliant Hodder team achieve together in the years to come.
"Anna Valentine is one of the fastest-rising and most exciting publishers in the industry. She has published some of the bestselling non-fiction titles of the past decade, including books by Noel 'The Supervet' Fitzpatrick, Alan Partridge, Frankie Boyle, Justin Bieber and DanTDM. She set up Trapeze, which has twice been shortlisted for the Nibbie for Imprint of the Year and has had hits including British Book Award winner Queenie by Candice Carty-Williams and Dear NHS by the bestselling non-fiction author of the decade, Adam Kay. Anna is a terrific publisher and a positive force, and I know she will help take Orion to new heights."
Katie Espiner said: "I am unbelievably proud of our incredible authors and of everything the amazing teams at Orion have achieved over the last six years. Anna is one of the best people I have ever worked with and I know she will lead Orion magnificently to even greater things. I am incredibly excited to be given the opportunity to work with the hugely talented authors, contributors and teams at Hodder, while also continuing to work alongside my colleagues and our authors at Orion."
Anna Valentine said: 'It is an honour and a privilege to be offered to lead Orion, the company where I had my first permanent job in publishing. Katie has built all facets of the business up extremely skilfully, with fantastic authors, talented publishers and editors, innovative covers and creative marketing and publicity. It truly is a company that is firing on all cylinders, as evidenced by being named Publisher of the Year, and one I have long been proud to be a part. I am thrilled to continue working with Katie and my brilliant colleagues on the next phase of Orion's growth and development and its mission to be a publisher where every story matters.'
Espiner started her career as a sales admin assistant at HarperCollins, moving departments to become an editorial assistant and then editor. She moved to Transworld as commissioning editor, before returning to HarperCollins and setting up her own imprint, The Borough Press. She made the leap from Publisher to Managing Director in 2015 when she joined the Orion Publishing Group. She has led Orion through a period of huge change and success, culminating in winning Publisher of the Year and Imprint of the Year at the 2021 British Book Awards.
After starting as Orion's inaugural Graduate Trainee in 2006, Valentine re-joined the company in 2014 and since then has led the strategic growth of the commercial non-fiction lists. She has published some of Orion's biggest non-fiction successes of recent years – including Alan Partridge, Sarah Millican, the Supervet Noel Fitzpatrick, The Ordnance Survey Puzzle Book, Glastonbury 50 and Dear NHS – and in 2016, she founded Trapeze. With the mission to publish books that start conversations and represent those not served by the mainstream, Trapeze has emerged as one of the most vibrant and dynamic imprints in the industry and has twice been nominated for Imprint of the Year at the British Book Awards. In 2019, Valentine was promoted to Executive Publisher, taking over strategic responsibility for the entertainment and lifestyle list Seven Dials, and the health and wellbeing imprint Orion Spring. Since then, the imprints have delivered their best performances in recent history, and in 2020 she spearheaded Orion's acquisition of the Laurence King Publishing book and gift list and its integration into the business.


Take a look at the full Inspirational Quotes Collection - Click Here!
Treat a keen cook or brilliant baker to this lovely apron! It features the words "I Can & I Will" in a rose gold font and can be adjusted to fit everyone. It's a lovely gift for someone who loves to whip up a storm in the kitchen!


If average speed of your car will be standard for this route between Chicago, IL, USA and North Mankato Avenue, Chicago, IL 60646, USA and road conditions will be as usual, time that you will need to arrive to North Mankato Avenue, Chicago, IL 60646, USA will be 1 hour.
Driving distance between Chicago, IL, USA and North Mankato Avenue, Chicago, IL 60646, USA is calculated by google maps and it is 99 mi.
You need 2 hour to reach North Mankato Avenue, Chicago, IL 60646, USA from Chicago, IL, USA , if you are travelling by car.
Average amount of gas with an average car when travelling from Chicago, IL, USA to North Mankato Avenue, Chicago, IL 60646, USA will be 7 gallons gallons which costs 10 $.


Gill Services has proudly served the oil heating industry in Rhode Island and Southeastern Massachusetts for over 50 years. We provide exceptional quality service and premium products to homeowners, businesses, municipalities, and oil companies. Gill Services commitment remains the same as it was 50 years ago. Our goal is to provide our customers with a product or service which exceeds their expectations. We have served over 70,000 oil and fuel tanks. The tanks that we install are some of the best brands available including ConVault, Granby Steel, and Dehoust. Gill Services offers emergency services and removes, upgrades or installs containment tanks, double wall tanks, and fueling tank systems. The images are examples of services offered by Gill Services such as environmental cleanup, tank removal, and tank installation. Our technicians have experience installing oil tanks and removing fuel and oil tanks from homes and businesses in Rhode Island and Southeastern Massachusetts. We have an environmental scientist on staff that can recommend tank removal and help decide your next steps. We are fully insured and permitted, offering peace of mind. We'll also install new tanks, perform site remediation and cleanup. Each of our trucks are kept fully stocked to avoid delays in service. Residential heating oil tank services are our business. We can remove an old tank and install a new one for you. Each of our employees has extensive knowledge of the laws regarding aboveground and underground oil tanks. Whether you are having your fuel oil tank replaced or removed completely, Gill Services handles both situations. We offer emergency services in case of a leak and cleanup services. Our specialized inventory carried on our trucks ensures that each job has the right materials on-hand. Call us with any questions regarding your commercial tank.


There are many reasons why it is not advisable that you as an employee should take on the task of representing yourself in court for a workers' compensation. Outside of the obvious risk of poor execution, physical exhaustion and the chance of being bullied by the counsel of the defendant – your employers, you should consider that leveling a formidable case in court for workers' compensation involves many other background functions that you may likely not have the skill set to take on.
The first important thing a good case like this would need is the proper collection of medical evidence and records. This is the key to establishing your claim, as the judge and the jury would, first of all, need a documented and certified proof of injury. This is followed closely by a well-conducted discovery, one that will curate all the past occurrence of accidents in your workplace and buttress how yours is no different.
In doing these and more, it is clear that you would need to get a qualified and well-seasoned attorney(s), one who has the experience as well as the resources to bring you the compensation you need. Thankfully, Rawa Law Group is a front liner in both regards, we have flawlessly and quite thoroughly brought legal satisfaction to our Chino clients in over two decades, raking in settlements to the tune of hundreds of millions in our over two decades of active practice. Our adept workers' compensation attorneys in Chino are ready to take up your case and win you that deserved compensation.
Take advantage of our free consultation today and reach out to us.


This place seems to be the only comfort zone i have left. Everything else is uprooted, destroyed, faded or broken. Nothing remains in the end of a really bad day but my words and my mediocre self expression skills. Nothing remains but a late night battle with well earned self loathing and canned aggression towards everything i stand for. Everything i preach in words and silver lined rythms is a product of my destroyed and mythical imagination.
I write and i put words together in attempts of comforting my long lost mind, in hope of regaining faith in the beauty i see every once in a while, In aims of distracting my damaged excuse of a dream. I dont know, i really never knew as much as i don't know now. I almost lose touch with my senses, my cravings and my motives.
When my escape is my home, and my home has generated into the escape, my entire world is shifted, twisted and upside down; and no one complicates things as professionally as me. I am the master of labels and definitions, but when it comes to sorting out my own mess, i simply drive myself mad enough to an extent where i give myself material to write about. Instead of actually fixing what needs to be dealt with i submerge my coward self into a pit of mind draining logic, and heart wrenching drama. I end up with a pathetic justification of words and excuses, of emotions and thoughts that really do not make sense.
And so just because human ears and human compassion can only go so far, i decide to practice my linguistic, lyrical and passive sport of one ended conversations with this blank, dull page here.
No where, no one and nothing will ever comfort you when you are in need, at least not fully. When we break, no matter how eloquently we express it, we are broken. And nothing broken is as good as new, not in this world we live in. So whatever soothing and calming words you can offer yourself, do that, tell yourself that you are ok. Tell yourself that you are strong. Tell yourself that beauty is still waiting outside your window, except right now your vision is blurry and your mind is uncertain. Tell your self that the lack of comfort is the reason you are blind to any form of beauty tonight. Tell yourself that tomorrow is a new day, and the sun always shines, every day. Find comfort in the eternity of that process and draw the peace you need for sleep from the longing you feel for such certainty.
The sun will rise tomorrow, and so will you. All will heal when you allow yourself to say the few words you avoided by writing all that.
I make an effort to actually "speak", but not only speak- appraise, critique, deconstruct and reconstruct what you have written and what it means to me. I know it's not everybody's way of doing things, but it's mine. And, it's the least I can do to say "thank you" and this is how you've touched me, and I say that with a dried tear now pasted on my cheek.
Aw the tear part im sorry for!! Otherwise, i really believe that if we can ever get to the bottom of understanding ourselves, then life takes a completely different form. Its no longer the boring ride people preach about. It becomes extraordinary.


Being the go-to graphic or web designer is every creative's dream. This certainly doesn't come easy. It takes lots of hard work, creativity and continuously reinventing your designs.
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Got a client who wants to increase their website's productivity by having a site that is easy to navigate, has high readability and thus reduce the bounce rate? Then you're in luck!
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Make your creations unique by deviating from the standard computer-generated designs and instead go the hand lettering way.
Hand lettering stands out more meaning your designs will be highly noticed. This pack of 6 autumn hand lettering and watercolor designs are just the perfect way to get started on hand lettering designs.
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Experiment with various lettering tools to master various effects.
Use a couple of contrasting type styles for words.
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As web design continues to evolve, we are witnessing more vibrant web design trends. One of the current trends in huge demand is vintage.
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What sets one website apart from another is its visual appeal. What catches my eye is what I will focus on immediately. You want your site to be highly visually appealing, enough to make me what to continue navigating through your site.
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Do you find it taxing to send invoices to your clients? Do you wish there was an easier way to do it? Want something that is not only useful but also visually appealing to reflect your creativity and professionalism?
If your answer is yes to these questions, then you must have this Free HTML invoice template. Be done with sending confusing invoices with a layout and information scattered all over leaving your clients frustrated as they cannot understand what you're for.
This HTML invoice template has a lot of white spaces for visibility. The columns are all well proportioned. You will love the amazing typography!
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Are You a Loved One?
...why is it we can never see ourselves as a loved one?
I've had women contact me after their sessions and tell me they went out and bought a gym membership, changed their lifestyle, completely revamped their wardrobe and now wake up confident, happy and just....different. If you could do that...if you could feel that...what would you pay for it? Do you believe you're worth feeling that way? Do you believe your loved ones believe you deserve to feel that way? Have you asked them?
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You are a loved one. Be it by your partner, children, friends and family. You are a loved one. When will you allow yourself to be your own loved one?
BIG Announcement for Elizabeth Craig Photography Fans!


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Utetes subochrosoma är en stekelart som först beskrevs av Vladimir Ivanovich Tobias 1998.  Utetes subochrosoma ingår i släktet Utetes och familjen bracksteklar. Inga underarter finns listade i Catalogue of Life.

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90 out of 275 sessions attended (167 excused).
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Mean productivity calculated for HÄNDEL is 0.36 (+info).
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Home Blog 6 Important Jazz Musicians You Need To Know
All About JazzJazz HistoryLearning Jazz
6 Important Jazz Musicians You Need To Know
When people come up to me and ask: "What jazz musicians should I check out?" or "If I want to get into jazz, which musicians are the most important to listen to?", I usually freeze up.
I mean there are so may important jazz musicians out there that it can be hard to pick and choose! Jazz is a music that can be hard to pin down. There are many different styles and eras in the history of jazz that have built the strong legacy this music stands on today.
But jazz has it's set of innovators. There are certain musicians that had profound impacts on the music and the musicians they played with, often altering the course of jazz entirely.
So if someone wants to know what jazz music is all about and get an idea of the big picture, I narrow it down to a handful of iconic musicians that cannot be ignored.
These musicians radically impacted, innovated, and inspired generations of musicians after them.
Without these musicians, jazz music would not be what it is today! So without further to do, here are 6 important jazz musicians that you absolutely need to know:
1. Louis Armstrong.
It's safe to say that Louis Armstrong is hands down one of the most important musicians in jazz history.
Nicknamed "Satchmo" or "Pops", Louis is one of the most well known jazz musicians in the world and is responsible for bringing jazz to the spotlight, inspiring many of his contemporaries and musicians to follow.
His infectious personality, gravelly voice, and iconic trumpet sound got everybody's attention. Armstrong revolutionized the music by making the focus about the individual soloist rather than just collective improvisation and call and response.
That influence is clearly still evident today. Though it has been said it was done before him, Louis brought scat singing into popularity and paved the way for vocalists such as Ella Fitzgerald.
Between the years of 1925-1928, Louis Armstrong's Hot Five and Hot Seven bands recorded a whopping 55 records!
2. Duke Ellington.
Duke Ellington is one of the most important composers in the history of American music.
He's best known for the over 3,000 songs that he wrote in his lifetime. Some of his most popular compositions include It Don't Mean A Thing (If It Ain't Got That Swing), Mood Indigo, Satin Doll and In A Mellow Tone.
His famous band, The Duke Ellington Orchestra, is arguably one of the most important big bands of the swing era, alongside the Count Basie Orchestra, and Benny Goodman's Orchestra.
Many of his compositions have become part of standard jazz repertoire and are still played today. His compositions, personality, and band made a huge impact on jazz.
3. Charlie Parker and Dizzy Gillespie.
Charlie Parker is one of the most innovative musicians in jazz history and along with trumpeter Dizzy Gillespie, he pioneered "bebop" which is still the common language used in jazz today.
Parker's approach to the music radically changed the way musicians played jazz. His style was technical and fast, yet brilliantly melodic. Musicians during his time would study his sound religiously in an effort to sound like him.
Musicians such as Cannonball Adderly, Sonny Stitt and Jackie McLean were heavily influenced by Parker, and went on to create legacies of their own. Charlie Parker and Dizzy Gillespie's pioneering of bebop turned jazz of the swing era, which was geared towards dancing, into a virtuostic music which featured the soloists primarily.
When soldiers came back home from World War 2, many were confused by this new kind of jazz because it wasn't for dancing! These two musicians as a duo are not to be overlooked.
4. Miles Davis.
Miles Davis is an important musician in jazz for many reasons.
The first thing to note is Miles played a vital role in every era of jazz from the bebop period to fusion. He played in Charlie Parker's band for a while and took part in the bebop era.
He later formed his own band during the hard bop era, as heard in all of his Prestige records (Cookin', Relaxin', Steamin', Workin'). At the same time, Miles was pioneering modal jazz as heard in songs like So What and Milestones.
He also was one of the only hard bop musicians to take part in the west coast cool jazz scene, such as in his record "Birth of the Cool". He delved in the free jazz scene as well.
Later in his career he was heavily involved in jazz fusion as electronic instruments were coming into the forefront as exemplified on records such as "Bitches Brew" and "In A Silent Way".
Up until his death he was even playing covers of pop songs such as Cyndi Laupers "Time After Time" and Michael Jackson's "Human Nature". Miles' music was always changing and evolving; a spirit that still carries on into jazz today.
Another aspect of Miles' importance, is he had a unique ability to build bands of young musicians that eventually went on to become important jazz musicians themselves.
John Coltrane, Bill Evans, Cannonball Adderly, Wayne Shorter, Herbie Hancock, Ron Carter, Tony Williams, Keith Jarrett, Chick Corea, and John Scofield are just a few of the musicians that came out of his bands.
He saw potential in young musicians and brought them together with other like-minded players, creating incredible power-house bands.
Of course, Miles Davis was an incredible player in his own rite, with a unique sound that influenced many trumpet players to follow him.
5. John Coltrane.
John Coltrane has had one of the strongest influences on modern jazz today.
His sound is instantly recognizable and his unique innovations in jazz music easily set him apart from others. Perhaps one of his greatest innovations is what we now call Coltrane Changes.
The most well-know tune that he utilized his changes in is Giant Steps. His record "A Love Supreme" was one of his most note-able works, an album he called his "masterpiece".
Jazz musicians today are still heavily influenced by Coltrane and his music. He's one of the most brilliant musicians in the music's history.
6. Ornette Coleman.
Ornette Coleman is an important musician to mention because he was one of the major leaders of the free jazz movement.
He played a plastic saxophone but his sound was powerful and unique. He drew other important musicians to himself such as Charlie Hayden, Don Cherry, and Billy Higgins. His most iconic record was "The Shape of Jazz to Come", a record that made a huge impact on the jazz world.
There are so many more important jazz musicians to mention, but these, in my opinion, are ones that cannot be skipped over. If you are not familiar with these iconic musicians, it's time to start exploring their music.
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Nonie DeCamila August 12, 2020	At	8:59 pm
An important jazz musician is undoubtedly is Stan Getz. Aside from his beautiful tone, tenor saxophonist Getz was a superb technician and improviser, and he is widely considered one of the greatest saxophonists in the history of jazz. It is unfair that most people associate Getz just with Brazilian Bossanova! =(
Christopher Nowak October 17, 2019	At	7:03 pm
CARLOS ANTONIO JOBIM?!
Christopher Nowak October 17, 2019	At	9:17 am
This is a personal comment to Brent: As a fellow jazz guitarist, I suggest that you google: "4 OBSCURE JAZZ GUITARISTS THAT YOU NEED TO KNOW ABOUT".
I never knew about any of these 4 until I read (and listened) to this article and the added videos.
I think that there could be a case for DAVE BRUBECK.
Yes. We all know about "TAKE 5" BUT he also wrote other interesting songs such as "THE DUKE" and of course the masterpiece "BLUE RONDO A LA TURK".
Brent Vaartstra October 21, 2019	At	1:26 pm
Very true! Brubeck was a master musician.
Christopher Nowak October 1, 2019	At	9:37 am
I agree about JOHN COLTRANE.
He sure made TOMMY FLANIGAN (jazz pianist) look bad when they both made a recording of GIANT STEPS.
Sorry Folks. It is actually FLANAGAN.
Christopher Nowak September 30, 2019	At	6:40 pm
I had tremendous respect for Miles Davis until I heard that he stole CHUCK WAYNE'S "SONNY"(in memory of the late trumpeter SONNY BERMAN) and renamed it "SOLAR".
There is also a rumour that BILL EVANS (not Miles) wrote "KIND of BLUE" and/or "FLAMENCO SKETCHES".
Brent Vaartstra October 8, 2019	At	3:09 pm
There is some speculation that Miles did this. Miles also adjusted changes to standards, and now many musicians use his changes and not the original. But Not For Me is a good example, and also Well You Needn't
Thelonious Monk is the composer of "Well, You Needn't".
Yes. Duke was great BUT most people do not note that he was probably responsible for writing the easiest song (melody) in the history of music: C JAM BLUES.
Christopher Nowak September 30, 2019	At	10:11 pm
I guess another name for "C Jam Blues" would be "TWO NOTE BLUES".
It is interesting to note that "ONE NOTE SAMBA" is more difficult to play than "C Jam Blues".
That is absolutely true, but boy did those 2 notes swing!
Gib November 2, 2018	At	9:17 am
lastknowngood0 September 1, 2018	At	5:08 pm
FREE or Avant Garde Music like Trane & Ornette is weird. I've seen them both in person. Frankie Trumvauer TRAM, BIX & JIMMY DORSEY inspired Pres & Bird but yet no mention was made of them.Tiny Grimes, Jay McShann & Buster Prof Smith mentored Bird yet no mention of them. Billy Eckstein's Band & Earl Fatha Hines inspired Diz, Jug, Dex and a whole host of players yet no mention of them . Just s sayin guys, Trane & Ornette were good Blues inspired Reed Artists but sounding like a wolf in a hen house is just plain weird!
Peace, love & Jazz (Len Pace)
TO LASTKNOWNGOOD0: I think you mean FRANKIE TRUMBAUER.
Learning Jazz
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The GridLayout class arranges controls into rows and columns of cells. This is the most common type of layout for arranging non-overlapping controls, and can be used to create resizable rows or columns of controls. The number of columns is controlled by the numColumns attribute, and the number of rows is determined by the number of columns and the number of child elements. Setting numColumns to 0 is the same as setting it to the number of children, and will cause the layout to create everything in one row.
The layout will try to give each control its preferred size if possible. If there is extra space, it will distribute the extra pixels among any growing rows or columns. If there is not enough space, it will remove the needed pixels from any shrinking rows or columns. If there are no growing or shrinking columns available, the layout will fall back to a default behavior controlled by the hAlign or vAlign property.
By default, each cell contains one control, but it is possible to configure controls to span multiple cells. Controls are assigned to cells in English reading order (left-to-right, top-to-bottom). Controls that don't span multiple cells are always placed in the next available cell. Controls that span multiple cells are placed in the next available grouping of cells that will fit the control.
A row or column is considered growing or shrinking by default if it contains at least one growing or shrinking control respectively. In the event that a growing or shrinking control spans multiple rows or columns, the GridLayout will choose to grow or shrink one of those columns if none grows/shrinks already. If the default growth/shrink behavior is not deemed appropriate for a given layout, the defaults can be overridden directly by calling setRowData() or setColumnData().
The preferred size for a row or column is the maximum of the preferred sizes of its controls. In the event that a control spans multiple cells, the layout will allocate the space for that control over the cells it spans in a manner than gives the control its preferred size while minimizing the overall size of the layout. If the default preferred size is deemed inappropriate for a given layout, the preferred size of each row or column may be controlled directly by calling setRowData() or setColumnData().
Controls that belong to a GridLayout may have an optional GridData object attached to their layoutData. No other type of layoutData is permitted for controls within a GridLayout, and attaching other types of layout data to elements in a GridLayout will cause an error. If no layout data is attached to a control, this is treated equivalent to having a GridData instantiated with its default constructor. The same GridData instance may be attached to multiple controls and may be shared between multiple GridLayouts.
The GridData for each control controls any per-control settings. Anything specified in the GridData will override any defaults supplied by the control itself. Anything specified in the layout's setRowData() or setColumnData() will override any settings on the GridData.
Gets or sets an ID that is used to easily identify GridLayout instances in the debugger.
Gets or sets the horizontal alignment of the GridLayout.
[write-only] Sets the left and right padding to the given value.
Specifies the horizontal space between columns.
Specifies the number of cell columns in the layout.
[write-only] Sets the top, bottom, left, and right padding to the given value.
Specifies the amount of empty space at the bottom of the layout.
Specifies the amount of empty space on the left-most edge of the layout.
Specifies the amount of empty space on the right-most edge of the layout.
Specifies the amount of empty space at the top edge of the layout.
[write-only] Sets hSpacing and vSpacing to the given value.
Gets or sets the vertical alignment of the GridLayout.
[write-only] Sets the top and bottom padding to the given value.
Specifies the vertical space between rows.
Creates a new GridLayout instance with the given number of columns.
Clears any layout options from the GridLayout.
Creates a clone of this GridLayout instance.
[override] Returns a bitwise combination of SizeOptions GROWTH | SHRINK constants, indicating whether this control wants to grow or shrink in the given dimension. The flags have the following meaning: SizeOptions.GROW_HORIZONTAL - indicates that if the control were made wider than its preferred width, it would be able to utilize the extra space. SizeOptions.SHRINK_HORIZONTAL - indicates that if the control were made norrower than its preferred width, it would still be usable. SizeOptions.GROW_VERTICAL - indicates that if the control were made taller than its preferred height, it would be able to utilize the extra space. SizeOptions.SHRINK_VERTICAL - indicates that if the control were made shorter than its preferred height, it would still be usable. For example, a wrapping text label would return its unwrapped dimensions as its preferred size.
Notifies the layout that something has changed in the container or in one of its children.
[override] Returns the preferred size of the control, given one or both dimensions that have been chosen by its parent.
Sets the column data for the given column.
Indicates that the GridLayout should always return the given SizeOptions, regardless of the contents of the layout.
Sets the row data for the given row.
Sets hSpacing and vSpacing to the given value.
Sets the alignment that will be used for the boundary of the layout itself, if the layout contains no appropriately resizable rows or columns, and if the layout is given extra space.
[override] Requests that a layout operation be performed immediately.
Indicates that the GridLayout should compute the given size options automatically based on the contents of the layout.
This has no effect on the layout.
If the layout cannot resize its contents to match the horizontal space available to it, this setting controls how the layout behaves. In other words, the setting does nothing if the layout is able to resize using the usual size options.
The default alignment (Align.BEGIN) indicates that GridLayout should keep widgets on the left side of its boundary. If there is too much space, empty space will be added on the right side of the layout. If there is not enough space, the rightmost widgets will be clipped first. Non-resizable columns will not be forced to resize.
With Align.CENTER alignment, the entire grid will be centered horizontally. If there is too much space, empty space will be added on both sides of the layout. If there is not enough space, widgets on both sides of the layout will be clipped. Non-resizable columns will not be forced to resize.
With Align.END alignment, the widgets will always be aligned with the right side of the layout's boundary. If there is too much space, empty space will be added on the left. If there is not enough space, the leftmost widgets will be clipped. Non-resizable columns will not be forced to resize.
With Align.FILL alignment, the widgets will be forced to fill the available space. No whitespace will be inserted and no widgets will be clipped, but if there are no resizable columns in the layout, all columns will be forced to resize.
Sets the left and right padding to the given value.
Specifies the number of cell columns in the layout. If set to 0 then the layout will position all the controls in a single row.
Sets the top, bottom, left, and right padding to the given value.
If the layout cannot resize its contents to match the vertical space available to it, then this setting will define the behavior of the layout. Note that the setting does nothing if the layout is able to resize itself using the usual size options.
The default alignment (Align.BEGIN) indicates that GridLayout should keep widgets on the left side of its boundary. If there is too much space, empty space will be added on the top of the layout. If there is not enough space, the bottom-most widgets will be clipped first. Non-resizable rows will not be forced to resize.
With Align.CENTER alignment, the entire grid will be centered vertically. If there is too much space, empty space will be added on both sides of the layout. If there is not enough space, widgets on both sides of the layout will be clipped. Non-resizable rows will not be forced to resize.
With Align.END alignment, the widgets will always be aligned with the bottom of the layout's boundary. If there is too much space, empty space will be added on the top. If there is not enough space, the topmost widgets will be clipped first. Non-resizable rows will not be forced to resize.
With Align.FILL alignment, the widgets will be forced to fill the available vertical space. No whitespace will be inserted and no widgets will be clipped.If there are no resizable rows in the layout, all rows will be forced to resize.
Sets the top and bottom padding to the given value.
numColumns:int (default = 1) — The number of columns, or 0 to put all the controls in a single row.
Indicates that the GridLayout should never return any of the given SizeOptions, regardless of the contents of the layout. You can use this method to override the default behaviors of the layout and to control the growth options directly. For example, calling clearOptions(SizeOptions.SHRINK_VERTICAL) will cause GridLayout to report to its parent that it cannot be shrunk vertically, even if the layout detects that its children support shrinking.
options:int — A bitwise combination of constants from SizeOptions that should never be returned from getSizeOptions.
Creates a clone of this GridLayout instance. The new instance contains the same data.
GridLayout — The cloned GridLayout instance.
A single-line, editable text box would return both the SizeOptions.GROW_HORIZONTAL flag and the SizeOptions.SHRINK_HORIZONTAL flag, since the text box would still be usable with any horizontal size. It would not return any vertical flags since a one-line text box would always be exactly the height of one line of text.
Returns the preferred size of the control, given one or both dimensions that have been chosen by its parent. The preferred size may be totally different than the control's actual size. This is an indication of what size the control "wants" to be. The parent layout is still free to ignore this and set the control to a different size.
If both dimensions are DefaultSize then the control will return whatever size it feels it looks best at. If exactly one dimension is DefaultSize then the other dimension is constrained. The caller is essentially asking the control: "If I were to make you exactly this wide, how tall would you want to be?". The control is required to return any constrained dimension verbatim, so if neither dimension is set to DefaultSize, this method must return the point (availableX, availableY).
Implementations of this method must not modify the control in any way or cause any events to be dispatched. If the implementation of this method will perform any expensive calculations, it should make use of a SizeCache or other caching strategy to ensure that the average cost of this function is reasonable.
If the result of this method changes for any given input, the control will fire a ControlEvent.CONSTRAINTS_CHANGED event.
A controls will often return the most extreme size as their preferred size, since doing so allows it to return a more specific resize flag. For example, if a wrapping text control returns its unwrapped (widest possible) size as its preferred size, it would only need to specify the SizeOptions.SHRINK_HORIZONTAL resize flag. This tells its parent "I can be made up to this wide and no wider". The wrapping text control can also choose a preferred wrapping point and return that as its preferred width. However, since such a control would support other widths that are both larger and smaller than its preferred size, it would have to specify both the SizeOptions.GROW_HORIZONTAL and SizeOptions.SHRINK_HORIZONTAL flags and would not be able to communicate its maximum size to its parent. In such cases, it is generally better to report the unwrapped size as the preferred size and override the preferred size in the layout if it is not appropriate.
availableX:Number — The horizontal space available in the parent, or DefaultSize if the horizontal dimension is unconstrained.
availableY:Number — The vertical space available in the parent, or DefaultSize if the vertical dimension is unconstrained.
LayoutMeasurement — A LayoutMeasurement instance, indicating the preferred size of the control.
Columns are indexed from 0. Setting column data for a column number greater than the current number of columns in the layout is permitted, but will have no visible effect on the layout. Any settings in the GridRowData will override anything computed from the individual controls or their GridData.
index:int — The column number. The left-most column is column 0, and the column numbers are indexed from left to right. Negative indices are not permitted. You can assign a GridRowData instance to a column index that is greater than the current number of columns, but doing so will have no effect if the column is never used.
data:GridRowData — A GridRowData instance containing settings for the column.
Indicates that the GridLayout should always return the given SizeOptions, regardless of the contents of the layout. You can use this method to override the default behaviors of the layout and to control the growth options directly. For example, calling setOptions(SizeOptions.GROW_HORIZONTAL) will cause the GridLayout to always report itself as horizontally resizable even if it contains no horizontally resizable contents.
options:int — A bitwise combination of constants from SizeOptions that should always be returned from getSizeOptions.
Rows are indexed from 0. Setting row data for a row number greater than the current number of rows in the layout is permitted, but will have no visible effect on the layout. Any settings in the GridRowData will override anything computed from the individual controls or their GridData.
index:int — The row number. The top-most row is row 0, lower rows have ascending row numbers. Negative row numbers are not permitted. Data may be assigned to higher row numbers that do not currently exist.
data:GridRowData — A GridRowData instance containing settings for the row.
spacing:Number — The new spacing value that should be used for both horizontal and vertical spacing.
Requests that a layout operation be performed immediately.
unscaledWidth:Number — The width of the layout.
unscaledHeight:Number — The height of the layout.
Indicates that the GridLayout should compute the given size options automatically based on the contents of the layout. This is the default for all options. This method can be used to undo a previous call to setOptions or clearOptions.
options:int — A bitwise combination of constants from SizeOptions that should be computed automatically from now on.
The following example uses multiple Containers and multiple GridLayout instances to create a credit card information submission form. The size of the container changes as the device changes orientation.


One question I get asked again and again is how to prep for a boudoir session. We cover so much during our initial chat and consultation but once you are completely booked and ready to go, you may be thinking "now what?!" You are not alone! Here are a few of my go to tips that will ensure you are ready to step in front of the camera.
You may be thinking that you need the perfect lingerie pieces for your session. Making sure you get just the perfect piece can be overwhelming. There are so many different stores out there, it can be difficult to know where to begin. But, I promise that whatever you wear will be perfect! Think about your favorite stores and where you buy most of your lingerie or clothing - those stores are perfect place to start.
If you are struggling with ideas, remember to take another look at the Pinterest board I have created for you. It's full of ideas that you may be able to find in your closet or at your favorite store. If new lingerie is not in the budget, do not worry! Your closet is probably full of some really great items that you may not even think about. From bodysuits to jackets, there are so many great pieces for boudoir that you probably wear in your day to day wardrobe.
Don't forget about touching up your hair and nails the week of your session. If you need to touch up your roots, be sure to do that. You don't want to look back and only be able to focus on your hair or unpainted nails. I also recommend not trying any new haircut or color right before your session, just in case you don't like how it turns out.
This is the week you really want to be moisturizing your skin. You want your skin to look well moisturized in your photos. Try moisturizing your body at least a few days before leading up to you session. Your skin will thank you!
Hydration is great for making your skin look moisturized and it will give you that natural glow that we all love. Be sure to get in your daily amount of water each day of the week leading up to your session. Not only will you be able to hydrate your skin from the inside out, but you will feel awesome!
If you are feeling nervous at all, just know that is completely nervous. Every client usually shows up to their a session a little bit nervous about their shoot. I promise you are in good hands. While you are getting your hair and makeup done, I'll go over any questions you may have about the session. From what you will be wearing to what parts of your body you want to show off, we will go over everything. With a little champagne and some time to relax, by the time your done getting glam you will be feeling much better about your session!
These are just a few simple tips to get you through your boudoir prep. If you are feeling like you are missing out on something, you can always reach out via email and I'll be happy to answer any questions for you!


Posted May 25, 2012 by Apoch.
Kaotoxin Records, Clawhammer PR, and Apoch's Metal Review have teamed up for the Memorial Day weekend to bring Metal fans an outlet for their pent up holiday rage! Now you can stream the entire Dehuman album Black Throne of All Creation for a limited time! Dehuman is a Progressive Death Metal group from Brussels, Belgium, and this is their debut full-length effort! You will be able to pick this one up through Kaotoxin on May 29th, 2012 at shop.kaotoxin.com.


Build and Drive the Radio-controlled T-72 Tank.
Whether you're fascinated by classic tanks or are left in awe by the wonder of warships and fighter planes, you're sure to find the perfect models to build in our collection. All out models come with great detail, authentic color schemes and weaponry details that ensure your model tanks and model planes really look the part.
Start your military models collection with a historic Spitfire model or any other option from our selection of military model aircraft. Learn more about the history of conflicts, the development of the engineering used to make these incredible machines, and build your own replicas from scratch to get a feel for what they were like.
Our military model tanks come in various shapes and sizes, detailing the history and evolution of this ultimate fighting machine. Collect the great tanks from history for a display to be proud of today. We also stock a selection of model planes, trains and cars too - so you can always expand your collection as your modeling skills grow.


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Ronald McDonald House Charities honor 4 local students with scholarships
Four area students have been awarded prestigious Ronald McDonald House Charities (RMHC) scholarships by RMHC of Northeastern PA due to their outstanding academic performance and community involvement.
Winners will receive awards ranging from $1,000 to $1,500. The four local students are part of a group of 18 finalists that were chosen for awards and selected from an applicant pool of 468. Selection was based on academic performance, community involvement, leadership skills and overall character as determined by letters of recommendation.
The goal of the RMHC Scholarship Program is to provide resources to students who need financial assistance to attend college.
"The RMHC U.S. Scholarship Program provides outstanding high school seniors in Northeastern Pennsylvania who wish to continue their education the opportunity to apply for a scholarship and receive financial assistance to attend college," said Doug Doherty, local McDonald's owner/operator. "It is our goal to help outstanding students offset the cost of a college education."
The local students earning a scholarship are:
• Alisha Chen — $1,500
Williamsport Area High School
Ranked first in a class of 364 with an unweighted GPA of 99.23
Academic Index: 248
SAT: Reading 690, math 790
Eight honors classes, 12 AP classes
Math tutor, volunteer violinist at the Williamsport Senior Center, volunteer for the National Art Honor society. Co-captain of the tennis team, president of the STEM competition team, assistant editor of the Literary Magazine, member of the strolling strings, student representative for Williamsport Area High School. Plans to attend Johns Hopkins and major in biology.
• Cherokee Phillips — $1,000
Montoursville Area High School
Ranked 22 in a class of 137 with a weighted GPA of 3.83
Four honors classes, two AP classes
Has stayed/volunteered for the RMH Hershey. Member of National Honor Society, National Art Honor Society, Culture Club, Spanish Club and Students Against Destructive Decisions. Works part time and plays club soccer. Plans to attend Messiah College and major in nursing.
• Autumn Deitrick — $1,000
Loyalsock Township High School
Ranked first in a class of 100 with a weighted GPA of 101.615
SAT: Reading 700, math 740, ACT composite 31
Two honors classes, four AP classes
Summer camp volunteer, Operation Christmas Child, Lycoming County Youth Development Task Force, active in her church, president of NHS, president of Model United Nations and Mock Constitutional Convention, captain of the cross country and soccer teams, president of National Art Honor Society and Girl Scout. Plans to attend Penn State University, State College, and major in biology.
• Emily Fessler — $1,000
Ranked 27 in a class of 366 with a weighted GPA of 96.9
Nine honors classes, two AP classes
Volunteered for Big Brothers/Big Sisters, member of student government, NHS member and works part time. Family stayed at RMH Hershey. Plans to attend Penn State University, State College and major in criminology.
Warrior Run School District to induct four natives in 2019 Hall of Fame class
The Warrior Run Hall of Fame committee and school district will be welcoming four new members to the district's ...
PFEW brings together students across the state
LHU receives $250,000 for medical equipment
College offers injection molding workshops
Evangelical holds healthcare internships for area's high schools
City program to teach homeland security skills


text:
Q: php how to save all the values inside an array when applying a foreach function? How can I save an array, for example,
['name' => 'Some_name_1', 'Quantity' => 176],
['name' => 'some_name_2', 'Quantity' => 1096],
['name' => 'some_name_3', 'Quantity' => 1598],

from a foreach loop?
For example, I get those values from another array by applying the array_count_values() function in this form:
Array
(
    [Some_name_1] => 176
    [Some_name_2] => 1096
    [Some_name_3] => 1598
)

And when I apply the foreach() like this
foreach($values as $index => $value){
        $stats=['name'=>$index,'Quantity'=>$value];
    }

I only get one value stored in the new array and not the three ones.
Array
(
    [name] => Some_name_3
    [Quantity] => 1598
)

(Some_name_1, and Some_name_2 weren't stored in the array)
How can I save all of them inside the array? What am I missing?

A: push to the array, your syntax is incorrect.
foreach(values as $index=>$value)
{
    array_push($stats, array('name'=>$index, 'quantity'=>$value));
}

or as Matt says above, alternate syntax:
foreach(values as $index=>$value)
{
    $stats[] = array('name'=>$index, 'quantity'=>$value);
}

A: Inside of your foreach loop you're not appending to an array - rather overwriting each time you iterate over the values array.
Append to an array rather than overwriting using the example below.
New function:
foreach($values as $index => $value){
        $stats[]=['name'=>$index,'Quantity'=>$value];
    }

redpajama_set_name: RedPajamaStackExchange


Or you could buy some books. At least you could use those to start a fire if you get desperate.
Sure as a back up.
few good survival books are always a good idea though.
As far as I know, all you need is a metal enclosure that is connected to earth. My back yard shed has no windows, is metal and is earthed. Anything in it will survive. You could have a 10KW solar array, batteries etc packed inside with your radios and a great stereo plus computers and what not.
After an EMP you could be the only gig in town! Good investment.
Actually I like this idea! Would need to have a still or some brewing gear/ingredients stashed also otherwise the festivities would be rather tame.
Who is going to keep all their electronic gear inside a box whenever they're not using it?
Most of us are too lazy to put our laptops in a bag.
Unless you have backup gear to keep stored I doubt a box would be of much use.
You wouldn't know the EMP was coming until after it hit.
Anything not in the box when that happens is useless.
Good information and well-presented LT.
I like your style and simplicity plus your "let's try it out" attitude.
That's how we figure out how to not to do things incorrectly.
A good contribution to survival knowledge.
If I'm not mistaken, the objects inside would have to insulated from or not touching the metal, as it grounds to the earth. I'm sure a large rubber mat would work just fine. It would have to sealed up well, too. No significant cracks in metal walls/doors/ceilings. Other then some small things here and there, that would make a great faraday storage shed with lots of room.
OK, time to buy a new laptop. Great, put the old one in the shed. Buy a good old fashioned hi-fi at a garage sale. Box it up. Keep all your survival stuff in the same shed. It is a matter of storage for a rainy day. So, yes, you need backup gear. But you can collect it over time! This is the survival forum. If you are not into it then great!
if you do a little digging, I am pretty sure that you will find that most modern electronics will survive an EMP as long as it is not plugged into the power grid, and is not connected to an antenna or other long piece of wire.
Many years ago, electronic chips were very static sensitive. The static spark you see when you touch something in the winter time can be up to 20,000 volts. Just brushing an 1102 ROM would blow it out. Nowadays, almost all chips have zener diodes built in on all pins to protect the circuits inside. The same diodes will snub an EMP pulse.
How I understand it, if you have a radio, generator, lights, or solar panel, even the electronics in a car, should all survive an EMP as long as they are not "plugged in." If you are really concerned, you might look into a wood burning stove and a steam driven generator that you can fire with wood.
You can buy simple electronic parts bags, "like the bag that a hard drive comes in". And use those to put electronics in. They claim they will prevent an emp from ruining the electronic. I'm not 100% sure though but it's possible.


text:
Gainsborough Central railway station is one of two railway stations in the town of Gainsborough, Lincolnshire, England. The station is on the Brigg branch of the Sheffield–Lincoln line. Services are currently operated by Northern Trains.

The town's other station is the busier Gainsborough Lea Road.

History
The station was opened by the Manchester, Sheffield and Lincolnshire Railway (MS&LR) on 2 April 1849. The opening day was a gala occasion, shops were closed and the town was full of visitors. The station, off Spring Gardens, was crowded with onlookers, and at noon the train whistle was heard in the distance. Some hundreds of people saw 'a veritable locomotive on a line of railway at Gainsborough' for the first time. It came over the track by a wooden trestle bridge across the Humble Carr and backed into the station. The directors of the line and the chief engineer were greeted by leading inhabitants and then went in procession to the old coaching inn, the White Hart, for a champagne lunch.

The station buildings were designed by architects Weightman and Hadfield. A substantial stone frontage with full-height portico with four attached Roman Ionic columns and triple arcade with moulded round arches.

The MS&LR became the Great Central Railway (GCR) on 1 August 1897, which in turn amalgamated with other railways to form the London and North Eastern Railway (LNER) at the end of 1922. The LNER inherited two stations in Gainsborough, and to distinguish them, the ex-GCR station was renamed Gainsborough Central in September 1923. The station buildings were demolished in 1975, leaving just the two platforms and a footbridge over the two railway lines.

Weekday passenger services (which had been thrice-daily each way between Sheffield and  since the early 1980s) were withdrawn by British Rail in October 1993 leaving only three trains in each direction running on Saturdays. In the Strategic Rail Authority's 2002/3 financial year, only five fare-paying passengers (excluding season ticket holders) boarded trains at Gainsborough Central station, and three disembarked, making it the least busy station in Great Britain, alongside Barry Links. The 2004/05 figures suggested 21 passengers used the station that year, putting it slightly above Watford West, a station which closed in 1996.

The line through the station was upgraded and refurbished in 2008 by contractors Arup and Carillon to allow it to carry increased levels of freight traffic from the port complex at Immingham to South Yorkshire and the East Midlands.  This was done to reduce congestion on the busy route via Scunthorpe.

Meanwhile, the Friends of the Brigg and Lincoln Line, who come under the umbrella of the Lincolnshire Branch of Railfuture, was campaigning for the introduction of regular weekday services. This was finally achieved in May 2019 when Northern introduced an hourly service between Gainsborough Central and Sheffield on weekdays and Saturdays, the most regular service the station has received since 1849. Although it falls outside Northern's franchise commitments, the operator agreed to run the service without extra subsidy, with West Lindsey District Council agreeing to fund improvements to the station and signage. The new services utilise trains and crew which would otherwise have waited 40 minutes at Retford. Stopping at all stations, it now allows the Lincoln to Sheffield service to run non-stop between Worksop and Sheffield as part of the new Northern Connect network. Just eight months later however, the regular service was suspended again due to the COVID-19 pandemic in the United Kingdom, with a skeleton service resuming in May 2022.

Location
Gainsborough Central station is situated close to Gainsborough steel stock holders (since moved) and the new Marshalls Yard Shopping Centre.

Facilities
The station is unstaffed and has relatively basic facilities. The station has a self-service ticket machine for ticket purchases.

The station has a small cycle rack at the entrance and car parking is available at the nearby Marshalls Yard Shopping Centre.

Step-free access is available to both platforms at the station.

Services
All services at Gainsborough Central are operated by Northern Trains.

As of December 2022, the station is served by four trains per day on weekdays and Saturdays to  via  which start and terminate at Gainsborough Central. On Saturdays, the station is served by three additional trains per day between Sheffield and  via .

There is no Sunday service.

The nearby  is served regularly throughout the day, in the evenings and on Sundays.

Gallery

References

External links

1849 view of the station
1954 view of the station

Railway stations in Lincolnshire
DfT Category F1 stations
Former Great Central Railway stations
Railway stations in Great Britain opened in 1849
Northern franchise railway stations
Buildings and structures demolished in 1974
1849 establishments in England
Gainsborough, Lincolnshire


Fall 2018 is my first semester as a Welding Teacher at North Baldwin Center for Technology. I graduated from South Alabama with a bachelor's in elementary education, and I have been teaching in Baldwin County schools since 2007. However, before that, I worked for 17 years as a shipfitter at Newport News Shipbuilding in Virginia. I also spent roughly five years as an inside machinist. I was a hull technician in the Naval Reserves for eight years. Hunting, fishing, and tinkering in my garage are some of my hobbies.
On a visit to see my wife's sister and her family in 2002, we fell in love with Foley, Alabama, moved down a few months later, and we've been here ever since. My wife Karen and I have four children and five grandchildren. These days it's a lot quieter around here since my two younger daughters married and moved out. I am ready for the next part of this journey and I am excited to be a part of the NBCT staff!