text:
3D Simulation Results: Model: ENLIL
Run: Guillaume_duRoy_041217_SH_1 CR=2165
This is the web interface for the visualization of results of a three-dimensional simulation of the Sun's environment.
Announcement: Display coordinates were changed: Earth is located near X=+1 AU and at Y=0 AU (180. deg. longitude)
Note: Floating-point values with a decimal point not followed by numbers (e.g., "1." or "1.E+4") are not being accepted. Please enter equivalent values ("1.0" or 1.0E+4) or ("1" or "1e+4") instead.
Go back to web page of run
Update Plot will update (generate) the plot with the chosen time and plot parameters below.
This will take some time (typically 10-30s) as data are read in and processed.
Choose data time:
Date: 2015/06/17 Time: 00:09:42 Date: 2015/06/17 Time: 06:08:59 Date: 2015/06/17 Time: 12:08:04 Date: 2015/06/17 Time: 18:07:02 Date: 2015/06/18 Time: 00:06:12 Date: 2015/06/18 Time: 06:05:32 Date: 2015/06/18 Time: 12:10:52 Date: 2015/06/18 Time: 18:10:02 Date: 2015/06/19 Time: 00:09:03 Date: 2015/06/19 Time: 06:08:01 Date: 2015/06/19 Time: 12:07:13 Date: 2015/06/19 Time: 18:06:33 Date: 2015/06/20 Time: 00:05:51 Date: 2015/06/20 Time: 06:10:57 Date: 2015/06/20 Time: 12:09:55 Date: 2015/06/20 Time: 18:08:56 Date: 2015/06/21 Time: 00:08:12 Date: 2015/06/21 Time: 06:07:34 Date: 2015/06/21 Time: 12:06:50 Date: 2015/06/21 Time: 18:05:55 Date: 2015/06/22 Time: 00:10:53 Date: 2015/06/22 Time: 06:10:03 Date: 2015/06/22 Time: 12:09:24 Date: 2015/06/22 Time: 18:08:49 Date: 2015/06/23 Time: 00:08:06 Date: 2015/06/23 Time: 06:07:13 Date: 2015/06/23 Time: 12:06:17 Date: 2015/06/23 Time: 18:05:36 Date: 2015/06/24 Time: 00:05:05 Date: 2015/06/24 Time: 06:10:33 Date: 2015/06/24 Time: 12:09:53 Date: 2015/06/24 Time: 18:09:04 Date: 2015/06/25 Time: 00:08:17 Date: 2015/06/25 Time: 06:07:46 Date: 2015/06/25 Time: 12:07:24 Date: 2015/06/25 Time: 18:06:57 Date: 2015/06/26 Time: 00:06:21 Date: 2015/06/26 Time: 06:05:37 Date: 2015/06/26 Time: 12:05:03 Date: 2015/06/26 Time: 18:10:41 Date: 2015/06/27 Time: 00:10:26 Date: 2015/06/27 Time: 06:10:04 Date: 2015/06/27 Time: 12:09:33 Date: 2015/06/27 Time: 18:08:57 Date: 2015/06/28 Time: 00:08:34 Date: 2015/06/28 Time: 06:08:23 Date: 2015/06/28 Time: 12:08:13 Date: 2015/06/28 Time: 18:07:54 Date: 2015/06/29 Time: 00:07:27 Date: 2015/06/29 Time: 06:06:59 Date: 2015/06/29 Time: 12:06:46 Date: 2015/06/29 Time: 18:06:42 Date: 2015/06/30 Time: 00:06:36 Date: 2015/06/30 Time: 06:06:19 Date: 2015/06/30 Time: 12:05:54 Date: 2015/06/30 Time: 18:05:36 Date: 2015/07/01 Time: 00:05:30 Date: 2015/07/01 Time: 06:05:31 Date: 2015/07/01 Time: 12:05:26 Date: 2015/07/01 Time: 18:05:10 Date: 2015/07/02 Time: 00:10:48 Date: 2015/07/02 Time: 06:10:37 Date: 2015/07/02 Time: 12:10:37 Date: 2015/07/02 Time: 18:10:40 Date: 2015/07/03 Time: 00:10:35 Date: 2015/07/03 Time: 06:10:20 Date: 2015/07/03 Time: 12:10:00 Date: 2015/07/03 Time: 18:09:55 Date: 2015/07/04 Time: 00:09:58 Date: 2015/07/04 Time: 06:10:01 Date: 2015/07/04 Time: 12:09:54 Date: 2015/07/04 Time: 18:09:38 Date: 2015/07/05 Time: 00:09:22 Date: 2015/07/05 Time: 06:09:20 Date: 2015/07/05 Time: 12:09:26 Date: 2015/07/05 Time: 18:09:26 Date: 2015/07/06 Time: 00:09:16 Date: 2015/07/06 Time: 06:08:57 Date: 2015/07/06 Time: 12:08:46 Date: 2015/07/06 Time: 18:08:47 Date: 2015/07/07 Time: 00:08:52 Date: 2015/07/07 Time: 06:08:48 Date: 2015/07/07 Time: 12:08:35 Date: 2015/07/07 Time: 18:08:14 Date: 2015/07/08 Time: 00:08:07 Date: 2015/07/08 Time: 06:08:09 Date: 2015/07/08 Time: 12:08:11 Date: 2015/07/08 Time: 18:08:04 Date: 2015/07/09 Time: 00:07:46 Date: 2015/07/09 Time: 06:07:26 Date: 2015/07/09 Time: 12:07:21 Date: 2015/07/09 Time: 18:07:23 Date: 2015/07/10 Time: 00:07:22 Date: 2015/07/10 Time: 06:07:10 Date: 2015/07/10 Time: 12:09:40 Date: 2015/07/10 Time: 18:05:43 Date: 2015/07/11 Time: 00:06:32 Date: 2015/07/11 Time: 06:07:25 Date: 2015/07/11 Time: 12:08:19 Date: 2015/07/11 Time: 18:09:07 Date: 2015/07/12 Time: 00:09:45 Date: 2015/07/12 Time: 06:10:21 Date: 2015/07/12 Time: 12:05:06 Date: 2015/07/12 Time: 18:05:57 Date: 2015/07/13 Time: 00:06:48 Date: 2015/07/13 Time: 06:07:32 Date: 2015/07/13 Time: 12:08:06 Date: 2015/07/13 Time: 18:08:44 Date: 2015/07/14 Time: 00:09:30 Date: 2015/07/14 Time: 06:10:21 Date: 2015/07/14 Time: 12:05:09 Date: 2015/07/14 Time: 18:05:49 Date: 2015/07/15 Time: 00:06:21 Date: 2015/07/15 Time: 06:07:01 Date: 2015/07/15 Time: 12:07:49 Date: 2015/07/15 Time: 18:08:39 Date: 2015/07/16 Time: 00:09:25 Date: 2015/07/16 Time: 06:10:02 Date: 2015/07/16 Time: 12:10:34 Date: 2015/07/16 Time: 18:05:16 Date: 2015/07/17 Time: 00:06:04 Date: 2015/07/17 Time: 06:06:54 Date: 2015/07/17 Time: 12:07:37 Date: 2015/07/17 Time: 18:08:10 Date: 2015/07/18 Time: 00:08:45 Date: 2015/07/18 Time: 06:09:29
Change time by moving
output steps
Create GIF movie (and archive of ASCII data outputs) with current plot settings
Note: This is a queue submission system requiring the following three additional inputs:
Start Time: Date: 2015/06/17 Time: 00:09:42 Date: 2015/06/17 Time: 06:08:59 Date: 2015/06/17 Time: 12:08:04 Date: 2015/06/17 Time: 18:07:02 Date: 2015/06/18 Time: 00:06:12 Date: 2015/06/18 Time: 06:05:32 Date: 2015/06/18 Time: 12:10:52 Date: 2015/06/18 Time: 18:10:02 Date: 2015/06/19 Time: 00:09:03 Date: 2015/06/19 Time: 06:08:01 Date: 2015/06/19 Time: 12:07:13 Date: 2015/06/19 Time: 18:06:33 Date: 2015/06/20 Time: 00:05:51 Date: 2015/06/20 Time: 06:10:57 Date: 2015/06/20 Time: 12:09:55 Date: 2015/06/20 Time: 18:08:56 Date: 2015/06/21 Time: 00:08:12 Date: 2015/06/21 Time: 06:07:34 Date: 2015/06/21 Time: 12:06:50 Date: 2015/06/21 Time: 18:05:55 Date: 2015/06/22 Time: 00:10:53 Date: 2015/06/22 Time: 06:10:03 Date: 2015/06/22 Time: 12:09:24 Date: 2015/06/22 Time: 18:08:49 Date: 2015/06/23 Time: 00:08:06 Date: 2015/06/23 Time: 06:07:13 Date: 2015/06/23 Time: 12:06:17 Date: 2015/06/23 Time: 18:05:36 Date: 2015/06/24 Time: 00:05:05 Date: 2015/06/24 Time: 06:10:33 Date: 2015/06/24 Time: 12:09:53 Date: 2015/06/24 Time: 18:09:04 Date: 2015/06/25 Time: 00:08:17 Date: 2015/06/25 Time: 06:07:46 Date: 2015/06/25 Time: 12:07:24 Date: 2015/06/25 Time: 18:06:57 Date: 2015/06/26 Time: 00:06:21 Date: 2015/06/26 Time: 06:05:37 Date: 2015/06/26 Time: 12:05:03 Date: 2015/06/26 Time: 18:10:41 Date: 2015/06/27 Time: 00:10:26 Date: 2015/06/27 Time: 06:10:04 Date: 2015/06/27 Time: 12:09:33 Date: 2015/06/27 Time: 18:08:57 Date: 2015/06/28 Time: 00:08:34 Date: 2015/06/28 Time: 06:08:23 Date: 2015/06/28 Time: 12:08:13 Date: 2015/06/28 Time: 18:07:54 Date: 2015/06/29 Time: 00:07:27 Date: 2015/06/29 Time: 06:06:59 Date: 2015/06/29 Time: 12:06:46 Date: 2015/06/29 Time: 18:06:42 Date: 2015/06/30 Time: 00:06:36 Date: 2015/06/30 Time: 06:06:19 Date: 2015/06/30 Time: 12:05:54 Date: 2015/06/30 Time: 18:05:36 Date: 2015/07/01 Time: 00:05:30 Date: 2015/07/01 Time: 06:05:31 Date: 2015/07/01 Time: 12:05:26 Date: 2015/07/01 Time: 18:05:10 Date: 2015/07/02 Time: 00:10:48 Date: 2015/07/02 Time: 06:10:37 Date: 2015/07/02 Time: 12:10:37 Date: 2015/07/02 Time: 18:10:40 Date: 2015/07/03 Time: 00:10:35 Date: 2015/07/03 Time: 06:10:20 Date: 2015/07/03 Time: 12:10:00 Date: 2015/07/03 Time: 18:09:55 Date: 2015/07/04 Time: 00:09:58 Date: 2015/07/04 Time: 06:10:01 Date: 2015/07/04 Time: 12:09:54 Date: 2015/07/04 Time: 18:09:38 Date: 2015/07/05 Time: 00:09:22 Date: 2015/07/05 Time: 06:09:20 Date: 2015/07/05 Time: 12:09:26 Date: 2015/07/05 Time: 18:09:26 Date: 2015/07/06 Time: 00:09:16 Date: 2015/07/06 Time: 06:08:57 Date: 2015/07/06 Time: 12:08:46 Date: 2015/07/06 Time: 18:08:47 Date: 2015/07/07 Time: 00:08:52 Date: 2015/07/07 Time: 06:08:48 Date: 2015/07/07 Time: 12:08:35 Date: 2015/07/07 Time: 18:08:14 Date: 2015/07/08 Time: 00:08:07 Date: 2015/07/08 Time: 06:08:09 Date: 2015/07/08 Time: 12:08:11 Date: 2015/07/08 Time: 18:08:04 Date: 2015/07/09 Time: 00:07:46 Date: 2015/07/09 Time: 06:07:26 Date: 2015/07/09 Time: 12:07:21 Date: 2015/07/09 Time: 18:07:23 Date: 2015/07/10 Time: 00:07:22 Date: 2015/07/10 Time: 06:07:10 Date: 2015/07/10 Time: 12:09:40 Date: 2015/07/10 Time: 18:05:43 Date: 2015/07/11 Time: 00:06:32 Date: 2015/07/11 Time: 06:07:25 Date: 2015/07/11 Time: 12:08:19 Date: 2015/07/11 Time: 18:09:07 Date: 2015/07/12 Time: 00:09:45 Date: 2015/07/12 Time: 06:10:21 Date: 2015/07/12 Time: 12:05:06 Date: 2015/07/12 Time: 18:05:57 Date: 2015/07/13 Time: 00:06:48 Date: 2015/07/13 Time: 06:07:32 Date: 2015/07/13 Time: 12:08:06 Date: 2015/07/13 Time: 18:08:44 Date: 2015/07/14 Time: 00:09:30 Date: 2015/07/14 Time: 06:10:21 Date: 2015/07/14 Time: 12:05:09 Date: 2015/07/14 Time: 18:05:49 Date: 2015/07/15 Time: 00:06:21 Date: 2015/07/15 Time: 06:07:01 Date: 2015/07/15 Time: 12:07:49 Date: 2015/07/15 Time: 18:08:39 Date: 2015/07/16 Time: 00:09:25 Date: 2015/07/16 Time: 06:10:02 Date: 2015/07/16 Time: 12:10:34 Date: 2015/07/16 Time: 18:05:16 Date: 2015/07/17 Time: 00:06:04 Date: 2015/07/17 Time: 06:06:54 Date: 2015/07/17 Time: 12:07:37 Date: 2015/07/17 Time: 18:08:10 Date: 2015/07/18 Time: 00:08:45 Date: 2015/07/18 Time: 06:09:29
End Time: Date: 2015/06/17 Time: 00:09:42 Date: 2015/06/17 Time: 06:08:59 Date: 2015/06/17 Time: 12:08:04 Date: 2015/06/17 Time: 18:07:02 Date: 2015/06/18 Time: 00:06:12 Date: 2015/06/18 Time: 06:05:32 Date: 2015/06/18 Time: 12:10:52 Date: 2015/06/18 Time: 18:10:02 Date: 2015/06/19 Time: 00:09:03 Date: 2015/06/19 Time: 06:08:01 Date: 2015/06/19 Time: 12:07:13 Date: 2015/06/19 Time: 18:06:33 Date: 2015/06/20 Time: 00:05:51 Date: 2015/06/20 Time: 06:10:57 Date: 2015/06/20 Time: 12:09:55 Date: 2015/06/20 Time: 18:08:56 Date: 2015/06/21 Time: 00:08:12 Date: 2015/06/21 Time: 06:07:34 Date: 2015/06/21 Time: 12:06:50 Date: 2015/06/21 Time: 18:05:55 Date: 2015/06/22 Time: 00:10:53 Date: 2015/06/22 Time: 06:10:03 Date: 2015/06/22 Time: 12:09:24 Date: 2015/06/22 Time: 18:08:49 Date: 2015/06/23 Time: 00:08:06 Date: 2015/06/23 Time: 06:07:13 Date: 2015/06/23 Time: 12:06:17 Date: 2015/06/23 Time: 18:05:36 Date: 2015/06/24 Time: 00:05:05 Date: 2015/06/24 Time: 06:10:33 Date: 2015/06/24 Time: 12:09:53 Date: 2015/06/24 Time: 18:09:04 Date: 2015/06/25 Time: 00:08:17 Date: 2015/06/25 Time: 06:07:46 Date: 2015/06/25 Time: 12:07:24 Date: 2015/06/25 Time: 18:06:57 Date: 2015/06/26 Time: 00:06:21 Date: 2015/06/26 Time: 06:05:37 Date: 2015/06/26 Time: 12:05:03 Date: 2015/06/26 Time: 18:10:41 Date: 2015/06/27 Time: 00:10:26 Date: 2015/06/27 Time: 06:10:04 Date: 2015/06/27 Time: 12:09:33 Date: 2015/06/27 Time: 18:08:57 Date: 2015/06/28 Time: 00:08:34 Date: 2015/06/28 Time: 06:08:23 Date: 2015/06/28 Time: 12:08:13 Date: 2015/06/28 Time: 18:07:54 Date: 2015/06/29 Time: 00:07:27 Date: 2015/06/29 Time: 06:06:59 Date: 2015/06/29 Time: 12:06:46 Date: 2015/06/29 Time: 18:06:42 Date: 2015/06/30 Time: 00:06:36 Date: 2015/06/30 Time: 06:06:19 Date: 2015/06/30 Time: 12:05:54 Date: 2015/06/30 Time: 18:05:36 Date: 2015/07/01 Time: 00:05:30 Date: 2015/07/01 Time: 06:05:31 Date: 2015/07/01 Time: 12:05:26 Date: 2015/07/01 Time: 18:05:10 Date: 2015/07/02 Time: 00:10:48 Date: 2015/07/02 Time: 06:10:37 Date: 2015/07/02 Time: 12:10:37 Date: 2015/07/02 Time: 18:10:40 Date: 2015/07/03 Time: 00:10:35 Date: 2015/07/03 Time: 06:10:20 Date: 2015/07/03 Time: 12:10:00 Date: 2015/07/03 Time: 18:09:55 Date: 2015/07/04 Time: 00:09:58 Date: 2015/07/04 Time: 06:10:01 Date: 2015/07/04 Time: 12:09:54 Date: 2015/07/04 Time: 18:09:38 Date: 2015/07/05 Time: 00:09:22 Date: 2015/07/05 Time: 06:09:20 Date: 2015/07/05 Time: 12:09:26 Date: 2015/07/05 Time: 18:09:26 Date: 2015/07/06 Time: 00:09:16 Date: 2015/07/06 Time: 06:08:57 Date: 2015/07/06 Time: 12:08:46 Date: 2015/07/06 Time: 18:08:47 Date: 2015/07/07 Time: 00:08:52 Date: 2015/07/07 Time: 06:08:48 Date: 2015/07/07 Time: 12:08:35 Date: 2015/07/07 Time: 18:08:14 Date: 2015/07/08 Time: 00:08:07 Date: 2015/07/08 Time: 06:08:09 Date: 2015/07/08 Time: 12:08:11 Date: 2015/07/08 Time: 18:08:04 Date: 2015/07/09 Time: 00:07:46 Date: 2015/07/09 Time: 06:07:26 Date: 2015/07/09 Time: 12:07:21 Date: 2015/07/09 Time: 18:07:23 Date: 2015/07/10 Time: 00:07:22 Date: 2015/07/10 Time: 06:07:10 Date: 2015/07/10 Time: 12:09:40 Date: 2015/07/10 Time: 18:05:43 Date: 2015/07/11 Time: 00:06:32 Date: 2015/07/11 Time: 06:07:25 Date: 2015/07/11 Time: 12:08:19 Date: 2015/07/11 Time: 18:09:07 Date: 2015/07/12 Time: 00:09:45 Date: 2015/07/12 Time: 06:10:21 Date: 2015/07/12 Time: 12:05:06 Date: 2015/07/12 Time: 18:05:57 Date: 2015/07/13 Time: 00:06:48 Date: 2015/07/13 Time: 06:07:32 Date: 2015/07/13 Time: 12:08:06 Date: 2015/07/13 Time: 18:08:44 Date: 2015/07/14 Time: 00:09:30 Date: 2015/07/14 Time: 06:10:21 Date: 2015/07/14 Time: 12:05:09 Date: 2015/07/14 Time: 18:05:49 Date: 2015/07/15 Time: 00:06:21 Date: 2015/07/15 Time: 06:07:01 Date: 2015/07/15 Time: 12:07:49 Date: 2015/07/15 Time: 18:08:39 Date: 2015/07/16 Time: 00:09:25 Date: 2015/07/16 Time: 06:10:02 Date: 2015/07/16 Time: 12:10:34 Date: 2015/07/16 Time: 18:05:16 Date: 2015/07/17 Time: 00:06:04 Date: 2015/07/17 Time: 06:06:54 Date: 2015/07/17 Time: 12:07:37 Date: 2015/07/17 Time: 18:08:10 Date: 2015/07/18 Time: 00:08:45 Date: 2015/07/18 Time: 06:09:29
Stride (skip time steps): 0 1 2 3 4
Email address for notification (replace the example email address with yours):
Note: The movie will be requested but NOT be shown in this interface. You will get an email with a download URL when the request has been completed (this will take at least a few minutes).
Only one request can be pending at a time for each client IP or email address. Movies and Images remains on the ftp server for a week and need to be downloaded within that time.
Choose Plot Mode:
Surface Plot (2D) Line (1D) Contour (2D) Vector (2D) ColorContour (2D) Color+Vector Contour+Vector Color+Contour Color+Vector+Contour Color+Vector+Flowlines 3D Flowlines
Plot Options:
Exclude region around the Sun up to AU
Image magnification 0.75 1 1.25 1.5 2
(all images; use >=1.25 for 3D Flowlines)
Line thickness 1 2 3 4 (flow lines, arrows)
Character thickness 1 2 3 (all annotations)
Allow variable plot image size
(all 2D plots: aspect ratio dx/dy between 0.3 and 4)
Show simulation grid (disabled with 3D-Surface)
Show boundary of closed field lines (magnetopause on dayside) Positions in 2D cuts passing within 12 RE of Earth will be listed at the bottom.
Tolerance (between 0.01 and 1 RE):
Maximum Azimuth from Sun direction (≥q;0.25 degrees, ≤q;180 degrees):
Angular Resolution (≥q;0.25 degrees, ≤q; Maximum Azimuth):
Show magnetic topology (use with "ColorContour", "Color+Vector" plot modes:
Add color coding by magnetic connectivity: red: closed, blue, open, yellow: connected to north, green: connected to south)
Display Contour data with topology plot
Elements in base grid from which field lines emanate:
Base grid size
Horizontal N1: (between 5 and 11):
Vertical N2: (between 5 and 11):
Refine base grid by 2Adaptation, computation time for this will scale accordingly:
Adaptation: (between 2 and 6):
Render grid cell vertices (to see positions used). Do not use with adapt ≥ 4, since PostScript (EPS) images can become very large.
Interpolate data onto equidistant grid (available with 3D-Surface and Vector; recommended for plots with Vector)
Choose quantity to be displayed (some Plot Modes require up to three choices):
Q 1: N N0 dN T T0 dT V_r V0_r dV_r V_lat V0_lat dV_lat V_lon V0_lon dV_lon B_r B0_r dB_r B_lat B0_lat dB_lat B_lon B0_lon dB_lon ClTr ClTr0 dClTr polB polB0 dpolB N*r^2 P P*r^2 N0*r^2 P0 P0*r^2 dN*r^2 dP dP*r^2 B beta V gradN_r gradN_lon gradN_lat gradN E_r E_lon E_lat E S P_ram V_A V_F M_A ExB_r ExB_lon ExB_lat ExB div.ExB omega_pi omega_pe NV_r NV_lon NV_lat NV div.NV div.V div.B gradP_r gradP_lon gradP_lat gradP gradT_r gradT_lon gradT_lat gradT gradBeta_r gradBeta_lon gradBeta_lat gradBeta omega_r omega_lon omega_lat omega curlB_r curlB_lon curlB_lat curlB omega.B custom
(select 'custom' above): C1=M_A/(sqrt(sqrt(1+beta)+1)) ; [] C2=sqrt(T/11604.)/N ; [sqrt(eV)cm^3] Q 2: N N0 dN T T0 dT V_r V0_r dV_r V_lat V0_lat dV_lat V_lon V0_lon dV_lon B_r B0_r dB_r B_lat B0_lat dB_lat B_lon B0_lon dB_lon ClTr ClTr0 dClTr polB polB0 dpolB N*r^2 P P*r^2 N0*r^2 P0 P0*r^2 dN*r^2 dP dP*r^2 B beta V gradN_r gradN_lon gradN_lat gradN E_r E_lon E_lat E S P_ram V_A V_F M_A ExB_r ExB_lon ExB_lat ExB div.ExB omega_pi omega_pe NV_r NV_lon NV_lat NV div.NV div.V div.B gradP_r gradP_lon gradP_lat gradP gradT_r gradT_lon gradT_lat gradT gradBeta_r gradBeta_lon gradBeta_lat gradBeta omega_r omega_lon omega_lat omega curlB_r curlB_lon curlB_lat curlB omega.B custom
(select 'custom' above): C1=M_A/(sqrt(sqrt(1+beta)+1)) ; [] C2=sqrt(T/11604.)/N ; [sqrt(eV)cm^3]
Want to see more custom variables?
Email the formula that you would like to see and that uses existing quantities to Lutz and it will be tested and added.
Plot Options for selected Plot Modes:
3D-Surface, 3D-Flowlines, Color Contour on Sphere:
View angles:
AX [-90..90]: (viewer's elevation angle)
AZ [-180 ... 180]: (viewer's azimuth angle; 0: along negative Y)
Color Contour, (Vertical) Line:
Color table: B-W LINEAR BLUE/WHITE GRN-RED-BLU-WHT RED TEMPERATURE BLUE/GREEN/RED/YELLOW STD GAMMA-II PRISM RED-PURPLE GREEN/WHITE LINEAR GRN/WHT EXPONENTIAL GREEN-PINK BLUE-RED 16 LEVEL RAINBOW STEPS STERN SPECIAL Haze Blue - Pastel - Red Pastels Hue Sat Lightness 1 Hue Sat Lightness 2 Hue Sat Value 1 Hue Sat Value 2 Purple-Red + Stripes Beach Mac Style Eos A Eos B Hardcandy Nature Ocean Peppermint Plasma Blue-Red Rainbow Blue Waves Volcano Waves Rainbow18 Rainbow + white Rainbow + black gsfc2-95 B-W LINEAR+colors blue-white-red
Reverse Colortable
Number of levels: 16 32 64 128 256
Lock color range:
Min.: Max.:
Log scale (use all data>0 in non-negative fields)
Contour:
show values with contour levels
16 32 64 128 256 Number of Levels
Lock range:
Vector:
length of arrows: 0.3 1.0 3.0 10
Normalize arrow length
Unit arrow length at:
Log scale (scale arrows logarithmically)
3D-Flowlines:
flowline start positions
Choose Flowline Setup Mode: only user-defined start points predefined in 3D (V,B,other) random in 3D - uniform random in 3D - concentrated in center of box predefined in cut plane uniform random in cut plane random in cut plane - concentrated in center
user-defined flowline start positions:
Lon:
Choose Plot Area:
All Plot Modes except Line Plot and Vertical Plot: Select lower left corner of plot area on the left, and the upper right corner on the right.
Line Plot: Select start point of line on the left, the end point on the right.
Vertical Plot: Select R and Lon position on the left. Choose Cut Plane:
R1 R2 Range: 0.103126 ... 1.6969 AU R=constant
Lon1 Lon2 Range: 0 ... 360 deg. Lon=constant
Lat1 Lat2 Range: -58.0001 ... 58.0001 deg. Lat=constant
Update Plot will update (generate) the plot with the chosen time and plot parameters above.
List Data (check to get any of the following outputs which apply to movie requests as well):
What: Plot variables from above
Include all primary model output parameters (Warning: text files may become large).
You have to select vector magnitudes (e.g., "B","V","J") explicitly for plotting to get them:
computed scalars such as
derived vectors (e.g, "JxB"): select one component or its magnitude to get all components
Include parameters from this list in addition to those selected for the plot: (copy names from Q1 list above and separate them with commas).
Where: At positions specified: enter positions in R, Lon, Lat, (within the allowed range) as comma-separated lists.
Use combination of positions in a 3D grid.
R positions:
Lon positions:
Lat positions:
List Data From Plot:
2D plots (Contour, Vector, ...):
equidistant 61x61-element grid in cut plane (Interpolate data onto equidistant grid selected)
max. 44000 grid positions (Interpolate data onto equidistant grid unchecked)
LinePlot: data along line plotted,
Text output: start and end points of flow lines with topology and exit status of line segment tracings,
Tar archive: model output data along flowlines with user-defined start points.


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Have you noticed your customers becoming more savvy?
You've probably even noticed a growing awareness in yourself. You've developed an impressive ability to block out unwanted marketing messages in all their forms: popup ads, commercials, spam emails, etc.
It's no secret that the scales of power between marketer and consumer are tilting quickly to the consumer. Marketers can no longer shout their marketing messages at consumers and hope for a response. Consumers have more resources, more options, and expect more personalization than ever before. Email is no exception to this rule.
If you are still blasting your email messages to a stale or purchased email list, you are not only wasting your time and money, you could be doing some serious damage to your brand. It is becoming more important than ever for marketers to make sure their lists are clean and up to date.
Why Should You Clean Your Lists?
Internet service providers, spam monitors, and email security services all set thresholds for what constitutes an acceptable email campaign. Your spam complaints, undelivered messages, and unsubscribes all need to be under these thresholds to avoid unwanted attention from these groups. Blasting your emails to an unqualified list could result in account suspensions from your email platform, penalties, or even fines, not to mention dismal marketing results.
When it comes to spam, your email platform has an obligation to enforce the thresholds set for spam complaints, undelivered messages, and unsubscribes. If you are emailing a stale or unmanaged list, you will likely cause a high number of all three. In these cases, you could have your account suspended by your email platform as they try to maintain their sending reputation and deliverability rates.
Email platforms, including Pardot, help you monitor your lists' health throughout an email campaign. They will measure deliverability, bounce rate data, and unsubscribes to give you a baseline reading on how your list is doing — but keep in mind that they do not have the ability to clean your lists for you.
So How Do You Keep It Clean?
Before you launch your next campaign, take a second to make sure your email list is sparkling clean. Not only will this help improve your reputation with ISPs and prevent email bans, it will deliver more responses and increase engagement.
How do you keep your lists clean? Let us know in the comments below!
We have been using http://www.email-validator.net to clean up our list and were really impressed by the quality of their service and the fast turnaround. Some of the addresses on our list were more than 3 years old and with the reports from Email Validator we were able to remove all the invalid addresses (40.69% of the list) before starting our campaign.


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Tech Challenge Champs
Arkansas has long dominated this event at ITF
Written by Anita Martin
The Alma High School Pacmules celebrate their Tech Challenge victory at the 2019 International Thespian Festival. Photo by John Nollendorfs.
TECH CREW members sometimes joke that if their work is noticed, it means something has gone terribly wrong. Indeed, if they're doing their jobs right, theatre technicians can be easy to miss. They wear black and work in shadows, communicating through headsets in quiet, cryptic cues — all to ensure that performers and audience members alike stay lost in the story unfolding onstage.
But that doesn't mean they don't love demonstrating their skills.
"Tech Challenge gives technicians the chance to shine and show off their talents," said Chase Dunn, a senior at Alma High School and member of Thespian Troupe 6338. And because Tech Challenge is adjudicated by university representatives, Dunn said the event "gives us the opportunity to be seen by colleges and possible future employers."
Steven Sellers, the amiable and (extremely) fast-talking technical director of Alma Performing Arts Center in Arkansas, has co-coordinated the Thespian Tech Challenge, both at the Arkansas Thespian Festival and the International Thespian Festival, since 2008. His fellow coordinator is Beau Pumphrey, the longtime volunteer production manager and technical director for Thespian Troupe 2620 at Southside Senior High School, while Daniel Stahl of Russellville High School's Troupe 7260 provides oversight.
Tech Challenge, at both chapter and international levels, is a competition showcasing the accuracy, speed, ingenuity, and teamwork of Thespian technical theatre talent. At ITF, the first 30 teams (of up to seven members each) compete in five challenges representing different aspects of tech theatre, including hanging and focusing a light, knot tying, backdrop folding, threading a sewing machine, and — new to ITF in 2020 — prop shifting.
With Sellers and his lifelong rival/friend Pumphrey at the helm, Arkansas Thespians have dominated ITF Tech Challenge for more than a decade.
"For the last 11 years, an Arkansas team has won the national event," Sellers verified. "I don't remember who won it 12 years ago because that was before I was employed by Alma. For my first four years, Alma won. Then we got second place to Southside for two years. Then we got third place when Jonesboro [High School, home of Troupe 1338] won [Southside placed second]. The last four years have been us."
Dramatics connected with Arkansas Thespians to uncover and expose their secrets. Turns out, they're happy to share them. In fact, according to Pumphrey, Arkansas contestants hereby challenge fellow Thespian technicians across the U.S. and around the world to join them in upping their game because they're hungry to test their skills at ITF 2020 in Bloomington, Indiana. "We want the competition. We always want to be sharp, on our toes."
It's also because, well, they've been trained to be nice like that.
"A highly skilled technician is fine, but if he's terrible to everyone else as a person then that is one thing I can't have," said Sellers. "A lot of this is skill, but when I build my Tech Challenge team, a lot of it is how you are as a person.
Arkansas teams have dominated the ITF Tech Challenge for a decade. Here, the Pacmules compete in the 2014 lighting focus event. Photo by Jim Talkington.
THE PACMULE STANDARD
So, what's their secret? How do Arkansas Thespians win each year?
"We take it seriously," said Sellers, "and that is the only explanation." One thing he means by that is they practice. "We practice, and we practice, and we practice. We also pick a name that becomes our mascot, and we own that name, and that is our brand."
Sellers' Tech Challenge team is the Pacmules — that's P-A-C for (Alma) Performing Arts Center. Meanwhile, Pumphrey's Southside mascot is the Maverick, which evolved into the Tech Challenge team name Mavtech. Although Pumphrey recently took over as theatre director at nearby Northside High School, he plans to continue coaching Southside Mavtechs in Tech Challenge for at least a couple of years while developing the technical program at Northside.
Both Pacmules and Mavtechs stay visible through branded merch including hats, shirts, and hoodies — and, like top athletes, they want their names to mean something.
"I tell my stagecraft kids, 'Whenever you're a Pacmule, when you wear that shirt, that means you are one of my elite technicians, and with that comes some privileges,'" Sellers said. Pacmules are picked first to work backstage on school shows, and they're picked first to crew professional road shows that come through the Alma Performing Arts Center, such as the national Broadway tour of Beautiful: The Carole King Musical, which performed there in October 2019.
"Sometimes, younger ones see the shirts, and they're like, 'How do I get one of those?' I respond, 'You don't get one of these shirts; you earn one,'" said Sellers. "I tell them at the beginning of the semester, 'You guys are auditioning for me every day. Every day I'm observing you as a person and a student. I want to know how you're doing in other classes and how you're treating other people, and I want to know that, in the technical capacity, you're doing exactly what I say to do when I say to do it, and doing it right … most of the time. If you can do those things, then you're my favorite people to work with. Then you can become a Pacmule."
For the Mavtechs, you know you're "in" when you've earned a nickname from Pumphrey. "Once you're involved for a while, through some organic situation, you get a nickname — like Sticks, or Light's Out. That's sort of the unofficial initiation moment. We round everyone up and say, 'Ladies and gentlemen, we'd like to introduce you to Hugsy!' — or whatever the name is. After that, you get your Mavtech T-shirt, and that's the name that goes on your shirt."
There are rules surrounding this garment, which Pumphrey deems a uniform. "They don't get to wear it willy-nilly. If you're working on a show or doing a Tech Challenge, that's when you wear your shirt," said Pumphrey, adding that only Mavtech graduates may wear them whenever they want. "I get pictures all the time from alumni wearing their Mavtech shirts."
Beau Pumphrey's Mavtechs train year-round for the Tech Challenge competition. Photo courtesy of Beau Pumphrey.
Focusing a light is one of five skills that Mavtechs practice for the ITF Tech Challenge. Photo courtesy of Beau Pumphrey.
The Tech Challenge is not only a team competition but also a fun showcase for specialized skills. Photo courtesy of Beau Pumphrey.
TRAINING IS LIFE
For Sellers, the training never stops, and he often starts grooming technicians for the Pacmules team or backstage leadership roles before they even express interest. "Last year, I gave an eighth grader the task of calling spot cues. She got the script with everything written down to do warning, standby, and spots one and two over the headset," he said. "She didn't know I was training her to be a stage manager and call shows later. That way she could understand how to do it without the pressure of saying, 'You're an assistant stage manager because you're calling spot cues.'"
Sellers similarly orients his Alma High School stagecraft course toward Tech Challenge skills. "I start every class the same way. I say, 'This is a light. This is how we hang the light and focus the light. Now you try it. Now do it again.' Then: 'Here's how to tie this knot. And this one. Now do it again. Now do it in this sequence. Now: Who's the fastest?'"
Years ago, Dramatics interviewed Alma alum Jose Armando Tellez, who set the knot-tying speed record at the 2012 ITF, then broke his own record in 2015. (Sellers verified that Tellez's 2015 record — 8.09 seconds — has since been broken. However, he and Pumphrey stopped keeping exact records due to changes in event rules and specific challenge guidelines.) Tellez was undefeated in knot tying at the ITF Tech Challenge all three years he attended. In 2015, he told Dramatics, "When I auditioned for the Tech Team, the person who was teaching knots was doing it really fast, and it looked really cool. I thought, 'He looks like a ninja. I want to do that.'"
Dunn remembers being the "freshie" on the Pacmule team as a sophomore, after serving as assistant stage manager that year. "Pacmules are hand-selected, and we quickly form a tight friendship where we hold each other up," said Dunn, who has competed with the Pacmule team in two Arkansas Thespian Festivals and two International Thespian Festivals. "Not only do we dominate Tech Challenge, but we also do everything in our power to keep a level head backstage to ensure a smooth show and teamwork among the crew, actors, and other technicians."
Part of the friendly competition between Sellers and Pumphrey dates to when they attended Arkansas Tech University together. "Steven and I met in a PE volleyball class. There were like 60 girls in this class and three guys — Steven, me, and some other guy — all sort of vying for attention, and we took it very seriously," Pumphrey recalled.
For both directors, taking competition seriously only enhances the fun. "It doesn't mutate into some toxic, competitive environment," said Pumphrey. "You're competing in your technical events in an atmosphere similar to a junior high dance. There's music, you're having fun, running around, showcasing something that brings you joy and that is a skill set not everyone has. We never let the competitive aspect of this overshadow what really matters, which is being quality technicians. We never do it in a way that diminishes anyone else. You are not beating anybody else. You are being the best you can be."
Pumphrey said that this spirit of fun-taken-seriously extends to the judges. "We make it clear to kids that Tech Challenge adjudicators at ITF are professionals in your field. They're going to see you in these events, and they're going to want you to swing by their table. This might create a dialogue and — bam! — you're moving on to the next stage in your career," said Pumphrey. "But don't forget that these professors are there having fun too, and they're dorky technicians too. Just talk to them. Introduce yourself."
The 2017 Alma High School Tech Challenge team proudly displays their branded shirts, hats, and team flag. Photo by Corey Rourke.
PEER-TO-PEER EDUCATION
Sellers realizes that Alma High School is very well supported and not every school has the time or resources to devote to serious Tech Challenge training. Sometimes this means Thespians get thrown into the ITF event with no training at all. Sellers said that's OK. In 2019, Meegan Gliner, director of Troupe 6647, signed her students up for ITF Tech Challenge after they won EdTA's Send a Troupe to Festival Grant.
"They came up to me and said, 'Hey, we've never been to this thing before, and we have no idea what we're doing. Can you show us how to tie ropes?' And I said, 'Sure!' Because that's what we're there for," said Sellers. "We're trying to educate as well. So, if you're a student, and you don't know how to do these events, that's fine. My students will be there, showing people how."
As Pumphrey put it, "Competition can never overshadow collaboration. Winning is never so important that you hinder someone learning another skill. When we see new people at Tech Challenge who don't know what to do, I tell my students to be a guiding force. Maybe next year, they come back with a hunger and give us a challenge. Either way, they're learning something and having fun."
Although Pacmules and Mavtechs work hard to uphold the legacy of both their troupes and Arkansas Thespians as national tech team challengers par excellence, Dunn said the most important lesson he's learned through his Pacmule involvement is simply "the importance of working as a team to achieve goals and the importance of having a team that can get work done."
Students attending ITF who have never participated in Tech Challenge and aren't ready to jump in can watch the event. For more information, visit the International Thespian Festival website.
Shepherding the Show
A stage manager's role in executing productive tech rehearsals
Mic Check
Tips for sound technicians
Props Drive Plots
An introduction to properties
Alma H.S. International Thespian Festival Southside Senior H.S.

redpajama_set_name: RedPajamaCommonCrawl


The AFL season is back upon us after a cracker of a 2018 that culminated in one of the best Grand Finals in memory.
This time around we'll be trying to point you in the direction of some winners, sticking to the Oddy tried and tested method of generally looking for some value on underdogs, or certainly avoiding teams at long odds on in the match odds markets.
We may dip our toes in the volatile waters of match and team totals from time to time but for the most part we'll be concentrating on the match odds and handicap line markets, where most can get set for the amount they want even if they have to spread their bets around a bit. We will stake between 0.5 and 3 units per bet.
First we should state our prediction for 2019 at the outset. If nothing else it will be good for a laugh come September.
The first match for the 2019 season comes on Thursday when Carlton host Richmond at the MCG. The Tigers have won the last seven straight vs the Blues and 8 of the last 10. In 2018 Richmond averaged 59 inside 50's per game, bettered only be the Demons' 59.8 while the Blues managed only 45.2 and there is no reason to think that the two teams won't be occupying opposite ends of the ladder in 2019.
It's always a bit tricky getting odds and lines early in the season but our line of -42 makes the -35.5 at Topsport worth a single unit at $1.90.
Our second bet comes the following day where we are siding with Geelong at the MCG against Collingwood. Geelong ranked 1st in least opponents points per game in 2018 and were the only team to limit teams to an average of fewer than 10 goals. If they do this on Friday I can see them frustrating the Pies in front of their rabid home fans at the MCG and coming out on top in a close one.
On Saturday Hawthorn travel to Adelaide to play the Crows and they look overpriced to cause an upset. The Hawks have won their last three vs the Crows in Adelaide and Alastair Clarkson will have a gameplan and be right on top of how the Hawks plan to play the new rules to their best advantage. Our line is tentatively set at 12.5 so the 20.5 with Beteasy appeals.
Our final bet comes in the final match of the round so we'll be hoping that this rounds off a great start…we'll see. North Melbourne go to Perth to face the Fremantle Dockers and they look like they've been underrated at 1.5 point favourites as we make the line more like a single goal. We'll ignore the handicap line and back North straight up.


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Dopo aver giocato a football americano alle scuole superiori, Maritato ha iniziato la sua carriera nel wrestling professionistico nel 1990, venendo allenato da Billy Robinson, ed ha poi lottato alcuni match come jobber nella Eastern Championship Wrestling. In seguito è passato alla Extreme Championship Wrestling come membro della stable dei Full Blooded Italians, rimanendovi fino al fallimento della federazione avvenuto nel 2001. Dopo una breve parentesi in Ring of Honor, nel 2002 ha firmato un contratto con la World Wrestling Entertainment, combattendo principalmente nella divisione dei pesi leggeri.

Carriera

Gli esordi (1990–1992)
Mentre frequentava la Nanuet Senior High School, Maritato praticò il football e il wrestling. Maritato fu allenato da Billy Robinson, secondo quanto affermato in un'intervista shoot, Maritato fece il suo debutto contro un wrestler di nome Parsippany Smith Fields.

Extreme Championship Wrestling (1992–2001)

Il suo debutto nell'Extreme Championship Wrestling (ECW) avvenne il 14 luglio 1992 con il nome di Damien Stone, dove perse contro Tommy Cairo. Spese i suoi primi anni in ECW nell'undercard come jobber. Nel 1995, si prese una pausa dalla ECW e si trasferì in giappone per lottare nell'UWF International, federazione a carattere shoot.

Maritato tornò con l'identità di Little Guido e formò una stable comedy di origini italiane chiamata Full Blooded Italians insieme a JT. Smith, Tracy Smothers e Tommy Rich. Nessuno dei membri era di origini italiane, ad eccezione di Maritato.

Nel 1999, divenne un "wrestler serio", seppur continuando a essere accompagnato dal Sal E. Graziano proclamandosi un membro degli F.B.I. (nonostante fossero rimasti loro due). In seguito, lottò diversi match in competizione singola fino a metà del 2000, quando formò un tag team con Tony Mamaluke, con cui vinse il World Tag Team Championship il 26 agosto che persero a dicembre contro Danny Doring e Roadkill. I due continuarono a lottare fino alla chiusura della ECW nel gennaio del 2001.

Ring of Honor (2001–2002)
Dopo la chiusura della ECW, lottò in diverse federazioni indipendenti spesso in coppia con Tony Mamaluke. Inoltre, i due ebbero uno stint nella Ring of Honor prima della firma di Maritato con la World Wrestling Entertainment nel 2002.

World Wrestling Entertainment (2002–2008)

Maritato fece il suo debuttò nella puntata di SmackDown! del 12 dicembre 2002 con il nome di Nunzio, nel ruolo del cugino heel di Jamie Noble attaccando Crash. Di conseguenza, Nunzio iniziò una rivalità con Holly che sconfisse in varie occasioni per poi affrontare wrestler come Tajiri, Shannon Moore e Chuck Palumbo.

L'alleanza con Noble si concluse poco dopo e Nunzio riformò i Full Blooded Italians con Chuck Palumbo e Johnny Stamboli, che ottennero un discreto successo. Dopo WrestleMania XX, Palumbo fu spostato a Raw e gli F.B.I. si ridussero come un tag team. In seguito al rilascio di Stamboli, Nunziò iniziò a lottare nella divisione dei pesi leggeri.

Nel 2005, Maritato tornò per una notte con la gimmick di Little Guido; riformando gli originali Full Blood Italians perdendo un triple threat match che includeva Tajiri e Super Crazy a One Night Stand.

Tornato con il nome di Nunzio, continuò a lottare a Velocity sia come face che heel, dove formò un tag team di breve durata con Funaki. Nella puntata di Velocity del 6 agosto, conquistò il Cruiserweight Championship sconfiggendo Paul London grazie all'aiuto di Vito che gli passò un bastone telescopico. Nunzio si allenò poi con Vito diventando un "cattivo".

Il duo iniziò una rivalità con i Mexicools e il 9 ottobre a No Mercy, perse il titolo contro Juventud. Il 15 novembre in un house show a Roma, Nunzio vinse per la seconda volta il Cruiserweight Championship sconfiggendo Juventud, per poi perderlo contro quest'ultimo nella puntata SmackDown! del 25 novembre.

Nunzio e Vito divennero dei face per un breve periodo durante la loro rivalità con Gregory Helms, per poi tornare a essere heel, dovuto alla nuova gimmick da padrino di Vito.

Nel maggio del 2006, l'alleanza tra Nunzio e Vito cominciò a inclinarsi dopo essere stato rivelato che a Vito piaceva vestire in modo opposto, che fece sentire Nunzio tradito e imbarazzato. Concluse la sua alleanza con Vito e venne spostato nel roster della ECW.

Nel mese di giugno dopo il lancio del roster della ECW, Nunziò lasciò SmackDown! per unirsi agli "ECW Originals", utilizzando di nuovo il nome di Little Guido. Maritato riformò gli F.B.I. come face, insieme a Tony Mamaluke, Trinity e per un breve periodo di tempo con Big Guido. A December to Dismember, persero contro Elijah Burke e Sylvester Terkay. Il suo compagnio di coppia Tony Mamaluke fu rilasciato il 18 gennaio 2007, lasciando Guido e Trinity.

Dopo il rilascio di Mamaluke, Guido venne tolto dagli show televisivi. Fece il suo ritorno nella puntata di ECW on Sci Fi del 17 aprile svoltasi in italia tornando a utilizzare il personaggio di Nunzio senza Trinity, la quale fu rilasciata nel mese di giugno. Dopo aver perso nei match di debutto di Johnny Nitro e The Miz, Nunzio venne rimosso dagli show. Nella puntata della ECW dell'11 settembre, perse contro Matt Striker. In quel periodo, Nunzio fu usato il più delle volte come jobber perdendo contro Tommy Dreamer, Jamie Noble, Kevin Thorn, e Kenny Dykstra.

Nunzio tornò nella puntata della ECW del 15 gennaio 2008, perdendo contro Shelton Benjamin, e l'8 aprile contro Elijah Burke. Successivamente, iniziò una breve rivalità con Mark Henry che perse. Dopo quasi due anni, il 5 maggio Nunzio vinse un match come membro del roster della ECW contro Triple H e Mr. Kennedy. L'8 agosto, Nunzio fu rilasciato dalla WWE.

Circuito indipendente (2008–2010)
Dopo il rilascio dalla WWE Maritato torna a combattere nel circuito indipendente americano lottando spesso in coppia con Tracey Smothers. I due riescono a conquistare i titoli di coppia della Jersey All Pro Wrestling. Maritato partecipa inoltre anche a un evento della Ring of Honor a New York.

Total Nonstop Action (2010)
Nell'agosto 2010 prende parte al PPV TNA Hardcore Justice, dove insieme con gli FBI sconfigge Simon Diamond, Kid Kash e Johnny Swanger. Suo è il pin finale su Simon Diamond grazie alla Sicilian Slice.

Sul finire del 2010 lotta qualche match in Giappone, nella promotion SMASH dell'ex ECW e WWE Tajiri.

Ritorno in WWE (2010–2011)
A dicembre del 2010 è tornato in WWE per arbitrare un match. L'8 febbraio 2011 arbitrò un match a NXT.
A maggio 2011 firma un contratto con la WWE dove si metterà a disposizione come arbitro, ruolo che già svolgeva regolarmente da qualche mese. Il 30 settembre dello stesso anno viene rilasciato.

Personaggio

Mosse finali
Double underhook facebuster
Running Jump DDT

Manager
Tommy Rich
Trinity
Vito

Soprannomi
"The Extreme Stud"
"The Pugnacious Pisan"
"The Sicilian Shooter"

Musiche d'ingresso
That's Amore di Dean Martin
Fly Me to the Moon di Frank Sinatra
Stayin' Alive degli N-Trance
No Sleep Till Brooklyn dei Beastie Boys
Spy Vs. Spy di Jim Johnston
Brooklyn di Jim Johnston
New York, New York di Frank Sinatra
Sexy and I Know It dei LMFAO

Titoli e riconoscimenti
Chaotic Wrestling
 Chaotic Wrestling Tag Team Championship (1) – con Luis Ortiz
East Coast Pro Wrestling
 ECPW Light Heavyweight Championship (1)
 ECPW Hall of Fame (2009)
Extreme Championship Wrestling
 ECW World Tag Team Championship (2) – con Tony Mamaluke (1) e Tracy Smothers (1)
Impact Championship Wrestling
 ICW Hip Swivel Towel Championship (1)
Jersey All Pro Wrestling
 JAPW Tag Team Championship (1) – con Tracy Smothers
Pro Wrestling Illustrated
 79º tra i 500 migliori wrestler secondo PWI 500 (2003)
USA Pro Wrestling
 USA Pro United States Championship (1)
 USA Pro Tag Team Championship (1) – con Kid Kruel
World Wrestling Entertainment
 WWE Cruiserweight Championship (2)

Note

Altri progetti

Collegamenti esterni

Wrestler di Impact Wrestling
Wrestler della National Wrestling Alliance
Wrestler della Ring of Honor
Wrestler della WWE
Wrestler italoamericani

redpajama_set_name: RedPajamaWikipedia


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Culture - Sports
Hanoi: farm produce, handicrafts fair to take place this month
A fair showcasing Hanoi's agricultural products and handicrafts, the second of its kind, is slated for December 14-18 in Nam Tu Liem district.
Hanoi to celebrate New Year with drone light show and marathon
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Hanoi Tourism Ao Dai Festival slated for December
Friday, November 04, 2022 16:45
Hanoi to host International Guitar Festival
Sunday, October 23, 2022 17:29
Hanoi International Film Festival 2022 to feature 123 works
Friday, October 21, 2022 11:15
Illustrative photo (Source: laodongthudo.vn)
Hanoi (VNA) – A fair showcasing Hanoi's agricultural products and handicrafts, the second of its kind, is slated for December 14-18 in Nam Tu Liem district.
The event will feature a gastronomic space of 16 stalls introducing culinary delights of districts and towns from across the capital, such banh cuon (steamed rice noodle roll) of Thanh Tri district, che lam (nutty ginger sticky rice bars) of Thach Xa commune, and com (green sticky rice) from Vong village.
At the space, local artisans are expected to demonstrate their skills of making these special dishes.
During the fair, visitors will be treated to a fashion show and performances of folk arts including silk and qilin-lion-dragon dancing, cheo (traditional opera), and chau van (spiritual singing).
On the sidelines, conferences reviewing the city's project to develop farm produce verification as well as cooperation for food safety and quality agro-forestry-fishery products are scheduled.
There will also be signing ceremonies of trade deals, a seminar on solutions to develop the ornamental industry; and a landscape horticulture contest./.
Topics: Post-pandemic recovery
Hanoi's agricultural products handicrafts Hanoi trade fair vietnam vietnam news agency vietnamplus Related stories Ha Noi
Da Lat city, Lam Dong province, was honoured with the "ASEAN Clean Tourist City Award 2022" at the ASEAN Tourism Forum in Sihanoukville, Cambodia.
Cultural diplomacy raises Vietnam's position worldwide
Nhat Tao Bell a valuable antique
Nhat Tao Bell, housed at Nhat Tao temple in Hanoi, is the sole antique made in the 10th century whose unique shape is different from others in pagodas and temples in Vietnam.
Chuong Pagoda features historical values in north Vietnam
Chuong (or Bell) Pagoda in the Red River Delta province of Hung Yen bears historical values of the land in northern Vietnam.
Lung Tung festival opens in Lai Chau province
Thai ethnic people in Than Uyen district, the northern province of Lai Chau, held their traditional new year festival of Lung Tung (Going to the field) on January 29, drawing crowds of local residents and visitors.
Hoa Binh's Khai Ha festival thrills visitors
The 2023 Khai ha (going down to the field) festival, the biggest traditional folk event of the Muong ethnic group in the northwestern province of Hoa Binh, took place at the provincial level for the first time from January 27 – 29 (the sixth to eighth day of the lunar new year).
A grand concert to welcome the Year of the Cat was held at Hanoi Opera House on January 29 with the performance of the Vietnam National Symphony Orchestra (VNSO) and the People's Public Security Theatre.


The Nevada Wolfpack (7-5) battle the Arkansas State Red Wolves (8-4) on Saturday afternoon in the 2018 Arizona Bowl from Tucson. Kickoff is set for 1:15 PM EST on Saturday, December 29th at Arizona Stadium. The game will be televised on the CBS Sports Network.
Taking a look at the full list of college bowl betting odds, the matchup is currently listed as a pick'em. The total for the game is sitting at 59.5 points.
Arkansas State won their fourth consecutive game their last time out, crushing Texas State 33-7 on the road to finish the regular season at 8-4 overall. The Red Wolves needed a strong finish to clinch a spot in a bowl game after a mediocre 4-4 start to the year. QB Justice Hansen had an extremely impressive season, passing for 3,172 yards and 27 touchdowns while also adding 396 rushing yards and six touchdowns on the ground. Hansen really clicked well with WR Kirk Merritt, who led the team with 75 receptions for 939 yards and seven touchdowns. RB Marcel Murry led the way on the ground for Arkansas State, rushing for 793 yards and six touchdowns on 137 carries. RB Warren Wand also had a solid year, racking up 652 yards and four touchdowns on 123 carries. As a whole, the offense averaged 31.8 points per game (45th overall) on 464.8 total yards.
The Red Wolves were slightly above average on the defensive side of the ball during the regular season, allowing opponents to score 26.4 points per game (59th overall).
Nevada won four out of their last five games during the regular season to clinch a bowl birth after a disappointing 3-4 start to the year. The Wolfpack locked up their spot in this game in November, crushing Colorado State 49-10 at home before winning their seventh game of the season 21-12 on the road in San Jose State. QB Ty Gangi had a big year, throwing for 3,131 yards and 23 touchdowns while adding three more scores on the ground. WR McLane Mannix lead the team in receiving touchdowns, hauling in 50 receptions for 875 yards and seven scores. However, after the team lost to UNLV in late November to close out their schedule, Mannix announced he would be transferring away from the school and has since signed on with Texas Tech. He will certainly be missed on offense, as he was clearly the top option in the passing game. On the ground, QB Toa Taua led the way with 156 carries for 816 rushing yards and six touchdowns. Overall, Nevada averaged 32.3 points per game (41st overall) during the regular season.
The Wolfpack didn't play all that well on defense for much of the season, giving up 28.1 points per game to opponents (77th overall).
The loss of McLane Mannix will certainly be tough for Nevada to overcome in this particular spot, as both of these programs are extremely evenly matched. Losing arguably your top playmaker on offense is never easy to deal with, especially since the Wolfpack haven't had any games to adjust to life without him since Mannix announced he was transferring after the final week of the regular season. While some might argue that his absence is already priced into the current line, I think that the Red Wolves are still the better value play. Not only did they have a better overall record, they also gave up 1.5 points less per game defensively while scoring basically the same amount of points per game as Nevada (0.5 points per game less).
Arkansas State is a very solid 5-1 ATS over their last six games overall. They also had won more win (and one fewer loss) than Nevada did during the regular season. The Wolfpack are also only 2-4 ATS in their last six games away from Mackay Stadium.
This game should stay close throughout, which is why the loss of such a huge playmaker on offense may haunt Nevada in this matchup. I'm going to take the Red Wolves in what should be a highly entertaining game on Saturday afternoon – give me Arkansas State, as I think they will ultimately emerge victorious in the 2018 Arizona Bowl.


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Universal Semantic Language
It is our hope that Principia Cybernetica's epistemology and ontology based on cybernetics are not only of purely philosophical interest, but may be used in solving an important problem which stands wide open at the present time: creation of a Universal Semantic Language to be used in the emerging Global Brain.
We can distinguish two levels of cybernetic systems involved in the global brain:
individual human brains, and
computers and other cybernetic devices united into one huge system, such as the Web
. Individual human brains exchange information by using various languages, of which the most important are universal natural languages, such as English or Russian. Computers exchange information by using formal computer languages of various kinds, which can be considered as one universal computer language. There is a gap between these two levels, and this constitutes a problem. We understand computer languages, but computers do not understand our languages: they are informal, the meaning of linguistic objects is inseparable from the human brain. What we need is a formal universal language to catch the meanings present in natural human languages in a form understandable by computers.
This problem is well known. The reason why it is not yet solved is simply that the problem is immensely difficult. Practical people get satisfied with partial solutions: creation of narrowly specialized sublanguages which superficially look like human languages. Financing of more ambitious projects is tight, because nobody can promise fast returns on this path.
Why is our philosophy relevant?
Developing a universal semantic language we must start with some elements which are absolutely minimal and primitive, so that all representations that are involved in human laguages could be expressed in terms of our semantic language as constructions from those primitive elements. Otherwise it is hardly possible to obtain the formality that is demanded by the computer.
Our ontology states that such primitive elements are actions, and nothing but actions, while objects are relation between actions. Our epistemology states that the meaning of linguistic statements is in the predictions they produce. But the concept of a prediction takes us, again, to the action whose termination it states. The other kind of linguistic objects, commands return us even more directly to actions. Thus we have a closed basis for a formal system.
So, why not try? Any ideas and accounts of relevant work are welcome. Representation of semantics on the basis of formal logic and some primitive predicates, which is used in much work on artificial intelligence, is, certainly, relevant. Our goal should be going further down in analysis than it is usually done -- a goal that requires a consistent and all-embracing philosophy.
Copyright© 1997 Principia Cybernetica - Referencing this page
V. Turchin,
Metasystem Transition Theory
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text:
Obituaries > John R. Smith
John R. Smith
John R. "Jack" Smith, 77, of Eden entered eternal life on Monday, Oct. 24, 2016 surrounded by family at the St. Francis Nursing Home in Fond du Lac. Jack was born in Fond du Lac on March 16, 1939, the son of Clarence and Frieda (nee Fell) Smith and resided in the Town of Eden his entire life. He graduated from Campbellsport High School in 1957. He started to haul bulk milk to Sealtest and Borden's in Milwaukee for Jim and Margaret Whitty in 1957. On November 5, 1960, he married the love of his life, Beatrice A. Reilly at St. Mary's in Eden. They were blessed to celebrate 55 years of marriage. On March 1, 1979, he purchased his own milk hauling business from Jack and Irene Majerus. He hauled milk to Stella Cheese in Campbellsport until their closing and then hauled to Baker Cheese and Family Daries. He received an award from the International Milk Haulers Association for over 50 years in the milk hauling business. Jack was always a very supportive husband after Beatrice founde d Smith Insurance Agency now known as Smith & Hatch Insurance Agency. He was a member of the Shepherd of the Hills Parish in Eden, Catholic Order of Foresters, Knights of Columbus, charter member of the Eden Lions Club, Eden Fireman's Association, Wisconsin Motor Carriers Association and Empire Threshing Association. Jack and Beatrice enjoyed traveling together and went on several cruises and other trips both in the United States and abroad. He enjoyed bowling and playing cards with friends. The three most important words in Jack's life were God, family and friends.
Jack will be greatly missed by his loving wife Beatrice "Bea", his brothers Dr. Rodney L. Smith of Hazel Green, Dale Smith and Robert (Sharon) Smith of Eden and his aunt Eleanor Sesing, He is further survived by his in-laws, Marlene (Robert H.) Hatch, Richard Reilly, Joan (Bill) Buerger and Patti Reilly. His nieces and nephews: Corey (Kristie) Smith, Kevin (Kerry) Smith, Nichole (Brian) Berres, Robert L. (Tammy) Hatch, Bill (Laurie) Hatch, Carol (Mark) Damit, Cathy (Mark) Daniels, Steve (Lori) Reilly, Tom (Julie) Buerger, Tim (Karyn) Buerger, Mary (Tim) Lueck, Brian Reilly, Julie (Mike) Hewitt, Jodi (Tim) Kohlman and Dan Sitter and great nieces and nephews and many other relatives and friends.
Jack was preceded in death by his parents, in laws Leo and Fern Reilly, nephew Gary Reilly, niece Christine (Buerger) Sitter and great nephew Tommy Leo Reilly.
Mass of Christian Burial will be Saturday, Oct. 29th at 10:30 AM at Shepherd of the Hills Catholic Church, W1562 County Road B, Eden. Rev. Mark Jones will officiate and family burial will follow in St. Mary's Cemetery, Eden.
Visitation will be Friday October 28th from 3:00PM until 8:00 PM at the Twohig Funeral Home, 305 Fond du Lac Avenue, Fond du Lac and Saturday Oct.29th at Shepherd of the Hills Church from 9:00 AM until time of Mass. An Irish celebration and luncheon will follow at the church. In lieu of flowers, please consider making a donation to Eden Lions Club, Shepherd of the Hills Tuition Assistance or Sarnelli House in Thailand (Fr. Mike Shea). The family would like to thank the staff at the St. Francis Home for all their kind and compassionate care over the past 5 years.
Twohig Funeral Home is serving the family with online guestbook and condolences at www.twohigfunerals.com


text:
P.E.I. wins award for worst TV ads in Canada
Entertainment, News, PEI
Charlottetown — Prince Edward Island has earned the dubious distinction of having the worst locally produced television advertising, the Canadia...
Don Cherry to host CBC's 'Q', feature NB artist
Entertainment, NB, News
New Brunswick — CBC has wasted no time in finding a host for its popular radio show Q. In a surprise announcement made this morning, the Canadia...


Please submit any new requests to this email address. The telephone number for information about due process procedures remains 624-6644. For further questions, please contact Ann Belanger, Deputy Director, Office of Special Services, her email is Ann.Belanger@maine.gov.


text:
Martti Olavi (Olli) Kivinen, född 20 september 1921 i Helsingfors, död 8 januari 1999 i Muonio, var en finländsk arkitekt och stadsplanerare.

Kivinen utexaminerades från Tekniska högskolan i Helsingfors 1948 och teknologie doktor 1960. Efter att ha varit verksam hos Otto-Iivari Meurman 1948–1950 startade han en egen arkitektbyrå 1950. Han blev lärare vid Tekniska högskolan i Helsingfors 1955, där han var professor i stadsplanelära 1960–1972 och i samhällsplanering 1972–1988.

Kivinen skapade ett stort antal region-, general-, stads- och centrumplaner för en lång rad städer och kommuner i Finland, däribland Joensuu (tillsammans med Meurman 1953), Villmanstrand (1958 och 1967), Tavastehus (tillsammans med Mika Erno, 1958) samt Kuopio, Kotka-Karhula, Hyvinge, Kyrkslätts centrum och Lövö i Helsingfors. Han uppgjorde även stadsplanen för Ras Lanuf i Libyen, en stad som byggdes upp för 40 000 invånare.  I sina stadsplaner eftersträvade han öppna kvarter med fritt utplacerade byggnader. Han utnämndes till honorär vice ordförande för International Federation of Housing and Planning 1960.

Källor

Finländska professorer i arkitektur
Finländska stadsplanerare
Personer verksamma vid Tekniska högskolan i Helsingfors
Födda 1921
Avlidna 1999
Män
Arkitekter från Helsingfors


AC Design is an award winning,multi-disciplined interior Design and Consultancy firm headed by Anson Cheng. Our projects have been recognied with numerous local and international interior design awards. We also granted the Kong Kong D-Mark Certificate (D-Mark) by the Design Council of Hong Kong, Which is under the auspices of the Federation of Hong Kong Industries. AC Design specializes in interior Design, consultation and renovation for residential, offices, as well as commercial and retail premises.


This product will examine the isomerization reactions of important free-radical species such as isoprene peroxy radicals in the environment. These reactive species play an important role in the atmosphere by affecting the total suspended PM mass and ozone concentrations which have climate change and air quality implications. This product will consist of one manuscript. The manuscript will detail the isomerization kinetics of a variety of isoprene peroxy radicals in low NOx environments.
A computational protocol is employed to glean new insight into the kinetics of several 1,5-hydrogen atom (H) shift reactions subsequent to first- and second-generation OH/O2 additions to isoprene. The M06-2X density functional was initially used with the Nudged Elastic Band (NEB) method to determine the potential energy surface of OH/O2 addition reactions, the 1,5-H shift reactions, and the fragmentation exit channels. The Master Equation Solver for Multi-Energy Well Reactions (MESMER) was applied to determine the rate constants for OH addition and the 1,5-H shifts. M06-2X was capable of quantifying the rate constants of OH addition to the first and second double bonds of isoprene with deviations less than 17% from the experimentally determined values. However, M06-2X underestimated the 1,5-H shift rate constants of second-generation isoprene peroxy radicals. Consequently, MN15, ωB97X-D, and CBS-QB3 methods were employed to compute average barrier heights to first- and second-generation 1,5-H shifts. In the first generation, the rate constants of H abstraction by β-(1,2) and (4,3) isoprene hydroxy-peroxy radicals from the neighboring hydroxyl group are 1.1 × 10–3 and 2.4 × 10–3 s–1, respectively. These values are determined primarily by the barrier of the H shift reaction and, to a smaller albeit nonnegligible extent, by the stability of the resulting alkoxy radical and the exit barrier leading to C–C bond dissociation. In contrast, the average second-generation rate constant of 1,5-H shifts from H–R–OH sites to the peroxy radical is 1.8 × 10–1 s–1, with tunneling playing the significant role of increasing this value relative to first-generation 1,5-H shifts. Under low NOx conditions, first-generation isoprene oxidation reactions may recycle HOx at levels ranging from 10 to 30% due in large part to 1,5-H shifts, with the recycling efficiency being sensitive to HO2 concentrations and temperature. HOx recycling is expected to increase to levels beyond 80% in second-generation reactions of oxidized isoprene species because of isoprene epoxydiol (IEPOX) formation and further 1,5-H shifts that are kinetically favorable.


text:
""""""

import tkinter as tk
from tkinter import ttk
from tkinter.colorchooser import *

# link

__title__ = "ColourPickerButton"
__version__ = "1.3.5"
__author__ = "DeflatedPickle"

class ColourPickerButton(ttk.Button):
    """
            -----DESCRIPTION-----
    A TTK Button that allows you to choose a colour.
    It then sets the background to that colour.

            -----USAGE-----
    colourPickerButton = ColourPickerButton(root, text=[string])
    colourPickerButton.pick()

            -----PARAMETERS-----
    parent         = The parent of the widget.
    text           = The text shown on the button.

            -----CONTENTS-----
    ---VARIABLES---
    parent         = The parent of the widget.
    _text          = The text shown on the button.

    ---TKINTER VARIABLES---
    None

    ---WIDGETS---
    self

    ---FUNCTIONS---
    _pick_colour() = Opens the colour picker window.
    reset()        = Resets the button.
    get()          = Gets the text of the button.
    """
    def __init__(self, parent, text="Pick A Colour", *args):
        ttk.Button.__init__(self, parent, text=text, command=self._pick_colour, *args)
        self.parent = parent
        self._text = text

        ttk.Style().configure("ColourButton.TButton")

        self.configure(style="ColourButton.TButton")

    def _pick_colour(self):
        colour = askcolor()
        self.configure(text=colour[1])
        ttk.Style().configure("ColourButton.TButton", background=colour[1])

    def reset(self):
        """Resets the button."""
        self.configure(text=self._text)
        ttk.Style().configure("ColourButton.TButton", background=ttk.Style().lookup("TButton", "background"))

    def get(self):
        """Gets the text of the button."""
        return self["text"]

##################################################

if __name__ == "__main__":
    root = tk.Tk()
    cpbutton = ColourPickerButton(root, text="Pick A Colour")
    cpbutton.pack(expand=True, padx=5, pady=5)
    root.mainloop()

redpajama_set_name: RedPajamaGithub


text:
17:15 ET Flagstar Bancorp Announces Increase in Quarterly Dividend to $0.06 per share
Flagstar Bancorp, Inc. (NYSE: FBC), the holding company for Flagstar Bank, FSB, today announced its board of directors has declared a quarterly cash...
17:06 ET VOLLERS Elevates Brendan Murray to President
VOLLERS, a family-owned full-service solutions provider for construction services, has announced that Brendan Murray was named its new President....
17:05 ET The Winning Pitch Challenge - Retina Announces Finalists
The Winning Pitch Challenge - Retina will feature three finalists with innovative ophthalmic ideas presenting to a panel of industry leaders on...
17:00 ET United Announces 2020 Financial Results: 2021 Will Focus On Transition To Recovery; Expects To Exceed 2019 Adjusted EBITDA Margin By 2023*
United Airlines (UAL) today announced fourth-quarter and full-year 2020 financial results. The company continues its efforts to lead the industry as...
17:00 ET Valvoline to Report Financial Results for First Quarter 2021 on Feb. 3 and Host Webcast on Feb. 4
Valvoline Inc. (NYSE: VVV), a leading worldwide supplier of premium branded lubricants and automotive services, today announced that it plans to...
17:00 ET New Hallo Report Finds Just 40 Black Founders Raised Venture Capital in Q4 2020
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17:00 ET Laser Glass Processing Machine by AdValue Photonics
AdValue Photonics, Inc. (Tucson, AZ) is pleased to introduce a laser glass processing machine to drill, cut, mark, and mill glass materials including ...
17:00 ET Bright Scholar Announces Unaudited Financial Results for the First Fiscal Quarter of FY2021
Bright Scholar Education Holdings Limited ("Bright Scholar," the "Company," "we" or "our") (NYSE: BEDU), a global premier education service company,...
17:00 ET The Worldwide Polyethylene Foams Industry is Expected to Reach $4.5 Billion by 2025
DUBLIN, Jan. 20, 2021 The "Polyethylene (PE) Foams Market by Type (Non-XLPE and XLPE), by Density (LDPE,HDPE), by End-Use Application (Protective...
16:56 ET VTech fera l'acquisition d'une installation de fabrication mexicaine auprès de QSC, LLC
Aujourd'hui, VTech Holdings Limited (« VTech ») (HKSE: 303) a annoncé avoir signé un accord avec QSC, LLC en vue de l'acquisition de son installation ...
16:56 ET VTech erwirbt mexikanische Produktionsstätte von QSC, LLC
VTech Holdings Limited (HKSE: 303) gab heute die Unterzeichnung einer Vereinbarung mit QSC, LLC zur Übernahme der Produktionsstätte in Tecate,...
16:45 ET SOCMA Congratulates Biden Administration on Inauguration
Jennifer Abril, President & CEO of the Society of Chemical Manufacturers & Affiliates (SOCMA), released the following statement in response to the...
16:45 ET United States Clinical Chemistry and Immunoassay In-Vitro Diagnostics Market Report 2020: Opportunities in Biomarkers for Alzheimer's Disease Diagnosis, IoT for Optimizing Process Flow & DtC Testing Services
The "Demand for High-Volume Testing Driving the Growth of the US Clinical Chemistry and Immunoassay In Vitro Diagnostics Market, 2020" report has...
16:45 ET WesBanco Declares Quarterly Cash Dividend Upon Its Perpetual Preferred Stock
WesBanco, Inc. (Nasdaq:WSBC), a diversified, multi-state bank holding company, announced today that its Board of Directors has declared a quarterly...
16:45 ET Redwood Trust Provides Company Update And Announces Date Of Fourth Quarter 2020 Financial Results Webcast And Conference Call
Redwood Trust, Inc. (NYSE: RWT), a leading innovator in housing credit investing, today announced a business update for the quarter ended December...
16:43 ET A Accor estabelece uma linha ambiciosa para novas aberturas de hotéis em 2021
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16:35 ET A Multicultural America Ushers in Joseph R. Biden, Jr. As 46th President of the United States
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16:35 ET OncoSec Medical Announces Proposed Public Offering of Common Stock
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16:34 ET ADVI$OR, CalCPA'S New Financial Planning Conference, Features Dr. David Kelly, Chief Global Strategist, J.P. Morgan Asset Management
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16:30 ET PHX MINERALS INC. to Announce Fiscal 2021 First Quarter Results and Host Earnings Call on Feb. 8, 2021
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16:30 ET Golden Star Resources Reports on 2020 Preliminary Production Results and Guidance for 2021 Delivering on Increased 2020 Production Guidance at Wassa
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text:
Kaapse Vonkel vertical tasting at Simonsig
Yesterday morning, at Simonsig, we enjoyed being part of a media group at a really interesting vertical tasting of Simonsig Kaapse Vonkel, definitely one of our favourite sparkling wines, both the elegant brut and the very special, award winning Brut Rosé, the perfect wine for any celebration. This was the first marque in this country to use the Champenoise (Cap Classique, if we are to be politically correct) method of creating the bubbles by a second fermentation in the bottle. After a glass of the most recent vintage, 2008, when we arrived, we went upstairs to the van Niekerk Room in their Cuvée restaurant, for the formal tasting.
This began with the 2010 base wines, chardonnay and pinot noir, both of which had been picked in an early stage of ripeness to produce the highly acidic wines essential for the development of a good sparkling Brut.
We then tasted the 2007 and 2006 vintages, the latter in two versions, one disgorged in August 2007, the other very recently. A huge difference had been made by the extra 2½ years on the lees. The early bottling showed subtle white toast aroma, with a soft mouse and a long dried apple finish. The newer bottling was much richer, with a gentle mousse, ripe melon and white toast aromas leading to a delicate marmite toast flavour on the finish.
The next flight brought us the 2005 vintage in standard bottle and magnums. This wine won the most recent WINE magazine MCC challenge in the 750ml bottle and came second in the magnum. The 750ml showed white toast character with a gentle mousse, while the magnum showed a little more acidity and a little more marmite yeast character on the nose. Both had a lovely long bready finish.
The final flight was the 2003 vintage followed by a 1999 (disgorged two days earlier), a 1992 and the 1987, which was the first vintage to use only the classic Champagne grape varieties, Pinot Noir and Chardonnay – the first modern Kaapse Vonkel. The 2003 had a rich, yeasty white bread nose with a soft gentle mousse. A gentle marmite/strawberry jam flavour went through on a long finish. The 1999 had very little mousse, unsurprising as it had only just been disgorged, but had a very rich toasty aroma and cooked apples with a little marmite on the palate into a consistent long finish. The nose on the 1992 was a little shy, but had hints of strawberry jam, which followed through in the mouth, developing into a yeasty flavour which stayed in a long finish. The 1987 had passed its best, and had distinctly sherried nose and flavour and an amazingly lively mousee, considering its age.
We were given a most interesting insight into the development of a good sparkling wine. This was the first vertical tasting Johan Malan had hosted and we hope that its success will lead to more like it, at Simonsig and at other producers.


關於英文腔調的問題 其實大家不必太介意 我在NYC的時候 隨便街頭一站 五十公尺以內 至少有十幾種來自不同國家的人 NYC被稱為世界大融爐大概就是如此吧 雖然我的美國同學 對具有英國腔調的同學有點戲虐的意味 但個人卻偏好具有英國腔調的女生 有一次在杜拜正巧遇見與家姐同公司來自英國的女同事 就被她的北英國的腔調著迷 後來又在德國 倫敦遇見她 每一次我的greeting 就是說"Marry me, I bring you happiness!"(當然不是真的) 算是英文的話外章吧!
Based on your dictionary search, the search result is powered by the dictionaries from various publishers.


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text:
Padua or Padova
Italy facts & history in brief
Padua, Italy, (Italian Padova is a city in the Veneto, northern Italy, the economic and communications hub of the region.
The capital of omonymous province, it stands on the Bacchiglione River, 40 km west of Venice and 29km southeast of Vicenza, with a population of 211,985 (2004).
The city is included, with Venice (Italian Venezia), in the Padua-Venice Metropolitan Area, population 1,600,000.
Its agricultural setting is the Pianura Padovana, the "Paduan plain," edged by the Euganaean Hills praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley.
The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat.
Padua is the setting for most of the action in Shakespeare's The Taming of the Shrew.
Padua claims to be the oldest city in north Italy; the early medieval commune justified itself by a fabled founder in the Trojan Antenor, whose relics the commune recognized in a large stone sarcophagus exhumed in the year 1274.
Patavium, as Padua was known by the Romans, was inhabited by (Adriatic) Veneti, who thrived thanks to its excellent breed of horses and the wool of its sheep.
Its men fought for the Romans at Cannae, and the city became so powerful that it was reported able to raise two hundred thousand fighting men.
The area was Christianised by Saint Prosdocimus, who is venerated as the first bishop of the city.
Padua, in common with north-eastern Italy, suffered severely from the invasion of the Huns under Attila (452).
It then passed under the Gothic kings Odoacer and Theodoric the Great, but during the Gothic War it made submission to the Greeks in 540.
The city was seized again by the Goths under Totila, but was restored to the Eastern Empire by Narses in 568.
The history of Padua after Late Antiquity follows the course of events common to most cities of north-eastern Italy.
Under the Lombards the city of Padua rose in revolt (601) against Agilulf, the Lombard king, and after suffering a long and bloody siege was stormed and burned by him.
The Padua of Antiquity was annihilated: the remains of an amphitheater (the Arena) and some bridge foundations are all that remain of Roman Padua today.
Later the Franks succeeded the Lombards as masters of north Italy.
The Frankish and episcopal supremacy followed.
The city was sacked by the Magyars in 899.
Padua subsequently needed many years to recover from that ravage.
In the 11th century and later the citizens were engaged in wars with Venice and Vicenza.
Padua changed hands many times over the next centuries until 1866, when the battle of Koniggratz gave Italy the opportunity to push the Austrians out of the old Venetian republic as Padua and the rest of the Veneto were annexed to the recently united Kingdom of Italy.
Padua has many interesting and great sights;
The Palazzo della Ragione, with its great hall.
The Gran Guardia the beautiful loggia in the Piazza dei Signori
The Palazzo del Capitanio, the residence of the Venetian governors
Alvise Cornaro's garden loggia
The Cathedral, designed by Michelangelo
The Basilica di Sant'Antonio da Padova, locally known as "Il Santo".
The statue of Venetian general Gattamelata (Erasmo da Narni) on the piazza
St. George Oratory (13th century)
Prato della Valle, a 90,000 m² elliptical square believed to be the biggest in Europe, after Red Square in Moscow. In the centre is a wide garden surrounded by a ditch, which is lined by 78 statues portraying famous citizens.
Abbey and the basilica of Santa Giustina, with the tombs of several saints are housed in the interior, including those of Justine, St. Prosdocimus, St. Maximus, St. Urius, St. Felicita, St. Julianus, as well as relics of the Apostle St. Matthias and the Evangelist St. Luke.
Church of the Eremitani is an Augustinian church of the 13th century
Roman arena, with the small Scrovegni Chapel, Padua's most eminent attraction, with paintings by Giotto.
Santa Sofia is probably Padova's most ancient church. The edifice appears to be tilting slightly due to the soft terrain.
City of Padua Official Website
The Basilica of St Anthony in Padua
Padova as a city protected by UNESCO
Map of Padua
For a more information about Padova see Wikipedia, the free encyclopedia
This page was retrieved and condensed from (http://en.wikipedia.org/wiki/Padova) February 2007.
This information was correct in February 2007. E. & O.E.
Sarolta, my daughter and I visited Padua in 1978 and I will scan and put up the photos, hopefully soon.
We did enjoy the many interesting sights in and around Padua.
In 2006, Hui Chin and I had another opportunity to visit Padua.
Here I will have a few words about a couple of Padua's gems.
Padua's local Saint, (see Wikipedia) Saint Anthony of Padua is one of the best known saint to Catholics the world over, but especially in Hungary and Europe.
Saint Anthony of Padua
Translohr
Another very interesting I found in Padua on this, our last visit was the "Translohr" tram system they installed and trailled in Padua in the last few years.
It is like a tram system crossed with a guided bus system. see Wikipedia link and brief quote;
Translohr is a guided bus system manufactured by Lohr Industrie of France. It is used in Clermont-Ferrand and Tianjin, under construction in Padua, L'Aquila, and the mainland Mestre district of Venice in Italy.
It is similar to, but incompatible with, the Guided Light Transit system developed by Bombardier Transportation.
Unlike Bombardier's GLT vehicles, the Translohr vehicles are bidirectional.
Translohr in Padua
You can click on these photos for an enlargement.
Padova Padova Padova Padova


A Greenwich, Connecticut-based hedge fund that focuses on distressed credit and special situations is behind the purchase of a block of 46 taxi medallions that were snapped up in a foreclosure auction this week.
The medallions — the metal plates on yellow cab hoods allowing them to legally pick up street-hails — have plunged in value since the arrival of Uber and other ride-sharing services in the city.
They once fetched as much as $1 million but were sold for $186,000 each at the auction, an industry source told Business Insider. They once belonged to Evgeny "Gene" Freidman — a man known as the 'Taxi King'— who is now in legal and financial trouble as the value of his assets plunged.
The buyer, identified in bankruptcy court documents as MGPE Inc., was incorporated in 2010 by Mark Zoldan, who is chief financial officer of Marblegate Asset Management, legal filings show. We called Marblegate to ask about its strategy with the medallions and how MGPE fits in, but the firm declined to comment.
Hedge funds are closed to most public investors so they only have to disclose a very limited amount of information.
Marblegate manages about $627 million, which could include borrowed money, according to a regulatory filing. Marblegate describes its investment strategy as seeking "to purchase high yield and leveraged corporate credits and claims at a discount to intrinsic value and to realize the value of investments through a combination of restructuring, recovery and refinancing."
Andrew Milgram and Paul Arrouet are the firm's managing partners with Milgram serving as the chief investment officer — meaning they're the ones making investment strategy decisions.
Of course, we can't say what MGPE's strategy with the medallions is — but there are more ways than one to make a profit off this purchase. For one, because they were bought in a foreclosure auction and in a large block, the medallions probably went for below what they might fetch in the open market. Also, the medallion owners can generate income by leasing them out to taxi companies or individual drivers - who can't ply their trade without one.
The $186,000 medallion price is not expected to become the new normal for future medallion auctions, according to Matthew Daus, who served as head of the Taxi & Limousine Commission for more than eight years.
"These medallions were foreclosed upon as a part of Freidman's bankruptcy," said Daus, who currently works for the law firm Windels Marx. "These bulk bargain bids are not indicative of a medallion's true market value."
He says hedge funds are a rare sight in the taxi industry.
Then, of course, there's the potential that this reflects a view that the hit that the taxi industry has taken from Uber is coming to an end, and the medallions will start to regain value.


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The Temple of Heaven Park in Beijing is full of people doing ordinary things like Tai Chi and Tibetan Dance. At least they seem ordinary to the people doing them. To me, it seems odd and beautiful that so many people are moving slowly, intentionally together in public. In the middle of the park, an old man practices calligraphy. Bright white hair peeks out from underneath his dark baseball hat. He wets a long paintbrush with water from a bucket, hunches over slightly, and writes on the pavement. Every few characters he pauses, referring to a poem he is holding in his left hand. The graceful symbols evaporate in just a few moments. He repeats the same lines over and over and over again. Slowly, mindfully. Dip, stroke, stroke, stroke, dip. His writing hand moves like he is conducting an orchestra in an underground pit. I look out across the expanse of pavement and see years of art, layers of words encased there. Whispering to us about life and death and love and heartache. The poem waits briefly to be discovered before it fades in the afternoon sun. If only I knew how to read Chinese. I suddenly mourn the fact that I do not yet know Chinese.
The fleetingness of the water, the holy detachment of his practice has something to teach me. I know it in my bones. I can't take my eyes off him, dipping and stroking as if he had all the time in the world.
What a curious man. Does he come here often? Why this poem, this practice? Is it penance? Obsession? Devotion? Maybe it's a love poem he's sending out to the one he lost, repeated in sorrow and grief. Or maybe he simply believes in the art of repetition, the pure goodness of beauty and the fleeting nature of things.
I think of Daniel's kisses– generous beyond counting– stroking my lips, cheeks, breasts, thighs over and over again. Gentle art, wet poetry, evaporating. Layers of love becoming part of my story, part of my body. Small moments of beauty encircling me on a journey.
I think of my yoga practice. I can count miles run or pounds lifted, but I push myself to return to my mat day after day simply to practice. To see what is mine to learn in a new moment, as a new self. There is nothing to count. Every day there is something simple and profound in the practice, a journey to seek truth in me and around me. Then, in corpse pose, I detach from it all and let it go. I walk out, sweat evaporating, glistening with newness.
There is no keeping score.
I think of hours spent poring over holy books, digging through translations, wading through concordances, seeking insight and light. Taking a moment, closing my eyes, swimming through my mind for the right word to capture a floating feeling of an idea. Luring the transcendent to become imminent for just a glimmering moment. Knowing only that it feels as though I'm walking in the right direction and that deep in the seeking is goodness. The rigor is intoxicating.
I watch the Chinese characters, hoping they stay a bit longer. I don't want this moment to fade. But it does.
I am driven to use ink. To write my own words instead of basking in the wisdom of others. To make a mark, to be recognized for excellence. I want it to count. I want to count. I want to use permanent marker and oil paint. I want to be immortal, to stick, to go on.
I think we are sold the lie that we will get there. That there is a destination. We can earn it, we are entitled to it. There is no room there for quiet devotion, for vulnerable dependence, for committed practice, for the mundane. When we get there, we will plant a flag and then we will matter. We will conquer. We will be whole, happy. There, life will be easy. We will have arrived.
And practicing poetry in the park will not get us there.
I do dishes with Daniel every night. He washes. I dry. I watch the soap suds disappear into the embroidered rag and place the square, white dish back in the cupboard for tomorrow. I fold blue towels and green sheets. I chop sweet potatoes and dice garlic. I sit in traffic and stand in line. This is it. I am scared of monotony and mediocrity. Breakfast, lunch, laundry, dinner, bathe, repeat. What if it kills me?
I could go to the park today with a poem and a brush. I could choose to think, to stay alive, to treat others with compassion. I could practice being human in all its messiness and mortality. I could decide what has meaning. I could decide what to worship. I could choose to fold laundry and sip soup and kiss Daniel and find dignity in devotion and dependence. I could proclaim, "This is life." I'm arriving every fleeting moment. Hidden in plain sight before me is something on fire with sacredness. There is poetry trapped on the pavement at my feet. There is art evaporating all around me. I am held in the holiness of life. I simply have to choose to pay attention.


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HomeEnterprise Insight in Today's Consolidated Enterprise
Enterprise Insight in Today's Consolidated Enterprise
April 3, 2019 dondennison Healthcare ITAnalytics, Healthcare IT, IHE, Informatics, Interoperability, Medical Imaging
As health systems acquire or partner with previously independent facilities to form Consolidated Enterprises, and implement a Shared Electronic Medical Record (EMR) system, they often consolidate legacy diagnostic imaging IT systems to a shared solution. Facilities, data centers, identity management, networking equipment, interface engines, and other IT infrastructure and communications components are also often consolidated and managed centrally. Often, a program to capture and manage clinical imaging records follows.
Whether the health system deploys a Vendor Neutral Archive (VNA), an Enterprise PACS, or a combination of both, some investment is made to reduce the overall number of imaging IT systems installed and the number of interfaces to maintain. An enterprise-wide radiation dose monitoring solution may also be implemented.
While much has been written on strategies to achieve this type of shared, integrated, enterprise-wide imaging IT solution, there are several other opportunities for improvement beyond this vision.
In addition to imaging and information record management systems, enterprise-wide solutions for system monitoring, audit record management, and data analytics can also provide significant value.
Organizations often have some form of enterprise-level host monitoring solution, which provides basic information on the operational status of the computers, operating systems and (sometimes) databases. However, even when the hosts are operating normally, there are many conditions that can cause a solution or workflow to be impeded.
In imaging, there are many transaction dependencies that, if they are not all working as expected, can cause workflow to be delayed or disabled. Often, troubleshooting these workflow issues can be a challenge, especially in a high-transaction enterprise.
Having a solution that monitors all the involved systems and the transactions between them can help detect, prevent, and correct workflow issues.
Audit Record Management
Many jurisdictions have laws and regulations that require a comprehensive audit trail to be made available on demand. Typically, this audit trail provides a time-stamped record of all accesses and changes to a patient's record, including their medical images, indexed by the users and systems involved.
Generating this audit trail from the myriad of logs in each involved system, each with its own record format and schema, can be a costly manual effort.
The Audit Trail and Node Authentication integration profile (ATNA), part of Integrating the Healthcare Enterprise (IHE), provides a framework for publishing, storing, and indexing audit records from different systems. It defines triggering events, along with a record format, and communication protocol.
Enterprises are encouraged to look for systems that support the appropriate actors in the ATNA integration profiles during procurement of new IT systems and equipment. Implementing an Audit Record Repository with tools that make audit trail generation easy is also important.
Capturing and analyzing operational data is key to identifying issues and trends. As each system generates logs in different formats and using different methods, it often takes significant effort to normalize data records to get reliable analytics reports.
Periodic (for example, daily, weekly, or monthly) reports, common in imaging departments for decades, are often not considered enough in today's on-demand, real-time world. Interactive dashboards that allow stakeholders to examine the data through different "lenses", by changing the query parameters, are increasingly being implemented.
Getting reliable analytics results using data from both information (for example, the EMR and RIS) and imaging (for example, modalities, PACS, VNA, and Viewers) systems often requires significant effort, tools to extract/transform/load (ETL) the data, and a deep understanding of the "meaning" of the data.
Enterprise Insight
Implementing solutions that continuously and efficiently manage the health of your systems, the records accessed, and operational metrics are important aspects in today's Consolidated Enterprise. Evaluating any new system as to their ability to integrate with, and provide information to, these systems is recommended.
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