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Real name Maxwell Lord IV
Debut Justice League #1 (May 1987)
Created by Keith Giffen, J.M. DeMatteis, Kevin Maguire
Affiliations Checkmate, Justice League International
Abilities Mind Control, Tactician, Businessman
Played by Gil Bellows, Tim Matheson (voice), Peter Facinelli, Pedro Pascal
Wonder Woman v2 #219
Infinite Crisis #1
Wonder Woman v2 #219 variant cover
Heroes in Crisis #3 variant cover
Initially, Lord worked behind the scenes to establish the League, while under the control of a villainous computer created by Metron (a later retcon would say that this was actually the villainous computer program Kilgore, which had taken over Metron's machine). The computer wanted Max to set up a worldwide peacekeeping organization, as part of its plan to dominate the world.
Lord's ruthlessness at this time was illustrated when he set up a disturbed would-be terrorist as a villain for the League to defeat, resulting in the man's death. (The would-be terrorist believed he had a bomb connected to his heartbeat, but in fact, Max had disconnected it.) Later, however, he rebelled against the computer and (seemingly) destroyed it.
Once free of the computer's influence, Lord was portrayed as an amoral businessman, but not a real villain.
New found Power
Originally a normal human, Lord was one of many on Earth gifted with super-powers during the Invasion crossover, when a Gene Bomb was exploded by alien invaders. This bomb activated the latent metagene present in a small percentage of Earthlings. Lord gained the ability to control the minds of others, albeit at great difficulty.
After he was shot and placed in a coma, Dreamslayer, a supervillain who, with the aid of the Extremists,a team of robotic servants, had once destroyed all life on their planet, took over Lord's body and "supercharged" this power, allowing him to control thousands of minds at once. Using Lord's body and power, he caused the JLI to lose its charter, and almost forced them to disband. Finally, however, while the possessed Lord forced the JLI to battle itself, the mortally-wounded Silver Sorceress managed to contain Dreamslayer and held it within her mind as she died, taking it with her, and while Lord was freed, his power was burnt out.
Later, he was diagnosed with a brain tumour, and seemingly died. The Kilgore, however, had been waiting patiently for the right moment to reactivate its control of Lord and downloaded his consciousness into a duplicate of one of the Extremist robots, Lord Havok. In this form he spent some time testing the League, for unknown reasons. He also took control of the secret organization known as the Arcana.
His cyborg body later came to resemble his original human form. Recently, he pulled together several former JLI members, including L-Ron Captain Atom,Blue Beetle, Booster Gold, and Fire as the ``Super Budies`` advertised as "Heroes the common man could call."
Infinite Crisis and Death
Lord was no longer a cyborg and, apparently, a criminal mastermind who spent years running the JLI gathering sensitive information about the world's superheroes, whom he considered a threat to the planet. At the same time, he sabotaged JLI efforts in order to render the superhero team as ineffectual as possible. At the end of the prologue special issue, he shoots and kills one-time JLI member Blue Beetle when the hero discovers Lord's secret and refuses his offer to join him.
During this time, Lord was given control of Batman's Brother Eye project (created to monitor all superhuman contact; Batman had grown paranoid when discovering the JLA had mindwiped him) by Alexander Luthor Jr. (the god-like son of Lex Luthor from an alternate earth), taking it over and creating an army of cyborgs called O.M.A.C's (humans infected with a virus that transformed them into the OMACs) programmed to hunt down and kill all superhumans.
He also used his powers to influence Superman's mind, causing him to brutally beat up Batman and attack Wonder Woman, believing them to be his old enemies (i.e. Brainiac,Doomsday,Ruinand Darkseid). This is significant because he was never before shown to actually be able to cause full blown hallucinations through his minor psionic powers. After barely escaping from Superman, Wonder Woman confronted Lord and bound him in her lasso of truth; telling him to tell her how to free Superman; Lord tells her she has to kill him, and she snaps his neck. In response, Brother Eye cast the footage of Wonder Woman executing Lord all over the world, destroying her reputation and her friendship with Batman and Superman (who rejected her despite the fact that she saved their lives).
In the Blackest Night, Maxwell lord is shown to be one of the bodies entombed below the Hall of Justice Lord's dead body is revived as a Black Lantern during the time of the Blackest Night. He targeted Wonder Woman and lured her to Arlington National Cemetery with a trail of slaughtered bodies. When she arrived at the scene he sprung a trap on her and used black rings to revive the bodies of the men he had just killed and left as a trail. Wonder Woman used her lasso to destroy Max and the other undead to dust. But as she leaves the dust starts to regenerate into the former shells of bodies. A while later, Max resumes his attack on Wonder Woman (after she turned into a Star Sapphire) and she encases his body in a violet crystal and shatters it to pieces. But Maxwell never gives up and continued to taunt her, his mouth speaking out of a part of the crystal.
Brightest Day and Justice League: Generation Lost
Lord is among the other resurrected heroes/villains, featured in the Brightest Day (2010) series. He is first seen attempting to push his mind control powers further than ever, but severely injures himself in the attempt, despite his meticulous preparations, including a constant blood supply and an ice pool. Later, Deadman's white power ring shows a vision where Lord is shown shaking hands with Jaime reyes, the third Blue Beetle, but Lord is hiding a gun behind his back, implying that he is planning to kill him just as he killed Jaime's predecessor, Ted Kord.
After the resurrection, Maxwell Lord has become a fugitive in a global wide manhunt called "Land Lord". Part of Maxwell's plan was to set-up bombs in predictable locations while he'd setup up his larger plan at the Justice League International headquarters. Booster Gold discovered his plan but was later beaten down by Maxwell. Before Booster became unconscious he had sent a alarm through the JLI frequency. Once the former JLI members arrive (Captain Atom,Fire and Ice), Maxwell finished his plan by erasing everyone's memory of Maxwell's existence except the JLI's. Maxwell Lord was seen at the end of issue 1 in Switzerland at his castle base preparing something big to get the last surviving members of the JLI's. The former JLI's that came for Maxwell are the only ones that remember him, possibly due to being in the epicenter of Maxwell's mind wipe.
The former JLI members then start to realize that Maxwell not only wiped the memories of him but introduced a subliminal message that when they say his name turns the listener aggressive towards the JLI members. This is part of Maxwell's plan to discredit those who still remember him. He then leads them to the current Blue Beetle's home, Jaime Reyes. There they are attacked by OMACs but when they suddenly start to teleport they follow them and they are ambushed by Rocket Reds.Meanwhile Maxwell's attempts at mind control are shown to inadvertly be producing Black Lantern which Maxwell guns down.
The original Rocket Red helps the former JLI members against the brigade and they realize that this was Maxwell's plan all along to get the JLI reunited when Maxwell talks to them through one of the Rocket's armor. He then blows up the armor with the soldier still in it. They then figure out that Maxwell is in Checkmate's Headquarters and make their way there.
As they make their plans, Maxwell is shown in contact with the White Lantern's Entity He briefly becomes a White Lantern and apparently makes Magog commit suicide at a distance. This probably fullfills his mission for the Entity ("Magog will plunge this world into war. Stop the war before it starts.") In the main Brightest Day series, it is shown that Deadman remembers Max. When Blue Beetle is kidnapped by Max, he is eventually killed by him. The Justice League International witness his death, but came to late to save Jaime. Booster promised that he would kill Max if he gained the chance, and Max left his old team to die.
Detonating a bomb in the ship, the Justice League International took their dead teammate to an abandoned island. Trying to see if Jaime is really dead, Red Rocket does all he can, but tells Booster (and the team) that he is dead
Extreme Mind Control
Master Manipulator
Master Tactician
Maxwell Lord makes 2 appearances on season 9's Smallville. His first appearance was on a episode entitled "Charade" where Maxwell Lord (portrayed by Gil Bellows) is a Checkmate Agent sent to kidnap Louis to try search her memories to identify the "Blur". He is later stopped by Clark. The second appearance is on a episode entitled "Hostage". Maxwell Lord has to kidnap someone but this time it's Tess. He searches her mind to try to kind out who is the "Red Queen" but fails and is defeated by Tess. When he calls into Amanda Waller that he was unsuccessful a stun vibration is emitted from the phone.
Maxwell Lord appears in the Justice League Unlimited episode "Ultimatum" . He is shown as a normal human with no special powers. He acts as the manager of the Ultimen, a superhero team that works independently of the Justice League. It turns out, however, that the Ultimen are a series of artificial life forms cloned and given false memories while interacting with actors portraying their parents. The team was developed with the assistance of Project Cdamus as part of an ongoing project to protect the Earth from the Justice League. As the clones (which are imperfect) die, they are replaced until one generation of the clones learns the truth and escapes. Maxwell is told by Amanda Waller to get them back or she will call in the "squad" to take them down. The Ultimen ended up attacking Maxwell Lord demanding answers. He told them that they were created to be a better superhero team than the Justice League. When he offers to help them when their lifespan ends, they deny his plea and head back to the building to look for Amanda Waller and their as-yet-unactivated clones. After four of the Ultimen are subdued by the Justice League, Maxwell Lord and Amanda Waller arrived with some Cadmus soldiers and take them into custody to be there for when their lifespan is up.
Maxwell Lord appears in season 1's Supergirl portrayed by Peter Facinelli.
Maxwell Lord will appear in Wonder Woman 1984 portrayed by Pedro Pascal.
http://www.comicvine.com/maxwell-lord/29-10149/
http://dc.wikia.com/wiki/Maxwell_Lord_IV_(New_Earth)
Retrieved from "https://wonder-woman.fandom.com/wiki/Maxwell_Lord?oldid=27185"


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IBM, Kellogg's and GLOW take top honors at the Digiday Content Marketing Awards
May 2, 2019 by Melissa Hayes
IBM, Kellogg's and GLOW took top honors at Thursday's Digiday Content Marketing Awards Gala, which took place at Current at Chelsea Piers in NYC with attendees from MTV, Farmers Insurance and Crocs among others.
Tech giant IBM walked away from the evening with two awards — Best In-House Content/Brand Studio and Most Engaged Brand Community — both a result of the tireless work of IBM Originals, which is on a mission to tell stories that connect the consumer and the product in what is, at times, an unexpected way.
Since the inception of this group, IBM has been able to take a more human-centric, storytelling approach to proving the value of their technical products. With over 700 creators worldwide and an internal production company on their side, the studio has been able to churn out high-level work that started at home with the Content Cantina — a Lego and "Star Wars"-inspired bar where content and marketing principles were discussed with company executives and industry influencers.
Also taking top accolades were Kellogg's and Edelman, who came together for the launch of a cereal we didn't know we needed: Chocolate Frosted Flakes. These powerhouses won Best New Product or Launch Campaign for a rollout that included an edible record, a boy band collaboration and a music video with Tony the Tiger. Need we say more?
With a client roster that includes entertainment heavy hitters like HBO, YouTube, Showtime, Spotify and Paramount, New York City based digital and social media agency GLOW continues to make a name for themselves. Since 1999, the agency has weathered an industry that changes like the seasons, continuing to produce highly engaging, performance-driven content for clients. It's no wonder they've been named the year's Best Content Marketing Agency by our panel of industry leaders.
GLOW subsequently took home a Digiday Video Award and now a Content Marketing Award for their Final Space Facebook Live, orchestrated a Golden Globes activation for "Portlandia" and a social stunt for YouTube's sci-fi series, "Origin." Up next for GLOW: Continuing to seek new and never before seen ways to tell stories.
See the full list of this year's winners below.
Best Agency/Client Collaboration
Digital Trends & House Special – Holiday Gift Guide
Modern technology information hub Digital Trends and animation studio House Special, both headquartered in Portland, teamed up to tell a holiday gift giving story through visual shorts that featured must-have tech items in scenes far more elaborate than those within your average gift guide. The overall goal of the guide was to attract attention on social media in order to increase brand awareness and affiliate sales.
Best Brand Publication – Print and/or Digital
Airbnb – Airbnb Magazine
When the magic of your brand exists largely offline, do you extend into the physical world? In an effort to build credibility in the content space, Airbnb teamed up with Hearst to make a splash in print via Airbnb Magazine, a physical extension of the brand that presents an opportunity for hosts to begin a larger conversation with their guests — one centered on the inspirational aspects of the business model.
Best Brand/Influencer Collaboration
Samsung Electronics America & R/GA – Samsung /make
Consumer electronics behemoth Samsung needed a way to reach the next generation of mobile consumers — most of whom are currently using iPhones — in order to begin to shift the perception of their brand. In formulating the plan, an opportunity to focus on a Gen Z playground like YouTube became priority No. 1. The mystery: what, outside of traditional advertising, is going to catch their attention there? Enter innovation giant R/GA.
The two teamed up to show Gen Z that Galaxy smartphones are perfect for creating the types of content they're interested in — those their favorite YouTubers are producing like a machine. The resulting project is a community platform that peels back the layers of the creation process and highlights the areas where Samsung technology is second to none.
Best Branded Content Series
WP BrandStudio & Harry's – The Changing Face of Masculinity
If you've ever ridden a subway in New York, you're familiar with Harry's. What started out as a male-focused grooming and shaving company has now expanded into the U.K., solidifying partnerships with brands like Heyday and launching a women's brand named Flamingo. Last year, the personal care industry disruptor worked with The Washington Post's WP BrandStudio to create a three-phase content series that would help to position them as a brand that is continuing important cultural conversations like what it means to be masculine in a modern world.
Best Branded Content Site – B2B
Group SJR – Drax.com
Drax, which is the largest supplier of renewable energy to businesses in the U.K., teamed up with marketing consultancy Group SJR to develop a platform that would feature engaging editorial content that is hyper-focused on energy innovation. The resulting revamped Drax.com features elements that attract the zero carbon curious and investors alike.
Best Branded Content Site – B2C
Farmers Insurance – Learn From Experience
Farmers knows that shopping for insurance is a dreaded experience, often made worse by the tone taken in insurance ads [a 5 billion dollar vertical in which they are ninth in spend]. In order to combat lean TV spend, the almost 100-year-old company dreamed up Learn From Experience, which is a premium, magazine quality content experience designed specifically with college-educated homeowners in mind — those who are willing to pay more for a product they can trust.
With the help of a robust media plan, the campaign drove millions of engaged click-throughs to the site and played a direct role in thousands of insurance quotes.
Best Branded Podcast
WP BrandStudio, T. Rowe Price & Wavemaker – The Confident Wallet™
Chances are, if you're reading this, you've listened to a podcast today. The industry, which has grown immensely in recent years, has become an opportunity for many verticals to reach their core customers. This does not exclude investment management firms like T. Rowe Price, who teamed up with WP BrandStudio to create The Confident Wallet™, which would be the first foray into branded podcasts for both companies. The podcast, which began in January 2018, features topics like couples and money, saving for college, retirement strategies and more.
Best Content Marketing Tech Platform
HYPR
HYPR (pronounced "hyper") is on a mission to make influencer marketing fully automated and scalable for clients like Simon & Schuster, Hulu, Pepsi and Bloomberg. With the availability of audience demographic tools and in-depth performance tracking for over 10 million influencers, the 6-year-old directory has honed in on micro influencers and automated the outreach and engagement process for users.
Best Experiential Marketing Campaign
Sephora – SEPHORiA
"Experiential" was the common thread between a number of this year's Digiday Content Marketing Awards finalists. Coming out on top of the most experience-driven category is multinational personal care and beauty power Sephora, who brought their brand to life in L.A. last October via a highly-attended gathering of influencers and Sephora superfans alike called SEPHORiA. With 53 brand activations and 20 unique rooms spanning three floors, the event was a true beauty playground.
Best In-House Content/Brand Studio
IBM – IBM Originals
Best Interactive Content Piece or Series
INNOCEAN USA – Car Configurator for Genesis G70
Huntington Beach native INNOCEAN teamed up with Genesis for a campaign that thought outside the showroom and took the process of building a car to Instagram. With a small number of dealerships prepared for a full rollout of the new Genesis G70, there still needed to be a way for a number of hand raisers to interact with the offerings of the new vehicle — why not allow Instagram users to build their own via unique CG environments on Instagram Stories?
Best Multi-Channel Content Distribution Strategy
Fullscreen and AT&T – "Guilty Party"
Fullscreen and AT&T teamed up for "Guilty Party," a real-time original series that played out across several social platforms over the course of 10 weeks. The campaign, which sought to position AT&T as an innovator in connected entertainment, recently took home two Digiday Video Awards, one for Best Use of YouTube and the other for Best Video Distribution and Programming Strategy.
Best New Product or Launch Campaign
Edelman & Kellogg's Frosted Flakes – The New Sound of Cereal
Best Use of Social
Best Use of Native Advertising/Sponsored Content
Hearts & Science & Buzzfeed – "Slay with Olay"
When you need to increase your relevance with women under 35, where do you turn? Olay joined forces with Buzzfeed for three entertaining, light-hearted videos that followed women in their late 20s approaching the next stages of "adulting." The effort to show that Olay products can help bridge the gap between the products of your 20s and those that will sustain through the next phases of their lives paid dividends.
Best Use of Real-Time Streaming Video
TBS & GLOW – Final Space Facebook Live: Cards with Gary
TBS and GLOW teamed up to bring Gary, Final Space's intergalactic main character, to life via a Facebook Live that allowed viewers to play cards with him and effectively close the gap in scheduling for their season. A multidisciplinary team of 12 came together for the real-time animation that recently took home Best Live Moment at the Digiday Video Awards.
Best Use of Video
Jungle Creations, Hasbro & OMD UK – If Monopoly was real life
Jungle Creations, Hasbro and OMD UK teamed up to bring Monopoly to life via a shareable and highly entertaining video that aimed to make light of the barriers to playing we all know too well — the length of time and arguments caused between players. The final product, which went viral, gave us a front row seat for a police interrogation that aimed to discover who robbed the Monopoly bank.
Best User-Generated Content
Wattpad Brand Partnerships & National Geographic – Planet or Plastic?
In 2018, there were 250,000 tons of plastic floating in our oceans. In order to address the crisis, National Geographic launched Planet or Plastic? which asked consumers to pledge to reduce their single-use plastic footprint. In order to prevent 1 billion plastic items from reaching the ocean, National Geographic needed to further their reach via partners like Wattpad, who have large Gen Z followings. Through a writing contest held by Wattpad between October and December 2018, over 75,000 pledges were made by their community alone.
Most Effective/Measurable Campaign
Dosomething.org – Voter Registration
DoSomething and their members have clothed half of America's homeless youth, cleaned up 3.7 million cigarette butts and coordinated the world's largest youth-led sports equipment drive. Now, the global non-profit is responsible for registering over 118,000 new voters ahead of the 2018 midterms through their "Lose Your V-Card" campaign, which drove non-registered youth to a registration portal through paid media and partnerships that helped combat the barriers to registration.
Most Engaged Brand Community
IBM Originals – Domino
Most Innovative Use of Content
Periscope – "Deadpool" Anti-SEO
WWDD (What Would Deadpool Do)? Trolli, while searching for their next breakthrough opportunity, was approached by FOX regarding a chance to partner with "Deadpool" in a sweet way. The result? Trolli's Sour Brite Tiny Hands — edible versions of the atypical hero's regenerating baby hand. Now, how would Deadpool want to spread the word? Perhaps, through flipping the conventions of SEO practices on their head. The product site was filled with Easter eggs, rants and puzzles for fans to solve and resulted in one of the fastest selling product innovations at 7-Eleven ever and over 1 billion impressions.
Best Content Marketing Agency
For more on the Content Marketing Agency of the year's recent Digiday Video Award win, click here.
Trending in Awards
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In The Know, The New York Times and Harvard Business Review are Digiday Media Awards winners in 2021
HBO Max, Degree and Verizon are among the 2021 Digiday Awards finalists
Mindshare, Xaxis, Samba TV and Campfire are Digiday Marketing and Advertising Awards Europe finalists
European marketers turned to the primary pillars of audience engagement as the pandemic and quarantines continued to upend and alter the pace and approach to shopping in 2020 and 2021.
Audible, Buzzer and Vox Media are 2021 Worklife Awards winners
The way business operated continued to transform in a year marked by profound challenges of a persistent pandemic, but amidst it all, there was a return of hope as quarantines lifted and a reconfiguration of office structures emerged that included the long-term adoption of remote teams.
LivePerson, Drift and Hootsuite are Digiday Technology Award winners for 2021
The 2021 Digiday Technology Awards recognize the companies advancing the digital media industry by fostering tech-focused innovation over the past year, powering relevant and personalized advertising.
MTA, Verizon and Ad Council among this year's Greater Good Awards nominees
The Greater Good Awards shortlist recognizes companies that have excelled at, and raised awareness of, important social-good initiatives.
The 2021 Worklife Awards Shortlist
The Worklife Awards are honoring the top employers across media and marketing, fashion, beauty and retail. See this year's nominees.

redpajama_set_name: RedPajamaCommonCrawl


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Claude Boyer, né à Albi en 1618 et mort à Paris le , est un auteur dramatique, apologiste et poète français. Il est généralement désigné depuis le  comme « l'abbé Boyer », mais cette désignation ne repose sur aucun document connu du .

Sa vie et son œuvre

Claude Boyer est éduqué chez les jésuites où il excelle en rhétorique et a pour condisciple Michel Le Clerc, qui comme lui écrira des tragédies et sera élu membre de l'Académie française, le premier en 1666 et le deuxième en 1662. En 1645, il s'installe à Paris où il fréquente les salons et produit sa première pièce, La Porcie romaine, jouée à l'Hôtel de Bourgogne en 1646. Elle connaît un franc succès. Suivront, tout au long de sa carrière, une trentaine de pièces dont la plupart sont des tragédies et dont beaucoup connaîtront de grands succès : ainsi la tragédie à machines Les Amours de Jupiter et Sémélé en 1666 fut un véritable triomphe. Lorsque, plus haute autorité littéraire des deux premiers tiers du , Jean Chapelain composait vers 1662 un mémoire sur les gens de lettres de son temps, qui devait servir de base à Colbert pour établir l'année suivante la première liste de gratifications royales, il jugeait ainsi Claude Boyer :

La tragédie qu'il écrivit en cette même année 1662 et qui fut représentée sur la scène du Palais-Royal, quelques semaines avant que L'École des femmes de Molière soit mise à l'affiche (au grand dam de Boyer), Oropaste ou le faux Tonaxare, fut considérée par les contemporains comme l'une des plus belles tragédies françaises du . Mais dans les années suivantes, son étoile commença à pâlir avec l'apparition de Racine, qui semble l'avoir considéré comme un rival de talent qu'il fallait abattre ou dont il fallait du moins ternir la réputation. Le fait que, très tôt, avant même l'éclatement officiel de la querelle des Anciens et des Modernes, il se soit rangé du côté des Modernes, en même temps que Pierre Corneille et son frère Thomas Corneille, a beaucoup contribué à cette animosité.  Racine réussit dans son entreprise avec l'aide de Boileau qui l'éreinta dans son Art poétique (1674) et Claude Boyer se plaignit fréquemment des machinations du parti des Anciens contre lui dans les années 1680. Le comble de l'animosité de Racine envers lui fut atteint en 1695, Boyer ayant osé donner à son tour (après Esther et Athalie de Racine) deux tragédies bibliques, Jephté, jouée aussi à Saint-Cyr à la demande de  de Maintenon, et Judith qui fut créée sur la scène de la Comédie-Française en 1695. C'est à cette occasion que  Racine écrivit sur lui cette épigramme bien connue :
À sa Judith, Boyer, par aventure,
Étoit assis près d'un riche caissier;
Bien aise étoit ; car le bon financier
S'attendrissoit et pleuroit sans mesure.
« Bon gré vous sais, lui dit le vieux rimeur :
Le beau vous touche, et n'êtes pas d'humeur
À vous saisir pour une baliverne. »
Lors le richard, en larmoyant lui dit:
« Je pleure, hélas ! de ce pauvre Holoferne,
Si méchamment mis à mort par Judith. »

On comprend pourquoi Boyer, à sa mort, avait perdu toute sa réputation. La postérité ne fit que renforcer ce phénomène, et il est aujourd'hui un auteur oublié. Ainsi Antoine de Léris : « Pendant cinquante ans il travailla pour le Théâtre, sans que la médiocrité du succès l'ait jamais rebuté, n'ayant pu être content du Public qu'à sa première & à ses deux dernières. » (Dictionnaire Portatif, Historique & Littéraire des Théâtres, 1763)

Il avait eu passagèrement au commencement de sa carrière une réputation d'auteur galant, comme en témoigne cette épigramme parue dans la Muse historique de 1650 :
Boyer, expert en amourettes,
Qui lui disoit souvent fleurettes,
Mais ne concluoit rien jamais,
Pourra bien chercher désormais
Quelque autre fille qui l'écoute,
Car celle-ci fait banqueroute
Non seulement à ses caquets,
Mais à tous messieurs les coquets.

Claude Boyer est par ailleurs l'auteur de nombreuses poésies de circonstance. Un certain nombre de ses poèmes est paru sous le titre Les Caractères des prédicateurs, des prétendans aux dignitez ecclésiastiques, de l'âme délicate, de l'amour profane, de l'amour saint, avec quelques autres poësies chrestiennes en 1695.

Théâtre
Classé par dates des premières représentations
La Porcie romaine, tragédie (1646)
La Sœur généreuse, tragi-comédie (1646)
Porus, ou la Générosité d'Alexandre, tragédie (1647)
Aristodème, tragédie (1647)
Tyridate, tragédie (1648)
Ulysse dans l'isle de Circé, ou Euryloche foudroyé, tragi-comédie (1648)
Clotilde, tragédie (1659)
Frédéric, tragédie (1659)
La Mort de Démétrius, ou le rétablissement d'Alexandre, roy d'Épire, tragédie (1660)
Tigrane, tragédie (1660) [texte non publié]
Policrite, tragi-comédie pastorale (1662)
Oropaste, ou le Faux Tonaxare, tragédie (1662)
Les Amours de Jupiter et de Sémélé, tragédie, musique de Louis de Mollier (1666), réimprimé  dans [C.Delmas  éd.], Recueil  de  tragédies  à  machines  sous  Louis  XIV,  Toulouse,  Centre  de recherches «Idées, thèmes et formes 1580-1660», 1985.
Le Jeune Marius, tragédie (1669)
La Feste de Vénus, comédie pastorale-héroïque, musique de Louis de Mollier (?) (1669) [texte non publié]
Policrate, comédie héroïque (1670)
Atalante, tragédie  [texte non publié]
Lisimène, ou la Jeune bergère, pastorale (1672)
Le Fils supposé, tragédie (1672)
Démarate, tragédie (1673) [texte non publié]
Le Comte d'Essex, tragédie (1678)
Agamemnon, tragédie (1680).
Oreste, tragédie (1681) (en collaboration avec Michel Le Clerc) [texte non publié]
Artaxerce, tragédie (1682)
Antigone, tragédie (1686)
Jephté, tragédie (1691)
Judith, tragédie (1695), Texte en ligne
Méduse, tragédie en musique, musique de Charles-Hubert Gervais (1697)

Bibliographie

Éditions de référence

 Christian Delmas et Georges Forestier (éd.), Oropaste, ou le faux Tonaxare : tragédie,  Genève, Droz, 1999.
 Laëtitia Sergent (éd), Tyridate : tragédie, Genève, Droz, 1998.
Évelyne Collinet (éd), Les Amours de Jupiter et de Sémélé, Mémoire de maîtrise réalisé sous la direction de M. le Professeur Georges Forestier, Université Paris IV – Sorbonne, 2003-2004. Lire sur ligne:

Généralités

 Jules Rolland, Claude Boyer de l'Académie Française et les coteries littéraires du Grand Siècle, dans Histoire littéraire de la ville d'Albi, Toulouse, 1879, Ch.X.
Ernst W. Göhlert, Abbé Claude Boyer, ein Rivale Racines, Inaugural-Dissertation, Leipzig, Weida, 1915.
 Clara Carnelson Brody, The works of Claude Boyer, New York, King's Crown Press, 1947.
 Sylvie Benzekri, Claude Boyer dramaturge : une traversée du XVIIe siècle, 1618-1698, Thèse de doctorat, discipline littérature et civilisation françaises, université Paris IV-Sorbonne, présentée le 9 décembre 2008, Lille : ANRT. Atelier national de reproduction des thèses, 2010.

Notes et références

Liens externes

 Bibliothèque dramatique où sont en ligne neuf pièces de Boyer
 Théâtre Classique. Contient sept pièces de Claude Boyer ainsi que des listes de vocabulaire, statistiques comparatives, frises chronologiques

Écrivain français du XVIIe siècle
Dramaturge français du XVIIe siècle
Poète français du XVIIe siècle
Membre de l'Académie française
Personnalité liée au Tarn
Naissance en 1618
Naissance à Albi
Décès en juillet 1698
Décès à Paris

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The Daily Enlightenment » Is This Bad Karma Ripening?
Home » Letters » Is This Bad Karma Ripening?
Is This Bad Karma Ripening?
Question: In my business, if I find many obstacles, with one after another, is it due to previous karma's ripening?
Answer: Whenever there is suffering in any matter, it is due to past or present negative karma ripening, as combined with your present attitude and action when facing it – which also creates fresh karma now.
Question: Being aware of the need to cultivate good karma, how can immediate problems be solved?
Question: Is there some inspiration on karma for facing problems like having bad cashflow?


The Middle Kingdom: a cosmopolis set against a backdrop of soothing blues skies, seas and emerald mountains. Here, the Tang dynasty reigns, rocking the cradle of civilization. It is the golden age of literature, art, poetry, politics; a time for prosperity, extravagance, beauty. Men drink and feast in the imperial courts; women sing and swathe themselves in powders, pearls and perfumes; all dance merrily, unknowingly, on the brink between peace and war.
This t-shirt collection is our ode to the greatest Chinese dynasty that ever was: the peak of economic and artistic pursuits, rich in culture yet riddled with chaos. Distilling the opulent spirit of the Tang dynasty, we've reimagined their elaborate iconographies and aesthetics into effortlessly simple yet unique prints and pieces, rendered in color palettes lifted from the dynasty's proliferating Silk Road. Thoughtful details—mandarin collars, antique buttons, playfully-placed motifs—add intrigue to casual staples that promise to breath new life into your boring rotation of worn-out tees.
Here are a few of our patterns.
Dragonflies touch the calm waters, and dart, and then hover."
The humble dragonfly's innate ability to change its flight course mid-air—instantaneously yet so gracefully—is often likened to such coveted human qualities of power and wisdom. Its colour-shifting capabilities represent constant self-discovery, while its near 360-degree vision denotes an open mind, unbounded and free. It feeds off the wind, a mark of true purity.
After our visit to Xi'an, China, we wanted to recapture the capital's boundless beauty and elegance—beauty that can be found in even the most minute of details of the vast Middle Kingdom.
Our Tang Lantern Pocket T-Shirts come in color-blocks inspired by the painted faces of the Tang Dynasty women: dusty yellow foundation, bluish black eyebrows with a touch of emerald green. The pocket lining features tiny ornamental designs paying homage to the delicately hand-painted flourishes that can be found on the women's foreheads. Think of it as the finishing touch that makes all the difference.
In Chinese culture, the circle symbolizes completeness, roundedness, fulfilment, the meeting of ying and yang—in a word, heaven. This simplest of shapes is also the hardest to perfect, the most difficult to draw unaided.
Looking to pat yourself on the back for past accomplishments while striving ever closer to endless goals ahead? Go for our Red Circle, representing prosperity and good fortune.
In need of a pick-me-up, less stress and more chill? Choose our Blue Circle to promote vigour, vitality, longevity and more harmony in your life.
Or go ahead, get both. If the heavens won't thank you, at least your wardrobe will.


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Q: Finding the smallest possible value of the sum in infinite geometric sequence and another geometric sequence question
*

*The sum of an infinite geometric series is a positive number $S$, and the second term in the series is $1$. What is the smallest possible value of $S$?

For this I am thinking the $t_1, 1, t_2,...$
$r = \frac{1}{t_1} = \frac{t_2}{1}$ so that means $t_1t_2 =1$
$S = \frac{t_1}{1-t_2}$
I don't know how to get the smallest possible value for $S$ from here

*A geometric series with infinitely many terms has a sum of 2018. Now take each term in the original series and square it; this new series has a sum of 20180. The common ratio of the original series is $m/n$ where gcd$(m,n) =1$. Find $m+n$.

If the sum is 2018 then $a_1 = 2018(1-r)$. Then $a_1^2 = (2018-2018r)^2$
this is the value of the first term of the new series. so then the sum for that series would be $20180 = \frac{(2018-2018r)^2}{1-r}$
This is all I could come up with so far. Any help is appreciated, thank you.

A: 1.$S=\frac{t_1}{1-t_2}=\frac{1/r}{1-r}=\frac{1}{r-r^2}$.    Finding min for $S$ is the same as max for $\frac{1}{S}=r-r^2$, where the max is at $r=\frac{1}{2}$, leading to $S=4$ as the minimum.

*$20180=(2018)^2\frac{(1-r)^2}{1-r}$ So $10=2018(1-r)$ or $r=\frac{2008}{2018}=\frac{1004}{1009}$ where the numerator and denominator are relatively prime.  So $m+n=2013$.

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Bear with me. I know this sounds weird and gross and completely unappealing, but it is so friggin tasty. A few weeks ago I was lucky enough to attend a Girl's Night Out sponsored by the local radio station, where Giant Taste, Skinny Waist debuted its new line of healthy baking mixes. We were set up out in the food tent and it was crazy fun! So many people! Lots of food and tons of free samples. Snap Daddy's was there sampling their chocolate meatballs. I had to try one just out of morbid curiosity.
Then I tried another. And another. I wanted to buy some but they wouldn't let me - kept insisting I could have as many free ones as I wanted. I was fairly sure they put crack in them (but they insisted this was a narcotic-free food). Toward the end of the night the girl just gave me a Dixie cup full because I kept going back. Who would have known a chocolate meatball would end up being a Food-Without-Breaks? It was crazy good. Then the guy gave me his recipe: one part of their barbecue sauce to one part Nutella, slathered over Collosimo's meatballs.
Oops. Well, that explains the hangover I had the next day.
I knew I wanted to make something similar to this, but obviously I wanted to skip the Nutella and have something that was Whole30 compliant 'cause that's how I roll. As with everything here at GTSW, we want to be able to indulge without the guilt.
Swap noodles for spaghetti squash - check. Piece of cake. I don't even like pasta. I already have a pretty darned good meatball recipe so all I was missing was the sauce. The chocolate meatball sauce was not overly chocolately or overly sweet - in fact, if you didn't know it had chocolate in it you never would have tasted it. The sauce had a little bit of kick to it but not much.
Hmm. Clothes Make The Girl has a chocolate chili recipe on their website and in their book, Well Fed. I've tried it, and while it's tasty, it wasn't really what I was looking for. So I did what I do, threw a bunch of stuff in a pot, and voila - chocolate meatball sauce.
The time to make this recipe is fairly intense if you make the spaghetti squash and meatballs in the same night (unless you have one of those cool double ovens that I covet and can bake them at the same time). You can cut down on this time by using zucchini noodles in place of the spaghetti squash. If you already have some spaghetti squash or meatballs prepared, that will cut down on cooking time as well. Don't be intimidated by the list of ingredients - most of them are spices for the sauce. This recipe will make quite a bit. If you're just cooking for a couple of people, feel free to cut it in half.
Preheat oven to 450 degrees. For the squash, poke holes all around it and microwave for 5 minutes. Let stand until cool enough to handle. Slice off the ends, cut in half and remove the seeds. Drizzle with olive oil, then season liberally with salt and pepper. Put squash, cut size up, in a baking dish, and add water to the dish to prevent it from burning. Bake about 40 minutes or until fork tender.
While spaghetti squash is cooking, prepare meatballs. When spaghetti squash is done cooking, remove from oven and cover loosely with foil to keep warm. Bake meatballs according to recipe directions.
While meatballs are cooking, prepare the sauce. Combine all sauce ingredients in a medium saucepan over low heat and whisk to combine. As the sauce heats the coconut oil and nut butter will start to melt and dissolve into the sauce. Continue simmering, whisking occasionally, until meatballs are cooked.
Shred spaghetti squash with a fork. Serve meatballs over spaghetti squash and top with sauce.
Variation: Substitute Zoodles for the spaghetti squash. Use a Spiralizer or cheese grater to shred zucchini. Either serve raw, or saute for a few minutes in ghee or coconut oil. If sauteing, put cooked Zoodles in a strainer over a bowl for a few minutes to let some of the moisture release.


Last Sunday was Mothers Day (as you may recall) and a blooming lovely day it was too – lucky mothers! Ours was a party of eight, which was the perfect number for lots of chatter and general merriment, but without being overwhelming on the catering front (hurrah for me). My husband, Matt, has recently developed a bit of a penchant for whiskey sours, thanks in large part to Pitt Cue Co in Carnaby Street, London, and seems intent to grab every opportunity to indulge this new-found crush with both hands…Sunday was one such opportunity. We had 'welcome drinks' outside in The Garden where everyone was treated to a Matt Sour Special (yes, I did consider re-wording that, but I'm sure no-one will notice), whether they wanted one or not. I enjoyed a moment away from cooking to catch up with my dear family and just chill out on our little patio. The sun shone and the clouds vacated for a while and I entered a little bubble of bliss – one that will stay with me for a while.
At this time of year the garden becomes like an extra room – one that we'd forgotten we had – and it feels great to welcome it back into our lives. Looking around I noticed how all the brown twiggy plants are starting to shoot out their new green leaves and the redundant bulbs I'd planted last autumn are finally making an appearance – it's truly amazing what a difference it makes to the feel of the space. This is the time when I get the impulse to start planting, nurturing and harvesting! This all takes time, however, but herbs are a great starting place to satisfy this impulse. I shall therefore also take thyme (sorry…couldn't resist) and use it in this recipe.
I'm not sure where the inspiration came from to make custard tarts, but it did come, as you can see. I never liked them when I was growing up, with their soft pastry and equally soft interior; I found them pallid and a bit dull. Given the choice, I'd always opt for a sugary jam doughnut or chocolate éclair…it was a no brainer to me. To be truthful, I can't even recall eating them as an adult – childhood memories have a powerful influence I suppose.
However, I love proper custard (only proper custard though; not the neon yellow stuff from a can or the powdered variety– yuk!) and I also love pastry. I couldn't see why I shouldn't enjoy a custard tart! Obviously it would require some tinkering – after all, what's the point in cooking something if not to make it the very best it can be? Passionfruit is a favourite ingredient of mine and a flavour I'll always gravitate toward when it appears on a menu. I thought the sweet creaminess of custard would benefit from a zingy kick of passionfruit. But it needs a bit of colour, which is where the blueberry comes in. With no more 'tartness' required I decided against blackberries or even raspberries (which are probably my favourite berry) and opted for the nutritious blueberry instead. All that is good in a blueberry radiates when cooked – in my opinion (think blueberry muffin!) – and so this seemed like the perfect partner.
I didn't want to confuse the custard flavour too much, so opted to use fragrant 'out-doorsy' thyme in the pastry instead. Paul Hollywood seems to know what he's doing when it comes to all things bread and pastry, so I used his sweet pastry dough recipe as a base, with only a little herbal deviation. I was delighted with the result!
I tried a couple of different size and shape tins and concluded that the best results come from using a deeper muffin tin. Apparently you can buy a tapered cutter that prevents the dough overlapping and becoming too thick up the sides. I don't have one of these, so just cut out small triangular sections of the excess dough and patted it back together. I even tried using a ramekin dish, which actually was the ideal size giving just enough width and depth for a soft wobbly custard (my preference) but the bake is definitely better with a metal tin. I shall keep an eye out for The Perfect Custard Tart Tin and pass on my findings at a later date. You can, of course, make a single large tart (durr) but I like individual portions…just because.
Place the flour, icing sugar and thyme into a large mixing bowl and stir to combine. Add the chilled butter and cut into the flour using a round edged knife. When the butter is well coated in the flour start using the tips of your fingers to work the butter into the flour. Do this slightly above the bowl, so that the mixture falls through the air and lightens it.
Aim for the mixture to resemble breadcrumbs – this takes approximately five minutes (but obviously depends on how quickly you work, or how distracted you are).
Knead the dough briefly and form a shallow disc shape then cover with cling film and leave to rest in the fridge for 20-30 minutes.
While the dough is taking the weight off, remove all the pulpy seeds from the passionfruit and pass them through a sieve to extract the vivid glowing juice (no seeds please). Pour the juice into a small saucepan, place on a low heat and cook for a few minutes to reduce the juice. This intensifies the flavour and gives it a sticky jammy consistency.
Leave it to one side to cool. This will be added to the custard mixture later.
When the dough has rested, remove it from the fridge and roll out on a lightly floured surface until it's approximately 3mm thick.
If you're using a muffin tin, use an 11cm round cutter (or the elusive tapered cutter) and line the indentations with the pastry dough. Pat the dough into the 'corners' so that it's in full contact with the metal tin; this will ensure it bakes well and will also provide a good shape to fill with custard.
Place discs of baking paper on top of the dough then fill with baking beans (or uncooked rice…being mindful not to cook said rice at a later date…Matthew!). Place in the preheated oven and bake for 20 minutes.
After this time remove the baking beans and baking paper and return to the oven to cook for a further 8 minutes, or until the pastry is golden on the base. Remove from the oven and set aside to cool.
Lower the oven temperature to 140 deg (120 deg FAN).
Place the cream and milk in a medium saucepan and bring to the boil. Meanwhile crack the eggs and yolk into a medium-large handled jug (or just a mixing bowl) and whisk with the sugar. Do this just before adding the cream and not too far in advance (otherwise the sugar 'cooks' the eggs which can make the custard lumpy and not in a good way). When the cream and milk has 'scorched' turn off the heat and pour into the sugary eggs, whisking continuously. Some people advise to strain the mixture through a sieve before adding to the pastry cases. I never do this (with any custard) and it always turns out smooth and lump-free.
Now stir in the passionfruit 'jam' until thoroughly combined.
The custard can now be poured into the pastry cases as you see fit. Some people advise doing this while the oven shelf is hanging out, to avoid spillage. My shelves, however, will never rest completely horizontally so this is not a good option for me. But do whatever pleases you. In any event a baking tray placed under the muffin tin is probably a good idea.
After the pastry cases have been filled with custard, pop in a few blueberries (thoroughly washed, naturally) and place gently into the now cooler oven. Cook for approximately 20 minutes, or until the custard has set slightly but with a discernable wobble. Again, this is a personal preference, but I like a soft wobbly custard. If you like it firmer then cook for longer (simple, yes?).
The Paul Hollywood pastry recipe I used is from his 'Pies and Puds' book.
I remember having white iced buns with Lyn and Dad, but not custard tarts. Nan used to get them a lot – do you remember when she brought a boxful round and left them out on the ironing board. When we returned to them they were just empty soggy pastry cases, cos Henrietta had licked the custard out?!!


While most of the attention is on .NET Core, work continues on the classic .NET Framework. An "early access" preview of .NET 4.8 shows the areas that Microsoft is most concerned about including high graphics Dots per Inch (DPI), accessibility, and concurrency.
.NET 4.8 is expected to be released in 2019. The current expectation is that it will run on Windows 10 build 1607 at later, but that decision isn't final.
Span is included in .NET Core 2.1. We explored including Span in .NET Framework 4.8 and decided against it due to compatibility concerns for existing applications. You can get access to Span and additional related types in the System.Memory Nuget package which enables some of the scenarios that are enabled on .NET Core.
High DPI continues to be a focus for .NET. As monitor resolutions continue to improve, applications need to be scaled up to compensate lest the text and images are too small to be legible. In this release, ClickOnce and WinForms are receiving high DPI updates.
There are a couple reasons why high DPI issues keep occurring. First is the availability of high resolution monitors. Microsoft couldn't effectively test scaling at 200 and 300% until hardware that needed that amount of scaling became available. So until monitors stop improving, scaling will continue to be a problem.
Another challenge is multi-monitor setups. When an application moves between monitors with different resolutions, the scaling has to be recalculated and images swapped out. Even worse, an application can overlap two or more monitors with different resolutions. Various compromises are necessary to address this situation and the results aren't always satisfying.
In addition to the usually internal tweaking such as reducing memory usage for AsyncLocal or fine-tuning spin locks, this release fixes an issue where SqlDataReader.ReadAsync wasn't actually being performed asynchronously.
Given the maturity of the .NET Framework, it may come as a surprise to learn that many of the core libraries still harbor race conditions and dead locks. Here is a partial list of concurrency-related issues.
For a full list of changes, see the .NET 4.8 release notes. The preview build itself is available via the .NET Blog.


Available Now on Kixify & eBay""Now up for converse shoes womens grabs, today we take a look at the entire Converse Chuck Taylor All Star 70s Vintage Collection. The vintage-inspired collection consists of two iterations of the hi-top model and two options of the low-top design. The hi-top colorways come in your choice of Red or Blue, whereas the low-top iterations are done in Tan or Blue. All four constructed out of a washed canvas upper, Converse also gives them retro styled Red and Blue piping on the midsole to add to the vintage aesthetics of the shoe.
, the penumbral eclipse magnitude, while the left foot features an inter-changeable medial patch logo for customization.The apparel part of the collection includes a baseball jacket, hoodie, tee, pants, backpack and cap, colored in red, black and grey for men, and in pink, white and grey for women. The two new Converse collections will launch at selected custom converse Converse retail stores on January 5 for prices ranging from HKD 269 to HKD 799 (approximately $34 USD to $102 USD.)"Converse removes the classic Converse patch and replaces it with a huge C for this brand new pack dubbed the Converse Chuck Taylor Varsity Pack.
A second installation of the Tyler, The Creator x converse all star Converse One Star GOLF Le Fleur collection is set to make its debut next month. Today we provide you with a first look.This new Tyler, The Creator x Converse One Star GOLF Le Fleur collection is centered around Tyler s signature flower design. This is executed by placing a custom upper logo above the signature star cut-out seed on the side panels. Coming in your choice of Jolly Green, Solar Power, and Vanilla, each offering comes in a textured suede upper, tumbled leather lining and contrasting branding on the side panels. White laces, White midsole and custom printed outsoles complete the look of the shoe.
Below you will baby converse find a White midsole and Gum rubber outsole, while the inside of the shoe consists of a Nike Lunarlon sockliner that helps match the comfort of the shoe to its aesthetics. Embossed branding on the tongue and a Converse star on the heel complete the major traits of the shoe. Retailing for $75, pick these up today from select retailers."Set to drop next month, here s a first look at the latest collab between COMME des Garçons and Converse, the COMME des Garçons x Converse Chuck Taylor Black and White Collection.
Converse drops off an all new Elm LS Ox colorway that is sure to be a favorite among the casual kick set. The one piece upper features a leather constructed upper with an embossed chevron sign with a white outsole. The minimal sneaker is a great look for anyone looking to get a pair of shoes that can fit virtually any situation and they are available now.Converse Elm LS OX Brown / Milk $60 Source PremierUNDFTD continues their news breaking collaborations with Converse for Summer 2012. The most recent model to fall under the watchful eye of the UNDFTD brand is the Converse Star Player Hi.
Set in a military styled colorway, the model rocks an military green canvas upper set against a black converse slip on toe cap, branding, and eyelets. UNDFTD opts for easy access with a medial ankle zipper and gum-toned outsole for the vintage look. The UNDFTD x Converse Star Player Hi will hit all UNDFTD chapter and web stores tomorrow, April 27th. "Converse has just dropped a new version of its classic Converse Chuck Taylor All Star Hi. Dubbed Linen , the shoe sports a brown linen upper that is contrasted with green shoe laces. Finishing off the look is a brown leather logo on the heel, white leather toe, and matching white leather wrapped midsole. Check with your local Converse retailer for availability.


The introduction of social networking sites over the last two decades has resulted in a fundamental shift in human interactions and relations. Social networking websites now allow users to upload information about themselves, share similar interests with other users, post pictures and videos, and maintain connections between friends and acquaintances. By the end of 2017, approximately 22.7 million Canadians had a social media account, a number that has grown by 300,000 annually for the past two years. In Ontario, the country's most connected province, 67% of the province's 14.2 million residents have a social media account. In a sense, social media has completely changed the way we collaborate, and discuss ours thoughts and feelings with others.
Through various social media platforms, users are able to create an "internet identity, update/change content, freely express opinion, interact with other users in the community, and exchange information in a way unparalleled to any other form of communication." Most social media websites are available to all users, with some age restrictions, and are used primarily for personal and business reasons. Although privacy settings allow users to restrict who can view his or her profile, as well as what content the selective group can access, a great deal of content posted on social media sites remains archived permanently by default. Complicating matters is that posted content can easily be copied and shared amongst users. Online search tools allow almost anyone to find content anywhere, at any time, as long as there is an Internet connection available. Although these advances in communication technologies have significantly enhanced efficiency and information sharing, they have also become a critical source of evidence in litigation. Generally, Canadian courts have been accepting of electronic evidence such as photographs and online messages to prove or disprove facts and, as a result, many civil litigators have discovered and developed ways that social media can be used to thrust their client's and opposing party's private lives under a microscope.
In order to truly understand the impact that social media has had on us as Canadians, it is vital to understand the way it has evolved over the past twenty-five years. The social media revolution began in the early 1990's, as broadband Internet along with powerful computers and mobile devices became readily accessible and more affordable. Websites such as SixDegrees, Friendster, ICQ and Myspace allowed users to contact other members, maintain those contacts, and share online content with their contacts. Although the popularity of these websites soon faded, they paved the way for social media giants such as Facebook, Instagram, Twitter and LinkedIn to gain widespread acceptance. Today, websites such as these are viewed as being "increasingly popular vehicles for the dissemination of personal information posted on individualized profiles," and it does not appear that this trend will end anytime soon.
Statistics from Facebook indicate that the average user "creates ninety pieces of content each month, and there are more than 30 billion pieces of content, including blog posts, photos, and news stories shared each month." Facebook provides users with the instant gratification of being able to speak their mind, and has created a setting for people to reveal a substantial amount of personal information with the ease of a few mouse clicks. Consequently, the widespread adoption of Facebook as a method of communication has provided lawyers with incredible opportunities to "seek incriminating and often blatantly forthcoming evidence." For example, access to one's Facebook page can instantly reveal anything from a person's location and physical condition, to their state of mind and the people they routinely associate with.
The increasing popularity of "micro blogging platforms" such as Twitter has also contributed to the proliferation of social media evidence being used by Canadian lawyers. Twitter has an estimated 517 million users worldwide, of which 10 million reside in Canada. Sites such as this allow users to send and read text-based messages, and also have the option for users to post photos. Although not as extensive as Facebook, the condensed format of micro blogging platforms allows users to quickly and informally share information. Messages in the form of "tweets" are displayed on a user's profile page and can be viewed by friends on the homepage of anyone who is following their "timeline." As such, Twitter has created an environment where people can quickly broadcast information about where they are, what they are doing and how they are feeling. All of which is considered to be an "evidentiary goldmine" for lawyers.
With money and future employment prospects at the heart of a significant amount of dependant support proceedings, websites such as LinkedIn have also increased the value of social media and social networking evidence. LinkedIn is widely regarded as being the world's largest professional network with over 120 million users. It allows users to connect with others in order to "exchange knowledge, ideas, and opportunities" within a broad network of professionals and as such Lawyers have begun using evidence gathered on LinkedIn to demonstrate that certain individuals are cable of attaining a certain earning capacity.
Thanks to the growing popularity of various forms of social media, it is easier than ever for lawyers to find damaging evidence online "in the form of status updates, late-night tweets and risqué photographs that call ones' judgment into question." As a result, many civil litigators covet information that is being posted on social media sites, as they attempt to establish the deleterious conduct of their opposition.
The current state of the law regarding admissibility of [social media] evidence is in disarray, sending mixed and confusing messages to lawyers and judges alike and depriving them of the certainty to anticipate in advance of trial the likelihood of admission.
Members of the Canadian judiciary are still confronting the issue of how information, photos and personal details posted on an individuals' social media profile should be applied to litigation. However, over the past decade, Canadian courts have started to grant the production or limited production of social media evidence.
Although there is no legal principle associated with the use of evidence found in social networks, pursuant to Rule 30.02 of the Rules of Civil Procedure each party is required to disclose "every document relevant to any matter in issue in an action that is or has been in the possession, control or power of a party" and to produce such documents unless privilege is claimed. This duty to disclose continues throughout the duration of an action, and where the court is satisfied by any evidence that a relevant document in a party's possession may have been omitted from an affidavit of documents the court may order: a cross examination on the affidavit, service of a further and better affidavit; disclosure or production of the document for inspection; or the inspection of the document to determine relevance. It is important to note that pursuant to Rule 30.01 of the Rules of Civil Procedure the definition of a "document" is quite broad, and includes videotape, film, photographs, maps, plans, book of accounts as well as data and information in electronic form.
As such, over the past decade, Canadian courts have considered these obligations in relation to information found on social media sites, as well as the obligations of parties, who use social media to post and exchange information. The majority of evidence stemming from social media is categorized as being documentary evidence in the eyes of the court. As a result, lawyers representing litigants attempting to introduce this form of evidence are tasked with satisfying the rules of best evidence, authentication and hearsay. They are also obliged to present social media evidence by way of a printout or screenshot and will likely use a live witness under oath who can testify as to what the record is, and how it is capable of supporting a particular finding.
A review of recent case law demonstrates the interplay between privacy rights and disclosure obligations in relation to conversations and comments made on social media. While it is true that some Canadian courts have adopted a more nuanced and restrictive approach to the admissibility of social media evidence, it appears that members of the Canadian judiciary are open to admitting social media as evidence if it is both relevant and material to the case at bar. Evidence of this was seen in the cases of Schuster v. Royal & Sun Alliance Insurance Co. of Canada  Kent v. Laverdiere  and Weber v. Dyck  as members of the judiciary went on to establish that conversations which occurred on social media sites were admissible under the "state of mind" exception to hearsay and were subject to applicable disclosure obligations. As such it appears that Canadian courts are willing to balance a litigants' transparency interest with the reasonable privacy expectations held by users of social networking sites.
Given the prevalence of these social media sites and the information regularly posted to them, social media has quickly become an invaluable tool for litigators. Litigators in particular are increasingly demanding that the content of social media accounts be produced on discovery, and when used appropriately and within the confines of the Rules of Civil Procedure as well as the Rules of Professional Conduct, there is no doubt that social media can be a powerful investigative tool for counsel seeking to gather evidence. That being said, lawyers must always be diligent and consider whether relevant information might be available on their clients social media account, as well as on opposing party's social media account. If so, they should be forthwith and list any relevant documents/profiles in their affidavit of documents. To that end they should also request the production of any content from such accounts.
The use of social media as an investigative tool also raises a variety of ethical considerations, and lawyer's intent on using social media to obtain evidence "must ensure that their actions do not breach their professional obligations." The mere presence of a social media account is not sufficient to require its production on discovery and the Rules of Professional Conduct provide lawyers with a variety of ethical considerations and obligations they must evaluate before using social media to gather evidence. The Rules of Professional Conduct prevent a lawyer from communicating directly to another party who is represented by a lawyer, and requires them to act in good faith in the course of their practice. Although any information that can be accessed by an online search engine is widely considered to be "fair game," before utilizing social media as an investigative tool, lawyers must ensure that they are not looking past their professional obligations. Unfortunately, the Rules of Professional Conduct remain somewhat unclear in relation to social media evidence specifically, and as such lawyers in Canada should adopt a conservative approach before using it as an investigative tool. They should always keep records of their findings and operate in a transparent fashion. Furthermore, counsel should never "friend" or otherwise request access to an individual's social media account for the purpose of gathering evidence for use in litigation. This is especially true when an individual is represented by counsel. In the event that one does request access to an opposing parties account, the request should never be made under false pretenses or with malicious intent.
A review of recent case law demonstrates the interplay between privacy rights and disclosure obligations in relation to conversations and comments made on social media. As such, it becomes readily apparent that various courts in Canada are still addressing the manner in which social media evidence obtained through sites such as Facebook, Twitter, Instagram and LinkedIn can be used in court. Given the prevalence of these websites and the information regularly posted to them, social media is widely regarded to be an invaluable tool for litigators.
While the social media phenomenon has revolutionized the way humans interact, the law has been slow to catch up. By and large there are no "special" rules or procedures applicable to gathering social media before or during a lawsuit, nor are there special rules for using it at trial. As such, it is vital for lawyers to remain conscious of the new and developing outlets for social media evidence, and to ethically collect that evidence. As the use of social media sites continues to permeate through our society, the potential evidence available to litigators continues to increase. Consequently, by properly applying the Rules of Civil Procedure, the Rules of Professional Conduct, as well as the Canadian Rules of Evidence, lawyers and the parties they represent should be able to benefit from the information contained in social media accounts for many years to come, both in respect to reaching reasonable settlements and as evidentiary tools at trial.
 Richard Frank, "Social Media Sites: New For a for Criminal, Communication, and Investigation Opportunities (2011), online: Government of Canada Publications < http://publications.gc.ca/site/archivee-archived.html?url=http://publications.gc.ca/collections/collection_2012/sp-ps/PS14-5-2011-eng.pdf>.
 Michael Dewing, "Social Media: An Introduction" (2012), online: Library of Parliament < http://www.lop.parl.gc.ca/content/lop/researchpublications/2010-03-e.pdf >.
 Richard Stengel, Only Connect. Mark Zuckerberg and Facebook Are Changing How We Interact—And What We Know About Each Other, TIME, Jan. 3, 2011, at 43.
 Supra note 1 at 33.
 Supra note 1 at 41.
 Ava Chisling, "When Facebook and Twitter are not your friends" CBC (2012), online: CBC < http://www.nationalmagazine.ca/Articles/June-2012-Issue/When-Facebook-and-Twitter-are-not-your-friends.aspx >.
 Paul Grimm, "Authentication of Social Media Evidence", online: (2013) 36:433 American Journal of Trial Advocacy http://www.atyvideo.com/documents/American%20Journal%20of%20Trial%20Advocacy%20Authentication%20of%20Social%20Media%20Evidence.pdf .
 Rules of Civil Procedure, RRO 1990, Reg 194.
 2007 CarswellOnt 3851 (Sup. Ct. J.), Master L.A.M. Pope (WLeC).
 Ronald Podolny, When Friends Become Adversaries: Litigation in the Age of Facebook, 33 Man. L.J. 391, 408 (2009).
 Laura Brenner, "Social Media Evidence: Ethical and Practical Considerations for Collecting and Using Social Media Evidence in Litigation, online: (2014) ABA Section of Litigation < https://csdaca.org/wp-content/uploads/2015/04/W-47-Evidence-and-Social-Media-ABA-Litigation-Article-Handout1.pdf >.


text:
Citizenship Education: Curriculum Implications in Nigeria Secondary Schools.
Citizenship education has been neglected over the years, because there was no clear boundary between it and social studies. The understanding of citizenship as defined in the study, will help the communities in particular and the nation in general... More
The Needed Resources for UBE and STM Education in Nigeria
This paper discussed the inclusion of primary education in the MDGs, the substantial progress and the challenges of a number of educational policies such as UPE, UBE and EFA (as its international antecedent), put in place by the Federal... More
Optimizing Students' Performance in English through Quality Teacher Education
Research has established significant connection between quality teacher education and student achievement. This cannot but be a concept in considering the performance of students in English language, a skill-based school subject. This paper... More
Nigerian School Children and Mathematics Phobia: How the Mathematics Teacher Can Help
This paper considered the importance of mathematics and why it is of utmost necessity that all Nigerian children acquire mathematical knowledge. It noted with dismay the general negative students' attitude towards the subject and their... More
National Family Life and HIV Education Curriculum for Junior Secondary School in Nigeria
Proposed Curriculum Innovation for the Nigerian Teacher Education Programmes to Meet the Globalization Challenges
The importance of quality teacher education has been recognized both in developed and developing countries of the world. All the editions of the Nigerian National Policy on Education (NPE) have affirmed that no education can rise above the... More
Curriculum Implementation and Re-Training of Teachers in English Language: Pre-Conditions for Functional Nigerian Educational System
The educational system in Nigeria today has been largely imported. This is because no one country is self-reliant without utilizing other countries' technologies and good educational ideals. A consideration of a stable and functional educational... More
Review of Research on Basic Education Provision in Nigeria
Medium of Instruction Controversy in Nigeria: A Test of the Efficacy of Pidgin for Teaching Biology
Medium of instruction controversy in Nigeria has led, among other things, to focusing attention on the use of mother-tongue. Many of the cities and urban areas are multi-ethnic and as a result, the major means of communication is Pidgin which is... More
Creating an Active Learning Environment in Multicultural Classrooms - Nigeria


text:
Danson Johi (jap. , deutsch: "Achtung des Mannes, Geringschätzung der Frau") ist ein androzentrischer Grundsatz der japanischen Feudal- und Samuraizeit, der Ausdruck des Rollenverständnisses war und den Status der Frau auf nationaler Ebene und in der Familie dem des Mannes gegenüber geringschätzte und die Frau dem Mann unterordnete.

Das "Bürgerliche Gesetzbuch" Japans von 1898 (, Minpōten, Zivilrecht) diskriminierte Frauen offiziell, indem sie minder bewertet wurden. Diese Vorstellung war nicht zu allen Zeiten vorherrschend. Sie entspringt dem konfuzianischen Denken, das auf Harmonie ausgelegt ist. Diese Harmonie ist zu erzielen, indem sich ergänzende Rollen festgelegt werden. Der Mann ist demnach der Vertreter der Familie nach außen hin, die Frau hingegen für alle Belange des Haushaltes zuständig. In der konfuzianischen Schrift "Onna Daigaku" (, Die hohe Schule für Frauen), einer der vier klassischen Schriften aus der Mitte der Edo-Zeit etwa wird der Mann mit dem Licht, die Frau hingegen mit dem Schatten assoziiert. Dieses Rollenverständnis impliziert, dass sich die Frau dem Mann gegenüber unterwürfig verhalten muss.

Naoko Takemaru sieht den Grundsatz "Danson Johi" auch schon in der im 12. Jh. existieren shintoistisch-buddhistischen Auffassung von der Unreinheit und Sündhaftigkeit der Frau begründet.

Die emanzipatorische Gegenbewegung setzt Anfang des 20. Jh. u. a. mit der Zeitschrift Seitō ("Blaustrumpf"), die 1911 gegründet wurde, ein. Seit 1947 ist die Gleichstellung der Frau in Artikel 14 der japanischen Verfassung festgeschrieben.

Literatur

Siehe auch
 Feminismus in Japan

Einzelnachweise

Kultur (Japan)
Sexismus


Willow Grace: Biko? or Kakanin?
I've been thinking about this filipino dessert for months now. 1st off, I couldn't remember what it was called. So I had trouble finding a recipe online for it, and I couldn't find it in my mom's treasure trove of recipes. But i did a google search for filipino sticky coconut rice dessert and "Biko" came up. I was pretty sure that wasn't what my mom called it, but all the google images looked like it was the right thing. Anyhoo, I finally found one of her recipes but it wasn't called biko. Maybe because her dialect was Ilicano and she called it something else.
Well, apparently I made her recipe in 2005. I write notes on the margins of successes/failures, etc. When I made it, the rice wasn't cooked enough...al dente as I noted it. Her recipe didn't say anything about cooking the rice before baking it. All of the online recipes say to cook the rice before baking it, so that's what I did this time, and I also used this recipe as another guide.
I hate to say this, but it was a disappointment. Something wasn't right. I think it was the rice. Where do you find "Sweet Rice"? Online said it was the same as "glutenous rice", so I used what I thought was glutenous rice, the rice I had was labeled 'sushi rice' but it wasn't right. And it wasn't sticky enough, either. Maybe because it said to rinse it and that removed the gluten? And it also tasted like it could have used just a pinch of salt. I might try making it again in another 8 years. But there will never been a substitute for my mom's cooking.
Any tips or tricks or hints would be appreciated.
In a large pot, bring coconut milk and water to a simmer. Add rice and continue simmering till rice is fully cooked, about 15-20 minutes, stirring continuously so rice doesn't burn. Rice should resemble risotto. Remove from heat. Stir in brown sugar. Pour into a buttered 9x9 baking pan and smooth top evenly. Cover with aluminum foil, bake for 45 minutes. Remove foil and bake an additional 30-45 minutes. Cool slightly before serving.
My mom in the center of the action, carving the turkey. 1984.
just go to any asian store and you'll find sticky rice packages in the rice/noodle aisle. i think even lucky has it, don't know about safeway.
my dad is ilocano and i grew up in tarlac. we call this kakanin. my mom makes this. i've never liked it at all. but your recipe looks right to me. just change the rice.
Too bad it didn't taste just like you mum's recipe, but it certainly looks good! Better luck next time!


text:
Showing Events with the tag "Live Music"
Holiday Inn Tanglewood – Roanoke
Family-friendly, Pet-Friendly, Wedding Venue, Live Music, Free WiFi, Accessible Facilities
Holiday Inn Tanglewood – Roanoke is perfect for events, business and casual travelers. We have more than 9,000 square feet of flexible space and special meeting packages. Enjoy the newly renovated rooms and visit the onsite Elephant Walk Restaurant & Lounge during your stay. Amenities include in-room refrigerator and… Read More
Honky Tonk Thursdays | Kelley and The Cowboys
Put on your boots and get ready to scoot across the dance floor! The Floyd Country Store presents another opportunity for dancers and music lovers. If you enjoy honky tonk, Western swing, and good old classic country, you'll want to join us for Thursday night Honky Tonk dances. This is… Read More
Honky Tonk Thursdays | Rachael Hester & The Tennessee Walkers
Join us for Honky Tonk Thursday with Rachael Hester & The Tennessee Walkers on Oct. 13th at 7:00 PM! Admission is free – $10 suggested donation. Rachael Hester and the Tennessee Walkers are a classic country and Western band. They keep traditional country music alive by performing the classics, along… Read More
Jake Blount Live
Join us at the Floyd Country Store on Saturday, December 10, 2022 at 7:00 pm for a live concert with Jake Blount. Jake Blount is an award-winning musician and scholar based in Providence, RI. He is half of the internationally touring duo Tui, a 2020 recipient of the Steve Martin… Read More
Jason Carter & Friends at the Floyd Country Store
Join us at the Floyd Country Store on Saturday, January 28, 2023 at 7:00 pm for a live concert with Jason Carter & Friends. Tickets are $25, available for sale online and in the store. Jason Carter continues to pour all he has back into bluegrass. For thirty years, he… Read More
Jason Carter & Friends Live
Jeff Little Trio Live
Join us at the Floyd Country Store on Saturday, October 22, 2022 at 7:00 pm for a live concert with Jeff Little Trio. Tickets are $22.50, available for sale online and in the store. Jeff Little Piano, Vocals, Harmonica Jeff Little is an award-winning musician from the Blue Ridge… Read More
John Cowan & The Newgrass All-Stars
Join us at the Floyd Country Store on Saturday, February 18, 2023 at 7:00 pm for a live concert with John Cowan & The Newgrass All-Stars, featuring Shad Cobb, Jim Hurst, Johnny Staats & Scott Vestal. Tickets are $38, available for sale online and in the store. John Cowan, also… Read More
John Cowan & The Newgrass All-Stars Live
Johnny & Jeanette Williams Present: The Larry McPeak Tribute Band and Shelton & Williams
Join us at the Floyd Country Store on Saturday, September 10, 2022 at 7:00 pm for a bluegrass show with Johnny & Jeanette Williams. Their first set is with The Larry McPeak Tribute Band, the second set is with Shelton & Williams. Admission is free with a suggested donation of… Read More


text:
Aguilar de la Frontera és una localitat de la província de Còrdova, Andalusia, Espanya.

Demografia

Història
És l'antiga Ipagrum ibero-romana, involucrada en la batalla de Munda, que va enfrontar als partidaris de Cèsar amb els de Pompeu. Precisament d'aquest període són les seves restes més antigues, una necròpoli de grans dimensions. Sobre l'etimologia del nom existeixen diferents versions. Per a uns, Ipagrum significaria "camp alt", mentre que uns altres opinen que l'origen és turdetà-grec, provenint el nom del grec hippos, cavall. Actualment existeix en el terme d'Aguilar un lloc denominat Llano de lso Caballos.

La conquesta musulmana de la ciutat va fer que passés llavors a denominar-se Bulay o Poley, potser derivant del grec. La derrota, el 5 d'abril de l'any 891, dels seus pobladors cristians i de les tropes rebels enfront de les tropes de l'emir Abdallah, va fer que la població passés a pertànyer a la cora de Cabra. Algun temps més tard, en el , Poley va ser inclosa en el regne zirí de Granada. El nom actual d'Aguilar li va ser donat després de la conquesta cristiana. Va ser el monarca Ferran III El Sant qui la va guanyar per a Castella el 1240. El primer governador cristià va ser un portuguès procedent d'una família toledana, Gonzalo Yáñez Dovinal o de Ovinal. Ja amb Alfons X és quan la població passa a denominar-se Aguilar, nom de la família de la mare de Gonzalo, compensant així a aquest el monarca per la prestació d'alguns serveis. Finalment, el qualificatiu "de la frontera" li ve donat per la seva proximitat a la frontera granadina durant la baixa edat mitjana.

Després de les guerres civils castellanes, que enfronten Pere I i Enric II, la vila passa a pertànyer a Gonzalo Fernández de Còrdova. Els segles  i  representen una etapa de decadència i crisi per a la localitat, a causa del fort descens poblacional ocasionat per les epidèmies. Ja en el , la repressió política que va afectar a Espanya després de la victòria de les tropes de Franco va implicar de ple a Aguilar, molts dels ciutadans dels quals van resultar afectats.

Referències

Enllaços externs

 Aguilar de la Frontera - Sistema d'Informació Multiterritorial d'Andalusia
 Mancomunitat de la Campiña Sur
 Turisme de Córdoba - Aguilar
 Red Adeco - Xarxa comercial
 Llegat Andalusí - Aguilar
 www.aguilardelafrontera.com - Pàgina sobre Aguilar


Milestone 229 is a premier downtown dining destination, located on the Scioto Mile, providing exceptional views of the Columbus skyline and riverfront. We offer a chef-driven menu serving classic American dishes with regional influences including steak, seafood, pizzas, sandwiches, salads and desserts. Our upscale, casual fare is made with locally-sourced ingredients and pairs with our hand-crafted cocktails, specialty drafts and fine wines. Independently owned and operated, we have spacious patio and indoor seating. We are a great choice for birthdays, anniversaries or special occasions. Valet service available. Restaurant hours: Mon-Thurs 11am to 10pm, Fri- Sat 11am- 11pm, Sunday Brunch 10am-3pm, Sunday dinner 4-9pm. Located Downtown Columbus, 10 minutes from Short North, Arena District, Brewery District and German Village. Nominated Best New Restaurant 2011 by Columbus Monthly.


You know you're old when that kid from that drama is now a prominent — or leading — actress of your new favorite K-drama or movie.
Here are 12 Korean actresses that we've watched grow up before our eyes.
Kim Yoo Jung debuted in a CF when she was five years old and has continued to build her career as an actress, first with many memorable child roles in dramas such as "The Great Queen Seon Deok" and "The Moon Embracing the Sun," and now as a leading drama actress with young actresses to play her childhood counterparts. She is currently starring in "Clean With Passion For Now" alongside Yoon Kyun Sang.
Nam Ji Hyun's first foray into the acting world was through the 2004 drama "Say You Love Me." She has a prolific career as a child actress, appearing dramas such as "East of Eden," "The Great Queen Seon Deok," and "Giant." She has since transitioned to adult roles as a leading actress in "Suspicious Partner" alongside Ji Chang Wook and "100 Days My Prince" alongside EXO's D.O.
Shim Eun Kyung's acting debut came when she was 10, in the 2004 film "The Woman Who Wants to Marry." She has since appeared in many dramas and films, among them dramas "Hwang Jin Yi" and "Bad Guy," and films "Sunny" and "Fabricated City." Most recently, Shim Eun Kyung was led the 2018 film "The Princess and the Matchmaker" alongside Lee Seung Gi.
Jung In Sun started her career at the age of six with the 1996 drama "You" and has many films and dramas to her name since. Most recently, Jung In Sun starred in "Terius Behind Me" alongside So Ji Sub.
Park Shin Hye debuted when she was 13 with the 2003 drama "Stairway to Heaven," following up with another memorable role in the 2006 drama "Tree of Heaven." Park Shin Hye is now a popular leading actress, with roles in the dramas "Flower Boy Next Door," "Heirs," "Pinocchio," and "Doctors" to name a few. She is currently starring in "Memories of The Alhambra" alongside Hyun Bin.


text:
Q: IncompatibleClassChangeError java8 I'm getting IncompatibleClassChangeError during runtime. I have not figured out why. Here is the log:
java.lang.IncompatibleClassChangeError
    at com.EmailCreator.lambda$null$396(EmailCreator.java:214)
    at com.EmailCreator$$Lambda$248/280771231.accept(Unknown Source)
    at com.util.Xml$Tag.child(Xml.java:194)
    at com.EmailCreator.lambda$sendSoapRequest$397(EmailCreator.java:212)
    at com.EmailCreator$$Lambda$246/488301663.accept(Unknown Source)
    at com..util.Xml$Tag.child(Xml.java:194)
    at com.EmailCreator.sendSoapRequest(EmailCreator.java:202)
    at com.EmailCreator.send(EmailCreator.java:175)
    at com.exacttarget.EmailSendQueue.accept(EmailSendQueue.java:24)
    at com.exacttarget.EmailSendQueue.accept(EmailSendQueue.java:12)
    at com.task.queue.AbstractQueue$ConsumerWrapper.consume(AbstractQueue.java:615)
    at com.task.queue.AbstractQueue$ConsumerWrapper.consume(AbstractQueue.java:602)
    at com.psddev.dari.util.AsyncConsumer.doTask(AsyncConsumer.java:113)
    at com.psddev.dari.util.Task.run(Task.java:493)
    at java.util.concurrent.Executors$RunnableAdapter.call(Executors.java:511)
    at java.util.concurrent.FutureTask.run(FutureTask.java:266)
    at java.util.concurrent.ThreadPoolExecutor.runWorker(ThreadPoolExecutor.java:1142)
    at java.util.concurrent.ThreadPoolExecutor$Worker.run(ThreadPoolExecutor.java:617)
    at java.lang.Thread.run(Thread.java:745)

Code:
private static class EmailReceiver {
    String email;
    String key;
    String list;

    public EmailReceiver(Subscriber subscriber, ExactTargetSubscriberList list) {
        this.email = subscriber.getEmail();
        this.key = subscriber.getState().getId().toString();
        this.list = list.getState().getId().toString();
    }
}

Line 214 in EmailCreator is like below subscribers.child("EmailAddress").text(receiver.email); from the below code.
        for (EmailReceiver receiver : receivers) {
            objects.child("Subscribers", subscribers -> {
                ETSoapBuilder.addNilFields(subscribers);
                subscribers.child("EmailAddress").text(receiver.email);
                subscribers.child("SubscriberKey").text(receiver.key);
                subscribers.child("Attributes", attributes -> {
                    attributes.child("Name").text("ContentID");
                    attributes.child("Value").text(email.getId().toString());
                });
                subscribers.child("Attributes", attributes -> {
                    attributes.child("Name").text("Hash");
                    attributes.child("Value").text(receiver.list);
                });
                subscribers.child("Attributes", attributes -> {
                    attributes.child("Name").text("SubscriberKey");
                    attributes.child("Value").text(receiver.key);
                });
                subscribers.child("Attributes", attributes -> {
                    attributes.child("Name").text("EmailAddress");
                    attributes.child("Value").text(receiver.email);
                });
            });
        }
    });

Any help is much appreciated !!