text:
<?php

namespace App\Model;

class Source
{
    const TYPE_CACHED_RESOURCE = 'cached-resource';
    const TYPE_UNAVAILABLE = 'unavailable';
    const TYPE_INVALID = 'invalid';

    const FAILURE_TYPE_HTTP = 'http';
    const FAILURE_TYPE_CURL = 'curl';
    const FAILURE_TYPE_UNKNOWN = 'unknown';

    const MESSAGE_INVALID_CONTENT_TYPE = 'invalid-content-type:%s';

    private $url;
    private $type;
    private $value;
    private $context = [];

    public function __construct(string $url, string $type, string $value, array $context = [])
    {
        $this->url = $url;
        $this->type = $type;
        $this->value = $value;
        $this->context = $context;
    }

    public static function fromArray(array $data): Source
    {
        $url = $data['url'] ?? '';
        $type = $data['type'] ?? '';
        $value = $data['value'] ?? '';
        $context = $data['context'] ?? [];

        return new static($url, $type, $value, $context);
    }

    public function getUrl(): string
    {
        return $this->url;
    }

    public function getType(): string
    {
        return $this->type;
    }

    public function getValue(): string
    {
        return $this->value;
    }

    public function getContext(): array
    {
        return $this->context;
    }

    public function isCachedResource(): bool
    {
        return self::TYPE_CACHED_RESOURCE === $this->type;
    }

    public function isUnavailable(): bool
    {
        return self::TYPE_UNAVAILABLE === $this->type;
    }

    public function isInvalid(): bool
    {
        return self::TYPE_INVALID === $this->type;
    }

    public function getFailureType(): ?string
    {
        if ($this->isCachedResource()) {
            return null;
        }

        $failureComponents = $this->getFailureComponents();

        return $failureComponents['failure_type'];
    }

    public function getFailureCode(): ?int
    {
        if ($this->isCachedResource()) {
            return null;
        }

        $failureComponents = $this->getFailureComponents();

        return $failureComponents['failure_code'];
    }

    public function toArray(): array
    {
        return [
            'url' => $this->url,
            'type' => $this->type,
            'value' => $this->value,
            'context' => $this->context,
        ];
    }

    public function isInvalidContentType(): bool
    {
        $invalidContentTypePrefix = sprintf(self::MESSAGE_INVALID_CONTENT_TYPE, '');

        return preg_match('/^invalid:' . preg_quote($invalidContentTypePrefix, '/') . '/', $this->value) > 0;
    }

    private function getFailureComponents(): array
    {
        $failureType = null;
        $failureCode = null;

        $expectedPartCount = 2;

        $valueParts = explode(':', $this->value, $expectedPartCount);

        if (count($valueParts) === $expectedPartCount) {
            $failureType = $valueParts[0];
            $failureCode = (int) $valueParts[1];
        }

        return [
            'failure_type' => $failureType,
            'failure_code' => $failureCode,
        ];
    }
}


Vision: Building transforming communities where people are included, accepted, & loved.
Mission: Connecting people to Jesus Christ by providing opportunities to connect, grow, serve, & go.
Sanctuary - 7:45 a.m., 9:00 a.m., 10:30 a.m.
Worship Center - 10:30 a.m.


text:
The BARHII Framework
Health Department Toolkits
State Health Department Organizational Self-Assessment For Achieving Health Equity
The State Health Department Organizational Self-Assessment for Achieving Health Equity: (State Self-Assessment) provides public health leaders with tools and guidance to help identify the skills, organizational practices, and infrastructure necessary to achieve health equity. The Self-Assessment document supplements the Local Health Department Organizational Self-Assessment for Addressing Health Inequities: Toolkit and Guide to Implementation developed by the Bay Area Regional Health Inequity Initiative (BARHII). The Self-Assessment can be a key component in strengthening the health department's capacity to partner with communities, agencies and organizations to achieve health equity. The process requires commitment at all levels within the health department.
The State Self-Assessment is intended to help state health departments in the following ways:
Establish a baseline measure of capacity, skills, and areas for improvement to support health equity focused activities.
Inventory a set of research-based organizational and individual traits that support effective health equity focused work.
Provide information to guide strategic planning.
Serve as an ongoing set of tools to measure progress toward goals developed through the assessment process.
The Self-Assessment includes a compendium of six instruments and guidelines to support state health departments in addressing health inequities. The instruments are:
Staff Survey – An online tool designed for health department staff at all levels within the organization. The survey addresses most of the elements in the Matrix (see below).
Collaborating Partner Survey – An online tool to give other agencies, organizations, and groups working with the health department an opportunity to share feedback and insights regarding health equity work.
Staff Focus Groups – Facilitated group questions for in-depth discussions of the Matrix elements. The questions are meant to gather further information on specific issues from the staff survey.
Management Staff Interviews – Individual interviews with senior management allowing the department to get an in-depth sense of organizational strengths and areas for improvement related to addressing health inequities.
Internal Document Review Worksheet – A worksheet that can be used to summarize important data gathered during the Internal Document Review and Discussion phase of the self-assessment.
Management Focus Groups – Designed as an alternative to managers participating in both a focus group and a management interview. It combines questions from each instrument.
Bay Area Regional Health Inequities Initiative (BARHII)
Info@BARHII.org
Copyright © 2020 BARHII

redpajama_set_name: RedPajamaCommonCrawl


Stream this new ambient/noise mix by Riga-based free-form electronic music project Gas of Latvia. The mix, consisting entirely of previously unpublished works, has been prepared as part of SHAPE platform's ongoing collaboration with Resonance – it was premiered on Resonance Extra, and on February 29, it will be repeatedly broadcast on Resonance FM.
Producer and composer Andris Indāns has been an active musician since the late 80s; his project Gas of Latvia is one of the most significant electronic music projects from Latvia. Gas of Latvia, with various collaborators circulating around Indāns in the line-up over the years, have recorded and released over 10 studio albums, each of them having a different vibe and sound – experimenting with dub ambient, drone, noise, IDM, industrial music and techno, but still keeping their signature sound. Indāns also writes music for films, video art & theater performances.
This mix includes previously unpublished recordings from recent years; they have all been produced in Latvia and Spain, whilst experimenting with various synthesizers and pianos, complemented with field recordings and radio excerpts.
Music by Andris Indāns for: Pavilion of Latvia at the 14th International Architecture Exhibition, La Biennale Di Venezia – 2014 (1); audiovisual project Agrocultura – 2015 – with Laura Prikule & Kaspars Lielgalvis (6, 7, 10, 11, 12, 13); performance Gaidot Gintu – 2016 – (5, 14, 15); audiovisual work Press House – 2011 – by Katrīna Neiburga (2. 3); open air performance Lost Gardens – 2013 – (9).


text:
Should story downvotes apply a hotness penalty? ☶ meta
authored by hwayne 2 years ago | 37 comments
If a story is mostly downvoted it doesn't show up on the front page. If a story is heavily-downvoted but upvoted more (say +10 -8), it stays in the front page. These posts usually seem to be incendiary, controversial flamebait that end in everybody getting mad at each other, which generates more "discussion", which keeps it on the front page longer, which means more arguing.
Some tags have a "hotness mod" which pushes them off the front page faster. I think it would be a good idea if stories get a hotness penalty if they're heavily downvoted, even if overall they're still positive rep. That way the people who want to keep fighting can keep fighting but everybody else can get fresh stories on the front page. Thoughts?
Irene 2 years ago | link
I've weighed in on this before. In my experience, things on lobste.rs that get both heavy upvotes and heavy downvotes tend to be on topics that both upvoters and downvoters regard as important. For example, they are often on diversity issues. The voting expresses people's opinions on whether conversations around those issues should be allowed to happen. Applying a hotness modifier would privilege downvotes over upvotes, allowing a minority of people on the site to silence a majority.
I have seen this done, in practice, in other forums. Its effect has been to reduce the quality of discussion by penalizing controversy - however necessary the controversy might be. In fact, I actually campaigned to stop this practice on a communication platform internal to Google, where it was very clear that the formula had been chosen specifically to silence labor organization efforts. The company's upper management even disseminated talking points about how it would be better this way, because we could all stop caring about ethics and focus on shiny toys. (That's my summary, not their words…)
That campaign was unsuccessful, but here on lobste.rs we can do better - right?
friendlysock edited 2 years ago | link
How'd that work with the Darmore thing?
The putative reason for allowing controversial stuff is to "let the minority speak"…and then there was the time recently where in the wee hours of the morning you deleted a submission about a fork of TempleOS over the author's Github avatar since it referenced Nazis. Somehow that minority didn't make the cut–and you were more than happy to let a minority of users who brought in concerns over the tackiness of the avatar overrule the majority of users (seriously, it was like 2-3:1) who just upvoted a neat fork of TempleOS.
In the case of RMS deathball, we had a massive ugly trashfire of stories for a week that just sat on the front page and harmed the community. All that happened was users got drawn into grumpy lines and proceeded to antagonize each other. That's what controversial gets you–and while that is the bread and butter of various political extremist subgroups, for the rest of us it is a problem.
The failure mode of boosting downvotes is that you let people hasten the slide of controversial stuff.
The failure mode of not so doing so is abiding shitflinging that hurts the community.
Edit: just to be absolutely crystal clear here, we as Lobsters have demonstrated repeatedly that our aptitude for productively discussing technology with civility in no way extends outside of that domain.
We aren't going to have wizened discussion about controversial things where we all take turns litigating the factual details of the case and being enlightened by different perspectives and worldviews, we are going to devolve into bickering over the evil feminists and Nazis and capitalists and whatever else. The most straightforward way around this is just to remove those controversial things.
The motte-and-bailey people want to pull here is justifying discussion of "controversial" submissions like rants about Go or whatever, but the real effect will be felt with culture war articles submitted under the guise of technology because "technology is inherently political".
itistoday 2 years ago | link
We aren't going to have wizened discussion about controversial things where we all take turns litigating the factual details of the case and being enlightened by different perspectives and worldviews, we are going to devolve into bickering over the evil feminists and Nazis and capitalists and whatever else.
I've seen your comments improve drastically, taking conscious steps to avoid attacking people. Are you saying that others should be denied that same opportunity to discuss and grow and learn from each other?
The only way people learn and grow is through communication with people with whom they disagree. Sometimes they discover they're right, sometimes they discover they're wrong, and sometimes they discover that they're both right and wrong in a fascinating mixture of self-discovery and improvement. I love that stuff. I want it around. I want people to have that opportunity.
The most straightforward way around this is just to remove those controversial things.
Or, you could click "Hide". That seems way more straightforward to me.
I thank you for your points. I had been hoping I'd find time to write up my thoughts on them and reply, but unfortunately I don't think that's realistic. I do think that when there's overt fighting for the sake of fighting, the moderation team does a decent job of shutting that down; however, as a member of the moderation team, it isn't really for me to decide whether we've done a good job or not.
nickpsecurity 2 years ago | link
Good points. I'll add that…
"Applying a hotness modifier would privilege downvotes over upvotes, allowing a minority of people on the site to silence a majority. I have seen this done, in practice, in other forums."
…people already do that here to the degree they can. They've been clear they'll take it further to keep the front page free of (thing they don't like). It will definitely happen as you predicted.
What I don't know is if it will escalate from there with back and forth among the two, main groups penalizing each others' submissions.
I think this is a fair critique. My suspicion is that most "controversial" pieces aren't actually high-quality and the ones that are high-quality do much better. But I'd have to think of a database query to check this for certain.
LibertarianLlama 2 years ago | link
This is exactly right.
For some reason, people have yet to learn to disagree with each other. They take things personally, get angry and refuse to entertain the idea that they might be wrong.
The solution is to help people to be better. Not to shut down the platform that enable their argument, nor to privilege downvote over upvote.
BTW, even if we could not stop people getting mad over people not agreeing with their ideology, the fact of the matter is that the argument itself is useful. Two sides present their best arguments, and for every angry person there are 10 more silently reading both sides and updating their world views.
If people care to spend their time clicking to vote, and to spend their time typing a response, they clearly care about the subject at discussion. And your response to that is to just make it so that the more people care, the less the subject is exposed? Shouldn't it be the other way around?
And no, I don't need you to tell me what stories I should or should not be able to see.
We should encourage discussion, and moderation should be used to maintain civility, to maximise the benefit of a conversation and minimise the downside.
friendlysock 2 years ago | link
There is no world in which two sides presenting their best arguments about the Holocaust is going to generate more good than harm to our community.
There is no world in which two sides in a subthread arguing about how to count trans people for demographic purposes in tech benefits our community.
There is no world in which closely parsing RMS' remarks about various forms of consent and rape and Epstein and the media lab creates positive feelings about our community.
I used to be right there with you on "oh gee maybe these smart people will be able to have nuanced and productive discussions about topics that have non-technical aspects"…and then I ran repeatedly into lobsters that just couldn't be reasoned with or who had to be shrill about everything.
From a practical point of view, kicking everybody out of the pub is both a fair and reasonable way to maintain decorum.
About the holocaust? How can one argue about an event?
I would say don't count any people for demographic purposes at all.
Discussions about difficult things have value even if you don't feel good doing it. Doctors don't look at a gaping wound because it's pleasant, but because they needs to know what to do to fix it. So even if this statement were true, it wouldn't negate the need for discussion.
and then I ran repeatedly into lobsters that just couldn't be reasoned with or who had to be shrill about everything.
If somebody cannot be reasoned with, then nobody should be allowed to voice their reason? Is that right?
Decorum's purpose is to enable social engagement. So removing social engagement to maintain decorum is cart-b4-horsing.
inactive-user 2 years ago | link
Please don't chase red herrings.
Doctors don't just look at unpleasant things for entertainment. They look at them because they have the power and the knowledge to do something about it.
And we don't?
itistoday edited 2 years ago | link
And there is that "hide" button that @hwayne (and anyone else who feels the same) is welcome to use to hide the stories that so offend them. It was designed explicitly for that purpose. Don't like the comments or story? Click "hide". It's not hard. There's no need to penalize other people for enjoying a lively conversation.
Under this process the story just won't be on the frontpage as long. You're not being penalized. You can still comment and get notifications that people are replying to you. It's more inconvenient for everybody else to be expected to click hide on a story that's attracting a lot of flamewars.
Under this process the story just won't be on the frontpage as long.
That would be the problem.
It's more inconvenient for everybody else to be expected to click hide
That's an interesting framing, and one that I reject. You have no idea how many people will find a thread or story bothersome or interesting, nor do you speak for the entire community. The "hide" button was created for exactly this reason, so use it, as I'm doing on this submission. Some other people might find it interesting, and they can choose to upvote instead.
gerikson 2 years ago | link
Absolutely agree of the danger of a small minority "burying" uncomfortable content in the graveyard of page 2.
poptart 2 years ago | link
These are good points and I appreciate you bringing them up. I have a "conspiracy" that I can't personally confirm but might be worth adding to the thought experiment to the people who have access to this information. I suspect this same group of people uses the lack of weighting to upvote brigade and create a scenario where the minority is already silencing the majority, essentially I would bet that the same people are the ones only contributing upvotes to those specific articles or topics and nothing else. It would be interesting to see if the same group upvotes anything else. Additionally, I would be curious to see the % of upvotes that come from a invite branch directly in that equation.
I'm really glad this was brought up. I'd been struggling the last few months with a feeling that there were quite a few articles that had an odd amount of staying power by a few very… vocal and passionate… groups that I frankly didn't seem to think fit the quality of lobsters, but I didn't think of a good solution besides saying it directly in thread thus contributing to the staying power. I'd always sort of assumed there was weight to downvotes, but now that /u/hwayne pointed it out this is pretty decent solution imo.
alynpost edited 2 years ago | link
In the user interface, upvoting a story takes less effort than flagging (what the codebase also refers to as downvoting). To flag a story you have to have a reason, selected from a list (Off-topic, Already posted, Spam, Broken Link) whereas to upvote a story you toggle the "Add upvote" arrow, without need to provide a reason or make any further choice.
Given that flagging takes more effort than upvoting, I like the idea of giving it more weight when calculating story hotness as a means of accounting for the different UI cost of upvoting vs. flagging.
mrr 2 years ago | link
Where's the line between 'incendiary, controversial flamebait' and content that's just controversial because it doesn't treat sacred cows as sacred? I think this change would risk censoring out any posts on lobste.rs that are critical of the sacred cows, or that present any of the designated hate targets (C in 2020, for example) in a positive light.
The post about git workflows was very useful but I suspect it'd fall into this category. The same is true of a lot of ddevault's articles that get posted: people get very heated in the comments, but fundamentally they're still good articles with good discussion and I think the site would be worse off for censoring those articles just because people get upset about them.
Flagging is not meant to be a 'disagree' button, and with this change it'd become not just a disagree button but a 'I don't want anyone to see this because I disagree with it' button.
The post about git workflows was very useful but I suspect it'd fall into this category.
The girflow got heated but is still "fine" by this metric. As of this comment, nobody downvoted it. It's not the kind of content I'm worried about here.
That is a very uncharitable interpretation. I think the kind of threads that hwayne intends are the kind where the story is some sort of "if you do this then you are literally stupid"-kind of inflammatory rants. Regardless of the merits of "not doing this", these discussions tend to be less-than-useful, and the posts themselves tend to be less-than-useful to since usually reality is complex and nuanced.
The opposite also applies, by the way: people upvoting articles just because they agree with the premise, not because it's a good article. I think that's actually a far bigger issue.
"C in 2020" is hardly a "hate target", I think a lot of people here are actually reasonably sympathetic to that. The thing is, "I think it might not be a good idea to do X" and "you're fucking stupid if you do X" may have the same intellectual content, but people's responses to it will be very different.
If we want to have useful and constrictive discourse where everyone is heard then this discourse needs to be reasonably respectful and constructive, and this starts with the original story. I wrote a post about this last time this came up on Lobsters, which goes in to some more depth to this: https://www.arp242.net/censorship.html
darkkindness 2 years ago | link
I don't think the change suggested is so extreme as to constitute any kind of censorship. For example, I imagine that a topic with +10 -8 would stay on the front page for a day or so before being pushed down, as opposed to staying for 3-4 days (which otherwise it would, given how things work around here). A good article still gets exposure and discussion is still had, but if the submission is severely flagged then maybe it should not be drawn out for 3-4 days as if it's an exemplary topic of programmer interest. Which is the case currently.
If nearly half of the users who bothered to vote on a story flag it, that's a bad look.
355E3B 2 years ago | link
I feel like this is a good change. Our community is small enough that "toxic" threads seem to float around longer than is healthy. As a first attempt we could update the score_sql to penalize heavily flagged stories as they get older.
What rate/formula do you think should be applied?
To preface, my suggestion is predicated on two points:
In a healthy community based on user generated content, the rank of any piece once it's hit the front page should look something like 1/x when graphed over time.
@hwayne observation around the "stickiness" of content that isn't healthy for the community is an observation that the content isn't following the 1/x lifecycle.
To that end, I feel that if we updated the ranking algorithm to weight upvotes more towards the beginning of a story's time on the front page and flags more towards the end it will allow for heavily flagged content to flush itself out in a smoother fashion while still giving every story a chance on the front page.
I like this idea! It seems the best compromise between "not shying away from controversial discussion" and "making downvotes reflect the community". What are you thinking in terms of the "beginning" and "end" of a story's time? 24 hours?
pushcx 2 years ago | link
perhaps HOTNESS_WINDOW
I went and graphed out the old and new algorithm: https://observablehq.com/@hmadison/lobste-rs-voting-formula.
I heartily agree with this.
I'm not sure I can think of a story that got a lot of flags that didn't deserve them–I can however think of many stories (RMS garbage ball, various other scissor stories) that ended up with enough votes to stay and fester on the front page.
pushcx Sysop 2 years ago | link
Reminder that I'll run database queries to help figure out what the effects of changes would be, how common situations are, etc.
Related proposal: how about applying a hotness mod to the rant tag?
IIRC that is already the case.
Ah, you're right: it has a hotness mod of -.25, just like e.g. culture, meta, etc. Maybe increase it to -.5?
tekknolagi 2 years ago | link
Sidebar: I don't have a downvote button at all. Does it come with time or points or something? Didn't see a mention of this on the wiki or about pages.
alynpost 2 years ago | link
The flag mechanism, between suggest and hide in the byline div below the story title is how one downvotes a story. It is available after a user account is no longer new.
Stories don't have downvote buttons, they have flags. It used to be implemented with a downvote arrow like reddit, but people treated as a "I don't like this" button like reddit with an extra click.
To see the flag link on stories, a user has to be not new (was 7 days, now 70) and have 50 karma.


Richmond American Homes presents the Larissa! The lower floor features a spacious rec room, a powder room and 2-car garage. On the main you'll find a lavish master suite w/ private bath, an inviting great room w/ fireplace and an open kitchen w/ a walk-in pantry. The upper level boasts a laundry room, loft and three additional bedrooms. Personalization options include a gourmet or chefs kitchen and a covered patio with fireplace. Call for details on energy efficiencies and warranty programs!


No information for the plugin 'easyqa-plugin' is available. It may have been removed from distribution.
This is a plugin for Jenkins that aims for providing support for EasyQA inside Jenkins.
The main feature is to create an issue on EasyQA Test Management Tool when the build fails in Jenkins.
When you have set up your EasyQA site(s) in the global configuration you can enable the integration on the job configuration page. You select the project you want to integrate with and the failure mode.
Add a post-build action - Create an issue on Build failure on EasyQA. Here you can choose for what result do you want to create an issue and if you want to attach build log file.


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"First comes the Ruin. Society crumbles. Then comes the snow. A handful of survivors flee to a Cornish mansion, seeking peace and safety. Instead they find themselves under siege from the things now inhabiting the snowscape outside … fleeting, terrifying things seen from the corner of the eye.
But for almost two years his ships HMS Terror and Erebus have been trapped in the Arctic ice. Supplies of fuel and food are running low. Scurvy, starvation and even madness beging to take their toll. And yet the real threat isn't from the constantly shifting, alien landscape, the flesh-numbing temperatures or being crushed by the unyielding, frozen ocean. No, the real threat is far more terrifying.
There is something out there in the frigid darkness. It stalks the ships and snatches men. It is a nameless thing. At once nowhere and everywhere, this terror has become the expedition's nemesis . . .
Oskar is a 12-year-old boy living with his mother on a dreary housing estate at the city's edge. He dreams about his absentee father, gets bullied at school, and wets himself when he's frightened.
Eli is the young girl who moves in next door. She doesn't go to school and never leaves the flat by day. She is a 200-year-old vampire, forever frozen in childhood, and condemned to live on a diet of fresh blood.
John Ajvide Lindqvist's novel, a huge bestseller in his native Sweden, is a unique and brilliant fusion of social novel and vampire legend. And a deeply moving fable about rejection, friendship and loyalty.
Candles and blankets at the ready!
NOS 4R2 has been on my TBR for a while, which I think you recommended to me actually. I still haven't gotten around to it, although I think that's because I'm a huge wimp so I've been putting it off haha! Every time I hear more about it, the more I do want to read it. I really like the sound of The Shuddering and Let The Right One In – they both sound like the kinds of books I would love if I can get past the terror haha! This is a great list. Thanks for sharing!
Previous Previous post: Is Your Friendship Over?


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You can always call a disposal management company to help with estimating the size that you need.
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If you lack a driveway the street is often the best option. Consequently, "street boxes" can be vulnerable to illegal dumping.
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Beauveria bassiana, for the control of berry borer in coffee (beetles), and sucking pests and lepidopteran pests of crops.
Verticillium lecanii, for the control of mealy bugs, white fly, aphids, thrips and scale insects.
Pseudomonas fluorescens for the control of quick wilt in black pepper, sheath blight, brown spot & sheath rot in rice, rhizome rot & bacterial wilt in ginger, rhizome rot, wilt & leaf spot in banana, damping off & bacterial wilt in solanaceous vegetables, and brown spot & stem rot in vegetables.
Trichoderma sp., for the control of quick wilt in black pepper and, rhizome rot in ginger & turmeric. It can be used in the potting mixture in the nursery to control different diseases.
Metarhizium sp., for the control of root grubs, termites and beetles.
In addition to biocontrol agents, pheromone traps for the control of fruit flies in cucurbits and mango are also produced. Last year about 110 tonnes of biocontrol agents was supplied by the unit to various Krishi Bhavans in the district.


text:
package dotenv

import (
	"strings"

	"github.com/spf13/cast"
)

// flattenAndMergeMap recursively flattens the given map into a new map
// Code is based on the function with the same name in tha main package.
// TODO: move it to a common place
func flattenAndMergeMap(shadow map[string]interface{}, m map[string]interface{}, prefix string, delimiter string) map[string]interface{} {
	if shadow != nil && prefix != "" && shadow[prefix] != nil {
		// prefix is shadowed => nothing more to flatten
		return shadow
	}
	if shadow == nil {
		shadow = make(map[string]interface{})
	}

	var m2 map[string]interface{}
	if prefix != "" {
		prefix += delimiter
	}
	for k, val := range m {
		fullKey := prefix + k
		switch val.(type) {
		case map[string]interface{}:
			m2 = val.(map[string]interface{})
		case map[interface{}]interface{}:
			m2 = cast.ToStringMap(val)
		default:
			// immediate value
			shadow[strings.ToLower(fullKey)] = val
			continue
		}
		// recursively merge to shadow map
		shadow = flattenAndMergeMap(shadow, m2, fullKey, delimiter)
	}
	return shadow
}

redpajama_set_name: RedPajamaGithub


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So it's the second day of the new year. Hmmm... doesn't feel all that different really. I just realized that I used to really like clicky keyboards. I wonder when the last time I actually had a clicky keyboard was. Probably not for a while. Anyhow... the Survivor video is done. It didn't come out the way I expected, but it is good nonetheless. I was definitely good practice in shooting and editing. I can't post the video just yet, though... at least not visibly... not without permission. Maybe in a month or two after the selection has been completed. I don't think he will mind, it's a pretty fun video. If you want to see it, email me and depending on who you are I may or may notl email you a link to it. That's the best I can do for now. It definitely came out a lot better than the stupid snowshoeing video. The intro is the best part by far. Probably because we shot that with the editing in mind already. We shot most of the rest of it just as footage that we pieced together and edited into a finished work. The intro was done before we had even shot the rest of the footage. Can you tell that I'm happy about the intro?
It was really fun to shoot, too. Not just because we all get along and had fun while doing it, but watching, even from the inside, the Bui Brothers at work is kinda funny. I wish we had made a documentary about how we made that intro, because the way it came together and the way the ideas popped out one after the other... from our original idea, which was very minimal, to our final ideas, which produced the final work, was cool. After this I have more confidence that after a few more practice type projects we will be ready for something more complex and in depth. The video for work will be great. The only thing I'm worried about is the lighting right now. It will be indoors, and I unfortunately know nothing about lighting for film or video. Guess I should get a book or something.


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text:
Q: montage: distortion filter on the combined images I am using the Montage of Image magick to combine all images contained chicont pattern and form 3 row grid composed of the fused images:
montage "${my_images}"/*chicont.png -geometry 1200 -tile x3e -mattecolor DarkGoldenrod2 -mode Frame -distort BarrelInverse 3:30 output_grid.png

By means of the option -distort BarrelInverse 3:30 each combined image is distorted so the combined image would consist of many distorted parts assembled together.
Would it be possible to apply such distortion selectively on some images located in various places of the resulted combined image ? So the expected output image would contain only several distorted images mixed with the images added to the grid without distortion ?

redpajama_set_name: RedPajamaStackExchange


text:
"The Bitter End" is a song by British alternative rock band Placebo. It was released as the lead single from their fourth studio album, Sleeping with Ghosts (2003), on 10 March 2003. The song is based on the novel Nineteen Eighty-Four by George Orwell. There are several references to it throughout the song, one of the most noticeable being the reference to 2 May - the date on which the two main characters, Winston and Julia, first spend the night together. "The Bitter End" and "Every You Every Me" are the two most often played songs in the Placebo's live shows.

Critical response
Critics generally praised the single upon its release. Reviewing Sleeping with Ghosts, BBC.co.uk's rock/indie reviewer Dan Tallis described "The Bitter End" as "a good pop tune", having "just the right amount of dark, gothic atmosphere to please their fans and enough radio friendly guitars to please the new generation of indie kids." The Times thought the song "ramped up the energy level to devastating effect."

Rock Sound reasoned that the track's "kick ass romp" reinforces "their status as purveyors of pure indie pop in the vein of The Smiths." However, NME saw differing influences woven in the track, reporting that "The Bitter End" "sees Placebo powering along with a relentless U2- chasing-after-The Cure melody that's as infectious as 24."

Summarising Placebo's 2004 singles collection, Once More with Feeling, BBC.co.uk's Nottingham music reviewer Jaime Gill stated that "each song stems from a songwriter so instinctive and precise that when he writes a song called "The Bitter End", that's exactly what it sounds like."

Music video
The music video sees the band playing in the dish of the Lovell Telescope, one of the largest radio telescopes. Halfway through the video, it displays an infrared image of a couple chasing after each other. They eventually catch each other up and kiss against a wall. Near the end of the video, the band is rained upon. It was filmed close to Stockport in Cheshire, England.

Track listings
CD 1

CD 2

7-inch vinyl

Formats
"The Bitter End" was released on 10 March 2003 via Elevator Music/Hut Records, the first single to be culled from Sleeping with Ghosts. Two CD singles offering differing B-sides were issued, as well as a single in 7-inch vinyl format. Later, "The Bitter End" saw inclusion on the November 2004 compilation Once More with Feeling: The Singles.

Key
B - "The Bitter End"
D - "Daddy Cool"
T - "Teenage Angst (piano version)"
BV - "The Bitter End video"
E - "Evalia"
DP - "Drink You Pretty"

Charts

References

Placebo (band) songs
2003 singles
2003 songs
Number-one singles in Portugal
Song recordings produced by Jim Abbiss
Songs written by Brian Molko
Songs written by Stefan Olsdal
Songs written by Steve Hewitt
Virgin Records singles

redpajama_set_name: RedPajamaWikipedia


text:
Ян Филип (; род. 14 июня 1973, Прага) — чешский гандболист, выступавший за Дуклу (Прага), Нордхорн, Райн-Неккар Лёвен и сборную Чехии. С 2014 по 2021 год являлся тренером сборной Чехии по гандболу.

Карьера

Клубная
Ян Филип начинал свою карьеру в Чехии в клубе «Дукла» из Праги. В 1997 году переходит в немецкий клуб «Дюссельдорф», проводит там сезон, и через год он возвращается обратно в «Дуклу». В 1999 году переходит в итальянский клуб «Pallamano Conversano», где проводит один сезон. В 2000 году становиться игроком «Нордхорна», которому помог стать вторым в чемпионате Германии в 2002 году. В 2008 году «Нордхорн» завоёвывает кубок ЕГФ. Всего за «Нордхорн» в чемпионате Германии провёл 296 матчей и забросил 1792 года. В 2008 году переходит в «Райн-Неккар Лёвен», где проводит 1 сезон. С 2009 года выступает за швейцарские клубы «Кадеттен-Шафхаузен» и «ТСВ Санкт-Галлен». В 2015 году завершает карьеру игрока.

В сборной
Ян Филип выступал за сборную Чехии и провёл за сборную 220 матчей и забросил 960 голов.

Тренерская
Ян Филип в 2011 году стал играющим тренером швейцарского клуба «ТСВ Санкт-Галлен». В 2015 году Ян Филип возглавил сборную Чехии по гандболу.

Награды
 Обладатель кубка ЕГФ: 2008
 Победитель чемпионата Швейцарии: 2010, 2011
 Обладатель кубка Швейцарии: 2011

Статистика

Ссылки
 http://www.eurohandball.com/ec/ehfc/men/2013-14/player/505295/Jan+Filip

Гандболисты по алфавиту
Гандболисты Чехии
Игроки сборной Чехии по гандболу
Игроки ГК «Райн-Неккар Лёвен»
Гандбольные тренеры Чехии


Recently the results of the first randomized trial, the Survey of Inhibitors in Plasma-Product Exposed Toddlers (SIPPET) were published in the New England Journal of Medicine (2016;374:2054-64). These results show a significantly increased risk of inhibitor development with recombinant concentrates as compared to plasma-derived factor VIII (FVIII) products containing von Willebrand factor.
In interpreting the results of this study, a number of factors must be taken into consideration. Firstly, the study conclusions are drawn from a sample of PUPs with severe haemophilia A and under 50 exposure days. The data do not apply to patients with more than 50 exposure days, those with mild or moderate haemophilia A, or to haemophilia B patients. Secondly, it should be noted that although the SIPPET study was a randomized trial, a study design that is considered to be of a higher methodological rigour, observational studies have not consistently reported the same findings with respect to inhibitor development and type of product used. Thirdly, the results of the study do not apply to products not included in the study, in particular new standard or longer-acting products.
Patient safety must be prioritized in the treatment of haemophilia. It is important to note that although plasma-derived concentrates are now considered safe from the risk of infection, there is always an at least theoretical risk of transfusion-transmitted infection with any kind of plasma-derived concentrate. The higher risk of inhibitor development associated with recombinant products, as reported in the SIPPET study results, must be balanced against the lower infection risk associated with these products. When using plasma-derived products in Europe, it is important to confirm that the products have been licensed by European regulators and undergone viral inactivation/elimination by at least two different methods.
Clinicians treating haemophilia should give a balanced view of the various replacement therapy options based on local resources, product availability, and the individual circumstances of the patient. Specifically, where patients who develop inhibitors have no access to immune tolerance therapy (ITI) or bypassing agents, the balance towards initiating replacement therapy in PUPs with plasma-derived products may be preferred, based on the results of the SIPPET study. Nevertheless, in the case of life- or limb-threatening bleeds, the product that is licensed and immediately locally available should be used. Access to a preferred product should not delay the initiation of a treatment that is urgently needed.
Haemophilia treaters should engage parents in the decision-making process, but remain aware that parents will require information and guidance, as they may not have much knowledge of the subject. This discussion may include a review of the nature of plasma-derived and recombinant products, the theoretical risk of infection with plasma derived products, the conflicting results of previous studies on the risk of inhibitors, as well as the new data provided by SIPPET.
Whilst a lower incidence of inhibitors was reported in patients treated with plasma-derived FVIII, the inhibitor incidence in this group of patients was still 25%. In order to monitor on-going inhibitor risk, EAHAD recommends that all severe haemophilia A PUPs should be entered in registries. Also, where available, patients should be encouraged to consider entering clinical trials of new products to assess the inhibitor risk. Finally, clinicians should ensure that products irrespective of their origin are used, when possible, in a way that would minimize the risk of inhibitor development based on current evidence of risk factors for inhibitor development.
EAHAD will continue to closely monitor this important treatment issue and will provide further advice if appropriate.


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text:
Q: replaceFirst in Groovy throws Illegal group reference I have the following code:
String newStr = "aa\$";
print newStr;
print "wwwww ? eeee".replaceFirst("\\?", "'${newStr}'"); // (3)

and I keep getting -- at line 3 -- the following error:
Caught: java.lang.IllegalArgumentException: Illegal group reference
    at com.example.MyBuilder.main(MyBuilder.groovy:196)

It looks like that replaceFirst ignores that $ was escaped. How could I let my code run? Does anybody experience such an error?

A: First
String newStr == "aa\$"

should be
String newStr = "aa\$"

Then, because you are using normal strings to declare your regex, you need to double escape the dollar sign:
String newStr = "aa\\$"

Or, use slashy strings:
String newStr = /aa\$/

A: I have found a working solution for my problem: String newStr == "aa\\\$";
You need to have three backslashes. The first backslash (from right to left) escapes $ so Groovy Interpreter does not understand $ as a mark for a variable.
The two following slashes has to escape $ for replaceFirst, because $ is interpreted by Matcher.appendReplacement()  -- called inside replaceFirst -- as a grouping. It is an unexpected but well documented in JavaDoc behavior:

backslashes (\) and dollar signs ($)  in the
  replacement string may cause the
  results to be different than if it
  were being treated as a literal
  replacement string

ps. After fighting with escaping other "special" symbol -- backslash -- I switched to String.replace(CharSequence,CharSequence).


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We conclude our 10th Anniversary Season with the GCA Children's Chorus joining the full choir for CARMINA BURANA by Carl Orff. Two pianos and percussion ensemble led by Dr. John Lawless will accompany the mass ensemble.
Welcome to tonight's Tenth-Anniversary-Season-climaxing concert, Encore! All involved in developing this year-long musical celebration hope that the appreciative "Again!" has been well earned, not only tonight and all season long but looking into the future as well.
As with the December concert, Cheers!, the new Griffin Choral Arts Children's Chorus will be joining their adult colleagues for the performance tonight. This combination of vocal forces is all the more appropriate because the composer of tonight's work was a pioneer in music education for young people (as anyone who has seen a choir room overflowing with "Orff Instruments" knows). The special importance of percussion instruments in the "Orff Method" is further reflected tonight by the massive sonic presence of our welcomed guest percussionists. We are also happy to welcome back Seth Davis, founding GCA accompanist, who joins current accompanist Cathy Willis for tonight's two-piano version of the work authorized by the composer in 1956 for performing forces smaller than full symphony orchestras and choruses. Tonight's use of a composer-authorized two-piano version recalls a previous milestone performance in GCA history: Brahms' German Requiem in October 2009, with duo-pianists Seth Davis and Michiko Otaki of Clayton State University.
Carl Heinrich Maria Orff (1895-1982) was born in the south German state of Bavaria. He studied at the Munich Academy of Music until 1914, when he entered the German army in World War I, suffering serious injury and near-death in a trench cave-in. After the war, he held positions in opera houses in Mannheim and Darmstadt, eventually returning to Munich to continue his music studies, including in the 1920's beginning to formulate his theories on elemental music, based on the ancient Greek concept of the unity of the arts. In Munich in 1924 he and Dorothee Günther founded the Günther School for gymnastics, music, and dance to teach beginners in music, and this led to his further specialization in teaching these basics to children. Married four times, Orff died at age 86 of cancer, and was buried in the church of the Benedictine priory of Andechs, south of Munich and famous for its beer-brewing.
Orff's re-imagining of this existential metaphor takes the form of what the composer called a "scenic cantata," which differs from a strictly musical cantata (like those by Bach) in invoking visual effects beyond presenting the musicians in the performance space. Like his German predecessor Richard Wagner in re-conceptualizing opera as a total art form, Orff envisioned what he called "Theatrum Mundi" (World of Theater), connecting music, speech, and body movement in a totality of effect that, while often presented in concert form, was also frequently staged in multimedia format. The many subsequent ballet versions of Carmina Burana attest to its kinetic appeal, as exemplified by interpretations by the Atlanta Ballet this past February and nearby in late November 2016 by the Carolina Ballet (a performance on which some features of tonight's staging are modeled).
Despite Orff's desires to be "scenic," the songs created to match the Goliard verse do not have a clear "storyline," except as we might imagine it, listening to the speakers in individual songs and to the progress of the work from beginning to end. Most medieval depictions of Fortune's wheel focus on the rise and fall of kings, a crown being an icon easily interpreted even by the illiterate. Orff's Dame Fortuna is a bit more modern in ruling more specifically over those mortals who "try their luck" in love (although the fickleness of love was also a popular poetic theme in the Middle Ages and early Renaissance). Ballet performances of Carmina Burana often impose a story: for example, the recent Atlanta Ballet's imagining the amorous temptations of three seminarians. Still, however, Orff provides a basic overall "plot" movement, dividing the work into three major sections.
After the famous "O Fortuna" theme familiar from Old Spice aftershave ads and popular films (including numerous parodies), the first major section, Primo Vere (Spring), begins by describing the pleasures of re-awakening for both flora and fauna (including human), then sharpening the focus on individual young men and women as they begin their courting gestures. Part Two, In the Tavern, "turns up the heat" both in metaphors of sexual desire and in the remarkable, almost literal image of the Swan roasting on the spit, continuing into a catalogue of virtually every imaginable human character-type in his or her pursuit of pleasure, mainly drinking but in several other vices as well. Part Three, The Court of Love, brings the camera in even closer upon a representative pair of lovers: he, urging his burning passion; she, initially resisting but eventually giving in to their mutual fulfillment.
Though powerful on many levels, the music of Carmina Burana may sound simple, but is in fact often very difficult. Vocal ranges are extremely high, both for soloists and for chorus (the famous Roast Swan episode requiring the tenor soloist to sing in falsetto). Constantly shifting meters, rhythms, and tempi challenge conductor, singers, and instrumentalists alike. The text consists of unfamiliar languages (Latin, Middle High German, and Old Provençal), whose pronunciation difficulties are often compounded by breakneck speeds. Perhaps for some audience members (possibly even performers) exists the difficulty of the "morality" of the piece–including the knowledge that the piece was popular with the authoritarian regimes coming to power in Europe at the time of the work's premiere in 1937. (Although Orff–with his one-quarter-Jewish background–did not compose the piece to curry favor with these powers, he made a complicated peace with their approval.) As with any work of art, however, we can still appreciate it apart from its "political" contexts (even if those contexts always exist). At least sometimes, we just want to have fun–as we of GCA have tonight and through these ten seasons to date.
Carl Orff has generally been regarded as a "one hit wonder," but that one work is indeed a wonder. The enduring appeal of the Carmina Burana may lie in its inventiveness and joie de vivre. Probably its most memorable music–the dramatic opening "O Fortuna"–draws us into an experience we may feel a little guilty in entering but by which can't help feeling swept away. When that "O Fortuna" theme returns at the end, we not only see that our experience has "come full circle" but that Orff has succeeded in readying us on many levels for that remarkable cycle to begin all over again. We may not be able to stop the Wheel, but we can enjoy ourselves immensely even as it turns.
Program notes by Bill Pasch (except as otherwise attributed) © 2017, with thanks to Steve Mulder and Lee Whitley.


text:
package com.tqmars.cardrecycle.domain.services.sale;

import com.tqmars.cardrecycle.application.api.dto.SellCardInput;
import com.tqmars.cardrecycle.application.sale.dto.Sale1CardInput;
import com.tqmars.cardrecycle.domain.services.sale.thirdapi.ApiResult;

import java.util.List;

/**
 * Created by jjh on 1/22/17.
 */
public interface ISaleDomainService {
    ApiResult sell1Card(Sale1CardInput input);
    void sellListCard(List<Sale1CardInput> list);
    ApiResult sell1CardApi(SellCardInput input);
}


text:
Porch Stomp Presents : The Sheriff and the Deputy
As a part of the sixth annual Porch Stomp, we'll be working with Beehive Productions, NYC Ferry, and Blue Point Brewery to bring you a series of videos featuring artists spanning the gamut of NYC folk scene (and then some). Check out our blog every month for new videos and interviews with artists, and be sure to follow us on instagram: @porchstomp and Facebook: Porch Stomp. Come see all of our artists at Porch Stomp this June 23rd on Governors Island: www.porchstomp.com
While it's appropriate to say that the New York City folk scene has no shortage of characters, one would be hard pressed to find one as well-known or well-beloved as Sheriff Bob. Once affectionately dubbed by Chris Thile as, "everybody's mischievous uncle", Bob's presence and persona (often augmented by the appropriate sheriff attire complete with badge) have a way of altering a room, exposing a side of country and bluegrass that harkens to another time; perhaps a time when songs of heartbreak seemed more real and boisterous revelry more jubilant.
I remember first entering the bluegrass scene by way of Randolph Beer on Broome Street, a place where Sheriff Bob's Jam allowed many pickers to find a safe haven for trying out new tunes, networking with fellow aspiring artists and, of course, enjoying cheap beer thanks to their "half off for musicians" drink special. In fact, one might argue that the Porch Stomp community owes its existence to that very place; it was that jam in which Theo and I first met, thus forming a partnership is what has allowed the community to expand and subsequently flourish.
For that reason, we're excited to feature Sheriff Bob, the Sheriff of Goodtimes, to kick off our 2019 Porch Stomp Presents series. Wielding a voice synonymous with NYC country music and dobro licks that bark, hem and haw, the Sheriff has a way of making songs all his own and surrounds himself with the finest talent the city has to offer.
Often seen as "The Sheriff and the Deputy" with Kat Minogue on guitar and harmonies, the two share an incredible kindred energy inspired by true love of the old country and honky tonk classics. Here they are performing, "Hold What Ya' Got" with Cesar Moreno on mandolin and Larry Legend on bass, performing on a windy NYC Ferry en route from Rockaway Beach to Pier 11.
Sheriff, How long have you been living in New York and when did you discover your love of folk and country music?
Sheriff: When I was 4 years old my family moved from Chicago to New York City. As soon as I could turn a radio dial I was listening to country music. When I was a freshman at MIT I saw Pete Seger perform on campus. The very next day I went out and bought a 2nd-hand 5-string banjo and the Pete Seger instruction book. That's when I became a folk singer.
And what about this collaboration? How did the two of you meet?
Kat: I met Sheriff Bob on a Monday night at the Baggot Inn. Greg Garing and The Sheriff had a residency there and during the show they invited everyone to the Goodtime Jam on Wednesday nights. They said everyone was welcome to come out with their instruments and play along and sing songs. I was intrigued by the communal and improvisational aspects of a jam, so I checked it out; the rest is history.
How did the Goodtime Jam start? Any favorite memories or guests that have stopped by?
Sheriff: The Goodtime Jam started in the 90's in the East Village. We were kicked out of several places for being too loud or some nonsense, but we've found welcoming homes at The Baggot Inn, Grisly Pear, and now at Zinc Bar over on West 3rd Street – the same place that used to be the Baggot – where everyone is welcome to come jam and hang on the 3rd Wednesday of every month.
Over the years, well-known players have come through – Greg Garing, Chris Thile, Michael Daves, Mark O'conner, Chip Taylor, Phoebe Hunt, Mike Gordon, and Alex Hargreaves, just to name a few. There are always new players coming to the scene and that keeps it exciting. The Goodtime Jam is a place for musicians to get together and have some fun!
What are you most excited for at Porch Stomp 2019?
Sheriff: This is my first year taking part in Porch Stomp. I'm really excited to host the Goodtime Stage and jam with all the folks who come out, to meet new people and make new friends!
What are your favorite things about the NYC folk scene and what suggestions would you give for musicians looking to get involved?
Sheriff: Anyone looking to get involved in the folk scene here should check out the jams around town. There are jams just about every night of the week! That's where you meet other musicians and can share songs and musical ideas with each other.
Kat: The NYC Folk world is a kaleidoscopic scene anchored by old songs and stories and a few chords. Many people rely on the jams – playing music with other people is a form of social engagement unlike any other. For some people it's essential. Porch stomp is a real acknowledgment and celebration of this music and the community it provides in NYC!
For more information, visit : http://www.sheriffunclebob.com
Special thanks to Jeff, Sue and Redia of Beehive Productions and Elana of NYC Ferry for making this series happen.
Porch Stomp Presents


My entire family LOVED this recipe! My 13 year old rarely likes what the rest of us do. The Basil lime cream sauce was such a great accompaniment to the blackened seasoning. I needed to use dried Basil instead of fresh and the sauce was still delicious!


This stylish 4-star hotel is found in the Bicocca district of Milan, an area which combines rich history with exciting new developments, and is connected to the city's best sights and shops by a nearby metro station. Relax in style in the hotel's lounge bar or dine on traditional Italian dishes and international cuisine in the restaurant. Each air conditioned room is decorated in a fresh contemporary style and has free wifi access, a flat-screen satellite TV and private bathroom.


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Arts / Ent.
George Christy
Elder Stories
BH Style
E-Edition Flip Edition
Serving Beverly Hills, Bel Air, Holmby, Century City, Trousdale, Brentwood, Westwood
Oscars Ratings Hit Eight-Year Low
Frances Allen's Desert Roundup—Opera Superstars Domingo And Fleming To Kick Of New Arts, Food And Fashion Festival
Arts / EntertainmentLocalObituary
Bram Goldsmith, Chairman Emeritus Of City National Bank, Dead At 93
Clinton, Trump Score First Super Tuesday Wins
Voters in a dozen states headed to the polls Tuesday in what is deemed the most pivotal day of the White House primaries, with frontrunners Hillary Clinton and Donald Trump hoping to wipe out all rivals for their party nominations.
Anti-Muslim Hate Crimes Rise In Los Angeles
Nearly a dozen anti-Muslim/Middle Easterner hate crimes were reported in Los Angeles County in November and December, compared with one such crime during the comparable period in 2014, it was announced today.
Traffic Delays Expected As Biden Wraps Up L.A. Visit
2016 Oscars Results: Leonardo DiCaprio Finally Gets His First Oscar, but 'Spotlight' Wins Best Picture
LocalReal Estate
Beverly Hills News – City To Enter $1 Million Agreement With Developers On Townscape Project
The City Council Consent Calendar, usually approved with one vote on several items unless an item is pulled by a council member for more discussion, includes an item wherein the City of Beverly Hills will enter into a $1 million agreement with Angelo Gordon Real Estate Inc., associated with the "informal public evaluation of the Townscape Partners development proposal for City property surrounding 336 Foothill Road and 9268 Third Street."
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Beverly Hills News – Mayor Julian Gold Leaves Dog Park to the Last
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Beverly Hills News – Rev. Al Sharpton Plans Oscar Protest In Hollywood
Viewership for ABC's Oscars telecast was the smallest since 2008, averaging 34.3 million viewers, according to preliminary figures released today by Nielsen. The audience for Sunday's ceremony hosted by comedian Chris Rock at the Dolby Theatre in Hollywood was 6.3 percent smaller than the preliminary 36.6- million average for last year's ceremony hosted by actor Neil Patrick Harris.
The Palm Springs Life Festival will bring together a stellar lineup of some of today's top performers, fashion designers and culinary superstars for various Valley events, at various venues spread out over a month's time. There's some backstory to the recent Palm Springs Air Museum gala.
Longtime Beverly Hills resident Bram Goldsmith, Chairman Emeritus of City National Bank and Founding Chairman of The Wallis, has died at age 93.
The Los Angeles police department warns there could be traffic delays in the areas of Century City and North Hollywood as Vice President Joe Biden wraps up his Southern California visit today.
After five nominations, Leonardo DiCaprio finally won Best Actor honors Sunday at the 88th Academy Awards for his role in The Revenant. The film's director, Alejandro Inarritu, won his second straight Oscar for achievement in directing.
The Beverly Hills Dog Park will come before the City Council Tuesday - but not until the tail end of the meeting. Mayor Julian Gold has placed the dog park as the last item on the agenda.
The Rev. Al Sharpton plans to be in Hollywood tomorrow, taking part in a protest of the all-white slate of Oscar acting nominees and calling for more diversity in the entertainment industry.
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Give yourself time to be aware of your immediate bodily sensations of any state of illness or dis-ease. Ask yourself and become more aware of where and how you feel your dis-ease in your body.
Remind yourself that the pure awareness of any sensation, emotion or thought – however painful – is not itself a sensation, emotion or thought, and is innately pain free.
Staying aware of any localised sensation or symptom, remind yourself that it is itself an awareness of some aspect of your life-world and relationships that is a source of unease or 'dis-ease'.
Wait until a spontaneous awareness arises of what specific aspect of your life-world it is that the sensation or feeling of dis-ease embodies – and is itself an awareness of.
Grant awareness to one localised sensation or feeling of dis-ease or discomfort after another, staying with it long enough until it too recalls you to some specific aspect of your life world, present, past or future.
Take time to follow this process through – making sure you attend to every region of your body in the process – until your overall sense of dis-ease lifts and your overall sense of self and body alters – transformed by the very awareness you are granting it.
Remember: only through awareness of your body as a whole can you gain and maintain a sense of your self as a whole – your 'soul'.
When you feel ill therefore, do not focus solely on your symptoms – on localised sensations, thoughts or emotions – but instead seek to maintain a sense of your body, self and life as whole.
If you feel yourself suffering from what you think of as a purely 'mental' or emotional state, remember that every such state is always accompanied by a particular bodily sense of yourself.
Conversely therefore, even if your symptoms seem to be purely bodily, attend also to the thoughts and emotions that tend to accompany them – for these will give you the best clue to the underlying life-problem that they symbolise.
Understand too, that any mental, emotional and bodily state that you experience when you feel ill is at the same time a 'self state' or 'body identity' – a particular bodily way of feeling yourself – who you are.
Attend therefore, not only to the way your symptoms 'make you feel' but to the way they make you feel – the overall sense of self or 'body identity' that accompanies them.
If you can, choose to fully feel and indeed even amplify any felt sensations of dis-ease or sickness symptoms rather than seeking to suppress them.
Trust that any mood or feeling, sense of dis-ease or bodily symptom – if it is given enough time to be fully felt, amplified and inwardly followed – will in time automatically transform itself into a new feeling, a new sense of your body and a new bodily sense of self or 'body identity' – one now free of the need to embody or 'somatise' itself through symptoms of one sort or another.


Carla was born in and raised by her Awesome Mom and Loving Yet Aggressive Older Brother in Hamilton. She studied in Toronto, and lived in Victoria and Montreal before coming home to nest.
Carla works at the Social Planning and Research Council where she does community planning and evaluation about immigration, LGBTQ+ communities, neighbourhoods, and children.


text:
Games Puzzle
247 Sudoku APK Download Latest Version
Tactics For 247 Sudoku
What Is Sudoku?
Download 247 Sudoku APK
247 Sudoku APK Information
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Tactics Of 247 Sudoku
The game with small and well- defined puzzles are known as 247 Sudoku free. It becomes easy for any age of a person to solve the game as soon as possible. It takes no time to figure out the fundamental rules related to the Sudoku game.
It is relatively easy to get 247 Sudoku APK from the Google Play Store, as long as you have a device that can run Android. The only problem with this software is that it is not updated, as it is only updated at regular intervals. But you can still download the software and try it out. You might also be able to find the Android versions of the applications on the Internet, as long as you have done some searching.
It is not a difficult task to find Android applications for your smartphone, as long as you search using keywords like android, or android phone, or android cell phone. It would then help if you typed the application name in quotation marks so that you can easily find the application. You will be surprised by the massive list of these applications that are available on the Internet. In some cases, you will also be able to find apps directly from the Android version. All these applications are designed for the Android platform and are different from the usual Android applications that are available in the market. These apps are mainly meant for the user's particular device, and they can be downloaded from the website and installed on the Android device.
However, to install these apps on your Android, you have to download the APK file from the website, which is the archive that contains all the data you need. Once you have done that, you can start to use the app, which will run in the background while using other apps. This is one of the benefits of this software, as it allows you to stay on your Android rather than switching to other devices and putting them on sleep mode. It is also a great productivity booster because many of these applications have built-in tasks that help you work better, such as crossword puzzles, Sudoku, jigsaw puzzles, etc.
Sudoku's regular game comprises eighty-one blocks and is segregated into nine significant blocks, with each containing nine. Moreover, the game is a perfect way to test and exercise the capacity of a person mentally. However, there is fun on some of the levels of this game. Still, if you have not tried Sudoku's game once, you are at a significant loss of enjoying some of the fun that the set includes.
The year 1979 is when the modern game of Sudoku board built-in. It is a mind game and requires a high level of logic and reasoning to play this game. Not any other sport is good for playing in the leisure time for adults and children. Moreover, it develops critical thinking as well as abilities in any person.
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This game enables one to have some fun and learn something new at the same time. The basic set of Sudoku 247 hard is consists of ten to forty minutes. But the time taken to play the whole game depends on the efficiency and speed of the player. Most of the kids fascinate the kids across the world. So, the game has a significant value in the life of a child.
The word free Soduku 247 is pronounced as "soo-dough-coo," and it is a game based upon the numbers and has become popular day by day from the year 2000 in the western part of the globe. The structure of this game comprises of 9×9 grids and is further divided into 3×3 networks. The game's critical rule is to fill the columns with different numbers from 1 to 9 and one number appears once only.
The complexity of the game changes according to the positions of many digits in the particular cells. Here is the myth that the game involves specific calculations of mathematics but it is not right so. However, it is a single game that requires logical and critical thinking and a single player can play this game alone. The game is very similar to the crossword but here are digits instead of alphabets.
App Name 247 Sudoku
Last Updated Sept. 18, 2013
Apk Size 9.9 MB
Developer 24/7 Games LLC
Operating System Android 4 or Above
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Sometimes the few games of Sudoku 247 easy are tough to manage, so here are some valuable tactics related to this game, which is given below:
Pencil for a beginner: As a beginner, make sure that you can give a chance to this game's professional. It is normal to make mistakes at starting this game because no one is perfect from the initial stage as it is a complex game.
Think before filling the answer: before giving any answers, ensure that the answer is correct and it matches the puzzle in all aspects such as a row, column, or block.
Look at the filled cells: The critical trick to start the game is to choose the blocks where fewer cells are unfilled and it becomes easy for the player to fill the cavities. It is widespread to fill the cell where there are more chances to fill the puzzle and at the right battery quickly.
Scrawl every combination when confused: The player has to focus on the remaining numbers when all the other names are already placed in the cells. Look at one square and try to select the digit, which does not yet appear in any 3×3 grids, rows, and columns. Scrawl the numbers on which you have focused.
Opt for other options: You might get the remaining cells' estimated solutions while solving the 247 Sudoku game. So, go through the various columns, rows, and boxes.
These tactics will be very beneficial for the players of Sudoku games and even beginners also.
247 Sudoku APK Free Download Latest Version| Clubapk.com.apk
The game with small and well- defined puzzles are known as 247 Sudoku free. It becomes easy for any age of a person to solve the game as soon as possible.
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Flattened cylindrical shape. Platform base. Lift lid with oval interior mirror. Main compartment features four sections. Dual necklace doors feature catch panels and house three hooks each. Three open area drawers, plus one ring roll drawer. Carved, antiqued gold tone drawer and door pulls. Hand lined in ivory sueded fabric. Mele & Co. logo plate inside. Made in China. 13 in. L x 6.38 in. W x 10.88 in. H (5.6 lbs.).


One of the unusual aspects of a Herman Miller Aeron Chair is its sizing. Aeron Office chairs are available in three sizes, A, B and C. Size B covers the vast majority of persons (around 90%) with 'A' covering the very smallest percentile and 'C' covering the greatest, heavier percentile. The positive part of this is that the dimensions on the chair are scaled depending on size as is the weight loss for the tilt plus the chairs are suitable for a much broader assortment of people than many other chairs. One negative aspect, and there are only a few, is that the chair relies on the three sizes for seat more detail. There is no seat depth change facility on the chair. Arm rest height is adjusted at the Aeron Chair via two levers on the rear of each arm or, on a few chairs, these levers will be replaced by wheels. Forearms have a good range of shift and move very easily. Upper arm . pads are pivoting simply because standard, although it is possible to order fixed (non-pivoting) upper extremity pads if required. Once positioned inwards, they offer great support for keyboard do the job and when positioned straight or perhaps slightly outwards, they are made for mouse or general function. Arm pads are large and well padded.
Lovingheartdesigns - How to identify black bear tracks and signs. Black bear tracks and signs more bear tracking videos black bear cub tracks all with tracks or paw prints, or nature scenes custom products are available if you don't see the track you want on the product you want, email me and i can probably create it proceeds from all sales go to pay the monthly fees for this web site. How to identify bear paw prints animals. Because a bear's paw is padded, the tracks are almost always deceptively smaller than the actual paw however, by looking at the depth of the print, you can get a rough idea of what kind of bear it is a deeper print is more likely to be a grizzly bear because they will weigh more than a black bear. Bearcat paw clip art bear paw tracks free cliparts that. Adorable mama, papa, and 3 baby bear graphics plus see display 2 mama bear, papa bear, and baby bear scripted lettering designs combine the designs as you like to represent your own family 1, 2, 3 cubs following mama, papa to make your own family decal make your own iron on t shirts with the bear designs, and or the scripted text. Bear paw track ebay. Find great deals on ebay for bear paw track shop with confidence skip to main content ebay logo: area rug runner round lodge cabin bear paw tracks cubs matching set black beige brand new $ buy it now free shipping sponsored bear paw quilt pattern bear tracks by laughing lizzies patterns. Bear tracks and grass tattoo native american bear paw. Stencil rustic bear paw print animal track cabin lodge outdoor mountain country see more bear paw print, bear paw tattoos, bear paws, black bear, gourd, native americans, beadwork, celtic baby bear tattoo bear paw tattoos cubs tattoo dad tattoos cool tattoos badass tattoos tatoos ours tribal paw print clip art. Black bear cub tracks how to identify the tracks of cubs. Black bear cub track in mud: all with tracks or paw prints, or nature scenes custom products are available if you don't see the track you want on the product you want, email me and i can probably create it proceeds from all sales go to pay the monthly fees for this web site you can help support this site as well as get great tracking. Bear tracks boots ebay. Find great deals on ebay for bear tracks boots shop with confidence skip to main content ebay logo: new listing womens bear paw ankle boots katy style size 8 new! brand new new listing 2 pair baby girl's 0 3 mos boots size 2 pink white cowgirl tan suede bear cute! pre owned $9 95 or best offer $5 00 shipping park designs bear. Baby bear paw etsy. You searched for: baby bear paw! etsy is the home to thousands of handmade, vintage, and one of a kind products and gifts related to your search no matter what you're looking for or where you are in the world, our global marketplace of sellers can help you find unique and affordable options let's get started!. Grizzly bear tracks etsy. You searched for: grizzly bear tracks! etsy is the home to thousands of handmade, vintage, and one of a kind products and gifts related to your search no matter what you're looking for or where you are in the world, our global marketplace of sellers can help you find unique and affordable options let's get started!. How to measure a bear's weight from its foot size sciencing. How to measure a bear's weight from its foot size by jae allen; updated april 29, 2018 you can make a reasonable estimate by looking at the size of its footprints or tracks the size of a bear's paws, and the size of the prints it leaves, allows you to make a rough estimate of the bear's size, maturity and likely weight.