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Time's up: Seibold to walk away from Broncos
by Peter Badel, Phil Rothfield, Robert Craddock, Chris Honnery
24th Aug 2020 4:49 AM
Anthony Seibold has almost certainly coached his last game for the Brisbane Broncos. The embattled coach is expected to agree to a $1 million termination deal within the next 48 hours, ending a tumultuous two years at the club.
It is now a matter of his agent Isaac Moses finalising the agreement with the club and his lawyers, and comes as former Brisbane greats call for the return of club legend Kevin Walters to take over.
Seibold would leave straight away and not return to training as scheduled on Wednesday after being in isolation for two weeks.
News Corp understands he made the decision to walk away over the weekend, pending the payout settlement after serving just two years of a five-year contract.
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Anthony Seibold has coached his final game at the Brisbane Broncos. Art: Scott 'Boo' Bailey
The 45-year-old and the Broncos are in negotiations over his future, which have been fast-tracked following a major family drama and the toll of a brutal cyber attack on the beleaguered coach.
Seibold, who has been under immense personal strain, has been given the option of leaving now, less than two years into his five-year stint, and would receive a million-dollar-plus payout for the last three years of his deal.
Broncos chairman Karl Morris had high-level talks with Seibold on Friday when the pair discussed a range of options, including the embattled coach walking away before the end of the season.
It is understood Seibold may have coached his last game for the Broncos, with the 45-year-old no certainty to be in charge for Friday night's clash against the Roosters.
Seibold, eligible to return to the club on Monday after a two-week isolation period which came after he left the Broncos COVID bubble for family reasons, has not been sacked and is not bound to accept the offer.
It's believed Seibold made the decision on his future over the weekend. Picture: Annette Dew
COMMENT: Seibold must quit while he's behind
If he returns to Red Hill this week he could coach the side for their remaining five games and negotiations would recommence at the end of the season, with the only apparent certainty being he will not be at the club next year.
If Seibold accepts the Broncos' offer and resigns in the next few days, the club may well keep caretaker coach Peter Gentle in charge for the rest of the season given there is nothing but the dreaded wooden spoon at stake.
The club is aware of the acute emotional stress Seibold has been under in recent weeks, with a serious family issue and a vicious cyber attack compounding the pressure of the Broncos' worst season in which they have won just three of 15 games.
Broncos coach Anthony Seibold has been offered a payout.
Initially the plan was to revisit Seibold's future at the end of the season but Seibold's off-field dramas have prompted a rethink and the offer is considered a potentially softer landing for the coach and the club.
If Seibold departs, the Broncos will be in no rush to hire a new coach, with Walters and Paul Green the standout candidates.
Former Broncos enforcer Glenn Lazarus believes Origin coach Walters, who missed out on the job when Seibold was appointed, deserves his chance.
Anthony Seibold has been offered a golden handshake. Picture: Annette Dew
"Kevvie is the man, he is the perfect guy to come in and address some of the issues at the club," Lazarus said.
"I don't believe the players are happy there, that's obvious in the way they are playing.
"Kevvie would bring a real injection of enthusiasm. The Broncos need someone who understands the DNA of the club and Kevvie knows the club inside out. He would turn the place around.
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"It won't be a quick fix no matter who goes in, but Kevvie is a Broncos legend and would have the support of every Broncos fan.
"He took a hard stance as Queensland coach for standing down all those young bloke a few years ago so Kevvie has shown he can make the tough calls.
"He loves the club and would be hurting more than most."
Walters' twin brother Kerrod believes Kevin could handle the role he has coveted for his entire coaching career.
"I think Kevvie can do it," Kerrod said.
There is a push for Kevin Walters to score the Broncos job. Picture: Richard Walker
"In the words of Ivan Cleary, if there was a bus it would be full.
"It will be a tough gig but Kevvie loves the club. He is passionate and had success as a player. He knows what it takes.
"He's worked with some of the best coaches in the game and his Origin experience has been good.
"He took over a team at the end of an era, won his first two series and the last two have been very competitive coming down to the last minute.
"It's time for him to get his opportunity."
Originally published as Time's up: Seibold to walk away from Broncos
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Well, today 26 people came to the Cartoon Art Museum to create comics and art. Members of the Cartoonist Conspiricy San Francisco joined with the Cartoon Art Museum Bookstore for a Comic Jam.
Starting at 11 am artist begin to arrive at the Museum and were given a special custom lanyard while we finished setting up in the Museum's lobby.
First off, artist were invited to help design the Bookstore's online persona 'Sparky Joe.' Sparky Joe is a mash up of Olive Oyl, Wendy the good little witch, wolf girl from Lil' Abner, and Disney's version of Tinkerbell.
At noon we started the comic jams. One table did a series of illustrations that had an adventuring girl over the course of a day. The other table had two groups who worked on comics on Sticky Notes. The Sticky Notes allowed for us to create a collaborative story that can be rearranged and adjusted creating a more solid tale. The jams will be on-line in the next few weeks.
Later in the day we tried something new, Speed Comic Jams. We took pre-printed pages with three cinema scope panels and posted four of them on a tablet on a stand. The first time had each artist taking turns filling in the panels one by one with only one minutes per panel. We drew in pencil with a random theme with the words: Cinderella and Detective Tale. That produced loose rough drawings. The next version had two artist drawing two pages at the same time with two minutes per panel. The theme was Glam Rock Beach party. This time we drew with Sharpie pens which made the artist work simpler and cleaner. We did the challenges a few more times, finially returing to panel by panel at two minutes a time.
Around 4pm we had a few more artist finish some "Sparky Joe" drawings and then at 5pm we all voted along with shoppers in the Bookstore. Manager Heather had a hard time picking from all the designs so this made it easier. In the end there was a three way tie, so we had another round of voting with the winner being artist Audry Soffa (of the web comic the Bunny System) who's art will be uploaded soon to Facebook.
If you want to be a friend of the Cartroon Art Museum Bookstore, just search Facebook for Sparky Joe or you can follow on Twitter as well.
It seemed that everyone had a really good time and we were really productive. We hope to have some comics on-line soon and look forward to returning to the museum sometime soon.
Is anybody interested in showing at the 2009 CCCC show in Winnipeg, CA? I've signed up and if someone else was interested in ride-sharing, I would be happy to have him/her along to split gas and lodging. The Artist Tables are free of charge and they provide snacks to the artists. email "Maria" to get yourself setup; her email is: cencon@mts.net. You will need a passport to get into Canada. Damn Terrorists.
little funny is intended as a prominent "sideshow" to the upcoming BIG FUNNY project. little funny will be a series of mini-comics sold in an old cigarette vending machine at Altered Esthetics during the month of the BIG FUNNY show. No entries will be rejected provided they follow the specs (these comics need to be a specific size to fit inside the boxes in the vending machine).
DOWNLOAD THE TEMPLATE. The template includes a little funny logo on the front and back covers. One double-sided copy makes three copies of a 10-page accordion style micro-comic (or, alternately, 3 different issues).
Email us at webmaster (at) cartoonistconspiracy.com for an issue number. little funny will be a numbered series. Make sure to put your number on your comic. If you choose to do multiple issues, you'll need a number for each different issue.
Draw your comic. Make sure to sign your work and include your contact info on it if you want to.
Make copies of it. Copy, fold and staple them.
In addition to the comics please include your name, address, phone number and email address.
DEADLINE FOR PARTICIPATION IS JULY 20th.
Each participant will receive one vending box of minis… how many minis are included in a box will depend on our level of participation. No box will contain all of the minis. Each participant will be responsible for picking up their box some time during the month of the show, or for making special arrangements if they can not attend.
Participants names will also appear on the BIG FUNNY website as being a part of the little funny show.
These comics can be by a single artist or be collaborative.
You can do as many issues as you wish… if you want to do more than one, just ask us for another number.
Comics may be color, or black and white, or on colored paper, or decorated with glitter glue, or painted or whatever the hell you want to do as long as you stick with the basic template.
Two sets of all the comics will be kept for the Conspiracy archives.
All proceeds from the comics will go to support the gallery, Altered Esthetics, which is a non-profit, community and artist centered gallery. You can read more about AE here.
CCSF Comic Jam at the Cartoon Art Museum Bookstore.
Collaborative Jam Comic on Sunday May 31, 2009.
Details of featured artists will available soon.
Big congratulations to Conspirators Ken Avidor and Kevin Cannon on both winning a gold in the Society of Professional Journalists Page One Awards. Ken won a gold (with Steve Kaplan) for best commissioned illustration for his piece The 2008 Republican National Convention: A Graphic Novelette. Kevin won a gold for best Editorial Page Cartoon for his piece Xcape from Xcel (done for the City Pages Comix Issue last year). Nice work, fellas!
More "graphic" than "novelette," Avidor and Kaplan do a nice job summing up the RNC in a format that gives the reader the gist of the event far more efficiently than paragraphs of prose would do. Well done.
This is not a "get it at a glance" editorial cartoon. The detail and thought that went into it took some time to appreciate. The political faces are well done. Just the idea of politics as a game gives this another level of meaning. We identify with "electrocuted while punching a TV"!
Read more at the Big Time Attic Blog here.
Hey all, passing on info on an upcoming Anthology produced by Bay Area artist Erin Milligan.
These are just the general guidelines.
Submission format: Black and white. Please submit all files as 300 dpi TIFF files.
Length: 4 to 12 pages per story.
Reimbursement: You will be able to buy it off me for a set price**; any profits you make off of the book are yours to keep. You may sell the book at conventions, at shops, and/or online.
Rights: You may not submit the same story to other publishers until nine months after the anthology has been printed. Also, you may not post more than half of your story online until that nine month period has passed.
See this coffee shop? Its called Diamonds(http://www.diamondscoffeeshoppe.com/) . Its where the MPLS cell holds it's monthly meeting. It's also where this weekend we will be having a "gallery show", promoting our group, drawing, and selling our various comics during Northeast Minneapolis' annual ART-A-WHIRL (www.nemaa.org).
Friday from 5-10pm, Saturday from 12-8pm, and Sunday from 12-5pm.
Stop by and say "Hey" on your whirly tour of Minneapolis art.
7000 BC will have a table at the Albuquerque Collectors Con on Sunday, May 17 at the Sandia Courtyard (formerly the Howard Johnson's) at I-40 and Eubank. We'll have comics from the group and be doing sketches and caricatures.


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Paid PlayStation Plus subscription required for online multiplayer
Dead by Daylight: Special Edition
Starbreeze Publishing AB
Full Game Released Jun 20, 2017
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Death Is Not an Escape.
Dead by Daylight is a multiplayer (4vs1) horror game where one player takes on the role of the savage Killer, and the other four players play as Survivors, trying to escape the Killer and avoid being caught, tortured and killed.
Survivors play in third-person and have the advantage of better situational awareness. The Killer plays in first-person and is more focused on their prey.
The Survivors' goal in each encounter is to escape the Killing Ground without getting caught by the Killer - something that sounds easier than it is, especially when the environment changes every time you play.
Online features require an account and are subject to terms of service (playstationnetwork.com/terms-of-service), privacy policy (playstationnetwork.com/privacy-policy), and the game publisher's privacy policy.
Network Players 2-5 - Full game requires PlayStation®Plus membership to access online multiplayer
15GB minimum save size
Online Play (Required)
© 2015-2017 Behaviour Interactive Inc. All rights reserved. Developed by Behaviour Interactive Inc. and published by Starbreeze Publishing AB. Dead by Daylight and their respective logos are registered trademarks of Behaviour Interactive Inc. All other trademarks are properties of their respective owners.
Dead by Daylight: Cursed Legacy Chapter
Dead by Daylight: STRANGER THINGS Chapter
Dead by Daylight: Ghost Face®
Dead by Daylight: Ash vs Evil Dead

redpajama_set_name: RedPajamaCommonCrawl


Important reminders for us all! The good news is that there's room for improvement!
Gary- Very informative. When will you be offering a webinar to us? I can't speak for the rest in your audience but I for one would love to attend such an event.
Practice is the key and a "dress rehearsal" is even better, especially when there are multiple people that will be presenting. If the other presenter is remote, then the hand off must be smooth, it almost never is real smooth, but a practiced segway should help.


Looks like human enemies are not the only ones our military forces should be on the lookout for. In 2015, a pair of United States Navy pilots were stunned to see an unidentified flying object over the South California coast.
In 2015, U.S. Navy pilots were flying off the east coast aboard the Boeing F/A-18F Super Hornets when they encountered fast-moving white object hovering above the surface of the water.
The release of the video came on the heels of Pentagon's announcement that it had decided to halt their program that was aimed at identifying unknown objects in aerospace.
The video, which is named Go Fast, was made public last March 9, 2018, by To The Stars Academy, an organization of experts that analyze and submit reports on anomalies including unidentified aerial phenomena and unidentified flying objects. The group's members include the former head of Pentagon and former Blink182 singer Tom DeLonge.
"Go Fast" is not the only footage ever obtained on UFO. It was recently revealed that more videos showing U.S. Navy pilots' encounter with UFO and close sightings of the same were in Pentagon's possession.
The clip has now gotten more attention than expected, but Elizondo said that not even them are certain about whether the object is indeed an extraterrestrial craft.


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Peace Protestor Memorial
On 9 August 1914, five days after Britain declared war on Germany, a massive peace demonstration was organised in Glasgow Green to protest against the complex aims of the war.
"The monument was designed to reflect the remarkable hope, optimism and sense of justice the protestors embodied at one of the darkest moments in world history."
Meetings and mass protests were repeatedly staged across the city throughout the following years but were largely ignored by the mainstream press. Some of the most prominent of these anti-war campaigners are now written into Glasgow's history, such as Jimmy Maxton, Keir Hardie and Mary Barbour.
We were commissioned to design a permanent memorial to honour those who campaigned for peace and to acknowledge the role they played in promoting social justice in Glasgow.
The memorial has been placed near the People's Palace in Glasgow Green. The inscription reads: "In memory of those who opposed WW1 in order to challenge the purpose of the war and the waste of lives. They also campaigned for social and economic justice and against the exploitation of those who lived in the city during the war."
The monument - a black granite tablet bearing a reflective stainless steel medallion - was designed to reflect the remarkable hope, optimism and sense of justice the protestors embodied at one of the darkest moments in world history.
More on bbc.co.uk
Common Weal
Voices for Scotland
BBC4: The Beauty of Diagrams
INSP Awards 2018


Seoul (AFP) - US President Donald Trump arrived home Wednesday, insisting his historic summit with Kim Jong Un had ended North Korea's nuclear threat and the world could sleep safer.
"There is no longer a Nuclear Threat from North Korea," Trump tweeted as Air Force One returned from Singapore.
North Korean state TV, for its part, hailed Kim for "opening a new chapter" in relations with the US. Official media reported that Trump had accepted an invitation during Tuesday's summit to visit the North.
Critics have said the unprecedented encounter was more style than substance, producing a document short on details about the key issue of Pyongyang's atomic weapons.
The first-ever meeting between sitting leaders of the two Cold War foes meant "the World has taken a big step back from potential Nuclear catastrophe!" he said in an earlier message.
In their joint statement Kim agreed to the "complete denuclearisation of the Korean Peninsula" – a stock phrase favoured by Pyongyang that stopped short of longstanding US demands for North Korea to give up its atomic arsenal in a "verifiable" and "irreversible" way.
The North's official KCNA news agency described the summit as an "epoch-making meeting" that would help foster "a radical switchover in the most hostile (North Korea)-US relations".
It said the two men "gladly accepted" mutual invitations to visit each other's countries.
KCNA also asserted Trump had "expressed his intention" to lift sanctions against the North – something the US president had told a blockbuster press conference would happen "when we are sure that the nukes are no longer a factor".
One showed a smiling Kim shaking hands with Trump's hawkish National Security Advisor John Bolton, who has previously advocated military action against the North, which in turn has referred to him as "human scum".
In Pyongyang, commuters crowded round the spread of images – the first they had seen of the summit, for most of them.
U Sung Tak, 79, said the future was looking "bright" because Kim was "leading the world's political trend on the Korean peninsula, steering the wheel of history".
Pyongyang has reason to feel confident after the meeting, where the leader of the world's most powerful democracy shook hands with the third generation of a dynastic dictatorship, standing as equals in front of their nations' flags.
Japan's Defence Minister Itsunori Onodera pointedly said the drills played a "vital role in East Asia's security".
Only a few months ago, Kim and Trump were swapping personal insults such as "dotard" and "little rocket man" and the North conducted its sixth and most powerful nuclear test, as well as firing missiles over Japan.
Kim Jong Un agreed to the "complete denuclearisation of the Korean Peninsula", a stock phrase favoured by Pyongyang that stopped short of long-standing US demands for North Korea to give up its atomic arsenal in a "verifiable" and "irreversible" way.
Trump vowed to rain down "fire and fury" on Pyongyang if it threatened the US but instead in Singapore it was compliments that flowed, as the president described Kim as "talented" and said they had forged a "special bond".
After a day filled with smiles and handshakes watched around the world, the US "committed to provide security guarantees" to North Korea.
The Kremlin welcomed the summit as the start of direct dialogue and said such meetings "help reduce tensions on the peninsula".
"It was a great photo-op. But the substance needs to be followed up," Akira Kawasaki, from the ICAN anti-nuclear group told AFP.


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What Artists Really Think of Studio Visits
By Walter Robinson
The author in his studio
I had been working in my new Long Island City studio for three or four years, trying to figure out what to paint, when a few months ago I began to have some studio visits.
When asked for advice over the years, I had always told young artists, "Just keep working, and when the art world wants you it will come and get you." So I took my own advice, and refrained from going so far as actually soliciting any visits to the studio.
I let people invite themselves. Since I had recently lost my job as editor-in-chief of Artnet, some of my acquaintances were curious about what I was up to. I also had an advocate, a friend and colleague who likes to rest his fingers on the levers of the big art machine. He is my own Machiavelli, and dispatched my first pair of studio visitors, a Chelsea gallery team who I've known for decades.
I wasn't expecting anything in particular—they were old friends who were just dropping by, after all—so I was amused at their reaction. The first thing the senior member of the pair did was to look around and say, "Hmmm, let me think, who would be good for you?" In other words, some gallery other than theirs.
Now, an artist in such a situation wants unqualified praise, naturally enough. But an art dealer must navigate with more care—because sometimes a mere smile can be mistaken as a promise. Practiced hands at the studio-visit business, these two knew how to put the hard truth out there right away, with as much grace as an artist might expect.
Another early volunteer was my former Artnet boss Hans Neuendorf, an art dealer and art-world visionary of long standing who had pioneered the move of the art business into the digital space. For 16 years he had supported the online art magazine I edited. When he finally decided to pull the plug, he phoned me and said, "Walter, I hope you're enjoying working in the studio—because you're going to have more time to focus on your art career."
He took a lot of heat for what many thought a wrongheaded move. Me, I was happy. He had changed my life twice, once when he hired me and again when he fired me, both times for the better.
Anyway, after that he more or less invited himself out to the studio. My work space was fairly cluttered, with paintings from different series hung here and there and sitting stacked against the wall on the floor.
He adopted a consultative attitude at once, going right to questions of inventory and strategy. "There's too much," he said. "The collectors will be confused. You have to make it simple for them." In his view, the question was one of branding. "Once your brand is established, then you are free to do other things."
He ended up buying a painting, and I gave him a great discount. As everyone knows, collectors don't want a deal, they want a steal. And as another dealer told me way back in 1981, when he put up a group show of works by some of my gang, "There's plenty more where that came from, right?" Thirty-two years later, I can only wish that it were so.
Still another dealer, a cordial acquaintance of many years, requested a studio visit, also with no entreaty from me. He specializes in a certain type of muscular painterly abstraction, which is not my métier, unless you're thinking of the spin paintings I made in the mid-'80s. I wondered whether he was seeking to expand his gallery's repertoire.
He came over and right away I could tell he didn't care much for my stuff. It must have been his stony silence.
"You don't like it," I said. Art lovers would rather not think that they are entirely transparent, and he demurred, asking that he be allowed to sit and look. He reminded me that Barnett Newman, for his visitors, would provide a chair positioned in front of a single painting. Another vote for a less cluttered studio presentation.
I took their advice in advance of a later studio visit, this one by a young artist and dealer team who were putting together an exhibition for a Chelsea gallery. I stashed everything in the back except for the "romances," the paintings of people kissing that were perhaps my most popular works.
As you might guess, the two curators took it all in with a glance and immediately asked if they could rummage through the stacks. For a show about spectacular culture, they wanted more variety, not less, and took away a dozen different works.
I was pleased. (Artists like to be authentic, not calculating.)
Different altogether was the art consultant, trim and tanned and apparently in a rush, who came straight from yoga class with an assistant in tow. She darted about the room, taking snaps of works that she thought looked promising. "I have a client who is re-doing her kitchen, this might be good," she said, eyeing some small paintings of cookies and cakes.
Nothing has come of that, yet. I do have pictures of food for the kitchen, and a little erotica for the bedroom. The question is, I guess, what do I have that goes over the couch?
SEE PHOTOS OF FAMOUS ARTISTS IN THEIR STUDIOS AT RIGHT
Walter Robinson is an art critic who was a contributor to Art in America (1980-1996) and founding editor of Artnet Magazine (1996-2012). He is also a painter whose work has been exhibited at Metro Pictures, Haunch of Venison, and other galleries; he recently had a critically acclaimed show of new work on view at Dorian Grey Gallery in New York's East Village. Click here to see his previous See Here column on Artspace.
True Tales of '80s Art Stardom in Eric Fischl's New "Bad Boy" Memoir
Judging an Artwork by Its Cover at Richard Prince's New Gallery
The Met Dresses for Success With an Impressionist Fashion Show
How I Learned to Love Art Fairs


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Médecins Sans Frontières: Half a Century of Humanitarian Action
The organisation reaches the most inaccessible crises by combining action and denunciation
Cristina Mas
Wave of displacement in the town of Bouca (Ouham region) in north-eastern Central African Republic (CAR), following clashes between reported anti-balaka elements and ex-Seleka forces last week Juan Carlos Tomasi / MSF
BarcelonaAlbert Viñas is a 62-year-old from Sabadell who has been working as an emergency coordinator for Médecins Sans Frontières (MSF) for two decades. The compilation of the 48 missions in which he has participated is a compendium of the worst humanitarian disasters that the world has suffered since the turn of the century: famine in Kenya, war in Angola, massacres in Darfur, an earthquake in Haiti, the latest jihadist offensive in Mozambique or the current crisis in the Ethiopian region of Tigray. Next week he will travel to South Sudan. He could explain a thousand terrible situations that he has lived in his own skin, but instead would rather tell a positive story: "In 2003, in the Democratic Republic of Congo, there was a little girl who had lost her speech after her parents were killed. I was going from here to there and one day when I was taking her there she said to me muzungu, which means white man, and that's how she started speaking again.
The worldwide pandemic has put global health on the agenda, a concept that the organization has been wielding for many years. And it is in this context that MSF is currently commemorating its 50th anniversary, a milestone that David Noguera, who a few weeks ago ended his term as president of MSF Spain, says has a bitter aftertaste: "We really like what we do, but the best news would be if we could cease to exist... because all the crises in which we work would be avoidable. We have resources so that they don't happen, and if they do, it's because those who have to make the right decisions don't make them".
April 13, 1994. Rwandan refugees on the border between Burundi and Rwanda Xavier Lassalle / MSF
This is exactly what is happening with the pandemic. As the WHO denounced just a few days ago, enough vaccines could have been manufactured next quarter to cover the entire adult population of the world, but rich countries are hoarding them to administer third or fourth doses or immunise children, which only prolongs the crisis. "Until patents are released and everyone can be vaccinated, the problem will not be solved. A few days ago a Chadian colleague died of covid who had not been able to get vaccinated, because there are not enough doses even for health workers, who are the main containment barrier in the global south", says Paula Gil, who has taken over the presidency and has become the first nurse to take on the top job at the Spanish branch of the organisation, after last year the statutes that limited the position only to doctors were modified. "It is a source of pride, at a time when nursing is suffering so much," she says.
Noguera admits he still hasn't recovered from the blow they suffered in June, when three of his colleagues were killed in Ethiopia's Tigray region. "I'm still in the process of mourning, anger and frustration, because it's so cruel, so unjust...". And it is not the first time that aid workers pay with their lives for their efforts to assist the most vulnerable in the most difficult moments. On the contrary, the contexts are becoming more and more complicated.
From Biafra to the commitment to speak out
When MSF was founded in 1971, conflicts were being sorted out in the Cold War equation between the two great world powers. Then a group of French doctors and journalists who had worked with the Red Cross's International Committee in the war in Biafra (Nigeria) decided to take a step forward and when they returned to Paris they broke their commitment to confidentiality to denounce to the world what they had seen. It was not enough to save lives: rights violations had to be denounced, public opinion had to be mobilised and aid had to be professionalised. From a cold war scenario we have moved to a multipolar one, where there are no longer local conflicts, because all of them are subject to interferences and crossed interests, players accumulate and the solutions become more complicated.
View of an Ethiopian refugee camp. After Somali forces invaded the region of Jijiga and Harare, several thousand people took refuge in refugee camps on the border with the Ali Sabieh district MSF
Since the "war on terror" launched by the United States at the beginning of the century, the major powers have linked humanitarian aid to political objectives, which has put aid workers in the spotlight.
Since its origins, the organisation has been characterised by a particular way of understanding the medical profession and the need to combine it with a denunciation that points the finger at those responsible for humanitarian disasters. This is why they were expelled from Ethiopia in the 1980s, when they denounced that the big organisations were using humanitarian aid to force migrations. A few years later, in the Balkan war, they discovered that their presence could not prevent indiscriminate killings of civilians, when people went to MSF hospitals not for medical help but for protection. In the Rwandan genocide, 250 members of the organisation died in a military intervention.
The neonatologist in Aleppo
Mercè Rocaspana, a nurse from Sant Cugat who has worked for the organisation for almost twenty years, has witnessed first-hand how things have changed for aid workers in the post 9/11 era. "Everything has become more difficult because humanitarian aid has got mixed with political and military strategies, and now it is very difficult for people to understand that we are neutral and independent of any political power. We make a lot of efforts to have good security protocols but in the end what protects us most is the acceptance of the population we work for. You have to strike a difficult balance between staying out of harm's way but being close enough to the people who are suffering.
Despite having seen the worst humanitarian disasters in Africa, Rocaspana admits that "you never get tough enough". "When I arrived in Syria it seemed to me that in a decade of experience I had never seen a real war," she admits. The weeks she spent in Aleppo, the northern Syrian city that resisted Bashar al-Assad, Russia and Iran's bombardments until the very end, left a mark on her: "The Syrians had a life like ours and we got very emotionally involved. I remember very much one day when we visited a bombed hospital and met a neonatologist who told us that he would not leave as long as there were children left in the area... and it is inevitable to ask yourself what you would do if this happened back at home."
And how does one endure living on the front lines of such tragedy? Noguera shuns the stereotype of the self-sacrificing aid worker. "Is it hard? Yes, but it also burns to get up early every day to go to work in the factory. I do what I do because I have decided to do it voluntarily. We take a big risk, like firefighters or deep-sea fishermen do every day: we are not green berets or martyrs, nor are we better or worse people for doing what we do. For me, having spent twenty years doing what I have done has been a privilege, which has given me another perspective of the world". For Rocaspana, the key is to follow the advice given to her by a veteran colleague when she was just starting out: "You have to enjoy here when you are here and there when you are there; be aware of where you are at any given moment and know how to see the positive things when you are surrounded by so much misfortune". She tries to see in every life saved a colossal victory, because "if you don't have the capacity to see the good things, so much pain ends up getting inside you".
With the flag of independence
Political independence has been one of the great banners of the organisation, which has functioned as a compass in the most difficult places. In 2016, for example, MSF renounced all funding from the EU and its member states in protest against European migration policies and the shameful deal to deport refugees to Turkey. This independence is possible thanks to its seven million members worldwide (86,000 in Catalonia).
Gil starts her mandate with many challenges on the table: the pandemic, increasingly dirty conflicts that hinder humanitarian access to the affected populations, and the impact of climate change, which in some places like Yemen or the Sahel is already causing problems of access to food or water. All this in the context of the growing strength of far-right discourse in Europe that "insults us, degrades people and creates much more insecurity for the populations and the organisation".
MSF supports the Ebola Transit Centre in Bunia. Medical and hygiene staff don PPE to enter the high-risk area of the Ebola Transit Centre in Bunia PABLO GARRIGOS/ MSF
But in addition to responding to the new threats of today's world, MSF is also facing internal changes such as a paradigm shift to work "closer to communities rather than just from hospitals that many people can't reach" and to a "less top-down point of view, involving communities in deciding what kind of help they need". This means continuing the decentralization effort and gaining in diversity (MSF's 65,000 workers worldwide are of 170 different nationalities), while continuing to reinforce security measures. At the same time, Gil also has as a priority a zero tolerance policy against sexism, racism or any form of discrimination inside the organisation.
cooperation international cooperation solidarity humanitarian aid


I recently read this Pietro's post about a possible adaptation of the "Chain of responsability" pattern: the "Set of responsability". This is very similar to its "father" because each Handler handles the responsibility of a Request but in this case it doesn't propagate the check of responsibility to other handlers. There is a responsibility without chain!
In this article I'd like to present the usage of this pattern in an IOC Container, where the Handlers aren't added to the HandlerSet list but provided from the container. In this way you can add new responsibility to the system simply adding a new Handler in the container without changing other parts of implemented code (es. the HandlerSet), in full compliance with the Open closed principle.
For coding I'll use the Spring Framework (JAVA) because it has a good IOC Container and provides a set of classes to manage with that. Inversion of control principle and the Dependency Injection are first class citizens in the SpringFramework.
Here is the UML class diagram with 3 responsabilities X,Y,Z and a brief description of the solution adopted.
@Component annotation on XHandler tells to Spring to instantiate an object of this type in the IOC container.
CtxHandlerManager works like an Handler dispatcher. The handle method finds the Handler and calls its handle method which invokes the doSomething method of the Request.
In the findHandler method I use the Spring ClassPathScanningCandidateComponentProvider object with an AssignableTypeFiler to the Handler class. I call the findCandidateComponent on a basePackage (the value is set by @Value Spring annotation) and for each candidate the canHandle method check the responsability. And that's all!
This solution let you to add new responsibility simply creating new Request implementation and a new Handler implementation to manage it. By applying @Component annotation on the Handler you allow Spring to autodetect the class for dependency injection when annotation-based configuration and classpath scanning is used. On application reboot, this class can be provided by the IOC Container and instantiated simply invoking the HandlerManager.
In the next post I'd like present a possible implementation of a Component Factory using the "Set of responsability" pattern in conjunction with another interesting pattern, the "Builder pattern".
So it is: three months ago I joined a new job position, switching from a big company to a little, agile one, after more than eight years of distinguished service :-).
Furthermore: I switched from a Java and JEE - centric technological environment to a more rich and various one - yet .NET and C# oriented.
So, my Java Peanuts will maybe become in the future C# Peanuts (or Node.js Peanuts, who knows...) or, more generally, Programming Peanuts: for the moment I'm still planning a little post series about my way from Java to .NET, so... if you are interested... stay tuned!
I like TDD and testing automation and I'm used to consider essential a toolset providing automation for unit, integration, system tests and for code coverage analysis.
Feel free to checkout my sample and to adjust it to your needs!


The CEO of Dmark Beauty Corporation and Derm Asia Corporation, Ms. Nikki Tang, was featured The Philippine Star's Lifestyle section last February 3, 2018 for her various achievements and endeavors. A few of which include her appointment as a Fellow of Royal Institute of Beauty Care, the talk she gave at the Philippine Association of Primary Skin Health Physicians, Inc. or PAPSHPI on being a Beautypreneur, and her being recognized as one of the 100 Most Influential Filipina Women in the World Award (Global FWN100 Award), given by the Filipina Women's Network. These awards and acknowledgements serve as a reminder for Ms. Nikki to keep searching for innovations and solutions in the beauty industry, and to always seek excellence.


This Flat-Panel Mount (VFM) is quick and simple to install. It fits any display which uses a standard VESA mounting configuration up to 200 x 200 mm. It also supports TVs which have mounting points 200 mm wide x 100 mm tall. Suited for mounting professional displays in the office, or mounting a TV at home.
Most desktop monitors are very lightweight, but interactive displays and kiosk touch-panels are much heavier. This product can easily support most monitors from 14″ to 42″.
The screws included to fix the display are thumbscrews for fast tool-free assembly.
The thin design holds the display just 13 mm (0.51″) off the wall. This looks better, reduces snagging risk, and because the load is close to the wall the mount has a higher safe working load rating.
Once in place a locking screw is fitted to avoid theft.
Mount the display portrait-style or landscape style as required.
A proven 2-part design allows fast fixing, with slotted holes on the wall part allowing leveling adjustment after fixing.


text:
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Terminator 2: Judgment Day: An Appreciation
May 15, 2011 in Commentary | Tags: Arnold Schwarzenegger, Cyberpunk, Edward Furlong, Future, James Cameron, Linda Hamilton, Robert Patrick, Sci-fi, Sequel, SF Canon, Tech-Noir, Terminator | 1 comment
A look back on the various movies that recall why I like movies any. This week, it's one of the most important films from my childhood, and easily Cameron's best directorial outing…
The Dreckulative One Year Anniversary has come and gone, and it has left me thinking about why I had started the site, and why I continue to post on it. The mission statement is at the bottom of the page here, and says something to the effects of: I want to legitimize the genre of science-fiction in film for the hearts and minds of people everywhere. Alright that's fair – sci-fi gets a bad rap, and maybe undeservedly – but why? Why do I want to do something like that when I could just as easily – or perhaps, as some might say, easierly – not do it?
Because science-fiction is something that is significant to me, and I could never, ever say that to anybody except for you and through this medium of text. Out loud, that might sound strange. On paper, or screen in this case, it could almost be misinterpreted as mild. As a kid, I grew up watching what I consider to be the classics of sci-fi cinema, and this is the reason why I envision my idealized personal film (if ever I was to make them) as a science-fiction one, and why seven or so of my top ten are science-fiction. The other angles of the speculative fiction triangle, fantasy and horror, never appealed to me. Fantasy always struck me as uninteresting, and when Harry Potter came out and I distilled an entire genre down to wizards and trolls, that went doubly so. Fantasy to me was something for kids only. Of course, I never once thought that science-fiction might be too.
And horror never interested me because simply put – I was a pussy. I was afraid of many things that happened in movies: aliens (which is odd*), ghosts (because if they're real, then that's the worst thing ever), demons, and dying. I guess the last one is kind of understandable.
So fantasy was for children. Science-fiction on the other hand, was my bread and butter when I was a young youth, and even now as a youth. Movies like Robocop, Jurassic Park, The Matrix, and the two Terminator movies convinced me that robots and science were cool and meant violence, which I also liked a lot. It wasn't until I saw Ghost in the Shell (1995) in mid-high school that I understood the literary potential the genre had on the screen, but you'll have to wait until the Ghost in the Shell Franchise: An Appreciation post for that story.
Even to this day, probably my favorite moments in movies are the future war sequences in the first two Terminator movies – seeing the field of skulls driven over by giant tank robots, all the pink lasers going back and forth with extremely unthreatening sound effects, the grittiness and the darkness, the overall spectacle – it's a blast of nostalgia every time I even think of them. These were the moments that crystallized my early love for the genre, and captured my imagination unlike any other movie would until Ghost in the Shell 2.
Indeed the first two Terminator movies effected that adoration of science-fiction, and it didn't hurt that they were such good films, it even got across to an idiot kid they were good. I remember not liking 2001, Blade Runner, Princess Mononoke, even the original Ghost in the Shell, because I was either too young or too stupid. No joke.
The Terminator is an incredible film, a perfectly paced chase movie with great imagery (the middle future flashback with the Terminator infiltrator shooting the mini-gun and all you see is his silhouette and two red eyes is pretty cool) and a memorable ending sequence assisted by robotic stop-motion. Michael Biehn, like Sam Neil, was to me the essential film hero, and Arnold Schwarzenegger was and always will be my favorite star. He's got it all – the presence, the one-liners, the ability to dual wield a machine-gun and a shotgun – and the supporting cast was also good, especially Lance Henrikson, a fan favorite for his role as Bishop in Cameron's next movie.
Terminator 2: Judgment Day was all this and more. It was a relentless machine-gun hail of set pieces that seemed to be in some fierce competition with each other to be the absolute best. A mindless action movie can be a great movie if the action is good enough. Think Punisher War Zone. An action movie can be great if the action is good enough, think Die Hard, a thoughtful action movie can be great if the action is good enough, think First Blood. A sci-fi action movie that's mindless can also be great – Doomsday – now let's take the best of these categories: Terminator 2 is a thoughtful sci-fi action movie with action that is good enough, making it a triply great movie.
Dr. Silberman makes a reappearance as the snarky psychologist or whatever he is, and he's the first antagonist Sarah Connor must deal with. Ultimately he is overshadowed by the T-1000, one of the coolest special effects and villains to hit the big screen. How could the outdated T-850 from the original film overcome this new threat? Well, plot armor… But also, with the help of both Sarah Connor and young John Connor, a character who's never been as good as he was in the original T2. The grand sense of adventure in this movie moves the plot along with ease as these characters meet up and conflict, and we learn that the T-1000 isn't just dangerous because he can be the floor – or you – but because he kills everybody he meets, and the Arnold Terminator is more human than meets the eye. Maybe not more human than human, but he's only learning. He was designed to kill, and he's just been told not to. Intriguing…
Maybe not high science-fiction, but it doesn't need to be. It still makes for one hell of a movie. And the T-1000 is one hell of a villain. Not my favorite, though I do like Robert Patrick. I would throw the T-1000 in direct comparison to another robot villain I've been thinking about for awhile now after having seen Star Wars Episode III again recently, and reminding myself just how much I actually liked it – General Grievous. Visually, Grievous is one of the coolest designs for a character ever. But he was written as a coward, and that disappointed me heavily. He was not a threat, he was not imposing – when Obi Wan was going for the showdown halfway through the film, the outcome was a given fact, and there was no dramatic weight behind the spectacle of the fight. T-1000 on the other hand is somebody who you almost don't want the characters to have to deal with, because you know that he's capable of so much.
And he does do a lot to poor old Arnold, who loses a limb in his wordless fight with the other robot. They're programmed against each other, and like computers, they don't exchange pithy dialogue or play pranks like in T3. The duel at the end of the movie is also superior to the one that ends T3 – the effects are better, the choreography is better – and the environment it takes place in offers a very atmospheric and explosive setting for these two to duke it out in.
This was back when James Cameron was making movies to make good movies. With the release of Avatar, he seems to be making movies to make good money-making movies. Avatar wins the popular vote on financial terms, but it's as smart as something that is not smart. Terminator 2 is smart, not necessarily intelligent, and succeeds – and exceeds – at everything it attempts. This is truly science-fiction filmmaking at its best.
*For a long time I was terribly frightened of aliens, and especially the aliens from the Alien franchise. I thought that if those things were real, then we were really fucked, and I had never ever seen a single alien movie. I'm sure that would've done me in – seeing what these aliens actually did to people. I just didn't like how they looked, they were freaky. Then one day a switch flipped and I thought these things were so aesthetically pleasing perhaps they were worth a second look. To this day I've always considered the Alien franchise the best science-fiction has ever produced.
As though the genre produces movies


SCons comes pre-packaged for installation on a number of systems, including Linux and Windows systems. You do not need to read this entire section, you should only need to read the section appropriate to the type of system you're running on.
SCons comes in RPM (Red Hat Package Manager) format, pre-built and ready to install on Red Hat Linux, Fedora Core, or any other Linux distribution that uses RPM. Your distribution may already have an SCons RPM built specifically for it; many do, including SuSe, Mandrake and Fedora. You can check for the availability of an SCons RPM on your distribution's download servers, or by consulting an RPM search site like http://www.rpmfind.net/ or http://rpm.pbone.net/.
If your Linux distribution does not already have a specific SCons RPM file, you can download and install from the generic RPM provided by the SCons project. This will install the SCons script(s) in /usr/bin, and the SCons library modules in /usr/lib/scons.
Or, you can use a graphical RPM package manager like gnorpm. See your package manager application's documention for specific instructions about how to use it to install a downloaded RPM.
Debian Linux systems use a different package management format that also makes it very easy to install SCons.
SCons provides a Windows installer that makes installation extremely easy. Download the scons-0.95.win32.exe file from the SCons download page at http://www.scons.org/download.html. Then all you need to do is execute the file (usually by clicking on its icon in Windows Explorer). These will take you through a small sequence of windows that will install SCons on your system.


It pains me so much writing this.
I'm a positive, fun loving, intelligent woman who's looking for some like minded friends.
Hurry I only have a few hours. We have a way we want this to work.
If you have and questions just ask.


LARGO – The pressure was on Feb. 8 as the Largo Lady Lions and Gwynn Park Yellowjackets faced off in an intense match. Gwynn Park came away on top with a 58-51 victory.
For some players on Largo's roster, it was a big game as they hosted their annual senior game. Seniors Tania White and Brianna Jones led the charge early as they scored the first 9 points for Largo, which gave them a 9-5 lead early in the first frame.
Gwynn Park answered right back with an 8-3 run to take a 13-12 advantage late in the first quarter. Although they obtained the lead, it did not last long as Vanessa Schwarzmann hit a buzzer-beater three-pointer to end the first period and gave Largo a 15-13 lead.
A back and forth battle ensued at the start of the second quarter as both teams exchanged baskets.
Gwynn Park was led by junior Denia Bowman as she single-handily brought her team back in the second quarter with her all-around scoring.
After being down by as much as 6 points in the second, Bowman gave Gwynn Park a one-point advantage in the closing seconds of the first half.
But White came back with a basket of her own in the lane to give the Lady Lions a 26-25 lead as they went into halftime. Sophomore Jenae Dublin, who is playing her first season as a center instead of her usual position at guard/forward, played a significant role in getting Gwynn Park back in the game.
Bowman continued her efficient play as she scored the first 7 points at the beginning of the second half, which gave her team a three-point lead early in the third, their largest lead of the night.
She gave her team the energy they needed as they went on a 13-5 run to start the second half and increased their advantage to 9 points halfway through the third quarter.
As Largo missed shots and turned the ball over, Gwynn Park took advantage and pushed their lead to 13 late in the third. Largo never recovered, and Gwynn Park took an 11-point lead into the final period.
In the final period, Gwynn Park scored its first basket, and it seemed as though they were going to run away with the lead.
However, Largo went on a run and cut the lead down to six points with just under five minutes left in the game. Gwynn Park maintained that six-point lead with more than two minutes left. Gwynn Park could have extended the lead with four technical foul free throws but missed every one.
Gwynn Park missed a total of nine free throws with less than two minutes left in the game, which left the door open for Largo. However, Largo did not take advantage as Gwynn Park held on for a hard-fought road victory.
Bowman just came off a career milestone in which she scored her 1,000th point in just her junior year. Bowman showed why she is one of the best scorers in the county.


Corn cutter for peeling off corn kernels with ease! Comfortable handles for grip and support. Ideal for canning, freezing, and processing. Make cream corn like a pro with this handy cooking tool!
Instructions: Cut off bottom of corn to stand straight (or drive into a nail). Place corn cutter over the ear with blades facing down. Rock cutter back and forth as you press down. Cutter will expand or contract depending on diameter of corn cob.


text:
package clientv3_test

import (
	"fmt"
	"os"
	"regexp"
	"strings"
	"testing"
	"time"

	"go.etcd.io/etcd/v3/integration"
	"go.etcd.io/etcd/v3/pkg/testutil"
)

// TestMain sets up an etcd cluster if running the examples.
func TestMain(m *testing.M) {
	useCluster, hasRunArg := false, false // default to running only Test*
	for _, arg := range os.Args {
		if strings.HasPrefix(arg, "-test.run=") {
			exp := strings.Split(arg, "=")[1]
			match, err := regexp.MatchString(exp, "Example")
			useCluster = (err == nil && match) || strings.Contains(exp, "Example")
			hasRunArg = true
			break
		}
	}
	if !hasRunArg {
		// force only running Test* if no args given to avoid leak false
		// positives from having a long-running cluster for the examples.
		os.Args = append(os.Args, "-test.run=Test")
	}

	var v int
	if useCluster {
		cfg := integration.ClusterConfig{Size: 3}
		clus := integration.NewClusterV3(nil, &cfg)
		endpoints = make([]string, 3)
		for i := range endpoints {
			endpoints[i] = clus.Client(i).Endpoints()[0]
		}
		v = m.Run()
		clus.Terminate(nil)
		if err := testutil.CheckAfterTest(time.Second); err != nil {
			fmt.Fprintf(os.Stderr, "%v", err)
			os.Exit(1)
		}
	} else {
		v = m.Run()
	}

	if v == 0 && testutil.CheckLeakedGoroutine() {
		os.Exit(1)
	}
	os.Exit(v)
}

redpajama_set_name: RedPajamaGithub


text:
Jeremy Bracco out of the Marlies lineup for "personal reasons"
No timeline for his return.
By KatyaKnappe Feb 5, 2020, 10:00am EST
Share All sharing options for: Jeremy Bracco out of the Marlies lineup for "personal reasons"
Photo by Julian Avram/Icon Sportswire via Getty Images
The Toronto Marlies played a lacklustre low-event loss to the Belleville Senators where they failed to capitalize on a five minute major penalty and a double minor in the second period, a period where — somehow — they were outshot 12-8. The Senators scored twice in that time, once shorthanded, to make it a 3-1 game. They cruised to the win.
All of that happened without Jeremy Bracco in the lineup, which should be assumed to be part of the reason why the power play relied almost entirely on Timothy Liljegren to generate shots.
Just before the game the team announced that Bracco was out for "personal reasons" and after the game, coach Greg Moore would only say there was no timeline for his return.
Until last night, Bracco was the only player on the team to have played in every game for the Marlies. He was called up to the Leafs to sit in the pressbox for one day in December, in what the team seems to believe is a reward. One day in the NHL pays a player on an ELC somewhere in the ballpark of $5,000, so it's not nothing, but it's not playing.
Much like the situation with Kasperi Kapanen that the Leafs managed to turn dramatic just by following their own internal procedures, this situation will have people talking because of the timing and the fact that Bracco is the first name on everyone's lips when trade scenarios get discussed. Bracco also turned up in a 31 Thoughts column late in December where it was stated that three Maple Leafs were looking for the proverbial change of scenery. Bracco, Ben Harpur and Dmytro Timashov were all named, and some of them subsequently disputed the claim later on that they'd asked for a trade.
So what's going on now?
Your guess is as good as mine. Occam and his razor say that Bracco has some issue in his family or personal life that required his presence, and those things are rarely happy stories. If that's the case, I wish him the best. I can't imagine how tough it is to leave home as a young teenager and never really go back.
But there is a reason why Bracco is top of the Leafs Fan trade bait list, and it's the confluence of his position — RW on a team where he seems blocked from advancing beyond the pressbox in the NHL no matter how good he is — and the fact that his play has dramatically tailed off.
He's obviously a key part of the team, or he wouldn't be playing every game, something only the top forwards do in the AHL, with its three-in-three weekends. And yet superficially, his points look like his rookie season when he was essentially benched in the playoffs as the team won the championship.
In 17-18, as he turned 20, he had six goals and 26 assists in 50 games. This year he has four goals and 30 assists in 44 games. No one would even know his name if he hadn't produced 22 goals and 57 assists last season in 75 games. Production gets attention, and lack of it gets rumours.
Digging a little deeper, about as deep as you can get in the AHL, it becomes clear that Bracco's fluctuating production is almost entirely his own goal-scoring, and he's not very good at that.
Jeremy Bracco's Marlies Career
G/GP
A/GP
SH/GP
17-18 50 0.12 0.52 1.40 8.5
18-19 75 0.29 0.76 1.72 17.1
To set your level of understanding, you must forget everything you think is normal about shooting % in the NHL. A secondary forward with a 6.9 would be seen to be in a bit of a slump in the NHL, but not horribly so. In the AHL, that's not just a slump, that's time for hard questions about talent and drive. That 17% that Bracco used to get the fabled point per game last season is a standard AHL top-line forward's normal shooting level.
This season, for example, Seth Griffith (remember him?) has a shooting percentage of 26%, and he's never been below 13% on a season. His career number is 17.3%. The Marlies grinder+ player, Tanner MacMaster is shooting 24%, and Kenny Agostino, the player closest to a point per game this year, is shooting 23%. Meanwhile, Bracco's is lower than four of the defencemen.
But making matters worse for him, his shooting rate has dried up too, and he's got fewer total shots than Adam Brooks has in only 25 games played. And Brooks is seen as a bit too pass-first. Timothy Liljegren shoots more than Bracco, and in fact Liljegren can essentially take over Bracco's role on the power play, which is where he is most effective.
So if he shoots as often as a defenceman, as bad as a defenceman and makes his money off of setting up his linemates, you have to ask why you don't just actually want a defenceman like Liljegren instead of Bracco. If you look at the way the Leafs play these days, you'd ask that twice.
With the days ticking down to the trade deadline, Bracco sure seems to be ready to be dealt, no matter why he's absent right now. But his return value right now is some other AHLer under 25 who needs a "change of scenery". No GM is out there saying get me that Leafs prospect they haven't made anything out of, I'll pay a draft pick for him. Last summer he might have got a fifth. Maybe. Which is exactly why prospects like him are rarely traded in any way other than as part of a package deal or the direct swap of like-for-like.
Is he worth whatever Carl Grundstrom or Sean Durzi brought to the Muzzin deal now that he's about to turn 23? More the latter than the former, but even so, it's hard to imagine there's enough GMs convinced Bracco is actually going to amount to something more than Seth Griffith to make it likely he's the sugar that sweetens the tea enough to get back something great.
We'd all be better off if he actually had blossomed under the new Marlies coach, but that seems hard to imagine now that they've been together for 17 games. The season isn't over, however, and hockey isn't predictable, so when Bracco rejoins the team, maybe this will all become a faded memory and he'll be back to leading the team again.


text:
Gerhard Wucherer (ur. 11 lutego 1948 w Kempten w Bawarii) – niemiecki lekkoatleta reprezentujący RFN, sprinter, medalista olimpijski z 1972 i wicemistrz Europy.

Wystąpił w biegu na 50 metrów na europejskich igrzyskach halowych w 1968 w Madrycie, lecz odpadł w półfinale. Na igrzyskach olimpijskich w 1968 w Meksyku odpadł w ćwierćfinale biegu na 100 metrów, a sztafeta 4 × 100 metrów z jego udziałem zajęła w finale 6. miejsce. Na europejskich igrzyskach halowych w 1969 w Belgradzie odpadł w eliminacjach biegu na 50 metrów. Startował w mistrzostwach Europy w 1969 w Atenach, gdzie zajął 6. miejsce w sztafecie 4 × 100 metrów. Zajął 3. miejsca w biegu na 100 metrów i w sztafecie 4 × 100 m w finale Pucharu Europy w 1970 w Sztokholmie.

Zdobył srebrny medal w biegu na 100 metrów na mistrzostwach Europy w 1971 w Helsinkach, przegrywając jedynie z Walerym Borzowem z ZSRR. Sztafeta 4 × 100 m z jego udziałem zgubiła pałeczkę w finale. Zajął 4. miejsce w biegu na 50 metrów podczas halowych mistrzostw Europy w 1972 w Grenoble.

Na igrzyskach olimpijskich w 1972 w Monachium sztafeta 4 x 100 m RFN w składzie: Jobst Hirscht, Karlheinz Klotz, Wucherer i Klaus Ehl zdobyła brązowy medal. W biegu na 100 m Wucherer odpadł w eliminacjach.

Gerhard Wucherer był wicemistrzem RFN w biegu na 100 metrów w 1968, 1970 i 1971 oraz brązowym medalistą w 1972. Był również mistrzem w sztafecie 4 × 100 metrów w 1971. Zdobył halowe mistrzostwo RFN w biegu na 60 metrów w 1969 i 1972 i wicemistrzostwo w 1968.

Rekord życiowy Wucherera w bieg na 100 m wynosił 10,24 s (5 września 1971, Monachium).

Przypisy

Linki zewnętrzne

Niemieccy sprinterzy
Niemieccy medaliści olimpijscy
Medaliści Letnich Igrzysk Olimpijskich 1972
Uczestnicy Letnich Igrzysk Olimpijskich 1968
Urodzeni w 1948

redpajama_set_name: RedPajamaWikipedia


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