This entry was posted in SportPesa on 08-01-2019 by Mary O.
Correct Score Betting On Football. It's needless to say that gambling can be tough sometimes. Then again, it's super easy to predict once you apply analysis and proper statistical data and techniques. This will help you skyrocket your chances of hitting things hard! We just did an article that explains some of the problems and solutions of the correct score betting strategy.
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The correct score is one of the notoriously tough to predict betting types. But how is it possible that some experts still get them right? Definitely, it's an issue with science here and that what we want to explain. Allen explains how you can bring mathematics to work and create a winning formula.
It's on a weekend and there's several EPL or Bundesliga or La Liga matches…it's a weekend full of sport. You might recall it. Or, it's such a night-a Champions League night. The night that both of your favorites are playing to win. You try googling up things but the commentators and match analysts say the matches are completely unpredictable. But at the end of the day, unpredictability is what makes everything seem so great.
To some extent, they are right…when PSV nails Manchester United. When your favorite team goes down 2-0 at home and everything just goes brouhaha. You ask yourself, but I have always backed both scores well: the first one at an immensely satisfying 109/1 and the second at a tough 16/1. Weeks earlier you'd plumped for West ham United to hold Manchester city and they of course did, and my mood flew even higher when I backed Manchester City to beat Sunderland 1-0. I'd backed that really well, so I was typically flying.
Where did I get this fluke, some twist of fate or was I really that good at predicting? The answer is neither, or both but this will depend on how you look at it. Let's be honest, that's our biggest stronghold here at Mjomba-we do know how to make correct predictions over the long run but if you're after getting rich overnight then you're clearly a dreamer.
Some people hope to get rich quick, try buying the so called "fixed matches" but and the end of the day, lose money to scammers. Yes, we do agree that there are fixed matches (very much illegal) but the truth is you can even afford them (at least the majority of us can't). So the only way out is to watch out to avoid being scammed.
Correct scores are a little tough to predict, that's why you'll get around 10/1 or above for scoring right on each game. For instance, if you pick all the weekend premier league matches and try to predict the scores, you'll most likely get 2, 3 at the maximum. Some weeks you'll even get none! 2 or 3 is however good enough to bring you the profits. That's 10 unit stakes by 2, which is already good profit.
One of the most important things you'll need to keep in mind is that it's perfectly alright to get 8 wrong, as long as you get just 2 correct, you'll have made some profit already. No website, no one, not even us can predict all the 10 matches correctly. We make the best attempts but telling you we call all the 10 matches will be a white lie.
All this time we've been in the gambling business, brother or sister, we've realized one thing-that 70 percent of all matches have frequent scores of 11 or 2-1 (to either team). This is the reason why bookies give about 7/1, 6/1 or even 5/1 on these. I'm sure you understand what these figures mean. The trick is this-look for value in scores that could potentially be out of the ordinary. Makes sense? Well, an example will do you some good, right? If you bet on all the 10 EPL games to end in 3-1 scorelines, you'll be shocked that in some cases you'll get a very unlikely winner, for instance, Arsenal have an off day and get beaten 2-0 at Southampton, losing 3-0 until the last minute when Southampton get another goal "that honestly doesn't reflect Southampton's performance as gamblers would say. These scorelines would return you 100/1. At these odds, you can place a small bet of $1 on each of the 10 EPL matches, and one winner of the similar kind returns triple your stake. This is just one of the examples that came to mind.
So how does the correct score strategy work?
You can place a bet of $1 on all the 10 epl matches, if you get just one or more correct scores then you'll have broken even or made some really good profit on the scores you select and the odds you get.
Place a small amount, say $1 on a double. For instance, you can select the most likely scores (ignore outsiders), for instance, Leeds to beat Charlton 2-1 at 6/1 and Manchester United to beat Arsenal at 2-1 at 7/1. Put your stake on this double and when the odds are multiplied, you get close to $40 from a stake of just $1. It's not wise doing trebles or over on correct scores…when are you ever going to crack the 300/1 odds out of just 2 correct predictions? We'll tell you that in a moment when just $10 would net you $3,000.
This may not be very popular in some countries. Lucky 15 ideally means selecting up to four correct scores at about 16/1 odds, for instance, score lines of 3-0 and 3-1, covering all singles, doubles together with trebles and a quadruple out of your four matches. Get just one and you'll get your stake back-together with some profit, two or more and you'll be in for a good day for a relatively small stake!
Let's me share a story. I have this childhood friend of mine. She's bright, works for an excellent company and she's successful. Yet her most striking feature is that she's a terrible gambler. She's perhaps the worst I have come by. If she were new to gambling or perhaps suffering from some sort of emotional disorder, her woeful gambling would make sense. But she is, by definitions of a clinical practitioner, sane.
My friend will always back his first hunch, which is usually devoid of rational thought. It's based on what he thinks or, more frequently, feels is going to happen, and sometimes it pays huge dividends. Overall though, like every punter who bets on hunches, he loses money. Boring concepts such as mathematics are conspiring against him, which is why I adopt a different approach.
She'll always back her first hunch…most definitely devoid of rational thinking. It's based on what comes to her mind or, more often than not, feels will happen, and sometimes it REALLY PAYS her well. Overall though, just like you and I who place bet on hunches, she loses money. She hates boring match concepts and says are conspiring against her, but I insist there is a secret in math.
Sometimes, I tend to think my friend is right because successful gambling is just but crunching the numbers. It's about hitting the odds…putting in hours of work and winning. She has more fun, but she pays for it. On the contrary, I place bets on outcomes when I have done my math well and when I feel that the odds are in my favor. For instance, here is how I do my math so you know what I'm really talking about here.
If I choose to work with a probability of 1-0 (home win) with a probability of 12%, at least for me, the real odds should be about 8 or 7/1 i.e ((1_0.12) – 1 = 7.3) which means I'll get a punt if get 8/1. If you still don't understand this betting lang, then here's some explanation—If I bet $1 on that game say 100 times, I'll scoop on 12 of them and lose the rest 88. At 8/1 I'll scoop a profit of $8 i.e ($12×8-$88=$8). If I choose to go with 7/1 then this means I'll lose just $4 (12x$7-$88=-$4), yet on both occasions, I backed 12 winners. Makes sense? You're new? Don't worry. We all were there!
This is one of the most important lessons any gambler ought to learn. Betting when odds are working for you (are on your favor is wise) because you'll be making profits in the long run. So, I have a reason for sticking to my math. This is surprisingly the reverse of what the majority of bookies do. The TRICK is and will always be to play when you know you have the advantage. Therefore, backing in your favor means you'll get odd breaks and consequently make a good profit. This is just mathematics which is why our approach works.
The point here is that you're doing anything but guessing the result. At times you'll back a team you really think is going to lose which sometimes seems counter-intuitive. You'll also back a hell of other losers but you probably already do anyway. My childhood friend thinks of my approach as insane. In fact, it's incredibly sane but very boring particularly if you hate some math. Giggle.
One of the biggest questions you probably want answers for is, " So how do I know whether the odds are in my favor?" Well, the first rule you'll need to remember is that they usually won't be. You might get attracted to the 9/1 on the Wanderers to beat Villa 1-0 advertised in one of the bookies' window looks amazing, but once you've crunched the numbers, it probably won't be.
Bookies have to take bets, so you can ignore that advert and take a better price elsewhere. But how can you be sure that the best price is a good bet? To work this out, some pretty heavy number crunching is required. Most gamblers, even serious ones, won't want the hassle of applying this theory each week. I've provided some reference (see Charts 1 and 2), which you can use as cheat sheets to give you a guide about when to bet. But to understand the theory, I recommend you read on.
At the very least, punters have an advantage here in as much as they don't require a bet unless they absolutely need to. Bookmarkers take bets, so you can choose to ignore the advert and find a better price elsewhere. I haven't answered your question, I know. So how do can I tell that the best price is the best bet? To find out this, you'll need to perform some heavy number crunching.
The math lesson is here now. If you cast your mind way back, you might recall having learned the Poisson distribution in your math classes. Remember? If your memory is good, you also remember that the Poisson distribution offers a great way of modeling situations that come with independent random events that occur in any place or time. Certain conditions will be necessary for the Poisson Probability to work. One such factor is the fact that the variable cannot be a fraction or a negative; the events ought to be independent of each other. They should also be equally likely to occur in each period. Additionally, the random events should also be rare.
If you haven't dropped from this discussion then you already agree that this description also applies to goals during a football match. Events, (goals) in our case occur randomly and sometimes rarely within a span of 90 minutes. Therefore, in case you're interested in placing your bets in the number of goals in a match and you know that the average number of goals in any particular match is 2, then this Poisson probability distribution will come to play really well. It will provide a really close window that should help you calculate the probabilities of any different scores. If, on the contrary, you were placing your bets on a basketball match, where scoring is more frequent, the Poisson distribution wouldn't apply.
In simpler terms, if you already know that, on average, a team scores about 1.2 goals in any given match, the Poisson distribution says that the same team has a 30 percent probability of not scoring in any given match.
Rejoined us after bunking our math lesson? Well, no problem. The only important thing you probably missed is that the probability of any team to score any given number of goals in any given match can be calculated, provided you know what the mean (average) number of goals are.
The easiest way of doing this (calculating the average number of goals is by taking the number of goals team X has scored (this season) by the number of matches the team has played. While this technique is better that simply guessing your way through, we recommend that you use a more accurate approach, taking into account the relative strengths of the two teams. One good thing about this is that you do not have to work out this all by yourself since most betting companies have this already done for you. They publish the spreads on supremacy as well as total goals for the top football teams and matches. They usually know what they're talking about so if they've quoted at 2 and the supremacy is at 0.4 then your average would be 0.8. Clear?
If you're a real math geek then you can proceed to feed some of this data into your spreadsheets, while the rest of you can play around with the theory until things get understandable. Assuming you've worked out that in a particular match the home team scores 1.6 goals on average, while the away team scores 1.2, then working out the probability from this end is even easier using your tables.
Time to Beat Your Bookie?
So how can I use the numbers to my advantage? Well, the bookies know as much as we've told you and even more. We've already mentioned that their rates are rarely of good value. So what really the point?
To begin with, most bookmarkers offer odds that should be taken by punters. They really offer prices. Believe me, not, they are in business to discourage or attract you towards certain bets and won't always follow probabilities.
In most cases, there are better prices across other bookies, where you can find even better value correct score bets. You may have already noted that the probability of the 2-0 score mentioned actually happening is 7.8 as calculated earlier. This means you'll need digital odds of about 13. This is how you convert-divide 1 by the probability. Therefore 0.078 will equal to 12.82. Now, add the margin to give you profit, accounting for any errors in your calculations (science may not be exact). It's therefore up to you to decide how much to add but most importantly, remember that higher margins mean fewer bets. Start by adding about 10 percent for a start. This means you'll not bet on the 2-0 unless you can find better odds of say 14.1 to give (12.82×1.1) or higher.
To conclude, if you've followed us to this end, you're going to win more than you lose on correct score bets. The winnings should also give you more profit in the long run but remember, the correct score is very volatile. It's either way, you can lose or wake up with a "heavy bank account." To have posted it here, we've already tried this and will tell you what it's like. Sometimes we have fantastic weeks where everyone would think we're geniuses but the truth is that sometimes some of these winnings are sandwiched between some losses too but at the end of the day, we know how to stay at the top all the time! We can help you get your sums right!
This weekend, we'll have correct scores. If you want to receive them then shoot us a message at support@mjomba.com for instruction. For Daily match predictions, visit the Mpredictor for details. Our biggest goal is to see you win…and at least if we can help then that really makes sense.


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Home » Artists » Afro Physicist
03/19/2020 The Jazz Cafe / London, United Kingdom
03/20/2020 Sage Gateshead / Gateshead, United Kingdom
03/22/2020 Band On the Wall / Manchester, United Kingdom
04/25/2020 Carnegie Hall / New York, NY
Theo Croker: Bio
IF, AS SHAKESPEARE WROTE IN TWELFTH NIGHT, "…SOME ARE BORN GREAT, SOME ACHIEVE GREATNESS, AND SOME HAVE GREATNESS THRUST UPON THEM…"
Then, Theo Croker fits into two out of three of the Bard's categories. His talent is innate; he inherited a unique gift from his grandfather, the legendary trumpet player Doc Cheatham. But, Theo is also an achiever.
This is one young musician who is not afraid of greatness, or the hard work and dedication it takes to get there.
Theo Croker was born and raised in Leesburg, in central Florida, on July 18, 1985. Leesburg was not exactly a hotbed of music, and Theo wasn't exactly born with a horn in his hand. He first picked one up at the age of eleven, after a visit to New York City where he heard his grandfather play at Sweet Basil. (Doc Cheatham died the following year, at 92, in 1997.) Theo continued to listen to Doc's recordings. "He had a very appealing sound, the strength behind it was always a melody," Theo says.
"I would just sit in my room and play my trumpet for hours without knowing what I was doing. I would slowly teach myself new notes and play along with recordings of my grandfather and other greats. I noticed the I could fit in with what I was hearing harmonically."
It was at a memorial service for his grandfather when he had his first chance to perform for jazz-savvy audience. "I was only twelve years old, but the way the music touched people and the way it made me feel was enough to set me for life. I knew it was what I wanted to do."
At sixteen, Theo moved, on his own, to Jacksonville, Florida so he could attend The Douglas Anderson School of the Arts. It didn't take long before people noticed his talent. In 2004, Theo became the first artist in residence at the Ritz Theatre (a former black movie house transformed into a museum with a performance space). There he was commissioned to compose original works for the three separate groups: a seventeen-piece band and Septet he led, as well as an eighty-member choir (The Ritz Voices).
After high school, Theo had his pick of the country's finest music schools, but the great Donald Byrd, the multi-Grammy Award winning composer and recording artist, was like a magnet that pulled him to the Oberlin Conservatory in Oberlin, Ohio. "My father died when I was eighteen, and he was a huge Donald Byrd fan. I remember seeing and hearing his records when I was young." Other Jazz legends like Gary Bartz, Robin Eubanks, Billy Hart, Wednell Logan, Marcus Belgrave, and Dan Wall also taught at Oberlin.
"I didn't want to study with teachers once I knew I could study with actual players, active Jazz legends. That made the call for me," Theo says.
After graduating from Oberlin in 2007, Theo began his postgraduate education, hanging out and playing with older musicians like Benny Powell, Jimmy and Tootie Heath, Billy Hart, and Marcus Belgrave. They taught me how to live my life. Things not to do that they did, and things to do that they didn't."
Theo resists musical categories, a concept driven into him by his conservatory education. As deeply immersed in jazz as he is, Theo also writes and produces hip-hop, rap, and film scores, along with contemporary classical music, and other forms. So many of the greats have influenced him: Louis Armstrong, Doc Cheatham, Roy Eldridge, Dizzy Gillespie, Clifford Brown, Donald Byrd, Freddie Hubbard, Booker Little, Miles Davis, Chet Baker, and Marcus Belgrave, as well as contemporaries like Wynton Marsalis, Roy Hargrove, Nicholas Payton, Terrence Blanchard. Composers like John Coltrane, Wayne Shorter, Duke Ellington, Sonny Rollins, and too many others to name. Other strong influences come from hip hop & R&B: Stevie Wonder, Digable Planets, Outkast, Quincy Jones, Pharell, and many, many others. All of Theo's heroes live (or lived) their lives for the music.
Theo received the Presser Music Foundation Award in the spring of 2006. He used the grant money to record his first album, The Fundamentals, in New York City with his band The Theo Croker Sextet. The band's members are all in their early twenties and each is as impressive as the next; they define the ambitious and highly-skilled lions of their generation. The Fundamentals includes ten tunes, all composed and arranged by Theo. It can currently be heard playing all over the world, in places such as Australia, The Netherlands, London, Quebec, New Zealand, Italy, Switzerland, Greece, Ukraine, Germany, Portugal, Scotland, France, Poland, Columbia, Turkey, and the Central Republic of Africa.
The response has been incredible. Donald Byrd praises Theo's musicianship: "There are good, great and nice musical players, but then there are phenomenal instrumentalist such as Theo. I would place Theo in a class of musicians who will redirect the flow, change and alter the current of today's New Jazz. Theo has the ability and the intelligence to challenge the direction of Nu Music. Theo is one of today's titans. He is a Sankofa".
Marcus Belgrave wrote: "Theo Croker is one of the most promising and creative trumpeters on the horizon today and is also one of the most energetic artists I have ever encountered."
Wynton Marsalis said: "He has the tools, the intelligence, the ability and the talents. The future looks bright for Croker."
The legendary Jazz critic Nat Hentoff wrote: I first got to know 23-year-old Theo Croker after he returned from a gig in China (Shanghai's House of Blues and Jazz) and he was so impressive. On first hearing his trumpet on the immediately distinctive recording, I was struck by his "signature sounds" - personal and indeed "in the tradition," but also contributing to its future. His is a voice speaking directly to the listener, and his avoidance of showboating technique reminded me of what Count Basie once said to Buck Clayton: 'I'd give a thousand dollars to find a trumpet player who doesn't play so many notes.' Furthermore, listening to Theo on ballads, it was at first hard to believe someone so young was able to sound as if he'd had extensive experience with affairs of the heart, gaining and losing love."
Today, Theo lives and plays in Shanghai, China, where from September 2007 through April 2013 his Quartet held residency at the "The House of Blues and Jazz." In March 2008 the Theo Croker Quartet released In The Tradition, on Arbors Records, featuring Albert "Tootie" Heath on Drums, Sullivan Fortner on Piano, Joe Sanders on Bass and special guest Al Grey on trombone.
Theo Croker
Afro Physicist
1 Alapa (For Doc)
2 Realize
3 It's Not You It's Me (But You Didn't Help)
4 Light Skinned Beauty
5 Wanting Your Love
6 Save Your Love for Me
7 Visions
8 The Fundamentals
9 Roy Allan
10 Moody's Mood for Love
11 I Can't Help It
12 Bo Masekela
Theo Croker - Light Skinned Beauty
Theo Croker - Star People Nation (Portrait)
Theo Croker Dvrk Funk Interview
Enter the AfroPhysicist - trumpeter/composer Theo Croker. Coming straight out of Leesburg, Florida by way of Shanghai, China, this bold young soul-jazz newcomer, grandson of New Orleans trumpet legend Doc Cheatham is fortified by tradition with no lack of contemporary electricity to propel him into the future. Croker's new album - AfroPhysicist on Dee Dee Bridgewater's DDB Records via Sony Masterworks' imprint OKeh Records. This is Croker's third album and the inaugural release on Bridgewater's label. His music literally shape-shifts without pause through 12 captivating selections.
21 NEW ON - 72 Total
SYND: NPR/All Things Considered, PRI/Jazz After Hours
Markets include: New York, Los Angeles, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, St. Louis, Miami, New Orleans, Cleveland, Baltimore, Denver, Minneapolis, Portland, Houston, Detroit, Memphis, Las Vegas, San Antonio
Press & Online: MOJA, NY Daily News, LAJazz.com
Highlights from the Detroit Jazz Festival - Saturday Night Jam Session / Dearborn Press and Guide
Posted At : September 5, 2017 12:00 AM
Call it the unfinished Detroit Jazz Festival. After three and a half glorious days of superb weather and fantastic jazz, an untimely late Labor Day afternoon thunderstorm on Monday, Sept. 4, dampened the weekend glow and forced the early suspension of the 38th annual event in downtown Detroit. Despite the closing night setback, Monday's storm couldn't diminish the 60-plus buoyant, entertaining and stimulating jazz performances that enthralled jazz fans throughout the festival weekend. Festival highlights included; The Saturday Night Jam Session in the Renaissance Ballroom of the Detroit Marriott. Anything can happen after midnight at the Detroit Jazz Festival jam sessions. Saturday night's/Sunday morning's wee hour extracurricular activities brought out a who's who list of festival performers who were there to catch the vibe; A among them was singer Dee Dee Bridgewater, tenor saxophonist Joe Lovano, saxophonist Kamasi Washington, drummer Richard Guliano and guitarist Adam Rogers. Saxophonist Donnie McCaslin was the originally scheduled jam session act. But in a last minute change some progressive jazz groups showed up to perform. T.K. Blue led his quintet to the stage and got the session started. Next up was saxophonist Akihiro Nishiguchi's Trio, the festival exchange act from Yokohama, Japan. Trumpeter Theo Croker's Escape Velocity followed. Pure spontaneous jazz was invented here when Miles Mosley + West Coast Get Down joined Croker with criss-crossing solos and electrifying improvisation by pianist Cameron Graves and drummer Tony Austin. READ THE FULL Dearborn Press and Guide REVIEW
At this year's Newport Jazz Festival / ZEAL nyc
The Newport Jazz Festival celebrates its 63rd anniversary this summer, promising three full days of exceptional live musical performances across multiple stages at Fort Adams Park in Newport, Rhode Island from Friday, August 4 through Sunday, August 6. Under new artistic directorship from bassist and jazz statesman Christian McBride, and backing by legendary founder and producer George Wein, attendees will enjoy a diverse score of national and international talent (see ZEALnyc's feature Passing the Newport Jazz Festival Baton from Founder George Wein to New Artistic Director Christian McBride). From this enormous lineup of accomplished artists, ZEALnyc profiles ten performers and/or groups that are certain to be highlights of this year's festival. Extraordinary jazz ensemble fusion-based jam band with fearless migrations and explorations from jazz to rock to funk, come alive on stage Saturday August 5. Led by composer, bassist and leader Michael League, and following an exhaustive decade-long touring schedule around the globe, Snarky Puppy has found itself on the cover of DownBeat and Jazz Times. It's garnered Grammy awards and critical accolades, with Rolling Stone magazine calling them, "one of the most versatile bands on the planet." A multidiverse member band with a changing rotation of about 40 musicians, Snarky Puppy covers the full range of instrumental fluency and seeks to collaborate and risk in all fusion directions. Connecting with Lalah Hathaway (Grammy-winning soul to jazz singer and pianist) on Family Dinner-Volume One earned the group its first Grammy for "Best R&B Performance" in 2014. That was followed by a second Grammy for "Best Contemporary Instrumental" in 2016 for Sylva, having collaborated with the Dutch Metropole Orchestra to push boundaries, from Miles to Debussy. Snarky Puppy teems with a dynamic well of talent, taking chances live where "musical sophistication meets gritty danger." Maria Schneider's compositions have been hailed by critics as "evocative, majestic, magical, heart-stoppingly gorgeous and beyond categorization." Along with having received many accolades as a musician, composer and visionary of interpretive jazz orchestra, she expresses an independent, unique and talented voice in stretching this genre-and also being an out-spoken music advocate for protective rights against digital piracy. Since 1992, she has fronted her orchestra around the world as conductor, composer and also musician (piano), blurring the lines between jazz and classical. She has been honored with Grammy awards in both areas: "Best Classical Contemporary Composition" in 2013 for Winter Morning Walks, featuring soprano Dawn Upshaw, and "Best Jazz Ensemble Album" in 2016 for The Thompson Fields that was reviewed as a "marriage of sound, words and images-ultimately breathtaking, a testament to the uplifting and sustainable powers of art." Add a sublime and sophisticated treat for your ears as Schneider's orchestra takes you on her latest journey, Sunday, August 6.
Maria Schneider Orchestra at Newport Jazz Festival; photo: Ayano Hisa. A dynamic experimentation partnership takes the stage as Vijay Iyer, multi-award winning improvisational jazz pianist (DownBeat's Critics Poll Jazz Artist of the Year 2012, 2015 and 2016) has teamed with legendary avant-guard trumpeter, composer, music theorist (and cultural activist) Wadada Leo Smith, to engage, explore and "merge as a single wave, or a single voice." Fresh from receiving multiple Best of 2017 DownBeat Critics Poll awards (Jazz Artist, Trumpet and Jazz Album for America's National Parks), Wadada has found "arguably the most productive time in his career." From playing extensively with Wadada in the trumpeter's Golden Quartet, Iyer's piano touch shares the mark of an extraordinary, individualist musician, evidenced as they both push boundaries with A Cosmic Rhythm With Each Stroke (2016) that received accolades as a "comprehensive masterpiece by two exceptional musicians." No seat will be unoccupied or hush broken when this compositional moment takes stage on Sunday, August 6. Premier masterful banjo player, composer and bandleader Béla Fleck reunites with his original Grammy-award winning band, the Flecktones as they launch a U.S. tour-with all manners of genres coming into play, performing an "unclassifiable meld of jazz, progressive bluegrass, rock, classical, funk and world music traditions." The reformed Flecktones and leader Fleck released Rocket Science in 2011, to critical acclaim, including All Music's Thom Jurek's rave review: "Rocket Science fires on all cylinders…a fresh and exciting reintroduction to a newly energized Flecktones." The latest edition of the re-charged, re-fueled Flecktones quartet (including monster bassist Victor Wooten) and their fearless leader Béla return and bring their artistry to the festival on Saturday, August 5. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial; min-height: 11.0px}	As the grandson of the late trumpeter Doc Cheatham, Theo Croker was mentored by legendary jazz trumpeter Donald Byrd. Now he is rapidly making his own statement with his 2016 release Escape Velocity taking the #1 Jazz Album in the U.K. by Echoes Magazine, and building his own reputation "as an artist steeped in jazz tradition" who has an amazing range that is "well-versed in swing, bop and modal styles of acoustic jazz." He began his well-deserved recognition working with multi Grammy-award winning jazz-diva vocalist Dee Dee Bridgewater, who encouraged him to record, resulting in 2014's Afro Physicist that champions his velvet-smooth horn and funk beat. This release, driven by strong reviews, reached #2 on the U.S. radio charts. Croker's melodic and funky and ethereal highs will be delivered on Sunday, August 6. READ THE FULL ZEAL nyc LINEUP
Theo Croker - Afro Physicist / The Tavis Smiley Show interview
Theo Croker talks about his Sony/OKeh album - Afro Physicist on the Tavis Smiley Show and describes his life in Shanghai, his grandfather Doc Cheatham, and collaborating with Dee Dee Bridgewater. HEAR THE Travis Smiley Show INTERVIEW HERE
Theo Croker - AfroPhysicist / JazzTimes review
Posted At : August 17, 2014 12:00 AM
Afro Physicist, trumpeter Theo Croker's third album as a leader and his debut on Dee Dee Bridgewater's DDB imprint and the Sony-owned OKeh brand, showcases him in a context that might be called "retro-progressive." Many of its stylistic elements have a distinct '70s-era flavor, but the way Croker mashes them together and then tops everything off with his straightforward but imaginative soloing marks him as an avatar of genre-defying postmodernism. "Realize," for instance, blazes no new trails-rock/jazz/funk fusionists staked out this territory at least 35 years ago-but Croker stutters, slurs and wah-wahs up a storm while never obscuring the melody or descending into self-parody or snark. "Light Skinned Beauty" begins with a power-rock intro then progresses through movements propelled first by throbbing urban funk and then by lightly dancing swing, above which Croker fires out solos in a warm, Miles-ian timbre toughened by his linear thrust amid the shape-shifting aural landscape. READ THE FULL JazzTimes REVIEW.
Theo Croker - AfroPhysicist / Latin Jazz Network review
Theo Croker is the epitome of the sound of surprise. He comes suddenly from behind and sideways – never from the front – seizing heart and mind like an excited friend who shutting the eyes, begging a "Guess who?" And he asks, "Am I a jazzist, a bluesist, or a rhythm & blues horn player?" The answer is never obvious. As the pondering begins, he reveals himself "I am Theo Croker. I am all of those things rolled into Dark Funk." And then he plays. His elegantly piercing tone textures ring in the ears, informed by great New Orleans trumpet masters – Louis Armstrong and Mr. Croker's own grandfather, Doc Cheatham. And Mr.Croker also has the sparkling tonal wit of an impetuous young man as well as the deep erudition of an old one. His timbre is sometimes sharp – even harsh – and at other times husky – even whisper soft. He is, quite simply a brilliant young musician. Dee Dee Bridgewater has produced Afro Physicist. A very wise decision on her part. On "Alpha for Doc," it is possible to first see why. His notes are anguished and long to begin with; then short and searing, elliptical, like arcs of fire. He continues in this fashion, later in the album. as well, increasing the length of his short bursts and his long lines seem to become interminable. They also bounce wickedly like a bicycle with oblong wheels. READ THE FULL Latin Jazz Network REVIEW.
Theo Croker - AfroPhysicist / I Dig Jazz review
The jazz trumpeter Theo Croker is the grandson of the late and legendary trumpeter Doc Cheatham. Croker is like him in a few ways. He has a soft tone and his phrasing is smooth like soymilk. Listening to Croker's new album AfroPhysicist it's clear he isn't the least bit interested in emulating his granddad, or putting out the kind of jazz he was into. Cheatham was a red-blooded American jazz man and a saintly swinger. Every band he played in was blessed to have him. Croker is steep in the traditional inner workings of jazz. He can swing up a storm listen to "The Fundamentals" and he can play angelically as he shows on "Visions" and on "Bo Masekela". This album suggests he's on a jazz fusion kick like a growing number of his peers pianist Robert Glasper, vocalist Gretchen Parlato, and trumpeter Christian Scott, which is OK because Croker does the jazz fusion thing exceedingly well. It wouldn't be wrong to regard "AfroPhysicist" as his breakthrough album, or better yet his mission statement to the jazz world. READ THE FULL I Dig Jazz REVIEW.
Theo Croker - AfroPhysicist / Rifftides review
Much of the verbiage about the elimination of borders between musical categories is the work of publicists. It is marketable to be, or claim to be, cross-genre. However, in the case of Theo Croker, an impressive 28-year-old trumpeter, his new album AfroPhysicist substantiates the claim. It touches on hip-hop, R&B, bebop and 1970s soul, but at its core his playing extends the mainstream jazz tradition of which his grandfather, the great trumpeter Doc Cheatham, was a vital part. Croker announces his credentials in a short unaccompanied piece. Then, supported by bright young contemporaries in various instrumental combinations, he plays gorgeously through 12 tracks and 12 distinct moods. Dee Dee Bridgewater encouraged Croker, produced his album and sings on three pieces, including a compelling version of Buddy Johnson's R&B classic "Save Your Love For Me."
Theo Croker - AfroPhysicist / AXS review
It's hard to put your finger on trumpeter Theo Croker's new album, AfroPhysicist, out since May 20th, 2014 on Dee Dee Bridgewater's DDB Records. Is it jazz? Soul? Funk? Some artful fusion of all three? It's everything. Croker can do jazz. His straight-ahead "Moody's Mood For Love" with Bridgewater shines as a Blue Note special. The tones and the angles of the young artist's trumpet promise a good time. The way he can hold the notes in tune with the vibe of the down-home intimacy of the piece, without sounding as if he's holding the notes... The Croker and Bridgewater combination can't be beat. She felt this when the two vibed together at the October 2009 Shanghai Jazz Festival onstage and at an after-party jam. They began to talk about his music, he showed her his work in progress on an iPod, and the rest became the next talk of the town, this album that defies labels. One thing's clear, they did not set out to make jazz. "The first thing Dee Dee said was, 'We are not doing a jazz record [laughs],'" Croker said. "It was perfect. I already knew who I was and I had no inhibitions." READ THE FULL AXS REVIEW.
Theo Croker - AfroPhysicist #2 on WRTI's Jazz Hot 11 Countdown
WRTI's Jazz Hot 11 is a weekly countdown of the favorite new jazz releases in rotation. Theo Croker's AfroPhysicist includes three vocals sung by Dee Dee Bridgewater, each from different eras and genres, and all re-imagined in bold strokes, including "Moody's Mood For Love" (the classic James Moody instrumental vocalized by Eddie Jefferson in the `50s, then by George Benson with Patti Austin in the `80s.) Coming in at #2 on this week's WRTI: Philadelphia Hot 11 is Moody's Mood For Love off Theo Croker's album, AfroPhysicist.
Theo Croker - AfroPhysicist charts on Jazzweek Top 50
Theo Croker's AfroPhysicist on Sony Masterworks / Okeh Records has been receiving great support at jazz radio. Coming straight out of Leesburg, Florida by way of Shanghai, China, this bold young soul-jazz newcomer, grandson of New Orleans trumpet legend Doc Cheatham is fortified by tradition with no lack of contemporary electricity to propel him into the future. This is Croker's third album and the inaugural release on Dee Dee Bridgewater's label. His music literally shape-shifts without pause through 12 captivating selections. AfroPhysicist makes this week's Jazzweek chart at #4.
Theo Croker - AfroPhysicist / KUVO June CD of the month
At the age of only 29, Theo Croker not only has the chops to be an outstanding trumpeter, he also has imaginative music concepts, the love of many different styles of music, compositional skills and the music education that has given him a solid foundation to build on, oh yeah-one more thing-he has the genes as he is the grandson of the hall of fame trumpeter & vocalist, Grammy® winner, Adolphus "Doc" Cheatham. Theo is from Leesburg, Florida, when he was 11 years old he spent a summer with his granddad in New York City and saw him playing at the Sweet Basil jazz club. Upon his return to Leesburg he decided he would follow in his grandfather's footsteps and picked up his first trumpet and began to teach himself how to play while listening to Doc Cheatham's recordings. He continued more formal training in high school as well as listening to other trumpet players, one of which was Donald Byrd whom quickly became a favorite of the young Theo. After high school he enrolled in the prestigious Oberlin Conservatory of Oberlin, Ohio so he could receive lessons from Dr. Byrd who was a professor there. Theo Croker's AfroPhysicist is KUVO: Denver's June CD of the Month.
Theo Croker - AfroPhysicist / JazzWeekly.com review
Theo Croker actually has a pretty good pedigree for his career as a trumpet player, being the grandson of hall of famer Doc Cheatham. AfroPhysicist isn't swing or mainstream, though, Croker does give homage to the jazz traditions of bop, fusion and latin jazz on this excellent first album on Okeh. The sounds are sort of a funky mix of early 70s Miles Davis and vintage CTI Freddie Hubbard. He displays his clear and clean tone on the solo "Alapa" but then gets down to business with a sassy B3 and band on the heavy back beat-laden "Realize" and dramatic and hard hitting "Light Skinned Beauty." His muted horn glides over the latin percussion and flute on the grooving "It's Not You, It's Me" while he teams up with vibe master Stefon Harris on the glistening ballad "Visions." Trumpeter Roy Hargrove brings some CTI grooves and feel as he teams up on "Roy Allan," but it's Dee Dee Bridgewater that almost steals the show. She coos with delight on the upbeat R&B-sh "save Your Love For Me" and gets cozy on "Moody's Mood For Love." The frenetic "I Can't Help It" has both Croker and Bridgewater bubbling with delight, making this whole disc an enjoyable modern jazz feast of soul food.
Theo Croker and Dee Dee Bridgewater interview with Huffington Post
Mike Ragogna with Huffington Post interviewed Theo Croker & Dee Dee Bridgewater about Croker's new album AfroPhysicist, musical influences, collaborating together, and much more: Mike Ragogna: Can we start at the beginning where Theo meets Dee Dee for Afro Physicist? Theo Croker: Dee Dee and I met in Shanghai in 2009 at a jazz festival. I was playing in a big band behind her. We met in person and proceeded to link up, go to lunch and hang out, and I kind of became her guide to the city while she was there. After the show, I had a show at one of the sponsoring venues with my band and Dee Dee came down and sat in. We kind of stayed in touch after that. That was the start of it. MR: Theo, this is a different kind of album for you. What was the creative process? TC: The creative process... I think it all got sparked when Dee Dee said we weren't not gonna make a jazz record. Dee Dee Bridgewater: I'd heard Theo playing in all kinds of different musical genres, and I just didn't want to make yet another straight-ahead jazz album. I knew he was doing all kinds of music, I knew he had some great compositions and I thought, "This should be the way to go." His tastes are eclectic and his music reflects his tastes and I liked it. READ THE FULL Huffington Post INTERVIEW.
Theo Croker - AfroPhysicist / WCLK: Atlanta 'Pick of the Week'
Theo Croker's new album, AfroPhysicist, came out on May 20, 2014 on Dee Dee Bridgewater's DDB Records via Sony Masterworks' imprint OKeh Records. This is Croker's third album and the inaugural release on Bridgewater's label. His music literally shape-shifts without pause through 12 captivating selections. WCLK Program Director Aaron Cohen has chosen AfroPhysicist as 'Pick of the Week.'
Theo Croker - AfroPhysicist / About.com This Week's Top 10 Jazz Albums
Dee Dee Bridgewater's discovery, Theo Croker, continues to stay strong on our playlist with AfroPhysicist clocking in at #2 for the second straight week. From the hard funk of Realize to the re-imagined classic Moody's Mood For Love, "Croker knits together voluminous influences with a clear, sharp and aggressive tone." We said that last week and we meant it. Also contains the song title of the year: It Isn't You, It's Me (But You Didn't Help). Theo Croker's AfroPhysicist makes About.com's Top 10 Jazz Albums for this week.
Theo Croker - AfroPhysicist / New York Daily News interview
Every player – honestly every person -- hits his crossroads in New York City. That point beyond which it's either a foregone conclusion to go through the wall (rather than over or around) or take the hard left, hoping it'll really be a wide cloverleaf that leads right back here. Only the most free of free-thinkers would consider taking the hard right instead, to find their voice on their instrument – a jazz instrument, nonetheless -- in China. Theo Croker's cloverleaf brings him back this week from across the ocean with a strong sound and an OKeh/DDB Records debut, AfroPhysicist, from which he's playing during a two-night engagement through Wednesday at the Jazz Standard. In the course of seven years in and around Shanghai after graduating from Oberlin College, Croker got the kind of hardcore real-life grad degree that eluded him in the city. He got to play practically every night, became musical director for a TV show, managed a jazz club and played a part in molding the nascent jazz scene there both as an artist and as a businessman. READ THE FULL New York Daily News ARTICLE.
Theo Croker - AfroPhysicist / NPR All Things Considered interview
Jazz composer and trumpeter Theo Croker opens his new album, AfroPhysicist, with an ode to his grandfather: New Orleans jazz great . The thing is, Croker didn't grow up in New Orleans or any other jazz hub. He's from Jacksonville, Fla., and he was just a child when his grandfather died in 1997. It wasn't until his grandfather's memorial services - attended by jazz legends - that he decided to join the legacy. "I didn't understand what a legacy was," he tells NPR's Audie Cornish. "I just wanted to play the trumpet 'cause it was loud. I was a 12-year-old going to jazz concerts and listening to jazz CDs. It was very strange." Croker went on to study at the prestigious Oberlin Conservatory. One of his early gigs out of school took him down an unexpected path - to Shanghai, and a new approach. "For the longest time I was a jazz purist," Croker says. "When I left the United States and I would see how people started to react to different kinds of music, then I started to become influenced by other kinds of music." He stayed in China for almost seven years, where he played with everyone - jazz ensembles, salsa bands, DJs - and met legendary jazz vocalist , who produces and sings on AfroPhysicist. Listen to the Theo Croker segment on NPR All Things Considered.
Theo Croker - AfroPhysicist / Blogcritics review
As trumpeter Theo Croker tells it, AfroPhysicist, the title of his new album due for release May 20th is taken from a nickname hung on him by his older brother. It fits, he says, because it reflects his passion for different artistic directions. Think mad scientist at work, "a crazy person in the basement snatching all these things together." What he's getting at is a refusal to limit himself musically. Good music is good music, no matter what you call it, and what you have on AfroPhysicist is good music-a little soul, a bit of funk, and a lot of very fine jazz. READ THE FULL Blogcritics REVIEW.
Theo Croker - Afro Physicist / LAJazz.com
When musicians like Denise Minnifield (a fine Shanghai-based singer) and Marcus Belgrave (an award-winning Detroit-based trumpet player) tell me that Theo Croker is a young jazz lion on the rise, I pay attention. So when his publicist encouraged me to listen to his latest CD, I quickly said yes. Not to mention, he's newly signed to Dee Dee Bridgewater's fledgling DDB record label.
From his very first a capella trumpet melody, I was impressed by both his control and dexterity. His tone is clean, clear, powerful and dynamic on "Alapa (For Doc)." He appears to be challenging himself, reaching for very low notes and soaring to the high ones. I am surprised to read in his bio that this is his third album. Happily, here is another youthful jazz artist exploring new horizons and pushing boundaries.
Cut two, "Realize". has a strong funk beat that drives this tune and gives Croker a smooth jazz platform to showcase his talents. His trumpet tantalizes the listener with astute composer skills. This CD showcases six of his original compositions and the first five cuts are all his. "It's Not You It's Me (But you Didn't Help)" is more straight ahead jazz with an Afro-Cuban undercurrent full of percussive rhythms that lushly support Croker's pretty melody. "Light Skinned Beauty" is arranged around a strong horn section, plush with harmonics that acts as a trampoline, propelling Croker's solo appearance into the air. I expected a ballad for some reason, but this is a powerful piece played at an andante tempo. "Wanting Your Love" follows and the pace continues to be upbeat and full of horn arrangements that are orchestrated like a small symphony.
Dee Dee Bridgewater is featured on this project and comes crashing on the scene with the song Nancy Wilson made popular years ago, Buddy Johnson's "Save Your Love For Me". It's arranged with a funk groove and surprisingly, works quite well to give an old song new life. Bridgewater shows her grittier vocal style that we don't always get to enjoy. I thought the fade was a bit long and quite busy, but Bridgewater held her own against the horn cacophony.
"Visions" is one of my favorite Stevie Wonder tunes, well represented by Stefon Harris on vibes and presented in lovely way, once again showcasing Wonder's amazing ability to write music that crosses all genres and cultures.
Croker also covers the Roy Hargrove song "Roy Allan" (which Hargrove wrote for his dad) and features Hargrove making a guest appearance. This is a huge endorsement of young Croker by Hargrove, his Grammy winning trumpet contemporary.
Afro Physicist features Croker's core group including keyboardist Sullivan Fortner, wind and reed man Irwin Hall, drummer Karriem Riggins, acoustic/electric bassist Michael Bowie, and guitarist David Gilmore. Croker won the Presser Music Foundation Award back in 2006 and used that money to fund his debut album of original compositions. His style seems to be a conscious blending of musical styles and cultures. He's unafraid to blur the lines between jazz, Hip Hop, R&B, Funk, Rock & Roll and Latin influenced music.
This writer sees this as the new and ever evolving sound of jazz. Croker had time, while living in Shanghai, China, to explore his creativity and to practice. Having travelled to twenty-three countries overseas myself including entertaining in Shanghai, I know that being overseas gives you private, introspective time to dig in and hone your musicality. You can wind up getting in touch with yourself instead of being influenced by other American musicians and the prominent styles around you. Croker is definitely reflecting his own artistic development.
Perhaps the artist best describes his music and the title of this album in his press kit by saying: "My older brother is the one who imparted the nickname Afro Physicist upon me. … Truthfully, I am a lil' wild! … like a crazy person in the basement snatching all these things together."
Crossover Media Projects with: Theo Croker
http://theocroker.com/

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Whether you want to organise an event or simply help out on the day, you can utilise your existing skills & hobbies and most likely acquire some new ones too.
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Home > Delhi > Family robbed at gunpoint in northwest Delhi
Family robbed at gunpoint in northwest Delhi
PTI1 July 2019 1:15 PM GMT
New Delhi: A family was robbed at gunpoint allegedly by three masked assailants in northwest Delhi's Model Town area, police said Monday.
The police later chased the three bike-borne men and intercepted them.
Cornered, the three men opened fire at the patrolling party, which retaliated back.
The assailants later fled the spot, officials said, adding efforts are on to nab the three men, the officer added.
The victim has been identified as Varun Bahl, who was returning to his residence along with his wife and children on the intervening night of Saturday and Sunday.
Police said a CCTV footage shows the family entering their residence in their car. After parking the vehicle, as Varun was going to close the main gate, three masked men suddenly appeared and threatened him at gunpoint.
Two masked men took Varun's wallet, containing Rs 19,000 and a gold bracelet. The third man took away the mobile phone of Varun's wife, who was still sitting in the car along with her children, police said.
Deputy Commissioner of Police (northwest), Vijayanta Arya said the victim had not informed the police about the incident immediately.
The patrolling party of Adarsh Nagar police station, which was standing nearby found the movement of the three men suspicious and chased them. The three men opened fire after the patrol team intercepted them, the officer said.
"In retaliation, the police also fired back. The three, however fled the spot. No injuries were reported," the officer said.
The victim filed a complaint with the police on Sunday afternoon, the officer said, adding a case has been registered and efforts are being made to nab the accused.


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Amazing. Gods word on the wings. Praise God for this. Jesus is coming back very soon, after the good news has reached every one. This is a bold step towards the fulfillment of the end time Prophecy.


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Яков Осипович Свирский (1902, Петрозаводск — 1990?) — советский архитектор. Участник Великой Отечественной войны.

Биография
Яков Осипович Свирский родился в Петрозаводстке. Учился на Архитектурном факультете Ленинградского высшего художественно-технического института (бывш. Академия художеств, ВХУТЕИН). Окончил в 1927 г.

Среди преподавателей ЛВХТИ: А. Е. Белогруд, Л. Н. Бенуа, В. Г. Гельфрейх, Л. В. Руднев, С. С. Серафимов, И. А. Фомин, В. А. Щуко.

Преподавал в ЛИСИ.

Основные проекты и постройки
 Павильон СССР на ЭКСПО-70 — выставочный павильон СССР на международной вставке Экспо 1970 года в Осака (Япония), соавтор Посохин, Михаил Васильевич.
В Ленинграде:
 Текстильный институт на углу улицы Герцена и Кирпичного переулка — обработка фасада незавершенного здания банка (1930 г.; соавтор Л. В. Руднев);
 Профилакторий Московско-Нарвского района (1928—1930 гг.; соавторы: Л. В. Руднев, О. Л. Лялин, И. И. Фомин; производитель работ В. Ф. Райлян).
 Профилакторий «Текстильщица» на 4 000 посещений (иначе — Володарского района; ныне больница на пр. Елизарова, д. 32) (1928—1930 гг.; соавторы: Л. В. Руднев, Е. А. Левинсон, О. Л. Лялин, И. И. Фомин).
 Музей Ботанического сада (1928—1930 гг.; соавтор Л. В. Руднев; конкурс всесоюзный; 2-я премия);
 Спортивный комплекс «Динамо» на Крестовском острове (соавтор О. Л. Лялин);

В Москве:
 Дворец культуры Пролетарского района (1930 г.; соавтор Л. В. Руднев; конкурс);
 Всесоюзный институт экспериментальной медицины — ВИЭМ (1932 г.; соавторы: О. Л. Лялин, Л. В. Руднев);

В других городах:
 Дом Государственного издательства (АЗГИЗ) в Баку — (1928 г.; соавтор В. О. Мунц; конкурс всесоюзный МАО, 1-я премия);
 Госбанк в Новосибирске (1928—1930 гг.; соавторы: Л. В. Руднев, В. О. Мунц; конкурс всесоюзный, 3-я премия);
 Дом культуры в Окуловке (1928—1929 гг.);
 Уральский Политехникум в Свердловске (1928—1930 гг.; соавторы: Л. В. Руднев, Левинсон Е. А., И. И. Фомин; конкурс всесоюзный МАО; 4-я премия).
 Нижний Тагил — застройка кварталов (1946—1955 гг.; руководитель);
 Санаторий «Металлург» в Сочи (1950 г.; соавторы: Г. Л. Битов, О. А. Угрюмова).

Источники
 НБА АХ СССР, ф. 7, оп. 8, д. . Личное дело студента гг.
 Ежегодник Общества архитекторов-художников. Выпуск 13. Ленинград. 1930 г. Стр. 66, 67, 79-84, 95, 159.
 Ежегодник Ленинградского отделения Союза советских архитекторов. Выпуск 3. Л. — М. 1953 г. Стр. 97, 150, 151.
 Зодчие Санкт-Петербурга. XX век. Сост. Исаченко В. Г. СПб.: «Лениздат». 2000 г. Стр. 690.

Примечания

Архитекторы СССР
Архитекторы Санкт-Петербурга
Архитекторы русского авангарда
Архитекторы Москвы
Архитекторы Баку
Архитекторы Новосибирска
Архитекторы Сочи

redpajama_set_name: RedPajamaWikipedia


So here, compiled from email exchanges between Jack and me in September and January, is a short dramatic piece about aspiring Pirates pitcher Anthony Claggett, formerly of the Yankees' minor league system.
Jack: Meanwhile they've signed another triple-A pitcher, Anthony Claggett, who judging by his name is a soot-faced Dickensian orphan boy.
Coach: Go get the next hitter out. And be speedy now! Go! To the mound with you!
Claggett: Oh yes sir! I will. Oh, I shan't elevate the fastball as I did last week.
Claggett: Oh! Oh sorry coach!
Gravel-voiced bullpen coach: Claggett! Doff your greatcoat and toss that ball about a bit. Mr. Lincoln has developed a deathly cough and shall need you to relieve him next inning.
Claggett: (cap in both hands) Sir! I shall make the greatest haste, but would it be too much to trouble you for an extra coal for the stove? The bullpen is dreadful cold!
Coach: Pshaw! You skinny wastrels must always go on about the cold! I tell you, boy, if perchance you appear in an inning without two men reaching base out of five, then talk to me of the cold!
Claggett: Indeed, sir... But might I not at least have a cupful of potted barley to eat, or the rind of your apple there? I grow so faint throwing the fastball on an empty belly, and I ha'n't any food since last evening but a glass of small-beer and a packet of sunflower seeds.
Coach: (screws up eyebrows in apoplectic rage) 'Swounds, Claggett, you shall go to the pitcher's mound now or your supper shall be the back of my hand!
Claggett: Oh! Oh, unhappy game!
Claggett: (humbly holding baseball in both hands) I am here, sir.
Coach: Claggett, good. Boy, I am to inform you that you are of no more use to the team. That new Spaniard, Mister Dotel I believe it is, will have your bunk, and I have informed Master Devon in the clubhouse that you are not to take your supper there any longer.
Claggett: Oh... Is that all there is, then, sir?
Claggett: Then I understand it's to be the cannery for me again, sir?
Coach: (his face suddenly purple and contorted) Hell's bells, Claggett, must I spell it out for you so plain? You have been cast off, you idle-minded ruffian!
Claggett: I am sorry. It's merely that in the cannery I'm wont to grow so dreadfully tubercular, sir, and I daresay I'll lose many more a finger than I did in your offseason conditioning program.
Coach: (barely containing rage) I might only say to you, boy, that your fate would not be half as sorry if you could be troubled to pitch a ball within a Dutch yard of the home-plate once in a fortnight. Now leave this place before I flay the hide from your backside and make it into a baseman's mitt!
Claggett: Ah, me! What sorrow there is in baseball, in life!
Jack: Oh, Claggett. I'm gonna miss the poor little scamp.
With that Jack segued immediately into a short riff on Jakubauskas as an "overweight, middle-aged, ambiguously Latvian man who owns a failing steakhouse", but I think you get the idea. Meanwhile, as noted above, real-life Claggett cleared waivers and is in the Pirates camp right now, so I suppose spring delivers fresh hope even to the very meanest of relief pitchers.


text:
front-end loads, Investing, management expense ratios, Mutual Funds, trading expense ratios
How to find your way through the maze of mutual fund fees
by aleks | Oct 14, 2015 | SELF-PUBLISHED
Sorting out MERs, TERs, and loads
If you're a novice investor, and you've been looking at the costs of mutual funds, you're probably finding it more than just a bit confusing. For example, you might have seen a number of different costs and expenses listed for mutual funds, including front-end load, management expense ratio, and trading expense ratio. Here's a look at what these are and what the difference is.
You're not alone in being in the dark about the fees and costs of mutual funds. This has been a long-standing complaint of investors, and the industry and its regulators have been trying to find ways to make fees and costs more transparent for the investor. Some progress is being made, but there's still a long way to go. In the meantime, it's best to educate yourself about the basics of fund fees and costs.
A heavy load to carry
First of all, let's look at the "front-end load." This is not, strictly speaking, an operating cost charged by the fund itself. Rather, it's a commission you pay to whoever is selling you the fund. The load is expressed as a percentage, and is taken off the top of the amount you invest. So if there's a 3% front-end load on a mutual fund, and you have $10,000 to invest, $300 will be deducted from your investment and given to the fund salesperson as a commission, leaving your total investment in the fund at $9,700. "No load" funds are typically sold without any front-end commission to a salesperson, and are favored by do-it-yourself investors who purchase funds directly from fund companies that offer no-load funds.
The expense of management
The "management expense ratio" consists of the fees that the fund pays for various operating costs. The biggest of these is typically the cost of investment management. This compensates managers for researching, trading, and reporting the portfolio. Usually, the more active the fund or the more complex its investment strategy, the higher this fee will be.
Investment funds may also pay commissions, or trailer fees, to financial advisors, brokers, dealers, and fund salespeople for their planning and asset selection services they provide for you, their client.
In addition to the fee paid to the portfolio manager and investment salesperson, the fund must also pay basic operating expenses, such as legal, administrative, and accounting fees. In addition, Harmonized Sales Tax must be paid on all of these items, and this also forms a part of the MER for a fund.
The cost of trading
The "trading expense ratio" (TER) is a more obscure measure, but is likely to command more attention over the next year or so as new fee- and expense-reporting rules start to kick in. The TER is essentially a measure of a fund's transaction costs expressed as a percentage of the fund's average asset value over a given reporting period. So, for example, a TER of 0.04% on a fund with average asset value of $500 million over a year, means the fund pays about $200,000 in transaction costs.
The transaction costs include, of course, brokerage commissions that the fund manager pays for trading securities as well as custodian transaction fees. Again, in the case of equity funds, the more active the fund, the higher the TER will be. (Note that in Canada, "TER" refers to "transaction expense ratio," but in the U.S., it refers to "total expense ratio," a different measure, and not to be confused with the "TER" used in Canada.)
If you're still hazy about what all these costs and fees are and how they impact your investment portfolio, speak to a qualified advisor, who will spell out in details exactly what these costs and fees are in relation to your own investments.


.5 <i. Cf'} ::> o ;.. "V :3 0'\ 00 0\ - o '-- In every dream a daru:e. n every âaru:e a fantasy. Quietly she sits, awaiting er cue, lost in a moment of reverie. Poised, dreamlike a being of fantasy and reality combined. As a poet might imagine " her, Lladro has created her, in stylized perfection, graceful and delicate down to the lace at her hem An expression of Lladró art an expression of life. i -" lAD O Shown: uOpening Night' (L:>498), 5 3 /i. HandLrafted and handpainted In SpaIn Authenticity guaranteed by the distinctIve Lladro trademark on the base For information about the Lladró Collectors Society write to Lladro USA Dept. LCS 43 W 57th Street New York, NY 10019.


text:
Q: Meaning of a negative "started at" time in Chrome DevTools When inspecting a request in Chrome DevTools, I am seeing that the Queued time of the request happened at "0" but that the request was "started" at -154ms. I assumed that all requests must first be queued before they can actually be made (the started at time), so what would cause the request to start before it was queued?
Am I misunderstanding what these two numbers mean?
When watching events via the remote debugging port, I also see that the monotonic timestamp of the request being sent (via the requestTime associated with the Response) is before the monotonic timestamp of the requestWillBeSent event for the same request.

For other resources in the page load, I see parity between the queued and start times:

redpajama_set_name: RedPajamaStackExchange


Bella Cotton Pads are made with high quality 100% pure wool and is widely used for medical and cosmetic purposes as well daily hygiene. They are perfect for removing makeup and are completely safe and hygienic for your skin. These pads also offer excellent Absorbancy. The Two sided plain side is ideal for cosmetics application and embossed side is perfect for gentle skin cleansing.


Jann Aldredge-Clanton is an ordained minister, author, teacher, and chaplain. She currently serves as adjunct professor at Perkins School of Theology and Richland Community College, Dallas, Texas. She also serves as co-chair of Equity for Women in the Church, Inc., on the council of Evangelical & Ecumenical Women's Caucus-Christian Feminism Today (EEWC-CWT), and on the board of Dallas Workers' Rights Board. A native of Louisiana, Jann received the B.A. degree from Louisiana Polytechnic University, the M.A. and Ph.D. degrees from Texas Christian University, and the M.Div. from Southwestern Theological Seminary.
She is the author of She Lives! Sophia Wisdom Works in the World; Changing Church: Stories of Liberating Ministers; Inclusive Hymns for Liberation, Peace, and Justice; Seeking Wisdom: Inclusive Blessings and Prayers for Public Occasions; Inclusive Hymns for Liberating Christians; Breaking Free: The Story of a Feminist Baptist Minister; In Search of the Christ-Sophia: An Inclusive Christology for Liberating Christians; Imagine God! A Children's Musical Exploring and Expressing Images of God, as well as many other books and articles.
For a sample of Jann's work see, "Revolution Through Rituals" in Feminism and Religion.


text:
Front Line Fatigue: Health Workers Face Coronavirus Burnout
New study finds stress levels have risen significantly due to the COVID-19 pandemic, putting the well-being of both health care workers and their patients at risk. NBC's Sarah Dallof reports.
NBC News,
(NBC News) — As the coronavirus pandemic stretches on health care workers are in crisis.
"We're physically, mentally, emotionally, psychologically exhausted," says nurse Subhawana Pradhananga.
They're being pushed to the breaking point by COVID-19.
"It doesn't stop and we don't know when its going to stop," says critical care physician Dr. Andy Wilhelm.
A recent study published in the Cleveland Clinic Journal of Medicine finds the prevalence of burnout is 40-percent, with median self-reported stress level increasing from a three to an eight among critical care providers.
That can lead to more medical errors, substance abuse or self-harm.
Dr. Lorna Breen died by suicide in May, overwhelmed, her family said, by caring for critical covid patients.
"I know my sister felt like she couldn't sit down. She couldn't stop working," says Jennifer Feist, Breen's sister.
Burnout is not new, but it's happening faster and more frequently due to new stressors including lack of PPE and fear of infecting loved ones.
Dr. Oren Friedman contracted coronavirus in March.
When he recovered, Dr. Friedman traveled to New York to treat coronavirus patients.
Now back in Los Angeles, he's treating cases at Cedars-Sinai.
"One of the difficult things that we face that causes tremendous stress for us is when we leave our jobs, we go back into our communities and we see people that are out in the community that aren't social distancing, aren't wearing masks, going about life as if we are not dealing with this pandemic," he says.
Signs of burnout include emotional exhaustion, cynicism, depersonalization and feelings of low personal accomplishment.
The authors of the Cleveland Clinic article say stress management trainings, exercise programs, and small group programs focusing on community can help combat it.
Health News - Link between COVID-19 and long-term health problems
Health News - New info on vaccine rollout for young kids
Health News - New variants may keep COVID cases high


Colombian President Juan Manuel Santos and his congressional coalition continue to blame each other over a government-proposed justice reform that failed after coalition congressmen added controversial amendments to the bill.
In an interview with television network Caracol, Santos said that jailed politicians had used their allies in Congress to make amendments that would allow the immediate freedom of lawmakers in legal trouble.
However, House Representative Augusto Posada, who took part in the final commission that made the controversial final changes and is set to take over the presidency of the lower chamber later this month, accused Santos of being a hypocrite.
"He left all responsibility with Congress," Posada told newspaper El Tiempo.
According to the lawmaker, the crisis over the flunked justice reform has widened the rift between the U Party, of which Santos is President and Posada is a member.
"The U Party is going through a tough time," Posada said. "Not because of the reform but because of the confrontation between President Santos and ex-President [Alvaro] Uribe.
The U Party was founded by Santos and formed the basis of Uribe's legislative support during his 2002-2010 Presidency. Relations between Santos and Uribe worsened after Santos took over the presidency, appointed Uribe critics in key positions within his government and adopted a significantly more liberal approach than his predecessor.


text:
Die Republik Unabhängiges Guyana (französisch République de la Guyane indépendante), nach der Hauptstadt Counani (Cunani in Brasilianischem Portugiesisch) auch als Republik von Counani oder Counani-Freistaat bezeichnet, war ein kurzlebiger unabhängiger Staat in Südamerika.

Republik Unabhängiges Guyana (1886–1891)
Mitte des 19. Jahrhunderts waren die Grenzen zwischen Französisch-Guayana und Brasilien unklar. Verhandlungen scheiterten, und 1862 wurde vereinbart, dass die Region zwischen dem Fluss Oyapock und dem Amazonas, die in etwa dem heutigen brasilianischen Bundesstaat Amapá entspricht, neutrales Gebiet sei.

Der Schweizer Paul Quartier, der das Gebiet 1883 besucht hatte, kam 1885 zurück und traf sich mit den Anführern der Siedlungen Counani und Carsewenne (heute: Calçoene), die Brasilien feindlich gesinnt waren. Am 23. Juli 1886 wurde ein Vertrag unterzeichnet, der die Republik Unabhängiges Guyana in der neutralen Zone gründete.

In Counani wurde eine Regierung installiert, mit Jean Ferréol Guigues als Staatsminister und Paul Quartier als Quartiermeister. Als Präsident "wählten" sie Jules Gros, einen in Paris tätigen Journalisten, mit dem die beiden Abenteurer bereits seit einiger Zeit Geschäfte betrieben.

Am 11. September 1887 erklärten Frankreich und Brasilien gemeinsam, dass sie die Republik Unabhängiges Guyana nicht anerkannten. Gros, der von Paris aus regierte, zerstritt sich mit seinen "Beamten" vor Ort, die ihn für abgesetzt erklärten.

Jules Gros bestand darauf, weiterhin als Präsident auf Lebenszeit zu regieren. Mit englischen Kaufleuten gründete er ein Syndikat zur Nutzung der Ressourcen des unabhängigen Guyana. Mit dem Tod von Gros 1891 endete die Geschichte der Republik Unabhängiges Guyana endgültig.

1894 wurde im Rio Calçoene Gold gefunden. In der Folge wurde von dem brasilianischen General Francisco Cabral in dem Gebiet ein Staat unter brasilianischem Protektorat ausgerufen. Durch militärische Intervention von Französisch-Guayana aus wurde Cabral 1895 zum Rücktritt gezwungen. 1897 baten Frankreich und Brasilien die Schweiz, als Vermittler in der Grenzfrage zu agieren. Das umstrittene Gebiet wurde Brasilien zugeschlagen.

Counani-Freistaat (1892–1911)
1892 proklamierte sich der französische Offizier Adolphe Brezet zum Präsidenten des Counani-Freistaats und ernannte drei Minister. Die vier Abenteurer wurden jedoch von der brasilianischen Armee festgenommen und für zwei Wochen eingesperrt. Brezet ging nach Frankreich ins Exil, wo er als Duc (Herzog) de Brezet residierte.

1902 gab Brezet eine Pressekonferenz in Paris, auf der er sich erneut als Präsident des Counani-Freistaats präsentierte. Dieser Freistaat hatte eine Verfassung und eine Flagge, und er gab Briefmarken heraus. Er wurde jedoch weder von Frankreich noch von Brasilien anerkannt. Lediglich die südafrikanischen Burenrepubliken, für die Brezet zuvor gekämpft hatte, nahmen diplomatische Beziehungen zu dem Freistaat auf.

Der Counani-Freistaat hörte 1911 endgültig auf zu existieren.

Einzelnachweise

Guyana
Guyana
Guyana


Microsoft Silverlight is a web application framework, but it highlights more on business applications and it is similar to Adobe Flash. Silverlight applications can be written in any .NET programming language. Silverlight.js and CreateSilverlight.js files are contained by Silverlight project ,these files initializes the Silverlight plug-in for use in HTML pages, a XAML file for the UI, and code-behind files for the application code.


text:
AuctionsPlymouth
AUCTION: One-Of-None 1970 Plymouth Barracuda 4-Door Sedan Goes Up For Auction
Custom One-Off Creates The Illusion Of "What If"...
Meet the world's only four-door Plymouth Barracuda. Created by the late owner of restoration products supplier ECS Automotive Concepts, Dave Walden, the inspiration for this build was the idea of what a new-for-1970 E-Body would look like as a four-door sedan.
1970 Plymouth Barracuda 4-Door Sedan. (Mecum).
Walden began with all-steel bodywork, much of it hand-fabricated, creating a uniquely configured roof line to allow for the new door frame configuration. Importantly, his expertise in the Mopar hobby allowed him to properly position these details as the factory may have done. The VIN is legal and ends in 1000000, versus the normal convention. Displayed at the 2016 Specialty Equipment Market Association (SEMA) show in Las Vegas, the tires had never even touched pavement until 2022.
Under the hood les a 5.0-liter (340 cubic-inch) E55 V8 engine rated at a modest 275 horsepower in 1970. The 340 is equipped with a 4-barrel carburetor, high-flow exhaust manifolds, dual exhaust, and is mated to A727 TorqueFlite automatic transmission. Walden also equipped the car with power steering and power front disc brakes.
Painted in the awesome FE5 Rally Red, the car is complemented by a Black vinyl roof and Black interior.
Inside, Walden added various accessories like the bench seat with center armrest, a tilt-telescopic steering wheel, an in-dash clock, AM radio, and rear courtesy lights. The door panel upholstery is one-off, and the car wears chrome wheel-lip moldings, and Barracuda script trim tags. Final touches of a set of 5-spoke chrome wheels wrapped in Redline tires help complete the look.
The car comes with a reproduction window sticker stating options and redelivery to Chrysler itself, as well as a faux broadcast sheet that might have accompanied the car's assembly at a Chrysler/Plymouth facility. A Mopar products catalog and plates are also part of this sale.
Scheduled to cross the auction block on Friday, January 13th, this custom one-off four-door muscle car is expected to fetch $200,000 to $300,000.
We will definitely be keeping a close watch at it when it bidding starts. For more information on how to bid on this clearly unique one-off Barracuda sedan, you can visit Mecum.com.
1970 Plymouth Barracuda 4-Door Sedan Image Gallery:
1970 4-Door auction Barracuda Custom Kissimmee Mecum Plymouth Sedan
Rare 1970 Dodge Challenger R/T Convertible "Pilot Car" To Go To Auction:
AUCTION: 4,100-Mile 2005 Dodge Viper SRT-10 Copperhead Edition:
FOR SALE: 1991 Jeep® Grand Wagoneer – Nothing Beats The Original:
This 16k-Mile 1989 Dodge Shelby Dakota Pickup Could Easily Be Restored!
patfromigh Jan 13, 2023 #1
This four door Barracuda was a Valiant attempt to expand the line, but in the end the E-body Barracuda had its clock cleaned in the sales race by the Duster.
JohnRogers Jan 13, 2023 #2
The A-pillar and roof where the windshield meets looks like shade-tree mechanic level.
FOR SALE: Stevens-Miller Racing Is Selling One Of Their Dodge Challenger TA2 Race Cars!


text:
Szkotowo – dawna gromada, czyli najmniejsza jednostka podziału terytorialnego Polskiej Rzeczypospolitej Ludowej w latach 1954–1972.

Gromady, z gromadzkimi radami narodowymi (GRN) jako organami władzy najniższego stopnia na wsi, funkcjonowały od reformy reorganizującej administrację wiejską przeprowadzonej jesienią 1954 do momentu ich zniesienia z dniem 1 stycznia 1973, tym samym wypierając organizację gminną w latach 1954–1972.

Gromadę Szkotowo  z siedzibą GRN w Szkotowie utworzono – jako jedną z 8759 gromad na obszarze Polski – w powiecie nidzickim w woj. olsztyńskim na mocy uchwały nr 19 WRN w Olsztynie z dnia 4 października 1954. W skład jednostki weszły obszary dotychczasowych gromad Kownatki, Michałki, Rączki, Siemianowo i Szkotowo oraz miejscowości Załuski i Łapinóż z dotychczasowej gromady Szerokopaś ze zniesionej gminy Szkotowo w powiecie nidzickim, a także obszar dotychczasowej gromady Januszkowo ze zniesionej gminy Waplewo w powiecie ostródzkim w tymże województwie. Dla gromady ustalono 13 członków gromadzkiej rady narodowej.

1 stycznia 1960 do gromady Szkotowo włączono wsie Frąknowo i Dobrzyń oraz kolonię Mogiłowa ze zniesionej gromady Dobrzyń w tymże powiecie.

31 grudnia 1961 z gromady Szkotowo wyłączono PGR Załuski, włączając je do gromady Nidzica w tymże powiecie; do gromady Szkotowo włączono natomiast wsie Gardyny, Łogdowo, Osiekowo, Turowo i Turówek oraz PGR-y Borowina i Dąbrowo ze zniesionej gromady Gardyny w tymże powiecie.

Gromada przetrwała do końca 1972 roku, czyli do kolejnej reformy gminnej. 1 stycznia 1973 w powiecie nidzickim reaktywowano gminę Szkotowo.

Przypisy

Szkotowo


Today Amazon is having a great deal on the Google Pixel 32GB model in Very Black. This is an unlocked device and it is also a certified refurbished model, and right now you can grab it for just $219.99 which is an extremely low cost for this phone. The Google Pixel comes with Android Oreo software now that the device has been upgraded, it has a 12-megapixel rear camera with 4GB of RAM and it's powered by a Qualcomm Snapdragon 821 processor. While it has now been surpassed by the Pixel 2 and similar phones, back during its release and for a good while it had the highest rated smartphone camera, so expect good pictures here.
Also on sale today is Huawei's Mate 10 Pro. Though this is a much newer phone than the Pixel and it will cost a bit more, it's been knocked down in price to its lowest yet on Amazon as you can grab it for just $649.99 down from its original price of $799, meaning you're saving $150. The Mate 10 offers a huge 6-inch display with an 18:9 aspect ratio so you get plenty of screen real estate for all of your interactions, and the phone is powered by Huawei's HiSilicon Kirin 970 processor. The device also comes with Android Oreo so its software is up to date, and it has loads of space for apps thanks to its 128GB of storage. Lastly, Amazon is still having a sale on its Fire TV with 4K, which you can pick up for just $49.99 right now down from its original price of $69.99.
The Google Pixel was Google's first Pixel device, coming with Android Nougat software (now Android Oreo) and at the time the world's best smartphone camera with a 12-megapixel sensor. It has 4GB of RAM and 32GB of storage for apps, games, media and more, and it charges via USB Type-C so it charges up quickly. It has a 5-inch Full HD display, a fingerprint sensor for unlocking the device as well as authorizing mobile payments, and this particular model comes in black. The phone is also equipped with Google Assistant which means you can easily use this to control various smart home products, or just ask it questions if you'd like.
Huawei's Mate 10 Pro is one of the best devices Huawei has ever produced, coming with a 6-inch 18:9 Quad HD display, 6GB of RAM meaning you should have no issues with multitasking or gaming, and 128GB of storage which means you should have no issues with space. It has a 4,000mAh capacity battery which is plenty of power to keep you going through a day or two even if you use your device very heavily, and if you happen to need a charge the device does support fast charging and it charges through USB Type-C. It also comes with a dual camera setup on the back, with a main 12-megapixel sensor and a secondary 20-megapixel sensor, as well as an 8-megapixel front-facing camera for selfies and video chat.
Amazon's Fire TV with 4K is Amazon's latest Fire TV setup, offering Ultra HD quality video support, Amazon Alexa support so you can use your voice to control things, and a smaller form factor so the device is almost out of sight when plugged in. It also comes with the remote which is how you interact with Alexa, or you can simply use it like a normal remote if you prefer to do so. This device also supports Dolby Atmos audio so if you have a passion for good quality sound, then you'll love the capabilities here. It also has up to 8GB of storage so there is some room to store apps and other media.


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