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Random Thoughts / World of Rally
WRC6 Review… Part 1: The "Feeling"
by Jason Anthony · Published November 11, 2016 · Updated November 11, 2016
Admittedly, it has taken me a bit of time to put together a review of WRC6 which came out about 1 month ago. There are a couple of reasons for this. First of all, when I first booted up the game, my aging GPU was not sufficient to run the game on anything better than the lowest graphics settings. I didn't really feel that it would be fair to evaluate the game from this perspective, so I had to save up my pennies for a shiny new Nvidia GPU to install in my PC. Secondly, I wanted to give the developer Kylotonn Games a little bit of time to see if they were going to patch and support the game after its initial release. Save for a few patches released within the first week, things have gone silent from Kylotonn, so I think that it is now fair to evaluate WRC6 as a "finished product". A few months ago, I put out a rather optimistic preview of WRC6 discussing the possible improvements from last year's disappointing release of WRC5. So, now that I've played the game on a properly prepared PC, did it live up to my high hopes?
Let's start out with the question that you probably all are wondering… is it better than WRC5? My answer to this question is a fairly resounding yes. WRC6 is absolutely better than WRC5. However, considering how poor of a game WRC5 turned out to be, this fact alone does not serve as an endorsement for WRC6. In order for WRC6 to be a game worth sinking your hard-earned money into, it has to be SIGNIFICANTLY better than WRC5. Is it? Well, let's get into that, why don't we? In the interest of fairness and also organization, I'm going to evaluate WRC6 using the same criteria I used in my review of Dirt Rally last year. Once again, I'm not going to be reviewing WRC6 from a "gaming" perspective, because this has already been done quite well by gaming websites and publications. Instead, I'm going to evaluate it from a "rally" perspective from one rally enthusiast to another. At the end of the day, this is a rally website, and you are reading this because you are a rally fanatic, so I'm going to approach WRC6 from that angle. As this review began to come together, I realized that it was getting a bit long… no, actually, VERY long. For that reason, I have decided to split it up into several more readable, "bite-sized" chunks that address each aspect of the game. So, without further ado, let's get into the first topic, how is the "feeling" in WRC6? Did it make you feel like you were "Facing The Danger" as it was advertised?
The "Feeling":
When people hear about the "feeling" of a rally game, usually the first thing that comes to their minds is the physics. At that point, the pitchforks will come out and the various "camps" of rally games through the ages (Richard Burns Rally, Colin McRae/Dirt Rally, WRC series, etc…) form their battle lines on internet message boards to wage war over which game is the "most realistic." However, when I discuss the "feeling", there's a lot more to it than just realistic physics. Rallying is an emotional sport, and for a game to adequately capture the "feeling" of rallying, it needs to evoke an emotional response as well. When I crash into a tree on the final stage of a rally and am forced to retire, the game should make me care. When I have a "big moment" but get away with it, the hairs should stand up on the back of my neck… at least just a little bit. When I'm driving my virtual rally car through a stage, the physics don't need to be spot-on realistic (because to be honest, having never driven a rally car, I don't know what that is), but they should be predictable. I shouldn't be guessing what the car is going to do. To sum it up, for a game to capture the "feeling", it needs to be an experience, not just a game.
So, does WRC6 deliver when it comes to the "feeling" of rallying? My honest answer to this is yes and no. Let's talk about the yes first. One of the most impressive aspects of WRC6 is its force feedback. I'm going to say it right now that the FFB effects in WRC6 are some of the best I have ever felt in any PC racing game/sim, and are definitely better than in Dirt Rally. The force feedback in WRC6 feels "raw", but in a good way… kind of similar to how the sound in Dirt Rally is described as "raw". The steering wheel feels weighty, and as the car passes over various surfaces, you feel a palpable difference in the feedback coming through the wheel. When you clip a ditch too closely and the car gets thrown off line, there is a noticeable jolt in the wheel. It is one of the ways where the "feeling" that WRC6 delivers brings a big smile to my face when I'm driving. Another way that WRC6 delivers the "feeling" is on the high speed corners and straights. At speed, the cars feel tight and responsive. You can point the car at the apex and it goes right where you wanted it to. You can link fast corners together into one flowing chain, and it feels absolutely brilliant. Driving in Finland in WRC6 is one of the most fun virtual rallying experiences I have ever felt… even better than driving in Finland on Dirt Rally. During the high speed sections of WRC6, I was able to achieve that elusive rhythm that rally drivers are always pursuing, and it absolutely gave me an emotional, visceral feeling when I was behind the wheel. It is in those moments that WRC6 really excels by rewarding me with a memorable experience and lets me forget for a little while that I am playing a game.
So, that sounds pretty good, right? Well… I wish I could leave it at that, but unfortunately, not all rally stages have fast, flowing corners. For every Ouninpohja, there is an El Condor if you get what I mean. I'll discuss the character of WRC6's stages later on in this series, but for now, let's just say that there are many stages in WRC6 with very tight, twisty corners and that's where the "feeling" starts to break down. I don't know why, but it seems hard-wired into WRC6's physics that once you turn the steering wheel past a certain point, the cars snap into oversteer. This isn't noticeable on the fast corners because not much steering input is needed, but on the slow corners where you really have to turn the wheel to hit the apex, the cars inevitably swing out the rear end into a lurid, uncontrollable slide. The weird thing about this is that even at incredibly slow speeds, these slides still occur and that makes the slides feel "canned". I have tried everything from the steering wheel settings to the car setup to dial this out of the handling, but thus far, I have been unsuccessful. It's very frustrating, because it really breaks up the fantastic rhythm that you can get into with WRC6. My best example of this is in Poland. Just like in real life, the stages feature kilometers of fast, flowing corners before coming to a tight junction. The fast corners feel great, but when I get to the junctions, the car oversteers into an uncontrollable slide the inevitably turns into a spin. The picture below is something that you are going to get used to seeing a lot of in WRC6. Your car usually ends up spun into the inside of a tight turn after suffering one of those exaggerated slides.
I fear that Kylotonn have fallen into the same misconception that many game developers have about rallying… the idea that rally cars power-slide and drift automatically. This couldn't be further from the truth, especially with today's rally cars and their complex active differentials and suspensions. The fastest way from point A to B is a straight line, and modern rally cars are designed to eliminate as much sliding as possible. Now… do we still see big slides in the WRC? Yes, but they are usually the result of a driver making a mistake by either overcooking it into a corner or missing an apex and then having to drag the car back into the middle of the road. My problem with the sliding in WRC6 is that it happens spontaneously and sometimes without warning in the slow corners. It just doesn't feel right. Now, does this ruin the game? Not entirely, but it did wipe that big smile off my face that was there as I was driving through the fast corners. Over time, I have found two things that have helped mitigate these "canned" spins just a bit. The first is playing from the hood cam. By having the camera further towards the front of the car, it decreases the gyration of those big slides and makes it easier to recover the car. The second is playing with the degree of rotation setting on my wheel to increase the steering threshold before the car snaps into one of those big slides. They aren't perfect fixes, but they definitely help. If anyone figures out a better way to get around this problem, please let me know because if it gets rectified, it will make WRC6 MUCH more enjoyable to play.
What about the emotional aspects of the "feeling", how does WRC6 deliver on that front? Well, like I said above, when driving in Finland and the fast sections in Poland, the game made me feel some of the same emotions that the WRC's drivers described at the end of those stages in real life. However, after a crash, I didn't feel the same gutting disappointment that I felt when I crashed in Dirt Rally. Why is this? Part of the reason is that when I crashed in Dirt Rally, I knew that it was my fault. I pushed too hard, swung the car just a bit too wide, or clipped an apex just a bit too close. Almost every crash I had in Dirt Rally, I could point to a mistake that I made, and I could retrace my steps to understand how not to make the same mistake again. In WRC6, when I crash, it is usually because of those "canned" spins that I described above, and when that happens, I feel cheated. I feel like the game causes me to crash rather than a specific mistake that I made, and that definitely leaves a sour taste in my mouth. It makes the crashes feel not nearly as meaningful as they are in Dirt Rally, and it also gives me no motivation to drag my damaged car back onto the road and limp it home to the end of the stage. The marketing tagline for WRC6 this year was "Face the Danger", but to be honest, the sensation of danger wasn't really conveyed adequately and it made WRC6 feel more like a game and less of an experience.
So, does WRC6 deliver on the "feeling" of rallying. My honest assessment is that in this area it provides a bit of a mixed bag. When compared with WRC5, the answer is a resounding yes, but when compared to Dirt Rally, and even in some ways Sebastien Loeb Rally Evolution, WRC6 comes up a bit short. That being said, is that enough to make you pass on WRC6? Check back in a few days for the next part of the review to see if other aspects of WRC6 balance out some of the issues that I described today.


As I stood in that place looking at the light breaking through the dismal sky, I realized that his spirit was with us in that beautiful spot he would have loved so much. Now, I needed to set aside the grief and worry that were plaguing me in order to be present to two of the people I love most joining together as one.
This Lent join us as we participate in the ancient practice of fasting. But instead of fasting from the tangible (like food, entertainment, or music), we'll be fasting from heart conditions. Together, we'll fast from fear, neglect, comparison, materialism, worry, and silence. Use this devotional as a guide to help you as you "turn around" and realign your heart toward God.
If you had asked me last year what my greatest worry was, I would've told you that it was the fear that my dad would die before my brother's wedding.
Dad's health had been in pretty steep decline since the spring of 2017. At that time he had been battling a rare form of lymphoma for over seven years. My brother, Zach, had been seriously dating Victoria for several years and so it was not surprising to anyone when they got engaged in the Fall of '17. We were all so happy for them, but in particular, my dad was elated.
With the concern for dad's health at the forefront of all of our minds, Zach and Victoria went ahead and scheduled their wedding for February of 2018. Four months is not a long time to plan a wedding, but they put everything together quickly in hopes that dad would be able to be there.
We all watched in helplessness and worry as dad's health grew increasingly worse. And two days before the wedding, after a week and a half in the hospital, my dad passed from this life to the next on February 21 at 10 pm.
The thing that we'd all been so worried about had happened.
We were in the middle of what was supposed to be such a joyful season and yet a huge piece of our hearts was missing. We had to plan a funeral and settle his estate. We had to alert family and friends of his passing. All the details that needed to be attended too were overpowering. Not to mention the wedding we were in the midst of throwing.
To be honest with you, I wasn't sure we'd be ok.
I worried about my brother. Would he be able to celebrate with this huge loss looming over him? How would we honor dad at the ceremony when everything seemed so trite? How would my mom be able to bear that evening without her husband of 49 years by her side? I was going to officiate the service and I was not sure I would be able to maintain composure.
It felt very overwhelming in the face of such a huge loss to try to celebrate.
The day after dad died, we loaded up into the car and drove to Austin for the rehearsal and dinner. The venue Zach and Victoria chose was a beautiful Hill Country spot overlooking Lake Travis. Before we ran through the rehearsal, I walked the property, crying and praying. The evening felt gloomy, overcast skies tinged with sadness and darkness.
But as I was praying, I noticed the clouds parting just a little and beautiful rays of sunlight began to cascade all around me.
My dad loved the Hill Country. As I stood in that place looking at the light breaking through the dismal sky, I realized that his spirit was with us in that beautiful spot he would have loved so much. Now, I needed to set aside the grief and worry that were plaguing me to be present to two of the people I love most joining together as one.
I was resolved, even if not totally sure how, that I would try to fast from my worry during that weekend.
"Soon after my son was born, I carried him into our backyard, as far from the glow of artificial lights, as possible, held him up toward the thousands of stars that shone down from a clear moonless night, and offered his spirit to the universe. Somewhere years ago I had read that an ancient tribe performed that same ritual with their newborn. For me, it was a gesture aimed at instilling in my son the timeless value of honor and a sense of belonging in the historic scheme of things."
There was not a dry eye in the place.
It was the best wedding I've ever been to, in the middle of the worst thing that's ever happened to us.
And it was a beautiful and powerful testament to the resiliency of the human heart.
My dad was present there that night, in our hearts and minds, in the fact that I was able to read his words to my brother as he married his wife, in a perfect Hill Country setting, while the birds sang and the wildflowers bloomed.
I am thankful today for the light that shines brightly even when everything is just the worst. That even at our lowest moment, there is still much room for joy and hope and love. We were able as a family, to set aside our worry and to be present to each other. We were able to celebrate amidst the hardest thing that has ever happened to us. To this day, I cannot fully explain how we did that. All I know is that God was in the midst.
Through our faith and love for one another, we came together and supported one another.
My family is forever changed with the loss of my dad, and there have been many hard days that followed the wedding. Many days, where I find myself again, sinking into worry. But, it helps to remember that night and our strength in beauty and in love. And it helps to recognize that life is a series of births and deaths, weddings and funerals, times for celebrations and times for mourning. We honor God and one another when we are present for all of it, with our whole heart.


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Happy Tuesday everyone! So now that I have had some time to really look through everything at the Nordstrom Anniversary Sale, I wanted to bring you my favorite shoes from the sale. The shoes this year were my favorite part about the sale. I bought more shoes than I did anything else. I will let you know which ones I bought and why I love each and every one of these. Y'all how good is this sale?? I just die!
I divided my favorite shoes into sections; Boots, Booties, Tennis Shoes, and the #1 Must Have Shoe for Fall. I hope you all like my top picks from the shoe selection. When you flip through each picture I have comments on the bottom that tell you if I bought the shoe and what I love about each one.
For the Nike tennis shoes that I bought (the white and grey ones), make sure to size up half a size because they do run a little small. I am normally a size 8.5 and got these in a size 9 and they fit perfectly. I also highly recommend any of you who do not have a pair of Tory Burch flats to get them. They are just one of those shoes that are such a good staple to have in your closet. I wear mine ALL the time. I used to wear them all the time to work and they also look perfect with jeans. It is hard to find Tory Burch on sale so now is the time to get them! To purchase any of these shoes you can just click directly on the picture and it will take you straight to the site.
I will be posting more posts throughout this week of my other favorite items from the different categories. Once all of my sale merchandise that I bought online gets to my house, I will be taking pictures soon and sharing my favorite outfits with you guys. So stay tuned!!! :) I am so excited to finally try on everything.
I love all your shoe picks! I especially love all you picks for boots!
ALL of these shoes are too cute. Girl I really want to buy myself a pair of mules/slides. SO FREAKING ADORABLE!
Love this post girl! Hope you are loving your new finds!
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Wind Cave National Park is a unique geological wonder. This small National Park is nestled up against Black Hills National Forest and Custer State Park. It not only features beautiful and forested rolling hills, but vast grasslands, and a unique cave system with features that distinguish it from other caves worldwide.


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We invite you to personally experience her warm personality and the fine cosmetic work that have earned her a loyal following across the Gulf Coast.
Dr. Wiebe is a master at her craft and is highly regarded in her field. She has played a pivotal role in the amazing smile journeys of hundreds across the Emerald Coast. Through facial esthetics and inspired cosmetic dentistry, she can reinvent your smile into one you'll love.
Smileology™ is top rated by our patients and is one of the most awarded practices in the area. We offer a relaxing and supportive new patient experience that goes above and beyond. Our state-of-the-art facility offers beautiful, pristine surroundings, and our thoughtful amenities such as our beverage bar and comfortable neck pillows help to put our patients at ease. Our staff is warm and supportive, treating you like the valued individual that you are and taking the time to get to know you. Dr. Wiebe's friendly, fun personality will help you relax, and you can rest assured our entire staff is dedicated to your positive experience.
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Levin's primary interest is in portraiture with an emphasis on capturing the essence or spirit of the subject. Her portraits range from a minimalist style to a more traditional, painterly treatment of the face. She sometimes uses beeswax on the portrait which creates and interesting texture and can give an ethereal aspect to the painting. Levin loves capturing the many beautiful faces of different cultures, children, and the elderly. She also enjoy painting still-life occasionally, exploring the never-ending possibilities.


Of the many religious acts celebrated during Easter week, perhaps the most unusual is Good Friday's Procession of Sorrows, one of the oldest Catalan processions. The parade presents the spectator with the opportunity to see many of the church''s treasures such as Our Lady of Sorrows and the black Christ crucifix amongst others.
During Easter there is also the traditional Caramelles recital, performed by the Peralada choir.


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Around the World in 80 Days was an attraction in the Talbot Street (now David Walliams World) area of Alton Towers theme park, Staffordshire, England. The attraction opened around 1981 or 1982, one or two years after the park first opened. It was the first dark ride at Alton Towers, one of the largest in the UK at the time, and was produced by Keith Sparks for the park's owner John Broome.

It was a 4-minute boat ride which followed the adventures of Phileas Fogg and was loosely based on Jules Verne's 1873 novel Around the World in Eighty Days and took riders through various different countries from around the world. Each boat could hold 9 people and there were 10 boats with 1,000 guests an hour. Each country had its own music and some animated characters. You could travel through London, Siam, Egypt, New York City, Venice, Greenland, Las Vegas, Vienna, Holland, Brazil, Paris, London Docks and Battersea. The ride station was themed around the London docks and featured an animated Phileas Fogg in a hot air balloon. Guests would board from the right hand side and exit on their left.

In 1991, at the end of the ride, was a model of the haunted house's facade, advertising the opening of the attraction in 1992.

The ride was popular in its time, but was closed in 1993 and received a complete overhaul after the Tussauds Group took over Alton Towers. The ride was replaced by Toyland Tours in 1994 and then Charlie and the Chocolate Factory: The Ride in 2006. The ride track and boats stayed much the same but with all new scenes.

In 2019, the ride system was reused once again as part of the Alton Towers Dungeon.

References

External links
Full on-ride recording
Around the World in 80 Days at Alton Towers Almanac

Dark rides
1981 establishments in England
1993 disestablishments in England
Works based on Around the World in Eighty Days
Water rides manufactured by Mack Rides
Water rides
Alton Towers
Amusement rides based on works by Jules Verne

redpajama_set_name: RedPajamaWikipedia


With a new year here we have a lot of new exciting rentals! We now have 2 beam skytrackers and 4 beam skytrackers. We have LED signs! New Banners! There is so much to rent these are just a few!
Just give us a call ar 407-354-2300 and ask about our great deals!!!!!


There is a girl I 'know' online, she's a twenty-something artist and a writer and suffers from crippling social anxiety and it struck me, when I heard she suffered from social anxiety, that it was a great irony.
Why? Because I had concluded that with my own social anxiety, I would be 'able' to do a live poetry reading if I could somehow inhabit someone like her, change skins, climb into her person-suit and read the poetry through her eyes.
So obviously the next thought was … that's really weird. Why would you be able to read your poetry aloud in front of people if you were her but not if you were you? The conclusion must have something to do with self-hatred on some level, but it's also about what you want to project.
Sad to admit, I don't want to project me. I want to project someone like a photographer may appreciate and project through that appreciation the beauty of someone else. I'm a behind-the-scenes type. I didn't used to be, I was the belly dancer at the front of the school play, but the difference was, I still wore a mask. That time the mask was dark paint, a wig and a veil.
Some of us need veils or metaphoric veils or some type of guise to be ourselves. For me it used to be a few drinks – dutch courage. I didn't even know it, but before going out I would swig a bit and then I could go through with it. Not a good method. When the ulcer nixed that option, I retreated further than I thought possible, unable to face going out without my mask.
I see others, people who are not attractive, people who are silly, people who are absurd, do it all the time, and I admire them and wonder, how is it that they can do this and I cannot? I'm not certain of anything other than, when you feel this way, it's like you are under a microscope, on a petri-dish and everyone who looks your way is shining a light on you and you can't stand the inspection.
It is an illusion or delusion of course, because people see individuals less and less these days than ever before! We truly can walk around and be invisible and ignored! But when you feel that scrutiny it's like sunburn, you just have to get out of the sun even when it's not really happening it feels like it is!
A few of my friends, normal, not overly attractive people, can stand up there and do anything and everything. They are admired because they appear to have no fear or they feel the fear and do it anyway. I despise my inability to do this, but I do not despise it in others, I understand it in others, I have empathy for it in others, so despising myself is another point of hypocrisy.
Any delusion is hypocritical. A feminist may starve herself because she sees a 'fat girl' in the mirror, who does not exist, and despite believing it doesn't matter what you weigh, she's caught up in it nevertheless. It's like being hypnotized. If you take anxiety meds you are released from them, but it's artificial. I have yet to find a 'natural' method, though much is made of natural cures, none have worked thus far.
All I'm really saying by this, is, how interesting to imagine, just by being someone else we could be ourselves. I think of those robot or clone films where people are asleep and send out their robot version. How much I dislike that idea of living and life, how I don't like the idea of women behind veils, and yet, when I think of standing up and reading my work I want to put on the dragon suit I had as a little kid so badly. I want to wear it underneath myself (my true dragon self) as I did when I was a kid, and the teacher would pull out the tail and say 'she's done it again' and call my dad.


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text:
Home News Link News Enemies Of Sukh Dhaliwal Gang Up On Former MP As Mother Of...
Enemies Of Sukh Dhaliwal Gang Up On Former MP As Mother Of All Nomination Battles Set For Next Saturday In Surrey-Newton
Federal Liberals Laughing All The Way To The Bank With Estimated $230,000 In Membership Fees Collected From Dhaliwal-Sarai Fight!
Forces from near and far have teamed up against former MP Sukh Dhaliwal, including from India and those from his opponents across the political spectrum locally, to make sure that he doesn't win the nomination for the riding which Dhaliwal has held previously for the federal Liberals and one which he is hoping to capture again. While his opponent Randeep Sarai claims to have signed up 11,000 members, the wily Dhaliwal has reportedly signed up over 13,000 members of his own. Dhaliwal has been a king-maker in Surrey and he has fought in a number of nomination Battle Royals, winning each one. And if history is any indication, Dhaliwal is expected to win the nomination again next Saturday but it should be hard fought and close.
By R. Paul Dhillon
SURREY – Enemies of former MP Sukh Dhaliwal have ganged up against him as he seeks to return as the federal Liberal party candidate in the riding of Surrey-Newton, which is currently held by NDP's Jinny Sims.
Forces from near and far have teamed up against Dhaliwal, including from India and those from his opponents across the political spectrum locally, to make sure that he doesn't win the nomination for the riding which Dhaliwal is hoping to capture again for the Liberals in the next election.
The nomination meeting for all the marbles will be held next Saturday, Dec. 13 (unlucky 13 for someone) at the Tamwanis Secondary school with voting taking place from 9 am to 8 pm with the results announced by 10 pm.
Dhaliwal is taking on lawyer Randeep Singh Sarai, who announced his candidacy recently at a press gathering. Sarai took to his facebook page last Saturday to announce that he had signed up 11,000 members (which means his campaign shelled out or got members to shell out $110,000 – nearly three quarters annual salary of an average Canadian MP). But some reports put his membership between 9000 and 10,000, still a hefty amount.
Not to be outdone, the wily Dhaliwal, who suffered some controversy stemming from tax filing in a company he had with a careless partner, has reportedly signed up over 13,000 members of his own (again shelling out or getting members to shell out over $130,000 to party coffers), which means that whoever can get the most members out next Saturday will have the nomination crown.
But where is the money coming from and how are the memberships being purchased given the party's strict rules regarding members paying for the membership?
Well places sources within both camps say the inner circle power players (the backers) of the contestants are using prepaid $20 visa cards purchased in bulk to pay for the memberships even though the money may be coming from one, two, 10 or 20 big donours.
In politics everything is dirty but as long as you play by the rules while at the same time circumventing those rules is absolutely fine.
It looks like the political elite in the Indo-Canadian are also watching Netflix's House of Cards and learning a thing or two from the absolutely cut-throat political mastery of the diabolical fictional US Vice President Frank Underwood (played with great power and Machivilian chivalry by the great Kevin Spacy).
This fight is truly between two powerful armies, which includes some shadowy and unsavory characters on both sides.
Reports say that while Sarai has the backing of some of the same people who supported the victorious Surrey First in the just completed civic elections, Dhaliwal's friends in high places (hint: the Premier's office) have allegedly told the BC Liberal Pitbulls in Surrey to back off from supporting Sarai and not oppose Dhaliwal, who's playing his cards just right.
While Dhaliwal is a millionaire and has backing from other millionaires, where is Sarai getting his funding and backing?
There is also talk that Dhaliwal's enemies are using Sarai to fight their battles by providing him support. Sarai's potential win also bodes well for NDP's Sims (Jogindro Kaur) as he is seen as a lightweight candidate who will most likely be easier for her to defeat than Dhaliwal.
Sarai is the nephew of NDP MLA Harry Bains, who has close association with his federal NDP counterpart Sims.
And we could still see former Conservative MP Gurmant Grewal also return to the riding he has held after he was unceremoniously dumped by the party insiders from seeking the nomination in Surrey-Cloverdale along with businessman Paul Brar.
Grewal has said on record that if the party wants him to run in Surrey-Newton, he is game as he is a loyal Conservative party man.
The riding is shaping up to be one of the most interesting election battles next year when the election will be called, especially if Grewal is thrown into the mix.
The riding is unique in that it has been in the past won by the NDP (current), Liberals and Conservatives.
Both Sarai and Dhaliwal got the go ahead recently from the party to make members and they have not disappointed, with over 20,000 members in a single riding.
Dhaliwal has been a king-maker in Surrey in the Doug McCallum days and he has fought in a number of nomination Battle Royals, winning each one.
And if history is any indication, Dhaliwal is expected to win the nomination again next Saturday but it should be hard fought and close.
Previous articleFood And Cash For Surrey Food Bank!
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redpajama_set_name: RedPajamaCommonCrawl


text:
Autonomous Vehicle/ADAS
Leadership Spotlight
Brake Careers
You are at:Home » Automotive » 2018 Automechanika: Hella Pagid Presents Comprehensive Product Portfolio for Brakes
2018 Automechanika: Hella Pagid Presents Comprehensive Product Portfolio for Brakes
By The Brake Report August 1, 2018 No Comments
More than 14,000 articles available in the areas of wearing parts, brake hydraulics, liquids and accessories for workshops
Definite show-stopper at fair stand: the Ferrari 458 GT3 of the motorsport team "racing one".
Essen, August 1, 2018.
Brake specialist Hella Pagid will present its comprehensive product range of brake components and accessories (Hall 9, Stand A88) at this year's Automechanika, the leading international fair of the vehicle aftermarket. The fair will take place in Frankfurt on the Main from September 11 to 15, 2018. The company will furthermore present its extended portfolio in the area of brake calipers. Hella Pagid most recently added core-free new calipers, which makes it a pioneer on the European market.
Especially for small and medium-sized wholesalers and workshops, deposit processing is often associated with additional resources in the form of process costs, capital commitment and storage capacities. Hella Pagid therefore initially extended its brake caliper program by adding 112 new products without deposit handling. These cover a variety of common vehicle brands while complementing the existing "Reman" portfolio, i.e. remanufactured brake calipers with deposit processing. Going forward, workshops will thus have the choice between environmentally friendly refurbished brake calipers with deposit processing and core-free new parts. When exchanged for new parts, the old brake calipers can be immediately discarded, thus not requiring any storage capacities. Furthermore, the products of the core-free new parts product range also include a premium accessories kit alongside the actual item. Components such as grease, rubber parts and screws, as well as corresponding guide bolts, are all included. Time-consuming cleaning efforts or expensive additional purchases are therefore no longer necessary.
The Ferrari 458 GT3 by the motorsport team "racing one" will be a further highlight at the fair presentation and will be displayed centrally at the stand. Since early 2018, Hella Pagid is the main sponsor of the motorsport team located in Andernach. The Ferrari is used in the racing series VLN Endurance Championship Nürburgring and has been ranked number one for the last six consecutive years. And the success has carried over into this year: "racing one" is currently ranked at the top. The team raced to first place during the first three runs of the season via the world-famous Nordschleife of the Nürburgring ("Green Hell"). The race, which can last up to six hours, features one of the most demanding tracks for humans and machines.
Source: Hella
The Brake Report
The BRAKE Report is an online media platform dedicated to the automotive and commercial vehicle brake segments. Our mission is to provide the global brake community with the latest news & headlines from around the industry.
Turner Motorsport Team Keeps LIQUI MOLY for 2021
Dorman Launches Loaded Brake Backing Plates
Tickford Adds Disc Brakes Australia as Brake Partner
The BRAKE Report is an online media platform dedicated to the automotive and commercial vehicle brake segments. Our mission is to provide the global brake community with the latest coverage of news & insights from around the industry.
TBR Drive
AGVs Now Part of Fras-le Production
Talgo Contracts Knorr-Bremse for Train Equipment
Brake Wear Enviro Impact; Trends to Combat Them (Part Two)


text:
Q: Check if fontseries exists I want to check if the actual font used has a special fontseries installed, for example:
%check for semibold
\ifx\fontseries{sb} % doesnt work
    \def\textsb#1{\fontseries{sb}\selectfont #1}
\else
    \let\textsb\textbf
\fi

I would appreciate an answer without use of extra package.

A: \documentclass{article}

\usepackage{libertine} % Libertine has sb

\makeatletter
\DeclareRobustCommand{\sbseries}{%
  \@tempswafalse
  \sbox\z@{%
    % Disable warnings for missing fonts
    \let\@font@warning\@gobble
    % Save the current value of \@defaultsubs
    \let\@tempsubs\@defaultsubs
    % try sb
    \fontseries{sb}\selectfont
    % the value of \@defaultsubs might have changed
    \global\let\@defaultsubs\@tempsubs
    % define a temporary macro for \ifx
    \escapechar\m@ne
    \edef\@tempa{\string\sb}%
    % get the computed current series
    % see \define@newfont in latex.ltx
    \expandafter\expandafter\expandafter
       \split@name\expandafter\string\font@name\@nil
    % compare the current series with sb
    \ifx\f@series\@tempa
      \aftergroup\@tempswatrue
    \fi
  }%
  \if@tempswa
    % sb exists
    \fontseries{sb}\selectfont
  \else
    \bfseries
  \fi
}
\DeclareTextFontCommand{\textsb}{\sbseries}
\makeatother

\begin{document}

abc

\textsb{abc}

\textbf{abc}

\fontfamily{cmr}\selectfont
abc

\textsb{abc}

\textbf{abc}

\end{document}

A: egreg's answer is very good and probably better than what I'm about to suggest.
\documentclass[a4paper]{article}
\usepackage{libertine}% has sb
\makeatletter
\def\checkseries#1#2{%
  {\ifcsname\f@encoding/\f@family/#1/\f@shape\endcsname
    \fontseries{#1}%
  \else
    \fontseries{\bfdefault}%
  \fi
  \selectfont #2}%
}
\makeatother
\begin{document}
rm \checkseries{sb}{sb?} \textbf{bf}
\par\fontfamily{cmr}\selectfont
rm \checkseries{sb}{sb?} \textbf{bf}
\end{document}

In fact, the main reason for me answering here is to query whether this method is flawed. Sometimes simpler is better, but not always!

redpajama_set_name: RedPajamaStackExchange


color to match your carpet can be intimidating.
A lot of people don't feel comfortable choosing the colors used to decorate their own homes--this is why those who can employ interior designers. Still, most of us can't afford an interior decorator for a simple thing like painting a bedroom. Luckily there are many resources at you disposal to make this process easier, and to help you make an informed decision that you'll be happy with for years to come. Does this Spark an idea?
Make a list of colors that have a relationship to the color of the carpet in your room. One way to find colors that will match your carpet is to study the color wheel and color theory. For example, an analogous color scheme is a pair or group of colors that appear side by side on the color wheel. An example of an analogous color scheme would include red and orange, yellow and orange or green and blue. Another method you can use to find colors that have a relationship to each other is to find colors that are grouped together in nature. For example, colors found at the beach, gray blue, sandy beige and cream, often are pleasing when put together in other settings.
Compare the list of related colors to the colors already found in the bedroom. For example, if the carpet is a forest green color, and you see a predominance of the colors beige and brown in the bedspread, lamps and furniture, then you'll want to pick an earthy color for the walls. Be careful not to pick a color for the walls that will clash or compete with the colors of your bedroom furniture and accessories. Narrow down your list of matching colors to two or three choices.
Select a handful of swatches that represent your few remaining choices. Swatches can be found in the store where you'll be purchasing the paint. Hold the swatches up to the wall, near the floor so that you can compare the color of the swatch to the color of the carpet. Select your favorite of the swatches.Purchase a sample of your selected color, and paint a large square of that color on the wall. Paint the color near to the floor so that you can compare the color to the carpet, to be sure it will match. If the color you have chosen does not look right with the carpet, return to Step 3 and start again.
Lastly once you have your freshly painted walls in your room be sure that your carpets are cleaned so that your room will truly be a relaxing retreat!


text:
Maternal iodine status, intrauterine growth, birth outcomes and congenital anomalies in a UK birth cohort
Charles Jonathan Peter Snart, Diane Erin Threapleton, Claire Keeble, Elizabeth Taylor, Dagmar Waiblinger, Stephen Reid, Nisreen A. Alwan, Dan Mason, Rafaq Azad, Janet Elizabeth Cade, Nigel A. B. Simpson, Sarah Meadows, Amanda McKillion, Gillian Santorelli, Amanda H. Waterman, Michael Zimmermann, Paul M. Stewart, John Wright, Mark Mon-Williams, Darren Charles Greenwood & Laura J. Hardie
Severe iodine insufficiency in pregnancy has significant consequences, but there is inadequate evidence to indicate what constitutes mild or moderate insufficiency, in terms of observed detrimental effects on pregnancy or birth outcomes. A limited number of studies have examined iodine status and birth outcomes, finding inconsistent evidence for specific outcomes.
Maternal iodine status was estimated from spot urine samples collected at 26–28 weeks' gestation from 6971 mothers in the Born in Bradford birth cohort. Associations with outcomes were examined for both urinary iodine concentration (UIC) and iodine-to-creatinine ratio (I:Cr). Outcomes assessed included customised birthweight (primary outcome), birthweight, small for gestational age (SGA), low birthweight, head circumference and APGAR score.
There was a small positive association between I:Cr and birthweight in adjusted analyses. For a typical participant, the predicted birthweight centile at the 25th percentile of I:Cr (59 μg/g) was 2.7 percentage points lower than that at the 75th percentile of I:Cr (121 μg/g) (99% confidence interval (CI) 0.8 to 4.6), birthweight was predicted to be 41 g lower (99% CI 13 to 69) and the predicted probability of SGA was 1.9 percentage points higher (99% CI 0.0 to 3.7). There was no evidence of associations using UIC or other birth outcomes, including stillbirth, preterm birth, ultrasound growth measures or congenital anomalies.
Lower maternal iodine status was associated with lower birthweight and greater probability of SGA. Whilst small, the effect size for lower iodine on birthweight is comparable to environmental tobacco smoke exposure. Iodine insufficiency is avoidable, and strategies to avoid deficiency in women of reproductive age should be considered.
Trial registration
ClinicalTrials.gov NCT03552341. Registered on June 11, 2018.
BMC Medicine
https://bmcmedicine.biomedcentral.com/articles/10.1186/s12916-020-01602-0


text:
from setuptools import setup, find_packages
from codecs import open
from os import path

BASE_DIR = path.abspath(path.dirname(__file__))

with open(path.join(BASE_DIR, 'README.rst'), encoding='utf-8') as f:
    long_description = f.read()

setup(
    name='subst',
    version='0.4.0',
    description='`subst` is simple utility to replace one string into another in given list of files.',
    long_description=long_description,
    url='http://msztolcman.github.io/subst/',
    author='Marcin Sztolcman',
    author_email='marcin@urzenia.net',
    license='MIT',

    # See https://pypi.python.org/pypi?%3Aaction=list_classifiers
    classifiers=[
        'Development Status :: 4 - Beta',
        'Environment :: Console',
        'Intended Audience :: Developers',
        'Intended Audience :: Other Audience',
        'Intended Audience :: System Administrators',
        'License :: OSI Approved :: MIT License',
        'Topic :: Text Processing',
        'Topic :: Utilities',
        'Programming Language :: Python :: 2.7',
        'Programming Language :: Python :: 3',
        'Programming Language :: Python :: 3.3',
        'Programming Language :: Python :: 3.4',
        'Programming Language :: Python :: 3.5',
        'Programming Language :: Python :: 3.6',
    ],
    py_modules=['subst'],

    keywords='sed text processing',

    entry_points={
        'console_scripts': [
            'subst=subst:main',
        ],
    },
)

redpajama_set_name: RedPajamaGithub


text:
Rob Maier Appointed as Chair of the Firm's New York Intellectual Property Group
NEW YORK, November 30, 2018 – Baker Botts L.L.P., a leading international law firm, today announced that Rob Maier, a New York based Intellectual Property partner, will become Chair of the New York Intellectual Property Group effective December 1st.
Mr. Maier succeeds Rob Scheinfeld, who has led the Practice for the past 15 years, and will remain Partner-in-Charge of the firm's New York office.
"Rob Scheinfeld has done an outstanding job of leading our New York Intellectual Property Group for a very long time. Under his leadership, we have increased the breadth of our services, the number of highly qualified New York based Intellectual Property lawyers, and the group to its largest size ever, as well as dramatically expanded the number of client engagements and relationships," said Bart Showalter, Chair of the firm's Intellectual Property Practice.
"I have enjoyed leading the New York Intellectual Property team and working to grow our business through a single focused commitment to meeting and exceeding client expectations. Rob Maier is an outstanding lawyer and will do a tremendous job in continuing to grow the practice in the years to come," said Mr. Scheinfeld.
Mr. Maier is an intellectual property and patent trial lawyer and his practice serves multinational clients involved in patent cases across a broad spectrum of technologies, from smartphones and display technologies, to drink packaging and stem cells.
Recognized for his depth of skills and experience in all phases of litigation, Rob regularly handles Markman hearings and complex patent trial work in high profile matters in district court and at the International Trade Commission. His practice also extends beyond litigation, into patent preparation and prosecution, counseling, in connection with IP and big data issues, licensing, Intellectual Property asset evaluation, and due diligence in connection with mergers and acquisitions.
Mr. Maier graduated from George Washington University with a B.S. in Computer Engineering and received his J.D from Fordham University School of Law.
This week in IP: Vidal and Stark nominations progress, Singapore passes major IP bill, and more
Managing IP
Senate Judiciary Committee Sends Vidal and Stark Nominations to Senate Floor
IPWatchdog
Robert Maier
Robert C. Scheinfeld
Barton E. Showalter


text:
soundfuzion@memphis.edu
AUDITIONS TBD
Due to concerns about COVID-19, we are looking into an alternative audition process that could be performed remotely. Be sure to follow us on social media to keep yourself updated on how we will be moving forward. Thank you!
- Sound Fuzion
Here's What We Do...
Sound Fuzion is a contemporary student music ensemble from the University of Memphis whose mission is to entertain, educate, inspire, and inform. Our repertoire includes all forms of contemporary music including current and classic pop, rock, country, and R&B.
Sound Fuzion is made up of nine singers, a five-piece rhythm section, two audio engineers, and a performance and marketing/media coordinator. Our creative team of students is directed by faculty members, Lawrence Edwards and Jon Frazer, who guide the group on its musical journey. Sound Fuzion tours throughout the mid-south, performing for corporate events, schools, universities, and city functions.
Being in Sound Fuzion offers its members a one-of-a-kind opportunity to create music, learn the ins-and-outs of performing / touring, all while pursuing a degree of choice with a full tuition scholarship at the U of M.
For 30 years, passion, dedication, talent, and professionalism have made Sound Fuzion one of the most respected ensembles of its kind. Find out how you can book Sound Fuzion today!


text:
York Learning & Teaching Forum
FORUM Magazine
Current Issue: Creativity in Learning and Teaching
2018/19 Workshops
Workshops Archive
Blowing bigger bubbles: Using social media to share good practice in learning and teaching
January 5, 2015 / Ollie Jones
Simon Lancaster, University of East Anglia, explores the power of social media to share practice.
This article was originally published in Forum 37: 8-9.
Look hard enough and you can find examples of innovative and engaging practice in every department, faculty, student support agency and institution. Sometimes the endeavours of our colleagues will be recognised by their peers or students and occasionally even rewarded.
A graphical representation of the fourth #LTHEchat Twitter network.
However, too often innovators feel isolated and lack a means to share and refine their approach. Forum exists to provide a platform to share these practices throughout the institution. Writing for Forum prompts us to reflect and to seek evidence but it also opens our studies to constructive comment and potential collaborations. Despite these advantages, writing for an audience like Forum can often feel like preaching to the converted. Are we confined to a relatively small bubble of like-minded people? The larger the pool of practitioners with whom we consult, the greater the likelihood of encountering something relevant to our field, and the more opportunities we will have for exchanging initiatives and subjecting them to constructive scrutiny. How then do we reach out beyond the enthusiasts in our own institution? Traditionally conferences have provided the stages on which we might disseminate our ideas and seek inspiration from others. However, conferences are costly consumers of our precious resources and, while cosy, can often prove equally parochial bubbles.
Finding practice
Imagine you're the editor of Forum: you have an imminent copy deadline and you want to look outside your institution for contributions to an edition on dissemination. Where would you look? Professional journalists often turn to Twitter. At its best, Twitter is a 365 days a year 24 hours a day low-carbon conference on everything, at which countless experts and myriads of the merely opinionated give freely of their wisdom and experience.
Some academics will roll their eyes at this point. "I joined Twitter years ago and I don't know what all the fuss is about." is a familiar refrain. The key to success in Twitter is your network, the people you choose to follow. Unless you follow someone, your timeline will be empty and your membership pointless. We recommend you follow @RuthMewis. But don't stop there. Look who she follows. Do you know them? Follow them too! Who do [9] they follow? Has Ruth tweeted something interesting? Retweet it! And therein lies the power of Twitter, the ability, through the retweet button, to amplify an idea and to spread it quickly around the globe. The other, often cited, criticism of Twitter is that it is impossible to keep up with all those tweets. Absolutely, it is futile to try and that is absolutely fine. The author follows over 3000 Twitter accounts and reads a fraction of a percentage of the tweets that pass across his timeline. But never forget the power of the retweet. If it is important enough it will repeatedly appear and you will notice it or someone responding to it. And if it is meant specifically for you, then your username will have been included. 1
Twitter is revolutionising academic practice. It is now possible to know about every opportunity, every pedagogical innovation and every event as soon as the internet does. Famously the news of an earthquake on Twitter travels faster than the shockwave. But it is better than that. By contributing to the discussion you can refine an argument, build a network and a reputation in a fraction of the time it would have taken otherwise. Take for example, the invitation presented by @Professor_Dave to deliver a seminar to the Chemistry department on October 17th 2012. The associated @Storify account illustrates that social media exchanges need not be ephemeral. 2 Indeed when Twitter is used at a conference, it becomes a powerful tool to crowd source a record of both the content and the ensuing discussion. 3
A topical discussion of the value of Twitter in an organ like Forum would not be complete without mention of the programme of Learning and Teaching in Higher Education Twitter chats (#LTHEchat). 4 These hour-long facilitated discussions cover topics such as 'lecture flipping' and 'co-creation' and provide an intense but inspirational professional development opportunity and a readymade network.
Twitter is a microblogging site, messages are restricted to 140 characters. While that can be a blessing in promoting concision, it is not always going to suffice. Instead Twitter tends to serve as the nexus, where links to content on other social media sites containing richer content can be posted. A comprehensive account of all the means by which learning and teaching is disseminated has not been presented because it would inevitably read like a list. 5
@Professor_Dave's YouTube channel
YouTube is not easily overlooked and yet it is rarely the respondent's first choice when asked for an example of a social media site. This searchable archive, with hundreds of millions of users, is the perfect platform on which to disseminate a message in video form. There are instructional films on YouTube and Vimeo on every educational topic. At York, Prof. David Smith has demonstrated the power of YouTube for outreach to huge audiences, for example using Breaking Bad as the backdrop to discuss organic chemistry. 6 Increasingly the trend is to engage students in the (co-) creation of academic content and here again academics at York have shown the way. 7
Copyright considerations
When considering the interface between social media and academia, we need to broach the thorny issue of copyright. By default all content on the internet is copyright protected, all rights reserved. Clearly that is not conducive to sharing learning and teaching materials. The solution is to source and to publish work with a creative commons license. 8 There are two very good reasons why you should give away the rights to your work: because (1) in a reciprocal sense you will then have a clear conscience when benefiting from resources prepared by others; (2) anything that facilitates the diverse application of your ideas and materials increases their (and your) potential impact.
Arguably the best example of a socially mediated academic resource is the Slideshare site. 9 Here, complete presentation slide sets are shared. This can mean anything from a lecture on a specific academic topic or a discussion of pedagogical innovation to "Using Social Media Strategically for Learning and Teaching", 10 which would seem to bring us full circle.
How can we possibly monitor all of these disparate social media channels? There lies the beauty of Twitter. As content is added to sites such as Slideshare and YouTube, it will be reported on Twitter and not just once but repeatedly, essentially in proportion to its impact.
It would be wrong not to concede that social media, even Twitter, is another bubble. However, it's an awfully big bubble and encompasses a significant proportion of the global figures who are predisposed towards sharing good practice in learning and teaching. Can you afford the time to engage with social media? Can you afford not to?
For an introduction to Twitter for academics see http://www.slideshare.net/suebeckingham/getting-started-ontwitter-35704954
https://storify.com/S_J_Lancaster/york-chemistryteaching-forum-17th
https://storify.com/S_J_Lancaster/heastem-17-18-april-2013-birmingham
http://lthechat.com
And there is a web category dedicated to lists too, the listicle: http://thelisticles.net/
https://www.youtube.com/watch?v=jwEbcKZ9hK8&list=PL16BF42E87C9566B8
(a) iTube, YouTube, WeTube: Social Media Videos in Chemistry Education and Outreach, J. Chem. Ed., 2014, 91, 1594–1599. (b) https://www.youtube.com/user/ProfessorDaveatYork
http://www.slideshare.net
http://www.slideshare.net/suebeckingham/using-scialmedia-strategically-for-learning-and-teaching
Simon Lancaster is Professor of Chemical Education at the University of East Anglia. Simon is a dedicated and innovative teacher and has been rewarded by UEA's Sir Geoffrey and Lady Allen teaching excellence award. His application of technology to support student engagement has been supported by Teaching Fellowships and funding from both the Higher Education Academy and the University Annual Fund. He is the recipient of the 2013 Royal Society of Chemistry (RSC) Higher Education Award and in 2013 was recognised by the Higher Education Academy as a National Teaching Fellow. Simon is one of the RSC 175 Faces of Chemistry which profiles scientists who represent diversity in its broadest sense.
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text:
January 31, 2014 Album Covers
Album Cover: Rick Ross – 'Mastermind' [Deluxe]
Rick Ross pulls the trigger on the deluxe cover for his sixth album Mastermind. The illustrated artwork, designed by famed pop artist Mr. Brainwash, shows Rozay holding a gun to his head with colorful blood spurting out the other side.
On February 11, the MMG boss will drop his new single "War Ready" featuring Jeezy, which he describes as "the hit single the streets have waited years for."
He has been in the studio with DJ Khaled and Diddy putting the finishing touches on the follow-up to 2012's God Forgives, I Don't.
Mastermind arrives March 4 featuring the Jay Z-assisted single "Devil Is a Lie" and "No Games" with Future.
See him unveil the deluxe cover art in full below.
See the standard cover art for Mastermind.
Machine Gun Kelly and Megan Fox Are Engaged
Machine Gun Kelly and Megan Fox are headed down the aisle. The couple announced that they are engaged after dating for …
Kanye West Confirms 'DONDA 2'
DONDA 2 is official. Kanye West has confirmed that a sequel to his 2021 album is in the works. Moneybagg Yo …
New Music: T-Pain f/ Young Cash – 'Royals (Remix)'
Following remixes from Wale, Rick Ross, and The Weeknd, Lorde gets the remix treatment from T-Pain on his T-Mix to …
New Music: DJ Green Lantern & Valentino Khan f/ Iggy Azalea – 'Know About Me (Remix)'
Hip-hop and dance collide on Iggy Azalea's club-ready remix to DJ Green Lantern and DJ Valentino Khan's single "Know About …


KölnSkulptur #9 opens on October 15, 2017, at 11am, marking the 20th anniversary and ninth edition of Skulpturenpark Köln. Under the exhibition title "La Fin de Babylone. Mich wundert, dass ich so fröhlich bin!" the curator Chus Martínez invites you to listen to the stories that the park has to tell. The focus is on eight new works by artists Andrea Büttner, Claudia Comte, Jan Kiefer, Eduardo Navarro, Solange Pessoa, Lin May Saeed, Teresa Solar, and Pedro Wirz. The artworks are not magic, though they all share the idea that sensation is what fuels a new imagination of the world we are living in. They all animate the nonhuman - nature, metal, wood, stone, Earth - and bear witness to a common territory between us and animals, between plants and geological life.


Train number 04912 SIR-HSC EXP SPL is a HOLIDAY SPL that runs between Sirhind Jn and Saharsa Jn. It covers total journey of 1375 kilometer and reaches its destination on day 2. It departs from Sirhind Jn at 12:15 and arrives Saharsa Jn at 14:15 on second day. 04912 SIR SHC HOLIDAY SPL has total 17 stopping stations in its route including both source and destination stations.
Running Status of 04912 SIR-HSC EXP SPL: For live train status use selection form given at top of the page. Select your journey station and journey date and hit Get Running Status button. For example: If you are waiting for your train at Khagaria Jn. railway station and your date of journey as printed on your ticket is of today. You will select your journey station as 'Khagaria Jn.' and journey date as 'Today'.
04912 Route: Go through the table given above to check scheduled route time table of Sirhind Saharsa Holiday Spl.


Download "A Workbench for Prototyping XML Data Exchange (extended abstract)"
4 Figure 2. A panel showing results of DTD matching. must cover as much as possible of the two structures. From the conceptual viewpoint, types and labels in the nodes must correspond (at some extent). A thesaurus defines weighted synonymy among names, while type compatibility is defined a priori. Figure 2 shows one of the panels of the tool, showing the results of a match. DTDMatch allows a user to: define and execute SQL queries and build the ltd which represents the schema of the result; build a library of XML DTDs, imported or converted from SQL query results, and edit them; build and maintain a thesaurus storing synonymous names; edit the coefficients which bias the similarity computation; compute similarity between the ltd corresponding to the SQL query in input and the ltds selected from a library; select one DTD and build an XML document with the data returned by the SQL query. The experiments we have done show that the ranking proposed by the matching algorithm is plausible as long as DTDs do not differ seriously from the query schema. The structural similarity between the ltds is based on the reciprocal position of nodes and leaves in the ancestors and sibling nodes. In this way the tool models the need that a rich structure, organized along different aggregation levels, should be preserved in XML translation, and conversely a simple structure should not artificially grow.
5 4 DB to XML translation and data exchange The DBtoXML tool has been built on top of Visual SQL-X [5, 7], a visual system which assist the user in querying a relational database to produce XML documents of arbitrary complexity. Differently from the DTDMatch tool it is not based on the automatic selection or generation of the document schema. Rather, it is a fully interactive tool that allows a user to specify step-by-step the structure of the query and of the corresponding XML document. The queries are expressed in SQL-X, an extension of SQL which, with a style reminiscent of report generation languages, allows the extraction of trees of data from a relational database as XML documents. The tool hides the language syntax to the user, by providing a graphical interface which allows the construction of a query as a tree, which reflects the structure of the expected result. An example of query is shown in Figure 3. The query tree models the ltd of the expected resultand its nodes can be of one the following kinds: <Root> is the tree root, and represents the whole document, containing a set of elements corresponding either to tuples or to groups of tuples extracted from the database. <Rel> represent a database relation (obtained in general through an SQL query), whose set of tuples are converted into elements of its immediate container. <Att> (child of <Rel>), represents a column, a value of which is used as element of its container. <Nest> represents the tuples of a relation which are associated, with a join operation, to a tuple of its container, and which will become roots of subtrees. <Group> represents the grouping of the tuples of a child node by some expression: each group is an element containing the tuples of the group as elements. For each node, the user is given the possibility of specifying all the parameters of the corresponding operation. Besides these kinds of nodes, the user can specify if tuple fields are converted to attributes, instead of elements, the ordering of sequences, as well as other details of the conversion process. The main panel of the tool is the query editor (Figure 3), which allows the construction of the query tree by selecting a node and then applying an operator. In this case, the tree represents a query which returns a set of clients. They are grouped by Figure 3. The query editor in DBtoXML.
8 Figure 5. The XMLtoDB tool templates that can be adapted by the user to particular tasks. The workbench prototype integrates with a unique, coherent interface several independent tools for the exchange of data in XML format. Until now the DBtoXML and XMLtoDB tools are completely integrated, while the DTDMatch tool is still external. New tools are being developed to extend the functionalities of the system, like a DTD to DTD mapper, which translates XML documents in other documents with different DTDs, as well as new facilities for working with complex projects. 7 Acknowledgments The work has been supported by MURST, the Italian Ministry of University and Research in the framework of the project Data-X: Management, Transformation and Exchange of Data in a Web Environment. The workbench has been developed with the co-operation of Massimo Pagotto, Matteo De Franceschi and Marica Bamberghi. 8 References  Borland, Interbase,  R. Bourret, XML and Databases,  B. Ludaescher, Y. Papakonstantinou, P. Velikhov, V. Vianu, View Definition and DTD Inference for XML,  R. Orsini, A preliminary proposal for SQL-X: A Language to Extract XML Documents from Relational Databases, SEBD 2000, L Aquila, June  R. Orsini, M. Pagotto, Visual SQL-X: A graphical tool for producing XML documents from Relational Databases, WWW10, Poster Proceedings of the 10th International World Wide Web Conference, Hong-Kong,  M. Pagotto, A. Celentano, Matching XML DTD To Relational Database Views, SEBD 2000, L Aquila, Jun  M. Pagotto, R. Orsini, Visual SQL-X: Uno strumento grafico per l estrazione di documenti XML da basi di dati relazionali, SEBD 2001, Venezia, June 2001.
1. The first generation of DBMS is represented by systems a. Hierarchical and CODASYL systems. b. Relational model c. Network model 2. Which of the following SQL statements are helpful in database redesign?
Quiz! Database Indexes. Index. Quiz! Disc and main memory. Quiz! How costly is this operation (naive solution)?
COMP 378 Database Systems Notes for Chapter 1 of Database System Concepts Introduction A database management system (DBMS) is a collection of data and an integrated set of programs that access that data.
A Visual Language Based System for the Efficient Management of the Software Development Process.
Internet Technologies_1. Doc. Ing. František Huňka, CSc.
Oracle University Contact Us: 1.800.529.0165 Oracle Database 10g: Introduction to SQL Duration: 5 Days What you will learn This course offers students an introduction to Oracle Database 10g database technology.
XML Programming. Duration: 5 Days Price: $2595 *California residents and government employees call for pricing.
Q4. What are data model? Explain the different data model with examples. Q8. Differentiate physical and logical data independence data models.
MULTICHANNEL HUB. Elena Cigliano (elena.cigliano@csp.it) Andrea Crevola (andrea.crevola@csp.it) Lara Marcellin (lara.marcellin@csp.
An Introduction to Using XML for the Management of Laboratory Data Mark F. Russo, Ph.D. Bristol-Myers Squibb Pharmaceutical Research Institute Princeton, NJ 08543-4000 USA Email: mark.russo@bms.com A.
Achille Felicetti" VAST-LAB, PIN S.c.R.L., Università degli Studi di Firenze!
3D-COFORM Mapping Tool! Achille Felicetti" VAST-LAB, PIN S.c.R.L., Università degli Studi di Firenze!! The 3D-COFORM Project! Work Package 6! Tools for the semi-automatic processing of legacy information!


text:
use std::collections::HashMap;
use std::mem;
use std::rc::Rc;

use semver::Version;
use core::{Dependency, PackageId, SourceId};

use util::CargoResult;

/// Subset of a `Manifest`. Contains only the most important informations about
/// a package.
///
/// Summaries are cloned, and should not be mutated after creation
#[derive(Debug, Clone)]
pub struct Summary {
    inner: Rc<Inner>,
}

#[derive(Debug, Clone)]
struct Inner {
    package_id: PackageId,
    dependencies: Vec<Dependency>,
    features: HashMap<String, Vec<String>>,
    checksum: Option<String>,
}

impl Summary {
    pub fn new(pkg_id: PackageId,
               dependencies: Vec<Dependency>,
               features: HashMap<String, Vec<String>>) -> CargoResult<Summary> {
        for dep in dependencies.iter() {
            if features.get(dep.name()).is_some() {
                bail!("Features and dependencies cannot have the \
                       same name: `{}`", dep.name())
            }
            if dep.is_optional() && !dep.is_transitive() {
                bail!("Dev-dependencies are not allowed to be optional: `{}`",
                      dep.name())
            }
        }
        for (feature, list) in features.iter() {
            for dep in list.iter() {
                let mut parts = dep.splitn(2, '/');
                let dep = parts.next().unwrap();
                let is_reexport = parts.next().is_some();
                if !is_reexport && features.get(dep).is_some() { continue }
                match dependencies.iter().find(|d| d.name() == dep) {
                    Some(d) => {
                        if d.is_optional() || is_reexport { continue }
                        bail!("Feature `{}` depends on `{}` which is not an \
                               optional dependency.\nConsider adding \
                               `optional = true` to the dependency",
                               feature, dep)
                    }
                    None if is_reexport => {
                        bail!("Feature `{}` requires `{}` which is not an \
                               optional dependency", feature, dep)
                    }
                    None => {
                        bail!("Feature `{}` includes `{}` which is neither \
                               a dependency nor another feature", feature, dep)
                    }
                }
            }
        }
        Ok(Summary {
            inner: Rc::new(Inner {
                package_id: pkg_id,
                dependencies: dependencies,
                features: features,
                checksum: None,
            }),
        })
    }

    pub fn package_id(&self) -> &PackageId { &self.inner.package_id }
    pub fn name(&self) -> &str { self.package_id().name() }
    pub fn version(&self) -> &Version { self.package_id().version() }
    pub fn source_id(&self) -> &SourceId { self.package_id().source_id() }
    pub fn dependencies(&self) -> &[Dependency] { &self.inner.dependencies }
    pub fn features(&self) -> &HashMap<String, Vec<String>> { &self.inner.features }
    pub fn checksum(&self) -> Option<&str> {
        self.inner.checksum.as_ref().map(|s| &s[..])
    }

    pub fn override_id(mut self, id: PackageId) -> Summary {
        Rc::make_mut(&mut self.inner).package_id = id;
        self
    }

    pub fn set_checksum(mut self, cksum: String) -> Summary {
        Rc::make_mut(&mut self.inner).checksum = Some(cksum);
        self
    }

    pub fn map_dependencies<F>(mut self, f: F) -> Summary
                               where F: FnMut(Dependency) -> Dependency {
        {
            let slot = &mut Rc::make_mut(&mut self.inner).dependencies;
            let deps = mem::replace(slot, Vec::new());
            *slot = deps.into_iter().map(f).collect();
        }
        self
    }

    pub fn map_source(self, to_replace: &SourceId, replace_with: &SourceId)
                      -> Summary {
        let me = if self.package_id().source_id() == to_replace {
            let new_id = self.package_id().with_source_id(replace_with);
            self.override_id(new_id)
        } else {
            self
        };
        me.map_dependencies(|dep| {
            dep.map_source(to_replace, replace_with)
        })
    }
}

impl PartialEq for Summary {
    fn eq(&self, other: &Summary) -> bool {
        self.inner.package_id == other.inner.package_id
    }
}


My visit to the Parish found it very quiet, in the sense that I was the only customer, but I have to say I have not heard such loud and challenging music at 11am on a weekday before. To be fair, it wasn't uncomfortably loud, and I settled down at one of the tables and made myself at home. There are six hand pumps, with two having their pump clips turned around (one being Timothy Taylor Landlord). The beers that were on were Robinsons Trooper (inspired by Iron Maiden, doncha know) and those depicted in my photo. I had Sheffield Brewery's Trail Ale, which was in pretty good shape, though not particularly to my taste. At £3.20 a pint, this pub was slightly more expensive than the average on my day out in Huddersfield. I noted that 33cl cans from Vocation were available at £3.50. I imagine that the Parish is popular with students and lovers of heavy metal.
I have been to the Parish hundreds of times for gigs, meals and pre-exam drinks. I love the place as it always has a laid back vibe, friendly bar staff and great music in the venue, recently the bar has gone a little bit more mainstream but that has not affected how the place is. I can recommend the food especially the burgers 'The Squealer' and 'Bourbon Baby' as they are amazing. The drinks on offer are great with a nice selection of Craft IPAs from Vocation and Brew Dog.
Its apparently a music venue though it is open all day. Lots of music related posters dotted around with your usual rock kinda thing displayed. Yet again no Half Man Half Biscuit or Sonic Youth but hey ho. Several handpumps dispensing real ale. Open plan and all wooden and tiled floors. Writing sh*te on the tables seems to be popular.


Zed: Well, I guess you're gonna have to go wake him up now, won't you?
Someone is selling one for 4000g, it is not worth that amount.
Reinforced Velvet Helm dropsin Utgarde Keep from Prince Keleseth and Shroud of Temptation is from the quest: Cleansing Drak'Tharon.
That's a lot to pay for one item which will probably last 7 or 8 levels.
Lost Sea Oculus seems better. I wouldn't spend much on this blue unless I was really aching for stats.
Also found this helm in a Sturdy Treasure Chest which was in Whisper Gorge.


"On 9 June 1994, an 8.2 magnitude tremor rocked a sparsely populated region of the Amazon in Bolivia. Nothing this powerful had been seen in decades, with shocks being felt as far away as Canada.
"Earthquakes this big don't come along very often," says geoscientist Jessica Irving.
"A Florida red tide outbreak close to 16 months old has killed more sea turtles than any previous single red tide event on record, and manatee deaths are not far behind.
"This is our Deep Water Horizon!" This was claimed by Florida Fish and Wildlife way back in July 2016.
Indonesia Tsunami Death-Toll Huge Because of Out-of-Order Warning Buoys. US Buoys in the SAME State.
There are even MORE dead buoys today!


SEATTLE -- Washington state health officials confirmed Friday that eight of nine children hospitalized with an acute neurologic illness have a rare disorder called "Acute Flaccid Myelitis" or AFM at Seattle Children's hospital.
SEATTLE -- Centers for Disease Control and Prevention confirmed Friday that eight of nine children hospitalized with an acute neurologic illness have a rare disorder called "Acute Flaccid Myelitis" or AFM at Seattle Children's hospital.
Officials said the children arrived with their symptoms and did not acquire AFM at the hospital.
The children range in age from 3 to 14 years old, and came from four Washington counties: King, Pierce, Franklin and Whatcom.
The CDC also determined that Daniel Ramirez, a Bellingham boy who died from a mysterious illness Sunday, did not have AFM.
AFM affects a person's nervous system, specifically the spinal cord. AFM can result from a variety of causes, including viral infections, according to the CDC. Symptoms typically include sudden weakness in one or more arms or legs, loss of muscle ton, and decreased or absent reflexes.
Washington Department of Health officials have set up a webpage on the AFM investigation.


The configuration of a profile will be made to start the recordings of the sessions from the elevation of privileges and the integration will be made with splunk so that the auditing sessions can be viewed directly from the Splunk Portal.
In this part of the laboratory we will proceed to install Splunk and integrate it with Centrify Direct Audit.
To start with the Splunk configuration, we must obtain an account in order to download the software. In my case I will use a trial account.
For this case, we will use a Windows Server 2012 R2 Server to install the Splunk Enterprise.
For more information on how to perform the installation of Add-On in Splunk you can visit the following link.
Once the installation is finished, we can verify that the service is running in the Windows Services console.
Make a copy of the inputs.conf.example file and rename it to inputs.conf. We edit the file setting the option "disabled = 0" and save the changes.
We restart the Forwarder so that the changes made take effect and perform a verification of the installation. We open a Command Prompt in the path where the installation was made (in my case C:\Program Files\SplunkUniversalForwarder\bin ) and execute the command "splunk restart" as shown below.
We select the data sources that are going to be processed. It is important to note that for the scope of this laboratory only the local "Application" event is necessary.
We create a new index so that the captured events are grouped within it. This step is optional.
We finish the data creation wizard.
Finally, to view an audit session directly from Splunk, select a session from the query list, click on the "Event Actions" button and the "Replay Session" option, which will open the Audit Analyzer's visualization console.
It is important to note that, as a requirement for this to work, the splunk event must contain the audit session id (DASessID) and we must have the Centrify Audit Analyzer console installed on the computer where the session will be displayed.