text:
This is a zine dedicated to gothic and doom metal for more info contact hatredmeanswar@yahoo.com
Dwell/Far Dark Helm/2014 CD Review
Dwell are a band from California that plays a mixture of doom, sludge and post metal and this is a review of their self released 2014 album "Far Dark Helm".
A very dark and distorted sound starts off the album and a few seconds alter drums are added into the music which leads up to some deep death metal growls along with a small amount of spoken word parts and the music also starts to speed up with some blast beats and melodic post metal style guitar solos and leads.
There is a good mixture of slow, mid paced and fast parts throughout the album along with a great amount of sludge and doom metal being added into the guitar riffing along with a mixture of both clean and heavy parts and all of the songs are long and epic in length along with a concept that is divided into 3 different tracks.
All of the musical instruments on the album have a very powerful sound to them and they also add in elements of brutal death metal into certain sections of the recording along with some clean sections they bring a very progressive feeling to the bands musical sound and all of the songs sound very different from each other.
Dwell create a post metal style that is a bit more raw and heavier than most bands of this genre with the doom, death and sludge influences being a huge part of the bands musical style, the production sounds very professional for being a self released recording while the lyrics cover dark themes.
In my opinion Dwell are a very great sounding mixture of doom, sludge and post metal and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "To Scry On Lamentations" and "Far Dark Helm III". 8 out of 10.
Posted by OccultBlackMetal at 2:28 PM No comments:
Atavisma/Where Wolves Once Dwelled/Nihilistic Holocaust/2014 Cassette Review
Atavisma are a band from France that plays a mixture of doom and death metal and this is a review of their 2014 demo "Where Wolves Once Dwelled" which was released on cassette by Nihilistic Holocaust.
Militant style sounds start off the demo which leads up to a slow, dark and heavy doom/death metal sound along with some deep growls and after a couple of minutes melodic guitar solos and leads are added into the music and the band starts going for more of an early 90's doom/death metal sound.
All of the musical instruments on the demo have a very powerful sound to them and you can hear a decent amount of dark sounding melodies in the guitar riffing and on some of the alter tracks there are also some fast parts and blast beats being added into the bands musical style at times and on the 3rd track a brief use of clean playing and whispers is added into the song and the last track shows the band adding Swedish death metal influence s into their musical style.
Atavisma plays a very old school style of doom/death metal that is heavily influenced by the early 90's bands of this musical genre and they add a great amount of darkness into their raw and heavy sound, the production has a very dark, heavy and old school sound while the lyrics cover nature and atavistic themes.
In my opinion Atavisma are a very great sounding mixture of doom and death metal and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "The Savage one" and "Where Wolves once Dwelled". 8/5 out of 10.
Desert Lord Interview
1.For those that have never heard of you before, can you tell us a little bit about the band?
1. Desert Lord was born in Helsinki, Finland in summer 2010 as a side project. The master plan was just to jam and see if it would lead to something worth to continue and start a real band. Soon we had a solid line-up and we were heading to record our first release.
2.So far you have released an ep and one full length album, can you tell us a little bit more about your musical sound?
2. Our sound and style came by itself, it was never meant to sound something "specified". We all have quite heavy musical background so the sound came up pretty heavy.
3.The first release came out in 2011 and the new one came out 3 years later, can you tell us a little bit more about the gap between releases?
3. After the 7" Salvation record we had to get a new bassist. It slowed us a bit, but quite soon we were writing new material, touring and getting ready for the recordings of new album. We started recording spring 2013, and it took almost a year to get that album finished.
4.What are some of the lyrical topics and subjects the band explores with the music?
4. The lyrics are written by our singer Sampo. Most of the lyrics deal with his life and thoughts, the situations he has encountered and has to manage in everyday life and so on. Some of the lyrics are about of expanding your reality, some are about being against authority - finding your own way.
5.What is the meaning and inspiration behind the name 'Desert Lord'?
5. Desert Lord came up while we were together thinking about a name for the band. We wanted something to visualize the music - you can find solitude in the desert, it's pretty vast as is our music too. Lord is something to master the universe - something we're up to!
6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
6. One of the most interesting was early 2014 with Swedish band Goatess in Tampere - it was mayhem down there and the audience was just as pissed as the band! Our shows are always unpredictable - almost anything can happen!
7.Do you have any touring or show plans for the new album?
7. We are playing some shows over Finland this summer. Later this year we're planning to head out to Scandinavia - and maybe further.
8.So far all of the music has been self released through the band's own label 'Under A Serpent Records' are you open to working with a record label in the future?
8. We've been releasing DIY because it has been the most comfortable way to us. We can manage the whole supply chain and the timetables are easy to set up. But yes, we are open-minded and if a suitable record label would want to work with us - why not work with a label.
9.On a worldwide level how has the feedback been to your music by fans of stoner and doom metal?
9. Feedback has been very supportive and on a worldwide level we have more fans abroad than in Finland.
10.Are any of the band members involved with any other musical projects these days?
10. All of us have had or are currently involved in other musical projects. The variety of these genres is quite broad, from pop music to black metal. Listeners of Desert Lord should check out our guitarist's other band called Stone Ship, they play progressive doom metal, and have just released their debut full length digitally via Bandcamp. Even though we have other musical interests, we treat Desert Lord as our priority number one and put all our energy on it.
11.Where do you see the band heading into musically during the future?
11. We're just playing and the way the music turns out is unpredictable. We've just starting to write some new material so it won't be 3 years until the next album. The interesting twist to the music comes from the songwriting - all 4 of us have started as guitarists and still use it as primary songwriting instrument, so there comes pretty much riffs with different nuances and it all wraps up when we jam together.
12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
12. Of course heavy metal itself has had a huge influence - 70's bands to 90's stoner bands to modern doom. We all listen to different styles - doom, stoner, progressive metal, punk, hardcore, sludge, grunge... You name it, we listen to it.
13.What are some of your non musical interests?
13. We all have different kind of interests aside from music. Some like to use their own private time with family, friends, sports, partying, etc. We all like to read books and watch movies, and maybe we have sucked out influences to our songwriting from those as well.
14.Before we wrap up this interview, do you have any final words or thoughts?
14. Keep your eye on our Facebook page for news updates, there might be some cool gigs coming up ;) https://www.facebook.com/desertlorddoom
Posted by OccultBlackMetal at 7:05 AM No comments:
Father Merrin/All Is Well That Ends in Hell/2014 EP Review
Father Merrin are a band from France that plays a mixture of doom, sludge and stoner metal and this is a review of their self released 2014 ep "All Is Well That Ends In Hell".
A very dark and heavy doom metal sound starts off the ep along with some melodic clean singing vocals and a few seconds later whispers and melodies become a part of the bands musical style a s well as getting heavier and adding in elements of stoner and sludge and the vocals also start to get a lot more rougher and aggressive in the Cathedral direction and they also have a death metal feeling to them at times.
All of the musical instruments have a very powerful sound to them on the recording and on the second track clean playing starts being added into the bands musical style along with a small amount of spoken word parts being used on a couple of tracks and the music never loses its heaviness and all of the tracks stick to a slow or mid paced direction and one of the tracks has a crust punk feeling being mixed in along with some horror movies samples and th e last song uses some 70's style organs.
Father Merrin have a very interesting approach to doom metal taking the traditional style of the early 80's and mixing in a heavy does of Celtic Frost and Cathedral influences along with some sludge and stoner metal elements to give the music a more modern day edge, the production sounds very professional for being a self released recording and the lyrics cover occult and historical themes.
In my opinion Father Merrin are a very great sounding mixture of doom, sludge and stoner metal and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "The Dawn Of the Sixth Day" and "The Albigensian Crusade". 8/5 out of 10.
Doomed/Our Ruin Silhouettes/Solitude Productions/2014 CD Review
Doomed are a 1 man band from Germany that plays a mixture of doom and death metal and this is a review of his 2014 album "Our Ruin Silhouettes" which was released by Solitude Productions.
Dark avant garde sounds and melodic chanting start off the album along with some reverb and a few seconds later the music goes for a more heavy and atmospheric doom metal sound along with some deep death metal growls and powerful sounding bass guitars and after awhile melodic guitar solos and leads become a part of the music.
All of the songs are long and epic tracks and you can also hear some high pitched screams in certain sections of the recording and the melodic chanting of the beginning track makes its return in certain sections of the recording and after awhile the music starts utilizing clean parts mixed with the more heavier ones and the bring in ambient feeling to the music and there are also some guitar riffs that have a small amount of prog traces in them.
On the 4th track the music starts to speed up a bit and you can hear a great amount of old school death metal elements being mixed in the music along with some semi blast beats before returning back to a slow doom metal sound that also use s keyboards and a more atmospheric background and one of the later tracks uses a small amount of spoken word parts and except for maybe one track the music for the most part sticks to a very slow doom/death metal direction while there are also soft parts being utilized on the last song.
Doomed creates a very interesting style of doom/death metal taking this musical genre and building upon its foundations to, create on of the most original and probably one of the best albums this genre had had in awhile, the production sounds very professional while the lyrics cover dark and depressing themes.
In my opinion Doomed are a very great sounding melodic, atmospheric doom/death metal project and if you are a fan of this musical genre, you should check out this album. RECOMMENDED TRACKS INCLUDE "In My Own Abyss" "My Hand In Yours" and "What Remains". 8/5 out of 10.
Connoisseur/Stoner Justice/Tankcrimes/2014 EP Review
Connoisseur are a band from California that plays a mixture of d-beat, power violence, stoner, and sludge and this is a review of their 2014 ep "Stoner Justice" which will be released in July by Tankcrimes.
A fast crust punk sound starts off the album along with some aggressive hardcore style screams and after awhile growls are added into the music and they also bring in a great amount of slow sludge metal breakdowns which they mix in with their mid paced and fast parts.
Most of the songs are very short in length and avoids guitar solos and leads to focus more on a very dark, raw and heavy sound and all of the songs have a different sound while you can still tell that it is the same band the whole time and they also have a very powerful sounding bass guitar at times.
Connoisseur show off 2 different sides of their musical sound on this recording with the fast parts being more in a d-beat, crust punk and power violence direction while the slower material shows off more traces of stoner, sludge, doom and death metal, the production sounds very dark and heavy while the lyrics cove r pot smoking themes.
In my opinion Connoisseur are a very great sounding mixture of d-beat, power violence, stoner, and sludge and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "Circle Of Heads" and "I Am The Weed". 8 out of 10.
Ancient Altar/Self Titled/Midnite Collective/2014 EP Review
Ancient Altar are a band from Los Angeles, California that plays a mixture of doom metal, sludge and heavy rock and this is a review of their self released 2014 ep which will be released in July by Midnite Collective.
Distorted sounds start off the ep along with some reverb which leads up to some really heavy guitar which leads to a heavy sludge/doom metal sound along with some high pitched screams and a small amount of spoken word parts and you can also hear a decent amount of melody being mixed in with the bands heavy sound.
When guitar solos and leads are added into the music they bring in elements of 70's rock and you can also hear the bass guitars in the background and on the following tracks clean playing can be heard in certain sections of the recording and the band also brings in a couple of songs that are very long and epic in length and the y also bring in a few growls that gives the music a more death metal feeling.
Ancient Altar play a very dark and heavy style that takes the heaviness of doom and sludge metal and the y mix it in with the melody of 70's and stoner rock to create a sound of their own, the productions sounds very dark and heavy while the lyrics cover arcane philosophy.
In my opinion Ancient Altar are a very great sounding mixture of doom metal, sludge and heavy rock and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "Ek Balam" and "Pulled Out". 8 out of 10.
Posted by OccultBlackMetal at 2:41 PM 1 comment:
Destroyer Of Light/Bizarre Tales Vol. 2 /Heavy Friends Records/2014 CD Review
Destroyer Of Light are a band from Texas that plays a mixture of doom, death metal, sludge and stoner rock and this is a review of their 2014 album "Bizarre tales Vol. 2" which was released by Heavy Friends Records.
A very dark, melodic and heavy sound starts off the album and you can also hear some sound effects being utilized in the background at times and the guitar solos and leads bring in elements of post rock into the bands musical sound and on the following track to music gets more heavier along with some powerful sounding bass guitars and aggressive vocals.
You can also hear a good amount of clean singing vocals and clean playing being mixed in with the heavier parts at times as well as the guitar riffing utilizing a great amount of melody and most of the tracks are very long and epic in length and also have a great amount of variety to them and there is a 70's rock feeling being added into certain sections of the recording.
Destroyer Of Light create a very interesting sound with their music taking the heaviness of sludge, death and doom metal along with a great amount of melody and elements of stoner, post and classic rock to create a sound of their own, the production sounds very professional while the lyrics cover dark and occult themes.
In my opinion Destroyer Of Light are a very great sounding mixture of doom, sludge metal and stoner rock and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "Forbidden Zombie Ritual" and "Year Of The Witch". 8 out of 10.
Excruciation Interview
1.Can you give us an update on what has been going on with the band since the recording and release of the new album?
Well, the usual things when you release an album. Making promo, looking for additional way to distribute the record, had a really great release show and of course spreading the news that a ghost is coming after you this year!
2.In May you released your new album, can you tell us a little bit more about the musical direction of the newer music and also how does it differ from the stuff you have released in the past?
Speaking about the new album there was a slight change in the musical direction
due to the fact that José, the main song-writer of the last two records, left the band
and although we had almost finished the new album we decided to discard all but one song that has been written by him and started over. So Hannes brought a lot of his influences to the band, having a Black Metal background. But it still sounds like Excruciation.
Speaking about the 80's, well, there has definitely been a change. I never wanted to repeat what we did in the past. It just doesn't make sense to me artistically. You know, we were 15 when we started the band, were little testosterone-filled bastards trying to conquer the world. But we have grown up and I think, so has our music.
3.What are some of the lyrical topics and subjects the band explores with the new album?
Most of the lyrics are about what surrounds me, family, friends. Being originally from the south of Italy there's a lot to tell. Mafia, as in "Mother South", the Catholic Church, as in "Crawl", "Devil wears Christ" and "Under the Linden Tree". In one way or an other it's all about the dark side of life.
4.The band broke up in 1991 and re-formed in 2005, what was the cause of the split and also the decision to reform?
As I told before, we started the band really early, were hanging out together almost every day and in the end maybe we were just fed up with each other. So everyone had to find a life of their own.
And then in 2005, Andy, the drummer, having found out the address of everyone, (some of us hadn't met for up to 18 years) and invited us for dinner, just to see what happened to all of us in the meantime. A lot of drinks later we decided to do some noise together and see what happens. We took it step by step, wrote a few songs, made a record, a few shows and then we finally agreed to reform the band and to go on. For me the crucial thing was, that we were able to write new songs, as I had no intention to repeat myself.
5.What is the meaning and inspiration behind the name 'Excruciation'?
To be honest, not much. When I joined the band they already called themselves Excruciation, which, by the way, was proposed by Martin Ain, and I also thought that it sounded cool.
6.The band formed in 1984 30 years ago and where ahead of the times musically, do you feel that you have been a huge musical influence on some of the later death and doom metal bands that have came out of Switzerland in the last 3 decades?
I really don't know how big our influence was on the Swiss extreme Metal. Of course a lot of people who later formed bands were banging their brains out of their heads at our gigs but they did the same when foreign bands played. I think it had a bigger impact on them, to see that a band from Switzerland was able to deliver a cool show and good records.
I think the most memorable gigs for me were the early ones, our third gig and first sold out show where the people went mad for the first time or a bit later as we played our first gig in Italy headlining, though still being a demo-band and having 800 people going crazy. And all our record release shows were also very special.
Live we move a lot, a lot headbanging going on, trying to live the music.
No touring, as we don't want to be part of the whole pay-to-play circus and organizing a whole tour by ourselves takes just too much time. We plan some gigs in Switzerland in October/November and we will have an appearance at the Dutch Doom Days in Rotterdam, November 1st. But we're open for any inquiries.
9.The new album was released on Auric Records, can you tell us a little bit more about this label?
Actually it's run by us. As Twilight went bankrupt we decided to do it ourselves, having enough knowledge, our drummer used to be the A&R of a big Major.
Most of the labels nowadays can't afford to pay for studio time unless you already are big name, and that is the most expensive part. So we do it ourselves and have the total control. It's more work, we have to build a reputation, but it's also more fun.
We also plan to release some other Swiss bands, mostly re-releasing records from the past that have been forgotten. The first ones should be the debut of Caustic, a great thrash band, and early works of the space-thrashers Bloodstar.
10.Over the years how has the feedback been to your music by fans of death, doom and thrash metal?
Well, feedback has always been good. You usually don't go to a band to tell them that they are total crap.;-) What we have noticed is that we have fans from any genres. Be it Doom or Black Metal, Death or Thrash.
Tough question, time will tell. We started writing new songs for our next EP that has a preliminary title "[c]rust". It may be a little dirtier as the title suggests. Anyway, there is no master plan.
Obviously, being from the 80s bands like Venom, Hellhammer/Celtic Frost, Bathory, Paul Chain, Saint Vitus, Mercyful Fate etc... had a big impact on us. But also Punk/Hardcore like Exploited, Discharge, Amebix and Goth Rock bands like Christian Death, Sisters of Mercy, Joy Division have influenced me a lot. Apart from that I also dig a lot of electronic music, be it early EBM à la Nitzer Ebb, ambient like Parallel Worlds and also some trip hop like Portishead, Tricky, etc....
13.Outside of music what are some of your interests?
I like reading, at the moment everything written by Joe R. Lansdale, and I like to collect books, especially illustrated ones from early the 19th century. I'm also into ancient numismatic, especially Roman. It's exciting having a coin in your hand that someone may have used to pay for a living, to buy wine, whatever, 2000 years ago.
As well as researching on it. It turns history alive.
Thanks for the interview! And to all others, go back, buy a tape deck, a turntable and start listening music the old school way! Only hardware is real ware!
Abolition A.D/After Death Before Chaos/Pulverised Records/2014 CD Review
Abolition A.D are a band from Singapore that plays a mixture of sludge, doom metal, hardcore, d beat and crust and this is a review of their 2014 album "After Death Before Chaos" which will be released in July by Pulverised Records.
A very slow, dark and melodic doom metal sound starts off the album and a few seconds later growled vocals become a huge part of the music which also leads to a faster direction along with some blast beats and they also bring in a mixture of slow, mid paced and fast parts as well as add melodic guitar solos and leads into their music.
In the faster sections of the music you can hear a great amount of thrash, d beat and crust influences in their musical sound and most of the music this band creates is very old school sounding and brings back memories of the early to mid 90's era's of extreme metal and hardcore and the vocals also add in a great amount of the later mentioned genre in the screaming parts of the vocals and on some of the alter t racks the bass guitars start sounding more heavy and powerful.
Abolition A.D show off 2 different sides of their musical style with this album with some of the tracks being slow doom/sludge metal songs and the other ones are in the more fast crust/hardcore direction and the variety keeps their music away from sounding boring, the production sounds very heavy and powerful while the lyrics cover dark themes.
In my opinion Abolition A.D are a very great sounding mixture of sludge, doom metal, hardcore, d beat and crust and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "Ouroboros" "After Death Before Chaos" and "Medeival Minds". 8 out of 10.
Posted by OccultBlackMetal at 12:13 AM No comments:
Haemophagus/Atrocious/Razorback Records/2014 CD Review
Haemophagus are a band from Italy that plays a mixture of death metal, doom, thrash and grindcore and this is a review of their 2014 album "Atrocious" which was released by Razorback Records.
A very clean and soft sounding intro starts off the album while also still evoking a very dark atmosphere along with some psychedelic sounding elements and after the intro the music goes for a more old school thrash/death metal direction along with some growls, screams, grindcore elements and blast beats.
The music sticks to mostly a death metal mixed with a grindcore and thrash sound throw most of the songs and the guitar solos are very raw and old school sounding sounds and the slower sections bring in the doom metal influences which are also a huge part of the bands musical style and you can also hear elements of classic rock on some of the tracks while the main focus is always on a very raw and brutal sound.
A good portion of the music could easily be mistaken for an album from 89 since it is very heavily rooted in the extreme underground music style that was prevalent at the time and they also bring in a good amount of morbid sounding melodies into their musical sound and they close the album with a very long and epic track.
Haemophagus go back to the mid 80 styles of death, doom and grindcore as well ad adding in the raw energy of thrash to display their raw, heavy and dark old school sound, the production sounds very old school yet well well produced while the lyrics cover horror gore and perverted themes.
In my opinion Haemosphagus are a very great old school sounding mixture of doom, death, thrash metal and grindcore and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "Partying At The Grave" "Ice Cold Prey" "Naked In The Snow" and "From The Sunken Citadel". 8 out of 10.
Excruciation/[g]host/Auric Records/Gadget Records/2014 CD Review
Excruciation are a band from Switzerland that has been around since 1984 and plays a mixture of doom, death and thrash metal and this is a review of their 2014 album "[g]host" which was released as a joint effort between Auric and Gadget Records.
A very heavy and dark sound starts off the album along with some melodies which leads to a doom metal direction and all of the musical instruments have a powerful sound to them and a few seconds alter clean playing and melodic vocals find their way into the music along with some whispers being utilized in the background.
Once the music starts getting heavy again death metal growls start becoming a big part of the bands musical style along with some melodic guitar solos and leads and when the album goes into other songs the band finds its style which is in the more doom/death metal direction as well as utilizing a mixture of both clean and heavy parts as well as having some melody being mixed in with the rougher vocals.
In certain sections of the album the band adds in small amounts of acoustic guitars which enhance the dark atmosphere this band creates with its musical style and on one of the tracks spoken word parts and female vocals are brought in briefly and they also bring in a brief use of violins on one of the later tracks before going into an acoustic instrumental before returning back to a heavier direction on the later songs.
Excruciation go for a more early 90's melodic United Kingdom style doom/death metal direction of the early 90's with this album and stay away from the more thrash orientated sound of past albums to create a very dark and heavy album, the production sounds very powerful while the lyrics cover dark and anti religion themes.
In my opinion this is another great sounding album from Excruciation and if you are a fan of doom and death metal, you should check out this band. RECOMMENDED TRACKS INCLUDE ""Mother South" "Crawl" and "Devil Wears Christ". 8 out of 10.
Katakombi Interview
Donner: Katakombi originates from Helsinki, Finland where we formed band around 2011 with the idea of making the type of music we, ourselves would listen. Having four members, we cultivate the songs carefully targeting a grim experience to which we all can relate to. The musical instruments we've used so far are synths, drums, guitar, bass and vocals, all using plenty of fuzz and distortion at times.
2.So far you have released 2 ep's, can you tell us a little bit more about the musical sound that is present on both recordings and also how do they differ from each other?
Saarikoski: Usually our sound is described with words such as doom, death and sludge. These genre boundaries hardly have meaning to us though, as we have already forged our own style of gloomy and violent metal. Breaking the rules is integral part of the style – we have tried to signal that with the term avantgarde.
The first record Hämärän vartija includes four tracks on a cassette, split on two sides. The new self-titled record is a 12" inch vinyl and it has a monumental track "Väärä kuu" on side A and two mid-lenght thrashing songs on side B, namely "Liejuhaudan vanki" and "Sokea jumala".
Both albums were recorded, mixed and mastered in different places, by different people, so there's a difference in tone. Also the songwriting evolved during the time between records. To me the new album is focused into deep contrasts between the cold ancient space and the burning world of modern man.
Donner: Death, desecration and the end of mankind.
Saarikoski: Chaos, insanity and the sublime.
4.What is the meaning and inspiration behind the name 'Katakombi'?
Donner: It's originally from a song title our guitarist Saarikoski came up with. The name symbolizes the deep misty caverns of human mind and humanity, which have inspired most of our themes so far.
Saarikoski: Yeah. I admit we're not the first metal band to rely on the images of underworld, haha. But as a mythological concept I find it as relevant as ever. Maybe the worship of sun, growth and the so-called divine birth has gone too far? Just like the surface of the earth, the kingdom of the dead is getting more and more crowded. Katakombi taps into the energy inside the earth which is older than any of the lifeforms we know.
Donner: Katakombi has been lucky to get to play shows with bands such as Dark Buddha Rising, Oranssi Pazuzu, Domovoyd, Usko, Desert Lord, Sink, just to name a few. Many of them have been great, but the best ones usually happen when we have had a series of shows.
The stage performance, as we experience it, is focused and intense. We attempt to make it visual, with lighting and props, while still keeping the music in the center of things. It definitely is a different experience live.
6.Do you have any touring or show plans for the future?
Donner: Yes, we're planning a European tour for the autumn 2014 with our fellow band Domovoyd. On top of that were actively playing gigs throughout Finland of course, next ones during the autumn.
7.The new ep is going to be released through Hamahakki Music, can you tell us a little bit more about this label?
Donner: Sure. It's basically our own label we came up with. We were working with some labels on this newest release but due to bad luck and bad timing things got delayed and we couldn't wait no longer, so we did this one on our own.
About the label itself: the name stands for spider, which symbolizes the movements and behavior of the animal which are rapid at times, unpredictable and stealthy. Also the insect itself is pretty creepy, sucking out the entrails from the creatures it captures.
There's very likely to be more releases in the future from the Hämähäkki Music, with focus on strange and creepy stuff.
8.On a worldwide level how has the feedback been to your music by fans of doom and death metal?
Donner: We feel it's been very positive. It looks like the audience appreciates the uncompromising artistic approach we are trying to nurture.
Saarikoski: Especially people who appreciate not only extreme metal, but also other musical styles such as prog or noise seem to find something compelling in our tunes.
9.When can we expect a full length album and also where do you see the band heading into musically during the future?
Donner: The next album, which is a full length, is already in the works and we're composing songs towards that goal. We've also picked a producer for to help us on this, who is keen to work with us. Regarding the schedule, it is still too early to tell.
Musically we try to evolve constantly and make everything better and a bit different. It is worth to mention though, that the music will have same eerie and grim feeling built into it as with the two earlier records though.
Donner: Influences are from a variety of bands and styles. Plenty of good music out there. Right now Aosoth sounds great and also Domovoyd as the sun is blazing hotter and hotter.
Saarikoski: This week I've been mostly listening to Vinnie Vincent, Sokea Piste, Sink and Anatomia.
Mrcö: Drugs.
Saarikoski: Fishing.
Donner: Haha, nothing to add.
Saarikoski: Buy or trade the new vinyl and come to check our gigs.
Fucking Invincible/It'll Get Worse Before It Gets Better/Atomic Action! Records/2014 CD Review
Fucking Invincible are a band from Rhode island that plays a mixture of crust, grind, hardcore and sludge and this is a review of their 2014 album "It'll Get Worse Before It Gets Better" which will be released by Atomic Action! Records.
A very noisy distorted sound starts off the album before the music goes into a fast crust/grind direction along with blast beats and high pitched screams and all of the musical instruments have a very powerful sound to them and on some of the later songs they start mixing in slow sludge/doom metal parts in with the faster sections of their musical sound.
Most of the tracks on the album are very short in length and are mostly under 2 minutes and they also add in a small amount of spoken word samples on some of the later songs and the band sticks to a very primitive, brutal and raw sound through out the album and never use any solos or leads.
Fucking Invincible play a very fast and raw mixture of grind, crust and hardcore and mix in slower doom and sludge metal elements in to create a sound of their own on this album, the production sounds very raw and heavy while the lyrics cover violent, hateful, dark and pissed off themes.
In my opinion Fucking Invincible are a very great sounding mixture of grind, crust, hardcore and sludge and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "Not What You Are" "All Good Things" "The World Keeps Turning" and "Progress Trap". 8 out of 10.
Cold Colours/MMXIV/2014 EP Review
Cold Colours are a band from Minnesota that has been featured before in this zine and plays a very depressive, atmospheric and gothic form of doom/death metal and this is a review of their self released 2014 ep "MMXIV".
Clean and distorted playing start off the ep along with some melodic guitar leads which leads up to a heavier doom metal direction along with elements of 70's progressive rock and then blackened death metal screams start to become a part of the music along with some growls and they also mix the clean and heavy parts together.
Violins can be heard in the background at times and all of the musicla instruments on the recording have a very powerful sound to them and the band mixes in a lot of depressive melodies in their gothic approach to doom and death metal along with some black metal elements being utilized at times and the gothic metal parts sound even more powerful when the band goes into mid paced mode.
Cold Colours continue their depressive and melodic gothic doom/death metal sound of the previous album while also showing a great amount of growth as musicians, the production sounds very professional for being a self released recording while the lyrics cover dark, depressive, nature and heathenism themes.
In my opinion this is another great sounding recording from Cold Colours and if you are a fan of depressive, gothic doom/death metal, you should check out this ep. RECOMMENDED TRACK "From This Pain". 8 out of 10..
Atavisma/Where Wolves Once Dwelled/Nihilistic Holo...
Father Merrin/All Is Well That Ends in Hell/2014 E...
Doomed/Our Ruin Silhouettes/Solitude Productions/2...
Connoisseur/Stoner Justice/Tankcrimes/2014 EP Revi...
Ancient Altar/Self Titled/Midnite Collective/2014 ...
Destroyer Of Light/Bizarre Tales Vol. 2 /Heavy Fri...
Abolition A.D/After Death Before Chaos/Pulverised ...
Haemophagus/Atrocious/Razorback Records/2014 CD Re...
Excruciation/[g]host/Auric Records/Gadget Records/...
Fucking Invincible/It'll Get Worse Before It Gets ...
Katakombi/Self Titled/Hamahakki Music/2014 EP Revi...
Desert Lord/To The Unknown/Under A Serpent Sun Rec...
OccultBlackMetal


Thanks to every one who responded to our urgent action alert, the Egyptian authorities opened the gate to allow the trapped group of foreign passport holders in!
Read more about their harrowing ordeal here.
Lets keep the pressure up on the Egyptian government until it opens the Rafah crossing to everyone and ends it's complicity with Israel's genocide.
See the Action alert issued by civil society organizations and public figures to demand the opening of the Rafah crossing here.
This morning a group of over 70 people, mostly women and children carrying foreign passports, planned to take advantage of the ceasefire to leave Gaza and enter Egypt. Israel began bombing Rafah and the Egyptian personnel closed the Egyptian side of the border, leaving them trapped at the crossing, as the bombs fall around them. The Red Cross is not being allowed to reach them due to the bombing in the area.
Their nationalities include German, Norwegian, Bulgarian, and Egyptian.
Call the Egyptian Embassy in your country.
Call the German, Norwegian, Bulgarian foreign office and political representatives to demand that the Egyptian government opens the crossing and allows civilians to take refuge.
"The situation is very scary, the borders are closed and we are here, 70 people, mostly women and children trapped. I can see the smoke and fire, and I can hear the explosions very close to where we are," said Nalan, one of the women trapped at the Rafah Crossing, talking to The Real News.
Listen to the audio recording of a phone call with Nalan Al Sarraj, correspondent for The Real News Network, trapped at the crossing here.
Egypt must open the Rafah crossing. Photo by Eyad Al Baba /APA images.


What Is A Raw Pet Food Diet & Why Would Anyone Choose It?
This guest post is by Jacques Duplantier an advocate of raw food based on the positive changes that it produced in his own pup. If you would like to experiment with feeding raw food, we urge you to keep your vet in the loop and please be sure to follow proper sanitation precautions since you will not be killing bacteria with the heat of cooking.
What is a raw food diet? Should I be interested?
A raw pet food diet is exactly what it sounds like. The recipes consist of a large portion of human-grade raw meat, along with pet-friendly vegetables. They are made in small batches to keep everything fresh. You might be thinking, "Ew, I don't want to grind up raw meat," and I don't blame you – but just think of how much joy your pets bring you. They're definitely worth it!
We were first introduced to raw food to help our lovable mutt, Corrina, who was diagnosed by her vet with a severe food allergy. We tried many different specialty commercial foods, but none could rid her of the symptoms that made her miserable.
At our wit's end, we finally visited a holistic vet who suggested that the only way for Corrina to live a fulfilled life was to make her food out of human-grade ingredients and preferably serve it to her raw. We followed the vet's instructions and saw unbelievable changes in Corrina. It sounds cliché, but she truly was a different dog.
Is It Right For My Pet?
The raw food diet makes a huge difference for Corrina. It eliminated her allergies almost immediately, which reduced her stress, helped her sleep more soundly, & gave her more energy. That being said, raw feeding is not a panacea, nor does it make sense for all pets in all situations.
Deciding to switch to a raw food diet is big decision and one that we recommend you consider discussing with your vet. Some vets are still very skeptical of raw feeding, but the reality of the benefits vs risks has opened up many vets to allow pet owners to make their own nutritional decisions.
Breaking the "scoop and serve" mentality is part of our goal when we tell Corrina's story. Deciding whether or not your pet's diet is complete and balanced should be an active and meaningful decision you make.
Most pets will make the transition easily and comfortably with very few noticeable differences aside from all the benefits you will see. It still is best practice to slowly introduce new food to your pet's diet. Start with a small amount and mix it with their current food to test for any reaction. Over a period of 2-3 days slowly introduce more and remove more of the old food with each feeding. If after 2-3 days of mixing, and if you feel comfortable with the transition, you are all set to go all in.
Mix well. Divide into portions and put each portion into a locking plastic bag and either refrigerate or freeze. The reason you want to separate into portions immediately is to keep from introducing bacteria by scooping at each meal.
Refrigerate enough for 5-7 days at the most. If you have more portions, freeze them.
A normal, healthy, active dog eats about 2% of his body weight per day so judge accordingly.
Jacques Duplantier owns Corrina's Corner in Decatur, GA -- a raw pet food processor and delivery service. He switched his own pup, Corrina, to a raw food diet years ago, and she responded so well that he was regularly asked what the secret was. You can learn more by subscribing to his blog.
Equally important for your pup's health is regular exercise. If you want help providing sufficient exercise for your dog, click on Barklay to the left and we will get in touch with you about dog walking.


MEMORIAL DAY IS A TIME TO HONOR, LOVE AND BE GRATEFUL FOR ALL THE GRANDPARENTS, PARENTS, BROTHERS, SISTERS, FAMILY MEMBERS, FRIENDS AND LOVED ONES WHO HAVE SACRIFICED THEIR LIVES FOR YOU.
AND WITH THAT SAID THANK YOU! MUCH LOVE AND RESPECT TO ALL THOSE WE HAVE LOST.


Kildare County Council has asked for more information on a proposed new Insomnia coffee shop at Whitewater Shopping Centre in Newbridge.
Insomnia Coffee Company has sought planning permission from the council for the change of use of Unit 38 from retail to a coffee shop.
If approved, Insomnia will join Costa and Starbucks on the second floor.
The council have not asked for further information on technical details of the grease separator that will be used at the facility.
The applicant now has six months to furnish those details. Insomnia has eight outlets in Kildare and already has a coffee shop in the centre of the town across from the AIB bank.


ARE YOU THINKING ABOUT PUTTING MONEY back into equity funds? Don't!
That's the opinion of George Feiger, CEO of Contango Capital Advisors, who expects the market to have a turbulent rest of the year. "It's not a Great Depression, but it will be a longer recession than people expect...through 2009, maybe into 2010," he says.
With the world economy in trouble, even the initiatives by the Treasury Department and Federal Reserve won't stave off continued hedge-fund failures, redemptions at hedge and mutual funds, and asset-dumping by lenders, says Feiger. With funds and other investors hoping to start 2009 on fresh footing, redemptions and asset sales likely will accelerate. And that means "assets are likely to become even cheaper over the next three months," Feiger says.
U.S. equity mutual funds had net outflows of $25.67 billion in October, after seeing a net $46.47 billion go out the door in September, according to AMG Data Services. Those are two of the worst monthly showings since the start of the decade.
"There's going to be a structural change in the economy" that might persist for a decade, warns Feiger, a former Stanford University professor. His company, a unit of Salt Lake City-based Zions Bancorp, manages $1.6 billion.
In the early 1980s, consumption contributed 65% of U.S. gross national product -- now GDP, or gross domestic product. For the past 25 years or so, it has accounted for a percentage in the low 70s. Next, it's back to the future.
Consumers won't get loans with "no income and no money down," says Feiger, in part because many already are buried in debt. Homes no longer function as ATMs.
As a result, he says, the retail sector will shrink 10% to 12%, meaning fewer retail employees and fewer trucks needed to transport retail goods. Municipal revenues will tumble due to lower housing valuations, the loss of income tax from unemployed residents and a lack of capital gains, a key source of funding for California, in particular. Some of that state's cities are already cutting police budgets.
The great construction boom that fueled economic growth isn't coming back soon. Malls and office buildings will lie vacant. In short, paraphrasing Churchill, we're not at the beginning of the end of a typical economic cycle, but near the end of the beginning of a new, less-buoyant era.
Feiger says U.S. equities haven't yet factored in this not-so-brave new world. He sees better opportunities in emerging-market equities in countries like China, with strong foreign reserves. In the meantime, he likes bonds, especially quality investment-grade corporates.
Last week a $1 billion offering of five-year senior notes by Coca-Cola Enterprises (CCE), Coca-Cola 's (KO) bottler, was five times oversubscribed. The yield of 4.68 percentage points over Treasuries was the widest level ever seen for Coke, according to Dow Jones Newswires.
Feiger will look next at senior secured leveraged loans, probably early next year when the worst of the blow-ups is over. "Odds are they will get cheaper," he says. High-yield, or junk bonds are cheap now, but they'll be cheap in April too, with defaults expected to jump to 10% to 12% from less than 2% in 2008.
He won't touch commercial mortgage-backed securities because of an overhang of new-construction projects.
It's not a pretty scenario, but it's a plausible one.
OK, LET'S ASSUME FEIGER is right and stocks drop another, say, 20%. "This is [still] a historic buying opportunity, and 100% of new deposits should be in equity" using dollar-cost averaging, says investment adviser Jeffrey Fishman of JSF Financial. He especially favors large-cap equities and small-cap value.
Fishman likes to use third-party large-cap equity managers who look for companies with a lot of cash on the balance sheet and good growth prospects for the next five to 10 years, such as Pfizer (PFE) and Microsoft (MSFT). A favorite pick is Titanium Metals (TIE), with low debt, a price-to-earnings ratio near eight and a yield of 3%-plus. Its shares are at $8.85, down some 75% from their 52-week high, due to a strike at Boeing and the broad drop in commodities. About half the stock is owned by insiders, and it is the dominant player in the titanium market.
Among his favorite funds in this category are Davis New York Venture Fund (NYVTX), though it posted a loss of 36.32% year-to-date through Thursday, and Growth Fund of America (AGTHX), down 35.46%. He likes these funds for their long-term performance prospects.
Fishman also sees value in beaten-down regional banks, most of which have almost no exposure to subprime loans. But they're selling like they do.
Slipping Away: Equity funds had weekly net outflows averaging $7.3 billion in the week ended Wednesday, according to AMG Data. And outflows occurred at a weekly rate of $26.6 billion at money funds, $6.2 billion at taxable bond funds and $1.1 billion at municipal-bond funds. In September, stock funds saw net outflows of $56.6 billion, up from a revised outflow of $19.71 billion in August, according to the Investment Company Institute. Cash grew to 4.7% of assets, up from August's 4.5%.


text:
Q: Как закрывать аккордеон, при выборе другого элемента? Вот в чём заключается вопрос. У меня есть некий аккордеон и мне надо, чтоб каждый элемент закрывался при нажатии на другой элемент. Пока есть только такой код. Буду благодарен помощи.
$('.shield').click(function (){
  $(this).toggleClass('active');
  $('.accord_bg_desc_mob_shield').toggleClass('active');
});
 $('.currency').click(function (){
  $(this).toggleClass('activey');
  $('.accord_bg_desc_mob_currency').toggleClass('active');
});
 $('.target').click(function (){
  $(this).toggleClass('active');
  $('.accord_bg_desc_mob_target').toggleClass('active');
});
 $('.clock').click(function (){
  $(this).toggleClass('active');
  $('.accord_bg_desc_mob_clock').toggleClass('active');
});
 $('.like').click(function (){
  $(this).toggleClass('active');
  $('.accord_bg_desc_mob_like').toggleClass('active');
});
 $('.planet').click(function (){
  $(this).toggleClass('active');
  $('.accord_bg_desc_mob_planet').toggleClass('active');
});

A: Поменяй местами переключения класса, и должно работать.
$('.shield').click(function (){
    $('.accord_bg_desc_mob_shield').toggleClass('active'); //Сначала переключаем класс всем объектам по классу
    $(this).toggleClass('active'); //Затем тому, на который кликнули
});

Вообще, хорошо бы эти все блоки обернуть в одну функцию и вызывать.
Например:
//Создать функцию переключатель классов
function accordeonAction (items_class, item) {
    $(items_class).toggleClass('active');
    $(item).toggleClass('active');
}
// И вызывать когда необходимо
$('.planet').click(function (){ //Тут, вместо click, может быть любое необходимое событие
    accordeonAction ('.accord_bg_desc_mob_planet', $(this));
});

Сократит общий код, добавит функциональности и облегчит его читаемость в будущем

redpajama_set_name: RedPajamaStackExchange


CAC's commitment to safety is evident in its overall safety record. For the year of 2017, CAC has maintained a perfect record of 0 loss time accidents.
Total Recordable Incident Rates (TRIR) is a formula used to indicate or compare the safety performance of companies and industries. In the years 2008, 2009, 2010, 2011, 2012, 2015, 2016 & 2017, CAC, Inc. sustained no recordable incidents resulting in a perfect 0 rate.


An enormous thank you to all the great Dames that attended the May 7, 2016 Garden Project picnic…and although the inclement weather dampened the soil in the fields around us, it didn't affect anyone's spirits as we met with The Garden Project team, kids from the program, Sheriff's staff and the wonderful San Francisco Sheriff, Vicki Hennessy (who oversees our city/county prisons). We tucked into the wonderful feast followed by a guided visit to the fields and greenhouse that are located at the San Francisco City/County jail just off Skyline Boulevard near Pacifica.
Thank you to the Dames for an amazing array of dishes, thank you to Fran Gage, Mary Gassen, Suzette Gresham, Barbara Haimes, Leslie Jonath, Peggy Knickerbocker, Helen Roberts, Renee Shepherd, Eileen Spitalny and daughter Bebe, Margo True, Kathleen Weber who were at the picnic. Tina Salter and Jerry Di Vecchio coordinated the action. And thank you to those who contributed but couldn't make it: Linda Anusasananan, Eleanor Bertino, Laura Branin-Rodriguez, Dolores Cakebread, Linda Carucci, Sue Conley, Elaine Corn, Ann Evans, Janet Griggs, Amina Harris, Sandy Hu, Roberta Klugman, Sue Yung Li, Emily Luchetti, Karen McKenzie, Hannah Rahill, Tannis Reinhertz, Carolyn Wente, Penni Wisner.
With so many delicious dishes filling the table, we wanted to share with you the appreciation felt by everyone and to inform you as to where all of the leftovers went.
Firstly the balance of the Swiss Chard/Kale with New Garlic and the Fresh Collard with Chives dishes (greens grown the Garden Project fields) and packable food were mostly donated to the after school program in the Mission. Cathrine Sneed, Dame and Garden Project Founder, says that she got feedback that the kids especially loved the pasta salad with the baby artichokes. Food that would keep went into the Garden Project kitchen for lunches that are provided to kids and others who work in the garden.
The Garden Project kids at the event also packed up food for their families and for the residents of Valencia Gardens.
1. Who is working in the gardens each season? We've met some of the young people who are here in the summer that come to you from at-risk conditions, but garden is year round.
We work with three different groups.
High school students work during the summer and during the school year on occasional projects.
All participants are paid for their work.
2. How are those working in garden chosen.
Adult immigrants and ex-offenders either apply or are referred to us.
College students apply to work with us.
3. Cathrine mentioned that she is now funded by the PUC (Public Utilities Commission). Are there other sources to help pay for running gardens, paying workers?
We are an employment and training program. We are funded through contracts to perform work. These projects are also educational opportunities for our participants and the core of our training program.
We are a non-profit, and we also receive small grants and donations.
4. Originally Cathrine was working with the inmates. Are inmates still able to participate in anyway?
The program did originally include working with inmates. However, in 1992 when I began the Garden Project, I thought it was more important to impact recidivism and to prevent people from going to jail, and thus the program began to focus on ex-offenders. This commitment expanded to include low income college and high school age students because of their risk for criminal activity due to lack of employment and underemployment.
5. Do you help newly released paroles find work related to gardening etc, and if so where do they work?
Just to clarify again, we do not work with inmates. We don't do job placement, but many have gone to work with such city departments as the Department of Public Works, the SFPUC, the SFPD and more.
Since 2015 San Francisco Dames have participated in special career panels for students at City College San Francisco's Culinary Arts and Hospitality Studies. Thus far, each panel has consisted of three dames, each of whom shares her own career facts and answer questions from the students. The panels have been enthusiastically attended with much interaction from students who want to know how to achieve success in their field.
Below are links to the first two panels and we hope to have links to the others forthcoming.
She is trying to set up a Youtube channel (has to figure it out).
Following is the list of completed seminars. This is an ongoing program. Dames who have participated have found it extremely rewarding and great way to help others move ahead.
Dame Amina Harris of the San Francisco and Sacramento Chapters, featured in Sacramento Bee!
Dame Marie Simmons' new book!
Marie Simmons says Eugene OR is a great place to live, but she sure misses her Dames.
We'll have a chance to visit with Marie as she sweeps through the Bay Area with her new book "Whole World Vegetarian." Everyone gets a hug!
Dame Linda Carucci be presenting for the San Francisco Professional Food Society (SFPFS) on Tuesday, May 3 at Ketchum Food Studio in San Francisco. It's called Seasoning to Taste: An Interactive Guided Tasting Experience and it's based on a fun program that she developed when she worked at COPIA. This is similar to the program she presented for Friends of the Rockridge Library a couple of years ago. However this May 3 program also includes a buffet dinner featuring her grandmother's mouthwatering Baked Stuffed Manicotti which will be prepared by her friend Tamara Westerhold of Cherubina Catering in Marin.
Linda has been a member of the SFPFS for many years. This program is open to dames and their guests. The event hasn't been announced to members (nor is it live on the SFPFS website) yet, so if you'd like to attend, click here to contact Linda via email so she can follow up with you.
Congratulations to these San Francisco Dames on being nominated for the 2016 James Beard Foundation Awards!
All welcome to Dame Jeannette Ferrary's opening for "Eating Alone" at the City Arts of San Mateo Gallery, an exhibition of what she calls her "food-obsessed street photography" which explores the phenomenon of solitary dining from San Francisco to Paris, New York to London.


Barbering is one of the fastest-growing segments of the salon industry. At AVEDA, we encounter guests who want a barbershop experience but with services that feature our unique AVEDA brand of difference. That's why we designed our Barbering Program to provide students with all the traditional techniques of machine cutting, scissor cutting for more structured shapes, grooming and color, with the extra care, wellness, and styling that our guests expect from an AVEDA-certified stylist.
The 1,200-hour barbering course is a 40-week program that has instructor led classroom and clinical training as well as practical hands-on application. Training encompasses three types of learning: theoretical knowledge, the foundation of the students' education; practical experience, the application of knowledge; and the professional business building skills that are vital for success. Each phase of the educational process emphasizes a different combination of learning approaches that include hair and scalp treatments, hair care rinses, machine cutting, scissor cutting that focuses mainly on short structured shapes, straight razor shaves, face and head shaving, color, line-ups, fades, professional business-building skills in management and career development, and employability skills. Throughout the program, students will be accompanied by licensed educators within a fast-paced, hands-on salon environment.
The objective of this program is to prepare students for the state licensing examination in barbering, and provide the training that will prepare them for a future as a barber, retail sales specialist, salon/barbershop manager, or owner. Students will learn technical, personal, and business skills, with a focus on our unique AVEDA approach to techniques and products.


I've been on the look out for a new bike for a while. Now, I'm not a cyclist cyclist. I have visions of myself in France, pedalling along the lavender fields in the sunshine, the basket on my bike full of baguettes, cheese and wine. When Enda went to a tradeshow recently and texted to say "I've found your bike" I was intrigued. Needless to say I wasn't disappointed! The Crème Caferacer Lady Doppio is the perfect bike for me. It looks fantastic and it is a dream to cycle. Ok, I'm not cycling in Provence, but Wicklow ain't half bad!
Wicklow is a compact enough little town but in a car, with traffic the way it is now, it can take a while to get from A to B. The Caferacer gets me to work in five minutes though I tend to take the scenic route along by the river and then the harbour just for an extra spin. I don't want to get off this bike! I'm using it to pick up the kids from school, to cycle with them to their sports and for quick trips to the shops. It's so handy and easy to load up the carrier with bags and boxes on the front rack. I have been seen cycling through the town with a big bunch of flowers on the front carrier – well, it was my birthday!
The Caferacer Lady Doppio is so comfortable to cycle. It features a lugged steel frame with a traditional 'mixte' shape so I'm cycling upright. No sore back for me! And a Brooks leather saddle means no sore bum either. The gears are so easy to change – a 7-speed internal gear hub makes it easy (easier) to get up the hills of Wicklow Town. It also comes with a high-end LED dynamo powered front and rear lights for night-time cycles.
Ciara Kavanagh is, with her husband Mark Williams, the owner of The Sports Room, Wicklow Town – an independent sports store specialising in running, swimming and all things biking.
Crème Cycles now available at The Bike Room in The Sports Room Wicklow. Check out some of the other bikes we stock. We also provide a bike repair and service with Enda Dunne, our qualified Cytech mechanic.


Peers will debate the Enterprise and Regulatory Reform Bill 2012-2013 which contains controversial proposals that many photographers fear will threaten copyright holders.
Among the concerns are rights over 'orphan' works, where a copyright owner cannot be identified or traced.
They assert that most of these orphan photos in the UK will be works created and owned by foreign parties, but that any identifying metadata is often routinely removed before images are published.
Photographers assert that, if enacted, the Bill will permit foreign works to be used without their permission and compensation for the rights holder.
Photographers in the US have also written to Vince Cable, backing the European stance.
AP will be watching developments and plans to publish more on this subject in due course.


Seating down the line in the upper deck is best for fans on a budget. For fans who have money to spend, it's best to find one of the many unique locations in other areas of the ballpark.
The views -- especially as you go farther down the line -- leave a lot to be desired. Never-the-less, all of these sections are close to restrooms and concessions, making them ideal for families on a budget.


Written by Inkas Admin on date 2011-11-17 in Events , Notices .
We invite you on 1st AAFF(Adoptee Art and Film Festival) !!!
Please make sure that you should write an email title "AAFF attending"
Comments : Comments are closed.
InKAS International Art Exhibition 2016 "Biennial"
InKAS 2nd Annual International Art Exhibition "Reminisce"


text:
William Augustus Young1,2
M, b. 1 January 1870, d. 9 April 1947
Father Franklin Young1 b. 28 Jan 1829, d. 16 Nov 1907
Mother Celia D. Curtis1 b. 1836, d. 1876
Birth* William Augustus Young was born on 1 January 1870 at Buncombe, North Carolina.1,2�
(Witness) Census He appeared on the census of 14 June 1880 Upper Hominy Twp., Buncombe, North Carolina, in the household of Franklin Young; page 29, occupation farmer, second marriage, 7 children at home.1�
Death* William Augustus Young died on 9 April 1947 at Asheville, Buncombe, North Carolina, at age 77; occupation meat cutter, wife Alice; buried at Piney Mountain Cemetery.2�
Joseph G. Young1
M, b. 29 November 1872, d. 22 June 1961
Birth* Joseph G. Young was born on 29 November 1872 at Buncombe, North Carolina.1,2�
Death* Joseph G. Young died on 22 June 1961 at Asheville, Buncombe, North Carolina, at age 88; occupation butcher, wife Dorothy Ann; buried at Riverside Cemetery.2�
Columbus (C.H.) Young1,2
M, b. 1 March 1874, d. 22 August 1934
Birth* Columbus (C.H.) Young was born on 1 March 1874 at Buncombe, North Carolina.1,2�
DeathAp* Columbus (C.H.) Young appears to have died or disappeared on 22 August 1934 at Candler, Buncombe, North Carolina, at age 60 widowed; buried at Piney Mountain Cemetery.2�
Ernest Elizabeth Carrier1
Birth* Ernest Elizabeth Carrier was born circa 1919 at North Carolina.1�
Marriage* She married George Wilbur Curtis, son of George Washington Curtis and Arra (Arrie) M. Curtis, on 17 October 1937 at Buncombe, North Carolina; by Ottis J. Hagler, both residents of Old Fort, McDowell, North Carolina.1�
George Wilbur Curtis b. 12 Jul 1915, d. 17 Feb 1986
[S1172] Lillian Ledbetter Stumpp, Buncombe County Marriages.
Sarah C. McFee1,2,3
F, b. 1 November 1856, d. 16 January 1942
Birth* Sarah C. McFee was born on 1 November 1856 at Broadriver, Buncombe, North Carolina; daughter of Jesse McFee and Tilda Glass.1,4�
Married Name As of 4 April 1881,her married name was Curtis.1,3�
Marriage* She married William H. Curtis, son of Eliza Curtis, on 9 April 1881 at Buncombe, North Carolina.1�
Census* Sarah C. McFee and William H. Curtis appeared on the census of 28 June 1900 at Black Mountain Twp., Buncombe, North Carolina, ED 143, sheet 16A, occupation farmer, renting, married 20 years, 8 children, 7 living.5�
Census Sarah C. McFee and William H. Curtis appeared on the census of 4 May 1910 at Broad River Twp., McDowell, North Carolina, ED 96, sheet 9B, occupation farmer, renting, married 29 years, 8 children, 7 living.6�
Census Sarah C. McFee and William H. Curtis appeared on the census of 13 January 1920 at Broad River Twp., McDowell, North Carolina, ED 118, sheet 3A, occupation farmer, renting, 2 children and 6 grandchildren at home.7�
Census* Sarah C. McFee appeared on the census of 8 April 1930 at Broad River Twp., Buncombe, North Carolina, ED 42, sheet 4A, no occupation, widowed, living with Joshua and Lily Headley.8�
Death* She died on 16 January 1942 at Buncombe, North Carolina, at age 85; buried at Nesbitt's Chapel United Methodist Church Cemetery.1�
William H. Curtis b. 16 Jun 1858, d. 20 Jun 1926
Elizabeth E. Curtis5 b. 22 Apr 1882, d. 11 Jul 1957
Minnie J. Curtis5 b. Jun 1883
Delbert C. Curtis+5 b. 9 Sep 1885, d. 14 Dec 1969
William W. Curtis5 b. Sep 1888, d. 20 Dec 1918
Dora Lee Curtis+5 b. 10 Mar 1891, d. 10 Jun 1916
Thomas Whitlock Curtis5 b. 15 May 1893, d. 4 Feb 1972
Mary Lee Curtis5 b. Sep 1897
[S1534] Carolyn C. Aslund & Billie C. Ledbetter, "Cemetery Inscriptions of Buncombe County, N.C.", Ancestral File, Nesbitt.
[S1011] North Carolina State Archives, North Carolina Death Records.
Elizabeth E. Curtis1,2
F, b. 22 April 1882, d. 11 July 1957
Father William H. Curtis1 b. 16 Jun 1858, d. 20 Jun 1926
Mother Sarah C. McFee1 b. 1 Nov 1856, d. 16 Jan 1942
Birth* Elizabeth E. Curtis was born on 22 April 1882 at Buncombe, North Carolina.1,2�
(Witness) Census She appeared on the census of 28 June 1900 Black Mountain Twp., Buncombe, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 143, sheet 16A, occupation farmer, renting, married 20 years, 8 children, 7 living.1�
Death* Elizabeth E. Curtis died on 11 July 1957 at Candler, Buncombe, North Carolina, at age 75; in Black Mountain; married J.T. Dayton; buried at Nesbitt Chapel Cemetery in Fairview.2�
Minnie J. Curtis1
F, b. June 1883
Birth* Minnie J. Curtis was born in June 1883 at Buncombe, North Carolina.1�
Delbert C. Curtis1
M, b. 9 September 1885, d. 14 December 1969
Birth* Delbert C. Curtis was born on 9 September 1885 at Buncombe, North Carolina.1,2�
(Witness) Census He appeared on the census of 28 June 1900 Black Mountain Twp., Buncombe, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 143, sheet 16A, occupation farmer, renting, married 20 years, 8 children, 7 living.1�
(Witness) Census Delbert C. Curtis appeared on the census of 4 May 1910 Broad River Twp., McDowell, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 96, sheet 9B, occupation farmer, renting, married 29 years, 8 children, 7 living.3�
Marriage* Delbert C. Curtis married Balmer Nix on 19 January 1912 at Buncombe, North Carolina; by S.F. Moore.4�
Census* Delbert C. Curtis and Balmer Nix appeared on the census of 17 January 1920 at Black Mountain Twp., Buncombe, North Carolina, ED 24, sheet 12B, occupation teamster-draying, renting, 3 children.5�
Census Delbert C. Curtis and Balmer Nix appeared on the census of 3 April 1930 at Cliffside, High Shoal Twp., Rutherford, North Carolina, Ed 18, sheet 2A, occupation house carpenter, renting-$5, 3 children.6�
Death* Delbert C. Curtis died on 14 December 1969 at Black Mountain, Buncombe, North Carolina, at age 84; at an Asheville nursing home; someone lit a cigarette for him and he suffered severe burns; divorced, informant Mrs. Hannah Curtis Barker; buried at the Tabernacle Cemetery.2�
Balmer Nix b. 1895
Ethel Curtis5 b. 1913
Earl Curtis5 b. 22 May 1915, d. Apr 1983
Elsie Curtis5 b. 1918
William W. Curtis1,2
M, b. September 1888, d. 20 December 1918
Last Edited 5 Feb 2012
Birth* William W. Curtis was born in September 1888 at Buncombe, North Carolina; listed as son of William and Sarah Curtis in marriage record to Janie Dotson.1,3�
(Witness) Census William W. Curtis appeared on the census of 4 May 1910 Broad River Twp., McDowell, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 96, sheet 9B, occupation farmer, renting, married 29 years, 8 children, 7 living.4�
Marriage* William W. Curtis married Janie Dotson on 10 June 1916 at Broad River, McDowell, North Carolina.3�
Death* William W. Curtis died on 20 December 1918 at North Carolina at age 30; misplaced the source of this death record.�
Janie Dotson b. 1888
[S758] Ancestry.com, World War I Draft Registration Cards.
Dora Lee Curtis1
F, b. 10 March 1891, d. 10 June 1916
Birth* Dora Lee Curtis was born on 10 March 1891 at Buncombe, North Carolina.1,2�
(Witness) Census Dora Lee Curtis appeared on the census of 4 May 1910 Broad River Twp., McDowell, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 96, sheet 9B, occupation farmer, renting, married 29 years, 8 children, 7 living.3�
Death* Dora Lee Curtis died on 10 June 1916 at Broad River Twp., McDowell, North Carolina, at age 25; of consumption; single; named mother as Sarah Glass; buried at Broad River Cemetery.2�
Ralph Curtis4 b. 25 Sep 1915, d. 31 May 1988
Thomas Whitlock Curtis1,2
M, b. 15 May 1893, d. 4 February 1972
Birth* Thomas Whitlock Curtis was born on 15 May 1893 at Buncombe, North Carolina.1,2,3�
(Witness) Census Thomas Whitlock Curtis appeared on the census of 4 May 1910 Broad River Twp., McDowell, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 96, sheet 9B, occupation farmer, renting, married 29 years, 8 children, 7 living.4�
DraftWW1* On 5 June 1917 Thomas Whitlock Curtis registered for the draft at Black Mountain, Buncombe, North Carolina; at the time, he was employed by himself as a farmer, single.2�
Marriage* He married Addie (?) circa 1920 at North Carolina.5�
(Witness) Census Thomas Whitlock Curtis appeared on the census of 13 January 1920 Broad River Twp., McDowell, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 118, sheet 3A, occupation farmer, renting, 2 children and 6 grandchildren at home.6�
Death* Thomas Whitlock Curtis died on 4 February 1972 at Gorton, Henderson, North Carolina, at age 78; at the Asheville V.A. Hospital; occupation painter; buried at Mountain View Memorial Park Cemetery at Black Mountain.3�
Addie (?) b. 1900
Mary Lee Curtis1
F, b. September 1897
Birth* Mary Lee Curtis was born in September 1897 at Buncombe, North Carolina.1�
(Witness) Census Mary Lee Curtis appeared on the census of 4 May 1910 Broad River Twp., McDowell, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 96, sheet 9B, occupation farmer, renting, married 29 years, 8 children, 7 living.2�
(Witness) Census Mary Lee Curtis appeared on the census of 13 January 1920 Broad River Twp., McDowell, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 118, sheet 3A, occupation farmer, renting, 2 children and 6 grandchildren at home.3�
Fay G. McNulty1,2
Last Edited 3 Nov 2007
Birth* Fay G. McNulty was born in 1902 at Pennsylvania.1�
Married Name As of circa 1923,her married name was Curtis.1�
Marriage* She married Ray Erwin Curtis, son of Robert Lee Curtis and Chlora Herron, circa 1923 at Washington.1�
Census Fay G. McNulty and Ray Erwin Curtis appeared on the census of 2 April 1930 at Montesano, Grays Harbor, Washington, ED 49, sheet 4A, occupation marker-saw mill, 1 child and his father at home.1�
Ray Erwin Curtis b. 27 Jun 1900, d. 12 Apr 1963
Rae J. Curtis1 b. 1925
[S875] Frances Curtis Bogy, Curtis Genealogy, page 294.
Rae J. Curtis1
Father Ray Erwin Curtis1 b. 27 Jun 1900, d. 12 Apr 1963
Mother Fay G. McNulty1 b. 1902
Birth* Rae J. Curtis was born in 1925 at Washington.1�
(Witness) Census She appeared on the census of 2 April 1930 Montesano, Grays Harbor, Washington, in the household of Ray Erwin Curtis and Fay G. McNulty; ED 49, sheet 4A, occupation marker-saw mill, 1 child and his father at home.1�
Ralph Curtis1
M, b. 25 September 1915, d. 31 May 1988
Mother Dora Lee Curtis1 b. 10 Mar 1891, d. 10 Jun 1916
Birth* Ralph Curtis was born on 25 September 1915 at McDowell, North Carolina; father's name not given on birth certificate.1,2�
(Witness) Census He appeared on the census of 13 January 1920 Broad River Twp., McDowell, North Carolina, in the household of William H. Curtis and Sarah C. McFee; ED 118, sheet 3A, occupation farmer, renting, 2 children and 6 grandchildren at home.3�
(Witness) Census Ralph Curtis appeared on the census of 8 April 1930 Broad River Twp., Buncombe, North Carolina, in the household of Sarah C. McFee; ED 42, sheet 4A, no occupation, widowed, living with Joshua and Lily Headley.4�
Death* Ralph Curtis died on 31 May 1988 at Buncombe, North Carolina, at age 72.2�
Olive McElrath1
F, b. 10 September 1883, d. 6 February 1971
Birth* Olive McElrath was born on 10 September 1883 at North Carolina.1,2�
Married Name As of 7 February 1901,her married name was Curtis.1�
Marriage* She married Andrew Julian Curtis, son of George Washington Curtis and Louisa Almerone Davis, on 7 February 1901 at Buncombe, North Carolina; by W.C. Mallonee.1�
Census* Olive McElrath and Andrew Julian Curtis appeared on the census of 25 April 1910 at Upper Hominy Twp., Buncombe, North Carolina, ED 33, sheet 8A, occupation farmer, owned farm, married 9 years, 4 children, 4 living.3�
Census Olive McElrath and Andrew Julian Curtis appeared on the census of 7 January 1920 at Upper Hominy Twp., Buncombe, North Carolina, ED 41, sheet 5A, occupation farmer, owned farm, 6 children at home.4�
Census Olive McElrath and Andrew Julian Curtis appeared on the census of 23 April 1930 at Upper Hominy Twp., Buncombe, North Carolina, ED 64, sheet 3A, occupation farmer, owned farm, radio, 4 children at home.5�
Death* Olive McElrath died on 6 February 1971 at age 87; no North Carolina or SSDI record matching these dates; buried at Piney Mountain United Methodist Church Cemetery near Candler.2�
Andrew Julian Curtis b. 17 Apr 1874, d. 31 Aug 1962
Robert Frank Curtis+3 b. 27 Dec 1901, d. 1 Jul 1966
Leota Curtis3 b. 1903
Montez Curtis+3 b. 1 Apr 1905, d. 7 Sep 1998
Jennie M. Curtis+3 b. 22 Sep 1909, d. 29 Oct 2008
Ruth Curtis4 b. 1912
Shirley Curtis4 b. 1918
Charlie M. Curtis5 b. 2 Jul 1923, d. 14 May 1994
Patsy E. Curtis5 b. 1929
[S1534] Carolyn C. Aslund & Billie C. Ledbetter, "Cemetery Inscriptions of Buncombe County, N.C.", Ancestral File, Piney Mountain.
Robert Frank Curtis1,2,3
M, b. 27 December 1901, d. 1 July 1966
Father Andrew Julian Curtis1 b. 17 Apr 1874, d. 31 Aug 1962
Mother Olive McElrath1 b. 10 Sep 1883, d. 6 Feb 1971
Birth* Robert Frank Curtis was born on 27 December 1901 at Buncombe, North Carolina.1,2,4�
(Witness) Census He appeared on the census of 25 April 1910 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 33, sheet 8A, occupation farmer, owned farm, married 9 years, 4 children, 4 living.1�
(Witness) Census Robert Frank Curtis appeared on the census of 7 January 1920 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 41, sheet 5A, occupation farmer, owned farm, 6 children at home.5�
Marriage* Robert Frank Curtis married Elva Watts on 31 March 1928 at Buncombe, North Carolina; by Roy P. Jones.6�
Census* Robert Frank Curtis and Elva Watts appeared on the census of 19 April 1930 at Upper Hominy Twp., Buncombe, North Carolina, ED 64, sheet 7B. occupation laborer-rayon mill, renting-$4 month, no radio.7�
Death* Robert Frank Curtis died on 1 July 1966 at Asheville, Buncombe, North Carolina, at age 64; occupation textile worker; buried at Piney Mountain United Methodist Church Cemetery.8,4,3�
Elva Watts b. 1911, d. Apr 1952
Robert Lewis Curtis7 b. 16 Aug 1929, d. 5 Jul 1976
[S1534] Carolyn C. Aslund & Billie C. Ledbetter, "Cemetery Inscriptions of Buncombe County, N.C.", Ancestral File.
Leota Curtis1
Birth* Leota Curtis was born in 1903 at Buncombe, North Carolina.1�
(Witness) Census She appeared on the census of 25 April 1910 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 33, sheet 8A, occupation farmer, owned farm, married 9 years, 4 children, 4 living.1�
(Witness) Census Leota Curtis appeared on the census of 7 January 1920 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 41, sheet 5A, occupation farmer, owned farm, 6 children at home.2�
Married Name As of 1 December 1928,her married name was Pless.3�
Marriage* Leota Curtis married Paul J. Pless on 1 December 1928 at Buncombe, North Carolina.3�
Census* Leota Curtis and Paul J. Pless appeared on the census of 15 April 1930 at East Fork Twp., Haywood, North Carolina, ED 11, sheet 11A, occupation merchant-lunch stand, renting-$2 month, no radio, no children.4�
(Witness) Bio Leota Curtis Pless Haines of Candler celebrated her 100th birtthday on July 5 at the Curtis family reunion on
Lake Murray, S. C. with 50 to 70 family members from six or seven states attending. She was a daughter of
Julian and Ollie Curtis the second of eight children. She grew up on a farm in Candler near the foot of Mt.
Pisgah. Before her marriage she worked at the Biltmore Estate. Most of her working years she ran a restaurant
and gift shop in the Pisgah National Forest near the top of Mt. Pisgah. People would put in their order for a
meal and then hike to the top of the mountain while it was being prepared. The Vanderbilts had a summer
lodge nearby and they sometimes brought a party in for homemade blueberry pie. She picked the berries in
Pisgah National Forest.
She and her first husband, Paul Pless, went to Florida every winter beginning in 1928. She ran a gift shop or
cooked in a restaurant in Ft. Myers, Fla. during the winter. Her husband died in the 1950s. She continued
going to Florida and there met her second husband, Luther Haines of New Vienna, Ohio. They were married
She made the annual trip to Florida until she was 97 years old. Until she was 99, she lived by herself and in the
summer she continued to have a garden that she planted and harvested. She drove her car into Wilmington,
Ohio, a twenty mile trip once or twice a week until she was 98. In the fall of 2002, she went to live in Candler.
She exercises daily and takes short walks when the weather permits. She enjoys mending and cooking.5�
Paul J. Pless b. 28 Jun 1904, d. 28 Dec 1956
[S1506] Asheville Citizen-Times, Various.
Montez Curtis1,2
F, b. 1 April 1905, d. 7 September 1998
Birth* Montez Curtis was born on 1 April 1905 at Buncombe, North Carolina.3,4�
(Witness) Census Montez Curtis appeared on the census of 7 January 1920 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 41, sheet 5A, occupation farmer, owned farm, 6 children at home.5�
Married Name As of 6 October 1928,her married name was Matheson.2�
Marriage* Montez Curtis married Mark Hannah Matheson on 6 October 1928 at Buncombe, North Carolina; by A.L. Latham; Leota Curtis, Lillian Smith witnesses.2�
Census* Montez Curtis and Mark Hannah Matheson appeared on the census of 12 April 1930 at Asheville, Buncombe, North Carolina, ED 26, sheet 6B, occupation mail carrier-U.S. Government, renting-$15 month, 1 son at home.6�
Death* Montez Curtis died on 7 September 1998 at Cleburne, Johnson, Texas, at age 93.4�
Mark Hannah Matheson b. 16 Mar 1903, d. 24 Jan 2004
Mark Hannah Matheson Jr.6 b. 9 Sep 1929, d. 7 Jul 1930
[S1] Census of Population 1910-1930.
Jennie M. Curtis1
F, b. 22 September 1909, d. 29 October 2008
Birth* Jennie M. Curtis was born on 22 September 1909 at Buncombe, North Carolina; named Gladys in 1910 census.2,3�
(Witness) Census Jennie M. Curtis appeared on the census of 7 January 1920 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 41, sheet 5A, occupation farmer, owned farm, 6 children at home.4�
Married Name As of 22 June 1925,her married name was Young.5�
Marriage* Jennie M. Curtis married George Dewey Young on 22 June 1925 at Buncombe, North Carolina.5�
Death* Jennie M. Curtis died on 29 October 2008 at Asheville, Buncombe, North Carolina, at age 99; buried at Piney Mountain Methodist Cemetery in Candler.3�
Obit Jennie M.'s obituary was published in the Asheville Newspaper on circa 30 October 2008:
Memorial for Jennie Mae Curtis Young; Born in Buncombe Co., NC on Sep. 22, 1909; Died on Oct. 29, 2008 and resided in Asheville, NC .Jennie Mae Curtis Young, 99, of Candler, died on Wednesday, October 29, 2008, at the Laurels of Green Tree Ridge.
A native of Buncombe Co., Mrs. Young was a daughter of the late Julian Curtis and Ollie McElrath Curtis. She was also preceded in death by her husband, George Dewey Young, Sr., who died in 1994; sons, George D. Young, Jr., and Curtis R. Young; sisters, Leota, Montez, Ruth, and Shirley; and brothers, Frank and Charles. She was a member of Mt. Pisgah Baptist Church. Mrs. Young is survived by her daughters, Edith Kilpatrick and husband Wayne, of Chapin, SC, and Joan Parnell of Columbia, SC; son, James R. Young and wife Louise, of Columbia; sister, Patsy McManaway of Charlotte; 16 grandchildren, 19 great-grandchildren, and eight great-great-grandchildren. A funeral service will be at 11:00 a.m. Saturday at Mt. Pisgah Baptist Church with the Revs. Bobby Winebarger and Eric Young, and Mr. Ross Young officiating. Interment will follow at Piney Mountain Methodist Church Cemetery.3
George Dewey Young b. 29 Jun 1902, d. 29 Aug 1994
George Dewey Young Jr.6 b. 20 Jul 1927, d. 13 Jul 2008
James Young6 b. 6 Feb 1929
Edith Mae Young6 b. 15 Dec 1930
Curtis R. Young6 b. 15 Sep 1936, d. 13 May 1996
[S1368] Find A Grave, Find A Grave, Piney Mountain, Buncombe, North Carolina.
Ruth Curtis1
Birth* Ruth Curtis was born in 1912 at Buncombe, North Carolina.1�
(Witness) Census She appeared on the census of 7 January 1920 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 41, sheet 5A, occupation farmer, owned farm, 6 children at home.1�
(Witness) Census Ruth Curtis appeared on the census of 23 April 1930 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 64, sheet 3A, occupation farmer, owned farm, radio, 4 children at home.2�
Shirley Curtis1
Birth* Shirley Curtis was born in 1918 at Buncombe, North Carolina.1�
(Witness) Census Shirley Curtis appeared on the census of 23 April 1930 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 64, sheet 3A, occupation farmer, owned farm, radio, 4 children at home.2�
Married Name As of 30 October 1937,her married name was Foster.3�
Marriage* Shirley Curtis married Rainey Foster on 30 October 1937 at Buncombe, North Carolina; by Rev. C.M. White.3�
Rainey Foster b. 22 Jul 1913, d. Jun 1963
Charlie M. Curtis1
M, b. 2 July 1923, d. 14 May 1994
Birth* Charlie M. Curtis was born on 2 July 1923 at Buncombe, North Carolina.1,2�
(Witness) Census He appeared on the census of 23 April 1930 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 64, sheet 3A, occupation farmer, owned farm, radio, 4 children at home.1�
Death* Charlie M. Curtis died on 14 May 1994 at Orange Park, Clay, Florida, at age 70; SSDI only.2�
Patsy E. Curtis1
Birth* Patsy E. Curtis was born in 1929 at Buncombe, North Carolina.1�
(Witness) Census She appeared on the census of 23 April 1930 Upper Hominy Twp., Buncombe, North Carolina, in the household of Andrew Julian Curtis and Olive McElrath; ED 64, sheet 3A, occupation farmer, owned farm, radio, 4 children at home.1�
Elva Watts1
F, b. 1911, d. April 1952
Birth* Elva Watts was born in 1911 at Buncombe, North Carolina.1,2�
Married Name As of 31 March 1928,her married name was Curtis.1�
Marriage* She married Robert Frank Curtis, son of Andrew Julian Curtis and Olive McElrath, on 31 March 1928 at Buncombe, North Carolina; by Roy P. Jones.1�
Census* Elva Watts and Robert Frank Curtis appeared on the census of 19 April 1930 at Upper Hominy Twp., Buncombe, North Carolina, ED 64, sheet 7B. occupation laborer-rayon mill, renting-$4 month, no radio.3�
Death* Elva Watts died in April 1952 at Buncombe, North Carolina; buried at Piney Mountain United Methodist Church Cemetery near Candler.4,2�
Robert Frank Curtis b. 27 Dec 1901, d. 1 Jul 1966
Robert Lewis Curtis1
M, b. 16 August 1929, d. 5 July 1976
Father Robert Frank Curtis1 b. 27 Dec 1901, d. 1 Jul 1966
Mother Elva Watts1 b. 1911, d. Apr 1952
Birth* Robert Lewis Curtis was born on 16 August 1929 at Buncombe, North Carolina.1,2,3�
Marriage* He married Mary Lou Whittemore on 27 November 1952 at Asheville, Buncombe, North Carolina.4,5�
Death* Robert Lewis Curtis died on 5 July 1976 at Asheville, Buncombe, North Carolina, at age 46; Corporal, U.S. Army, Korea; buried at Big Ivy Cemetery near Barnardsville.1,2,4�
Mary Lou Whittemore b. 29 May 1928
[S1534] Carolyn C. Aslund & Billie C. Ledbetter, "Cemetery Inscriptions of Buncombe County, N.C.", Ancestral File, Clayton.
[S1534] Carolyn C. Aslund & Billie C. Ledbetter, "Cemetery Inscriptions of Buncombe County, N.C.", Ancestral File, Big Ivy.
George W. Reed1
Birth* George W. Reed was born in 1870.2�
Marriage* He married Laura C. Curtis, daughter of George Washington Curtis and Louisa Almerone Davis, on 4 February 1915 at Buncombe, North Carolina; by J.J. Mackey, J.P.1�
Census* George W. Reed and Laura C. Curtis appeared on the census of 21 January 1920 at Upper Hominy, Buncombe, North Carolina, ED 41, sheet 17A, occupation farmer, renting, no children.3�
Laura C. Curtis b. Oct 1879, d. 15 Oct 1921
William H. Coleman1
M, b. 10 November 1836, d. between 1871 and 1880
Birth* William H. Coleman was born on 10 November 1836 at Sullivan, Tennessee; Sullivan County from 1860 census.1,2,3�
Marriage* He married Elizabeth J. (Betty) Curtis, daughter of James Madison Curtis and Sarah Warren, circa 1858 at North Carolina; no marriage record.1,4�
Census* William H. Coleman and Elizabeth J. (Betty) Curtis appeared on the census of 17 August 1860 at Fort Hembree P.O., Fort Hembree District, Cherokee, North Carolina, page 262, occupation farmer, owned farm valued at $300, 1 child at home; lived near Amos Wesley Curtis.4�
(Witness) Death William H. Coleman witnessed the death of Elizabeth J. (Betty) Curtis circa 1863 at Cherokee, North Carolina.2,1�
Marriage* William H. Coleman married Celina Adaline Rogers circa 1865 at North Carolina.5�
Census* William H. Coleman and Celina Adaline Rogers appeared on the census of 1 September 1870 at Hayesville P.O., Hayesville Twp., Clay, North Carolina, page 458, occupation farmer, real estate valued at $1,500/personal $800, second marriage, 5 children at home; lived next to Wesley Curtis.6�
DeathAp* William H. Coleman appears to have died or disappeared between 1871 and 1880 at Clay, North Carolina, Adaline was widowed in 1880.7�
Death He died on 13 September 1876 at Clay, North Carolina, at age 39; buried at Hayesville United Methodist Church Cemetery.3�
Elizabeth J. (Betty) Curtis b. 1837, d. c 1863
Roxanne Coleman4 b. 1859, d. bt 1861 - 1869
James Madison Coleman6 b. 4 Dec 1860, d. 22 Mar 1948
Andrew Johnson Coleman6 b. 26 Apr 1863, d. 29 Nov 1943
Celina Adaline Rogers b. 20 Jul 1838, d. 21 Aug 1928
Margaret Coleman6 b. Dec 1866
Ellen E. Coleman6 b. 1867
Georgia A. Coleman6 b. 1869
Robert T. Coleman7 b. Dec 1871
Marvin Lee Coleman7 b. 1873
Birdy A. Coleman7 b. 1876
[S1530] Phillip Hogsead and Dorothy Shepherd, Clay County, North Carolina Cemetery Transcriptions, Hayesville Methodist.
[S1] Census of Population 1870e.

redpajama_set_name: RedPajamaCommonCrawl


Okay, I got the newest version of TunerPro RT (THANKS MARK!!!) and I started playing with the ALDL Definition editor.
In short, where do I start? I know that sounds kinda broad, but I looked at and I really don't know where to start. I have the A090 text file, but I don't have the command values and really don't know where to get them.


159 * is less than the regulator current limit.
501 * If this is an EDP table update, need to overwrite old table.
502 * The old table's address must remain valid.
887 * If this is an EDP table update, need to overwrite old table.
888 * The old table's address must remain valid.
1171 gpu_edp_limits == gpu_edp_default_limits ?
1230 pr_info("Reinitialized VDD_GPU EDP table with regulator current limit"
1297 pr_info("Reinitialized VDD_CPU EDP table with regulator current limit"


text:
Serpula ampullacea är en ringmaskart som beskrevs av Sowerby 1829. Serpula ampullacea ingår i släktet Serpula och familjen Serpulidae. Inga underarter finns listade i Catalogue of Life.

Källor

Havsborstmaskar
ampullacea

redpajama_set_name: RedPajamaWikipedia


text:
Q&A: Small Star Wars Vehicles, Exclusives, and The Black Series
By Adam Pawlus — Sunday, August 13, 2017
1. I was wondering if the exclusive Entertainment Earth / Hasbro Comic packs were produced before you joined Entertainment Earth or if you had input into their production? If so, well done. Any chance that Entertainment Earth can team-up with Hasbro to reissue some (or most) of the Comic Packs 2-pack figures (maybe without the comics to save on costs). New smaller package or even reissued on the Vintage collection cards from next year?
--Matt
I had zero input on this item - these were all set to go but thanks to "last wave syndrome," they didn't have a home so we were offered the assortment as an exclusive. I think it made all parties pretty happy and I'd love to repeat that opportunity with more orphaned products.
Due to various reasons, mostly legal reasons, we prefer to not take input on future exclusives. As a personal/professional rule, I try to steer the ship as far away from reissues in any form as possible. Once something has entered the marketplace, the numbers needed to do another production run (provided the tooling is viable) may not be large enough to justify the minimums at the factory. However, all is not lost - Hasbro was incredibly open about wanting its new The Vintage Collection line to incorporate more reissues and returning favorites. I would heartily suggest making a note of your favorites and letting Hasbro know at future fan conventions, per their request, or starting a campaign online to bring back specific favorites.
From where I sit, a reissue exclusive is sort of suicide when it comes to obscure characters. Every year, the pool of fans wanting a Vader or Boba Fett grows - but nobody new has learned who Ysanne Isard is since that two-pack languished in the Entertainment Earth warehouse far longer than the other sets. Costs have gone up significantly since the Comic Packs ended, and they were ridiculously cheap at the time - a single figure was $6.99, and a two pack with a full-size comic was $9.99 or $10.99 for most of the run with costs climbing by the time that final exclusive wave was made available. I don't know how they pulled it off back then - now, a single figure would have to retail at $12.99 or above.
No I much prefer lobbying for the issuing of items that got literally no distribution in the first place, should such a thing happen, particularly from a recent line where a lot of us are wanting to find them. But I probably can't talk about any specific examples... *coughs*
Ad: Star Wars and Guardians of the Galaxy at Entertainment Earth!
2. Another Micro Machines question for you. For TFA, I feel Hasbro brought back Micro Machines as a nostalgic idea to hook people of my generation back in (TFA was brand new, so try every format possible). Despite the lacking quality, I enjoyed collecting them all. There was a handful of sets for Rogue One that came and went with little notice. Seeing the TFA stuff still on clearance in stores, on HTS, and HTS eBay, I really think that spells doom for TLJ Micro Machines and going forward. Any insights? Were modern Micro Machines a failure? I was really hoping they'd do well enough to warrant the return of Action Fleet.
--Alexander
Hasbro straight-up bagged on Micro Machines during the Star Wars panel at Comic-Con this year. When they're making jokes about a brand in a product announcement, that's never a good sign.
I have yet to see any news of any new Titanium Series vehicles or helmets, or Micro Machines vehicle products coming this year - it doesn't mean they aren't happening as someone's exclusive, or might be out later, but we've seen no evidence that they're happening anywhere yet. Hasbro did announce some new Titanium Series Helmets at Toy Fair, but I doubt they'll see the light of day. Also, maybe they just didn't announce them yet. Absence of evidence is not necessarily evidence of absence.
It looks like Hasbro ceded this category to Mattel, which means I picked the wrong pony and will probably never complete that scale. There are many Mattel Hot Wheels Star Wars ships I've still never even seen in person - so hey, no matter how bad your lot in distribution may be at least this phase in your collecting career may be over?
3. I know Luke from the SDCC Exclusive 6" Star Wars: The Black Series Jedi Master Luke Skywalker and Jedi In Training Rey 2 Pack will be released as a regular in the Black Series but how about the new Rey?
--Eric
I don't know if Hasbro specifically confirmed her future distribution, but to date Hasbro has never had a truly exclusive Comic-Con figure - just packaging and accessories. I wouldn't worry in your shoes... I mean, it's Rey.
Special thanks to our generous Patreon patrons, especially: JT, Timothy, Christopher, Robert, Jayson, Marco, Shawn, Stephen, and Matthew. Thanks for helping us keep the servers on!
Shoretrooper and Bistan ? Fenn Rau ? You should order those. Get while the getting is good, people.
Figure of the Day (Star Wars edition) will be taking a brief hiatus due to travel for work and a lot of other stuff coming up - but I promise I'll make up for it with many bonus entries in September as new The Last Jedi product hits. So I can say "It's good, I think, I haven't seen the unfinished film yet so who knows? Maybe you'll care about this one in December." Yeah yeah, spoiler warning, etc. We've got 4 more before I take a break until the new stuff starts arriving. The first one, I hope, I can get up on or around September 1.
--Adam Pawlus
Got questions? Email me with Q&A in the subject line now! I'll answer your questions as soon as time (or facts) permit.
Adam Pawlus QandA


text:
'The 100' 7×15 review: 'The Dying of the Light'
Amanda Reimer September 26, 2020
The 100 only has one episode left, and there's no clear path to resolving all that a show needs to in its finale episode, character-wise, plot-wise, and thematically. Technically, The 100'…
The 100 7×14 Review: A Sort of Homecoming
Did anybody else let out a deep, resigned sigh as The 100's "A Sort of Homecoming" finally went to its first commercial break? Or when the episode came to a close? "A Sort of H…
The 100 7×13 Review: Blood Giant
This is stupid. Is there anything else to say? What do you say to a disastrous creative decision that exists purely to ruin the legacy and central relationship that drove a show for six years? The wri…
The 100 7×11 Review: Etherea
Amanda Reimer August 12, 2020
This episode succeeded for one reason and one reason only: Bellamy Blake. To clear up any misconceptions, this is not a bad episode, at least not by season seven standards. It's difficult to cre…
The 100 7×10 Review: A Little Sacrifice
Amanda Reimer August 5, 2020
Episodes of The 100's final season become easier to watch the longer the season continues. This isn't due to an increase in quality, but merely due to the fact that the time has given the …
The 100 7×09 Review: The Flock
Amanda Reimer July 16, 2020
As the final season of The 100 passes the half-way point, there doesn't appear to be much potential for change. Any hope for the narrative to shift to center on the protagonists of past seasons …
The 100 7×08 Review: Anaconda
Amanda Reimer July 8, 2020
The 100's eighth episode, and backdoor pilot for a potential prequel series, has a lot of pressure right out of the gate. With a considerable amount of hype, both from press and creator/showrunner Jas…
Book Giveaways
Double Trouble!
Latinx Spotlight
Movie Giveaways
Music Giveaways
OSCAR® Buzz
TV Giveaways
TYF Column
TYF Productions