*1 STABILISIERUNGSFONDS FUR WEIN, H. SICHEL SOEHNE GMBH AND DEINHARD & CO.
Opposition No. 70,176 to application Serial No. 443,144 filed September 6, 1983.
Milo G. Coerper and Cushman, Darby & Cushman for Stabilisierungsfonds fur Wein, H. Siechel Soehne GmbH and Deinhard & Co.
Stabilisierungsfonds fur Wein (hereafter SFW or Wine Stabilization Fund), a public corporation of the Federal Republic of Germany, H. Sichel Soehne GmbH (Sichel) and Deinhard & Co., a private German corporation, have opposed the application of Peter Meyer Winery GmbH, a joint stock company of the Federal Republic of Germany, to register the mark GOLDENER TROPFEN for wines. [FN1] In the opposition, it is alleged that SFW is established by statute to promote the quality of wines produced in certain defined viticultural areas of West Germany and to promote the world distribution of such wines; that SFW has, pursuant to statutory authority, undertaken to protect against misuse of names of geographic origin for German wines; that many German wines designated by names of geographic origin, which function as certification marks, have been exported to and sold in the United States; [FN2] that SFW is the owner of the common law certification marks GOLDTROPFCHEN and PIESPORTER GOLDTROPFCHEN; that these are geographic names of viticultural areas in Germany and function to certify origin in a geographic region in Germany as well as the standards and characteristics of quality; that applicant's mark GOLDENER TROPFEN falsely implies and deceptively designates that applicant's wine originates in the geographic areas Goldtropfchen and Piesporter Goldtropfchen and complies with the characteristics and quality of wines entitled to use those marks; that the public and the trade will confuse applicant's wine with the goods of those authorized by SFW to use the common law certification marks; that these certification marks were used by Sichel and Deinhard prior to applicant's use; and that, in consequence of the above, applicant's mark is geographically deceptively misdescriptive under Section 2(e)(2) of the Act, 15 U.S.C. 1052(e)(2); that applicant's mark is deceptive and falsely suggests a connection with the opposers in violation of Section 2(a) of the Act, 15 U.S.C. 1052(a); that applicant's mark so resembles the pleaded certification marks as to be likely to cause confusion in violation of Section 2(d) of the Act, 15 U.S.C. 1052(d); and that a fraud is being perpetrated on the Patent and Trademark Office because of the false declaration filed in support of the application known by applicant to be untrue. Applicant has denied the essential allegations of the opposition but has admitted, in effect, the standing of SFW.
*2 The record of this case consists of testimony (and exhibits) taken by opposers, and the application file. Applicant has taken no testimony or submitted any other evidence. Opposers have filed a brief and only counsel for opposers appeared at the oral hearing of argument held in connection with this case.
According to the testimony of an employee of the Wine Stabilization Fund, Franz Michel, employed by the Fund for 25 years, that institution is a semi-governmental agency established by German law designed to foster the quality and sales of German wines. Funded by a levy by the West German government on wine growers and the wine trade, SFW is the owner of numerous certification mark registrations in this country. SFW is also the owner of the common law certification mark GOLDTROPFCHEN, officially recognized as a geographical designation of origin by the West German government. [FN3] According to the testimony, the word GOLDTROPFCHEN, the diminutive of "golden drop," i.e., "tiny or little golden drop," is used to identify the geographic source of a famous kind of German wine. Mr. Michel's testimony and other testimony support opposers' position that Goldtropfchen is the most famous vineyard near the town of Piesport, in a specified viticultural region called Mosel-Saar-Ruwer, and is one of the most highly regarded and internationally renowned geographic origins of German wine. The wine from this vineyard is one of the best German wines and commands a higher price than wines from other vineyards in this region which are sold under the label of PIESPORTER MICHELSBURG, Michelsburg being the "grosslage" ("greater or collective vineyard") covering a number of vineyards in Piesport and adjoining villages. Contrary to the custom in this country of selling domestic wines primarily by the producer's name and the varietal name, most German wines are sold by the designation of geographic origin, often combined with the varietal name.
Mr. Michel further testified that any grower who grows wine in the vineyard of Goldtropfchen is entitled under German law to use that designation, as are bottlers who buy wine from that vineyard, provided that at least 85 percent of the wine comes from the vineyard while the remaining 15 percent must come from the region. According to his testimony, the name PIESPORTER (the adjectival form of the community or village of Piesport, meaning "from Piesport"), must, according to German law, be added to the label. Over one hundred different growers and bottlers use the designation PIESPORTER GOLDTROPFCHEN on their wine. There are a number of importers of this wine.
Deinhard & Co. is a wine grower which exports wine to this country, including wine bearing the name PIESPORTER GOLDTROPFCHEN, amounting to 5,600 cases per year. The remaining opposer, Sichel, has bottled and exported PIESPORTER GOLDTROPFCHEN wine to this country since at least 1959 (and probably since 1934). [FN4] In 1985, Sichel sold 5,030 cases of PIESPORTER GOLDTROPFCHEN wine in the United States. Finally, while the testimony is clear that the community name PIESPORTER is always used on wine labels with the name GOLDTROPFCHEN, there is also testimony that the name GOLDTROPFCHEN may appear alone on wine lists and that purchasers, restaurant patrons and the trade have ordered this kind of wine by the name GOLDTROPFCHEN alone.
*3 With respect to the issues of priority and likelihood of confusion, it is clear that the terms PIESPORTER GOLDTROPFCHEN and GOLDTROPFCHEN have been used in this country by persons other than SFW as common law certification marks since prior to the filing date of applicant's application, the date to which applicant is restricted for purposes of priority in the absence of any evidence of use. In view of the identity of the goods on which the respective terms are used, and because of the obvious similarities in sound, appearance and, at least to German-speaking Americans, meaning, we conclude that the mark GOLDENER TROPFEN is likely to cause confusion, mistake or deception among purchasers with GOLDTROPFCHEN. See Bureau National Interprofessionnel Du Cognac v. International Better Drinks Corp., 6 USPQ2d 1610, 1616-17 (TTAB 1988) (COLAGNAC v. COGNAC). Applicant's mark may be perceived by these persons as a misspelling of the vineyard Goldtropfchen. To those American customers who do not speak German and thus do not know how the respective marks translate into English, we agree with opposers' counsel that both marks may be seen as the familiar word "Gold" "followed by a jaw-breaking string of consonants." (Opposers' brief, 19). In this determination, we have considered the testimony of the fame of the name GOLDTROPFCHEN among the relevant purchasing public and the tendency that purchasers will be confused because less care may be taken in purchasing a product under a famous name. Specialty Brands, Inc. v. Coffee Bean Distributors, Inc., 748 F.2d 669, 223 USPQ 1281, 1284 (Fed.Cir.1984).
With respect to the ground of deceptiveness, the Board has held that a mark is deceptive within the meaning of Section 2(a) of the Act if it misdescribes the goods, purchasers are likely to believe the misrepresentation, and the misrepresentation would materially affect their decision to purchase the goods. In re Quady Winery Inc., 221 USPQ 1213 (TTAB 1984). If a mark is the name of a place known generally to the relevant public, purchasers who encounter goods bearing the mark would think that the goods originate in that place, the goods do not come from the named place, and the deception is material to the purchasing decision, then the mark is deceptive under Section 2(a) of the Act. If the deception is not material to the purchasing decision, then the mark is primary geographically deceptively misdescriptive under Section 2(e)(2) of the Act. Bureau National, supra, at 1615, and cases cited there. We believe that purchasers who encounter applicant's relatively inexpensive German table wine under the designation GOLDENER TROPFEN are likely to believe that the mark is a misspelling of the certification mark GOLDTROPFCHEN and that applicant's product therefore is a wine produced from grapes grown in the Goldtropfchen vineyard of West Germany in accordance with the German wine laws and regulations, when in fact applicant's product does not contain wine from this region. [FN5] Because of the renown of the GOLDTROPFCHEN wine amongst the relevant purchasing public, we believe that the deception will be material to the purchasing decision. See Bureau National, supra.
*4 In view of this holding, we need not consider the registrability of applicant's mark under Section 2(e)(2). Nor do we consider the pleaded claims that applicant's mark falsely suggests a connection with opposers under Section 2(a) of the Act and that applicant has committed fraud, because opposers have failed to raise these issues in their brief on the case.
Decision: The opposition is sustained and registration to applicant is refused.
FN1. Serial No. 443,144, filed September 6, 1983, claiming use since July 15, 1983. In the application it is stated that "GOLDENER" is a German word meaning "gold" or "golden" and that the word "TROPFEN" is a German word meaning "drop" or "drip."
The term "certification mark" means a mark used upon or in connection with the products or services of one or more persons other than the owner of the mark to certify regional or other origin, material, mode of manufacture, quality, accuracy or other characteristics of such goods or services or that the work or labor on the goods or services was performed by members of a union or other organization.
FN3. Counsel for opposers indicates in his brief that SFW owns an application to register this certification mark and that that application is being blocked by the opposed application. However, there is no evidence of record to support this statement.
FN4. According to the testimony, this opposer was incorrectly identified in the caption of this proceeding as H. Sichel & Soehne GmbH. Although opposers' counsel has not formally made a motion to amend, applicant's counsel consented to the amendment of the caption of this proceeding during opposers' testimony (Sichel dep., 4). The caption has been amended.
FN5. According to the testimony of Mr. Sichel (at 23), the managing director of Sichel and the author of several books on wine, nothing on the label of applicant's wine would preclude it from being made from grapes grown anywhere in Germany, from any type of grape varieties, or being blended with wine from any region. Mr. Michel testified that, under German law, the word GOLDTROPFCHEN may not be used on so-called table wine but must be used on wine of a higher quality. As noted above, we have no testimony from applicant concerning its product.


There are may options for discussing or getting started with your architectural project.
There is no charge for a 20-minute phone call to discuss your project and how I may be able to help you.
This option takes an overview of your project and tells you whether there are any stumbling blocks that you are likely to encounter, before you invest a lot of time and money in the process. Afterwards, you'll have the information you need to decide whether your project is feasible, what issues need to be resolved and what steps you need to take for a successful project. You'll save time, be better prepared, more knowledgeable and have more peace of mind that you are avoiding unpleasant surprises down the road.
At the end of this process, if you decide that you want to continue working with me, we can continue onto the design phase of the project, or you are free to take the report to another architect to continue the process.
Read TRUE STORIES below to learn how three clients could have avoided unnecessary costs and delays with a Project Pre-Design Analysis.
Clients hired me to design the interior layout of a home that they had purchased and planned to remodel. They had already hired a contractor to do extensive work on the outside walls and roof of the home, which was underway when I first met with them. In the process of researching the building codes related to their home, I realized that it would not comply without extensive additional work that they had not anticipated. It was questionable whether it made sense to spend the additional money to bring the home up to code rather than tear it down to build a new home which would better meet their needs. Beginning with a Project Pre-Design Analysis would have saved them the cost of construction work on a home that was potentially not worth saving.
I was brought onto a project by a contractor who had been hired to remodel a lakeside home. The homeowners had hired a drafter to draw plans for an addition, but the contractor needed a site plan in order to get a building permit for the project. In the process of doing the site plan, I researched the zoning ordinances and discovered that the home was located in an area subject to flooding. The beginning of construction was set back many months while the contractor obtained the additional permits that were needed. A Project Pre-Design Analysis would have alerted the homeowners and contractor to the additional requirements and permits at the beginning of the project, saving them from the construction delay.
Homeowners asked me to draw a floorplan for their addition, after getting construction estimates from two contractors based on the clients' estimate of how large an addition they needed. The clients based their budget and their financial planning on the construction estimates given by the contractors. As I drew the floor plan, however, I realized that they had underestimated how large an addition they would need because they had not taken into account items like stairs and the thickness of walls. They were dismayed to find that the addition would have to be significantly larger in order to include all of the spaces that they wanted. A Project Pre-Design Analysis would have given them a more realistic estimate of how much space they needed, saving them time pursuing construction estimates that were inaccurate.


Designing the service for Australia's most innovative multi-utility provider.
For various historic regulatory, political and economic reasons, the dominant utilities have built systems with lumbering inefficiencies. The growth of the sharing economy and rapid reduction in the cost of renewables means this model is being challenged. In both nature and in business, inefficiency is a burden that leads to extinction.
Flow Systems is a next-generation utility focused on creating vibrant, sustainable communities through the supply of renewable energy, heating and water. Flow allows people to enjoy abundant lifestyles while greatly reducing their impact on the planet.
Our partnership with Flow began four years ago when we were approached by an exciting startup called "The Water Factory Company". They asked us to create marketing assets for their recycled water technology. To their credit they accepted our challenge to dig deeper and we quickly realised that there was an opportunity to re-think the way people engaged with their service offering.
We co-created a strategy that moved Flow from the maker of water filtration plants to the creator of local sustainable water utilties. An idea that radically transformed the way the company thought about what it did. Offering community based services ensured Flow could cut through the barriers customers told us they had to dealing with yet another service provider. Pitt Town Water – Flow's first community utility – successfully tendered for the first private contract to provide recycled water to 940 homes to be built in Sydney's historic north west.
In March 2013 global asset management leader, Brookfield Infrastructure, took a 51 per cent shareholding in the business. Today Flow serves 30,000 customers across a dozen communities and 800,000 m2 of commercial space with water and energy, including residents of the award winning development at Central Park in Chippendale, Sydney. Central Park is able to keep its beautiful and eco-efficient green-walls nurtured come rain or drought, thanks to Flow.
We continue to work closely with the senior management team to evolve the offering, providing co-design, build and strategic advice across customer experience, communication and digital transformation projects.


text:
OnePlus 5T To Release In November 2017; 6 Inch Edge-to-Edge Display
The OnePlus 5T is expected to be an incremental upgrade over the OnePlus 5.
By Vishal Aaditya Kundu Last updated Oct 11, 2017
Multiple rumours were doing rounds of the internet over OnePlus getting ready with OnePlus 6, and skipping the OnePlus 5T. Quite recently, a new report has arrived online, which hints that OnePlus is reportedly planning to release the OnePlus 5T in November of this year.
The OnePlus 5 is already out of stock in several markets around the world, which hints at an imminent launch of a newer model. The source has revealed, that the company will release OnePlus 5T in November 2017, like it did the OnePlus 3 back in 2016, releasing OnePlus 3T five months after OnePlus 3.
1 One Plus 5T: New Features
2 OnePlus 5
3 Upgrade From OnePlus 5 To OnePlus 5T
4 OnePlus 5T Design
5 OnePlus 5 Is Out Of Stock
One Plus 5T: New Features
Only a few details are available at this point in time. One major change is going to be the display. The screen on the OnePlus 5T will be a 6″ display with a 2160 x 1080 pixel resolution. This will give the OnePlus 5T's display, an 18:9 aspect ratio. Interestingly, the OnePlus 5 is already up-to-date with a set of powerful specs on board. So the OnePlus 5T might see an upgraded display for a better visual experience and an incremental bump in processor.
The OnePlus 5 currently ships with dual cameras at the back. It was launched in the country back in June with two variants. It has an 16MP+20MP dual camera setup at the back and a 16 MP shooter on the front.
6GB RAM + 64GB Storage. Rs. 32,999/- Buy Here!
8GB RAM + 128GB Storage. Rs. 37,999/- Buy Here!
Upgrade From OnePlus 5 To OnePlus 5T
In the case of the OnePlus 3T, OnePlus only changed the hardware by replacing the Snapdragon 820 on the OnePlus 3 with a slightly faster Snapdragon 821 on 3T and an upgraded camera. Though the display, camera and the processor might be the only changes between OnePlus 5 and 5T, the aspect ratio is going to be a major change. The 5T will sport a 6″ full HD+ display with an 18:9 aspect ratio and a 1080 x 2160 pixels resolution. It will be something very similar to the likes of LG V30, Xiaomi Mi Mix 2 and the newly launched Google Pixel 2 XL which sport minimal bezels.
OnePlus 5T Design
The OnePlus 5T image shared in this report, shows a smartphone with very thin bezels around the corners. The display seems to have curved edges on the sides, which makes it look very similar to the Galaxy S8, which sports a similar 18.5:9 aspect ratio. The recently leaked Oppo F5 also sports a similar design. It is worth noting here that Oppo and OnePlus are part of the same company, BK Electronics.
OnePlus 5 Is Out Of Stock
Some variants of the OnePlus 5 are already out of stock in several countries which includes the likes of UK, with no signs of fresh stock being available anytime soon. This strongly indicates that OnePlus is indeed looking to launch the new model quite soon.
Google Pixel 2 XLOnePlusOnePlus 5TOppo F5Samsung Galaxy S8Xiaomi Mi Mix 2
Vishal Aaditya Kundu 3957 posts 4 comments
Six years into writing with primary focus in smartphones, tech trends, e-commerce, telecom, consumer tech, internet, social media, gaming and more. A digital marketer, avid traveler, coffee enthusiast and a part-time educator.
The Keyboard-Less Blackberry Motion Arrives – Price, Specifications, India Launch and More!
Govt. Denies Apple Special Treatment; Apple's Dream Of Manufacturing In India On Hold
Top Deals From Mi Days Sale & Flipkart Mobiles Bonanza Sale: Mi A2, Note 6 Pro,…
OnePlus 7 Specs, Rumours & Truth: Everything We Know So Far…
Xiaomi, OnePlus Phones Emit Maximum Radiation – Mi A1, OnePlus 5T, Mi Max 3 Top…
Honor View 20 vs OnePlus 6T: Who's The New Premium Flagship Champion?
OnePlus 7 Leaked: This Notch-Less Monster Can Have Pop-up Camera, Bezel-Less Design…
Top Tech News Today: Samsung M-series, Redmi Note 7, Realme 3, Nokia 6.2, Mi TV 4X…
Mud says 5 years ago
….it's a damn shame how this thing has nothing like Samsung's DeX or GearVR to go with it!! :(
Jason says 5 years ago
I believe OP will release a new Phone next year, releasing a new phone so soon will really affect their reputation

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: How to get data to according mail from database by clicking the button? I have a table called admin tickets. I have this situation were one of these mails, which are on the left of the screen is clicked. Then I want to fetch subject/text, to this mail.
For example I'm clicking qweqweqwe@wp.pl, and it gives me 123123123123123.
The table looks like this:

For now the page looks like this, because I'm iterating over the whole table to the end. This looks good. The only change I want to make is as I said, I want to click the mail on the left, and get subject/text of this mail.
How can I achieve it?

Html+php:
<?php
require_once '../../services/LoggedInUserService.php';
require_once '../../services/LoggedInAdminService.php';
require_once '../../db/connect.php';
$connect = new mysqli($host, $db_user, $db_password, $db_name);
?>
<!DOCTYPE html>

    <meta charset="UTF-8">
    <title>DingDog</title>
    <link rel="stylesheet" href="../../css-images/style-admintickets.css">

TICKETS

LOG OUT

Tickets:

            <?php
            $result = $connect->query("SELECT emailLogin,subject,text FROM tickets");
            if ($result->num_rows > 0) {
                while ($row = $result->fetch_assoc()) {
                    $emailLogin = $row['emailLogin'];
                    $subject = $row['subject']; ?>
                     <input readonly id="fi" style="margin-top: 50px;" type="text" placeholder="Example"
                                   name="custom" value="<?php echo $emailLogin; ?>">

Title:

<?php echo $subject; ?>

Subject:

                        <textarea readonly id="subjectContainer"
                                  style='margin-top: 100px;margin-left: 150px;position:absolute;left:0; top:0;font-size:30px; color:red ;height: 264px;
  width: 683px;' rows="5" cols="10"><?php echo $row['text']; ?></textarea>

                <?php }
            } ?>

Css:
*
{
    margin: 0;
    padding: 0;
}

header
{
    width: 1920;
    height: 1080px;
}

body {
    display: flex;
    flex-direction: column;
    min-height: 100vh;
    margin:0;
    height: 1080px;
    width: auto;
    background-image:  linear-gradient(180deg, #EFEFEF00 0%, #0F4A37 100%);
}

footer{
    position: fixed;
    left: 0;
    bottom: 0;
    width: 100%;
    background-color: black;
    color: white;
    text-align: center;
}

footer img{
    margin-top: 5px;
    height: 30px;
    display: inline-block;
    padding: 0px 10px 0px 0px;
}

.main-nav
{
    float: right;
    color: #000000;
    margin-top: 40px;
    margin-right: 0px;
}

.main-nav li
{
    display: inline-block;
}

.main-nav li a
{
    color: #000000;
    text-decoration: none;
    font: Bold 25px/15px Arial;
    padding: 5px;
}

#logo
{
    margin-top: 10px;
    float: left;
}

#sign a
{
    background-color: #DCDFDE;
    padding: 30px 15px 17px 15px;
    border-top: 3px solid black;
    border-bottom: 3px solid black;
    border-left: 3px solid black;
    border-right: 3px solid black;
}

#profilesign
{
    margin-top: 200px;
    margin-left: 80px;
    font: Bold 57px/46px Georgia;
    font-weight: bold;
    color: black;
}

article input
{
    -webkit-border-radius: 20px;
    -khtml-border-radius: 20px;
    -moz-border-radius: 20px;
    border-radius: 120;
    border-style: none;
    padding: 5px;
    width: 240px;
    height: 39px;
    background-color: black;
}

#fi
{

    font: Bold 25px/12px Arial;
    letter-spacing: 0;
    color: white;
    background-color: black;
    margin-left: 161px;
}

.container {
    margin-top: 300px;
    height: 447px;
    width: 1028px;
    background: transparent linear-gradient(180deg, #B4FFC5 0%, #9BCEA2 31%, #523A3A 100%) 0% 0% no-repeat padding-box;
    border-radius: 20px;
    margin-left: 480px;
}

.title {
    margin-top: 35px;
    width: 686px;
    height: 37px;
    background: #FFFFFF 0% 0% no-repeat padding-box;
    border: 1px solid #707070;
    margin-left: 145px;
}

#avatar
{
    font: Bold 25px/12px Arial;
    letter-spacing: 0;
    color: #A37373;
    margin-top:50px;
    margin-left: 50px;
}

#tytul
{
    font: Bold 20px/24px Arial;
    letter-spacing: 0;
    color: #000000;
    margin-top: 8px;
    margin-left: 25px;
}

#subject
{
    font: Bold 25px/12px Arial;
    letter-spacing: 0;
    color: #A37373;
    margin-top:50px;
    margin-left: 50px;
}

.subjectContainer
{
    margin-top: 100px;
    height: 264px;
    width: 683px;
    background: transparent linear-gradient(180deg, #B4FFC5 0%, #9BCEA2 31%, #523A3A 100%) 0% 0% no-repeat padding-box;
    border: 1px solid #707070;
    margin-left: 170px;
    border-radius: 20px;
    margin-top: 300px;
}

#subjectTitle
{
    text-align: left;
    font: Regular 20px/24px Arial;
    letter-spacing: 0;
    color: #000000;
    padding-left: 5px;
}

#textare{
    height: 600px;
    width: 683px;
}

@media only screen and (max-device-width: 500px){
    body {
        background-image:  linear-gradient(180deg, #EFEFEF00 0%, #0F4A37 70%);
        background-size:100% 3000px;
        width: auto;
    }
    .main-nav
    {
        float: right;
        color: #000000;
        margin-top: 40px;
        margin-right: 20px;
    }

    .main-nav li a
    {
        color: #000000;
        text-decoration: none;
        font: Bold 31px/15px Arial;
        padding: 5px;
    }

    #logo img
    {
        margin-left: 350px;
        text-align: center;
        width: 500px;
    }

    #profilesign
    {
        margin-top: 350px;
        font-size: 90px;
        margin-left: 360px;
        width: 900px;
    }

    #tytul
    {
        font: Bold 40px/24px Arial;
        letter-spacing: 0;
        color: #000000;
        margin-top: 20px;
        margin-left: 25px;
    }

    #subjectText
    {
        font-size: 40px;
    }
    #fi
    {
        width: 500px;
        margin-top: 500px;
        font: Bold 45px/12px Arial;
        letter-spacing: 0;
        color: white;
        background-color: black;
        margin-left: 401px;
    }

    .container {
        margin-top: 1000px;
        height: 847px;
        width: 1228px;
        background: transparent linear-gradient(180deg, #B4FFC5 0%, #9BCEA2 31%, #523A3A 100%) 0% 0% no-repeat padding-box;
        border-radius: 20px;
        margin-left: 20px;
    }

    .subjectContainer
    {
        margin-top: 150px;
        height: 564px;
        width: 883px;
        background: transparent linear-gradient(180deg, #B4FFC5 0%, #9BCEA2 31%, #523A3A 100%) 0% 0% no-repeat padding-box;
        border: 1px solid #707070;
        margin-left: 185px;
        border-radius: 20px;
    }

    #avatar
    {
        font: Bold 55px/12px Arial;
        letter-spacing: 0;
        color: #A37373;
        margin-top:80px;
        margin-left: 40px;
    }

    #subject
    {
        font: Bold 45px/12px Arial;
        letter-spacing: 0;
        color: #A37373;
        margin-top:80px;
        margin-left: 5px;
    }

    .title {
        margin-top: 55px;
        width: 686px;
        height: 67px;
        background: #FFFFFF 0% 0% no-repeat padding-box;
        border: 1px solid #707070;
        margin-left: 185px;
    }
}

A: Hope This will help you

Tickets:

            <?php
            $result = $connect->query("SELECT emailLogin,subject,text FROM tickets");
            if ($result->num_rows > 0) {
                while ($row = $result->fetch_assoc()) {
                    $emailLogin = $row['emailLogin'];
                echo '<form>
                     <input id="fi" style="margin-top: 50px;" type="submit" placeholder="Example"
                                   name="custom" value="'.$emailLogin.'">

</form>';
}
}?>

<?php
if(isset($_GET['custom']))
{
$text = $_GET['custom'];
            $result2 = $connect->query("SELECT emailLogin,subject,text FROM tickets WHERE emailLogin = '".$text."' ");
            if ($result2->num_rows > 0) {
                while ($row = $result2->fetch_assoc()) {

echo '

Title:

'.$subject.'

Subject:

                        <textarea readonly id="subjectContainer"
                                  style="margin-top: 100px;margin-left: 150px;position:absolute;left:0; top:0;font-size:30px; color:red ;height: 264px;
  width: 683px;" rows="5" cols="10">'.$row['text'].'</textarea>

';
                                        }
             }

}
?>

A: I would probably use Ajax for this, and then get the information that way. So when you click one of the mails on the left, then you make a Ajax call to another .php, like this.
Lets say the mail is this image.
echo'';

The Ajax success respons has to change the textareas content by its value.
$(document).on("click", ".Unflagging", function(){
              var text= $(this).data("id");
                  $.ajax({
                    method: "post",
                    url: "AnotherFile.php",
                    data: { text: text},
                    success: function(data) {
                      $("#myTextarea").val(data);
                  },
                  error: function(data) {
                    alert("Error occurs!")
                 }
             });
        });

Then the other php file you want something like this, the echo is to print the text in the success area of the Ajax in the other .php.
$receiver = $_POST["text"];
$result = $connect->query("SELECT emailLogin,subject,text FROM tickets WHERE emailLogin= $receiver ");
while ($row = $result->fetch_assoc()) {
  echo $row['text'];
}

This is just a guide, but i hope it helps you on your way to success.

redpajama_set_name: RedPajamaStackExchange


Easy to fit, made from quality materials and visually appealing, Reflections kitchen splashbacks and bathroom panels are durable, simple to maintain and DIY friendly. Your next kitchen area or bathroom restoration or upgrade will be both useful and affordable.
From the kitchen area through to the bathroom as well as outdoors locations that are exposed to the elements, our splashbacks are developed to handle any environment.
Fire Retardant & Heat Resistant: Since they are constructed out of exceptional materials that will not warp, melt, compromise or split when exposed to heat, you can confidently install Splashbacks behind gas and electrical cook tops, in direct sunlight and near heating units.
Uncomplicated & Long-lasting Gloss Finish: We use industry-leading technology to coat our splashbacks with a surface that reflects light, illuminates any space, and looks streamlined and polished for many years without ever requiring recoating.
Do not choose kitchen splashbacks that require expensive cleaning products to stay glossy, will weather and dull over time, or simply do not maximize your room's potential – Splashbacks have more benefits than glass splashbacks at a portion of the expense.
Colour Match Any Building with 14 Robust Colours: Our kitchen area splashbacks can be found in a vast array of colours to perfectly fit the architecture and style of any room. Whether you prefer neutral shades that match a more standard appearance, brighter colours to bring a space to life, or a metal pallet to include a touch of modernity, we have the colour you need at the rate you want.
The Tidy Alternative: Splashbacks can't be beaten when it comes to keeping a tidy and hygienic environment. Our grout-free splashbacks and wall panels have a non-porous surface area. This impervious, water resistant and steam-resistant surface makes wasting time scrubbing out dirt, mould and grime a distant memory.
A 7 year manufacturer's guarantee: We are so positive that you'll be satisfied with the quality of our splashbacks for many years to come that we provide a 7 year warranty on all our splashbacks and wall panels, even if you choose to install them yourself!
Splashbacks provide an incredibly tidy, stylish look to your kitchen area, bathroom or featured room. Using Starphire glass we can specifically cater to the precise Dulux colour of your choice.
There are a vast array of products that you can choose to utilize for home splashbacks today. Whether you are renovating your kitchen area or constructing a customized house from the ground up, you wish to choose the right material for your splashback. The splashback in a kitchen area serves the practical function of protecting your walls from staining, splattering and more while you are preparing meals and snacks, doing dishes and more.
However, it likewise is a large and highly obvious feature in the kitchen area, so it should be attractive in style. Making use of the right material can improve your kitchen decoration while the incorrect product may detract from your design efforts. Those who have compared the choices offered are frustrating making the decision to use glass splashbacks in their kitchen area decoration. With a closer look at what glass can supply to you, you will find that it offers a variety of crucial advantages.
Among the most essential features to think about for any splashback material is its durability. A splashback might be exposed to water, food spills and splatters, dings from small home appliances and other kitchen area items bumping into them and more. Some products, such as metal plating or ceramic tiles, might dent or chip. They might even become stained when particular substances are left on them for too long.
The glass that is utilized with splashbacks, however, is developed to be extremely long lasting so that it will not shatter, fracture or break. It also will not stain. In fact, this is a material that is designed to look just as fantastic on the day that it was set up as it does many years down the road.
Another crucial benefit connected with glass as a product for your kitchen area splashback is that it is simple to tidy. Through the regular use of your kitchen, a splashback will certainly end up being unclean. Some products that you may utilize with your splash need unique cleaning methods.
Enduroshield is a choice that will significantly benefit the time invested cleansing in the kitchen area. Enduroshield is an ultra-thin transparent finishing that completely adheres to the glass surface area and supplies protection that will fend off both water and oil based stains. Enduroshield is a long-term application that eliminates the requirement for extreme cleaning products.
For instance, tile will require unique cleaning products and routine grout cleansing and scrubbing. On the other hand, glass can be cleaned with a normal household glass cleaner and paper towels. There is no need to scrub or pay a professional to clean your splashback regularly when you have a glass splashback installed in your home.


Tech Journal - Why do I go immidiatly to the "Pay Fast With PayPal" page? Can't I go directly to "Pay with Credit Card" ?
Why do I go immidiatly to the "Pay Fast With PayPal" page? Can't I go directly to "Pay with Credit Card" ?
Is it possible to bypass the "Pay Fast With PayPal" page on checkout and go directly to the "Pay with Credit Card or Log In" page? I have seen this at other Web sites.
Clear the cookies on your browser or use another browser that has not logged into a PayPal account.
The reason you see the log-in page is because there is a cookie placed on your browser which lets our server know you have a PayPal account.
Not having the cookie on a browser, the billing information page will be displayed.


text:
"When you will have made him a body without organs,
then you will have delivered him from all his automatic reactions
and restored him to his true freedom."
--To Have Done with the Judgment of God (1947) by Antonin Artaud
Antonin Artaud (4 September 1896 – 4 March 1948), was a French dramatist, poet, essayist, actor, and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde.
Antonin worked in film (The Seashell and the Clergyman), radio (To Have Done with the Judgment of God ) and theater (The Cenci). He also wrote the theatrical theory book The Theatre and its Double, and coined the terms body without organs and theatre of cruelty.
1 Biographical information
1.1 Paris
1.2 Final years
2 Artaud's Theatre of Cruelty
3 Philosophical views
4 Influence
6 Œuvres
Artaud's parents were partly Levantine-Greek, and he was much affected by this background. Although his mother had many children, only Antoine and two siblings survived infancy.
At the age of four, Artaud had a severe attack of meningitis. The virus gave Artaud a nervous, irritable temperament throughout adolescence. He also suffered from neuralgia, stammering and severe bouts of depression. As a teenager, he was allegedly stabbed in the back by a pimp for apparently no reason, similar to the experience of playwright Samuel Beckett.
Artaud's parents arranged a long series of sanatorium stays for their disruptive son, which were both prolonged and expensive. They lasted five years, with a break of two months, June and July 1916, when Artaud was conscripted into the army. He was allegedly discharged due to his self-induced habit of sleepwalking. During Artaud's "rest cures" at the sanatorium, he read Rimbaud, Baudelaire, and Poe. In May 1919, the director of the sanatorium, Dr. Dardel, prescribed laudanum for Artaud, precipitating a lifelong addiction to that and other opiates.
In March 1920, Artaud moved to Paris. At the age of 27, Artaud sent some of his poems to the journal "La Nouvelle Revue Française"; they were rejected, but the editor wrote back seeking to understand him, and a relationship in letters was born. This epistolary work, "Correspondence avec Jacques Rivière," is Artaud's first major publication. In November 1926, Artaud was expelled from the surrealist movement, in which he had participated briefly, for refusing to renounce theater as a bourgeois commercial art form, and for refusing to join the French Communist Party along with the other Surrealists.
Artaud cultivated a great interest in cinema as well, writing the scenario for the first Surrealist film, The Seashell and the Clergyman, directed by Germaine Dulac. He also acted in Abel Gance's Napoleon in the role of Jean-Paul Marat, and in Carl Theodor Dreyer's The Passion of Joan of Arc as the monk Massieu. Artaud's portrayal of Marat used exaggerated movements to convey the fire of Marat's personality.
In 1926-1928, Artaud ran the Théâtre Alfred Jarry, along with Roger Vitrac. He produced and directed original works by Vitrac, as well as pieces by Paul Claudel and August Strindberg. The Theater was extremely short-lived, but was attended by an enormous range of European artists, including André Gide, Arthur Adamov, and Paul Valéry.
The 1930s saw the publication of The Theatre and Its Double, his best-known work. This book contained the two manifestos of the Theater of Cruelty, essential texts in understanding his artistic project. 1935 saw the premiere of Artaud's production of his adaptation of Shelley's The Cenci . The Cenci was a commercial failure, although it employed innovative sound effects and had a set designed by Balthus.
After the production failed, Artaud received a grant to travel to Mexico where he gave lectures on the decadence of Western civilization. He also studied the Tarahumaran Indians and experimented with the drug peyote, recording his experiences which were later released in a volume called Voyage to the Land of the Tarahumara. The content of this work closely resembles the poems of his later days, concerned primarily with the supernatural. Artaud also recorded his horrific withdrawal from heroin upon entering the land of the Tarahumaras; having deserted his last supply of the drug at a mountainside, he literally had to be hoisted onto his horse, and soon resembled, in his words, "a giant, inflamed gum". Having beaten his addiction, however, Artaud would return to opiates later in life.
In 1937, Artaud returned to France where he obtained a walking stick of knotted wood that he believed belonged to St. Patrick, but also Lucifer and Jesus Christ. Artaud traveled to Ireland in an effort to return the staff, though he spoke very little English and was unable to make himself understood. The majority of his trip was spent in a hotel room that he was unable to pay for. On his return trip, Artaud believed he was being attacked by two crew members and retaliated; he was arrested and put in a straitjacket.
Final years
The return from Ireland brought about the beginning of the final phase of Artaud's life, which was spent in different asylums. When France was occupied by the Nazis, friends of Artaud had him transferred to the Psychiatric hospital in Rodez, well inside Vichy territory, where he was put under the charge of Dr. Gaston Ferdière. Ferdière began administering electroshock treatments to eliminate Artaud's symptoms, which included various delusions and odd physical tics. The doctor believed that Artaud's habits of crafting magic spells, creating astrology charts, and drawing disturbing images, were symptoms of mental illness. The electro-shock treatments have created much controversy, although it was during these treatments--in conjunction with Ferdière's art therapy--that Artaud began writing and drawing again, after a long dormant period. In 1946, Ferdière released Artaud to his friends, who placed him in the psychiatric clinic at Ivry-sur-Seine.
Artaud was encouraged to write by his friends, and interest in his work was rekindled. He recorded Pour en Finir avec le Jugement de dieu (To Have Done With the Judgment of god) in November, 1947. This work was shelved by Wladimir Porché, the director of the French Radio, the day before its scheduled airing in February 1948. The performance was prohibited partially as a result of its scatological, anti-American, and anti-religious references and pronouncements, but also because of its general randomness, with a cacophony of xylophonic sounds mixed with various percussive elements. While remaining true to his Theater of Cruelty and reducing powerful emotions and expressions into audible sounds, Artaud had utilized various, somewhat alarming cries, screams, grunts, onomatopoeia, and glossolalia.
In January 1948, Artaud was diagnosed with intestinal cancer. He died shortly afterwards on March 4, 1948. Artaud died alone in his pavilion, seated at the foot of his bed, allegedly holding his shoe. It was suspected that he died from a lethal dose of the drug chloral, although whether or not he was aware of its lethality is unknown. Thirty years later, French radio finally broadcast the performance of Pour en Finir avec le Jugement de Dieu.
Artaud's Theatre of Cruelty
Artaud believed that the Theatre should affect the audience as much as possible, therefore he used sounds to add drama and effect. In one performance that he did about the plague he used sounds so realistic that the audience were sick in the middle of the performance.
In his book The Theatre and Its Double, Artaud expressed his admiration for Eastern forms of theatre, particularly the Balinese. He admired Eastern theatre because of the codified, highly ritualized physicality of Balinese dance performance, and advocated what he called a "Theatre of Cruelty". By cruelty, he meant not exclusively sadism or causing pain, but just as often a violent, physical determination to shatter the false reality. He believed that text had been a tyrant over meaning, and advocated, instead, for a theatre made up of a unique language, halfway between thought and gesture. Artaud described the spiritual in physical terms, and believed that all expression is physical expression in space.
The Theatre of Cruelty has been created in order to restore to the theatre a passionate and convulsive conception of life, and it is in this sense of violent rigour and extreme condensation of scenic elements that the cruelty on which it is based must be understood. This cruelty, which will be bloody when necessary but not systematically so, can thus be identified with a kind of severe moral purity which is not afraid to pay life the price it must be paid.
– Antonin Artaud, The Theatre of Cruelty, in The Theory of the Modern Stage (ed. Eric Bentley), Penguin, 1968, p.66
Evidently, Artaud's various uses of the term cruelty must be examined to fully understand his ideas. Lee Jamieson has identified four ways in which Artaud used the term cruelty. Firstly, it is employed metaphorically to describe the essence of human existence. Artaud believed that theatre should reflect his nihilistic view of the universe, creating an uncanny connection between his own thinking and Nietzsche's:
[Nietzsche's] definition of cruelty informs Artaud's own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience … Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis …
– Lee Jamieson, Antonin Artaud: From Theory to Practice, Greenwich Exchange, 2007, p.21-22
Artaud's second use of the term (according to Jamieson), is as a form of discipline. Although Artaud wanted to "reject form and incite chaos" (Jamieson, p.22), he also promoted strict discipline and rigor in his performance techniques. A third use of the term was 'cruelty as theatrical presentation'. The Theatre of Cruelty aimed to hurl the spectator into the centre of the action, forcing them to engage with the performance on an instinctive level. For Artaud, this was a cruel, yet necessary act upon the spectator designed to shock them out of their complacency:
Artaud sought to remove aesthetic distance, bringing the audience into direct contact with the dangers of life. By turning theatre into a place where the spectator is exposed rather than protected, Artaud was committing an act of cruelty upon them.
– Lee Jamieson, Antonin Artaud: From Theory to Practice, Greenwich Exchange, 2007, p.23
Finally, Artaud used the term to describe his philosophical views, which will be outlined in the following section.
Philosophical views
Imagination, to Artaud, is reality; dreams, thoughts and delusions are no less real than the "outside" world. Reality appears to be a consensus, the same consensus the audience accepts when they enter a theatre to see a play and, for a time, pretend that what they are seeing is real.
His later work presents his rejection of the idea of the spirit as separate from the body. His poems glorify flesh and excretion, but sex was always a horror for him. Incest, cannibalism and deicide were instead normal urges, proven by the activities of tribal cultures untainted by civilized Western man. Civilization was so pernicious that Europe was pulling once proud tribal nations like Mexico down with it into decadence and death, poisoning the innocence of the flesh with the evil of a God separate from it. The inevitable end result would be self-destruction and mental slavery. These were two evils Artaud opposed in his own life at great pain and imprisonment, as they could only be opposed personally and not on behalf of a collective or movement. He thus rejected politics and Marxism wholeheartedly, a stance which led to his expulsion by the Surrealists who had begun to embrace it.
Artaud saw suffering as essential to existence, and thus rejected all utopias as inevitable dystopia.
Artaud was heavily influenced by seeing a Colonial Exposition of Balinese Theatre in Marseille. He read eclectically, inspired by authors and artists such as Seneca, Shakespeare, Poe, Lautréamont, Alfred Jarry, André Masson, etc.
Artaud's theories in Theatre and Its Double influenced rock musician Jim Morrison. Motley Crüe named the Theater of Pain album after reading his proposal for a Theater of Cruelty, much like Christian Death had with their album Only Theatre of Pain. The band Bauhaus included a song about the playwright, called "Antonin Artaud", on their album Burning from the Inside. Charles Bukowski also claimed him as a major influence on his work.
Theatrical practitioner Peter Brook took inspiration from Artaud's "Theatre of cruelty" in a series of workshops that lead up to his well-known production of Marat/Sade. The Living Theatre was also heavily influenced by him, as was much English-language experimental theater and performance art--Karen Finley, Spalding Gray, Liz LeCompte, Richard Foreman, Charles Marowitz, Sam Shepard, Joseph Chaikin, and more all named Artaud as one of their influences.
Artaud also had a profound influence on the philosophers Gilles Deleuze and Félix Guattari, who borrowed Artaud's phrase "body without organs" to describe their conception of the virtual dimension of the body and, ultimately, the basic substratum of reality.
Works by Artaud:
Artaud, Antonin. Oeuvres complètes d'Antonin Artaud, Paris: Gallimard, 1961 & 1976.
Artaud, Antonin. Collected Works of Antonin Artaud, Trans. Victor Corti. London: Calder and Boyars, 1971.
Artaud, Antonin. Selected Writings, Trans. Helen Weaver. Ed. and Intro. Susan Sontag. New York: Farrar, Straus and Giroux, 1976.
Artaud, Antonin. Pour en finir avec le jugement de dieu, Original recording. Edited with an introduction by Marc Dachy. Compact Disc. Sub Rosa/aural documents, 1995.
Artaud, Antonin. The Theatre and Its Double, Trans. Mary Caroline Richards. New York: Grove Weidenfeld, 1958.
Artaud, Antonin. 50 Drawings to Murder Magic, Trans. Donald Nicholson-Smith. London: Seagull Books, 2008. ISBN 978-1905422661
Barber, Stephen Antonin Artaud: Blows and Bombs (Faber and Faber: London, 1993) ISBN 0-571-17252-0
Esslin, Martin. Antonin Artaud. London: John Calder, 1976.
Rainer Friedrich, "The Deconstructed Self in Artaud and Brecht: Negation of Subject and Antitotalitarianism," Forum for Modern Language Studies, 26:3 (July 1990): 282-297.
Innes, Christopher Avant-Garde Theater 1892-1992 (London: Routledge, 1993).
Jamieson, Lee Antonin Artaud: From Theory to Practice (Greenwich Exchange: London, 2007) ISBN 978-1-871551-98-3
Kimberly Jannarone, "The Theater Before Its Double: Artaud Directs in the Alfred Jarry Theater," Theatre Survey 46.2, Nov. 2005: 247-273.
Koch, Stephen. "On Artaud." Tri-Quarterly, no. 6 (Spring 1966): 29-37.
Plunka, Gene A. (Ed). Antonin Artaud and the Modern Theater. Cranbury: Associated University Presses. 1994.
Roger Shattuck, "Artaud Possessed," The Innocent Eye (New York: Farrar Straus Giroux, 1984): 169-186.
Ward, Nigel "Fifty-one Shocks of Artaud", New Theatre Quarterly Vol.XV Part2 (NTQ58 May 1999): 123-128
In French:
Blanchot, Maurice. "Artaud." La Nouvelle Revue Française 4 (November 1956, no. 47): 873-881.
Héliogabale ou l'Anarchiste couronné, 1969
Brau, Jean-Louis. Antonin Artaud. Paris: La Table Ronde, 1971.
Virmaux, Alain. Antonin Artaud et le théâtre. Paris: Seghers, 1970.
Virmaux, Alain and Odette. Artaud: un bilan critique. Paris: Belfond, 1979.
Virmaux, Alain and Odette. Antonin Artaud: qui êtes-vous? Lyon: La Manufacture, 1986.
Tric Trac du Ciel, illustré de gravures sur bois par Élie Lascaux, Paris, Simon, 1923
L'Ombilic des limbes, Gallimard, NRF, Paris, 1925
Le Pèse-nerfs, Leibovitz, Paris, 1925
L'Art et la mort, Denoël, Paris, 1929
Le Moine, de Lewis, traduction et adaptation, Denoël & Steele, Paris, 1931
Héliogabale ou l'anarchiste couronné, Denoël & Steele, Paris, 1934
Les Nouvelles révélations de l'être, Denoël, Paris, 1937
Le Théâtre et son double », Gallimard, Paris, 1938
D'un voyage au pays des Tarahumaras, Éditions de la revue Fontaine, Paris, 1945
Van Gogh le suicidé de la société, K éditeur, Paris, 1947
Artaud le Mômo, Bordas, Paris, 1947
Ci-Gît précédé de La culture indienne, K éditeur, Paris, 1947
Pour en finir avec le jugement de dieu, K éditeur, Paris, 1948
Les Cenci, in Œuvres complètes, Gallimard, 1964
50 dessins pour assassiner la magie, Gallimard, Paris, 2004
Artaud Œuvres, choix de textes par Evelyne Grossman dans l'édition Thévenin des Œuvres complètes, Gallimard, Quarto, Paris, 2004
Cahier d'Ivry, janvier 1948, fac-similé, Gallimard, Paris, 2006
Nouveaux écrits de Rodez, Gallimard, L'Imaginaire, Paris, 2006
"No More Masterpieces
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Antonin Artaud" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
Retrieved from "http://artandpopularculture.com/Antonin_Artaud"
This page was last modified 13:46, 6 January 2019.


How Should Employers Respond to IRS Employer Penalty Letters?
Over the last year, the IRS has been sending ACA employer penalty notices, IRS Letter 226-J, to Applicable Large Employers (ALEs). The IRS has relied on information in Forms 1094-C and 1095-C filed by ALEs and in Form 1040 filed by employees. If this information indicates that an employer did not provide ACA-coverage to its full-time employees, the IRS will send Letter 226-J to the ALE advising that it may be liable for the Employer Shared Responsibility Payment (ESRP).
IMPORTANT – NO AUTOMATIC EXTENSION FOR RESPONSES: The ALE then has 30 days to respond to Letter 226-J. The IRS has no provided for an automatic extension of this deadline. In limited situations, the IRS may issue an extension on the response. We strongly recommend that employers contact their attorney as soon as they receive the letter if they believe they need an extension.
As soon as possible, read your letter and attachments carefully. These documents explain the ESRP process and how you should respond to the letter.
Determine if you agree or disagree with the proposed ESRP computation and why. If you have any questions about whether your plan was compliant with the ACA rules, reach out to your Northwestern Benefit Consultant as soon as you review the letter.
Provide your response to the letter by completing Form 14764, which is attached to Letter 226-J. Your response should indicate whether you agree or disagree with the letter and why.
If you disagree with the proposed ESRP liability, you must provide a full explanation of your disagreement and/or indicate changes needed on Form 14765. NOTE: If you have found that your ACA reporting was inaccurate or is inconsistent with the information in Letter 226-J, provided corrected information on this form.
Return all documents as instructed in the letter by the response date.
Finally, remember that Letter 226-J addresses whether you, the employer, have complied with your responsibilities to offer ACA-compliant coverage to your full-time employees. The purpose of the letter is NOT to establish whether an employee should have received a subsidy or Premium Tax Credit (PTC) to purchase insurance on the Exchange. Letter 226-J is not asking you about whether your employees should have gotten the PTC, so you do not need to address that issue in your response.
Contact the IRS using the information provided in the letter if you have any questions or need additional time to respond.
Send the IRS a Form 2848 (Power of Attorney and Declaration of Representative) to allow your attorney or tax advisor to contact the IRS on your behalf.


text:
Home / Tom Skalak, PhD
Tom Skalak, PhD
Tom Skalak joined the Joe and Clara Tsai Foundation in 2018 as Senior Advisor to Clara Wu Tsai. The Foundation makes philanthropic investments in science, economic mobility, and cultural production (art, music, film), with a vision to produce transformative impact on societal well-being and sustainability. Biomedical sciences and translational research are major directions. Tom is Vice President for Research Emeritus at the University of Virginia and was previously the founding Executive Director of The Paul G. Allen Frontiers Group in Seattle, the Microsoft co-founder's global science investing group. In these roles, Tom led creative synthesis of research and innovation programs spanning biosciences, environmental sustainability, physical sciences, engineering and technology, arts, design, and humanities.
As Professor and Chair of Biomedical Engineering at UVa, Tom's original research included cardiovascular biomechanics, angiogenesis, computational modeling, wound repair, and regenerative medicine, conducted with continuous NIH funding over 28 years. He is a past President of both the American Institute of Medical and Biological Engineering (AIMBE) and the Biomedical Engineering Society (BMES). He was the founder of the UVA-Coulter Foundation Translational Research Partnership and early stage investment funds with corporate partners such as Johnson & Johnson and AstraZeneca. Tom is Chair of the External Advisory Council of the MIT Science and Technology Center on self-assembly of multicellular systems, a Council Member of the Government, University, Industry Research Roundtable (GUIRR) of the U.S. National Academies and has served on visiting committees and panels at research institutions including Stanford, Harvard, Yale, and UCSD.
Tom was educated as a bioengineer at The Johns Hopkins University (B.E.S. 1979) and the University of California, San Diego (Ph.D. 1984), was a Resident Artist at the Djerassi Resident Artists Program in 2018 and is a Fellow of the National Academy of Inventors.


text:
Home > UMLL_JOURNALS > MJIL > Vol. 2 > Iss. 1 (1977)
South Korea by Charles R. Frank, Jr., Kwang Suk Kim and Larry Westphal
Edward S. Mason
Edward S. Mason, South Korea by Charles R. Frank, Jr., Kwang Suk Kim and Larry Westphal, 2 Md. J. Int'l L. 116 (1977).
Available at: https://digitalcommons.law.umaryland.edu/mjil/vol2/iss1/7
International Trade Law Commons
All Issues Vol. 34, Iss. 1 Vol. 33, Iss. 1 Vol. 32, Iss. 1 Vol. 31, Iss. 1 Vol. 30, Iss. 1 Vol. 29, Iss. 1 Vol. 28, Iss. 1 Vol. 27, Iss. 1 Vol. 26, Iss. 1 Vol. 25, Iss. 1 Vol. 24, Iss. 1 Vol. 23, Iss. 1 Vol. 22, Iss. 2 Vol. 22, Iss. 1 Vol. 21, Iss. 2 Vol. 21, Iss. 1 Vol. 20, Iss. 2 Vol. 20, Iss. 1 Vol. 19, Iss. 2 Vol. 19, Iss. 1 Vol. 18, Iss. 2 Vol. 18, Iss. 1 Vol. 17, Iss. 2 Vol. 17, Iss. 1 Vol. 16, Iss. 2 Vol. 16, Iss. 1 Vol. 15, Iss. 2 Vol. 15, Iss. 1 Vol. 14, Iss. 2 Vol. 14, Iss. 1 Vol. 13, Iss. 2 Vol. 13, Iss. 1 Vol. 12, Iss. 2 Vol. 12, Iss. 1 Vol. 11, Iss. 2 Vol. 11, Iss. 1 Vol. 10, Iss. 2 Vol. 10, Iss. 1 Vol. 9, Iss. 2 Vol. 9, Iss. 1 Vol. 8, Iss. 2 Vol. 8, Iss. 1 Vol. 7, Iss. 2 Vol. 7, Iss. 1 Vol. 6, Iss. 2 Vol. 6, Iss. 1 Vol. 5, Iss. 2 Vol. 5, Iss. 1 Vol. 4, Iss. 2 Vol. 4, Iss. 1 Vol. 3, Iss. 2 Vol. 3, Iss. 1 Vol. 2, Iss. 2 Vol. 2, Iss. 1 Vol. 1, Iss. 2 Vol. 1, Iss. 1


text:
class Dotnet < Formula
  desc ".NET Core"
  homepage "https://dotnet.microsoft.com/"
  url "https://github.com/dotnet/source-build.git",
      tag:      "v5.0.207-SDK",
      revision: "52296950a9e8d1b34a2e0e10e4b8bb06daba2dcc"
  license "MIT"

  livecheck do
    url :stable
    regex(/^v?(\d+(?:\.\d+)+)-SDK$/i)
  end

  bottle do
    sha256 cellar: :any,                 big_sur:      "dd058f1a46a84ee8cfbdf5450a5248ca1b5af91ae018efd5f96b0b760a4cc84f"
    sha256 cellar: :any,                 catalina:     "a9c2b8e900351d1cb074100a60de404f033436032c1116c6094351446253e777"
    sha256 cellar: :any,                 mojave:       "b7a7a743c0b409569cc5f139ada574e0b32f331b2950252a5afb2809123514d7"
    sha256 cellar: :any_skip_relocation, x86_64_linux: "dd46b0305e565a6a6da6768a2d8d15a4e080cae9b9f29c4e9595067ed068d8c9"
  end

  depends_on "cmake" => :build
  depends_on "pkg-config" => :build
  depends_on xcode: :build
  depends_on arch: :x86_64
  depends_on "curl"
  depends_on "icu4c"
  depends_on "openssl@1.1"

  uses_from_macos "krb5"
  uses_from_macos "zlib"

  on_linux do
    depends_on "llvm" => [:build, :test]
    depends_on "libunwind"
    depends_on "lttng-ust"
  end

  fails_with :gcc

  def install
    ENV.append_path "LD_LIBRARY_PATH", Formula["icu4c"].opt_lib if OS.linux?

    # Arguments needed to not artificially time-limit downloads from Azure.
    # See the following GitHub issue comment for details:
    # https://github.com/dotnet/source-build/issues/1596#issuecomment-670995776
    system "./build.sh", "/p:DownloadSourceBuildReferencePackagesTimeoutSeconds=N/A",
                         "/p:DownloadSourceBuiltArtifactsTimeoutSeconds=N/A"

    libexec.mkpath
    tarball = Dir["artifacts/*/Release/dotnet-sdk-#{version}-*.tar.gz"].first
    system "tar", "-xzf", tarball, "--directory", libexec
    doc.install Dir[libexec/"*.txt"]
    (bin/"dotnet").write_env_script libexec/"dotnet", DOTNET_ROOT: libexec
  end

  def caveats
    <<~EOS
      For other software to find dotnet you may need to set:
        export DOTNET_ROOT="#{opt_libexec}"
    EOS
  end

  test do
    target_framework = "net#{version.major_minor}"
    (testpath/"test.cs").write <<~EOS
      using System;

      namespace Homebrew
      {
        public class Dotnet
        {
          public static void Main(string[] args)
          {
            var joined = String.Join(",", args);
            Console.WriteLine(joined);
          }
        }
      }
    EOS
    (testpath/"test.csproj").write <<~EOS
      <Project Sdk="Microsoft.NET.Sdk">
        <PropertyGroup>
          <OutputType>Exe</OutputType>
          <TargetFrameworks>#{target_framework}</TargetFrameworks>
          <PlatformTarget>AnyCPU</PlatformTarget>
          <RootNamespace>Homebrew</RootNamespace>
          <PackageId>Homebrew.Dotnet</PackageId>
          <Title>Homebrew.Dotnet</Title>
          <Product>$(AssemblyName)</Product>
          <EnableDefaultCompileItems>false</EnableDefaultCompileItems>
        </PropertyGroup>
        <ItemGroup>
          <Compile Include="test.cs" />
        </ItemGroup>
      </Project>
    EOS
    system bin/"dotnet", "build", "--framework", target_framework, "--output", testpath, testpath/"test.csproj"
    assert_equal "#{testpath}/test.dll,a,b,c\n",
                 shell_output("#{bin}/dotnet run --framework #{target_framework} #{testpath}/test.dll a b c")
  end
end

redpajama_set_name: RedPajamaGithub


Your thoughts and feedback are valuable to us as we strive to provide the best creative experiences for your kids.
If the score is below 8 would you please let us know our gaps so we may improve?
What did you/your child like most about DesignX programs?


Hello my friends, this is Dave Denniston, and welcome back to another episode of Freedom Formula for Physician's Podcast. The podcast dedicated to helping doctors like you slash your debt, slash your taxes, and live a liberated lifestyle. As you know, there has been a lot of focus on the tax reform. This will be my final one for the current future, and today's focus will be small businesses-S-CORPs, sole proprietorships, etc.


text:
Kroppkärrskyrkan är en kyrkobyggnad i Karlstad kommun i Norrstrands församling, Karlstads stift.

Kyrkobyggnaden
Kyrkan vilken invigdes 1973, är byggd i trä och har en rektangulär planform och är orienterad i nord-sydlig riktning. Den har ett brant tak, klätt med eternitfjäll. Ett litet latinskt kors på kyrkans södra gavelspets markerar korväggen. Taknocken har horisontella ljusintag under täckning av plastkupoler. Vid takfoten utmed långsidorna sitter smala fönsterband. Kyrkobyggnaden är sammanbyggd med ett stort församlingshus, vilket har ett platt papptak. Kyrkans och församlingsdelens fasader är klädda med en gråmålad lockpanel. Fönster och dörrar har en grönturkos kulör. Den ritades av Inger Berggrén.

Interiör
Kyrkans altare är vänt mot söder och är utfört i grålaserad fura och utformat i modern stil. Den färgglada altartavlan i form av en tredelad gobeläng är vävd av konstnären Ethel Halvarsson. Knäfallsbänkarna och dopfunten med tillhörande dopljusstake i fura är tillverkad av Molinders träfabrik i Karlstad. Den ursprungliga predikstolen har ersatts med en ambo från Norrstrandskyrkan.

Kyrkans orgel
Kyrkans orgel införskaffades 1974 och är tillverkad av Walter Thür Orgelbyggen. Orgeln är placerad i kyrkorummets nordvästra hörn och utförd i klarlackad fura.

Referenser

Externa länkar
 Norrstrands församling

Kyrkobyggnader i Karlstads stift
Kyrkobyggnader i Karlstads kommun
Kyrkobyggnader invigda 1973
1973 i Sverige

redpajama_set_name: RedPajamaWikipedia


Get pear-shaped before the wedding with this regal, pear-shaped diamond that is also heavily accented by a stunning diamond halo design. This beautiful ring is classically prong set in an elegant cathedral style.
Free Ring Sizing. Don't know your ring size? Choose our Not Known size option! We'll ship out stock size and size it for free after you present it! Don't forget about our lifetime trade ins.


Unbeatablesale.com is the leading online source for Drive Medical Design & Manufacturing wheelchairs, scooters, and power chairs. Unbeatablesale.com has 334 Drive Medical Design & Manufacturing wheelchairs, scooters, and power chairs in stock and ready to ship directly to you.
Even better than that, our guaranteed lowest prices on Drive Medical Design & Manufacturing wheelchairs, scooters, and power chairs can't be beat, with products priced as low as $17.95. Most of all, we pride ourselves on our superior customer service and customer satisfaction - it's what keeps us in business! You can check the status of your order anytime on our order status page so you know exactly where your package is. Shop Unbeatablesale.com today for a great experience!


text:
No. 3 Cal Takes On Former Golden Bears
Complete Release in PDF Format
Download Free Acrobat Reader
THIS WEEK: Fri., Nov. 19  vs. Alumni  Berkeley, CA  3:30 p.m.
BEARS HOST ALUMNI MEET The No. 3-ranked California men's swimming & diving team (2-0) hosts its annual Alumni Meet at 3:30 p.m. on Friday, Nov. 19, at Spieker Aquatics Complex.
CAL IN THE POLLS: Cal was ranked No. 3 in the latest CollegeSwimming.com national poll and No. 4 in the latest CSCAA national poll.
SCOUTING THE 'OPPOSITION': Eleven-time Olympic-medallist Matt Biondi will compete in the Alumni Meet for the first time in years. Biondi won 12 NCAA titles and 14 Pac-10 titles at Cal. While the complete slate of former Golden Bears who will compete this Friday is not yet set, T.A. De Biase, Biondi's teammate from the 1984-87 teams, will also be on hand. Biondi anchored and De Biase swam third on the winning 400 freestyle relay team at the 1987 NCAA Championships.
LAST TIME OUT: Cal throttled Pacific, 158-86, in a dual-meet last Saturday, Nov. 13, at Spieker Aquatics Complex. The Golden Bears collected all 158 points through the first 10 events and swam the final four races as exhibitions. Underclassmen won eight of the 12 individual events. After the freshmen-dominated Cal A team of Mark Eckert (freshman), Henrique Barbosa (junior), Jernej Godec (freshman) and Joe Whittington (freshman) won the 200 medley relay in a time of 1:32.67, freshman John Foster won the 1000 free in 9:21.56.
Fellow freshman Bears who won events included Godec (49.15 in the 100 backstroke), Justin Pollard (1:52.70 in the 200 fly) and Louis Vayo (1:50.04 in the 200 back). Cal sophomore Rolandas Gimbutis won the 100 free (44.39) and 200 free (1:38.50). Fellow sophomores Jonas Tilly (20.83 in the 50 free) and Graham Lentz (2:01.97 in the 200 breaststroke) also took home wins.
Barbosa won the 100 breaststroke in 55.88, followed by Lentz in second (56.30) and Cal senior Caleb Rowe (58.36) in third.
Cal fifth-year senior Steve Rehrmann, who was recently granted another year of eligibility by the NCAA, took fifth place in the 200 backstroke in 1:52.56. His first action of the 2004-05 season came in this past Wednesday's Triple Distance Meet at Stanford.
2004-05 RECAP
CAL REPEATS AT TIBURON MILE: Sophomore Daniel Lysaught led the Golden Bears to a repeat performance as the college team champion in the Tiburon Mile on Sept. 19 in Tiburon. The Australian swam the best time among college men, with a 20:43, and took seventh-place overall in the race, which spanned one nautical mile from San Francisco Bay to downtown Tiburon. The Bears won the team title with 103 points.
BEARS MAUL FLORIDA STATE: Cal opened the 2004-05 season with a 171-127 victory over No. 24 Florida State on Oct. 22, at Spieker. Cal won 11 of the 14 events. Senior diver Louie Gagnet, a former Seminole who won the one- and three-meter springboard events, was the only Bear to win multiple events. He scored 346.20 points, a school record, on the one meter and 337.425 on the three meter. In another competition with FSU on Oct. 23, Gagnet set a school record (590.10) for an 11-dive three-meter event.
Cal swept the 200 butterfly, won by sophomore Patrick O'Neil (1:49.06). Senior John Dorr (1:51.55) took second place and freshman Justin Pollard (1:52.49) was third. Cal's Chris Gibson, Caleb Rowe, Rolandas Gimbutis and Matt Lyon opened the meet by winning the 200 medley relay in a time of 1:32.22. Bears sophomore Daniel Lysaught won the day's first individual event, the 1000 freestyle, in 9:11.91. Other Cal winners included Alexander Holdridge in the 200 free (1:40.62), Gibson in the 100 backstroke (50.82), Graham Lentz in the 100 breaststroke (56.41), Lyon in the 50 free (20.95), Rowe in the 200 breast (2:03.57), John Foster in the 500 free (4:31.26) and Jernej Godec in the 100 fly (49.49).
BEARS WIN UOP'S SPEEDO INVITATIONAL: Cal won 15 events and repeated as champion of Pacific's Speedo Invitational, with a total of 1,181 points, Oct. 29-30 in Stockton, Calif. Several Golden Bears had outstanding swims, including freshman Louis Vayo, the meet's top scorer, with 67 points. The product of Placentia, Calif., who was fourth in the 500 freestyle and fourth in the 200 individual medley on Day 1, won the 400 IM in 3:58.83 and was second in the 200 butterfly (1:55.70) on Day 2 of the meet, which was swum in short course yards.
Rolandas Gimbutis won two individual events - the 100 (44.09) and 200 free (1:40.08) - and was a member of two winning relays. The 6-10 native of Kaunas, Lithuania, swam the third leg of the 200 medley relay (1:34.83) and anchored the 400 free relay (3:06.74). Sophomore teammate Jonas Tilly, from Trelleborg, Sweden, won the 100 butterfly (51.28), took second to Gimbutis in the 100 free and also swam on the winning 200 medley relay and 400 free relay.
GODEC, MOLINA WIN THREE EVENTS EACH VS. ROADRUNNERS: Cal won 16 of 19 events in a non-scoring meet with Cal State Bakersfield last Saturday afternoon at Spieker. Two Bears won three individual events - freshman Jernej Godec, from Ljubljana, Slovenia, won the 50 butterfly (22.51), the 100 fly (50.36) and 200 fly (1:55.67) and junior Miguel Molina, from Tokyo, Japan, won the 100 IM (52.26), the 200 IM (1:51.66) and the 400 IM (3:55.68). Senior John Dorr, sophomore Rolandas Gimbutis and freshman Dominic Cathey each won two events, at the meet, which was swum in short course yards. Dorr, from Lafayette, owned the middle- and long-distance freestyle events, winning the 500 (4:40.86) and 1000 (9:54.34). Typically a freestyler, Gimbutis won the 100 back (52.36) and 200 back (1:55.11). Cathey, an Oakland product, won his first two events of the season, taking the 100 breaststroke (59.80) and 200 breaststroke (3:55.68).
BEARS EXCEL AT STANFORD'S TRIPLE DISTANCE MEET: Cal won four out of six categories and split the relays with No. 2 Stanford at the Triple Distance Meet held at Stanford's Avery Aquatics Center on Wednesday, Nov. 17. Golden Bears senior John Dorr won the IM category with a combined time of 6:40.28. Sophomore Rolandas Gimbutis won the sprint freestyle category, with a combined time of 2:43.42. Cal junior Henrique Barbosa took the breaststroke category in a combined time of 3:25.35. Sophomore teammate Daniel Lysaught won the distance free in a combined time of 15:30.11. The Cal A team won the 400 free relay (2:58.52), while Stanford won the butterfly, the backstroke and the 400 medley relay (3:19.49).
THE COACHES
HEAD COACH Nort Thornton:Nort Thornton, who was inducted into the ASCA (American Swimming Coaches Association) Hall of Fame in September of 2002, enters his 31st season as the director of the California men's swimming team. Thornton, the dean of all Pac-10 swimming coaches, led the 2003-04 Golden Bears to a seventh-place finish at the NCAA Championships. A true indication of Thornton's success is the fact that Cal has finished in the Top 10 nationally in 25 of the 30 years he has been at the helm of the Golden Bears' program. In addition, Thornton has led the Bears to two national championships - back-to-back titles in 1979 and 1980 - and produced a stellar cast of All-Americans. The veteran coach has an impressive 212-81 career dual meet record, has been National Coach of the Year twice and has been the Pac-10 Coach of the Year four times, most recently in 1999.
Championship performance at Cal is synonymous not only with Thornton's teams, but with the numerous individuals he has coached over the last 28 years. Since Thornton took over the Cal program, 48 Cal athletes have represented several countries in the Olympic Games, winning 29 medals, including 14 gold, 10 silver and five bronze. During the 1992 Olympics, Thornton was selected as an assistant coach, and 13 of his Bears competed in Barcelona, Spain.
CO-HEAD COACH Mike Bottom:California co-head swim coach Mike Bottom, now in his eighth season in Berkeley, has established himself as one of the world's top sprint coaches. Last season, he and head coach Nort Thornton directed Cal to a seventh-place finish at the NCAA Championships. Under his tutelage, Duje Draganja has become one of the top sprinters in the world. The Croatian took silver in the 50 freestyle, behind Gary Hall Jr., another Bottom-coached swimmer, at the 2004 Athens Olympics and more recently won bronze in the 50 butterfly at the 2004 World Championships. Bottom has also worked with Milorad Cavic, who, with Draganja, finished 2-3 in the 100 fly at the 2004 NCAA Championships. A former USC swimmer and USC and Auburn assistant coach, Bottom's work coaching sprinters began in the 1990s and expanded to include several of the top swimmers in the world, including former Bears Anthony Ervin, Gordan Kozulj and Bart Kizierowski. Internationally, Bottom's sprinters have won five Olympic medals in Sydney, one medal in Athens and various World and European Championships.
DIVING COACH RON KONTURA: Ron Kontura was hired Aug. 10, 2004, to take California's diving program to the world-class level. Kontura brings a decade of elite club and collegiate experience to Berkeley. Kontura was both the diving coach and director of business operations of Nadadores Diving in Mission Viejo, Calif., from 2002-2003. Kontura earned his Master's in Business Administration from Illinois State University in 1999 and his Bachelor's in Business Administration from Ohio University in 1991.
Former Cal Golden Bear Fawcett Talks Soccer
Former Golden Bears React To Cal's National Title
No. 11 Trojans Take 6-1 Win Over No. 8 Golden Bears


A walking meditation practice is a great starting place if you are new to meditation and just beginning with a practice. It is also a great choice for anyone who's goal is to bring more mindful awareness into life's every-day moments. Too often, we spend our lives just going through the motions and miss out on the opportunity to build real connection. Regardless of what style we choose meditation ultimately offers us a way to build inward connection which, in turn, allows us to connect in a more meaningful way with the world around us. It is my opinion that a walking practice may be the easiest and simplest starting place for beginning a practice. In this post I will share how a walking practice is an excellent way to build every day mindful awareness into your day. I will also a touch on the benefits of the practice, outline a starting place and share my own personal experience and practice.
What is Walking Meditation And Why Do It?
Walking meditation is essentially mindful walking. Sounds simple right? 🙂 In learning how to walk mindfully, we learn to slow down as well as develop increased appreciation and awareness of what is in our immediate environment. We can then carry this new awareness into our life.
With a heightened awareness of our conscious moments, it then makes it easier to be more perceptive right in the moments when we may "check out" or be reactive. In a stressful moment it is natural human tendency to just 'check out' or not be present and ultimately, not face what is happening. Or alternatively even worse we respond by being reactive and not think before speaking. Through learning how to be more mindful and aware, you can in time grow in time to be less reactive in the moment. And perhaps most importantly in those moments that matter be more connected and available for the people you care about. A walking meditation essentially acts as bridge for bringing everyday mindfulness into your life. Everyday connection. And everyday peace.
Finally, many friends I talk to have a goal of beginning a seated practice but ultimately find it really hard to quiet their mind. A walking practice really makes a seated practice accessible. It can essentially act as a stepping stone for helping you begin a seated practice, if that is your ultimate goal.
Close your eyes for a moment and think about the last time you took a stroll around your neighborhood. What did you notice? If you cannot remember your experience, that is ok! A lot of people use walking purely as a way to process thoughts. They walk with streams of thoughts racing through their head. In this practice, you will instead pay attention to the walking itself. Your steps. Your feet connecting to the pavement. The walking itself will be your point of focus. Once you build the connection with your steps, you will then bring your focus inward to your breath. And then finally outward to your environment.
Find a Location where you are can limit distractions.
A quiet park or a time of day when street traffic is minimal would be great.
I like early morning or evening once folks have headed home from work.
Before beginning, take a moment to Center Yourself.
Close your eyes, and take in a few deep belly breaths.
Exhale, release any stress or thoughts you do need, preparing to begin.
Ask specifically to let go of anything which may keep you from connecting with your practice today.
Continue to repeat this cycle until you begin to feel a calmness, and focus.
Taking as much time as you need, begin building a connection with the earth beneath you. Really feel your feet connecting to the ground below.
You may find you are walking rather quickly!
Begin to slow down your steps.
Observe the breath: How quickly are you breathing?
How balanced do you feel between the right and the left side?
Scan your right side – and then your left.
As your right foot hits the ground and then the left is it even?
Using your steps in combination with your breath, begin to walk at a pace that brings balance to the body on each side equally.
If you find this tricky to do at first, focus purely on the inhale and the exhale. Inhale for a count of 4. Exhale for a count of 4. Rotating between the right and then the left side.
Have your mind or energy calmed from the start of your walk?
Has your breath slowed down?
Do you feel more balanced between the right and left side?
In observing your body if you find you are in need of more balance, continue send your focus and your breath to wherever you need. Wherever you feel you need to slow down. Wherever you may still be holding. Continue walking with internal focus until you reach a level of peace internally where you are satisfied.
This will become easier in time.
Take notice of your surroundings. What is your immediate observation?
Do you perhaps find it easier to connect with what is around you?
What beauty do you see?
Continue shifting your focal point observing, connecting, appreciating with what is in your immediate space as you finish out the rest of your walk.
I've found walking consciously in this way to be the most amazing way to build mindful connection with what is around me. Give it a try. The overall impact of adding a walking meditation practice to your life is you can build more mindful connected awareness in your day to day life with those people and moments that matter to you.
In time, you will come to find with practice this also gets easier. The initial part of this practice, slowing down your mind, your breath, your steps happens rather quickly and almost naturally. And time spent out walking can be spent connecting with what is around you in a meaningful and thoughtful way. This same type of appreciative and connected mindset will transfer over to how you engage with your loved ones. And even result in you not minding so much the monotony of simple everyday tasks that you "have to do". You will come to be more present for them. Which in my opinion, is just awesome! Why waste your moments, right? 🙂 And once a walking practice becomes natural to you, a seated practice will be that much easier as the connection and stillness that are needed for you to sit with your thoughts will come naturally. I intend to share a second post in the future where I will touch on how color paired with intentions can be used as a way to balance energy alongside a walking practice.


text:
smokiesbaseball.com | The Official Site of the Tennessee Smokies
Individual Tickets Promotions Top Promotions Weekly Promotions Groups and Picnic Areas Ticket Plans The Sensible Concrete Luxury Level
Schedule 2020 Schedule (PDF) Game-by-game Results
Roster Watch Video MiLB.TV 2019 Smokies Media Guide (PDF) Smokies 2019 Player Information (PDF) Smokies Radio Network Listen Live
Jersey Auction
Tickets & Promotions Schedule Stats & Scores Team News Shop Front Office Community Kids Special Events Facility Rentals Job Opportunities Performance Center Corporate Partnership Opportunities Exit Realty Terrace Seats Giveaway Academy Sports + Outdoors Giveaways
Double-A Affiliate
Tennessee Smokies News
Lookouts Snap Smokies Four Game Win Streak In 10-1 Loss
Pereda Continues His Hot Stretch at the Plate
By Andy Brock / Tennessee Smokies | June 28, 2019 11:17 PM
CHATTANOOGA, TN - The Tennessee Smokies (38-40, 5-4) dropped their first game of the series, 10-1, against the Chattanooga Lookouts (40-38, 4-5) at AT&T Field Friday night. Jhonny Pereda recorded three hits and P.J. Higgins extended his hit streak to ten games in a losing effort.
The Smokies struck first in the ballgame for the third time in the series. Zack Short drew a leadoff walk and was able to make it to third on a throwing error and a wild pitch by Lookouts' starter RHP Ryan Lillie (W, 1-0). Jared Young gave the Smokies the early lead on a sacrifice fly to score Short.
Short made his first appearance with the Smokies in 2019 after having played in 124 games with Tennessee last season. Short started 2019 in Triple-A Iowa before being sent to the IL on 4/11. He went 0-for-4 with a run and walk in his return.
The Lookouts wasted no time to respond. In the bottom of the third, Chattanooga strung together four base hits to take a 3-1 lead. Mitch Nay tied the game with a single up the middle to score Alfredo Rodriguez. Gavin LaValley capped off the inning with a two-run double to plate the Lookouts' third run off Smokies starter RHP Thomas Hatch (L, 4-8).
Hatch's night came to a halt in the sixth inning after allowing three straight hits to load the bases. In 5.2 innings, he gave up six earned runs on eight hits. Pinch hitter Michael Beltre immediately cashed in to bring in two runs on a bases loaded single off reliever RHP Jake Stinnett. Later in the inning, Chattanooga extended their lead to 7-1 from a pair of mistakes by Stinnett. A wild pitch and an error brought in both Calten Daal and Beltre. The Lookouts put the nail in the coffin in the eighth. With already one run in on the inning, Jose Siri launched a two run home run to right center field to give Chattanooga a 10-1 cushion.
Saturday marks the series finale between the Smokies and the Lookouts with Tennessee trying to take four of five. RHP Cory Abbott (5-3, 3.39) will make his 15th start of the season for the Smokies, while the Lookouts turn to LHP Scott Moss (4-3, 3.50). First pitch is scheduled for 7:15 PM ET


Ever since I was little I have been obsessed with beauty and lifestyle. All my mother ever used to use, when I was growing up though was a Nivea blue cream pot and a bit of lip balm for her daily routine.
Her fantastic Danish genes meant she hardly ever used make-up, skincare or never got tempted by the latest fads. I on the other hand wordshipped Madonna, Marilyn Monroe and Kylie. Loving their interchangable looks brought about by different make-up, outfits and hair techniques. I loved the theatre and glamour of stage and screen and still do. My Irish father's family were always partial to being overtly fabulous and I think when I look at my Granny who tells me I must never go out of the house without lipstick, I know this obsession must have been grown from some of that influence.
Over the years I have changed my image dramatically going from dark and mysterous hair to platinum and my search for the perfect scarlet pout always continues.
I now want to share my beauty and lifestyle knowledge with you and get lost in the hazy, fuzzy world of pretty things that are attracted to The GlamourCat- me!


text:
CxO Channels
Auxiliary navigation
DATAx
HR & Workforce
IPO Confidential
A provision of the JOBS Act enables private companies to simultaneously pursue an IPO and a sale without disclosing confidential information.
Capital Markets CFO MagazineGrowth Strategies
The Jumpstart Our Business Startups (JOBS) Act has thrown a new wrinkle into the "dual track" strategy, in which late-stage private companies pursue an initial public offering while they negotiate with acquirers. Companies often use this strategy to signal to potential buyers that they are serious about going public and that acquirers may therefore lose their chance to buy them at an attractive price.
The JOBS Act enables companies to submit a draft S-1 statement for confidential review by the Securities and Exchange Commission before they go public. That gives sellers even more leverage, allowing them to put competitive pressure on acquirers without publicly disclosing information like trade secrets and names of key customers. (Companies will still be able to share their confidential registration statements with individual potential buyers.)
In the past, all IPO filings were public, which may have kept some companies that were considering a sale from filing at the same time, notes Bill Kelly, a partner at Davis Polk & Wardwell. "Those companies [previously] had to choose between filing publicly [versus] not filing and not having a credible IPO alternative," he says.
Now, however, the issuing company "[doesn't] have to tip its hand," says Michael Nall, founder of the Alliance of Merger & Acquisition Advisors. Further, under the new law, a company that used the dual-track strategy to drive up its selling price would have little to lose. Even if the IPO fell apart, if the company filed privately, it would not face the stigma that often comes with pulling an offering, Kelly adds.
As a result, more companies may pursue the dual-track strategy. "Now they can sort of have their cake and eat it, too," says Kelly. Some studies have shown that dual-track companies sell at a 20% premium to other companies.
Still, businesses that file confidentially may give up some of the ancillary benefits of a highly visible share offering. Often, a public IPO filing can indicate that a company is doing well, "and [that] visibility helps with customers and recruitment," Kelly says. By attracting outside buyers, a public filing can also stoke competition for a company, says Nall. "There's no doubt that the bigger the number of potential buyers, most often, the higher the price, because the company gets bid up," he says.
Since they lack the extensive networks of large companies, small companies in particular may benefit from filing publicly. "Private companies keep a very tight circle, and inevitably there is a trade-off," Nall says. At the same time, says Kelly, "if a company has a competent banker, it should know who the potential acquirers are, and the company shouldn't have to file something [publicly] with the SEC in order to attract them."
The JOBS Act also gives pre-IPO companies more latitude in testing the waters of the public market. The firm's advisers can premarket an offering, even before filing with the SEC, to gauge how much interest investors have in a firm's shares. This new rule allows companies to gather more information before deciding whether to sell or go public, says Kelly.
Download your free copy of DATAx Guide to Gaming Analytics
Read about the latest technological developments and data trends transforming the world of gaming analytics in this exclusive ebook from the DATAx team.
9 Ways E-commerce Stores Can Significantly Reduce C...
How Idea Management Drives Tangible Employee Engage...
How to Be a Courageous Leader in the Post-Pandemic Era
Take Customer Care to the Next Level with New Ways ...
Why This Is the Perfect Time to Launch a Tech Startup
Sign up for This Week In Innovation to stay up to date with all the news, features, interviews and more from the world's most innovative companies
Popular, recent and top authors
Bridging the divide between IR and PR
Apple's stock falls with new Trump tariff looming
Microsoft's market value briefly surpasses Apple
Energy companies lose combined value of $1 trillion in 40 days
Apple lose $40bn as "peak iPhone" fear infects investors
Why cybersecurity is the new priority for CFOs
Apple's value dips below $1 trillion mark despite high revenues
Facebook saturated in developed countries claims Zuckerberg
Amazon loses $250bn one month after becoming a $1 trillion company
Samsung warns of weaker earnings despite record growth
Spotify's stock hits new low
Qualcomm demands $7bn from Apple as legal battle escalates
IBM to acquire Red Hat for record-breaking $34bn
Amazon shares plummet as Microsoft overtakes it as the second largest company
Apple Watch driving huge growth in wearable heart monitoring devices
Finance At BeyondCore
made withby
Become a site contributor
Copyright © 2020 The Innovation Enterprise Ltd. All Rights Reserved. Innovation Enterprise Ltd is a division of Argyle Executive Forum. Registered in England and Wales, Company Registered Number 6982151, 57-61 Charterhouse St, London EC1M 6HA