The Brownfields/Voluntary Cleanup Program must verify lead-based paint is properly managed and disposed of prior to issuing a Certification of Completion. The requirements of demolition projects will be different in some respects from other lead-based paint abatement projects. Paint residue and peeling or flaking paint must be removed from the structural surfaces, and tested and handled as hazardous or Remove Peeling Lead Paint special waste as appropriate.
Paint adhered to the surface of demolition debris can be disposed of as demolition waste. For the specific requirements of demolition projects involving lead-based paint, Remove Peeling Lead Paint refer to the Department's publication Disposal of Demolition Wastes Contaminated with Lead and/or Other Heavy Metals (PUB2002), located on the Web at www.dnr.mo.gov/pubs/pub2002.pdf.
Remedial Action Plan If a Certification of Completion is to be obtained from the Department, Remove Peeling Lead Paint the site must been rolled in the Brownfields/Voluntary Cleanup Program with a signed letter of agreement.The Brownfields/Voluntary Cleanup Program must review and approve all Remedial Action Plans prior to implementation.
Lead-based paint plans may be included as part of a general Remedial Action Plan for a Brownfields/Voluntary Cleanup Program site in the Remove Peeling Lead Paint event other remediation is required. Lead-based paint abatement may also be done under a separate Remedial Action Plan. Lead-based paint abatement standards for final clearance are shown in the table below(also refer to MRBCA located on the Web at www.dnr.mo.gov/env/hwp/mrbca/mrbca.htm).
Clearance sampling for lead-based paint abatement must be conducted for building surfaces on which abatement took place or on surfaces exposed to lead paint and Remove Peeling Lead Paint dust during abatement.Clearance sampling must be conducted following abatement activities and before any furtherrenovation takes place. This will ensure all lead paint and dust from abatement activities have been cleared and will not be left under new floor and wall coverings.
The Remedial Action Plan should include, but not be limited to, Remove Peeling Lead Paint the following information: 1. Copies of any lead-based paint inspection or survey reports that include, at a minimum: Tables showing all suspect paint tested and test results including percent lead, paintcolor and square footage. Laboratory raw data reports. Maps, drawings or photos.
Photos must be color photocopies or prints. 2. Copies of all abatement notification forms sent to the Department or Departmentdelegated agency.3. General description of abatement techniques to be used in each area of the building including work space isolation, paint removal, dust suppression and Remove Peeling Lead Paint final cleaning.
4. The name of the person(s) who will perform abatement work, Remove Peeling Lead Paint air monitoring and clearance sampling, documentation of credentials and certifications. 5. Clearance sampling protocols including sample locations, number of samples, sample type(floor, window sill, window well) and sample goals.
1. Final clearance wipe sampling results along with maps or drawings of sample locations. 2. Waste disposal documentation, Remove Peeling Lead Paint such as landfill tickets. 3. Any appropriate field sketches or notes that document sampling and clearance testing. Daily field logs are not required.4. Description of any lead-based paint to remain in place, including drawings or maps of location(s).
Encapsulation usually involves recoating lead painted surfaces with suitable encapsulants such as epoxy paint, concrete, drywall, etc. If lead-based paint is to be left in the building, Remove Peeling Lead Paint an Operation and Maintenance Plan must be prepared.
For Brownfields/Voluntary Cleanup Program sites, the Department requires the Operations and Maintenance Plan be filed in the property chain of title as an institutional control to ensure that future occupants, maintenance personnel, contractors, owners and Remove Peeling Lead Paint prospective buyers are aware of the presence of lead-based paint and of the Operations and Maintenance Plan requirements necessary to maintain safe conditions.
Operation and Maintenance Plan An Operation and Maintenance Plan template is available on the Brownfields/Voluntary Cleanup Web site at www.dnr.mo.gov/env/hwp/bvcp/hwpvcp.htm. The Brownfields/Voluntary Cleanup Program must review and Remove Peeling Lead Paint approve your site's Operation and Maintenance Plan.
A copy of the plan should be kept at the site and include the following items:1. Description of the type and amount of lead-based paint.2. Location of the material in the building(s), including maps and Remove Peeling Lead Paint drawings as appropriate.3. Description of accessibility (i.e., in restricted access area or not). 4. Procedure and schedule for regular inspections.
5. Contingency plans to be performed in the event the lead-based paint is damaged or Remove Peeling Lead Paint must be disturbed during renovation, maintenance or repair.Certificate of Completion The Brownfields/Voluntary Cleanup Program must verify the lead-based paint was properly managed and, if needed, disposed of before issuing a Certification of Completion.
If you are leaving lead-based paint in place, your site's Certification of Completion will be conditional on you following the Operation and Maintenance Plan. The Certification of Completion will note thepresence of lead-based paint and Remove Peeling Lead Paint the existence of an Operation and Maintenance Plan. Both the Operation and Maintenance Plan and the Certification of Completion must be filed in the property chain of title as an institutional control.
This is done to make sure future occupants, maintenance personnel, contractors, owners and Remove Peeling Lead Paint buyers are aware of the presence of lead-based paint and of the Operation and Maintenance requirements necessary to maintain safe conditions. More Lead-Based Paint Information For more information about lead-based paint abatement, see: U.S. Environmental Protection Agency Office of Lead Programs: www.epa.gov/lead.


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text:
New titles from Dartmouth writers (January-February 2016)
Cal Newport '04
(Grand Central Publishing)
Feel a bit distracted at work? Join the crowd. Newport, a Georgetown University computer science prof, thinks we could all benefit by learning about "deep work," a term he coined to mean "focus without distraction on a cognitively demanding task." "Both neuroscience as well as performance psychology tell us that a state of deep work is necessary to learn complicated things quickly," Newport tells DAM, "and that's becoming more important in our current information economy, to be able to keep up with the new and ever-changing complex systems that interact with all the data that's out there." He argues that his methods are relevant to anyone, from new graduates entering the workforce to employees seeking a competitive advantage to anyone who manages people.
Following his explanation of deep work and its value, Newport offers training methods to develop skills and avoid shallow work. "The ability to concentrate hard has to be trained, like learning how to juggle or play the guitar," he says. One chapter, "Quit Social Media," sounds like radical advice, says the author, "but it shouldn't be." He argues that a "benefit mindset" can save workers from the time-sucking Internet: How does it advance your work or your career? "I don't understand why people are spending so much time on Facebook and other sites designed to capture your attention for as long as possible," says the author, who claims he has never engaged in social media. "I don't think it's weird that some people do. I think it's weird that almost everyone does."
All the advice may not be new ("schedule every minute of your day" and "embrace boredom"), but Deep Work should appeal to anyone seeking self-help in an ever-changing office and tech environment and an uncertain economy. It works for Newport. "My academic output actually doubled during the year that I wrote this book, as compared to any other year," he says. "If you work hard at distraction-free concentration on a regular basis, you'd be surprised by how much quality you can produce." —Sean Plottner
Jeffrey Garten '68
From Silk to Silicon
(HarperCollins)
Yale global economy professor Garten traces the story of globalization through the lives of 10 extraordinary men and women, from conqueror Genghis Khan, who brought the East and West under one roof, to British Prime Minister Margaret Thatcher, who taught the world how free markets really operate.
Robert Reich '68
Saving Capitalism
The former U.S. secretary of labor under President Clinton reveals how power and influence have created a new American oligarchy, a shrinking middle class and the greatest wealth disparity in 80 years. He also suggests what it will take to reverse the slide toward inequality and diminished opportunity.
John Donvan '77
In a Different Key
(Crown)
Tracing the history of autism back to the first diagnosis nearly 75 years ago, Donvan explores the complicated medical and social history of the disorder. The Emmy Award-winning ABC correspondent also follows recent controversies, from whether there is an autism "epidemic" to the role vaccines played in it.
Lagg Miller '91
The Audacious Ascetic
(Oxford University Press)
Linguistic anthropologist Miller offers his analysis of 1,500 audiocassettes retrieved from an Al Qaeda house in Afghanistan in 2002. The only person to listen to all the tapes, Miller refutes the idea that Osama bin Laden's original enemy was the United States and serves up explanations of the cultural context behind the 3,000 hours of recorded speeches, poetry, music, mealtime conversations and other audio oddities.
Alexis Bunten '99
So, How Long Have You Been Native?
Bunten, an Alaska Native and anthropologist, offers a firsthand account of working in the Alaska cultural tourism industry. Here she explores why Natives choose to sell their culture, the politics of business in a small town and how indigenous peoples are engaging in global enterprises on their own terms.
Additional books that were not listed in our print version:
Management consultant Michael Seely '68 draws on decades of experience to make the case that focusing on job-creating growth can overcome government policies that have crippled the economy in Turning Point: Saving Our Kids' Future. And Our Own (Shires Press).
Tom Laughlin '68 follows a Boston-based family as it grapples with the challenges of careers, friendships, politics and affairs in his romantic drama, Absence of Intent (Amazon Digital).
The 2014 New American Press laureate Arne Weingart '69 considers the human condition in a way both touching and witty in his first book of poetry, Levitation for Agnostics (New American Press).
Elizabeth Casteen '01, an assistant professor of history at Binghamton University, the State University of New York, examines the reputation of Johanna I, reputation and femininity in 14th-century Naples in From She-Wolf to Martyr (Cornell University Press).
Dünya Onen '07 tells the story of two bored children who venture out of the confines of their high-rise apartment to a place they create through collaborative storytelling in her children's book, Güzel Bahçe Masallari (Habitus).

redpajama_set_name: RedPajamaCommonCrawl


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The Larks Collection 1950-55
Artist: The Larks
The Larks Collection 1950-55 on CD
Hailing from North Carolina, the Larks were a classic African-American doowop group of the early 1950s, with their roots firmly in gospel, but moving to secular music to form The Larks, although their early recorded work ranged across both gospel and secular genres as they recorded under different names when they made their studio debut. Although they were not among the most prolific doowop hitmakers, their style and technique made them one of the most admired and imitated of the early doowop ensembles. This 48-track 2-CD set comprises the A & B sides of just about all their releases on the Apollo and in a second incarnation of the group under lead singer Eugene Mumford on the Apollo subsidiary label Lloyds, plus some titles from those labels which were not released at the time, along with recordings on Jubilee as The Selah Singers, on Regent as The 4 Barons, and on Apollo as The Southern Harmonaires. It features their Top 10 R&B hits "Eyesight To The Blind" and "Little Side Car". It's a substantial overview of their career - they broke up before their final release - and it's a thorough and excellent showcase for their highly-regarded skills as vocal harmonisers.
1 Why Not Today
2 Down Here I've Done My Best
3 Lemon Squeezer
4 Got to Go Back Again
5 My Heart Cries for You
6 Coffee, Cigarettes and Tears
7 Who Will Your Captain Be?
8 I'm So Glad
9 When I Leave These Prison Walls
10 Hopefully Yours
11 Let's Say a Prayer
12 My Reverie
13 Eyesight to the Blind
14 I Ain't Fattenin' Frogs for Snakes
15 Little Side Car
16 Hey, Little Girl
17 I Don't Believe in Tomorrow
18 Ooh... It Feels So Good
19 My Lost Love
20 How Long Must I Wait for You?
21 Honey in the Rock
22 Shadrack
23 Stolen Love
24 In My Lonely Room
1 Darlin'
2 Lucy Brown
3 I Live True to You
4 Hold Me
5 Christmas to New Year's
6 All I Want for Christmas
7 What's the Matter
8 It's Breaking My Heart
9 Margie
10 Rockin' in the Rocket Room
11 If It's a Crime
12 Tippin' in
13 When You're Near
14 Who Walks in When I Walk Out
15 No Other Girl
16 The World Is Waiting for the Sunrise
17 Os-Ca-Lu-Ski-O
18 Forget It
19 Johnny Darlin'
20 You're Gonna Lose Your Gal
21 Honey from the Bee
22 No, Mama, No
23 If You Were the Only Girl in the World
24 For the Love of You
The Larks


Jeremy M. Kimble is Assistant Professor of Theology at Cedarville University in Cedarville, Ohio. Kimble received his PhD from Southeastern Baptist Theological Seminary and is the author of That His Spirit May Be Saved: Church Discipline as a Means to Repentance and Perseverance (Wipf & Stock, 2013) and the present volume in the 40 Questions & Answers Series.
Like the volumes in the series, 40 Questions About Church Membership and Discipleship is organized systematically concerning the nature of the topic. Kimble offers four major sections around church membership and discipline: (1) general questions about church membership and discipline, (2) general questions about church membership, (3) general questions about church discipline, and (4) concluding questions about membership and discipline. Divided into three subcategories ([a] theological questions, [b] ministry questions, and [c] practical questions), sections two and three comprise the bulk of the book's content (34 of 40 questions).
The title of the book leaves little room for mystery concerning the content therein, and Kimble does a fantastic job building a case for the importance of church membership and the necessity of church discipline. Kimble brings the reader to the biblical text and wrestles with the relevant questions facing Christians today. Is church membership biblical? Who should become a member of a church? What age should someone become a member of a church? What are the responsibilities of a church member? Who is in charge of administering church discipline? How is discipline related to discipleship? What is the goal of church discipline? Should a believer associate with someone under church discipline? And much more!
The repetitiveness of the book is somewhat to be expected given the nature of the 40 Questions and Answers series. That said, pastors, elders, and interested lay-leaders will find Kimble's interaction and sense of perception refreshing. It is clear that Kimble has thought through the material presented and has experienced the fruit of church membership and discipline. Also, somewhat surprising given Kimble's Baptist background, he tends to avoid denominational polemics and allows the biblical text to speak on his behalf. If you are looking for a book that takes you through the most relevant questions concerning church membership and discipline, then 40 Questions About Church Membership and Discipleship by Jeremy M. Kimble is easily one of the most practical resources on the market. It will be referenced often!


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Email Us Pearl A. I. BOWLBY1215,1836,2983 was born about 1899 in Ohio. She lived in Bucyrus, Crawford Co., OH in 1931.2983 Parents: Nelson BOWLBY-13553 and Ida Mae HUMES-54562.
Spouse: Samuel E. SMITH-54566. Pearl A. I. BOWLBY and Samuel E. SMITH were married.
Pearl E. BOWLBY4877 was born on 27 October 1887 in Marion, Marion Co., KS. She died on 15 March 1957 at the age of 69 in Tulsa, Tulsa Co., OK. Parents: Sylvanus Francis "Frank" BOWLBY-13444 and Ella M. REED-123795.
Spouse: Clarence BLEVINS-139022. Pearl E. BOWLBY and Clarence BLEVINS were married.
Perdilla BOWLBY4534 was born (date unknown). Parents: Samuel Thomas BOWLBY-155092 and Kavina WALKER-155093.
Spouse: Thomas RYERSE-155095. Perdilla BOWLBY and Thomas RYERSE were married. Children were: Franklin D. RYERSE-155096.
Peter BOWLBY188,5372 was living in Hampton, Hunterdon Co., NJ. Parents: Thomas BOWLBY-122654 and Sarah FRITTS-122655.
Spouse: Eliza WAGONER/WAGNER-122667. Eliza WAGONER/WAGNER and Peter BOWLBY were married. Children were: Christia/Cristia Anna BOWLBY-125700, Lewis BOWLBY-122668, Frank BOWLBY-122669, Carrie BOWLBY-122670, Lydia BOWLBY-122671.
Peter BOWLBY188,5354 was born (date unknown). Parents: John BOWLBY-122702 and Catharine WYCKOFF-122703.
Peter BOWLBY1251 was born (date unknown). Parents: Daniel BOWLBY-166339 and Sarah HERROT-166340.
Spouse: Catherine L. (WIFE OF BOWLBY, PETER)-166353. Catherine L. (WIFE OF BOWLBY, PETER) and Peter BOWLBY were married. Children were: Martha Rachel BOWLBY-166354.
Peter BOWLBY63 was baptized on 13 April 1729 in St. Mary-le-Bow, Durham, England, UK. He signed a will on 27 August 1801. Proven at Durham 20 APR 1806. He died on 27 March 1806 in Bishop Auckland, County Durham, England, UK. Peter was buried on 30 March 1806 in Morrington, County Durham, England, UK.63 Parents: Thomas BOWLBY-143827 and Mary BURRELL-143830.
Spouse: Elizabeth RUSSELL-143847. Elizabeth RUSSELL and Peter BOWLBY were married on 11 June 1757 in St. Mary-le-Bow, Durham, England, UK. Children were: Henry BOWLBY-143850, Elizabeth BOWLBY-143851, Thomas BOWLBY-143852, Joseph BOWLBY-143853, John BOWLBY-143854.
Spouse: Elizabeth FAWCETT-143855. Elizabeth FAWCETT and Peter BOWLBY were married on 14 December 1773 in St. Mary-le-Bow, Durham, England, UK.
Peter BOWLBY5713 was baptized on 2 March 1792 in Houghton-Le-Spring, County Durham, England, UK. He died on 8 November 1877. He was buried at Cheltenham Cem. in County Gloucester, England, UK.344 Parents: Thomas BOWLBY-143852 and Eleanora Elizabeth SALVIN-143858.
Spouse: Elizabeth HASLEWOOD-143981. Elizabeth HASLEWOOD and Peter BOWLBY were married on 4 March 1819 in Durham, County Durham, England, UK. Children were: Frances Eliza BOWLBY-143984, Eleanor Mary BOWLBY-143985, Right Reverend Henry Bond BOWLBY-143987.
Peter BOWLBY256 was born on 25 February 1795. He was baptized on 3 March 1795 at St. Mary the Less in Durham, County Durham, England, UK. He died on 5 October 1825 at the age of 30. Peter was buried on 7 October 1825 at St. Oswald's in Durham, County Durham, England, UK. Parents: John BOWLBY-143854 and Sarah ELLIOT-144286.
Spouse: Alice DARNELL-144305. Alice DARNELL and Peter BOWLBY were married on 2 October 1816 at St. Oswald's in Durham, County Durham, England, UK. Children were: Thomas Sanderson BOWLBY-144309, Mary BOWLBY-144310.
Peter BOWLBY188,5276 was born about 1795. He died in 1879 at the age of 84 in Pennington, Mercer Co., NJ. He was buried at Pennington Cem. in Mercer Co., NJ.188 Parents: John "Uncle Jack" BOWLBY Sr.-40673 and Anna Catherine "Ann" WAGNER-122646.
Spouse: Sarah SNYDER-122673. Sarah SNYDER and Peter BOWLBY were married.
Spouse: Leah H. WELCH-122674. Leah H. WELCH and Peter BOWLBY were married on 23 October 1823 in Anderson, Warren Co., NJ. Children were: John B. BOWLBY-122675, Jacob BOWLBY-122676, Mary BOWLBY-122677, Alexander BOWLBY-122678, Matilda BOWLBY-122679.
Peter BOWLBY5714 was born about 1840 in Ohio.5579 He was buried at Halladay Cem. in Murphysboro, Jackson Co., IL.
He was killed with his brother, Samuel, in the Civil War, Company D., Illinois Infantry, Captain Henry BOUCHER. Parents: Samuel Barker BOWLBY-13117 and Abigail BOWLBY-13118.
Peter BOWLBY188,3055,5633 was born on 4 September 1852. He died in 1937 at the age of 85. He was buried at Musconetcong Valley Cem. in Hampton, Hunterdon Co., NJ. Parents: William H. BOWLBY Sr.-122656 and Rebecca WELLER-122657.
Spouse: Celestia/Celeste JOHNSON-124697. Celestia/Celeste JOHNSON and Peter BOWLBY were married on 11 November 1875. Children were: Alvin BOWLBY-124700, Leigh Rodenbaugh BOWLBY-124701, Harvey BOWLBY-124736, Judson Hogerman BOWLBY-124761.
Peter G. BOWLBY4934 was born about 1819 in Somerset Co., PA. In 1860 he was a farmer in Somerset Twp., Jackson Co., IL.5537 He died on 8 January 1869 at the age of 50 in Jackson Co., IL.
After Peter died in 1869, his younger brother, Henry Clay BOWLBY, became administrator of his estate. The ages of children and state in which they were born on the census reports indicate that Peter and his family left Pennsylvania and moved to Jackson Co., IL. before 1845. Upon his enrollment as a private in Company A., 31st Regiment, Illinois Infantry on 13 AUG 1862, Peter was described as a farmer of 43 years of age, five feet eight and a half inches, having blue eyes and black hair. Peter was discharged before Vicksburg, Mississippi, as a wounded soldier on 23 JUN 1863.
Parents: Samuel Barker BOWLBY-13026 and Hulda MESSENE/MESZENE-13027.
Spouse: Mary Ann WHIPKEY-13239. Mary Ann WHIPKEY and Peter G. BOWLBY were married on 16 June 1844.5163 Children were: Marion S. BOWLBY-13242, Franklin BOWLBY-13243, Susan J. BOWLBY-13244, Samuel M. BOWLBY-13245, Winfield Scott BOWLBY-13246, Emma J. BOWLBY-13247, Peter G. BOWLBY-13248.
Spouse: Maria HOOKER-13240. Maria HOOKER and Peter G. BOWLBY were married.
Peter G. BOWLBY5479 was born in 1863 in Ava, Levan Twp., Jackson Co., IL. In May 1877 his guardians were James H. BOWLBY and David KING.
Parents: Peter G. BOWLBY-13238 and Mary Ann WHIPKEY-13239.
Peter Salvin BOWLBY467 was born on 7 January 1915 in Gilston Park, County Hertford, England, UK. He was baptized on 14 February 1915 at Gilston Parish Church in Gilston Park, County Hertford, England, UK. Parents: Arthur Salvin BOWLBY-144122 and Catherine Mary Bowlby BOND-144124.
Peter Thomas BOWLBY154 was baptized on 9 December 1786 at St. Oswald's in Durham, County Durham, England, UK. Parents: Thomas BOWLBY-143852 and Eleanora Elizabeth SALVIN-143858.
Peter V. BOWLBY188,4841 was born on 12 December 1839. He died on 15 October 1872 at the age of 32. He was buried at Musconetcong Presbyterian Cem. in Hampton, Hunterdon Co., NJ.188 Parents: Ulysses BOWLBY-122894 and Susannah "Susan" VANHORN-122895.
Spouse: Mary Ann CHANDLER-122899. Mary Ann CHANDLER and Peter V. BOWLBY were married.
Phoebe BOWLBY5316 was born (date unknown). Parents: William D. BOWLBY-13188 and Mary E. HARRELSON-125707.
Phoebe BOWLBY5249 was born in 1853. She died in 1930 at the age of 77. Parents: John Alexander BOWLBY-41103 and Rachel Ann BIRDSALL-147132.
Spouse: M. William ROBERTS-147166. Phoebe BOWLBY and M. William ROBERTS were married.
Phoebe BOWLBY758,1267,1268 was born in 1869 in New Jersey.758 Parents: William M. BOWLBY-13634 and Catherine F. (WIFE OF BOWLBY, WILLIAM M.)-122347.
Phoebe Myers BOWLBY5467 was born on 12 June 1852 in Monongalia Co., VA, now WV. Parents: Edward Jackson BOWLBY-134386 and Emeleen BOYLES-134387.
Spouse: William STEELE-134448. Phoebe Myers BOWLBY and William STEELE were married.
Phray BOWLBY1100 died between 1910 and 1915. Parents: Elmer J. BOWLBY-33178 and Ella FISHER-33182.
Phyllis BOWLBY4605,4611 was born (date unknown). Parents: Vernon Lorimer BOWLBY-183230 and Marion Elizabeth BERRY-183232.
Spouse: Lloyd LEGGE-203598. Phyllis BOWLBY and Lloyd LEGGE were married.
Living (private). Parents: Edward John Mostyn BOWLBY M.D.-143926 and Ursula LONGSTAFF-143937.
Polly BOWLBY192 was born (date unknown). Parents: Samuel BOWLBY-40661 and (Wife of BOWLBY, Samuel) -135156.
Spouse: Abel ERWIN-135158. Polly BOWLBY and Abel ERWIN were married.
Pulteney Edward BOWLBY392 was born on 24 October 1840. He was baptized on 9 July 1841 in Bishopwearmouth, County Durham, England, UK. Parents: Thomas BOWLBY-143865 and Margaret Matilda MEIN-143887.
Spouse: Annie Heywood JOPP-143974. Annie Heywood JOPP and Pulteney Edward BOWLBY were married on 18 February 1878 in Bellary, Madras Presidency, India. Children were: Annie Margaret Warner BOWLBY-143977, Nicol Reginald Pulteney BOWLBY-143979, Norah Kathleen BOWLBY-143980.
Rachel BOWLBY5664,5715 was born on 4 September 1747.1246 She died on 4 October 1822 at the age of 75.1246 She was buried at Christ Church Cem. in Philadelphia, Philadelphia Co., PA.5715 Parents: Thomas BOWLBY-13078 and Catharine FITZRANDOLPH-40771.
Spouse: Samuel WIGFALL-40775. Rachel BOWLBY and Samuel WIGFALL were married on 9 May 1772 at St. Paul's Episcopal Church in Philadelphia, Philadelphia Co., PA.1246 Children were: Catharine WIGFALL-40776, Joseph WIGFALL-40777, Samuel WIGFALL-40778.
Rachel BOWLBY1244,1245,3139 was born in 1756 in Sussex Co., NJ.1246,5455 Parents: Richard BOWLBY Sr.-13082 and Mary DRAKE-40905.
Spouse: Jolly LONGSHORE-40955. Rachel BOWLBY and Jolly LONGSHORE were married on 27 December 1782 in New York.947,3139 Children were: Richard Bowlby LONGSHORE-40956, Robert Jolly LONGSHORE-40957.
Rachel BOWLBY188,5052 was born on 9 April 1815 in Hunterdon Co., NJ. She died on 18 May 1893 at the age of 78 in Sharpsville, Tipton Co., IN. She was buried at Sharpsville Cem. in Sharpsville, Tipton Co., IN.5052 Parents: Joseph BOWLBY-40680 and Mary BONNELL-123524.
Spouse: Washington GRISHAW-123526. Rachel BOWLBY and Washington GRISHAW were married on 29 September 1857 in Tipton Co., IN. Children were: James P. GRISHAW-123527, Monroe GRISHAW-123528.
Rachel BOWLBY1100 was born about 1820.2353,3405 She died before 1884 at the age of 64. Parents: James A. BOWLBY-13527 and Sarah GROSS-13528.
Spouse: Henry G. SHULL-90873. Rachel BOWLBY and Henry G. SHULL were married on 16 February 1840 in Wayne Co., OH.5649 Children were: J. Calvin SHULL-121632, Martin SHULL-121633, Sarah SHULL-121634, Josiah SHULL-121635, Walter SHULL-121636, Veridan/Benton SHULL-121637, Love Shila SHULL-121638.
Rachel BOWLBY2983,3405 was born in December 1844 in Wayne Co., OH. She died on 12 December 1930 at the age of 86.2983 Parents: Emanuel BOWLBY-13531 and Sarah STAHL/STALL-170168.
Spouse: Uriah L. BACHTELL/BECHTEL-13538. Rachel BOWLBY and Uriah L. BACHTELL/BECHTEL3405 were married on 16 November 1865 in Wyandot Co., OH.
The biography of Uriah appears in the Wyandot Co., OH. history. His parents moved to Wyandot Co. in 1845. He enlisted in Company I, 109th Regiment, Ohio Volunteer Infantry, in SEP 1864, served 9 months and was discharged at Nashville, TN. 17 JUN 1865. He returned home, purchased 80 acres of land, and married Rachel the fall after his discharge.
Children were: Cyrus F. BACHTELL-13541, Thomas BACHTELL-13542, Huldy BACHTELL-13543.
Rachel Ann BOWLBY188,727 was born on 14 April 1856. She died on 1 April 1901 at the age of 44. She was buried at Sharpsville Cem. in Sharpsville, Tipton Co., IN.188,727 Parents: William BOWLBY-123621 and Rebecca Jane LINDSAY-123622.
Spouse: Cornelius Dora THOMPSON-123625. Rachel Ann BOWLBY and Cornelius Dora THOMPSON were married on 9 March 1879 in Tipton Co., IN. Children were: William "Frank" THOMPSON-123626, John Bowlby THOMPSON-123627, Rebecca E. THOMPSON-123628, Charles Everett THOMPSON-123629, George Dennis THOMPSON-123630, Mary Etta THOMPSON-123631, Eunice B. THOMPSON-123632, Raymond Maxwell THOMPSON-123633.
Rachel Ann BOWLBY5308,5322 was born in 1859 in Ohio. She died in 1916 at the age of 57. Parents: Bellisle/Belial/Belile BOWLBY-73949 and Mary Jane YOUNG-73950.
Spouse: George Ambrose PEEDE-73954. Rachel Ann BOWLBY and George Ambrose PEEDE were married. Children were: (First daughter of PEEDE, Rachel and George Ambrose) PEEDE-73957, (Second daughter of PEEDE, Rachel and George Ambrose) PEEDE-73958, (First son of PEEDE, Rachel and George Ambrose) PEEDE-73959, Jenevie PEEDE-73960, George PEEDE-73961.
Rachel Bethier BOWLBY1614 was born on 24 January 1853 in New Jersey. Parents: James BOWLBY-14751 and Sarah SMITH-14752.
Living (private). Parents: Reverend Ronald Oliver BOWLBY-144075 and Elizabeth Trevelyan MONRO-144076.
Ralph BOWLBY944 was baptized on 3 March 1632/3 in Helmsley, North Riding, Yorkshire, England, UK. He was buried on 29 April 1639 in Helmsley, North Riding, Yorkshire, England, UK.944 Parents: George BOWLBY-135424 and Rebecca RUSSELL-135425.
Ralph BOWLBY191 was baptized on 17 June 1649 in Helmsley, North Riding, Yorkshire, England, UK. Parents: George BOWLBY-135424 and Elizabeth BRUSBY-135426.
Spouse: Mary GRIME-135437. Mary GRIME and Ralph BOWLBY were married on 25 November 1675 in Helmsley, North Riding, Yorkshire, England, UK. Children were: Mary BOWLBY-135438, George BOWLBY-135439, Thomas BOWLBY-135440.
Ralph BOWLBY5332 was baptized on 29 October 1596 in Helmsley, North Riding, Yorkshire, England, UK. Parents: Thomas BOWLBY-13059 and Anne RAPER-144333.
Ralph BOWLBY1238,1239,1241,5332 was born before 1552 in Helmsley, North Riding, Yorkshire, England, UK.1242 Parents: Richard BOWLBY-13050 and Alison (WIFE OF BOWLBY, RICHARD)-13051.
Ralph BOWLBY944,1238,1239 was born before 1567 in Helmsley, North Riding, Yorkshire, England, UK.1242 He was living between 1567 and 1598.1242 He was buried on 29 November 1601 in Helmsley, North Riding, Yorkshire, England, UK.944,1242 Administration of his estate was granted at York on 21 DEC 1603. Parents: John BOWLBY-13048 and Elizabeth (WIFE OF BOWLBY, JOHN)-13049.
Spouse: Jane BUTTERIE-135421. Jane BUTTERIE and Ralph BOWLBY were married on 30 November 1587 in Helmsley, North Riding, Yorkshire, England, UK. Children were: John BOWLBY-135422.
Spouse: Margaret (SECOND WIFE OF BOWLBY, RALPH)-135423. Margaret (SECOND WIFE OF BOWLBY, RALPH) and Ralph BOWLBY were married. Children were: George BOWLBY-135424, Margaret BOWLBY-135448, John BOWLBY-135449, Anne BOWLBY-143819, Elizabeth BOWLBY-143821.
Ralph BOWLBY5716 was born on 1 September 1893. He died in infancy. Parents: Edwin Ernest Lorenzo BOWLBY-147500 and Margaret Ella SELLERS-147501.
Ralph BOWLBY1107 was born on 3 January 1904 in Muscatine, Muscatine Co., IA. He died on 14 February 1976 at the age of 72 at St. Joseph Hospital in Fort Wayne, Allen Co., IN. Parents: Samuel Garfield BOWLBY-123913 and Maud GARMAN-133333.
Ralph Coleman BOWLBY5227 was born on 3 November 1898 in Natoma, Osborne Co., KS. Parents: Sebastian Lowry BOWLBY-134259 and Catherine STAGGERS-134260.
Spouse: Ella SHULEY-134263. Ella SHULEY and Ralph Coleman BOWLBY were married on 7 June 1917.
Living (private). Parents: Donald BOWLBY-147873 and Lillis SOMERVILLE-170157.
Ralph Gresham BOWLBY188,5383 was born on 1 May 1888 in Chicago, Cook Co., IL. He died on 12 November 1897 at the age of 9 in Defiance, Defiance Co., OH. Parents: Frank Samuel BOWLBY-123425 and Carrie Hart SMITH-123426.
Ralph Jay BOWLBY2496,5410,5717 was born on 16 May 1897. He died on 10 January 1978 at the age of 80 in Somerville, Somerset Co., NJ. He was buried at Musconetcong Valley Cem. in Hampton, Hunterdon Co., NJ. Parents: Elmer Elsworth BOWLBY-122690 and Cynthia Yawgar HAGAMAN/HAGERMAN-147870.
Spouse: Ida May PETTY-147872. Ida May PETTY and Ralph Jay BOWLBY were married on 28 November 1918. Children were: Donald BOWLBY-147873, Richard Jay BOWLBY-147874.
Randall Leroy BOWLBY1235 was born on 18 July 1947. He died before 6 June 2001 at the age of 53.5529 Parents: John Clinton BOWLBY-39414 and Nancy MALABY-40638.
Randolph BOWLBY2722,2723 was born (date unknown). Parents: Theodore F. BOWLBY-13455 and Sophia A. ADAMS-13456.
Randolph N. BOWLBY5718 was born in 1829 in Hunterdon, NJ.18
Colonel Herbert BOWLBY says that Randolph settled in Boston where he received shipments of hides from his brother, Sylvester, in Texas until the blockade of the southern ports in the Civil War. Parents: Joseph Lanning BOWLBY-13270 and Sarah M. PHERSON/MCPHERSON-13271.
Spouse: Mary E. VOORHEES-13521. Mary E. VOORHEES and Randolph N. BOWLBY were married on 28 January 1858. They were married by McNAIR4164 Children were: Lizzie BOWLBY-90381, Eric BOWLBY-13522.


text:
Q: How to use ceaseFire with the Endless Scroll jQuery plugin scroll jQuery plugin. Everything works fine but I can't understand the ceaseFire option.
I'd like to stop making callbacks after 10 times.
$(document).endlessScroll({
    fireOnce: true,
    fireDelay: 3000,
    bottomPixels: 750,
    insertAfter: "ul#articlePagedList li:last",
    loader: "
<img src='${pageContext.request.contextPath}/images/buttons/icon_busy.gif' alt='<spring:message code='commonMessages.loading' />' />
",
    callback: function(i) {
        getArticlesEndlessScroll('articlePagedList' ,'${articleListUrl}', i);
    }
});

I try'ed adding this but it doens't work... No errors...
ceasFire: function(i) { if (i==10) return true; }

A: The ceaseFire callback doesn't receive any parameters. See the source code for the endless-scroll plugin here. So in your function, i is probably undefined.
Also it's probably just a typo, but make sure you include that second e in ceaseFire.
Example:
var noneLeft = false;

$(".scroller").endlessScroll({
    callback: function() {
        $.getJSON("load_more", function(items){
            noneLeft &= items.count > 0;

            ...add items to page...
        });
    },
    ceaseFire: function() {
        return noneLeft;
    }
});

redpajama_set_name: RedPajamaStackExchange


text:
HomeMovie ReviewMade In China Full Movie Review
Made In China Full Movie Review
RAREMOVIEPOSTER 6:05 AM
Raghu (Rajkummar Rao) is a little businessperson hailing from Gujarat who has an abundance of business thoughts yet sadly, none of them ever click. His significant other Rukmini (Mouni Roy) is to a great extent strong of him however is becoming weary of their hand-to-mouth presence. He's confounded when destiny offers him an exit plan. His cousin (Sumeet Vyas) takes him to China where a hoodlum type offers him a recommendation to sell a sort of Chinese Spanish fly in India. He advertises it with the assistance of an unconventional sex specialist (Boman Irani) and soon his enchantment soup is selling quickly. Be that as it may, the abrupt demise of a meeting Chinese dignitary places him in the soup. He gets entangled in a police examination and gradually the entirety of his insider facts tumble out.
The film is made with tongue immovably in cheek. India is a sex insane country and various quacks, offering questionable fixes do thundering business. Indeed, even the legitimate utilization of medications like Viagra is on the rise. So somebody hitting upon selling another such fix sourced from China is very conceivable. In any case, the primary message of the film is that sex ought to be discussed all the more transparently. As a general rule, it's the absence of correspondence between a couple that prompts inconsistency in bed. In the event that they transparently possess up on their nerves, at that point it'll without a doubt point to a compelling fix. What's more, this mindfulness needs to begin since the beginning. As the film calls attention to, we send a misleading message to our youngsters that sex is forbidden. What's more, that prompts a wide range of concealments and nerves sometime down the road. An uplifting demeanor, a positive reaction towards sex would make for a more beneficial society. It additionally says that sex toys and tablets are OK too as they help fulfill a need. We must be increasingly open towards them also. Straightforwardness is the need of great importance and that is the thing that the film bats for. What's more, it's everything finished with a great deal of silliness. The film conveys the punches without being excessively long winded.
The composing takes off more often than not yet plunges too in certain spots. The underlying arrangement where Raghu goes on a tipsy gorge with his Chinese translator is both entertaining just as impactful. It focuses towards the way that language doesn't turn into a boundary for two tragic spirits. The cooperation among him and his significant other also offers looks at a cutting edge marriage. They are accomplices in smoking cigarettes and drinking furtively, share family unit errands and have a palatable sexual coexistence. She may den at his absence of accomplishment yet cherishes him profoundly enough to comprehend that he'll generally move to his own tune. The two Mouni and Rajkummar have placed in a great deal of heart in their associations with each other and sound like a true blue white collar class couple in the film.
Despite the fact that the film makes utilization of puns, it doesn't offer shameful attacks. The exchange is really clever and carries a grin to your face. The satire is situational and fortunately isn't the OTT abandon your-cerebrums undertaking that goes for humor in the majority of our movies. As said before, there are a few glitches also. Since the spouse is so strong of the husband, we don't have the foggiest idea why he doesn't come clean with her about his new pursuit and look for her assistance. Additionally, the Chinese individual's passing is left unexplained. The center movements from exhibiting how little league business people don't have it simple to being a film featuring the requirement for sex training and the change isn't too smooth. The pace is somewhat careless at spots and you need things to rush up a piece in certain scenes.
Summarizing, Made In China is a parody containing a genuine message floated by strong exhibitions all around. Rajkummar Rao by and by plays an Everyman with huge dreams in his eyes and makes you pull for his character. In any case, the film doesn't simply rely upon his showmanship. Strong characters like Gajraj Rao, who plays an inspirational orator and Paresh Rawal, who plays a guide of sorts for Rajkummar's character, have their minute in the sun also. What's more, Boman Irani's enthusiastic supplication towards regarding sex as an ordinary thing is really the focal topic of the film. Sumeet Vyas excessively is significant as the shrewdness, business-disapproved of cousin. Watch it for the giggles, and extra an idea towards its message also...
Ujda Chaman Full Movie Review
Saand Ki Aankh Full Movie Review
Kartik Aaryan on making it big in Bollywood life
Copyright 2019 Raremovieposter All Right Reseved


text:
Nordisk Games Acquires Until Dawn Dev Supermassive Games
by Mohammed Al Mamun
Copenhagen-based Nordisk Games announced that it has fully acquired independent game developer Supermassive Games.
The financial details of the acquisition are unknown.
The UK-based studio, which earned a BAFTA, is well-known for its narrative games such as The Dark Pictures Anthology and the just-launched The Quarry. The acquisition follows after Nordisk purchased a 30.7% stake in the studio in March 2021.
Joe Samuels and Pete Samuels founded Supermassive Games in 2008. Since then, the company has grown to include over 300 talented developers who share the studio's passion for exceptional production values and cinematic excellence.
The studio has won several accolades for immersive narrative games, which includes a BAFTA for the PS4 game Until Dawn. In 2019, the company released The Dark Pictures Anthology, its first IP, and most recently, The Quarry, a teen-horror game.
Pete Samuels, CEO of Supermassive Games, said, "It's been a little over a year since Nordisk Games made an initial investment in Supermassive Games and our vision for the future. During that time, we have found that we share a lot of important values with Mikkel and his team, and we believe these values to be equally important to our existing commercial partners, who we will continue to support. Having had such a positive experience over the past year, it wasn't a difficult decision when Nordisk Games wanted to explore increasing their investment. We have an exciting and ambitious growth strategy for Supermassive Games, and Nordisk Games ownership only enhances that. I'm hugely excited about where the security offered by this partnership and continued access to the expertise within Nordisk Games will take us next."
"In the year we've worked alongside Pete and Joe and the whole Supermassive team, it's been clear to us the amount of talent, as well as how much potential there is to further develop the kinds of story and narrative-driven games they excel at," said Mikkel Weider, CEO of Nordisk Games. "In acquiring 100% of the studio, we'll be able to increase our support to the team, and most importantly, continue the great working relationship we have with them."
The Supermassive Games acquisition is part of Nordisk's strategy to invest in game development and expand its portfolio of owned studios.
Nordisk Games, a subsidiary of Nordisk Films, already owns stakes in several game studios, including Flashbulb Games and MercurySteam. In addition, Nordisk fully owns Avalanche Studios, the developers of the Just Cause game series.
In other news, VR and AR company Resolution Games had acquired Stockholm-based VR company Zenz VR for an unknown sum.
Send your news to news@gamesround.com
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Ultimate List of Game Publishers 2022


Publications from the Chicago Field Museum's Fieldiana Anthropology series, digitized with permission of the Museum. The collection is a subset of the University of Illinois Digitized Books Collection.
Mackay, Ernest John Henry, 1880-1943.
Langdon, Stephen, 1876-1937, contributor, Professor of Assyriology, Jesus College, Oxford.
The dissertation of Grace White entitled The Religious Iconography of Cappadocian Glyptic in the Assyrian Colony Period and its Significance in the Hittite New Kingdom is now available online through the Dissertations page of the Research Archives. The study was completed in December 1993 for the Department of Near Eastern Languages and Civilizations at the University of Chicago. The purpose of White's study "is to analyze the themes and motifs on native Anatolian seal impressions representative of the Cappadocian glyptic of the Assyrian Colony period. The analysis is made from many points of view and on many levels. The local glyptic is studied in the context of other glyptic styles, such as Old Babylonian, Old Assyrian, Middle Assyrian, and Mitannian. A precise identification of objects utilized on the local Anatolian glyptic is attempted, using textual evidence and giving archaeological parallels for pottery types, etc."
The Trendall Research Centre databases are intended for anyone interested in researching the art of the ancient world.
The contents of the databases are subject to copyright. In many cases the Trendall Research Centre does not hold the copyright on images and other content. You must not reproduce these without permission from the copyright owners (often the museums in which objects are held). Images are protected by watermarks. For further information including commercial requests please contact m.kosten@latrobe.edu.au. We regret that we are not normally able to grant permission to publish or reproduce images on the databases.
You may continue to search the Trendall Research Centre databases without logging in or if you want to preserve your Photograph Album for future sessions you may register and login to your account.
The Canadian Centre for Epigraphic Documents (CCED) was founded in order to archive, catalogue, and digitize epigraphic materials. The digitized images are to be placed online, allowing scholars easy access to these documents.
The Canadian Centre for Epigraphic Documents (CCED) is a non-profit organization staffed entirely by volunteer information professionals and graduate students in Information Studies.
Our goal is to become a repository for world inscriptions.
The CCED would be pleased to consider accepting additional collections to add to our online library. Those wishing to donate/make available an epigraphic collection to the Canadian Centre for Epigraphic Documents should contact the CCED before submitting any material.
Many epigraphic texts are in danger of being lost through environment, negligence, or willful destruction. The CCED regularly works with collections that contain only extant copies of deteriorated or now missing inscriptions. To enable us to continue our work conserving and placing rare and endangered documents online, please consider donating to the CCED.
Help us to protect our world heritage in texts.
The Harrak Collection of Iraqi Syriac and Garshuni inscriptions is the largest collection of its type in the world. These inscriptions date from the 7th – 20th century A.D.
The collection comprises of analog and digital photographs taken between the 1930's to 2010.
The SEERI Collection of Syriac, Malayalam, and Pahlavi inscriptions consists of epigraphic texts from Kerala, India. These inscriptions date from c. 9th/10th - 20th century A.D.
The Marginalia Review of Books aims to host conversations about serious books and important ideas. Taking advantage of the opportunities supplied by new media, we are providing space for constructive debates on the questions that shape how we understand the world.
Adele Reinhartz's essay in MRB on June 24 set off a vibrant discussion in the comments section and in the MRB editors' inboxes. The range of responses to the piece dotted the spectrum from full support to indignation, proving that a sizable readership wanted to debate these ideas further. The forum is released today only two months after the Reinhartz essay thanks to the good will and the efficiency of the participants. The essays, beginning with Reinhartz's original piece and concluding with her response to the collection, investigate the political and historiographical considerations involved in the translation of ancient texts, in particular how modern translators and historians ought to deal with the translation of the Greek word ioudaios (Ἰουδαῖος).
I am alarmed by the growing invisibility of Jews and Judaism in English translations of ancient texts and scholarship about them. The use of "Judeans" to translate all occurrences of ioudaioi achieves neither the scholarly precision nor the ethical high ground that scholars claim. On the contrary, the proliferation of Judeans inadvertently creates confusion and misunderstanding and merely sidesteps the issue without addressing the anti-Jewish or even anti-Semitic potential of texts such as the Gospel of John.
All humanities disciplines invite us to explore the possibilities of human existence, but history opens the door to conditions that have really existed before our time. No one should be naïve enough, however, to think that we can simply enter the distant past as it really was, for it does not exist now. The vehicle that takes us there we construct today. We pose our questions about the past and gather any surviving evidence that seems relevant.
The problem of translating with sensitivity to ancient contexts is basic to the research and teaching of all ancient historians.
The question whether we should use "Jew" or "Judean" when writing about antiquity should, I assume, be approached no differently than other questions concerning the use of our modern English vocabulary for ancient phenomena. Just as we normally look at the evidence concerning antiquity and, when turning to describing what we see, strive to choose the English words that best correspond to what we see, so too in this case.
To say, as Malina does, that a "Jew" is an anachronistic category in the first century erects a wall between modernity and antiquity. I do not want to sever Jesus from the designation "Jew" and insist on it being relevant only to a later time, because that might sever him from a Judaism today that embraces diversity within its past. To say that Jesus was a Jew is not to say that he was a Jew as the rabbis would define that term but a Jew as one might define him in the first century.
If a word — or some use of that word — is lacking in ancient sources before a certain date, we should be cautious both about assuming and about denying that it existed in earlier times. Moreover, we should beware of assuming that if a word or use of a word is not found in ancient authors, then those authors did not have the concept denoted by that word.
Is it really the case that the translation "Jew" has done great harm? If I am not mistaken, the question about "Jew" and "Judean" is, as it is taking place here, primarily an English-language question. Far be it from me to deny the influence of anti-Semitism in the English-speaking world. But let's be frank: on the whole, Jews have been and continue to be rather safe wherever the English language is spoken, even though all the Bibles talk about Jews.
It is not sufficient to say that subsequent Christian interpreters of the Gospel of John mistakenly identified the narrative's "Jews" with real flesh-and-blood Jews living among them — with disastrously violent consequences — and that they misinterpreted John's sense. It is also not enough to claim, on that basis, that the imperative facing us now is to "restore" the correct meaning (the entho-geographic one) to the text, translating hoi Ioudaioi as "the Judeans." This avoids the fact that texts do carry within them the potential to become loosed from their authorial moorings and to reach beyond the particularities of their original reception.
The ioudaios debate is an especially good example of the impossibility of escaping ideology, no matter how disinterested a given scholar might be and no matter how unware a scholar might be. We have seen how easy it is to detect what we might crudely label "pro-Israel" and "anti-Israel" stances, ethical concerns about anti-Semitism, and a marginalizing of Palestinian concerns. Of course, there are genuine concerns about the pervasiveness of ideology for academic research. But we can perhaps calm some of these fears.
While not all participants in the Forum explicitly address anti-Semitism or its seemingly more benign variant, anti-Judaism, I believe that all recognize that the ioudaios question does have implications for this sensitive issue. As some of the responses note, the question of translation may matter less when readers have ready access to commentaries and more in the case, for example, of New Testaments that are used liturgically and therefore, in most cases, without commentary.
Fondata da Enzo Degani nel 1990, la rivista «Eikasmós. Quaderni Bolognesi di Filologia Classica» si è sempre caratterizzata per una vocazione squisitamente critico-testuale ed esegetica (la prima sezione di ogni numero è per l'appunto di «Esegesi e critica testuale»), per una rigorosa attenzione alla storia della filologia classica (cui è consacrata la seconda sezione di ogni volume) e per un costante impegno di aggiornamento e valutazione degli studi del settore (alle recensioni e alle segnalazioni bibliografiche sono riservate le ultime due sezioni della rivista).
Founded by Enzo Degani in 1990, the review «Eikasmós. Quaderni Bolognesi di Filologia Classica» is devoted to textual criticism and exegesis (the first section of each issue is dedicated to «Esegesi e critica testuale»), to the history of classical scholarship (the second section of each volume), and to a systematic and up-to-date survey of scholarly works in the fields of classical studies (the two last sections of each issue include reviews and a bibliographical supplement).
From this page it is possible to enter the data bank «Eikasmós», yearly updated with the complete tables of contents of the review, an abstract and the full text (as a searchable pdf file) of all the articles and reviews (except those published in the last two issues). It offers several ways of searching and consulting all these data.
New Book from the Oriental Institute: Mesopotamian Pottery: A Guide to the Babylonian Tradition in the Second Millennium B.C.
Mesopotamian Pottery: A Guide to the Babylonian Tradition in the Second Millennium B.C.
As a result of the long-term cooperation between archaeologists from the University of Ghent and the Oriental Institute of the University of Chicago and with the collaboration of other excavators in southern Iraq and surrounding regions, James A. Armstrong and Hermann Gasche have produced a guide to the Babylonian pottery of the second millennium B.C. The focus is on more recent excavations, where the pottery has been stratigraphically excavated and well recorded. The vessels are presented in groups based on shape. On the plates the groups are laid out both chronologically and geographically, so that developments over time and regional distinctions are readily apparent. Maps show where each group is attested. Synoptic tables permit the reader to find groups quickly. There are detailed discussions of the forms and their geographical distribution, as well as a treatment of the historical implications of the evidence. In addition, ceramic specialists Abraham Van As and Loe Jacobs present their comprehensive study "The Babylonian Potter: Environment, Clay and Techniques," and cuneiformist Steven W. Cole reviews recent chronological debates.
Melvyn Bragg explores comedy in Ancient Greek theatre including Aristophanes and Menander.
Melvyn Bragg examines how a dominant power can exert a cultural influence on its empire.
Melvyn Bragg and guests discuss the Cynics, the performance artists of philosophy.
Melvyn Bragg considers whether 'happiness' means living a life of pleasure or of virtue.
Melvyn Bragg explores what defines a hero, and their place in classical society.
Melvyn Bragg examines the history of the longest and most detailed number in nature.
Melvyn Bragg examines prime numbers and their mysterious role in the universe of numbers.
Melvyn Bragg and guests discuss relativism; a philosophy with no absolute truths.
Melvyn Bragg and guests discusses rhetoric; supported by Aristotle but reviled by Plato.
Melvyn Bragg and guests discuss the Ancient Greek city-state of Sparta.
Melvyn Bragg and guests discuss the Amazons, formidable female warriors of classical myth.
Melvyn Bragg explores the history and changing the status of the artist.
Melvyn Bragg investigates how our preoccupations about how to live have altered over time.
Melvyn Bragg and guests discuss the Greek myths from Achilles to Zeus.
Melvyn Bragg and his guests discuss the Hippocratic Oath.
Melvyn Bragg and guests explore the importance of the oath in the Classical World.
Melvyn Bragg and guests discuss the monster filled epic, Homer's Odyssey.
Melvyn Bragg examines the 'Oresteia', the seminal trilogy of tragedies by Aeschylus.
Melvyn Bragg explores the meaning and purpose of the philosophical concept of virtue.
Melvyn Bragg and his guests discuss the ancient Greek historian and soldier Xenophon.
t3.wy Foundation for Historical Research in Egyptology: "Excavating in Archives"
Somewhere in the mid-19th century, the word "Egyptology" was coined: The name connotes the scientific study of ancient Egyptian history, language, literature, religion, architecture and art from the 5th millennium BC until the end of the 4th century AD. Some 165 years later, Egyptology has become part of history, and now there is a movement afoot to investigate and study its evolution.
The t3.wy Project has been a frontrunner in this field: In June 2009, with the aid of a small staff, Marcel and Monica Maessen set up a website to draw attention to the subject of Egyptian dig houses. These houses, scattered all over Egypt, are where the first Egyptologists spent their professional as well as their private lives while excavating in Egypt. These houses were usually built close to their work, and therefore their histories contain much information about the excavations and also about the people who lived there.
Travellers and scientists began to visit Egypt many centuries ago, and when they left, a lot of information left the country with them. We are not only talking about the obvious objects leaving the country to wind up in museums, universities and private collections all over the world, but also about photographic evidence and correspondence. Unfortunately, many of these valuable pieces of information were never documented, studied or published. In fact, thousands of letters and photographic evidence are stored in museum archives, while hundreds of thousands object languish in storehouses, some still in the original box or crate they arrived in. Lack of interest, funds and/or manpower has prevented specialists from giving the objects the attention they deserved. Research associated with the history of Egyptology can be useful in helping track down the original location of unplaced objects and bring them to light. Besides that, Research associated with history of Egyptology can also shed lights on other aspects, such as: The Egyptologist's social life; Context between Ancient artefacts, which has been overlooked until now, the way of constructing houses in Egypt and the influence foreigners had on this, etc.
Investigating and publishing correspondence from Egyptologists from the mid-19th to the mid-20th century, ECP (Egyptologist Correspondence Project).
In due time – and this part of the project would rely heavily on funding – the Foundation would like to set up the jewel in its crown: AIPP, the Antiquities Inventory and Publication Project, in which we would like to bring together all those "forgotten" objects, at one time brought from Egypt and "dropped" al over the world in Museums and bring them together in one central database for scholars to be studied. Since this would require efforts beyond the – current – capabilities of the Foundation, we will not start with this project immediately, but gradually start working on it.
Call for Collaboration: Are you an Ancient Geek?
Our eLearning team in the Digital Humanities department at the University of Leipzig (Germany) wishes to learn more about which methods of teaching Ancient Greek are most effective and engaging for learners. For this reason we have put together a TEST and short survey that we would love you to take in order to help us in our research.
The test will be a lot easier to take if you are familiar with Ancient Greek grammar! You may answer as many or as few questions you like and at any point in the test you can skip to the end survey.
Thank you ever so much for your time and help!
Online Map Supplement to Duane Roller's new English translation of Strabo's Geography.
We're delighted to announce that the Getty Research Institute has released the Getty Thesaurus of Geographic Names (TGN)® as Linked Open Data. This represents an important step in the Getty's ongoing work to make our knowledge resources freely available to all.
Following the release of the Art & Architecture Thesaurus (AAT)® in February, TGN is now the second of the four Getty vocabularies to be made entirely free to download, share, and modify. Both data sets are available for download at vocab.getty.edu under an Open Data Commons Attribution License (ODC BY 1.0).
The Getty Thesaurus of Geographic Names is a resource of over 2,000,000 names of current and historical places, including cities, archaeological sites, nations, and physical features. It focuses mainly on places relevant to art, architecture, archaeology, art conservation, and related fields.
TGN is powerful for humanities research because of its linkages to the three other Getty vocabularies—the Union List of Artist Names, the Art & Architecture Thesaurus, and the Cultural Objects Name Authority. Together the vocabularies provide a suite of research resources covering a vast range of places, makers, objects, and artistic concepts. The work of three decades, the Getty vocabularies are living resources that continue to grow and improve.
Because they serve as standard references for cataloguing, the Getty vocabularies are also the conduits through which data published by museums, archives, libraries, and other cultural institutions can find and connect to each other.
When data is linked and open, it is structured and published in ways that allow it to be recombined with data from other sources to create new knowledge. In other words, Linked Open Data connects information from diverse publishers and areas of scholarship, enabling the dramatic expansion and acceleration of research.
When the vast trove of data in the Getty vocabularies is released into the Linked Open Data ecosystem, researchers will not only be able to retrieve more complete data, but hone it to their precise requests. In short, they can ask, and answer, ever more complex queries.
What artists were working in Venice in the 1520s? When, where, and under whose patronage were Buddhist temples built in India? What museums or libraries currently own folios from a disassembled 14th-century medieval Psalter? What was the iconography of the illuminations in this Psalter? Today these questions are time-consuming and difficult to answer. In the world of Linked Open Data, they could be just a few clicks away.
To show how Linked Open Data from TGN can enhance research, let's take the single example of Ellora Caves in Maharashtra, India, a UNESCO World Heritage Site famed for its astonishing rock-cut architecture. TGN contains not only the caves' location but also their geographical hierarchy, variant names in multiple languages, and the religious traditions represented there. Now imagine that this data is linked to other data—such as maps, books and articles, and photographs depicting this location. A vast trove of interrelated resources, currently only findable individually through manual search using variant spellings, becomes click away.
Within the Getty alone, in a future Linked Open Data world multiple resources could be interlinked: a digitized volume from the early 1800s from the special collections of the Getty Research Institute; art historically significant early photographs of the site by English, French, and Indian photographers in the collection of the Getty Museum; and multiple publications from the Getty Conservation Institute including an update on conservation efforts.
All four Getty vocabularies will be released as Linked Open Data by late 2015. To follow the progress of the project at the Getty Research Institute, see our Linked Open Data page.
We're grateful to members of the digital humanities community who have taken the time to make suggestions or to let us know how they are making use of Art & Architecture Thesaurus data released in February. We welcome the continued comments and input of the user community; if you have a suggestion or find the Getty's Linked Open Data useful in your own work, please share it here or email the Getty's Linked Open Data team at vocabLOD@getty.edu.
Luristan Bronzes in Birmingham Museum and Art Gallery (PDF document). The collections of 'Luristan' and other Iranian bronze artefacts.
Catalogue of Inscribed Shabtis in Birmingham Museum and Art Gallery (PDF document).
The tablets translated in Birmingham Cuneiform Texts - Translations Part 1 (PDF document) were first published in Watson, P.J., Catalogue of Cuneiform Tablets in Birmingham City Museum Volume 1 – Neo-Sumerian Texts from Drehem (Aris & Phillips, Warminster, 1986). The majority of the tablets here come from the Sumerian town of Puzrish-Dagan which was on the modern site of Drehem in southern Iraq.
The tablets translated in Birmingham Cuneiform Texts - Translations Part 2 (PDF document) were first published in Watson, P.J., Catalogue of Cuneiform Tablets in Birmingham City Museum Volume 2 – Neo-Sumerian Texts from Umma and Other Sites (Aris & Phillips, Warminster, 1993). The majority of the tablets in Part 2 below came from the Sumerian city of Umma in what is now southern Iraq.
At the time the standard practice for editions of such tablets was to publish copies (line drawings), summary contents and indices making them accessible only to those who could read the cuneiform script. Subsequently they were made available online by the Cuneiform Digital Library Initiative where scans of the tablets can be found together with transliterations. However, as neither the original publication nor the cdli site contain translations it has been decided to make these available here. To access those scans relevant to Birmingham Cuneiform Texts Part 1, log on to http://cdli.ucla.edu click on cdli search and then select primary publication "begins with" and enter BCT 1 and click search. To access those scans relevant to Birmingham Cuneiform Texts Part 2 enter BCT 2.
Happy 20th Birthday to Egyptology Resources!


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