text:
Home > English home > Research > Profile > Publications
Show 6 research groupings
17th and 18th Century Literature and Culture
19th Century Literature
20th and 21st Century literature and theory group
Creative Writing and Practice-based Research
Poetics Research Centre
Shakespeare and the Renaissance
Book/Report → Book → Anthology → Scholarly edition → Other report Non-textual form → Data set/Database → Digital or Visual Products → Web publication/site → Artefact → Exhibition → Performance → Composition Thesis → Doctoral Thesis → Master's Thesis Contribution to journal → Article → Letter → Comment/debate → Book/Film/Article review → Literature review → Editorial → Special issue → Review article Other contribution → Other contribution Contribution to conference → Paper Working paper → Working paper Contribution to non-peer-reviewed publication → Newspaper article → Internet publication Chapter in Book/Report/Conference proceeding → Chapter → Entry for encyclopedia/dictionary → Conference contribution → Foreword/postscript → Other contribution → Chapter (peer-reviewed)
English German French Spanish Italian Chinese Portuguese Russian Kazakh Tswana German (Austria) English (New Zealand) Spanish (Peru) Icelandic Hebrew Arabic (Israel) Other Multiple languages Undefined/Unknown
Choose year 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 1974 1973 1972 1971 1970 1969 1963 1800 to Choose year 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 1974 1973 1972 1971 1970 1969 1963 1800
1501 - 2000 out of 2,110Page size: 500
Internet publication › Research
Saint Abigail
Wheatley, M., 25 Nov 2018, Three Drops From a Cauldron, 24, p. 18 1 p.
Research output: Contribution to non-peer-reviewed publication › Internet publication
'Scutiform'
Williams, E., 4 Nov 2013, Visual Verse, 1.
Shakespeare in New Delhi from stage to screen
Taneja, P., 2012, Blogging Shakespeare.
'Spins'
Williams, E., 2014, The White Review.
stupid, a kind of bracelet
Ramayya, N. & Williams, E. (ed.), 2015, Jungftak: A Journal for Prose-Poetry, 1, 1.
'Synaesthete, Would Like To Meet'
Williams, E., 2011, Night and Day.
Terence Rattigan's plays may be well-made, but they're not well-behaved
Rebellato, D., 19 Jun 2010, The Guardian.
The Corners of Attachment—Imagining the Spaces Between the Facts
Cowie, D., 20 May 2016, Foyles Blog.
The dark, disturbing genius of Philip Ridley
Rebellato, D., 19 Apr 2011, The Guardian.
'Things to say instead of I'm sorry'
Lê, A., 2015, Muzzle, 15.
When Shakespeare is deprived of his tongue
Taneja, P., 2012, Shakespeare Birthplace Trust.
Why Do Some Theatre Critics Seem to Be Enjoying the Arts Cuts?
Rebellato, D., 8 Apr 2011, The Guardian.
Writers on Location—Chicago
Cowie, D., 1 Jun 2016, Literary Sofa Blog.
Chapter › Research
"An Irish Bull in an English Chinashop": Joyce's "Oxen" and the Cultural Politics of the Anthology
Gibson, A., 2005, Joyce on the Threshold. Fogarty, A. & Martin, T. (eds.). University Press of Florida, p. 91-109
"In these western parts of the empire": Milton and Roman Law
Dzelzainis, M., Parry, G. (ed.) & Raymond, J. (ed.), 2002, Milton and the Terms of Liberty. Cambridge, p. 57-68 (Studies in Renaissance Literature).
"Ivy Day in the Committee Room"
Gibson, A. & Levine, J., 2012, Collaborative Dubliners: Joyce in Dialogue. Mahaffey, V. (ed.). Syracuse: Syracuse University Press, p. 261-95
"Let me Drown": The Aporia of Subjectivity in Imre Kertész
Eaglestone, R., 2005, Imre Kertesz and Holocaust Literature. de Zepetnek, S. T. & Vasvari, L. O. (eds.). Purdue University Press, p. 38-50
"Mental Men and Bodily Women": Argument as Marital Row in the Scriblerian Circle
Hawley, J., 2010, Die Kunst des Streitens. Inszenierung, Formen und Funktionen des Streits in historischer Perspektive - The Art of Arguing. Performance, Forms, and Functions of Dispute in historical Perspective. Göttingen: V&R unipress / Bonn University Press, p. 399-418 (CCT-Series Super alta perennis. Studien zur Wirkung der Klassischen Antike).
"Nobody Owns": Ulysses, Tenancy and Property Law
Gibson, A., 18 Mar 2017, Joyce and the Law. Goldman, J. (ed.). Gainesville: University Press of Florida, p. 122-136 15 p. 7. (Florida James Joyce Series).
"Only a Foreigner Would Do": Leopold Bloom, Ireland and Jews
Gibson, A., 2004, Leopold Bloom. Bloom, H. (ed.). Chelsea House, p. 143-59
"Practice Writing: Modernism and the Visual arts"
Olsen, R., 2008, Teaching Modernist Poetry. Palgrave/Macmillan
"Thankless Earth, But Not Entirely": Event and Remainder in Contemporary Fiction
Gibson, A., 2007, On the Turn: The Ethics of Fiction in Contemporary Narrative in English. Arizti, B. & Martinez-Falquina, S. (eds.). Cambridge: Cambridge Scholars, p. 3-19
"That Stubborn Irish Thing": A Portrait of the Artist in History (i), Chapter One
Gibson, A., 2006, Joyce, Ireland, Britain. Gibson & Platt (eds.). p. 85-103
"They Came, They Cut Away My Tallest Pines"': Tennyson and the Melacholy of Modernity
Gibson, A., 2011, The Literature of Melancholia. Middeke, M. & Wald, C. (eds.). Palgrave Macmillan, p. 101-15
"Umbilical Stump Still Pulses": public language and number in the poetry of Rae Armantrout
Montgomery, W., 2007, Poetry and Public Language. Frazer, T. & Caleshu, A. (eds.). Plymouth: Shearsman/ University of Plymouth Press
'"Where Hope is Coldest": All's Well That Ends Well'
Ryan, K., 2005, Spiritual Shakespeares. Fernie, E. (ed.). New York and London: Routledge, p. 28-49
"Where Hope is Coldest": All's Well That Ends Well
Ryan, K., 2008, Shakespearean Criticism 114. Lee, M. (ed.). Detroit: Thomson Gale, p. reprinted
`"A New Mode of the Existence of Truth": Rancière and the Beginnings of Modernity 1780-1830
Gibson, A., 2016, Rancière and Literature. Edinburgh University Press, p. 99-121 22 p.
`At the Dying Atlantic's Edge': Norman Nicholson and the Cumbrian Coast
Gibson, A., 12 Aug 2017, Coastal Works: Cultures of the Atlantic Edge . Allen, N., Groom, N. & Smith, J. (eds.). Oxford: Oxford University Press, p. 77-92 15 p. 5
' "A More Worthy Patronesse": Elizabeth Cary and Ireland'
Rankin, D., 2007, The Literary Life and Legacy of Elizabeth Cary, 1613-1680. Wolfe, H. (ed.). Palgrave Macmillan
' "Betwixt Both": Sketching the Borders of Seventeenth-Century Tragicomedy'
Rankin, D., 2007, Tragicomedy. Lyne, R. & Mukherji, S. (eds.). Boydell & Brewer
' "If Egypt now enslav'd or free/ A Kingdom or a Province be": Translating Corneille in Restoration Dublin'
Rankin, D., 2003, Culture and Conflict in Seventeenth Century France. Desnain, V. & Alwyn Stacey, S. (eds.). Dublin: Four Courts Press
'(Re:)Historicizing Spontaneity: Original Practices, Stanislavski, and Characterisation'
Stern, T., 2012, Shakespeare's Sense of Character: on the Page and from the Stage. Ko, Y. J. & Shurgot, M. W. (eds.). Aldershot: Ashgate, p. 99-110 11 p.
'"A Bird in Bishopswood": Some Newly-Discovered Lines of Alliterative Verse from the Late Fourteenth Century'
Kennedy, R., 1987, Medieval Literature and Antiquities: Studies in Honour of Basil Cottle. Stokes, M. & Burton, T. L. (eds.). Woodbridge: D. S. Brewer, p. 71-87
'"A kind of history": The Taming of the Shrew'
Ryan, K., 2012, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 145. p. 287-97
'"A Ruinous Monastery": The Second Blackfriars Playhouse as a Place of Nostalgia'
Stern, T., 2014, Moving Shakespeare Indoors . Gurr, A. & Karim-Cooper, F. (eds.). Cambridge: Cambridge University Press, p. 97-114 17 p.
'"Before the Beginning; After the End": When did Plays Start and Stop?'
Stern, T., 2015, Shakespeare and Textual Studies . Kidnie, M. J. & Massai, S. (eds.). Cambridge: Cambridge University Press, p. 358-74 16 p.
'"Ducdame": As You Like It'
Ryan, K., 2011, Shakespearean Criticism. Detroit: Thomson Gale, Vol. 141. p. 41-58
'"Ev'ry Man must Play a Part": Actors' Parts and The Merchant of Venice'
Stern, T., 2016, (Submitted) Filologia Teatro Spettacolo. Cotticelli, F. (ed.).
'"extreme consciousness": D.H. Lawrence and America's Challenge to European Modernism'
Fox, B., 2015, (Accepted/In press) "We Speak a Different Tongue": Maverick Voices and Modernity, 1890–1939.
'"I do wish that you had mentioned Garrick": the absence of Garrick in Johnson's Shakespeare'
Stern, T., 2007, Comparative Excellence: Essays on Shakespeare and Johnson . Rasmussen, E. & Santesso, A. (eds.). New York: AMS, p. 70-96 26 p.
'"Nothing that is so, is so": Twelfth Night'
'"Strange misprision": Much Ado About Nothing'
Ryan, K., 2011, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 141. p. 109-125
'"Taking Part"': Actors and Audience on the Blackfriars Stage'
Stern, T., 2006, Inside Shakespeare: Essays on the Blackfriars Stage. Menzer, P. (ed.). susquehannah university press, p. 35-53 18 p.
'"The Curtain is Yours!"
Stern, T., 2009, Locating the Queen's Men, 1583-1603: Material Practices and Conditions of Playing . Ostovich, H., Syme, H. & Griffin, A. (eds.). Aldershot: Ashgate
'"This Insubstantial Pageant": Shakespeare's Utopian Realism'
Ryan, K., 2017, Cervantes – Shakespeare 1616-2016: Context, Influence, Relation. González, J. M., Ferri, J. M. & Irles, M. D. C. (eds.). Kassel: Reichenberger, p. 251-62
'"This Wide and Universal Theatre": the Theatre as Prop in Shakespeare's Metadrama'
Stern, T., 2013, Shakespeare's Theatres and the Effects of Performance . Karim-Cooper, F. & Stern, T. (eds.). London: Methuen, p. 11-32 21 p.
'"Whether one did Contrive, the Other Write, / Or one Fram'd the Plot, the Other did Indite": Fletcher and Theobald as Collaborative Writers'
Stern, T., 2012, The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Carnegie, D. & Taylor, G. (eds.). Oxford: Oxford University Press, p. 115-30 15 p.
'« Je ne suis pas ce que je suis »: Shakespeare et l'ontologie
Chiba, J., 4 Jul 2017, Shakespeare au risque de la philosophie . Drouet, P. & Grosos, P. (eds.). Paris: Harmann, p. 335-347 12 p.
'Actors' Parts'
Stern, T., 2009, Handbook on Early Modern Theatre . Dutton, R. (ed.). Oxford: Oxford University Press
'Amazons on the verge of war: England and Ireland, 1640'
Rankin, D., 2017, (In preparation) Performing Epic, 2 vols., eds. Fiona Mackintosh and Justine McConnell (Oxford University Press, forthcoming 2017) . Oxford University Press
'And nothing brings me all things': Shakespeare's Philosophy of Nothing
Chiba, J., 2017, (Accepted/In press) The Routledge Companion to Shakespeare and Philosophy. Bourne, C. & Caddick Bourne, E. (eds.). Routledge
'Bread and Circuses: Chiten, Japan performing Coriolanus'
Rankin, D., 2013, eds. Christie Carson and Susan Bennet, Shakespeare beyond English (Cambridge University Press, 2013). Cambridge University Press
'Corporate Acts of Satire'
Hawley, J., 30 Jul 2019, The Oxford Handbook of Eighteenth-Century Satire. Bullard, P. (ed.). Oxford: Oxford University Press, p. 23-38 15 p. (Oxford Handbooks).
'Crawling at your feet, you may observe a Bread-and-Butterfly': Insects in Literature and Language
White, R., 1 Jan 2018, (Accepted/In press) A Cultural History of Insects in the Age of Industry 1820-1920. Anelli, C. & Fisher, S. (eds.). Bloomsbury Academic
'Dibdin and the Pic Nics' , eds Oskar Cox Jensen, David Kennerley and Ian Newman
Hawley, J., 25 Jan 2018, Charles Dibdin and Late Georgian Culture. Cox Jensen, O., Kennerley, D. & Newman, I. (eds.). Oxford: Oxford University Press
'Does God Need a Starship? SF and Religion'
Roberts, A., 10 Feb 2012, Strange Divisions and Alien Territories: The Sub-Genres of Science Fiction. Brooke, K. (ed.). Palgrave, p. 112 125 p.
'Elizabeth and Keppel Craven and The Domestic Drama of Mother-Son Relations'
Hawley, J., 2014, Stage Mothers: : Women, Work and the Theatre 1660-1830. McGirr, E. & Engell, L. (eds.). Lewisburg: Bucknell University Press / Associated University Presses, p. 199-216 (Transits: Literature, Thought & Culture 1650-1850).
'Fiaschetti'
Williams, E., 2019, TERRA COTTA. Speed, E. (ed.).
'Hamlet: the Dumb Show'
Stern, T., 2012, Shakespeare Up Close: Reading Early Modern Texts . McDonald, R., Nace, N. & Williams, T. (eds.). London: Methuen, p. 273-81 9 p.
'Inverted Commas around the "Fun"': Music in Twelfth Night'
Stern, T., 2013, Twelfth Night: A Critical Guide (Arden Renaissance Drama). Findley, A. & Oakley-Brown, L. (eds.). London: Methuen, p. 166-88 22 p.
'Jellyfishing, or Reaching for Bryher'
Williams, E., 2020, (Accepted/In press) Under the Influence. Walsh, J. (ed.). Ireland: gorse, (gorse Editions).
'Marpesia cautes': Voicing Amazons, England and Ireland, 1640
Rankin, D., 7 Nov 2018, Epic Performances from the Middle Ages into the Twenty-First Century. Macintosh, F., McConnell, J., Harrison, S. & Kenward, C. (eds.). Oxford : Oxford University Press
'Me/Not Me: the Narrator of "A Death in the Desert"'
Roberts, A., 1998, Robert Browning in Contexts. Winfield KS: Wedgstone Press, p. 47-60
'Middleton's Collaborators in Music and Song'
Stern, T., 2012, The Oxford Handbook of Thomas Middleton . Taylor, G. & Thomas Henley, T. (eds.). Oxford: Oxford University Press, p. 64-79 15 p.
'Nashe and Satirical Fiction'
Stern, T., 2016, (Submitted) Prose Fiction in English from the Origins of Print to 1750 . Keymer, T. (ed.). Oxford University Press
'New Theories of Constraint in the Metricality of the Strong-Stress Long Line, Applied to the English Rhymed Alliterative Corpus, c.1400'
Kennedy, R., 1999, Métriques du Moyen Âge et de la Renaissance. Billy, D. (ed.). Paris: L'Harmattan, p. 131-44
'Production Preparation'
Stern, T., 2016, The Cambridge Guide to the Worlds of Shakespeare . Smith, B. (ed.). Cambridge: Cambridge University Press, p. 22-28 6 p.
'Reading Perpetrator Testimony'
Eaglestone, R., 2010, The Future of Memory, eds Richard Crownshaw, Jane Kilby, Antony Rowland Berghahn Books, 2010), 123-1. Berghahn Books
'Recreating Chaucer'
Kennedy, R., 1998, Writing the Lives of Writers. Gould, W. & Staley, T. F. (eds.). Basingstoke & New York: Macmillan & St Martin's, p. 54-67
'Repatching the Play'
Stern, T., 2004, From Script to Stage in Early Modern England. Holland, P. & Orgel, S. (eds.). London: Palgrave, p. 151-77 26 p.
'Shakespeare in Drama'
Stern, T., 2012, Shakespeare in the Eighteenth Century . Ritchie, F. & Sabor, P. (eds.). Cambridge University Press, p. 141-57 16 p.
'Strong-Stress Metre in Fourteen-Line Stanza Forms'
Kennedy, R., 2000, Medieval English Measures: Studies in Metre and Versification. Kennedy, R. (ed.). p. 127-55 (Parergon Special Issue (n.s. 18:1)).
'Teaching Shakespeare in Higher Education'
Stern, T., 2004, Shakespeare in Education. Blocksidge, M. (ed.). London: Continuum, p. 120-40 20 p.
'The 'Ethical Turn' in continental philosophy in the 1980s'
Eaglestone, R., 2010, The History of Continental Philosophy eds. Rosi Braidotti, Alan Schrift . Acumen
'The Emergence of English print and literature, 1641-1730'
Rankin, D., 20 Dec 2017, , The Cambridge History of Ireland (4 vols) General Editor, Thomas Bartlett, vol. 2: Ireland, 1550-1730. Editor: Jane Ohlmeyer. Ohlmeyer, J. (ed.). Cambridge : Cambridge University Press
'The Extemporal Vein: Thomas Nashe and the Invention of Modern Narrative'
Ryan, K., 2011, Thomas Nashe. Brown, G. (ed.). Farnham, Surrey: Ashgate, p. 3-16 (The University Wits).
'The Globe and the Open-air Amphitheatres'
Stern, T., 2010, Ben Jonson in Context . Sanders, J. (ed.). Cambridge: Cambridge University Press, p. 107-15 9 p.
'The Impact of Print in Ireland, 1750-1800'
Rankin, D., 2005, History of the Irish Book, Vol. III: The Irish Book in English, 1550-1800. Oxford University Press
'The Study of Historical Performance'
Stern, T., 2016, Shakespeare in Our Time . Callaghan, D. & Gossett, S. (eds.). London: Methuen, p. 319-23 4 p.
'The Theatre of Shakespeare's London'
Stern, T., 2010, The New Cambridge Companion to Shakespeare. de Grazia, M. & Wells, S. (eds.). Cambridge: Cambridge University Press, p. 45-60 15 p.
'Tragedy and Performance'
Stern, T., 2016, The Oxford Handbook of Shakespearean Tragedy . Neill, M. & Schalkwyk, D. (eds.). Oxford: Oxford University Press, p. 489-504 15 p.
'Tristram Shandy and Digression'
Hawley, J., 2011, Digression in European Literature from Cervantes to Sebald. Grohmann, A. & Wells, C. (eds.). Basingstoke: Palgrave Macmillan, p. 21-35
'Watching as Reading: the Audience and Written Text in the Early Modern Playhouse'
Stern, T., 2008, How to do Things with Shakespeare . Maguire, L. (ed.). Oxford: Blackwell, p. 136-59 23 p.
'What (Not) To Do With Your Hands When You Are Nervous'
Williams, E., Jun 2020, Seen From Here. Etchells, T. & Horvat, V. (eds.). Unstable Object, p. 351 365 p.
'What does the Cued Part Cue?: Parts and Cues in Romeo and Juliet'
Stern, T., 2005, Blackwell Companion to Shakespeare and Performance . Hodgdon, B. & Worthen, W. B. (eds.). Blackwell, p. 179-96 17 p.
'Wilderness'
Williams, E., 2018, We Were Strangers. Hirst, R. (ed.). Configo
"Making a Rosebud of her Mouth": Erotics, Semiotics and Agency in the Dickensian Female Mouth
Ramuz, C., 31 May 2020, Dickens and Women Reobserved. Guiliano, E. (ed.). Brighton, England: Edward Everett Root Publishers Co. Ltd.
'"None but the Simplest Words": Beckett's Listeners'
Leeder, N., 2016, (Accepted/In press) Samuel Beckett and BBC Radio: A Reassessment. Feldman, M., Tonning, E. & Addyman, D. (eds.). Palgrave Macmillan, (New Interpretations of Samuel Beckett in the 21st century).
"None Shall Pass": Mental Barriers to Travel in Old English Poetry
Neville, J., 2007, Freedom of Movement in the Middle Ages: People, Ideas, Goods (The Harlaxton Symposium, 2003). Horden, P. (ed.). Donington: Shaun Tyas/Paul Watkins, p. 203-14 11 p.
"Postmodernism and British Poetry"
Olsen, R., 2007, Cambridge Companion To Twentieth Century Poetry, ed. Neil Corcoran. Corcoran, N. (ed.). Cambridge University Press, p. pp. 72-90.
"Sites And (Human) Non-Sites of A (Sub) Urban World."
Olsen, R., 2002, The Paper: Additional Apparitions: Poetry, Performance & Site Specificity. . 4 ed. Cherry on the Top Press, Vol. 3. p. pp. 181-190.
"The Perils of Crossings": Nineteenth-Century Navigations of City and Sea
Gilmartin, S., 11 Nov 2016, The Sea and Nineteenth-Century Anglophone Literary Culture . Mentz, S. & Rojas, M. E. (eds.). 1 ed. Routledge, 28 p. (Ashgate Series in Nineteenth-Century Transatlantic Studies).
"Within the figure and frame and clothes and cuticle": Trollope and the Body
Gilmartin, S., 2017, Routledge Research Companion to Anthony Trollope. Morse, D. D., Marwick, M. & Turner, M. W. (eds.). Abingdon: Routledge, p. 120-133 14 p.
'"Our Irish Canon Your Irish Canon": Macmillan's Irish List, 1899-1968' (pp.481-510) and 'Appendix B: The Macmillan Archive and Irish Writers' (pp.650-656)
Gould, W., Jun 2011, The Oxford History of the Irish Book. Hutton, C. & Walsh, P. (eds.). Oxford: Oxford University Press, Vol. V: The Irish Book in English 1891-2000. p. 481-510, 650-656 35 p.
Finnegans Wake in a Dentist's Waiting Room
Fordham, F., 2010, Joyce's Disciples Disciplined. Conley, T. (ed.). Toronto University Press, p. 128-142
Finnegans Wake: Novel and Anti-novel
Fordham, F., 2007, A Companion to James Joyce. Oxford: Blackwell Publishing, p. 62-83 22 p.
•	'Understanding Holocaust Testimony' in the Edinburgh Companion to Twentieth-Century English and American War Literature eds. Adam Piette and Mark Rawlinson (Edinburgh: Edinburgh University Press, 2012), 126-133.
Eaglestone, R., 2012, Edinburgh Companion to Twentieth-Century English and American War Literature eds. Adam Piette and Mark Rawlinson . Edinburgh University Press
3 Poems
Williams, E., 2019, Modern Queer Poets. Pilot Press
'Across the waters of this disputed ocean': the material production of American literature in nineteenth-century Britain
McGettigan, K., 31 Jul 2017, Interventions: Rethinking the Nineteenth Century. Barton, A. & Smith, A. (eds.). Manchester: Manchester University Press
Adapting Titus Groan: creating the 'sublime character' through collaborative writing
Chamberlain, P., Mar 2013, Miracle Enough: Papers on the Works of Mervyn Peake. Winnington, P. G. (ed.). Cambridge Scholars Publishing, p. 225 - 235 10 p.
Bussey-Chamberlain, P., Mar 2013, Miracle Enough. Cambridge Scholars Publishing, p. 225-235 11 p.
'After the Fall'
Ryan, K., 2007, Ian McEwan's 'Enduring Love'. Childs, P. (ed.). London and New York: Routledge, p. 44-54
Afterword: Theodor Fontane, Effi Briest
Lee-Potter, C., 2017, Effi Briest. Fontane, T. (ed.). London: Persephone Books
Afterword: "the skull the skull the skull the skull in Connemara": Beckett, Ireland and Elsewhere
Gibson, A., 2010, Beckett and Ireland. Kennedy, S. (ed.). Cambridge: Cambridge University Press, p. 179-203
'Afterword: The Future of Shakespeare'
Ryan, K., 2000, Shakespeare: Texts and Contexts. Ryan, K. (ed.). Basingstoke and London: Macmillan, p. 305-8
Against the metaphysics of comprehension
Eaglestone, R., 2004, The Cambridge Companion to Postmodernism. Connor, S. (ed.). Cambridge: Cambridge University Press, p. 182-195
Aids Sutra: Untold Stories from India: Mr X versus Hospital Y
Lalwani, N., 4 Sep 2008, Aids Sutra: Untold Stories from India. UK: Vintage, 25 p.
Altering Images
Gibson, A., 2003, London from Punk to Blair. Gibson & Kerr (eds.). Reaktion Books, p. 203-16
American Notes and English Guidebooks: (Re)Writing English Literature in Melville and Dickens
McGettigan, K. & Powell, D., 2017, Transatlantic Literature and Transitivity, 1780-1850: Subjects, Texts, and Print Culture. Bautz, A. & Gray, K. (eds.). Abingdon: Routledge, p. 212-229 17 p. (Routledge Studies in Nineteenth-Century Literature).
An Outpost of Progress: The Case of |Henry Price
Hampson, R., 23 Mar 2018, Styl Josepha Conrada: A Jezyk Polski i Wielojezycznosc. Krajka, W. (ed.). Lublin: Uniwersytetu Marii Curie-Sklodowskiej, p. 415-33 19 p. 20. (Conrad: eastern and Western Perspectives).
Anti-monarchism in english republicanism
Dzelzainis, M., Van Gelderen, M. (ed.) & Skinner, Q. (ed.), 2002, Republicanism: a shared European heritage. Cambridge, p. 27-41
Aquilae and Can You
Ooi, Y., 2012, For Love and Poetry. Universe and Words, p. 11, 23
Woolley, A., 2015, (In preparation) The Routledge Companion to Twenty-First Century Literary Fiction . Routledge
Authorial Performances: Actress, Author, Critic
McGirr, E., 2016, Women's Writing, 1660-1830: Feminisms and Futures. Batchelor, J. & Dow, G. (eds.). Palgrave Macmillan, p. 97-116
Bacon's "Of simulation and dissimulation"
Dzelzainis, M. & Hattaway, M. (ed.), Dec 2000, A Companion to English Renaissance Literature and Culture. Oxford, p. 233-240 (Blackwell companions to literature and culture).
Badiou and Beckett
Gibson, A., 2002, Beckett and Philosophy. Lane, R. (ed.). Macmillan, p. 93-107
Badiou and Deconstruction: the Politics of Reading Beckett
Gibson, A., 2007, Deconstruction Reading Politics. McQuillan, M. (ed.). Macmillan, p. 146-60
Badiou, Beckett and Contemporary Criticism
Gibson, A., 2003, On Beckett. Toscano, A. & Power, N. (eds.). p. 119-36
Badiou, Beckett et le postmodernisme
Gibson, A., 2002, Alain Badiou: Penser le multiple. Ramond, C. (ed.). L'Harmattan, p. 421-35
Badiou, Beckett, Watt and the Event
Gibson, A., 2002, Other Becketts. Caselli, D., Salisbury, L. & Connor, S. (eds.). p. 40-52
Balsam Flex: Cassette Culture and Poetry
Montgomery, W., 2015, Modernist Legacies: Trends and Faultlines in British Poetry Today. Nowell Smith, D. & Lang, A. (eds.). New York: Palgrave Macmillan, p. 129-141 13 p. (Modern and Contemporary Poetry and Poetics).
Beautiful Participation: An Intercorporeal Inquiry into our sense of Beauty
Searle, W., 2012, Interdisciplinary.net.
Beckett in the Wilderness
Eaglestone, R., 2001, Beckett and Philosophy. Lane, R. (ed.). London: Palgrave, p. 40-52
Beckett, Derrida, and Monstrosity: The Unnamable
Gibson, A., 1994, Surprised by Scenes: Essays in Honour of Professor Yasunari Takahashi. Takada, Y. (ed.). Tokyo: Kenkyusha, p. 359-74
Beckett, Vichy, Maurras and the Body
Gibson, A., 2014, (Accepted/In press) Beckett and Body Politics. Kennedy, S. (ed.). Cambridge University Press
Bedford Square Anthology
Mandrekar, I., 2013, Bedford Square Anthology.
Beyond the Soundscape: Art and Nature in Contemporary Phonography
Montgomery, W., 2009, The Ashgate Research Companion to Experimental Music. Saunders, J. (ed.). Ashgate, p. 145-161
Bill Griffiths at Seventy
Hampson, R., 1 Feb 2019, Chicago Review. Powell, E. (ed.). 1/2/3 ed. Chicago, Vol. 62. p. 342-45 4 p. n/a
Fordham, F., 2009, James Joyce in Context. McCourt, J. (ed.). Cambridge University Press, p. 17-26
'Blackfriars Now and Then'
Stern, T., 2016, (Submitted) Shakespeare in the Light. Menzer, P. (ed.).
Bodies and Machines
Armstrong, T., 2007, Tomorrow Now – When Design Meets Science Fiction / Rencontre du design et de la science-fiction. Luxemborg: MUDAM Luxemborg, p. 71-83 14 p.
Carlyle and Odin
Varty, A., 1999, Anglo-Scandinavian Cross-Currents. Ewbank, I-S., Lausand, O. & Tysdahl, B. (eds.). Norwich: Norvik Press, p. 60-70
Celebrity Actors and their Parts
McGirr, E., 2017, (Accepted/In press) Public Interiors: Intimacy and Celebrity in Eighteenth-Century Literary Culture. Jones, E. & Joule, V. (eds.). Palgrave Macmillan
'Citizens of Centuries to Come: The Ruling-Class Rebel in Socialist Fiction'
Ryan, K., 1987, The Rise of Socialist Fiction 1880-1914. Klaus, H. G. (ed.). Brighton: Harvester Press, p. 6-27
Colm Tóibín, The Master
Markovits, B., 2011, The Good of the Novel. McIlvanney, L. & Ryan, R. (eds.). London: Faber and Faber, p. 186-200
Conclusion: Digital Dreaming
Carson, C. & Kirwan, P., 2014, Shakespeare and the Digital World: : Redefining Scholarship and Practice . Carson, C. & Kirwan, P. (eds.). Cambridge University Press, p. 238-257 19 p.
'Confessions of an Ortolan Chef'
Williams, E., 2018, The Penguin Book of the Contemporary British Short Story. Hensher, P. (ed.). London
'Conrad and Literary Movements'
Hampson, R., 2009, Conrad in Context. Simmons, A. (ed.). Cambridge: Cambridge University Press, p. 171-77 6 p.
Conrad and Maritime Language: Flying Moors and Crimson Barometers
Hampson, R., 2016, (Submitted) Conrad and Language. Baxter, K. I. & Hampson, R. (eds.). Edinburgh: Edinburgh University Press
Conrad and Nautical Language: Flying Moors and Crimson Barometers
Hampson, R., 10 Jul 2016, Conrad and Language. Edinburgh: Edinburgh University Press, p. 10-27 18 p. 1
Conrad et le discours scientifique
Hampson, R., 2014, Joseph Conrad. Paccaud-Huguet, J. & Maisonnat, C. (eds.). Paris: Les Cahiers de l'Herne, p. 229-31 3 p. (Editions de l'Herne).
Constructing Atmospheres: A Phenomenology of the Film Image and Its Relation to Place
Kreider, K. & O'Leary, J., 2009, Architecture and Phenomenology Second International Conference, Kyoto Seika University, Kyoto, Japan.
Control – Information – Resistance – Game: Knowledge Systems in the poetry of Stephen Mooney
Gene-Rowe, F., 2019, (Accepted/In press) Knowledge, Systems, and Knowledge-Systems in Science Fiction. Palgrave Macmillan
Creating a critical model for the twenty-first century
Carson, C., 2014, Shakespeare and the Digital World: : Redefining Scholarship and Practice . Carson, C. & Kirwan, P. (eds.). Cambridge University Press, p. 226-237 11 p.
Creating a multipurpose research tool for the study of King Lear
Carson, C., 2002, Creating Digital Performance Resources: : A Guide to Good Practice. Smith, B. (ed.). Oxford: Oxbow, p. 17-32 16 p.
Critical knowledge, scientific knowledge and the truth of literature
Eaglestone, R., 2003, The New Aestheticism. Joughin, J. J. & Malpas, S. (eds.). Manchester: Manchester University Press, p. 151-166
Crossing the Present: Narrative, Alterity and Gender in Postmodern Fiction
Gibson, A., 1999, Literature and the Contemporary. Luckhurst, R. & Marks, P. (eds.). Longman, p. 179-98
Cruel Nostalgia and the memory of the Second World War
Eaglestone, R., 2018, Brexit and Literature : Critical and Cultural Responses. London: Routledge, p. 92-104 12 p.
Custodians and Active Citizens
Hampson, R., 2011, The Public Value of the Humanities. Bate, J. (ed.). London: Bloomsbury Academic, p. 68-75 7 p.
'Deconstruction: Romeo and Juliet'
Ryan, K., 2003, Shakespeare: An Oxford Guide. Wells, S. & Orlin, L. C. (eds.). Oxford: Oxford University Press, p. 508-24
Democratising the Audience?
Carson, C., Oct 2008, Shakespeare's Globe: a Theatrical Experiment. Carson, C. & Karim-Cooper, F. (eds.). Cambridge: Cambridge University Press, p. 115-126 12 p.
Derrida and the Legacies of the Holocaust
Eaglestone, R., 2008, Derrida's Legacies. Eaglestone, R. & Glendinning, S. (eds.). London: Routledge, p. 66-75
Dickens and Europe
Livesey, R., Jun 2011, Charles Dickens in Context. Ledger, S. & Furneaux, H. (eds.). Cambridge University Press, p. 203-2011
Early Television and Joyce's Finnegans Wake: New Technology and Flawed Power
Fordham, F., 2 Sep 2014, Broadcasting in the Modernist Era. Feldman, M., Tonning, E. & Mead, H. (eds.). 1 ed. Bloomsbury Academic, p. 39-56 18 p. (Historicizing Modernism).
Gibson, A., 1982, Makers of Nineteenth Century Culture: A Biographical Dictionary. Wintle, J. (ed.). London: Routledge
Edwin Morgan's Theatre
Varty, A., Nov 2015, The International Companion to Edwin Morgan. Riach, A. (ed.). Glasgow: ASLS, p. 145-158 14 p. (International Companions to Scottish Literature).
Elizabeth Carter and Modes of Knowledge
Hawley, J., 2010, Woman to Woman: Female Negotiations During the Long Eighteenth Century. Williams, C. D., Escott, A. & Duckling, L. (eds.). Newark: University of Delaware Press, p. 157-170
Emma Hamilton: Legacy and Spectacle
Williams, K., 9 Sep 2016, Emma Hamilton: Seduction and Celebrity: To accompany the Emma Hamilton exhibition at the National Maritime Museum . London : Thames and Hudson, p. 270 300 p.
Encyclopaedias after the French Revolution
Hawley, J., 2006, Ordering the World in the Eighteenth Century. Donald, D. & O'Gorman, F. (eds.). Basingstoke: Palgrave Macmillan, p. 216-43
Entre dois mundos: Joyce e o ato de imaginar o mundo
Fordham, F., 2013, Etica e estetica nos estudos literarios. Curitiba: Editora UFPR, p. 387-399 14 p.
Epilogue: Shakespeare's audiences as imaginative communities
Carson, C., 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge University Press, p. 277-292 15 p.
Eric Mottram and Ezra Pound: It takes a lifetime
Hampson, R., 1 Dec 2014, News from Afar: Ezra Pound and Some Contemporary British Poetries. Parker, R. (ed.). Bristol: Shearsman, p. 86-108 23 p. 5
Gibson, A., 2005, The Johns Hopkins Guide to Literary Theory and Criticism. Groden, M. & Szeman, I. (eds.). Johns Hopkins University Press, p. 287-96
European Playwriting and Politics, 1945-1989
Rebellato, D., 2020, Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge, p. 12-25 14 p.
'Excursion into a foreign tongue': Frederic Manning and Ford Madox Ford
Hampson, R., 18 Jul 2016, Languages and the First World War: Representation and Memory. Declercq, C. & Walker, J. (eds.). Basingstoke: Palgrave, p. 129-139 10 p. 8
Exit the Author
Rebellato, D., Sep 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave Macmillan, p. 9-31 23 p.
Extracts from Ian McEwan and 'Sex, Violence and Complicity: Martin Amis and Ian McEwan'
Ryan, K., 2006, Ian McEwan: A Reader's Guide to Essential Criticism. Childs, P. (ed.). Basingstoke and London: Palgrave Macmillan, p. 11-12, 28-30, 51-3, 87-9
Fake News Literary Criticism
Smith, J. A., 2018, Brexit and Literature: Critical and Cultural Responses. Routledge, p. 118-130
Field Recording as Writing: John Berger, Peter Gizzi and Juliana Spahr
Berger, J., Gizzi, P., Spahr, J. & Olsen, R., Apr 2018, Writing The Field Recording: Sound, Word, Environment. Benson, S. & Montgomery, W. (eds.). Edinburgh: Edinburgh University Press, p. 169-188 20 p.
Olsen, R., Apr 2018, Writing The Field Recording: Sound, Word, Environment. Benson, S. & Montgomery, W. (eds.). Edinburgh University Press, p. 169-188 20 p.
Flaws: James, Nussbaum, Miller, Levinas
Eaglestone, R., 1999, Critical Ethics. Rainsford, D. & Woods, T. (eds.). London: Macmillan, p. 77-87
Flux, Rest and Number: Pater's Plato
Varty, A., 1994, Platonism and the English Imagination. Baldwin, A. & Hutton, S. (eds.). Cambridge: Cambridge University Press, p. 257-269
For 'The End' read 'Zee End'
Fordham, F., 2006, How Joyce wrote 'Finnegans Wake'. Wisconsin University Press, p. 462-481 20 p.
Hampson, R., 2017, Conradology: A Celebration of the Work of Joseph Conrad. Harrison, B. & Raczynska, M. (eds.). Manchester: Comma Press, p. vii-xii 6 p. 1
Foreword: The Dawn Watch: Joseph Conrad in a Global World
Hampson, R. & Teng, H. (Translator), 20 Oct 2020, Foreword to The Dawn Watch: Joseph Conrad in a Global World: The Dawn Watch: Joseph Conrad in a Global World. Taiwan: Owl Publishing House, p. 7-11 5 p.
Stern, T., 2011, An Annotated Edition of Joshua Barnes' The Academie, or, The Cambridge Dunns. Swanson, A. (ed.). Edwin Mellen Press, p. i-v 5 p.
Fountain of Shadows: Schizo-poetics in convergence culture
Jones, N., 2014, Torque #1: Mind, Language and Technology. Jones, N. & Skinner, S. (eds.). Link Editions, p. 78-89 12 p.
Franco-Irish Beckett: Mercier et Camier in 1945–6
Gibson, A., 2013, (Accepted/In press) Samuel Beckett: Debts and Legacies. Addyman, D. & Fifield, P. (eds.). London: Bloomsbury
Frank Holl and The Graphic: Sketching London's Labour in Light and Dark
Gilmartin, S., 30 Jun 2013, Frank Holl: Emerging from the Shadows. Bills, M. (ed.). London: Philip Wilson Publishers, p. 90-107
French Beckett and French Literary Politics 1945-52
Gibson, A., Feb 2014, The Edinburgh Companion to Samuel Beckett and the Arts. Gontarski, S. E. (ed.). Edinburgh: Edinburgh University Press, p. 103-116 14 p.
From Behind the Bars of Quotation Marks: Emmanuel Levinas's (non)-representation of the Holocaust
Eaglestone, R., 2000, The Holocaust and the Text. Paizis, G. & Leak, A. (eds.). London: Macmillan, p. 97-108
From Cut-out Bambi
Harris, C., 1 Oct 2020, Rewilding: An Ecopoetic Anthology. UK: Crested Tit Collective, p. 76-84 9 p.
From Dragons' Trilogy to The Seven Streams of the River Ota: the Intercultural Experiments of Robert Lepage
Carson, C., 2000, Theater sans Frontieres . Donohoe, J. & Koustas, J. (eds.). East Lansing, Michigan : University of Michigan Press, p. 43-78 36 p.
From Master mariner to Modernist Master
Hampson, R., 19 Dec 2018, Almayer's Folly and An Outcast of the Islands. Kyiv: Tempora, p. v-xl 36 p. (Collected works of Joseph Conrad).
Hampson, R., 19 Dec 2018, The Secret Agent. Kyiv: Tempora, p. v-xl 36 p. (The Collected Works of Joseph Conrad).
From Mutiny to Calling upon the Author: Cave's religion
Eaglestone, R., 2009, Cultural Seeds: new perspectives on the work of Nick Cave. Welberry, K. & Dalziell, T. (eds.). London: Ashgate, p. 139-152
From Queens to Convicts: Status, Sex and Language in Contemporary British Women's Drama
Varty, A., 1994, Feminist Linguistics in Literary Criticism, Essays and Studies 1994. Wales, K. (ed.). Cambridge: D.S.Brewer, p. 65-89
From Stage to Screen: 'The Return', Victory, The Secret Agent and Chance
Hampson, R., 2009, Joseph Conrad and the Performing Arts. Baxter, K. I. & Hand, R. J. (eds.). Farnham: Ashgate, p. 59-76 17 p.
Gay and Lesbian Chapter
Bussey-Chamberlain, P., 2015, A Companion to Contemporary British and Irish Poetry, 1960-2010. John Wiley & Sons
Give Your Room The Slip
Williams, E., 2019, A Room of My Own. Royal Society of Literature, p. 22 28 p.
'Gothic and Horror Fiction'
Roberts, A., 27 Feb 2012, The Cambridge Companion to Fantasy Literature. James, E. & Mendelsohn, F. (eds.). Cambridge University Press, p. 21-35 14 p.
'Growing Pains: First Love, Last Rites'
Ryan, K., 2008, Short Story Criticism 106. Krstovic, J. (ed.). Detroit: Thomson Gale
Hardy and the Short Story
Gilmartin, S., May 2013, Thomas Hardy in Context. Mallett, P. (ed.). Cambridge University Press, p. 132-142
Hardy, History and Recorded Music
Armstrong, T., 2004, Thomas Hardy and Contemporary Literary Studies. Dolin, T. & Widdowson, P. (eds.). Palgrave, p. 153-66 14 p.
Hardy's Short Stories
Gilmartin, S., 2010, The Ashgate Research Companion to Thomas Hardy. Morgan, R. (ed.). Ashgate, p. 331-354
Henry James and Joseph Conrad: The Autonomy of Art
Hampson, R., 2012, The Cambridge History of the British Novel. Caserio, R. (ed.). Cambridge: Cambridge University Press, p. 565-80 15 p.
'High Energy Construct': Olson, Fisher, Olsen
Hampson, R., 2013, Energie. Topia, A. & Savinel, C. (eds.). Paris: Press de la Sorbonne Nouvelle
History, Poetry, & "National" Identity in Anglo-Saxon England & the Carolingian Empire
Neville, J., 2001, Germanic Texts and Latin Models: Medieval Reconstructions. Olsen, K. E., Harbus, A. & Hofstra, T. (eds.). Leuven, Paris and Sterling, VA: Peeters, p. 107-26 (Germania Latina).
Holocaust Theory?
Eaglestone, R., 2008, Teaching Holocaust Literature and Film. Eaglestone, R. & Langford, B. (eds.). London: Palgrave, p. 28-36
'Homo Aestheticus'
Ryan, K., 2001, What Is It To Be Human? What Science Can and Cannot Tell Us. London: Institute of Ideas, p. 32-4 (Conversations in Print).
How the Laws of Fiction Lie: A Reading of Alasdair Gray's Shorter Fiction
Varty, A., 1991, The Arts of Alasdair Gray. Crawford, R. & Nairn, T. (eds.). Edinburgh: Edinburgh University Press, p. 124-35
Hugo's There?!
Fordham, F., Mar 2011, James Joyce and the 19th Century French Novel: European Joyce Studies. Fordham, F. & Sakr, R. (eds.). Rodopi, Vol. 19. p. 60-76
Varty, A., 2007, Les Lettres Europeennes. 2nd ed. Brussels: de Boeck Duclot
Imaginism and Objectivity in Emma
Gibson, A., 1988, Critical Essays on `Emma'. Cookson, L. & Loughrey, B. (eds.). London: Longmans, p. 69-80
'In fatal winds': Frank O'Hara and Morton Feldman
Montgomery, W., 2010, Frank O'Hara Now: New Essays on the New York Poet. Hampson, R. & Montgomery, W. (eds.). Liverpool: Liverpool University Press, p. 195-210
Influencing Editors, influencing performers: the Page to Stage Relationship
Carson, C., 22 Jun 2014, Editing, Performance, Texts: New Practices in Medieval and Early Modern English Drama. Sanders, J. & Jenkins, J. (eds.). Houdsmill: Palgrave Macmillan, p. 198-217 20 p.
Innovations in Poetry
Montgomery, W. & Hampson, R., 2011, Oxford Handbook of Modernisms. Oxford: Oxford University Press
Interiorities
McGirr, E., 2012, Cambridge History of the English Novel. Cambridge University Press, p. 80-96 16 p.
Eaglestone, R., 2005, Reading Lord of the Rings. Eaglestone, R. (ed.). London: Continuum, p. 1-12
Eaglestone, R., 2008, Teaching Holocaust Literature and Film. Eaglestone, R. & Langford, B. (eds.). London: Palgrave, p. 1-14
Gibson, A., 1994, Reading Joyce's "Circe". p. 3-32
Gibson, A., 1996, Joyce's `Ithaca'. Missing, G. (ed.). p. 3-27
Hawley, J., 2005, Tristram Shandy. Hawley, J. (ed.). Barnes & Noble Publishing
Montgomery, W. & Hampson, R., 2010, Frank O'Hara Now: New Essays on the New York Poet, jointly edited with Robert Hampson. Montgomery, W. & Hampson, R. (eds.). Liverpool: Liverpool University Press
Rebellato, D., 2015, An Oak Tree by Tim Crouch: 10th Anniversary Edition. London: Oberon, p. 5-8
Hampson, R., 31 Jan 2016, Clasp: late-modernist poetry in London in the 1970s. Hampson, R. & Edwards, K. (eds.). Bristol: Shearsman, p. 7-14 1
Bradley, M. (ed.) & John, J. (ed.), 2015, Reading and the Victorians. Farnham: Ashgate, p. 1-11
Stern, T., 2013, Shakespeare's Theatres and the Effects of Performance. Karim-Cooper, F. & Stern, T. (eds.). Methuen, p. 1-8 8 p.
Montgomery, W. & Benson, S., Jul 2018, Writing the Field Recording: Sound, Word Environment. Edinburgh University Press, p. 1-30
Introduction: "From Cocks to Haute Cuisine, Arses to Architecture"
Mathuray, M., 1 Jun 2017, Sex and Sensibility in the Novels of Alan Hollinghurst. Mathuray, M. (ed.). London: Palgrave Macmillan, p. 1-12 12 p.
'Introduction'
Ryan, K., 2002, Iris Murdoch, Under the Net. London: Vintage, p. ix-xvii
Introduction and Notes
Rebellato, D. (ed.) & McDowall, A., 2020, Pomona: Student Edition. London: Bloomsbury Methuen Drama, p. vi-xxiii, 119-120 20 p.
'Introduction' and 'The Play in Performance' plus annotated 'Further Reading'
Ryan, K., 2005, King Lear. London: Penguin, p. xxi - lxxxiii (The Penguin Shakespeare).
Introduction' and 'The Play in Performance' plus annotated 'Further Reading'
Ryan, K., 2009, King Lear. Seoul: Penguin Classics Korea, p. 23-98
Introduction to Rethinking British Romantic History
Regan, J., 27 Nov 2014, Introduction to Rethinking British Romantic History. Fermanis, P. & Regan, J. (eds.). Oxford: Oxford University Press, p. 1-35 35 p.
'Inventing Stage Directions; Demoting Dumb Shows'
Stern, T., 2017, (Submitted) Stage Directions and Shakespearean Theatre. Dustagheer, S. & Woods, G. (eds.). Bloomsbury
Eaglestone, R., 2005, Reading Lord of the Rings. Eaglestone, R. (ed.). London: Continuum, p. 73-84
Is this what you were born for?: Abigail Child and the poetics of the swoon
Olsen, R., 2011, Is This What You Were Born For?: Strategies of appropriation and audio-visual collage in the films of Abigail Child. MetisPresses, p. 61-79
'James Stephens'
Ryan, K., 1995, Dictionary of Literary Biography 153: Late Victorian and Edwardian British Novelists, first series. Johnson, G. M. (ed.). Detroit: Thomson Gale, p. 295-305
Dzelzainis, M. & Womersley, D. (ed.), 2002, A Companion to Literature from Milton to Blake. Oxford, p. 151-158 (Blackwell companions to literature and culture).
Hampson, R., 2009, The Cambridge Companion to the English Novel. Poole, A. (ed.). Cambridge: Cambridge University Press, p. 290-308 18 p.
Joseph Conrad, Bilingualism, Trilingualism, Plurilingualism: N/A
Hampson, R., 12 Mar 2016, Bicultural Literature and Film in French and English. Barta, P. & Powrie, P. (eds.). London: Routledge, p. 192-206 15 p. 10. (Routledge Studies in Comparative Literature).
Joyce through the Fowlers: "Eumaeus", The KIng's English and Modern English Usage
Gibson, A., 2013, Joycean Unions: Post-Millennial Essays from East to West: European Joyce Studies 22. Mecsnober, T. & Kershner, R. B. (eds.). Amsterdam and New York: Rodopi, Vol. 22. p. 225-244 19 p.
Joyous Play and Bitter Tears: Riddles and Elegies
Neville, J., 2007, Beowulf and Other Stories: A New Introduction to Old English, Old Icelandic, and Anglo-Norman Literature. North, R. & Allard, J. (eds.). Harlow: Pearson, p. 130-59 29 p.
Katabasis in Danielewski's House of Leaves and two other recent American Novels
Fordham, F., 2011, Mark Z. Danielewski. Bray, J. & Gibbons, A. (eds.). p. 33-51 (Contemporary American and Canadian Novelists).
Katie Mitchell: Learning from Europe
Rebellato, D., 2020, Contemporary European Theatre Directors. Delgado, M. & Rebellato, D. (eds.). 2nd ed. Routledge, p. 427-452 16 p.
Katie Mitchell and the Politics of Naturalist Theatre
Rebellato, D., 2018, The Theatre of Katie Mitchell. Fowler, B. (ed.). London: Routledge, p. 39-71 33 p. (4x45).
Kinds of Irishness: Henry Burnell and Richard Head
Rankin, D., 2010, A Companion to Irish Literature: volume 1. Wright, J. M. (ed.). Oxford: Wiley-Blackwell, Vol. 1. p. 108-124 16 p.
'King Lear'
Ryan, K., 2003, A Companion to Shakespeare, Volume 1: The Tragedies. Dutton, R. & Howard, J. (eds.). Oxford: Blackwell, p. 375-92
'King Lear: The Battle for The Bard'
Ryan, K., 1995, Critical Dialogues: Current Issues in English Studies in Germany and Britain. Armstrong, I. & Ludwig, H-W. (eds.). Tübingen: Gunter Narr, p. 28-40
Kipling and the Fin de Siecle
Hampson, R., 2011, The Cambridge Companion to Rudyard Kipling. Booth, H. (ed.). Cambridge: Cambridge University Press, p. 7-22 15 p.
'Kiss me, be kind': Shakespeare's 'lip ego'
Edwards, J., 2020, (In preparation) Shakespeare/Sense. Smith, S. (ed.). Bloomsbury Arden Shakespeare
Kites and Poses: Attitudinal Interfaces in Frank O'Hara and Grace Hartigan
Olsen, R., 2010, Frank O'Hara Now: New Essays on the New York poet. Hampson, R. & Montgomery, W. (eds.). Liverpool: Liverpool University Press, p. 178-194
Knowledge, 'Afterwardsness' and the Future of Trauma Theory
Eaglestone, R., 2014, The Future of Trauma Theory: Contemporary Literary and Cultural Criticism. Buelens, G., Durrant, S. & Eaglestone, R. (eds.). Routledge, p. 11-21 12 p.
L'(In)fidélité? A Kristevan Reading of Andrzej Żuławski's Cinematic Adaptation of La Princesse de Clèves
Duffy, H., 2009, 17th Century French Literature. Influences and Transformations . Bourque, B. & Southwood, J. (eds.). Amsterdam: Peter Lang, p. 91-116
L'Écrivain ne se meurt pas ou la Résurrection dans l'œuvre d'Andreï Makine
Duffy, H., 2008, Autour des écrivains franco-russses . Clément, M. L. (ed.). Paris: Editions l'Harmattan, p. 153-67
L'Orient en tant que carrière: La Russie, l'Occident et l'Orient dans Au temps du fleuve Amour
Duffy, H., 2011, Représentation des Russes et de la Russie dans le roman français des XX et XXI siècles . Clément, M. L. (ed.). Berlin: Éditions universitaires européennes, p. 261-91
La Bienveillance de la critique polonaise: The Polish Reception of Jonathan Littell's The Kindly Ones
Duffy, H., 2012, Writing the Holocaust and World War II Today : Critical Perspectives on The Kindly Ones . Barjonet, A. & Razinsky, L. (eds.). Amsterdam: Editions Rodopi B.V., p. 239-61 (Faux Titre).
La Fin de Siecle
Varty, A., 1992, Les Lettres Europeennes. Paris: Hachette, p. 689-744
Larkin and Ordinariness
Gibson, A., 1989, Critical Essays on Larkin's Poetry. Cookson, L. & Loughrey, B. (eds.). London: Longmans, p. 9-20
Le Monde selon Gabriel: une dystopie apocalyptique?
Duffy, H., 2011, Le Monde selon Andreï Makine. Clément, M. L. & Caratozzolo, M. (eds.). Berlin: Éditions universitaires européennes, p. 29-50
Leaves of Glass: Plant Life in Old English Poetry
Neville, J., 2003, From Earth to Art: The Many Aspects of the Plant-World in Anglo-Saxon England: Proceedings of the First ASPNS Symposium, University of Glasgow, 5-7 April 2000. Biggam, C. (ed.). Amsterdam and Atlanta: Rodopi, p. 281-294
Leaving it Out: Rhythm and Short Form in the Modernist Poetic Tradition
Montgomery, W., Jan 2020, The Philosophy of Rhythm: Aesthetics, Music, Poetics. Cheyne, P., Hamilton, A. & Paddison, M. (eds.). Oxford: Oxford University Press, p. 374-391 17 p.
Len Lye and Laura Riding in the 1930s
Armstrong, T., 2003, Literature and Visual Technologies: Writing After Cinema. Murphet, J. & Rainford, L. (eds.). Palgrave, p. 125-36 12 p.
Les Économies de Murphy
Gibson, A., 2000, L'affect dans l'œuvre Beckettienne, Samuel Beckett Today/Aujourd'hui. Engelberts, M., Houppermans, S., Mevel, Y. & Touret, M. (eds.). p. 85-96
Levinas, Translation and Ethics
Eaglestone, R., 2005, Nations, Language and the Ethics of Translation. Bermann, S. & Wood, M. (eds.). Princeton: Princeton University Press, p. 127-138
Literature, war and politics, 1642-1668
Dzelzainis, M. & Womersley, D. (ed.), 2002, A Companion to Literature from Milton to Blake. Oxford, p. 3-19 (Blackwell companions to literature and culture).
Living Outside the Law: "Justice" for Foreigners and Criminals in Anglo-Saxon England
Neville, J., 1999, Justice et Injustice au Moyen Age. Carruthers, L. (ed.). Paris: AMAES, p. 35-72 (Publications de l'Association des Médiévistes Anglicistes de l'Enseignement Supérieur).
Liz Lochhead: The Mirror and the Vamp
Varty, A., 1997, A History of Scottish Women's Writing. McMillan, D. & Gifford, D. (eds.). Edinburgh: Edinburgh University Press, p. 641-658
Losses and Gains: Charlotte Smith's Elegiac Sonnets
Hawley, J., 1999, Womens' Poetry of the Enlightenment: Essays on the Making of a Canon, 1730-1820. Armstrong, I. & Blain, V. (eds.). Macmillan, p. 184-98
Loy and Cornell: Christian Science and the Destruction of the World
Armstrong, T., 2010, The Salt Companion to Mina Loy. Potter, R. & Hobson, S. (eds.). Cambridge: Salt, p. 204-220 17 p.
Macropolitics and Micropolitics in "Wandering Rocks"
Gibson, A., 2002, Joyce's "Wandering Rocks". p. 27-56
Magic and Medicine: Man into Woman and Anthropology
Armstrong, T., 2018, (Accepted/In press) Man into Woman: A scholarly edition. Caughie, P. & Meyer, S. (eds.). London: Bloomsbury, p. 245-253 9 p.
Making their Own Sweet Time: The Scribes of Anglo-Saxon Chronicle A
Neville, J., 2002, The Medieval Chronicle: Proceedings of the 2nd International Congress on the Medieval Chronicle. Kooper, E. (ed.). Amsterdam and Atlanta: Rodopi, p. 166-77
Malcolm, Macduff and the Structure of Macbeth
Gibson, A., 1988, Critical Essays on `Macbeth'. Cookson, L. & Loughrey, B. (eds.). London: Longmans, p. 92-102
Malory in Historical Context
Nall, C., Leitch, M. (ed.) & Rushton, C. (ed.), 2019, A New Companion to Malory. D.S.Brewer, p. 15-31
Man in a Sidecar: Madness, Totality and Narrative Drive in the Short Story
Armstrong, T., 2012, Modernism, Postmodernism, and the Short Story in English. Sacido, J. (ed.). Amsterdam: Rodopi, p. 79-98 19 p.
Manhood, Money and Suffrage in Our Mutual Friend
Livesey, R., 2010, Culture, Capital, and Representation. Balfour, R. (ed.). Basingstoke: Palgrave, p. 83-100
Mark Rylance, Henry V and 'Original Practices' at Shakespeare's Globe: History Refashioned
Carson, C., 2011, Filming and Performing Renaissance History. Thornton Burnett, M. & Streete, A. (eds.). Houndmills: Palgrave Macmillan, p. 127-145 19 p.
Marthas Texs
Jones, N., 2015, Torque #2: The Act of Reading. Torque, p. 162-171 9 p.
Max Aue: un nazi peu typique? L'abjection comme moteur de la Shoah: une lecture kristevienne des Bienveillantes
Duffy, H., 2010, Les Bienveillantes de Jonathan Littell. Clément, M. L. (ed.). Cambidge: OpenBook, p. 299-317
'Measure for Measure: Marxism before Marx'
Ryan, K., 2007, Shakespearean Criticism 106. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 106. p. 186-94
Ryan, K., 2001, Marxist Shakespeares. Howard, J. & Shershow, S. (eds.). New York and London: Routledge, p. 227-44 (Accents on Shakespeare).
John, J., 2011, Charles Dickens in Context. Furneaux, H. & Ledger, S. (eds.). Cambridge: Cambridge University Press, p. 133-9 7 p.
Metaphorically Speaking: Titus Andronicus and the Limits of Utterance
Edwards, J., 2019, Titus Andronicus: The State of Play. Karim-Cooper, F. (ed.). Bloomsbury Arden Shakespeare
Micromodernism: Towards a Modernism of Disconnection
Armstrong, T., 14 Jul 2016, Moving Modernisms: Motion, Technology, and Modernity. Bradshaw, D., Marcus, L. & Roach, R. (eds.). Oxford: Oxford University Press, p. 27-42 16 p.
Mine Merian
Olsen, R., Jun 2020, Salon For a Speculative Future. Kivland, S. & Oechsler, M. (eds.). London: Ma Bibliotheque, 2 p.
Modernism and Music
Armstrong, T., Oct 2018, Bloomsbury Companion to Modernist Literature. Maude, U. & Nixon, M. (eds.). London: Bloomsbury, p. 119-135 17 p. (Bloomsbury Companions).
Modernism and Technology
Armstrong, T., 2003, A Concise Companion to Modernism. Bradshaw, D. (ed.). Blackwell, p. 158-78 21 p.
Modernism, Technology and the Life Sciences
Armstrong, T., Apr 2018, Cambridge Companion to Literature and Science. Meyer, S. (ed.). New York: Cambridge University Press, p. 223-241 19 p. (Cambridge Companions to Literature).
Modernist Temporality: The science and philosophy and aesthetics of temporality from 1880
Armstrong, T., May 2017, Cambridge History of Modernism. Sherry, V. (ed.). Cambridge University Press, p. 31-46 16 p. (Cambridge Companions to Literature).
Monsters and Criminals: Defining Humanity in Old English Poetry
Neville, J., 2001, Monsters and the Monstrous in Medieval Northwest Europe. Olsen, K. E. & Houwen, L. A. J. R. (eds.). Leuven, Paris and Sterling: Peeters, p. 103-22 (Mediaevalia Groningana).
Mountain Thoughts: A Philosophical Exploration of Snowdonia in Journal Form
Searle, W., Dec 2013, (Accepted/In press) The Trumpeter: Journal of Ecosophy. University of Alberta
Moving to War: Rhetoric and Emotion in William Worcester's Boke of Noblesse
Nall, C., 2015, Emotions and War : Medieval to Romantic Literature. Downes, S., Lynch, A. & O'Loughlin, K. (eds.). Palgrave Macmillan, p. 117-132 16 p.
Muting the Klaxon
Armstrong, T., 1995, Modernism and Ireland. Coughlan, P. & Davies, A. (eds.). Cork University Press, p. 43-74 32 p.
Narrative Subtraction
Gibson, A., 2001, Erzählen und Erzähltheorie im 20. Jahrhundert: Festschrift für Wilhelm Füger. Helbig, J. (ed.). Universitätsverlag C.Winter, p. 213-31
'Nelson and Women: Marketing Representations and the Female Consumer'
Williams, K., 2005, Admiral Lord Nelson: Context and Legacy . Cannadine, D. (ed.). Palgrave Macmillan
New Inhumanisms: Tom McCarthy and Speculative Realism
Gibson, A., 12 Dec 2016, Tom McCarthy: Critical Essays. Duncan, D. (ed.). Canterbury: gylphi, p. 227-246 20 p. (Contemporary Writers: Critical Essays; no. 6).
Ooi, Y., 28 Sep 2012, Eat. Spectacle Publishing Media Group, p. 43 50 p.
'No "Nonsense upon stilts": James Mill and the Poetics of Benthamite Historiography'
Regan, J., 27 Nov 2014, Rethinking British Romantic History, 1770-1845. Fermanis, P. & Regan, J. (eds.). Oxford: Oxford University Press, p. 72-94 22 p.
Nobody Really Wants To Be Here: Tim Crouch's Work for Children
Rebellato, D., 2016, Tim Crouch ou la scène émancipée. Angel-Perez, E., Kiehl, C. & Lanteri, J-M. (eds.). Paris: RADAC, p. 89-108 (Coup de Théâtre).
'Not a bad Frenchman'
Hampson, R., 2012, Each Other's Yarns: Essays on Narrative and Critical Method for Jeremy Hawthorn: Essays on Narrative and Critical Method for Jeremy Hawthorn. Goring, P., Mitchell, D. & Lothe, J. (eds.). Oslo: Novus Press
'Not Certain of Him': First and Last Sights in Lord Jim
Hampson, R., 2009, 'One of Us': Studi inglesi e conradiani offerti a Mario Curelli. Pisa: Edizioni ETS, p. 33-48 15 p.
Mohamed, N., Sep 2014, Africa 39: New Writing from Africa South of the Sahara. Bloomsbury
Numbers with a large prime factor II
Harman, G. & Baker, R. C., 2009, Analytic Number Theory: Essays in honour of Klaus Roth. Cambridge University Press, p. 1-14 14 p.
Objectivity and Observation
Rebellato, D., Dec 2020, The Cambridge Companion to Theatre and Science. Shepherd-Barr, K. (ed.). Cambridge: Cambridge University Press, p. 12-25 14 p.
Of Dictionaries, Prompts, Labyrinths, Threads
Williams, E., 2020, (In preparation) Experimental Praxis Anthology. Hodgson, A., Šnajdr, R. & Clarke, C. (eds.).
'Of Père Lachaise, On Business'
Williams, E., 2019, We'll Never Have Paris. Gallix, A. (ed.). Repeater Books, p. 158 168 p.
On Aesthetic and Historical Dissonance in The Stranger's Child
Mathuray, M., 1 Jun 2017, Sex and Sensibility in the Novels of Alan Hollinghurst. Mathuray, M. (ed.). Palgrave Macmillan, p. 151-173 23 p.
On Not Being Forgivable: Four Meditations on Europe, Islam and the `New World Order'
Gibson, A., Eide, M. (ed.) & Campbell, H. (ed.), 2006, `Forgiveness'. Baltimore: Johns Hopkins University Press
Open and Closed Fields
Armstrong, T., 1995, Modern American Landscapes. Gidley, M. (ed.). VU Amsterdam Press, p. 129-50 22 p.
'Pagosmios Saixpir: e politiki tis ikiopoiesis' ['Global Shakespeare: the Politics of Appropriation']
Ryan, K., 2004, E Prosarmostikotita tou Saixpir [Shakespeare's Adaptability]. Krontiris, T. (ed.). Athens: Ergo, p. 19-43
Mohamed, N., Apr 2016, Reader, I Married Him. London: The Borough Press
Passion in Translation: 1720s Amatory Writers and the Novel
Williams, K., 2006, Remapping the Rise of the Novel . The Voltaire Foundation
Pasts and presents in Audio Recordings of the Poetic Avant-garde
Montgomery, W., Jan 2020, Archives Sonores de la Poésie. Lang, A., Murat, M. & Pardo, C. (eds.). Dijon: Les Presses du Réel, p. 175-184 9 p.
Pater and Contemporary Visual Art
Bullen, J. B., 2010, Victorian Aesthetic Conditions: Pater Across the Arts. Clements, E. & Higgins, L. J. (eds.). Palgrave Macmillan, p. 33-46
Performance, presence and personal responsibility: Witnessing Global Theatre in and around the Globe
Carson, C., 2017, Oxford Handbook of Shakespeare and Performance. Bulman, J. (ed.). Oxford: Oxford University Press, p. 458-75 17 p. 27
Philip Ridley
Rebellato, D., 2011, The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama, p. 425-444
Philosophy of Cinders and Cinders of Philosophy
Eaglestone, R., 2010, (Accepted/In press) The Origins of Deconstruction. McQuilland, M. & Willis, I. (eds.). Basingstoke: Palgrave, p. 226-243
Philosophy's Metaphors: Dennett, Midgley, Derrida
Eaglestone, R., 2006, Literature and Philosophy. Rudrum, D. (ed.). Basingstoke: Palgrave, p. 194-203
'Playing for Time: Improvising and Anachronism in Shakespearean Comedy'
Ryan, K., 1999, Die Wunde der Geschichte: Aufsätze zur Literatur und Ästhetik. Garber, K. & Klaus, H. G. (eds.). Köln: Böhlau Verlag, p. 45-56 (Europäische Kulturstudien).
Playing Monopoly with William Faulkner
Armstrong, T., 2019, (Accepted/In press) Faulkner and Slavery. Watson, J. (ed.). University Press of Mississippi
Plotting Paddington: Encoding Passengers at a Nineteenth-Century Metropolitan Terminus
Kirkby, N., Chapman, A. (ed.) & Hume, N. (ed.), 24 Dec 2019, (Submitted) Coding and Representation from the Nineteenth Century to the Present: Scrambled Messages. Routledge
Poetry and Science
Armstrong, T., 2001, A Companion to Twentieth-Century Poetry. Roberts, N. (ed.). Blackwell, p. 76-88 13 p.
Poets in the theatre: Ure, Kay, Conn, Morgan
Varty, A., 2011, The Edinburgh Companion to Scottish Drama. Brown, I. (ed.). Edinburgh University Press, p. 140-153
Pondering the Soul's Journey in Exeter Book Riddle 43
Neville, J., 2009, The World of Travellers: Exploration and Imagination. Dekker, K., Olsen, K. & Hofstra, T. (eds.). Leuven: Peeters, p. 149-164 15 p. (Mediaevalia Groningana n.s; vol. 15)(Germania Latina; vol. 7).
Postcolonial Thought and Levinas's Double Vision
Eaglestone, R., Jun 2010, Radicalizing Levinas. Atterton, P. & Calarco, M. (eds.). New York: State University of New York Press, p. 57-68 (SUNY series in Radical Social and Political Theory).
Postmodern Ethics and Sense and Sensibility
Gibson, A., 2000, Passionate Encounters in a Time of Sensibility. Mellor, A. & Novak, M. (eds.). University of Delaware Press, p. 180-97
Pound and Joyce: Ulysses, the Cantos and the Shapes of Cultures
Gibson, A., 1993, Pound in Multiple Perspective. p. 158-88
Hampson, R. & Chambers, H., 2019, (In preparation) Guy de Maupassant: Yvette and Other Stories. London: Quercus Editions Limited
Raising the Dead: Dante Gabriel Rossetti's 'Wilowwood' Sonnets
Bullen, J. B., Oct 2013, (Accepted/In press) The Oxford Handbook of Victorian Poetry. Bevis, M. (ed.). Oxford University Press
Rancière and the Limits of Realism
Gibson, A., 2003, Realism and Its Discontents. Fjellestad, D. & Kella, E. (eds.). Blekinge Institute of Technology, p. 56-69
Reading 'Heart of Darkness' after the Holocaust
Eaglestone, R., 2010, After Representation? : The Holocaust, Literature, and Culture. Spargo, R. C. & Ehrenreich, R. M. (eds.). New Brunswick, NJ: Rutgers University Press, p. 190-209
Redeeming Beowulf. The Heroic Idiom as Marker of Quality in Old English Poetry
Neville, J., 16 Jun 2014, Narration and Hero: Recounting the Deeds of Heroes in Literature and Art of the Early Medieval Period. Millet, V. & Sahm, H. (eds.). Berlin: de Gruyter, p. 45-70 26 p. (Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde; vol. 87).
'Redress'
Williams, E., Oct 2019, Resist: Stories of Uprising. Page, R. (ed.). Comma Press, (History-Into-Fiction; vol. 2).
Reflecting on Ethical Criticism: developments past and future
Eaglestone, R., 2001, Ethics and Literature. Gelhard, D. (ed.). Berlin: Galda and Wilch, p. 44-56
Reforming the Corpus
Armstrong, T., 1996, American Bodies. Armstrong, T. (ed.). New York University Press, p. 101-118 18 p.
Religion, truth and the 'New Aestheticism'
Eaglestone, R., 2009, Religion, Literature and The Imagination. Knight, M. & Lee, L. (eds.). London: Continuum, p. 37-46
Republicanism, republicans and regicides
Dzelzainis, M. & Corns, M. (ed.), 2001, A companion to Milton. Oxford, p. 294-308 (Blackwell companions to literature and culture).
'Re-reading The Merchant of Venice'
Ryan, K., 1991, Major Literary Characters: Shylock. Bloom, H. (ed.). New York: Chelsea House, p. 79-84
Ryan, K., 1998, The Merchant of Venice: Contemporary Critical Essays. Coyle, M. (ed.). Basingstoke and London: Macmillan, p. 36-44
'Revelation and Repression in Conrad's Nostromo'
Ryan, K., 1982, The Uses of Fiction: Essays in Honour of Arnold Kettle. Jefferson, D. & Martin, G. (eds.). Milton Keynes: Open University Press, p. 69-82
Ryan, K., 1987, Modern Critical Interpretations: Joseph Conrad's Nostromo. Bloom, H. (ed.). New York: Chelsea House, p. 43-55
Review of Ian Fletcher, Rediscovering Herbert Horne (Greensboro: ELT Press, 1990)
Varty, A., 1993, Yeats Annual No.10. Gould, W. (ed.). London: Macmillan, p. 321-323
Richard II: The Misfit as Hero
Gibson, A., 1989, Critical Essays on Richard II. Cookson, L. & Loughrey, B. (eds.). London: Longmans, p. 9-21
Romantic Patronage: Mary Robinson and Coleridge Revisited
Hawley, J., 2005, British Women's Writing in the Long Eighteenth Century: Authorship, Politics and History. Batchelor, J. & Caplan, C. (eds.). Palgrave, p. 62-75
'Romeo and Juliet: il desiderio nella prigione del linguaggio'
Ryan, K., 1986, Romeo and Juliet: dal testo alla scena. Tempera, M. (ed.). p. 187-202
'Romeo and Juliet: The Language of Tragedy'
Ryan, K., 1988, The Taming of the Text: Explorations in Language, Literature and Culture. van Peer, W. (ed.). London: Routledge, p. 106-21
Salman Rushdie: paradox and truth
Eaglestone, R., 2006, British Fiction Today: Critical Essays. Mengham, R. & Tew, P. (eds.). London: Continuum, p. 91-102
'Scrimshaw'
Williams, E., 2019, Still Worlds Turning. Warnock, E. (ed.). No Alibis Press
Scripts and Performances
Varty, A., 1993, Liz Lochhead's Voices. Edinburgh: Edinburgh University Press, p. 148-169
Selves, Souls, and Bodies: The Assumption of the Virgin in Anglo-Saxon England
Neville, J., 2004, Miracles and the Miraculous. Olsen, K. E., Harbus, A. & Hofstra, T. (eds.). Leuven, Paris and Sterling, VA: Peeters, p. 141-54 (Germania Latina).
Sensibility and Suffering in Rhys and Nin
Gibson, A., 1999, The Ethics in Literature. Hadfield, A., Rainsford, D. & Woods, T. (eds.). Macmillan, p. 184-209
Sequence and Series in Hardy's Poetry
Armstrong, T., 2009, A Companion to Thomas Hardy. Wilson, K. (ed.). Oxford: Wiley-Blackwell, p. 378-394 17 p.
Serres at the Crossroads
Gibson, A., 2005, Michel Serres. Abbas, N. (ed.). Harvester Wheatsheaf and University of Michigan Press, p. 84-98
Seventh of November from Berliner Ensemble
Cowie, D., Nov 2011, After the Berlin Wall: Germany and Beyond. Gerstenberger, K. & Evans Braziel, J. (eds.). New York, NY, USA: Palgrave Macmillan
'Sex, Violence and Complicity: Martin Amis and Ian McEwan'
Ryan, K., 1999, An Introduction to Contemporary Fiction: International Writing in English Since 1970. Mengham, R. (ed.). Cambridge: Polity Press, p. 203-18
Sexuality in "The Waste Land"
Gibson, A., 1988, Critical Essays on "The Waste Land". Cookson, L. & Loughrey, B. (eds.). London: Longmans, p. 101-117
Shakespeare and the Digital World: When Scholarship Meets Global Capitalism
Carson, C., 2017, Shakespeare in Romania: : Shakespeare in the World. Cristescu, I. & Volceanov, G. (eds.). Bucuresti: Editura Muzeul Literaturii Romane, p. 46-57 11 p.
'Shakespeare and the Future'
Ryan, K., 2001, Talking Shakespeare: Shakespeare into the Millennium. Cartmell, D. & Scott, M. (eds.). Basingstoke and London: Palgrave Macmillan, p. 187-200
Shakespeare Online: an increasingly interesting conversation: the Researcher's Guide
Carson, C., 2008, Shakespeare on Film, Television and Radio. Terris, O., Oesterlen, E-M. & McKernan, L. (eds.). London: British University Film and Video Council, p. 94-112 18 p.
Shakespeare's archives: context, categories, and the containment of chaos
Carson, C., 2017, The Shakespearean World. Levenson, J. & Ormsby, R. (eds.). Routledge, p. 481-96 15 p.
Shakespearean Comedy and Romance: The Utopian Imagination
Ryan, K., 2003, Shakespeare's Romances: Contemporary Critical Essays. Thorne, A. (ed.). London and Basingstoke: Palgrave Macmillan, p. 27-52
Shakespearean Sensibilities: Women Writers Reading Shakespeare, 1753-1808
Hawley, J., 1997, Shakespearean Continuities: Essays in Honour of EAJ Honigmann. Lamont, C., Cain, T. & Batchelor, J. (eds.). Macmillan, p. 290-304
Shakespeare's Inhumanity
Ryan, K., Dec 2013, Shakespeare Survey 66: Working with Shakespeare. Holland, P. (ed.). Cambridge University Press, p. 220-231
Shakespeare's Universality: The Politics of Appropriation
Ryan, K., 2008, The Difference of Shakespeare. Marzola, A. (ed.). Bergamo: Bergamo University Press, p. 17-35
Sightlines: Foucault and Naturalist theatre
Rebellato, D., Oct 2019, Foucault's theatres. Fisher, T. & Gotman, K. (eds.). Manchester: Manchester University Press
Sigla in Revision
Fordham, F., 1999, Genitricksling Joyce. Rodopi, p. 44-62 (European Joyce Studies).
Gibson, A., 1980, Makers of Modern Culture: A Biographical Dictionary. Wintle, J. (ed.). London: Routledge
Skipping Across the Pond: Interaction between American and British Poetries 1964-1970
Hampson, R. & Fisher, A., Sep 2015, Modernist Legacies: Trends and Faultlines in British Poetry Today. Lang, A. & Nowell Smith, D. (eds.). New York: Palgrave Macmillan, p. 41-58 17 p. 2. (Modern and Contemporary Poetry and Poetics).
Slavery and American Literature 1900-1945
Armstrong, T., Mar 2016, The Cambridge Companion to Slavery in American Literature. Tawil, E. (ed.). Cambridge University Press, p. 204-218 15 p. (Cambridge Companions to Literature).
Slavery, Insurance and Sacrifice in the Black Atlantic
Armstrong, T., 2004, Sea Changes: Historicizing the Ocean. Bernhard, K. (ed.). Routledge, p. 167-85 19 p.
'Socialist Fiction and the Education of Desire: Mervyn Jones, Raymond Williams, John Berger'
Ryan, K., 1982, The Socialist Novel in Britain. Klaus, H. G. (ed.). Brighton: Harvester Press, p. 166-85
Sound Leads to Structure: dissonant lyricism in Barbara Guest's Miniatures
Montgomery, W., 2008, Chicago Review/ Jacket online feature on Barbara Guest 2008.
Space for Uncertainty: The Movement of Celestial Bodies in the Exeter Book Riddles
Neville, J., 2016, Heavenly Discourses. Campion, N. (ed.). Lampeter: Sophia Centre Press, p. 93-100 8 p. (Studies in Cultural Astronomy and Astrology; vol. 7).
Speeds of 'Penelope'
Fordham, F., 2006, Joyce, 'Penelope' and the Body. Rodopi, p. 85-96 12 p. (European Joyce Studies).
Staging Shakespeare in the 20th century
Carson, C., 2011, The Edinburgh Companion to Shakespeare and the Arts. Thornton Burnett, M., Hanson, A., Streete, A. & Wray, R. (eds.). Edinburgh University Press, p. 310-331 21 p.
Standing within the prospect of belief: Macbeth, King James, and Witchcraft
Booth, R., 2008, Witchcraft and the Act of 1604. Newton, J. & Bath, J. (eds.). Leiden, Boston: Brill, p. 47-67 20 p. (Studies in Medieval and Reformation Traditions; vol. 131).
Start Place in Flux
Olsen, R., May 2020, The Allen Fisher Companion. Hampson, R. (ed.). Bristol: Shearsman, p. 53 - 64 10 p.
Sublime Abjection
Mathuray, M., 2009, J.M. Coetzee in context and theory. Boehmer, E., Eaglestone, R. & Iddiols, K. (eds.). London: Continuum, p. 159-172 14 p.
'Swatch'
Williams, E., Jul 2018, Best British Stories 2018. Royle, N. (ed.). Salt, p. 207-2014 (BEST BRITISH SHORT STORIES).
Technology as a Bridge to Audience Participation?
Carson, C., 2006, Performance and Technology: : Practices of Virtual Embodiment and Interactivity . Broadhurst, S. & Machon, J. (eds.). Basingstoke: Palgrave Macmillan, p. 181-193 13 p.
Telling Short Stories
Varty, A., 1992, Reading Douglas Dunn. Crawford, R. & Kinloch, D. (eds.). Edinburgh: Edinburgh University Press, p. 138-150
Telos and Trauma
Eaglestone, R., 2018, Storytelling and Ethics: Literature, the visual arts and the Power of Narrative, eds Hanna Meretoja and Colin Davis (London: Routledge 2018),. London: Routledge, p. 55-67 12 p.
'Tether'
Williams, E., 2018, Egress: New openings in literary art. Norfolk: Little Island Press, Vol. 1. p. 132- 140
Text-Score-Text
Montgomery, W., Apr 2018, Writing the Field Recording: Sound, Word, Environment. Benson, S. & Montgomery, W. (eds.). Edinburgh University Press, p. 86-108 23 p.
Fordham, F., 2011, Blackwells Encyclopaedia of Literary Theory and Criticism. Blackwell Publishing, p. 400-402 3 p.
The "subterranean stream of Western history": Arendt and Levinas after Heidegger
Eaglestone, R., 2008, Hannah Arendt, Imperialism and Genocide. King, R. & Stone, D. (eds.). Oxford/New York: Berghahn Books, p. 205-216
'The age of reason is over…...an age of fury was dawning': Contemporary Anglo-American fiction and terror
Eaglestone, R., 2010, (Accepted/In press) Terror and the Postcolonial. Morton, S. & Boehmer, E. (eds.). Oxford: Blackwell, p. 361-369
The Anatomy of Tristram Shandy
Hawley, J., 1993, Literature and Medicine During the Eighteenth Century. Porter, R. & Roberts, M. M. (eds.). Routledge, p. 84-100
The Body Thinking: A Kinship between Poetry and Phenomenology
Searle, W., Sep 2012, Postgraduate Journal of Aesthetics. 3 ed. Oxford University, Vol. 9.
The Brun-Titchmarsh Theorem on average
Harman, G. & Baker, R. C., 1996, Analytic Number Theory: proceedings of a conference held in honor of Heini Halberstam, Vol.1. Birkhauser, Boston, p. 39-103 65 p.
Ooi, Y., Mar 2019, The Good Journal 3. Newland, C. (ed.). p. 52-57 6 p.
Markovits, B., 2017, The BBC National Short Story Award 2017. Comma Press, p. 77-107 31 p.
The Colonial Short Story: Adventure and the exotic
Hampson, R., 2016, The Cambridge History of the English Short Story. Head, D. (ed.). Cambridge: Cambridge University Press, p. 100-17 18 p. 6
The Concept of Intermittency: Sartre's Critique of Dialectical Reason and Contemporary French Philosophy
Gibson, A., 2011, Confronting Universalities: Aesthetics and Politics Under the Sign of Globalization. M. A. B. & Ladegaard, J. (eds.). Aarhus: Aarhus University Press, p. 55-82
The Crystal Man: A Study of 'Diaphaneite'
Varty, A., 1991, Pater in the 1990s. Jagger, L. B. & Hlavenkova, I. S. (eds.). Greensboro: ELT Press, p. 205-15
The Delay of the Machine Age
Armstrong, T., 2001, Homo Orthopedicus. Roelens, N. & Strauven, W. (eds.). Paris: L'Harmattan, p. 23-43 21 p.
The East as a Carrier: Russia, the Occident and the Orient In Andreï Makine's Novels
Duffy, H., 2012, Orientalism/Occidentalism: Languages of Cultures vs. Languages of Description. Steiner, E. (ed.). Moscow: Sovpadenie, p. 241-57
The Edge of Reason?: Dockside and Riverbank in J.A. McNeill Whistler's The Thames Set (1859-61) and James Tissot's paintings of the Thames, 1871-1882
Greenaway, V., 2012, (Accepted/In press) Art and Identity at the Water's Edge. Cusack, T. (ed.). Ashgate, p. 177-192
The exceptional set for Goldbach's problem in short intervals
Harman, G., Baker, R. C. & Pintz, J., 1997, Sieve Methods, Exponential Sums, and their Applications in Number Theory. Cambridge University Press, p. 1-54 54 p.
The Exeter Book Riddles' Precarious Insights into Wooden Artefacts
Neville, J., Shapland, M. (ed.) & Bintley, M. (ed.), 2013, Trees and Timber in the Anglo-Saxon World. Bintley, M. D. J. & Shapland, M. G. (eds.). Oxford University Press, p. 122-143
'The Extemporal Vein: Thomas Nashe and the Invention of Modern Narrative'
Ryan, K., 1985, Narrative: From Malory to Motion Pictures. Hawthorn, J. (ed.). London: Edward Arnold, p. 41-54
The Fiction of Angela Carter
Eaglestone, R., 2003, Contemporary British Fiction. Mengham, P. T. R. & Lane, R. (eds.). Cambridge: Polity Press, p. 195-209
The flâneur in Edinburgh, Bath and London
Lee-Potter, C., 2017, These Islands: A Portrait of the British Isles. London: Francis Publishing, 232 p.
'The Flood and the Zookeeper'
Williams, E., 2018, Liberating the Canon. Waidner, I. (ed.). Dostoyevsky Wannabe Press
The Future of History in Henry IV
Ryan, K., 1995, Theory in Practice: Henry IV. Wood, N. (ed.). Buckingham: Open University Press, p. 92-125
'The Future of History in Henry IV'
Ryan, K., 2002, Shakespearean Criticism 69. Zott, L. M. (ed.). Detroit: Thomson Gale, p. 166-78
'The Future of History: 1 and 2 Henry IV'
Ryan, K., 2002, Shakespeare's History Plays. Watt, R. J. C. (ed.). London: Longman, p. 147-68 (Longman Critical Readers).
The Human Animal: Biological Tropes in Interwar Poetry
Armstrong, T., 2012, Science in Modern Poetry: New directions. Holmes, J. (ed.). Liverpool: Liverpool University Press, p. 101-115 14 p.
The Inheritance of Irony and Development of Flippancy
Bussey-Chamberlain, P., 2015, Influence and Inheritance in Feminist English Studies. Jones, C. & Hogg, E. (eds.). Palgrave, p. 66-79 14 p.
The Jew as St Christopher: The Holocaust and the Participation of Soviet Jews in Russia's Great Patriotic War Effort in the Oeuvre of Andreï Makine
Duffy, H., 2013, Mnemosyne and Mars: Artistic and Cultural Representations of Twentieth-Century Europe at War. Tame, P., Jannerod, D. & Braganca, M. (eds.). Cambridge Scholars Publishing, p. 343-60
'The Legacy of Emma Hamilton'
Williams, K., 2011, The Enchantress: Emma, Lady Hamilton . Grolier Academic
The Light from Other Suns
Gilmartin, S., 2015, Marc Atkins. Deville, M. (ed.). Liege: Collections artistique de l'Universite de Liege, p. 51-54 4 p.
'The Malcontent: Hunting the Letter'
Ryan, K., 2000, The Drama of John Marston: Critical Re-Visions. Wharton, T. F. (ed.). Cambridge: Cambridge University Press, p. 145-61
The Marine in the Malibu Classic
Pierpan, N., 8 Nov 2018, Dead Ground, 2018-1918. McNeillie, A. & McNeillie, J. (eds.). UK: Clutag Press
The Metropolitan Playground: London's Children
Gibson, A. & Bavidge, J., 2003, London from Punk to Blair. Gibson & Kerr (eds.). Reaktion Books, p. 142-57
The Modernist Archive
Fordham, F., Dec 2010, The Oxford Handbook of Modernisms. Peter, B., Gasiorek, A., Longworth, D. & Thacker, A. (eds.). Oxford: Oxford University Press, p. 45-60
The Moon and the Stars in the Bern and Eusebius Riddles
Mogford, N., 2020, Riddles at Work in the Early Medieval Tradition,. Manchester: Manchester University Press
'The Murdering Word'
Ryan, K., 2001, Romeo and Juliet: Contemporary Critical Essays. White, R. S. (ed.). Basingstoke and London: Palgrave Macmillan, p. 116-28
The Paradox of Progress: Far-reaching Deliberations and 10 per cent Solutions
Hampson, R., 2015, Outposts of Progress: Joseph Conrad, Modernism and Post-colonialism. Fincham, G., Hawthorne, J. & Lothe, J. (eds.). Cape Town: University of Cape Town Press, p. 110-121 12 p. 7
Eaglestone, R., 2019, The Routledge Companion to Twenty-First Century Literarty Fiction . Abingdon: Routledge, p. 311-320 9 p.
The PCL poetry conferences
Hampson, R., 31 Jan 2016, Clasp: late-modernist poetry in London in the 1970s. Hampson, R. & Edwards, K. (eds.). Shearsman, p. 70-74 5 p. 12
The Physiology of the Everyday: Trollope's Deflected Intimacies of Clothing, Touch and Free Indirect Discourse
Gilmartin, S., 2019, The Edinburgh Companion to Anthony Trollope. Van Dam, F., Skilton, D. & de Graef, O. (eds.). Edinburgh: Edinburgh University Press, p. 44-62 18 p.
The Public Secret
Eaglestone, R., 2014, The Future of Testimony : Interdisciplinary Perspectives on Witnessing. 1st ed. Routledge, p. 69-82 14 p.
The real new publishing: how interconnected 'outsiders' are setting the trends
Harris, C. Y., 29 Jan 2020, Contemporary publishing and book culture. Baverstock, A., Bradford, R. & Gonzalez, M. (eds.). Abingdon: Routledge, p. 185-205
Markovits, B., 2016, Alchemy: Writers on Truth, Lies and Fiction. Notting Hill Editions, p. 63-92 30 p.
'The Revenge of the Women: Lawrence's Tickets, Please'
Ryan, K., 1992, D. H. Lawrence: Critical Assessments. Ellis, D. & de Zordo, O. (eds.). Mountfield: Helm Information, Vol. 3. p. 503-14
The Seasons in Old English Poetry
Neville, J., 1998, La Ronde des saisons: les saisons dans la littérature et la société anglaises au Moyen Âge. Carruthers, L. (ed.). Paris: Presses de l'Université de Paris-Sorbonne, p. 37-49 (Cultures et Civilisations Médiévales).
The Seventies and the Cult of Culture
Armstrong, T., 2005, The Cambridge History of Twentieth-Century English Literature. Nicholls, P. & Marcus, L. (eds.). Cambridge University Press, p. 585-599 15 p.
The Stoker
Mohamed, N., 10 Oct 2017, Freeman's : The Future of New Writing. New York: Grove Press
'The Tempest e la complicità dell'arte'
Ryan, K., 1989, The Tempest: dal testo alla scena. Tempera, M. (ed.). p. 99-110
The Tottenham Riot, 2011
Lalwani, N., 17 Oct 2019, Resist: Stories of Uprising. Page, R. (ed.). Comma Press
The Underwear Thief, short story in the anthology 'The Draft: Stories from the Warwick MA in Writing'
Melicertes, D., 2011, The Draft: Stories from the Warwick Ma in Writing. UK: Ball Bearing Press, p. 31-41
The Universalisation of Finnegans Wake, and the Real HCE'
Fordham, F., 2006, Joyce, Britain and Ireland. p. 198-211 14 p. (Florida Joyce Series).
The Victorian Potboiler: Novelists Writing Short Stories
Gilmartin, S., 2016, The Cambridge History of the English Short Story. Head, D. (ed.). Cambridge: Cambridge University Press, p. 67-83 17 p.
The White of Her Arms
Cowie, D., 2006, NW14: The Anthology of New Writing Volume 14. Greenlaw, L. & Habila, H. (eds.). London: British Council/Granta, p. 119-129 10 p.
Theorists of the Postmodern, Global, and Digital City
Smith, J. A., 27 Feb 2017, The Palgrave Handbook of Literature and the City. Tambling, J. (ed.). Palgrave Macmillan, p. 45-58
Thinking Forwards, Turning Back: Joyce's Writings 1898-1903
Gibson, A., 2013, (Accepted/In press) Joyce and the Nineteenth Century. Nash, J. (ed.). Cambridge University Press
Thinking Intermittency
Gibson, A., 2010, Contemporary Writing Environments: Textual Practice. Watkin, W. (ed.). Vol. 23. p. 1045-66
Stern, T., 2004, New Dictionary of National Biography. Oxford University Press
Thomas Hardy: Poems of 1912-13
Armstrong, T., 2001, Companion to Twentieth-Century Poetry. Roberts, N. (ed.). Oxford: Blackwell, p. 359-68 10 p.
'Thomas Hardy'
Armstrong, T., 2014, A Companion to Modernist Poetry. Chinitz, D. & McDonald, G. (eds.). Oxford: Wiley-Blackwell, p. 325-334 10 p. 26. (Blackwell Companions to Literature and Culture).
Three Dialogues and Beckett's Tragic Ethics
Gibson, A., 2003, Three Dialogues Revisited, Samuel Beckett Today/Aujourd'hui. Buning, M., Engelberts, M., Houppermans, S. & de Ruyter-Tognotti, D. (eds.). p. 43-54
'Time, And Time Again'
Williams, E., Oct 2019, Pursuit. Canongate
'To Catch a Thief': Three's A Crowd: Book Slam Annual Vol. III
Lalwani, N., 23 Jul 2015, Three's A Crowd: Book Slam Annual Vol. III. Book Slam Production Ltd.
To Quill At Film
Olsen, R., 2015, Trenchart Monographs: hurry up please its time. Carmody, T. & Place, V. (eds.). les Figues, p. 348-362 14 p.
Tolkien's Women
Neville, J., 2005, Reading The Lord of the Rings. Eaglestone, R. (ed.). New York and London: Continuum, p. 101-10
Transition and Tradition: the preoccupation with ancestry in Victorian writing
Gilmartin, S., 1997, Writing and Victorianism. Bullen, J. B. (ed.). London: Longman, p. 14-37 (Crosscurrents).
Treasure Island and Victory: Maps, Class, and Sexuality
Hampson, R., 2009, Robert Louis Stevenson and Joseph Conrad: Writers of Transition. Dryden, L., Arata, S. & Massie, E. (eds.). Lubbock: Texas Tech University Press, p. 140-158 18 p.
'Tristram Shandy and Digression'
Hawley, J., 2010, Digression in European Literature from Cervantes to Sebald. Grohmann, A. & Wells, C. (eds.). Macmillan
Tristram Shandy, Learned Wit, and Enlightenment Knowledge
Hawley, J., 2009, The Cambridge Companion to Laurence Sterne. Keymer, T. (ed.). Cambridge University Press, p. 34-48
'Troilus and Cressida: The Perils of Presentism'
Ryan, K., 2007, Presentist Shakespeares. Hawkes, T. & Grady, H. (eds.). New York and London: Routledge, p. 164-83 (Accents on Shakespeare).
Truth, Aesthetics, History
Eaglestone, R., 2005, Critical Pasts: writing criticism, writing history. Smallwood, P. (ed.). Lewisburg: Bucknell University Press / Associated University Presses, p. 171-186
Turning Conventional Theatre Inside Out: Democratising the Audience Relationship
Carson, C., 2004, New visions in performance: : the impact of digital technologies. Carver, G. & Beardon, C. (eds.). Lisse, The Netherlands: Swets & Zeitlinger, p. 153-66 14 p.
Uncle Kettle
Mohamed, N., Aug 2016, Freeman's Journal: The Family Issue. New York, US: Grove Press
Unpacking Theory
Eaglestone, R., 2006, English: The Condition of the Subject. Martin, P. (ed.). Basingstoke: Palgrave, p. 161-167
'Until Hanandhunigan's Extermination': Joyce, China and Racialised World Histories
Fordham, F., Sep 2011, Modernism and Race. Platt, L. (ed.). Cambridge University Press, p. 173-191
Victorian or Contemporary? Wilde and Questions of Heredity and Inheritance
Varty, A., 2011, Oscar Wilde. Killeen, J. (ed.). Dublin: Irish Academic Press, p. 161-182 (Visions and revisions: Irish writers in their time).
Video Shakkei: Event-Space, Performance and Time-Based Drawing
Kreider, K. & O'Leary, J., 2010, Drawing Out 2010: Festival and Conference of Drawing, RMIT University, Melbourne, Australia.
Violent Compassion in Later Medieval Writing
Nall, C., 1 Oct 2018, Writing War in Britain and France, 1370-1854 : A History of Emotions. Downes, S., Lynch, A. & O'Loughlin, K. (eds.). 1 ed. Routledge, p. 73-88 16 p. (Themes in Medieval and Early Modern History).
Viral Messaging, Satire, and Spaces of Resistance in Nigeria
Enahoro, C., 20 Sep 2013, The Handbook of Civil Society in Africa. Obadare, E. (ed.). 1st ed. New York: Springer, Vol. 20. p. 175-198 24 p. 12
Visual Rhetoric on the Stage
Carson, C., 2012, Shakespeare and the Making of Theatre. Hampton-Reeves, S. & Escolme, B. (eds.). Palgrave Macmillan, p. 69-87 18 p.
Walking Barefoot: Rituals of Identification
Searle, W., 2013, (Unpublished) Environmental Ethics.
Walter Savage Landor and the Classics
Roberts, A., 26 Feb 2015, The Oxford History of Classical Reception in English Literature: Volume 4 (1790-1880). Vance, N. & Wallace, J. (eds.). Oxford: Oxford University Press, Vol. 4. p. 365-385 20 p. 14
Weak Messianic Power and the Holocaust
Eaglestone, R., 2010, (Accepted/In press) The Politics to Come. Bradley, A. (ed.). London: Continuum, p. 131-140
What we read, how we read: Teaching Literature after Eighteen
Eaglestone, R., 2000, Teaching Literature 11-18. Blocksidge, M. (ed.). London: Cassell, p. 132-141
What were people reading in the later Middle Ages?
Nall, C., 2018, Exploring and Teaching Medieval History in Schools: A secondary education publication of the Historical Association. Dawson, I. (ed.). The Historical Association, p. 64-67 4 p.
What would you like teachers and students to know about the period c.1000 to c.1348?
When the attentions change: Charles Olson and Frances Boldereff
Hampson, R., 22 Jan 2015, Contemporary Olson: N/A. Herd, D. (ed.). Manchester: Manchester University Press, p. 149-62 14 p. 11
Whig Heroics: Shakespeare, Cibber, and the Troublesome King John
McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36
Why Read Ted Hughes?
Searle, W., 2013, Frontispiece to a Dramatic Performance of Tales of Ovid .
'Wilgefortis'
Williams, E., 2020, (Accepted/In press) Outsiders. Slater, A. (ed.). 3 of Cups, p. 29-37
William Worcester Reads Alain Chartier: Le Quadrilogue Invectif and its English Readers
Nall, C., Sep 2008, Chartier in Europe. Cayley, E. & Kinch, A. (eds.). Cambridge: D.S.Brewer, p. 135-147
Armstrong, T., 2000, Oxford Reader's Companion to Hardy. Page, N. (ed.). Oxford University Press, p. 473-77 5 p.
Without the Text at Hand: Postcolonial Writing and the Work of Memorisation
Lê, A., 2018, (Accepted/In press) Working Late. Walton, J. & Luker, E. (eds.). Palgrave Macmillan
Women Rent Collectors and the Rewriting of Space, Class and Gender in Late Nineteenth Century London: The Case of Katherine Buildings, East Smithfield
Livesey, R., 2007, Women and the Built Environment. Darling, E. & Whitworth, L. (eds.). Aldershot: Ashgate, p. 87 106 p.
Women Writers and the Rise of the Novel
Williams, K., 2010, The History of British Women's Writing, 1690-1750. Ballaster, R. (ed.). Palgrave Macmillan
Writing at the Margin: An Introduction to the Exile Novels by Andreï Makine, Milan Kundera and Rodica Iulian
Duffy, H., 2004, Shifting Frontiers of France and Francophonie . Rocheron, Y. & Rolfe, C. (eds.). Oxford: Peter Lang, p. 287-306
Writing Scripto-Visual Costumes and Columns of Air
Olsen, R., 15 Feb 2019, Artistic Research and Literature. Wälchli, T. & Caduff, C. (eds.). Wilhelm Fink Verlag, p. 63-79 17 p.
Yeats and Symbolism
Gould, W., Oct 2012, The Oxford Handbook of Modern Irish Poetry. Brearton, F. & Gillis, A. (eds.). Oxford: Oxford University Press, p. 20-41
Entry for encyclopedia/dictionary › Research
'Rehearsal', 'Prologues', 'Actors' Parts', 'Playbills', 'Titleboards', 'Prompters', 'Playbooks'
Stern, T., 2016, (Submitted) The Stanford Global Shakespeare Encyclopedia . Stanford University Press
Research output: Chapter in Book/Report/Conference proceeding › Entry for encyclopedia/dictionary
'Aestheticism'
Livesey, R., 2011, Oxford Bibliographies Online: Victorian Literature. John, J. (ed.). Oxford University Press
'Class'
McGirr, E., 2014, The Encyclopedia of British Literature, 1660-1789. Brooks, H. (ed.). Wiley-Blackwell
Gesta Romanorum
Bennett, A., 2017, The Wiley-Blackwell Encyclopedia of Medieval Literature in Britain. Echard, S. & Rouse, R. (eds.). Oxford: Wiley-Blackwell, p. 859-62
Heroic Drama
McGirr, E., 2014, Encyclopedia of British Literature, 1660-1789. Wiley-Blackwell
Military Writings in Medieval Britain
Nall, C., 2017, The Wiley-Blackwell Encyclopedia of Medieval British Literature. Echard, S. & Rouse, R. (eds.). Oxford: Wiley-Blackwell
Not Mere Beauties: Women on the Restoration Stage
McGirr, E., 2016, Eighteenth Century Drama: Censorship, Society and the Stage. Adam Matthew
'The Fin de Siecle
'The Victorian City'
Livesey, R., 2008, The Victorian Literature Handbook. Willis, M. & Warwick, A. (eds.). Continuum, p. 60-62 2 p.
Conference contribution › Research
"Refusing all Definite Form, the Abstract Horror": Communication, Code and Power in the fiction of Stanislaw Lem
Gene-Rowe, F., Jun 2015, Current Research in Speculative Fiction, 2015. Liverpool
"The Theatre of the Invisible-Made-Visible": Shakespeare and the Politics of Perception
Ryan, K., 12 Sep 2015, Actes des congrès de la Société française Shakespeare. Vol. 33. p. 1-7 7 p.
Blasting Open the Historical Continuum: Antihistoricism in Benjamin, Dick & Le Guin
Gene-Rowe, F., Mar 2015, Sideways in Time Conference. Liverpool
Conjuring Bambi: Cuteness, incantation and reclamation in Pascale Petit's Mama Amazonica
Harris, C., 1 Oct 2020, Love Spells & Rituals for Another World. Markaki, L. & Harris, C. (eds.). UK, (Love Spells & Rituals for Another World).
Countering "dead, causal reality": The fusion of material and metaphysical oppression in Philip Dick's late work
Gene-Rowe, F., Jun 2014, Current Research in Speculative Fiction 2014. Liverpool
Escape from Time: Immortality and Reality in William Burroughs & Philip Dick
Gene-Rowe, F., May 2014, Memories of the Future Conference. Senate House Library, London
'Gainst Nature Still: Reading Macbeth's Murder of Duncan
Uotinen, T., 2011, Villains: Global Persceptives in Villains and Villainy. Genc, B. & Lenhardt, C. (eds.). Inter-Disciplinary Press, p. 157-163 7 p.
I.R.R.I.T.A.T.E: Warning! This is an Artist's Book
Sandhu, K., 2014, (Submitted) Perversions of Paper.
Joyce In The Shadow Of War And Fascism: A Review Of Finnegans Wake By Mario Praz (1939)
Fordham, F., 2017, Joyce Studies in Italy. Ruggieri, F. (ed.). Rome, Vol. 19. p. 301-322 22 p. (Joyce Studies in italy; vol. 19).
Speculative Landscapes: H.P. Lovecraft's Weird System
Gene-Rowe, F., Nov 2013, The Weird: Fugitive Fictions/Hybrid Genres. Senate House Library, London
Taste and Toasts in Early Eighteenth-Century Club Culture
Hawley, J., 2011, Taste and the Senses in the Eighteenth Century. Wagner, P. & Ogée, F. (eds.). Trier: Wissenschaftlicher Verlag Trier, p. 299-318 20 p. (LAPASEC: Landau Paris Studies on the Eighteenth Century; vol. 3).
You Are The Hero: Stephen Mooney's The Cursory Epic
Gene-Rowe, F., 28 Jun 2016, SFRA Conference 2016. Liverpool
Foreword/postscript › Research
Hampson, R., 2012, False memory (by Tony Lopez). Shearsman/ University of Plymouth Press
Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript

redpajama_set_name: RedPajamaCommonCrawl


text:
Major Quakes Strike Indonesia, Australia
An earthquake with a magnitude of 7.3 struck southeast of the city of Ternate, in the Moluccas in the eastern area of Indonesia, the U.S. Geological Survey reported.
The earthquake occurred at a depth of 10 km (6 miles) at an area 168 km south-southeast of Ternate, the USGS said.
There were no immediate reports of damages or casualties in the quake.
Earlier Sunday, an earthquake of magnitude 6.6 struck west of Australia's beach resort of Broome, the United States Geological Survey said, with residents saying the impact shook some buildings and pushed groceries off shelves.
There were no immediate reports of damage or casualties in the quake, which the agency initially said was of magnitude 6.9, hitting at a depth of 33 km (21 miles), about 203 km (126 miles) offshore from the town in the state of Western Australia.
Videos posted on social media showed cars and buildings shaking and groceries being knocked from shelves, with some residents reporting minor damage to businesses.
"We just had an earthquake in Broome," one resident of the town said on Twitter. "The whole house was shaking and it went for ages. Never experienced anything like it before – quite amazing."
The earthquake was widely felt in Perth, the capital of Western Australia, a distance of more than 2,000 km (1,242 miles) away, data from Geoscience Australia showed. An aftershock of 4.1 was also recorded.
← Previous Story Hong Kong Protesters' Fury at Extradition Bill Refuses to Dissipate
Next Story → Trump's Withdrawal from Iran Nuclear Deal Was 'Diplomatic Vandalism'


text:
'November Road' weaves history, mobsters and road-tripping into full-throttle thriller
Jeffrey Mannix - 10/04/2018
Every once in a while, I get a hold of something that's beyond compare, something so nearly perfect that the French in their fastidiousness for language have a word for it: nonpareil. There is such a book being released by William Morrow on Oct. 9. And as we're nearing the end of the year, I have to say that November Road, by Lou Berney, will be among the few "Murder Ink" books vying for my "Book of the Year" pick. (Bluebird, Bluebird by Attica Locke comes right to mind, as does IQ by Joe Ide).
Berney's The Long and Faraway Gone was heralded as the best crime novel of 2015, with the Edgar, Macavity, Anthony and Barry awards. November Road will match those accolades, no doubt, and quite possibly be the crowning performance transcending the crime fiction genre into mainstream literary fiction and prove once and for all that mysteries cannot just be relegated blithely to the unwashed.
The "November" in November Road is the November of 1963, the 22nd day of a month that put Dallas on the map. It also fixed in the minds of a dumbstruck country conspiracy theories that all made far more sense than ordinary Lee Harvey Oswald firing three perfect shots into John F. Kennedy from the sixth floor of the Texas School Book Depository with a $30 rifle. Berney's construction of the backstory to the Kennedy assassination is so convincing that the plot never addresses the assassination itself. During Oswald's 1950s childhood, he lived in New Orleans, returning again for five months in 1962 before taking up residence in Dallas. Berney so very cleverly thinks of this faint New Orleans connection of Oswald's, easily envisioning an organized crime underworld for the Big Easy. Then, with an unnoticed sleight of hand, he tells the story of Frank Guidry, the fixer for big crime boss Carlos Marcello.
Carlos orders and Frank obediently parks a freshly stolen Cadillac Eldorado on an upper floor of a parking structure, two blocks down from Dealey Plaza, the day before JFK was so impeccably shot. If Frank doesn't get told why, Frank doesn't ask why. He's a right-hand man, a go-to soldier who wears bespoke suits, alligator shoes and lives large. He knows his strengths, his talent for making friends, staying razor sharp and being the cock of the walk.
It seems, though, that Frank saw too much in Dallas. Someone drove off in the sky-blue '59 Cadillac on that day of such confusion, after a shot a warehouseman could have never made in a hundred years. And Frank heard too much when Carlos ordered him to pick up the Eldo at the Dallas airport and drive it to Houston and make it disappear. And this is where November Road begins the extraordinary story of Frank knowing he knows too much, knowing there's nowhere to hide, and how he lives one day more.
California is where you go in 1963 to get lost. People are pouring in for the good life; nobody knows anybody; no crime families are established for Carlos to ask a favor of. Frank drives a burner car west and on the way spots an attractive damsel in distress, Charlotte, on the side of the highway with her two 10-something year-old daughters. He stops to learn that they're escaping their dull, foredoomed life in Oklahoma, leaving drunk husband and father, escaping to the Golden State and a life of purpose. Frank does the math, helps this needy young family, and it doesn't hurt at all that he shall now be traveling as a family, less noticeable and maybe thinking of living in fragments of weeks instead of days. He pays the mechanic to declare Charlotte's car irreparable, and after a couple of days on the road, he's charmed himself into a family headed west for the sunshine, white beaches and opportunity.
Both these flawed and very real people are running away from a death of some kind, and we're just on page 47. This is a hardback book. It's worth the money. And with the 15 percent discount for "Murder Ink" books at Maria's Bookshop, be at their door early next Tuesday and skip lunch to pay for a story you'll want to put on a shelf with books you'll never part with.


We promise you an unforgettable time on day trip to islands Hvar and Brac !
To experience and enjoy Split entirely, it wouldn't be absolute and perfect without sailing to the neighboring islands and experiencing its unique natural beauties. We offer you an unforgettable day at our new mega catamaran SUMMER BLUES. Choose from Zlatni Rat day trip or Split to Hvar day trip and other amazing boat trips and excursions from Split riva. We have prepared enough food and cold drinks so your soul and our blues can be tied forever.
More than 20 years our company is organizing individual and incentive trips as well as all kind of events and excursions. Day trips from Split to Hvar, Brač and Šolta on the attractive mega catamaran represents an unique experience . That is why we decided to offer such product to our guests in Croatia. Our region with countless islands and secluded bays, untouched nature and clear sea are inviting you to discover them. Enjoy Zlatni Rat, Hvar and other islands – we promise you an unforgettable time!


Willy is around 10 years old. He came to the sanctuary with his family (sister/daughter Sally, sister/daughter YoungFrida and his mother Lotte) in 2016.
He comes from a butcher shop, where he was neglected, where he had no hoof care, no access to clean water, no bedding or hay feed and there was no grass left in their small pasture. Only a kindhearted neighbor took pity on them and gave them feed and fresh water daily.
The owner (the butcher) seemed to enjoy inbreeding animals for sale, which is why Willy's family history is as it is. He is both the brother and the father of both Sally and Youngfrida, which he has gotten together with his own mother Lotte.
In 2016 the butcher was selling the shop and wanted to get rid of the donkeys, so he decided to send them to slaughter. The neighbour who was occasionally feeding them decided she couldn't bare to see them slaughtered, so she started to search for a new home for them herself. She spent hours searching Facebook and calling around and this is where we came into the picture.
We received a message over Facebook asking if we could help her and it didn't take us long to say yes to this sad case of abuse and shortly afterwards, they arrived at Fields of Freedom. Ever since then Willy and his family has lived happily as a real family and we've had Willy castrated.
Willy is today one of the strongest and most vocal donkeys here at the sanctuary. He can often be heard calling out to some of the other donkeys in other parts of the fields. He has become a loving and gentle father to Sally, and they often spend the night sleeping side by side in the stable.


You live in a small town with R bidirectional roads connecting C crossings and you want to go from crossing 1 to crossing C as soon as possible. You can visit other crossings before arriving at crossing C, but it's not mandatory.
You have exactly one chance to ask your friend to repair exactly one existing road, from the time you leave crossing 1. If he repairs the i-th road for t units of time, the crossing time after that would be viai-t. It's not difficult to see that it takes vi units of time to cross that road if your friend doesn't repair it.
You cannot start to cross the road when your friend is repairing it.
There will be at most 25 test cases. Each test case begins with two integers C and R (2<=C<=100, 1<=R<=500). Each of the next R lines contains two integers xi, yi (1<=xi, yi<=C) and two positive floating-point numbers vi and ai (1<=vi<=20,1<=ai<=5), indicating that there is a bidirectional road connecting crossing xi and yi, with parameters vi and ai (see above). Each pair of crossings can be connected by at most one road. The input is terminated by a test case with C=R=0, you should not process it.
For each test case, print the smallest time it takes to reach crossing C from crossing 1, rounded to 3 digits after decimal point. It's always possible to reach crossing C from crossing 1.


In this paper I shall go into the reason for Muslims - in India as well as in other countries - lagging behind in scientific education. Some say that the Muslims are backward in scientific education because their religion discourages them from acquiring it, or, at least, does nothing to encourage them to do so. But this is far from the truth.
In situations of adversity, head-on confrontation, as a means of eliminating opposition, is frequently resorted to. As a negative reaction, it is almost always counterproductive. Experience shows, oftener than not, that the better way is to take positive action. That is, to return good for evil.