We recently completed a study which reveals the top five Career-Limiting Habits (CLHs) that cause employees to miss out on raises and promotions. According to the study, 97 percent of employees report they have some habit that keeps them from achieving their potential at work.
Other CLHs that limit employees' progression include: disrespect, short-term focus, selfishness, passive aggressiveness, and risk aversion.
The research found that these habits are the main obstacle to career advancement. Nearly half of bosses report that addressing employees' glaring bad habit is three times more important than increasing their technical skills. Unfortunately, bosses also report that only 10 to 20 percent of their employees actually make profound and lasting changes to their CLH.
Create a Personal Motivation Statement. When you hit a motivational wall while changing your work habits, motivate yourself by visiting your "default future"—the career you'll have if you are repeatedly passed up for promotion.
Invest in professional development. New habits always require new skills. Top performers hone their craft. Actively develop the skills you need to be viewed as a top performer through training, workshops, or books—but make sure this is only one part of a bigger change strategy.
Hang with the hard workers. The Career-Limiting Habits that keep you back are likely enabled, tolerated, or encouraged by others. Use positive peer pressure by surrounding yourself with hard-working friends who share your career goals. Distance yourself from the office slackers.
Find a mentor. Changing habits requires help. Find a trusted mentor to encourage your progression and help you navigate the career development opportunities that exist within the organization.
Put skin in the game. Reward yourself for reaching short-term goals by placing money at risk. For example, if you reach your goal in your next performance review you can purchase a reward with the money you set aside. However, if you fall short, the money goes to support the political party you oppose.
Control your workspace. Make your new habits easier by enlisting the power of your surroundings. If you'd benefit from close association with another team, ask to move offices. When possible, turn off electronic interruptions that keep you from being as productive as you need to be to move ahead.
Ahhh – I see so many of my workplace struggles listed in the "what not to do's" of this post.
I've chosen to restructure my career by working on my own and find the pitfalls just as deep alone in an office!
To enlist my surroundings, I will post this next to my task chair, along with a picture of the representative my "bonus" would support should I not meet my goals!
This and your Change Anything online tool are invaluable to planning and tracking all of the small steps required to make large changes last.
Pingback: Improve My Business » Are bad work habits holding you back?


How much prep time do I need, and how do I work that time into my already busy schedule?
Darrell Harmon is a Master Trainer.
How much preparation time should I put in before I teach, and how do I work that prep time into my already busy schedule?
I often discuss this question with trainer certification groups. Based on their input and my own experience, my definitive answer is: it depends. That's actually not a cop-out; here's my reasoning.
Remember your overall purpose: teach the class effectively. Prep time is a means to that end.
Given our different learning styles, overall training experience, and familiarity with the content, each of us will have individual preparation needs, ranging from a 1:1 to a 5:1 ratio of prep time-to-presentation time. Personally, I fall closer to the 5:1 prep style, whereas my boss is a 1:1 guy. He's found that if he over-prepares he's not as effective when he teaches: He over-thinks the material and gets caught up in trying to remember it too precisely. Instead, he needs to grasp the main points, then use his experience to create a more spontaneous learning experience. By contrast, if I don't thoroughly dive into the material and soak it into my DNA, I second-guess myself and wind up stumbling and fumbling my way through. But when I've put in sufficient time, I can bring the material alive.
familiarity with the concepts and skills we are to teach.
Of course we also have to ensure we have a solid grasp on the many videos and exercises we use. We need to feel comfortable with their content and learning objectives.
How much do I value the ability to lead a rich learning experience?
What's possible if I prepare well? What's at risk if I don't?
How can I manage my daily tasks so that prep time is a high priority that gets regular attention?
Given my learning needs, facilitation background, and familiarity with the content, how much time should I invest in preparation?
How do I get my manager's (or teammates') help in creating time for preparation?
Which colleagues/friends/family members would help me prep?
How can I track my progress, e.g., logging prep hours or number of lessons reviewed?
What small but meaningful rewards would keep it fun?
Where can I go to study alone?
How should I rearrange my work space so that my Trainer's Guide is within arm's reach, so I can review it when I have down time?
When could I set an appointment (with alarm) to review the material?
How can I use my review cards to help me prep?
I hope these ideas spark some creative solutions that will work specifically for you.
Excellent suggestions, Darrell – thanks!


(March 14th, 2016) President Obama said on May 11 that smartphones – such as the iPhone used by one of the San Bernardino terrorists that the FBI is trying to make Apple Inc. help it hack for information about possible ISIS links — can't be allowed to be "black boxes," inaccessible to the government.
He said that the U.S. high-tech industry should work with the government law-enforcement officials now instead of leaving the issue to Congress.
He said that the tech industry has an urgent duty to work out an agreement with federal law-enforcement officials that balances privacy rights and the protection of the public from terrorists and other criminals.
"You cannot take an absolutist view on this, your argument is strong encryption no matter what, and we can and should create black boxes, that I think does not strike the kind of balance we have lived with for 200, 300 years, and it's fetishizing our phones above every other value," he told the South by Southwest music and tech festival, in Austin, Texas.


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Delitto al ristorante cinese (LP) | Musica per immagini | MPILP004
Compositore: - Detto Mariano
Formato: CD Audio
Musica Per Immagini is glad to present the first vinyl release of Detto Mariano's
''Delitto Al Ristorante Cinese'', the second original soundtrack in the so-called 'delitti' series. It's another classic iteration of the crime-comedy films that came out of the partnership between director Bruno Corbucci and actor Tomas Milian, a special connection that had started with the great success of ''Squadra Antiscippo'' and was followed by eleven more pictures, all centered on the character of Nico Giraldi, a former criminal who, while having become a cop, was unwilling to give up his in your face attitude and the Roman slang of the city's thieves. The score by the Italian composer is a mix of sounds characterized by a unique investigation of musical timbre. Nine tracks that cross the entire sound spectrum: electronic pulses, funk rhythms, jazz and Mediterranean sounds and some oriental atmospheres. A brief summary of the artist's creativity passed away a few months ago.
Delitto al ristorante cinese (1981)
- Delito en el restaurante chino - Ein Schlitzohr außer Rand und Band - Crime at the Chinese Restaurant
- Poliziesco
- Bruno Corbucci
- Tomas Milian - Bombolo - Enzo Cannavale

redpajama_set_name: RedPajamaCommonCrawl


Image Title: Garden Landscaping Design Ideas HGTV Regarding Landscape Images Decorations 6. Post Title: Garden Landscape Images. Filename: garden-landscaping-design-ideas-hgtv-regarding-landscape-images-decorations-6.jpeg. Image Dimension: 616 x 411 pixels. Images Format: jpg/jpeg. Publisher/Author: Derek Bechtelar. Uploaded Date: Friday - June 08th. 2018 12:36:14 PM. Category: Architecture. Image Source: homestyler.com. Earth Images For To Garden Plans Of Ideas 7. Designs 16. Decorations Regard Landscaping Landscape Front Throughout Green Industry Enchanting 3. About In Thrive On Inspirations 9. Idea Get Photos Best Design And Professional Impressive Plan Pertaining Backyard With 14. 12. By From 0. Intended Dixons 1. Marvellous Remodel Also Regarding 52 Gardens Training Inspiring 2289 The Fabulous Inspired Lawn Us Pinterest Philippines 11. Gardening Yard 2.


text:
"Успение Богородично" или "Света Богородица" () е православна църква, разположена в дебърското село Янче, Република Македония.

Църквата е изградена в края на XIX век в южната част на селото.

В първата половина на 2014 година от църквата са откраднати една малка и три големи ценни възрожденски икони.

Бележки

Църкви в Дебърско-Кичевската епархия
Маврово и Ростуше

redpajama_set_name: RedPajamaWikipedia


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Home > Products > Juniper Moon - El Resto de Mi Vida
Juniper Moon - El Resto de Mi Vida
(ELE25007: 8428846251073/ELE1097: )
Format 2xLP CD
2xLP with download limited to 500.
"25th ELEFANT RECORDS ANNIVERSARY" COLLECTION 007
JUNIPER MOON's story was brief but intense. In their short eight years of history (in which they only released material between 1999 and 2003) they managed to earn themselves an important legion of fans in our country, as well as considerable international recognition, as Steve Lamacq (BBC), Ken Stringfellow (THE POSIES) and Sean Tyler (Rough Trade) all publicly stated, or as we can judge by their participation on important complications, like that "Indiepop 1", on which they shared grooves with PRIMAL SCREAM, THE JESUS AND MARY CHAIN, MY BLOODY VALENTINE, FELT and MCCARTHY, to name just a few. Their speedy, energetic punk-pop was an injection of energy like that of few groups we have heard. That's why bringing back their songs on this vinyl re-release of their only album, "El Resto De Mi Vida", is such an immense joy. Joy that is made even greater with the inclusion of all the songs from their singles, their contributions on compilations, and even demos and early versions. This is another re-release in the commemorative series for Elefant Records' 25th anniversary, giving shape to a delicious collection, which includes re-releases from FAMILY, LA CASA AZUL, COOPER, LE MANS and THE SCHOOL.
We don't need long introductions to talk about the songs from that album produced by Carlos Hernández. Their speedy, hyper-melodic sound can make you think in equal parts of TALULAH GOSH or LOS PLANETAS, of THE AISLERS SET or SHOP ASSISTANTS, of the RAMONES or of FASTBACKS. Songs like "¿Volverás?", "Me Siento Mejor", "Madrid" and "Sólo Una Sonrisa" have already earned a place in the pantheon of the best Spanish pop of the last thirty years. When "¿Volverás?" was released and Juan De Pablos began to play it compulsively, we all knew that the quintet from Ponferrada (León) had an exciting, promising future. Their stops at several festivals (Contempopranea, Benicassim, Lemon Pop...), and their constant presence on the best radio stations and the best programs, their appearance on the most prestigious year's best lists (LaNetro, Mondosonoro, Rockdelux, even Rough Trade themselves!) all attested to it. The international recognition, the singles and compilation albums with Josef K and PRIMAL SCREAM, among others, were the cherry on top, the chronicle of a hit foretold. Lamacq was already playing them with "¿Volverás?" and Tyler admitted that he decided to learn Spanish so that he could enjoy "El Resto De Mi Vida" in its original version, and affirmed that he played the album in Rough Trade (Portobello) every single day for more than two months. Unfortunately, in 2005, at a peak in their career and with only one album released, JUNIPER MOON broke up, leaving behind hopes and dreams, but also a handful of memorable songs.
That's why this numbered, limited-edition, double vinyl release also includes all the songs from the singles "¿Volverás?" (1999), "Basado En Hechos Reales" (2000), and "Sólo Una Sonrisa" (2003), which include early versions of "¿Volverás?" and "Me Siento Mejor". And if we add to that the songs taken from the Elefant compilation "Momentos Perdidos" (2004) and "Verano Del 99" (1999), plus two really early versions of "Quiero Verte Una Vez Más" and "Superstar", originally published on a Japanese compilation in 2010 on the Waterslide Records label, we find ourselves with a super complete release of all the songs ever recorded by JUNIPER MOON. Many of these songs had never been out on vinyl before. Since their disappearance in 2005, JUNIPER MOON have continued making hits and recruiting new fans all over the world. Especially in Japan, where in 2010 they released that compilation we mentioned in the previous paragraph, which included all their singles along with previously unreleased songs and a few live recordings; or in the U.S., where their song "¿Volverás?" was used in a 2014 TV and radio campaign for the country's biggest mobile phone service provider, Verizon Wireless. Movies, TV shows, even reality shows like MTV's "Alaska y Mario" have used JUNIPER MOON songs on various occasions.
Listening to these songs with hindsight gives us the feeling that time goes as fast as a JUNIPER MOON's song. And we can be happy that they haven't lost even a drop of their energy along the way. Iván and Eva are still going strong in LINDA GUILALA. We are also trying to keep fighting with the youthful energy that defined us 25 years ago. And we hope that the effects of bringing back this incredible collection of songs has a similar effect on all of you. We're sure it will.
TRACKLIST: 01 No Te Pongas El Sombrero 02 A Veces Sí, A Veces No 03 Me Siento Mejor 04 Quiero Verte Una Vez Más 05 Enfermedad 06 JM Y La Furgoneta Azul 07 El Resto De Mi Vida 08 Madrid 09 ¿Volverás? 10 Sólo Una Sonrisa 11 Puro Teatro 12 Rutina 13 Maldita Ciudad 14 Insolación 15 El Último Tiro 16 ¿Volverás? (First Version) 17 XXX 18 Viernes Por La Tarde 19 Nave Espacial 20 Nevera Exterminadora 21 16 De Septiembre 22 Me Siento Mejor (First Version) 23 Tus Pies 24 Un Sueño Tan Sólo Eso 25 Cosas Que Nunca Te Dije 26 Superstar 27 8 Meses En Globo 28 Quiero Verte Una Vez Más (First Version) 29 Superstar (First Version) 30 Madrid (First Version)
Durutti Column, The - Another Setting $27.00
Durutti Column, The - Another Setting [PREORDER]
Format 2xLP: LP1: Blue/LP2: Green)
Release date: 5/7/2021. Limited edition 2xLP with download. LP1: Blue, LP2: Green.Factory Benelux presents an expanded vinyl edition of Another Setting, the third studio album by cult...
White Ring - Show Me Heaven from $13.75 - $19.75
White Ring - Show Me Heaven [PREORDER]
Format LP CD
Release date: 2/19/2021.LP comes with download.WHITE RING release their sophomore full-length SHOW ME HEAVEN, due out on Rocket Girl on 19 Feb 2021. This album...
Haruka Nakamura - Twilight (10th Anniversary Deluxe Edition) from $20.00 - $32.00
Haruka Nakamura - Twilight (10th Anniversary Deluxe Edition) [PREORDER]
Format 2xLP+Art Book 2xCD+Art Book
Release date: 2xCD+Art Book 1/22/2021.Release date: 2xLP+Art Book 3/12/2021.2xCD 2CD+Artbook: Remastered album tracks + 8 previously unreleased tracks. Double CDs housed in 48-page hardcover book.2xLP (Brown...
Durutti Column, The - Sex and Death from $15.00 - $27.00
Durutti Column, The - Sex and Death [PREORDER]
Format 2xLP (LP1 blue vinyl LP2 silver vinyl) 2xCD
Release date: 4/23/2021.Limited edition of 1500 2xLP (LP1 blue vinyl, LP2 silver vinyl) in gatefold jacket. 2xCD edition is also available.2xLP: Five bonus tracks are previously unreleased, having...
Lucksmiths, The - A Good Kind of Nervous $18.00
Lucksmiths, The - A Good Kind of Nervous
Release date: 12/11/2020.Limited edition black vinyl. Known for their short and bittersweet indiepop songs, economical set-up and charismatic live shows, The Lucksmiths formed in 1993...
Fovea Hex - The Salt Garden (Landscaped) $27.00
Fovea Hex - The Salt Garden (Landscaped) [PREORDER]
Format LP (Clear vinyl) + CD
Release date: 3/26/2021Les Disques du Crepuscule presents The Salt Garden (Landscaped), an album of extended pieces by acclaimed quiet music ensemble Fovea Hex, featuring longform...
Lanterna - Backyards $13.80
Lanterna - Backyards
Originally released in early 2015.Independent Project Records is pleased to announce a vinyl edition of Backyards, the beautiful new album from Champaign, Illinois' Lanterna. On...
Durutti Column, The - Circuses and Bread from $13.99 - $27.00
Durutti Column, The - Circuses and Bread [PREORDER]
Format 2xLP (Clear + orange vinyl) CD in digipak
Limited edition clear + orange color vinyl 2xLP.CD in six panel digipak with liner notes and rare band images.CD release date: 1/29/2021.2xLP release date: 3/26/2021.Factory...
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Je T'aime. Card measures 4"x6" Back side is blank for your personal message to be written on. Comes with white outer envelope.
Please visit our store.This work is ©definedesign11 2011 and CANNOT BE DUPLICATED OR COPIED.


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The BBC Music Awards winners: Adele dominates once again
The BBC Music Awards have come and gone again for another year and after a night of celebrating music with stars like Robbie Williams the winners have been revealed.
Last night the third annual BBC Music Awards took place celebrating the past year in music and recognising the fantastic talent from around the world. Despite her absence from the ceremony Adele managed to sweep the show once again winning two awards, which she managed the year before as well.
The BBC Music Awards winners:
Radio 2's Album of the Year – Adele '25'
BBC Music British Artist of the Year – Coldplay
BBC Music Introducing Artist of the Year – Izzy Bizu
BBC Radio 1 Live Lounge Performance of the Year – The 1975
BBC Music Song of the Year – Adele 'Hello'
Adele won both Album of the Year and Song of the Year but was unable to attend the awards ceremony as she was on holiday after a long tour following her recent album '25'. Speaking from Los Angeles, Adele said after winning the prize: "I'm so sorry I'm not there. It's been a long year on the road and this makes me feel a little less homesick."
Adele's award was accepted on her behalf by Robbie Williams who started the acceptance speech in Adele form, saying: "Hello, it's me…. As you have gathered I am not Adele." He read a statement on behalf of Adele before speaking for himself, saying: "It's an honour to accept this award on your behalf. It's an amazing album, and you're an incredibly deserving winner."
Coldplay were also unable to accept their award in person as they were performing in Australia, though they streamed a video message from the gig, saying: "Sorry we're not there. Look at all those people – and we love you and we're so grateful and we'll see you so soon."
BBC Music Editor James Stirling wasn't concerned with the lack of attendance by two of the awardees, saying that it shows the legitimacy of the awards. Stirling said: "The BBC Music Awards have never been about who's here on the night gets a prize. It shows a degree of legitimacy to what we do. Adele's on holiday. There's nothing we can do about that. But it actually shows that the awards are all about people who really deserve to win."
Find out more and watch all the performances from the show from the BBC Music website.
2016adeleawardsbbcbritishcoldplayLive Loungemusicradiorobbie williams
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I dedicate this poem to my Lord and Shepherd Jesus who is Sharing Love in Action.
"James E. Hyler II" Poetry.net. STANDS4 LLC, 2019. Web. 25 Apr. 2019. <https://www.poetry.net/poet/James+E.+Hyler+II>.
Missing a poem of James E. Hyler II?
Know another great poem from James E. Hyler II? Don't keep it to yourself!


text:
Rankings & Indexes
Latin Trade Magazine August 2022
Extraordinary growth among transportation services companies in the region: the Multilatina Ranking 3Q22
Guyana, Beyond Oil
Many believe that oil is the magic bullet that will hit the bullseye of prosperity for Guyana, dramatically increasing revenue, growth and economic development (regardless of how and where that largesse is spent).
However, the near-exclusive focus on oil and gas exploration unfortunately diverts the attention of foreign investors and multinational enterprises from other promising sectors and industries that can strengthen the Guyanese economic ecosystem. Recognizably, oil services, equipment, transportation, and technology tied to the petroleum sector offer abundant opportunities, as well, to companies and entrepreneurs keen on doing business in the energy sector. These supporting and spillover circumstances provide a multiplier effect and are extremely important to the development of the Guyanese economy.
Be that as it may, an assessment of the structure of Guyana's economy could lead one to conclude that a near-exclusive reliance on commodities—particularly gold, rice, bauxite and sugar—poses a huge limitation on the nation's economic diversification and industrial development. Actually, the truth is just the opposite. Despite the volatility of commodities, they are a dependable source of foreign exchange and enable a continued source of revenue to enable a nation to diversify its economy and spur industrialization.
Although doing business in Guyana can be challenging, where in an environment with huge potential is it not? The nation has copious assets that entice foreign direct and indirect investment. These include being the only country in South America where English is the official language, a stable economy, similar time zones as the U.S., geographic proximity, location outside hurricane zones, and government commitment to expand investment in infrastructure such as education, information and communication technology, and transportation. Other important assets are a young, educated workforce and labor productivity rates superior to Central American countries and Jamaica, to name a few.
To encourage both foreign and domestic investment, the government offers a package of incentives including exemption from various taxes, accelerated depreciation rates and repatriation of capital, profits and dividends. GO-INVEST (Guyana Office for Investment) actively encourages investment in light manufacturing, services, agribusiness and renewable energy. Among the most promising investment opportunities—and a real strength of Guyana in the services sector—is business process outsourcing, for both back office and front office functions. Call centers and telemarketing are two areas in this arena where Guyana has huge upside potential. Still another excellent investment opportunity lies in ecotourism. Guyana was named the #1 'Best of Ecotourism' destination in the world at the Sustainable Top 100 Destination Awards in Berlin in recent times. Guyana was recognized because of its holistic approach to sustainable destination management and development from its national policy for pursuing a Green State Development Strategy and implementing a strategy and action plan centered on sustainable tourism development.
In anticipation of expanded revenues from oil, the Government of Guyana has sought to implement a Sovereign Wealth Fund, known in Guyana as the Natural Resources Fund, which is intended to capture royalties and other revenues from the oil and gas sector. The Fund includes amongst its objectives, an intention to use natural resource wealth to finance national development priorities, including any initiative aimed at realizing an inclusive green economy. Eventually it also intends to have, deposited into it, revenues from other extractive industries in Guyana.
The fund intends to incorporate a mix of short/long term investments aimed at achieving economic advancement. The Government must learn from the past experience of other oil/gas producing countries to avoid wastage of resources and remain focused on a strategy to minimize grift and encourage socially responsible practices that can lift a large portion of the population of its dependence on remittances from the diaspora.
The Government should also be encouraged to institute a Diaspora Investment Fund. This type of fund must develop clear strategies to securitize international remittances and facilitate access to the appropriate skills and networks required to advance the economy. A recent example of the efficacy of this mechanism is the receipts of an estimated $3 billion in remittances to Kenya in 2019 from North America and Europe into a licensed investment fund, representing the largest source of foreign exchange for the country.
The Guyanese diaspora, which includes migrants and their dependents, is comprised of well-educated individuals who may have benefitted from the redistribution of income during the pandemic year including massive stimulus packages passed by their adoptive countries. Many also hold executive level positions in innovative companies. They may be enticed to share their expertise and technical know-how through partnership agreements. These should go beyond the commodities industries and provide avenues for a diversification of the economy similar to the opportunities described above. Job creation and entrepreneurial ventures in the oil/gas sector, artificial intelligence, machine learning and biomedical fields have the potential for reversing the brain drain for highly educated Guyanese residents as well as the diaspora.
In addition to being altruistic and willing to advance their home country's educational and infrastructure, the members of the diaspora may also seek good investment opportunities but will expect the transparency they have become accustomed to in their home countries.
The Fund administrators should create a structure to do the following:
Like Taiwan, create a database to track skilled migrants and match them with entrepreneurial ventures and job opportunities.
Use social media to create a network of like-minded individuals working toward a common purpose. To be effective it must be populated with the right staff who work towards clear performance metrics.
Work with senior executives to incorporate their companies' global initiatives in advancing sustainability, diversity, equity, and inclusiveness. This has the added benefit of opening up the market to green opportunities and expanded goods and services.
Guyana is at an inflection point and all signs report to an upward growth and development trajectory for the remainder of 2021 and beyond. Opportunities for domestic and foreign investors are abundant in select sectors of the economy, and the country's talented human resource base will enable the country to expand its engagement in the knowledge economy. And with so many successful Guyanese expatriates in Canada, the UK, and the U.S., one would hope that in an act of financial patriotism they step up to the plate and invest in a private sector Diaspora Investment Fund, complementing the existing public Sovereign and Natural Resources funds. Betting on Guyana is a winning proposition!
Jerry Haar is a professor of international business at Florida International University and a global fellow of the Woodrow Wilson Center in Washington, D.C. Deanne Butchey is a professor of finance at Florida International University and a Sam Walton Fellow for Enactus @ FIU.
The ultimate luxury: privacy and sustainability. Secret Bay, one of the finest resorts in the Caribbean
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Swiss-system tournament
============

The project aims to create a program to "Conduct of the tournament in the Swiss system"

Python 3

Libs: http://docs.python.org/3.3/library/tkinter.html i http://wiki.python.org/moin/TkInter

Works with algorithm http://pl.wikipedia.org/wiki/System_szwajcarski#Przyk.C5.82ad_praktyczny

redpajama_set_name: RedPajamaGithub


text:
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        disable: function() {
            this.enabled = false;
            this.disableIdleTimer();
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        /**
         * Stop the idle timer
         */
        disableIdleTimer: function() {
            global.clearTimeout(this.idleTimer);
            this.idleTimer = null;
        },

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         * @returns {integer} See SaveCoordinator.status
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            if (this.options.saveValidator(this)) {

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                if (this.options.saveDebounceEnabled) {
                    return this.debounceSave();
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                this.debug('Save Not Needed');
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        /**
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         * @returns {integer} See SaveCoordinator.status
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            if (result === this.status.throttled) {
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            return result;
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        /**
         * Internal function, should be avoided.
         * Handles calling the configured save routine
         * @returns {number} Returns disabled, busy, or saving
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                return this.status.disabled;
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            if (this.saving) {
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            this.saving = true;
            var my = this,
                formData = this.cachedForm(this.getFormSerialized()),
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                    my.resetThrottle();
                    my.resetIdleTimer();
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            if (!this.options.saver(this, formData, saveHandler)) {
                return this.status.saveFailed;
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            return this.status.saving;
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        resetIdleTimer: function() {
            var me = this;
            if (this.idleTimer) {
                global.clearTimeout(this.idleTimer);
            }

            this.idleTimer = global.setTimeout(function() {
                me.requestSave();
                me.resetIdleTimer();
            }, this.options.idleTimeout * 1000);
        },

        /**
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         * @returns {boolean}
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        canSave: function() {
            return !this.cachedFormEquals(this.getFormSerialized());
        },

        /**
         * A function to manage debouncing save requests. This is an internal private function
         * @returns {number} See SaveCoordinator.status
         */
        debounceSave: function() {
            if (!this.enabled) {
                return this.status.disabled;
            }

            if (this.saveDebounceTimer) {
                global.clearTimeout(this.saveDebounceTimer);
            }

            if (!this.saveDebounceBegan) {
                this.saveDebounceBegan = _.now();
            }

            var timePassed = _.now() - this.saveDebounceBegan,
                timeLeft = this.options.saveDebounceMaximum * 1000 - timePassed,
                timeout = Math.max(0, Math.min(this.options.saveDebounceTimeout * 1000, timeLeft)),
                me = this;

            if (!this.options.saveDebounceMaximum) {
                timeout = this.options.saveDebounceTimeout;
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            this.saveDebounceTimer = global.setTimeout(function() {
                me.debug('Debouncing Expired, Handling Save');
                me.saveDebounceBegan = null;
                me.handleSave();
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            this.debug('Debouncing Save for ' + timeout + 'ms');

            return this.status.debounced;
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            var me = this,
                throttled = this.saveThrottleTimer !== null;
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                    me.debug('Throttle Expired');
                    me.saveThrottleTimer = null;
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                        me.debug('Handling Queued Save');
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        /**
         * Output a message to console if debug is enabled
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        debug: function(message) {
            if (this.options.debug) {
                global.console.log("SaverCoordinator: " + message);
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    if (!global.Concrete) {
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    global.Concrete.composer.SaveCoodinator = SaveCoordinator;
    $.fn.saveCoordinator = function(saver, options) {
        return this.each(function() {
            var me = $(this),
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})(this, jQuery);


text:
Q: Adding Data to DataTable This code is recording the inserted IDs in arraylist and when press on button it should create loop for this array and get the data of each ID from the array and put it in Datatable and add the new data while looping to the datatable and finaly show it in datagridview .
The problem in the result when I insert one record it works fine but when I insert more than one the datagridview shows just the last one , what the mistake that I Done ?!!
In Mainform
Public Inserted_record_hold_dt As New DataTable
Public Inserted_record_dt As New DataTable
Public Sub Addcolumnstodatagrid()
    Inserted_record_dt.Columns.Add("ID")
    Inserted_record_dt.Columns(0).AutoIncrement = True

    Inserted_record_dt.Columns.Add("drawingname")
    Inserted_record_dt.Columns.Add("serial")

End Sub

and call this in main_Load
Addcolumnstodatagrid()

And this in the show button when click to loop on the array list that already have the latest ID's that has been added
Private Sub show_btn_Click(sender As System.Object, e As System.EventArgs) Handles show_btn.Click
    Dim InsertedID As Integer
    Inserted_record_dt.Clear()
    Dim R As DataRow = Inserted_record_dt.NewRow

    'Loop For each ID in the array "Inserted_List_Array"
    For Each InsertedID In mainadd.Inserted_List_Array
        'MsgBox(InsertedID.ToString)
        Dim cmd As New SqlCommand("select drawingname , serial from main where drawingid = '" & InsertedID & "'", DBConnection)
        DBConnection.Open()
        Inserted_record_hold_dt.Load(cmd.ExecuteReader)
        Try

            R("drawingname") = Inserted_record_hold_dt.Rows(0).Item(0)
            R("serial") = Inserted_record_hold_dt.Rows(0).Item(1)
            Inserted_record_dt.Rows.Add(R)

        Catch
        End Try
        'MsgBox("added")
        DBConnection.Close()
        cmd = Nothing
        Inserted_record_hold_dt.Clear()
    Next
    sendmail.Show()
    sendmail.Mail_DGView.DataSource = Inserted_record_dt
End Sub

Please tell me what is the problem in my code .

A: Your mistake is in declaring the R variable just one time outside the loop. In this way you continuously replace the values on the same instance of a DataRow and insert always the same instance.
Just move the declaration inside the loop
For Each InsertedID In mainadd.Inserted_List_Array
    ......
    Try
        Dim R As DataRow = Inserted_record_dt.NewRow
        R("drawingname") = Inserted_record_hold_dt.Rows(0).Item(0)
        R("serial") = Inserted_record_hold_dt.Rows(0).Item(1)
        Inserted_record_dt.Rows.Add(R)

    Catch
    ....
Next

Another important thing to do is to remove the empty Try/Catch because you are just killing the exception (no message, no log) and thus you will never know if there are errors in this import. At the end you will ship a product that could give incorrect results to your end user.

redpajama_set_name: RedPajamaStackExchange


With more and more matters being referred to the Disputes Tribunal, the likelihood of practitioners having to advise clients on the workings of the Tribunal and assisting them with the preparation of their cases is sure to increase.
This On Demand webinar, presented by the Principal Disputes Referee and a litigation lawyer, provides insights into how best to prepare for a hearing at the Tribunal and what to expect when appearing at the hearing itself.
Gain insights into how the law has been applied in various types of cases, and the format of a typical hearing.
Learn more about how best to prepare clients for a hearing in the Tribunal and how to deal with jurisdictional issues, the preparation of submissions, settlements, and tips on actually presenting the case without a lawyer present.
Understand better the processes behind re-hearings and appeals as well as the enforcement of orders made by the referee.
All lawyers whose clients may seek advice on appearing in the Disputes Tribunal.
Anne was appointed to the role of Principal Disputes Referee in 2010. At that time she had been a Referee for more than eleven years and was also a member of the International Education Appeal Authority and the Real Estate Agents Complaints Assessment Committee.
Anne has taught and tutored law at a number of tertiary institutions and her academic publications include peer reviewed papers on small businesses and the Disputes Tribunal, and the liability of architects.
She has practised as a solicitor in small and medium sized law firms and a Community Law Centre.
Her qualifications include M.Com Law (Hons), LLB(Hons), B.Ed and Diploma in Teaching.


The ideal cosy boat for couples with an additional double 'fold away' bed in the saloon.
'The Owl' is tradtional in style with a double berth at the aft end and galley in the centre. You will find a full size quadrant shower and toilet in separate rooms.
Below you will find a cut away diagram of the Owl.
The Owl: A 52 foot semi trad with a josher bow. Click here for plan view.


Win your furry companion a Healthy Everyday Pets Prize Pack!
Simply tell us in 25 words or less what your furry friend would cook for dinner?
Open to Australian Residents 18+ only. Competition ends 5 March 2019. One entry per person. Winners will be notified by 7 March 2019 and have until 21 March 2019 to claim prize. This is a game of skill with chance playing no part in determining the winner. The 5 most creative answers will be determined by representatives from Healthy Everyday Pets. Prize is non-transferrable or non-redeemable for cash. Prize packs are worth $75 RRP each.


Part of my first ever #TravelChatSA experience included lunch at Steenberg Catharina's.
After a delightful time at the newly renovated Steenberg spa's pool area we then headed to Catharina's Restaurant. Catharina's Restaurant at Steenberg pays homage to the woman who started it all, the fascinating and feisty Catharina Ras, who founded Steenberg in the 17th century.
The food is a modern take on traditional South African dishes in conservatory restaurant at farm-turned-hotel. There is an extensive wine list but I highly suggest starting off with a glass of Steenberg's award-winning MCC.
We all opted for their Winter Special which runs until the end of October. You can choose between the Omni, Vegetarian or Vegan menus. 2 Courses is R185 and 3 Courses R215. Which is exceptional value for money as the food is impeccable and generous.
Starters include "Soup of the Day" which those who'd ordered it raved about, a mouth-watering marinated aubergine salad with chickpeas, feta, toasted pumpkin seeds and more. I opted for the Cape Malay Fish Croquettes with a refreshing pickled ginger and bean sprout salad with lemon aoili.
There are four main dishes on each of the three menus, so plenty to choose from. The Grilled linefish was generous in size and accompanied by the most delicious pea puree, baby corn and puff pastry. The Sous Vide Pork Belly came with rosemary crushed potatoes, star anise and citrus jus. The presentation was impressive too. On the vegetarian menu, the Sauteed Vegetable and Lentil Ragout looked divine with its spiciness and potato and corn samoosa with coriander yoghurt.
As I'm not the biggest sweet tooth I decided to have a cheese platter from the a la carte menu and honestly it was the best cheese platter I have ever had! It's a Chef's cheese selection, pear and sultana chutney, beetroot gel, mustard crackers, celery sorbet. Celery sorbet is now my new favourite thing in the world. If there was a cheese board award then this would win hands down!
I will admit that the desserts looked incredibly enticing especially the Sticky Date Pudding which came with pumpkin ice cream, macaron, caramel espuma, cocoa snap.
Afterwards, we indulged in another glass of Steenberg MCC, Chardonnay this time and relaxed at the spa pool section. Sheer indulgence.
Thank you, Steenberg and Travel Chat SA for the spoils!


The Whiteley family have been involved in the creation of fine hats for over 70 years and today the Whiteley Hat Company is run by their third generation. Whiteley Hats are sold throughout the world, worn and enjoyed for their simple elegant design and comfort.
In 2002 The Whiteley Hat Company expanded from its base of fine Women's millinery into headwear for men. The Whiteley range of mens hats is a collection that brings together a variety of classic and contemporary styles, carefully crafted using a combination of subtle textures and fabrics that evoke perfectly the essence of the season. Available in a choice of colours and sizes the collection affords the wearer an opportunity to choose a design and material mix that expresses his personal style.
A Whiteley Hat is a hat of distinction and quintessential English simplicity. The Whiteley Mens Collection has classic felt and fur felt trilby, pork pie and fedora styles to wear with suits, blazers or formal attire to a variety of casual everyday, leisure and sporting hats and caps including trilby's and pork pie and fedora styles in panama and lightweight straws and materials for the summer, flat caps, newsboy caps, modern style caps and golf caps made in woollen tweeds and checks, wool with cashmere and lightweight fabrics.
By telephone :- + 44 (0) 1582 493393 our lines are open from 9.00 am to 5.00 pm Monday to Friday.
Bedfordshire, LU3 4BU, United Kingdom.


When it comes time to upgrade the Wheelchair Racing Wheel Pushrims on your wheelchair, you have to look for superior quality. At Sportaid, you will find a complete range of racing wheel pushrims at prices you can afford. Whether you are in the market for small pushrims or bigger ones, we provide you a variety of options to choose from. This is the most comprehensive collection of racing wheel pushrims with reputable brands like Corima, Harpix, ZIPP, and Tri-Spoke for your choosing.
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Browse through our hand selected line up of Wheelchair Racing Wheel Pushrims or feel free to call 1-800-743-7203 for expert assistance. Be the best you can be by choosing Sportaid as your Sports Equipment needs supplier.
Save up to 24% on Wheelchair Racing Wheel Pushrims at Sportaid today!
New customers can celebrate the same satisfaction guarantee we offer even our most loyal long-time friends, and spending more than 25 years in the business helping people find Wheelchair Racing Wheel Pushrims at the lowest prices has put us ahead of the industry! We carry a large selection of wheelchair cushions, wheelchair parts, and wheelchair accessories. We are are in the business of beating our competitorss advertised prices, so call before you buy anywhere else! Our customer service staff has over 50 years of experience, plus over 90 years of combined wheelchair use experience. We look forward to working with you!


text:
Interview with Mixed Media Artist Carolina Amaya
Carolina Amaya is a visual artist from Colombia. She works with mixed media materials such as textiles, photography, oil and acrylic in the production of her works. She explores the subject of dreams as desires, intuition and other ways of life. She is inspired by the non-linear nature of dreams, lending her work an intensely visual, visceral quality, resulting in works inhabited by hybrid beings with plastic skin and dreamlike imaginary civilisations. She lectures about art at conferences and universities internationally, and teaches in Bogota.
A: You've previously explained that you are often inspired by your dreams. How do they transfer into visual art? Do you find it challenging to remember and recreate your dreams?
CA: When we are dreaming, the occipital part of our brain is activated; the amygdala, which is directly connected to our feelings of desire, fear, anguish and terror is activated and it all turns into a game with our unconscious. Our motor part is turned off and we 'die' physically but mentally our brains are as if we were awake. So my work is full of these essays of images and deep feelings. We are all made of dreams. These images are an analysis of my own life, of what I live and what I see every day. Desire, pleasure, eroticism… the primary feelings of the human being motivated me to recreate these images that occur at night as part of my own existence. Dreams, but at the same time a personal encounter or a personal psychoanalysis that I practice to find myself in another reality, which appears descriptively. I have been recording my dreams for 10 years, I also have techniques to remember dreams, which I practice unconsciously. Our dream desires are real representations of what we want as human beings.
A: The characters in your work The Last Garden are very striking. What is the story behind them?
CA: This is a series of four women leaders of civilisations that exist in my dreams. In the dream I saw my body separated into four women, but it was still the same. Each of these women represented their culture, the food they ate, their thoughts and their way of life. They also give us some ideas about the human condition: Last Red Garden 1 represents civilisation halves. All human beings are subjected to have half in life, when we share with another person our body. On the other hand this work represents the inequality of cultures, so within the same plane I present objects and cultural representations of both worlds, East and West. From my point of view we should all be equal. That's why I use the two green apples that signify equality and knowledge. The second painting ass the questions, what are we made of? The other two leaders represent romantic aggression and the fact of wanting to leave the life that we live.
A: Your other projects include installation and sculpture pieces, do you enjoy working in other mediums? How do these help to develop your art?
CA: I like to explore video art and installation. Volume is one of my fascinations, I would like to invent a box that plays back dreams so that people remember them the next day and see them in pictures. I would also like to develop social projects such as making art for the blind, I want to create a tactile system to recreate the colours that work for both people who can see and for those that can not see.
A: Lightness vs Matter, your most recent work, focuses on the image of eyes. What message are you hoping to convey through these pieces?
CA: This composition of 15 paintings reveal an internal change that I experienced through a dream. Scientist Antti Revonsuo explained that dreams could be an anchor in our lives at the moment of sleeping, because if we do not sleep as humans we do not exist. He adds that nightmares can be predictive, they can teach us to correct our mistakes and to stay alert to what happens. Eyes specifically reflect the need for internal observation I have, because everything I observe is a form of taking control in my life. Eyes are life, watching everything that happens. Each of these paintings reflects the direct relationship between the lightness of the material of the objects: the inverse relationship between something heavy and something light, and how even the heaviest can be lighter depending on how you look at it.
Learn more about Carolina Amaya at www.carolinaamaya.com.
To see her listing in the Artists' Directory in Issue 69 of Aesthetica Magazine, pick up a copy at www.aestheticamagazine.com.
Follow us on Twitter @AestheticaMag for the latest news in contemporary art and culture.
1. Carolina Amaya, Cherry Tree 1, 2014. Courtesy of the artist.
2. Carolina Amaya, Eyes Many Eyes. Courtesy of the artist.
Ethereal Inspirations
Swedish artist Marie Åkerlund's subtle works revolve around the fragile, ethereal and essential notion of inspiration. We speak with her to find out more.
Video Profile: Marcus Callum
Marcus Callum's realist portraits are part of an acclaimed portfolio which has granted him a number of prizes and scholarships.
Fluid Technique
Without exception, each of David Cass's artworks describe water in some way. From straight depiction of seas or pools to exploration of environmental extremes.


They say hindsight is 20:20. While leading focus groups about teacher preparation for a nationwide report I found myself thankful at the choice I made to attend Union Graduate School (now Clarkson University) eleven years ago. My first weeks teaching were baptism by fire. This motivated me to research where I was going to go for graduate school. I was looking to find schools that had: robust teacher training programs to adequately prepare me for a career; solid networks to facilitate career growth and jobs; and students/alumni who spoke highly of the connection between course-work and classroom practices. I went to schools checking out their staff, classes, and interviewing their students.
I choose Union Graduate College over other near-by and less expensive institutions based on what their school offered that was different.
Classes blended pedagogy and content. Each week during the summer was a different pedagogical focus area (discussions, inquiry, project based, etc.). Classes were taught in the 'style of the week'. All education students were divided into groups of 12-15 mixed content, experience, age and background. We taught one lesson per week in the style of the week to 12-15 mixed content colleagues. Warm (strengths of the lesson) and cool (areas to improve the lesson) feedback were provided by other students for use in the lesson reflection. This instilled habits I use to this day: try something once, look back with a clear lens on student gains, write somewhere so I remember in the future.
Year-long student teaching. I student taught for a full year, one to two periods a day with two teachers. I learned a plethora of teaching styles, management strategies and content/pedagogy blending. I became fully invested in the students. I went through all the ups and downs I would experience as a classroom teacher while under the watchful eyes of experienced mentors. Analysis and reflection on practice was integrated into this experience, too.
Job search training. Professional dress, resumes + cover letters, interviewing tips, mock interviews and interview follow-up were a part of this. They prepared me as well as they could for the job market.
Realities of teaching. Teachers were brought in to discuss the 'nitty gritty' of teaching . From classroom surprises and wardrobe malfunctions to our future as professionals, current teachers spoke about teaching as a career. We learned about our building networks with our state professional organizations (some even got to attend a free conference), the benefits and work of pursuing National Board Certification, and options of career paths within the profession.
Alumni follow-up. As graduates we were encouraged to come back and share knowledge. After contributing to five books on guided inquiry instruction, I returned to teach the methodology. This connected me back to the school sharing what I have: my experience and knowledge.
engaging alumni (e) because they are your biggest resource and want to be involved. They could provide key insights to your program that will strengthen it for the future.
Talk with the host teachers. Be transparent about the benefits and costs to the pre-service and classroom teachers.
Have evidence and statistics regarding retention in the profession from model programs.
After my focus group discussions, I realized I was one of the lucky ones. Many people I spoke with said they felt unprepared to enter the classroom and have spent years acquiring strategies necessary to simply survive. However, it shouldn't come down to luck – it should be a guarantee that all teachers leave prepared for long-term career in education. Learning from what classroom teachers recommended for teacher preparation programs, how will you shift the focus in your program or help the institution you went to make changes? Weigh in on teacher preparation using #TeachersOnDeck on Twitter and Facebook.


text:
Hannah Parham
Fundraising for The Mausolea & Monuments Trust
raised of £80,000 target
Hope Springs Eternal!
Event: Hannah Parham's fundraising
The Mausolea & Monuments Trust
The MMT is a charitable trust for the protection and preservation of mausolea and funerary monuments in the UK. Since it was founded in 1997 the MMT has taken six mausolea into its own guardianship, compiled a gazetteer of all known mausolea in England, and run regular lectures and events.
Thomas Hope (1769–1831) is recognised internationally as one of great figures in 19 century taste. His country house, The Deepdene near Dorking in Surrey, was demolished in 1969, but one singular building remains: the Mausoleum he built to house the body of his young son Charles who died in 1817. This massive archaic Greek structure lies in a picturesque dell within the grounds of The Deepdene, but was neglected and then part-buried in the 1960s. It now awaits rescue.
As Hope's only extant building, the Hope Mausoleum deserves respect as the place of his burial, as well as being an extraordinary instance of the Neoclassical way of death. We are currently applying to various government bodies and charitable trusts to secure funding, and it helps enormously to point to public support for the campaign in the form of donations via this webpage. Please make a donation today.
£71,032.00 + £438.32 Gift Aid
Offline donations £68,480.00


Sometimes ye got tae shake it aff.
Mackenzie 09/15/18 One glance at the card in hand has Mackenzie thinking. She knows more than she lets on, this is for certain, though closure is something she would never find. It bugs her. Closure. And because of that, she would find herself itching to find out more.
"How's that, Mr. MacNeil?" Looking down at the card once more, the wheels start turning. Curious, and absolutely in the business of self sabotage, Mackenzie knows precisely what she will likely do.
Samantha Winchester 09/14/18 "Hello my name is Samantha Winchester and on behalf of Channel 4 CNFOXBS I would personally like to welcome you to the realm. If you should be in need of anything please by all means ask me."
Winter Summers 09/14/18 Winter was out and about without a real goal or destination, he simply loathed to just sit in house. It was boring, stuffy, and he drank way too much when he was there! Besides he enjoyed the fall weather! He loved the way his arms looked in a long sleeved shirt! The sleeves just hugged his muscles in all the right ways!! He bobbed and weaved between people careful not to run into anyone. His parents certainly didn't teach him any manners but his brother did and he would be damned if he was gonna be one of the rude people that believed they owned the whole sidewalk. That was until his icy eyes landed on a rather attractive male.
Winter never really had a problem approaching men and flat out hitting on them but it never usually worked in his favor. So he set a plan in motion it was poorly planned and he wasn't even sure if it would work but before he had a decent amount of time to think it through his feet were carrying him along. The original plan was to get knocked into the other male, apologize be smooth as f*ck and win him over but nothing ever goes the way Winter wants. No one was near enough to "accidentally" collide with so Winter simply ran into the man. Yep to get attention he acted like one of those horrible people. Yet he felt absolutely no shame!
Icy eye flicked to the man's face, and he was even better looking up close! "Oh sorry about that handsome kinda in a rush." Lies all lies! "Though I suppose not in that big of a rush." He would then look the man over. "I haven't seen your stunning face around here before are you knew? Need someone to show around? I can show you incredible things." A smirk would come to his face then.
Mackenzie 09/14/18 "No," Mackenzie lies. But it isn't really a lie. Not in her mind. The girl wears her heart on her sleeve, so as she locks her phone and drops it into her bag once more, her unamused expression says quite a bit. "It would appear, we were not."
One more wary look over the man before her brings her to sigh. What a trip. She rolls her eyes, mostly at herself, crossing her arms easily. "I apologize. It isn't every day this," she gestures toward him, "happens."
Jewel Valari 09/14/18 "Yes you do.." Admires from afar. "You look like you could lift just about anything."
Jewel Valari 09/14/18 You look strong. Are you strong?
Raven D Morningstar 09/13/18 *looks* *glares* *waves* Welcome!
Elouise Warrock 09/13/18 Hundred percent.
Athena Maximus 09/12/18 Welcome to the realm!
I like you already. You're going to need to beat the women off you with a stick.
I have lots of beating sticks if you need one. Well used.
Mackenzie 09/12/18 Her gaze flickers to the card momentarily, barely taking her eyes off him long enough. Still, she pulls a face. Duncan MacNeil. That's a far cry from Solomon King. And this brogue. Jesus. Without having to think much on it, she pulls out her phone and easily pulls up her photos, holding it up to reveal the spitting image of the man before her and the man from her past.
"Solomon King. New York. I don't know what the f-ck you mean by braw," her own brogue twists into her own, personal impersonation of his own."
Mackenzie 09/12/18 "You f-cking left me in a goddamn cottage. I f-cking hunted people down and-" Wrinkling her nose in disgust, Mackenzie feels no need to go into great detail. F-ck him. Honestly. He'd only ever used her, calling upon her when it suited him. Some goddamn friend.
A useless breath is taken, and she narrows her eyes. "Why are you talking like that? Is that honestly what you think I sound like? You are so off base, Sol."
Mackenzie 09/12/18 "Oh, f-ck right off," she mutters. A Scottish dialect may be difficult for some, but not for the Irish. A set of icy blues meet his gaze easily, clearly annoyed. Small as she is compared to the man before her, she has a way of making herself seem laughably big. "Where have you been?"
Elouise Warrock 09/12/18 I'm into it.
I don't know you. I should.


text:
Tinder to Open New Palo Alto Office
21st February 2019 21st February 2019
Tinder is set to open a new Palo Alto office, a stone's throw from Facebook's Menlo Park Campus and Googleplex, Google's largest global headquarters.
The new build is also close to Stanford University, the alumni of which include Elon Musk, Sundar Pichai, Evan Spiegel and Peter Thiel.
2555 Park Boulevard is almost 30,000 square feet of office space, and could host over 150 Tinder employees.
The dating app's previous base in the region was 471 Emerson Street, one of Facebook's first offices. On moving there in 2016, then-CEO Sean Rad said he wanted to find employees who had worked on "very large-scale systems and infrastructures".
Last month, Tinder's Hollywood HQ saw the app named as the 18th best midsize company to work for in Los Angeles. Employee perks included "free daily meals", "fitness subsidies" and "beer on tap".
It was beaten out by meditation app Headspace, which ranked 11th, and ecommerce brand Honey, which took the top spot.
Bumble's office in Austin often receives coverage for the perks it offers, including bi-monthly beauty care and support for breastfeeding mothers.
CEO Whitney Wolfe Herd, speaking to Buzzfeed this week, singled out reciprocity as one of the core principles at work in her office space.
Find an illustration of the new office here.


Top o' my head: Japanese-made camera, available new until fairly recently. IIRC it takes a small, proprietary wooden board. They turn up on eBay sometimes - a search there may yield some pictures. I will try to make time over the next few days to check one of my old Nippon Camera annuals to see if it has any more details.
Oops - I missed one important specification, sorry 'bout that! It's said to be capable of accommodating lenses in focal lengths 47 mm to 180 mm, though there isn't a direct specification of bellows draw.
If you end up buying it, do let us know what you think of it!
Oren -- Thanks again. The one for sale does not have a lens board. The fact that the board is proprietary is a concern. I cannot tell how difficult it might be to make one myself. I am a decent amateur woodworker, but . . . I hope Marc, who has one of these, can give me some idea.
Marc, what's the set up for taking images as the seller hasn't made any apparent comment on this, please?
I once had a tiny 6x9cm wooden field camera similar to that but a bit different and it had no identifying markings. The carry strap was leather though.
Against that, here's a dead listing for a Hansa 6x9. http://www.ebay.ca/itm/Excellent-Hansa-Field-69-Field-Camera-From-Japan-/111564371915 It seems similar to the Shrirom but the details differ.
I don't happen to know the origin of the Hansa camera myself. But in the absence of supporting evidence I wouldn't place much weight on Eccentric's attribution. The default seems to be for folks with little information about Japanese cameras to jump to the conclusion that every Japanese low-end wooden camera of uncertain origin must have been made by Tachihara. This is done even when cameras plainly look different from all known Tachihara-branded models. ("It's Japanese! It's wooden! It's lightweight! It has shiny metal parts! It's not labeled Nagaoka, so it must be a Tachihara!") But even hardware that's virtually identical is no guarantee; it might simply be an indication of sharing a subcontractor, or maybe not even that.
The lens board is 62x60x2mm and flat. The lens on this one is a not especially impressive 90mm f/3.5 Congo (not the w.a. version).
Wow! That thing is super cute.
How exciting! Yes, please post here Dave - I think we'll have successfully 'doubled' the amount of information about these cameras currently on the web!!!
Marc, thanks for posting the pictures!
Your camera is not the same as the one Dave bought, though. The brand label on yours says Fotox 6789, and some of the design details, including some of the metal hardware, are distinctly different.
No matter - all the better to have as much information as we can get on any of these delightful little 6x9 cameras, and to be able to compare the details across them!
That's exactly like the one I had a few years ago except mine had no nameplate. I didn't want to sell it but I ran out of money.
129095129096129097129098Again, thank you all for all of the assistance concerning the Hansa camera, and especially thank you to Marc for posting the photos. I said that I would post photos of the camera when I received it. I apologize for the delay. I did make a lens board for it. It had no board when I bought it. The board is simply a flat piece. The primary problem was the thickness of the board so that it would fit properly under the clamps. The photos show the board with a very common Kodak Ektar 101mm f4.5 lens from a 2 1/4 x 3 1/4 Busch Pressman which I have. Apparently the camera is "Yoke 69," since that is the only name label. I cannot find any information on a "Yoke," and I have looked very extensively. The camera also has a label which says "1991-3-21," which I assume to be the date of manufacture. That is about five years earlier than the dates I find for the very similar Hansa. As Oren noted, the hardware fitting on this camera are somewhat different than those on the Hansa. The camera appears to be in excellent condition.
Fun camera and the relationship between the two is obvious. I expect the designer had problems explaining why the rear mounting bar had to be so long in the later version!
Apart from the chain (safety first!), the only problem I have is with the two huge GG mounts. Japan had a history of elegant and distinctive brass fittings.


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text:
Ben Mironer
Life in Prison, Case Dismissed
Our client adamantly denied being the person who committed the alleged offenses. He was being charged with burglary with intent to commit rape and torture. Both charges carried a life sentence if convicted. Ben Mironer was able to get the first charge dismissed, at the Preliminary Hearing. Ultimately, the District Attorney's office dismissed the second charge due to insufficient evidence. The case was entirely dismissed.
Not Guilty Verdict in Second Offense DUI Trial
Our client was being charged with a Second Offense DUI, and a very high BAC level. However, there was a serious issue about whether he was actually driving at all. Ben Mironer was able to show the jury that there was a reasonable doubt that our client was driving. This was an incredible victory, and justice prevailed.
Not Guilty Verdict in Robbery Trial
Our client was facing 6 years in state prison for a Robbery charge. We went to trial because our client was being falsely accused of an offense he did not commit. The jury deliberated for less than one hour and came back with a not guilty verdict.
Hung Jury in Vehicular Manslaughter Trial & in Re-trial
Our client was charged with 6 counts of Vehicular Manslaughter, but Ben Mironer was able to prevent a conviction against our client. The jury deliberated for 4 days, in the first trial, and 3 days, in the re-trial, but couldn't agree on their decisions. This was a tremendous victory for our client and our office.
Avvo Reviews
Peer Endorsements
Petition for Writ of Mandate Granted
The DMV made a very bad decision because they chose not to believe any of the witnesses we called to testify, at the Administrative Per Se hearing for a DUI charge. We filed a petition for writ of mandate to challenge the DMV decision. The Court found that the DMV hearing officer's findings were not supported by the substantial evidence in the case. The Judge overturned the DMV suspension, and our client did not have his license suspended at all.
More Recent Wins
Kidnapping charge dropped to Disobeying a Court Order
Our client was being charged with Kidnapping her own daughter. She was also being charged with several other felonies and was facing a maximum sentence of 28 years in state prison. Ben Mironer set the case for trial. The day that trial was supposed to begin, we received an offer for probation and a plea bargain to a reduced offense of disobeying a court order. Our client was immediately released and given credit for the time she served.
Hung Jury in DUI Trial
Our client was being charged with a First Offense DUI, and his BAC was .10%. There were various scientific issues in the case, which made it hard to prove what the BAC was, at the time of driving. Ben Mironer was able to get a hung jury and prevented our client from being convicted.
Third Offense DUI reduced to Exhibition of Speed
Our client was involved in a traffic accident, where he was not at fault, while riding a motorcycle. Ben Mironer was able to convince the prosecutor not to file charges as a felony. Then, Mr. Mironer persuaded the prosecutor to a plea bargain for a reduced offense known as an Exhibition of Speed.
Felony Hit and Run charges Dismissed
Our client was involved in a traffic accident on the freeway. Ben Mironer was able to show that our client went to CHP to report the accident the next day, and that the victim in the case had been compensated by the insurance company. Ultimately, the Hit and Run charges were dismissed by the District Attorney's office.
Second Offense DUI dismissed after Suppression Motion
Our client was being charged with a Second Offense DUI, and a Refusal. Ben Mironer filed a suppression motion to challenge the constitutionality of the stop. The Judge granted the suppression motion, and the prosecutor dismissed all charges against our client.


text:
Q: Split using Regular Expression, with negative look behind and ahead to skip inside a block Given a string, i need to split the string on forward slashes, but only if those forward slashes don't appear in a {} block.
I know this can be accomplished in a variety of other ways. At this point, I just want to see if this is possible and what the regex will look like. And if it is functional, it would likely speed up the program a little bit too. Win win. :)
Using perl in the following examples, though it may ultimately be implemented in another language.
This is essentially what I want to do:
#!/bin/perl -w
use strict;
use Data::Dumper;

my @strings = (
    "/this/that",
    "/this/",
    "/this/{ID=/foo\/bar/}",
    "/this/{ID=foo/bar}",
    "/this/{/}",
    "/this/{ID=/foobar/}/that/foo/",
    "/this/{ID=f/o/o/b/a/r/}",
    "/this/{ID=/foobar/}/that/{bar}/that"
);

foreach my $string (@strings) {
    print $string."\n";

    my @items = split(/(?<!{.*?)\/(?!.*?})/,$string);

    print Dumper(\@items);

}

The problem is that you can't use a variable length look behind.
So, i've been playing with using only look aheads to accomplish the same thing.
The closest I've been able to come is using this line for the split:
my @items = split(/\/(?![^{].*?}|})/,$string);

That almost gets it, but doesn't split on / before a {} block. So i end up with results like this:
$VAR1 = [
      '/this',
      '{ID=/foobar/}/that',
      '{bar}',
      'that'
    ];

where it should be:
$VAR1 = [
      'this',
      '{ID=/foobar/}',
      'that',
      '{bar}',
      'that'
    ];

Thanks in advance.

A: You can change your current regex to:
/(?![^{]*\})

It will match a / if there's no } ahead of it.
For example, you will get a split where there are matches here.
But I think that it'd be perhaps easier with a match instead?
\{[^}]*\}|[^/]+

regex101 demo
Now, the above assume there's no nesting of braces within the strings.


Assist/Standard Assist/Character Controllers and drag "First Person Controller" to scene.
For a FPS you dont need to code anything, Unity already has some good scripts for this. You need to import them into your project Assets/import package/Character controllers.
Now you can move and look with the mouse, however you need to create a terrain otherwise your character will fall forever when you hit play. I cant upload more images since the maximun allowed is two but this pretty simple go to Terrain and click on Create Terrain.
Hello, I use Unity3 5.3.x, it seems there's no such "FPS Input Controller" and "Mouse Look".
There is a Package for this that comes with Unity just go to Assets/import package/character controller and their is a first and third person controller in their and you can edit it.
Asset Package: Assets/import package/character OR Attach the camera to a rolling ball, and the player won't see the ball, so it works!
When making the area, make sure you add a roof, and make it big. Add lighting while in the game-making part, so you can see well, and delete it when done. If the game is supposed to be well lit, then leave it that way.
That is just for movement, sorry for no mouse-look function.


text:
It's the end of the 80s in Paris, a young troupe of comedians have just been admitted to Les Amandiers, the prestigious theater school headed by Patrice Chéreau. They set out in life and in their early career. Along the way, they will learn, act, love, fear, live to the fullest and also experience their first tragedies.The French-Italian artist has dazzled at Cannes as both actor and director. In Hôtel de France (Un Certain Regard, 1987) by Patrice Chéreau, her "first cinematic joy", she played Sonia, the leading lady in a contemporary adaptation of the play Platonov by Anton Chekov, and a production that was once put on by the Théâtre des Amandiers school directed by… Patrice Chéreau. A spectacular ode to the school that the famous stage director and filmmaker set up in Nanterre to train "the next generation of actors", Les Amandiers (Forever Young) tracks the trials and tribulations of Stella (Nadia Tereszkiewicz), Étienne (Sofiane Bennacer), and the budding young actors preparing to sit the entry exams for the renowned company. The theatre founded by the director of La Reine Margot (1993) was a hotbed of talent that nurtured and trained some of the very best, including Agnès Jaoui, Vincent Perez, Thibault de Montalembert, and… Valeria Bruni Tedeschi.
The French-Italian artist Valeria Bruni Tedeschi has dazzled at Cannes as both actor and director. In Hôtel de France (Un Certain Regard, 1987) by Patrice Chéreau, his "first cinematic joy", she played Sonia, the leading lady in a contemporary adaptation of the play Platonov by Anton Chekov, and a production that was once put on by the Théâtre des Amandiers school directed by Patrice Chéreau. A spectacular ode to the school that the famous stage director and filmmaker set up in Nanterre to train "the next generation of actors", Forever Young tracks the trials and tribulations of Stella, Étienne, and the budding young actors preparing to sit the entry exams for the renowned company. The theatre founded by the director of La Reine Margot (1993) was a hotbed of talent that nurtured and trained some of the very best, including Agnès Jaoui, Vincent Perez, Thibault de Montalembert, and… Valeria Bruni Tedeschi.
France, Italy
FR, ENG
Drama, Historically, Comedy
Valeria Bruni Tedeschi, Caroline Deruas-Garrel, Noémie Lvovsky, Agnès de Sacy
Anne Weil
Julien Poupard
Sound by
Jules Bertier
Nadia Tereszkiewicz, Sofiane Bennacer, Louis Garrel, Micha Lescot
DCP, MP4
ČSFD IMDB SOUNDTRACK on SPOTIFY
DISFILM
Cannes IFF
Main Competition
Media reception
"Forever Young is Bruni Tedeschi's strongest work to date."
"Garrel is excellent as the flawed director"
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A Faithful Man
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