The 54-year-old veteran actress passed away on Saturday in Dubai where she was attending a family wedding.
A bathtub in one of the rooms in the hotel.
"Dubai police assert that the case file was forwarded to the Public Prosecutor's Office in Dubai to take the necessary legal action in accordance with such cases".
Dubai Police called in Sridevi's husband Boney Kapoor to a local police station for investigation. Soon, a Dubai newspaper rubbished the version, saying only a testimony was taken from him on Sunday morning. The report, citing accidental drowning as the cause of death, has a stamp of the "Ministry of Health UAE" and the director of preventive medicine, Dubai, Dr Sami Wadie.
Sanjay Kapoor, the brother-in-law of Sridevi, had confirmed the news of her sad demise and told Khaleej Times, "We are completely shocked". The causes of a cardiac arrest can be multiple. At least one relative had suggested a "heart attack" but Dubai police made no such mention.
Quoting an official, the Gulf News reported that traces of alcohol were found in the actress's body. The report said Boney discovered Sridevi unconscious in the bathtub, and that she was rushed to the hospital where she was declared "brought dead".
Today is the third day after Sridevi's death and her body is still in the mortuary in Dubai.
They spoke on condition of anonymity because they were not authorized to talk to reporters.
Sridevi worked in India's regional Tamil, Telugu and Malayalam-language films before making her Bollywood debut in 1979. The couple spoke for 15 minutes after which Sridevi went to the washroom to get ready for dinner. With the passing of such a luminescent star then, it's perhaps no wonder that the grieving is universal.
Around 100 policemen were deployed near the building tonight and around 250 cops will be deployed tomorrow at the house where her body will be kept for paying final tribute to the departed soul, said a police official.
The actress' body was at the General Department of Forensic Evidence in Dubai since 2.30 am (Tuesday).
Mourners have gathered at Anil Kapoor's bungalow in Juhu, as they wait for Sridevi's mortal remains to return to Mumbai.
With a new twist in Bollywood actor Sridevi's death, investigators in Dubai have questioned hotel staff and those accompanying her including her husband Boney Kapoor.


Hi Everyone. Well despite the low turn out we had another good night of entertainment. There were seven members present and thanks to Clem for providing his Tyros 2.
As usual Michael was again on top form with a good medley of songs. Not to be out done he was excellently supported by other members, JonD,JohnT, Clem, Billy, George. A shame a few more did not attend.
Thanks to all who gave their support.
We had a good time, I'm worried about the low attendance, hopefully it will pick up after the holidays.


By Fire and Sword – a historical wargame is the name of a battle system developed by the Wargamer Company. We wanted to create a realistic, playable and dynamic wargame which recreates the 17th century wars fought by the Polish-Lithuanian Commonwealth against Turkey, Muscovy, Sweden, Crimean Khanate and Cossacks. The period between 1640 and 1676, on which the game focuses, is a time of almost constant warfare waged by the Polish-Lithuanian Commonwealth on all fronts, in many cases with several enemies at the same time. Supplements planned for the game will be dedicated to specific wars and campaigns in which the Polish-Lithuanian Commonwealth took part during the entire 17th century.
The By Fire and Sword wargame is a comprehensive system including game rules, historical background for the forces of all the combatants, battle group creation rules and scenarios, but most of all a huge number of wargaming figures representing all the military formations of the warring parties.


text:
Cwm LLC Has $50,000 Stake in ZoomInfo Technologies Inc. (NASDAQ:ZI)
Cwm LLC lifted its holdings in shares of ZoomInfo Technologies Inc. (NASDAQ:ZI – Get Rating) by 261.5% during the third quarter, HoldingsChannel reports. The firm owned 1,193 shares of the company's stock after acquiring an additional 863 shares during the quarter. Cwm LLC's holdings in ZoomInfo Technologies were worth $50,000 as of its most recent SEC filing.
Several other institutional investors have also modified their holdings of the business. Mackenzie Financial Corp increased its holdings in ZoomInfo Technologies by 40.6% during the 2nd quarter. Mackenzie Financial Corp now owns 25,174 shares of the company's stock worth $837,000 after purchasing an additional 7,272 shares in the last quarter. Delphia USA Inc. grew its holdings in shares of ZoomInfo Technologies by 52.3% during the second quarter. Delphia USA Inc. now owns 6,031 shares of the company's stock worth $200,000 after buying an additional 2,072 shares in the last quarter. Vontobel Holding Ltd. raised its position in ZoomInfo Technologies by 5.9% in the 2nd quarter. Vontobel Holding Ltd. now owns 14,595 shares of the company's stock valued at $499,000 after buying an additional 810 shares during the last quarter. Mission Wealth Management LP lifted its stake in ZoomInfo Technologies by 65.0% in the 2nd quarter. Mission Wealth Management LP now owns 14,083 shares of the company's stock valued at $468,000 after acquiring an additional 5,550 shares in the last quarter. Finally, Nomura Holdings Inc. lifted its stake in ZoomInfo Technologies by 2.0% in the 2nd quarter. Nomura Holdings Inc. now owns 376,401 shares of the company's stock valued at $12,746,000 after acquiring an additional 7,512 shares in the last quarter. Institutional investors own 84.96% of the company's stock.
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A number of analysts have recently issued reports on ZI shares. Mizuho lowered their price objective on shares of ZoomInfo Technologies from $50.00 to $45.00 and set a "buy" rating on the stock in a report on Thursday, December 8th. Wells Fargo & Company lowered their price target on shares of ZoomInfo Technologies from $60.00 to $50.00 and set an "overweight" rating on the stock in a research note on Friday, January 6th. UBS Group reduced their price objective on shares of ZoomInfo Technologies from $53.00 to $48.00 and set a "buy" rating for the company in a research note on Wednesday, November 2nd. Canaccord Genuity Group lowered their target price on ZoomInfo Technologies from $48.00 to $43.00 and set a "buy" rating on the stock in a research report on Wednesday, December 7th. Finally, Stifel Nicolaus reduced their price target on ZoomInfo Technologies from $50.00 to $40.00 and set a "buy" rating for the company in a research report on Thursday, November 17th. Two investment analysts have rated the stock with a hold rating and sixteen have issued a buy rating to the company. Based on data from MarketBeat, the company currently has a consensus rating of "Moderate Buy" and a consensus target price of $44.11.
Insider Activity
In other ZoomInfo Technologies news, CEO Henry Schuck sold 1,000,000 shares of the company's stock in a transaction on Monday, December 19th. The stock was sold at an average price of $28.16, for a total value of $28,160,000.00. Following the transaction, the chief executive officer now directly owns 14,288,001 shares of the company's stock, valued at approximately $402,350,108.16. The sale was disclosed in a legal filing with the SEC, which is accessible through this link. 9.70% of the stock is owned by company insiders.
ZoomInfo Technologies Trading Down 2.4 %
ZI stock opened at $25.63 on Friday. ZoomInfo Technologies Inc. has a one year low of $23.29 and a one year high of $61.44. The stock has a market cap of $10.35 billion, a price-to-earnings ratio of 55.72, a price-to-earnings-growth ratio of 1.83 and a beta of 0.97. The company has a fifty day moving average price of $28.24 and a two-hundred day moving average price of $37.24. The company has a debt-to-equity ratio of 0.56, a current ratio of 1.28 and a quick ratio of 1.28.
ZoomInfo Technologies (NASDAQ:ZI – Get Rating) last announced its earnings results on Tuesday, November 1st. The company reported $0.12 EPS for the quarter, missing the consensus estimate of $0.13 by ($0.01). ZoomInfo Technologies had a return on equity of 7.92% and a net margin of 18.15%. The company had revenue of $287.60 million for the quarter, compared to the consensus estimate of $277.90 million. Equities analysts anticipate that ZoomInfo Technologies Inc. will post 0.45 EPS for the current year.
ZoomInfo Technologies Profile
ZoomInfo Technologies Inc, through its subsidiaries, provides go-to-market intelligence and engagement platform for sales and marketing teams in the United States and internationally. The company's cloud-based platform provides information on organizations and professionals to help users identify target customers and decision makers, obtain continually updated predictive lead and company scoring, monitor buying signals and other attributes of target companies, craft messages, engage through automated sales tools, and track progress through the deal cycle.
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redpajama_set_name: RedPajamaCommonCrawl


Sooner or later, it'll happen to you: you'll have time carved out to write but will be absolutely unable to concentrate. In case taking a break isn't an option, listening to music might do the trick. Here are some of my favorite tunes and sounds when I really don't feel like doing anything, but need to convince my brain to work in spite of it all. Feel free to share your own in the comments.
Songza has all sorts of great playlists, but I always keep coming back to this one. The finger-picking acoustic tunes have a hint of country and a hint of blues. No lyrics, so it's not completely distracting, but it's interesting enough to help you focus.
It's not really music, but rather an app that mimics the sounds of a local cafe. If you'd like to be able to turn the volume up and down at will, not worry about spilling coffee on your laptop, and have a strong wifi connection that isn't slow as molasses, you'll enjoy Coffitivity.
If you like white noise in theory but can't find any that doesn't want to make you break things, Focus@will just might do the trick. The free version plays 60 minutes of sounds at a time, and paying for a subscription unlocks all sorts of other features.
Sometimes when I'm writing a profile on a specific person, I listen to the type of music they like to try to get in their head a little bit. Of course, this only works if it's not music you absolutely despise. I usually look for them on Spotify or just find soundtracks of the type of music they say they like.
I know, I know, it's so obvious that it's barely worth mentioning, but you probably have some tunes laying around that just might work. I find myself listening to classical guitar and ukulele quite a bit (Jason Vieaux, Jake Shimabukuro, Adrian Holovaty, etc.) when editing, and more raucous music (Jayke Orvis and the Broken Band, for example) for idea generation. What do you listen to when you write?


Situated in Afantou, Villa Aelia offers air-conditioned accommodation with a terrace and free WiFi. This villa provides a seasonal outdoor swimming pool, barbecue facilities, as well as a garden. The villa has 3 bedrooms, a kitchen with a dining area, and 2 bathrooms. A flat-screen TV is featured. Rhodes Town is 20 km from the villa, while Faliraki is 6 km from the property. The nearest airport is Rhodes International Airport, 22 km from Villa Aelia.
Please inform Villa Aelia in advance of your expected arrival time. You can use the Special Requests box when booking, or contact the property directly with the contact details provided in your confirmation.


text:
42 Pułk Piechoty (42 pp) – oddział piechoty ludowego Wojska Polskiego.

Historia pułku
Pułk został sformowany w Łodzi na podstawie rozkazu nr 58 Naczelnego Dowództwa WP z 15 marca 1945 w oparciu o etat wojenny sowieckiego pułku strzeleckiego.

Wchodził w skład 11 Dywizji Piechoty. W 1949 został przeformowany na etat nr 5/42 zmotoryzowanego pułku piechoty, a w 1950 w 42 pułk zmechanizowany. Jednostka stacjonowała w garnizonie Żary, w koszarach przy ulicy Żagańskiej.

W 1945 roku pluton saperów pułku uczestniczył w rozminowaniu terenów od ujścia Nysy Łużyckiej do miejscowości Mużaków.

Dowódcy pułku
 płk Mikołaj Pietrusienko (1945–1946)
 mjr Iwan Oczierietienko (1946)
 ppłk Antoni Stanicki (1946–1947)
 mjr Mieczysław Stefański (p.o. 1947)
 ppłk Michał Barcz (1947–1948)
 ppłk dypl. Gereon Grzenia-Romanowski (1948–1950)
 ppłk Stanisław Maciejowski (1950)

Skład etatowy

dowództwo i sztab
 3 bataliony piechoty
 kompanie: dwie fizylierów, przeciwpancerna, rusznic ppanc, łączności, sanitarna, transportowa
 baterie: działek 45 mm, dział 76 mm, moździerzy 120 mm
 plutony: zwiadu konnego, zwiadu pieszego, saperów, obrony pchem, żandarmerii

Etatowo stan pułku wynosił 2915 żołnierzy 2915, w tym 276 oficerów, 872 podoficerów i 1765 szeregowców.

Na uzbrojeniu pułku znajdowały się 162 rkm, 54 ckm, 66 rusznic ppanc, 12 armat ppanc 45 mm, 4 armaty 76 mm, 18 moździerzy 50 mm, 27 moździerzy 82 mm i 8 moździerzy 120 mm.

Przypisy

Bibliografia

 Wydawnictwo Lubuskiego Towarzystwa Kultury 1987 r. – Zeszyty Lubuskie nr 22 /Gubin,zarys historii miasta

Pułki piechoty ludowego Wojska Polskiego
Ludowe Wojsko Polskie w Żarach
Oddziały 11 Dywizji Piechoty (LWP)

redpajama_set_name: RedPajamaWikipedia


The Mother Nature Tea is a raspberry leaf tea that was designed with expectant mothers in mind. The carefully selected certified organic herbs in this fresh, floral herbal infusion are mineral rich and have traditionally been used to prepare and tone the uterus for labour, calm the nerves and reduce anxiety.
Organic Merchant's Mother Nature Tea is a certified organic raspberry leaf tea blended specifically for birth and beyond. It was expertly formulated with expectant mothers in mind by Chalimah Jeanne, a naturopath, nutritionist, herbalist and mother of two.
When to start drinking raspberry leaf tea?
The blend's bloomy and herbaceous floral flavour and can be safely enjoyed during the 3rd trimester of pregnancy and in the weeks post birth.
One of the main ingredients in our Mother Nature Tea is raspberry leaf. Rubus Idaeus has been used traditionally for thousands of years. In the 1940's it was adopted and now is commonly used by many western medical practitioners as a uterine tonic during pregnancy and to facilitate childbirth. This study showed a shortening of the second stage of labor and a lower rate of forceps deliveries.
Raspberry leaf is both a parturient and astringent, toning the uterine membranes and strengthening the pelvic floor and uterine muscle tissue to assist childbirth. This toning action increasing the contractility of the uterine walls and makes for more effectual contractions during labor 1,2,3 .
Raspberry leaf also boost the immune system and helps fight infection.
Studies have shown that women who take red raspberry leaf have a reduced incidence of birth interventions 6,7. Research has also found that women who drink red raspberry leaf tea regularly towards the end of their pregnancies had a shorten labour with no identified side effects for the women or their babies. The findings also suggest that women who ingest raspberry leaf tea might decrease the likelihood of pre and post-term gestation and may be less likely to receive an artificial rupture of their membranes, or require a caesarean section, forceps or vacuum birth than women who do not consume raspberry leaf.
Nettle leaf is extremely nutritive and has an impressive nutritional composition, most notably it is the iron content which is most important during this 3rd trimester. Other nutrients include Vitamin A, Vitamin C, Calcium and Sodium. It has a high protein content and has a better amino acid profile than most other leafy vegetables 4.
Shatavari is a highly regarded reproductive tonic for women's health. Asparagus racemose is also the best known Ayurvedic tonic for women after childbirth. This rejuvenating herb is wonderful for balancing hormones, is highly nutritious, excellent at strengthening and supporting the nervous system, preventing postnatal depression, enhances and enriches milk supply, promotes healthy energy levels, sooths the digestive tract and boosts immune system8.
Rose petals have been used in Chinese medicine for more than 4000 years. Rose is especially useful in alleviating insomnia typical in the 3rd trimester, as well as tension and anxiety around childbirth and preventing postnatal depression. Rosa centifolia increases the elasticity and strengths the integrity of vasculature therefore preventing and treating varicosities and fluid retention, soothes the digestive tract in both mother and child and is an effective treatment for urinary tract infections associated with pregnancy8.
When to start taking raspberry leaf tea?
Benefits can take several weeks to accumulate in the body and take effect. Starting in the 3rd trimester around 8 weeks before birth, we suggest to start by drinking 1 cup per day, and gradually increase this to 3 to 4 cups per day. This nutrient-rich herb should be continued for 2 – 12 weeks postnatally to assist with reducing blood loss, toning the uterus back to normal size, supporting the nervous and immune systems, assisting breast milk production and the many other wonderful associated benefits.
There are no known contraindications for raspberry leaf when used in the third trimester at an appropriate dose. An exception being if previous labour(s) have been really fast, it's best avoided. With very little in the way of side effects and contraindications, and such great benefits observed and recorded, raspberry leaf is a great option for most pregnant women.
This information is not intended to diagnose in any way. For treatment consult a healthcare professional.
Store out of direct sunlight in a dry place below 30°C.
This blend is caffeine free, sugar free, and contains no artificial colours or flavours.
Use 1 – 2 heaped teaspoons of Mother Nature Tea per 1 cup boiling of water and let steep for 5-15 minutes. Allow to cool before drinking.
Long infusions of 6-8 hours are best for extracting more of the mineral nutrients.
SCROLL BACK TO TOP TO BUY ORGANIC RASPBERRY LEAF TEA MADE IN AUSTRALIA.
1 Berger, Judith. Herbal Rituals. New York: St. Martins Griffin Press, 1998.
3 Rosemary, Gladstar Family Herbal: a guide to Living Life with Energy, Health and Vitality Storey Books, North Adams, Massachusetts, 2001.
6. Burn JH & Withell ER 1941, A principle in raspberry leaves which relaxes uterine muscle. The Lancet, July 5, pp. 1-3.
7. Parsons M 1999, Raspberry leaf. Pregnancy, Birth and Beyond Newsletter 1(2) pp. 1-2.
Just had my second child. This tea is not only delicious, but I actually had the feeling that it really helped me calm my nerves.


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Driving northwest from Bendigo, the landscape begins to flatten out and open up through pastoral country divided by serpent-like bands of River Red gum trees that line sporadic river courses meandering slowly to the mighty Murray River. Not far from the tiny settlement of Serpentine, some 200 kilometres northwest of Melbourne, Turners Crossing vineyard rests on the banks of the Loddon River on the Old Bridgewater- Serpentine road. It is here where Paul Jenkins and Phil Bennett found property available to establish their vision for a productive and viable vineyard. The initial assessments involved intensive soil testing and irrigation planning before site preparation began followed by the extensive planting and trellising of the vines.
The entire property is just over 225 acres in area of which 105 acres is planted with 70,000 vines comprising 4 different grape varieties. The majority of the vineyard was planted in 1999 with over 70 acres of Cabernet Sauvignon and Shiraz selected for the initial vine establishment. Another 30 acres of the same grape varieties were planted the following year while a further 5 acres of Picolit and Viognier were added between 2000 & 2006.
The Vineyard is 268, above sea level with a nor-west aspect and falls no more than 2 metres in height away from the Loddon River, which runs along its western edge. The soil is typically a medium clay loam infused with a ridge of limestone pebbles that influences a neutral pH across the profile.
Climatic conditions at the site generally include warm to hot days (up to 40 degrees Celsius) during summer and throughout the growing season with mild night-time temperatures just below 20 degrees Celsius. Frosts can and do occur in October and into early November on occasions. Variations in weather are monitored using an online weather station, while an overhead spray system is activated in advance of forecast frosts to ensure crop damage is avoided. The prevailing wind in the growing season is generally of warm northerly inland origin.
Preheat the oven to 100C. Juice 1 lemon and combine with 1 cup of water. Peel and quarter the quinces and drop them into the lemon water to help prevent them from browning.
Quarter the remaining lemon, then place in a flameproof casserole with 1 1/4 cups of sugar and 2 cups of water. Stir over low heat until sugar dissolves, then bring to the boil. Drain the quinces and add to the sugar syrup. Bring back to the boil, and then remove from heat. Cover the surface closely with baking paper, and then transfer to the oven. Reduce the oven to 75C and cook for 3-4 hours or until the fruit is tender and a rich crimson colour. Cool in the syrup. Meanwhile, lightly grease a loose bottom 23cm x 4cm tart pan. Line with the pastry and chill for 30 minutes.
Line the tart pan with baking paper and fill with pastry weights or uncooked rice. Bake for 10 minutes, then carefully remove the baking weights and paper and bake for a further 8-10 minutes or until dry and lightly golden. Set aside.
Meanwhile, place the butter and remaining 125g sugar in a food processor and whiz until combined. Add the flour and whiz to combine. With the motor running, add the eggs and vanilla and then add the hazelnut meal and whiz until well combined.
Drain the quince, then arrange in the tart shell to completely cover the base. Pour over the hazelnut mixture and smooth the top with a spatula. Return the tart to the oven and bake for 40-45 minutes or until a skewer inserted into the hazelnut layer comes out clean.
Allow the tart to rest for 10 minutes, then remove from the pan and dust with icing sugar. Cut into slices and serve with vanilla bean ice cream.
What's Happening in the Vineyard?
With the arrival of winter, the vines are well into their annual period of dormancy. While the immediate world around them shivers and shudders in sub-zero night temperatures and frozen white landscapes dominate the early morning vistas, the vines rest with their stored carbohydrates reserves from the previous growing season lying latent in the woody trunks and roots ready to burst into foliage production when Spring appears.
This is the perfect time to start pruning back the last season's lateral shoots that now have a layer of wood around them. This serves to 'train' the vines to make harvest and management easier, but to also encourage the ideal balance of fruit and foliage production in the next growing season.
At Turners Crossing, mechanical pre-pruning is undertaken initially to remove the excess shoot growth followed by hand pruning to objectively leave around 50 buds per vine. It is from these buds that the fruit bearing shoots will arise throughout spring and summer months.
Back in the winery, the first of the latest vintage wines have been bottled already, a new and exciting Rose and that scrumptious Viognier that we followed through its dynamic fermentation.


text:
Pentagon DELETES files about Osama bin Laden raid (Mail Online)
MailOnline: "Pentagon DELETES files about Osama bin Laden raid after transferring them to CIA where they can't be made public", 08 July 2013.
"Military files about the Navy SEAL raid on Osama bin Laden's hideout have been purged from Pentagon computers and sent to the CIA, where they are less likely to ever be seen by the American public."
"The secret move, ordered by the nation's top special operations commander and described briefly in a draft report by the defense department's inspector general, appears to have sidestepped federal rules and perhaps also the Freedom of Information Act."
Somehow, here at The Mind Renewed, we can't help thinking that this seems strangely reminiscent of the "burial at sea"! As Sibel Edmonds puts it at Boiling Frogs Post:
"The simple process of secret-making and classifying, and doing so as the sole authority not accountable to any one or power, gives our executive branch the power to claim anything, including the existence of the nonexistent. Now that's some power!"
("Now You See it, Now You Don't: The "Supposed" Bin Laden Kill-Raid to Remain Secret Forever", Boiling Frogs Post, 08 July 2013)
Osama Bin-Laden, Lies, Classified Videos, Deleted Files, Black-Holes & Cover Ups - See more at: http://www.boilingfrogspost.com/2013/07/08/now-you-see-it-now-you-dont-the-supposed-bin-laden-kill-raid-to-remain-secret-forever/#more-22126


text:
R, D and the In-betweens
A podcast from Kelly Preece about researchers, development...and everything...
Total 35 Episodes
https://feed.podbean.com/rdandtheinbetweens/feed.xml
Doing non-traditional research with Lizzie Hobson
In this episode I talk to Lizzie Hubson about her experience of doing non-traditional research, using creative research methods to undertake research in Cultural Geography.
Music credit: Happy Boy Theme Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
Podcast transcript
Hello and welcome to R, D and The Inbetweens.
I'm your host, Kelly Prwwxw, and every fortnight I talk to a different guest about researchers development and everything in between.
Hello and welcome to the latest episode of R, D and the In Betweens. It's Kelly Preece here
And today, I'm delighted to be bringing you an episode about non traditional research or approaching research,
and research methodologies in non-traditional ways, the benefits, the challenges.
So I'm delighted to welcome Lizzie Hobson who is the PGR in geography.
Lizzie, are you happy to introduce yourself? I'm
Lizzie Hobson from the Geography Department here at Exeter I'm a PhD student in the final kind of throes and stages.
So I'm spending most of my time writing up.
So I guess now I would call myself a cultural geographer. That means I'm mostly interested in the development of landscape theory and geography and
perhaps more broadly about geography of writing kind of effectivity and performance.
Brilliant. Thank you. So the what we gonna talk about today is, quote unquote, doing non-traditional research.
So so kind of unpack back a little.
Can you talk about how how your research breaks the kind of traditional mode of what we expect research to look like a doctoral level?
So a lot of my work is very methods based rather than
And so I kind of engage with theory in a more of a framing statement kind of way and think about how we can
think about ideas kind of differently when we experiment with styles of writing and modes of presentation.
I guess maybe in the simplest sense
my project is about therapeutic landscapes and encounters to think about the therapeutic as kind
of residing more in the encounters between bodies and landscapes and in body practises.
The problem with some of this research is that it puts forward this kind of.
And this is me speaking in a in a general sense, an argument that's led to what we can call the medicalisation of landscape amd nature.
I try and open up what we might judge, as having kind of restorative or recuperative qualities.
And what recovery might mean. And I'm particularly interested in how creative practises might open up some
of these spaces and address some of these questions in more open ended ways,
I guess its pretty, quite useful to go through an example of my work.
So a part of my project is kind of laid out into three. And I got.
A really good opportunity to go to Ithica, which is a small island and part of Greece,
is not a traditional health pilgrimage site in the way Lourdes might be, but it is kind of a health landscape of sorts.
But it kind of ties with these ideas of the therapeutic come from kind of its Greek mythology.
So I didn't do Latin or Greek in school. So I was kind of really unfamiliar with these ideas before I got to Ithica
But Ithica is supposedly the home of Odysseus, who is kind of thought to have spent this 10 years mega journey battling sea monsters and
going through all kinds of mental torment just to kind of return to his beloved homeland,
Ithica. And then because of this and with the help of the poet C.P. Caffery, who wrote this famous poem, Ithica, and for many,
Ithica has come to symbolise this kind of legendary journey that every person makes through life as they look for their own kind of personal Ithica.
And it's become this metaphor for a kind of supreme goal
this kind of sweet homeland where you'll find a kind of internal calmness and satisfaction.
When I was in Ithica, I was lucky enough to spend some time with an archaeologist who took me to Homer's Palace
no Homer's School, which is also thought to be the ruins of Odysseus' palace.
And the thing is, when you go there, you expect this kind of super
grand place like ticketed off kind of all official like English heritage or national trust, what you see with them.
When I got those kind of none of that. And that's really super glad
to have my guide because I wouldn't have known what I was looking at.
There's basically one kind of placket saying you enter the site at your own risk
as it isn't stable and then nothing telling you what you were looking at.
So I kind of started thinking about these kind of grand myths and legends and standing amongst this place that was kind of.
Full of rubble. And I started experimenting with knitting as a practise,
and I didn't if you know those kind of old school geography diagrams where you get those different layers like sediment.
And then you've got the granite layer that's a bit harder on sits on top and lasts a bit longer.
And I think it's probably actually the other way around. But I was thinking about knitting a bit like that.
So knitting is kind of a way to bring the landscapes, kind of absences and presences in gaps into life.
So when I was there, I was kind of interested in the materiality of the place.
That was kind of caught up in this very real process of erosion.
And lack of funds have kind of stopped any kind of like
Oh, gosh, archaeological work. And nothing was kind of roped off in the way Stonehenge was.
When I was talking to my friend, my participant, before I went out on this this trip with the archaeologist,
her partner actually knew the site I mentioned because he was there.
Oh, yeah, I've been there.
I do rock climbing and kind of parkour there as a substitute because there's no gyms, you know, outside it's site for outdoor exercise for him,
which are kind of real madness when you think about heritage site regulations kind of here in the UK.
And yeah, I also got to spend a lot time looking at Ithica's museum collections,
some of the artefacts are kind of rumoured to be linked to as evidence that this was Odysseus' home place.
So, yeah, we looked at these fragments of kind of urns and tripods and it meant to be gifts to Odysseus and kind of spoke to this magical place.
But they also kind of opened up the space to talk about anticipating loss and curated decay and kind of heritage, those potentially beyond saving.
So when you kind of through the process of knitting and forming and reforming the landscape,
it kind of became for me not just about this this magical tale
but about visible mending, decision making and uncertain times and ideas about unbuilding in the process of preservation.
So I started thinking about Ithica, this place of mining memories.
So that's kind of just one example of my practise.
I've done different things and in different places.
That's completely and utterly fascinating.
So, okay, so you've talked about the ways in which your kind of research methods are not traditional.
How how does these practises or things like knitting and the way that if I'm understanding correctly,
that knitting is kind of a practise of recreate and exposing those kind of different layers within these sites?
How how does that form for part of a of a doctoral thesis?
You know, as we said before we started recording, I'm I'm very as an art, as a kind of ex artist and lecturer in the arts.
I am very familiar with this kind of practise.
But thinking about the kind of people out there that are doing very traditional research that don't have a clue about
how kind of these sorts of practises can be incorporated for a research project or be kind of an outcome of research.
How does that work? Like I'm sure quite a lot of different disciplines do is that I keep kind of a field.
note journal. And instead of just classically kind of doing interviews or something like that, I kind of.
And then I do a bit of that as well. But, you know, and keep a diary.
But I also do like lots of sketches and things out in the landscape and things like that.
So when like and like anyone else, I then write it up when I when I get back and I'm making a lot more kind of it out.
I'm kind of. Impressive. So it goes alongside a text
So in the case of the kittting, I kind of I write
Conceptually thing about ruins and kind of ruination in an essay format.
And then I also present my my knitting alongside that.
In that kind of works in photograph form.
I was really interested to hear you describe it as an artist sketchbook. Yeah, I mean, it's one of those things, isn't it?
Does this do a disservice?
That's when one of the thingsmy supervisors said when I think, no, you know, it's probably the best way of encapsulating it.
It's almost more like a magazine than a traditional...more like a magazine.
Again, this is probably the wrong terminology, but. Yeah, so I have.
I have to. I have a lot of I link back to the academic literature, but for me, I'm not practise based.
I haven't gone by performance. And it kind of opens up another huge kind of can of worms around.
what creative methods are who uses them? That thing for me.
It's a way of. Kind of. Using creative methods is a process as a way of kind of slowing down what we think
we know when I'm sitting with kind of uncomfortable moments at the discipline.
And I guess if you were going more by performance, you obviously have your your final end piece.
And that looks very different to what I'm kind of talking about at a non-traditional thesis.
Yeah, absolutely. And like what you're talking about and how you're talking about it, really.
The kind of methodology that your approach you're approaching in that artist's sketchbook really it sounds, you know,
to make a parallel for people who aren't familiar with this kind of thing, it really sounds like kind of how you document ethnographic fieldwork.
Yeah. Yeah. So, you know, it's it's very similar in its approach, but it's taking more creative forms of documentation and.
Thinking about data in a much, much broader.
And way as kind of being beyond.
And, you know, words, numbers, which a lot of our kind of data and research tends to be either numerical or linguistic.
But also thinking about. Practises of knowledge and understanding that go beyond the numerical and the linguistic.
So, you know, I'm thinking as a as a person with an arts background. You know, we talk to a lot about experiential learning.
And wht we would call embodied knowing say things that you might know through experience or intuition that you can't necessarily put into language.
So it sounds to me like you're incorporating all of those different forms of knowledge and learning into kind of one really rich set of data.
Yeah. It's all about non-representational theory and.
And yeah embodied and bodied ways and bodily ways of knowing. And I think that that's that's one of the challenges, right,
of doing this kind of research in an academic environment that even though it's actually not new to approach research in this kind of way, it's still.
I don't want to always say looked down on, because that isn't always the case,
but it's it's not valued in the same way sort of across the sector or across all disciplines
in higher education that more traditional research methods and forms of knowledge are.
And that's really one of the key. I would imagine one of the key challenges of doing research in this way is kind of having to.
To justify it to the to the wider academy is that something that you experience?
I think I'm. I'm really lucky because I work in a little pocket.
And so I've got a lot of kind of like minded people, which again, I guess is why in.
Sometimes it's hard to stay outside and kind of go, oh, yeah, is just like ethnography, you know.
But yeah, there's this challenge of kind of publication and how to judge creative work.
So, yeah, despite the fact that in my own discipline, there's this widespread support for kind of this creative turn within geography,
in this kind of acceptance or even understanding of alternative outputs
It's very varied even I guess by no means universal. Yeah, exactly.
And I know I find kind of sometimes the articulation of trying to use traditional language like,
you know, talking about all of the different things in your sketchbookas just different forms of data.
That's, you know, it still has that. You know, you talked about writing the kind of theoretical and unpacking that is alongside it.
It still has that theoretical basis, still has that analysis. All of those things that other people are using to create knowledge.
Yeah. So whether you're in politics or whether you're in engineering, you know, you're you're still doing collecting data and interpreting it and analysing it.
And you are very much doing that. You're just doing that in a different way.
Yeah. And I think this is this. I really wish that I could come and be able to show you my work.
You know, because, yeah, my work is practise based.
You know, I know. I speak about it. I do it.
You know, and so it kind of comes up against these traditional forms a bit in a podcast but
a lot about the journal format, more, you know how well these places are kind of geared up for creative output.
So I guess one of the issues I come up against in my thesis and which is going to for a whole nother kind of spanner in the works here.
But yes, so I do a part on Ithica and I also do your part on aerial silks and circus skills.
And so I'm interested in visual and movement, bodily movements in landscape.
So I really my ideal situation would be being able to include these videos of performances
of aerial silks by myself or my participants and demonstrating certain kind of silw routines,
experiences with gravity in the air. But the traditional kind of word document doesn't really have this capacity.
So at the moment, I'm kind of working with including a load of load of visual like screenshots not screenshots
stills from these videos and kind of laid out like that old school kind of camera.
reel, but. Ideally, I would be able to actually include video or someone read a paper.
They'd be able to see the video instead of having to do the follow this link. No disruption.
So you have to. Is imperfect and it's an imperfect option.
So we talked about the challenges. Let's. Flip it on its head.
What are the benefits of approaching a this way? What are the what are the benefits to the research?
You know, on a kind of theoretical basis.
But what are for you as a researcher what are the benefits and the development opportunities and the joys of doing research in this way?
I guess for me. And I guess this is quite a personal thing, is that it's about doing something that you love.
That's sounds like cheesey. So I like super cheesy.
And I'm going to get even more cheesy because maybe it's because I'm getting to the end of my PhD
My partner's just finish and he's looking for jobs. And sometimes, yeah, my PhD is a gift.
Right. I get to spend four years of my life doing something that I enjoy and I want to do.
And I'm very lucky that I got to write my own PhD and that I'm funded.
So I'm aware that I speak from a privileged position here.
But, yeah, I don't think despite all of the stresses that we've kind of talked about, that I could have done my PhD any other way.
I kind of felt happy and true to myself and I was really doing something worthwhile.
So, yeah, I did. I'm very aware that sounds very idealistic.
I kind of spent the first. So I've done creative methods all the way through my undergrad.
Then in my Masters. I'm very lucky that I kind of fell on my feet and like there's a real hub for it in geography
And when I started, I was kind of. I never really thought I was ever gonna kind of go into further education,
and I was really lucky to have some very good mentors kind of help push me that way.
But when I I thought, I don't know. I don't know what a thesis looks like.
So I spent probably a bit over a year trying to write a traditional PhD
I kind of resorted back to these traditional methodologies like interviews and things like that.
And I really hated it.
And I honestly think if I hadn't kind of started trusting myself again, I wouldn't have finished and I certainly would have been happy with it.
So. Yeah, I think. But I think it was just a necessity.
So people tend to be really reticent to talk about their research in that kind of enthusiastic,
passionate and idealistic way, which is kind of bizarre on a number of levels because.
You are not going to dedicate however many years of your life you take to do your research degree to a project.
If you're not incredibly passionate about it. And incredibly invested in it because you couldn't do it, you know, so.
And also what we respond when people talk about their research.
Is their enthusiasm and their excitement. You know, that's that's the thing we respond to as human beings.
Obviously, we respond to the content.
But if someone you know, if someone's talking to you about their research and they sound really bored, you don't pay attention.
And and it's really lovely to hear you talk about your research in that kind of enthusiastic and passionate way,
because doing a research degree is hard. Like. I'm not trying to sugarcoat it,
but there are some things about it that are wonderful and positive and that kind of enthusiasm and passion is one of them.
So what I like to do is to wrap up is ask people to offer some advice based on their experience.
So basically, you know, if people are.
You know, looking at doing or have just started doing a research degree that involves these kind of creative methods.
What advice would you give them based on your experience? What did you wish you knew when you started?
Yes, I guess from my kind of experience, I would say.
That you probably have to compromise.
Compromise is probably the wrong word here, because if you're gonna do something so bold, then you need conviction.
But. I guess what I mean by compromise is that if you're going to experiment with styles and kind of modes of presentation,
then you kind of have an obligation to your reader to help them. Get where you're going.
So for me, I have a framing statement that does a bit of this kind of donkey work.
It kind of acts a bit like what I was kind of saying in the beginning.
Like, I kind of started talking about my method. If I hadn't stopped, it's situating them somewhere within the therapeutic landscapes literature.
So. I love creative writing.
I do. That's my kind of niche, which I kind of.
I go from there. I will start with creative writing.
But for me, I had to kind of come to terms with the fact that there's gonna be some bits of my thesis that are not so beautifully written.
Because there are times when I'm gonna need to hold my reader's hand and I need to put interludes between between the pieces because,
you know, we jump from Ithica and then we go to the circus skills.
Right. So, yeah, compromise in a sense.
And I guess I'd also say that there's a need to take real care, I guess first picking up supervisors,
but then also picking examiners to kind of see where you're coming from and see the value in your in your work.
I've had some encounters where peoplehave just thought they're nice pretty pictures.
But what are they doing? Ouch. My heart, you know.
I've had others that I've really got what I'm trying to do and had really critical and productive conversation.
So quite important.
Thanks so much to Lizzie for taking the time to talk to me about what is an incredibly fascinating project and about the real challenges,
but also the real benefits of doing, quote unquote, non-traditional research.
If there's something about your project that you're approaching non traditionally. I'd love to hear from you and to talk to you on the podcast.
I think it's really important that we share these stories and represent these
alternative ways of doing that increasingly aren't that alternative and becoming very mainstream.
But it can be scary to be the first one in your department to take that leap. And that's it for this episode.
Don't forget to like, rate and subscribe and join me.
Next time we'll be talking to somebody else about researchers development and everything in between.


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text:
Albert Le Normand né à La Roche-Vineuse (Saône-et-Loire) le  et mort dans la même ville le  est un peintre et tapissier français.

Biographie
Albert Le Normand étude à l'École nationale supérieure des beaux-arts de Lyon, où il entre en classe de principes le . Il y étudie jusqu'en 1937. La même année, il étudie à l'école nationale supérieure des beaux-arts de Paris pendant 9 mois. Il termine sa formation à l'Académie Julian. En 1938, il effectue son service militaire à Dijon, puis à Montpellier, au Moyen-Orient à Alger, à Alexandrie, à Haïfa, à Beyrouth, puis à Damas, puis Tripoli. En 1940, il adhère au groupe témoignage. Il fonde avec d'autres artistes l'Académie du Minotaure. En 1941 et 1942, il expose au Salon du Sud-Est. Entre 1956 et 1960, il est professeur à l'École nationale des beaux-arts de Nancy. En 1965, il est professeur de fresque à l'école d'art américain de Fontainebleau. En 1966, il devient professeur de fresque à l'École nationale supérieure des beaux-arts de Paris et l'université Panthéon-Sorbonne. En 1967, il devient professeur de chromatologie à l'école Estienne.

Il s'intéresse par la suite au mysticisme indien, pays où il effectue de nombreux voyages durant les années 1970, 1980 et 1990. Il a exposé au Luxembourg, en République fédérale d'Allemagne, au Royaume-Uni, aux Pays-Bas, au Japon, au Maroc, au Brésil, au Canada, etc.

Notes et références

Annexes

Bibliographie
 Alain Vollerin, Albert Le Normand - La perpétuelle espérance du Beau, du Vrai, du Spirituel, du Soi, Mémoire Des Arts, , 200 p.

Liens externes

Peintre français du XXe siècle
Tapissier
Élève de l'École nationale supérieure des beaux-arts au XXe siècle
Élève de l'Académie Julian
Naissance en mai 1915
Naissance en Saône-et-Loire
Décès en avril 2013
Décès en Saône-et-Loire
Décès à 98 ans


text:
Open Translation Tools
Global Voices Lingua
Global Voices (http://www.globalvoicesonline.org) is an international network of bloggers who translate, report on and defend blogs and citizen media from around the world. Since 2005 the project's contributors have posted summaries and reports of what bloggers and other producers of citizen media from around the world are discussing. As of June 2009 Global Voices has published over 50,000 post and its community comprises over 300. Global Voices' content is freely available for re-distribution and use in derivative works under a Creative Commons Attribution license. The project actively promotes the reposting of its content by both citizen media organisations and mainstream commercial media.
The seeds of Global Voices' social translation project "Lingua" (http://globalvoicesonline.org/lingua/) were sown when a group of Taiwanese fans of the site began independently translating articles into Chinese and posting them online. As their body of translated work grew, they decided to organize it into Chinese-language mirror of the site. Interactions between members of the Global Voices community and the Chinese translators made it clear that there was impetus and excitement around the idea of creating multiple similar translation sites for other languages. Global Voices set out to build a scalabale infrastructure that would enable the organization to create sites for new translation communities as these came into being.
Choosing a distributed network of sites
The decision to use separate sites for each language group rather than integrated translation in the content management system (CMS) was based on several factors. For one, WordPress, the CMS used for the site, lacks content translation support in the core code and the available plugins either lacked the relevant features or did not permit the level of scalability required (at the time of writing in June 2009, Global Voices has over 20 language sites). In addition, the existing translation plugins were all pet projects of individuals, which meant there was no guarantee of long term stability (WordPress core upgrades invariably break complex plugins, so the programmers responsible need to remain vigilant over time).
It was also important that the translation project be kept as simple as possible so that it could be replicated and updated quickly. Integrating the translations into the main site with its thousands of posts, hundreds of users and years' worth of hacks and customizations would have been a slow process involving lots of testing before it could be launched. By contrast, the use of external sites to house the translations allowed the translation system to be effectively 'beta' released with no serious risk of exposure to embarassment if issues arose on the main (English-language) site. A simplified version of the site's front-end design template was used for the translation sites, speeding up launch time and avoiding the design conversions that would have been needed in order to internationalize the theme. The translation template was also much less dependent on the content skew that was taken for granted in the design of the English site.
Despite the decentralized nature of Global Voices' translation section, the sites still needed a means of recording and displaying the source-to-translation relationships on posts and in the database. To this end, a pinging model based on blog trackbacks was used. This allowed translations to be associated with the source post, and the relationship to be recorded in the translation database in the process. This involved entering the URL of the source post in the editing interface of the translation site, which pinged the source when the translation post was saved. Metadata fields for original author name and original author profile URL were added to the translation interface so that both the translator and the original author were credited separately on the translation post. The system was improved over time with enhancements that simplified the process, such as the addition of a hidden section in the post-viewing interface of English-language posts where all post metadata was easily accessible to translators.
Pros and cons of the distributed sites model
Even though the use of external sites was primarily a practical decision made for technical reasons, many within the Global Voices community consider the separation to be one of the project's greatest strengths. While integrated translations are appealing in many ways, and while some people complain that the translations are "ghettoized" in relation to the main site, separating the content and translation communities by language has in many ways helped motivate translators to remain committed to the success of their translation communities. Having administrative rights to the site appears to give editors a sense of ownership over the content. In the case of new or less active translation sites, the separation has allowed the community to grow organically and at its own pace, rather than being shoved into the noisy and crowded space of the English-language site.
Despite the Lingua project's apparent success at facilitating both participation by translators and the act of translation itself, the system was lacking in a number of ways on both the conceptual and technical fronts. For one, the system was entirely centralized on the English-language site and its database. Translations could flow only away from English and not the other way around. This was partly an editorial decision, but some translators had in fact found ways around it. The English-language site was also the only one with access to the translations database, meaning that the translation sites were unable to identify versions of a post other than the English source. These technical limitations were often interpreted as a form of Anglocentrism on the part of Global Voices and considered to be misaligned with the organization's values.
Revising the model: Decentralizing power and simplifying workflow
After considerable discussion, and once it became possible to dedicate the programming resources required for the task, Global Voices' Technical Director began re-designing the system architecture to solve the problems outlined above. Though still under development at the time of writing in June 2009, the new system is designed to manage translations using the same basic model as before, with separate sites pinging each other to record translation relationships, but in far less centralized way. The database, rather than being part of the English site, was moved to a separate space and can be accessed by all of the sites in the network, which can now save and fetch translation data directly from it. The English-language site is no longer the hub for all content translation, but merely a member of the translation network alongside the various language sites. Under the new horizontal structure, any Global Voices site can be the source or destination of a translation. The new structure also facilitates translations of translations (e.g. en->fr->zh) by translators who may be interested in a story that was not written in a language they know.
Alongside these changes the Global Voices Lingua project has worked on simplifying and streamlining the translation process, notably to make better use of the pinging system that automates the migration of content and metadata from the source site to the translation. The necessity of copying and pasting content and re-selecting categories from the original post has been the most common complaint from translators, as well as the cause of inaccuracies in translated posts. Under the updated system, the source site receives a ping from the translation to which it replies with serialized data about the post that the translation site can use to auto-populate the relevant fields in the translation interface. This makes it easy for translators to create a perfect copy of the source post on their site before starting their translations.
The decentralized pinging model for translations is perhaps the one that should have been used from the beginning, but waiting to see what problems arose with the original system made it possible to identify the biggest issues between the system and our community before making large-scale modifications. It is also worth noting that in many ways the older system, as simple and insufficient as it was, may have been the right tool for getting the Global Voices Lingua translation network off the ground. Now that the project has achieved critical mass it has become clear that all sites should be treated equally. However, the centralized nature of the original system allowed the managers of the main/English language site to maintain control over the translation sites and communities during the period where the community was learning how they might work and what kind of management they might require.
ABOUT THIS MANUAL
OPEN TRANSLATION
WHY TRANSLATE
WHAT IS OPEN TRANSLATION?
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The Princeton Society of Fellows invites applications for three-year postdoctoral fellowships (2017-2020) for recent PhDs (from Jan.1, 2015) in humanities and allied social sciences.
FOUR appointments to pursue research and teach half-time in the following areas: Open discipline; Humanistic Studies; LGBT Studies; Race and Ethnicity Studies.
Annual salary: approx. $84,500. For eligibility, fellowship and application details, see www.princeton.edu/sf.


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PO Chuck Schwarz
Chuck Schwarz was railroaded in the infamous and horrific Abner Louima police brutality incident.
When this story broke, every cop I knew , myself included, laughed it off as a bullshyte allegation against an arresting officer. When it was revealed that it actually happened, cops were disgusted and shocked. Justin Volpe snapped and was obviously mentally ill. His act of brutality would cause mistrust for the entire department and create hell on earth for any cop working that night in the 7-0.
Incident in the 70th Precinct
It started with a mêlée outside a Haitian nightclub and ended with charges of unspeakable police brutality in a bathroom at the Brooklyn precinct once nicknamed Fort Tombstone. Talking to the cops, to investigators, and to family and supporters of the victim, Abner Louima, the author examines evidence of torture so sadistic it shocked the entire nation—and touched off an urban political war.
Chuck was punished by an overzealous prosecution because he would not say what he did not know and he would not lie.
HE WOULD NOT BREAK.
The lunatic cop responsible was found guilty and sentenced to 30 years. But more cops were needed for sacrifice upon the alter of the court of political correctness and public opinion.
Volpe testified Schwarz was never in the bathroom repeatedly but they were hellbent on making an example of Chuck.
Volpe Repeats That Schwarz Wasn't There
So began a long ordeal of prison and trials in which this ex-Marine held his ground and did not compromise himself . They would imprison him for "perjury".
Chuck had many people in his corner. None greater than Steve Dunleavy of the Post
THE TRUTH MUST SET HIM FREE
Steve would write column after column documenting Chuck's ordeal and keeping him in the public eye.
Chuck was eventually freed in 2007. A complete travesty of justice. He was forced to take a vow of silence in exchange for his freedom.
Chuck Schwarz Freed
FREE CHUCK SWARTZ!!----Original link-learn about this horrible injustice
9/22/02-Schwarz Takes Plea- Must Be Silent About Innocence Chuck had to take a plea to avoid being railroaded into a long prison sentence. 4 TRIALS!!!!! Where were the great liberal, legal minds to condemn this travesty? One attorney on the prosecution's team (Barry Scheck) used and abused our system to get OJ Simpson off on loopholes and technicalities despite overwhelming evidence to the contrary.
What kind of legal system do we have???
Chuck adamantly maintained his innocence throughout, and the trial (I mean trials) showed much doubt as to his guilt. What was done in the 7-0 bathroom that night was horrendous. But that should not negate a fair trial. Only a NYC cop can be forced to renounce his freedom of speech and his claim of innocence to avoid being railroaded by the courts of the politically correct and public opinion.
For a sickening contrast, check out http://www.danielfaulkner.com in which a celebrity cop killer has been given support and hero worship from the liberal elite and numerous trials for 20 years !! It is one of the most open and shut cases I have ever seen (read the trial transcripts and the 20/20 transcript) and the defense attorneys continue to make up new defenses for every appeal!!
9/23/02-SCHWARZ LAWYER CLAIMS VICTORY
10/18/02-TWO COPS WILL NOT FACE FURTHER CHARGES
12/03/02-Chuck Gets Christmas Home With Family
12/12/02-Bruder and Weise Seek Jobs Back
12/27/02-Chuck To Minnesota For 3 Years
3/04/04-JAILED LOUIMA-CASE COP HAS EYES ON FUTURE: HIS SON -Stevey D
5/05/07- Chuck Schwarz Freed
2/21/15- Ex-cop in Abner Louima case fired by Con Ed for past: suit
Feb 21, 2015 - Ex-cop Charles Schwarz filed a lawsuit Friday against Con Ed, claiming they fired him because of his connection to the Abner Louima case.
Original NYPD Incident Report (2 pages)
Bruder Implicates Volpe In FBI Interview (9 pages)
Cochran/Neufeld Memo To The File (4 pages)
FBI Interview With Bellomo (13 pages)
Photo Array Including Volpe (#4) (1 page)
Photo Array Including Bruder (#5) (1 page)
Justin Volpe, cop who sodomized Abner Louima with broomstick inside Brooklyn police station, marries Staten Island woman in Florida prison
Volpe's earliest release date on his 30-year prison term is Aug. 3, 2025.
9-15-18 UPDATE- Richie DiGuglielmo has been granted parole, scheduled release date 01/07/19. Brother & Sister Officers stepped up and helped Richie get released, after being wrongfully imprisoned for 20 years. Police groups like Blue Line Only, were a huge help!
Another travesty of Justice....
***Richie was released from prison
Welcome Home Richard Diguglielmo
Richard DiGuglielmo: The Facts and the True Story
One day almost ten years ago, a tragic series of events took place in Dobbs Ferry, New York, that would end one person's life, ruin another man's life, traumatize two families and shake up a community. There is a well-known version of these events essentially authored--"spun" if you prefer--by Westchester County District Attorney Jeanine Pirro. Not surprisingly, since reporters rely on the DA for so much of their information, Pirro's version of the story was the one portrayed for the most part in the media.
An objective review of the facts, based on police reports, court documents and transcripts, tells a more accurate, truer story. We invite you to make up your own mind, among other ways by imagining that you were Richard D. DiGuglielmo Jr.--"Richie"---an off-duty 11-year veteran of the New York City police department working at his family's deli in Dobbs Ferry, New York, on October 3, 1996
Continued-->
Sign the Petition for Richard
As a younger lawyer, Loretta Lynch prosecuted New York police officers who sodomized a Haitian immigrant in a precinct bathroom. As attorney general, she's broadened her focus to go after entire police departments for unconstitutional practices.


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H B SMITH, CEDUNA
Composed and shared by Ceduna Old Photos, Sue Trewartha, and Erica Bodger.
Food & Beverage Closed Now!
Ad Jim's IGA Thevenard
99 Thevenard Road, Thevenard SA, Australia
WCS. 23 December 1958. Ceduna. Ace collector for the local branch of the Fathers Association, Mr. H B Smith has broken all previous records. His figures for the year show increases of 100 lbs of dressed poultry and 62 pounds in cash donations – the poultry and fish are sent to war ex-service personnel hospitals and convalescent homes in Adelaide – The secretary Mr. G Burnett, said that members could not find words to express their thanks to Mr. Smith who had been a power in the branch ever since its formation. The honour of life membership conferred on him in the last year was truly earned. Dad Smith invariably gives all the credit to his public for their most generous support.
WCS. 26 June 1957. Ceduna. Mrs. Edith Sarah Smith of Ceduna, who suffered a heart collapse several weeks ago, died last Monday – She was 77 years old. Born at Euralia, near Quorn, Mrs. Smith was a daughter of the late Mr. and Mrs. Thomas Price, of Tallala. As a young woman, she spent some time in Streaky with the late Mrs. Tom Mudge, at the Flinders Hotel and" first met her husband, Mr. H B Smith. With her husband and family, the late lady lived most of her married life on the land in the Hd Goode. Some years ago Mr. and Mrs. Smith retired to Ceduna. A selfless woman of fine character, Mrs. Smith spent a lifetime in service to the members of her family to whom she was most devoted. She enjoyed in return the fullest measure of their love and esteem. A large crowd of people who attended the service in the Ceduna Church of England and the burial service at the Ceduna cemetery afterward was a tribute to the popularity of the deceased lady. Rev Brooks officiated and the pallbearers were Mrs. Smith s sons, Ray, Mort, Max and Phil, and Messrs C M Beck and J Betts. Both daughters, Jess, (Beck) and Margaret were also at the graveside.


Autor/Herausgeber: Anne Mette et al.
Nearly half of the human population lives in the 10% of land that is considered as the coastal zone – a zone of breathtaking complexity, confronted with ever more rapid transformation processes and sustainability issues. Most of today's coastal zone problems involve many competing interests and it is of crucial importance to simultaneously assess the social and ecological dimensions of them.
The web-handbook picks up this challenge and guides the reader through exploring the system's dynamics and interactions by using a Systems Approach Framework (SAF). The SAF is a methodology that has been designed, developed and tested by 54 research institutes and universities across the European Union. Multidisciplinary teams were involved in the analysis of coastal problems, engaging in inter- and transdisciplinary work with society and policy, tackling environmental problems in the coastal zone, aiming to improve the ecological sustainability, economic efficiency, and social equity.
The web-handbook offers a 5-step-manual for identifying issues, for representing and illustrating complex processes, for interpreting these, and for engaging with policy makers and stakeholders to bridge the gap between science and policy and science and society. It fosters the integration between different scientific disciplines and society, and promotes a dialogue and transfer of scientific knowledge to policy and society.


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redpajama_set_name: RedPajamaGithub


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August 29, 2007 DO 59, s. 2007 – Institutionalizing NGO and Private Sector Participation in the Department's Procurement Processv
DO 59, s. 2007 – Institutionalizing NGO and Private Sector Participation in the Department's Procurement Processv
Institutionalizing NGO and Private Sector Participation in the Department's Procurement Processv
Schools Division/City Superintendents
Heads, Public Elementary and Secondary Schools
All Others Concerned
Statement of Policy
It is the policy of the Department of Education to promote NGO, private sector, and citizens' participation in the procurement process and contract implementation at all levels of the Department.
The Department of Education seeks to foster the spirit of volunteerism in the procurement process.
Legal Bases:
Article I, Section 3 of R.A. 9184 or the Government Procurement Reform Act (GPRA). It states:
All procurement of the national government, its departments, bureaus, offices and agencies, including state universities and colleges, government-owned and/or controlled corporations, government financial institutions and local government units shall, in all case, be governed by these principles:
Transparency in the procurement process and in the implementation of procurement contracts;
System of accountability where both the public-officials directly or indirectly involved in the procurement process as well as in the implementation of procurement contract and the private parties that deal with government are, when warranted by circumstances, investigated and held liable for their actions relative thereto; and
Public monitoring of the procurement process and the implementation of awarded contracts with the end in view of guaranteeing that these contracts are awarded pursuant to the provisions of this Act and its implementing rules and regulations, and all these contracts are performed strictly according to specifications.
Article V, Section 13 of R.A. 9184 or the Government Procurement Reform Act (GPRA) mandates all government agencies to invite private sector and NGO observers in all stages of the procurement process. It states:
Sec. 13 Observers—To enhance the transparency of the process, the BAC shall, in all stages of the procurement process, invite, in addition to the representative of the Commission on Audit, at least two (2) observers to sit in its proceedings, one (1) from a duly recognized private group in a sector or discipline relevant to the procurement at hand, and the other from a non¬government organization: Provided, however, that they do not have any direct or indirect interest in the contract to be bid out. The observers should be duly registered with the Securities and Exchange Commission and should meet the criteria for observers as set forth in the IRR. (underscoring supplied.)
Definition of Terms:
Official Observers are those private sector representatives, NGO representatives, private citizens authorized by the organizations they represent, or in the case of private citizens, by the DepED, to sign and submit relevant procurement documents and reports, e.g. inspection reports. There are two types of official observers: (a) those representing private sector and NGO organizations and (b) individual, private citizens.
Unofficial Observers are those private sector representatives, NGO representatives and private citizens who have signified their intention via official registration with the DepED or who came on their own to observe the proceedings. Being unofficial observers, they cannot sign Inspection Reports and other procurement documents. They can submit their written observations of the Implementation of the Contract and the Delivery and Acceptance to the Head of the Department of Education, Chairman of the Bids and Awards Committee of the DepED, Head of the Procurement Service of the DepED, or to the Resident Ombudsman.
Procurement is hereby defined as beginning from the time the Department approves the Annual Procurement Plan (APP) and ends upon complete Delivery and Acceptance of the procured goods, services, or infrastructure project. For purposes of this Department Order or Memorandum, complete Delivery and Acceptance excludes payment.
Stages of the Procurement Process where Observers will be invited.
Other than the stage/s of the procurement as spelled out in the IRR-A Sec. 13.3 of the R.A. 9184, private sector, NGO representatives, and private citizens are to be invited as official and unofficial observers in the Contract Implementation and the Delivery and Acceptance Stages.
Selection Criteria for Private Sector and NGO Observers in the Different Stages of the Procurement Process
For the Bidding Stage or Process
Selection of Private Sector and NGO Observers shall follow the criteria set forth in Sec. 13 of the GPRA and Sec. 13.1 and Sec. 13.2 of the GPRA's IRR-A.
Contract Implementation and the Delivery and Acceptance Stages
Selection of Private Sector and NGO Observers at the Contract Implementation and the Delivery and Acceptance Stages
In accordance with Sec. 13 of RA 9184, there shall be at least two (2) official observers: one from the private sector and one from the NGO sector. In the absence of representatives from both these sectors, the DepED shall mobilize two (2) private citizens who signified their intention to observe the process subject to the selection criteria presented in Section F of this Department Order.
2.a. Where the implementation of the contract is done in situ, in the place where the end-users are geographically located (e.g school building project) the private sector and NGO observers should be chosen according to the following criteria:
2.a.1. The private sector observer should be a duly registered business entity (as evidenced by a business permit) within the area where the contract is being implemented
It is the area chapter of a national association or organization in a sector or discipline relevant to the contract being implemented (e.g. for school buildings, a chapter of the Philippine Constructors Association, National Constructors Association of the Philippines, Philippine Institute of Civil Engineers, United Architects of the Philippines, etc.), or a local industry association or federation relevant to the contract being implemented.
2.a.2. The private sector observer should not have any pecuniary or monetary interest in the contract as a subcontractor, supplier, forwarder/transporter, or a losing bidder/s.
2.a.3. The private sector observer should not belong to the immediate family or related up to the third degree of consanguinity to the contractor, subcontractor, supplier, forwarder/transporter, or losing bidder/s. They should not be associated to the contractor, subcontractor, supplier, forwarder/transporter, or losing bidder/s in a way that would compromise their objectivity.
2.a.4. The private sector observer should have knowledge or expertise in the subject matter of the contract being implemented.
2.a.5. The NGO or civil observer should be a duly accredited organization (accredited by the Sanggunian: barangay, municipality, city, province) or SEC registered organization operating within the geographical location (barangay, municipality, city, and province) where the project is being implemented
It is the chapter of a national or local association with a major stake in the efficiency and quality implementation of the contract (e.g. Parents-Teachers-Community Association, Girl and Boy Scouts of the Philippines).
It is a duly recognized and legitimate school-based or youth organization (e.g. High School or College Students' Council, Members of the School Paper, Junior Graftwatch, etc.).
2.a.6. The NGO observer should not have any pecuniary or monetary interest in the contract as a subcontractor, supplier, forwarder/transporter, a losing bidder/s.
2.a.7. The NGO observer should not belong to the immediate family or related up to the third degree of consanguinity to the contractor, subcontractor, supplier, forwarder/transporter, or losing bidder. They should not be associated to the contractor, subcontractor, supplier, forwarder/transporter, or losing bidder/s in a way that would compromise their objectivity.
2.a.8. The NGO observer should have knowledge or expertise in the subject matter of the contract being implemented.
2.b. Where the implementation of the contract is done ex situ, (for centrally procured items) in a place other than where the end-users are geographically located, the private sector and NGO observer should be chosen according to the following criteria:
2.b.1. The private and NGO observers shall be chosen according to the criteria set forth in Section 13 of the GPRA and Sec. 13.1. and 13.2 of the GPRA.
Encouraging and Mobilizing Individual Volunteers as Official and Unofficial Observers
The Department of Education encourages concerned individuals (for example, retired school teachers, senior citizens, etc.) to volunteer as official and unofficial observers in the contract implementation and delivery and acceptance stages.
In the absence of organizations that will send private and public sector official observers, the Department of Education shall tap individuals that have expressed their intent to volunteer as official observers. Individuals will only be tapped as official observers if private sector organizations and NGOs cannot send official representatives.
To qualify as individual, official observers, volunteers are to list themselves with the appropriate DepED school, district, division and regional offices.
Official individual observers must not have any pecuniary interest in the contract as subcontractor, supplier, forwarder/transporter, or losing bidder/s.
Official individual observers should not belong to the immediate family or related up to the third degree of consanguinity to the contractor, subcontractor, supplier, forwarder/transporter or losing bidder/s. They should not be associated to the contractor, subcontractor, supplier, forwarder/transporter, or losing bidder/s in any way that would compromise their objectivity.
Official individual observers should have knowledge or expertise in the subject matter of the contract being implemented.
Responsibilities of Department of Education Officials
The Department of Education has the responsibility to publicly announce (via radio, community newspaper, and other means, like announcement during religious services, posting in community bulletin boards and school boards) the following:
Contents of the Contract (for regionally procured and division procured items) or the Items to be Delivered, their Quantity and Specifications (for Centrally procured items that will be delivered)
The List of all Bidders and their Board of Directors, Incorporators, and Company Officers
The Winning Bidder
The Contract Price and Specifications
The Implementation Schedule
The Names of Private Citizens or the Names of the Private Sector and NGO representatives serving as Official Observers
The Department of Education has the responsibility of publicly inviting private sector, NGOs, and volunteers to observe the contract implementation and the acceptance and delivery of goods.
The Department of Education has the responsibility of partnering with national, regional, and local NGOs for the mobilization and management of volunteers.
The Department of Education shall keep a masterlist of organizations and individuals who can be tapped to serve as observers in the contract implementation and acceptance and delivery.
The Department of Education shall furnish the relevant information and documents to the private sector and NGO observer.
The Department of Education shall conduct with its private sector and NGO partners, orientation for the observers and the individual volunteers on the various contracts.
The Department of Education shall prepare a Statement of Non- Conflict of Interest for signing by the private, NGO observers, and individual volunteers.
The Department of Education shall prepare detailed guidelines (in accordance with the procured items and depending on the procuring level of the Department) for NGO and private sector, role in contract implementation and acceptance and delivery for goods, services, and infrastructure projects procured by the Department.
Responsibilities of Official Observers in Contract Implementation and Delivery and Acceptance Stages
Sign a Statement of Non-Conflict of Interest.
To join the official inspection team of the Department of Education in monitoring the progress of contract implementation, including the assessment of quality.
To conduct with the authority of the Department of Education, unannounced inspections of project sites and other locations where contract implementation is being performed.
To prepare a report either jointly or separately indicating their observations on contract implementation. Tire report may be appended to official DepED inspection forms and submitted to the Head of the Department of Education, Head of the Procurement Service, or Chairman of the Bids and Awards Committee. The observers may also furnish a copy of the report to the Office of the Ombudsman/Resident Ombudsman if issues of corruption are found.
To observe acceptance find delivery proceedings, sign the necessary documents, and file the requisite report.
Responsibilities of Unofficial Observers in Contract Implementation and Delivery and Acceptance Stages.
Observe contract implementation and delivery and acceptance stages for DepED procured items;
Make written observations of the proceeding, and if they decide, submit these unofficial observations to the Head of the Procurement Service, Chairman of the Bids and Awards Committee, Head of the Department of Education or the Resident Ombudsman.
Immediate dissemination of and compliance with this Order is directed.
Reference: None
Allotment: 1–(D.O. 50-97)
DO_s2007_059


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MIPIM UK Host European Pre-Selection Round of MIPIM Startup Competition
October 11, 2017— Nine innovative proptech startups from all around Europe will face off next week at MIPIM UK in a competition aimed at finding the most promising and innovative...
Blau Journal October 11, 2017 612	Views
October 11, 2017— Nine innovative proptech startups from all around Europe will face off next week at MIPIM UK in a competition aimed at finding the most promising and innovative startups tackling key challenges in real estate.
This year the real estate Startup Competition at MIPIM UK, which runs from 18-19 October at London Olympia, will be the second round of a global competition aimed at identifying the most promising and innovative startups that are addressing the biggest urban challenges around the world.
The competition, which is developed in partnership with global real estate tech partner MetaProp NYC, takes place in New York, London and Hong Kong, with the startups competing for a place in a grand finale at MIPIM Cannes in March 2018.
The finalists include Credit Builder (U.K), a reporting rent payments to credit Agencies; Disruptive Technologies (U.K) , which manufactures stamp-sized, 15-year connected sensors with connectivity and APIs included; FutureBricks (U.K), an alternative lending platform for UK's smaller house builders; Grid Edge (UK), a business that uses AI to allow consumers to optimise energy networks; Urban Data Analytics (Spain), which provides big data solutions for cities; Ween (France), which has developed a wireless thermostat solution for 'smart' homes; Physee (Netherlands), which has developed a technology in windows that turns sunlight into electricity; Spaceti (Czech Republic) , a smart building innovator whose proprietary technology enables indoor location and navigation solutions and INTELSYS.build (UK), which builds an end-to-end cloud solution for EC&O (Engineering, Construction and Operations) companies.
Ronan Vaspart, Director of the MIPIM events said: "Technology is rapidly disrupting real estate so it is very exciting to be able to host some of the most innovative startups from Europe at MIPIM UK this year and learn more about the change they are bringing to the industry. The Innovation Forum will give visitors great insight into the future of real estate and it's going to be a very interesting two days."
Sahar Hashemi, Co-Founder of Coffee Republic and Co-Chair of the UK Government's Scale-Up Taskforce, will deliver the Startup Competition keynote speech, on Thursday 19 October at 11 am.
Members of the selection committee for the 2017 MIPIM UK Startup Competition include: Aaron Block, Co-Founder & MD of MetaProp NYC – Master of Ceremony; Rajdeep Gahir, Managing Partner at CoCreations; Dan Hughes, Director of RICS; Thomas Müller, Head of Business Development, Controlling and Reporting at Union Investment Real Estate GmbH and Alpesh Patel, Dealmaker at Global Entrepreneur Programme of Department for International Trade.
The startup competition forms part of the Innovation Forum at MIPIM UK, which will bring together, in the exhibiting area, small and large companies showcasing their innovative projects.
More information on MIPIM UK on our press room.
MIPIMMIPIM UK
BirminghamCommercialEnglandEuropeGlobalHospitalityIndustrialLondonManchesterMixed UseNet LeaseOfficeUnited Kingdom
Hanley Investment Group Completes Three 7-Eleven Deals for $9.13 Million
Blau Journal - Oct 11, 2017
MetroGroup Secures $13.7 Million in Financing for Manufactured Home Community in Santa Rosa, CA
Colliers Negotiates $9.4M Sale of South Orange County Industrial Property with Long-Term Tenant in Place
Cushman & Wakefield Private Capital and Healthcare Teams Collaborate in Sale of Class A Medical Condo for $11.85 Million
Guardian Advisory, LLC Launches $50 Million Private Equity Retail Fund Targeting $100 Million in Buying Power
C.W. Driver Companies Breaks Ground on New TK-8 Facility for One of The Nation's Largest Charter Schools
July 15, 2019— Top multifamily sales investment team led by Dylan Simon and Jerrid Anderson join Kidder Mathews in its downtown Seattle office. Simon and Anderson are joined by...
July 15, 2019 – After receiving multiple offers, a team of brokers from Colliers International recently negotiated a record $10.05 million sale of a modern three-story "jewel box" office...
July 15, 2019 – C.W. Driver Companies, a premier builder celebrating its centennial this year, broke ground on Granada Hills Charter's new $34 million facility. The new space will...
July 15, 2019 –– In the hyper-competitive and supply-challenged Orange County industrial market, Colliers International has negotiated the $9.4 million sale of a fully leased 33,805-square-foot industrial building in...


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Jonas Hörling, född den 22 mars 1659 i Stockholm, död den 19 januari 1728, var en svensk rättslärd.

Sedan han frekventerat akademierna i Åbo och Uppsala, och haft under sin tillsyn två unga friherrar Herman och Christer i släkten Fleming, blev Hörling akademisekreterare i Lund 1684, extra ordinarie professor i vältalighet 1687, kort därpå ordinarie professor och 1707 professor i romersk och inhemsk rätt, från vilket ämbete han, på underdånig ansökan, erhöll nådigt avsked 1721. Han var universitets rektor åren 1690 och 1701 samt prorektor 1716, under det att greve Carl Adolf Gyllenstierna var rector illustris. Utöver tio disputationer, för vilka Hörling presiderat, utgav han år 1685 Oratio Parentalis in obitum Principum Gustavi et ttdalrici. Mot slutet av sitt liv var han sängliggande i nio år.

Källor

Svenska professorer i retorik
Svenska professorer i romersk rätt
Rektorer vid Lunds universitet
Personer under stormaktstiden
Födda 1659
Avlidna 1728
Män
Personer från Stockholm