text:
Q: ReplayKit: RPScreenRecorder.shared().startCapture() NOT WORKING ReplayKit has really been frustrating me recently. For some reason
RPScreenRecorder.shared().startCapture(handler: { (sample, bufferType, error) in

does not actually work when I call it because I have a print() statement inside it and it is never called.
My code in the ViewController is:
import UIKit
import AVFoundation
import SpriteKit
import ReplayKit
import AVKit

class ViewController: UIViewController, AVCaptureVideoDataOutputSampleBufferDelegate, UIImagePickerControllerDelegate, UINavigationControllerDelegate, RPPreviewViewControllerDelegate {

    var assetWriter:AVAssetWriter!
    var videoInput:AVAssetWriterInput!

func startRecording(withFileName fileName: String) {
        if #available(iOS 11.0, *)
        {

            assetWriter = try! AVAssetWriter(outputURL: fileURL, fileType:
                AVFileType.mp4)
            let videoOutputSettings: Dictionary<String, Any> = [
                AVVideoCodecKey : AVVideoCodecType.h264,
                AVVideoWidthKey : UIScreen.main.bounds.size.width,
                AVVideoHeightKey : UIScreen.main.bounds.size.height
            ];

            videoInput  = AVAssetWriterInput (mediaType: AVMediaType.video, outputSettings: videoOutputSettings)
            videoInput.expectsMediaDataInRealTime = true
            assetWriter.add(videoInput)
            print("HERE")
            RPScreenRecorder.shared().startCapture(handler: { (sample, bufferType, error) in
                print("RECORDING")
            }
      }
}

func stopRecording(handler: @escaping (Error?) -> Void)
    {
        if #available(iOS 11.0, *)
        {
            RPScreenRecorder.shared().stopCapture
                {    (error) in
                    handler(error)
                    self.assetWriter.finishWriting
                        {
                            print("STOPPED")
                    }
            }
        }
    }

"HERE" is printed, but not "RECORDING"
[p.s. sorry for bad formatting in code, I'm sure you'll understand :)]

I have also tried a different method:
let recorder = RPScreenRecorder.shared()
recorder.startRecording{ [unowned self] (error) in
    guard error == nil else {
        print("There was an error starting the recording.")
        return
    }
    print("Started Recording Successfully")
 }

and to stop the recording...
    recorder.stopRecording { [unowned self] (preview, error) in
        print("Stopped recording")
        guard preview != nil else {
            print("Preview controller is not available.")
            return
        }
        onGoingScene = true
        preview?.previewControllerDelegate = self
        self.present(preview!, animated: true, completion: nil)
    }

This method does not stop when I call the recorder.stopRecording() function, "Stopped recording" is never called.

Can someone please help me because this is really frustrating me, how can you PROPERLY use ReplayKit to record your screen in iOS 11? I have searched all over the internet and none of the methods work for me, I don't why. P.S. I have the necessary permission keys in my Info.plist.
Thanks

A: A huge reminder that ReplayKit doesn't work in simulator. I wasted hours on the exact same issue until realized that ReplayKit will never trigger startCapture handler because it never records in simulator.

A: Well there are quite few possible causes for this issue.
Some of them are here:

*

*Your Replay kit Shared Recorder might be crashed, For that you can restart your device and check again.

*There might be printable issue in your replay kit. For that kindly conform to the RPScreenRecorderDelegateProtocol and add Recording Changes
screenRecorder:didStopRecordingWithPreviewViewController:error:
method to your class and check if any error shows up in this method.

redpajama_set_name: RedPajamaStackExchange


text:
<?php

namespace Bundle\MainBundle\Helper;

use Symfony\Component\HttpFoundation\Response;
use Symfony\Component\HttpFoundation\Request;
use Symfony\Component\DependencyInjection\ContainerInterface;
use Symfony\Component\Security\Core\Authentication\Token\UsernamePasswordToken;
use Symfony\Component\Security\Http\RememberMe\TokenBasedRememberMeServices;

use Symfony\Bridge\Doctrine\Security\User\EntityUserProvider;

/*
 * To change this license header, choose License Headers in Project Properties.
 * To change this template file, choose Tools | Templates
 * and open the template in the editor.
 */

/**
 * Description of UserRemember
 *
 * @author Pavel Plutakhin <pavel.plutakhin@simbirsoft.com>
 */
class UserRemember
{
    protected $container;
    protected $rememberMeService;

    public function __construct(ContainerInterface $container)
    {
        $this->container = $container;

        $providerKey = 'main'; // defined in security.yml
        $securityKey = $this->container->getParameter('secret'); // defined in security.yml

        $userProvider = new EntityUserProvider($this->container->get('doctrine'), 'Bundle\CommonBundle\Entity\User\User');

        $this->rememberMeService = new TokenBasedRememberMeServices(
            array($userProvider),
            $securityKey,
            $providerKey,
            array(
                'name' => $this->container->getParameter('remember_me_name'),
                'path' => '/',
                'domain' => null,
                'secure' => false,
                'httponly' => true,
                'lifetime' => $this->container->getParameter('remember_me_time'),
                'always_remember_me' => false,
                'remember_me_parameter' => '_remember_me'
            )
        );
    }

    public function rememberUser($token, $request, $response)
    {
        $this->rememberMeService->loginSuccess($request, $response, $token);
    }
}

redpajama_set_name: RedPajamaGithub


text:
The 120 Days of Sodom
The Marquis de Sade
Title: The 120 Days of Sodom
Author: D.A.F. de Sade
Written: (1785) (Eng. 2016)
Availability: The 120 Days of Sodom - US
The 120 Days of Sodom - UK
The 120 Days of Sodom - Canada
Les 120 journées de Sodome - Canada
Les 120 journées de Sodome - France
Die 120 Tage von Sodom - Deutschland
Le centoventi giornate di Sodoma - Italia
Las 120 jornadas de Sodoma - España
or, The School of Libertinage
French title: Les 120 journées de Sodome
Written in 1785, Les 120 journées de Sodome was first published in 1904
Translated and with an Introduction by Will McMorran and Thomas Wynn
Previously translated by Austryn Wainhouse (as 'Pieralessandro Casavini', 1954; and in a revised edition, with Richard Seaver, 1966)
Scott Moncrieff Prize 2017, for this translation
-- : hors catétegorie, in every respect -- but a bizarrely fascinating work
TLS . 1/8/2017 Lisa Hilton
"Anyone dipping into this intensely disturbing novel in the hope of a cheap thrill will be disappointed. Sade is a rotten pornographer. He is entirely unconcerned with sensuality or erotica: his theme is power, and the violence by which power demonstrates its superiority. True, Sodom contains an unfathomable amount of sex, an interminable daisy chain which maximizes how many people can put what where, but titillation could not be further from the author's objective. (...) Even in this excellent translation, whose authors have elected to retain the errors and idiosyncrasies of the original text, the language lurches awkwardly from the crude to the coy, often in the same sentence (.....) Concealed by the shock tactics and the satire (), there is an inconsistent, yet serious and often extremely funny thinker peeking from beneath the bedclothes. But sexy 120 Days of Sodom most definitely is not." - Lisa Hilton, Times Literary Supplement
Among the many books that are widely known but little read, the notorious The 120 Days of Sodom surely ranks among the least read; arguably. it even is -- or should be considered -- unreadable, a large part of it essentially little more than a list of abominations, almost three-quarters of the fiction -- mercifully ? -- sketch and outline rather than fleshed-out narrative.
Does it need be said that what is related in The 120 Days of Sodom is, by any measure, horrific ? It is, dripping with the viscerally outlandish, full of violent violations of body (never mind soul ...) and acts for which the word filthy is entirely inadequate. The ritual abuse of children's bodies likely strikes contemporary readers as particularly vile, but it's all of a piece in Sade's variations on his theme, as one of his points, hammered home with the equivalent of a sledgehammer (and piercing god knows how many bodies and breaking god knows how many bones along the way) is that nothing is sacred. Many readers may find The 120 Days of Sodom difficult or impossible to read not only because what is described is often so reprehensible -- though they might be prepared for that --, but because much is simply disgusting: so, for example, the first part of the novel includes a large number of often described-in-detail variations on the consumption of (and other uses for) excrement.
The 120 Days of Sodom is not sexy, not erotic, and arguably not even pornographic: there's essentially nothing arousing in it. More notably, what sex there is is largely warped beyond recognition: the act in its most common and traditional form -- penis penetrating vagina -- barely registers as a tertiary variation here. In part this is due to the set-up and then presentation of the story (the quartet leading the charge agree to hold off from certain activities, and Sade only got around to writing the full story for the first month of the hundred-twenty days, when the goings-on are at their tamest), but it is nevertheless remarkable how much of the sexual release he does get to is on rather than in others -- and, indeed, essentially masturbatory. Similarly, many of the pleasures described are voyeuristic: again, this is partly a result of the set-up -- characters describing what they have witnessed --, but also fundamental: the characters like to watch, as much for entertainment as arousal. Often the pleasure is also in seeing the debasement of someone -- punishment in its broadest sense, which is also invariably humiliation (participants are almost always paid or victims, not willing partners) --, rather than achieving any kind of personal release.
In its excess The 120 Days of Sodom is a novel that is absurd, not realistic; arguably, even, it is comically absurd. Individual acts might be possible, but very few are credible -- though shockingly, history does offer examples of actions resembling some of the worst that Sade conceives. Mostly, however, the acts are laughably bizarre, impressing more in their sheer oddity than shocking, such as the person who:
has a passion for binding two pregnant women together in the shape of a ball, and then firing them from a mortar.
Indeed, much in the novel seems conceived mainly for shock value rather than any possible sexual excitation. And, as is generally the case with violative sex, it's not really very much about sex at all but rather all about the exercise of power -- and the abuse of it (the ultimate exercise of power, knowing that normal rules and standards do not apply). Shooting pregnant women out of a cannon (and similar outrages) is the exercise of unfettered power taken to its last extremes -- an orgasmic splutter almost entirely removed from anything resembling actual sex.
The novel begins with a fifty-page Introduction presenting the characters and their grand plan. The main characters are a quartet of men who have great power and wealth -- enough wealth to get away with pretty much anything. They are libertines who have lived lives of perverted excess -- and now look for the ultimate experience. What they decide to do is cloister themselves in a remote castle where they will live out their wildest fantasies, while being entertained by the stories four past-their-prime women who have experienced all there is to experience as far as debauchery goes will recount -- 150 episodes each.
Each woman is to be a story-teller for a month, and from month to month the tales are to get progressively more scandalous:
The first month is to be devoted to 'simple passions', "the least refined or most ordinary excesses"
The second to 'dual passions'
The third to 'criminal passions'
The fourth to 'murderous passions' -- "the most outrageous to law, nature and religion" (necessarily ending in murder)
Along with their young wives -- three of the libertines are married (to each other's daughters ...) -- they only want a small entourage, and:
limited themselves to 32 subjects in all, including the storytellers, thus making four of this rank, eight young girls, eight young boys, eight men endowed with monstrous members for the pleasures of passive sodomy, and four servants.
The girls and boys are between twelve and fifteen, all innocent, and all from fine homes. They are to serve as sexual objects and slaves -- though the masters pledge to wait with their defloration for a considerable time:
to allow a burgeoning desire, endlessly inflamed but never sated, to excite the senses -- a situation that must inevitably lead to the kind of lubricious frenzy the fiends are endeavouring to provoke as one of the most delectable states of lubricity.
The Introduction describes the libertines making the arrangements -- and how they obtain the young flesh --, as well as the castle to which they retreat -- deep in the woods, truly (indeed, ridiculously) inaccessible: they will be in a world unto their own. The isolated setting is, of course, a necessity for de Sade's vision:
One cannot imagine how well sensuality is served by these measures, and the things one undertakes when one can say to oneself, 'I am alone here, I am at the end of the earth, hidden from all eyes, and with no creature able to reach me -- no more constraints, no more limits.' From that moment, desires soar forth with a recklessness that knows no bounds, emboldened by an impunity that heightens this giddiness most delectably
Sade is precise in his descriptions, like setting up a game. A dramatis personæ, a 'Cast of the Novel of the School of Libertinage', helpfully summarizes the thirty-odd main characters -- and, of course, the foursome agree on a set of rules, detailed regulations Sade spells out over another eight pages.
The four libertines -- "Inveterate and infamous scoundrels with no God other than their own lubricity, no laws other than their own depravity, no limit other than their own debauchery" -- are:
the Duc de Blangis (50), who, among other things, has "killed his mother, his sister and three of his wives" and has: "an almost continually erect member"
the Bishop of *** (45), the Duc's brother
the Président de Curval (60), who: "owes his fortune to murders alone", and has: "an immense orifice whose enormous diameter, smell and colour made it resemble a chamber pot rather than an arsehole"
the financier Durcet (53), a former classmate of the Duc -- and another mother-murderer; "his prick is extraordinarily small, barely 2 inches around by 4 inches long; he absolutely never gets hard any more, his climaxes are rare and very painful"
There's not much opportunity to really develop these characters once things get going, but at least de Sade does differentiate some between them -- so also in their treatment of their wives (who are also daughters -- and whom their fathers do occasionally reclaim). Curiously, also, their preference is for sodomy -- "all four had themselves buggered regularly and [...] idolized arses" --, with the Bishop even actively disliking the female temple: "he despised them so intensely that the very sight of them would have made him droop for 6 months".
After so carefully setting the stage, de Sade gives a final warning -- or makes a grand promise:
The time has come, friendly reader, for you to prepare your heart and mind for the most impure tale ever written since the world began, for no such book may be found among either the ancients or the moderns
The novel proper then is divided into four parts, each covering one month, each including roughly 150 episodes narrated by the storytellers -- reminiscences from their bawdy days, where they witnessed, facilitated, or participated in all manner of sordid activity -- presented as entertainments for the libertine-audience. The stories are often interrupted, as the libertines find themselves aroused or curious and eager to imitate what they've just heard. Beyond that, the libertines demand constant attention, day and night, and there's endless coming and going between those who serve them. Among the rules that are enforced is that the underlings can only relieve themselves at prescribed times (in the chapel, by the way -- the room that has been transformed into the elaborate outhouse). And the underlings are punished for their transgressions -- real or imagined. As the months go by, the activities and punishments are also increasingly violent and cruel.
Some of the children's despair at their situation is presented -- largely then to show how heartless the libertines are. Prayer is forbidden in this godless place and also punished.
Only the first of the four parts is written out in full; it covers some two hundred and fifty pages here. The remaining three are only in outline -- basic for the middle two, of twenty pages each, and slightly more elaborated for the cruelest final one, extending to about forty pages.
A nice touch is that some of the characters in the stories the storytellers relate recur in later ones, revealing their sealed fates (inevitably: death). Sade's novel is carefully constructed and mapped out throughout -- as is particularly obvious in the final three parts, which are in fact largely presented as blueprints rather than finished.
Helpfully, the translators of this new edition have translated de Sade's manuscript as is, including with the notes the author made for himself. This includes lists of 'Mistakes I have made', or omissions, presumably to be fixed in the (never completed) clean final version. Among the most amusing is when Sade reaches the final story -- perplexed that he is numbering it '148', leading to the parenthetical observation: "Check why there are two missing -- they were all there in the drafts"; the editors clear it up by noting he used the same number twice on one occasion and forgot to number one of the passions.
Only the first month, with the 'simple passions', is written in full and more or less final form, the stories that the storyteller relates truly little stories; the other activity at the castle is recounted in full here as well. The sadist-reader will be disappointed -- there's little brutal violence here -- and the stories tend to involves bodily excretions, from burps and farts to vast amounts (yes, even barrels-full -- and you don't want to know ...) of excrement; even the necrophilia here is coprophilic (yeah, not a great combination ...). There are many contenders for most disturbing image in the novel -- especially considering some of the later violence -- but I suggest: "It can never be too mouldy for me" ranks among them. (Again: you don't want to know .....)
The storyteller in this first month, Duclos, is experienced from earliest childhood, spending much of her youth and adult life in essentially a bordello, catering to all such tastes. Curiously, as noted, many of the patrons she describes essentially satisfy themselves, sometimes requiring some exertion but more usually just excretions from those tasked with the helping them realize their perverted lusts: typically, simply: "the libertine would spill his come when his imagination was utterly ablaze". At the same time, much of the activity at the castle is also limited -- in part because of the rules (the youngsters are not to be deflowered until later in the show), in part because the youngsters are still being taught how to properly pleasure their masters (yes, there are daily masturbation lessons), but also because de Sade actually shies away from closer examination: so, for example, on an evening when various parties plan to stay up all night, they do so behind closed doors, so that de Sade leaves it at: "though what they got up to in terms of obscenities and abominations in each room is unimaginable". For all of de Sade's envelope-pushing, he knows enough about novel-writing to hold back at times as well. (Presumably, it also partially reflects his own situation, and the true nature of the book: he was in prison when he wrote it, left to his own devices; the book is entirely the work of the imagination, a masturbatory fantasy rather than any sort of depiction of real-life sex.)
The 'passions' of the first month are relatively harmless, the personal injury and affronts to nature limited. After that, things take a darker -- and, for contemporary readers, decidedly more unsettling -- turn. The second narrator is Madame Champville was herself deflowered at age five, the third, Madame Martaine, sodomized at age four ("Four women held Martaine down while he buggered her. His ejaculation lasts six minutes"); even in brief-summary form, much here is beyond the pale, readable only because it is simply a list of horrors, rather than describing any of them in closer detail.
At times, de Sade over-elaborates in imagining yet new depravities:
He fucks a turkey whose head has been slipped between the thighs of a girl lying on her belly, so that it looks as if he is buggering the girl; he is buggered throughout and the moment he comes the girl slits the turkey's throat.
Some are unlikely -- the time it would take ! -- yet strikingly vivid:
Inserts one or two thousand little pins into her breasts and comes when her bosom is covered with them.
(As these and many of the other examples show: there continues to be little actual fucking going on. This is a sex-novel that is not enamored of ('plain') sex, and seems to seek release almost anywhere else.)
At some points, the novel devolves almost entirely into list-form, de Sade unable to begin to imagine bits of story or detail around it:
132. He cuts off an arm.
137. He removes an eye.
141. He slices both ears off.
142. Cuts off all her extremities: her twenty digits, her clitoris, her nipples, the tip of her tongue.
At times, the sexual element is even harder to discern, the pleasure even more removed from the action:
A prodigious bugger enjoys hosting balls, but the floor is specially prepared to collapse when the room is full, and almost everyone perishes. If he were to always remain in the same town he would be discovered, but he changes towns very often; he is only discovered on the fiftieth occasion.
(Once can imagine a decent (if admittedly unlikely) story could be fashioned out of this, and the sexual element introduced, but as is it merely adds to the comic oddness of what has largely become a list-novel by this (near end-)point.)
Things get almost perfunctory by the rushed end: "Horrors were committed throughout", de Sade mentions (as if anything else were imaginable ...), as he tries to keep up with the final goings-on in the castle, as the libertine quartet cleans up and finishes up.
A final tally of the forty-six people who arrived at the castle -- including four old women, kept around for a while to guide the youngsters, as well as some kitchen staff who aren't meant to be included in the sex-play -- finds: "30 have been sacrificed while 16 return to Paris" An anti-climactic end to a novel that focuses on nothing but climax ? Yet fitting, too -- perversion is taken as far as it can, yet deflates, as it must, in the end, and life goes on (for the living ...).
The 120 Days of Sodom would survive on its aura alone: de Sade wrote it while in prison, in 1785 -- on both sides of a huge scroll of paper -- over the course of just 37 days, and it was first published only in 1904; the notoriety attached to the title remains as strong as ever. But what of it as a novel -- as literature ?
It is, (easily) arguably, unreadable. It is, in its bulk, more catalogue than fiction -- and what fiction there is, in that whole first completed part, is largely a wallow in literal filth -- not even what de Sade is known for ..... The long stage-setting introduction, and many of the stories in that first part, and especially the way de Sade moves easily back and forth between the castle goings-on and the storyteller's stories, do show de Sade as a writer of some quality. The variations on a theme, both in the stories themselves and in the castle-tales, can be tiresome in their almost mathematical organization, but de Sade does generate considerable interest in his larger concept: the set-up holds some (perverse) promise, while Duclos' tales are connected by the larger one of her own life, making for welcome continuity. The remaining three parts are fragmentary -- completely mapped out, in all their horrifying basics, but with no flesh and hence no soul to them. They impress almost only as lists, with their what-else-can-this-guy-come-up-with? fascination
There's also no getting around that The 120 Days of Sodom is an ugly tale, reveling in human depravity. Goodness (and godliness) are crushed wherever they are perceived. Indeed, de Sade even realizes he was too soft in parts: among the 'Mistakes I have made' listed after the first part is:
I was wrong to make Duclos sensitive to her sister's death -- it does not match the rest of her character -- change that.
Characterization is, unsurprisingly, also weak, though at least in outline even the minor characters are quite nicely suggested. A shame, however, that he did not do more with the characters -- especially those who are fundamentally virtuous (and hence doomed).
De Sade's vision does come through -- not of depravity and debauchery, but of structure. This is a novel from which you could almost remove the content and leave only the carefully planned blueprint, and it would impress in its perfection. There are flaws -- the editors pick up on several in the footnotes -- but for such a rush-job it is an incredible structure. No wonder de Sade also wrote to remind himself at the conclusion:
Do not deviate in the slightest from the plan, everything within it has been worked out several times and with the greatest precision.
This is not great literature in any usual sense, and it is hard to believe anyone could find it, in its totality, to be a 'good read' (though parts -- such as much of the introduction -- are excellent). Yet it is a fascinating work, and it is a considerable work of art. And it is, undeniably, 'great' in some ways. But you probably won't like it.
- M.A.Orthofer, 9 September 2017
The 120 Days of Sodom:
Grove Press publicity page
10|18 publicity page
Akai publicity page
We translated the Marquis de Sade's most obscene work – here's how by Will McMorran
'The most impure tale ever written': how The 120 Days of Sodom became a 'classic' by Will McMorran
The Real Marquis de Sade by Andrew Hussey
Sodom, LLC by Lucy Ives
Les 120 journées de Sodome - French text
Reviews (* previous translation):
Books, yo
Buchkritik.at
Erotic Review
Kirkus Reviews*
Sans*
Stevereads
Stories & Movement*
Times Literary Supplement
Vice*
Donatien Alphonse François de Sade:
Donatien Alphonse François de Sade at books and writers
Sade at the BnF
Other books by D.A.F. de Sade under review:
Aline and Valcour
See Index of Erotic, Pornographic, and Sex-related books
See Index of Books Written Before 1900
Notorious French author Donatien Alphonse François de Sade lived 1740 to 1814.

redpajama_set_name: RedPajamaCommonCrawl


We deliver a full architectural consultancy solution. The full spectrum of services that we provide mean that you only have to deal with one consultant for your entire project. From our Dubai based office we provide architectural services for the entire UAE and into the Gulf Cooperation Council.
Copyrights © 2016 emkaan - All Rights Reserved.


Biofuel encompasses a range of fuels that can be produced from any renewable biological resources, such as plant material. Renewable sources of biofuel include biomass and agricultural products such as: rapeseed, soy, tallow, sugar cane, corn, palm oil, waste vegetable oil (WVO) and used vegetable oil (UVO). Generally speaking, these first-generation biofuels are most commonly used for transport, home heating, power generation from stationary engines, and for cooking.
Biofuel absorbs carbon dioxide from the atmosphere when its plant matter base (biomass) is grown. The carbon dioxide is then released back into the atmosphere when the fuel is burnt. The combustion of petrol and diesel produces many different types of local air pollutants. It is anticipated that Bio-based fuels can provide an estimated 80% reduction in overall CO2 life cycle emissions compared to fossil fuels.
Producing biofuels lessens the dependence on traditional fossil fuels and improves diversity of fuel supply. Sustainable biofuels is an attractive alternative to fossil fuels because their production is not limited to locations where fossil fuels can be drilled, enabling a more diverse geographic supply.
Biofuels are green fuels in that they do not contribute to the carbon dioxide (CO2) burden.
Biofuel is non-toxic and biodegradable.
Unlike petroleum diesel, renewable diesel is derived from a sustainable resource that will not run out.
Biofuels burn more efficiently than petroleum diesel and are typically less flammable.


Europe is ready to welcome one of the biggest swells of the last years.
Western European coastlines in countries such as Portugal, Spain, France, Ireland, Wales and England will be receiving powerful wave sets on the horizon, between October 26th-29th.
A groundswell traveling from North Atlantic will be cruising towards the Bay of Biscay and delivering big surf to the British islands, France, north of Spain and Portugal. The above images shows the swell position at 00:01h, 28th October.
At the same time, a powerful storm will boost the groundswell's own energy to increase the power of the incoming waves. Big wave surfers are already getting their equipment checked for the challenge ahead.
Spots like Nazaré, Supertubos, Mullaghmore, Roca Puta, El Bocal, Belharra, Aileens and Prowlers will probably deliver the largest waves ever in Europe, in the last years.
Discover the differences between groundswells and wind swells.
Browse through the best surf forecasting books and learn how to track swells.
Take a look at the importance of swell period in surfing.


text:
Three children of Danish billionaire killed in Sri Lanka attacks
April 22, 2019 By NBM Team
COPENHAGEN: Denmark's richest man Anders Holch Povlsen and his wife lost three of their four children in the Easter Sunday attacks in Sri Lanka, a spokesman for Povlsen's fashion firm said on Monday.
The spokesman declined to give any further details but Danish media said the family had been on holiday in Sri Lanka.
A string of bombings at churches and luxury hotels across Sri Lanka killed 290 people and wounded about 500 in Sunday's attacks. A senior investigator said on Monday that seven suicide bombers had taken part in the attacks.
Povlsen is the owner of fashion firm Bestseller, which includes brands like Vero Moda and Jack & Jones, and is the majority stakeholder in online retailer Asos while also holding a big stake in Zalando.
He owns more than 1 percent of all the land in Scotland, according to Forbes.
Tagged Anders Holch Povlsen, Danish billionaire, Povlsen's fashion firm, Sri Lanka attacks
SpiceJet, Emirates sign MoU for code share partnership
ITC moves NCLT against Hotel Leelaventure
November 17, 2022 November 17, 2022 By NBM Team
Elon Musk says he was focused on reviving Tesla, defends $56 billion pay
NEWS POLITICS WORLD
November 17, 2022 By NBM Team
Blackstone's Stephen Schwarzman says he won't back Donald Trump in 2024
November 2, 2022 November 2, 2022 By NBM Team
Elon Musk says Twitter will charge $8 for blue tick
Tagged Blue tick, Elon Musk, Twitter


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Large umbrella with clamp for attaching to wheelchairs.
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text:
chile climate map
Between September and April, the coastal city of Viña del Mar and Valparaíso experience sunny days and cool nights that attract thousands of tourists. Geography and Climate of Chile . Laguna de Aculeo used to be a … The average rainfall in just 1 mm annually. Based on weather reports collected during 1985–2015. Easter Island experiences a subtropical climate with intense heat and humidity during the summer especially between January and February when temperatures rise to 82° Fahrenheit. But in the south of the country amount of rainfall is ten times However, sporadic rainfall is typical in the tropics. In Santiago, the climate is warm and temperate. The chain of beaches and resorts continues north to La Serena, Chile's second-oldest city now known for its production of pisco, a grape brandy which follows closely behind wine on the list of Chile's preferred … All original material copyright © 2020 climate-zone.com. As a general rule, the farther north the hotter and drier the climate. The desert is so dry and hot that mountains as high as 22,590 feet are free of glaciers. The climate projection methodology is described in full in Rasmussen et al. The island of Chiloe experiences high humidity and heavy rains of up to 4,000 millimeters resulting in vast jungles and lush forests. Chile extends some 2,500 miles (4,025 kilometers) from north to south and therefore has a number of varying climates. Chile Weather The long, slender strip that is Chile stretches some 2,700 miles from end to end, roughly the distance from New York to San Francisco. What Type Of Climate Does The Caribbean Have? These conditions make it a suitable point for astronomical observation. Chile has seven major climatic subtypes ranging from the Mediterranean, desert, alpine tundra, glaciers, humid subtropical, and oceanic. The 10 Coldest Cities In The United States. Chile is a country of vast climate extremes. Climate and Weather in southern Chile The climate in southern Chile ranges from a temperate oceanic climate to a sub-polar oceanic climate in the extreme south of the country. During the winter, the cities of Puerto Williams and Punta Arenas experience thick snow. This page includes a chart with historical data for Chile Average Precipitation. The main factors that influence the climate of Chile are the Humboldt current, Andes Mountains, the coast ranges, southern circumpolar, and the Pacific anticyclone. What Type Of Climate Does Greenland Have? Interactive weather map allows you to pan and zoom to get unmatched weather details in your local neighbourhood or half a world away from The Weather Channel and Weather.com During the winter, the southern areas of the region experience continuous rainfall for hours, days, and even weeks. The average temperature in Santiago is 14.6 °C | 58.2 °F. Climate Projections. The Juan Fernandez archipelago in the Pacific experiences a Mediterranean climate that attracts diving enthusiasts. Due to Chile's long slender shape spanning from Peru in the north to Antarctica in the south, you'll experience a very different climate depending on what part of the country you visit. Weather in April » Argentina's Gran Chaco region has the hottest temperatures in South America. In some places there is even no rain and if there is rain it falls in the months of January and February. A long and narrow coastal Southern Cone country on the west side of the Andes Mountains, Chile stretches over 4,300 km (2,670 mi) north to south, but only 350 km (217 mi) at its widest point east to west. Annual Weather Averages in Concepcion Airport. The winter months are much rainier than the summer months in Santiago. Drought, floods and wildfires are signs that climate change has become a harsh reality for the 17 million people of Chile. Between December and February, the rains subsid… The description under each title shows the dates of coverage of the publication, the parameters you can find in the data, and a list of the volumes that the Library holds with links to the years for which images are available. The climate in Chile is very varied due to the fact that the length of the South American country of about four thousand kilometers (from north to south). Get the Chile weather forecast. The coastal cities of Caldera and la Serena are among the few people that experience the Mediterranean climate. Remember: The climate in Chile in october ranges from perfect to bad depending on the region and city. Select a Year, Month/Season, and Product(s) from the options below and click "Submit" to view selection. Chile - Chile - Southern Chile: The southern segments of Chile are always under the influence of the polar front and of cyclonic depressions. Chile. The Atacama and Elqui regions see bright sunny skies and scorching temperatures. Chile Weather Map. The above map can be downloaded, printed and used for geography education purposes like map-pointing and coloring activities. From north to south it is approximately 4,300 kilometers so the climate varies in this country. By Victor Kiprop on April 19 2019 in Environment. warning in march the weather is not the same depending on the city and regions of the country. The country has four seasons: winter from June to August, spring from September to November, summer from December to February and autumn from March to May. The southernmost part of Chile is also the southernmost part of the continent. The cities of Valdivia, Osorno, and Temuco experience rainfall throughout the summer. The cities of Valdivia, Osorno, and Temuco experience rainfall throughout the summer. Control the animation using the slide bar found beneath the weather map. It contains 756,950 square kilometres (292,260 sq mi) of land area. For example, the northern part of Chile is characterized by desert climate with minimal rainfall (average temperature in the region is 15-20 °C, 59-68 °F). It is situated within the Pacific Ring of Fire. Portions of this site are based on the CIA World Fact Book, a public-domain work Precipitation in Chile averaged 53.54 mm from 1901 until 2015, reaching an all time high of 169.98 mm in July of 1904 and a record low of 11.95 mm in February of 1988. Select from the other forecast maps (on the right) to view the temperature, cloud cover, wind and precipitation for this country on a large scale with animation. In a year, the rainfall is 359 mm | 14.1 inch. Northern Chile is home to the Atacama Desert, which has one of the lowest rainfall totals in the world. (2016). In addition, the permanently blowing westerlies batter the margins of the continent with oceanic air masses that lower temperatures and cause heavy rainfall along the Pacific coast. CLIMATE OF SOUTH CHILE. The weather provides ideal conditions for farming especially during the rainy season. The country is very rugged with mountain ranges and several large islands off the coast. Chile Weather, climate and geography Weather and climate Best time to visit. Because of its long, narrow profile and position adjacent to the Pacific Ocean and Andes Mountains, Chile has a unique topography and climate. Please note, not all products are available for all dates. Concepcion Airport is 121 miles from Talca, so the actual climate in Talca can vary a bit. Regions of Chile. To the north, the climate grows gradually hotter and drier. In the north of Chile you will find a desert climate, there is little rainfall. Climate and Average Weather in Chile. During the winter, the southern areas of the region experience continuous rainfall for hours, days, and even weeks. Summer runs from December to February, and winter from June to August. This region of the country is characterized by rigid, windy and humid oceanic climate, with low temperatures. The coastal cities of Antofagasta, Iquique, and Arica see temperatures between 68˚ – 77˚F. The best months to visit the islands are July and August when rainfall is minimal, and the temperatures are comfortable. Chile's "Great North" experiences a warm climate making it a suitable definition for travelers and tourists. The Atacama Desert lies on the northern end of the region. Continuing north along the Peru Coast, this South America climate zone is void of moisture due to the Peru Current flowing north and unable to hold moisture in the cool dry air. All maps, graphics, flags, photos and original descriptions © 2020 worldatlas.com. The Highlands experience cold temperature because of the altitude. Average temperature, rainfall and snowfall information is available for the following climate stations in Chile. It extends from the southern border of Peru in the north to the southernmost tip of contagious South America. Along the way, it encompasses all manner of climate, from the world's driest desert in the north to the freezing winds and driving rains of the far south. The Atacama Desert, extending from southern Peru into northern Chile is the world's driest desert. Remember: The climate in Chile in march ranges from perfect to good depending on the region and city. The climate in the Central Valley region of Chile is Mediterranean with warm days and cool nights. Average temperature, rainfall and snowfall information is available for the following climate stations in Chile The Geography of Chile Total Size: 756,950 square km Size Comparison: slightly smaller than twice the size of Montana Geographical Coordinates: 30 00 S, 71 00 W World Region or Continent: South America General Terrain: low coastal mountains; fertile central valley; rugged Andes in east Geographical Low Point: Pacific Ocean 0 m Geographical High Point: Nevado Ojos del Salado 6,880 m Chile is one of the most geographically diverse countries in the world, with a wide variety of climates and weather conditions. The Chile Weather Map below shows the weather forecast for the next 12 days. The above blank map represents Chile, a long, narrow country located in the southwestern part of South America. Heavy rainfall comes in February and March. Weather and Climate. warning in october the weather varied depending on the city and regions of the country. Rain is scarce, and farmers use the coastal fog to irrigate crops. In Chile, the mediterranean climate zone is between 32° S and 37° S latitudes, from just south of La Serena to just south of Concepción, with annual rainfalls averaging 11.8 to 31.5 inches. In Santiago, the average high-temperature in April marginally drops, from a warm 26.9°C (80.4°F) in March, to a pleasant 22.8°C (73°F). During winter, the temperature drops to below zero in the neighboring Andes, creating a serene destination for skiers. The climate here is classified as Csc by the Köppen-Geiger system. Access hourly, 10 day and 15 day forecasts along with up to the minute reports and videos from AccuWeather.com temperate; desert in north; Mediterranean in central region; cool and damp in south, Southern South America, bordering the South Atlantic Ocean and South Pacific Ocean, between Argentina and Peru, slightly smaller than twice the size of Montana, low coastal mountains; fertile central valley; rugged Andes in east. This region experiences temperatures of about 62 degrees Fahrenheit with frequent rainfall that increase between May and August. Based on weather reports collected during 1985–2015. In the Valdivia region the climate is temperate oceanic, the summer temperatures (December-February) have maximums of 23 ° C and minimums of 11 ° C, while in winter (June-August) the maximums are 11 ° C and minimums of 4 ° C. The capital city Santiago and its environs experience temperatures of about 86 degrees Fahrenheit during the summer but drop to 59 degrees Fahrenheit at night. Some weather stations in the desert have not reported any moisture for about ten years. Chile is a vast country. All Rights Reserved. Due to its long coastline, clearly Chile's weather is extremely diverse and unpredictable although it is seasonal in much of the country. Annual Weather Averages in Temuco Airport. It is the driest desert in the world with temperatures of above 95° Fahrenheit at midday. Global Temperature, Precipitation and Weather Event maps are available from to . See the latest Chile enhanced weather satellite map, including areas of cloud cover. During summer, the temperature in some places such as Torres Del Paine rises to about 77° Fahrenheit. Cooling winds coming off the Andes mean that the weather in southern Chile is cold and the temperature seldom peaks above 17°C (62°F) in summer. Precipitation in Chile increased to 22.80 mm in December from 22.03 mm in November of 2015. Southern Chile has a climate that ranges from cool to cold. As you […] Between December and February, the rains subside and the skies clear to expose the snow-capped volcanoes, calm lakes, and lush vegetation. This region experiences temperatures of about 62 degrees Fahrenheit with frequent rainfall that increase between May and August. The region experiences extreme rainfall, wind, and low temperatures. Chile occupies a long narrow stretch along the west coast of South America. Generally speaking the weather is more moderate near the coast and much colder in the mountains. Some parts of the desert are occasionally covered by marine fog locally known as "Camanchaca" that provide the much-needed moisture for algae, cacti, and lichens. The ineractive map makes it easy to navitgate around the globe. Excluding its Pacific islands and Antarctic claim, Chile lies between latitudes 17° and 56°S, and longitudes 66° and 75°W. The above outline map represents Chile, a long narrow country located in the southwestern part of South America. Chile is seeking to reach GHG neutrality by 2050, as established in its 2020 NDC and the draft Climate Change Framework Law currently under discussion in the National Congress. Stretching from the tinder-dry Atacama Desert to the heaving seas of Cape Horn, Chile boasts a dizzying variety of landscapes, climates and cultures. The publications shown below contain climatological data for Chile. The island of Chiloe experiences high humidity and heavy rains of up to 4,000 millimeters resulting in vast jungles and lush forests. April, the same as March, in Santiago, Chile, is another pleasant autumn month, with temperature in the range of an average high of 22.8°C (73°F) and an average low of 6.9°C (44.4°F). The Humboldt Currents are chilled by wind blowing from Antarctica resulting in cool water perfect for diving. This encompasses a remarkable variety of climates and landscapes. Temuco Airport is 80 miles from Valdivia, so the actual climate in Valdivia can vary a bit. The desert regions of the north experience more extreme temperatures of between 86˚ – 122˚ F during the day and -15˚C - 5˚ F at night.
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2020 chile climate map


This personalized Christmas ornament is made of resin and measures 3.5″ x 3.75″.
Does this year mark the First Communion, baptism, or christening of someone special? Moments like these are once-in-a-lifetime–your children will only have one First Communion, one baptism, one christening. We know you'll never forget how proud they made you feel on this important day, but we want to help you remember forever. Our First Communion ornament (or baptism ornament, or christening ornament) is the perfect way to say "congratulations"! while preserving the memories for yourself to enjoy years from now. Let us enhance the occasion with a personalized ornament to commemorate his or her honor.
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Poe Week: The Masque of the Red Death
Edgar Allan Poe Week October 03, 2012
In one of my Literature textbooks, this is the story the book chose to best set the example of how important setting can be to a story.
Poe's incredible talent in setting a mood through the most miniscule of details is powerful as he establishes dread, irony, and a hefty infusion of Gothic feel by detailing the colors of a series or rooms and what they represent to the audience and characters. The symbolism of the clock is musical and alluring; the ominous clang and the dancers reactions with its dong indicating the time further spells out a forboding mood and tone.
Even the pattern the rooms are walked through speaks volumes. The first room as light blue can symbolize brightness and innocence, skys and springs and births and new beginnings. Each of the seven rooms have a window, all with the color matching the interior of their walls, the exception being the final, seventh room: black.
Poe has stated that stories should be best enjoyed if they can be read in one sitting. The Masque of the Red Death is indeed short, only a few pages long, and it should speak volumes that Poe chose this short space to go into detail about the rooms. He goes into the most detail about the black, final room as its significance - death, the ultimate end, the irony - is the most important element of the story. It is also in this room that the clock beckons and waits.
Without getting into details about any of the characters, Poe concentrates on setting and the most important and only qualities about the prince that the audience needs to know - his fear of the Red Plague and death, his ultimate arrogance in the face of death, believing he can seal it off and defeat it by abiding within his castle walls.
The party-goers feel the same, reassured by the self-imposed power the prince claims, dancing around at midnight behind their masks, stopping only when the clock chimes its ominous call, feeling a small hesitation but quickly ignoring it again as they resume merry dancing and happily embracing false securities. Death as the ultimate inevitable force erupts onto the party, as the prince then proceeds from room to room in a circular order, indicating from life to different stages of color, to the inevitable black which is the end room, from which there is no escape.
Poe was an original type of writer who aspired to make a solid career as a literary critic. Confident in his writing ability and seeking to inject freshness into words by developing the world's first detective story and gothic pieces which whispered doses of irony, he isn't the type to resort to already used phrases nor cliches. Because of this, I find high relevance in the ending paragraph, where he writes:
And now was acknowledged the presence of the Red Death. He had come like a thief in the night.
Instantly I recognized "come like a thief in the night" as the biblical words spoken by Jesus when referring to the apocalypse. It would come without warning and begin the reign of death, as He comes "like a thief in the night."
A powerful tale about the finality of an ending which can't be avoided, Poe is to be admired for capturing such a significant range of emotions using creative settings in a short span of pages.
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RIP VII Edgar Allan Poe Week


The six years of secondary education available at Grammar are offered in three modules, each two years in duration.
The first two years at secondary school aim to provide students with a broad experience of education. A wide range of subjects offers experience in language, speech and communication, creativity and the arts, society, science and technology, with a view to making the most informed choices for future study.
In the middle two years of the secondary school, students may specialise in subjects according to individual needs, strengths and interests. The course consists of a common core plus four elective subjects and introduces students to the approaches to their work and the forms of assessment that will be critical in the final module.
The final two years of secondary education lead to the award of the Qualification Certificate and the Tasmanian Certificate of Education. In these final school years we prepare students for further study, work and their future. Students at this level can follow general or specialised courses. Provision is made for both academic and vocational pathways.
This page & all site pages/content is subject to Copyright LAUNCESTON CHURCH GRAMMAR SCHOOL (TAS).


The Beechfield Winter Thinsulate Gloves are both great quality and feel. These come in 3 great colours. These winter Gloves are great for the Winter Months and come in two sizes. These Beechfield BC495 Gloves are ideal for the cold snowy mountains.


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Real Life and Video Games
Caveats on actually using async and await
Functional Programming For Object Oriented Programmers
At university, the "What do you study?" ice-breaker didn't really work so well when your answer was "Computer Science". However, a historian friend of mine was by contrast frustrated at how open ended her subject area was. "So maybe no-one's particularly interested by what you do but when I say what I study it's always, 'Medieval History? Oh, I've heard of a King…'."
In a similar vein another friend of mine is a 3D artist making Playstation 3 games and he suffers from strangers "educating" him on what would make a good game. I know most of us have artistic ideas outside of our profession but most of them are probably quite bad. We just don't have enough experience, knowledge and, most crucially, objective industry understanding to know why. Do they think that this guy who has devoted his career to creating video games doesn't know what makes a good one? Or that he doesn't have a bunch of his own while being forced to make a rehash of the last one because video games are no different to any other industry: the bigger the budget to spend, the smaller the risk taken.
"Do you know what game you should make…?" they'll ask before expounding on the apparent wisdom only a fresh, uncorrupted outsider could produce. I suggest expecting about the same level of wisdom as Tom Symkowski in Office Space describing his 'Jump To Conclusions' mat. So anyway with all that said, here's my awesome idea that could revolutionise gaming!
Basic Game Idea
This blog was created primarily so I could formulate some of the ideas I've had from my experiences as a software developer in a global company and also to share my implementations and code for neat software ideas. I must state now that I'm disappointed that this post is just an idea but to be frank, I think the time required to knock up a proof of concept XNA application would be sizeable to say the least and the end product wouldn't be a game as such but simply a neat little prototype. To avoid another IronPython debacle (there's so little genuine Python interoperability I had to walk away from it entirely) I therefore sensibly opt to share the idea without any code.
When you're in a creative mood and your mind starts wandering it can be an intense experience. One idea seeds the next and before you know it you have too much to remember all at once. Notes have to be made so that all the tiny technical issues are recorded. By the end of my game-making mental exercise I had formed the idea of a first person perspective, massive multi-player online mining / scavenging game. In a nutshell, players would be on foot or in a vehicle in a vast open ended landscape trying to harvest a specific mineral deposit guarded by increasingly dangerous creatures proportionate to how much mineral they're defending. These deposits would have a real world currency value but in order to actually obtain them, players would need to spend time in the game honing their skill, increasing their avatar's abilities and possibly spending real world currency on better kit. In the game world like the business world, player teamwork i.e. clans, would be required to take on the biggest challenges.
The mental post-it notes stretch much further and deeper than this but that in essence is the idea. And it's not a particularly original one once you pick apart the individual details. Clans have been around since Quake, first person 3D games since Wolfenstein, on foot / vehicular combat since Battlefield 1942, the valuable mineral deposits idea was in Dune and game world to real life currencies have been around for ages in loads of games like, erm, Puzzle Pirates? I like Puzzle Pirates.
But I noticed there was one thing original about my idea and that was to do with the landscape itself. One I hope is so obvious it's only a matter of time before a major games publisher manages to work out the technical and legal details and use it in a mainstream game: don't make an artificial land for your game, use the landscapes, terrains and infrastructure from the real world.
Places I've Lived
Growing up my family moved every 2-3 years with my father's career. I've lived all over the UK and even in a couple of central European countries. There are several towns I know my way around even after not having seen them for decades. But there are also places that have never existed that I know equally well and for me the first of these is Liberty City.
I remember being blown away by the first Grand Theft Auto game. Not GTA3, but the original top down quasi-3D game where the player was presented with a huge square city and allowed to go anywhere they liked. I loved how expansive and free-roaming the game was which was a breath of fresh air from the 90s' formulaic platform and FPS levels to be navigated in a set manner. GTA was finally picking up the baton left by the hugely enjoyable and, sadly, largely unheard of N.Y.C.: The Big Apple from 1984.
To get anywhere in GTA, players had to know the layout of the city before attempting the missions. Even more so by the time Grand Theft Auto 3 came out for the Playstation 2 in glorious 3D. Not since the original Tomb Raider or The Legend of Zelda: A Link to the Past had I become so lost in the landscape of a game. I'd drive around the city taking everything in, the locations, the scenery, the different radio stations. It was a virtual city but the locations were real in my head.
And it got me thinking. If I can find my way around Liberty City, a place that doesn't exist, why can't I take advantage of the real places I already know within the environment of a computer game?
Real World / Virtual World
It strikes me as odd that video games have for decades now been trying their hardest to exactly recreate the physics and nature of our planet without making as much progress on recreating our locations too. True, there are some examples such as flight simulators. Also, most modern racing games accurately recreate famous tracks and two examples in particular take it a step further along my line of thinking. The Getaway recreated a subset of central London and Test Drive Unlimited went a stage further and modelled an entire Hawaiian island. A sequel has since included the Spanish island of Ibiza.
These recreations are expensive and extensive undertakings though. Every nook and corner is analysed from detailed satellite images. After discussing this with my 3D artist friend he plays the part of the industry insider well by pointing out obvious flaws. Companies and property owners object. They do not like copies or other worldly representations of their buildings to be made and it only takes one legal argument before the whole thing is deemed too risky.
Don't copy the world, re-imagine it
The problem with ideas is that the devil is in the detail. You may think you've explained your simple idea completely but it's surprising how easily room for misunderstanding can squeeze into the tightest definitions. And once a few concrete examples occur they become beacons for those who want something tangible to help explain an idea. I pointed to a couple of example games that have recreated the real world to some extent. I will now hammer out the difference between that and my idea as, though it's a subtle distinction, it's a crucial one.
For those of you who use Google or Bing maps, the UK has an alternative and it's called Open Street Map. It's one of those heart-warming open and community driven solutions that don't seem to have quite the same polish or profile as those provided by big tech companies but offers much more as a result. Here is the centre of Kirkcaldy as shown by Google Maps and Open Street Map.
Google have employed costly information gathering techniques from multiple sources. Open Street Map have a bunch of avid enthusiasts with a desire to walk around carrying a GPS device and a notebook. But here's the really interesting thing that Open Street Map will give you that the big map providers won't.
Extremely descriptive location based data detailing the make-up of the United Kingdom. And what is the screenshot of Open Street Map above but a graphics engine renderer? By cleaning up the XML format and combining it with global elevation data (for which there are many datasets) you have input for a 3D graphics engine. The granularity of the building and terrain descriptions is quite impressive: here's a residential house, there a hospital, church, school, there a golf course. The real world doesn't have to copied brick by brick in the virtual world, it can be seeded by these descriptions. In my original game idea I stated the landscape was a post-apocalyptic one. A building could look like the ruin of an existing one; it could look like an ancient Roman, Greek, Celtic variant; it could look like a futuristic bio-dome.
There are three advantages to this seeding approach. Firstly, we already have the data. You should occasionally force yourself to remember your feelings the first time you came across a technology you take for granted these days. The first time I saw Multi-Map, the bought out pre-cursor to Bing Maps, I spent some time looking at street maps of all the places I used to live. The amount of data we've collected since then is staggering and it's about time we used it for more than maps.
Secondly, legal issues regarding displaying exact replicas of buildings disappears. All the effort goes into the creation of the engine that produces the landscape from the data collected. This also means the game world is as big as the data set we hold of our world – a truly staggering amount.
Thirdly, a new element of human experience is brought into gaming. I could make use of my previously obsolete road atlas in the latest MMO game as a navigation aid (is it just me who likes the idea of driving up the M6 in a tank?). Racing round certain locations would give me instinctive home advantage as so much of it would already be indelibly committed to memory. As a final twist, subscribers of pay to play games could be given a start location near, or even at, their credit card's billing address. Gaming unions and rivalries could be fun local ones too. Going on holiday somewhere? Learn your way around the city before you arrive. The possibilities are certainly abundant.
I think I've managed to convince myself to install XNA and waste some of my time on this after all *sigh*
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Large windows with ample lighting throughout the space.
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This Gay Journalist's Epic Book Shows How Travel Can Change Us All
by Aaron Hicklin
In the introduction to Far & Away, a collection of his journalism, Andrew Solomon recalls a childhood conversation with his father in which the subject turns to the Nazis and the Holocaust. Solomon, who was 7 at the time, was horrified. Why didn't the Jews of Europe leave when things got bad? "They had nowhere to go," his father replied. It was a crystallizing moment. From that day forward, Solomon understood two things very clearly: Absolute safety was an illusion, and he would make sure he always had somewhere to go. "I would never suppose that just because things had always been fine, they would continue to be fine," he writes. "I would leave before the walls closed around the ghetto, before the train tracks were completed, before the borders were sealed."
Solomon wrote that in late 2015, when the question of how to respond in the face of tyranny was merely a hypothetical exercise. But since November 8 of last year, it has seemed a lot less hypothetical. "I've talked to German Jews who describe thinking, But we're so well incorporated in this society it couldn't happen here," he told me in February, as we sat in the outlandish splendor of New York's Russian Tea Room drinking Moscow Mules. "I just feel the liability is bigger than a lot of people let on, and I think there's a responsibility to do everything you can to prevent the horror."
(To read the full interview, please visit Out.)
Appeared in: Out


Print on the cotton Fine Art paper, 900×1200 mm (720×1040 mm without passepartout).
The photograph is a record of searching for a common point in a multidirectional and variable space-time, it is a way out of its subjective perception.
Long exposure of the picture allowed to create an image that is not available to human perception in everyday life. It is a meeting of different space-time: light, reflections and flowing water. The last point of the project is the comparison of this photograph with the viewer, the final space-time is created.


Real Karakul (Persian lamb) winter papakha hat, similar to the one worn by army generals and other high ranking officers in the Russian Empire. Archive pictures show Czar Nicholas II and family accompanied by their private guard comprising Kuban Cossacks; Pyotr Wrangel, an officer in the Imperial Russian army and commanding general of the White Army in Southern Russia in the later stages of the Russian Civil War. Reproduction handmade of genuine Astrakhan fur. Extremely soft and warm. Nominal height: 9 1/2 inches (24 cm); this can be reduced by tucking the hat from the top crease. Rare spotted fur variety is also available. Shade may vary. Production time: 7 business days.


The Madeo Food Company is located in the sub-mountain zone of Sila Greca in the province of Cosenza, more specifically in the municipality of San Demetrio Corone. Characteristic for this area are the olive groves, untouched vegetation and the typical climate with cool summers, mild winters and year-round fresh air. This is as a result of the particular location in the middle of the two seas of Calabria, namely the Ionian and Tyrrhenian Sea. The territory guarantees optimal conditions for the native pig breed "Suino Nero", which in this region, is their ideal habitat. Due to the wild or semi-wild farming, the pigs can peacefully roam the local land in search of herbs, roots and olives, which, along with seasonal vegetables, corn, barley and field beans, are their main food source. All of the feed is produced within the Food Company. The growth rate and the reproduction of the pigs are in harmony with the current standards and in harmony with nature.
The Madeo Food Company has always promoted the enhancement of excellent products that the territory has to offer including the production of origin protected products (D.O.P.) and products of the native pig breed "Suino Nero di Calabria". In 1990, a long process of selection and recovery of the original genes of the native pig breed began with the detection of some male and female specimens in the areas around the Sila Greca and the Aspromonte. Today Madeo represents one of the most important Food Companies in Italy producing the native pig breed of Calabria, which revalues the pork through a healthy diet and the constant attention to animal welfare. This was also shown by a number of different studies of the Universities of Cosenza, Reggio Calabria and the latest in collaboration with the Veterinary Faculty of the University of Bologna. The collected data of the study regarding the animal husbandry in the Food Company confirms that the diet and the extensive rearing of the pigs are indispensable to ensure the desired nutritional characteristics for the meats and "lardo" (type of salumi made by curing strips of fatback with rosemary and other herbs and spices). Precisely these qualities make them very healthy food products that are not only useful in the prevention of heart and cardiovascular diseases, but also an ideal element of a balanced diet for all types of consumers.
Low level of oxidation and rancidity of fats what guarantees important properties such as the extended product lifetime.


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Home | » | Nhl | » | Updated On 02/28/2018 | » | NHL Odds: Penguins vs Bruins 3/1/18
NHL Odds: Penguins Face Bruins in Boston this Thursday. The Pittsburgh Penguins and Boston Bruins have been two of the three hottest teams in the NHL since January 1. Following an eventual trade deadline, the squads face off on Thursday (7 PM ET) for a preview of a likely Eastern Conference playoff match-up.
The Boston Bruins made one of the biggest splashes this trade deadline, picking up the former 40-goal scorer, Rick Nash from the New York Rangers. With 84 points on the season and 21 games still to play,according to Bovada SportsBook the Bruins look poised to give Tampa Bay a run for their money for top spot in the East. They'll be without the best all-round player on their team for an indefinite period, however, as Patrice Bergeron suffered a fractured foot while blocking a shot on Saturday.
Pittsburgh, too, was active over the trade deadline, picking up Derek Brassard from the Ottawa Senators. Brassard is set to slot in as the team's third line centre behind Sidney Crosby and Evgeni Malkin, and will give the Penguins arguably the best top three centre combination in the NHL. The Pens also suffered injury news this this week, however, as Matt Murray was diagnosed with a concussion and will be out indefinitely.
Introduction to Bovada Video Poker
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range, performance, financial incentives, and more.
What federal or state incentives will be available?
An individual who purchases an e-tron® may be eligible for a federal tax credit of up to $7,500. Additional state incentives may also be available. Federal and state incentives are subject to change; please reference your state's specific legislation regarding incentive eligibility as not all incentives may be applicable to every customer.
The e-tron® will be manufactured in the brand new, environmentally sustainable Audi Brussels facility, which was designed specifically to produce Battery Electric Vehicles (BEVs).


text:
Marshall County stands firm on multilingual library collection
Officials support trilingual librarian, but Hispanic Heritage Month display cancelled
The Marshall County Memorial Library in Lewisburg will continue to carry books in languages other than English and will have even more books in an outpouring of support and donations from the community. After a trilingual librarian was hired and a handful of county residents expressed opposition to public funds being spent on books and story times in languages other than English, the library Board of Directors stood up to the language ban concept and said that library policy would not change.
WKRN has filed a series of reports on this story. According to this early report, librarian Nely Rivera is new both to the job and to Lewisburg, and she has support all the way from her boss to the mayor. This WKRN story reports that the library's director, Jan Allen, "is disappointed in the community's comments and said her heart goes out to her employee. 'I was flabbergasted, I was insulted. I felt very bad for her. And I felt bad for the library in general, for the patrons that we serve,' she said." Nonetheless, in the same story we learn that "the library had to cancel a planned display in honor of Hispanic Heritage Month, because they didn't want to draw retaliation from angry residents. The controversy has drawn the attention of the Tennessee Human Rights Commission, which is going to be keeping an eye on the situation."
This WKRN report and this one describe donations "pouring in" from residents for the purchase of more books in other languages, to add to the current collection that includes books in Japanese, Russian, Polish, and French.
Apart from the WKRN stories, the most comprehensive accounting online is reported in this post on the Coyote Chronicles blog. NewsChannel5 also filed this brief report.
The mayor, library director, and library board in Lewisburg stand out when compared to officials in other parts of the state who speak and act with disrespect for Hispanics and immigrants, as reported previously (latest story here) in the Hispanic Nashville Notebook.
Focus: Education
Labels: english, spanish


Stop by Pita Jungle in Mesa for healthy Mediterranean, Middle Eastern, Greek and Lebanese cuisine. We offer a variety of vegan and vegetarian dishes.
SW Vegfest is a 100% free AND 100% nonprofit festival in Phoenix, AZ with a focus on food, retail, entertainment, education and inspiration from the SW region .
Eventbrite – Green Out Events presents AZ Vegan Fest – Saturday, December 22, 2018 | Sunday, December 23, 2018 at Centennial Plaza , Peoria, AZ.
Stop by Pita Jungle in Chandler for healthy Mediterranean, Middle Eastern, Greek and Lebanese cuisine. We offer a variety of vegan and vegetarian dishes.
Glendale Az Photo Shoot Locations The interior, aerial & building photographer for your location… anywhere! Below are the largest cities in the United States and Canada. We provide architecture photography for our clients in each of the highlighted locations, and will travel to many others soon. View our photo shoot travel schedule to see where we will be photographing next.


National Mineral Policy (NMP) 1995.
sustainable development in the province contributing in the progress of the Country.
Notification of Suspension of Mining Lease for Lime stone on the order by the High Court of Sindh , Bench at Sukkur in CP No 3602 of 2016.
Notification of Suspension of Mining Lease for Silica Sand on the order by the High Court of Sindh , Bench at Sukkur in CP No 3602 of 2016.
Circular for return of incomplete applications for Mineral Titles/Permits under Sindh Mining Concession Rules 2002.
The Inspectorate of Mines, Mines & Mineral Development Department, Government of Sindh, intends to hire a qualified, Competent and experienced Consultant / Consulting firm for the development of Environmental mapping of Mining Areas (Other than Coal) of Sindh for the conservation of Minerals and Natural Resources.


text:
Q: get item from table cell and append to first cell within same row How would I grab text from a td inside a table and insert it to the first td in the same row?  --using jQuery

      APPEND TEXT1 HERE

      GRAB TEXT1 HERE

      APPEND TEXT2 HERE

      GRAB TEXT2 HERE

      APPEND TEXT3 HERE

      GRAB TEXT3 HERE

A: $('table td:first-child').text(function(){
    return $(this).siblings().last().text()
})

http://jsfiddle.net/VdjN8/
In case that you want to append the text(instead of replacing):
$('table td:first-child').text(function(i, c){
    return c + ' ' + $(this).siblings().last().text()
})

A: Iterate over each row and append the text from the td at the desired offset to the first one:
$('tr').each(function(){
    $(this).find('td').eq(0).append($(this).find('td').eq(2).text());
});

Here is a demonstration: http://jsfiddle.net/pchEG/

A: Loop over each
 and grab the .html() from the last  child element.
$('tr').each(function(idx){
  var appendToNode = $(this).find('td:first-child');
  // And append to the existing HTML.
  appendToNode.html(appendToNode.html() + $(this).find('td:last-child').html());
});

http://jsfiddle.net/Lvfwt/


Very pretty and elegant, this is structured by delicate acidity and a refined, lacy texture, framing a subtle array of poached apple, white peach, Meyer lemon, pistachio and ginger flavors. A note of saline-tinged mineral lingers on the finish. Drink now through 2022.
Richly spiced and smoky, with pure notes of blackberry, black cherry, red licorice, aromatic sous-bois and subtle sandalwood. Fresh and harmonious throughout, showing fine length on the finish. Drink now through 2021.
This refined white offers delicate acidity, layered with subtle notes of crunchy white peach, orchard blossom, green almond and melon rind. Shows a subtle underpinning of stony mineral, delivering complexity on a light-weight, silky frame. Drink now through 2019.
A mineral-driven white, well-cut and stony, with finely meshed flavors of lemon preserves, glazed apricot, wax and chive. Harmonious and lacy in texture, delivering a smoke-tinged, lingering finish. Drink now through 2021.


text:
Кракувек () — село в Польщі, у гміні Джицим Свецького повіту Куявсько-Поморського воєводства.
Населення —   (2011).

У 1975-1998 роках село належало до Бидгощського воєводства.У 1975–1998 роках місто адміністративно належало до Бидгощського воєводства . Це дванадцяте за величиною місто в гміні Джицім

Демографія
Демографічна структура станом на 31 березня 2011 року:

Примітки
.

Села Свецького повіту

redpajama_set_name: RedPajamaWikipedia


There was once a time when I thought the idea of local food and artisanal food products just didn't apply to where I lived. Born and raised in a place where strip malls, chain restaurants and movie theaters get a lot of attention, I thought you had to travel to discover interesting food trends, and that other people were lucky because they seemed to be blessed with an abundance of fascinating food and agriculture right in their backyard.
Then, I opened my eyes, and I saw what was happening in my own backyard. Through exploration and the stories of "Culinary Types," I talked to people and I tasted. I discovered historic farmland, community sponsored agriculture, heritage chickens, a proliferation of farmers markets, goat cheese, craft vodka, pioneering chefs, fresh seafood, and some amazing artisanal bread right in Nassau and Western Suffolk County. Why travel, when the eats are pretty darn good right here at home?
That's why I'm thrilled that the newest member of the Edible Communities, Edible Long Island has arrived with its first digital edition, and I'm a contributor helping to tell the story of how Long Island eats.
Long Island native Betsy Davidson is the Editor of Edible Long Island and has gathered a team of local writers and photographers who are passionate about the food of central Long Island. Betsy is a writer and organic gardener who lives in Huntington.
Part of the fun is exploring a food culture that has previously gotten far less attention than the Brooklyn food scene or the farms and vineyards of Long Island's East End.
You can read the first digital edition of Edible Long Island by clicking here. The issue is celebration of summer, and you'll find two stories penned by me. One is a profile of The Shack (page 50) in Centerport, a venerable "joint" on the North Shore that has been serving up clams and chaos for over 30 years.
I've also authored a piece on how the small business owners of the restaurants, fish markets and bars on Freeport's Nautical Mile are fighting to come back after the destruction of Hurricane Sandy (pages 16 and 17). Photographer Doug Wynn and I made several visits to the Nautical Mile following the storm to track their progress and chronicle their stories.
A print edition of Edible Long Island will launch in September. I hope you enjoy the stories. I'm proud to be a part of the team serving up our hometown feast.
No, this was not a marathon performance of "Blueberry Hill" but a 12-hour farm-to-kitchen event.
The blueberry patch is almost deserted, save for a young family with two children who have embraced the adventure completely. Young Evan hollers, "Dad, I found a BIG one," or "I picked a WINNER!" His father must sternly caution Evan not to run, for fear of spilling his prized berries on the ground.
Beyond Evan's enthusiastic shouts, there is nothing but the sound of a warm breeze, a passing automobile and the buzz of a few bees. I get to work, and in due time, I've filled four containers.
The gentle rhythm of picking is so pleasing, that I go back and purchase two more containers to fill. One can never have too many blueberries for baking. The blueberries are plump and sweet. Some are an inky blue-black hue.
Two hours later, I'm back in my car and heading for home. Returning to the kitchen, the jam session begins. I think my fascination with blueberries likely began with family camping trips to Acadia National Park in Maine. We would pick wild blueberries on the mountain trails and sprinkle them on our cereal in the morning. Cooking up a batch of jam is one way to preserve that summertime flavor, and I'm determined to keep my new home preserving skills in good working order.
The recipe for blueberry jam is easier than blueberry pie, and takes about 10 minutes to prepare. Several options for recipes can be accessed here. The ingredients are simply blueberries, lemon juice, liquid pectin and sugar – lots of it!
The first action is to clean and crush the blueberries to start to release the juices. It is a little painful to squash blueberries that just hours before, one selected and plucked so carefully, but that rich purple juice is immediately evident. Then comes the addition of the sugar – seven cups! As my friend Lydia points out as I keep her abreast of the project online, that's just about a cup of sugar per jar of jam! Well, no one said jam was diet food.
With the addition of lemon juice, the mixture is heated until it begins to boil. It looks like an exotic vat of bubbling violet soup cooked up by Oompa-Loompas. Here, liquid pectin is added to thicken the jam and make it set.
There is a learning curve. The recipe suggests that after boiling for a minute, you take the mixture off the heat and skim the foam off the top. Here I find that I'm actually skimming off a lot of tasty blueberry skins in the process that would add chunkiness to the jam. I'll have to work on my skimming technique.
Most of the time invested in home preserving goes to preparing the jars and the cleanup. Filling the hot jars with hot jam is quickly done, and the covered jars go into a boiling water bath. A gentle steam swirls through the kitchen, I've got iTunes playing and I'm jamming!
After ten minutes, the jars are removed to cool. Within minutes, I hear a sharp popping, as the vacuum seal takes effect on each jar.
The remaining blueberries are frozen, because I can't let the summer pass without baking my favorite lemon blueberry Bundt cake.
When the jars are completely cool, all that's needed is a finishing touch – a specially designed label commemorating a dreamy summer day gathering and preserving the best of blueberries grown on Long Island's North Fork.
Sure, artisanal ice cream is all the rage, and I would never pass up a scoop of Brown Butter Makers Mark Bourbon Ice Cream. But, in the end, my heart belongs to Carvel. Vanilla. In a coronet sugar cone. It's hopelessly suburban, and about as "vanilla" as you can possibly get, but something about soft swirl ice cream just makes me swoon.
Um, that would be CARVEL, please – home of vanilla, chocolate and pistachio cones, Strawberry Bonnets, Flying Saucers and the Fudgie the Whale ice cream cake. I don't think we ever tasted Fudgie the Whale, (for Father's Day and a Whale of a Dad) but the name was legendary.
The roadside Carvel store was the local ice cream parlor of my youth. In that Mad Men era of booming commercialized food products, it was actually the McDonalds of ice cream. Carvel stores dotted Long Island. While the name lives on in commercial ice cream products available in grocery stores, there are actually very few stand-alone stores still around. Sadly, our original family Carvel on Broadway eventually went out of business and the building became a barber shop. I still drive by and find myself craving a cone.
A trip to Carvel was a special family treat. My little brother, who's no longer little, still believes that Memorial Day marks the start of Carvel season. After dinner, we'd pile in the station wagon and head for the store. We'd order our cones at the counter and sometimes sit in the car, or stand in the parking lot and lick them silly. If you really wanted to splurge, you'd get a cone with sprinkles (chocolate or multi-colored) but somehow those sprinkles messed up the perfect spin of swirls that graduated to that jaunty spit curl of ice cream at the top of the peak.
A Carvel vanilla cone was that perfect balance of slick, chilly refreshment and luxurious creamy goodness, with just a touch of a pleasing lactose coma when the experience was done.
Perhaps it's no surprise that when I bought my own home, there happened to be a Carvel store located less than a mile away. This holiday weekend, I'll be celebrating with a cold one!


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WARNING: THIS PAGE CONTAINS F-BOMB LANGUAGE AND A WHOLE LOT OF FABULOUSNESS!
Out of all the words that start with 'F' in the English language - there is the only one that wears the crown and holds the title of the 'f word'.
This little four letter word is exceedingly versatile. It can be a verb, adverb, adjective, a noun, and can even be shoved right in the middle of another word to emphasise its meaning. As well as adding emphasis, it can be used to convey a rainbow of emotions - from pain to pleasure and hate to love.
Why not compliment your love for language that is distasteful and disgraceful with one of our seriously stylish cards?
We know you'll f*ing love them!
THE LESS I GIVE A F***!
DO WHAT YOU F*ING LOVE!
DARLING, JUST F*ING OWN IT!


text:
Q: How can I evaluate $\int _0^1\frac{\tan ^{-1}\left(3\sqrt{\frac{a}{4-a}}\right)}{\sqrt{a}\sqrt{4-a}}\:\mathrm{d}a$ I have the integral:
$$\int _0^1\frac{\tan ^{-1}\left(3\sqrt{\frac{a}{4-a}}\right)}{\sqrt{a}\sqrt{4-a}}\:\mathrm{d}a.$$
If I use $u=3\sqrt{\frac{a}{4-a}}$, I get
$$6\int _0^{\sqrt{3}}\:\frac{\tan ^{-1}\left(u\right)}{u^2+9}\mathrm{d}u$$
But I cant get past this. I tried integration by parts but nothing seems to come out from that.

A: Using $$ \tan^{-1}(x) = \frac{i}{2} \, \ln\left( \frac{1 - i \, x}{1 + i \, x} \right) $$ then
\begin{align}
\int \frac{\tan^{-1}(x)}{x^2 + a^2} \, dx &= \frac{i}{2} \, \left( \int \frac{\ln(1 - i \, x)}{x^2 + a^2} \, dx - \int \frac{\ln(1 + i \, x)}{x^2 + a^2} \, dx \right).
\end{align}
Using
\begin{align}
\int \frac{\ln(1 + i \, x)}{x^2 + a^2} \, dx &= \frac{i}{2 \, a} \, \left[ - \text{Li}_{2}\left(\frac{1+ i \, x}{1 - a}\right) + \text{Li}_{2}\left( \frac{1 + i \, x}{1 + a}\right) + \ln(1 + i \, x) \, \ln\left( \frac{a-1}{a+1} \cdot \frac{a - i \, x}{a + i \, x}\right)  \right] \\
\int \frac{\ln(1 - i \, x)}{x^2 + a^2} \, dx
&= \frac{i}{2 \, a} \, \left[ - \text{Li}_{2}\left(\frac{1- i \, x}{1 + a}\right) + \text{Li}_{2}\left( \frac{1 - i \, x}{1 - a}\right) + \ln(1 - i \, x) \, \ln\left( \frac{a+1}{a-1} \cdot \frac{a - i \, x}{a + i \, x}\right)  \right]
\end{align}
then the result can be found in closed form with:
\begin{align}
\int \frac{\tan^{-1}(x)}{x^2 + a^2} \, dx &= \frac{-1}{4 \, a} \, \left[ - \text{Li}_{2}\left(\frac{1- i \, x}{1 + a}\right) - \text{Li}_{2}\left(\frac{1 + i \, x}{1 + a}\right) + \text{Li}_{2}\left(\frac{1 - i \, x}{1 - a}\right) + \text{Li}_{2}\left(\frac{1 + i \, x}{1 - a}\right) \\+ \ln(1 + x^2) \, \ln\left(\frac{a+1}{a-1}\right) - 4 \, \tan^{-1}(x) \, \tan^{-1}\left(\frac{x}{a}\right) \right]
\end{align}
The integral with the desired limits is:
$$ \int_{0}^{\sqrt{3}} \frac{\tan^{-1}(x)}{x^2 + 3^2} \, dx = \frac{1}{6} \, \left( \frac{\zeta(2)}{3} - \frac{\ln(2) \, \ln(3)}{2} - \frac{\text{Li}_{2}(-3)}{4} \right). $$
Also:
$$ \int_{0}^{1} \tan^{-1}\left( 3 \, \sqrt{\frac{x}{4-x}} \right) \, \frac{dx}{\sqrt{x \, (4-x)}} = \frac{\zeta(2)}{3} - \frac{\ln(2) \, \ln(3)}{2} - \frac{\text{Li}_{2}(-3)}{4}. $$

A: For the antiderivative, we could combine two things
$$ \frac 6 {u^2+9}=\frac{i}{u+3 i}-\frac{i}{u-3 i}$$
$$\tan^{-1}(u) = \frac{i}{2} \, \log(1-iu)-\frac{i}{2} \, \log(1+iu) $$ and make
$$I=6\int\frac{\tan ^{-1}\left(u\right)}{u^2+9}\,du=$$
$$\frac 12 \left( \frac{\log (1-i u)}{u-3 i}-\frac{\log (1-i u)}{u+3 i}-\frac{\log (1+i u)}{u-3
   i}+\frac{\log (1+i u)}{u+3 i}\right)$$ and recall that
$$\int \frac{\log (1+i u)}{u+i b}\,du=\text{Li}_2\left(\frac{1+i u}{1+b}\right)+\log (1+i u) \log \left(\frac{b-iu}{1+b}\right)$$
$$\int \frac{\log (1-i u)}{u+i b}\,du=\text{Li}_2\left(\frac{1-i u}{1-b}\right)+\log (1-i u) \log \left(\frac{-b+i   u}{1-b}\right)$$ and the definite integral is
$$\frac{\pi ^2}{12}-\frac{\log ^2(2)}{2}+\frac 12 \left(\text{Li}_2\left(\frac{1}{4} \left(1-i
   \sqrt{3}\right)\right)+\text{Li}_2\left(\frac{1}{4} \left(1+i
   \sqrt{3}\right)\right)-\text{Li}_2\left(\frac{1}{4}\right) \right)$$ which, once simplified, gives the result already provided in comments and answers.


Graduation Day is a time of celebration. It signals the end of one part of academic life and the beginning of a fresh new chapter of life! A smart, chic dress to compliment the joyous occasion is an important choice. We carry over 130 white graduation dresses for your selection. Try a cute short strapless white dress with a jeweled waist or a mini dress with gorgeous rhinestones throughout the bodice and flows down toward the waist with elegant spaghetti straps. Our white graduation dresses are perfect to wear under your graduation gown during commencement and then shown off after the ceremony, during pictures and well into the evening.
I recommend this dress to everyone for the quality and feel! The dress is brilliant! I appreciate the craftsmanship.
Gorgeous dress. Well-made. Definitely something quite special to wear at parties. Fits very well and comfortably!


Cheil Worldwide has acquired a stake in Iris Worldwide in a deal that could value the agency at £80 million.
The South Korean group is understood to be purchasing the US publisher Meredith's 20 per cent stake in Iris, worth an estimated £15 million, as well as additional equity. Cheil has the option to buy the rest of Iris over the next five years.
Simon Hathaway, the president and global head of retail experience at Cheil, said that the two businesses' strategic and cultural capabilities were clearly aligned.
He added: "Most other networks are based on traditional ways of working. However, those traditional ways aren't quick enough for clients now, whereas we can be more immediate with our approach and our way of working is highly collaborative."


USED Kenwood TS-440S Complete Station!
This radio does not work. Project? PSU and Mic and Speaker all work.
There's no original box, but also no odors.
**Per our technician: I did a reset on the radio. I did this test after I failed to get any output with the mic. I noticed that the radio shows its transmitting when I put it into LSB, USB, and AM. However our meter shows no power. When I put it in FM mode it doesn't show any transmit power and when I try the mic I get nothing. I pulled a Kenwood adapter for Heil mics and got a PTT switch for the adapter. When I put the radio in FM and tried the switch the power output on the radio and our meter didn't move. The radio doesn't work at all from what I am seeing.
100W HF Transceiver, w/ original manual.


text:
title: OnClientClicked
page_title: OnClientClicked | RadButton for ASP.NET AJAX Documentation
description: OnClientClicked
slug: button/client-side-programming/events/onclientclicked
tags: onclientclicked
published: True
position: 4
---

# OnClientClicked

## OnClientClicked (clicked client-side event)

The **clicked** event is subsequent to the **clicking** event, and occurs when the RadButton control is clicked. The event is fired after the client-side validation is completed, just before the page is submitted, and cannot be canceled.

The event handler receives two parameters:

1. The instance of the clicked RadButton control

1. An eventArgs parameter of type Telerik.Web.UI.**RadButtonEventArgs**, containing the following properties and methods:

	* IsSplitButtonClick () - returns a bool value that indicates whether the split button or the main button is clicked. True means the split button was clicked.

	* get_commandName() - returns the value assigned to the RadButton's **CommandName** property

	* get_commandArgument() - returns the value assigned to the RadButton's **CommandArgument** property

This event should be used in scenarios where the user needs to execute custom client-side code when the button is clicked. Since validation has occurred, the page can be checked for validity before any client code is executed. This is exactly what the following example is doing, it checks for a valid URL, and if a valid one is entered, it opens it in a RadWindow control. Here is the code:

````ASP.NET
<script type="text/javascript">
	function OpenWindow(sender, args)
	{
		if (Page_IsValid)
		{
			var RadWindow = $find("<%=RadWindow1.ClientID%>");
			RadWindow.setUrl($get("Textbox1").value);
			RadWindow.show();
		}
		else
		{
			alert("The page is not valid. Please enter a valid URL.");
		}
	}
</script>

<span>URL:</span>
<asp:TextBox ID="Textbox1" runat="server" />
<asp:RegularExpressionValidator ID="regNavaigateUrl" runat="server" ForeColor="Red"
	ControlToValidate="Textbox1" ValidationGroup="UrlVG" SetFocusOnError="true"
	ValidationExpression="http(s)?://([\w-]+\.)+[\w-]+(/[\w- ./?%&=]*)?"
	ErrorMessage="Valid URL should start with <strong>http://</strong>">
</asp:RegularExpressionValidator>
<br />
<telerik:radbutton id="RadButton1" runat="server" text="Open Window" onclientclicked="OpenWindow"
	validationgroup="UrlVG" autopostback="false">
</telerik:radbutton>
<telerik:radwindow id="RadWindow1" runat="server">
</telerik:radwindow>
````


Bloating is one of the most unpleasant sensations you can experience. However, bloating occurs when you less expected, and it won't let you live in peace. Moreover, it often threatens you with some embarrassing moments.
One of the best remedies to get rid of bloating is Sassy water. Therefore, the next time you feel bloated, you only have to drink a glass of Sassy water and you will feel its beneficial effects in a few minutes after drinking. And if you have frequent bloating problems, you should follow a Sassy water diet. You will have to drink between 8 and 10 glasses a day.
Put 2 liters of water in a glass carafe, and then add the rest of the ingredients one at a time. Put 1 teaspoon of grated ginger, cut the lemon into thin slices, after washing it thoroughly. Cut the cucumber and cut it into thin slices, then put it over the rest of the ingredients. Finally, chop the 12 mint leaves and add them too. Mix all the ingredients well and place the carafe in the refrigerator. Leave it to stand overnight.
In the morning, when you wake up, strain the beverage and put it in another container. Consume it all day long. It's perfect for those who don't like to drink water as such.


Frazer has the ability to import your vehicles from select 3rd party vendors.
This process allows you to fill your Frazer inventory with your vehicles without having to hand-enter each one.
If you market with any of the five companies listed below and want to import your vehicles from them into Frazer, continue reading!
*You will need to contact the vendor to ready your inventory before you can do any importing into Frazer.
**Also, you need to be aware that Vehicles get imported by Stock Number.
This is especially important if the list of stock numbers in your vendor's website is the same as the one in Frazer, but the vehicle VINs are different. You will end up importing nothing, even though you need those vehicles.
If you run into this, the only fix is to change the stock numbers in either Frazer, or with your Vendor.
*** Lastly, this is not an automated process.
Whenever you update your inventory through your vendor, you will have to run the Import process in Frazer again to get any new vehicles.
First, you will need to access the Inventory and Photo Imports tool in Frazer.
Click the Vehicles drop down, and then select letter A. Import Vehicles.
Click on any of the companies listed there, to select it for Import.
For this tutorial, we'll be using the CarsForSale Import.
We would have already contacted CarsForSale, in this case, to have them ready our inventory for Import.
We entered our CarsForSale ID into the ID field and clicked Retrieve Inventory from CarsForSale.
Once again, the list above includes any vehicle Stock Numbers that aren't already in Frazer.
with the same stock numbers as the vehicles you are trying to import.
Verify the info, and change the stock numbers of any vehicles you need imported.
Vehicles listed in Red will not be imported.
Vehicles listed in Green will be imported.
To select a vehicle for Import, simply double-click it. This will switch it from Red to Green.
Alternately, you can just click Select All in the bottom right to select everything in the list.
When you have every vehicle you need selected, click Proceed with Import of Green Vehicles.
Your vehicles and their photos will now be imported into Frazer.
Once the import is complete, you'll be able to view the new vehicles in your Frazer inventory.
Imported Vehicles work and look the exact same as if you had entered them manually.
You must contact CarsForSale prior to importing.
You may import your inventory every morning after 5am EST.
You must contact DealerCarSearch prior to importing.
Dealers Connect Now - Requires your Dealers Connect Now Username and Password.
These are the email address and password you use to login to the Dealers Connect Now website.
You may import from Dealers Connect Now whenever you'd like.
Dealer Specialties - Requires you Dealer Specialties ID.
You must contact Dealer Specialties prior to importing.
This can be done in the Inventory Feed Settings section under Settings > Website > Inventory Integration.
You may need to enable the XML Feed Feature before you'll see the option to generate the URL.
Feel free to call Frazer if you're having trouble setting up the Webmanager Import.
If you need further assistance Importing your vehicles from any of the vendors listed above, call Frazer at 888-963-5369.