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Increasing a deductible is a excellent way to lower home insurance policy premiums. You have to do analysis, since tiny claims can price you money and you have to spend them, these kinds of as leaky pipe damage and broken windows.


text:
usbfoot » Electronic » Robert King - Paper Heart
Robert King - Paper Heart download flac
Performer: Robert King
Title: Paper Heart
Style: Synth-pop
Category: Electronic / Soul - Funk
Other formats: FLAC VOX MOD AAC MIDI AC3 MPC
Robert King Synth-pop 1982
My Paper Heart is the major label debut album from American Christian pop rock singer Francesca Battistelli, released on July 22, 2008. The album hit No. 182 on the Billboard 200 in March 2009 and peaked at No. 35 in August 2010; it has sold over 1,000,000 copies on United States. The album was certified Gold by the RIAA on July 13, 2012. I'm Letting Go", was released as the lead single from the album before it released in mid-2008, and was the 16th most-played song on Christian radio of 2008.
Download now. English.
My Paper Heart (album). My Paper Heart is the major label debut album from Christian pop rock singer Francesca Battistelli, released on July 22, 2008.
Goodbye love, you flew right by love. Remember the way you made me feel Such young love but Something in me knew that it was real Frozen in my head . Paper Hearts" lyrics provided for educational purposes and personal use only. Studio album by Francesca Battistelli. 1. Album – Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz.
Jon Robert Quinn - King (2019). King (2019) - download the album and listen online. On this page you can listen to the album, get information about the album, see the list of songs and much more. Listen online and stay in a good mood. Org Album: King (2019).
A Paper Heart
B Theme For Love
Phonographic Copyright (p) – Charisma Records Ltd.
Published By – Chrysalis Music Ltd.
Designed At – Rocking Russian
Recorded At – Jam Studios
Lacquer Cut At – The Town House
Pressed By – PRS Ltd.
Photography By [Photo] – Antoine Giacomoni
Producer – Robert Blamire
Written-By – Blamire*, King*
Recorded 27th Feb - 2nd Mar 1982 at Jam.
Recorded by PRE/Charisma
Music by Degeneration
Original Sound Recording made by Charisma Records Ltd
Other (on label): 6000816
Matrix / Runout (Runout A stamped): PRE 23 A // 1 ▽ 42 0 H 1 1 TOWN HOUSE 2
Matrix / Runout (Runout B stamped): PRE 23 B // 1 ▽ 420 H 1 1 2 TOWN HOUSE
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redpajama_set_name: RedPajamaCommonCrawl


Given that I've announced it elsewhere, I might as well divulge it here.
I'm working on an edition of Bodleian Library's manuscript e Musaeo 173. e Mus. 173 is a short collection of magical operations, shorter than, but very much in line with, the magical miscellany published in The Book of Oberon. It passed through the hands of Thomas Allen, a mathematician, astrologer, Catholic sympathizer, and purported magician of Oxford's Gloucester Hall before being donated to the library.
The contracts are signed with Llewellyn, and James Clark is on board as our illustrator.
Right now, I've transcribed the document, modernized the English text, and inserted the red text. I'm about halfway through an initial rough translation of the Latin text, which makes up a quarter of the manuscript.
The manuscript is due in a year, and I intend to put it to good use.


text:
var app = require('../../../app');
var request = require('supertest')(app);
var support = require('../../support/support');
var should = require('should');

describe('test/api/v1/user.test.js', function () {
  it('should return user info', function (done) {
    support.createUser(function (err, user) {
      should.not.exists(err);
      request.get('/api/v1/user/' + user.loginname)
        .end(function (err, res) {
          should.not.exists(err);
          res.body.data.loginname.should.equal(user.loginname);
          done();
        });
    });
  });
});

redpajama_set_name: RedPajamaGithub


text:
/*
 * File:   ProcessorMuLaw.h
 * Author: daniel
 *
 * Created on January 8, 2016, 11:38 AM
 */

#ifndef OHMCOMM_G711MULAW_H
#define	OHMCOMM_G711MULAW_H

#include "processors/AudioProcessor.h"
#include "g711common.h"

namespace ohmcomm
{
    namespace codecs
    {

        /**
         * Implementation of the G.711 mu-law audio-codec
         *
         * See: https://en.wikipedia.org/wiki/%CE%9C-law_algorithm
         * See: http://www.itu.int/rec/dologin_pub.asp?lang=e&id=T-REC-G.711-198811-I!!PDF-E&type=items
         *
         * Uses the Payload-type 0 (PCMU), see: https://tools.ietf.org/html/rfc3551 Section 4.5.14
         */
        class G711Mulaw : public AudioProcessor
        {
        public:
            G711Mulaw(const std::string& name);

            ~G711Mulaw();

            unsigned int getSupportedAudioFormats() const override;

            unsigned int getSupportedSampleRates() const override;

            const std::vector<int> getSupportedBufferSizes(unsigned int sampleRate) const override;

            PayloadType getSupportedPlayloadType() const override;

            void configure(const AudioConfiguration& audioConfig, const std::shared_ptr<ConfigurationMode> configMode, const uint16_t bufferSize, const ProcessorCapabilities& chainCapabilities) override;

            bool cleanUp() override;

            unsigned int processInputData(void *inputBuffer, const unsigned int inputBufferByteSize, StreamData *userData) override;

            unsigned int processOutputData(void *outputBuffer, const unsigned int outputBufferByteSize, StreamData *userData) override;

        private:
            std::vector<int16_t> writeBuffer;
            uint16_t maxBufferSize;
        };
    }
}
#endif	/* OHMCOMM_G711MULAW_H */


text:
Home > "Romeo and Juliet" in Hartford
Hartford Stage's production of Romeo and Juliet countered the effects of an icy Sunday afternoon. Happily the focus on young love had an effect on the age of the audience. There were many below sixty-five. The stage design was puzzling – an apparent back drop of large forms for pouring concrete, for some reason inset with flower sconces and lights – but then with the help of program notes it became clear. We were looking at crypts, stacked tomb enclosures that reached to the height of the curtain. Mourners who formed a mute chorus populated that back of the stage in many of the scenes, attentive to the players down-stage. We were not to forget the trajectory of the action: the maw of death. My wife had to remind me that the costumes and design were inspired by post-war Italian neo-realist films (She read the program carefully.), and so the initial scene involving the brawl between the Monatgues and Capulets ("I do bite my thumb.") made sense: street thugs taunting each other with shining knives, not sword blades.
Darko Tresnjak is a formidable director and designer. He made the setting work, certainly more so as the play evolved. Whether this is a look back to West Side story or not, the rivalry between the houses makes sense in a mean street context.
On the simplest level, I am continually admiring of actors' feats of memory in learning lines. Surely the energy of passion has to drive the delivery, especially with the overwrought desires and fears of the speeches. Anyone who remembers reading Romeo and Juliet in school will attest that Shakespeare doesn't always yield sense easily – especially in the punning interchanges of courtly love or in the confessions of longing or despair.
I have attended with former students many performances of Shakespeare. Some had better been skipped for the negative effects they had. If I can borrow an analogy from musical performance: a costly, rare instrument will disappoint when played with poor execution. Shakespeare's verse will "tell" only when it is carried well. Romeo, Mercutio, and Friar Lawrence in this production were immediately convincing. Their delivery furthered sense. The language, because it is Elizabethan and because it is verse, cannot sound "natural" but it can "tell." It was Juliet, fluent, dramatic, and beautiful whom I could not really appreciate: the cadences of her speech caused something by way of interference with the sense of her lines– as patterns of waves can cancel one another out. Her performance was affecting, but then there were moments where her speech did not register, except in the emotional tenor of her expression.
I say this not principally to stand in judgment, but rather as a reflection on the difficulties that four hundred year old plays cause for actors. There are obviously unique demands arising from the complicated arguments of the text. We go to the theater for revelations when we see plays often staged: hence the challenging settings, the alteration of time period, the interpretation of character. But the hard work lies with the words. We need to hear them as in Hamlet's directions to the Players: "Speak the speech, I pray you, as I pronounc'd it to you, trippingly on the tongue." In whatever guise Shakespeare uses Hamlet in addressing the Players, he demands, to borrow a phrase, "articulate energy." Only that will cause us to suspend disbelief and bow to the tragedy of Juliet and her Romeo. To strain to hear sense is to strain out the poetry.
Stage [1]
Edward T. Wheeler, a frequent contributor, is the former dean of the faculty at the Williams School in New London, Connecticut.
Print [6]
Source URL: https://www.commonwealmagazine.org/romeo-and-juliet-hartford
[1] https://www.commonwealmagazine.org/stage
[4] http://www.facebook.com/sharer/sharer.php?u=https://www.commonwealmagazine.org/romeo-and-juliet-hartford
[5] https://twitter.com/intent/tweet?url=https://www.commonwealmagazine.org/romeo-and-juliet-hartford
[6] https://www.commonwealmagazine.org/print/38130


text:
iSpy.Views.ObjcClassList = Backbone.View.extend({

    el: '#objc-class-list',

    initialize: function() {
        this.collection.on('classListChange', this.render, this);
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        return this;
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iSpy.Views.ObjcClassListItem = Backbone.View.extend({

    tagName: 'a',

    template: Handlebars.templates.ObjcClassListItem,

    model: iSpy.Models.ObjcClass,

    render: function() {
        this.$el.addClass("list-group-item");
        this.$el.attr('href', "#classbrowser/" + this.model.attributes.name);
        var template = this.template(this.model.toJSON());
        this.$el.html(template);
        return this;
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The Portman Hotel Company was a relatively small hotel with only 348 rooms and 21 floors located in San Francisco's booming hotel district. It was influenced with Asian philosophy of services, to provide high quality hospitality to its guest at affordable rates. On paper, the hotel sounded like a great success, one that would definitely flourish amongst the competition. However, even with this philosophy, there were numerous problems that plagued the Portman Hotel. A few examples of these problems are the common mistake of fundamental attribution error (FAE), expectancy theory, as well as operant conditional theory. This essay will explain how these three things can potentially bring down an entire company very quickly.
Operant conditional theory is defined as, getting people to do things because they want to by applying positive and negative reinforcements to move them in a particular way. The supervisors of the Portman Hotel were adamant about avoiding formal disciplinary actions towards their employees. The supervisors believed that discipline was actually going against what the hotel's philosophy was. Therefore, instead they used positive reinforcement under the operant conditioning theory as a means to motivate the poor performers. Spencer Scott tried to persuade the poor performers to believe that good performance had many rewards, such as good tips. He felt that with showing the valets the benefits of working hard for the guests, that those same guests would in return graciously reward them.
Now that we have analyzed and pointed out the flaws of the Portman Hotel, we can begin to describe some simple solutions to these problems. First, with the FAE, the problem is with management. If Spencer Scott attempted to figure out why his PVs were running around everywhere he might figure out the source of the problem, instead of jumping to conclusions as he did. He might explore other options such as; hiring additional PVs so that the current ones aren't always so busy, or attempt to figure out a different strategy in assisting the guests with their high demands.
Regal Carnation Hotel (Guam) Case Analysis Case Introduction The island of Guam is an unincorporated territory of the United States located in the Philippine Sea. Ruled by the Spanish until 1898, Guam was ceded to the United States and briefly occupied by Japan between 1941 and 1944. Of strategic significance during the Second World War, more than 18,000 Japanese and 1,800 U.S. marines died in the U.S. retaking of the island. Following the war, the Guam Organic Act of 1950 provided for….


text:
Q: Convergence in Probability of Random Variables -- But what Probability Measure? When people use the concept of convergence in probability they often just write down e.g. $X\rightarrow^p0$ to denote that $X$ converges in probability to $0$. But from what I know about convergence in probability, the concept(/definition) relies on a probability measure $\mu$:
Definition.
Let $(\Omega, \mathcal F, \mu)$ be a probability space and let $f,f_n:\Omega\longrightarrow W$ be measruable functions for every $n\in\mathbb N$. We say that $f_n$ converges in probability to $f$ if for every real $\epsilon>0$ and real $\delta>0$ there exists a $N\in\mathbb N$ such that for every $n\in\mathbb N$ that satisfies $n\geq N$ it holds that $$\mu\Bigg(\bigg\{\omega\in\Omega:\Vert f_n(\omega) - f(\omega)\Vert\geq\delta\bigg\}\Bigg)<\epsilon.$$
$\\$
In the example below, I have problems to find the associated measure to apply convergence in probability.
Example. Let $(\Omega^n,\mathcal B_{\Omega^n}, P_\theta^n)$ be a probability space where $\Omega\subseteq\mathbb R^n$ and $\mathcal B_{\Omega^n}$ is (canonical) Borel $\sigma$-algebra. Note that the probability measure $P_\theta^n$ depends on a parameter $\theta\in\Theta\subset\mathbb R^k$. Let $(\Theta,\mathcal B_\Theta)$ be measruable space and $\tau_n:\Omega^n\longrightarrow\Theta$ a measurable function.
$\\$
I am now concerned with the following equestions:

*

*Convergence in probability of $\tau_n$ to some constant $\vartheta\in\Theta$ ("Consistency of the estimator $\tau$")

*Convergence in probability of $f_n(\theta)$ to some real constant where $f_n(\theta)$ denotes the Radon-Nikodym derivative (assuming that $P_\theta^n$ is differentiable of course).

My thoughts so far (assuming the preceeding is correct):

*

*Since $\tau_n$ is measurable, probabilities are well defined. But what is the probability measure? Is it the pushforward measure $P_\theta^n\circ\tau_n^{-1}$? That seems wrong though as the measure itself depends on $n$ (or does this not matter for convergence in probability?)

*Again, due to the measurability of $f_n$ (Radon-Nikodym-derivative is measurable by definition) probabilities are well-defined. The corresponding measure space is the non-negative reals equipped with the associated Borel $\sigma$-algebra. But what is the measure used to proof convergence in probability? The pushforward measure?

redpajama_set_name: RedPajamaStackExchange


I basically like Brad Paisley. He writes good song lyrics, has a very individualistic sense of humor and is one heck of an instrumentalist. Even though he competes in the area of today's mindless country music, he always makes sure to include a few tracks with lyrics to appeal to stone cold traditionalists like myself. He is fearless in his choice of material and never plays it safe, which means that each of his albums contains something unexpected, and occasionally he'll try something that just doesn't work, such as 2013's "Accidental Racist".
Brad has at least co-writing credit on all of songs on this album; actually they are all co-writes (but see below).
The album opens with "Heaven South" a typical hometown ballad that has plenty of steel guitar and with a little tweaking, could have been played on country radio in the 1970s. Brent Anderson and Chris DuBois share the writing credits on this one.
Next up is "Last Time For Everything", a passages of life song, describing the things that occur as one passes through life.
"One Beer Can" is a mid-tempo story about a party that almost, but not quite, got covered up.
"Go To Bed Early" is a slow ballad that concerns a party that our protagonist chooses to skip a party or a concert he won't attend in favor of a (perhaps) quiet evening with his girl. I would hope this is released as a single as it is a very strong song.
Dinosaur rocker Mick Jagger gets co-writing credit with Brad on the duet "Drive of Shame". The song's instrumentation sounds like something that Jagger's usual band might have recorded. Jagger plays electric guitar and tambourine on this track.
"Contact High" has an R&B groove to it but no, it's not about drugs or alcohol.
"Love and War" features co-writer John Fogerty and is a melancholy rocker that reiterates the relative neglect of veterans, particularly those of the Vietnam era. It is less true now than it was during the 1960s and 1970s but still makes a point worth remembering.
"Today" is a love song about remembering his girl as she is today. This has a really traditional feel to it. I very much like the song and think it made a good single.
"Selfie #theinternetisforever" is very topical – whether it will be remembered ten years from now is questionable, but it is good for a smile in 2017. The tone is both funny and scolding at the same time.
I have no idea who is Timbaland, and after listening to his vocal contributions to "Grey Goose Chase", I'm not sure I care. This is a prototypical song about drinking a woman off your mind – what used to be described as "the endless ballads of booze and broads" except this isn't a ballad.
Brad generously gives Johnny Cash co-writing credit on "Gold All Over The Ground" although some stage comments are the extent of JC's involvement. This is a nice country ballad with some excellent steel guitar.
"Whispering Bill" Anderson co-wrote "Dying To See Her", a nostalgic slow ballad and provides a narration. In this song an older man looks forward to reuniting with his departed love.
Timbaland is back on "Solar Powered Girl"; this track features some banjo. The song is essentially about breaking loose and starting over.
Paisley traverses into the muck of modern politics on "The Devil is Alive and Well", where he comments that some of the worst things are done in the name of God, which occasionally has been true.
"Meaning Again" is a mid-tempo ballad about moments of defeat redeemed by love on a daily basis.
Lyrically, there is not a song on this album that I dislike. There are songs on which I would change the production and/or instrumentation. I give this a B+ and can imagine that many others will like it more than I do.
Chris Young has arguably the best voice of any male country singer currently signed to a major label. It's a shame that of late years his musical choices have been disappointing as he chases commercial success at the expense of artistry. Happily, while his new Christmas album isn't particularly country, it leans in the direction of, well, traditional Christmas music, rather than the bro-country he has been led astray by before.
Chris's warm baritone voice is perfectly showcased tenderly crooning 'The Christmas Song' and 'Have Yourself A Merry Little Christmas'. 'I'll Be Home For Christmas' shoots for the same territory, but I found it just a little dull.
The Phil Spector-penned (i.e. 60s pop) 'Christmas Baby (Please Come Home)' is cheery and Christmassy with an arrangement dominated by bells, and surprisingly enjoyable. Chris's vocal commitment also lifts the lightweight 'Holy Jolly Christmas'; this gets a brassy arrangement.
The outstanding moment comes with a gorgeous duet with Alan Jackson on the Keith Whitley Christmas classic 'There's A New Kid In Town', which is just lovely. Brad Paisley guests on a nice sincere take on 'The First Noel'. 'Silent Night' has one of the most beautiful melodies of any carol/Christmas tune, and is almost impossible to mess up. Chris sings it beautifully, with 90s R&B boyband Boyz II Men used sparingly to provide ethereal harmonies on the chorus. The end result is extremely effective.
There are two new songs, both co-written by Chris, but frankly neither is particularly memorable. 'Under The Weather' is quite a pleasant love song set at Christmas time, but the title track is chock full of clichés.
Production is mostly nicely understated, supporting Young's excellent vocals. This is an excellent choice to play while entertaining your non-country loving family members this Christmas.


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text:
IRS issues final regulations for sales of partnership interests
TAX ALERT | November 06, 2020
The IRS and Treasury issued final and temporary regulations under section 864(c)(8) on Sept. 22, 2020 (see T.D. 9919, RIN: 1545-BO86). The final regulations provide clarification and more taxpayer friendly guidance to foreign investors determining gain or loss on the sale or exchange of partnership interests treated as effectively connected to a trade or business within the United States. Section 864(c)(8) was enacted by the Tax Cuts and Jobs Act (P.L. 115-97) and provides, in relevant part, that gain or loss derived by a non-U.S. person on the sale or exchange of an interest in a partnership engaged in a U.S. trade or business is generally treated as effectively connected income and is therefore subject to U.S. tax. The final regulations apply to sales or exchanges made on or after Dec. 26, 2018 and include rules to coordinate section 864(c)(8) with other relevant sections of the Internal Revenue Code (the code). Further, while not subject to the final regulations, transfers occurring on or after Nov. 27, 2017, but before Dec. 26, 2018, are also subject to section 864(c)(8).
The final regulations under section 864(c)(8) retain the basic framework of the Proposed Regulations issued in December 2018 (REG-113604-18) for determining effectively connected gain or loss and have maintained several of the initial provisions included in proposed regulation section 1.864(c)(8)-1(c)(2)(i). However, in response to comments from industry on the Proposed Regulations, the Final Regulations provide additional rules (under §1.864(c)(8)-1(c)(2)(ii)(B)-(E)) for sourcing gain or loss on specific assets that could be particularly difficult to source and also provide better clarity on how section 864(c)(8) interplays with US income tax treaties. The final regulations also provide several circumstances where income may not be considered ECI, including provisions surrounding inventory, intangibles, and depreciable personal property, along with a 10-year exception that could be favorable to taxpayers.
Section 864(c)(8) was enacted in 2017 by the Tax Cuts and Jobs Act. The Proposed Regulations under section 864(c)(8) (REG-113604-18) were published in response to the U.S. Tax Court's rejection of IRS Revenue Ruling 91-32 in Grecian Magnesite Mining, Indus. & Shipping Co. v. Commissioner, 149 T.C. 63 (2017). The TCJA provisions generally overturned the result of Grecian where the court had sided with the taxpayer and treated a foreign partner's redemption of a partnership interest as a single asset that was foreign-source gain. The provisions added section 864(c)(8) to the code and treats gain on the sale of a foreign partner's interest as effectively connected to a U.S. trade or business to the same extent as the gain or loss on the sale of the partnership's assets at fair market value.
Final Regulations under Section 864(c)(8)
Under the Final Regulations, section 864(c)(8) applies to foreign partners of partnerships engaged in a U.S. trade or business. Section 864(c)(8) determines when foreign partners have effectively connected income ("ECI") to the extent that the transferor would have had effectively connected gain or loss if the partnership had sold all of its assets at fair market value as of the date of the sale or exchange ("deemed sale"). If the foreign partner is determined to have ECI gain under §864(c)(8), then this income (i.e., the amount realized) is subject to withholding under section 1446(f) of the code at a rate of 10% as discussed below.
On Oct. 7, 2020, the IRS published final regulations under section 1446(f) (see (REG-105476-18). These rules were enacted as part of the TCJA and generally require a transferee, in connection with the disposition of a partnership interest by a non-U.S. person, to withhold and remit 10% of the amount realized by the transferor if any portion of any gain realized by the transferor on the disposition would be treated under section 864(c)(8) as effectively connected with the conduct of a trade or business in the United States. The final section 1446(f) regulations explain how to apply the 10% withholding to foreign partners when the gain on the disposition results in ECI as determined under section 864(c)(8).1 A more detailed discussion of final regulations under section 1446(f) is beyond the scope of this alert, but will be covered in a separate article to be published shortly.
Clarification of Rules for Deemed Sales
The Proposed Regulations under section 864(c)(8) created a structure for determining the deemed sale on effectively connected gain or loss through a three step process. Step one of this process involved determining the amount of gain or loss from each partnership asset as if the partnership conducted a deemed sale of all of its assets on the date of transfer. Step two determined the amount of the deemed sale gain or loss that would be treated as effectively connected gain or loss with respect to each asset, and step three determines the foreign transferor's distributive share of the deemed sale effectively connected gain or loss amounts. Recognizably, Step two in the process described above is particularly challenging since it required an analysis of the source of income. Source of income analysis is typically based on facts and circumstances; however, determining facts and circumstances on a deemed sale proved to be challenging since the sale never actually took place. As such, the Proposed Regulations provided a simplified set of rules to determine the source of income under section1.864(c)(8)-1(c)(2)(i).
The Proposed Regulations treated all deemed sale gain and loss of the partnership as U.S. source income unless, during the ten-year period ending on the date of transfer, the partnership asset in question produced no income or gain that was ECI and had not been used, or held for use, in the conduct of a U.S. trade or business by the partnership ("the Lookback Exception"). The final regulations:
Expand the Lookback Exception by modifying the relevant testing period for partnerships that have not existed for at least ten years and by limiting the testing period to the lesser of the ten-year period ending on the date of the partnership interest transfer or the period during which the partnership held the asset;
Clarify the sourcing of specific categories of partnership assets in the deemed sale computation including inventory, intangible and depreciable personal property;
Clarify that the general rule which treats all deemed sale gain and loss of a partnership as U.S. source income was not intended to apply in the treaty context unless the partnership had a permanent establishment in the U.S. at the time of the transfer;
Exclude from a foreign partner's distributive share of deemed sale gain or loss any amount that is excluded from the foreign partner's gross income or is otherwise exempt from federal income tax under the code.
Interplay with U.S. Tax Treaties and Nonrecognition Events
The Final Regulations also provide clarity on how section 864(c)(8) interplays with US income tax treaties. For example, the Final Regulations provide that the transfer of an interest in a partnership without a permanent establishment in the United States may be exempt under section 864(c)(8). Additionally, the Final Regulations assert that partnership assets that do not form part of a permanent establishment in the US are generally not taken into account in determining gain or loss under section 864(c)(8). Finally, section1.864(c)(8)-1(d) of the Final Regulations clarifies that a transfer of a partnership interest in a nonrecognition event will not be subject to section 864(c)(8) to the extent that the gain or loss on the transfer is not recognized. Instead, it would be subject to tax under 897(g) if the partnership holds U.S. real property interests.
Governing rules under final section 864(c)(8) regulations are complex and special care should be taken to understand both the benefits and collateral consequences that can arise from their application. For assistance with evaluating the implications of these rules or to learn more about RSM's services, please contact a member of our International Tax team or refer to our website.
1Under the final Section 1446(f) regulations, for non-publicly traded partnerships, withholding is generally imposed on the transferee, but the partnership itself may be required to withhold in certain situations. For transfers of publicly traded partnerships, where the transferee generally does not know the transferor, the obligation to withhold is imposed on the broker for transfers and distributions made on or after January 1, 2022. The IRS had previously suspended section 1446(f) withholding on transfers of interests in publicly traded partnerships. (See IRS Notice 2018-8). However, the final section 1446(f) regulations require withholding on transfers of interests in publicly traded partnerships effective for transfers and distributions made on or after January 1, 2022.
This article was written by Aureon Herron-Hinds, Jamison Sites and originally appeared on 2020-11-06.
https://rsmus.com/what-we-do/services/tax/international-tax-planning/global-information-reporting/irs-issues-final-regulations-under-section-864-c-8-for-sales-of.html


As recent years have shown the residents of Texas, flooding is becoming more of an ordinary event and less of an event that occurs every few years. Many people assume if they do not live close to a body of water that flood insurance is not necessary. However, often damage from floods do not come from rising waters but can be caused by heavy rain.
Also, people assume their homeowner's policy will cover floods, and that is just not the case. Whether you live in a flood zone or not, you should discuss with your insurance agent if flood insurance is right for you.
An insurance expert at StraightEdge Insurance Agency will first check to determine if your community participates in the National Flood Insurance program. Although the NFIP is a government program, all of the policies can be purchased through an independent agent. There is a 30 day waiting period for coverage to take effect, so do not wait to reach out to an agent to discuss flood insurance options immediately.
When purchasing a flood policy, you want to make sure you have coverage for both the building and your personal property. Flood policies will cover the building structure, walls, and foundation; however, not all policies automatically cover personal property. Speak with your agent and make sure your flood policy offers both protections.
Flooding can cause significant damage to both your home, personal property, and your community. StraightEdge Insurance Agency understands how traumatic this can be to a family. In the event of a loss, we will help you navigate the claims process so you can focus on rebuilding from the damage.
If you want to learn more about flood insurance and how it can protect you, please reach out to a trusted expert at StraightEdge Insurance Agency to set up an appointment today. We proudly serve the residents of Georgetown, TX and can answer questions throughout the state. Contact us with your questions and for quotes.


text:
amas Nov. 24, 2013
Justin Timberlake Does His Own Taylor Swift Face
By Lindsey Weber
Taylor Swift is not the only one doing the Taylor Swift Face at tonight's American Music Awards. Everyone's feeling super surprised and super humble. Just take Justin Timberlake. Heading to the stage to accept his second AMA of the night, JT made a pit stop at Taylor Swift's seat, so they can be excited at each other. It's a duet!
Taylor Swift Acts Surprised


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The Embraer E190-E2 in Farnborough (Photo: AirlineGeeks | Pablo Diaz)
[ Photos ]July 16, 2018 10:20 am ET
Taking a Ride Onboard the Embraer E190-E2 in Farnborough
As part of Embraer's presence at Farnborough Airshow, AirlineGeeks was invited to a media briefing on the E190-E2, one of the models of the production series that will be acquired by Boeing by the end of 2019.
After a short but consistent presentation, in which several topics were stressed by Embraer's engineering team as deal breakers for the segment, it was time to fly. The press group was taken to PR-ZGV, the company's demonstrator, and we boarded in no time.
Preparing to board the E2 (Photo: AirlineGeeks | Pablo Diaz)
The seat configuration of this particular aircraft is a bit deceiving: equipped with 104 seats, different pitch segments are there to be tested; from generous 34", to narrow yet tolerable 29", the four abreast, single-aisle layout is extremely comfortable. The main difference is that regardless of pitch, the seat's width and separation with the next passenger provides a sensation of space that it is hard to find now in aircraft below 180 seats.
Seating on the Embraer E190-E2 (Photo: AirlineGeeks | Pablo Diaz)
Consistent with current trends, no IFE is provided. But for those in need of enterntainment, two sockets are provided in each seat pair. Overhead bins are extremely generous and the height to the cabin ceiling is remarkable.
It is true that we would need to check the same parameters in Airbus' new product, the A220. The main sensation is that E190 E2 has plenty of room, and that design has excelled to provide a remarkable passenger experience right out of the gate.
Views onboard the E190-E2 (Photo: AirlineGeeks | Pablo Diaz)
After boarding and settling, even though on a press flight the definition of "settling" reduces itself to 30 seconds of attention, the aircraft took position for flight. After a really short takeoff, the 'shark' was in the air.
Another huge addition to the passenger experience is the noise level. It sounds, well, almost like it doesn't make a noise, similar to a Boeing 737 MAX. The in-cabin noise reduction is outstanding.
Engine views during the press flight (Photo: AirlineGeeks | Pablo Diaz)
Its flying performance is superb. Smooth and yet powerful, the refreshed E190 glides with confidence as we perform a circuit around the south England coast.
After an hour and ten minutes, we headed back to Farnborough airport and the crew set the day with an impressive short-runway landing. No wonders why E190 and its evolution will be the stars in city airports.
A visit to the E190-E2's flight deck (Photo: AirlineGeeks | Pablo Diaz)
Embraer predicts the need of 10,500 aircraft in the 100-150 seat segment over the next years. What is clear is that the battle for the market is just beginning. And it's clear that it will have two formidable contenders.
Pablo Diaz
Since a little kid, Pablo set his passions in order: aviation, soccer, and everything else. He has traveled to various destinations throughout South America, Asia, and Europe. Technology and systems expert, occasional spotter, not-so-dynamic midfielder, blogger, husband, father of three cats; he believes that Latin America's aviation industry past, present, and future offer a lot of stories to be told.
Since a little kid, Pablo set his passions in order: aviation, soccer, and everything else. He has traveled to various destinations throughout South America, Asia, and Europe.
Technology and systems expert, occasional spotter, not-so-dynamic midfielder, blogger, husband, father of three cats; he believes that Latin America's aviation industry past, present, and future offer a lot of stories to be told.
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When should a judge intervene in a match?
I started judging at Regular last week, and one thing that made me uncomfortable was watching players break rules. Sometimes the opponent would look at me like, "Are you really going to let this happen?" I tried my best to educate the players without providing an unfair advantage or being a pesky judge who intervenes every thirty seconds, but I'd rather have a set of official rules that I can follow so that I know when to intervene.
For example, one player declared an attacker, the opponent declared a blocker, then the first player declared another attacker, and then the opponent looked to me for intervention. Not sure if I should intervene, I decided to ask the player, "Do you have a question?" He took the bait, and I was able to correct the situation and educate the players on how declaring attackers works.
When should I intervene in a match?
Rainbolt
RainboltRainbolt
11.6k3131 silver badges100100 bronze badges
'Sometimes the opponent would look at me like, "Are you really going to let this happen?"' If this is actually occurring, you should let players know that they should call a judge to fix errors in the game and that at Competitive REL, taking advantage of an opponent's errors (that aren't missing triggers) can be UC-Cheating. – Hao Ye Jul 16 '15 at 17:57
@HaoYe Absolutely. I should have reminded players to speak up when they have a question. I'm a little crowd-shy, so I approached the problem by leaning in asking the players directly, "Do you have a question?" I think it worked well, but an announcement would have been better. – Rainbolt Jul 16 '15 at 18:06
Do you have an example? You should never allow an actual violation of game rules to go uncorrected. Two matches later they try it again and say "Well last time the judge was looking right at it and didn't say anything" and now both they and their opponent think that's how the game is played. The amount of "Sloppy Play" that ultimately leads to legal game states that is tolerated at Regular is maybe more flexible. – Affe Jul 16 '15 at 21:56
The Magic: the Gathering Tournament Rules (MTR) makes it clear that a judge should not intervene before a rule has been broken, but should intervene after a rule has been broken. In other words, a judge should be reactive, not proactive.
Judges do not intervene in a game to prevent illegal actions, but do intervene as soon as a rule has been broken or to prevent a situation from escalating.
The Infraction Procedure Guide (IPG) states basically the same thing. Keep in mind that, as made clear by a recent rules update, the IPG is only meant to be used at Competitive and Professional REL.
A judge shouldn't intervene in a game unless he or she believes a rules violation has occurred, a player with a concern or question requests assistance, or the judge wishes to prevent a situation from escalating. Judges don't stop play errors from occurring, but instead deal with errors that have occurred, penalize those who violate rules or policy, and promote fair play and sporting conduct by example and diplomacy. Judges may intervene to prevent or preempt errors occurring outside of a game
Judging at Regular (JAR) covers Regular REL. At Regular, the judge is allowed (but not required) to intervene for missed triggers. Again, this is optional, and you should intervene at your discretion.
You should intervene if you see something illegal happen in a match, but beyond this you can exercise your discretion. For example, whether you step in when you see a player miss a trigger should be determined by the tone you want to strike for your event – it may be appropriate to provide this extra help in a more causal environment, but less so if your play group is more competitive.
Not the answer you're looking for? Browse other questions tagged magic-the-gathering or ask your own question.
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If a player goes to "combat", and then activates an ability, what is the game state?
When should I play my land for my turn?
What should I do if a judge makes an incorrect ruling?
Should the information on match slips be protected?


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AN EARTH PRIME-TIME PRIMER
Two new series have appeared in the TV Universe recently... but not in the main TV dimension. Both of them are remakes of shows that have already claimed their place in Earth Prime Time.
Usually, remakes are relegated to Earth Prime Time-Delay, but only one of these series will end up in that alternate dimension. We'll have to come up with a new classification for the other show's homeworld.
The shows? 'Little House On The Prairie' and 'Kojak'.
First, let's review the dimensional crap.....
Earth Prime - That's our Earth. The World We Live In. Reality. Some of you might be familiar with the concept. Earth Prime Time - The main TV Land. Here we call it Toobworld to give it our own brand. People from "Real Life" may appear in Toobworld, but you'll never see those fictional characters inhabiting our world. And if you do, seek help.
There are many off-shoots of Earth Prime Time; in fact, there are thousands. The premise is best splained by Quinn Mallory's prologue in every episode of 'Sliders':
"What if you could find brand new worlds right here on Earth where anything's possible? Same planet - different dimension."
Among the many dimensions we have to deal with in the Toobworld Dynamic (and the shows that are situated there) are:
The "Evil Mirror" Universe - featured in 'Star Trek', 'Hercules: The Legendary Journeys', and 'Blake's Seven' The
Tooniverse - For the most part, human cartoon characters are considered just the artistic representation of real human beings. Cartoon series like 'Futurama', 'The Critic', and 'Where's Huddles?' would be part of the main TV Universe.
But if the characters interact with talking humanoid animals, then they get tossed over to the Tooniverse. That's where you would find all the 'Scooby Doo' variations, 'Underdog', 'Wally Gator', 'Family Guy' and yes, even 'The Simpsons'. ('The Flintstones' would be an exception due to the fact that there were talking 'Dinosaurs!' on Earth Prime Time.)
Because of the difference as to who occupies the White House, shows like 'The West Wing', '24', and eventually 'Jack & Bobby' get their own TV dimensions. And at least on Earth Jed-Prime (for 'The West Wing'), there are other series which occupy the same dimension, among them 'Mr. Sterling' and 'Smallville'.
But for all of the many TV shows that are remakes of earlier series, they are placed in a dimension we have dubbed Earth Prime Time-Delay.. They are looked upon as being the same shows, but occurring later in the timeline than the originals over in the main TV Universe.
For example - 'Dark Shadows', 'The New Addams Family', '87th Precinct'.
Apparently, in quantum physics, there is no such thing as absolute time. There is only relative time which is relative to the location and the speed of the observer.
So, although the stories of the '87th Precinct' might have taken place in the early 1960s, new viewers in the 1990s saw the same characters - but as they now acted and looked for that time period. As the audience changed and the writing matured, so did the texture of the show, making it impossible to keep on the same world where once we saw it.
'Star Trek' has a term for this type of splainin, you know. Techno-babble.
Of course that rule could be absolved for shows set in the far past, like those about Zorro, Sherlock Holmes, and Robin Hood. And that's the situation in which we find ourselves with the first show under consideration, 'Little House
On The Prairie'.
[To Be Continued....]
THE POPES OF TOOBWORLD
I received some responses to my posts re: the Pope in TV Land.....
Two other Gene Greytak possibilities....
He was the Pope in one of the Naked Gun movies, which backtracks through the cineverse to Police Squad! (In Color).
Also, I remember an ad for Father Dowling Mysteries with Gretak in Papal garb, offering a silent thumbs up.
So the Pope hits the Adverse and Cineverse along with the Televerse.
- Hugh
If you're going to use that episode of "Just The Ten Of Us" in which the Pope appears only in a dream sequence, then you oughtta use the two-part "ALF" episode in which he dreamed about hosting the "Tonight" show.
The Pope shows up in that dream as one of ALF's guests on the couch. I think there's even a website out there that's got a picture of the two of them together....
"Tonight, Tonight (1+2)"
gs: Ed McMahon [ Himself ] ALF hosts "The Tonight Show", with Ed McMahon. b: 24 Oct 88 pc: 3006 w: Lisa A. Bannick, Steve Pepoon, Al Jean, Michael Reiss d: Burt Brinckerhoff
Okay, now with this one, I'm thinking you didn't go to the IMDb.com. Or maybe you didn't use it right.
Maybe you were too specific with the names you were looking for?
Cause I know Bob Hoskins played Pope John the 23rd once. "Papa Bono" I think was the name of the tv movie, you'll have to look it up. I remember seeing the soundtrack for it by Morricone.
Okay, maybe you should go back to the IMDb.com and just type in "Pope". I quick ran down the list on that first page and saw at least one more for Pope Paul the 6th, and for Pius the 12th as well.
And I'm talking the TV stuff only, not the movies. Looks like that's all you'r einterested in here or otherwise you'd of put in all the movies that Greytack made where he played the Pope.
So I seemed to have been remiss in listing Popes other than John Paul II who have been portrayed on TV. I had a listing or two for the others in the last half of the 20th Century, most notably John XXIII, but totally missed out on portrayals of Paul VI and Pius XII it seems.
Here then, is a list of all the Popes who have been portrayed in TV productions. This is a telecentric blog, so we do not mention here Rex Harrison in "The Agony And The Ecstasy" nor (especially!) Ringo Starr in "Lizstomania".
But there are two portrayals that do have links to movies so we included those as well......
F. Murray Abraham (Pope Julius II)
. . . Season of Giants, A (1991) (TV)
Ed Asner (John XXIII)
. . . Papa Giovanni - Ioannes XXIII (2002) (TV)
Christopher Benjamin (The Pope)
. . . Leonardo (2003) (TV)
José-Maria Berzosa (Le pope)
. . . Île bleue, L' (1983) (TV)
Raymond Burr (Angelo Roncanelle, Pope John XXIII)
. . . Portrait: A Man Whose Name Was John (1973) (TV)
Carlo Croccolo (Pope Gregory I)
. . . "Inside the Vatican" (1993) (mini) TV Series
Milorad Daljevic (Pope)
. . . List (2001) (TV)
Dom DeLuise (The Pope (This Is The Life))
. . . 'Weird Al' Yankovic Video Library: His Greatest Hits, The (1992) (V)
Dom DeLuise (The Pope)
. . . Johnny Dangerously (1984)
[Obviously this must be a fictional pope, but what the heck, we decided to keep him in!]
James Deuter (The Pope)
. . . Charley Hannah (1986) (TV)
Hans Dornbusch (Pope Alexander VII)
. . . Christina (1988) (TV)
Charles Durning (Pope John XXIII)
. . . I Would Be Called John: Pope John XXIII (1987) (TV)
Albert Finney (Karol Wojtyla (Pope John Paul II))
. . . Pope John Paul II (1984) (TV)
Manfred Freyberger (Pope John Paul II)
. . . Papocchio, Il (1981)
Richard Gant (Pope)
. . . Men Don't Tell (1993) (TV)
John Gielgud (Pope Pius XII)
. . . Scarlet and the Black, The (1983) (TV)
John Glyn-Jones (Pope Paul)
. . . Malatesta (1964) (TV)
Eugene Greytak (The Pope)
. . . Hot Shots! (1991)
. . . Just the Ticket (1999)
. . . Miss Cast Away (2004)
. . . Naked Gun 33 1/3: The Final Insult (1994)
. . . Repossessed (1990)
. . . Sister Act (1992)
[Greytak is the actor most often called upon to portray John Paul II in TV shows. We listed those credits a few days ago.]
Norman Henry (Pope Pius VII)
. . . "Napoleon and Love" (1972) (mini) TV Series
Michael Hordern (Pope Urban VIII)
. . . Lamp at Midnight (1966) (TV)
Bob Hoskins (Angelo Roncalli/Pope John XXIII)
. . . Papa buono, Il (2003) (TV)
Eliasz Kuziemski (Pope)
. . . Aktorka (1971) (TV)
Henri Labussière (Le pope)
. . . Procès de Shamgorod, Le (1982) (TV)
Burt Lancaster (Teobaldo Visconti/Pope Gregory X)
. . . "Marco Polo" (1982) (mini) TV Series
Heinz Lyschik (Pope)
. . . "In aller Freundschaft" (1998) TV Series
T.P. McKenna (Pope Julius II)
. . . Raphael: A Mortal God (2004) (TV)
Cezary Morawski (Karol Wojtyla/Pope John Paul II)
. . . From a Far Country (1981)
Arnaldo Ninchi (Pope Pius IX)
. . . Don Bosco (2004) (TV)
Ferenc Némethy (Pope Paul the Sixth)
. . . Devictus Vincit (1994) (TV)
John Phillips (VI) (Pope Grigoris)
. . . "Christ Recrucified" (1969) (mini) TV Series
Anthony Quayle (The Pope)
. . . Confessional (1989) (TV)
Remo Remotti (Pope Julius II)
Andrew Schofield (I) (Pope)
. . . Sharpe's Mission (1996) (TV)
László Sinkó (I) (Pope Pius)
Yordan Spirov (Pope)
[Most likely he was portraying Pius XII.]
Rod Williams (I) (The Pope)
. . . Garbo (1992)
John Wood (I) (Pope Pius VII)
. . . "Napoléon" (2002) (mini) TV Series
It's always possible some of these characters only have the name of "Pope", or have it as a nickname. I apologize for any possible errors.
Posted by Toby O'B at 12:50 PM 0 comments
CROSSOVER OF THE WEEK
'THE APPRENTICE' & DOMINO'S PIZZA
Ordinarily, a TV crossover is supposed to work as a team; one half of the crossover should be in support of the other, either beginning or finishing off a shared storyline.
Normally, one wouldn't expect the crossover to be at cross purposes with itself.
But that's what happened with the Crossover Of The Week on this past Thursday.......
The challenge for the two teams competing on 'The Apprentice', Net Worth and Magna, was to create a new pizza sensation for Domino's. Why? Probably because Domino's poured a ton of money into the show's production to get some product placement publicity out of the deal.
The episode also marked Donald Trump's debut as the commercial spokesman for Domino's, at least for two blipverts which would trumpet the new "American Classic Cheeseburger" pizza. (Whoop-ti-doo. It sounds like their Bacon Cheeseburger pizza but with added layers of tomatoes and onions and three cheeses.)
This occurs, by the way, nearly ten years after Trump sold himself out to be the spokesman for Pizza Hut's Stuffed Crust Pizza in an ad that he did with his wife at the time, Ivana. Ya gotta wonder if he'll be whoring himself out for yet another pizza company in a decade and with yet another trophy wife on his arm.
And now for the tasty extra: like a virus attacking the host body from within, the crossover occurred during the episode itself, in the form of a commercial from rival pizza-maker Papa John's. It reminded me of one of those trash-talking answer songs from back in the early sixties.....
The delivery chain aired a 30 second spot during the show which featured John Schnatter, founder and chairman of Papa John's, in a boardroom setting that was meant to evoke the image of Trump in his lair.
"Why eat a pizza made by apprentices when you can call the pros at Papa John's?" he asks. And considering the jerks that toady to curry favor with Trump, it's a valid question.
(Ewwwww. Now I can't get the image of a Domino pizza with the flavor of curried toad out of my head. Maybe a Crunchy Frog from the Whizzo Quality Assortment might get rid of the taste.)
I hope it was considered a big black eye for Trump. (Personally I think he should have been hawking a different flavor for his pizza - jerk sauce.) Although he kept harrumphing that they were doing a meatball pizza on his say-so - after all, as far as he's concerned, the show is still "the hottest show on television." Yeah, right. Peddle that paper to 'Desperate Housewives' or 'Lost'! - Domino's stuck to their guns and pushed the Classic Cheeseburger flavor instead. Apparently, their marketing meat-heads claimed that meatball pizzas aren't staggeringly popular in the manor, squire.
I'm sorry. Did I call them meat-heads? That was an insult... to Mike Stivic.
I meant yam-heads.
"LOST" IN THOUGHT
It's been stated by the producers of 'Lost' since the beginning that somebody was going to die before the season ended. And with the plane "crash" last week, it's beginning to look a lot like it's Boone Carlisle who's going to buy the farm.
In the promos for next week's episode, Boone begs Jack to "let me go". When they first crashed on the island, Jack was totally against the idea of mercy killing, and only dispatched the federal agent because Sawyer botched it when he stepped in to do it.
But they've been on the island now for a few months now. Such a hardship could change a man's way of thinking. Maybe Jack would ease Boone's suffering and help him cross over to the other side.
Or it could be that Jack will stick to his Hyppocratic oath - isn't the title for next week, "Do No Harm"?
So someone else has to step up to the plate and relieve Boone's slow suffering death, and there are three possibilities:
Shannon - out of her too-late realization of how much she really did love her step-brother, she kills him.
Sayid - because of his feelings for Shannon, he agrees to her request to do it using the skills he gained in the Republican Guard.
or my personal favorite because it's kind of out of left field.....
Sun - with her knowledge of the various plants on the island, she must know of something Boone could chew on that would kill him and end his suffering. And I think she has the "compassion" to help him....
Hrmmm..... the three "S"'s
But then again....... what if the promos are misleading? What if we're only being led to believe that it's going to be Boone and we're being set up for a bigger shock of a surprise?
THE CATHODE CATHOLIC
Except for the two TV movies bracketing this list, Gene Greytak portrayed Pope John Paul II in all of these TV shows. Perhaps there were other actors who played him in a fictional setting; maybe there are TV shows in which he played a part but was not seen in doing so. If so, I'm hoping someone out there reading this might let me know about these additions to his onscreen "presence"......
Bio-drama tracing the life and career of Polish cardinal Karol Wojtyla from his days as a young activist in Poland, witnessing the havoc and intense nationalism wreaked on humanity in World War II, to his rise and installation in 1978 as Pope of the Catholic world.
The highly-acclaimed English actor Albert Finney stars as the Pope in this film that begins in his youth, and covers his love for the theater, devotion to his father, Poland's sufferings during World War II and after, his ordination, rise to the episcopacy and great influence on the Polish church, and climaxing with his surprising election as Pope. An excellent film on this great spiritual leader.
Starring Albert Finney as Pope John Paul II and Michael Crompton as the young Karol Wojtyla.
95. Another Day in the Life
gs: Pat Corley (Otis Edwards) Brian Stokes Mitchell (Morley) Hennen Chambers (Mr. Sanders) Marcia Wallace (Miss Phillips) Boyd Bodwell (Roper) Dennis A. Pratt (Murdock) Sandy Martin (Sister Mo) Cathy Cahn (Sister Laurie) Marji Martin (Sister Carla) Gary Grossman (Shouting Man) Lou Hancock (Mrs. Klemper) Karl Johnson (Dave Costanza) Molly David (Martha) Lenore Woodward (Velma) David Garlile (Harris) Ron Boussom (Mr. DeYoung) Steve Devorkin (Mr. Shafer) Eugene Greytak (The Pope) Steven R. Bannister (Reilly) Gayle Woods (Hooker) Larry Wright (Quartet) Peter Neushul (Quartet) Doug Anderson (Quartet) James Kline (Quartet) Steffanie Siebrand (Cheerleader)
Panic grips the courtroom as the gang races to clear 207 cases in one session so a millionaire will donate money to save an orphanage and so Dan can win an office pool for the most convictions.
b: 18-Feb-1988 pc: 186217 w: Larry Strawther and Gary Murphy d: Jeff Melman
JUST THE TEN OF US
24. Rock-n-roll Fantasy
gs: Evan Arnold (Gavin "Jacques" Doosler) Johnny Dark (Danny/Dani/Larry) Rich Reinhart (Writer) Kevin Thompson (Toulouse) Michael Gilbert Lewis (Priest) Eugene Greytak (Pope) Holly Haber (Doctor) Lawrence H. Toffler (Bridegroom)
After 8 weeks of performing at Danny's, the Lubbock Babes each fantasize about being rich and famous. Marie dreams of singing for the Pope; Wendy dreams of working on a sitcom; Cindy dreams of finding the man of her dreams; and Connie dreams of singing in Paris.
b: 27-Apr-1989 pc: 186550 w: Dan Guntzelman , Mike Sullivan
"The Pope's Ring"
gs: Steven Gilborn [ Priest ], Fred McCarren [ Detective ], Gene Greytak [ The Pope ] rc: Miles
Sophia is off to see the Pope's Mass and has exchanged two bad tickets for one good ticket "way up front." Dorothy was looking forward to seeing the Pope, but Sophia explains that she had to trade in Dorothy's ticket to get close enough to the Pontiff to request a special blessing for her friend Agnes in the hospital.
After the Mass, Sophia tells the girls how she snuck into the "crippled and lame" section to "cop a blessing," and just as she bent down to kiss the Pope's ring, security whisked him away, leaving the jewel encrusted ring in Sophia's hand! Dorothy demands that the ring be returned immediately, but Sophia feels that "this is a sign" and is "supposed to make a miracle."
She eventually gives in and agrees to give it back. There's only one problem. Sophia lost the ring!
Dorothy helps Sophia retrace her steps, and figures out the ring isn't lost. Sophia had the ring in her possession the whole time and was using it as leverage to get the Pope to pick up the ring in person. But when one of the Pontiff's priestly entourage picks up the ring in proxy, Sophia's plans to get him to personally bless Agnes is extinguished.
At the hospital, Rose finds out that Miles is having cosmetic surgery for his eyes. He's tired of looking old while working in a youthful environment. Rose is relieved that it's nothing serious, and knowing this means a lot to Miles, supports him.
After visiting Agnes, Sophia stops by Miles' room to use his bathroom. Unfortunately, she misses the Pope walking down the hospital corridor blessing patients. Sophia's miracle came true!
b: 14 Dec 91 pc: 167 w: Kevin Abbott d: Lex Passaris
MURPHY BROWN
119. The World According to Avery
gs: John Hostetter (John) Gene Graytak (Pope John Paul II) Jane Leeves (Audrey Cohen) Brenda Lilly (Didi)
When Eldin becomes sick, Murphy brings Avery to work. While Murphy is out searching for an interview for that night's show, everyone takes turns baby-sitting and sharing their most personal feelings with him.
b: 15-Feb-1993 pc: 187418 w: Lee Aronsohn d: Lee Shallat-Chemel
75. Witness for the Prosecution
gs: Cully Fredericksen (Special Agent Johnston) Robert Foxworth (Attorney General Lane) Eugene Greytak (Pope John Paul II) Geoffrey Nauffts (Ben Speers) Lisa Chess (Rebecca) Madison Mason (Bishop Cole) Karen Landry (Gloria Borth) Cully Fredricksen (Special Agent Johnston) Mary-Pat Green (Forewoman) Mel Hampton (Bailiff) Harry Smith (Himself)
Rome is in a flutter when Mayor Bey announces that the Pope himself is coming to visit the town. It's a day of celebration as His Holiness arrives, but the walk down main street ends in chaos when someone in the crowd opens fire, killing a man. The resulting investigation reveals the death was suicide, according to the dead man's gay lover... until the Pope announces he saw the whole thing and that it was, in fact, murder. The court case that follows threatens to end Judge Bone and Wambaugh's tempestuous friendship for good.
b: 15-Dec-1995 pc: 3K09 w: David E. Kelley d: Dennie Gordon
"Recipe for Success"
gs: Joel Brooks [ Archibald Frost ], Eugene Greytak [ Pope ], Brett Miller [ Guard ]
Shawn and Marlon try to warn an enthusiastic Pops that the chili he is entering in a high-class food festival has one "un-gourmet" ingredient -- dog food.
b: 15 May 98 pc: 466421 w: Maiya Williams d: Fred Parker
KAROL: THE STORY OF A MAN WHO BECAME POPE
Late last year, Italian producers made a television film about the life of Pope John Paul II in southern Poland, where the pontiff grew up and began his church career.
The film crew shot scenes of a young and athletic Karol Wojtyla kayaking in Lake Dobczyce near Krakow, where he served as bishop from the 1950s, said Marcin Marcinkiewicz, a spokesman for the producers.
"Karol, the story of a man who became pope" is to be broadcast in two 90-minute segments on Italian television sometime this spring.
The film is adapted from a historical account by Italian writer Gian Franco Svidercoschi, with the first part set during World War II and the second in postwar Poland. While most of the movie was filmed in Poland, some scenes were shot at the Vatican.
It will be about another fifteen to twenty days from now before the Conclave of Cardinals is sequestered to choose a new spiritual leader for the 1.1 billion Catholics around the world. But I'm sure the politicking for the position began years ago.
Whoever is chosen to lead the Flock, only (prime) Time will tell if he has as much presence in the TV Universe as did Pope John Paul II......
POPE-UP VIDEO
In the past thirty years or so of Toobworld's reflection of the events and people in the Real World, we've come to expect to see the current world leaders portrayed within various TV shows.
President and Mrs. Clinton met Fran Fine at a ski lodge. ('The Nanny')
Premier Gorbachev corresponded with Rose Nylund, thinking she was a little girl. ('The Golden Girls')
Prime Minister Tony Blair greeted 'The Simpsons' at Heathrow Airport.
Even over in his own splinter dimension, Leo McGarry held clandestine meetings with Fidel Castro in Cuba. ('The West Wing')
And George W. Bush even had his own sitcom. ('That's My Bush!')
But before Cardinal Karol Wojtyla became the Shepherd of Rome, it would have been hard to imagine the Holy Father as being considered a viable candidate for any storyline in a TV show.
So far as I can determine, Pope Pius XII only figured as a secondary figure in the TV movie 'The Scarlet And The Black' (which was about a priest's determined effort to rescue Jews from the Nazis).
Had Television been as "progressive" as it was in the 1970s, post Archie Bunker, perhaps Pope John XXIII might have been utilized in a few TV shows During his short tenure as the Pontiff, (only five years), the former Angelo Roncalle seemed ready-made to be a TV character: affable, personable, downright cuddly. In a way, he was reminiscent of 'Columbo', but as played by Al Molinaro - he was a simple man of the people, yet crafty enough to stand his ground with those who moved in the circles of power and of high society.
John XXIII was portrayed at least twice on TV - first, by Raymond Burr in 'Portrait: A Man Called John', and most recently in a movie made for Czech Television with Ed Asner as the Pope.
Pope Paul VI seemed to be the exact opposite of John. He seemed to be cold, aloof, austere, stern; an aesthete. I could find no example of anyone actually portraying him in any TV show or TV movie. But then those were turbulent times (the late 60s through most of the 70s), and it seemed at least to me that his time as pope was defined by the debate over birth control. I doubt any network would have wanted to risk dealing with that and bring the Pope into the plotline as well.
There is only one instance I can remember seeing Pope Paul VII outside of news coverage of his mass at Shea Stadium and the like. His image was seen scurrying about in blackout sketches during the only episode ever broadcast of the comedy disaster 'Turn On'.
And then there was John Paul I...... The head of the Church for only 33 days, John Paul I made no more of an impact on the fictional universes than as part of dark conspiracies like in the movie "The Godfather III". (Actually, I'm surprised we never saw the Cigarette Smoking Man take credit for the Pope's sudden death on an episode of 'The X Files'!)
Which brings us to Pope John Paul II.......
It was a combination of factors that made the former Karol Wojtyla so popular a figure in TV shows. He showed up (usually as played by actor Gene Greytak) in shows as varied as 'Picket Fences' and 'The Wayans Brothers' because he made so many visits to the United States; eight in all - more than any other pope ever, - and so it never seemed outlandish that he might show in the tele-version of our country at any point. If 'Green Acres' was still on the air, we might have seen John Paul II clambering up the telephone pole in order to make a call back to the Vatican.
And he was a vital man of action, as could be seen in films of him skiing. And growing up and becoming a priest under both Nazi and Communist regimes, his life seemed perfect for dramatization in TV movies. And so it was with two films that bracket his "life" in Toobworld. First up was the eponymous movie starring Albert Finney as the Pope and Michael Crompton as the young Wojtyla.
And then just last year, a Polish/Italian production began filming in November with Piotr Adamczyk as the young man who would become the most travelled pope in history and the first non-Italian chosen to lead the Church in nearly 500 years. As mentioned in the last blog entry, the Pope himself told Adamczyk that he was crazy for taking on the role.
If he needed proof, he should probably talk to Gene Greytak who's made a career out of the role for the last twenty years or so.
Greytak must know by now how Vaughn Meader must have felt.....
(Coming up next.... John Paul II's "life" in Toobworld)


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Homepage > Archbishop Reichert of Madang: the youth a priority for the Church in PNG
Archbishop Reichert of Madang: the youth a priority for the Church in PNG
Vatican City (Agenzia Fides) - "The main focus of the Church in Papua New Guinea is the new evangelization." This is what His Exc. Mgr. Stephen Joseph Reichert, OFM Cap, Archbishop of Madang says in an interview with Fides, at the conclusion of the ad limina visit of the Bishops of Papua New Guinea and Solomon Islands. "Many of the Dioceses of Papua have been gifted with an old evangelization: the Christian population has grown and has received an excellent education. Today, in the new social and cultural context, opportunities to transmit the faith have decreased and new roads and new ways to bring the Gospel to children, youth and families are needed," explains the Archbishop. Mgr. Reichert notes "a great change across our country at an economic, social, cultural, religious level, which is especially noticeable in the younger population." In this phase of change, "There is much to be done, the Church is involved in many challenges, especially in relation to young people." One of the key areas, notes the Archbishop is education: "The Church is very committed and, with our schools, we are the main protagonists of the work of education, alongside the government. This is heavy work and also expensive, but we consider it crucial in order to be able to talk and keep a close contact with new generations."
To pursue her mission, he continues, "the Church needs new vocations: Today we still need missionaries who brought the seed of faith in Papua. We must focus on the formation of the existing clergy and on the promotion of vocations to priesthood and religious life. Today, because of the context in which we live, for a young man who hears the call of God, it is hard to take care of that inner voice of the spirit, make it grow, make the necessary discernment so that the path will end happily." From the ad limina visit, the Archbishop concludes, "We have received encouragement, support from all the dicasteries and by the Holy Father: we express our profound thanks." (PA) (Agenzia Fides 11/6/2012)


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Dartmouth chorus and local high school students offer luminous choral program
11/6/2017 by Rebecca Bailey Leave a Comment
Handel Society dress rehearsal May 2017, photo by Rob Strong.
The Handel Society of Dartmouth College presents a luminous program of choral music spanning three centuries, with the help of singers from three area high schools, on Tuesday, November 14, 7 pm, in Spaulding Auditorium of the Hopkins Center for the Arts at Dartmouth.
The "town-gown" chorus, comprising about 100 singers and joined by a chamber orchestra and four visiting soloists, sings the Mozart Requiem as "completed" by Robert Levin, a Boston-based musicologist and pianist who last appeared at the Hop as accompanist for violinist Hilary Hahn. Animated by acute musical and historical sympathies and deep scholarship, Levin's is the best regarded among the numerous attempts to finish this work Mozart left when he died. Even in unfinished form, the Requiem is an uncontested choral masterwork of aching beauty and timeless emotional immediacy.
Complementing that work on the Handel Society program is Morten Lauridsen's Lux Aeterna—on which the chorus will be joined by 22 singers from Lebanon (NH) High School, Woodstock (VT) Union High School and Stevens High School in Claremont, NH. A grant from the Byrne Foundation funded time for Handel Society Conductor Robert Duff to work with those choruses and for transporting the students to the Hop for the dress rehearsal and performance. Lebanon High School Chorus is directed by Jonathan Verge, Stevens by Katja Kleyensteuber and Woodstock Union High School Chorus by Lisa Robar, conductor.
After Mozart's death in 1791 in Vienna, his widow, Constanze, enlisted first Joseph Eybler then Franz Xavier Sussmayr to complete the score so she could collect the full commission to support her impoverished family. Sussmayr's version was hastily done and is riddled with stylistic and compositional problems—but it nonetheless became "the version" for more than 200 years. Then, in 1960, musicologist Wolfgang Plath discovered previously unknown sketches for the Requiem in a collection of Mozart manuscripts in a Berlin library. Almost four decades later, Levin—then a Harvard musicologist—used those sketches to create his own version. A noted Mozart scholar, Levin had completed many Mozart fragments and specialized in historically informed performances of Mozart piano works. A lifetime of study allowed him to "get into Mozart's mind," creating a new and compelling completion of the Requiem.
Joining the Handel Society on the Requiem will be soloists Colleen Daly, soprano ("dramatically powerful"–the Washington Post); Emily Marvosh, mezzo-soprano, a frequent soloist with Boston's Handel and Haydn Society; Charles Blandy, tenor, who has been praised as "a versatile tenor with agility, endless breath and vigorous high notes" (Goldberg Early Music Magazine), and "breathtaking" and "unfailingly, tirelessly lyrical" (the Boston Globe); and Justin Hopkins, bass-baritone, whom the Los Angeles Times lauded for his "stirring voice and commanding presence."
Lux Aeterna was premiered in 1997, when Lauridsen was 44. It was written for the Los Angeles Master Chorale, an ensemble for which Lauridsen—Distinguished Professor of Composition at the Thorton School of Music at the University of Southern California (USC)—held the position of Composer-in-Residence from 1994 to 2001. Written the year his mother died, it offers a consolation for grief often compared to that of Fauré's Requiem and Brahms's Ein Deutsches Requiem, both works inspired by the deaths of the composers' mothers. Like them, Lux Aeterna appears simple on the surface—yet reveals a depth that has made it among the best loved major choral works of today.
Rather than refer to death imagery of angels, rest and judgment, as the traditional Requiem text does, for the dead, but rather a collection of various references to light from sacred Latin texts: perpetual light, light risen in the darkness, Redeemer-born light from light, light of the Holy Spirit, light of hearts, most blessed light and eternal light, or lux aeterna.
Filed Under: Dartmouth Student Events, Fall 2017, Hop Ensembles, HopNews, Music Tagged With: choral music, Claremont NH, classical music, dartmouth students, ensembles, fall 2017, Handel Society of Dartmouth College, hop ensembles, Lebanon High School, Morton Lauridsen, Mozart Requiem, music, news, outreach, Robert Duff, Stevens High School, Woodstock Union High School
About Rebecca Bailey
I'm publicity coordinator/writer for the Hop and (fun fact) also the recorded "Voice of God" telling you to turn off your devices before shows. I'm active in local choral music and theater and love to bike our gorgeous Upper Valley roads.


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S.1775 Cosponsored — A bill to amend the Higher Education Act of 1965 regarding proprietary institutions of higher education in order to protect students and taxpayers. 06/11/19
S.1789 Cosponsored — A bill to amend title 10, United States Code, to reform procedures for determinations on disposition of charges and the convening of courts-martial for certain offenses under the Uniform Code of Military Justice, and for other purposes. 06/11/19
S.1785 Sponsored — A bill to amend title XIX of the Social Security Act to exclude authorized generic drugs from calculation of the average manufacturer price for purposes of the Medicaid drug rebate program, and for other purposes. 06/11/19
S.1755 Cosponsored — A bill to ensure that older adults and individuals with disabilities are prepared for disasters, and for other purposes. 06/10/19
S.1766 Cosponsored — A bill to implement policies to end preventable maternal, newborn, and child deaths globally. 06/10/19
S.1743 Cosponsored — A bill to direct the President to develop a plan for the United States to meet its nationally determined contribution under the Paris Agreement, and for other purposes. 06/05/19
S.1723 Cosponsored — A bill to amend the Omnibus Parks and Public Lands Management Act of 1996 to provide for the establishment of a Ski Area Fee Retention Account. 06/05/19
S.1707 Cosponsored — A bill to direct the Secretary of Transportation to assist States to rehabilitate or replace certain bridges, and for other purposes. 06/04/19
S.1645 Cosponsored — A bill to protect a woman's ability to determine whether and when to bear a child or end a pregnancy, and to protect a health care provider's ability to provide reproductive health care services, including abortion services. 05/23/19
S.1660 Cosponsored — A bill to provide greater support for grandfamilies and older caretaker relatives. 05/23/19
S.1681 Cosponsored — A bill to educate health care providers and the public on biosimilar biological products, and for other purposes. 05/23/19
S.1666 Cosponsored — A bill to establish an Employee Ownership and Participation Initiative, and for other purposes. 05/23/19
S.1661 Cosponsored — A bill to provide for the establishment of the United States Employee Ownership Bank, and for other purposes. 05/23/19
S.1667 Cosponsored — A bill to amend the Internal Revenue Code of 1986 to treat certain scholarships as earned income for purposes of the kiddie tax. 05/23/19
S.1593 Cosponsored — A bill to require the Secretary of Energy to establish an energy storage research program, a demonstration program, and a technical assistance and grant program, and for other purposes. 05/22/19
S.1585 Cosponsored — A bill to amend the Higher Education Act of 1965 to provide students with disabilities and their families with access to critical information needed to select the right college and succeed once enrolled. 05/22/19
S.1370 Cosponsored — Gold Star Family Tax Relief Act 05/21/19
S.1556 Cosponsored — A bill to provide that the rule entitled "Short-Term, Limited Duration Insurance" shall have no force or effect. 05/21/19
S.1554 Cosponsored — Adoptee Citizenship Act of 2019 05/21/19
S.1576 Cosponsored — A bill to strengthen parity in mental health and substance use disorder benefits. 05/21/19


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California's CROP Project responds to toxic threat of 'trespass grows'
Posted on November 21st, 2019 by Bill Weinberg and tagged California, cannabis, cartels, Emerald Triangle, forfeiture, Humboldt County, legalization, Mexico, Native America, Planet Watch, public lands, Sacramento, Sierra Nevada, Siskiyou County, Trinity County.
Cannabis may be legal in California, but illicit cultivation persists—especially in the National Forests, where it often takes a grave ecological toll. The CROP Project—for Cannabis Removal On Public Lands—is now bringing together environmentalists, law enforcement and the legal cannabis industry for a coordinated approach to the problem.
Despite cannabis legalization in California, illicit cultivation continues, and is a particular problem on the National Forest lands of the Emerald Triangle. There is growing awareness of the ecological hazards posed by these "trespass grows," as they are dubbed in official parlance.
Five years after California voters approved legalization, raids on illicit grows continue to make headlines, especially in the Triange. And the ecological tolls of unregulated cultivation are increasingly emphasized by law enforcement.
A recent case in Trinity County was noted by the Associated Press last week. A month after two men were arrested at a trespass grow in the Shasta-Trinity National Forest, authorities are still assessing the environmental impact and clean-up costs at the 9,000-plant site—where trees were clear-cut, waterways diverted, and the ground littered with open containers of fertilizer and rodenticide.
Quoted was Rich McIntyre, director of the CROP Project—for Cannabis Removal on Public Lands. "These places are toxic garbage dumps," McIntyre said. "Food containers attract wildlife, and the chemicals kill the animals long after the sites are abandoned. We think there's a public health time bomb ticking."
Cannabis industry partners with law enforcement
Cannabis Now reached Rich McIntyre at the CROP Project's offices in Sacramento. He describes the group as the fruit of a coalition that would have been unthinkable a decade ago—environmental organizations, law enforcement and the legal cannabis sector.
"We spent two years meeting with tribes, county governments, law enforcement, conservation organizations, timber companies—all the regional stakeholders affected by this issue," he says. "And that includes meeting with the legal cannabis industry. Today the legal industry is one of our strongest supporters."
The CROP Project emerged three years ago from the Community Governance Partnership, a nonprofit that continues to be the project's sponsor, and the California Wilderness Coalition, "to address seemingly intractable problem of trespass grows on public lands." McIntyre is also executive director of the Community Governance Partnership, which he describes as a "broad-based coalition to address issues of social and environmental justice," founded in 2014. But now the CROP Project's board of advisors includes representatives of the California Cannabis Industry Association and the Humboldt County Growers Alliance.
McIntyre also claims support from the National Cannabis Industry Association, noting that he just spoke at the California Cannabis Business Conference that the NCIA held in Long Beach last month.
McIntyre points to an entirely obvious reason why this issue is of concern to the legal industry. "Forty to 70 percent of all black market cannabis in California comes off public lands, and it undercuts the legal market by 50 percent," he says. "I can walk into dispensaries, and I'm seeing grams for six to 14 dollars. On the black market it is typically half that much."
Citing law enforcement statistics, McIntyre states that 80% of trespass grows in the state are on National Forest lands, and over 90% are controlled by what he calls "drug trafficking organizations" (DTOs, another term borrowed from officialdom), some of them operating internationally, and shipping illicit cannabis to markets in the eastern states—through "gang organizations in New York and Chicago and St. Louis."
And some 95% of these trespass grows are "using chemicals and pesticides that are banned in United States, such as sarin-based malathion. They are smuggled back in by the DTOs."
He points to carbofuran as a particularly dangerous pesticide found at these sites. "A quarter of a teaspoon will kill a 600-pound black bear," he says. "It is banned for use in the United States, but it is produced by a company in Pennsylvania for export to Mexico and Central America, and smuggled back into the country."
Given that 57% of California's forest lands are controlled by the federal government (mostly the US Forest Service and Bureau of Land Management), this is a far-reaching problem.
"More than 90% of mountain lions in the state are testing positive for rodenticide, primarily as a function of trespass grows.," McIntyre says. This also applies to 80% of fishers in the state, and 70% of northern spotted owls (because they eat the rodents). He cites another one of CROP Project's partners, the Integral Ecology Research Center in Blue Lake, Humboldt County, as the source for these figures.
"One of dangers is that same poisons used to grow these products are ending up in water flowing off these crops, and ending up in the products themselves," McIntyre says. "That's why we call it a public health ticking time bomb. When all the data on the vaping crisis is in, I think we'll find that the vast majority of cases were caused by unregulated and untested cannabis. When you walk into a dispensary, you know that cannabis has been tested and screened for pesticides—with the black market none of that occurs."
McIntyre sees the CROP Project's role as primarily to spread awareness about the situation. "Our job is to create the political coalitions to support state allocations to address the problem. This includes educating the public and lawmakers on the issue and raise the alarm that our National Forests and wildlife are being wasted and slaughtered on a landscape level."
The Project's activities are now primarily in the three counties of Triangle—Humboldt, Mendocino and Trinity—but McIntyre anticipates that it will expand to the rest of the state in the near future. He ctes the Tahoe National Forest, in the Sierra Nevada, as a particular concern.
Given the long history of civil rights abuses around cannabis enforcement in Northern California—especially during the draconian Campaign Against Marijuana Planting (CAMP) a generation ago—the notion of cannabis industry collaboration with police will sit uneasily with many. How does McIntyre respond to such concerns?
"I would say that unlike CAMP, CROP is entirely about trespass grows on federal lands," he replies. "All enforcement stops at the federal land boundary. Our only call for additional enforcement are additional rangers on the ground in National Forests to dissuade foreign drug trafficking organizations from operating there."
It should be noted that cannabis enforcement is not the purview of rangers, who are concerned with forestry, but the Forest Service Law Enforcement & Investigations branch. And whatever the CROP Project may advocate, current cannabis enforcement certainly does not stop at the National Forest line—private homes have also been targeted in recent raids in the Triangle.
McIntyre ackowledges factors such as property forfeiture as driving people to start trespass grows—and over-regulation of small growers as driving illicit cultivation.
"Clearly, the difficulty and cost of entry for smaller operators in California is a factor," he says. "The taxes on cannabis in California are, in my opinion, too high (which is why 66% of the market remains illicit). And the refusal to allow more dispensaries in the state—there is only one for every 35,000 people, and most of these are located in coastal cities—is a serious limiting factor."
Reclamation in the back-country
Cannabis Now also spoke to the CROP Project's regional field director Jackee Riccio, who is based in the Arcata area of Humboldt County. While McIntyre spends most of his time at his Sacramento office, Riccio actually gets her hands dirty in the rugged back-country of the Emerald Triangle.
"I assist on trespass grow reclamation," Riccio says. "This mean clean-up and containment of toxicants."
This work is overseen by Forest Service Law Enforcement & Investigations together with local law enforcement and environmental groups like Humboldt's Integral Ecology Research Center and Trinity's Watershed Center. Riccio takes pains to emphasize that her work is just reclamation—not "remediation" (which means actually cleansing the soil) or "restoration" (replanting trees and returning the site to exactly as it was before the damage). The contaminated soil and other waste is generally flown out by National Guard helicopters, and disposed of elsewhere.
"This is very specialized work," Riccio says, but adds that she wants to get more stake-holders involved. "We're trying to get funding for training the Karuk in this work."
The Karuk Tribe is one of the largest indigenous groups in California, based in the northern Humboldt town of Orleans, and with much traditional territory in the forest lands of Humboldt and Siskiyou counties. "Historically, they feel they haven been very excluded from what happens on their ancestral lands, and we'd like to change that," Riccio says. She is hoping to get Hazardous Waste Operations & Emergency Response (HAZWOPER) certification for Karuk tribal members from the federal Occupational Safety & Health Administration (OSHA).
A wildlife biologist who formerly worked for the US Fish & Wildlife Service, Riccio also used to offer horse-packing trips for hunters and adventure tourists with her company, TrueWay Natural Horsemanship & Barefoot Services. This work helped make her aware of the depth of the problem. "We ran into growers on a number of alarming instances, and rivers and streams we frequented were being contaminated." TrueWay horses are now used in reclamation expeditions. "We just hauled out a lot black polyline, which was disposed of at a waste center," Riccio says.
Riccio describes what she calls a "three-prong approach" to the problem. "One is an organizing effort to make changes on a policy level and elevate the issue, so we can relcaim all the backlogged grow sites as well as the new ones. Two, we want to increase the Forest Service presence in the National Forests, to reduce activation of new sites. If there's no presence on the land, the grows are just going to pop up in new areas. And finally, we want to increase the criminal penalties for people who bring these toxicants onto our public lands. It is now a class B misdemeanor to be in possession of carbofurans, which means a $1000 fine and 30 days in jail. That's not close to being a severe enough punishment when that stuff is getting into our water sources that communities drink out of."
Cross-post to Cannabis Now
Map: Greenwich Mean Time


NO comments :( | THE PORTICO..
"She is bloody beautiful and she is the best face that i have ever seen", No use of saying these words to myself but what if i complement this sentence to that woman i witnessed ?
She will consider me as "Jerk,Pervert, Johnny Bravo" etc etc:) but she will or may have a good,great feel because some strange dumb came to her and complemented her as Miss Beauty perhaps Mrs.Beauty:P.
What matters here ?? Happiness and Joy that comes after compliment.
Either positive or negative comments are good because it shows I am still relevant- Justin Guarani.
I love reading articles as long as it is short but i do read some big articles and after reading i long for sharing my views, so i COMMENT them !
How to deal with comments ?
See, you must be grateful to your readers and as a matter of fact most of them are bloggers, who apparently longs for comments.
It is not mandatory to comment or share your opinion,but a real,true comment will be the best gift to the writer !
Whenever i feel to share my view, i will go comment them.
This time i got it..
but i lost my patience, i feel we must provide easy platform for readers to express their views, if you put all obstacles in the way they express, how can you expect them to comment again ??
I will moderate comments, i believe there won't be any CAPTCHA. CAPTCHA with tough alphabets are damn irritating, often it gives a feel of breaking DA VINCCI CODE !
Try the best to avoid CAPTCHA, am no tech expert, try Google to find an alternative for spasm detecting and try your best to avoid CAPTCHA.
If you hate their comment and if you feel it is offensive better remove it, abusing at them and labeling their view as IGNORANT is what i call as FOOLISHNESS !
I have removed several comments which i felt as offensive, i know that's a worst thing, i just do that to avoid useless arguments.
Sharing views and padding up views are two different things.
I often burst to laughs, what a crazy idea ? this is innovative, but sometimes irritating for poor dumb in math(like me).


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Adolf Antoni Homan (1850-1941) – organmistrz polski, działający pod koniec XIX i w pierwszej połowie XX w. w Warszawie.

Z początku pracował samodzielnie, od 1924 współpracował ze Stanisławem Jezierskim, wcześniejszym pracownikiem. W budownictwie organowym Homan reprezentował, jak większość polskich organmistrzów tego okresu, styl romantyczny, pomimo coraz wyraźniej zarysowujących się w Europie tendencji barokizujących, tzw. Orgelbewegung. Do najbardziej znanych organów firmy Homana należą instrumenty w archikatedrze w Lublinie (1935), katedrze w Sandomierzu (1929), kościele Zmartwychwstania Pańskiego w Warszawie (ok. 1920) oraz w kościele św. Józefa w Krakowie-Podgórzu (1922). Działalność Homana przyczyniła się do zniszczenia kilku starych, często bardzo wartościowych instrumentów - np. w Sandomierzu, gdzie usunięte zostały XVII-wieczne organy Andrzeja Nitrowskiego. Ok. 1938 kończy się historia firmy Homana, która została wykupiona przez Wacława Biernackiego.

Linki zewnętrzne

Polscy organmistrzowie
Urodzeni w 1850
Zmarli w 1941
Ludzie związani z Warszawą

redpajama_set_name: RedPajamaWikipedia