There is no such thing in this world as a perfectly healthy person. Even the super-fit, the person who runs a marathon every day before breakfast and cheerfully claims to be "as fit as a fiddle" – "never had a day's illness in my life!" – will in fact have some little niggle somewhere. And at some point in our lives sickness or frailty will take their toll. Paul, ever the realist, says bluntly that "outwardly we are wasting away" (2 Corinthians 4). And he should know; he never made any secret of his own aches and pains.
But this is in fact the prospect the Bible holds out for us. Our perfect God is intent on making a perfect new creation in which we will live with perfect new bodies and minds. The Bible begins in perfection – Adam and Eve in the Garden – and it ends in perfection – the New Jerusalem "coming down out of heaven as a bride beautifully dressed for her husband," where (just take this in!) there will be "no more death or mourning or crying or pain" (Revelation 21).
Do you believe in these prophecies – really believe? If you do, it makes a massive difference even in the here and now. It fills our hearts with hope, and gives us a whole new perspective on life. That's why I love these joy-filled words of Isaiah. They simply explode with energy, vitality, exhilaration. They provide wonderful food for the imagination. You see that man hobbling painfully around on his zimmer frame? – well, picture him jumping up and down like a five-year-old! You see that woman groping her way up the street with her white stick? – well, can you see her gazing in wonder at that flower-bed?
But why should we believe these things? What can we say to the person who tells us it's all just wishful thinking?
Well, you don't have to read far in the Gospels to see how Isaiah's prophecies did actually come true during the three short years of Jesus' earthly ministry. When Jesus opened blind eyes (Mark 8:22-26), enabled the lame to walk (Mark 2:1-12), opened the ears of the deaf and the mute (Mark 7:31-37), why did he do these wonderful things? Daft question! you might say – he did it because he cared, because he was full of compassion. And you would of course be absolutely right.
The Old Testament prophecies found partial fulfilment during Jesus' earthly life. And they will find full completion when the end comes. Oh yes! If your trust is in Jesus there will one day be (don't laugh!) a perfect you. And our business, as followers of Jesus, is to live this earthly life as joyful fore-runners of that perfection which is still to come – healed, and still to be healed; saved, and still to be saved.
Lord Jesus, thank you for the healing I received when I came to Christ, and thank you for the perfect healing to which I can look forward in your heavenly kingdom. Help me, as long as I am on this earth, to be an agent of healing to those I meet. Amen.
The righteous will be glad when they are avenged, when they bathe their feet in the blood of the wicked. Psalm 58: 10.
There are times when, reading the Bible, I find myself feeling distinctly uncomfortable. I hope I'm not alone in this, but I have to admit that some parts leave me thinking "I really wish that wasn't in the Bible!" This verse is one of them.
Jesus teaches us to love our enemies, to forgive those who wrong and hurt us. Yet here is the psalmist positively gloating in the prospect of triumphing over "the wicked"; however metaphorical the idea of "bathing our feet in their blood" may be (and I'm sure it is metaphorical), it isn't exactly a nice sentiment, to put it mildly.
Option one is, I suspect, by far the most common: ignore them. When we come to these parts of the Bible (and they crop up, by the way, in the New Testament as well as the Old) they can easily activate an off-switch in our brains. We screen them out and hurry on to something more pleasant. Natural enough, I suppose. But it really isn't honest, if we believe that the whole Bible, and not just bits of it, is the inspired word of God. No: we have to face them fairly and squarely.
Option two is to make excuses for them. "Ah yes," we say, "but of course the person who wrote that psalm knew nothing of Jesus. He lived at an earlier point of history – he was a man of his time, so what can you expect?" But this response also really won't do, for while, yes, there are places in the Old Testament where God in his justice decrees the destruction of Israel's national enemies, there are also various passages where God's people are commanded to love their personal enemies: that command didn't originate with Jesus! I can't quote them all here, but if you are interested in following it up, take a look at Proverbs 25:21 and Exodus 23:4-5. And Proverbs 24:17, in fact, could have been written with Psalm 58:10 especially in mind.
No. We have to go for option three: try to understand the sentiment behind these ferocious words, however imperfect it may be, and use it to become better people.
Well, let's be brutally honest with ourselves: however sweetly we may smile, there are times when we feel towards someone else the sort of anger and resentment displayed by the psalmist. All right, we would never dream of expressing it in the same lurid terms: God forbid, we're far too polite and well brought up for that! But it's there, lurking deep in our souls. Can any of us honestly claim to have spirits cleansed of every trace of spite and retaliation?
In other words, let's at least give credit to the psalmist for being honest – there is no hypocrisy here, no plastic love, no pretended virtue: things which, I suspect, we all too easily cultivate. What actorswe can become! This man is one of those embarrassing people who tend to say what the rest of us only think. He cares about wickedness, enough to long for the destruction of those who perpetrate it. There is no indifference here, no shrugging of the shoulders.
If nothing else, this psalm can challenge the way we tend to turn a blind eye to the injustices of our world – rather as we switch television channels to something entertaining when we really don't want to think about the horrors we are confronted with.
So… No, I don't think we can excuse the man who wrote the psalm. And I certainly don't think we are meant to follow his example. But I do think that a man crying out in anguish at what he has witnessed – and perhaps himself experienced – has something good to teach us about honesty, about caring, about a passion for justice and rightness.
And hopefully such thoughts can also lead us closer to the one who, in his great suffering, prayed to God: "Father, forgive them – they don't know what they are doing".
Oh God, give me a holy hatred of all injustice and wickedness. Empty me of all indifference. And fill my heart, I pray, with the forgiving spirit of Jesus himself. Amen.
When he had received the drink Jesus said, "It is finished". With that, he bowed his head and gave up his spirit. John 19:30.
We had a new carpet fitted some time ago. The shop asked us for a deposit at the time we made the order, and then the rest of the payment when they came to do the work. On that second payment the bill was stamped "Paid". This was the official confirmation that we had settled the bill fully. It was a nice feeling to know that everything was in order: the work was satisfactorily done and – most of all – we didn't owe any money.
In the world of the New Testament, the word "Paid" would have been the Greek tetelestai, which literally means "finished", "completed", "done", "over". And this is the word John uses in telling us about Jesus' dying word on the cross: "It is finished". Jesus was declaring in the most public way possible that he had at last accomplished the work his Father had sent him to do, the work of making atonement for the sins of the human race.
Of course, because we weren't there we can never know exactly how Jesus uttered that word – very likely it was with "the loud voice" mentioned in the other gospels. But I think we can be absolutely certain that it was a cry of triumph rather than a whimper of defeat. Jesus wasn't weakly saying "It's all over, I've had enough, I can't take any more." No: he was celebrating a victory.
This is massively important. The human mind seems to be hard-wired to think that, if we are to be right with God, then we must try very hard indeed to put ourselves right. The work belongs to us. We must be "religious". We must go to church. We must do good deeds. We must give money to charity. If we manage to do all these things, we might just be lucky enough to squeeze into God's favour – the credit side of the balance sheet will outweigh the debit side. Have you ever found yourself thinking this way? Is this perhaps the way you think now?
If it is, can I offer you that great word tetelestai ! It reminds us that when Jesus died for us on the cross he left us absolutely nothing else to do. He did it all. All we need to do is receive that forgiveness and salvation as a perfectly free gift. This is the meaning of that other great Bible word "grace" – which has been defined as "God's undeserved favour", or more simply as God's mercy, generosity and love.
"But isn't that just too good to be true!" somebody might say. Certainly it seems like it, I agree. But that's the way it is, thank God. Why else is the heart of the Christian message called the "gospel", which means "good news"? After all, it's hardly good news to be told that you must work with all your might and main to achieve salvation – and even then you still might not make it. But to be offered salvation as a free gift from God because of what Jesus did on the cross – well, that really is good news.
Of course, all this doesn't mean that we needn't bother with living good lives, being involved in worship, showing love and generosity and all the rest. The point is that we do these things as a grateful response to God's amazing grace. We do these things not in order to be saved, but because we are saved.
We sometimes sing, "The price is paid,/ Come let us enter in/ To all that Jesus died/ To make our own". Yes! It is finished. Is this the greatest word that has ever been spoken?
Father, thank you that the work of salvation is a finished, completed work. Thank you that this takes away my insecurity about where I stand with you. Help me daily to enjoy my status as a forgiven child of God – and to live worthy of that status! Amen.
Do you ever covet things?
I reckon that in the materialistic world we live in you'd be very unusual indeed if you didn't. To covet is to wish for things which we have no right to, especially things belonging to other people. It means refusing to be content with what we have.
You may covet somebody's money, or their health, or their looks, or their marriage, or their talents, or their possessions, or their success … I could go on for ever. I sometimes think that the whole advertising industry is designed to stir up covetousness within us. That sleek new car… that exotic holiday… that latest gadget… "You deserve it…" the adverts coo at us, "Because you're worth it". And, fools that we are, we believe them.
But why exactly is it wrong to covet?
First, it's essentially selfish – it elevates what I want to the top of the list of priorities. It puts me and my needs before God-like qualities such as generosity, kindness and compassion. It's all about getting rather than giving – and didn't Jesus say that there is more joy in giving than receiving (Acts 20:35)?
Second, it suggests a failure to trust in God for his provision. God promises to look after those who entrust themselves to him, so if we covet it means, in effect, that we are saying to God, "Your provision isn't good enough for me – I'm not really sure you will look after me".
Third, it destroys peace of mind. The more focussed you are on other people and what they've got, the more chewed up inside you will be because you don't have them. Covetous people are rarely happy people. They're angry inside.
Fourth, it can lead to disastrous consequences. Some of the Old Testament's most powerful stories are about covetousness – and in each case havoc results. Eve coveted the fruit God said she and Adam shouldn't touch (Genesis 3). Achan coveted the treasures of the Canaanites (Joshua 7). King David coveted another man's wife (2 Samuel 11). King Ahab coveted Naboth's vineyard (1 Kings 21). Why not read these dramatic stories again – and see the carnage and misery that resulted in each case?
Covetousness is, in the end, a form of idolatry – putting something or someone in the place that only God should occupy. By the same token, the person who has learned not to covet (and the learning process can be painful – let's be honest about that) experiences real liberation.
If we have reached a point where we can say, with Paul, that we will be content with the basic necessities of life, whatever God may see fit to give us (1 Timothy 6:8), then we can cheerfully shrug our shoulders at the world around us and just get on with the business of trying to live a Christlike life. We're free! And if somebody else has something that we would like – well, good for them! I'm pleased for them! And may God bless them!
"I have learned the secret of being content," says Paul (Philippians 4:12). Content… isn't it a great word? It doesn't mean we can't be ambitious in a good sense. But it does mean that we're happy to leave our lot in this life in the hands of a God who is our heavenly Father, and who loves us more than we can know.
And never forget, there are "treasures in heaven" (Matthew 6:20) for those who truly love God. The child of God is actually a billionaire!
Dear Father, I am sorry that I allow the poison of discontent to corrode my soul. I promise now that, with your help, I will entrust myself wholeheartedly to you and let you lead me wherever you want me to go, and give me whatever you want me to have. Amen.
If you had happened to be in Bangalore Airport one Thursday morning a few weeks ago you might have seen a grey-haired man being ferried around in a wheel-chair, accompanied by some extremely efficient medical people and some extremely anxious-looking friends. You might have given him a brief thought: "Poor old bloke, I wonder what's wrong with him. Not much fun being taken ill in a place like this…" And then, very naturally, got on with your own business.
Well, that poor old bloke was me. I had had a case of Bangalore Belly for a couple of days and had brought the experience to a dramatic climax by keeling over in the duty-free shop. As it turned out the medical people gave me a quick once-over, decided there was nothing much wrong with me and told me to board the plane. Here British Airways took over and ensured for me the most comfortable journey they could manage.
But oh the humiliation, the embarrassment! For that short period I was triply dependent: on my friends, who were as loyal as friends could be, on the medical team, who were magnificent, and on the BA staff, the very model of professionalism.
I didn't like it, don't worry about that. And that wasn't only because I was so unwell. No, it was that sense of total dependence. I could do nothing for myself. I had, so to speak, to take orders (not that anybody gave me any, but you know what I mean). I was helpless, quite literally, in the hands of those looking after me.
After all, all my life I have been the strong one! Isn't that what men in general and minsters in particular are? Mine has been the shoulder other people cry on. I have been Mr Reliability when others have lost heart. (Well, something like all that, anyway…) And now this! Oh dear.
But looking back, I have decided to treat it as a positive experience, however unpleasant. I learned a lesson we instinctively forget – that in reality we are all dependent on others (not to mention God) twenty-four hours a day. What happened that morning was just an extreme case that threw that reality into sharp relief.
I'm just old enough to remember the declining years of Winston Churchill. Here was this powerful man, a man who had led Britain through terrible years of war, a man who changed the course of history. And I remember him hunched up in his wheel-chair surrounded by a cluster of doctors.
I remember Muhammad Ali, thought by many to be the greatest boxer in history, the man who "floated like a butterfly and stung like a bee". And I see him now barely able to walk or lift up his hand.
I could easily go on… Stephen Hawking, the man with the brain that encompasses the universe… Nelson Mandela, dead now but still so fresh in everyone's memory… Even the strongest, whether physically or mentally, are weak. Do you feel strong today? Good! Enjoy your strength and make the most of it! But do remember that in the context of life as a whole it is only an illusion.
Paul, in the New Testament, wrote some wonderful words: "When I am weak, then I am strong." What did he mean? That it is when we are obviously weak that we are forced to rely on God and his supernatural strength. He also wrote: "My strength is made perfect… in weakness". Strange! But true: it's when we face up to our essential weakness that we find real strength.
Jesus knew utter weakness. They seized him, beat him up, flogged him and nailed him to a cross in full public view. Could you get more helpless, more humiliated than that?
I can't pretend I saw it this way while riding around Bangalore Airport, but I do now: in my lowliness I was in the care not only of wonderful friends, skilful doctors and efficient flight staff, but also of one who knows more about plumbing the depths than anybody else ever has or ever will.
Jesus Christ, King of kings and Lord of all creation, thank you that you were willing to experience the lowest depths of pain and dependence for my sake. Amen.
I know someone who doesn't speak. I don't know why this is, and it's no business of mine to ask. Perhaps it's a physical problem with his mouth, or some kind of psychological blockage. But if you say Hello to him he will smile and shake your hand, but he doesn't say anything. As you can imagine, this makes communication enormously difficult, indeed, pretty well impossible. Whereas most of us (let's be honest) talk far too much, so everyone knows only too well what's in our minds, with him you just never know. Strange, and rather disturbing.
But now here is something of massive importance… Our God is a God who speaks.
The third verse of the whole Bible tells us that "God said…". And constantly, throughout both the Old Testament and the New, God is speaking. It's a theme you just can't get away from.
Suppose God never spoke? How would that be? Suppose we simply had no way of ever knowing what was going on in his mind? We would be completely helpless as to what life is all about, and how we are supposed to live it.
The big question then is: How does God speak? Well, in various ways.
First, through the created world around us. The Psalmist tells us that "the heavens declare the glory of God… Day after day they pour forth speech" (Psalm 19). Look at creation and reflect on the power and beauty of God!
Second, through our consciences. Don't we all sometimes hear that inner voice warning us about something we are tempted to do? Conscience isn't a perfect guide – like human nature as a whole it is corrupted by all sorts of bad influences. But if we bring it before God it won't lead us far astray.
Above all, of course, God speaks through his son Jesus. This is why the Bible refers to Jesus as "the Word made flesh" (John 1). Every time you focus on Jesus you are in effect hearing God speak. He is the living Word of God.
But God also speaks through scripture – the Bible, as we usually call it. This is why Jesus, when he was tempted by the devil, sent him packing by quoting the words of scripture, "it is written…", three times. The devil has tempted Jesus to turn the stones around him into bread – a pretty serious temptation, given that he had gone without food for forty days! But Jesus refuses to give in: the greatest need of human beings, he says, is not physical food, however vital that may be, but God's word. This is a direct quotation from Deuteronomy 8. Jesus knew his Bible! – and he knew how to use it.
Could that be said of you and me? God speaks, that's for sure. But are we listening? Do Bible texts and passages spring naturally to our minds to help us in the normal circumstances of our lives? Or is our knowledge of the Bible hazy, patchy, hit-or-miss?
I hope all of us are good listeners. I imagine that most of us listen specially carefully if the person speaking is someone we regard as particularly important – someone we love, someone who is in an important position. Well, people don't come more important than God, do they! So close your ears to him at your peril.
God has given us a book. We call it the Bible. Certainly, it can be a difficult book: there are parts we find hard to understand, parts that really don't seem relevant, parts, let's be honest, that even seem to us offensive. Yet through it as a whole he speaks to us. So not to listen to it is sheer folly.
Are you serious about your Bible? Is it time to get to grips with it in a fresh way? Think about it. Reflect on it. Pray over it. And not just the nice bits, the easy bits – no, every chapter, every verse. If you are serious about God, how can you not be serious about his word?
Putting it another way, not wanting to bother with the Bible is tantamount to not wanting to bother with God. As Jesus put it, we don't live by bread alone, but by every word that comes from the mouth of God.
Father, forgive me that though you are constantly speaking, I am so rarely listening. Thank you for the gift of the Bible. Please help me to take it seriously, and to make it my daily food. May I hear your voice as I read today. Amen.


RJD2 is to DJ Shadow as Blueprint is to _______.
If anything, 8,000,000 Stories, the long awaited collaboration between super producer RJD2 and up-and-coming emcee Blueprint, will help complete this analogy, the first model having been established after 2002�s masterpiece, Deadringer, that catapulted RJD2 into DJ Shadow territory, and since, some have even claimed he has taken the throne. Regardless, he�s bathed in the success, and has proved he�s not just another instrumental wonder boy, backing up artists like Mos Def, Aceyalone, Murs, Diverse, Souls of Mischief, Aesop Rock, and Massive Attack all with great ease and malleability. Replace him with, say, Fat Jon and 8,000,000 Stories doesn�t become half the expectation juggernaut it�s amassed since its conception, which is saying a lot. With an impeccable track record and expectations to always come through with the hotness, all eyes are on Blueprint, to not only deliver, but compliment the brilliance of his producing counterpart.
For Blueprint, the past few years have seen him working outside the lines, managing his label Weightless Records and nurturing the growth of his poetic prodigy in Illogic, but only furthering his solo career through guest spots, unofficial releases, and tour legs which have left a heavy heap of hyped � but not entirely convinced � fans. That�s why 8,000,000 Stories, a collaboration that was announced over a year ago, has been brewing as one of 2003�s most anticipated releases. Blueprint has a lot to prove, or at least accomplish here, and I�ll come out right now and say that he succeeds.
It�s a relief, especially after the somewhat disappointing Unlimited EP which showcased Blueprint as a smart, punchline driven emcee and RJD2 as a producer that hadn�t fully connected with his partner. But 8,000,000 Stories provides ample room for the duo to connect and shine, and showcase Blueprint in his brilliant role as narrator. The album�s lead single �Jerry Springer Episode� is a humorously crafted track documenting the unraveling of the trashy day-time talk show while at the same time providing insight into his vocal inflections.
On a similar note of wit and exuberance, �Print delivers the most memorable trilogy since Buck 65�s riveting baseball narrations on Vertex. Entitled �Candyland 1, 2 & 3,� the three tracks are interspersed throughout the album, each targeting specific childhood memories and alphabetically listing the wonderful joys of times past. The rhythmic, albeit rhymeless strings successfully rejuvenates everything from GI Joes and He-Man, to Cross Colors and extra credit, eventually leading to the climactic conclusion that becomes any kid�s fantasy, filled to the brim with Now and Laters, Big League Chew, Boston Baked Beans, Gummy Bears, Jaw Breakers, and Pop Rocks. It�s a simple concept executed to perfection, and fails to ever lose its subtle novelty.
But amidst lighthearted tracks like these, Blueprint digs deep to reveal prolific moments that may finally prove his lyrical versatility. Tackling the often clich�d topic of lost love, �Right Place Wrong Time� has him sincerely speaking of untimely departure and emotional angst. RJD2�s backing is exceptionally noteworthy here as his eerie guitar riff and signature drum programming appropriately cultivate the track via its melancholic ambience. Even better is �No Excuse for Lovin�, a flawlessly executed narrative that does more than just tell a story; it delves into the characters as well, helping give the track depth rather than typical linear progression. The production is nothing short of stellar, perhaps the pinnacle of 8,000,000 Stories as RJD2 delivers a sinfully beautiful track that could have easily found a spot on Deadringer. His work here is commendable, supplying the always refreshing mix of soul, funk, and hip hop flare that has earned him a spot on most everyone�s list of today�s most talented producers.
As impressive as 8,000,000 Stories can be at times, the album often runs into predictable filler that only tarnishes the overall experience. The banal formulas of �Inhale� or �Fuckajob�, for example, are ones that should have been avoided, and if so, would have provided a more consistent premise for the collaboration. This is perhaps the only major fault of 8,000,000 Stories, which most should be able to look past.
And while some may have noticed that the introductory analogy remains incomplete, it only shows that 8,000,000 Stories was not as telling as many people anticipated.


One of the most succesful models from the Ferretti Shipyard. The Ferretti 550 combines elegance and a sporty character, with a very timeless design. She is equipped with an anti rolling gyro which makes sure she is stable in most weather conditions. A stern and bow thruster in collaboration with the yacht controller ensures easy manoeuvring in the harbour. Her flying bridge is accessed either from a ladder in the cockpit or from a hatch in the cabin. The engine controls on the flying bridge are on a electric flip dash, which protects the instruments when you are at the dock or controlling the boat from the lower station. Therefore the swim platform is large enough to cary a tender, which you can lift on with the gangway. Underneath in the swimming platform, there is plenty of storage room. If you appreciate the Italian lines and like the luxurious accomodations they can offer, you will certainly be impressed with the 550.
We have sold this Ferretti 550 new in 2007, only had 2 owners, which are both known by us.


text:
Home Life Style Nicolas Mathieu, the prix Goncourt In 2018 : "This is a novel...
Nicolas Mathieu, the prix Goncourt In 2018 : "This is a novel of the France device"
LE FIGARO – What is your feeling when you learned the happy news?
NICOLAS MATHIEU – A moment of amazement, surprise, and joy. Acts South had had in the past year, I wasn't expecting particularly.
" READ ALSO – Nicolas Mathieu, the prix Goncourt 2018 for Their children after them
The novel describes a working environment, modest. It is a world that you know of?
This is a bit of the world where I was born. I come from a middle-class average, France device, my father is a little world. But Their children after them does not tell my life, it tells of the lives that I know and that are important to me. This makes me very happy that this book, which is both an attempt at literary and political, will be crowned. Attempt policy, of course, because as soon as one speaks of the way in which people live, love, hate, try to live together, how it is necessary and always a little impossible, it's political.
on The balcony of the restaurant Drouant, Paris IIe. ERIC FEFERBERG/AFP
It seems that at the age of fourteen, you knew you wanted to become a writer…
not at the age of fourteen. At seven years old! But I put a very long time to know what I could write, because it is not necessary to write the books that we like, those we like to read, it is necessary to write the books of which it is capable, with the history that it carries, so it took me time. I have 40 years old, this is my second title here so I just catch up with a lot of delay!
" READ ALSO – Their children after them, of Nicolas Mathieu: the road of bondage
Are your characters inspired by people you have known?
Yes, they are, more or less. Still, it's the characters and stories in the real and then after it becomes something else…
Is there a part of your adolescence in this book?
Absolutely. In one of the characters there is a part of me, but I'm not going to say which precisely. It is a novel that made the effort to make the present time, the word that obsessed me throughout the writing, it was "restitution". I tried to restore this that are our lives, how it works, and it actually runs through the details, an anchorage in the real. The real is my concern.
you thought You were having a day of the prix Goncourt?
Not every day when I shave. But I have to admit that yes, lately. But the Goncourt, it is not an end in itself. My job is to write not to win awards, but I am delighted that I have been assigned. I dedicate this award to my son, Oscar, it is to him that I think this morning, it has five and a half years.
The prix Goncourt 2018 awarded to Nicolas Mathieu – Watching on Figaro Live
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redpajama_set_name: RedPajamaCommonCrawl


text:
package net.digitalid.utility.generator.information.type;

import java.util.ArrayList;
import java.util.List;
import java.util.Map;

import javax.annotation.Nonnull;
import javax.annotation.Nullable;
import javax.lang.model.element.ElementKind;
import javax.lang.model.element.TypeElement;
import javax.lang.model.type.DeclaredType;
import javax.lang.model.type.TypeVariable;

import net.digitalid.utility.annotations.method.Pure;
import net.digitalid.utility.annotations.state.Unmodifiable;
import net.digitalid.utility.circumfixes.Brackets;
import net.digitalid.utility.collaboration.annotations.TODO;
import net.digitalid.utility.collaboration.enumerations.Author;
import net.digitalid.utility.functional.iterables.FiniteIterable;
import net.digitalid.utility.generator.annotations.generators.GenerateBuilder;
import net.digitalid.utility.generator.annotations.generators.GenerateSubclass;
import net.digitalid.utility.generator.exceptions.FailedClassGenerationException;
import net.digitalid.utility.generator.generators.BuilderGenerator;
import net.digitalid.utility.generator.generators.ConverterGenerator;
import net.digitalid.utility.generator.generators.SubclassGenerator;
import net.digitalid.utility.generator.information.ElementInformation;
import net.digitalid.utility.generator.information.ElementInformationImplementation;
import net.digitalid.utility.generator.information.field.FieldInformation;
import net.digitalid.utility.generator.information.field.GeneratedDerivedFieldInformation;
import net.digitalid.utility.generator.information.field.GeneratedRepresentingFieldInformation;
import net.digitalid.utility.generator.information.filter.InformationFilter;
import net.digitalid.utility.generator.information.filter.MethodSignatureMatcher;
import net.digitalid.utility.generator.information.method.ConstructorInformation;
import net.digitalid.utility.generator.information.method.ExecutableInformation;
import net.digitalid.utility.generator.information.method.MethodInformation;
import net.digitalid.utility.generator.information.variable.VariableElementInformation;
import net.digitalid.utility.processing.logging.ProcessingLog;
import net.digitalid.utility.processing.logging.SourcePosition;
import net.digitalid.utility.string.Strings;
import net.digitalid.utility.tuples.Pair;
import net.digitalid.utility.validation.annotations.generation.Derive;
import net.digitalid.utility.validation.annotations.generation.Recover;
import net.digitalid.utility.validation.annotations.size.MinSize;
import net.digitalid.utility.validation.annotations.type.Immutable;
import net.digitalid.utility.validation.processing.AnnotationHandlerUtility;

/**
 * This type collects the relevant information about a type for generating a {@link SubclassGenerator subclass}, {@link BuilderGenerator builder} and {@link ConverterGenerator converter}.
 *
 * @see InterfaceInformation
 * @see ClassInformation
 */
@Immutable
@TODO(task = "The type validators are never loaded, which means their usage is never checked.", date = "2016-05-16", author = Author.KASPAR_ETTER)
public abstract class TypeInformation extends ElementInformationImplementation {

    /* -------------------------------------------------- Recover Method or Constructor -------------------------------------------------- */

    public @Nullable ExecutableInformation getRecoverConstructorOrMethod() {
        if (getRecoverMethod() != null) {
            return getRecoverMethod();
        } else {
            @Nullable ConstructorInformation recoverConstructor = null;
            if (getConstructors().size() == 1) {
                recoverConstructor = getConstructors().getFirst();
            } else if (getConstructors().size() > 1) {
                for (@Nonnull ConstructorInformation constructorInformation : getConstructors()) {
                    if (constructorInformation.hasAnnotation(Recover.class)) {
                        if (recoverConstructor != null) {
                            throw FailedClassGenerationException.with("Only one recover constructor allowed, but multiple @Recover annotations found in type $", SourcePosition.of(getElement()), getName());
                        }
                        recoverConstructor = constructorInformation;
                    }
                }
                if (recoverConstructor == null) {
                    throw FailedClassGenerationException.with("Found multiple constructors, but none is annotated with @Recover in type $", SourcePosition.of(getElement()), getName());
                }
            }
            return recoverConstructor;
        }
    }

    /* -------------------------------------------------- Recover Method -------------------------------------------------- */

    /**
     * Returns the recover method, if one exists.
     */
    @Pure
    public abstract @Nullable MethodInformation getRecoverMethod();

    /* -------------------------------------------------- Constructors -------------------------------------------------- */

    /**
     * Returns an iterable of constructor information objects.
     */
    @Pure
    public abstract @Nonnull @MinSize(0) FiniteIterable<ConstructorInformation> getConstructors();

    /* -------------------------------------------------- Constructor Parameters -------------------------------------------------- */

    /**
     * Return parameters required for the recovery of an object of the class.
     */
    @Pure
    public abstract @Nonnull FiniteIterable<VariableElementInformation> getRecoverParameters();

    /**
     * Return parameters required for the construction of the class.
     */
    @Pure
    public abstract @Nonnull FiniteIterable<VariableElementInformation> getConstructorParameters();

    /* -------------------------------------------------- Representing Field Information -------------------------------------------------- */

    /**
     * Returns an iterable of the representing field information objects.
     */
    @Pure
    public abstract @Nonnull FiniteIterable<FieldInformation> getRepresentingFieldInformation();

    /* -------------------------------------------------- Accessible Field Information -------------------------------------------------- */

    /**
     * Returns an iterable of the accessible field information objects.
     */
    @Pure
    public abstract @Nonnull FiniteIterable<FieldInformation> getAccessibleFieldInformation();

    /* -------------------------------------------------- Field Information -------------------------------------------------- */

    /**
     * Returns an iterable of the field information objects.
     */
    @Pure
    public abstract @Nonnull FiniteIterable<FieldInformation> getFieldInformation();

    /* -------------------------------------------------- Overridden Methods -------------------------------------------------- */

    /**
     * Returns an iterable of the overridden method information objects.
     */
    @Pure
    public abstract @Nonnull FiniteIterable<MethodInformation> getOverriddenMethods();

    /* -------------------------------------------------- Element -------------------------------------------------- */

    @Pure
    @Override
    public @Nonnull TypeElement getElement() {
        return (TypeElement) super.getElement();
    }

    /* -------------------------------------------------- Type -------------------------------------------------- */

    @Pure
    @Override
    public @Nonnull DeclaredType getType() {
        return (DeclaredType) super.getType();
    }

    /**
     * Returns the type arguments of the represented declared type.
     */
    @Pure
    public @Nonnull FiniteIterable<@Nonnull TypeVariable> getTypeArguments() {
        return FiniteIterable.of(getType().getTypeArguments()).instanceOf(TypeVariable.class);
    }

    /* -------------------------------------------------- Subclass -------------------------------------------------- */

    /**
     * Returns the simple name of the generated subclass.
     */
    @Pure
    public @Nonnull String getSimpleNameOfGeneratedSubclass() {
        return getName() + "Subclass";
    }

    /**
     * Returns the qualified name of the generated subclass.
     */
    @Pure
    public @Nonnull String getQualifiedNameOfGeneratedSubclass() {
        return getQualifiedPackageName() + "." + getSimpleNameOfGeneratedSubclass();
    }

    /* -------------------------------------------------- Builder -------------------------------------------------- */

    /**
     * Returns the simple name of the generated builder.
     */
    @Pure
    public @Nonnull String getSimpleNameOfGeneratedBuilder() {
        return getName() + "Builder";
    }

    /**
     * Returns the qualified name of the generated builder.
     */
    @Pure
    public @Nonnull String getQualifiedNameOfGeneratedBuilder() {
        return getQualifiedPackageName() + "." + getSimpleNameOfGeneratedBuilder();
    }

    /* -------------------------------------------------- Converter -------------------------------------------------- */

    /**
     * Returns the simple name of the generated converter.
     */
    @Pure
    public @Nonnull String getSimpleNameOfGeneratedConverter() {
        return getName() + "Converter";
    }

    /**
     * Returns the qualified name of the generated converter.
     */
    @Pure
    public @Nonnull String getQualifiedNameOfGeneratedConverter() {
        return getQualifiedPackageName() + "." + getSimpleNameOfGeneratedConverter();
    }

    /* -------------------------------------------------- Generated Field Information -------------------------------------------------- */

    /**
     * An iterable of all generated field information objects.
     */
    public final @Nonnull FiniteIterable<GeneratedRepresentingFieldInformation> generatedRepresentingFieldInformation;

    /* -------------------------------------------------- Derived Field Information -------------------------------------------------- */

    /**
     * An iterable of all derived field information objects.
     */
    public final @Nonnull FiniteIterable<GeneratedDerivedFieldInformation> derivedFieldInformation;

    /* -------------------------------------------------- Abstract Getter -------------------------------------------------- */

    /**
     * Returns a map of indexed abstract getters.
     */
    public final @Unmodifiable @Nonnull Map<@Nonnull String, @Nonnull MethodInformation> abstractGetters;

    /* -------------------------------------------------- Abstract Setter -------------------------------------------------- */

    /**
     * Returns a map of indexed abstract setters.
     */
    public final @Unmodifiable @Nonnull Map<@Nonnull String, @Nonnull MethodInformation> abstractSetters;

    /* -------------------------------------------------- Abstract Methods -------------------------------------------------- */

    /**
     * Returns an iterable of methods that must be implemented.
     */
    public final @Unmodifiable @Nonnull FiniteIterable<@Nonnull MethodInformation> generatedMethods;

    /* -------------------------------------------------- Initialization Marker -------------------------------------------------- */

    /**
     * Returns true, iff the object is fully initialized. This means, implementing classes should only return true at the end of the object construction. To avoid errors, this should only be implemented and returned by classes that are final.
     */
    @Pure
    public abstract boolean isInitialized();

    /* -------------------------------------------------- Instance Code -------------------------------------------------- */

    /**
     * Returns a string that can be used in generated code to instantiate this type.
     */
    public @Nonnull String getInstantiationCode(boolean useBuilderIfAvailable, boolean useSubclassIfAvailable, boolean useRecoverMethodIfAvailable, @Nullable FiniteIterable<@Nonnull FieldInformation> variables) {
        // The expected result is:
        // - the call to the generated builder, if useBuilderIfAvailable flag is set to true and the @GenerateBuilder annotation is available for the type,
        // - the call to the recover method, if useRecoverMethodIfAvailable is true and a @Recover annotated method is available, or
        // - the call to the generated subclass constructor, if useSubclassIfAvailable is true and the @GenerateSubclass annotation is available for the type,
        // - the call to the constructor.
        if (useRecoverMethodIfAvailable && getRecoverMethod() != null) {
            final @Nonnull MethodInformation recoverMethod = getRecoverMethod();
            return "return " + getName() + "." + recoverMethod.getName() + getRecoverParameters().map(ElementInformation::getName).join(Brackets.ROUND);
        } else if (useBuilderIfAvailable && hasAnnotation(GenerateBuilder.class)) {
            final @Nonnull StringBuilder assignedParameters = new StringBuilder();
            final @Nonnull StringBuilder optionalParameters = new StringBuilder();
            for (@Nonnull VariableElementInformation constructorParameter : getRecoverParameters()) {
                if (variables == null || variables.map(FieldInformation::getName).contains(constructorParameter.getName())) {
                    (constructorParameter.isMandatory() ? assignedParameters : optionalParameters).append(".with").append(Strings.capitalizeFirstLetters(constructorParameter.getName())).append("(").append(constructorParameter.getName()).append(")");
                }
            }
            assignedParameters.append(optionalParameters);
            return "return " + getSimpleNameOfGeneratedBuilder() + assignedParameters.append(".build()").toString();
        } else if (getElement().getKind() == ElementKind.ENUM) {
            // maybe move to subclass, because that's a special case of EnumInformation
            return "return " + getName() + ".valueOf(value)";
        } else {
            final @Nonnull String nameOfConstructor;
            if (useSubclassIfAvailable && hasAnnotation(GenerateSubclass.class)) {
                nameOfConstructor = getSimpleNameOfGeneratedSubclass();
            } else {
                nameOfConstructor = getName();
            }
            return "return new " + nameOfConstructor + getConstructorParameters().map(ElementInformation::getName).join(Brackets.ROUND);
        }
    }

    /* -------------------------------------------------- Constructor -------------------------------------------------- */

    /**
     * Creates a new type information instance and initializes the abstract getters, abstract setters, generated and derived field information.
     */
    protected TypeInformation(@Nonnull TypeElement typeElement, @Nonnull DeclaredType containingType) {
        super(typeElement, typeElement.asType(), containingType);

        // Make the usage checks of the type annotations:
        AnnotationHandlerUtility.getTypeValidators(typeElement);

        // TODO: Enforce that every type has an @Immutable, @Stateless, @Utility and the like annotation?

        final @Nonnull FiniteIterable<@Nonnull MethodInformation> methodInformation = InformationFilter.getMethodInformation(typeElement, containingType, this);

        this.abstractGetters = methodInformation.filter((method) -> method.isGetter() && method.isAbstract()).toMap(MethodInformation::getFieldName);

        this.abstractSetters = methodInformation.filter((method) -> method.isSetter() && method.isAbstract()).toMap(MethodInformation::getFieldName);

        this.generatedMethods = methodInformation.filter((method) -> method.isAbstract() && method.canBeImplemented());

        final @Nonnull List<@Nonnull Pair<@Nonnull MethodInformation, @Nullable MethodInformation>> gettersAndSetters = new ArrayList<>();

        for (Map.@Nonnull Entry<String, MethodInformation> indexedGetter : abstractGetters.entrySet()) {
            final @Nonnull MethodInformation getter = indexedGetter.getValue();
            final @Nullable MethodInformation setter = abstractSetters.get(indexedGetter.getKey());
            ProcessingLog.debugging("For field '" + indexedGetter.getKey() + "', adding getter: '" + getter + "' and setter '" + setter + "'.");
            gettersAndSetters.add(Pair.of(getter, setter));
        }

        this.generatedRepresentingFieldInformation = FiniteIterable.of(gettersAndSetters).filter(pair -> !pair.get0().hasAnnotation(Derive.class)).map((pair) -> (GeneratedRepresentingFieldInformation.of(pair.get0().getContainingType(), pair.get0(), pair.get1())));

        this.derivedFieldInformation = FiniteIterable.of(abstractGetters.entrySet()).filter(entry -> entry.getValue().hasAnnotation(Derive.class)).map(entry -> GeneratedDerivedFieldInformation.of(entry.getValue().getContainingType(), entry.getValue()));

        final @Nonnull FiniteIterable<MethodInformation> allRemainingAbstractMethods = methodInformation.filter((method) -> (method.isAbstract() && !method.isSetter() && !method.isGetter() && (!hasAnnotation(GenerateSubclass.class) || !method.canBeImplemented()))).filter(MethodSignatureMatcher.of("equals", Object.class).and(MethodSignatureMatcher.of("toString")).and(MethodSignatureMatcher.of("hashCode")));

        if (allRemainingAbstractMethods.size() != 0) {
            ProcessingLog.debugging("Found $ abstract methods which cannot be generated", allRemainingAbstractMethods.size());
            for (MethodInformation remainingAbstractMethod : allRemainingAbstractMethods) {
                ProcessingLog.debugging("Remaining method $ cannot be generated", remainingAbstractMethod);
            }
            throw FailedClassGenerationException.with("Found abstract methods which cannot be generates: ", SourcePosition.of(typeElement), allRemainingAbstractMethods.join());
        }
    }

}

redpajama_set_name: RedPajamaGithub


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Found inside of the Fireplace.
Placed inside of the Bookcases.
Obtainable during the 2007 Halloween event inside of the Grim Reaper's room.
A 'Voice of Doom' potion, used to deepen your voice.
This Data was submitted by: Jakesterwars, Jaapie23, and kassandra.


You are here: Home / Twitter Contest! Win a Grammar Book and Save 20% on Your TESOL Course!
Twitter Contest! Win a Grammar Book and Save 20% on Your TESOL Course!
FIRST PRIZE! Ontesol is giving away 10 You Can Teach Grammar books!
You Can Teach Grammar is a great reference book for the ESL classroom. Find fun and effective activities to use in your lesson plans and always bring the book with you to class to help you answer difficult grammar questions in a meaningful way! Winners also get a 20% rebate code to be redeemed on any of our online TESOL / TEFL certification courses.
RUNNERS-UP! Get a 20% rebate code to be redeemed on any of our online TESOL certification courses.
Use hashtag #TeachESLOntesol and get your message retweeted via @Ontesol to earn points!
25 points: Use the hashtag #TeachESLOntesol to tell us where you want to teach English and why.
25 points: Got teaching experience? Use the hashtag #TeachESLOntesol to tell us where you are teaching English now and why you like it so much.
25 points: Use haghtag #TeachESLOntesol to tell us when you are planning to go abroad.
25 points: Use haghtag #TeachESLOntesol to tell us what makes you a great ESL teacher.
25 points: Use hashtag #TeachESLOntesol to tell us how teaching English abroad may change your life. If you have taught English abroad tell us how this experience has changed your life.
Winners will be selected based on the quality of their tweets. If your message is re-tweeted via @Ontesol, you will get 25 points. The first 10 contestants to earn 75 points win a free You Can Teach Grammar Book. Winners also get a 20% rebate on any of our TESOL courses (Applicable only once on the next enrollment).
All participants who earn a minimum of 25 points receive a 20% rebate code to be redeemed on any of our online TESOL/TEFL courses (Applicable only once on the next enrollment).
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Tags: TEFL certification course discount, TESOL certification discounts, Win a You Can Teach Grammar book!
https://how-to-teach-english.ontesol.com/wp-content/uploads/2015/03/ontesol-logo1-300x137.jpg 0 0 admin https://how-to-teach-english.ontesol.com/wp-content/uploads/2015/03/ontesol-logo1-300x137.jpg admin2013-10-08 17:45:112014-10-22 19:18:37Twitter Contest! Win a Grammar Book and Save 20% on Your TESOL Course!


text:
Adult and Senior Services
COVID-19 Testing and Vaccination
ACCESS is here to help support patients, their loved ones and community residents in staying safe and healthy from COVID-19.
COVID-19 Testing at ACCESS
ACCESS offers COVID-19 testing at every health center with an appointment. You must complete a telehealth screening with an ACCESS provider before receiving a testing appointment. We do not accept walk-ins.
If you would like a telehealth appointment to be screened for testing, please call 866.267.2353.
There is no charge to patients for this test. If you are insured, your insurance plan will be charged for the telehealth visit. However, you will not pay any out-of-pocket costs. As an FQHC, ACCESS will not turn away any patients that are uninsured or unable to pay.
You will receive results within two to four business days.
If you are positive for COVID-19, your ACCESS provider will follow up with your results and provide information on next steps including isolation and quarantine guidelines, and practical education.
COVID-19 Vaccinations at ACCESS
ACCESS offers COVID-19 vaccinations at all ACCESS health centers. Pfizer and Moderna vaccines are available for you and your family members aged 12 and older. The Pfizer COVID-19 vaccine is now available at select ACCESS locations for people aged 6 months and older.
To schedule your first dose, second dose or booster appointment, call 1.866.267.2353. The COVID-19 vaccination is administered at no cost.
You must complete your full primary series before receiving a booster dose.
Who can get the COVID-19 vaccine?
Currently, all patients aged 6 months and older are eligible for the COVID-19 vaccine.
How do I schedule an appointment?
Call 1.833.754.2149 to schedule your first dose, second dose or booster appointment.
What vaccine will I receive?
ACCESS is currently offering the Moderna and Pfizer vaccines for everyone 12 years and older. Additionally, the Pfizer vaccine is available for all patients 6 months of age to 11. ACCESS is not currently offering the Johnson & Johnson vaccine.
Is there a cost to get the vaccine?
If you are uninsured, your vaccine is covered by the federal government's HRSA program. If you are insured, we will bill your insurance. You will not be charged a co-pay or deductible. If your insurance provider attempts to bill you, please call us at 312.526.2424 with any supporting documents. Please note that we will never charge you for your COVID-19 vaccine and will always support you to resolve any issues.
What are the benefits of receiving the COVID-19 vaccine?
When you get vaccinated, it can help you from getting seriously sick. It may also help protect the people around you. People who have had COVID-19 still benefit from getting vaccinated. Stopping a pandemic requires using all the tools we have available. COVID-19 vaccines combined with daily preventative actions will offer the best protection from COVID-19.
What is the COVID-19 vaccine and how does it work?
ACCESS currently offers the Moderna and Pfizer COVID-19 vaccines. Both of these vaccines are "mRNA" vaccines. The mRNA vaccine, or "messenger RNA vaccine", does not contain a live virus. Rather, the vaccine causes the cells to produce a protein similar to those in COVID-19 so your immune system is introduced to the protein and can build up its immune response. The COVID-19 vaccine cannot make you sick with COVID-19 or make you test positive on a viral test because it does not contain the live virus.
After getting a flu shot, I always get the flu. Will this cause me to get COVID-19?
No, you cannot become infected or infect others from receiving the COVID-19 vaccine because, the vaccine contains no live virus. Instead, the vaccine directs your body to produce a protein that teaches your body how to fight off the virus. After getting a flu shot, some people develop flu-like symptoms, such as mild fever, chills, and body aches. These symptoms are not the same as actually having influenza. The same is true for COVID-19 vaccines.
After a vaccination, it is normal to feel some mild side effects. Side effects signal that your body is building up protection from the virus. Reported common side effects include pain or soreness at the injection site, fatigue, and headaches. You may also experience mild fever, chills, nausea, or body aches. The side effects from vaccination may feel a little bit like the flu, but they should go away after 48 to 72 hours.
Can the COVID-19 vaccine cause me to become infected or infect others?
No, you cannot become infected or infect others from receiving the COVID-19 vaccine, because the vaccine contains no live virus. Instead, the vaccine directs your body to produce a protein that shows your body how to fight off the virus.
I've had COVID-19, should I get the vaccine?
Yes. The Centers for Disease Prevention and Control (CDC) recommends you should be vaccinated regardless of whether you have already had COVID-19. People can contract COVID-19 more than once. Patients who have recently had COVID-19 should talk with their primary care provider about the best time to receive the vaccine.
I have a pre-existing condition. Is the COVID-19 vaccine safe?
Adults of any age with certain underlying medical conditions are at an increased risk for severe illness from the virus that causes COVID-19. COVID-19 vaccines may be administered to people with underlying medical conditions provided they have not had a severe or immediate allergic reaction to any of the ingredients in the vaccine. Clinical trials have not yet been completed on those with certain pre-existing conditions, so safety data is limited. Speak to your ACCESS provider to help you make an informed decision.
If am pregnant or breastfeeding, is the COVID-19 vaccine safe?
Pregnant and recently pregnant people are more likely to get severely ill with COVID-19 compared with non-pregnant people. If you are pregnant, you can receive a COVID-19 vaccine. Getting a COVID-19 vaccine during pregnancy can protect you from severe illness from COVID-19. Choosing to get the vaccine is a personal choice and your ACCESS provider can help you make an informed decision.
Do I need to get a booster?
People ages 5 years and older should get all their primary series doses, and the booster dose recommended for them, if eligible.
People ages 5 and older are recommended to receive one updated Pfizer (bivalent) booster. This includes people who have received all primary series doses and people who have previously received one or more original (monovalent) boosters.
At this time, people ages 5 and older can only receive the updated Pfizer bivalent booster.
How to Understand At-Home Rapid Antigen Testing
COVID-19 or Flu? Know Your Symptoms
Managing HIV Through the COVID-19 Pandemic
This project is supported by the Health Resources and Services Administration (HRSA) of the U.S. Department of Health and Human Services (HHS) as part of an award totaling $31,443,750.00 with 0% financed with non-governmental sources. The contents are those of the author(s) and do not necessarily represent the official views of, nor an endorsement, by HRSA, HHS, or the U.S. Government. For more information, please visit HRSA.gov.


Of all the stereotypes associated with rednecks, Walmart and deer hunting probably top the list. The only thing more redneck would be, well, deer hunting in the Walmart parking lot.
Enter Arcangelo Bianco Jr., of Indiana, Pa., who spotted a 10-point passing through the Walmart parking lot while he was on his way to do some shopping. Thinking quickly, Bianco grabbed a handgun from his truck and chased the buck around the corner of the building, firing multiple rounds at the deer. He pursued the deer across a nearby highway, according to the Indiana Gazette, where he finished it off, loaded it into his truck and took it to a meat packing shop for processing.
Law enforcement officials got involved when concerned shoppers—busy with Thanksgiving shopping—called 911 to report a man running through the Walmart parking lot firing a weapon at a deer.
Unfortunately for Bianco, the whole thing was also recorded on video surveillance cameras posted outside of the building. Bianco faces charges for misdemeanor reckless endangerment and a handful of hunting violations. He stands accused of hunting without a license, but not for hunting out of season—he killed the buck last November during Pennsylvania whitetail season.
"Obviously we can't have someone running through a Walmart parking lot shooting at a deer," Jack Lucas, the wildlife officer investigating the case, told the Gazette. "It was the nicest buck I've seen in Indiana County in a couple of years."


text:
El Carrer de Baix és un carrer catalogat com a monument del municipi de Sant Gregori (Gironès) inclòs en l'Inventari del Patrimoni Arquitectònic Català.

Descripció
Carrer que ocupa l'antic Camí Ral al seu pas per Sant Gregori. Es tracta d'un conjunt d'estatges unifamiliars entre mitgeres que ocupen les dues bandes del carrer. Són edificis desenvolupats en planta baixa i una o dues plantes superiors, fetes amb parets portants de maçoneria i generalment arrebossada a les façanes, i les cobertes són de teula àrab a dues vessants. Les portes d'entrada a les cases són emmarcades amb carreus i tenen llinda d'una sola peça, en alguna llinda hi ha gravat l'any de la construcció. La majoria tenen un balcó a la façana principal construït amb una solera de pedra emmotllurada i barana amb barrots verticals de ferro.

Història
L'actual carrer de Baix formava part del Camí Ral que comunicava la ciutat de Girona amb Sant Martí de Llémena. En ell s'hi trobava l'Hostal, Cal Esclopeter que antigament havia servit d'Escola, Cal Barber, i altres serveis. Amb l'actual traçat de la carretera aquest sector ha quedat sensiblement marginat. Els anys gravat en les diferents llindes són: 1755, 1799, 1800.

Referències

Sant Gregori
Baix Sant Gregori

redpajama_set_name: RedPajamaWikipedia


West Ham United forward Andriy Yarmolenko is determined to claim his third goal of the season.
The Ukraine international - who scored a brace in the 3-1 win over Everton earlier in the month - thought he had added to his tally against Manchester United on Saturday afternoon.
Shortly before half-time at the London Stadium, Yarmolenko created a yard of space for himself in the penalty area and got a shot away.
Fortunately for him and the Hammers the ball looped up and over David de Gea to find the back of the net which gave Manuel Pellegrini's side a deserved 2-0 lead at the break.
Yarmolenko peeled away to celebrate what he thought was goal number three for the east London outfit this season.
However, the goal has since gone down as an Victor Lindelof own goal as replays showed the ball took a wicked deflection off the Red Devils defender before crossing the line.
Upon being told he remains on two goals this season, Yarmolenko revealed what lengths he will go to in an attempt to be credited with the effort.
"I don't know why it's not my goal, so I'll write later to the Premier League!" he told the club's official website . "It think it was a beautiful day for us, for the team and for the fans. It was a great win and we're happy.
"We played well. We played a more attacking game than we did against Chelsea and I thought it was a good game for us.
"We have many good players and we must think about the three points and not draws. Football is not only about defence. We must play on the front foot and play for three points."
It's now four games unbeaten across all competitions for the Hammers and Yarmolenko has warned his teammates not to get complacent.
"We must take things step by step," he added "Of course, today we must enjoy, but on Monday we must concentrate on the next one and we must we win that too!"
West Ham are back in action on Friday when they face Brighton & Hove Albion at the Amex Stadium in their final game before the October international break.


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Jan 31, 2009 . for the other species, high dispersion degree for sphalerite and low for the . Two dispersing agents were particularly effective in zinc flotation: dispersant 3223, a sodium polyac .. ting on a magnetic stirrer to keep the pulp under suspension. A laboratory flotation machine supplied with an automatic froth.
The last flotation cell development undertaken in 2003 was the . concentrate at higher than expected recoveries . three agitator mechanisms has allowed . and more energy efficiency. .. Bateman BQR Flotation Cells at Hindustan Zinc in.
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text:
sap.ui.define([
		'sap/ui/core/mvc/Controller',
		'sap/ui/test/actions/Press',
		'sap/ui/model/json/JSONModel'
	],
function(Controller, Press, JSONModel) {
	"use strict";

	return Controller.extend("appUnderTest.view.Main", {

		onInit: function () {
			var oModel = new JSONModel(sap.ui.require.toUrl("sap/ui/demo/mock/products.json"));
			this.getView().setModel(oModel);
			var oButton = this.byId("navigationButton");
			setTimeout(function () {
				// Opa will wait until the button is not busy
				oButton.setBusy(false);
			}, 5000);
},

onNavButtonPress : function () {
	this.byId("myApp").to(this.byId("secondPage").getId());
},

onBack: function () {
	this.byId("myApp").to(this.byId("firstPage").getId());
},

onPress: function () {
	// You may also invoke actions without letting OPA do it
	new Press().executeOn(this.byId("secondPage"));
},

onDelete: function (oEvent) {
	this.byId("productList").removeItem(oEvent.getParameter("listItem"));
}
});

});


Basics Will Always Be A Closet Staple, But Sometimes Anupgraded Version Such As This Rufflesleeve Melange Core Knitwear Top By Queenspark Will Instantly Level Up Yourlooks. This Piece Is Cut With A Round Neckline, Softly Cinched At The Waist Andflouncy Sleeves That Will Enchant Your Looks While The Strong Lines Flatter Thefigure. Style Yours With Light Blue Skinny Jeans And Tan Ankle Boots For Aneffortlessly Stylish Look.


Talking about issues or concerns in a supportive and confidential environment can help with the learning, healing or coping process. Murray Hospital offers support groups on a number of topics. For specific details on upcoming Support Group meetings, visit our Calendar of Events.
For more information, contact Mitzi Cathey at 270.293.1748.
Contact Evelyn Wallis for more information at 270.489.2462.
Contact MCCH Chaplain Kerry Lambert at 270.762.1274, or Hilda Bennett at 731.498.8324.
Contact Tasha Mitchell at 270.759.3080.
An 8 week class scheduled for Winter (Jan - Feb), spring (March - May) and Fall (Sept - Nov). Contact MCCH Chaplain Kerry Lambert at 270.762.1274.
For more information, call 270.748.6133.
Contact Cheryl Crouch at 270.293.9442.
Meetings are offered twice each month. For more information, contact Bariatric Solutions at 270.762.1547 or visit www.murraybariatricsolutions.org.


I just realized that I've written 21 chapters of Fracture, but I haven't shared a sample with you in a while. It's really been coming along, and I hope to hit the halfway point of the manuscript next week. In the meantime, let me catch you up on the progression of the plot. Here's chapter 6, where we find that there could be more to Kalea, our main character, than meets the eye. Enjoy!
Kalea sat in a chair on the stage of the high school auditorium, surveying the area with the school principal – a stern, graying man with a perpetual scowl named Darren Henson.
"It just seems that it needs something more," he grumped.
Kalea took a deep breath, reminding herself that the school district brought several million dollars to the company every year, so telling him to jump in the lake would be detrimental not only to her career, but her financial well being as well. Plus, she was here for an interview with a major magazine about the project. This would get national coverage, and anything that took the focus off her bloody hospital dash and back on her work was a good thing.
"You have the most state of the art theater in the region. Relax, they'll love it. They wouldn't be coming if they weren't impressed." Kalea swiped her brow and shifted in her stuffy grey and pink pantsuit. She wasn't used to dressing this formally, and it was still too hot for this in mid-September.
He grunted and checked his smartwatch as the first students trickled into the auditorium. Since there wasn't a production ready to showcase the renovated theater, they arranged to have the interview conducted and filmed onstage with the student body as the audience. Kalea was nervous about that aspect of it. She was used to speaking to small groups, and even on camera regarding larger projects, but the concept of questions from strangers that knew little or nothing about the finer points of engineering that went into the project made her stomach flip. This wasn't exactly stuff you could "dummy down" to an audience. When it comes to technical engineering concepts, you get it or you don't. No amount of explaining changes it.
"I'm getting used to that," Kalea mumbled as the magazine interviewer, a tall, thin woman with short, dark hair and striking green eyes breezed on the stage. Kalea and Mr. Henson stood to shake her hand.
Kalea blushed. "I'm better at engineering than I am at running through hospital hallways, if that's what you mean. But thanks. I'm glad for the coverage, both for the firm and for the school." She gestured to Mr. Henson. "This is Darren Hensen, the school principal.
"Just in the State of South Carolina," Kalea said, "and it did require a radical redesign of the entire area. The hope is that it will give better quality recordings by capturing a number of angles that haven't been available at the high school level before. The first official use will be the Christmas program, but the big thing will be the school's production of Annie Get Your Gun in April. Today's interview will be the first live test on all of the equipment, and how well it airs on public access stations.
Kalea flushed and reached down to scratch her leg, which was itching terribly.
"We're ready to go in two minutes!" the head of the stage crew, a stocky, blonde teen with glasses, said.
Kalea rolled her eyes. Was he going to ruin the interview with these stupid Earth clichés?
What? She thought. She shook off the unbidden thought and adjusted the microphone clipped to her jacket while Veronica gathered her notes and the cameraman flashed his fingers showing the final countdown to recording.
"Who is that kid?" Kalea asked, squinting in the lights to focus on the man approaching the stage slowly. She noticed that his right hand was in his pocket and he seemed to be fiddling with something.
"He's kind of young for a drama coach, isn't he?" Veronica asked.
Kalea slumped in her chair when she realized she asked that stupid question right into the microphone. So much for not making a fool of herself yet again.
"The resource officer is indisposed, just like all of you are fixing to be!" Dale pulled a gun out of his pocket and fired a shot into the ceiling. Screams filled the room as students ducked on the floor. Dale jumped on the stage, directly in front of Kalea.
Kalea's hand shot up and grabbed the muzzle of the gun, which sparked at her touch. Dale screamed as an electric current ran up his arm, driving him to his knees. Kalea stood up slowly, staring at Dale with hard, black eyes. "This vessel is broken. It must be purged." Her eyes glowed silver as she bent to touch a red scar on Dale's hand.
"No!" he screamed, grabbing Kalea's ankle. A blue spark shot through him, knocking him back off the stage and onto the front row floor. Kalea collapsed into her chair, breathing heavily. She gulped and pulled herself up straight in the chair, looking at the audience staring at her in terror.
"What just happened?" she asked, and passed out.
It has begun! I started the rough draft of my next writing project, Feathered Frenzy, tonight. This book is a short guide to help bird owners integrate their avian companions into their homes and lives. It's been a while since I've done a non-fiction book (I've been writing mostly fiction for the past 5 years, besides blogs and occasional short pieces), so this is a refreshing break from the norm for me. Here's a sample from the introduction that I just wrote. Bear in mind that this is a very rough draft, so I'll ask for your grace and mercy for possible grammatical and spelling errors. Enjoy!
Welcome to the joys of bird ownership! Whether you just "adopted" your first bird, are adding birds to your "flock" or are an expert human companion to your avian friends, you've come to the right place for fast and easy information on how to adapt yourself and your home to the birds in your life.
Now what, pray tell, makes me qualified to tell you how to do such a thing? I'm not a veterinarian, or an ornithologist, or a biologist. There's no fancy title after my name. I'm just a woman that works in professional licensing by day and writes novels by night. What makes me so special that I presume to tell you how to best integrate birds into your life and home?
(Ollie). Over the years I've not only learned a lot about having birds in your home, but I've noticed that the well of knowledge has drastically expanded. The diet and healthcare for birds has improved drastically, resulting in longer life expectancies. When I got Sammy for my tenth birthday in 1985, life expectancies for budgies was five to seven years. When I got Ollie in 2010, the life expectancy for budgies had increased to ten to fifteen years. And sun conures (along with other mid-size parrots) weren't readily available or well known as pets in 1985.
A lot has changed, and the information we're getting is improving every day. Unfortunately, that information is scattered. Birds are the number three pets in America behind cats and dogs, so naturally most of the pet care manuals available are geared toward our canine and feline friends. Finding in-depth information on bird care is still a bit of a challenge. It's out there, but you have to hunt for it.
example, I'm a member of a Sun Conure group on Yahoo!).
This book is to give answers to those unanswered questions that are still hanging in the air after reading those books and supplementing what you learn from the Internet group. Topics I'll cover include what birds are best for your lifestyle (or how to adapt the bird you have to your lifestyle), the best cage designs, toys, food, and socialization tricks that have actually worked in my home. I'll also share tips and tricks that keep my birds healthy and happy, save me time, keep my home orderly, and frankly preserve my sanity by integrating three active birds into my busy lifestyle!
Birds are great pets that enrich our lives and bring us joy through unconditional love and companionship. We are obligated show our love and joy in them by giving them the best home and care possible. Life with the birds may be hard work and challenging from time to time, but it's never dull and it's certainly worth the effort. And for all of our experiences, just imagine what life is like for them living in a human home.
Welcome to the feathered frenzy!
Hi everybody, I made great progress on my novel, Move, this week. I thought I'd share another sample chapter with you today. Enjoy!
Ruby sat at a picnic table at the park Saturday afternoon, enjoying the cool breeze blowing through the trees. It was much more crowded than it had been for the company picnic Thursday afternoon but then again, this event was open to the entire town. Tanger Falls hosted a spring festival every year during the first weekend in May. Although the event was open to the public, it was held as more of a local celebration for the permanent residents to celebrate the slower summer season. Tanger Falls, like many other mountain towns, got the majority of their tourism during the fall and winter, when the area was at it's peak with changing leaves, holiday season celebrations, and the winter ski season. The spring festival was Tanger Fall's way of celebrating "getting their town to themselves" for a few months.
Ruby nodded. "I'm glad the rain held off. I was afraid we'd be stuck inside after all." The forecast had been calling for a chance of storms that day but so far, it was sunny and clear. "Do you want to hike one of the trails up the hill? I can find us an easy trail if you want." Ruby loved to hike. In fact, it wasn't uncommon for her to hike the trails in the National Forest after work and on weekends during the long spring and summer days. She knew every trail on their side of the forest and many in the Gatlinburg area.
"Geeze, I hope she didn't sprain anything trying to ignore me," Ruby mumbled.
"I hope she didn't either," a voice said behind her. She turned to see a man about her age with slicked back, shoulder length, black hair and piercing blue eyes.
"Ok, what do you want to hold?" Ruby asked.
Ruby wondered if he fell asleep. She was fixing to poke him when his blue eyes sprang open and he handed her the ring. Ruby shuddered as she took back the ring. It was ice cold. She glanced at it a moment, but didn't see anything wrong with it. She slid the ring back on her finger and it warmed up again quickly.
"The pleasure was mine," Bryce said, kissing her hand and walking away into the crowd gathering for the children's afternoon play.
Bryce watched from the edge of the woods as the two women walked away. Everything was set. Now it was time to get moving.


The Haydn Davies Quartet is a home grown, Cambridge based ensemble of alto sax, piano, bass and drums. Formed this past year, the band have come together to create new sounds and explore existing music from different perspectives. The members currently attend various music colleges including the Royal Academy of Music and Aldeburgh Young Musicians. Brought together by an interest in Jazz, collectively they find inspiration from John Coltrane (and his search for new forms of expression), Miles Davis and Herbie Hancock. Journeying through exhilarating swing and youthful honesty, the quartet guarantee an evening of discovery.


Who is the new player in the battle for sport broadcast rights?
Eleven sports is the new player for football broadcasting rights in the UK and the Ireland Republic for the next 3 years. They launch their opening event on 9th August in the UK. Their opening event will be to broadcast PGA championship in the US followed by La Liga and Series A football.
Eleven sports already has its footprint in 7 countries. They include Poland, USA, Luxembourg, Taiwan, Belgium, Italy and Singapore. It already airs Series 1, formula 1 and Bundesliga in the 7 countries. This is the first time it will be taking over the UK market. A British company is taking on broadcasting giants the likes of Sky Sports and BT sports that aired Laliga and Serie A respectively.
It is not just in sports broadcast that we have new players coming in. There are new sports betting companies as well, including the likes of Betway and mPesa. Betway, for instance, was founded a few years back, and have already sponsored English Premier League teams like West Ham United.
Eleven sports was founded by Andrea Radrizzani the owner of Leeds United and run by Marc Watson who won the champions league for BT. Currently, Andrea Radrizzani is desperate to get back Leeds United to the Premier League.
Just like new players, Eleven Sports is bound to bring something new to the industry. But one challenge they will have to face is putting themselves on the map especially in the first 18 months. However, Eleven Sports has different tactics to tackle new audiences. For instance, in Taiwan, they use entertainers instead of pros while in Italy they air their matches to a small crowd.
Even though Eleven sports has gotten the airing rights to air La Liga, but they have big shoes to fill. Sky Sports has been airing LA Liga for the past twenty years, and they fought really hard to keep the coverage. But the market has changed since they have been facing stiff competition from Amazon and BT Sports.
As Eleven Sports tries to penetrate the Premier league, they will be facing stiff competition from companies such as Sky Sports which has the most dominating rights. Amazon has already ventured into the Premier League and already have two full match days to air per season.
Eleven sports is targeting a younger audience. Moreover, they are going to change the way sports are being broadcasted. There will be space on Instagram and the F2 Freestylers.
As a sports brand, eleven sports is supposed to bring the people together. They have acquired rights to broadcasts in a country such as Myanmar. Though there are speculations, the country might have been involved in acts of genocide.
All eyes are on Eleven Sports to see if they can make a difference in sports entertainment. What do you think of the development? Let us know in the comments below!


text:
Tokio Hotel: A Music Mix Q&A
By Joseph Brannigan Lynch
September 11, 2009 at 05:20 PM EDT
A pair of twins who only just turned twenty are leading Germany's latest musical blitzkrieg. Bill and Tom Kaulitz are half of the emo-pop foursome Tokio Hotel, and with the release of their second U.S. album Humanoid this October, the European superstars seem poised to finally break into America's mainstream.
Why is this group of Hot Topic Deutschlanders leagues ahead of the competition? Maybe it's lead singer Bill Kaulitz's thick Robert Smith makeup and Mad Max punk fashion aesthetic. Or does the combination of twin brothers (and self-described soul mates) in a band truly make for emo magic?
We talked to them about guitarist Tom's secret hip-hop recordings(!), Bill's Twilight obsession, and why they named their band after a city they've never even been to.
Entertainment Weekly: Did you ever think you would end up so successful so quickly?
Bill Kaulitz: No, we never, ever expected that. We came from a small village and there is no music business there. We never expected it—it was a lot of happy and lucky moments for us, and we are totally happy that we got the chance to do all this. There was never a plan behind it. We just did our thing and try to be good.
EW: Does your success change the way you approach writing music? Do you ever go into the studio thinking, "I should I try to write a hit"?
BK: We try to push the pressure away. It's not good in the studio if you think, "Oh, I have to write a hit like 'Monsoon' or something." You just go ahead and write your thoughts down. Just try to do things you love and I think then it's always good. If you like what you do then it's fine.
EW: Tom, I hear you're into hip-hop—would you ever try to incorporate that into your sound?
Tom Kaulitz: Sometimes—we have a home studio—sometimes I secretly put down some beats, some guitar beats and stuff like that, but I never tried that in our music. And I'm not a really good rapper, so I never tried that. Maybe one day, maybe in ten years or something, but for now, no, that's not the plan.
EW: When you perform in English it sounds quite natural, but do you have to think about each syllable as you sing?
BK: In the beginning, for the first English record it was really hard for me because I'm a perfectionist and I really wanted it to sound natural and not like a German who tries to sing in English. So it took some time in the studio but now it's totally fine for me. It was like the beginning of Tokio Hotel. Ten years ago we started with that—we started with English and German songs—but the English ones were so bad. It was not good English, kind of embarrassing. But now I get really use to it. If I'm onstage, it's totally my song.
EW: You also have very distinctive looks. Are there any fashion influences you look to?
BK: I don't think so. I never had a role model or something. But as a kid I loved all the vampire movies, so that might be an influence.
EW: Are you enjoying the vampire popularity with Twilight and everything?
BK: Yeah, I really love this movie. Everyone was talking about it, and I was very late. I didn't know about the movie, and then everyone is like, "you have to see it, you have to see it," and I was like, "okay, okay." Then I was on the flight to L.A. and I saw the movie on the plane and it's really, really good.
EW: Being brothers, especially twins, does that make touring and recording easier, or do you ever find yourselves competing?
TK: I think it's both maybe, but it's completely normal for us to be together. We always have the same friends, we always have the same interests in everything. We're just, you know, together 24 hours, everything a day.
BK: And I can't—we can't—live without each other. We are always together. We are like one person and like soul mates. We don't have to talk.
TK: But if we fight, it's a really tough fight. We take everything we find, like a table and a chair and everything. We fight.
BK: But it's not that often, most of the time we are totally like one person.
EW: Is there anything you haven't accomplished as a band that you'd love to?
TK: Uh, yeah, we want to play Tokyo.
BK: We've never been in Tokyo so far, so that's one thing. And we want to play a world tour, that's kind of a dream for us.
EW: So what's with your love of Tokyo if you haven't been there, what does it mean to you?
BK: I think we just heard about it and it's like a huge city and of course it's a cool sound: 'Tokyo" sounds so cool. So that was the main reason why we chose it.
More from EW's Music Mix:
True Blood''s Alexander Skarsgard: TV vampire, sexy Swede… guest DJ?
Kurt Cobain in 'Guitar Hero 5': Former Nirvana bandmates are 'dismayed and very disappointed'
Guilty Pleasures, Round Three: Britney Spears (1) vs. Backstreet Boys (4)
Miley Cyrus releases music video by her Black Mirror character
The Jonas Brothers join Sebastian Yatra, more Latino stars for their first bilingual track — watch the music video
Leona Lewis: A Music Mix Q&A
Miley Cyrus to release new EP She Is Coming this week
Hear Whitney Houston and Kygo's dance-heavy cover of Steve Winwood's 'Higher Love'
Madonna features shocking mass shooting scene in 'God Control' music video
Every celebrity in Taylor Swift's 'You Need to Calm Down' music video
Tokio Hotel, 'Noise': An exclusive Music Mix stream
Jonas Brothers perform at an awards show for the first time since 2009
Twitter explodes over shocking Michael Jackson doc Leaving Neverland: See the mixed reactions
Netflix to release Miley Cyrus Black Mirror music video
Steven Universe The Movie first look: Poster reveals new villain
YouTube remasters Lady Gaga, Spice Girls, more classic music videos in HD
Creating Perfection: A musical breakdown of Allison Williams' symphonic horror story
Katy Perry debuts sun-kissed 'Never Really Over' music video
Taylor Swift vs. Scooter Braun: Who's on whose side?
Watch the music video for Elton John and Taron Egerton duet '(I'm Gonna) Love Me Again'
Who the #@!* Are...Tokio Hotel
Watch Taylor Swift's star-studded 'You Need to Calm Down' music video
Watch Aly & AJ's 'Star Maps' music video featuring stars from Shameless, Drag Race, Silicon Valley, The Goldbergs, and more
Tokio Hotel: A Music Mix Q&A