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Q: OpenGL Tiles/Blitting/Clipping In OpenGL, how can I select an area from an image-file that was loaded using IMG_Load()?
(I am working on a tilemap for a simple 2D game)
I'm using the following principle to load an image-file into a texture:
GLuint loadTexture( const std::string &fileName ) {

    SDL_Surface *image = IMG_Load(fileName.c_str());

    unsigned object(0);
    glGenTextures(1, &object);
    glBindTexture(GL_TEXTURE_2D, object);

    glTexImage2D(GL_TEXTURE_2D, 0, GL_RGBA, image->w, image->h, 0, GL_RGBA, GL_UNSIGNED_BYTE, image->pixels);

    SDL_FreeSurface(image);
    return object;
}

I then use the following to actually draw the texture in my rendering-part:
glColor4ub(255,255,255,255);
glBindTexture(GL_TEXTURE_2D, texture);
glBegin(GL_QUADS);
glTexCoord2d(0,0);  glVertex2f(x,y);
glTexCoord2d(1,0);  glVertex2f(x+w,y);
glTexCoord2d(1,1);  glVertex2f(x+w,y+h);
glTexCoord2d(0,1);  glVertex2f(x,y+h);
glEnd();

Now what I need is a function that allows me to select certain rectangular parts from the GLuint that I get from calling loadTexture( const std::string &fileName ), such that I can then use the above code to bind these parts to rectangles and then draw them to the screen. Something like:
GLuint getTileTexture( GLuint spritesheet, int x, int y, int w, int h )

A: Go ahead and load the entire collage into a texture.  Then select a subset of it using glTexCoord when you render your geometry.
glTexSubImage2D will not help in any way.  It allows you to add more than one file to a single texture, not create multiple textures from a single file.
Example code:
void RenderSprite( GLuint spritesheet, unsigned spritex, unsigned spritey, unsigned texturew, unsigned textureh, int x, int y, int w, int h )
{
    glColor4ub(255,255,255,255);
    glBindTexture(GL_TEXTURE_2D, spritesheet);
    glBegin(GL_QUADS);
    glTexCoord2d(spritex/(double)texturew,spritey/(double)textureh);
    glVertex2f(x,y);
    glTexCoord2d((spritex+w)/(double)texturew,spritey/(double)textureh);
    glVertex2f(x+w,y);
    glTexCoord2d((spritex+w)/(double)texturew,(spritey+h)/(double)textureh);
    glVertex2f(x+w,y+h);
    glTexCoord2d(spritex/(double)texturew,(spritey+h)/(double)textureh);
    glVertex2f(x,y+h);
    glEnd();
}

A: Although Ben Voigt's answer is the usual way to go, if you really want an extra texture for the tiles (which may help with filtering at the edges) you can use glGetTexImage and play a bit with the glPixelStore parameters:
GLuint getTileTexture(GLuint spritesheet, int x, int y, int w, int h)
{
    glBindTexture(GL_TEXTURE_2D, spritesheet);

    // first we fetch the complete texture
    GLint width, height;
    glGetTexLevelParameteriv(GL_TEXTURE_2D, 0, GL_TEXTURE_WIDTH, &width);
    glGetTexLevelParameteriv(GL_TEXTURE_2D, 0, GL_TEXTURE_HEIGHT, &height);
    GLubyte *data = new GLubyte[width*height*4];
    glGetTexImage(GL_TEXTURE_2D, 0, GL_RGBA, GL_UNSIGNED_BYTE, data);

    // now we take only a sub-rectangle from this data
    GLuint texture;
    glGenTextures(1, &texture);
    glBindTexture(GL_TEXTURE_2D, texture);
    glTexParameteri(GL_TEXTURE_2D, /*filter+wrapping*/, /*whatever*/);
    glPixelStorei(GL_UNPACK_ROW_LENGTH, width);
    glTexImage2D(GL_TEXTURE_2D, 0, RGBA, w, h, 0,
        GL_RGBA, GL_UNSIGNED_BYTE, data+4*(y*width+x));

    // clean up
    glPixelStorei(GL_UNPACK_ROW_LENGTH, 0);
    delete[] data;
    return texture;
}

But keep in mind, that this function always reads the whole texture atlas into CPU memory and then copies a sub-part into the new smaller texture. So it would be a good idea to create all needed sprite textures in one go and only read the data in once. In this case you can also just drop the atlas texture completely and only read the image into system memory with IMG_Load to distribute it into the individual sprite textures. Or, if you really need the large texture, then at least use a PBO to copy its data into (with GL_DYNAMIC_COPY usage or something the like), so it need not leave the GPU memory.

redpajama_set_name: RedPajamaStackExchange


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Q: Mac Apache 403 error on symlink I'm trying to set up directories for some of my php github projects in a separate directory and then create symlinks to them in the web document root.
The document root is /Users/aharris88/sites. I set up a symlink like this:
ln -s ~/dropbox/github/tester/ ~/sites/tester

For now I have a simple index.php file in it with this code:
<?php
echo "hello";
?>

but when I go to localhost/~aharris88/tester I get a 403 Forbidden error.
and when I go to localhost/~aharris88 it's not listed with the other directories.
I've gone to /etc/apache2/users and added aharris88.conf with the following:
<Directory /Users/aharris88/Sites/>
Options Indexes MultiViews FollowSymLinks
AllowOverride All
Order allow,deny
Allow from all
</Directory>

I'm using the stock OS X Apache install, but it works when I run mamp instead and go to localhost:8888/tester/.
So how can I make this symlink work with the stock OS X Apache install?

A: The solution is based on the comment from @davidr:
I made a php file called whoami.php with the following code:
<?php echo exec('whoami'); ?>

I ran this page with mamp (localhost:888/whoami.php) and then with os x apache install (localhost/~aharris88/whoami.php), since the symlink worked with mamp and not apache.
Mamp returned my local user (aharris88) and apache returned _www. So that meant that _www didn't have access to the directory where the symlink pointed (~/Dropbox/github/tester).
When I checked the permissions, I noticed that the dropbox directory was set to 700 aharris88, so I set it to 755.
sudo chmod 755 dropbox

and that fixed my issue.


Macklemore and Ryan Lewis were high off winning 4 Grammy Awards including Best Rap Album tonight but still managed to perform their song "Same Love". They were also joined by Madonna and Queen Latifah for the performance. Check it out below.


-Pretty Pink tulips were also on the porch getting everyone in the baby girl spirit.
-The mantle was all decorated and ready for the party.
-My mom made this large pom-pom flower that was perfect on the mantle.
-And my sister ordered two small diaper cakes with anchors on them (my sorority symbol), and those were on each end.
-For the party favors, my parents (yes, my dad helped out!) made these adorable jars of "White Trash" mix. Topped them with mini pom-poms and a ribbon and they fit right in.
-3D ultrasound pics of Baby M were also on display on the mantle since the party is all for her anyways.
-Here is a shot of the room from one corner. Wish I got a shot with the flowers on the tables. OOPS!
-And over the food table, hung some fabulous pom-poms made by my parents.
-My mother-in-law created all the adorable flower centerpieces. She made them look like an ice cream sundae.
-Inside the flowers were little picks with an image of an ice cream sundae on one side, and a message on the other.
-And then my mom made this fabulous tulle tu-tu skirt for the gift table.
-My sister bought this "It's a Girl" banner from an etsy shop and it was hung along the mantle.
-The water bottles were wrapped in this cute label showing off Baby M's name.
-Candy bar also had to be in the pink, white, and black color scheme.
-And then on a table they laid out small cards where guests wrote wishes to Baby M, addressed envelopes to help with my Thank You notes, and also had a notebook out where guests wrote words of advice to me.
My mother-in-law also made this cute flower bouquet out of baby socks, hats, and hair bows!
Baby M got a lot of fabulous goodies!
-A couple blankets, one quilted by my best friend's mom, some more made by Travis' aunt, and she also got a pink crocheted blanket from my parent's neighbor.
-Of course, adorable clothes were given.
-And lots of other fun stuff!
It was so fabulous seeing all my friends and family again!
It was a fabulous shower celebrating Baby M and it got me even more excited for her arrival!!
Special thanks to my mom and sister for all their hard work and to my mother-in-law for the gorgeous flower arrangements! Love you guys!!
How special! Celebrating a baby is such a tender time. There's just something that tugs on your heartstrings. Maybe that's the mawmaw coming out in me!
First of all, I LOVE your dress!! SO cute & I bet it's pretty comfy, too! :) What a beautiful shower! The color scheme & decorations are beautiful!
What a great shower! Did you play any games or do any activities? I'm looking for non-cheesy ideas for my sister in law's shower next month. Thank! And congrats on that bump!
We only played one game. It was the game where everyone wears a cloths pin or safety pin and you pick one or more words that can NOT be said, such as baby or cute. If someone hears someone saying one of the words, they steal their pin. Object is to collect as many pins as possible and of course, not lose your pin.
And then we were letting guests take home the centerpieces so I just searched baby trivia facts and whoever answered correctly first, won.
Oh how fun is that. I love all the special touches that were put into your day.
what a cute shower! Looks like you had a great time and it was so sweet for your family to throw you such a great party.
I just started following your blog and I have to say that you certainly are a "crafty" family! What a beautiful shower your family threw for you, everything was so pretty and looks so professional! I love the bouquet your Mother in Law made as well. Congratulations on Baby M and thanks for sharing all the fun of your special day with us.
Hearty felicitations on Baby Mother..and thank you for sharing this blog.
You said above that your mother-in-law created all the adorable flower centerpieces. I love it and I want to appreciate her work.
Keeping creating such cute cute crafty things and share it on blog. So that I'll also try to make it for any event. I usually make event banner and flags for parade.


Affordable 3 bedroom, 2 bath home on Wausau's East side. Kitchen has been updated and features gas range, dishwasher, microwave and unique pantry shelving in cabinet! Main floor bath connects to first floor master bedroom. Upper level features 2 large bedrooms and full bath, and awesome clean attic storage. All appliances included. Forced air gas heat with air conditioning. Fenced in backyard, 1 car garage. Great East side location close to supermarket and schools!


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Q: como subir las imagenes con la api de imgur a mi cuenta con python estoy programando un bot para discord y tengo un problema y no se como subir una imagen a mi cuenta de imgur desde python, la forma en que lo hago se sube de forma anonima y asi no deberia, lo que intento esque se almacene las imagenes en mi cuenta de imgur
He leído la documentación pero no entiendo mucho, acabo de empezar a programar
Este es el código que estoy usando actualmente:
@bot.command()
async def imgur(ctx):
    headers = {'Authorization': 'Client-ID xxx',}
    params = {'image': base64.b64encode(open('cosmetico.png', 'rb').read())}
    r = requests.post(f'https://api.imgur.com/3/image', headers=headers, data=params)

    data = r.json()["data"]["link"]

await ctx.send(f"{data}")

A: 1.-)Ingresar al siguiente link https://api.imgur.com/oauth2/addclient
2.-) al presionar el boton enviar te llevara a otra pagina donde tendras que copiar client_id
copia el código te hara falta para obtener el token...
ingresa el client_id en el siguiente parametro:
https://api.imgur.com/oauth2/authorize?client_id=CLIENT ID AQUÍ&response_type=token

una vez añadido copia la url completa y la pegas en el navegador.
te aparecera otra pagina y le presionas al boton "ALLOW"
y arriba te aparecera una url larga copiala en el block de notas
y localiza el parametro: access_token
Copia el codigo largo
y lo añades en el código de python
headers = {'Authorization': 'Bearer AQUÍ EL ACESS TOKEN',}

Código completo:
de esta forma obtendras el hash para borrar la imagen y la url de imgur.. la imagen se alojara a tu cuenta de imgur
import discord
from discord.ext import commands
import requests
import base64

bot = commands.Bot(command_prefix='!', description="ayuda bot") #Comando
bot.remove_command("help") # Borra el comando por defecto !help

@bot.command()
async def imgur(ctx):
    headers = {'Authorization': 'Bearer AQUI PEGA EL ACCESS TOKEN',}
    params = {'image': base64.b64encode(open('cosmetico.png', 'rb').read())}
    r = requests.post(f'https://api.imgur.com/3/image', headers=headers, data=params)

    data = r.json()["data"]["link"]
    borrar = r.json()["data"]["deletehash"]

    await ctx.send(f"Link directo:\n```{data}```\nBBCode(Para foros):\n```[img]{data}[/img]```")
    await ctx.author.send(f"{borrar}")

@bot.event
async def on_ready():
    print("BOT listo!")

bot.run('') #OBTEN UN TOKEN EN: https://discord.com/developers/applications

Para poder borrar la imagen subida a imgur es:
import requests

id_borrar = input("Escribe el codigo para borrar la imagen: ")
url = f"https://api.imgur.com/3/image/{id_borrar}"

payload={}
files={}
headers = {
  'Authorization': 'Bearer AQUI PEGA EL ACCESS TOKEN'
}

response = requests.request("DELETE", url, headers=headers, data=payload, files=files)

print(response.text)


Fifth Avenue is a major thoroughfare in the centre of the borough of Manhattan in New York City. It is a street renowned for being one of the most expensive streets in the world and is invariably busy with people and traffic.
In this painting David Farren has captured the atmosphere of a spring afternoon in New York. The freshness of the foliage on the trees is balenced by the strong yellows of the cabs as they drive down the street. The sunlight illuminates the scene making the image appear like a still from a movie.


Usha belongs to a traditional family with limited means where wardrobes could accustom only salwar-kameez and saris. What could have started as a limited means, has today acquired her popularity creating a style statement that would set her apart from today's contemporaries even after multi decades of her singing career.
The Kanjeevaram's, Gajras (white scented flower, mostly jamines), Badi Bindhi ( Badi means Big; Bindhi refers to a dot worn on the center of the forehead, commonly by Hindu and Jain women), Bangles and her blazing voice have become so unique to Usha Uthup, that today as she celebrates her 69th birthday, here is an interpretation by Angadi's fashion editors of what her famous songs could translate as Saris to be.
The veteran who can sing in 16 Indian and several foreign languages wins her first Filmfare award after 42 years of singing for this song. The song features peppy music with foot taps, calling for an evening that's scintillating and fun.
A pleasant sensual evening calling for a secret affair with the evening's jazz and champagne. Deepened in thoughts of a musky room with vintage decor, Angadi's red chiffon saree with heavy embroidered pallu with all over sequined work on the sari, is all which will set the tone for the night. Graceful draping with dusky makeup for a low lit night should just be dramatic enough.
A rendition where powerful song meets a powerful voice. Her most interesting times in Kolkatta were at Trincas nightclub, where Usha performed for the first time in the city. Those days made her early and most important days. Usha in an interview to Livemint exclaims "It all comes back to Trincas. I had a strong bass voice and was an oddity among female singers. But Trincas accepted me whole-heartedly. It's hallowed ground for me," she says as younger waiters hang around her table in reverential attention, not oblivious to Uthup's 40-year association.
On a sultry day, with heat in the city, cotton lovers will agree to muse on the streets of Kolkata in the not too common Bengal Cotton's. Sulk a sunday morning in these summery colours and light weight beautiful pieces with a cup of chai and biskoot.
In the composer's words, La Pongal's Anthony teams collaborate with Usha Uthup to reinterpret a harvest song sung by farmers in South India. This is based on a tradition wherein farmers present their first set of crops to the zamindars/landlords. So while it is a song of celebration sung at the end of a grueling harvest season rejoicing the bumper harvest, it has an underlay of sarcasm talking about how 'we grow the crops and the benefit goes to someone else'!
On the day to celebrate harvest, farmers rejoice a folk song, in all happiness praising the fertile land that now bear fruits of labour and hardships. To mark the celebrations, a folk song with peppy colours, we pick bright Maheshwari cottons in yellow and green with bright accents to spread joy on a sunny day.
The jubilant days of Usha Uthup include the memorable songs of the Discotheque era. Uthup sang several songs in the 1970s and 1980s for music directors R D Burman and Bappi Lahiri who was popularly referred as The Disco King of the time.
The popular discotheque destinations in the 1960's remind us with an atmosphere of the Retro lights, that remind us of pop colours, psychedelic patterns and shimmery performances of the dancers. The aura makes Putapakkam Ikkat saree a delight for an elite night out.
We are lusting on the bright pops at store on Usha's Birthday. We wish Usha Uthup Ji a very Happy Birthday.


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Lets discuss "Radfem" Youtubers Anonymous 05/10/2020 (Sun) 03:21:11 No. 541
I feel we should discus these people, cause like it or not they represent our entire movement to the general public, however many of them have literally no knowledge about radical feminism or even basic feminism sometimes and overall quite "odd" Leah Tverly: She is the most well known youtube radfem as of now, she has no books related to feminism in her shelf, dates/fucks men, bashes other women and her knowledge of radical feminism is limited to buzzwords that she might have read on Gender Critical, video editing is also poor Terri Strange: She has more knowledge then Leah and reads more feminism related books but she's widely inconstant in her behavior regarding women, greatly despises her own mother due to abandonment issues and seems to have a weird as fuck relationship with her father. ella androphobia/Radical Feminist Momma: a woman who was in a abusive marriage and became a "political lesbian", her 3 infant kids are literally in all in her vids and she keeps posting pics of them on facebook, she seems to have discovered radical feminism after her divorce and seems to have even less knowledge then Leah Dworkin's Ghost: About the only Youtube radfem who has actual knowledge about radical feminism, she seems to primarily read Dworkin's and Catharine MacKinnon's works and applies their theories towards the modern world. her video editing is easily the best out of the women mentioned in this thread, but sadly she no audience and her videos often get less then 250 views
Anonymous 05/10/2020 (Sun) 05:28:39 No. 542
Leah Tverly has the right to be mad but she doesn't seem well.
>>542 she's not well. her harassing kalvin garrah is just... so bad. kind of ot but her anti-veganism and the anti-vegan sentiment around certain radfems is really weird imo
>greatly despises her own mother due to abandonment issues and seems to have a weird as fuck relationship with her father. And? Does having a shitty family make you less of a feminist? I know nothing about these people, but adding that was really weird.
>>556 have to wonder if anon specifically means just because she criticizes moms and having children? tbh her critiques about moms are kind of right and 'feminist moms' like she says, are really delusional and think their sons are golden children.
Anonymous 05/11/2020 (Mon) 00:55:08 No. 559
>>558 I really don't wanna start this debate again, but this is what happened in the 70s and 90s, where feminist groups ultimately alienated a large group of women i.e working class mother's No one likes it if you call their sons "future rapists" and when these women get offended and walk out, the response is to call them handmaid's and then feel proud of ourselves This isn't just a feminist problem, it's a problem with a new left as a whole, where pragmatism is ignored
>>559 I totally agree with you. Women should work together. Women that shame other women for their decisions always make me cringe.
>>560 >Women that shame other women for their decisions always make me cringe this is some libfem garbo, anon. >>559 >No one likes it if you call their sons "future rapists" and when these women get offended and walk out, the response is to call them handmaid's and then feel proud of ourselves no, the issue is that these women shoehorn their sons into everything, demand marches and groups specifically meant to exclude all males include their sons and husbands, start shitting their pants because of the exclusionary nature of these events (ironic, if you ask me). and statistically, their male children are likely to become sexual predators. no one is shaming them for having children. the veneration of their male children is the problem and the insistence that their child could very well become a threat causes them to lose their shit. if they can't prioritize a movement over their desire to blow up and throw away activism over an offhanded comment about the potential danger their child could become, they really weren't very useful anyways. personally, i'm not interested in tiptoeing around the feelings of mothers that seek to become offended, enraged, and derail movements in an attempt to have everyone tend to their feelings and the feelings of their sons. terri is right about this. this is largely an issue of entitlement, tbh.
>>565 Jesus Christ anon, can you show some level of pragmatism, I don't even have any children but I can their point of POV The vast majority of women are mothers and many have sons, whether you like it or not, losing more women hurts our movement I've known lesbian couples who have had male sons get turned off by the feminist movement by talk like this, If we cant appeal to the majority of women then there is no point
In a video from last year, Leah said >If you were raped by anyone, don't care who it is, get an abortion, because no child deserves to be born of physical violation like that. And special needs or not, the kid is gonna understand that they weren't wanted, so... be an adult and get an abortion. Suck it up and suck it out. >If you have severe medical problems, like, don't have a kid. Don't have a kid. If you know that your life will be at risk and your baby's life will be at risk, just don't do it. You're better off not doing it. Do you wanna live? Or like, maybe, your husband - maybe you would die and your husband or the baby daddy would, like, get custody of the child. Is that worth it? What's the general consensus on this? Video: https://www.youtube.com/watch?v=1jvDJBoCnqs
>>567 she's nuttier than a fruitcake but she is 100% correct here, imo
>>567 Well thats a debate more about ethics imo, say a woman aborts a child specifically cause it might have a chance of having a minor deformaity if born, is that a "feminist" act or even morally right ? Their was a controversial case a while back about a lesbian couple who were suing a sperm clinic, cause they ended up with a black mans sperm rather then the white man they had chosen, and that was a source of controversy The women argued that an important decision in their life they had been made and had been taken from them, while others made it an issue about race Whose right and wrong in that situation ?
>>567 "You must have an abortion" doesn't sound very pro-choice to me. People are not genetically predetermined, they make choices, a child can be born of rape but still grow up to be a perfectly respectable adult with proper regard for their mother. I'm just saying it is possible. Prescribing abortions seems just as bad as refusing them to me, the entire point is that it's the person who is actually pregnant who decides.
>>570 but why even? there's no point to letting any child suffer the undue stress and trauma of knowing they were the product of rape, and no point in retraumatizing the woman by keeping the child. a lot of women still choose to keep children they can't afford or care for, at their detriment. the child suffers and another unwitting victim and/or another potential abuser is created. there's no point to keeping the rape embryo or fetus. people who are so cavalier about keeping rape babies are choices made by overly confident people who don't realize or consider the amount of trauma, guilt and shame that will or can be transferred to the child. that being said, women in horrible situations choose to keep the fetus or embryo all of the time with little to no regard for what life will be like for that child, or even what it will mean for her, even. most choices women make are dogshit ones and i don't cosign them just because they're made by women. they are often ignorant and unaware of how taxing these decisions really are, for both mother and child. i don't see the point in sentimentalizing the consequence of a traumatic act like this and acting like it's totally valid to do so. it veers into religious territory and literally solely serves to continue to put women's own well-being on the backburner. women who feel compelled to keep these embryos or fetuses, i feel, should at least be challenged on this choice.
>>574 To be honest there are very strong arguments for a complete anti-natalist position (it is immoral to have children at all) but I'm not going to start lecturing every pregnant woman about bringing a child into a world full of suffering is wrong. To me heckling someone over their decision to keep a baby violates the same principles as heckling someone over a decision to abort. That principle being bodily autonomy.
>>565 >>574 Idk if this is the same anon but, jesus fucking christ, stop posting. It's embarassing. Basically, you HATE mothers (I don't really know why, I guess your mother hurt you or something? I don't even know.) and think victims of rape MUST get an abortion because your high superior self said so? Fuck off. Really, fuck off. >"if they can't prioritize a movement over their desire to blow up and throw away activism over an offhanded comment about the potential danger their child could become, they really weren't very useful anyways." This sounds like you met 2-3 women who got offended by one of your "YOUR CHILDREN ARE GOING TO BE RAPISTS REEEE" comments, they called you out on that and you got mad because they didn't agree with you. Don't know what you expected. >women in horrible situations choose to keep the fetus or embryo all of the time with little to no regard for what life will be like for that child, or even what it will mean for her, even. most choices women make are dogshit ones and i don't cosign them just because they're made by women. Are you sure? Think again, because you are speaking like a pro-life fag: "women shouldn't decide because they don't know better and they will start [insert thing we don't like here] all the time if we let them choose." >no point in retraumatizing the woman by keeping the child. If a woman wants to keep the child, what would be traumatizing is being forced to get an abortion. >>567 The amount of shame that women are getting for choosing to have a baby is astonishing. Really dissappointed. As I said (I don't care if it sounds "libfem uwu") shaming women for their decisions is fucking stupid. We are shamed everyday by society, we should understand what other women have to go through. It seems that some "radfems" think they are "superior women" or something. It's insane. I don't even think they are part of the movement, honestly. They're a variation of "not like other girls".
>>576 Don't bother anon, she will never listen and just think you're a libfem and not bother to listen to any one of your point >It seems that some "radfems" think they are "superior women" or something You are right about this, radfems think they are more "enlightend" then the vast majority of women and on some level think less of them, they believe they're all brainwashed by the patriarchy and don't even bother to listen to their experiences, they think the theories of some upper middle women who went to college are more valid and carry more weight
>>567 She's right about the medical problem and having a kid at least, I wouldn't want to pass down my own severe health issues and have them suffer because of it. I've seen others irl who already had chronic health issues, had kids and then they struggle both managing their illness and their childs illness Get a cat instead. Don't know what to say about the rape baby one because that depends on the situation and person entirely. The way she words her opinions rude and forceful but thankfully you're not being held at gunpoint to follow a youtubers advice. Also for some reason when I first saw this thread the video was 2min and now that I'm in the threads page it's 55min, fucking witchcraft. >>577 >anon complains about some radfems >go off on a tangent about all radfems Very cool
>>567 On one hand, forcing a woman to get an abortion is a disgusting thing to do. On the other hand, I can easily see someone believing they will be able to handle having a child that reminds them of their trauma, but I can say right now sitting around with that reminder will make your life hell and 9 months sometimes isn't enough time to process. Especially when combined with the medical system during pregnancies.
>>576 >>576 what are you even talking about? you sound extremely, pointlessly offended. as i said, imo, there's no point in sentimentalizing the consequence of a traumatic and violent crime. i don't hate mothers at all. i just think a lot of women aren't being realistic or aware of how difficult it is, when having them. i think keeping a rape child is shortsighted, likely very harmful to them, and honestly, ignorant of how it will impact the child. a lot of women choose to have children in conditions where they shouldn't, to their own detriment. i think they underestimate how traumatic this is and will be later on down the line. and there are a lot of women that aren't very pleased with the fact that women want to bring their sons and husbands to marches or gatherings that specifically exclude males. i don't know why people think it's so unreasonable to follow rules, knowing many of these women have explicitly said they don't feel comfortable having males around. there are other gatherings that allow for male children and husbands, but certain radfems get upset their sons aren't allowed to everything. that's weird. if these women don't feel comfortable being around their sons and/or husbands, it's pretty unfair that these mothers of sons demand these groups and gatherings need to be accustomed to fit them. and honestly, it's just a fact that their male children are very likely to become predatory considering the way society grooms them to take on predatory mindsets and rewards them for being predatory. parents shouldn't get offended by this, imho. it's just how it is.
>>586 It's not just about marches anon, it's about stuff like "no matter what you'll do your sons will be rapists" "women who give birth to their own oppressors are traitors" is stuff I've actually heard from radfems This alienates a lot of women and many radfems basically use the edgelord e Logic that since this "triggers" a lot of people that means their right somehow and we'll class is another topic related to this, on average a self identited radfem can "afford" to do things that a working class women and especially working class mother's don't have time or the resources for I know this might make me sound like a "intersectional" feminist (I'm not btw) but nearly all the great thinkers who shaped radical feminism and the second wave movement were overwhelmingly upper middle class white and Jewish collage educated women, that doesn't take away from their accomplishments and achievements they had and the rights they won for women as whole but I don't think they ever really "got" the struggle and experiences of women who were of a lower class, that is if they even wanted to learn or know about those experiences
>>588 ntayart but isn't radfeminism intersectional?
Anonymous 05/12/2020 (Tue) 03:58:56 No. 592
>>589 It is. I think anon means "intersectional" liberal feminism where everything is a contest between who's the most oppressed (which, of course, always turns out to be men in dresses)
Anonymous 05/14/2020 (Thu) 14:38:20 No. 611
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>>541 >>542 >>543 When Leah says shit like this, its hard to take her seriously
>>611 gross...
Anonymous 07/06/2020 (Mon) 07:32:48 No. 1181
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What do you guys think about Sekhmet She-Owl and Black Obsidian? They give me life. Even though I don't agree with everything necessarily
>>1181 I've watched one Sekhmet She Owl video and it was pretty good. Black Obsidian gives me too much new age woo woo vibes (based on some video titles lol), but she has good videos as well. Wish there was more rad leaning/radical feminist content on youtube that didn't whine about troons exclusively.
Anonymous 07/07/2020 (Tue) 05:13:05 No. 1190
>>1181 I like both of them. Good for background listening when you need to get stuff done. I wish Black Obsidian had more videos. Does she only upload on Youtube or are those clips from a podcast she has or something like that? "RadicalRamblings" is a new one I just discovered.
Anonymous 08/07/2020 (Fri) 07:34:25 No. 1421
So, Terri Strange is dating a dude now, and he is an awful, misogynist douchebag Why am I just not surprised. She always seemed kind of a self-loathing mess to me.
>>1421 Where'd you read that? The tarot cards and psychic crap that she always seemed to take too seriously, on top of the political lesbianism made that plenty obvious like a million times over. (Tarot cards are fun but not in the way she did it.) She's right though sometimes on some issues, anything to do with sexuality just isn't one of them. There's nothing wrong with being straight and admitting you're struggling to detach from men or allowing yourself to recognize that men are one of your vices, rather than trying to force yourself to become a lesbian. I don't even know why anyone would think that's feasible. Who is her bf/where can I see him? I don't keep up with her too much.
>>1424 https://www.youtube.com/watch?v=cxTA2hqXBCs She talks about Terri here.
>>1425 Wow, you weren't kidding. That is really, really bad. I understand faltering when it comes to avoiding men, but what would compel her to go for whatever this thing is? I mean, shit, even many of those unbearable performatively woke guys at least aren't well known predators and actually have clean timelines. And there's no shortage of pseudo woke guys for her to choose from in Portland. It's like she went out of her way to find the biggest loser in town. Imo, this type of shit is self harm.
>>1427 Y'know, I just think there are people, especially women, whose sexuality isn't homosexual, or hetero, or bisexual, but a complete-fucking-mess. We just notice them more in feminist circles, because other people tend to just label them with slurs and sweep it all under the rag, and we sit around overthinking it.
>>1429 Kek, can't say that I disagree. I think she was probably aware she was never a lesbian, however. I can't fully fault a lot of the women in these circles for their actions because I do think many of them have been abused and honestly, even if not abused, just the horrifying nature of reality, especially as a woman or a minority (and obviously like, triply so when it comes to race and sex based oppression), is enough to throw you into a tailspin and cause psychotic breaks and self harm through a million different mediums, but some of their actions are definitely harmful to themselves and to some extent, other women within their sphere. It's tough for people like this to even get therapy because who is going to understand their larger perspective (which is a huge part of their lives, and that they're mostly right about)? It's tough to know what's up and wade through the world as it presently is.
Anonymous 08/08/2020 (Sat) 04:30:54 No. 1446
Not strictly radfem-related, but GNC-centric started a podcast with another detrans woman! Good stuff, really like the third episode about the lesbian community and transitioning. https://youtu.be/aA6PaoUbePk
Anonymous 08/27/2020 (Thu) 19:23:34 No. 1602
>>1446 Love this channel tbh very insightful also Mackenzie is cute
Anon 09/16/2020 (Wed) 01:28:03 No. 1752
So I didn't know leah dated/fucked scores but I never liked her content anyways. The best ones are Sekhmet she owl and Black Obsidian (she doesn't consider herself a radfem but she is a true separatist). I will check out dworkin's ghost to see her content...
Anyone watch Erin Brewer's videos (interviews, mostly)? She had gender dysphoria as a child and uploads frequently which is cool.
Didn't Leah make a video about peeing on the floor? Yeah I can't take her seriously.
And all of them, except Dworkin's Ghost, have that I-love-dick aura so they don't have space in my discourse. It's only SSO, BObs and Dworkin's Ghost for me.
Anonymous 12/20/2020 (Sun) 07:08:49 No. 2369
Ella also has a tiktok and on there a link to some onlyfans shit??? Like it was weird. Also im a faggot for thinking shes hot
Ella also has a tiktok and had a link to her onlyfans or whatever last I checked??? Like why promo your pr0nz ?!?!
Anonymous 01/06/2021 (Wed) 11:32:50 No. 2424
As much as I'm into separatism, I wish it's youtube proponents were not such elitist wankers. Sekhmet has such a boner for gayboyz and violent leftist/black men, you bet if she could replace all het women with gaybros she wouldn't think about men's violent nature twice. But hey, dick worship is only bad if straight-white-privileged dick, cuz we radical. Although she did make a vid about a white male conservative fucking politician being oh so rad in denying raped women abortions, in which she just put the words of many smart women into the mouth of a man who never fucking meant it. Same thing about the several fucking videos about how everyone does feminism wrong but fucking Malcolm X was such a great feminist because let's just extrapolate a bunch of shit the man said about his black male liberation movement and ignore the fact he never said anything fucking remotely like that about women. How we ought to have a violent revolution. Oh yes, black men can play war all they want, they have black women to force to pick up the slack, service and fix them up, for revolution, baby. who is supposed to do that for us if we are to go military, when they have all the fucking weapons and handmaidens? Anyone could whine all day that "I don't get my revolution because other women are bad and stupid" and yet offer no solutions. That is a surprising oversight, because in a bunch of other videos where the complains about straight women she does assert the obvious fact that men can't do shit, including women's oppression, without putting women to do all the actual work. You'd think it's obvious we can't copy men's homework as we don't have a subjugated class to force the dirty life-sustaining work onto. But then the former assertion could be made unthinkingly, just as a convenient way to blame other women for shit men do. While she read so much work by male left, Sekhmet seems to neglect works written by radical feminists, possibly because she views all white women as spoiled and unworthy to listen to like modern malestream leftist do, and unfortunately most radfem writes are/were white. In another video she mentions she doesn't know where did the concept of care as unpaid work comes from ("it's just relationships!"), when even libfems talk about women's unpaid labor occasionally and some male leftists wrote about that.
>>2424 Blaming other women for shit men do seems pretty important for Sekhmet, as it upholds bullshit "privilege" rhetoric. You know, the liberal one, that only works if we consider males, preferably within one culture and class, and breaks fucking completely when you try to insert the other half of human population within it. And even then it's worthless as it breaks if 2 individuals check off an equal amount of points on a liberal checklist. Which she comes close to acknowledging in the latest vid, btw. The one which actually ignores that the most dangerous men are the one closest to you socially, if you are a woman. The one that ignores the ubiquity of male-on-female violence which is never reversed, nor reliably prevented by any whiteness or straightness of the victim or blackness or even gayness (Ezra Miller, anyone?) of the offender. Where an impoverished serbian mother of 3 in oppressive to a metropolitan middle class american gay black man, and a rust belt working mother typically married to a batterer literally oppresses Ellen Degeneres with straightness because magic. Not everything gets to be simple, of course, but if your all-encompassing liberal privelege theory only works in very few, very specific contexts - it just doesn't work. No need to understand sex and class based oppression when you can just pull shit out of your ass, though, like she did in that video about "straight women's shows" where she actually talked about shows made mostly by men, especially the fucking Sex in The City on the thumbnail. Just hide the MRA rhetoric of women's desire of male violence, of women choosing violent males, of women only thinking about landing a dick, and suddenly you are the most fucking feminist of them all. When one constantly speaks about apparently all heterosexual women living on a man's dime, all het women being these super financially well-off gold diggers, who, when they don't spend it shopping for slutty clothes, and whining about their providers in cafes, purposefully ruin their children – that shit is fucking typical right-wing MRA rhetoric. On the other hand, when one speaks that all women are 100% free to choose anything, but women just choose evil and self-demeaning choices because bitches be crazy for privilege, that violent, self-destructive tactics that reassert male domination is what we dumb women must revere and emulate fucking somehow, that women oppress men through liberal checklists, that some men (gayz) know more about what is better for women and are better allies for women than most women – that's leftie MRA rhetoric. Being a man-hater doesn't preclude anyone from being drawn to MRA rhetoric because menz hate each other too, they just hate us far, far more. Just how the fuck is that shit flying under the radar I don't understand.
>>2425 I hate this bitch and I don't even know how shes considered to be a radfem. She sounds more like a LGB(T) activist and thats it
Password Delete only files (Removes the file reference to the posts) Delete media (Removes the saved files from the server)
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redpajama_set_name: RedPajamaCommonCrawl


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Paranormal Activity is a 2007 American supernatural horror film produced, written, directed, photographed and edited by Oren Peli. It centers on a young couple (Katie Featherston and Micah Sloat) who are haunted by a supernatural presence in their home. They then set up a camera to document what is haunting them. The film uses found-footage conventions that were mirrored in the later films of the series.

Originally developed as an independent feature and given film festival screenings in 2007, the film was shot for $15,000. It was then acquired by Paramount Pictures and modified, particularly with a new ending that cost an additional $200,000. It was given a limited U.S. release on September 25, 2009, and then a nationwide release on October 16, 2009. The film earned nearly $108 million at the U.S. box office and a further $85 million internationally for a worldwide total of $194 million. Paramount/DreamWorks acquired the U.S. rights for $350,000. It is often cited as the most profitable film ever made, based on proportionate return on investment, although such figures are difficult to verify independently as this is likely to exclude marketing costs.

The film is the first entry in the Paranormal Activity film series. A parallel sequel, Paranormal Activity 2, was released in 2010. The success of the first two films would spawn additional films in the series: the prequel Paranormal Activity 3 in 2011, and sequel to the second film, Paranormal Activity 4 in 2012. The fifth installment and spin-off, The Marked Ones, was released in 2014, and the sixth installment, The Ghost Dimension, was released in 2015. A video game, The Lost Soul, was released in 2017, while a seventh film, Next of Kin, was released in 2021.

Plot

Katie and Micah move to a new house in San Diego. Katie claims an evil presence has been haunting her since she was a child, so Micah sets up a camera in their bedroom to record any paranormal activity that occurs while they sleep. Katie visits psychic Dr. Fredrichs, who suggests Katie is being haunted by a demon that feeds off of negative energy and is intent on tormenting her. He advises not to communicate with the demon without a demonologist, but Micah continues to film and seek it out.

The camera captures many strange occurrences during the night; they start off as minor noises, flickering lights, and bedroom door movements, but over time escalate into violent door slamming loud thuds, and demonic grunts and screeches. One night, Katie appears to be in a trance; she gets up, stands beside the bed staring at Micah for two hours, and goes outside, none of which she recalls the next day.

Micah brings home a Ouija board. When the couple leaves the house, the camera records an unseen force moving the board's pointer on its surface, which then spontaneously catches fire. Katie is increasingly aggravated by Micah's flippant behavior and pleads to contact the demonologist, but he refuses. The couple finds non-human footsteps on baby powder Micah sprinkled in the hallway; its path leads to a burnt photograph of a young Katie in the attic, thought to have been destroyed in a house fire. Outside intervention is unavailable, as the demonologist is out of the country and Dr. Fredrichs is afraid of making the demon angrier. That night, Katie is pulled out of the bedroom by an unseen force. Micah discovers a bite mark on Katie's back the morning after, motivating him to get out of the house, but Katie abruptly insists on staying.

On night twenty-one, Katie gets out of bed again and stares at Micah for two hours before going downstairs. Katie screams profusely for Micah and he quickly rushes to help her. Afterward, Micah screams in pain with loud thuds. After a moment of silence, Micah's body is violently hurled at the camera which is knocked off the tripod, revealing Katie standing in the doorway with blood on her shirt. She crawls to Micah's body, then looks up at the camera with a grin. As she lunges toward the camera, her face takes on a demonic snarl, and the scene cuts to black. The epilogue text states Micah's body is discovered by the police, and Katie is missing.

Alternate endings
Once Paramount acquired the film, the original ending was shown at only one public viewing before being scrapped; two new endings were developed, one theatrically released above and the other available as an alternate ending on home releases.

Original scrapped ending
Katie returns to the bedroom alone, covered in blood and holding a large kitchen knife. She sits on the floor against the bed and rocks back and forth. The next day, Katie's friend Amber leaves a concerned message at 2 PM, visits the house at 9 PM, discovers Micah's body downstairs, and runs away in panic. Thirty minutes later, two policemen enter the house and reach the bedroom where they find the possessed Katie with the knife. Seeing them, Katie suddenly returns to her normal state and asks about Micah. After the attic door slams by itself, one of the officers panics and shoots and kills her. The camera fades to black as the police officers continue searching the house for the source of the sound. An epilogue text appears dedicating the film to the memory of Micah and Katie.

New alternate ending
After killing Micah off-screen, Katie comes back upstairs alone like in the original ending. She closes and locks the bedroom door, approaches the camera and promptly slits her own throat, before collapsing dead. The scene then fades to black.

Cast
 Katie Featherston as Katie
 Micah Sloat as Micah
 Mark Fredrichs as Dr. Fredrichs
 Amber Armstrong as Amber
 Ashley Palmer as Diane

Production
Attempting to focus on believability rather than action and gore, Peli chose to shoot the picture with a home video camera. In deciding on a more raw and stationary format (the camera was almost always sitting on a tripod or something else) and eliminating the need for a camera crew, a "higher degree of plausibility" was created for the audience as they were "more invested in the story and the characters". Peli says that the dialogue was "natural" because there was no real script. Instead, the actors were given outlines of the story and situations to improvise, a technique known as "retroscripting" also used in the making of The Blair Witch Project. In casting the movie, Peli auditioned "a few hundred people" before finally meeting Katie Featherston and Micah Sloat. He originally auditioned them individually and later called them back to audition together. Peli was impressed with the chemistry between the actors, saying, "If you saw the [audition] footage, you would've thought they had known each other for years." During a guest appearance on The Jay Leno Show on November 3, 2009, Sloat and Featherston explained they each saw the casting call on LACasting. Featherston noted they were originally paid $500 for their work.

The film was shot out of sequence due to Peli's self-imposed seven-day shooting schedule, though he would have preferred the story to have unfolded for the actors as he had envisioned it. Sloat, who controlled the camera for a good deal of the film, was a former cameraman at his university's TV station. "It was a very intense week", Peli said, stating that the film would be shot day and night, edited at the same time, and would have the visual effects applied to it as the acting footage was being finalized. Multiple endings were conceived, but not all of them were shot.

The film was screened at 2007's Screamfest Horror Film Festival, where it impressed an assistant at the Creative Artists Agency, Kirill Baru, so much that CAA signed on to represent Peli. Attempting to find a distributor for the film and/or directing work for Peli, the agency sent out DVDs of the movie to as many people in the industry as they could, and it was eventually seen by Miramax Films Senior Executive Jason Blum, who thought it had potential. He worked with Peli to re-edit the film and submitted it to the Sundance Film Festival, but it was rejected. The DVD also impressed DreamWorks executives Adam Goodman, Stacey Snider, and finally Steven Spielberg, who cut a deal with Blum and Peli.

DreamWorks' plan was to remake the film with a bigger budget and with Peli directing, and only to include the original version as an extra when the DVD was eventually released. "They didn't know what to do with [the original]", said Blum; they just wanted to be "in business" with Peli. Blum and Peli agreed, but stipulated a test screening of the original film before going ahead with the remake, believing it would be well received by a theatrical audience.

During the screening, people began walking out; Goodman thought the film was bombing, until he learned that the viewers were actually leaving because they were so frightened. He then realized a remake was unwise. Paramount Pictures, which acquired DreamWorks in 2005, bought the domestic rights to the film, and worldwide rights to any sequels, for . When the film was taken in by Paramount, several changes were made. Some scenes were cut, others added, and the original ending was scrapped, with two new endings being shot. The ending shown in theaters during the film's worldwide release is the only one of the three to feature visual effects, and it differs from the endings previously seen at the Screamfest and Burbank screenings. The theatrical release was delayed indefinitely because Paramount had put all DreamWorks productions on hold. Meanwhile, a screening for international buyers resulted in the sale of international rights in 52 countries. Only after Goodman became production chief at Paramount in June 2009 did the film finally get slated for a fall release.

Release
Paranormal Activity premiered at Screamfest Horror Film Festival in North America on October 14, 2007, was shown at the Slamdance Film Festival on January 18, 2008, and screened at the 36th Annual Telluride Film Festival on September 6, 2009.

The version with the new ending, made after Paramount acquired the film, had screenings on September 25, 2009, in twelve college towns across the United States. The venues included Ann Arbor, MI; Baton Rouge, LA; Boulder, CO; Columbus, OH; Durham, NC; Lincoln, NE; Madison, WI; Orlando, FL; Santa Cruz, CA; Seattle, WA; State College, PA; and Tucson, AZ. Eleven of the twelve venues sold out with State College, PA being the only exception due to a Penn State football game that was held the same night. On his website, director Oren Peli invited internet users to "demand" where the film went next by voting on Eventful. This was the first time a major motion picture studio used the service to virally market a film. On September 28, Paramount issued a press release on Peli's website, announcing openings in 20 other markets on October 2, including larger market cities such as New York and Chicago.

On October 3, it was reported that a total of 33 screenings in all 20 markets had sold out and that the film had earned $500,000 domestically. A day later, Paramount announced that the film would have a full limited release in 40 markets, playing at all hours (including after-midnight showings). On October 6, Paramount announced that the movie would be released nationwide if the film received one million "demands" on Eventful. The full limited release of the film started on October 9. On October 10, the Eventful.com counter hit over one million requests. Paramount announced soon after that the film would get a wide domestic release on October 16 and expand to more theaters on October 23. By November, it was showing in theaters worldwide.

Home media
Paranormal Activity was not released on DVD or Blu-ray until December 29, 2009, more than two years after the film was made. The home release includes one alternate ending to the theatrical version. It was released in the United Kingdom on March 22, 2010, on DVD and Blu-ray with some specials. In the Netherlands the movie received a release on VHS in 2010.

Additionally, at the end of the film, 15 minutes worth of names were added to the DVD release, as part of a special promotion. The message that popped up before this said: "The fans who "demanded" the film were asked by email if they wanted to have their name appear as a thank you for the film's success."

Reception

Box office
The film opened on September 25, 2009, to twelve theaters and took $36,146 on its opening day and $77,873 on its first weekend for an average of $6,489 per venue. It had more success when it opened to 33 theaters on October 1, 2009, doubling the box-office reception, grossing $532,242 for an average of $16,129 per venue, bringing the 10-day total to $776,763.

As it expanded to 160 theaters on the October 9–11 weekend, the film grossed $2.7 million on that Friday, having a per-theater average of $16,621. It went on to gross $7.9 million. Over the weekend, the film reached the week's highest per-theater average of $49,379, coming in at fourth for the weekend, behind Couples Retreat, Zombieland, and Cloudy with a Chance of Meatballs. Over the weekend of October 16, 2009, Paranormal Activity expanded to 600 more theaters, grossing $19.6 million with $25,813 per theater average gross, and bringing the total gross to $33.2 million. On the weekend of October 23, 2009, Paranormal Activity rose to first, beating out Saw VI, earning $21,104,070, expanding to 1,945 theaters for an average of $10,850 per theater, compared with the $14.1 million gross from 3,036 theaters, and $4,650 average for Saw VI. The film has grossed $107.9 million domestically and $85.4 million in foreign markets, with a total gross of $194.2 million. The Hollywood Reporter estimated the film made a net profit of $78 million.

Critical response
On review aggregator Rotten Tomatoes, the film has an overall approval rating of 83% based on 205 reviews, with an average rating of 7.00/10. The website's critical consensus reads, "Using its low-budget effects and mockumentary method to great result, Paranormal Activity turns a simple haunted house story into 90 minutes of relentless suspense." On Metacritic, the film has a weighted average score of 68 out of 100 based on 24 critics, indicating "generally favorable reviews".

Film critics James Berardinelli and Roger Ebert each awarded it 3.5 stars out of a maximum of 4 stars. Ebert stated in his review, "It illustrates one of my favorite points, that silence and waiting can be more entertaining than frantic fast-cutting and berserk f/x. For extended periods here, nothing at all is happening, and believe me, you won't be bored." Entertainment Weekly critic Owen Gleiberman gave Paranormal Activity an A− rating and called it "frightening...freaky and terrifying" and said that "Paranormal Activity scrapes away 30 years of encrusted nightmare clichés." Bloody Disgusting ranked the film 16th in their list of the "Top 20 Horror Films of the Decade", with the article saying, "Peli deserves props for milking the maximum amount of tension out of the spare, modern setting—an ordinary, cookie-cutter tract home in San Diego. It doesn't sound very scary, but Peli manages to make it terrifying. If you aren't white-knuckling your armrest at least once or twice while watching it, you probably don't have a pulse."

However, some critics disliked the film. Michael Carter of The Breeze summed up the film as "all right", though denouncing its reliance on "cheap jump scares and an even cheaper 'found footage' style". David Stratton of the Australian television series At the Movies said that "it was extremely unthrilling, very obvious, very clichéd. We've seen it all before." Marc Savlov of The Austin Chronicle called it "an excruciatingly tedious YouTube gag cleverly marketed to go viral". Bill Gibron of PopMatters listed the film as the second worst horror film of all time, writing that it lacked "anything remotely redeeming for the seasoned fright fan", and was "a waste of time in both concept and execution".

Accolades
The film was nominated for Best First Feature in the Independent Spirit Awards 2009.

Legacy
The monetary success of Paranormal Activity compared to its budget made it the most profitable film of all time, surpassing The Blair Witch Project (1999). It directly led to found footage becoming a horror movie trend for years, with The Last Exorcism, Apollo 18, The Devil Inside, and the V/H/S series arriving in its wake.

Mockbuster group The Asylum created their take on the film, titled Paranormal Entity, which would later spawn a series of its own. In Japan, a sequel entitled Paranormal Activity 2: Tokyo Night was released in 2010.

On March 7, 2010, Alec Baldwin and Steve Martin performed a spoof of the film as part of the 82nd Academy Awards. A Haunted House, a parody film, was released in 2013.

Digital comics
In December 2009, a short digital comic entitled Paranormal Activity: The Search for Katie was released for the iPhone. It was written by Scott Lobdell and features art from Mark Badger.

Video game
A video game called Paranormal Activity: The Lost Soul was released by VRWerx for the Oculus Rift, HTC Vive and PlayStation 4. The PlayStation 4 version can be played in both PlayStation VR and regular mode.

Sequels

A parallel sequel and prequel, Paranormal Activity 2, was released in 2010. The success of the first two films would spawn additional films in the series: the prequel Paranormal Activity 3 in 2011, and Paranormal Activity 4 (the sequel to the second installment) in 2012. The fifth installment and spin-off, The Marked Ones, was released in 2014, and the sixth installment, The Ghost Dimension, was released in 2015. A seventh mainline installment, titled Next of Kin, was released on October 29, 2021 to the Paramount+ streaming service, with an eighth installment, The Other Side, set for a 2023 release.

See also
 List of media set in San Diego

References

External links

  (Archived)

2007 films
2007 horror films
2000s horror thriller films
2007 independent films
2000s psychological horror films
2007 psychological thriller films
2000s supernatural films
American haunted house films
American horror thriller films
American independent films
American psychological horror films
American psychological thriller films
American supernatural horror films
Films about couples
Camcorder films
Demons in film
Films about sleep disorders
Films about spirit possession
Blumhouse Productions films
Icon Productions films
Paramount Pictures films
Films produced by Jason Blum
Films set in 2006
Films set in San Diego
Films shot in San Diego
2000s supernatural horror films
2007 directorial debut films
2000s English-language films
2000s American films
Found footage films

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text:
Tandem pair in their 80s back community centre bid to get people cycling
Preparing for the Marlpit community centre and cycle steering team fun day: Sue Fage, Paula Hughes, Michael Hughes and Lucy Galvin. Pic: Marlpit Community Centre.
Marlpit Community Centre
A community centre has launched a new scheme to try to get more people to discover the joys of cycling - as part of its ambition to become a zero carbon centre.
And a pair of tandem cyclists in their 80s have urged others to join them in finding out how beneficial bicycles can be.
The Marlpit Community Centre in Norwich wants more people to discover the benefits of bicycling and the nearby Marriott's Way trail - so has started its own cycle steering team.
With help from Norfolk County Council's Pushing Ahead project, the centre's cycle steering team is keen to get more people to take to pedal power.
They aim to help give people the confidence to cycle for health, leisure and for journeys.
The team, based at the centre in Hellesdon Road, is planning a free event for all to try out cycling on Bank Holiday Monday (Monday, May 27).
The event will feature fun cycling and bikes for young and old, as well as traditional activities including tombola, a local animal charity, crafts and refreshments.
Community centre chair Lucy Galvin said: "Cycling is great exercise, doesn't cause pollution and generally makes you feel better.
"We are going all out to become a zero carbon centre to make Norwich a healthier place and this is a way of having fun at the same time."
Octogenarian tandem riders Michael and Paula Hughes, from Taverham, are part of the cycle steering tea.
They say they are testament to the benefits of travel on two wheels.
Mr Hughes, who is bringing the couple's tandem to the event, said: "Tandems are twice the fun
"We have reaped the benefits of keeping fit over the years and in our 80s, we are still out and about on long rides."
The event at the Marlpit Community Centre will run from 2pm to 5pm on Monday, May 27.
Other ideas which the cycle steering team at the centre, which is aiming to become carbon neutral, are working on includes a service at the centre to help fix people's bicycles and teach them basic maintenance.
They are also considering a bike buddies scheme, where confident cyclists ride with newcomers to show them routes and how to improve their cycling.


England again struggled to cope with the combined assault of the home side's pacers.
Windies' surprising dominance of England continued on the opening day of the second Test with the home side's fast bowlers bundling out the visitors for 187 at the Sir Vivian Richards Stadium in Antigua on Thursday. Already 1-0 up in the three-match series, the Caribbean team's openers negotiated 21 testing overs to the close and the pair of Kraigg Brathwaite and John Campbell will resume on the second morning at 30 without loss in reply.
"I don't think you felt in because you always knew there was a ball in there that might bounce," said Bairstow of the batting conditions.
"You've got three guys that are well over six foot and I think that it's something difficult to contend with when there is variable bounce in the pitch."
Under pressure to deliver with the bat after failing to score in both innings of England's humiliation in the first Test, Ali benefited from playing positively without being at his most fluent.


text:
The Mozambique Resources Post Mining Industry Mozambique Mining Logistics: CoAL to pay Grindrod $10m for Matola capacity underutilisation
Mozambique Mining Logistics: CoAL to pay Grindrod $10m for Matola capacity underutilisation
Posted on August 29, 2014 by Mozambique Resources Post
Mozambique Matola Coal Terminal
ASX, Aim and JSE-listed Coal of Africa Limited (CoAL) has reached a $10-million agreement with Grindrod subsidiaries Grindrod Corridor Management and Terminal de Carvão da Matola for the settlement of historic and future liabilities relating to CoAL's take or pay obligation at the Matola Terminal, in Mozambique.
CoAL's total allocation at the terminal was three-million tonnes a year, of which it had to use a minimum of 2.25-million tonnes.
The junior coal miner noted that its turnaround strategy, which included the closure of the lossmaking Mooiplaats colliery, in Mpumalanga, the disposal of the Woestalleen complex, also in Mpumalanga, and the cessation of production at the Vele mine, in Limpopo, ahead of the plant modification at the colliery, had resulted in the production of no coal, which exposed the company to its take or pay obligations.
"The company partially mitigated this exposure by subleasing its capacity to third parties but as a result of the differential in rail costs between the Maputo and Richards Bay rail corridors, was unable to totally offset its 2.25-million-tonne-a-year commitment," CoAL explained.
The $10-million payment, which would be settled in two tranches of $6-million and $4-million respectively, would settle the current liabilities recorded to date, since the agreement came into force in 2009, as well as cover all future take or pay obligations until December 31, 2016, when the throughput agreement with the Grindrod subsidiaries would expire.
"The potential take or pay liability for these periods would have been significant assuming an annual take or pay obligation of 2.25-million tonnes a year and this settlement will materially mitigate any future exposure," CoAL indicated.
The company added that, following the settlement, it would be able to export coal during the settlement period with no take or pay obligations and would, therefore, have sufficient export capacity to meet scheduled production from the Vele colliery to the end of the 2016 calendar year.
"The settlement agreement results in certainty for CoAL shareholders and eliminates the company's exposure in the 2014, 2015 and 2016 calendar years, while preserving access to the port capacity for future production," CoAL CEO David Brown commented.
Following the expiry of the initial throughput agreement in 2016, the terms of this agreement would be renegotiated for a further two five-year periods and one further two-year period starting in the 2017 calendar year, ensuring that the company had sufficient capacity to export coal produced by its Vele colliery and its Makhado project.
Meanwhile, Brown also noted that the company had assessed its funding options, which included the completion of a recently announced equity raise and the execution of the sale of its noncore assets.
"The equity raise will enable the company to free itself from these legacy issues and start the process of rebuilding value for all stakeholders. This agreement demonstrates management's continued execution of the turnaround strategy in resolving all material legacy issues," he stated.(edited by Miningweekly)
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Global Coal Markets: India May Become World's Largest Coal Importer
Posted in Mining Industry	Tagged Coal, Coal of Africa Limited, David Brown, Grindrod Corridor Management, Matola Coal Terminal, Matola Terminal, Mozambique, Richards Bay rail corridors, Terminal de Carvão da Matola, Vele mine
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Evanthia Balla has a PhD in Political Science and International Relations from the Catholic University of Lisbon (Portugal), a Master's in European Studies from the University of Reading (UK) and a Master's in International Politics from the Université Libre de Bruxelles (Belgium). She received her first degree in Political Science and Pubic Administrations from the University of Athens (Greece). She is a University Professor and a Scientific Researcher at Observare - Universidade Autónoma de Lisboa and the Instituto Jurídico Portucalense - Universidade Portucalense (Porto) and a regular columnist at the Portuguese newspaper o Jornal Económico (OJE). She has taught various courses at university level such as: European Union Law, Theory of International Relations and International Responsibility. She has been a consultant and researcher on EU legislation and EU business opportunities in Brussels, Lisbon and Athens.


Martha is Program Director for Chicago's Urban Initiative of Angelic Organics Learning Center. She apprenticed on a Biodynamic CSA near Ann Arbor in 1989. Since then, Martha has practiced urban farming and community building in Minneapolis, Santa Cruz, Boston, Chicago, and Guatemala. She arrived in Chicago from a masters program in land restoration, public health, and environmental justice at UW-Madison.
Martha is a founding Board Member of Eco-Justice Collaborative, and served as treasurer until 2015. She is passionate about grounding self-reliant communities in and around their ecological infrastructure, and both participated in and supported the two regional Great Lakes Bioneers Chicago events organized by EJC in 2012 and 2013. This included leading a 2 1/2-hour, interactive workshop on local food that followed the World Cafe model and was designed to obtain input from professionals, teachers, and the general public that would feed into the broader conference's theme on community resilience. Martha also holds a certificate in Zen Shiatsu and lives in Woodlawn.
Clinton joined EJC's board in 2014. Throughout his carer, he has linked sociology; urban politics; and urban planning; with American culture, including contemporary literary interpretations of society. For the past 30 years, he has been involved in organizations that have an urban focus, including the former Urban Training Institute (New Orleans) (1978-1980); the Seminary Consortium for Urban Pastoral Education, or SCUPE (1981-1984); the Institute for the Church in Urban Industrial Society, where he served as Director (1986-1988); the Chicago Center for Public Ministry (1988-1992); and faculty and Director of Chicago Semester from 1992-2014.
Clinton has taught urban-related courses at Trinity International University, North Park University, Loyola University of Chicago, National Louis University, and SCUPE. He teamed with Pam and Lan of Eco-Justice Collaborative to teach an intensive, experiential course on Eco-Justice and Sustainable Cities through SCUPE (2010- 2014).
Clinton also has edited or written articles in ten different books, and authored nearly one hundred articles, encyclopedia entries, bibliographies, or self-published research projects on themes of urban social justice and on the city.His focus in the interface between academic study; community organizing; and advocacy for public policy, including sustainable environmental and ecological perspectives, led him to both participate and support the Great Lakes Bioneers Chicago events carried out byEJC.
Stephanie is a non-profit professional who has been engaged in social change movements and progressive nonprofits for nearly 15 years. She joined Eco-Justice Collaborative's Board in 2012, but was an active supporter before then, particularly in EJC's initiatives to close Chicago's two coal-fired power plants. Stephanie also traveled to West Virginia with EJC in 2009 to experience the environmental, socio-economic, and health impacts of mountaintop removal mining on communities in coal-producing areas. Since then, she has supported EJC's initiatives in raising awareness and advocating for just polices that reduce our reliance on coal.
Stephanie worked with 8th Day Center for Justice, a progressive social justice organization, from 2002 until 2014. Currently, she is living in working in Milwaukee, WI where her full-time role is with an International Health Association where she executes programs in Asia, the Middle East and Oceania.
Stephanie balances her day job efforts with her endeavors as a Health and Wellness practitioner. She also spends time giving support to non profits such as EJC, and through contracted development and communications work, also with Volunteer Missionary Movement. Stephanie has a Masters in Social Justice and is a Certified Yoga Instructor.
Pam is Co-Founder and Co-Director of Eco-Justice Collaborative, now based in Champaign, Illinois. While raising her family, she received her BA in Human Ecology in 1978 and her MA in Human Environment Planning in 1983 from Governors State University. From 1982 through 2008 Pam was employed by Planning Resources Inc. (PRI), an environmental and land use consulting firm founded in 1982. During that time, she served as Senior Planner and Vice-President and Director of Planning. She became an owner of the firm in 1996.
While with PRI, Pam prepared and directed comprehensive land use plans, zoning ordinances, and their updates and served as community planner for several Villages in DuPage and Kane County. She also directed and carried out land use, socio-economics and historic and cultural resources for major highway and rail projects in the Midwest, including High Speed Rail from Chicago to St. Louis. As part of this work, Pam helped develop and carry out public and agency involvement programs aimed at reaching public consensus on complex or controversial proposals.
In the mid-1990's, a series of trips to Latin America helped transform Pam's way of thinking about socio-economic and environmental crises both at home and globally. She subsequently served on the board of Jubilee Economics, a faith-based organization that contextualizes the healing and restoration of our one earth with the ancient practices of the biblical jubilee, and was founding board member of Chicago Fair Trade. In 2000, Pam and Lan decided to infuse eco-justice into their work, and began the process of transitioning both leadership and ownership of PRI. This enabled them to start Eco-Justice Collaborative, with its mission that advocates ecological sustainability and just distribution of resources.
Craig Mousin has served on EJC's board since its incorporation, and served as chair from 2009 through 2015. He is the University Ombudsperson at DePaul and a member of the ABA Dispute Resolution Section Ombuds Committee. Craig has a B.S. from Johns Hopkins University, a J.D. from the University of Illinois, Urbana-Champaign, and a M. Div. from Chicago Theological Seminary, where he now serves as a Life Trustee.
Craig has taught in DePaul's School for New Learning, the Religious Studies Department, and the Peace, Justice and Conflict Studies program. Craig was ordained by the United Church of Christ, and now serves as an Associate Pastor at Wellington Avenue United Church of Christ.
Craig is a strong advocate for immigrant rights. In 1984, he founded and directed the Midwest Immigrant Rights Center, a provider of legal assistance to refugees. That organization has since become the National Immigrant Justice Center, and Craig now serves as a member of the Leadership Council. He is a former President and Board member of the Immigration Project of downstate Illinois, and currently serves as a member of the Leadership Council of the Marjorie Kovler Center for Survivors of Torture.
Lan is a Co-Founder and Co-Director of Eco-Justice Collaborative. An ecologist by training, he received a BS in Zoology in 1971 and an MS in Biology in 1976 from the University of Illinois in Champaign-Urbana. From 1972 through 1976 he worked as a research assistant in the Aquatic Biology Section of the Illinois Natural History Survey, conducting field studies of aquatic invertebrates and water quality within Illinois lakes and streams. In 1977 he moved to Chicago where he joined the Planning Department of DeLeuw Cather and Company, an international engineering firm specializing in the design of public infrastructure (now Parsons Corporation). There he served as a project manager, directing environmental impact analyses and the preparation of environmental documentation under the National Environmental Policy Act. In 1983 he joined Planning Resources Inc. where in conjunction with his wife Pam and a senior partner, he helped establish the firm as one of Chicago's leading planning, environmental and landscape architectural firms. Serving as vice president and then president of PRI, he had responsibility for business development and operations for the 18-person firm and directed the environmental department in technical studies related to preparation of environmental impact assessment, natural resource protection and impact mitigation design.
Lan combines his passion for the natural environment with a strong sense of social justice honed through experiences in Latin America. In 2000 he participated in the first of several delegations to Chiapas Mexico; trips that began to shape his understanding of the immense impact that U.S. global economic interests had on the people and resources of the world. In 2001 he traveled as part of a fact-finding delegation to remote parts of Colombia, where he met with poor and indigenous communities who had been displaced by the exploitive practices of international development. Before the establishment of Eco-Justice Collaborative he served on the board of the International Service for Peace (SiPaz) from 2001 through 2007. These experiences helped influence the mission of Eco-Justice Collaborative through an understanding that to bring about a healthy world, today's environmental challenges must be addressed in concert with the on-going struggles for social and economic justice.


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text:
Chico Trujillo est un groupe de cumbia et rock chilien. Il fait de la nouvelle cumbia Chilienne. Le groupe est formé en 1999, à Villa Alemana, au Chili. Le concept de Chico Trujillo est né dans l'esprit d'Aldo Asenjo Enrique Cubillos (dit El Macha), après une tournée effectuée avec son groupe La Floripondio en Allemagne, en Hollande et en Autriche.

Chico Trujillo est le groupe qui a engendré le plus de ventes du label Oveja Negra. Les ventes de leurs albums de cumbia chilombiana, s'élèvent à  au Chili. Dont une édition par le label Media Master du titre  s'est vendu à .

Biographie

Après une tournée avec La Floripondio, groupe de ska formé par El Macha, en Europe, certains membres de la bande ont décidé, sur un coup de tête, de travailler sur un projet axé sur le boléro et la musique latino-américaine, la cumbia traditionnelle y fleurit spontanément. À partir de là, El Macha se réunit tous les jours avec ses amis Antonio et Alberto « Flaco Varas » Orellana, pour jouer de la guitare. Ils essayent plusieurs thèmes différents à La Floripondio, et intègrent progressivement de nouveaux participants: Tuto Vargas (à la basse et à la composition) et Juan Gronemeyer (batteur et percussionniste) du groupe La Floripondio. Ces personnes ont constitué la base du groupe, qui sera ensuite renforcée par une section de cuivres avec l'arrivée de Sebastian « Zorrita » Cabezas à la trompette ; sachant que le guitariste, Michael Magliochetti, joue aussi de la trompette. Les trompettes sont rejoints par un tromboniste, Luis Tabilo, puis plus tard par le saxophone, joué par Leogildo « Felita » Ruiz, qui joue également de la flûte de Pan et de la flûte andine, notamment sur la reprise de  où il est accompagné de Patricio Quilodran (le deuxième joueur de guitare et de charango). Aux percussions et à la batterie on retrouve, également, Rodolfo « Tio Rodi » Fuica. Aux claviers, accordéon et chant il y a les prestations de Josselo Osses (notamment sur la chanson ).

Leur premier album,  , qui est le produit de leurs premiers essais, est publié plus tard en Allemagne sous le nom de ¡Arriba las nalgas!. Ils organisent plusieurs concerts pour présenter leurs nouvelles chansons, parmi lesquelles figurent énormément d'airs traditionnels chiliens, des boléros classiques et cumbias. Ils ont donné différentes représentations comme au Cumbre Guachaca Chilena (qui se trouve à côté de la gare Mapocho à Santiago). Le groupe a fait plusieurs représentations au sein de festivals universitaires. Également, des concerts sont organisés pour le comité de libération Mapuche. Ils auto-produisent de nombreux concerts entre Santiago et la région de Valparaíso. Ils ont fait des représentations à des anniversaires et des soirées de Nouvel An dans la salle La Batuta de Santiago.

Pendant l'été 2002 (les mois de juin-juillet), ils font leurs premières apparitions à Berlin au Centre culturel Tacheles. Aussi, Chico Trujillo effectue de nombreux concerts au Café Zapata, dans la capitale allemande (entre 2002-2009). Ils donnent, également, leurs premiers concerts en Espagne, à La Corogne, Oleiros et Ferrol. Dans ces concerts, les chansons originales ont été mélangées avec des interprétations de cumbia traditionnelle, qui ont conduit le groupe à mélanger cumbias, boléros et ska.

En 2003, ils se produisent aux carnavals culturels de Valparaíso. La même année, ils éditent un album live sous le nom de  en Allemagne. Avec quatre extraits des concerts donnés à Berlin au mois de juillet. L'album est mixé et produit par Aldo Rodrigo Gonzalez avec le groupe allemand Die Ärzte. Après plusieurs représentations en Europe, Chico Trujillo sort en 2006 son album . En 2008 sort l'album  (en français, « Plat unique dansant »). En 2015 sort leur dernier album, , où l'on retrouve plusieurs collaborations. Depuis 2003, ils continuent à tourner en Europe tous les étés et, parfois, au printemps ou en automne. Ces 11 musiciens voyagent beaucoup à travers le continent européen et retournent au Chili pour le mois de septembre. Ils y font leur concert annuel le  (pour la fête nationale chilienne).

L'année 2019 marque les 20 ans d'existence pour le groupe. Leurs prochains concerts et tournées seront consacrés à ces 20 années de création musicale et de fête. Ainsi, pour marquer ces années passées à présenter de la  à un public varié, le groupe sort un album le . Cet album est intitulé .

Membres

Membres actuels
 Aldo « El Macha » Asenjo — voix, chant, percussions, guitare
 Michael « Bendito » Magliocchetti — chant, guitare, trompette
 Victor « Tuto » Vargas — basse
 Juanito Gronemeyer — percussions, batterie
 Sebastián « Zorrita » Cabezas — trompette, chant
 Rodolfo « Tio Rodi » Fuica — percussions, batterie, chant
 Luis Tabilo — trombone, chant
 Joselo Osses — clavier électrique, guitare, basse, accordéon, chant
 Leo Ruiz — saxophone, flûte de Pan, flûte andine, chant
 Patricio Quilodran — charango, cuatro, flûte andine, chant
 « Pajarito » Araya — percussions, guitare acoustique

Discographie

Albums studio
 2001 :  (sorti en Allemagne sous le titre )
 2003 :  (en live)
 2006 :
 2009 :
 2010 :
 2010 :  (CD + DVD du live)
 2012 :
 2015 :
 2019 :

EP
 2015 :

Singles
 Maria ria (2001)
 Y si no fuera (2001)
 El conductor (2006)
 Medallita (2006)
 La escoba (2006)
 Lanzaplatos! (2008)
 Loca (2008)
 Sin Excusas (2009)
 Gran Pecador (2009)
 Chico de Oro (2009)

Galerie

Notes et références

Liens externes

Groupe chilien de rock
Groupe de cumbia
Groupe de ska
Groupe de reggae
Groupe musical des années 1990
Groupe musical formé en 1999


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text:
About OU-Tulsa
Future Students & Residents
OU-Tulsa Home
Visit OU-Tulsa
A Healthier Campus
Work for OU-Tulsa
Degrees & Colleges
Schusterman Library
OU-TU School of Community Medicine
OU Physicians-Tulsa
Apply to OU-Tulsa
Support OU-Tulsa
OU-Tulsa
OU Norman
OU HSC
Tulsa / About OU-Tulsa
OU-Tulsa is a nationally-recognized center for higher education offering a wide range of 30+ undergraduate, Master's, and Doctorate level degrees, as well as graduate certificates. Programs include architecture, engineering, education, nursing, public health, occupational and physical therapy, library and information studies, organizational dynamics, public administration, social work, human relations, clinical mental health counseling, as well as medicine and physician assistant through the OU-TU School of Community Medicine. Since 1957, OU-Tulsa has provided higher education to NE Oklahoma and moved to the 60-acre Schusterman Campus in 1999.
A UNIVERSITY FOR THE COMMUNITY
In addition to the university's excellence in research and instruction, our programming at OU-Tulsa is thoroughly embedded in the community. Our faculty have collaborated with local industry, governments, community agencies, health care-providers and many other community partners.
TACKLING TULSA'S PROBLEMS
The University of Oklahoma has been involved in the Tulsa community since the School of Library and Information Studies began offering classes in Tulsa in 1957. The OU College of Medicine -- Tulsa, now known as the OU-TU School of Community Medicine, had its beginning in 1972, when the Oklahoma legislature approved the opening of a clinical branch of the University of Oklahoma College of Medicine.
Neither the university nor the community could have imagined then how greatly that presence would expand, nor how in a little more than 30 years OU-Tulsa would be recognized nationally as a leading example of a new kind of community-based graduate institution.
Many of our degree programs place heavy emphasis on community engagement -- in fact, some of them were created with community needs in mind. Every year, students in the Organizational Dynamics program invites business leaders to serve as jury members for class case presentations. Students in the Social Work program have a long-standing relationship with the community of Turley and work with community leaders and residents to improve services and accessibility for the community. OU-Tulsa nursing students receive experience working with a variety of community agencies.
OU-Tulsa's community has also grown outside the borders of Oklahoma. We presently have collaborations with Harvard University, Texas A & M University and IBM Corporation.
Another way in which OU-Tulsa works to address community needs is through the Bedlam Alliance for Community Health, which offers two free health clinics for the uninsured. The clinics provide much needed health services to hundreds of patients and also provide medical students direct experience in community medicine and understanding the challenges the uninsured face in accessing health care. Students from pharmacy, nursing and social work are also part of the health care teams at Bedlam Clinics. Other departments are similarly involved in projects and research with community groups and agencies as OU-Tulsa students involve-themselves in real-world, professional experiences.
Although OU's presence in Tulsa is longstanding, it changed dramatically in 1999, thanks to the generous gift from the Charles and Lynn Schusterman Family Foundation that allowed OU to purchase 60 acres at the corner of 41st Street and Yale Avenue.
The facility, once the research center for BP Amoco Oil Company, now serves as home for all of OU's academic programs in Tulsa.
Being situated squarely in Tulsa's geographic center has given OU a much stronger identity, but there's even more to come. The Schusterman Center serves as the hub of our university and community activity, but we are deeply engaged in our community. In fact, only half of our employees work at the Schusterman Center; the other half are located throughout our community.
GROWTH FOR THE FUTURE
You have big plans for your future, and we'd like to be a part of them. That's why OU-Tulsa has made big plans as well. Enrollment has grown 57 percent since the fall of 2000, with more than 1,600 students enrolled at OU-Tulsa. In the years ahead, we'll continue our work to create a university experience unlike any other.
OU - Tulsa Schusterman Center
4502 E. 41st Street
OU-Tulsa Social Media
Updated 4/16/2019 by OU - Tulsa Schusterman Center: tulsaweb@ou.edu


text:
A Richard Palmer foi uma equipe de Fórmula 1 norte-americana que participou das 500 Milhas de Indianápolis de 1950.

Equipes de Fórmula 1
Equipes de automobilismo dos Estados Unidos


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This 15 ½" X 6 ¼" part is made of .179 thick HRPO (Hot Rolled Pickled Oil) materials. The manufacturing operations are Blank, Pierce, 3 Forms, Pierce after form, Deburring, and Black Powder Coat Finish.


Moments – entire days, sometimes magical. Not because of a big win or big loss or big reveal. Or maybe it is that big reveal. It happened. Again. Yesterday. Realization, swirling mix. Ideas and patience and possibility. Arrives. On its own timetable. Know it when that interaction with someone else delivers it up.
Seemed to happen yesterday. Happened twice, two different situations, but the feeling wasn't. Maybe it was the day. Or me. Or not. Days like that don't happen as often as I would like.
If there is a more magical feeling in life, I don't know it. And I've known much magic in this mix and swirl of clutter we make – of loves and loss, pains and gains, births and deaths – so many memories of things we've accomplished. And of gardens left untended.
When I am no longer here I would be proudest if my counterparts in those moments might remember my treasured moments with them. I think I should write to each one, just in case, their memory might be fuzzy, so I can share some of those moments with them again. I cannot leave, because I have so many people to reach out to, to reach.
Should I write them now? Yes, of course – or soon at least.
Should I mail them? Well, no, there will be no point in that now. I'll leave instructions, for them to be sent, one by one to those who've 'made my day' once upon a time. Or maybe I'll wrote two, one to tell them now why I'm so grateful.
One more, for later. Hopefully many years later, so they'll be reminded.


Yea! Another fun macro shot. I'm really loving this macro photography. Luckily, I have a lens that allows me to play around with it. :) I seem to be getting some better shots lately…although it's still kinda tricky.
I was exploring the yard again today. This time, I was headed over to search Rachel's sunflower for bugs. She was telling me the other day that she was having a general bug problem, and that got me thinking, "Ooohhh…bugs!". Unfortunately, there were no bugs today. So I started looking around, trying to find something fun to photograph. Suddenly, I spot an unusually bright spot on the wood fence. Looking closer I saw him: a funny looking spikey/fuzzy caterpillar.