I have called two contractors to get a price for replacing equipment. One says a Manual J is a waste of time, the other says it has to be done. How can a customer decide if contractors disagree?
Many original HVAC systems were not correctly sized. Traditionally the practice of builders using the low bid contractor, to install HVAC systems in new homes, resulted in corners being cut by those contractors. The only way to know if a system is sized correctly is to calculate the existing heating and cooling loads (unless the contractor installed the system and still has the original load calculations). I would avoid using any contractor not willing or capable of doing a Manual J, or an equivalent load calculation, on your home.
To help consumers, ACCA developed a consumer checklist and made it available for free download at our web site — you can download the residential checklist here. I would recommend utilizing the check list to evaluate contractors.
Use ACCA's online contractor to find contractors at: https://www.acca.org/locator — but remember, even if the contractor is an ACCA member, you still need to do your "due diligence" and ask the important questions, check references, and do research on the company. Use the QI checklists to compare potential providers, so you can see what value you're really getting for your dollar, and don't ever hire a contractor who tells you that a Manual J is a "waste of time" when you're replacing a system. By saying so they have proven that they have very little experience in the field, especially since in many regions it's required by law — and it's always the right thing to do.
What's the best type of HVAC equipment for my location?
NJACCA does not have the type of rating information you are requesting. However, on our web site you will find valuable information on how to select a contractor who can install the HVAC equipment following all of the HVAC Quality Installation Design and installation procedures. Any manufacturer's top of their line HVAC equipment will exceed your expectations for quality and efficiency if it is installed correctly by a professional contractor. For the best results be sure to check out the Quality Installation Checklists.
A new filter from the store will work in my HVAC system, won't it?
Just because a filter is available on store shelves and advertised as longer lasting and more efficient doesn't mean it is appropriate for your furnace. In order to properly select a filter for your home HVAC system, you need more information than most filter manufacturers provide at your local supermarket or hardware store. For example, if the average consumer sees an advertisement that says "increased efficiency" on the filter box, they immediately think the operating cost for using the filter will be reduced. However, in most cases they would be wrong.
If an ad reads "increased filter life due to pleated design," buyers might also assume that the filter will last longer than the standard one that came with the furnace. Again, that may not be true. The truth in the filters' advertising is based on the definitions used by filter manufacturers for designing and evaluating filters. The bottom line is buyer beware.
A more efficient filter saves energy, right?
Let's examine what "more efficient" means in filter design language. It means the filter will remove smaller particles in larger quantities. Since the average one-inch deep throwaway furnace filter is only designed to remove large particles, it is not very efficient in the language of filter design. However, when it comes to the energy required to move air through the HVAC system, those "inefficient filters" work really well. This is because the larger openings in the inefficient filters require less force to pull air through them.
Using an aftermarket "efficient filter" with the same blower operating inside of the HVAC system means you may end up with less total airflow because it requires more force to get the air through it. Therefore, the only way to regain the correct airflow is to increase the blower's speed. The faster a blower goes, the more power it takes to operate it. To make things worse, the actual power required to operate your HVAC system grows geometrically when motor speed is increased. This means for even a minimal increase in airflow, the power required increases dramatically, along with the related operating expense.
Installing a more efficient filter will always result in better filtration, right?
Not always, unfortunately. The total efficiency is dependent on the filter's holder too. Simply sliding a higher efficiency 1 inch filter into a standard one-inch slot will not stop some of the airflow from bypassing the filter. The higher the efficiency rating of the filter, the more robust the cabinet design and filter rack must be to prevent bypass leakage.
Will a longer-life filter outlast my current filter?
It's a definite maybe. Let's take a closer look at the claim of a longer life due to pleated design. First off, it is absolutely true that the pleated design increases the surface area of the filter. Thus, it follows that the filter pleated design with its larger surface area will last longer than the smaller, flat-surfaced filter. Still, this is only true if they are made of identical filtering material. Generally, pleated filters are made of more efficient filtering materials than the standard flat throw-away filters. Since they are more efficient than the flat filters they are replacing, the comparison to the existing filter is like comparing a fish net for catching gold fish to a large shark net. The bottom line is that there is no way to tell if the replacement filter will last longer than the original one other than putting a filter in. It all depends on the type and size of the filter, and amount of dust in your home.
Why is lowering airflow in a HVAC system a problem?
HVAC systems are carefully designed and balanced complex heat-transferring machines. Heat exchangers are used to transfer the heat to the air in an HVAC system. To work properly, these heat exchangers are designed to operate with a minimum and a maximum airflow going through them. In the worst case heating scenarios, low airflow in a furnace can cause short cycling by tripping the high temperature safety switch. Low airflow through the cooling coil could cause it to ice up, resulting in cooling failures or, worse yet, flooding.
How can I know for sure if a new filter will work in my HVAC system?
Who can you call for filter upgrades?
As you may have guessed by now, it is not the clerk in the supermarket filter aisle. If you want your home HVAC system to remove household dust, plant spores, pet dander, or more exotic odors, etc., you should consult with an expert. You need to call a professional HVAC contractor so the result is a filtration system that meets your needs and will work properly with your HVAC equipment. HVAC contractors provide filtration systems to satisfy every customer's needs.


text:
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A Terrible Accident
By: Kathi Kresol| June 28, 2020
There is something about stories of the old west that has fascinated people for years. These tales usually focus on one character who overcame unbelievable obstacles including fighting with Native Americans, the elements, animal attacks or marauding men. The hero always saved the day and finished the story by riding into the sunset.
These stories grew in popularity until the 1870's when someone had the idea to turn them into a vaudeville show. The first acts were small affairs but by the middle 1870's, they grew into huge, extravagant shows filled with hundreds of participants. An article in an 1889 Rockford newspaper stated that the Wild West show that was traveling through the area made an incredible $50,000 in 6 days! Tickets were $.50 a seat and the tent held 12,000 people. By this time the shows depicted great battles such as the Battle of Little Bighorn where General George Custer and his men were killed by the Native Americans.
Some of the performances were huge, such as Buffalo Bill's Wild West show that traveled all over the United States and even Europe. Smaller shows also teamed together with circuses or rodeos to provide entertainment for the whole family.
In September of 1892, Rockford was treated to one of these smaller shows. One of the headliners was Dr. H. B. Hicks, aka "Wild Harry". Wild Harry was a real gunslinger who had supposedly killed almost as many men as the famous Wild Bill Hickock.
One couple that was looking forward to attending the special show at Rockford Fairground's Park was James and Josephine Fisher. Their family lived in the small township of Harrison, Illinois where James was a farmer.
They had each started out just like many people that moved to this area during that time. Both were born in the East and moved west. Josephine Goakey moved to Illinois with her parents in 1853 when she was 11 years old. She grew up and married a man named Calvin Johnson in 1858. Josephine held a new born daughter in her arms as her young husband rode away to fight for the Union in the Civil War. He was killed on the battlefield in Shiloh, Tennessee in April of 1862.
James had begun life as James Albert Farnsworth. He grew up in New York and joined the 1st New York Cavalry. He also married shortly after the war. The reason for his move and name change has been lost to time. James chose his mother's maiden name to begin his new life in Illinois in 1866. He and Josephine were married on January 8, 1867.
They had a little farm not far from her family home outside of Harrison along Moate Road. The couple had three sons, Samuel Edward in 1868, George Albert in 1870 and Thomas in 1873. James and Josephine must have been devastated when the little boy who they nicknamed Tommy died in 1879. He was only 6 years old when they buried him in the small cemetery in Harrison.
By the time the Forepaugh's Wild West show was rolling into Rockford on September 8, 1892, James and Josephine had been married 25 years. The newspapers of the day state that they were well known in the county and well respected by all who knew them.
The show that James and Josephine attended had advertised famous outlaws and authentic lawmen of the old west. The main show would take place in a large tent that was set up for the occasion. Painted murals of deserts were hung on the inside of the tent to help set the scene. Several of the participants in the show were performing outside prior to the beginning of the show. They are described as real cowboys with faces tanned by the sun. They had long flowing hair, fringed leather jackets, and spurs on the heels of their boots that would thrill the children with their jingle as they walked.
Wild Harry was outside warming up the crowd as James and Josephine approached. They must have been thrilled to see him. Wild Harry was billed as one of the main attractions of the show that year. He was entertaining the crowd with his lasso throwing before he began the shooting portion of the show. For his finale, Wild Harry was known to amaze the crowd with his signature move. He would spin his six shooters around and then throw them over his shoulder, spin completely around and catch them. Then Harry would shoot the target and according to the advertisement, he hit the mark every time. Wild Harry had performed this trick thousands of times in over a hundred cities before that September day. But for some unknown reason, things didn't go as planned.
James had maneuvered Josephine to the front of the crowd to make sure she had a good spot to see. As Wild Harry twirled the guns and released them into the air, his finger must have pressed the trigger. A shot rang out.
Josephine gasped and cried out, "My God, I am shot." As she fell into James arms, a bullet fell from the folds of her dress. Josephine was rushed to the City Hospital and two of Rockford' best doctors, Dr. Richings and Dr. Clark treated her but there was nothing to be done. The .44 caliber ball had passed through her abdomen and exited from her hip causing great internal damage.
James was completely devastated by the shooting of his wife. But as a testament to his gracious nature, he didn't hold the man who wielded the gun any blame. Dr. H. B. Hicks was the man's real name. Dr. Hicks never called at the hospital but his wife came to pay her respects and to share her husband's remorse over the affair. James assured her and the men gathered later for an inquest that it had all been a horrible accident.
Josephine asked the doctors if she would recover and they had tears in their eyes as they told her the truth. She asked James to hold her funeral in the little red school that had been used by her family in the past for such occasions. Josephine died surrounded by family at 4:00 a.m. on September 9, 1892. She was buried next to her beloved son Tommy in the Harrison Cemetery.
The papers spoke of Josephine as a dedicated mother who was the kindest woman you could ever hope to meet.
James Fisher would eventually move to Shirland where he married again. He also decided to become a specialist in internal medicine. Thomas might not have been able to save his wife but he spent the rest of his life healing others. He died in 1914 and is buried in Shirland Cemetery next to his third wife, Alice.
Copyright © 2020 Kathi Kresol, Haunted Rockford Events
June 28, 2020 Kathi Kresol
Ice Cold Betrayal	 December 18, 2021
The Mysterious Death of Theodore Lakoff	 August 14, 2021
A Scary Personal Paranormal Encounter At Tinker Swiss Cottage	 July 14, 2021
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redpajama_set_name: RedPajamaCommonCrawl


text:
The TalksInterviewsMusicJames Mercer
James Mercer: "Everyone was too cool to care"
July 23, 2014 The Talks
Name: James Russell Mercer
DOB: 26 December 1970
Place of Birth: Honolulu, Hawaii, USA
Occupation: Musician
Mr. Mercer, how do you write a song?
It depends on what the song needs or wants. I try to interpret what the music is already saying. I listen to the music and try to figure out what emotions are being expressed by that music. Often times it'll remind me of something I've been thinking about and I'll go down that route. If that doesn't work, I think it's cool to just try to come up with some sort of hypothetical scenario that gives that emotional feeling that's being expressed by the music. There are different ways of doing it, but generally it is trying to get the feeling down on paper of what the music is already saying.
How does it make you feel when people say you are one of the best songwriters of your generation?
It actually makes me feel self-conscious. I'm happy to be considered one of them and I appreciate it, but I'm such a fan other songwriters and there's so many very talented ones out there.
Like who?
The other day somebody asked me about records that have influenced me and going back to my grammar school years I was listening extensively to Pink Floyd's Dark Side of the Moon. There was a kid who lived upstairs in our apartment building - in Germany, actually - and he listened to that record all the time and turned me on to it. I loved it.
What was it about that album that spoke to you at such a young age?
Even at such an early age the sort of lyrical depth it had appealed to me. The lyrics weren't just about chicks and stuff. It was kind of pretty deep stuff on that record. It revealed to me that pop music could be something really big. It doesn't have to be, but it can be something really kind of profound. It set the bar really high for me. I strive to do stuff that's strong like that.
Were you a loner as a kid?
We moved around a lot because my parents were in the military, so I was a very shy kid and it made it hard for me to meet new friends. I have a fondness for Germany, the happiest part of my childhood was here I think, but in some ways it kind of screwed me up. I would lose friends a lot, so I shied away from making new ones. My sister was very different from me. She was very gregarious and was able to make friends all the time. She ended up with tons of friends because we moved a lot.
Do you think that made you more creative?
Probably. It gave me more time alone, more time to play guitar. I probably played guitar more than I would have if I would have been like my sister, who is very warm and friendly to everybody.
She's not a musician?
She's not. I tried to make her a musician. Because she was so popular and stuff I thought that if she would sing my songs we would automatically be a cool band. And she refused. She never wanted to.
Even back then you weren't the solo artist, singer-songwriter type…
I think there is just something less appealing to me about the solo guy, the singer-songwriter guy. I don't know what it is exactly, but I just never saw myself being that guy. I always loved bands and I've always leaned towards that as a listener.
Your songs with The Shins and also with Broken Bells, your collaboration with Danger Mouse, are often rather melancholy. Are you a nostalgic person?
I try to avoid nostalgia in my day-to-day life, but I do find it is something that I can feed off of when I'm writing lyrics. It is kind of depressing and I worry that it'll get me depressed if I allow it, so I avoid opening going through the junk drawer. Do you have a junk drawer in your house?
I have a drawer that is filled with stuff I didn't want to throw away, but reminds me of something. I have shit from when I was a kid, like marbles or a matchbook I got on a vacation with my parents, junk that I can't really throw away.
Those sound like happy memories, though.
They are, but the fact that they're gone makes you melancholy. So I avoid the junk drawer.
One thing that defines our contemporary culture is a sort of ironic distance and a lack of sincerity, which in a way I think that is the opposite of melancholy.
Yes, it is what they call "meta" right? They are self-referential, laughing at everything and everything is a joke. Whereas melancholy is an earnest feeling and something that you don't want to go too far into. Everything started to be sort of a joke in the '90s. Everything was tongue-in-cheek and I always had a hard time with that. That's why in my old band I had a song called "Caring Is Creepy," because no one wanted to care. Everyone was too cool to care.
"Of course we all do stupid things when we're young, but that's your way to find boundaries, you know. Have I done stupid things I regret? Yeah. But I can learn from those mistakes and grow. That's what it's all about."
US, Basketball Player
"I am less anxious to have a successful career. There were times when I was anxious — even in the past, people said, 'You make successful films.' But my films were never successful. Even The Godfather got a terrible review. My films did better over time."
"My work is integrated completely into my life and vice-versa – I've been working since I was sixteen and my work is my life and my life is my work. It made me who I am."
UK, Actress
"I like the accidents, the things that happen by chance. I let the life come to the picture and the creativity flow."
Italy, Photographer
"You can work hard at this skill forever, you never reach the end; you never are a master, you're never done. Writing is endless and I like that. I like that you can never conquer it."
"I think my photographic career has been one of growing, learning, experimenting and trying different things. That was a big journey for me! It's always a progression, it's about challenging the idea of what photography is."
"If I knew that tomorrow a meteorite would destroy our planet, I would start shooting a new film today."
Germany, Film Director
"I have the freedom to express myself. And it doesn't matter if somebody's going to pay me or pat me on the back for it. I chose to do things that I embrace, that I feel passionate about for whatever reason and I create my freedom around that."
Australia, Actor and Film Director
"The only thing that you have to be very sure of is that nothing can go wrong. You can't get in the way of the whole thing by messing it up with great ideas or smart moves. Absolute trust is, I think, the crucial ingredient."
"I think the key to having a successful career is to find the thing you do well and do it again and again for the rest of your life. But I'm interested in expanding my language as an artist and as a composer. And I try to expand it with every project."
Iceland, Composer
"There is a thing called discipline. If you really want to do it, you've got to put in the work. Work, work, work, work. Practice, practice, practice, practice."
"Architecture is the oddest profession. In the beginning you're very much involved in finding your voice and locating yourself artistically. For 25 years you're working with small projects, domestic projects. And then you mature at 50 and you're given your first projects."
Thom Mayne
US, Architect
"One of the reasons why I have this much success is because I'm hard on myself. Until now, I never really saw myself as a talented chef! I don't take the easy way. I put in the time. From the age of 17 until 23, I didn't take any vacations, I had almost no days off."
Tim Raue
Germany, Chef
"I think it's so good to try new things and open the window and let some fresh air in and try to eliminate any regrets."
"The more experience you have, the more time you've spent on this earth, the more regrets you accumulate. It's normal. You can't do everything right, nobody's perfect. But if you think too much about that, you're not here. You have to make some efforts to stay open-minded."
"My whole purpose in life is to communicate what I'm doing. I see myself as a modern nomad and a soldier at the same time. Being mainstream won't change me because once I have something to perform, a task, then I'm a soldier. And I've always been a soldier."
Serbia, Artist
"If you have to defend something that you like, it makes you to like it even more. My parents hated the comic strips, they hated rock 'n' roll, and when they found out what movies I was going to they also were against that. So everything I loved I had to defend."
Germany, Film Directorwim
"When you're young so many things happen and it's really hard, but you have to fight. Sometimes to get what you want you need to have a really strong past to make sure that you become a warrior and you are not scared about anything and you fight through the night."
France, Fashion Designer
"I always say ideas drive the boat. Ideas are a huge, huge blessing. That's the thing you try to catch – an idea that you fall in love with. The whole thing doesn't come at once, but fragments of things come and these fragments form themselves into a script. It's a process."
"If you are ambitious, you are running in a tunnel that never ends. You will always find something new to go after."
Curtis '50 Cent' Jackson
US, Musician
"I would say that a strong work ethic is a vital ingredient for success. That's something I was born with, I'm convinced of it; it was nothing that I acquired. If you take on anything, you try to do it your best."
Clive Davis
US, Record Producer
"At what point do you feel you've achieved it and you can move on? I think you usually have to start thinking, 'So what's next?'"
Stuart Vevers
"Risks are very important to me. It's the only thing that will define the next career move or else I'll be plateauing. I'll be completely stale if I don't take risks. And that's not just my career."
Freida Pinto
India, Actress
"I have an irrational fear of boredom. That's why I now have this tattoo that says "Carpe Diem." That's what we should live by!"
"Even though I wanted to be minimal, for the first 20 years in my career all I did was add things; more courses, more ingredients. Only three years ago I was confident to start focusing on removing, and this is when I finally created a dish where I felt like I achieved what I tried to do for 23 years."
Daniel Humm
Switzerland, Chef
"You're always looking for a second chance. You're always looking to do a little bit better than you did the last time. And you hope that the readers will stay with you."
Stewart O'Nan
"I'm trying to not play it safe. I learn more when I fail than when I succeed, so if I push myself to do something that's really difficult, I could fail and I'll learn a lot. But if I don't fail, then I'll be in a great movie. I hope to be the kind of actor that isn't always great."
"It's just so boring listening to false modesty. I've worked for many, many years so I'm really enjoying that my hard work has paid off… I think you should know your worth!"
Denise Gough
Ireland, Actress
Black Francis: "It doesn't feel like anger"
Yoann Lemoine: "I'm not there yet"
The National: "At peace with the darkness"
David Byrne: "We did okay"


TVS Motor Company posted sales of 211,470 units in the month of February 2017 as against 219,467 units recorded in the month of February 2016. As part of our plans to gear up for the BSIV norms, we have completely transitioned to the production of BSIV vehicles.
Total two-wheelers registered sales of 206,247 units in February 2017 as against 211,148 units in February 2016. Domestic two-wheelers recorded sales of 172,611 units in February 2017 as against 183,199 units recorded in February 2016.
Scooters sales grew by 2.9% from 67,089 units in the month of February 2016 to 69,020 units in the month of February 2017. Motorcycles recorded sales of 58,994 units in February 2017 as against 77,093 units registered in the month of February 2016.
Three-wheeler of the Company registered sales of 5,223 units in February 2017 as against 8,319 units in February 2016.
The Company's total exports increased by 9.8% with sales growing from 34,804 units in the month of February 2016 to 38,215 units recorded in the month of February 2017. Two-wheeler exports grew by 20.3% with sales increasing from 27,949 units registered in February 2016 to 33,636 units registered in February 2017.


The Basements were formed in Thessaloniki, Greece in 2009. After various changes to their members the current composition consists of John - vox, harmonica, maracas, tambourine, Nick - guitar vox, Kostas - bass, Alex - farfisa organ, Dimitris - drums. Influenced by the American garage bands in the 60's, they have created a solid sound that energize with the dynamic rhythm section, wyld vocals, full of fuzz guitars, and the farfisa on red. We are taking about real Garage Punk sound ... just like those days were Wyld & Primitive! They have played together with leading foreign bands like Sonics and Fuzztones and what characterizes their live performances is their blistering energy, dragging their audience on their frenetic rhythm. They are considered one of the most dynamic bands of the Greek scene. In 2010 they released their first 7''ep "Heart of stone", and follow the album entitled 'Im dead' in 2012 and a split 7 "with Sound Explosion in 2014 by Lost in Tyme Records. �Lost� their brand new album delivers twelve original songs, blending the wylde garage fuzz sounds and the moody ballads from the 60�s. Their unique song-writing with the powerful rhythm section on drums & bass lines, the wild guitar sound, the farfisa and the screaming vocals delivers a mind blowing album. The analogue recording makes their sound more authentic and at the same time so fresh and unique!


text:
#include "gui/UITextField.h"

NS_CC_BEGIN

namespace gui {

UICCTextField::UICCTextField()
: _maxLengthEnabled(false)
, _maxLength(0)
, _passwordEnabled(false)
, _passwordStyleText("*")
, _attachWithIME(false)
, _detachWithIME(false)
, _insertText(false)
, _deleteBackward(false)
{
}

UICCTextField::~UICCTextField()
{
}

UICCTextField * UICCTextField::create(const char *placeholder, const char *fontName, float fontSize)
{
    UICCTextField *pRet = new UICCTextField();

    if(pRet && pRet->initWithString("", fontName, fontSize))
    {
        pRet->autorelease();
        if (placeholder)
        {
            pRet->setPlaceHolder(placeholder);
        }
        return pRet;
    }
    CC_SAFE_DELETE(pRet);

    return nullptr;
}

void UICCTextField::onEnter()
{
    TextFieldTTF::setDelegate(this);
}

bool UICCTextField::onTextFieldAttachWithIME(TextFieldTTF *pSender)
{
    setAttachWithIME(true);
    return false;
}

bool UICCTextField::onTextFieldInsertText(TextFieldTTF *pSender, const char *text, int nLen)
{
    if (nLen == 1 && strcmp(text, "\n") == 0)
    {
        return false;
    }
    setInsertText(true);
    if (_maxLengthEnabled)
    {
        if (TextFieldTTF::getCharCount() >= _maxLength)
        {
            return true;
        }
    }

    return false;
}

bool UICCTextField::onTextFieldDeleteBackward(TextFieldTTF *pSender, const char *delText, int nLen)
{
    setDeleteBackward(true);
    return false;
}

bool UICCTextField::onTextFieldDetachWithIME(TextFieldTTF *pSender)
{
    setDetachWithIME(true);
    return false;
}

void UICCTextField::insertText(const char * text, int len)
{
    std::string str_text = text;
    ssize_t str_len = TextFieldTTF::getString().size();

    if (strcmp(text, "\n") != 0)
    {
        if (_maxLengthEnabled)
        {
            int multiple = 1;
            char value = text[0];
            if (value < 0 || value > 127)
            {
                multiple = 3;
            }

            if (str_len + len > _maxLength * multiple)
            {
                str_text = str_text.substr(0, _maxLength * multiple);
                len = _maxLength * multiple;
                /*
                 int mod = str_len % 3;
                 int offset = (mod == 0) ? 0 : (3 - mod);
                 int amount = str_len + offset;
                 str_text = str_text.substr(0, _maxLength - amount);
                 //                CCLOG("str_test = %s", str_text.c_str());
                 */
            }
        }
    }
    TextFieldTTF::insertText(str_text.c_str(), len);

    // password
    if (_passwordEnabled)
    {
        if (TextFieldTTF::getCharCount() > 0)
        {
            setPasswordText(_inputText.c_str());
        }
    }
}

void UICCTextField::deleteBackward()
{
    TextFieldTTF::deleteBackward();

    if (TextFieldTTF::getCharCount() > 0)
    {
        // password
        if (_passwordEnabled)
        {
            setPasswordText(_inputText.c_str());
        }
    }
}

void UICCTextField::openIME()
{
    TextFieldTTF::attachWithIME();
}

void UICCTextField::closeIME()
{
    TextFieldTTF::detachWithIME();
}

void UICCTextField::setMaxLengthEnabled(bool enable)
{
    _maxLengthEnabled = enable;
}

bool UICCTextField::isMaxLengthEnabled()
{
    return _maxLengthEnabled;
}

void UICCTextField::setMaxLength(int length)
{
    _maxLength = length;
}

int UICCTextField::getMaxLength()
{
    return _maxLength;
}

int UICCTextField::getCharCount()
{
    return TextFieldTTF::getCharCount();
}

void UICCTextField::setPasswordEnabled(bool enable)
{
    _passwordEnabled = enable;
}

bool UICCTextField::isPasswordEnabled()
{
    return _passwordEnabled;
}

void UICCTextField::setPasswordStyleText(const char* styleText)
{
    if (strlen(styleText) > 1)
    {
        return;
    }
    char value = styleText[0];
    if (value < 33 || value > 126)
    {
        return;
    }
    _passwordStyleText = styleText;
}

void UICCTextField::setPasswordText(const char *text)
{
    std::string tempStr;
    for (size_t i = 0; i < strlen(text); ++i)
    {
        tempStr.append(_passwordStyleText);
    }
    LabelTTF::setString(tempStr.c_str());
}

void UICCTextField::setAttachWithIME(bool attach)
{
    _attachWithIME = attach;
}

bool UICCTextField::getAttachWithIME()
{
    return _attachWithIME;
}

void UICCTextField::setDetachWithIME(bool detach)
{
    _detachWithIME = detach;
}

bool UICCTextField::getDetachWithIME()
{
    return _detachWithIME;
}

void UICCTextField::setInsertText(bool insert)
{
    _insertText = insert;
}

bool UICCTextField::getInsertText()
{
    return _insertText;
}

void UICCTextField::setDeleteBackward(bool deleteBackward)
{
    _deleteBackward = deleteBackward;
}

bool UICCTextField::getDeleteBackward()
{
    return _deleteBackward;
}

static const int TEXTFIELD_RENDERER_Z = (-1);

TextField::TextField():
_textFieldRenderer(nullptr),
_touchWidth(0.0f),
_touchHeight(0.0f),
_useTouchArea(false),
_textFieldEventListener(nullptr),
_textFieldEventSelector(nullptr),
_passwordStyleText("")
{
}

TextField::~TextField()
{
    _textFieldEventListener = nullptr;
    _textFieldEventSelector = nullptr;
}

TextField* TextField::create()
{
    TextField* widget = new TextField();
    if (widget && widget->init())
    {
        widget->autorelease();
        return widget;
    }
    CC_SAFE_DELETE(widget);
    return nullptr;
}

void TextField::onEnter()
{
    Widget::onEnter();
    scheduleUpdate();
}

void TextField::initRenderer()
{
    _textFieldRenderer = UICCTextField::create("input words here", "Thonburi", 20);
    Node::addChild(_textFieldRenderer, TEXTFIELD_RENDERER_Z, -1);
}

void TextField::setTouchSize(const Size &size)
{
    _useTouchArea = true;
    _touchWidth = size.width;
    _touchHeight = size.height;
}

void TextField::setText(const std::string& text)
{
    std::string strText(text);
    if (isMaxLengthEnabled())
    {
        strText = strText.substr(0, getMaxLength());
    }
    const char* content = strText.c_str();
    if (isPasswordEnabled())
    {
        _textFieldRenderer->setPasswordText(content);
        _textFieldRenderer->insertText(content, static_cast<int>(strlen(content)));
    }
    else
    {
        _textFieldRenderer->setString(content);
    }
    textfieldRendererScaleChangedWithSize();
}

void TextField::setPlaceHolder(const std::string& value)
{
    _textFieldRenderer->setPlaceHolder(value);
    textfieldRendererScaleChangedWithSize();
}

void TextField::setFontSize(int size)
{
    _textFieldRenderer->setFontSize(size);
    textfieldRendererScaleChangedWithSize();
}

void TextField::setFontName(const std::string& name)
{
    _textFieldRenderer->setFontName(name);
    textfieldRendererScaleChangedWithSize();
}

void TextField::didNotSelectSelf()
{
    _textFieldRenderer->detachWithIME();
}

const std::string& TextField::getStringValue()
{
    return _textFieldRenderer->getString();
}

bool TextField::onTouchBegan(Touch *touch, Event *unusedEvent)
{
    bool pass = Widget::onTouchBegan(touch, unusedEvent);
    if (_hitted)
    {
        _textFieldRenderer->attachWithIME();
    }
    return pass;
}

void TextField::setMaxLengthEnabled(bool enable)
{
    _textFieldRenderer->setMaxLengthEnabled(enable);
}

bool TextField::isMaxLengthEnabled()
{
    return _textFieldRenderer->isMaxLengthEnabled();
}

void TextField::setMaxLength(int length)
{
    _textFieldRenderer->setMaxLength(length);
}

int TextField::getMaxLength()
{
    return _textFieldRenderer->getMaxLength();
}

void TextField::setPasswordEnabled(bool enable)
{
    _textFieldRenderer->setPasswordEnabled(enable);
}

bool TextField::isPasswordEnabled()
{
    return _textFieldRenderer->isPasswordEnabled();
}

void TextField::setPasswordStyleText(const char *styleText)
{
    _textFieldRenderer->setPasswordStyleText(styleText);

    _passwordStyleText = styleText;
}

void TextField::update(float dt)
{
    if (getAttachWithIME())
    {
        attachWithIMEEvent();
        setAttachWithIME(false);
    }
    if (getDetachWithIME())
    {
        detachWithIMEEvent();
        setDetachWithIME(false);
    }
    if (getInsertText())
    {
        insertTextEvent();
        setInsertText(false);

        textfieldRendererScaleChangedWithSize();
    }
    if (getDeleteBackward())
    {
        deleteBackwardEvent();
        setDeleteBackward(false);
    }
}

bool TextField::getAttachWithIME()
{
    return _textFieldRenderer->getAttachWithIME();
}

void TextField::setAttachWithIME(bool attach)
{
    _textFieldRenderer->setAttachWithIME(attach);
}

bool TextField::getDetachWithIME()
{
    return _textFieldRenderer->getDetachWithIME();
}

void TextField::setDetachWithIME(bool detach)
{
    _textFieldRenderer->setDetachWithIME(detach);
}

bool TextField::getInsertText()
{
    return _textFieldRenderer->getInsertText();
}

void TextField::setInsertText(bool insertText)
{
    _textFieldRenderer->setInsertText(insertText);
}

bool TextField::getDeleteBackward()
{
    return _textFieldRenderer->getDeleteBackward();
}

void TextField::setDeleteBackward(bool deleteBackward)
{
    _textFieldRenderer->setDeleteBackward(deleteBackward);
}

void TextField::attachWithIMEEvent()
{
    if (_textFieldEventListener && _textFieldEventSelector)
    {
        (_textFieldEventListener->*_textFieldEventSelector)(this, TEXTFIELD_EVENT_ATTACH_WITH_IME);
    }
}

void TextField::detachWithIMEEvent()
{
    if (_textFieldEventListener && _textFieldEventSelector)
    {
        (_textFieldEventListener->*_textFieldEventSelector)(this, TEXTFIELD_EVENT_DETACH_WITH_IME);
    }
}

void TextField::insertTextEvent()
{
    if (_textFieldEventListener && _textFieldEventSelector)
    {
        (_textFieldEventListener->*_textFieldEventSelector)(this, TEXTFIELD_EVENT_INSERT_TEXT);
    }
}

void TextField::deleteBackwardEvent()
{
    if (_textFieldEventListener && _textFieldEventSelector)
    {
        (_textFieldEventListener->*_textFieldEventSelector)(this, TEXTFIELD_EVENT_DELETE_BACKWARD);
    }
}

void TextField::addEventListenerTextField(Object *target, SEL_TextFieldEvent selecor)
{
    _textFieldEventListener = target;
    _textFieldEventSelector = selecor;
}

void TextField::setAnchorPoint(const Point &pt)
{
    Widget::setAnchorPoint(pt);
    _textFieldRenderer->setAnchorPoint(pt);
}

void TextField::onSizeChanged()
{
    Widget::onSizeChanged();
    textfieldRendererScaleChangedWithSize();
}

void TextField::textfieldRendererScaleChangedWithSize()
{
    if (_ignoreSize)
    {
        _textFieldRenderer->setScale(1.0f);
        _size = getContentSize();
    }
    else
    {
        Size textureSize = getContentSize();
        if (textureSize.width <= 0.0f || textureSize.height <= 0.0f)
        {
            _textFieldRenderer->setScale(1.0f);
            return;
        }
        float scaleX = _size.width / textureSize.width;
        float scaleY = _size.height / textureSize.height;
        _textFieldRenderer->setScaleX(scaleX);
        _textFieldRenderer->setScaleY(scaleY);
    }
}

const Size& TextField::getContentSize() const
{
    return _textFieldRenderer->getContentSize();
}

Node* TextField::getVirtualRenderer()
{
    return _textFieldRenderer;
}

std::string TextField::getDescription() const
{
    return "TextField";
}

void TextField::attachWithIME()
{
    _textFieldRenderer->attachWithIME();
}

Widget* TextField::createCloneInstance()
{
    return TextField::create();
}

void TextField::copySpecialProperties(Widget *widget)
{
    TextField* textField = dynamic_cast<TextField*>(widget);
    if (textField)
    {
        setText(textField->_textFieldRenderer->getString());
        setPlaceHolder(textField->getStringValue());
        setFontSize(textField->_textFieldRenderer->getFontSize());
        setFontName(textField->_textFieldRenderer->getFontName().c_str());
        setMaxLengthEnabled(textField->isMaxLengthEnabled());
        setMaxLength(textField->getMaxLength());
        setPasswordEnabled(textField->isPasswordEnabled());
        setPasswordStyleText(textField->_passwordStyleText.c_str());
        setAttachWithIME(textField->getAttachWithIME());
        setDetachWithIME(textField->getDetachWithIME());
        setInsertText(textField->getInsertText());
        setDeleteBackward(textField->getDeleteBackward());
    }
}

}

NS_CC_END

redpajama_set_name: RedPajamaGithub


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In fact, the weekly comedy show is so on point with its characterizations of political figures that it's often hard to decipher who said it- the candidate or an SNL impersonator.
We're playing who said it- SNL or Donald Trump.
Said by: Donald Trump. No, seriously. He said it.


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GRAND HAVEN, Mich. – The U.S. Coast Guard Cutters Mackinaw and Bristol Bay will make their official entrance into the Grand River Monday, July 27, marking the beginning of a busy and exciting week at the 2009 Coast Guard Festival.
The parade of ships will begin at 1:00 p.m., Monday. Ships will moor at designated spots along Escanaba Park, adjacent to the Coast Guard station.
The 240-foot Mackinaw (WLBB-30), arriving from Cheboygan, Mich., is a one-of-a-kind icebreaker and buoy tender that replaced the WW II-era Mackinaw (WAGB-83). Her primary missions are: Maritime Homeland Security, Ice Breaking, Aids to Navigation, Law Enforcement, Marine Environmental Protection and Search and Rescue.
The Bristol Bay (WTGB-102), arriving from Detroit, Mich., is a 140-foot icebreaking tug. Bay-class tugs are designed to continuously break at least 20 inches of hard, freshwater ice. The ships can break more than three feet of ice by backing and ramming. In August 1991, Bristol Bay became the first Bay-Class tug to receive a barge specially-designed to perform aids-to-navigation work. The 120-foot long barge works with the ship to service more than 160 aids to navigation each year.
Each of the ships will be available for public tours, at a variety of times, from Monday, July 27 through Saturday, August 1.
1. Though the tour will show off many spaces, some spaces will be off-limits.
2. Neither backpacks, coolers and bags of any type, nor open food/drink will be permitted on board. Searches may be conducted.
Not sure, probably at the ships.


text:
Harrisburg to explore selling money-losing incinerator
Updated Mar 23, 2019; Posted Dec 01, 2008
With the Harrisburg incinerator projected to lose tens of millions of dollars over the next five years, the Harrisburg Authority, the city utility agency that owns the plant, said it's already begun exploring a sale to Covanta Energy of New Jersey, the private company operating the plant under a 10-year contract.
Michele T.V. Torres, the authority's executive director, said today that provisions of the deal call for the agency to negotiate exclusively with Covanta through July 2009. After that, the authority can seek bids from outside buyers, but Covanta can match any competitor's price through Dec. 31 2012, Torres said.
"The Harrisburg Authority has begun the process," Torres said of the contractually mandated sale procedures.
Under virtually all of the sale scenarios, however, the incinerator is considered unlikely to fetch a price high enough to cover the nearly $300 million in debt tied to the plant.
The various sale plans being floated by Mayor Stephen R. Reed and various city council members are all about reducing the city's potential future losses -- and the pain that would be spread to city and Dauphin County residents in the form of higher trash bills.
Some, like Reed, are pushing to sell the renovated plant now to limit the losses. Others insist the city would draw more bidders and a better price years from now, when a contract clause expires that gives Covanta the right to match any sale price.


text:
The hills are alive
Ashridge Estate, Herts
Volunteer rests whilst clearing scrub on a working holiday National Trust Images / John Millar
Chilterns Bunkhouse, Tring, Hertfordshire National Trust Images / Lacey
The sitting and dining at Chilterns Bunkhouse, Tring, Hertfordshire National Trust Images / Lacey
Dormitory, sleeps 8, Chilterns Bunkhouse, Tring, Hertfordshire National Trust Images / Chris Lacey
Dates1 March 2019 to 3 March 2019
Holiday typeShort break
Physicality7
Holiday code19BSP112
AccommodationChilterns Bunkhouse
About The hills are alive
Cut and remove scrub and grass to help the next generation of chalk flowers and butterflies.
Help the next generation of flowers and butterflies on one of the largest areas of chalk grassland in the Chiltern Hills by cutting and removing scrub and grass, then burning it. Ashridge's chalk grassland is one of the most important habitats but it is under threat from scrub. The grassland supports very rare species of butterflies and plants, with good areas supporting up to 30 species of plants per square metre.
This bunkhouse provides rustic, basic accommodation which comprises two restored barns located amongst the woodlands and grassland of the Ashridge Estate. The first building comprises two dormitories each containing five sets of bunk beds. The second building contains the kitchen, lounge, toilets, showers and disabled facilities. The kitchen has been recently refitted and outside there is a lovely seating area. The wild fallow deer are regularly seen on the lawn outside the bunkhouse. There is no mobile signal in the bunkhouse but you should find some with a short walk into the nearby woods.
Fri 1st March for 2 nights - £100
Ashridge Estate
Ancient trees, rolling chalk downlands and lush meadows in an area of outstanding natural beauty
Whipsnade Tree Cathedral
Trees, hedges and shrubs planted in the form of a medieval cathedral
Pitstone Windmill
A rare and striking example of an early form of post mill
Dunstable Downs and the Whipsnade Estate
Extensive chalk grassland in an Area of Outstanding Natural Beauty
Half-timbered house originating from 1606, transformed by the Rothschilds in the late 19th century, containing superb collections.
Chilterns Countryside
Rolling hills, distant views, chalk grassland, and acres of woodland to explore
Fri 25th October for 2 nights - £100
Scything on the South Downs
Uppark House and Gardens, West Sussex
Activity type: Gardening, Historic house, Rural skills, Survey
Try your hand at scything in the flower-rich meadows of South Downs.
Sat 1st June for 7 nights - £170
The Devil's in the detail
Newtimber Hill, West Sussex
Activity type: Coast and countryside, Construction
Good honest work, with stunning panoramas in Britain's newest National Park.
Sat 8th June for 7 nights - £170


Bethany Shorb, Founder and Principal Designer of Cyberoptix was born in Boston, MA in 1976. She received her MFA in Sculpture from Cranbrook Academy of Art and BFA from Boston University. Her photography and product design work have been widely published in the United States and abroad; her visual art and product work have been exhibited throughout the US and included in numerous private and public collections. Her musical alter-ego has performed at many venues and festivals across North America including the Guggenheim Museum in New York and Movement: Detroit's Electronic Music Festival.
Shorb founded The Cyberoptix Tie Lab in 2006. As a designer of witty hand printed neckwear, she has applied her experience as a sculptor, couture, costume and graphic designer to transform a much maligned business necessity into a subversive object of desire. In addition to a strong internet retail presence, Cyberoptix ties and scarves are currently represented by more than 250 boutiques and museum stores in over a dozen countries—from Fred Segal in Los Angeles, the ICA Museum in Boston, to the American Museum of Natural History in New York.
Her work has appeared on PBS Newshour, HGTV, The Martha Stewart Show and recently reviewed in the New York Times, Wired, Antenna, FiberArts, Brides, TimeOut New York, Motorcyclist and Make Magazines—while adorning the necks of dignitaries worldwide. In Moscow, April 2011, General Tom Stafford, commander of the historic Apollo-Soyuz mission, presented two cosmonauts, Russian Prime Minister Vladimir Putin and Russian President Dmitry Medvedev a set of Cyberoptix's "Apollo-Soyuz" design ties as a gift to commemorate the 50th anniversary of Yuri Gagarin's spaceflight. Corporate clients include Lexus, Scion, Hewlett Packard, EverPower and Terra-Gen Renewable Power.
A paradox for the times, Cyberoptix Tie Lab operates one of the largest sustainable, water-based, solvent-free print shops in the country right in Downtown Detroit's Eastern Market—providing a seditious, punky fashion statement for executives bound to the neck noose, and a sharply styled alternative for those who don't need to wear a tie, but choose to do so. All ties and scarves are designed and printed in house—to date, Shorb has hand-printed over 100,000 neckties herself without the assistance of any machinery or automation. The Lab's new line of printed silk scarves are woven and dyed by Fair-Trade practices supporting a small family artisan silk business in rural Thailand; Shorb and her fiancé visited the silk market in Bangkok this Spring and were proud to interact with suppliers in person. Featured in print and online product and industrial design publications, Cyberoptix's premium wood packaging is also Forest Stewardship Council Certified. Packaging papers, hangtags and protective shipping materials are made from 100% post-consumer fiber, manufactured in mills run by sustainable energy.
A proponent of Detroit's organic re-invention and prosperity through the help of makers, thinkers, and entrepreneurs thriving while operating on a lean budget, Shorb has called the Detroit-area home for thirteen years and is giving greater focus to more community-based projects while still exhibiting internationally. Employing area art students and members of the local community, Shorb has taught valuable professional skills through internship, apprenticeship and studio-assistant positions. As a founding member of OmniCorpDetroit, Detroit's first hacker/makerspace, she has exhibited at the inaugural Maker Faire Detroit 2010, '11, and '12 at The Henry Ford, and World Maker Faire New York, with Cyberoptix to date being a recipient of seven Editor's Choice Awards. Shorb has served as a curatorial collaborator at Gallery Project, Ann Arbor's leading non-profit venue for challenging contemporary art and MOCAD's "New Wave" Board. Shorb and her staff have contributed creative and capital resources to 944 Magazine's "Chucks for Charity," the ACLU, Architecture for Humanity, The Midwest AIDS Prevention Project (MAPP) and their charitable events at the Museum of Contemporary Art Detroit and the College for Creative Studies. Most recently Shorb was a visiting artist in printmaking at Summit Series.


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text:
Despite Shortfalls And Delays, U.S. Testing Czar Says Efforts Are Mostly 'Sufficient'
By Jason Slotkin • Jul 14, 2020
Adm. Brett Giroir, assistant secretary for health in the Department of Health and Human Services, adjusts his face mask while testifying this month before a House subcommittee on the coronavirus crisis.
Kevin Lamarque / Pool/Getty Images
Public health experts generally agree that, in spite of improvements, the U.S. still falls short on the testing needed to combat the COVID-19 pandemic.
The official who oversees the country's testing efforts, however, maintains the U.S. is doing well on testing now and will soon be able to expand testing greatly using newer, point-of-care tests that deliver quick results.
In an interview with NPR's Morning Edition, Adm. Brett Giroir pointed out the U.S. is currently conducting more than 700,000 tests a day. He argued that some parts of the country are already conducting enough tests to contain outbreaks.
"We know that in areas of the country right now that have appropriate mitigation, that the testing we have is sufficient. We know right now that the testing we have is dense enough that we can detect very sensitively where there's going to be a problem," the assistant secretary for health in the Department of Health and Human Services told NPR.
A recent analysis for NPR by Harvard researchers found that more than 1 million tests were needed to mitigate, or keep outbreaks from getting worse. Giroir said the U.S. is well on its way to this target.
"We're going to be over a million tests very soon. That's not even a question," Giroir said.
That same analysis also found some 4.3 million people would have to be tested daily to suppress the U.S. outbreak and begin to let life get back to normal. The latest numbers from Harvard found 16 states and territories have reached the mitigation benchmark, and of those four are doing enough testing to suppress the virus.
Giroir pushed back on the notion that the U.S. was behind on reaching those criteria.
"Yes, we want to have more testing, more testing will be better. But right now, we're in a good place to tell us the information we need," he said.
Nonetheless, he said, efforts are underway to increase testing: "We're going to expand testing probably two or threefold within the next couple of months."
Giroir said the administration is surging testing in areas once again hit hard by COVID-19 outbreaks – including Phoenix, Baton Rouge, La., and Jacksonville, Fla. – but that in many cases testing is adequate if other mitigation efforts are in place.
He emphasized the need for public health measures in addition to testing, including social distancing and the wearing of masks. "We need places that are in hot zones to close bars and to limit restaurants. And if we do those simple things, we can turn around the virus," he said.
Giroir is not the first person involved with the U.S. coronavirus effort to assert testing for the coronavirus is on track. In April, Vice President Pence, who oversees the White House Coronavirus Task Force, said the U.S. had enough tests to begin reopening.
Since then, testing for the coronavirus has become more widespread. But there continue to be shortages in the supplies and machines needed to get results.
Since cases started surging in June, labs have reported delays in getting results due to the increased volume. In Washington, D.C., for example, recipients of coronavirus tests may be asked to wait up to seven business days for results. Quest Diagnostics, one of the largest testing companies, said testing volumes have pushed wait times up to nearly a week.
Even Mick Mulvaney, Trump's former chief of staff, has complained, saying his son waited up to a week for his results.
Giroir acknowledged the growing wait times due to the "unprecedented demand."
"We want to decrease that time on average between three and four days across the country," Giroir told NPR's Steve Inskeep. "But as you pointed out, some people are waiting five, six or seven days, and we do want to get that down."
Delays in testing mean public health workers are not able to notify the contacts of people who test positive, and so people may unwittingly continue to spread the virus.
Giroir was bullish on the potential of newer testing technology to expand the country's ability to test quickly. He said fast point-of-care tests can help solve the problem of overburdened laboratories and could aid in the reopening of schools and businesses in the fall.
"Certainly by September, we expect to have 15 to 20 million point-of-care tests. That's as many tests as we're doing every month now," Giroir said, adding that the administration wants to see 100 million tests per month happening then.
These point-of-care — or antigen tests — do yield a much speedier result, but as NPR has reported, they may miss up to 20% of infections.
Giroir also mentioned pooling, which saves resources by bundling samples from multiple people together. Pooled testing tends to lose effectiveness in areas with higher coronavirus infection rates.
Antigen Testing
President Trump Attacked Rivals, Defended Coronavirus Response In WH Speech
By Alana Wise • Jul 14, 2020
President Trump spoke in the White House Rose Garden on a broad range of topics on Tuesday, pitching himself as the stronger competitor over rival Joe Biden to manage the deadly coronavirus pandemic and steer the U.S. economy to prosperity.
His remarks come amid mounting concerns raised by public health officials about his administration's aggressive pitch to return the United States to normalcy, including pushing guidance for schools to reopen for in-person classes this fall.
U.N. Report Says Pandemic Could Push Up To 132 Million People Into Hunger
By Austin Horn • Jul 13, 2020
The coronavirus pandemic could push up to 132 million people into hunger by the end of 2020, according to a new report from the United Nations.
"As progress in fighting hunger stalls, the COVID-19 pandemic is intensifying the vulnerabilities and inadequacies of global food systems," UNICEF said in a statement.
Dewine Says Rate Of Positive COVID-19 Cases Increasing, Despite More Testing
By Alison Holm • Jun 29, 2020
Ohio Governor Mike Dewine says he is not ordering increased restrictions on businesses.
Trump Administration Moving To Close Federally Funded COVID Testing Sites
By Vanessa Romo • Jun 25, 2020
The Trump administration is defending plans to close 13 federally run coronavirus testing sites in five states at the end of the month.
The testing sites are located in Colorado, Pennsylvania, Illinois, New Jersey and Texas. They are the last of 41 federally operated testing sites.
Federal officials say the sites have been closing or transferring to state or local control because it's more efficient to run testing that way. In other instances they argue there are readily available testing sites nearby.
Franklin County Most At Risk In New State Coronavirus Map
By Alison Holm • Jul 2, 2020
Ohio Department of Health / coronavirusohio.gov
Franklin County is one of seven counties that scored highest on color-coded coronavirus risk map of Ohio unveiled today.


text:
Elon Musk works at a desk at the end of the Model X assembly line, sleeps in a sleeping bag there
- May. 4th 2016 5:55 pm ET
On today's Tesla earnings call, CEO Elon Musk addressed the concerns of the Model X quality control by noting that he was now working at a desk at the end of the Model X assembly line and was spending so much time there that he had a sleeping bag there – and that he used it quite frequently…
The Model X has seen some complaints around the Falcon Wing door reliability as well as other early release problems.
Tesla's President of Global Sales and Service Jon McNeil noted that the automaker has been working through performance testing and that CEO Elon Musk has been personally testing Model X's as they come off the assembly line.
Here's an excerpt from the email
"Thank you for your patience as we've taken a little extra time to ensure your Model X meets the highest standards of quality. For the last couple of months, we held back our production rate to check and recheck every part of Model X from each of the ground-breaking features to road performance. We've had members of our management team, including Elon, test drive Model X as it came off the line so that we can confidently say that you're going to love your Model X."
The company announced via media earlier today the departure of two production executives earlier today. Musk also announced that big production management hires would be announced shortly on the call.
Later on in the call he said his desk was at the end of the end of the Model S line for a year so it isn't quite as unusual as it immediately seems. Musk noted expects to move out by the end of this quarter and onto other things.


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I LOVE peas. Especially ones that I can pick fresh from my parent's garden. Shelling and eating them right on the spot makes me pretty happy. But if you have the patience gently boiling them brings out their sweetness. They need no help whatsoever but do pair very nicely with mint. Having discovered my dad's mint plant I had to give it a go. Dad and I sat down to Star Trek (the 2009 movie we've seen a zillion times!) with peas, steamed spinach and a juicy steak. Now THAT's a TV dinner!
Shell peas and toss in boiling water for a few minutes until tender but not overdone. Drain and toss with mint while steaming hot. Season with salt and pepper and revel in the taste of summer!
This entry was posted on July 18, 2012 by katelivingfull in Savoury Recipes.


text:
Q: How can I add HTML Attributes on / in Material-UI? When using the Material-UI library, how can I add html attributes to <Button> and <ButtonBase>? For example be able to set tabindex to -1 on a button.
I see for components like <TextField> you can use InputProps, but there doesn't seem to be any props like that on <Button> and <ButtonBase>.
I created a feature request here (issue 9585) but was told it is possible to do already.
Thanks!

A: As it says in the docs: "Any other properties supplied will be spread to the root element."
For Button, that's ButtonBase, and for ButtonBase it's button (by default, you can override with the component prop.). So: tabIndex supplied to Button will be applied to ButtonBase, which in turn will apply it to button.
In the case of tabIndex, you also have the disabled prop which sets tabIndex={-1}.

redpajama_set_name: RedPajamaStackExchange


Dwarf of Thorin and Company of the line of Durin. Nori was a distant relative of Thorin Oakenshield. He wore a purple hood and was rather thin considering his love of food.
In 2941 of the Third Age, Nori was cohsen to accompany Thorin Oakenshield along with eleven other Dwarves, a wizard, and a Hobbit on their quest to reclaim the Lonely Mountain from the dragon Smaug. When the company was being attacked by Wargs and had to climb a tree, Nori told Dori that the Hobbit Bilbo Baggins had been left behind. However, Bilbo turned out to be fine.
The quest was a success and Nori survived the Battle of the Five Armies. Nori lived thereafter in the Lonely Mountain. He was alive at the time of the War of the Ring, and his date of death is not known.
The name Nori means something like "tiny bit" in Old Norse. The name can be found in an Old Norse poem called Voluspa.


text:
Stellan Skarsgård (, ; born 13 June 1951) is a Swedish actor. He is known for his collaborations with director Lars von Trier appearing in Breaking the Waves (1996), Dancer in the Dark (2000), Dogville (2007), Melancholia (2011), and Nymphomaniac (2014). Skarsgård's early English-speaking film roles include The Unbearable Lightness of Being (1988), The Hunt for Red October (1990),  Good Will Hunting (1997), Ronin (1998), and King Arthur (2004).

Skarsgård has since starred in various blockbusters such as Pirates of the Caribbean: Dead Man's Chest (2006) and Pirates of the Caribbean: At World's End (2007). He also starred in Mamma Mia! (2008), Angels and Demons (2009), David Fincher's thriller The Girl With the Dragon Tattoo (2011) and Dune (2021). Since 2011 he has appeared in the Marvel Cinematic Universe, portraying Dr. Erik Selvig in Thor (2011), The Avengers (2012), Thor: The Dark World (2013), Avengers: Age of Ultron (2015), and Thor: Love and Thunder (2022).

He is also known for his work in television portraying Boris Shcherbina in the HBO miniseries Chernobyl (2019) for which he received the Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film and a nomination for the Primetime Emmy Award for Outstanding Supporting Actor in a Limited or Anthology Series or Movie. He stars in the Star Wars prequel series Andor (2022) on Disney+.

Early life
Skarsgård was born in Gothenburg, the son of Gudrun (née Larsson; born 1930) and Jan Skarsgård (1920–1998). He moved often in his childhood and lived, amongst other places, in Helsingborg, Totebo, Kalmar, Marielund, and Uppsala.

Acting career

Skarsgård started his acting career early; and, by the age of 21, his experience in film, TV and stage was considerable. Most of his early roles were in Swedish television (such as Bombi Bitt) and films. Of Skarsgård's work in Swedish film, he is perhaps best known for  Good Evening, Mr. Wallenberg, where he portrays Swedish diplomat Raoul Wallenberg, who worked to save Holocaust victims.

Skarsgård is particularly associated with director Lars von Trier and has appeared in six of the Danish auteur's features: The Kingdom, Breaking the Waves, Dancer in the Dark, Dogville, Melancholia, and Nymphomaniac. His most personal working relationship, however, is with Norwegian director Hans Petter Moland, who has directed the actor in Zero Kelvin, Aberdeen, In Order of Disappearance, and A Somewhat Gentle Man. Skarsgård considers Moland a close friend and, in 2009, he said of their relationship: "We're like an old married couple and I get separation anxiety." Another Scandinavian work that he is known for is the 1997 Norwegian film Insomnia, in which he plays the guilt-ridden policeman Jonas Engström.

Skarsgård's first American film was the 1985 film Noon Wine, directed by Michael Fields, in which Skarsgård played a mentally disturbed immigrant farmhand being chased by a bounty hunter. He acted opposite Fred Ward, who portrayed the farmer. In 1990, he starred in another American film, The Hunt for Red October, playing the character of Captain Tupolev, a Soviet submarine commander.

He was considered for the role of Oskar Schindler in Schindler's List. Skarsgård has said that people often mistook him for Liam Neeson, who portrayed Schindler in the film, and Skarsgård later replaced Neeson in the 2004 film Exorcist: The Beginning. He appeared as a guest star on Entourage as Verner Vollstedt, the German director of the fictional film Smokejumpers, who is hostile to the main character Vincent Chase. Skarsgård appeared as Bootstrap Bill Turner in both Pirates of the Caribbean: Dead Man's Chest and Pirates of the Caribbean: At World's End. In 2008, he starred as Bill Anderson in Universal Pictures' Mamma Mia! and reprised the role 10 years later in its sequel Mamma Mia! Here We Go Again.

Skarsgård played Dr. Erik Selvig in the 2011 film Thor, and later reprised the role in Thor: The Dark World (2013) and Thor: Love and Thunder (2022), as well as The Avengers (2012) and Avengers: Age of Ultron (2015). Skarsgård reteamed with Thor director Kenneth Branagh for the 2015 live-action adaptation of Disney's Cinderella, in which he played The Grand Duke. In 2021, he played Vladimir Harkonnen in Denis Villeneuve's Dune.

Skarsgård has appeared in music videos alongside fellow Swedes. He was in Eva Dahlgren's "Vem tänder stjärnorna" (Who Lights the Stars) in 1991 and Lykke Li's 2011 music video, "Sadness Is a Blessing".

Personal life
He married My Skarsgård (born 1956), a physician, in April 1975; together they have six children: Alexander (born 1976), Gustaf (born 1980), Sam (born 1982), Bill (born 1990), Eija (born 1992), and Valter (born 1995). Alexander, Gustaf, Bill, and Valter are also actors, while Eija is a former model. Skarsgård and My divorced in May 2007. Stellan married Megan Everett in January 2009. The couple have two sons. Skarsgård has had a vasectomy, stating that he felt eight children was enough.

Views on religion
Skarsgård was brought up by humanist, atheist parents, and had an atheist grandfather and a deeply religious grandmother. According to Skarsgård, this never led to any problems because of the family's mutual respect for each other's opinions. After the 11 September attacks, Skarsgård set out to read the Bible and the Quran, both of which he condemns as violent. Skarsgård is also a critic of religious independent schools in the Swedish educational system. He has said he considers the notion of God absurd and that if a real God were actually so vain as to constantly demand worship, then he would not be worthy of it.

In 2009, Skarsgård, along with other non-religious artists, authors, and entrepreneurs including Christer Sturmark, Björn Ulvaeus, and Christer Fuglesang, wrote an article in Dagens Nyheter stressing the importance of secularity. The group also criticised the UN for its stance on blasphemy laws.

Filmography

Film

Television

Awards and nominations

References

External links

1951 births
20th-century Swedish male actors
21st-century Swedish male actors
Best Actor Guldbagge Award winners
Best Supporting Actor Golden Globe (television) winners
Best Supporting Actor Guldbagge Award winners
Critics of religions
European Film Awards winners (people)
Living people
Actors from Gothenburg
Secular humanists
Silver Bear for Best Actor winners
Skarsgård family
Swedish atheism activists
Swedish atheists
Swedish humanists
Swedish male film actors
Swedish male television actors

redpajama_set_name: RedPajamaWikipedia


Plaintiff sued defendant for delays in hooking up the sewer to its housing development and failing to notify plaintiff of the expected delays. The parties were contractually bound to arbitrate any disputes under their contract pursuant to the Arbitration Rules for the Real Estate Industry of the American Arbitration Association [AAA]. While these rules do not expressly provide that an arbitrator had the right to issue summary judgment without an evidentiary hearing, they do provide that the "arbitrator shall have the authority to award any remedy or relief that a court of the State of Arizona could order or grant." Pursuant to this rule the arbitrator granted summary judgment to the defendant and awarded fees. The defendant then sought to have the award confirmed and judgment entered by the Arizona Superior Court pursuant to ARS sec. 12-1511. Plaintiff objected claiming the arbitrator exceeded his authority in granting summary judgment because the AAA rules did not authorize this and instead required the arbitrator to hold an evidentiary hearing. The superior court overruled the objection and awarded defendant additional fees related to the proceeding in the superior court. The Arizona Court of Appeals affirmed.
First the court noted that Arizona's public policy favors arbitration to obtain a "speedy and inexpensive disposition" and that judicial review of an arbitration award is "severely limited by statute." Examining plaintiff's objection in this light the court found the AAA rules broad enough to incorporate the right of an arbitrator to grant summary judgment without an evidentiary hearing where there is no dispute of a material fact. The rules give the arbitrator the power to decide questions of law and fact and while not expressly providing the right to grant summary judgment, impliedly extend that right by granting the arbitrator the authority to "award any remedy or relief" that an Arizona court could award. The court found this authority was not limited to discovery issues as argued by plaintiff and further noted that while summary judgment is generally considered a "procedural device," it also constitutes a "remedy or relief." Finally, while the rules provide the parties the right to an evidentiary hearing, just as in superior court, if there is no material question of fact such a hearing is not necessary.


text:
Q: Installing Wireless Display, Windows face Unlock via PowerShell Windows 10 added a new Optional Windows Features screen.

It has different features from the "old" Turn Windows Feaures On/Off screen:

I know how to turn the features in the second screen on/off using PowerShell using the Get-WindowsOptionalFeature -Online, Enable-, Disable- command. Yet none of the features in the first screen show up in this list.
Which other set of PowerShell/DISM commands can I use to change:

*

*Uninstall IE11

*Install Wireless Display

*Uninstall Windows Media Player

*Install OpenSSH client

etc?

A: It looks like these are called Windows Capabilities in tech-speak and packages can be turned on/off using:
 Get-WindowsCapability -Online -Name "XPS.Viewer*" | Remove-WindowsCapability -Online

And the same applies to adding a capability:
 Get-WindowsCapability -Online -Name "OpenSSH.Client*" | Add-WindowsCapability -Online

Listing all available capabilities:
Get-WindowsCapability -Online


I hope you don't mind me asking this question here; I don't know if it is a problem with Office Live or Roxio MyDVD.
"Error: An error occurred trying to download 'http://download.microsoft.com/download/c/c/2/cc2592d6-2470-47a7-a134-1ba8f30a966c/OLPatchInstaller.msi'."
Don't apologize. Thanks for the update.
You've pointed out something which can go wrong if temp folders haven't been cleared out, and that's useful to know.
I experienced an install error like this due to an old Norton setup.exe file being present.
I was confused until I read the this message because the error message said I was trying to reinstall an old version of Norton.


text:
Tag Archives: Priscilla Block
Priscilla Block Welcomes a Second Leg to Her Block Party Tour
After a successful run of shows earlier this year Priscilla Block is adding a second leg to Welcome To The Block Party tour this Fall. Priscilla shared the announcement on social media… Before she gets to her shows in the Fall, Block is heading overseas for a handful of dates in the UK next month.…… MORE
Looking Back on CMA Music Fest 2022 – 4 Days of Fun & Music in Nashville
After being sidelined for 2 years due to COVID and quarantine – CMA Music Fest was back in a big way in 2022. Some of highlights from the meeting of country singers and fans included… Luke Combs kicked off CMA Music Fest with a parking lot party… Gabby Barrett sang her new single "Pick Me…… MORE
Priscilla Block's Unforgettable Night at CMA Music Fest 2022
While Priscilla Block has events scheduled for all 4 days of CMA Music Fest this year, she kicked off her adventures Thursday night with a performance at the Nissan Satellite Stage. On Friday morning Priscilla shared, "No way last night was real… feel like I just got married. I'll be posting Nissan pics for the…… MORE
Priscilla Block is Taking Her Welcome To The Block Party Tour Worldwide
Earlier this month Priscilla Block wrapped up the first leg of her Welcome To The Block Party tour. Now Priscilla is taking the party overseas! Priscilla shared, "The US Tour was such a success, we've decided to take this thing overseas!! I had the opportunity to play C2C Festival this year and it was unreal.…… MORE
In Case You Missed It – Priscilla Block Performed "My Bar" on Tamron Hall
Priscilla Block recently appeared on the Tamron Hall Show to perform her current single "My Bar." Watch it here… Photo Credit: Logen Christopher… MORE
Priscilla Block's Welcome To The Block Party Tour Starts This Weekend
Priscilla Block's first headlining tour Welcome To The Block Party kicks off tonight in Birmingham. Priscilla will be very busy for the next month as the tour includes 15 stops between now and when it wraps in Dallas on April 23rd. Welcome To The Block Party Tour Dates: March 24 Birmingham, AL ZydecoMarch…… MORE
Priscilla Block Stopped By The Kelly Clarkson Show to Freak Out
Priscilla Block appeared on The Kelly Clarkson Show this week and shared with Kelly Clarkson how Taylor Swift and TikTok had a major impact on the start of her career. Priscilla also talked with Kelly about her brand new debut album, Welcome To The Block Party. Watch the conversation here, and Priscilla's performance of her…… MORE
Priscilla Block's Album Welcome To The Block Party – Available Now
Priscilla Block's debut album Welcome To The Block Party is available now! Now that the album is out for fans Priscilla shares, "MY SWEET ANGELS! IT IS FINALLY HERE! My debut album Welcome To The Block Party is OUT NOW! I have waited so long for this moment and I am just so thankful for…… MORE
Priscilla Block Welcomes You To Her Block Party Tour – February 10th
Priscilla Block is getting ready to release her debut album, Welcome To The Block Party, Friday February 11th… The night before, on Thursday the 10th, Priscilla will be kicking off her first headlining tour- which shares the name of her album – in Vegas. Talking about the timing of the tour and album release, Priscilla…… MORE
Priscilla Block Didn't Waste Her Talent in 2021
2021 has been a record year for Priscilla Block as her song "Just About Over You" has climbed the country music airplay chart – currently siting at number-15 (and climbing). Priscilla also released an EP, toured, and made her debut at the Grand Ole Opry. Looking back on everything that's happened, she shares "What is…… MORE


text:
/***********************************
 * ZDC Event Plane                 *
 *                                 *
 * author: Jacopo Margutti         *
 * email:  jacopo.margutti@cern.ch *
 ***********************************/

#ifndef  AliAnalysisTaskZDCEP_H
#define  AliAnalysisTaskZDCEP_H

#include "AliAnalysisTaskSE.h"
#include "AliAnalysisUtils.h"
#include "AliMultSelection.h"

class AliAnalysisUtils;
class AliAnalysisTaskSE;
class AliMultSelection;
class TProfile;
class TProfile2D;
class TProfile3D;
class TH3D;
class AliFlowEvent;

class  AliAnalysisTaskZDCEP : public  AliAnalysisTaskSE
{
public:
  //  two  class  constructors
  AliAnalysisTaskZDCEP();
  AliAnalysisTaskZDCEP(const  char *name);
  //  class  destructor
  virtual ~AliAnalysisTaskZDCEP();
  //  called  once  at  beginning  or  runtime
  virtual void UserCreateOutputObjects();
  //  called  for  each  event
  virtual void UserExec(Option_t* option);
  // get centrality bin
  virtual Int_t GetCenBin(Double_t Centrality);
  //  called  at  end  of  analysis
  virtual void Terminate(Option_t* option);

  enum DataSet {
    k2015o_pass1_pass1pidfix,
    k2015o_muon_calo_pass1,
  };

  void SetZDCCalibList(TList* const wlist) {this->fZDCCalibList = wlist;}
  TList* GetZDCCalibList() const {return this->fZDCCalibList;}
  void SetTowerEqList(TList* const wlist) {this->fTowerEqList = wlist;}
  TList* GetTowerEqList() const {return this->fTowerEqList;}
  void GetZDCQVectors(Double_t QAX, Double_t QAY, Double_t QCX, Double_t QCY);
  void SetDataSet(DataSet set) {this->fDataSet = set;};
  DataSet GetDataSet() const {return this->fDataSet;}

private:

  TList* fOutputList;             //! list containing ZDC q-vectors
  TList* fHistList;               //! list for calibration histograms
  TList* fQAList;                 //! output list for QA histograms (slot 2)
  Double_t fZDCGainAlpha;         //
  TList *fZDCCalibList;           // list for ZDC Q-vector re-centering
  TList *fTowerEqList;            // list for ZDC gain equalization
  TProfile* fZDCQHist[4];         //!
  TProfile3D* fZDCVtxHist[4];     //!
  TProfile2D* fZDCEcomTotHist[4]; //!
  TH3D *fZDCVtxFitHist[4];        //!
  TH1D *fZDCVtxFitCenProjHist[4][3]; //!
  TProfile3D *fZDCVtxCenHistMagPol[10][8]; //!
  TProfile3D* fZDCVtxCenHist[10][4]; //!
  TH1D* fCRCZDCQVecDummyEZDCBins[10]; //!
  TH2D* fZDCQvec2Ddis[10][2];      //!
  TProfile3D* fZDCCenVtxZ;         //!

  // QA histograms
  TList *fQAListMagPol;            //! QA list per magnet polarity
  TProfile*   fQVecCen[4][2];      //!
  TProfile3D* fQVecVtx[4][2];      //!
  TProfile*   fQVecCorCen[4][2];   //!
  // TProfile* fQVecDeltaC[4][2];     //!
  // TProfile* fQVecCorDeltaC[4][2];  //!
  TH2D* fQvecC2Ddis[2]; //!
  TH2D* fQvecA2Ddis[2]; //!
  TH1D* fEventCounter;             //!
  TH1D* fCentralityHisto;        //!

  TH3D *fZDCQVecVtxCenEZDC3D[10][10][4]; //!
  TH1D *fTowerGainEq[2][5];              //!

  AliFlowVector* fZDCFlowVect[2]; //! ZDC q-vectors
  Int_t fCachedRunNum;            //
  DataSet fDataSet;               //
  Int_t fnRun;                    //
  const static Int_t fnRunMax = 200; //
  TList *fQVecListRun[fnRunMax];        //! run-by-run list
  TProfile2D* fQVecRbRCen[fnRunMax];    //!
  TProfile3D* fQVecRbRVtxZ[fnRunMax];   //!
  const static Int_t fCRCnTow = 5;
  TProfile *fZNCTower[fnRunMax][fCRCnTow]; //! ZNC tower spectra
  TProfile *fZNATower[fnRunMax][fCRCnTow]; //! ZNA tower spectra
  TH2D *fZNCTowerSpec[fCRCnTow];  //! ZNC tower spectra
  TH2D *fZNATowerSpec[fCRCnTow];  //! ZNA tower spectra
  TArrayI fRunList;               // run list
  TArrayD fAvVtxPosX;             // average vx position vs run number
  TArrayD fAvVtxPosY;             // average vy position vs run number
  TArrayD fAvVtxPosZ;             // average vz position vs run number
  Bool_t fbIsMagnetPolarityNegative;     //
  AliFlowEvent* fFlowEvent;       // flowevent

  AliAnalysisUtils* fAnalysisUtils; //!
  AliMultSelection* fMultSelection; //!

  AliAnalysisTaskZDCEP(const AliAnalysisTaskZDCEP&);
  AliAnalysisTaskZDCEP& operator=(const AliAnalysisTaskZDCEP&);

  ClassDef(AliAnalysisTaskZDCEP,8);
};

#endif