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The Collective Turn in Finance: On Commonfare and Social Wallet by Letizia Chiappini
By Geert Lovink, July 10, 2018 at 12:33 pm .
You must be very strong
to love solitude; you have to have good legs
and a resistance out of the ordinary; you should not risk
colds, flu and sore throat; you should not fear
robbers or murderers; if you have to walk
throughout the afternoon or maybe all night
you must do it without realizing it; to sit there.
Loneliness, Pier Paolo Pasolini
In a variation on the term techno-capitalism, Nick Srnicek coined the notion of 'platform capitalism' to describe the current economic system, in which vulnerable segments of society become excluded and penalized. There are fundamental forces at play that cause increasing inequalities, land grabs, financial crashes and natural disasters.
In her 2014 book Expulsions[1] Saskia Sassen describes the brutality and complexity in the global economy that result in expulsions—from professional livelihood, living spaces, and even from social life. Just think about employees in 24/7 supermarkets. Or the Foodora courier that has to work through the weekend and take night shifts for a few extra bucks. Gig economy platforms recruit workers with the false promise of being a self-entrepreneur who can work whenever they please, and as much as they like. Only after starting do these workers figure out that, at the end, they are often forced to work over the weekend and compete shamelessly with other.[2]
One might think that this is nothing new under the sun; the shift-system in factories during the Fordist era was tough period for the working class as well. There have always been brutalities which were reserved for a particular portion of society: the working class, the proletarians and those that are less privileged. In the post-war period of the welfare state, or the historical momentum of the class compromise, the pledge was to improve and dignify the living conditions of individuals through work. Given the technological upheavals that shape our 21st century, working conditions may further decrease.
Nowadays, in the Western landscape factories are disappearing. The advanced phase of post-Fordism has brought about differentiated modes of production and cultural consumption. The ownership and accumulation regimes are ambiguous in terms of distribution of resources and how commodities are being produced. Hence, in this disarray it is hard to tell who belongs to the working class and who is even less privileged. Even those who think they are not yet vulnerable might soon be consumed by burnout, depression and drug abuse.
Take those who work in academia today, with its 'publish or perish' motto, which embodies the pressure to publish papers in peer-review journals. PhD students and researchers do not belong, by default, to the working class; they are considered high skilled workers that usually live in an expat bubble. They emigrate from their own countries to the 'Nordic cognitive Eldorado', to the 'prosperous and meritocratic' Global North. But what is the social cost for those who move abroad? Mark Fisher knew quite well at what cost: one's life. It reminds us of the testimony by Richard Kadison, head of the mental health unit at Harvard University, according to whom the average student in the year 2000 had the same level of anxiety as the average psychiatric patient in 1950.[3]
What we are witnessing here is a platoon of precarious individuals. Look at all the freelancers, knowledge workers, crafters, makers, artists and coders. The famous creative class that has been praised for its talent, technological innovation, tolerance and inclusiveness is now falling apart. In his 2017 book The New Urban Crisis Richard Florida expresses his mea culpa because cities in which there was a high concentration of the so-called creative class are now among the most polarized cities, such as San Francisco and London. It is not a coincidence that precisely in these metropolitan areas the ideology of sharing economy is so pronounced. If you just observe this historical tragedy without thinking about possible alternatives, life fades away. So, let's envisage alternatives together and embark on this journey. Let's see how some of us plant the seeds and contemplate how these alternatives grow. In this article we look at initiatives in Amsterdam and Milan that represent possible ways to resist expulsion and that design collective solutions.
From welfare state to Commonfare
Commonfare is a bottom-up and open platform, which adopts a cooperative approach to welfare in order to tackle different social issues. It is based on principles of re-appropriation of the commons, free access to basic needs, unconditional universal basic income and alternative financial flows.[4] Along these social justice principles there are challenges to address: precarity vs security, online vs offline engagement, overcoming apathy and learned helplessness. The mission here is to work through such ordinary dichotomies and make concrete steps forward. One example could be the concept of 'commoncoin'. This collective form of money is more 'a means of exchange to flow in alternative economic circuits, than a store of value for ordinary crypto-currency.'[5]
For instance, in the Netherlands there is the phenomenon of the broodfonds, which is a collective that allows independent entrepreneurs to provide each other with temporary sick leave. The recommended minimum is 25 people; the maximum size is 50 people. From this perspective, Commonfare can be seen as a self-organized bottom-up version of social security. Another example is the social wallet, which is emblematic to understand the potentiality within platforms like Commonfare. How can we re-think the extreme individualization of the subject into a social form of finance or incomes? Andrea Fumagalli asked this question in his 2018 book Political Economy of the Common.[6]
The Social Wallet project
A social wallet is common place to store value, which is shared and accessible by a number a people. This can, for instance, be a group or collective that have the same interests or work on the same project. Let's discuss it in detail and look at it as a design artifact. Is it made of leather or is it just a pouch, or even a string of data? Now, let's take the traditional expression 'pocket money'. It doesn't matter if the pocket is in your jeans or if it is filed inside your smartphone. Of course, the main difference between the two is that in the traditional pocket there is a limited capacity to store cash and coins. In both cases, they are extremely private. A social wallet can, in theory, store both money and time. Although labor time is not the main value for the Social Wallet initiative, time is not used within the same logic of time-banking.[7] A time-based currency is an alternative currency or exchange system where the unit of account/value is the person-hour or some other time unit. Some time-based currencies value everyone's contributions equally: one hour equals one service credit.
The experimental phase of Social Wallet started in 2013 with a European Union project called D-CENT[8]. This project itself was a collaborative policy-making tool. The initiative aimed to improve participatory design and digital tools for citizens, such as decentralized tools to engage individuals in public participation. The project aimed to build privacy-aware tools for direct democracy and economic empowerment. One of these tools was a digital wallet; which was initially called freecoin. The reason to develop this tool was to use it as an incentive for people to participate in policy-making processes. At that time there was a large monolithic application, namely a software project that included a system for authentication and authorization. Afterwards it was broken down in multiple modules.
At the time of writing in June 2018, Social Wallet is in a pilot stage. The core of the tool is entirely functional, the software developers keep improving and adding features in an agile way, as Aspasia Beneti, lead developer of the tool at Dyne.org, explained to me in an interview:
One of the pilots is Macao in Milan. It is a collective of artists. They organize themselves in a very progressive way, for instance with distributing a basic income every month. They are trying different things. Before there was a person writing excel files and keeping notes manually. Now, they use an internal wallet to be more efficient. They have a full wallet running with a particular codebase adjusted for them. They use it to distribute the basic income but also to exchange coins when they organize events, they can also gain some more coins, for example by taking care of public space or by contributing to urban commons.[9]
Macao is a small community, which uses its own social wallet for internal purposes. This means they do not need an entire blockchain[10] system to organize their activities. The collective has chosen to go for internal transparency. One of the pillars of Social Wallet is to keep the system simple for users. There is the Social Wallet API, which is the main component, where anyone can create his or her own interface. It is generic and configurable.
One could think of this as a niche product for an artist collective. That would be wrong however, it is much more! Let's look at another example, the Santarcangelo Festival,[11] another Macao spin off. Santarcangelo is one of the oldest theater festivals in Italy, founded in 1975. For the 2018 edition they expect about 10.000 visitors. Though their experiment is different from Macao, they both try to engage citizens in technological trials. Their main difference is the attempt to be more interactive with both visitors and retailers. For instance, Santarcangelo has an app for augmented reality to read the programme and the Santa Coin[12] that is based on the Social Wallet API. One of the most interesting aspects is an adaptation for people that do not have a smartphone. Instead of a digital version, they provide a QR code, which can be printed on paper. At the entrance, visitors can exchange euros for Santa Coin. The coin can be used in bars and shops such as the hairdresser. From the organizers' perspective, this is the easiest way to check how much the turnover of the festival is and to what degree there is an impact on the local economy.
What's the difference between a social wallet and a token? Beneti explains:
There are a lot of similarities between the two. One of the main differences is that the social wallet is digitized, so you don't have plastic, like token coins. It is more environmentally sustainable. It might be anything, a QR code printed on a piece of paper. It is reusable, so you can use it as a wallet. As an electronic wallet, it is an extension of the token because you can use it again and put more money on it. You can check your transactions and you can scan it. I think this is known as top-up in England. It is more transparent for the users and the festival.
Another successful example is the Bristol pound, a printed alternative or complementary currency. Instead of going to Starbucks, one can support the local economy and use the alternative currency in small local shops. It increases the trust among the local community, and it has environmental benefits. In this way, people can be incentivised to consume local products.
Think of how pervasive your smartphone is and imagine a cashless society. This is already becoming a reality in some places. A city like Amsterdam wants to encourage individuals to use less and less cash. For instance, on the tram you can only pay by card. You can order food, pay Uber, transfer money to your friends after a dinner together, all thanks to your bank app. In Southern Europe, where the digital divide is still much higher, it is not so usual to transfer money to your friends through an app. A side effect of the use of bank apps might be an extra addiction to your smartphone, such as checking compulsively how much money there is on your bank account. It is an individual financial obsessive-compulsive disorder. Let's call this the Financial Self. It is a self that is constantly checking one's liquidity. Whether in past this was accessible exclusively for bankers and financial brokers, this has been democratized. Now you can behave like a banker scrolling down your Instagram feed one moment and your ING-app the next.
The idea of the social wallet is an explosive one, because it stops the individualization and the narrow space of 'me and my 25 euros on my ING-app'. The social wallet is an invitation to re-think finance in a collective way. The decision-making part is decentralized. Those who work for the social wallet are collective entities. The social move here is radical. In the common imaginary, finance has always been for brokers; think of Gekko in Wall Street or the Wolf of Wall Street. So far, global finance has been in the hands of a bunch of rich people that fight like sharks in an ocean of misery. Whereas Bitcoin is pitched to the financial elite as an alternative to the dominating currencies, the social wallet has no ambition to compete. Some might say that it is like Bitcoin. Nooooo! It is not. Bitcoin is an extension of the traditional finance ratio where the winner takes all. In this regard, the social wallet is similar to faircoin, which belongs to the world of coops and collectives, groups and communities that share what they produce. It has a redistributive effect within local economies. As Beneti remarks: 'The social wallet can connect with a blockchain (for example faircoin) and/or a local complementary currency using a database like for example the Commoncoin in case of the Commonfare platform or the Santacoin in case of the Santarchangelo festival. It is a generic tool that can be adapted according to needs.' The idea of the social wallet comes from the social movements!
How can initiatives like Social Wallet prevent the brutalities and expulsions of the global economy?
Social Wallet fits in a larger software ecology, often associated with the buzzword blockchain. Social Wallet is just one of the many tools in the toolbox. It represents an alternative and contributes to give collective, cooperative and economic foundation to different forms of community and self-organization. As Primavera De Filippi claims 'These organizations—which have no director or CEO, or any sort of hierarchical structure—are administered, collectively, by all individuals interacting on a blockchain. As such, it is important not to confuse them with the traditional model of 'crowd-sourcing', where people contribute to a platform but do not benefit from the success of that platform.'[13]
Without becoming a believer or techno-savvy promoter, we might think about concrete solutions to avoid continuing the ocean of misery. Do we envision ourselves as a crew on Le Radeau de la Méduse or part of the victorious army of La Liberté guidant le peuple? Let's not picture our society as failure but rather emphasize our capacity to respond and stand up. Starting from small initiatives that fight the unicorns of platform capitalism.
'Abbiamo Portato La Santa Coin al Festival: Sei Pronta/o?', Santarcangelo Festival, https://www.santarcangelofestival.com/en/santacoin/.
De Filippi, Primavera. 'What Blockchain Means for the Sharing Economy', Harvard Business Review, 15 March 2017, https://hbr.org/2017/03/what-blockchain-means-for-the-sharing-economy.
Financial Times, 'Poor Worker Conditions Power Gig Economy | FR Alphaville', YouTube, 12 December 2016, https://www.youtube.com/watch?v=zNLXqvPk2tU&feature=youtu.be.
Fumagalli, Andrea, and Stefano Lucarelli, 'Finance, Austerity and Commonfare', Theory, Culture & Society 32.7-8 (October 2015).
General Intellect, 'Commonfare or the Welfare of the Commonwealth', In: Inte Gloerich, Geert Lovink and Patricia de Vries (eds), MoneyLab Reader 2: Overcoming the Hype, Amsterdam: Institute of Network Cultures, 2018.
Kadison, Richard, and Theresa Foy DiGeronimo. College of the Overwhelmed: The Campus Mental Health Crisis and What to Do About It, San Francisco: Jossey-Bass, 2004.
'Political Economy of the Common', P2PFoundation Wiki, 10 June 2018, https://wiki.p2pfoundation.net/index.php?title=Political_Economy_of_the_Common&oldid=112364.
Sassen, Saskia. Expulsions: Brutality and Complexity in the Global Economy, Cambridge: Harvard University Press, 2014.
[1] Saskia Sassen, Expulsions: Brutality and Complexity in the Global Economy, Cambridge: Harvard University Press, 2014.
[2]Financial Times, 'Poor Worker Conditions Power Gig Economy | FR Alphaville', YouTube, 12 December 2016, https://www.youtube.com/watch?v=zNLXqvPk2tU&feature=youtu.be.
[3] See the book by Richard Kadison:
https://www.wiley.com/en-us/College+of+the+Overwhelmed%3A+The+Campus+Mental+Health+Crisis+and+What+to+Do+About+It-p-9780787981143
[4] Andrea Fumagalli and Stefano Lucarelli, 'Finance, Austerity and Commonfare', Theory, Culture & Society 32.7-8 (October 2015).
[5] General Intellect, 'Commonfare or the Welfare of the Commonwealth', In: Inte Gloerich, Geert Lovink and Patricia de Vries (eds), MoneyLab Reader 2: Overcoming the Hype, Amsterdam: Institute of Network Cultures, 2018.
[6]'Political Economy of the Common', P2PFoundation Wiki, 10 June 2018, https://wiki.p2pfoundation.net/index.php?title=Political_Economy_of_the_Common&oldid=112364.
[7] 'Give one hour of service to another, and receive one time credit.' See: https://timebanks.org
[8] See: https://dcentproject.eu.
[9] The interview was conducted in Amsterdam in the office of Dyne.org, 6 June 2018.
[10] In 2017, Macao asked Federico Bonelli (Dyne.org) to design a game that explains how blockchain works. The idea behind Le Grand Jeu is to familiarize people these new concepts, similar to Monopoly that explains how capitalism works. Le Grand Jeu is a great example that stands in contrast to the idea of traditional urban gamification. It is not about strengthening the existing smart city projects and therefore policies, but more about how things can be reimagined together. The purpose of the game was to simulate the future economy and play with its mechanisms. For example, in order to explain how sustainable energy works, the game comes up with a potential choice between different technologies. The aim would be to choose between them, which is best for a future society. Another aim is to organize human activities in a sustainable way in order to imitate the process of transition. One could compare this with grassroots community projects that aim to increase self-sufficiency (in this case related to climate change). See: www.transitionnetwork.org and: http://www.macaomilano.org/spip.php?rubrique109.
[11] See: https://www.santarcangelofestival.com.
[12] 'Abbiamo Portato La Santa Coin al Festival: Sei Pronta/o?', Santarcangelo Festival, https://www.santarcangelofestival.com/en/santacoin/.
[13] Primavera De Filippi, 'What Blockchain Means for the Sharing Economy', Harvard Business Review, 15 March 2017, https://hbr.org/2017/03/what-blockchain-means-for-the-sharing-economy.


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" So I answered and spake to the angel that talked with me, saying, What are these, my lord?
The books of reference used for this study of the book of Zechariah were the Bible, King James Version, called "The Companion Bible", Publisher Kregel; Strong's Exhaustive Concordance of the Bible, numbered to the Hebrew, Chaldee, and Greek, and English, coded to the Strong's Concordance numbers.
"Literal Prophecy of First Vision"
Chapter 2 "Third Vision - Yahveh's Purpose"
Chapter 5 "God's Eternal Enemies, 6th and 7th Visions"
Chapter 6 "Invisible Agencies, the Horses"
Chapter 7 "Literal Prophecies, Dated."
Chapter 8 "Restoration of Jerusalem"
"Rejoice for the Coming of Christ, the First Burden"
Chapter 11 "Prophecy with Symbols."
Chapter 12 "Threatening Against Enemies, Restoring Judah"
Chapter 13 "Evil is Removed"
Chapter 14 "The Lord's Day"


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Bernice King advises not to 'fan the flames' of Capitol rioters
Bernice Albertine King is the youngest child of Martin Luther King Jr. Bernice, 54, is a Christian minister. She works as CEO of The King Center to advocate nonviolence. She has been in conflict with her two brothers over selling some of her father's memorabilia. Bernice has said her father would oppose gay marriage. She is a graduate of Spelman College and a juris doctor from Emory University.
Georgia News | Updated Jan 12, 2021
By ALEX SANZ, Associated Press
Daughter of the Rev. Martin Luther King Jr. has spoken out about Capitol riots
ATLANTA — The daughter of the Rev. Martin Luther King Jr. says Americans angered by the mob attack on the U.S. Capitol should take care to ensure their responses do not feed the divisive message of extremists.
"I think we tend to fuel the fires, to fan the flames quite a bit in this nation when people do stuff that is extreme like that in a hateful way," the Rev. Bernice King said of the chaos in Washington last week.
ExploreReport: FBI warned of 'violence,' 'war' ahead of riots that killed 5 at Capitol
Thousands loyal to President Donald Trump swarmed the Capitol last Wednesday, overrunning police and breaking inside in hopes of stopping Congress from certifying Trump's election loss. Five people, including a Capitol police officer, died as a result of the violent riot.
King, CEO of the Martin Luther King Jr. Center for Nonviolent Social Change in Atlanta, spoke to The Associated Press a week before the federal holiday honoring her father. She said people outraged by the Washington attack should not channel that into "hateful rhetoric. We can't become them."
"We have to elevate them. We have to bring them up to a higher place," King said. "So the way in which we speak to them, in truth, has to be in the right way. You know, we can't attack their personhood, but we can attack their actions."
Congressman Hank Johnson talks about the discussions on delivering articles of impeachment on President Donald Trump due to the riots at the U.S. Capitol.
King noted the predominantly white mob that stormed the Capitol was met with remarkably less force from police than largely Black crowds that protested racial injustice in cities across the U.S. over the summer.
She praised authorities for pursuing arrests and criminal charges in the week since the Capitol siege. And she said those deserving punishment include Trump, who implored his supporters to "fight like hell" in a speech outside the White House right before the crowd marched on the Capitol.
King said taking no action against Trump would send a message that "it's OK for the leader of the country to act in that way and that there are no consequences."
"That's why I'm glad that they have they've been talking about the removal and impeachment," King said. "Even if they don't succeed, for history they have to do this."
Follow Alex Sanz on Twitter at @AlexSanz.

redpajama_set_name: RedPajamaCommonCrawl


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Home»Entertainment»Diddy Is the World's Highest-Paid Celebrity
Diddy Is the World's Highest-Paid Celebrity
With $130 million in a 12-month period, Sean Combs has been named the highest-paid celebrity in the world by Forbes, thanks in large part to Sean John, Ciroc, and his Bad Boy empire.
Puff Daddy was able to reach this impressive feat thanks to his many lucrative endeavors. He sold one-third of Sean John for an estimated $70 million. His Ciroc vodka partnership and the "Bad Boy Family Reunion Tour" also helped him bring in cash.
Seemingly responding to this honor, Puffy showed that he isn't going to be distracted. "Stay focused," he wrote on social media. "laser focused!!! #HustleHarder #CantStopWontStop"
A post shared by LOVE (@diddy)
Combs — who is planning to drop his Can't Stop Won't Stop: A Bad Boy Story documentary on June 25 — recently said that these accolades are mostly about giving back. "It's really about the things I can do with the success that I've had like opening up my charter school, Capital Prep in Harlem," he told Billboard last month. "Donating a million dollars to my alumni, I'm really, really passionate about that. At the same time, I think that when my people see people that look like us on that list, in Forbes, handling business, it's really the right way to get inspired so I make no apologies for being No. 1 on the list…It's something that I'm proud of. I work hard."
Topping the Forbes Celebrity 100 wasn't easy, because Beyoncé was right on Diddy's heels with $105 million. She earned that sum due to her "Formation World Tour" and the LEMONADE album and film combo, which came out last year.
Harry Potter author J.K. Rowling came in at No. 3 with $95 million, while Drake raked in $94 million, enough for the No. 4 slot. Soccer superstar Cristiano Ronald came in at No. 5 with $93 million.
Powered by streaming, The Weeknd managed to come in at No. 6 with $92 million. Elsewhere, Howard Stern (No. 7, $90 million), Coldplay (No. 8, $88 million), James Patterson (No. 9, $87 million), and LeBron James (No. 10, $86 million) rounded out the top 10.
Last month, Diddy also topped the Forbes Five and in September, he held the peak position on Forbes' Hip-Hop Cash Kings list.
Diddy Featured Sean Combs
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Beyoncé Is Forbes' Highest-Paid Woman in Music
Diddy Named Forbes' Highest-Paid Hip-Hop Artist
Mark Wahlberg Is 2017's Highest-Paid Actor in the World


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We alerted the display of the service center so that rather jumping when it loads, there is a nice placeholder that is displayed. Press "refresh" on your homepage, and you should see it right off the bat! We had a number of city launches during this past release cycle, so we also added the ability to customize language used for Payments and Staff Contact post types. Finally, we will be launching our new Kiosk edition of the service center tomorrow. Keep an eye on our Blog next week for videos if you are interested in bringing an interactive Directory to your City Hall.
Release 1.42.0 will be another primarily bugfix release with additional back-end updates.
Version 1.42.0 will be released on November 2, 2017.


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Polis Administration Seeks $116 Million in Federal Emergency Aid to Rebuild I-70 in Glenwood Canyon and Develop Safer Alternate Routes
GLENWOOD SPRINGS - The Polis administration is seeking $116 million in aid through the Federal Highway Administration's (FHWA) Emergency Relief program to support the response to severe damage to I-70 in Glenwood Canyon caused by multiple mudslides and large debris flows. As part of the request, the state is requesting $11.6 million, or 10% of the total request, be issued in an expedited process. The request was made by Governor Jared Polis and Department of Transportation Director Shoshana Lew in a letter to Secretary of Transportation Pete Buttigieg and FHWA Acting Administrator Stephanie Pollack, as well as a separate submission to the FHWA Colorado Division office. This follows the issuance of two Executive Orders from Governor Polis last week, as well as a letter from the Colorado congressional delegation on Saturday, August 7, 2021, stressing the urgency of this matter to the state.
"The ongoing closure of I-70 continues to strain people and communities throughout the region and western Colorado, and also has significant implications for interstate travel and commerce. The corridor is vital for everything from long-haul freight to movement of agricultural products across the state to the ecotourism economy. I-70 provides critical connectivity for communities in Eagle, Garfield, and Pitkin counties and serves as the state's main east-west thoroughfare for people and commerce. While Coloradans understand the magnitude of destruction, the disruption to people's lives and livelihoods grows as the interstate remains closed. Federal support, including quick release of funds, will greatly assist our efforts to restore functionality to the interstate and allow people to have the connectivity they rely on," Gov. Polis and Director Lew wrote to Secretary Buttigieg and Acting Administrator Pollack.
The funding request notes that this figure is an estimate made as debris removal efforts and damage assessments are still ongoing. CDOT expects to update these assessments and funding requests in the next 8 to 10 weeks. The request for federal emergency funding also includes funding to study and construct safety improvements to alternate routes to Glenwood Canyon, as previewed in CDOT testimony before the Transportation Legislative Review Committee last week.
"The ongoing vulnerability due to the severe erosion described above will likely require improvements to diversion routes such as Cottonwood Pass to be able to withstand heavier traffic in the future while providing resiliency," the letter continues. "Prior estimates concluded that improvements to Cottonwood Pass are upwards of $50 million of which has been carried forward in the estimates below, subject to further assessment which could increase this number."
The funding request breaks down several high-level categories:
Debris removal costs (includes maintenance staff costs) = $4 million
Impacts to existing State Highway alternate routes (as a result of I-70 closure) costs = $10 million
Supplemental traffic control services (contractor) costs = $1 million
Visible damage estimates caused by event damage or debris removal hauling costs = $20 million
Assumed damage repair estimates (non-visible) costs = $20 million
Potential geohazard mitigation at several locations = $5 million
Construction Management and Construction Engineering costs = $5 million
Future Resiliency & Redundancy Study costs = $50 million
CDOT administration (non-maintenance staff) costs = $1 million
Here is Gov. Polis and Director Lew's letter to Secretary Buttigieg and Acting Administrator Pollack and CDOT's submissions to the FHWA Colorado Division.


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The Heckler – Comedy film, Sydney Premier
So looking forward to seeing this comedy film tonight at it's Sydney premier in Newtown tonight, The Heckler. A comedy movie for… comedy! I'm really excited to see my friend CJ Fortuna in this movie and some other familiar faces. Read more details for tonight's special event and the movie below.
Sydney Premiere of Award winning comedy announced.
After a sold-out Melbourne run and success at the LA Comedy Festival, where it won the 'Best Ensemble' award, comes the Sydney Premiere of new body-swap film 'THE HECKLER'.
It marks the feature film debuts of local talents Kate Jenkinson ('Hiding', Offspring', 'Super Fun Night'), Emily Taheny ('Mad as Hell', 'It's a Date', 'Comedy Inc') and Simon Mallory ('Comedy Inc') and also stars CJ Fortuna ('Kinne'), Scott Harrison ('Charlie & Boots', 'The Hollowmen') and Dave Lawson ('Utopia') along with a host of comedy performers including Tony Martin and Jeff Green.
Shot on location in Melbourne, THE HECKLER is about a stand-up comedian who has his body hijacked by the spirit of a jealous heckler and must find a way to reclaim it before his career is ruined now that an idiot is in charge.
It marks the feature debut of director Ben Plazzer, after a string of shorts (including Noddy, winner of the 2015 Peninsula Film Festival), and writer Steve Mitchell (The Unusual Suspects, Tropfest 2012).
Described by Hollywood comedy guru Steve Kaplan (author of 'The Hidden Tools of Comedy') as "A delightfully charming comedy… wonderfully witty! For once an LOL that is really an LOL!" – The LA Comedy Festival is the largest comedy festival in the United States and the filmmakers decided to follow-up the win in LA by hosting event screenings with live stand-up at the main Australian Comedy Festivals: Adelaide, Melbourne and now Sydney.
Co-producer Katrina Fleming (CANOPY) said, "Launching the film through comedy festivals, instead of film festivals, will not only appeal to its target audience, but adds to the experience of watching a film about stand-up comedians."
The Adelaide and Melbourne screenings sold-out and received four-star reviews. "A mix between King Of Comedy and Freaky Friday, The Heckler is an entertaining film… full of laughs." – Elizabeth Harnett, The Clothesline.
Venue: Dendy Newtown
Date: Wednesday 6th May
Tickets: $19.50 ($17 Conc)
Bookings: www.thehecklermovie.com
or www.sydneycomedyfest.com.au/single-event?show_id=1025
https://www.facebook.com/TheHecklerMovie
www.thehecklermovie.com
www.thecomedycartel.com.au
Posted in Comedy, sydneyTagged comedy film, comedy newtown, newtown dendy comedy, sydney comedy, sydney comedy festival, sydney premier, the heckler, the heckler comedy, the heckler sydney
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In blended classrooms, students rotate on a fixed schedule between three stations: 1) adaptive technology at technology stations, 2) teacher-guided lessons, and 3) independent work. Teachers assign students to new groups daily based on data from online software. Each student in grades 6-8 has her own laptop. This gives teachers opportunities to work individually with students once a week when they have all students use technology at the same time.
We've been through many challenges in implementing blended learning at Lazear. One of the biggest is moving from doing blended learning as an initiative to treating it as what we do and building a culture around it. We'd also like to improve our professional development by finding time to show teachers how to use data and connect them to share their goals and pitfalls. We'd also like to have more devices so we can take advantage of all the technology, and with that, we're looking to expand into other subjects.
Lazear Charter Academy is a K-8 school in the Fruitvale neighborhood. Lazear is EFCPS' first Science Technology Engineering and Mathematics (STEM) school. They are excited to be actively integrating technology and utilizing Engineering is Elementary and Project Lead the Way curricula to build student capacity to apply their learning and understanding while creating powerful solutions to real-world problems.


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Mount St. Mary's Swimming & Diving Announces 2018-19 Schedule
Men's 2018-19 Schedule
Women's 2018-19 Schedule
Emmitsburg, Md. (September 19, 2018) – The Mount St. Mary's swimming and diving program has announced its schedule for the upcoming 2018-19 campaign, which is highlighted by a pair of home meets.
Both the men's and women's teams will open the season with a meet at VMI on October 6, before heading to NJIT for an invitational on October 21. The men's squad rounds out the month with the Liberty Invitational spanning October 26-27.
The Mountaineers will host their first home competition of the season on November 3, as both squads welcome in Howard and Monmouth to Emmitsburg.
Mount St. Mary's closes out the fall semester with the Franklin & Marshall Invitational (Nov. 16-18) and the Loyola H2ounds Invitational (Nov. 30–Dec. 1).
On January 26, the Mountaineers will host their final home meet of the year, taking on La Salle as part of Senior Day at the Mount Swimming Pool.
The final dual meet of the regular season for both the men's and women's teams will take place on February 2 at Loyola.
The women's squad then heads to the Northeast Conference (NEC) Championships from February 13-16 at the Nassau Aquatic Center on Long Island, while the men's team will compete in the Coastal Collegiate Sports Association (CCSA) Championships from February 20-23 at Liberty University.


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Rega je rijeka u Poljskoj. Duga je 168 km te se ulijeva u Baltičko more. U Regu se ulijevaju rijeke Brzeźnicka Węgorza, Uklerja, Stara Rega, Reska Węgorza, Mołstowa, Rekowa. Protječe kroz naselja Świdwin, Łobez, Resko, Płoty, Gryfice, Trzebiatów.

Rijeke u Poljskoj
Baltički slijev

redpajama_set_name: RedPajamaWikipedia


General information about symptoms of Vaginitis: The symptom information on this page attempts to provide a list of some possible symptoms of Vaginitis. This symptom information has been gathered from various sources, may not be fully accurate, and may not be the full list of symptoms of Vaginitis. Furthermore, symptoms of Vaginitis may vary on an individual basis for each patient. Only your doctor can provide adequate diagnosis of symptoms and whether they are indeed symptoms of Vaginitis.
More symptoms of Vaginitis: In addition to the above information, to get a full picture of the possible symptoms of this condition and its related conditions, it may be necessary to examine symptoms that may be caused by complications of Vaginitis, underlying causes of Vaginitis, associated conditions for Vaginitis, risk factors for Vaginitis, or other related conditions.


Printed in black and white on art paper an image of President Obama sitting in Hans J. Wegner's Round chair. As Wegner stated "A chair is only finished when someone sits in it".
Dmitry Medvedev at the Bella Center in Copenhagen on December 18, 2009. The discussion on the settlement of a nuclear arsenal reduction agreement took place on the sidelines of the 12th day of the COP15 UN Climate Change Conference.
Obama of course is not the first US President to be photographed sitting in The Chair. In 1960 when John F. Kennedy faced Richard Nixon in the first presidential election debate to be televised on NBC. They sat in "The Chair".


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Free Guy (2021) Review
High-Octane
Free Guy may be The Truman Show for the Fortnite crowd but I was surprised how enjoyable it was with Ryan Reynolds his usual self but it works perfectly for this movie and he makes Guy an immediately appealing protagonist. There is plenty of action with explosions, chases and even some fights so if you're looking for some bright escapism from the tedium of reality then this is worth logging on for.
Plot: When a bank teller discovers he's actually a background player in an open-world video game, he decides to become the hero of his own story — one that he can rewrite himself. In a world where there's no limits, he's determined to save the day his way before it's too late, and maybe find a little romance with the coder who conceived him.
Review: I went into Free Guy with relatively low expectations; I had an idea what to expect so I just wanted some escapism for a few hours but I was surprised just how much I enjoyed this film. It's essentially The Truman Show meets Ready Player One for the Fortnite generation but it has enough fun ideas to make it stand out as a heartwarming comedy with no shortage of action scenes.
Ryan Reynolds is his usual self but it's hard to picture anyone but him playing the character of Guy, giving him an appealing wide eyed naiveté; Guy is an NPC (Non Playable Character) in a videogame called Free City; he wakes up every morning doing the same routine but begins to feel that everything isn't what it seems and his suspicions are confirmed when he puts on some sunglasses to see the world as it really is. If you're a fan of the John Carpenter classic They Live you'll notice a few nods to it as well as many other Easter eggs and cameos.
One day Guy sees the girl of his dreams with the username Molotov Girl (Jodie Comer) and she shows him that there is more to this world than he could have imagined. Keys (Joe Keery) and Millie (also Jodie Comer) are the two programmers who created Free City and they want to try and get the code back from Antwan (Taika Waititi) who stole it from them; Keys and Millie are both immediately sympathetic and Waititi provides a few laughs but you mostly want to punch him in the face after a short period of time.
There were some innovative ideas and the choreography in the fight scenes was impressive as it actually looked like a videogame brought to life; this is one time where I won't bitch about the CGI as it's set in a videogame world but the visual effects are impressive throughout. It's the kind of movie that benefits from multiple viewings due to all the little things going on in the background.
Despite the generally light tone there are themes of breaking free of the constraints of life and following your own path so it manages to inspire as well as entertain.
I need to put on that record that I hate that godforsaken Mariah Carey Song… oh God, I hate it so much. It's still going through my head and won't leave me alone…
Overall, Free Guy may not be an original concept but it's nice to see a film that's bright and colourful with a positive message but also has time to blow lots of stuff up while giving us some likable characters and humorous moments. You may not need to rush to the cinema to see it but on a rainy Saturday afternoon I'd recommend checking it out as it's the perfect cure for these dreary times.


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JoAnn Seagren
JoAnn Seagren is Managing Director of JA Glynn Private Wealth.
JoAnn graduated Magna Cum Laude from the University of Southern California with a B.S. in business. She is a member of the Economic Club of Chicago and the International Women's Forum. She volunteer teaches in Openlands' Birds in my Neighborhood® program. She is a co-founder of Smartfarm of Barrington and she is a member of The Fortnightly of Chicago.
JoAnn traces her love of nature to growing up in California where she hiked, biked and explored the outdoors. "In high school, I invited my sister to go backpacking on the John Muir Trail in the Minaret Wilderness," she recalls. "It completely changed the way I viewed the world. My own two grown children hike together, too, when they can, and I love that!"
"When I moved to Illinois, I was led to conservation through one of my dear friends who taught me all about the native plants and birds, and then introduced me to Jerry Adelmann in 1991. Jerry gave me the opportunity to help on a planning task force for the Canal Corridor Association. During my years in Barrington, I became a stewardship and restoration volunteer, and then a board member of Citizens for Conservation and President of the Barrington Area Conservation Trust.
"In 2012, I moved my home from Barrington to Chicago and that was my opportunity to become more involved with Openlands. What's exciting about Openlands is its scope and broad reach. Openlands embraces conservation and land issues, social and urban issues, and especially the people in our region, all together in one package."
Asked about where she likes to be outside in the Chicago region, JoAnn thinks for a moment. "I love to go back to Barrington, particularly to hike in the Forest Preserves there. The bird songs, the stillness, the open space… I miss that. In the city, I like to do a lot of cycling really early in the morning. I get out at 6am and ride down the lakefront to Hyde Park and back, as the sun is rising over the Lake Michigan and before the city wakes up. Even from my bike, I can often hear birds singing.
B.S., Universty of Southern California, Marshall School of Business, Magna Cum Laude
Economic Club of Chicago
International Women's Forum
The Fortnightly of Chicago
Co-founder of Smartfarms.org


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World Bank Approves $3.75B for South Africa Coal Plant, Despite Environmental Criticism
By Guest Writer
By Suzanne Goldenberg, Guardian
The World Bank on Thursday approved a controversial $3.75 billion loan to build one of the world's largest coal plants in South Africa, defying international protests and sharp criticism from the Obama administration that the project would fuel climate change.
The proposed Medupi station, operated by South Africa's state-owned Eskom company, was fiercely opposed by an international coalition of grassroots, church and environmental activists who said it would hurt the environment and do little to help end poverty. As planned, it would put out of carbon dioxide a year and would prevent South Africa making good on a promise to try to curb future emissions.
The bank said it acted to help South Africa escape a crippling power shortage.
"Without an increased energy supply, South Africans will face hardship for the poor and limited economic growth," said Obiageli Ezekwesili, the World Bank's vice president for Africa.
But the bank's approval for the Medupi station, though expected, was overshadowed by dissatisfaction from American and European donors, as well as a groundswell of protests.
America, Britain, the Netherlands, Italy and Norway registered their opposition to the loan by abstaining from the vote, the traditional method of dissent on the board which operates by consensus.
In a statement, the U.S. Treasury Department said the loan was incompatible with the bank's stated commitment to promoting low carbon economic development.
"We expect that the World Bank will not bring forward similar coal projects from middle-income countries in the future without a plan to ensure there is no net increase in carbon emissions," it said.
Britain, registering its abstention, noted the controversy surrounding the plant.
"The project raises several sensitive and potentially controversial issues which it has not been possible to resolve before this period began," a statement from the UK's Department for International Development said.
However, a World Bank official said the strong wording of such statements did not carry over to the Board's discussions of the loan.
"It was not an easy decision," he said. "Everybody recognized the concerns about climate change, but this was a balancing act."
The vote by the World Bank had been widely seen as a test of the Obama administration's commitment to new guidelines put forward barely three months ago to shift aid to the developing world away from coal and fossil fuels to less polluting energy sources. The administration had come under strong pressure from Democratic leaders in Congress as well as environmental organizations to try to block the loan.
Environmental organizations said its decision to abstain fell short.
"I am not going to give them points for abstaining. This was totally the easy way out," said Karen Ornstein of Friends of the Earth. "If the U.S. were to follow its own clean coal guidance for multilateral development banks it would have had to vote no on this loan."
Michael Stulman of Africa Action said the entire project was misguided, and would do little to help poor South Africans.
"This is one of those stereotypical development disaster stories," he said.
(Republished with permission of the )
Eskom: The World Bank's Coal Power Support Program
World Bank's Massive Fossil Lending Undermines Its New Climate Funds
Western Institutions Bankrolling Dirty Power in Developing Countries
(Photo: Work begins on Medupi Power Station, Eskom)
Could someone please explain
Submitted by Makalo (not verified) on April 21, 2010 - 5:42pm.
Could someone please explain to me how South Africa building a Coal Plant in light of the new Carbon emissions tax which it is set implement in September this year make any sense at all?! or is it just me?!? I thought they wanted to reduce carbon emissions? then again...this is Africa, anything goes...


The Rhino Jaw Crusher is the predecessor to the Terminator Jaw Crusher. It is now used ... Leave your needs. reviews terminator jaw crusher - reviews on terminator jaw crusher. TM Engineering Rhino Jaw Crusher New for Sale in Canada The Rhino Jaw Crusher is the predecessor to the Terminator ... Leave your needs.
Save red rhino crusher to get e-mail alerts and updates on your eBay Feed. + Items in search results. NEW Red Rhino 5000 Jaw Crusher. Brand New. $76,900.00. Free local pickup. Buy It Now. 11 Watching. NEW Red Rhino 5000 Jaw Crusher. Brand New. $130,900.00. Free local pickup.
mobile stone crushers for sale in south africa. What is price of a 10 TPH small diesel stone crusher for sale in a crushing plant Aug 8, 2016 Stone Crusher Machine for Sale Used Small Jaw Crushers For Sale, Sales, rentals, support and parts for Red Rhino Crushers in South Africa.
The 3000 series is a 500mm x 250mm jaw action crusher that has the capability of crushing a full UK kerbstone in approximately 30 seconds. Instant hydraulic adjustable jaws allow output product sizes to range from 20mm up to 100mm.


Gresham's Strategic Investment Zone (SIZ) covers 500 acres of industrial land.
Qualifying traded-sector business investments within this geographic area that meet the SIZ criteria are eligible for partial property tax abatement for 15 years.
When an eligible company locates within the SIZ, it pays property taxes on the first $100 million of value of the improvements. The value above $100 million is abated. This partial property tax abatement lasts for 15 years.
In addition to paying taxes on the first $100 million, the company pays an amount equal to 25% of the taxes, which would otherwise have been due, up to $2 million per year; this payment is called a community service fee.
When a company's taxable assessed value exceeds $750 million, additional payments are required.
The company must enter into a first source hiring agreement with a third-party purveyor, to encourage hiring locally in East Multnomah County.
Based on a tiered scale, additional payments are required for taxable values over $750 million.
The tiered scale starts at 10% of the sum of property taxes on the first $100 million of taxable value and the community service fee, and tops out at 150% of the combined property taxes and community service fee for investments valued at over $5 billion.
Investments subject to additional payments are eligible for a 20% reduction of those payments, for each of the first three years of the SIZ investment, if the project achieves and maintains at least LEED Gold certification.
The Gresham SIZ boundary is Glisan Street to the north, 242nd to the east, near Stark Street to the south, and just east of 202nd to the west.
Any business interested in applying for Strategic Investment Zone should contact Shannon Stadey at 503-618-2854 or Shannon.Stadey@GreshamOregon.gov. Economic Development staff will assist you with the application for benefits, which is submitted to Business Oregon for final approval.
A Strategic Investment Zone (SIZ), enabled during the 2005 Oregon Legislature (SB 879), is a form of Oregon's Strategic Investment Program (SIP).


Someone who is looking to escape for a while, learning about different cultures in the process.
From my experience, the Burmese people really enjoy human interaction!
The most common form of transport in the Burmese countryside.
My final Mayan sunset - from atop an ancient pyramid.
Semuc Champey: The best day of adventure Central America can offer!
Stealing a kiss in Semuc Champey!
Caroline amidst the colourful handmade bags.


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Movie on Gwangju uprising picked to close Canada's Fantasia Fest
SEOUL, July 6 (Yonhap) -- "A Taxi Driver," a new South Korean movie on the 1980 pro-democracy uprising in Gwangju, was selected as the closing film of this year's Fantasia Film Festival in Canada, according to its distributor Thursday.
The genre-oriented film contest launched in 1996 is popular among hardcore film fans and distributors largely from North America. It runs July 13-August 2.
Distributor Showbox said this is the first time for a Korean movie to close the prominent festival. "A Taxi Driver" is also part of the competition category.
"Mainly Hollywood or Canadian films have been selected for the closing night showing," the company said.
Directed by Jang Hun of "Secret Reunion" (2009) and "The Front Line" (2011), "A Taxi Driver" depicts the historical uprising seen from the eyes of two outsiders, a taxi driver from Seoul and a journalist from Germany.
It stars Song Kang-ho of "Host" and "Snowpiercer." German actor Thomas Kretschmann takes the role of Peter, who is based on Jurgen Hinzpeter, a late correspondent for the German public broadcasting company ARD-NDR, who risked his life to spread grim images of the bloody military crackdown around the world.
The new film is set to open in August in South Korea.


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AGX-A
What Is Angiogenesis? (via Sloan Kettering Institute)
https://www.mskcc.org/news/what-angiogenesis
DNA pioneer James Watson takes aim at "cancer establishments" (via Reuters)
https://www.reuters.com/article/us-usa-cancer-watson-idUSBRE90805N20130109
Opening Cancer's Black Box (via Sloan Kettering Institute)
https://www.mskcc.org/news/opening-black-box
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HEMLINGTON Lake in Middlesbrough was once a prolific fishery where matches were held every weekend throwing up some brilliant weights of crucian carp, roach, bream, mirror carp, common carp, perch and gudgeon.
But the water fell into decline and masses of floating weed and water clarity issues resulted in the fishing becoming almost impossible.
But now an injection of 2,000 roach, bream and perch are being introduced which should help bring the lake back to life. The fish have been removed from Chop Gate lake near Stokesley which is noted as a carp water.
IT'S the big one today, the River Swale Masters. The biggest river match in the North-east and perhaps the biggest river match in the country following the decline of big matches on running waters.
With luck big weights of chub and barbel will be landed. As a warm-up for the event Northallerton and District AC fished the Thompson Cup and 36 eager anglers turned out for some practice.
Paul Bosomworth of Northallerton used his knowledge of the water to tame 46lb 6oz of chub to 5lb 4oz by fishing a blockend feeder with maggot from his peg at Bedale.
Runner-up Pat Adams of RSPS wasn't too far off the pace and thought he had the match in the bag with another big chub net of 45lb 8oz by fishing the blockend feeder and the stick float with maggot. Steve Newns of KL Tackle was third with 22lb 11oz.
The 43-peg NYSD Thompson Memorial match was fished at Over Dinsdale on the upper Tees and Steve Chantry of Harrowgate Hill put in another good performance.
A chub net caught on a variety of baits took the scales around to 11lb 12oz.
Team-mate Paul Bainbridge came second with 11lb while M Whelan of the same outfit took third place with 9lb 4oz.
At Yarm, 32 anglers fished the Adams Cup match and some welcome dace put in an appearance for winner Phil Noble of Stokesley who fished the stick float with maggot from fisheries bend for his 17lb.
Peter Nixon of Newman Scott was second with 13lb 1oz and Nigel Rance of NYSD came third with 11lb 6oz.
Peg 32 on the Skylark Lake at Woodlands came up trumps for Mark Stanley of Frystone who used the tried and tested sweetcorn with bomb to amass 57lb 12 oz of good carp.
Mark Crawford (Newman Scott) used the long pole with pellet and corn in second place with 46lb 2oz of carp to 10lb.
Last Saturday 50 anglers tackled the Cedar Lake at the Oaks and rising star James Dent of Daiwa Cleveland fished long pole with pellet for a 61lb net of small carp from peg 11.
Chris Hall of the Oaks came second with 57lb 7oz and Mark Calvert of Daiwa Cleveland took the bronze medal in third place with 55lb 15oz.
The Oaks on Sunday 43 pegs: 1 T Moran The Oaks 51lb 4oz, 2 S Sharples The Oaks 49lb 13oz, 3 A Middleton The Oaks 47lb 11oz.
Woodlands on Wednesday 37 pegs: 1 K Harris Woodlands Tackle 39lb 6oz, 2 C Cooper Woodlands Tackle 33lb 9oz, 3 G Horrocks Army AA 33lb 4oz.


We're Medical Center Orthotics & Prosthetics Boston (MCOP for short) and we're thrilled to offer a new, state-of-the-art prosthetic clinic and world-class prosthetic care to Boston & New England area amputees.
Boston is known worldwide for its world-class healthcare. That's why we're so excited to be here, collaborating with the local medical community to bring our next-generation amputee care to Bostonians and the region.
Our story begins in Washington DC, where we've been the team chosen by Walter Reed to serve our nation's injured military for the past 10+ years. During the wars in Iraq and Afghanistan, prosthetic technology and amputee care methods advanced rapidly and our team was at the forefront of this revolution. We worked with prosthetic technology manufacturers and leading international researchers to advance the clinical approaches and technologies available to amputees.
Today, our experience and connections ensure that our customers always receive the highest possible level of care to Move Forward in their lives. We felt that the world's best city for healthcare deserved the world's best prosthetists. That's why we're so excited to be here.
Jamie Vandersea is one of the nation's leading specialists in upper extremity prosthetics. For 20+ years, Jamie has been at the vanguard of advances in arm prosthetics, working with upper extremity technology.
Pat George is an ABC certified CPO with 20+ years' experience providing excellent orthotic and prosthetic care across the Boston region. Pat is a regionally recognized leader in sports bracing and custom orthotics.
Pat currently resides on the South Shore with his wife and children. Outside of work he enjoys travelling and skiing with his family.
iLimb is an innovative myoelectric prosthetic hand that is used for both above and below elbow amputees.
C-Leg 4 is an advanced microprocessor prosthetic for above-knee amputees that offers increased stability and control.


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The decorators are generated from the Context.tt file, and there are a lot more properties in my real object, making hand-editing each of these impossible - not to mention the files are auto-generated.
Naturally, the serializer will fail (or overflow), because there are circular references. Normally I would add [DataIgnore] to the offending properties and just forget about DataContracts altogether, but if I request a collection of Things, I just want each connected OtherThing, and vice-versa.


A list of the thirty things that invariably happen with all the Buddhas, which serves to elevate the events in the life of our Gotama Buddha to mythic status.
Extracts from a musical produced by the vibrant Fo Shang Guan community in the Philippines tracing the Life of Siddhartha until his Awakening and his return to his home town – a special for Vesak.
A study and translation of the Buddhāpadāna by Mr. Dwijendralal Barua.
Here are some wonderful paintings by Virginia Peck of Buddha Heads. I am always happy to see artists reimagine the forms of the past, which shows that they are still alive and living in someone's imagination.
I went to Penang last week to take some books to various centres on the Island, and at the last place I went to I noticed an incongruous life-sized Buddha Head sticking out of a cardboard box.
My simplified translation of the Pāḷi text Jinacarita has just been published in Singapore by Awaken Publishing & Design. The book is a retelling in simple and poetic language of the story of The Life of the Buddha.
Should others, monks, speak dispraise about me, or the Dhamma, or the Sangha, do not let there be any hatred, resentment, or dissatisfaction for you in your mind.
This is a poster I made earlier in the year. I had the photograph for quite some time, and the idea to make it into a poster, but couldn't find an appropriate verse until I came across this one again from the Dhammapada which fits perfectly with the idea I had.


If you are throwing a football party to cheer on the Arizona Cardinals as they search for their second consecutive playoff appearance, you may find your guests expect to consume alcoholic beverages. Research from the Department of Transportation has revealed around 45 percent of people who watch a football game have three or more drinks.
If you decide to provide alcohol for your guests, you want to make sure you do so in a responsible way so you do not create an added risk of car accidents due to impaired drivers. There are a few key things you can do to try to ensure your guests stay safe and are not a menace to themselves or to others as they drive home from your football party.
Limiting the types or amount of alcohol you serve. You may want to provide only beer, rather than hard liquor, and you may only want to provide a set amount so you have some degree of control over how drunk guests actually become.
Stop serving alcohol and switch to snacks well before your guests leave. This will give your guests time to make sure they are sober enough to make smart choices about how they plan to get home.
Make sure guests who are drinking have a designated driver. Ask guests when they come how they plan to get home if they are going to drink, and be sure you actually see them leave with their designated driver. Take away the keys of someone who is about to drive drunk, and call a cab or let the person stay at your home until the next morning when they are sober.
Provide non-alcoholic beverages so designated drivers who are attending your football party will have something they can drink as well.
In some states, party hosts can be held legally responsible if they allow guests to drink too much and then leave and get behind the wheel. This is called social host liability.
Arizona law generally does not hold private homeowners who throw parties responsible for the actions of their guests. Arizona Revised Statue Section 4-311 addresses situations in which those who sell or provide alcohol can be held responsible for the actions of drinkers, and the law is very limited in imposing liability.
While you likely aren't going to be personally sued if a party guest leaves your house and hits someone, you still don't want to be left feeling as if you could have prevented a tragedy. Make the smart, responsible choice to protect your guests and others on the road and be sure you do your part to help stop car crashes during football season.


Welcome to Revolutionary Tennis, tennis instruction for both tennis pros and recreational players that explains a new and easier way to improve your tennis strokes, your consistency, court coverage, and power. Best of all the instruction, tips, and advice here costs you nothing. This site is absolutely free, I'm not setting you up for a book or video sale. It's all here.
This revolutionary tennis instruction makes sense and it's simpler. You will do less work, and in the end your strokes gain much more. I guarantee it. It's 100% different from anything else you've been exposed to.
If you turn sideways, if you move parallel to the baseline, if you hit open stanced, if you rotate the body, if you crossover step first, if you extend the arm or keep the arm and/or wrist fixed during the swing... these and other ideas accepted as the tennis standard are both counterproductive and inefficient for tennis players. Yes, they are. The earth isn't flat, and we aren't in Kansas anymore.
Why are you here? To improve your game. What have you got to lose? Absolutely nothing. What's there to gain? Real improvement.
Here's where you must begin on your first visit, or if you want to remind yourself how this is all supposed to work.
The free instructional area. It's best to work through each Step in order because each one borrows from the preceding one and builds to the next one.
Bounceback email questions, points of view.
Download the Steps in PDF files.
This is my Dad, George, in Sidney, Ohio, in 1937 at age 16. He's self taught, and got me started. I owe my tennis to him. Thanks, Dad!


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HomeUpdatesThe New Trailer For Dragon Age: Inquisition
The New Trailer For Dragon Age: Inquisition
By Daniel Ryan
The Hero of Thedas
Bioware and EA have launched their new trailer for the latest in the Dragon Age series, Dragon Age: Inquisition.
Following on from Dragon Age: Origins and Dragon Age II, Dragon Age: Inquisition will take place in the land of Thedas.
Dragons take wing to the skies causing terror in the kingdom and Mages have rebelled against the oppressive Templars in an attempt at freedom. Like the previous games it will come to you, as The Hero of Thedas it will be up to you to make the choices as the leader of The Inquisition.
Demons plague the world and terrorize the people of Thedas. The faithful cling to their belief in the Inquisitor, who must lead a team of legendary warriors into battle and bring the conflict to an end before it's too late. Every war has its heroes. What kind of leader will you be?
Dragon Age: Inquisition is set for release on Xbox One, PlayStation 4, Xbox 360, PlayStation 3 and PC. 18th November in North America, 20th November for Australia and 21st November for New Zealand and Europe.
GameFanShop are currently taking pre-orders for $59.99 (PC), Amazon is accepting $59.96 across all platforms for North America.
What are your thoughts on Dragon Age: Inquisition so far?
Join Non-Fiction Gaming on Google+
Dragon Age 3: Inquisition
Hands on with Phantasmal
Borderlands: The Pre-Sequel Review
Daniel Ryanhttps://www.nonfictiongaming.com/author/nfgdan/
Daniel 'Sheriff Dan' Ryan is a long time Dungeon Master who has worked in Esports, Marketing, and writes about Gaming when the sun goes down.
Xbox Game Studios Pips Eight Game Awards Noms
The KonoSuba RPG Launching to Global Markets in 2021
Sony's Not-So Secret New First-Party Studio Adds More Naughty Dog Talent


Classic and comfortable zip up hoodie design.
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Check out our Hoodies section for a variety of colours and sizes.
What do you think of the black Fightlab Bold n Brave Hoodie?


These include the UEFA Champions League, ice hockey Tisport League and Czech football Fortuna League.
Latest results published by the company show that it had 250,000 IPTV and OTT customers as of the end of June. When the complementary Multiservice, which allows customers to watch TV on multiple TV sets at the same time, was factored in (over 37,000), O2 TV had 287,000 active set-top boxes.
O2 TV's operator O2 had operating revenues of CZK18,599 million (€725.2 million) in the first half of this year, or 0.6% than in the corresponding period in 2017.
Its EBITDA was CZK5,378 million (+5.6%) and net profit CZK2,776 million (+5.4%).


Two twin beds, It shares a bathroom with Casa Padma's superior double room. It has access to the lovely and comfortable sitting room on the ground floor as well as the kitchen, washing machine and outside patio.
Spacious shared room with two twin beds, shared bath. Kitchen and living room with patio.
Photos by analog wedding, Rayaonassignment, kate and Keith Photography, Lani Shumway.


text:
package server

import (
	"net"
	"testing"

	"github.com/drausin/libri/libri/common/parse"
	"github.com/drausin/libri/libri/common/subscribe"
	"github.com/drausin/libri/libri/librarian/server/introduce"
	"github.com/drausin/libri/libri/librarian/server/replicate"
	"github.com/drausin/libri/libri/librarian/server/routing"
	"github.com/drausin/libri/libri/librarian/server/search"
	"github.com/drausin/libri/libri/librarian/server/store"
	"github.com/stretchr/testify/assert"
	"go.uber.org/zap/zapcore"
)

func TestDefaultConfig(t *testing.T) {
	c := NewDefaultConfig()
	assert.NotEmpty(t, c.LocalPort)
	assert.NotEmpty(t, c.LocalMetricsPort)
	assert.NotEmpty(t, c.PublicAddr)
	assert.NotEmpty(t, c.PublicName)
	assert.NotEmpty(t, c.DataDir)
	assert.NotEmpty(t, c.DbDir)
	assert.NotEmpty(t, c.BootstrapAddrs)
	assert.NotEmpty(t, c.Routing)
	assert.NotEmpty(t, c.Introduce)
	assert.NotEmpty(t, c.Search)
	assert.NotEmpty(t, c.Store)
	assert.NotEmpty(t, c.SubscribeTo)
	assert.NotEmpty(t, c.SubscribeFrom)
	assert.NotEmpty(t, c.Replicate)
}

func TestConfig_WithLocalPort(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultLocalPort()
	assert.Equal(t, c1.LocalPort, c2.WithLocalPort(0).LocalPort)
	c3Port := 1234
	assert.NotEqual(t, c1.LocalPort, c3.WithLocalPort(c3Port).LocalPort)
}

func TestConfig_WithLocalMetricsAddr(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultLocalMetricsPort()
	assert.Equal(t, c1.LocalMetricsPort, c2.WithLocalMetricsPort(0).LocalMetricsPort)
	c3Port := 1234
	assert.NotEqual(t, c1.LocalMetricsPort, c3.WithLocalMetricsPort(c3Port).LocalMetricsPort)
}

func TestConfig_WithLocalProfilerPort(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultLocalProfilerPort()
	assert.Equal(t, c1.LocalProfilerPort, c2.WithLocalProfilerPort(0).LocalProfilerPort)
	c3Port := 1234
	assert.NotEqual(t, c1.LocalProfilerPort, c3.WithLocalProfilerPort(c3Port).LocalProfilerPort)
}

func TestConfig_WithPublicAddr(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultPublicAddr()
	assert.Equal(t, c1.PublicAddr, c2.WithPublicAddr(nil).PublicAddr)
	c3Addr, err := parse.Addr("localhost", 1234)
	assert.Nil(t, err)
	assert.NotEqual(t,
		c1.PublicAddr,
		c3.WithPublicAddr(c3Addr).PublicAddr,
	)
}

func TestConfig_WithPublicName(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultPublicName()
	assert.Equal(t, c1.PublicName, c2.WithPublicName("").PublicName)
	assert.NotEqual(t, c1.PublicName, c3.WithPublicName("some other name").PublicName)
}

func TestConfig_WithDataDir(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultDataDir()
	assert.Equal(t, c1.DataDir, c2.WithDataDir("").DataDir)
	assert.NotEqual(t, c1.DataDir, c3.WithDataDir("/some/other/dir").DataDir)
}

func TestConfig_WithDBDir(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultDBDir()
	assert.Equal(t, c1.DbDir, c2.WithDBDir("").DbDir)
	assert.NotEqual(t, c1.DbDir, c3.WithDBDir("/some/other/dir").DbDir)
}

func TestConfig_WithBootstrapAddrs(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultBootstrapAddrs()
	assert.Equal(t, c1.BootstrapAddrs, c2.WithBootstrapAddrs(nil).BootstrapAddrs)
	c3Addr, err := parse.Addr("localhost", 1234)
	assert.Nil(t, err)
	assert.NotEqual(t,
		c1.BootstrapAddrs,
		c3.WithBootstrapAddrs([]*net.TCPAddr{c3Addr}).BootstrapAddrs,
	)
}

func TestConfig_WithRouting(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultRouting()
	assert.Equal(t, c1.Routing, c2.WithRouting(nil).Routing)
	assert.NotEqual(t,
		c1.Routing,
		c3.WithRouting(&routing.Parameters{MaxBucketPeers: 10}).Routing,
	)
}

func TestConfig_WithIntroduce(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultIntroduce()
	assert.Equal(t, c1.Introduce, c2.WithIntroduce(nil).Introduce)
	assert.NotEqual(t,
		c1.Introduce,
		c3.WithIntroduce(&introduce.Parameters{Concurrency: 1}).Introduce,
	)
}

func TestConfig_WithSearch(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultSearch()
	assert.Equal(t, c1.Search, c2.WithSearch(nil).Search)
	assert.NotEqual(t,
		c1.Search,
		c3.WithSearch(&search.Parameters{Concurrency: 1}).Search,
	)
}

func TestConfig_WithStore(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultStore()
	assert.Equal(t, c1.Store, c2.WithStore(nil).Store)
	assert.NotEqual(t,
		c1.Store,
		c3.WithStore(&store.Parameters{Concurrency: 1}).Store,
	)
}

func TestConfig_WithSubscribeTo(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultSubscribeTo()
	assert.Equal(t, c1.SubscribeTo, c2.WithSubscribeTo(nil).SubscribeTo)
	assert.NotEqual(t,
		c1.SubscribeTo,
		c3.WithSubscribeTo(&subscribe.ToParameters{NSubscriptions: 3}).SubscribeTo,
	)
}

func TestConfig_WithSubscribeFrom(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultSubscribeFrom()
	assert.Equal(t, c1.SubscribeFrom, c2.WithSubscribeFrom(nil).SubscribeFrom)
	assert.NotEqual(t,
		c1.SubscribeFrom,
		c3.WithSubscribeFrom(&subscribe.FromParameters{NMaxSubscriptions: 0}).SubscribeFrom,
	)
}

func TestConfig_WithReplicate(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultReplicate()
	assert.Equal(t, c1.Replicate, c2.WithReplicate(nil).Replicate)
	assert.NotEqual(t,
		c1.Replicate,
		c3.WithReplicate(&replicate.Parameters{VerifyInterval: 0}).Replicate,
	)
}

func TestConfig_WithReportMetrics(t *testing.T) {
	c1, c2, c3 := NewDefaultConfig(), NewDefaultConfig(), NewDefaultConfig()
	c1.WithDefaultReportMetrics()
	assert.True(t, c1.ReportMetrics)
	assert.True(t, c1.Replicate.ReportMetrics)
	c2.WithReportMetrics(true)
	assert.True(t, c2.ReportMetrics)
	assert.True(t, c2.Replicate.ReportMetrics)
	c3.WithReportMetrics(false)
	assert.False(t, c3.ReportMetrics)
	assert.False(t, c3.Replicate.ReportMetrics)
}

func TestConfig_WithProfile(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultProfile()
	assert.False(t, c1.Profile)
	c2.WithProfile(true)
	assert.True(t, c2.Profile)
	c3.WithProfile(false)
	assert.False(t, c3.Profile)
}

func TestConfig_WithLogLevel(t *testing.T) {
	c1, c2, c3 := &Config{}, &Config{}, &Config{}
	c1.WithDefaultLogLevel()
	assert.Equal(t, c1.LogLevel, c2.WithLogLevel(0).LogLevel)
	assert.NotEqual(t,
		c1.LogLevel,
		c3.WithLogLevel(zapcore.DebugLevel).LogLevel,
	)
}

redpajama_set_name: RedPajamaGithub


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Yes, I do it happily. And thank you very much for visiting back.
Selamat pagi (did I remember that correctly?) – thank you for following Beauty Along the Road. Sorry, I don't speak much more of your language to enjoy your blog posts….
Selamat datang, di blog kami. Iya, benar. That's correctly. Selamat pagi juga, ya.
Nice to visit your blog and thank you very much for visiting back.
Ok, it's no problem, because I am using Bahasa Indonesia.


text:
Памятная монета «Черепаха» () — золотая памятная монета Национального банка Украины, посвящённая черепахе — символу долголетия и мудрости.
Была введена в оборот 29 апреля 2009 года. Относится к серии «Наименьшая золотая монета».

Описание монеты и характеристики

Аверс
На аверсе монеты в кольце из бусин изображён малый Государственный Герб Украины, над которым отмечен год чеканки монеты (2010); между кольцом и кантом монеты круговые надписи «Национальный банк Украины» (, вверху), «2 гривны» (, внизу), а также обозначение металла (Au) и его пробы 999,9 (слева), масса (1,24 г) и логотип Монетного двора Национального банка Украины (справа).

Реверс
На реверсе монеты изображена чарепаха и размещены надписи «» (внизу) и «» (вверху).

Авторы
 Автор эскизов и моделей — Владимир Демьяненко.

Стоимость монеты
Стоимость монеты — 649 гривен. Установлена Национальным банком Украины в период реализации монеты через его филиалы.

См. также
 Список юбилейных и памятных монет Украины
 Список золотых монет Украины
 Черепаха

Ссылки
 Опис монети на сайті Нацбанку України
 Ціни на ювілейні та пам'ятні монети на сайті НБУ
Монько Л. І. «Монети України, каталог із цінами від колекціонерів Києва».

Памятные монеты Украины
Золотые монеты


text:
Q: Progress bar along the borders of a rectangle I'm trying to figure out how to implement progressbar around rectangle. Let's image that I have div 500x300 with 5px (black) border.
I would like that progress bar started in left top corner then goes to -> right corner -> bottom - right corner -> left bottom corner -> and back on start point.

A: Pure CSS:
This effect can be achieved with CSS using multiple linear gradients as background and positioning them appropriately. The approach is as follows:

*

*Create 4 thin linear-gradient backgrounds for each border of the element. The thickness of the border determines the background-size. That is, if border thickness is 5px then the linear gradients that produce the top and bottom borders would be 100% 5px (100% width 5px height) whereas those that produce left and right borders would be 5px 100% (3px width 100% height).

*Initially the background-position is set such that none of the borders would be visible. During animation we animate each of the background gradients into its correct position. This produces the effect of having an animated border.

I have used CSS keyframes in the below snippet and so it automatically animates from start to end (that is, it stops only after full border is painted) but if you wish to have more control over it (and say stop it midway as in a progress bar) then you could use JS and modify background-position based on the percentage of progress.

.progress {
  height: 300px;
  width: 500px;
  background: linear-gradient(to right, black 99.99%, transparent), linear-gradient(to bottom, black 99.99%, transparent), linear-gradient(to right, black 99.99%, transparent), linear-gradient(to bottom, black 99.99%, transparent);
  background-size: 100% 5px, 5px 100%, 100% 5px, 5px 100%;
  background-repeat: no-repeat;
  animation: progress 4s linear forwards;
  background-position: -500px 0px, 495px -300px, 500px 295px, 0px 300px;
}
@keyframes progress {
  0% {
    background-position: -500px 0px, 495px -300px, 500px 295px, 0px 300px;
  }
  25% {
    background-position: 0px 0px, 495px -300px, 500px 295px, 0px 300px;
  }
  50% {
    background-position: 0px 0px, 495px 0px, 500px 295px, 0px 300px;
  }
  75% {
    background-position: 0px 0px, 495px 0px, 0px 295px, 0px 300px;
  }
  100% {
    background-position: 0px 0px, 495px 0px, 0px 295px, 0px 0px;
  }
}

CSS version without automatic animation:
Here is the CSS version of the snippet which accepts an input percentage value and sets the border based on that. Provide a value between 0 and 100 in the text box and click Enter.

window.onload = function() {
  var progress = document.querySelector('.progress'),
    totalLength = (progress.offsetWidth * 2) + (progress.offsetHeight * 2);

  var btn = document.querySelector('#enter'),
    progressVal = document.querySelector('#progress');

  btn.addEventListener('click', function() {
    input = (progressVal.value > 100) ? 100 : progressVal.value;
    borderLen = (input / 100) * totalLength;
    console.log(borderLen);
    if (borderLen <= progress.offsetWidth) {
      backgroundPos = 'background-position: ' + (-500 + borderLen) + 'px 0px, 495px -300px, 500px 295px, 0px 300px';
      progress.setAttribute('style', backgroundPos);
    } else if (borderLen <= (progress.offsetWidth + progress.offsetHeight)) {
      backgroundPos = 'background-position: 0px 0px, 495px ' + (-300 + (borderLen - progress.offsetWidth)) + 'px, 500px 295px, 0px 300px';
      progress.setAttribute('style', backgroundPos);
    } else if (borderLen <= (progress.offsetWidth * 2 + progress.offsetHeight)) {
      backgroundPos = 'background-position: 0px 0px, 495px 0px, ' + (500 - (borderLen - progress.offsetWidth - progress.offsetHeight)) + 'px 295px, 0px 300px';
      progress.setAttribute('style', backgroundPos);
    } else {
      backgroundPos = 'background-position: 0px 0px, 495px 0px, 0px 295px, 0px ' + (300 - (borderLen - (progress.offsetWidth * 2) - progress.offsetHeight)) + 'px';
      progress.setAttribute('style', backgroundPos);
    }
  });
};
.progress {
  height: 300px;
  width: 500px;
  margin-top: 20px;
  background: linear-gradient(to right, black 99.99%, transparent), linear-gradient(to bottom, black 99.99%, transparent), linear-gradient(to right, black 99.99%, transparent), linear-gradient(to bottom, black 99.99%, transparent);
  background-size: 100% 5px, 5px 100%, 100% 5px, 5px 100%;
  background-repeat: no-repeat;
  background-position: -500px 0px, 495px -300px, 500px 295px, 0px 300px;
}

<input id='progress' type='text' />
<button id='enter'>Set Progress</button>

With SVG:
With SVG, the approach would be as follows:

*

*Create a single path element such that it forms the border of the boxand get its length using the getTotalLength() method.

*Set the stroke-dasharray and stroke-dashoffset properties of the path such that the path is invisible initially.

*By modifying the stroke-dashoffset based on the percentage of progress we can produce a progress bar like effect.

Again I have used animations to automatically trigger the movement from start to finish but if you want a progress bar like effect, you can remove the animation and just set the offset based on percentage of progress.

window.onload = function() {
  var progress = document.querySelector('.progress path');
  var borderLen = progress.getTotalLength() + 5,
    offset = borderLen;
  progress.style.strokeDashoffset = borderLen;
  progress.style.strokeDasharray = borderLen + ',' + borderLen;
  anim = window.requestAnimationFrame(progressBar);

  function progressBar() {
    offset -= 1;
    progress.style.strokeDashoffset = offset;
    anim = window.requestAnimationFrame(progressBar);
    if (offset < 0)
      window.cancelAnimationFrame(anim);
  }
};
.progress {
  height: 300px;
  width: 500px;
}
.progress svg {
  height: 100%;
  width: 100%;
}
path {
  stroke: black;
  stroke-width: 5;
  fill: none;
}

  <svg viewBox='0 0 510 310' preserveAspectRatio='none'>
    <path d='M5,5 505,5 505,305 5,305 5,2.5' />

  </svg>

SVG version without automatic animation:
Here is the SVG version of the snippet which accepts an input percentage value and sets the border based on that. Provide a value between 0 and 100 in the text box and click Enter.

window.onload = function() {
  var progress = document.querySelector('.progress path');
  var borderLen = progress.getTotalLength() + 5,
    offset;
  progress.style.strokeDashoffset = borderLen;
  progress.style.strokeDasharray = borderLen + ',' + borderLen;

  var btn = document.querySelector('#enter'),
      progressVal = document.querySelector('#progress');

    btn.addEventListener('click', function(){
        input = (progressVal.value > 100) ? 100 : progressVal.value;
        offsetToSet = (input/100) * borderLen;
        console.log(borderLen - offsetToSet);
        progress.style.strokeDashoffset = borderLen - offsetToSet;
    });
};
.progress {
  height: 300px;
  width: 500px;
}
.progress svg {
  height: 100%;
  width: 100%;
}
path {
  stroke: black;
  stroke-width: 5;
  fill: none;
}
<input id='progress' type='text'/>
<button id='enter'>Set Progress</button>

  <svg viewBox='0 0 510 310' preserveAspectRatio='none'>
    <path d='M5,5 505,5 505,305 5,305 5,2.5' />

  </svg>

redpajama_set_name: RedPajamaStackExchange


The growth mechanism of semiconductor nanowires (NWs) is still an argument of high interest, and it's becoming clearer that simple pictures, such as the original vapour-liquid-solid model, fail to describe the complex behaviours observed under different growth conditions and for different materials.
We have studied the case of ZnSe NWs by Au seed-assisted molecular beam epitaxy on GaAs(111)B substrates. We have found that an interplay between seed-substrate interaction and elemental fluxes may occur, and strongly affect the NW growth mode. That interplay allows the tuning of the NW growth mechanism from being vapour-liquid-solid (VLS) to become vapour-solid-solid (VSS), with profound consequences on nanowires morphology and crystal quality.
Growth mechanism of semiconductor nanowires can be tuned changing the physical state of the metallic seeds by varying their chemical composition.
Indeed, during the seeds formation by annealing, a thermal-activated diffusion of Ga atoms from the substrate into the Au nanoparticles (NPs) leads to the formation of liquid Au-Ga alloy at the NPs surface. Chemical composition and physical state of these NPs are strongly affected by the Se flux. Using Zn-rich conditions, the growth of ZnSe NWs occurs through the VLS growth mode, assisted by AuGa NPs, either completely liquid or solid with a liquid shell. If Se-rich conditions are used, Ga is drained out of the NPs at the first stage of the growth, and the NW growth mechanism is switched toward the VSS mode, assisted by solid Au nanocrystals.
The growth mechanism has a profound impact on the NW morphology and crystal quality: in Zn-rich conditions straight and uniformly oriented NWs are obtained, whereas in Se-rich kinked and worm-like NWs grow, with a high density of defects. The switch from VLS to VSS is possible within a single growth and this change has effects on the wires morphology. The information obtained on ZnSe NWs may be valid in all systems where the interaction among seed, substrate and beam fluxes changes the physical state of the NPs, and provide a way to obtain an accurate control of nanowires morphology via the control of the growth mechanism.


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text:
June 20, 2017 by charlottecomley
Memories of the Edward King Project
2017 has been a rough year in some ways, but in others, eventful. Perhaps, the universe has sent me a bit of support because this year it has been my privilege to be one of the writers on The Edward King Project.
The painter Edward King is connected to Portsmouth through his time as a patient at St James Hospital in Milton and is notable for painting scenes of the blitzed city. King moved to South Harting near Petersfield with his brother in 1884 where he eventually married. However, when in 1924 Edward's wife Amelia died of consumption he suffered a breakdown as a result. King was committed to St James Hospital in 1925, where he lived until he died of a stroke in 1951.During his time at the hospital, King continued to paint and draw, encouraged by the staff to try and help alleviate his depression. He became a familiar figure in the area as he sat painting scenes of houseboats or the hospital farm. After the Blitz, Denis Daley Lord Mayor of Portsmouth, commissioned Edward King to paint the bomb damage to the city. King went out each day, with an attendant and painted a series of over 30 scenes that graphically show the war torn state of the city.
Local writer Annie Kirby, put together a team of fourteen writers who were challenged to write and performed stories based on his artwork in the hope of promoting the artist and mental health problems.
More information and the stories can be found here:
https://www.writingedwardking.com/
I have worked with many of the writers before, but still I was in awe of the level of work they produced. And I thought I would share some images of the event.
← Edward King Project
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