text:
Oregon Episcopal School
Nestled within 59 wooded acres that are home to natural wetlands, nature trails, rope courses and gardens in southwest Portland, Oregon Episcopal School is a college-preparatory, independent, pre-K to grade 12 day school with a grade 9-12 boarding program, offering an outstanding educational experience.
OES Curriculum
The OES curriculum is rooted in inquiry and exploration with students engaging deeply to absorb information and take an active, empowered role in the advancement of their education. Hands-on, discussion-based, project-oriented learning happens inside and outside of the classroom, and each discovery leads to the next, driven primarily by the curiosity of OES students.
With an average enrollment of 870 students, OES has an average class size of 16, and the student-to-faculty ratio is 7:1. So, everyone is known and appreciated as an individual.
Learning and leadership opportunities abound in academics, music, art, world languages, and athletics, and the students can pursue the subjects that intrigue them. Unique among the school's offerings is an international and domestic boarding program averaging 60 students who add cultural richness and diverse perspectives to the entire community.
Gathering at OES is a lived expression of our supportive community and how much we respect each other's similarities and differences. We intentionally create time to regularly gather and reflect as part of educating toward a larger purpose: inclusion and respect, understanding and compassion. service and social justice, and meaning and commitment beyond oneself.
"I think OES is the best school in the United States. The people here are so kind and there are so many opportunities, whatever your passions and interests. I've already had more experiences here in two years than I would have had in four years at another school because there is so much offered here. If you're up for adventure and learning, I think OES is the perfect place" – Rising junior, Mimi
Location: 15 Minutes from downtown Portland and 90 minutes from the Cascade Mountains at the Oregon Coast.
Type of School: Independent, co-educational, day and boarding
Campus: 59 Wooded acres with two wetland areas, rope course, nature trails, greenhouse, gardens, and multiple indoor and outdoor athletic fields.
Grades: Pre-K – Grade 12
Average Enrollment: 870 students including 60 boarding students
Episcopal Tradition: OES welcomes students from all backgrounds. We educate toward a larger purpose, inclusion and respect, understanding and compassion, service and social justice, meaning and commitment beyond ourselves.
Student-to-Faculty Ratio: 7:1
Average Class Size: 16
Flexible Tuition: 21 percent of our students pay reduced tuition.
Graduates: 99 percent attend four year colleges
Mascot: Aardvark
PreviousOregon is one of the top states people are moving to
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Jordan Knecht, "Light Speaks," light-activated re-recordable sound installation, 2017.
Jordan Knecht is interdisciplinary art in motion. As he tells us below, he relies on whatever tools he can master as a means to an end, whether it's for multimedia installations, fine art, performance art, making music, making noise — or, as is often the case, for a combination of all of the above and more. He's a foodie, an underground publisher, a collaborator, and an educated fool for whatever's next. Knecht breathes creativity, and it's a gift; learn more about how he molds that gift from his answers to the 100CC questionnaire.
Westword: What (or who) is your creative muse?
I prefer to work within systems. I flourish within constraints. A blank canvas makes me freeze up, but if you tie one of my hands behind my back, I'll work inexhaustibly. If I'm in between projects, I make rules for myself to keep myself working. I really love solving for "x," exploring quandaries and creating if-then statements. I just need a starting place in order to begin constructing a web of tangential connections. It's a great joy to use a topic or a constraint to learn more about the world. Does that mean the world is my muse? Sure. The world is my muse. I'll go with that.
Lately, I've been alternating between reading two books: Susan Sontag's published journals from 1964 to 1980 and a compilation of interviews conducted by Hans Ulrich Obrist. Both are endlessly inspiring. I deeply relate to the way that Sontag delves into topics within her journals. The Obrist book is full of many of the wildest and deepest thinkers of the past hundred years. Thanks for asking.
Which three people, dead or alive, would you like to invite to your next party, and why?
Initially I thought I'd like to invite people whose work I admire. However, if history has taught me anything, it's that the quality of someone's work does not always reflect the quality of their character. As much as I'd love to sit down with some of my favorite thinkers dead or alive, I can't guarantee that I'd actually want any of them in my home.
My three people of choice are my girlfriend, my best friend and my parents (counted as one unit). Gotta surround yourself with the people who really understand you, right?
Jordan Knecht, "be EAR now," sonic scavenger hunt at the Denver Art Museum, 2018.
Photograph courtesy of the Denver Art Museum.
What's the best thing about the local creative community in your field — and the worst?
The best thing about my community is how genuine everyone is. The people I've met in Denver are very open and eager to connect.
I don't have much experience with the whole globe. Did you know that about 95 percent of our oceans are unexplored? That's an aside.
I have a strong community of people around the United States. I am honored to be able to share thoughts, conversation and collaboration with them. It is a gift to be able to find people whom I can talk to without having to explain myself. The cool thing about having access to global thought through Internet, phones, etc., is that anyone can find the people who are doing the same niche things that they are interested in.
What led you down the path of noise/multimedia?
In 2017, I was approached about doing a show in Breckenridge surrounding the concept of "Noise" through the organization BreckCreate. NOISE was also the title of the show. For that show, I used "noise" as a broad starting point, exploring the concept for many perspectives — linguistic, social, visual, sonic, etc.
I've always been an interdisciplinary thinker (far before I knew of that word). My dad is a musician and recording engineer. My mother is a visual artist. Music and visual arts were an integral part of my upbringing and have never really existed separately in my mind. I grew up studying music, art, writing — anything I could get my hands on.
When I went to college, I consciously tried to not study art. I learned machining, welding, circuitry, the physics of sound and plenty of other tangible skills. Somehow, I failed at my attempt to not study art. I ended up also studying the history of experimental music in the twentieth and twenty-first centuries, poetry, bookmaking, printmaking and typography, as well as plenty of other subjects in art. I don't think I've ever felt much of a distinction between mediums within myself. I've always been interested in approaching an idea from multiple perspectives. I've just wanted to spend my time growing my toolbox of skills which help me hone my perceptions of the world and my abilities to communicate those perceptions.
Jordan Knecht, "animum explorari," immersive sound and print installation, 2014.
What's your best or favorite accomplishment as an artist?
My creative practice (my art) is to manipulate perceptual experiences, encouraging people to engage with both the art of perception and the perception of art in completely new ways. It doesn't get much better than when someone comes up to me and expresses that my work has in some way changed the way that they perceive the world.
You've come this far in life. What's still on your bucket list?
-Continue to cultivate my sense of empathy.
-Swim in more bodies of water.
Who is your favorite Colorado Creative?
Mike Ossell is my favorite artist in Denver. He is easily the hardest-working person I know. He is inventive and playful while still maintaining a strong sense of integrity and quality in his work. He cares deeply about his community and has touched the lives of so many people in Denver. He embodies the notion of life as art and art as life. The man is a ten.
What's on your agenda in the coming year?
I have a lot of exciting things on the horizon. My publishing company, Adult Punk, is releasing some really incredible books this spring and summer. We're currently printing a book by Adán De La Garza. It's a book of very problematic phrases taught by DuoLingo. We're also releasing a compilation book representing quite a few Denver artists. Our next book fair is the Chicago Zine Fest. We'll just keep publishing for artists who don't quite fit within definition.
On May 10 and 11, I'm performing in a piece designed by Nathan Hall and Drew Austin. It's a performance addressing relationships of the male body and art-making.
On May 12, I'm debuting a performance piece of my own at Leon Gallery. It's a continuation of a concept I began exploring through an installation in Breckenridge this past winter. The performance approaches "noise" from a pluralistic stance: societal, visual, linguistic, sonic, etc. I'll be collaborating with my father and my lifetime music partner, James David Fitzpatrick. The performance will remain on view as an installation piece until May 18. This is part of a performance/installation series that Leon is hosting in April and May.
On May 18, the eighth-grade students that Hayley Krichels and I have been working with at Annunciation Middle School have an art opening at RedLine as part of their EPIC Arts program. It's going to be great. There are quite a few amazing schools participating in this exhibition.
On June 29, I'm curating the Untitled Final Fridays event at the Denver Art Museum. The theme is "A+B=X?" I've invited many of my favorite artists to create new works which require participation to generate unforeseen outcomes. It's going to be a fabulous evening.
Later in the summer, my band, Muscle Brain, will be celebrating thirteen years together. We will make music for thirteen hours straight. The venue and date are yet to be solidified.
Jordan Knecht, "Untitled Shade," interactive performance at Denver Art Museum, 2017.
Who do you think will (or should) get noticed in the local arts community in the coming year?
I am inspired by the chefs at Cart-Driver. Eric Cimino and Andrew Van Stee are persistently learning and growing. They never settle. They are constantly pushing themselves. They are some of the most humble and talented people I have in my life. Their art has profoundly influenced how I approach my own work.
Bonnie Gregory is a huge inspiration for me. Bonnie is talented in so many fields. The likelihood that you've interacted with Bonnie's work unknowingly is extraordinarily high. We've worked together on quite a few projects together. No matter what medium Bonnie works in, she produces incredible things.
Juan Fuentes is a great artist in so many ways. He makes photographic magic with whatever he has in his hands. He has an amazing way of connecting with the world around him. He is a keen observer. He is compassionate. He is one of the few people that I really don't have to explain myself to when we talk about art. We need more of him out there.
I wish Chris Taylor was still living in town so I could shout him out here. He's making some of the most innovative music I've heard, under the moniker Body Meat. He just moved to Philly. Bummer that I can't give him a shout-out here, since he doesn't live here anymore.
Who else? Jess Webb, the imaginer. James David Fitzpatrick, the poet and musician. Kalid Al-rajhi, the philosopher (although he wouldn't use that terminology). John Lake, the rock. Jeff Page, the undefinable artist. There's a ton of great people out here.
Jordan Knecht will perform Signal Noise on Saturday, May 12, at 7 p.m., in conjunction with the Of the Moment performance-art series at Leon Gallery, 1112 East 17th Avenue. Admission is free. For art-goers who can't make the live events, every performance will be video- and photo-documented, with the results on view afterward in the gallery, along with leftover relics. Learn more at Leon Gallery's home page or on the Of the Moment event page on Facebook.
Jordan Knecht and friends take over the Denver Art Museum for the Final Friday Untitled event on Friday, June 29, from 6 to 10 p.m. The evening is included in the DAM's general admission fee of $8 to $10 (members and children ages eighteen and under admitted free).
Learn more about Jordan Knecht online.
Susan Froyd started writing for Westword as the "Thrills Editor" in 1992 and never quite left the fold. These days she still freelances for the paper in addition to walking her dogs, enjoying cheap ethnic food and reading voraciously. Sometimes she writes poetry.


text:
Donate to Colostomy UK HERE!
Colostomy UK is a charity that SUPPORTS and EMPOWERS people living with a stoma.
We're here if you have questions, need support or just want to talk to someone who lives with a stoma.
We also run projects to empower ostomates to return to sports, hobbies and other interests and give them the confidence to take up fresh challenges. We are advocates for ostomates' rights and their voice on the bigger issues. Our campaigns raise awareness and encourage organisations to make their facilities more inclusive. Supporting and enhancing ostomates wellbeing is at the core of everything we do.
The primary role of the Colostomy UK is to represent the interests of people with a colostomy. They are experts in living with a colostomy and that experience is available to all colostomies, via personal contact with their volunteers.
The Colostomy UK is here to provide support, reassurance and practical information to anyone who has or is about to have a colostomy. The charity strives to raise awareness of what it's like to have a stoma and what it means to live with a colostomy and by doing this, the charity hopes to address the general lack of public knowledge.
The ultimate goal of the charity is to champion issues that affect colostomates, their families and their carers.
How the mission is carried out
The organisational structure of the Colostomy UK is made up of seven Trustees, a General Manager and other full time staff who are fully trained and responsible for the administration of the Colostomy UK. The charity also has a number of highly valued volunteers who give their help and support.
The head office is based in Reading, Berkshire and our office hours are from 9am-5pm Mondays to Fridays. The Helpline is available 24/7 and we aim to have a colostomate online able to listen and discuss your concerns. The 24h free helpline is 0800 328 4257.
Covering the country are over 100 trained and experienced contact volunteers who are colostomates. Contact volunteers are dedicated individuals who bring a human touch in what can sometimes be a delicate and emotional time. Our contact volunteers are often asked to talk patients before their colostomy surgery, and afterwards in hospital, usually at the request of the stoma nurse. Home visits by contact volunteers can also be arranged at request.
The Colostomy UK has a range of advisory literature, written by colostomates and nursing professionals, readily available on request. Plus the quarterly magazine "Tidings".
The Colostomy UK attends organised stoma care nurses' "open days", where anyone can come and learn more about the colostomy in a friendly atmosphere and discuss any problems, questions or just enjoy the company.
The Colostomy UK also attends manufacturers' and suppliers', open days and exhibitions, where you can see what stoma bags, accessories and services are available. It's a real opportunity to meet and share experiences with other colostomates.
For more information about the work of The Colostomy UK, please visit www.colostomyuk.org

redpajama_set_name: RedPajamaCommonCrawl


I was finaly able to play the TS Jigsaw Puzzle again (android mobile) but when game was over it did not award tickets or show score. Profile Rewards does not acknowledge game was played. Shows Flip Out as.last game played. Also as another poster experienced, the first time I played, after playing awhile it just flashed and zap…all gone. Page went right back to start.


When you get into choosing the best piece of property, you will have to go through a number of difficulties. When you are on your own, it can be tough for you to find the right kind of property to meet up with the expectations because you will not be having the needed contacts or the experience working in the field this will end up being a victim of a fraud. To avoid all the down comings and to gain the best properties, the best thing that you can do is to gain the help of the professionals.
When you gain the help of the professionals, you can always assure results of the finest quality and it will definitely free you from most of the trouble that you have to go through in selecting the best kind of property.
Another important aspect that you should look into is the location of the property that you are to invest on. Regardless of how perfect the report is, if the location is not right, you will not gain the needed outcome. When it comes to choosing the right location, it is important that you look into easy access to the town, the market, the schools, work and everything that matters.
There are many hidden detailsabout a property that will decide on its worth. One of the most common mistakes that investors make is investing on apiece of property without looking into this matter. To avoid disappointment, it is essential that you choose to run the needed inspections and gain the needed services.


text:
'Game of Thrones' Season 5, Episode 10: 'Mother's Mercy'
Ricky Riley
Game of Thrones season 5, episode 10 airs Sunday on HBO.
Stannis is on the march in the Season 5 finale. Meanwhile, Cersei seeks forgiveness; Jon faces a new challenge; and Daenerys finds herself surrounded by strangers.
Game of Thrones explores a medieval-like fantasy world with its plethora of characters all struggling in the only game that matters—the game of thrones. An epic battle ensues among seven kingdoms and between two ruling families for control of the Iron Throne, the possession of which ensures survival through the 40-year winter to come. The series is an American epic fantasy television series created for HBO by David Benioff and D.B. Weiss. It is an adaptation of A Song of Ice and Fire, George R.R. Martin's series of fantasy novels, the first of which is titled A Game of Thrones. The show premiered on HBO in the United States on April 17, 2011.
Game of Thrones season 5, episode 10 airs June 14 at 9 p.m. EDT on HBO. Spoiler video below:
Game of Thrones Preview
HBO Game of thrones
Previous article'Married to Medicine' Season 3, Episode 2
Next article'Little White Lie' Filmmaker Lacey Schwartz Has Some Thought-Provoking Views on NAACP Leader Rachel Dolezal's Racial Identity
Confederate Creators Address Backlash, Say Slavery Should Be Talked About, Not Run From
Sole Black 'Star Wars' Stormtrooper John Boyega Laments the Lack of Diversity In Sci-Fi, Fantasy
'Game of Thrones' Creators to Develop Series About an America Where Slavery Was Never Abolished
[wpdevart_facebook_comment ]


We also Build Joomla Websites and provide templates for your custom website.
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Android Nougat 7.1 ROM, ASUS Zenfone 2 Laser LineageOS 14.1 has now arrived via an UNOFFICIAL build. You may know that the ANdroid Oreo is out and here is the LineageOS 15 for Zenfone Laser 2.
If you want some more Lineage ROMs build then stay tuned the Android Nougat LineageOS 14.1 page or the latest Android O Lineage OS ROMs list of devices. Before this Lineage ROM we also had the CM14.1 for Zenfone 2 Laser (Z00L).
THIS IS AN INITIAL OFFICIAL BUILD WHICH MAY HAVE MANY MORE BUGS AND MAY NOT BE IDEAL FOR DAILY DRIVER USAGE. HAVE A BACKUP BEFORE FLASHING THIS ROM AND TRY AT YOUR OWN RISK. Installing a custom ROM on a Zenfone 2 Laser (Z00L, 720p variant) requires the bootloader to be unlocked on the Zenfone 2 Laser (Z00L, 720p variant) phone, which may VOID your warranty and may delete all your data. Before proceeding further you may consider backup all data on the phone. You are the only person doing changes to your phone and I cannot be held responsible for the mistakes done by you.
– Here is theTWRP update guide for the Zenfone 2 Laser (Z00L). This TWRP recovery guide requires an unlocked bootloader on the Zenfone 2 Laser (Z00L).
– If you want to upgrade this Lineage 14.1 on top of CM14.1 ROM without wiping data then you can refer this CyanogenMod to Lineage upgrade guide.
Download and Copy the GApps and Zenfone 2 Laser LineageOS 14.1 ROM ZIP to your phone.
First flash the Zenfone 2 Laser LineageOS 14.1 ROM ZIP from device. Then flash the GApps zip from your device memory.
Reboot and Enjoy the Nougat 7.1 LineageOS 14.1 ROM for Zenfone 2 Laser (Z00L, 720p variant).
Copy the latest Zenfone 2 Laser LineageOS 14.1 ROM ZIP file to your phone.
Stay tuned or Subscribe to the Zenfone 2 Laser (Z00L, 720p variant) forum For other Android Nougat ROMs, LineageOS 14.1 ROMs, other ROMs and all other device specific topics.


text:
Q: True privateness in Python PEP 8 states that (emphasis mine):

We don't use the term "private" here, since no attribute is really private in Python (without a generally unnecessary amount of work).

I guess it refers to defining the actual class in some other language and then exposing only the public members to the interpreter. Is there some other way to achieve true privateness in Python?
I'm asking just out of curiosity.

A: No, nothing is truly private in Python.
If you know the method name, you can get it.
I think you might come up with a clever hack, but it would be just that - a hack. No such functionality exists in the language.

A: (Note: This is not "private" in the sense of C++/C#/Java type private, but it's close)
For a class, you can prefix a variable with '__'. This will cause Python to name mangle it so you can't accidentally call it from outside the class. For example:
class Test(object):
    def __init__(self):
        self.__number = 5

a = Test()
print a.__number # name error!

On the other hand, this isn't really private. You can access the number with:
print a.__Test_number

But it will prevent accidental mistakes, which is all private should be used for anyway. If it's prefixed with '__' and someone uses the code, their fault if that code breaks later on (they were warned).

A: There is no true privateness. The best you could do is obfuscate the variable name and then create getters/setters or properties.
The only way to achieve this that I can think of this is to read/write a file every time you need to have access to that variable.
You could also write a program in another language that will only respond to certain classes. Not sure how to go about doing this, though.

redpajama_set_name: RedPajamaStackExchange


text:
curl -G -X GET \
-H "accept: application/json" \
"https://api.mercadopago.com/v1/balance/history" \
-d "access_token=ACCESS_TOKEN" \
-d "id=balance_history_id"

redpajama_set_name: RedPajamaGithub


text:
Sara Sloane can refer to:

 Ursula Bloom (1892–1984), British writer who used Sara Sloane as a pseudonym
 A character in an episode of The Simpsons, "A Star Is Born Again"

redpajama_set_name: RedPajamaWikipedia


Enter your best photos to the International Photo Awards!
Win over $22,000 in Cash Prizes, and have your photos published in the annual IPA Book and shown worldwide in IPA's curated traveling exhibition.
Receive a coveted Lucie statue at the 2016 Lucie Awards Gala in New York on October 23, 2016 and become part of the most recognized event in photography. Your submission fees go directly to support the Lucie Foundation.
Join the premiere annual event honoring the greatest achievements in photography!
The Lucie Awards is the premiere annual event honoring the greatest achievements in photography. The photography community from around the globe pays tribute to the most outstanding people in the field. The Lucie honorees and IPA winners are presented with the Lucie Statue during a spectacular evening at the gala ceremony in New York.


text:
Article: The Corruption of Copyright and Returning It to Its Original Purposes
As 2022 comes to a close, I'm sifting through my "did I read?" list and was reminded of this 2021 paper by Michelle Wu. Wu is the former Associate Dean for Library Services and Professor of Law at Georgetown University Law Center, where she has also served as the Interim Associate Dean for Administration & Finance and Head of Law Center Human Resources. She thinks deeply about copyright law, and is admired by many.
This 42-page paper is not light reading, so brew yourself a pot of coffee and settle in!
Wu, Michelle M., "The Corruption of Copyright and Returning It to Its Original Purposes" (2021). Georgetown Law Faculty Publications and Other Works. 2410.
https://scholarship.law.georgetown.edu/facpub/2410 (DOI: 10.1080/0270319X.2021.1966238)
Since its inception, Copyright has had two purposes: the private interest of the author in being paid for her work and the public interest served by the dissemination of these works. Within the last two decades, though, some industries have systematically undermined both of those interests, redirecting the benefits of copyright towards themselves instead of the intended beneficiaries. This paper looks at the book, music, and entertainment industries, examines how copyright has been used to suppress the uses it was intended to foster, and explores ongoing and proposed avenues for course correction.
Posted by Jill Hurst-Wahl at 9:00 AM
Article: The Corruption of Copyright and Returning...
Webinar: What You Need to Know about Small Claims ...
Blog Post: Digital Books wear out faster than Phys...
Resources from "Starting from Where You Are: Beco...


text:
Q: postfix forward throttling I have some problem with throttling for my mail system.
main.cf
initial_destination_concurrency       = 1
default_destination_concurrency_limit = 1
default_destination_recipient_limit   = 2
default_destination_rate_delay        = 1m

When I send mails from my site all forking fine - delay working.
/etc/aliases
adminuser: <mail1@domain> <mail2@domain> <mail3@domain>

When email forwarding for user adminuser delay not working.


text:
namespace autofill {

class AutofillPopupDelegate;
class AutofillPopupView;

// This class is a controller for an AutofillPopupView. It implements
// AutofillPopupController to allow calls from AutofillPopupView. The
// other, public functions are available to its instantiator.
class AutofillPopupControllerImpl : public AutofillPopupController {
 public:
  // Creates a new |AutofillPopupControllerImpl|, or reuses |previous| if the
  // construction arguments are the same. |previous| may be invalidated by this
  // call. The controller will listen for keyboard input routed to
  // |web_contents| while the popup is showing, unless |web_contents| is NULL.
  static base::WeakPtr<AutofillPopupControllerImpl> GetOrCreate(
      base::WeakPtr<AutofillPopupControllerImpl> previous,
      base::WeakPtr<AutofillPopupDelegate> delegate,
      content::WebContents* web_contents,
      gfx::NativeView container_view,
      const gfx::RectF& element_bounds,
      base::i18n::TextDirection text_direction);

  // Shows the popup, or updates the existing popup with the given values.
  void Show(const std::vector<base::string16>& names,
            const std::vector<base::string16>& subtexts,
            const std::vector<base::string16>& icons,
            const std::vector<int>& identifiers);

  // Updates the data list values currently shown with the popup.
  void UpdateDataListValues(const std::vector<base::string16>& values,
                            const std::vector<base::string16>& labels);

  // Hides the popup and destroys the controller. This also invalidates
  // |delegate_|.
  virtual void Hide() OVERRIDE;

  // Invoked when the view was destroyed by by someone other than this class.
  virtual void ViewDestroyed() OVERRIDE;

  bool HandleKeyPressEvent(const content::NativeWebKeyboardEvent& event);

  // Tells the view to capture mouse events. Must be called before |Show()|.
  void set_hide_on_outside_click(bool hide_on_outside_click);

 protected:
  FRIEND_TEST_ALL_PREFIXES(AutofillExternalDelegateBrowserTest,
                           CloseWidgetAndNoLeaking);
  FRIEND_TEST_ALL_PREFIXES(AutofillPopupControllerUnitTest,
                           ProperlyResetController);

  AutofillPopupControllerImpl(base::WeakPtr<AutofillPopupDelegate> delegate,
                              content::WebContents* web_contents,
                              gfx::NativeView container_view,
                              const gfx::RectF& element_bounds,
                              base::i18n::TextDirection text_direction);
  virtual ~AutofillPopupControllerImpl();

  // AutofillPopupController implementation.
  virtual void UpdateBoundsAndRedrawPopup() OVERRIDE;
  virtual void SetSelectionAtPoint(const gfx::Point& point) OVERRIDE;
  virtual bool AcceptSelectedLine() OVERRIDE;
  virtual void SelectionCleared() OVERRIDE;
  virtual void AcceptSuggestion(size_t index) OVERRIDE;
  virtual int GetIconResourceID(
      const base::string16& resource_name) const OVERRIDE;
  virtual bool CanDelete(size_t index) const OVERRIDE;
  virtual bool IsWarning(size_t index) const OVERRIDE;
  virtual gfx::Rect GetRowBounds(size_t index) OVERRIDE;
  virtual void SetPopupBounds(const gfx::Rect& bounds) OVERRIDE;
  virtual const gfx::Rect& popup_bounds() const OVERRIDE;
  virtual gfx::NativeView container_view() OVERRIDE;
  virtual const gfx::RectF& element_bounds() const OVERRIDE;
  virtual bool IsRTL() const OVERRIDE;

  virtual const std::vector<base::string16>& names() const OVERRIDE;
  virtual const std::vector<base::string16>& subtexts() const OVERRIDE;
  virtual const std::vector<base::string16>& icons() const OVERRIDE;
  virtual const std::vector<int>& identifiers() const OVERRIDE;
#if !defined(OS_ANDROID)
  virtual const gfx::FontList& GetNameFontListForRow(
      size_t index) const OVERRIDE;
  virtual const gfx::FontList& subtext_font_list() const OVERRIDE;
#endif
  virtual int selected_line() const OVERRIDE;

  content::WebContents* web_contents();

  // Change which line is currently selected by the user.
  void SetSelectedLine(int selected_line);

  // Increase the selected line by 1, properly handling wrapping.
  void SelectNextLine();

  // Decrease the selected line by 1, properly handling wrapping.
  void SelectPreviousLine();

  // The user has removed a suggestion.
  bool RemoveSelectedLine();

  // Convert a y-coordinate to the closest line.
  int LineFromY(int y);

  // Returns the height of a row depending on its type.
  int GetRowHeightFromId(int identifier) const;

  // Returns true if the given id refers to an element that can be accepted.
  bool CanAccept(int id);

  // Returns true if the popup still has non-options entries to show the user.
  bool HasSuggestions();

  // Set the Autofill entry values. Exposed to allow tests to set these values
  // without showing the popup.
  void SetValues(const std::vector<base::string16>& names,
                 const std::vector<base::string16>& subtexts,
                 const std::vector<base::string16>& icons,
                 const std::vector<int>& identifier);

  AutofillPopupView* view() { return view_; }

  // |view_| pass throughs (virtual for testing).
  virtual void ShowView();
  virtual void InvalidateRow(size_t row);

  // Protected so tests can access.
#if !defined(OS_ANDROID)
  // Calculates the desired width of the popup based on its contents.
  int GetDesiredPopupWidth() const;

  // Calculates the desired height of the popup based on its contents.
  int GetDesiredPopupHeight() const;

  // Calculate the width of the row, excluding all the text. This provides
  // the size of the row that won't be reducible (since all the text can be
  // elided if there isn't enough space).
  int RowWidthWithoutText(int row) const;
#endif

  base::WeakPtr<AutofillPopupControllerImpl> GetWeakPtr();

  // Contains common popup functionality such as popup layout. Protected for
  // testing.
  scoped_ptr<PopupControllerCommon> controller_common_;

 private:
  // Clear the internal state of the controller. This is needed to ensure that
  // when the popup is reused it doesn't leak values between uses.
  void ClearState();

#if !defined(OS_ANDROID)
  // Calculates and sets the bounds of the popup, including placing it properly
  // to prevent it from going off the screen.
  void UpdatePopupBounds();
#endif

  AutofillPopupView* view_;  // Weak reference.
  base::WeakPtr<AutofillPopupDelegate> delegate_;

  // The bounds of the Autofill popup.
  gfx::Rect popup_bounds_;

  // The text direction of the popup.
  base::i18n::TextDirection text_direction_;

  // The current Autofill query values.
  std::vector<base::string16> names_;
  std::vector<base::string16> subtexts_;
  std::vector<base::string16> icons_;
  std::vector<int> identifiers_;

  // Since names_ can be elided to ensure that it fits on the screen, we need to
  // keep an unelided copy of the names to be able to pass to the delegate.
  std::vector<base::string16> full_names_;

#if !defined(OS_ANDROID)
  // The fonts for the popup text.
  gfx::FontList name_font_list_;
  gfx::FontList subtext_font_list_;
  gfx::FontList warning_font_list_;
#endif

  // The line that is currently selected by the user.
  // |kNoSelection| indicates that no line is currently selected.
  int selected_line_;

  base::WeakPtrFactory<AutofillPopupControllerImpl> weak_ptr_factory_;
};

}  // namespace autofill

#endif  // CHROME_BROWSER_UI_AUTOFILL_AUTOFILL_POPUP_CONTROLLER_IMPL_H_


text:
Drummers, On the Beat
Drummer/Author Chris Peacock
Hey, Modern Drummer heads! My name is Chris Peacock and I'm addicted to drums. I've been playing for twenty-years and I started at the age of twelve. I've studied with Ralph Humphrey, Joe Porcaro, and Mike Shapiro and have worked in all sorts of musical situations including rock, pop, jazz, electronica, caleigh, and orchestral.
I would describe myself as a drummer, a producer, and an educator. I'm also a bit of a madman, but that's a secret between you and me. Here is some of the cool stuff that I've been working on lately: The Samuraiz is my music production company based out of London, U.K. We write and produce a mix of dance and U.K. hip-hop for a handful of local acts. There may be an album launch in the future, but our primary focus is to help other artists build up their catalogues and create the best sound that they possibly can. Producing is a new gig for me and my partner, but I'm acting on the advice that the pros always give, which is to be the best drummer, the best writer, the best producer, and the best businessman you can be. It's the only way to stay relevant and to stay active in the modern music industry.
I wrote a book, The Psychology Of Drumming, which is all about confidence, overcoming obstacles, and being the best. Some of the world's finest players were kind enough to contribute, including Steve Smith, Kenny Aronoff, Jojo Mayer, David Garibaldi, and John "JR" Robinson. In the book they share their highs, their lows, and lots of stuff in between. It's currently available on Amazon.com for anyone interested in checking it out.
TheDrumNinja.com is a blog that I recently launched designed to help beginner to intermediate drummers improve their technique, vocabulary, repertoire, and overall comfort behind the kit. I break down popular beats and licks every week, and best of all, it's free!
I often think how lucky I am to be a drummer and be a part of one of the coolest, most supportive communities on earth. Drummers just seem to look out for each other and are always willing to lend a hand. If I could offer some advice to any drummer it would be to enjoy your craft, set lofty goals, and hustle every single day.
I'd like to thank Modern Drummer for continually bringing the world of drumming to us each and every month and for giving us a platform to share our experiences. They are the best!
Also, thank you guys and girls for reading this blog, it's greatly appreciated!
If you would like to get in touch please visit me at thedrumninja.com and say hello.
Posted in Drummers, On the Beat Tagged Chris Peacock, Joe Porcaro, Mike Shapiro, Ralph Humphrey, The Psychology Of Drumming, TheDrumNinja.com, author, businessman, drummer, producer
Drummers, On the Beat:
On The Beat with Dave Weckl: Talks Making the Singer Happy
News, News and Events, On the Beat:
Melkbelly's James Wetzel on Time and Space
On the Beat:
Quarantine Home Recording #3: Five Ways to Tank Your Drum Mix
Clementine on Channeling John Bonham in 12 Steps
Quarantine Home Recording #2: The Source Sound
Quarantine Home Recording: Don't Say "Can't"
Chris Hornbrook On his Play-Through Video for Greg Puciato's "Deep Set"
Clementine on Ten Ways to Shine as a Session Drummer


Resource for information on various techniques of all-terrain boarding. With events listings and discussion forum.
Includes photo gallery, related links, and information on upcoming events.
Contains photos and results of the annual boarding competition.
Introduction to park facilities dedicated to sand boarding. With safety tips, fees, and events list.


text:
Q: Convert List to List with MyEnumType in Type variable I want to convert a List<string> to List<MyEnum>.
The problem is, if I parse all items of List<string> to MyEnum, the new list will stay as List<object>.
static void ConvertList(List<string> stringList, Type enumType)
{
    var enumList = stringList.Select(a => Enum.Parse(enumType, a)).ToList();

    Console.WriteLine("Original Type: " + typeof(List<MyEnum>));
    Console.WriteLine("EnumList Type: " + enumList.GetType());
    Console.WriteLine("EnumList First Element Type: " + enumList.First().GetType());
    Console.Read();
}

// Console.Out
// Original Type: System.Collections.Generic.List`1[ConsoleApplication1.MyEnum]
// EnumList Type: System.Collections.Generic.List`1[System.Object]
// EnumList First Element Type: ConsoleApplication1.MyEnum

Is it possible to convert the list to List<MyEnum> just by a Type variable?
Thanks in advance!
Edit:
Thanks for your help.
But I need to clarify that the enum type is ONLY stored in an instance of Type. Thanks!
I can't call something like ConvertList<MyEnum>.

A: You can try something like this,
static void ConvertList<T>(List<string> stringList)
{
    var enumList = stringList.Select(a => (T)Enum.Parse(typeof(T), a)).ToList();
}

And call the method,
 ConvertList<MyEnum>(new List<string> { "Value1", "Value2" });

Update
Changing the calling mechanism can help in this case,
MethodInfo method = typeof(Program).GetMethod("ConvertList", BindingFlags.Static | BindingFlags.Instance | BindingFlags.Public | BindingFlags.NonPublic);
var type = typeof (MyEnum);
MethodInfo generic = method.MakeGenericMethod(type);
generic.Invoke(null, new[] {new List<string> {"Value1", "Value2"}});

A: The answer is reflection, but it's ugly.
    static object ConvertList<T>(List<string> stringList)
    {
        return stringList.Select(a => (T)Enum.Parse(typeof(T), a)).ToList();
    }

    static object ConvertList(List<string> stringList, Type enumType)
    {
        var method = new Func<List<string>, object>(ConvertList<object>).Method.GetGenericMethodDefinition();
        return method.MakeGenericMethod(enumType).Invoke(null, new object[] { stringList });
    }


text:
L'Emirates Cup est une compétition estivale européenne de football organisée depuis 2007 par le club d'Arsenal à Londres, en Angleterre.

Jusqu'en 2017, elle se dispute sur deux jours et a lieu peu de temps avant le début de la saison toujours à l'Emirates Stadium.

Histoire
La première édition du tournoi s'est déroulée les 28 et 29 juillet 2007. Elle a accueilli le Paris Saint-Germain, l'Inter Milan et Valence CF en plus d'Arsenal. Initialement, le Hambourg SV devait participer, mais le club, qualifié en Coupe Intertoto, n'a pu prendre part au tournoi et fut remplacé par Valence. Cette édition a été remportée par l'équipe hôte de la compétition, Arsenal, grâce à deux victoires en deux matchs. Avec deux buts marqués, le Parisien Peguy Luyindula termine meilleur buteur de cette première édition.

L'année suivante, la Juventus, Hambourg et le Real Madrid sont les invités. Le tournoi a lieu les  et . Toutes les équipes terminent avec une victoire et une défaite, mais le club de Hambourg est déclaré vainqueur.

En 2009, le Paris Saint-Germain, invité pour la seconde fois, les Glasgow Rangers et l'Atlético Madrid prennent part à la compétition les 1 et . Comme en 2007, le club local d'Arsenal remporte le trophée.

Pour l'édition 2010 du tournoi, l'Olympique lyonnais, le Celtic Glasgow et l'AC Milan sont les invités. La compétition s'est tenue le 31 juillet et le  et permet à Arsenal de remporter une troisième victoire.

L'édition 2011 regroupe les clubs d'Arsenal, du Paris Saint-Germain (invité pour la troisième fois) de Boca Juniors et des Red Bulls de New York. Elle a eu lieu le 30 et  et fut remportée par les Red Bulls de New York.

L'édition 2012 n'a pas lieu en raison des Jeux olympiques de Londres de 2012 a déclaré Ivan Gazidis directeur d'Arsenal.

En 2013, le tournoi reprend avec comme participants outre Arsenal, Galatasaray, le FC Porto et le SSC Naples. Cette édition s'est déroulée du 3 au . Galatasaray termine champion de la compétition.

En 2014, les clubs de Valence (déjà invité en juillet 2007), de l'AS Monaco, ancien club d'Arsène Wenger et du Benfica Lisbonne sont les invités de cette septième édition. Valence remporte l'édition.

En 2015, l'Olympique lyonnais (déjà invité en juillet 2010), le VfL Wolfsbourg et le Villarreal CF sont les invités. Arsenal remporte l'édition, la première fois après cinq ans. C'est la quatrième fois qu'Arsenal remporte le tournoi.

En 2017, le Benfica Lisbonne (déjà invité en août 2014), le RB Leipzig et le Séville FC sont les invités. Arsenal remporte son cinquième trophée malgré la défaite contre le Séville FC grâce à un plus grand nombre de buts marqués pendant le tournoi.

L'édition 2018 n'a pas lieu en raison de la participation d'Arsenal à l'International Champions Cup (ICC).

En 2019, le tournoi change de format en se disputant sur une seule journée et voyant s'opposer deux équipes féminines. L'équipe masculine d'Arsenal affronte l'Olympique lyonnais tandis que l'équipe féminine reçoit le Bayern Munich. Arsenal Women s'incline face aux Bavaroises sur le score de 1-0. L'OL bat, de son côté, l'équipe masculine sur le score de 2-1. Les deux équipes locales perdent donc le tournoi.

Format
Arsenal est traditionnellement accompagné d'une autre équipe sponsorisée par Fly Emirates (Paris en 2007, 2009 et 2011 ; Hambourg en 2008 et Milan en 2010).

Chaque équipe participe à deux rencontres. Trois points sont accordés en cas de victoire, un point en cas de match nul, ainsi qu'un point de bonus par but inscrit, de la même manière que pour le Tournoi d'Amsterdam. En 2011, le point de bonus par but inscrit disparaît. En 2013, le point de bonus par but inscrit est réintroduit.

Trophée
Le trophée décerné au vainqueur du tournoi a été créé par Thomas Fattorini, dont la famille produit les trophées pour le football anglais depuis 1827. Il a été décerné pour la première fois au club hôte d'Arsenal le 29 juillet 2007. Il est en argent et repose sur un socle massif. Il est composé de deux poignées dont la forme représente les courbes de l'Emirates Stadium. Le logo de l'Emirates Stadium y est représenté.

Palmarès

Participations par club

Hommes

Femmes

Statistiques
 Plus large victoire : 6 buts d'écart
 Arsenal FC 6-0 Olympique lyonnais (2015)
 Arsenal FC 6-0 Seville FC (2022)
 Plus grand nombre de points : 13 points
 Arsenal FC (2015)
 Meilleure attaque : 7 buts
 Arsenal FC (2015)
 Meilleure différence de buts : +7
 Arsenal FC (2015)
 Pire différence de buts : -8
 Olympique lyonnais (2015)
 Plus grand nombre de buts sur un match : 7 buts
 Arsenal FC 5-2 Benfica Lisbonne (2017)

Meilleurs buteurs
4 buts : Yaya Sanogo, Theo Walcott

3 buts : Robin van Persie, Olivier Giroud

2 buts : Peguy Luyindula, Ivica Olić, Andreï Archavine, Jack Wilshere, Goran Pandev, Didier Drogba, Aaron Ramsey, Alex Iwobi, Moussa Dembélé

1 but : Nicklas Bendtner, Amara Diané, Mathieu Flamini, Jaime Gavilán, Aliaksandr Hleb, David N'Gog, David Suazo, David Villa, Paolo Guerrero, David Trezeguet, Emmanuel Adebayor, Mohamed Zidan, Dani Parejo, Madjid Bougherra, German Pacheco, Ludovic Giuly, Sergio Agüero, Eduardo, Garry Hooper, Marouane Chamakh, Carlos Vela, Bacary Sagna, Samir Nasri, Michel Bastos, Harry Novillo, Jimmy Briand, Yeóryos Samarás, Daryl Murphy, Ki Sung-yong, Alexandre Pato, Marco Borriello, Pablo Mouche, Lucas Viatri, Joel Lindpere, Marcos Ceará, Guillaume Hoarau, Jean-Eudes Maurice, Felipe Melo, Laurent Koscielny, Lorenzo Insigne, Nabil Ghilas, Licá, Paco Alcacer, Lucas Ocampos, Joel Campbell, Nicolas Gaitán, Derley, José Gayà, Pablo Piatti, Andrés Guardado, Radamel Falcao, Ivan Perišić, Mario Gaspar, Matias Nahuel, Alex Oxlade-Chamberlain, Mesut Özil, Santi Cazorla, Bruno Soriano, Baptistão, Franco Cervi, Eduardo Salvio, Marcel Halstenberg, Marvin Compper, Alexandre Lacazette, Joaquin Correa, Steven N'Zonzi, Pierre-Emerick Aubameyang

Buts csc : Kyle Bartley, Federico Fernández, Ricardo Carvalho, Ruben Vezo, Lisandro López

Meilleures buteuses
1 but : Melanie Leupolz

Notes et références

Voir aussi

Lien externe


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