The longest running festival takes place in a city which inspires artistic dreaming like nowhere else on Earth, Director Wendy Martin tells NOW! Jakarta.
Perth is one of the world's youngest cities but it hosts the longest-running arts festival in the Southern Hemisphere. In 2019 the Festival celebrates its 66th birthday. It grew out of the University of Western Australia's annual summer school entertainment nights as a 'festival for the people' to meet community demand for cultural nourishment after World War II. Since then, the Festival has spread beyond the university campus to embrace the entire city and its people. The festival has led decades of cultural growth in Perth. It has supported the development of Western Australia's major ballet, orchestra, opera and theatre companies, and has been a platform for local and international artists to exchange ideas and influences. Music, dance and theatre shows have had their world premieres here in Perth before touring internationally. The festival and this city share the most dynamic region in the world, the Indian Ocean Rim and East Asian time zone where more than 60% of the world's population lives. Every Artistic Director brings their own life experience, passion and unique vision to the Festival. The thing that remains constant is Perth, its people and its unique position on the western edge of the ancient Australian continent overlooking the Indian Ocean.
What's it like being part of the longest running festivals and what has your experience here been like compared to the other festivals you've worked on?
One of the first things I discovered when I arrived in Perth in 2015 was how treasured the Festival is by the community. Each summer for 65 years the Festival has brought thrilling international arts experiences to the world's most remote capital city. In much larger cities like Sydney and London, where I have worked in the past, arts festivals compete for attention in a crowded calendar of attractions. I have been determined to make a Festival that could only happen here in Perth, where the Indian Ocean, Swan River and vast open spaces inspire artistic dreaming like nowhere else on Earth. I have loved discovering the things about the city and the South West of Western Australia that make it unique. I have been inspired by indigenous Noongar culture and the extraordinary environment of the South West - one of just 34 biodiversity hotspots in the world. I am particularly excited about the 2019 return of Boorna Waagniny: The Trees Speak, a landmark event that turns Perth's beloved Kings Park into a nocturnal wonderland. It's a vivid expression of Noongar culture and a call to action on climate change wrapped up in the most spectacular and unforgettable experience.
Perth Festival Lotterywest Films at the outdoor cinema of UWA Somerville.
What is your criteria for selecting the broad range of programmes at the festival?
We present work by the world's visionary makers, as well as celebrating Western Australian artists and stories. At the heart of our dreaming and planning is a commitment to celebrating diversity. The 2019 Festival presents the Australian premiere of Mozart's The Magic Flute from Komische Oper Berlin and superstar opera director Barry Kosky. A joyous production using animated film and live action with a 1920's silent movie aesthetic. We explore the cultures of our geographical neighbours. Nouveau Cirque du Vietnam bring their breathtaking acrobatics and stunning live music in their show Lang Toi (My Village) while Chinese and Australian performers bridge cultures through the universal power of music and dance in One Infinity.
We invite our audiences from around the world to discover the brilliant work being made here in Western Australia. The 2019 program includes seven world premieres of Western Australian work, all made through the lens of artists working in our unique corner of the world. A show that ticks all the boxes for me is Sunset, from Perth's Strut Dance with Maxine Doyle from the UK's Punchdrunk theatre group. Punchdrunk has pioneered a game-changing form of theatre by creating epic stories for roaming audiences to experience inside abandoned buildings.
Sunset is presented in the heritage site of an Old Men's Home on a cliff above the Swan River. Inspired by its history as a home for elderly farm workers, prospectors and convicts, an amazing cast will transform Sunset into a place where classical myth collides with WA stories.
Can you tell us a bit about how the festival reflects Perth as a city?
Summer time in Perth is distinguished by warm dry days and beautiful balmy evenings perfect for enjoying fantastic arts events outdoors. Our spectacular 2019 opening event Boorna Waanginy: The Trees Speak will beckon visitors and locals alike to Kings Park, Perth's beautiful central city playground and a treasure trove of botanical splendour and biodiversity. We also celebrate the great outdoors in our two beautiful outdoor cinemas showing the very best international films on big screens under the stars. Our Chevron Gardens contemporary music venue invites people to dance the night away to the world's most exciting live acts on the bank of the Swan River against the backdrop of the CBD. We will present an eclectic line-up of irresistible music from funk to soul and rock and roll. The Gardens are a place to gather together with artists and audiences from around the world and enjoy food, drinking and dancing whether or not you have a ticket to the main stage.
Although it's hard to pick a few, what would you most recommend for Indonesian audiences looking to visit the festival?
Kings Park is one of the biggest and most majestic inner city park in the world, with more than 6 million visitors each year. Boorna Waanginy: The Trees Speak will give Indonesian visitors to Perth a unique opportunity to experience a magnificent showcase of our Noongar culture and to appreciate one of our State's most popular tourist attractions in a new light. The light and sound spectacular will showcase two streams of understanding about our land - Noongar knowledge and modern science - within the beauty of our unique natural environment. The nocturnal walk-through experience is exclusive to Perth.
I also am passionate about dance and we have invited two of the world's most exciting dance artists South Africa's Dada Masilo and Ireland's Michael Keegan Dolan, to bring their thrillingly reimagined productions of the classic ballets Giselle and Swan Lake. Perth indigenous contemporary dance company Ochre has collaborated with India's Daksha Sheth Dance to present Kwongan (Sand), that will dazzle audiences in an outdoor setting amongst the trees at the Fremantle Arts Centre. While the Western Australian Ballet invites audiences to dine under the stars before watching dance in the amazing setting of a rock quarry converted into an outdoor amphitheatre at City Beach.


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text:
Genesis 27; Genesis 28
Isaac Blesses Jacob
27 When Isaac was old and zhis eyes were dim so that he could not see, he called Esau his older son and said to him, "My son"; and he answered, "Here I am." 2 He said, "Behold, I am old; I do not know the day of my death. 3 aNow then, take your weapons, your quiver and your bow, and go out to the field and hunt game for me, 4 and prepare for me delicious food, such as I love, and bring it to me so that I may eat, that my soul bmay bless you before I die."
5 Now Rebekah was listening when Isaac spoke to his son Esau. So when Esau went to the field to hunt for game and bring it, 6 Rebekah said to her son Jacob, "I heard your father speak to your brother Esau, 7 'Bring me game and prepare for me delicious food, that I may eat it and bless you before the Lord before I die.' 8 Now therefore, my son, cobey my voice as I command you. 9 Go to the flock and bring me two good young goats, so that I may prepare from them delicious food for your father, such as he loves. 10 And you shall bring it to your father to eat, dso that he may bless you before he dies." 11 But Jacob said to Rebekah his mother, "Behold, emy brother Esau is a hairy man, and I am a smooth man. 12 Perhaps my father fwill feel me, and I shall seem to be mocking him and bring ga curse upon myself and not a blessing." 13 His mother said to him, h"Let your curse be on me, my son; only obey my voice, and go, bring them to me."
14 So he went and took them and brought them to his mother, and his mother prepared delicious food, such as his father loved. 15 Then Rebekah took the ibest garments of Esau her older son, which were with her in the house, and put them on Jacob her younger son. 16 And the skins of the young goats she put on his hands and on the smooth part of his neck. 17 And she put the delicious food and the bread, which she had prepared, into the hand of her son Jacob.
18 So he went in to his father and said, "My father." And he said, "Here I am. Who are you, my son?" 19 Jacob said to his father, "I am Esau your firstborn. I have done as you told me; now sit up and eat of my game, that your soul may bless me." 20 But Isaac said to his son, "How is it that you have found it so quickly, my son?" He answered, "Because the Lord your God granted me success." 21 Then Isaac said to Jacob, "Please come near, that I jmay feel you, my son, to know whether you are really my son Esau or not." 22 So Jacob went near to Isaac his father, who felt him and said, "The voice is Jacob's voice, but the hands are the hands of Esau." 23 And he did not recognize him, because khis hands were hairy like his brother Esau's hands. lSo he blessed him. 24 He said, "Are you really my son Esau?" He answered, "I am." 25 Then he said, "Bring it near to me, mthat I may eat of my son's game and bless you." So he brought it near to him, and he ate; and he brought him wine, and he drank.
26 Then his father Isaac said to him, "Come near and kiss me, my son." 27 So he came near and kissed him. And Isaac smelled the smell of his garments land blessed him and said,
"See, nthe smell of my son
is as the smell of a field that the Lord has blessed!
28 May God give you of othe dew of heaven
and of the fatness of the earth
and pplenty of grain and wine.
29 Let peoples serve you,
and nations qbow down to you.
rBe lord over your brothers,
and may your mother's sons bow down to you.
sCursed be everyone who curses you,
and blessed be everyone who blesses you!"
30 As soon as Isaac had finished blessing Jacob, when Jacob had scarcely gone out from the presence of Isaac his father, Esau his brother came in from his hunting. 31 He also prepared delicious food and brought it to his father. And he said to his father, "Let my father arise and eat of his son's game, that you may bless me." 32 His father Isaac said to him, "Who are you?" He answered, "I am your son, your firstborn, Esau." 33 Then Isaac trembled very violently and said, "Who was it then that hunted game and brought it to me, and I ate it all before you came, and I have blessed him? Yes, and he shall be blessed." 34 As soon as Esau heard the words of his father, the cried out with an exceedingly great and bitter cry and said to his father, "Bless me, even me also, O my father!" 35 But he said, "Your brother came deceitfully, and he has taken away your blessing." 36 Esau said, u"Is he not rightly named Jacob?1 For he has cheated me these two times. vHe took away my birthright, and behold, now he has taken away my blessing." Then he said, "Have you not reserved a blessing for me?" 37 Isaac answered and said to Esau, "Behold, wI have made him lord over you, and all his brothers I have given to him for servants, and xwith grain and wine I have sustained him. What then can I do for you, my son?" 38 Esau said to his father, "Have you but one blessing, my father? Bless me, even me also, O my father." And tEsau lifted up his voice and wept.
39 Then Isaac his father answered and said to him:
"Behold, yaway from2 the fatness of the earth shall your dwelling be,
and away from3 the dew of heaven on high.
40 By your sword you shall live,
and you zshall serve your brother;
but when you grow restless
ayou shall break his yoke from your neck."
41 Now Esau bhated Jacob because of the blessing with which his father had blessed him, and Esau said to himself, c"The days of mourning for my father are approaching; dthen I will kill my brother Jacob." 42 But the words of Esau her older son were told to Rebekah. So she sent and called Jacob her younger son and said to him, "Behold, your brother Esau comforts himself about you by planning to kill you. 43 Now therefore, my son, obey my voice. Arise, flee to Laban my brother in Haran 44 and stay with him a while, until your brother's fury turns away— 45 until your brother's anger turns away from you, and he forgets what you have done to him. Then I will send and bring you from there. Why should I be bereft of you both in one day?"
46 Then Rebekah said to Isaac, e"I loathe my life because of the Hittite women.4 fIf Jacob marries one of the Hittite women like these, one of the women of the land, what good will my life be to me?"
Jacob Sent to Laban
28 Then Isaac called Jacob gand blessed him and directed him, f"You must not take a wife from the Canaanite women. 2 hArise, go to Paddan-aram to the house of iBethuel your mother's father, and take as your wife from there one of the daughters of Laban your mother's brother. 3 jGod Almighty1 bless you and make you fruitful and multiply you, that you may become a company of peoples. 4 May he give kthe blessing of Abraham to you and to your offspring with you, that you may take possession of lthe land of your sojournings that God gave to Abraham!" 5 Thus Isaac sent Jacob away. And he went to Paddan-aram, to Laban, the son of Bethuel the Aramean, the brother of Rebekah, Jacob's and Esau's mother.
Esau Marries an Ishmaelite
6 Now Esau saw that Isaac had blessed Jacob and sent him away to Paddan-aram to take a wife from there, and that as he blessed him he directed him, "You must not take a wife from the Canaanite women," 7 and that Jacob had obeyed his father and his mother and gone to Paddan-aram. 8 So when Esau saw mthat the Canaanite women did not please Isaac his father, 9 Esau went to Ishmael and took as his wife, besides the wives he had, nMahalath the daughter of Ishmael, Abraham's son, the sister of oNebaioth.
Jacob's Dream
10 Jacob left pBeersheba and went toward qHaran. 11 And he came to a certain place and stayed there that night, because the sun had set. Taking one of the stones of the place, he put it under his head and lay down in that place to sleep. 12 And he rdreamed, and behold, there was a ladder2 set up on the earth, and the top of it reached to heaven. And behold, sthe angels of God were ascending and descending on it! 13 And behold, tthe Lord stood above it3 and said, u"I am the Lord, the God of Abraham your father and the God of Isaac. vThe land on which you lie I will give to you and to your offspring. 14 Your offspring shall be like wthe dust of the earth, and you shall spread abroad to the west and to the east and to the north and to the south, and in you and xyour offspring shall all the families of the earth be blessed. 15 Behold, yI am with you and will keep you wherever you go, and zwill bring you back to this land. For I will anot leave you until I have done what I have promised you." 16 Then Jacob awoke from his sleep and said, "Surely the Lord is bin this place, and I did not know it." 17 And he was afraid and said, "How awesome is this place! This is none other than the house of God, and this is the gate of heaven."
18 So early in the morning Jacob took the stone that he had put under his head and set it up cfor a pillar dand poured oil on the top of it. 19 He called the name of that place eBethel,4 but the name of the city was Luz at the first. 20 Then Jacob fmade a vow, saying, "If God will be with me and will keep me in this way that I go, and will give me bread to eat and clothing to wear, 21 gso that I come again to my father's house in peace, hthen the Lord shall be my God, 22 and this stone, which I have set up for a pillar, ishall be God's house. And jof all that you give me I will give a full tenth to you."

redpajama_set_name: RedPajamaCommonCrawl


text:
Sicilian Wines Build U.S. Following With On-Premise Focus
Sicilian wine producers have shifted gears over the past five or six years, and they're now emphasizing more upscale labels and making inroads in the U.S. market—primarily at the super-premium and luxury tiers. Volumes are still relatively small, but Sicily has become a favorite category among sommeliers, and consumers are increasingly willing to explore what it has to offer.
"A big differentiator for Sicily as a wine region is its indigenous grapes—the most well-known being Nero d'Avola and Grillo," says Antonio Rallo, co-owner of Sicilian wine producer Donnafugata and president of Sicilia DOC, the biggest appellation in southern Italy.
The region and its indigenous grapes once were relatively obscure, as vintners sought to produce international varietals like Chardonnay and Cabernet Sauvignon that were exported mostly to northern European markets, according to Giacomo Turone, senior vice president of brand development for Palm Bay International. "Sicilian winemakers still had this incredible heritage of native varietals that they never abandoned, but it's only in the past 15 years that they have re-evaluated it," Turone says.
Nerello Mascalese, the most prominent grape from Sicily's Etna region, is "the hot varietal," according to Bob Calamia, a wine buyer for Binny's Beverage Depot in Illinois. Calamia says same-store sales for all Sicilian wines are up about 15% over last year, with most of the growth coming from wines that retail at $20 and above. Tenuta delle Terre Nere, an Etna wine, has "surged in sales," he says, along with Donnafugata, which has vineyards in Etna and elsewhere in Sicily. Market Watch has more on the emergence of the Sicilian wine category in the U.S.—Carol Ward
Tagged : Donnafugata, Market Watch, Palm Bay International, Tenuta delle Terre Nere
Previous : Shaw-Ross Sees New Sparkling Extension Reinvigorate Blue Nun Next : Craft Brewing And Distilling News for July 15, 2019


text:
COMMENT | Kathimerini English Edition Ethnarhou Makariou Avenue & 2, Falireos Street
COMMENT 23.06.2016
A referendum's legacy of division
NIKOS KONSTANDARAS
The British referendum opened rifts in society that few would have expected. What matters now is to see how winners and losers will move on to close the wounds, to find a way to communicate with each other and with the countries of the European Union who have spent the last months anxiously watching the debate, the passion, the hyperbole and lies. For us in Greece, there will be a special interest in seeing whether the winners will invest in continuing division, as the proponents of the "No" vote in last year's referendum here have done.
In this country, the government read the great majority which supported "No" as a blank check to use as it wished. After phrasing the referendum question in gibberish, they turned the answer into an issue of national pride. The "No" side presented themselves as patriots and their answer as a declaration of independence, while those who worried that rejection of a deal with the eurozone could lead to the country's exit from the common currency and perhaps the EU itself, were depicted as quislings. The artificial division before the voting was the first strong indication that the referendum would be used as a political tool beyond the question posed to citizens.
Today we know that the division prior to the vote was the first salvo in a war. When a leading member of ruling SYRIZA wrote in the party paper last month that the party was re-elected last September "so that we can roll the burden onto those who say they want to stay in Europe," he was confirming that division was not an accident. Not only would there be no effort to bridge the rift, but this would remain an essential part of government policy. Whereas the government turns "No" into "Yes," when it turns black into white and resistance into a new bailout deal, it insists on presenting itself as the sole defender of the people's interests – even when it adopts its rivals' policy, as it did in its decision to keep Greece in Europe.
In Greece, overturning the result of July's referendum was approved by the voters in September's national elections, allowing us to say that what mattered was not so much the answer to the question posed as the ruling party's use of the tension that was created. Every now and then, the government makes use of the "class war" for which Kyriakos Mitsotakis, leader of the main opposition party, criticizes it. In our political world, this criticism comes across as praise: It benefits the governing coalition of radical-left and extreme-right parties to appear as if it has an ideology and a policy which provoke a response from "class enemies," however ridiculous this appears today.
In Britain, where a problem within the ruling Conservative Party blew up into a problem for the country, Europe and the world, we saw the party itself and the nation divided. Will the British now try to bridge these divisions or will they fall into the trap of exploiting them for cheap political points?
Turkey must seize opportunity to de-escalate tension, Greek FM says
East Med Act a milestone in US foreign policy
Syntagma metro station to shut down Sunday


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text:
Une zone de rencontre est en Belgique, en France, en Suisse et en Autriche, un ensemble de voies où les piétons ont la priorité absolue et sont autorisés à circuler sur la chaussée, même si des trottoirs sont présents. La vitesse de circulation des autres usagers est limitée à .

Histoire
Les zones de rencontre sont une extension d'un concept plus ancien, celui de la zone résidentielle apparu dans les années 1970 aux Pays-Bas, avec les « woonerf » (du néerlandais erf propriété et woon résidentiel), qui concernait principalement les espaces où l'habitat prédominait.

Dès 1988, ce concept a été étendu aux Pays-Bas aux quartiers commerciaux, centres-villes, et centres historiques : on parle alors de erf, et non plus de woonerf. Il est ensuite étendu à d'autres pays, comme la Belgique, la Suisse, puis en 2008 en France sous le nom de zone de rencontre et 2013 en Autriche, nommé Begegnungszone (également « zone de rencontre » en français).

Principes
Trois principes sont communs aux notions de zone de rencontre dans les différents pays européens :
la priorité est donnée aux piétons qui n'ont pas obligation de se déplacer sur les trottoirs, s'ils existent ;
la vitesse de tous les véhicules est limitée à 20 km/h ;
régime de priorité par défaut aux intersections (ex. priorité à droite en Europe continentale).

En termes d'aménagement et de signalisation, les principes peuvent varier d'un pays à un autre. Les aménagements peuvent être minimalistes comme à Drachten aux Pays-Bas où trottoirs et signalisation disparaissent pour aboutir au concept de route nue.

Cependant, d'autres aménageurs préfèrent assurer la sécurité et le confort des usagers les plus fragiles, par exemple en matérialisant des cheminements pour les handicapés comprenant des bandes d'éveil de vigilance.

Usage
Cet aménagement se prête bien à une zone urbaine où la vie locale prime sur la circulation, notamment les voies que l'aménageur ne souhaite pas forcément rendre piétonnes tout en souhaitant davantage apaiser la circulation que ce que permet une zone 30. Des voies avec une intense activité commerciale en centre-ville, une zone résidentielle calme, un centre historique aux rues étroites où les piétons pénètrent facilement sur la chaussée se prêtent généralement à un aménagement en zone de rencontre.

Le stationnement ne doit pas être organisé en files latérales dont l'effet est de séparer trottoirs et chaussée et de mettre en confiance les conducteurs rapides.

Par pays

Belgique
Le concept apparaît en Belgique en 2004 comme une extension du concept de zone résidentielle (apparu en Belgique en 1978) aux zones accueillant des activités à caractère communautaire : commerces, écoles, tourisme, etc.

Une des toutes premières zones de rencontre est celle de la ville de Tournai. Elle est située à l'intérieur d'une zone 30, le long du quai du marché aux Poissons. Bordée de terrasses de café d'un côté et par le RAVeL (réseau autonomes de voies lentes) longeant l'Escaut et situé deux marches en contrebas de l'autre côté

France

La ville de Chambéry est considérée comme pionnière dans le domaine avec la mise en place, dans les années 1980, d'« aires piétonnes » colorées en rouge et signalées par un panneau « cyclistes et piétons sont prioritaires ». Les voitures et les bus sont contraints de rouler à . Cette ville anticipe les zones 30 qui apparaîtront en 1990, et surtout les zones de rencontre qui ne seront créées qu'avec le décret du  et où les piétons sont effectivement prioritaires.

Dans une zone de rencontre, les piétons sont autorisés à circuler sur la chaussée sans y stationner et bénéficient de la priorité sur les véhicules. La vitesse des véhicules y est limitée à .

Toutes les chaussées sont à double sens pour les cyclistes, c'est-à-dire que les cyclistes peuvent circuler dans les deux sens, sauf si une interdiction le spécifie.

Un panneau de signalisation signale l'entrée, et un autre la sortie de zone.

Le stationnement des véhicules hors des emplacements prévus est strictement interdit.

Toute la réglementation classique s'applique à la zone de rencontre que ce soit la législation pour les personnes à mobilité réduite (notamment les personnes handicapées), la signalisation, etc. Ainsi, il est recommandé de garder un espace refuge réservé aux piétons dès que la largeur de la rue le permet, afin d'assurer un cheminement piéton non accessible aux véhicules motorisés. Ainsi n'est-on pas dans un concept de route nue sans panneaux ni équipements, très perturbant pour certaines personnes handicapées.

En termes d'aménagement et de lisibilité, parmi les idées avancées il y a celle d'une chaussée qui s'efface avec un changement de matériaux et un contraste visuel. Ainsi les usagers motorisés perçoivent que l'espace dans lequel ils pénètrent n'est plus essentiellement destiné à l'écoulement du trafic.

Le Grenelle Environnement en 2007 en a recommandé une généralisation en France, pour diminuer l'usage et les nuisances de la voiture et renforcer la sécurité des piétons et cyclistes.

Un observatoire national a également été créé par le CERTU (Centre d'études sur les réseaux, les transports, l'urbanisme et les constructions publiques), appelé l' « Observatoire national des aménagements ».

Suisse

La zone de rencontre est entrée dans la législation suisse le . Elle concerne des voiries situées dans des quartiers résidentiels ou commerciaux, à l'intérieur desquels les piétons ont la priorité sur la totalité de l'espace public. Toutefois, ceux-ci doivent veiller à ne gêner la circulation des véhicules. La vitesse y est limitée à 20 km/h et le stationnement n'est autorisé que là où il a été spécifiquement prévu.

La réglementation suisse autorise des charges de trafic élevées, contrairement à la législation belge. Les zones de rencontre se sont développées très rapidement. Le cas des villes de Bâle et de Zurich est intéressant, avec une conception d'ensemble des zones de rencontre sur tout leur territoire. En , le nombre de zones de rencontre en Suisse était estimé à deux cents et plus d'une centaine étaient en projet. Ainsi les abords des gares de Genève, de Lausanne et d'Yverdon-les-Bains bénéficient de ce statut. Il s'agit de vastes espaces, accueillant de nombreux bus et quais pour les usagers. La simplicité des aménagements réalisés est une de leurs caractéristiques. La voirie est large. Des traversées à l'intention des piétons ont été réalisées dans la zone de rencontre de Genève, en test pour une année. Celle-ci est notamment signalée par des rectangles bleus, perpendiculaires à la chaussée ; il ne s'agit pas d'un passage piétons mais d'une traversée suggérée.

Comparaison entre pays

Notes et références

Articles connexes
 Apaisement de la circulation
 Mesures de restriction de la circulation routière
 Écomobilité
 Mobilité active
  en Grande-Bretagne
 Zone 30

Infrastructure routière
Aménagement cyclable
Rue
Piéton

redpajama_set_name: RedPajamaWikipedia


text:
William Frentz '13 spends summer interning at Smithsonian museum
William Frentz '13 is the envy of his fellow Centre history majors: he is spending his summer working at America's historical mecca.
Frentz is interning with the Smithsonian National Museum of American History in Washington, D.C. His program — "Access to Opportunities" — is a competitive opportunity for students with disabilities to intern at the Smithsonian. Frentz, who has bilateral hearing loss, was awarded an internship at the museum based on his interests.
Working at a Smithsonian museum is a dream come true for Frentz.
"I was first drawn in by the history aspect of the internship, as I was looking for an experience that would go along with my major at Centre. When I visited D.C., I really enjoyed the Smithsonian museums. The American History museum is my favorite of the Smithsonian museums, and I was lucky enough to be placed there," he says.
Frentz also credits his Centre professors for piquing his curiosity in the kinds of work he is doing at the Smithsonian.
"I became interested in the internship at the museum thanks to the very enthusiastic professors in the history department at Centre," Frentz says. "Dr. Tubb's class on the Crusades definitely prepared me. The curriculum for the course was challenging, yet it was very enjoyable. Like his class, this internship requires that I immerse myself fully in what I do in order to get the most out of the experience."
Every Centre student has the opportunity to have an internship like Frentz's because of the Centre Commitment, which guarantees that all Centre students can study abroad, have an internship and graduate in four years (or else the fifth year of study is paid for by Centre).
As part of his internship, Frentz has the opportunity to work with multiple areas, allowing him to learn about several aspects of museum work.
"I split my time between two supervisors: Dr. Katherine Ott, a curator in the Medicine and Science department, and Drew Robarge, a collections manager in the same department," Frentz says. "Dr. Ott has me doing primarily research work, searching collections for information on various subjects. Drew has me working in the storage spaces. I help him with inventory and cataloging artifacts in the museum's database as they are digitized and/or moved to a storage facility in Maryland."
Frentz's internship has given him learning opportunities outside of his work with Ott and Robarge as well.
"The most interesting part of my internship is the colloquiums where the museum hosts various professors and curators to discuss their recently published books," he says. "It's been really cool to talk with these authors, and they always have great advice for me."
Interning at the Smithsonian over the summer has broadened Frentz'sense about the kinds of work he'd like to do after Centre.
"This experience has given me the chance to see how a world-renowned museum works behind the scenes. It really has been an eye-opening experience thus far and I am looking into museology as a possible career path," he says.
For Frentz, the opportunity to intern at the NMAH will stay with him even after he returns to Centre in the fall.
"I'll surely treasure this experience forever," he says.
By Centre News|2019-11-18T16:22:51-05:00July 15th, 2011|News Archive|


text:
To receive email from Blues Festival E-Guide, add info@bluesfestivalguide.com to your safe sender list.
Legendary Rhythm & Blues Cruise
Special BFG Announcements
Elwood's BluesMobile
Roots Blues Airplay Charts (click chart for samples)
Do yourself a favor... click links in CD & News section
Make sure to click the links at the end of the CD/DVD and News Flash section teasers so you can discover them in entirety on our website news section and so you don't miss out on cool details, photos, schedules, artist or festival links, etc.
We had the distinct pleasure to meet writer, director, producer Scott Rosebaum (pictured here) of Red Hawk Films and watch his wonderful music documentary Sidemen at the 2017 Big Blues Bender in Las Vegas Sept 10.
Photo: Michele Lundeen
*NOTE! Our 15th annual edition has shipped to festivals, blues societies and a few distributors, etc. When you get yours, make sure to snap photos of you, your friends, and/or artists, etc. with the 2017 Guide! *Then EMAIL us your photo plus caption & credit.
*Want your own hard copy? Order via our website now! The Big Blues Bender is official 2017 sponsor of our Blues Festival Guide annual magazine! ...
Milligan Vaughan Project :: MVP
The dynamic Texas duo of celebrated singer Malford Milligan and guitar slinger Tyrone Vaughan's first album, MVP, was produced by David Grissom and Omar Vallejo on Mark One Records.
The MVP album features nine studio tracks recorded in Austin at Arlyn Studios and 512 Studios, as well as two tracks taken from their live show debut at the One 2 One club in Austin during SXSW. The studio tracks include originals written by Milligan, Vaughan and producer David Grissom, as well as Buddy Guy's "Leave My Girl Alone," "Compared to What" (popularized by Les McCann) and Rev. James Cleveland's "Two Wings," a beautiful acoustic gospel tune with just Milligan and Vaughan. The two bonus live tracks include the Grissom-penned "What Passes for Love" and the Freddy King signature tune, "Palace of the King," that closes the album. ...Find more about this CD and these artists
"Little Bit of Heaven"
Billy Flynn :: LONESOME HIGHWAY
From sharing the Apollo Theater stage with Keith Richards, Eric Clapton, Billy Gibbons and others to backing Beyoncé Knowles at Barack Obama's Neighborhood Inaugural Ball and on her Grammy winning single from the movie Cadillac Records; from his prolific sideman work to his ten albums as a leader, Billy Flynn is a true-blue heir of Delmark's storied legacy. Lonesome Highway features 16 new original songs and special guest vocalist Deitra Farr! Producer Dick Shurman says of the set, "It's one of the great Chicago blues guitar albums." Kim Wilson, who regularly calls Billy for sessions, observes that, "Billy Flynn is one of the greatest blues guitarists alive and one of the greatest to ever live. He is truly the musician's musician."
...Find more about this CD and the artist
"Good Navigator"
Big LLou dubbed Sexiest Voice in Blues with Historic Overseas Booking
(Los Angeles, CA) – Who is Big LLou?
Big LLou, the voice of Sirius/XM Radio Bluesville since its inception, is not only a well-known announcer on Bluesville, he is a Blues Music Award-winning singer and the quintessential MC across the country. The "Sexiest Voice in the Blues," as dubbed by Blues Heaven Blues Festival in Denmark and considered by some as the most recognized radio voice in the Blues, Big LLou is on fire with appearances worldwide!
What is Big LLou up to? Read on…
"Big LLou & The BluesVille Revue" to Perform in Tucson
He has assembled some "real deal" blues artists and they're headlining the 33rd Annual Blues Heritage Festival in Tucson, AZ on October 15, 2017. "Big LLou and the BluesVille Revue" (West Coast Edition) includes blues all-stars Nellie "Tiger" Travis, Bob Corritore, Johnny Rawls, Zac Harmon and Jimi "PrimeTime" Smith who are all steeped in the tradition of Chicago and Soul Blues.
...Find more about Big LLou and what he's got in store!
Hot New Blues CD Black Cat Bone from II BIG just Released
Black Cat Bone is the latest hot CD from Northern California classic-rock band, II BIG (Two Big), and their first-ever blues release. It embodies the finest in classic and original blues, and stays true to the roots.
Produced by Indiana Slim with all-star musicians, the album creates classic, house-rockin' boogie with a driving pulse and a live-in-the-moment vibe.
This CD was recorded with 1950's Fender Tweed Amp tones that fire up rhythms more infectious than poison ivy and twice as hard to shake! Classic American blues as fine as an ice-cold beer on a red-hot day!
Produced and recorded by Russian River Records in Northern California, Black Cat Bone is now available on iTunes.
II BIG is available for booking. For more information and booking, contact Ken Ingalls at RiverRox Studios, P.O. Box 516, Talmage, CA, 707-367-1853, or email. ....Find links and more about ll BIG's Black Cat Bone
Annual Briggs Farm Blues Festival Announces dates for 2018 and Tickets
(Nescopeck PA) - Briggs Farm Blues Festival announces dates for the 2018 show as Thursday July 5th, Friday July 6th, Saturday July 7th and Sunday July 8th 2018. Camping and Day Tickets go on sale October 15th so take advantage of early purchase prices. Surprise your friends and family for the holidays with tickets to an unforgettable concert event and "The Best Weekend of the Year."
As winter takes the stage, it's time to start planning next summer's fun! Briggs Farm Blues Festival isn't just one of the nations most awarded blues festivals, it's a place to gather together with family and friends, make memories, and start new traditions. Reunions of all kinds happen around the camp-fires at Briggs Fest, and new generations of blues fans are born every July on the rolling hills of Briggs Farm.
...Find more about the Briggs Farm Blues Festival
Mr. Handy's Blues…a musical documentary
(Memphis, TN) - Mr. Handy's Blues, a documentary on W.C. Handy, will be showing during the Indie Memphis Film Fest at the Playhouse On the Square (66 Cooper St., Memphis, TN) November 4, from 1 - 2:30pm. It will also be shown at the St. Louis International Film Festival in November 5 at The Stage at KDHX (3524 Washington Ave, St. Louis, MO) 7pm.
Ten years in the making, Joanne Fish's Mr. Handy's Blues documentary chronicles the life of W.C. Handy, known as The Father of the Blues, and takes you into the often-unrecognized career of one of greatest songwriters America ever produced. W.C. Handy is credited with transforming African-American folk music that was handed down only through oral tradition into a purely American genre of music. Against all odds Handy forged a successful career in the post Civil War south, becoming a reknown bandleader, composer, and entrepreneur. He was the first African American to publish his own music, and in 1914 he wrote St. Louis Blues, which was the most recorded song in the first half of the 20th century. ...Find more details about Mr. Handy's Blues
Healing Hurricane Pain, one Blues Song at a time Oct 15
(Yorba Linda, CA) - Behind the Orange Curtain, CA: "Blues for H.I.M. Relief (Harvey, Irma, Maria)" is a gathering of blues artists to do what they love to do, play the blues. This event, hosted by the Orange County Blues Society will be at the Main Street Restaurant, an all ages concert and event venue located on Old Main Street in Yorba Linda. The Main Street Restaurant is proud to support this event. The Orange County Blues Society is proud to host "Blues for H.I.M. Relief (Harvey, Irma, Maria)" on Sunday October 15, 2017 from 1-6pm. Bands include Chico's Bail Bonds, Up Jumped the Bluez, Crosscut Delux, and Surfside Circus.
The Orange County Blues Society exists for the community. The blues is America's indigenous art form. Therefore, all of America is part of our community. As such we believe that we are all in this together and feel the need to help our brothers and sister affected so deeply by the recent devastating hurricanes in Texas, Florida, and the Caribbean Islands.
...Find where donations are going and/or how you can help
- Verandah Balcony Cabins Available! Book Yours on LRBC #29 Southern Caribbean Oct 21-28
- Now Prebooking #31 West Coast Oct. 2018
- Sept 27 Prebook #32 East Coast 2019 starting 11 am
LRBC #29 Southern Caribbean Oct. 21~28, 2017: CABINS ON SALE NOW! Ft. Lauderdale to Aruba, Curacao & Half Moon Cay, Bahamas on Holland America's ms Nieuw Amsterdam. There are still a few Verandah Balcony Cabins available. Call Reservations @ (816) 753-7979 and Book Your Cabin NOW! Visit here for complete lineup and cabin availability.
The Left Coast Blues Cruise returns in 2018! The LRBC #31 Sea of Cortez Oct. 28~Nov. 4, 2018 will be sailing on Holland America's ms Eurodam from San Diego to Cabo San Lucas, La Paz & Loreto. Now Prebooking - $500 per cabin deposit (fully refundable) holds your spot to book once bands are announced!
Prebook now for #32 Feb. 2019 Eastern Caribbean! By placing your $500 per cabin, fully-refundable prebook deposit, you will be guaranteed a spot in line to book a cabin once the artist announcement has been made! (likely in March or April '18). Visit reservations or call (816) 753-7979.
313 Lawrence St., Kansas City, MO
(816) 753-7979 | BluesCruise.com
Albert Collins w-Clarence Gatemouth" Brown "Frosty"
The Mission Continues... Pokey LaFarge
Good news Blues Brethren and Soul Sisters! We've decided to make selected episodes from our vast archives of The BluesMobile Radio Hour available for your listening pleasure! Mixcloud is hosting archival releases.
Elwood's BluesMobile (formerly House of Blues Radio Hour) was a weekly syndicated program hosted by Dan Aykroyd as Elwood Blues, his famous character from The Blues Brothers. Since 1993, Elwood has showcased Blues and Blues-based music such as R&B, Soul, and Rock & Roll. In February 2012, the program was re-branded as Elwood's BluesMobile, with all programming remaining unchanged. In July 2017, the program was terminated and is no longer on the air. These episodes are from the radio show's extensive archives. ...Find The BluesMobile Radio Archives on Mixcloud
Oct 5 Roy Book Binder (1943), Rick Estrin (1949); Oct 6 Cheryl O'Grady Yearnshaw (BFG Sales Director), Diunna Greenleaf (1957); Oct 8 Andy "T" Talamantez; Oct 9 O.V. Wright (1939), Oct 10 "Mississippi" Joe Callicott (1900), Cyril Neville (1948); Oct 12 Nappy Brown (1929), Sam Moore (1935), Barbara Blue; Oct 13 Dorothy Moore (1946); Oct 14 Jimmy Liggins (1924), Son Thomas (1926), Kenny Neal (1957)
Not all upcoming blues festivals are listed here at certain times of the year due to space constraints. Unless highlighted, festivals are no longer inked due to increasing spam
NOTE: Highlighted/Linked Fests here
Bridging the Blues
Sep-22-2017 - Oct-15-2017
Arkansas and Mississippi Delta, Memphis, TN, Arkansas, USA
King Biscuit Blues Festival
Oct-04-2017 - Oct-07-2017
Downtown Helena, Arkansas, USA
Bukka White Festival
Aberdeen, Mississippi, USA
Chain O Lakes Blues Festival
Waupaca, Wisconsin, USA
Daytona Blues Festival
Daytona Beach, Florida, USA
Reading Blues Festival
Reading, Pennsylvania, USA
Crescent City Blues & BBQ Festival
For all festival links
Rowan Blues & Jazz Festival
Salisbury, North Carolina, USA
Legendary Rhythm & Blues Cruise #29
Fort Lauderdale, Florida, USA
Copenhagen Blues Festival
Blues Heaven
Nov-03-2017 - Nov-04-2017
Frederikshavn, Denmark
Gainesville Downtown Blues Concert
Gainesville, Florida, USA
Mississippi Delta Blues Festival
Caxias do Sul, Brazil
Bradenton Blues Festival
Dec-01-2017 - Dec-03-2017, Bradenton, Florida, USA
RBA Publishing is the parent company of the Blues Festival Guide and Reggae Festival Guide.
We are woman owned and operated.
Information both editorial and advertising in the Blues Festival E-Guide is believed to be correct but not guaranteed. Double check info carefully before you attend any event or send money for anything. We do not write the news... we just report it.


text:
Лоріс-Стейшен () — переписна місцевість (CDP) в США, в окрузі Лігай штату Пенсільванія. Населення —  особи (2010).

Географія
Лоріс-Стейшен розташований за координатами  (40.723506, -75.543081).  За даними Бюро перепису населення США в 2010 році переписна місцевість мала площу 4,56 км², з яких 4,21 км² — суходіл та 0,35 км² — водойми.

Демографія

Згідно з переписом 2010 року, у переписній місцевості мешкали  особи в 455 домогосподарствах у складі 346 родин. Густота населення становила 273 особи/км².  Було 476 помешкань (104/км²).

Расовий склад населення:

До двох чи більше рас належало 1,0 %. Частка іспаномовних становила 4,3 % від усіх жителів.

За віковим діапазоном населення розподілялося таким чином: 25,3 % — особи молодші 18 років, 65,4 % — особи у віці 18—64 років, 9,3 % — особи у віці 65 років та старші. Медіана віку мешканця становила 42,9 року. На 100 осіб жіночої статі у переписній місцевості припадало 96,1 чоловіків;  на 100 жінок у віці від 18 років та старших — 93,9 чоловіків також старших 18 років.

Середній дохід на одне домашнє господарство  становив  долари США (медіана — ), а середній дохід на одну сім'ю —  долари (медіана — ). За межею бідності перебувало 2,6 % осіб, у тому числі 0,0 % дітей у віці до 18 років та 0,0 % осіб у віці 65 років та старших.

Цивільне працевлаштоване населення становило 649 осіб. Основні галузі зайнятості: освіта, охорона здоров'я та соціальна допомога — 33,4 %, виробництво — 16,3 %, роздрібна торгівля — 12,9 %, науковці, спеціалісти, менеджери — 10,9 %.

Джерела

Переписні місцевості Пенсільванії
Населені пункти округу Лігай (Пенсільванія)


text:
Q: htmlHelper.ViewContext.HttpContext.Session is null I am trying to use an HtmlHelper in an MVC project that I'm working on but am hung up on this problem. Why is Session null when I try to call the helper method in my nav/menu partial on page load? It works anywhere else I use it in the project but when I try and use it in my layout or menu partial I get this null reference exception.
public static class HtmlHelpers
{
    public static ApplicationUser UserInformation(this HtmlHelper htmlHelper)
    {
        var httpContext = htmlHelper.ViewContext.HttpContext;

        if (httpContext.Session["CurrentUser"] == null)
        {
            // Get user information
            var userManager = new UserManager<ApplicationUser>(new UserStore<ApplicationUser>(new ApplicationDbContext());
            var applicationUser = userManager.FindById(httpContext.user.Identity.GetUserId());

            httpContext.Session["CurrentUser"] = applicationUser;
        }

        return (ApplicationUser) httpContext.Session["CurrentUser"];
    }
}

A: Try System.Web.HttpContext.Current rather than htmlHelper.ViewContext.HttpContext.
Example :
 var httpContext = System.Web.HttpContext.Current;

     if (httpContext.Session["CurrentUser"] == null)
    {
        // Do somthing.
    }

You can get more information about session in here.
OR
public static ApplicationUser UserInformation(this HtmlHelper htmlHelper,HttpContextBase httpContext)
{
    if (httpContext.Session["CurrentUser"] == null)
    {

    }
}

You can get more information about  session

redpajama_set_name: RedPajamaStackExchange


text:
Say Hello to the NCAA
An introduction to the athletic college recruiting process.
Esther Chien|February 7, 2017
Garfield has an illustrious history of college bound athletes going to top schools, with even more being dispatched from the class of '17. Applying to colleges is not an easy task, but for athletes aspiring to be recruited, there's even more work to be done. Official visits, meetings with coaches, and persistent communication with the schools are just a few things to name. These three athletes share their recruiting experiences ranging from the University of Washington, to Yale and Stanford.
Official visit: A visit taken to a college. All expenses are paid for by the college, including lodging, transportation, meals, and entertainment. For Division 1 and Division 2 schools, up to 5 officials during senior year are allowed, and each visit may last no longer than 48 hours.
Although the NCAA regulations vary between each sport, the process of athletic recruitment can be divided into 3 generalized periods:
Contact Period: Where a college coach can contact athletes and their parents in person, and watch the player compete.
Evaluation Period: Where the coach can continue to assess the player's performance, but contact is no longer allowed to be
face-to-face. The coach must write or telephone the athlete if he/she wishes to contact the player.
Dead Period: This is when a coach may no longer watch the athlete perform, but continue to contact them via writing or phone calls.
Commitment: The last step in the entire process, this is when the athlete signs a contract (National Letter of Intent) with their chosen school and officially commits to the school for their sport.
Daejon Davis: Basketball.
Q: What do you look for in a college in terms of athletic recruitment?
A: Initially, it was just about getting offers and having the hype, and then as you get closer to making the decision you realize, "This is where I'm going to live, these are the people I'm going to be around for possibly the next 4 years, almost all the time, these are the coaches I'm going to trust to help me achieve the goals I want to achieve."
Q: How did you get recruited by colleges for basketball?
A: I played on the Nike Circuit. People like to think of it as the NBA for high school players. It's the best high school league in the EYBL [Elite Youth Basketball League], and that really helped me, along with Jaylen [Nowell, Garfield Student and UW Commit] and other people on the team, get noticed.
Q: Can you describe the recruiting
process?
A: I was being recruited by Stanford, so for Stanford you had to submit an application. For most other schools, it's just a matter of keeping a reasonable GPA up to be eligible for the NCAA. I got pre-approved into Stanford, and then my application [didn't get accepted], so that got them out of the conversation. I committed [to UW], and then three days later, I signed.
Sophie Boyd-Fliegel: Rowing.
Q: What was the recruiting process like?
A: I definitely have to put myself out there all the time. There were lots of periods junior year where the school I was talking to wouldn't respond to me in a couple weeks and I got really nervous, [so] I'd send another email. The thing that kept me going was that there's no reason to be deterred by that… so I kept at it, and I eventually got officials to those schools. They're really busy with a lot of stuff and I didn't really realize that until I got a closer look at the schools.
A: I looked at the stats of the school, how they competed at the NCAA championships for the past five years. I knew I wanted to row at a top tier school and because I figured that if I was going to be putting in twenty-five hours a week, I wanted to also win.
Q: What is your advice to other
students who are trying to get recruited for sports?
A: My advice to anyone who's trying to get recruited is to never sell yourself short or be deterred by a lack of response, because the best success stories are from people who keep at it, and that is analogous to the sport itself. I started off really weak, and was pretty discouraged at first. I'd always been pretty good at whatever sport I was doing, because I threw myself into it. Looking back on the four years and last year's recruitment, I'm glad I kept at it.
William Laird: Track & Field
& Cross Country.
Q: Can you describe the college recruiting process you went through?
A: For athletes, you can look for colleges, but a lot of times colleges will look for you. For Yale, I had to give my GPA, transcript, test scores, and also personal information. After that, I got an email from the coach introducing himself. Eventually we would text, and he'd asked me how my races went or how I was feeling after certain workouts. He was pretty interested in me, and eventually it got to a point where we were consistently talking on a phone once a week. He proposed to fly me out for an official visit at the end of my cross country season. I went on the visit, [and] I was pretty impressed.
Q: What happened after the official visit?
A: After the visit, the coach explained to me that he wanted me on the team, but he was only looking for 6 recruits total. He already had three, and he was going to add a 4th one pretty soon. Those were more of cross country, 10k guys, longer-distance guys, and he was looking for 2 middle-distance guys, so I was one of them.
Q: What about Yale stood out to you?
A: They had a beautiful campus- academically. You can't get much better than Yale. The team was a great group of guys; they had some adversity they had to go through this season, but they stuck together and they've taken care of each other. Their coaches produced some fabulous middle distance guys which is what I would like to run. That's what stood out to me.
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Glide Into the New Year
Athletes under attack
Live Like There's Snow Tomorrow
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text:
Why choose Liverpool?
It's an important question. And there are thousands of answers.
Browse courses by subject area
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Materials Innovation Factory
Materials Innovation Factory >
AI tool accelerates discovery of new materials
Researchers at the University of Liverpool have created a collaborative artificial intelligence tool that reduces the time and effort required to discover truly new materials.
Reported in the journal Nature Communications, the new tool has already led to the discovery of four new materials including a new family of solid state materials that conduct lithium. Such solid electrolytes will be key to the development of solid state batteries offering longer range and increased safety for electric vehicles. Further promising materials are in development.
The tool brings together artificial intelligence with human knowledge to prioritise those parts of unexplored chemical space where new functional materials are most likely to be found.
Discovering new functional materials is a high-risk, complex and often long journey as there is an infinite space of possible materials accessible by combining all of the elements in the periodic table, and it is not known where new materials exist.
The new AI tool was developed by a team of researchers from the University of Liverpool's Department of Chemistry and Materials Innovation Factory, led by Professor Matt Rosseinsky, to address this challenge.
The tool examines the relationships between known materials at a scale unachievable by humans. These relationships are used to identify and numerically rank combinations of elements that are likely to form new materials. The rankings are used by scientists to guide exploration of the large unknown chemical space in a targeted way, making experimental investigation far more efficient. Those scientists make the final decisions, informed by the different perspective offered by the AI.
Lead author of the paper Professor Matt Rosseinsky said: "To date, a common and powerful approach has been to design new materials by close analogy with existing ones, but this often leads to materials that are similar to ones we already have.
"We therefore need new tools that reduce the time and effort required to discover truly new materials, such as the one developed here that combines artificial intelligence and human intelligence to get the best of both.
"This collaborative approach combines the ability of computers to look at the relationships between several hundred thousand known materials, a scale unattainable for humans, and the expert knowledge and critical thinking of human researchers that leads to creative advances.
"This tool is an example of one of many collaborative artificial intelligence approaches likely to benefit scientists in the future."
Society's capacity to solve global challenges such as energy and sustainability is constrained by our capability to design and make materials with targeted functions, such as better solar absorbers making better solar panels or superior battery materials making longer range electric cars, or replacing existing materials by using less toxic or scarce elements.
These new materials create societal benefit by driving new technologies to tackle global challenges, and they also reveal new scientific phenomena and understanding. All modern portable electronics are enabled by the materials in lithium ion batteries, which were developed in the 1980s, which emphasises how just one materials class can transform how we live: defining accelerated routes to new materials will open currently unimaginable technological possibilities for our future.
The paper `Element selection for crystalline inorganic solid discovery guided by unsupervised machine learning of experimentally explored chemistry' (doi: 10.1038/s41467-021-25343-7) is published in the journal Nature Communications.
The research was supported by the Engineering and Physical Sciences Research Council, the Leverhulme Trust, and the Faraday Institution.
A collaboration between the University of Liverpool and Unilever, the Materials Innovation Factory brings together materials chemistry expertise with the latest computational methodology and robotic equipment to accelerate research and reduce the time it takes to develop new products which have the potential to address a range of societal challenges. For further information visit: liverpool.ac.uk/materials-innovation-factory/
The Leverhulme Research Centre for Functional Materials Design is an interdisciplinary centre at the University of Liverpool that brings together physical and computer science to transform the discovery of new materials. For further information visit: www.liverpool.ac.uk/leverhulme-research-centre/
Materials Innovation Factory, University of Liverpool
51 Oxford Street, Liverpool, L7 3NY
mifinfo@liverpool.ac.uk
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Q: Differential equation $y'''− 2y = x^2 − 3x + 2$ I spent most of the day trying to solve this problem but I couldn't do it. I have tried an exponential function for homogeneous part and the equal roots method. Any solution, even partial, would help me a lot, thank you!

A: First let's find the solution to the associated homogeneous differential equation $y'''-a^3y=0$ where $a=\sqrt[3]{2}$. The characteristic equation is $$\lambda^3-a^3=(\lambda-a)(\lambda^2+a\lambda+a^2)=0$$ The solutions to the previous equation are $$\lambda=a,-\frac{a}{2} \pm \frac{ia\sqrt{3}}{2}$$ This means $$y_h(x)=c_1e^{ax}+c_2e^{-ax/2}\cos\Big(\frac{ax\sqrt{3}}{2}\Big)+c_3e^{-ax/2}\sin\Big(\frac{ax\sqrt{3}}{2}\Big)$$ We can find a particular solution $y_p$ via variation of parameters, but it's much easier using the method of undetermined coefficients. Assume $y_p$ takes the form $$y_p(x)=Ax^2+Bx+C$$ where $A,B,C$ are constants to be determined. Notice $$y_p'''(x)=0$$ Plugging into the original equation yields $$(-2A)x^2+(-2B)x+(-2C)=x^2-3x+2$$ This means $A=-\frac{1}{2},B=\frac{3}{2},$ and $C=-1$. The general solution becomes $$y(x)=c_1e^{ax}+c_2e^{-ax/2}\cos\Big(\frac{ax\sqrt{3}}{2}\Big)+c_3e^{-ax/2}\sin\Big(\frac{ax\sqrt{3}}{2}\Big)-\frac{x^2}{2}+\frac{3x}{2}-1$$ Remember, $a=\sqrt[3]{2}$.


Refinishing of hardwood floor is a good option to bring a new and fresh look to the existing floor. It is a good alternative to complete replacement of a floor. All solid hardwood and some engineered floors can be refinished. Why not all engineered hardwood floors can be refinished? The answer is because they have a few layers of wood and actual top or wearing layer supposes to be thick enough for sanding. Usually high quality engineered hardwood floors can be sanded a few times, but some of the low end products cannot be refinished at all.
The process of refinishing is very similar to finishing of a new unfinished hardwood floor. It includes complete sanding and applying a finish on a bare wood. Scratches and dents will be eliminated from the surface, but some big damages might be requiring additional repair. Floor color can be easily changed by applying a colored stain.
Before it was a very dusty process, but now dustless techniques allow sanding with minimal dust and people even can live in the house while some rooms are in the process of refinishing hardwood floor.
There is another option to refinish the hardwood floor using a liquid sander method. In another words it is an application of liquid which contains chemicals for penetration into the existing finish. Ones its applied there is a waiting period after which the floor needs to be wiped. This method not eliminates any scratches, dents or other defects on the surface it just allow the new finish penetrate into the wood.
Cost to refinish hardwood flooring significantly lower in comparison to replacement, but with professionally performed work it will look as a new again.
If the floor in a good shape and without deep scratches, buffing and recoating is an alternative to make the floor looks fresh. It is a cost effective process, but do not expect much from that. The same like with a liquid sander method, scratches or deep dents will not be eliminated as well as spots from deep penetrating materials such as paint. Buffing and recoating just help maintain floor in a good condition and prevent from refinishing in the future.
Learn how to sand hardwood floor.


Internal development organisations are often small and under pressure. The ability to look at one's own operations clearly becomes restricted over time. This time, however, produces a vast amount of experience that should always be appreciated. Each application is different and each material behaves in a slightly different way. This experience is worth its weight in gold in improvement projects.
After analysing the possible technical solutions, these will be described in sufficient detail and evaluated in terms of impact and urgency. The proposed actions will then be submitted with clear technical descriptions accompanied by cost estimates and schedules.


With the objective of learning from the rich experiences and lessons that other countries have gained from small- and medium-sized enterprise (SME) export assistance programs, the Asia Pacific Foundation of Canada presents a new research report series, "Going Global." To read the entire report, please jump to the blue download tab at the end of this piece.
The Global Brand program is an initiative of the Korean Trade-Investment Promotion Agency (KOTRA), a government-funded trade and investment organization in South Korea. KOTRA was established in 1962 with the mandate of helping South Korea achieve export-driven economic development. The Global Brand program is an endorsement in which KOTRA fully vouches for the high quality and reliability of Korean small and medium-sized enterprises (SMEs) in an effort to raise their brand value in the global marketplace.
The program was first launched in 2008 as the Seal of Excellence program and then changed to its current name in 2012. It offers a variety of supports and services to selected companies, including brand capability advancement support, a customized consulting-education program, and grants to use the KOTRA logo for marketing purposes, as well as other innovative and technology-aided marketing and public relations activities. Through a systematic approach, this program helps selected SMEs create brand awareness in and penetrate overseas markets, reduce transaction time, and increase export sales and revenue streams. The ultimate objective of the Global Brand program is to enable Korean SMEs to be more self-sufficient when exporting to foreign markets.
SMEs make up 99% of all Korean enterprises in number and workers, but account for just one-third of the export total. The program intends to address a key concern among most Korean SMEs: how to establish brand recognition in international markets given their lack of resources and experience. Overseas buyers often don't trust foreign SMEs and their products/services. The program offers integrated and innovative services to methodically selected SMEs in their branding efforts, and allows them to leverage KOTRA's credibility and subsequently to enhance their own global brands in the international marketplace.
The Global Brand program starts with a distinct three-tier rating system, as shown in Table 1. Through a screening process, the selection committee – consisting of industry experts and international trade specialists from such groups as KOTRA, K-sure (Korea Trade Insurance Corporation), and the Korea Testing Laboratory, as well as scholars – selects Korean SMEs based on their sales volumes. The blue category is the entry level for SMEs whose export sales are less than US$10M, while silver and gold categories have grossing export sales minimums of US$10M and US$20M, respectively. Additional criteria, such as market potential, brand soundness, and product/service quality, are also considered in evaluating selected companies. Selected SMEs can gradually upgrade to a higher level when they increase their export sales index. Since the rating system is aimed at making SMEs increasingly self-sufficient in the global market, it is more than a simple classification scheme. The advantage of this three-tier rating system is that KOTRA can differentiate its services and supports to Korean SMEs.
The Global Brand program supports selected SMEs in the areas of endorsement, brand development, localized consulting, and innovative promotions.
The selected companies are allowed to carry out overseas marketing activities with the KOTRA Global Brand logo attached to their business cards and promotional product catalogues for up to four years. Each company and product awarded the KOTRA Global Brand is given a unique serial number (e.g. 2014-B-001). The authenticity of the seal can be verified by entering its number or company name at korean-products.com or buykorea.org. While selected SMEs are often those that have already been accredited by domestic and international accreditors such as KS, UL, and ISO, the endorsements from this program add wings to SMEs' export-related activities and raise their brand awareness around the globe.
The Global Brand program includes a brand capability advancement support system that consists of three stages: examination, upgrade, and utilization. In the first stage, KOTRA brand experts examine selected companies' brand capabilities. To accomplish this, they employ a brand capability evaluation model through consultation with the SMEs. In the second stage, KOTRA co-operates with related organizations, such as the Korean Intellectual Property Office, to help selected SMEs develop their brands for the global market. KOTRA also collaborates with industry and educational institutions to improve product design for these companies. It even covers the expenses for selected SMEs to improve their product designs. In the last stage of this support system, SMEs can utilize the newly developed or updated brand and product designs in their global marketing efforts. In doing so, there could be joint marketing activities between SMEs and KOTRA's Global Brand promotion centres. KOTRA-initiated strategic assistance helps Korean SMEs to understand where they are in the overseas market and how they can further develop their own brands in the new market.
This service offers one-to-one consulting regarding brand management in target markets. In contrast to many other export promotion programs that only introduce some basic information regarding overseas markets, KOTRA offers customized and "localized" consulting through a network of 126 overseas trade centres across 86 countries, including in-depth analysis of the SMEs' products and brand image. The consulting is focused on driving brand awareness among potential foreign buyers who are identified by matching the product offerings with the local companies profiled by marketing specialists in KOTRA's trade centres. With such tailored research and consulting assistance, SMEs become more effective in capitalizing on their brands, exploring potential overseas buyers, and finally penetrating selected markets.
KOTRA conducts a variety of innovative and technology-aided marketing and public relations activities for selected SMEs. It promotes the selected companies through its government-accredited global B2B market website, buykorea.org, and hosts export consultation fairs for SMEs that seek to launch products on eBay. It encourages SMEs to take advantage of the booming e-commerce market and to explore other technology-enabled new trade platforms. KOTRA also conducts joint marketing and PR activities for Korean SMEs as part of its offline support program; helps create a Global Brand directory, brochures, and leaflets for selected SMEs; and publishes technical magazines targeting the potential foreign buyers. KOTRA integrates its various resources, especially through its offices in many major international trading hubs and countries, to optimize the efficiency and effectiveness of its overseas promotions of Korean SMEs.
SMEs served: The program supported 454 companies between 2008 and 2014, of which 81% were in the blue category. The number of companies in the silver and gold categories reached 36 and 49, respectively, at the end of 2014.
Export growth: KOTRA set a goal of a 3% increase in export volume among supported companies, and this has often been exceeded. For example, one SME was able to increase its exports by over 100% each year after participating in the program.
Brand awareness: A survey from KOTRA in 2012 revealed that overseas buyers' preference for and reliability perception of products/services by Korean SMEs increased 80.8% and 84.9%, respectively, between 2008 and 2011.
Marketing effectiveness: The time lag between initial business meetings and contract signing has shortened by 69.8%.
Market penetration: A number of SMEs have penetrated new foreign markets with support from this program.
Differentiated services through SME classification: As seen in its three-tier rating system, the Global Brand program selects SMEs based on their export sales volume. This allows KOTRA to differentiate its services and supports to Korean SMEs. In a way, the classification serves as an "exports school" in which designated brand experts help selected SMEs upgrade to a higher level with their improved performance in exports. Unlike Canada's Global Market Action Plan, which differentiates its supports based on company size, Korea's "pick the winner" approach could be more effective because it rewards growth and is tailored to SMEs' actual position in the marketplace.
Leveraging government creditability with technology: KOTRA not only assists Korean SMEs in developing their own brands, but also helps them display their products on the government-accredited global B2B market website (buykorea.org) as well as on social network websites such as Facebook. This enables resource-poor and legitimacy-lacking SMEs to promote themselves and their products at low cost and with confidence. People may not appreciate the heavy-handed Korean approach, but this is just one of the ways Korea has excelled in export performance as a nation.
Growth-oriented strategic assistance: In Canada, there are abundant resources available to help launch a small business, but very little to help grow SMEs. In contrast, Korea's Global Brand program takes a long-term, step-by-step approach and assists SMEs along the way toward ultimate success in export marketing. As shown in its brand capability advancement support system, SMEs are "hand-held" through a process until they are capable of entering a foreign market utilizing their fully developed brands.
Dr. Howard Lin is Professor of International Business & Entrepreneurship and Co-Director of the Canada-China Institute for Business & Development at Ryerson. He has also served as Vice President, Canadian Council for Small Business and Entrepreneurship and Chair, Academy of International Business Canada Chapter.


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