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Sara Evans Takes on the Unexpected With New Covers Album, 'Copy That' (Exclusive)
By Hannah Barnes - May 15, 2020 10:43 am EDT
Sara Evans' new album, Copy That, is the singer's very first covers album, which means Evans had a whole lot of songs to choose from when considering what to include. "I'm super excited, but it is my first covers album, which is even more fun because I've been waiting to do a covers record my whole life," Evans told PopCulture.com exclusively. "Growing up on stage in cover bands and my fans have been asking for a covers album forever. Hopefully they'll love all the songs that we chose."
The 49-year-old shared that she ultimately whittled down what could potentially be hundreds of songs to 13 unexpected selections by a combination of Googling and remembering some of her own favorites from years past. "It's mostly just me just racking my brain and Googling best hits of the '70s," she revealed. "Then it was just so fun because it's like, 'Oh my gosh. Oh yeah, I forgot about that.' When you remember songs that you haven't listened to in a long time. 'My Sharona' was one that just happened to be on in the car the day that I was going to first production meeting with [producer] Jarrad [K]. I was like, 'Well, that's going on the list,' because I had not heard that song in years. I cranked the radio, and it made me so happy."
(Photo: Born to Fly Records)
"I want it to be really, really surprising," she said. "There are a few songs on there that you would predict, but hopefully most of them... You would never predict that Sara Evans would cover that song." Some of the songs featured include Dexys Midnight Runners's "Come on Eileen," The Wallflowers' "6th Avenue Heartache" and John Mayer's "All We Ever Do Is Say Goodbye" as well as country standards like Patsy Cline's "She's Got You," which Evans calls "the crown jewel" of the project. "It's so pristine and sophisticated and just exceeded all of our expectations," she gushed. "I mean we were just like, 'Oh my gosh.' That one is one of my favorites."
Evans' fans will be already be familiar with several of the tracks on Copy That including Chicago's "Hard To Say I'm Sorry," which ends with an outro that mixes in Earth, Wind & Fire's "September," a brief but shining moment on an album full of them. "The Chicago song, 'Hard To Say I'm Sorry,' is just a classic," Evans said. "Everybody knows that song, and it's such a huge, huge song. We've been doing that in our shows for the last two years. I was really, really excited to give that to the fans on an album."
(Photo: LOWFIELD)
While some covers albums purposefully reimagine their source material, Evans and her team wanted to stay "absolutely true" to the original versions. "I just thought these songs are great and they're great for a reason," she explained. "That's because of what they did at the time they recorded them, all the vocals they put on and all the parts. That's why I named the album Copy That because we really did copy these songs, but they obviously... A lot of them are male songs done by a female, and so that's different to begin with. Then, obviously, they sound new and modern, but we really tried to pay honor to exactly what they did."
That homage is also evident in the cover art and accompanying images for Copy That, which find Evans in full-on throwback mode, donning a pair of wigs and vintage clothing. "We had a blast," she said of the shoot. "I mean that was like playing dress up, and my hairstyle, Debbie Dover, made those wigs. She made the blonde wig and then she did the long brunette wig. I just became these other characters, because why not? Really, if I ever wanted to do that, that was the time to do it, on a covers record, because I'm playing the part. The cover in the blonde wig is just... I think it's so perfect because it's like, 'Who's that girl, and what is she thinking about as she's looking in the mirror?'" You can stream Copy That here.
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Her eyes are closed and her mouth smiles quietly. Pulsing slightly, she is silent for several seconds, then her mouth pops open. She cries out in a sharp, barking moan. As if surprised from sleep, but not yet awake, her eyes open wide and the camera catches a glint in the whites of her eyes. With her eyes and mouth still open, her head rolls slowly back, dropping below the camera frame. The black-and-white video loop shows a woman's face during orgasm. Made more than 30 years ago by artist Dorothy Iannone, the video elicits different reactions: women stop and watch while most men quickly move on, impatient perhaps for the "money shot."
This summer it was possible to wade in the waters of pornography, erotic art, psychoanalysis, and feminism by visiting four almost concurrent art exhibitions: Peeps at CUNY's James Gallery; John Currin: Works on Paper—A Fifteen Year Survey of Women at Andrea Rosen Gallery; Dorothy Iannone: Lioness at The New Museum; and The Female Gaze: Women Look at Women at Cheim & Read. Taken together, these shows trace a line of erotic imagery from the crass commercialism of pure pornography to the more refined commercialism of the art gallery, raising questions about how these forms relate to modern sexuality. Let's be explicit: sex sells. It sells itself—always one click away—and it sells other commodities: beer, cars, tennis rackets, and, yes, art. Certainly, the aspiration for erotic imagery presented in an art setting is that it would stimulate reflections on desire, sexism and human rights. Working from the opposite direction, however, the exploitative forces at work in the making and selling of pornography cannot be completely sugarcoated in a fine art frame.
Alice Neel (1900 - 1984), "Olivia 1975" Oil on canvas, 54 x 34 inches. Courtesy Cheim & Read Gallery
In Peeps, curator Amy Herzog exhibits genuine pornographic film shorts made from the 1950's to the 1970's, but positions them within the context of the history of peepshow technology, free speech and privacy legislation, cinematic iconography, and sociological trends. The films are presented in an elaborate warren of spaces, designed by artist Pierre Huyghe, to mirror the experience of the original peepshow arcades. The ordinary bodies of the women in these films poignantly underscore their amateur role-playing; these girls could actually live next door. These films may seem quaint compared to today's pornography, making it easy to overlook the exploitation at their core.
Some of the related art photography, films and videos exhibited in Peeps by such figures as Jean Genet and Alvin Baltrop touch on homoerotic themes, which fill out Herzog's story. The peepshow arcades were often raided on obscenity charges, but Herzog suggests the underlying reason was a fear of public homosexual activity. While her approach to the history of pornography provides an academic armature for showing explicit subject matter, a queasy discomfort comes from the thought that the blue nature of the films might also be a come-on for the show. Whether this show rises to the level of art or is simply cultural artifact, we have to ask why we are looking.
If Peeps aims to raise pornography to art, the Currin show is more than willing to meet it in the middle. Dressed up in traditional fine art trappings, his drawings of nude women betray a mocking smugness infused with Hugh Hefner's Playboy philosophy as well as stylized commercial imagery dating from the same era as the "Peeps" films. Grouped by type of distortion to female anatomy—most notably breasts—the physical morphing of his subjects trades on the innocence associated with yesteryear, while bringing to mind today's pumped porn stars. Currin's approach to nude women has been amply rewarded by the market, where it appears that naked exploitation needs to be elevated only by the sheerest of winking ideas.
Dorothy Iannone, "Metaphor" (2009). Acrylic on wood. 74 3/4 x 59 x 2 1/4 inches. Courtesy of Anton Kern Gallery, New York.
Responding to Laura Mulvey's influential essay "Visual Pleasure and Narrative Cinema" (1975)—her feminist "call to arms" against crippling phallocentric attitudes in Hollywood filmmaking—The Female Gaze is a diverse selection of depictions of the female form by forty women artists. Mulvey's argument posits that "the roots of [woman's] oppression" in patriarchal society are in an unconscious language mirrored by and built into narrative cinema. It is the language of men, who, as its creators, show women to be dangerous unless they are confined as desirable fetish objects. (Could there be a better description of Currin's work?)
Current sexist attitudes and other breaches of human rights, such as female infanticide, bride burnings, girls denied educational opportunities, and even the press' recent trivialization of our Secretary of State, can be traced to the male gaze. Feminist thinking has evolved: gender—now more broadly defined—is seen as occurring along a continuum of female/passive and male/active qualities available to both men and women. The audience of Female Gaze, (and by extension, the three other shows) must decide how Mulvey's argument applies to the exhibition's broad range of fine art and how the artwork expresses her hope for an empathetic alternative language. Alice Neel's oil portrait, "Olivia 1975," painted the year of Mulvey's essay, offers some clues: it shows a seated pre-teen girl, casually dressed who "double dares" the viewer to objectify and commodify her.
Neel's painting links us back to Iannone's video; both artworks employ an active female voice to express the essence of the individual portrayed, not something you'll find in the Peeps films. Iannone is an American artist long-based in Berlin and her video is part of a modest-sized retrospective. The show includes brightly colored paintings, small plywood cutout figures, and narrative drawings. Her cartoon-like, flatly painted work emphasizes the erogenous zones of the figures in her narrative tableaus. It may look primitive next to Currin's work, but it pioneers a revelation in erotic art: Iannone exalts our variable sexual identities and urges. Her work candidly documents a personally risky journey in pursuit of sexual expression that leaves feminists, Freud, and even free speech on the sidelines. In the process, she meets Mulvey's challenge to advance our understanding of the female unconscious.
The cumulative effect of these shows is to accentuate the question of whether erotic art can move beyond exploitation to affect our thinking about healthy gender identity and human rights. Peeps sets the stage, documenting the roots of the commercialization of sexuality. Female Gaze generously offers a rare alternative, one in which only the most self-hating woman could produce images like those in Currin's show. Perhaps its best to see Currin's work simply as a foil for the work of the brave and underappreciated Iannone. Yet it is Peeps that stays with you: the show may archive a minor historical moment, but it has a troubling poignancy. What looks like more innocent times are not innocent at all; rather they stand as a benchmark of just how little our view of women has progressed in sixty years
Anne Pundyk
Anne Sherwood Pundyk is a painter and writer based in Manhattan. www.annepundyk.com
FEB 2022 | ArtSeen
Holly Coulis's brilliant, punning title perfectly captures the intellectual conceit that drives her equally brilliant show. Her work, picking up on the eyes in the title, has always been a matter of focus. How, in her earlier paintings, to perceive a still life: should the size of objects in a painting be determined by reality or should size have nothing to do with representational verisimilitude?
Eyes of the Skin
Here, each artist explores tactile experiences through bodily memory, engaging in a decidedly introspective practice.
The Jewish Museum's present show is a spinoff of The Hare with Amber Eyes: A Hidden Inheritance, the best-selling book from 2010 by the British ceramicist and writer Edmund de Waal, an elegant, erudite, auto-biographical, and equal parts devastating and elevating family memoir. Designed by Elizabeth Diller of Diller Scofidio + Renfro and curated by Stephen Brown and Shira Backer in collaboration with the book's author, the exhibition documents through 450 objects the rise, fall, and perseverance of the Odessan grain-merchants-turned-bankers Ephrussi family over a century and across three continents, and the odysseys of their prized possessions.
Jamel Shabazz: Eyes on the Street
By Michael Shorris
MAY 2022 | ArtSeen
Jamel Shabazz likes to say that his photographs capture people "at their best." His language is deliberate, and his words sit in their own shadow, leaving implicit and unsaid the dark question of the converse. His lively portraits are stalked by their own context, so many artifacts of a period in which, he admits, "people were witnessing a lot of suffering.' It's in spite of this, or perhaps because of this, that Shabazz's images are incandescent with joy.

redpajama_set_name: RedPajamaCommonCrawl


Bristol Airport and Swissport have responded to complaints from frustrated holidaymakers who were forced to wait for hours for their luggage today.
There were huge crowds at the airport's baggage reclaim area early Sunday morning after long delays to flights coming in.
To compound matters, passengers waited for more than two hours for their baggage to be put on the carousel to be collected. It left many frustrated, and police had to step in to calm the situation down.
At one point, staff told holiday makers to go home and that their luggage would be delivered to their homes three days later.
Baggage handlers Swissport has now said there were nine delayed flights at Bristol Airport, meaning resources were stretched.
Lexie-Paige Hamilton called the entire situation "an absolute shambles" and added: "There were people waiting by five belts when we got there, and some people had already been waiting two hours just to get their luggage," she said.
"It was ridiculous. There were people shouting and things were just kicking off.
"The police had to be there to make sure everything was okay. It was an awful experience.
Among those waiting were people coming from Rhodes Airport in Greece, where there were long queues and huge crowds.
Bristol Airport has now told the Bristol Post that strike action by French air traffic control meant long delays to flights coming and going through French air space.
The strikes, which are expected to last the entire weekend, affected several flights by easyJet and TUI.
A spokesman for the airport said: "Industrial action by French air traffic controllers this weekend has caused disruption to flight schedules across Europe, including at Bristol Airport.
"As a result of delayed flights arriving off schedule, airline ground handling resources have been stretched at times meaning some passengers have experienced long waiting times for their bags.
A Swissport spokesperson said: "Over the weekend there were significant delays to many flights arriving at Bristol Airport, as a result of French air traffic control strikes.
"This forced nine additional flights arriving at Bristol to land outside of scheduled operating hours.
"Unfortunately the knock-on impact of these late arrivals led to baggage delivery delays.


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Just recently I downloaded a video from Youtube with a poor sound quality, I can barely hear what they were saying in the video, so I started searching the internet for an audio file of same video and luckily I got just the audio version. The first thing I checked was the play time and they were an exact match, then I was faced with a challenge of how I can play the video file together with the audio file I downloaded, I considered merging them both, I ended up downloading a lot of applications and they all couldn't give me just what I wanted. Then I remembered VLC media player can do a lot of things, so I decided to try and see how i can play video with different audio track on VLC.
I want to share with you how you can play video with different audio track using my favorite media player VLC media player. I am assuming you already know about VLC media player and have downloaded and installed it on your computer. Now let's get started….
Step 3: On File tab, under File Selection, click Add and locate the video you want to play. Then check 'Show more options' as indicated in the image below.
Step 4: Click on 'Play another media synchronously (extra audio file…)', and browse the audio file you want to play synchronously with the video you added earlier.
Step 5: Another open media tab will open, add your audio file just like you added video earlier. And click 'Select' below.
Step 6: Then click 'Play' to play your video with different audio in your VLC media player.
So next time you are faced with the challenge of playing a video with a different audio track, remember the steps listed here, follow them carefully and you will be able to play your video with a different audio track.
Remember to share this post if you find it interesting enough, use the comment form below to share your comments and suggestions with me. Subscribe to my RSS feeds using the subscription box below.
Really great tips, adding subtitle in VLC is also a great post, I have tried a lot to do it but unable to. Now by following your tips , now i am able to add it. Thanks again.
I am glad it worked for you….
I've always used VLC media player as the player of choice for all my media files, particularly videos. However, I never realized that you can do this with it. I tried it your trick out, but had to change audio track first in order to engage the new audio. Sweet.
oh GOD, thank you so much !
Though I use a Mac, but this helped me SO much.
Glad there are people like you out there !
This was a great post. The screenshots were really helpful.
I have one thing I'd like to mention: when playing an mp3 over an avi file that had its own sound, my VLC did not play the mp3 by default. It played the default one.
To switch to the mp3 track, I had to go to Audio –> Audio Track –> Track 2. Then the mp3 sound played instead.
I don't know if this is just happening with my version but I thought it'd be helpful to add. Thanks.
Thanks Bluegra for your compliment and thanks for your addition. VLC just like any other media player will pick the default audio from any video file and play so you will have to tell it the other audio file you want it to play alongside the video other than the default.
Your trick worked well for the first time, but now I am unable to watch the video again, More than honey, with the English audio!
The documentary is More than honey with Dutch audio.
I tried several times and I always get the Dutch audio instead of the English one.
i had a video with no audio.
but i have to do the process every time.
i have tried converting but it plays only the audio.
I downloaded a concert from youtube but the audio and vid. came as separate files. I merged them thanx to you.


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What's Poppin
NLE CHOPPA RETURNS TO MUSIC WITH A NEW ABLUM, 'ME VS ME'
Angie Churn
NLE Choppa is back with a new project, 'Me vs Me', which includes features from Moneybagg Yo, Polo G, and Young Thug. The Memphis MC brings all of what makes him such a fun artist to listen to in the first place, back on this new project. The rapid flow and funny one-liners are in full effect on 'Me vs Me'.
This project is a fast-paced, 16 track album that is full of high-energy bangers. Ever since NLE Choppa hit the mainstream in 2019 with his hit song, "Shotta Flow", NLE Choppa is known and expected to bring that type of energy to any song he's on. Since then, he has gone on to release a couple of full-length projects (most noticeably the 2020 album, 'Top Shotta') and he has even gone on a hiatus from music to focus on his health. Now that he's back to making music, it's like he never left. His energy is still on the same level as it was back in 2020.
Some of the standouts from the album include "Change My Ways," "Push It" featuring Young Thug, and "Too Hot" featuring fellow Memphis rapper, Moneybagg Yo.
You can stream NLE Choppa's, 'Me vs Me' on all major streaming platforms now.
In this article:Hip Hop, NLE Choppa, Trending
Listen To Playlist
whgstore.com
MEET THE UP-AND-COMING STAR: DAX LINDHOLM
INTRODUCING $OLIDTHAHUSTLA
PBE PLUTO IS "STEPPIN" INTO THE SPOTLIGHT
INSIDE THE LIFE OF L.A. LAMOURT
YOU NEED TO LISTEN TO M.E. (MOST ELEVATED)
Tweets by _whatspoppinla
The Grind Magazine
In a recent interview, we sat down with rising star Dax Lindholm following the release of his second album, "In Search of a Sound."...
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$olidThaHustla (Solid), is an upcoming artist who grew up in Los Angeles, California, also known as the 818 area. Like many people, Solid's upbringing...
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"The same people that downed you will be the same people who crown you, so don't focus on the negative; Focus on your purpose,"...
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"No funds no fun" as L.A Lamourt says. The new upcoming artist from Chicago shares his story and the inspiration behind his music. His...
Angie ChurnMay 7, 2022


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Home » Everything a wise house needs
Everything a wise house needs
The success story of a heating controller pioneer begins in the late 1980s, when the company's founder successfully developed the first heating controller intended for detached houses. The success of this controller attracted a lot of attention and Ouman expanded its operations to the systems for large properties. The company started providing OEM services when manufacturers and brand owners also wanted to take advantage of Ouman's automation know-how. The growing company's competence areas nowadays include energy saving services as well. This is why we feel confident in saying that Ouman provides everything that a wise house needs.
Ouman is an expert of the control of HVAC processes. Ouman's controllers are used in heating and ventilation processes in different kinds of properties. Ouman controllers conserve energy and guarantee pleasant indoor conditions.
What are the people like at Ouman?
In 30 years, we have grown from a Finnish manufacturer of controllers to an international building automation industry expert. Our solutions are enjoyed by residents, property owners, property managers, contractors, engineers and equipment manufacturers across Europe. We are the biggest manufacturer of HVAC controllers in the Nordic countries and produce 1.2 million products annually.
Ouman has five locations in Finland – in Kempele, Rauma, Espoo, Turku and Tampere. In addition to our offices and factories, our field organisation has people across the country. Our foreign customers are served also through offices located in Gothenburg and St. Petersburg. Our factories are located in Kempele, Finland, and Kuressaare, Estonia.
In addition to sharp product development skills and an efficient production team, Ouman has a skilful group of property automation experts. Ouman Group's net sales are EUR 33 million and the company employs 275 people.
Our management system is certified by Quality Management System standard ISO 9001:2015.
View the certificates
Ouman's two business areas: Ouman Products and Original Equipment Manufacturing (OEM)
The Ouman Products business area delivers everything that an automation contractor needs for the control of HVAC processes. We have a wide range of regulators and field devices. Unit regulators are best suited for simple installations, while the Ouman Ouflex system is ideal for more extensive building automation solutions. Ouman is also a pioneer in the remote control of properties. Our first remote control products were manufactured in the 1990s.
For our OEM customers, we deliver development projects in an easy way. We bring together the operations of a design firm and production in efficient cooperation. We help our customers develop new concepts, develop those concepts into products and maufacture them ourselves – some 1,200,000 products a year.
Our products make use of cutting edge technology. We master all short-range wireless data transmission techniques. Our customers benefit from new products, including the aritificial intelligence under development.
Come and work for us
We are always interested in top professionals in the field of energy efficiency and building automation. We have taken it upon ourselves to revolutionise our industry. We produce energy-efficient property automation products and services with a renewing approach.
Send an open application to rekrytointi(ät)ouman.fi


Showcasing the talents and skills of cyber athletes from across the country, Sri Lanka's flagship Esports tournament, Sri Lanka Cyber Games 2018 drew over 3,000 participants this year.
Gamer.LK - the leader in Esports and Digital Entertainment experiences, organised the largest Digital Entertainment & Technology expo in Sri Lanka for the second consecutive year - Dialog Play Expo Sri Lanka at the Sri Lanka Exhibition & Convention Centre (SLECC). The three-day expo showcased the latest technology and experiences available for digital entertainment enthusiasts and featured Sri Lanka's largest Esports championship and the Colombo Comic Expo.
Play Expo 2018 saw the participation of numerous global technology and entertainment brands such as DELL, who had exclusive experience zones at the expo allowing participants to experience the power and features of their products. Leading multinational companies such as Dialog Gaming who are reputed for their fast, low latency connections powered Play Expo and also had their experience zones showcasing their entire lineup of digital entertainment products and services.
Play Expo once again played host to Sri Lanka's flagship Esports and Video Game Championship - the 11th edition of Sri Lanka Cyber Games (SLCG), alongside the Colombo Comic Expo (CCx) which featured Sri Lanka's largest pop-culture celebration, numerous panel discussions, artist showcase panels and the finest cosplay experience in the country.
SLCG was recognised as a ranked event by the Sri Lanka Esports Association (SLESA) of which the 9 main Esports clans in Sri Lanka, namely Death Pact, Division Esports, Evox E-Sports, Maximum eSports, n00b Alliance, Phoenix Gaming, TECH Morph Gamers, Wolfgang e-Sports and Xiphos eSports took part in the tournament.
After three days of intense, nail-biting Esports action and fierce in-game rivalry, Phoenix Gaming defended the coveted overall Championship title for the third consecutive year with Xiphos Esports and n00b Alliance securing the second and third places respectively.
Thanks largely to the efforts of Gamer.LK in promoting Esports as a gender-neutral sport, this year's Championship saw an increased participation of girl gamers with an exhibition Women's Call of Duty match also taking place at the event. In addition, a separate Kid's Esports segment was also held in the aim of promoting competitive video gaming to the future generations.


Police are investigating whether a man whose body was found in a residential street was a stowaway who fell from a plane.
The body of the man was discovered in Portman Avenue, Mortlake, south west London at around 8am.
The man, believed to be in his 30s, suffered multiple injuries.
Police say the death is currently being treated as unexplained, and post mortem will be held in due course. Inquiries are also ongoing to establish the man's identity.


A Minnesota Department of Health investigation found a Madelia nursing home negligent in the death of a resident after facility staff failed to initiate CPR.
According to an investigative report, Luther Memorial Home failed to "ensure staff understood and implemented CPR and advance care planning policies and producers."
According to the report, the resident had a severe cognitive impairment and had a risk of falls. Staff was required to check on the resident every 15 minutes due to his or her risk of falls. MDH does not reveal the gender of patients in its reports.
The resident also had Provider Orders for Life-Sustaining Treatment (POLST) to initiate CPR if the resident had no pulse or was not breathing.
The report said the night before the resident's death, the resident was found sliding out of a wheelchair. After it was found the resident did not suffer any injuries, the resident was put to bed, the report details.
Later in the evening, staff members heard the resident call out. When the staff checked on the resident, the resident was found sleeping.
The report said staff returned 30 minutes later to check the resident's vitals and found the resident struggling to breathe.
A nurse was alerted as staff attempted to put an oxygen mask on the resident. According to the report, a staff member said the resident took his or her last breath as the nurse entered the room. The staff member told investigators he or she did not know if the nurse heard the resident take the last breath.
The report said the nurse checked for a pulse but found the resident had no pulse and was not breathing.
The report said the nurse left to check the resident's chart, which indicated the resident requested CPR. The nurse then called 911, according to the report.
The nurse was called back into the resident's room after staff noticed the resident's color had begun to change. Because the nurse was being called back to the resident's room, the nurse hung up the phone before the 911 dispatcher could answer. The nurse then determined the resident had died, according to the report.
A 911 dispatcher called back, however, the nurse told the dispatcher an ambulance was not needed, according to the report.
The MDH report said the resident died from sudden cardiac arrest.
MDH said when the resident's family was interviewed, the family said a POLST had been completed for the resident requesting CPR. The family was also unaware there were situations where CPR would not be performed on the resident.
The report said staff interviews indicated, "not all staff were knowledgeable about the facilities policies and procedures on CPR and advance directives."
A doctor told MDH investigators that if a resident requested CPR, they would expect staff to initiate it.
The report also found the Luther Memorial Home's policy indicates, "CPR will not be performed if a death is unwitnessed and more than five minutes has passed since the resident was last witnessed alive."
Luther Memorial Home issued a statement following the release of the report, saying it cooperated with the MDH investigation.
"We strive to provide the type of high quality, compassionate care that patients, residents and their families want, expect and deserve," Luther Memorial Home Administrator Dawn Campbell said. "Our first priority -- always -- is to provide quality care and to keep residents safe. We are sorry for the pain this family feels."
The statement added the home has made changes to its CPR protocols, and staff has been retrained.


text:
namespace v8 {
namespace internal {

JITLineInfoTable::JITLineInfoTable() {}

JITLineInfoTable::~JITLineInfoTable() {}

void JITLineInfoTable::SetPosition(int pc_offset, int line) {
  DCHECK(pc_offset >= 0);
  DCHECK(line > 0);  // The 1-based number of the source line.
  if (GetSourceLineNumber(pc_offset) != line) {
    pc_offset_map_.insert(std::make_pair(pc_offset, line));
  }
}

int JITLineInfoTable::GetSourceLineNumber(int pc_offset) const {
  PcOffsetMap::const_iterator it = pc_offset_map_.lower_bound(pc_offset);
  if (it == pc_offset_map_.end()) {
    if (pc_offset_map_.empty()) return v8::CpuProfileNode::kNoLineNumberInfo;
    return (--pc_offset_map_.end())->second;
  }
  return it->second;
}

const char* const CodeEntry::kEmptyNamePrefix = "";
const char* const CodeEntry::kEmptyResourceName = "";
const char* const CodeEntry::kEmptyBailoutReason = "";
const char* const CodeEntry::kNoDeoptReason = "";

CodeEntry::~CodeEntry() {
  delete no_frame_ranges_;
  delete line_info_;
}

uint32_t CodeEntry::GetHash() const {
  uint32_t hash = ComputeIntegerHash(tag(), v8::internal::kZeroHashSeed);
  if (script_id_ != v8::UnboundScript::kNoScriptId) {
    hash ^= ComputeIntegerHash(static_cast<uint32_t>(script_id_),
                               v8::internal::kZeroHashSeed);
    hash ^= ComputeIntegerHash(static_cast<uint32_t>(position_),
                               v8::internal::kZeroHashSeed);
  } else {
    hash ^= ComputeIntegerHash(
        static_cast<uint32_t>(reinterpret_cast<uintptr_t>(name_prefix_)),
        v8::internal::kZeroHashSeed);
    hash ^= ComputeIntegerHash(
        static_cast<uint32_t>(reinterpret_cast<uintptr_t>(name_)),
        v8::internal::kZeroHashSeed);
    hash ^= ComputeIntegerHash(
        static_cast<uint32_t>(reinterpret_cast<uintptr_t>(resource_name_)),
        v8::internal::kZeroHashSeed);
    hash ^= ComputeIntegerHash(line_number_, v8::internal::kZeroHashSeed);
  }
  return hash;
}

bool CodeEntry::IsSameFunctionAs(CodeEntry* entry) const {
  if (this == entry) return true;
  if (script_id_ != v8::UnboundScript::kNoScriptId) {
    return script_id_ == entry->script_id_ && position_ == entry->position_;
  }
  return name_prefix_ == entry->name_prefix_ && name_ == entry->name_ &&
         resource_name_ == entry->resource_name_ &&
         line_number_ == entry->line_number_;
}

void CodeEntry::SetBuiltinId(Builtins::Name id) {
  bit_field_ = TagField::update(bit_field_, Logger::BUILTIN_TAG);
  bit_field_ = BuiltinIdField::update(bit_field_, id);
}

int CodeEntry::GetSourceLine(int pc_offset) const {
  if (line_info_ && !line_info_->empty()) {
    return line_info_->GetSourceLineNumber(pc_offset);
  }
  return v8::CpuProfileNode::kNoLineNumberInfo;
}

void CodeEntry::FillFunctionInfo(SharedFunctionInfo* shared) {
  if (!shared->script()->IsScript()) return;
  Script* script = Script::cast(shared->script());
  set_script_id(script->id());
  set_position(shared->start_position());
  set_bailout_reason(GetBailoutReason(shared->disable_optimization_reason()));
}

CpuProfileDeoptInfo CodeEntry::GetDeoptInfo() {
  DCHECK(has_deopt_info());

  CpuProfileDeoptInfo info;
  info.deopt_reason = deopt_reason_;
  if (inlined_function_infos_.empty()) {
    info.stack.push_back(CpuProfileDeoptFrame(
        {script_id_, position_ + deopt_position_.position()}));
    return info;
  }
  // Copy the only branch from the inlining tree where the deopt happened.
  SourcePosition position = deopt_position_;
  int inlining_id = InlinedFunctionInfo::kNoParentId;
  for (size_t i = 0; i < inlined_function_infos_.size(); ++i) {
    InlinedFunctionInfo& current_info = inlined_function_infos_.at(i);
    if (std::binary_search(current_info.deopt_pc_offsets.begin(),
                           current_info.deopt_pc_offsets.end(), pc_offset_)) {
      inlining_id = static_cast<int>(i);
      break;
    }
  }
  while (inlining_id != InlinedFunctionInfo::kNoParentId) {
    InlinedFunctionInfo& inlined_info = inlined_function_infos_.at(inlining_id);
    info.stack.push_back(
        CpuProfileDeoptFrame({inlined_info.script_id,
                              inlined_info.start_position + position.raw()}));
    position = inlined_info.inline_position;
    inlining_id = inlined_info.parent_id;
  }
  return info;
}

void ProfileNode::CollectDeoptInfo(CodeEntry* entry) {
  deopt_infos_.push_back(entry->GetDeoptInfo());
  entry->clear_deopt_info();
}

ProfileNode* ProfileNode::FindChild(CodeEntry* entry) {
  HashMap::Entry* map_entry = children_.Lookup(entry, CodeEntryHash(entry));
  return map_entry != NULL ?
      reinterpret_cast<ProfileNode*>(map_entry->value) : NULL;
}

ProfileNode* ProfileNode::FindOrAddChild(CodeEntry* entry) {
  HashMap::Entry* map_entry =
      children_.LookupOrInsert(entry, CodeEntryHash(entry));
  ProfileNode* node = reinterpret_cast<ProfileNode*>(map_entry->value);
  if (node == NULL) {
    // New node added.
    node = new ProfileNode(tree_, entry);
    map_entry->value = node;
    children_list_.Add(node);
  }
  return node;
}

void ProfileNode::IncrementLineTicks(int src_line) {
  if (src_line == v8::CpuProfileNode::kNoLineNumberInfo) return;
  // Increment a hit counter of a certain source line.
  // Add a new source line if not found.
  HashMap::Entry* e =
      line_ticks_.LookupOrInsert(reinterpret_cast<void*>(src_line), src_line);
  DCHECK(e);
  e->value = reinterpret_cast<void*>(reinterpret_cast<uintptr_t>(e->value) + 1);
}

bool ProfileNode::GetLineTicks(v8::CpuProfileNode::LineTick* entries,
                               unsigned int length) const {
  if (entries == NULL || length == 0) return false;

  unsigned line_count = line_ticks_.occupancy();

  if (line_count == 0) return true;
  if (length < line_count) return false;

  v8::CpuProfileNode::LineTick* entry = entries;

  for (HashMap::Entry* p = line_ticks_.Start(); p != NULL;
       p = line_ticks_.Next(p), entry++) {
    entry->line =
        static_cast<unsigned int>(reinterpret_cast<uintptr_t>(p->key));
    entry->hit_count =
        static_cast<unsigned int>(reinterpret_cast<uintptr_t>(p->value));
  }

  return true;
}

void ProfileNode::Print(int indent) {
  base::OS::Print("%5u %*s %s%s %d #%d", self_ticks_, indent, "",
                  entry_->name_prefix(), entry_->name(), entry_->script_id(),
                  id());
  if (entry_->resource_name()[0] != '\0')
    base::OS::Print(" %s:%d", entry_->resource_name(), entry_->line_number());
  base::OS::Print("\n");
  for (size_t i = 0; i < deopt_infos_.size(); ++i) {
    CpuProfileDeoptInfo& info = deopt_infos_[i];
    base::OS::Print(
        "%*s;;; deopted at script_id: %d position: %d with reason '%s'.\n",
        indent + 10, "", info.stack[0].script_id, info.stack[0].position,
        info.deopt_reason);
    for (size_t index = 1; index < info.stack.size(); ++index) {
      base::OS::Print("%*s;;;     Inline point: script_id %d position: %d.\n",
                      indent + 10, "", info.stack[index].script_id,
                      info.stack[index].position);
    }
  }
  const char* bailout_reason = entry_->bailout_reason();
  if (bailout_reason != GetBailoutReason(BailoutReason::kNoReason) &&
      bailout_reason != CodeEntry::kEmptyBailoutReason) {
    base::OS::Print("%*s bailed out due to '%s'\n", indent + 10, "",
                    bailout_reason);
  }
  for (HashMap::Entry* p = children_.Start();
       p != NULL;
       p = children_.Next(p)) {
    reinterpret_cast<ProfileNode*>(p->value)->Print(indent + 2);
  }
}

class DeleteNodesCallback {
 public:
  void BeforeTraversingChild(ProfileNode*, ProfileNode*) { }

  void AfterAllChildrenTraversed(ProfileNode* node) {
    delete node;
  }

  void AfterChildTraversed(ProfileNode*, ProfileNode*) { }
};

ProfileTree::ProfileTree()
    : root_entry_(Logger::FUNCTION_TAG, "(root)"),
      next_node_id_(1),
      root_(new ProfileNode(this, &root_entry_)),
      next_function_id_(1),
      function_ids_(ProfileNode::CodeEntriesMatch) {}

ProfileTree::~ProfileTree() {
  DeleteNodesCallback cb;
  TraverseDepthFirst(&cb);
}

unsigned ProfileTree::GetFunctionId(const ProfileNode* node) {
  CodeEntry* code_entry = node->entry();
  HashMap::Entry* entry =
      function_ids_.LookupOrInsert(code_entry, code_entry->GetHash());
  if (!entry->value) {
    entry->value = reinterpret_cast<void*>(next_function_id_++);
  }
  return static_cast<unsigned>(reinterpret_cast<uintptr_t>(entry->value));
}

ProfileNode* ProfileTree::AddPathFromEnd(const Vector<CodeEntry*>& path,
                                         int src_line) {
  ProfileNode* node = root_;
  CodeEntry* last_entry = NULL;
  for (CodeEntry** entry = path.start() + path.length() - 1;
       entry != path.start() - 1;
       --entry) {
    if (*entry != NULL) {
      node = node->FindOrAddChild(*entry);
      last_entry = *entry;
    }
  }
  if (last_entry && last_entry->has_deopt_info()) {
    node->CollectDeoptInfo(last_entry);
  }
  node->IncrementSelfTicks();
  if (src_line != v8::CpuProfileNode::kNoLineNumberInfo) {
    node->IncrementLineTicks(src_line);
  }
  return node;
}

struct NodesPair {
  NodesPair(ProfileNode* src, ProfileNode* dst)
      : src(src), dst(dst) { }
  ProfileNode* src;
  ProfileNode* dst;
};

class Position {
 public:
  explicit Position(ProfileNode* node)
      : node(node), child_idx_(0) { }
  INLINE(ProfileNode* current_child()) {
    return node->children()->at(child_idx_);
  }
  INLINE(bool has_current_child()) {
    return child_idx_ < node->children()->length();
  }
  INLINE(void next_child()) { ++child_idx_; }

  ProfileNode* node;
 private:
  int child_idx_;
};

// Non-recursive implementation of a depth-first post-order tree traversal.
template <typename Callback>
void ProfileTree::TraverseDepthFirst(Callback* callback) {
  List<Position> stack(10);
  stack.Add(Position(root_));
  while (stack.length() > 0) {
    Position& current = stack.last();
    if (current.has_current_child()) {
      callback->BeforeTraversingChild(current.node, current.current_child());
      stack.Add(Position(current.current_child()));
    } else {
      callback->AfterAllChildrenTraversed(current.node);
      if (stack.length() > 1) {
        Position& parent = stack[stack.length() - 2];
        callback->AfterChildTraversed(parent.node, current.node);
        parent.next_child();
      }
      // Remove child from the stack.
      stack.RemoveLast();
    }
  }
}

CpuProfile::CpuProfile(const char* title, bool record_samples)
    : title_(title),
      record_samples_(record_samples),
      start_time_(base::TimeTicks::HighResolutionNow()) {
}

void CpuProfile::AddPath(base::TimeTicks timestamp,
                         const Vector<CodeEntry*>& path, int src_line) {
  ProfileNode* top_frame_node = top_down_.AddPathFromEnd(path, src_line);
  if (record_samples_) {
    timestamps_.Add(timestamp);
    samples_.Add(top_frame_node);
  }
}

void CpuProfile::CalculateTotalTicksAndSamplingRate() {
  end_time_ = base::TimeTicks::HighResolutionNow();
}

void CpuProfile::Print() {
  base::OS::Print("[Top down]:\n");
  top_down_.Print();
}

CodeMap::~CodeMap() {}

const CodeMap::CodeTreeConfig::Key CodeMap::CodeTreeConfig::kNoKey = NULL;

void CodeMap::AddCode(Address addr, CodeEntry* entry, unsigned size) {
  DeleteAllCoveredCode(addr, addr + size);
  CodeTree::Locator locator;
  tree_.Insert(addr, &locator);
  locator.set_value(CodeEntryInfo(entry, size));
}

void CodeMap::DeleteAllCoveredCode(Address start, Address end) {
  List<Address> to_delete;
  Address addr = end - 1;
  while (addr >= start) {
    CodeTree::Locator locator;
    if (!tree_.FindGreatestLessThan(addr, &locator)) break;
    Address start2 = locator.key(), end2 = start2 + locator.value().size;
    if (start2 < end && start < end2) to_delete.Add(start2);
    addr = start2 - 1;
  }
  for (int i = 0; i < to_delete.length(); ++i) tree_.Remove(to_delete[i]);
}

CodeEntry* CodeMap::FindEntry(Address addr) {
  CodeTree::Locator locator;
  if (tree_.FindGreatestLessThan(addr, &locator)) {
    // locator.key() <= addr. Need to check that addr is within entry.
    const CodeEntryInfo& entry = locator.value();
    if (addr < (locator.key() + entry.size)) {
      return entry.entry;
    }
  }
  return NULL;
}

void CodeMap::MoveCode(Address from, Address to) {
  if (from == to) return;
  CodeTree::Locator locator;
  if (!tree_.Find(from, &locator)) return;
  CodeEntryInfo entry = locator.value();
  tree_.Remove(from);
  AddCode(to, entry.entry, entry.size);
}

void CodeMap::CodeTreePrinter::Call(
    const Address& key, const CodeMap::CodeEntryInfo& value) {
  base::OS::Print("%p %5d %s\n", key, value.size, value.entry->name());
}

void CodeMap::Print() {
  CodeTreePrinter printer;
  tree_.ForEach(&printer);
}

CpuProfilesCollection::CpuProfilesCollection(Heap* heap)
    : function_and_resource_names_(heap),
      current_profiles_semaphore_(1) {
}

static void DeleteCodeEntry(CodeEntry** entry_ptr) {
  delete *entry_ptr;
}

static void DeleteCpuProfile(CpuProfile** profile_ptr) {
  delete *profile_ptr;
}

CpuProfilesCollection::~CpuProfilesCollection() {
  finished_profiles_.Iterate(DeleteCpuProfile);
  current_profiles_.Iterate(DeleteCpuProfile);
  code_entries_.Iterate(DeleteCodeEntry);
}

bool CpuProfilesCollection::StartProfiling(const char* title,
                                           bool record_samples) {
  current_profiles_semaphore_.Wait();
  if (current_profiles_.length() >= kMaxSimultaneousProfiles) {
    current_profiles_semaphore_.Signal();
    return false;
  }
  for (int i = 0; i < current_profiles_.length(); ++i) {
    if (strcmp(current_profiles_[i]->title(), title) == 0) {
      // Ignore attempts to start profile with the same title...
      current_profiles_semaphore_.Signal();
      // ... though return true to force it collect a sample.
      return true;
    }
  }
  current_profiles_.Add(new CpuProfile(title, record_samples));
  current_profiles_semaphore_.Signal();
  return true;
}

CpuProfile* CpuProfilesCollection::StopProfiling(const char* title) {
  const int title_len = StrLength(title);
  CpuProfile* profile = NULL;
  current_profiles_semaphore_.Wait();
  for (int i = current_profiles_.length() - 1; i >= 0; --i) {
    if (title_len == 0 || strcmp(current_profiles_[i]->title(), title) == 0) {
      profile = current_profiles_.Remove(i);
      break;
    }
  }
  current_profiles_semaphore_.Signal();

  if (profile == NULL) return NULL;
  profile->CalculateTotalTicksAndSamplingRate();
  finished_profiles_.Add(profile);
  return profile;
}

bool CpuProfilesCollection::IsLastProfile(const char* title) {
  // Called from VM thread, and only it can mutate the list,
  // so no locking is needed here.
  if (current_profiles_.length() != 1) return false;
  return StrLength(title) == 0
      || strcmp(current_profiles_[0]->title(), title) == 0;
}

void CpuProfilesCollection::RemoveProfile(CpuProfile* profile) {
  // Called from VM thread for a completed profile.
  for (int i = 0; i < finished_profiles_.length(); i++) {
    if (profile == finished_profiles_[i]) {
      finished_profiles_.Remove(i);
      return;
    }
  }
  UNREACHABLE();
}

void CpuProfilesCollection::AddPathToCurrentProfiles(
    base::TimeTicks timestamp, const Vector<CodeEntry*>& path, int src_line) {
  // As starting / stopping profiles is rare relatively to this
  // method, we don't bother minimizing the duration of lock holding,
  // e.g. copying contents of the list to a local vector.
  current_profiles_semaphore_.Wait();
  for (int i = 0; i < current_profiles_.length(); ++i) {
    current_profiles_[i]->AddPath(timestamp, path, src_line);
  }
  current_profiles_semaphore_.Signal();
}

CodeEntry* CpuProfilesCollection::NewCodeEntry(
    Logger::LogEventsAndTags tag, const char* name, const char* name_prefix,
    const char* resource_name, int line_number, int column_number,
    JITLineInfoTable* line_info, Address instruction_start) {
  CodeEntry* code_entry =
      new CodeEntry(tag, name, name_prefix, resource_name, line_number,
                    column_number, line_info, instruction_start);
  code_entries_.Add(code_entry);
  return code_entry;
}

const char* const ProfileGenerator::kProgramEntryName =
    "(program)";
const char* const ProfileGenerator::kIdleEntryName =
    "(idle)";
const char* const ProfileGenerator::kGarbageCollectorEntryName =
    "(garbage collector)";
const char* const ProfileGenerator::kUnresolvedFunctionName =
    "(unresolved function)";

ProfileGenerator::ProfileGenerator(CpuProfilesCollection* profiles)
    : profiles_(profiles),
      program_entry_(
          profiles->NewCodeEntry(Logger::FUNCTION_TAG, kProgramEntryName)),
      idle_entry_(
          profiles->NewCodeEntry(Logger::FUNCTION_TAG, kIdleEntryName)),
      gc_entry_(
          profiles->NewCodeEntry(Logger::BUILTIN_TAG,
                                 kGarbageCollectorEntryName)),
      unresolved_entry_(
          profiles->NewCodeEntry(Logger::FUNCTION_TAG,
                                 kUnresolvedFunctionName)) {
}

void ProfileGenerator::RecordTickSample(const TickSample& sample) {
  // Allocate space for stack frames + pc + function + vm-state.
  ScopedVector<CodeEntry*> entries(sample.frames_count + 3);
  // As actual number of decoded code entries may vary, initialize
  // entries vector with NULL values.
  CodeEntry** entry = entries.start();
  memset(entry, 0, entries.length() * sizeof(*entry));

  // The ProfileNode knows nothing about all versions of generated code for
  // the same JS function. The line number information associated with
  // the latest version of generated code is used to find a source line number
  // for a JS function. Then, the detected source line is passed to
  // ProfileNode to increase the tick count for this source line.
  int src_line = v8::CpuProfileNode::kNoLineNumberInfo;
  bool src_line_not_found = true;

  if (sample.pc != NULL) {
    if (sample.has_external_callback && sample.state == EXTERNAL &&
        sample.top_frame_type == StackFrame::EXIT) {
      // Don't use PC when in external callback code, as it can point
      // inside callback's code, and we will erroneously report
      // that a callback calls itself.
      *entry++ = code_map_.FindEntry(sample.external_callback);
    } else {
      CodeEntry* pc_entry = code_map_.FindEntry(sample.pc);
      // If there is no pc_entry we're likely in native code.
      // Find out, if top of stack was pointing inside a JS function
      // meaning that we have encountered a frameless invocation.
      if (!pc_entry && (sample.top_frame_type == StackFrame::JAVA_SCRIPT ||
                        sample.top_frame_type == StackFrame::OPTIMIZED)) {
        pc_entry = code_map_.FindEntry(sample.tos);
      }
      // If pc is in the function code before it set up stack frame or after the
      // frame was destroyed SafeStackFrameIterator incorrectly thinks that
      // ebp contains return address of the current function and skips caller's
      // frame. Check for this case and just skip such samples.
      if (pc_entry) {
        List<OffsetRange>* ranges = pc_entry->no_frame_ranges();
        int pc_offset =
            static_cast<int>(sample.pc - pc_entry->instruction_start());
        if (ranges) {
          for (int i = 0; i < ranges->length(); i++) {
            OffsetRange& range = ranges->at(i);
            if (range.from <= pc_offset && pc_offset < range.to) {
              return;
            }
          }
        }
        src_line = pc_entry->GetSourceLine(pc_offset);
        if (src_line == v8::CpuProfileNode::kNoLineNumberInfo) {
          src_line = pc_entry->line_number();
        }
        src_line_not_found = false;
        *entry++ = pc_entry;

        if (pc_entry->builtin_id() == Builtins::kFunctionCall ||
            pc_entry->builtin_id() == Builtins::kFunctionApply) {
          // When current function is FunctionCall or FunctionApply builtin the
          // top frame is either frame of the calling JS function or internal
          // frame. In the latter case we know the caller for sure but in the
          // former case we don't so we simply replace the frame with
          // 'unresolved' entry.
          if (sample.top_frame_type == StackFrame::JAVA_SCRIPT) {
            *entry++ = unresolved_entry_;
          }
        }
      }
    }

    for (const Address* stack_pos = sample.stack,
           *stack_end = stack_pos + sample.frames_count;
         stack_pos != stack_end;
         ++stack_pos) {
      *entry = code_map_.FindEntry(*stack_pos);

      // Skip unresolved frames (e.g. internal frame) and get source line of
      // the first JS caller.
      if (src_line_not_found && *entry) {
        int pc_offset =
            static_cast<int>(*stack_pos - (*entry)->instruction_start());
        src_line = (*entry)->GetSourceLine(pc_offset);
        if (src_line == v8::CpuProfileNode::kNoLineNumberInfo) {
          src_line = (*entry)->line_number();
        }
        src_line_not_found = false;
      }

      entry++;
    }
  }

  if (FLAG_prof_browser_mode) {
    bool no_symbolized_entries = true;
    for (CodeEntry** e = entries.start(); e != entry; ++e) {
      if (*e != NULL) {
        no_symbolized_entries = false;
        break;
      }
    }
    // If no frames were symbolized, put the VM state entry in.
    if (no_symbolized_entries) {
      *entry++ = EntryForVMState(sample.state);
    }
  }

  profiles_->AddPathToCurrentProfiles(sample.timestamp, entries, src_line);
}

CodeEntry* ProfileGenerator::EntryForVMState(StateTag tag) {
  switch (tag) {
    case GC:
      return gc_entry_;
    case JS:
    case COMPILER:
    // DOM events handlers are reported as OTHER / EXTERNAL entries.
    // To avoid confusing people, let's put all these entries into
    // one bucket.
    case OTHER:
    case EXTERNAL:
      return program_entry_;
    case IDLE:
      return idle_entry_;
    default: return NULL;
  }
}

}  // namespace internal
}  // namespace v8

redpajama_set_name: RedPajamaGithub


text:
No Other Gods
No Other Gods, a series at Riverview June, 2011.
The detail on the left for this set is a structure with 1×4 lumber verticals and ripped 3/4in plywood horizontals ripped into 2in strips. Coarse thread screws into the back of the structure hold the plywood on and finishing nails attach the three assembled sections to the wall.
The horizontals were carefully placed to be level and to, at the same time, attain a level of randomness in horizontal placement. Before anything was assembled, the front sections of the plywood was painted reddish-brown and all other surfaces were painted gray.
Red Letter Ending
Red Letter Ending, a series at Riverview April, 2011.
This is the set for our Easter series in 2011. The structure against the wall is an assembled product from MIO called the Nomad System.
The Two smaller crosses on the floor are built with a combination of steel framing track and wood 2×4. The larger cross at an angle from floor to ceiling has a box truss vertical structure and a wood/steel horizontal structure. All three crosses are covered with white fabric which is stapled on the back side.
The Joy Paradox
The Joy Paradox, a series at Riverview March, 2011.
Our Creative Director, Kristie, designed a custom image for the background projection, we did not do a physical build. I must note, as I have previously, that she creates the projection which integrates with the sets for each series that we do.
The Main Thing, a series at Riverview February, 2011.
Playing on the series title "The Main Thing" we decided to build a theater marquee. The prop is a 15ft x 10ft construction using steel stud framing with a recessed channel of 1/2in MDF and the primary screen area is hardboard. The top detail is 1/2in MDF with white duct tape for the lines.
The lights in the outside recessed channel are screwed into basic lamp sockets which are pushed through drilled holes in the MDF. The lights are wired as four circuits and run to a DMX Dimmer so we could do a chase and generally control intensity. Power and control cables are run alongside the support cable to reach the outlets in the truss.
He Gave; We Give
He Gave; We Give, a series at Riverview December, 2010.
We have been using the same two large Christmas trees for several years and usually their location and decoration are symmetrical. For this set, one tree is covered in lights, ornaments, garland and surrounded by an extraordinary quantity of gifts while the other tree is sparsely decorated and has a few meager packages under its branches.


text:
Bolton to visit Moscow to discuss possible Trump-Putin summit
By Jordan Fabian - 06/21/18 10:49 AM EDT
National security adviser John Bolton will visit Moscow this month, the latest sign a summit between President Trump Donald TrumpCIA chief threatened to resign over push to install Trump loyalist as deputy: report Azar in departure letter says Capitol riot threatens to 'tarnish' administration's accomplishments Justice Dept. argues Trump should get immunity from rape accuser's lawsuit MORE and Russian President Vladimir Putin is in the works.
Garrett Marquis, a spokesman for Bolton, said Thursday the top national security aide will visit the Russian capital "to discuss a potential meeting between Presidents Trump and Putin."
The trip, which will take place from Monday to Wednesday, also includes stops in London and Rome to meet with government officials there.
Media reports have indicated Trump is expected to meet Putin for their first formal summit in July during the U.S. president's previously scheduled trip to Europe.
The meeting could take place either before the July 11 NATO summit in Brussels or after Trump's visit to the United Kingdom on July 13, according to Bloomberg News.
Trump and Putin first met face-to-face in July of last year at the Group of 20 summit in Hamburg, Germany.
Trump has long expressed a desire to hold a summit with Putin in the hopes of forming a close personal relationship with the Russian leader and repairing damaged ties between Washington and Moscow.
Members of Trump's own party have scoffed at the goal, given Russia's interference in the 2016 election that is now under investigation by special counsel Robert Mueller Robert (Bob) MuellerWhy a special counsel is guaranteed if Biden chooses Yates, Cuomo or Jones as AG Barr taps attorney investigating Russia probe origins as special counsel CNN's Toobin warns McCabe is in 'perilous condition' with emboldened Trump MORE. Chances of a thaw remain unlikely.
Foreign policy hawks have repeatedly criticized Trump's friendly rhetoric toward Putin in light of the Russian leader's terrible record on human rights and freedom of the press. Trump objected to congressionally mandated sanctions on Moscow and raised eyebrows when he congratulated Putin on his victory in March in an election that international observers was rife with fraud and voter intimidation.
But Trump has defended his stance, saying "no one has been tougher to Russia than Donald Trump."
"Ideally we want to get along with Russia. Getting along with Russia is a good thing, not a bad thing. Maybe we will, maybe we won't," Trump said in April.
Trump also drew rebuke earlier this month when he called for Russia to be reinstated in the Group of Seven (G-7), from which it was expelled after the annexation of Crimea from Ukraine in 2014.
"Whether you like it or not, and it may not be politically correct, but we have a world to run," Trump told reporters ahead of the G-7 summit in Canada. "And in the G-7, which used be the G-8, they threw Russia out. They should let Russia come back in because we should have Russia at the negotiating table."
Tags Robert Mueller Donald Trump


text:
Embraer plans $25M investment for services center
Published: March 28, 2012 at 6:23 p.m. ET
Cristina Molina
SANTIAGO (MarketWatch) -- Brazilian aircraft manufacturer Embraer SA (EMBR3.BR, ERJ) plans to invest $25 million in the next five years for a new maintenance center near Sao Paulo to serve customers from its executive-aviation unit, an official for the company's executive-jets division said Wednesday.
Product development and customer support will be the main areas of investments for the executive-jets unit, which contributes with nearly 20% of the company's revenues, Breno Cesar Correa, vice president of marketing and sales for Latin America, told Dow Jones Newswires on the sidelines of the FIDAE 17th biannual Air and Space Show in Santiago.
As part of this effort, Embraer is opening the maintenance center near Sao Paulo, which will provide customers with fixed-base operator, hangar and fuel services.
In other markets, the company is working with partners such as private-jet-services provider AeroCardal in Chile.
The company delivered 127 executive jets in seven Latin American countries during 2011 and expects to deliver 700 to 900 planes valued at $12 billion to $16 billion over the next 10 years.
The executive-jet unit should generate revenues of up to $1.3 billion this year, while overall company revenues are expected in the range of $5.8 billion to $6.2 billion.
In terms of growth, Correa sees China and the U.S. as the most promising markets for executive jets, and there are plans to continue increasing the unit's presence in both markets.
In the U.S., the company opened a commercial office in Florida, where it has built an aircraft-assembly plant.
In China, Embraer's executive-jet unit was in the spotlight earlier this year after presenting its Legacy 650 executive jet to martial-arts star Jackie Chan to help build its brand in the Asian country.
Additionally, it is evaluating an assembly plant for its Legacy 650 plane in China.
"We are at an advanced stage to transform this productive plant [that currently assembles the Embraer 145 model] in order to produce our Legacy 650. There is plenty of knowledge and tools in this unit which allows us to manufacture the Legacy 650 model without large investments," Correa added.
In relation to how business has been affected by the global economic crisis, Correa said only a few contracts have been canceled.
"Access to credit is a little harder, and the process of obtaining loans is taking longer than before the crisis. But in the end, in most of the cases, we always find a financial solution for our clients," he said.
Four reasons why value stocks are poised to outperform growth in 2022 — and 14 stocks to consider
Rising interest rates and faster inflation are positive for value strategies.


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Longtime MLB Umpire Derryl Cousins Dies at 74
By Odette Odendaal
https://news.amomama.com/234478-longtime-mlb-umpire-derryl-cousins-dies.html
Derryl Cousins had an extraordinary career as a major league baseball umpire for more than three decades. Sadly, it is confirmed that he had died at the age of 74.
During his career that lasted over three decades, Derryl Cousins worked three World Series, a sad loss for the world of baseball and all who knew him as news broke of his passing.
Confirmed by his brother Craig Cousins, he told ESPN that the former major league umpire died after a cancer battle. His family is planning a memorial for next spring.
HOW HE BECAME AN UMPIRE
At the age of 26, Cousins had to face the end of his career as a Minor League catcher. He loved the game did what he had to stay a part of it. After leaving as a player in 1972, Cousins returned as an umpire in 1979. He didn't retire until 2012.
"He got some money together, decided he'd try to become an umpire, and it just clicked for him,'' Craig said. "He loved everything about being an umpire. He loved the life."
THE LEAGUE PAYS TRIBUTE
The MLB took to social ahead of the first game of this year's World Series on Tuesday to share the news of Cousins' passing on social media. Devastated by the loss, they wrote:
"MLB is deeply saddened by the passing of 34-year Major League Umpire Derryl Cousins at 74. The Californian worked nearly 4,500 games."
Longtime MLB umpire Derryl Cousins during a game in 2009. | Source: Wikimedia Commons.
AN ACCOMPLISHED UMPIRE
Having worked over 4,000 games in the Major Leagues is not something many umpires have achieved so far. In 2009, he became the 18th umpire in the league to reach the milestone.
A five-time Gold Glove Award winner, was 77 when he died in his Danville, California home.
The accomplishment came after three decades of work, and he saw the "honor" as a sign that he's been "around a while," a compliment to the dedication he showed the sport during his career.
His death came on the heels of another big loss for the sport. Earlier this month, Hall of Fame second baseman Joe Morgan also passed away. He served as a key member of the Cincinnati Reds' Big Red Machine.
Former MLB Player Jay Johnstone Died from COVID-19 at 74 — Glimpse inside His Career
Baseball Icon Roberto Clemente's Full but Brief Life before His Tragic Plane Crash
Denny McLain Once Got 23-Year Prison Sentence — Glimpse into the Former Baseball Player's Life and Career
According to a statement issued by their family's spokesman, James Davis, Morgan, also a five-time Gold Glove Award winner, was 77 when he died in his Danville, California home.
Legendary flamethrower Bob Gibson, who pitched for the St. Louis Cardinals, was seven years older than Morgan when he passed a few days before him.
Gibson became a two-time World Series champion and a Hall of Famer, and his death came after he reportedly battled pancreatic cancer. He passed on October 2.
Friends Tell 4 Women They Look like Sisters and They Find Out It's True after a DNA Test


A few months ago I heard about a new "style", a Milkshake IPA which had been brewed by Tired Hands. It seemed to be getting great reviews but some of the aspects of brewing one didn't appeal to me a great deal. Namely the lactose used to add mouth feel and some residual sweetness. I have no issues with lactose in a beer but generally I like my IPA's fairly dry so the thought of adding something that would leave the beer on the sweet side was a little unappealing. The other aspect that I wasn't sure about was the vanilla addition, I just wasn't sure how it would play with the hops overall. The idea of adding fruit to a NE style IPA made sense, I mean it seemed like a natural progression for super hoppy "juicy" IPA's in some respects.
The obvious thing to do would be to simply purchase a commercial example of the style to test drive it, take some notes and attempt something similar if interested. The issue here is that I live in Atlantic Canada and although the beer scene has improved drastically in the last few years, there isn't any local availability of this particular style.
Fortunately a friend of mine (the one who told me about this style) decided to go ahead and brew a Milkshake IPA recently. I was quite surprised at how much I enjoyed his beer, the hops and orange zest he used worked really well together. The lactose did bump up the mouth feel and although it had some residual sweetness it wasn't too much. The vanilla was present but light, something we discussed could be increased without being overbearing.
Now I was interested to brew one of my own and I happened to just get a fresh order of Citra and El Dorado hops. Both seemed like perfect varieties for this style. I hadn't brewed with El Dorado before but I knew it had tropical fruit and orange character and who doesn't love Citra? More tropical fruit and citrus character made Citra a natural choice as well.
I happened to have a new bag of clementines so I decided to use that as my fruit choice. Otherwise I kept everything else pretty consistent with how I would brew a NE style. A grain bill mostly consisting of base and flaked oats along with some carafoam and acid malt. Ferment with LAIII and dry hop on day 3 (which is when I added the clementine zest) and day 7. Plan to keg on day 11-12 and add the vanilla tincture at that time.
Brew day went as expected and this turned out even better than I had hoped. It had tons of orange, citrusy hop and vanilla aroma and that followed through in the flavor. The bitterness could have been dialed back slightly but otherwise I was really happy with this beer. It received mostly great feedback from fellow beer geeks and it made me want to brew something similar again soon. The biggest issue I had was that is kicked far too quickly, faster than any beer I've ever kegged.
1 vanilla bean scraped and chopped 2oz of vodka, added at kegging.
Appearance: Pours with a white head, 1/2″ which fades to 1/4″ and persists. Light golden in color, good lacing.
Aroma: Strong citrus hop aroma, mainly orange, followed by some tropical notes and then vanilla.
Flavor: Follows from the aroma. Lots of orange flavor, some mild tropical notes and then moderate vanilla. Think orange creamsicle. Some light residual sweetness finishing with light/moderate bitterness.
Mouthfeel: Medium/full, creamy mouthfeel. Medium/light carbonation.
Overall: This was one of the rare times I poured a beer and loved it right away. Usually I can pick apart my beer and easily find things to change and improve next time. But not this time, I loved this beer and it kicked faster than any other beer I've ever brewed (I did give quite a bit away because I wanted fellow beer geeks to try this new "style"). The only slight change I would make would be to dial back the IBUs very slightly, I think a noticeable amount of bitterness can slightly detract from this type of beer.
Enjoyed the read. The oils in the zest paired with the heavy hand of oats is likely the culprit for lack of head retention. Cut back the oats for some flaked wheat and dial back the 2 row for some white wheat malt next time and see if it helps. Cheers!
Really interesting recipe! Did bittering hops accidentally get left out of your write-up, or did you just not use any? I just thought it was interesting that you said the bitterness could be dialed back, but no bittering hops were listed!
I did intentionally leave them out so I could use more of the hops mentioned late in the boil. Although I didn't have any "bittering" additions the ibus did creep up a little too high I felt.
Great sounding recipe. Sulfate chloride ratio? And number for either?
I generally keep them at a 1:1 ratio. Usually in the 100-130 range.


Our example in the video is a simple Keras network, modified from Keras Model Examples, that creates a simple multi-layer binary classification model with a couple of hidden and dropout layers and respective activation functions. Binary classification is a common machine learning task applied widely to classify images or text into two classes. For example, an image is a cat or dog; or a tweet is positive or negative in sentiment; and whether mail is spam or not spam.
But the point here is not so much to demonstrate a complex neural network model as to show the ease with which you can develop with Keras and TensorFlow, log an MLflow run, and experiment—all within PyCharm on your laptop.
Click through for the video and explanation of the process.
Sydney's congestion at 'tipping point' blares the headline and to illustrate, an interactive chart with bars for city population densities, points for commute times and of course, dual-axes.
Yuck. OK, I guess it does show that Sydney is one of three cities that are low density, but have comparable average commute times to higher-density cities. But if you're plotting commute time versus population density…doesn't a different kind of chart come to mind first? y versus x. C'mon.
Simple is typically better, and that adage holds here.
The first thing I decided to do was work out which was the first month of the policy. I used LOOKUPVALUE to do this because the Calendar table was not connected to the policy table. Instead of returning the actual month name, I returned the unique MonthID from my calendar table. I ALWAYS load a unique MonthID in my calendar tables as they are REALLY useful. In short this column is an integer, starting at 1 and incrementing by 1 for each month in the table. So starting in Jan, after 3 full years the MonthID will be 36.
After writing this measure (and all subsequent measures), I placed the measure in the pivot table shown below. This pivot table has the policy date from the policy table on rows and the YYMM from the Calendar table on columns. I did this for a very important reason. I knew this would be the way I needed to see the final results and therefore I needed to make sure all measures returned the expected outcome once this layout was used. And don't think I wrote the all the formulas correctly to achieve this outcome the first time. In fact I made plenty of mistakes. But the point is I wouldn't have known they were mistakes if I didn't place the result in a pivot table like the one below.
It's a good example of breaking apart a fairly complicated concept and rethinking equations as set operations in DAX.
Awesome! Our custom image is in our ACR!
I guess the only way to find out is to run a container! So let's run a Azure Container Instance from our new image.
Read on to see how Andy gets rid of those pesky things.
For those of you not familiar with the Query Store settings, please check out my post which lists each one, the defaults, and what I would recommend for values and why. When discussing MAX_STORAGE_SIZE_MB, I mention monitoring via sys.database_query_store_options or Extended Events. As much as I love Extended Events, there isn't an event that fires based on a threshold exceeded. The event related to size is query_store_disk_size_over_limit, and it fires when the space used exceeds the value for MAX_STORAGE_SIZE_MB, which is too late. I want to take action before the maximum storage size is hit.


MIAMI (AP) All-Star guard Dwyane Wade said Saturday that he intends to try to find ways to stop racial violence, and that he has friends who are willing to commit to the cause.
Two of Wade's closest friends - Carmelo Anthony and LeBron James - have spoken out on social media in recent days in response to two recent shootings of black men by police officers. Then Thursday in Dallas, five police officers were killed and seven others wounded; one of the suspects allegedly said he was targeting white officers.
Wade said he loved seeing Anthony say that.
This will not be the first time Wade tackles a polarizing issue. When unarmed teen Trayvon Martin was shot to death by a neighborhood watch volunteer in a gated Central Florida community in 2012, Wade and James - then members of the Heat - arranged a team photo with all players in hoodies, just as Martin wore on the night he was killed.
Wade's foundation also plans on trying to develop safe-havens for kids in Chicago, his hometown and a place that has long been dealing with a gun-violence epidemic. Wade had a nephew injured by gunfire in Chicago in 2012.


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Ds super smash bros
Yojind | Posted on 05.10.2020 |
Super_Smash_Bros_for_Nintendo_3DS_USA_3DS-ABSTRAKT | - Super Smash Bros. for Nintendo 3DS (Europe) (En,Fr,De,Es,It,Nl,Pt,Ru). Get the official details on Super Smash Bros. for Nintendo 3DS, straight from Nintendo. Super Smash Bros. for Nintendo 3DS and Super Smash Bros. for Wii U (also known collectively as Super Smash Bros. 4) are crossover fighting video games developed by Bandai Namco Studios and Sora Ltd. and published by Nintendo for the Nintendo 3DS and Wii U video game schizoblog.net 3DS version was released in Japan in September , and in North America, Europe, and Australia the following schizoblog.netper(s): Bandai Namco Studios, Sora Ltd.
Super_Smash_Bros_for_Nintendo_3DS_USA_3DS-ABSTRAKT | - Super Smash Bros. for Nintendo 3DS (Europe) (En,Fr,De,Es,It,Nl,Pt,Ru). You can use your existing GameCube controllers to enjoy Super Smash Bros. for Wii U with the same feeling of control as Super Smash Bros. Melee and Super Smash Bros. Brawl. *The special Super Smash Bros. GameCube controller shown in the image is also planned for release on the same day, as well as the Super Smash Bros. for Wii U and GameCube. Super Smash Bros Ultimate Melee Brawl Mario Yoshi Mega Man Zelda Sonic Metroid Video Game Vinyl Decal Skin Sticker Cover for Original Nintendo DS System by Vinyl Skin Designs Currently unavailable. Get the official details on Super Smash Bros. for Nintendo 3DS, straight from Nintendo. Super Smash Bros. - Nintendo 3DS pokemon case, best ds games. Set up an Amazon Giveaway. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more about Amazon Giveaway. This item: Super Smash Bros. - Nintendo 3DS /5(K). Super Smash Bros. for Nintendo 3DS and Super Smash Bros. for Wii U (also known collectively as Super Smash Bros. 4) are crossover fighting video games developed by Bandai Namco Studios and Sora Ltd. and published by Nintendo for the Nintendo 3DS and Wii U video game schizoblog.net 3DS version was released in Japan in September , and in North America, Europe, and Australia the following schizoblog.netper(s): Bandai Namco Studios, Sora Ltd.
Watch Now Ds Super Smash Bros
New Super Mario Bros. 2 Worlds 1 - 9 Full Game (100%), time: 4:18:17
Tags: Design a home sFsx cathay pacific 747, Facebook educk hack version 4.0.0.0.5 adobe , , Resume templates s for microsoft word 2014 Super Smash Bros. for Nintendo 3DS and Super Smash Bros. for Wii U are crossover fighting video games developed by Bandai Namco Studios and Sora Ltd. Super Smash Bros. is a series of crossover fighting video games published by Nintendo, and primarily features characters from various franchises of theirs. Super Smash Bros Crash! DS - It is a remake of the great Super Smash Bros. I did for the DS. The project is a demo, but has 29 characters, 28 stages, 2 CPUs. By quickly flicking the Control Stick or Circle Pad in a direction and simultaneously pressing the A Button, your fighter will perform a smash attack that can launch. Greninja, the awesome final evolution of Froakie from Pokémon X and Pokémon Y, joins the roster as a playable character in Super Smash Bros. for both Wii U. DS D.I.Y is a Super Smash Bros. game made for Nintendo DS. This game can be connected to Super Smash Bros DS D.I.Y. Showcase and to Super Smash.
Fenrigami October 02, 2020
It is not pleasant to me.
Fem October 02, 2020
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HomeAwards
2012 Governor's Heritage Preservation Honor Award
Atlantic Development & Investments, Inc.'s Ghost Ranch Lodge Rehabiliation Project was selected to receive a 2012 Governor's Hertiage Preservation Honor Award by the State Historic Preservation Office in June of 2012.
The winners selected for the 2012 awards were honored at a special ceremony in the historic Elks Opera House in downtown Prescott June 14th 2012. We would like to thank and congratulate everyone involved in the Ghost Ranch Lodge rehabiliation!
Link to information about the Arizona Preservation Awards :
Since 1982, the Arizona Preservation Foundation and Arizona State Historic Preservation Office/Arizona State Parks have collaborated to present the Governor's Heritage Preservation Honor Awards. These awards recognize people, organizations, and projects that represent outstanding achievements in preserving Arizona's prehistoric and historic resources.
"In all our dealings with Mr. Breen, we found him to be an honorable, dedicated, hardworking person who lived up to all our expectations. He always responded promptly to our inquiries and certainly proved to be a man whose word could be relied on even in the absence of a written agreement."
— Robert C. Zampano.
Former Senior United States District Judge


시각장애인이 이해할 수 있도록 유투브 동영상에 나레이션을 추가하는 작업에 동참하고 싶은 책임감 있는 고등학생 봉사자를 모집합니다.
유투브가 중요한 정보의 보고가 되어가면서 동영상을 시각장 애인이 이해하기 쉽도록 나레이션을 추가하는 일은 시각장애인들의 삶과 교육에 크나큰 도움이 됩니다.
아래의 youdescribe 동영상을 보시면 이해에 도움이 되리라 생각됩니다.
'YouDescribe' is a project founded by Smith-Kettlewell Video Description Research and Development Center (VDRDC) with a view to enable and encourage sighted volunteers to describe online videos for the benefit of the blind and visually impaired. 'YouDescribe' (www.youdescribe.org) enables playback and recording of audio clips for YouTube videos. It follows a crowdsourcing model where any sighted volunteer can record and upload audio descriptions for YouTube videos upon request. These audio annotated videos can be shared across the internet thus making them accessible to all (especially for blind users).
Benefits of describing videos are (1) you are "really" helping someone who need good descriptions on the visuals on Youtube videos. Blind people need to watch videos for many reasons and enhanced video with good narration enables them to understand the contents properly. (2) The process of watching the video with intention to create narration for the blind is very educational and improve your writing and communication skills. (3) You can earn community service hours and appreciation letter from SmithKettlewell Eye Research Institute.
*The first meeting (September 29th at 7pm) is a mandatory meeting for those who received an email invitation. You will be disqualified if absent even if you submitted an essay earlier.
**Joshua A. Mlele has developed a program that allows people with visual impairments to use computers and he is currently a senior researcher at SKI.
The links below are the videos with narration.
Please complete the application form and followed the instruction in the form.
궁금한 사항이 있으시면 담당자에게 문의하시기 바랍니다.


Mehbaz is one among the simple couple of web design companies in Qatar who are committed in giving excellent web designing services at a reasonable cost. We are much looked for after by our customers for conveying best quality web designs by a group of exceedingly skilled web designers in the business. We have designed and built up various first class websites for our customers over the world. A very much designed and created website dependably gives a decent ROI (Return Of Investment). We ensure our customers get the best ROI by making faultless and top-class websites. We give reasonable web design services without trading off a particle on the quality. We take into account the requirements of each kind and size of organizations; be it a major industry or a little or medium size business, we ensure our web design and development services meet and exceed our client's expectation.
Mehbaz is prevalently tended to as the best web design company in Qatar for its easy to understand web development services by joining the most recent advancement in the business. We utilize different web technologies including HTML5, PHP, CSS3. Your website is the substance of the organization in the computerized world. A well built website brings in a lot of traffic and visitors to it which results in increased profit through leads and sales. We see each need of our customers and build up the site to suit their necessities. Designing SEO friendly web sites: There are different components that improve a website rank on various search engines. For a website to deliver great outcome it needs to consolidate factors that assistance it to be identified by the search engine crawlers.


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The Interaction of Religion and Politics in the Public Sphere
Contributing to Alleviating Islamist-Secular tensions in North Africa by Promoting Peaceful co-existence among Political Actors with Different Worldviews
This project aims to alleviate Islamist-Secularist tensions across the region; reduce the factors leading to the political exclusion of religiously-inspired political actors, and promote political participation of a larger scope of the social fabric, representing different worldviews; include religiously-inspired actors who suffer from political exclusion, especially among the youth. The underlying theory of change is that engaging in a dialogue and exchanging understandings will sensitize both secular- and religiously-inspired actors to different contributions that can be achieved in an "agreed civil space," and will therefore support depolarizing the debates and bridge the religious-secular divide in the region.
Towards a Common Space for Interaction and Joint Action
In periods of fragile political transition acute polarisations lead to instability and chaos, which pave the way for the return of authoritarianism or civil war. Over forty experts and political actors from North Africa, West Asia and the Sahel, belonging to both Secularist and Islamist currents, met and discussed issues related to building trust and establishing a framework for cooperation among actors of different worldviews.
Experts' Conclusions Memorandum: Towards a Common Action Space
Religion and Politics in the Public Sphere
Promoting Peaceful Co-existence among Political Actors with Different Worldviews
Istanbul, 17 March 2017
Editor: Alistair Davison
Conceptual Tools for the Promotion of Peaceful Co-existence among Political Actors with Different Worldviews
Interaction of Religion and Politics in the Public Sphere
Doha, 21 – 22 September 2016
Author: Lakhdar Ghettas
Editor : Alistair Davison
Istanbul, 28 February – 4 March 2016
Authors: Kheira Tarif and Lakhdar Ghettas
Activities::
Ongoing Programmes::
North Africa::


In a bid to help British Rowing get 10,000 more women indoor rowing by 2021, Promote created #SheRows, a national campaign targeting women returning to exercise having had a break due to life or family commitments.
An effective and efficient workout, indoor rowing is rapidly growing in popularity – it's estimated that over 100,000 homes now own their own rowing machine. Regardless of age or ability, indoor rowing can help exercisers rapidly regain fitness and build confidence, making it perfect for those returning to regular exercise.
Double Olympic rowing champion, and new mum, Helen Glover MBE was recruited as our #SheRows ambassador, participating in a content day and undertaking numerous media interviews to to talk about the effectiveness of indoor rowing and highlight the mental health benefits of the activity.
In the first three weeks of the #SheRows campaign, Promote generated over 100 pieces of coverage including The Daily Telegraph and The Daily Mail. British Rowing attribute the 98% increase in traffic to the 'Where to Row' indoor web page to the widespread awareness generated by our campaign.


Craters & Freighters of offers our customers a wide variety of pick-up and delivery options to meet any budget. Our flexible services allow us to pick-up at a business or residential address or our customers can choose to drop off their items at one of our nationwide warehouse locations. We also offer full service, white glove, inside, pick-up and delivery solutions for high value items. Same day, next day and guaranteed delivery services are all available.
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The Economy Expanded Rectangle Standard Portable Table matches broadly expanded metal with a thin strap frame. Our picnic table carries a truly unique design that provides park goers cool and comfortable seating perfect for nature parks and hiking trails. Our Economy design features 1 1/2" #9 expanded metal inside of a 1/8" x 2" metal strap frame.


Kurzfassung auf Englisch: Globally, wild seahorse populations are threatened due to, habitat destruction and unsustainable human exploitation among others. Furthermore, aquaculture-based mass-scale rearing is still uncommon due to the low survival rates of seahorse juveniles and exceptionally high feed costs. Previous studies have demonstrated the importance of both highly unsaturated fatty acid (HUFA) supplies and a copepod-based rearing for seahorse survival and growth. As the latter is expensive, the question arises as to how high survival rates of seahorse juveniles can be assured under low- to moderate-cost feed regimes. In particular, it remains unknown whether the diet species or their dietary HUFA profiles determine the successful development of seahorse fry. Therefore, the aims of this study were to assess the dependence of growth and survival rates of Hippocampus reidi brood on the animal feed and to infer the impact of feed species vs. dietary HUFA profiles on juvenile growth. A nutrition experiment was conducted where juveniles were treated either with enriched Artemia nauplii (low-cost diet Art) or with a mixed diet of Artemia and copepods (moderate-cost diet Art/Cop). Larval survival and growth were analyzed using Cox proportional-hazard and linear mixed-effect model analyses. We found that (i) both diets enabled good survival, (ii) diet Art/Cop resulted in superior weight and height growth, and (iii) the differential effects of diets Art/Cop and Art cannot be explained by their different HUFA compositions alone. From an economical point of view, our findings of high survival rates and relatively high growth rates with the medium-cost treatment Art/Cop may open new possibilities for the large-scale rearing of seahorses. Even the application of a low-cost Art diet might be appropriate for seahorse aquacultures as both survival and growth rates are only marginally lower compared to the former diet.


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Slam Dunk organisers complete festival line up and announce acoustic stage at Hatfield
Some of the acts lined up
Published: 16:00 Wednesday 13 February 2019
Neek Deep, Press To Meco and The Plot In You are among the final raft of names to join this year's Slam Dunk festival.
Other new additions to the line-up include As It Is, Boston Manor, A Loss For Words, Grandson, A Story Untold, Between You & Me, SHVPES, Kublai Khan and Cruel Hand.
Organisers have also announced the programming of the Acoustic Stage which will feature performances by Justin Pierre (Motion City Soundtrack), Rob Lynch, Liam Cromby (We Are The Ocean), Chas Palmer-Williams (Lightyear) and Lizzy Farrell.
The festival takes place at Temple Newsam Park in Leeds on Saturday, May 25, and at Hatfield Park in Hatfield, on Sunday, May 26.
Fresh from storming across the UK's monumental arenas with Don Broco, Neck Deep are one of the biggest British pop-punk bands of the 21st century.
Their unapologetic twist on such a celebrated and classic sound has cemented their place as prominent movers and shakers of the scene.
The Hopeless Records' act kicked off their global tour of The Peace and The Panic at Slam Dunk Festival back in 2017 and they are returning full circle in 2019 to close the tour before they go away to start on their new album.
All the new acts join previously announced acts including Atreyu, Bad Religion, Gallows, Glassjaw, NOFX, The Bronx and Turnstile.
Tickets cost £59 before fees. For more information and full line up details, visit http://slamdunkfestival.com
'Don't be yourself tomorrow': Side-splitting West End show is as much brilliant as it is resilient
Ten more acts added to Slam Dunk Festival line-up in Hatfield
Central Beds Council set to proceed with controversial M1-A6 link road despite objections from Luton
Lidl's Regional Distribution Centre near Houghton Regis will create 1,000 new jobs
Mayor of Houghton Regis steps down amid family dispute
£240k package of road safety improvements on A5 through Hockliffe
Jones: Transfer window hasn't been great for Luton so far
More from Dunstable Today


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Home / Tag Archives: 2013
OMG GMO
August 4, 2017	Documentary 0 203
Jeremy Siefert directed this film that is his personal exploration of genetically modified organisms (GMO) and how they are affecting our food supply. He travels partly with his wife and two children to farms and corporations in search of answers about GMO's and the foods that contain them. He also is trying, in the process, of teaching his children more about the food they eat. I liked the movie because it was a very non-technical presentation of a complex topic, and I think that this serves as a great introduction to the topic of GMO, particularly for those who don't …
Live and Let Live (German)
May 6, 2017	Documentary 0 233
Documentary in which the director introduces us to six different people who have adopted the vegan lifestyle and explores with them their reasons for doing so. Interviewees include a professional cyclist who long-listed for the 2012 Olympics; a butcher who became a vegan chef; members of the animal rights group Animal Equality; and a couple who own a sanctuary for animals that would have been sent to slaughter. I enjoyed this film that highlights not only the benefits of eating a vegan diet but more of the activist orientation behind their decisions to become vegan. There is also a brief …
February 20, 2014	Drama, Favorites 0 231
(Japanese with English subtitles): A very thought-provoking movie about two couples who find out that their children, who are now 7 years old, were switched at birth. The two families represent different socioeconomic levels, and the fathers have very different approaches to family. The movie explores the roles of nature and nurture and the impact of parenting style, mostly from the viewpoint of the parents. I thought the movie was really well directed and acted; the two kids, especially the one who plays Kieta, were great. I also liked seeing this story from a different cultural context. While some of …
February 20, 2014	Drama, Foreign 0 514
French with English Subtitles: From the Iranian film director who crafted the really wonderful film "A Separation" a couple of years back. A man returns from Iran to Paris after a 4 year absence to finalize the divorce his wife has sought (she has since met a new man she intends to marry at some point). In the beginning, the soon to be ex-husband appears to be "all business", but his presence becomes a catalyst for a number of different events. I won't say much more than this, because the way the story unfolds is quite fascinating, sometimes takes unexpected …
January 14, 2014	Drama 0 449
The movie is adapted from a play and is about a family whose patriarch disappears one day. The family comes together, and the movie is the story of a dysfunctional family whose secrets become revealed. Overall, I did not much care for the movie. The play was so outstanding, and I felt that it worked much better on stage than in the movie. The parade of big names (all of the people good actors and actresses in their own rights) was distracting for me; I think it was too much, as I just did not feel much chemistry between the …
January 12, 2014	Comedy, Drama, Favorites 0 456
This movie is the most original and creative movie I have seen this year. Joaquin Phoenix plays Theodore, a sensitive guy and professional letter writer, who is living in the very-near future (close enough to feel contemporary and recognizable). One day, he sees an advertisement for a new computer operating system; he installs it and begins a relationship with his OS (Samantha, voice by Scarlett Johannson). I am not going to say much about the story of the relationship itself, because that story goes in so many marvelous directions. But you really should see it because 1) Phoenix gives probably …
January 5, 2014	Horror 0 558
A horror story that begins in a terrible rainstorm and the death of Mrs. Parker (from what we don't know at this point). She left behind a husband, 2 daughters, and a son. The movie is the events that unfold after their mother's death that reveal the complex family secrets. This is really a very interesting movie that takes what could have been a B-rate movie and turns it into an A rate movie through exquisitely beautiful cinematography and careful storytelling. The movie is so well made the realization you are watching a horror movie doesn't come until much later …
January 5, 2014	Biography 0 239
Based on actual events portrayed in a book by Jordan Belfort, a Wall Street stockbroker who rose to fortune and ended up serving time in prison for defrauding investors. There are things about the movie I liked. (1) I thought this was one of Leondardo DiCaprio's strongest performances; (2) putting this movie in the hands of Martin Scorsese was a great choice – he takes a story that might otherwise be commonplace and documentary-like and turns it into something that is irreverent, over-the-top, and funny; and (3) in the process, it serves as an interesting commentary on Wall Street and …


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CREW Backs EPIC in Case for Release of Full Mueller Report
Citizens for Responsibility and Ethics in Washington has filed an amicus brief in support of EPIC's case for the release of the full Mueller Report. CREW argued that the Justice Department cannot withhold parts of the Report as "deliberative" because the Report explains the Special Counsel's final decisions. "Especially in the context of an investigation into interference with our electoral process by a foreign power and potential links to the sitting President's political campaign, the public interest in disclosure is at an apex once the investigation is complete and the prosecutorial decisions have been made," CREW argued. EPIC recently moved for summary judgment to obtain the full Mueller Report. The case is EPIC v. Department of Justice, No. 19-810 (D.D.C.). Copies of the Mueller Report obtained by EPIC, related materials, and background on the case are available for purchase at the EPIC Bookstore.