The world of cartoons has nothing to do with physics. But they sure are Fun and Funny and they often make us wonder why we can't fly.
Any body passing through solid matter will leave a perforation conforming to its perimeter. Also called the silhouette of passage, this phenomenon is the speciality of victims of directed-pressure explosions and of reckless cowards who are so eager to escape that they exit directly through the wall of a house, leaving a cookie-cutout-perfect hole. The threat of skunks or matrimony often catalyzes this reaction.
Such an object is inevitably priceless, thus the attempt to capture it will be inevitably unsuccessful.
Only at manic high speeds, the wacky guy may ricochet off walls to achieve the velocity required.
The process is analogous to steady-state theories of the universe which postulated that the tensions involved in maintaining a space would cause the creation of hydrogen from nothing. Dynamite quanta are quite large(stick-sized) and unstable (lit). Such quanta are attracted to psychic forces generated by feelings of distress in "cool" characters (see Amendment B), which may be a special case of this law), who are able to use said quanta to their advantage. One may imagine C-spaces where all matter and energy result from primal masses of dynamite exploding. A big bang indeed.


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Q: Export Dynamic HTML to PDF in JSF , PrimeFaces? I want to convert a HTMl file into a PDF file using Primefaces.
I am familiar with JavaScript Exports.
Is there a way to have the same in JSF,Primefaces.
Need reference document or links which such functionality in JSF,Primefaces.

redpajama_set_name: RedPajamaStackExchange


The worst game of "Who Did It?" ever.
Over the weekend, USA Today published an editorial that suggested senior White House adviser Steve Bannon and ISIS leader Abu Bakr al-Baghdadi shared "similar world views" that included "apocalyptic visions of a clash" between Islam and the United States.
The graphic was roundly mocked on social media, where many skewered Fox News' absurd effort to present Bannon as an innocent in comparison to a despot and generally missing the point of the editorial.
Sunday's editorial followed the reports—including this Mother Jones story—outlining Bannon's record of promoting anti-Islamic propaganda during his tenure as Breitbart CEO and his long-standing predictions of the arrival of a "Judeo-Christian war" against Islam.


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McCutcheon and the Future of Campaign Finance Reform
The U.S. Supreme Court is about to rule on another campaign finance reform case, McCutcheon v. Federal Election Commission. If the court rules against the FEC, it will be another step toward the domination of federal elections by big-money people and institutions. And protection from that dominance is now doubly important, as wealthy donors to Republican coffers, now turned off by the antics of Ted Cruz in the Senate and a batch of Tea Party types in the House, desert the Republican Party and, in all likelihood, begin to shop around for pro-business, anti-regulation candidates they can support who won't bring the nation to the brink of default. This is a fluid time in campaign finance, with the potential for lots of money to shift around in the wake of some very unpopular political actions in Washington. A decision on McCutcheon is going to be as important as any campaign finance decision by the Supreme Court since Citizens United.
A wealthy Alabamian who is CEO of Coalmont Electrical Development and treasurer of the Conservative Action Fund Super PAC, Shaun McCutcheon isn't challenging the limit of $2,600 in donations to any one candidate during an election cycle, but rather the total limit of $48,600 on contributions to any and all candidates, plus $74,600 to political parties and committees. In other words, McCutcheon wants to make as many $2,600 donations as he would like, and not be limited by a composite ceiling of $48,600.
McCutcheon represents a next step in court legislation that could dismantle limitations on corporate contributions. The post-Watergate restrictions on campaign contributions were enacted as the Bipartisan Campaign Reform Act of 2002 (BCRA), popularly known as the McCain-Feingold Act. Citizens United v. Federal Election Commission undid restrictions on corporate donations to purportedly independent political committees, and with the expansion of the use of 501(c)(4) social welfare organizations, nudged the door wider for undisclosed corporate donations. But corporations cannot under current law make direct donations to political candidates.
Regarding individual donors' contributions to individual candidates and candidate and party committees, the Federal Election Commission provides this complex but accurate mix of contribution limits:
To each candidate or candidate committee per election
To national party committee per calendar year
To state, district & local party committee per calendar year
To any other political committee per calendar year[1]
Special Limits
may give
(combined limit)
$123,200* overall biennial limit:
$48,600* to all candidates
$74,600* to all PACs and parties[2]
National Party Committee
$45,400* to Senate candidate per campaign[3]
State, District & Local
Party Committee
(multicandidate)[4]
(not multicandidate)
Authorized Campaign Committee may give
* These contribution limits are increased for inflation in odd-numbered years.
A contribution earmarked for a candidate through a political committee counts against the original contributor's limit for that candidate. In certain circumstances, the contribution may also count against the contributor's limit to the PAC. 11 CFR 110.6. See also 11 CFR 110.1(h).
No more than $48,600 of this amount may be contributed to state and local party committees and PACs.
This limit is shared by the national committee and the Senate campaign committee.
A multicandidate committee is a political committee with more than 50 contributors which has been registered for at least 6 months and, with the exception of state party committees, has made contributions to 5 or more candidates for federal office. 11 CFR 100.5(e)(3).
A federal candidate's authorized committee(s) may contribute no more than $2,000 per election to another federal candidate's authorized committee(s). 2 U.S.C. 432(e)(3)(B).
According to Dahlia Lithwick in Slate, only 1,219 donors reached or came close to reaching the combined $123,200 aggregate campaign threshold. Presumably, Shaun McCutcheon thinks, as does the Republican National Committee, there are many more individuals who would want to pierce that campaign contribution ceiling. The circle of people with the willingness and ability to reach these thresholds is small. The Center for Responsive Politics disaggregates the numbers of people giving at least $70,800 to political committees or giving at least $46,200 to political candidates in the 2012 electoral cycle:
Contributions of $70,800 or more to all Democratic Party committees
Number of Donors:
Total Amount Given:
Contributions of $70,800 or more to all Republican Party committees
Contributions of at least $46,200 to all federal candidates (2012)
Total Donors:
Total Given to Democrats:
Total Given to Republicans:
It isn't impossible at all for Shaun McCutcheon (and the Republican National Committee) to win and overturn these aggregate limits. As they stand, the current makeup of the Supreme Court has been increasingly positively inclined to accept challenges to BCRA based on First Amendment free speech arguments, which is exactly McCutcheon's position. If he were to win, even if the limitation on contributions to individual candidates were kept, the unlimited contributions to candidates through multi-candidate committees would make the individual-candidate thresholds insignificant.
Is McCutcheon simply a step back into the pre-Watergate system of campaign financing? The trajectory seems to be toward big money dominating our electoral process. As much as there might be concerns about the electoral dominance of a number of individuals, even bigger is the relatively unrestrained giving of billion-dollar corporations going through PACs, political committees, and 501(c)(4) social welfare organizations. The following chart shows a baker's dozen of corporations described by the Center for Responsive Politics as the top all-time political donors (1989–2012) "heavy hitters" in terms of their political contributions—except for their donations to 501(c)(4)s, which technically are not consistently reported due to limitations on 501(c) confidentiality.
Tot. Sales
CEO Comp.
Political Giving (2012 cycle)
Giving to 527s (2012 cycle)
Lobbying Expenditures (2011-12)
$469.162b
$41.664b
$24.69b
Sources: Total sales from Foundation Directory Online; Political giving, giving to 527s, and lobbying expenditures from OpenSecrets.org; CEO compensation mostly from Forbes except as hyperlinked in compensation column
Corporate campaign donors have power to make or break political candidates. Just think about former representative Tom DeLay (R-TX), who may be considering a return to politics since a Texas court recently overturned his conviction for money laundering. Over the years, the top source of political contributions to his PAC and to his campaign was AT&T, the fourth largest was United Parcel Services, and the fifth was JPMorgan Chase.
Although very new on the political landscape, Senator Ted Cruz can count on Goldman Sachs, where his wife is a vice president. They ranked fourth in donors to his 2012 race for the U.S. Senate; they also gave Cruz what the Center for Responsive Politics described as a "margin loan" in the range of $100,000 to $250,000, which apparently increased to between $250,000 and $500,000, a substantial obligation for someone whose net worth was reported at $1.7 million. Remember, again, that Goldman Sachs as a corporation cannot and did not make direct contributions to Cruz's campaign, but the money would come through company PACs or from Goldman Sachs employees. No doubt some of them might be well disposed to benefit from a potential McCutcheon decision opening up their potential donations to any number of candidates.
While the meteoric rise of Ted Cruz may be of special interest due to his unique role in bringing the federal government to a grinding halt, these big corporate donors—and the wealthy individuals behind them—are hardly limited to supporting Republicans. Although Altria and United Parcel Service favor Republicans with their donations, the other corporations on the list generally split their moneys relatively evenly between the parties. Piercing the donation thresholds for big donors like Scott McCutcheon and others will unleash new money into campaign financing for politicians of both parties.
The interplay of Citizens United and a potential McCutcheon decision reflects the interplay of big money behind not just candidates, but between entities manipulating Congress to favor political wings, against electing members of Congress who see themselves as governing on behalf of all of the people. The recent turn in the Republican Party, where Tea Party types whipsawed the majority into inaction and occasional incoherence, evolved somewhat from the success of state Republicans at gerrymandering one-party districts that, in a few dozen cases, were captured not by Main Street Republicans, but by a segment leaning much further to the right—even though the Tea Party's support by the American public has been plummeting nationally. A major instrument for this has been the Republican State Legislative Committee, which has received significant corporate support in the past couple of electoral cycles:
Donations to RSLC (2014 election cycle to date)
Donations to RSLC (2012 election cycle)
Contributor/Employer
Occupation/Employer
US Chamber of Commerce
Reynolds American
American Justice Partnership
John Templeton Foundation
American Future Fund
Devon Energy
American Crossroads
Bernstein Litowitz Berger
Pharmaceutical Rsrch & Mfrs of America
Fox Group
Am Coalition for Clean Coal Electricity
Verizon Communications
United States Steel Corporation
Altria Client Services
Poarch Band of Creek Indians
American Tort Reform Assn
Wine and Spirits Wholesalers of America
UST Inc
American Gas Assn
Republican Governors Assn
Capital One Services
Comcast Corp
Comcast Cable Communications
Chesapeake Energy Corporation
Altria Corporate Services
Massachusetts Mutual Life Insurance
INSCAP Management
Troutman Sanders Public Affairs Group
Molina Health Care
America's Natural Gas Alliance
Continental Resources
ETC Capital
Rslc-Tennessee Pac
Pfizer Inc
Alliance Holdings Group
Novartis AG
Transalta USA
Intuit Inc
Source: OpenSecrets.org
Some might complain, quite rightly, that this analysis omits labor unions, which typically give to groups and candidates on the Democratic side. In the Center for Responsive Politics' list of 140 all-time top donors between 1989 and 2012, we counted 29 unions (including the AFL-CIO itself). But there are many more corporations available for political giving, with revenues and assets that dwarf anything that the unions and their members might be able to deploy.
Some might say that money is speech, and if people like Shaun McCutcheon (or his Democratic counterparts) and corporations like Walmart and AT&T have more speaking-money at their disposal than the rest of us, limited to our petty cash and vocal cords, such are the breaks. If one adds the corporate philanthropic largesse of these big corporations—which, as many have shown with Walmart, has helped keep a number of grantees quiet about the corporation's labor compensation policies—to their influence-wielding abilities, these corporate players have a lot of free speech to spend.
Foundation Grants
Other Disclosed Corporate Giving
$175.68m
$775.0m
Source: Foundation Directory Online
The influence of nonprofits in the guise of 501(c)(3) public charities is infinitesimally tiny compared to the resources of wealthy political donors, wealthy corporations, and even wealthy unions. The idea of opening up nonprofit revenues to direct campaign expenditures is, as we have noted, a fool's errand, likely to divert charitable money into political causes with little ability to amass enough capital to make a dent against these political actors of wealth. If nonprofits are truly cognizant of their sectoral interests in maintaining an engaged democracy populated by citizens who have voice that is not overwhelmed by big money, those nonprofits should be keeping a close eye on the McCutcheon decision and preparing to think through strategies of reducing money and elevating people as the building blocks of American democracy.
NPQ Positions on the Multidimensional Landscape of Nonprofits and Taxes
Georgia's 2018 Black Voter Suppression Efforts "Interwoven and Intentional"
By Diandria Barber
The Consequences of Weak Accountability: A Zoo Story
Why Did USA Gymnastics File for Bankruptcy?
By Erin Rubin
Another Pharma Charity Kickback Scheme Settled: Price Tag $360 Million
Winners Give More, But Their Giving Reinforces Elite Power

redpajama_set_name: RedPajamaCommonCrawl


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Many Small Cataclysms
Posted by Cha | On Sunday, 12 December 2010
The Border House recently posted a piece about the insults players of Facebook games are subjected to. I don't play games on Facebook myself (well, I clicked my cow a couple of times before forgetting about it, if that counts), but I appreciated the sentiment. I don't like it when people are judgemental about the recreational choices of others. Or, when all Facebook gamers are lumped in with the ones who neglected to feed their children (clearly a bit more going on there than just FarmVille).
After people who play Facebook games, the most maligned gamers are probably World of Warcraft players. Although "Go and play a real instrument!" must be up there somewhere, too.
WoW no longer does too much for me, and stopping playing was a catalyst for doing a whole lot of cool things. I developed positive associations about leaving, and suddenly being able to write more, look after my house better, discover new forms of play and imagination, and so on. But WoW wasn't stopping me from doing those things previously -- I was lacking in those areas before I started playing, too. If anything the game just left me restless to do and be more things.
Anything that takes up a lot of time leaves a hole to fill afterwards, and I'd just spent a couple of years killing furbogs training up in focus, exploration, and how life can be more exciting. Continuing those things in other ways was very natural. I sort of want to say continuing those things in better ways, but it's not better in an objective way, just further along in a process for me.
So, I've tried not to let leaving WoW turn me into an insulting WoW-hater, laughing at all the lab rats still clicking the button for food pellets. It's also worth acknowledging the process my WoW days were part of, and how much I needed that safer, more controllable form of human interaction at the time (as a supplement to other interactions, anyway).
An imaginary heckler in the background stands up and shouts that I'm just proving their point: WoW's a game for socially maladjusted losers like me. They are missing the point, of course. I have the same social issues with or without a game -- hell, I've had the same social issues for as long as I have memory, the only part that changes is my perception of myself. And I could still have enjoyed the game without my eccentricities. The heckler might want to consider their own inadequacies before having a go at mine. I'm not the one who is broken.
If WoW is enriching your life, providing moments of fun, reducing stress, building more co-operation, or whatever it is you're looking for then good for you.
So... when my partner reactivated his account why did I tense up, get upset, and almost explode? Why did I even make it my business? Am I bullshitting about still thinking it's okay to play WoW? And when did I become a nagging, worrying girlfriend?
Maybe I am bullshitting a little bit. I speak a basic truth, but I'm leaving out a lot of the complexity. WoW does have a darker side, though it isn't really black and white, either. Sometimes it's less enriching, and more a place to hide. I should know.
Sometimes hiding and escape are important -- taking some time out to recharge, build yourself up again, take yourself away from a problem. But the longer you hide away the harder it can be to re-emerge, and live openly again. Small problems can grow bigger -- monsters cast eerie shadows on life when you leave them to grow unchecked.
So, maybe I worry that someone I love might have a reason to hide, and what his secret motivations are. WoW was once part of a difficult phase in his life, so returning to it triggers my fears about his current self-esteem and state-of-mind. It's about meeting people, relaxing, and exploring a vast environment. But it's also been about the pain of long-term unemployment, and similarly problematic things.
I want to help, and even more I want to understand (now, and in the past). But if my path moves away from something, while someone else's path is circling back again, that doesn't have to mean they are going backwards. Only they can tell me, really, and I just have to learn more trust. Trusting that other people can make their own choices without getting horribly lost -- that seems like quite an ask. All things are processes.
It's Cataclysm week -- the first real test of my trust-building and acceptance. It's too early to say much about that, beyond fingers crossed.
I wrote this post earlier in the week, and since then there has been more discussion floating around, thanks to a new documentary on game addition. I think using the same term for psychological compulsion and chemical dependency is problematic, but that doesn't mean problem gaming doesn't exist, of course it does and it's worth trying to understand better.
I have no experience of the extremes, where people go without food and sleep, or otherwise seriously neglect important elements of their life. It's not something I'm qualified to say much about, but I do want to defend those individuals against being called losers, as Leigh Alexander does. That's just being flippant and arrogant.
These are still real people we're talking about. Having problems and vulnerabilities doesn't make someone a loser. So tempting, perhaps, to look down on those who currently have more blatant issues to overcome and feel superior. Easier than being supportive. And certainly easier than admitting that those people aren't actually so different. Anyone can end up in a bad place.
But I do agree it's no good sticking our fingers in our ears and being unwilling to talk about any possible harm games might cause. There's a lot of sensationalist stuff out there, but that doesn't mean it's all rainbows, either


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REDEMPTION-Movie.com
Knightsbridge Theatre Films
Scream at the Devil
Knightsbridge History
The Real War is Fought From Within
1865, the Civil War is finally at an end.
The last surviving members of the McPherson family journey to California in the hopes of finding a new life. On their journey they find that they are not alone...
The War may be over but their battle to survive has just begun.
1865, the American Civil War is at an end.
The last surviving members of the Southern, McPherson family are journeying to California in the hopes of starting a new life. Adius, a veteran of the war, is haunted by terrible memories of the battlefield, memories that he cannot chase from his mind. He leads his stoic but distant wife Sarah, young brother Abel, and Abel's child wife Lily from the ruins of their once wealthy estate in Georgia to the untamed west. The family travels by train as far as the rail lines will take them and then, with nothing but two horses to carry their minimal possessions, trek on to California.
On their journey Abel is instructed to tie off the horses one night but fails to do so and the next morning the horses are gone! The family is forced to continue their treacherous journey on foot. Tension rises as the McPhersons struggle on, battling the hostile elements and Adius' ever intensifying and reoccurring 'waking' nightmares. Hunger and exhaustion plague the family who are relieved to find a small shanty standing alone in the mountains. Unsure of what they will find but desperate for resources, they enter the 'shibang' and come face-to-face with the unexpected.
Anibal and his sons Carlo and Jesus are the last remaining survivors of a native 'Californio' family. They have a seething hatred for "Yankees," a term that they use for ALL Americans, the "Yankees" who stole their ancestral land. Anibal meets the McPhersons with a raging temper and quickly the two families are caught up in a dangerous shoot-out. The McPhersons have no choice but to run for their lives and are chased for miles into the rugged mountains but are unable to escape. Adius realizes that they must stand and fight to stay alive. In the ensuing gun battle he is shot in the stomach as Sarah is forced to shoot and kill Carlo. Anibal is devastated and enraged but his youngest son, Jesus, begs him to stop the killing. In the end, Jesus is forced to shoot his own father in the leg to allow time for the McPhersons to escape. The family can only continue a short distance before Adius, severely bleeding, must stop. Near death, Adius makes his peace with God, Sarah, Abel and Lily and serenely passes away.
Sarah mourns Adius' death while Abel and Lily, fearful that Anibal will find and kill them, demand that they keep moving on. Wanting to return to Georgia, Lily explodes at Sarah, causing a rift in the family. With their leader gone, tension rises and hope fades while Sarah finds herself ostracized and ignored. As the family hikes along a cliff, Sarah loses her footing and slides over the edge. Abel runs to help her and just as she slips away from his grasp a second pair of hands help lift her to safety. It is Jesus. He admits that he has been following them, claiming he has come to help. Scared and enraged, Sarah and Abel beat Jesus within an inch of his life, horrifying Lily, who begs them to let Jesus live, reminding them that it was he who allowed their escape from Anibal. Jesus is spared and now, also running from his own father, stays with the McPhersons.
Fearful of Anibal picking them off one by one, Abel decides that they must retrace their steps in order to confront him. They return to Adius' grave and encounter a crazed Anibal and the family is chased, bullets at their heels. Finally, Anibal catches up to them on a high cliff where he traps Abel and tries to force him to fight. Just as Anibal aims his pistol at Abel, point blank, Sarah interrupts with a shotgun blast of her own. She has fired to stop the madness and shouts to Anibal that she is the one who killed his son. Desperate to save Abel and knowing that Anibal will never stop hunting them for his revenge, Sarah lets herself fall from the cliff. This act of selflessness shatters Anibal's sense of honor and he lets Abel and Lily go.
Months later, Abel and a pregnant Lily finally find their way to the Pacific Ocean, the last remaining survivors of a once great family. Now at the end of their journey but the beginning of their lives together, the young family will start a new adventure in this strange world of California. They have found one thing they never knew they were looking for – the REDEMPTION of their very souls.


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Shmoo Ritchie Live performance Setlists
In shmoop term paper service
The 3MTS Shmoo Software is a vital aide in check parametric sweeps and Shmoo plotting the take a look at results at actual time. Living systematic opinions address similar research questions as PMAs (high precedence questions with inconclusive proof in an active analysis area). Desk 1 shows an in depth comparison of the options and advantages and drawbacks of PMAs, multicentre research, and retrospective meta-analyses. Shmoo (from the comic strip "Li'l Abner" by Al Capp) a small, gourd-formed legendary animal with a face considerably like that of a seal, whose productiveness and generosity fulfill all human needs.
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Although my lecturers and textbooks presented a good amount of information, these guides served as glorious dietary supplements to round out my understanding of the themes. They nonetheless have teachers in the classroom that are teaching, but the quantity of on-line content that they provide in the classroom is way greater than what they are using from a textbook, for instance.
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With 5 tackles, two tackles for a loss, a sack and a knockout blow, Clowney cemented his place as one of the worst villains in Philly sports activities historical past — up there with former Panthers linebacker Greg Favors, who injured Donovan McNabb with a questionable hit during the 2003 NFC Championship game. By a wierd accident, I learn this ebook while on a go to to the Falkland Islands, where the British victory over Argentina within the 1982 warfare feels as though it might have occurred last week.
Of course the Shmoos proved too good for humanity's sake and therein was the idea for Capp's final (and tragic) satire. Refusal to collaborate is much less seemingly in a PMA than in a retrospective individual participant knowledge meta-analysis as reaching settlement to share knowledge is easier if studies are in their planning phases and might still be amended and harmonised after internal discussions.
College students have developed their own sense of shmoop for studying e-book summaries on Shmoop in lieu of the particular e book" (e.g., I shmooped The Great Gatsby … hope it's enough for the quiz). A research workforce planning a PMA can play an lively role in motivating other researchers to conduct similar research addressing the same analysis query. Shmoop articles are authored by lecturers (high school or school stage), Ph.D. and grasp's students (e.g., Stanford, Harvard, and Yale).
If sufficiently-large ranges of the two independent variables had been to be tested, a traditional shmoo plot would show an operating envelope of some form not unlike Al Capp's Shmoo , but in apply, this would possibly harm the device under take a look at , and finer-grained views are of rather more curiosity, significantly specializing in revealed component margins (e.g., – 5% Vcc).
The plot takes its identify from the Shmoo , a fictional species created by Al Capp within the cartoon Li'l Abner These small, blob-like creatures have shapes just like the "working" volumes that might be enclosed by shmoo plots drawn against three independent variables (such as voltage, temperature, and response speed). I too began writing the assignments on my own, nonetheless not completely satisfied that they'd have the flexibility shmoop college to complete each assignments on time without any error.
For PMAs of interventional research, a de novo PMA is similar to a multicentre trial: the included trials typically share a typical protocol, and usually the examine population, interventions, and outcome assortment are fully harmonised. As a substitute, direct teenagers to library sources (e.g., BrainFuse, Testing and Schooling Reference Center or Learning Categorical) for that type of assist.
Shmoop affords check prep for each examination under the solar, in addition to curriculum, online programs, and more for grades 3-12. Buyer Help personnel are available from eight:00 A.M. to six:00 P.M. U.S. Central Time, Monday-Friday. The final PMA protocol must be publicly out there on the worldwide prospective register of systematic critiques, PROSPERO 17 (which helps registration of PMAs), earlier than the outcomes (relating to the PMA analysis query) of any of the included studies are known.
The corporate presently only caters to excessive-faculty college students. Our firm has been flourishing in the faculty paper writing marketplace for over a decade now, but we're removed from sitting again and relaxing, passively having fun with the fruits of our toils. Shmoop provides lots of of 1000's of pages of original content material. Schools have spent—and academics have spent— a whole bunch of years perfecting the ability to show info to a learner.
It is a good selection for these college students who have no time to do secure evaluation or do not know the right way to do it the suitable method. 20 Limiting the search by date can be useful (eg, solely studies registered inside a reasonable time-frame, taking into consideration the expected examine duration and comply with-up instances) to scale back the search burden and exclude studies registered earlier that might seemingly be completed and thus ineligible for a PMA.
He wanted to be taught in possibly a unique method or needed to step again six months and possibly educate him among the issues that he is missed and in case you can customize a few of that learning in the classroom from a recovery standpoint, from an evaluation standpoint, you possibly can actually get miles forward by serving to that learner progress and the lecturers want that flexibility and freedom to take action.
As well as the PRISMA gadgets, authors of PMAs need to report on identification of planned and ongoing studies, the PMA timeline, collaboration policies, and outcome harmonisation processes. The web site is a exceptional examine guide for students. Rollicking teaching guides for literature, civics, historical past, economics, digital literacy, and math, each with activity ideas, studying quizzes, and discussion questions.
With extra schools requiring proctored exams, Shmoop is dedicated to delivering rigorous and engaging coursework with the additional sprint of online safety that college students need. Get pleasure from 5 scrumptious flavours; Strawberry, Chocolate, Banana, Vanilla & Cappuccino, together with FREE disposables every time you order a tub of Shmoo Mix. Shmoop runs various pop-up advertisements and options that slide in from the margins, which typically block content material.
I am not a sixteen-year-outdated making an attempt to understand The Scarlet Letter, so I many not be the best judge of whether the fashion engages college students more, however there are times when the snark and pop culture references take over and it's important to really focus to dig out the content. It is because mammalian cells and yeast cells contain many of the same proteins, which work together in a series reaction to trigger a call within the cell.
And they are obtainable in various platforms today like smartphones and tablets with the assistance of e-e-book reader apps Be it a interest, a pastime, or even a career, reading presents numerous benefits and the love for books would all the time remain basic. The lighthearted approach to instructing, crammed with jokes, could make the study process simpler for college kids.
Shmoop, or Schmoop, as it is often referred to, is a complete study device designed for faculty college students. DoubleClick cookies comprise no personally identifiable info. However it comports with broader San Francisco bicycling ridership data collected by The Metropolis and highlights a crucial aim of Mayor London Breed and city companies to draft more ladies cyclists by making bicycling safer.
I started reading this e book on Saturday morning and only stopped reading it to sleep. The San Francisco Bicycle Coalition told the Examiner its membership is roughly 35 p.c ladies, which is higher than the proportion of girls who bike in San Francisco. And that is in essence the core message of The Obstacle Is The Manner , and the ebook illustrates with tales from the history's biggest men and women—from Amelia Earhart to Steve Jobs to Teddy Roosevelt—this timeless precept.
In her essay, Morrison distinguishes between history and reminiscence: Relating to black People, inherited memory is more necessary, and extra true, than history, because they are treated like "objects of historical past, not topics within it." Coates writes too of "heroes who did not reside in books, but in our talk; a whole world of our own, hidden away from them, and to be a part of that world, I felt even then, was to be in on a secret, a secret that was in you." This collective reminiscence is also part of the ability needed to realize conduction.


Angier Performance Works are large-scale performances for visual art and theatre venues as well as public sites. These intuitively driven works are created by D. Chase Angier in collaboration with dynamic artists across disciplines, and have been exhibited nationally and internationally (including Iceland, Japan, Czech Republic, Germany, Mexico, the United Kingdom).
D. Chase Angier along with Serge Von Arx, are Co-Curators for Formations, a showcase of site-responsive contemporary performance at the Prague Quadrennial in 2019. She is an elected member of the NYSCA/NYState DanceForce, and the curator of the Marlin Miller Dance Residency Program. As a tenured Professor of Dance at Alfred University, she has developed a unique program based on creative place making, site-specific choreography and interdisciplinary performance. Angier has received numerous awards for her artistry and teaching; she earned her MFA in choreography from The Ohio State University and a BA in dance from The University of California, Los Angeles. For more information, please see: angierperformanceworks.com, astheairmovesbackfromyou.com, lettertotheworldproject.com and Angier Performance Works on Facebook.


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text:
package com.example.yeelin.projects.betweenus.data.fb.model;

import android.os.Parcel;
import android.os.Parcelable;

import com.example.yeelin.projects.betweenus.data.LocalPhoto;

/**
 * Created by ninjakiki on 11/13/15.
 */
public class FbPhoto implements LocalPhoto {
    private final String id;
    private final String name;
    private final int height;
    private final int width;
    private final FbPhotoImages[] images;

    //derived member variable
    private String sourceUrl;
    private String highResSourceUrl;

    public FbPhoto(String id, String name, int height, int width, FbPhotoImages[] images) {
        this.id = id;
        this.name = name;
        this.height = height;
        this.width = width;
        this.images = images;
    }

    /**
     * This will be used only by the creator to reconstruct from the Parcel
     * @param in
     */
    protected FbPhoto(Parcel in) {
        id = in.readString();
        name = in.readString();
        height = in.readInt();
        width = in.readInt();
        images = in.createTypedArray(FbPhotoImages.CREATOR);
        //in.readTypedArray(images, FbPhotoImages.CREATOR);
        sourceUrl = in.readString();
        highResSourceUrl = in.readString();
    }

    /**
     * This is required for deserializing data stored in Parcel
     */
    public static final Creator<FbPhoto> CREATOR = new Creator<FbPhoto>() {
        @Override
        public FbPhoto createFromParcel(Parcel in) {
            return new FbPhoto(in);
        }

        @Override
        public FbPhoto[] newArray(int size) {
            return new FbPhoto[size];
        }
    };

    /**
     * Describes the contents of the object being parcelled.
     * @return
     */
    @Override
    public int describeContents() {
        return hashCode();
    }

    /**
     * Actual object serialization happens here. Each element of the object is
     * individually parcelled.
     * @param dest
     * @param flags
     */
    @Override
    public void writeToParcel(Parcel dest, int flags) {
        dest.writeString(id);
        dest.writeString(name);
        dest.writeInt(height);
        dest.writeInt(width);
        dest.writeParcelableArray(images, flags);
        dest.writeString(sourceUrl);
        dest.writeString(highResSourceUrl);
    }

    public String getId() {
        return id;
    }

    public String getName() {
        return name;
    }

    public int getHeight() {
        return height;
    }

    public int getWidth() {
        return width;
    }

    public FbPhotoImages[] getImages() {
        return images;
    }

    @Override
    public String getSourceUrl() {
        return sourceUrl;
    }

    public String getHighResSourceUrl() {
        return highResSourceUrl;
    }

    @Override
    public String getCaption() {
        return name;
    }

    @Override
    public String getAttribution() {
        return null;
    }

    public void setSourceUrl(String sourceUrl) {
        this.sourceUrl = sourceUrl;
    }

    public void setHighResSourceUrl(String highResSourceUrl) {
        this.highResSourceUrl = highResSourceUrl;
    }

    /**
     * FbPhotoImages
     */
    public static class FbPhotoImages implements Parcelable {
        private final int height;
        private final int width;
        private final String source;

        public FbPhotoImages(int height, int width, String source) {
            this.height = height;
            this.width = width;
            this.source = source;
        }

        /**
         * This will be used only by the creator to reconstruct from the Parcel
         * @param in
         */
        protected FbPhotoImages(Parcel in) {
            height = in.readInt();
            width = in.readInt();
            source = in.readString();
        }

        /**
         * Actual object serialization happens here. Each element of the object is
         * individually parcelled.
         * @param dest
         * @param flags
         */
        @Override
        public void writeToParcel(Parcel dest, int flags) {
            dest.writeInt(height);
            dest.writeInt(width);
            dest.writeString(source);
        }

        /**
         * Describes the contents of the object being parcelled.
         * @return
         */
        @Override
        public int describeContents() {
            return hashCode();
        }

        /**
         * This is required for deserializing data stored in Parcel
         */
        public static final Creator<FbPhotoImages> CREATOR = new Creator<FbPhotoImages>() {
            @Override
            public FbPhotoImages createFromParcel(Parcel in) {
                return new FbPhotoImages(in);
            }

            @Override
            public FbPhotoImages[] newArray(int size) {
                return new FbPhotoImages[size];
            }
        };

        public int getHeight() {
            return height;
        }

        public int getWidth() {
            return width;
        }

        public String getSource() {
            return source;
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Borisav Jović (serbio cirílico Борисав Јовић, ) (Batočina, Reino de los Serbios, Croatas y Eslovenos, 19 de octubre, 1928-Belgrado, Serbia, 13 de septiembre de 2021) fue un economista, comisario político, escritor, diplomático y político serbio y yugoslavo, quien fue embajador de Yugoslavia en Italia desde mediados hasta finales de los años 1970. Fue el representante serbio de la Presidencia Colectiva de Yugoslavia a fines de los años 1980, y a principios de los años 1990, fue el presidente de Yugoslavia.

Biografía
Jović fue un aliado cercano y asesor de Slobodan Milošević, a quien ayudó a alcanzar el poder durante la revolución antiburocrática. Se desempeñó como presidente de la Presidencia Colectiva de Yugoslavia desde mayo de 1990 hasta mayo de 1991. En su libro, Poslednji dani SFRJ (Belgrado, 1995), Jović describe cómo a fines de junio de 1990, luego de la victoria electoral en las repúblicas federadas de Eslovenia y Croacia de las fuerzas independentistas, propuso a Milošević y al ministro de defensa federal, Veljko Kadijević, que "echaran a Eslovenia y Croacia de Yugoslavia" mediante el uso de la fuerza, y mantener las áreas de Croacia pobladas por los serbios, a lo que Milošević aceptó. Poco después de esa reunión, Jović comenzó a implementar la estrategia que llevó al fin del estado federal yugoslavo. Jović es conocido por ayudar a negociar el Acuerdo de Brioni a principios de julio de 1991, que dio a Eslovenia su independencia después de la Guerra de los Diez Días.

Cerca del final de su mandato en la presidencia rotativa, su sucesor, Stjepan Mesić, un croata, fue bloqueado para tomar la presidencia por cuatro de los ocho miembros de la misma, que por lo tanto habrían violado el acuerdo constitucional para la rotación. A mediados de 1991, cuando aumentaron las tensiones que llevaron a la Guerra de Independencia de Croacia Jović intentó adoptar poderes de emergencia que permitiesen al Ejército Popular Yugoslavo tomar el control de las repúblicas de Croacia y Eslovenia que declararon unilateralmente su independencia. Se requirió un voto de 5 de los 8 miembros de la Presidencia, teniendo Serbia influencia política sobre los votos de Montenegro, Vojvodina y Kosovo, y supuso que el delegado serbio que representaba a Bosnia y Herzegovina votaría por el plan. El plan fracasó cuando el delegado de los serbios de Bosnia, Bogić Bogičević, se negó a votar por el plan.

En el documental de la BBC de 1995, La muerte de Yugoslavia, Jović describió a los entrevistadores su percepción de los eventos que tuvieron lugar y que eventualmente provocaron la ruptura de la República Federal Socialista de Yugoslavia y las posteriores Guerras Yugoslavas. Durante esta entrevista, así como en su testimonio ante el Tribunal Penal Internacional para la antigua Yugoslavia, Jović describió las acciones de los líderes yugoslavos que condujeron a la formación del ejército de los serbios de Bosnia. Jović afirmó que estas acciones se decidieron en una discusión privada que sostuvo con el presidente serbio Milošević. Según Jović, se dio cuenta de que Bosnia y Herzegovina estaba a punto de ser reconocida por la comunidad internacional, y como las tropas del Ejército Popular Yugoslavo aún estaban ubicadas allí en ese momento, su presencia en el territorio bosnio podría haber llevado a la República Federativa de Yugoslavia a ser acusada de agresión.

Murió el 13 de septiembre de 2021 a los 92 años en el Military Medical Centre Karaburma de Belgrado luego de una larga lucha contra el coronavirus.

Referencias

Enlaces externos

Comunistas de Yugoslavia
Políticos de Yugoslavia
Alumnado de la Universidad de Belgrado
Escritores de Serbia del siglo XX
Embajadores de Yugoslavia
Fallecidos por pandemia de COVID-19 en Serbia
Fallecidos en Belgrado

redpajama_set_name: RedPajamaWikipedia


How do you chat with/PM other users?
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None of us needs reminding that everyone is a person, with hopes, dreams, duties, rights, a family, a heritage - except when we do. No matter our education, there is always somewhere that's known to us, yet far enough away to be shrouded in mystery, its people along with it. For the average person, Iran is just that place - we know it from the outside, for the politics that come from it and the politics that are directed at it. We know it as an entity rather than a society. Rightly or wrongly, this is all that our regular sources of enlightenment tell us. Enter Citizen.
Inspired by political events that have shaped her life and that of others, Sepy Baghaei's mission is to lift some of that mystery off the place and its people, and explore what it means to be dual-heritage Iranian in a world of preconceptions, and sometimes hostility too. At times serious and at others disarmingly light-hearted, Citizen aims to bring the culture to life, employing a healthy dose of Persian self-deprecation on the way.
The production contains Farsi language throughout, a good decision which served to add authenticity and atmosphere to the experience. The use of fables was also effective in conveying what it means to have a mixed heritage - particularly in terms of not knowing quite where you belong, something that anyone 'from' more than one place can relate to. A particularly strong segment was the 'token ethnic' in the workplace, a concept that every culture is all too familiar with, first hand or otherwise.
The decision to use a wide range of media - songs, stories, imaginary scenarios to name but three - serves to break the piece up and ensure variety, though at times it feels that this has been taken too far, leaving the production feeling somewhat disjointed. There were moments when I wasn't sure whom I was watching and whether the scene related to anything that had happened previously - and as soon as you have an audience member wondering whether they've missed something, you have an audience member in danger of drifting.
The house layout raised some questions – a lot of the action took place on the main stage, to the side of the audience, which was seated in facing rows with a further performing space in between them. This meant that we were craning our necks for a large part of the play, with the action unnecessarily far away. The rationale was unclear, as both spaces were host to the full range of elements – personal, theatrical, loud, quiet – and it did leave me wondering whether the production would have worked better in a smaller venue rather than trying to fill the generous room at The Space. That said, all three actors filled the room well with their projection, ensuring that nothing went unheard, aside from a couple of occasions when shouting over music.
I also wonder what decision was behind the use of a tablet to display the names of the characters that Nalân Burgess was playing – sure, it served its purpose in ensuring that we knew what public figure we were watching, but it felt clunky and distracting, and I couldn't help thinking that her confidence in her performance ought to have made it unnecessary.
The production repeatedly returns to the story of Behrouz Boochani, who was held in Australia's Manus Island detention centre - David Djemal's portrayal of quiet stoicism in the face of degrading conditions and inhumane treatment is fitting, but would have benefitted from much more variation in pace and volume. This repeated segment ought to move and shock in its later stages; not merely tell a distant story. The same applies to the stories of families separated unexpectedly in a changing political environment - for a cast deliberately chosen for its mixed heritage and all the experiences that come with it, a lot of the portrayal didn't feel poignant. When it comes to emotional connection, the main danger with such a production is that it absolutely does appeal to anyone with a relatable past, but then falls short in reaching those who have come to learn - and those latter people are surely the main target?
If the purpose of Citizen is to educate then it serves it, and anyone going will feel entertained, enlightened and eager to know more. Its cast is versatile and clearly heavily invested in the piece. However, for such an emotive topic, there were missed opportunities to make it the moving, revelatory piece that it could be.
Citizen opened on 24th April and runs until 5th May 2018 at The Space.


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text:
Музе́й исла́мской культу́ры () — одно из музейных подразделений музея-заповедника «Казанский кремль». Музей находится на цокольном этаже мечети Кул-Шариф, расположенной на территории Казанского кремля, и действует с 21 февраля 2006 года. Это единственный в России музей, посвящённый истории и культуре ислама у тюрко-татарских народов Поволжья и Приуралья.

Основной целью работы музея является осуществление научно-просветительской, научно-исследовательской и образовательной деятельности, выявление и комплектование музейных предметов и музейных коллекций по истории и культуре Ислама и мусульманской цивилизации в Среднем Поволжье, их изучение и публичное представление. Обновленная в апреле 2014 года экспозиция музея раскрывает специфику татарского восприятия ислама и вклад татар в общую культуру ислама, показывает ислам как источник образования, культуры, богатой письменной традиции, а также как важный фактор в формировании татарской нации и национальной идентичности.

Экспозиция
Экспозиция музея представлена тремя основными разделами:
 «Мусульманская цивилизации Поволжья: от Булгара до Казани»,
 «Ислам от эпохи реформаторства до современности (вторая половина XVIII — начало XXI вв.)»,
 «Книжная культура татарского народа».

Предметный ряд экспозиции дополнен мультимедийными экспонатами, среди которых интерактивный «Листающийся Коран», инсталляция «Казанский Кремль в XV—XXI вв.» (реконструкция архитектурного облика «Казанского Кремля» в формате 3D), Интерактивное окно в «Кабинете просветителя» с видами старой Казани, проекция «Урок в медресе» (шакирды учат азан — призыв к молитве), компьютерная инсталляция «Поющий шамаиль». Также в составе экспозиции имеются подарочные издания Корана на разных языках мира.

Ссылки
 Сайт музея
 Страница Вконтакте
 Музей исламской культуры на портале Музеев России

истории религии
истории религии
Музеи, основанные в 2006 году
Казанский кремль
Ислам в Казани