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לקופפרמן היו תערוכות רבות בארץ ובחו"ל, תערוכות יחיד ותערוכות קבוצתיות.
באתר מובאות רשימות של תערוכות נבחרות. רשימה מקיפה ניתן למצוא באוסף קופפרמן.
Selected Solo Exhibition
Selected Group Exhibition
Ghetto Fighters' House Museum (The Yitzhak Katznelson Holocaust and Resistance Heritage Museum, Kibbutz Lohamei Haghetaot, Israel
"Oil Paintings," The Chemerinsky Art Gallery, Tel Aviv, Israel
Ghetto Fighters' House Museum, Kibbutz Lohamei Haghetaot, Israel
"Kupferman" The Israel Museum, Jerusalem, Israel
curator: Yona Fischer (Catalogue)
"Drawings", Mabat Gallery, Tel Aviv, Israel
* "Oil Paintings", Gordon Gallery, Tel Aviv, Israel
* Ghetto Fighters' House Museum, Kibbutz Lohamei Haghetaot, Israel
* "New Works", Museum of Modern Art, Haifa, Israel curator: Gabriel Tadmor (Catalogue)
* "Pencil – Acrylic – Pencil", Gordon Gallery, Tel Aviv, Israel
* Rina (Bertha Urdang) Gallery, New York, U.S.A and Jerusalem, Israel
Rina (Bertha Urdang) Gallery, New York, U.S.A (Catalogue)
* "Painting and Sculpture", Kibbutz Gallery, Tel Aviv, Israel
* Gida Gallery, Jerusalem, Israel
* "Ten Drawings", Rina (Bertha Urdang) Gallery, New York, U.S.A
"Drawings", Sarah Levi Art Gallery, Tel Aviv, Israel
"Five Paintings, Nine" Drawings Bertha Urdang Gallery, New York, U.S.A (Catalogue)
* "Lithographs", Sarah Levi Art Gallery, Tel Aviv, Israel
* "Divided Pages", Sarah Levi Art Gallery, Tel Aviv, Israel
* "Kupferman", Tel Aviv Museum of Art, Israel curator: Sarah Breitberg (Catalogue)
* "Populated Pages", Gimel Gallery, Jerusalem, Israel
* "Sensible Exploration", The University Art Gallery, Ohio State University, Columbus, Ohio, U.S.A curator: Betty Collins
* Bertha Urdang Gallery, New York
* "Divided Pages Continued", Sarah Levi Art Gallery, Tel Aviv, Israel
* "Matrix 61", Wadsworth Atheneum, Hartford, Connecticut, U.S.A curator: Andrea Miller-Keller
* "Works on Pepar: Prints and Drawings 1972-1980", Stedelijk Museum, Amsterdam, Holland;
Tranegarden Art Library, Copenhagen, Denmark; National museum, Stockholm, Sweden curators: Ad Petersen, Yona Fischer (Catalogues)
* Shirley Cerf Gallery, San Francisco, U.S.A
* Sarah Levi Art Gallery, Tel Aviv, Israel
* Noemi Givon Contemporary Art Gallery, Tel Aviv, Israel
* "Painting in Times of Collapse", Noemi Givon Contemporary Art Gallery, Tel Aviv, Israel
* "two Exhibitions in One" Givon Art Gallery and Noemi Givon Contemporary Art Gallery, Tel Aviv, Israel
"Paintings, Works on Paper, 1963-1984", The Israel Museum, Jeruusalem; Tel Aviv Museum of Art, Israel curator: Yona Fischer (Catalogue)
"Works in Oil", Sarah Gilat Gallery, Jerusalem, Israel
* "Papers", Givon Art Gallery, Tel Aviv, Israel
* Kibbutz Be'eri Gallery; Kibbutz Na'an Gallery; Kibbutz Givat Brenner Gallery, Israel
* Paintings, Works on paper", Musee national d'Art moderne, Centre Georges Pompidou, Paris, France curators: Alfred Pacquement, Yona Fischer (Catalogue)
Weinberger Gallery, Copenhagen, Denmark
* "Recent Works on Paper" Gimel Gallery, Jerusalem, Israel
* "Three '88 and Other Papers" Kibbutz Lohamei Haghetaot Gallery, Israel curator: Avi Hurwitz
* "Canvases" Givon Art Gallery, Tel Aviv, Israel
* "Works on Paper", Gimel Gallery, Jerusalem, Israel
* FIAC '90, Grand Palais, Paris, France (by Galerie Jacquester, Paris)
* Galerie Jacquester, Paris, France
* Musee d'Art contemporain, Dunkerque, France
* "Encounters: Picture, 1969-1990", Atelier Kupferman and Kibbutz Lohamei Haghetaot Gallery, Israel curator: Avi Hurwitz
* "Between Oblivion and Remembrance: Oil Paintings and Works on Paper 1972-1991" North Carolina
Museum of Art, Raleigh, North Carolina, U.S.A; Albright-knox Art Gallery, Buffalo, New York, U.S.A curators: John Coffey II, Douglas Schultz (Catalogue)
* "Paintings", Givon Art Gallery, Tel Aviv, Israel
* "Works on Paper", Teaching Gallery of the Art Department, University of Haifa, Haifa, Israel curator: Avishai Eyal
* "Twenty-One Years of Paintings and Works on Paper", Bertha Urdang Gallery, New York, U.S.A
* Shigeru Yokota Gallery, Tokyo, Japan (Catalogue)
* "Scrolls and Other Possibilities" Sarah Levi Art Gallery, Tel Aviv, Israel
* "Works on Paper" Museum Sztuki, Lodz, Poland curator: Jaromir Jedlinski, Yona Fischer (Catalogue)
* "Oil Paintings" Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland curator: Yona Fischer
* Weinberger Gallery, Copenhagen, Denmark
* "Drawings / Dessins" (with Jacob El Hanani), Centre des Arts Saidye Bronfman, Montreal, Kanada curator: Marge Goldwater (Catalogue)
* "Marginal Works" Kibbutz Lohamei Haghetaot Gallery, Israel curator: Noh Melamed
* The Studio, Gallery for Drawing and Works on Papers, Ra'anana, Israel Curator: Gabi Ben Jano
* Studio bocchi, Rome, Italy (within the framework of the Israeli Art Month in Rome)
* International Art Fair, Basel, Swisslend (by Givon Art Gallery, Tel Aviv)
* "Work on Paper", The Gallery of Israeli Art, Memorial Center, Kiryat Tivon, Israel curator: Esti Reshef
* "Observation: Recent Years", Bar David Museum, Kibbutz Bar'am, Israel
* Shigeru Yokota Gallery, Tokyo (within the framework of the exhibition series PAX, marking 50 years of the bombing of Hiroshima)
* "Encounters" Givon Gallery, Tel Aviv, Israel
* "Four Canvases – Confronting You", Kibbutz Lohamei Haghetaot Gallery, Israel curator: Noh Melamed
Shigeru Yokota Gallery, Tokyo, Japan
* "Work Diary – Screenprints 1996-1998", Tel Aviv Museum of Art & Har-El Printers and Publishers, Israel curator: Edna Moshenson (Catalogue)
* "Oil on Canvas" Kibbutz Lohamei Haghetaot Gallery; "Works on Paper, Scrolls Small Works" Gallery of Israeli Art, Kibbutz Cabri, Israel curators: Noa Melamed; Drora Dekel
* "Six Scrolls: In Memory of Avi Hurwitz on the Second Anniversary of His Death" Kibbutz Lohamei Haghetaot Gallery, Israel curator: Noa Melamed
* "Painting, Works on Paper, Scrolls" Moore College of Art and Design, Philadelphia; Cleveland Center for Contemporary Art, Cleveland, Ohio, U.S.A (Catalogue) curators: Yona Fischer, Jill Snyder
* "Les Megillot de Moshe Kupferman", Musee d'Art et d'Histoire du Judaisme, Paris, France Curators Nathalie Hazan – Branet, Yona Fischer (Catalogue) (within the framework of the Israeli Season in France – "Israel au miroir des artistes")
"Navigator", The Rachel and Israel Pollak Gallery, Kalisher School of Art, Tel Aviv, Israel curator: Pesach Slabosky
* "The Rift in Time" Givon Gallery, Tel Aviv, Israel curator: Shmuel Givon (Catalogue)
* "Paintings After A Caged Bird, The Last Book of Poems by Yair Horwitz: in His Memory" The Border Museum, Metulla, Israel curator: Naomi Aviv (within the framework of the "Poetry 2000" festival)
* Work on Paper" Kibbutz Be'eri Gallery, Israel
Atelier Moshe Kupferman Kibbutz Lohamei Haghetaot, Israel Curatr: Eitan Hillel
"Moshe Kupferman, Works from 1962 to 2000" The Israel Museum, Jerusalem, Israel curator:Yona Fischer
"Moshe Kupferman", Serralves Museum of Contemporary Art, Porto, Portugal
"Exhibition of the Workers' Settlements" Tel Aviv Museum Dizengoff House Tel Aviv, Israel
"Ecole de Paris: Peintres Israeliens", Galerie Charpentier, Paris, France curator: Haim Gamzu
"outlook" Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv Museum
"The Autumn Salon" Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv Museum
"Israel on Paper" San Francisco Museum of Art, San Francisco, California, U.S.A curator: Bertha Urdang
"A Leap of Faith", State University of New York, Albany, U.S.A curator: Bertha Urdang
Rina (Bertha Urdang) Gallery, New York, U.S.A
* "Four Artists from the Museum's Collection" The Israel Museum, Jerusalem, Israel curator: Yona Fischer
* "Beyond Drawing", The Israel Museum, Jerusalem, Israel curator: Meira Perry
Three Israeli Artists: Gross, Neustein, Kupferman", Worcester Art Museum, Worcester, Massachusetts, U.S.A. Curator: Richard Stuart Teits
"10 Kunstnere fra Israel (10 Artists from Israel", Louisiana Museum of Modern Art, Humleback, Denmark; curators: Hugo Arne Buch, Yona Fischer
"From The Collection of Dr. Moshe Spitzer", The Israel Museum, Jerusalem, Israel curator: Meira Perry Lehaman
"Seven Artists in Israel 1948-1978", Los Angeles, County Museum of Art, Los Angeles, U.S.A, Brooklyn Museum, New York, U.S.A; curators: Stephanie Barron, Maurice Tuchman
* Graphics Biennial, Tokyo, Japan
* Graphics Biennial, Bradford, England
* "Marking Black", The Bronx Museum of the Arts, New York, U.S.A
* "Artists from Israel" Memorial Art Gallery, Rochester University, New York, U.S.A curator: Bertha Urdang
* "Lines into Drawing", The Israel Museum, Jerusalem, Israel curator: Meira Perry Lehaman
* "Trends in Israeli Art, 1970-1980", International Art Fair, Basel Curator: Michael Levin
"Artists of Israel: 1920-1980", The Jewish Museum, New York; Tucson Museum of Art, Tucson, Arizona; Memorial Art Gallery, Rochester University, New York; Metropolitan Museum and Art Center, Coral Gables, Florida; curator: Susan Tumarkin – Goodman
* Graphics Biennial, Bilbao, Spain
* "Artists Tribute to Bertha Urdang", The Israel Museum Jerusalem, Israel curators: Yigal Zalmona, Judith Spitzer
* "Drawings, 1974-1984", Hirshhorn Museum and Sculpture Garden, Washington, D.C. , U.S.A curator: Frank Gettings
* "Kunst in Israel (Art in Israel) 1906-1985" Koninklijk Museum voor Schone Kunsten, Antwer curator: Yigal Zalmona
"Milestones in Israel Museum, Jerusalem, Israel curator: Yigal Zalmona
* "The Want of Matter A Quality in Israeli Art", Tel Aviv Museum of Art, Tel Aviv, Israel curator: Sarah Breitberg-Semel
* "Color Territories: The Israeli Pavilion", Venice Biennale curator: Yona Fischer1987
* Drawing – Invitational: Exhibition from New York, U.S.A ", Ewan Doherty Gallery, Municipal Art Institute, Sydney, Australia curator: Bertha Urdang
* The Disciplined Spirit", Exit Art Gallery, New York, U.S.A curator: Bertha Urdang
* FIAC '87 (by Galerie Jacquester, Paris, France)
* "80-Luvun Taidetta Israelista / 80-TAls – Konst fran Israel", Helsingin Taidehalli, Helsinki, Finland; Lunds Konsthall, Lund, Sweden curators: Neomi Assaf, Yigal Zalmon
* "Kunst aus Israel: Vier zeitgenossische Kunstler aus der Sammlung Charles Mayorkas, Zug", Kunsthus, Zug Switzerland, Nikolaj Church, Copenhagen, Denmark curator: Lise Funder
* "In Shadow of Conflict Israeli Art, 1980-1989" The Jewish Museum New York, U.S.A curator:Susan Tumarkin – Goodman
* Contemporary Israeli Art" Konsthallen, Stockholm, Sweden curator: Viveca Lindenstand
* "Art from Israel: Dorchin, Gershuni, Kupferman, Lavie, Uri", Nikolaj Church, Copenhagen, Denmark curator: Lise Funder
* "Chagall to Kitaj: Jewish Experience in 20th Century Art", Barbican Art Gallery, London, Englend curator: Avram Kamft
* "Art in Israel Today", Detroit Art Institute, Detroit. U.S.A curator: Jan van der Marck
Beyond Logos" Museum of Art, Belgrade
curators: Zoran Gavric, Zana Gvozdenovic
* "Emphasis", The Israel Museum Jerusalem, Israel
curator: Yigal Zalmona (within the framework of Art Focus1)
* "Drawing on These Shores: A View of British Drawing and Its Affinities" traveling exbition around galleries and museums in Great Britain curator: Glenn Soju
* "Halal: Arte Contemporanea da Israele" Studio Bocchi, Rome, Italy curator: Mary – Angela Schroth
* "Carnegie International 1995" The Carnegie Museum of Art, Pittsburgh, Pennsylvania, U.S.A
curator: Richard Armstrong
* "Where is Abel, thy Brother?", Galeria Zacheta, Warsaw, Poland curator: Anda Rottenberg
* "Preview from the Rita and Arturo Schwarz Collection of Israeli Art", a gift to The Israel Museum, Jerusalem, Israel curator: Shlomit Steinberg
"Long Memory/ Short Memory: Ten Israeli Artists", Gallery of Contemporary Art, Raleigh, North Carolina, U.S.A curator: Nella Cassouto
* "90 Years of Israeli Art: A Selection from the Joseph Hackmey – Israel Phoenix Collection" Tel Aviv Museum of Art, Tel Aviv, Israel curator: Mordechai Omer
* "After Rabin: New Art from Israel" The Jewish Museum, New York, S.A. curator: Susan Tumarkin – Goodman
* "Contemporary Israeli Art: Three Generations", Brunei Gallery, School of Oriental and African Studies, London; National Gallery, Alexandros Soutzos Museum, Athens, Greece curator: Mordechai Omer (in collaboration with the Tel Aviv Museum of Art)
* "Between Beauty and Destiny: Three Generations of Israeli Art" Center for Contemporary Art, Cleveland, Ohio, U.S.A curator: Jill Snyder
* "Artists Books Har-El Printers and Publishers", Passage de Retz, Paris curator:Yona Fischer (within the framework of the Israeli Season in France)
* "Modern Masterworks on Paper from The Israel Museum, Jerusalem" Cleveland Museum of Art, Cleveland, Ohio, U.S.A curators: Meira Perry Lehmann Jane Glaubinger, Ruth Apter-Gabriel
Le Repubbliche dell'arte Art and Artists from Israel and Palestine", Centro Arte Contemporanea, Palazzo delle Papesse, Siena curator: Sergio Risaliti
"Messages to the New Millennium: Moderm Israeli Art", The Museum of Modern Art, Kamakura, Japan curators:Tsutomu Mizusawa, Tadayasu Sakai; co-curator: Galia Bar-Or
* Amos Gitai, Renia Sofia Museum, Madrid, Spain, Curator: Jean-Francois Chevrier
* "Under Erasure", Tel Aviv Museum of Art, Tel Aviv. Curator: Irit Hadar
Basis And (super) structure, Basis for Art & Culture, Herzliya
"The Land", Jewish historical museum, Amsterdam, Holand
"Panda", Tel Aviv Museum of Art, Tel Aviv. Curator: Joshua Neustein


Leading shoemaker, BATA Shoe Company (K) Ltd. has this morning entered into a partnership with the Kenya Wildlife Service (KWS) to support the conservation of lions.
Through a conservation campaign dubbed #Footprintsforthewild, the KWS – Bata partnership will strive to control human-carnivore conflict by collaring lions because the initiative resonates well with the long-standing Safari brand and supports tourism.
The partnership includes rehabilitation of Mt. Longonot National Park trails, Nairobi Safari Walk benches and development of story boards at the Ivory Burning Site in Nairobi National Park. In addition, a joint marketing campaign will be carried out at 136 Bata stores as well as tourism exhibitions, both locally and internationally. The partnership will also include periodic joint conservation activities, for instance, World Lion Day celebrations.
The initiative is expected to trigger customers to purchase Safari boots with part of the proceeds going to lion conservation.
The KWS – Bata partnership rides on the long history of the Bata Safari Boot which was inspired by the early safari expeditions to observe and record wildlife and landscapes particularly in Africa. In the late 1960s, Bata challenged itself to develop an African outdoor brand. It was in the same period that the Acacia tree and lion were incorporated to the logo. "Safari" brand was launched in Kenya in 1963 and quickly became one of Kenya's best-selling shoes, popular with locals and tourists.
It proved capable of withstanding the toughest conditions of the African savannah. In 1990s Safari was re-designed to more trendy designs with the introduction of new collections.
Africa is home to most of the world's lion populations. However, all across Africa lion populations are declining fast. Africa lion is classified as vulnerable by the International Union for Conservation of Nature in 2010.
Kenya's Lion Conservation Strategy whose implementation period was 2009-2014 is under review, with more than 70 per cent of the activities outlined in the strategy havingbeen implemented.
In Kenya, lions occur in a number of protected areas, with a large population occurring in the Parks. Over the years, the lion population has dropped from 2002 (2,749), 2004 (2,280) to 1,970 according to the latest estimate. Kenya loses about 15 lions every year with most deaths attributed to conflict with people, with minimal cases from disease and poaching for skin, teeth and claws.
Human-carnivore conflict is the largest, especially in Nairobi.
Nairobi National Park is located seven kilometers from the Central Business District. Its closeness to residential areas has made it harder for the park to contain wild animals which constantly leave the park.
The funds raised in the KWS-Bata partnership will be used to purchase GPS monitored collars. One lion is usually collared per pride. Only 60 lions have been collared in Kenya.


Dan Van Fleet is a debt finance associate in the San Francisco and Silicon Valley offices of Latham & Watkins.
Mr. Van Fleet has a global practice spanning the US, Europe, and Asia. He represents borrowers and lenders as well as venture capital and private equity firms with respect to their portfolio companies' debt needs and their own loan facilities.
Mr. Van Fleet has closed more than US$30 billion in venture, structured, leveraged, and project debt financings, secured and unsecured, in numerous industries over hundreds of transactions. His industry experience includes technology, life sciences, healthcare, energy, digital media, and retail. He has advised startup clients in particular through refinancings and exit opportunities, and he has guided clients through defaults and other downside situations.
He advises clients in all stages of debt financing, including term sheets, loan documents (including security agreements, guarantees, and subordination agreements), refinancings, payoffs, distress, and remedies.
In law school, Mr. Van Fleet was an editor on the Duke Law Journal, Duke Law & Technology Review, the Duke Environmental Law & Policy Forum.


Dressing for a job interview is much easier if you are a man. However, this does not mean you should not care at all what you look like. It is still important and will indicate to the interviewer how much you want the job and whether you are going to be presentable to clients. Remember first impressions count.
1. A sober coloured suit is a priority. Try and go for dark, neutral colours such as black, charcoal, grey or a dark blue. A basic pinstripe is also fine. However even if louder colours or patterns are currently in fashion it is better to avoid anything that will distract the interviewers attention. Stay conservative.
2. Remember that this is not a fashion parade. The interviewer will not be judging whether you are fashionable. The important point is to avoid distracting the interviewer from understanding how suitable you are for the job. Sober colours and a neat appearance are far more preferable than trying to convince the interviewer that you are "cool".
3. Your tie is somewhere you can add colour to your outfit. Try and wear a tie that suits your shirt and suit. Try to avoid too many colours, but you may wish to wear a bold and vivid colour like red that can project a air of confidence without being overstated.
4. Avoid ties with pictures or cartoons on. These novelty ties are generally bought for a joke not interviews. Avoid bow ties unless you are the sort of exuberant character that wants to highlight their eccentricity as a quality.
5. Wear shoes that match your suit. Generally a pair of well polished black shoes will work.
6. Try to avoid keeping your hair too long, un-kept or over-styled. Again it is best to wear your hair conservatively at the interview. Over styled hair is likely to make you seem young and give an air of inexperience. If your hair is too long, or untidy then you will look like you don't care and will not be presentable to clients.
7. Shave or keep a well trimmed beard. Try and avoid stubble unless you have a skin condition.
8. Keep your shirt white, or a pale blue with perhaps some thin stripes. Make sure the shirt is clean and well ironed.


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Online Gambling NY / MLB approaches trade deadline, will Yankees acquire Soto?
Major League Baseball's trade deadline is just around the corner. This year, teams have until 6 p.m. on August 2 to complete their deals.
Although the deadline usually falls on July 31, commissioner Rob Manfred was given the power to set it on any day during the week of July 28 to August 3, as part of the new labor agreement between the league and its players' association.
In a recent report, CBS Sports' Dayn Perry identified the 30 teams most likely to make a deal before the deadline. He also categorized them into either buyers or sellers.
The buyers included the Atlanta Braves, Chicago White Sox, Houston Astros, New York Yankees, Philadelphia Phillies, and St. Louis Cardinals. On the other hand, the sellers included the Arizona Diamondbacks, Chicago Cubs, Cincinnati Reds, Kansas City Royals, Miami Marlins, and Oakland Athletics.
Yankees might approach Juan Soto
The New York Yankees started the season with a 56-21 record. However, their winning streak ended in July due to injuries to key players, such as Michael King, Louis Severino, and Giancarlo Stanton. Despite these factors, the team still set a Premier League record of 69-33.
Aaron Boone will have the month of August to recover from his recent struggles and find the necessary momentum to end the season on a high note. The team still needs improvement, especially since King will be out for the rest of the season. Zack Britton is expected to return in August, but the start of the season will be affected by Severino's recovery.
Despite the team's struggles at the promotion stage, the Yankees are still considered favorites to win the World Series. Their odds would significantly increase with the acquisition of Juan Soto from the Washington Nationals.
The addition of a world-class hitter such as Soto would make the Yankees even more dangerous. They would also be able to carry an advantage over other teams in the World Series.
The combination of Stanton, Aaron Judge, and Soto would give the Yankees a slew of talented players in the batting order. It would allow manager Boone to create a variety of lineups.
Over the past five years, the Yankees have acquired top-level talent. However, they have yet to beat the American League's best. With the addition of Soto, the team can address some of its most critical issues. The offense was constantly focused on Stanton, Judge, and the rest of the core. With the help of his exceptional ability to put the ball into play, the Dominican third-baseman will be able to address these issues.
The team must sacrifice some of its prized prospects to acquire a player such as Soto. New York will likely give up more than one of its top prospects, such as Oswald Peraza, Jason Dominguez, and Anthony Volpi, in exchange for a player of such caliber. As the young third-baseman is only 23 years old, Soto will also be valuable leverage should the team's front office fail to reach a new contract agreement with Judge.
The Nationals could be motivated to trade for Soto before the deadline due to the team's expected sale to new owners in the following two years. It's also unlikely that the new owners would want to start by trading off the team's face.
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redpajama_set_name: RedPajamaCommonCrawl


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Posts Tagged 'musician'
Lissie @lissiemusic and her connections to Twin Peaks, Fairfield and #TranscendentalMeditation
Lissie at Paste Studio NYC live from The Manhattan Center
Streamed live on Feb 28, 2018
I heard an interview this week on Iowa Public Radio's Talk of Iowa with Charity Nebbe. She spoke with singer/songwriter Lissie. During the conversation her connection to Twin Peaks, Fairfield and TM came up. Listen to Singer Lissie On Ditching The West Coast For Life On An Iowa Farm.
I had never heard of her and was impressed with her powerful voice and candid nature. She can sometimes sound like Stevie Nicks or Adele. Listen to this Fleetwood Mac cover of Dreams and you'll understand why.
Around 9 minutes in she talks about a peace she found in Mt. Pleasant at her great-grandmother's funeral. She carried it with her to California and always came back to visit family. Then she says, "I went to Fairfield and took a TM course, Transcendental Meditation." We checked and verified that Lissie had learned TM in June 2014.
Lissie says the same thing in a video with this Des Moines Register article from Aug. 15, 2017: An Iowa musician was featured on one of this summer's favorite TV shows. They're referring to Twin Peaks.
They embed the video from Oct. 11, 2016: Folk musician Lissie escapes back home to Midwest. After leaving the Quad Cities area for the fast-paced lifestyle in Los Angeles, Folk-style musician Lissie discovered an Iowa farm was better for her soul than the fast lanes of Southern California.
I've been to Fairfield to learn Transcendental Meditation.
Lissie says: "I spent my time growing up in Iowa. I had this kind of romanticized dream or idea that some day I'll have a farm in Iowa. I visited the Bridges of Madison County. My mom and I took a road trip and we went to John Wayne's house. You know, like I've done some things in Iowa. I've been to Fairfield to learn Transcendental Meditation. And I've just always had this soft spot for Iowa."
Lissie identifies as a Midwesterner from the Heartland and says how much she loves Iowa, describing all the reasons why. It's where her heart belongs. Looks like she found her roots and is at peace with herself.
I mentioned this to Erin Skipper (The Light That Seeks You). She said, "David Lynch is a fan and had her be a Roadhouse performer on Twin Peaks."
Dean Hurley, the show's music director, and a collaborator since 2005, said she "is an incredibly emotive performer who completely embodies her music and gives everything. Lissie was definitely one of the acts that David wanted involved from the beginning. He's been a big fan of hers for years and discovered her by a series of videos she posted on YouTube covering Lady Gaga, Metallica, etc." (See others including Bonnie Raitt and Bob Dylan.)
In that interview, The Music of Twin Peaks: The Return: Lissie, Dean further explains what David looks for in a musical performance when realizing his ideas for the series. He blends intense music, emotion and acting, so the power of Lissie's music fulfills that for him.
He said "David doesn't attend a lot of concerts, but when she came through LA years back, he wanted to go. I can't emphasize how rare that is for him to want to go out to a show."
He added, "An artist like Lissie thrives in the live performance arena, she's one of these people that almost can't be contained on a recording because she's the fullest realization of herself live."
It was Lissie who suggested she sing Wild West, which fit in perfectly with an episode. See Lissie sing Wild West in Twin Peaks, Season 3, Part 14.
See the Update below where Lissie explains how she and David connected, how she learned TM in Fairfield, Iowa, then went to have coffee and talk with him in LA, and ultimately received an email from him asking her if she wanted to be part of the new Twin Peaks.
I enjoyed this short video profile on iHeartRadio: Lissie – Artist Stories – Interview (2016) – Part 1 and Part 2. It starts with her intention: "I would like to be successful with my music, but it's about more than that, it's about, like figuring out what my purpose for being on this planet is."
This is an interesting description from that interview: With a career that has seen her open for renowned artist Lenny Kravitz an early supporter, Tom Petty, and even been asked to perform at Ashton Kutcher and Demi Moore's wedding, Lissie has had a wealth of incredible experiences that have made her the confident and determined artist she is today.
This is also worth watching: Lissie On Staying True To Herself At The Patch. From Cali to Iowa: Lissie keeps it Lissie. Join her at The Patch as she performs "Ojai" and "Don't You Give Up On Me" and talks about giving in to her ambitions, not giving them up.
Verse 2 of Ojai is pure poetry; so succinct yet says so much!
I miss the seasons, I miss the land
I miss them for reasons I don't understand
I took it all for granted
I bloomed where I was planted
She sums up her approach: "You know, I'm not trying to do anything. I'm not trying to be cool. I'm not trying to ever have a fresh sound or a cool look for an image. I'm just singing songs about my life in the most heartfelt genuine way I can, and I'm gonna be moving on to more songs very soon. And it's as simple as that."
I think these developments came about after she learned TM. Lissie had the courage to trust and act on her inner yearnings and is happier for it. She followed her heart and is now living her life on her own terms.
Lissie has a new album out: When I'm Alone: The Piano Retrospective: https://lissie.lnk.to/WIATW. Here's the title song with lyrics.
Lissie – When I'm Alone (Piano Version) [Lyric Video]
Here are 3 examples of the first song on the album—Don't You Give Up On Me—the official video with her band, a live version with her guitarist in the studios of 89.3 The Current, and on this new album as a Piano Version. Listen to her on Spotify, YouTube and VEVO.
It'd be nice if she decided to visit and play Fairfield one day. Some of us are reaching out to her. She's on tour, so we'll see if anything happens.
Update: Now that I've been finding and listening to more of her performances and interviews on YouTube, I noticed Lissie mentions again her learning TM in Fairfield, in last year's BUILD interview, and also says it's where Maharishi University is located in Iowa.
Further into the interview she's asked how she got into Twin Peaks, and extends what Dean Hurley had mentioned about David Lynch going to see her in concert. "We ultimately ended up talking on the phone and he came to my show. He's really into TM, so after I had been in Iowa to take this TM course, I had reached out, and ended up joining him at his home and drinking coffee and catching up on life. And so we just stayed in touch over the years and he's just been very supportive and kind to me. So I think it was 2015, I got an email, 'Hey would you want to be on the new Twin Peaks?' So of course, like yes, that's amazing, like this legendary status. Ya, he wanted me to be a part of it, and I performed in episode (14) for Twin Peaks!"
Tags:Charity Nebbe, David Lynch, Fairfield, iHeartRadio, Iowa, iowa public radio, ipr, Lissie, musician, singer songwriter, Talk of Iowa, the draw of the midwest, TM, Transcendental Meditation, Twin Peaks
Posted in Articles, Audios, Music, Peace, Videos | Leave a Comment »
Grammy Award winner Omar Akram says TM brought him closer to his source of creativity
Enjoy this great interview Christopher Caplan conducted with Omar Akram, published June 25, 2013 at 12:15 pm in RYOT Reports. I was pleasantly surprised to learn how Transcendental Meditation freed the creativity of this Grammy award-winning composer and recording artist, and the respect he has for David Lynch and the David Lynch Foundation.
Q&A: Omar Akram, first Afghan American to win a Grammy, talks Transcendental Meditation
Omar Akram, 2013 New Age Music Grammy Award Winner
I recently sat down with Omar Akram, the first Afghan American to win a Grammy award to learn a bit more about his creative process. He has been referred to as a cultural diplomat by many, and the musical equivalent of Khaled Hosseini, author of The Kite Runner, in that he is (gradually) mending cultural differences between war-torn nations through art. His recent article on The Huffington Post bespeaks of a well traveled life in which he has mingled with Cuban dictators and contributed to peace in the Middle East. What's particularly interesting about Omar is the way he uses Transcendental Meditation in his creative process, as well as his support and admiration of the David Lynch Foundation.
Q: When and how did you first discover Transcendental Meditation?
I began using TM about 5 years ago. I was going through some creative blocks, so to speak, and a friend of mine suggested it. I'd known about it for years, but I had never taken the time to try it. I started to meditate slowly, and after doing it a few times, I got hooked.
Q: How has TM helped your creative process over the years?
I think it definitely brings you closer to the source of creativity. I feel this way almost every time. I remember David Lynch was talking about it. He said it was like "searching for the big fish," or in other words, reaching deep down. I can reach deep down inside of myself and get to the big fish — that big creative idea. That's what it's all about, the big creative idea, and TM helps me find this.
Q: Have you tried other forms of meditation?
Yes, I've tried straight meditation, on and off for many years. But five years ago I became a lot more serious about it.
Q: How do you feel about David Lynch's recent advocacy of TM?
I think what he's doing is fantastic because he is really trying to get it out to school kids and to people that have never been exposed to it before. I think that once people try it, I mean really try it, they realize how beneficial it is.
Q: How do you think TM can help children and students?
One thing that I know is that kids sometimes have a hard time focusing on anything. Especially nowadays because they are being bombarded with so much media. I think it's really helpful for kids once they give it a chance. They learn the value of meditation and focus. It will be hard in the beginning to understand what they're doing, but with proper guidance they'll learn. I think that not only will it help them become more creative, but they will improve in all aspects of schooling and self-esteem.
Q: Do you use TM when you are in the recording studio?
I try to do it a couple of times a day, once in the morning, and once in the evening. It has been really helpful both with creativity and dealing with the stress and deadlines of my upcoming album, "Daytime Dreamer." It kind of sets the course of my whole day. Once I'm in the studio, I like to take a few minutes, but it's hard to do it during the day, and that's my routine. When I do it the morning it helps me focus for the whole day, and shift everything so I have a clearer sense of what I need to do. In the evening I can absorb everything that I've done, and refresh my mind all over again.
Q: What do you see for the future of TM and its continuing acceptance in the mainstream?
I think the more people are exposed to TM the more they're going to realize the benefits of it. A lot of people are not aware of TM, and that's what David is doing, he's going around and introducing it to a lot of people that otherwise would never be exposed to it. The more people are exposed to it, the more practitioners there will be, and I think it's going to be huge. Guys like David Lynch are pioneers in that. I have nothing but respect for him, especially with what he's doing in schools. I think it'll make a huge difference.
posted by Omar Akram. Check out his blog: www.omarmusic.com.
RYOT NOTE: Transcendental Meditation not only helps to reduce stress, it also helps with clearing the mind and allowing people to be more creative. The David Lynch Foundation provides millions of dollars of free services every year, implementing these scientifically proven stress-reducing modalities for at-risk populations and communities. See other related articles on David Lynch from RYOT posted at the bottom of this article, and click the gray box to learn more, donate and Become the News!
You can read more about Omar Akram's background and musical influences in this PRWeb press release: Grammy Award Winning Artist Omar Akram Becomes Latest Entertainment Client to Join YM & Associates PR Marketing Firm at Beverly Hills.
In an April 29, 2019 interview in Thrive Global, Omar was asked:
Which tips would you recommend to your colleagues in your industry to help them to thrive and not "burn out"?
What helps me is meditation. I would highly recommend it to my colleagues. I've been doing Transcendental Meditation for many years and it has had a big difference in my life.
Tags:Afghan Grammy Winner, arts, Arts News, Celebrities, cultural diplomat, David Lynch, David Lynch Foundation, entertainment, Grammy Awards, Music, Music Cultures, Music Peace, musical diplomat, musician, new age music, Omar Akram, TM, Transcendental Meditation
Posted in Articles, David Lynch Foundation, Music, Peace, Videos | Leave a Comment »
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What Transcendental Meditation does for Ringo
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Can you imagine a world without the Beatles? Watch the new film "Yesterday" to find out.
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Lampard considering Giroud for Leeds clash after Sevilla masterclass
Oleh Stephen Creek 3 Disember 2020 82
Olivier Giroud staked his claim for a regular place in Chelsea's starting line-up after scoring four goals against Sevilla, according to the last player to net four in a game for the Blues, head coach Frank Lampard.
Giroud scored with his left foot, right foot, his head, and netted a penalty at the Ramon Sanchez Pizjuan as the 34-year-old became the oldest player to score a hat-trick in the modern Champions League and the first Chelsea player to hit four since Lampard did so against Aston Villa in 2010.
His performance, which followed another match-winning appearance in Chelsea's 2-1 victory over Rennes a week earlier, left Lampard unable to deny that the World Cup winner is in contention for a place in the first XI to face Leeds United on Saturday.
Giroud has yet to start a Premier League game for Chelsea this season, but when asked whether he had a good claim for a place, Lampard told BT Sport: "Yeah, he does. I'll have to see because it is a tight turnaround but it's four goals in a game.
"It's not just his own performance but when you play Ollie and you utilise his strengths and still maintain threats from the side with speed and quality play from the middle of the park, then you see a real nice balance about our attacking play.
"It's not easy scoring four but again he's done it on this level against a really top opponent. His input into the goals was really top class."
34y 63d - Olivier Giroud is the oldest player in Champions League history to score a hat-trick, while he's the oldest to do it in the European Cup since Real Madrid's Ferenc Puskás in September 1965 (38y 173d v Feyenoord). Glorious. pic.twitter.com/vNRBGACFm6
— OptaJoe (@OptaJoe) December 2, 2020
Having seen his men draw 0-0 with Tottenham three days earlier, Lampard rotated his team and brought in Callum Hudson-Odoi and Kai Havertz along with Giroud, while resting Tammy Abraham, Timo Werner and Mason Mount.
He was rewarded with a performance full of confidence as Havertz, Mateo Kovacic and substitute N'Golo Kante all assisted goals for Giroud before the France international scored a late penalty.
Chelsea are now unbeaten in 12 matches in all competitions and Lampard said: "I'm delighted with the team. To come here against a very strong Sevilla team – they made changes, so did we – it's a difficult place to come and the team performance from start to finish was great because it had everything.
"There were moments in the first half when it was tough for us, and we dealt with those moments, and our play was just brilliant."
Returning his attention to Giroud, who has suggested he could leave in January if he is not afforded more game time, Lampard added: "What I am bothered about is what he gives us on the pitch, what he gives us off the pitch and around it. Everyone's delighted for him because of how he is, how he trains and how he plays."
Stephen Creek
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Sukan Lain
Jangan putus harapan -- Bryan
Kepakaran Gobinathan ditagih Bangladesh
Liga Super Malaysia
Mutu komunikasi elemen penting -- Dooley
Terbuka Thailand: V Shem-Wee Kiong mara ke final


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Learn to grill, roast and bake on a barbeque - you'll be amazed at what you can cook using these simple techniques.
Throughout the day you will be shown how to get the most out of your barbecue, preparing a variety of dishes which could range from roasts to risottos, or pork lion to puddings! In-depth tuition in a friendly, relaxed atmosphere will inspire you with the confidence and enthusiasm to really expand your barbecue repertoire.


It was revealed that two of the Watergate burglars had formerly worked for the CIA, and had been given assistance by the agency following the break-in.
The Church committee called more than 800 witnesses over the course of nine months, including several former officials from both the FBI and CIA.
The Church committee also uncovered a series of secret programs led by the National Security Agency known as Operation Shamrock and Project Minaret.
"Shamrock" was a three-decade long surveillance program in which the NSA gained access (without obtaining warrants) to the records of all three major telecommunication companies.
Ostensibly created to obtain intelligence on foreign agents, the program had expanded to include surveillance of American citizens.
Another warrantless program, "Minaret," saw more than 1,600 U.S. citizens added to NSA watch lists.
The FBI was also found to be illegally monitoring the US mail and other correspondence, again without obtaining a warrant.
The Church committee hearings resulted in what we now call the Foreign Intelligence Surveillance Act which generated the requirement for the FISA court warrant system.
Not only was this information kept secret until 2007, it was the real reason for the resignation of President Nixon.
The resulting impeachment process would have disclosed the illegal spying activities of the CIA, NSA and FBI to the public 30 years earlier than the Church committee hearing proceedings (not made public until 2007).
Nixon resigned at the insistence of the Intelligence community.
This exact scenario is what has happened again under President Obama. The systems and methods used were in place before Obama took office. The methods used were the subject of intense Congressional oversight and Inspector General Reports.
The 2007 investigation report revealed widespread warrantless wiretapping during the Bush administration.
The events of September 11, 2012 were the reason that the Obama administration took extraordinary steps to illegally expand surveillance of US lawmakers, justices and citizens.
#DeepState not only has decided to execute a coup against President Trump, it is doing so in a way that will protect it from disclosure of these illegal and warrantless surveillance activities.
They are using the exact process used to protect #DeepState during the Nixon administration.
Many on Capitol Hill, including every member of the House and Senate Permanent Intelligence Select Committee are involved in ensuring that #DeepState preserves its ability to surveil US citizens without authorization and without oversight.
Should President Trump move to expose these activities and methods, #DeepState will employ methods to protect itself from exposure.
This article illustrates Deep State working against POTUS as discussed in this thread.
Would it be OK if I cross-posted this varticle to WriterBeat.com? I'll be sure to give you complete credit as the author. There is no fee; I'm simply trying to add more content diversity for our community and I enjoyed reading your work. If "OK" please let me know via email.
The piece was written by a Twitter poster who goes by the name of Navy Jack (https://twitter.com/USNJack) Please credit him with this. He posted it as a series of Tweets on his Twitter site.


Bore .266". There are 3 models for the ST backbores. They are numbered from 1 to 3, with 1 being the smallest. It is worth noting that these models were designed for the large tenor; it is not just a tenor backbore with a large shank.
The ST* (STAR) series is the same as the ST series except that there is no cylindrical section.
The ST* models are somewhat more free blowing than the standard models.


Is there a secret to a great stir fry?
My friends often ask me what I put in my stir fries or what makes a good stir fry. I don't really have an answer because you can basically put anything you want into a stir fry. The best ones are those that contain the ingredients you love, so if you love capsicum, then make sure you've got lots of capsicum in it!
My own personal golden rule is that I like my stir fries to be full of vegetables that are still crisp so that when you bite into them, you get the full crunch and flavour of the vegetable. And I love having lots of vegetables in it.
What I love most about the humble stir fry is that it never takes more than 30mins to prepare and cook. Tonight's a great example. I left work on time so I could get home, inspect the fridge and work out what I'd put into today's stir fry. However, as (bad) luck would have it, all the trains from Waterloo were up the spout. I ended up having to make a 2 hour detour before I managed to get home at 8.30pm. Even with me faffing around taking photos, I had this dish done and on the table by 9.15pm.
Plus, every time you change a few ingredients, like the types of vegetables you use, you get a whole new flavour and taste. In today's recipe, I added some left over spring greens which we'd cooked for dinner the night before (they were blanched for under 3 minutes so stayed green and crunchy).
Nothing beats a traditional Chinese wok for cooking stir fries but a deep fry pan or casserole dish can still do the job.
There's no golden rule to stir fries, choose the vegetables you love to eat!
The first thing I fry is the onions but that's because I like to almost caramelise mine and get a good brown edge to them (takes about 2-3mins) before I add the ginger (fry for another min) and then the garlic.
The pork (marinade and all) goes in next and I'll fry that for about 3-4mins. If your wok and heat is strong enough, the pork will be cooked through already and you'll notice the sauce caramelising the carrots and onions etc to a sticky consistency.
I then add the asparagus (if you're cooking with other raw green vegetables, add them now too), stir fry for another 2 minutes before adding the rice cakes.
Once the rice cakes are in, they really only need another 3-4 mins to be cooked through (I added my cooked spring greens at this time). Add the tablespoon of soy sauce.
Make sure you're constantly stirring and flipping all the ingredients over because the rice cakes will start to stick to the pan once they're cooked.
To finish, add the egg. If you fry the eggs for a minute, you'll get a sauce like consistency but if you want a drier fry, keep stirring until the eggs are cooked through.
Dish up, garnishing the stir fry with chopped spring opinions, parsley or coriander. If you want to give it a bit more fragrance, drizzle some sesame or chilli oil over the top. Or if you want to add crunch, sprinkle some crushed peanuts on top.
Pick up a pair of chopsticks and dig in!
Pork stir fried with rice cake noodles. Bon app!


Four attorneys from Beasley, Allen, Crow, Methvin, Portis & Miles, P.C., have been selected as finalists for the 2014 Public Justice Trial Lawyer of the Year award for their work on litigation related to Toyota sudden unintended acceleration. Nominees Jere L. Beasley, J. Cole Portis, R. Graham Esdale, and Benjamin E. Baker of Beasley, Allen, Crow, Methvin, Portis & Miles, P.C. in Montgomery, Ala., and Larry Tawwater of The Tawwater Law Firm in Oklahoma City, Okla., and Paul Martin of Martin Jean Jackson in Ponca City, Okla., led the charge against Toyota on behalf of the Bookout and Schwarz families. Bookout v. Toyota Motor Corp. was the first suit to go to trial against Toyota tying sudden unintended acceleration to electronic throttle control problems.
When thousands of Toyota Camrys were suddenly accelerating, the company reacted by blaming the incidents on individual parts of the car: first floor mats, then sticky pedals. But, according to Toyota documents and testimony before Congress, these problems only accounted for 16 percent of the sudden unintended acceleration complaints. The problem was actually bigger: the software in the Toyota Camry that controlled the electronic throttle system was poorly designed and did not conform to industry standards. One of those Camrys that suddenly accelerated was Jean Bookout's. She was injured and her passenger Barbara Schwarz was killed in a September 2007 crash.
The jury's October 2013 verdict in this landmark acceleration case — awarding $3 million in compensatory damages and finding that the plaintiffs were entitled to punitive damages — not only led Toyota to settle the case for a confidential amount before the jury could determine the amount of punitive damages, but caused Toyota to try to reach a global settlement of the hundreds and hundreds of cases pending in multidistrict litigation proceedings.
The Public Justice Trial Lawyer of the Year award honors attorneys who take great risk and overcome incredible odds to advance the common law, to make new law, and to win justice for their clients and for the common good of the public.
Also nominated was Lance Cooper of The Cooper Firm in Marietta, Ga., for his work on the Melton case, which uncovered GM's defective ignition switch and prompted a massive recall and sparked a congressional investigation into the automaker's conduct. All the nominated attorneys were recognized at the annual Public Justice gala at the American Visionary Art Museum in Baltimore, Md., on July 27. For more information, visit www.publicjustice.net.
Pictured above are, from left, Graham Esdale, Larry Tawwater, Ben Baker and Cole Portis.


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Saving Christmas
Kirk is enjoying the annual Christmas party extravaganza thrown by his sister until he realizes he needs to help out Christian, his brother-in-law who has a bad case of the bah-humbugs.
Genre : Comedy, Family
Actors : Andrew Shannon, Ben Kientz, Bridgette Cameron, Cameron Ridenour, Clarissa Shannon, Darren Doane, David Shannon, Everett Ridenour, Jacob Wilson, Jaidyn Wilson, Kirk Cameron, Lydia Shannon, Raphi Henly, Reese Ridenour, Sharron Shannon
Director : Darren Doane
Rating(33)
The Wrong Guy
An executive (Dave Foley) after being passed over for a promotion to president storms into his office only to find the man who got the promotion dead. Assuming everyone will think he committed the crime he takes off as a fugitive…
Country: Canada , UK
A man is accidentally transported to 1300 A.D., where he must battle an army of the dead and retrieve the Necronomicon so he can return home.
A high school teacher's personal life becomes complicated as he works with students during the school elections.
Merry Men: The Real Yoruba Demons
Four promiscuous businessmen must scheme to save the poor people of a village after a corrupt politician challenges them.
Country: Nigeria
My Girlfriend's Back
This intelligent romantic comedy chronicles the socio-economic ascent of Derek Scott. Derek has spent his entire life plotting a course for his success. His diligence is about to pay off when he happens upon an unexpected detour. This "road less traveled" intrigues Derek so much so that he considers throwing away his entire well orchestrated life to experience the one thing his plan has yet to provide…love.
The Hoard
A comedy/horror mockumentary that chronicles the unravelling of a production team who are attempting to produce the ultimate reality TV show pilot "Extremely Haunted Hoarders". The team consists of a Professional Organizer, a Psychologist, two ghost hunters, and a crew of junk removers. They arrive in Rockford, Ohio, the hoarder capital of America. There they meet Murph Evans, a legendary hoarder with three crammed and condemned mansions. In their efforts to de-clutter the properties and reform Murph's habit, the intervention unearths a literal house of horrors.
The nice town of Kellyville is too small to accomodate the world's worst scoundrels, Albert and Egon, who decides to go out in the world.
Three Men and a Little Lady
Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken at losing the two most important females in their lives.
Genre: Comedy, Drama, Family, Romance
A relatively boring Los Angeles couple discover a bizarre, if not murderous way to get funding for opening a restaurant.
A touching story of an Italian book seller of Jewish ancestry who lives in his own little fairy tale. His creative and happy life would come to an abrupt halt when his entire family is deported to a concentration camp during World War II. While locked up he tries to convince his son that the whole thing is just a game.
Genre: Comedy, Drama, War
Tidy Tim's
A father and son run a rickety used car lot in Southern California. The old man and his boy are left overs from a bygone era of Americana.
Six Children and One Grandfather
David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.


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Mechanical Engineering Principles Behind a Safe Return to School in Australia
Written by Thau Do on 2021-09-29 .
HVAC mitigation strategies for reducing the risk of airborne disease transmission in schools are a hot topic. Governments aim to safely return students into the classroom for the final term of the year.
The Victorian government has committed $190M to make upgrades and improvements to schools to slow the spread of COVID-19 and keep students safe, and already we are being asked by schools how these protect our kids and if there is more that they could be doing. Using the Victorian Governments Press Release for a 'safe return to school', I hope to demystify how these Heating, Ventilation and Air Conditioning (HVAC) measures are employed to improve spaces from the perspective of a mechanical engineer.
Disease mitigation strategies
A useful tool for managing risks is the hierarchy of control, which provides a systematic approach with six steps from most to least effective: elimination, substitution, engineering controls isolation, administrative controls, and personal protective equipment.
It is now widely accepted that SARS-CoV-2 (the virus that causes COVID-19) can be transmitted via the airborne route and minimised (or accelerated) via building HVAC systems. Therefore, engineering controls that utilize smart HVAC strategies to supplement additional controls offer a greater level of protection against airborne transmission. ASHRAE guidelines have literature on various effective mitigations on airborne infectious diseases in building HVAC systems.
We can target airborne transmission using ASHRAE's five key strategies once we understand the best approach to your buildings and spaces. The government's announcement budgeting for outdoor classrooms and purifiers and opening windows are doors each fit into key mechanical systems mitigation strategies, as explained below.
Increasing fresh airflow by opening windows and doors
Engineering Principle: Dilution
Dilution is the most straightforward mitigation strategy and involves changing the air within buildings with fresh air to dilute the virus concentrations within the space to acceptable levels. There is currently no research to inform the safe virus exposure concentration. The consensus amongst HVAC and health professionals alike is to increase the fresh air in the room as much as possible/practical.
Increasing outside air through an HVAC system requires additional cooling and heating energy, expanding mechanical services plants, and further pressurising the space (due to the extra air) requiring further relief/exhaust provisions. Careful HVAC system design is necessary to minimise energy consumption while balancing the additional air pressures in the space.
Increasing fresh air in space involves introducing greater outside air quantities through the HVAC system and or provision of openable windows to enable natural ventilation when the ambient weather permits (e.g. calm winds, no rain, and cool temperatures).
Previous advice from the government and HVAC experts to open windows and doors is a simple and effective way of reducing the risk of COVID-19 virions spreading.
Purchasing air purification (HEPA Filter) devices to remove potentially infectious particles
Engineering Principle: Capture
Experimental studies have shown that humans can generate respiratory microdroplets during normal breathing, speech, and coughing with sizes ranging from 1.6 microns to 150 microns. The smaller the microdroplets, the greater their ability to stay airborne; they can linger in the air for minutes or even hours. Science suggests that the coronavirus particles can cling to human-generated microdroplets leading to the risks of airborne transmission of the disease.
Correctly specified air filtration by the HVAC system provides an effective way of continually capturing and removing the COVID-19 virions from the air. Typical minimum air filtration required in the ventilation of buildings are of G4 rating. G4 rating or equivalent MERV 7 to 8 ( Minimum Efficiency Reporting Values, this rating is used predominantly in the US), when tested using Australian Standard AS1324.1, will capture on average 58% of 1-micron particles. Increasing filtration efficiency to F6 (or equivalent MERV 10 to 11) will enable filters to capture 82% of 1-micron particles. However, higher filtration efficiency comes with an energy penalty, which only increases as finer particles are filtered.
Understanding the sizes of the COVID-19 virions and the human-generated microdroplets that the virus adheres to is key to the filtration strategy. This will ensure optimal air filter selection to minimise energy consumption impact and provide an acceptable reduction in transmission risks to the occupants of the building.
The Victorian government have announced that they are purchasing 51,000 Samsung purifiers, which can filter to .3 micron so that it can catch the microdroplets, and the coronavirus virions will be filtered from spaces, making them safer to occupy. We have extensive knowledge of particle filtration applications in schools and hospitals and can assist in the design, audit, and specification.
Outdoor classrooms through shade sail grants
Engineering Principle: Elimination
Elimination relates to extracting and expelling the internal air containing microdroplets contaminated with COVID-19 virions to the atmosphere without recirculating back into the room. The most effective elimination mitigation strategy in HVAC systems design includes 100% fresh air or 'one-pass systems.
One-pass systems have higher energy consumption than recirculated systems having the minimum required fresh air. A carefully implemented energy-efficient strategy is essential in reducing the carbon emission footprint and mechanical services plant size.
Outdoor classrooms are an excellent solution to get our kids back to school now. They are 100% fresh air spaces with an almost zero energy footprint. As we look to winter in 2022, we will have to consider how we adopt the elimination method in our HVAC systems for indoor spaces.
How do the other mitigation strategies fit in return to school?
The government has stated that they will be undertaking infrastructure audits and ventilation assessments to identify any further action which can make a school safer. Integral Group has been working with an Occupational Hygienist better to understand the risks of each schools' spaces. You can learn more about that here.
Limit air movement between rooms
Engineering Principle: Containment
Air containment mitigations strategy is widely used in healthcare spaces. It limits the air from one room to be transferred into another room through the installation of airlocks.
Typical HVAC designs in buildings often use the relief air of an air-conditioned room to be transferred into the corridor/lobby spaces to provide some cooling/heating of these transient spaces to reduce energy consumption from using a dedicated air conditioning system. This represents the risks of exposing microdroplets from the source space to other areas within the building.
To achieve air containment and minimise airborne transmission risks, buildings require careful pressure regime design of relevant rooms. For example, having the potential source room in negative pressure relative to an adjacent space will ensure airborne microdroplets do not spill out to the adjoining room. Building self-contained rooms can have complex HVAC system components and controls, leading to high capital and maintenance costs.
Why it probably wouldn't work in schools
New buildings built to contemporary sustainability standards have low air leakage. Using a containment mitigation strategy with either filtration or disinfection could be a possible solution in creating COVID-19 resistance spaces. Implementing this strategy wouldn't work for a government rollout to all state schools. It needs to be assessed on a case-by-case basis and is subject to higher initial and maintenance costs than the mitigation strategies already discussed.
Virus Deactivation via UV light
Engineering Principle: Disinfection
The use of UV light has been scientifically proven, and its use in the disinfection of surfaces, room air and airstreams dates back to the early 1900s. According to ASHRAE guidelines, introducing ultraviolet (UV) light to the air stream containing the microdroplets long enough can assist in deactivating the virus, rendering them non-infectious to building occupants.
Why schools and government should consider it
Retrofitting UV disinfection lights onto new or existing air handling systems might not be as costly or difficult as first thought. Use of UV lights to deactivate virus-laden air in an HVAC system is established, including having UV lights at the cooling/heating coils or within ductwork/air mixing plenums. They offer low energy consumption compared to other strategies, and no harsh chemicals are used.
The challenges of using UV disinfection in HVAC systems include high space requirements, proper safety requirements, and access to the lighting equipment.
I, along with many of my colleagues are keen to get our kids back into the classroom. And the investments from the Victorian State Government are a great start in making that happen. Our experienced mechanical engineering team are working with occupational hygienists and continually researching and upskilling on the impacts of mechanical and HVAC systems in reducing the spread of COVID-19.
If you are interested in learning more about mechanical services mitigation strategies for your school or other facilities, please reach out to Thau Do here.


text:
← Pocket plans set for approval?
Heathrow aims for 2020 planning application →
L'Oréal moves London HQ to creative business district in White City
Posted on 6th January 2020 by lookwestlondon
L'Oréal UK and Ireland has opted to remain in Hammersmith & Fulham, as it relocates its headquarters to White City.
L'Oréal will occupy six floors of the eleven storey building, which is part of the new creative business district White City Place, developed and owned by Stanhope, Mitsui Fudosan and AIMCo. Other occupiers at White City Place include the fashion designers Ralph & Russo, online luxury fashion retailer Yoox-Net-a-Porter, the BBC and ITV Studios. The workforce of 1,000 employees at L'Oréal's current Hammersmith headquarters are due to move in Autumn 2023 to the new building, which is when the company will reach the end of its current lease.
The new building, designed by Allies and Morrison, has a total floor space of over 240,000 square feet and includes an outdoor terrace with capacity for up to 250 people. As part of the move, the company will continue to house the L'Oréal Academy, which will train more than 10,000 hairdressers a year. The company hopes this will positively influence the local economy and bring new employment and training opportunities to the hairdressing industry.
Vismay Sharma, Country Manager, L'Oréal UK and Ireland said: "The new building is at the heart of an energetic and creative campus located next to Imperial College and Westfield London, a location which is reflective of our ambition to become the leading BeautyTech company. Relocating our corporate headquarters is a unique opportunity to provide our employees with a workplace for tomorrow and a headquarters that best represents our creative and innovative company alongside our mission of beauty for all."
David Camp, Chief Executive, Stanhope said: "We are delighted that L'Oréal has chosen to make a new building at White City Place as their new UK headquarters. They will be a great addition to the fantastic mix of creative and fashion companies already based at White City Place and will help cement White City's position as a leading global business district for world class companies."
Eiichiro Onozawa, Managing Director, Mitsui Fudosan said: "L'Oréal has chosen to make White City Place their new permanent home in London, joining a host of world leading companies located in White City including Novartis and Publicis. The move highlights how White City has quickly become a destination of choice for ambitious, innovative businesses seeking world class facilities, a prime location and renowned transport links."
This entry was posted in Hammersmith and Fulham, Trade. Bookmark the permalink.


With liberal zombies and a conservative point of view, Hive Mind is slated for DVD and limited theatrical release November 21st. Created by independent filmmaker Ladd Ehlinger Jr., this quirky scifi horror film explores mankind`s latest threat: techno-collectivism.
Doug Trench is the last man on earth. Before humanity was assimilated by Hive Mind, he`d been heir to the kingdoms of Limbaugh, Hannity, Levin, Boortz and Beck. Now, running out of supplies in his undisclosed broadcast bunker, driven half-mad from isolation after twenty years, Trench fires up his radio show one last time to fight the Hive Mind with half his brain tied behind his back.
"When our own President said we`re too individualistic and need to think collectively, well, that`s horrifying," said Ladd. "So naturally as a filmmaker I thought: scifi- horror film! Eco-friendly collectivist techno-zombies!"
Zombies created by a nanotech cell phone that merges with your brain. Dubbed the "I-Mind," the phone lets you Twitter telepathically, download movies straight to your brain, and keep your contacts forever. Britney, J-Lo, Pamela and Paris all love their I-Minds. But there`s a sinister side-effect: loss of free will to the collective Hive consciousness. Everyone is either assimilated or killed in Hive`s eco-efforts to reduce the population.
"I`m a one-man-band filmmaker," explains Ladd. "Which means lots of solitary hours at the computer. Talk radio helped me endure those hours and this is my thanks." He cautioned that "while I don`t glorify my main character - he`s human after all, with flaws and foibles - I certainly believe his soul, and the souls of those he was modeled after, are in the right place."
Like Ladd`s previous effort Flatland, Hive Mind will be sold directly to the public. "Given my views and past work as a military multimedia artist," said Ladd, "I`m happy being an indie rabble-rouser versus Hollywood drone. I`ll never join the Hive."


text:
Q: How to get the physical file name of running class library I'm trying to create a class library which will load different files depending on its physical file name.
i.e. if physical file name is called "test.dll" it will load its settings from "test.config", if the file is duplicated and renamed to "copy.dll" then it will load its settings from "copy.config"....
System.Diagnostics.Process.GetCurrentProcess();
//doesn't work as I'm loading the dll's dynamically into a console application and calling their methods.

Any ideas?

A: string filePath = typeof(SomeAssemblyMemberType).Assembly.CodeBase;

CodeBase property returns absolute path to the loaded manifest-containing file, or if assembly was loaded using Load method, returns path to assembly in which loader method is.
For example if you had the following code in a class object in your DLL:
public class Grace
{
    public Grace() {}

    public string AbsoluteFileName
    {
        get {
            return this.GetType().Assembly.CodeBase;
        }
    }
}

A: Use Assembly:
 string filePath = System.Reflection.Assembly.GetCallingAssembly().Location;

redpajama_set_name: RedPajamaStackExchange


text:
ZeniMax and Oculus settle VR IP appeal
December 12th, 2018 - 12:11pm
Bethesda parent company ZeniMax and Facebook-owned Oculus have settled their appeals in the duo's VR IP legal drama.
That's according to Law360, which reports that the companies announced they had settled their legal disputes on Monday, December 10th, with the appeals court approving the lawsuit's dismissal the following day.
The details of the settlement have not been made public yet.
In February 2017, a federal jury in Texas found that Oculus was liable for $500m in damages to Zenimax due to copyright and trademark infringement.
Former Oculus boss Brendan Iribe was found liable for$150m, while founder Palmer Luckey was asked to pay $50m in damages.
In June, ZeniMax attempted to double the $500m damages, with the judge opting to half the figure instead. This was due to around $250m of the original figure being tied to "false designation of origin", i.e. lying about where the Oculus project began. A Texas federal judge found no evidence of this allegation, thus halved the $500m of damages to $250m.
The lawsuit began when ZeniMax found that John Carmack of Id Software had been working with Luckey on an early version of the Oculus VR headset. The company alleged that code that was its property was used in the process.
News Apr 12th, 2017
Oculus files motion for new trial to battle $500 million in damages sought by Zenimax
News Oct 16th, 2018
John Carmack's legal dispute with Zenimax Media has ended
ZeniMax Versus Oculus Trial Begins
News Jun 17th, 2019
Oculus' Rubin: "We believe in the PC marketplace"
Job News May 10th, 2019
EA, Zynga and Kabam vet Verdu heading up Facebook AR and VR efforts after Barra steps down


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text:
Q: 7-segment display in VHDL? So I'm currently writing VHDL code for a 7-segment display that will display (0-F) once each second. I have almost everything done, the only thing I'm stuck on is the controller.
I need to have 4 buttons, the first starts the counter, the second stops it, the third increments it by one, and the last one resets it back to 0 (I already have the last one done, I just need the first three)
Here is my overall code (Note that Problem 2 component is my counter):
entity SSD is
port (
   seg : out std_logic_vector (6 downto 0);
   an3 : out std_logic;
   btn1, btn2, btn3, btn4 : in std_logic;
   clk : in std_logic);
    end SSD;

    architecture Behavioral of SSD is

    component hex7seg is
    port (
        x : in std_logic_vector (3 downto 0);
        a_to_g : out std_logic_vector (6 downto 0));
    end component;

    component Problem2 is
    port (
        clr : in std_logic;
        ce : in std_logic;
        clk : in std_logic;
        b : out std_logic_vector (3 downto 0);
        tc : out std_logic);
    end component;

component clkdiv is
port (
    rst : in std_logic;
    clk : in std_logic;
    clkout : out std_logic);
end component;

component controller is
port (
    start : in std_logic;
    stop : in std_logic;
    inc : in std_logic;
    rst : in std_logic;
    clk : in std_logic;
    run : out std_logic);
end component;

signal b : std_logic_vector(3 downto 0);
signal run : std_logic;
signal clk_1sec : std_logic;
signal tc : std_logic;

begin

U1: hex7seg port map (x => b, a_to_g => seg);

U2: Problem2 port map (clr=>btn4, ce=>run, clk=>clk_1sec, b=>b, tc=>tc);

U3: controller port map (start => btn1, stop => btn2, inc => btn3, rst => btn4, clk => clk_1sec, run => run);

U4: clkdiv port map (rst => btn4, clk => clk, clkout => clk_1sec);

an3 <= '0';

end Behavioral;

Here is what I have so far for the controller code:
entity controller is
    Port ( start : in  STD_LOGIC;
           stop : in  STD_LOGIC;
           inc : in  STD_LOGIC;
           rst : in  STD_LOGIC;
           clk : in  STD_LOGIC;
           run : out  STD_LOGIC);
end controller;

architecture Behavioral of controller is

begin
    run <= '1';

end Behavioral;

I'm not really sure where to go from there to get the other 3 buttons working, any help or direction would be greatly appreciated.

A: I haven't coded in VHDL in a long time -- I don't know why they still teach it, they should teach Verilog -- but the answer below still applies.
Your counter needs to have the following inputs:

*

*Clock - you already have it

*Increment - if that signal is high the counter should increment by one on the next rising edge of the clock

*Clear - you already have it, it should reset the count back to zero

*Counter Enable - Let's you pause/unpause the counter, make sure 'increment' still works even if Counter Enable is zero.

Your controller takes in 4 button inputs and generates 3 outputs. For buttons 3 and 4 it detects a rising edge of the input and generates a pulse for 1 clock cycle, i.e.
          ____    ____    ____    ____
clock:  __|  |____|  |____|  |____|  |
               ____________________
input:  _______|                  |_____
                  ____
output: __________|  |__________________

The "counter enable" output of the controller is controlled by buttons 1 & 2. A rising edge on button 1 sets it high and a rising edge on button 2 clears it to low. In effect the counter enable is controlled by an SR latch where the S signal is button 1 and R is button 2.
You then connect the 3 outputs of the controller to your counter (Problem 2).


text:
Mozzo Ruota Mapco: un Componente Affidabile
Microsoft Surface Pro 5 New Leak Reveals Release Date, Features, Price, & Specs
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Extremely effective X-ray telescope launches to blueprint cosmos
Square Enix: E3 2018, vendite e Nintendo Switch
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Japan spacecraft samples asteroid soil


text:
package example.sos.monolith;

import example.sos.monolith.catalog.Catalog;
import example.sos.monolith.catalog.Product;
import example.sos.monolith.inventory.Inventory;
import example.sos.monolith.orders.OrderManager;

import java.math.BigDecimal;

import org.springframework.boot.CommandLineRunner;
import org.springframework.boot.SpringApplication;
import org.springframework.boot.autoconfigure.SpringBootApplication;
import org.springframework.context.annotation.Bean;

/**
 * @author Oliver Gierke
 */
@SpringBootApplication
public class MonolithApplication {

	public static void main(String... args) {
		SpringApplication.run(MonolithApplication.class, args);
	}

	@Bean
	CommandLineRunner onStartup(Catalog catalog, Inventory inventory, OrderManager orders) {

		return args -> {

			Product iPad = catalog.save(new Product("iPad", new BigDecimal(699.99)));
			Product iPhone = catalog.save(new Product("iPhone", new BigDecimal(899.99)));

			inventory.addItemFor(iPad, 10);
			inventory.addItemFor(iPhone, 15);
		};
	}
}


text:
/* Changes:
 * 2011-04-01 ARM
 *    Merged the functions from src/opts/opts_check_arm_neon.cpp
 *    Modified to return ARM version of memset16 and memset32 if no neon
 *    available in the core
 */

#include "SkBlitRow.h"
#include "SkUtils.h"
#include "SkMorphology_opts.h"
#include "SkMorphology_opts_neon.h"
#include "SkUtilsArm.h"

#if defined(SK_CPU_LENDIAN) && !SK_ARM_NEON_IS_NONE
extern "C" void memset16_neon(uint16_t dst[], uint16_t value, int count);
extern "C" void memset32_neon(uint32_t dst[], uint32_t value, int count);
#endif

#if defined(SK_CPU_LENDIAN)
extern "C" void arm_memset16(uint16_t* dst, uint16_t value, int count);
extern "C" void arm_memset32(uint32_t* dst, uint32_t value, int count);
#endif

SkMemset16Proc SkMemset16GetPlatformProc() {
    // FIXME: memset.arm.S is using syntax incompatible with XCode
#if !defined(SK_CPU_LENDIAN) || defined(SK_BUILD_FOR_IOS)
    return NULL;
#elif SK_ARM_NEON_IS_DYNAMIC
    if (sk_cpu_arm_has_neon()) {
        return memset16_neon;
    } else {
        return arm_memset16;
    }
#elif SK_ARM_NEON_IS_ALWAYS
    return memset16_neon;
#else
    return arm_memset16;
#endif
}

SkMemset32Proc SkMemset32GetPlatformProc() {
    // FIXME: memset.arm.S is using syntax incompatible with XCode
#if !defined(SK_CPU_LENDIAN) || defined(SK_BUILD_FOR_IOS)
    return NULL;
#elif SK_ARM_NEON_IS_DYNAMIC
    if (sk_cpu_arm_has_neon()) {
        return memset32_neon;
    } else {
        return arm_memset32;
    }
#elif SK_ARM_NEON_IS_ALWAYS
    return memset32_neon;
#else
    return arm_memset32;
#endif
}

SkBlitRow::ColorRectProc PlatformColorRectProcFactory() {
    return NULL;
}
SkMorphologyProc SkMorphologyGetPlatformProc(SkMorphologyProcType type) {
#if defined(__ARM_HAVE_NEON)
    switch (type) {
        case kDilateX_SkMorphologyProcType:
            return SkDilateX_neon;
        case kDilateY_SkMorphologyProcType:
            return SkDilateY_neon;
        case kErodeX_SkMorphologyProcType:
            return SkErodeX_neon;
        case kErodeY_SkMorphologyProcType:
            return SkErodeY_neon;
        default:
            return NULL;
    }
#else
	return NULL;
#endif
}


text:
Psychological Phenomena and Processes
"Psychological Phenomena and Processes" is a descriptor in the National Library of Medicine's controlled vocabulary thesaurus, MeSH (Medical Subject Headings). Descriptors are arranged in a hierarchical structure, which enables searching at various levels of specificity.
Mechanisms and underlying psychological principles of mental processes and their applications.
Psychologic Processes and Principles
Below are MeSH descriptors whose meaning is more general than "Psychological Phenomena and Processes".
Below are MeSH descriptors whose meaning is related to "Psychological Phenomena and Processes".
Behavioral Disciplines and Activities
Below are MeSH descriptors whose meaning is more specific than "Psychological Phenomena and Processes".
Mental Processes
Personal Autonomy
Psychological Theory
Psychology, Applied
Psychomotor Performance
Religion and Psychology
Resilience, Psychological
This graph shows the total number of publications written about "Psychological Phenomena and Processes" by people in this website by year, and whether "Psychological Phenomena and Processes" was a major or minor topic of these publications.
Below are the most recent publications written about "Psychological Phenomena and Processes" by people in Profiles.


This picture was taken in Port Adelaide at a Pelican breeding site, which is being monitored by volunteers.
"Whale Sharks", a BIG Wave film Produced and Directed by the talented Emma Ross, featured Dr Mark Meekan from the Australian Institute of Marine Science (AIMS)This 2007 production called me in for the Christmas Island section of the film when Rory McGuinness the main DOP was unavailable. Despite the size of these animals very little was known about where they go and what they do. By fitting underwater tracking systems and even miniature cameras to the Whale Sharks we try to answer these questions and explore their world.
Whale Sharks visit Christmas Island around the time the Christmas Island crabs spawn.
Aboard Dr. Bob Ballard's new ship "The Nautilus" in the straits of the Dardanelles, we search out and film a variety of shipwrecks including the famous Australian submarine the AE2, the Breslau and we discover for the first time the HMS Irresistible. Robert Ballard discovers some of the reasons why the British run operation was such a disaster and we follow him as he examines the story of the Gallipoli campaign from a naval perspective as we search for and document shipwrecks from this World War One battle.
This is one of Bob Ballard's deep water remote camera systems. Used to find shipwrecks around the world.
Click here for more information about Gallipoli's Deep Secrets.
Working with award-winning filmmaker and Marine biologist Rick Rosenthal on his film "Superfish" was a great delight. Rick is one of nature's most passionate film makers and spent over 2 years to complete this difficult project. "Superfish" goes in search of open ocean predators' known as Bill fish and Rick came to Australia in search of Giant Marlin off the coast of Cape York Peninsula. Narrated by sir David Attenborough this exciting film is a must see for people who care about the oceans. Superfish, Ocean predators was a co-production of the BBC, PBS and NHK with Wild Logic.
Rick Rosenthal came to Australia's tropical north in search of Giant Marlin and Billfish which are common in those waters.
Working in Tasmania with Explorer Paul Rose and a team of experts including Philippe Cousteau, Tooni Mahto, and Dr Lucy Blue on the section of the BBC Oceans series. Here the divers enter the water off Tasmania's rugged coast to dive on a shipwreck The Nord, which sank after hitting an uncharted rock in 1915. All the ships crew were safely rescued however and the wreck is largely intact in about 40 meters of water. The best way to visit the wreck is with the support of the Eaglehawk Dive Centre on the Tasman Peninsula. The Executive Producer of the series was Anne Laking and the Series Producer was Helen Thomas.
As part of the BBC's Oceans series Paul Rose, Philippe Cousteau, Tooni Mahto and Dr Lucy Blue explored the cold waters of Tasmania.
Piccaninnie Ponds and Ewens Ponds are two of Mt Gambier's most popular freshwater diving sites in the south eastern region of Australia. At Picaninnie Ponds, you can swim across the chasm and dive down to explore the large underwater cavern named the Cathedral.
South Australia's Mount Gambier has some of the best cave diving available in the world. For this film we featured Piccaninnie Ponds and its beautiful underwater caverns.


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Q: asp.net-mvc advice on when to break up one view into multiple views I am designing the "Create" functionality for a pretty complex order object.  In the process of creating an order, the user will have to select a receiver (via a person search), select items for the order (again, via an item lookup), and enter other details about the order.
The original idea for designing this is to have several 'tab' links that show/hide corresponding DIVs, to have search functionality in a partial view, reused in two divs, and to update the search results using ajax, so that an entire order can be created without multiple posts to server, only using some ajax calls to get data, to limit load on server.
This seems like the ASP.NET way of designing things, and I have a feeling that this create process should be separated into multiple views.
What do you think?  Is this getting too complex for one View in the MVC pattern?
thanks!

A: DRY (Don't Repeat Yourself).
Generally, its not really about the complexity of a View (though that does factor in) but what parts/portions of that view will/could be used in other locations?  If you have a part that duplicates functionality in another part of your site, create a partial view for it.
EDIT
Seeing the next answer, I realized I missed the tabs part of your question.  I agree with the poster below, separate your tabs into partial views.  Most likely, it would make sense to make each tab will be it's own action on your controller and a corresponding partial view result.

A: Complexity does factor in; if it's hard to build, it will be harder to maintain.
As a starting point, consider the contents of each tab as a separate view. The visual organization of the page is probably a good guide on separating functionality and content into separate views.


When you're dead tired and it's a 1.2 mile hike back to your camping area, sometimes you just gotta lay your head down wherever you are and catch some z's. At Bonnaroo, you can do it.
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