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Home	/	Rare Literature and Manuscripts	Return to Previous Page
From dusty shelves, we bring to you an exclusive collection of extra-ordinary people with extra-ordinary writings and literature from the past and present.
Rare Literature and Manuscripts, TV/Film/Web Scripts
RSVP: A Short Movie
A young man suffers a rude shock when he discovers that his girlfriend of 5 years has planned a future without him in it. RSVP is a short movie script written by Adachukwu Onwudiwe for Emphire Touch Production. To watch the short movie, visit https://youtu.be/FU3lYIXUPws
A young man suffers a rude shock when he discovers that his girlfriend of 5 years has planned a future without him in it.
RSVP is a short movie script written by Adachukwu Onwudiwe for Emphire Touch Production.
To watch the short movie, visit https://youtu.be/FU3lYIXUPws
Dr Frances W. Pritchett Collection, Fiction, General, Rare Literature and Manuscripts
Odumodu's Journey
Odumodu's Journey is one of the earliest novels written in Igbo language by Bell-Gam Leopold published in 1963 by Longman, London and translated for English readers by Frances W. Pritchett.
Odumodu's Journey is one of the earliest novels written in Igbo language by Bell-Gam Leopold published in 1963 by Longman, London and translated for English readers by Frances W. Pritchett.
Dr Frances W. Pritchett Collection, Non-Fiction, Rare Literature and Manuscripts
Akpa Uche: An Anthology of Modern Igbo Verse
An anthology of modern Igbo verse edited by R.M Ekechukwu and translated to English by Frances W. Pritchett. It includes a glossary.
Biographies, Dr Frances W. Pritchett Collection, Non-Fiction, Rare Literature and Manuscripts
Author of Omenuko: A Biography
The Author of Omenuko is a biography about Pita Nwana, the author of the first Igbo novel Omenuko , a special man among men, a man who trusted his personal god and did a special work for the public without receiving any money.
Obidiya
An Igbo playlet by Enyinna Akoma published by Ibadan University Press in 1979 and translated by Frances W. Pritchett.
Erimma
Erimma is an Igbo novel written by J.U.T Nzeako and translated by Frances W. Pritchett.
Dr Frances W. Pritchett Collection, Language, Literature, Rare Literature and Manuscripts, Scholarly Literature
Understanding Igbo poetry
Understanding Igbo Poetry is the English translation of the book "Ighota Abu Igbo" a handbook/guide to understanding and critiquing Igbo poems. It is written by Ihechukwu Madubuike and translated to English by Frances W. Pritchett.
Understanding Igbo Poetry is the English translation of the book "Ighota Abu Igbo" a handbook/guide to understanding and critiquing Igbo poems. It is written by Ihechukwu Madubuike and translated to English by Frances W. Pritchett.
Dr Frances W. Pritchett Collection, Grey Literature, Rare Literature and Manuscripts
1999 Odenigbo Lecture Series Brochure
Odenigbo is a lecture series created by the Catholic Archdioceses of Owerri. It featured prof. Chinua Achebe as a guest speaker in its 1999 series themed Echi Di Ime: Taa bu Gboo ( Tomorrow is Uncertain: Today is soon Enough) The event brochure was translated from Igbo to English By Frances W. Pritchett. Contains bonus ( Igbo Izugbe- standard Igbo, and Olu be - dialectal Igbo) documents of Prof. Chinua Achebe's speech delivered in Igbo at the event.
Odenigbo is a lecture series created by the Catholic Archdioceses of Owerri. It featured prof. Chinua Achebe as a guest speaker in its 1999 series themed Echi Di Ime: Taa bu Gboo ( Tomorrow is Uncertain: Today is soon Enough)
The event brochure was translated from Igbo to English By Frances W. Pritchett.
Contains bonus ( Igbo Izugbe- standard Igbo, and Olu be – dialectal Igbo) documents of Prof. Chinua Achebe's speech delivered in Igbo at the event.
Dr Frances W. Pritchett Collection, Rare Literature and Manuscripts
An English Translation of Ilu Igbo: The Book of Igbo Proverbs
A draft English translation of F.C Ogbalu's Ilu Igbo: The Book of Proverbs by F.C Ogbalu,by Frances W. Pritchett. Includes annotated and compiled list of books containing Igbo proverbs by Frances W. Pritchett.
A draft English translation of F.C Ogbalu's Ilu Igbo: The Book of Proverbs by F.C Ogbalu,by Frances W. Pritchett.
Includes annotated and compiled list of books containing Igbo proverbs by Frances W. Pritchett.
Frances W Pritchett 1979 SPILC Speech
Frances W Pritchett Speech at Society for Promoting Igbo language and Culture UNN 1979. Igbo and English version.
Frances W Pritchett Speech at Society for Promoting Igbo language and Culture UNN 1979.
Igbo and English version.
Diaries/Memoirs, Dr Frances W. Pritchett Collection, Non-Fiction, Rare Literature and Manuscripts
How I became an Igbophile
Frances W. Pritchett writes about how she became interested in Igbo language after meeting and hosting a Nigerian Igbo student.
"In learning about a language one also learns about the culture that produced it--the beliefs, traditions, habits, attitudes, ways of making a living, interpretations of natural surroundings, ideas about marriage, children, etc. I discovered that my Eurocentric education had left me sadly ignorant about Africa, so I began to educate myself by reading books by African writers. "Things Fall Apart," by Chinua Achebe, had a great impact on me.I developed a desire to see for myself this milieu that was clearly so different from my own."
"In learning about a language one also learns about the culture that produced it–the beliefs, traditions, habits, attitudes, ways of making a living, interpretations of natural surroundings, ideas about marriage, children, etc. I discovered that my Eurocentric education had left me
sadly ignorant about Africa, so I began to educate myself by reading books by African writers. "Things Fall Apart," by Chinua Achebe, had a great impact on me.I developed a desire to see for myself this milieu that was clearly so different from my own."
Dr Frances W. Pritchett Collection, Guides/Manual, Rare Literature and Manuscripts
History of Igbo Language & Suggested Study Materials
History of Igbo Language & Suggested Study Materials compiled by the Igbophile, Frances W. Pritchett.
General, Rare Literature and Manuscripts
Ije Odumodu Jere
Ije Odumodu Jere is one of the earliest novels written in Igbo language by Bell-Gam, Leoplod published in 1963 by Longman, London. On one hand, Bell-Gam through intercultural travels of Odumodu, the protagonist, draws attention to the interrelationshp between humans, flora and fauna. On the other hand, he sensitizes humans on the need to respect one another irrespective of differences of colour, race or culture. In a captivating artistic manner, the author shares from an indigenous Igbo perspective useful tips on Education, Engineering, Architecture, Agriculture and Fishery thereby establishing the kind of balance needed for the emergence of a knowledge society.
Omenuko
Omenuko by Pita Nwana, was published after winning an all-Africa literary contest in indigenous African languages organized by the International Institute of African Languages and Culture. Pita Nwana was the first Igbo to publish fiction in the Igbo language. The first edition was in the Protestant Orthography, but it was soon issued in the other orthographies. This edition was translated by France W. Pritchett.
Omenuko by Pita Nwana, was published after winning an all-Africa literary contest in indigenous African languages organized by the International Institute of African Languages and Culture. Pita Nwana was the first Igbo to publish fiction in the Igbo language. The first edition was in the Protestant Orthography, but it was soon issued in the other orthographies.
This edition was translated by France W. Pritchett.
Guides/Manual, Non-Fiction, Rare Literature and Manuscripts
Dictionary of Onicha Igbo
The present Igbo dictionary is a much revised and expanded version of the Igbo dictionary published by Kay Williamson, Ethiope Press, Benin City in 1972. Professor Williamson died in early January 2005, with it still unpublished. The revision was prepared in the 1970s and 1980s and was typed camera-ready in a manuscript submitted to the same publishers in 1983. The publishers first delayed in responding and then finally admitted they had lost the copy. So only a photocopy of the original typed version exists.
The present Igbo dictionary is a much revised and expanded version of the Igbo dictionary published by Kay Williamson, Ethiope Press, Benin City in 1972. Professor Williamson died in early January 2005, with it
still unpublished. The revision was prepared in the 1970s and 1980s and was typed camera-ready in a manuscript submitted to the same publishers in 1983. The publishers first delayed in responding and then
finally admitted they had lost the copy. So only a photocopy of the original typed version exists.
Rare Literature and Manuscripts, Reports
Life Among the Nupe Tribe in West Africa
A.W Banfield, who lived among the Nupe Tribe, wrote this book in 1905 in order to give the people of America an insight of that part of the great West Coast of Africa, known as Nigeria, and especially Northern Nigeria, which is Great Britain's latest Protectorate. He also hoped it would aid the missionaries who came down to West Africa to convert the natives.
A.W Banfield, who lived among the Nupe Tribe, wrote this book in 1905 in order to give the people of America an insight of that part of the great West Coast of Africa, known as Nigeria, and especially Northern Nigeria, which is Great Britain's latest Protectorate. He also hoped it would aid the missionaries who came down to West Africa to convert the natives.
Handbooks, Non-Fiction, Onitsha Market Literature, Rare Literature and Manuscripts
How to Play Love.
Written by Stephen Felix. A handbook on love, this drama deals on love and what it requires.
Fiction, General, Onitsha Market Literature, Rare Literature and Manuscripts
They Died in the Game of Love.
Written by Umunna Cyril. Anthony is unfortunate in love.He has loved and lost once but is willing to move on.Agnes comes into his life and this time around,the past is back to bite him once again.


Alcatel-Lucent Submarine Networks, the undersea cables subsidiary of Alcatel-Lucent, has signed a turnkey contract with Amper SA subsidiary Bluesky Pacific Group to roll out a new submarine cable system spanning more than 9,700 km across the Pacific linking New Zealand and Hawaii via Samoa and the Cook Islands.
The Moana Cable system, scheduled for completion in 2018, will have two main segments: the first segment, with two fiber pairs, will connect New Zealand to Hawaii, a distance of 8,000 km, serving Samoa and American Samoa and significantly enhancing route diversity for New Zealand. The second segment ,with one fiber pair, will link the Cook Islands to the Samoa hub over 1,700 km.
Alcatel-Lucent Submarine Networks will deploy its submarine optical technology based on the i1620 Softnode and OADM branching units to maximize capacity and network flexibility.
The Moana Cable is also designed to accommodate the connection of additional Pacific island nations such as Niue, Tokelau and Tonga, which lie close to the New Zealand-Hawaii trunk, as well as French Polynesia on the East near the Cook Islands.
Moana will be the first long-haul submarine cable in the Pacific islands region relying on the latest 200Gbps per wavelength transmission technology, with ultimate capacity between Hawaii and New Zealand of 20Tbps.
Bluesky Pacific Group operates the ASH Cable connecting American Samoa to Hawaii and SAS Cable connecting Samoa to American Samoa. Anchor customers of the Moana Cable include Bluesky Pacific Group companies and existing ASH Cable customers. Bluesky has also signed a memorandum of understanding with RAM Telecom International for collaboration and interconnection with its SEA-US submarine cable linking Asia to Hawaii and the West Coast of the United States.
Bluesky Pacific Group is a regional telecommunications provider in the Pacific operating in Samoa, American Samoa, Cook Islands and New Zealand. The Group includes American Samoa Hawaii Cable, LLC, which owns and operates ASH Cable, from American Samoa to Hawaii, and SAS Cable connecting Samoa to American Samoa. ASH Cable LLC holds FCC licenses for landing cable in Hawaii and American Samoa and also holds a Samoa Submarine Cable Landing license.


New health and safety legislation that came into effect in 2015 has a requirement that needs to be implemented by April 2018; that PCBU's understand and document all asbestos within their buildings.
recommended actions for the ongoing management of any asbestos found.
While this sounds daunting and expensive, it doesn't need to be and a simple Asbestos Register can be all you need to meet compliance.
The report must be made available to any tenants, and must be made known to any contractor that comes onto site, particularly if they are going to undertake any works that will cut into any building materials.
The report recommendations will specify the risk of the asbestos in and outside the building, and if there is a significant risk of people being exposed to friable asbestos, will recommend actions to get it safely removed.
The best advice is to engage a very experienced and independent asbestos assessor like Thomas Consultants. By not being part of an asbestos removalist company we put your interests first, and give the best advice to meet legal requirements. This can save you thousands of dollars.
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Tsutomu "Jimmy" Mirikitani (June 15, 1920 – October 21, 2012) was an American artist notable as the subject of the 2006 documentary film The Cats of Mirikitani.

Biography
Mirikitani was born June 15, 1920, in Sacramento, California. By age 4, his family had moved to Hiroshima, Japan. He returned to the US shortly before the US entered World War II, and as a result he was sent to the Tule Lake internment camp. In the decades after the war, he worked a series of odd jobs until the early 1950s, when he wound up unemployed and homeless in New York City. Here he began producing brightly colored drawings with ballpoint pen or colored pencil and selling them in parks. When an art professor found him sleeping in the Columbia University library, he referred Mirikitani to the New York Buddhist Church, who provided him with housing. During this time, he obtained employment as a cook and met Jackson Pollock at a restaurant in Long Island. He eventually became a live-in cook for a wealthy benefactor living on Park Avenue, but when this person died in the late 1980s he again became homeless.

In 2001, he met filmmaker Linda Hattendorf, who purchased some of his art and began filming him. Eventually her content became the 2006 doucmentary film The Cats of Mirikitani, which outlines Mirikitani's life and covers his artwork. After the film's release, Mirikitani's first solo exhibition was organized by the Wing Luke Asian Museum of Seattle; it then traveled to the Asian/Pacific/American Institute at New York University, the University of North Texas, and Portland's Nikkei Legacy Center, among others. In 2010 his work was featured in an exhibit of Japanese American Internment Camp artwork at the Smithsonian's Renwick Gallery. In 2011, his work was featured at the Japanese Canadian National Museum.

References

Japanese-American internees
American artists of Japanese descent
Artists from Sacramento, California
Homeless people
1920 births
2012 deaths

redpajama_set_name: RedPajamaWikipedia


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Gallery ~ Books, broadsides and ephemera
The Studio Spaces
Studio Rental, Residency & Instruction
Chad Pastotnik, Deep Wood Press
~ Fine letterpress and intaglio printing.
Category Archives: Workshop
Looking forward towards 2018
Posted by Deep Wood Press in Authors and Translators, Books, Breon Mitchell - Franz Kafka, Education, Future Projects, In the Penal Colony, Judith Minty, Letterpress, Mad Parrot Press, The Hunter Gracchus, Workshop
Books, Breon Mitchell, Dellas Henke, Fine Press, Franz Kafka, future projects, literature
Here we are, a new year. I've been remiss updating this blog but I've not been fully idle in my absence so allow me to update you to some of the exciting projects underway here at Deep Wood.
Franz Kafka — In the Penal Colony
I will not attempt to summarize In the Penal Colony, it's a brilliant and important part of Kafka's canon. But if you are curious here's a wikipedia link.
I am pleased to present this new previously unpublished translation by the acclaimed Breon Mitchell which will be lavishly illustrated with six etchings by Dellas Henke. This very limited edition is set at 30 copies divided between Dellas, Breon and myself and will be sold in sheets primarily. I will bind my third of the edition and also produce some presentation bindings.
Dellas has been working on editioning the intaglio prints and is closing in on his end of the project while the rest of the paper lies here at the press waiting as I fuss with last minute layout adjustments.
The book is large a format 10×13 inch (25×33 cm) page size with the text being composed in Janson and printed on Somerset Book White, 175gsm. The intaglio illustrations are "bled print" to the edges. 40 pages. $1000.00 unbound. Advanced inquiries and sales may be made.
Here are some of the image proofs from Dellas, 10×13″ sheets. It should be noted that these are proofs – works in progress – and also were not printed on Somerset stock.
Breon Mitchell has translated major works by Günter Grass, Heinrich Böll, Siegfried Lenz and other leading German authors. His retranslation of Kafka's Trial received a special commendation from the American Translators Association. His other awards include the ATA's Ungar Prize , the ALTA Translation Prize, the Kurt and Helen Wolff Prize, the MLA's Aldo and Jeanne Scaglione Prize, and the British Society of Authors' Schlegel-Tieck Prize. He is Director Emeritus of the Lilly Library and Professor Emeritus of Germanic Studies and Comparative Literature at Indiana University, Bloomington.
Dellas Henke learned printmaking a S.U.N.Y. Brockport from Robert Marx. It was there that he saw his first artist's books- collaborations Marx had made with the activist priests the Barrigan brothers. Henke continued his education at the University of Iowa where he worked with printmakers Mauricio Lasansky and Keith Achepohl and had the remarkable opportunity to learn about letterpress printing from KK Merker and Kay Amert. It was in Iowa that Henke first illustrated with etchings Samuel Beckett's, "Waiting for Godot" – an edition sanctioned and signed by Beckett. Over the next few years there were further collaborations with Merker and the Iowa Center for the Book where Henke illustrated Beckett's "Company" and H.D.'s " Within the Walls and eventually making an illustrated edition of Beckett's, "Ill Seen Ill Said". In the intervening years Henke has been the coordinator for the printmaking department at Grand Valley State University where he continues to make prints, paint, and draw. Henke has been involved in more than 200 exhibitions and has been collected by dozens of public institutions.
I would also be remiss mentioning that Dellas was my professor for printmaking in college long ago. Great to be working with him again and his visits north have been a lot of fun fishing, hiking around with his dog Lazlo and telling stories.
Further, it is a thrill to be working with Breon on this project and a fortunate stroke of serendipity with my own project though rather mind bending to be working on two Kafka manuscripts at a time.
Dellas, working on print arrangement for the book.
My own Kafka project The Hunter Gracchus is also coming along but has been completely redesigned to a larger format. More to come soon with that progress.
I sadly note the passing of Judith Minty in November. Judith and I produced her short Killing the Bear in 2011 with wood engravings by Glenn Wolff. In her 84 years I hope I amused her for at least one of them….
Opening spread, Killing the Bear by Judith Minty
James Dissette and I have continued planning our new projects for our Mad Parrot Press (formerly Chester River Press) and plan to bring you E.M. Forster's strange and prescient science fiction story, The Machine Stops. We are also in the planning stages for the iconic childhood rhapsody, Wind in the Willows which will be illustrated by the brilliant linoleum cuts of Vladimir Zimakov. Here's a taste of his concept art for Badger:
Residency and Instruction
One of my distractions lately from making books has been finishing the guest house above "studio B" which is now listed on AirBnB. The space will be used to host collaborators, limited artist residencies and, of course, some additional income…
Use of the studio spaces and instruction can also be negotiated with a stay. Fully (and nicely) appointed letterpress and intaglio print spaces as well as a complete bindery. Visit my main website for much more information about the facilities here.
View On AirbnbStudio on the Cedar River ~ A Bibliophiles Dream
Kafka, Dublin, Berkeley, Seattle and leather bits….
Posted by Deep Wood Press in Book Bindings, Future Projects, Lectures, Letterpress, PR and Media releases, Workshop
Chad Pastotnik, Codex Book Fair and Symposium, Deep Wood Press, Franz Kafka, Jamie Lee Searle - Franz Kafka, National Print Museum, Seattle, Seattle Book Arts Guild, The Hunter Gracchus, University of Puget Sound
I wish I had some beautiful pictures of new work to add to this post but alas, sometimes running a business and being an artist has nothing to do with actually making art! Fear not, the pictures are coming soon.
The Hunter Gracchus
The most newsworthy part of "not actually making art" is probably the long negotiating process I recently concluded with a literary translator from the UK who I have retained to create a new rendition of Franz Kafka's The Hunter Gracchus. Gracchus is a project I've been waiting on for at least a decade and after yet another round earlier this summer trying to secure rights to reprint from Schocken/Random House was a bust. I needed permission to reprint the original translated version by the husband and wife team of Edwin and Willa Muir in the 1940's. I decided to look further into Kafka's estate and was happy to discover that his works are now considered out of copyright in both the EU and USA – in the German anyway.
Here's where Jamie Lee Searle comes into the picture. There are more translators available for hire in the the EU for reasonable rates than the US, go figure, and most based in the US are busy academics so I had some research and inquiries to make before I could even approach someone I felt competent for the project. While I can't read German I admired the breadth and selection of titles that Jamie has done and she is quite well regarded by her peers so I sent her an inquiry last October about the project. I am happy to say I will be getting the first drafts in the next few days and hope to have at least some prototype pages to show at Codex next month. I've recently acquired the matrices for casting the typeface Weiss in 4 sizes and with luck the Linotype will cooperate and give me 50 good lines as it is bitterly cold outside right now at 6º (-14 C) and it is difficult to convince any of these old cast iron and steel behemoths to perform well in these temps.
I've also been working on a presentation binding for the last of the deluxe editions of The Heart of Darkness. This binding is for an exhibit at The National Print Museum in Dublin, Ireland which I am happy to be part of along with 24 other invited fine press printers from around the world. There are just a couple copies of this book left in the regular edition and this is the last of the deluxe copies for sale. A good run for a book that was finished 4 years ago and was probably the most fun project that I did in partnership with Chester River Press.
Berkeley − codex
I've been working on more presentation bindings/deluxe editions of my most recent books in preparation for the CODEX Book Fair and Symposium coming up in February 8th – 11th where I will be at my table full of Deep Wood Press books. There will definitely be pictures of unique bindings and books gracing this blog in the very near future as these projects near photo worthy stages so please stay tuned.
" Over 200 of the world's most distinguished book artists and artisans, private presses, and fine art publishers will be exhibiting their work at the upcoming biennial CODEX International Book Fair. This is the largest book fair of its kind in the world today!
There is no better place to find and collect the world's greatest contemporary artist books, fine press books, and fine art editions than at CODEX. Now in it's 10th year, CODEX has been acknowledged as the leading International Fine Press and Artist book fair. Exhibitors are coming from Germany, UK, Italy, France, South America, The Netherlands, Mexico, Israel, China, Austria, Poland, Australia, Russia, and Japan. The event also attracts special collections librarians, curators, and private collectors from all over the world. "This is THE place to see the latest work from 'the best of the best' " states Peter Rutledge Koch, Founder of the CODEX Foundation.
Coinciding with the Book Fair is a two-day CODEX Symposium that takes place at the Anna Head Alumnae Hall in the mornings before the Book Fair on February 9 & 10. "
– see you in Berkeley at CODEX, come join the madness!
Seattle − workshop & lecture
I'll also be teaching a workshop and giving a couple talks in Washington state immediately following Codex on February 12th – 16th. I am teaching a workshop for the Seattle Book Arts Guild on the 14th & 15th from 9:00am-5:00pm Reduction and Multi-block Color Printing with Linoleum Blocks for Letterpress at Pacific Lutheran University, Tacoma, see here for contact information. I'll be giving a talk which will be an overview of the evolution of Deep Wood Press over the past 23 years for the Guild on the 12th and also at the University of Puget Sound on the 13th.
Panoramic shot of the press room.
Posted by Deep Wood Press in Equipment, Heidelberg Windmill, Workshop
arts, C&P 8x12 OS, C&P Pilot OS, Heidelberg Windmill, Letterpress, Little Giant, Printing, Vandercook 219 OS
DWP pressroom
Shown:
10×15 Heidelberg Windmill
12×18 ATF Little Giant
8×12 C&P Platen
19.75×26 Vandercook 219 OS
9×12 C&P Pilot OS
Deep Wood Press
Visit the main website at deepwoodpress.com
for more information and to purchase available books and broadsides.
Categories Select Category A Deep Wood Journal (1) Artists (7) Dellas Henke (2) Jim Westergard (1) Ladislav Hanka (2) Vladimir Zimakov (2) Authors and Translators (7) Breon Mitchell – Franz Kafka (5) David James Duncan (1) Judith Minty (1) Kenneth Grahame (2) Book Bindings (10) Presentation bindings (1) Books (46) Heart of Darkness (3) In the Penal Colony (5) Moon as Bright as Water (6) Saturnalia (2) The Hunter Gracchus (6) The Intruder (15) The Machine Stops (1) The Mad Angler Poems (4) The Path (5) The Wind in the Willows (2) Broadsides (18) If by Rudyard Kipling (2) One River (1) The Mad Angler's Manifesto (8) The Trout in Winter (3) Traverse City National Writers Series Authors (3) Equipment (12) Heidelberg Windmill (3) intaglio press (3) Linotype (4) Fine Press Book Association (22) CODEX (5) Manhattan Fine Press Book Fair (5) Oak Knoll Fest (12) Future Projects (14) Letterpress (72) Education (4) Lectures (1) Literary Journal (3) Mad Parrot Press (6) James Dissette (1) PR and Media releases (20) Printing (24) ephemera (4) job work (1) Trout (13) Workshop (4)
John Voelker Foundation
Fine Press Book Association An organization of individuals interested in the art of fine printing, formed with the goal of promoting the appreciation of beautiful books and printing skills.
Books and Vines Musings on Classic Literature, Collectable Books, Fine Wines and a Sundry Other Things that Make Life Interesting.
Wood Engravers' Network Since 1994, a group of printmakers, especially interested in wood engraving, have gathered and formed an organization called the Wood Engravers' Network.
The Book Blog A blog dedicated to collectible books by fine presses & other specialty publishers.
Deep Wood Press website
Book Bindings Books Breon Mitchell - Franz Kafka Broadsides CODEX ephemera Equipment Fine Press Book Association Future Projects In the Penal Colony Letterpress Linotype Mad Parrot Press Manhattan Fine Press Book Fair Moon as Bright as Water Oak Knoll Fest PR and Media releases Printing The Hunter Gracchus The Intruder The Mad Angler's Manifesto The Mad Angler Poems The Path Trout Workshop

redpajama_set_name: RedPajamaCommonCrawl


The Ripon High School Indians girls soccer team(1-3-1) took second place in the annual Ripon Christian Soccer Tournament after losing in a shootout in the championship game against Hilmar with a score of 5-6. The team took on the likes of Hilmar (8-1-4), Orestimba (3-2-2), and Escalon (3-1) throughout the tournament, beating both Orestimba and Escalon.
The Ripon girls soccer team will be facing off against crosstown rivals the Ripon Christian Knights on Friday, December 22. Be there and show some support for this small town rivalry.
Are you a self-diagnosed social media addict?


Rockliffe Hall Golf has been shortlisted in five categories of the 59Club Service Excellence Awards.
The annual awards recognise some of the highest-profile and best-loved golf venues across the globe.
Head greenkeeper Jon Wyer is again shortlisted for Greenkeeper of the Year, which he won last year.
Jonny Dye is shortlisted for Golf Retail Manager of the Year; Ben Hunt is in the running for Food and Beverage Manager of the Year; Ashley Freeman is shortlisted for Leading Individual Golf Membership Performance; and the Rockliffe Golf team is up for the coveted title of Golf Operation Team of the Year.
The winners will be announced at a glittering ceremony at The Old Course Hotel, St Andrews, next Wednesday (March 13).
The nominations and ultimate winners are determined by scores collected from an independent visitor panel who evaluate the experience afforded to visiting golfers and prospective members in accordance with 59club's non-subjective benchmarking criteria.
Each venue is judged on performance in the following areas – sales, service, operations, retail, golf course, food & beverage and management.
Davy Cuthbertson, golf course and estate director at Rockliffe, said: "We have an amazing golf team and exceptional course here at Rockliffe Hall and to be nominated in five categories in the 59club awards is testament to this.


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Sayadaw (birm. ဆရာတော်, IPA [sʰəjàdɔ̀]; dosł. królewski nauczyciel) - birmański zwrot grzecznościowy dodawany do imienia buddyjskiego duchownego dla wyrażenia szczególnego szacunku.

Tytuł ten wywodzi się z czasów, gdy szczególnie wykształceni, biegli w znajomości kanonu palijskiego lub technik medytacji mnisi byli nauczycielami synów królewskich. Obecnie określenia Sayadaw używa się wobec starszych wiekiem lub szczególnie szanowanych członków Sanghy, w tym przełożonych klasztorów.

Przypisy

Bibliografia

Kultura w Mjanmie


I took one year to think about this surgery and it wasn't until a friend had it done in February 2015 and I seen first hand the results she was having (lost 106 lbs to date)...plus she had nothing but good things to say about the whole experience. The hotel is very clean, there is a nurses room and they are available 24 hours a day. X-rays are done on the third day to confirm no leaking of your new sleeve, this is done at a private facility. There were 6 of us that had surgery on the same day, unfortunately one lady was not able to have her gastric sleeve procedure due to scare tissue from a lapband. I was impressed that Dr. Almanza didn't proceed and did but the clients health first. I keep in contact with the other 5 ladies and everyone is doing great. I had no pain other that gas pains which do take some time to get rid of. I'm so thankful I took my heating pad, it really helped with the pain. The hospital is very clean and the staff are fantastic. I arrived on a Sunday and my surgery was Monday, on Monday I met two ladies that had surgery two days previous and I was amazed at how well they were getting around (this just confirmed for me that I had made the right decision). On my third day the driver took a group of us to Revolution Street (market in Tijuana)for about an hour of shopping...I know it doesn't seem possible. This surgery is laparoscopic and recovery is relatively fast. Like everyone else....I wish I had done this sooner. I started at 192 lbs and 17 days later I weigh 178 lbs. I haven't had feelings of hunger, I do struggle to drink my 8 cups of liquid a day but other than that it has been a great experience and I would recommend it to anyone.


SHRM 2015 is going to start on 20 Apr and finish on 21 Apr 2015.
The 25th Annual SHRM Atlanta Hr Conference (SHRM 2015) will go on at Cobb Galleria Centre in Atlanta, Georgia USA.
SHRM 2015, 25th Annual SHRM Atlanta Hr Conference touches on topics like Business, Human Resources and Research.
25th Annual SHRM Atlanta Hr Conference is organized annually.
The association of the 25th Annual SHRM Atlanta Hr Conference is Society for Human Resource Management.


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Next See Snail Mail deliver the indie-rock goods at First Ave
Point of Departure: The biggest envelope
Wednesday, September 16, 2009 by Steve McPherson in Music
Back when I was in college, my Beginning Tonal Harmony and Counterpoint professor dropped a bomb by declaring that Charlie Parker wasn't actually improvising. And let me tell you, you've never seen hackles raised if you haven't seen a room of mostly jazz students being told Bird couldn't improvise. Shouting ensued. Even the sleepy stoner kid who fell asleep within the first five minutes of most classes was practically up and out of his chair, spittle flying.
Now, let me qualify this story in a couple ways. First of all, my professor was a pompous windbag and the foundation of his contention was that Parker (or any other jazz musician) was bound by rules, by the structure of the tune they were blowing over. Real improvisers (for him) were people like Cage or Ives--basically, people creating music out of thin air and making up their own rules. He bragged about his own improvisational abilities; I never saw them put to the test.
And we, we students, were basically idiots. We were all--with some exceptions--playing at being jazz musicians. Any musician can study jazz, can learn their modes, can learn the whole tone diminished scale, can apply that knowledge against a set of chords moving in time and create something approximating jazz. But to live and breathe inside the music, you have to break your playing down to its very roots and then reconstruct it. It can take years before you're competent, and then years and years before you begin to have something original to say.
And now some pretentious art-music loser teaching a class we all had to take and almost none of us wanted to be in was telling us we weren't shit. Let's just say it wasn't a good day, and that class was mad early as well, which wasn't making anyone less cranky.
But I think about that debate often because it brings home how different things can look depending on where you stand. To someone playing at the fringes of what most of the population would consider music, jazz (or at least bebop) may have appeared confining. But then again, many of the jazz students were perfectly happy to look down on jam bands as facile, boring, and masturbatory.
Charles Ives: Badder than Bird
But then, context is everything. We find meaning in art when we understand (intuitively or explicitly) where it arises from: its culture, its structures, its practitioners. The more we understand, the better able we are to appreciate. You don't need a deep knowledge of Thelonious Monk to appreciate the spare, airy beauty of Andrew Hill's solo on "Refuge" from the 1964 album this column takes its name from. But it helps when he references the melody from Monk's "Trinkle, Tinkle." Unfortunately, sometimes greater knowledge also brings along greater snobbery.
We all bring to music our own prejudices, but we make them strengths by recognizing them and trying to learn from them. There's joy to be found in a Duane Allman solo that pushes the envelope of blues-based Southern rock; there's joy in Charlie Parker's incendiary and wholesale deconstruction of each and every chord change and in Miles Davis' careful, spiny exploration of one of his tune's open-ended harmonies. And yes, there's even joy in the most abstract modern music because it pushes against the biggest envelope we've got as music fans--the one labeled, simply, MUSIC.
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Kacey Musgraves, Chvrches highlight a dynamic Basilica Block Party July 15 by Alex Rice


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In Penghu, All You Need is Love
Posted by Katherine Goh | Aug 30, 2015
"澎湖湾, 澎湖湾, 外婆的澎湖湾 …"
When I was a kid, I've heard the Chinese song "外婆的澎湖湾" (Grandma's Penghu Bay) by潘安邦 (Pan An Bang). I didn't know what that Penghu Bay referred to, and I never really bothered to find out as the song faded into near-oblivion in my world.
That is, until a recent trip to Taiwan. I found out that the "澎湖湾" in the song actually refers to a place in Taiwan (I've lived in ignorance all these years, I know). The song speaks of the beauty of Penghu Bay, of which the singer had fond childhood memories involving his maternal grandmother who lived on the island. Little might the late Pang An Bang have expected that 36 years later, his song would be the inspiration behind a movie, a directional debut by Taiwanese singer Richie Jen (任贤齐). The movie "落跑吧, 愛情" (All You Need Is Love), starring Richie Jen himself and popular actress Shu Qi, is set in none other than Penghu County.
Located in the western part of Taiwan, Penghu, also known as Pescadores, is an archipelago made up of 64 islands and islets. It is known for its beautiful beaches, fresh seafood delicacies and stunning basalt column formations. I wouldn't have known this side of Taiwan, if not for a media tour – led by Richie Jen, no less – as part of the promotion for "All You Need is Love".
Erkan Village
On the Xiyu Islet of Penghu is Erkan Village (二崁古厝), a quaint village featured in the movie. Time seems to have stood still in the village where people live in traditional tiled dwellings with courtyards and gardens. The village can be dated back to over three centuries ago, and was formed by settlers from Mainland China during the Ming dynasty. Curiously, most of the villagers share the surname 'Chen'.
Meandering through the small alleys, I saw little plots of vegetables in the gardens of the houses, villagers setting up stalls to sell local produce and interestingly, walls and walls of corals and basalt. The village exudes an unspoilt quiet charm and the people seem to live a simple, laid-back lifestyle.
Qimei Island
Qimei (七美), literally translated as "Seven Beauties", got its name from a tragic tale of seven women who committed suicide when Japanese pirates raided the island, all in a bid to protect their chastity. The seven women jumped into a well, which was subsequently filled in with soil by the island inhabitants and left as a tomb for the seven women. Before long, seven lush trees grew out from the well and the area is now enshrined as the Tomb of the Seven Beauties (七美人塚).
The name Qimei also denotes the seven beautiful things the islanders take pride in – the scenery, the sea, local produce, the geology, architecture, history and the people. Indeed, the island offers some very pristine spots for snorkeling, such as Yueli Bay, with virtually untouched corals.
Another famous attraction of Qimei is the Double Heart Stone Weir (雙心石滬), which is also featured in Richie Jen's movie. The stone weir is an ancient fishing method passed down from seven centuries ago. It is constructed using corals and stones to form walls that trap fishes in the water. The stones are shaped like two linking hearts and the unique shape has made the stone weir a popular attraction on Qimei.
To get to Qimei, one would have to take a 90-minute boat ride from the South Sea Tourist Centre (南海遊客中心) from Magong harbor. Along the boat ride, you will be able to catch sight of some of the basalt columns scattered across Penghu.
These amazing works of Mother Nature were formed millions of years ago; the movement of tectonic plates caused cracks in the earth's crust and forced hot lava to the surface. The spewing lava cooled rapidly and contracted into thousands of perfectly hexagonal basalt columns. The most spectacular walls of basalt-column formations can be seen at Tongpanyu.
Kuibishan Geopark
You've most probably heard of the biblical story of Moses dividing the Red Sea. And at Penghu's Kuibishan Geopark, it is where the story get re-enacted in a way and comes to life. Kuibishan is an intertidal zone; when the tide is low, the sea "divides" itself to reveal a trail meandering from the beach to a basalt hill.
When our guide brought us to Kuibishan, it was late morning and there were many people waiting by the beach. To be honest, I was clueless and did not know what we were waiting for. Shortly after, a lady held up a gong and started hitting it. That was what the crowd was waiting for.
One by one, young and old, the crowds gingerly waded out to a little islet named Chiyu, where a basalt hill sat. The waters had not subsided fully and the people looked as if they were walking on water.
It was quite a sight watching nature at work here. I was honestly fascinated. I waited till the tide was low enough to reveal the trail before I decided to cross to the basalt island. The walk on the trail, made up of basalt gravels, turned out to be not as easy as I thought it would be. The path was wet and slippery, and my slippers did not make it any easier to walk. At one point, my toe hit one of the gravels, leaving me to grimace in pain for a minute.
But, I did not regret making the walk for sure. Like a schoolchild out on her first ecology excursion, I was enthralled by the sea creatures hiding between the gravels. I literally squealed in delight at a starfish and some hermit crabs I saw.
It's moments like this that remind me of how marvellous Nature can be.
The movie "落跑吧, 愛情" will be shown in Singapore cinemas on 3 September 2015. Watch the movie trailer here:
How to Get to Penghu:
From Singapore, you can fly to Taoyuan International Airport and take a high speed rail train to Taichung (less than an hour). At Taichung, you can then take a 40-minute domestic flight to Penghu. You can use Magong City in Penghu as a base for your activities. Other domestic flights are also available from all major cities on Taiwan.
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In about 20 minutes, i installed it.
you don't need any key or screwdriver, because comes included with a imbus.
it is very comfortable. and the most important is that you don't sweat it.
Surprisingly great. A little short on adjustable functions and a little tricky on the assembly but definitely a good purchase.
Exactly what I was looking for. I needed an office chair for daily use and this provides great support. Would recommend.
This is perfect for me at work and everyone wanted one, so I told them they needed to buy one themselves from Wayfair!
Decent chair for the price. Have had for several months now with daily use. Only complaint is that there's not much cushion.
Great chair for the money!
Happy with chairs. Good quality. Good price.
The chair is good looking and comfortable. Only if the hands would be height adjustable the chair was perfect. The plastic pieces at the bottom of the chair are not good quality but overall i am satisfied for the price.


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Google wants you to take a break from using your phone
Google is encouraging its users to take a break from their phones with the introduction of new features which will […]
YouTube will now remind you to take a break from your phone (Photo: Pexels)
By Rhiannon Williams
Technology Correspondent
May 8, 2018 7:28 pm(Updated October 9, 2020 2:48 pm)
Google is encouraging its users to take a break from their phones with the introduction of new features which will notify its owner when they've been using their device for too long.
Chief executive Sundar Pichai asked developers assembled for the company's annual developer conference I/O to embrace JOMO, the joy of missing out, and to know when to switch off.
He unveiled a new feature for Google's Android smartphone and tablet operating system called Dashboard, which will gather information including the number of times they've unlocked their phone, how much time they spend inside apps and the number of notifications they've received, "helping users with digital wellbeing."
Google chief executive Sundar Pichai delivers the keynote address at the Google I/O 2018 Conference at Shoreline Amphitheater on May 8, 2018 in Mountain View, California (Photo: Getty)
It is one of several forthcoming new tools centered around supporting technology which improves life without distracting from it, as part of the company's new Digital Wellbeing initiative.
YouTube-owned YouTube will be updated to remind a user to take a break after a user-specified of time from this week, Pichai said, adding how notifications can also be combined in the form of a daily digest for people who don't want to be constantly pestered.
New Gmail: How to use the new features, including self-destructing messages
Users can also check how much time they spend watching YouTube, and compare their viewing habits with previous time periods. Notifications received from YouTube between 10pm and 8am will not be accompanied with sound or vibration in a bid to encourage the user to disconnect further.
"We're creating tools and features that help people better understand their tech usage, focus on what matters most, disconnect when needed, and create healthy habits for the whole family," Google said.
"We're committed to giving everyone the tools they need to develop their own sense of digital wellbeing. So that life, not the technology in it, stays front and centre."
Google's Sundar Pichai is a vegetarian, so probably doesn't care that much about the burger emoji (Photo: Getty)
Google Assistant, the company's AI-powered digital helper, now comes in six new natural-sounding voices, in addition to certain phrases spoken by singer John Legend coming later this year.
Updates to Assistant are intended to help the user look less at their smartphone, spending more time addressing the device out loud, Google said.
Gmail, Google's email application, will be updated with new high-priority notifications to limit the number of email alerts received.
Pichai also joked about fixing how the cheeseburger emoji appears on Google's platform, following an online backlash over the placement of the cheese underneath the meat last October.
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I mean it fitted into my lapbook 14.1 with a bit a sandpaper on the case, shaved off about 2/3 mm to make the fit perfect. You never had to shave any but it fitted better with the shaving/sanding.
the power management issue means the battery lasts about 3 hours max and the CPU is very slow. Chuwi are aware of this and not don't care.So far it effects v2 and I believe v3 of the hardware.
yeah saw that first impressions review.
my lapbook 14.1 needed a firmware upgrade to get it to work.
because it has no screen and just a red light I got to get a flasher from fleeBay and use a another PC to jump start the flashing.
yeah confirmed same story here too, not good.
strange my onda 21 boots up about in about 18 seconds on eMMC and 12 seconds on SSD.
Still any less than 30 seconds is amazingly fast.
Chris are you getting one of these in for review? has touch-screen and yoga flip display. Move over onda 21 a new king has arrived, well maybe.
You flash the bios with a usb pen. Press f7 after powering on and choose USB pen and let it boot.
The latest bios should fix your issue but take it to someone who knows what they are doing. Latest bios is 0.26 but not all motherboards can take it.
chuwi never hosted the correct bios file they only hosted v0.14 which is way too old for the newer hardware models.
If you received it dead then it is unlikely to be a bios issue, but it can not harm you giving it a try.
But it can not harm you giving it a try.
If you received it dead then it is unlikely to be a bios issue, does HDMI work?
But mine was caused by a bad bios flash. Yours could be anything.
You in the uk? If so and you want to ship me the laptop I'll have a try to repair it for the cost of a couple beers.
yeah lapbook 14.1 I have updated the title.
yeah it only for a 9 year old child so it not end of the world but not great.
I did crack the screen case open however the bottom section was difficult to open. I could see the screen was held in with screws.
My money is going on the inverter being the issue.
<!–more–>I reckon that chuwi might have under clocked these in the bios because the newer hardware revision models have locked Bios.


text:
Thunderful Group Acquires Jurassic World Aftermath Developer
October 5, 2020	Off	By tracy
Thunderful Group – which comprises Image & Form (SteamWorld, The Gunk), Zoink (Lost in Random, Fe), and a publishing arm – has acquired Coatsink, creators of Jurassic World Aftermath, Esper, and more.A press release reveals that Thunderful Group will pay £23 million (approximately $29.7 million USD) upfront, with earn-out components potentially raising the sale price to a maximum of £65.5 million ($84.8 million).
Coatsink is a UK-based developer/publisher which has specialised somewhat in VR games. It's developed Jurassic World Aftermath, Esper, and Esper 2, as well as supported development of Gang Beasts and Kingdom: Two Crowns. It's also published the likes of Cake Bash, Phogs, Get Packed, and Onward. Coatsink is currently working on 5 announced and unannounced projects. It will remain an independent studio after the acquisition.
Thunderful made the acquisition in order to expand its games segment. "The guys at Coatsink are just as playful and serious as we are. When getting to know Tom, Paul and the others, it was obvious that we share the same outlook on what should define games. We both develop and publish great games. Although there's the sea between us we're like minded and have grown in the same direction over the years. I think it's fair to say that Thunderful and Coatsink are pretty similar to each other", said CEO Brjann Sigurgeirsson to IGN.
Thunderful was set up in 2018, initially to bring Image & Form and Zoink into one company, and the two best friends that run each company.
Joe Skrebels is IGN's Executive Editor of News. Follow him on Twitter. Have a tip for us? Want to discuss a possible story? Please send an email to [email protected].
Star Wars: Squadrons Multiplayer Review in Progress
What to Expect for Amazon Prime Day 2020: Some Early Deals Are Available Now, Prime Day is Next Week


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The Shocking Exploitation of Migrant Workers in Dubai
Dubai is a city known for its sky high towers, upscale residential areas and streets full of expensive and glamorous cars. However, there is a dark side to the city that is not known by many people – the shocking exploitation of the migrant workers.
The migrant workers in Dubai are the city's backbone whose sweat and efforts keep the city running. From construction to cleaning and other activities, the foreign workers play an important role in the development of the city.
The migrant workers in the UAE constitute about 90 percent of the total workforce in the private sector. Most of them belong to the South Asian and Southeast Asian countries such as India, Pakistan, Bangladesh, Sri Lanka, and the Philippines.
Many of the workers are paid a meager salary with most working 12 hours shifts. They are often giving accommodation in shanty and run-down places. In short, the migrant workers are treated as slaves of the rich gulf oil city.
The Human Rights Watch (HRW) report had found that foreign workers that make up about 88.5 percent of UAE population are subjected to different labor abuses. In the 2016 World Report, the HRW had stated that the domestic workers are particularly subject to abhorrent treatment. These workers don't have any protection offered by the labor law in the Emirati state.
According to the human rights group, the 'Kafala' sponsorship program also exploits the workers due to abhorrent working contracts. The worker's contract could be revoked at will by the sponsor due to which they would have to be deported back to their own countries without any severance or other payments.
President of the International Trade Union (ITU) Sharan Burrow had labeled the shocking treatment of the migrant workers in Dubai as modern slavery. The country that is the 10th richest in the world with GDP of above $430 billion has turned a blind eye to the plight of the exploited workers in Dubai.
A BBC reporter named Ben Anderson had filmed a documentary detailed the condition of migrant workers in the city. The documentary showed the abhorrent conditions in which workers were living. Due to the low salary, a number of men living in the city were in debt and were too poor to even afford a trip back home.
Public protests are not allowed in Dubai. However, angry workers fed up by the treatment and poor pay protested on the Fountain Views development site in the central part of the city. While it's true that capitalism creates the divide between the classes, the shocking exploitation of the workers in Dubai is an act worthy of censure from any ethical viewpoint.


On August 8, 2008, 176 drummers in Los Angeles and Brooklyn performed an 88 minute composition by Yamantaka Eye of the Boredoms. The performance was a follow-up to Yamantaka Eye's 77 Boadrum which had taken place on July 7, 2007 at Fulton Ferry Park, Brooklyn. Drummers selected for the performance were split into two groups of 88 with the Boredoms leading the group at the La Brea Tar Pits, Los Angeles and Gang Gang Dance leading the group at East River State Park, Brooklyn. Soft Circle's Hisham Bharoocha assumed the role of concert director. The performance was coordinated by a video broadcast which attendees could view in both locations. And the performance was free.


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I had a brake light bulb burn out on my newly acquired 986, so I swapped all the rear bulbs with leds.
Porsche bulbs are the reverse of normal polarity (+ and -), so normal leds won't work, unless the polarity is reversed, or the leds are not polar sensitive.
Superbrightleds.com has a selection of polar non-sensitive bulbs.
I didn't need to remove the whole tail light assembly in order to change the bulbs, there is a release to slide the bulb holder out.
In my case, the drivers side didn't want to come out easily, so I removed the housing.
Here with the new leds in: I did not change the fog bulb because I never plan on using it (it works).
Here is the reverse light in comparison, the new led is on the left (drivers side), old halogen on the right.
The leds are not noticeably brighter than the old halogens, but more pure to their color. In this case, the reverse leds are in cool white.
Here is the tail/running lights in comparison, led on left (driver).
The pics aren't the best, the camera and lighting are poor, but you can see the difference in color.
Here's a close up of the tail/running and the rear marker lights. The led is on top.
Here is the brake lights in comparison. Since I couldn't press the brakes and see the lights, was just me, I took a picture of the brake lights reflection on the garage door.
The led is on the right in the picture (drivers side). Not much brighter, but red-er.
Here is the turn signal in comparison. Led on left (drivers).
The led turn bulb flashes instantly, as the halogen flashes with more of a delay in brightness.
I also swapped the front side marker bulbs to amber leds.
The leds hide the amber color in the clear lens, looks cleaner.
The top pic is the halogen, note the amber hue.
Did you keep the regular turn signal bulbs on the front (headlights)?
Porsche bulbs are same as all German cars and are NOT "reverse polarity."
Center post is positive, side shell is negative.
@Meir Yes, the front turn signals are still halogen, but I plan on swapping them soon.
Last edited by fox986; 11-17-2016 at 11:27 AM.
The shell side is what is switched and the center is common.
Our bulbs are reverse polarity. Center post is negative.
If you ever find your LED's aren't as bright as they should be, buy Cree LED bulbs instead. They're a little more expensive, but they are enormously bright. I've got Cree LED turn signals and they're gorgeous.
Reason for asking is me wondering if the relay will " behave" with 4 LED bulbs.
I ended up reversing polarity on the bulbs, and using resistors.
The relay I had at the time, didn't work for me.
I read somewhere that the brake LEDs do not allow to the cruise control to work properly due to the voltage being much lower and the CC not picking it up when you brake.
@Meir I was wondering the same thing. The relay says "for LED" so I'm hoping it will behave.
@Madmodz I read that as well. I will test it and confirm.
Has anyone ever modded the rear fog lights to turn on as running lights? I've seen people wire them to brake lights, or wire them to both turn on. I think with a less bright bulb, they would bridge the gap of light between the rear marker and the running light.
Last edited by fox986; 11-17-2016 at 07:49 PM.
I tried LED's several times as straight swaps and everytime they were dimmer than the stock bulbs because they didn't light the reflector well and wasted a ton of light going in wrong directions. It looks like they've improved since the last time I tried about 4 years ago...though the brake lights still look dimmer.
Has this relay been working for you? I have LED's for my side markers and they seem to blink uncontrollably. I'm wondering if this will fix it.
Last edited by Dubaday; 01-11-2017 at 09:00 AM.
Grab the old bulb and measure the resistance across the poles. Now measure the new bulbs resistance. Now you have two choices. Add the resistance in series and in parallel.
The type of circuit will define the resistance needed. If I remember correctly series is additions x=y+z and parallel is 1/x=1/y+1/z. Please correct me if I am wrong.
The reason why it blinks is that most flashers are Amperage sensitive. Have very low resistance causes the amperage of the circuit to skyrocket requiring the circuit to reset more often. Now knowing that you could fine tune your blinkers to your taste by switching resistances. Now what I don't know is if the left and right sides are on the same circuit and if they are, when you are in double. you could in theory make them blink at different speed, but I would imagine its one circuit.
Sorry, I don't understand much when it comes to currents/electricity and how they work.
All I know is that about 5 months ago, one of my bulbs for the side marker went out, so I replaced both side markers with LED bulbs.
Also changed out my dome and door lights with LED bulbs as well.
Everything seemed to work fine until just last weekend, I noticed my side markers pulsating like a disco ball.
It's not the bulbs that are different, it's the bulb holder.
But yes, not much help ... sorry.
Incandescent bulbs don't have a polarity, but this thread is not discussing incandescent bulbs.
Last edited by particlewave; 01-11-2017 at 03:06 PM.
No worries. The relay is fine, its the local circuit that needs more load.
You need to use an filament bulb. LED bulbs have a 50% chance of working and if they work they work incorrectly for the use most of the time.
LED Light emitting diodes act like a "light emitting" check valve. Filament bulbs work like a water dam. LEDs don't restrict, filaments do. Now your issue is that you don't restrict the current enough. This is where most of the time you need something custom.
That's what power resistors are for.
Add them in parallel only. A series connection will dim an LED bulb that is already designed for 12V use.
Side markers on this car do not function as blinkers, so the point is moot. There is no relay and it's not a turn signal. Dubaday has a failing LED side marker that is flickering. A resistor will not fix that.
Last edited by particlewave; 01-11-2017 at 05:25 PM.


text:
The Country Music Hall Of Fame And Museum® Awarded National Endowment For The Humanities Grant To Create Online Version Of Its Celebrated Night Train To Nashville Exhibit
Military Non-Profit Western Sports
Music Tenn Texas Radio
COLE SWINDELL TO PERFORM HIS FIVE-WEEK NO. 1 "SHE HAD ME AT HEADS CAROLINA" ON THE TONIGHT SHOW STARRING JIMMY FALLON TUESDAY, NOVEMBER 22ND
"THE 56TH ANNUAL CMA AWARDS" WELCOMES NEW AND RETURNING PARTNERS
Country Music Tenn Texas Radio
LUKE BRYAN PLEDGES TO DONATE PROCEEDS FROM ESTERO, FLORIDA CONCERT TO HURRICANE IAN RELIEF
JAKE OWEN'S ANNUAL FLAMINGO JAM RETURNS
COUNTRY MUSIC SUPERSTAR ALAN JACKSON TO RECEIVE THE 2022 CMA WILLIE NELSON LIFETIME ACHIEVEMENT AWARD AT "THE 56TH ANNUAL CMA AWARDS"
DISCOVER SOONER ANNOUNCES THE PUBLISHER WRITER EXPERIENCE WITH JACEE BADEAUX, CREATIVE DIRECTOR, BIG YELLOW DOG
The multimedia exhibit will be accessible for free on the museum's
website and supported by new public programs
NASHVILLE, Tenn., Oct. 6, 2021 – The Country Music Hall of Fame® and Museum was recently awarded a grant from the National Endowment for the Humanities to create an online version of its award-winning 2004-2005 exhibition, Night Train to Nashville: Music City Rhythm & Blues 1945-1970. The online exhibit will revive, update and preserve the significant story of Nashville's vibrant and pioneering R&B scene and its role in building the city into a world-renowned music center. The exhibit, which will be supported by new public programs, is scheduled to be completed in November 2022 and will be free to access on the museum's website.
The grant is part of NEH's Sustaining the Humanities through the American Rescue Plan, which aims to support the critical role the humanitiesplay in our nation and assist cultural institutions affected by the coronavirus pandemic. The nonprofit museum is one of eight cultural and educational institutions in Tennessee to receive funding. Approximately 115 museums, historic sites and historical societies nationally were awarded grants.
The Night Train to Nashville exhibit filled the museum's 5,000-square-foot, second-floor gallery from March 2004 to December 2005. The major exhibition explored Nashville's R&B activity in the decades following World War II, which played a significant role in building Nashville's worldwide reputation as "Music City." As Nashville's country music industry was just getting started, the city was a hotbed for R&B in the late 1940s,'50s and '60s, with celebrated performers—including Ray Charles, Little Richard, Arthur Alexander, Etta James, Ruth Brown and Jimi Hendrix—contributing to the city's rich musical heritage. The exhibition also highlighted the roles of many other talented and often unheralded contributors, including Nashville musicians, songwriters, radio personalities, record label executives, television producers and nightclub owners.
Like the physical exhibition, the online exhibit's narrative will be organized into distinct chapters. Themes include the roots of Nashville R&B; the city's live music scene; the influential radio and recording industries; R&B on television; and R&B songwriters' and performers' strong ties to Nashville's country music community. Its digital presentation will incorporate many of the same rich multimedia features found in the museum's recently created online exhibits, Suiting the Sound: The Rodeo Tailors Who Made Country Stars Shine Brighter and Dylan, Cash and the Nashville Cats: A New Music City.
During the exhibit's original run, Night Train to Nashville garnered the museum a Bridging the Gap Award (2006) from the Nashville chapter of the NAACP for the promotion of interracial understanding. Additionally, the exhibit's companion album Night Train to Nashville: Music City Rhythm & Blues, 1945–1970 received a GRAMMY award for Best Historical Album (2004).
The recent grant awards by the NEH are supported by $135 million in supplemental funding allocated to NEH by the American Rescue Plan Act of 2021.
About the National Endowment for the Humanities:
Created in 1965 as an independent federal agency, the National Endowment for the Humanities supports research and learning in history, literature, philosophy, and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation. Additional information about the National Endowment for the Humanities and its grant programs is available at neh.gov.
About the Country Music Hall of Fame and Museum:
The Country Music Hall of Fame® and Museum collects, preserves and interprets country music and its history for the education and entertainment of diverse audiences. In exhibits, publications and educational programs, the museum explores the cultural importance and enduring beauty of the art form. The museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum is accredited by the American Alliance of Museums, and is among the 10 most-visited history museums in the U.S. The Country Music Foundation operates Historic RCA Studio B®, Hatch Show Print® poster shop, CMF Records, the Frist Library and Archive and CMF Press. Museum programs are supported in part by Metropolitan Nashville Arts Commission and Tennessee Arts Commission.
More information about the Country Music Hall of Fame® and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.
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THE COWBOY CHANNEL HONORS JOHN WAYNE WITH "DUKETOBER"
Tickets On Sale for Country Music's Biggest Night™ Monday, Nov. 1 at 10:00 AM/CT
TOBY KEITH TO BE HONORED WITH BMI ICON AWARD AT THE 2022 BMI COUNTRY AWARDS
MIRANDA LAMBERT CELEBRATES SOLD-OUT OPENING OF VELVET RODEO HEADLINING LAS VEGAS RESIDENCY
CMA AWARD "BEST NEW ARTIST" NOMINEE AND TEXAS NATIVE, PARKER McCOLLUM, SET TO APPEAR IN NEW SIX-PART DOCUMENTARY "THEY CALL US OUTLAWS: COSMIC COWBOYS, HONKY TONK HEROES AND THE RISE OF RENEGADE TROUBADOURS
WOMEN'S EVENTS AT PUYALLUP RODEO STEAL THE SHOW


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No more "Tesla Killers:" It's becoming increasingly difficult to distinguish the "EV market" from the mainstream auto segment
Those who have followed the Tesla story for years would remember a time when practically every single concept car and production EV was dubbed as a "Tesla Killer." The idea then was that while Tesla held the lead in electric cars due to its first-mover advantage, the company's share in the EV segment would shrink once other companies like the Detroit Big Three decided to step into the electric car market.
Yet with Tesla completing over 930,000 vehicle deliveries in a year rife with chip shortages and supply chain issues, it is becoming more and more difficult to justify the idea of several companies competing in a limited "EV market." Considering the ongoing rise in electric vehicle sales worldwide and the general decline in sales of vehicles equipped with the internal combustion engine, it is starting to become evident that today, there is no longer an "EV market." Today, there is just a "car market," and EVs are winning.
Production & deliveries in Q4 exceeded 300k vehicles https://t.co/xE7LnWG0va
— Tesla (@Tesla) January 2, 2022
One does not even have to look at Tesla's 87% growth in 2021 vehicle sales to prove this point. A look at how veteran automakers Ford and General Motors fared in 2021 would show how a notable degree of focus and seriousness in electric vehicles may positively or negatively affect an automaker's numbers in the current auto environment. Both Ford and GM were hit, just like Tesla, with the supply chain crisis, but one could argue that General Motors ended up with the shorter end of the stick.
In Q4 2021, GM's US sales tanked by 42.9%, Buick fell by 34.8%, Cadillac fell by 47.8%, Chevrolet dropped by 44.7%, and GMC fell by 37.7%. For the entire year, GM's overall sales dropped by 12.9%. This ultimately allowed Japanese carmaker Toyota to overtake the Detroit veteran for the first time in nearly a century. It should be noted that GM's electric vehicle push was practically nonexistent in Q4 2021, with the company selling all but 25 Chevy Bolts and one GMC Hummer EV before the end of the year.
Several automakers will be reporting December and Q4 U.S. vehicle sales today. First up:
Hyundai-Kia U.S. sales in Dec.#Hyundai: -23%#Kia: -9.8%#Genesis: +70%
FY 2021:#Hyundai: +19%#Kia: +20%#Genesis: +203%
— Automotive News (@Automotive_News) January 4, 2022
Ford did not have an easy 2021 either. The company sold 1.9 million vehicles in 2021, down 6.8% from 2020. Yet despite this, there were notable points of strength in Ford's results. The most evident of these could be found in the sales of the Mustang Mach-E, the company's premium all-electric crossover that, at times, has been favorably compared to the Tesla Model Y, one of the market's best-selling EVs today. Mach-E sales totaled 27,140 vehicles in 2021, making it the second best-selling electric SUV in the US. Interest in the F-150 Lightning also remained strong over the year, to the point where the company had to double its production goals twice to meet the vehicle's existing demand.
Perhaps it was just chance, or simply bad luck on GM's part, but one could notice that between the two Detroit veterans, Ford seems to be far more willing to walk the walk with the EV transition in 2021. General Motors might have announced various lofty targets, and US President Joe Biden might have dubbed GM CEO Mary Barra as the person who electrified the auto sector, but numbers don't lie. In 2022, GM lost in the EV race by a wide margin, and its sales seem to have taken a hit by extension.
Mustang Mach-E sales totaled 27,140 vehicles in 2021, making it the nation's second best-selling full electric SUV! pic.twitter.com/Rvo8hBx84G
— Mike Levine (@mrlevine) January 5, 2022
The coming year would be one for the record books. Various electric cars from both veterans and newcomers are expected to be released. Tesla has the Cybertruck and the Semi coming, and rumors are high that work on the company's $25,000 electric car is underway. Rivian has the R1S ramp to look forward to, and Lucid has its work cut out with the ramp of the Air sedan. Ford has the F-150 Lightning coming this year, and GM has recently just announced the Silverado EV. Volkswagen is also expanding its ID lineup, with the highly anticipated Buzz, the successor to the iconic Microbus, launching this year.
Needless to say, 2022, and likely the years following it, would be one that's characterized by the rise of electric cars. With veteran carmakers now playing catch up to companies like Tesla, the next years would likely see EVs take a more prominent section of the auto sector's pie. With several countries and regions across the world poised to ban the internal combustion engine within the coming years, buying all-electric cars is starting to become common sense for the mainstream buyer. And that, ultimately, suggests that the "EV segment" has now transitioned into simply the "auto market."
Elon Musk says the chip shortage is a 'short-term' problem
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Next Ford warns dealers taking advantage of F150 Lightning reservation holders
Previous New EPA Fuel Economy Rules Will Be Big Boost For Electric Cars


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CALEXICO, Calif. – Construction for a border wall replacement near downtown Calexico began today.
The area of the border wall replacement will be an approximately 2.25-mile section replaced with 30-foot high bollard style wall. The project covers an area from approximately the Calexico West Port of Entry extending westward beyond the Gran Plaza Outlets. The project also includes around 2.25 miles of all-weather roads.
The El Centro Sector wall replacement is one of Border Patrol's highest priority projects. Wall in this area was built in the 1990s out of recycled scraps of metal and old landing mat. Although the existing wall has proven effective at deterring unlawful cross border activity, smuggling organizations damaged and breached this outdated version of a border wall several hundred times during the last two years, resulting in costly repairs.
El Centro Sector continues to experience a high number of apprehensions of illegal immigrants and drug smuggling. In fiscal year 2017, the El Centro Sector apprehended 18,633 illegal aliens, seized 5,554 pounds of marijuana, 483 pounds of cocaine, and 1,526 pounds of methamphetamine and 2,521 ounces of heroin. During that fiscal year, there were 21 assaults against El Centro Sector agents.
Leadership within the El Centro Sector has made great efforts to collaborate with local and state authorities to address any issues that may occur during the construction period. The Border Patrol works diligently with supporting agencies to ensure its presence minimally disturbs the surrounding environment and habitat.
The construction of a more substantial replacement wall will better ensure the safety of agents and the public and create a better atmosphere for business and commerce, all while enhancing overall border security.


What does the heart of an elder look like?
Use each of these characteristics for self-examination. If you are an elder, or if you desire to be one, each of these characteristics should be clearly present in your life. If they are not, you may need to step down for a while to work on your character. In my next post, I'll share some ways you can grow in this Christ-like character.
One of the most important characteristics of an elder is that they love all people. Consider Jesus's commands to his disciples. They are to love the church (1 John 4:7), love their families (Ephesians 5:28), love their neighbors (Matthew 22:39), love their enemies (Matthew 5:44), and love their fellow elders (John15:12). If a person is not loving, they are not qualified to be an elder.
Now, love doesn't look the same to all people. Some love through service, others love through words, and still others love through presence. So we must be careful to know the heart of the person and the motive for their actions. Some things that may not appear "loving" may actually be very loving when we understand the person's motives. For example, rebuke can hurt but it can be loving at the same time. Are you motivated by love?
An elder must be hospitable (1 Timothy 3:2). The word "hospitable" literally means "one who welcomes strangers." Everyone welcomes people whom they know and love. There is nothing special about someone who welcomes family into their home. However, Jesus often welcomed social outcasts, foreigners, and sinners into his presence. The sick, those with birth defects, women, children, and the extreme poor were often overlooked in Jesus's culture. However, he made it a priority to show them love. On several occasions Jesus welcomed and talked with foreigners (a Roman centurion, a Samaritan woman, etc.). He even spent time with people who were considered great sinners. Do you welcome everyone into your home and your church? Are you willing to take responsibility for their comfort and need?
You protect the hurting and vulnerable.
The office of elder is often equated with shepherding the church (1 Peter 5:2). A shepherd not only leads the flock but takes responsibility for the health of the sheep. The elders share the work of watching for the hurting and vulnerable in the flock to make sure they receive the attention needed to become strong and healthy. Sometimes this means protecting them from people in the church (bullies, critics, gossips). Sometimes it means making sure they have food, clothing, and shelter. Often this work is delegated to others (as in Acts 6:1-6), but it is the elders' responsibility to make sure this caregiving gets done. Are you someone who cares for the physical, emotional, and spiritual needs of others?
You guard the unity of the church.
Titus 1:9 says that an elder must "hold firm to the trustworthy word as taught, so that he may be able to give instruction in sound doctrine and also to rebuke those who contradict it." The elders of the church are the keepers of the unity of the church through love and sound doctrine. They do this by first watching over themselves, then over all the church (Acts 20:28). In this they are to be humble but not timid as they submit to God and resist Satan (1 Peter 5:1-11). Are you someone who both knows and teaches sound doctrine with boldness, love, and humility?
You follow the Head Shepherd.
The most important characteristic of elders is that they know that they are not in charge (this includes the pastor). Instead, they recognize that Jesus is the head of his church and the elders work under his leadership as under-shepherds. Ruth Haley Barton says that spiritual leadership is both knowing and doing the will of God. One of the most important works of the elders is to set aside their own desires in order to fully submit to God's will. They should have regular spiritual practices to ensure they are seeking God's will both personally and as one body. The elders should also have a prior commitment to follow Christ's direction no matter where he leads. For this they need to encourage (give courage to) one another so they will be ready to do the will of God without delay. Do you have regular spiritual practices to help you know and do the will of God?
What other qualities are necessary for elders to oversee a church?


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Kinnick Funeral Home
Anthony Nicholas Pannozzo, Youngstown, Ohio
by: MyValleyTributes Staff
YOUNGSTOWN, Ohio (MyValleyTributes) – Dr. Anthony Nicholas Pannozzo, 83, of Scottsdale, left this world for a new journey on Friday, January 7, 2022.
Anthony was born March 9, 1938, in Campbell, the seventh of ten children of the late Vincenzo and Vincenza Campagiorne Pannozzo and grew up in the Youngstown area.
He was a 1955 graduate of South High School and graduated from The Ohio State University School of Medicine in 1963. He completed residency at The Ohio State University Medical Center Department of Physical Medicine and Rehabilitation in 1967.
South High School Alumni Tributes
Anthony proudly served as a medical doctor in the U.S. Army Reserves and as a Captain in the U.S. Air Force.
Throughout his medical career, Tony held different positions. He worked as the Medical Director at Westwood Rehabilitation and Medical Center in Boardman and Desert Valley Rehabilitation Center in Phoenix and was a Clinical Assistant Professor at Northeastern Ohio University College of Medicine. Dr. Pannozzo also established medical practices in Ohio, Arizona and Florida.
In 2018, Tony retired to Scottsdale to be near his family.
He authored a book on the foundations of pain treatment for the non-medical community and secured a U.S. patent on the imaging technique he created to guide diagnosis. He treated over 80,000 patients in his medical practices over 45 years, between walls lined with letters of gratitude from his patients. His work in the medical field inspired four family members to seek medical careers.
Dr. Pannozzo also hosted two medical radio talk shows both in Youngstown and Delray Beach, Florida, drawing listeners in with his distinctive voice and sharp wit.
Tony enjoyed fiery political debates and spirited discussion around the dinner table with his family. He was drawn to science and technology and would read everything he could on a topic he wanted to understand. Dr. Pannozzo loved Italian opera and classical music, he played the accordion and was also a pilot. He loved to devise new projects and programs, spanning the fields of sports medicine, pain treatment, fitness, real estate and business.
Father, friend and guide through life's challenges for those close to him, Anthony is survived by his three children, Pamela Lynn Pannozzo of Spartanburg, South Carolina, Paul Anthony (Jody) Pannozzo of Scottsdale and Michelle Nicole (Tom) Reed of Phoenix; five grandchildren, Sophie Reed of Dallas, Eli and Owen Anthony Nicholas Reed, both of Phoenix and Marco and Gianna Pannozzo also of Scottsdale; two sisters, Jean Rosati and Mary Pantaleo, of Boardman; a brother, James Pannozzo of Florida and many extended family members and friends.
Tony will be sadly missed by all who knew and loved him.
Five brothers, Odorisio, John, Dan, Frank and Richard Pannozzo and a sister, Gertrude Carson, preceded Anthony in death.
Family and friends may gather to pay respects from 9:00 – 9:50 a.m. on Friday, January 14, 2022, at St. Michael Roman Catholic Church, 300 N. Broad Street, Canfield, where a Mass of Christian Burial will be celebrated at 10:00 a.m. Everyone in attendance is asked to follow the current pandemic safety measures by wearing masks or face coverings and respecting social distancing guidelines.
Interment will follow the Mass and will take place at Green Haven Memorial Gardens in Austintown.
Arrangements have been entrusted to Kinnick Funeral Home in Youngstown.
To send flowers to Dr. Anthony Nicholas Pannozzo's family, please visit our floral store.
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