The first point that should be mentioned regarding the internationalization of higher education is the difference between internationalization and globalization. These two concepts are related to each other but they are not synonymous. Globalization refers to the current and future trends in the realms of economics, academia, and so on which are observable in today`s world. However, internationalization is the policies and activities carried out by academic organizations, systems and even individuals in order to participate in the process of globalization. As a result, the internationalization of higher education also includes the activities that are selected by the universities as well as educational and research institutions with the objective of integrating various global and cultural approaches into the educational, research, and service functions of the universities and organizations of higher education. In other words, globalization is inevitable; but, internationalization depends on the choices and decisions of each country.
The motivation of each university for internationalization may be political, cultural, social, economic, and/or academic.
Political discussions such as the foreign policy of countries, creating national security, peace, dialogue, and upgrading the national identity are among the issues that in recent decades have played a significant role in the internationalization of the higher education system of many countries.
Economic motivations include growth and competitiveness, supplying the academic demand, entering the work force market, financial motivations and so on.
In the realm of social and cultural issues, one can refer to the role that is played by universities in creating a common dialogue among various cultures as well as providing world class education to individuals.
Academic motivations also include paying attention to the international and intercultural dimensions in research and educational activities as well as elevating the status of higher education organizations which shall be achieved by improving educational quality and standards.
In order to achieve the internalization of universities and the higher education system, some activities have been included in the programs of many countries, for instance, inter-border cooperation programs, admission of international students, holding educational courses and issuing the certificates in the English language. Moreover, issues such as internationalization of teaching and learning processes have also been taken into consideration. On the whole, it can be mentioned that internationalization has been turned into a criterion for the evaluation of higher education in different countries.
Heading towards the internationalization of higher education requires comprehension as well as acceptance of a collection of intellectual prerequisites. For instance, accepting the fact that a common dialogue must be created among various cultures and such a dialogue would not be created unless there is mutual respect among various cultures. The creation of such a dialogue is also in need of adopting a flexible approach in dealing with future challenges and conflicts.
Among other prerequisites, one can mention the infrastructure that is required for the internationalization of higher education. For instance, the improvement of the students` and faculty members` command in English is one of such prerequisites; since having written and spoken competence in the English language plays a key role in holding as well as succeeding in international programs and plans for exchanging students. On the other hand, since most of the academic sources in the world are in the English language (about 28 percent), the advancement of the students` and faculty members` command in English could facilitate their access to the world`s cutting-edge knowledge and, thus, accelerate the scientific improvement of the higher education system in the country.
Among the other tools for the internationalization of the higher education systems, the programs for exchanging students, faculty members and researchers can be mentioned. One of the requirements for the success and increase of such programs is the creation and development of common academic aspirations among different countries. For example, sustainable economic development and a decrease in the emission of greenhouse gases and also an increase in the consumption of green energies are among the activities of different countries in the realm of science and technology. Therefore, in order to specify and operationalize common scientific and research programs, our country should also enhance the programs which are in line with sustainable development and increasing the application of renewable energies.
With respect to the determining role of globalization trends, our country should also pay a great attention to this issue and identify as well as consider its strategies for the internationalization of higher education on the basis of global trends since our universities are responsible for further changes, and they are among those organizations that should pave the way for entering different areas and moving towards globalization.
The first group consists of the trends that are predicted to play a significant role in the advancement and achievement of cutting-edge knowledge in different scientific and technological areas. Among such areas, the issues of sustainable development, renewable energies, innovative and advanced technologies, and so on can be enumerated. The higher education system in Iran should be capable of planning and implementing programs to confront such trends so that it can play an influential role in the global areas.
The second group includes the trends that transform and influence the higher educational system in different countries such as virtual education, technologies of learning and digital learning, new educational and teaching methods and programs including mobility programs, collaborative learning, and so on and, therefore, the efforts for the internationalization of higher education also requires advancements of this system in such areas.
Designing and developing new fields of study which are compatible with the globalization trends.
Improving the quality and variety of the programs that are aimed at exchanging the students and faculty members.
An important point regarding the internationalization programs of the countries at the forefront of this movement, is Paying attention to the private sector and private institutions of higher education. Hence, the status and significance of non-governmental educational institutions should be taken into consideration in the internationalization of the higher education system.
Finally, in order to implement the internationalization objectives of the higher education system in the country, these issues also need to be included in the policies, documents, and macro-programs of the country and there should exist a suitable balance among them.
In higher education systems, the engineering programs benefit from a specific status since the mission of these programs is training skillful, expert, and committed professionals as well as the production of science and technology required for solving problems. In today`s world which is exposed to serious crises in terms of energy and the environment, the crisis of water and soil, fossil fuels, the pollution of the rivers and the seas, poverty and starvation, sanitation, and so on, the role that is played by the engineering programs becomes more significant than before. In fact, the output of such programs should have such quality and effectiveness that they can provide the required knowledge, expertise, and technologies to deal with such challenges and pave the way for sustainable development in societies. Obviously most of these challenges are global and do not have a local solution. As a result, they are in need of human beings with global qualifications and merits. Therefore, what has been mentioned regarding the internationalization of higher education would benefit teaching in engineering multifold. Thus, such a necessity requires the universities, especially the faculties of technology and engineering, to increase their attempts more than ever in paving the way and providing the requirements of internationalization. Moreover, by making revisions in the fields of study and the teaching content, and by making changes in the teaching-learning methods as well as by creating a balance in the knowledge, expertise, and insight of students and graduates, the way could be paved for taking steps in this tortuous path.


One of the most common misconceptions about twenty somethings is that they don't work hard enough. However, millennials are actually amongst the most hard working people on society and they are constantly striving for success in the world. To give them a treat for a birthday or Christmas you can create a cosy night in hamper. It can include some wine or champagne from Oddbins, a blanket or dressing gown, some fluffy socks, a few face masks, a hot chocolate set and snacks. It can be a fun present to create and it will be more than appreciated!
For any young person who has bought their first home, you will be able to have some fun with the gifts you give and make the most of buying them some home decor. Make sure you visit the home first and talk to them about the style they like etc, and then you can go out to buy candles, vases, cushions and even artwork for the wall. It can be a lovely way to make a small mark on their home and they will appreciate the gesture.
We all know that young people love technology. You will never go a day without seeing people on their phones, playing video games or watching TV. You can really have some fun buying gadgets and games for a twenty something because it can be something for the kitchen, a fun camera, or a film box set you know they will love. The choices are endless.
A cute idea which you can give to your trend savvy millennial this year is a 3 month subscription to a treatbox. Treatbox is a company which creates cute little boxes filled with art, accessories, teabags, hot chocolates and other small trinkets. The designs are all original and created by collaborators each month and you can enjoy seeing them create wonderful flat lays for their instagram with the contents.
If there is one thing that a twenty something can really enjoy to look after. It's a succulent. Succulents are easy to keep alive and they are the ideal gift for someone who isn't very green fingered. A succulent can always look stunning on display in the home and it can bring a relaxing atmosphere to their living space. Everyone loves a good plant and it can be a really cute gift to give to a twenty something alongside a bottle of wine or whiskey.


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You are here: Home - Household Bills - News -
Back to school costs continue spiralling
Summer holidays can be a costly affair for parents, but the end of the summer holidays doesn't mean the end of spending.
Confused.com research reveals parents in the UK are facing increasing costs to get their children ready to go back to school after the summer holidays, with prices rising by 6.5 per cent since last year. On average, parents will spend an average of £164 kitting their children out for the new school term. This follows a summer in which parents have spent an average of £5,16 on childcare and activities for their children.
On average, the cost of a family summer holiday is £1,051, meaning parents will collectively spend £1,567 over the six week summer period. 42 per cent of parents say they spend more money during summer than Christmas.
However, costs keep coming when summer ends, with 10 per cent of parents spending over £300 kitting out their children for school, as 68 per cent of parents buy uniforms and general school equipment from new.
The findings also suggest parents are keen on kitting their kids out with the latest technology/gadgets, 27 per cent of parents cent intending to buy their child a mobile phone, tablet or laptop before sending them back to school.
The most popular items children carry around in their rucksack to school include:
Books – 75 per cent
Pencil case – 71 per cent
Lunch box – 60 per cent
Calculator – 43 per cent
Smartphone – 24 per cent
Headphones – 17 per cent
Mobile phone – 15 per cent
Tablet – 7 per cent
iPod – 6 per cent
MP3 player – 5 per cent
Spending doesn't stop once 'back-to-school' items are purchased. Ongoing financial outgoings for children in school, such as lunch, bus fares and school clubs cost parents an average of £201 each term, equating to £603 for a full school year.
To cover rising costs, 29 per cent of parents will pay for school expenses via credit card, while 8 per don't how they will cover the cost.
Nerys Lewis, head of credit cards at Gocompare.com, said: "Summer seems an expensive time – not only are parents covering the costs of their child's entertainment, but also having to cover the expense of kitting them out for school.
"Worryingly, parents are feeling the pressure of these financial burdens, and using whatever means possible to pay. It's understandable many parents are turning to their credit cards to help fund these days out, or pay for their child's uniform. While this isn't necessarily a bad thing, we want to make sure people are using the right type of credit card for their individual needs. There are some great deals available so it's worth shopping around."
Tagged: Back To School Back to School Costs household bills Parental Spending
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text:
Q: A three way toggle should display the same div with number of checkboxes one with Disabled , Checked and Unchecked in JS I have Three-way toggle, where Each on click should display the three different States.
Disabled -- All CheckBoxes should be left UNCHECKED
Default -- All CheckBoxes should be left CHECKED AND DISABLED
Enabled -- All CheckBoxes should be left CHECKED

Using Only one set of checkbox, the three different states should occur.
How could I do this in CSS and in JS?

   <input type="radio" name="toggle" class="Toggle1" value="false">

   <input checked type="radio" name="toggle" class="Toggle2" value="-1">

   <input type="radio" name="toggle" class="Toggle3" value="true">

//Checkbox Input

 Disabled List of digits

             <input class="form-check-input" name="myGroup" type="checkbox" value="0">
              0

             <input class="form-check-input" name="myGroup" type="checkbox" value="1">
             1

              <input class="form-check-input" name="myGroup" type="checkbox"value="2">
              2

              <input class="form-check-input" name="myGroup" type="checkbox"value="3">
              3

             <input class="form-check-input" name="myGroup" type="checkbox" value="4">
             4

Script:
 function toggledDiv() {
    const toggles = [".Toggle1", ".Toggle2", ".Toggle3"];
   for (let i = 0; i < toggles.length; i++) {
      let toggleElem = document.querySelector(toggles[i]);
      const checkboxes = document.querySelectorAll('input[type="checkbox"]');
         toggleElem.addEventListener("change", () => {
             if (toggleElem.value === 'false') {
                // all checkBoxes should be UNCHECKED
             }
             else if (toggleElem.value === 'true') {
                  // all checkBoxes should be CHECKED
                 checkboxes.setAttribute('checked');
              }
             else {
              // all checkBoxes should be CHECKED AND DISABLED
                checkboxes.setAttribute('disabled');
             }

           });
         }
      }

How could I do this different states using ONLY one set of checkboxes using JS AND CSS?
Could anyone please help?
Many thanks.

A: You had a reasonable start. However, you shouldn't add event listeners inside loops that you use often. You'll end up adding the event listeners over and over again. Other than that, you were well on your way to get it to work. Here's a working example of how I would do it (some explanation can be found within the comments of the code):

// Make  sure DOM is finished loading
document.addEventListener("DOMContentLoaded", function(e){
    // Get all radio buttons
  const radioBtns = document.querySelectorAll('input[name="toggle"]');

  // Add event listeners to each radio button
  for(let i = 0; i < radioBtns.length; i++){
    radioBtns[i].addEventListener("click", handleToggleEvent, false);
  }
});

function handleToggleEvent(){
    // Get current radio button state
  const radioBtnState = document.querySelector('input[name="toggle"]:checked').value;

  // Get all checkboxes
  const checkBoxes = document.querySelectorAll('input[name="myGroup"]');

  // Loop through each checkbox and set attributes according to radio button state
  for(let i = 0; i < checkBoxes.length; i++){
    if(radioBtnState === '-1'){
        checkBoxes[i].checked = true;
      checkBoxes[i].setAttribute('disabled', true);
    } else if(radioBtnState === 'true') {
        checkBoxes[i].checked = true;
      checkBoxes[i].removeAttribute('disabled');
    } else if(radioBtnState === 'false') {
        checkBoxes[i].checked = false;
      checkBoxes[i].setAttribute('disabled', true);
    }
  }
}
.tw-toggle {
  /* background: #95A5A6; */
  display: inline-block;
  padding: 2px 3px;
  border-radius: 20px;
  position:relative;
  border: 2px solid #95A5A6;
}

.tw-toggle label {
  text-align: center;
  font-family: sans-serif;
  display: inline-block;
  color: #95A5A6;
  position:relative;
  z-index:2;
  margin: 0;
  text-align: center;
  padding: 2px 3px;
  font-size: 15px;
  /* cursor: pointer; */
}

.tw-toggle input {
  /* display: none; */
  position: absolute;
  z-index: 3;
  opacity: 0;
  cursor: pointer;
}

.tw-toggle span {
  height: 21px;
  width: 21px;
  line-height: 21px;
  border-radius: 50%;
  background:#fff;
  display:block;
  position:absolute;
  left: 22px;
  top: 2px;
  transition:all 0.3s ease-in-out;
}

.tw-toggle input[value="false"]:checked ~ span{
  background:#e74c3c;
  left:2px;
  color:#fff;
}

.tw-toggle input[value="true"]:checked ~ span{
  background:#27ae60;
  left: 46px;
}
.tw-toggle input[value="-1"]:checked ~ span{
  background:#95A5A6;
  left: 23px;
}

.tw-toggle input[value="false"]:checked + label,.tw-toggle input[value="true"]:checked + label{
  color:#fff;
}
.tw-toggle input[value="-1"]:checked + label{
  color:#fff;
}
<link rel="stylesheet" href="https://maxcdn.bootstrapcdn.com/font-awesome/4.6.1/css/font-awesome.min.css">

  <input type="radio" name="toggle" value="false">

  <input checked type="radio" name="toggle" value="-1">

  <input type="radio" name="toggle" value="true">

 Disabled List of digits

    <input class="form-check-input" name="myGroup" type="checkbox" value="0" checked disabled>
    0

    <input class="form-check-input" name="myGroup" type="checkbox" value="1" checked disabled>
    1

    <input class="form-check-input" name="myGroup" type="checkbox"value="2" checked disabled>
    2

    <input class="form-check-input" name="myGroup" type="checkbox"value="3" checked disabled>
    3

    <input class="form-check-input" name="myGroup" type="checkbox" value="4" checked disabled>
    4

redpajama_set_name: RedPajamaStackExchange


text:
British Newspaper Archive
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Shopping British Newspaper Archive
Thanks to its partnership with the British Library, the British Newspaper Archive is one of the world's leading newspaper archive resources. The extensive collection is now accessible to the public, offering more than five million pages of historical British Library newspapers, making them a perfect resource for reporters, editors, students, and historians.
British Library newspaper archive
The British Library currently has the finest collection of newspapers in the world, with more than 34,000 titles from the United Kingdom and overseas.
The collection also includes the ongoing legal deposit—since 1869 it has required publishers of British and Irish newspapers to send a copy of each published issue to the library. The legal deposit collection includes complete runs of the leading London editions for all British daily and Sunday national newspaper archive features.
The library selectively acquires other newspapers from overseas, as well. These copies are not only written in English but other European languages for a more complete archive. The collection also includes newspapers from Commonwealth countries, whose newspapers the library previously received through colonial copyright.
The British Library holds its newspapers in different formats, with more than 660,000 volumes in print, 630,000 reels in microfilm, and over 20 million digitised pages.
UK newspapers online
You can also view newspapers online through the British Newspaper Archive. Searching through the archive is free, but you will need a personal subscription to view the content.
Viewing the British Newspaper Archive is free within the British Library's reading rooms, however. The British Library also has a subscription to various electronic resources, including most major UK national newspapers, and a few international selections.
The British Newspaper Archive is a partnership between Findmypast and the British Library. The venture aims to digitise up to 40 million pages of the British Library's extensive newspaper collection over the next decade.
The archives enable anyone to search through hundreds of millions of articles using dates, titles, locations, names, and keywords. The results appear instantly, and there's no need to spend endless hours manually searching through hard copies or microfilms at the British Library in Yorkshire or London.
It contains most newspapers published in the United Kingdom since the 19th century, with the archive currently adding collections from the 20th century, as well. Towns and cities publish several newspapers for different audiences based on political affiliations, geographical location, and social status, so the anthology is colossal.
The British Newspaper Archives offers a one-month subscription and an annual subscription. Both give unlimited access to viewing every page currently in the archive.
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Our By My Side Collection is built around design elements that mirror eachother, creating a wonderful symmetrical balance. These stunning 14k white gold earrings feature round diamonds set halfway down petite, high polish hoops. Treat yourself to this refreshing alternative to basic studs or gift them to someone who has always been "by your side." Think friendship, family, weddings, and anniversaries!


As the parent of an only child, there are plenty of times when I feel bad leaving my girl to play alone. But truthfully, it doesn't matter if you have one child or four, because many mothers feel that "am I leaving my kid alone too much?" pang. That, or they feel guilty at times when they can't join in and play with their children.
As mommies, we should of course make time to play with our kids as that's how we bond and connect with them, but that should be balanced with making time to have some fun ourselves. Teaching our kids how to be OK with being alone from time to time is a great life skill, but there's is a difference between neglecting your kid and giving your child time to learn to be independent while you do 50 million other things as a mom.
Read through for six reasons you should feel glad your child is learning to simply be alone.
1. They'll learn how to manage time.
When you are alone as an independent worker — which many of us are as adults for at least a portion of our day — you need to learn how to manage your time on your own without someone hovering over you to remind you what to do next. Although a child could never be that independent all day long, playing alone can teach a child how to work within a time frame to accomplish whatever he or she wants — build a castle or read a book, etc.
2. They'll figure out how to make their own fun.
Being alone after my divorce was peaceful at times, but also challenging. I needed to find a new way to use my time when my daughter was with her dad. This meant "finding the fun" on my own, even if that just meant running errands and catching up on a whole bunch of random stuff.
The same can be said for children who are learning how to "find the fun" while they're alone at play. Learning how to make your own fun is a great life skill and, quite frankly, builds imagination. If a child is alone, he or she can use his or her imagination in different ways than when playing with others. Simply put, your child has no choice but to get creative!
3. They'll realize that not every moment is a party.
You won't always have someone to play with, talk to, date, etc., in life. There will be periods of time — whether it's for a few hours or a few days — in which you're operating solo. Knowing that these times may be lonely but life can't always be a party or the thrill/height of our lives is an important lesson for your little to learn.
Your child will grow to appreciate the truly "exciting times" even more than they do now after having some time alone.
4. They'll learn to enjoy their own company.
Isn't it nice when you get five seconds to yourself to do something you absolutely love? Yes! Children should learn that it's actually nice to be in their own company — that alone does not necessarily equal lonely. That they can look forward to doing a few special things on their own without anyone there to entertain them.
5. They'll figure out how to problem-solve on their own.
When a child is given the chance to be independent, a child can learn how to figure out solutions on his or her own. Alone play time or craft/tablet/game time — whatever the case may be — can be an opportunity for your kiddo to learn how to find answers without turning to you or someone else.
6. They'll discover what it is to give you some space, and why that's important.


text:
Home Entertainment Bollywood Movies Marjaavaan Full movie download In Hd Leaked By Tamilrockers & Filmywap |...
Marjaavaan Full movie download In Hd Leaked By Tamilrockers & Filmywap | Will this affect the film's box-office collection?
Tamilrockers leaks Marjaavaan full movie online to download free: Starring Riteish Deshmukh, Sidharth Malhotra, Tara Sutaria and Rakul Preet Singh among others, Marjaavaan 2019 hindi Shockingly, the film has been leaked online within a few hours of its release. Unfortunately,the film is available for download by online streaming sites like Tamilrockers for free.
Siddharth Malhotra and Ritesh Deshmukh's film 'Marjawan' is releasing on 15 November. Directed by Milap Zaveri, the film stars Rakul Preet and Tara Sutaria in the female lead role. 'Marjawan' is purely a spice film, with loud action and heavy dialogue.
Due to this mass appeal, it is believed that Marjawan can earn well on the first day. Trade experts estimate that the film may take an opening of 6-8 crores. According to the magazine Super Cinema, which monitors the film trade, the film can take an opening of 7-7.50 crores. Marjawan is an action-filled romantic film. The character of Ritesh Deshmukh is the highlight in the film. Ritesh is in the role of a 3-foot dwarf in the film, which is dangerous. Earlier, Ritesh and Siddharth have been together in a villain, which was successful at the box office. Ritesh played the role of Psycho Villain in this film. The film was directed by Mohit Suri.
Marjawan is very important for Siddharth Malhotra, as his career has been derailed for some time now. Their forced release, released this year, was a big flop. Before that, Iyari, Ittefaq and Gentleman could not perform anything special. Repeated look was also flop. In such a situation, this is a great opportunity to prove Siddharth himself as a solo hero at the box office.
Talk about Ritesh Deshmukh and he is included in the lead actors of Housefull 4. The film has performed well at the box office. Ritesh has acted in most comedy and romantic films. In such a situation, after a villain, this character can force the audience to go to theaters. This is the second release of the film's heroine Tara Sutaria. He made his debut with Student of the Year 2, the first film of which Siddharth started his Bollywood career.
By the way, the challenge of Ayushman Khurana's Bala in front of Marjawan is still going on in theaters. Bala was released on 8 November and will enter the second week on Friday. In such a situation, Marjawan will have to compete with Bala in the first weekend.
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I was very satisfied with the results of our web design by Jay. His suggestions and skills have provided our company with a fresh new look and the image we were looking for. His fees are quite reasonable for the talent rendered. Highly recomended.
Keyhole Graphics did my web site for my business. Clip Shoppe Groom and Board. Please go visit my web site to see what they can do, it's great! clipshoppe.com Jay was so nice and easy to work with. I had no clue what I wanted nor what I needed and he was able to direct me. The price was great and the traffic going to my site has greatly increased.
I had Keyhole Graphics develop a brand identity and website for my company. I was beyond pleased with their quality of work and patience! Jay walked me through each step, making sure I got exactly what I was looking for. They are extremely knowledgeable and even went above and beyond...providing me, free of charge, with suggestions on how to grow my business on my own! Would definitely recommend!
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Definition at line 42 of file CodeGenTBAA.h.
Definition at line 43 of file CodeGenTBAA.h.
Definition at line 49 of file CodeGenTBAA.h.
Definition at line 55 of file CodeGenTBAA.h.
Definition at line 59 of file CodeGenTBAA.h.
Definition at line 71 of file CodeGenTBAA.h.
Definition at line 63 of file CodeGenTBAA.h.
Referenced by clang::CodeGen::CodeGenFunction::EmitLValueForField(), clang::CodeGen::CodeGenTBAA::getAccessInfo(), clang::CodeGen::CodeGenTBAA::mergeTBAAInfoForCast(), clang::CodeGen::CodeGenTBAA::mergeTBAAInfoForConditionalOperator(), and clang::CodeGen::CodeGenTBAA::mergeTBAAInfoForMemoryTransfer().
Definition at line 77 of file CodeGenTBAA.h.
Definition at line 69 of file CodeGenTBAA.h.
Referenced by clang::CodeGen::CodeGenFunction::EmitLValueForField(), clang::CodeGen::CodeGenTBAA::getAccessTagInfo(), clang::CodeGen::CodeGenModule::getTBAAInfoForSubobject(), clang::CodeGen::CodeGenTBAA::mergeTBAAInfoForCast(), clang::CodeGen::CodeGenTBAA::mergeTBAAInfoForConditionalOperator(), and clang::CodeGen::CodeGenTBAA::mergeTBAAInfoForMemoryTransfer().
Definition at line 91 of file CodeGenTBAA.h.
Definition at line 87 of file CodeGenTBAA.h.
Definition at line 79 of file CodeGenTBAA.h.
References AccessType, BaseType, Kind, Offset, Offset, and Size.
May be null if there is no TBAA information available about this access.
Definition at line 105 of file CodeGenTBAA.h.
Referenced by clang::CodeGen::CodeGenFunction::EmitLValueForField(), clang::CodeGen::CodeGenTBAA::getAccessTagInfo(), llvm::DenseMapInfo< clang::CodeGen::TBAAAccessInfo >::getHashValue(), and operator==().
May be null if this access descriptor represents an access that is not considered to be an access to an aggregate or union member.
Definition at line 101 of file CodeGenTBAA.h.
Definition at line 96 of file CodeGenTBAA.h.
Referenced by llvm::DenseMapInfo< clang::CodeGen::TBAAAccessInfo >::getHashValue(), and operator==().
Must be zero if the base access type is not specified.
Definition at line 109 of file CodeGenTBAA.h.
Definition at line 112 of file CodeGenTBAA.h.


This is interesting, Viktor just showed how Quikr will change the display language automatically just by changing the browser language setting. Nothing you need to do, built-in into the server.
One server, any language. Instant.
This does not translate the content you create, but the framework itself. Awesome!
Seriously, I will write something up later and post Ed"s slides but I won't do this whole "write as you hear it" live blogging as my Dyslexia will kill you trying to figure out what I am attempting to spell out. go to http://iamlug.org and listen in.
Sitting in Bill's session. Great content, its obvious Bill had to cut out allot of content to fit into the time allotted.
Teaser: there are rumors that there might be a 64bit Linux Domino version in the works . . . Now we're talkin'!


As a social media agency, we help businesses with all kinds of issues related to social media. Since this gives me an opportunity to see how different businesses are approaching their social efforts, I'm able to notice trends across multiple industries and organization sizes. One issue I commonly see is businesses struggle to measure how well their social media efforts are performing.
Once someone is familiar with your business, you want to get them on social media and on to your website. Clicks are an ideal metric to measure for this purpose. You can see general trends about how many people are clicking to your site on a daily basis, along with which specific efforts are best at driving clicks.
If you want to create a strong social media strategy that includes a clear strategy for measuring performance, contact us how we can help.


14 total views, 7 today.
About: Please, no scammers, Ill not send money.
About: I hate writing these things. I am divorced, a mom, i listen to rap, read alot, work full time have my own place and the worst luck in dating! There you go.


text:
Independence Day Of Ukraine Celebrated In Belgrade
BetaPhoto/Miloš Miškov
"We admire the Ukrainians for their determination to realize their decisions to live in a country that is free, prosperous and to make their own decisions," said the European Union Ambassador to Serbia, Emanuele Giofre, who, together with the US Ambassador Christopher Hill and the Secretary of State in the Ministry of Foreign Affairs Minister of Serbian Affairs, Nemanja Starović, participated in the ceremonial gathering on the occasion of the 31st Independence Day of Ukraine.
The messages of support were sent to the Ukraine regarding the war that began six months ago.
EU ambassador Gioffre stated that it is a day of celebration, but also a day of mourning for all the victims of the war in Ukraine, while U.S. ambassador Hill noted that no country in the world is facing the difficulties that Ukraine is currently facing, which was attacked by its neighbor without warning.
"It is hard to believe that in the 21st century such an attack on the human race can happen. It's unacceptable," ambasador Hill said.
Foto: BetaPhoto/Miloš Miškov
State Secretary of Serbia Starović sent his most sincere wishes for peace, stability and prosperity of Ukraine, as well as for the well-being of all its citizens.
"The Republic of Serbia is strongly determined to develop dialogue and bilateral cooperation on the basis of traditionally friendly and close ties with Ukraine," Starović said and reiterated that Serbia supports Ukraine's territorial integrity. He also thanked Ukraine for not recognizing Kosovo's independence.
Previously, the Independence Day of Ukraine was marked in Belgrade with a peaceful walk from Pionirski Park to Republic Square and the formation of a live chain called "Free World".
H.E. Christopher R. Hill, U.S. Ambassador To Serbia
Looking forward, Serbia today has an important choice to make. Does it follow its path towards full European integration and realize its full economic,...
Lajčak and Escobar: Pristina Does Not Want Escalation
News 25 August 2022
EU Special Representative for Belgrade-Pristina Dialogue Miroslav Lajčak and US Special Envoy for the Western Balkans Gabriel Escobar said during their stay in Pristina...
Those gathered wore Ukrainian flags and Ukrainian national costumes.
War photos are exhibited in the Hub as a part of the exhibition called "Greetings from Ukraine".
A charity fair was also held to collect donations to help Ukrainian children.
Christopher Hill
Emanuele Giaufret
Embassy of Ukraine
Volodymyr Tolkach
Mr Sci. Dr Nemanja Popović, owner and director, Dr Popović Dental Clinic
Patients Are Looking For Safety And Quality
Success Stories 30 January 2023
With a tradition of more than 35 years, dental surgery Dr Popović is the only one in Serbia with Temos accreditation and a recommendation...
The Ministry of Mining and Energy (MoME) and the United States Agency for International Development (USAID) signed a Memorandum of Understanding (MOU) today to...
Considering The Complex Global Situation, What Provides Us With Reason For Optimism As We Enter 2023?
Peace, Dialogue And Cooperation
The world belongs to optimists, pessimists are only spectators ~ Francois Guizot In a year when it appeared as though one crisis – the one...


text: Q: Jquery Button click event not working I am building a small Hybrid mobile app for my android device, I am using with jquerymobile, jquery, Ajax, PHP, MySQL, etc. I am new to hybrid apps. I have wrapped the app in cordova and installed on my device. The login button does seems to only refresh the page but doesn't fire the jquery event when clicked or touched. It doesn't even do the form validation. However, this works perfectly in a browser (I have uploaded same html file on a remote server).


This Dress is GORGEOUS !!
Featuring a round neckline with gold hardware embellishments, peekaboo shoulders and half sleeves. Easy zip fastening at the back. Perfect for Autumn and Winter Parties and other special occasions.
We have lots of beautiful hats and fascinators to match the dress in store.


text:
POETRY OF WILLIAM CARLOS WILLIAMS (1883–1963)
Born in Rutherford, New Jersey (where he also died), William Carlos Williams was unusual among modern poets in that he had a long career as a physician, practicing both pediatrics and general medicine. He was, in fact, chief of pediatrics at Passaic General Hospital from 1924 until his death. Nevertheless, Williams was a prolific writer who produced novels, short stories, and nonfiction prose. But it is for his poetry (of which he published numerous collections in his lifetime) that he is most remembered. Together, his body of poetry makes him one of America's greatest poets and one of the greatest of all modernist poets, one who never ceased to seek innovative ways to express in his poetry the texture of life in a rapidly changing modern America.
Williams' poems include a unique book-length epic poem, Paterson, which was initially inspired by his reading of James Joyce's Ulysses in the 1920s but was not published until it appeared in five different segments between 1946 and 1958, as Williams spent decades fine-tuning the work. Paterson was published as a single volume in 1963, including the five previously published volumes, plus a sixth section left unfinished at Williams' death. The poem treats the town of Paterson, New Jersey (where Williams lived for many years with his wife and two sons), as a sort of microcosm of America; thus, while it is entirely focused on that one town, it can be taken as an epic of America as a whole.
Paterson is a unique and distinctive work, one of the most interesting literary artifacts to have been produced by an American writer. It is, however, for his shorter poems that Williams is best known. His early work is often associated with the imagist movement in poetry, which sought to produce striking, but unsentimental, images through the use of clear, precise language. During this time, Williams became a friend of the American expatriate poet Ezra Pound (1885–1972), a leader of the imagist movement. However, Pound and Williams differed dramatically as poets, with Williams' poems being much simpler, more accessible, and less intellectual. The phrase "no ideas but in things," which appears several times as his poetry, has often been cited as a summary of Williams' poetic technique. The two also had political differences. Williams, though not an openly political writer, leaned to the Left and to sympathy with the working class. Pound's extreme right-wing views, on the other hand, eventually led him to become a supporter of Benito Mussolini and the Italian fascists during World War II, which led to his arrest on charges of treason after the war and his subsequent confinement in a mental hospital, where he was held from 1945 to 1958.
Though Williams published his first collection of poetry in 1909, it was not until 1923, with the publication of Spring and All (which contains both poetry and prose) that he became a major figure. Spring and All shows the strong influence of T. S. Eliot's The Waste Land, published the year before, but, again, Williams' poetry is far less intellectual than Eliot's, while his view of the confusions of the modern world was far less grim than Eliot's or Pound's. Instead of rejecting the modern world, Williams acknowledged its flaws but hoped to use his poetry to encourage his fellow Americans to greet the changing world around them in a positive way.
Williams' early poetry is well-represented by the well-known "Danse Russe," first published in 1916. Here, Williams takes an everyday domestic moment and amusingly turns it into a moment of mock exotic drama. The title (which means "Russian Dance" in French, evoking the rich tradition of Russian ballets such as Tchaikovsky's The Nutcracker) seems to suggest something romantic and exotic, but of course it is also a homonym for "Dance Ruse," suggesting that the speaker is not performing an impressive, balletic dance but is instead merely pretending to be doing so in a somewhat comic fashion. In fact, there is a note of good-natured, self-effacing humor that runs through this entire poem, as the speaker pokes gentle fun at himself for being unable to resist dancing naked in front of a mirror while everyone else in the house is asleep. It is a moment of solitude, of loneliness, but of a loneliness that the speaker celebrates, rather than regrets. As always, the speaker in the poem is not necessarily to be equated with the poet, though the reference to "Kathleen" in the third line might well identify this as the Williams household, given that they employed a nanny by the name of Kathleen McBride at the time the poem was written. But, whether or not the speaker is to be thought of as Williams, it is clear that he is experiencing a very human moment that he himself regards as a bit silly. He does not, however, mock or deride himself for his silliness, but instead embraces it fully as part of being human, just as he embraces his loneliness as a central part of being human, and just as he embraces the physical (and thus mortal) nature of his body and nature in general. In this sense, the poem shows the influence of Walt Whitman, one of Williams' early poetic heroes.
"Danse Russe"
If I when my wife is sleeping
and the baby and Kathleen
are sleeping
and the sun is a flame-white disc
in silken mists
above shining trees,—
if I in my north room
dance naked, grotesquely
before my mirror
waving my shirt round my head
and singing softly to myself:
"I am lonely, lonely.
I was born to be lonely,
I am best so!"
If I admire my arms, my face,
my shoulders, flanks, buttocks
against the yellow drawn shades,—
Who shall say I am not
the happy genius of my household?
Another well-known humorous poem by Williams is "Portrait of a Lady" (1920), which gently parodies the conventions of love poetry by imagining a young man composing a poetic tribute to his lady, only to have his compositions interrupted with skeptical questions that undermine his flights of rhetoric. Whether one interprets the interruptions as coming from the lady being addressed or from the speaker himself as he composes his poem (probably in solitude), the effect is quite funny, even as it calls serious attention to the inauthenticity and exaggeration of many love poems. Eventually, the questions become more impatient and demanding, largely because the speaker seems to be trying to ignore the questions, presumably because they break the flow of his poetry. The result is a suggestion that he might perhaps be more in love with himself and his own language than with the lady in question, something that the lady might very well suspect and that might be motivating her interruptions (if they are hers). On the other hand, if we imagine the questions as coming from the speaker's own internal voice, then the suggestion is that he himself suspects the inauthenticity of his poetic delarations. Note that, for convenience, I have italicized the interruptions in the text below, even though these italics do not appear in the original poem, which is thus a bit more ambiguous than I make it here. It is, of course, clear from the jumbled and confused imagery of the poem that it is already a mess, even without interruptions. Are the lady's knees a "southern breeze" or a "gust of snow?" And the sudden introduction of the shore late in the poem does not really seem consistent with the other imagery of the poem, which might motivate the insistent demands that the image be explained (and the speaker's refusal to do so). Finally, note that the Fragonard reference indicates that the painting that the speaker had just cited was not, in fact, painted by the eighteenth-century French painter Jean-Antoine Watteau (1684–1721), but by the somewhat later French painter Jean-Honoré Fragonard (1732–1806). It is, in fact, the 1767 painting "The Swing," probably Fragonard's best-known painting. This is a key moment in the poem, as the speaker attempts to impress the lady by demonstrating his knowledge of French painting, only to get it wrong. This moment is probably funnier if it is the lady doing the interrupting here, undermining his mansplaining by demonstrating her own superior knowledge. In either case, even if the speaker is simply correcting himself, this reference to a painting calls attention to a long tradition of the representation of women in stereotypical, stylized, and subtly eroticized ways.
"The Swing" (1767), by Jean-Honoré Fragonard.
Your thighs are appletrees
whose blossoms touch the sky.
Which sky? The sky
where Watteau hung a lady's
slipper. Your knees
are a southern breeze — or
a gust of snow. Agh! what
sort of man was Fragonard?
— As if that answered
anything. — Ah, yes. Below
the knees, since the tune
drops that way, it is
one of those white summer days,
the tall grass of your ankles
flickers upon the shore —
Which shore? —
the sand clings to my lips —
Which shore?
Agh, petals maybe. How
should I know?
Which shore? Which shore?
— the petals from some hidden
appletree — Which shore?
I said petals from an appletree.
Williams best-known poem (and one of the best-known of all American poems), "The Red Wheelbarrow" (1923) originally appeared in Spring and All. It is an extremely brief imagist description of a simple object, the red wheelbarrow of the title. Yet it has an amazing ability to generate a variety of different meanings. At the simplest level, the poem is simply a statement of respect for the importance of modest farm implements such as a wheelbarrow, which can provide crucial support in many farming activities, while farming itself provides the food on which we all depend in order to live. So, indeed, a lot depends on wheelbarrows, though the red color, contrasted with the white of the chickens, seems designed simply to produce a striking visual image. One reading of this poem, then, might be that it is designed to illustrate the importance of such images in poetry, while also potentially suggesting that wheelbarrows are more valuable to the world than are poems,
Of course, the poem itself is a simple object, and this brief statement about a wheelbarrow can be taken as a self-reflexive commentary on poetry and on the reading of poetry, which would place so much significance on every little aspect of the poem. For example, one might note that the poem consists of four stanzas, each of which consists of a three-word line and a one-word line, so that it is, in fact, meticulously constructed, even though it seems so casual. But one might also note that "wheelbarrow" is a single word (as the title of the poem emphasizes) but that the second stanza must break it into two words in order to keep the structure consistent, suggesting the lengths to which poets have sometimes gone in order to impose order and structure on their poetry, which perhaps should be more concerned with creating striking images than symmetrical formal structures.
The Red Wheelbarrow
a red wheel
glazed with rain
beside the white
Another very famous Williams poem is a sort of companion to "The Red Wheelbarrow" entitled "This Is Just to Say" (1934). Another very brief poem, this one describes not so much an everyday object as an everyday experience. This poem again, though, raises questions about just what it is that makes it a poem, which then raises fundamental questions about the nature of poetry itself. The text of the poem seems to be a note of apology left by someone who has eaten some plums that someone else was saving. It has no rhymes or regular rhythms, and only appears to be a poem because of its visual separation into three stanzas of four lines each. But, because it has this form (and because it was written by someone we recognize as a great poet), it is only natural to read this poetic "note" more closely and carefully than we would an ordinary note. For example, we know that fruit often has symbolic meaning in poetry, sometimes suggesting fertility and perhaps a subtle eroticism. Moreover, plums have long functioned in several different world cultures as symbols of perseverance and hope, and of beauty thriving in adverse circumstances. And, of course, in the Biblical tradition of the story of Adam and Eve, the eating of fruit that one was not supposed to eat was a trigger for all of human history (and human suffering), leading Adam and Eve to be expelled from the Garden of Eden and into the secular world.
However, if one reads this poem as a comment on poetry itself, then the specific meaning of the poem is less important than the simple fact that it is a poem and therefore will be treated differently than if it were merely a note stuck on a refrigerator. That fact, however, can itself be interpreted in different ways. It could, for example, be taken as a comment on the pretentiousness of poetry in general, thus resembling "Portrait of a Lady." Then again, it could be taken as an expression of admiration for the ability of poetry to produce such rich effects from relatively modest material. It could also be taken as an illustration of Williams' "no ideas but in things." There are no fancy ideas here, just some simple things (such as plums) and a simple experience to which we can all probably relate. Moreover, the tone of the poem in this sense is quite open to interpretation as well. Is it cynical in its suggestion that we probably make poetry out to be grander than it is? Or is it playful in its exploration of the surprising effects poetry can achieve?
Similarly, some readers have taken the meaning poem quite seriously—seeing it as a critical comment on human nature (perhaps with the story of the Adam and Eve in mind) and on our inability to resist temptation and our tendency to try to fulfill our own desires before thinking of the needs of others, even loved ones. Other readers, though (and I would put myself in this camp) have seen the poem as more playful. Eating plums, after all, is hardly a cataclysmic event. It is, perhaps, more in line with Prufrock's pondering of whether he should dare to eat a peach, as if that act might disturb the universe. Moreover, the "sorry, not sorry" nature of the apology (note the description of the plums in the final stanza) also points toward the fact that the writer of the note is hardly suffering from extreme guilt. "I apologize for ruining breakfast," he seems to be saying, "but it was worth it."
"This Is Just to Say"
I have eaten
the plums
that were in
the icebox
and which
you were probably
for breakfast
Forgive me
they were delicious
and so cold


text:
Q: Using \newline in longtable in Overleaf interrupts table continused I've created a longtable in Overleaf which has 10 rows in total (one for each author). I've used \newline to space out the RoB in the final column. However, this interrupts the 'table continued on next page by pushing it to the page above the table. I'd like to be able to separate out all the RoB results onto separate but can't seem to find a fix.
\documentclass{article}
\usepackage[utf8]{inputenc}

%%%%%%%%%%%%%%%%%%%% Packages %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% Packages
\usepackage{graphicx,psfrag,color} % for postscript graphics files
  \graphicspath{ {./images/} }
\usepackage{amsmath}               % assumes amsmath package installed
  \allowdisplaybreaks[1]           % allow eqnarrays to break across pages
\usepackage{amssymb}               % assumes amsmath package installed
\usepackage{url}                   % format hyperlinks correctly
\usepackage{rotating}              % allow portrait figures and tables
\usepackage{multirow}              % allows merging of rows in tables
\usepackage{lscape}                % allows pages to be typeset in landscape mode
\usepackage{tabularx}              % allows fixed width tables
\usepackage{verbatim}              % enhanced version of built-in verbatim environment
\usepackage{footnote}              % allows more control over footnote environments
\usepackage{float}                 % allows H option on floats to force here placement
\usepackage{booktabs}              % improve table line spacing
\usepackage{subcaption}            % for multiple sub-figures in a single float
\usepackage{siunitx}               % add SI units

% Add your packages here
\usepackage[none]{hyphenat}
\usepackage{dirtytalk}
\usepackage[utf8]{inputenc}
\usepackage{vcell}
\usepackage{array}
\usepackage{graphicx}
\usepackage{adjustbox}
\usepackage{rotating}
\usepackage{caption}
\usepackage{colortbl}
\usepackage{hhline}
\usepackage{longtable,lscape}
\usepackage{pdfpages}
\usepackage{atbegshi}
\usepackage{pdflscape}
\usepackage{ifthen}
\usepackage{calc}

%%%%%%%%%%%%%%%%%%%%% Begin %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\begin{document}

\begin{landscape}
    \small

    \begin{longtable}{
     p{0.1\dimexpr \textwidth-3\arrayrulewidth-4\tabcolsep\relax}|
     p{0.2\dimexpr \textwidth-3\arrayrulewidth-4\tabcolsep\relax}|
     p{0.1\dimexpr \textwidth-3\arrayrulewidth-4\tabcolsep\relax}|
     p{0.4\dimexpr \textwidth-3\arrayrulewidth-4\tabcolsep\relax}|
     p{0.1\dimexpr \textwidth-3\arrayrulewidth-4\tabcolsep\relax}|
     p{0.4\dimexpr \textwidth-3\arrayrulewidth-4\tabcolsep\relax}|
    }
    \caption{Characteristics of included reviews} \label{tab:long} \\

    \hline \multicolumn{1}{|c|}{\textbf{Author / year}}
    & \multicolumn{1}{c|}{\textbf{Synthesis type}}
    & \multicolumn{1}{c|}{\textbf{Search dates}}
    & \multicolumn{1}{c|}{\textbf{PICO}}
    & \multicolumn{1}{c|}{\textbf{No of RCTs}}
    & \multicolumn{1}{c|}{\textbf{RoB (\%)}} \\
    \hline
    \endfirsthead

    \multicolumn{6}{c}%
    {{\bfseries \tablename\ \thetable{} -- continued from previous page}} \\
    \hline \multicolumn{1}{|c|}{\textbf{Author / year}}
    & \multicolumn{1}{c|}{\textbf{Synthesis type}}
    & \multicolumn{1}{c|}{\textbf{Search dates}}
    & \multicolumn{1}{c|}{\textbf{PICO}}
    & \multicolumn{1}{c|}{\textbf{No of RCTs}}
    & \multicolumn{1}{c|}{\textbf{RoB (\%)}} \\ \hline
    \endhead

    \hline \multicolumn{6}{|r|}{{Continued on next page}} \\ \hline
    \endfoot

    \hline \hline
    \endlastfoot

    %%%%%%%%%%%%%%%%%%%%%% Insert first author %%%%%%%%%%%%%%%%%%

    Staley et al., 2021 & Meta-analysis & 1946 to 2020 & {\textbf{Population:} Women eligible to participate in a cervical cancer screening program as defined by the entry criteria for that program, including women due, overdue, those returning for repeat screening and women returning for follow up after abnormal result}

    \newline{\textbf{Intervention:} Invitations, reminders, education, message framing, counselling, risk factor assessment, procedures, and economic interventions} \newline{\textbf{Comparison:} No intervention or routine / standard care} \newline{\textbf{Outcomes:} Uptake of cervical screening}

    & 70

    & {\textbf{Cochrane risk of bias tool:}} \newline

    {\textbf{Random sequence generation}} \newline Low risk (33 studies; 47\%) \newline Unclear (35 studies; 50\%) \newline High risk (2 studies; 3\%)

    {\textbf{Allocation concealment}} \newline Low risk (11 studies; 16\%) \newline Unclear (57 studies; 81\%) \newline High risk (2 studies; 3\%)

    {\textbf{Blinding: all outcomes}} \newline Low risk (9 studies; 13\%) \newline Unclear (59 studies; 84\%) \newline High risk (2 studies; 3\%)

    {\textbf{Incomplete outcome data, all outcomes}} \newline Low risk (42 studies; 60\%) \newline Unclear (9 studies; 13\%) \newline High risk (18 studies; 26\%)

    {\textbf{Incomplete outcome data, all outcomes}} \newline Low risk (42 studies; 60\%) \newline Unclear (9 studies; 13\%) \newline High risk (18 studies; 26\%)

    {\textbf{Incomplete outcome data, all outcomes}} \newline Low risk (42 studies; 60\%) \newline Unclear (9 studies; 13\%) \newline High risk (18 studies; 26\%)

    \\

    \end{longtable}
    \end{landscape}

\end{document}

A: Edit:

*

*Your problem is independent from Overlief (which is just editor)

*For your table instead of longtable rather use \longtblr of tabularray. Some benefits: much shorter table code, clear structure, simple to define ratios between column width.

*Instead of \newline is better to use lists (in two level) as defined in enumitem package. By this the problem at use of \newline in the cells text is removed.

*You should be aware, that all kinds of long tables can be broken between pages only between rows. Since your table is (due to repeated rows) a bit to tall that repetition of the second row can be fit in one page, it is pushed to the next page in landscape environment. This problem can be handled on two ways:

*

*reduce font size to \footnotesize or

*increase text area on page (by use of the geometry package)

*To show how how longtblr works, in MWE below is used second option and second row repeated three times.

\documentclass{article}
\usepackage[hmargin=20mm]{geometry} % added

\usepackage{pdflscape}
\usepackage{caption}

\usepackage{xcolor}                 % changed
\usepackage{tabularray}
\UseTblrLibrary{siunitx, varwidth}  % added
\usepackage{enumitem}               % added

\begin{document}
    \begin{landscape}
\setlist[itemize]{nosep,
                  label={},  % <---
                  leftmargin=*,
                  itemsep=1ex,
                }
\setlist[itemize,2]{itemsep=0ex}
%
\NewTblrTheme{fancy}{
    \SetTblrStyle{head}{font=\small}
    \SetTblrStyle{foot}{font=\footnotesize}
    \SetTblrStyle{caption-tag}{font=\bfseries}
                    }
    \small
\begin{longtblr}[
  theme = fancy,
caption = {Characteristics of included reviews},
  label = {tab:long}
                ]{hlines, vlines,
                  colspec = {*{3}{X[h, l]}
                                  X[3.0, l, h]
                                  X[0.6, c, h]
                                  X[3.0, l, h] },
                  colsep = 4pt,
                  row{1}  = {font=\footnotesize\bfseries, c, m},
                  measure = vbox,            % <===
                  stretch = -1, %<--- remove extra space above and below lists
                                % with "nosep" option; tabularray doc p.51
%
                  rowhead = 1,
                  }
% column headers
Author/ year
    &   Synthesis type
        &   Search dates
            &   PICO
                &   No of RCTs
                    &  RoB (\%)
                    \\
% table body
Staley et al., 2021
    & Meta-analysis
        & 1946 to 2020
                    &   \begin{itemize}
                    \item   \textbf{Cochrane risk of bias tool:}
                    \item   \textbf{Random sequence generation}
                            \begin{itemize}
                        \item   Low risk (33 studies; \qty{47}{\%})
                        \item   Unclear (35 studies; \qty{50}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Allocation concealment}
                            \begin{itemize}
                        \item    Low risk (11 studies; \qty{16}{\%})
                        \item   Unclear (57 studies; \qty{81}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Blinding: all outcomes}
                            \begin{itemize}
                        \item    Low risk (9 studies; \qty{13}{\%})
                        \item    Unclear (59 studies; \qty{84}{\%})
                        \item    High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Incomplete outcome data, all outcomes}
                           \begin{itemize}
                        \item   Low risk (42 studies; \qty{60}{\%})
                        \item   Unclear (9 studies; \qty{13}{\%})
                        \item   High risk (18 studies; \qty{26}{\%})    \\
                            \end{itemize}
                        \end{itemize}
                        & 70 &  \begin{itemize}
                    \item   \textbf{Cochrane risk of bias tool:}
                    \item   \textbf{Random sequence generation}
                            \begin{itemize}
                        \item   Low risk (33 studies; \qty{47}{\%})
                        \item   Unclear (35 studies; \qty{50}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                                       \item   \textbf{Allocation concealment}
                            \begin{itemize}
                        \item   Low risk (11 studies; \qty{16}{\%})
                        \item   Unclear (57 studies; \qty{81}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Blinding: all outcomes}
                            \begin{itemize}
                        \item    Low risk (9 studies; \qty{13}{\%})
                        \item    Unclear (59 studies; \qty{84}{\%})
                        \item    High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Incomplete outcome data, all outcomes}
                           \begin{itemize}
                        \item   Low risk (42 studies; \qty{60}{\%})
                        \item   Unclear (9 studies; \qty{13}{\%})
                        \item   High risk (18 studies; \qty{26}{\%})
                            \end{itemize}
                        \end{itemize}                           \\
%%
Staley et al., 2021
    & Meta-analysis
        & 1946 to 2020
                    &   \begin{itemize}
                    \item   \textbf{Cochrane risk of bias tool:}
                    \item   \textbf{Random sequence generation}
                            \begin{itemize}
                        \item   Low risk (33 studies; \qty{47}{\%})
                        \item   Unclear (35 studies; \qty{50}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Allocation concealment}
                            \begin{itemize}
                        \item    Low risk (11 studies; \qty{16}{\%})
                        \item   Unclear (57 studies; \qty{81}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Blinding: all outcomes}
                            \begin{itemize}
                        \item    Low risk (9 studies; \qty{13}{\%})
                        \item    Unclear (59 studies; \qty{84}{\%})
                        \item    High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Incomplete outcome data, all outcomes}
                           \begin{itemize}
                        \item   Low risk (42 studies; \qty{60}{\%})
                        \item   Unclear (9 studies; \qty{13}{\%})
                        \item   High risk (18 studies; \qty{26}{\%})    \\
                            \end{itemize}
                        \end{itemize}
                        & 70 &  \begin{itemize}
                    \item   \textbf{Cochrane risk of bias tool:}
                    \item   \textbf{Random sequence generation}
                            \begin{itemize}
                        \item   Low risk (33 studies; \qty{47}{\%})
                        \item   Unclear (35 studies; \qty{50}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                                       \item   \textbf{Allocation concealment}
                            \begin{itemize}
                        \item   Low risk (11 studies; \qty{16}{\%})
                        \item   Unclear (57 studies; \qty{81}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Blinding: all outcomes}
                            \begin{itemize}
                        \item    Low risk (9 studies; \qty{13}{\%})
                        \item    Unclear (59 studies; \qty{84}{\%})
                        \item    High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Incomplete outcome data, all outcomes}
                           \begin{itemize}
                        \item   Low risk (42 studies; \qty{60}{\%})
                        \item   Unclear (9 studies; \qty{13}{\%})
                        \item   High risk (18 studies; \qty{26}{\%})
                            \end{itemize}
                        \end{itemize}                           \\
%%
Staley et al., 2021
    & Meta-analysis
        & 1946 to 2020
                    &   \begin{itemize}
                    \item   \textbf{Cochrane risk of bias tool:}
                    \item   \textbf{Random sequence generation}
                            \begin{itemize}
                        \item   Low risk (33 studies; \qty{47}{\%})
                        \item   Unclear (35 studies; \qty{50}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Allocation concealment}
                            \begin{itemize}
                        \item    Low risk (11 studies; \qty{16}{\%})
                        \item   Unclear (57 studies; \qty{81}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Blinding: all outcomes}
                            \begin{itemize}
                        \item    Low risk (9 studies; \qty{13}{\%})
                        \item    Unclear (59 studies; \qty{84}{\%})
                        \item    High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Incomplete outcome data, all outcomes}
                           \begin{itemize}
                        \item   Low risk (42 studies; \qty{60}{\%})
                        \item   Unclear (9 studies; \qty{13}{\%})
                        \item   High risk (18 studies; \qty{26}{\%})    \\
                            \end{itemize}
                        \end{itemize}
                        & 70 &  \begin{itemize}
                    \item   \textbf{Cochrane risk of bias tool:}
                    \item   \textbf{Random sequence generation}
                            \begin{itemize}
                        \item   Low risk (33 studies; \qty{47}{\%})
                        \item   Unclear (35 studies; \qty{50}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                                       \item   \textbf{Allocation concealment}
                            \begin{itemize}
                        \item   Low risk (11 studies; \qty{16}{\%})
                        \item   Unclear (57 studies; \qty{81}{\%})
                        \item   High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Blinding: all outcomes}
                            \begin{itemize}
                        \item    Low risk (9 studies; \qty{13}{\%})
                        \item    Unclear (59 studies; \qty{84}{\%})
                        \item    High risk (2 studies; \qty{3}{\%})
                            \end{itemize}
                    \item   \textbf{Incomplete outcome data, all outcomes}
                           \begin{itemize}
                        \item   Low risk (42 studies; \qty{60}{\%})
                        \item   Unclear (9 studies; \qty{13}{\%})
                        \item   High risk (18 studies; \qty{26}{\%})
                            \end{itemize}
                        \end{itemize}                           \\
    \end{longtblr}
    \end{landscape}
\end{document}


text:
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redpajama_set_name: RedPajamaGithub


text:
C-Stores Tap The Craft Boom
Convenience stores increase margins by getting in on the craft beer craze.
Convenience stores have embraced craft beer. Bend, Oregon's Stop & Go commits 40 percent of its beer space to craft offerings.
There's no question that craft brews have taken the beer category by storm in recent years, and retailers have gratefully accepted the opportunity to build beer margins and profits. One store operator, for example, now devotes 40 percent of his beer set to craft brews. Another merchant points to the hefty ring he sees from beers like Great Divide Brewing Co.'s Hercules Double IPA, priced at $17.99 a four-pack of 12-ounce bottles. Still another retailer reports that employees are quick to suggest a particular draft beer, available by the growler, that would pair nicely with one of the store's freshly made pizzas or sandwiches.
But these off-premise operators aren't the owners of upscale specialty or bottle shops—stores where beer fans have come to expect a deep selection of national and local craft brews. Rather, they run convenience stores, and craft is playing a transformative role in their businesses.
Indeed, c-stores and marketers are now partnering like never before to drive sales of craft brews in the channel, which has traditionally lagged behind other venues in craft offerings and share. According to Danelle Kosmal, vice president of beverage alcohol practice at Nielsen, craft is one of the fastest-growing beer segments in c-stores, with a 10-percent volume increase in the past year and a 15-percent dollar gain. In the past four years, craft beer distribution in the convenience channel has increased from 69-percent all-community volume (ACV)—distribution among beer-selling stores—to 86-percent ACV.
At Brentwood, Tennessee–based Mapco Express, craft brews have grown from 7.3 percent of beer sales in 2014 to 9.1 percent this year. (Photo by Joe Buglewicz)
"Convenience stores have recognized the opportunity in craft beer," says Tom Fox, a partner at the Detroit-based beer sales and marketing development firm CM Profit Group. However, he concedes that craft beer's average rate of sale is slower than that of mainstream domestic beers. George Ward, director of off-premise national accounts at Boston Beer Co., notes that craft beer is extremely profitable for c-stores. "We've seen c-stores transition their shelf space from mass domestics to craft beers like Sam Adams to increase their profit potential," he says.
Craft beer marketers are also seizing the chance to advance sales of their brands in c-stores, which comprise the largest off-premise channel for beer, according to the National Association of Convenience Stores. Chad Melis, marketing director at Longmont, Colorado–based Oskar Blues Brewery, reports that year-to-date sales of his company's beers in c-stores are up 45 percent, mostly due to new placements.
Still, craft beer continues to play a less-prominent role in c-stores than in other retail outlets. According to the National Association of Convenience Stores, craft beer makes up about 4 percent of all beer sold in c-stores, despite accounting for 11 percent of the overall U.S. beer market. Steve Jannuzzo, national accounts manager for convenience stores at Chico, California–based Sierra Nevada Brewing Co., attributes craft's small share in the channel to two factors. "Space is hard to come by in c-stores, and change can be difficult," he explains.
Mapco Express offers craft brews at most locations, with growlers available on draft at 20 units. (Photo by Joe Buglewicz)
Big Payoffs
But for those c-stores that are emphasizing crafts, the payoffs have been big. "I'm passionate about craft beer," says Damian Wyatt, beverages category manager at Mapco Express. Out of the Brentwood, Tennessee–based company's 377 units in seven states, 360 sell beer and 20 locations offer growlers. Wyatt notes that craft beer accounts for 9.1 percent of Mapco Express's beer sales this year, up from 7.3 percent in 2014. He began focusing on the segment three years ago, despite resistance from mainstream marketers and industry experts who believe c-store customers prefer premium and sub-premium beers. "Some naysayers said we didn't have the right consumer," Wyatt recalls, adding that many of his mainstream beer customers grab a single-serve bottle or can or even a six-pack of a craft brew with their regular purchase. The craft beer selection at Mapco Express ranges from six items up to 40, depending on the size and location of the store. Six-packs are generally priced from $6.99 to $12.99.
Costa Mesa, California's Plaza Chevron, a franchisee of the ExtraMile convenience store chain, has quickly developed a reputation for its craft beer selection. According to manager Mike Mendez, the store only started carrying craft beer two years ago, but three out of four cooler doors are now devoted to the segment, with offerings typically priced at $9.99 a six-pack. The change in beer selection has brought new, younger customers to the store. "They make big purchases," Mendez says. "They'll buy beer for the week."
In Bend, Oregon, where craft beer is omnipresent, c-stores are committed to the category. "New customers are shocked to find seven full cooler doors for crafts, including four doors devoted solely to 22-ounce bottles," says Kizer Couch, co-owner of Stop & Go Mini Mart. Couch acknowledges that beer drinkers in his market skew more toward crafts than in other markets, and as a result, he commits 40 percent of his beer space to the segment. He also notes that his customers are now venturing into emerging beer styles, including porters, stouts and sour beers. Stop & Go stocks roughly 175 craft beer SKUs. Craft bombers are typically priced at $4, and 64-ounce growler refills are usually $10.
Stop & Go offers 36 brews on tap, as well as seven cooler doors for craft beer. The company's owners have launched the concept as a separate franchise called The Growler Guys. (Photo by Ross Chandler)
Merchandising Marvels
As with other trade channels, convenience stores are finding that effective merchandising strategies can help build sales of craft brews. Plaza Chevron features a craft beer of the month for the promotional price of $7.99 a six-pack. Mapco, meanwhile, offers two mix-and-match programs: a build-your-own-six-pack option for $9.99 and a $3 deal for two 16-ounce cans. The chain further promotes the segment by partnering with leading craft brewers on promotions that are tied to its rewards program and are often supported via social media.
While Wyatt concedes that growler sales at Mapco aren't intended to pay the bills, he says they're exceeding expectations. The retailer notes that draft beer at c-stores allows operators to differentiate themselves. "It's very unique for a convenience store to have beer on tap," he adds. Still, Wyatt says growler systems are high maintenance and require constant attention. "We treat the station as we do the food area," he explains. Growlers have been so successful at Stop & Go stores—where 36 different beers are offered on draft—that Couch and his partners launched The Growler Guys in 2012. The franchise chain now has 11 growler outlets in the Northwest.
A key package in c-stores is the single-serve bottle or can. Craft singles provide operators with a higher ring and improved margins over mainstream beers, offering shoppers a chance to sample a new craft brew without committing to a multipack. "The ring is attractive to retailers, and it's an affordable luxury for consumers," CM Profit's Fox says. He recommends that c-store operators devote at least one cooler shelf to craft singles due to their "profit and sampling opportunity."
Costa Mesa, California's Plaza Chevron devotes three of its four coolers to craft beer. Single-serve cans and bottles do well.
Tight Squeeze
While craft beer certainly has momentum in c-stores, challenges persist. Convenience stores are the most constrained for space among all retail venues. "Cooler configurations are a problem," says Fox, noting that c-stores typically devote one-tenth the space to the beer category that grocery outlets do. Nielsen's Kosmal says that even though c-stores have nearly doubled the number of craft items on their shelves to 10 SKUs in the past four years, space is an ongoing issue. "With so many new styles, packages and local brands being introduced, space will continue to be one of the obvious challenges in any channel, but even more so in c-stores," Fox notes.
The clout of major marketers in the c-store channel also factors into craft beer's role. "Domestic brewers are the category captains for c-stores," Fox explains. "They won't go overboard in advocating for a lot of space to accommodate crafts." Mapco's Wyatt agrees. "The biggest challenge is the big brewers," he says. "Do we really need 40 different types of packages for the same beer? It comes down to SKU rationalization and taking chances on increased varieties and new brands."
Despite the challenges, retailers, craft beer marketers and others say there is still a growing opportunity for the category in the convenience store channel. Wyatt believes it's likely Mapco will soon see 10 percent of its beer sales coming from craft, and he's eyeing an even bigger portion down the road. Fox agrees that it's possible for craft beer in c-stores to reach a double-digit share, even though the major domestics will continue to work to maintain their own share.
Boston Beer's Ward advises c-stores to offer the right variety of craft brands and packages and to merchandise around key occasions. "Visibility is key," he adds. "Drinkers should be able to easily identify craft beer, and it's important for c-stores to merchandise dedicated sections and to include craft brews in their promotional schedules."
C-stores also need to balance their beer offerings. Fox suggests that if craft accounts for 5 percent to 10 percent of beer sales in a given market, c-store operators should allocate up to 20 percent of their beer space to the segment, given the margin and profit opportunity it provides. He notes that such an allocation won't harm the major domestic beers. "After all, you don't want to cut into the bone," he says.
Kosmal agrees. "C-store retailers will need to find a balance between supporting the mainstream brands that provide most of the volume, while still making space for craft brands that contribute to growth and meet the consumer need for more variety," she says.
Imported Vodka Remains An Influential Spirit Santa Lucia Highlands: Beyond Pinot Noir


text:
First collision during first snowfall: Emergency crews were called to a rollover Thursday morning near the Highway 2 and Highway 53 interchange. With the first snowfall of the season some of the area highways were slippery. It is believed there were minor injuries in this incident. Photo submitted
Ponoka crews called to rollover
Cruise control may have been a factor in this incident, with thankfully minor injuries.
Jeffrey Heyden-Kaye
Emergency crews were called to a rollover Thursday morning at 9 a.m. on the Highway 2 and Highway 53 interchange.
Two adults and a child were in a Nissan SUV at around 9 a.m. when the northbound vehicle is believed to have lost control on the Highway 2 overpass.
The Nissan went through the median, hit the guard rail and then across the southbound lanes. It rolled before eventually landing back on its wheels. There was significant damage to the SUV.
Luckily the vehicle did not collide with any southbound vehicles.
EMS, plus members of the Ponoka Integrated Traffic Unit and the Ponoka County East District Fire Department were called to the scene where the female driver is believed to have suffered minor injuries. All three people were transported to an area hospital for assessment.
With the first snowfall of the season some of the area roads were slippery Thursday morning, especially on the bridges. Police say that the use of cruise control may have been a factor in this rollover, however, could not confirm that.
Wind and rain from Hurricane Florence's leading edge lash Carolinas
Erin Weir to seek NDP nomination despite ousting over harassment complaints


text:
Samsung 14nm LPP process used on Exynos 8 Octa, Snapdragon 820
JC Torres - Jan 13, 2016, 9:45pm CST
Samsung has just revealed more details about its newest top of the line processor, the Exynos 8 Octa. The chip already has the distinction of being the OEM's first integrated one-chip solution. Now Samsung is braging about the manufacturing technology behind the chip. To be specific, the new 14 nanometer FinFET Low Power Plus (LPP) process it uses promises even greater savings in energy without gimping on processing power. Interestingly, Samsung also took the opportunity to publicly confirm that Qualcomm's Snapdragon 820 indeed uses this Samsung process.
This new chip isn't actually Samsung's first 14 nm FinFET processor. That distinction belongs to the Exynos 7 Octa announced practically a year ago. This makes the Exynos 8 Octa 8890 the second generation, but that doesn't mean it is anything less. While last year's Exynos used a 14 nm Low Power Energy or LPE process, this one boasts of LPP instead.
Moving to 14 nm is the next big step for chip makers in the race to cram as much silicon in smaller dies. Aside from economizing on space, such improvements in the manufacturing process also results in overall lower power consumption as well as a significant boost in performance. While Qualcomm has once been hailed as the king of the mobile chip market, it needed significant help from Samsung to get on the 14 nm bandwagon for the Snapdragon 820, something that Samsung is only too happy to brag about.
For the new Exynos 8 Octa chip, Samsung utilized a 3D FinFET structure, which practically means laying transistors vertically as well as horizontally. This allows the 14 nm LPP chip to be 15% faster and 15% more power efficient than the previous 14 nm LPE chip.
Samsung says that it has started mass production of this Exynos chip, which means it's ready to be used for Samsung's next premium smartphone. Given the schedules, that can only mean the Galaxy S7. Although there's still some discussion about the sizes that the smartphone will come in, this latest announcement does hint that there will indeed be processor variants as well, with Samsung returning to its Exynos and Snapdragon strategy, at least for this generation.
Topics AndroidexynosmobileProcessorSamsung


text:
Q: Creating an editable partial effect plot in R with the gratia::draw() function that also has a rugplot The question I have has mostly been answered by the following post: Cannot update/edit ggplot2 object exported from a package (`gratia`) in R. When I refer to the mydraw.gam function, it comes from code in that post. What I am trying to do is use the mydraw.gam function with a rugplot that looks like the gratia::draw() function.
This is my data:
dput(LMB.stack)
structure(list(X1 = c(0.0541887294548451, 0.0721473880136936,
0.0175421164050594, 0.0215182766921787, 0.0440735967747106, 0.046669040060852,
0.0526230550013067, 0.112833597945919, 0.063812034754301, 0.0940158338572872,
0.0506721208894938, 0.0127474420783362, 0.0657879523145501, 0.0541887294548451,
0.0721473880136936, 0.0175421164050594, 0.0215182766921787, 0.0440735967747106,
0.046669040060852, 0.0526230550013067, 0.112833597945919, 0.063812034754301,
0.0940158338572872, 0.0506721208894938, 0.0127474420783362, 0.0382272328188603,
0.0541887294548451, 0.0721473880136936, 0.0175421164050594, 0.0215182766921787,
0.0440735967747106, 0.046669040060852, 0.0526230550013067, 0.112833597945919,
0.063812034754301, 0.0940158338572872, 0.0506721208894938, 0.0127474420783362,
0.0657879523145501, 0.0382272328188603, 0.0541887294548451, 0.0721473880136936,
0.0175421164050594, 0.0215182766921787, 0.0440735967747106, 0.046669040060852,
0.0526230550013067, 0.0056727211129064, 0.063812034754301, 0.0940158338572872,
0.106570293080958, 0.116604915677637, 0.0422424508991219, 0.109071218434758,
0.0666150693773212, 0.108073813949563, 0.0394885672397296, 0.0688845434754768,
0.0530021292114909, 0.106570293080958, 0.116604915677637, 0.0422424508991219,
0.109071218434758, 0.0666150693773212, 0.108073813949563, 0.0411444155997384,
0.0394885672397296, 0.0688845434754768, 0.0530021292114909, 0.106570293080958,
0.116604915677637, 0.0422424508991219, 0.109071218434758, 0.0666150693773212,
0.108073813949563, 0.0411444155997384, 0.0394885672397296, 0.0688845434754768,
0.0530021292114909, 0.0578017962016202, 0.106570293080958, 0.116604915677637,
0.0422424508991219, 0.109071218434758, 0.0666150693773212, 0.174633119183298,
0.0645268299068541, 0.0709485215243274, 0.0682173756351461, 0.0643514854635756,
0.014808611175444, 0.163637352944664, 0.0599393459014399, 0.134349635442672,
0.214544784680364, 0.0460287439577173, 0.0692001626120574, 0.0682173756351461,
0.0643514854635756, 0.014808611175444), X2 = c(0.64, 0.47, 0.598,
0.52, 0.41, 1.38, 0.53, 0.73, 0.367, 0.58, 0.75, 0.38, 0.227,
0.39, 0.36, 0.35, 0.41, 0.84, 0.53, 0.55, 0.33, 0.33, 0.356,
0.58, 0.33, 0.52, 0.43, 0.53, 0.45, 0.37, 0.54, 0.98, 0.789,
0.44, 0.23, 0.21, 0.67144, 0.37, 0.38, 0.18, 0.24, 0.36, 0.37,
0.16, 0.58, 0.44, 0.41, 0.16, 0.13, 0.55, 0.99, 2.31, 1.264,
1.005, 1.345, 1.24, 1.665, 1.545, 0.799, 0.736, 1.237, 0.776,
0.742, 1.0259, 0.66, 1.17, 0.864, 1.191, 0.631, 0.745, 0.866,
0.917, 1.105, 1.04, 0.517, 1.236, 1.066, 1.35, 0.947, 0.74, 0.62,
1.572, 0.56, 1.189, 0.645, 0.9, 0.74, 0.568, 1.14, 1.159, 1.325,
1.217, 1.37, 1.147, 1.89, 1.19, 1.3, 0.73, 0.693, 1.06)), row.names = c(NA,
100L), class = "data.frame")

This is what my gam looks like (using mgcv):
LMB.gam<-gam(X2~s(X1), data = LMB.stack)

When I use the draw(LMB.gam) command in the package gratia, this is what the partial effect plot looks like:

When I use the mydraw.gam command (see previous post) while trying to add a rug plot (see code below), this is what my plot looks like:
p<-mydraw.gam(LMB.gam)
p[[1]] +  geom_rug(position = "jitter",sides="b")

I need some help figuring out how to properly add a rug plot to an editable gratia::draw ggplot partial effect plot that corresponds to the actual data.
Thanks!

A: I would just use smooth_estimates() and its draw() method to plot a single smooth from the model. You can then add to it using standard ggplot2 functionality...
# using your data in `df`
m <- gam(X2 ~ s(X1), data = df)
sm <- smooth_estimates(m, smooth = "s(X1)")

draw(sm) +
  labs(title = "My title", y = "foo") +
  geom_rug(data = df,
           mapping = aes(x = X1),
           sides = "b",
           inherit.aes = FALSE)

produces


What Are the Warning Signs of Parkinson's Disease?
Parkinson's disease is a neurological disorder that affects approximately 500,000 people in the United States. Approximately 95 percent of people with Parkinson's disease are over the age of 60. Though there's no cure for the disease, early diagnosis can help with symptom management. Parkinson's disease is often misdiagnosed in the early stages, as the symptoms can mimic other conditions such as arthritis. Look for these warning signs of Parkinson's and talk with a doctor if you suspect your senior loved one may have the condition.
If your loved one has Parkinson's disease, the cells responsible for producing dopamine will gradually die. Without dopamine, the brain has difficulty controlling movement, which is most pronounced in shaking and tremors in the hands. You may notice your loved one has a difficult time with fine motor movements due to shaking. In the beginning stage of the condition, the tremors will most likely be noticeable only to your loved one and may be on only one side of the body. As the condition progresses, the shaking and tremors may become more pronounced and occur in both arms and hands.
Seniors with Parkinson's disease experience stiff, rigid muscles, which can make movement difficult. This stiffness is typically slight in the beginning stages. By the late stages of the disease, your loved one may have a difficult time moving to get out of bed, get dressed, or take care of personal needs.
Seniors in the later stages of Parkinson's can live at home, but they will need assistance from a family member or other caregiver to do so safely. For many seniors in Allen, live-in care is an essential component of aging in place safely and comfortably. However, it's important for them to have caregivers they can trust and rely on. At Home Care Assistance, we extensively screen all of our live-in and 24-hour caregivers and only hire those who have experience in the senior home care industry. Our strict requirements ensure seniors can remain in the comfort of home with a reduced risk of injury or serious illness.
Everyone loses their balance once in a while, but if your loved one experiences it often, it could be a sign of a more serious condition. You may notice your loved one stand up unsteadily, hold onto the wall while walking, or fall more frequently.
If your loved one has balance difficulties, he or she may get a great deal of benefit from having a professional caregiver help with everyday tasks. Families looking for top-rated Allen home care service providers can reach out to Home Care Assistance. From respite care to specialized Alzheimer's, dementia, stroke, and Parkinson's care, there are many ways we can make life easier for seniors and their loved ones.
The balance problems that occur due to Parkinson's disease may affect posture. If your loved one has a difficult time standing or walking due to balance issues, he or she may compensate by thrusting the neck and head forward. As a result, your loved one may appear to have poor posture.
Parkinson's disease could cause your loved one to jerk suddenly, flail, or move constantly while sleeping, which could make it difficult to get the rest he or she needs. You may notice your loved one seems more tired than usual or takes a nap in the afternoon.
If your loved one enjoys writing letters and cards to family and friends, pay close attention to any you receive from him or her. Shaking and tremors can make it difficult to hold a pencil and to write for extended periods. Your loved one's handwriting may appear smaller or illegible due to these neurological changes.
Early diagnosis is critical because Parkinson's disease can be particularly challenging in its final stages, and family caregivers can easily get overwhelmed. Caring for a senior loved one can be challenging for families who don't have expertise or professional training in home care, but this challenge doesn't have to be faced alone. Family caregivers can turn to Allen Home Care Assistance for the help they need. We provide high-quality live-in and respite care as well as comprehensive Alzheimer's, dementia, stroke, and Parkinson's care. To learn more about our reliable, compassionate in-home care services, contact us at (972) 548-0392 today.
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