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Let the sun shine: Fat Friday returns
By Lynn Burton
Carbondale folks learned something important during the first Fat Friday Mardi Gras parade in 2013. The late afternoon sun in early February funnels itself right down Main Street, shining a spotlight on everything it illuminates and casting long shadows in an almost magical way.
"It's a well-lit parade," Carbondale Chamber of Commerce Executive Director Andrea Stewart told The Sopris Sun this week. "It makes for a nice backdrop."
The Fat Friday parade is the centerpiece of this month's First Friday celebration on Feb. 3. It rolls out from Second and Main streets at 5 p.m. and winds down at Weant Boulevard about a half-hour later. Stewart said that in the past, the parade started at 4:30 p.m., to make sure it ends before the sun goes down and temperatures drop. With the parade start time pushed back a half-hour to 5 p.m. this year, it should allow more people to get dressed up in their Mardi Gras finest and line the sidewalk to wave at friends on the floats and beg for beads and related trinkets. The later start time also allows businesses to show what they can do without cutting short the work day.
There really isn't a theme to Carbondale's Fat Friday Mardi Gras parades, other than Mardi Gras itself. The Carbondale Recreation Center is usually good for a flatbed truck or trailer with lots of fit floaters and workout equipment, demonstrating how you too can start whipping yourself into shape this winter.
In the past, an 18-inch traveling trophy was awarded to the parade winner, whose name was recorded on the coveted loving cup for posterity. Starting last year, though, the chamber downsized the trophy and winners get to keep it for display on desks, shelves and other high visibility locations. As for tips on winning the trophy, Stewart smiled and said "Go big … be creative." Some parade insiders say to keep an eye out for the Marble Distilling Company's float.
Frosty Merriott, an actual Louisiana native who has maintained his gentlemanly drawl, is the parade judging panel's constant participant. He judges every year and has a sound basis in scoring the floats, having seen his share of New Orleans Mardi Gras parades.
On Monday, Stewart said the chamber had not yet chosen the other two judges, and was not yet releasing the name of the parade marshal, nor given The Sun any hints. "It's a secret … we're going to spring it on them the day of the parade."
Sal Lopez, of Glenwood Springs Insurance (with an office in Carbondale) will handle the announcing duties at Fourth and Main.
Although the parade is only in its fifth year, a little bit of lore has built up around it. Like last year, Stewart said, when the Roaring Fork Valley Co-Op was "strategically" placed in from of the Crystal River Spas float. The Crystal River Spa float broke down in front of the judging stand, " … so the Co-Op towed it (to the end of the parade route)."
For businesses, groups and individuals who have not yet registered for the parade, they can do so at the Carbondale Chamber of Commerce website (carbondale.com). The entry fee is $25. Check in is at 4 p.m., lineup is at 4:30 p.m. and the procession starts at 5 p.m.
For more on the Fat Friday parade, email andrea@carbondale.com or call 963-1890.
Around town after the Fat Friday parade
Things keep happening after the Fat Friday parade concludes at about 5:30 p.m. on Feb. 3, including:
Carbondale Arts hosts a series of short silent films in the open studio space at the Launchpad from 6 to 8 p.m. with musicians (which could include you!) to create the soundtrack/soundscape. It's like a short series of live, informal and improvisational performances! RSVP by emailing brian@carbondalearts.com or drop in on First Friday.
Carbondale Clay Center presents an exhibition celebrating the 50th anniversary of Colorado Mountain College in Aspen's ceramics program. "Mutual Makers," sponsored by Dr. Doug Dolginow, it opens with a reception from 6 to 8 p.m. and stays on display in the Clay Center gallery through the month. The exhibit is presented in partnership between CMC Aspen and the Carbondale Clay Center (which is celebrating its 20th anniversary this year) and is a celebration of the years of collaboration between the two facilities.
Crystal Glass Studio (on Weant) is open and hosts the last day of its Winter Magic sale.
Main Street Gallery at 399 Main presents an etching display, with Frank Norwood printing from copper plates created during his 40 year career.
Marble Distillery (across from the Carbondale Clay Center at the east end of Main Street) hosts Pearl & Wood beginning at 8 p.m.
Susan's Florals in the Dinkel Building leaps ahead on the calendar and showcases Valentine's Day items.
Other Fat Friday gallery openings and such are reflected in this week's Sopris Sun advertisement.
Published in The Sopris Sun on February 2, 2017.


Someone who's open-minded tends to take in more information than someone who's closed off to new and/or different information and opinions. This mindset helps inner growth because it means that you're not judging or shutting out what's being shared with you.
Merriam-Webster Dictionary definition: (adj.) receptive to arguments or ideas.
Open-minded in a sentence: An open-minded person doesn't close themselves off from different ideas or opinions.
Open-minded in action: When in an argument, the person open to listening to different opinions is being open-minded.
Open-minded and inner growth: Someone who's open-minded tends to take in more information than someone who's closed off to new and/or different information and opinions. This mindset helps inner growth because it means that you're not judging or shutting out what's being shared with you.
In-depth self-exploration questions: Am I open-minded? What do I think about open-mindedness? How has being open-minded affected my life? Do I think there's such a thing as too much open-mindedness? What have I learned thanks to being open-minded? Do I find others to be open-minded? Are there levels of open-mindedness? How would my life be different if I weren't open-minded?
List or word bubble: Make a list or word bubble with open-minded at the center and then list or put around it all the words that come to mind associated with it. With those words write an experience you went through where you were open-minded. Now make a list of different ideas that you are open-minded about and ones that you aren't if there are any. List the reasons why you're open-minded about the ones you listed as open-minded and why you're not open-minded with the ones you listed as not open-minded about. Then explore those reasons.
Bring your awareness to your feelings about open-minded and notice if there are ideas or arguments where your feelings about open-mindedness change. If there is a change in the feelings you're experiencing as you think of different scenarios where you apply open-mindedness, explore each at your own pace and time, and try to understand what makes you feel that way.


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The 20 Richest woman Rappers in this field. Ever thought about exactly who the wealthiest female hip hop artists in the world tends to be?
Ever thought about whom the wealthiest feminine emcees in this field happen to be?
We're about to highlight…
Female rappers are generally known for large houses, expensive trucks, and lavish products; once you take a review of the amount of a number of them secure, it's no surprise.
This post is a summary of the 20 richest female artists, what they're really eros escort Lewisville worth.
The 20 Richest feminine emcees on the planet
Listed here are the 20 richest female emcees ever, from 2021. We've made use of results from celeb internet really worth to construct this compilation.
20. Roxanne Shante
Web Really Worth: $500 Thousand
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19. Angel Haze
Internet Well Worth: $500 Thousand
Angel Haze mainly known as Angel Haze was an US rap artist and artist. Haze launched her debut record 'Dirty silver' in 2013 and also ever since stayed an incredibly popular famous within the female hip-hop business.
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18. Foxy Brown
Total Well Worth: $1.8 Million
Foxy Brown is definitely an United states rapper who's going to be most popular on her behalf solamente services, and in addition most partnerships together with other specialists. Dark brown grew up in Brooklyn, ny.
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Net Benefit: $2 Million
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15. Da Brat
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14. Remy Ma
Internet Benefit: $4 Million
Rema Ma is actually an American rap artist who was simply discovered by stunning Pun. In 2006 she circulated the introduction workplace record album 'There's a thing About Remy: centered on an accurate Story'. Ma is amongst the merely three multiple champions of this wager Award for the very best Female Hip-Hop specialist.
At the time of 2021, Remy Ma's total benefit is roughly $4 million cash.
13. Iggy Azalea
Net Worthy Of: $6 Million
Iggy Azalea is an Australian rap artist, model and songwriter that transferred to the usa from the young age of 16 to pursue a job in tunes. This model step title is inspired by the masculine 'Egnatius' which is the name of this lady pup plus the street she existed on.
Iggy Azalea's total really worth is expected to be approximately $6 million, producing her the 13th wealthiest female rap artist worldwide.
12. Trina

redpajama_set_name: RedPajamaCommonCrawl


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Worker 'saved from death' by hard hat
A worker was probably saved from being killed by his PPE (personal protective equipment), a Health and Safety Executive (HSE) Inspector has said, following an incident nearly five years ago which left the man seriously injured and has resulted in his employer being fined.
In July 2009, Valentin Taljanov was working on a demolition project at Aberdeen Harbour, when he was struck by falling cast iron. Standing right underneath the piece of guttering, which failed after being only partially removed and left unsupported, the 61 year old suffered a broken arm, broken vertebra, seven broken ribs and a punctured lung.
Mr Taljanov also suffered a cut to his head but, had he not been wearing his protective workwear, the incident could have been fatal.
According to Liz Hunter, the HSE Inspector on the case brought against Lawrie [Demolition] Limited:
"This incident was wholly preventable by taking down the guttering in one go and it was probably only Mr Taljanov's hard hat that prevented him from being killed."
Hunter continued to explain that the firm also failed in its risk assessment reviews as it carried out the demolition. She said:
"Exclusion zones were not enforced to keep staff out of areas where materials could fall, despite there being two supervisors on site and regular site visits by management."
The firm, which belongs to the Leiths Group of companies, pleaded guilty to a breach of 'Regulation 29 of The Construction [Design and Management] Regulations 2007'. The firm received a £40,000 fine.


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UW Student Team Wins XPRIZE and Musk Foundation Award in Carbon Removal Competition
From left, UW students Shane Heavin, of Rock Springs; Lander Stone, of Laramie; and Anna Savage, of Greybull, work on soil gas sensors as part of their award-winning project related to carbon removal. (UW Photo)
A team of students from the University of Wyoming is a winner of the Carbon Removal Student Competition funded by XPRIZE and the Musk Foundation.
XPRIZE has announced that 23 student-led teams won the $5 million Carbon Removal Student Competition, which is part of the $100 million XPRIZE for carbon removal supported by the Musk Foundation. The competition was launched, in part, to fund early-stage concepts from the next generation of carbon removal innovators and to remove barriers to entry for those interested in the main competition.
The UW team -- Shane Heavin, of Rock Springs; Danielle Jones, of Gillette; Anna Savage, of Greybull; and Lander Stone, of Laramie -- submitted a project proposal in the category of Measurement, Reporting and Verification Technologies to improve the design of existing carbon soil gas monitoring sensors created and produced by Earth Platform Systems (EPS).
The team will receive a $100,000 award to discover ways to improve the design; to incorporate it into other environments and uses; and to lower costs of production and make it more widely available.
Savage, who serves as the team and project leader, is excited to be part of the growing trend to move carbon capture technologies forward.
"Our main goals are to make it smaller, more accessible and easier to deploy," Savage says. "The technology is already really innovative and advanced. What we want to do is make sure that companies and private institutions can actually deploy these sensors and get good baseline data to move the carbon sequestration industry forward."
The project team is being supervised by Charles Nye, an associate research scientist in the UW School of Energy Resources' (SER) Center for Economic Geology Research, and Ben Flickinger, owner of EPS. Earlier this year, Nye and Flickinger deployed the first generation of the carbon soil gas sensor near the project site for the Wyoming CarbonSAFE Project near Gillette.
"This submission is based on a site that is being considered for carbon dioxide capture and storage," Nye says. "Being able to utilize and improve technology that is part of a real-world site -- that has a high probability of being Wyoming's first carbon capture and storage site -- will allow this team to evaluate its sensors using authentic data."
Savage believes that the interdisciplinary nature of the collaboration is a strength of the project, allowing students to get involved.
"The School of Energy Resources is leading a lot of cutting-edge research, and this is a great way to get students involved on the ground," Savage says. "We are very grateful to be able to assist with a real carbon storage project, and we are deeply humbled to have been selected for the XPRIZE award."
The interdisciplinary team members are part of a newly created UW student organization called the Environmental Sensing Club. Students in the club represent academic programs from SER, the Haub School of Environment and Natural Resources, engineering and geology.
To be eligible for the Carbon Removal Student Competition, student teams needed at least 50 percent of their members to be currently enrolled in an educational institution with the support of an academic adviser or business leader able to act as a formal mentor.
All submissions were reviewed by a panel of expert third-party judges who considered the innovation, ability to reach gigaton scale, team resources and capabilities, as well as project plan feasibility in their selection process.
To see a full list of the selected teams or learn more about the XPRIZE Carbon Removal competition, visit www.xprize.org/carbonremoval.


Anterior midline brain, cranial, and facial malformations resulting from the failure of the embryonic prosencephalon to undergo segmentation and cleavage. Alobar prosencephaly is the most severe form and features anophthalmia; cyclopia; severe INTELLECTUAL DISABILITY; CLEFT LIP; CLEFT PALATE; SEIZURES; and microcephaly. Semilobar holoprosencepaly is characterized by hypotelorism, microphthalmia, coloboma, nasal malformations, and variable degrees of INTELLECTUAL DISABILITY. Lobar holoprosencephaly is associated with mild (or absent) facial malformations and intellectual abilities that range from mild INTELLECTUAL DISABILITY to normal. Holoprosencephaly is associated with CHROMOSOME ABNORMALITIES.


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Monkey Around
Sean Cronin January 15, 2009 4:00AM
Yale grad turned software developer turned geek comedy songwriting icon Jonathan Coulton had me at the line "Welcome to my secret lair here on Skullcrusher Mountain." It's the first line of the first song I ever heard by Coulton, and it kicks off a first-person love letter from a mad scientist to a woman he's captured and is attempting to woo with a half-monkey, half-pony monster he created in his evil underground lab. "Skullcrusher Mountain" and songs like "Code Monkey," the story of a frustrated software developer, have become Internet sensations, and Coulton has cashed in with savvy use of the Web and self-marketing at www.jonathancoulton.com.
You can buy all of his songs and albums on the website (where they've been published with a Creative Commons license), or, if you've already stolen the downloads from somewhere else, you can, for a dollar, support the comedian by buying monkey, robot or banana icons to publish on his site. Coulton belongs to a small cadre of comedians (like his friend Ze Frank) who have used the Internet to circumvent traditional album sales models in order to better control their publishing rights and keep a larger percentage of the (small but enviable) amount of money that comes over the Web from fans.
The DIY ethic has earned Coulton a cult following whose members will likely turn out in droves to see him, along with Washington, D.C.-area comic songwriting and improv duo Paul & Storm, tonight at 9 p.m. at the Soiled Dove Underground, 7401 East First Avenue. Tickets are $15; for more information, go to www.tavernhg.com/soiled_dove.
Sean Cronin
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The New Unified School Council (, CENU) was an education institution that was created on July 27, 1936 in Barcelona.

A new school was created to be free, secular, co-educational, in Catalan, and based on Libertarian principles. The new school regime was inspired by the rationalist principles of work, ensuring that all workers could arrive from the primary school to the studies superiors according to its capacity.

The purpose of the decree was to coordinate education and to organize suitable buildings. It was a considerable challenge when in 1930 there were 3049 schools in all of Catalonia and it took almost twice as many (5641) to be able to meet the needs of literacy and basic education. The situation was comparable to the Balearic Islands (248 schools to build) and the Valencian Country (2450 schools to build). The pedagogical purpose was to promulgate to all a basic and solid culture that makes them men developed in all the aspects, able to contribute concrete activities, to the benefit of the same individuals and the society generally.

The libertarian pedagogue and anarchist Joan Puig i Elias (1898–1972) was the initiator of the CENU, continuing the work of Francesc Ferrer i Guàrdia. He studied teaching at the Escola Normal de Barcelona and obtained the title of teacher in 1919. His pedagogy put the child at the center of education. He educated not only reason but also feelings, with constant contact with nature. Affiliated to the CNT from his youth, from 1932 he chaired the section of teachers of the Union of Intellectuals and Liberal Professionals of Barcelona. In July 1936 he held the presidency of the Council of the New Unified School (CENU). The institution was dissolved in February 1939 by the Francoist dictatorship.

The New School and the Council

History
Most anarchist educators referenced the pedagogue Francesc Ferrer i Guardia, he had been executed in 1909 as a scapegoat for the insurrection known as Tragic Week. As a result of his influence on education, creating the so-called Modern School, numerous rationalist schools had been created throughout the country. Especially in Catalunya, rationalist education had many supporters in the labor movement. Joan Puig i Elías, the education counselor of the Central Committee of Antifascist Militias, came from this tradition.

The New Unified School Council was created from the Spanish Revolution of 1936, its goal was to organize the new teaching system, "ensuring that it responded, in all the aspects, to the new order imposed by the will of the workers". The Committee was made up of delegates from trade unions and left-wing political parties. The spirit that drove this Educational Council (CENU) was that of anti-fascist unity, which had led to the creation of the CCMA itself as well as its Economic Council, which little by little would be in charge of promoting industrial communities and the socialization of the economy. The Executive Committee was chaired by the already appointed Joan Puig i Elias.

On July 27, 1936, the New Unified School Council was established. The decree of creation affirmed its will to suppress the confessional school (in the hands of the Church), which was accused of being the type of educational system that has caused the military coup. They believed in a new school that promoted rationalistic principles and solidarity. In addition to these intentions, the anarchists - in charge of this council - realized that they did not have enough teachers or sufficient infrastructure to offer a teaching based on libertarian ideas. Therefore Puig i Elias resolved to come to an understanding with the Republicans, the Catalanists and the Socialists. Puig i Elias defended this analysis before other anarchists who want to, at least, attempt libertarian teaching. Because of this he quickly received the support of the UGT and the Generalitat de Catalunya.

The first thing they did (during August, on full school holidays) was to analyze their needs and find out what was available. Some 157,000 school places were estimated to be covered. According to Ramón Navarro, during the first year, they were practically covered. But due to the war, many teachers had marched to the fronts, and between this and due to the increase in students another 3,000 new teachers were needed. For the 1936-1937 academic year, 2,000 were enabled, but even so the places were filled with people who did not have the corresponding degree.

Most of the teachers were unionized in the UGT, which caused most schools to end up under their influence. But the UGT not only joined Socialists and Communists, but also Catalanists and Republicans. Practically all those who were not sympathizers of the CNT joined the UGT.

The New Unified School was conceived as the village school for all the children of the Nation, which was to have all degrees of education, from kindergarten to university, free in all grades. It was created and supported by the State and the Generalitat, and directed, by the technical and administrative part, by a Superior Council made up of people who represented all levels of education. It was not defined as a uniformed school, but as an egalitarian school. It could admit different processes, schedules and special ways of doing and teaching, but it had to have a list of all the teaching and school activities within the same system that complied with some principles. It had to have a continuity and to respect the characteristics of each stage of development from child to young adult.

This transformation brought about changes in the legislation and in the educational system of Catalunya. The aim was a General Education Plan that contained very innovative aspects such as the approach of a common cycle of unified compulsory studies that begins from the nursery school, the relationship between primary and secondary education, a solid humanistic training in all university studies including technicians, the integration of the disabled, the care of those with learning disabilities and professional orientation aspects, the attempt to generalize the renewed teaching, etc.

Different visions of the political forces were integrated in the Council when realizing this project in practice, so the CENU happened to have a mission of informant and adviser of the Council of Culture.

General Education Plan

The Education Plan was based on the following three bases:
 Teaching begins as soon as the child is born and continues until the total technical and spiritual formation of the human. By starting early and for all it facilitates equal education. There are no a priori differences that subsequently impair the child's education.
 Coexistence with each other is obligatory, without distinction of origin or purpose: coexistence provides to a great extent the selection according to the personal relations of each one. Homogenization, from the beginning, helps to avoid social impact.
 Further selection will be based on individual factors: teaching must discover and develop the abilities of each, also taking into account personal desires and desires.

New School Inspirations: The Rousseau Institute, Montessori, Freinet and Decroly
Many Catalan pedagogues studied at the Jean-Jacques Rousseau Institute in Geneva, which had a considerable influence on the modernization of the school system. This institute was not only inspired by the philosophical work of Jean-Jacques Rousseau, but also by the scientific psychology of Édouard Claparède, Pierre Bovet, Jean Piaget, Mina Audemars and Louise Lafendel. The Escola Nova was inspired by three then modern education methods: Montessori, Freinet and Decroly, which all wanted to replace traditional teaching, such as "one size fits all", authoritarian and ex cathedra education, with an active, interactive, social and more fun approach that applied the principles of developmental psychology:

 Maria Montessori created the Montessori method, inspired by the principles of Friedrich Fröbel. The purpose was to help children develop their full potential, rather than learning to pass tests. Research shows that when the method is well implemented, children's outcomes, even in tests, are superior to those obtained with regular school methods. On the other hand, the ideological and formal approaches of the method of Italian pedagogy, united with many reformist ideas of the Catalan bourgeoisie. It was first introduced in Catalonia by Joan Palau i Vera.

 The Freinet method aims to build a more just and supportive society. Célestin Freinet started from egalitarian ideas and the principles of trust and mutual respect: being bigger than the student does not mean being above them. It is not learned by assimilating laws and rules recited from a podium, but by experience. Childhood in itself is a valuable stage in a person's life. The child is not a potential adult. The school must propose functional activities, useful for life. It conceived the school as a democratic and cooperative community where they learn to live in democracy.

 The Decroly method takes the interests and needs of children as a starting point. Ovide Decroly proved that children are more motivated to be protagonists in their own learning. For him, teaching must respond to the needs of the human being and not just to mere knowledge. It distinguishes primary needs (eating, drinking, resting), secondary needs (self-love, approval, admiration), social, sexual, and maternal needs, increasingly adapted to the stage of development. Work is thematically based on real-life experiences and observations, to which the branches (language, mathematics, science, history and practical skills) are applied.

Inspired by these ideas, CENU had to train teachers and create the necessary spaces, adapted to each group: kindergartens, primary school, secondary school and higher education.

School buildings
The Municipal Commission of Culture of the City council was in charge of constructing public schools. At that time, teaching was often given in any building, not very adapted to the pedagogical needs: stable, the ground floor of a hospital, or in high-rise rooms, with poor hygienic conditions and acoustics, and so overcrowded that only absolute silence and discipline could guarantee some order. In the Catalan Countries, there were 9047 buildings at the time, not always very suitable and 7882 new ones were missing to meet educational needs.

Immediate and end goals
In the short term, the Council had to combat illiteracy, which in 1930 was 12% of men and 24% of women in Barcelona, and 24% and 40% throughout Spain. In addition, the transition from primary to secondary school needed to be facilitated, especially for students with needy families and also to improve training in pedagogy and teaching staff methodology for both teachers and university students who wanted to devote themselves to teaching. Secondary technical studies had to be reorganized to enable the transition to higher or university education.

In the medium term, it was planned to improve and expand the infrastructure, in order to reduce the number of students per class, have a primary school with a section for children by municipality as well as an institute for each municipality with more than five thousand inhabitants. The council aspired to free and compulsory education for all up to the age of eighteen. Continuing in higher education should be possible for everyone who has talent, and could no longer be conditioned by social background. It was planned to create a network of learning and working schools, called "Technicum" and to facilitate active teachers to pursue university training in parallel.

Ideology and criticism
The CENU was a distinctly anti-fascist body. For this reason, ideological purges were carried out on several occasions, removing right-wing and Catholic teachers from their posts. These purges caused protests by Manuel de Irujo (PNV), from the central government. The ideological control of the teaching staff was accentuated once the anarchists lost the leadership of the CENU. In June 1937, the requirements to be a teacher increased. All those who are suspected of not being sufficiently "politically related" were excluded.

But Puig i Elias came from a libertarian background, understanding education as a tool to achieve a harmonious and peaceful society. He stated that the school:

He said this during the middle of the Spanish Civil War. Despite the hatreds experienced, the text spoke of the neutrality of education: "if Catholics wanted to make Catholics and socialists, socialists, anarchists do not want to make anarchists, what we propose is to make people." Anarchist education was permeated with this naturalistic stance on the natural goodness of children. This defense of the ideological neutrality of education was not shared by the UGT, which defended an indoctrinating education to establish a new revolutionary order. It was intended to inculcate republican ideals in order to discard any "fascist deviation" of the student.

But Puig Elias also had to justify himself to anarchist teachers. They came to see CENU as a "deviation" from anarchist principles, since it was at the disposal of the state. For the sector opposed to CENU, it was too close to socialist policies. This sector was formed, above all, by the Regional Federation of Rationalist Schools and the Libertarian Youth. Joan's brother, Josep, responded to these accusations by saying that the CENU put into practice with facts and not with vague statements the program approved at the Zaragoza Congress of the CNT, held in May 1936.

Outstanding schools

Escola del Mar
On March 7, 1921, the president of the Culture Commission of Barcelona City Council commissioned the Ribas i Pradell house to build wooden pavilions for the future Escola del Mar, on Barceloneta beach. Ventura Gassol, a city official, asked Pere Vergés if he would like to become its director.

Vergès accepted the proposal. On the first of July, the building, not yet completely finished, hosted the Children's Baths of the Sea, and on the first of August, in addition to the bathing schedule, it was inaugurated as a beach semi-colony. A year later, the Commission of School Colonies inaugurated, as an extension of the Escola del Mar, the first school colony in Calafell with the name of Vilamar. Pere Vergés was a follower of the ideas of the New School. In this school they emphasized the importance given to music, the school library and physical education based on respiratory gymnastics and swimming.

Escola del Bosc
The Escola del Bosc was built on the mountain of Montjuic by the architect Antoni Falguera who had studied similar buildings in Rome and Charlottenburg. Rosa Sensat wanted the school to be the place where one learns by living, with the aim of being able to synthesize the virtues of school and extracurricular education, articulating formal learning in the daily experiences of the environment.

Differences between the Traditional School and the New School

References

Anarchism and education
Education in Catalonia
Spanish Revolution of 1936

redpajama_set_name: RedPajamaWikipedia


As one of the top 20 universities in the country, Notre Dame's state-of-the-art facilities, dynamic and accomplished faculty, and research resources ensure your success in graduate studies. The integrated Department of Biological Sciences is comprised of researchers studying a diverse spectrum of areas, all united under the shared mission of advancing human and environmental health at the national and international level through excellence in education and research.
For recent highlights of our students and faculty read the annual newsletter.
For more information about our campus take a virtual tour and view the interactive map.
Learn more about Graduate Student Life at Notre Dame.


Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry, and, above all, with science fiction, they are eager to forge a life in the literary world—or sacrifice themselves to it. Roberto Bolaño's The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure, as they work to construct a reality out of the fragments of their dreams.
Книга «The Spirit of Science Fiction» автора Боланьо Роберто оценена посетителями КнигоГид, и её читательский рейтинг составил 2.00 из 10.
В нашей онлайн библиотеке произведение The Spirit of Science Fiction можно скачать в форматах epub, fb2 или читать онлайн.
Работа Боланьо Роберто «The Spirit of Science Fiction» принадлежит к жанру «Современная проза».


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Q: Firebase Auth to sign-in google not working in Framework7 I have setup Firebase admin structure and generate all required id, key and token. With Firebase email and password auth it works fine. But when implementing Google signin it fails. Please help.
index.html code
`<a href="#" class="googleplus" onclick="firebaselogin()"><i class="icon fab fa-google-plus-g"></i></a>`
<script src="js/firebase.js"></script>
<script src="js/firebase-auth.js"></script>
<script>
  // Initialize Firebase
  var configfirebase = {
    apiKey: "***********************",
    authDomain: "*****************.firebaseapp.com",
    databaseURL: "https://f*************.firebaseio.com",
    projectId: "************",
    storageBucket: "************",
    messagingSenderId: "**********",
  };
  firebase.initializeApp(configfirebase);
</script>

registration.js code
var provider = new firebase.auth.GoogleAuthProvider();
function firebaselogin() {
  firebase.auth().signInWithRedirect(provider).then(function() {
          return firebase.auth().getRedirectResult();
        }).then(function(result) {
          var token = result.credential.accessToken;
          var user = result.user;
         app.dialog.alert('Login success!! Welcome:' + result.user );
        }).catch(function(error) {
          var errorCode = error.code;
          var errorMessage = error.message;
         app.dialog.alert('Login error!! error:' + errorMessage );

        });
}

When I run the app I get this error.

A: I have fixed that issue by just placing the firebase-app js to top.

redpajama_set_name: RedPajamaStackExchange


text:
Layoffs of Over 3,000 Indiana Workers Overshadow President's Visit to Elkhart Today
3,051 IN Workers Have Been Notified of Layoffs Since Passage of GOP Tax Bill, According to Official State WARN Data
AT&T and Walmart Laying Off Hundreds of Indiana Workers After Receiving Billions In Tax Breaks From the President's Legislation
press@notonepenny.org
Washington, D.C. — Ahead of President Trump's visit to Indiana today, Not One Penny spokesperson Tim Hogan released the following statement:
"As the President visits Indiana today to try to sell his scam of a tax bill, he'll have to reconcile the fact that, since the bill passed, over 3,000 workers across the state have gotten pink slips. While corporations like Walmart rake in billions in new tax breaks , those same corporations have laid off hundreds of Indiana workers. These massive corporate tax breaks clearly aren't trickling down to working families, and the President owes answers to the thousands of people throughout the state who are now being told their jobs are going away."
According to official state WARN data, 3,051 IN workers have been notified of layoffs since the passage of the GOP tax bill.
A Sam's Club in Goshen in Elkhart County shut down in January, leaving 110 workers without jobs. Altogether, three Sam's Clubs in Indiana announced closures just after the new year, affecting 419 workers in the state.
Meanwhile, Walmart, which operates Sam's Club, received $200 million from the Republican tax plan in 2017.
Just as AT&T learned it was receiving $20.3 billion in tax cuts for 2017 as a result of the GOP tax bill, the company announced layoffs of hundreds of workers in Indiana and across the Midwest.
In Elkhart, the Carson's Department Store at the Concord Mall announced a shutdown in February when its parent company, The Bon Ton Stores, Inc., declared bankruptcy. Altogether 10 Carson's and Elder-Beerman stores closed in Indiana so far in 2018, resulting in 443 layoffs in the state.
Eli Lilly, headquartered in Indianapolis, Indiana, was rewarded by the GOP tax plan with an incredibly low 15.5% tax rate in the first quarter of 2018, after laying off 2,500 people last November.


text:
using System.Text;

using BetterCms.Demo.Web.Models;

namespace BetterCms.Demo.Web.Helpers
{
    public static class EmailHelper
    {
        public static string FormatMessage(ContactFormViewModel contactForm)
        {
            var builder = new StringBuilder();
            builder.AppendFormat("
From: {0}
", contactForm.Name);
            builder.AppendFormat("
Email: {0}
", contactForm.Email);

            if (!string.IsNullOrWhiteSpace(contactForm.Message))
            {
                builder.AppendFormat("

{0}
", contactForm.Message);
            }

            return builder.ToString();
        }
    }
}

redpajama_set_name: RedPajamaGithub


Season five, episode three -- "High Sparrow": The major moment of this week's episode was Sansa returning to the North. Sansa finds that she has been betrothed to the sadistic Ramsay Bolton. However, on the advice of Littlefinger, Sansa resolves to play the long game: marry Ramsay and become the queen of Winterfell, as she rightly deserves.


- a 52 year old art group residing within the Neilson Park Creative Centre in Etobicoke Ontario.
-an art centre hosting resident art groups including the Etobicoke Art Group. -ever changing art exhibitions in the gallery.


text:
Prof. Karsten Danzmann appointed as a member to the Academy of Sciences and Humanities in Hamburg
For his leading role at the international level in the area of gravitational wave research, Prof. Karsten Danzmann has been named as a Member of the Academy of Sciences and Humanities in Hamburg.
For his leading role at the international level in the area of gravitational wave research, Prof. Karsten Danzmann, Director at the Max Planck Institute for Gravitational Physics and head of the Institute for Gravitational Physics Leibniz Universität Hannover, has been named as a Member of the Academy of Sciences and Humanities in Hamburg. He will be joining the "New Challenges in Cosmology" working group in the North German science organization. This evening, the Hamburg-based Academy will officially welcome its new research team.
"Membership in the Academy of Sciences and Humanities in Hamburg is a great honour for me. Most importantly, however, it accords great importance to gravitational wave research as a future-oriented subfield of astronomy and cosmology," according to Prof. Karsten Danzmann. "Thanks to highly advanced technologies, the measuring methods of the terrestrial GEO600 gravitational wave detector (German-British), LIGO (American) and Virgo (Italian-French) are being dramatically refined, so that a direct detection of gravitational waves is fast becoming a reality. An important milestone, especially with regard to cosmological issues, will be the LISA space mission, which is planned for the next decade," says the top scientist.
Prof. Dr. Karsten Danzmann, Director of the Institute for Gravitational Physics at Leibniz Universität Hannover and Director at the Max Planck Institute for Gravitational Physics (Albert Einstein Institute)
© F. Vinken/MPG
Prof. Karsten Danzmann has been working in the area of gravitational wave research since 1990, initially as project head of the "Gravitational Waves" Working Group at the Max Planck Institute of Quantum Optics in Garching (1990-1993). In 1993 Danzmann accepted an appointment to the Universität Hannover where he headed the Institute for Atomic and Molecular Physics. In addition, from 1994 to 2001 he was head of the branch of the Max Planck Institute of Quantum Optics. Since 2002 he has been Director at the Max Planck Institute for Gravitational Physics (Albert Einstein Institute; Sub-institute Hannover) and head of the Institute for Gravitational Physics Leibniz Universität Hannover. Prof. Karsten Danzmann was honoured with the Max Planck Research Award in 1991. He has been a member of the Akademie der Wissenschaften und der Literatur in Mainz since 2007 and, since 2009, a fellow of the American Physical Society.
Professor Danzmann initiated the construction of the German-British GEO600 gravitational wave detector in Ruthe near Hannover and is supervising its further development. The technologies developed specifically for the GEO600 gravitational wave detector are globally unique and are also used in the American LIGO detectors and the Italian-French Virgo detector. The GEO600 project is also a part of an international scientific collaboration together with the LIGO and Virgo gravitational wave detectors. The data of all the detectors is evaluated in Hannover.
Prof. Karsten Danzmann is responsible for the European side of the LISA (Laser Interferometer Space Antenna) space mission, which is being planned by ESA and NASA. The LISA project, which will most like be launched in 2020, is intended to measure space-based gravitational waves at low frequencies (0.1mHz-10Hz), which are inaccessible for earthbound detectors.
The Academy of Sciences and Humanities in Hamburg
Members of the Academy of Sciences and Humanities in Hamburg are outstanding scientists from Northern Germany who have distinguished themselves through scientific excellence, internationality and an interdisciplinary approach. The Members plan and implement the scientific projects of the Academy. They are appointed for a maximum period of ten years by the assembly of members. Decisive for the appointment is the technical character of the scientific work, and in particular the scientific plans of the Academy. The number of members is limited to 80.
Scientific contact
Prof. Dr. Karsten Danzmann
+49 511 762-2356 +49 511 762-5861 karsten.danzmann@... Max-Planck-Institut für Gravitationsphysik, Teilinstitut Hannover, Hannover


Coldwell Banker is a franchise of quality its services and products. Coldwell Banker Hispaniola relies on operations and marketing systems that have been successfully tested for over a century by buyers, owners and real estate agents. We promote properties with a positioned brand, using their logos, images and technological tools.
Placing your properties for sale through Coldwell Banker Hispaniola, you benefit from a marketing system in which millions of dollars in advertising are invested, so that the entire target market knows your real estate for sale.
Coldwell Banker Hispaniola has different promotional means to place your properties according to the specific marketing plan designed for your properties, in a joint collaboration between you and the Associate who has attended you and who will follow up.


Most funky field trips make a stop at this landmark beat.
Clyde started a new type of groove by playing quarter-notes on the hi-hat.
Because of the quarters on the hat, the kick and snare part sound totally fresh, even though it is similar to some past Stubblefield grooves.
It's fun to ballpark the dates of funk tracks based on hi-hat parts. Invite over some friends, order some pizza and try it sometime.


Our yoga practice is a way for us to both rejuvenate and energize, physically and mentally. In this one-day pastoral retreat in the beautiful countryside of Willistown Conservation Trust, on the grounds of Rushton Woods Preserve, we will step back from the busyness and get reacquainted with the calm steadiness that we cultivate through breath, movement, connection with the natural world around us, and stillness.
Suitable for all levels of practitioner, this one-day retreat will include yoga, walking meditation and guided tour of Rushton Woods Preserve, farm-to-table treats, and tea.
This retreat is suitable for all levels.
Events may be canceled or rescheduled due to inclement weather or low registration. In that case, we will make every effort to update our website, contact registrants, and reschedule if possible.


text:
21000186 Requisition #
About The Science and Technology Facilities Council (STFC)
The STFC is a world-leading multi-disciplinary science organisation where curiosity, blue-skies thinking meets practical, application-led science and engineering. Our goal is to deliver economic, societal, scientific and international benefits to the UK and its people – and more broadly to the world.
As one of Europe's largest research organisations, we're trusted to support, enable and undertake ground-breaking projects in an outstanding diversity of fields. Through world-class facilities and people, we're driving progressive advances in science, engineering, computing and technology. Our research seeks to understand the Universe from the largest astronomical scales to the tiniest constituents of matter, yet creates impact on a very tangible, human scale.
For more information about STFC please visit https://stfc.ukri.org/
You can also visit our careers site https://www.stfccareers.co.uk/
About UK Research Innovation (UKRI)
UKRI is an organisation that brings together the seven disciplinary research councils, Research England and Innovate UK. Together, we build an independent organisation with a strong voice and vision ensuring the UK maintains its world-leading position in research and innovation.
Supporting some of the world's most exciting and challenging research projects, we develop and operate some of the most remarkable scientific facilities in the world. We are pushing the frontiers of human knowledge through fundamental research and delivering benefits for UK society and the economy through world-class research, skills and business-led innovation.
More information can be found at www.ukri.org.
At UKRI, we believe that everyone has a right to be treated with dignity and respect, and to be provided with equal opportunities to thrive and succeed in an environment that enables them to do so. We also value diversity of thought and experience within inclusive groups, organisations and the wider community. For further information, please visit 'How we support EDI in the workforce'.
As users of the disability confident scheme, we guarantee to interview all disabled applicants who meet the minimum criteria for the vacancy/ies. We will ensure that individuals with disabilities are provided reasonable accommodation to participate in the job application or interview process, to perform essential job functions, and to receive other benefits and privileges of employment. Please contact us to request accommodation.
Online applications only preferred for this role. Please submit a CV and covering letter which clearly outlines how you fulfil the criteria specified along with your motivation for UKRI and the role. Ensure that the job reference number is included in the filename description of each document uploaded. Note that failure to address the above criteria or submit an application without a covering letter may result in the application not being considered. Assessment will only be based upon the content of your submitted covering letter and CV and not the 'experience' section of the application.
UKRI seeks to ensure it creates and maintains a system of openness, fairness and inclusion – a collaborative, trusted environment, which is attractive to and accessible to everyone who is interested in developing their career with us.
Organisation: Science and Technology Facilities Council (STFC) - RAL Space
 Didcot, Oxfordshire, England
📁 Administration
Post Date: Jan 12, 2022
PA to Division Heads and Business Support Assistant
Post Date: Dec 19, 2021


The IRS will subordinate the lien to allow other creditors to be ahead of them in order for you to obtain a loan or mortgage. If you need to refinance your house or do a loan modification you will need to request a lien subordination before the lender will refi your house. The lien desk will take 45-60 days to review the request. Therefore, do not put it off until the last minute because you will not meet the lender's deadline.


Every year In CORDOBA CUP we rely on the presence of more than 200 teams from Argentina and from 10 countries of America. that is the reason why we are the most relevant Championship of Infantile and Juvenile Soccer from Latin America. For the future we are interested in Female Soccer. That is the reason of being unique. CORDOBA CUP is very important. Golden Cup is bigger. All the participants win. Because just playing and participating is to win. Our organization has the best level from all Latin America because of the people involved, the schedule and the structure.


UPDATE: The new creator plans will launch on May 7th, 2019. To lock in founders status and pricing, a creator page must be launched by May 6th, 2019 at 11:59 PM Pacific time.
On March 19, 2019, Patreon announced our new creators plans and payment processing rates, which will be available later this spring. Current creators on Patreon will see no change to the fees they pay or the features they have. These changes will help us invest in the features and services all our creators depend on, and create a strong and independent Patreon that creators can build their businesses on for decades to come. Click here to see the full announcement. The FAQs below provide more detail.
There is no change to the patron experience whether you are a founding creator or future creator on the platform. Your patrons will be charged based on the model you set up (ie monthly, per post, CUF). Billing still takes place on the 1st of every month, and patrons will still get unified checkout with a single receipt every month for all of their pledges.
How do I tell my patrons about this?
What are you doing with the money you'll be making from these higher prices for future creators?
We'll be investing in core features and services to make Patreon better for all creators. Our roadmap is to build a world class payments infrastructure including annual plans and internationalization, improve features such as messaging and notifications, and create a more intuitive patron experience. Also, we're adding new things that creators have been asking for, like someone who knows your business and will help you 1:1 to grow (Dedicated Partner Manager) a satisfying way to reward patrons that takes no extra time once you set it up (Merch for Membership) and a way to make collaboration easier (Team Accounts). We are happy to offer these new features as a choice for creators who really want them.
How easy is it to move back and forth between the different plans? Can I try one and then move to another one if I don't like it?
Founding creators (creators on Patreon before the plans launch) will automatically be in the Pro plan at their current pricing of 5%. There is no reason for founding creators to move to Lite, since it would be the same price for them as Pro. Future creators joining Patreon can start with Lite and switch to Pro at any time. If they start with Pro and wish to switch to Lite, they can do so after disabling any features that aren't included in Lite, such as multiple membership tiers, and Special Offers if they have an active offer running. For creators who join Premium, there is a minimum three month commitment before they can switch to a different plan.
In Lite, do you get to decide how much your membership is priced at?
Your patrons can choose to pay whatever they like. When they click on the "Become a Patron" button, they will see a suggested minimum of $5, but they can change that number to anything they choose.
Why are you raising prices for future creators?
Current creators on the platform will not pay a dime more. Price increases for future creators will allow us to invest in key areas to make Patreon better for all creators. We are still offering an option at our original price of 5%, and are putting the choice in creators' hands about which features and services they want.
What is the cutoff date for creators to get the founders pricing?
The new plans are launching on May 7th, 2019. All creators who launch their page by May 6th, 2019 at 11:59 PM Pacific time will qualify for founders pricing, which is 5% for Pro and 9% for Premium. The Premium plan will have limited availability at launch and will expand gradually. Sign up here to be notified when there are openings.
Does my page need to be launched by the cutoff date to get founders pricing, or just started?
You must launch your page by the cutoff date of May 6th, 2019 at 11:59 PM Pacific time to get founders pricing, not just start your page or account.
Do I need to have patrons by the cutoff date to get founders pricing?
You do not have to have any patrons in order to get founders pricing. You must simply launch your page by May 6th, 2019 at 11:59 PM Pacific time.
If my page is launched by the cutoff date for founders status, but later I decide to revert or unlaunch my page, will I lose founders status?
If you revert or unlaunch your page, you will lose founders status and pricing. If you need to take a break, you can use our Pause Billing feature. Learn how to pause monthly billing here.
Is the new payment processing rate for future creators higher or lower than what founding creators are paying?
Founding creators will still experience the same variable payment processing fees with some reductions from shared patronage. For future creators we are removing the variable of shared patronage because it lacks transparency and it's not equitable. Some creators benefit from it and some don't, depending on how many patrons you share with others. As a new way to support creators who want to offer a low dollar tier that is more fair and transparent, we are introducing the new micropayment rate for pledges of $3 or less.
Can founding creators switch to the new payment processing rates?
At launch we are only offering the new payment processing rates to future creators. We are working toward a solution that allows founding creators who will save money from the new rates to adopt them, if they want.
Why is Patreon changing payment processing rates?
Nothing is changing for founding creators. They will continue at the same payment processing rate they pay today. We are updating payment processing rates for future creators in order to make them more fair and transparent. This new pricing ensures that creators with a large number of small pledges are not unfairly impacted by payment processing fees, and gives future creators stable, transparent payment processing rates for all their pledges.
If I am a founding Creator and I upgrade my plan to Premium, will my payment processing rate change?
No, It's important to us that you pick the plan that will help you grow your membership. As a founding creator, making those changes will not impact your processing rate.
Creator-led workshops are livestreamed workshops taught by creators who are successful both on and off Patreon. We're introducing creator-led workshops because we've heard from creators that they want to learn from other creators in their respective fields, i.e. musicians want to learn from other successful musicians, podcasters want to learn from other successful podcasters, etc. Creator-led workshops will cover topics like how creators are making Patreon work as part of their creative career, as well as other topics specific to the creator's field. As we build out the program, we'll be taking requests from Patreon creators to find out more about which topics you're most interested in.
Are Creator-led workshops different than the Patreon workshops?
Yes. Patreon workshops are available to all creators on Patreon regardless of the plan they choose. They are taught by Patreon staff and focus on Patreon specific topics like optimizing your tiers and benefits and how to market your membership.
Who are the creators teaching creator-led workshops?
We are currently building our roster of creator teachers.
What does it mean that there is a $300/month minimum on fees for Premium?
Premium is best for creators that expect to make at least $2,500/mo on Patreon, so that the 12% fee equals at least $300/mo to Patreon. This ensures our cost to provide the services in Premium are covered, and creators are at a level where they can truly benefit from the advanced features. The fee is not $300/month plus 12%; it is $300/month OR 12%, whichever is higher.
Who are the Dedicated Partner Managers? How will they understand my business to be able to help me?
Our Dedicated Partner Managers are membership experts with industry expertise who will get to know you and your business and can help you grow your membership. Some have expertise in video creators and others in music creators, or podcasters. Dedicated Partner Managers will help you think through strategies to continue to grow your business and the engagement with your audience. They have helped other creators make improvements which in some cases have doubled their membership earnings.
How does Dedicated Partner Manager differ from Creator Success?
Dedicated Partner Managers provide a 1:1 ongoing relationship with creators they work with, and spend more time getting to know the ins and outs of your particular business. Creator Success does programming for all creators, like our livestreams for large groups of creators.
The team lead, or owner of the account, will have sole access to the financial settings and information in Patreon, and team mates will have access to all other functions.
It's Patreon's new merch solution. It's designed to work with a membership business, rather than to sell one-off items. If you're looking for a pure storefront, there are other tools in the marketplace that may be better suited to your needs. With Merch for Membership, the merch items you select and customize will be included in one or more of your membership tiers, and will go out to patrons automatically on the schedule you choose (starting with once after 3 months). This gives patrons something to look forward to. Patreon handles packing the boxes, tracking, and customer service for your merch items, so you can focus on creating.
How do I sign up for Merch for Membership?
Merch for Membership is included in our premium plan, and will have limited availability at launch. We will roll it out slowly as openings become available. You can sign up to be notified when there are openings here.
What's included in Merch for Membership?
Access to high quality products, customized by you.
Automatic fulfillment: Patreon will make sure your patrons receive the right items at the right time, handling all shipping, tracking, and support, so that you don't have to.
Customer support, including lost and damaged item replacement (within reason).
The cost of the items themselves and shipping costs are additional. Note that Patreon always suggests which tiers should receive merch based on the cost of your merch items and the price of shipping.
What items are available to be customized and sent to my patrons?
At launch we will start by offering posters, mugs, and stickers. Over time we will expand the selection. Our long term vision is to have a wide variety of unique items to choose from.
Prices vary by item from $8 to $18 depending on the choices you make about number of colors, designs, materials, and more. Shipping costs are additional.
Can I send items to my patrons based outside of the US?
This initial phase of merch is for US-based creators and patrons only. Over time we'll expand the program to include countries outside of the US.
How do you handle lost packages and damaged goods?
Patreon will cover the cost of lost packages and damaged goods within reason as part of the included customer support.
Should you have any additional questions, please don't hesitate to send us a note!


text:
Cabildo é uma comuna da província de Petorca, localizada na Região de Valparaíso, Chile. Possui uma área de 1.455,3 km² e uma população de 18.916 habitantes (2002).

Comunas de Petorca (província)


text:
View Past Issues >
Germaine Bazzle, New Orleans' "First Lady of Jazz"
French Quarterly
One of the true legends of New Orleans jazz, the elegant and graceful Germaine Bazzle is one of our most important jazz vocalists and a respected music instructor. After growing up in our own Seventh Ward and graduating from our local Xavier University of Louisiana, she began a teaching career during the day and entertaining in a traditional jazz band at night.
Like our rhythm and blues Queen, Irma Thomas, Germaine's voice is distinctive with a sweet soul to match. Influenced by the greats like Sarah Vaughan and Ella Fitzgerald, she took on a repertoire of classic jazz, American popular songs, show tunes, and the music of Duke Ellington. Sounds of the church were never far behind, and she sang regularly on Sundays with the Saint Louis Catholic Choir.
"Teaching was what I was supposed to do; the gigs are what I could do," she said emphatically upon her receipt of the 2015 OffBeat Lifetime Achievement in Music Education award. "As far as I was concerned, I had the best of both worlds." In an interview she added, "The voice is the original musical instrument and sometimes we forget that. Learning how to do the scales, learning how to do the arpeggios, learning how to read music...all of these things make good jazz."
Her voice is rich, full of quirks and surprises; she is truly an acquired taste. Her repertoire consists, for the most part, of classic tunes written by Cole Porter, George Gershwin and Duke Ellington, freshly interpreted and given new arrangements. In any standard number, she may imitate a bass, trumpet, saxophone and imaginary instruments. She will also add idiosyncrasies where they are least expected or veer off into scatting, always displaying an abundance of technique and flexibility and never singing the same song the same way. Bazzle radiates an engaging warmth and an infectious joy when she sings. The music flows through her and she resonates with it.
Germaine Bazzle's unique talent and unparalleled artistry as a vocalist is perhaps one of New Orleans' best kept secrets. Her command of tone and melody coupled with her brilliance in the manipulation of her own vocal timbre are nothing short of spectacular.
For more information on Germaine Bazzle and other women who excel in the genre of jazz, visit the Women of Note exhibition at The New Orleans Jazz Museum highlighting women in the evolution of jazz from its beginnings in the early 20th century to today's vibrant music scene. Some of New Orleans jazz's most beloved figures are women yet in many historical accounts women are relegated to the background or absent altogether. This exhibition presents accomplished musicians from the early days of jazz to the present. It also explores how these artists have navigated their way as women in a predominantly male musical culture. Women of Note examines the cultural, social and economic impact of women on jazz through historical photographs, instruments, recordings and other artifacts from their world-renowned collection. Like many aspects of the culture around it, early jazz was a world defined by men, and women's public roles were restricted by widespread stereotyping and discriminatory practices. Women have been integral to the development and artistry of jazz. Interactive exhibits include a video archive of performances of great women jazz musicians. Listening stations feature selections of commercial recordings, New Orleans Jazz Club radio broadcasts, live recordings and recordings made at the Museum Performance Center.
The talented Germaine Bazzle will once again be bringing her gift to the stage at the 2018 New Orleans Jazz Festival on Friday, May 4th. You can also catch this engaging entertainer at Snug Harbor on Frenchmen Street where she performs regularly. The New Orleans Jazz Museum at the Old U.S. Mint, 400 Esplanade Ave. 10 a.m. to 4:30 p.m. Tuesdays – Sundays.
Illuminating Our Jazz Legacy
by Kim Welsh
Jazz, From Funky Butt Hall to Carnegie Hall
What a Wonderful World!
Louis Prima, The King of Swing
Samba Your Way Into Carnival
Copyright French Quarterly Magazine, all rights reserved. | New Orleans Web Design by Marse Designs, LLC


Their website discusses all services available for seniors living in Vermont, outlines helpful state programs for seniors and allows them to find assisted living facilities in every city, town and county in Vermont.
The University of Vermont has received a $598,000 grant from the U.S. Environmental Protection Agency to investigate links between harmful algal blooms and human well-being, and to explore how a community along Lake Champlain works to take action based on scientific information about those links. In lakes and ponds worldwide, cyanobacteria blooms, also known as "blue-green algae," threaten water quality, ecosystem health and human well-being.
Police Services Contract with St. Albans Police Dept.
The Joint Study Committee was formed to study multiple aspects of a possible merger between the Town of St. Albans and the City of St. Albans.


text:
Proms 2019
Season guide
Proms in the Park
Sorry, this episode is not currently available
Prom 49: European Union Youth Orchestra and Gianandrea Noseda perform Tchaikovsky, Chopin and Zubel
BBC Proms 2018
Live at BBC Proms: European Union Youth Orchestra and Gianandrea Noseda in Tchaikovsky's Symphony No 5, Chopin's Piano Concerto No 2 and the UK premiere of Agata Zubel's Fireworks.
Live from the Royal Albert Hall, London
Presented by Ian Skelly
Agata Zubel: Fireworks (UK premiere)
Chopin: Piano Concerto No 2 in F minor
c. 11:45
Interval: Agenda Gender
This year, music festivals around Europe signed up to a scheme designed 'to transform the music industry for current and future generations'. With the help of artistic administrators and musicians, including members of the EUYO and composer Agata Zubel, Hannah Conway explores the PRS Foundation's 'Keychange', an initiative which seeks to redress male dominance in music.
Tchaikovsky: Symphony No 5 in E minor
Seong-Jin Cho (piano)
European Union Youth Orchestra
Gianandrea Noseda (conductor)
The UK premiere of Agata Zubel's Fireworks is a celebration of freedom and of the present moment, written to mark the 100th anniversary of Polish independence.
The Polish theme continues in Chopin's lyrical and much-loved Second Piano Concerto, with the winner of the 2015 International Chopin Competition, Seong-Jin Cho, making his Proms debut.
In the second half, Gianandrea Noseda and the European Union Youth Orchestra turn up the intensity with one of the great Romantic symphonies, Tchaikovsky's stirring Fifth.
Last on
Sun 19 Aug 2018 11:00
Prom 48: London Symphony Orchestra, Simon Rattle and Magdalena Kozena perform Ravel—2018
Prom 50: Mozart's Clarinet Concerto and Mahler's Symphony No 5—2018
See all episodes from BBC Proms
Agata Zubel: Fireworks - Extract
Agenda Gender
See all clips from Prom 49: European Union Youth Orchestra and Gianandrea Noseda perform Tchaikovsky, Chopin and Zubel (2)
Music Played
Orchestra: European Union Youth Orchestra. Conductor: Gianandrea Noseda.
Piano Concerto No 2 in F minor
Performer: Seong-Jin Cho. Orchestra: European Union Youth Orchestra.
Symphony No 5 in E minor
More music on Radio 3—Radio 3 in Concert
We broadcast more live and specially-recorded concerts and opera than any other station.
The home of classical music and the Proms on the BBC
Every Proms concert is broadcast live on Radio 3 - don't miss a single one.
Music > Classical
durationplaylistencollectionrecommend


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Q: Creating a dictionary but returns a list I am working through a problem on Hackerrank, Arrays: Left Rotation. I have created a dictionary but am trying to create a second dictionary with new keys but same values.
The problem is I keep creating my second dictionary as a list but can't see why. For Instance, the code below
def rotLeft(a, d):
    dic = Counter()
    dic2 = Counter()
    for i in range(len(a)):
        dic[i] += a[i]
    for k,v in dic.items():
        if k-d < 0:
            k_new = len(a)+k-d
        else:
            k_new = k-d
        dic2[k_new] += v
    dic2 = sorted(dic2)
    return dic2.items()

I get

AttributeError: 'list' object has no attribute 'items'

I'm using Python 3. Thanks in advance for any advice!

A: sorted() returns list. Here your trying to add items() to list so it's giveing u the error AttributeError: 'list' object has no attribute 'items'
The Below Code Should Work Fine
from collections import Counter
def rotLeft(a, d):
    dic = Counter()
    dic2 = Counter()
    for i in range(len(a)):
        dic[i] += a[i]
    for k,v in dic.items():
        if k-d < 0:
            k_new = len(a)+k-d
        else:
            k_new = k-d
        dic2[k_new] += v
    return [k for i,k in dic2.items()]
print(rotLeft([1,2,3,4,5], 2))

The Same Code Can Be Written In Few Lines As below
def rotLeft(a,d):
    ArrA = a[:d]
    a = a[d:]
    a.extend(ArrA)
    return a
print(rotLeft([1,2,3,4,5], 4))


text:
Лукаш Дамиао да Силвадош Сантош, по-известен като Леандро Дамиао  (роден на 22 юли 1989 в Жардим Алегре), е бразилски футболист, играе като нападател и се състезава за бразилския Интернасионал, както и за националния отбор на .

Клубна кариера
Дамиао започва кариерата си в местните отбори в град Жардим Алегре като полузащитник. След това се премества в юношеския отбор на Атлетико Тубарао. Там той започва да играе като нападател и се премества в Атлетико Ибирама, които по-рано са го отхвърлили при проби. След като през 2009 г. вкарва осем гола за Ибирама в шампионата на щата Санта Катерина, Дамиао е забелязан и привлечен от Интернасионал. С отбора на Интернасионал до 20 години печели три титли на националното първенство и е привикан в Б отбора. При дебюта си за първенството на шампионата на щата Гаучо, Дамиао отбелязва два гола. През 2010 г. е извикан в първия състав на Интернасионал за кампанията в Копа Либертадорес.

През август 2010 г. Дамиао и Интернасионал печелят Копа Либертадорс, надигравайки на финала мксиканския Гуадалахара. Реализира втория гол за Интернасионал при победата като гост във финала, който Интернасионал печели с общ резултат 5-3 от двата мача.

Национален отбор
Първита си повиквателна за мъжкия национален отбор на , Дамиао получава през март 2011 г. за контролата срещу , заменяйки в състава контузилия се Алешандре Пато. Дебютът си прави именно в мача срещу Шотландия, който Бразилия печели с 2-0 на Емирейтс Стейдиъм в Лондон. Първият си гол за Бразилия вкарва на 5 септември 2011 г. в контролата срещу , играна на Крейвън Котидж отново в Лондон.

Дамиао е включен в състава на Бразилия за футболния турнир на Олимпиадата в Лондон. Завършва като голмайстор на турнира с шест гола, но Бразилия остава със сребърен медал, губейки на финала от

Отличия

Клубни
 Копа Либертадорес: 2010
 Кампеоната Гаучо: 2011, 2012
 Рекопа Судамерикана: 2011

Национални
 Суперкласико де лас Америкас: 2011
 Летни олимпийски игри 2012: Сребърен медал

Индивидуални
 Златна Обувка на Олимпийски игри 2012

Бележки

Външни препратки
 Официален сайт на Леандро Дамиао

Бразилски футболисти
Футболисти на Интернасионал


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text:
Aquatic Invasive Species sticker is now the law
By Gary Korsgaden / Enterprise Guest Columnist [[{"type":"media","view_mode":"media_large","fid":"1430699","attributes":{"alt":"","class":"media-image","height":"480","typeof":"foaf:Image","width":"320"}}]]In a nutshell, "the commissioner shall e...
By gkors
By Gary Korsgaden / Enterprise Guest Columnist Related content In a nutshell, "the commissioner shall establish a statewide course in preventing the spread of aquatic invasive species. The commissioner must develop an educational course and testing program that address identification of aquatic invasive species and best practices to prevent the spread of aquatic invasive species when moving water-related equipment, as defined under section 84D.01, subdivision 18a. Upon successful completing the course a sticker will be issued. "The commissioner shall issue an aquatic invasive species trailer decal for each trailer owned by a person that satisfactorily completes the required course of instruction." Currently the cost of the taking the course and test is yet to be determined. The sticker will be good for three years and will be a requirement for anyone moving water related equipment in or through the state of Minnesota, July 2015. The law, a continued effort by state representatives to do something, anything, to try and curb the spread of aquatic invasive species, is still a work in progress. News of the aquatic sticker requirement was met with mixed opinions by anglers and the boating pubic. It was not limited to residents. The law applies also to nonresidents. Comments from some include much to do about nothing, another money grab by the Minnesota DNR and threats from nonresidents to avoid Minnesota and not spend another dime in the state if nonsense laws like this one continue to be put on the books. There are good reason anglers and boaters are skeptical about another aquatic invasive program. Early on, an aquatic invasive sticker was distributed at public accesses by inspectors after being inspected and before putting the boat in the water. Later, a hastily slammed through aquatic invasive sticker program in 2011 eventually was scrapped. Some feel that aquatic invasive species are already here and any effort to stop them now is a waste of time and money. In my opinion spending the price of a couple dozen night crawlers and twenty or so minutes of time to take a test is a small price to pay, which in the end learn something new. Consequently, if it will lower the non-compliance percentages, now around 20 percent, I am all for it. I question if taking the course and test will help, though. Some just don't care about complying with the current AIS laws on the books. Kiosks at the access, together with the constant media exposure, and still there are those who have their heads in the sand and are not getting the message or are willing to obey AIS laws. The aquatic test and sticker requirement is clearly an effort to raise awareness of the AIS laws in the state of Minnesota. What remains to be determined is will it reach or convince more to comply to these laws? By Gary Korsgaden / Enterprise Guest Columnist Related content In a nutshell, "the commissioner shall establish a statewide course in preventing the spread of aquatic invasive species. The commissioner must develop an educational course and testing program that address identification of aquatic invasive species and best practices to prevent the spread of aquatic invasive species when moving water-related equipment, as defined under section 84D.01, subdivision 18a. Upon successful completing the course a sticker will be issued."The commissioner shall issue an aquatic invasive species trailer decal for each trailer owned by a person that satisfactorily completes the required course of instruction."Currently the cost of the taking the course and test is yet to be determined. The sticker will be good for three years and will be a requirement for anyone moving water related equipment in or through the state of Minnesota, July 2015.The law, a continued effort by state representatives to do something, anything, to try and curb the spread of aquatic invasive species, is still a work in progress.News of the aquatic sticker requirement was met with mixed opinions by anglers and the boating pubic. It was not limited to residents. The law applies also to nonresidents. Comments from some include much to do about nothing, another money grab by the Minnesota DNR and threats from nonresidents to avoid Minnesota and not spend another dime in the state if nonsense laws like this one continue to be put on the books.There are good reason anglers and boaters are skeptical about another aquatic invasive program. Early on, an aquatic invasive sticker was distributed at public accesses by inspectors after being inspected and before putting the boat in the water. Later, a hastily slammed through aquatic invasive sticker program in 2011 eventually was scrapped. Some feel that aquatic invasive species are already here and any effort to stop them now is a waste of time and money.In my opinion spending the price of a couple dozen night crawlers and twenty or so minutes of time to take a test is a small price to pay, which in the end learn something new. Consequently, if it will lower the non-compliance percentages, now around 20 percent, I am all for it.I question if taking the course and test will help, though. Some just don't care about complying with the current AIS laws on the books. Kiosks at the access, together with the constant media exposure, and still there are those who have their heads in the sand and are not getting the message or are willing to obey AIS laws.The aquatic test and sticker requirement is clearly an effort to raise awareness of the AIS laws in the state of Minnesota. What remains to be determined is will it reach or convince more to comply to these laws?
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