FIRST GRADE— Opening Warm-ups and SO MI LA to The Clock. Review all sentences and introduce new concept sentence, Africa is a Continent. Oh Africa! Show and tell where the continent of Africa is on a map. Recite the numbers 1-10 in Swahili with Ella Jenkins. Introduce the Swahili song Pole Pole and sing it with hand motions to a PowerPoint presentation with animals. Sing The Fishing Song and The Mulberry Bush.
KINDERGARTEN at CL——Opening warm-ups and school song. Moved to Ten Fingers and Body Parts. Bean Bag activity to Bean Bag Disappear and Bean Bag Toss. Ended with Listen and Move..
FIRST GRADE at CL— Opening warm-ups and school song. Moved to Ten Fingers and Body Parts. Bean Bag activity to Bean Bag Disappear and Bean Bag Toss. Ended with Listen and Move.
THIRD GRADE at CL— Ella Fitzgerald Sang Bop Boo Day, The Pin Song and game and Celtic Suite.
KINDERGARTEN at CL—We opened with warm-ups. We Moved to What Are You Wearing?, Apples and Bananas, Aerobics A-Z, Sleeping Bunnies and Hunt the Cows.
FIRST GRADE at CL—After warm-ups we worked on Miss Mary Mack, and Oh Sinner Man.
SECOND GRADE at CL—Opening warm-ups. Continued with The Cuckoo and added Swinging the Blues Away, Green Eggs and Ham and Valsa Dos Cavalos.
KINDERGARTEN at CL—We opened with warm-ups. We moved to Fanga, Animales, Hunt the Cows and Sleeping Bunnies and watch the short story of the Tortoise and the Hare.
FIRST GRADE at CL—After warm-ups we worked on Miss Mary Mack, Hunt the Cows and Sleeping Bunnies.
SECOND GRADE at CL—Opening warm-ups, with Doe a Deer and scale practice. Austria Part II.
THIRD GRADE at CL—Opening warm-ups. Did a partner activity with the Star Spangled Banner words and moved to Cazachok, a Russian song.
KINDERGARTEN at CL—Opening Warm-ups. and Starlight sung to SO MI pitches. Introduce the new concept sentence Music can have a STEADY BEAT. We moved the STEADY BEAT to Mrs. Evans drum, used our different body parts to reflect STEADY BEAT, sang a Spanish Song, Animales and Form the Corn.
FIRST GRADE at CL—Opening Warm-ups and SO MI LA to The Clock. We reviewed chart pictures for MUSIC HAS SHAPE AND CONTOUR. Then we play a group circle game Pirate Captain on the Sea accompanied by the xylophone.
THIRD GRADE at CL—Opening warm-ups including the solfege scale and a new scale where the students sing a pattern/sequence. We learned the history behind the Star Spangled Banner and the meaning of the words through a video presentation. We reviewed the solfege hands and notes for Froggie Went A Courtin', and moved to Valsa Dos Cavalos.
KINDERGARTEN at CL—After warm ups we We opened with warm-ups and Hello, Hello. We played and sang a group activity called Here sits the Monkey in the Chair accompanied by the guitar. Everyone got a turn with the monkeys. We sang Form the Corn and Standing Like a Tree.
FIRST GRADE at CL—After warm-ups Mrs. Evans introduced the new concept Music has shape and contour. We discussed and moved our voices to the pictures in the contour chart. We learned a sea shanty called Hear Ye and traced the CONTOUR of the song's verses. We ended with Dima Dima using egg shakers and Che Che Coolay with African movement.
THIRD GRADE at CL—Opening warm-ups, and Element Chant. Continued working on TEMPO and handclapping activity with Michael Finnegan and two students acted out the song Froggie Went A Courtin' using puppets. We continued to practice singing the song on our solfege syllables. We ended with Valsa Dos Cavalos, a dance movement activity.
KINDERGARTEN at CL—After warm ups we performed When I was One and Standing Like A Tree. We reviewed our new concept MUSIC CAN BE HIGH or LOW. We reviewed the chart of high and low pictures. We had an individual resonator bells test to check for high and low. We watched an Interactive Listening Map of Flight of the Bumblebee by Rimsky-Korsakov and Faeries and Giants by Edward Elgar and the boys moved to the giant music and the girls to the fairy music.
FIRST GRADE at CL— Opening Warm-ups. We continue with Africa is a Continent. Oh Africa! Mrs. Evans plays her djembe and brings African instruments for show and tell. We recited the numbers 1-10 in Swahili and Africa is a Continent chant. We sang Pole Pole and Dima, Dima and learned Che Che Coolay an African dance. We added a Liberian song Kokoleoko and O Bwe See.
THIRD GRADE at CL—Opening warm-ups, and Element Chant. Continued working on TEMPO and handclapping activity with Michael Finnegan and we learned how to read verses in the song Froggie Went A Courtin' and had an introduction to singing the song on our solfege syllables. Class short due to field trip.
KINDERGARTEN AT CL—Opening Warm-ups. and Starlight sung to SO MI pitches. Introduced new music concept "Music can be High and Low". Students reviewed using their voices to imitate the pitches and their bodies to demonstrate high and low (hands up for high and in their lap for low). We reviewed the high/low picture chart used the pop up puppet to show high and low. We sang a classic song "I'm Bringing Home My Baby Bumblebee. We closed with Hello There, Patty Pat and This Old Man.
FIRST GRADE at CL— Opening Warm-ups and SO MI LA to The Clock. Opening Warm-ups. Reviewed sentences and AFRICA IS A CONTINENT. Watched two videos, Pole Pole by Ella Jenkins and It Never Rains in Africa video. Mrs. Evans brought her DJEMBE drum. We sang Dima, Dima, recited 1-10 in Swahili, the Africa is a continent chant, and Kokoleoko.
THIRD GRADE at CL— THIRD GRADE—Opening warm-ups including the solfege scale and a new scale where the students sing a pattern/sequence. New TEMPO concept: RITARDANDO and ACCELERANDO for the song Michael Finnegan. We worked on partner clapping activity for the song. We concluded with Statues to Seven Jumps, a movement activity.
KINDERGARTEN AT CL—Opening Warm-ups. and Starlight sung to SO MI pitches. Introduce the new concept sentence Music can be FAST or SLOW along with the fast/slow picture chart. Discuss the difference between squirrels and bears in the wintertime. Introduce the fast/slow songs Did You Ever See a Squirrel? and Did you Ever See a Bear?, We sang Form the Corn, and What Are You Wearing?.
FIRST GRADE at CL— Opening Warm-ups and SO MI LA to The Clock. Sing The Fishing Song and The Mulberry Bush. Add Where Oh Where has My Little Dog Gone?. Sing in fast and slow TEMPOS. Review all sentences and introduce new concept sentence, Africa is a Continent. Oh Africa! Show and tell where the continent of Africa is on a map. Recite the numbers 1-10 in Swahili with Ella Jenkins. Introduce the Swahili song Pole Pole and sing it with hand motions to a PowerPoint presentation with animals.
THIRD GRADE at CL— THIRD GRADE—Opening warm-ups including the solfege scale and a new scale where the students sing a pattern/sequence. We experienced the ELEMENTS of music BEAT, MELODY, RHYTHM, HARMONY, TEXTURE, DYNAMICS, TEMPO, PITCH, FORM, ACTIVE LISTENING, TIMBRE, COMPOSITION, IMPROVIZATION through a fun story called the Brilliant Marshmallow Rabbit. We discussed the meaning of the first 8 ELEMENTS with listening examples from a variety of genres.
FIRST GRADE at CL—Opening Warm-ups. Opening Warm-ups and SO MI LA song called The Clock. Miss Mary Mack partner clapping activity and Gilly, Gilly Good Morning. Introduce new concept sentence: Music can be short or long. Staccato, Legato, Legato. We did a scarf movement piece to the Syncopated Clock by Leroy Anderson. We studied FORM (ABACA), articulation words STACCATO and LEGATO as well as the TRIANGLE and CODA.
THIRD GRADE at CL—Opening warm-ups including the solfege scale. We reviewed the ELEMENTS of music and the Element Chant on BEAT, MELODY, RHYTHM, HARMONY, TEXTURE, DYNAMICS, TEMPO, PITCH, FORM, ACTIVE LISTENING, TIMBRE, COMPOSITION, IMPROVISATION using the Brilliant Marshmallow Rabbit story. We sang the Orchestra Song and saw a demonstration about instrument families and their unique characteristics.
KINDERGARTEN AT CL— Opening warm-ups, Hello, Can't Sit Still and Aerobics A-Z.
FIRST GRADE at CL— Opening Warm-ups. Move to the STEADY BEAT to Funga Alafia with specific parts of our body like hips, shoulders, knees and feet. We moved to Here We Go Riding our Ponies. Review concept sentences and introduce Music Can Be Fast or Slow. This is TEMPO. We learn Hear We Go Round the Mulberry Bush. Then we sing it using either fast or slow TEMPOS on each verse. We ACTIVELY LISTEN to Igor Stravinsky's Russian Dance and identify the FORM as Fast, Slow, Fast. We perform Form the Corn. Extra time devoted to Miss Mary Mack partner clapping activity.
KINDERGARTEN AT CL— Opening warm-ups, review all music concepts. Introduce new concept 'F' Means Loud. We talked about music language is based on Italian and they saw where Italy was on a map. After reviewing other loud/soft songs the children learn the song Grizzly Bear, Grizzly Bear. We act out the song recognizing the one word that is loud: "mad". If there was extra time we sang This Little Light and If You're Happy and Alabama Gal.
FIRST GRADE at CL— Introduced lesson focus sentence: Music can be "p", "f" or < (soft, loud, or getting louder). We sang I'm a Little Teapot in all three DYNAMICS and then learned the American folk song When Johnny Comes Marching Home. We ACTIVELY LISTENED to American Salute by Morton Gould that uses the theme of When Johnny Comes Marching… in the piece. The students listened to the song and identified the number of times the song was played by forming a tally using Popsicle sticks. We discovered Morton Gould used it eight times in American Salute. Each time was a different variation.
THIRD GRADE at CL—Opening warm-ups including the solfege scale and a new scale where the students sing a pattern/sequence. We experienced the ELEMENTS of music BEAT, MELODY, RHYTHM, HARMONY, TEXTURE, DYNAMICS, TEMPO, PITCH, FORM, ACTIVE LISTENING, TIMBRE, COMPOSITION, IMPROVIZATION through a fun story called the Brilliant Marshmallow Rabbit. We discussed the meaning of the first 8 ELEMENTS with listening examples from a variety of genres.
KINDERGARTEN AT CL—Opening warm-ups. We learned part 2 of a school song (see home page) We are working on our hand positions for SO and MI solfege. Introduced the first music concept sentence based on opposites: Music Can Be Loud or Soft. Discussed a loud/soft chart of pictures, learned a loud/soft song called Hey Betty Martin and changed our hand positions with the words of the song. Added different animals as we sang the song. If there was time we did Aerobics from A-Z.
FIRST GRADE at CL— Opening warm-ups as listed above, reviewed the school song (see home page). We sang Welcome to Music. Then we reviewed PART 2 all the music concepts from kindergarten including Hey Betty Martin, ACTIVELY LISTENED to Slavonic Dance by Antonín Dvořák, sang Hear the Thunder/Hear the Raindrops, Squirrels and Bears, Bumblebee moved to Faeries and Giants by Elgar, sang and moved to Grizzly Bear, and performed Animales. If there was extra time we sang, When I was One and Form the Corn.
THIRD GRADE at CL— We then discussed the Grand Canyon through several pictures and American Composer Ferde Grofé's Sunrise composition from Grand Canyon Suite. We quickly identified the PITCH for a sunrise piece would have a sense of upward movement and the DYNAMICS would move from very soft to very loud. We then talked about the key instruments/families in the piece being piccolo, flute, English horn, Strings, Brass and Cymbals. During our ACTIVE LISTENING, students raised their hands to various prompts.
FIRST GRADE at CL—Opening warm-ups as listed above, reviewed the school song (see home page). We sang Welcome to Music. Then we reviewed part 1 of all the music concepts from kindergarten including Hey Betty Martin, ACTIVELY LISTENED to Slavonic Dance by Antonín Dvořák, sang Hear the Thunder/Hear the Raindrops, Squirrels and Bears, Bumblebee moved to Faeries and Giants by Elgar, sang and moved to Grizzly Bear, and performed Animales.
THIRD GRADE at CL—After warm-ups we learned the pattern solfege song DO RE MI FA SO and moved to When I was Walking. We talked about American Composer Ferde Grofé. We prepared to LISTEN to Sunrise from the Grand Canyon Suite. We talked about the key instruments in the song and DYNAMICS and FORM.
KINDERGARTEN at CL—Opening warm-ups and then we sang the School Song, When I Was One, Form the Corn and played a group game to the song Here Sits a Monkey in the Chair.
SECOND GRADE—After warm-ups Mrs. Evans demonstrated the correct playing technique for hand drums, triangles, guiros, tone blocks and coconuts, tambourines, xylophones, metallophones and glockenspiels, and maracas. We split up into groups of six and rotated around to all of the different instrument groups while improvising to Yankovic's Polka.
THIRD GRADE— After warm-ups Mrs. Evans demonstrated the correct playing technique for hand drums, triangles, guiros, tone blocks and coconuts, tambourines, xylophones, metallophones and glockenspiels, and maracas. We split up into groups of six and rotated around to all of the different instrument groups while improvising to Yankovic's Polka.
KINDERGARTEN AT CL—After warm-ups we used "googlie eyes" to sing questions like, "What is your favorite color?" to our partner. We sang Standing Like a Tree and the pirate song, When I was One. We reviewed the Spanish song Animales. We performed Sleeping Bunnies and Riding our Ponies.
KINDERGARTEN at CL—Opening warm-ups and then we did a review all the pieces for the Open House.
SECOND GRADE— Opening warm-ups and then we did a review all the pieces for the Open House.


Unlike other data warehouses or data management tools, Panoply's smart data warehouse includes automated query performance optimization.
As Panoply ingests and transforms your data with its built-in data ingestion process (ETL), an AI powered algorithm triggers materialization, making sure data is always fresh and brings you back analytical results in minutes, not days.
Panoply's algorithm actually learns the usage patterns in your queries so that it can automatically swap and redirect them to optimize overall query performance.
Other leading competitors try to solve slow or hanging queries by allocating more compute resources to mitigate the bottleneck, but adding extra compute resources means extra costs, which can add up quickly each time you query.
Panoply, on the other hand, optimizes queries with the same compute resources based on our always-learning algorithms, so you don't have to worry about adding more budget or have to ask IT for help. Panoply will automatically make your queries faster.
Unlike simple caching used by competitors, Panoply's one-of-a-kind "smart caching" is not based only on the last query made, instead it's based on a unique algorithm that learns how the user actually queries data.
Panoply's fully automated query materialization can be explained in easy steps. Using query identification, Panoply scans every query made and ranks them based on three metrics: the duration of the query, the number of runs and the row count of the query result set - all thanks to machine learning technology. At the same time, query swaps are used to save time, meaning Panoply will redirect the queries you run to previously materialized views. Watch a short demo on view materialization to learn more.
You'll see the improvement in query speed in seconds, demonstrating the efficiency of Panoply's query optimization, which minimizes long running queries. Over time, as materialized queries increase, the length of your queries decreases, as can be seen in this example, showing how fewer minutes queries last as they are optimized by Panoply.


Just when you thought that after the last few posts, I was done being cheesy… Behold! V-day is upon us! I always though Valentine's Day was lame. Lame and commercial; that was until, a few years ago, I was shocked to find out that my parents celebrated Valentine's Day- flowers, gifts, cards and all.
I'll let you in on a little secret: I always thought my parents were cool. Even as a teenager, when it was absolutely un-cool to think of your parents as cool, I did. I still do. So, after that shocking realisation, I slowly began to embrace the dreaded V-day myself. I have to say, spotting red and pink hearts and whatnot everywhere around late December still freaks me out- but I think I've managed to find a good balance between the ridiculously commercial and the silly romantic in me. My Valentine also helps: he's endlessly patient and happy to participate in almost any activity, as long as there's no whining on my part and lots of food (also on my part).
Every year I cook dinner based on a loose theme (last year, it was hot dogs, a spicy slaw and a variation of these chips, finished off with dark chocolate and sea salt donuts and a viewing of Bad Boys. Serious V-day balance.) I'm still on the fence about what to make this year and have been testing (and eating) lots of different ideas. One of them is a play on one of Mike's favourite snacks: a cheese and ham pie.
Lots of ham and lots of cheese- the core of this delicious pie- are accompanied by earthy, beautiful porcini for extra flavour and texture; a good slather of spicy whole grain mustard adds just the right amount of heat and lastly, a good sprinkle of minced parsley gives a final pop of colour and freshness. Heart- shaping your puff pastry is completely optional (and completely cheesy, come to think of it), but I did it. Be cool.
Preheat the oven to 190C. Line a large baking sheet with parchment paper and set aside.
Soak the mushrooms in lukewarm water until soft, drain (keeping the water- you can use it to make a beautiful risotto, I always do) and pat dry with kitchen paper.
Roll out one sheet of puff pastry and slightly flatten with a rolling pin (to shape as a heart, top the pastry sheet with a second piece of parchment paper and using a pencil, trace the shape of a heart on the paper. Using a pizza cutter or a very short knife, cut the paper and dough underneath around the heart shape- repeat with the second pastry sheet).
Generously slather wholegrain mustard onto the pastry sheet, leaving a small margin at the edges; top with half of the cheese and follow with the ham slices, porcini and second half of the cheese. Sprinkle with minced parsley and black pepper and salt to taste. Top with the second puff pastry sheet, rolling the bottom sheet inwards. Spread the eggs wash all over using a pastry brush and make a couple large slits at the centre.
Bake for 20-25', or until golden brown. Let cool slightly before serving.


Since this is not Amiga-only related I'll post it in "Other".
To fully expand my Cyberstorm MK3 and DKB3128 I'm looking for 8 (eight) 72-pin SIMMs of 32MB. If anyone has some spares collecting dust I'll be happy to take them from you (for a not too steep price please :-D).
I have definately got 2 x 32Mb 60ns Simms here m8. They are the pucker ones without Parity Chips on em. Will have a hunt for others & get back to you asap.
Are you interested at all?
What's happening about the yellow internal HD Floppy?
Well, just for one SIMM it would be a waste of postage I think.
I've posted an ad on a dutch trading site and so far I've got three reactions - one guy already offered me the 8 simms for 25 euros so I'll see if anyone wants to give them cheaper :-) As far as I'm concerned this thread can be closed - I will score the SIMMs over here in Holland..


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The Next Cybersecurity Trend to Watch: Protecting in the Darkness
Oren Yunger, VC, GGV Capital
One of the common misconceptions about cybersecurity is that serious incidents always involve highly innovative and sophisticated technologies never seen or heard of before. In reality, most attacks do not look like Stuxnet. Instead security professionals focus heavily on fighting security battles that are known, and long thought to have been won. Some of the best-known security incidents in recent years show how wide-spread this pattern is:
• In June 2018, marketing firm Exactis leaked personal information of 340M adults. This breach was discovered via a simple query for ElasticSearch databases visible on publicly accessible servers with American IP addresses
• Earlier that June, a security researcher found a file on the Internet, which could have been used by criminals to access sensitive DNA records of 92M+ of MyHeritage users. Unlike passwords, these highly personal data records cannot be changed by a click
• In December 2017, an unprotected instance of a MongoDB database exposed the entire California voter population to the internet. A similar misconfiguration caused Verifications IO enterprise e-mail validation service to expose up to 2B records last March
• In November 2017, it was announced that cyber criminals leveraged developers' credentials left on Uber's GitHub account to access 57M records of Uber customers and 600K drivers that were stored on AWS
• And let's not forget the mighty Equifax breach which resulted in the leak of 145M SSN records, the consequence of an unpatched Apache server
Analyzing these and other breaches, it is apparent that no overly sophisticated threats blasted through the companies' security postures. So is it the guards who are simply negligible? No, as I am certain that these companies and others who suffered from similar fates care deeply about their customers' data and spend considerable resources to improve their security stance.
"CISOs need to find ways to integrate security measures with minimal disruption to operations"
Moreover, cybersecurity as an industry seems to be in a better place than ever before: we see more security positions in the job market, larger budget allocation to the security department in the org, and better tools to prevent, detect, and respond to security threats. There is also a more profound understanding of the importance of security with better regulation, more board openness, and broader customer awareness. Yet, security incidents are increasing, both in terms of magnitude and impact on the bottom line with the average cost of a data breach in the U.S. reaching nearly $8M in 2018. So why are breaches that could have been prevented – at least on paper – still happening? In short, it's because the IT environment is ever changing, in turn leaving security teams at a disadvantage when it comes to observability. Simply put, it is extremely difficult to protect what we cannot see.
How did we get here? Until several years ago, the technology environment in the org was rather clear. All end-user compute resources were PC desktops, all corporate and production servers were locked inside the company datacenter, and developers used well-defined software stacks built in monoliths or N-tier model applications. Today's reality is dramatically different: users can log in from different locations around the world. Moreover, they can use any device, which is very frequently privately owned, and consume services of dozens of third-party SaaS providers. Hundreds if not thousands of IoT devices are connected to the company network. Production compute exists in multiple shared and private cloud environments, decoupled into microservices and distributed across the globe. To make matters even more dynamic for the security professional, the development tools and methods are continually changing to enable engineers to move fast and stay agile.
In this environment, complicated as it is, one thing remains clear to CISOs today: they cannot and should not prevent the business from innovating. And while security is receiving more attention and budgeting from management teams and company boards of directors, resources are finite. What is not finite is the blind spots that are challenging CISOs. Those are everywhere in the fast-paced, technologically-rich environment in which CISOs operate (for example, companies today are using hundreds of unique apps to enhance productivity ). And while tools and data are in abundance, it is ever challenging for the CISO to have full visibility and act on the findings, as evident in the 2019 Oracle/KPMG Cloud Threat Report that found that only a handful of CISOs collect, analyze and respond to 75% or more of their security event telemetry.
So what can security teams do to adapt to the new paradigm, and get "out of the darkness?" There are many types of solutions that return the control to the security teams. Here are a few:
• "Next GenSIEM"– With the excess of information flowing through the organization information assets and security products, it is difficult for security teams to clean, analyze, prioritize, and respond to these events using some of the existing Security Incident and Event Management (SIEM) solutions. Therefore, more robust and automation-focused Security Event Management solutions are needed to sort through the data noise
• DevSecOps solutions geared for new architecture– CISOs need to find ways to integrate security measures with minimal disruption to operations. Yet, it is inevitable that security is playing catch-up with new technologies. While timing is tremendously important in introducing new security solutions, infrastructure will always move at least one step faster than security. Therefore, the security team must be equipped with the right tools for east to west traffic visibility, policy creation, and enforcement in technologies used in company production environments, which include multi-cloud, containers, serverless, etc. In today's world, this includes securing source control repositories, container registries, the CI/CD pipeline, API management, orchestration and release automation, to name a few
• Enterprise device management– Computer devices used within an organization are rapidly evolving: Developers are spinning new machines, DevOps teams are creating new environments, and new connected devices are used for different use cases throughout the company. Such asset inventory chaos creates an unprecedented attack surface, with many new endpoints, installed technologies, and asset locations that are often not visible to the security teams. This results in a growing challenge to protect the external and internal parts of the org. To be effective, CISOs require a new type of asset management that can provide them with much needed visibility and control over computer resources
To conclude, CISOs today are operating in an environment that keeps changing around them, making it increasingly challenging to collect the right information and act on it. Therefore, CISOs need to equip themselves for success - through the noise and distractions- with tools and technologies that empower them. When a security team gains enhanced visibility into the larger perimeter, they are more efficient, and can see the wood for the trees.
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text:
Paramilitary punishment stats reveal scale of republican and loyalist shootings in Northern Ireland
Guns, baseball bats, pick axe handles, knuckle dusters and hammers were all used in targeted attacks in 2019 on scores of people who crossed the dissident groups.
Dissident loyalist paramilitary groups carried out two punishment shootings and 43 other punishment attacks in 2019 (Image: Alan Lewis)
Knuckle dusters, baseball bats, hammers and guns have been used by paramilitaries in attacks across Northern Ireland in 2019.
Some 77 people were targeted by both dissident republican and loyalist groups over the course of the year.
There were 60 casualties of assaults, up from 54 last year, as well as 17 shootings , down from 21 last year.
According to Police Service of Northern Ireland (PSNI) statistics, republican groups carried out more of the shootings (14), compared to loyalist groups (two), while loyalist groups carried out more of the assaults (43) compared to republican groups (18).
Six of the 60 people targeted in assaults were under 18, while the remainder of the victims were adults.
The most commonly used weapon was baseball bats, often along with iron bars and hammers.
However in response to a Freedom of Information request, the PSNI revealed a variety of weapons used, including flick sticks, wrenches, knuckle dusters, pick axe handles, wooden poles and even scaffolding poles.
Police launch probe after bride and groom sing 'F**k the Pope' to Simply the Best tune in viral wedding video
The level of injuries varied from bruising to broken bones and multiple shotgun wounds.
One victim in 2019 was left with a broken left shoulder, stab wounds to the back, swelling to the leg and a laceration to the head while another suffered gunshot wounds to both ankles.
Paramilitary groups refer to these attacks, which often involve victims being shot in the knees and/or ankles and elbows as "punishments".
However a senior police officer described the justification attempts as "fantasy".
Detective Chief Superintendent Raymond Murray emphasised that the PSNI is the "only legitimate provider of law and order".
"There is no justifying these attacks, they are barbaric," he said.
Dissident republicans fire a volley of shots at a funeral and the guns are sometimes used in punishment shootings (Image: Alan Lewis/Photopress Belfast)
"Those who continue to believe in the use of violence, from whatever criminal grouping they claim to represent, do so to cement their own status and exert control, in full acceptance of the fact that they are victimising their own communities.
"Paramilitaries pedal the fantasy that they exist to protect or defend the community but the reality is that they are driven by their own self-interest.
"They show cowardice in the way they fail to make themselves accountable and continue to carry out acts of violence despite having little to no community support.
"These hypocrites acting as judge, jury and, in some instances, executioner do not represent the interests of any community.
An armed member of a republican dissident in a show of strength in County Derry (Image: Lorcan Doherty/Press Eye)
Dissident IRA chiefs and Loyalist leaders fan flames by praising Glasgow parades and demos
"Contrary to the perpetrators' rhetoric, not all of their victims have been involved in criminality.
"When criminality occurs within communities, the Police Service of Northern Ireland is the only legitimate provider of law and order."
DCS Murray said police are targeting the groups responsible for the attacks and shootings.
"There are obvious difficulties in getting victims and witnesses of paramilitary-style attacks to come forward due to fear but PSNI are far from powerless when it comes to dealing with these people who are exploiting their own communities," he said.
"We are targeting the groups and individuals we suspect are responsible for the attacks and tackling their wider criminality, be that drug dealing, money laundering, human trafficking or any other illegal activity.
"My message is simple. Policing works for communities, particularly for those communities that engage and work with us.
"Ultimately we all have a role to play in creating a safer society and ending the harm caused by paramilitary-style attacks. We will continue to focus our efforts on dismantling the structures of paramilitarism and we continue to encourage the community to engage with us.
"We all want the violence to end and by working together we can make this happen."


text:
import logging
from . import BaseApiView
from rest_framework.response import Response

logger = logging.getLogger(__name__)

class StatusApiView(BaseApiView):
    """
    View for status check API method.
    """

    # noinspection PyMethodMayBeStatic,PyUnusedLocal
    def get(self, request):
        logger.info("Status API check called")
        # return empty response with HTTP 200 status code
        return Response()

redpajama_set_name: RedPajamaGithub


They would be adding another station to station baserunner to a team that already has Konerko, Dunn, Quentin, and to a lesser extent AJ.
I sometimes wonder if you have any grasp at all of how this game works.
Is Dunn that much faster than Viciedo? If Viciedo bats .230 as DH, that's almost .70 points higher than Dunn. Is Viciedo at least a .230 MLB hitter?
Daver, what would your expectations be for Viciedo if he took the DH spot from Dunn? As a DH, there's no defensive liability. Does the DH have to be faster than Dunn? I don't see your point? Isn't the DH's job hitting?
The White Sox are not going to sit a player that is making 11 million a year for an untested rookie.
You just lost all credibility with that statement.
Viciedo aside, Teahan, Morel, Vizquel, and anyone from the minor league system is a better option than Dunn at DH.
He can't be sent down, it has nothing to do with waivers. I would not be at all surprised if the majority of the roster was not put on waivers after the deadline to make it easier to make waiver deals.
Yeah, he would have to clear waivers.
Not sure he'd do that regardless of how horrible he's playing.
Although, if someone did claim him, the team would most likely decide to just let his contract go to someone else like the Blue Jays did with Rios in 2009 when we claimed him.
He can't be sent down, it has nothing to do with clearing waivers.
Release him. If he's claimed, so be it. Otherwise, he can walk away, salary intact. At some point someone has to decide if Dunn's on the bus, or waiting for it.
You do realize if he is released and WHEN someone picks him up, the other team only has to pay him league minimum and the Sox are responsible for the rest of his contract?
That's not going to happen, it's the equivilent of flushing 22 million dollars down the toilet.
I do realize that. Responsibity has a price. Sometimes it's extremely steep.
I don't consider 38 games for Viciedo as being tested. Yeah, he did well last September, but that's still only a month.
I would wish people would drop the idea of DFAing Dunn. It's not going to happen because it is just a reckless decision on the Sox part. No professional organization, in any business, would throw away that much money because they can.
Having him on the roster is flushing 22 million down the toilet and taking up a roster spot. Getting rid of him is easier said than done.
He got a taste of major league pitching and passed with flying colors.
Now he's doing exceptionally well in AAA.
You can't keep him down there. You have to let him prove himself.
If striking out in 1 out of every four at bats while walking exactly twice is flying colors, your standards are incredibly low.
The rest of us prefer to view things in a more realistic fashion.


It sounds like this might be difficult, but as it turns out, it's really not bad at all. What we are trying to do here, is get access to the urls of the documents that were attached to an Item or Task in SharePoint. In fact, building a Nintex Workflow User Defined Action (UDA) to do this seems a little odd, since the UDA contains only two actions.
What's was that you just said? You don't know what a User Defined Action is and why you would want to use it? Well, take a look at this : What is a User Defined Action?
What does the UDA do?
There are a important components of this UDA.
1. We need to specify some parameters. Two input parameters (ListName and the ItemID) and an output parameter (Collection of Urls).
2. Next we need a Call Web Service action. This will allow you to query the item and pull out the Urls of the attachments on the item.
SharePoint exposes a http://msdn.microsoft.com/en-us/library/lists.lists(v=office.12).aspx web service, which in turn has a GetAttachmentCollection web method.
*** WARNING *** - the Call Web Service is configured to use a Nintex Workflow Constant called Farm Admin. In order to use this UDA, you need to create a constant with that name, or use an existing one and update this Call Web Service action.
3. Finally in this UDA, we have a Query XML action. This is used, because the result of the web service call above, is an XML chunk and we need to extract the Urls from that, using an XPath expression.
4. The result is a UDA that looks like this.
Without repeating what is in the "What is a User Defined Action?" post, I'll just say that the two reasons why I chose to make this into a UDA, are that it makes it easier for me to share it with you, and also that not everyone has access to the Call Web Service action, so this is a nice way to hide it from end users, but still give them the ability to do this.
Simply dragging this action to a workflow and configuring it with the current list and item and storing the urls in a Collection variable is very easy.
By looking at the UDA action configuration, you'll see it's quite easy to configure, even for end users.
The final part of the workflow is simply iterating through the Collection of Url results and logging them to the Workflow History. You can do what you want in the For Each loop, but this is just to show all the urls and show you how to iterate through it.
What Does the Output Look Like?
This can be also used to get attachment urls for documents that were attached to a Workflow Task.
I have a workflow that has many tasks and can have attachments to the tasks at a few points. I got this UDA and workflow to work on the list item itself, but have not found a way to have it pull back URLs for tasks associate to that item.
The tasks have their own unique ID but no way to know what that will be until the task is created. Have you done anything like that before? Any help would be greatly appreciated.
check the task action you are using, since it will probably let you store the Task ID in a workflow variable, that you can then use in the UDA.
Some of the tasks create multiple, so I would need to put those in a collection variable and then split those out and then do a for each to save all of them separately...Does that sound about right?
Yeah that sounds exactly what you will need to do.
I got the task part working...Thanks for the help!!
When I log it in the history list, it shows me when I have multiple attachments, but when I try to do anything else, like put the link in a notification or make the link an attachment, to a notification, it only attaches the first one.
Any ideas how to separate out the attachments and capture them all anywhere but the history list?
you need to get the attachment urls into a collection variable.
The latest version of Nintex Workflow supports sending notifications with dynamic number of attachments. You simply pass it the collection variable.
Ok. When I do that, I get the full string of URLs, but it breaks the link at the first space. The links are also separated by semi colons. Do I correct how I want those to appear with a regular expression?
Yeah that's a good idea. That's the way I would do it.
if you add a Reg Ex action, for the pattern just add a semi-colon, for the operation, select Split and for the text set it your urls, then you should be able to store the urls into a collection variable.
Splitting using the semicolon in the regular expression never worked out for us. It still gave us the list of attachment urls with a semicolon delimiter. One of our architects suggested using
 as our output was in an html format.
We used the expression to replace the semicolons with the
 and it worked.
Just wanted to share in case anyone else has trouble.
it depends on how you use the collection. If you then use the collection in a Log action or an email body, yes it will semi-colon delimit it.
I get all of the URLs from specific list item - this is really great.
In the next step I have to attach the Attachements to new e-mail via worklfow. Unfortunately I am not able to add them as an attachment. I am only able to print the link in the mail text.
Is there any option to reattach the files to a mail?
I thought there's been an update to Nintex Workflow that allows you to add a collection variable and it recognizes it.
CAn you reach out to Nintex Support for this?
I want to do something similar but different - attach a document in a document library to a list item. Is there a resource somewhere on how to do this?
interesting. Yes you can. You would need to run a workflow on the document itself. That workflow would use the Call Web Service action to call the Lists.asmx web service. Specifically, the AddAttachment method. In the "attachment" field of the web method, you would put in [FileData]. This tells Nintex Workflow to take the current document and put that Base64 data of it, into this packet.
I managed to get the workflow to write the URL's to the workflow history list successfully thanks. How do I now display the attachments as hyperlinks in a Nintex task form that is generated when the item in question is saved. I'm no Nintex expert however so some pointers on how to do this would be great.
I have tried this but it seems the update action only update one attachment. The last loop.
How do I update the rest of attachment url in my list?
this article is about getting the URLs. I'm not updating anything here. What do you mean by updating the rest of the attachments?
I get the URL and I want to update the URL on my list.
For example user add two attachment, I added update item action in the loop but at the end only last loop will be update in the list.
Do you know how can I update the two attachment URL in my list?
Could you please explain more (with screenshots if possible) how I'd go about looping through the collection that contains multiple urls and place them within the original list item form as clickable links. I tried placing them in a multiple line of text (with amend text option) but it stamps it with name and date. I was able to pass on the information into a label, but it only works when there is 1 attachment with 1 filename. I just need to display the name linked with the Url on the list item form with multiple attachments. I just can't figure how to do it..
I saw your other blog about using the custom action to get the 64 binary of the attachment and add through the Addattachment web service but in order to add a custom solution and deploy it to central admin, it would be such a process to get it approved.
Hi Vadim! I'm excited to try this. Every part is completely new to me.
Which of the items in your screenshot should be programmed exactly as you list them and which ones should be programmed with specific information from my site?
When I attempt to configure the "Call Web Service" action I don't have the "Web Method" (it's grayed out). I am going to ask my SP IT team about that. I'm guessing the other things I don't have (options under web service input) will be resolved internally. However, I don't have "textWSResult" as an option in the dropdown for "Store Results in". If that will show up when I am able to choose the web method then I should be good. Is that something I have to create somewhere? All I have is "ListNametoQuery" and "ItemID".
I've tried to make the UDA as simple as possible. The only thing you will need to change, is the credentials that the Call Web Service action uses. Either type in the username and password, or go to Site Settings -> Nintex Workflow Manage Workflow Constants and create a credential constant, then select that in the Call Web Service action.
Save it and publish it and then you'll be good to go to use that UDA in your workflow.
Now if your workflow, you need to create a collection variable. When you drag the UDA action onto your workflow and open the configuration of it, you'll need to select your collection variable as the output. You'll also need to add the List Name where your item lives and the ID of the item. When this runs, your collection variable will then be populated with the attachment urls from that item.
I think I understand but I don't have the same options that you have in your screenshots. I'll send you an email.
I don't have any web methods available like what is shown in your instructions. I would guess that once it's available the other options will show up. Does it matter that I am using SP 2013?


We work with Tony and Luxury Products International on developing their brand online and connecting with their customers consistency and effectively to increase sales. We primarily market into North America and Canada using targeted and very specific criteria developed by working closely with Tony on his customer's requirements and product specifications. We use Email Marketing and Magazine Advertising to reach their customer base in addition to driving additional traffic to their online store with Google Adwords.
The project involves the marketing of watch winders into the North American market place through online and retail sales.
New products are launched and sales targets are achieved.


text:
Full IPCC Report on Climate Change Science Now Online
In February, Working Group I of the Intergovernmental Panel on Climate Change published its "Summary for Policy Makers." The full report on The Physical Science Basis of Climate Change is now available for downloading.
It's conservative, low-key and understated — and it is one of the most important scientific documents of this decade. February's Summary for Policy Makers just touched on key points: the full document explains in detail what scientists know for sure about global warming.
Key questions and issues:
How has the science of climate change advanced since the IPCC began? Chapter 1
What is known about the natural and anthropogenic agents that contribute to climate change, and the underlying processes that are involved? Chapters 2, 6, 7
How has climate been observed to change during the period of instrumental measurements? Chapters 3, 4, 5
What is known of palaeoclimatic changes, before the instrumental era, over time scales of hundreds to millions of years, and the processes that caused them? Chapters 6, 9
How well do we understand human and natural contributions to recent climate change, and how well can we simulate changes in climate using models? Chapters 8, 9
How is climate projected to change in the future, globally and regionally? Chapters 10, 11
What is known about past and projected changes in sea level, including the role of changes in glaciers and ice sheets? Chapters 4, 5, 6, 10
Are extremes such as heavy precipitation, droughts, and heat waves changing and why, and how are they expected to change in the future? Chapters 3, 5, 9, 10, 11
And there's much much more. For a good overview, read the 70-page Technical Summary, which is much more complete than the Summary for Policy Makers.
All the chapters are available as PDF files now, HERE. Some front matter, the Index, and some supplementary material, will be posted in the next 10 days.
The IPCC report: Between nightmare and revolution
IPCC report: Human-caused warming is 'unequivocal'
IPCC vice-chair: Attacks on climate science echo tobacco industry tactics
The new climate-change denialism: Who promotes it, how to answer it
Stopping Climate Change? Rich Nations Aren't Even Trying
Capital and Nature: An Interview with Paul Burkett


MOUNTAIN VIEW, CA – August 30, 2016 – TVU Networks, a technology and market leader in IP-based live video solutions, announces that Russia's National Sports Channel, Match TV, relied on its video transmission technology for extensive coverage of the Summer Games. The station had seven ENG crews in Rio using TVU equipment throughout Games, which took place August 6-21.
The National Sports Channel produces sports broadcasts for Russia's federal television channel within the country and abroad. The station first started using TVU Networks equipment in 2013, when it began relying on the TVUPack TM8100 mobile uplink solution. Leading up to the Rio Olympics, Match TV purchased three new TVU One mobile newsgathering solutions. The video transmission packs were used to shoot live stand-up videos and interviews throughout the Games in stadiums, press mixed zones, and scenic environments around Rio, including beaches and high viewpoints.
Having been the national representative of the XXII Winter Olympic Games and XI Paralympic Winter Games in Sochi in 2014, Match TV is familiar with the complexities and challenges that can come with covering world-class sporting events. The station sent a production team of 130 people to Rio to get the job done, and TVU Networks equipment provided Match TV with reliable video transmission technology that didn't let them down during the Games. It also removed the need for costly SNG equipment.
MOUNTAIN VIEW, CA – August 18, 2016 – The Heartland chapter of the National Academy of Television Arts & Sciences (NATAS) recently held its regional Emmy® Awards Galas to recognize outstanding achievement in the television industry. With events held in both Denver and Oklahoma City on July 16th, the NATAS Heartland Regional Emmy® Awards were streamed to Facebook Live using TVU Networks' TVUPack live video mobile uplink solution.
To transmit live video of the regional Emmy® galas, NATAS Heartland relied on the TVUPack cellular uplink solution for live two-way transmission. NATAS Heartland has been using TVU Networks' equipment for its regional Emmy galas for three years, and opted to take advantage of the company's new Facebook Live integration capabilities this year to further its award show reach.
The NATAS Heartland Emmy® Awards honor standout video productions in categories ranging from newscasting and public affairs to political programs and sporting events. NATAS is a non-profit organization dedicated to recognizing outstanding achievement, raising industry standards, and improving the quality of television. The Heartland chapter was formed in 1986, and serves the television industry in the following markets: Denver, Oklahoma City, Tulsa, Wichita/Hutchinson, Omaha, Colorado Springs/Pueblo, Lincoln/Hastings-Kearney, Topeka, Grand Junction/Montrose, Casper/Riverton, Cheyenne/Scottsbluff and North Platte.
The award-winning TVUPack is a portable IP newsgathering solution that enables broadcasters to capture and broadcast live HD video from virtually any location in the world over multiple cellular, satellite, microwave, WiFi, WiMax, and BGAN connections. The solution delivers resilient video quality, low transmission latency, proprietary Smart VBR technology and real-time HD file transfer.
MOUNTAIN VIEW, CA – August 16, 2016 – TVU Networks, the global technology leader in live IP video solutions, announces it participation at the upcoming SET Expo in São Paulo, Brazil. The company will showcase its new synchronized, multi-camera remote production system, TVU RPS, and Cloud-based workflow solutions for live video, TVU Command Center and TVU Alert. TVU will also demonstrate its award-winning TVU One portable newsgathering video transmitter. The show takes place August 30-September 1 in the Red Pavilion at Expo Center Norte, and TVU Networks will exhibit in STI Telecom's Booth, D-108A.
TVU RPS is a cost-effective alternative solution for live, remote, synchronized multi-camera news and sports coverage. The award-winning system debuted earlier this year at NAB, and eliminates the need for expensive and complex mobile truck use for production of major sporting and broadcast events. TVU RPS enables the production of a live, multi-camera program in a remote location using mainly a broadcaster's existing control room in their studio and a public Internet connection from the field. The TVU RPS transmitter encodes up to four synchronized SDI sources and transmits high-quality and low-latency IP video from the remote location to a studio-based TVU receiver, as the receiver outputs four synchronized SDI outputs. With TVU RPS, broadcasters can utilize in-house production staff and equipment at the studio, saving significant cost in producing a remote, multi-camera live shot.
TVU Command Center is a cloud-based solution that allows central management and control of all TVU transmitters, video receivers, and services within a group of televisions stations from almost anywhere.
TVU Alert is also a cloud-hosted service that makes it quick and simple to send mission-critical alerts, such as breaking news, anywhere throughout a news organization. Together, they help broadcasters get to air first with live video from the most important breaking stories.
TVU Networks' TVU One mobile uplink transmitter is a compact solution that delivers high-quality IP video transmission performance. It features TVU Networks' patented Inverse Statmux Plus (IS+) transmission algorithm to transmit dependable HD quality video with less than one second latency through multiple transmission mediums, including cellular, satellite, microwave, MIMO Mesh, WiFi, Ethernet and BGAN. With TVU One, broadcasters can leverage the versatility that a small, lightweight IP video transmitter brings in the field, without sacrificing performance, feature functionality or picture quality.


text:
Son Pou és una possessió de Santa Maria del Camí, a Mallorca, situada a l'extrem nord del municipi en els límits amb Bunyola i Alaró. Antigament fou anomenada Sa Font. Son Pou és la darrera possessió de la vall de Coanegra. La possessió està travessada pel Torrent del Freu, procedent d'Orient, que passa a anomenar-se Torrent de Coanegra. El 1995 ocupava una superfície de 307,82 ha.

Dins Son Pou hi neix la Font de Coanegra, o de Son Pou, que alimentava en el passat 9 molins fariners i que encara avui alimenta la síquia de Coanegra. Aquesta font neix d'un ullal subterrani i a través d'una conducció també subterrània (en àrab qanat) que travessa el torrent, que en aquest tram està empedrat, va a aflorar darrere les cases. Des d'allà, a través d'una síquia l'aigua travessa tota la vall de Coanegra fins a arribar a Son Torrelleta. També s'hi troba la cavitat natural coneguda com s'Avenc de Son Pou i la de s'Avenc de Ca sa Coanegrina.

Com a possessió de muntanya, ha tengut un aprofitament com a finca ramadera i productora d'oli i garroves, a més dels productes del seu hort. Les activitats forestals (forns de calç, carbó, fusta i llenya) hi han estat importants. A les cases s'hi conserva una antiga tafona.

Cultura popular
Les cases antigues de Son Pou varen ser enderrocades per una torrentada en el . Les noves cases s'ubicaren en un lloc més elevat en relació al torrent. Hi ha una glosa que fa referència a una d'aquelles torrentades

L'any mil set-cents i quatre
hi va haver un deluví,
i no hi havia cap pi
que estigues segur, ni mata.
Jo jeia prou descansat
dins Son Pou, dalt sa llitera:
penyals i qualque olivera
tot davallava mesclat.

Vegeu també
 Avenc de Ca sa Coanegrina.
 Avenc de Son Pou.
 Coanegra.
 Comellar des Bous.
 Coma de sa Figuera.
 Coma d'en Soler.
 Síquia de Coanegra.

Referències

Possessions de Santa Maria del Camí

redpajama_set_name: RedPajamaWikipedia


I am a Senior Mortgage Banker with Mortgage America, Inc, a family owned regional Mortgage Bank with headquarters near Allentown, PA and with offices in Pennsylvania, New Jersey, Delaware and Maryland. Mortgage America's reputation as an honest, 'can-do' lender has helped establish Mortgage America as a pioneer in the Mortgage Banking industry since 1987.
I've been originating and closing all types of residential mortgages since 1991, joining Mortgage America in 1997. I currently reside in Montgomery County, PA with my wife and three children.
My belief in honesty, straight forward answers, and results oriented service have made me a top Mortgage Banker in our region.
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The town is eight blocks wide, 12 blocks long, and 45 miles from the nearest stoplight-and it has been that way for a century. What has changed is the lay of the land: Last winter, Telluride opened Prospect Bowl, adding three lifts and doubling its acreage. The bumps are still there for the taking, but so are quick-hit chutes and some of Colorado's steepest inbounds pitches.
Happy Thoughts, Zulu Queen, Kant-Mak-M, and Spiral Stairs combine Telluride's steepest drops and megamoguls.
Because the San Juans are steep and rugged and their snowfall downy, coverage can sometimes be thin. Visit in March for the best chance of getting caught in a notorious box-canyon storm.
Chug Paulaner Oktoberfest from a glass boot and snag a seat on the patio at Leimgruber's for wiener schnitzel and brats. Later, weave on over to the New Sheridan Bar, the oldest watering hole in town.


text:
Q: Which rsync client can I use on windows 7? I would like to know if, beside cwRsync, there exists a good rsync client for Windows (and more specially Windows 7 x64).
This client should support the following operations :

*

*backup of a directory (from a Linux server to that Windows box)

*mirroring of a directory (synchronizing a "music" directory on both Windows box and Linux one, or the aforementioned backup directory).

Ideally, this client should have a "reasonably nice" UI, without all those command line quirks I've learn to dislike.

A: Well rsync is a command line tool like most of the *nix tools. Therefore the native rsync application is a command line tool.
I only know of one rsync based tool with a GUI for Windows: DeltaCopy
But is is only a regular win32 application, not a native 64 bit application.
But as rsync doesn't need much memory a 64bit version would not get you any advantages.

redpajama_set_name: RedPajamaStackExchange


text:
CATCH ME IF YOU CAN (2002) – Album Reviews
Review by Jeff Commings
When Steven Spielberg and John Williams decided to include classic songs from the 1960s on the Catch Me If You Can soundtrack, many score fans groaned. Would Spielberg make the same mistake that Oliver Stone made on Born on the Fourth of July, putting higher priority on the songs that filled the film, slapping a few measly minutes of original score at the end of the CD as an afterthought?
We know how highly Spielberg regards Williams' contributions to his films, and the CD release to his surprisingly light film reflects that. Williams gets about 45 minutes of the 65 minutes on the disc, and the score, though often repetitive in the film, is such fun to listen to at home.
The film starts with a colorfully animated scene inspired by the 1960s opening titles of Saul Bass, and Williams reaches back into that era to create one of the most inspired marriages of music and visuals. As the hand- and computer-drawn images of two men run through airports, banks and hospitals, John Williams tells us that this isn't the weighty drama of The Defiant Ones or The Fugitive." We're about to be treated to two-and-a-half hours of pure fun. A vibraphone, strings and a sexy saxophone set the pace for a buildup to one of the most inspired themes Williams has created (at least in terms of orchestration). Then the finger snaps came in. Oh, what a great touch! The sliding theme he wrote for the saxophone and strings never gets serious, and has that jazzy feel that was sadly lost in the hipster era where the film is set.
Unfortunately, this is the last time we hear the theme for at least an hour. More on that later.
The CD follows with concert arrangements of the two other themes that dominate the film. Most of the cues in the film have their origins in these nine minutes. The first is called "The Float," written as a theme for the teenager Frank Abagnale Jr., who spends the bulk of the film conning Pan Am Airlines out of millions of dollars, while posing as one of their airline pilots in order to jump from city to city. The theme has a playful energy that never gets too childish, but never overtly suggests maturity. The use of flutes and strings keeps the theme breezy, light and whimsical. The beauty of the theme is that it never pretends to be smarter than the character it represents. And the freewheeling saxophone riff (with piano accompaniment) near the middle adds a nice touch. If this theme sounds similar to "Harry's Wondrous World" from the Harry Potter films, it's only through the instrumentation. If one listens to the theme and can recall a con man instead of a boy wizard, then Williams has done his job.
If "The Float" is the energy of the movie, "Recollections" is the introspective heart. It's the theme for Frank Abagnale Sr, played in the film by Christopher Walken. Though the character attempts to maintain his dignity in front of his son while his life is eroding, the theme never shows signs of redemption. Dan Higgins' work on the tenor saxophone is unparalleled, and brings out the sadness of the character. You almost feel this concert arrangement played in a blues bar in the 1960s, almost like the bar Frank Sr. hangs out in near the end of his life.
The film gives little time to original score, letting source music add emotion, highlight or make fun of most of the scenes. Too often the stretches between Williams cues lasts an entire reel, and you find yourself waiting too anxiously for the next score moment. In the hands of another director/composer teaming, such long waits between score moments wouldn't be surprising.
The main chase theme is one of the casualties of using source cues in the film. Of the three main themes, it's the least used, and when it is heard, we only get a minute or two at a time. Hearing it during the first meeting of Frank and Carl Hanratty would have beefed up the scene more, or during their confrontation in the French check-making factory (which would have required the sound mixer to remove the heavy bass drone of the machines in the scene). As I watched the film a second time, I wondered how much more fun the scene with Frank and his eight young stewardesses-in-training would have been with a masterful mix of the chase theme and Frank's theme instead of Frank Sinatra's "Come Fly With Me." While the use of the song adds a lighter touch to a scene that was pretty breezy already, it never comments on the moment, particularly when Frank and his men run out to the car only to find a man posing as Frank.
Outside of the opening and end titles, the chase theme is only heard for about four minutes on CD, in "The Airport Scene" and "The Flash Comics Clue." And even in "Flash Comics," it has to share 45 seconds with Frank's theme. It is my favorite of the three themes in the film (like "Spyders" was in Minority Report), so at least hearing it as the final theme in the end credits was a consolation prize.
I praise John Williams for his musical choices in Catch Me If You Can — in terms of original score. Writing this score gave him the opportunity to return to his roots without backtracking. It is a great counterpart to his current spate of loud action scores, and suggests that maybe Williams — and Spielberg — should consider a run of light comedies. As long as we get to hear more Williams and less Sinatra.
Review by Anthony Goats
As has been said so many times before, the film music of John Williams works on two separate levels, both supporting the film it was commissioned for and existing apart from the film as a unique musical experience. With the score for Catch Me If You Can, Williams once more proves the truth of these assertions.
The jazzy riffs of Williams's score perfectly evoke a powerful sense of time and place, immersing the listener in a unique musical world, at the same time making use of many "Johnny-isms".
01. Catch Me If You Can. From the opening vibraphone flutter to the "snappy" closing, this first track sets the album up perfectly. Like many other Williams scores (The Sugarland Express – Harmonica; Seven Years in Tibet – Cello), CMIYC features a solo instrument, in this case the Alto Saxophone. The soloist (Dan Higgins) makes his first appearance in the score here, accompanied by "cool" jazz chord progressions and occasional frenzied runs in the woodwinds and strings.
02. The "Float". There are some musical moments in the Williams canon which, upon first listening, reach out and grab the listener and seem to last forever, lingering the memory. (For example, the distressed piano of A.I.'s "Abandoned in the Woods" or the spine-tingling pizzicato strings for the spiders in Raiders of the Lost Ark's "In the Idol's Temple"). "The 'Float'" presents two such moments of epiphany. At the 2'00 mark, muted trumpets lead the orchestra into a stunning crescendo. The piano runs at 3'27 and 4'00 are equally thrilling. These are just two outstanding moments in what is probably the greatest track on the entire CD. Pure genius.
03. Come Fly With Me. Frank Sinatra. * I'll discuss the non-Williams music at the very end.
04. Recollections (The Father's Theme). A melancholy duet between Alto Sax and Vibraphone highlight this emotional piece. Sentimental strings take the melody for a moment, but only for a moment. The saxophone quickly regains control and brings the piece to an end.
05. The Airport Scene. A more intense rendition of the score's opening vibraphone flutter begins this track, and recurs throughout, often passing back and forth between various sections of the orchestra, another traditional Williams maneuver. Though not a full orchestral blowout (think an extremely toned-down "Motorcade" from JFK), this cue nonetheless provides the CD's first (and only significant) use of atonal strings and pounding timpani. Short, but interesting.
06. The Girl From Ipanema. Stan Getz and Joao Gilberto. *
07. Learning the Ropes. An expanded and more fully realized rendition of the theme first heard in "The 'Float'" with brief hints of "The Father's Theme" and the main theme from track 1 thrown in for good measure. There are also a few moments of more "traditionally orchestrated" music. At well over eight minutes long, full or orchestral digressions, this cue doesn't have the same intense and compact feel of "The 'Float'".
08. Father and Son. This cue is a restatement of "The Father's Theme" from track 4 with differing orchestration. Featured in this arrangement along with the Alto Sax is piano and English Horn.
09. Embraceable You. Judy Garland. *
10. The Flash Comics Cue. A brief cue consisting mainly of re-orchestrations of both the main theme and the "Float" theme, leading to a strong climax.
11. Deadheading. This is the only cue to contain no direct quotations of any of the film's three main themes. In spite of this lack of thematic material, the cue fits in perfectly with the rest of the score.
12. The Christmas Song. Nat King Cole. *
13. A Broken Home. Here we have a more heart-wrenching rendition of the "Father's Theme". This cue feels "darker" than any other occurrence of the theme thus far.
14. Doctor, Lawyer, Lutheran. This track is almost entirely composed of a "playful" rendition of the "Float" theme, and a brief coda consisting of material from "Deadheading".
15. The Look of Love. Dusty Springfield. *
16. Catch Me If You Can (Reprise and End Credits). The best of the score in one easy to use package (mostly). The "Float" theme and the main theme are played in succession, but the Father's theme is conspicuously missing. Nonetheless, a satisfying conclusion to a most satisfying CD.
* The inclusion of these non-Williams songs is not as irksome as some other official soundtrack releases have been (particularly Born of the Fourth of July), and in fact add to the atmosphere of the CD. The one exception is "The Christmas Song". It feels totally out of synch with the rest of the music on the album.
I would rate this OST release as 4 ½ stars out of 5. It contains some of John's most innovative writing in years. Its three main themes are outstanding, although the CD relies rather heavily on those themes.
Review by JoeinAr
For whatever reasons, I had serious reservations about Catch Me If You can. I was prepared to not like the film, or the score. After the summer of 2002, I was disheartened by John's mediocre Attack of the Clones, and while I like the score to Minority Report, I would never jump for joy over it either. I was in a serious John Williams fun.
When the Chamber of Secrets was released I was overjoyed. Suddenly I was happy with John again, still I had limited expectations, expectations that took a turn for the worse when our fellow post Roald gave it a disastrous review. But then something wonderful happened. I heard the score to Catch Me If You Can. By the sheer power of music I was transported back to the 1960's. There I was spontaneously snapping my fingers and tapping my heels. What was this new/old kind of music?
I said it before and I will say it again, John Williams didn't score Catch Me, Johnny Williams did. This infectious romp from the '60's through the eyes of this charming con artist is in my opinion, the single best score of the 21st century. This score will never be mistaken for Holst's The Planets. It may be a distant cousin to Henry Mancini's great Pink Panther Scores, however don't expect the same. Johnny has his own expectations, built on the spirit of jazz, and his musical roots. How easy it is to imagine Johnny, sans the turtleneck, as he glides through his music, sporting a crisp 2 pc. black suit and hat, with perfectly shined shoes. Call it West Side Story meets Frank Sinatra. Speaking of Frank, the score features several songs (including Come Fly With Me, by Frank) that compliment rather than detract from Johnny's music. These songs gather new life and new fans in their inclusion.
On a personal level I am taken by 2 cues in particular. The Float and Father and Son. You can almost imagine this score having come before Jaws, Star Wars, Superman, and Raiders. It is in a place out of time, a time each can experience just by listening. Here's to hoping after you've taken a listen that you come away snapping your fingers and clicking your heels.
Reviewer's Rating: (*****/*****)
← EARTHQUAKE (1974) – Complete Score Analysis
STAR WARS: EPISODE II – ATTACK OF THE CLONES (2002) – Thematic Analysis →


text:
Q: What is the LOCAL path to a public asset in Laravel 5? (using server.php) I'm using Laravel for the first time, and running into problems with my localhost server.
Once I deploy the site, I can view an image I uploaded at the following address:

www.mysite.com/storage/img/1.jpg

mysite.com is set to Laravels public folder. Visiting the mysite.com url displays the laravel welcome page.
Now for localhost, which runs using the following command, thus running Laravels server script:

php -S localhost:4000 server.php

Visiting the localhost:4000 url displays the laravel welcome page. Appending this url with my named routes runs Laravel routes as expected. But I CANNOT access the .jpg I mentioned at any address! Even when referenced within a laravel view.

http://localhost:4000/storage/img/1.jpg

^returns a 404 not found page

http://localhost:4000/public/storage/img/1.jpg

^returns the laravel welcome page again!
How do I reference assets, or indeed anything within my public folder, while using the server.php script to set up a local environment? These paths do not work either absolute or relative from within a view. Thanks in advance!
My (unedited) server.php script looks like this:)
 <?php

/**
 * Laravel - A PHP Framework For Web Artisans
 *
 * @package  Laravel
 * @author   Taylor Otwell <taylorotwell@gmail.com>
 */

$uri = urldecode(
    parse_url($_SERVER['REQUEST_URI'], PHP_URL_PATH)
);

if ($uri !== '/' && file_exists(__DIR__.'/public'.$uri)) {
    return false;
}

require_once __DIR__.'/public/index.php';

A: You are doing it wrong, because in Laravel 5 the storage for blades is in resources and there you will find also the assets folder inside of it the images folder. I advice you to use this structure.
Also please don't user php -S for server, instead use an environment like mamp , wamp or xampp as server. You will have permission issues and ownership issues. Hope it helps.

A: From http://laravel.com/docs/master/structure

The storage directory contains compiled Blade templates, file based
  sessions, file caches, and other files generated by the framework

Maybe your {app}/storage folder is having some sort of conflict with your {app}/public/storage folder? Consider using another name for "storing" uploaded file?


text:
fou un remer canandenc que va competir durant la dècada de 1950.

S'inicià en el rem quan entrà a la Universitat de Colúmbia Britànica, el 1952. El 1954 fou l'home reserva de la tripulació que guanyà la medalla d'or als Jocs de la Commonwealth que es disputaren a Vancouver. El 1935, formant part de la tripulació principal, guanyà la Henley Royal Regatta.

El 1956 va prendre part en els Jocs Olímpics d'Estiu de Melbourne, on guanyà la medalla de plata en la prova del vuit amb timoner del programa de rem.

Referències

Remadors canadencs
Esportistes d'Alberta
Medallistes canadencs als Jocs Olímpics d'estiu de 1956
Alumnes de la Universitat de la Colúmbia Britànica


text:
News > Venezuela
Thousands of Venezuelans Run for the Socialist Party Primaries
Socialist militants participate in the selection of their candidates for the primary elections, Venezuela, June 26, 2021. | Photo: teleSUR
This political process occurs when Venezuela celebrates the bicentennial of its independence and ratifies its will to remain a free and sovereign nation.
On Sunday, over 35,000 militants of the United Socialist Party of Venezuela (PSUV) took part as pre-candidates in the nomination process for those who will compete in the August 8 primary elections.
Maduro Invites International Organizations To Witness Elections
The nomination process happened through popular assemblies that for 9 hours discussed who could be the aspirants for positions of governors, mayors, councilmen, and lawmakers.
As a result of this political exercise, 21,153 PSUV militants will compete for the different public offices that Venezuelans will define in the sub-national elections to be held on November 21.
At the end of the day, President Nicolas Maduro highlighted the unprecedented and impeccable character of this massive exercise of direct democracy.
"These results are faster than the elections in Peru, where they have not proclaimed President yet after three weeks," he commented and explained that 100 percent of the results of the nomination process will be available in less than 24 hours.
The first of 12 million Cuban vaccines arrive in Venezuela. While US sanctions suffocate the people, the solidarity of the @ALBATCP is the future #Abdala pic.twitter.com/BSdkGYVOY2
— Manolo De Los Santos (@manolo_realengo) June 26, 2021
"On Monday we will know the names of the pre-candidates selected by the citizens, by the common people because we must give power to the people and build power with the people," Maduro stated forcefully.
He also recalled that the nomination process of PSUV candidates occurs when Venezuela celebrates the bicentennial of its independence and ratifies its will to remain a free and sovereign nation.
"This is an example for the world. Let the world open its eyes and observe a people that fought with rifles and bayonets 200 years ago and that it now fights this battle with ideas, votes, and peace," the Bolivarian leader said.
#Venezuela | "First Deputy President of the @PartidoPSUV, @dcabellor informed that the Main Counting Center is already activated to gather the information sent by over 14,000 cells throughout the country.#AhoraDependeDeTi#NosResteamosConLasBases" https://t.co/6IYzgo1DaW
— teleSUR English (@telesurenglish) June 28, 2021
Venezuela Democracy PSUV Primaries
VTV - teleSUR
by teleSUR/ JF
European Union To Observe Venezuela's Subnational Elections
The US Targets Venezuela's Power Industry to Intimidate Nation
First Batch of Cuba's COVID Vaccine Abdala Arrives in Venezuela
Venezuela Celebrates the Bicentennial of the Battle of Carabobo


Each line in the file (other than comment lines that begin with a #)specifies the mount point(s) and export flags within one local server filesystem for one or more hosts. A host may be specified only once for each local filesystem on the server and there may be only one default entry for each server filesystem that applies to all other hosts. The latter exports the filesystem to the ``world'' and should be used only when the filesystem contains public information.
Furthermore, if this were indeed a requirement, it'd be impossible to have two mutually exclusive exports on a single filesystem. That is, to export /usr/ports to host A and /usr/share to host B where /usr/ is a single filesystem.
No, I haven't been able to do that one two lines.
I agree that the man page is unnecessarily difficult to comprehend. I'd like to try to reword it and submit a PR and patch. Any suggestions on how to express this? I'm not very confident of my own understanding.
I still don't understand the comment regarding default entries.


text:
My View: Grammar tit for tat surrounding ObamaCare
Felicia Muftic
Twisted grammar and ever-changing vocabulary are the stuff of which the continuing GOP crusade to destroy Obamacare is made, and the Democrats have their stumbles, too. The anti-Obamacare talking points get the present tense of verb mixed up with future tense. Some words, like "replace" disappear from talking points, new ones emerge like "repair." Old words, like "lie" get new definitions.
One GOP approach is to turn present tense into a future certainty. The lines go like this." No one has signed up for Obamacare now, they will not do it late," ignoring that a working website and penalties have not even kicked in yet. Another line is, "No one young, healthy will sign up so it will collapse of its own weight," though 98 percent are insured in Massachusetts, the state system after which Obamacare was patterned. If "the tech surge" succeeds in fixing the website, their verb tense will become past perfect.
Since Rep. Joe Wilson interrupted President Obama's 2009 State of the Union speech with, "You lie," the word "lie" has also become a standard GOP phrase. Mitt Romney, interviewed on NBC'S Meet the Press Nov. 3, used the less inflammatory words,"fundamental dishonesty" instead of "you lie," but the meaning was the same.
When is a "lie" a lie? When it is true at the time when it is told but it is not true now? That seems to be how the GOP defines it. When Pres. Obama made his statements before mid-March 2010 when the law was passed, it was true at that time — "If you liked your insurance, you could keep it." Not explained then, if the individual insurance you had then is not the one you have now or your policy terms changed in the meantime and it does not meet new standards, you may have to get a new policy. Pres. Obama's sin, for which he apologized on Nov. 7, was not qualifying his statement with the adjective "most" will keep their insurance, and then doing nothing to clarify then or later.
The president has promised to fix the problem for those who have hardships because of cancellations. What would happen without changes? All would get better, more comprehensive insurance, about half would even qualify for a subsidy and pay less and others would pay more. It is the latter the president hints he will take administrative action to help.
For the most apolitical, factual explanation of how Obamacare will impact you personally, go to What's up with Obamacare and my health care? — CNN.com at http://www.cnn.com/20. It is a good way to get real in future tense. Remember Colorado manages its own marketplace and web at: http://www.connectforhealthco.com and it is up and running. Do not go to the federal site.
In the Nov. 3 interview, Gov. Romney did add a new word to our health care reform vocabulary: "repair." "Repair" should not mean a "fundamental change."
"Repeal and defund," the "throw the baby out with the bathwater" approach, will be only a whisper by March 31, 2014, when many have signed up. Taking away better understood and valued benefits from so many will be a tough sell. "Delay" will still be on the tips of some tongues, but expect no action unless the federal website is not "repaired" by the end of November. There is still plenty of time between Dec. 1 and before the end of March to sign up customers.
"Replace" used to be coupled with the word "repeal," but it has disappeared from the GOP lexicon. Nothing Republicans ever proposed in the past four years "replaced" what Obamacare offers: insuring 30 million uninsured and protecting consumers, while providing a plan to pay for it without adding to the deficit.
For more, visit http://www.mufticforumblogspot.com.


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text:
Sudan deploys troops in South Darfur after tribal violence – report
Africa Sudan
Sudan will deploy "large numbers" of troops to South Darfur state after the killing of 15 people in tribal violence recently, the state news agency cited the state governor as saying on Sunday.
The state is part of the restive Darfur region, in the west of Sudan, which suffered a bitter conflict that erupted in 2003.
A dispute over a water source between members of the tribes of Masalit and Fallata in Gereida city ended with the killing of two people from the Fallata tribe, SUNA news agency said, citing two local leaders.
One of the leaders said Fallata members responded by killing 13 people from Masalit and wounding 34 others.
Gereida is located 97 kilometres south of Nyala, the capital of South Darfur state.
The area witnessed several bloody clashes between the tribes over the last two years, SUNA said. The latest violence is the first since they reached a reconciliation in October, it added.
A meeting of the state security committee with military and local community leaders in Gereida decided to deploy troops "in large numbers" to pursue the perpetrators and collect arms, Mousa Mahdi, the governor of South Darfur told the agency.
They agreed also on forming an investigation committee, he added.
Conflict spread in Sudan's western Darfur region from 2003 after mostly non-Arab rebels rose up against Khartoum. Government forces and mainly Arab militia that moved to repress the revolt were accused of widespread atrocities. An estimated 300,000 people were killed and 2.5 million displaced.
In October, Sudan's transitional authorities finalized a peace deal with some rebel groups from Darfur. But the agreement excluded the group that has been most active on the ground.
Last week, the U.N. Security Council decided to end the mission of a joint United Nations and African Union peacekeeping mission in Darfur, known as UNAMID, on Dec.31, more than 13 years after it established the operation.
Many Darfuri residents say UNAMID has not effectively protected them, but they fear its withdrawal will leave them more vulnerable and have staged protests in recent weeks.
Ethiopian general says Eritrean troops entered Tigray
Chaos at Ghana's parliament as lawmakers exchange blows
Uganda's Bobi Wine asks ICC to investigate rights abuses
Mali denies civilians were killed in French air strike
Central African Republic President Touadera wins re-election


text:
Ryann Pedone
Ryann Pedone riding A Dash Ta Streak - Pixel Worx
Written by: Lily Weinacht
"My brain is just wired to be passionate about what I do," says 33-year-old horse trainer and breeder Ryann Pedone. "I'm very fortunate – I don't think everybody gets the opportunity to do what they love so much that they eat, sleep, and drink it. Even though I've been knocked down, I'm the type to pin my ears back and say, 'I've got this.'"
Ryann, who is currently training six horses by A Streak Of Fling – including one straight from Fulton Family Performance Horses – started out not on a horse farm, but a dairy in Florida owned and operated by her dad. She was the first of her family to enter the horse world, but her dad, Lee Pedone, jumped in to support her. "My dad took me to my first barrel race when I was almost four, and I just loved it!" says Ryann. She rodeoed in high school, but her passion has always been futurities and derbies, recently winning the long-go at the 2017 Diamonds and Dirt Barrel Horse Classic on Streakin Queenie. "My dad was really great. Anything we had a passion for, he would bust his butt to help us with, or take us to someone who knew more about it. When I was little, we got help from Alan and Wendy Parker. They gave me my very first barrel horse, Idget, and really helped with my horsemanship. They were a huge stepping stone to breeding and training horses."
Another stepping stone was the broodmare Ryann's dad gave to her when she was 18. Originally a barrel horse, Kiss Kiss This hadn't passed vet checks because of her knees, but proved an excellent broodmare, and eventually, the cornerstone of Ryann's R Barrel Horses breeding program. "She's been in the top twenty-five of barrel racing broodmares of the decade, and she's a phenomenal mare. I didn't know it at the time, but that's where it all started."
Ryann finished her finance degree from University of Southern Florida while working on her family's dairy and running a firewood business, then moved to Texas in 2006 for the horse opportunities. She returned to school, this time in human acupuncture. "I was driving back and forth between Weatherford and Austin. I'd leave Weatherford at five in the morning and go to school until five or six in the evening. I'd go back to Weatherford and ride colts until one in the morning, then do it all over again. I don't sleep much – I have so much I need and want to do. Some of that might be because I was raised on a dairy where we had no concept of time. We milked cows around the clock."
While Ryann was living in Weatherford, she met a longtime horse breeder, Eddie Henderson. "I would spend hours talking bloodlines with him, and he did so much for me in that area. I bought some great mares from Eddie, and one of the mares, Barbi Bugs, produced Nastee Leader, the horse that Charly Crawford rides in the heading. I'd also talk to horse trainers like Kassie Mowry, Kelly Conrado, and Pete Oen. I'm always reading and researching, and living here, I'm around very smart and successful people. I keep paying attention to the breeding and bloodlines of successful horses."
Ryann's relationship with the Fultons started in 2013 when she went up to look at several of their colts for clients. "I liked their bloodlines, and I met Brian and Lisa and rode some colts. I bought Streakin Lena Whiskey for Shoppa Ranch, and the next year I bought Streakin Queenie for Shoppa Ranch, and my dad and I bought Streakin Ms Wink. In January of 2015, Brian called me and asked if I would take A Dash Ta Streak. I was so excited they would ask me, and I started running him that September. A Dash Ta Streak is how I got to know the family, and I love how honest they are in their sales and how tough Lisa is and Brian was.
"My career as a trainer is coming around. It took a while, and I still have so much more to accomplish. About six years ago, I started getting those better colts I raised and everything started coming together." Ryann calls 2011 a pivotal year in her career and confidence. The year before, she went to the BFA World Championship on her mare, Cause For A Kiss, having qualified with the second fastest time. They tipped the first-go and were second in the second-go, but when Ryann got to the short-go, her nerves got the best of her. "My weakest thing was my brain, but I was gritty and I kept going. A good friend bought me the book Mind Gym, and I really came on in the fall of 2011, winning rodeos on TCS Runaway Susie. I won the Consolation at Fort Smith on Cause For A Kiss, and futurities on Kiss This Guy, who was voted Futurity Gelding of the Year via Barrel Horse Report."
Ryann runs her ranch and 80 head of horses, which includes broodmares, babies, yearlings, two-year-olds to five-year-olds, and outside horses. She does it with the help of her dad, and her intern from South Dakota, Shae Volk. "Jax Johnson comes out for one or two months and then goes home for school, and I think he'll make a great trainer. Lisa Downs is my main girl and she does everything. Sierra Emmett helps me feed on weekends, and my boyfriend, Don Lee, is a vet and a lot of help, and so is Sid Meyers, my farrier.
"I want to end up being a top trainer, competitor, and breeder, raising colts from my program," she finishes. "I want to be remembered, and I want to help the people that come into my life just like all the people who helped me."
Ryann also extends her thanks to her sponsors and friends/family: Jeye Johnson and Classic Equine, Equibrand, Martin Saddlery, Platinum Performance, Oxy-Gen, Shefit, the Fulton family, the Ashley family, Janie and Jimmy Shoppa, Kimmi Byler, Lisa McCool, Martha Reeves, Kim Landry, Alan Staley, Shawna Turner, Ronny and Sandi Dickinson, and all of her clients.


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MANILA, Philippines — The U.S. Navy won't alter its so-called "freedom of navigation" sail-bys in the disputed South China Sea and has pressed ahead with such operations despite a dangerous maneuver by a Chinese navy ship against an American destroyer, a senior U.S. Navy commander said Monday.
Vice Adm. Phillip Sawyer, commander of the U.S. 7th Fleet, told reporters in Manila that Washington protested that "unprofessional behavior" by the Chinese ship, which maneuvered very close to the USS Decatur as the latter sailed closely by a Chinese-occupied island in the Spratlys in September.
"No, it's not going to change where we do our freedom of navigation operations," Sawyer said when asked if the September 30 incident off Gaven Reef would change such U.S. Navy operations. Several such sail-bys have been undertaken by American naval ships since that close encounter in the disputed waters, he said.
China said the Luoyang, a Chinese missile destroyer, was deployed to identify the U.S. warship and drive it away near Chinese territory. Beijing protested the Decatur's action as provocative.
One of seven disputed reefs transformed by China into militarily fortified islands in recent years, Gaven is claimed by China, the Philippines, Vietnam, and Taiwan. Malaysia and Brunei also have claims in the South China Sea.
While Washington has no claims to the strategic waterway, it has declared that freedom of navigation and the peaceful resolution of the disputes are in the U.S. national interest. The U.S. has also questioned China's expansive claims, bringing it into a collision course with Beijing.
The U.S. Navy will continue freedom of navigation sail-bys and patrols in the South China Sea and elsewhere "until there are no excessive maritime claims throughout the world," said Sawyer, who spoke onboard the USS Blue Ridge, which arrived in Manila on Thursday for a visit after sailing through the South China Sea.
Sawyer said the Navy's joint or multilateral exercises with American allies were crucial in the region or elsewhere. "I encourage bilateral and multilateral exercises, the more the better," he said.
U.S. Secretary of State Mike Pompeo said during a visit to Manila early this month that the United States is committed to ensuring the South China Sea remains open to all kinds of navigation and that "China does not pose a threat" of closing the disputed sea lanes.


text:
Rhys Williams has settled in at Crusaders perfectly
RHYS WILLIAMS admits it has been easy to settle in at the Crusaders following his loan move from Warrington, because he is already so familiar with a lot of the players.
Rob Griffiths
Welsh international Williams, who hails from the Mold area and was a youth player in union with the Chester Road outfit, joined the Crusaders on Monday on a month-long loan.
And having Wales head coach Iestyn Harris as the Crusaders chief, as well as knowing a number of the Welsh players at the Racecourse outfit has made the transition seamless.
"Me and Tony (Smith, Warrington coach) have talked about my development and where I need to be heading and playing first-team rugby, whether that be at Warrington or out on loan," said Williams.
"So I spoke to Iestyn and Tony spoke to Iestyn and it's the right decision for me at the moment.
"It made it a bit easier, I know a lot of the boys and obviously Iestyn as well, so it was a little bit easier to settle in and meeting the other lads, they've all been great, so it has been really easy to settle in here."
And Williams' first Crusaders appearance looks set to be this Sunday at the Millennium Magic Weekend when the Welsh side take on Salford City Reds at the Millennium Stadium – a factor which is not lost on the former union player.
"It's the home of Welsh rugby, hopefully we can get a big support down there to cheer us on," he added.