Tell Me Something Good – Another Baby In The Making!
it was super fun to see her a few weeks ago – we spent time doing old wives' tales tests about if we were growing boys or girls in our bellies! the verdict is still out on if those work or not but i am grateful to experience pregnancy with my sister too!
though i will say her skin is behaving muuuuch better than mine. the first trimester didn't kick her down as hard, which i am thankful for because she is a school social worker and needs all the energy she can get!
so crazy to think that we are both brewing variations of these little kids, who also happen to be us! who knows if we will end up with both girls, both boys or one of each! it's super weird to think about those little girls growing into women and now growing other humans – trips me out.
note: my stripe addiction started young and i would absolutely wear that swimsuit right now!
i wasn't always the nicest older sister when we were growing up (one time i yelled at her to quit breathing so loud when i was watching diagnosis murder) so i'm grateful for this time to be a better big sister to her and share in our experiences together! so happy for you sister and bro-in-law!!! now to convince them to move from arizona to colorado and we will be set!
with that great news, now i want to hear the goodness happening in your world!
← Previous Story Pregnancy Update on Bavery: Month 4!
Next Story → The "I'M PREGNANT" Story + Videos of Telling Family!
yes it's going to be so fun to have our kids so close in age – crazy! i loved playing cousins growing up so this will be ultra fun! my mom is really excited but had a moment of OMG what! (and rightly so) ha!
thanks hannah! it is really fun to be able to support each other and be there for one another because it's nuts!
Rachel G recently posted…Sleeping Position: Does it Really Matter?
Cousins are the best! Also, their announcement was super cute!
isn't it the best?! such a creative way to announce it!
What awesome news! Your parents must be SO insanely happy at this time.
I can attest to the awesomeness of 'twin' cousins since my cousin and I were born 5 days a part. It'll be slightly different though than your 'twin cousins' since my cousin and I were always in the same class until high school even!
i think our parents have finally gotten to the 'acceptance and excitement stage' for us! haha it was shock when i told them and then a double shock when my sister told them (rightly so – so much changes and so quickly!) wow that's pretty nuts that you and are your cousin are that close in age and then in the same class!
I think it is SO cute that you guys are soon-to-be-mommas at the same time! What an amazing experience for you both AND your families!
i am happy to talk about those 'oldest child' feelings any time because they sort of surprised me when i heard my sister was ready before i was and had some intense feelings around needing to produce the first grandkid!
i'm also glad that we are still far enough apart that our parents should be able to make it to meet both newborns without fearing they would have to miss one or the other!
My mom is from a family of four girls, and three of them were pregnant at the same time! It's only now that I'm realizing how cool and exciting that must have been, especially because it was the first birth for two of them! My cousin Mark was born mid-January, my cousin Laura was born mid-March and my brother was born at the end of March!
Your sister's announcement is awesome. Such a unique idea!
oh wow triple exciting to have 3 sisters pregnant at the same time! that had to have been super fun for them and then you having cousins close in age!
yes my sister and her husband are super creative people – loved how they did it!
How fun that you get to go though this experience with your sister! I'm the only girl AND the oldest for my mom. But my dad as ALL girls, but I'm still the oldest there too. #NoPressure right? It's so funny how we have that mentality that we should be doing all the things first.
it is pretty awesome! the pressure is so odd and for me it was this odd internal pressure that i felt i NEEDED. i didn't love my initial feelings around it but then accepted that if she had a baby first, that would be okay. now though – it's all working out!
Oh congratulations! How cool that you're pregnant at the same time. I know this will be so much fun!
That is so fun that you are able to be pregnant along with your sister. What a special experience. Me and my husband got to experience an orchestra concert for free last night and it was amazing. It is so encouraging that they are renewing their focus on making the arts accessible to people across the city, especially populations such as public school kids and the homeless.
Sara recently posted…Is it Okay to Hate Someone?
thanks sara – it really is! sounds like a fun night you and your husband had last night and i love that they are expanding the arts and music to people in all areas of life. well said and good job city!
How cool is THAT??? Your little one will have a cuz their own age!
I know what you mean about wanting to have the first baby- my little sis actually did that but I was kind of glad for her because she's always been in the shadows of the family.
super cool!!! really excited that our little one will have a built in play buddy when we get together! i hope they are the best of friends!
glad you had a better attitude than i internally did when i heard my sister was ready for kids before me (during a conversation had last year). glad you are happy for your sis!
My tell you something good is….. I was promoted to Customer Support Supervisor! It is exciting but uber top secret until NOW! I want to shout it from the rooftops and now I can- Never really understood that phrase but I really like it 🙂 Super glad that you and your sister are going through this together- Nice to share it for sure!
ahhhh congratulations jennifer!!! that is excellent news whoop whoop (i'm doing a dance for you)! well done on your hard work on getting that promotion!


text:
Q: Set currency when creating Records via SDK I have an Entity which has one or more Money-Fields. Therefore, it also has a transactioncurrencyid-field, which specifies the currency for the record.
Now, when i create a record of that entity in the browser, the transactioncurrencyid-field gets pre-populated with the default currency of the system or the user.
However, when creating a record of that entity via SDK without specifying a value for any of the Money-fields, the transactioncurrencyid-field stays empty. After that, no user is able to edit any Money-field because the currency is not set:

A currency is required if a value exists in a money field. Select a
  currency and try again.

Strangely, this doesn't happen when i set a value for a Money-field (even though I don't tell it what currency to use), e.g.:
var entity = new Entity("new_myentity")
{
    Attributes =
    {
        { "name" = "Name 1" },
        { "amount" = new Money(1000) }
    }
}

So my question is:
Is there a way to set the Currency of a record to the default value when creating it via SDK without any populated Money-Attributes?

A: Had this issue once as well, was confusing at first as it seemed to have no pattern, but then yes, the manually created records would be fine, but records being created by a web portal would have the transactioncurrencyid set to null (only if no monetary field was specified in the create).
So I added the following code to a post-create plugin, making sure that this field is always populated. In this example I am using the Euro currency specifically, but the method retrieving the currency guid could be modified to return the default.
        IOrganizationService service = localContext.OrganizationService;

        Entity retrievedEntity = localContext.PluginExecutionContext.InputParameters["Target"] as Entity;
        if (retrievedEntity.LogicalName == Account.EntityLogicalName)
        {
            try
            {
                Entity updatedEntity = new Entity(retrievedEntity.LogicalName);
                updatedEntity.Id = retrievedEntity.Id;

                //Autopopulate the Transaction Currency field - only if transactioncurrencyid field is missing in Attributes collection
                if (!retrievedEntity.Attributes.Contains("transactioncurrencyid"))
                {
                    string euroCurrencyId = RetrieveEuroCurrencyId(service);

                    if (euroCurrencyId != null)
                    {
                        EntityReference currencyType = new EntityReference();
                        currencyType.Id = new Guid(euroCurrencyId);
                        currencyType.LogicalName = TransactionCurrency.EntityLogicalName;

                        updatedEntity.Attributes.Add(new KeyValuePair<string, object>("transactioncurrencyid", currencyType));
                        updatedEntity.Attributes["transactioncurrencyid"] = currencyType;
                    }
                }
                localContext.OrganizationService.Update(updatedEntity);
            }
            catch (Exception ex)
            {
                throw;
            }
        }

And the method to retrieve the currency guid is shown below...
    //Use this method to return the Guid for the Euro currency
    public static String RetrieveEuroCurrencyId(IOrganizationService service)
    {
        String result = null;

        QueryExpression query = new QueryExpression();
        query.EntityName = TransactionCurrency.EntityLogicalName;
        query.ColumnSet = new ColumnSet(new string[] { "transactioncurrencyid", "currencyname" });
        query.Criteria = new FilterExpression();

        EntityCollection currencies = service.RetrieveMultiple(query);

        foreach (Entity e in currencies.Entities)
        {
            if (e.Attributes.Contains("currencyname"))
            {
                if (e.Attributes["currencyname"].ToString() == "Euro")
                    result = e.Attributes["transactioncurrencyid"].ToString();
            }
        }

        return result;
    }

redpajama_set_name: RedPajamaStackExchange


text:
Gender Equality Scheme
Interim Gender Equality Scheme
The gender equality duty for public bodies was introduced by the Equalities Act 2006 on the 6 April 2007 and places a statutory duty on public bodies to:
Eliminate unlawful discrimination and harassment in relation to gender
Promote equality of opportunity between women and men
This 'general' duty applies to the Gallery in respect of all functions and activities including service provision, policy making, employment practices and the procurement of services.
The legislation includes a specific duty which requires public bodies such as the Gallery to prepare and publish a gender equality scheme which sets out what we will do to meet the general duty. In preparing a scheme the Gallery needs to:
Set out its gender equality objectives and when formulating objectives consider the need to address the causes of any gender pay gap
Take into account any information gathered on how our policies and procedures affect gender equality in the workforce and in the delivery of services
Consult stakeholders (employees, service users and others, including trade unions) and take account of relevant information in order to determine the gender equality objectives
Assess the impact of current and proposed policies and practices on gender equality
Implement the actions set out in the scheme within three years, unless it is unreasonable or impractical to do so
Report progress annually and review the scheme at least every three years
Overall responsibility for equality and diversity issues lies with the Director of the Gallery. Responsibility for providing leadership on access rests with the Head of Education and with the Head of Human Resources for workforce issues.
Additionally, each member of staff has responsibility to act in ways that support equality and value diversity. From now on this will be a standard inclusion in our job descriptions.
Gender equality objectives
Our commitment to equality and diversity is reflected in our practice internally and in all aspects of our influence and work. Equality and diversity are central to the Gallery's activities, from providing intellectual and physical access to galleries and the Collection, to inclusiveness in respect of recruitment and employment.
We value and respect difference and diversity. We believe that everyone who comes into contact with the National Gallery should be treated in a fair and respectful maanner, irrespective of gender, religion, marital and partnership status, colour, nationality, ethnic or national origin, sexual orientation or age.
As an employer the Gallery is committed to building and maintaining an environment in which diversity among colleagues is valued and in which discrimination and harassment is not tolerated.
Through the objectives and actions set out in this scheme we seek to achieve the following overall gender equality objectives:
Ensure that best practice in equalities underpins all aspects of the Gallery's work
Promote good practice and report to stakeholders, wherever appropriate, on issues of gender equality identified by our surveys and analyses
Ensure that all of our internal processes, including corporate planning and policy development, specifically promote gender equality and eliminate discrimination and harassment
Ensure that talent is recognised and valued irrespective of gender
Next: Equal pay
National Gallery policies and statements
The Gallery's objectives, role and organisation
Viewing page 1 (3)

redpajama_set_name: RedPajamaCommonCrawl


In psychology, there is a whole direction -Color therapy. The combination of colors will help liberate yourself, learn how to control your mood and form those character traits that you would like to instill.
A lover of black underwear is self-confident,Sometimes too much. She knows that she is beautiful and always ready to be seduced, if in a fine mood. A lover of black lingerie in the wardrobe has several models of simple cotton bikinis, everything else is lace, lace, all luxurious and beautiful, with ruffles, embroidery, rhinestones and other splendor. The main character traits of such a woman are courage, emancipation, a tendency to external effects, narcissism, as well as self-confidence and inner calmness. "A lonely star," a cat that walks by itself. Likes to "perform" solo. Working in a team oppresses her, she can not prove herself sufficiently and does not let others do it.
The "extreme manifestation" of a woman in black is fatalfemale. Behind her stretches a train of tart spirits and broken hearts. In love, she is free, uninhibited, without complexes and limitations. She allows the partner very much, men change as gloves, they quickly bother her. In her endless search, she will stop only when she meets a real king or just gets tired of passion and intrigue and wants children.
The constant struggle of passionate nature: The desire to become a fatal woman and the desire to become a good wife. Such a woman is very impulsive, passionate, ready to overcome any difficulties in the struggle for love. In the end, the Bordeaux girl turns into an ideal wife, reliable and practical, and only her husband knows that in bed she is a real mess from the Moulin Rouge in a sumptuous lingerie of burgundy color.
A woman is an eternal child, sensitive,Sincere nature, touchy and capricious. It's easy to offend an unwary word or deed, she will sulk, but quickly forgive. In pink cozy to the naughty, vulnerable souls. They want to be like a Barbie doll, to be cherished, cherished and spoiled by gifts and attention. They do not tolerate conflicts and are always ready to yield, if only their fragile and beautiful world has not been destroyed. Pink attracts with its helplessness, coquetry, fluffiness. A girl in pink wants to squeeze. The lighter the shade of pink, the more love and compassion is hidden in the woman. Bright pink tones indicate cheerfulness, dim - on isolation and lack of love.
This is a classic for real ladies. Lovers of the white do not like pretentiousness and many details, are natural, traditional in family values and romantic relationships. Newfangled principles and traditions are not for them. They support the traditional institution of marriage and do not accept cohabitation.
The woman in blue is a creative person, not ordinaryAnd mysterious. Looks for a true artist or sculpture to become a muse for him. In love, she swims on the waves, completely trusting the partner and not limiting his imagination, like clay in the hands of a potter. Melancholic, often sad, sensitive and very deep nature. Commitment to high ideals. Sensitive and quick-tempered at the same time. The blue color of the sky and the ocean changes its shade from azure to almost black. So a man drowns in deep melancholy, then rises to inspired heights. Sociable, open to new acquaintances, but only for those who have long known and who are sure.
Red - the color of bold and strong-willed, quick-tempered,Temperamental, principled, careerists and lionesses in love. By nature, they do not like to yield to leaders. Resentment is not forgiven, even a long friendship can stop if the lady in red is very insulted and hurt for the living. In love they are energetic and passionate. Just flirting these girls do not need. Relations should be like swings - up and down, broken hearts and families, intrigues, envious persons and traitors, quiet family evenings they quickly become bored.
Often red linen is found underA strict business suit. Red reflects an active life position. Often speaks about the aggressive attitude of a person, cold calculation and business acumen. Ladies in red often challenge destiny and face the same determined adversaries as they themselves. Often they can not cope with their own anger and strong emotions.


text:
Animals Do Use Language
Jan16 by bearspawprint
Mongoose Calls More Humanlike Than Thought
Megan Gannon, News Editor
Date: 15 January 2013 Time: 04:01 PM ET
http://www.livescience.com/26287-mongoose-call-speech-vowels.html
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Researchers found that the single-syllable call of the banded mongoose is actually structured, and perhaps like the vowel and consonant system of human speech. CREDIT: University of Zurich
View full size image
While some animals like birds and whales are famous for their impressive repertoire of information-packed songs, banded mongooses blurt out short grunts that, to human ears, sound rather unsophisticated.
But a closer examination of mongoose calls has revealed that these animals might be more eloquent than previously believed. In fact, researchers say the creatures combine discrete units of sound somewhat like humans put together a consonant and vowel to form a syllable.
"The fact that such findings were done in a 'simple' species as the banded mongoose rather than in primates or apes could be revealing," researcher David Jansen, of the University of Zurich, told LiveScience in an email.
The results suggest that the "simple" calls of other species — like frogs and bats — might actually contain vocal cues with more complex encoding.
For the study, Jansen and his colleagues followed around banded mongooses (Mungos mungo) in western Uganda, inside of Queen Elizabeth National Park. The small carnivores are related to the meerkat and found in the savannah regions south of the Sahara Desert. They live in social groups of about 20 adults that raise their young cooperatively. Their calls, which last between 50 and 150 milliseconds and can be considered to represent a single "syllable," allow them to maintain group cohesion and coordinate activities like foraging.
The researchers recorded the animals' calls to each other, noting what the creatures were doing at the time (i.e. digging, searching or moving). The team found subtle vocal signatures within the single syllables of the calls. There's an initial sound that seems to provide information about the identity of the caller and a second sound (which Jansen compared to a vowel) that indicates the caller's current activity. [See Video of Mongoose 'Talking']
Jansen said the research "adds an unexpected layer of complexity to the field of animal communication."
"It shows that banded mongooses combine vowel-like segments in a way that was thought to be unique to human speech," he added, noting that such elements might be found in the calls of other animals that speak to each other in single syllables.
"We think it is present in other species, and future research should attempt to find these," Jansen wrote, citing frogs and bats as possible candidates.
The research was detailed online last month in the journal BMC Biology.
This entry was posted in Our Earth and tagged Animal Communication, animals talk, Earth, language, nature, news, Research, science, wild animals, wildlife.
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4 comments on "Animals Do Use Language"
desertrose says:
Reblogged this on Family Survival Protocol.
Bob Lee says:
It amazes me that mankind would think that other species don't have communication or some kind of language developed. Just seems arrogant to think that man is the only one that has this ability. Bob http;//team1million.wordpress.com
bearspawprint says:
Yes. Just becuase folks don't understand other cultures, including our relatives the four, and more legged and the winged and all of the animals, doesn't mean it isn't there or is lesser. That most don't understand merely means they don't understand. Nothing more.
You said that beautifully! kudo's


text:
Iceland | Eurovision Talents
Eythor Ingi
Ég Á Líf
About Eythor Ingi
Eyþór Ingi Gunnlaugsson was born on May 29th 1989 in Dalvík, a small fishing town of approximately 1,400 inhabitants in northern Iceland. Dalvík has nurtured some of Iceland's greatest singers as it's also the birthplace of Friðrik Ómar of Euroband (Icelandic Eurovision 2008), and Matthías Matthíasson of Sjonni's Friends (Eurovision 2012). Erna Hrönn Ólafsdóttir and Hera Björk (both Eurovision 2010) also lived there for a time.
Music was clearly a major part of Eyþór Ingi's childhood; he used to sing Elvis Presley songs while still in kindergarten and he also loved acting. In 2004, at the age of fifteen, he won a part in the Icelandic version of the musical Oliver!, which turned out to be one of the most successful theatrical works ever staged in Akureyri, the capital of northern Iceland. This was only the beginning of his theatrical career as he was offered a part in Óvitar in 2007 as well as taking the leading role in a college staging of the musical Jesus Christ Superstar.
Eyþór Ingi won the College Song Contest in the spring of 2007 and was selected to compete as a contestant in TV talent show 'Bandið hans Bubba'. After winning the show in early 2008 he soon began working as a professional singer, musician and sound technician.
Eyþór Ingi founded the progressive rock group Eldberg and in 2010 joined the renowned Icelandic band Todmobile, contributing to their seventh album, which was also entitled '7'.
In 2011 Eyþór Ingi was nominated as best singer in the Gríman Theatrical Awards for his role as Riff Raff in The Rocky Horror Picture Show. The following year he played hippie leader Berger in the musical Hair, He also featured in the cast of Les Misérables as law student Marius Pontmercy, when the musical was staged in Þjóðleikhúsið, the National Theatre of Iceland, in 2011-2012.
Eyþór Ingi was inspired to start singing by the music of Jeff Buckley and is also a big fan of David Bowie, Thom Yorke, Ian Gillan and Freddie Mercury. He has been a member of a Deep Purple tribute band and performed in the Freddie Mercury Tribute Show in Harpa Concert Hall in 2011-2012. This was Eyþór Ingi's first time in Söngvakeppnin and he's very much looking forward to participating as Iceland's 26th entrant in the 58th Eurovision Song Contest in Malmö.
Eythor Ingi – Ég Á Líf
https://youtu.be/NyOEh17jb0Q
Eldar & Nigar
Sabina Babayeva
Dilara Kazimova
Ell/Nikki
Milk & Kisses
Israel | Eurovision Talents
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Ukraine | Eurovision Talents
Poland | Eurovision Talents
San Marino | Eurovision Talents
Slovenia | Eurovision Talents
Slovakia | Eurovision Talents
Macedonia | Eurovision Talents
Finland | Eurovision Talents
United Kingdom | Eurovision Talents
Bulgaria | Eurovision Talents
Germany | Eurovision Talents
Hold Me Lyrics – Farid Mammadov Official Website
Eurovision interval acts revealed | Eurovision Talents
Norway | Eurovision Talents
Donny Montell from Lithuania: Love Is Blind | Eurovision Talents
Farid Mammadov – Azerbaijan's entry for Eurovision 2013
Sweden | Eurovision Talents
Farid is winning Eurovision Next Male Model poll | Eurovision Talents
Latvia | Eurovision Talents
Hungary | Eurovision Talents
Austria | Eurovision Talents
Greece | Eurovision Talents
Romania | Eurovision Talents
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Ireland | Eurovision Talents
Eurovision 2013 opens a promising music career for Farid Mammadov with #2 in Grand Final! | Eurovision Talents
Croatia | Eurovision Talents
Tweets by "Eurovision"
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Eurovision 2011 Results
https://www.youtube.com/watch?v=q7BbJsOq-I8
Eurovision Talents Official Website
Welcome to Eurovision Talents Online. Our website is always up to date with the latest news for the Eurovision song contest. If you are wondering what is the Eurovision date or you just want to watch the greatest eurovision winners videos, you are at the right place. At the end of the day, we will bring you the Eurovision song contest list of winners. Have fun and navigate through eurovisiontalents.com for more interesting info!
Who Won Eurovision 2013?
https://www.youtube.com/watch?v=k59E7T0H-Us


text:
Home Scandal and Gossip Video: ISIS claims Russian Metrojet passenger jet crash responsibility
Video: ISIS claims Russian Metrojet passenger jet crash responsibility
An Airbus A321 operated by Kogalymavia – like the one that crashed
A Russian passenger plane flying under the charter name Metrojet has this morning crashed in central Sinai, after having taking off from Egyptian Red Sea resort of El-Sheikh bound for Russia's St Petersburg, with militant ISIS group now claiming that they shot down the plane.
The plane flying mainly Russian tourists, crashed 23 minutes after take off with the plane's pilot having called shortly after take off requesting immediate emergency landing rights citing 'technical' issues. At the time the plane's captain,Valery Nemov had attempted to land in Al-Arish's airport in North Sinai.
The plane, Kogalymavia Flight 9268 an Airbus 321 was carrying a total of 224 individuals, 200 of them adult passengers, 17 children and seven air crew. Of the 224 individuals, 221 were Russian, with three Ukrainian.
While reuters quotes Egyptian authorities asserting the plane crashed due to a technical fault, there are now circulating reports that ISIS claiming responsibility for the Russian Metrojet passenger jet crash via twitter and on Arabic Aamaq website which acts as a semi official news agency for Islamic State.
'The fighters of the Islamic State were able to down a Russian plane over Sinai province that was carrying over 220 Russian crusaders. They were all killed, thanks be to God,' a statement circulated on Twitter said.
@AFP Claiming the Russian plane was shot down by Islamic Group. @ajam reported witnesses saw plane burning in air. https://t.co/iAPv4lytYx
— Peggy Polenberg (@PPolenberg) October 31, 2015
#Sinai IS branch claims responsibility for the Russian Plane Crash #KGL9268 #Egypt pic.twitter.com/tLnxGXLIUR — Mohamed Ibrahim (@Ipress_) October 31, 2015
To date Egyptian authorities having already recovered the bodies of up to 100 individuals, including all 17 children hold fears that no passengers survived the crash, despite earlier assertions rescue workers heard voices inside the plane which had been split in two.
Offered an anonymous source via reuters: 'There is another section of the plane with passengers inside that the rescue team is still trying to enter and we hope to find survivors especially after hearing pained voices of people inside.'
Adding: 'A lot of dead on the ground and many who died (were) strapped to their seats,'
'The plane split into two, a small part on the tail end that burned and a larger part that crashed into a rock. We have extracted at least 100 bodies and the rest are still inside.'
The source confirmed that the plane's black box flight recorders being found.
Egyptian security closed the location where the Russian airplane crashed #russianplane in Sinai pic.twitter.com/cgANjsdfSY
— Mohammed Omer  (@Mogaza) October 31, 2015
According to Sputnik International an official Russian news agency, air controllers lost contact with the doomed Russian passenger plane at 6.20 am CLT, less than 25 minutes after taking off in clear weather.
The agency added that the plane was flying at 31 000 feet when it disappeared from radars.
Russia 24, a a state-owned news channel reported the pilot reported technical problems and requested a landing at the nearest airport before the plane went missing. Officials have not corroborated those reports. The crash comes after Russian pilots earlier this week purportedly complained of engine problems with the Airbus.
The plane, registration, EI-ETJ, was produced in 1997 and had been operated by Metrojet (Kogalymavia ) since 2012, doing 56,000 flight hours in nearly 21,000 flights.
The area in the north Sinai where the plane crashed.
Oxana Golovina, a spokesperson for Kogalymavia, named the captain as Valery Nemov and said he had more than 12,000 hours of flying experience and asserted that the airline did not believe human error was at fault.
Told the spokesperson via a statement: 'Our aircraft was in full working order, our crew was experienced, our pilot had a great deal of flying experience, so we don't know (what caused the crash)'.
Russia's investigative committee, the country's top investigative body, has opened an investigation into the crash for possible violations of flight safety procedures.
Responding to the crash, Egypt's Civil Aviation Minister, Mohamed Hossam Kemal, said that the Russian Metrojet passenger plane had successfully undergone technical checks while at Sharm el-Sheikh's airport, while adding it was 'too soon to determine the cause' of the crash. There had been earlier concerns that the plane may have been shot down by ISIS affiliated terrorist groups in the region.
Previous reports allege militants having acquired Russian shoulder-fired, anti-aircraft missiles. That said according to a report via fox these types of missiles can only be effective against low-flying aircraft or helicopters.
Yulia Buleyeva, pictured was listed on the flight.
Olga Sheina, pictured, was among the 220 people who died on board


The fashion world is going crazy over the new Bugatti Capsule Collection by Giorgio Armani. The collaboration is set to feature a range of upscale accessories and clothing to match the Big Boy Lifestyle. Each item in the collection will be exclusively numbered and will brand a special logo. The Capsule Collection will be on sale in select Giorgio Armani Boutiques and in Ettore Bugatti Lifestyle Boutiques.


text:
Q: Minify multiple JS files with Uglifyjs for maintaining the same variables across all files if any Helllo,
i am using uglify JS to minify multiple js files individually but want to maintain the same global variables with --name cache command not working for me,
followed this article
https://github.com/mishoo/UglifyJS
the below lines not working
$ rm -f /tmp/cache.json  # start fresh
$ uglifyjs file1.js file2.js --mangle-props --name-cache /tmp/cache.json -o part1.js
taken empty json file but not working...
is there any template for this scenario to maintain the json file...
help appriciated.
--Suneel


text:
On December 13, 1946, Jawaharlal Nehru moved the historic 'Objectives Resolution' in the Assembly. It laid down the fundamentals and philosophy of the constitutional structure.
It read:
"This Constituent Assembly declares its firm and solemn resolve to proclaim India as an Independent Sovereign Republic and to draw up for her future governance a Constitution;
Wherein the territories that now comprise British India, the territories that now form the Indian States and such other parts of India as are outside India and the States as well as other territories as are willing to be constituted into the independent sovereign India, shall be a Union of them all; and
wherein the said territories, whether with their present boundaries or with such others as may be determined by the Constituent Assembly and thereafter according to the law of the Constitution, shall possess and retain the status of autonomous units together with residuary powers and exercise all powers and functions of Government and administration save and except such powers and functions as are vested in or assigned to the Union or as are inherent or implied in the Union or resulting therefrom; and
wherein all power and authority of the sovereign independent India, its constituent parts and organs of Government are derived from the people; and
wherein shall be guaranteed and secured to all the people of India justice, social, economic and political; equality of status of opportunity, and before the law; freedom of thought, expression, belief, faith, worship, vocation, association and action, subject to law and public morality; and
wherein adequate safeguards shall be provided for minorities, backward and tribal areas, and depressed and other backward classes; and
whereby shall be maintained the integrity of the territory of the Republic and its sovereign rights on land, sea and air according to justice and the law of civilized nations; and
This ancient land attains its rightful and honoured place in the world and makes its full and willing contribution to the promotion of world peace and the welfare of mankind."
This Resolution was unanimously adopted by the Assembly on January 22, 1947. It influenced the eventual shaping of the constitution through all its subsequent stages. Its modified version forms the Preamble of the present Constitution.
Previous Page:WORKING OF THE CONSTITUENT ASSEMBLY
Next Page :Constituent Assembly and The Indian Independence Act of 1947


text:
Q: Echo with new line from fun() I've recently been trying to get to grips with Erlang, but am slightly confused by this...
Problem
I am trying to write a function object in the shell, which receives any message and echoes it back to the shell followed by a new line.
Attempt
My attempt at the function is:
Echo = fun() -> receive Any -> io:fwrite(Any), io:fwrite("~n") end end.

However, if I spawn a new process for this...
someNode@someHost 2> Pid = spawn(Echo).
<0,76,0>

...and then send it a message...
someNode@someHost 3> Pid ! "Hello".
Hello"Hello"

...I don't seem to get a new line character after the write, and before the message return.
Question
Is there something wrong with my approach, that stops this (very simple) example working as expected?
Thanks in advance

A: Your problem is atomicity.
After printing the first line, the "main thread" gets scheduled and prints the result of Pid ! Msg, i.e. Msg.
io:fwrite can take arguments just like printf in C:
Echo = fun() ->
    receive
        Any ->
            io:fwrite("~p~n", [Any])
    end
end


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text:
// Generated source
package org.jetbrains.wip.protocol.runtime;

/**
 * Mirror object referencing original JavaScript object.
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@org.chromium.protocolReader.JsonType
public interface RemoteObjectValue {
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   */
  Type type();
  /**
   * Object subtype hint. Specified for object type values only.
   */
  @org.chromium.protocolReader.JsonOptionalField
  Subtype subtype();
  /**
   * Object class (constructor) name. Specified for object type values only.
   */
  @org.chromium.protocolReader.JsonOptionalField
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  /**
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  com.google.gson.stream.JsonReaderEx value();
  /**
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   */
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    ARRAY, NULL, NODE, REGEXP, DATE
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}

redpajama_set_name: RedPajamaGithub


1. Noun. A wire or plastic clip for holding sheets of paper together. "The paper clip was invented in 1900"
"Theodore Shackley was present at the "paperclip" negotiations. ... Heide Kingsbury is the daughter of a "paperclip" German General. ..."
"In 1946, the program was renamed Operation paperclip, the designation ... 1952, the US recruited 642 foreign technicians and specialists under paperclip. ..."
"... opened-out paperclip comprises 549 social housing units, lts rounded end sections contain maisonettes reached from access galleries; the rest consists ..."
"Under the leadership of Strughold, 34 scientists accepted contracts from Project paperclip, and were moved to Randolph Air Force Base at San Antonio, Texas. ..."


On October 25th, Jensen Ackles had won a competition funded by the BillE Celeb Charity Challenge that would give $25,000 to the Down Syndrome Guild of Dallas organization. This was done with the help of all his fans. Naturally, everyone that knew and is a fan of Jensen was completely excited and thought it was great!
So, it came as a complete shock on December 3rd that the organization would NOT be giving the money to the charity. Jensen had given a respectful decline to the photo op that BillE was going to do so it could give the money to the organization, due to work scheduling and on account of being very busy, and perhaps he would be busy within the year he had to accept the donation. With this decline, however, BillE took back the money it was going to give to the organization, so now the Down Syndrome Guild of Dallas is not getting the $25,000.
Naturally, many of his fans thought this to be wrong, I included. A celebrity declining to do a photo op or meeting a fan or whatever the terms of agreement may be should not be the make or break in order to give to charity. Charity should be given because it's--well, charity. It's why this fundraiser is here. The goal of this fundraiser is to raise money for the organization, because it deserves it. The Down Syndrome Guild of Dallas is a great organization: they provide support to families that have children or family members with Down Syndrome, give resources to families that need help or need more information, and even have medical staff within their organization to assist families or people affected by Down Syndrome with whatever they need.
I don't expect to raise the original $25,000 BillE was going to give to the organization, but every little bit goes a long way, and even something as little as $10 is greatly appreciated. Seriously, if only $1,000 is raised, that's still a good amount going to charity (although I would love to see more than that go to the Down Syndrome Guild of Dallas).
So, give a little to a big cause.


text:
Ferrell leaves Urban League after 48 years
Rev. Ernest Ferrell's legacy as president/CEO of the Tallahassee Urban League will be celebrated on Aug. 17 at the Civic Center. Photo by St. Clair Murraine
By St. Clair Murraine
Outlook staff writer
There was no second-guessing when Rev. Ernest Ferrell decided it was time for him to retire as president/CEO of the Tallahassee Urban League. He simply looked at the 48 years he's spent running the agency that thousands rely on.
"The Urban League is in my heart, but there comes a time that you know your time is up," said Ferrell, 74. "Some people find out in time.
"I don't want to go out from the Urban League under any other circumstance than positive. I want to go out knowing that I've given my best; making a difference in the lives of people and that difference has been a benefit emotionally, physically and spiritually."
During his tenure of almost 50 years, Ferrell has turned the agency into a resource for thousands. It is a life-changer for young people on a path of crime, the place where people turn to for assistance in restoring their near-inhabitable homes and assistance in other areas of everyday living.
On Aug. 17, the non-pro organization will recognize Ferrell's legacy with a sendoff celebration. It takes place at the Civic Center, beginning at 7 p.m.
"He has done an outstanding job in this community," said Curtis Taylor, another longtime member who will replace Ferrell as president of the organization. "He is a visionary. He has dedicated most of his adult life to the Urban League."
Early as a young adult, Ferrell found himself in the midst of a civil rights battle when he was a bagger at a Winn Dixie store. When civil rights activists threatened to have Blacks stop shopping at the store if it didn't hire a Black cashier, Ferrell was promoted to the position.
He still calls it one of the most profound experiences of his life. He specifically remember that soon after he began working as a cashier a White customer, who didn't like the change, questioned his accuracy in totally up his groceries. The manager was called and a second tally of the groceries showed he was only a penny over on what the customer was charged.
Meanwhile, Blacks showed their support for the move by showing up in droves at his register, Ferrell said.
"They stayed in that line because they wanted to be a part of history," he said.
He left Winn Dixie to serve in the Army for two years. He returned as a manager at the store. Ferrell was a student at FAMU when former FAMU president Benjamin Perry founded the Urban League and called him to join the board in 1970.
A year later he was on the board of directors and not long after was voted in as president, eventually having CEO added to his title.
One of his early challenges was to raise funds for the organization. His biggest donation of $7,500 came from the United Way. Not long after Ferrell's leadership began to move the organization, United Way contributed another $7,500.
Ferrell took the organization to one that operated on a $2 million budget and hired as many as 48 people.
The home rehabilitation program has become a staple of the organization, which Ferrell admittedly didn't know anything about when Perry called him.
"It grew on me," he said. "Once it did, I fell in love with making a difference in people's lives. That's been my philosophy, making a difference in the lives of people. Hopefully when we have made a difference in their lives, they will reach back and make a difference in somebody else's life."
Ferrell had another calling – one that he said he couldn't resist. In his late twenties, he became a preacher at Galilee Church in Chaires. That lasted 21 years before he moved to St. Mary Primitive Baptist Church, where he's been pastor for the past 26 years.
"God called me to do what I do," he said. "It was almost like Moses on the mountaintop calling. I accepted at the age of 29."
Years earlier, Ferrell developed skills as a tailor and thinks it might have been his career choice had it not been for the turn of events in his life.
As he gets ready to be celebrated, Ferrell said he has no regrets about resigning. Especially after leading the agency without any scandals, he said.
"Things change, people change, boards change, leadership all those things change," he said. "Comes a time when you know you've been at a place long enough."
Category Feature, Local News
First time fighter entertain crowd at indoor arena
Farmer returns to alma mater as first Black female AD
FAMU Holds 128th Founders' Day Celebration
FAMU, Southern to resume longtime football rivalry
FSU breaks ground for Black Student Union building
GIRLS ROCK!
Court action best for race issues in Camilla
Tallahassee family celebrates the value of Kwanzaa


text:
Hermeros - In the sky spinning circles on the ground we spin like them/Bird Moon Sun
Hermeros
In the sky spinning circles on the ground we spin like them/Bird Moon Sun
By Jamie Funk
Alex Carr aka Hermeros is a solo producer from Sydney, Australia who may be onto to something with his music but isn't quite there yet. He is an electronic artist who makes various collages of sound that can be compared to artists such as Four Tet and Alog. Carr has good ideas and a lot of them work but the he still has a long way to go in the way of how they are implemented. When it comes to music like this where the attention to detail matters, things like frequency allocation, compression and separation are integral to the experience. To be frank Bird Moon Sun and In the sky spinning circles on the ground we spin like them would be a much better experience if it was re-mixed and there was separation. The songs exist within the muddy lower end of the frequency spectrum and individual elements never escape.
Bird Moon Sun opens with "Wooden Ship" which has some of the most creative work you will hear. Carr implements a backwards-sounding sample that combines with a jarring beat. I enjoyed the juxtaposition of the elements and it points to better things to come from Carr.
The next track "Garden Green" contains more backwards-sounding sample but this time there is no percussion. It's a slightly enjoyable track but more or less feels like filler. The next track "You better run" reminded me of Amon Tobin but the mix was so bad it was hard to fully appreciate. The drums in particular were in need of treatment. I could barely hear the kick drum and the snare was too loud and contained a number of offending frequencies.
"Always Dimension" is a slow moving, almost jazzy sounding piece. As before Carr demonstrates he has good ideas in terms of structure. Be warned "Forest" is obnoxiously louder than all the preceding tracks. I thought it blew out my speakers.
In the sky spinning circles on the ground we spin like works better then Bird Moon Sun because there is less percussion and fewer elements. From a sonic perspective "Sammu-ramat" is Carr's finest achievement. Another mild success is "Dandelion" which is medatative blends of tones. He delves in minimal territory with "We were surrounded" while "Mystery Boat" shows inventive production techniques.
Does Carr have what it takes to hang out with the elite electronic producers? Who knows but as of right now he isn't there. Before Carr works any further on making songs he should either team up with an engineer or learn a couple of things about recording, mixing and mastering. No matter how good the songs are they won't be appreciated unless the quality of the recordings are improved.
In the sky spinning circles on the ground we spin like them by Hermeros


text:
Institute of Indigenous Research and Studies
Faculty of Arts / Institute of Indigenous Research and Studies / News /
The Institute in full evolution
Initiatives Newsletter
Bronfman Lectures
Métis Research Lab
Visitorships
Posted on Wednesday, October 23, 2019
The year 2019 marks an period of change for the Institute. These changes are reflected in:
The name of Institute has changed to better reflect the mission. We are now the Institute of Indigenous Research and Studies (IIRS).
The nomination of a new Director: Prof. Brenda Macdougall, Associate Professor in the Department of Geography.
The hiring of two new professors: Prof. Veldon Coburn began his term in September. Prof. Pierrot Ross-Tremblay will join the IIRS in January 2020.
This new direction has been the subject of long-term work undertaken by Tim Stanley during his tenure as Director of the Institute and for which we are grateful.
Institute of Indigenous Research and Studies (IIRS)
William Commanda Hall, 52 University Private
IIRSadm@uOttawa.ca
8:45 a.m. to 12 p.m.
1 p.m. to 4:30 p.m.
(June to August: closed at 3:30 p.m.)


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I am early. We arranged to meet at Fernandez and Wells on Duke Street, off the golf sale signs of Oxford Street and, sort of, in the tradesman's entrance to Mayfair.
Two minutes before we meet I get an e-mail, she is outside in the street, in her car, on a conference call. I try to discreetly scan Duke Street for her car. Looking for something large, luxury and tinted, I see only a tiny, animal print covered, electric GWiz.
On the tick of one thirty she walks in. She apologises for a lateness that does not exist. Writers love to describe people as a tour de force, but it usually means the person simply has quite a loud voice or gestures wildly in communication.
Karen enters a room like a high voltage jolt. As she makes her introductions to me she is poly-tasking – a hello to a barista, a question to counter staff.
Fernandez and Wells is very lovely. It is also, on a weekday lunchtime, very loud. I explain to Karen that recording the conversation may not be possible due to the noise. She waves away the comment like you'd swipe a fly at a picnic.
"Not a problem." And so we talk.
Karen has flow, not an avalanche of semi-thought words, just a powerful beam that turns sharply and detours and then locks back onto the narrative.
We talk for an hour. Conversation with her is not a waste of time; it collides the profane into the startled face of the profound. It is less chit-chat, and more the unlocking and exploring of a vast creative zone where ideas and possibilities hang like ripe fruit waiting to be plucked and consumed.
She does eye contact. Not the unnerving eye contact that you do well to avoid on public transport, hers is a quietly confident device that holds you exactly where you want to be to hear what she is saying. It's a very good trick that a lot of people could benefit from learning. I think, though, it is one of those instincts that are impossible to acquire, either you got it or you ain't, that kind of thing.
Within the hour we weave through and connect Comme Des Garcons, Joan Didion, what hospitality now means, the challenges of living in London for young, creative people, the possible long-term positives of Brexit (she was a passionate Remainer, but is also a champion of democracy), the cast-iron ambition and core strength of creative people, the anticipation of Hedi Slimane at Celine, and the joy she discovered as a waitress at Peppermint Park.
On that one, Karen would have been the absolute best waitress imaginable, though she may blush to hear it. That distillation of efficiency, consideration, humility, charm and a best friend's invitation to misbehave, would make - must have made - her untouchable. I'd go so far to say should she ever get bored of what she does now (she achieves a lot) she should tie her hair back and get back on the floor, no question.
We also managed to touch on the aesthetics of envy-consumerism whipped up and served by social media, versus the DIY and improvised aesthetics of our 1980's, and the old version of a social media that consisted of similarly impoverished friends trying to get each other along. The Post-Traumatic Stress Disorder that came like coffee, with dessert, after the main course of a proper education in being a restaurateur, from working with Peter Langan.
That so much ground gets covered in a single hour hints at the ability and achievement of Karen. Karen sits on the board of Firmeich, and was previously on the board of Cofra for eight year. She has held NED roles at Booker, Corbin & King, ASOS, HBOS plc, Gondola, Virgin Active, emap and the National Theatre.
And then, casually mentioning that Fernandez and Wells is an interest of hers so there will be no bill, she is done, charmingly so. No finger snapping, no dramatic watch checking. Just a kiss, an offer to take home some cake, and a sweet goodbye.
The questions I had written never got asked. She wrote a memo to watch the Joan Didion documentary on Netflix. She made me promise to read The Year of Magical Thinking.
I forgot the reason for our meeting. Karen was a client and collaborator of David Collins and the Studio. Café Rouge was her creation. She and David Collins Studio enjoyed an intense and wildly successful relationship as Café Rouge evolved from being a small café-bar group to being a hospitality big hitter. Their collaboration extended to Dome, Oriel and others, bringing a perfect ray of hope to a Britain, and a London, that was still struggling with the notion of an informal, but elegant, idea of eating and drinking.
Karen worked with David Collins Studio on her home. She remains a passionate advocate for the Studio. When she talks of the relationship with both David and the Studio, in the past and of the now, her eyes flash an intense mother-protector warning.
So, the questions get asked by e-mail.
Graham Erickson: Collaborations are great but not for the vain. Ideas often belong to the collaboration and not to the individuals involved. If you are confident and not driven by excessive ego the collaboration is a thrill. What was the single most significant thing you learned from working with David and the Studio?
Karen Jones: Exactly that – the joy of collaboration. Of seeing your own ideas understood and often augmented by others. And it was creative and it was fun.
GE: And what would you think David learned from you?
KJ: Maybe a bit about how to grow a business to begin with – but that didn't take long!
GE: When did you first, and last, work with David Collins Studio?
KJ: First in about 1990 I think, maybe 1991 and last in about 2009.
GE: How, in the period from when you first worked together until now, have luxury and hospitality changed?
KJ: Well, Café Rouge was never about luxury – it was about comfort and accessibility - and hospitality of course. Hospitality in my view has become less about marble and rare woods and more about appreciation of the quality of what's on offer and the craftsmanship and story behind that. Pop-ups and street food have helped that. David understood both hospitality and luxury – and he also understood a great sandwich in a tiny backstreet bar in Paris.
GE: I have drifted off in so many meetings where people are pitching for investment. They have a concept, a logo and a possible site, these seem to be critical factors. Is this, in your opinion, how you building-block a great restaurant, or a brand?
KJ: You have to know what you are and the values with which you operate. Clarity of purpose is absolutely fundamental. And you have to love what you are doing. And for restaurants you have to wrap everything in genuine hospitality, always and forever.
GE: On that subject, notionally, what is the purpose, the responsibility, of a restaurant?
KJ: To make every customer leave feeling better than when they came in – and wanting to come back.
GE: Apart from the projects which you had an involvement with, which projects best define the qualities of David Collins Studio?
KJ: The Wolseley and Zedel and Sheekeys.
GE: You asked me where I learned the word "flaneur", and then said, with pride, that your daughter uses the term "ekphrasis".
Bad grammar leaks out of the vent on the side of the machine of modern communication and drips into common acceptance. You speak with an odd balance of precision and passion, so, what single word defines David Collins Studio?
The photographs shown here are of inconsistent quality, aware of these shortcomings the photographs retain a significance for The Studio, and their gentle poignancy is generous compensation for the fallability.
Karen Jones: Premium price for the cafés that painted the town rouge.
Pret A Manger's latest concept store: Pret Verde by David Collins Studio.


text:
Lakeside ist ein census-designated place (CDP) im Clay County im US-Bundesstaat Florida. Das U.S. Census Bureau hat bei der Volkszählung 2020 eine Einwohnerzahl von 31.275 ermittelt.

Geographie
Lakeside liegt rund 5 km südlich von Jacksonville sowie etwa 20 km nördlich von Green Cove Springs. Der CDP wird von den Florida State Roads 21 und 224 durchquert bzw. tangiert.

Demographische Daten
Laut der Volkszählung 2010 verteilten sich die damaligen 30.943 Einwohner auf 12.292 Haushalte. Die Bevölkerungsdichte lag bei 787,4 Einw./km². 80,9 % der Bevölkerung bezeichneten sich als Weiße, 10,0 % als Afroamerikaner, 0,5 % als Indianer und 3,0 % als Asian Americans. 1,9 % gaben die Angehörigkeit zu einer anderen Ethnie und 3,7 % zu mehreren Ethnien an. 8,1 % der Bevölkerung bestand aus Hispanics oder Latinos.

Im Jahr 2010 lebten in 36,1 % aller Haushalte Kinder unter 18 Jahren sowie 24,1 % aller Haushalte Personen mit mindestens 65 Jahren. 76,6 % der Haushalte waren Familienhaushalte (bestehend aus verheirateten Paaren mit oder ohne Nachkommen bzw. einem Elternteil mit Nachkomme). Die durchschnittliche Größe eines Haushalts lag bei 2,72 Personen und die durchschnittliche Familiengröße bei 3,06 Personen.

27,0 % der Bevölkerung waren jünger als 20 Jahre, 25,0 % waren 20 bis 39 Jahre alt, 30,4 % waren 40 bis 59 Jahre alt und 18,6 % waren mindestens 60 Jahre alt. Das mittlere Alter betrug 39 Jahre. 48,6 % der Bevölkerung waren männlich und 51,4 % weiblich.

Das durchschnittliche Jahreseinkommen lag bei 60.593 $, dabei lebten 7,9 % der Bevölkerung unter der Armutsgrenze.

Im Jahr 2000 war Englisch die Muttersprache von 91,91 % der Bevölkerung, spanisch sprachen 5,22 % und 2,87 % hatten eine andere Muttersprache.

Einzelnachweise

redpajama_set_name: RedPajamaWikipedia


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gaellepelachaud » Rock » Various - American Idol 10th Anniversary - The Hits: Volume 1
Various - American Idol 10th Anniversary - The Hits: Volume 1 album FLAC
Performer: Various
Title: American Idol 10th Anniversary - The Hits: Volume 1
Genre: Rock / Pop
Formats: AA APE AIFF WAV VOC DMF MP1
American Idol 10th Anniversary – The Hits. Clay Aiken, Daughtry, and Adam Lambert are the only artists included on the album who have not won the title. The album was released on March 15, 2011 via 19 Recordings and RCA Records
Greatest Hits Volume 1 is a greatest hits compilation album by The Beatles which was exclusive to Australia, Singapore and New Zealand. The album was compiled by EMI Australia to fill in the gap between Rubber Soul and Revolver (much like A Collection of Beatles Oldies would in 1966 in between Revolver and Sgt. Pepper's Lonely Hearts Club Band)
Jon Eberson Group - Jive Talking.
Album · 2004 · 14 Songs. The Hits Various Artists. Listen on Apple Music. If any label defined the sound of East Coast hip-hop in the '90s, it was Sean Puffy Combs' Bad Boy Records. Mase's super-catchy, funked-up smash Feel So Good exudes equal measures of grit and glitz, while The Notorious . s biggest, baddest raps ( Hypnotize, Big Poppa ) shine with timeless beats and his brilliant, Brooklyn-bred flow.
Label: Bad Boy Records. Hard to believe it's been 10 years since Puff Daddy launched Bad Boy Records, one of the most successful labels in rap history. This retrospective includes early hits like Craig Mack's "Flava In Ya Ear," classics such as Biggie's "Big Poppa," and a new remix, "Victory 2004," with 50 Cent, Lloyd Banks, and Busta Rhymes.
Hot 100 60th Anniversary. Pop. R&B/Hip-Hop. With her emotional "Piece by Piece" hitting No. 1 on two charts, Kelly Clarkson is the first American Idol contestant to earn 100 chart-toppers, counting all national, domestic music charts (current, recurrent and catalog) compiled by Billboard. The sudden success of the autobiographical title track from Clarkson's seventh studio album is due to the first Idol winner's deeply touching Feb. 25 performance on the Fox series. Piece by Piece" zooms 35-1 on Digital Songs (dated March 19) and also soars 20-1 on Pop Digital Songs. Now, 14 years later, Clarkson has proven to be not just a superstar, but an enduring one. She has also demonstrated that after 15 seasons, Idol can still generate No. 1 songs and albums.
First Attack by Les Misérables - 10th Anniversary Concert Cast. 9. Drink With Me. by Les Misérables - 10th Anniversary Concert Cast. Drink With Me by Les Misérables - 10th Anniversary Concert Cast. I know this is a sound track of a live performance, but I found it disconcerting to have loud applause as the very first sound and after particularly emotional numbers. I would rather contemplate in silence after such numbers. At least they could have toned it down a bit; they didn't eliminate the balloon bursting during "Castle On A Cloud. What a trooper; she barely flinched!) I found Les Mis to be strangely cathartic after the Boston Marathon bombing.
Volume 1 - - DJCD SP THE IDOLM Radio For You! Radio for Yui ~you-i~ - - THE iDOLM DJCD Radio For You! Volume 2 - Radio de iM! series - DJCD Radio de iM! - SHINING STAR - - DJCD Radio de iM! Premium CD - Various Albums. THE IDOLM MS OF IDOL WORLD!!2015 LIVE - project me to me - First Step - - Show Time! - - Super☆Star -. CINDERELLA GIRLS. Various Albums - THE IDOLM ORIGINAL CD SET - 1111 BRIGHTS and MAGICS - - THE IDOLM CINDERELLA GIRLS -ANIMATION FIRST SET- - - THE IDOLM CINDERELLA GIRLS STARLIGHT STAGE GST - - Aozora Yell - - CINDERELLA GIRLS VIEWING REVOLUTION Yes! Party Time!!
1 –Kelly Clarkson Since U Been Gone
2 –Ruben Studdard Superstar
3 –Clay Aiken Invisible
4 –Fantasia When I See U
5 –Carrie Underwood Before He Cheats
6 –Taylor Hicks Takin' It To The Streets
7 –Daughtry Home
8 –Jordin Sparks Duet With Chris Brown No Air
9 –David Cook Light On
10 –Kris Allen Live Like We're Dying
11 –Adam Lambert Whataya Want From Me
12 –Lee DeWyze Sweet Serendipity
Phonographic Copyright (p) – 19 Recordings Ltd.
Copyright (c) – RCA/JIVE Label Group
Licensed To – RCA/JIVE Label Group
Manufactured By – Sony Music Entertainment Indonesia
Distributed By – Sony Music Entertainment Indonesia
℗2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010 19 Recordings Limited under exclusive license to RCA/JIVE Label Group
©2011 RCA/JIVE Label Group, a unit of Sony Music Entertainment.
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Chris Brown - Exclusive (The Forever Edition) flac download
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Backstreet Boys - Playlist: The Very Best Of Backstreet Boys flac download
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Tom Jones - Kiss flac download


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Honoring Your Inner Child to Find Your Strength
We all have an inner child within us. An inner child who was, at some point, abused, traumatized, wounded, either intentionally or...
kansascity.com
Why swimming with sharks and whales is helping these vets with PTSD find peace
Vanessa Chaney waves to her husband, David Chaney, who is participating in Veterans Immersion Program, at Georgia Aquarium on Wednesday,...
scicasts.com
Neuroscientist Studies Connection Between PTSD and Alcohol Abuse
Charleston, SC (Scicasts) — As families gather for the holidays this year, many will reminisce, sharing fond memories as they break bread...
knowridge.com
Tai Chi proves feasible and beneficial for veterans with PTSD
Veterans with symptoms of post-traumatic stress disorder (PTSD) who participated in in Tai Chi not only would recommend it to a friend,...
MDMA May Soon Be Approved For Treatment-Resistant PTSD
A euphoria-inducing drug commonly known as ecstasy is one step closer to becoming a clinical tool in the battle against...
BarkPost
Rescue Wolves Are Helping Veterans Heal From The Wounds Of War
We know that dogs help veterans cope with PTSD, but what about other canines? The Lockwood Animal Rescue Center in California is proving...
awalterhouse
Young Innovator Helps His Vet Father Sleep Well Again
To help his father who had PTSD and sleep disturbances, Tyler Skluzacek developed the myBivy smartphone app that is designed to prevent...
www.telegraph.co.uk
I cycle 65 miles a day to combat the PTSD that will always be with me
Former soldier Steve Craddock turned to cycling to combat post-traumatic stress – now he's Help for Heroes' top fundraiser. It's hard to...
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How Travel Helped Me Heal From My Sexual Assault
Since November 2014, I've traveled to fifteen different countries and eighteen states, an unimaginable feat for a girl who was born and...
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'One way of healing yourself is to own your story': Growing up in an abusive home
A FEW MONTHS ago, I received an email from a stranger, a 55-year-old Irishman and father of four who has been living in the US for half...
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How a high-risk combat veteran is overcoming suicide attempts
MUSKEGON, MI — When Dana Harvey talks about his experience with Post Traumatic Stress Disorder, his warm tone becomes heavy and listless....
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More Vets Get Alternative Treatment For PTSD, But Not Always Evidence-Based
The Department of Veterans Affairs estimates up to 30 percent of former service members — from the Vietnam war to Iraq and Afghanistan —...
Damage to Pea-Size Gland May Cause PTSD-Like Symptoms
When Charles Wilkinson thinks about soldiers suffering from post-traumatic stress disorder (PTSD) his mind jumps to a pea-size structure...
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Avoiding the Sickening Effects of Stress
It's well known that stress makes people sick, and extreme trauma makes them even sicker. But a new study suggests that not everyone who...
www.telegraph.co.uk/
Fathers can pass anxiety and depression to their children genetically
Men who are stressed can pass on anxiety and depression to their children and grandchildren, scientists in Australia have found, in a...
Meet Lucca: The First American Dog Awarded a British Military Honor
A retired U.S. Marine dog was honored today with the PDSA Dickin Medal, the animal equivalent of the Victoria Cross which is the highest...
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Here's How to Increase Self-Knowledge and Lower Anxiety at the Same Time
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Fireworks Season Can Trigger PTSD for Veterans
JEFFERSONVILLE, Ind. -- Stationed in Khandahar, Afghanistan, for nine months in 2012, Sgt. Matthew Thomason got used to falling asleep to...


The 15 cwt CS8 Morris-Commercial was first developed in 1934. Great Britain's War Department had the need for a general purpose vehicle. Using the specs outlined by the War Department, the Morris Car Company designed a truck using many of the components from their 1933 civilian 'C series' range.
The newly designed truck was designated CS8, (S denoting 6 cylinder and 8 denoting an approximate 8' wheel base) it had a short stubby appearance with a high ground clearance. It became the workhorse of the British Army.
The original design CS8 evolved into three Series, the Mark I, II & III. The CS8 continued development and production through 1942, being produced under contract by various British manufacturers. The CS8 was replaced in 1942 by a 4 cylinder variant designated the C4.
The early CS8 has a small windscreen and canvas doors. These were replaced by a full windscreen and metal skinned half doors in 1941. The CS8 was powered by a 6 cylinder 25 HP side valve engine.
The CS8 was adapted to many different uses during it's life. Examples include a water tanker, petrol hauler, compressor truck, office truck and wireless truck. There was even a production of 100 armored cars designated CS9 based on the lengthened chassis of the CS8.
The model is packaged in a typically sturdy Plus Model box measuring 7.5"X 10"X 2.5" (19.1cmX 25.4cmX 6.4cm). Inside the box are nine small bags containing the various kit parts broken into subsections such as chassis parts, wheels etc., and an instruction booklet. The small bags are shipped within a larger bubble wrap bag which in turn is wrapped in a sheet of bubble wrap plastic before being put into the box. Everything was intact with no broken pieces.
There is one bag with the 'canvas hood' or top, vacu-formed out of clear plastic. This is a nice touch as the rear window can be masked easily, inside and out and the stretch marks and folds in the canvas are faithfully represented.
There is another bag with one fret of photo-etch, the decal sheet and a 1.5"X 2.5" (6.4cmX 3.8cm) sheet of clear acetate for the aircraft style windscreens.
The model is molded in a grey resin which appears to be flawless in terms of short-shots or bubbles. There is minimal flash where you would expect to see it. The flash is very thin and easily removed with a sharp #11 blade. The mold lugs are well placed so to minimize difficulty when removing the parts. There are some very small, delicate parts that will require care when cutting them from the lug but that is typical with most resin kits.
The first small bag with resin parts consists of the front suspension pieces, the exhaust system, firewall components, the cab interior pieces, rolled up canvas doors, a shovel and two headlights molded out of clear resin.
The second bag I'll look at contains the rear suspension pieces, fuel tanks, battery boxes and the engine block.
Bag 3 is tires/wheels, fenders, radiator, bonnet/hood and dashboard.
Bag 4 has the chassis rails and floorboards (one piece) and a separate bag with two lengths of copper wire, each of different thickness.
Bag 5 has numerous smaller pieces including engine detail pieces and smaller suspension components.
Bag 6 again, has small suspension shackles, the passenger seat cushion, fire extinguisher and three Enfield rifles.
Bag 7 has parts for the cargo body of the truck. All these are nicely molded with wood grain/rivet/ support strapping detail on both sides.
Bags 8 & 9 were discussed above containing the PE, Decals and vacu-formed piece.
The instructions are printed in booklet form 8.5" X 6" (21.6cm X 15.2cm) and details 23 construction steps. All steps are self explanatory with close study, with the parts clearly marked and easily identified. The modeler will have to supply several pieces of various diameter brass wire to complete several of the steps.
Included are three camouflage paint/decal guides. The first for a British Army vehicle in North Africa. There are no cross reference for any brand paints, the guide simply specifying "Slate Grey" and similar written descriptions of colors.
The second color/decal guide is a mono-color vehicle identified as "British Army".
The third is again, a mono-colored vehicle, but this time for a captured Wehrmacht vehicle, 1940.
The model matches up closely with reference photos and drawings I was able to find on the internet.
Highs: Beautiful moldings, well thought out, packed well, no warped or broken pieces. Reasonable price when compared to other resin offerings.
Lows: No color cross-reference, modeler needs to supply various diameter wire to complete build.
Verdict: A very nicely detailed model of an interesting but neglected subject.


Dr. Abhinandan Bharne graduated the medical school of University of South Florida College of Medicine and completed his residency program at the UCLA Medical Center. A fellowship followed at the Cedar-Sinai Medical Center soon after that. He is specialized in pulmonology and board certified in critical care medicine and pulmonary disease. Dr. Bharne has been in practice for more 11 years and is affiliated with the Hoag Memorial Hospital Presbyterian.


About - Shop at Light of Chance, Inc. – Light of Chance, Inc.
The products in our store are created and inspired by the kids in our Breathe Youth Arts Program. The revenue generated assists with Light of Chance, Inc.'s operating costs and goes directly back to the communities we serve, through our program.
Breathe is a community-based, youth development program geared toward fostering artistic expression, leadership and social skills through visual arts, music, dance and creative writing for ages 10-18. Since its inception in 2012, Breathe has served and mentored more than 330 youth in Hopkins County.
Light of Chance, Inc. is a 501 (c) (3) tax-exempt, non-profit organization founded in 2005. Our mission is to serve youth and the community through innovative arts and wellness programs. Currently, we primarily serve the communities of Bowling Green and Madisonville, KY.


June is a little too early for summer fireworks, but we did set some explosive numbers as far as home starts are concerned by more than tripling last year's year-to-date numbers. This exuberance can be felt in the number or new show homes that have opened recently in the city, and we get to tour some of the most fabulous ones in this issue.
Cochrane's popular Sunset Ridge. Morrison Homes, meanwhile, makes the best of its spectacular location in the new Nolan Hill development in the northwest with its Westport manse. And, for something totally different, we threw in a feature on Capstone Custom Homes to shed a light on Calgary's thriving custom home industry and our upcoming DOMUS magazine which delves further into this rich and lavish custom and infill world.
This month, we also bring you a bunch of pet-centric features: I talk about the careful considerations one must first think of before bringing a pet to your home, while Jessica Patterson's On Trend feature looks at pet-friendly design options for your living room. Kathy McCormick's shopping feature lends readers a hand in picking out what sofa to choose to complete their living room's look. One tip, if you have a pet, buy lint removers in bulk.
An added bonus this month is the Living The Dream magazine that comes with this copy of New Home Living. Living The Dream is a Source Media Group initiative in support of the Cancervive and Wellspring Calgary cancer outreach programs, and you can see the stories of the brave and intrepid souls who are undertaking the epic Cancervive bike ride to Maine this year to raise funds and awareness to battle cancer.
As you can see, the magazine itself has got some heft to it, which can in itself be an indicator of the robust market. It's in times like these that you want to go out there with the best information for choosing your home, and you'll find it in New Home Living.


New patients: please schedule the new patient evaluation if you are seeking treatment. The appointment has enough time to discuss issues and for an initial treatment. Our new patient appointment is a value at $45.
Gait/Orthotic Evaluation: please choose the gait evaluation appointment even if you think you need treatment in addition to the evaluation. Once you are assessed for orthotics you will be advised of treatment. The evaluation is $20.
Remote Gait/Orthotic Evaluation: if you are not within easy driving distance of Laramie, WY we can do a remote gait evaluation. Please read Video Gait Analysis for instructions.
If you are near Colorado Springs we recommend seeing Nikki at Select PT on Garden of the Gods or Anna at Dany's PT in Briargate.
Everyone else, please schedule the appropriate appointment slot for you your needs.
Please click the link below to access the patient consent forms. Fill out and bring to your appointment.
We accept cash, check or credit/debit card. We can provide a receipt for your insurance company if you are filing for reimbursement.
Please wear something comfortable for your treatment.


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Livart's art day camps introduce children between the ages of 4 and 9 to different mediums. During this fun and interactive week, children discover the visual and cultural universe of a recognized artist.
Each week, children discover a different artist through creative workshops and cultural mediation activities. They will also be introduced to the artist's culture by learning about their country, language and history. Daily outings to the park are also on the schedule.
In addition to these activities, children enjoy the art center's facilities by doing yoga in the great room, stretching in the courtyard and having fun with the water games on the roof terrace.
Robert Smithson – 4 to 9 years old
Feb 27, 2023 ― Mar 3, 2023
Nadia Myre – 4 to 9 years old
Jun 26, 2023 ― Jun 30, 2023
DESIGN – 10 to 12 years old
Jackson Pollock – 4 to 9 years old
Jul 3, 2023 ― Jul 7, 2023
URBAN ART – 10 to 12 years old
Emily Carr – 4 to 9 years old
Jul 10, 2023 ― Jul 14, 2023
VISUAL ART – 10 to 12 years old
Berthe Morisot – 4 to 9 years old
SCULPTURE – 10 to 12 years old
Jean-Michel Basquiat – 4 to 9 years old
Katsushika Hokusai – 4 to 9 years old
Jul 31, 2023 ― Aug 4, 2023
Aug 7, 2023 ― Aug 11, 2023
Piet Mondrian – 4 to 9 years old
Louise Bourgeois – 4 to 9 years old
Aug 14, 2023 ― Aug 18, 2023
Baya Mahieddine – 4 to 9 years old
Why choose this camp?
Livart camps, designed for ages 4 to 9, allow children to develop their creativity, dexterity and curiosity. Through artistic achievements, they also learn to discover themselves and build their confidence. They are designed to channel the children's energy by balancing creative and physical activities. The yoga sessions, which are very popular with the children, offer them a moment of rest and concentration every afternoon. Each week, the children's experience concludes with a vernissage where all their creations are showcased.
The activities vary from week to week and you can definitely register your child for several weeks.
Typical schedule
8:00 am Daycare Service
9:00 am Integration games and learning a rhyme
In order to facilitate the transition of the children to their group, integration games are planned at the beginning of the day.
In addition, the morning is the ideal time to learn a nursery rhyme in the artist's native language.
9:30 am Cultural mediation workshop
A weekly cultural mediation workshop is planned to familiarize the children with the work and culture of the artist of the week, as well as his/her country of origin.
What is the artist's preferred medium?
What characterizes her work?
What do these works mean?
10:00 am Outdoor snack break
10:15 am Water games and outing to the park
Daily outdoor activities are planned in the Livart's outdoor spaces as well as in the many parks in the neighborhood.
Weather permitting, the Livart's rooftop terrace is transformed into a water playground for the children to enjoy.
11:45 am Outdoor lunch
1:00 pm Physical activities and yoga
Very appreciated by the children, the yoga sessions offer them, every afternoon, a moment of rest and concentration.
1:30 pm Creative workshop
During the creative workshops, your children will explore a medium and an artistic technique related to the specific practices of the artist of the week.
Examples of mediums and techniques explored:
Observational drawing with dry pastel
Collage and paper folding
Paper mache sculpture
Installation and sculpture
3:00 pm Outdoor snack break
During the creative workshops, the children will explore a medium and an artistic technique related to the specific practices of the artist of the week.
4:00 pm On-call service or vernissage on Friday
During childcare, children will engage in free play, physical activities and creative activities.
Opening and presentation every Friday:
4 to 6 years old from 4:00 to 4:30 p.m.
7 to 9 years old from 4:30 pm to 5:00 pm
Ateliers Anniversaires
Artists' studios
3980 Saint-Denis Street,
Montreal, QC,
Mon 19.12 Closed
Tue 20.12 Closed
Wed 21.12 - 11:00-20:00
Thu 22.12 - 11:00-20:00
Fri 23.12 - 11:00-20:00
Sat 24.12 Closed until the 11th of January, 2023
Sun 25.12 Closed until the 11th of January, 2023
© Livart, 2023. All rights reserved.
On your first purchase by subscribing to our newsletter.


CANNES, France (Reuters) - Lars Von Trier received a standing ovation when he arrived at the Cannes Film Festival, seven years after being thrown out for quipping that he was a nazi who sympathized with Hitler.
But if anyone was expecting the Danish provocateur to rein in his impulse to offend, he soon put them right with "The House That Jack Built", an extremely dark comedy about a serial killer who uses mutilated corpses to create art.
Speaking to Reuters the day after the premiere, Von Trier said the point he had been trying to make in the fateful news conference in 2011, was that the world remained fascinated by Hitler, proving "there's some magic in real terror".
"I almost didn't do the film because of that," he said about a scene in which he cuts off a girlfriend's breasts before killing her.
IndieWire called "The House That Jack Built": "an often-horrifying, sadistic dive into a psychotic internal monologue (... that is) also possibly brilliant", while The Guardian dismissed it as "a smirking ordeal of gruesomeness".


The past is alive and well in North Wales. History and culture is everywhere, it defines who we are.
You can experience it in our historic buildings and town centres, our centuries-old villages, our working museums and the Welsh language - still the first language in many places.
With entry to museums free and many of our historic buildings beautifully preserved, a visit to North Wales is a wonderful cultural experience.
Compact but mighty, North Wales packs a punch well above its' weight.
Begin your journey to North Wales here and experience a lifetime of adventures that are closer to you than you might think.
For outdoor adventurers there are world class thrills to be discovered in abundance on high hills and spectacular ridges, rushing rivers, sweeping bike trails and wild mountain tracks.
Italianate, Edwardian, botanical, wild and exotic – we have our fair share of lush, green gardens in North Wales.
Whether you want to saunter though our refined historic gardens or dream away the afternoon in a whimsical wonderland, our glorious gardens are the perfect place to while away the hours.


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Intenstinal health
Centre of health
Intestinal complaints
Chronic inflammatory bowel disease
Mag. Anita Frauwallner
Mag. Sylvia Neubauer
First bacterial colonization of the baby's intestine
The importance of the first contact.
Almost certainly all moms and dads in the making eagerly await the birth of their little offspring. But they are not the only ones! Armies of friendly microorganisms can barely wait until they can colonise every inch of this new human being.
Generally speaking, the human body is covered from top to bottom in germs. And that's a good thing, because the more colourful and comprehensive the bacterial landscape, the better it is for the baby's health. As unique as a fingerprint, the microbiome develops until the age of three and remains relatively stable afterward. As a part of its own eco-system, it will regulate the digestion, metabolism and immune system of the baby for the rest of its life.
A natural bacterial colonisation
Studies are currently testing whether intestinal bacteria can reach the child from the mother via the placenta and amniotic fluid during pregnancy. What we definitely know is that children whose mothers receive probiotics in the last weeks of pregnancy and children who receive helpful bacteria themselves in their first six months have a lower risk of suffering from neurodermatitis later in life.
The first great germ colonisation occurs during birth. When the baby passes through the birth canal, it primarily comes into contact with the maternal lactic acid bacteria. Children born via C-section go through a different process: They first come in to contact with the bacteria in the surrounding air and the mother's skin bacteria. C-section babies have a lower number of lactobacilli and bifidobacteria in their intestines. As a result, these babies are more susceptible to 3-month colic phases, infectious diseases, and allergies. To avoid this problem, a so-called "vaginal seeding" can be performed: The new-born is covered in the vaginal secretion of the mother directly after the C-section. Even treatment with antibiotics can massively imbalance the sensitive bacterial colony of the baby and should therefore always be accompanied by probiotics to support the baby's centre of health.
A natural birth and breastfeeding have a positive impact on a baby's bacterial colony.
Breastmilk, a magic potion
With every touch, a baby encounters new microbes. As a rule of thumb: The more bacteria, the better and more advantageous it is for a baby's health. Breastfeeding not only offers the offspring physical contact but also makes sense when looking at the microbial colonisation. In comparison to probiotic baby food, which is usually only supplemented with a single bacteria species, breastmilk contains hundreds of helpful bacteria species – roughly 30% of the helpful bacteria in the intestines of a breastfed baby come from breastmilk! The yellow creamy first milk, also known as colostrum, is especially important and acts as a type of vaccination for the infant thanks to its high content in antibodies and proteins. In most cases, breastfed children show a significantly higher number of helpful bacteria species such as bifidobacterial, which strengthens the barrier function of the intestinal mucosa and provides the immune cells in the intestines with valuable information for fighting off pathogens.
With this in mind: Trust in mother nature when it comes to your little sunshine. Multispecies probiotics act as a supporting starting kit for mother and child, which makes a lifelong happy microbiome.
OMNi-BiOTiC® Blog
Read more interesting articles about our gut and get tips for your gut health!
Tips to boost your immune system
Rezepte & Ernährung, Symptoms
Fibres for the intestines
Institut AllergoSan, Research & Development
Intestinal bacteria work better as a team
Diet, Research & Development
How lactic acid bacteria in sauerkraut and yoghurt stimulate the immune system
Diet, Symptoms
Staying healthy and fit in autumn
Parkinson's Disease: An intestinal hypothesis


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Camera Review Blog No. 15 – Nikon FG
When it comes to Nikon, you know most of the cameras in their catalogue, especially their professional offerings. But there are plenty of hidden gems in their camera line as well. Some even have a cult following, I'm thinking of course of their Nikkormat cameras. But what about the Nikon FG? Like many Nikon cameras of the 1980s, it's often overlooked in favour of the semi-pro FE2/FM2(n) and for a good reason. The FE/FM series attracts a massive following because it followed the original Nikon design ethos of uncompromised industrial design and quality. But the late 1970s and into the 1980s brought a lot of changes to the camera industry with the introduction of electronics and full auto-exposure. The Nikon FG can be considered almost a stepping stone, a proof-of-concept for future Nikon cameras, but today is more of a hidden deal in the world of F-Mount cameras. Special thanks to Pastor Howard for giving me a second FG body after my first example died.
Unlike its predecessor, the Nikon FG was available in both chrome and black top plates.
Make: Nikon
Model: FG
Type: Single Lens Reflex
Format: 135 (35mm), 36,24mm
Lens: Interchangeable, Nikon F-Mount
Shutter: Electronic Vertical Travel Metal Focal Plane Shutter, 1″ – 1/1000″ + Blub
Meter: 1x SPD TTL Meter, EV1 – EV18 @ ASA-100, ASA-12 – ASA-3200
Year of Manufacture: 1982-4
Nikon FG – Nikon Series E 50mm 1:1.8 – Ilford Pan F+ @ ASA-50 – Ilford Ilfosol 3 (1+14) 4:30 @ 20C
The Nikon FG would be the next logical step in Nikon's compact entry-level SLRs, a market that Nikon had a rough time getting into with a false start in the Nikkorex 35 and a missed mark in the Nikkormat. The true divergence between the semi-pro/advanced amateur market and the consumer market came in 1979 with the release of the Nikon EM. The EM changed how Nikon designed, made, and marketed cameras. Nikon took the lessons of the EM and designed the FG released in 1982. Many of the design cues from the EM would go into the design of the FG but would bring back some metal parts to the outer case and allow users to choose either chrome and black finish or a straight black finish. The further change of adding the "F" back into the camera name rather than calling it an EM2 or something. So on the outside and much of the spec-out for the FG are pretty common, Copal vertical travel shutter, Nikon F-Mount, and a centre-weighted TTL meter. But the Nikon FG had something that no other Nikon had until then, full auto-exposure. The FG also had the Nikon standard Aperture Priority semi-automatic mode and metered manual. Not even the F3 which saw release a year prior had full auto-exposure. In the grand scheme, Nikon was late to the party, being beaten to the punch by Canon and Minolta. But the FG is amazing in the sense that it used its existing 60/40 metering system and AI/AI-S lenses to achieve auto-exposure. There was also the help of three microchips. The FG also had support for TTL Flash metering. Nikon would produce a couple of accessories with the MD-14 drive that provided a 3.2fps burst, but the slower MD-E would function with the FG. An MF-15 data back would provide a date and image number imprint. The SB-15 flash worked with the TTL Flash metering in the FG but also worked with other Nikon cameras. The Nikon FG would find favour and sold well among amateur photographers, after two years in production Nikon ceased production in 1984. Much of the design cues and technology were integrated into 1983's Nikon FA including the squat prism finder. The FA would take things further with full matrix metering and PASM modes. Nikon released a replacement, the FG-20 in 1984, but when compared to the FG, the FG-20 was more of a downgrade than an upgrade.
At a distance, you may mistake the FG for an FA or vice-versa. The two cameras to share a remarkably similar design ethos. But are radically different cameras. If you're a fan of compact SLRs, then the Nikon FG is an easy fit if you have a collection of AI/AI-S Nikon lenses. The design of the FG is clean, sleek, and stylish. Much like the previous model EM. It achieves a small, lightweight feel without being plastic, and even in my hands being used to larger cameras, it feels good. Control-wise, the camera is well laid out but is different from what you'd be used to in a Nikon camera. I would go so far as to say the controls look a lot like those found on the Canon A-1. The mode selector and shutter speed control are a single unit, set the dial to P to enter full auto-exposure (also set the aperture ring of your lens to fully stopped down), to A for aperture priority and anywhere else for metered manual. There is also a 1/90″ mechanical override and bulb setting. And herein lies my first major complaint about the FG, there's no dedicated on/off switch. To turn the camera 'off' you have to set the dial to Bulb "B." This despite the FE/FM having the on/off switch integrated into the film advance lever. There's a small switch to control an audible warning for slow shutter speed, a bonus on my part, but an on/off switch would be better in my mind. The addition of a finger rest on the FG is a nice touch, but a little unnecessary, and much like my FA, I quickly removed the accessory. The film advance isn't too bad, like the EM it seems a little flimsy if knocked too hard would break off its mount. Given the camera is lightweight, you don't need a heavy-duty strap, I run my example with Peak Design's Leash style strap without any trouble.
If you like the no-nonsense nature of the EM or even the ME Super, then the FG is a fantastic little camera. It's light, easy to operate, and takes an amazing set of lenses. There's no special trick to loading film into the FG. It works the same with any Nikon cameras of the era, make sure to set the camera to the M90 to aid with getting those first couple cycles through. Once done, the camera is easy to operate, for full program mode set the dial to P, and the lens fully stopped down. Set the dial to A for aperture priority and adjust the aperture ring as you desire. The only problem is that there's no easy way to 'turn off' the camera beside switching the dial to B. The film advance is nice and short, making it quick to have the camera ready for that next shot, but it does seem a little flimsy almost if I force the issue it might break off. Now there is one thing to note with the FG it doesn't have a good track record for reliability with often the internal circuits and chips being a main point of failure. My first example died and even my second example died after only a couple of rolls.
Thankfully Nikon did change anything with their F-Mounts when it came to the features introduced with the Nikon FG. Still, you do need to use at minimum AI lenses with the camera and AI-S will work as well, which means both Series E lenses and AF-D lenses will all for the full camera functionality. The AF-G lenses will not work because they lack an aperture ring. While the FG is among the compact SLR designs from Nikon, it does work best with the Series E lenses. Still, even with the larger Nikkor lenses, the balance is good, and the AI-S Nikkor 50/1.8 pancake lens is the perfect match if you want something a little more professional on the front of the camera. But even the Nikkor 135/2.8 (AI) doesn't throw off the camera balance.
Nikon FG – AI Nikkor 135mm 1:2.8 – Eastman Double-X 5222 @ ASA-250 – PMK Pyro (1+1+100) 15:00 @ 20C
If you find a working FG buy one, especially if you're looking for a compact SLR to work with your manual focus Nikon lenses. But always be ready to buy two, these cameras aren't the most reliable from Nikon and aren't worth getting repaired. If you are buying on the used market the price ranges from 30-100$ but don't pay any more than 100$ on the just body, and even still for 100$, I'd expect a motor drive and maybe a lens in the mix. And certainly, avoid the FG-20 as they are less of a camera than the FG. The cameras do rely on batteries, but these are standard silver oxide battery that is easily obtained from most hardware and department stores, and if the batteries do die and the camera locks up setting the camera to M90 will 'reset' the mirror for you. Still, once an FG dies, it's dead. And while the FG is an important step, it is more a proof of concept with Nikon that allowed them to take the next logical step in completing the FA. Worth buying, certainly, but worth replacing? Only if you like the camera a lot.
Don't just take my word on the Nikon FG, you can check out the reviews by other awesome camera reviewers!
Casual Photophile – Nikon FG Review
Outside the Shot – Nikon FG Review
On: 5 August, 2015
In: Camera Review Blogs
Tagged: believeinfilm, Cambridge, camera, Camera Review, Canada, Eastman Double-X 5222, FG, filmisalive, filmisnotdead, gear, Ilford Pan F+, ilfosol 3, Milton, Nikkor, nikon, Nikon FG, ontario, pmk pyro, review, slr, stratford, Toronto
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Nikon FG – Bite size - Photo Thinking Camera Review