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16 December 2020|In Money, Culture, Travel and Sport, Education, Technology, SC, Environment, Business|4 Minutes
Duncan Clark, NextGen Nano: Potential Applications of OPVs in Skyscrapers
Shaping big city skylines all over the world, skyscrapers typically draw their power from the traditional carbon fuel grid, contributing to carbon emissions and adding to air pollution in major metropolises. Matthew Stone, NextGen Nano's Chairman, recently discussed the potential application of organic photovoltaic (OPV) cells within high-rise buildings, outlining their potential to provide cleaner and more sustainable energy.
The United Nations predicts that, by 2050, the world's urban population will increase from 3.6 billion to approximately 6.3 billion. With more and more people moving from small, rural villages to sprawling metropolises, skyscrapers are not just aesthetically pleasing; they are vital in terms of providing sufficient space in which to live and work.
Whether used for commercial or residential purposes, skyscrapers must accommodate vast numbers of people. They place a huge demand on energy sources. One study revealed that, in terms of electricity requirements, high-rise office buildings require more than twice as much electricity per square metre of floor area than low-rise office buildings, with gas heating in skyscrapers 40 per cent higher than normal buildings, effectively doubling carbon emissions.
In terms of maintaining temperature, skyscrapers are not particularly energy efficient. In cold weather, glass skyscrapers leak heat. In summer, they require air conditioning, creating 60 per cent more carbon emissions than offices relying on natural ventilation.
One of the best solutions is incorporating building-integrated photovoltaics (BIPVs) in the skyscrapers' construction. BIPVs are used in place of traditional building materials in parts of the building envelope — such as facades, skylights and roofs — to generate electricity. BIPVs are increasingly incorporated in the construction of new buildings since they not only produce energy, but their integration also reduces construction material demands and labour costs.
There are four main categories of BIPV products. BIPVs do not rely on carbon fuels or polluting materials to generate energy, although many are produced using environmentally damaging materials, with the exception of panels consisting of organic PV (OPV) cells.
Until recently, in comparison with other BIPVs, OPVs typically offered decreased power efficiencies. Nevertheless, recent breakthroughs achieved by pioneering nanotechnology specialist NextGen Nano have paved the way for increased OPV efficiency. Leading the race to develop next generation organic solar cells through the integration of advanced nanotechnology, NextGen Nano is developing energy-efficient and flexible organic solar cells, facilitating decentralisation of the energy industry on a global scale.
NextGen Nano's PolyPower range exhibits significantly improved efficiency in comparison with third-generation solar technologies. Made using environmentally friendly organic materials, PolyPower panels are lightweight, dynamic and affordable. Developed at a nano level with impressive flexibility and transparency, this revolutionary semi-transparent thin layer has the potential to be applied to the surface of skyscraper windows, where it could be used to generate power and light and control temperature.
Led by a management team that includes Director of Operations Duncan Clark, NextGen Nano's recent accomplishments could prove a pivotal moment in high-rise engineering, ensuring that skyscrapers are not only practical and aesthetically beautiful, but sustainable and environmentally friendly. NextGen Nano's ground-breaking PolyPower technology has the potential to facilitate significant reductions in carbon emissions before 2050, providing a much-needed breath of fresh air for all of the world's major cities.
energy efficiency nanotechnology skyscrapers solar cells
Shout Out UK
Self-Care: The Ins And Outs Of Wellness In The 2020s

redpajama_set_name: RedPajamaCommonCrawl


Crops that are up and growing around the county are looking pretty good except for some fields where water has drowned out corn in some low wet spots from all the rain we have had. The rainfall has varied widely around the county the last few weeks.
All this wet weather prevented soybean planting in many areas of the county. Late planting reduces the cultural practice options for row spacing, seeding rate, and relative maturity.
Laura Lindsey, OSU Extension Specialist say that the row spacing for June planting should be no greater than 7.5-inch if possible. Row width should be narrow enough for the soybean canopy to completely cover the inter-row space by the time the soybeans begin to flower. The later in the growing season soybeans are planted, the greater the yield increase due to narrow rows.
"Higher seeding rates are recommended for June plantings," said Lindsey. Data from previously conducted seeding rate trials, suggest seeding rates between 200,000-225,000 seeds/acre when planting the first half of June.
For June planting dates, plant the latest maturing variety that will reach physiological maturity before the first killing frost. Lindsey says that this is to allow the plants to grow vegetatively as long as possible to produce nodes where pods can form before vegetative growth is slowed due to flowering and pod formation.
The recommended relative maturity ranges for our area are: June 1 – 15 3.4 – 4.0; June 15 – 30 3.3 – 3.7; July 1 – 10 3.2 – 3.5.
On June 24 from 10 a.m. to 12:30 p.m. please join us for brunch, networking, and an issue briefing on the drug epidemic in our communities. This event will offer an opportunity to learn about the latest developments and how to stay informed and protect your family. This program will be held at the Der Dutchman, 445 South Jefferson Ave. Plain City.
• Jessica Parish, Ohio FFA Foundation- How Ohio FFA is helping young ladies become the next generation of leaders.
• Ohio Rep. Kristin Boggs, 18th District- Ohio's Opioid Epidemic.
• Dr. Phil Atkins, executive director, Mental Health & Recovery Board of Union County, Family Health & Wellness.
Tickets online are $10 or $15 at door, and include brunch. You can register online at womenshapingag.eventbrite.com or call 740-852-0975.
This event is sponsored by OSU Extension Madison County and Farm Bureau.
Rob Leeds is OSU Extension Ag Educator, Delaware County.


Developing leaders for the future no longer means business as usual. As businesses and organisations face complex social and environmental challenges they look more acutely for people who can lead change effectively. The University of Cumbria draws on its tradition of transformative, experiential education to deliver radical, innovative approaches to addressing the social and environmental challenges of a sustainable future.
Our programmes are highly flexible. Multiple options are built around five-day residential courses in the Lake District, complemented by interactive online teaching.
The University of Cumbria is a key provider of higher education in the North West of England. The University recruits nationally and internationally and has over 9,000 students enrolled on courses from level three through to PhD study.
Established in 2007, the University's vision is to be a dynamic, creative and entrepreneurial university, with strong regional, national and international connections. Our work is focused on the professions and is both business relevant and research informed.
The Institute for Leadership and Sustainability (IFLAS), with its postgraduate degrees, research programmes, inspiring events and global networks is emerging as a global hub of inquiry, teaching, and dialogue, supporting a new generation of sustainability leaders.
At IFLAS we believe that learning can be a beautiful and inspiring experience, helping us to find new direction, energy and professional companions.
We offer post-graduate qualifications in the fields of leadership and sustainability, designed for executives to study while working. Executives from over 100 countries have attended our intensive residential courses in Britain's beautiful Lake District.
Enhance your approach to personal, organisational and societal sustainability.
In addition to these opportunities you may like to check out our Doctoral Programme. Our main research themes are Leading Transition, Resourcing Transition and Scaling Transition.
The University of Cumbria is the largest provider of Outdoor Studies degrees in the UK and in Europe, and has links with numerous outdoor organisations together with partnerships with national organisations in the field. Academics are experts in the field (staff biographies and selected research outputs attached as separate documents) and students have the chance to get involved in a wide range of practical activities and to plan their own expeditions and projects.


A civil case is a legal dispute between two or more parties. The process starts when someone files a lawsuit (plaintiff) against a single person or group of people (defendant). The purpose of a lawsuit is usually to win compensation for damages, injuries or money that is lost as the result of an action taken by the defendant. There are several types of civil cases so legal professionals should become familiar with all of them.
One of the most common types of civil cases involves tort or injury claims. Tort claims might be filed against a business or an individual and involves accusations of alleged negligence. In this case, the plaintiff asks for punitive damages to compensate for medical bills, lost time at work or money spent replacing damaged property.
Negligence – Unintentional injury or damage.
Intentional – A deliberate wrongdoing.
Strict liability – Based on a strict duty to ensure something is safe. It does not require negligence or intent.
This type of civil claim involves a dispute over a contract. Contract disputes can involve multiple businesses or individuals. Any partnership or client relationship relies on a contract to ensure both parties do what has been promised. When one party breaks the agreement, for any reason, a lawsuit is often the result.
With equitable claims, the plaintiff asks the court to order a company or individual to refrain from doing something, which is known as an injunction. This type of case is not about a monetary reward for a past injury but is done to prevent a future harmful act.
Class action suits are similar to tort cases, except the "plaintiff" is actually a group or class of people. The "defendant" is often a corporation that is accused of negligence or intentional acts that caused many injuries.
Often an individual or group of people will file a claim against the city of federal government. These cases usually involve some action that caused harm to citizens. It might also involve claims that someone's civil rights have been violated.
Civil cases can be complicated legal proceedings. Any legal firm that provides private or commercial law services should be aware of the different types of civil cases that can arise.


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A ghost from the past Published on: 08-11-2018
Valletta FC as they lined-up against Austria Memphis on September 19, 1984. Back: John Azzopardi, Ray Mifsud, Frans Grioli, Joe Curmi, David Buckingham, Ġino Hili, Dennis Fenech. Front: eLli Farrugia, Ray Briffa, Nardu Farrugia, Paul Curmi, Leli Seychell.
The 1984 Champions Cup pairing of Valletta FC and Austria Memphis evoked many happy memories of long-past Austro-Maltese encounters.
The ghosts of friendship binding the Christmas tourneys of yesteryear seemed to glide down the paths of memory lane, bringing with them sweet memories from a long-gone era.
Austria Memphis, then known as SK Austria, came to Malta for the 1947 Christmas Tourney.
The Austrians needed no introduction. SK Austria won immortality in the world of football for cradling the famous 'Wunderteam'.
SK Austria is the oldest and proudest Viennese football club. Before the war the Austrians were mentioned many times as likely visitors to our island, but their visit never materialised. In those days, the club was made up of such great names as Zohrer, Seszta, Arditz, Vierth, Neumer and the incomparable Sindelar popularly known as the 'Paper man'.
Names known high and wide in all the capitals of the world and on whom Hugo Meisl built his famous 'Wunderteam'. Many years had passed since the birth of that great team, but the memory remained as vivid as ever.
The 1947 edition of SK Austria was not as well-known as its predecessors, but the name of the club was enough to ignite the enthusiasm of the Maltese.
The thousands who invaded the Stadium every time the visitors played were never disappointed. SK Austria started their tour on Friday, December 26, 1947 with an emphatic 10-0 victory over the Hibs-St George's combination. The following day they continued where they left off and beat the Valletta-Naxxar combination 12- 1 in what could only be described as a superb football exhibition.
SK Austria went on to beat a Floriana-Sliema XI 4-0 and a Ħamrun-Melita XI 12-0. Two days later, the Combined Services met with the same fate.
After an excellent first half during which they held the visitors 2- 3, the Austrians came into their own and by the end of the game the score had risen to 2-11.
By now, the Maltese were captivated by the Austrians' dazzling football. The triangular movement, the perfect positional play, the tiptapping of the ball from man to man intermingled with a cute long pass whenever the occasion demanded and the individual brilliance of every member of the team made the whole side irresistible.
Then came the classic game against the MFA XI which ended in a 1-1 draw and in their last match in Malta they defeated the Floriana-Sliema combination once again, this time 4-1.
By the start of the Eighties such encounters had lost all their novelty.
Teams like Austria Wien were no longer considered crowdpullers, but Austria Wien and Rapid Wien were still two of the main pillars of the Austrian game. The clash with Valletta in such a highly-acclaimed competition as the Champions Cup, in the past would have captured the imagination of the Maltese sporting public. Valletta travelled to Vienna and met Austria Wien at the Horr Stadion on September 19, 1984.
The Maltese champions adopted a defensive plan to avoid a repetition of the 10-0 defeat they suffered in Glasgow the previous season.
To a certain extent, this plan worked because, although the Austrians won 4-0, Valletta were not overwhelmed.
Against players of the calibre of Koncilia, Prohaska, Sara, Obermayer, Polster and Wylase, Valletta were forced to defend for long stretches.
Prohaska opened the score in the 20th minute direct from a corner-kick. Polster scored the second goal and one minute before half-time Drobitz met a cross from Durner to score the third. The same player scored the fourth goal a minute after the change of ends.
Scoring chances
Austria Wien repeated the same score at Ta' Qali but Valletta created a handful of good scoring chances.
Degiorgi opened the score early in the game for Memphis.
However, Valletta held on gallantly and though playing against the wind, they could have equalised when Joe Curmi hit a scorcher. But Koncilla responded with an excellent save.
A few minutes later, it had to be Baumeister who cleared in extremis a Nardu Farrugia effort.
Despite Valletta's efforts however, the Austrians were still in a class of their own with the elegant Prohaska and the hard-working Baumeister dominating midfield.
In the second period, Valletta failed to keep up the challenge. They faltered, and the Austrians took over. Steinkogli scored the second goal.
Ogris headed in the third and a minute later the same player flicked the ball past Raymond Mifsud for the fourth goal.
It was now all over, and the Austrians coasted home to another comfortable victory.


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Q: server problem in objective-c I am hitting an url when the server shutdown.Then the program hang up.May i know how to handle the error when the server shutdown.I mean at that situation I want to give an alert.
Thanks in advance
this is in objective-c

A: Check reachability api code example in cocoa documentation.

A: The delegate you supply to an NSURLConnection should handle the error.  It will receive the -connection:didFailWithError: message in the event that anything goes wrong.  Listing 4 here gives a simple example of just logging the error.  If you want an alert dialog to appear you can just sent -presentError: with the NSError as a parameter to a view or a NSDocumentController.

redpajama_set_name: RedPajamaStackExchange


Nachos, burgers, seafood and drinks: dinner at La Vela Latina Beach Bar's got the food you crave when you're relaxing on the beach.
Quench the need for a sweet sip with a Samoa smoothie, $2.75, blend of banana, papaya, passion fruit, lime and ice. If that's too virgin, get the super-strong Grand Margarita, $6, with tequila, Grand Marnier, Cointreau, fresh lime and a salty brim.
As the margarita sets in, munch on nachos, $8, loaded with marinated shredded chicken, smooth black beans, velvety cheese, sour cream, tomato, onion, lettuce, and guacamole on top — they're everything you ever dreamed of in your finger-food fantasies.
Once your appetite is fully aroused, a bacon and guacamole burger, $11, layered with tomato, cheese and sliced pickles awaits. If beef isn't your thing, stick with seafood like the Vela jumbo shrimp, $12, coated in a zesty pepper cream sauce, served with white rice and steamed eggplant, zucchini, carrots and onions.
Laid back, right on the beach, perfect for watching the sunset or a spur-of-the-moment night out; no need for reservations or shoes. Rope lights hang from tree trunks on the sand, and on the sidewall, a projection screen plays sports games.
Staff are relaxed and casual, sure not to get in the way of the lovely view of the beach.


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8 Important Facts About Cape Horn
Since the discovery of the passageway around Cape Horn in 1616, "rounding the horn" has come to represent a legendary act of perilous daring; a result of the thousands of European and international sailors who sought to battle the might of the ocean and sometimes failed in their attempts. Although you can now visit Cape Horn without the risk of shipwreck or loss of life, landing upon this southernmost headland of Chile's Tierra del Fuego is the opportunity to face up to the vulnerability of man in his eternal, and sometimes fatal, struggle against nature.
Eight important facts about Cape Horn
Cape Horn was discovered on January 29, 1616 by Dutch sailors and recently celebrated its 400th anniversary with a ceremony attended by Dutch and other international officials.
The Atlantic, Pacific and Southern Oceans collide at Cape Horn, making for the legendary stormy conditions that include the "screaming sixties" gale force winds and waves that have been known to reach as high as ten-story buildings.
The waters around the Cape have claimed more than their fair share of sailors: between the 16th and 20th centuries it is estimated that at least 800 ships were shipwrecked, causing the deaths of over 10,000 seamen.
Despite being a faster way of reaching the other side of the continent, the route around Cape Horn was regarded as too perilous a journey by the Spaniards, who in the 1800s instead preferred to transport their plundered gold and silver across South America by land.
The route around Cape Horn became an important passageway for international trade, particularly following the discovery of gold in California in 1848. However, the completion of the Panama Canal in 1914 led to a steep decline in the number of commercial ships rounding the horn.
Nowadays, visitors to Hornos Island will encounter the Cape Horn Monument. Built on the premonitory in 1992, it represents an albatross in flight – a maritime symbol of the souls of the sailors lost at sea.
Traditionally, sailors who successfully rounded the horn would celebrate this feat by smoking cigars and pouring alcohol into the ocean. The latter was intended to thank Neptune, the Roman god of the sea, for their safe passage and to toast their fellow seamen who had been less fortunate.
Custom dictated that only sailors who had rounded the horn were allowed to wear a gold hoop earring in the ear that passed closest to island – a sign marking their courage as a seaman.
A Short History of Legendary Cape Horn
Cape Horn: Map and History of this Legendary Headland
A Short History of Legendary Cape Horn, South America
Visiting Cape Horn: Essential Things You Should Know
The History of Cape Horn
Why is it so challenging to sail around Cape Horn?
Words you need to know in Chilean Spanish
Where do the Atlantic and Pacific Oceans meet?


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News Archive - May 2019
Leading Businesses Warn Against Problems with UK Visas and Immigration Dependants
15 May 2019 | Carl Thomas
Recent proposals for changes to the UK work permit and visa rules after Brexit will affect not only the people making applications, but their families too. Unfortunately, according to some business leaders, the challenges of applying for UK visas with family members will make the UK a lot less attractive to talent from overseas. This will mean that the UK might struggle to stay ahead with its economy.
So far, the UK has historically provided generous arrangements for children and spouses accompanying migrants with a tier 2 work permit coming into Britain. Spouse visas and dependant rights have ensured that families have also automatically been able to come to the UK. However, the Home Office and UK immigration professionals are planning on implementing a much tougher regime after Brexit which undermines earlier approaches.
Currently, a 12 month visa has been proposed for lower-skilled workers applying for a UK work permit. This visa will exclude dependants and mean that professionals will not be able to bring their families with them into the country. However, a youth mobility visa has also been proposed for 18 to 30 year-olds, which will be expanded to include nationals from the EU but will not allow for family members.
A report covering the dependant rules around UK visas has said that the proposed changes after Brexit will be a significant departure from traditional practices in the country. The absence of a dependant visa in the UK may make it a lot harder for businesses from all industries to access the overseas talent they need to grow.
Employers have also raised concerns about other aspects of the policies proposed for after Brexit that were laid out in the white paper from 2018. They're concerned that the 12-month visa for low-skilled workers might become the default agreement for intermediate jobs. A lack of access to the tier 2 work permit may also mean that the UK companies of tomorrow can't find the talent that they need outside of the UK.


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Q: How to create database collection with typeorm on Atlas MongoDb? I have been using Mysql and pg Typeorm with Nestjs on projects which work fine. I decided to use mongo Atlas, I have connected successfully to Atlas with no error but collection not created. Whenever I use mysql with these steps, the table will be created.
That is not happening with mongo, maybe I am not doing something right
I also installed dependency
npm i --save @nestjs/typeorm typeorm @types/mongodb mongodb

ormconfig.json
{
    "type": "mongodb",
    "url": "mongodb+srv://dbUser:<password>@<database>.mongodb.net/test?retryWrites=true&w=majority",
    "useNewUrlParser": true,
    "synchronize": true,
    "useUnifiedTopology": true,
    "logging": true,
    "ssl": true,
    "entities": [
        "dist/**/*.entity{.ts,.js}"
    ]
}

app.module.ts
import { Module } from '@nestjs/common';
import { TypeOrmModule } from '@nestjs/typeorm';

import { AppController } from './app.controller';
import { AppService } from './app.service';

@Module({
  imports: [TypeOrmModule.forRoot()],
  controllers: [AppController],
  providers: [AppService],
})
export class AppModule { }

test.entity.ts
import { Entity, Column, CreateDateColumn, ObjectIdColumn, ObjectID } from 'typeorm';

@Entity('Test')
export class TestEntity {
    @ObjectIdColumn()
    id: ObjectID;

    @Column()
    firstName: string;

    @Column()
    lastName: string;

    @Column()
    age: number;

    @CreateDateColumn()
    created: Date;
}

I appreciate your effort

A: The collection will be created when you attempt to insert your first document.
Just another tip. I noticed in your entity you are inserting a '@CreateDateColumn()'. MongoDB ObjectId contains a timestamp, which represents the creation date of the document.
MongoDB ObjectId Details


Daytime running lights are poorly understood and are confusing motorists in the UK, according to to new research conducted by the RAC. The lights, which are designed to increase a car's visibility in daylight conditions, were made mandatory for all cars and vans in the EU from 2011 in order to improve safety on member states' roads.
The lights automatically switch on when the engine is started and switch off when the main headlights are activated. Their function isn't to increase road visibility for drivers, but instead is meant to help other vehicles see the car; which is why the lights are relatively dim. Whilst they haven't been mandatory for long in automotive terms, they have a long history. They were made mandatory in Sweden, for instance, back in the 70s due to the country's long winters and poor daylight visibility.
Car manufacturers are required to install daytime running lights at the front of their vehicles but not at the back. Despite this, many elect to install them at the rears of their models, too. The RAC believes that it's this trend that's causing so much confusion for motorists as they believe, incorrectly, that they don't need to turn on sidelights or dipped lights; instead assuming that daytime running lights are automatically activating at the rear of the vehicle when the engine is started. In a survey of over 2,000 drivers, the RAC discovered that one in ten drivers had come across vehicles that lacked rear lights in dim conditions but did have lights on at the front. The survey also revealed that 47% of the drivers stated that their cars most frequently have daytime lights running and 14% said they had them at the front and rear of their vehicles.


It's nice to be able to plug in some rough numbers that fit your financial situation to get a ballpark idea of your future car payment. At Larry H. Miller Lexus Spokane we can help you get the car you want or need for a price that is good for you. The amount that this calculator spits out is just a rough estimate and meant to be more for your personal information going into a new car deal. Call us if you have any questions and we will be happy to assist you with all you research needs.


text:
A Montreal winter: 'Resorts' will be set up across the city, parks will remain open for sports
Katelyn Thomas CTV News Montreal Digital Reporter
Published Thursday, November 26, 2020 1:53PM EST Last Updated Thursday, November 26, 2020 7:13PM EST
MONTREAL -- In an effort to draw Montrealers outdoors, the city is setting up "winter resorts" in 17 boroughs in time for the holidays, Mayor Valerie Plante announced on Thursday.
The installations will include outdoor furniture, coloured lights and aim to brighten up the public spaces they inhabit -- whether that's a public square, park, or parking lot.
The @MTL_Ville is proud to present a diversified winter program 2020-2021 adapted to the current health crisis, which aims to support Montreal merchants and brighten your days during the cold season! 25 winter stations will be built to make local shopping more enjoyable! (1/2) pic.twitter.com/sdeA2rF9eO
— Valérie Plante (@Val_Plante) November 26, 2020
The goal? To encourage Montrealers to visit main arteries in the city, in hopes that they'll support local businesses struggling due to the COVID-19 pandemic.
"I doubt that people will sit there for hours, because it's winter, but we want it to be fun and enjoyable," Plante said of the resorts.
With a $600,000 price tag, the stations were designed by local architects and designers who are with the city's design bureau.
"In addition to the winter resorts, the population will be able to enjoy many Christmas markets all over Montreal," Plante said. "There will be something for everyone and we strongly encourage Montrealers to visit their shopping streets for their holiday shopping."
In addition to measures to draw crowds to downtown arteries, the city has also come up with a sports program that will allow Montrealers to "stretch their legs and get some fresh air" this winter season.
Plante said all the major parks in the city will offer trails for cross-country skiing, hiking, and snowshoeing, and outdoor rinks will be available in several boroughs.
"A great way to bring some happiness into our lives during the winter is to make sports a part of our routine," Plante said. "Thanks to our large parks, Montrealers will be able to practice winter sports all over the island."
People will be able to reserve rental equipment online for Park Jean-Drapeau and other parks in the city's network -- and equipment will be free for those under 18.
Over the past month, the city also announced that downtown parking will be free for certain periods of time until the new year.
The city of Montreal will set up 'winter resorts' for the holiday season in 17 boroughs across the city / Courtesy of the City of Montreal
Montreal makes downtown parking free after 6 p.m. until 2021
'Have a good life, we will see you soon': Trump says goodbye
Looking back at Kamala Harris' journey
Montreal police accused of profiling over video
Montreal Top Stories
Man who once delivered measles vaccine by dogsled becomes first in Nunavik to get Moderna vaccine
Quebec to fast-track permits for some foreign-trained nurses to give vaccines and COVID-19 tests
Eye strain and vision problems are increasing in children and teens, says Quebec optometrist
After man's death, Quebec premier says no to curfew exception, claiming others would pose as homeless
Quebec adds 1,502 new cases of COVID-19 and 66 deaths
Quebec premier asks Trudeau to ban all non-essential travel from Canada


Provides access to the property values of a ScrollPattern object using its Current or Cached accessors.
Gets a value that indicates whether the UI Automation element can scroll horizontally.
Gets the current horizontal scroll position.
Gets the current horizontal view size.
Retrieves a value that indicates whether the UI Automation element can scroll vertically.
Gets the current vertical scroll position.
Gets the current vertical view size.


text:
Tag Archives: Meta-movie
CAPSULE: SYMBIOSPYCHOTAXIPLASM: TAKE ONE (1968)
February 17, 2022 Gregory J. Smalley (366weirdmovies) 1 Comment
DIRECTED BY: William Greaves
FEATURING: William Greaves, Don Fellows, Patricia Ree Gilbert
PLOT: Director William Greaves hires two actors to perform a short melodramatic dialogue in Central Park, then has another camera crew film his process of directing them, while yet another crew films the second crew.
 COMMENTS:If you ever wished a movie consisted of all behind-the-scenes footage and no real content, here you go. William Greaves' conceit is to repeatedly film a one-scene stage test for a feature that he never intended to make. As he guides the actors through their melodramatic line readings, a camera crew films his direction; a second camera crew films the first. They also film anything that happens on set, whether it be a crowd of gawkers, a homeless veteran who wanders out of the woods, or a policeman checking to see if they have permits to film in Central Park. Greaves wears the same distinctive green mesh shirt through the entire shoot, making it appear as if all the action takes place on a single day. Every now and then, the movie switches to split screens to show the crew and actors activities from different angles, and funky jazz (from Miles Davis' classic "In a Silent Way" album) punctuates the action. If the act of observing a thing changes it, as the physicists say, then what does the act of observing oneself observing oneself do?
All this sounds like it could be unbearably self-conscious art exercise from stoned hippies, but it's unexpectedly fascinating. It's the "coup" staged by the crew, who take it upon themselves to film their own spirited private discussions where they wonder what the hell Greaves is up to, and why he seems to be playing at being incompetent, that ignites the film. In 1968, they're not a crew of jaded postmodernists: they sincerely discusses questions of reflexivity and artificiality versus reality, and try to find deeper meaning in the lines which they insist are drivel. They aren't defensively ironic, as the tone would be were such a project made today; they are unafraid of seeming pretentious. This layer of revolt is essential to the film, supplying conflict and texture. And the viewer never knows if Greaves instigated (or even partly scripted) the crew's spirited bull sessions, or simply lucked out when they took it upon itself to supply what becomes the most interesting part of the film. You wonder if Greaves is pulling some kind of Andy Kaufman-styled cinematic prank.
Shot in 1968, this movie was not exhibited until 1971, but slowly grew its legend through rare festival and museum screenings, gaining a series of influential champions among fellow filmmakers. This movement culminates in Symbiospsychotaxipalsm: Take 2 1/2, a sequel released in 2005 with the backing fans of Steven Soderbergh and Steve Buscemi, which is included on the Criterion Collection disc. As far from a standalone feature as is possible to imagine, 2 1/2 starts with 30 minutes of unused footage from the first movie featuring two of the actors , then, after some reflections from the director and crew about the project, fast-forwards the story to see what has happened to these characters 35 years later (answer: they are still doing screen tests, and Greaves is still filming everything). The sequel is a worthwhile supplement, but mostly it serves to highlight the lightning-in-a-bottle success of the original. Youth has faded and the magic can only be remembered, not recreated.
"…a movie-within-a-movie at a time when most of the meta-cinematic action was coming from Andy Warhol and Jean-Luc Godard. But Greaves goes one better. He's doing Godard doing Cassavetes."–Wesley Morris, The Boston Globe (2006 revival)
(This movie was nominated for review by Russa03. Suggest a weird movie of your own here.)
1968Criterion collectionDocumentaryExperimentalMeta-moviePhilosophicalRecommendedWilliam Greaves
CAPSULE: ESCAPE FROM THE 'LIBERTY' CINEMA (1990)
June 10, 2020 Giles Edwards Leave a comment
Ucieczka z kina 'Wolnosc'
DIRECTED BY: Wojciech Marczewski
FEATURING: Janusz Gajos, Zbigniew Zamachowski, Teresa Marczewska, Piotr Fronczewski, Wladyslaw Kowalski
PLOT: There's a problem at the Liberty Cinema screening of a new movie, and it isn't projector or sound issues: the film's cast has decided to boycott their performance on screen, leaving the head censor nonplussed, particularly as there's a concurrent outbreak of spontaneous opera singing afflicting the city's populace.
COMMENTS: The world's weariest apparatchik is having a bad day. His head is pounding, his hand is cut from a broken drinking glass, his stomach is wrenching after consuming contaminated tap water, his assistant eats cotton candy at a staggering rate despite admonitions otherwise, and his secretary informs him that actors in the film being screened at a local cinema have gotten stroppy and refuse to perform. What is our hero to do? True to his background, he forbids it, categorically: he forbids the theater manager's sudden singing, he forbids the actors' boycott, and most emphatically of all, he forbids the eating of cotton candy.
But it's in vain.
Escape from the 'Liberty' Cinema was made and released shortly after the collapse of the Soviet-backed government in Poland, but is set during the bureaucratic death throes of that regime. When news of the screen actors' rebellion reaches him, the local Communist party boss insists that the film play on—to sold-out shows, no less—but without attendees. "There will be cinema, but no viewers," because if the Party likes anything, it's being a bastion of (legitimate) art. If it likes two things, it's hitting quotas, and so the money for the sold-out shows is extracted from a welfare fund manager who wants a spot on the local Party council. Deterioration—of the buildings, of the social fabric, of the soul—permeates the setting. The city's denizens are so worn down they can't even bother to rebel any more, leaving Art to don the mantle of subversion: either through the film's recalcitrant performers, or the citizen's spontaneous outbursts of opera, against their will.
Despite its full-throated cynicism, Escape is, somehow, a comedy. Our censor-hero is an eminently relatable character. As he witnesses the district's descent into art-house subversion, his ailments alleviate, and he even gets in some laughs chatting with the performers on display at the 'Liberty'. The projectionist practices poor English, seemingly responding to job (or consulate?) interview questions running through his mind as he prepares the reels, again and again, three times a day, to screen for an empty house. The cotton-candy chomping assistant receives elocution lessons from the in-movie movie's leading lady, eventually wrapping his mouth around the correct pronunciation of, "Give me back the coat!"
Writer/director Marczewski mercilessly skewers authorities—even raising the specter of Poland's complicity with the Nazis' genocide—but simultaneously loves each of his film's characters. I can imagine he may even have written himself in as the wunderkind critic sent from Warsaw. Seated in the front row, this impish boy of a man beams with pride when he shows off "true" cinema (appropriately, Woody Allen's The Purple Rose of Cairo) to the Communist functionaries. Beyond even his successful social commentary, Marczewski somehow manages to meld utmost cynicism with tender pathos.
"A very clever absurdist comedy that can be enjoyed either with or without its sharp social and political commentary…"–Nathaniel Thompson, Mondo Digital (DVD)
1990Black ComedyCensorshipJanusz GajosMeta-moviePolishRecommendedSocial CommentaryWojciech Marczewski
APOCRYPHA CANDIDATE: THE FOREST OF LOVE (2019)
November 20, 2019 Gregory J. Smalley (366weirdmovies) 7 Comments
Ai-naki Mori de Sakebe
DIRECTED BY: Sion Sono
FEATURING: Kippei Shîna, Eri Kamataki, Shinnosuke Mitsushima, Kyoko Hinami, Sei Matobu
PLOT: A group of young filmmakers make a movie about a con-man they suspect of being a serial killer, but he turns the tables on them when he offers to produce the film, then turns the crew into a sadomasochistic cult of killers.
WHY IT MIGHT MAKE THE LIST: Sion Sono doesn't do "normal"; he goes for broke on every project. Forest of Love is overlong, ugly, perverse, masturbatory, and fascinating.
COMMENTS: The intricate plot of Forest of Love includes, among other things, a "Romeo and Juliet" centered lesbian love triangle, a schoolgirl suicide pact, a Svengali-like conman who seduces younger women into sadomasochistic relationships, an outlaw film crew who act like the Manson cult and run around Japan committing murders, bourgeois parents given a punk makeover, days of wine and electrocution, ghosts, and possible identity switches at the end. Sono purportedly based the screenplay on a real-life killer, but I'm thinking that he might have changed a few of the details.
The Forest of Love is a bruising movie. Its two-and-a-half hour length would normally only pose a minor challenge to the viewer, but the extreme level of emotional cruelty Sono wallows in makes it into more of an endurance test. The suicide attempts are particularly brutal, not only because of the squirmy gore, but also due to the callous reactions (the family here finds suicide shameful, and are more concerned with covering up the disgrace than empathizing with their suffering child). But although many stretches of the film are nightmarish episodes of physical and psychological torture that feel like they're never going to end, there are also moments of incredible beauty (slo-mo schoolgirls in their underwear singing and dancing to Pachelbel's "Canon") and black comedy (Murata, taking on the persona of a rock star, hosts a concert with an audience stocked with his previous marks).
Sono mixes elements that are purely exploitative (and often frankly sick) with gorgeous mise en scene, expert style, and just enough intellectualism and self-reflection to overcome charges of pandering. In true Surrealist fashion, he attacks the basic institutions of society, showing Murata molding those in his orbit into an obscene mockery of a nuclear family. But he contrasts this caricature with a portrait of a real dysfunctional Japanese family that is even worse, because it is so real. There's a lot of subtle mirroring in the plot; the teasing play between the lesbian trio in flashbacks reflect the sadomasochistic dynamics we see between Murata and the two girls, and between Murata and the two young male filmmakers. One figure is always playing off two against each other.
Sono also treads a fine line between realism and absurdity. Murata manipulates his marks subtly, so that when they go along with his requests it seems almost reasonable at first; he then pushes them further and further until murder seems not only natural, but inevitable. Murata isn't physically imposing and is greatly outnumbered, so all it would take to frustrate his plans is for any individual to stand up to him at any point. But cowering before his bullying seems reasonable; you see how they fear him, and feel their fear. No one wants to be the first to call him out, because he seldom dishes out punishment himself, instead commanding another to do the dirty work for him. As long as you are the one Murata asks to wield the electrical paddle against the disobedient, you won't be on the receiving end. Of course, that respite only lasts until you displease the master; but you can see how easy it is for everyone to fall in line. By the time things get truly ridiculous, with the austere father sporting a mohawk and chugging a beer while assaulting his honored relatives, the audience has been brought along so slowly—like the proverbial frog boiled in a pot of gradually warming water—that it almost seems believable. (Of course, the finale will blow any claim to non-hallucinatory realities out of the water).
The fascist element of Murata's charisma, coupled with the satire aimed at the Japanese family and society, suggests a political allegory. But I couldn't help theorizing that Sono sees himself as something of a Murata… at least, recognizes that he has the potential within him to be a Murata. In the very first scene, in Murata tells a waiter he's a screenwriter, and wonders out loud what it feels like to kill someone. The many generic references to other Sono movies and themes—the self-destruction pact like in Suicide Club, filmmakers documenting real crimes like in Why Don't You Play in Hell?, the manipulative serial killer straight out of Cold Fish—only reinforce that sense of self-identification. "Crimes are fun in the movies and in real life," muses one character. Does the impulse to film such dark fantasies say something about Sono? What does our desire to watch them say about us? Is Sono a con-man implicating us in his cinematic crimes? Sono fools around with those ideas, blurring the lines between representation and reality; he's in a sadomasochistic relationship with his own demonic persona.
It's a sign of Sono's rising prestige that Netflix would sign him for an original exclusive production just like an Alfonso Cuarón or a Martin Scorsese, and give him carte blanche to make a movie so transgressive that people might think it really was made by a serial killer. It's a sign of Sono's continued outlaw status that Netflix would then hide the finished product away, not giving it a token theatrical release like Roma or The Irishman.
Forest of Love was Sono's first film project after returning to work from a heart attack in February of this year. It was funded by, and screens exclusively on, Netflix (unfortunately, they did not give it even a token theatrical release). The dubbed version plays by default, so look around in your settings to switch it to the original Japanese with subtitles for a better experience.
"Sion Sono does not care that his movie is too long. He doesn't care that it's weird or gross or inconsistent or anything that a producer's note might protest. We see so many movies every year that feel like the product of a focus group or marketing team. Not this one."–Brian Tallerico, RogerEbert.com (contemporaneous)
"Based on a True Story"2019HorrorMeta-moviePerverseRecommendedSadomasochismSerial killerShinnosuke MitsushimaSion Sono


text:
Список автомагистралей Израиля содержит перечень всех основных автомобильных дорог Государства Израиль. В этом контексте «Израиль» включает в себя территорию собственно Израиля, а также зону С территории Западного берега реки Иордан, так как израильская администрация обслуживает автомобильные дороги в этом районе.

В Израиле имеется 43 используемых шоссе, среди пронумерованных от 1 до 99. Большинство из них имеют открытый доступ к основным скоростным дорогам, через бессветофорные развязки.

Три автомагистрали являются скоростными автомагистралями, четыре — частично скоростными автострадами, одна - тоннелем, а остальные 35 — шоссе. Шоссе 6 (Транс-израильское шоссе) и шоссе 23 (Кармельский тоннель) являются платными дорогами.

Два скоростных шоссе (шоссе 57 и шоссе 60) разделены на несколько отдельных участков в результате указа, запрещающего израильтянам проезд по определённым участкам этих дорог.

В стране существует только одна автомагистраль с трёхзначным номером, которая классифицируются как автострада — шоссе 431.

7 января 2011 года на шоссе 1 была открыта  в сторону Тель-Авива.

Шоссе № 1 — 99

Шоссе № 100—999

 Шоссе 109 (Израиль)
 Шоссе 171 (Израиль)
 Шоссе 204 (Израиль)
 Шоссе 211 (Израиль)
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 Шоссе 258 (Израиль)
 Шоссе 264 (Израиль)
 Шоссе 293 (Израиль)
 Шоссе 310 (Израиль)
 Шоссе 334 (Израиль)
 Шоссе 352 (Израиль)
 Шоссе 353 (Израиль)
 Шоссе 354 (Израиль)
 Шоссе 356 (Израиль)
 Шоссе 358 (Израиль)
 Шоссе 367 (Израиль)
 Шоссе 386 (Израиль)
 Шоссе 398 (Израиль)
 Шоссе 404 (Израиль)
 Шоссе 406 (Израиль)
 Шоссе 410 (Израиль)
 Шоссе 411 (Израиль)
 Шоссе 412 (Израиль)
 Шоссе 417 (Израиль)
 Шоссе 437 (Израиль)
 Шоссе 431 (Израиль)
 Шоссе 441 (Израиль)
 Шоссе 443 (Израиль)
 Шоссе 444 (Израиль)
 Шоссе 446 (Израиль)
 Шоссе 449 (Израиль)
 Шоссе 457 (Израиль)
 Шоссе 458 (Израиль)
 Шоссе 461 (Израиль)
 Шоссе 465 (Израиль)
 Шоссе 471 (Израиль)
 Шоссе 481 (Израиль)
 Шоссе 482 (Израиль)
 Шоссе 491 (Израиль)
 Шоссе 505 (Израиль)
 Шоссе 508 (Израиль)
 Шоссе 531 (Израиль)
 Шоссе 541 (Израиль)
 Шоссе 553 (Израиль)
 Шоссе 554 (Израиль)
 Шоссе 557 (Израиль)
 Шоссе 574 (Израиль)
 Шоссе 578 (Израиль)
 Шоссе 581 (Израиль)
 Шоссе 584 (Израиль)
 Шоссе 585 (Израиль)
 Шоссе 650 (Израиль)
 Шоссе 651 (Израиль)
 Шоссе 652 (Израиль)
 Шоссе 653 (Израиль)
 Шоссе 654 (Израиль)
 Шоссе 667 (Израиль)
 Шоссе 669 (Израиль)
 Шоссе 672 (Израиль)
 Шоссе 675 (Израиль)
 Шоссе 716 (Израиль)
 Шоссе 717 (Израиль)
 Шоссе 721 (Израиль)
 Шоссе 752 (Израиль)
 Шоссе 762 (Израиль)
 Шоссе 767 (Израиль)
 Шоссе 768 (Израиль)
 Шоссе 781 (Израиль)
 Шоссе 784 (Израиль)
 Шоссе 789 (Израиль)
 Шоссе 804 (Израиль)
 Шоссе 805 (Израиль)
 Шоссе 806 (Израиль)
 Шоссе 807 (Израиль)
 Шоссе 808 (Израиль)
 Шоссе 854 (Израиль)
 Шоссе 864 (Израиль)
 Шоссе 866 (Израиль)
 Шоссе 869 (Израиль)
 Шоссе 886 (Израиль)
 Шоссе 888 (Израиль)
 Шоссе 899 (Израиль)
 Шоссе 918 (Израиль)
 Шоссе 959 (Израиль)
 Шоссе 977 (Израиль)
 Шоссе 978 (Израиль)
 Шоссе 999 (Израиль)

Примечания

См. также
 Карта автомобильных дорог Израиля

Израиль

Авто
Авто

redpajama_set_name: RedPajamaWikipedia


Liz Rosenfeld is a Berlin-based artist who works within the disciplines of live performance, film/ video in order to convey a sense of past and future histories. Rosenfeld is invested in concepts of how history can be queered and experienced through momentism and the ways in which it is lived and remembered. She explores how we identify ourselves with in/ out of communal and social poly- relational configurations. Rosenfeld is part of the Berlin film production collective NowMomentNow with filmmakers Imogen Heath and Sam Icklow, and one of the founding members of the food-performance group FOODGASM. She has collaborated with Swedish film director, Marit Östberg, and the Swedish electro- pop band, The Knife. She has completed her most recent work, " The Surface Tension Series," a film trilogy which employes anachronistic storytelling strategies in order to look at the rise and fall of the Wiemar Period, through the eyes of female artists who lived and worked during that period in Berlin.
Her work has been screened and performed internationally at venues including The Tate Modern, The Hayward Gallery, The C/O Gallery, The Kunst Haus Dresden, The Hammer Museum, The Hebbel am Ufer Theater, The Kitchen, The Victoria & Albert Museum and Rivington Place. She has been profiled in publications including Art Review and Camera Obscura. Watch the trailer for "The Surface Tension Series" here. More work can be seen here.


2/2/19 - Celebrating Four Full Years of Wake 'N Break Grooves!
When I launched the Wake 'N Break video series, it was just a fun challenge that I issued to myself in an effort to strengthen creativity and discipline. Never in my wildest dreams did I think that I would be doing this four years later without taking off a single day. 1,462 original drum grooves! Well, make that 1,462 and counting, because I'm not done yet! Thanks to everyone who has shown their support since the beginning and if you're new to Wake 'N Break series, there's plenty of material to check out, so dive in!
1/2/19 - I've Reached 1,000,000 Views On Youtube!
As of today, I have officially reached 1,000,000 views on my Youtube channel! Compared to a ton of drummers that post content on Youtube, a total of 1,000,000 overall views may seem insignificant after over ten years of posting. The reason why I'm proud of this is because I did it with only 7,000 followers and 100% original content: no drum covers, no riding the newest fads, no flashy production, and NO COMPROMISE! To the folks who have been showing their support over the years, I truly appreciate every one of you. I've never done this for the views, but it's great to know I have a small handful of people who rock with me each and every day. Much love to all of you!
1/1/19 - Happy New Year!
The holiday madness has finally died down and it's a new year! I hope you all had a great 2018 and if not, here's to a fresh start in 2019! I'm curious to see what 2019 will hold and I hope you come along with me for the journey!
12/6/18 - Purchase A Copy of My Charity Christmas Album!
The Andrew McAuley Trio will also be holding a special live benefit performance of the material on Sunday, Dec. 23rd at Beginnings Restaurant in Atlantic Beach, NY. THIS IS A FUNDRAISING EVENT, SO WE ARE ASKING FOR A $15 DONATION FROM EACH ADULT. Contact me at kindbeats@kindbeatsdrums.com now to make your donation and reserve yourself a spot!
Featuring: Andrew McAuley (drums, percussion), Dylan DeFeo (keys), Jared Miller (bass), with special guests.
12/2/18 - Wake 'N Break Series Hits 1400 Grooves!
If you haven't been following the Wake 'N Break series, do yourself a favor and start listening from groove number one. There are currently 1400 and more on the way, so you can just sit back and relax or have fun creating with the ideas.
8/28/18 - I'm Back On Instagram!
After a three year hiatus, I've jumped back on Instagram. Follow at www.instagram.com/therealkindbeats .
8/24/18 - Wake 'N Break Series Hits 1300 Grooves!
Never in a million years would I have thought that what started as a personal challenge three and a half years ago would become such an integral part of my daily routine. To those who still follow, I thank you for staying on the journey with me and to those who may be new to the series, you have over 1,300 vids that you can catch up on! Much love!
2/2/18 - Celebrating Three Years of Wake 'N Breaks!
Man, time sure flies when you're....keeping time? That's how it feels to me with this morning marking three full years of creating a new groove each and every day with zero days off. I still can't believe it and I want to thank each and every person who has taken this journey with me. Here's to another year of inspired creativity for all of us!
1/1/18 - Happy New Year Everyone!
Happy New Year! I hope you all had a wonderful 2017 and I'm looking forward to seeing what 2018 has in store for us. Personally, I'm looking forward to a year of new group projects, more teaching, finally getting the Wake 'N Break Instructional Book Series published and released (it's been a painstaking process but it's slowly coming to fruition!), as well as some other surprises here and there. Here's to a wonderful upcoming year!
I'm happy to announce that I have two fundraising performances coming up with Dylan DeFeo (keys) and Jared Miller (bass). We will be performing the music off of my new charity Christmas record, "A Very Kind Beats Christmas: Interpreting The Music of A Charlie Brown Christmas" and 100% of the profits from album sales and performances go towards funding music education programs and instruments for schools in need, so come enjoy a unique holiday performance and support music education at the same time! This is NOT your typical Christmas music!
12/1/17 - A Very Kind Beats Christmas Is Now Available For Purchase!
Merry Christmas, everyone! My charity Christmas album, "A Very Kind Beats Christmas: The Music of A Charlie Brown Christmas Interpreted By Andrew McAuley", is now available for purchase on CDBaby! I've interpreted and rearranged Vince Guaraldi's classic records in myriad of different styles, ranging from avant garde and samba to some dirty N'awlin's second line and neck-breaking drum breaks. I will be donating 100% of the sales to help fund music education programs in schools that can no longer afford them. You can listen to the album here for free but if you enjoy it, I ask that you purchase the album and helping change a child's life for the better. Much love and Merry Christmas!
As many of you know, I play in a long running NY based batucada group called Samba Novo and we recently were asked to perform on the "Untitled Action Bronson Show" on Viceland TV. You can find that episode here. They only show a sliver of what really went down on that studio set. Samba Novo and Action Bronson?
Come down to The Stone in Manhattan at 8:30pm and catch a different kind of percussion performance. I will be joining Billy Martin and his Komodo Whirlygig Orchestra along with special guest Mark Guiliana in performing several "stridulation" pieces, which are conversational rhythms inspired by crickets. This is a small percussion ensemble and not your typical "tap your foot along" kind of drumming, so come experience something new!
10/28/17 - The Wake 'N Break Series Reaches 1,000 Episodes!
I seriously can't believe that today marks one thousand days in a row of creating a new groove, No days off. The only breaks in this series are on the drums! If you haven't checked out the Wake 'N Break series yet, you can click here to start. I hope that you tap a foot, bob your head, find some inspiration, or just enjoy a few chuckles.
7/20/17 - The Wake 'N Break Series Reaches 900 Episodes!
It's scary to think that at this point, I have now created 900 grooves in a row. It's as if time is moving in fast forward! Thank you to everyone who has reached out and shown love for the series. As always, I appreciate the support and I urge you to get up and go create something today!
4/11/17 - The Wake 'N Break Series Reaches 800 Episodes!
Another milestone has been reached in the Wake 'N Break series by reaching it's 800th groove! I hope you've been enjoying the series as much as I have been while having making it and I have no intention of stopping anytime soon. Start challenging yourself to do the same. Go forth and create something - ANYTHING - every single day!
2/2/17 - The Wake 'N Break Series Celebrates 2 Years Today!
It's hard to believe that today marks two years since the beginning of the wake 'n break series, and that's with zero days off! Go to the "Wake n Break" section of this site to see Wake 'N Break No. 732 and stay tuned for many more to come!
1/2/17 - The Wake 'N Break Series Reaches 700 Episodes!
I can't wrap my brain around the fact that today marked the 700th installment of the Wake 'N Break series! That's a new groove created and recorded every single day for the past 700 days, with absolutely no days off! I hope you continue to enjoy the series as much as I enjoy creating the content!
Happy New Year, everyone! From playing in Samba Novo and Stick Against Stone to recording the charity Christmas album, "A Very Kind Beats Christmas - Interpreting The Music of A Charlie Brown Christmas, 2016 was a crazy and extremely fun year for me. I've met some incredible musicians to play with and am genuinely excited to see what music comes out of these new relationships! Here's to a happy and healthy 2017 for everyone!
Merry Christmas, everyone! I'm proud to present you with this charity Christmas album, "A Very Kind Beats Christmas: Interpreting The Music of A Charlie Brown Christmas". I've reinterpreted and arranged Vince Guaraldi's classic records in a myriad of different styles, ranging from avant garde and samba to some dirty N'awlin's second line and neckbreaking drum breaks. I will be donating 100% of the sales to help fund music education programs in schools that can no longer afford them. You can listen to the album here for free but if you enjoy it, I ask that you truly consider purchasing the album and helping change someone's life for the better. Simply send me an email for info on how to order a copy. Much love and Merry Christmas!
12/8/16 - Help Support Schools With No Music Programs!
9/23/16 - The Wake 'N Break Series Hits 600 Grooves!
When I started the Wake 'N Break series, I was simply looking to challenge myself by trying to create something every morning. I never thought that I would still be going strong 600 days later with no days off, so thank you to everyone who has been taking this ride with me and I hope you continue to come along for the journey!
6/28/16 - Welcome To The New Website!
After five years of the old layout, I'm stoked to present this new site to you! I hope you find it a bit more colorful and easier to navigate. Take a look around and feel free to let me know what you think!
I've decided to start a fun challenge called #TheProcessProject and it's something for everyone to participate in. The idea is simple: start working on something new and document the learning process in regular video updates. Not only will we be able to watch each other's progress but we will also be able to see each other's individual learning processes, which can open up new doors to the way we may personally view or approach learning. It should also be a fun way to keep ourselves motivated or perhaps even more importantly, a way to motivate someone else. All you have to do to participate is post your progress videos on your various social media pages with the hashtag #TheProcessProject. That way, everyone can find all of the submissions by simply searching for the tag. The question is, "who is going to have the balls to join me and do this damn thang?".
Click here to watch my first submission and get an idea of how things will go down. Even if you don't want to participate, please invite others who you think may be interested in participating!
I'm stoked to announce that I will be manning the drum set and helping to start up the latest incarnation of Stick Against Stone! The group has an incredibly unique sound and they have a deep history, having first formed back in the early 1980's and going through various phases. I'm really excited to bring their old material to life and to see what we create together. Be sure to regularly check out the schedule section of this site for updates on when and where we will be performing.
Well folks, today is a special day because it marks the 365th wake 'n break in a row. That's right, it's been one straight year of wake 'n breaks with absolutely no days off and in celebration, I decided to come up with a groove that is made up of three different time signatures. The first bar is in 3/4, followed by a bar of 6, and then finally a bar of 5. Click here to enjoy it! Thanks so much to everyone who has been showing their support and much love to each and every one of you.
Happy New Year, folks! To celebrate the new year, I decided to bust out a wake 'n break groove utilizing party favors, which you can see by clicking here. As always, I hope you enjoy the video and here's to everyone's 2016 being a great year!
Born in 1980, Andrew McAuley (aka Kind Beats) is a New York based drummer, percussionist, composer, and educator known for his outside-of-the-box approach to drumming. Taking styles from all around the globe, he seamlessly weaves them together with both neck breaking grooves and soaring soundscapes. Influenced by mentors and percussion visionaries such as Billy Martin (of Medeski Martin & Wood) and Cyro Baptista (Beat The Donkey, Sting, Paul Simon, Herbie Hancock), his belief is that everyone should try to discover their own unique voice on the instrument and that it is an ongoing process that never truly ends.
Andrew started drumming under Al Miller and later, private instructor Scott Foley. After a few years with no teachers, Andrew started studying under Billy Martin and was inspired to pursue studies at the world renowned Drummers Collective in 2001. There, he studied under masters such as Michael Lauren, Kim Plainfield, Frank Katz, Fred Klatz, Memo Acevedo, and many others. After completing studies at The Collective, he continued studies with Billy Martin and began studying percussion under Cyro Baptista as well (something that would later become a huge part of his playing).
To date, Andrew has had the honor of sharing the stage and/or recorded with Billy Martin, Cyro Baptista, Terry Bozzio, Anthony Coleman, Avery Storm, DJ Wally aka Pish Posh, Colleen Rennison (No Sinner), Ron Defrancesco's Samba Novo Brasilian Music And Dance Ensemble, Stick Against Stone, and more. He has also written instructional books, launched the free "Heavy In The Beats" compilation series for drummers, posted numerous free instructional series online, and also founded the KindBeats4Kids fundraising project for schools in need of music education programs.
Here is where you can find links to all of my free online lessons. They range from exercises and experimental techniques to grooving and assimilating various styles. They're also categorized into several different series, so choose a starting point and have fun learning!
This particular series focuses on breaking down original drum grooves in a way that is extremely easy to understand. Check the video description of each lesson to find a link to the transcriptions and follow along and learn at your own pace! Enjoy the entire playlist!
This series focuses on experimental and unorthodox techniques for the drums. From rubber balls and wires to single handed 32nd notes and metallic objects, this series truly runs the gamut!
Here are a few lessons focusing on various topics, ranging anywhere from independence and technique exercises to exploring various ways to use clave to create drum grooves. Dig it!
The Wake 'N Break series is a challenge that I set for myself in February of 2015. The challenge is simple: wake up every day and come up with a new drum groove. I figured it would be a great way to work on both creativity and discipline. So far, there are over 500 installments with absolutely no days off. Just cycle through the videos in the youtube player to see the entire series. There are also breakdowns in the video descriptions of each groove. Enjoy!
Here are some free drum breaks off of "Heavy In The Beats Vol. 2 - No Dough, Deep Pockets" to use however you would like. If you use any of these loops, please send me what you come up with. I'm always interested in hearing how different people decide to use the grooves. To download the grooves, simply right click and select "save".


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Neste Oil aims to become the world´s leading biodiesel producer
WEBWIRE – Wednesday, September 27, 2006
27 September 2006 - Neste Oil's Board of Directors has approved a strategy aimed at making the company the world's leading biodiesel producer. Oil refining will remain as Neste Oil's central business, however, and the company will continue to invest in new conversion capacity at its current refineries. The foundation of Neste Oil's strategy will remain based on the company's ability to use its unique refining know-how to produce high-quality fuels for cleaner traffic from a variety of lower-cost raw materials. Neste Oil expects to invest several billion euros in growth projects over the next 10 years.
"The central message that we want to communicate is that we have both the will and the financial resources to invest in growth in the areas where we are strong. By following our strategy, we will make the best use of our know-how. We are aiming to be the world's leading biodiesel producer, which means production volumes of millions of tons annually. Our proprietary biodiesel, which is based on a long-term R&D effort, can be produced from a variety of vegetable oils and animal fats – and is a premium-quality fuel that clearly outperforms both the vegetable oil and crude oil-based diesel fuels currently on the market" says Neste Oil's President & CEO, Risto Rinne.
"We will build several biodiesel production facilities in various market areas, either alone or with partners, in the years to come. In addition, we will be even more active in research and development in the biofuels area to utilize different renewable raw materials – while continuing to invest in new conversion capacity at our refineries in Porvoo and Naantali," Rinne continues.
"Neste Oil's largest-ever investment, in a new diesel production line at the Porvoo refinery, is due to be completed this winter, and will enhance the company's performance and cash flow significantly," says Timo Peltola, the Chairman of Neste Oil's Board of Directors. "The Board has reviewed a number of strategic options of how we can best ensure that this enhanced profitability and cash flow benefits our shareholders. And we have concluded that a strong growth strategy, based on biodiesel production and driven by our own technology, is the best way of generating shareholder value"
Parallel to the updated strategy, the Board also approved the following financial targets:
* Return on Average Capital Employed after tax (ROACE) of at least 15% over the cycle
* Dividend payout ratio of at least one third of underlying profits
* Target leverage range of 25-50%
Mission and vision confirmed
The Board confirmed 'Refining the future' as the company's mission. Neste Oil's strategy of producing clean traffic fuels is very clearly linked, therefore, to the company's underlying mission.
The Board defined the company's vision to be 'The leading provider of cleaner traffic fuels'. Neste Oil has been very active in launching cleaner petroleum products that have been based either on proprietary technology or the rapid introduction of other new technologies. The most recent example of the company's pioneering role is Neste Oil's premium-quality biodiesel that gives the company a head start over its competitors. The company's potential for achieving its vision is, therefore, realistic.
Putting Neste Oil's strategy into practice will depend to an important extent on the company's values – excellence, innovation, responsibility, and cooperation – which the Board of Directors has approved earlier.
The role of Neste Oil's different businesses
Neste Oil's updated strategy highlights the importance of biodiesel and oil refining for generating growth for the company. In addition to these core businesses, promising growth opportunities can be seen in high-quality gasoline and lubricant components, most of which are based on in-house expertise. Neste Oil is already the leader on the European merchant market for top-tier lubricant base oils.
The company also has two divisions that play a supporting role for its core businesses. Shipping handles Neste Oil's raw material input and product shipments and Oil Retail is responsible for fuel marketing and sales through channels such as Neste stations. Neste Oil is also the majority owner in Neste Jacobs, an engineering services provider, which gives Neste Oil a valuable competitive edge in implementing growth projects. This is particularly critical on today's markets because of the global shortage of quality engineering services.
Competitiveness assures growth
"While we are aiming for growth by strengthening our organization, know-how and financial position, we will continue to promote competitiveness and efficiency in all of our operations. By securing operational and financial excellence in our current businesses, we will be able to provide a solid platform for future growth," says Risto Rinne.
Neste Oil Corporation
Risto Rinne
Neste Oil Corporation is a refining and marketing company focusing on advanced, clean traffic fuels. Neste Oil's refineries are located in Porvoo and Naantali in Finland, and have a total refining capacity of approx. 250,000 bbl/d. The company employs around 4,600 people. Neste Oil is listed on the Helsinki Stock Exchange (symbol: NES1V). For further information, see www.nesteoil.com.
Mining / Metals
Oil / Energy


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Account Information & Subscription Renewal
Claremont Courier Article Archive
Obituary: Evelyn Gladys Hubacker
Grandmother, beloved music teacher, musician
Evelyn Gladys Hubacker died in her home on Thursday morning, October 8 at the age of 84.
Evelyn was born March 3, 1936 and grew up in the state of Michigan. She was the youngest child of the late Earl Frederick and Gladys (Berne-Allen) Hubacker.
She is survived by her loving daughter Josephine Lee of Portland, Oregon; stepdaughter Elizabeth Bausman of Santa Ana, California; grandchildren Calvin Lee and Mikayla and Matthew Bausman; sister Harriet Hubacker of Houston, Texas; and brother Allan Hubacker of Honolulu, Hawaii. She was also loved by nieces and nephews and numerous friends.
Ms. Hubacker did many things in life, but she was happiest when she was sharing her love of music. An accomplished pianist and organist, she played for numerous churches, schools, choirs and musical groups as well as with individual soloists throughout her lifetime. She was also a beloved music teacher who for many years taught in school programs and individual piano lessons.
She lived in numerous places throughout her lifetime, including the last 12 years in Pomona as a resident of Mt. San Antonio Gardens, where she enjoyed playing the piano for numerous activities. She also loved to travel and spend time with her family. One of the places she most enjoyed spending time with her grandchildren was at Disneyland. She will be greatly missed by many.
In lieu of flowers, the family asks that donations be made to The Harmony Project of LA at www.harmony-project.org, or to the League of Women Voters at www.lwv.org, and please vote!
Obituary: Helen Dyson
Obituary: Chester Earle "Chet" Jaeger
Obituary: William R. Partridge
Obituary: Ileen Jensen
Obituary: Lillian Marie Gude Peairs
Obituary: Joseph Thomas Kutyla ("Joe")
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Damiano La Rocca studied BA (Hons) Events Management at London Met's business school. Whilst studying Damiano became involved with Accelerator, the University's incubator which offers students guidance for turning their own ideas into a thriving business. Damiano used the advice and mentoring he received at Accelerator to start his own business, Seable. Seable creates active holidays for those with visual and physical impairments and continues to grow.
How did your student and learning experience at London Met help you in starting Seable?
I was given the tools and inspiration to start on my own rather than aim for a job as an employee. During my course, I took a module called Sustainable Tourism and that was my first time really looking into my topic. Later in my final year, I wrote my dissertation about accessible tourism and realised that there was a gap in the market and I wanted to understand why that was.
What was your own journey like from student to business owner?
In my final year, I submitted an idea to Accelerator and they approved it. Accelerator then gave me tools to start my business and the academic staff gave me skills such as how to undertake research and presentations.
At Accelerator you're able to work amongst other London Met entrepreneurs and start-up companies. How does this contribute to the atmosphere at the incubator?
The diverse background of the businesses keeps us up to date with the latest innovations in the different sectors, giving the basic knowledge for every part of the business and free advice from colleague entrepreneurs.
In addition to offering guidance from industry experts, Accelerator hosts regular events that focus on starting and running a business. Can you tell us about the advice and support you received at Accelerator and how you then applied this knowledge to Seable?
Some of the topics London Met runs form the basis of what to do when opening a business. Everyone should know a bit of sales, marketing and accountancy in order to start a business. It's also important to go to events and meet others to discuss your ideas.
What does the future hold for Seable?
To continue to grow and become the leading tour operator for blind and wheelchair users.
What would your advice be for London Met students with a business idea of their own?
Go out and talk about your idea. When you're meeting and talking to others, you may realise that something is missing or needs changing. Attend events and look out for services that are available on a pro-bono basis. Of course you find out about these things often through meeting others, even if they are different businesses or sectors, it always helps to discuss your ideas with others and make connections that way. Also, don't wait until you have everything ready and lined up to start your business!


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