Japan extends between the northernmost Cape Soya and is situated on a desert island in the Philippine Sea Okinotorishima belongs administratively to Tokyo. In the north there is the subtropical climate temperate, which "starts" from the central part of the main island of Honshu and "ends" in the southern part of Kyushu and Shikoku. It includes tropical noon Kyushu and islands belonging to Okinawa. Japan is surrounded on all sides by water, which creates a marine monsoon climate and this, in turn affects the seasonality of rainfall and winds.
In Japan, outside the Okinawa, we can talk about the basic division into four seasons. Eeach of them has its own specific and unique character. During planning a holiday in Japan it is usually takes into account factors such as: the average air temperature, the amount of expected rainfall, scenic beauty of the seasons, festivals and holidays scheduled for a specific month.The spring months include the second half of March, April, May and (sprawdź przykłady) the first half of June. For many it is the most beautiful Japanese season. The end of March and beginning of April is the period of flowering Japanese cherry on the main island. At this time, country hosts many festivals and famous "hanami", or "flower viewing" and because this occasion the parks change into a place for family picnics. It is said that the best viewpoint of Japanese cherries is Mount Yoshino in Nara prefecture, where you can enjoy tens of thousands of these lovely trees at different height levels.Summer, the real one, begins in mid-June and lasts until early September. This is a great time to visit Okinawa, then the risk of rainfall is the smallest and sunny weather and nice, warm sea is almost guaranteed.Autumn is one of the most beautiful Japanese seasons. The weather becomes bearable, and the leaves of a Japanese trees change color to deep carmine. Autumn in Japan begins in mid-September and lasts until mid-December. In September the main problem is the numerous typhoons in Japan, which may cause difficulties in the water and air transport. In October, the wind calms down and the leaves change color lazily.Winter in Japan falls from the second half of December to early March. The days are shorter, and there are a lot of rain and snow, it is also quite cold. What you can do in Japan in the winter? In addition to winter sports it is worth to go to the famous Yuki Matsuri or Snow Festival in Sapporo. During this festival the artists create massive snow sculptures in the shape of pyramids, Japanese castles, dinosaurs as tall as the two-storey bulidings, the cathedral and many others.


text:
Rozália Lelkes (Keszthely, 14 de agosto de 1950) é uma ex-handebolista húngara, medalhista olímpica.

Rozália Lelkesfez parte do elenco medalha de bronze, em Montreal 1976.

Handebolistas da Hungria
Handebolistas nos Jogos Olímpicos de Verão de 1976
Handebolistas nos Jogos Olímpicos de Verão de 1980
Medalhistas nos Jogos Olímpicos de Verão de 1976
Naturais de Keszthely

redpajama_set_name: RedPajamaWikipedia


Oh yeah, I know you wished you had made a copy of that file before you started messing with it. PrimalScript does that for you, so stop worrying.
The Backup properties have additional settings, all turned on by default.
The document tab context menu has a new topic; Restore Points. Just hit Rewind and PrimalScript will copy the temporary file back and load that, discarding anything you have done so far. The second way is to use the Tools tab in the Ribbon.
Just hit "Rewind". And no, we did not add hotkeys to any of this, we wouldn't want an errant mistyped key to eradicate everything you did since the morning, would we?
It's not really a big feature, but we hope it can help you out here and there when you've coded yourself into a corner.


Vision RX20 Supplement Reviews!! It Is Really Works For Your Eyesight?
Home » Health » Vision RX20 Supplement Reviews!! It Is Really Works For Your Eyesight?
Looking for Vision RX20 Supplement Review? Is this Vision RX20 Scam or Works? Any side effects? How much the Vision RX20 Cost?
There is a natural solution available for the problem though in the form of Vision RX20. This is a supplement that combines the verification of clinical researches with the potency of natural elements. No chemicals and fillers in the composition meaning there are no adverse side effects of use. The product claims that it can help one get his 20/20 vision back without having to put in any efforts. All one has to do is add this supplement to his routine.
What is the Vision RX20?
Now, we will tell you about the main thing that you should read carefully. The macular pigment is made of two main antioxidants Lutein and Zeaxanthin. The lack of these nutrients can cause vision loss in the eyes and make a person blind. Moreover, our body can't produce these antioxidants on their own and it needs to get through the food. The Vision RX20 will include the exact diet that can fulfill the required dose of these two nutrients efficiently. Following this diet for a period of 21 days will give you the crystal clear eyesight that you have during childhood.
What Are The Features Of Vision RX20?
Vision RX20 helps you to improve the eyes health naturally.
This Supplement will improve the health of lens, optic nerve, cornea, and eyes.
It will save hundreds of dollars on further eye care costs.
You can easily do from the comfort of your home.
If you have any health issues, you need to consult the physician before using this Vision RX20.
This supplement has thus proven to be one of the most successful ways one can use to fix their eyesight when they cross the age of 45. The old methods used to cure ourselves are now just too depreciated to try out – it is thus imperative to look at newer methodologies and Vision RX20 provides you with just that. For a low price of $49, this supplement is a definite recommendation. For more information and further pricing details, visit their official website.
James Bauer's Relationship Rewrite Method Reviews – PDF Download!!


text:
Robert Berman, känd som Bob Berman, är en amerikansk astronom och författare. Han har tidigare varit verksam som adjungerad professor i astronomi vid Marymount Manhattan College, mellan åren 1996 till 2000. Som författare har han utgett flera populärvetenskapliga böcker och även synts som gäst i TV-program som The Late Show with David Letterman.

Källor

män
Födda 1900-talet
Levande personer
Amerikanska astronomer under 1900-talet
Amerikanska astronomer under 2000-talet


text:
/**
 * Autogenerated by Thrift
 *
 * DO NOT EDIT UNLESS YOU ARE SURE THAT YOU KNOW WHAT YOU ARE DOING
 *  @generated
 */
package com.facebook.remoteexecution.cas;

import java.util.List;
import java.util.ArrayList;
import java.util.Map;
import java.util.HashMap;
import java.util.Set;
import java.util.HashSet;
import java.util.Collections;
import java.util.BitSet;
import java.util.Arrays;
import org.slf4j.Logger;
import org.slf4j.LoggerFactory;

import com.facebook.thrift.*;
import com.facebook.thrift.async.*;
import com.facebook.thrift.meta_data.*;
import com.facebook.thrift.server.*;
import com.facebook.thrift.transport.*;
import com.facebook.thrift.protocol.*;

@SuppressWarnings({ "unused", "serial" })
public class UpdateBlobRequest implements TBase, java.io.Serializable, Cloneable, Comparable<UpdateBlobRequest> {
  private static final TStruct STRUCT_DESC = new TStruct("UpdateBlobRequest");
  private static final TField CONTENT_DIGEST_FIELD_DESC = new TField("content_digest", TType.STRUCT, (short)1);
  private static final TField DATA_FIELD_DESC = new TField("data", TType.STRING, (short)2);

  public Digest content_digest;
  public byte[] data;
  public static final int CONTENT_DIGEST = 1;
  public static final int DATA = 2;
  public static boolean DEFAULT_PRETTY_PRINT = true;

  // isset id assignments

  public static final Map<Integer, FieldMetaData> metaDataMap;
  static {
    Map<Integer, FieldMetaData> tmpMetaDataMap = new HashMap<Integer, FieldMetaData>();
    tmpMetaDataMap.put(CONTENT_DIGEST, new FieldMetaData("content_digest", TFieldRequirementType.DEFAULT,
        new StructMetaData(TType.STRUCT, Digest.class)));
    tmpMetaDataMap.put(DATA, new FieldMetaData("data", TFieldRequirementType.DEFAULT,
        new FieldValueMetaData(TType.STRING)));
    metaDataMap = Collections.unmodifiableMap(tmpMetaDataMap);
  }

  static {
    FieldMetaData.addStructMetaDataMap(UpdateBlobRequest.class, metaDataMap);
  }

  public UpdateBlobRequest() {
  }

  public UpdateBlobRequest(
    Digest content_digest,
    byte[] data)
  {
    this();
    this.content_digest = content_digest;
    this.data = data;
  }

  /**
   * Performs a deep copy on <i>other</i>.
   */
  public UpdateBlobRequest(UpdateBlobRequest other) {
    if (other.isSetContent_digest()) {
      this.content_digest = TBaseHelper.deepCopy(other.content_digest);
    }
    if (other.isSetData()) {
      this.data = TBaseHelper.deepCopy(other.data);
    }
  }

  public UpdateBlobRequest deepCopy() {
    return new UpdateBlobRequest(this);
  }

  @Deprecated
  public UpdateBlobRequest clone() {
    return new UpdateBlobRequest(this);
  }

  public Digest  getContent_digest() {
    return this.content_digest;
  }

  public UpdateBlobRequest setContent_digest(Digest content_digest) {
    this.content_digest = content_digest;
    return this;
  }

  public void unsetContent_digest() {
    this.content_digest = null;
  }

  // Returns true if field content_digest is set (has been assigned a value) and false otherwise
  public boolean isSetContent_digest() {
    return this.content_digest != null;
  }

  public void setContent_digestIsSet(boolean value) {
    if (!value) {
      this.content_digest = null;
    }
  }

  public byte[]  getData() {
    return this.data;
  }

  public UpdateBlobRequest setData(byte[] data) {
    this.data = data;
    return this;
  }

  public void unsetData() {
    this.data = null;
  }

  // Returns true if field data is set (has been assigned a value) and false otherwise
  public boolean isSetData() {
    return this.data != null;
  }

  public void setDataIsSet(boolean value) {
    if (!value) {
      this.data = null;
    }
  }

  public void setFieldValue(int fieldID, Object value) {
    switch (fieldID) {
    case CONTENT_DIGEST:
      if (value == null) {
        unsetContent_digest();
      } else {
        setContent_digest((Digest)value);
      }
      break;

    case DATA:
      if (value == null) {
        unsetData();
      } else {
        setData((byte[])value);
      }
      break;

    default:
      throw new IllegalArgumentException("Field " + fieldID + " doesn't exist!");
    }
  }

  public Object getFieldValue(int fieldID) {
    switch (fieldID) {
    case CONTENT_DIGEST:
      return getContent_digest();

    case DATA:
      return getData();

    default:
      throw new IllegalArgumentException("Field " + fieldID + " doesn't exist!");
    }
  }

  // Returns true if field corresponding to fieldID is set (has been assigned a value) and false otherwise
  public boolean isSet(int fieldID) {
    switch (fieldID) {
    case CONTENT_DIGEST:
      return isSetContent_digest();
    case DATA:
      return isSetData();
    default:
      throw new IllegalArgumentException("Field " + fieldID + " doesn't exist!");
    }
  }

  @Override
  public boolean equals(Object that) {
    if (that == null)
      return false;
    if (that instanceof UpdateBlobRequest)
      return this.equals((UpdateBlobRequest)that);
    return false;
  }

  public boolean equals(UpdateBlobRequest that) {
    if (that == null)
      return false;
    if (this == that)
      return true;

    boolean this_present_content_digest = true && this.isSetContent_digest();
    boolean that_present_content_digest = true && that.isSetContent_digest();
    if (this_present_content_digest || that_present_content_digest) {
      if (!(this_present_content_digest && that_present_content_digest))
        return false;
      if (!TBaseHelper.equalsNobinary(this.content_digest, that.content_digest))
        return false;
    }

    boolean this_present_data = true && this.isSetData();
    boolean that_present_data = true && that.isSetData();
    if (this_present_data || that_present_data) {
      if (!(this_present_data && that_present_data))
        return false;
      if (!TBaseHelper.equalsSlow(this.data, that.data))
        return false;
    }

    return true;
  }

  @Override
  public int hashCode() {
    return 0;
  }

  @Override
  public int compareTo(UpdateBlobRequest other) {
    if (other == null) {
      // See java.lang.Comparable docs
      throw new NullPointerException();
    }

    if (other == this) {
      return 0;
    }
    int lastComparison = 0;

    lastComparison = Boolean.valueOf(isSetContent_digest()).compareTo(other.isSetContent_digest());
    if (lastComparison != 0) {
      return lastComparison;
    }
    lastComparison = TBaseHelper.compareTo(content_digest, other.content_digest);
    if (lastComparison != 0) {
      return lastComparison;
    }
    lastComparison = Boolean.valueOf(isSetData()).compareTo(other.isSetData());
    if (lastComparison != 0) {
      return lastComparison;
    }
    lastComparison = TBaseHelper.compareTo(data, other.data);
    if (lastComparison != 0) {
      return lastComparison;
    }
    return 0;
  }

  public void read(TProtocol iprot) throws TException {
    TField field;
    iprot.readStructBegin(metaDataMap);
    while (true)
    {
      field = iprot.readFieldBegin();
      if (field.type == TType.STOP) {
        break;
      }
      switch (field.id)
      {
        case CONTENT_DIGEST:
          if (field.type == TType.STRUCT) {
            this.content_digest = new Digest();
            this.content_digest.read(iprot);
          } else {
            TProtocolUtil.skip(iprot, field.type);
          }
          break;
        case DATA:
          if (field.type == TType.STRING) {
            this.data = iprot.readBinary();
          } else {
            TProtocolUtil.skip(iprot, field.type);
          }
          break;
        default:
          TProtocolUtil.skip(iprot, field.type);
          break;
      }
      iprot.readFieldEnd();
    }
    iprot.readStructEnd();

    // check for required fields of primitive type, which can't be checked in the validate method
    validate();
  }

  public void write(TProtocol oprot) throws TException {
    validate();

    oprot.writeStructBegin(STRUCT_DESC);
    if (this.content_digest != null) {
      oprot.writeFieldBegin(CONTENT_DIGEST_FIELD_DESC);
      this.content_digest.write(oprot);
      oprot.writeFieldEnd();
    }
    if (this.data != null) {
      oprot.writeFieldBegin(DATA_FIELD_DESC);
      oprot.writeBinary(this.data);
      oprot.writeFieldEnd();
    }
    oprot.writeFieldStop();
    oprot.writeStructEnd();
  }

  @Override
  public String toString() {
    return toString(DEFAULT_PRETTY_PRINT);
  }

  @Override
  public String toString(boolean prettyPrint) {
    return toString(1, prettyPrint);
  }

  @Override
  public String toString(int indent, boolean prettyPrint) {
    String indentStr = prettyPrint ? TBaseHelper.getIndentedString(indent) : "";
    String newLine = prettyPrint ? "\n" : "";
String space = prettyPrint ? " " : "";
    StringBuilder sb = new StringBuilder("UpdateBlobRequest");
    sb.append(space);
    sb.append("(");
    sb.append(newLine);
    boolean first = true;

    sb.append(indentStr);
    sb.append("content_digest");
    sb.append(space);
    sb.append(":").append(space);
    if (this. getContent_digest() == null) {
      sb.append("null");
    } else {
      sb.append(TBaseHelper.toString(this. getContent_digest(), indent + 1, prettyPrint));
    }
    first = false;
    if (!first) sb.append("," + newLine);
    sb.append(indentStr);
    sb.append("data");
    sb.append(space);
    sb.append(":").append(space);
    if (this. getData() == null) {
      sb.append("null");
    } else {
        int __data_size = Math.min(this. getData().length, 128);
        for (int i = 0; i < __data_size; i++) {
          if (i != 0) sb.append(" ");
          sb.append(Integer.toHexString(this. getData()[i]).length() > 1 ? Integer.toHexString(this. getData()[i]).substring(Integer.toHexString(this. getData()[i]).length() - 2).toUpperCase() : "0" + Integer.toHexString(this. getData()[i]).toUpperCase());
        }
        if (this. getData().length > 128) sb.append(" ...");
    }
    first = false;
    sb.append(newLine + TBaseHelper.reduceIndent(indentStr));
    sb.append(")");
    return sb.toString();
  }

  public void validate() throws TException {
    // check for required fields
    // check that fields of type enum have valid values
  }

}

redpajama_set_name: RedPajamaGithub


text:
SVG Digital Chat: Clark Pierce SVP, TV Everywhere and Special Projects, FOX Sports
Thursday, July 16, 2015 - 3:13 pm
Thanks to some of this summer's marquee sports events, Fox Sports' young Fox Sports Go digital platform has enjoyed a coming-out party, setting ratings records across such tent-pole events as the FIFA Women's World Cup and the U.S. Open Championship.
TV Everywhere and authentication have matured in recent years, and broadcasters are implementing new ways to better serve and entertain their digital viewers.
In the latest edition of the SVG Digital Chat, we catch up with Clark Pierce, SVP, TV Everywhere and special projects, Fox Sports, and one of the key minds behind the Fox Sports Go platform. He discusses the successes of the past month, how his product can be improved, and what technological advances he's excited for in the space.
NOTE: Clark Pierce will serve as the keynote speaker at the 2nd Screen Summit: Sports event on July 28 in New York City. Register to attend today. 2nd Screen Summit: Sports is a joint production of the memberships of SVG and the 2nd Screen Society.
Clark Pierce
Give us your overall assessment of the past month or so. Between FIFA Women's World Cup and the U.S. Open golf championship, it has been a banner month at Fox Sports and for your division. What went well, and what lessons did you take away?
What went really well was that we got a lot of awareness around Fox Sports Go throughout the World Cup and the U.S. Open. Our ultimate goal is to support television and what we do on the linear side and give people more options to consume the content they want. We want to provide the Fox Sports channels live and on the best screen available to our users. We fully believe that, if people have just a mobile phone with them and they want to be able to catch a certain piece of content, they will use Go and, if they are in front of their 40-in. TV, they'll turn that channel on and watch it on the big screen. We're supportive, and that's our mission.
I think the first step to getting people to understand that that value is there and is part of what they pay for as a pay-TV customer. The World Cup and the U.S. Open really helped in that sense. The big tent-pole events help create awareness, and that's the most important thing that happened for us in the month of June and into early July: people started to discover Fox Sports Go.
On the technical side, it was a big event with 52 matches in the World Cup and four very, very long days of the U.S. Open. We were pretty lucky that only two of the days had overlap of both events, and, if Dustin Johnson had made that birdie putt, we would have had even more overlap with the USMNT [U.S. women's soccer team] playing at the same time as an 18-hole playoff. It could have been an even more interesting month — to say the least — if that had happened.
Since the introduction of Fox Sports Go, how have you seen its capabilities grow, and how have users been able to benefit?
It's evolved quite a bit. You're always tinkering. It's analogous to a pit-crew chief on a NASCAR team: they may think they have the perfect car, but put it on the track, and the track conditions dictate that they make some changes and adjustments on the fly. We're always tinkering with the product on the backend, and it's constantly in a state of fine-tuning. Plus, the size of your audiences vary. [With] the NFL audience, for example, we see the usage times coming in much shorter; with soccer, usage patterns are much longer. The same is true for golf. We have some anecdotal data that, with golf, some people turn it on and leave it on all day. We saw some really long sessions, and that makes a lot of sense. Because of that, we made some changes with our backend partners to make sure that we were able to support large numbers of concurrents that would stay engaged for a while. That came to fruition, and that's something that we certainly learned a lot from and will improve in the future.
Any new plans for the immediate future for Fox Sports Go that you can share?
We are working on a bunch of things for the fall. It doesn't stop. We have the Gold Cup going. The USMNT plays again on Saturday, which is always an interesting day for TV Everywhere. That should be an interesting audience. We have a lot of really good rights that bring us a lot of really good content. We start the Bundesliga in a little more than a month. That's even more top-quality soccer.
The product enhancements are really driven by the content at this point. We are constantly working on performance and stability improvements. One of the things that we're taking on right now is the concept of content promotion and being able to surface to users right away the key event happening at that moment. [It] is a way of shortening the time to get into that key piece of content that we can assume most people are coming [into the product] for.
We want that discoverability to be much quicker.
We also want to reduce friction for users, as far as entry into the product. That's still something that we are working on. In-home authentication, which has now, I believe, been termed "home-base authentication," is something that we are working on as well.
A lot is made of OTT or streaming on mobile devices, but what's your take on connected TVs? What potential do you see in that space?
Right now, we support Android TV and Amazon Fire Stick. We need to be more in that space, and we're not. We'd like to be more involved there.
We saw with NASCAR — where we had up to eight on-board camera feeds available, and we saw a lot of usage on those cameras — some interesting data that aligned with crashes. If there were crashes, we would see the usage on one on-board camera spike: that car either was in the crash or had a really great view of the crash. We're working on ways to attach those bonus feeds to the main stream of the event so that users can get to and from those quickly. There's some interesting things that we can do there.
We had a bonus feed, [which] we called "Match 360," for the World Cup that we got from FIFA. It started 150 minutes before a match, and you would literally see the team buses arriving at the stadium, views inside the locker rooms with uniforms lined up, players warming up. [It] took a spin around the stadium for the atmosphere. Once the event started, it just became a feed of highlights, up to five or six angles of a given play. We saw people spending a lot of time on that feed. We want to provide a lot more experiences like that because we see it as an additive experience. People want to experience more of the insider's view of the event. At an event like the World Cup, a feed like that makes a lot of sense. So we are looking to do more things like that with a lot of the other partners that we have.
All things considered, we're still in the early stages of digital. As a result, a lot of content creators are pulling in all of this new user data. A lot of people in the industry are saying, "We're getting all of this data. Now we need to figure out what to do with it." Has Fox Sports started to make decisions based on the data that you are getting from your digital platforms?
The Match 360 experience is a perfect example of that. It did not surprise us that it was the second-most viewed feed per match. Obviously, the simulcast of the event is first. It's an insider's view. It's a really cool thing, and people want that kind of access. It applies to any sport. The more that you can see your favorite team or country, the more you feel connected to that brand. People anticipate sporting events, and it's live and starts at a certain time. Now, with Match 360, fans can start their experience of that game or match earlier and [get] more content related to that. I think that really resonated with people and explains why we saw so much usage around that experience. There will definitely be more growth in that area.
What new thing on the digital side are you, personally, excited about? Whether it's something you are doing at Fox or something happening generally in the industry, what has you excited?
I'm excited about the potential of reducing delay between broadcast and streaming. I'm not saying that we've cracked the code or if anyone else has, but I'm excited for that, as our people work hard to solve that problem. That is one of the biggest complaints that we get on social media. There are so many variables that play into it. It takes time to take a baseband-video feed, encode it, and distribute it, and than you're still at the mercy of the last mile. What is [the users'] connection? Are they in a hotel where they are hitting a proxy and everything is getting throttled? Are they at home on something that's just a step above dial-up? All these factors go into it. I'm excited for someone to solve that issue.
What would you like to see Fox Sports Go become in the next handful of years?
Our goals are very straightforward. Improve the stability. Make the product more performant. More content more discoverable. Get people to the live event quickly. Every day, there is something we can do to get closer and closer to being better for more people. On my whiteboard right now, it's the first thing on the list, and it has been up there for more than a year and a half. You can't stop making the experience better. You just can't. There's a lot of moving parts on the backend with technology and the orchestrating of all of that. What our backend team does is nothing short of remarkable, and we need to keep getting better at that.

redpajama_set_name: RedPajamaCommonCrawl


text:
Bruno Sialelli Named As New Creative Director At Lanvin
Relatively unknown French designer Bruno Sialelli has been named as the new Creative Director of Lanvin. The 31-year-old becomes the fourth designer in four years to join the French fashion house.
Sialelli is well-versed in the fashion world having plied his trade at Acne Studios, Paco Rabanne and Balenciaga, as well as Loewe, and he will be charged with unifying Lanvin's menswear and womenswear divisions as its Chinese parent company Fosun prepares to take the house in a "pivotal new direction".
Sialli's singular and very personal vision, his audacity, his culture, his energy and ability to build a strong creative team definitely convinced us.
Jean-Philippe Hecquet, Chief Executive at Lanvin
I am delighted and honoured to join Lanvin, a house founded by a visionary woman who, among the first French couturiers, dared to offer a global universe with a very wide field of expression. Bringing emotions through compelling stories and defining a modern attitude are going to be exciting challenges in continuing this legacy.
Bruno Sialelli
Lanvin has experienced a period of unrest since Alber Elbaz departed the brand in October 2015 after 14 years.
Win A J.Lindeberg Wolger Coat With Zee & Co
Relaunched Polo Sport Collection Inspires '90s Nostalgia
The First Monday in May
From MOTHER With Love xx


For the October edition of Marguerite, the new Director of Nottingham Contemporary, Sam Thorne welcomed us to the gallery with Artist, Marguerite Humeau. Sam led a tour of the Otobong Nkanga and Marguerite Humeau shows for members of Marguerite before lunch at the gallery and a visit to the neighbouring Syson Gallery.
Image Marguerite Humeau, exhibition view, FOXP2, Palais de Tokyo (23.06 - 11.09.2016). Courtesy the artist, C L E A R I N G New York/Brussels, DUVE Berlin. Photo Spassky Fischer.


systemBash has been my blog about System Administration and other technology topics which interest me, and may be of interest to you as a technologist.
Since 2006 when I started this site, I've gone on to become a staff writer for MakeUseOf and an Editor at Lifehacker. I am currently working at XDA Developers in the role of Chief Technology Officer where I am responsible for running the network of servers which keep the site running. I am also involved in other side projects in the technology world. Throughout it all, I've been posting more technically oriented topics here at systemBash.
You can find me on Twitter at @ddrager, on Google Plus, and on LinkedIn.
Feel free to use any of information or code on this site, for absolutely any purpose at all. However, if you do find the information or code useful, I would appreciate attribution and, upon request, the modified source code you have used. Therefore, any original content of this site is licensed under the Creative Commons Attribution-ShareAlike license. The original source license supercedes any other license including my Creative Commons one. Any content that is from other sources will be attributed as such.


text:
Win that hamburger eating contest, there are children starving in Africa!
Last Sunday the StarTribune's OpEx section featured two photos side by side that the paper had downloaded from its news service. The photos had come one right after the other and though they were for unrelated stories the editors couldn't help but notice the juxtaposition: one photo was of a starving child from (I believe) Niger and the other was of competitors chowing down at a hamburger eating contest.
My copy of that section has long since wrapped fish, but my recollection of the text is that the Strib mainly pointed out the interesting coincidence of the order in which the photos arrived and let the contrast pretty much speak for itself. No doubt there may also have been an implied message of, "look how decadent – no wonder they hate us," but maybe I've just become sensitized and cynical. My own thought would be, "no wonder so many people want to come here."
I expected a flood of letters to the editor to appear declaiming American wantonness in the face of suffering and based on logic as thin as refugee camp gruel. Only a couple were printed, however, and they were not as mealy-mouthed as I would have expected.
The Sunday Op Ex pictures of a starving child in Africa vs. the American pig-outs at food-eating contests are stark! How often I'm reminded of our national feeding overindulgence when I see the leftovers at restaurants, especially at the "breakfast-special" restaurants or the "all-you-can-eat" buffets, with enough pancakes, toast, bacon, sausages and hash browns left behind to feed a Nigerian family for days.
– George Mayerchak, Long Prairie.
Yes, there is no doubt we Americans take our abundance for granted, are wasteful and even profligate. (At least in the Household of the Night we don't believe in throwing good food away. We wrap a leftover and put it in the refrigerator and wait until it becomes bad food, and then we throw it away.) The reason is because food is so cheap. Say what you will about our culture, but our economic system has mastered the growing, raising, harvesting, processing, shipping and buying of food to such a degree of efficiency that something so essential can essentially be dirt cheap, even though everyone involved at every step in the process takes their cut. Am I going to save that last ear of corn from dinner when I can go to Cub tomorrow and buy six fresh ones for a dollar? (You might be able to tell that I didn't grow up during the Depression.)
(Want some more? Continue reading …)
Our creativity, ingenuity, natural resources, highway system, economic freedom and profit motive delivers more than we can eat each day, distributes the excess where possible and destroys the rest and does it all over again the next day, even when faced with our own droughts or water shortages in different parts of the country. And we still try to make every plant and every acre even more productive. Is there any other country now – or ever – whose poorest citizens are also among its most obese? And it's not just for our own consumption.
The contrast of the starving Nigerian child and the hamburger-eating contest would have been even more striking if the latter picture had been of the family pet gobbling its gourmet chow. Nearly $30 billion is spent annually in America on our little household companions. Surely the starving children of Nigeria deserve as much as our pampered pets.
– Ann Compton, Edina.
Yes, well, it's because we can. Does the letter-writer mean to suggest we euthanize all of our pets and send the money we spend on kibble to Africa? Ms. Compton of Edina, Minnesota, PETA knows where you live. This assumes a zero sum game; if someone has more that means someone else has to have less, regardless of the conditions and circumstances that might be involved. This is like telling me not to breathe so deeply because people on Pike's Peak don't have enough air.
The fact is most famines are man-made, either out of ignorance or maliciousness or both. Yes, drought and natural conditions have an impact, but does every drought result in a famine? Not hardly. The policies of the Brits, first out of ignorance and then indifference "fed" the famines of India and Ireland in the 1800s. The Ukrainian famines of 1921-23 and 1932-33, the Chinese famine of 1958-61, and the Ethiopian famine of the 1980s were instigated by, at best, bone-headed, and at worst, evil, government policies that destroyed resources and the means of production and the ensuing disasters were used to deliver death and punishment on political opponents in order to bring entire regions into line. In Africa the theme has been embellished by the same governments then turning to the rest of the world and holding out an empty bowl. It's a new twist on the tale of the murderer who killed his parents and then asked the court for mercy because he was an orphan.
The hands of the U.S. and European governments are not clean when it comes to propping up these dysfunctional and corrupt (sorry, that's redundant) governments, but the margin for error in these countries is already so thin through incompetence and greed that disaster blows in with a strong breeze. In Niger, the current crisis could be seen coming a long way off, yet the government sold 167,000 metric tons of reserve grain last year (whether for its own purposes or at the World Bank's behest is still being determined). Meanwhile, the long-time breadbasket of the region, Zimbabwe – with abundant and fertile lands – can barely produce enough food for its own people (or at least the people Robert Mugabe likes) because Mugabe has driven off the farmers and landowners who knew how to produce and turned everything over overnight to people on the shallow end of the learning curve.
Solutions? Ask the SCSU Scholars, or start with Jay Reding. In the meantime, however, by all means continue to send money and food. It's just that we have to hope to send it in such overwhelming amounts that a small portion of it can wash over the dikes and "levies" of corruption and past the warlords who siphon it into their own irrigation systems, and then, perhaps, get to the people who need it. (Oh, and meanwhile thousands of tons of U.S. grain sits in African warehouses, protected by guards and the European Union's sensibilities because it has been genetically modified and, ostensibly, a potential threat to health and ecology. Good lord, a hungry man isn't going to worry about getting cancer in 30 years if he thinks he will starve to death in 30 days! And if there's fear that some of the grain will be used as seed and potentially contaminate other crops, then grind it up and distribute it. Send mills, not millions of dollars! Methinks, however, the EU is more concerned with protecting markets rather than mankind).
My mother used to tell me to clean my plate because there were children starving in Africa. Too bad there wasn't FedEx back then; I could have taken those lima beans and shipped them overseas, where they could have been confiscated and consumed by some red-handed potentate. That would have taught him a lesson.


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Ford Orion Repair Manuals
Free Ford Orion repair manuals [pdf] for do-it-yourselfers. Content: general information; maintenance; common specs & procedures; DTC index (trouble codes); accessories & equipment; body & frame; brakes; driveline/axles; electrical; wiring diagrams; engine; engine performance; HVAC; lighting; restraints; steering; suspension; transmission.
The first generation Ford Orion (small family car) was introduced in 1983. Technical specs: Layout: front-engine, front-wheel drive; Body style: 4-door notchback saloon, 2-door notchback saloon; Wheelbase: 94.2 in (2,393 mm); Length: 165.1 in (4,193 mm); Width: 64.6 in (1,640 mm); Height: 54.9 in (1,395 mm); Engines: 1.3L Valencia/HCS Straight-4 69 hp (51 kW) at 6000 rpm 74 lb·ft (100 N·m) at 3500 rpm; 1.6L CVH Straight-4 79-105 hp (58-77 kW) at 5800-6000 rpm 92-102 lb·ft (125-138 N·m) at 3300-4800 rpm; 1.6L Endura-D Straight-4 Diesel 54 hp (40 kW) at 4800 rpm 70 lb·ft (95 N·m) at 3000 rpm; Transmissions: 3-speed Ford ATX automatic; 4-speed Ford BC4 manual; 5-speed Ford BC5 manual.
1983-1986 Ford Orion repair manual
1983-1986 Ford Orion wiring diagrams
The second generation Ford Orion (small family car) was introduced in 1986. Technical specs: Layout: front-engine, front-wheel drive; Body style: 4-door notchback saloon, 2-door notchback saloon; Wheelbase: 94.5 in (2,400 mm); Length: 165.9 in (4,213 mm); Width: 64.6 in (1,640 mm); Height: 54.7 in (1,389 mm); Engines: 1.4L OHV 73 hp (54 kW) at 5600 rpm 76 lb·ft (103 N·m) at 4000 rpm; 1.6L OHC 88-90 hp (65-66 kW) at 5800 rpm 93-98 lb·ft (126-133 N·m) at 4000 rpm; 1.8L OHV 105 hp (77 kW) at 5500 rpm 113 lb·ft (153 N·m) at 4000 rpm; 1.8L Diesel 54-60 hp (40-44 kW) at 4800 rpm 70-81 lb·ft (95-110 N·m) at 2500-3000 rpm; Transmissions: stepless automatic; 3-speed automatic; 5-speed manual.
The third generation Ford Orion (small family car) was introduced in 1990. Technical specs: Layout: front-engine, front-wheel drive; Body style: 4-door notchback saloon, 2-door notchback saloon; Wheelbase: 94.5 in (2,400 mm); Length: 165.9 in (4,213 mm); Width: 64.6 in (1,640 mm); Height: 54.7 in (1,389 mm); Engines: 1.3L OHV 60 hp (44 kW) at 5000 rpm 74 lb·ft (101 N·m) at 2500 rpm; 1.4L OHV 71 hp (52 kW) at 5600 rpm 76 lb·ft (103 N·m) at 4000 rpm; 1.6L OHC 90-105 hp (66-77 kW) at 5500-6000 rpm 93-98 lb·ft (134-135 N·m) at 3000-4800 rpm; 1.8L OHV 105 hp (77 kW) at 5500 rpm 113 lb·ft (153 N·m) at 4000 rpm; 1.8L Diesel 60 hp (44 kW) at 4800 rpm 81 lb·ft (110 N·m) at 3000 rpm; Transmissions: stepless automatic; 5-speed manual.


I hope you will join me in Studio E2, Cockpit Arts, Holborn for fantastic festive shopping at the Cockpit Open Studio event.
A rare glimpse behind the scenes at the famous Cockpit Arts Studios, a chance to meet the makers, hear their story and buy direct from the people who make it.
With over 100 makers in all disciplines including jewellery, glass, fashion & textiles, millinery and ceramics, it is the ideal place to start that christmas shopping list and choose presents with character and charm, uniquely handmade with our love.
The christmas elves have worked their magic once again and bedecked the halls with decorations - it's beginning to feel allot like Christmas...!
Admission £6 - Cockpit Arts is a registered charity, your entry fee goes towards the professional development of the makers and the upkeep of our unique but slightly crumbly building.
I am very pleased to have been selected once again to showcase my Diamond Collections at Dazzle London this year.
This annual selling exhibition of Contemporary Jewellery showcases the work of over 80 world renowned jewellers invited from all across the UK.
Returning for the sixth year to this stunning riverside Gallery at the iconic Oxo Tower Wharf is an exciting line up of contemporary jewellery designers at the forefront of UK jewellery, both long established and recent graduates.
With its delicious mix of independent shops and galleries spread over two floors, Oxo Tower Wharf on London's famous South Bank is well worth an afternoon of exploring.
Dazzle London opens to the public on Monday 12th November and closes on 6th January 2019.
Please join me at the famous Goldsmith's Fair for my fourth year at this prestigious annual event hosted by the Worshipful Company of Goldsmiths, one of the Twelve Great Livery Companies of the City of London, which received its first royal charter in 1327.
Each year, this unique Contemporary Jewellery event draws collectors, design lovers and luxury shoppers to the magnificent Goldsmiths' Hall where they can browse the latest collections from this handpicked selection of craftsmen and women.
Taking place over two weeks with a halfway change of exhibitors - my space is in Week One - from Tuesday 25th September - Sunday 30th September, Stand Number 10.
I am working hard over the summer Cinderella-style to bring new work to life using gorgeous 18 carat gold and tiny grey, cognac and black diamonds, to feature at the show.
I hope you will join me in Studio E2, Cockpit Arts, Holborn for fantastic shopping at the Cockpit Open Studio event.
This is a rare chance to see behind the scenes of one of the UK's most prestigious artists studios. Meet the makers and buy direct from Cockpit's master craftspeople and artist-makers. With over 100 makers in all disciplines including jewellery, glass, fashion & textiles, millinery and ceramics.
This twice-a-year Open Studio event is the only place where you can buy from my selection of archived and discontinued stock in the sale section of my display. Sale pieces are typically discounted by 40-50% of their original price. Sale pieces are limited and as such are sold on a first-come-first-served basis, so don't miss out!
Throughout the weekend at quieter times I will be demonstrating my specialist techniques, so come and see where the magic happens - and how it's made.
If you are interested in joining one of my classes I will have samples of all my projects on display and can address any questions you may have.
This year we open the show on the Friday evening - In Studio E2 we will start the party off with fizz and nibbles, so drop in from 5-9pm.
I will also be showing at the Deptford Open Studios the following weekend in Studio 203.
Summer Admission is FREE - Cockpit Arts is a registered charity, your entry fee goes towards the professional development of the makers and the upkeep of our unique but slightly crumbly building.
I will also be showing at the Deptford Open Studios the following weekend in Studio 106.
I am very pleased to have been selected to showcase my Diamond Collections at Dazzle London this year.
Returning for the fifth year to this stunning riverside Gallery at the iconic Oxo Tower Wharf is an exciting line up of designers at the forefront of UK jewellery, both established and recent graduates.
Dazzle London opens to the public on Sunday 12th November and closes on 7th January 2018.
Opening times: Monday to Saturday 10-7, Sundays 11-6. We are closed 25,26,27 December & 1 January. Early closing on Christmas Eve and New Year's Eve at 4pm. After Christmas 11-6 daily.
Please join me at the famous Goldsmith's Fair for my third year at this prestigious annual event hosted by the Worshipful Company of Goldsmiths, one of the Twelve Great Livery Companies of the City of London, which received its first royal charter in 1327.
Taking place over two weeks with a halfway change of exhibitors - my space is in Week One - from Tuesday 26th September - Sunday 1st October, Stand Number 11.
We are pleased to be invited to exhibit for the first time at Dazzle@Dovecot, Edinburgh.
Part of the world renowned Edinburgh Festival, running throughout August until Monday 28th August. Open every day from 10am to 6pm.
Dazzle Contemporary Jewellery Exhibitions is dedicated to showing the best of contemporary designer jewellery. They organise two exhibitions a year in Edinburgh and London showing work in a wide range of materials from gold and silver to paper and plastics. They are committed to showing young makers at the point of graduation alongside internationally renowned designers.
Their ethos of arts and crafts ideals and weaving skills have been passed on to generations of Dovecot Apprentices to the present day. Dovecot's Master Weavers continue to collaborate with artists and designers on tapestry projects and commissions ensuring that the skill of tapestry weaving remains vibrant in the 21st Century.
The light and airy gallery upstairs will be filled with our usual mix of established and new designers, showing the best of contemporary jewellery in a huge variety of materials.
I am off to West Dean College in March for what has become my annual teaching course there.
Covering all my specialist textile wire techniques - including Crochet, Knitting and French-Knitting, in an intensive but fun 2-day course.
The college is set in historic West Dean House in Sussex, former home of Edward James, poet, artist, designer and patron of the Surrealist Movement. It offers an inspirational setting for focused study, creativity and innovation.
This curated Salon Privée style event features Jewels from the Oscars, crocheted Diamonds, and Stories from India - this is your opportunity to browse London's most creative fine jewellery with a glass of wine in hand.
Dazera is hosted at the home of one of our designers near Sloane Square in London's fashionable Chelsea district.
If you're looking for something special to give this Christmas or you just want to come and take a look, Dazera will be open from 2-9pm on Saturday 3rd December. Meet our talented designers, hear their stories, and try on their fabulous jewellery.
The 7 designers exhibiting at the show are Ana de Costa, Astratelli, Flora Bhattachary, Josef Koppman, Sanni Falkenberg, Teri Howes and Mike Joseph.
I hope you will join me in Studio 207, Cockpit Arts, Deptford for fantastic festive shopping at the Cockpit Open Studio event.
With over 50 makers in all disciplines including jewellery, glass, fashion & textiles, millinery and ceramics, it is the ideal place to start that christmas shopping list and choose presents with character and charm, uniquely handmade with our love.
The christmas elves have worked their magic once again and bedecked the halls with decorations. Enter your name in our Prize Draw to win Cockpit Shopping Vouchers worth £100.
Vote for your favourite makers display and the maker will win a cash prize of £175, so please vote for me!
Admission £3 - Cockpit Arts is a registered charity, your entry fee goes towards the professional development of the makers and the upkeep of our unique but slightly crumbly buildings.
I will also be showing at the Deptford Open Studios the following weekend in Studio 207.
Admission £5 - Cockpit Arts is a registered charity, your entry fee goes towards the professional development of the makers and the upkeep of our unique but slightly crumbly building.
Returning for the fourth year to this stunning riverside Gallery at the iconic Oxo Tower Wharf is an exciting line up of designers at the forefront of UK jewellery, both established and recent graduates.
Dazzle London opens to the public on Sunday 13th November and closes on 8 January 2017.
you are invited to join me at the famous Goldsmith's Fair for my second year at this prestigious annual event hosted by the Worshipful Company of Goldsmiths, one of the Twelve Great Livery Companies of the City of London, which received its first royal charter in 1327.
Taking place over two weeks with a halfway change of exhibitors - my space is in Week One - from Tuesday 27th September - Sunday 2nd October, Stand Number 20.
I have been working hard over the summer Cinderella-style to bring new work to life using gorgeous 18 carat gold and tiny grey, cognac and black diamonds, to feature at the show.
Opening Hours are 11am to 6.30pm, with a late evening til 8.30 on Thursday 29th September.
Very excited to be exhibiting this summer for the first time at the renowned Art in Action show in Waterperry Gardens, near Wheatley in Oxfordshire.
Every July up to 400 artists, craftsmen, performers and musicians gather together in this stunning venue to demonstrate their skills and show their work.
In this unique show you can watch the potter pot, the painter paint and the sculptor sculpt. You can ask the masters of the arts of jewellery, textiles, woodwork and glassblowing about the secrets of their craft. In the ever popular Practical Classes section, you will be able to have a go yourself at the art or craft of your choice with the guidance of an expert teacher.
This is a rare opportunity for visitors to see behind the scenes, meet 170 talented makers and buy beautifully crafted work direct from master craftspeople and artist-makers past and present.
In Studio E2, as well as my current collections, I will be having a small discount sale of discontinued stock and sample pieces - so pop in nice and early to bag a bargain!
I will also be showing at the Deptford Open Studios the following weekend in Studio 200.
I will be giving a talk and demonstration of my inspirations and techniques at the new MADE LONDON show in Bloomsbury this coming May.
The show will take place in a number of stunning rooms including the old gymnasium, theatre, drawing room, library, dining rooms and classrooms. There will be a café in the walled garden.
PLEASE NOTE - I am not exhibiting at the show just giving a talk - you will need to buy a show ticket to see my talk.
The christmas elves have worked their magic once again and bedecked the halls with decorations and a fantastic tree where all the decorations are made by us. You can win them in our prize draw as well as the tree!
In E2 we will start the party off with festive nibbles, so drop in for some christmas cheer.
I will also be showing at the Deptford Open Studios the following weekend in Studio 212.
Teri is delighted to be selected for the first time to exhibit at the prestigious annual Goldsmith;s Fair later this month.


tobacco and its related products, hand guns, sexual devices, personal ads, items that could be considered weapons, products made from endangered animals, nefarious land and get-rich schemes.
NOVA SCOTIA beds down gradually for the winter, in stages. A little fog, a little rain. And slowly pulled over us, from north to south, a fluffy white blanket. We like to be covered and snug for Christmas. But there are vagaries, mostly between the Fundy/Northumberland and the Atlantic sides of the province. Some areas stubbornly refuse the blanket – Metro, eastern and especially south-western Nova Scotia at times and Brier Island more often than not – but by January most of the province is under wraps. Three winters ago, it was great. We have temperate, mild Maritime winters, with gradual changes, unlike the extremes of Newfoundland, Moncton and Amherst at the head of the Bay of Fundy, or the freezing sleet of Canso, which is another story. Seldom a winter without two or three mid-winter thaws. Then there was last winter's "open"; we were the mildest province in Canada – the lakes didn't freeze, hardly any shoveling … good for the driveway public, not so for the kids, ski-trekkers and ski-dooers.
That first snow changes everything. It is as if all the clutter in our landscape has been swept beneath a rug. The horizon is clearly defined and the sky seems to expand with the cold. And while much is hidden by winter, much is also revealed. Without leaves, trees and homes reappear with stark intimacy. Our maintains seem higher than squat. Flowers, grasses and weeds lie back and the true lay of Nova Scotia emerges. One sees so much further. At times we look over great seas of white. As the temperature drops, the scent of pine, balsam and salt air intensifies. The moon hangs in the sky illuminating the brilliance of Orion and Sirius.
Do Nova Scotians change in the winter? Out-of-doors, under an astonishingly varied collection of heavy clothing, personalities recede. There is less small talk and a brisk formality takes over; conversation is clipped in the cold, clear air. Yet indoors, winter can be the most cordial of times. The warmth we share, created specifically for our comfort, thaws our reserve and encourages our conviviality. In the deep drifts of blizzards, we rough-house, ignoring the cold. Nowhere is this more true than in the hearth and homes in the country. We think the people of Nova Scotia reflect the landscape … similarly, yet somehow different in winter.
Unlike society, it is seemingly beyond man's control, the source of pleasure, inconvenience or, as with the Ocean Ranger, avoidable tragedy.


Join fellow Newton Cultural Alliance organization in the intimate setting of the Nordic Hall.
Hear some of Boston's best virtuosi on an intimate scale and join them in lively roundtable discussions in comfortable, friendly, and eclectic surroundings. Last season's salons featured various trios and quartets and included repertoire featuring both classics and new works by Mendelssohn, Mozart, Ibert, Tomassi, Vivaldi, Dvorak, and our own Steve Laven.
60 minutes followed by a roundtable discussion.


Go bohochic with this handwoven circle bag of palm leaves!
Go bohochic with this handwoven circle bag of palm leaves! The leather straps and mauve fringes make this it-bag unique.
This small Mexican fashion accessories brand is run by Alejandra, a young creative designer and entrepreneur, living in a paradisiacal bay on he West Coast of Mexico. Inspired by local beach-life and artisans, Alejandra started her own collection of fashion accessories. What I like about her collection is that she gives a personal and contemporary twist to traditional handicrafts. She works with very traditional products and techniques; but she always comes up with new ideas to make them actually fashionable! Sometimes it is just about a small detail. And when she notices others do the same, she manages to find another innovative version.
Her talent and refined sense of style gets picked up by high-end fashion shop until Tulum, the paradise for stylish travelers with love for nature, natural materials and sober designs.
Alejandra works together with a community of local artisans in Guerrero, founded to create a better life for their families.
MATERIALS & TECHNIQUE: handwoven bag of palm leaves with leather strap and black fringes. Handmade in Mexico.


Search results for: "generation rescue"
J. B. Handley and Orac go way back (to 2005), when Orac first encountered Handley's brand of blustering, arrogantly ignorant antivaccine pseudoscience. Lately, Handley's been blogging over at Medium. A couple of weeks ago, Medium kicked him off its platform for violating its TOS. Schadenfreude ensues.
One of the favorite tactics of cranks and quacks to silence criticism from bloggers is to threaten to sue for libel. Ex-naturopath turned science advocate Britt Hermes is currently living this reality, as a naturopathic cancer quack is currently suing her for libel in Germany. Given that Britt is a graduate student in evolutionary biology her means are quite modest and as is no doubt the intent, just defending this lawsuit could ruin her and her husband financially. Fortunately, you can help help her, and I urge you to do so.
Antivaccine "studies" never die. They always return to promote disease among children.
Orac contemplates a reason why doctors become antivaccine that he missed the last time he discussed this topic.
Are unvaccinated children more healthy than vaccinated children?
Autism Awareness Month is nearly upon us again. Unfortunately, the antivaccine movement has found a new way to ruin it by hijacking autism awareness to promote their antivaccine pseudoscience and quackery, along with contempt for autistic people. Behold #SaidNoMother and #SaidNoFather.


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Naoki Nomura (født 17. april 1991) er en japansk fodboldspiller, som spiller for den japanske fodboldklub Tokushima Vortis.

Referencer

Eksterne henvisninger

Fodboldspillere fra Japan


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Mobile First Indexing
21/11/2018 SEOBy Voova Digital
Mobile-first indexing has been hitting the news recently, as the latest development of Google's ever-moving efforts to make the web-friendly to as many people as possible.
As usual with Google developments, there is some confusion among site owners and business owners how this will affect them and their businesses. If you are unsure how mobile-first indexing will affect you, then why not contact Voova Digital who are the experts at giving SEO advice.
What is Mobile-First Indexing?
As you may expect the phrase mobile-first indexing means exactly what it says. And that it that Google will use the mobile version of your site as the beginning of its indexing and as a base to determine how to rank your site.
If you look at your crawlbot traffic then you may see an increase in traffic from Smartphone Googlebot, and you will notice the cached versions of the pages will be the mobile version of them.
If your site does not have a mobile version, then the desktop version will automatically be indexed, this is why it is called mobile-first. On the negative side, the absence of a mobile-friendly version will affect the rankings of your site. And a site that is attuned with its mobile-friendly side will rank better, even for people searching on a desktop.
The Things That You Can Do
Firstly don't panic over the situation, mobile-first indexing is still in its relatively early stages of testing and will have a gradual roll-out to websites. And only if Google decides that the websites are mature enough for this change and ensure minimal impact.
Google released a statement informing that if your website is responsive or otherwise identical in its desktop and mobile versions, you may not have to do anything differently.
However, even if you have a really responsive site, you should ensure that the mobile page speed and loading times are one of your first priorities, and other areas are optimized to give a good mobile experience.
General Mobile-First Information
Mobile-first indexing uses the same indexing as Google uses now, it does not generate a new mobile index, nor a separate mobile-first one.
Google has been experimenting with mobile-first indexing on a small number of sites based on their perceived readiness. The wider roll-out will take much longer, perhaps years.
Mobile-first means that the mobile version of your site will become the primary version that Google will use to index your site. But there may also be times that the desktop version will be used as the primary one.
Your content can still be indexed if you do not have a mobile version of your site, but your rankings will probably suffer due to this especially against mobile-friendly sites. Your site will be perceived to give less user experience than other sites.
Mobile-first may impact on many factors that are considered in your rankings.
If your site is not currently being updated to be mobile-friendly then it is time to act as mobile-first is not going to go away.
Great Tips for Actionable SEO- Part 1
Five Easy-to-Miss SEO Mistakes Blogs Make
What to do With Your Old Blogs
Simple Ways to Make Your Blog Improve Your SEO
Building Links with Great Content
Long-Term Link Acquisition Value of Content Marketing


"GAO report: Offshoring of Services"
"State and local officials look to outsourcing"
The growing practice of sending software development and other service work overseas has captured lawmakers' attention, but federal data on the trend is largely lacking, according to a government report released today.
Almost no federal data exists to inform the public about the impact of "offshoring" of services on the U.S. economy, the workforce, consumer privacy or national security, Government Accountability Office auditors found.
The auditors conducted a study, Offshoring of Services: An Overview of the Issues, from May 2004 to November 2005 at the request of the controller general.
GAO's auditors found few explicit restrictions on the type of services work that can be sent offshore.
The Defense Department, for example, does not require managers of major weapons systems programs to identify or manage the potential security risks from foreign suppliers.
DOD recommends but does not require program managers to review computer code from foreign sources that DOD or its contractors do not directly control. DOD program managers cannot always identify all foreign-developed software in their systems, GAO found.
GAO interviewed a variety of experts who had mixed concerns about the effect of offshoring on critical infrastructure such as utilities and communications networks or its impact on the privacy and security of consumers' financial and medical information.
Federal and state lawmakers have introduced a variety of bills to restrict the offshoring of some government services and to provide more assistance for displaced workers.
GAO's auditors concluded that more research is needed to understand the effects of offshoring on the economy, the workforce, income distribution and security risks.


We have 3 pyrenees/hound mix pups. They are 7 months old. Each has come up limping off and on. Seems to be the ankle, not hip. Then it goes away. Any ideas?
The best advice is to take your pups to the vet for thorough examination. Vets have the training to determine what is going on with them.


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Bahrain: Index condemns decision upholding sentence of human rights activist
BY INDEX ON CENSORSHIP
Bahraini human rights defender Nabeel Rajab (Photo: The Bahrain Institute for Rights and Democracy)
The decision by a Bahraini appeals court to uphold a six-month sentence against Nabeel Rajab is a sad example of how the country treats freedom of expression. Index strongly protests the court's verdict and demands the country halt its judicial harassment of human rights defenders.
"Index reiterates its call on Bahrain to end its harassment of activists like Rajab, who are being punished for exercising their democratic right to free speech. We ask Britain, as a close ally of Bahrain, to insist that the kingdom upholds its human rights commitments", Index on Censorship CEO Jodie Ginsberg said.
Rajab was handed down a six-month suspended sentence pending payment of a fine in January for a tweet that both the ministry of interior and the ministry of defence claimed "denigrated government institutions".
The tweet in question stated:
many #Bahrain men who joined #terrorism & #ISIS came from security institutions and those institutions were the first ideological incubator
— Nabeel Rajab (@NABEELRAJAB) September 28, 2014
Since then, Rajab's appeal against the verdict has been postponed repeatedly and he was arrested on 2 April over subsequent tweets and an opinion piece published on the Huffington Post. If he is convicted on all current charges, Rajab could face more than 10 years in prison.
Rajab is a former winner of a Index on Censorship freedom of expression award, president of the Bahrain Center for Human Rights and a member of Human Rights Watch's Middle East Advisory Board. He has continuously been targeted by Bahraini authorities over his human rights campaigning work. He was released in May 2014 after spending two years in prison on spurious charges including writing offensive tweets and taking part in illegal protests.
Last month, Rajab's civil society colleagues human rights defender Abdulhadi Al-Khawaja and political activist Salah Al-Khawaja were prevented from attending the funeral of their eldest brother Abdulaziz, who passed away in Bahrain. Abdulhadi is serving a life sentence due to his human rights work and Salah is serving five years for his political activism; both are prisoners of conscience and torture survivors.
This statement was posted on 14 May 2015 at indexoncensorship.org


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Home / Articles/Interviews / Articles / Art Pepper, the turbulent master of the alto saxophone
Art Pepper, the turbulent master of the alto saxophone
One of the most talented alto saxophonists and at the same time one of the most turbulent personalities of jazz passed away on 15 June 1982: Art Pepper, whose superb mastery of the alto saxophone, exciting compositions and stormy life have left an indelible mark in jazz history.
Art Pepper was born on 1 September 1925 and started playing music when he was only 9 years old. He became one of the best alto saxophonists of jazz, but he was equally impressive with the clarinet, which he played with a unique technique and a sound unprecedented for the instrument, that no one has managed to emulate so far. Art Pepper's mastery of the clarinet is manifested in its most exquisite form in the track «More For Less».
Pepper also played tenor saxophone, though his skill with the tenor was not a match for his incomparable mastery of the alto saxophone and clarinet. Nevertheless, one of his many achievements was the recording of a "duet" (using over-dubbing), playing alto and tenor saxophone sequentially, with perfect synchronization of the two parts of the composition.
He was also a gifted composer, famous for his ability to compose impressive pieces in next to no time. A typical example of Pepper's ability as a composer was the occasion when, while traveling with colleagues, their car ran out of petrol. The other musicians went to get a can of fuel, returning only to find Pepper waiting for them, having already composed a rather lengthy musical piece.
Pepper was one of the pioneers of bebop and one of the proponents of the style that became known as West Coast Jazz, but he was not influenced by the dominant trend of bebop at the time that was represented by Charlie Parker, Dizzy Gillespie and Miles Davis. His music was often full of blues elements, such as in his track «Thank You Blues».
Growing up with an alcoholic mother and an alcoholic and violent father, Art Pepper had traumatic experiences in his childhood, that left him with many deep psychological scars. He did not trust anyone, and was always looking for someone he could trust, to replace the father he essentially never had. His autobiography «Straight Life», co-written by Pepper and his wife, recounts a life that, in contrast to the title, was not at all conventional. Addicted to heroin during most of his musical career, Art Pepper was imprisoned four times and spent a total of nearly five years in prison. Despite his drug abuse, he managed to regain his creativity as a composer and a saxophonist once he was out of jail.
A lesser known but excellent album of Pepper was recorded in London in 1980; entitled «Blues for the Fisherman» (TAA/Mole, 1980), it was attributed to the quartet of the pianist Milcho Leviev (who nowadays resides and performs in Thessaloniki), as Pepper had contracts with record companies that prohibited him from releasing the album solely in his own name.
Pepper's discography is huge, but the albums «Live at the Village Vanguard» (Contemporary, 1977, 9 CD), «Art Pepper Meets the Rhythm Section» (Contemporary, 1957) and «Art Pepper Plus Eleven» (Contemporary, 1959), provide the best examples of his work. But above all else, Art Pepper's major legacy is an unparalleled expressiveness on both the alto saxophone and the clarinet.
Mihalis Yianneskis
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Mihalis Yanneskis
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Simile In The Iliad Essay
In the Iliad it is an interesting piece of literature, that gives the reader more than just a story, but also gives a sense of close connection with the story. One of the tools used in the book is the Epic Simile, which are sentences used to describe with more detail previous lines. This gives the reader a more intense point of view of the book. In many cases, those lines are described with lions representing the warriors that were fighting the many battles present in the Iliad. It is safe to say that the epic simile puts the reader in the book and adds even more drama to what is an Epic war. For my assignment, it was written an epic simile from page 245, line 213 to 217. In this section, it is described how an angry Little Ajax seeks revenge
Epic Similes In The Odyssey
Homer's epic poem The Odyssey translated by Robert Fagles completely illustrate Odysseus's journey home after The Trojan War. Separated into twenty-four different books, the poem describes the hardships Odysseus faces and how he overcomes obstacles. Though this poem is composed for listeners and may seem incomprehensible, Homer includes a plethora of literary devices to help audiences better understand, follow, and enjoy the context of The Odyssey. Throughout this poem instances of epic simile, foreshadowing, epithet, and xenia are included to help the poem flow.
The Iliad by Homer: Book VI
The Iliad: Book VI is about the continued war for Troy but Homer focuses a lot of the book on Hector, Prince of Troy. The Achaeans were overwhelming the Trojans so they were forced back into their city. The Trojans were weakened so the Achaeans took full advantage and slaughtered as many as they could. However, the Trojans anticipated this weakness and Hector asked his mother to pray to Athena for the army. Meanwhile Paris, Hector's brother, had withdrawn from battle because of the grief he caused. But his soon to be wife Helen and Hector convince him to return to battle. Just before they head into battle Hector pays a visit to his wife and child to say goodbye for maybe the last time. His wife is convinced that he is near his death and mourns. Hector then meets Paris on the way to the city gate and they prepare to fight.
Grief in The Iliad Essay
There are many lessons that can be learned from reading Homer's The Iliad. One of which is understanding the stages of grief. One can literally watch Achilles go through all five stages when he morns the death of his comrade Patroclus. Achilles moves through Denial and Isolation, Depression, Anger, Bargaining and Acceptance in the short time after his close friends death.
Similes In The Odyssey
I will argue that we may view the woman as representative of Odysseus' grief in his moment of pity and pain, the simile in its entirety may be regarded as analogous to a potential future for his own oikos. Should he fail to return home or succeed to return only to deceit and demise, Odysseus will initiate the splintering of his home into the rabid hands of the suitors. The simile shifts from referring solely to Odysseus to encompass the possible fate of his entire household. This promotes the idea that this hero reaps what he sows for, as the perpetrator of like monstrosity, he faces the tragedy of a future akin to that of his own surviving victims.
Throughout The Iliad, an epic poem written by Homer, there were numerous warriors and other characters that could be looked upon as heroes; some of these heroes included Achilles, Ajax, Diomedes, Hector, and Glaucus. All of these individuals were heroes because of their remarkable mental and physical strength: they were courageous and were better fighters in war than other ordinary men. The trade of battle was a way of life to the Greeks back in Homer's time. Children were raised to become great servicemen to their country, and warriors lived to fight for and defend their nation with pride and valor. The heroic code was a strict morality that dealt with matters relating to honor and integrity in battle.
Essay on The Iliad
In almost all instances of war the cause has been related to greed, or the gaining of land and possessions. Greed is presented in the very first book of Homer's "The Iliad." It isn't displayed by the cowards, but the "heroes" of the war such as Agamemnon, Achilles, and Pandarus. The entire cause of the Trojan War is the result of the greedy and cowardly behavior of Paris. There are many factors that had sparked the war, including the interference of the gods; however, the main factor to be blamed for the war is greed.
The Iliad Essay
Homer's epic The Iliad, is a great tale of war and glory. It takes place during the last year of the ten year Greek-Trojan war. The Greeks have been fighting with the Trojans for quite some time, and just when peace seemed like a possibility, the youngest prince of Troy, Paris, acts out selfishly and steals the beautiful wife of Menelaus, Helen. This instigates the fighting again. Throughout The Iliad, Homer tells of two heroes, both similar, but also very different in their character; the great and powerful Greek, Achilles, and the strong, loving father, Prince Hector of Troy. In Homer's The Iliad, Hector and Achilles differ as heroes in regards to pride, duty, and family love, the latter being self-centered and prideful, while the
Essay on Differences in Heroes in The Iliad
This decision of prideful betrayal brings many casualties to the Achaean army. Once Agamemnon apologetically offers Achilles many valuable gifts along with the return of his war prize, Achilles refuses. In this rejection, Achilles is putting his own animosity toward Agamemnon above the needs of his fellow Achaeans. His friend Phoenix tells him to think of his diminishing honor, but Achilles answers, "…what do I need with honor such as that ?/ … It degrades you to curry favor with [Agamemnon],/ and I will hate you for it, I who love you./ It does you proud to stand by me, my friend,/ to attack the man who attacks me…"(p 147). Not only does Achilles reject honor, but he egotistically asks his father figure, Phoenix, to give up his in order to take his side.
Fate In The Iliad Essay
Portions of modern society believe fate to be concrete and unchanging. However, in ancient times, it was believed to be influenced and guided by the actions of the gods. Similarly, in The Iliad by Homer, the actions of the gods influence the life, death, and fate of each and every individual. Gods such as Zeus, Athena and Apollo take great influence in human affairs in The Iliad. These actions cause life, death, sorrow, and triumph to befall various individuals of the story. Achilles' fate results, solely, from these actions the gods undertake. In particular, the gods influence on Achilles' fate shows when the gods keep Achilles from killing Agamemnon, staying out of the war, and holding onto his rage.
Essay on Heroes in the Iliad
be looked at as "the wife of Hektor, who was ever the bravest fighter of
Central to any study of the humanities is the human condition – our nature, which has historically shown that it is equally capable of both good and evil deeds – and the problem that arises from it; specifically, why do humans suffer? Many philosophies and religions have their own account for this aspect of humanity, and we find that what the accounts have in common is each explains the human condition in terms that are similar to how that institution of thought explains the true nature of reality.
Analysis Of The Book ' The Iliad ' Essay
The first book of the Iliad begins with the beginning of Achilles' rage, the rage that will eventually cause his own people so much grief and is also the force for Homer's version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses' daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By "singing of Achilles' rage" from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.
HEROISM IN THE ILIAD Essay
In the Iliad there are many characters that could be considered heroic. But the two main characters that stand out as heroes to me are swift-footed Achilles and flashing-helmet Hector. Numerous times throughout the epic they display qualities and traits that are unsurpassed by anyone on their side. Many times throughout the epic Achilles and Hector are tested for their strength, and will to win in battle, which for both warriors always ends up positive because they always win their battles. Although both fighters are among the elite status in the armies, they each show human and god-like qualities that help them be as a fierce and feared as possible.
The Iliad Of The Homer 's Iliad Essay
The Iliad ranks as one of the most important and most influential works in terms of world literatures since its establishment. Between the underlying standard to which the Iliad offers us as audience members, along with the plethora of writers that have followed in the footsteps to which Homer's Iliad paved, the impact that the Iliad has played is remarkable in itself. While the Iliad can be credited for much of present day literature we study today, Hollywood can be created for the plethora of world-class films and replication of iconic works of literature over its time as well. Wolfgang Petersons Troy is a prime example of a world-renowned poetic being transformed into a Hollywood production. While the 2004 American epic adventure war film, Troy was a huge hit in the box office, and full of world-class actors such as Brad Pitt and Orlando Bloom; it does lack many critical events and characters that play a key role in Homer's Iliad.
Dulce et decorum est pro patria mori


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Answered Jan 30 · Author has 502 answers 751. Please note that most of the apps are made by third- party developers are not maintained by the Subsonic project. This is a follow up to my article Native Audio in the Browser, which covers the basics of HTML5 audio.
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Padam or the Feet of Guru = Heart = Source = Self.
each and everyone to act in accordance with his Vasanas.
At a more fundamental level, Vasanas are the cause of both manifestation and rebirth. According to Bhagavan, it is the Vasanas, that impel the mind to project and witness an illusory world. At the time of death, the un-eradicated Vasanas withdraw into the Heart, where they remain latent for a while before bringing into existence a new body and a new world. The destruction of all Vasanas is equated with Self Realization, since, in that state, there is no rebirth and no illusory, projected world.
Verse 1917: In the wonderful Padam, universes become atoms and atoms become universes.
Bhagavan also mentions this in Talks No. 323.


The speaker for January 2018 PEP MCLE Lunch will be Ryan Ronco from the Placer County Recorder's Office. He will be discussing the new law that went into effect on January 1 pertaining to the added recording fees along with other updates. Registration for lunch begins at 11:40 a.m. Presentation begins at 12:15 p.m.
RSVP Deadline is Thursday, by noon, January 18, 2017 with either online registration and online payment, or check must be received no later than January 19, 2017. After that date, if seating is available, walk-ins and late registrations price increases by $10.00.
This lunch MCLE is proudly sponsored by Placer Land Trust and the Center for Land-Based Learning.


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Falls are the leading cause of fatal and nonfatal injuries among adults aged ≥65 years (older adults). During 2014, approximately 27,000 older adults died because of falls; 2.8 million were treated in emergency departments for fall-related injuries, and approximately 800,000 of these patients were subsequently hospitalized.* To estimate the numbers, percentages, and rates of falls and fall injuries among older adults by selected characteristics and state, CDC analyzed data from the 2014 Behavioral Risk Factor Surveillance System (BRFSS) survey. In 2014, 28.7% of older adults reported falling; the estimated 29.0 million falls resulted in 7.0 million injuries. Known effective strategies for reducing the number of older adult falls include a multifactorial clinical approach (e.g., gait and balance assessment, strength and balance exercises, and medication review). Health care providers can play an important role in fall prevention by screening older adults for fall risk, reviewing and managing medications linked to falls, and recommending vitamin D supplements to improve bone, muscle, and nerve health and reduce the risk for falls.
BRFSS is an annual, random-digit–dialed telephone survey of the noninstitutionalized U.S. civilian population aged ≥18 years conducted annually in all 50 states, the District of Columbia, Guam, Puerto Rico, and the U.S. Virgin Islands. Detailed information regarding the survey is available online.† The median response rate for 2014 was 47.0%.
In 2014, survey respondents were asked, "In the past 12 months, how many times have you fallen?" If the response was one or more times, they were asked, "How many of these falls caused an injury? By an injury, we mean the fall caused you to limit your regular activities for at least a day or to go see a doctor." This analysis was limited to adults aged ≥65 years in all 50 states and the District of Columbia who were asked the questions about falls.
The first question was used to estimate the percentage of older adults who reported one or more falls and the total number of falls; the second question was used to estimate the number of fall injuries. Response options ranged from zero to 76 or more with reported means of 0.67 falls and 0.16 fall injuries. The percentages and numbers of falls and fall injuries included all adults aged ≥65 years in the denominator. Adults with responses of "Don't know/Not sure," "Refused," or "Not asked or missing" for questions about falls, fall injuries, or demographic characteristics were excluded, reducing the sample to 147,319 adults.§
The percentages and numbers were compared across the following subgroups: sex, age group, race/ethnicity, marital status, education, annual household income, health status, and state of residence. Orthogonal polynomial contrasts and pairwise t-tests were used to identify significant increases or decreases where appropriate. The 2014 BRFSS data were weighted by iterative proportional fitting (raking) to represent state-level population estimates and aggregated to represent a nationwide estimate.¶ All results presented are weighted. Analyses were conducted using statistical software to account for the complex sampling design.
In 2014, 28.7% of older adults reported falling at least once in the preceding 12 months, resulting in an estimated 29.0 million falls ( Table 1 ). Of those who fell, 37.5% reported at least one fall that required medical treatment or restricted activity for at least 1 day, resulting in 7.0 million fall injuries. Women (30.3%) were more likely to report falling than men (26.5%) (p<0.01) and were more likely to report a fall injury (12.6% compared with 8.3%; p<0.01). The percentage of older adults who fell increased with age (p<0.01), from 26.7% among persons aged 65–74 years, to 29.8% among persons aged 75–84 years, to 36.5% among persons aged ≥85 years. The percentage of older adults who fell was higher among whites (29.6%) and American Indian/Alaska Natives (AI/ANs) (34.2%) than among blacks (23.1%) and Asian/Pacific Islanders (19.8%). The percentage of older adults who reported a fall injury also increased with age (p<0.01), from 9.9% among persons aged 65–74 years to 11.4% among persons aged 75–84 years, to 13.5% among persons aged ≥85 years. AI/ANs were more likely to report a fall-related injury (16.8%) than were whites (10.9%), Hispanics (10.7%), and blacks (7.8%). The rate of fall-related injuries was significantly higher in the population reporting poor health (480 per 1,000) than the population reporting excellent health (69 per 1,000).
Among states and the District of Columbia, the percentage of older adults who reported a fall ranged from 20.8% in Hawaii to 34.3% in Arkansas. Several states had either significantly higher or lower percentages of reported falls among older adults compared with the national average (Figure) ( Table 2 ). The percentage of older adults experiencing fall injuries ranged from 7.0% in Hawaii to 12.9% in Missouri.
(Enlarge Image)
Figure.
Percentages of falls and fall injuries* in the preceding 12 months reported by adults aged ≥65 years (N = 147,319) — Behavioral Risk Factor Surveillance System, United States, 2014
*Injuries resulting from falls that caused respondents to limit their regular activities for ≥1 days or to go see a doctor.
*https://www.cdc.gov/injury/wisqars.
† https://www.cdc.gov/brfss.
§ https://www.cdc.gov/brfss/annual_data/2014/pdf/codebook14_llcp.pdf.
¶ https://www.cdc.gov/surveillancepractice/reports/brfss/brfss.html.