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Gallery Update: Photos July-August 2018
Sep 21, 2018 CaribaHeart Comments Off on Gallery Update: Photos July-August 2018
Hello! We got some new photos from Instastories and then from Cat Lake, British Columbia where Cariba spent a few days with her friends. Also, she met Dale Molloy – her former dance partner in Vancouver.
Personal Photos > 2018
Gallery Update Personal Photos Video
Adopted: The Series – Season 2 AVAILABLE SOON
Jul 20, 2018 CaribaHeart Comments Off on Adopted: The Series – Season 2 AVAILABLE SOON
Back in 2015 (when her hair was still blonde) Cariba had a guest role in two episodes of TV Series called Adopted. The series has't premiered yet but the trailer came out recently. Let's hope it will be available soon. We have been waiting for it to air for a very long time. I added some behind-the-scenes photos under the video too.
Adopted (2018) > Behind The Scenes
Adopted Gallery Update Video
Gallery Update: Photos June-July 2018
Jul 19, 2018 CaribaHeart Comments Off on Gallery Update: Photos June-July 2018
Hi all! We got some new photos of Cariba during these last two months. In June she celebrated Hannah Levien's birthday where she also met Burgess Abernethy. Just look at this photo of these two. Isn't it cute? All the Zikki feels! It makes me so happy they're still friends since H2O. For more photos visit the album in our gallery.
Gallery Update Personal Photos
Gallery Update: Photoshoots
May 30, 2018 CaribaHeart Comments Off on Gallery Update: Photoshoots
Hello! We got some new never seen photos from Cariba's previous photoshoots. They are all so stunning, aren't they? What do you think?
Photoshoots > 2017 > Ryan Leibl
Photoshoots > 2016 > Miles Szanto
Photoshoots > 2016 > Chance Denman
Gallery Update Photoshoots
Mini-Reunion with the H2O Cast
May 5, 2018 CaribaHeart Comments Off on Mini-Reunion with the H2O Cast
Do you recognize the faces above? In case you don't, this is Burgess Abernethy (Zane from H2O) and Jamie Timony (Nate from H2O). Cariba met them in Vancouver in April. I am so happy to see that they are hanging out together after all this time. It has been years since the last season of H2O and it makes me so happy they are still in touch with each other.
Gallery Update H2O: Just Add Water Personal Photos Video
Home and Away's Cariba Heine reveals she enjoys playing Summer Bay's newest villain
May 1, 2018 CaribaHeart Comments Off on Home and Away's Cariba Heine reveals she enjoys playing Summer Bay's newest villain
'A couple of times I had to check myself because of the fun I was having':
Home and Away star, Cariba Heine recently made her dramatic debut as Summer Bay's newest bad girl 'Ebony.' Now, the South African-born Australian actress has revealed she enjoys playing the villain. Speaking to The Daily Telegraph on Tuesday the 29-year-old revealed: 'I had the best time playing Ebony. I had some really great lines to say and I loved the idea of how much pleasure she gets from causing other people pain. A couple of times I had to check myself because of the fun I was having.' However the Aussie TV soap star claims Ebony is the antithesis of her personality.'It's the complete opposite of myself, which is refreshing,' the sultry brunette told The Daily Telegraph. But it's not the first time she has auditioned. Heine said she had submitted audition tapes for a couple of roles but nothing had "excited" her like Ebony. 'The more I read the scripts, the more her backstory unravelled.' she said.
Prior to her new role, the South African-born actress rose to fame playing Rikki Chadwick on H2O: Just Add Water, a Channel 10 fantasy program. Her character on the show, which ran from 2006-2010, was a mermaid with special powers who was initially 'aloof and rebellious.' She appeared in all three seasons of the show, in addition to its spin-off series Mako: Island Of Secrets. She also scored the lead role of Bridget Sanchez in another teenage series, Blue Water High, for its third and final season which began filming in 2007. The show followed the lives of a young group of students at Solar Blue, a high-performance surf academy, and aired on ABC1 and Nickelodeon.
Cariba was born in Johannesburg and moved to Australia with her parents and older brother when she was three years old. She studied acting and dancing at the National Capital Acting School in Canberra, training in jazz, tap and classical ballet in addition to drama. She received strong reviews playing veteran Australian entertainer Delvene Delaney in the 2012 mini-series Howzat! Kerry Packer's War on Channel Nine.
Credits: dailymail.co.uk
Home and Away Interview
Cariba Heine on joining Home And Away: "I got an offer via email!"
Apr 30, 2018 CaribaHeart Comments Off on Cariba Heine on joining Home And Away: "I got an offer via email!"
The former H2O star is ready to shake up Summer Bay.
Home and Away newcomer Cariba Heine rolled into Summer Bay last week and her character, Ebony has a sinister agenda. She's sister of big, bad Boyd (Steve Le Marquand) and she is out for revenge following his shocking demise. The vengeful woman hopes to befriend policeman Colby (Tim Franklin), who shot her brother. At the same time, friends will become foes as Ebony spins a web of lies. But how far will she go for revenge? Ahead of Ebony's debut we chat to the former H2O and Dance Academy star about what we can expect from her crazed character.
Welcome to Home And Away. How did the role come about?
I auditioned via tape from overseas. A few weeks later, I was at the Toronto Film Festival and got an offer via email!
Tell us about Ebony.
She's a real piece of work. She doesn't think twice about taking a wrecking ball to someone's life if they're in her way. I wouldn't want to know her.
Does playing the villain scare or excite you?
I'm so excited – it's a lot of fun. She's pretty despicable, so I hope she gets a rise out of people!
So, what else can we expect from Ebony? Cariba's co-star, Tim Franklin, says Ebony is a woman on a mission.
"Ebony is after anyone and everyone who had anything to do with Boyd's death," Tim, 27, tells TV WEEK.
And he says she'll stop at nothing to get what she wants! In an intense week in Home And Away, Ebony even pierces the tyres of her own car to get cop Colby's attention. "She's pretty specific about who she wants to take down," he says. "Revenge is her game, and she won't stop until she wins." Uh-oh! Watch out, Summer Bay!
Credits: nowtolove.com.au
Home and Away – Who is Ebony?
Apr 5, 2018 CaribaHeart Comments Off on Home and Away – Who is Ebony?
Episodes to air after the break will also introduce us to another new character involved in the kidnapping—Ebony, played by Cariba Heine. In a dramatic promo which aired in some regions after the finale, Ebony is seen with a wealth of photos and information on Justin, Brody, Ava, Tori, Willow, Colby and Dean, commenting that she will "make every one of them pay", with Hazel also stating that they should burn them to the ground. As the search for Ava intensifies with news coverage and police searches, Ebony is seen seemingly concocting a series of elaborate plans to reel in those on her list. Whilst we don't know much about the Bay's newest villain, her connection with the Easton family means she's likely looking for revenge after the way Justin treated Boyd – and that can't end well.
Credits: backtothebay.net
Gallery Update Home and Away
Henry & Sophie Trailer
Dec 31, 2017 CaribaHeart Comments Off on Henry & Sophie Trailer
Henry & Sophie Video
Home and Away – Daily Mail Australia
Dec 2, 2017 CaribaHeart Comments Off on Home and Away – Daily Mail Australia
Cariba was again written about in Daily Mail Australia about her debut on Home and Away. You can read the new article about her role here. She was filming in a polka dot bikini with Tim Franklin. I am so curious what will her character be like because all those bts photos look very interesting! Cariba is believed to be making her debut in early 2018.
Home and Away > Behind The Scenes
Cariba Heine (born 1 October 1988) is a South African-born Australian actress and dancer. She is known for her roles as Rikki Chadwick in the Network Ten show H2O: Just Add Water, Bridget Sanchez in Blue Water High, and Caroline Byrne in A Model Daughter... read more.
Follow Cariba Heine:
Current Projects (not released)
Adopted (2018)
Cariba as Jessica
A young couple's lives are changed when an unexpected addition to their household shows them the true meaning of family.
imdb photos more
Everyone is Doing Great (2018)
Cariba as Isabella Beck
Seth and Jeremy enjoyed relative success from 'Eternal', a hit television vampire drama. Five years after their show has ended, they lean on each other as they struggle to reclaim their previous level of success and relevance, awkwardly navigating the perils of life and love amidst a humorously painful coming of age.
Bend (2017)
Cariba as Boof
Cariba & her friend Jordan have written a road trip film about twenty-somethings desperately trying to get their lives on track after being high-performing teens. It's a friendship film that takes the form of an intense and confronting road trip to New Orleans.
Indie photos news
The Secrets She Keeps (2020)
Cariba as Grace
THE SECRET SHE KEEPS is a 6-part domestic noir series adaptation of author Michael Robotham's acclaimed novel of the same name. Everyone has an idea of what their 'perfect' life is. For Agatha, it's Meghan Shaughnessy's. These two women from two vastly different walks of life hold one thing in common – explosive secrets that could destroy everything they hold dear. Both will risk everything to conceal the truth, but their worlds are about to collide in one shocking act that cannot be undone.
imdb photos news
Do Better (Make Me Wanna Scream) (2020)
Cariba as #
info photos watch
Family & Collective
Admin: Mia, CaribaHeart
Opened: 13.10.2016
Hosting: Flaunt
Cariba-Heine [dot] net is an unofficial fansite dedicated to the actress and dancer Cariba Heine. We are in no way affiliated with Cariba, nor her management or family. This site is non-profit, and is in no way trying to infringe on the copyrights or businesses of any of the entities. All content posted up on this site is used under the Fair Use Copyright Law 107. All images are copyright to their respective owners. If something belongs to you, please email us before taking any legal action and we will give you credit or remove it straight away. Thank you!
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Kevin Durant Potentially Signing with Roc Nation Sports
Kevin Durant is considering an enormous partnership with Jay-Z's Roc Nation Sports
byJoseph Kimber Jr
What is one thing that Kevin Durant and Jay-Z have in common? They are both superstars in their respective career fields.
What's another thing they have in common? They are both looking for a bit of change.
Kevin Durant has decided to part ways with Landmark, the agency that has represented him for the last two years – and got him an $85 million dollar extension – and is now looking at a potential partnership with Roc Nation Sports.
Since rapper Jay-Z announced his desire and started his own sporting agency, he has not been without any clients, most being very high-profile. Some clients that he has already signed are New York Yankees second baseman Robinson Cano, New York Jets quarterback Geno Smith, and Tulsa Shock guard Skylar Diggins, – to whom he gave a Mercedes Benz for her graduation from Notre Dame – a list that does not include other athletes who would like to sign with the rapper-turned-agent.
If Kevin Durant signs with Roc Nation Sports, he will easily be the most high-profile athlete Jay-Z has laid claim to. But it is unclear what exactly Kevin Durant is looking for in a partnership with Jay-Z.
Kevin Durant has already signed a contract extension with the Oklahoma City Thunder, so his money is secure for now. But according to Kevin, he is looking to increase his brand.
Kevin Durant has been all over the place with his various marketing endeavors as of late. From various Sprint commercials involving Doodle Jump or doing light house work to his nightmarish Gatorade commercials encouraging him to improve his game, Kevin has been everywhere.
So what more can he want: whatever Jay-Z has to offer.
With Jay-Z being on the cusp of signing a massive $20 million deal with Samsung, maybe Kevin wants to get his face into the technology world as well. But there are some potential hurdles to overcome.
With Jay-Z owning a small share of the Brooklyn Nets, he may be forced to sell if he wants to represent any NBA players. Although Jay-Z has been big in the re-branding and revitalizing of the Nets' franchise, it does not seem like a sale that would really break the bank.
The opportunity for Kevin Durant and Jay-Z may be one that they cannot pass up. But one thing is undeniable: both will be well off with or without one another.
Joseph Kimber Jr
Joseph Kimber Jr. is a second year journalism student at the University of Florida on the broadcast track and an outside concentraction in sports management. He hopes to help contribute to TheUrbanTwist.com's future and success by providing entertaining articles that provide a fresh take on many sports. Feel free to comment and let him know what you would like to see on the site. Feel free to add me on Facebook and follow me on Twitter and Google+
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redpajama_set_name: RedPajamaCommonCrawl


We will learn how to compare things in Hindi using Hindi adjectives.
In the previous lessons, we saw different types of Hindi adjectives.
In Hindi, we compare two nouns by adding suffix -से (se) to the noun we want to be compared with.
पीटर मोनिका से बड़ा है | (peter monikaa se badaa hai) = Peter is bigger than Monika.
मोनिका पीटर से बड़ी है | (monikaa peter se badee hai) = Monika is bigger than Peter.
मेरा भाई पीटर से लम्बा है | (meraa bhai peter se lambaa hai) = My brother is taller than Peter.
मैं तुम से लम्बा/लम्बी हूँ | (main tum se lambaa/lambee hoon) = I am taller than you.
मैं आप से गोरा हूँ | ( main aap se goraa hoon) = I am fairer than you.
पीटर हम से चालाक है | (peter ham se chaalak hai) = Peter is cleverer than us.
iPhone is costlier than Google Nexus.
Monika isoniyaa se sundar hai. Monika is more beautiful than Soniya.


Get to Know Team Goldstar: Jane F.
Jane F. is an Inside Sales Representative with Goldstar.
The best thing about my job is the work environment: great coworkers and camaraderie. At this very moment, my go-to Goldstar writing instrument is the Bowie Softy pen (item #LUM). I'm originally from New York. My favorite hobbies… travel, travel, travel! Love to travel. And I love spending time with my husband and daughter, and cooking! I'm a big foodie who loves to cook. If I could have dinner with any celebrity or famous person (living or deceased), it would be Anthony Bourdain.
We talk about Simplicity quite a bit at Goldstar. How do you define "Simplicity"?


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How to get shoutouts on YouTube
In this article, we'll be telling you how to get shoutouts on YouTube. Before we begin properly, we'll start by giving you our definition of what constitutes a shoutout.
What is a shoutout on YouTube?
Shoutouts on YouTube are seen most commonly at the end of videos and take the form of one content creator linking to the channel of another who makes similar content, but did not work on the video. If they did work on the video, then the creators are collaborators– but the relationship works similarly, so this article can still help you. We have a full article on collabs on YouTube if that's what you're looking for, though.
[call_to_action color="blue" button_text="Go to GRIN" button_url="https://market.grinapps.com?utm_campaign=how-shoutouts-youtube-post&utm_medium=blog-post&utm_source=grin-website"] Are you a YouTuber? Check out Grin & meet YouTubers to exchange Shoutouts, Collabs & MORE!
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Shoutouts can take a few other forms, too. Shoutouts can be done in social media posts on Twitter/Facebook, or through liking/favoriting certain videos and making those lists publicly available for viewers of the channel. Stretching the definition slightly, a shoutout can also take the form of someone being credited for video-related work without necessarily being a collaborator- this includes people who contribute thumbnails, music and art to a project but don't take an active role in video production. Anything more extreme than those and you're entering into collaboration territory, though it's perfectly fine for the line between the two to blur in your dealings with other YouTubers. Before we start telling you how to get shoutouts on YouTube, you may also want to know why they're so important.
Shoutouts and collaborations on YouTube are directly linked to growing a channel's popularity on YouTube. Very few popular channels at the top of the game nowadays got there on their own- and a lot of the ones just below them got where they are thanks to help from the top dogs. Liking, favoriting and sharing another person's video or channel gives them traffic, which in turn leads to new subscribers and potentially a chain of new viewers if the videos really impress. Here's a scenario: you create an in-depth review of a movie you really like. Another, more popular channel sees this review while they're working on their own video related to this movie, and they decide they like your video so much that they choose to link to yours at the end of their own video. This drives their viewerbase to yours, and if they like your content, chances are their viewers will, too.
Shoutouts on YouTube are important for small channels that want to become big, and big channels that want to become bigger.
Think of your channel as a small float in the midst of a large pool. Think of that pool on the edge of an endless, expansive ocean: that ocean is YouTube and the Internet, constantly expanding. Your goal should be growth, too.
STEP 1: Create Content
If you want to know how to get shoutouts on YouTube, you need to know how to run your channel. First and foremost: create content! Your channel getting a shoutout doesn't matter if you don't have a decent backlog of videos for new viewers to browse through (which is what leads to subscribers), and if these videos aren't of sufficient quality. It's extremely important for you to maintain a consistent, high level of quality with your videos- even if you're clearly improving over time, you want to have a decently-sized backlog that viewers can take a look at when browsing your channel for more videos they might enjoy. Another way how to get shoutouts on YouTube would be to operate in a niche. If you're interested in something you don't see a lot of, you should absolutely make and run a YouTube channel about it, just so you're creating original content. Even if you're dealing with something that a lot of people cover, you can still find a way to set yourself apart: make sure your work has a unique voice. The more high-quality and original something is, the more likely it is to be shouted out. The more niche a fanbase, the more devoted they are, and the more effective cross-promotion becomes. Don't just ask yourself how to get shoutouts YouTube: ask yourself what you're doing to deserve them.
STEP 2: Meet Other Creators
Once you've built a respectable backlog of quality content, it's time for you to start looking for creators who can give you shoutouts. Don't immediately jump to big dreams like a spot from Pewds or Smosh or whoever- instead, start looking for content creators that make content similar to yours. An incredibly simple way to go about this is just to start running YouTube searches: use titles and tags similar to your own to find the most popular content being made in those searches, and take a look around. How are other content creators approaching their content? What can you learn from them? Do you enjoy their unique voice? Would they appreciate yours? These are all questions you need to ask yourself before you reach out to other content creators on YouTube. The best way how to get shoutouts on YouTube is through fellow content creators: and the best way to appeal to fellow content creators is by making content they would enjoy, too. Another way to meet content creators on YouTube is through our App, Grin. Using Grin, you can meet content creators like you who want to grow their channels and establish their brand.
STEP 3: Establish Communication and Build Your Relationship
Once you've found the creators you want to work with, you need to reach out to them. There are various platforms to do this with: direct messaging on YouTube, DMs and tweets on Twitter, or even comments on Facebook pages/direct emails. It's good not to open with "HEY CHECK OUT MY CHANNEL" or "pls give shoutout"- instead, send them something refreshing. Creators like to know how their content makes people feel, or receiving insights about their content from their viewers that they may not have thought of themselves. Try to make your communication meaningful. Once you've established a line of communication, then you can start bringing up the idea of you two working together or promoting each other. Chances are, as soon as you get some attention, they'll silently end up browsing your YouTube channel to take a look at your content. If they do this on their own and like it, congratulations: you've figured out exactly how to get shoutouts on YouTube, and you didn't even have to ask them to take the first step! It's also important to talk necessary business at this point in the proceedings. How will you be boosting each other's content? Who's doing what? Make sure to have this discussion when the questions come up, so neither of you are blindsided by unexpected actions or deceived by false expectations.
STEP 4: Cross-Promote and Create a Network
Once you've learned how to get shoutouts on YouTube and you're well on your way to expanding your content creation to new heights, it's time for you two to cross-promote. Cross-promotions are fairly effective, especially with related videos released in parallel. Once cross-promotion is successful, you should also look at building a network: there's no reason to stop with just you and one other content creator. Start looking for other creators and help them learn how to get shoutouts on YouTube and grow their channel. Ideally, you'll end up giving your viewers a large web of related, high-quality content, while all content creators taking part can enjoy the benefits of sharing their audiences.
Taking the steps above can pave the way or result in full-on collaboration, which is a huge deal on YouTube. Outright collaborations, though, require a lot more work to be effective (video editing, recording, etc), so keep that in mind before trying anything on a larger scale. Whether you just want to learn how to get shoutouts on YouTube or you want a collaboration, it's important not to play the lone wolf on YouTube. A lone wolf on YouTube won't ever build their channel by themselves- YouTube is a community of creators, plural, who do a lot to help each other grow. For more tips on growing your YouTube channel, check out our blog. [call_to_action color="blue" button_text="Go to Grin" button_url="https://market.grinapps.com?utm_campaign=how-shoutouts-youtube-post&utm_medium=blog-post&utm_source=grin-website"] Are you a YouTuber? Check out Grin to meet YouTubers to exchange Shoutouts, Collabs & MORE! [/call_to_action]


The Appalachian Trail - Did it even happen?
Did it even happen? I can't remember. Six months on the trail and it seems like another life, another lifetime, where everything was meaningful. I've been back in the "real" world almost three months and the time drips away like water from a leaky pail. Emails. Screens. Screens. Emails. Twitter and youtube and all good things. I hate them. I want to throw my phone into the sea but I cannot, I am an addict.
Holidays mean nothing to me, Christmas means nothing. It's a day our ancestors chose to celebrate for political reasons. We follow suit in ever hollower fashion because it makes someone somewhere money. The ocean and the trees don't care what day it is, except for maybe the pines.
I picked up a tree with mom. It was the last tree at the only store within light years of our house that still had trees. Half price. Big gap in the branches. It looked eager to die.
"Most people get their trees around December first," the very helpful tree wrangler said. He cut an inch off the trunk and then wrapped the tree in a plastic net so it would be easy for us to transport. I spent fifteen minutes cutting the net into little pieces so they wouldn't entangle turtles or birds. The result was a pile of plastic hairs that will break down into morsels that fish will mistake for food. Eventually the fish will die from stomachs full of plastic. There is no way to win.
The family didn't buy anything for Christmas, which made me glad. We all found things we had already and "wrapped" them for a yankee swap. Mom was the exception. She got me a framed picture of me on Katahdin. I didn't recognize myself. I still have the beard. There's still a kind of wildness in the eyes. But I'm tame now. Civilization has jammed its fingers in my eyes and ears and tempted me with all good things.
I spent the New Year's drinking and writing a song. There it is below. I can't go into music with intent. I can only play and then analyze the results. I was pleased with this one. There's a wildness to it still, and an attitude, and an energy. The colors fit.
My plan was to stay home and maybe take a walk. But I caved, and went to a party. It was relaxed, in my old neighborhood in Philly, with people I hadn't seen in awhile. I pet a dog. We talked about Jodorowsky's Holy Mountain.
A friend had brought knock-off chinese Star Wars toys, which we assembled and then studied, trying to figure out what the misfit pieces could be. It looked like Obi Wan was wearing a loin cloth and clutching a giant cigarette. When every single person on Earth has been asked to remake Star Wars and it eventually comes my turn, this is the vision I will execute for Obi Wan.
Someone starts the countdown early so we have to do two. The ball drops. We hum that song that I'm not even going to try and spell. No one knows the words. I sneak into the night. I haven't given myself enough time to catch the train, and so I run. My feet hurt. That part of me feels real. That feels like the trail.


When Henry posted that we are a direct selling company I got a sickening feeling in my stomach and a shiver went down my back. Up until now I have never seen myself as a marketer or a salesperson, in fact I have preferred to let others do that while I contribute in other ways.
I started to analyse why I didn't like it and I realised two things. The first is marketing is not high pressure selling: it is making people aware of a product.
The second thing that I realised was that I do it almost everyday without thinking. If I come across a friend who has a need, say one who suffers from arthritis, I share with them how nettle tea has helped me with my arthritis. Whether they take me up on the nettle tea thing is not my problem – I've told them about it, and I think that is a kind of marketing. Except the tea company doesn't pay me!
So what are some of the things that will give us more confidence to market VPCs?
I don't know about you but I get really disappointed when I go into a shop and ask a question about a certain product and the salesperson cannot tell me much about it or fails to answer my questions. To be able to market our company we need to have product knowledge. We need to know everything about Compumatrix. Albert Einstein said, "If you can understand it fully then you can explain it simply.
To improve our understanding and knowledge of the company, we need to pretend we want to join, what questions would we have? Perhaps questions like how it works, who leads the company, how a person can join, what are the benefits of belonging to the company, and the list of questions goes on. Write a list of questions and see if we can find the answers, and in that way we'll be prepared to answer the questions that come to us. The more we know about the whys and wherefores of the company the more confident we will be.
2. Sell the sizzle not the sausage.
This is an old phrase used in marketing but it's true of Compumatrix as well. When we sell VPCs are we just selling a card or is it something more? The card is the sausage but the sizzle is what the card will do for you. We sell the opportunity that it presents: to have our own work from home business. No more commuting, greater potential for a greater income and there are lots more benefits. We need to present these benefits in a realistic way.
3 Realize that not everyone will want to join.
One of the fears in marketing is being told "no thanks". The sooner we realize that not everyone will want to join, the better we will feel about ourselves. "No" does not mean we have failed. "No" does not mean we are a worthless person. "No" does not mean that we have made mistakes. "No" only means that the person does not wish to join at this time and at a later date may recall the conversation and want to find out more. There is however one way to guarantee a "No" from a person, and that is not to approach them at all.
4. Not everyone is suitable to join.
Compumatrix is a business and not everyone is suited to be in business. Just because a person wants to earn money doesn't mean he or she wants to run a business. In Compumatrix we are looking for entrepreneurs, people who have the get up and go attitude and who are willing to learn. These are the people who may be open to the Compumatrix way of business and will listen to what we have to say.
5. Be enthusiastic but don't embellish.
Compumatrix is a wonderful, friendly company and has the potential to set people free from financial stress. This is something to be joyful and enthusiastic about but we must be careful that we are honest in our message and not promise something that the company does not or cannot fulfil. People can generally tell when we are talking a lot of BS or hyping up the situation.
Let us not fall into that trap.
6. Have your own story.
7. Have an attitude of gratitude.
Why do we want to market the company? Apart from wanting to build up our own Compumatrix business, marketing is a way of saying thank you to all those who have worked so hard behind the scenes, to bring Compumatrix to where it is. In my younger years in the church we were taught that evangelism is defined as: One beggar showing another beggar where to find food. A bit of a simplification I know, but a thankful heart will want to show others how to find the riches that can be theirs. There is an old Indian proverb that goes something like, Help another person's canoe to reach the shore and lo, your own has arrived also.
Well those are a few reflections off the top of my head on marketing and it is my hope that someone may find them helpful.


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"I'd like to die on Mars..."
"...just not on impact," is how Elon Musk might explain his motivation for founding his private space transportation company, SpaceX, recently launched into headlines with their test flight of the Falcon Heavy, "the most powerful operational rocket in the world by a factor of two." This is far from SpaceX's first foray into the newstreams of the public: since establishment, they have periodically set records for aerospace manufacturing.
Seventeen years ago, in 2001, Musk conceptualised the project Mars Oasis, which would establish a greenhouse on Mars in an attempt to increase NASA funding and build public interest. He traveled to Russia in search of cheap rockets, but returned empty handed; there were no affordable rockets for sale. He calculated that costs to procure raw materials for a rocket were only a tiny fraction of that of a completed rocket and decided to start his own company for building significantly more affordable rockets. A year later, in 2002, he contacted Tom Mueller, a rocket engineer, and SpaceX was officially started. Their stated goals are to improve the reliability and cost of access to space, which have led into the development of reusable launch systems and expanding the ability of spacecrafts to carry heavy loads. This all builds up to Musk's plan to jumpstart interplanetary colonization on Mars.
Since the start of SpaceX, they have sent the Falcon 1, Falcon 9, and Falcon Heavy on 50 flights, with only 2 failed trips. The most recent test flight of the Falcon Heavy on Tuesday, Feb. 6th at 3:05 PM ET from Launch Complex 39A at Kennedy Space Center in Florida is remarkable from multiple perspectives—the rocket is fitted with "27 boosters, three engines," and will attempt "three separation events, three landing attempts," and, as its name might suggest, can carry a payload that is double the next operational rocket, the Delta IV Heavy.
It launched perfectly on schedule, amid exuberant roaring from the crowd of spectators. Additionally, both side boosters landed simultaneously and as expected by calculations on the ground pads. The drone-landed central core failed to land, however, because of early burnout of a chemical ignitor, which meant the engines could not light. The mission will continue though, on an experimental elliptical orbit around the sun which might come extremely close to the surface of Mars.
Chang, Kenneth. "Watch the SpaceX Falcon Heavy Rocket Launch Today." The New York Times, 6 February 2018.
Spacexcmsadmin. "Falcon Heavy Test Flight." SpaceX. 29 Jan. 2016.
SpaceX. "Falcon Heavy Demonstration Mission." SpaceX. February 2018.
"SpaceX." Flickr, Yahoo! 8 February 2018.
Terdiman, Daniel. "Elon Musk at SXSW: 'I'd like to die on Mars, just not on impact.'" c|net. 9 March 2013.


text:
Henry Fonda, Jack Klugman, E.G. Marshall, Martin Balsam, Jack Warden
Reginald Rose
United Artists
"12 Angry Men" Review
In all of this year's controversy over Scorsese's loss again for the Best Directing Oscar, I am reminded of the experiences of "12 Angry Men." It was, in many ways, an afterthought when it was first released in 1957 and earned Oscar nominations in only three categories (though they were a big three of Best Picture, Best Director and Best Adapted Screenplay). "12 Angry Men" did not win a single Oscar and yet is now considered one of the finest films ever made.
"12 Angry Men"'s brilliance doesn't lie in special effects or razzle dazzle. It is, by all accounts, a simple, straight-forward film that is beautifully scripted and perfectly acted in its portrayal of twelve male jurors deciding the fate of a Latino boy on trial for the murder of his father. The case seems obvious with a weapon and eyewitness accounts, and the initial vote is 11-1. One juror, Mr. Davis, certainly has doubts of the boy's innocence BUT he has enough doubt of his guilt and a sense of responsibility to talk it out as their decision could result in the death penalty for this young man.
In his time, Henry Fonda gave magnificent performance upon magnificent performance. I doubt any list of the best actors of the the last 100 years could possibly be considered complete without him. As Mr. Davis, Fonda is nothing short of brilliant. Yet, his brilliance here is an under-stated brilliance. It is not a showy performance or a histrionic performance or a dramatic performance. Fonda plays one man, Juror #8...an architect, who is capable of calm reason and calmly reasons that the facts may not be what they seem. Perhaps the reason Fonda was passed over for an Oscar NOMINATION here is that he was so normal, so everyday that he didn't even appear to be acting. Brilliance. Simply brilliance.
The rest of the cast shines as well, fully Jurors 1-12 complement each other perfectly.
Juror 1: Martin Balsam...Balsam magnificently portrays a juror who, elected foreman, clearly becomes more and more uncomfortable the more it becomes obvious that he is in over his head.
Juror 2: John Fiedler. Quiet & unassuming while preferring to live a life of invisibility as an accountant.
Juror 3: Along with Fonda, Lee J. Cobb gives one of the strongest performances here as a man who initially seems to present himself well, has a strong personality and the ability to reason. Yet, as time goes on, he reveals more and more of himself as the cracks beneath the surface begin to show. Cobb's performance is a memorable one and certainly was worthy of a Supporting Actor nomination.
Juror 4: E.G. Marshall. An intellectual, somewhat conceited stockbroker with a very calculated approach to the process.
Juror 5: Jack Klugman. A man with a similar background as the man on trial...he tries so hard to avoid the conflicts of this similarity that the similarities still rule his decision-making. If you only know Klugman from "Odd Couple" or "Quincy," then you simply must see his performance here.
Juror 6: Ed Binns. Simple, determined man. He openly admits everyone else in the room is more qualified than he to serve...yet, he takes his duty seriously and is afraid of being wrong.
Juror 7: Jack Warden. This juror has seemingly no moral or emotional commitment to the case and is distracted throughout the proceedings.
Juror 8: The aforementioned Fonda.
Juror 9: Joseph Sweeney. The senior member of the juror whose obvious wisdom and insight becomes powerfully on display.
Juror 10: Ed Begley. An obviously bigoted man who has no hesitation in voting guilty solely on the basis of cultural factors.
Juror 11: George Voskovec. A watchmaker...careful and precise and willing to see all sides. He is calm and considerate with one exception...when he confronts the apathy of Juror #7.
Juror 12: Robert Webber. A young businessman who has learned the art of negotiation means that intelligence sometimes means "giving in."
The film takes place largely in the jury room. The vast majority of the film develops between these 12 men. Reginald Rose's script is one of deep revelation, powerful insight and perfect dialogue that is brought to life in one of director Sidney Lumet's finest efforts. With a small budget, Lumet produces a film devoid of special effects, razzle dazzle and physical action that is constantly exciting, constantly suspenseful and interesting and intriguing and commanding. Recent films that have attempted to do similar things, such as Schumacher's "Phone Booth," pale in comparison to the cinematic wonder created here.
"12 Angry Men" is a powerful, historical film that brings to light the American justice system AND yet also examines deeply the intimate ways we relate to each other in our everyday lives. Nearly 50 years after its creation it remains a vital and critical piece of American cinema. There are those films in life that simply take your breath away...they change who you are, how you think and how you feel. "12 Angry Men" is such a film.


Very minor composition changes – some border thickening, some more black space at the bottom. The easiest page of the scene – also the first to be processed, and the next-to-last to be blurbed.
Ph34r the NBE. So much fun to draw, such a small part of this story.
110 queries in 0.760 seconds.


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text:
Q: Updating two tables with same data where there is no relationship (PK,FK) between those tables update Claim
set first_name = random_name(7),
    Last_name = random_name(6),
    t2.first_name=random_name(7),
    t2.last_name=random_name(6)
from Claim t1
inner join tbl_ecpremit t2
on t1.first_name = t2.first_name

I am getting below error
column "t2" of relation "claim" does not exist

A: You can do this with a so-called data-modifying CTE:
WITH c AS (
  UPDATE claim SET first_name = random_name(7), last_name = random_name(6)
  WHERE <put your condition here>
  RETURNING *
)
UPDATE tbl_ecpremit SET last_name = c.last_name
FROM c
WHERE first_name = c.first_name;

This assumes that random_name() is a function you define, it is not part of PostgreSQL afaik.
The nifty trick here is that the UPDATE in the WITH query returns the updated record in the first table using the RETURNING clause. You can then use that record in the main UPDATE statement to have exactly the same data in the second table.
This is all very precarious though, because you are both linking on and modifying the "first_name" column with some random value. In real life this will only work well if you have some more logic regarding the names and conditions.

redpajama_set_name: RedPajamaStackExchange


What was once part of Frances underground scene, EDM has now become mainstream, dominating not just clubs but airplay and musical charts all over the world. With pop stars everywhere are tapping into the colossal success of dance music and EDM talent such as Afrojack, Skrillex, Diplo and David Guetta becoming household names, EDM has also crept into the Taiwanese music scene in recent years.
KKBOX has listed nine of the greatest local hits with EDM elements that we had previously overlooked.
After producer Starr Chen translated the diva's power and versatility into something worth dancing to as opposed to toiling over, "Play" is the calling card of Taiwanese EDM with its trap, drum and bass style. This glittering work earned Tsai the Best Mandarin Album and the Best Vocal Recording Album awards at Golden Melody Awards last year.
When East meets West, when the American-born Taiwanese singer-songwriter-arranger-producer (and sometime actor) meets the American world class DJ known for his catchy banger "Wake Me Up", running on every sweaty dance floor, it's bound to be something extraordinary. The two players in themselves easily made this track the theme song of 2013 STORM Electronic Music Festival.
US electro-hip hop group Fast East Movement is another big US group Leehom collaborated with. You won't miss the group's mojo in the track when you hear the similarities between it and Far East Movement's hit "Like a G6″.
A gem scouted by Jay Chou, this 16-year-old artist has exceptional creativity that manifest itself in his anthemic throwdowns. His title song "Can't Lose You Now" displays an artist whose versatility is well documented in the progressive-house style track.
Onetwofree has always been a duo vanguard in Taiwan's music industry. Buried under the name "Kiang" is a revolutionary piece in Taiwanese EDM history. The track erupts with electro-house and big room house with a hint of trap in the chorus as well. "Kiang" – which means "feeling psychedelically good about yourself" in Taiwanese – simply sums up what the piece makes you feel when you've got your hands up.
This progressive house style track in the film Dream Flight almost feels like a rock & roll song, but only because of how catchy and powerful the beat is. With a DJ among them, Magic Power has always been at the forefront of Taiwanese EDM. Tracks like "Fighting For Love" (戰神) and "Marksman" (射手) speak to how epically this 6-member band can infuse electronic elements with varieties of genres.
This dance floor project showcases how electro-house and dubstep can work well together. Despite the row over the track's comments on contemporary art and the video's embarrassing goof, "Why? Art" proves there are a lot of electronic possibilities with Yen-J, who doesn't have that much personal history with dance music.
Da Mouth has moved beyond her pop and hip-hop roots and is experimenting her music on the dance floor. "Swag" is a typical American trap piece, infused with a dose of dubstep. Put your hands up and welcome Da Mouth to the EDM world.
A-Mei proves just how perfectly her alter ego AMIT can wed Taiwanese culture with its western counterpart. The song successfully brings together reggae and trap in the arrangement. Few Taiwanese artists can use the talkbox better than this versatile diva, who makes both her and her track eclectic and exciting.


It consists of two main types: SoundData is just raw sound data, and a Source is a SoundData connected to a particular sound channel.
A struct that contains all information for tracking sound info.
Static sound data stored in memory. It is Arc'ed, so cheap to clone.
A source of audio data connected to a particular Channel. Will stop playing when dropped.


text:
module Nada
  require 'nada/version'
  require 'nada/configuration'
  module Driver
    #de Only require the driver required by the Configuration.
  end
end

redpajama_set_name: RedPajamaGithub


text:
Q: Trying to get an alertdialog to change textview based in chosen option I want the dialog to show the correct text based on the selected option (ie. If pressed TWO I want is to show the text "you pressed TWO")
on the first press it seemingly does nothing the text goes to the initialized
on the second press you find out the text was switched to default
I'm new to android and I don't think I understand what the activity is doing here.
Can someone please help me find a way that works?
public class AndMainT extends Activity {
private GameLogicT myGame = new GameLogicT();

/** Called when the activity is first created. */
@Override
public void onCreate(Bundle savedInstanceState) {
    super.onCreate(savedInstanceState);
    setContentView(R.layout.main);

    Button b_com = (Button)findViewById(R.id.button);
    b_com.setOnClickListener(new View.OnClickListener() {
        public void onClick(View v) {
            CharSequence[] pick_one = {"ONE", "TWO", "THREE"};
            call_menu(pick_one);
            updateAwesomeText();
        }
    });
}

public void updateAwesomeText(){
    TextView newText = (TextView)findViewById(R.id.text);
    newText.setText(myGame.getCurrent_opt().getDescription() + "\n");
}

public void call_menu(CharSequence[] items){
    final CharSequence[] f_items = items;

    AlertDialog.Builder builder = new AlertDialog.Builder(this);
    builder.setTitle("Orders Captain?");
    builder.setItems(f_items, new DialogInterface.OnClickListener() {
        public void onClick(DialogInterface dialog, int item) {
            myGame.startOpt(item);
        }
    });
    builder.show();
}
}

public class GameLogicT {
class GOpt{
    private CharSequence description = "this is the intialized text sadface";

    public CharSequence getDescription() {
        return description;
    }
    public void setDescription(CharSequence description) {
        this.description = description;
    }
}

private GOpt current_opt = new GOpt();

public void startOpt(int item){
    switch(item){
    case 1:
        current_opt.setDescription("you pressed ONE");
    case 2:
        current_opt.setDescription("you pressed TWO");
    case 3:
        current_opt.setDescription("you pressed THREE");
    default:
        current_opt.setDescription("I am a fart and think you have pressed nothing sadface");
    }
}

public GOpt getCurrent_opt() {
    return current_opt;
}
public void setCurrent_opt(GOpt current_opt) {
    this.current_opt = current_opt;
}
}

I also tried
   public void onClick(View v) {
        CharSequence[] pick_one = {"ONE", "TWO", "THREE"};
        call_menu(pick_one);
        try {
                wait();
            } catch (InterruptedException e) {
                e.printStackTrace();
            }
        updateAwesomeText();
    }

    public void onClick(DialogInterface dialog, int item) {
        myGame.startOpt(item);
        notify();
    }

This causes a force close when the button is pressed, it's not my question just saying I tried!

A: sorry but I can't test your code due a lot of work.
However,after taking a look I noticed the following:
1) I think that position of items starts from index 0.
2) Maybe you lost some break in the switch-casestatement
So, try to replace it with:
public void startOpt(int item){
  switch(item){

    case 0:
       current_opt.setDescription("you pressed ONE");
    break;

    case 1:
      current_opt.setDescription("you pressed TWO");
    break;

    case 2:
      current_opt.setDescription("you pressed THREE");
    break;

    default:
      current_opt.setDescription("I am a fart and think you have pressed nothing sadface");
  }
}

Hope it helps you!


Celebrate the Heroes of Science with this 550-piece puzzle depicting them in the Mount Rushmore of Great Scientists. The groundbreaking work of Albert Einstein, Marie Curie, Isaac Newton and Charles Darwin shaped our knowledge of science, our world and society across the globe.
This richly colored, high-resolution image measures 18" x 24" upon completion and is the perfect size to put together and hang.
Created exclusively by Discover magazine.


Compare prices and find the lowest priced 2019 Apple MacBook (12-inch). Sourced from Apple and Authorised Apple Resellers around Australia.
The 12-inch MacBook starts at an RRP of A$1,899 with 256GB flash storage.
Choose from 256GB or 512GB storage models with a 12-inch Retina display plus four colour finishes including silver, space grey, gold, and rose gold.
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The conventions serve as a foundation for states to build national legal frameworks which prevent death and injuries from road traffic crashes. Road safety governance is above all about the political will to create and carry out a national strategy and programme. The United Nations General Assembly resolutions on «Improving global road safety» encourage all Member States to accede to the conventions and agreements.


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text:
Q: Default Setting for Picture Insertions into Microsoft Word Documents The default insertion type for pictures into documents is embedded. If you want to link to the picture file, you have to choose the "Link to File" option from the Insert button menu on the Insert Picture dialog each time you add a picture image.
Is there a method, maybe an unpublished Windows Registry setting, that can set the default to be Link to File?
This would be very convenient for organizations that wanted all picture files linked versus embedded into their documents.

A: What you see is intentional : Microsoft doesn't like linking to files, since when
the file is moved the link is lost and the document is then broken.
Instead Microsoft added the Insert and Link option, which is the best of both
options, both embedding the image and keeping the link in case it changes,
but also the image in case the link is broken.
Even writing an add-on that will intercept the drag-and-drop and create instead
a link is pretty hard
(see link),
which is why no such Word add-on exists today.
I'm sorry to conclude that such an option or software or registry update
does not exist. You may recommend this as a feature to Microsoft's Feedback,
but the chances of this happening are very low.


text:
Most cited articles *
Archives Most popular articles Most cited articles
Controversies related to scientific report describing g-forces from studies on platelet-rich fibrin: Necessity for standardization of relative centrifugal force values
Richard Miron, Joseph Choukroun, Shahram Ghanaati
September-December 2018, 1(3):80-89
DOI:10.4103/GFSC.GFSC_23_18
Leukocyte and platelet-rich fibrin (PRF), a second-generation platelet concentrate has been the focus of intensive research endeavors over the last 2 decades. Over the years, numerous reports have however failed to accurately report g-force values which have caused considerable confusion in the field. These values have since been re-transcribed incorrectly in many studies moving forward, and this article aims to address this topic to avoid further confusion in the field. We address several reports in which PRF centrifugal g-forces have been calculated at the PRF clot (referred to as relative centrifugal force [RCF]-clot) as opposed to the international standard method described at the bottom of centrifugation tubes (RCF-max). We further highlight how RCF-clot is not only a deviation from the standard international method used to report g-force values, but one subject to significant error owing to centrifugation time, patient hematocrit levels, initial volume of blood collected, and other factors. For these reasons and those further reported throughout this article, we address this controversy in detail to avoid further confusion regarding the report of g-force values in future studies. Furthermore, we propose a standardization regarding the accurate report of g-force values in future studies investigating PRF at the RCF-max.
[ABSTRACT] [FULL TEXT] [PDF] [Mobile Full text] [EPub] [CITATIONS]
9 3,431 639
Proposal for point-of-care testing of platelet-rich plasma quality
Tomoyuki Kawase, Akira Takahashi, Taisuke Watanabe, Tetsuhiro Tsujino
January-April 2019, 2(1):13-17
Platelet-rich plasma (PRP) and platelet-rich fibrin (PRF) regenerative therapy lacks evidence to make clinical decisions. This weakness cannot be addressed only by standardization of preparation protocols and devices. In this article, we have emphasized on the necessity for quality testing to obtain strong evidence supporting PRP/PRF therapy.
Massimo Del Fabbro, Silvio Taschieri, Funda Goker
May-August 2018, 1(2):48-57
Medication-related osteonecrosis of the jaw (MRONJ) is a drug-related adverse event consisting of progressive bone destruction in the maxillofacial region of patients under current or previous treatment with antiresorptive or antiangiogenic medications. Autologous platelet concentrates (APC) demonstrated to enhance bone and soft-tissue healing in many oral surgery procedures. This systematic review aimed to evaluate APC effect for treatment and prevention of MRONJ in patients under antiresorptive therapy. An electronic search was performed on MEDLINE, Scopus, Web of Science, and Cochrane databases using specific search terms, combined with AND, OR. Both prospective and retrospective studies with at least three patients and 3 months' follow-up were included, and they underwent data extraction and risk of bias assessment. When possible, a meta-analysis was undertaken. Eighteen studies reporting on 946 patients were included in this study. Postsurgery follow-up ranged from 3 to 94 months. The adjunct of APC in MRONJ treatment significantly reduced osteonecrosis recurrence with respect to control (P = 0.001). APC was also beneficial for MRONJ prevention, being associated with a lower MRONJ incidence after tooth extraction (P = 0.03). Heterogeneity was found regarding medication type, clinical indication, triggering factors, study design, follow-up duration, type of APC, and outcomes adopted to evaluate treatment success. Although the results of this review must be cautiously interpreted, due to the low-evidence level and limited sample size of the studies included, they are suggestive for possible benefits of APC when associated with surgical procedures for treatment of MRONJ. To confirm such indication, further prospective comparative studies with large sample size are urgently needed.
Tomographic and clinical findings, pre-, trans-, and post-operative, of osseodensification in immediate loading
Rafael Coutinho Mello Machado, Cristiane Santos da Gama, Sandro Henrique Batista, Denise Rizzo, Helder Valiense, Ruda F Moreira
September-December 2018, 1(3):101-105
The advance of surgical techniques and modifications with respect to the surface and macrogeometry of dental implants, such as immediate and early loading, can help reduce the time of rehabilitation for the patient when excellent primary stability is the primary prerequisite. Starting from this principle, studies using a novel technique to replace bone-subtractive drilling have been developed to optimize the implant site. This new technique, called osseodensification, was developed by Dr. Salah Huwais and patented in 2012. The name of the procedure suggests the induction of a compression wave at the tip of specially designed drills at the point of contact. This case report suggests that the clinical and radiographic results obtained could support the hypothesis that a true gain in primary stability as well as a compaction grafting can be achieved by the use of this technique.
Translational research with autologous biomaterials: A new perspective
Carlos Fernando De Almeida Barros Mourão
[FULL TEXT] [PDF] [Mobile Full text] [EPub] [CITATIONS]
Characterization of a new membrane from concentrated growth factors associated with denaturized Albumin (Alb-CGF) for clinical applications: A preliminary study
Carlos Fernando de Almeida Barros Mourão, Ezio Gheno, Emanuelle Stellet Lourenço, Renata de Lima Barbosa, Gregori M Kurtzman, Kayvon Javid, Elena Mavropoulos, Stefano Benedicenti, Mônica Diuana Calasans-Maia, Rafael Coutinho de Mello Machado, Gutemberg Gomes Alves
Background: One of the main issues pertaining to the use of fibrin membranes today, is their clinical efficacy for guided bone regeneration. This requires the need for membrane stability and a controlled resorption that enables the barrier to remain functionally during a relevant clinical time span. Human serum albumin is known to have an impact in the formation and stability of the fibrin networks density and permeability. Therefore, its interaction with fibrin aggregates may provide interesting features to autologous blood-derived biomaterials. Aim: In this context, the present study sought to characterize membranes produced through a modified protocol for concentrated growth factors (CGF) associated with activated plasma albumin gel (APAG). Method: Mixing denaturized albumin with CGF from the same blood samples into glass containers resulted in solid malleable membranes, with a modified denser ultrastructure as revealed by scanning electron microscopy (SEM). Results: The membranes presented a high density of nucleated cells, uniformly distributed along its length, and were able to release growth factors such as PDGF, VEGF, and FGF2 for 7 days. Conclusion: This preliminary study indicates that the protocol may provide autologous moldable and stable biomaterials for use as a soft tissue barrier, offering the basis for further research on its effectiveness for guided tissue regeneration.
* Source: CrossRef


text:
Casting Stones
LifestyleTunji Lardner August 16, 2016 2
In these two articles written in two parts, I examine my ongoing dilemma in confronting the moral relativism of the Nigerian society in which any and everything bad as opposed to good can be rationalized and justified. We have not so much as immoral as much as it is that we are AMORAL. Having lost our collective moral compass, anywhere is true North. Thirty years on I still struggle to maintain my moral bearings in a place where our moral degeneracy is all but complete. The moral dilemma of metaphorically 'casting stones' in today's Nigeria seems so, so quaint.
As the story goes, the woman broken by fear and exhaustion laid on the ground cowering under the rage of an irate blood-thirsty mob. She would, she knew, be stoned to death.
But mercifully a distinct messianic voice cut through the murderous din of the crowd: "let he amongst you who is without blame cast the first stone".
The crowd brusquely confronted with sanctimoniousness of their rage quietly dispersed. If that slice of biblical history were to be enacted (messiah and all) today in Nigeria, what would be the crowd's reaction?
To be sure, that woman could be pulverized under the avalanche of stones, alongside possibly her rescuer, if he wasn't careful. We wear our hypocrisy like a luminous stamp on our foreheads.
Gleefully fingering the speck in our brother's eye, we fail to see, (or perhaps we don't know), the burning forests of hypocrisy raging on in our eyes, in our words, and in our actions.
"Judge not, that ye may not be judged", the Bible warns us. But who listens to anything these days, not to talk about a "kill-joy" like "the good book".
We have become a nation of blame-throwers. Nobody is responsible to, and for, anything. It is never our fault when things go wrong.
Somebody or something else is always responsible for our woes. But of course our good fortunes can directly be attributed to us and no one else.
Nigerians are adept at throwing stones. They would readily pick up a boulder and haul at the fragile glass-house of another, intending to shatter and expose. But fail to hear that distinct shatter of broken glass that reverberates in a mirrored exposé of their own even more brittle edifices.
In a nation where its citizenry is caught up on a self-inflicting cross-fire of lies, duplicity, and more lies, hypocrisy becomes institutionalized. To be hypocritical is to be smart, to know the ropes, to play the game. And a game it is, with no abiding rules, no penalties, just the rewards of vice, ethnic chauvinism, and bloated aggrandizement.
Which as most affluent Nigerians would testify is plenty. Today, it would buy you beautiful women, magnificent houses, gold-plated cars, (and lately) luxurious private jets, and premium cocaine.
Accountability is not encouraged, and even in rare cases when the truth catches up with a culprit, he can always point his fingers at them, and say "they are responsible, not me". Or quite simply deny the truth even in the face of over-whelming evidence. But the truth is an unwavering constant; it cannot be changed or hidden forever.
I am sure that society has enough evidence to indict all those liars and thieves who have through the years, masqueraded as leaders, statesmen, men of probity and patriots. But it will not, because society herself is equally guilty. The charade of going through the motions of justice is enough;why wash her dirty linens in public? Occasionally it is enough to flash dirty underwear to titillate our perverted sense of justice, but the bushels of filthy smelly clothing must be kept hidden away from prying moralistic eyes.
And so when our politicians/leaders mount the rostrum promising paradise, to a cynical public or point accusing fingers at "them" for their own irresponsibility and shortfalls, I shudder. Not only because of the mutually complimentary grand deception, but because I as an individual have been conditioned to accept the inequalities and inanities of the system as being part of the system.
And most privately I fear that my judgemental perception of good and bad, black and white, may ultimately be anesthetized to accept black, as grey.
TUNJI LARDNER for THE PUNCH, OCTOBER 1983
Posted in Lifestyle, Oldies
Mike Onwukwe says:
Can we get to reach the article he wrote for Newswatch called the Graft Machine in those days.
Tunji Lardner says:
Alright @mikeonwukwe, we are working on that.
Thanks for stoping by.


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The Perfect Storm, Hurricanes are young but ACC play will make them mature fast
In the Atlantic Coast Conference when it comes to basketball, it is a battle every night on the hardwood.
The Miami Hurricanes basketball team is learning that after starting the season in non-conference play unblemished with ten wins and zero losses, they are playing in the ACC. After their latest loss to the Duke Blue devils, Miami is 2-3 in the conference and losers of two in a row.
Freshman guard Gary Trent scored a season-high 30 points, and No. 5-ranked Duke needed less than three minutes to erase a 13-point second-half deficit, scoring 18 consecutive points to overtake No. 25 Miami 83-75.
"We played a great 32 minutes," Hurricanes coach Jim Larranaga said. "And then everything changed. The Gary Trent show began."
Miami's loss to Duke marked the Hurricanes' first loss of the season at home. A sellout crowd of 7,972 included 37 NBA scouts, Miami Heat owner Micky Arison, Alex Rodriguez and Jennifer Lopez.
Blue Devils departed with a win however they have not been at full strengthening in conference play. They played their third consecutive game without injured center Marques Bolden (sprained knee) and forward Javin DeLaurier (hamstring). A reminder it is a battle for wins in the conference.
Trent's final 3-pointer helped seal the win, putting Duke up 76-70 with 1:15 to go. He shot 9 for 14, including 6 for 9 from 3 point land.
Freshman Lonnie Walker IV helped the Hurricanes build their big lead and finished with 19 points and four steals.
"We have to be aggressive; we have to know each and everyone's personnel, to know where our shooters are, we have to know where our big men are," Walker stated. "We can't be careless and pass the ball east and west. We have to go downhill and make them play us."
Hurricanes are young however this conference will make you mature fast. Hurricanes forced the Blue Devils to commit 19 turnovers and fall short of a win in ACC play that will not get easier on their schedule. Teams like Syracuse and N.C. State who the Hurricanes play soon is clawing for wins in the conference. It is not the time to hit the panic button. However, March is here as January winds down.
Photo/RomanGaray/WORLDWIDEWEST
Posted in NCAATagged ACC, Basketball, College Basketball, Duke Blue Devils, Miami Hurricanes, Mike Krzyzewski, The U, West Lamy
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'Kind of a lunatic': Ohio senator calls out Sen. Rand Paul for not wearing a mask
Jackie Borchardt
U.S. Sen. Sherrod Brown on Tuesday singled out his colleague from Kentucky, Sen. Rand Paul, for not wearing a mask while conducting Senate business.
Brown, asked about senators who don't wear face coverings, acknowledged that most of them are before mentioning Paul, a Republican from Bowling Green.
"One of them that's an M.D., isn't, but he's kind of a lunatic," Brown, a Cleveland Democrat, said during a Tuesday visit to a Columbus mass vaccination site.
He added: "He thinks he wants to be different but it doesn't serve the public interest."
Brown, who is fully vaccinated, wore a mask during the entirety of his 45-minute event. Brown said he does so to "make sure everyone is safe and to set that tone."
It's not the first time Brown has chastised Paul for not wearing a mask. Speaking on the Senate floor in February, Brown asked that Paul "would show the respect to his colleagues to wear a mask when he's on the Senate floor walking around and speaking."
More:Sen. Rand Paul says Kentucky Gov. Andy Beshear 'drunk with power' over COVID restrictions
Paul was the first U.S. Senator to announce he'd tested positive for the novel coronavirus in March 2020.
Paul engaged in a heated exchange in March with Dr. Anthony Fauci about wearing a mask post-infection or vaccination, suggesting it's "theater."
Fauci, director of the U.S. National Institute of Allergy and Infectious Diseases, told Paul that masks are protective, even for people who are immunized.
The Centers for Disease Control and Prevention advised last week that fully vaccinated people could safely gather indoors with fully vaccinated people without wearing a mask or staying 6 feet apart.
Post-vaccination "breakthrough" cases and hospitalizations have occurred but are very rare. Only 9,245 "breakthrough" cases and 835 hospitalizations have been reported out of more than 95 million people who have been fully vaccinated in the U.S. as of April 26.


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