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Q: Recyler view lat item not seen on touch I have implemented recycler view in the following manner :

now on the click of any one of the rows, the view is expanded like this :

now the problem i am facing is that when i try to expand the last item of the recycler view , the view is expanded but we cannot understand as the recycler view does not scroll up. so it is expaned in real but since it is below the screen the user thinks that nothing has happened.
Like in the 1st image if we click on the last item, i.e. photograph the row is expanded but we donot understand untill we actually scroll it up like this :

so now how do i acheive this ? i mean if the last item on the screen is expanded how to i scroll it a bit up so the user understands the difference.
CODE :
      @Override
    public void onBindViewHolder(final RecyclerView.ViewHolder holder, final int position) {

        if (holder instanceof ViewHolder)
        {
            final ViewHolder bodyholder = (ViewHolder) holder;
            if (UtilInsta.PendingDoc.get(position).name.length() == 0) {
                pd = new InstaDrawer();

                bodyholder.penddoc_tv.setText(UtilInsta.PendingDoc.get(position).DOC_NAME);

                if (UtilInsta.PendingDoc.get(position).ADDININFO_FLAG.equalsIgnoreCase("Y")) {
                    bodyholder.tv_clickforkyc.setVisibility(View.VISIBLE);

                } else {
                    bodyholder.tv_clickforkyc.setVisibility(View.GONE);

                }

                bodyholder.pending_row.setId(position);
                bodyholder.pending_row.setOnClickListener(new View.OnClickListener() {
                    @Override
                    public void onClick(View v) {
                        //     crop(position);

                        InstaDrawer.pendingDocList= UtilInsta.PendingDoc.get(v.getId());
                        UtilInsta.setPosition(con, v.getId());
                        if (bodyholder.pend_ll.getVisibility() == View.VISIBLE) {
                            UtilInsta.PendingDoc.get(v.getId()).option = false;
                            bodyholder.pend_ll.setVisibility(View.GONE);
                            bodyholder.tv_clickforkyc.setVisibility(View.GONE);
                            if (bodyholder.remarks_layout.getVisibility() == View.VISIBLE) {
                                bodyholder.remarks_layout.setVisibility(View.GONE);
                                UtilInsta.PendingDoc.get(v.getId()).will_chek = false;
                                UtilInsta.PendingDoc.get(v.getId()).unable_chek = false;
                            }
                        } else {

                            bodyholder.pend_ll.setVisibility(View.VISIBLE);
                          //  setHide(v.getId());
                            if (UtilInsta.PendingDoc.get(v.getId()).ADDININFO_FLAG.equalsIgnoreCase("Y")) {
                                bodyholder.tv_clickforkyc.setVisibility(View.VISIBLE);

                            } else {
                                bodyholder.tv_clickforkyc.setVisibility(View.GONE);

                            }
                            UtilInsta.PendingDoc.get(v.getId()).option = true;
                            if (UtilInsta.PendingDoc.get(v.getId()).MIN_DOC == "Y") {
                                bodyholder.provie_later.setVisibility(View.GONE);
                                bodyholder.unable_submit.setVisibility(View.GONE);
                            }

                        }

                        if(expandedpos>=0 && expandedpos!=v.getId())
                        {
                                int prev = expandedpos;
                                notifyItemChanged(prev);
                        }
                        expandedpos = v.getId();
                    }

                });

                //  holder.acct_name_tv.setText(pendingDocLists.get(position).CUST_NAME);
                bodyholder.camera.setId(position);
                bodyholder.camera.setOnClickListener(new View.OnClickListener() {
                    @Override
                    public void onClick(View v) {
                        InstaDrawer.pendingDocList= UtilInsta.PendingDoc.get(v.getId());
                        UtilInsta.setPosition(con, v.getId());
                        if (UtilInsta.PendingDoc.get(v.getId()).ADDININFO_FLAG.equalsIgnoreCase("Y")) {
                            if (Util.isNetworkConnected(con))
                                DocumentInfo(0, v.getId());
                            else
                                Util.shownointernet(con);
                        }
                            else {
                            UtilInsta.setFILE_NAME(con, "");
                            if (Build.VERSION.SDK_INT >= Build.VERSION_CODES.M &&
                                    ( con.checkSelfPermission(Manifest.permission.READ_EXTERNAL_STORAGE) != PackageManager.PERMISSION_GRANTED ||  con.checkSelfPermission(Manifest.permission.CAMERA) != PackageManager.PERMISSION_GRANTED)){

                                ActivityCompat.requestPermissions(((Activity)con),
                                        new String[]{Manifest.permission.READ_EXTERNAL_STORAGE, com.app.hdfc.Manifest.permission.CAMERA},
                                        MyConstants.READ_EXTERNAL_STORAGE_PERMISSION_CAM);

                            }
                            else
                            {

                                if(UtilInsta.PendingDoc.get(v.getId()).DOC_NAME.equalsIgnoreCase("Photograph"))
                                {
                                    Intent intent = new Intent(con, FrontCamera.class);
                                    UtilInsta.CUST_NO = UtilInsta.PendingDoc.get(v.getId()).CUST_NO;
                                            (con).startActivity(intent);
                                    ((Activity)con).finish();
                                }else {
                                    Intent intent = new Intent(con, CroppingActivity.class);
                                    intent.putExtra("camera_gallery", 0);
                                    intent.putExtra("fromRecycler", true);
                                    intent.putExtra("position", v.getId());
                                    intent.putExtra("DOC_NAME", UtilInsta.PendingDoc.get(v.getId()).DOC_NAME);
                                    UtilInsta.doc_name = UtilInsta.PendingDoc.get(v.getId()).DOC_NAME;
                                    Log.d("Recycler", UtilInsta.doc_name);
                                    intent.putExtra("CUST_NO", UtilInsta.PendingDoc.get(v.getId()).CUST_NO);
                                    (con).startActivity(intent);
                                    ((Activity) con).finish();
                                }

                            }

                        }

                    }
                });
                bodyholder.gallery.setId(position);
                bodyholder.gallery.setOnClickListener(new View.OnClickListener() {
                    @Override
                    public void onClick(View v) {
                        InstaDrawer.pendingDocList= UtilInsta.PendingDoc.get(v.getId());
                        UtilInsta.setPosition(con, v.getId());
                        if (UtilInsta.PendingDoc.get(v.getId()).ADDININFO_FLAG.equalsIgnoreCase("Y"))
                            if(Util.isNetworkConnected(con))
                            DocumentInfo(1, v.getId());
                            else
                            Util.shownointernet(con);
                        else {
                            if (Build.VERSION.SDK_INT >= Build.VERSION_CODES.M &&
                                    con.checkSelfPermission(Manifest.permission.READ_EXTERNAL_STORAGE) != PackageManager.PERMISSION_GRANTED) {

                                ActivityCompat.requestPermissions(((Activity)con),
                                        new String[]{Manifest.permission.READ_EXTERNAL_STORAGE},
                                        MyConstants.READ_EXTERNAL_STORAGE_PERMISSION);

                            }
                            else {
                                UtilInsta.setFILE_NAME(con, "");
                                Intent intent = new Intent(con, CroppingActivity.class);
                                intent.putExtra("camera_gallery", 1);
                                intent.putExtra("fromRecycler", true);
                                intent.putExtra("position", v.getId());
                                intent.putExtra("DOC_NAME", UtilInsta.PendingDoc.get(v.getId()).DOC_NAME);
                                UtilInsta.doc_name = UtilInsta.PendingDoc.get(v.getId()).DOC_NAME;
                                Log.d("Recycler", UtilInsta.doc_name);

                                intent.putExtra("CUST_NO", UtilInsta.PendingDoc.get(v.getId()).CUST_NO);
                                (con).startActivity(intent);
                                ((Activity) con).finish();
                            }
                        }

                    }
                });

                if (UtilInsta.PendingDoc.get(position).MIN_DOC.equalsIgnoreCase("Y")) {
                    bodyholder.provie_later.setVisibility(View.GONE);
                    bodyholder.unable_submit.setVisibility(View.GONE);

                } else {
                    bodyholder.provie_later.setVisibility(View.VISIBLE);
                    bodyholder.unable_submit.setVisibility(View.VISIBLE);
                }

                bodyholder.provie_later.setId(position);
                bodyholder.provie_later.setOnClickListener(new View.OnClickListener() {
                    @Override
                    public void onClick(View v) {
                        if (remark == 1) {
                            remark = 0;
                            bodyholder.provie_later.setImageResource(R.drawable.circle1);
                            bodyholder.remarks_layout.setVisibility(View.GONE);

                            UtilInsta.PendingDoc.get(v.getId()).will_chek = false;
                        } else if (remark == 0 || remark == 2) {
                            bodyholder.unable_submit.setImageResource(R.drawable.circle2);
                            bodyholder.provie_later.setImageResource(R.drawable.circle1_hover);
                            remark = 1;
                            bodyholder.remarks_layout.setVisibility(View.VISIBLE);
                            UtilInsta.PendingDoc.get(v.getId()).will_chek = true;
                        }
                    }
                });

                bodyholder.unable_submit.setId(position);
                bodyholder.unable_submit.setOnClickListener(new View.OnClickListener() {
                    @Override
                    public void onClick(View v) {
                        if (remark == 2) {
                            remark = 0;
                            bodyholder.unable_submit.setImageResource(R.drawable.circle2);
                            bodyholder.remarks_layout.setVisibility(View.GONE);
                            UtilInsta.PendingDoc.get(v.getId()).unable_chek = false;
                        } else if (remark == 0 || remark == 1) {
                            bodyholder.provie_later.setImageResource(R.drawable.circle1);
                            bodyholder.unable_submit.setImageResource(R.drawable.circle2_hover);
                            remark = 2;
                            bodyholder.remarks_layout.setVisibility(View.VISIBLE);
                            UtilInsta.PendingDoc.get(v.getId()).unable_chek = true;
                        }
                    }
                });

                bodyholder.tv_clickforkyc.setId(position);
                bodyholder.tv_clickforkyc.setOnClickListener(new View.OnClickListener() {
                    @Override
                    public void onClick(View v) {
                        if (Util.isNetworkConnected(con))
                            DocumentInfo(2, v.getId()); // 2 for kyc list
                        else
                            Util.shownointernet(con);
                    }
                });

                bodyholder.remarks_submit.setOnClickListener(new View.OnClickListener() {
                    @Override
                    public void onClick(View v) {
                        String remark_str = bodyholder.remarks_edittext.getText().toString().trim();
                        if (remark_str.equalsIgnoreCase("")) {
                            Toast.makeText(con, "Please enter some remark", Toast.LENGTH_LONG).show();
                        } else if (remark_str.length() > 100) {
                            Toast.makeText(con, "Please enter remark less than 100 characters", Toast.LENGTH_LONG).show();
                        } else {

                            //Toast.makeText(con, "Remark : " + remark + " Submitted", Toast.LENGTH_LONG).show();
                            String remarktype = "";
                            if (remark == 1) {
                                remarktype = "PROVIDE_LATER";
                            } else if (remark == 2) {
                                remarktype = "NOT_AVAILABLE";
                            }
                            Log.e("Remarktype", remarktype + "1 " + remark);

                            if(Util.isNetworkConnected(con)) {
                                uploddoc(remarktype, remark_str);
                                bodyholder.remarks_edittext.setText("");
                            }
                            else
                            Util.shownointernet(con);

                            bodyholder.remarks_layout.setVisibility(View.GONE);
                            bodyholder.pend_ll.setVisibility(View.GONE);
                            UtilInsta.PendingDoc.get(position).option = false;
                            bodyholder.tv_clickforkyc.setVisibility(View.GONE);
                        }
                    }
                });

//                if (!UtilInsta.PendingDoc.get(position).REMARKS.equalsIgnoreCase("")) {
//                    bodyholder.remarks_tv.setVisibility(View.VISIBLE);
//                        bodyholder.remarks_tv.setText("*Remark - " + UtilInsta.PendingDoc.get(position).REMARKS);

                if (UtilInsta.PendingDoc.get(position).STATUS.equalsIgnoreCase("NOT_AVAILABLE")) {
                    bodyholder.remarks_tv.setVisibility(View.VISIBLE);
                    bodyholder.remarks_tv.setText("*Remark - " + UtilInsta.PendingDoc.get(position).REMARKS);
                    bodyholder.unable_submit.setImageResource(R.drawable.circle2_hover);
                    bodyholder.provie_later.setImageResource(R.drawable.circle1);
                    bodyholder.remarks_edittext.setText(UtilInsta.PendingDoc.get(position).REMARKS);
                    UtilInsta.PendingDoc.get(position).unable_chek =true;
                } else if (UtilInsta.PendingDoc.get(position).STATUS.equalsIgnoreCase("PROVIDE_LATER")) {
                    bodyholder.remarks_tv.setVisibility(View.VISIBLE);
                    bodyholder.remarks_tv.setText("*Remark - " + UtilInsta.PendingDoc.get(position).REMARKS);
                    bodyholder.unable_submit.setImageResource(R.drawable.circle2);
                    bodyholder.provie_later.setImageResource(R.drawable.circle1_hover);
                    bodyholder.remarks_edittext.setText(UtilInsta.PendingDoc.get(position).REMARKS);
                    UtilInsta.PendingDoc.get(position).will_chek =true;
                }
                     else {
                        bodyholder.remarks_tv.setVisibility(View.GONE);
                    bodyholder.unable_submit.setImageResource(R.drawable.circle2);
                    bodyholder.provie_later.setImageResource(R.drawable.circle1);
                    bodyholder.remarks_edittext.setText("");
                        }

                bodyholder.pending_row.setVisibility(View.VISIBLE);
                bodyholder.acct_name_tv.setVisibility(View.GONE);

                if (UtilInsta.PendingDoc.get(position).unable_chek) {
                    bodyholder.provie_later.setImageResource(R.drawable.circle1);
                    bodyholder.unable_submit.setImageResource(R.drawable.circle2_hover);

                    bodyholder.remarks_layout.setVisibility(View.VISIBLE);
                    UtilInsta.PendingDoc.get(position).unable_chek = true;
                } else {

                    bodyholder.unable_submit.setImageResource(R.drawable.circle2);
                    bodyholder.remarks_layout.setVisibility(View.GONE);
                    UtilInsta.PendingDoc.get(position).unable_chek = false;
                }

                if (UtilInsta.PendingDoc.get(position).will_chek) {
                    bodyholder.unable_submit.setImageResource(R.drawable.circle2);
                    bodyholder.provie_later.setImageResource(R.drawable.circle1_hover);

                    bodyholder.remarks_layout.setVisibility(View.VISIBLE);
                    UtilInsta.PendingDoc.get(position).will_chek = true;
                } else {

                    bodyholder.provie_later.setImageResource(R.drawable.circle1);
                    bodyholder.remarks_layout.setVisibility(View.GONE);
                    UtilInsta.PendingDoc.get(position).will_chek = false;
                }

                if (UtilInsta.PendingDoc.get(position).option) {
                    bodyholder.pend_ll.setVisibility(View.VISIBLE);
                    if (UtilInsta.PendingDoc.get(position).ADDININFO_FLAG.equalsIgnoreCase("Y")) {
                        bodyholder.tv_clickforkyc.setVisibility(View.VISIBLE);

                    } else {
                        bodyholder.tv_clickforkyc.setVisibility(View.GONE);
                    }
                    UtilInsta.PendingDoc.get(position).option = true;
                    if (UtilInsta.PendingDoc.get(position).MIN_DOC == "Y") {
                        bodyholder.provie_later.setVisibility(View.GONE);
                        bodyholder.unable_submit.setVisibility(View.GONE);
                    }
                } else {
                    bodyholder.pend_ll.setVisibility(View.GONE);
                    bodyholder.tv_clickforkyc.setVisibility(View.GONE);
                    if (bodyholder.remarks_layout.getVisibility() == View.VISIBLE) {
                        bodyholder.remarks_layout.setVisibility(View.GONE);

                        UtilInsta.PendingDoc.get(position).will_chek = false;
                        UtilInsta.PendingDoc.get(position).unable_chek = false;
                    }

                }

            } else if (UtilInsta.PendingDoc.get(position).name.length() > 0) {
                bodyholder.pending_row.setVisibility(View.GONE);
                bodyholder.acct_name_tv.setVisibility(View.VISIBLE);
                bodyholder.acct_name_tv.setText(UtilInsta.PendingDoc.get(position).name);
                //continue comeback;
            }

            if(expandedpos == position)
            {
                bodyholder.pend_ll.setVisibility(View.VISIBLE);
                if(UtilInsta.PendingDoc.get(position).option)
                bodyholder.tv_clickforkyc.setVisibility(View.VISIBLE);
                else
                    bodyholder.tv_clickforkyc.setVisibility(View.GONE);

            }else
            {
                bodyholder.pend_ll.setVisibility(View.GONE);

                bodyholder.tv_clickforkyc.setVisibility(View.GONE);

            }

    }else if (holder instanceof FooterViewHoldrer){
            FooterViewHoldrer footerViewHoldrer = (FooterViewHoldrer) holder;
            if(UtilInsta.PendingDoc.size()==0)
            {
                footerViewHoldrer.empty_pendingdoc.setVisibility(View.VISIBLE);
                footerViewHoldrer.pending_continue.setVisibility(View.GONE);
                        footerViewHoldrer.loan_sanctioned.setVisibility(View.GONE);

            }
            else
            {
                footerViewHoldrer.empty_pendingdoc.setVisibility(View.GONE);
                footerViewHoldrer.pending_continue.setVisibility(View.VISIBLE);
                footerViewHoldrer.loan_sanctioned.setVisibility(View.VISIBLE);
            }
            if(submit_activate)
            {
                footerViewHoldrer.pending_continue.setBackgroundResource(R.drawable.background_button);
            }else
            {
                footerViewHoldrer.pending_continue.setBackgroundResource(R.color.myblack);
            }
            footerViewHoldrer.pending_continue.setOnClickListener(new View.OnClickListener() {
                @Override
                public void onClick(View v) {
                    if(submit_activate) {
//                        Toast.makeText(con,"Button Activated.",Toast.LENGTH_SHORT).show();
                        if(Util.isNetworkConnected(con))
                       new UpdateStep().execute();
                        else
                            Util.shownointernet(con);

                    }else
                    {
                        Toast.makeText(con,"Submit/Remark all Documents",Toast.LENGTH_SHORT).show();

                    }

                }
            });

        }

    }

A: Try This:
yourRecyclerView.scrollToPosition(position);

the variable position will be having the value of the expanded position.


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Dynamically set report data source and dataset to report. Since you can use this tool to view any report, we do not know what the data source and dataset will be.
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text:
Бой под Хробжем — незначительная стычка между арьергардом польских мятежников под командованием генерала Мариана Лангевича и солдатами из отряда регулярных войск генерала Касаверия Ченгерого, произошедшая а в ходе Январского восстания.

Предыстория
После разгрома русского отряда под Скалой повстанцам удалось прорвать окружение русских и уйти юго-восточнее в Меховский уезд, и расположить свой лагерь у села Гоща, всего в 9 километрах от австрийской границы.

Там, благодаря бездействию регулярных войск, мятежникам удалось получить значительное пополнение, состоящее из добровольцев из близлежащих деревень и Галиции. В итоге к началу марта они располагали более чем 3000 личного состава и несколькими орудиями.

26 февраля (10 марта) Лангевич провозгласил себя диктатором восстания.

На следующий день он назначил командующим своими «вооруженными силами» повстанческого полковника Антония Езёранского, присвоив ему звание генерал]. Однако Езёранский выступил против диктатуры Лангевича, и в результате возникшего между ними конфликта, увел свой отряд из нескольких сотен мятежников в Австрийскую империю, ослабив силы Лангевича.

Утром 28 февраля (12 марта) Лангевич получил донесение от местных жителей о том, что регулярные войска собираются атаковать его лагерь в Гоще, в результате чего в ночь на 1 (13 марта) мятежники по его приказу оставили Гощу и выступили на север, намереваясь вторгнуться в Келецкий или Стопницкий уезд (ныне Калецкий и Бусийский повяты Свентокшиское воеводство, Польша).

В ответ на это, из Кельце 4 (16) марта выступил отряд полковника Ченгерого (4 роты пехоты, 2 эскадрона драгун, полсотни казаков, 4 орудия), всего около 1.000 человек.

Следуя сперва наперерез, а потом по пятам противника, Ченгеры днем 5 (17) марта нагнал арьергардную колонну польских мятежников, уходивших с несколькими обозами из деревни Хробж.

Бой
Заметив мятежников, русская артиллерия, по приказу Чингерого, выдвинулась на позиции и открыла по ним огонь картечью, намереваясь навязать тем бой в выгодных для себя условиях. Однако пехота регулярных войск запаздывала и не давала тем полдноценно вступить в бой.

Мятежники находящиеся на открытой местности, неся значительные потери, кинули один из нескольких обозов, и стали в спешке отступать по направлению к остальным силам Лангевича.

Небольшая колона касиньеров попыталась атаковать беззащитную русскую артиллерию в 500 метрах от них, но никто из атакующих не успел добежать до орудий понеся серьёзные потери под натиском картечи.

Некоторое число вооруженных ружьями мятежников под командованием полковника Чачовского открыли по русским огонь, прикрывая отступление своих товарищей.

В конечном итоге мятежникам в спешке удалось переправиться с помощью деревянного моста на другой берег Ниды (мост они за собой сожгли), и присоединиться к основным силам Лангевича, которые концентрировались в густом лесу, к северо-западу от местечка Буско-Здруй. Русская артиллерия была вынуждена прекратить огонь в связи с наступлением темноты и неподходом пехоты.

Последствия
Мятежники понесли в бою значительные потери, от 100 до 150 убитых и раненых, кроме того, регулярными войсками был захвачен по крайней мере один обоз. Русским достались два орудия отнятые у мятежников, а также более 500 штуцеров. Однако обе стороны заявили о своей победе. Поляки сообщили о том, что потери русских, также превысили 300 человек убитыми и ранеными. Однако Чингеры в своем отчете о потерях говорит, что «в столкновении с польскими мятежными бандами под Хробжем погиб один артиллерист и ещё 4 были ранены, двое из них тяжело» Фактически битва закончилась ничьей, так как регулярным войскам не удалось полностью уничтожить мятежное соединение, а мятежники смогли отступить в густой лес, к северо-западу от местечка Буско-Здруй, что и привело на следующий день к сражению под Гроховиско.

Примечания

Литература
 Энциклопедия военных и морских наук Том VI. Стр. 106.

Сражения 1863 года
Март 1863 года

redpajama_set_name: RedPajamaWikipedia


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Taught Spanish in well reputed institutions like Modern School Barakhamba Road, Inlingua, Ace Academy of Languages. Presently teaching in YMCA ICS New Delhi , DPS and Buoyancy Institute.
Well updated and equipped with the most advanced foreign language learning modules and techniques. Expertise at training the students with job oriented and vocational requirements.
Worked with diverse array of platforms such as CWG 2010, OXFAM International, IITTM Pusa, to name few.
Facilitating the cultural exchange through Instituto Cervantes, Embassy of Spain for meaningful events such as 'La Feria' , 'Hola España' , 'Spanish Olympiad India' , etc.


Lowell, MA – May 31st, 2017 – Audio and communications technology specialist, Jabra, today announced the expansion of its Public Sector business in North America and the hiring of an industry veteran to oversee this initiative; Cheryle Walline.
Cheryle brings a proven public sector acumen and strong leadership skills that were sharpened during her tenure at Hewlett-Packard and Ingram Micro. Since joining Jabra, she has grown the Public Sector team, expanded its TAA approved portfolio, and re-enforced the company's commitment to its resellers and customers. Jabra has always focused on enabling workplace concentration, collaboration and productivity and, with its expanded presence in the Public Sector, government agencies will now benefit from its expertise in our new ways of working.
According to IDG's "2015 Unified Communications and Collaboration (UC&C) Survey," the industry can expect a surge in UC&C adoption in the coming years. The public sector is eager to capitalize on these opportunities, but must conform to TAA compliance standards and ensure that all products and vendors meet the applicable requirements.
"Approval to sell products to government agencies is a privilege we do not take for granted. There are rules and regulations that must be followed. Government employees deserve best-in-class audio solutions from a vendor they can trust, and Jabra will be that vendor of choice moving forward," said Walline.
Jabra will begin rolling out its new Public Sector strategy in the coming months, as Cheryle initiates a fully integrated and globally scalable initiative designed to target the pain points of public sector employees. To learn more about how Jabra meets the industry's unique challenges, please visit www.jabra.com/public-sector.


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Economy|Business and Economy
Explosion at chemical factory in China kills 22, injures 22
Blast took place at a plant in northern Hebei province, triggering a fire that engulfed 50 vehicles.
The scene after an explosion at a chemical plant in Zhangjiakou City in China's Hebei province [Courtesy: Xinhua news agency]
An explosion near a chemical plant in China's northern Hebei province early on Wednesday killed 22 people and injured at least 22 others.
A video of the blast scene in Zhangjiakou city shared by state media showed billowing black smoke and flames, while photographs showed rows of burned-out cars and trucks lining the streets.
The fire engulfed 50 vehicles, the official Xinhua news agency reported, citing government sources.
State media said all fires at the blast site had been extinguished.
An official news release said the blast occurred just after midnight at a loading dock next to the plant operated by the Hebei Shenghua Chemical Industry Co Ltd.
Zhangjiakou, a city about 156km northwest of Beijing, is set to host the 2022 Winter Olympics alongside the capital Beijing.
The explosion occurred at the entrance of the factory when a vehicle transporting dangerous chemicals blew up, according to The Paper, a news outlet that cited a staffer at the Zhangjiakou City Safety Production Supervision Administration.
"On-site search and rescue work and investigation of the cause of the accident are still under way," the Propaganda Department said.
Three decades of swift economic growth in China have been marred by incidents ranging from deadly mining disasters to factory fires, but public anger over safety standards has grown.
China has vowed to improve industrial standards but environmentalists say they fear oversight weaknesses persist, including an opaque production process for hazardous chemicals.
In August 2015, 165 people were killed after a chemical warehouse explosion in the port city of Tianjin. A government report found the disaster was caused by hazardous materials that had been improperly or illegally stored.
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redpajama_set_name: RedPajamaCommonCrawl


The American Black Film Festival is in Miami Beach on June 13-17, 2018. The festival is known for showcasing film and television content created by and about people of African decent. The festival promotes talent in front of and behind the camera. This is the 22nd annual presentation of the festival since it's inception in 1997.
This 2018 festival will continue to challenge creation and present Black American filmmakers with industry relevant panels, master classes, ABFF Talks, screenings, and parties.
BET will present: Killer Creativity featuring the industry disruptors.
TURNER will Demystify the Development Process teaching you how to land that development meeting and prepare your material.
NETFLIX will promote the strong black lead focusing on character creation script to screen considering writing tactics and production aspects.
Entertainment attorney Lisa E. Davis will "Unlock the Mystery of Deal Points" in a session discussion on negotiating with distributors, multiple distributors at once, optimal grant of rights, customary payment models, delivery and common asks from the distributors.
Master classes in Film Financing, Nailing an Audition, and Becoming a Show Runner also have tickets available.


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AWC now refunds checkoffs quicker
Credit unions announce asset growth
Decision trees help predict fight against invasive species
Canadian grocer focused on sustainability
Alta. makes check-off votes official
By Jeremy Simes
Alberta farmers who receive check-off refunds for their wheat will now be reimbursed about a month earlier than they previously were, thanks to new regulatory changes.
The Alberta Wheat Commission made the changes in late April. It's the first time the organization has updated its regulations since forming in 2012.
Farmers had previously waited longer for refunds, but the commission is now requiring that dealers submit service charges within 30 days rather than 55 days. As a result, producers will be reimbursed earlier.
"Some of the bigger players and some smaller players saw no problem to reduce that down to 30 days," said Brian Kennedy, the wheat commission's grower relations and extension co-ordinator.
"If a grower is requesting a refund, then getting it out to them a month earlier is a good service."
As well, farmers who sell their grain outside Alberta will now be able to voluntarily pay their checkoff to the commission. All they have to do is prove the wheat was grown in Alberta, he added.
Kennedy said there likely aren't many producers who sell outside the province, but the commission wanted to make the option available.
"It was in response to a couple of growers who truck their wheat to B.C.," he said.
"A service charge isn't collected and they strongly believe in the commission. They support the development of research."
Other changes address how meetings are conducted.
For instance, if farmers want to hold a special meeting with commission staff and board members, 40 of them will now be required to provide a written request. Only 25 people were previously required.
Kennedy said there have never been requests for a special meeting, adding the commission already holds regional meetings across the province and producers are always welcome to phone it with their concerns.
"Moving it from 25 to 40 still allows growers to have their voices heard if there was an urgent issue, without having to hold 10 different meetings," he said.
As for the wheat commission's annual general meeting, the organization is now requiring that at least 40 members be in attendance to reach quorum. Only 25 members were previously required.
"We would like to attract as many growers as possible to the AGM. If we're only getting 25, then we're not doing a good job," Kennedy said.
While he said the board isn't required to address producers' resolutions if quorum isn't reached, it will address the concerns anyway.
The Alberta Barley Commission will soon be proposing changes to its regulations, he added, and producers will be able to comment on them.
jeremy.simes@producer.com
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Home » More » Celebrity Weddings » Dev Anand's Marriage: Loving Suraiya, Marrying Kalpana
Dev Anand's Marriage: Loving Suraiya, Marrying Kalpana
by Rohit Garoo October 7, 2016 Leave a reply
When Dev Anand played the role of the suave poet in Teen Devian in 1965, he left women audiences literally swooning due to his amazingly crisp looks and smooth dialogue delivery. He was after all the most handsome actor of his generation, who in his five decades in showbiz, had given the 'big break' to some of the big-name actresses of today, including Hema Malini, Zeenat Aman, Tina Munim and in more recent times, Tabu. But he had his big break with the one woman he couldn't get. This is the story of Dev Anand's marriage, and his love life.
In spite of decades of being a heartthrob to millions, and the undying love he had for Suraiya, Anand stayed espoused to one woman, Kalpana Kartik, for all his life. However, the one failed relationship with actress Suraiya precedes Dev Anand's marriage. Post-marriage though he was involved once with the actress Zeenat Aman but that was not for very long, and the matter fizzled out soon.
If Raj Kapoor was the showman of Indian cinema, Dev Anand was the show-stopper who could transfix your attention, by what his brother Chetan Anand described as, 'those smiling eyes.' We take a closer look at the love life and more of the legendary Dev Anand.
Dev Anand – In Love With Life
Dev Anand was born Dharamdev Anand on 26th September 1923 in Gurdaspur district, Punjab which was then a part of undivided India. Dev Anand was one among five siblings, and has only one sister, Sheela Kanta Kapur, who is the mother of the popular film director Shekhar Kapur. Anand received most of his early education from Dalhousie and Dharamsala, and later went to Lahore's Britain Regional expats district for his higher education. He came back during the partition, and later moved to Mumbai, in the early 1940s, and took up a job of a clerk. Eventually, he joined the Indian People's Theatre Association (IPTA) along with elder brother Chetan Anand, and was later inspired to become a full-fledged actor after seeing the movie performances of actor Ashok Kumar (Kishore Kumar's brother).
It was in 1946 that he was given an opportunity to star as a lead protagonist by producer Babu Rao Pai, and Dev Anand made his debut in the same year with the film Hum Ek Hain. Soon after Anand was offered roles in films opposite the established actress Suraiya, and the two starred in seven films together with most of them meeting commercial success at the box office. By late 1940s, Anand was a star, and had developed his own fan following owing to unique style and persona.
In 1949, Anand started his very own production company called Navketan films, and the first movie from his production house was Afsar in the year 1950. After Dev Anand's marriage. he went on to producer 35 films under his home-production banner, with his last film coming out as recent as in 2011.
Anand was on a visit to London in December 2011, when a he suffered cardiac arrest while at his hotel room. He breathed his last on 4th December 2011 at the age of 88 just months after the release of his last film Chargesheet. His loss was mourned by the nation, and his admirers all across the globe. In 2013, Anand's brass statue was unveiled at 'Walk of the Stars' section of Bandstand Promenade in Mumbai. The same year the Indian government released a postage stamp bearing Anand's image in honour of his exemplary contributions to the Indian cinema.
The First True Love
In 1947, the relatively unknown Dev Anand was offered the leading role opposite the much popular actress Suraiya. Suraiya was born Suraiya Jamaal Sheikh in 1929, and was a playback singer and actress- adept at singing and acting, and the first in the league of established singer-actors like Kishore Kumar, Sulakshana Pandit, and Farhan Akhtar of the post-independence era.
The first film of Dev Anand and Suraiya was Vidya in the year 1948, and it happened so that during the shooting of a song on a river, Anand and Suraiya's boat capsized. Suraiya did not know how to swim, fortunately Anand did, and he swam holding Suraiya to the bank thus saving her life. Needless to say Suraiya felt indebted to Anand, and the two soon became friends. Their film Vidya was a success, and the Anand-Suraiya pair became the hit formula for producers to make the cash registers ring. The two were signed together time after time; at one point for three films at a row, which eventually led them to spend a lot of time in each other's company.
By their fourth film, Jeet (1949), their love had blossomed and Anand finally proposed to Suraiya with a diamond ring. It was now clear that the duo were ready to take their relationship to the next level. Since they belonged to different faiths, they knew their families would never concede to their relationship. Therefore, during the making of the film Jeet they decided to slip out of the shooting with help of some friendly co-actors and crew members, and later eloped to get married. The plan for Suraiya and Dev Anand's marriage would have worked, but apparently, the news reached the ears of an assistant director, who swiftly informed Suraiya's grandmother, the family chieftess, Badshah Begum, who immediately rushed to the sets and dragged Suraiya home.
It was an emotional drama as usual. Suraiya's grandmother Badshah Begum threatened to end her life if Suraiya tied the knot with Dev Anand, who belonged to a different faith. Many people say the old lady had a covert reason for opposing Suraiya and Dev Anand's marriage, the fact that Suraiya was the highest earning member of the large family. Suraiya's parents though were supportive but their opinion was harshly overridden by Suraiya's maternal grandmother. Either way the relationship could not culminate into a wedlock, and Suraiya and Anand worked for one last time with the film Do Sitare in 1951. It is said after the completion of the film, the two met at Suriaya's apartment, in presence of Anand's elder brother Chetan Anand one last time. The doleful lovers sobbed throughout their last conversation, and later Suraiya threw Anand's proposal ring into the sea. It was a sad end of a sweet love story, and needless to say the pair was shattered. The sweet dream of Suraiya and Dev Anand's marriage was sent to it's end.
Giving Love A Second Chance, Dev Anand's Marriage To Kalpana
Dev Anand was deeply depressed by his breakup with Suraiya, and it is said he almost decided to quit films. It was only when his elder brother Chetan Anand counselled him that he pulled up his socks and decided to to focus on his career. It was in 1951, that he decided to come out with his second home-production film Baazi, which was to be directed by filmmaker and Anand's good friend Guru Dutt. Chetan Anand, who actually handled the production work at Navketan films, was looking for a fresh face for the part of the female protagonist. It is when he learnt about a 20-year old beauty queen from Shimla called Mona Singha, who happened to be in Mumbai around those days. Chetan Anand approached Mona with the offer for the film to which she obliged, and she was immediately bestowed the screen name Kalpana Kartik. Kalpana made her debut with Baazi (1951), which went on to become a massive hit.
It was deja vu for Anand, excpet this was to be a happy ending, with Dev Anand's marriage. Just like it happened with him and Suraiya, Anand and Kalpana were offered numerous films together mainly owing to the success the pair brought to the box office. The pair went on to do six films together, and just how Anand fell in love with Suraiya by his fourth film together, he happened to develop amorous feelings for Kalpana during the making of their fourth film together Taxi Driver (1954). This time Anand did not waste any time, and gave out his feelings without hesitation, and surprisingly Kalpana reciprocated the same sentiment about him. Anand had the support of his elder brother, Chetan Anand. and it is said that Kalpana's parents also assented their daughter's decision, in spite of the fact that Anand and Kalpana came from different faiths (Kalpana was a Christian).
At the stroke of midnight, during the making of their film Taxi Driver, Dev Anand's marriage to Kalpana Kartik was officiated at a quiet private ceremony. The sorrows and wounds of Dev Anand were finally healed, and he finally found his true soul-mate. Anand and Kalpana were blessed with a son, Suneil Anand, in 1956 in Zurich, where they were attending a film festival. They later had a daughter too, Devina Anand, thus completing their picture perfect family.
That Attractive Newcomer
In 1971, Dev Anand discovered Zeenat Aman, an actress, who after a string of flops was all set to leave the country forever. Anand approached her for the role of his hippie sister in what would go on to be the cult classic called Hare Rama Hare Krishna (1971). Zeenat Aman decided to give it a shot and the film met a huge success mainly due to Aman's true to life performance. It marked the beginning of yet another pair, and Anand went on to work with Aman in four more films.
Apparently, Anand soon started feeling enticed towards Aman by the end of their fifth film together Kalabaaz in 1977. But the progress of their alleged affair was broken by none other than the filmmaker Raj Kapoor, with Dev Anand's marriage still going on. The story goes (and you need to have it with a pinch of salt) that Anand was all set to propose to Aman on one night, but before the date Aman had to attend a party. She asked Anand to accompany her, and he willingly tagged along. It was at this party that Zeenat happened to meet Raj Kapoor, who in his inebriated state, began flirting with Zeenat Aman in a raunchy manner. What shocked Anand next was the sight of Aman reciprocating Kapoor's every racy move with equal zeal and excitement. Needless to say, Anand soon called-off the date, and the two moved away to their respective paths since then. Since then he was never linked-up with any other actress ever, and Dev Anand's marriage to Kalpana was his only one.
The Legend For Sure
Dev Anand and Kalpana Kartik remained espoused till his death in the year 2011. Anand surely left a lasting legacy, and his wife happens to be the only living member of the original Navketan films team, which gave some of the finest hits of the 1950s and 1960s. Kalpana Kartik now lives with her children and grandchildren in Mumbai, and in a rare 2015 interview she shared the following poignant words about her husband, the legendary Dev Anand.
"He was a really caring husband and father. People feel we separated, but that is absolutely false. Dev is very much in my heart even today, smiling and guiding me as only he can. I just cannot believe that he is no more. To me he is always Dev Anand my husband, right from our midnight marriage on the sets of Taxi Driver in 1954."
– Kalpana Kartik in 2015 speaking about her late husband Dev Anand
Images Source: 1, 3, 4
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Extreme Light Infrastructure (ELI) — является европейским проектом по созданию самого мощного лазера в мире. Это лазерная установка, нацеленная на размещение самой интенсивной системы лучевых линий во всем мире, развитие новых междисциплинарных исследовательских возможностей с использованием света от этих лазеров и вторичного излучения, получаемого из них, и предоставление их международному научному сообществу пользователей. Это будет крупнейший в мире и первый международный пользовательский центр по исследованиям лучевой и лазерной линий. В проекте участвуют около 40 исследовательских институтов и университетов из 13 стран ЕС.

Объект будет базироваться на четырех площадках. Три из них в настоящее время находятся на разных стадиях реализации в Чешской Республике, Венгрии и Румынии с объемом инвестиций, превышающим 850 млн. евро, в основном за счет средств Европейского фонда регионального развития (ERDF). Недалеко от Праги в  Чешская Республика, установка ELI-Beamlines будет в основном сосредоточена на разработке короткоимпульсных вторичных источников излучения и частиц. Источник аттосекундных импульсов света ELI (ELI-ALPS) в Сегеде, Венгрия, создает уникальную установку, которая обеспечивает источники света в чрезвычайно широком частотном диапазоне в виде ультракоротких импульсов с высокой частотой повторения. В Мэгуреле, Румыния, объект ELI Nuclear Physics (ELI-NP) будет сосредоточен на ядерной физике на основе лазера. Расположение четвертого столпа ELI, столба с самой высокой интенсивностью, еще предстоит определить. Ожидается, что его мощность лазера превысит мощность современных ELI примерно на один порядок.

Исследовательские центры ELI

ELI NP
ELI NP - исследовательский центр ELI представляет собой объект в Мэгуреле, Румынии, в котором находиться самый мощный лазер в мире. Лазерная технология может быть использована для уничтожения ядерных отходов и обеспечения нового типа лучевой терапии рака, называемой адронтерапией.  Крупнейший научный проект в Румынии, ELI-NP станет единственным европейским и международным центром исследований высокого уровня в области лазеров сверхвысокой интенсивности, взаимодействия лазерного вещества и вторичных источников с беспрецедентными возможностями. ELI-NP - очень сложный объект, в котором будут установлены две машины экстремальных характеристик:
 Лазер очень высокой интенсивности, где когерентно добавляются пучки из двух лазеров мощностью 10 ПВт, чтобы получить интенсивности порядка 1023–1024 Вт/см2 и электрические поля 1015 В/м на площади в несколько квадратных микрометров.
 очень интенсивный (1013 γ/с), блестящий γ-луч, ширина полосы 0,1%, Ev > 19 МэВ, который получается некогерентным Комптоновским обратным рассеянием лазерного излучения от очень яркого, интенсивного классического электронного пучка (Ee > 700 МэВ), произведенный теплым линаком.

Здание будет построено на основе сейсмических амортизаторов и будет иметь два объекта - один для лазеров и один для гамма-лучей, общей площадью 11010 м2. В том же здании будет корпус лабораторий, площадью 2396 м2. У объекиа, предназначенного для лазеров, будет восемь подземных уровней, в то время как у другого будет 12 подземных уровней. Комплекс, посвященный этому проекту, также будет иметь офисное здание на площади почти 970 м2, в окрестностях которого будет находиться гостевой дом на 30 номеров, занимающий 642 м2.

Начало работ по созданию инфраструктуры этого проекта состоялось 14 июня 2013 года. Лазер был изготовлен во Франции, испытан в Париже и был доставлен в Румынию.

Румынская база проекта называется Extreme Light Infrastructure - Nuclear Physics (ELI-NP) расположенf в Мэгуреле, недалеко от Национального института исследований и разработок в области физики и ядерной техники им. Хории Хулубея (IFIN-HH), и должен быть построен к концу 2015 года.

Интегрированный Центр Передовых Технологий Лазеров (CETAL), который управляет программой по конфигурации и подготовке экспериментов по ядерной физике, которые будут развернуты в ELI-NP с 2018 года, был открыт 21 октября 2014 года.

Первые испытания на лазере ELI-NP в Мэгуреле начались в апреле 2017 года.

18 мая 2018 года была протестирована вся система с промежуточной мощностью 3 ПВт, что делает её самой мощной в Европе. Директор проекта  сказал, что «результаты отличные». Планируется, что в феврале 2019 года вся система будет испытана на максимальной мощности 10 ПВт.

7 февраля 2019 года лазер ELI-NP в Мэгуреле достиг максимальной мощности в мире, 7 ПВт. 13 марта 2019 года он достиг 10 ПВт, мощность, для которой он был построен. Достижение 10 ПВт на лазере ELI-NP является важной вехой в исследованиях мирового уровня. Европа впервые через Румынию владеет самым мощным в мире лазером. Таким образом, лазер ELI-NP становится самой мощной из когда-либо созданных лазерных систем.

Примечания

Ссылка

 Extreme Light Infrastructure – Nuclear Physics (ELI-NP)
 ELI-NP: Виртуальный тур

2019 год в Румынии
Лазеры
Исследовательские лазеры
Ускорительные центры


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Landru
Henri Désiré Landru (April 12, 1869 – February 25, 1922) was a French multiple killer and real-life "Bluebeard".
Landru was guillotined on 25 February 1922
During World War I, Landru started to contact Parisian women through newspaper ads published in the lonely hearts sections. They usually read: "Widower with two children, aged 43, with comfortable income, serious and moving in good society, desires to meet widow with a view to matrimony."
Landru seduced women who were among the most vulnerable members of society, brought them to his Parisian villa and, after receiving access to their assets, he killed them and burned their dissected bodies in his oven. Between 1914 and 1919, he murdered ten women, and the teenage son of one of them.
The killer took great pains to separate his preys from their families, and after their deaths, he took measures to assure the relatives that their loved ones were still alive and in good condition. He slew them for money or to rid himself of a tiresome or inconvenient lover. With no bodies, the murderees were simply listed as missing
In 1919, the sister of one of them attempted to track down her missing sibling. and she eventually convinced the police to talk to him. Knowing that he could not be convicted of murder without a body, he refused to speak to the police. For two years, authorities investigated the disappearances of his victims and dug up his garden with no results until they found pieces of paper listing the missing women. Furthermore, they were told by the killer's neighbours of the toxic fumes that often emanated from his kitchen. The stove was inspected and, in the ashes, small human bones, as well as burned fasteners for women's clothes were found. Two years after his arrest, Landru was charged with 11 counts of murder and set for trial. This began in November 1921 and lasted nearly a month. It took the jury just two hours to decide Landru had killed the 11 victims . The penalty for such a crime was death.
On 25 February 1922, Landru was brought before the guillotine in Versailles
Landru bade farewell to his attorney and presented him with a picture he had drawn while in prison. It represented his kitchen, including the stove in which he was accused of burning his victims. On the back he had written in pencil "Ce n'est pas le mur derrière lequel il se passe quelque chose, mais bien la cuisinière dans laquelle on a brûlé quelque chose (It is not the wall behind which a thing takes place, but indeed the stove in which a thing has been burned)."
26 February 2017 luisa zambrottaculture, On this dayBluebeard, guillotine, Landru, murder, serial killer, trial, victims, wives
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Letter: Support for the Protect American Values Act
Letters and Correspondence
First Focus Campaign for Children sent the following letter to Senator Mazie Hirono (D-HI) to express support for the Protect American Values Act (S. 2482), which she introduced.
Excerpt from the letter: The Trump Administration's new public charge rule, finalized on August 12th, 2019 despite historic public opposition, imposes sweeping changes to long-standing, bipartisan immigration policy that jeopardizes America's future and intensifies the challenges faced by immigrant families and children.
Children of immigrants are the fastest-growing group of children in the country, and approximately one in four (8 million) children live in a family with at least one immigrant parent. Therefore, the administration's rule to expand who may be deemed a public charge (i.e., burden on the public coffers) in the consideration of an application for lawful permanent resident status or lawful admission would jeopardize our country's economic future by targeting access to health care, nutrition assistance, and housing support for this fast-growing population....We applaud your leadership...and look forward to working with you to help advance this important legislation.
Read the full letter here.


A look at a couple of new costumes from Star Wars: The Force Awakens!
A French event featured some costumes from Star Wars: The Force Awakens.
This morning I attended a tour of the areas dedicated to the Star Wars: The Force Awakens Galeries Lafayette. Exterior windows with original costumes through a collection of clothing created by young French designers, here's a little preview of Star Wars Christmas Galeries Lafayette.
Come to the 2nd floor to experience the Star Wars ™ experience around entertainment dedicated to the saga on November 30th. From December 5, the windows of Lafayette Homme, Boulevard Haussmann, will be devoted to the movie Star Wars: The Force Awakens, an exclusive that will allow everyone to dive into the universe of the saga.
Head over and check out the full coverage including fan art and a gift shop.


I confess, I am the epitome of chaos in the organization and planning arena of life. I fly by the seat of my pants most days, and having to keep a schedule gives me hives. In my previous life, I actually owned a planner-needless to say, it didn't get much use. I decided to unearth one of my planners and breathe new life into it using an array of Clearsnap Inks and NEW Wood Mount Stamps!
So, I didn't completely follow the rules, but I had so much fun creating this "scrapbook feel" planner page! I began the base of the page with some fun stamping using our new "Cityscape" Wood Mount Stamp (one of my absolute FAVES)and a border stamp from Stephanie Barnard; I used ColorBox® Archival Dye Ink to do the stamping because I knew I wanted to add a hint of color to the background using water diluted Aladine Izink Ink.
I was even able to add another of our fun Wood Mount Stamps "School Bus-" stamped using ColorBox® Mini Fluid Chalk Ink in "Butter" (the perfect size for on the go planning btw).
I added a heat embossed snow flake on transparency behind the photo, added some random stamping, and finished off the page with some splatters using Izink Ink, and like that-this page is complete! Please step outside the lines with me and give your planner a little pizzazz! Thanks for stopping by!
I really like the idea of using a planner this way.


Koo Lingyang's three-paneled painting, "The Past, the Present, and the Future," could almost have been created by anyone who fled to Taiwan from the mainland when civil war tore China apart 50 years ago.
In "The Past," the Communists' red banner duels with the Nationalist (Kuomintang) Party's flag above a burning village as a beggar looks on.
Mr. Koo, a retired Kuomintang soldier, says his art represents "the broken lives, traditions, families, and future of a generation of Chinese on both sides of the Taiwan Strait" that he hopes to see healed through reunification with the mainland.
But his Taiwanese-born filmmaker daughter says Beijing's ongoing threats of reunion by force are alienating Taiwan, and adds that the island is beginning to forge its own identity.
A new era of democracy and free speech is exposing long-hidden splits in how the island views itself, and a sharp contrast is emerging between resident migrants from mainland China and their descendants over Taiwan's destiny.
The two views are part of a great debate in Taiwan over how traditional Chinese values and democracy, local culture and global links should shape the island's future.
Taiwan's 21 million residents are trying to decide whether to move toward or away from mainland Chinese civilization, which could set in motion the tides of war or peace across the Taiwan Strait.
A 1949 cease-fire halted fighting between the Communists and Nationalists, and Beijing has since stated that any declaration of independence would reignite the war.
Memories of the war, or fears of a new one, continue to ripple throughout Taiwan society.
Koo says when the defeated Kuomintang forces arrived here, leader "Chiang Kai Shek kept telling us that we would soon retake the mainland, that Taiwan was only a temporary resting ground." Instead, the days of separation stretched out into"half a lifetime."
In the second panel of his painting, China and Taiwan are separated not by a waterway, but by jagged, barbed wire that cuts through a divided heart; on the mainland rests the gravestone of Koo's ancestors, and on Taiwan, his children.
"The painting hit me like a thunderbolt," says Koo Shaoyu, the painter's daughter. "My father never talked about the depth of his sadness, of his split longing for China and Taiwan.
"When I was 5, my father began drawing maps for me of Fujian [the Chinese province opposite Taiwan], and explained how to return home after the war was over," she says. "So I always thought I had two homes."
That sense of division still compels the elder Koo and other members of the "mainland generation" in Taiwan to push for a cross-China rapprochement.
But many youths say the vision of Chinese and Taiwanese living under one flag may be an ideal that is fading as the mainland migrants pass into history.
"In college, I began to think of my father's stories of ... having roots on both sides of the Taiwan Strait as fairy tales," says Koo Shaoyu."My home, my family, my friends are all here, and Beijing's military threats have transformed the mainland from a romanticized motherland into a dangerous stranger."
China's firing of live missiles during Taiwan's first free presidential elections shattered the mainland's relatively benign image.
"The civil war is over," says Koo. "But the Communists revived the war-time anger of the past by launching missiles at us, and that has hurt support for reunification."
He hopes to see the divides caused by the communist revolution healed with the peaceful evolution of democracy on the mainland.
While radical communists destroyed China's social, philosophical, and religious foundations, he says, all have survived in Taiwan. "Taiwan should move ... Confucian thought, Buddhism, and other Chinese values across the strait" to recreate a common culture, he adds.
When the Kuomintang fled here, it transformed Taiwan into a miniature China: Temples and schools were named after their mainland counterparts. Residents were forced to speak guoyu, or the national language, and a generation of local culture was wiped out in a campaign to Sinicize the island.
Yet the past decade has seen a "revival of Taiwan's native literature, art, dance, music, and drama," says Tu Weiming, a China scholar at Harvard University.
Koo's daughter says a new culture is evolving here that combines elements of Chinese, Taiwanese, and Western thought, while nationalism is becoming the driving force across the strait. The distinct futures being mapped out by Taiwan and the mainland, she adds, are unlikely to converge.
"Of course we want closer contacts ... but I would never support reunification - that would only start new conflicts over political systems," she says. Yet she also rules out a confrontational call for independence.
"Both reunification and independence are extreme words," she says.
"A lot of young people look at the past strife ... and they don't want to relive the battles fought by earlier generations," she says. "Maybe the only way to avoid another explosive split with the mainland is for Taiwan to settle on something between reunion and independence, a gray area to stake out our future."


I teach daytime and evening group yoga classes in Sidcup and Hextable (near Swanley).
Please see the timetable below for times and venues. The cost and addresses are below the timetable.
Private yoga classes, one-to-one, small groups and family yoga sessions can be arranged at other times in the week, in and around the local area – Sidcup, Bexley, Swanley, Chislehurst etc. Please contact me for details.
For details of yoga and meditation workshops, please see the events page.
Address: The Howard Venue, 39 Egerton Avenue, Hextable, Kent, BR8 7LG.
If you pay for a 6 week term, although there is no refund or reduction if you cannot attend one or more sessions of the block, if you let me know in advance – subject to space – you would be able to book in for one of my other classes in lieu, during the remainder of the 6 weeks – see my timetable above.
I try to be as flexible as possible, if you have any questions, please do let me know.
The Sidcup classes are small, held in my private yoga room, with a maximum number people per class. Drop-ins are only available rarely when there is space, so please do contact me in advance if you would like to attend.
As the Sidcup classes are so small to make these classes viable, following the first taster class, payment is in blocks of 6 and there is no refund or reduction if students cannot attend one or more sessions of the block. However, like with all my classes, if you let me know in advance – subject to space – you would be able to book in for one of my other classes in lieu, during the remainder of the 6 weeks – see my timetable above.
Occasionally there will be room for drop-ins – when regulars are away – but I can't guarantee this every week. If you prefer the flexibility of drop in attendance I recommend you come to my other larger classes where the room is big and I can accommodate drop-ins.
I provide all yoga equipment, including mats but please bring a blanket for relaxation. Please wear comfortable clothing that is suitable for exercise and allows for full range of movement. We practice barefoot.
It is not advisable to eat a full meal before a yoga class. Traditionally yoga is practiced on an empty stomach, however I find that students may prefer to eat a light snack a couple of hours before practicing to ensure their energy level is stable.
I teach alignment based Hatha yoga, accessible for all ages and abilities. You don't need to be flexible to start!
Each week I teach a different sequence of poses (asana) with the intention that the students experience a full range of yoga postures: standing poses, seated and floor poses, twists and abdominal toners, forward bends and backbends. We begin the class with a breathing exercise (pranayama) and breath awareness is carried throughout the class. The class always ends with a meditation practice and then a lying relaxation known as Savasana.
Discussion and feedback is actively encouraged in my classes. Please feel free to ask questions.
Yoga is an individual practice. We all work at our own pace.
Yoga asks us to be mindful, willing to go to our personal edge and at the same time respectful of where we are at each moment.
Yoga is about self discovery, both on and off your yoga mat.
Yoga is not competitive! We are all unique. Yoga allows us to experience ourselves in a non-judgmental way.
If you have an injury or a condition please let me know before the class begins. You can tell me at the beginning of the class or call me to discuss the situation in advance. In most cases I will be able to modify the poses to suit specific needs. In some cases it is better to start with private yoga lessons so your needs and ability can be assessed and specifically addressed. Pregnant women are more than welcome in my classes, but if you prefer, I can recommend pregnancy yoga classes in the local area.
Come along and see how it feels to connect to your body, create space, relieve tension, increase fitness, strength and flexibility and improve posture.
Please read the testimony page – here – to see how yoga has positively affected my students.


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CryptoForge 5.2.1 Review
CryptoForge version 5.2.1 has the strongest and most secure encryption algorithm out there, 256-bit key AES, making it a secure file encryption solution. This software is simple to use, though it does lack in security tools.
By Nicole Johnston
Top Ten Reviews Verdict
CryptoForge is fairly fast, simple-to-use encryption software with a strong encryption key and a handful of security features.
CryptoForge is easy to install and start using.
It takes a while to encrypt files.
Today's best CryptoForge 5.2.1 deals
CryptoForge version 5.2.1 has the strongest and most secure encryption algorithm out there, 256-bit key AES, making it a secure file encryption solution. This software is simple to use, though it does lack in security tools. And while it isn't the slowest when it comes to encrypting files, CryptoForge did keep us waiting for a while during our encryption tests.
We used CryptoForge to encrypt 63 files that equaled 124MB, then deciphered them. It took just under three minutes to encrypt these files, which isn't as slow as some programs that took seven minutes. However, this is significantly more than our top-rated pick that only took six seconds to encrypt the exact same files. Three minutes isn't too long to wait to secure smaller batches of files, but it could equate to a long wait if you need to encrypt larger files. It took CryptoForge six seconds to decipher the files.
CryptoForge is simple to use. In fact, after installing the program, we were able to start encrypting and shredding files right away by just right clicking on a file, choosing "encrypt" and then entering a password. Decrypting and shredding your files work the same way.
This encryption program includes an app with its software that lets you send encrypted files by email to anyone and lets them decrypt the files without having CryptoForge installed on their computer. You can also run this app from a USB thumb drive or memory card.
This program offers the most secure encryption key, AES 256-bit. This cipher is used by the U.S. government, military and banks and scrambles your data thoroughly when it encrypts files. CryptoForge also provides three other encryption algorithms for you to use – 448-bit Blowfish, 168-bit Triple DES and 256-bit GOST. Most of these are good for smaller files, but won't work for large chunks of data. For files larger than 36GB, 256-bit key AES is the only algorithm that can handle it.
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This software has a couple of good security tools. In addition to a file shredder that completely erases all signs of a used file, CryptoForge has a password meter that lets you know if the ones you're using are strong enough. However, remember your passwords because if you forget you will not be able to access your encrypted files. The program doesn't have a password recovery process. It also doesn't have a password generator, which is a great tool for creating strong passwords.
CryptoForge is a simple-to-use encryption program with a strong algorithm key. It doesn't have all the security measures of the top encryption software, but it does have a password meter and a secure file shredder.
Nicole Johnston
Nicole writes for multiple Future Publishing brands covering topics from antivirus to kitchen appliances to SAS. She has over 15 years of research and writing experience, including eight years of testing and reviewing consumer products. Nicole earned bachelor's degrees in both English and Political Science with a focus on empirical research. In her spare time, Nicole serves as a member of several school councils and volunteers for a local arts board.
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Someone who has Hands on Experience.
Looking for a Digital Marketing Executive from Interior Designing or Real Estate Industries . Other Industries can also be considered.
Should have good knowledge of SEO and SEM .
Should Have done Lead Generation/Demand Generation.
- The Digital Marketing supports and drives the Digital market development campaigns through the efforts of the aligned team.
- Collaborates (leading at times) with colleagues in the Marketing & Communications, innovate new marketing and communications solutions, and deliver distinct client experiences.
- Potential to facilitate marketing and communications targeting activities through assisting with social media campaigns, content marketing, supporting business expansion initiatives, developing promotional marketing materials and targeting tools, and managing major promotional events such as trade shows, industry speaking events, sponsorship, and internal conferences related to key clients and many more.


Working with French companies for over twenty years provides good insight into their translation needs and how they solve them. Translating websites into English is a common dilemma: should you or shouldn't you, and where to start? This post discusses five mistakes I often see businesses making.
In today's global world, it's easy to form the impression that if your business website isn't in English, then you're missing out on a huge opportunity to attract new clients and impress people. In some cases, that may be true.
Why do I need my website translated into English?
What will it achieve? Which market do I want to tap into and what return on investment do I expect? Unless you're clear on this, then having an English website will be like throwing a message in a bottle out to sea.
The more precise you are, the more effective your communication will be. I'm not telling you anything you don't know here, as this is no doubt the approach you took when designing the content of your website in your native language, to begin with. Yet this is crucial when it comes to translation.
English comes in different shapes and sizes. Are you targeting clients in the UK, Europe, the USA, or somewhere else? Spelling, style and cultural references are not the same. Are you targeting native English speakers or is it their second language? This is a key factor for getting readers on board.
They want to feel you're speaking directly to them, not to someone thousands of miles away that they don't relate to.
This seems like the obvious solution. You have a friend, colleague or secretary that speaks English and can easily translate your content for you. Hey, there's not even that much text to translate so it won't be hard.
I understand the temptation here. I really do. As an English person in France, I did lots of translations as a favour, long before I became a professional translator. But, here's the thing. I have learned a LOT about honing my art since I entered the profession.
Translation is a skill! It's much more than just swapping words.
It takes perception, creativity, cultural insight and a keen eye for consistency and flow. You are French – does that mean you would be comfortable writing a novel? Why not? You speak French, don't you? A website has to captivate a reader in a matter of seconds. You want to make sure those first few words hit home and resonate.
Now, this might seem like a strange one – surely that's the whole point of translation, right? Well, yes, but… a website is more than just text. It's your essence, your brand, it's an emotion. And emotions, priorities and snappy one-liners cannot always be conveyed in the same way.
Take an example – everyone in France knows the Mars slogan Mars, et ça repart. However, for over 50 years, their English slogan was A Mars a day helps you work, rest and play. That translates as Un Mars par jour vous aide à travailler, vous réposer et vous amuser. Far less catchy in French, you'll agree!
Technically, it might be possible to translate directly, but the end result isn't the same. And yet those few words Mars, et ça repart captures the notion of work, rest and the energy provided by the chocolate bar. I suspect this was not the work of "that French guy who works in accounts".
This is an extreme example – translating trade names and slogans is a speciality in itself. But it demonstrates my point. There are words, then there's the message and emotions behind the words. Different languages and different cultures may not use the same words or examples to say the same thing. Lastly, some of your French content might be irrelevant to an English reader. A translator will take all these things into account.
When you have a bilingual secretary at your fingertips (see number 3 above), a professional translation might seem like an unnecessary expense. You might think you don't have the budget. To which my reply would be – can you afford to do it cheaply?
The results of a beautifully designed, engaging website are easily measured by leads, clicks, conversions and sales. What is impossible to gauge though, is the opposite – the number of potential clients lost because they take one look at your website and feel alienated or not concerned by your offering.
One single word in an otherwise perfect sentence is a giveaway that a text is not written by a native speaker, and while a foreign accent may sound charming to the ear, it has quite the opposite effect in black and white. What do customers want? To feel understood. Investing in translation services can help you do that.
To make sure your business makes the right investment, contact me today for a no-obligation chat.


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Tanushree Dutta Plastic Surgery Before and After
Tanushree Dutta was born on March 19, 1984 in Jharkhand, India. She first gained recognition when she won the title for Femina Miss India Universe in 2004. She then became the country's representative in the Miss Universe pageant where she was among the Top 10 finalists.
Following this, she began her career as an actress, making her film debut in 2005's Aashiq Banaya Apnem, followed by the Telugu movie Veerabhadra, as well as in the Bollywood crime thriller Chocolate: Deep Dark Secrets. She has since starred in other films like Risk, Good Boy, Bad Boy, Raqeeb and many others.
Has Tanushree Dutta had Plastic Surgery?
The former beauty queen-turned actress has been making a prolific career in the entertainment industry. Despite not winning the Miss Universe crown in 2004, Dutta was able to establish herself as a well-known celebrity by appearing in several notable roles in the cinema. But as the actress changes physically in the public eye, she becomes a recipient of various speculations about her alleged plastic surgery.
From her plain looks, the actress was able to transform herself into a glamorous face while maintaining the natural and not-so-perfect look, making the result of her alleged cosmetic procedures subtle. Still, most people can't overlook the fact that there was a major transformation involved in the actress' appearance and knowing Bollywood is trying to keep up with Hollywood's track record of celebrities going under the knife, it's not unlikely that Dutta has done the same.
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Betty Rachel Vaughndorf, Retired Executive Secretary with the U.S. Department of the Interior, has been recognized by Marquis Who's Who Top Executives for dedication, achievements, and leadership in public service administration.
A leading expert in the field, Ms. Vaughndorf retired in 1963, having been a secretary with the United States Department of the Interior since 1957. In addition to this role, she was a stenographer with the United States Information Agency from 1951 to 1956, the Smithsonian Institution from 1948 to 1950, and with the United States Maritime Commission from 1942 to 1947.
Ms. Vaughndorf first began working during World War II, joining the government and aiming to improve herself and gain experience. She earned a degree from Ryan's Business College in 1944, subsequently completing coursework with Corcoran Art School in 1948 and with Abbott Art School in 1950. A member of the Savannah Art Association and the American Association of Retired Persons, Ms. Vaughndorf received an Outstanding Achievement in Amateur Photography Award from the International Society of Photographers in 2004 and 2005. She has also been listed in several editions of Who's Who in America and Who's Who of American Women.


Dungeons & Dragons Online Forums > Lamannia Server > Lamannia Bug Discussion > PSA - Point Blank and Combat Archery are not applying their +[W] boosts?
View Full Version : PSA - Point Blank and Combat Archery are not applying their +[W] boosts?
Tested my base dps with my Supreme Commander Greensteel Heavy Repeating Crossbow of Lightning, and I only seem to be doing the base damage; I am shooting my opponents well-within range, and have both feats. So far, the only damage boost I am seeing to my base damage, is from my Insightful Damage spell (testing Wizard 12, arti 6, rogue 2 build).
My Xbow has 1.50(1d10), and is +7 thanks to Battle Engineer adding to the damage. I am doing waaaaaay less than that. Even against those with Barbarian DR. In fact, as I am typing this, I just attacked a level 7 player blocking with a tower shield (not a named one, a random generated tower shield), and I am not getting ANY damage through with my ranged attacks.


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NeoVolta Customers Keep the Lights On During California's Rolling Blackouts
As Many as 2 Million Left in the Dark as California Heat Wave Causes Shutoffs
San Diego, CA, August 20, 2020 – NEOVOLTA INC. (OTCQB: NEOV) – NeoVolta, a manufacturer of patent-pending Smart Energy Storage Systems, kept homes powered during heat-related rolling blackouts that struck California on Friday, August 14. The unannounced service interruptions affected as many as 2 million residents.
The California Independent System Operator (CAISO), which operates the statewide power grid, directed major utility companies to initiate the shutoffs because of high energy use at the start of a heat wave. This was the first time CAISO had imposed rolling blackouts since 2001. CAISO has since warned Californians to be prepared for additional rolling blackouts during the late afternoon or early evening hours through Thursday, August 20.
For NeoVolta customers, the power outages were no cause for concern. Kim Alger of San Diego reported that when the power went out, her NV14 system "seamlessly powered all of the circuits that were connected to it. Amazing product!"
Another satisfied customer who reached out to NeoVolta was Millie Panama of Menifee. "Our neighborhood got hit, but we didn't notice it. A neighbor told us about it this morning and asked why our lights were still on LOL. We were proud to let him know about our new NeoVolta battery and how great it works. We are letting our neighbors know all about your product."
When a blackout occurs for any reason, NeoVolta's battery storage systems automatically disconnect from the grid and seamlessly power the critical loads needed to keep a home safe, comfortable, and connected.
The NV14 battery system has a very high energy storage capacity of 14.4 kilowatt-hours, and its smart inverter discharges 7.7 kilowatts of instantaneous power, more than most mainstream competitors. The NV14's capacity can be further expanded to 24.0 kWh by pairing it with the NV24 add-on—without the expense of installing a second inverter.
For its high capacity and safe, long-lasting lithium iron phosphate battery, the NV14 was named one of Solar Power World's Top Solar Storage Products for 2019.
"Whether caused by extreme heat or wildfires or an aging and poorly maintained grid, blackouts have become a harsh fact of life in California and the Southwest," said Brent Willson, CEO of NeoVolta. "NeoVolta systems will continue to power homes through these outages while delivering significant utility savings."
NeoVolta designs, develops and manufactures utility-bill reducing residential energy storage batteries capable of powering your home even when the grid goes down. With a focus on safer Lithium-Iron Phosphate chemistry, the NV14 is equipped with a solar rechargeable 14.4 kWh battery, a 7,680-Watt inverter and a web-based energy management system with 24/7 monitoring. By storing energy instead of sending it back to the grid, consumers can protect themselves against blackouts, avoid expensive peak demand electricity rates charged by utility companies when solar panels aren't producing, and get one step closer to grid independence.
For more information visit http://www.neovolta.com email us at: [email protected] or call us: 858-386-1929
Some of the statements in this release are forward-looking statements within the meaning of Section 27A of the Securities Act of 1933, Section 21E of the Securities Exchange Act of 1934 and the Private Securities Litigation Reform Act of 1995, which involve risks and uncertainties. Forward-looking statements in this press release include, without limitation, the future performance, reliability and safety of NeoVolta's NV14 storage system. Although NeoVolta believes that the expectations reflected in such forward-looking statements are reasonable as of the date made, expectations may prove to have been materially different from the results expressed or implied by such forward-looking statements. NeoVolta has attempted to identify forward-looking statements by terminology including "believes," "estimates," "anticipates," "expects," "plans," "projects," "intends," "potential," "may," "could," "might," "will," "should," "approximately" or other words that convey uncertainty of future events or outcomes to identify these forward-looking statements. These statements are only predictions and involve known and unknown risks, uncertainties, and other factors, including those discussed under the "Risk Factors" section of NeoVolta's Form 1-A filing filed with the Securities and Exchange Commission ("SEC") and updated from time to time in its other public filings with the SEC. Any forward-looking statements contained in this release speak only as of its date. NeoVolta undertakes no obligation to update any forward-looking statements contained in this release to reflect events or circumstances occurring after its date or to reflect the occurrence of unanticipated events.
NeoVolta Poised for California's NEM Incentives to Pair Solar with Battery StorageJanuary 26, 2023 - 7:06 AM
Additional $630 Million in California State Funding Set Aside to Support Residential Low-Income Solar Plus Storage Adopters
Ageless Dental has selected NeoVolta to be Included into the Design and Build of all of Their Nationwide ClinicsJanuary 25, 2023 - 12:38 PM
Ageless Dental Signs Deals for $2.25 Billion in Property Developments Over 10 Years. Dental Firm Launches Plans for Nationwide Rollout of 750 Clinics.
EOS Linx Increases EV Chargers by 2600% in Second Year, Plans to Deploy Mobile App in 2023December 23, 2022 - 10:14 AM
The leader in EV charging expects 4,000 sockets to be operational in 2023
NeoVolta Selected by American Development Partners for Nationwide IntegrationOctober 4, 2022 - 5:50 AM
A Nationwide Buildout of 750 Pain Management Clinics will all feature a NeoVolta NV14 plus NV24 ESS as a key component of ADP's energy savings and backup protection systems
NeoVolta Systems to be Deployed in EOS Linx EV Charging Stations at Major Hotel BrandSeptember 27, 2022 - 6:00 AM
Continues Expected Rollout of 1,000 NeoVolta Systems at Hotel Chains, Gas Stations, and Convenience Stores Nationwide
NeoVolta Systems to be Deployed in EOS Linx EV Charging Stations at Select National Gas LocationsSeptember 7, 2022 - 5:50 AM
Partnership to Include Expected Nationwide Rollout of 1,000 Systems in Various Gas Stations, Convenience Stores, and Hotel Chains Across the Country
NeoVolta Energy Storage Systems Eligible for 30% in Tax Credits Under the $369 Billion Climate Spending PackageAugust 23, 2022 - 6:00 AM
For the First Time Ever, Energy Storage Systems Qualify as a Stand-Alone Credit
EOS Linx Selects NeoVolta as its Battery Supplier for EOS Charge Station Deployments through 2023August 11, 2022 - 6:30 AM
EOS Linx continues strong relationship with NeoVolta Energy Storage System for Superior Power Management Technology and Battery Chemistry
NeoVolta Announces Closing of Underwriters' Option to Purchase Additional Shares of Common Stock in Connection with its Underwritten Public OfferingAugust 5, 2022 - 2:29 PM
NeoVolta Adds $555,700 in Purchase OrdersAugust 3, 2022 - 5:50 AM
NeoVolta's Distributor, PMP Energy, Sees Continued Demand for NeoVolta Products
NeoVolta Announces Pricing of $3.9 Million Public Offering Priced at a Premium to Market and Uplisting to NasdaqJuly 27, 2022 - 7:50 PM
NeoVolta Listed as One of the Most Affordable Residential Energy Storage Systems by EnergySageApril 12, 2022 - 6:01 AM
NeoVolta's NV14 Installed Cost per kWh Lower than 20 Other Listed Brands in the Solar Marketplace Intel Report
NeoVolta's 6,000-Cycle Home Solar Battery Receives UL 9540A Safety CertificationMarch 22, 2022 - 6:02 AM
Advanced Thermal Runaway Protection Highlights NeoVolta's Commitment to Safe Battery Technology
NeoVolta Receives Purchase Orders of $575,900March 1, 2022 - 6:05 AM
NeoVolta and PMP Energy Continue Distribution Agreement Worth Up To $15 Million
NeoVolta NV14 Recognized by Solar Power World as a Top Solar Storage Product of 2021February 8, 2022 - 5:50 AM
Third Consecutive Year the Safe, High-Capacity NV14 Has Been Recognized
NeoVolta CEO Brent Willson Interviewed by Investor Podcast "Freelancer Finance"November 30, 2021 - 6:05 AM
Willson Discusses Growth, Doubling Production Capacity, Competitive Advantages and the Future of Energy Storage
NeoVolta Expands to Colorado, Fourteenth-Ranked State in Solar CapacityOctober 26, 2021 - 6:05 AM
With Over 300 Sunny Days Each Year, Colorado Has Tremendous Solar Potential
NeoVolta Posts Revenue Increase of 139% for Year Ended June 30, 2021October 12, 2021 - 6:05 AM
Revenue Driven by Accelerated Growth in Sales Volume and Product Expansion
NeoVolta Expands to Texas, One of the Fastest-Growing Solar Capacity StatesOctober 5, 2021 - 6:05 AM
NeoVolta Energy Storage Systems Now Available to More Than 10 Million Texans
NeoVolta Secures Five-Year Supply Agreement with Inverter ManufacturerSeptember 21, 2021 - 6:15 AM
Provides Strategic Stability to Supply Chain
NeoVolta Receives California Energy Commissions Smart Grid Approval NeoVolta Completes $473,000 in Orders of Patent-Pending Energy Storage Systems...


My contact information, a brief biography, and other background can be found here. I have written abstracts targeted to the lay public for each of my publications, which can be found at each's publication's webpage. Please feel free to contact me with any questions about my work.
Below is some of my past work that has been featured in scientific and popular media.
Coauthor Michael Chen, who was my undergraduate mentee when I was a graduate student, and who is now in a joint PhD program between the University of Cambridge and the NIH, was featured here.