Cincinnati Clocksock – Canswer Sock Co.
For our second installment with Cincinnati's clockworkdj, we bring to you a new colorway of the original, this time based off his hometown colors! The sock features the classic design of Clock's face, as well as "CANSWER" written down the bottom of the foot and "#GOTWORK" across the toes. It's the same quality sock you can count on Canswer for, with some re-vamped designs.


By Subspace Comics | On November 22, 2014 | in Events, News with Comments Off on Black (Hole) Friday!
Store Signing Presented by Jet City Comic Show!
By Subspace Comics | On September 16, 2014 | in Events, News with Comments Off on Store Signing Presented by Jet City Comic Show!
By Subspace Comics | On July 1, 2014 | in Events, News with Comments Off on 4th of July Weekend Sale!
By Subspace Comics | On April 27, 2014 | in Events, News with Comments Off on Free Comic Book Day 2014!
So Say We All Frak'n Day at Seattle Cinerama!
By Subspace Comics | On February 27, 2014 | in Events, News with Comments Off on So Say We All Frak'n Day at Seattle Cinerama!


text:
Home | Arianna Dagnino
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Seaborn Eyes
The Afrikaner. A Novel
Buy the audiobook!
Transcultural Writers and Novels
Il Quintetto d'Istanbul
I Nuovi Nomadi
Le impronte di Eva
Occhi di mare
Jesus Christ Cyberstar
Uoma. La fine dei sessi
Popwar. Il netattivismo contro...
Praise for "The Afrikaner"
Praise for "Transcultural Writers"
TRANSCULTURAL WRITERS AND NOVELS IN THE AGE OF GLOBAL MOBIILITY
(Purdue University Press, West Lafayette, 2015)
"In this thought-provoking study, Arianna Dagnino is concerned to identify a cohort of writers who, in the ease with which they move between domiciles, languages and cultures, find themselves ahead of the pack in expressing a newly emergent transcultural sensibility. In a series of interviews, intercut with her own diary entries and treated to a light process of fictionalization – which is brought off with a novelist's skilled hand – five writers present their reflections on their genesis, their present situation, and their future aims in a more and more globalized world, reflections which are never less than interesting and are often far-sighted. Their comments are in turn interrogated by Dagnino and set in a wider framework of transcultural theory. Transcultural Writers and Novels in the Age of Global Mobility is a significant contribution to a growing body of work on the metamorphosis of literary culture in times of dissolving cultural boundaries."
Nobel Laureate J. M. Coetzee, The University of Adelaide
"This book is an inspiring combination of rigorous scholarship and creative nonfiction. In a fascinating and totally unconventional way, Dagnino makes a significant contribution to the area of transcultural studies. By crossing cultures, theoretical boundaries and disciplines (cultural anthropology, sociology, comparative literature, cultural studies, creative writing), she opens up new avenues of conceptual creativity, experimental criticism, and literary inventiveness. While crediting postmodernism for its indisputably critical stance, her book witnesses and signals the rise of a "proto-global" mode of thinking, reflecting the Bakhtinian transition from finality to initiation."
Mikhail Epstein, Durham University (UK), Emory University (USA)
"In Transcultural Writers and Novels in the Age of Global Mobility Arianna Dagnino establishes the values of transnational frameworks for the conceptualization of new forms of cultural mobility and cultural reflexivity in relation to literary modernity. Culture is characterized as a fluid process, as well as consisting of an assemblage of artifacts. The framework within which Dagnino places her writers (Ilija Trojanow (Bulgarian/German/Kenyan), Alberto Manguel (Argentinian/German/Canadian), Brian Castro (Chinese/Portuguese/Australian), Inez Baranay (Hungarian/Australian), and Tim Parks (English/Italian) is one that accentuates the "confluence" of cultures, their hybridity, and capacity to form new formations rather than being relegated to the binary oppositions associated with literary analyses in the wake of postcolonial theory. Building on the work of Fernando Ortiz (transculturation), Mikhail Epstein (transculture), and Wolfgang Welsch (transculturality), and comparative cultural studies, Dagnino develops new concepts such as "transpatriation" to emphasize the border-crossing nature of these writers. In addition, Dagnino draws on her own skills as a creative writer to blur the boundaries between creative and critical writing by using the interview reflexively as both mode of analysis and imaginative biography. This innovative approach ensures that the book is a pleasure to read. As "world literature" is being re-conceptualized, her work will undoubtedly impact these debates in unique ways."
Sneja Gunew, The University of British Columbia
"This is an important book that looks beyond the fences which limit the imaginary lives of writers from the moment they take on a public face. In this age of border security, identity reconfirmation, un-selfconscious social media postings in which a general lack of interiority has the potential to destroy privacy and literature itself, Arianna Dagnino has intelligently and sensitively mapped the critical mobility and rebellion that attend the creative mind. A large part of this work reads like a novel, and in a way, practises what it professes: a "transpatriation" of form – a letting go of familiar frameworks and traditional terminologies – in order to uncover the complexities of what is shaping up to be a decisive mind-shift in the world of letters. If that happens to be a developing trend then this study has a steady finger on its pulse."
Brian Castro, The University of Adelaide
"Arianna Dagnino leads us into the heart of the new trends and problems concerning contemporary culture, identity and writing. She analyzes the place and possible contributions of transcultural writers in a world going more and more global, transcultural, cosmopolitan and neonomadic. She is herself blurring boundaries: she integrates real interviews with transcultural writers into a fictional framework established by herself and enriched by travel notes of her own. In addition, she offers, based on her impressive acquaintance with theoretical studies, a comprehensive account of today's transnational dynamics in the context of increased mobility, diversity and plurality with a special focus on transpatriation, i.e the double figure of moving beyond one's native culture and unlearning ways of identity formation which rely too heavily on ethnicity, nationality, locality, etc. She explores the role of transcultural literature – with its ethical motivation to recognize and represent Others – within the domain of contemporary world literature(s), and she rightly suggests that comparative studies ought to start seeing things through a transcultural lens. A fascinating and pioneering study." – Wolfgang Welsch, Friedrich-Schiller-Universität Jena
"Starting from the idea that we live in an age of increasing interconnectedness, the book focuses on the biographical experiences and literary outputs of a group of culturally mobile writers it defines as transcultural. The text combines a wide-ranging and systematic theoretical approach to transcultural literature with a section in which the author recounts imaginatively the in-depth interviews she had with five authors. The work is a significant contribution
to scholarship for it increases our theoretical awareness of today's literary developments, providing us with critical tools that enable us to approach literary texts with an innovative perspective."
Maurizio Ascari, Università di Bologna
Book review in Symploke (2015):
"The writers Dagnino celebrates defy the usual academic taxonomies based on nationality, language, and religion. They refuse to be subsumed under categories such as "American literature" or "German literature" or "Muslim literature." The sole rubric they cannot transcend is the one that Dagnino has invented for them: "Transcultural Writer." Until that irenic day when all embrace hybridity and fluidity, the category will remain useful and desirable."
Steven G. Kellman, University of Texas at San Antonio
Book review in Studies in the Novel (2016)
"Categories such as "migrant writer" or "ethnic writer" are undoubtedly restrictive in their analytical capacity and their dependence on a framework of difference. In many cases, the label of "multicultural writer" has a similar corralling effect. Transcultural Writers and Novels in the Age of Global Mobility offers an alternative lens, applicable to some, though by no means all, writers who have crossed cultures through migration. In bringing together the works of the five writers she selects—an otherwise eclectic grouping spanning continents, cultures, and languages—Dagnino demonstrates that the concept of the transcultural is a significant analytical tool for contemporary readers of world literature."
Michael Jacklin, University of Wollongong
©2020 by Arianna Dagnino. Proudly created with Wix.com

redpajama_set_name: RedPajamaCommonCrawl


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Broadcasting Media
Former NFL player Michael Ray Garvin working to create first Christian sports TV series
By Joshua Doering Jan 18, 2022
"Playmakers in the Faith" founder Michael Ray Garvin hopes to have the first episode of the show out by the end of 2022. (Graphic provided by Michael Ray Garvin)
Michael Ray Garvin was working with the Fellowship of Christian Athletes in December 2019 when three students at schools he served committed suicide. Devastated, he turned to God in prayer, asking what more he could do.
He got an answer the next month when he felt God calling him to create the first Christian sports TV show. Since then, Garvin — who played football at Florida State and spent time with the Arizona Cardinals and Detroit Lions — has been working toward making his vision a reality.
The show is called "Playmakers in the Faith," and the goal is to have the first episode released by the end of 2022. It is designed to target teenagers and young adults, a group Garvin says is underserved when it comes to Christian TV shows.
Each episode will tell someone's real testimony using sports, angels and demons, with PlayStation 5-quality graphics. The episodes will be completely independent and will feature different sports.
One sport Garvin plans to use is cricket, which is among the most popular in the world, especially in places like India and the Middle East.
"Jesus says that the Gospel will be preached worldwide, so advancing the Gospel and bring it to all nations worldwide," he said in a recent interview with Sports Spectrum when asked about the goal of the show. "Sports is universal. Sports is almost in every culture. And so we can reach a wide variety of cultures through sports."
Garvin, who counts the late Bobby Bowden as one of his spiritual mentors, never imagined he would be creating a TV show when he was chasing his dream of playing in the NFL. It became clear to him God had a different plan in mind though.
(Photo provided by Michael Ray Garvin)
"I remember asking the Lord in prayer, 'Can I have one full season [in the NFL]?' And I remember the Lord specifically saying, 'No,'" Garvin said. "And when I heard no, I was just crying, man, because it broke me. I wanted to play football. This is something I'd trained for my whole life."
Garvin believes he has found what that different plan is in "Playmakers in the Faith." In addition to the TV series, the online ministry has an app that includes devotionals, podcasts and a group chat. People who want to get baptized or learn more about Christianity can reach out through the app to get connected to a church.
The hope is that people who watch the TV series will then download the app and utilize its resources. Garvin also plans to launch a video game that requires reading the Bible once the TV series gets going.
"We're all called to be fishers of men … When you're going fishing, you have to have different bait for each fish," he said. "This is great bait to be able to draw people into the Gospel, show them the spiritual warfare that does go on."
Those interested in supporting "Playmakers in the Faith" can do so by becoming a team member. Team members are asked to make a monthly contribution to support "Playmakers in the Faith" and share about the ministry. To become a team member, visit the ministry's website.
– Two-time NFL MVP Kurt Warner to be portrayed by Zachary Levi in new movie
– Legendary Bobby Bowden passes away 'taking as many people as he can to Heaven'
– SS PODCAST: Filmmaker Dallas Jenkins on his love for sports, creating 'The Chosen'
Evangelism,
FCA,
fishers of men,
Michael Ray Garvin,
Playmakers in the Faith
Dan Orlovsky prays for injured Bills safety Damar Hamlin live on ESPN
SS PODCAST: Broadcaster Sam Ravech on his journey of faith, following his dad's footsteps
SS PODCAST: Former Pro Bowler Eric Wood on snow games, Bills mafia, tackling what's next
SS PODCAST: Former Florida basketball player Patric Young on faith, hope, overcoming paralysis


All documents tagged with location "Shiraz"
See BBR170–1 and DB197 for the fate of Husayn Khán who was immediately dismissed by the Sháh.
TN9 says that the Báb left Shíráz `the morning after' the night He saved the children from cholera.
DH45 says she was called to the Holy Land in December 1871 to January 1872.
BKG347 says she performed the pilgrimage in February 1873.
1882 11 Nov The passing of Khadíjih-Bagum, the wife of the Báb, in Shíráz in the house of her Husband. [BBD127; EB235; KBWB35; DB191; RoB2p387] Note: KBWB35 states that she passed on the 15th of September, 1882.
Ninety delegates to the national convention and members of the National Spiritual Assembly of Iran assembled discreetly for the occasion.
For details of this event and the caution with which the arrangements for it were made see BW10:181–3.


The Chicken Palace is a popular fixed position coop, now available in 3 additional sizes with extended runs.
The Chicken Palace with Small Extension is not a mobile coop but is rather a 'Chicken House' designed to stay in a fixed position in your backyard - with free ranging for your chooks if possible. It suits up to 10 chickens if free ranging is available, or 4-6 chickens if a permanant enclosure.
Great for children to go inside and spend time with the chickens. Also ideal for seniors who may have problems moving a mobile coop.
All Royal Rooster coops are made right here in Australia from top quality materials and workmanship.
Aluminium, unlike steel or timber, will not rust or deteriorate in the weather. You can be rest assured that your coop will be looking just as great in many years time. We can now make the Chicken Palace with Small Extension coops with either a clear anodized (silver) aluminum frame (standard) or black anozided for just $57 extra. A great modern look.
The Chicken Palaces are made with small sized steel mesh, 2.5mm gauge with 25mm squares. This strong mesh is difficult to accidently damage and is impossible for foxes to chew through! We also offer the Chicken Palace in mini mesh (1.6mm gauage, 12.5mm squares) for those with snake and rodent issues. See upgrade below.
The walls, back wall and 2.3m of the roof of the Chicken Palace is made using very stylish zincalume mini corrugated iron. The Palace is also available in Colorbond for those wishing their coop to match the colour of their fence or shed! Colours currently available are Cottage Green, Pale Eucalypt or Deep Ocean.
Unlike imported coops, Royal Rooster coops are designed and made in Australia, taking into consideration our very hot summers. The whole front of the housing section on the Chicken Palace is open to allow maximium ventilation on hot days. There is an optional 'weather shield' that can also be purchased to provide extra protection in wet weather. This shield encloses the housing section with still a gap to walk through to collect the eggs.
The roof of the Chicken Palace with Small Extension is part mini corrugated iron (2.3m), providing shade from the sun and protection from rain and wind in the cooler months. The remainder 1.2m is a mesh roof to allow sunshine through.
This coop, unlike the rest of the Royal Rooster range, is not designed to be moved around your yard. These coops are substanial structures, so If you need a mobile coop, please see the other coops available.
The coops have an open floor design to allow your chickens to scratch up the soil and to have the pleasure of a dust bath. Optional 'fox proof floors' can also be purchased for those needing extra protection from these predators. These floors are made of large sized mesh (10cm x 15cm) that sits under the frame of the coop. Extra soil can be added on top of the mesh floor to make the area more 'earthy' for the chickens.
The Chicken Palace has a large door at the front of the coop allowing easy entry into the coop. This door is 1.66m high.
The Chicken Palace comes with 2 quality wooden laying boxes for your chickens. All you need to do is add the straw! Additional laying boxes can be purchased if desired. There is also the optional of an External Laying Box which can be fitted to the side of the coop, meaning that you don't have to enter the coop to collect your eggs. See upgrade bleow.
Two wooden perches are provided for night time sleeping area for the chickens. These perches are 40mm wide and 12mm thick, which is said to be the best size and shape for chickens to comfortably perch on for nighttime sleep.
Black Frame - For $75 extra, the Chicken Palace with Small Extension coop can be made with a modern, black anodized aluminum frame. This looks particularly great with the grey Colorbond upgrade detailed below.
Weather Shield - To keep your chickens nice and cosy in the colder months, you can purchase a large weather shield that fits onto the front of the housing section of the Palace. This is made with an aluminium frame and mini-fluted iron. $100 extra.
Fox Proof Floor - If foxes or dogs are a problem, you can purchase an wire mesh floor for your coop ($90). The large sized mesh floor (with 10cm x 15cm rectangles) still enables your chickens to scratch the soil and at the same time gives you peace of mind about their safety overnight.
Colorbond - The coops are also available using Colorbond materials for the walls, back wall and entire part of the iron roof ($90 extra). Colorbond colours to choose from are Cottage Green, Pale Eucalypt and Deep Ocean. Please ask if you are interested in a different Colorbond colour.
Drinker & Feeder Sets - These great slim-line sets are designed specifically for use on these coops. $80 per set which includes a rain cover on the feed to keep it nice and dry all year round. A twin version of the drinker is also available, with these sets selling for $90.
External Nest Box - If you would like to allow more room in the housing section of your coop, or like the idea of collecting eggs from an external nest box, this option might be for you. Made to fit the two wooden nest boxes that come with the Chicken Palace ($150 extra when purchased with a Palace).
Additional Laying Boxes - Two wooden laying boxes are provided with the Chicken Palace, but if you prefer more they can be purchased for $20 each.
Mini Mesh - If snakes or rodents are an issue, we can make your Chicken Castle coop using mini mesh galvanised wire, rather than the standard 25mm mesh (25mm gauge wire). This mini mesh has 12.5mm squares and 1.6mm gauge wire. This upgrade is $110 for the Chicken Palace with Small Extension.
These coops come with detailed, illustrated instructions to help you put together. You'll need a rubbter mallet, an electric drill and a number 2 Philips-head driver. As this is our largest style of coop, it does take the most time to put together. Assembly time should be between 3-4 hours. You will need a helper at certain stages of assembly.
Not what you're after? See the whole range of products on offer from Royal Rooster or contact us if you have further questions. We'd love to help!
The popular walk-in Chicken Palace with additional 1.2m run section. Great size at 3.5m in total.


text:
Hohenbuehelia pinacearum är en svampart som beskrevs av Thorn 1986. Hohenbuehelia pinacearum ingår i släktet Hohenbuehelia och familjen musslingar.  Arten är reproducerande i Sverige. Inga underarter finns listade i Catalogue of Life.

Källor

Musslingar
pinacearum

redpajama_set_name: RedPajamaWikipedia


text:
The Boston Globe archived on Friday March 4, 2016 at 3:01 p.m. UTC
That was 10:01 a.m. local time in Boston. Citations.
"The Boston Globe homepage at March 4, 2016, 3:01 p.m. UTC." PastPages. 4 March 2016. Web. 22 Jan. 2020. <http://www.pastpages.org/screenshot/2802104/>
The Boston Globe homepage at March 4, 2016, 3:01 p.m. UTC. (2016, March 4). PastPages. Retrieved from http://www.pastpages.org/screenshot/2802104/
"The Boston Globe homepage at March 4, 2016, 3:01 p.m. UTC." PastPages. Last modified March 4, 2016, http://www.pastpages.org/screenshot/2802104/.
| title = The Boston Globe homepage at March 4, 2016, 3:01 p.m. UTC
| date = March 4, 2016


text:
"Hacksaw Ridge" Review by Tim Hellman
'HACKSAW RIDGE': Five Stars (Out of Five)
The new war biopic set during WWII, and based on the life of Desmond Doss; the first conscientious objector, and American pacifist, to be awarded the Medal of Honor. The film was directed by Mel Gibson, and it's the first movie he's directed since 2006's 'APOCALYPTO'. It was written by Robert Schenkkan and Andrew Knight. The film stars Andrew Garfield, Sam Worthington, Vince Vaughn, Luke Bracey, Teresa Palmer, Rachel Griffiths and Hugo Weaving. It's received rave reviews from critics and fans alike, and it's also been a modest hit at the Box Office (costing just $45 million to make). I think it's one of the best war films I've ever seen!
Desmond T. Doss (Garfield) was raised in Lynchburg, Virginia, by a very religious mother (Griffiths). His father (Weaving) was an alcoholic, due to his negative experiences in the Great War. After almost killing his brother, Hal (Roman Guerriero), while fighting when they were kids, Desmond becomes a very passionate believer in the Sixth Commandment. This becomes a severe problem when Desmond feels the need to serve his country, during World War II. After a great deal of harassment, and several obsessive attempts by his commanding officers (Worthington and Vaughn) to have him thrown out of the Army, Desmond goes on to save the lives of 75 fellow soldiers, as a medic during the Battle of Okinawa, and win the Medal of Honor.
The movie has been praised by many critics as being the best war film since 'SAVING PRIVATE RYAN', and I would agree; it's every bit as horrifically realistic, and violent, and it's also just as well made. I'm a big fan of Mel Gibson; as an actor and a director, but especially a director (and I've missed him over the last ten years). This film stands as one of his greatest; it's at least in the same league as 'BRAVEHEART' and 'THE PASSION OF THE CHRIST'. I'm also a fan of Andrew Garfield; he's my favorite Spider-Man, and I think he's a very talented and passionate actor. He's good in the lead, and Worthington, Vaughn and Weaving are all outstanding in supporting roles as well. What I most like about the film is it's message; it deals with a very passionate rebel outcast, who must do battle with nearly everyone else, and take on a lot of harassment, in order to stick up for his beliefs; and he does it beautifully. The movie is extremely moving, and breathtakingly beautiful; it's one of the year's very best!
Labels: Andrew Garfield, Hacksaw Ridge, Lionsgate, Mel Gibson, Reviews, Sam Worthington, Vince Vaughn


text:
Bradley Roby
Free Agency: 2023 (Void)
Accrued Seasons: 7
College: Ohio State
Entry: 2014 Draft, Round 1, #31 overall (Broncos)
2021 Salary Cap Charge: $1,184,753 (0.64% of cap)
2021 Cash Payout: $1,862,654 (0.93% of spending)
2021 Cash to Cap Ratio: 1.57
Contract Value: $31,500,000 ($10,500,000 APY)
Fully Guaranteed Money: $19,000,000
Contract Ranking: 16/309 at CB
2021 OTC Valuation: $956,000
Current Contract
(UFA, signed 2020)
(📝: indicates contract trigger occuring during that year)
Prorated Bonus
Roster Bonus
Cap %
Dead Money & Cap Savings
Cut (pre-June 1)Cut (post-June 1)Trade (pre-June 1)Trade (post-June 1)RestructureExtension
2021 29 $1,075,000 $169,475 $0 $1,184,753 0.6%
2022 30 $9,500,000 $169,475 $500,000 $10,169,475 4.9%
2023 31 Void $169,475 Void $508,425 0.2%
2024 32 Void $169,475 Void $0 0.0%
2025 33 Void $169,475 Void $0 --
($1,004,000)
Total $10,575,000 $847,375 $500,000 $11,862,653
Contract Notes
Bradley Roby signed a three year contract with the Houston Texans on April 3, 2020. Contract is worth $31.5 million with $19 million virtually guaranteed at signing. Roby received a $3 million signing bonus, $4.5 million salary guarantee in 2020, $3.5 million roster bonus in 2020 (paid 5 days after signing), and $8 million salary guarantee in 2021. Roby can earn up to $500,000 in each year of the contract via roster bonuses paid $31,250 per game active. Additionally Roby has performance incentives based on playing time each year of the contract: 65% of defensive snaps can earn $500,000, 75% of defensive snaps can earn another $500,000, and 85% of defensive snaps can earn another $500,000. Maximum available incentives is $1.5 million per year of the contract.
- old money
- fully earned money
- unearned or partially earned money
Old Money
Cash Due $28,637,346 $1,862,654 $1,000,000
Running Cash $30,500,000 $31,500,000
Career Earnings: $44,722,809
Career APY: $5,590,351
Potential Earnings: $38,142,653
Total Guarantees: $53,084,456
Largest Cash Payment: $9,988,971 (2020)
Largest Cap Number: $10,169,475 (2022)
Year Signed
Amount Earned
% Earned
Effective APY
Broncos Drafted Expired 2014 5 $15,478,528 $3,095,706 $5,584,456 $15,478,528 100.0% $3,095,706
Texans UFA Expired 2019 1 $10,000,000 $10,000,000 $9,500,000 $9,812,500 98.1% $9,812,500
Saints UFA Active 2020 3 $31,500,000 $10,500,000 $19,000,000 $1,862,654 5.9% $1,862,654
Texans UFA Traded 2020 3 $31,500,000 $10,500,000 $19,000,000 $9,988,971 31.7% $9,988,971
Paid on Cap
% Paid on Cap
Paid as Dead Money
% Paid as Dead Money
Broncos 5 $15,478,528 $3,095,706 $15,478,528 0.0% $0 0.0%
Texans 2 $27,381,627 $13,690,814 $17,957,721 0.0% $9,462,509 0.0%
Saints 1 $1,862,654 $1,862,654 $1,184,753 0.0% $0 0.0%
Season History
Per Game Roster Bonus
Guaranteed Salary
Cash Paid
2014 Broncos $420,000 $844,096 $0 $0 $420,000 $1,264,096 0.9% $3,796,384
2015 Broncos $736,024 $844,096 $0 $0 $736,024 $1,580,120 1.1% $736,024
2016 Broncos $1,052,048 $844,096 $0 $0 $1,052,048 $1,896,144 1.2% $1,052,048
2017 Broncos $1,018,072 $844,096 $350,000 $0 $0 $2,212,168 1.3% $1,368,072
2018 Broncos $8,526,000 $0 $0 $0 $8,526,000 $8,526,000 4.5% $8,526,000
2019 Texans $5,000,000 $4,500,000 $0 $500,000 $5,000,000 $9,968,750 4.7% $9,812,500
2020 Texans $4,500,000 $1,000,000 $3,500,000 $500,000 $8,000,000 $7,988,971 3.7% $9,988,971
2021 Saints $1,075,000 $169,475 $0 $0 $0 $1,184,753 0.6% $1,862,654
2022 Saints $9,500,000 $169,475 $500,000 $0 $0 $10,169,475 4.9% $1,000,000
2023 Saints $0 $169,475 $0 $0 $0 $508,425 0.2% $0
2024 Saints $0 $169,475 $0 $0 $0 $0 0.0% $0
2025 Saints $0 $169,475 $0 $0 $0 $0 -- $0
Total $31,827,144 $9,723,759 $4,350,000 $1,000,000 $23,734,072 $45,298,902 $38,142,653
Dead Money History
Cap Charge
Texans 2021 $4,672,431 $7,580,156
Texans 2022 $4,790,078 $0
Total $9,462,509 $7,580,156
Games Missed
Negative Plays
QB Hits
Pass Def.
2014 16 0 0 74.5% 16.9% 63 2 1 3 5 1 13 2 0 2 2 3 0
2015 16 0 0 56.8% 26.7% 34 6 0 0 1 0 10 1 19 1 1 21 1
2016 16 0 0 59.8% 8.7% 34 5 1 0 0 0 8 2 102 1 0 0 2
2018 15 1 0 85.9% 0.9% 45 5 0 0 1 0 12 1 0 2 0 0 0
2019 10 6 0 60.5% 0.2% 35 3 1 10 2 1 8 2 49 1 0 0 1
2020 10 1 0 55.4% 0.0% 33 4 0 0 2 0 7 1 0 0 1 0 0
Valuation Diamond
The diamond is a scatterplot graph that visualizes the relation of the player's APY (in green) and performance (in blue, as measured by OTC's Valuations) to the rest of the league at his position. To understand how to read the diamond, read this explainer.
Regular $943,000 $10,500,000
Injury Adjusted $1,235,607 $9,843,750
OTC Valuation $2.9M $5.7M $8.6M $11.5M $14.3M APY $3.3M $6.7M $10.0M $13.3M $16.7M $5,488,000 $4,766,000
Weekly Valuation Trends
The chart below illustrates the trend of the player's weekly OTC Valuations (in blue) from the most recent season, using APY (in green) and, if applicable, cash that is due to the player in the next season (in red) as benchmarks. Weeks not plotted indicate that the player was inactive or on a bye.
To see interactive and more in-depth use of OTC Valuation data, subscribe to OTC Premium.