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Top 30 NYC Bands to Catch Live in 2019
New York City always has been a breeding ground for music communities. Some 50 years ago, a music community developed in Greenwich Village which birthed and sustained the nascent careers of Bob Dylan, Simon & Garfunkel, Phil Ochs, Joan Baez, the Lovin' Spoonful, the Blues Magoos and even Jimi Hendrix. A far more colorful scene developed in the 1970s, primarily in the East Village, that launched the New York Dolls, Kiss, Blondie, the Ramones, Talking Heads, and Patti Smith. Parallel to that scene, the Bronx saw Sugarhill Gang, Kurtis Blow, Grandmaster Flash & the Furious Five, Slick Rick, Notorious B.I.G. and countless others launch the rap revolution. By the turn of the century, a music scene developed in Williamsburg, Brooklyn, where a slew of venues built stages for Vampire Weekend, the Yeah Yeah Yeahs, LCD Soundsystem, the Strokes, Grizzly Bear, and the burgeoning indie rock movement.
Manhattan's current music scene, largely rooted in straight and loud rock 'n' roll and attracting an older audience, has been gravitating to or near Avenue A, from the old staple Mercury Lounge up the avenue to Berlin, the Treehouse at 2A, dröm, Sidewalk, Niagara, Coney Island Baby, the 11th Street Bar and Otto's Shrunken Head, although more westward clubs like the Bowery Electric and the Bitter End remain mighty contenders. In recent years, Brooklyn's music scene has expanded from its Williamsburg core north to Greenpoint, east to Bushwick and south to Sunset Park, and that indie scene continues to draw a comparatively younger audience. Queens may become the next center for live music, as music clubs have opened in Long Island City, Ridgewood and Rockaway.
This writer began this annual list of Top NYC Bands to Catch Live for The Aquarian Weekly in the late 1970s. The criteria for this list has always been that the artists had to be based in New York City, perform original compositions, and work the local club circuit diligently throughout the year. Many of the bands listed in bygone years grew far beyond the club circuit, many more quietly disappeared, and some are still performing outstanding concerts on the local circuit.
Before we look at the new picks, let us repost the top picks from the past five years. Many of these artists are still the local circuit and their performances are still very much recommended. The artists are listed in alphabetical order.
The Top 10 NYC Acts to Catch Live in 2014
The Brain Cloud
Danny's Devil's Blues
The Dirty Pearls
Harmonica Lewinskis
The Hipp Pipps
Joe Taino
Rebecca Haviland & Whiskey Heart
The So So Glos
Burlap to Cashmere
Har Mar Superstar
Jesse Malin
Killcode
Reserved for Rondee
Sister Sparrow & the Dirty Birds
Ten Ton Mojo
Autre Ne Veut
The Cynz
Dina Regine
The Love Pirates
New York Junk
Oz Noy
Ricky Byrd & Deuces Wild
The Black Cats NYC
The Bloodshots
The Hot Sardines
Jon Paris
The Liza Colby Sound
Red Gretchen
Steve Conte NYC
The TarantinosNYC
Hazmat Modine
Metalfier
Miss Velvet & the Blue Wolf
Rebelmatic
The Rousers
The Skins
Wildstreet
In closing, here is this writer's top recommendations for New York bands to catch live in 2019. This list features some of the very best live music coming out of New York City clubs these days.
The Cody Melville Band
Cody Melville is a Brooklyn-born singer/songwriter who assembles a killer band to rock his songs. The band usually performs at the Bowery Electric, but Melville sometimes can be persuaded to perform a few songs solo at the Treehouse at 2A.
Deerhoof
Originally from San Francisco and now based in Brooklyn, Deerhoof is an experimental noise rock band, indie to the core with jazz leanings. The band usually performs at le Poisson Rouge but also performs at Elsewhere and other Brooklyn clubs.
The Emily Duff Band
Emily Duff is a country rocker who wears a Ramones t-shirt and a leather jacket. She performs a nearly three-hour set monthly at Cowgirl, and also performs at City Winery and Rockwood Music Hall.
Fawn looks like a pin-up girl from World War II but her original songs balance new pop with a dash of old-timey jazz. With her band, the New Old Fashions, Fawn performs monthly at the Bitter End and sporadically at the Algonquin Hotel.
British-born and now a New Yorker, James Maddock is a singer/songwriter with a coarse voice and a soft heart. He performs at City Winery and the 11th St. Bar.
Panzie
From the Lower East Side of Manhattan, Panzie plays rip-your-face-off darkwave and hard rock in a show that includes costumes, props and all sort of wildness. The band performs at dröm and Arlene's Grocery.
Richard Lloyd
Formerly in Television, Richard Lloyd has made several comebacks over the years, but maybe this time he will stick around and continue playing his guitar-based indie rock more often. He performs at the Bowery Electric and the Loft at City Winery.
Susquehanna Industrial Tool & Die Co.
Susquehanna Industrial Tool & Die Co., often abbreviated as SIT & Die Co., dresses western and plays country swing like the band is at a 1950s rodeo. The band performs monthly at Otto's Shrunken Head.
Tom Clark & the High Action Boys
Tom Clark specializes in country songs but his soul is all rock 'n' roll. He performs most Sundays at the Treehouse at 2A, sometimes with his band and sometimes with whatever musicians happen to be in the club at the moment.
Willie Nile has been rocking New York clubs since the 1980s, but now it looks like he is back to playing the local clubs more regularly. His lyrics are often a poetic vision of the gritty side of New York and his music is highly charged rock 'n' roll. He has been performing regularly at City Winery.
Under the Radar: 21 More Must-See NYC Acts in 2019
Alan Merrill Trio (pop)
Bakersfield Breakers (surf/rockabilly)
Beechwood (rock)
Bikini Carwash (power punk)
Bill Popp & the Tapes (pop)
Blak Emoji (rock)
Crazy Mary (rock)
DonBlackCat & Friends (rock 'n' roll)
The David Kolker Band (blues/rock)
Exit 99 (rock and roll)
Hollis Brown (classic rock)
Johnny & the Bootlegs (blues/rock)
Mora Tau (stoner metal)
Of Clocks and Clouds (jam band)
The Phil Gammage Quartet (country blues)
The Planets (classic rock)
Puma Perl & Friends (experimental/poetry)
Screamin' Rebel Angels (rockabilly)
SoulCake (indie)
The Sweet Things (glam rock)
Western Caravan (country swing)
Makin Waves' Record of the Week: "The Vice Rags"
Reality Check – Time For Atlas To Shrug
An Interview with Volbeat: Nonstop For These Gentlemen
Kristina Ristovska
Interview with M. Shawn "Clown" Crahan from Slipknot: Feeding The Maggots
Amanda Ferrante Batista
Screamin' Rebel Angels January 9, 2019
What a killer list! Thanks so much for including Screamin' Rebel Angels on the list! Hope to see everyone at our record release show 1/25 at The Mercury Lounge!

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(geboren 27. Februar 1867 in Äskja gård, Ullånger; gestorben 3. Dezember 1942 in Östersund) war ein schwedischer Komponist und Musikkritiker.

Vita

Die ersten musikalischen Eindrücke erhielt Peterson-Berger als Kind von seiner Mutter, die als begabte Pianistin Beethoven und Chopin spielte. Diese prägten sich ihm derart tief ein, dass er sie später in seinen Klavierstücken "Fyra Danspoem" verarbeitete. Mit 18 Jahren begab sich Peterson-Berger 1885 nach Stockholm, um dort das Konservatorium zu besuchen. Hier studierte er unter anderem Komposition bei Joseph Dente, einem Schüler von Franz Berwald. Einen tiefen Eindruck hinterließ die Aufführung von Richard Wagners "Meistersingern" im April 1887 in Stockholm. Peterson-Berger beschäftigte sich seit seiner Schulzeit mit Wagner. Wagner war für ihn nicht nur ein Musiker, sondern eine kulturelle Erscheinung. Peterson-Berger übersetzte später einzelne von Wagners Schriften ins Schwedische.

Mit 21 Jahren legte Peterson-Berger 1888 seine Prüfung am Konservatorium ab und begab sich zu einem Studienaufenthalt nach Dresden. Zwei Jahre später kehrte er nach Schweden zurück und unterrichtete in Umeå in Västerbotten (Norrland) Musik. Bereits ein Jahr zuvor hatte er während eines Sommeraufenthaltes die Landschaft Jämtlands (Norrland) kennengelernt, die für sein weiteres Leben und Schaffen bestimmend werden sollte. Die Natur und Landschaft Jämtlands wurden ihm zu Inspirationsquellen seiner Musik (so etwa in den Klavierstücken "Frösöblomster" und in seiner Oper "Arnljot"). Das Freiluftleben und mehrwöchige Wandertouren durch die nördlichen schwedischen Landschaften wurden für Peterson-Berger eine wichtige Erholung, ein Rückzug von der Zivilisation. Peterson-Berger schrieb über seine Wanderungen in den Jahrbüchern der Svenska Turistföreningen. Direkte Anknüpfung an Wandererlebnisse hat auch der Zyklus "En Fjällfärd" (Eine Bergwanderung) für Männerchor von 1893, den er selbst dichtete.

Lange hielt es Peterson-Berger aber nicht in Umeå: Mit 25 Jahren (1892) wurde Peterson-Berger als Musiklehrer nach Dresden berufen. Doch konnte ihn Dresden nicht wirklich fesseln. Nach nur zwei Jahren kehrte er nach Schweden zurück und ließ sich ein Jahr später in Stockholm nieder. Hier begann er, mittlerweile 29 Jahre alt, einen seiner folgenschwersten Schritte: Er wurde Musikkritiker der bedeutenden schwedischen Tageszeitung Dagens Nyheter. Seine Kritiken mit dem Kürzel P.-B. wurden bald zu den gefürchtetsten im ganzen Land. P.-B. schuf sich mit seiner schonungslosen Forderung nach Wahrheit und Einfachheit, seiner Ablehnung alles Künstlichen und Gekünstelten lebenslange Feinde und wurde im schwedischen Musikleben eine zunehmend isolierte Persönlichkeit.

Peterson-Berger hat neben seinen Kritiken auch zahlreiche Schriften publiziert, die auch heute noch lesenswert sind, insbesondere seine Analyse der "kulturellen Erscheinung" Richard Wagners. Die zunehmende Isolation fand auch in den äußeren Lebensumständen ihren Ausdruck, als sich Peterson-Berger mit 43 Jahren (1910) auf Frösön, einer Insel im Storsjön in Jämtland bei Östersund, ein Stück Land kaufte, auf dem er sich vier Jahre später inmitten der unverdorbenen Landschaft ein Haus baute – mit Blick auf den Oviksfjället, einen seiner Lieblingsberge. Hier starb er 1942, im Alter von 75 Jahren.

Musikalisches Schaffen und Stil

Arnljot
Wilhelm Peterson-Berger verstand sich selbst vor allem als Musikdramatiker. In Schweden ist er jedoch vor allem als Komponist wertvoller Klavierstücke und zahlreicher Lieder bekannt geblieben. Im Anschluss an Richard Wagner war es Peterson-Bergers Ziel, ein schwedisches Musikdrama zu schaffen. Dies gelang ihm mit "Arnljot" 1910. "Arnljot" darf den Rang einer schwedischen Nationaloper beanspruchen. Wie sein Vorbild Wagner schrieb Peterson-Berger die Texte zu seinen Werken ausschließlich selbst. Arnljot handelt im Jämtland der Wikingerzeit und hat einen historischen Hintergrund in der Person Arnljot von Gällnö, welcher in der Zeit des norwegischen Königs Olaf des Heiligen lebte. Peterson-Berger schildert in seiner Dichtung den Konflikt seines Helden zwischen der heidnischen Gesellschaft der Konventionen und Pflichten und einer neuen christlichen Kultur der Freiheit und des Ichbewusstseins. Ein wiederkehrendes Motto ist dabei der Satz "Der Glaube an Christus ist der Glaube an sich selbst." Peterson-Bergers Dichtung hat eine kulturphilosophische Botschaft für die Gegenwart und ist nicht einfach nur historische Handlung.

Musikalisch arbeitet Peterson-Berger mit Leitmotiven. Wie bei Wagner ist die Nummerneinteilung der Oper aufgehoben: Der Text wird als Sprechgesang gestaltet, unterbrochen von ariosen Partien (meistens sind das Textstellen, in denen die handelnden Personen sich selbst reflektieren). Hervorragend gelungen sind die Naturstimmungen im zweiten Aufzug, wo es Peterson-Berger gelungen ist, den mystischen Zauber der Waldeinsamkeit des schwedischen Norrlands musikalisch zu gestalten. Arnljot wurde lange auf der Stockholmer Bühne als fester Bestandteil des Repertoires aufgeführt. Seit Peterson-Bergers Zeit finden alljährlich auch Freilichtspiele auf Frösö statt. Bei den ersten Spielen wie auch bei der Uraufführung in Stockholm hatte Peterson-Berger selbst Regie geführt.

Klavierstücke

Peterson-Bergers Klavierstücke erfreuen sich bis heute großer Beliebtheit, wenn sie auch vom Komponisten mehr als Nebenprodukt gedacht waren. Gerade deshalb ist Peterson-Berger in diesen Stücken vielleicht am meisten er selbst und am unverkrampftesten. Im Zentrum der Klavierkompositionen stehen die drei Hefte "Frösöblomster" und die Klaviersuiten. "Sommarsång" (Sommerlied) aus Frösöblomster I wurde geradezu zu einem Schlager und "Intåg i Sommarhagen" (Einzug in Sommarhagen, Peterson-Bergers Haus auf Frösön) aus Frösöblomster III zum Inbegriff schwedischer Sommermusik. Auch bei der Klaviermusik gehören die Stücke mit Naturstimmungen zu den stärksten. Sind die frühen Werke noch von der spätromantischen Tradition und von Edvard Grieg geprägt, entwickelt Peterson-Berger im Laufe der Jahre einen impressionistischen Stil, der vor allem im dritten Heft der Frösöblomster "Sommarhagen" (Peterson-Bergers Haus auf Frösön) und im Zyklus "I Somras" (Im letzten Sommer) zum Durchbruch kommt.

Weitere Werke

Das Liedschaffen von Peterson-Berger ist umfassend: Der Komponist war ein fleißiger Leser, und es machte ihm große Freude, auch neue Schriftsteller zu entdecken. Befreundet war er mit dem Dichter Erik Axel Karlfeldt, der auch Sekretär der Schwedischen Akademie war und damit Mitglied des Komitees, das den Nobelpreis für Literatur verlieh. Peterson-Berger nahm so selbst auf die Verleihung des Literaturnobelpreises an den Schweizer Carl Spitteler Einfluss, von dessen Werken er begeistert war. Neben Karlfeldt vertonte Peterson-Berger Gedichte von Oscar Levertin, Jens Peter Jacobsen, Friedrich Nietzsche, Ricarda Huch, August Strindberg, Verner von Heidenstam, Anders Österling, Bo Bergman, Gustav Fröding, Heinrich Heine u. a.

Peterson-Berger schuf auch Orchesterwerke in einer eigenwilligen, klanglich interessanten und fast exotischen Musiksprache. Das Durchbruchswerk war die Sinfonie Nr. 2, "Sunnanfärd" (Südenfahrt), die die Sehnsucht des Komponisten nach dem klassischen Griechenland als Segelfahrt ins Mittelmeer schildert. Die dritte Sinfonie "Same Ätnam" ist von samischer Volksmusik inspiriert. Das Violinkonzert experimentiert mit Pentatonik.

Werke

Orchesterwerke
 Sinfonie Nr. 1, "Baneret", B-dur, 1889–1890
 Suite "I somras", 1903
 Sinfonie Nr. 2, "Sunnanfärd", Es-dur, 1910
 Sinfonie Nr. 3, "Same-Ätnam", f-moll, 1913–1915
 Suite "Earina", 1903
 Sinfonie Nr. 4, "Holmia", A-dur, 1929
 Sinfonie Nr. 5, "Solitudo", h-moll, 1932–1933

Bühnenwerke
 "Ran", 1900 (Uraufführung 1903)
 "Arnljot", Handlung in drei Akten für Soli, Chor und Orchester, 1907–1909 (Uraufführung 1910)
 "Domedagsprofeterna" (Die Propheten des Jüngsten Gerichts), 1917 (Uraufführung 1919)
 "Adils och Elisiv", 1924 (Uraufführung 1927)

Vokalmusik
 Svensk Lyrik (Schwedische Lyrik), Gedichte von Heidenstam, Levertin, Fröding, Rydberg
 Ur "Fridolins Lustgård" (Aus "Fridolins Lustgarten"), Lieder nach Gedichten von Erik Axel Karlfeldt
 Frukttid, Lieder nach Gedichten von Anders Österling

Klaviermusik
 "Frösöblomster" (Blumen von Frösö), Heft 1
 "Frösöblomster" (Blumen von Frösö), Heft 2
 "Frösöblomster" (Blumen von Frösö), Heft 3, "I Sommarhagen" (In Sommarhagen)
 "I Somras" (Im letzten Sommer), Suite
 "Anakreontika", Suite

Schriften
 Richard Wagner som kulturföreteelse, 1913
 P.-B.-recensioner. Glimtar och skuggor ur Stockholms musikvärld, 1886–1932, 2 Bde., 1932
 Melodins mysterium, 1937
 Om musik. Ett urval av essayer och kritiker, 1942
 Minnen [Erinnerungen], hg. von Telemak Fredbärj, 1943
 Från utsiktstornet, Essayer om musik och annat, herausgegeben von Telemak Fredbärj, 1951

Literatur

 Carlberg, Bertil, Peterson-Berger, en monografi, 1950.
 Hedwall, Lennart, Anteckningar kring Wilhelm Peterson-Bergers pianosviter, in: Svensk Tidskrift för Musikforskning, 1967.
 Hedwall, Lennart, Wilhelm Peterson-Berger, en bildbiografi, Uppsala 1983.
 Karlsson, Henrik, Wilhelm Peterson-Berger, tondiktare och kritiker, 2013.
 Wilhelm Peterson-Berger, Festskrift [mit Beiträgen von 18 Autoren und ausführlichem Werkverzeichnis], 1937.

Weblinks

 Website des Peterson-Berger Museums in Sommarhagen auf Frösön

Komponist klassischer Musik (20. Jahrhundert)
Komponist (Schweden)
Autor
Musikkritiker
Drama
Jämtland
Schwede
Geboren 1867
Gestorben 1942
Mann

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Evan Fell Motorcycle Works – Page 4 – My name is Evan and my hobby is motorcycle restoration, customization, and riding. This is a blog about my bikes.
I have had this strange fascination with cafe bikes and mid-70s sport bikes since an old co-worker introduced me to his two Moto Guzzi bikes about 10 years ago. Listening to that 850 Le Mans rumble in his shed planted a seed in the back of my mind that has been waiting to sprout. I have since tried getting a motorcycle on a number of occasions but something always came up (married, kids, etc..).
The time has come for me to finally pick up a project after a year of reading restoration stories and general "how-tos" (including many of yours!). I am a very competent mechanical person, one that works on my own car, takes apart broken things to solder wires and put them back together, and has the patience to take a long time to do something right the first time. However, when it comes to motorcycles, I really have no idea where to start or what to look for!
I would love to find a $500 barn-bike I can completely disassemble, clean and restore, then rebuild to my specifications.
What advice do you have for a newcomer to the vintage/restoration bike building world?
First off – is your battery old or worn out? A toasted battery won't hold a charge and will put extra stress on the charging system.
Put a voltage meter on your battery and check the voltage. With the bike running it should be constant voltage, around 13-13.5 volts. If it is not (and it sounds like it won't be) then it is either your regulator or your stator.
On your bike are the rectifier and regulator combined into a single unit? Or are they separate? If they are a single unit then it sounds like your stator has burnt out and needs to be replaced. If you have a separate regulator then it needs to be tested.
Hi – I need to replace fork seals. Do you have a good step by step? What oil type and fill level?
I just did the carb cleaning and it worked thank you.
If you do not have shop manual for your bike I would recommend you buy one. I do have a fork service article in the works, but it is not quite ready.
I have a manual for the Yamaha XJ600SK. The fork seal replacement is quite similar, and in fact it's very similar to all bikes of the same era.
In all of my older bikes when servicing the forks I use ATF fluid to fill them. Most bikes from that era had a 7-8 weight oil in them from the factory. ATF is generally 7.5 weight and very cheap down at the auto parts store. The XJ550 and XJ750 both use a 10w oil from the factory so you might stick with that if you like the ride quality. I tend to like my suspension a little on the plush side for highway cruising.
I also run ATF in my 2 stroke transmissions.
XJ550 Maxim fork oil capacity is 272cc or 9.20 fluid ounces per leg.
If you need a manual for the Honda 450 Nighthawk the best I can do is the Honda CM450 Service Repair Manual which shares the same engine and many other parts as well. They are very similar bikes.
I'll keep my eyes open for a Nighthawk specific manual and will post it if I can find one.
South out of Progresso I went to find some lunch in Merida. The traffic in the city is quite intense, and the roads are difficult to navigate. I rode through the city square mid day and hardly moved anywhere for 45 minutes. I didn't take many photos because I was far too busy trying to orientate myself.
It is however a great city with an interesting history. There is a lot of colonial influence everywhere you look.
And they have a massive cemetery on the east side of town.
I walked around the streets a while, explored the side roads on my bike, and got some grilled chicken at one of the 10,000 places serving it street side. It was a little too hectic to hang out though, so I headed a little further south to quieter scenery.
The only thing I had really wanted to see was the northern coast, and since I had done that, I meandered back across the Yucatan towards Chichen Itza. I had passed close by previously, but didn't stop in. Time to check it out.
Ok, now what. Get some water and check the maps.
The pickup coils are part of the ignition system and yes, they are the 'two stationary things' that the lob basses by. They do not carry large voltage and it is pretty rare that they fail. Many of the early 80's japanese bikes had Ignition Control Boxes that were prone to failure. I'm not sure if your GS has one, but if so it is the most likely culprit.
However, the first thing you should do is check the resistance of your coils and spark plug caps. It's easy and free.


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Twins, fans enjoy Correa jolt as spring training …
Stanley Cup champion Avalanche search for way out of rut
by: By PAT GRAHAM
ENGLEWOOD, Colo. (AP)Mikko Rantanen unlaced his skates after practice Friday and leaned back at his locker as he contemplated a season that's on thin ice.
"There's time," the Colorado Avalanche forward said of getting the defending Stanley Cup champions back on course. "But not too much time."
Maybe it's the long list of injuries finally catching up with the Avalanche. Or perhaps it's the toll from last season when they played into the summer to earn the franchise's third Stanley Cup trophy. But the cold, hard reality is this: Colorado (20-17-3) is currently on the outside of the playoff picture at the halfway point of the season.
There's plenty of season left, of course, to avoid joining the company of teams that have failed to make the playoffs the following season to defend their title. It's a list that includes the 2015 Los Angeles Kings (winners in `14) and the 2007 Carolina Hurricanes ('06 champs) since the salary cap era started in 2005.
"It's tough right now," Rantanen said. "We're working hard, but just feel like it's not coming our way right now."
The Avalanche have lost seven of their last eight heading into a game Saturday against Ottawa. They've tried just about everything to break out of their funk – players' only meetings, vigorous practices, detailed film study – but nothing has done the trick.
It's the opposite of last season, when Colorado rarely experienced any sort of prolonged skid (the Avalanche did lose four straight near the end of the year but already had the West race well in hand).
"I think they're down. They're down, because they want to win," Colorado coach Jared Bednar said of his team. "But I don't think it's a crazy amount of frustration."
The Avalanche have certainly been hit hard by injuries this season. They're currently without captain Gabriel Landeskog and forward Valeri Nichushkin, along with defensemen Josh Manson and Bowen Byram.
Nichushkin, Manson and Byram all went through skating drills Friday in an adjacent rink as the Avalanche prepared for practice.
But they're not ready for a return. Not quite yet.
Another blow on the injury front: Bednar said forward Darren Helm will miss some time with a lower-body injury. He was sidelined the opening 35 games due to the same injury.
In addition, there remains no timetable on Landeskog, who underwent knee surgery in October.
"We miss him for sure," Bednar recently said. "He's a real good asset for our team, obviously."
To date, Colorado has utilized 38 different players this season, which is one away from of matching the Avalanche mark for most used in a single season. It's been a constant stream of young players joining the Avalanche from the Colorado Eagles of the American Hockey League. But they're not using injuries as any sort of excuse.
"We know what to do. We're very prepared in terms of how we need to play and how we need to execute on a nightly basis," forward Andrew Cogliano said. "Really, it comes within us. It comes within the guys in the room. We've got to dig in and find a way to get out of it."
NOTES: All-Star defenseman Cale Makar received a maintenance day Friday. He's logged 30 or more minutes of ice time in three of the last four games. … Rantanen leads the team in goals (27) and points (51). It's why Makar has been campaigning to get Rantanen into this year's All-Star Game through the fan vote. "He should have been our first selection on our team," said Makar, who was selected to the All-Star Game. "I have no doubt fans will get him in."
Tyre Nichols Video: Memphis police body camera (4)
Northwestern Basketball / 1 hour ago


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Maria Manteufflowa z d. Heurich (ur. 23 marca 1905 w Warszawie, zm. 7 stycznia 1994 tamże) – polska historyczka, nauczycielka i bibliotekarka.

Życiorys
Córka warszawskiego architekta Jana Heuricha. Absolwentka Państwowego Gimnazjum im. Emilii Plater w Warszawie w 1923, potem historii na Wydziale Filologicznym oraz Studium Pedagogicznego na Uniwersytecie Warszawskim. Doktor filozofii w dziedzinie historii od 1933, wychowanek profesorów Handelsmana, Tatarkiewicza i Kotarbińskiego. Od czasów przedwojennych autorka biogramów w Polskim Słowniku Biograficznym, żona docenta, później profesora UW Tadeusza Manteuffla. Podczas II wojny światowej, w mieszkaniu państwa Manteufflów na Mokotowie prowadzone były zajęcia sekcji historycznej podziemnego Uniwersytetu Warszawskiego. Po zakończeniu wojny rozpoczęła pracę w Bibliotece Narodowej w Warszawie jako kierowniczka Czytelni Ogólnej. W 1949 ukończyła kurs dla bibliotekarzy bibliotek naukowych. Tytuł bibliotekarza dyplomowanego przyznała jej Komisja Egzaminacyjna w 1966 na podstawie dorobku naukowego. W latach 1954–1970 była kierownikiem Zakładu Informacji Naukowej BN. W momencie przejścia na emeryturę w 1970 posiadała tytuł starszego kustosza dyplomowanego. Zginęła we własnym mieszkaniu zamordowana przez uciekiniera z poprawczaka. Została pochowana w grobie rodziny Heurichów na Cmentarzu Ewangelicko–Augsburskim (sektor AIE-1-1).

Odznaczenia

 Krzyż Kawalerski Orderu Odrodzenia Polski (1966) ,
 Złoty Krzyż Zasługi (1955).

Przypisy

Absolwenci Wydziału Historycznego Uniwersytetu Warszawskiego
Bibliotekarze Biblioteki Narodowej w Warszawie
Odznaczeni Krzyżem Kawalerskim Orderu Odrodzenia Polski (Polska Ludowa)
Odznaczeni Złotym Krzyżem Zasługi (Polska Ludowa)
Pochowani na cmentarzu ewangelicko-augsburskim w Warszawie
Polscy historycy
Urodzeni w 1905
Zmarli w 1994


As my son Tyler is 18 now, and is a Senior in high school, we weren't really sure if he was going to be certificate or diploma bound. As our children learn, were aren't always sure how they will growth, build confidence and which path they will take. Through out Tyler's high school, we have made sure to work closely with his Program Specialist, and the IEP team (from the school district), to understand all the options (credits needed to graduate) and services available. I have also made sure a representative from the Regional Center attended each of Tyler's IEP meetings, so both Service providers were involved every step of the way.
For example if Tyler leaves school with a Certificate, then he will stay in the school district until he is 22 years of age, and be eligible for the Adult Transition Program Services. If Tyler graduates with a Diploma, then he is fully exited out of the Unified School District and their services end. Hence, I made sure a few years ago, to learn about the San Diego Regional Center, and the services they provide, for students that have graduated with a Diploma. I made sure to do all the paperwork and interviews, and had Tyler's case reviewed by the Regional Center and approved for their services. So upon graduation with a Diploma, we will work with the Regional Center case worker to create a personalized plan for Tyler, that will incorporate, community college, life skills, and job coaching etc.
We are very excited that Tyler worked so hard, to accomplish this huge feat in his life. He is proud of himself, and positive for what the future will hold. He is driven to graduate and transition to the next big step in life, college!! For more information on the San Diego Regional Center, please go to my listing of Parent Resources.
This entry was posted in Regional Center, Services Provider and tagged high school graduation, San Diego Regional Center by AngelinaNeglia. Bookmark the permalink.


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It has been a week since Facebook announced the launch of their new service, Places. In a nut shell, Places brings the integration of location into our Facebook accounts and displays a Check-In notice on our wall, just like a status message. The service has launched gradually throughout the days and now more and more users can use this new functionality on their smartphone.
This new service wasn't a surprise to people that deal (work, fund or research) social networks since the word about its development was around for quite a while now. Nonetheless, the press conference that was held received a vast coverage both in US and international media. Many people, especially tech-savvy users, downloaded the new application with the built in location check in function and started using it. It didn't took long for notes to appear on blogs and forums saying that there is nothing there.
People checked in while they were in a restaurant or a bar and the only thing that appeared was a status line indication accompanied by a small icon mentioning it was sent through Places. Dennis Crowley, the CEO of Foursquare, even called it BORING in an interview to the Guardian (and then said he was misquoted).
These voice can be considered as signs of disappointment or even worse (for Facebook) – apathy.
But, when looking at the big picture I believe that Facebook is doing exactly what it should be. Instead of competing with shiny and fun services like Foursqaure and GoWalla, it tries to incorporate location services in baby steps. With a user base of 500 million accounts, the rolling out of something like location broadcasting can be a difficult service to explain. And the last thing Facebook needs is another bad publicity about its lack of user privacy.
Having that said, I am pretty sure that we will see more and more developments in this service which will in the long term incorporate location based services into our everyday activities. And with spread of this functionality, our physical location will take a pivotal role in our virtual presence.


These little cups of taste bud heaven save me when I'm on the road. Have you ever been on an airplane where they serve no food you can eat? Airports are difficult because you can't bring liquids through security and most countries don't allow fruits and vegetables to enter. So what can you pack to eat?
Dr.McDougall's has created the perfect solution. Just ask for hot water on board, or from any cafe, and you have yourself a delicious vegan, gluten free, fat free soup.
I take these bad boys everywhere.