text:
Sermon given at the Sung Eucharist on the Second Sunday of Lent 2019
How far will we go for our neighbour? How far will we go to live a properly Christian life?
The Reverend Dr James Hawkey Canon Theologian
Sunday, 17th March 2019 at 11.15 AM
Eight hundred years ago this August, an extraordinary meeting occurred. It was in the midst of the Fifth Crusade, the stronghold of Damietta in Egypt had been seized by the Sultan's armies, and around 5000 crusaders slain. St Francis of Assisi, and his assistant Illuminatus, crossed the enemy lines with the intention of speaking to the Sultan himself. They were captured and beaten, but eventually brought before Sultan Malek al-Kamil, nephew of the great Saladin himself. St Francis greeted the Sultan with a greeting of peace, similar to that which the Sultan would have uttered, and the two proceeded to develop an affectionate respect with which they proceeded to discuss the spiritual life and one another's beliefs. Although many have attempted to reconstruct the dialogue and enlarge upon sketchy diverse traditions, we know few explicit details about this remarkable meeting.[1] However, the two friars stayed several nights in the camp, left with gifts, and were given safe passage. We are told that the encounter changed the Sultan, who began to treat Christian prisoners with kindness, and sought peace with the crusader armies.
The shootings at two mosques in Christchurch, New Zealand on Friday, in which 49 people were killed and 48 wounded, have shocked the world. Incidents of Islamophobia and anti-Semitism are frequently reported throughout our global village, and the chatter of various kinds of white supremacism and nationalism has increased over the last few years. In the West, questions of national, ethnic and religious identity have been stirred up and confused by geopolitical events, the refugee crisis, and an erosion of trust in public bodies. What might the Church have to say about this, and particularly in a season of Lenten self-discipline and Christian housekeeping?
Christian-Muslim relations have a mixed history, to put it modestly. We all know some of the violent moments – from the Crusades, to Lepanto, to modern episodes of terror. But there are many positive stories. Whatever was said between St Francis and the Sultan probably referred at least in passing to a shared sense of the almighty and merciful nature of God, to a common respect for Mary, and the presence of similar stories (including the one we heard in today's first lesson) in both Bible and Qu'ran. William Dalrymple's account of travels through Turkey, Egypt, Syria, and the Holy Land recorded in his magnificent book of 1998 From the Holy Mountain recalls villages where Christians and Muslims not only lived side by side for centuries but in some cases shared worship spaces and had common sites of pilgrimage. Not only do Christians and Muslims have shared culture and philosophy – it is, for example, through the Arabic sources that St Thomas Aquinas knew about Aristotle – we also share some theological convictions. In February, Pope Francis and the Grand Imam of the Al-Azhar signed a Document on Human Fraternity for World Peace and living Together, which contains some extremely important reflections on the nature of God and God's relationship with creation, human dignity, fraternity and freedom, and – perhaps in the spirit of St Francis and the Sultan – encourages "the adoption of a culture of dialogue as the path; mutual cooperation as the code of conduct; reciprocal understanding as the method and standard."[2] Pope Francis and the Grand Imam affirm the need for mutual protection of places of worship, and insist that "the Creator who has formed us with His divine wisdom… has granted us the gift of life... It is a gift that no one has the right to take away, threaten or manipulate to suit oneself. Indeed, everyone must safeguard this gift of life from its beginning up to its natural end."
The taking of a single life, as both Pope and Grand Imam affirm, is abhorrent for both religions. In New Zealand, it was particularly shocking that people were massacred whilst at prayer; a horrendous, and blasphemous aspect which should draw universal condemnation and horror from all people of religious faith, as when Egyptian Coptic Churches have been attacked during the Divine Liturgy.
In this morning's Gospel, Jesus laments over the City of Jerusalem, acclaimed as Holy by all three so-called Abrahamic faiths. At this point in St Luke's account, Jesus is drawn to the City, knowing that it will be the place of his passion and death, as it has been for those prophetic voices before him, which find their culmination in Christ's own. This is a city of violence as well as the place of God's communication with humanity, the first of all the cities. Jesus knows that in order to complete his work, as he tells Herod, his work must be completed there, and on "the third day", pointing towards his resurrection. He will die, but not murdered at the hands of the sly and cruel Herod who has already killed John the Baptist, but at the centre of creation, the heart of the covenant, in the city towards which he proceeds freely and confidently. His will be blood given, not blood taken.
Perhaps this is at the very heart of a Christian response to acts of terror and cruelty. Ours is a faith built on the principle of blood given, not taken. Blood given is the foundation of the new humanity we call the Church. Our Lenten disciplines are shallow unless underpinned by a radical generosity of spirit towards others, and by a vision which celebrates the limitless reach of God's grace and mercy. Years ago, I met a bishop who worked in the north west frontier province of Pakistan. I asked him what mission looked like in his context where people were killed for conversion. His response was that his small Christian community was the first on the scene whenever there was a natural disaster, or some kind of tragedy. Living the Gospel in his context was more powerful than talking about it.
How far will we go for our neighbour? How far will we go to live a properly Christian life, giving it up for others? Today, we will be offered the Body and Blood of Christ given for us – not taken by us – to revitalise this discipleship. Father Benson, who founded the Cowley Fathers, wrote how every communion might add to the image of Christ within us. "As each touch of the artist adds some fresh feature to the painting, so each communion is a touch of Christ, which should develop some fresh feature of his own perfect likeness within us."[3]
A story is told of a boy who needed a blood transfusion. The best match was his sister, and the girl went in for the very straightforward procedure. As she sat down in the hospital room, she asked the doctor, "Will it hurt? Will it take long for me to die?" The girl had just assumed that for her brother to live, she would have to give her own life. She was of course mistaken, and both survived. But quite how much we are willing to give for others and for the healing of our world, how fully we are prepared to share in the mission of the Body of Christ, are considerations for each of us this Lent. Sharing the love of God in Christ with those who do not precisely share our faith is no less urgent than the building up of Christ's body. Blood given in Jerusalem, that Holy and Wretched City, two thousand years ago, is the foundation of the New Creation, in which Christ will wash the feet of the world, and wipe all our tears away.
[1] See John Tolan's recently published Saint Francis and the Sultan: The Curious History of a Christian-Muslim Encounter, OUP, 2019, for an overview of the traditions.
[2] See https://www.vaticannews.va/en/pope/news/2019-02/pope-francis-uae-declaration-with-al-azhar-grand-imam.html for the official English translation
[3] Richard Meux Benson, The Religious Vocation, London: A. R. Mowbray, 1939, pp. 160-161
< Back to Sermons
Sermon at the Sung Eucharist on the First Sunday of Lent 2019
Sermon given at the Sung Eucharist on the Third Sunday of Lent 2019


text:
Feb 05, 2018 11:20 AM EST By Char J Patterson
'I'm Sick': Taraji P. Henson And Halle Berry Speak After Their Ex-Manager Accused Of Sexual Misconduct
Taraji P. Henson and Halle Berry have both spoken after nearly 10 women accused their former manager, Vincent Cirrincione, of sexual misconduct.
He managed Henson and Berry in the past and reportedly used his success with the actresses to bring in other women.
Taraji P. Henson And Halle Berry Speak
Berry was the first to speak on the news the day after it made headlines. She took to Instagram to call out Cirrincione.
"Yesterday I was saddened by the allegations against my former manager, Vincent Cirrincione, but today I'm sick after reading the horrifying detailed accounts of his abuse towards 9 women," wrote Berry.
She went on to say that she was extremely upset that her name was part of the process when it came to her former manager recruiting other women. She ended with a message for the victims in which she recognized their hurt and vowed to defend them.
A post shared by Halle Berry (@halleberry) on Feb 2, 2018 at 6:24pm PST
Henson also spoke on Instagram the next day. She said she was "shocked, hurt" and "offended by Cirrincione's alleged actions. She said it is all too common these days and added that it causes women to feel uncomfortable with the men they work with closely.
She said she has hope that these accusations and many others will spark a change in the course of how female actresses, singers, and entertainers are handled. She pointed out that without trust, "true art" cannot be created, developed, and shared with others.
"We deserve better. THIS HAS TO STOP!!!" said Henson at the end.
A post shared by taraji p henson (@tarajiphenson) on Feb 4, 2018 at 6:42am PST
Two of the women who came forward said Cirrincione was recognized for his ability to market African-American women in the entertainment industry. They said they believed his notoriety helped him to lure in women and ultimately perform sexual misconduct.
One accuser, filmmaker Tamika Lamison, said that Berry even once called Cirrincione just minutes before she started her audition with him. Still, Lamison said he quickly got physical with her. Thankfully, she was able to fight him off for good.
Vincent Cirrincione's Statement
Cirrincione, who is accused of sexual misconduct from 1993-2011, released a statement in which he admitted to getting sexual. He said, however, he never made the women trade sexual favors for him finding them work or representing them.
"I have had affairs while in committed relationships, ones that I am now ashamed to say are coming to light and shading my past and my reputation," said Cirrincione. "I can say without a doubt that I have never used favors, sexual or otherwise, as a reason for managing anyone. I want to make it clear that none of those relationships were anything but consensual."
TAGSHalle Berry taraji p henson Me Too
Female Music Execs Want Neil Portnow To Resign: 'We Do Not Await Your Welcome Into The Fraternity'
Quentin Tarantino Called Out By Judd Apatow And More In Support Of Uma Thurman
Jennifer Lopez Addresses Sexual Harassment Allegations Against Guess' Paul Marciano

redpajama_set_name: RedPajamaCommonCrawl


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The Mercer County Fair at Princeton runs from July 12th through 17th.
Activities July 12th include entering and judging exhibits, fair royalty, and a talent show.
Events July 13th include rabbit and poultry shows, kids activities, a bike rodeo, and super farmer competition.
There's a hog show on July 14th.
The schedule on July 15th includes a kid's ATV safety course, sheep and goat judging, and musical entertainment by Madd Hoss Jackson and Sam Banks.
The lineup Saturday, July 16th at the fair includes a 4-H foundation breakfast, pet and beef shows, A youth horse workshop, an ice cream social, a livestock auction, and an Iowa-Missouri tractor pull.
The fair concludes July 17th with a farmers community breakfast, and cook off competition and judging.


text:
VITA Europe USA
Dies irae ~Amantes amentes~ PlayStation Vita Release Is Still In Development
By Jenni . January 24, 2019 . 10:00am
Back when the Dies irae ~Amantes amentes~ Kickstarter appeared back in December 2016, a $200,000 stretch goal was set and met that would result in a digital PlayStation Vita release. While the PC version of the game appeared in 2017, not much was said about the handheld port. Now, a Kickstarter update has confirmed that it is still in development and will eventually be released.
This Dies irae ~Amantes amentes~ PlayStation Vita version update begins with an apology for taking so long to talk more about the handheld release. It then confirms that work is still being done on the visual novel and discussions are being had with both the Sony Interactive Entertainment America and Sony Interactive Entertainment Europe branches. It also claims there will be a Dies irae announcement "soon."
Here is the full statement about the PlayStation Vita port.
We are terribly sorry for the long wait between updates on the Dies irae World Emanation Project "Dies irae ~Amantes amentes~" PlayStation Vita release.
We are currently in talks with Sony Interactive Entertainment America (SIEA) and Sony Interactive Entertainment Europe (SIEE), and are in production working to a definite release.
New Dies irae info is planned for announcement soon, so please stay tuned.
All of us here are working wholeheartedly to finish the "Dies irae ~Amantes amentes~" PlayStation Vita version. We understand backers are eagerly awaiting the release, and thank you for your continued patience and support.
Dies irae ~Amantes amentes~ is in development for the PlayStation Vita. It is immediately available on the PC worldwide. In Japan, it is also available on the PlayStation Portable, Nintendo Switch, and both Android and Apple iOS devices.
Read more stories about Dies Irae ~Amantes Amentes~ & PlayStation Vita on Siliconera.
Phantom Breaker: Battle Grounds Coming To Vita On July 29th
Batman: Arkham Origins, Dragon's Crown And More On Sale On PSN In U.S.
Akiba's Trip: Undead & Undressed For PlayStation 4 Coming To North America


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Home Finance Elon Musk Testifies He Had Little Say in His Tesla Pay
Elon Musk Testifies He Had Little Say in His Tesla Pay
Elon Musk testified on Wednesday that he was not involved in the discussions among Tesla board members about a 2018 pay package that granted him billions of dollars in stock options, helping to make him the world's richest person.
Speaking in a courtroom in Wilmington, Del., Mr. Musk pushed back against accusations in a shareholder lawsuit that the electric car company's board was stacked with friends and other people close to him who did his bidding.
"I was completely focused" on managing Tesla, he said.
The case in which Mr. Musk is testifying centers on a compensation package that awarded Mr. Musk stock options that gave him the right to acquire nearly $50 billion in Tesla shares if the company met certain revenue, profit and share price gain goals. At the time, the deal was one of the largest of its kind, and it has become a template used by many other corporate boards to reward chief executives.
In court documents, lawyers for the shareholder who brought the case, Richard Tornetta, contend that in April 2017 Mr. Musk started to outline the pay deal with a director, Ira Ehrenpreis, who headed the board's compensation committee. The plaintiff's lawyers have also said in court filings that Tesla directors and executives said in depositions that the board did not expect Mr. Musk to leave the company and had not begun to identify potential successors to him.
On the witness stand, Mr. Musk also seemed to rebut a claim in the lawsuit that the shares he already owned in Tesla — about 22 percent of the company — were incentive enough. Amid an existential struggle to ramp up manufacturing of the company's first mass-market car, the Model 3, he said he was considering leaving Tesla.
"We were at an inflection point where we had to decide whether I would run the company or someone else would run the company," Mr. Musk said. "I did not want to be C.E.O."
Lawyers for Mr. Musk and Tesla directors filed a motion to dismiss the suit, but, in 2019, another Delaware judge allowed most of the case to proceed.
The case is being heard by Chancellor Kathaleen McCormick of the Delaware Court of Chancery. She also presided over the short-lived lawsuit Twitter filed in July against Mr. Musk to force him to go through with the acquisition of the social media company after he sought to back out of the deal. Mr. Musk completed the deal last month.
More than a year after the 2018 Tesla pay deal was put in place, the company's stock started climbing sharply, going from about $21 to a peak of about $410 in November 2021. It has since fallen by about 50 percent and now trades at around $190.
In addition to defending himself, Mr. Musk used his time on the witness stand to hit some of his favorite talking points, including how Tesla single-handedly created the electric car business and why he loathes the Securities and Exchange Commission and investors who bet against the share prices of Tesla.
"Tesla has had an immense effect on the world," Mr. Musk said in response to a question from a lawyer representing Tesla, Evan Chesler, that appeared designed to show that he had earned his pay. "Not just that Tesla is making electric vehicles, we have been really the main reason why the rest of the car industry has moved toward sustainable, electric vehicles."
Under questioning by Gregory Varallo, a lawyer representing shareholders, that seemed designed to show that Mr. Musk did not always heed authority, Mr. Musk lashed out at the S.E.C. The commission accused him of securities fraud for claiming in August 2018 that he had "funding secured" to take Tesla private. To settle that case, Mr. Musk stepped down as chairman of Tesla, paid a fine and agreed to have a lawyer vet some of his social media posts about Tesla. In April, a federal judge refused a request by Mr. Musk to end his agreement with the S.E.C.
Mr. Varallo asked a series of questions designed to show that Mr. Musk acts with little oversight from the Tesla board by, for example, deploying the car company's engineers to help him at Twitter.
"Did someone ever suggest to you that it might not be a good idea to use the resources of a public company for a private company?" Mr. Varallo said.
Mr. Musk replied that the engineers came voluntarily and did the work on their own time. "It was very short term," he said. "It lasted for a few days, and then it was over."
Mr. Varallo then asked: "Did any of these so-called independent directors call you and say it might not be a good idea?"
"I don't believe I received a call," Mr. Musk responded.
Mr. Musk spoke quietly in response to some questions, giving one-word answers. On other topics, though, he spoke at length.
At one point relatively early in his testimony, Chancellor McCormick expressed frustration with Mr. Musk's digressions, saying: "I'm going to interrupt Mr. Musk, because we can all listen to this all day. It's very interesting, but I don't think it was responsive to the question, which I've now forgotten."


There are only days left to the very first 'Gathering at Uisneach' at the Uisneach Inn Bar and Restaurant, Ireland's most central venue at the foot of the Hill of Uisneach.
The two day boutique music festival will feature music from some of the biggest names in Irish music, all gathered together in the centre of the country.
Our headline acts are all making waves internationally: The Original Rude Boys are currently on a world tour with The Script and in the past few months have sold out The Olympia and practically every venue they have played; Rubber Bandits are still making huge waves in the UK following their triumphant Channel 4 TV show; The Riptide Movement are playing all of Europe's biggest festivals this summer (including Glastonbury & Bennicassim) AND touring the UK with the Rolling Stones; Ryan Sheridan has toured the globe in the past year to full houses and ecstatic reviews, and is set to do so again this year; whilst KÍLA are celebrating 25 years on the go with some huge European events.
The Gathering at Uisneach is being brought to you by the people behind Festival of the Fires, in association with IPB, The Gathering and Westmeath County Council.
The Gathering at Uisneach will be a boutique two-day music event, held in the shadow of the Hill of Uisneach at a special new outdoor festival site adjacent to the Uisneach Inn Bar and Restaurant.
On Saturday May 4th, The Original Rude Boys, The Riptide Movement and the Rubber Bandits (making their first ever appearance in Westmeath) will perform! On Sunday, May 5th, Ryan Sheridan and Kila are among the performers. Many more acts are playing at the outdoor and indoor stages, and the event will feature heritage talks, re-enactments, genealogy stands, local food & drink, fire show and much more.
Early bird tickets are on sale now, priced €40 for the weekend and €25 per day. They are available online and from all Ticketmaster outlets. Tickets with camping are also available, priced €50 for the weekend. For those wishing to camp just one night, a limited no of places will be available on a first come, first served basis. Details of these tickets and campervan accommodation to follow.
Follow us on TWITTER and like us on FACEBOOK for all the latest news!
This entry was posted on Tuesday, March 19th, 2013 at 3:21 pm	and is filed under Art and artists, Blog, Festival of the Fires Music, Fire Ceremonies and Parade, Get involved!, Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.


This listing is for a pdf download of the Doris Daisy Sewing Pattern only. The PDF Sewing Pattern is available for instant download immediately after purchase. It does not include the finished product or the materials to make it.
Make your own cute Doris Daisy Softie with this instantly downloadable PDF sewing pattern. Easy to follow instructions with oodles of pictures to take you through each step.
You can alter the pattern for your own personal use, but if you are trading Doris Daisy please state that Doris Daisy was created from an original pattern by Miss Daisy Patterns.


text:
namespace android.graphics.drawable
{
	[global::MonoJavaBridge.JavaClass()]
	public partial class InsetDrawable : android.graphics.drawable.Drawable, android.graphics.drawable.Drawable.Callback
	{
		internal new static global::MonoJavaBridge.JniGlobalHandle staticClass;
		static InsetDrawable()
		{
			InitJNI();
		}
		protected InsetDrawable(global::MonoJavaBridge.JNIEnv @__env) : base(@__env)
		{
		}
		internal static global::MonoJavaBridge.MethodId _inflate4050;
		public override void inflate(android.content.res.Resources arg0, org.xmlpull.v1.XmlPullParser arg1, android.util.AttributeSet arg2)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				@__env.CallVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._inflate4050, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg2));
			else
				@__env.CallNonVirtualVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._inflate4050, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg2));
		}
		internal static global::MonoJavaBridge.MethodId _draw4051;
		public override void draw(android.graphics.Canvas arg0)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				@__env.CallVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._draw4051, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
			else
				@__env.CallNonVirtualVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._draw4051, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
		}
		internal static global::MonoJavaBridge.MethodId _getChangingConfigurations4052;
		public override int getChangingConfigurations()
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return @__env.CallIntMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._getChangingConfigurations4052);
			else
				return @__env.CallNonVirtualIntMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._getChangingConfigurations4052);
		}
		internal static global::MonoJavaBridge.MethodId _setAlpha4053;
		public override void setAlpha(int arg0)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				@__env.CallVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._setAlpha4053, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
			else
				@__env.CallNonVirtualVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._setAlpha4053, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
		}
		internal static global::MonoJavaBridge.MethodId _setColorFilter4054;
		public override void setColorFilter(android.graphics.ColorFilter arg0)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				@__env.CallVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._setColorFilter4054, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
			else
				@__env.CallNonVirtualVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._setColorFilter4054, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
		}
		internal static global::MonoJavaBridge.MethodId _isStateful4055;
		public override bool isStateful()
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return @__env.CallBooleanMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._isStateful4055);
			else
				return @__env.CallNonVirtualBooleanMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._isStateful4055);
		}
		internal static global::MonoJavaBridge.MethodId _setVisible4056;
		public override bool setVisible(bool arg0, bool arg1)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return @__env.CallBooleanMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._setVisible4056, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1));
			else
				return @__env.CallNonVirtualBooleanMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._setVisible4056, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1));
		}
		internal static global::MonoJavaBridge.MethodId _getOpacity4057;
		public override int getOpacity()
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return @__env.CallIntMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._getOpacity4057);
			else
				return @__env.CallNonVirtualIntMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._getOpacity4057);
		}
		internal static global::MonoJavaBridge.MethodId _onStateChange4058;
		protected override bool onStateChange(int[] arg0)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return @__env.CallBooleanMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._onStateChange4058, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
			else
				return @__env.CallNonVirtualBooleanMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._onStateChange4058, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
		}
		internal static global::MonoJavaBridge.MethodId _onBoundsChange4059;
		protected override void onBoundsChange(android.graphics.Rect arg0)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				@__env.CallVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._onBoundsChange4059, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
			else
				@__env.CallNonVirtualVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._onBoundsChange4059, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
		}
		internal static global::MonoJavaBridge.MethodId _getIntrinsicWidth4060;
		public override int getIntrinsicWidth()
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return @__env.CallIntMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._getIntrinsicWidth4060);
			else
				return @__env.CallNonVirtualIntMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._getIntrinsicWidth4060);
		}
		internal static global::MonoJavaBridge.MethodId _getIntrinsicHeight4061;
		public override int getIntrinsicHeight()
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return @__env.CallIntMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._getIntrinsicHeight4061);
			else
				return @__env.CallNonVirtualIntMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._getIntrinsicHeight4061);
		}
		internal static global::MonoJavaBridge.MethodId _getPadding4062;
		public override bool getPadding(android.graphics.Rect arg0)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return @__env.CallBooleanMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._getPadding4062, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
			else
				return @__env.CallNonVirtualBooleanMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._getPadding4062, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
		}
		internal static global::MonoJavaBridge.MethodId _mutate4063;
		public override global::android.graphics.drawable.Drawable mutate()
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return global::MonoJavaBridge.JavaBridge.WrapJavaObject(@__env.CallObjectMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._mutate4063)) as android.graphics.drawable.Drawable;
			else
				return global::MonoJavaBridge.JavaBridge.WrapJavaObject(@__env.CallNonVirtualObjectMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._mutate4063)) as android.graphics.drawable.Drawable;
		}
		internal static global::MonoJavaBridge.MethodId _getConstantState4064;
		public override global::android.graphics.drawable.Drawable.ConstantState getConstantState()
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				return global::MonoJavaBridge.JavaBridge.WrapJavaObject(@__env.CallObjectMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._getConstantState4064)) as android.graphics.drawable.Drawable.ConstantState;
			else
				return global::MonoJavaBridge.JavaBridge.WrapJavaObject(@__env.CallNonVirtualObjectMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._getConstantState4064)) as android.graphics.drawable.Drawable.ConstantState;
		}
		internal static global::MonoJavaBridge.MethodId _invalidateDrawable4065;
		public virtual void invalidateDrawable(android.graphics.drawable.Drawable arg0)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				@__env.CallVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._invalidateDrawable4065, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
			else
				@__env.CallNonVirtualVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._invalidateDrawable4065, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0));
		}
		internal static global::MonoJavaBridge.MethodId _scheduleDrawable4066;
		public virtual void scheduleDrawable(android.graphics.drawable.Drawable arg0, java.lang.Runnable arg1, long arg2)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				@__env.CallVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._scheduleDrawable4066, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg2));
			else
				@__env.CallNonVirtualVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._scheduleDrawable4066, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg2));
		}
		internal static global::MonoJavaBridge.MethodId _unscheduleDrawable4067;
		public virtual void unscheduleDrawable(android.graphics.drawable.Drawable arg0, java.lang.Runnable arg1)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			if (!IsClrObject)
				@__env.CallVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable._unscheduleDrawable4067, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1));
			else
				@__env.CallNonVirtualVoidMethod(this.JvmHandle, global::android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._unscheduleDrawable4067, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1));
		}
		internal static global::MonoJavaBridge.MethodId _InsetDrawable4068;
		public InsetDrawable(android.graphics.drawable.Drawable arg0, int arg1, int arg2, int arg3, int arg4)  : base(global::MonoJavaBridge.JNIEnv.ThreadEnv)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			global::MonoJavaBridge.JniLocalHandle handle = @__env.NewObject(android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._InsetDrawable4068, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg2), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg3), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg4));
			Init(@__env, handle);
		}
		internal static global::MonoJavaBridge.MethodId _InsetDrawable4069;
		public InsetDrawable(android.graphics.drawable.Drawable arg0, int arg1)  : base(global::MonoJavaBridge.JNIEnv.ThreadEnv)
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			global::MonoJavaBridge.JniLocalHandle handle = @__env.NewObject(android.graphics.drawable.InsetDrawable.staticClass, global::android.graphics.drawable.InsetDrawable._InsetDrawable4069, global::MonoJavaBridge.JavaBridge.ConvertToValue(arg0), global::MonoJavaBridge.JavaBridge.ConvertToValue(arg1));
			Init(@__env, handle);
		}
		private static void InitJNI()
		{
			global::MonoJavaBridge.JNIEnv @__env = global::MonoJavaBridge.JNIEnv.ThreadEnv;
			global::android.graphics.drawable.InsetDrawable.staticClass = @__env.NewGlobalRef(@__env.FindClass("android/graphics/drawable/InsetDrawable"));
			global::android.graphics.drawable.InsetDrawable._inflate4050 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "inflate", "(Landroid/content/res/Resources;Lorg/xmlpull/v1/XmlPullParser;Landroid/util/AttributeSet;)V");
			global::android.graphics.drawable.InsetDrawable._draw4051 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "draw", "(Landroid/graphics/Canvas;)V");
			global::android.graphics.drawable.InsetDrawable._getChangingConfigurations4052 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "getChangingConfigurations", "()I");
			global::android.graphics.drawable.InsetDrawable._setAlpha4053 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "setAlpha", "(I)V");
			global::android.graphics.drawable.InsetDrawable._setColorFilter4054 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "setColorFilter", "(Landroid/graphics/ColorFilter;)V");
			global::android.graphics.drawable.InsetDrawable._isStateful4055 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "isStateful", "()Z");
			global::android.graphics.drawable.InsetDrawable._setVisible4056 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "setVisible", "(ZZ)Z");
			global::android.graphics.drawable.InsetDrawable._getOpacity4057 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "getOpacity", "()I");
			global::android.graphics.drawable.InsetDrawable._onStateChange4058 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "onStateChange", "([I)Z");
			global::android.graphics.drawable.InsetDrawable._onBoundsChange4059 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "onBoundsChange", "(Landroid/graphics/Rect;)V");
			global::android.graphics.drawable.InsetDrawable._getIntrinsicWidth4060 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "getIntrinsicWidth", "()I");
			global::android.graphics.drawable.InsetDrawable._getIntrinsicHeight4061 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "getIntrinsicHeight", "()I");
			global::android.graphics.drawable.InsetDrawable._getPadding4062 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "getPadding", "(Landroid/graphics/Rect;)Z");
			global::android.graphics.drawable.InsetDrawable._mutate4063 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "mutate", "()Landroid/graphics/drawable/Drawable;");
			global::android.graphics.drawable.InsetDrawable._getConstantState4064 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "getConstantState", "()Landroid/graphics/drawable/Drawable$ConstantState;");
			global::android.graphics.drawable.InsetDrawable._invalidateDrawable4065 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "invalidateDrawable", "(Landroid/graphics/drawable/Drawable;)V");
			global::android.graphics.drawable.InsetDrawable._scheduleDrawable4066 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "scheduleDrawable", "(Landroid/graphics/drawable/Drawable;Ljava/lang/Runnable;J)V");
			global::android.graphics.drawable.InsetDrawable._unscheduleDrawable4067 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "unscheduleDrawable", "(Landroid/graphics/drawable/Drawable;Ljava/lang/Runnable;)V");
			global::android.graphics.drawable.InsetDrawable._InsetDrawable4068 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "<init>", "(Landroid/graphics/drawable/Drawable;IIII)V");
			global::android.graphics.drawable.InsetDrawable._InsetDrawable4069 = @__env.GetMethodIDNoThrow(global::android.graphics.drawable.InsetDrawable.staticClass, "<init>", "(Landroid/graphics/drawable/Drawable;I)V");
		}
	}
}

redpajama_set_name: RedPajamaGithub


Handmade fashion doll clothes patterns to sew are a great addition for any collector or doll lover to create. They can help to personalize, and bring that much loved doll to life. Many dolls will come with a standard set of clothes; however, if you want your doll to stand out making your own is advised.
As in real life your doll will need different clothes for different occasions, and with this stylish five piece set, you have an outfit for every social event. Whether it is an evening dress for them to look glamorous in, or something more casual there is the perfect outfit for your doll.
The entire doll industry has developed over the last few years, and more people, no matter of their age want outfits for their dolls that represent their individuality. Often the style of clothing that is bought for your doll is influenced by the latest fashion trends.
There is absolutely no excuse why every day your doll cannot look as great as you. Finding the right fashion doll clothes and patterns can take time and research. However, if you check the different patterns on this site you will find some great patterns at even better prices. They do not always have to be expensive and you will find some are even free.
Buying sets of clothes is often the most expensive way to dress your doll. So to ensure that your doll has the perfect change of clothes and a large wardrobe, sewing your own outfits is both piratical and fun.
There are many places you can find great patterns for doll clothing. If you select the outfits for your childs doll, you may even be able to find identical clothes both doll and child. There is nothing more adorable than a little girl and her doll wearing matching clothes. If the doll is for a friends child they will love the idea of having the same outfit as their best friend.
There is a huge amount of thought and detail that goes into the fashion doll clothes patterns. Although there is a large amount of selection for dolls clothes patterns you may find many very expensive. Here you will find no expensive patterns. Most are only $2.99 for entire wardrobes so don't be fooled by the price. All you need to do is know the exact style and look that you are aiming for.
As well as the great outfits you will be able to accessories the doll so that they are perfect when she take them out. Whether you are making the dolls clothes for your doll or your children's favorite friend they will in years to come be very collectible.
The trend to collect dolls and their clothing has grown to a huge popularity over the years. A great deal of time and effort goes into producing the right clothes for the dolls, so they will stand out and be perfectly dressed.
Most store bought fashion doll clothes are created with cheap fabric and poor quality notions. If you take the time to make the best clothes for your doll yourself, you will be happy with your choices and the quality of materials used.


The elegant property of Lago Bin starts from a modest rustic building bought in 1956 by Antonio and Margherita Carabalona. They cultivated flowers, aromatic plants and fruit in the surrounding soil for about 2 years... until Margherita decided to make available her culinary talent to hunters and tourists passing by.
Back then we ate on rough tables covered by tablecloths from her bridal trousseau... for the name they took inspiration from an old local character "U Gubbin", a hunchback who used to sell the water of the river below the building in times of drought.
The hotel has always been run within the family, after Antonio and Margherita was directed by Mrs. Maria Grazia and her husband Livio, who now had been joined by their son and daughter Christian and Marianna and their daughter-in-law, Cecilia, who along with a team of professionals in catering and hotel management are waiting to offer you the better services !
Generations follow one another, traditions and quality remain intact.


text:
Keeping It Reel
film reviews and movie discussion
THE LAST SHAMAN (2015) review
tags: David J. Fowlie, film, James Freeman, Raz Degan, review, The Last Shaman
by David J. Fowlie
written by: Raz Degan
produced by: Danny A. Abeckaser, Raz Degan, Nadav Schirman and Ariel Vromen
directed by: Raz Degan
U.S. release date: May 12, 2017 (New York) & May 19, 2107 (L.A.)
I've been getting dizzy with documentaries lately. The sheer number of them released each month week is staggering. It really takes a unique angle or a fascinating subject to pique my interest motivate to let others know that there's a documentary worth their time. Unfortunately, director Raz Degan's new film, "The Last Shaman" doesn't fall in that category. It's premise definitely caught my interest, but it didn't take long for that interest to feign and I soon found myself annoyed by the individual Degan follows. The only surprise in this overlong and ultimately boring documentary, is how I found myself more interesting in a healing plant from the Amazon than I was in any humans on screen.
The film follows twentysomething James Freeman from Andover, Massachusetts, who has battled a debilitating depression and has decided to give himself an ultimatum: if he doesn't find a shaman who can save his life in 12 months, he's going to end. Sounds ill-advised, dangerous and preposterous, if you ask me. So, how does such an ultimatum become a documentary?
Enter Ayahuasca, a psychoactive concoction derived from a Amazonian plant and other ingredients that is said to induce a spiritual experience and possible heal or cure illnesses. If this sounds familiar, maybe it's because you saw "Embrace of the Serpent", a recent Colombian film that tells the story of an Amazonian Shaman named Karamakate, who assisted two scientists within a thirty year time span as trhey searched for a rare fictional plant, yakruna, which is said to have healing properties. he travels to the Amazon jungle to experience the healing properties of Ayahuasca and the world around it. I definitely saw the similarities here, although this documentary is less engaging as that Oscar-nominated film.
The impetus of "The Last Shaman" is curious and a little suspect. I certainly found myself intrigued by this young man's quest, but it was nevertheless perplexing since the whole idea of someone with suicidal ideations crossing continents for a cure made me question just how serious he was. Call me ignorant, but to me, anyone who embarks on such a journey and has it filmed – with his estranged parents and doctors participating in talking head segments, no less – is someone who wants to live. Since he's having it all filmed, another questions develops – who is this film for? I want to give Freeman the benefit of the doubt, but "The Last Shaman" never really shows viewers how serious or desperate his situation is.
That's probably because of the film's title. "The Last Shaman" becomes less about Freeman than it does about the titular shaman he's searching for. He becomes less of a protagonist and more of a guide and while that's interesting, it draws less attention to the reason why he started out on this journey to begin with. It becomes clear that Degan's just as intrigued by Ayahuasca's alleged power and its potential to save the world as viewers may be, but the tone of the film changes somewhat when we learn that a man has died during a ceremony involving the healing brew. At this point, Ayahuasca becomes something more than just a sacred element used in a ceremony and something potentially controversial.
Degan follows Freeman throughout the film and includes voiceover from his subject, as well as a montage of images from his time in the Amazon, mostly in Iquitos, Peru – cutting wood, camping in the jungle, conversing with tribal men and at one point getting buried alive with a room for his nose to breath – to show us Freeman's experiences and the lengths he will go to stay alive. We get some background into what type of treatment he's previously received, such as electro-convulsive therapy (ECT) and various medications, but what remained a nagging question throughout is how he funded this trip to South America. If it's ever explained, I didn't pick up on it.
During this time in Peru, Freeman is seen shopping around for shamans, relying primarily on word-of-mouth – no GPS, no cell phone or communication with anyone in the States (yet, this is also being filmed, so at no point do we ever fear for the guy). He soon realizes that money of these shaman found in marketplaces are in it for the money and have likely come across Americans looking for what Freeman is looking for.
When Freeman finally takes Ayahuasca "The Last Shaman" shows the mind-bending effects of the plant. Here's where Degan tries out schizophrenic aesthetics, combining natural and artificial noises, narrated vocals and traditional music. These moments are balanced out with more rehearsed bits from back home where Freeman is walking around his college campus or shots of his concerned mother staring out her window. The result is something akin to a film school final project and a reality show, feeling too stylized and staged for it's own good. But this kind of manipulation falls flat when Freeman ultimately throws in the towel and goes home. He's doing all right and he hasn't killed himself. What did he learn from the shamans or shaman though? Some kind of newfound life worth, if I recall correctly. It's never very clear, obviously.
When "The Last Shaman" was over with, I wound up wondering what became of Freeman's favorite shaman, Pepe, who was ostracized from his village for not conforming to his village's more business-related plans (they offer ayahuasca services at a price, apparently), but that's basically where the film leaves his story, opting to follow the more predictable journey of one young white dude searching for answers.
Again, despite his struggles with acute depression, there's every indication that here is someone who wants to live. This counteracts the ultimatum Freeman gives himself and doesn't really consider that viewers will have a hard time connecting or believing in the young man's plight.
RATING: *1/2
← Interview with A QUIET PASSION writer/director Terence Davies
VIOLET (2014) review →
Anita permalink
February 2, 2018 10:12 am
I completely identified with James. Of course you can be suicidal yet also be looking for a cure for the unbearable pain which is your constant companion. After the recent death of my son, I am left wondering how to deal with my loss. The thought of suicide is a comfort, knowing I can find peace this way. But I'm hesitant to put others through the suffering I now experience. I've heard that Ayahuasca can heal grief but this documentary has left me sceptical regarding who I can trust to provide me with this potion. Perhaps smoking DMT would be more practical – I have no idea where I'll get this from either.
So, yes, there are suicidal individuals who consider ways of getting better before throwing in the towel.
Rossana Perez permalink
The death at the ceremony wasn't to leave doubts and controversy of the plant, but to bring AWARENESS to those thinking of doing ayahuasca to be careful with the charlatans and bad practitioner's. Yes, Freeman wanted to live, he wanted to live and FEEL HUMAN this is why he embarked a huge journey to try to live which means he was serious about it (it seems like you really didn't get anything). The director met him when he had already started his journey, so a lot was staged yet showing the reality of this young man. And lastly, who the heck cares if he used his longtime savings or daddy's and mommy's money to travel to Perú? That needs to be mentioned in the film? You don't need to be rich to travel to South America. How he afforded it is not the point. The film has it's questionings, but the overall message it entails is pretty clear, and like art, you interpret it according to your own story.
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text:
BalletBoyz
BalletBoyz are one of the most cheekily original and innovative forces in dance, catch their new show 'Deluxe' at the Theatre Royal Glasgow on Sunday 1st March!
About BalletBoyz
Theatre Royal Glasgow
282 Hope Street, Glasgow City Centre G2 3QA
Visit the event website here
There's a treat in store for Spring; BalletBoyz are back! Get ready to meet Joey, Ben, Harry, Liam, Matt and Will - the six exceptional young dancers who star in this feast of mesmerising and sublime dance, cleverly fused with the BalletBoyz trademark use of film and behind the scenes footage.
Celebrating it's 20th Anniversary with this brand new show, winners of numerous awards in the UK and overseas, BalletBoyz are one of the most cheekily original and innovative forces in dance, thrilling audiences and critics with their distinctive style which blends achingly beautiful dance both exhilarating and graceful, with stunning music and film.
Deluxe features work by some of the world's most exciting and innovative artists, including choreographer Xie Xin, composer Jiang Shao-feng, Punchdrunk's Maxine Doyle and jazz musician and composer Cassie Kinoshi of the Mercury-nominated SEED Ensemble.
While we take every opportunity to ensure the details for BalletBoyz are accurate, we always advise that you contact the event organiser before setting out for the event to avoid disapointment.
Want to be the first to hear about what's happening in Glasgow? Just hit 'Like' on our What's On Glasgow Facebook page, join the What's On Scotland Facebook Group and 'Follow' on our @WhatsOnGlasgow Twitter account and you're all set!
Other Events at Theatre Royal Glasgow
Oor Wullie
21st January 2020 - 25th January 2020
Jings, crivvens! Help ma boab! Don't miss the the awfy braw brand new musical, Oor Wullie, when it comes to the Theatre Royal Glasgow in January 2020!
27th January 2020 - 1st February 2020
God Of Carnage is one of the most successful plays ever in the history of the West End! Don't miss it when it comes to the Theatre Royal Glasgow in January!
Scottish Opera - Nixon In China
18th February 2020 - 22nd February 2020
Inspired by Nixon's much-publicised visit to China in 1972, Scottish Opera's groundbreaking Nixon In China explores the reality behind the hype!
Educating Rita
24th February 2020 - 29th February 2020
Don't miss the 40th anniversary production of Educating Rita, starring Stephen Tompkinson as Frank and introducing Jessica Johnson as Rita, when it comes to the Theatre Royal Glasgow!
3rd March 2020 - 7th March 2020
Dial M for Murder is the definitive seat gripping drama that is not to be missed! Catch it at the Theatre Royal Glasgow in March!
10th March 2020 - 14th March 2020
Following their critically acclaimed sell-out run of Chicago and the hugely successful My Fair Lady, PMOS is back – and larger than life – with the smash hit movie musical blockbuster Shrek!
An Inspector Calls
Stephen Daldry's record breaking and multi-award winning production for the National Theatre of An Inspector Calls is coming to the Theatre Royal Glasgow in March!
Dennis & Gnasher Unleashed: The Musical
31st March 2020 - 4th April 2020
Featuring live music and hilarious pranks this brand new, high-octane, BLAMTASTIC family musical is perfect for pranksters young and old! Catch Dennis & Gnasher Unleashed at the Theatre Royal Glasgow!
7th April 2020 - 11th April 2020
After exhilarating audiences across the world with record breaking, sell-out productions, worldwide cult phenomenon Ghost Stories will thrill Glasgow for the first time ever!
Scottish Opera - A Midsummer Night's Dream
21st April 2020 - 25th April 2020
Four lovers lost in the woods, fairies, magic, comedy and more – all come together in an otherworldly blend of imagination and reality in Scottish Opera's production of A Midsummer Night's Dream!
Scottish Ballet - Swan Lake
29th April 2020 - 2nd May 2020
Lose yourself in the raw intensity of this sleek and unmissable ballet, returning to Scotland after its sell-out 2016 debut!
Seven Drunken Nights - The Story of the Dubliners
Following its sold out smash hit debut tour, Seven Drunken Nights – The Story of The Dubliners returns with an even bigger production, catch it at the Theatre Royal Glasgow on May 4th!
Scottish Opera - The Gondoliers
14th May 2020 - 23rd May 2020
Sunny, funny and with more 'tra la la las' per square inch than any other opera in the canon, Scottish Opera's The Gondoliers is a joy from start to finish!
West Side Story presented by The Pantheon Club
26th May 2020 - 30th May 2020
The Pantheon Club return to the Theatre Royal Glasgow in May with a fantastic production of the award-winning musical West Side Story!
4th June 2020 - 27th June 2020
After nearly a decade since the last sell-out UK tour, Cameron Mackintosh's acclaimed Broadway production Les Misérables will tour the UK and it's coming to Glasgow for the first time!
The Magic of The Beatles
The Magic of The Beatles is one of the UK's leading Beatles tribute shows who play to ecstatic sell-out audiences all over the world, catch them at the Theatre Royal Glasgow on August 27th!
Peppa Pig's Best Day Ever
Prepare for the brand new Peppa Pig live show when it comes to the Theatre Royal Glasgow, packed full of songs, games and laughter, it really is the best day ever for Peppa Pig fans!
Hue and Cry
Following on from the success of their 'Summer Nights at the Bandstand' show, Hue and Cry have announced that they will play Glasgow's legendary Theatre Royal in September!
Scottish Ballet - The Scandal at Mayerling
Reimagined and redesigned by Scottish Ballet, the dramatic world premiere of The Scandal at Mayerling will be the first time MacMillan's iconic ballet is produced in the UK outside of London!
An Evening with The Hairy Bikers
Enjoy a night of cooking and conversation with Si King and Dave Myers better known as The Hairy Bikers at the Theatre Royal Glasgow on November 15th 2020!
23rd November 2020 - 28th November 2020
Multi award-winning Mischief Theatre return on tour with Groan Ups, their brand new comedy all about growing up, catch it at the Theatre Royal Glasgow in November!
6th December 2020 - 26th December 2020
The Commitments is a fantastically feel good celebration of soul, don't miss it when it comes to the Theatre Royal Glasgow in December 2020!
Scottish Ballet - The Nutcracker
6th January 2021 - 16th January 2021
Scottish Ballet's much-loved production of The Nutcracker returns! Catch it at the Theatre Royal Glasgow in January!
23rd February 2021 - 27th February 2021
Direct from London, the acclaimed production of The Lion, the Witch and the Wardrobe is coming to the Theatre Royal Glasgow in February 2021!
Dance Events you might like...
Corinthian Burns Supper
The Corinthian Club, Glasgow City Centre
Celebrate Burns Night in style with a delicious food, whisky cocktails and dancing at the Corinthian's Burns Night celebration!
YCreate - Creative Dance Classes For Ages 1 - 8
Destiny Church Shawlands, Glasgow South Side
YCreate is back with a fresh, new programme for 2020! YDance's fun, creative weekly dance classes for ages 1 – 8 are designed to develop your child's co-ordination, creativity and confidence!
Ballroom Dancing with Phil Kelsall MBE
Pollokshaws Burgh Hall, Glasgow South Side
Blackpool comes to Pollokshaws! Join principal organist of the Blackpool Tower Ballroom Phil Kelsall MBE for a wonderful evening of Ballroom Dancing on January 25th!
Find Dance events in Glasgow
Insane Championship Wrestling Live
The Garage, Glasgow City Centre
Insane Championship Wrestling returns to The Garage with Fight Club, a massive night of over-18s pro wrestling!
SEC Armadillo, Glasgow City Centre
Paul Carrack's live performances are not to be missed! See him live in concert at the SEC Armadillo on January 19th!
Dervish & Special Guests: The Great Irish Songbook
The Glasgow Royal Concert Hall, Glasgow City Centre
The great Sligo-rooted band Dervish continue their 30th anniversary celebrations with a show at Glasgow Royal Concert Hall as part of Celtic Connections 2020!
Find Nights Out events in Glasgow
Theatre Events you might like...
21st Jan 2020 - 25th Jan 2020
Theatre Royal Glasgow, Glasgow City Centre
Leyla Josephine Presents: Archive:Live!
The Hug and Pint, Glasgow West End
Leyla Josephine Presents Archive:Live! a cosy, intimate and legendary night at The Hug & Pint to warm up those January blues!
Jamie MacDougall: Lauder
Tron Theatre, Glasgow City Centre
Leading Scottish tenor Jamie MacDougall reprises his hit one-man show, celebrating 150 years since Sir Harry Lauder's birth and featuring many of his best-loved songs!
Find Theatre events in Glasgow
Find other events in Glasgow
Nerf War Carnival
With six themed arenas and six further incredible attractions the Nerf War Carnival at the SEC Glasgow will be an unmissable family event!
Billionaire Boy
From the award-winning West End producers of Gangsta Granny and Awful Auntie comes the amazing new production of David Walliams' best-selling story to the King's Theatre Glasgow!
Glasgow Central Station Tours
Glasgow Central Tours offer you the chance to explore behind the scenes of Glasgow's most iconic and busiest landmarks, Central Station!
Ceilidh in the Courtyard
Do you know your Dashing White Sergeant from your Eightsome Reel? Princes Square will be holding a FREE family ceilidh to celebrate Burns Day on 25th January and everyone's invited!
Peppa Pig - My First Concert
Peppa and her family invite you on a musical journey at their first classical concert at Glasgow Royal Concert Hall this February!
King's Theatre Glasgow Theatre Royal Glasgow The Pavilion Theatre Glasgow The Glasgow Royal Concert Hall The SSE Hydro
About What's On Glasgow
We pride ourselves on keeping you up to date on events in Glasgow taking place throughout the year. From the latest theatre events and live music performances to local activities and fantastic attractions, we keep you up to date daily!
© What's On Network 2011 - 2020 | Your essential guide to what's on in Glasgow!


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Afghanistan Bangladesh china India indonesia Malaysia north korea
Myanmar corrects state media report on U.N. 'agreement' to help house refugees
Xuseen Axmed	 Oct 28, 2017
NAYPYITAW (Reuters) - A Myanmar state-run newspaper on Saturday corrected a report that a U.N. settlement programme, UN-Habitat, had agreed to help build housing for people fleeing violence in the west of the country, where an army…
UPDATE 1-Myanmar to charge journalists on assignment for Turkish state TV- officials
By Shoon Naing and Wa Lone NAYPYITAW/YANGON, Oct 28 (Reuters) - Myanmar police said on Saturday they were preparing to charge journalists working for Turkey's state broadcaster TRT, their local interpreter and driver for bringing a drone…
Myanmar, Bangladesh agree to cooperate on Rohingya refugee repatriation
By Shoon Naing NAYPYITAW (Reuters) - Myanmar and Bangladesh on Tuesday agreed to cooperate on the repatriation of Rohingya refugees and took steps to boost border security as relations between the neighbours have been strained by the…
Fire destroys landmark hotel in Myanmar's largest city
YANGON, Oct 19 (Reuters) - One person was injured in a massive fire that destroyed one of Yangon's best-known hotels on Thursday, sending clouds of dark smoke billowing over the centre of Myanmar's largest city and triggering an hours-long…
Myanmar takes first step to ease Buddhist-Muslim tension
A A warsame	 Oct 10, 2017
By Shoon Naing YANGON, Oct 10 (Reuters) - Myanmar on Tuesday launched its first bid to improve relations between Buddhists and Muslims since an eruption of deadly violence in August inflamed communal tension and triggered an exodus of some…
Myanmar Rohingya Face "Textbook Example of Ethnic Cleansing"
A A warsame	 Sep 13, 2017
By Tharanga Yakupitiyage--Rohingya refugees arriving on a beach in the Teknaf area on fishing boats. The voyage from northern Rakhine state took five hours in rough waters in the Bay of Bengal during the monsoon season. Most were…


In order to send docs over Snapdocs, you first have to upload them to your order. There are a number of different ways you can upload docs in Snapdocs.
3) Have them be automatically sent over when they are pushed over from Resware.
*Please note: docs will only be sent automatically if docs are set to be automatically sent when the client is finished uploading them, if a notary has been assigned to the order, and if no docs have already been sent to the notary.


text:
Vienna 1900 - The Pernerstorfer Circle | Close Window |
Critique of Liberalism | Socialism | Nationalism
Dionysus | Vegetarianism | Spiritualism
Spiritualism and the Occult
There is not a great deal of documentation to be found regarding this particular topic, but there are hints that experiments in occult practices such as seances were of interest to Mahler, Lipiner, and Kralik at least.
Lipiner was probably influenced in this regard by his studies in philosophy with Gustav Theodor Fechner, one of the founders of experimental psychology who also had interests in the metaphysical direction -- as evidenced the his book title Über das Seelenleben der Pflanzen (Of the Spiritual Life of Plants). [See his entry in the catalog of the Bryn Mawr Serendip online exhibition Mind and Body: Rene Descartes to William James.]
Kralik noted in his memoirs that "[Lipiner] and an even more mystically inclined friend led me into the seances of a spiritualist where we observed some writing mediums." He said that "We also read the chief works of this movement, but did not find ourselves inclined to pursue these questionable attempts further."
However, Mahler appears to have maintained at least some degree of interest in the topic. In her memoirs, Alma Mahler relates an occasion while they were living in New York where they attended a seance and provides this description of her explorations (this is in 1911)...
I saw a lot of a young American woman who tried to imbue me with the occult. She lent me books by Leadbeater and Mrs. Besant. I always went straight to Mahler the moment she left and repeated word for word all she had said. It was something new in those days and he was interested. We started shutting our eyes to see what colours we could see. We practiced this -- and many other rites ordained by occultists--so zealously that Gucki [the youngest daughter] was once discovered walking up and down the room with her eyes shut. When we asked her what she was doing, she replied: "I'm looking for green." (from Alma Mahler's Gustav Mahler: Memories and Letters)
Despite Alma Mahler's disclaimer, it is clear from the history of the Circle that the occult was not merely "new" to Mahler in 1911.


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Campus Master Plan
Sheridan has initiated an exciting process to develop a bold, innovative and comprehensive Campus Master Plan that will provide a road map to transform our built environment over the next 30 years.
The Plan will provide Sheridan students, faculty and staff with inspiring places to learn, teach, work, foster wellness, collaborate and innovate while also building stronger connections to our local communities.
The focus of the Plan will be on the quality of place each campus offers, and on creating more attractive, user-friendly and inclusive built and natural environments with an emphasis on sustainability and wellness. The plan will ensure that Sheridan's physical resources and campus settings support the institution's vision, mission and goals as expressed in the Sheridan 2024 Strategic Plan.
Drawing closely on feedback from our internal and external communities, we are well on our way to shaping the long-term vision for Sheridan's campuses. The 30-Year Draft Vision documents are now available for our community to review. Look out for further opportunities to engage the Campus Master Plan team and provide your input.
The Planning Team
Sheridan has engaged a multi-disciplinary consulting team, led by Urban Strategies Inc., to direct the Campus Master Plan and related engagement process. Urban Strategies has led some of the most significant campus master plans in southern Ontario, including the University of Guelph and Brock University, as well as directed campus plans for Cornell University, Princeton University, and Simon Fraser University.
The project launched in Spring 2019 and will be a 14-month process, with completion of the new Sheridan Campus Master Plan targeted for May 2020. Through this time period, input will be actively sought from our internal and external communities, through stakeholder interviews, focus groups and workshops, online surveys, and open houses on each campus.
Project Timeline PDF
Campus Master Plan Open Houses
Thank you to all who attended our first round of Campus Master Plan Open Houses!
Additional open houses are planned for April 14-16, 2020, providing our community with additional opportunities to speak with the Campus Master Plan team and provide their feedback on the draft 30-Year Vision. Stay tuned for details!
Q. What is a Campus Master Plan?
A. Campus Master Plan sets the long-term vision, parameters, policies and directionsfor the physical development of a campus – its buildings, landscapes and public spaces,movement systems and general infrastructure. The plan ensures that new campus infrastructure fits within the overall plan and makes the best use of limited land resources, aligns with plans for supporting infrastructure, meets the functional needs of the institution and respects Sheridan's architectural heritage.
Q. Why is Sheridan developing a new Campus Master Plan?
A. Sheridan has seen extensive growth since its establishment in 1967. A new vision is needed to guide and manage future campus growth over the coming decades, and to pave the way for Sheridan to continue evolving as a competitive, innovative and creative learning environment.
Q. How long will the Campus Master Plan process take?
A. The Campus Master Plan is intended to be developed over a 14-month period, with final approval targeted for May 2020. For more information, please visit the Process section.
Q. What will the project consider?
A. The Master Plan will consider the growth of each campus, broad patterns of development and opportunities to organize each campus over the short, medium and long term to ensure an innovative, collaborative, and wellness-focused setting to support not only our academic mission and strategic plan, but the overall student experience and quality of campus life. Other key elements will include fostering connections between our campuses and the surrounding communities, and supporting long-term fiscal sustainability.
Q. Who can I contact for more information?
All inquiries can be e-mailed to: cmpinfo@sheridancollege.ca


After the M7 Power, Gionee looks set to launch another mid-range smartphone in India in the form of the S11. A report by Techook claims that the S11, which comes with four cameras, 6GB of RAM and a bezel-less design, will arrive on Indian shores in January 2018.
Gionee is betting big on the bezel-less mania that has enveloped smartphones these days. Gionee showcased the S11 along with the M7 Plus, S11s and four other bezel-less smartphones at an even in Shenzhen, China last month.
Gionee plans to make a big dent in the mid-range segment in India with the S11 which according to the report will be priced below Rs 20,000. The S11 has a glass and metal design with a dual camera setup on the front as well as the back. The frame of the phone is made out of stainless steel which Gionee claims is 27 per cent harder than aluminium.
The Gionee S11 is powered by the MediaTek Helio P23 processor clocked at 2.3 GHz paired with 4GB of RAM and a sizeable 3,410mAh battery. The phone comes with 64GB of storage on board which can be expanded via a microSD card (of up to 128GB).
One of the biggest highlights of the S11 (save for the quad camera setup) is its 5.99-inch display that flows from one edge to the other. It has a tall 18:9 aspect ratio and a resolution of 2160×1080 (FullHD+). The smartphone runs on Android 7.1 Nougat with Gionee's custom Amigo OS on top.
The S11's piece de resistance is its camera setup. The smartphone comes with a dual camera setup on the front as well as the back. There is a 16+5MP dual camera setup on the back as well as a 16+5MP dual camera setup on the front. The front and rear cameras also come with advanced beautification features.