In Rules for Radicals, Saul Alinsky speaks at length about the nature of power. He discusses various instances of creating leverage, thus creating power.
One of his central tenets is the idea of not waiting for permission. In the struggle of radicals of any stripe, it's almost a given that the establishment will be resistant to surrendering any of their power. Those who want to change the world and those who actually do are divided by their level of inventiveness. In every situation, Alinsky argues, there's a fulcrum point that you can leverage to gain traction, and eventually control.
One of the easiest leverage points in contemporary society is money, and often it becomes conflated with power itself. Money is a tool to gain leverage, for certain, but it's a double-edged sword.
If you depend solely on that money for power, if a boycott, taxes or bad business practices drain your supply, you'll be stuck up a creek. Money is a tool of exchange and a system of valuation; a single form of currency. Rather than focusing on the sense of dollars, the real innovators of the world focus on the concept of currency as a whole and utilize its complex ecosystem to leverage their success.
Those in the creative sphere are all too familiar with the concept of being "paid in exposure." The idea that in the dizzying 24-hour information cycle we live in, that a glimmer of exposure acts as a flare, guiding your proverbial ship into your harbor.
This is, of course, a myth, and horror stories or twitter accounts like @forexposure_txt lay bare the assumptions made about the creative class. However, myths are often founded on facts, and notoriety can be great currency, just not something that can put food on the table. When you're trying to change the world, it's important to stay hungry on all fronts. Working for exposure is rightly lampooned as a joke, but be aware that you're always working for exposure.
The way you comport yourself professionally and publicly will directly impact your exposure bank account. There is no such thing as working for free, and knowing this can free you to utilize time, your most important currency, to make smart investments. Being proactive and choosing your investments doesn't put food on the table immediately, certainly, but it does help speed the process. Creating or working for a cause or idea you believe in is an amazing way to sharpen your skill set, make connections and yes, get some spotlight action.
Never put all your eggs in one basket, and balance your time accordingly. It may feel great to volunteer, but if expenses are dictating another reality, diversify your time portfolio. On the reverse of this coin, never give up the passion projects, and always make time for what fuels your fire. Paying bills and accumulating a bit of financial freedom is great, but it's simply a means to an end, another tool in your belt. Being time-rich isn't very fulfilling unto itself, and ultimately, neither is popping bands to the exclusion of everything else. There's more to the picture than making it rain.
Personal branding is a popular topic addressed in entrepreneurship and new agey self-improvement alike, but at its core, it's simply another form of currency. Your social standing can open doors, and your professional and personal networks can be the stilts that allow you to reach the highest of goals. Making a point of paying favors forward is another great way to invest. Surrounding yourself with supportive and positive individuals does more than provide a drum circle; it's a force-multiplier, another form of currency, that will allow you to leverage situations to their most advantageous outcome.
It's difficult to talk about money or currency without referring to time, and it's commonly accepted wisdom that time is money. In fact, it's the most important commodity you have at your disposal. As you invest it, you can turn it into actual dollars, social currency, a killer bod or a new skill set. Having more actual money allows you to follow your passion projects, but chasing the dragon's tail of a fat bank account will likely leave your bankrupt in so many other respects. While it's easy to make a budget based on categories with dollars, it's nearly impossible to do so with time and everything else on the ledger that adds up to you.
If something is worth doing, it's worth doing right, especially the near-impossible. Sometimes it can be made easier, but you have to crack the code. There's always a new way to do things, and as the recent advent of cryptocurrency proves, new methods and technologies are inherently disruptive. You either adapt and learn the new rules of a new currency, or you end up in the poor house. Disruption is the ultimate opportunity, the perfect time to create leverage and establish some power in a new situation. The key is to never wait for permission, to always be looking for the chinks in the armor of business-as-usual. If you dig deep enough, you'll strike gold, and find a new way to get your personal ledger well into the black.
This entry was posted in Generous Pour, Life, Strategy and tagged business, creative career, freelance, money, projects, success. Bookmark the permalink.


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Tribal War Records was a punk rock record label formed in 1991 in New York City by ex-Nausea singer, Neil Robinson. The label operated out of Brooklyn, New York until relocating to Portland, Oregon in 1997. The label released recordings by the notable punk bands such as the anarchist band Aus-Rotten, The Casualties, DIRT, and Oi Polloi among others. In addition to the label's own roster, the label also worked as a touring distro, distributing works by other punk bands, labels, and presses, such as Ak Press and Profane Existence.

Roster
 2000 Ds
 Anti-Product
 Age
 Aus-Rotten
 Avail
 Axiom
 Behind Enemy Lines
 The Casualties
 Coltus
 Confrontation
 Contravene
 Cress
 DIRT
 Dom Dar
 Final Massacre
 Final Warning
 Godless
 Harum-Scarum
 Hellkrusher
 Hellsister
 The Hysterics
 In Anger
 Kochise
 The Krays
 Mankind?
 Monument To Ruins
 Murdered Minority
 Oi Polloi
 Power of Idea
 Recharge
 Resist and Exist
 Riot/Clone
 Sarcasm
 Social Outkast
 Stracony
 TDF
 Thought Crime
 Union
 Wardance Orange
 Warning

References

External links
  Label page at Discogs
  Label page at Musicbrainz

American independent record labels
Record labels established in 1991
Punk record labels
Hardcore record labels
Entertainment companies based in New York City
Companies based in Portland, Oregon

redpajama_set_name: RedPajamaWikipedia


The Haunted Castle is a location in Fortnite: Battle Royale introduced with the Season 6 update. It is located in the hills directly east of the location Haunted Hills; in order to access it, players will need to build.
The Haunted Castle is surrounded somewhat by a low wall, with multiple towers. Inside each tower top there is a chance for a chest. The West towers extend down the mountain for a large distance, and digging down will often reveal a chest or two. The stairs lead to a central room, but players can descend one level lower to find several alcoves with abandoned coffins. Though torches line the interior, there are patches of fog at various spots.
With the Season 7 update, the castle appears to be very run down, and looks like it's falling apart.


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James Otis Kaler
(Redirected from James Otis)
James Otis Kaler (March 19, 1848 — December 11, 1912) was an American writer. Kaler was born and died in Maine. He wrote many, many books for children (mostly boys) using the pen name James Otis. His first book Toby Tyler is his best known book. It was made into the Walt Disney movie Toby Tyler in 1960.
Works by or about James Otis Kaler in libraries (WorldCat catalog)
Works by James Otis at Internet Archive (original edition scanned books illustrated color)
Original edition scanned books with illustrations at Google Books
Works by James Otis at Project Gutenberg (plain text and HTML)
James Otis (Kaler), a site devoted to Kaler and his work
Retrieved from "https://wiki.kidzsearch.com/w/index.php?title=James_Otis_Kaler&oldid=4854979"
People from Maine
American writers
This page was last changed on 29 July 2014, at 12:38.

redpajama_set_name: RedPajamaCommonCrawl


Staying in a hotel or private accommodation is associated with contracting and carrying home drug-resistant bacteria in travelers to low and/or middle-income countries (LMICs), according to new research being presented at this year's European Congress of Clinical Microbiology & Infectious Diseases (ECCMID) in Amsterdam, Netherlands (April 13-16).
Since its implementation in 2009, the National Australian Hand Hygiene Initiative (NHHI) has seen significant, sustained improvements in hand hygiene compliance among Australian healthcare workers, and reduced risks of potentially fatal healthcare-associated Staphylococcus aureus infection, according to new research being presented at this year's European Congress of Clinical Microbiology & Infectious Diseases (ECCMID) in Amsterdam.
Healthcare workers on intensive care units (ICUs) are regularly missing opportunities to clean their hands during the care of patients, despite its critical importance for infection control, according to new research being presented at this year's European Congress of Clinical Microbiology & Infectious Diseases (ECCMID) in Amsterdam, Netherlands (April 13-16).


Dr. A. P. J. Abdul Kalam, former President of India has opined that the best method for preventing disease is Ayurveda because it is comprehensive system based on natural medicine which is devoid of toxicity. Though medical technology is advancing rapidly, people are affected by diseases and the cost of healthcare is increasing. Our aim for good health must be Prevention first rather the necessity for heart disease is Primordial prevention .Acharyas mentioned Garbhini paricharya month wise, also they explained formation of various organs in 9 months. Generally heart is formed in 4th month and Acharyas has mentioned Navneet in Aksha matra for that month. It means that Navneet (of cow's milk) made by traditional method must be helpful in formation of Heart. It is obvious that food good for any organ must be helpful for prevention of diseases of that organ. Also Navneet that beloved fatty staple has been slowly welcomed back in to Americans diet & a new study find that it is not as bad for our arteries as once believed. This study mainly focus on properties of Navneet and causes of Hriday roga in various samhitas.


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VW Made a New Harlequin Car to Brighten Up Everyone's 2021
We're not even three weeks into the year and this colorful VW is already a welcome mood booster.
byJames Gilboy| PUBLISHED Jan 19, 2021 5:30 PM
James GilboyView james gilboy's Articles
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jamesgilboy
Gone are the days of cars painted actual colors. Today, car buyers overwhelmingly favor grayscale, rather than eye-catching shades like blue, red, teal, or yellow. Or, as was the case with the short-lived Volkswagen Harlequin models, all of the above. Clearly sensing that the gloom of 2020 didn't bow out like the calendar year did, Volkswagen decided to lift the world's spirits by bringing back its most colorful of classics—that famed Harlequin.
This Monday, which was widely (and erroneously) reported to be the saddest day of the year, Volkswagen revealed a new Polo Harlequin concept, whose paint scheme it inherited from the 1995 original. Consisting of Chagall Blue, Ginster Yellow, Pistachio Green and Tornado Red, this palette originally appeared in a 1964 Beetle ad, which touted the car's serviceability with body panels in numerous colors.
VW referenced this classic ad in 1995 when it debuted a multicolored Harlequin concept for the then-new third-generation Polo. Though originally slated for only a small production run, the Polo Harlequin ended up selling some 3,100 units in four color schemes, all of which shared the same four base colors. In 1996, Harlequins also briefly made their way to North America, where a run of some 264 Golf Harlequins was sold—almost half of which were still on the road as of 2019.
This new Harlequin, however, won't see much road use, as it's merely a one-off tribute to the Polo Harlequin of yore. In all likelihood, it's heading to a company museum somewhere in The Netherlands, where it was built.
At least VW was kind enough to let the new Harlequin put on a show before it wheeled it back off stage.
Got a tip? Send us a note: tips@thedrive.com
News by BrandVolkswagen News


Pat first came to the Hamptons in the '80s full time from a textile career in New York and when she moved here full-time, Pat channeled the marketing, design and negotiating skills she acquired in her successful career in the garment center into her passion for the real estate market. Now, she works with all kinds of clients helping put together the pieces of their unique puzzles, whether that means downsizing or upsizing, buying or selling, for everyone from Hamptons locals to household names from all walks of life. She consistently places in the elite group of the top Agents in the Hamptons as well as being respected for her ethics by her peers in the real estate community.
Pat takes pride in the relationships she forms with her clients, many who have become repeat customers and friends. She has other interests too; she loves her tranquil reserve view home in Southampton.
She likes to design, exercise and garden; she also paints the beautiful Hamptons countryside when she has a second. But real estate is her passion. "I like to do the things I'm good at," she says. "And fortunately, I am good at this".
8 Beds / 14.5 Baths / 12,000 Sq. Ft.
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3 Beds / 2 Baths / 1,400 Sq. Ft.
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8 Beds / 10.5 Baths / 16,225 Sq. Ft.
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5 Beds / 5.5 Baths / 5,600 Sq. Ft.
9 Beds / 7.5 Baths / 6,000 Sq. Ft.
118 Water Mill Towd Rd.
6 Beds / 7.5 Baths / 5,410 Sq. Ft.
5 Beds / 4 Baths / 2,800 Sq. Ft.
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5 Beds / 3 Baths / 3,000 Sq. Ft.
5 Beds / 5.5 Baths / 3,800 Sq. Ft.
7 Beds / 8.5 Baths / 7,095 Sq. Ft.
6 Beds / 6.5 Baths / 5,000 Sq. Ft.
4 Beds / 3.5 Baths / 2,400 Sq. Ft.
4 Beds / 3.5 Baths / 3,500 Sq. Ft.
4 Beds / 2.5 Baths / 2,500 Sq. Ft.
5 Beds / 5.5 Baths / 4,000 Sq. Ft.
3 Beds / 3.5 Baths / 3,400 Sq. Ft.
4 Beds / 4.5 Baths / 3,400 Sq. Ft.
4 Beds / 3 Baths / 2,000 Sq. Ft.
5 Beds / 5.5 Baths / 4,700 Sq. Ft.
8 Beds / 8.5 Baths / 8,000 Sq. Ft.
6 Beds / 8.5 Baths / 6,200 Sq. Ft.
3 Beds / 3 Baths / 2,000 Sq. Ft.
4 Beds / 3.5 Baths / 3,800 Sq. Ft.
5 Beds / 2.5 Baths / 2,240 Sq. Ft.
4 Beds / 5.5 Baths / 3,500 Sq. Ft.
4 Beds / 3.5 Baths / 2,700 Sq. Ft.
4 Beds / 4 Baths / 3,500 Sq. Ft.
3 Beds / 3 Baths / 2,100 Sq. Ft.
6 Beds / 6 Baths / 5,000 Sq. Ft.
3 Beds / 2 Baths / 1,650 Sq. Ft.
4 Beds / 4 Baths / 3,460 Sq. Ft.
4 Beds / 4.5 Baths / 3,850 Sq. Ft.
5 Beds / 4 Baths / 4,000 Sq. Ft.
6 Beds / 7.5 Baths / 7,000 Sq. Ft.
6 Beds / 8.5 Baths / 6,516 Sq. Ft.
3 Beds / 2.5 Baths / 1,800 Sq. Ft.
3 Beds / 2.5 Baths / 2,300 Sq. Ft.
5 Beds / 3.5 Baths / 3,600 Sq. Ft.
3 Beds / 3.5 Baths / 2,658 Sq. Ft.
4 Beds / 2 Baths / 2,400 Sq. Ft.
6 Beds / 3 Baths / 1,500 Sq. Ft.
6 Beds / 4 Baths / 2,513 Sq. Ft.
I am a real estate attorney in Manhattan and I have worked with hundreds of real estate brokers over my decades long career. Pat Garrity is one of the most outstanding I have met. I feel lucky that a friend recommended her to me when I decided to purchase in South Hampton. I did not have the in depth knowledge of the market so I needed someone I could trust and who could guide me in my search.
Pat has helped my family rent, buy, and sell homes for 15+ years. Working with Pat is an absolute pleasure. She is so knowledgeable - she knows every single street and neighborhood in the hamptons, even down to the house number. This knowledge only comes from her years of experience being in the business. She seems to know every broker, and has a wonderful relationship with them and reputation.
Knowledgeable, insightful and detail oriented, Pat has the highest sense of integrity and responsibility coupled with great wit. always responsive and proactive to her clients' needs. Will undoubtedly use her services again.
We've known Pat since 2002 and have done several transactions (2002 & 2015) with her since that time. She is patient, knowledgeable, resourceful and knows the market intimately. She is someone we would recommend without reservation.
Pat has GREAT INTEGRITY. She is savvy, seasoned, listens to your needs, has excellent follow up and produces results. I couldn't ask for a more professional realtor. She is ABSOLUTELY THE BEST!


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The economy produced 223,000 new jobs during May
Black unemployment dropped to a record low last month
06/01/2018 | ConsumerAffairs | Job Market Trends
The nation's economy produced 223,000 new jobs in May, as the unemployment rate among African Americans fell to the lowest level since the Bureau of Labor Statistics began tracking that number in 1972.
The overall unemployment rate dipped to 3.8 percent. Broken down demographically, the jobless rates for adult men was 3.5 percent; among African Americans it was 5.9 percent, and among Asians it was 2.1 percent. All were improvements from the previous month.
The jobless rates for adult women (3.3 percent), teenagers (12.8 percent), whites (3.5 percent), and Hispanics (4.9 percent), were little changed from April.
Retail remains strong
Some of the biggest job gains came in retail, which added 31,000 jobs. Retail stores have added 125,000 new jobs so far in 2018.
People also found work in the health care sector during the month. Employment grew by 29,000, in line with expectations. Health care has been adding about the same number of jobs over the last several months.
Employment in construction continued its upward trend, adding 25,000 jobs last month. The construction industry has added 286,000 jobs over the last 12 months.
There were also strong gains in professional and technical services, as well as transportation and warehousing, and manufacturing. Factories added 18,000 jobs in May, with plants producing big-ticket durable goods accounting for the lion's share of the increase.
Earnings rise
Workers earned a little more for their efforts, in line with forecasts. In May, average hourly earnings for all employees on private nonfarm payrolls rose by 8 cents, to $26.92. On a year-over-year basis, average hourly earnings have increased by 71 cents, or 2.7 percent.
Government economists revised March's job creation to 155,000, an increase from 135,000. April, however, was revised downward from 164,000 to 159,000. The economy has produced an average of 179,000 new jobs per month over the last three months.
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Browsing Topic: Job Market Trends
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There's never been a better time to look for a job
Economy added 201,000 jobs in August
White House unveils job training initiative
Americans are quitting their jobs at fastest rate since 2001
Unemployment rate rises to 4 percent in June
Unemployment drops to 3.9 percent in April
The economy produced fewer jobs in March


To help a broken heart mend.
When I'm worried about tomorrow.
Matthew 19:26 Jesus looked at them and said, "With man this is impossible; but with God all things are possible."
Beautiful..if we are blessed to have a friend like this, then we are blessed beyond measure! Awesome poem!
This is so good and the kind of friend I pray that I can be. We all need this kind of friend and I am so Blessed to have more than one.
Debbie, your poem was pure in thought and tenderness !!


CNET también está disponible en español. Don't show this again. At the time of its launch back in 2005, the Xda IIi was a feature-packed, cutting-edge handset that appealed to businessmen and gadget fiends alike. Two years on and we're not sure if the Argon has the same wow factor. Yes, there's a large 89mm (3.5-inch) colour touchscreen, Wi-Fi connectivity and support for push email, but there's still no 3G and relative to some other smart phones, the 2-megapixel camera is below par. We're also disappointed that it runs Window Mobile 5.0 and not Microsoft's latest version of its mobile OS, Windows Mobile 6.0.
For example, it is creating a Compatibility iphone case compatibility Test Suite for handset manufacturers that evaluates a range of factors to ensure they are compatible with the Android platform, Only devices that pass this test will be allowed access to Android Market, I like to think that the releases of Android will slow down somewhat now, as the core functions and APIs have already been given to developers, Down the road, I expect the focus to shift from what can be added to Android to how the aesthetics can be improved, The new photo gallery from Cooliris on the Nexus One is an example, but anyone with a stock Android handset will tell you that the music player could use some of the same attention, Adding gradients, shading, and an overall polish can go a long way to swaying potential customers, Android could look as beautiful as any other platform out there, including that of the iPhone and the Palm Pre..
For more about switching from iOS to Android, check out our how-to article with tips and tricks. Google recently announced Android P, its next major update. Apple will likely release its first developer version of the next iOS at the Worldwide Developer Conference (WWDC) next week. The Pixel 2 has a single rear camera compared to the dual-rear cameras on the iPhone X. Both phones are capable of capturing fantastic photos and videos. Yet, to my eye, the Pixel 2 takes better photos than the iPhone X.
While the phone's bulk, heft, grip, and hardiness show "rugged" is the name of the game, we did manage to crack the Gorilla Glass screen, We don't hold this against Sonim, not too much, anyway, The company promised ruggedness, not indestructibility, and we were purposely chucking the handset at a concrete surface (read the Durability section for more), It's just a good thing the phone comes with a three-year warranty, You'll have to pay a pretty penny for all that protection, The Force costs $499 without a contract and will be available in the third week of March through Sonim's Web site and through iphone case compatibility its distributor, Quality One..
With the Z4 Coupe's positive response, it will probably not suffer the limited production run of the Z3 Coupe, BMW's earlier attempt to slap a hardtop onto a roadster. BMW produced only 11,000 of the Z3 Coupe. Although I like the looks of the Z3 Coupe a lot, I understand that I'm in a minority. BMW at one time attributed the development of the Z3 Coupe to a group of rogue designers who built the thing in a barn. Z3 Coupe fans assert that putting a hardtop on the already top-handling roadster stiffened the body, making it BMW's best handling car ever. We'll see if the Z4 Coupe gets the same reputation. It certainly isn't suffering any criticism for its design.


Handy hux is the name of that particular blog and also very creative blog. If you want to gain some extra knowledge you must read that particular blog and you do not has any regret regarding to that blog. Because its having very great knowledge and also used some good word in that blog by writer. Friends you can visit http://www.analyzedu.com/writing-services-reviews/usessaywriters-com-review.html as well for more details.
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Maintain an orderly worship atmosphere in God's house for a positive Christian experience.
Recruit and train ushers to exhibit excellence at all levels.
Develop leaders which promote high productivity and professionalism in the Usher ministry.


Liberty and Riots: Magna Carta in Ireland.
Magna Carta is the most famous of medieval documents and the story behind it a fascinating. Forged amidst a civil war in England some people even claim it is the cornerstone of modern democracy.
This podcast looks at the brutal reign of King John which led to Magna Carta being written, before looking at its impact in Ireland. The show concludes with why I think its over rated and perhaps why medieval riots are as important. This podcast is based on research for a discussion I participated in on RTE history show. You can hear that show here.


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Emily Windsnap and the Land of the Midnight Sun
Liz Kessler
Strange storms are blowing up from the ocean, caused by the nightmares of Neptune, King of the Sea. Convinced that his dreams herald an approaching threat, Neptune enlists half-mermaids Emily Windsnap and Aaron for a top-secret mission to find and eliminate the source of the trouble. But Emily and Aaron quickly get in over their heads in the frigid waters of the frozen north. Deep within an alpine lake where magical reflections show what could be rather than what is, the two discover a trove of stolen memories and Neptune's darkest secret. Double-crosses and double-takes abound in Liz Kessler's fifth magical mermaid adventure.
Frozen Mermaids!
Emily is back in this fifth installment, which jumps right into the story-- there are horrible storms arising, and they are caused by Neptune's nightmares. Emily and her friend Aaron (who are both semi-Mer, which means that they can exist both above and below water) head up to Alaska to try to find out what is going on. It turns out that Neptune has a twin brother, Njord, with whom he fought. Njord has been frozen and immobile for years, but once he is unfrozen, things start to heat up. Njord is angry at Neptune, and wants to get back at him. When Neptune once again fools around with memories, letting the narwhal take those from many of the main characters, Njord sees this as an opportunity to strike. Will Njord be able to take over Neptune's kingdom?
I liked how this book picked right up and didn't spend a lot of time rehashing previous books, but would mention any information that might need to be refreshed as the book was progressing. This made the adventure continue unimpeded, and made the book a real page turner. There were a lot of good magical details (I like the memory bubbles especially), and some middle grade friend drama with Emily's friend Shona. This was a fun, quick read, and will be a pleasant surprise for fans of the series.
Karen Yingling, Staff Reviewer Top 10 Reviewer 1247 reviews
Beth Rodgers, Staff Reviewer
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"As a girl, Vi suffered various forms of torture from her mom and she was the equivalent to a lab..."
The Lost Prince (The Nihryst Book 2)
"THE LOST PRINCE opens up where the first one left off. Ada is with Lee searching for a cure to..."
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Marie Schmidt
"This book literally starts out with a bang as multiple meteorites strike cities across the earth at the same time,..."
The Runaway (Barrett Boys #1)
"Annie lives in a small town where everyone knows everything about each other. She is usually the subject of the..."
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Michelle Lynn, Assistant Indie Manager
"A cute story. The story: My High School Rebel Boyfriend stars a high school senior, Harper,..."
Daughter of Darkness
"Definitely a book that's worth a read. The Story: Kenna wants to be able..."
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Cindy Ray Hale, Staff Reviewer
"This beautiful story is highly enjoyable. The writing flows easily, and the characters feel relatable. The main conflict was interesting..."
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"An intriguing tale of forbidden love as two young lovers fight to stay together. Well written and entertaining. ..."
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"The story: When Emmitt's twin sister Minnie dies in a tragic accident, it cripples not only him..."
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"Oh the feels this book gave me. Davi's officially back but still not really? His memories are all over the..."
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"This second entry was good, well technically fifth. I am really glad that the story picked up right after the..."
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"Set in a Greek/Roman era, where not only one but three worlds are colliding, Arianna is a human girl who..."
"'My High School Rebel Boyfriend' by Kylie Key follows main characters Harper and Mitchell as they have to find a..."
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Becky Dean
"This superhero tale is a lot of fun, with likeable characters, lots of action, and a thread of faith that..."
The Skeleton Tree
Fenway Fever
The Sneeze and Other Stories (Annie and Simon)
Lights, Camera, Fashion! (Sew Zoey #3)
Putting the Monkeys to Bed
I Hate Bullies!
Let's Count to 100!
Bridesmaid Blitz (Ask Amy Green #3)
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Room for the Baby
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The Silver Donkey


This fall, the most endangered salmon on earth is giving us another chance to save it from extinction.
Snake River sockeye salmon are small as salmon go, with a blue sheen when they leave the Pacific Ocean. That sheen has burnt bright red 850 miles and two months later by the time they reach their beds in Idaho's mountains. The bed is Redfish Lake, 7,000 feet high in the Sawtooth Peaks, once colored red every year by the radiance of 30,000 sockeye.
No more. Last year, four red fish returned to the lake. In 2006, three fish made the trip; in 2005, six; and in 1992, one fish returned. Then-Idaho Gov. Cecil Andrus dubbed him "Lonesome Larry," and lured the attention of the networks by displaying it in the Idaho Capitol. He saw it as the symbol of a choice. Would the government change operations at its salmon-killing dams downstream on the Snake and Columbia rivers, so sockeye could survive? The answer, then and now, was "no." But Andrus still won something -- a life-support long shot.
Now, thanks to what the fish have made of that long shot, we have another chance to save some endangered salmon.
This September, Idaho's Fish and Game Department released 1,000 adult sockeye into Redfish Lake -- more than the lake has held in 50 years. They exist, thanks to an elaborate and costly emergency-room program that has husbanded every egg and bit of sperm for the last 15 years from the few sockeye returned from the sea. Biologists and technicians then applied virtuoso technique to these indomitable genes to rear fish in captivity.
The program is laced with paradox. Each year, the emergency room spends millions to hatch, husband and release young sockeye from remnant genes. Each year, the Army Corps of Engineers also spends tens of millions of dollars to kill nearly all of them at eight dams athwart their migration to the ocean. And each year, the good food and good living once produced by the salmon economy shrink. Of course, every year we pay for it all -- the careful and innovative husbandry, the killing -- so that the bill has amounted to $10 billion since 1992, and counting.
When rivers are so maimed as to endanger their most valuable fish, the surest remedy and best investment is to try to restore them. It's being done all over, giving river people, towns and farmers new life in their waters and extra money in their pockets. Many win-wins -- natural, human and financial -- can be built on a healthy river. This positive approach is missing from federal policy in the Columbia and Snake rivers. Programs like the emergency-room release of 1,000 fish are more like bridges to nowhere without the biological and economic context of a river that is getting healthy.
A salmon is the most present of creatures. But the species is a wheel, with death making birth, making death, making birth… The sockeye that slipped into Redfish Lake last month are now dying, but their offspring will go to the ocean in 2010. In 2012, the survivors will return as adults, and in 2014, their offspring will go to the ocean, in what once was a never-ending cycle.
So this fish, the longest and highest-altitude migrating sockeye salmon on earth, has given us another chance. Will we take it? Will a new president and Congress take it? In 2010, when the most Snake River sockeye in decades leave home for the ocean, will they be routinely killed, or will we give them back a little bit of water to ride through reservoirs and over dams? Or will we give them -- and fishermen and taxpayers -- a lasting solution in 2014 by removing four dams on the lower Snake River that no longer make sense?
This February, Idaho lost one of its pioneer conservation giants, Ernie Day. Ernie was one of the vanishing few who saw the real deal in Redfish Lake decades ago. On its east shore one year, he pictured it for me, and I formed a wish then that my grandson would see it as Ernie did, with thousands of red fish, summer on summer.
And with thanks for a task done well, we can close the salmon emergency room forever, and hand the job of turning the wheel back to the lake, the rivers, the sea and the sockeye. They do it so well, so freely, and then give us the bounty.
Pat Ford is a contributor to Writers on the Range, a service of High Country News (hcn.org). He lives in Boise, Idaho, where he is the director of the Save Our Wild Salmon Coalition.


Harper's BAZAAR reveals the much anticipated ICONS by Carine Roitfeld portfolio, featuring music royalty & their children in the September issue on newsstands August 21st.
Mario Sorrenti captured Bruce Springsteen and her daughter Jessica for the September 2018 newsstand cover while Kanye West and his children North and Saint on the subscriber cover, both images were styled by Carine Roitfeld. Hair and makeup by Bob Recine and Kanako Takase, creative direction by Dennis Freedman. Manicurist Lisa Jachno.
Click here to view last year cover featuring Adriana Lima, The Weeknd and Irina Shayk, here to view 2016 cover featuring Kanye West and Kim Kardashian West, here to view 2015 cover featuring Katy Perry, here to view 2014 covers featuring Lady Gaga, Linda Evangelista and Penelope Cruz, here to view 2013 covers featuring Sarah Jessica Parker, here to view 2012 covers featuring Gwen Stefani, here to view 2011 cover featuring Lea Michele, here for 2010 cover with Jennifer Aniston, and here for 2009 cover with Leighton Meester.


This really is an example of a book as art object rather than literature and it's the kind of 'object' that fascinates those of us who love books, words and art.
Tree of Codes is one of our most celebrated titles. It has won awards (D&AD In Book Award, Book Design, 2011) served as the inspiration for Wayne McGregor's contemporary ballet at the 2015 Manchester International Festival and has sold over 30,000 copies.
Our early conversations with Jonathan Safran Foer about Tree of Codes began with Jonathan saying he was curious to explore and experiment with the die-cut technique. With that as our mutual starting point, we spent many months of emails and phone calls, exploring the idea of the pages' physical relationship to one another and how this could somehow be developed to work with a meaningful narrative. This led to Jonathan deciding to use an existing piece of text and cut a new story out of it. Having considered working with various texts, Jonathan decided to cut into and out of what he calls his "favourite book": The Street of Crocodiles by Bruno Schulz.
As Jonathan began to carve out his story, we started doing our production homework and literally got turned down by every printer we approached – their stock line being "the book you want to make just cannot be made". Thankfully, we found Die Keure in Belgium who relished the challenge of making a book with a different die-cut on every page.
Interesting idea, no? Both in concept and execution. The Wayne McGregor Ballet mentioned is on the Spring season schedule at the Sadlers Wells – we have our tickets already.
Currently out of stock, it is possible to obtain (rather expensive) old-new copies from a very few booksellers – see abebooks.co.uk.
A wonderful gift for the – word and book loving – special person in your life, perhaps? I know mine would love it.
P.S. Visual Editions publish a number of other interesting books. Click on the link to see more.


What You Need To Know About Facebook Business Pages in 2017.
The fact that Facebook is constantly changing often seems to be a curse, particularly if you are just on Facebook for personal use. However, for businesses it is usually a blessing in disguise, because many of those changes offer more ways to enhance your business page.
It can be a challenge to keep up with these tools, because of the variety, and the fact that many of them show up unheralded.
So I am putting together a short overview of some of the tools and best practices. Some of these have been around for a couple of years, and a few were just recently added. I am not going to try to cover all of them, but this should give you a good start on what is available.
It really is time to take your Facebook page seriously, because your clients and Facebook definitely are. Gone are the days when businesses and not-for-profits can expect to reach their followers' newsfeeds with an occasional post, or a fun quote.
Remember, mobile is ever-growing, and most of your customers are doing a great deal of their decision making on their smartphones, tablets, and e-readers. Facebook is designing their various tools to help reach mobile devices.
This is fairly new it allows for more control over how your page is organized. Its not really fancy yet, which I am sure will change, but it allows you to prioritize your tabs in order of what you consider important.
Just about everyone is familiar with a post, a photo, or a photo album, but many have not explored the options for: slideshow, carousel, or canvas (for mobile).
The reach of a Facebook post is now contingent on not only being visually attractive, but leading to some type of worthwhile content. Businesses and not-for-profits have to seek a balance between promotion, images, and solid, useful, content.
It is also contingent on consistent posting, and using your insights to learn audience behavior, and hit your key audience times.
Nor can you get away from Facebook Ads. While they do not require a large commitment of money Facebook does look more favorably on clients that pay for ads.
Facebook Live is a currently a mobile tool, but offers many ways to reach your followers and clients.
Video is powerful on all of the social media, and Facebook is particularly fond of video that is embedded on their own pages. This can be Facebook Live, a slide show video, or something that has been uploaded.
Facebook Live also allows for real time interaction with clients and followers.
This is for businesses with products, and gives you the opportunity to sell from your business page. It also offers the opportunity to focus your adds on your product catalog.
People are fairly familiar with this, but it also is developing and offering new insights into your followers and customers.
Currently this is used mainly for people who are managing multiple accounts. However, more functions require using business manager.
This is part of your Business Manager, but it can be used separately. It allows for better organization, and better tracking, of your ads. This, plus the range of ads types, gives you greater flexibility than a boost would have.
As other aspects of the business pages on Facebook expand so do their ads. They not only offer you a variety of ways to focus your ads and target audience, but they offer a variety of ways to make the ads very attractive visually.
You also have the ability to run your ad on Instagram, and to have your ads reach beyond just Facebook. Right now this depends on the type of ad, and in the case of video, its length.
I know that all of the options can seem overwhelming. However, Facebook does offer good training in their Business Resources.
As with all projects it is always best to define your objective, and set up a plan on how to reach that objective. Ask yourself, "Who am I trying to reach?" "Where are they located?" "What do they like?" "How old are they?"
If you take your Facebook marketing in small steps, and familiarize yourself with the tools that best meet your needs, then you will be able to better reach your clients.


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The Chicago Diabetes Project
Islet Cell Transplantation Interest Form
Jose Oberholzer
Kirstie Danielson
Rebecca Monson
Yong Wang
Anne Mari Rokstad
Igor Lacík
Berit Løkensgard Strand
Vladimír Raus
Zuzana Kroneková
Matt Bochenek
Solomon Afelik
Brigitte Oberholzer
Jenny Cook
Jill Dine
John Dine
Patsy Dine Carrane
Berit Løkensgard
PhD, DSc
Berit L. Strand is a professor in biopolymers and biomaterials at Norwegian University of Science and Technology (NTNU), in Trondheim, Norway. She has a background in chemical engineering and biotechnology (MSc) and PhD in biotechnology from NTNU. Her work is focused towards structure-function relationships of biopolymer materials and enzymatic and chemical modifications of biopolymers for biomedical applications, in particular alginates in cell therapy and tissue engineering.
Dr Strand is awarded member of the Royal Norwegian Society of Science and Letters (DKNVS) and is in the board of Scandinavian Society of Biomaterials. She has been a visiting research fellow at University of Alberta, Canada (post doc, 2003 - 2004), at University of Illinois at Chicago (2006), and a Fulbright Scholar at "Biofrontiers institute", University of Colorado, Boulder (2021-2022).
Chicago Diabetes Project
1074 W Taylor Street, #233
chicagodiabetesproject@gmail.com
© 2020 by Céline Oberholzer. Proudly created with Wix.com


He Survived Columbine. Now He's Pushing a Bill That Would Let Teachers Carry Guns at Schools.
A Colorado lawmaker who survived the 1999 mass murder at Columbine High School is sponsoring state legislation that would allow teachers to carry firearms on school grounds.
State Rep. Patrick Neville, R-Castle Rock, said his bill would serve as a warning to armed assailants looking to take advantage of gun-free zones.
Neville lived through the April 20, 1999, massacre at Columbine High School near Littleton, Colo., in which Eric Harris and Dylan Klebold, both seniors, killed 13 and injured 20 before shooting and killing themselves.
If you had this back then, I think it might have been a deterrent from the shooting ever occurring in the first place. If a criminal intent on doing harm knows that they might be faced with opposition, they're going to think twice about it.
Neville's legislation would eliminate Colorado's ban on individuals who hold a permit to carry a concealed handgun from taking the firearm on the grounds of elementary, middle, and high schools.
Under the bill, school employees who wish to arm themselves would have to obtain a concealed carry permit if they do not already hold one. The process to receive a permit in Colorado includes background checks and fingerprinting. Staff also would have to complete a mandatory training class before getting the permit.
Neville said individual school districts would have the discretion to impose stricter requirements or to compel more rigorous training for employees who want to have a gun on school grounds.
Neville's father is state Sen. Tim Neville, R-Littleton.
Neville and his father co-sponsored a similar bill last year. It didn't get out of a House committee on veterans and military affairs.
The newspaper The Hill reported that the new legislation would face a similar fate in the House, which, unlike the state Senate, is held by Democrats.
But Neville told The Daily Signal he is optimistic the bill will pass because of a shift in committee makeup. He said reaction across the state has been positive and called the plan a "commonsense" step toward deterring mass shootings on school grounds.
"If you empower people to protect themselves, you actually make society safer," he said.
Natalie Johnson is a news reporter for The Daily Signal and graduate of The Heritage Foundation's Young Leaders Program. Send an email to Natalie.


FLIGHT SIM | Free Mobile Games on Funky Potato!
A fantastic game for all future air traffic controllers. Observe approaching planes and helicopters and draw the landing route for them to safely land them at the airport!


It seems impossible that a film could be bigger and better than The Avengers, but Joss Whedon's follow up, Avengers: Age of Ultron, delivers and how! Always bitingly funny; sometimes scarily dark; and never once dipping in terms of just how much information it feeds you, Age of Ultron is a big film to absorb, but worth every minute of it.
When Avengers: Age of Ultron was announced, the biggest question fans would have had is, 'How does one top The Avengers? How does one even match something as insanely fun as that, never mind surpassing it?' The immediate pressure on writer-director Joss Whedon, of course, would be – how does he begin this next film, after that gargantuan extended climactic battle set in New York.
Hardly any film has landed in theatres with the kind of expectations loaded onto it, as Age of Ultron has. Whedon, though, doesn't merely beat the expectations – he subverts them, does his own thing, and trumps it by creating a film that goes past the first film in just how grand and stunning it is. He does this from the get go, with a jaw-dropping opening sequence featuring all the Avengers appearing one after the other in a single take ultra-action shot, choreographed to gobsmacking perfection. From there, the ride only gets crazier.
The elements that made the first film fun are all there – the all-star lineup; beautifully etched characters that bounce off each other through rib-ticklingly written snark masquerading as dialogue; the push-pull magnetism of these characters stretching in every direction to create a harmony between what they do and what they say; and of course, outrageous action set pieces that keep you hooked every second. Whedon quite simply pulls off a bigger, more complex film that doesn't only broaden its scale, but which also travels deeper into the characters and opens them up from the inside.
You see, this time they have a different adversary to contend with, when a brainchild of tech genius Tony Stark (or Iron Man, of course) that was meant to save the world becomes sentient, intelligent, and decides that the world is safest without the Avengers in it. Ultron comes to life, and the Avengers have to deal with an enemy born on the inside. To make matters harder, Quicksilver and the Scarlet Witch enter the fray, as they bring with them powers that seem the Avengers are no match for.
The plot of the film is rather basic – a bad guy ascends and becomes increasingly powerful, until there is a big climactic faceoff between him and the ones who want to save the world from him. In that sense, those expecting to be blown away by 'story', may end up disappointed. Whedon's genius really lies in how he manages to make such a hugely mounted film an intimate experience as well. The emotions the film plays with, the deep dark fears that pervade even the best of hearts, the element of sacrifice, of choosing to be a hero because you have the ability that others don't, and so you also have the responsibilities that others don't – these are all primal and elemental. Observing how he weaves these with this set of characters is a true joy to watch.
So the Hulk and Natasha Romanoff have an interesting dynamic going on between them, even as Iron Man and Captain America haven't ceased taking jibes at each other. Things get even more interesting as the Avengers deal with the twins Quicksilver and Scarlet Witch, particularly as the latter has the ability to play tricks on their minds.
It may not look it, but Age of Ultron is a dark film. Dolled up in the Marvel glitz, it never seems to slip into DC's brooding Nolan-esque interpretations of a superhero (which first enthralled audiences, and now seems to draw their ire). No, Age of Ultron is very much a Marvel film, with all their staple ingredients, and it fits nicely into what has been seen so far in the Marvel cinematic universe, and what is coming up from them.
In the Marvel cinematic universe, the ultimate battle of the Avengers will be with Thanos, who had appeared briefly in the mid-credits scene of the first film. So Age of Ultron is only a pitstop in the larger scheme of things. But Whedon ensures that Age of Ultron is a finite film in itself as well, because even as it sets things up for the next few films, it also has its own ending. When Age of Ultron ends, it feels like something has ended; that things will never be the same after this.
This will be Joss Whedon's last film at Marvel for the time being, so he makes sure that it ends on his terms.
His framing and cutting are downright impressive. Sample this: Quicksilver, who can run at blinding speeds, is just about to engage in battle. As he preps himself, he reaches for… sports shoes. In a shot that doesn't even last one full second, we see a stack of shoes of a popular global sportswear brand, before he one of picks them up. Aah, product placement, Josh Whedon style. Even the manner in which Whedon looks inside the minds of the Avengers – with expressionist montages cut with mind-boggling panache, is a big departure from stock Marvel films.
Rarely has a film managed to keep the sustained pace and energy that Age of Ultron has. Even when it slows down to bring us closer to the characters, you're still continuously bombarded with information (and, of course, delicious humour). In that sense, the film almost has a monotonous graph. It can get a bit too much to handle at times, but that's only because Joss Whedon has under 150 minutes to leave his final imprint on the Marvel films. And boy, does he deliver in style.
Age of Ultron is intense, spectacular and supremely fun. I've never subscribed to the theory that films are merely entertainment, but if films have to be entertainment, then Whedon shows the world that this is how it's done.
Yay! Thumbs Up, by Anup : Entertaining but not to be Remember for long time.
Violence: Some physical violence & aggressive behaviour.
Language: Clean. Expletives are muted and censored in subs.
Concept: The Avengers have to unite to save the world from another big baddie.
General Look and Feel: Stunning 3D, very high energy film.
but didnt find it close to the prequel.
and the darkness shown by the film was not dark enough. Yes i like DC's approach much more interesting then Marvel. Not just the Dark Knight series but also Man Of Steel was great. There should be depth in the plot. Entertaining jokes and Grand(great) action sequences cant compensate for that. They only can glue you to the seat until the movie ends , but doesnt force you to remember the movie after that. At least Marvel could approach like Mathew Vaughan has done in case of X Men First Class , then again Mathew and Joss are two really different directors.
The Avenger has shown something new by bringing , together so many famous Super Heroes , AGE OF ULTRON haven't done anything new , just used the tried and tested formula again(like you said the story line was pretty regular) . But Marvel cant go much distance without any innovation.
M expecting Batman Vs Superman for being better.
Anup has given this movie a Yay! Thumbs Up(Entertaining but not to be Remember for long time.). Anup has posted 437 comments and has rated 108 movies. See Anup's page for more details.
Promised and Delivered a fun 2.5 hrs at the multiplex.Marvel has done a fab job if a guy like me who hasn't touched a comic in my life knows about characters like Rocket Racoon and Vision.Looking forward to Ant-Man.
How to make a Hollywood sci-fi film : Some non existent scientific techniques + some mathematical extrapolation + some American jingoism & war mongering punched in with the basic theme being "The world coming to an END", & there we have a pile of rotten tomatoes indeed!


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Backlash trails fuel price increase
Second republic governor of Kaduna state, Alhaji Balarabe, Arewa Youths Forum and the youth wing of the opposition People's Democratic Party (PDP) on Thursday condemned the increase in the pump price of petrol to N145 per litre, saying it will cause untold hardship to Nigerians.
Meanwhile, the long queues at the filing stations within the metropolis have suddenly disappeared as most stations were seen selling it at the new price of N145 per litre.
Musa said in an interview that the government was insensitive to the plight of Nigerians: "The increase is unpatriotic, insensitive and will worsen the economic situation in the country."
He added that Nigerians are "facing massive unemployment, abject poverty and high inflation and this increase will put them in a very precarious economic condition."
The former governor urged the federal government to reverse the price " because it is not reasonable and the action is very suspicious".
The Arewa Youth Forum ( AYF), on its part, said the timing for the increase was wrong considering the harsh economic environment Nigerians are going through.
"It is a wrong timing, people are suffering; I don't think this government has a good economic team. They ought to have sampled the opinion of people before the increase," the President of the AYF, Gambo Ibrahim Gujungu, said in a statement in Kaduna .
He recalled that even President Mohammadu Buhari rejected the removal of fuel subsidy in 2012 and wondered why he decided to remove it without even consulting Nigerians.
Also, PDP Youth Forum in Kaduna state, in a statement signed by its President , Mr. Danjuma Sarki, described government action as senseless and cruel.
"It is so callous for a government that has not added any value to the economic well-being of its people since assumption of office almost a year ago to dish out such obnoxious policy on the same people that voted it into office.
"There is no justification that despite the decrease in international price of oil, which is today hovering around $45, Nigerians are still made to buy N145/litre.
"This shows that the present government has lost touch with the yearnings and aspirations of the masses. We believe that no sensible government would contemplate an increase in the price of petroleum product at a time like this when Nigerians are obviously going through excruciating hardship and lack, where prices of household commodity are avoidably skyrocketing," Sarki said.
The statement added that "It is absolutely deceptive that Buhari, Osinbajo and the APC who vehemently rejected the deregulation of the downstream sector by the past administration and during the last campaigns promised to reduce the pump price of petrol from N87 to N45 has now decided to insult the sensibility of Nigerian by this increase.
"We strongly condemned this action of the APC government in its entirety and call on the Nigerian labour Congress, civil society organizations and all well meaning Nigerians to stand up against this heinous act."
Credit: ThisDay


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Television. Archive.
Joshua Green / MIT
September 18, 2008 Joshua Green / MIT 5 comments
Television archive as national institution
In a lively discussion at the 2008 Society for Cinema and Media Studies conference in Philadelphia in March, the Future of Television Studies workshop revisited the thorny issue of what we television scholars might do about the state of television's history, and particularly, the challenge of uncovering and capturing the medium's archival materials. The panelists and the audience raised a number of concerns which I think have become somewhat defining of contemporary television study. We still face questions about determining what is worth recording, and about tracking down the primary and secondary resources that detail the production, distribution, and reception of programming. The physical challenges of accounting for both television programming, as well as the medium's extra-textual materials both online and in print, remain. These present an increasingly difficult task as the expansion of television's paratexts mean the objects of interest to television scholars are not only increasingly dispersed, but further complicate the challenge of recording a medium that refuses to stand still.
Striking, however, was the suggestion the current 'paranoia' over copyright and licensing may restrict access, as fewer and fewer public or private archives are likely to pass their collections into the public domain. When modern 'archives' are made public, it is increasingly with an eye to the potential "aftermarket" value of content along the Long Tail. As such, digital formats and the increased release of material from television's past on DVD on the one hand bring the promise of some sort of escape from storage and distribution issues. On the other hand, however, they come with region coding to protect geographically-bounded national markets, making international work difficult, challenges compounded by the unequal development of both archives and commercial distribution strategies in some parts of the globe.
Analog tv history
So what's a television scholar to do?
The tantalizing suggestion is that we should band together and flex whatever strength our collective muscle might have, working to construct an archive of our own, pooling personal recordings, attempting to open up our institutional archives, and tracking down available material. But of course, such an activity is quite apparently fraught given the challenges of manpower, organizational magic, and copyright wizardry that would be required. Indeed, the incredibly useful "Best Practices for Fair Use in Teaching," prepared by the Society for Cinema & Media Studies Public Policy Committee, hints at the legislative mire such an activity could pose, even if it was limited only to the US. And while fair use might be "a muscle that retains strength only through exercise and practice," compositing such a wide-reaching archive would require convincing a range of much more conservatively minded institutions, many of whom already struggle with the archivists paradox of preservation and access, to commit scarce resources.
Australia's National Film and Sound Archive
But then, as John Hartley (citing Bain Attwood) has pointed out1, grand narratives commence with a process of "narrative accrual," a gathering of the bits that build up enough of a narrative for a people to become aware of themselves as a corpus (like a nation). And perhaps the way forward is not for us to try to pull together an archive2 but to start to accrue and record the available traces of the archives that abound. Perhaps what we need, or what we can achieve, is not an archive but a catalog. Perhaps the task is to design a project that would draw together already existing activity, both within the academy and beyond, in a form that capitalizes on the opportunities of scale provided by digital networking. In addition to the seemingly many un-connected archives that exist within formal sites of knowledge production, there are a great number of interesting projects compiling traces of television's past outside of the academy. Of course, such an activity must be certain to recognize the activities that take place outside the academy as sites of knowledge production, rather than as resources for academic raiding. Perhaps what we need to do is to find a way to connect these activities up – to uncover and link together the enterprises within the academy, and to tie them to the range of resources beyond; to embrace the vernacular archives created on YouTube and elsewhere (two of my favorites here: http://idents.tv/blog/ and here: http://www.televisionau.com/), and to create a model that might encourage future activity, and provide ways to continue to tie new nodes into the system.
This is, in part, the motivation behind a large project funded through the Australian Research Council Discovery Grant scheme John Hartley, Graham Turner, Alan McKee, Sue Turnbull, Chris Healy, Christine Schmidt, and myself are involved in. "Australian television and popular memory: new approaches to the cultural history of the media in the project of nation building," is a modest attempt to be ambitious. It aims to draw a history of Australian broadcasting by accessing histories of television from four key sites – industrial or institutional sources, programming and television's own memorialization of itself, academic work, and the activities of pro-amateurs and the popular recollection of the public (see Hartley's previous column on Flow as well as Hartley, John, Green, Joshua, and Burgess, Jean (2008)).3 It seeks to gather the available traces of Australia's television history from the academy, published sources, popular recollection, oral history, industry sites, and vernacular activity, collecting not the resources but recording their presence, and constituting a history of the medium by working across them. Doing so, the project hopes also to contribute to the ever evolving digital humanities, documenting the resources and inviting participation in the formation of a diverse, national, archival project.
I come not to spruik this project, but to suggest it might provide us with a model to start to think about how, internationally, we can draw together the traces of television's history. There is a real need to build effective archives, to push back the ever encroaching assumptions of exclusivity copyright owners assert over the cultural commodities of popular culture. Doing so is surely a long process of cultural change projects such as the aforementioned Society for Cinema & Media Studies Public Policy Committee and the venerable In Media Res contribute to. In the short term, I wonder if the way forward is to draw together and make public the resources that do exist; to encourage the the expansion and preservation of vernacular activities, not as resources to be raided but as sites of archival practice; to connect these energies across national borders in ways that reveal the challenges of local spaces; to start creating not a single archive but a record of the places materials reside.
1. Television archive as national institution – Joshua Green
2. Analog TV history – Joshua Green
3. Australia's National Film and Sound Archive – Joshua Green
Please feel free to comment.
Hartley, John (2008) Television Truths, Malden, MA; Oxford: Blackwell. [↩]
Which, I should be clear, no-one suggested was what we should do. [↩]
Hartley, John, Green, Joshua, and Burgess, Jean (2008 '"Laughs and legends" or the furniture that glows? Television as history,' in Hartley, John Television Truths, Malden, MA; Oxford: Blackwell, pp. 223-242 [↩]
Joshua thanks for the interesting article. As a graduate student who has recently started to collecting clips, shows, and whatever else comes my way, I wonder how I can get my hands on the things that I didn't have the foresight to tape in the first place. Although more and more television is becoming available through other avenues, the issues of missing episodes, poor quality and incorrect formatting makes me want to tape everything on television, which would be impossible. Archiving television just seems to be such a massive undertaking that involves more space, time, and organization that I could ever imagine.
Thanks for writing this, Josh. In the last couple of days I'd been thinking that I hoped we could continue that conversation from SCMS 2008 at Flow 2008. No better place to start than here!
I hope we can move simultaneously on two fronts: 1) what can we do now as individuals to help one another–as simple as banding together lists of what we own, etc and circulating this through social networking–how many of us are already on facebook? and 2) tackling the bigger question of pushing forward and invoking fair use, creating archives etc. It's inbetween the two where it's easy to get frustrated by the copyright police and anti-fair use institutional paranoia.
October 6, 2008 11:44 am
Ironically, there is somewhat of a solution to this problem – at least in the past tense. There is an industry called video monitoring made up of both small and large companies throughout the United States who record hours upon hours of television – both network and cable – and archive the recordings. In many cases, these archives are limited to news broadcasts (local and national) that only last a few months to a year. However, due to the economical use of the DVD, these archives have, in many cases, become permanent. There are also several of these companies that have embarked on recording ALL programming on both network and cable stations, and several of these archives go as far back as the late 80s/early 90s. As discussed, the biggest problem for these companies is the threat of copyright violation. The recordings can be provided/re-sold in portions for private viewing. However, copyright forbids more large scale use – such as a public archive – without specific permission from the copyright holder. If these rules could be altered, or if some form of compromise could be reached, the video monitoring industry would be the easiest and most far-reaching way to obtain an archive such as the one you are attempting to create.
We need an archive that can reconstruct the flow of an entire broadcast period. That would be amazing–being able to flip between fully reconstructed channels, commercials, station idents, programs and all–each synched up within a single flow.
Good piece, Josh. I most appreciate your point "perhaps the way forward is not for us to try to pull together an archive but to start to accrue and record the available traces of the archives that abound." B/c in reading this, it sounds like the TRUE anxiety expressed in the is from those most interested in industry-related archives. The truth is that there are tons and tons of archival materials one could amass in trying to assemble television's many different histories. The industry's tapes and papers are but one way of doing that — an important one, no doubt, but still a limited one. I worry that this is symptomatic of a broader trend I see in the study of television here in the U.S., wherein the industry and it's developments, particularly the technological and "quality narrative" ones, are described with myopic, masculinist oohs and aahs. Too frequently "the business" is held up as the final word on the medium in ways that elide its utility as a layered, massive object of study….


Snead & Associates Airport Services-Contractor can be found at Lake La Berge Cir 3949. The following is offered: General Contractors. The entry is present with us since Sep 9, 2010 and was last updated on Nov 14, 2013. In Baton Rouge there are 63 other General Contractors. An overview can be found here.
Snead & Associates Airport Services-Contractor is located at 3949 Lake La Berge Cir, Baton Rouge, LA. This location is in the Shenandoah neighborhood. This business specializes in General Contractors and Plumbing.


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Gorka Izagirre insausti (esp) born on 07/10/1987 MOVISTAR TEAM/esp
Oier LAZKANO LOPEZ
2010. Euskaltel - Euskadi
1er of the Prueba Villafranca - Ordiziako Klasika, of the fourth stage of the Skoda Tour Luxembourg (Mersch>Luxembourg)
7e of the fourth stage of the Benelux Tour (Ronse>Ronse)
12e of the first stage of the Vuelta a la Comunidad de Madrid (Madrid>Madrid [ITT])
14e of the prologue of the Skoda Tour Luxembourg (Luxembourg-Ville>Luxembourg-Ville)
15e of the first stage of the Tour Down Under (Clare>Tanunda)
17e of the first stage of the Tour de Pologne (Sochaczew>Warschau)
19e of the second stage of the Volta Ciclista a Catalunya (Salt>Banyoles)
20e of the second stage of the Tour Down Under (Gawler>Hahndorf)
21e of the prologue of the Volta Ciclista a Catalunya (Lloret de Mar>Lloret de Mar)
22e of the Vuelta a la Comunidad de Madrid
25e of the third stage of the Vuelta a la Comunidad de Madrid (Alcobendas>Puerto de Morcuera), of the fourth stage of the Minerva Classic Brugge-De Panne (De Panne>De Panne [ITT])
6e of the National Championships Spain - ITT, of the first stage of the Tour des Alpes Maritimes et du Var (La Croix Valmer>Grimaud)
7e of the eighth stage of the Paris - Nice (Nice>Nice), of the third stage of the Tour Down Under (Unley>Stirling)
10e of the first stage of the Vuelta Asturias Julio Alvarez Mendo (Oviedo>Gijon), of the Tour des Alpes Maritimes et du Var
11e of the prologue of the Vuelta a la Comunidad de Madrid (Casa de Campo>Casa de Campo)
12e of the Tour Down Under
13e of the fourth stage of the Vuelta Asturias Julio Alvarez Mendo (Luarca>Santuario del Acebo), of the third stage of the Vuelta Asturias Julio Alvarez Mendo (Piedras Blancas>Piedras Blancas [ITT])
15e of the National Championships Spain - Road Race, of the prologue of the Tour de Suisse (Lugano>Lugano), of the Vuelta Asturias Julio Alvarez Mendo, of the fifth stage of the Tour Down Under (McLaren Vale>Willunga), of the second stage of the Tour Down Under (Tailem Bend>Mannum)
16e of the second stage of the Tour des Alpes Maritimes et du Var (Draguignan>Draguignan)
18e of the Tour de Suisse, of the sixth stage of the Tour de Suisse (Tobel-Tägerschen>Triesenberg / Malbun (FL))
19e of the second stage of the Vuelta Asturias Julio Alvarez Mendo (Gijon>Aviles)
22e of the sixth stage of the Tour Down Under (Adelaide>Adelaide), of the fourth stage of the Tour Down Under (Norwood>Strathalbyn)
25e of the second stage of the Tour de Suisse (Airolo>Crans-Montana)
1er of the Prueba Villafranca - Ordiziako Klasika
3e of the sixteenth stage of the Tour de France (Pau>Bagnères-de-Luchon)
5e of the fourteenth stage of the Tour de France (Limoux>Foix)
8e of the first stage of the Itzulia Basque Country (Güeñes>Güeñes)
12e of the sixth stage of the Paris - Nice (Suze-la-Rousse>Sisteron)
13e of the first stage of the Vuelta a Andalucia Ruta Ciclista Del Sol (Zahara de los Atunes>Benalmadena)
18e of the seventh stage of the Tour de France (Tomblaine>La Planche Des Belles Filles)
19e of the second stage of the Itzulia Basque Country (Güeñes>Vitoria)
20e of the fourth stage of the Tour de France (Abbeville>Rouen), of the seventh stage of the Tour de Suisse (Bischofszell>Arosa), of the prologue of the Tour de Suisse (Lugano>Lugano), of the second stage of the Tour Down Under (Lobethal>Stirling), of the first stage of the Tour Down Under (Prospect>Clare)
21e of the third stage of the Tour de France (Orchies>Boulogne-sur-mer), of the fifth stage of the Tour de Suisse (Wittnau>Bischofszell)
22e of the Tour de Suisse
23e of the fifth stage of the Tour de France (Rouen>Saint-quentin)
3e of the third stage of the Paris - Nice (Châtel-Guyon>Brioude)
4e of the fourth stage of the Tour du Limousin - Nouvelle Aquitaine (Bourganeuf>Limoges)
7e of the Tour Down Under, of the fifth stage of the Tour Down Under (McLaren Vale>Old Willunga Hill)
10e of the third stage of the Tour de France (Ajaccio>Calvi), of the third stage of the Tour Down Under (Unley>Stirling)
14e of the Gran Premio Miguel Indurain
15e of the Faun-Ardèche Classic, of the second stage of the Tour Down Under (Mt Barker>Rostrevor)
17e of the Tour du Limousin - Nouvelle Aquitaine
18e of the Paris - Nice
19e of the first stage of the Critérium du Dauphiné (Champéry>Champéry), of the fourth stage of the Tour Down Under (Modbury>Tanunda)
20e of the sixth stage of the Tour Down Under (Adelaide>Adelaide)
21e of the sixth stage of the Tour de France (Aix-en-Provence>Montpellier), of the fourth stage of the Paris - Nice (Brioude>Saint-Vallier)
22e of the second stage of the Tour du Limousin - Nouvelle Aquitaine (Rochechouart>Ambazac), of the fifth stage of the Paris - Nice (Châteauneuf-du-Pape>La Montagne de Lure)
23e of the first stage of the Tour Down Under (Prospect>Lobethal)
24e of the first stage of the Itzulia Basque Country (Elgoibar>Elgoibar)
25e of the National Championships Spain - Road Race
2014. Movistar Team
2e of the Klasika Primavera de Amorebieta
5e of the seventh stage of the Tour de Pologne (Kraków>Kraków [ITT])
10e of the sixth stage of the Paris - Nice (Saint-Saturnin Les-Avignon>Fayence)
15e of the fifth stage of the Tour de Pologne (Zakopane>Strbske Pleso (Svk))
17e of the eleventh stage of the La Vuelta ciclista a España (Pamplona>Santuario de San Miguel de Aralar)
18e of the fourth stage of the Itzulia Basque Country (Vitoria-Gasteiz>Eibar (Arrate)), of the seventh stage of the Paris - Nice (Mougins>Biot)
19e of the eighth stage of the Paris - Nice (Nice>Nice)
21e of the seventeenth stage of the La Vuelta ciclista a España (Ortigueira>A Coruña)
22e of the La Flèche Wallonne
23e of the twelfth stage of the La Vuelta ciclista a España (Logroño>Logroño)
25e of the sixteenth stage of the La Vuelta ciclista a España (San Martín del Rey Aurelio>Lagos de Somiedo (La Farrapona))
2e of the National Championships Spain - ITT
3e of the second stage of the Tour Down Under (Unley>Stirling)
4e of the twelfth stage of the Tour de France (Lannemezan>Plateau de Beille)
7e of the stage 1b of the Vuelta a Andalucia Ruta Ciclista Del Sol (Coria del Río>Coria del Río [ITT])
8e of the Tour Down Under
9e of the second stage of the Tour of Britain (Clitheroe>Colne), of the Paris - Nice, of the fifth stage of the Tour Down Under (McLaren Vale>Willunga Hill)
10e of the sixth stage of the Tour de France (Abbeville>Le Havre), of the seventh stage of the Paris - Nice (Nice>Col d'Eze [ITT])
11e of the sixth stage of the Paris - Nice (Vence>Nice)
12e of the fourth stage of the Paris - Nice (Varennes-sur-Allier>Croix de Chaubouret)
15e of the fifth stage of the Tour of Britain (Prudhoe>Hartside Fell), of the sixth stage of the Itzulia Basque Country (Aia>Aia [ITT])
16e of the Vuelta a Andalucia Ruta Ciclista Del Sol
18e of the third stage of the Paris - Nice (Saint-Amand-Montrond>Saint-Pourcain-sur-Sioule), of the sixth stage of the Tour Down Under (Adelaide>Adelaide)
19e of the Critérium du Dauphiné, of the prologue of the Paris - Nice (Maurepas>Maurepas), of the third stage of the Tour Down Under (Norwood>Paracombe)
21e of the sixth stage of the Tour of Britain (Stoke-on-Trent>Nottingham), of the eighth stage of the Tour de France (Rennes>Mûr-de-bretagne), of the sixth stage of the Critérium du Dauphiné (Saint-Bonnet-en-Champsaur>Villard-de-Lans - Vercors), of the Klasika Primavera de Amorebieta
22e of the first stage of the Tour Down Under (Tanunda>Campbelltown)
23e of the third stage of the Tour of Britain (Cockermouth>Floors Castle, Kelso), of the fifth stage of the Paris - Nice (Saint-Etienne>Rasteau)
25e of the third stage of the Vuelta a Andalucia Ruta Ciclista Del Sol (Motril>Alto de Hazallanas)
5e of the prologue of the Tour de Romandie (La Chaux-de-Fonds>La Chaux-de-Fonds), of the Dubai Tour
6e of the stage 7a of the Tour of Britain (Bristol>Bristol [ITT])
7e of the third stage of the Dubai Tour (Dubai>Hatta Dam)
9e of the tenth stage of the Tour de France (Escaldes-Engordany>Revel), of the seventh stage of the Tour de France (l'Isle-Jourdain>Lac de Payolle), of the first stage of the Tour de Suisse (Baar>Baar [ITT])
10e of the sixth stage of the Tour of Britain (Sidmouth>Haytor, Dartmoor)
11e of the Vuelta a Burgos, of the first stage of the Tour des Alpes Maritimes et du Var (Le Cannet des Maures>Bagnols en Forêt)
12e of the fifth stage of the Vuelta a Burgos (Caleruega>Lagunas de Neila), of the Tour de Suisse
13e of the Benelux Tour, of the fifth stage of the Tour de Suisse (Brig/Glis>Carì), of the fifth stage of the Paris - Nice (Saint-Paul-Trois-Châteaux>Salon-de-Provence), of the Tour des Alpes Maritimes et du Var
14e of the sixth stage of the Tour de Suisse (Weese>Amden)
16e of the fourth stage of the Tour de Suisse (Rheinfelden>Champagne), of the prologue of the Paris - Nice (Conflans-Sainte-Honorine>Conflans-Sainte-Honorine), of the first stage of the Dubai Tour (Dubai>Fujairah)
17e of the seventh stage of the Benelux Tour (Bornem>Geraardsbergen), of the fourth stage of the Paris - Nice (Juliénas>Romans-sur-Isère)
18e of the fourth stage of the Vuelta a Burgos (Aranda de Duero>Lerma), of the ninth stage of the Tour de Suisse (La Punt>Davos), of the second stage of the Dubai Tour (Dubai>Palm Jumeirah)
19e of the second stage of the Tour de Suisse (Baar>Baar), of the Tour de Romandie, of the Paris - Nice
20e of the third stage of the Tour de Suisse (Grosswangen>Rheinfelden), of the fourth stage of the Dubai Tour (Dubai>Burj Khalifa), of the Trofeo Serra de Tramuntana
21e of the first stage of the Vuelta a la Comunidad de Madrid (Las Rozas>Las Rozas)
22e of the Vuelta a la Comunidad de Madrid, of the second stage of the Tour de Romandie (Moudon>Morgins)
23e of the first stage of the Tour of Britain (Glasgow>Castle Douglas), of the second stage of the Tour des Alpes Maritimes et du Var (Draguignan>Draguignan)
24e of the seventh stage of the Tour de Suisse (Arbon>Sölden), of the seventh stage of the Paris - Nice (Nice>Nice), of the sixth stage of the Paris - Nice (Nice>La Madone d'Utelle), of the second stage of the Paris - Nice (Contres>Commentry)
25e of the third stage of the Vuelta a Burgos (Sedano>Villarcayo), of the fourth stage of the Tour de Romandie (Conthey>Villars-sur-Ollon)
1er of the eighth stage of the Giro d'Italia (Molfetta>Peschici), of the Klasika Primavera de Amorebieta
2e of the second stage of the Tour Down Under (Stirling>Paracombe)
3e of the seventeenth stage of the Giro d'Italia (Tirano>Canazei)
4e of the Paris - Nice, of the fourth stage of the Paris - Nice (Beaujeu>Mont Brouilly [ITT])
8e of the Gran Premio Miguel Indurain, of the eighth stage of the Paris - Nice (Nice>Nice)
10e of the seventh stage of the Paris - Nice (Nice>Col de la Couillole)
12e of the sixth stage of the Paris - Nice (Aubagne>Fayence), of the first stage of the Paris - Nice (Bois-d'Arcy>Bois-d'Arcy)
13e of the third stage of the Tour de Pologne (Jaworzno>Szczyrk)
14e of the third stage of the Tour of Britain (Normanby Hall country park>Scunthorpe), of the Tour de Pologne
15e of the Prueba Villafranca - Ordiziako Klasika, of the sixth stage of the Itzulia Basque Country (Eibar>Eibar [ITT])
17e of the seventh stage of the Tour de Pologne (Bukowina Tatrzanska>Bukowina Tatrzanska)
19e of the fifth stage of the Tour de Pologne (Olimp Nagawczyna>Rzeszów), of the fifteenth stage of the Giro d'Italia (Valdengo>Bergamo), of the first stage of the Itzulia Basque Country (Pamplona>Eguesibar-Sarriguren)
20e of the Vuelta Ciclista a la Region de Murcia Costa Calida
23e of the fifth stage of the Tour of Britain (Tendring>Tendring [ITT]), of the fourth stage of the Vuelta a Andalucia Ruta Ciclista Del Sol (La Campana (Sevilla)>Sevilla)
24e of the sixteenth stage of the Giro d'Italia (Rovetta>Bormio)
25e of the sixth stage of the Tour de Pologne (Wieliczka>Zakopane)
2018. Bahrain Merida Pro Cycling Team
1er of the National Championships Spain - Road Race
2e of the sixteenth stage of the Tour de France (Carcassonne>Bagnères-de-Luchon), of the National Championships Spain - ITT, of the first stage of the Paris - Nice (Chatou>Meudon)
3e of the sixth stage of the Tour de Suisse (Fiesch>Gommiswald), of the second stage of the Itzulia Basque Country (Zarautz>Bermeo), of the Paris - Nice, of the Tour of Oman
4e of the seventh stage of the Paris - Nice (Nice>Valdeblore La Colmiane), of the fifth stage of the Tour of Oman (Sama'il>Jabal Al Akhdhar (Green Mountain)), of the third stage of the Tour of Oman (German University of Technology>Wadi Dayqah Dam)
5e of the first stage of the Tour de Romandie (Fribourg>Delémont), of the first stage of the Itzulia Basque Country (Zarautz>Zarautz)
6e of the fourth stage of the Paris - Nice (La Fouillouse>Saint-Étienne [ITT]), of the fifth stage of the Tour Down Under (McLaren Vale>Willunga Hill)
7e of the second stage of the Tour of Oman (Sultan Qaboos University>Al Bustan), of the Tour Down Under, of the second stage of the Tour Down Under (Unley>Stirling)
9e of the eighth stage of the Paris - Nice (Nice>Nice), of the sixth stage of the Paris - Nice (Sisteron>Vence)
10e of the prologue of the Tour de Romandie (Fribourg>Fribourg)
11e of the nineteenth stage of the Tour de France (Lourdes>Laruns), of the fourth stage of the Tour of Oman (Yiti (Al Sifah)>Ministry of Tourism)
12e of the third stage of the Tour Down Under (Glenelg>Victor Harbor)
14e of the fourteenth stage of the Tour de France (Saint-Paul-Trois-Châteaux>Mende)
15e of the eighth stage of the La Vuelta ciclista a España (Linares>Almadén)
17e of the first stage of the La Vuelta ciclista a España (Málaga>Málaga [ITT]), of the second stage of the Paris - Nice (Orsonville>Vierzon)
18e of the eleventh stage of the Tour de France (Albertville>La Rosière Espace San Bernardo)
19e of the sixth stage of the Tour of Oman (Al Mouj Muscat>Matrah Corniche)
20e of the fourth stage of the Tour Down Under (Norwood>Uraidla)
21e of the fourth stage of the Tour de Suisse (Gansingen>Gstaad)
22e of the seventh stage of the La Vuelta ciclista a España (Puerto Lumbreras>Pozo Alcón), of the Tour de Romandie, of the Amstel Gold Race
23e of the eighth stage of the Tour de France (Dreux>Amiens Métropole), of the seventh stage of the Tour de France (Fougères>Chartres)
24e of the fourteenth stage of the La Vuelta ciclista a España (Cistierna>Les Praeres. Nava), of the Tour de France
25e of the fourth stage of the Tour de Romandie (Sion>Sion)
2019. Astana Pro Team
1er of the Tour de la Provence
3e of the National Championships Spain - ITT, of the second stage of the Tour de la Provence (Istres>La Ciotat)
4e of the Donostia San Sebastian Klasikoa
5e of the sixth stage of the Critérium du Dauphiné (Saint-Vulbas>Saint-Michel-de-Maurienne), of the third stage of the Tour de la Provence (Aubagne>Le Castellet (Circuit Paul Ricard))
6e of the seventeenth stage of the Tour de France (Pont du Gard>Gap)
9e of the World Championships - Road Race, of the eleventh stage of the La Vuelta ciclista a España (Saint-Palais>Urdax-Dantxarinea)
12e of the fourth stage of the Tour de la Provence (Avignon>Aix-en-Provence)
13e of the Gran Piemonte
15e of the Milano - Torino
17e of the third stage of the UAE Tour (UAE University>Jebel Hafeet)
18e of the Critérium du Dauphiné, of the fifth stage of the Critérium du Dauphiné (Boën-sur-Lignon>Voiron), of the first stage of the Tour de la Provence (Saintes-Maries-de-la-Mer>Saintes-Maries-de-la-Mer [ITT])
19e of the eighth stage of the Critérium du Dauphiné (Cluses>Champéry)
21e of the seventh stage of the Critérium du Dauphiné (Saint-Genix-les-Villages>Pipay)
22e of the sixth stage of the Itzulia Basque Country (Eibar>Eibar)
24e of the National Championships Spain - Road Race, of the first stage of the Itzulia Basque Country (Zumarraga>Zumarraga [ITT])
25e of the sixth stage of the UAE Tour (Ajman>Jebel Jais)
1er of the Gran Trittico Lombardo
2e of the National Championships Spain - Road Race
8e of the third stage of the UAE Tour (Al Qudra Cycle Track>Jebel Hafeet)
9e of the sixth stage of the La Vuelta ciclista a España (Biescas>Aramón Formigal)
13e of the first stage of the La Vuelta ciclista a España (Irún>Arrate)
17e of the Liège-Bastogne-Liège, of the Strade Bianche, of the second stage of the Tour de la Provence (Aubagne>La Ciotat)
19e of the La Vuelta ciclista a España, of the second stage of the La Vuelta ciclista a España (Pamplona>Lekunberri)
20e of the UAE Tour
21e of the sixteenth stage of the La Vuelta ciclista a España (Salamanca>Ciudad Rodrigo), of the seventeenth stage of the Tour de France (Grenoble>Méribel - Col de la Loze)
22e of the eighth stage of the La Vuelta ciclista a España (Logroño>Alto de Moncalvillo), of the Tour de France, of the Milano-Sanremo
23e of the twelfth stage of the La Vuelta ciclista a España (Pola de Laviana>Alto de l'Angliru), of the eleventh stage of the La Vuelta ciclista a España (Villaviciosa>Alto de la Farrapona), of the La Flèche Wallonne
2021. Astana - Premier Tech
5e of the third stage of the Tour de Romandie (Estavayer>Estavayer)
8e of the sixteenth stage of the Giro d'Italia (Sacile>Cortina d'Ampezzo)
11e of the third stage of the Tour des Alpes Maritimes et du Var (Blausasc>Blausasc)
12e of the Tour des Alpes Maritimes et du Var
19e of the Giro d'Italia, of the first stage of the Tour des Alpes Maritimes et du Var (Biot>Gourdon)
21e of the twelfth stage of the La Vuelta ciclista a España (Jaén>Córdoba), of the eighteenth stage of the Giro d'Italia (Rovereto>Stradella)
22e of the twelfth stage of the Giro d'Italia (Siena>Bagno di Romagna), of the second stage of the Tour de Romandie (La Neuveville>Saint-Imier)
23e of the Olympic Games Road Race
25e of the first stage of the Tour de Romandie (Aigle>Martigny)
12e of the first stage of the Itzulia Basque Country (Hondarribia>Hondarribia [ITT])
15e of the third stage of the Gran Camiño (Maceda>Luintra)
16e of the fourth stage of the Gran Camiño (Sarria>Sarria [ITT])
17e of the Gran Camiño
20e of the third stage of the Itzulia Basque Country (Llodio>Amurrio)
24e of the first stage of the Paris - Nice (Mantes-la-Ville>Mantes-la-Ville)
Riders MOVISTAR TEAM
A. VALVERDE
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L. MAS
E. MAS
G. MÜHLBERGER
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It is understandable if you have been engulfed by the swell Drake, Kanye West, and Kendrick Lamar have created over the past month. We are so deep into Yeezy Season and Drizzy Season we forgot it is still winter. For this reason, VibeRotation 12 is compiled of songs that may have seeped through the cracks in the midst of the hype surrounding big name projects, as well as songs the ITR crew has enjoyed. Notable new work comes from Atlanta group Two-9, "Miyagi's Prime" by Hodgy Beats and Don Cannon's Dena Tape 2, and a loosie from Cozz that appeared on LA Leakers' "2015 Draft Picks" mixtape. Kid Cudi's "Girls" is added because it had been a forgotten song in my iTunes library that was unearthed this past weekend... It happens. VibeRotation 12 is available for your enjoyment below, and be sure to give the VR collection a listen on InTheRough's SoundCloud.


2014 UPDATE: After a long while, I re-visited roasting Roma tomatoes and found them quite wonderful! Please see Roasted Roma Tomatoes, they're what's pictured on the right. Roasting is a great way to turn so-so supermarket tomatoes into something special.
2005: Perfect, I thought. The recipe from a mailbox-fresh issue of Bon Appetit called for roasting roma tomatoes, then stuffing them with mozzarella balls, pesto, goat cheese – my plan was to use a cream cheese and wasabi mix with a little diced cucumber and shrimp. The tomatoes turned out great, even though I'd use far less oil another time. But they were so soft, so wobbly, there was no stuffing them with anything, let alone being able to pick them up to eat. So just know this, roasted tomatoes are good, just expect to serve them on the side.
Heat oven to 400F. Spray a rimmed baking dish with cooking spray.
Cut the tomatoes in half lengthwise. Use a grapefruit knife or small knife (serrated may work best) to remove the core and seeds. Arrange cut side up on the baking dish. Brush with olive oil. Sprinkle with salt and pepper. Roast for 50 - 60 minutes or until tender and just slightly charred. Cool on the baking sheet, tilted to let excess oil drain away. Serve sprinkled with chive (or other herb).
The recipe called for 1/4 cup of olive oil. For once, I didn't cut the oil because my experience with roasting vegetables is that more oil is better than less. For these tomatoes, however, a whole quarter cup left the tomatoes dripping in unappetizing oil. After they roasted, I could literally pour oil from each tomato half – and did. And then I tilted the tray and a huge pool collected at the bottom.
Tomatoes may be tender enough that even misting with oil would be plenty – it's certainly worth a try.
TODAY'S VEGETABLE RECIPE INSPIRATION Adapted from Bon Appetit.


text:
package org.assertj.core.api.charsequence;

import static org.mockito.Mockito.verify;

import org.assertj.core.api.CharSequenceAssert;
import org.assertj.core.api.CharSequenceAssertBaseTest;

/**
 * Tests for <code>{@link CharSequenceAssert#containsOnlyOnce(CharSequence)}</code>.
 *
 * @author Pauline Iogna
 * @author Joel Costigliola
 */
class CharSequenceAssert_containsOnlyOnce_Test extends CharSequenceAssertBaseTest {

  @Override
  protected CharSequenceAssert invoke_api_method() {
    return assertions.containsOnlyOnce("od");
  }

  @Override
  protected void verify_internal_effects() {
    verify(strings).assertContainsOnlyOnce(getInfo(assertions), getActual(assertions), "od");
  }
}

redpajama_set_name: RedPajamaGithub