A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant, with only the girl's brother and a handsome doctor standing in her way.
"It's a kind of sexual melting": On the one-and-only Barbara Steele in Mario Bava's horror classic.
An ode to the naturally unsettling screen presence of Barbara Steele, flanked on each side by two other screen waifs, silent and talkie.
Bava's photographer's eye for composition (he cut his teeth working with Rossellini, Pabst, Tourneur, and Raoul Walsh) means that not a frame is devoid of detail or interest: like Welles (who used to paint his own props and decorative fittings) Bava was meticulous with production design, cramming tracking shots through corridors of Katya's castle with ornaments and baubles. Even in black and white, Bava seemed to know how to paint all the colors of darkness.
Mario Bava in his directorial debut is an alchemic picturalist serving up Murnau compositions in clammy sound stages. His camera is a palpable, malefic presence, knocking over furniture as it sweeps across rooms and climactically cross-cutting between a burning and a resuscitation in a double Dreyer citation. The only thing the cinematography can't engulf is Steele herself, who, with her regal perversity and ghoulish eroticism, commands her own space as a newly minted horror icon.
It shows his wide cinematic knowledge, visually quoting everything from White Zombie to David Lean's Oliver Twist and Disney's Snow White and the Seven Dwarfs. He also layers the film with visual motifs and rhymes, deploying eyes, windows, reflections, and long, tense right-to-left pans, which sometimes come full circle to their point of origin, Bava's crew presumably crouching on the floor to stay out of shot, or else trotting around the camera ahead of the advancing lens.
Everything you could want in a gothic witch hunt tale. Dripping with dark atmosphere, so many gorgeous shots, a plot that doesn't pull any fantastic revelations but keeps to traditional story without feeling trite or boring. Almost defines atmospheric horror, each frame so artistically informed.
This film has to be on my favorites list, even if it is primarily because of the wonderfully crafted carriage scene. Beautifully Bava.
[Cinémathèque PT: 35mm] A quote from Johnny Sack comes to mind: "I mean what happened to this thing...? (pause) For god sake, we bend more rules than the Catholic church!". And that was precisely what was going thru my mind whilst i sat thru this amazing film screening - what ever happened to the horror/fantastic genre...? Where did it go?
Artistic in its mood and atmosphere, but this is a case of depthless horror that goes only for scares, but isn't scary because it's too beautifully fine-tuned. Horror is an odd emotion: class and sophistication is a good trait for any kind of film, but scares are most effective when they feel dangerous and like a violation. Black Sunday is a quite good film (and is classy and sophisticated) but is safe and polite.
Good classic horror from Bava, and one of his first works too. It deals with both witchcraft & vampirism - more like RKO/Universal style except Italian way. This film is beautifully well-made and does features some creepy moments Bava would continued exploring in his next few works. Keep an eye out for Ms. Steele as well. This won't be the last of Bava's films I'll be seeing since SHOCK being my first.
The Mask of Satan uncut print. Wonderfully atmospheric Italian horror film and the debut feature by Mario Bava. Well scripted and performed but its the photography by Bava himself that elevates this one to horror classic status. Barbara Steele is great in dual roles here especially as a two century dead witch destined for revenge. Not overly bloody, like the later giallo films, but chilling and suspenseful.
Great variation on the Dracula cinematographic myth. Beautiful black & white and lots of cobwebs. Strongly recommended.


Most researchers in organization and management studies stick to two or three traditional research methods like surveys and interviews. Sticking with the familiar is seen as a safe bet, and innovation is discouraged by academic incentives and rewards. But research participants are now suffering from 'survey fatigue', and using the same old methods runs the risk of generating the same old findings.
This book describes twelve unconventional methodologies in organization and management research. These include unconventional research settings and data sources, unconventional research designs and data collection methods, unconventional analytic approaches, and designs and methods that exploit new technology developments. The aim is to encourage dialogue and experimentation with regard to the development of innovative, unconventional approaches to organization and management research. Several commentators have criticized the way in which research methods have become more formulaic, and have argued for greater diversity in research approaches. The methodological perspective that the we adopt shapes our interpretation of the information that we gather. Different methods generate different kinds of information, leading to different ways of understanding the phenomena that we are investigating. Our methods influence our styles of theorizing, ways of thinking and reasoning, and forms of writing and reporting research.
This book will be of value to academic researchers in organization and management studies, Doctoral candidates, and Masters students on MBA and similar programmes.
Alan Bryman is Emeritus Professor of Organizational and Social Research at the University of Leicester School of Business, UK. His research interests focus on methodology, leadership, organizational analysis, Disneyization, and theme parks. He has published on social and organizational research methods, including two leading textbooks (Social Research Methods, and Business Research Methods) which have been translated into numerous other languages, and he has a specific interest in leadership in higher education.
David Buchanan is Emeritus Professor of Organizational Behaviour at Cranfield University School of Management, UK. His research interests lie with change management and organization politics. He is co-author of a leading text in organizational behaviour, and co-editor with Alan Bryman of The Sage Handbook of Organizational Research Methods (2009). Current projects include studies of change in healthcare, post-crisis change, and the implications of new technology for the role of the HR function.


Even now, as the uprising spreads, there is only cryptic gesturing at the obvious: that this is a war of national liberation and that the enemy is "us".
Wow. He sold his last dove just before the foreign terrorists invaded. Top that, Jane Fonda!
"I have seldom felt as safe in any country." Sure, Saddam's Iraq was extremely safe for Euroleftists who could come and go as they pleased. How safe was it those who actually had to live under Saddam's boot, always fearing that if they said something that could be construed as anti-Saddam, a painful death would follow? How safe was it for members of various Iraqi sports teams who would be beaten bloody if they or their team lost? How safe was it for anyone who dared lift his head and complain?
Pilger is an appalling human being who does not realize that but for the accident of his birth in a country other than Iraq or (fill in your favorite totalitarian, murderous dictatorship), he too would have been subject to the whims of a sadistic, murderous, and fascist Saddam Hussein.
John Pilger is right down there at the bottom with Robert Fisk as "reporters" whose articles are nothing but bilge. Tim Blair has been on Pilger's case for years.
For a moment there I thought that his denunciation of the "foreign terrorists" actually referred to terrorists. Alas, it referred to American soldiers.


text:
Q: How To Calculate Distance JavaScript Between Elements Inside A Flex Container Using Java Script i need to calculate margin left and right to children of an flex item

i tried  to loop trough children but it only gives me the width of the child
i need the width and margins
Note
$(element).width()

didn't worked
main.js file :
  var current_item_children = current_item.children();

$.each(current_item_children, function () {
  var this_item = $(this);
  children.push(
    {
      width: this_item.width(),
      outerWidth:this_item.outerWidth(false),
      height: this_item.height(),

    }
  );
});

A: Distance between first and second element in pixel:

window.addEventListener('load', () => {

  console.log(document.querySelectorAll('.containt')[1].getBoundingClientRect().left - document.querySelectorAll('.containt')[0].clientWidth);

})
.container {

  width: 400px;
  height: 200px;
  background-color: orange;
  display: flex;
  justify-content: space-between;
}

.containt {

  width: 50px;
  height: 50px;
  background-color: blue;
}

A: this is where i found how to measure distance between elements
Measure distance between two HTML elements' centers

 function getPositionAtCenter(element) {
   const {top, left, width, height} = element.getBoundingClientRect();
   return {
     x: left + width / 2,
     y: top + height / 2
   };
 }

function getDistanceBetweenElements(a, b) {
  const aPosition = getPositionAtCenter(a);
  const bPosition = getPositionAtCenter(b);

  return Math.hypot(aPosition.x - bPosition.x, aPosition.y - bPosition.y);
}

const distance = getDistanceBetweenElements(
  document.getElementById("x"),
  document.getElementById("y")
);
console.log(distance)

A: $(document).ready(()=>{
            let current_item_children = $("div.sec").find('img');
            let children = [];
            $.each(current_item_children, function () {
                var this_item = $(this);
                children.push(
                    {
                    width: this_item.width(),
                    outerWidth:this_item.outerWidth(false),
                    height: this_item.height(),

                    }
                );
                console.log(children);
                });
        });

try this function

redpajama_set_name: RedPajamaStackExchange


Occupying 510 acres, the IUPUI campus borders the Downtown Canal & White River State Park, 2 of Indianapolis' 6 cultural districts. IUPUI's mission is to advance the State of Indiana and the intellectual growth of its citizens to the highest levels nationally and internationally through research and creative activity, teaching and learning, and civic engagement.
Parents and students love the IUPUI campus and say it's "friendly," "positive," and "welcoming."
Known as the "Crossroads of America," Indianapolis is also home to prestigious international companies such as Eli Lilly, Roche Diagnostics, and Dow AgroSciences. The city is host to the Indianapolis 500, the world's largest children's museum, the Heartland Film Festival, Black Expo, Indy Jazz Fest -- and still small enough to exemplify Midwestern hospitality, with flavorful cultural districts, and a strong sense of community.


I have some amazing fans who pray for me every day. I don't ask them to. They just do because they genuinely love and care about me. I'm so blessed to have my own personal warriors out there in the world.
Over the past two years I have had a series of private concerts in my home called The Living Room Series. It has been the most fun and exciting thing I've ever done in my career. I guess you'd say it was just another way of "reinventing myself" after all these years. I'd heard about other well-known pianists doing it and wondered if my friends and fans would really want to come and see me play the piano in my own home. Well, it was a hit.
It actually was a very brave move and honestly I was somewhat nervous, because it was so very personal. We would be opening up our home. People would see how we lived, how we kept things, what I collected, my kitchen and where I cook every day, and . . . how my carpet on the stairs was slightly worn out and needed to be replaced after all these years. Fans and friends would see the "world headquarters" of Lorie Line Music, Inc.
Tim and I decided we were on.
Oh, I'm so glad. A few people gave me the highest compliment and said the idea was "genius." I'm not a genius. It was just a perfect blend of things I love. I love my home. I love to entertain. And I love my fans.
One of my favorite things about this very special evening in my home is greeting my fans at the front entrance of the house. I'm so excited to see everyone that I actually get butterflies just waiting for my guests to arrive and spend the evening with me. (I recognize and know most everyone who comes because I've seen them so many times over the years.) Friends have come from all over the world, even Hong Kong and Norway. One night we had 12 States represented. And then there are my friends from church. They have come too.
Well, one night, one of my amazing fans and a very special friend, Kathy Wise (whose name befits her), stepped up to say hello. This particular night she knew I was experiencing some real life challenges. She gave me a hug.
And I'll never forget what she said to me.
" . . . what some people don't know about you, Lorie, is that you are special. You, my dear, are a daughter of The King."
I was so deeply touched. I guess I had never thought about it in those words. But I immediately started walking differently, holding my head a little higher. My faith was restored.
I am special. I am a daughter of The King.
And thus, this year's holiday show began to develop. Her Wise words rang in my ears for days. From that moment on I kept thinking about "The King." When my heart was heavy, just as I did when I was little, I would think of myself as a queen. Special. In charge. Strong. Not defeated.
And so, one day it came to me. KING OF KINGS. Of course! My King. My Lord of Lords. Living forever and ever . . . in me.
That's what the birth of Jesus means to me. Christmas. My King of Kings.
In my 28 years of touring, this year's theme and title is my favorite.
KING OF KINGS. And Lord of Lords. And He shall live forever and ever.
To come and see this year's show, KING OF KINGS, you can purchase tickets by clicking on this link, or feel free to call us at 952-474-1000. http://www.lorieline.com/tour.php. Christmas is just around the corner and I hope to see you when I stop in your town!
If you are interested in The 2018 Living Room Series, email us at customerservice@lorieline.com. Please provide your name and mailing address and we will send you a private invitation in the mail at the end of the year.
The above photo was taken a few weeks ago when Tim and Lorie went to The Walker Arts Center for the Wayzata Garden Club couples night. Lorie has been a member of the Wayzata Garden Club for 15 years.
Kathy Wise lives down the road from Tim and Lorie Line. She has been a friend and fan for over 20 years.
I share this story to inspire you.
Our daughter got married this year. It was in March and the wedding was in Baton Rouge. William and his family are from that part of the country and our daughter now lives there. She has a great job and two dogs.
Instead of flying, Tim and I decided to drive from Minneapolis to Baton Rouge, straight south. It's a two-day drive, actually a lot shorter than I thought it would be. We both thought it would be nice to take our own car (it has 180,000 miles on it) and take our time. It would be our only vacation this year and we'd be there a week. On a fun note, Tim volunteered to be the DJ at the wedding reception (can you imagine how great he was . . . ), so we had a lot of sound gear to pack and bring along. For me, I liked the idea of driving because I thought it would be nice to just sit and do nothing. We work so hard.
About six hours into the trip, I had my iPad out and told Tim I had heard that some of my retired and out-of-print music books were starting to become valuable. It was rumored that people were trying to sell some of my books on Ebay for big bucks. I've never looked at that kind of thing before, but because I had time, I decided to look on Ebay and see if there were any Lorie Line music books for sale. Sure enough, Music From The Heart was the first book that popped up. Two people were trying to get $300 to $500 for their book. (Personally, I have one copy and there is a sticker on the cover that says DO NOT SELL. LORIE'S COPY.) Well, I scrolled down and here comes up another book, VOGUE. The seller was asking $1700 for the book. Are you kidding me?! Now, they probably won't get that kind of money for the book, but how flattering was that!
Here's the deal. Some of my books are retired and/or out-of-print because the licenses are just too expensive to purchase again. With about 50 books in our inventory, we have to decide if the cost (and the risk) is worth it. Because of this, some of my books have become valuable.
Well, the next book that is out of print and starting to become valuable is SIMPLY GRAND.
So, today I'd like to share with you the story of SIMPLY GRAND.
Seventeen years ago I recorded this solo piano album and published the music book. I made the horrible mistake of giving it to our local Minneapolis music critic, Jon Bream. Now I would describe Jon as "old and curmudgeonly." I would never be his type. No matter what (although the most flattering thing he ever said about me was that I was a modern-day Audrey Hepburn). But I'm not his type because I'm not a granola girl. I love beautiful things. I have a different faith. And I'm happy.
Jon is the kind of critic who says a few nice things about you, then takes you down. Oh, so low. It cuts straight to the heart. Or really the gut. For my album SIMPLY GRAND, he said a few nice things, but his last sentence is one I will never forget . . . something like . . . "this album is nice, but really it is just a little more simple . . . than it is grand."
Straight to the heart. My heart. Of course I recovered, but I never passed along another album to him, and to this day I have never seen or heard another word from Mr. Bream.
In church the other day I listened to how Abraham waited and waited for God's promise to be fulfilled. How he begged God to give him a son, bless him and multiply his family. How God took him outside and showed him the stars in the heavens. How he waited and waited, until it was impossible to even conceive a child. But God said, "oh, you just wait. . . ."
Abraham was in his 80's. And then it happened.
So here I am . . . 17 years later. And now I'm almost 60 years old.
Here's how my story ends. Today, if you type in my name (Lorie Line Radio) on Pandora (which is the most popular digital music radio station in the world), guess what comes up? A song off of my SIMPLY GRAND album. It's called Time To Say Goodbye. I would have never predicted this. It's been playing since Pandora came into existence.
So . . . guess how many times this one song has played on Pandora over the years? 100,000 times? Ah, that's a good guess.
A half million times? That's a very good guess.
A million? Really? You're kidding me . . . but you're getting closer.
Ok Lorie! Five million spins! (that's what they call it on Pandora . . . "spins").
So. . . I will now tell you.
Are you sitting down? I am. Because it's so hard to believe. It's like God taking Abraham outside and having him look into the heavens and count the stars. So let's go outside. Come outside with me. Look with me into the heavens.
Look up. Count the stars.
Yes. I will type that one out. Eighty-five million spins for Time To Say Goodbye off of SIMPLY GRAND. One song. And I have 14 additional songs off the album that have been played a total of 64 million times (In The Looking Glass; Norwegian Wood; Sweet Dreams; Nevada Skies, and more).
I don't think I could ever count 85 million stars in the sky.
I guess sometimes it pays to be . . . simple.
Oh victory in Jesus, my Savior forever.
SIMPLY GRAND is Lorie Line's best selling music book of all time.
If you are interested in hearing Time To Say Goodbye and other songs off of SIMPLY GRAND, just type in Lorie Line Radio on Pandora and the songs off this album will come up on your play list.
Time To Say Goodbye is the number one Lorie Line download on SheetMusicPlus.com, an official web site that sells copyright music. You can purchase it on this web site.
Nevada Skies is currently the featured FREE download of the month (September) on the official Lorie Line web site.
Pandora pays a fraction of a penny for every 1500 spins.
To this day, Jon Bream remains a critic at the Minneapolis Star Tribune.
Thank you for listening to Lorie's music on Pandora.
About four years ago Tim and I were invited to a dinner party just up the road. I would consider this group my smart, entrepreneurial group of friends and we get together a couple times every year. We all own our own businesses. The host owns a very successful driving school. His wife owns (and most recently sold) a large equestrian retail store. The next couple - he is a surgeon in a private practice and she produces independent documentary films. And then there's Tim and me in the music business. It's an interesting group, that's for sure. We have nothing but everything in common.
I know you're not supposed to do this at a dinner party, but we can't help ourselves. We are all super passionate about the world and we typically end up talking politics (and religion . . . to make it an even trickier night). We don't always agree, but we always end up friends at the end of the evening. Obviously, because we've been doing these dinner parties now for 20 years.
This one particular night four years ago is one I will never forget. We were all speculating who was going to run for President and the host said, "I don't care if our next President is a Republican or a Democrat. I just want a business man to run our country."
And there it was. The first time it was ever said out loud. Well, maybe the first time I was listening and heard it. A business man. Someone who might understand our complex and difficult business world. Understand and rally for the entrepreneur.
Who in the world would that possibly be?
Two years later Donald Trump came down that escalator. A Democrat? A Republican? The "business man." Most of our entrepreneurial friends said the same thing. "No matter what, we are voting for him."
A year later (during the primaries when the 17 Republicans were dropping out) we happened to be invited to another social dinner at a country club. We were seated next to a Congressman and Tim asked what he thought the chances were of Donald Trump becoming our next President. The Congressman laughed and said, "he'll never be the President."
Underneath the table, Tim and I were kicking each other. We just knew. We were out there hearing the people. He was going to win.
I tell you this story because, no matter what your politics are these days, you can't help but to be fascinated watching the daily news and all the gatherings at the White House. I get excited when I see the chairs lined up all in a row in the press room. I love the beautiful gold draperies behind the desk in the Oval Office. A reporter will be standing on the perfectly groomed grounds. President Trump will walk down that famous walkway to the helicopter. Yes, I get excited.
The year was 2000 and I just so happened to have a Christmas concert at Constitution Hall, located across the street from the White House. There was an intern from Concordia College (Moorhead) working for President Clinton who was a huge fan of mine. She saw I was coming to D.C. and asked if I might play the next morning after the concert for the families of Bill Clinton and George W. Bush. It was a transitional day. President Clinton was leaving, President Bush was coming in. And this particular day both Presidents would be in the White House.
Well, of course! Yes! I'd love to play!!! Are you kidding me??
It was so exciting. When we arrived we went through the security gates and they took us to a holding area underneath the main common area at the White House. Actually, truth be told it was kind of scary. We were in a very small room. A holding tank. Waiting. Once we got clearance, we headed up some stairs and it was like a magical wand waved over me. I was walking . . . quickly . . . in a crowded area with family members from both Presidents on both sides of me, shoulder to shoulder, wall to wall. There were beautiful Christmas trees and Christmas decorations EVERYWHERE. It was spectacular. The security guards hurried us along until we came to a roped-off area.
There it was. The famous Steinway underneath the John F. Kennedy portrait. And my bench for the morning.
Everyone was gathered around the portrait and behind the ropes. I started to play and it was as though I wasn't really there. I was watching with everyone else.
Off to the side were two musicians from my Pop Chamber Orchestra . . . Kenni Holman on soprano sax, and Carolyn Boulay on violin. These two musicians had been with me the longest, so I selected them to join me for the day. At first, the woman in charge would not let them play, said it would be "too loud." But after an hour or so, I politely asked if we could try one song. She agreed, and Carolyn and Kenni joined me for the remainder of the morning. I think we could have played together all day.
The following morning we were all invited back to have breakfast in the Mess Hall, and take a tour behind the scenes. They said I could bring four guests (and Tim of course). It was tough to decide who would come. Since Kenni and Carolyn went the previous day, I selected vocalist Robert Robinson and Tricia Lerohl (horn) to join me as they were next in line in seniority. That left two open spots.
It just so happened that in the year 2000 our sales team was made up of (none other than) our dads. Yes, my dad and Tim's dad sold merchandise for us in the lobby that year, so we invited them to come along that morning. They were thrilled. Neither had been to the White House before.
The Mess Hall was a tiny restaurant where all the Representatives and Congressmen dined. Back then, Tim and I weren't so politically savvy, but we recognized a few famous politicians eating in the area. Following breakfast our cute little Concordia intern asked if we wanted to go and see the Oval Office. President Clinton was gone that day. She knew his secretary and had cleared the way.
Sure enough, next thing we knew we were being greeted by President Clinton's famous secretary, Betty Curry. She put her lipstick on, and took a few photos with us around the President's desk.
Socks the cat walked by. Was I dreaming?
The last stop was the China Room. It was my personal favorite room in the White House (well, that . . . and the kitchen). All First Ladies have had the privilege of designing their own pattern of china. (I would love that assignment!) On display in beautiful cabinetry were one-of-a-kind place settings of china designed by all of the former First Ladies. It was tough to pick the winner.
This was truly an experience of a lifetime. Democrat or Republican. business man or professional politician. Whomever the President, I hope to have another opportunity to play, even just one more time, underneath the beautiful John F. Kennedy portrait.
To this day, my favorite piece of art on my wall in my home is a simple framed thank-you letter from President Clinton's Social Secretary at the White House.
There were no cell phones back in 2000, so I only have a few precious photos of this day.
Last week we had dinner with our entrepreneurial friends. We got caught up on life, talked about our careers, our kids, religion, and of course . . . politics. Not everone voted for President Trump.
Robert Robinson, Tim Line, and the Concordia Intern.


Each of us spends their free time differently. Someone involved in sports, someone goes to the cinema or theater, but what if the free time quite a bit, just five or ten minutes? A great helper to pass such a short time is games online! They are free, they do not need to install on your computer or tablet, you can play them directly in the Internet browser. Min2Win = Spend few minutes to win!
Often each of us faces challenges at work. Few people have thought about this, but many of them can be solved with the help of online games. Laying out a game of solitaire or Mahjong, solving the quest or shooting the ball, or shifting their attention to the game of any other genre, you can get away from the haunting thoughts, to temporarily stop thinking about them. Such a distraction, no doubt, will have a beneficial effect on your general condition and performance.
In addition, short gameplay presented on our website stories, will not make you completely retire from the business. While playing, you will continue to solve current tasks in the background mode somewhere deep inside of your mind and, believe us, will benefit from this. Many visitors are positive about the unloading of the brain with the help of a short game. Just try, play a game staying online! Exploring the game catalog above, new ones section or most popular top games desk, you can find a best one special for your current state.


text:
The Oregon Symphony, based in Portland, Oregon, was founded in 1896 as the Portland Symphony Society; it is the sixth oldest orchestra in the United States (and the oldest in the Western United States), and claims to be one of the largest arts organizations in the Pacific Northwest. The Symphony has released nineteen studio albums and one compilation album through the record labels Delos, Koch International Classics, Albany and PentaTone Classics. The first recording, Bravura (1987), was released under the artistic leadership of James DePreist. It received favorable reviews and was the first of three released through Delos. The next two recordings were collections of compositions by Sergei Rachmaninoff (The Sea and the Gulls, 1987) and Pyotr Ilyich Tchaikovsky (Tchaikovsky: 1812 Overture; The Tempest; Hamlet, 1989).

In 1992, the orchestra released its first record through Koch, with works by Gian Carlo Menotti, Ronald Lo Presti and Norman Dello Joio. DePreist and the Symphony then issued two special edition albums not available commercially: Romeo and Juliet (1992), featuring Tchaikovsky's Fantasy Overture Romeo and Juliet, and Roman Festivals (1993), a re-issue of the performance of Respighi's Feste Romane from Bravura. On Martin Luther King, Jr. Day in 1995, the Symphony released its second album through Koch, with works by Joseph Schwantner and Nicolas Flagello; more than 30 United States radio stations broadcast Schwantner's piece on the holiday to commemorate the civil rights leader. The album reached a peak position of number three on Billboard Classical Albums chart and remains the Symphony's best-selling album to date. Later that year, to commemorate its centenary, the Symphony released its first compilation album, Centennial Collection, which contained material from previously released recordings. Erich Wolfgang Korngold: The Sea Hawk; Symphony in F-Sharp followed in 1998.

During DePreist's final five years as music director, the Symphony was able to fund two recording sessions per year due to a $1 million bequest that established the Gretchen Brooks Recording Fund. The first two resulting albums were Stravinsky: The Rite of Spring; The Firebird Suite (2001) and Respighi's Rome (2001), which completed the "Roman Triptych" of Respighi started by Bravura and continued with Roman Festivals. The remaining albums released through Delos included American Contrasts (2003), Shostakovich: Symphony No. 11 "The Year 1905" (2003), Sibelius: Symphony No. 2; Symphony No. 7 (2004), Walton: Suite from Henry V; Cello Concerto; Violin and Piano Sonata; Bernard Rands: Tre Canzoni Senza Parole (2005) and Tragic Lovers (2008). Each of these featured DePreist as conductor, though some were released following his departure from the Oregon Symphony in April 2003. In 2003, the orchestra also released Orchestral Works by Tomas Svoboda, its first album through Albany. The recording of Tomáš Svoboda's Concerto for Marimba and Orchestra, featuring percussionist Niel DePonte, received a Grammy Award nomination for Best Instrumental Soloist Performance with Orchestra. The orchestra released 17 albums conducted by DePreist.

In 2011, the Symphony released Music for a Time of War, which debuted and peaked at number 31 on Billboard Classical Albums chart and received Grammy Award nominations for Best Orchestral Performance and Best Engineered Album, Classical. This England and Spirit of the American Range followed in 2012 and 2015, respectively. These recordings marked the first three of four albums to be produced by the Symphony and the Dutch record label PentaTone by the end of the 2014–15 season, all under the artistic leadership of current conductor Carlos Kalmar.

Studio albums

Compilation albums

References

General

Specific

Discographies of American artists
Orchestra discographies
Discography
Portland, Oregon-related lists

redpajama_set_name: RedPajamaWikipedia


I love Idaho in the Spring. It's a bit of a wild card – sun burns one day and the next, hail, wind and 25* colder! Today is the latter of those crazy weather options and our day started a bit rocky. Truth be told, it started with me in a puddle of sadness and I needed a task to work with my hands while my heart sorted itself right out. I considered gardening – my favorite spring task – but after settling my sweet baby down for a nap, I got all dressed in my gardening clothes (holy mud outside!) and then promptly found that my lovely children had taken my boots outside and left them overnight in the rain. I definitely felt "kicked while I'm down" about that. I decided that the next best thing to gardening would be cooking something comforting for us all.
A good soup is always a welcomed meal in our home. I knew right away when I was feeling so down that I wanted a go-to favorite meal, not a new recipe for dinner. Our kids call it Veggie Chowder. It's never exactly the same twice because we use what we have and it always works wonderfully. Today was extra special though because I picked up some bread bowls to serve it in!
Add the above ingredients to a large stock pot with a touch of oil.
Cook together for about 5 minutes.
Add the remaining ingredients and bring to a boil. Add in spices of your choosing. Today we added in black pepper and a bit of montreal chicken seasoning. (I really just wing it any time I cook!). Let everything lightly boil until potatoes are soft.
Turn the heat to low and grab your blender! Toss half of your soup in your blender and mix until smooth. Pour this back into your soup pot and stir. This step gives it a wonderful thick texture without excessive ingredients or time making a roux.
Add 1 cup of half & half. A handful of cheese.
Serve hot with your favorite bread (or wow your family with bread bowls!) and a side salad.


text:
More in Editorial - Chabad School in Azerbaijan Ranked Among Top Twenty In The Country - First Jewish Youth Center Opened in Russia's Far East - A Lone and Destitute Jewish Woman Gets A Jewish Burial - When Friendship Isn't Only For Kids: The Circle Expands to 21 Plus - Heirs to the Rebbe's Legacy - Jewish and Canadian Law Contrasted at Westmount Symposium
A Time to Share
Rabbi Menachem M. Schneerson, the Lubavitcher Rebbe
by A New Year Message from the Rebbe - Lubavitch HQ, NY
The Jewish New Year, 5768, is a particularly unique year as it is the year of Shemittah the Sabbatical year. This Rosh Hashanah marks the completion of a cycle of six years and the beginning of the observance of the Shemittah, the seventh year.
As with Shabbat, the seventh day of the week that is dedicated to holiness, during which we abstain from work and all kinds of physical labors, the Shemittah year is designated as a holy year. "let the land lie fallow…" the Torah commands us, and as such, prohibits all labors pertaining to agriculture, in the Land of Israel.
There is, however, an underlying and essential difference between Shabbat and Shemittah. Whereas in the observance of Shabbat we invoke G-d as Creator of the world, Shemittah invokes Divine proprietorship of the universe.
Basically, the laws of Shemittah render the fields, orchards and farms as public property, withdrawing for all practical purposes personal ownership for the duration of the year. These laws make it permissible for anyone, including house servants and field laborers, to eat from fruits and grains in the fields.
Although these laws apply only to the Land of Israel, there is a message that all of us can glean from its significance, regardless of where we live.
The Shemittah year, designated by G-d as a reminder to each of us that while He has endowed us with the gifts of the earth, to cultivate the land and enjoy its fruits, ultimately, it is G-d to Whom everything belongs. The recognition that we do not hold true proprietorship to anything ought to inspire within us gratefulness to G-d for all the bounty He has blessed us with. Furthermore, it bears strongly on how we perceive our money, and the spirit that attends our charity giving. It is not in common for one to give charity—even generously, with the perception that he or she is parting with their own money. This is a mistaken perception.
Tzedakah, commonly translated as "charity," actually means "Justice." With the recognition that everything ultimately belongs to G-d, the sharing of ones money, time and energy is not a charitable act, but rather a just act. In giving each of us our share of material blessings, G-d has given us the opportunity to exercise our choice to share it generously.
Every year on Rosh Hashanah, we proclaim G-d, King of the Universe. The Shemittah year, which appropriately begins on Rosh Hashanah, affirms our faith that not only had G-d created the world but He is its Master.
As has been said many times before, the manner in which we begin the New Year, the commitments we make and the resolutions we adopt will reflect themselves in the quality of the days that follow throughout the year. Thus, it is especially important that we take the message of Shemittah to heart, beginning with the early days of the New Year, when we customarily increase in our tzedaka giving, and carry it through the entire year.
In the merit of a heightened awareness of our indebtedness to G-d Almighty during this Shemittah year, G-d will surely bless each and every one of us with a year of health, happiness and prosperity, in both physical and spiritual respects.
--Adapted from a letter by the Rebbe, Tishrei 6, 5733

redpajama_set_name: RedPajamaCommonCrawl


CLEVELAND -- The Cleveland Division of Police is opening an internal investigation into the response from the department to an incident involving former Kansas City Chiefs running back Kareem Hunt.
The police announced the investigation in a statement on the department's public records website Wednesday evening. One of the items the police want to know is how the NFL got a copy of the Feb. 10, 2018, assault report without filing a records request.
The statement said the league received a copy of the incident report in February 2018.
The Kansas City Star, citing public records, reported Tuesday that the NFL had not filed an official request for the records until Nov. 30, the day TMZ posted the video on its website.
The NFL said Tuesday night, in response to that report, that it had obtained the written reports prepared by the officers who responded to the incident in February, immediately upon learning of the incident.
"We had multiple verbal conversations with Cleveland police officers and requested surveillance video immediately upon learning of the incident in February," said Brian McCarthy, vice president of communications for the NFL.
"In addition, NFL representatives also made requests for surveillance video to the hotel property," he said. "We also obtained and reviewed the material developed by the police, which included the written reports prepared by the officers who responded to the incident, and later the interviews that were recorded by body cams and the recordings of the 911 calls."
The police confirmed Wednesday that the league received the incident report in February.
"Following an internal review, it has been determined that in February 2018 a member of the Cleveland Division of Police provided a copy of the police report involving the February 10, 2018 assault incident at The 9 to a representative from the National Football League," the police said in a statement. "The report did not go through the official public records request process."


I am experimenting with different KVM solutions. I like the ClearVM concept and have used ClearOS in the past.
Does the LiveVisor only run from an external device (CDROM/USB) or can it be physically installed on the bare-metal host machine?
This is an issue because physical access to the server is not possible for CDROM and managing the boot from USB is a pain.
I've drawn attention of your offer to the devs. I am not sure of the timescales myself although I understand there have been a few delays.
What is the approximate release date for the new version of ClearVM? Is there a way to join/access the beta test program or access the preview product?
See the short Q&A section at the bottom of the documentation section of the ClearVM main page.
Please note that a new version is due out soon which runs on much more up-to-date hardware as it is written on top of a current distro (ClearOS, I believe!).


text:
Адвока́т (від  — прикликаний від  — запрошую) — юрист, що надає професійну правову допомогу учасникам правовідносин.

Участь адвоката є обов'язковою при захисті особи від кримінального обвинувачення, а також в інших випадках, визначених законодавством відповідної держави.

Доступ до професії адвоката, його професійні права та обов'язки, етичні вимоги регулюються не тільки державою, але й самоврядними професійними об'єднаннями, яким гарантується свобода від зовнішнього втручання.

В Україні

В Україні адвокат — фізична особа, яка здійснює адвокатську діяльність на підставах та в порядку, що передбачені Законом України «Про адвокатуру та адвокатську діяльність».

Адвокат є самозайнятою особою, що провадить незалежну професійну (адвокатську) діяльність, згідно зі ст. 14.1.226 Податкового кодексу України. Водночас, особа, яка здійснює адвокатську діяльність, має право обрати інші форми такої діяльності (бюро, об'єднання).

Історія адвокатської професії

Роль і завдання адвокатів згідно з міжнародним правом

Численні міжнародні договори утверджують принципи рівності перед Законом, презумпцію невинуватості, право на неупереджений і відкритий розгляд справи незалежним і справедливим судом, а також численні гарантії, необхідні для захисту особи, обвинуваченої у вчиненні караного діяння. На адвокатів покладається безпосереднє дотримання і реалізація цих гарантій.

Основні положення про роль адвокатів, прийняті Восьмим Конгресом ООН з попередження злочинів у серпні 1990 р. в Нью-Йорку, проголошують наступні принципи щодо адвокатів, а також щодо осіб, які здійснюють адвокатські функції без одержання формального статусу адвоката.

 Будь-яка людина в праві звернутися по допомогу до адвоката за своїм вибором для підтвердження своїх прав і захисту в усіх стадіях кримінальної процедури.
 Уряди повинні гарантувати ефективну процедуру і працюючий механізм для реального і рівного доступу до адвокатів усіх осіб, що проживають на його території і підлеглих його юрисдикції.
 Будь-яка особа, яка не має адвоката, у випадках, коли інтереси правосуддя вимагають цього, повинна бути забезпечена допомогою адвоката, котрий має відповідну компетенцію та досвід ведення таких справ, щоб забезпечити її ефективну допомогу без оплати з її боку, якщо у неї немає необхідних коштів.
 Уряди, професійні асоціації адвокатів та навчальні інститути мають забезпечити, щоб адвокати отримали відповідну освіту, підготовку і знання як ідеалів та етичних обов'язків адвокатів, так і прав людини та основних свобод, визнаних національним і міжнародним правом.
 Адвокати повинні постійно дбати про честь і гідність своєї професії як важливі учасники здійснення правосуддя.
 Там, де безпека адвокатів перебуває під загрозою у зв'язку з виконанням професійних обов'язків, вони мають бути адекватно захищені владою.
 Адвокати, як і інші громадяни, мають право на вільне висловлювання, віросповідання, об'єднання в асоціації та організації.
 Адвокатам має бути надано право формувати самоврядні асоціації для представництва їх інтересів, постійного навчання і перепідготовки та підтримання їх професійного рівня.

Призначення та основні завдання адвокатів

Згідно з Основними положеннями , обов'язки адвоката щодо клієнта мають включати: а) консультації клієнта про його права та обов'язки, з роз'ясненням принципів роботи правової системи, оскільки вони стосуються прав і обов'язків клієнта;

б) надання допомоги клієнту будь-яким законним способом та вчинення правових дій для захисту його інтересів;

в) надання клієнту допомоги в судах, трибуналах та адміністративних органах.

Надаючи допомогу клієнтам при здійсненні правосуддя, адвокати повинні додержувати прав людини й основних свобод, визнаних національним і міжнародним правом, діяти вільно і наполегливо, відповідно до закону і визнаних професійних стандартів та етичних норм.

Адвокат має бути лояльним до інтересів свого клієнта.

Відповідно до Закону України «Про адвокатуру та адвокатську діяльність» видами адвокатської діяльності є:

 надання правової інформації, консультацій і роз'яснень з правових питань, правовий супровід діяльності юридичних і фізичних осіб, органів державної влади, органів місцевого самоврядування, держави;
 складення заяв, скарг, процесуальних та інших документів правового характеру;
 захист прав, свобод і законних інтересів підозрюваного, обвинуваченого, підсудного, засудженого, виправданого, особи, стосовно якої передбачається застосування примусових заходів медичного чи виховного характеру, або вирішується питання про їх застосування у кримінальному провадженні, особи, стосовно якої розглядається питання про видачу іноземній державі (екстрадицію), а також особи, яка притягається до адміністративної відповідальності під час розгляду справи про адміністративне правопорушення;
  надання правової допомоги свідку у кримінальному провадженні;
 представництво інтересів потерпілого під час розгляду справи про адміністративне правопорушення, прав і обов'язків потерпілого, цивільного позивача, цивільного відповідача у кримінальному провадженні;
 представництво інтересів фізичних і юридичних осіб у судах під час здійснення цивільного, господарського, адміністративного та конституційного судочинства, а також в інших державних органах, перед фізичними та юридичними особами;
 представництво інтересів фізичних і юридичних осіб, держави, органів державної влади, органів місцевого самоврядування в іноземних, міжнародних судових органах;
 надання правової допомоги під час виконання та відбування кримінальних покарань.

Адвокат може здійснювати інші види адвокатської діяльності, не заборонені законом.

Статус адвокатів в Україні

Хто може і хто не може бути адвокатом

Адвокатом може бути фізична особа, яка має повну вищу юридичну освіту, володіє державною мовою, має стаж роботи в галузі права не менше двох років, склала кваліфікаційний іспит, пройшла стажування (крім випадків, встановлених цим Законом), склала присягу адвоката України та отримала свідоцтво про право на заняття адвокатською діяльністю.

Не може бути адвокатом особа, яка:

 має непогашену чи незняту в установленому законом порядку судимість за вчинення тяжкого, особливо тяжкого злочину, а також злочину середньої тяжкості, за який призначено покарання у виді позбавлення волі;
 визнана судом недієздатною чи обмежено дієздатною;
 позбавлена права на заняття адвокатською діяльністю, — протягом двох років з дня прийняття рішення про припинення права на заняття адвокатською діяльністю;
 звільнена з посади судді, прокурора, слідчого, нотаріуса, з державної служби або служби в органах місцевого самоврядування за порушення присяги, вчинення корупційного правопорушення, — протягом трьох років з дня такого звільнення.

Несумісною з діяльністю адвоката є:

 робота на посадах осіб, зазначених у пункті 1 частини першої статті 4 Закону України «Про засади запобігання і протидії корупції» ;

 військова або альтернативна (невійськова) служба;
 нотаріальна діяльність;
 судово-експертна діяльність.

Форми адвокатської діяльності

Здійснення адвокатської діяльності індивідуально (в Росії — «адвокатський кабінет»).

Адвокат, який здійснює адвокатську діяльність індивідуально, є самозайнятою особою.

Адвокат, який здійснює адвокатську діяльність індивідуально, може відкривати рахунки в банках, мати печатку, штампи, бланки (у тому числі ордера).

Адвокатське бюро.

Адвокатське бюро є юридичною особою, створеною одним адвокатом (в Росії — двома і більше), і діє на підставі статуту. Найменування адвокатського бюро повинно включати прізвище адвоката, який його створив.

Адвокатське бюро має самостійний баланс, може відкривати рахунки у банках, мати печатку, штампи і бланки із своїм найменуванням.

Адвокатське бюро може залучати до виконання укладених договорів про надання правової допомоги інших адвокатів на договірних засадах.

Адвокатське об'єднання (в Росії — «колегія адвокатів»).

Адвокатське об'єднання є юридичною особою, створеною шляхом об'єднання двох або більше адвокатів (учасників), і діє на підставі статуту.

Адвокатське об'єднання має самостійний баланс, може відкривати рахунки у банках, мати печатку, штампи і бланки із своїм найменуванням.

Адвокатське об'єднання може залучати до виконання укладених об'єднанням договорів про надання правової допомоги інших адвокатів на договірних засадах. Адвокатське об'єднання зобов'язане забезпечити дотримання професійних прав адвокатів та гарантій адвокатської діяльності.

Адвокати мають право створювати в установленому законом порядку місцеві, всеукраїнські і міжнародні об'єднання.

Адвокати, їх об'єднання можуть бути членами міжнародних організацій адвокатів та юристів.

Професійні права та обов'язки адвоката

Під час здійснення адвокатської діяльності адвокат має право вчиняти будь-які дії, не заборонені законом, правилами адвокатської етики  та договором про надання правової допомоги, необхідні для належного виконання договору про надання правової допомоги, зокрема:
 звертатися з адвокатськими запитами, у тому числі щодо отримання копій документів, до органів державної влади, органів місцевого самоврядування, їх посадових і службових осіб, підприємств, установ, організацій, громадських об'єднань, а також до фізичних осіб (за згодою таких фізичних осіб);
 представляти і захищати права, свободи та інтереси фізичних осіб, права та інтереси юридичних осіб у суді, органах державної влади та органах місцевого самоврядування, на підприємствах, в установах, організаціях незалежно від форми власності, громадських об'єднаннях, перед громадянами, посадовими і службовими особами, до повноважень яких належить вирішення відповідних питань в Україні та за її межами;
 ознайомлюватися на підприємствах, в установах і організаціях з необхідними для адвокатської діяльності документами та матеріалами, крім тих, що містять інформацію з обмеженим доступом;
 складати заяви, скарги, клопотання, інші правові документи та подавати їх у встановленому законом порядку;
 доповідати клопотання та скарги на прийомі в посадових і службових осіб та відповідно до закону одержувати від них письмові мотивовані відповіді на ці клопотання і скарги;
 бути присутнім під час розгляду своїх клопотань і скарг на засіданнях колегіальних органів та давати пояснення щодо суті клопотань і скарг;
 збирати відомості про факти, що можуть бути використані як докази, в установленому законом порядку запитувати, отримувати і вилучати речі, документи, їх копії, ознайомлюватися з ними та опитувати осіб за їх згодою;
 застосовувати технічні засоби, у тому числі для копіювання матеріалів справи, в якій адвокат здійснює захист, представництво або надає інші види правової допомоги, фіксувати процесуальні дії, в яких він бере участь, а також хід судового засідання в порядку, передбаченому законом;
 посвідчувати копії документів у справах, які він веде, крім випадків, якщо законом установлено інший обов'язковий спосіб посвідчення копій документів;
 одержувати письмові висновки фахівців, експертів з питань, що потребують спеціальних знань;
 користуватися іншими правами, передбаченими цим Законом та іншими законами.

Під час здійснення адвокатської діяльності адвокат зобов'язаний:
 дотримуватися присяги адвоката України та правил адвокатської етики;
 на вимогу клієнта надати звіт про виконання договору про надання правової допомоги;
 невідкладно повідомляти клієнта про виникнення конфлікту інтересів;
 підвищувати свій професійний рівень;
 виконувати рішення органів адвокатського самоврядування;
 виконувати інші обов'язки, передбачені законодавством та договором про надання правової допомоги.

Адвокату забороняється:
 використовувати свої права всупереч правам, свободам та законним інтересам клієнта;
 без згоди клієнта розголошувати відомості, що становлять адвокатську таємницю, використовувати їх у своїх інтересах або інтересах третіх осіб;
 займати у справі позицію всупереч волі клієнта, крім випадків, якщо адвокат впевнений у самообмові клієнта;
 відмовлятися від надання правової допомоги, крім випадків, установлених законом.

Гарантії адвокатської діяльності

Гарантії адвокатської діяльності — це засоби охорони прав адвокатів від їх порушення. Професійні права, честь і гідність адвоката гарантуються та охороняються Конституцією України, Законом України «Про адвокатуру та адвокатську діяльність», Кримінальним кодексом України (ст. 397—400) та іншими законами, зокрема забороняються будь-які втручання і перешкоди здійсненню адвокатської діяльності, забороняється вимагати розкриття адвокатської таємниці, забороняється втручання у приватне спілкування адвоката з клієнтом, забороняється втручання у правову позицію адвоката, забороняється ототожнення адвоката з клієнтом тощо.

Адвокатська таємниця

Адвокатська таємниця — будь-яка інформація, що стала відома адвокату, помічнику адвоката, стажисту адвоката, особі, яка перебуває у трудових відносинах з адвокатом, про клієнта, а також питання, з яких клієнт (особа, якій відмовлено в укладенні договору про надання правової допомоги з передбачених Законом підстав) звертався до адвоката, адвокатського бюро, адвокатського об'єднання, зміст порад, консультацій, роз'яснень адвоката, складені ним документи, інформація, що зберігається на електронних носіях, та інші документи і відомості, одержані адвокатом під час здійснення адвокатської діяльності.

Адвокатський запит

Адвокатський запит — письмове звернення адвоката до органу державної влади, органу місцевого самоврядування, їх посадових та службових осіб, підприємств, установ і організацій незалежно від форми власності та підпорядкування, громадських об'єднань про надання інформації, копій документів, необхідних адвокату для надання правової допомоги клієнту.

Адвокатська етика

Адвока́тська е́тика (етика адвоката) — приписувана корпоративними правилами належна поведінка адвоката у тих випадках, коли правові норми не встановлюють для нього конкретних правил поведінки.

Адвокатська етика — складова частина юридичної етики.

Дисциплінарна відповідальність адвокатів

Адвоката може бути притягнуто до дисциплінарної відповідальності у порядку дисциплінарного провадження. Дисциплінарне провадження — процедура розгляду письмової скарги, яка містить відомості про наявність у діях адвоката ознак дисциплінарного проступку. Дисциплінарне провадження стосовно адвоката здійснюється кваліфікаційно-дисциплінарною комісією адвокатури за адресою робочого місця адвоката.

Підставою для притягнення адвоката до дисциплінарної відповідальності є вчинення ним дисциплінарного проступку.

Дисциплінарним проступком адвоката є:

 порушення вимог несумісності;
 порушення присяги адвоката України;
 порушення правил адвокатської етики ;
 розголошення адвокатської таємниці або вчинення дій, що призвели до її розголошення;
 невиконання або неналежне виконання своїх професійних обов'язків;
 невиконання рішень органів адвокатського самоврядування;
 порушення інших обов'язків адвоката, передбачених законом.

Не є підставою для притягнення адвоката до дисциплінарної відповідальності винесення судом або іншим органом рішення не на користь його клієнта.

За вчинення дисциплінарного проступку до адвоката може бути застосовано одне з таких дисциплінарних стягнень:

 попередження;
 зупинення права на заняття адвокатською діяльністю на строк до одного року;
позбавлення права на заняття адвокатською діяльністю.

Присяга адвоката

Єдиний реєстр адвокатів України

Рада адвокатів України забезпечує ведення Єдиного реєстру адвокатів України з метою збирання, зберігання, обліку та надання достовірної інформації про чисельність і персональний склад адвокатів, про обрані адвокатами організаційні форми адвокатської діяльності. Внесення відомостей до Єдиного реєстру адвокатів України здійснюється радами адвокатів регіонів та Радою адвокатів України.

Інформація, внесена до Єдиного реєстру адвокатів України, є відкритою на офіційному вебсайті Національної асоціації адвокатів України. Рада адвокатів України і відповідні ради адвокатів регіонів надають витяги з Єдиного реєстру адвокатів України за зверненням адвоката або іншої особи.

Положення про Єдиний реєстр адвокатів України  затверджене Вищою кваліфікаційною комісією адвокатури 10 березня 2000 року.

Фемінітив

Питання про впровадження фемінітиву виникло під впливом тенденцій широкого використання іменників на позначення осіб жіночої статі для боротьби з сексистськими уявленнями. У 2010 році за підтримки  було видано посібник для журналістів-практиків, який пропонував використання двох варіантів фемінітиву: «адвокатка» та «адвокатеса». На момент прийняття нового правопису 2019 не було загальноприйнятого способу утворення фемінітиву від слова «адвокат». Слово «адвокатеса» не є узусом, але зазначене в словниках з позначкою розмовне. Суфікс -ес- рідковживаний, але «часто паралельно з ним може вживатися й інша форма фемінітиву: адвокатка — адвокатеса». Іменник «адвокатка», утоверний суфіксом -к-, з'явився «на потребу часу як відображення змін у традиційному розподілі гендених ролей». Вживання цього слова в окремих публікаціях засвідчує також іронічне сприйняття такої назви. Проте суфікс -к- не рівний за змістовим наповненням до російського -ш- та «не додає фемінітиву зневажливого значення, а лише позначає стать». Втім, як слово, нове за походженням, його згадуює, наприклад, словник поліських говорів ще 1974 року. Можливість утворення цієї форми існувала, але вживання не було унормованим. Станом на 2012 рік назва «адвокатка» вживалася в гуцульському діалекті, але належала до розмовного мовлення, тому її не вводили до лексикографічних праць. Назва також збережена в мові діаспори. «На відміну від ділових документів, у живій мовній практиці ще в радянські часи активно вживали» фемінітив «адвокатка».

За результатами дослідження рішень Єдиного державного реєстру судових рішень, яке Громадська організація «Фундація Деюре» провела в 2019 році, судді не застосовували фемінітиву «адвокатка», крім одного випадку, імовірно обумовленого запозиченням з чеської мови, де вживається жіноча форма. В офіційно-діловому стилі, на відміну від художнього, публіцистичного та розмовного мовлення, «підкреслюється не стать людини, а її службове чи суспільне становище». Офіційно-діловий стиль законів і судових рішень вимагає послуговуватися однозначними одиницями. Для уникнення різночитань віддають перевагу вживаному в судовому провадженні іменнику чоловічого роду «адвокат», а використання інших форм не допускають. Формі жіночого роду «адвокатка» надають перевагу в художньому, публіцистичному та розмовному стилях. Вона не належить до кодифікованих стилістично нейтральних фемінітивів, які за бажанням автора можна вживати в текстах судово-процесуальних документів. Однак під впливом «моди» новостворені фемінітиви масово проникають в науковий і офіційно-діловий стилі. Набуває поширення в українському діловому мовленні й іменник-фемінітив «адвокатка».

Див. також

 Адвокатура
 Адвокатура України
 Правова допомога
 Правозахисник
 Юрист
 Юрисконсульт
 Баррістер
 Захисник (у кримінальному процесі)

Примітки

Джерела

Література
 Історія адвокатури України. Ч. 1 / Т. В. Варфоломеєва, О. Д. Святоцький, В. С. Кульчицький, З. М. Багринівський, Т. В. Кисельова, М. М. Михеєнко, О. Г. Пушенко, В. А. Чехович ; Спілка адвокатів України. — 2-ге вид., переробл. і доповн. — К. : СДМ-Студіо, 2002. — 285 c. — (Адвокатура України ; кн. 3).
 Інститут адвокатури в Галичині другої половини XIX — початку XX ст. : іст.-прав. дослідж. / А. Ю. Бойчук ; Одес. нац. мор. ун-т. — О. : Фенікс, 2012. — 150 c. — Бібліогр.: с. 126—150.
 Бізнес-адвокатура в Україні / І. В. Головань. — Донецьк : Юго-Восток, 2004. — 126 c. — Бібліогр.: 98 назв.
 Діяльність адвоката-захисника у кримінальному процесі : навч. посіб. / І. Ю. Гловацький ; Львів. нац. ун-т ім. І. Франка. — К. : Атіка, 2003. — 351 c. — Бібліогр.: с. 338—349.
 Адвокат: навички професії : практ. посіб. / Я. П. Зейкан. — 2-ге вид., стер. — К. : КНТ, 2008. — 788 c.
 Адвокат у цивільному процесі : наук.-практ. посіб. / С. Я. Фурса, Є. І. Фурса ; Центр прав. дослідж. Фурси. — К. : Вид. Фурса С. Я. : КНТ, 2006. — 448 c. — (Процес. науки).
 Адвокатура : підруч. / Д. П. Фіолевський ; Донец. ун-т економіки та права, Каф. держ.-прав. дисциплін. — Донецьк, 2006. — 329 c. — Бібліогр.: с. 309—314.
 Адвокатура : підручник / Д. П. Фіолевський. — Вид. 3-тє, випр. і доповн. — К. : Прав. єдність, 2014. — 622 c. — Бібліогр.: с. 488—496.
 Адвокатська діяльність та особливості її організації : навч. посіб. / Б. В. Щур, Л. І. Сопільник, М. П. Федоров ; Львів. ун-т бізнесу та права. — Л., 2011. — 280 c.
 Адвокатура України: забуте і невідоме / М. С. Байдак, Т. М. Безега, А. В. Блануца, А. П. Бутенко, А. О. Вараниця ; ред.: І. Б. Василик ; Нац. асоц. адвокатів України, Центр дослідж. адвокатури і права, НАН України, Ін-т українознавства ім. І. Крип'якевича. — Київ : КВІЦ, 2016. — 555 c. — (Нариси з історії адвокатури України ; вип. 2).
 Адвокатура України : навч. посіб. / В. К. Шкарупа, О. В. Філонов, А. М. Титов, Ю. Я. Кінаш. — К. : Знання, 2007. — 398 c. — (Вища освіта XXI ст.). — Бібліогр.: с. 386—398.
 Адвокатура України : навч. посіб. для студ. / уклад.: О. С. Котуха ; Укоопспілка, Львів. комерц. акад. — Л., 2013. — 303 c. — Бібліогр.: с. 293—302.
 Адвокатура зарубіжних країн. Англія. Німеччина. Франція : навч.-практ. посіб. / І. Ю. Гловацький. — К. : Атіка, 2007. — 587 c.
 Енциклопедичний довідник майбутнього адвоката : у 2 ч. : ч. 1 / О. Д. Святоцький, Т. Г. Захарченко, Ф. Ф. Сафулько, М. Г. Ісаков, В. Г. Паркулаб ; Вища кваліфікац. ком. адвокатури при КМ України. — К. : Ін Юре, 2008. — 616 c. — (Адвокатура України).
 Енциклопедичний довідник майбутнього адвоката : у 2 ч. : ч. 2 / О. Д. Святоцький, Т. Г. Захарченко, Ф. Ф. Сафулько, М. Г. Ісаков, В. Г. Паркулаб ; Вища кваліфікац. ком. адвокатури при КМ України. — К. : Ін Юре, 2008. — 832 c. — (Адвокатура України).
 Цивільне право для адвокатів : навч. посіб. / Т. В. Варфоломеєва, Н. С. Кузнєцова, О. В. Дзера, А. С. Довгерт, З. В. Ромовська ; Акад. адвокатури України. — К. : Юрінком Інтер, 2006. — 256 c.
 Жінки в адвокатурі: історія і сучасність : монографія / Н. В. Аніщук. — Одеса : Фенікс, 2015. — 241, [1] c. — Бібліогр.: с. 214—241.
 Адвокат  //
 Святоцький О. Д. Адвокат  //

Посилання

 Вища кваліфікаційна комісія адвокатури
 Єдиний Реєстр Адвокатів України
 Спілка адвокатів України
 Асоціація адвокатів України

Адвокати
Юридичні професії
Юридична практика


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The Ranger BGS by HAIX is a robust and comfortable boot that is suitable for use all the year round. It has shown itself to be an excellent weatherproof option for police officers and will protect your feet against the rain, mud and snow. Its low-noise sole provides outstanding insulation against the heat and cold. A fleece insole absorbs moisture to keep your feet dry and warm all day and prevent sweating. Try out this multifunctional boot now!


Nurse practitioner Anne Vigen specializes in caring for older adults. She assesses, diagnoses, implements, plans and evaluates care for her patients.
I believe in treating all patients as if they are a part of my family.
In her free time, Rebecca enjoys helping others through support groups, spending time with family, reading, crocheting, skiing, gardening and cooking, being outdoors, friends, singing, music, and theater.


text:
by Ben Borthwick on Nov 30, 2021
Metroid Dread developer to work on new multiformat action RPG codenamed Project Iron
Tagged in: 505-Games, MercurySteam, Project Iron
MercurySteam has confirmed its next project as a new action RPG codenamed 'Project Iron' to be co-developed & co-published with 505 Games.
The latter's parent company, Digital Bros Group, revealed the project in a press release (spotted by Video Games Chronicle). So far we know that the game will be a "third person action RPG set in a dark fantasy world". Elsewhere, the statement also confirms Project Iron will be available on PC and consoles.
Digital Bros Group's co-CEOs Raffi and Rami Galante offered up a statement. "We are thrilled to work with the team at MercurySteam, a proven studio that over the years has created numerous phenomenal IPs." – including the recent hit release Metroid Dread in partnership with Nintendo. With MercurySteam's creative vision and talent and 505 Games extensive experience, gamers can expect a high-quality, captivating and engaging videogame."
In addition to Metroid: Dread, MercurySteam were also responsible for the excellent Castlevania: Lords of Shadow series. Our review of that game at the time called it "One of the best games of 2010". High praise indeed. We were quite fond of Metroid Dread too, if you recall.
The press release doesn't mention timeframes, so it might be a while before we see more of Project Iron. Hopefully, it won't be too long – and we'll let you know when we do.
Metroid Dread review
Ghostrunner gets two free new game modes & Neon Pack DLC
Assetto Corsa Competizione heads to Xbox Series X|S and PlayStation 5 in February 2022
Condor announced as a co-op multiplayer spin-off of Control
on Nintendo Switch
Dying Light 2: Stay Human pledges 'at least' five years of post-launch support
Why is Sony taking so long to roll out major PS4 system updates? Because of PS3 feedback…


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text:
Tag: RDC
Double Time!
I had yet another back-to-back set of tournaments:
CBJJF's Western Canadian BJJ Championships in Penticton, BC, June 28th
Katana BJJ's Roots BJJ Challenge in Richmond, BC, July 5th
I competed in Gi Lightweight for both tournaments, and in No-Gi Middleweight for the Western Canadians.
The Western Canadians!
Held at the South Okanagan Events Centre, it was spacious, with plenty of parking. Inside were multiple change rooms and the new option to weigh in up to three hours before your scheduled division time. This is a fantastic addition, allowing competitors to eat and hydrate before stepping on the mats. My Gi Lightweight division was eleven large, myself included. I unfortunately had to face off against RDC-teammate Cam Deleurme first round, and he got the better of me. Between his stronger wrestling and my ineffective game plan, Cam maintained superior positions and secured a submission finish. It was also the first tournament my parents, my aunt and uncle, and my grandmother were able to attend. Definitely not my best performance.
After waiting the rest of the afternoon for No-Gi, our four-man division was called to the bull-pen and sent to mat 6. My game plan seemed ineffective at first, I was stuck in bottom half-guard for three minutes or so, with a failed attempt to take the back, defending my opponent's attempts at Kimura and Americana arm-locks. Finally he destabilized his own base going for submissions that I was able to sweep him and secure the mount. Now four points up, I could begin to work from a superior position. Unfortunately, he managed a sweep in the closing 30 seconds, but in the end I prevailed 6-4. It was onto the finals against Burnaby BJJ's Zac who had a more dominant game and secured a rear-naked choke. In the end I took Silver.
In between my Gi and No-Gi matches, I coached first-time competitor and teammate Eddie. He was a recent addition to Genesis, and competed in the Master Male White Belt Middleweight division against five others. He won his first match on points, second match via submission, and the finals via points. My coaching voice hadn't been used in a while, and barely made it to Ed's third round.
Roots BJJ Challenge!
Once more held in the Fridge Gymnasium, it proved to be a busy tournament inside of a venue too small for the crowd. Once more in the Lightweight Adult male division, I managed to arrive and change moments before they called my division up to the bullpen. My first match would be against Graeme Martin of Powell River BJJ, the man I had gone against at the Copa Katana III in March. Knowing this, I remembered his guard and triangles, and to shoot early and shoot fast for a takedown to bypass his guard. Graeme kept me on my feet long enough to jump guard, and after transitioning from a cross-collar to an omaplata to a triangle, he sealed it in and finished it. Lesson learned: work on breaking the guard quickly (or the standing break).
Now it's about three months until the next tournament, which happens to be the day after my 30th birthday. I'm looking forward to the Masters division, but I know that if there are not enough of us, we get sent to the Adult division.
And now the results
On Saturday July 20th, I competed in the CBJJF's Okanagan Summer Classic held in Kelowna, B.C. alongside my cousin Mike's team: RDC Jiu-Jitsu. This was my second tournament in the Okanagan – having competed previously in the Okanagan Winter Classic in February – and my first tournament as a blue belt. I had pre-registered with the CBJJF as a white belt, but my promotion a week before the tournament prompted the registration change. No sandbagging from me, a blue belt is a blue belt, no matter what.
I picked up my girlfriend after work on the way out, and she made some awesome breakfast-style wraps to eat on the road. She makes a great co-pilot, as well as a great conversationalist.
The most joyful thing about being a blue belt: getting to be among the first division up to compete in CBJJF tournaments. I had my division called up around 9:30A.M., quite a treat after typically waiting until 12:30P.M. I won my only match 4 points to his 2 advantages: 2 for a sweep from half-guard, and 2 from a takedown. His advantages came from a takedown attempt and a sweep attempt. We were supposed to have six other people in our division, but they either showed up late or not at all.
I competed in the Absolute Open as well, but lost first round via modified Bow'N'Arrow choke.
I waited around for my cousin Mike to compete, and then was roped into the No-Gi division courtesy of Mike and his coach Sterling Redlack. When it came to calling the weight classes, they called every class BUT Middleweight. It would have been faster to call it like that instead of listing off over half a dozen weight classes.
After finally getting called up, I would lose first round via points. Spending over a year training solely in Gi doesn't truly prepare you for No-Gi, with the lack of grips and the extra slipperiness from sweat and no Gi to soak it up. I knew what I was in for however, and agreed to compete. I definitely learned from that match. Despite the loss, I tied for third.
Overall, my best tournament performance, even if I was short on submissions. I'm happy to say that my medals have earned me points that will go towards being invited to an invite-only tournament at some point. Hooray!
–Kiyoshi "The Prototype"Your #1 Canadian eh?


That's a real throwback here.
When I used to drive in the back sit, I always got sick. I told my dad I need Sprite to feel better.
My line was: 'It has lemon extract in it and it makes me burp, so that's when I feel better.' I always got my Sprite and even some other times too, hah. I just asked my dad a week ago, which moment you remember from my childhood the most, his first word was 'Sprite'. By the way, he built this Barbie house by himself, I thought it was the coolest thing ever.


text:
A nagy tinamu (Tinamus major) a tinamualakúak (Tinamiformes) rendjébe, ezen belül a tinamufélék (Tinamidae)  családjába tartozó faj.

Rendszerezése
A fajt Johann Friedrich Gmelin német természettudós írta le 1789-ben, a Tetrao nembe Tetrao major néven.

Alfajai
Tinamus major brunneiventris Aldrich, 1937
Tinamus major castaneiceps Salvadori, 1895
Tinamus major fuscipennis Salvadori, 1895
Tinamus major latifrons Salvadori, 1895
Tinamus major major (Gmelin, 1789)
Tinamus major olivascens Conover, 1937
Tinamus major percautus Van Tyne, 1935
Tinamus major peruvianus Bonaparte, 1856
Tinamus major robustus P. L. Sclater & Salvin, 1868
Tinamus major saturatus Griscom, 1929
Tinamus major serratus (Spix, 1825)
Tinamus major zuliensis Osgood & Conover, 1922

Előfordulása
Mexikó, Közép-Amerika és Dél-Amerika területén honos. Természetes élőhelyei a szubtrópusi vagy trópusi síkvidéki esőerdők és mocsári erdők aljnövényzete, valamint ültetvények és másodlagos erdők. Állandó, nem vonuló faj.

Megjelenése
Testhossza 46 centiméter, testtömege 700-1240 gramm. Testszíne fehéres olíva-barna. A lába kék, szürke színű.

Életmódja
Lehullott gyümölcsökkel, magvakkal, esetenként rovarokkal táplálkoznak. Rossz repülő, ezért veszély esetén inkább a talajon fut el.

Szaporodása

Természetvédelmi helyzete
Az elterjedési területe nagyon nagy, egyedszáma ugyan csökken, de még nem éri el a kritikus szintet. A Természetvédelmi Világszövetség Vörös listáján nem fenyegetett fajként szerepel.

Jegyzetek

Források

További információk
Képek az interneten a fajról

Xeno-canto.org - a faj hangja és elterjedése

Tinamus
Madárfajok
Mexikó madarai
Belize madarai
Costa Rica madarai
Guatemala madarai
Honduras madarai
Nicaragua madarai
Panama madarai
Bolívia madarai
Brazília madarai
Ecuador madarai
Francia Guyana madarai
Guyana madarai
Kolumbia madarai
Peru madarai
Suriname madarai
Venezuela madarai
Az Amazonas-medence madarai


When the crowd needed food, God provided it for them. It happened for this crowd and, as Jesus reminded them, it had happened before.
Then he says, "I am the bread of life."
Sometimes, bread is food; sometimes, a metaphor.
Jesus asked them to think of a time when they needed something in order to survive, a time when God provided that need.
Now they still need something in order to survive, and now, God is still providing what they need.
The bread would not have been helpful if they had refused to eat it.


text:
by Claire
Questions about quality
Egg Paintings (2015) Uta Kögelsberger. Abbot Hall Art Gallery, Kendal, Cumbria. Courtesy New Expressions. Photograph © Jane Hobson.
"The first line, perhaps even the first word, makes the hairs on the back of your neck stand up". That's what Booker Prize winning novelist Ben Okri once said, when asked about great writing.
It's a wonderful description of the magic of great art: that point where an artist's vision, endeavour and execution meet relevance and meaning, striking deep and surprising connections with people and the world around.
As arts professionals, we're loath to break this magic down into things that can be measured. And yet in our resistance to measuring quality perhaps we make it difficult for ourselves: difficult to articulate quality and therefore difficult to strive for the art that we make, or enable others to make, to be the best that it can be. Making great art is, after all, not a process of creation alone. It's also a process of questioning, of asking what can be done and to what effect, a dialogue between creating and dispassionately criticising. Artists, authors, composers, all ask these questions, so why shouldn't we?
The New Expressions programme establishes a structured approach to collaboration between contemporary artists and museums: an approach specifically designed to raise the quality of work in this field. In its third iteration, 15 museums across three English regions partnered with 20 lead artists to create new work over a two-year period. The idea of structuring projects simultaneously is to create a shared forum in which to explore and extend possibility, inspiring critical awareness and creative risk-taking.
But how could we tell whether this structured approach was indeed nurturing quality? First, we had to describe what we meant by 'quality':
We wanted to see work that was adventurous and challenging and that provoked a response. We wanted to see work that enhanced its context. We wanted artists to push the boundaries of practice and to pursue work with the rigour needed to follow through an artistic enquiry or realise a core idea.
We broke these down into generic (or intrinsic) quality and contextual quality. Generic, or intrinsic, aspects of quality are integral to all types of great art and culture, from drama to visual art. These acknowledge the capacity of art to make one's hair stand on end. Among these, we described: 'Adventure', the extent to which art deals with something unusual or unexplored; 'Challenge', the extent to which art stretches the mind beyond day-to-day thoughts; 'Activity' or 'agency', the extent to which art prompts thoughts or feelings; and 'Transformation', the extent to which art changes ways of thinking and feeling.
Contextual quality, on the other hand, considers attributes of an artwork that are unique to its particular context. Here, we wanted to understand the degree to which the artwork stimulated rethinking a historic collection or space ('Contextual stimulus'), and the extent to which it opened up that collection or space in a surprising way ('Contextual distinctiveness').
We were then able to develop a logic model to frame our investigations. We drafted key questions that we would need to ask, in order to discuss quality objectively. For example, in order to better understand how adventurous an artwork was, we asked how far it dealt with something unusual and unexplored. By combining artists' and museums' self-assessment (through surveys and interviews) with audience feedback, we built a rich and multi-dimensional assessment of artistic quality.
We asked artists whether they had pursued similar lines of creative or critical enquiry before, and what made their line of enquiry new. These questions teased out ways in which artists were building on their existing practice and taking core interests in new directions.
At the start of New Expressions 3, 82% of artists had pursued similar lines of creative or critical enquiry before. Some had worked with the same media or materials, while others referred to ideas, themes and approaches to practice.
At the end of the programme, we discussed with artists the extent to which their commissions had indeed pushed their practice in the ways that were envisaged, or indeed in new ways that they had not anticipated, resulting in new understanding. Eight out of nine artists said their project had stretched them creatively, and seven out of nine said that it had stretched them critically.
Among audiences, 64% made a link between the artist's work and the historic collection ('contextual stimulus'). Of those, 77% agreed that the artist's work opened up the collection or building in a surprising way ('contextual distinctiveness').
60% of audience respondents agreed that the artists' work stretched their mind beyond day-to-day thoughts ('challenge'), while 52% said the encounter had prompted new, external connections and ideas ('activity'/ 'agency').
A final question asking visitors to indicate the subjects that the artwork had triggered thoughts or feelings about suggested that visitors found it easier to connect the artwork to its historical and geographical context ('contextual' quality) than to find personal meaning and relevance ('generic' or 'intrinsic' quality).
Ultimately, quality is about thoughts and feelings as well as facts. Passion and dispassion. But to keep moving the discussion (and art) forward, it's worth trying to understand what it is about great art that makes one's hair stand on end, whether that hair belongs to audience or artist.
First published at www.artsprofessional.co.uk 13/10/2016
This entry was posted in Opinion and tagged artists, museums, quality, visual arts. Bookmark the permalink.
Symposium: Artist in a Collected World, 28 October 2016
30 Museums go Wild Swimming


text:
Q: Angular service providedIn: root imported from library throws NullInjectorError I moved service into seperated npm package. Although the service is marked to be provided
in root injector when I try to use it in my app I get NullInjectorError. I need to include QueryParamServiceFactory within providers array what solves the problem but I'd like to use my service without adding in into providers array. What's wrong with my implementation?
@Injectable({
  providedIn: 'root',
})
export class QueryParamServiceFactory {
  constructor(
    private router: Router,
    private route: ActivatedRoute,
    private location: Location
  ) {}

  create<T>(
    filtersModel: T,
    defaultPagination: IPagination
  ): QueryParamService<T> {
    return new QueryParamService<T>(
      this.router,
      this.route,
      this.location,
      filtersModel,
      defaultPagination
    );
  }
}

A: Do you mean by moving the service into a seperate npm package that you have to install it and add it as a dependency into your package.json?
Because if so, than provided in root won't work. Angular analyzes all injectables for this annotation and add it to the top of the injection tree. But it won't analyze the node_modules folder, that is why your service is not available in the injection tree automatically


text:
Donald Trump Calls LaVar Ball A 'Poor Man's Version Of Don King'
By Sydney Scott	· Updated October 24, 2020
It was only a matter of time before Donald Trump responded to LaVar Ball's confusing CNN interview.
The former reality star woke up bright and early Wednesday to fire off tweets aimed that NBA dad and media personality, calling Ball a "poor man's version of Don King."
It wasn't the White House, it wasn't the State Department, it wasn't father LaVar's so-called people on the ground in China that got his son out of a long term prison sentence - IT WAS ME. Too bad! LaVar is just a poor man's version of Don King, but without the hair. Just think..
— Donald J. Trump (@realDonaldTrump) November 22, 2017
...LaVar, you could have spent the next 5 to 10 years during Thanksgiving with your son in China, but no NBA contract to support you. But remember LaVar, shoplifting is NOT a little thing. It's a really big deal, especially in China. Ungrateful fool!
Ball and Trump have been going back and forth ever since the reality star demanded that LiAngelo Ball and two other UCLA basketball players thank him for getting them out of trouble in China. LiAngelo and his teammates were detained on suspicion of shoplifting.
Trump also took time out of his busy morning to fire off another tweet about the NFL and to confirm that he'll be "having meetings and working the phones from the Winter White House in Florida (Mar-a-Lago)."
In other words, expect to see new photos of Trump golfing this holiday season.


text:
Fury vs Joshua News July still the plan – Matchroom boss on Fury vs Joshua
July still the plan – Matchroom boss on Fury vs Joshua
Tyson Fury vs Anthony Joshua in July is still the plan for the all-British superfight, according to Matchroom Boxing CEO Frank Smith.
Fury's co-promoter Frank Warren said earlier this week that late August or September are more likely. He cited the Olympic involvement of Joshua's trainer Robert McCracken as one of the reasons.
But Smith, who said he hasn't seen those comments, re-iterated that from the Joshua side July is still very much what the camp are pushing for.
Speaking to Michelle Joy Phelps and Behind The Gloves, he said: "I think we're still looking at the summer, July August time. Pushing for July, that's always been the plan to make it happen around then.
Moving in the right direction
"I think the key point is everyone's pushing in the same direction. The fighters are up for it and now we just need to work through the details. It's not like click your fingers and it's done. We're going in the right direction.
"I don't like to put a timeframe on it because if you put a timeframe on it, everyone's like 'you said it would be done here'.
"Just rest assured everyone's working towards it."
The road to finalising the fight has been an absolute rollercoaster so far – one day positive vibes, gloomy predictions the next. But Smith says everything is very much heading in the right direction. He talked about the sheer scale of logistics involved.
"I think it's just been – as you can imagine for a fight of this magnitude – it isn't just 'ok, here's the date, turn up see you there, perfect, all done'. There's a lot of work from all sides to make it happen.
"I'm confident, as we've seen and the guys have been saying, it's moving in the right direction. We're very hopeful we can make that happen. There's been a number of proposals put together and I'd hope in the next few weeks we'd be in a better place to come out publicly.
"There's a lot of work going on eery day in the background and our aim is to get the fight on. Everyone wants to see it and I think with the interviews you've seen, you saw Tyson the other day, Josh has been talking about it a lot. Both guys want it so I think now's the time to make it happen.
Frank Smith on Fury comments
Fury said only on Sunday that he was ready to walk away from the bout this Tuesday if he didn't get the assurances he needed. Smith though played down those comments.
"We're talking constantly, we're all moving in the right direction. Haven't heard any more from him (Fury) since Tuesday. He's quite a vocal character. There's a lot of work that needs to go into it. All the details need to be worked through by a number of different people.
"I haven't heard anything bad from him yet so maybe he got what he wanted on Tuesday."
The contracts Fury and Joshua signed in mid-March were for a two-fight deal. It's hope that a first meeting in the summer would allow an immediate rematch before the end of 2021.
Saudi Arabia appears to be favourite to stage the first meeting, with the UK would come very much more into play later in the year. It's hoped by then something approaching full capacity crowds will be allowed in domestic arenas.


text:
Places You'll See
10 Stunning Pictures of the Moon Palace Golf & Spa Resort
Moon Palace Golf & Spa Resort, Palace Resorts' signature property, is the entertainment and family-friendly hub of sunny Cancun. The AAA Four Diamond property recently went through a $100 million renovation that included a Flowrider ® double-wave simulator; The Playroom with multiple rooms for the little guests (an Xbox room, mini runway and spa, etc.); a teens' lounge dubbed Wired; renovated restaurants, and so much more! When it comes to parents, the hotel's 14 restaurants, 11 bars and lounges, and year-round world-class acts like Usher, REO Speedwagon and Kansas are ideal!
But, the best part is that guests who book five nights or more, always get $1,500 resort credit that can be used for spa treatments, special dinners, tours outside of the property, golf, and numerous other activities. The hotel is currently offering a Kids Stay Free Promotion, too. This promotion is valid for children under 12 years of age and for travel between June 1, 2015 and August 31, 2015. During that time, kids stay, eat, and play for free! How can you go wrong?
Ready to take a closer look at this amazing resort in world-famous Cancun? Then take a look at these 10 stunning pictures!
1. Check the View
As you can see, the Moon Palace Golf & Spa resort offers everything you'd expect from a world-class Cancun resort.
2. Enter Form the Front
For a hint as to how luxurious your stay will be, just take a peep at the resort's grand lobby.
3. Hang Ten
One of the coolest additions that the resort has made recently is the Flowrider wave simulator, where you can learn how to surf!
4. Kid Stuff
Even a grown adult might be tempted to spend sometime in the Kid's Club, which offers plenty in the way of entertainment!
5. For The Little Ones
The Kid's Club also features an amazing outdoor space, where the little ones in your party will enjoy playing in the Cancun sun.
6. Sample the Cuisine
The environment of MoMo, one of the resort's signature eateries, is every bit as delicious as the cuisine it serves.
7. A Comfortable Lounge
For a few appetizers and more than a few cocktails, you'll want to head over to the Sky Bar.
8. Boogie Down
If you come with just your special someone, or get manage to escape the kids, you'll definitely want to check out the Noir nightclub!
9. Get the Villa
If you're for accommodations that offer plenty of space for your family and an incredible view, check out the Grand Villas.
10. Stay Like a King
When it comes to luxury accommodations at this already amazing resort, you can't do better than the resplendent King's Suites!
Film and TV Show Tours in the UK
A Look Into Italy's 106 Million Dollar Food Theme Park
Explore Harry Potter Film Locations Around England And Wales
The 15 Coolest Things You Can Do on a Cruise Ship
10 Amazing New Cruise Ships Currently Being Built
The 10 Dumbest Things People Say to Flight Attendants
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Kuczynski S. K. ,	Suchodolski S.
Professor Ryszard Kiersnowski was born in Vilnius (today the Republic of Lithuania) on the 4th January 1926. During World War II he fought the occupants as a soldier of Polish Resistance Army (Armia Krajowa). In 1945 he was repatriated to Cracow, where he studied history at the Jagiellonian University and became a Doctor of Philosophy in 1951. In Warsaw (since 1949) he worked in the Ministry of Culture and Arts, later, from 1953, in the Institute of History of Polish Academy of Science. His activity was very extensive. He lectured on numismatics at Warsaw University, for many years he was the editor of 'Wiadomosci Numizmatyczne' and the VicePresident of the International Numismatic Commission. But the main aspect of his work was scientific research, which he conducted in many different fields. The basic one was history, but also history of culture, history of material culture, history of money, numismatics, heraldry and the history of literature. Among monographs and synthetic works, he published a lot of source material - the best known are 'The Corpus of the Early Medieval Polish Silver Hoards', where he collected all information about coin finds from Pomerania, Masovia, Ermland and Mazuria (1959-1966) and Polabia, as well (1964). In the beginning he studied the early medieval times and the most important work is 'Metal money in early medieval Poland' (1960). Only 4 years later, he published 'An Introduction to Polish Medieval Numismatics'. Being interested mainly in the great groschen reform in Europe and in Poland he published 'The Great Groschen Reform in the 13th and 14th century' (1969). Part two, concerning Poland, that was never published but might be reconstructed from the articles in 'Wiadomosci Numizmatyczne'. His research on iconography of European coins resulted in a book titled 'The Coin in the Culture of Middle Ages' (1988). Only two years later the next work 'Bears and People in the Former and Newer Days. Facts and Myths' was published. Despite of many different topics, all of Ryszard Kiersnowski's publications have one common character - the excellent form and the beauty of Polish language. He is an eminent historian, an outstanding scholar of medieval times and the creator of modern Polish numismatic school.


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We are delighted to announce that goalkeeper Paul Farman has agreed terms on a two-year extension to his current contract with the Club.
Farman, ever-present since being recalled to the starting line-up in October following a spell on loan at Boston United, has been with the Imps on a full-time basis since May 2012 having played eight times for the Club in the 2011/12 campaign whilst on loan from Gateshead.
The former England C stopper, who chalked up his 100th appearance for City this season, will sign his new agreement in the coming days with his fresh deal tying him to the Club until the end of the 2016/17 season.