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Tag Archives: Posters
Graphic Radicals: The Art of World War 3
August 11, 2010 – October 31, 2010
Curated by Dr. Allan Antliff
Graphic Radicals was a themed presentation of the work of World War 3 Illustrated, a New York artist collective, from the 1980s to the present day. The art confronted issues such as anti-war protests, squatting in New York, the tragedies of 9-11, racism, prisons and anarchism through a variety of mediums including posters, graphic illustrations, paintings, banners and other media.
Visit the Graphic Radicals exhibition blog
This entry was posted in Legacy Downtown, Online Projects, Past Exhibition, UVic Faculty and Alumni and tagged Drawing, multimedia, Photography, Posters on 31 October, 2010 by khughes.
Seats For Sale – Art For Show: The Meaning Behind Film Festival Posters
Curated by Jimi Galvao
Seats For Sale – Art For Show: The Meaning Behind Film Festival Posters is a special exhibition project conceived by The Victoria Film Museum Society and is scheduled to open in conjunction with The Victoria Independent Film and Video Festival. The exhibit features a collection of posters from different film festivals around the world.
The word "poster" is a familiar term in contemporary global society. Posters are important communication tools, from political outcry to commercial advertising. Posters also decorate our bedroom walls. They clutter up traffic light posts. They are sold and collected. They have a rich and extensive artistic history. The poster is a complex medium that wears many faces. The film festival, similarly, has a rich history. It is a significant cultural and artistic event that is celebrated around the world year after year.
This entry was posted in Maltwood AMG, Past Exhibition and tagged Art, Film, History, Posters on 12 February, 2002 by curator.
Gordon Smith: Paintings, Prints and Posters, 1950 to 1978
Gordon Smith, Orange Twist, Acquired 1972
This was a retrospective of Gordon Smith's work from 1950 to 1978. From Impressionism to hard-edge technique and pure colour field images, Gordon Smith has done it all. This exhibition documents his growth as an artist.
To view more of his works, visit our online inventory here and search "Gordon Smith."
Gordon A. Smith was born June 18, 1919, in Hove, Sussex, England. In 1933, his family moved to Winnipeg, Manitoba. Smith's artistic interest developed out of his father's influence as a watercolourist. In 1937, he enrolled in the Winnipeg School of Art, where he studied with Lemoine Fitzgerald, however would eventually move to Vancouver with his wife Marion. With the advent of World War II Smith joined the Canadian Army in 1940, returning four years later to continue his education at the Vancouver School of Art. After completing his courses at the school in 1946, Smith joined the staff of teaching Graphics and Design for ten years. In 1956, he joined the Faculty of Education at the University of British Columbia where he taught art until his retirement in 1982.
Smith has exhibited throught Canada, as well as on the international art scene. His work is found in major art collections including the the Vancouver Art Gallery, the National Gallery of Canada, the Museum of Modern Art in New York, the Smithsonian Institute in Washington D.C., and in the Victoria and Albert Museum in London, England.
Throughout his career, Gordon Smith has received numerous awards and honours, including First Prize at the Biennial of Canadian Art in 1955, an Honourary Doctorate from Simon Fraser University in 1973, Professor Emeritus from the University of British Columbia in 1983 and an Honourary Doctorate from the Emily Carr College of Art and Design in 1995. In 1996 he was also awarded the Order of Canada for his significant contribution to Canadian culture. He is a member of the Royal Canadian Academy of Arts.
This entry was posted in Maltwood AMG, Past Exhibition and tagged Painting, Posters, Prints, Retrospective on 18 September, 1983 by curator.

redpajama_set_name: RedPajamaCommonCrawl


Mountain Summit Towel | Lovingkindness | Show Love. Change the World.
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redpajama_set_name: RedPajamaStackExchange


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04/18/2019 05:24:46 95215470 18 7 0 3241 1 1 Healthcare Nursing Registered Nurse (RN) - Corrections (Weekly Pay/Full-Time) Registered Nurse (RN) - Corrections (Weekly Pay/Full-Time) Full Time Cell Staff | Corcoran, CA 8 DAYS AGO Job DescriptionAre you are a licensed Registered Nurse (RN) in the State of California looking for a FRESH START? If so, we can help. Cell Staff is a natio... 8 DAYS AGO Do you match?
04/17/2019 04:56:17 94955487 19 8 0 3712 1 1 Transportation Drivers & Movers Student Truck Drivers – Start your NEW Trucking Career – We Train! We Hire! Student Truck Drivers – Start your NEW Trucking Career – We Train! We Hire! Part Time C.R. England | Corcoran, CA 9 DAYS AGO Inexperienced Drivers - We hire future truck drivers from across the nation. As a truck driver student attending one of our Premier Truck Driving schools, ... 9 DAYS AGO Do you match?
04/14/2019 08:16:48 94463464 20 11 0 3537 1 1 Healthcare Allied Health Certified Nurse Assistant CNA Certified Nurse Assistant CNA Full Time Nightingale's List | Corcoran, CA 12 DAYS AGO Job DescriptionJob Summary & ResponsibilitiesCORRECTIONAL FACILITY IN CORCORAN, CA$14.00 HOURLYCNA shall provide services as permitted within the scope of... 12 DAYS AGO Do you match?
04/14/2019 07:57:24 94462005 21 11 0 3537 1 1 Healthcare Nursing Registered Nurse RN Registered Nurse RN Full Time Nightingale's List | Corcoran, CA 12 DAYS AGO Job DescriptionJob Summary & ResponsibilitiesOur client in Corcoran, Ca. is looking for a Registered Nurse to care for their patients in a correctional fac... 12 DAYS AGO Do you match?
04/13/2019 06:13:24 94242206 22 12 0 3241 1 1 Manufacturing Production Plant Manager Plant Manager Full Time Camfil USA | Corcoran, CA 13 DAYS AGO Job Description NO RELOCATION/MUST BE BILINGUAL25% Bonus PotentialCamfil is a global leader in the air filtration industry with more than half a century of... 13 DAYS AGO Do you match?
04/11/2019 05:48:44 93781972 23 14 0 3730 1 1 Finance Accounting Staff Accountant Staff Accountant Full Time Creative Financial Staffing | Corcoran, CA 15 DAYS AGO Creative Financial Staffing has partnered with a well-known grower, packer, co-packer & shipper in the central valley on a Staff Accountant Search. Our cli... 15 DAYS AGO Do you match?
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text:
Q: moving image to bounce or rotate in a circle I found this small application that i've been playing around with for the past little while. I was wondering, if i wanted to simply rotate the image in a circle? or make the entire image just bounce up and down, how would i modify this program to do so? Everything i've tried will just stretch the image - even if i do get it to move to the left or to the right. Any ideas on what i can do? Code is below
   public partial class Form1 : Form
   {
          private int width = 15;
          private int height = 15;

          Image pic = Image.FromFile("402.png");
          private Button abort = new Button();
          Thread t;

          public Form1()
          {
            abort.Text = "Abort";
            abort.Location = new Point(190, 230);
            abort.Click += new EventHandler(Abort_Click);
            Controls.Add(abort);

            SetStyle(ControlStyles.DoubleBuffer| ControlStyles.AllPaintingInWmPaint| ControlStyles.UserPaint, true);

            t = new Thread(new ThreadStart(Run));
            t.Start();
          }
          protected void Abort_Click(object sender, EventArgs e)
          {
            t.Abort();
          }

          protected override void OnPaint( PaintEventArgs e )
          {
             Graphics g = e.Graphics;
             g.DrawImage(pic, 10, 10, width, height);
             base.OnPaint(e);
          }

          public void Run()
          {

              while (true)
              {
                for(int i = 0; i < 200; i++)
                {
                    width += 5;

                  Invalidate();
                  Thread.Sleep(30);
                }

              }
          }
    }

A: So I don't know what you're trying to achieve, but to get the fundies out of the way, WinForms is a GDI+ library and its meant more for GUI stuff, so something like animation will probably be handled better by a graphics library like SFML.
Anyways, there's a million ways to achieve what you want.  In terms of moving something around in a circle, you're gonna need a little simple trig. For a bouncing motion, I would say following a sine curve would be the easiest way.
Here's some pseudo-code (not sure if this is syntax-perfect) for bouncing:
Field Definitions:
private double frame = 0;

OnPaint:
Graphics g = e.Graphics;
g.DrawImage(pic, 10, 10 + Math.sin(frame)*10, width, height);
frame+=.01;
base.OnPaint(e);

This way, every time the paint event is triggered, t will increase by .01 radians. The sin has a domain that will oscillate between -1 and 1, and you can multiply that by a factor of 10 to get that bouncing effect.
Frame represents your "keyframe". If you want to speed it up, increase the frame+=__ to a higher value.  If you want to increase the range, change the offset Math.sin(frame)*__


text:
Q: Make visible node text outside of pgfplot axes range I'm using matlab2tikz in order to generate pgfplots .tex code to create a figure with pdflatex.  The matlab function I'm using to create the figure creates each of it's tickmark labels explicitly, so that they may be scaled and rotated using the following matlab code:
text(x(k),y(k),labs{k},'horizontalalignment',horizk,...
'verticalalignment',vertk, ...
'rotation',rotang(k), ...
'fontsize',gfontsize*scl(k), ...
'color',gcolor, ...
'tag','m_grid_xticklabel', ...
'fontname',gfontname);

When I investigate the converted .tex code, I see that the following
\node[below, inner sep=0mm, rotate=359.994889043193, text=black]
at (axis cs:-8.79858922562881e-07,  -4.84813663392814e-06,0) {$\text{  81}^\text{o}\text{W }$};

represents a single tick mark label.  The text string for which this line codes does not, however, appear in the resulting .pdf, presumably because the particular coordinates lie outside of the ranges of the axes.  To test this, I substituted in-range coordinates, compiled, and saw that the label or text then became visible.
Interestingly, if I create the figure in matlab using the view command, e.g.
view(45,45)

I am able to see the text strings representing the axis labels, but the alignment is off.  In particular, the strings appear to have a y-value which places them far higher up on the figure than I expect.  I think that the x-alignment is ok.
The solutions as I see them may reside on either the matlab side or on the pgfplots/tikz side.  Ideally, a solution would consist of a short bit of code to be included in the preamble or when setting up the axis labels.  This code would allow text created with the construct:
\node[<options>] at (axis cs:x,y,z) {<text>};

to be displayed regardless of whether the coordinates x, y, z were in range.  If suggestions don't necessarily come forth easily, I can create a mwe.

A: Adding clip=false to the axis environment options will override the default pgfplots behavior of clipping anything appearing outside the bounding box of the axis.
Depending on the other generated code, this may have other side effects, but in most cases it will be OK.
This key setting can be added to the generated code by using matlab2tikz's EXTRAAXISOPTIONS facility. Before the call to matlab2tex, add
EXTRAAXISOPTIONS = {'clip=false'};

to add this option in the generated code.


Asia countries are the most frequent countries Malaysian visit to. And our neigbour countries like Brunei, Indonesia, Thailand, Singapore, China, Hong Kong, Macau, Taiwan, Japan, India, Sri Lanka, Philippines are the most popular.
Bhutan Required N/A Contact Bhutan Tourism Corporation Ltd.
Remember AirAsia slogan ? Now everyone can fly , right? Because of AirAsia, we can fly to many countries with cheaper ticket.
However, do you know the Visa Requirement of each country? Do you know how to obtain the tourist visa?
We have prepared a complete list for your reference and you can easily get know before and after planning your journey, especially for the upcoming FIFA World Cup 2010 in South Africa.
Tomorrow we will continue with Asia Countries Visa Requirement for Malaysian.


text:
Walter Bading (* 26. September 1920 in Dargun; † 7. Oktober 2009 ebenda) war ein deutscher Politiker der DDR-Blockpartei LDPD.

Leben
Bading war der Sohn eines Handwerkers. Nach Erlangung der mittleren Reife nahm er eine Lehre zum Klempner und Installateur auf. Am 14. Mai 1939 beantragte er die Aufnahme in die NSDAP und wurde zum 1. September desselben Jahres aufgenommen (Mitgliedsnummer 7.113.256). Bading nahm am Zweiten Weltkrieg teil und geriet an dessen Ende in Gefangenschaft. In der DDR wurde er Meisterbereichsleiter der PGH "Neuer Weg" in Dargun.

Politik
Bading trat 1950 der 1945 in der Sowjetischen Besatzungszone neugegründeten LDPD bei und war von 1958 bis 1963 Mitglied des Bezirkstages von Neubrandenburg. Von 1963 bis 1967 war er Mitglied der LDPD-Fraktion in der Volkskammer der DDR.

Literatur
 Die Volkskammer der Deutschen Demokratischen Republik, Staatsverlag der DDR, Berlin 1964, S. 176.
 Wer ist wer? Band 14, Teil 2, Arani, Berlin 1965, S. 9.

Einzelnachweise

NSDAP-Mitglied
LDPD-Mitglied
Abgeordneter der Volkskammer
Deutscher
DDR-Bürger
Geboren 1920
Gestorben 2009
Mann
Politiker (Neubrandenburg)

redpajama_set_name: RedPajamaWikipedia


text:
import sys
import os
import yaml
import  glob
import subprocess
import argparse
import pandas as pd
from matplotlib import pyplot as plt
import numpy as np
import math

def main(args):
    ccurves     = args.ccurves[0]
    x_min       = args.x_min
    x_max       = args.x_max
    if x_min < 0 or x_max <= x_min:
        sys.exit("problem with x-min or x-max ({}, {}). x-min must be equal or higher to 0 and less than x-max".format(x_min, x_max))
    output_name = args.output_name
    legend = [[],[]]
    global_x_max_ccurve_limit = 0
    global_y_max_ccurve_limit = 0
    ax = plt.subplot(111)
    #Each ccurve will get a different color
    colormap = plt.cm.gist_ncar
    plt.gca().set_color_cycle([colormap(i) for i in np.linspace(0, 0.9, len(ccurves))])
    col=math.ceil(float(len(ccurves))/30)
    for ccurve in ccurves:
        sample=ccurve.split('/')[1].split('.')[0]
        print "processing {}".format(ccurve)
        ccurve_table             = pd.io.parsers.read_csv(ccurve, sep='\t', header=0)
        ccurve_TOTAL_READS       = []
        ccurve_EXPECTED_DISTINCT = []
        if "TOTAL_READS" in ccurve_table:
            ccurve_TOTAL_READS       = ccurve_table["TOTAL_READS"].tolist()
            ccurve_EXPECTED_DISTINCT = ccurve_table["EXPECTED_DISTINCT"].tolist()
        elif "total_reads" in ccurve_table:
            ccurve_TOTAL_READS       = ccurve_table["total_reads"].tolist()
            ccurve_EXPECTED_DISTINCT = ccurve_table["distinct_reads"].tolist()
        else:
            sys.exit("Error, table {} is not in the expected format... has been generated with preseq?".format(ccurve))
        #I need to find the interpolation point to print the plots
        x_mim_ccurve_limit = computeLimit(x_min, ccurve_TOTAL_READS)
        x_max_ccurve_limit = computeLimit(x_max, ccurve_TOTAL_READS)
        if x_max_ccurve_limit > global_x_max_ccurve_limit:
            global_x_max_ccurve_limit = x_max_ccurve_limit
        if ccurve_EXPECTED_DISTINCT[x_max_ccurve_limit] > global_y_max_ccurve_limit:
            global_y_max_ccurve_limit = ccurve_EXPECTED_DISTINCT[x_max_ccurve_limit]
        p, = ax.plot(ccurve_TOTAL_READS[x_mim_ccurve_limit:x_max_ccurve_limit], ccurve_EXPECTED_DISTINCT[x_mim_ccurve_limit:x_max_ccurve_limit])
        legend[0].append(p)
        legend[1].append(sample)
    #plot perfect library as dashed line
    plt.plot([0, x_max], [0, x_max], color='black', linestyle='--', linewidth=1)
    plt.ylim(0, global_y_max_ccurve_limit + global_y_max_ccurve_limit*0.2)
    #label the axis
    plt.ylabel('EXPECTED DISTINCT READS')
    plt.xlabel('TOTAL READS')
    plt.title("Complexity curve: preseq")
    #change the font in oredr to plot a nicer picture
    font = {'size'   : 6}
    plt.rc('font', **font)
    #now resize the plot and add the legend on the right in order to avoid visualisation problems
    box = ax.get_position()
    ax.set_position([0.1, box.y0, box.width * 0.78, box.height])
    ax.legend(legend[0], legend[1],loc='center left', bbox_to_anchor=(1, 0.5),ncol=int(col))
    #ax.legend(legend[0], legend[1],loc='center left')
    #now save the plot
    plotname = output_name+".pdf"
    plt.savefig(plotname,format='pdf')
    plt.clf()
    return 0

def computeLimit(value, ccurve_TOTAL_READS):
    """This function returns the index of ccurve_TOTAL_READS containing the closest value to x_max"""
    if ccurve_TOTAL_READS[-1] < value:
        sys.exit("Attention: value is set to a value higher than the highest extrapolated point by preseq (value={}, ccurve_TOTAL_READS[-1]={}). Please specify a lower m-max.".format(value, ccurve_TOTAL_READS[-1]))
    first_point = 0
    last_point  = len(ccurve_TOTAL_READS)
    while first_point != last_point:
        middle_point = (first_point + last_point)/2
        middle_value = ccurve_TOTAL_READS[middle_point]
        if middle_value == value:
            return middle_point
        elif middle_value > value:
            last_point = middle_point -1
        else:
            first_point = middle_point +1
    return first_point

if __name__ == '__main__':
    parser = argparse.ArgumentParser("This script plots the complexity curves generated for one or several libraries. The script is designed to work using"
	" the output produced by preseq (http://smithlabresearch.org/software/preseq/). preseq version 1.0.0 is currenlty "
	"supported by this script (the script is compatible also with version 0.1.0). Preseq is a tool used to estimate the "
	"library complexity and/or to predict the library complexity. In the first case \"preseq c_curve\" should be use. In "
	"the second case \"preseq lc_extrap\" should be usued. Please, refer to preseq manual available at "
	"http://smithlabresearch.org/wp-content/uploads/manual.pdf for examples (pages 12 to 14 are the most informatives ones)")
    parser.add_argument('--ccurves'        , type=str, required=True, action='append', nargs='+', help="ccurves generated by preseq (http://smithlabresearch.org/software/preseq/)")
    parser.add_argument('--x-min'          , type=int, default=0        , help="lower x-limit (default 0)")
    parser.add_argument('--x-max'          , type=int, default=500000000, help="upper x-limit (default 500M)")
    parser.add_argument('--output-name'    , type=str, default='complexity_curves', help="output file name")
    args = parser.parse_args()
    main(args)

redpajama_set_name: RedPajamaGithub


text:
Q: Gulp Equivalent (from Grunt) - Multiple src files I've been tinkering around with GulpJS and believe it's a good next step from Grunt, but am having a few issues with the syntax in comparison.
Here is a section from my Gruntfile.js:
concat: {
    ie: {
        options: {
            separator: "\n\n"
        },
        src: [
            "bower_components/selectivizr/selectivizr.js",
            "bower_components/respond/dest/respond.min.js",
            "bower_components/REM-unit-polyfill/js/rem.js"
        ],
        dest: "assets/js/build/ie.js"
    },
    dist: {
        options: {
            separator: "\n\n"
        },
        src: [
            // Foundation Vendor
            "bower_components/foundation/js/vendor/fastclick.js",
            "bower_components/foundation/js/vendor/placeholder.js",
            // Foundation Core
            "bower_components/foundation/js/foundation/foundation.js",
            "bower_components/foundation/js/foundation/foundation.abide.js",
            "bower_components/foundation/js/foundation/foundation.accordion.js",
            "bower_components/foundation/js/foundation/foundation.alert.js",
            "bower_components/foundation/js/foundation/foundation.clearing.js",
            "bower_components/foundation/js/foundation/foundation.dropdown.js",
            "bower_components/foundation/js/foundation/foundation.interchange.js",
            "bower_components/foundation/js/foundation/foundation.joyride.js",
            "bower_components/foundation/js/foundation/foundation.magellan.js",
            "bower_components/foundation/js/foundation/foundation.offcanvas.js",
            "bower_components/foundation/js/foundation/foundation.orbit.js",
            "bower_components/foundation/js/foundation/foundation.reveal.js",
            "bower_components/foundation/js/foundation/foundation.tab.js",
            "bower_components/foundation/js/foundation/foundation.tooltip.js",
            "bower_components/foundation/js/foundation/foundation.topbar.js",
            // Custom Vendor

            // Project
            "assets/js/src/_init.js"

            ],
        dest: "assets/js/build/scripts.js"
    }
}

So as you can see, I'm specifying specific files (since I don't want to pull in an entire directory as you normally see it done), which seems simple enough. All tuts I've found for Gulp seem to follow that regex format:
gulp.task('scripts', function() {
  return gulp.src("assets/js/src/_init.js")
    .pipe(jshint('.jshintrc'))
    .pipe(jshint.reporter('default'))
    .pipe(concat('main.js'))
    .pipe(gulp.dest('assets/js/build'))
    .pipe(rename({ suffix: '.min' }))
    .pipe(uglify())
    .pipe(livereload(server))
    .pipe(gulp.dest('assets/js/build'))
    .pipe(notify({ message: 'Scripts task complete' }));
});

But putting in a comma-separated list into that src portion doesn't work -- how do we pass an array of files to that method?
It looks like I can separate my IE specific scripts using multiple streams in one, like so:
gulp.task('test', function(cb) {
    return es.concat(
        gulp.src('bootstrap/js/*.js')
            .pipe(gulp.dest('public/bootstrap')),
        gulp.src('jquery.cookie/jquery.cookie.js')
            .pipe(gulp.dest('public/jquery'))
    );
});

But a quick comment on if that is correct would be great too. Thanks!

A: From the documentation:

globs
Type: String or Array
Glob or globs to read.

In other words, pass in an array of strings, like:
gulp.src(['file1.js', 'file2.js']).pipe(...)
//       ^                      ^
//       '-------- Array -------'

Please note that this is the exact same format as Grunt.  It's an array of globs, not a comma-separated list.


Newly-built, these rooms enjoy a peaceful and quiet location in a pleasant and relaxing setting. They're arranged around a courtyard and look out on a garden dedicated exclusively to this group of rooms. Roughly 45 square meters including 2 bathrooms, they include a well-lit open space with a queen-sized bed and living room (the two spaces could be separated and can accommodate up to four people), as well as a large balcony (prices from € 99,00 per person per night).


text:
FATF has revised Recommendation 8 and its Interpretive Note at the recently concluded plenary meeting (June 2016). The revisions to the standard on NPOs have been incorporated into the FATF's main recommendation document, which is online here. The text is on pp. 13 and 54-59.
The revision of Recommendation 8 takes out the claim that the NPO sector is 'particularly vulnerable' to terrorist abuse. The new language is a big improvement and a victory for the NPO sector and its sustained advocacy on the matter.
See here for the press release.
Recommendation number 8 pertains specifically to non profit organisations (NPOs). The revised Recommendation now states that:
Countries should review the adequacy of laws and regulations that relate to non-profit organisations which the country has identified as being vulnerable to terrorist financing abuse. Countries should apply focused and proportionate measures, in line with the risk-based approach, to such non-profit organisations to protect them from terrorist financing abuse, including:
(a) by terrorist organisations posing as legitimate entities;
(b) by exploiting legitimate entities as conduits for terrorist financing, including for the purpose of escaping asset-freezing measures; and
(c) by concealing or obscuring the clandestine diversion of funds intended for legitimate purposes to terrorist organisations.
(International Standards on Combating Money Laundering and the Financing of Terrorism and Proliferation: The FATF Recommendations. Paris: FATF/OECD, 2012, Updated 2016, p.13.)
Recommendation 8 also comes with an Interpretive Note. Changes made to this note are more complex and are currently being analysed by the NPO Coalition.
As mentioned, the change in wording with its attendant shift in discourse is a major victory for the Global NPO Coalition which has been advocating for the past four years to mitigate the unintended consequences of the FATF Recommendations on NPOs . (This was the core group's initial draft suggested changes to R8 and the Interpretive Note. )
In addition, FATF made important changes to the criteria it will use to evaluate countries' implementation of Recommendation 8 (R8). The purpose of the changes is to make it consistent with the above revision of R8. The new methodology is found in Immediate Outcome 10 at pages 117-119 of FATF's Methodology handbook. It adds helpful new criteria to ensure countries take a risk-based, proportionate approach to any regulation of NPOs. It implicitly recognises the chilling impact such regulations may have by adding that they should not 'discourage legitimate NPO activities'. The new methodology criteria will apply to future evaluations, implying that evaluations already underway will continue under the old Immediate Outcome 10. A comparison of the revised and old Immediate Outcome 10 is here.


I need help upgrade\ building a new launcher as my pvc one shattered, I prefer a design that can shoot boosters.
the uswr launcher has 4 launch tubes for 3 boosters and there's allot of videos on there website.
better if you use Gardena release. Cluster launchers are much easier to construct if you use them.
okylerrocket wrote: the uswr launcher has 4 launch tubes for 3 boosters and there's allot of videos on there website.
Is it really USWR? You might be talking about Air Command.


text:
IT'S ART
How critics addressed the teenage-adult sex in "Call Me By Your Name"
Reuters/Mary Turner
This is different.
In an age of information overload, we all need strategies and recommendation to navigate humanity's vast cultural output.
By Lila MacLellan
Quartz at Work reporter
Published November 25, 2017 This article is more than 2 years old.
By virtually all accounts, Call Me By Your Name, a new film directed by Italian director Luca Guadagnino, is a masterpiece—more than one critic has used that word to describe it.
The movie, adapted by James Ivory from the book of the same name by Andre Aciman, is a classic and tender love story that encompasses larger themes, amounting to "a ravishment of the senses," according to the New York Times. It tells the story of a 17-year-old Italian boy, Elio (Timothée Chalamet), who falls in love with a 24-year-old American doctoral student, Oliver (Armie Hammer), who is boarding with his family for six weeks in their summer home. Variety calls it a "Proustian account of an Italo-American 17-year-old's transformative summer" that advances the canon of gay films by not being a gay film at all.
Early reviews of the film began to appear in January, when the movie was screened at Sundance. That was before the fall of movie producer Harvey Weinstein, accused of using his power to harass and assault young models, actresses, and others in Hollywood. It was before the Alabama senatorial candidate Roy Moore basically admitted to dating teenage girls. It was also before we learned of the allegations against Kevin Spacey that said the actor made inappropriate and traumatizing advances on young men and teenage boys.
Somewhat miraculously, then, given the climate in the US, Call Me By Your Name has attracted very little drama about the ages of its two main characters, a Twitter spat between James Woods and Hammer notwithstanding. American critics have thoroughly analyzed the film's many merits—its cinematography, acting, and music—while studiously avoiding going there.
Below is a sampling of how some critics danced around the age gap. It illustrates, as Slate wrote, paraphrasing a Yale University professor of gender studies, "our society's intense focus on age and sexuality is a relatively recent notion, not a long-settled one, and that while the law may have a legitimate need to be blunt and rigid, our art does not."
Of course, Call Me By Your Name is far from the first movie to romantically depict a love affair between a teenager and an adult: Woody Allen's Manhattan comes to mind, as do The Lover and Dirty Dancing. In matters of the heart, we're more complicated than we might like to admit.
Critic April Wolfe on NPR's Morning Edition, responding to a question about the main characters' ages:
You know, I was uneasy with this for a moment. But it feels like it's presented very differently because it is set in Italy. The age of consent there is 14, and they seem to treat these teenagers as adults who are making their own decisions, who are on their own. From an American lens, it is still a little bit uneasy for me. But at the same time, these two characters, they are both very intelligent. And sometimes the idea of age would just kind of vanish from my head as I was watching it.
Manohla Dargis for the New York Times:
Mr. Guadagnino avoids directly engaging the difference in Elio and Oliver's ages, which might have forced him to explore the underside of his sumptuous surfaces to greater, messier effect. Instead, Mr. Guadagnino leans on beauty, as when Elio's father poetically speaks to an increasingly agitated Oliver about the "ageless ambiguity" of some male statues ("as if they're daring you to desire them").
David Edelstein for New York Magazine:
The love scenes between Elio and Oliver aren't explicit — they only feel as if they are. The title is said in a moment of passion. It's Oliver's fervent desire to dissolve his self, to become one with Elio. I should point out that Armie Hammer doesn't look 24 — more like 29, which he was during filming, and that changes the dynamic. Make of that what you will (17 was above the age of legal consent in Italy), but it's Elio who finally pushes Oliver over the brink — who calls the question.
As for the actor Armie Hammer himself, he told All Things Considered:
There's a lot of attention being drawn to power dynamics in relationships. And I think that's a great thing because for too long it's sort of just been the done thing and totally accepted for people in a position of power to use it to get exactly what they wanted; for people not in a position of power to just take it.
I do feel fortunate that the way our relationship in the movie unfurls has very little to do with power dynamics. If anything, it really is Elio, the younger one, who has to be the one who is bold enough to say, "Oliver, this is how I feel. This is what I'm going through." And so it's — there's less of that power dynamic in our relationship, which I'm thrilled about because it's just two people consensually falling in love with each other.


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Mayor Urges Residents to Vote on Shezidao's Fate
Mayor Ko Wen-je arrived at local religious center Kun Tian Temple to promote the upcoming vote on Shezidao development on February 21. The vote is slated for February 27 and 28.
According to the mayor, the vote will only determine the general direction of Shezidao's redevelopment. Factors such as environmental impact assessment, urban planning, and flood prevention will need to be taken into account before any concrete plan can be submitted to Executive Yuan for approval.
Ko stressed that the challenge existing for over 46 years cannot be resolved in one day. He reckoned that the city government should seek residents' opinions before implementing policies, citing the issue of tap water accessibility he encountered from a one-night stay at Shezidao.
Regarding the four possible development choices, Ko commented that he will vote for "Ecological Shezidao," an approach which will not seek to expand embankments but preserve developable land in the outer area instead. The government will then play the role of diverting resources into the project.
The mayor promised locals that the city government will loosen the criteria for filing for compensation. He hopes to secure support from Shezidao residents before dealing with more challenges down the road of redevelopment.
Source:Department of Information Technology, Taipei City Government
Publish Date:2016-02-22


Casablanca is the largest city of Morocco and one of the largest of Maghreb. It is also considered as the economic and business capital of the country.
The metropolitan area is facing exponential mobility growth with increasing traffic issues and related pollution.
Since 2004, the Moroccan Government and the Municipality of Casablanca have developed a strategy to tackle these issues. The main achievement is the implementation of tramway line 1 and ongoing line 2 to develop efficient and green public transport.


With the Economy at the state we are in right now, colleges are struggling to keep tuition at a steady level. Many people think that college administrators and deans are ex-corporate fat cats trying to squeeze every last dime out of your child for an undergrad degree, which has now almost become a commodity in American education. What people do not realize is that there are two sides to every story and most colleges are struggling right now for a multitude of reasons. State budgets are tight, endowment funds are less generous, competition to bring in the smartest not richest… Read more here!


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Don't Miss Christopher Boucher & Sportlogiq at SSAC 2018!
Yesterday, we announced that Sportlogiq is proudly sponsoring the 2018 edition of MIT Sloan Sports Analytics Conference—the biggest sports analytics conference in the world. We're big fans of the event and members of our team will be attending for the third year in a row. Sportlogiq will have a significant presence there this year, including speaking on the conference's sole hockey panel, exhibiting, and presenting an academic paper.
What's in store for Sportlogiq at SSAC 2018
This year's hockey panel, Hockey Analytics on the Fly, will be presented by Sportlogiq. Our very own Director of Hockey Analytics & Services, Christopher Boucher, will be a speaker on the panel.
Sportlogiq will also be exhibiting at the conference. Come see us at our booth and check out our AI-powered sports analytics in action!
Finally, Greg Mori, one of our technical advisors and director of the School of Computing Science at Simon Fraser University, was selected to present a research paper, Deep Learning of Player Trajectory Representations for Team Activity Analysis. The paper is about identifying player actions and team activities in games using hockey and basketball trajectory data. The research was funded by Sportlogiq and the Natural Sciences and Engineering Research Council of Canada. The patent is owned by Sportlogiq.
In case you missed it, our academic team also presented a research paper last year, Clustering and Ranking NHL Players Using Location Information and Scoring Impact.
About the Panel
Hockey Analytics on the Fly boasts an impressive speaker lineup and brings together leaders from across the hockey industry. Speakers include, Dan Bylsma (Former NHL Head Coach, Penguins & Sabres), Chris Snow (Director of Hockey Analysis, Calgary Flames), John Chayka (GM, Arizona Coyotes) and, of course, Christopher Boucher. The panel will be moderated by the Athletic's Alison Lukan and will take place on Friday, February 23rd at 8:30AM.
The panel will explore analytics from a variety of perspectives within the NHL and will take a look at how the league is harnessing new technologies to capture data. It will also address the challenges front offices and coaches face in tailoring strategy to insights derived from analytics as well as how to communicate data in a language that everyone understands. Finally, panelists will discuss the future of hockey analytics and the game-changing impact of player tracking technology.
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About Christopher Boucher
Christopher Boucher is a data analyst and Director of Hockey Analytics & Services at Sportlogiq. He worked as an NHL team consultant for 7 years and has over two decades of experience in hockey analytics and micro-stats. Christopher is the creator of the first-ever complete and binary NHL micro-stat tracking system and the creator of the micro-stat definitions used by 24 NHL teams. He is recognized as a leader by the NHL thanks to his ability to transform micro-stats into actionable data for coaches and players in a way that is easy to digest.
Christopher hopes to bring more insight to the panel discussion about how data is currently being communicated and consumed within the NHL at both the management and coaching levels. He will be able to elevate the discussion with his deep data knowledge and unique perspective on hockey analytics.


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Archive for the 'Williamsburg' Category
wailing grew
In the end, we'll always have Wednesdays.
Single shots will greet you this week, as a humble narrator plays catch-up and also spends his time exploring and shooting rather than worrying about the weather and delivering posts. Regular posts will resume next week.
Pictured above is the Williamsburg Bridge, as seen from Corlears Hook in Manhattan, at night.
Posted in Brooklyn, Corlears Hook, East River, Manhattan, Williamsburg
Tagged with Williamsburg Bridge
varying antiquity
And so doth Monday once more rise.
Prepping for last Saturday's NYC Ferry tour found me riding around on a few of their boats last week, which is where I spotted the MV Hunts Point "Sludge Boat" crossing under the Williamsburg Bridge. Originally built as "East River Bridge #3" the bridge opened in 1899, a full ten years before East River Bridge #2 (Manhattan Bridge). It was built to replace the old Grand Street to Grand Street ferry operated by the company which Robert Fulton had founded. The Williamsburg Bridge was considered an eyesore when it opened, and the Municipal Art Society was founded as a response.
The Astoria line of the NYC Ferry, from which these shots were gathered, has recently added a new stop to its service, one which goes into the Brooklyn Navy Yard.
Wallabout Creek was the first recorded site of European settlement on the Long Island side of the East River, in these parts. The Lenape word for the Wallabout, I'm told, was "Hemegacknock." In 1801, shortly after the American Revolution, the newly minted Federal Government desired a ship yard along the East River. At the time, the busiest boat building center on the planet was found on the East side of Manhattan, and real estate prices for a property large enough for what the Feds wanted to occupy forced them to look towards the east. They purchased Wallabout Creek and Bay, and created the Brooklyn Navy Yard there in 1801.
By the American Civil War in the 1860's, the BNY was employing over 6,000 people at the Wallabout.
By World War 2, there were 10,000 employees and the Brooklyn Navy Yard hosted five miles of paved roads, 2 steel shipways to launch new vessels, six pontoon and cylindrical floats, and 4 dry docks. That ship you see above is sitting high and dry in one of the dry docks (it's actually called a graving dock, but there you go).
Between 1937 and 1953, amongst several other large vessels; the BNY launched the Battleships Iowa, North Carolina, and Missouri. They also built the first angled deck aircraft carrier here, which was called the Antietam. After the Federal Government began contracting its ship building and servicing in NY Harbor, the Navy Yard fell on hard times. These days it's experiencing a bit of a renaissance, and has become a corporate industrial park of sorts. The FDNY and NYC Ferry maintain bases here, and there's also a movie studio, the country's largest urban farm, and several warehouse operations working out of the Navy Yard. Additionally, there's a new museum here called "Bldg 92" which preserves the history of the place, accessible from the Flushing Avenue or landward side.
Posted in Brooklyn, Brooklyn Navy Yard, East River, Photowalks, Pickman, Williamsburg, Williamsburg Bridge
Tagged with Brooklyn, Brooklyn Navy Yard, East River, New York City, photowalk, Pickman
hysterical laughter
It's Edgar Allen Poe's Birthday, Icelandic Man's and Woman's Day (Bóndadagur), and it's also National Popcorn Day – here in these United States.
Part of my scheme to survive the cold this year involves a bit of a mix up on the normal routine. Rather than walk from Point A in Astoria to some distant industrial wasteland and then follow a completely different path back home (my normal "thing"), I've instead been taking the subway out a few stops to spots around three to four miles from home and then figuring out how to walk back home along an interesting route. On a recent day, my route involved taking the G out to Williamsburg. Not the shiny part of Williamsburg, of course, but the still crappy section that touches southern Greenpoint.
Whenever I'm in Williamsburg, I stare at the ground lest I catch the eye of a hipster who might find me novel or twee.
On the corner of Metropolitan Avenue and Leonard Street, this centuried access cover was encountered, bearing the screed "Catskill Water Chamber." Now, I've asked the question "who can guess, all there is, that might be buried down there?" more than once at this – your Newtown Pentacle over the years… but in this case I don't actually have to guess or wonder.
This is the sort of stuff that I know about which makes the folks at NYC DEP nervous about how I know it, incidentally. Short answer – while everybody else is reading about celebrity news or watching sports, I'm combing through the well hidden corners of NYC.gov. It's a gold mine, I tell you.
Water Tunnel #2 is about 17 feet in diameter, and it feeds pipes which first stretch out under Long Island City, Greenpoint, and Williamsburg. A sixty inch trunk main pipe under Jackson Avenue in LIC connects to one on McGuinness Blvd. in Greenpoint after passing under the Newtown Creek. At Leonard Street and McGuinness, a seventy two inch pipe is connected to the main line, and that one feeds water all the way to Driggs Avenue.
At the corner of Metropolitan Avenue and Leonard Street here in Williamsburg, where the access cover seen above can be found, there's a series of smaller twelve inch mains which split off from the main flow and feed water to local customers.
It's likely that these access covers were forged sometime between 1905 and 1915, with the Catskill system beginning to come online in late 1915. The Catskill system was ultimately completed by 1928, forging one leg of the tripod of upstate reservoirs which supply NYC with drinkable water. It's all very complicated.
The NYC Department of Water Supply, Gas and Electricity was the entity which the Catskill system would be handed over to, and was one of the many "wet work" agencies that were compressed into the gargantuan NYC Department of Environmental Protection back during the City Charter revision of 1983.
After congratulating myself on displaying another bit of my largely useless knowledge base, it was time to start moving again as a small crowd of hipsters were beginning to form and I feared ending up being posted about on Instagram again. One decided to continue up Metropolitan Avenue, following it to the Northeast, and inexorably approaching those loathsome existential realities which one finds lurking about the legendary Newtown Creek.
More tomorrow – at this, your Newtown Pentacle.
Posted in Brooklyn, Photowalks, Pickman, Williamsburg
Tagged with Access Covers, Brooklyn, Catskill Water Chamber, hatch, New York City, photowalk, Pickman, Williamsburg
staves and axes
Walking down Meeker Avenue, in today's post.
First – a confession – I had something else planned for today's post, as it was a rather exciting (and highly combustible) weekend in Astoria, but the photos aren't ready for public consumption quite yet. As a result, what was going to be tomorrow's installment of your Newtown Pentacle is offered in its stead.
Last week, occasion found me in Greenpoint to photograph a Newtown Creek related event in the afternoon. Having a few hours to kill, since my next engagement was in lower Manhattan in the early evening, a humble narrator decided to walk into the City via the Williamsburg Bridge. A medium sized scuttle ensued, and one found himself walking through and beneath one of the "House of Moses's" more onerous creations – an elevated section of the Brooklyn Queens Expressway which over flies Meeker Avenue.
Whilst my walk played out, several photos were captured, including shots of this charming bedroom set. One would guess that the Mayor can scratch one unit of affordable housing off of his "to do" list.
Signs of morbid habitation like this one drive me crazy of some reason. To begin with, it's likely the unhealthiest environment upon the earth for a human being to exist in, here in the traffic choked House of Moses beneath the BQE. Secondly, it exposes the farcical realities of "homeland security" and the so called "security state" in the era of the Terror Wars. If you can set up housekeeping alongside the steel pillars supporting a roadway that carries nearly 200,000 automobiles a day… well… let's just say you wouldn't be able to get away with basing yourself in similar circumstance in Riyadh or Tel Aviv.
My path continued along Meeker Avenue, towards the home of the Artisinal Pickle in Williamsburg, which has become one of the most pedantically boring neighborhoods in all of New York City in recent years. Dispassionate and jaded esthetes were observed as they moved aimlessly about the place, searching for some sort of "authenticity" or diversion from the tyranny of the now, which seemed to be in short supply hereabouts.
Shimmering memories of the old Williamsburg, with its DMZ's and danger, are hinted at here and there. The whores and the bangers are relegated to history, however, and after having walked from McGuinness to Metropolitan along Meeker Avenue, it occurred to me that not once did I feel danger. There were no hookers blowing truckers, no collections of scabby kids selling vials of death candy… just a rather well appointed homeless camp or two and construction workers eating lunch.
There were also grown men riding skateboards in the middle of a Thursday afternoon, incredibly thin women covered in tattoos that were ignoring them, and both sexes seemed to be staring into their smart phones while Brooklyn writhed incessantly around them unnoticed.
Upcoming Tours –
First Calvary Cemetery – LIC, Queens Walking Tour
click here for details and tickets.
Newtown Creek Boat Tour
with Open House NY, click here for details and tickets.
Posted in Brooklyn, Brooklyn Queens Expressway, Greenpoint, Photowalks, Pickman, Williamsburg
Tagged with BQE, Brooklyn, Greenpoint, Meeker Avenue, New York City, photowalk, Pickman, weirdness, Williamsburg
amidst glare
A few 4th of July shots, in today's post.
There are so many balls in the air at the moment, and so many more which one must work into the juggling act… best to focus in on the fireworks from July 4th in today's post. Distraction abounds.
On the 4th itself, a friend with a river view invited Our Lady of the Pentacle and myself to his house. Obligatory for shots of this kind, a tripod came along with me. When the Macy's show got started, one was ready.
Originally, one planned to be in LIC, the titular focus of the fireworks show… but the security theatrics which NYPD got up to scared me away. I tend to avoid areas in which snipers have been deployed.
My friend's place is in the crowded and tony section of Williamsburg, and when the show was over – Our Lady and myself managed to fight off a horde of hipsters in pursuance of a taxi to get back to Astoria. When we arrived there, however… in tomorrow's post, I will describe to you horror incarnate.
Glittering Realms – Greenpoint, Brooklyn Walking Tour
with Newtown Creek Alliance, click here for details and tickets.
Modern Corridor – LIC, Queens Walking Tour
with Brooklyn Brainery, click here for details and tickets.
Posted in Brooklyn, East River, New York Harbor, Photowalks, Pickman, Williamsburg
Tagged with Brooklyn, New York City, photowalk, Pickman, Williamsburg
staggered dizzily
Sights from a recent East River excursion, in today's post.
One does not get to view Mighty Triborough from the water that often, although the Astoria Park perspective on Robert Moses' great bridge is familiar and loved, so while onboard a boat carrying the Metropolitan Waterfront Alliance's annual conference, one ensured that a few shots were captured of its majesty. Moses was a gigantic jerk and a bit of a tyrant, of course, but on more than one occasion I have remarked on the particular esthetic charms his teams incorporated into their projects. The bath houses at Riis Park, and Jones Beach, the bridge pictured above – modern day planners are driven by economy and "design standards" which strip their civil works of the sort of visual panache that the depression era build outs offered. Far better than the brutalist crap of the 1960's and 70's which were inflicted on the public, of course, but modernity is not even close to being in the same artistic league with the earlier stuff.
Speaking of earlier stuff, the annihilation of the Domino Sugar site in Williansburg continues. Recently, Our Lady of the Pentacle and myself were obliged to make an appearance at a 20 something year old's birthday bacchanal at a bar in the former "Bushwick Strand," and coversation with a member of the "Millennial" generation ended up being revelatory. This particular kid realized fully that the lifestyle and "scene" in Williamsburg was not just threatened but doomed by the large scale construction underway in the area, and she was wondering what life would be like in my beloved Astoria. One intoned that Astoria would make a great home for an older iteration of herself, when "going out" would indicate that you were going to have dinner at a restaurant rather than spending the night at a fashionable bar. Her section of North Brooklyn is for the young and unsettled transients struggling to define themselves, whereas Astoria is for families and is still very much a community of long term neighbors.
Speaking of communities, the staggering growth of Hunters Point over the last five years is best realized from the East River. A humble narrator has been shooting the growing skyline here from the water for several years now, but with the Hunters Point South development finally becoming a reality, the "Modern Corridor" of Long Island City is beginning to reach critical mass. Any doubt as to why I refer to the East River frontage of LIC as "Tower Town" should be eradicated by the shot above.
May 16, 2015 –
13 Steps Around Dutch Kills with Atlas Obscura
with Newtown Creek Alliance Historian Mitch Waxman, click here for details and tickets.
The Skillman Corridor with Atlas Obscura
with Working Harbor Committee and Newtown Creek Alliance Historian Mitch Waxman, click here for tickets.
Posted in East River, Hunters Point, Long Island City, Photowalks, Pickman, Triborough Bridge, Williamsburg
Tagged with Brooklyn, East River, Long Island City, New York City, ny harbor, photowalk, Pickman, queens, Williamsburg
swept aside
Conspiracy in North Brooklyn?
Pictured above is the FDNY's Firefighter 2 Fireboat dousing the remains of a document storage warehouse at North 11th street right at the border of Greenpoint and Williamsburg. The building is likely a total loss and will be probably be demolished, as this was a seven alarm "all hands fire" which required the attentions of more than 200 Firefighters to control. It's eerily similar to the Greenpoint Terminal Market fire, which "Grenperntners" will eagerly describe as an arson job designed to clear the way for real estate development. FDNY investigators described the Greenpoint Terminal Market event as an accident brought on by a homeless man's campfire.
There's a few conspiracy theories already forming around CitiStorage, which I'll pass on with the caveat that these are "conspiracy theories" and nothing resembling the final analysis of what happened will be available for months until after the FDNY investigators pronounce judgement.
The first conspiracy theory is alluded to above, and declares that the Real Estate Industrial Complex was hungry for this valuable piece of land on Brooklyn's Gold Coast. Arsonists were sent in to get rid of the structure, which is why the fire had two distinct ignition events. To me, this one doesn't hold water, as it's far simpler for the REIC to legally gain possession of anything they want simply by pushing the right political buttons. Look at Willets Point, or Atlantic Yards, or Hudson Yards for examples of the vulgar display of their power. This "burn out" concept used to be a thing, during the 1970's, 80's, and 90's, incidentally.
The second theory requires a bit of context to fully appreciate. The documents storage facility which went up in flames housed, amongst other things, court and hospital records for the City. The Albany scandal revolving around Assembly Speaker Shelly Silver accuses him of various improprieties regarding referrals to a personal injury law firms, from which he personally profited. The conspiracy theory is that somebody torched this place to protect the former "most powerful man in New York" from some revelation or "smoking gun" which Federal investigators might have found there. Again, a conspiracy theory, not a conclusion.
from nytimes.com
Those that said they had records stored in the warehouse, which occupies nearly half a square block, included the state court system, the city Administration for Children's Services, the city Health and Hospitals Corporation, and members of the Greater New York Hospital Association.
Whatever happened, the toxic plume of smoke from the fire has been painting the neighborhoods surrounding this spot at Bushwick Inlet for a couple of days. I was able to smell it in Astoria just last night, and as one approached the spot in Greenpoint where the shots above were captured, it was inescapable and somewhat nauseating. Pictured above is what the scene looked like in 2013, incidentally, sans conflagration.
Posted in Brooklyn, East River, FDNY, fire, Photowalks, Pickman, Williamsburg
Tagged with Brooklyn, FDNY Firefighter 2, Fireboat, New York City, photowalk, Pickman, Williamsburg
the Wrong side of the tracks, a walk in Maspeth
The Night Soil and Offal Docks, and Jell-O
mysterious archways


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Beth Chapman Isn't Letting Her Incurable Cancer Diagnosis Slow Her Down One Bit
Darryl Oumi/Getty Images
She's managed to keep her sense of humor during her ongoing cancer battle, and now, Beth Chapman is also keeping her wits about her as she charges forward with managing her household. In a new interview with Us Weekly, her husband, Duane Chapman, aka Dog the Bounty Hunter, opens up about how the couple is dealing with the news. And according to him, Beth is handling it by taking control of everything else going on in their lives.
"She's still trying to cook and get involved in my bounties and business," Dog tells Us. "She's still trying to do everything… Beth is the kind of girl who likes control. She's trying to still advise me on my work, and I'm like, 'Honey, I was the Dog the Bounty Hunter before I met you. Stay out of it!'"
She's also exerting control over her own pain management, Dog says, revealing that she's refusing any prescription pain meds. "Beth will not take anything the doctors want to give her," he says. "Even the doctor told me he doesn't want her to have seizures if the pain is that bad, but she won't do it… She takes over-the-counter pain meds. She will not take anything prescription."
But for now, the couple is just chugging along, going to Beth's treatments and hoping for the best. "I don't listen to the bad news," Duane continues. "I don't want to hear it… I pray a lot, anywhere. I cry all the time."
"I'm a sinner. I pray a lot. I have done double that. I constantly ask God to heal my honey and make sure He takes care of it. I've been telling Him that I'm going to try and quit smoking and cursing. I'm a dealmaker, and I'll do anything." We'll be praying for Beth, too.
Duane 'Dog' Chapman Poses With Fan At Meet And Greet Amid Beth's Cancer Battle
'90 Day Fiancé' Stars Eric And Leida Quit, Blame TLC For Putting Their 'Lives In Dange...
Duane 'Dog' Chapman Reportedly Plans To 'Press Charges' After Being Accused Of Assault...
Still Going Strong! Jon Gosselin And Girlfriend Colleen Share Sweet Selfie Following J...
'TMOG' Star Catelynn Lowell Reaches Her Third Trimester — But She's Having One Major S...
Bonnie Jo Chapman Says Her Sister Cecily Has a 'Heavy Heart' After Losing Beth
Bonnie Jo Chapman Says Her Father 'Dog the Bounty Hunter' Won't Remarry After Mother's...
Bonnie Jo Chapman Reveals How She's Coping With the Loss of Her Mom: I 'Miss Her Like ...
Leland and Jamie Chapman Spend Time With Kids After Bonus Mom Beth's Memorial