text:
iPhone Black Friday Deals: Save Up To 35% With These Great Deals!
The Apple iPhone 14 Pro Max gets nice Black Friday 2022 Deal more at Walmart and so do its cheaper iPhone siblings today. Since the holiday shopping season starting with Black Friday and Cyber Monday is one of the very rare times of the year when you can get a discount on an iPhone, we've rounded up the best iPhone 14, iPhone 13, and iPhone SE deals for you this Black Friday!
That includes Walmart's $500 eGift Card offer on Apple's latest and greatest iPhone, the 14 Pro Max, is to follow, as well as a 35% price cut on older, refurbished iPhones that Amazon just released. Watch this space for iPhone 14 Black Friday deals too!
For more phone deals, also take a look at:
Are there any Black Friday iPhone deals out there right now?
Walmart and Best Buy got off to an early start with the awesome Black Friday iPhone, followed by Amazon and the rest. However, the best deals on iPhones are more or less evenly spread out among retailers, which tells us they may have been authorized by Apple itself as it leaves the task of the Black Friday iPhone discount to them!
What are the best iPhone deals on Black Friday?
During our recent Black Friday event, we had a lot of solid deals from major carriers, like up to $1,000 off iPhone 13 Pro Max (with replacement and new plan) from AT&T and Verizon. Now that it's a file iPhone 14 Pro Max Also out, Walmart is giving you a $500 eGift Card with activation for that! This is just like the last deduction action around iPhone 13 Pro And the iPhone 13which was also included in similar deals.
The Apple iPhone 13 mini was up to full price at AT&T, Verizon, and Target under similar conditions, and $200 off at BestBuy with a Verizon contract. Unfortunately, this year, Apple did not release the iPhone 14 mini, in fact, it retired the iPhone mini line, but the number 13 is still there, and it will continue to be discounted for all fans of small phones!
Old models like iPhone 12 And the iPhone 12 mini They are offered for as little as $3, 8 per month by carriers. The latter is also given away for free by Verizon with a qualifying unlimited plan. iPhone SE 2020 Free at Verizon with a new line, too, and only $150 at Walmart with prepaid AT&T.
Where to find the best iPhone deals on Black Friday?
We have the best Black Friday 2022 iPhone deals here for you! Simply bookmark this page and follow along as the sales event kicks off. As for the retailers offering the best iPhone deals, currently it's Walmart and Amazon, followed by Best Buy. Besides them, all the major carriers also tend to offer attractive Black Friday deals, so pay attention to the likes of AT&T, T-Mobile, and Verizon, among others.
How good are the iPhone Black Friday deals?
Although Apple itself rarely lowers the prices of its phones, other retailers, as well as major US carriers, actually tend to offer great Black Friday discounts and deals on iPhones. However, it can be a bit difficult to find the best iPhone deals even during Black Friday. So leave that to us and just bookmark this page, come back when the Black Friday event comes around, and quickly take advantage of the best Black Friday iPhone deals 2022!
Realistically — older iPhone models in particular, like the iPhone 11, iPhone 12, and now iPhone 13, as well as special iPhones like the budget iPhone SE — are likely to get the biggest discounts.
And if you don't mind buying refurbished iPhones, chances are you'll be able to get your hands on a Pro or Pro Max model at a solid discount. The iPhone 11 Pro Max It got nearly $300 off last time around, and this year's iPhone 12 Pro Max probably will as well, if not the 13 Pro Max.
Finally, if you're cool about contracts, you'll be happy to know that some of last year's iPhone 12 models, which at the time were pretty new, are down to around $3 or $8 per month, which is pretty light on the pocketbook! Stay tuned to find out which iPhones will also drop in price during this year's Black Friday!
How do you find the best iPhone deals on Black Friday?
Walmart and Best Buy, as well as sometimes Amazon, have some of the hottest iPhone deals on Black Friday, whether it's for new or refurbished iPhones or on contract and monthly payments. Watch this space in the lead-up to Black Friday, as we'll have the best iPhone deals right here for you!
Can you get an unlocked iPhone on Black Friday?
Yes you can! Older or refurbished iPhone models in particular can be found at discount prices for Black Friday, without contracts, carrier locks, or anything like that. Also, any iPhone deals for newer models won't necessarily be for carrier-locked variants, though they're very popular and will certainly pop up too. In fact, Apple offers the largest number of carrier network ranges, so you can get one with complete certainty that you can use it everywhere.
#iPhone #Black #Friday #Deals #Save #Great #Deals


text:
Nepal to test COVID-19 test kits from China
Hospitals told not to use the test kits from China
Ramu Sapkota April 1, 2020
A Nepal Airlines plane brought 6 tons of medical equipment from Guangzhou on 29 March, some of them were COVID-19 test kits that the Health Ministry now says should not be used until their reliability is assessed.
Nepal's Ministry of Health and Population has instructed that the Covid-19 Rapid Diagnostic Kit imported from China by a private contractor not be used after doubts emerged about their reliability.
The ministry has also stopped the use of other kits brought by individuals and private organisations from other sources, until their quality can be assured.
At its daily briefing on Tuesday, the Health Ministry had said testing for COVID-19 would be ramped up to augment measures taken to stop the spread of the virus with the two-week national lockdown.
However, the kits imported from China represent up to 90% of all rapid diagnostic kits available in Nepal, and this would push back efforts to increase testing.
It was the Ministry of Health itself that had signed the agreement with Nepal's Omni Buisness Corporate International (OBCI) on 25 March to purchase 75,000 Rapid Diagnostic Kits from China worth $600,000.
The Healthy Ministry's expert consultant Khem Karki said hospitals were being told not to use the tests because they suspected that the kits did not meet World Health Organization (WHO) and the government's own standards.
"We have instructed hospitals because we are unsure of the quality after receiving information that the COVID-19 test kits imported from abroad by private companies may give wrong results," Karki told Nepali Times.
Last week, several European countries including Spain had reported false negatives when Chinese-made kits were used for testing suspected coronavirus cases. An investigation there showed that the companies making the kits were not even officially registered in China.
"We are trying to prevent a similar situation to Spain in Nepal," Karki said.
But why is the Ministry itself is now doubting the quality of the kits brought by a company it had contracted for their purchase?
Karki said Omni had ordered the kits even before the contract was given, and when this was discovered the first consignment was stopped en route via Tibet.
"The quality of some of the kits were not up to mark, and we stopped them while they were in Tibet, but the rest came to Nepal by air," said Karki, adding that none of these kits had so far been used in government hospitals.
UPDATE: The director General of the Department of Health announced on Wednesday that it had cancelled the contract with Omni Buisness Corporate International (OBCI), and confiscated its Rs50 million deposit.
Lockdown limbo in no man's land
8 ways to keep well during a lockdown
Remembering a pandemic 100 years ago March 23, 2020 American Red Cross volunteers carrying a Spanish Flu victim in…
Nepal postpones international events as fear of… March 12, 2020 8th Human Rights International Film Festival poster. Courtesy: Human Rights…
What is novel about the novel coronavirus? March 19, 2020 n 2013, while writing a weekly health column in this…

redpajama_set_name: RedPajamaCommonCrawl


Find all the Gamma GT OR GGT labs and prices offered by them in your city, by clicking on the links below.
The cost of Gamma GT OR GGT in India varies from ₹ 72 to ₹ 132 in 10 cities of India.
The lowest price of Gamma GT OR GGT, amongst the metro cities, is at Mumbai. Gamma GT OR GGT Costs ₹ 72 in Mumbai. The market price is much higher at ₹ 550. You are getting a discount of 86% in Mumbai.
The most expensive city in India for Gamma GT OR GGT, amongst the metro cities, seems to be Delhi. Gamma GT OR GGT Costs ₹ 132 in Delhi. By booking through us you still save on the market price of ₹ 800.
The average cost of Gamma GT OR GGT in India is ₹ 72 if booked through us. The average market price in India is much higher at ₹ 550.


text:
Tamborowo – osada leśna w Polsce położona w województwie wielkopolskim, w powiecie kościańskim, w gminie Kościan.

Leśniczówka leży na wschód od Kanału Mosińskiego, przy żółtym szlaku pieszym ze Starego Bojanowa do Piotrowa.

Folwark o nazwie Tamborowa powstał po 1845 roku i podlegał Bonikowu. Pod koniec XIX wieku liczył dwa dymy (domostwa) i 27 mieszkańców. W latach 1975–1998 miejscowość administracyjnie należała do województwa leszczyńskiego.

Przypisy

Kościan (gmina wiejska)

redpajama_set_name: RedPajamaWikipedia


Response: The Police cannot do that. The Police cannot tamper with evidence or give medical opinion since they are not medical doctors. That would be egregious violation of your rights and Section 1983 case--Police Misconduct case can be brought against the Police for doing that--for abuse of office.
I cannot cite cases for you within the confines of this forum. However, I will opt to give another Attorney the opportunity to comment on your case.
I am a DIFFERENT CONTRIBUTOR, as your previous contributor left.
Police cannot even obtain text messages unless they are either given to them by someone who received them or through a court order.
You would need a local civil rights attorney from one of the large cities in GA near you and if this has happened and your evidence shows you are correct, they will represent you and file suit.
If the police altered the evidence and you present proof of that to the DA, then it is up to the DA to decide who to charge. If you are arrested and brought to court on the altered text messages and you prove they were altered, you can sue the police and the parties who made the complaint for Malicious Prosecution AND the police for civil rights violations for false arrest.
Can you help me with something? New JERSEY WITH A TRO.


El Dorado Furniture hosted its closing celebration of its Community Relations Campaign, "50 Years/50 Families." The El Dorado Furniture Family along with the Capó family and the family recipients gathered around to celebrate this special moment! The event took place on Thursday, November 9th at the El Dorado Furniture Pembroke Pines Boulevard!
Chief Marketing Officer de El Dorado Furniture, Roberto Capó, habla sobre el 50 aniversario y la Campaña de Relaciones Comunitarias de 50 Años/50 Familias!
El Dorado Furniture officially kicks off the start of it's Community Relations Campaign, 50 Years/50 Families running now through the end of June!


Unique Hotels – Singapore | Let's Go for a Trip!
Towering over the bay, this iconic hotel offers luxury with a rooftop infinity pool, 20 dining options and a world-class casino.
Set on top of 3 towers, a Sky Park features landscaped grounds and an observation deck. Lounge by the infinity pool with a cocktail in hand, or enjoy soothing massages at world-renowned Banyan Tree Spa.
Housed in a 1920's building in Little India, Wanderlust is an experimental boutique hotel showcasing a diverse range of fun themes. It offers free Wi-Fi and a mosaic tiled hot tub.


text:
The Morning Show with Declan Meehan, Thursday 16th May
Thursday 16th May 2013 The Morning Show with Declan Meehan 10- 11am •We spoke to Buyers Brokers Ltd Carol Tallon about mcDaniels pub being ought at the latest distressed auction and Arklow man Allan Dixon who is amongst the three finalists for the best job in the world competition, having beat off 45,000 other entrants spoke to us about making the final. 11am -midday •We were joined by Lyn Sharkey who joined us to talk about her book The Baby wait – Lessons Learned while trying to be a Mum' and we discussed how the next generation of children may live until 120 with Science Blogger Sean Duke.
The Morning Show with Declan Meehan, Friday May 17...
The Morning Show with Declan Meehan, Thursday 16th...
The Morning Show with Declan Meehan, Wednesday 15t...
The Morning Show with Declan Meehan, Tuesday 13th ...
The Morning Show with Declan Meehan, Monday May 13...


text:
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 Licensed to the Apache Software Foundation (ASF) under one or more
 contributor license agreements.  See the NOTICE file distributed with
 this work for additional information regarding copyright ownership.
 The ASF licenses this file to You under the Apache License, Version 2.0
 (the "License"); you may not use this file except in compliance with
 the License.  You may obtain a copy of the License at

     http://www.apache.org/licenses/LICENSE-2.0

 Unless required by applicable law or agreed to in writing, software
 distributed under the License is distributed on an "AS IS" BASIS,
 WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
 See the License for the specific language governing permissions and
 limitations under the License.
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    <fail if="tests.failed">Tests failed!</fail>

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redpajama_set_name: RedPajamaGithub


text:
Deze lijst van tijdperken bevat officiële en inofficiële tijdperken uit de geochronologie en eenheden uit de chronostratigrafie. Veel van de lagere eenheden uit de stratigrafie zijn regionaal gedefinieerd, waarbij de tijdperken overlappen met tijdperken uit andere regio's. Het orgaan dat zich bezighoudt met de standaardisering van namen van tijdperken is de International Commission on Stratigraphy (ICS). Ondanks dat in sommige gevallen een naam is vastgesteld door de ICS, wordt vaak lokaal een oude, regionale naam gebruikt.

Lijst

Zie ook
 geologisch tijdperk
 geologische tijdschaal
 geschiedenis van de Aarde
 chronostratigrafie
 geochronologie
 North American Stage Classification

Tijdperken


text:
Elon Musk says Tesla will raise price of 'FSD' to $12,000 in US
By News89 Team on 8 January 2022 Comments Off on Elon Musk says Tesla will raise price of 'FSD' to $12,000 in US
A Tesla Model Y electric vehicle is dispalyed on a showroom floor at the Miami Design District on October 21, 2021 in Miami, Florida.
Joe Raedle | Getty Images
On Friday, Tesla CEO Elon Musk announced on Twitter that the company will raise the price of its premium driver assistance package, marketed as Full Self-Driving or FSD, from $10,000 to $12,000 on January 17, for customers in the U.S. only.
In a series of posts on Twitter, where he has 69.2 million followers, Musk wrote, "Tesla FSD price rising to $12k on Jan 17. Just in the US. FSD price will rise as we get closer to FSD production code release."
When a follower asked him about Tesla's FSD subscription product (which currently costs $199 per month for most customers) Musk noted, "Monthly subscription price will rise when FSD goes to wide release." He also teased a new release of FSD Beta, an invitation-only program which offers more advanced features to select drivers who meet Tesla's qualifications.
Tesla does not disclose in its earnings reports exactly how many of its customers pay for FSD up-front or subscribe to FSD each quarter. So it's not clear how much a price hike in the U.S. could bolster its margins in the future.
The company's standard driver assistance package is marketed as Autopilot and comes standard with all its new vehicles (the Model S, X, Y and 3).
Autopilot functionality includes but is not limited to automatic emergency braking, forward collision warning, lane keeping and adaptive cruise control, which basically matches the speed of your car to that of the surrounding traffic, according to Tesla's website.
Tesla's Full-Self Driving option, also known as FSD, is a premium package that includes the Autopilot functions, and more sophisticated features like automatic lane-changing, stop light recognition, and "smart summon" which lets drivers call their car from a parking spot to come pick them up, using their smartphone and the Tesla app like a remote control. Despite the name, it does not today allow cars to drive themselves automatically with no driver intervention.
Separately, there's also an FSD Beta tier, which includes even more advanced features.
Only drivers who purchase or subscribe to the FSD package, and receive high marks in a "safety score" from Tesla, can get access to FSD Beta. Once they're in, they can test unfinished features like "autosteer on city streets," which Tesla says will eventually enable drivers to navigate around residential and urban surface streets, avoiding all obstacles, without having to steer on their own.
The California Department of Motor Vehicles and National Highway Traffic Safety Administration are investigating different aspects of Tesla's FSD development and technology.
Tesla has told both agencies that its technology is only a "level 2" system. By the DMV's definition, "Level 2 systems may enhance safety or provide driver assistance but are not capable of driving or operating the vehicle without the active physical control or monitoring of a human."
But Musk has implied the company's technology is more advanced than level 2. In an interview published on December 28, 2021, YouTuber Lex Fridman asked Musk, "When do you think Tesla will solve Level 4 FSD?" Musk replied, "It's looking quite likely that it'll be next year," meaning 2022.
Tesla has been promising self-driving cars since around 2016 but the company still hasn't demonstrated the hands-free drive across the US that Elon Musk said would be possible by the end of 2017.
Original news source Credit: www.cnbc.com
Autos, Business News, elon musk, technology, Tesla Inc, transportation
Elon Musk says Tesla will raise price of 'FSD' to $12,000 in US added by News89 Team on 8 January 2022


I have always been one of the greatest kart racing fans and now a new challenge is coming up and this is parking skills related. One must prove that he is up to it and park his kart in a given time period as perfect as he can avoiding to hit other cars or damage his own. The view is from the top so the controls will be switched and this will seem a little bit hard at first but after a while you will get.


text:
{% if question.type == "picture" %}
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{% else %}
  {% extends "quiz/quiz_base.html" %}
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{% endblock %}

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{% if answer.is_correct or answer.is_correct is none %}

{% else %}

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          <polyline class="path check" fill="none" stroke="#7eb530" stroke-width="14" stroke-linecap="round" stroke-miterlimit="10" points="100.2,46.2 51.5,94.8 29.8,73.5 "/>
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          <circle class="path circle" fill="#ffffff" stroke="#7eb530" stroke-width="14" stroke-miterlimit="10" cx="69.1" cy="69.1" r="62.1"/>
          <polyline class="path check" fill="none" stroke="#7eb530" stroke-width="14" stroke-linecap="round" stroke-miterlimit="10" points="100.2,46.2 51.5,94.8 29.8,73.5 "/>
        </svg>

          You have a typo. Correct solution{{ question.translations | length | pluralize }}:

          {% for translation in question.translations %}
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            {% else %}

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            {% endif %}
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      <audio src="/static/audio/correct.mp3" autoplay></audio>
    {% else %}

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          <circle class="path circle" fill="#ffffff" stroke="#dd381d" stroke-width="14" stroke-miterlimit="10" cx="69.1" cy="69.1" r="62.1"/>
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          <line class="path line" fill="none" stroke="#dd381d" stroke-width="14" stroke-linecap="round" stroke-miterlimit="10" x1="98" y1="40" x2="40" y2="98"/>
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The U.S. Government Accountability Office (GAO) released a report today (9/8/14) saying Arkansas' Obamacare Medicaid Expansion, known as the Private Option, has been allowed too high a spending limit by the Department of Health and Human Services (HHS) . The GAO estimated that HHS allowed Arkansas $778 million too much over a 3-year period for the Arkansas' Private Option.
HHS approved a spending limit for Arkansas that was based, in part, on hypothetical costs which allowed higher payments without supporting data.
HHS gave Arkansas the flexibility to adjust the spending limit if actual costs proved higher than expected. HHS reported that it gave the same flexibility to some other states in implementing Obamacare Medicaid expansion.
HHS, in effect, waived its cost-effectiveness requirement that increases the risk that the Obamacare Private Option would not be budget-neutral.
The cost of the Obamacare Private Option has been running above the federal spending limit. The GAO report complicates the issue by saying even the spending limit is too high.
It appears that once Arkansas starts paying a portion of the cost, it will be paying for a more expensive program than should have been allowed. How will HHS respond to the GAO report? It is unclear whether HHS will be reluctant to continue the high spending limit once the demonstration project is complete in 2017 or possibly even before then?


text:
Q: chmod: cannot access '/home/alpine/*.sh': Permission denied i have try to running my java application, and my apps run an docker image and build it. but when i run and try until all of done. i got error like this : this docker run on windows 10 operating system
[INFO] + chmod 0755 '/home/alpine/*.sh'
[INFO]
[INFO] chmod: cannot access '/home/alpine/*.sh': Permission denied
[INFO]
[ERROR] The command '/bin/sh -c set -ex   && chmod 0755 /home/alpine/*.sh' returned a non-zero code: 1
[INFO] ------------------------------------------------------------------------
[INFO] BUILD FAILURE
[INFO] ------------------------------------------------------------------------
[INFO] Total time:  03:42 min
[INFO] Finished at: 2021-06-16T16:16:11+07:00
[INFO] ------------------------------------------------------------------------
[ERROR] Failed to execute goal com.spotify:dockerfile-maven-plugin:1.4.10:build (default) on project oracle-admin: Could not build image: The command '/bin/sh -c set -ex   && chmod 0755 /home/alpine/*.sh' returned a non-zero code: 1 -> [Help 1]
[ERROR]
[ERROR] To see the full stack trace of the errors, re-run Maven with the -e switch.
[ERROR] Re-run Maven using the -X switch to enable full debug logging.
[ERROR]
[ERROR] For more information about the errors and possible solutions, please read the following articles:
[ERROR] [Help 1] http://cwiki.apache.org/confluence/display/MAVEN/MojoExecutionException

but i don't know what is exactly problem and how to fix it ? here my dockerfile format
FROM cirepo/service-base-image-java:openjdk-11.0.2-en_US.UTF-8_Asia

ARG ARTIFACT_REPOSITORY=unknown
ARG BUILD_TIMESTAMP=unknown
ARG DOCKER_REGISTRY=unknown
ARG GIT_BRANCH=unknown
ARG GIT_COMMIT_ID=unknown
ARG GIT_COMMIT_ID_ABBREV=unknown
ARG GIT_COMMIT_TIME=unknown
ARG GIT_REMOTE_ORIGIN_URL=unknown
ARG JAR_FILE
ARG PROJECT_ARTIFACTID=unknown
ARG PROJECT_GROUPID=unknown
ARG PROJECT_VERSION=unknown

LABEL image.artifact.repository=$ARTIFACT_REPOSITORY
LABEL image.build.timestamp=$BUILD_TIMESTAMP
LABEL image.docker.registry=$DOCKER_REGISTRY
LABEL image.git.branch=$GIT_BRANCH
LABEL image.git.commit.id=$GIT_COMMIT_ID
LABEL image.git.commit.id.abbrev=$GIT_COMMIT_ID_ABBREV
LABEL image.git.commit.time=$GIT_COMMIT_TIME
LABEL image.git.remote.origin.url=$GIT_REMOTE_ORIGIN_URL
LABEL image.project.artifactId=$PROJECT_ARTIFACTID
LABEL image.project.groupId=$PROJECT_GROUPID
LABEL image.project.version=$PROJECT_VERSION

COPY --chown=alpine:alpine src/main/docker /
COPY --chown=alpine:alpine target/${JAR_FILE} /home/alpine
RUN set -ex \
  && chmod 0755 /home/alpine/*.sh

my question is how to fix this issue ?
when i see in my docker application are ready in docker with name none. here the apps

but when i click run i cannot run this apps.... my question is what is problem exactly about permission denied when read dockerfile, and then how to run application in docker image ?

A: Try adding on Dockerfile
after COPY --chown=alpine:alpine target/${JAR_FILE} /home/alpine
:USER alpine or USER root

redpajama_set_name: RedPajamaStackExchange


Sandra: Hello, International Space Station, Sandra speaking.
Agent 54: Uh, this is Agent 54.
Sandra: Asian 54 what? Oh, you mean that hot new band.
Agent 54: No, my name is Agent 54.
Sandra: Wait a minute. Okay, I forgot that I had cotton in my ears because I took a shower and you know, in space the water will get in your ears unless you use cotton and so now, Asian 54, what can I do for you.
Agent 54: My name is Agent 54 and I'm with the NSA under the DORD.
Sandra: Oh, I know who you guys are. You're the ones who spy on us all the time and turn our personal business into jokes.
Agent 54: Right! That's us.
Sandra: So why are you calling me? I mean NASA and NSA don't have anything in common.
Sandra: (interrupting) Oh, I love Jimmy John's sandwiches. They're so fresh and they deliver in no time. I wish I could have one delivered now up here. Wait! Let me guess. You were gonna order a Gargantuan.
Agent 54: Yes I was. Say, you're Sandra Bullock aren't you?
Sandra: I knew it. They're the best. I should have packed some in an extra suitcase before coming back here. Oh yeah, it's me. Sandra stuck in space again.
Agent 54: Yeah, your movie, Gravitivity is out now so why are you up there?
Sandra: Oh, it's Hollywood. Sometimes they want to shoot the sequel right away before they even know if the first movie is going to be a hit. Oh yeah, it's called Gravity by the way.
Agent 54: Yeah, I knew that. Sometimes I'm a clown. Hey! I got a great name for the second film. How about: Too Much Gravity? Or Two Much Gravity?
Sandra: Humm, not bad clown boy.
Agent 54: So, you know I've been a big fan of yours since you made "Love Potion No. 9". And of course everyone loved you in "The Blind Side".
Sandra: Aww, that's so sweet.
Agent 54: So, well, I know your last husband was a jerk to you, so if you are still free, well, you know my wife and I discussed it and you know, if you want to hook- up with me, it's okay with her and even if you want to hook- up with both of us, well, we're cool with that. I'm sure we can make some kind of special arrangement that works for all three of us.
Sandra: Yeah, that's a tempting offer there Agent 54 and I'm sure you're a nice man and all but, I have a sweetheart waiting for me back on earth thank you.
Agent 54: Oh, of course you do. I knew you wouldn't be on the market for very long. Well, if that doesn't work out. Let me give you my number.
Sandra: No, That's okay. I think it's going to all work out with this guy.
Agent 54: Sure, and if you want to get in touch with me for any reason you can do it through the NSA. Just ask for Agent 54. Everyone knows me here. I'm kinda star in my own little universe.
Sandra: Hey, since you're with the NSA and you guys know everything, tell me, William Shatner, is that his real hair?
Agent 54: Heck no! I gotta tell ya, someday I hope to be half as cool as Captain Kirk's toupee.
Sandra: Oh yeah, me too. I mean I love Star Trek.
Agent 54: You already are as cool as Bill's toupee.
Sandra: Aww, you're so sweet. Well, it's been nice chatting with you on this celestial wrong number.
Agent 54: Yeah, very nice for me too.
Sandra: Well, I gotta get back to work soon.
Agent 54: Oh yeah, I gotta eat my lunch or I'll be grumpy as a grizzly bear by 2:30.
Agent 54: Bye click, Bye.
Wow, wasn't Sandra just the nicest. You know I feel bad for her because the men in her life haven't always treated her the way she deserves to be treated. She really deserves someone like me. Life can be unfair.
Hey! The kid from Jimmy John's is here and he's got my sandwich. Somehow they were listening in on my conversation with the beautiful and talented Sandra Bullock. Wow, this is my lucky day.
Hm....I want my next wrong number to be Will Smith. I'll make sure I mention or at least think about fajitas from my local Mex place.
I'll see if my friends at the NSA can arrange that. Thanks.
Bwahahahahahahaha. Okay hand over that sandwich.
They are sooooo goooood. Thanks and come again. ( I vote today, did you?).
Careful, this is a family show. Thanks for playing.
Lucky you. Not everyone gets a movie star on the other end of their wrong numbers.
Very lucky day for me. Sandra is one of my favorites. Thanks.
Man, Sandra is a babe. I have always loved her. What the heck were these guys thinking?
Oh yeah, she's the cream of the crop and as nice as can be. Ah well, maybe in my next life. Thanks for playing.
Howdy there Big Boy !
A White Horse Fell In A Mud Puddle.
That's all I got for you today !!
Will think of something else very soon.
What a dirty joke! Thanks for the hugs.
I always thought Sandra was a sweet girl who loved good wholesome stuff like Star Trek and sandwiches and toupees. I haven't seen the space film - is she good in it?
P.S. Reading between the lines, I think she has the hots for you.
I didn't see the film yet but, I know she's wonderful in it.
Maybe I should get a toupee. Thanks.
Ha! Hey, how's the call reception in space? Probably great, way up there next to the satellites. That's great you got to speak to a celebrity crush, one of my biggest is coincidentally William Shatner. If you get him on the horn, give him my number.
Too bad you couldn't send her a 12". Sandwich, I mean. Jimmy John's is freaky fast, but I don't think they have spaceships. Yet.
Thanks for sharing that amazing story! My wrong numbers all sound like drug dealers, but they won't deliver either.
I'll check my NSA files for a number for Bill for you. Jimmy John's spaceships, now that's worth staying alive for a while to see.
What a cool post Timothy! I love Sandra Bullock too. I saw the movie gravity and I really enjoyed it. Her acting is superb and the special effects in space were marvelous. I really enjoyed this too. It is very creative, humorous and fun. Have a great day!
I haven't seen the movie yet. Maybe I'll take my wife this weekend. Thank you for your kind words.
My pleasure. Thanks for playing.
You're too kind. This one wrote itself.
Jimmy John's is everywhere. They have their fingers in everything. That is how they are so fast, they decide what to send and then manipulate you into ordering. I think I see a Jimmy John's guy at the window, and I am on the 7th floor.
The Jimmy John's guys are amazing. Sandra is so nice.
I just searched and apparently there are several Jimmy John's in my area. Along with every other sub franchise imaginable. Too bad my husband doesn't like sandwiches. M'eh, more for me. And you. And Sandra.
Yes, more for Sandra and I. Wasn't she great!
Wow. yeah, let me accidentally dial Mark Wahlberg or Kid Rock. Don't know what they'd be doing in outer space . . . but its still a good interview.
Yeah, I really got lucky and Sandra is so nice.
Yes, I really got lucky.
Thank you. Glad you enjoy my silly stories.


text:
For a Workers' Republic and International Socialism
Years Published:
Socialist Workers' Movement
Issues in the Archive:
Comments on this publication
With the tagline "For a Workers' Republic and International Socialism", The Worker was published by the Socialist Workers' Movement.
Show: Covers | Chronological list
The Worker, No. 3
The Worker, No. 22
May-June 1974
1972 - The Worker, No. 3
1974 - The Worker, No. 22
John Goodwillie, Brian Trench
Note: This list is not exhaustive. Only named authors with entries in the archive are listed here.
The Socialist Workers Movement was founded in Ireland in 1971 by supporters of the UK International Socialists living in Northern Ireland who had previously been members of People's Democracy, the Waterford Socialist Movement and the Young Socialists.…
See Socialist Workers' Network in the archive


The concept of materiality emerged as the most important element in the new G4 guideline on corporate sustainability reporting launched by the Global Reporting Initiative (GRI) in 2013. This commentary paper offers a preliminary examination of the way in which these new guidelines are being adopted within the business community. The paper begins with a short discussion of the GRI guidelines and the enhanced emphasis on materiality, and the paper draws its empirical material from the first 10 companies listed on Google as having published their sustainability reports in accordance with the G4 guidelines. The findings reveal marked variations in the ways, and the extent to which, the selected companies have initially adopted the GR4 guidelines on materiality and that many of the high-priority material issues identified by these companies are centred on business continuity rather than environmental sustainability issues.
This is the peer reviewed version of the following article: Jones, Peter and Comfort, Daphne and Hillier, David (2015) Managing materiality: a preliminary examination of the adoption of the new GRI G4 guidelines on materiality within the business community. Journal of Public Affairs, 16 (3). pp. 222-230., which has been published in final form at http://dx.doi.org/10.1002/pa.1586. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving.


Susan Yonk - Compass Evaluation and Research Inc.
My path to evaluation took several twists and turns, starting with receiving my B.S. Degree in Computer Science from the University of South Alabama.
I worked for 20 years in software design and development, including 8 years as a telecommunications software design manager. I then completed a certificate in ESL Teaching, volunteered as an ESL instructor and worked as an ESL and Special Education Instructional Teaching Assistant.
As an evaluation research assistant, I am afforded the unique opportunity of utilizing my education and experience in a variety of ways, including systems analysis, database development, data analysis, report writing, and coordination of large- and small-scale data collection activities.
I enjoy spending time with my husband, children, family and friends, playing the piano, and living in NC with easy access to beautiful mountains and beaches.


A few days ago, I had to trim a rhododendron shrub while it was in bloom. It made me sad to cut the beautiful blossoms down, so I decided to bring some of them indoors. They have been in a vase in my kitchen since then. I have been enjoying having a close-up view of the blossoms. I have been meaning to draw them, and tonight I finally got around to it. I got out my color Sharpie marker set (a Costco purchase but I love it!) and started to sketch. I kept going longer than I intended to, but I had fun and it is always good practice to draw from observation.
This morning I went outside to water the new day lilies I put in, and was rewarded by this view of rhododendrons in the morning light. They were so beautiful that I decided to take a picture. Tonight I used iPhoto to crop the original version to get this composition.
This image began with a photo that I took back on May 14, during a walk at the Cummings Center Pond. I liked the way these dark lilacs looked against the water, so I took a picture. Tonight I edited the image in iPhoto and cropped the original image to get this composition.
Yesterday I had to trim a rhododenron bush because it was blocking the way. I hated to do it because it was in bloom and the blossoms were so beautiful. So I gathered up all the blossoms and brought them indoors so I could enjoy them. Plus, this would be a chance to see the blossoms close up. I put them in a vase, and they made a great big sprawling bouquet. Today I took some pictures, and cropped this image out of one of the best photos.
I have been working on this illustration for the past few days, mostly putting in the background color, but today I finally finished it. This illustration is for a recipe that is soon to be published on our food blog.* This is Grandma Aptaker's recipe for chocolate chip slices. Grandma Aptaker was my husband's grandmother. She was originally from Russia, but lived in New York City, and then Pueblo, Colorado, which is where I met her. I used to watch her cook. She didn't use recipes, but I watched her cook, asked questions, and wrote her recipes down so I could make them myself. These cookies are shaped like a European cookie (mandelbrot or biscotti), but with very American chocolate chips. I plan to post this illustration as well as the recipe over the next few days.
*(You can see our blog at seasoningforeverypalate.wordpress.com.
Here is the illustration I have been working on as it looked on May 25th. I started adding color, beginning with the lettering (which I had already decided would be brown and pink) and the food, because the color is already determined. This illustration is for a recipe that is soon to be published on our food blog.* This is Grandma Aptaker's recipe for chocolate chip slices,shaped like mandelbrot or biscotti. (Grandma Aptaker, my husband's grandmother, came from Russia and I always loved the surprise of those American chocolate chips in her Eastern European cooking repertoire.) I used to watch Grandma cook and wrote down the recipes.
I was thinking about an image for memorial day, and I remembered this drawing of a memorial candle that I made on my iPad with the Brushes app.* I originally created this for Yom Kippur, the Jewish Day of Atonement, because a memorial service is held that day. Today I used my digital drawing to create a pattern in Painter. So here is an image of many memorial candles, to remember the soldiers who went to war and didn't come home.
It's time to post another family recipe in our food blog, Seasoning for Every Palate (seasoningforeverypalate.wordpress.com.) This is going to be another one of Grandma Aptaker's recipes. (She was my husband's grandmother and before I got married, I used to watch her cook and write down her recipes.) So the recipe is going to be for her chocolate chip slices, like mandelbrot or biscotti. I had some ideas for the illustration, and last night I did this quick sketch on a small piece of paper.
Here's another image from yesterday's long walk in the Goat Hill neighborhood, here in Beverly, MA. We set out after dinner and were just in time to see the sunset over the water. Of course, I took some pictures. Tonight I used iPhoto to edit one of the best of them.
After dinner we took the dog on a long walk through the Goat Hill neighborhood, here in Beverly, MA. We found a little pocket park close to the water. (The sign says, "Please Enjoy This Public Way" and we did.) We were expecting a nice view of the sunset and the water, but the surprise was those lilacs in the light of the setting sun.
Yesterday's post was a picture that I took in Lynn, MA, of the waves rolling in. But sometimes a still photo just won't do, so here is a little video clip.
Today's excursion was a long walk along the beach at Lynn Shore Drive in Lynn, Massachusetts. It was cloudy and cool today, which is not great beach weather unless what you want to do at the beach is to take photographs. I love to watch the waves move in. It is tricky to take the picture at just the right moment, but fun to try. Tonight I cropped the original version to get this composition.
Another photo from yesterday's trip to Long Hill Gardens in Beverly, MA. Everyone loves to photograph this red pergola, and so do I. Yesterday it looked beautiful framed by pink azaleas, so I took another photo. Tonight I edited it in iPhoto and here it is.
Today's adventure was a trip to Long Hill Gardens right here in Beverly, MA. We thought the lilacs might be blooming, and they were. There is a double row of lilacs lining the main road, and we looked at all of them, comparing colors and scents. I took a lot of pictures. These have a pink cast, especially the buds. However, the image in my computer looked a little too pink, so I made a tiny adjustment to the color.
I have been decorating a wooden cutout of a codfish. (For the 50th anniversary of the Marblehead Arts Festival, fifty local artists are decorating codfish.) The decorated codfish will be on display in Marblehead. Yesterday's post was a photo of the final version of my codfish, titled "Gilda". (I also painted the reverse side of my codfish to make it look more finished. Also, if it should be on display in a store window, the back may be visible from inside the store.) The edging of silver tissue paper was already as neat as I could make it, so I just painted the back with gold acrylic paint, and signed it with a silver ink pen. So now my codfish is signed, sealed, and delivered. I dropped my codfish off in Marblehead this afternoon.
I finished my codfish project yesterday. I am one of a group of fifty local artists asked to decorate a wooden cutout of a codfish to be donated to the Marblehead Arts Fest. A few days ago, I thought I was finished, apart from some fine-tuning, but I decided to add some gold in a darker color to accentuate the shape of the fish. I also added some more lighter gold to the surface of the fish. (I also painted the back of the fish with gold paint and signed it in silver ink: will post a photo tomorrow.) Good thing I am finished because this codfish needs to make it to Marblehead by the 16th. Final title: Gilda, which is what I named her, because of the gold paint -- and the gills.
Here is my codfish project as of May 9, 2015. (Alternative title: Codfish on Studio Wall.) Fifty area artists have been asked to decorate wooden codfish cutouts for the Marblehead Arts Festival. This is mine, as it looked on May 9, 2015. At this point, I was doing a lot of cleanup work, making sure everything is pasted down, trying to get the surface as smooth as possible, etc. This part is tedious and not visually interesting. But I decided to have some fun and hang my codfish on the studio wall, and this is how it looked.
Here is another picture of my codfish project on the easel, as it looked on May 8, 2015. This time I photographed it with the two woodblocks that served as trial runs. I am decorating this wooden fish cutout for the Marblehead Arts Festival. (Fifty area artists are decorating these fish cutouts, which will be on display in Marblehead and then auctioned off.) I have continued to work on my codfish over the past few days, finishing and fine-tuning it. But the basic idea is all there, and it is interesting to see how the idea evolved from trial run to actual.
This is my codfish project as it looked on May 8th. (Alternate title: Codfish on the Easel.) I am decorating this wooden cutout of a codfish for the Marblehead Arts Fest. At this point, I had finished the mouth with some blue tissue paper, and added more gold to the fins and tail. Still to go: finishing work, neatening things up, pasting things down. I am thinking about putting some gold accents on the sides of the piece. And if there is time, I might decide to paint the back of the cutout with gold paint.
This is a photo of my mom at my aunt's wedding. My mother was matron-of-honor. Last night I scanned a black-and-white version of the photo into my computer and used Painter to add some soft color and then posterized it. (I already knew the colors of the dress because I once wore it to dress up as Queen Esther for Purim. But I referred to a tinted version of this for the color of the roses.) I think this is a beautiful photo of my mother, and I believe my father thought so too. As for my mother, she didn't have a clue that she was beautiful.
Here is a closeup of my codfish project as it looked on May 7, 2015. (I am decorating a wooden codfish cutout for the Marblehead Arts Fest.) In this view, you can see the markings of the fish and gold accents I added. I used a small piece of netting and gold paint to simulate the pattern of scales. I dipped the netting in the paint, then made a little print by putting it on the surface of the fish and rolling a pencil over it. That worked, but sometimes left only a partial print, but I used a brush to add the "missing" marks.
This is my codfish project as it looked yesterday morning after I worked on it. (Alternate title: Codfish on the Back Porch.) I am decorating this wooden fish cutout for the Marblehead Arts Festival. (Fifty area artists are doing this; the codfish will be displayed and then auctioned off this summer.) Yesterday I added gold accents to the fins. I also suggested the pattern of scales with gold paint and a piece of net. And I finally decided to give this poor codfish a mouth. To be continued. . . .
Mother's Day started early! This morning I received a beautiful bouquet. I love the bright colors, hot pink and bright red flowers. I took some pictures today but when I got the images into the computer tonight, I could see some problems with the exposure, too many shadows. So I did a little editing in iPhoto and the colors began to pop!
Here is my codfish as it looked this morning. (Alternate title: Codfish on Flagstone.) This is the wooden cutout of a codfish that I am decorating for the Marblehead Arts Festival. (Fifty area artists have been given this assignment, and an identical wooden cutout to start with.) Last night I cut out and pasted in the dark blue circles for the markings. This morning, I took my my codfish outside and photographed it in on the flagstone path, with sunlight coming through the chain link fence. To finish this project, I plan to add gold accents on the fins and on the body of the fish, to suggest scales.
Here is my codfish project as it looked yesterday. (Alternate title: Codfish on Hardwood Floor. ) I am decorating this wooden codfish for the Marblehead Arts Fest. (Fifty area artists are decorating the same fish cutout.) Yesterday it was time to start pasting down bright pink circles. I had already done a "digital dress rehearsal" to work out the placement: I made digital "markings" on a photo of my fish, using Painter's digital pastel. (See yesterday's post.) Even though I was using my digital trial run as a guide, it made me nervous to start pasting the pieces down. But I am happy with the way the placement. To be continued. . . .
I am decorating a wooden codfish cutout, to be donated to the Marblehead Arts Fest. (Fifty local artists are doing this.) I am using collaged tissue paper to decorate my fish, which will be silver with fuchsia and blue markings, and gold accents to suggest scales. By May 1, I had finished covering the wooden fish cutout with silver paper. I decided to do a digital dress rehearsal to figure out the placement of the pink and blue markings before trying it with "the real thing." So I opened a photo of my codfish in Painter and used some digital pastel to work out where I want the markings to be. Even though the colors are softer in this digital version, this is the general idea. I also tried out some gold accents on the fins.
This is my codfish project as it looked on May 1, 2015. (Alternate title: Codfish on Umbrella Table.) I am decorating this wooden codfish for the Marblehead Arts Festival. Fifty artists were given the same wooden fish cutout and their codfish creations will be displayed in Marblehead and then auctioned off. I have been covering my fish with silver paper, and at the time I took this photo, had finally finished putting the silver paper around the edges of the cutout. To be continued. . . .
Here is my codfish-in-progress as it looked on April 30, 2015. (Alternate title: Codfish on the Carpet.) I am decorating this wooden codfish for the Marblehead Arts Festival. I am part of a group of 50 local artists who have been given a wooden codfish form to decorate. These will be on display in Marblehead and then auctioned off this summer. When I took this photo, I had finally finished covering the front of the fish with silver tissue paper, although I still needed to cover the sides of the form. To be continued. . . .
Last weekend's adventure was a trip to the Danvers-Wenham Swampwalk. You can walk through a swamp on a wooden boardwalk. It was a lot of fun. I took several pictures, but I think this is the best one. The reflections of blue sky and clouds just below me were a bit disconcerting, and made me feel like I was walking into the sky. I tried to crop this photo to give viewers a similar sensation.


text:
L'éparchie Notre-Dame-du-Liban de Los Angeles ( ; ) est une Église particulière de l'Église maronite aux États-Unis.

Histoire
L'éparchie Notre-Dame-du-Liban de  (de rite maronite) est créée le  par division de l'éparchie Saint-Maron de Brooklyn qui couvrait alors l'intégralité du territoire des États-Unis.

Territoire
L'éparchie Notre-Dame-du-Liban de Los Angeles couvre trente-quatre États des États-Unis, à savoir : l'Alabama, l'Alaska, l'Arizona, l'Arkansas, la Californie, le Colorado, le Dakota du Nord, le Dakota du Sud, Hawaii, l'Idaho, l'Illinois, l'Indiana, l'Iowa, le Kansas, le Kentucky, la Louisiane, le Michigan, le Minnesota, le Mississippi, le Missouri, le Montana, le Nebraska, le Nevada, le Nouveau-Mexique, l'Ohio, l'Oklahoma, l'Oregon, le Tennessee, le Texas, l'Utah, la Virginie-Occidentale, Washington, le Wisconsin et le Wyoming.

Elle confine : au sud, avec Notre-Dame-des-Martyrs-du-Liban de Mexico, qui couvre le Mexique ; au nord, avec Saint-Maron de Montréal, qui couvre le Canada ; et, à l'ouest, avec Saint-Maron de Brooklyn, qui couvre le reste des États-Unis.

Paroisses

Cathédrales
La  de  est l'église cathédrale de l'éparchie.

La  de Saint-Louis est l'église co-cathédrale de l'éparchie.

Sont éparques
- :
- :
depuis le  :

Notes et références

Voir aussi

Articles connexes

Liens externes
  de l'éparchie.
L'Annuaire Pontifical, sur le site http://www.catholic-hierarchy.org, à la page .
  Maronite diocese of Our Lady of Lebanon of Los Angeles sur www.gcatholic.org.

Religion à Los Angeles
Fondation en 1994
Los Angeles
Los Angeles


As Of Late We Are Pretty Sure You Can Tell All is not well within the YMCMB family.
In a digital cover story with VIBE, the rapper confirms that he's everything isn't cool with the crew. There's been rumors going around for a while about Tyga's disdain for his label and wanting to break off to do his own thing.
In this interview he reveals that he doesn't get along with YMCMB's superstars Nicki Minaj or Drake and calls Drizzy "fake". Tyga also goes into the forced relationships in Young Money and how everyone were just thrown into the crew.


text:
James Elmo Williams
Oklahoma City, Oklahoma, USA
Elmo Williams worked on a variety of projects during his entertainment career. Williams worked on a variety of projects during his early entertainment career, including "Forever and a Day" (1943) starring Anthony Collins, "Irene" (1940) and "Nocturne" (1946) starring George Raft. He also contributed to "Nurse Edith Cavell" with Anna Neagle (1939), "Sunny" (1941) starring Anna Neagle and...
The Big Gamble (1961)
African action seq Director
The Vikings (1958)
Apache Warrior (1957)
Hell Ship Mutiny (1957)
Blonde Bait (1956)
The Cowboy (1954)
Elmo Williams worked on a variety of projects during his entertainment career. Williams worked on a variety of projects during his early entertainment career, including "Forever and a Day" (1943) starring Anthony Collins, "Irene" (1940) and "Nocturne" (1946) starring George Raft. He also contributed to "Nurse Edith Cavell" with Anna Neagle (1939), "Sunny" (1941) starring Anna Neagle and "They Won't Believe Me" (1947). In the forties and the fifties, Williams devoted his time to various credits, such as "Bodyguard" (1948), "The Miracle of the Bells" with Fred MacMurray (1948) and "Follow Me Quietly" (1949). Williams won a Film Editing Academy Award for "High Noon" in 1952. Williams was nominated for a Film Editing Academy Award for "20,000 Leagues Under the Sea" in 1954. Williams last worked on "History Vs. Hollywood" (History, 2001-02). Williams passed away in October 2002 at the age of 89.
Director (Feature Film)
The Tall Texan (1953)
Producer (Feature Film)
Ernest Goes to Camp (1987)
Man, Woman and Child (1983)
Caravans (1978)
Sidewinder One (1977)
Tora! Tora! Tora! (1970)
The Blue Max (1966)
The Longest Day (1962)
Associate prod & coordinator of battle episodes
Editing (Feature Film)
Editing Supervisor
Hell Canyon Outlaws (1957)
20,000 Leagues Under the Sea (1954)
Hellgate (1952)
High Noon (1952)
Follow Me Quietly (1949)
The Miracle of the Bells (1948)
Design for Death (1948)
They Won't Believe Me (1947)
Dick Tracy Meets Gruesome (1947)
Sunny (1941)
No, No Nanette (1940)
Irene (1940)
Nurse Edith Cavell (1939)
Victoria the Great (1937)
Supervising Film Editor
Production Companies (Feature Film)
Editing (Short)
Know Your Enemy: Japan (1945)
First film job as cutter in England
Hired by RKO as an editor
Film directing debut with "The Tall Texan"
Named head of Fox's worldwide productions


text:
Dalziel And Pascoe, BBC1
by Luke Knowles | May 6, 2007 | All, Reviews
Did we like it?
A blackly humorous, and welcome, return for the mismatched detective duo in which they investigated a spooky murder. However, the sense of levity was needed to temper the gruesome ultraviolence of the second murder.
What was good about it?
• Warren Clarke as Dalziel. He almost seemed to be on a one-man mission to remind everyone that he is the most mordant, grouchiest cop on British TV and not younger upstart Gene Hunt.
• In the first scene, Dalziel scared away some trick or treaters from his front door, despite calling after them to offer them some sweets the lonely superintendent had bought especially for the occasion.
• And as he and the disgruntled Pascoe strode through the home of the first murder victim who had been blown apart at point-blank range by her husband, Dalziel rather blithely enquired: "Right, where's the mess?"
• And along with the obligatory sneer at Pascoe's more genteel sensibilities, one scene opened with a fabulous shot of Dalziel's mouth almost in silhouette to emphasise his pouting, peeling lips as they puffed arrogantly on a cigarette. And when his dogsbody Kim Spicer suggested that "since Monday you're not allowed to smoke in this building", he dismissed her objections with a bilious frown.
• But with Dalziel, it's mostly a façade, and this was well conveyed when his only moment of real annoyance came when he realised that Pascoe had celebrated his birthday and not invited him to the party.
• The plot, in which a husband ostensibly murders his wife but is muddied by their appearance on a show by a Derren Brown-style illusionist on which the husband shot his wife but on this occasion his gun was only loaded with blanks was, apart from being a little too convoluted to describe in one sentence, buoyed by the dark humour bled into the script.
• The sporadic Omen-esque outbreaks of choral singers that acted as, well, omens of woe meant the viewer was well-signposted of imminent disaster. While the use of tarot cards spelling doom also added to the foreboding atmosphere, as well as humour such as when Tamsin turned over The Lovers and the scene cut to one of a bickering Dalziel and Pascoe.
• Richard E Grant revelled in the role of TV illusionist Lee Knight who is suspected of involvement in the deaths of both Jean, by her husband, and her daughter after she slapped him and blamed him for the tragedy. He balanced the character on the high wire of perfect pomposity above a fathomless pit of his own insecurity in to which he'll surely plummet in the concluding episode.
• The way in which Dalziel's searing scepticism of the occult is challenged firstly when he is bamboozled by Lee Knight into forgetting his own name, and right at the end as he and Pascoe burst in on the Dragons, apparently a charitable organisation who are in reality the local branch of Satanists, and their leaders eyes are popping out of his skull after trying to summon a diabolic dragon.
• The mystery of who is responsible for the killings is still shrouded in doubt. Was it Catherine's brother James and her snooty lover looking to make a killing on the inheritance who did away with her as part of their Satanic ritual (a different coven of Satanists)? Could Lee Knight be somehow psychically be manipulating others to carry out the killings? Or were the Dragons culpable, as they too sought to make a financial killing from the deaths of Catherine, Guy and Jean?
What was bad about it?
• There was perhaps too much concentration on Dalziel's charisma rather than on the story, and this meant that whenever Warren Clarke wasn't on screen your attention wandered away from the plot, which was quite complex.
• The murder of Catherine, or at least the aftermath, was perhaps a little too lurid. She had been effectively sawn in half with most of her guts spilling out the 'open' side while a dismembered arm lay by her side.
BBC | Custardtv Reviews | drama | UK drama series


Love is the most natural emotion in the world, as is the concept of mating – nature's way of new beginnings. Perhaps, that's why wedding themes based in nature are every popular. Rustic themes sweep away urban layers and take you back to essentials – of fresh flowers, sweet-smelling hay and ever-solid wood.


text:
Sigle
Personal identification number – codice numerico che consente l'uso di dispositivi elettronici solo a chi ne è a conoscenza
Partito Iniziativa Nazionale – acronimo di un partito rumeno
PIN – in economia nazionale è l'abbreviazione di Prodotto Interno Netto
PIN, Prostatic Intraepithelial Neoplasia, ossia uno stadio precedente il tumore alla prostata

Codici
 PIN – codice aeroportuale IATA dell'aeroporto civile di Parintins (Brasile)
 PIN – codice identificativo del TACAN di Pisa, radioassistenza per la navigazione aerea

Elettronica
Pin (piedini) – connessioni elettriche ed elettroniche
PIN – tipo di diodo

Persone
 Antonio Pin – ex calciatore e allenatore di calcio italiano
 Celeste Pin – dirigente sportivo ed ex calciatore italiano
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Home Cameras/Lenses Leica The "Leica" Camera in 1946: Report by British inspectors
The "Leica" Camera in 1946: Report by British inspectors
A Leica IIIb, centre, which was being discontinued at the time fo the 1946 report, flanked by a pair of pre-war Leica III models. The IIIb was introduced in 1936 and there is said to have been a last batch of 600 made in 1946. The IIIc was introduced in 1940 and was changed to its post-war "non-stepper" format in 1946. The IIIc was last produced in 1951. Image William Fagan.
"The Leitz factory is a well-run, happy organisation, this being due in no small measure to the family nature of the business and to its importance in the neighbourhood. Discipline is strict without being severe and one gets the impression of great interest by employees of every grade in the work being performed."
This is the start of the conclusion of a report on the Leitz factory prepared in late 1946 following an inspection of the factory by the British Intelligence Objectives Sub-Committee. A team, of four, Messrs. Big, Cantle, Tyler and Sturrock, investigated the Leitz works on the 19th, 21st and 22nd of November that year. They were greeted by Herr Ernst Leitz (Senior), the chairman, Herr Ludwig Leitz, technical director and Herr Dumar, the commercial director. Plus, "various members of the technical staff of E.Leitz".
Rolled out on a Roneo duplicator and crudely stapled, the official intelligence report on E.Leitz provides a fascinating insight into the state of the Leica camera in 1946
It seems that a jolly good time was had by all: "We received every help and courtesy from these persons and a considerable amount of assistance from Dr. Dumar."
In late 1946, just 19 months after the capitulation of Germany, Wetzlar was under US administration as part of the American zone of western Germany. A systematic investigation of German industry was undertaken by the Allies, ostensibly to estimate the period of rebuilding necessary following the conflict. To some extent, also, there was the opportunity to acquire German know-how for use domestically, if not the chance to acquire assets at bargain-basement prices. In some cases whole factories were taken over lock, stock and barrel.
This was highlighted in the case of Volkswagen, which could easily have ended up as a British company since Wolfsburg was in the British sector. Famously, the factory was offered to Britain as war reparations. And notoriously, a delegation led by Sir William Rootes, head of the Rootes Motor company, decided that Volkswagen was "not worth the money". He is reported to have maintained that the Beetle was "too ugly and too noisy." We all know the outcome of all that. Rootes Who? you might well be asking.
No such shenanigans were seen in Wetzlar as is evident from the even-handed report by the British investigators. They fully recognised the world-wide reputation of the German manufacturer and looked forward to the factory continuing to rebuilt its place in the world. The 1946 report's conclusions continue:
World-wide reputation
"The pride in workmanship and the just pride all have in their world-wide reputation for quality work is the permeating spirit of the place and helps greatly to offset apathy caused by the present dismal state of the country.
"The products coming from the Leitz works are equal to any turned out before the war although in some cases the finish is inferior due to poor materials, especially paints and enamels.
"The team came away with the impression that the Leica camera is still worth of its pre-eminent position and that the skill of the craftsmen is very much in evidence in the Leitz factory."
The Roneod¹ report (which was published by His Majesty's Stationery Office at a cost of two shillings or 10p in new money) goes into considerable detail about the factory buildings and the products:
At the time of the inspection the Leica IIIc was replacing the IIIb which has been introduced before the war in 1936. Eagle-eyed readers armed with a copy of the Leica Pocket Book will see that his particular example was manufactured in 1950, around the time the IIIf came along and one year before production ceased. But to all intents and purposes, this is identical to the camera the inspection team would have held in their hands (Photo by Mike Evans, Leica IIIc loaned by Red Dot Cameras who currently have several examples in stock if you fancy a perfectly usable film camera with a whiff of nostalgia)
"The Leitz Company is now producing only the Model III C Leia Camera, this having, by development, superseded the Model III B. The Model III C differs from the III B in several aspects, although it is functionally similar. It is approximately 1/8" longer, it has an integral top plate and range finder cover, and the main body is now a single pressure die casting, which together with two other pressure die castings for the top and bottom of the unit forms a complete chassis for the assembly of all the other component parts. In the later models the focal place shutter blinds have been fitted with ball bearings."
The report speaks highly of the Leitz craftsmanship, although production per employee in 1946 was running at only 50-60% of prewar levels, which the authors of the report attributed to "re-action from War, insufficient food and lack of purchaseable goods."
Production methods are discussed in detail, including assembly of components and the precise method of obtaining the satin finish on the bodies. It's all fascinating stuff but too detailed to recount in this article. But see the bottom of the page for a link to a scan of the full report.
There is, however, a fascinating discourse on labour costs. In 1939 there had been 5,000 employees and the workforce had been halved by 1946. The authors state that "it was very noticeable that men between the ages of 20 and 40 were very few, a fact which of course is attributable to the War. Of the Leitz employees who were in the fighting forces 400 were killed and 300 are still prisoners of war."
Pre-war, Leitz had carved a enviable reputation for their "miniature film camera". This shot was taken on a 1935 Leica III and depicts a contemporary Brough Superior motorcycle and sidecar (Photo Mike Evans)
Wage rates were practically the same as before the war and were considered low by then British standards. They weren't kidding. A skilled male employee earned 1.72 pfennigs a minute or RM 1.03 an hour while an unskilled labourer netted 72 pfennigs an hour.
Currency reform in 1948 enabled Leitz to rebuild the brand following the war. This book, following the company's marketing over 25 years, is available from Amazon
It is difficult to work out precisely what that meant in relation to Allied currencies at the time. Up to the last years of the war the exchange rate against the pound had been maintained around Rm 11 to one pound. This was also the generally understood rate for the Deutschmark for much of the 1950s and early 1960s. However, between the latter years of the war and the introduction of the Deutschmark in 1948 there was rampant inflation and to a large extent barter took over — the so-called cigarette economy. The introduction of the DM stopped inflation in its tracks and, to a great degree, was the catalyst for Germany's subsequent Wirtschaftswunder (economic miracle).
I discovered that the official military rate of exchange for the Reichsmark in 1946 was 40 to the British pound and 10 to the US dollar. That was almost certainly a poor reflection of value on the street, but it still meant that a skilled craftsman could expect 4p an hour and a labourer a miserly 1.8p. I suspect things have changed a bit at the Leica factory.
Camera prices
Camera prices are another area of interest for the investigators. The price of the III C and 5cm f/3.5 Elmar kit was said to be 40% higher than it had been at the outbreak of war. According to the investigators' report the retail price of this kit in 1946 was RM 546.60. Using the military rate, that means the camera and lens would have cost an attractive £14, about three or four week's wages for a working man in Britain at the time.
But it wasn't as simple as that. I asked my German colleague, Claus Sassenberg for his views. He thinks the quoted RM546 selling price must have been pure fantasy, perhaps an exercise in political correctness or, even, wishful thinking. No one would have been able to buy a Leica for Reichsmarks at the time so the list prices was purely academic.
For the reasons outlined above, as well as official restrictions, Leica cameras were in short supply. Of the monthly output of 1,100 units, 89% was reserved for American forces, 6% for French forces and 5% for German sales. A small proportion of the American quota was "available for British forces in exchange for Rolleiflex cameras" although I wonder where the Rolleis came from. Shortages continued for some years and imports to Britain were heavily restructed. According to my friend Don Morley, he had to apply for a permit to import a Leica III G into Britain in the mid fifties. Only photographers with a demonstrable business need could hope to get an import permit.
Two war-time IIIc models with grey paint. The one in front is a K model , designed for cold weather and incorporating a special ball-bearing shutter for low-temperature reliabiliy. The K represents Kugellager or ball-bearing. They were produced mainly for the Luftwaffe (Image William Fagan)
All in all, this is a compelling document which makes gripping reading for any Leica enthusiast. It's encouraging to know that, despite the privations, the Leitz factory was a "well-run, happy organisation." I wonder what the verdict would have been if they'd instead sent Lord Rootes to ferret through the drawings at Wetzlar?
The full report has been scanned, albeit in a hurry and using an iPhone. You can see the full document here. The quality is rather poor and there are several spectacular misalignments, but the text is all legible. When I get the opportunity I will do some more tidy scans.
I am grateful to Ivor Cooper of Red Dot Cameras for allowing me to borrow the 1946 report from his collection of old Leica documents.
This article can also be found in the German language here
¹ Roneo was one of the two main brands of stencil duplicator prior to the invention of the photocopier. The other contender was Gestetner. Pages were typed onto a special oiled sheet (the stencil) while the typewriter ribbon was inactivated. The type cut through the skin and later, when it was placed on the drum of the Roneo or Gestetner, ink inside the drum would permeate through the holes created by the type and create a facsimile on paper. Happy days, messy ink days!
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John Wilson 12th April 2018 At 11:59 am
Fascinating, I wonder what the percentages of auto production, such as Mercedes, was saved for the Allies ? Also now which countries garner the most product, Leica sales. Makes me wonder about Nikon output in occupied Japan. Thank you!
Nico 12th April 2018 At 2:26 pm
Thanks for posting, Mike. Very interesting!
William Fagan 12th April 2018 At 4:14 pm
Thanks Mike. I had seen extracts from this interesting report before, but never the full text.
Germany has done very well in the past 70+ years and is now economically stronger than some (possibly all) of the 'victorious nations'. It also still has a camera industry in the form of Leica. A lot of this is down to the strong German work ethic which is very well described in the document and which exists irrespective of politics. I think that I read somewhere that the Reid and Sigrist Leica copies (I have two, including one model with RAF markings) came about as a result of this British Intelligence report. Alas, the very well made Reid cameras soon disappeared from the market. A friend in the UK Leica Society told me that one issue with them is that they replaced the metric screws with imperial sizes. This issue can be overcome for repair purposes by re-sleeving, I believe.
There is an interesting article in the 'Miniature Camera' magazine from about 1940 which showed a captured IIIc and compared it to the existing IIIb. The war-time IIIcs are known as 'steppers' because of the little step under the re-wind lever. This step can be clearly seen in my two grey models shown above. The grey paint was used because the material for chrome work (the process for chroming was described in the British Intelligence report) was in short supply during the war. The Red Dot IIIc example shown above is a post war 'non stepper' model. These initially suffered from poor chrome work and were subject to 'pitting' in the chrome work. Collectors accept this as a 'badge of honour' for this period. This IIIc also seems to have 'sharkskin' vulcanite, which is is also associated with immediate post war period. Another feature of war-time IIIcs was the use of red shutter cloth in the first few years of the war. Leica was very adept at using other materials when shortages arose. Some of these, such as the grey paint and red shutters, have now become features much sought after by collectors.
Leica is, of course, a totally different company today, forging its way in a world-wide market for digital photographic equipment, while still maintaining essential aspects of its heritage.
John Nicholson 12th April 2018 At 6:45 pm
Very interesting. Seeing history through the lens of a camera you might say…….. What Germany went through in those immediate post-war years, psychologically, politically and even health wise (hunger was widespread) is not, I have discovered, well-known in GB. Small facets like this help to fill out the picture, along with the reminiscences of personal friends.
John Shingleton 13th April 2018 At 3:33 am
Mike , whilst we quite rightly ridicule Lord Rootes' opinion of the prospects for Volkswagen not all Brits were so shortsighted. A serving British Army major, Major Ivan Hirst, was responsible for reviving VW production at the Wolfsburg factory and thereby saving VW. The full story is in Wikipedia and other sources under Major Ivan Hirst.
Mike Evans 13th April 2018 At 7:29 am
John, thanks for this additional bit. I had read about this in the past but it slipped my mind, so it is useful to put the record straight. I like to think that the team sent to investigate Leica would have had the same attitude.
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Lewis Hamilton expands on feeling like he is a target for Max Verstappen
Home » Lewis Hamilton expands on feeling like he is a target for Max Verstappen
Mercedes' Lewis Hamilton has said he 'isn't fazed' by feeling as though he is a target for Max Verstappen on-track.
Lewis Hamilton has said he has no concerns about feeling like 'a target' for Max Verstappen, following their late season clash in Brazil.
With Verstappen spending most of 2022 racing Charles Leclerc at the front, or racing out on his own in the lead, it meant precious few racing opportunities between Hamilton and his 2021 title rival.
One such opportunity did present itself late in the season, in Brazil, with Verstappen attempting a move up the inside of Turn 2 at Interlagos – a move that resulted in a clash between the pair and a time penalty for the reigning Champion.
With Hamilton going on to finish second, the seven-time World Champion said he has 'no concerns' about the racing standards between himself and Verstappen and that: "I think it's natural when you have the success and the numbers on your chest, that you become a bit of a target.
"But it's OK. It's nothing that I have not dealt with before."
Lewis Hamilton: Listen to what 'certain individuals' say about me
Hamilton elaborated on his current relationship with Verstappen as he spoke with Channel 4 at the conclusion of the season, with the Mercedes man being asked about his comments about feeling as though he is a target for the Dutch driver.
"All you have to do is listen to the words that certain individuals say about me, and then also just look back at the way those individuals behave on track around me," he said.
"It kind of shows you that is, most often, a little bit different to others.
"Part of it is, I'm sure, to do with the time that I've had here, the experience I've had here, the success I've had here."
Lewis Hamilton jokes: Not easy adjusting to 'big ugly number 1'!
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Asked about how difficult this had been to adjust to after such a closely-fought 2021, Hamilton joked: "It was definitely not easy, I think. It's more the big ugly number 1, it's as big as you can put it on the car!"
Hamilton was referring to Verstappen's personal choice to race with the number 1 on his car in 2022, an exemption made for a reigning World Champion who can choose between their usual career number or the coveted 1. Hamilton has had to make that decision on several occasions since the rule was introduced in 2014, always electing to continue with his usual number 44 – Verstappen choosing the opposite.
Hamilton hinted that he felt some comments put out in the media are intended as an attempt to rattle him or get under his skin, attempts he vows are futile.
"I'm not really fazed by any of these things as much as I think some people like to think that…" he said.
"Maybe they'll say things or will do things hoping for a reaction, but I'm really just chilled. Like I don't really care about those things."(PlanetF1)
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text:
extern const CGFloat FACE_RECT_BORDER_WIDTH;
extern NSString * const CameraOptionsNotification;

CGFloat DegreesToRadians(CGFloat degrees);
void displayErrorOnMainQueue(NSError *error, NSString *message);

@interface CameraViewController : UIViewController <UIGestureRecognizerDelegate, UIAlertViewDelegate, MFMailComposeViewControllerDelegate>

@property (strong, nonatomic) id dataObject;

@property (strong,nonatomic) AVCaptureStillImageOutput *stillImageOutput;

@property (strong, nonatomic, readonly) AVCaptureSession* session;
@property (strong, nonatomic, readonly) AVCaptureVideoPreviewLayer *previewLayer;
@property (assign, nonatomic, readonly) CGFloat effectiveScale; // pinch-to-zoom maintained by controller

@property (strong, nonatomic) IBOutlet UIBarButtonItem *optionsButton;
@property (weak, nonatomic) IBOutlet UIView *previewView;
@property (strong, nonatomic) UIImageView *stillImageView;
@property (weak, nonatomic) IBOutlet UIToolbar *toolbar;

@property (weak, nonatomic) IBOutlet UISlider *widthSlider;
@property (weak, nonatomic) IBOutlet UIBarButtonItem *clearToolbarItem;
@property (weak, nonatomic) IBOutlet UIBarButtonItem *widthBarButtonItem;
@property (weak, nonatomic) IBOutlet UIBarButtonItem *switchCamera;

// Graphics code will call this when still image capture processing is complete
- (void) unfreezePreview;

- (UIImage *) savePreview;

- (void) setupPreviewForGraphics;
- (void) setupGraphics; // Loads face graphics
- (void) teardownGraphics; // Releases face graphics

- (IBAction) switchCameras:(id) sender;
- (IBAction) handlePinchGesture:(UIGestureRecognizer *) sender;
- (IBAction) takePicture:(id) sender; // grabs a still image and applies the most recent metadata

- (IBAction) clearAction:(id) sender;
- (IBAction) widthAction:(id) sender;
- (IBAction) sliderValueChangedAction:(id) sender;
- (IBAction) optionsAction:(id) sender;

@end


text:
Homegrown Music is WVIA-FM's exclusive series which each week showcases the talents of regional contemporary music artists in recordings produced in the WVIA-FM studios by series host George Graham and is broadcast Tuesdays at 9:00 PM. A special feature during September is an encore of a 2005 live performance by Dakota founding members Bill Kelly and Jerry Hludzik in a reunion concert. Further information on Homegrown Music may be obtained via the World Wide Web at http://homegrownmusic.info andhttp://www.wvia.org/radio/local/homegrown-music/
Sept. 1	The Packway Handle Band. This popular Georgia-based national bluegrass-jam band recently performed shows in Northeastern PA. As part of their itinerary, they paid a visit to WVIA for a great energetic performance of their original music.
The Packway Handle Band in the studio at WVIA
Jerry Hludzik (left) and Bill Kelly performing live at WVIA in 2005.
Sept. 8. A Homegrown Music Concert Encore: Dakota Reunion. The Homegrown Music live monthly concert series returns next month, but for this final of the summer concert encores from the archive, we have a memorable 2005 concert by Bill Kelly and Kerry Hludzik, founders of the band Dakota, who achieved worldwide success in the 1980s, opening for Queen on their tour. The band was actually founded at WVIA for a Homegrown Music session in 1977 when Kelly and Hludzik, then members of another internationally popular, locally-based band The Buoys were looking to create new music as an outside project. Those WVIA sessions led to the band being signed. Twenty eight years later, Kelly and Hludzik reunited for a series of performances, including this duo concert in which they do acoustic versions of their well-known songs and some newer ones. With a new Dakota project due out soon, it was a good time to revisit this great concert.
Sept. 15	Dan Masterson. A fine singer-songwriter-pianist, Dan Masterson has released two EPs that have been featured on WVIA's Mixed Bag program. Masterson also appeared on a Homegrown Music live concert. This is an encore of his first WVIA session in 2014 for Homegrown Music.
Dan Masterson recording for Homegrown Music
The Cosmic American Derelicts in the studio.
Sept. 22	The Cosmic American Derelicts. This long-running and versatile New Jersey based band, returns to Homegrown Music for their seventh appearance on the show with a new collection of rootsy original rock.
Sept. 29	Jefferson Thomas. Singer-songwriter Jefferson Thomas has been on the scene since the 1990s, with his albums featured on WVIA's Mixed Bag since then. After living in Atlanta for a while, he returned to his native Northeast, and has been maintaining a steady touring schedule. He makes his Homegrown Music debut with a solo acoustic performance of a number of new songs.
Jefferson Thomas wields his guitars


text:
Dit is een (onvolledige) chronologische lijst van beelden in Lingewaard. Onder een beeld wordt hier verstaan elk driedimensionaal kunstwerk in de openbare ruimte van de Nederlandse gemeente Lingewaard, waarbij beeld wordt gebruikt als verzamelbegrip voor sculpturen, standbeelden, installaties, gedenktekens en overige beeldhouwwerken.

Voor een volledig overzicht van de beschikbare afbeeldingen zie: Beelden in Lingewaard op Wikimedia Commons.

Zie ook
 Lijst van oorlogsmonumenten in Lingewaard
 Lijst van kunstwerken in Huissen

Kunstwerk in Lingewaard
Lingewaard