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19 of the World's Most Powerful Rifles – 2023
Nick 4 weeks ago No Comments
19 of the World's Most Powerful Rifles For Sale
There's just something about the biggest, powerful guns in the world that turn us into giggling kids again. Big guns are exciting, visceral, dramatic and spectacular.
Firing powerful guns, though, takes commitment. And space, but mostly commitment. Recoil goes with the territory, the ammo costs so much your family might go hungry and your neighbors might stop talking to you.
But you won't care. You'll be there with no hearing, grinning from ear to ear as you fire off another round from the biggest, most powerful gun in the world. And if you can't go that far, we've got a big bore rifle you can get started with for less than $450.
So what are the most powerful guns you can buy in 2023?
We know there are other mythical guns that people have seen, or heard about, and custom build rifles. But we wanted a simple rule, we want you to be able to buy guns online, not just look at them. So all these guns are for sale, right now, kind of…
Some of them are seriously cheap, too. You can get started in big bore hunting and shooting for just $450, although powerful rifles are an addiction that might well cost you more down the line. We have $12,000 guns here, too.
Here are our picks for the best large caliber rifles in the world.
1. Barrett M107A1
Price: $12.867.99
Caliber: .50 BMG
Barrel: 29 inch
Total length: 57
Weight: 28.5lb
Cost per round: $3.30
Velocity: 4000fps
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The legend. Simply put, the Barrett 50 BMG has become an icon in the US military and for collectors who just like cool shit.
Accuracy International brings a sportscar to the party, Barrett's M107A1 is more of an overpowered truck. It's overengineered, it's strong and it won't break. It's not a thoroughbred like its rival, it's a carthorse.
50 BMG is an Anti Materials Sniper Rifle
Even the military doesn't use them for shooting at people, much. If they did, they'd probably end up staring at a smoking pair of boots and a noxious cloud where the person used to be. But it is good for cover fire, or blowing the enemy's cover from over their heads.
That's why the armed forces often say this anti material rifle is the best sniper weapon. And military and Law Enforcement love that legendary 50 Caliber rifles' ability to crack an engine block. Which is true, sometimes.
This is an 'anti-material' gun, which basically means vehicles, walls, doors and armor-plated, well, anything. Just watch this thing in super slow-mo. It's fascinating. This is how normal, non-gun people react to this beast.
Just 50 BMG Thangs
In the military setting, it's a rifle that one soldier can carry and set-up without help. When they're in position, they can take out vehicles up to a mile away. Seriously, you read that right, a mile. So if your neighbor is a dick, you can drive a mile away, and then shoot their car.
Helicopters, planes, even dugouts, buildings and walls are all fair game. If you can get on your roof and get good coverage, then if shit really does hit the fan then you might actually have a practical purpose for the big 50 BMG rifle.
Before then? It's just a lot of fun.
Ammo is Brutal on Your Bank Account
Each round of the basic 660gr FMJ costs $3.50. If you want the Hornady Match A-Max 750gr good stuff then it's $6 a round. So you really do have to make every shot count with this gun. Then again, it costs more than 11K to buy one in the first place.
If you really want a 50 BMG. If you want to leave comedy dark spots in the ground where deer used to be, if you want to take pot shots at old cars in the middle of the desert, if you want to blow holes in your own house, well you can do that. But nice things cost money.
So where can you buy a Barrett 50 Cal rifle? Step right this way…
Get a Great Deal on Your Barrett 50 BMG Rifle Here!
2. Christensen Arms Modern Precision 338 Lapua
Caliber: 338 Lapua Magnum
Length: 39-47 inch, folding stock
Velocity: 3,000fps
Power: 4,768 foot pounds
Do you want a portable sniper rifle? Do you want to go deer hunting, big game hunting from a distance maybe?
Then you might want to forget the heavy 50 Cal rifles and go for a lightweight sniper rifle you can actually carry.
This complete bolt action rifle tips the scales at around 7-8lb, depending on your choice of caliber and barrel. It also costs less than $2,000, which is a bargain in this company. You have to think the United States Marine Corps would love it too…
CNC machined from billet aluminum, this chassis rifle is available in 308 Winchester Magnum, 6.5 Creedmoor and pretty much every major caliber. The full line is here:
Christensen Arms Modern Precision complete line up at Euro Optic. Get a powerful sniper today.
A Powerful Sniper Rifle You Can Carry
The folding hybrid precision chassis means it's no harder to carry than your average AR-15 rifle and yet you get an effective range of 1500 yards.
It's a guaranteed sub-MOA rifle, comes with a carbon-fiber wrapped stainless steel barrel that is much thinner. That's how the company started out, before moving into custom guns that have taken us and a lot of the world by storm.
A 338 Lapua rifle of this high quality will give you 60% of the muzzle velocity of the biggest 50 cals with about 5% of the problems and a fraction of the costs. You can take the biggest game, ring steel you need binoculars to see and live out your military sniper rifle dream,
If you live in the real world, the rifle is only fun if you can afford to shoot it and can carry it. And you won't get explosive ordnance anyway. You can get Lapua Armor Piercing ammo, though.
For most of us, 338 Lapua Magnum is more than enough long distance sniper rifle and it's also a gun that's light enough to hunt with.
3. Accuracy International AX50 ELR
Caliber: 50 BMG
The Accuracy International AX50 bolt action rifle is pure military hardware that you just happen to be able to buy.
It's not a gun you need to justify, then, it's just the best 50 Caliber sniper rifle in the world. This is widely considered the most accurate 50 Cal. rifle of all time, although the McMillan Tac 50 might have a word or two to say about that.
It's a beautiful looking thing and you can buy one, but the price might make you cry. If it does, you need to take a closer look. This is craftsmanship, durability, explosive force and a near force of nature in rifle form. Here it is working on a train track rail in a massively popular video.
Your Best Rifle, By a Mile, or Two.
Put simply, it's the most powerful sniper rifle you will ever own. Maybe not the best, but certainly the most spectacular. It's a long-range demolition crew on a bi-pod…
The AX50 has a detachable five-round magazine, too, which slots home in a conventional AR-style. The company pitches it as an anti-material sniper rifle, with a monster of a cartridge that can go straight through walls.
Accuracy International claims a muzzle velocity of 5,988fps, and a 2,700-yard effective range. Just think about that for a moment…
It's up to you what rounds you put through there, but it's designed to cope with the most heinous 50 BMG that the active fighting forces round the world can throw at it. That's a powerful sniper.
50 Cal Rifles Do Major Damage. You Knew That…
These 50 Caliber rifles are some of the most versatile weapons in the field. They're basically a mortar, RPG and big bastard gun in one seductive package and it's not hard to see why US Marine Corps soldiers love them.
Accuracy International's powerful sniper rifle weighs in at 26.1lb and it's more than 54 inches long. It is, though, a traditional sniper rifle with a vicious payload. It can take out buildings, installations, vehicles and more from deep cover positions and that holds massive appeal to the military.
The recoil is pretty controlled and distributed throughout the heavy frame, and this incredible weapon functions just like a much smaller caliber.
Accuracy International AX50 vs Barrett M107
The AX50 is a much more elegant firearm than the functional Barrett, which tends not to matter to the military. The way the world's armed forces have voted en masse for the 10-round Barrett speaks volumes for its reliability and consistency. So those are the trade-offs, basically.
You'll see more of them on this list, but if you just want to see the best 50 BMG rifles for sale in 2023, then we have this post for you.
15 of the best 50 BMG rifles on sale now!
4. Ruger AR-556 MPR 450
Caliber: 450 Bushmaster
Total: 35.6-38.9 inch
A simple semi-automatic AR-15 chambered in a round designed to drop the biggest African game at 250 yards? That tips the scales at 7.4lb? Shut up and take my money…
The big bore Ruger AR-556 isn't even that expensive with the 18 inch heavy barrel for the monster of a round that is 450 Bushmaster.
It turns this semi-auto rifle into a serious consideration in bear country where the 5+1 rapid fire rounds of something every serious indeed should give you a fighting chance. Maybe even the upper hand. For hunting? All North American hunting, big game hunting etc is on the menu.
Essentially it's a new upper and some beefed up components over the production version AR-15 that remains a favorite in our cheap AR-15 feature. And even that is hard to find for less than $700 now. Aside from that, it's even the same free floating handguard.
Obviously the effective range isn't that big. But as a short range hunter, or even a defensive rifle against bears, or dinosaurs, it's incredible.
5. Mossberg Patriot 338 Win Mag
Caliber: 338 Win Mag
Power: 3,866lb/ft
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There's no getting round the fact that 338 Winchester Magnum is the red headed stepchild next to the more popular 308 Win Mag and 338 Lapua. But the truth is it's one of the world's most powerful rifles here in a dirt cheap package.
You'll learn all about recoil with this Mossberg bolt action rifle. But the velocity and power are stunning and that makes it a useful addition for defensive duties and a traditional hunting rifle.
Lapua rifles tend to be more precise and the effective range here is really 500 yards with any degree of clarity. But this is a 24 inch barrel and a butt ton of power. It's simple, reliable, durable and hella explosive.
Sometimes that's enough.
6. CMMG Anvil 458 Socom
Caliber: 458 SOCOM
Barrel (Inches): 16.1
Total Length (Inches): 33.5
Total weight: 7.5lb
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American firm CMMG has made the AR-15 platform its life's work and converted it into everything from an AK-47 to the 458 SOCOM.
Task Force Ranger came back from active service in Mogadishu and weren't happy with the standard AR-15 5.56 NATO cartridge. In the year 2000, the next gen AR round came to life and the 458 SOCOM was born.
Essentially, it's a longer version of the 50AE that fires out the hot end of the Desert Eagle handgun. Bullets range from 140gr right through to 300gr and this is another weapon that can drop pretty much all American game at 250 meters.
458 SOCOM vs 450 Bushmaster: Heavyweight Battle
The difference between the 458 SOCOM and 450 Bushmaster is going to be pretty negligible in the real world. With the greater consumer support for the Bushmaster, I'd say that's the one to go for.
Buy the Bushmaster CMMG and pretty much every other caliber, from 9mm Luger and other pistoil caliber carbines through to .350 Legend and 458 Socom here.
Full line up of CMMG 100, 200 and Anvil rifles.
The round was designed to work with the M4 Carbine assault rifles that the military already had, so this isn't some kind of modern miracle that you can strap this upper receiver to your AR-15. It isn't dumb either, that's what the caliber was meant to do.
You get a highly effective gun if you buy the whole shooting match from CMMG, but this upper and barrel, complete with muzzle brake, will go together with your favorite AR-15 without too much drama. At $1000, this is a cheap way to get started.
Here is a full auto CMMG obliterating a cinder block wall, too. Because why not?
7. Browning X-Bolt Hells Canyon Long Range
Caliber: 7mm Rem Mag
Capacity: 3+1
You can hunt well beyond 1000 yard with 7mm Remington Magnum, like proper game.
This is a better round than 6.5mm Creedmoor in many ways, and yet ammunition prices keep it a niche option. At more than $2 a pop, you'll pay for this rifle twice with 600 rounds. That's a sobering thought if you're trigger happy…
Make every shot count, though, and this could be the long range sniper you've been looking for.
8. Sako Safari 90th Anniversary Edition
Caliber: .375 HH
Barrel: 24.4″
Total length: 45″
Weight: 9lb
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We all know Sako rifles are great, and a premium walnut stock hunter from this Finnish legend in .375 HH sounds amazing. But does it sound $30,000 amazing? To some people,yes…
Underneath the hand cut checkered wood that is oiled to perfection and mated to an epoxy bedded barrel is a Sako 85, which could be the best sniper weapon. You can get those for less money.
Now you do get a Swarovski Z6i 1-6×24 EE Riflescope in with this package, but that's not enough to justify this price point really.
Look out for the Sako S20 Hunter, Sako 85 Brown Bear and the best sniper rifles if you want basically the same gun and about $28,000 change. You just might have to compromise on the caliber.
This rifle was a 90th birthday present to the company, And the end result is a low recoil, big bolt gun with massive impact.
9. Alexander Arms LLC Beowulf
Caliber: Beowulf 50 Cal (12.7x42mm)
Total length: 36.75″
This really is an AR-15 chambered in 50 Cal.
This is the biggest bore rifle that's sort of affordable. The ammo choice has dropped off and we're basically left with super expensive $2 rounds. Bullets are like a hybrid between the 50 AE shells in the Desert Eagle and AK-47 ammunition, but the ammo price is definitely an issue.
With cheaper bullets, we think this seriously powerful gun could work.
Oversized AR-15, Oversized Bullets, Oversized Impact
This is a big AR-15, basically, and it's a rifle you could easily use for big game hunting.
This is not a gun you need to set up on sandbags. It's an AR-15 with a mil-spec upper and a lower that can handle the power of this audacious round. It's really not built like a tank and in fact it weighs in at 6.9lb.
If you already have a Mil-Spec AR-15 in the house then you can order an upper receiver and barrel assembly that will work. . That's a cheap way into the world of powerful rifles.
It's not nearly as intimidating as you might think to shoot and it is a serious hunting round that gives you the right balance of power and price.
But like Betamax had some qualities, mass adoption was the big stumbling block. It might play out like that with 50 Beowulf too.
10. Noreen Firearms BN36X3
Caliber: .30-06 Springfield
Noreen Firearms offers a standard carbine rifle, chambered in 30-06 Springfield, which was THE big sniper round and heavy machine gun round for the US Marine Corps before 50 BMG came along and blew it out the water.
So this is basically an AR-15 with up to a 20-round magazine firing one of the most devastating rounds in history up to 1800 yards and a pistol grip. What's not to love…
This is the longer barrel Designated Marksman Rifle, the Long Range Assassin, and it's insane when you think about it and shows how far the very concept of a powerful sniper rifle has come. Several blur the lines between hunting, precision and sniper rifles.
You can even get a shorter barrel tactical rifle punching out that kind of stoping power. That's an awesome defensive rifle that will beat most hunting rifles out in the field. Tempting, right?
Military and Law enforcement specialists who can afford it, love it.
12. Browning BLR Lightweight 81
Caliber: 450 Marlin
Well this is a refreshing change. It's a traditional hunting rifle, chambered in 450 Marlin, with a lever action and a 3-round magazine.
You might recognize it from Jurassic Park and it's the only gun on Browning's site rated for a Tyrannosaurus Rex…
The low capacity is a bugbear in this company, but it keeps the weight of the rifle down and that's important if you need to go, well, anywhere.
Evolution of the Wildcat Cartridge
The high-powered 450 Marlin cartridge is a development of the Wildcat 458×2. It has similar ballistic properties to the much-loved 45-70 Government and it's a joint venture between Hornady and Marlin. So you know this cartridge is a peach.
It is $1.80 a round, which is just a touch on the expensive side. But you do save a lot on the rifle if you go for this supremely basic and yet well-respected hunter.
Just over $1000 is a bargain for an 800-1000 yard bolt action rifle. I think there's a better way to hunt mid-sized and large game, though, and cheaper ammunition.
I'll talk more about 6.5 Creedmoor rifles somewhere else, but right now we're on to the next most powerful hunting gun in the world. But before we do, let's take another moment to appreciate this lever action rifle.
13. Barrett M99
Total Length: 50 inch
Weight: 25lb with 31 inch barrel/ 23lb with 29 inch barrel
Muzzle Energy levels: 3,500lb/ft+
The Barrett M99 is the stripped down, single shot version of the paramilitary Barrett M95 that has now been discontinued. For a hunter, it's more than enough. For a casual 50BMG hobby shooter, it's more than enough.
Photographer turned gunsmith Ronnie Barrett sure did some good work with this 50 Caliber rifle when he gave up snapping shots and started Barrett Firearms Manufacturing.
If it's part of your SHTF defense package then you might want to spend more and get the new M99 with a magazine, or the full-bore Barrett M107A1 that can take out the enemy while they're still a speck on the horizon.
50 BMG For Fun, or For Massive Game Hunting
This is a fun gun, or a high-powered serious hunter, but just now that it will turn most animals into sausage patties and pink mist. You have to be doing some seriously dangerous game hunting to justify this gun. So, is one shot good enough? Do you feel lucky?
It's too heavy to really treat like a hunting rifle and you'll need to set up with supports, or the bipod, to make the most of this supremely accurate 50BMG rifle.
Up to 1000m and beyond, it's devastating, and it's an affordable, proven system that shouldn't blow up on you. It's not a battle rifle, but that means it's much cheaper. So it's 90% of the entertainment for a big saving.
14 Ruger American 7mm-08 Remington
Caliber: 7mm-08 Rem
Barrel: 22 inches
Total Length: 42 inches
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Just a minute ago we were talking $11,000 and up and here were with an absolute cannon that costs less than $500. This is a cheap rifle, perhaps as cheap a rifle as you'd want to trust with dangerous game.
The Ruger is a basic 3+1 round hunting rifle, but it has everything you need for brutal close-range hunting and you'll be able to take anything with this relatively budget rifle. If you're close enough.
Modern rounds have taken over and the drop off after 400 yards makes this round harder to work with than 308, 6.5 Creedmoor, anything really.
But it's there if you want it and it offers almost 3000fps from the barrel, so you might.
15. Barrett M82 50 Caliber
Weight: 32.72lb
The Barrett M82 is the face of the 50 BMG rifle movement and a Gulf War hero. It's a semi-automatic, shoulder fired 50 cal rifle, and that is just about as awesome as you're likely to get.
If the big kid inside of you wants a 50 Cal rifle, the Barrett M82 is the one they want. So don't disappoint the little kid inside yourself with inferior firepower this Christmas, or something…
Longer Barrel Will Take More Strength
Now we went with pure power and velocity here, so that means the 29″ barrel version of the Barrett M82 50 Caliber. That would take some kind of Hulk style super soldier to casually shoot from the hip. In fact he might struggle with the trigger guard…
There is an unironically named 20″ barrel Close Quarters Combat version that weighs in at a more svelte 29.7lb. Still, the weight issue remains, but what a comedy battle rifle huh?
50 BMG Used By Fisheries & Game
Some wildlife and game reserves have become one of the more unusual customers for the Barrett M82. For them, the 50 BMG is a humane way to cull the excess deer and it's the only thing that can guarantee to deal out instant death to big bears and Elk.
It's a bad day at work, but sometimes it has to be done. The theory seems to be that taking them out in a flash is the kindest way to do it.
Interesting philosophy. And here's what the 50BMG does to more or less everything you're thinking of right now. By the way you're looking t more than 10,000 foot pounds of pressure and up. Madness….
Your Gated Compound Needs This Gun
This is the kind of gun I would expect to find at the front gatehouse of a Mexican drug lord's country retreat. Remember the bad guy in Bad Boys 2? He was Cuban, but that kind of guy. He'd have a long distance rifle like this.
It, or the M107A1, featured in Jurassic Park, too, and Godzilla. In fact pretty much any recent film with a monster in it has this gun. Hard to believe Ronnie Barrett ran a photography studio before heading off to design brutal rifles.
Armor piercing rounds and explosive ordnance might not be available, but you'll honestly be fine with the consumer grade ammunition here.
You might not need a 30lb weapon that can launch lethal projectiles over a mile in normal life. But who gives a damn about need? If I had ridiculous amounts of free money and a massive ranch, or a junkyard, yeah I'd have one for fun.
I might even fire it from the shoulder, when nobody is looking. I might not hit this balloon…
15. Browning M2
RRP: $20,000
Weight: 83.78lb and 127.87lb with tripod
Capacity: Belt-fed.
Rate of fire: 450-600 Rounds Per Minute
Now a heavy machine gun isn't for everybody, and it may not be California Legal. But if you want the world's most powerful rifles that you can sort of buy, well you can make a case for the Browning M2.
This is the what the 50 Browning Machine Gun cartridge was originally designed for. John M Browning answered the United States military's call for a larger caliber by redesigning his .30-06 M1917, and the ammunition it needed to fire.
Unleashed on an unsuspecting world in 1933, this high-powered machine gun took inspiration from German tank barrels. Ma deuce still serves as the American military's attack dog to this day.
Seriously, this is the longest serving firearm in the military. It's the high-powered gun fixed to helicopters strafing the swamps in the Vietnam war and lighting up the desert sky. But snipers have also used these for precision shots from more than a mile away. Ma Deuce has simply been the best sniper weapon available regularly.
This gun can fire 600 rounds per minute, of 50BMG. I mean… If that isn't one of the world's most powerful rifles, what are we even doing here? Also, that's $3600 a minute on ammo alone, just if you're trying to figure it out.
16. AK-50
Barrel Length (Inches): 28
Total length (Inches): 45 Est.
We're including this one out of the goodness of our heart, and because we love the batshit craziness of Brandon Herrera's creation. It's not even close to finished and you can't buy it yet, but we think he's going to get there.
Brandon is 'The AK Guy' on Youtube and after selling and modifying rifles for customers, he decided to make his own 50 BMG AK-50 with box magazines.
This is a serious gun. Will he be able to put it into production? We hope so. It's a classic AK that's just bigger and stronger more or less everywhere. He reckons on a $4,500, much cheaper than the near $7000 original asking price.
Youtube Celebrity or Darwin Award, One is Coming
This is a gun that could theoretically make him famous, and his test fires have the whole thing hanging off a tire and he's pulling the trigger with string. This is proper gunsmithing, but it also has an element of Junkyard Mega Wars and it's not cutting edge science.
Herrera has some choice language and he's like an X-rated Fast'n'Loud, for guns, but it's kind of addictive.
Herrera has been working on the AK-50 for more than two years and it's not even close to ready. But it is feeding from a mag, it is firing and really all Herrera needs to do is make this monster Russian cannon consistent, and safe, and functional. No big deal, right?
17. McMillan Tac-50
Price: $11,570+
Barrel Length: 29 inch
Weight: 29lb
You can still order a McMillan Tac-50 direct from the company, but it isn't the same rifle that you remember.
Now you get a precision rifle based on a Cadex chassis. But for nostalgia's sake we decided to include the McMillan Tac-50. That's because it's a legend in the United States Marine Corps.
This long-range anti material sniper rifle first appeared in the late 80s. It was a time of Miami Vice, Pablo Escobar and MASH. It was also the start of the 50 BMG sport shooting scene.
McMillan Tac-50 Holds Record For Longest Sniper Kill
This is a 0.5 MOA rifle that holds the record for the longest kill shot by military snipers in active service. A Canadian sniper used this rifle to kill an ISIS fighter from 3,540 meters away. That's 2.2 miles, so it's a highly accurate sniper weapon. I mean Damn…
The Canadian sniper may have walked over to apologize afterward. We're not sure about Canadian sniper protocol.
Now the gun has evolved into a precision rifle with a chassis supplied by Cadex. It's a different beast, if we're honest and doesn't hold quite the same charm as the old anti-material rifle. Especially when the Cadex 50 BMG on which the new McMillan Tac-50 is based is $3000 cheaper…
Military and law enforcement remain loyal, though, and that means that one of the most respected rifles in the world also gets that same military endorsement as Barrett. But it's unofficial, so it's maybe even better.
18. Noreen Firearms ULR 50BMG
Price: $2,050 (Discontinued)
Total Length: 36.5 inch (Collapsed)
It's basically a barrel with a bi-pod, an A2 pistol grip and a Noreen AR pistol style collapsing stock. And you have to admit it's kind of bad-ass. Sadly it's discontinued.
The longer barrel actually means this gun might generate a little more power than the AX50 or Barrett Model M107A1, too. More muzzle normally means more power. That's just science…
That stock contains springs, the muzzle brake belongs on a boat gun and there's place for a scope. The Timney Sportsman Trigger is pretty much the technical highlight, because there really isn't much else. But it's a cheap 50BMG that I'd actually trust 100% and with a 34 inch barrel it's going to be accurate as all Hell.
19. Safety Harbor SHTF50 Pistol
Barrel Length (Inches): 12-29
Total Length (Inches): 19-55
Weight: 12.5-22lb
Muzzle Velocity: 2561.91fps
Get Your Safety Harbor SHTF50 Now!
Update: It seems the authorities weren't 100% happy with the Safety Harbor 50 Cal pistol. I know, right? We're shocked too. Due to 'complications', you can't order one right now. but it's so much fun we decided to keep it in.
This, right here, is a 50 Cal pistol. It's the only legit one I know of, that you can order right now. It's unique, and that alone means it's worth having for plenty of gun collectors out there.
Put a stock on this 12″ barrel and you'll need to register it as an SBR, so it kind of slips under the bar and gets in to this list. That's a full-bore 50 Cal SBR. Honestly the only reason this isn't number one is that it is an unknown quantity.
I'm not sure I would trust it entirely, I have to be honest with you. This video shows you the Safety Harbor SHTF 50 rifle, so make up your own mind as always.
Magazine Design is Just Odd, and a Problem
You also have to put up with a bolt action and a five round capacity in a magazine that juts out the side. That turned into a real problem in the end as it turned the upper into a full receiver and dragged the company into a web of regulations it simply couldn't navigate.
You're giving up an awful lot in terms of convenience and packaging for that extra power. But there really is nothing else like this.
I look at guns like this and I want them to work. It's just wonderful.
You have to wonder about the long-term reliability. You just do… But then it's just about priced right, so it's worth a gamble at less than $2,500 all in.
You can just order the upper, too, and strap it all to a Mil-spec AR-platform you have at home. That's a bit brave, but it's also seriously cost effective.
AR-15 50 BMG Conversion is Unhinged
So if there's a lower receiver that you think can take a kicking and you're not using it much, then this $1850 upper conversion kit will turn it into a SHTF50 5 shot rifle.
You want the 29″ Big Bertha? That's $2000 and you seriously can put it on a lower receiver you have at home.
SHTF 50 Rifle is Available, And Good…
Technically this rifle can do everything the Barrett can, so you should be able to hit targets more than a mile away, if you've got the scope system to support that.
The SHTF50 fires the same 50 BMG rounds, so you're paying $3.35 a round remember. That limits you, but the actual gun itself is pretty portable and the layout is flexible, depending on your needs.
You can order the 12, 18, 22 or 29 inch barrels, which takes this gun from a pistol right through to heavy artillery. We don't have the final figures on the muzzle energy levels with the higher grade ammo, but the company has claimed a muzzle velocity of 2561.91fps with the 29″ barrel.
That's a long way down on the Barrett, but then this is about 20% of the money.
Powerful Hunting Rifle With Big Bore Ammo
With a 750gr Hornady Match grain bullet, even in the 12″ barrel, you've got the recipe for the kind of power that the Bushmasters can't get close to.
Go for the shorter barrels, and this is a fairly lightweight rifle/SBR/Pistol. Inevitably it's produced from 4340 Chromemoly Steel and it is stronger just about everywhere than a standard AR pistol.
But with the 18″ barrel it weighs in at just 15.5lb. With the 22″ barrel it's 17.5lb, so it's fair to assume that the 12″ barrel pistol weighs in at around 12.5lb.
For this kind of firepower, that's actually not bad.
50 BMG AR Pistol, Won't Somebody Think of the Children
If it works like a dream, then you will have a 50 Cal long pistol that you can technically use with a tactical brace. I don't think I want to know what the recoil would feel like through a brace, though, and you might end up going the full SBR route. Even then, it's a spectacular weapon.
Is it a traditional hunting rifle? Is it the ultimate in home defense? Probably both, and neither. It's more of a curiosity for the collector than a real, functional hunting weapon. But wow what a thing it is.
Most of us will never own the battle-perfected Barrett. It's just too much money for what is, almost certainly, a passing curiosity. Safety Harbor Firearms can help you scratch the big 50 BMG itch for just $2000, though, and that makes it a realistic proposition.
Cheap 50 BMG Rifle for Fun Not War
Buy one, enjoy it with your buddies and appreciate it for what it is, a truly unique firearm that I can see taking pride of place in any collection.
While the Barrett looks like industrial machinery, the SHTF is a truly elegant firearm. It's slim, the 8-port machined muzzle brake is a work of art. It's a little clunky when it comes to the operation, and it looks like an absolute beast.
So you're not going to have ultimate control with this pistol, but it's one of those guns you just need to own to show to everybody and just occasionally let rip with one or two of those $3.35 artillery shells.
Good Old Boys
You still see occasional sales for the likes of the original Barrett M95 and AI AS50 Sniper guns. But both the Barrett M95 and AS50 sniper have been superceded by guns you'll find much higher up on this list.
The original Barrett M95 has given way to the Barrett Model 99. The AS50 sniper, meanwhile, has handed the baton over to the AX50 up above. Barrett Firearms Manufacturing has been a stalwart for years, as you know and the Barrett Model 95 anti-material rifle was a powerful gun that made a lasting impression….
The Most Powerful Production Air Rifle in the World
What About the New Breed of Air Rifle
Now to be clear from the off, we shouldn't really be comparing a 50 cal air rifle and a 50 BMG or Beowulf.
They are not the same.
With that said, 50 Cal air rifles are all kinds of fun. And Google wants us to talk about air rifles. So yeah, here we go, talking about the best air rifles…
What is the Most Powerful Air Rifle?
The most powerful production air rifle we can find on the mainstream sites is a single shot monster that draws heavy inspiration from vintage shotguns. But your quest to find the most powerful production air rifle will eventually lead to another partner of ours: Airgun Depot.
There you can pick your poison between pellet weight and velocity. Inevitably there's a trade off, but here are our picks for the most powerful air rifles you can buy.
Consider these big bore airguns and the best air guns in the world a freebie…
1. Airforce Texan Carbine
Caliber: .510 .357
Airforce Airguns make some of the biggest hitters in the airgun industry. The Airforce Airguns Airforce Texan air rifle is a beast that officially comes as a 50 cal.
The .357 and smaller .257 will go a lot faster. But still, whatever spec you opt for, this is a monster of an air gun and one of the most powerful air rifles in the world.
Get your airforce Airguns Airforce Texan Carbine today and see just how far air rifles you can buy have come.
People really take these big bore airguns hunting hogs. Especially in countries like South Africa, with more restrictive gun laws. And more dangerous wildlife.
2. Seneca Dragon Claw PCP
Caliber: .50 Cal, Arrows, Whatever
Muzzle: 680fps
Power: 230 foot pounds
The Seneca Dragon Claw PCP air rifle looks like a shotgun, but will fire everything from 50 cal pellets through to arrows. Not. Even. Kidding.
It's hard to truly grasp the versatility of these air rifles without seeing it for yourself. So here you go.
How's about alligator hunting with the air rifle shooting arrows?
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Not wanting to detract from the body styling and graphics, Howard kept the interior simple. The dash steering wheel assembly, floor boards, and driver's seat are all box stock. The seat is painted to resemble utilitarian leather covering and the other parts are basic black.


text:
The English Phrasal Verb, 1650–Present
History, Stylistic Drifts, and Lexicalisation
Part of Studies in English Language
Author: Paula Rodríguez-Puente, Universidad de Oviedo, Spain
Date Published: January 2019
Providing a detailed and comprehensive account of the development of phrasal verbs from early modern to present-day English, this study covers almost 400 years in the history of English, and provides both a diachronic and synchronic account based on over 12,000 examples extracted from stratified electronic corpora. The corpus analysis provides evidence of how registers can inform us about the history of English, as it traces and compares the usage and stylistic drifts of phrasal verbs across ten different genres - drama, fiction, journals, diaries, letters, medicine, news, science, sermons, and trial proceedings. The study also sheds new light on the morpho-syntactic and semantic features of phrasal verbs, proposing a new approach to the category, considering not only on their grammatical features, but also their historical development, by discussing the category in terms of a number of central mechanisms of language change.
Provides readers with new evidence concerning the status of phrasal verbs based on empirical evidence over a long time span
Uses corpus evidence to provide new insights into the nature of the particles and phrasal-combinations
Provides readers with a better understanding of the morpho-syntactic and semantic features of phrasal verbs under three great processes of linguistic change (grammaticalisation, lexicalisation, and idiomatisation)
'This book is a major contribution to the research on phrasal verbs, presenting the most comprehensive empirical investigation to date by tracing more than 12,000 phrasal verbs across 350 years and ten genres. Thus, it provides most valuable insights into their behaviour in spoken versus written, formal versus informal contexts, and their positioning along the clines of lexicalisation and idiomatisation.' Claudia Claridge, Universität Augsburg
contains: 41 b/w illus. 44 tables
2. Corpus and methodology
3. Delimiting the scope of the study: what are phrasal verbs?
4. The relationship between phrasal verbs and the processes of grammaticalisation, lexicalisation, and idiomatisation
5. Phrasal verbs 1650–1990: Linguistic aspects
6. Phrasal verbs 1650–1990: cross-genre distribution
7. Conclusion.
Paula Rodríguez-Puente, Universidad de Oviedo, Spain
Paula Rodríguez-Puente is Ph.D. Lecturer of English Language and Linguistics at the Universidad de Oviedo, Spain. She has published widely in international journals such as English Studies, English Language and Linguistics and Folia Linguistica Historica as well as contributed to prestigious edited volumes.
English Comparative Correlatives
Diachronic and Synchronic Variation at the Lexicon-Syntax Interface
Slavic Review
African and Caribbean language and linguistics
Applied linguistics and second language acquisition
Arabic and Middle Eastern language and linguistics
Asian language and linguistics
English language and linguistics: general interest
European language and linguistics
Evolution of language
Latin American language and linguistics
Other languages and linguistics
Psycholinguistics and neurolinguistics
Research methods in linguistics

redpajama_set_name: RedPajamaCommonCrawl


Drooling over this post over on coco+kelley.
And my favourite tape project of the week? New business cards! Inspired by these, but simpler.
Happy weekend everyone! See you next week for some tape-free projects!


text:
« Feminist Halloween, Day 17: The Music of Hannibal
Feminist Halloween, Day 19: The Sleep of Reason: An Anthology of Horror »
Feminist Halloween, Day 18: Breathe (Respire)
[Image: Charlie and Sarah study together at school.]
I caught Breathe (Respire) (2014) at the SIFF earlier in the month. Marketed at SIFF as a dramatic thriller, Breathe is a French film directed by actress and director Mélanie Laurent and based on the novel by Anne-Sophie Brasme. It's perhaps the strangest of the films I'm reviewing this October because it's not really clear it's a horror film until the final 5 minutes.
This review includes some mild spoilers in the first part, and bigger spoilers in the second half and content notes.
Charlie is a high schooler whose parents are constantly fighting. At school, she meets a transfer student, Sarah, whose mother works for an international NGO. The two of them become very close, and Charlie falls for Sarah, and tries to kiss her during a holiday trip to the country. Sarah becomes distant, apparently trying to "no homo" (well, "no bi") Charlie, and also begins to bully her. Although Breathe appears to be some sort of high-production French Lifetime movie about cyberbullying, I would argue that this film is a horror film disguised as a movie about teenage drama.
More Spoilers Ensue
Sarah worms her way in with Charlie's mother and friends, but instead of becoming Charlie's girlfriend whom everyone loves, she uses them as character-witnesses for herself against Charlie's increasingly distressed and erratic behavior. Sarah tells Charlie's very personal secrets, has friends prank call/text her, gives away gifts from Charlie's mother in front of Charlie, writes slanderous graffiti on the desks and walls at school, among other things. Charlie loves Sarah so much, and it's hard to watch her take Sarah's abuse. Watching the parallels between Sarah's emotional abuse of Charlie and Charlie's father's emotional abuse of Charlie's mother is chilling. Considering also that coming out to a friend to whom you are attracted can end in violence and that intimate partner violence for queer couples is frequently overlooked or misappropriated (the problem is blamed on their sexuality rather than recognized as abuse, especially abuse that might be rooted in biphobia, femmephobia, internalized misogyny, etc.), the film is often hard to watch as a queer person because these are narrative elements that affect me and my community.
However, as romantically and dreamily as the film shoots Charlie's falling in love with Sarah (think "Girls Like Girls," which made me cry a million rainbow tears), the film doesn't ever justify or romanticize Sarah's treatment of her.
Finally, Breathe would be so different in tone and in advertising if it were American–darker, more fraught with the fear of coming out, more use of scary or unsettling music, or even more with the "evil queer woman" trope. The film is a beautiful dream about falling in love with your best friend that turns into a nightmare about queer panic, patterns of abuse, and secret lives.
Some weeks later, I'm still not sure of how I feel about the film, other than that I now need to read some fluff and have a huge cup of tea, and maybe cry.
If you want queer-themed horror that is a little less traumatic, try Carmilla.
The novel was written and film directed by women. The main cast is about 4-5 women to about 2-3 men. All the main characters and most of the secondaries are white. Charlie is shown to be attracted to girls and boys, though she never defines her sexuality openly.
Contains: bullying and harassment, teens using drugs/alcohol/tobacco, alcoholism, emotionally abusive relationships, violence against children, respiratory horror (not being able to breathe), intimate partner violence, gas lighting, queer panic.
Posted in Feminist Halloween, Gender | Tagged Breathe, French film, psychological horror, Respire | 1 Comment
on 2015/10/18 at 12:02 pm | Reply Kathryn
I'm definitely going to check this out.
Gas lighting is the absolute most terrifying horror trope, hands down.


text:
Culling Voter Rolls: Battling Over Who Even Gets to Go to the Polls
By MICHAEL WINES for the NYTimes
WASHINGTON — On its face, the notice sent to 248 county election officials asked only that they do what Congress has ordered: Prune their rolls of voters who have died, moved or lost their eligibility — or face a federal lawsuit.
The notice, delivered in September by a conservative advocacy group, is at the heart of an increasingly bitter argument over the seemingly mundane task of keeping accurate lists of voters — an issue that will be a marquee argument before the Supreme Court in January.
At a time when gaming the rules of elections has become standard political strategy, the task raises a high-stakes question: Is scrubbing ineligible voters from the rolls worth the effort if it means mistakenly bumping legitimate voters as well?
The political ramifications are as close as a history book. Florida's Legislature ordered the voter rolls scrubbed of dead registrants and ineligible felons before the 2000 presidential election. The resulting purge, based on a broad name-matching exercise, misidentified thousands of legitimate voters as criminals, and prevented at least 1,100 of them — some say thousands more — from casting ballots.
Tags: Voting Rights, voting suppression
Categorised in: Voting News
Lucy McBath for Georgia's 6th Congressional District
"I see voting rights as not only an issue for underprivileged communities and people of color, but also for women. With the implementation of onerous voting ID laws, certain women who change their names may not have access to cast their ballot. I'm proud to accept the endorsement of the All Women's Progress Party because…
Here's How Trump Is Rigging Democracy at the Voting Booth
Go to MotherJones for more info: Today we're launching a new Mother Jones video series explaining everything you need to know about efforts to undermine voting in America. We've covered this territory for years. In 2012, Kevin Drum detailed the GOP's 10-year campaign to gin up voter fraud hysteria in an attempt to bring back…
Wisconsin Democrats Sue to Force Scott Walker to Hold Constitutionally Required Elections
By Ari Berman for MotherJones In January, Democrat Patty Schachtner won a shocking upset, winning a special election for a Wisconsin State Senate seat by 11 points. The district had been in Republican hands since 2000, and was carried by Donald Trump by 17 points in 2016. There are currently two more vacancies in Wisconsin's…


text:
Belgium Dominating California In Solar
Belgium Dominating California In Solar | KCET
Chris Clarke
Chris Clarke was KCET's Environment Editor until July 2017. He is a veteran environmental journalist and natural history writer. He lives in Joshua Tree.
Rooftop solar in Belgium | Photo: Niels Sienaert/Flickr/Creative Commons License
We'd better step up our pace here in California when it comes to building new solar capacity. We're about to have our aspirations handed to us again by a forward-looking country. To the list of countries that have bested California in solar power generating capacity, which already includes Germany, Spain, Italy, France, and Japan, get ready to add a truly embarrassing new rival: Belgium.
That's right, Belgium is on track to have more solar power generating capacity than California, if it doesn't already. According to Zachary Shahan at CleanTechnica, the Kingdom of Belgium -- a relatively small country on the North Sea in Western Europe -- had 2,018 megawatts of solar generating capacity at the end of 2011. California, in the meantime, even after the largest burst of solar installations in its history, has only 2,073 megawatts and change of solar installed as of the end of December 2012. That's only a 55 megawatt margin, which Belgium may well have surpassed during the course of 2012. (Figures for 2012 are still being compiled.)
Even with that year to catch up, California still loses badly to Belgium when you divide that solar capacity up among each region's population. In 2011, Belgium had more than 184 watts of solar per capita, compared to California's 55 watts. (When you look at per capita figures, California trails behind a lot more countries, including Luxembourg, Slovakia and the Czech Republic.)
There's no particular disgrace in losing a technological challenge to Belgium: it's a highly industrialized country with an extremely tech savvy population. But for Belgium to outstrip California so handily in the solar department means California is doing something very wrong. California is almost 14 times the size of Belgium, and that's including the six percent of Belgium that's covered with water.
Balgium also has far less solar energy available to it, in its perch on the often-cloudy North Sea. A typical square meter of Belgium has only a little more than half the sunshine falling on it that a square meter of southern California does. To find a place in the U.S. with solar power potential equivalent to Belgium's in fact, you's pretty much have to go to Alaska.
So why is Belgium beating California's solar pants off? Almost all of Belgium's solar capacity is photovoltaic, and almost all of that installed due to feed-in tariff subsidies that up until 2012 were equivalent to about 44 cents per kilowatt-hour.
That's two and a half times the size of LADWP's proposed feed-in tariff payment, and it's an indication of the kind of measures we'll likely have to take to get our rooftop solar capacity where it really ought to be.
For ongoing environmental coverage in March 2017 and afterward, please visit our show Earth Focus, or browse Redefine for historic material.
KCET's award-winning environment news project Redefine ran from July 2012 through February 2017.
feed-in tariffs
@newsenviro
@newslist


Carolyn Moroz Foot Health Practitioner, podiatrist, listed under "Podiatrists" category, is located at 1 Springbank Dronfield Derbyshire, S18 4AD, United Kingdom and can be reached by (01246) 411643 phone number. Carolyn Moroz Foot Health Practitioner has currently 0 reviews.
Browse all Podiatrists in Dronfield Derbyshire.


Monday, Tuesday, Wednesday, Friday - Open 8:00 a.m. to 4:00 p.m.
Thursday (Late Start) 8:45 a.m. - 4:00 p.m.
Check out up to 5 library books (provided no overdue book or fine).
ID card required to check out books & for computer use.
1-day textbook checkout available if you should forget your textbook at home.
Only school assignments are permitted on all library computers.


11 February 2019 - Boston, US-based data protection provider Carbonite, Inc. (NASDAQ: CARB) has entered into a definitive agreement to acquire Colorado, US-based cybersecurity company Webroot Inc. for approximately USD 618.5m in cash, the company said.
Carbonite will fund the transaction with existing cash on hand and funds secured under a new credit facility. The transaction is expected to be immediately accretive on an earnings and cash flow basis, following the close of the transaction.
The combined business will address a top vulnerability of businesses - the endpoint - with a comprehensive approach to protection through cloud-based cybersecurity, paired with cloud-based backup and recovery.
Carbonite said the acquisition of Webroot dramatically accelerates its progress toward becoming the leading data protection company.
Carbonite provides a robust Data Protection Platform for businesses, including backup, disaster recovery, high availability and workload migration technology. The Carbonite Data Protection Platform supports global businesses with secure cloud infrastructure.
Webroot is a private company that secures endpoints and provides network protection, security awareness training and threat intelligence services. Webroot's fiscal year 2018 revenue was approximately USD 215m.
RBC Capital Markets, LLC is serving as financial advisor to Carbonite, and Barclays is serving as financial advisor to Carbonite. Skadden, Arps, Slate, Meagher and Flom LLP is serving as Carbonite's legal counsel.
Barclays, Citizens Banks, and RBC Capital Markets, LLC have provided committed financing in support of the transaction and Simpson Thatcher and Bartlett LLP is serving as financing counsel. William Blair and Company, L.L.C. is serving as exclusive financial advisor to Webroot and Goodwin Procter LLP and Holland and Hart LLP are serving as legal counsel.


Today was finally the big day when Microsoft's cloud productivity platform BPOS was replaced with Office 365, which is now available for subscription. Having played with the beta version for a while now, I'm overall quite impressed with how close the SharePoint Online environment now is to its on-premises counterpart. While the limitations are still somewhat more visible than when comparing CRM Online vs. CRM 2011 on-premises versions, I think it's already close enough to enable a significant part of traditional business requirements for SharePoint to be fulfilled with the cloud platform.
Microsoft confirmed already last fall that also Dynamics CRM Online will eventually be migrated onto the same Online Services Delivery Platform as Office 365. In addition to being a natural fit with SharePoint and Exchange, CRM Online should also gain benefits into both its subscription management as well as authentication options as a result of this migration. However, there's no official timeline or feature set communicated yet, so we'll have to keep waiting possibly until Q4/2011, when the next update for Dynamics CRM has been scheduled to become available, as announced in the latest Statement of Direction document.
Ever since Dynamics CRM 2011 was launched with built-in SharePoint document library integration, there's been a bit of anxiety on when this functionality could be leveraged with the cloud versions of CRM and SharePoint. Since BPOS was built on SharePoint 2007, it wasn't possible to utilize the Microsoft Dynamics CRM 2011 List Component for Microsoft SharePoint Server 2010 in the Online environment. This meant that setting up a document management enabled trial environment with CRM Online required an on-premises SharePoint server, which wasn't too convenient. Nor was it for any customer looking to go "all in" with their MS applications. Oh well, but now that Office 365 is available, that's all a thing of the past, isn't it?
Wrong! Despite of the better together marketing message surrounding Office 365 and CRM Online, there's actually still no way to integrate the SharePoint document libraries with the CRM List Component. Sure, you can upload the solution file into a SharePoint Online site and publish it. What you cannot do in the Online version is to take care of the second part of the installation steps, which involves the AllowHtcExtn.ps1 PowerShell script,used for enabling .htc file extensions to be served from SharePoint.
"The action buttons are disabled because the SharePoint server that you are using does not allow HTC component files. To enable the buttons, contact your system administrator." What this means is that the document library will be rendered nicely inside the CRM entity form, but you can't upload any documents to it. Clicking on the buttons does nothing, as they're all disabled.
How about on the SharePoint side of things then? We can see that the entity specific document libraries are created and also the corresponding folders for each record where the document location has been defined. We can also of course use the native SharePoint UI to upload documents into the library.
How did we end up in this situation where the latest and greatest cloud offerings from Microsoft are not working together like they obviously were inteded to? That's a very good question. The problem with Office 365 SharePoint Online limitations and their implications to Dynamics CRM document management functionality has been a known issue throughout the whole beta phase of Office 365. There are several threads on the Office 365 community forums regarding this. Yet the response from Microsoft has been that this cannot be resolved by GA (general availability) of Office 365 (as in "today"), but rather we'll have to wait for the first service update, probably. Come on! How can 6 months not be enough to allow one .htc file to perform its work and provide the document integration between CRM and SharePoint? I find it extremely strange that the product management behind Office 365 has allowed such a flaw to be included in the initial release version.
Of course eventually this issue will be solved and we'll be able to experience the full document management process flow with Microsoft's cloud applications.


Aurora Pharmacy, Pharmacy, Drug Store, listed under "Pharmacy, Drug Store" category, is located at W3985 County Road Nn Elkhorn WI, 53121 and can be reached by 2627412311 phone number. Aurora Pharmacy has currently 0 reviews.
Browse all Pharmacy, Drug Store in Elkhorn WI. Discover census data for Elkhorn, WI.


text:
<readable><title>2133650765_fc6e5f295e</title><content>
A boy jumps into a not-so-crowded public pool .
A boy jumps into a pool while lifeguards watch .
A young boy jumping into a pool .
A young boy jumping into a pool that says " no diving " .
The boy is jumping into the swimming pool .
</content></readable>

redpajama_set_name: RedPajamaGithub


A small web & mobile product development studio proudly based in Hong Kong is looking for a Software Consultant to help our (potential) clients with revising their new app / startups idea, propose the right software solutions for the business problems.
You might migrate to a Project Management position as you acquire advance technical knowledge, UX design skills, and communication skills.
You have excellent English speaking and writing skills.


text:
Ambient Nights
Thomas Lemmer
Auge, Aki Takase, Christian Weber, Michael Griener
Donizetti: Il Paria
Albina Shagimuratova, Rene Barbera, Misha Kiria, Marko Mimica, Mark Elder, Britten Sinfonia
SIGNUM saxophone quartet
Graham Waterhouse: Skylla und Charybdis
Katharina Sellheim, David Frühwirth, Namiko Fuse, Konstantin Sellheim, Graham Waterhouse
Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 4 "Alla Veneziana"
Benjamin Alard
Journey to Geneva
Estelle Revaz, L'Orchestre de Chambre de Geneve & Arie van Beek
Just Passing Thru
Miles Donahue
Rossi: L'Orfeo
Mauro Borgioni, Alessio Tosi, Allabastrina, Elena Sartori
Songs for the Drunk and Broken Hearted
Genre: Songwriter
Telemann: Polonoise
Holland Baroque
You Stay by the Sea
Listening Tips
Free Sampler
Ambient dub
Bluesy Rock
Modern Composition
Traditional Bluegrass
Meditation Musik
Avantgarde Jazz
Contemporary Latin
Hip Hop Soul
Moderner Rock
Beethoven's World - Clement: Violin Concertos Nos. 1 & 2
Beethoven's World - Clement: Violin Concertos Nos. 1 & 2 Reinhard Goebel
Booklet for Beethoven's World - Clement: Violin Concertos Nos. 1 & 2
Album-Release:
HRA-Release:
Label: Sony Classical
Subgenre: Concertos
Artist: Reinhard Goebel
Composer: Franz Clement (1780-1842)
Album including Album cover Booklet (PDF)
I`m sorry!
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Yours sincerely, HIGHRESAUDIO
Franz Clement (1780 - 1842): Violin Concerto No. 1 in D Major:
1Violin Concerto No. 1 in D Major: I. Allegro maestoso15:22
2Violin Concerto No. 1 in D Major: II. Adagio10:41
3Violin Concerto No. 1 in D Major: III. Rondo. Allegro11:27
Violin Concerto No. 2 in D Minor:
4Violin Concerto No. 2 in D Minor: I. Moderato20:16
5Violin Concerto No. 2 in D Minor: II. Adagio07:25
6Violin Concerto No. 2 in D Minor: III. Rondo. Allegro06:16
Total Runtime01:11:27
Info for Beethoven's World - Clement: Violin Concertos Nos. 1 & 2
Conductor Reinhard Goebel is one of the most famous personalities of the German classical music world, an "icon of the Early Music" (Süddeutsche Zeitung), an "enlightenment in a sea of mediocrity" (New York Times), a world-renowned mediator of historical performance practice and a never-ending source for repertoire treasures. His Sony Classical recording of the Brandenburg Concertos by Bach with the Berlin Baroque Soloists received worldwide best reviews, an Opus Klassik and is considered a new reference. For Beethoven's anniversary year 2020, "Beethoven's World" now appears as the result of a long-standing research and music project in which Reinhard Goebel explores unknown works by Beethoven and his contemporaries, thereby encouraging a relocation of Beethoven. The present recording is the first album of "Beethoven's World" and features the two violin concertos by Franz Joseph Clement (1780-1842). Clement was considered one of the greatest violin virtuosos of his time and Beethoven (1770-1827) dedicated his Violin Concerto to Clement by writing on the score "Concerto par Clemenza pour Clement" and which can be considered in response to Clement's first Violin Concerto of 1805. The similarities between Clement's Violin Concerto No. 1 and Beethoven's Violin Concerto op. 61 are by no means accidental. Rather, they reflect the way in which the two composers could refer directly to one another, tossing balls back and forth with a nod and a wink and sparking creative reactions – a process repeated in reverse in the case of Clement's Second Violin Concerto in D Minor/D Major that was written only a short time afterwards. Both violin concertos by Franz Clement can be heard on this album for the first time - the second violin concerto is a world premiere recording. The works were recorded by Mirijam Contzen with WDR Symphony Orchestra conducted by Reinhard Goebel. Fascinating music that allows a different view of the exceptional composer Beethoven.
Mirijam Contzen, violin
Reinhard Goebel, conductor
Beethoven's World - Reicha, Romberg: Concertos for Two Cellos
Reinhard Goebel
The Süddeutsche Zeitung reveres him as an 'icon of early music', and the New York Times applauds him as a 'light in a sea of mediocrity'. Reinhard Goebel specialises in the repertoire of the 17th and 18th centuries; As an expounder of period performance practice for both early music ensembles and modern orchestras, and as an endless fount of knowledge about gems of the repertoire, he is a world-renowned specialist.
Reinhard Goebel primarily dedicates the 2019/20 season to his longstanding research and music project Beethoven's World, in which he examines little-known works of Beethoven and the milieu of his contemporaries in order to encourage a relocation of Beethoven within the axis of music- historical coordinates. A five-part CD cycle with Germany's leading radio orchestras (WDR, HR, DRP, MRO), including four first-ever recordings, will additionally be released from November 2019 for Sony Classical and accompany extensive touring throughout Europe featuring a variety of programs orbiting Beethoven.
In the forthcoming season Reinhard Goebel will be the Artist in Residence at the Mozart Festival in Würzburg and looks forward to his musical encounters with the Stavanger Symphony Orchestra, the Bamberg Symphony Orchestra, the Orchestre Festival Bach in Montréal, the Noord Nederlands Orkest, the Tapiola Sinfonietta, the Dalasinfoniettan, the Bournemouth Symphony Orchestra, the German Radio Symphony Orchestras in Cologne and Munich and the Russian baroque orchestra Pratum Integrum in Moscow's newly opened Zaryadye Concert Hall, among others.
In May 2018 he was named artistic director of the Berliner Barock Solisten, a baroque group which emergerd from the Berlin Philharmonic Orchestra.
Their new recording of the Brandenburg Concertos was awarded with the Opus Klassik 2018. In 2019 Händel's Concerti Grossi op.3 were released with Hänssler Classic.
Reinhard Goebel was the founder of the legendary Musica Antiqua Köln, whom he directed for 33 years. As a conductor, his unique way of amalgamating passion for music with meticulous musicological knowledge, inspires, captivates and polarises today's orchestral scene.
Reinhard Goebel is the recipient of the Bach-Medaille of the City of Leipzig, which was awarded to him in 2017 among other things for his pioneering and 'irrepressible exploration of the repertoire beyond the established names'.
In April 2007 the IMA award was conferred on him in London, and in 2015 the BBC Music Magazine chose him to appear on their list of the 20 best violinists of all time.
HighRes-Studio Master files are lossless at various sample rates from 44.1 kHz up to 384 kHz or 1-bit (2.8224 MHz) for DSD.
Studio Master: FLAC (Free Lossless Audio Codec)
Widely compatible with Network Streaming players and D/A Converter's (DAC).
Supported by Windows with software player from Media Monkey, JRiver, JPLAY).
Supported by Apple OS with software player from Amarra, Audirvana, PureMusic, Songbird.
Studio Master: ALAC (Apple Lossless Audio Coding)
For users, using Apple/iTunes and a few Network Streaming players
Supported by Apple OS with software player from Amarra, Audirvana, PureMusic).
Note: ALAC only supports up to 96 kHz!
Studio Master: DSD (Direct-Stream Digital)
High-End Network-Streaming players and few D/A Converter's (DAC).
Supported by Windows with software player from JRiver, KORG MediaGate.
Supported by Apple OS with software player from Audirvana, PureMusic, JRiver.
Studio Master: MQA (Master Quality Authenticated)
An MQA file is backward compatible so will play on any device. If you play MQA on a certified product, with an MQA decoder, the file will playback the original studio-master file.
MQA (Green light) indicates the sound is identical to that of the original source material.
MQA Studio (Blue light) indicates the sound is identical to that of the original source material and has either been approved in the studio by the artist/producer or has been verified by the copyright owner.
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Leo and David, a tale of two angels book signing
Leo Lives in a far away kingdom, a peaceful place where his family rules and he longs to bring joy and beauty to his people. Engaged to a princess, Leo soon fall in love with a man from his city. However, as political unrest comes to his country, Leo must flee and learn to navigate a new world, all the while trying to find love, and to love himself, along the way. Both a coming of age story and a fairytale, Leo and David: A Tale of Two Angels (Rosedog Books, $10) is a heartwarming and fantastical look into one man's journey to a happy ending.
Copies of Leo and David will be available for purchase at the Bureau. To reserve a copy please write to us at contact@bgsqd.com. Please support the Bureau by buying books from us. Thank you!
Luca Leonvago first finished his degree in classical studies and then started his degree in business followed by an MBA and a doctorate in Economics. After working in the Fashion Industry in Milan, Rome, and Paris, he moved to London where he started his academic career. He is currently Associate Chair for Fashion marketing and luxury brand management at SCAD, Atlanta.He is also a member of the British Research group progressiveconnexions based in Oxford (UK). In 2013 he co-founded with David Boyd-Carrigan, greeceneedslove Inc., a non-profit organization pro the reunification of the Parthenon Marbles which mission is to help artists, artisans and researchers from Greece or with Greece as the main subject of their work. Greeceneedslove supports the production of contemporary Greek Art while preserving the Greek Art History as common roots to the world.
Start: March 22, 2019 7:00 PM
End: March 22, 2019 8:30 PM
Venue: Bureau of General Services—Queer Division
208 West 13th Street, Room 210, New York, NY, 10011, United States
Cost: Suggested donation of $10 to benefit the Bureau. No one turned away for lack of funds.
Paradesign: The Work of Tobias Wong, A Panel Discussion
Join us for Paradesign: The Work of Tobias Wong, A Panel Discussion moderated by designer, curator, and gallery director Olivia Shao, with Paola Antonelli, Senior Curator, Department of Architecture and Design, Museum of Modern Art, New York; and Rama Chorpash, Associate Professor and the Director of Product Design at Parsons The New School for Design.
Paradesign: The Work of Tobias Wong is presented by the curators of Tobias Wong, "Untitled" (Golden) …, Dean MacGregor and Pablo Griff.
This event is free, but attendees are encouraged to support the Bureau by purchasing books and/or making a donation.
About the exhibition:
Tobias Wong, "Untitled" (Golden) …
January 18 – April 14, 2019
Download a PDF of the press release.
New York, New York –The Bureau of General Services—Queer Division is proud to present Tobias Wong, "Untitled" (Golden) …, an exhibition of the late artist/designer's work that played with the definition of what constituted art or design. The exhibition will present a selection of his work alongside objects from his personal collection that served as muses for his artistic design work. This includes a wide variety of table lamps as well as ephemera that he collected.
In a press release issued at the time of Wong's death in 2010, architecture and design curator, friend, and colleague Aric Chen wrote: "Through his work, Wong helped bring forth much of what is now taken for granted in contemporary culture. Influenced by Dada and, especially, Fluxus, he questioned authorship through appropriation; held a mirror to our desires and absurdities; upended the hierarchy between design and art, and the precious and the banal; and helped redefine collaboration and curation as creative practices. Working within what he termed a "paraconceptual" framework, Wong prompted a reevaluation of everything we thought we knew about design: its production, its psychological resonance, its aesthetic criteria, its means of distribution, its attachment to provenance, its contextualization and its manner of presentation. Wong was a keen observer, an original mind, a brilliant prankster, and an unerring friend.
"Wong's work was widely exhibited, including at the Museum of Modern Art and Cooper-Hewitt National Design Museum. His many projects included those for Colette, Comme des Garcons, Prada/OMA, Cappellini and Swarovski Crystal Palace. In addition to the objects he created, re-created, repurposed, rarefied and otherwise manipulated, Wong's work included events and happenings that included, among many others, a pop-up tattoo parlor at Art Basel Miami Beach/Design Miami and the Wrong Store, a "store" in New York that was in fact never open. (As with much of Wong's work, both were collaborations.) Wong was named Young Designer of the Year by Wallpaper* magazine (2004) as well as the Brooklyn Museum of Art (2006). In 2008 and 2009, he served as founding co-creative director of 100% Design Shanghai, affiliated with the 100% Design fairs in London and Tokyo.
"Born and raised in Vancouver, Wong studied in Toronto before moving to New York in 1997 to attend the Cooper Union, from which he graduated with a major in sculpture."
The exhibition is curated by:
Dean MacGregor, an artist who has done projects at the Los Angeles County Museum of Art, the Morgan Library and many others. He recently did his sleeping project at the Montreal Museum of Fine Arts.
Pablo Griff is an artist and was a consultant to the retrospective of Tobias Wong's work at the Museum of Vancouver in 2012.
Image: Tobias Wong, blue anus, 1998 (replica 2016 courtesy Lite Brite Neon, Brooklyn), Estate of Tobias Wong
Learn more about the work of Tobias Wong:
Tobi's website
"From A to Wong, and Back Again," Flash Art May-June 2015
Tobi's works in San Francisco MOMA collection
NY Times obituary, June 3, 2010
Cost: This event is free, but attendees are encouraged to support the Bureau by purchasing books and/or making a donation.
TELL 52: I MADE IT!
TELL is an evening of story telling from the mouths and minds of queers in NYC hosted by Drae Campbell at the Bureau of General Services—Queer Division since February 2014.
I MADE IT! is the theme of the 52nd installment of TELL. Featuring stories by Varín Ayala, Hector Canonge, Buzz Slutzky, and Dennis Yueh-Yeh Li.
$10 suggested donation to support the Bureau and the performers. No one turned away for lack of funds.
Photograph by Grace Chu
Drae Campbell is a writer, actor, director, story teller, dancer, and nightlife emcee. Drae has been featured on Late Night with Conan O'Brien and on stages all over NYC. Drae's directing work has appeared in Iceland, NYC, Budapest and in the San Francisco Fringe Festival. The short film Drae wrote and starred in with Rebecca Drysdale, YOU MOVE ME won the Audience Award for Outstanding Narrative Short at OUTFEST 2010 and has been shown in festivals globally. Drae won the grand prize at the first annual San Miguel De Allende Storytelling Festival in Mexico. She once reigned as Miss LEZ and also got dubbed "the next lezzie comedian on the block" by AfterEllen.com for her comedic stylings on the interwebs. Campbell hosts and curates a monthly queer storytelling show called TELL at the Bureau of General Services—Queer Division. Check her out online! www.draecampbell.com.
Varín Ayala: Off Broadway: The Taming of the Shrew (TFANA with Maggie Siff; dir, Arin Arbus); NY Theater: Contigo (Signature); 365 Days/Plays (The Public); Jackson Heights 3AM (Theater 167): Las Facultades, The Beep (Pregones); Barber Surgeons (Studio 42); End of Summer, Love's Labour's Lost (Kaleidoscope at Cherry Lane); Numerous readings and workshops at NYTW, The Public, INTAR, The Lark, among others. Regional Theater: Pinkolandia (Two River Theater; premiere), The Motherf**er with the Hat (Hartford TheaterWorks), The Road to Washington (Mountain Playhouse), Angels in America I/II (Civic Theater of Allentown). TV: Lie to Me, Hustling. Training: The Actors Center Conservatory, Shakespeare Lab at The Public, Groundlings.
Hector Canonge is an interdisciplinary artist, independent curator, and cultural entrepreneur based in New York City. His work incorporates the use of new media technologies, cinematic narratives, Live Action Art, and Social Practice to explore and treat issues related to constructions of identity, gender roles, and the politics of migration. Challenging the white box settings of a gallery or a museum, or intervening directly in public spaces, his performances mediate movement, endurance, and ritualistic processes. Some of his actions and carefully choreographed performances involve collaborating with other artists and interacting with audiences. His installations, interactive platforms, performance art work, and literary readings have been exhibited and presented in the United States, Latin America, Europe and Asia.
In the Summer of 2018, Canonge undertook two major projects that took him to North Africa, Asia, and Europe: his multinational project "TEMPTATIONS" produced and presented in Morocco, Egypt, Turkey, Cyprus, and Greece, and "PORTALS" & "REFLEJOS" in collaboration with Verónica Peña presented in Marseille, France, and Mallorca, Granada and La Rioja in Spain. In the Fall of 2018, the artist presented and connected with artists and creatives in Moscow, Russia, and in participated in the Morni Hills Performance Art Biennale II in India where his project, "AWAKENINGS" was featured. Canonge was invited to participate in the Teacher's College Teaching Artist Certificate Program (2018-2019), and is currently preparing for future presentations in the United States, Argentina, Mexico and Germany.
Buzz Slutzky is a non-binary transgender artist, writer, and performer whose practice incorporates drawing, painting, sculpture, and video. Their visual art and writing often play between autobiographical and historical content. Lately, they've been drawing mashups between instructional manuals. As a performer, Buzz has mixed stand-up comedy and musical comedy under the persona Stoni Butchell, among others. They currently teach film and art to 18 year olds at CUNY College of Staten Island and SUNY Purchase College.
Originally from Taiwan, Dennis Yueh-Yeh Li earned his Master's degree in Performance Studies at New York University. He works as director, playwright, performer, and performance artist, having created projects addressed upon sexuality, philosophy, and politics, to give his unique perspectives on time, space, and power relations. His thesis performance piece "Kiss Me, so I am Queer", curated by Chashama, talks about the temporality of queerness and the social construction of queer identity. Currently, he is the Associate Artistic Director of the Living Theatre, and the New York Directing fellow of Drama League.
Cost: $10 suggested donation to benefit the performers and the Bureau. No one turned away for lack of funds.
Social Sculpture for Individual Goals
Social Sculpture for Individual Goals is an opportunity to check in with others about your personal goals.
The way it works is very simple: A group of individuals gathers together, and, depending on how many individuals are present, together we decide on a specific amount of time that each person will be allotted to speak to the group about their personal goals. We ask for one person to volunteer as a timekeeper, and that person keeps track of time, letting the person who is speaking know when they have one minute remaining, and when their time is up.
As each one of us takes our turn to speak, the group listens quietly and gives us an opportunity to speak from the heart about our personal goals. This process of personal goal-related sharing can go in many different directions, and each person who speaks is welcome to use this time in whatever way feels most helpful to them. This process provides an opportunity for the speaker to sort out their thoughts, to gain clarity around personal goals, to share setbacks and successes, and to be accountable to others. As we listen to others, it is an opportunity for us to practice deep listening and to receive inspiration from others.
While this is not an overly rule-bound process, we do ask that attendees keep the following guidelines in mind:
- When it is someone else's turn to speak, others in the group do not interrupt or query that person. We allow the person who is speaking to have 'the stage' to themself during their turn.
- During your own turn, keep the focus on yourself, and do not give feedback to others who have already spoken (note: it is okay to reference something someone else said, for example, something that inspired you–as long as you are mentioning it in relation to your own goals and your own process).
- Nobody is required to share. It is okay to attend and just listen to others, without sharing anything yourself. Also, it is okay if someone wants to speak for less than their allotted time.
- Please keep in mind that this is an open community forum; therefore, information that attendees choose to share is not considered confidential or anonymous.
This project is a collaboration between the Bureau and Ben G. Adams, a psychologist and artist whose work focuses on approaching tropes of personal and social transformation as art forms. The term 'social sculpture' was originally developed by 20th century conceptual artist Joseph Beuys in reference to the idea that all human beings are artists, and that all aspects of life can be approached as art forms. Ben's previous work includes an art book and dieting system titled The Creative Process Diet, mixed media works in printmaking and sculpture, and another (currently ongoing) iteration of Social Sculpture for Individual Goals developed in collaboration with the Religious Society of Friends of Truth (a.k.a. 'Quakers') beginning in January 2017.
There is no required cost to attend Social Sculpture for Individual Goals, which is being very generously sponsored by the Bureau of General Services—Queer Division, an independent organization that is operated entirely by volunteers. During the meeting we will pass around a bowl so that everyone who attends will receive an opportunity to make a voluntary donation to support the Bureau. The suggested donation is $10, and we ask attendees to be as generous as possible in their support of the Bureau, which generously sponsors Social Sculpture for Individual Goals and many other community-building projects.
Start: March 16, 2019 11:00 AM
Cost: $10 suggested donation to benefit the Bureau. No one turned away for lack of funds.
Esther Newton & Jean Carlomusto: Book Launch & Film Sneak Peek
Join author Esther Newton and filmmaker Jean Carlomusto for a celebration of MY BUTCH CAREER, Newton's new memoir which tells the compelling, disarming, and at times sexy story of her struggle to write, teach, and find love, all while coming to terms with her identity during a particularly intense time of homophobic persecution in the twentieth century.
This unprecedented public conversation will combine selected readings from Newton's memoir with a sneak peek of scenes from Carlomusto's upcoming feature-length documentary. AGILITY: A PORTRAIT OF ESTHER NEWTON, which uses the lens of Newton's love for a sport — competitive dog agility — to explore the flexibility, resilience and passionate inquiry that have driven her survival as a butch woman and trailblazing scholar in a world of obstacles. A reception and book-signing will follow the presentation.
This event is free, but attendees are encouraged to support the Bureau and the author by purchasing books and/or making a donation.
Copies of My Butch Career are available for purchase at the Bureau. To reserve a copy please write to us at contact@bgsqd.com. Please support the Bureau by buying books from us. Thank you!
Director/Producer Jean Carlomusto, Producer Shanti Avirgan, and AGILITY film subjects Esther Newton, Sammy and Viva
ESTHER NEWTON is a founder of and leading scholar in LGBTQ studies. She is the author of several books, including Margaret Mead Made Me Gay: Personal Essays, Public Ideas and Cherry Grove, Fire Island: Sixty Years in America's First Gay and Lesbian Town, both also published by Duke University Press, as well as the groundbreaking Mother Camp: Female Impersonators in America. She has taught at Purchase College of the State University of New York, the University of Paris VII, Paris, France and the University of Michigan (Ann Arbor). She was active in Second Wave Feminism, Gay Liberation and the Lesbian/Feminist movements. Her work has been translated into French, Spanish, Hebrew, Polish and Slovak.
JEAN CARLOMUSTO's films have been featured internationally in film festivals, museum exhibitions and on television. Her acclaimed feature documentary for HBO, LARRY KRAMER IN LOVE & ANGER, premiered at the 2015 Sundance Film Festival in the U.S. Documentary Competition and was nominated for two Emmy Awards. Carlomusto co-produced, directed and edited SEX IN AN EPIDEMIC, which premiered on Showtime on World AIDS Day, 2011. Her personal films are often unorthodox investigative reports on subjects that have been all but erased from history. TO CATCH A GLIMPSE, (Museum of Modern Art, NYC, permanent collections) delved into her family history by trying to find out if the rumors about her grandmother's death — from an illicit abortion back in 1939 –were true. In L IS FOR THE WAY YOU LOOK, she pieced together lesbian history using whatever scraps of gossip and memory she could find into a humorous portrait of a population's creative tussle for visibility and inclusion.
PRAISE FOR MY BUTCH CAREER
John D'Emilio: "In My Butch Career Esther Newton takes her readers through her chaotic family history, the uncharted territory of coming to terms with an identity that is far outside the norms for her generation, and the transforming effects that new social movements had on her. Bringing personalities, scenes, conversations, and relationships to life, Newton has written a book that is powerful, gripping, and immensely readable."
Elizabeth Lapovsky Kennedy: "Esther Newton's sharp insights into her developing consciousness are sometimes so precise and revealing that they take my breath away. Her wit gives her personal traumas in a hostile society universal meaning, making her pain and pleasure available to all, while her reflections on the interconnections of gender, sex, and feminism in love-making remain fresh. Capturing the multiple layers of identity and examining how social forces shape our lives, My Butch Career is absolutely unique in the way it explores women's desire as both personal and social. I know of no other memoir like it."
Tim Retzloff: "[Esther] is a formidable scholar of striking and stern beauty. I am fortunate and grateful to know her. Get a copy of My Butch Career and delve into a past that belongs to Esther personally and, thanks to her generous sharing, to all of us queer folk collectively. Read it. Relish it."
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As Cress Williams debuts to solid ratings playing The CW's newest superhero, we look at a few other comic book characters of color who could carry their own series.
With the introduction of Black Lightning (Cress Williams) on Tuesday, a prominent hero of color finally leads a big network TV series. Yes, Netflix streaming series Luke Cage debuted first, but the potential reach of Black Lightning on The CW far exceeds it.
Representation matters, as has been proven time and again by films with black lead characters, like Marvel record-breaker Black Panther (out February 16), and by the appeal of TV characters of various races and ethnicities, like Cisco Ramon (Carlos Valdes) on The Flash, Melinda May (Ming-Na Wen) on Marvel's Agents of S.H.I.E.L.D., and Mehcad Brooks as James Olsen on Supergirl.
It would be great if even more heroes of color got their shot in the Comics on TV realm. Here are just a few examples of characters who should be leading their own television shows right now.
While Renee Montoya has appeared on television, both in Batman: The Animated Series — the series for which she was created, thought her first comic book appearance beat her TV debut to release — and later in the form of Victoria Cartagena during Gotham's first season, she is a lead character waiting to happen. Born to Dominican immigrants in a tough part of Gotham City, Montoya eventually joined the police force, where she found herself working closely with the Batman. She eventually made detective and was assigned to the GCPD's major case squad where she worked for Captain Maggie Sawyer (a character who made a big impression on Supergirl) and was partnered with Crispus Allen, a character who may also deserve his own show. Then, one day, it all fell apart as Allen lay dying and Montoya quit the force. She went into a spiral of depression and drinking until the original Question, Vic Sage, selected her to replace him.
As a lead character on a television show, imagine a gay Latina Jessica Jones with martial arts skills, a dash of Angel-style guilt complex and a startlingly costumed look. The Question's blank face inspires terror in those she interrogates. But as a character in recovery, her choice to be a superhero puts her at the risk of succumbing to internal demons, no matter how well Sage — full of his own demons — trained her.
John Stewart has been one of the stalwart Green Lanterns for over 40 years. Depicted as black man because "it just made sense" to artist Neal Adams, Stewart is considered the first African-American DC superhero, beating Black Lightning to publication by six years. First introduced as a back-up GL for Hal Jordan, Stewart grew a sizable following of his own, taking over as the main Green Lantern from 1984 to 1988 and as the prominent GL in the animated Justice League TV series. A former marine and architect turned interstellar protector, he lives with the guilt that he allowed a planet to be destroyed while serving in the Lanterns — the cosmic version of Die Hard's Al Powell shooting a kid holding a cap gun. Nonetheless, John is a good man who grew from that tragedy and briefly ascended to the power of a Guardian — the immortal aliens who oversee the Green Lantern Corps.
Considering the similarities, many assumed Arrow's John Diggle (David Ramsey) would eventually be revealed as John Stewart. This never came to be as all of the Lantern characters are held in reserve for an eventual Green Lantern Corps feature film (now "on a slow burn," according to producer and writer David Goyer). But the notion of the Corps would serve as great fodder for a super-powered cop show, with Stewart anchoring as a good cop recently cleared of wrongdoing by internal affairs. Nonetheless, his post-traumatic stress could lead to a difficult re-entry onto the intergalactic beat.
Notable for being the first Muslim and Middle-Eastern Marvel hero in its pantheon to headline a Marvel Comics series, Kamala also hearkens back to the days when the Marvel heroes were outsiders trying to understand mainstream culture from a distance. Devoted to school and family, Kamala is a Desi girl from Jersey City who has one hero outside her community: Captain Marvel. Wearing a sweater inspired by the powerful Avenger, Kamala found herself transformed when a Terrigen bomb was detonated over the New York tri-state area. When she emerged from the Terrigen cocoon, she had the abilities to change her shape and her mass — giving her great strength when necessary. And like many great Marvel heroes, she must learn to deal with her powers while navigating the maelstrom that is high school.
As a television show, the premise would be obvious. Kamala would face equal amounts of drama at school, in her home, and from any villain not already claimed by Agents of S.H.I.E.L.D. She is also an Inhuman and might serve as a better anchor for the concept than the royal family of Marvel's Inhumans. But within those avenues for story is also the room to explore how one of the most recent cultures to come to the United States deals with one of its most unique ideas: the superhero itself.
Another recent Marvel Comic creation, Lunella is also an Inhuman like Kamala. But as she is also the smartest person on the planet, she anticipated her own Terrigenesis and actively sought to prevent it happening in her first story line. Also, she's 9 years old. That alone sets her apart from just about every kid on television – even if every kid on television thinks they're the smartest person ever to live. But Lunella's next-level intelligence also gets her into trouble, as she can be incredibly inconsiderate to her classmates, teachers, parents, and even Devil Dinosaur; the time-lost T-Rex who shares a symbiotic bond with Lunella. Thanks to her Terrigenesis, she can switch bodies with Devil Dinosaur when angry or extremely hungry, which presents a whole new set of troubles for Moon Girl.
Moon Girl and Devil Dinosaur might make for the most lighthearted of the series listed here, particularly as the T-Rex effects would make Devil Dinosaur an occasional guest character and force the show to lean into its comedic aspects. But within Lunella's Yancy Street walk from school to home and vice-versa is a world to explore thanks to rock-solid premise: a preternaturally smart little girl trying to skip the ugly process of growing up.
To be fair, Robbie Reyes has already appeared on television thanks to Agents of S.H.I.E.L.D. But his guest appearances (in the form of actor Gabriel Luna) only underscore how cool a Ghost Rider TV series could be. Caught up in the collateral damage of gang warfare and his uncle Eli's devious deeds, the television version of Robbie Reyes was saved by the original Ghost Rider only to become the Rider himself. Trading in the bike for a classic Dodge Charger – which is still in lock-up at the old S.H.I.E.L.D base – Robbie and the Rider prowled the streets of Los Angeles in search of souls to collect and sins to be paid. At least until he took the Darkhold into another dimension for safe keeping.
While the premise would suggest a Netflix-style show, there is still room for the character on broadcast. He has a gentler side taking care of his little brother Gabe and has a strong sense of community when his head isn't on fire. Returning Robbie to East L.A. would also offer Marvel television a unique setting from which to tell new kinds of stories. Would Ghost Rider be able to clean up the streets or find the task as difficult as Black Lightning's Jefferson Pierce? Would Robbie try to rebuild the neighborhood or set it all ablaze?
Of course, these are only a handful of the amazing minority heroes at the major publishers. There are others, like Amadeus Cho: The Totally Awesome Hulk and Green Lantern Simon Baz, who may be great lead characters as well. And in the case of these particular characters, their backgrounds and ethnicities offer a new and exciting way to look at classic comic book ideas. Comics, and Comic on TV, should always strive for this sort of interesting reinvention.


text:
It Isn't Popular Because It's An "- ism"
As reported by Slashdot:
"... Carl Safina, an adjunct professor at Stony Brook University, has an interesting essay in the NYTimes that says that equating evolution with Charles Darwin opened the door for creationism by ignoring 150 years of discoveries, including most of what scientists understand about evolution — Gregor Mendel's patterns of heredity, the discovery of DNA, developmental biology, studies documenting evolution in nature, and evolution's role in medicine and disease. Darwinism implies an ideology adhering to one man's dictates, like Marxism, says Safina. He adds that nobody talks about Newtonism or Einsteinism, and that by making Darwin 'into a sacred fetish misses the essence of his teaching.' By turning Darwin into an 'ism,' scientists created the opening for creationism, with the 'isms' implying equivalence. 'By propounding "Darwinism," even scientists and science writers perpetuate an impression that evolution is about one man, one book, one theory,' writes Safina. '"Darwinism" implies that biological scientists "believe in" Darwin's "theory." It's as if, since 1860, scientists have just ditto-headed Darwin rather than challenging and testing his ideas, or adding vast new knowledge.'"
It seems like any way people can they want to see where the huge movement and momentum of "creationism" came from. I suppose for so long ... they thought they had won - public education, TV, books - all media saying there's no such thing as Creationism - then starting about 10 years ago more and more SCIENCE that is demonstrable, provable, and plausibly alternative started coming out. After my trip to the Creation Museum, seeing the movie Expelled, seeing the Discovery Channel documentary The Privileged Planet - I'm totally convinced that scientists have had their science backwards and that the reason "creationism" has taken off - isn't because its an "-ism". It's because more and more people have been able to see the truth behind evolution.
This scientist seems to think that creationists don't believe in evolution - in fact - to the contrary it compliments creation theory substantially - just adding intelligent design into the equation. I am the first to agree that some take creationism too far - but no more so than evolution being the ONLY answer to everything that exists as many scientists so allege.
What I haven't figured out is if the debate isn't actually over Judeo-Christian beliefs then why bring more people's attention to it such as articles in the New York Times?
: Creation Museum
Paul Douglas said...
The article has a point, turning Darwin's work into an -ism was a stupid idea. Darwin was a scientist, he believed in testing and discovery, not dogma.
People on both sides of this dispute are completely out of their shells. Denying evolution ignores observable facts of life, whilst decrying intelligent design as impossible or mocking it for being based n religion shows the same dogmatism these people claim to oppose.
The fact is, no one knows if creationism is real, but there's nothing to say it's not. Evolution is fact, but no one rational has ever said it disproves creation.
You're painting the word evolution with too broad of a brush. Creationists typically do not deny that there is evidence of natural selection in nature past and present. There is not a lot of debate that evolution within species occurs; the fossil record clearly bears this out.
What creationists decry is the notion that an incredibly detailed and complex universe and related ecosystems, plants, animals, etc. came out of nothing. There is no science here; it is complete speculation. Additionally, the notion that there was inter-species evolution, i.e. single-cell to multi-cell to fish to amphibians to lizards etc. has never been shown in either the fossil record or any current examples.
Evolution as a broad science is neither science nor fact. It is speculation designed to explain what cannot be explained outside of intelligent design. Don't refer to evolution as fact or something based upon testing and discovery because it isn't.
That is false, evolution is considered scientific fact because it can be tested and demonstrated. Do not assume it to be un-scientific simply because you find it implausible that all of this could occur without divine intervention - intelligent design - as one can easily suggest that intelligent design is completely illogical as if the universe needed an omniscient intelligence to come into being, how did that same intelligence come into being, given that it must itself be at least as complicated as the system it created?
I do not deny the possibility of creation, there is no evidence against it. But you do yourself a disservice to suggest that natural evolution is pure speculation and that "only" intelligent design explains the universe as it is and therefore must be true.
Saying "x is true because I say it's the only way that makes sense" is not science, it is dogma. Science is formulating a theory, observing reality and making a conclusion which can be tested.
It's ironic to go from calling Evolution and (indirectly) Big Bang Theory speculation and to call them "[not] science" to spewing the dogma that only creationism makes sense when there is equal evidence and likelihood to both.
I am not even an atheist. At the moment, I don't personally believe there is a Creator but I can understand why others would believe that and I accept there is evidence that there may be a Creator. What I won't stand for is dogmatist either of Creation or natural evolution because both sides are unproven.
Evolution is taught in schools because we can test it and find it to true. Intelligent Design is currently just one theory as to why evolution might take place and to suggest it disproves evolution is both irresponsible and wrong.
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